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<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd"><html xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/html; charset=utf-8" /><meta name="viewport" content="width=device-width; initial-scale=1.0; maximum-scale=1.0; user-scalable=0;"/><title>Isaiah 23:16 Commentaries: Take your harp, walk about the city, O forgotten harlot; Pluck the strings skillfully, sing many songs, That you may be remembered.</title><link rel="stylesheet" href="/newcom.css" type="text/css" media="Screen" /><link rel="stylesheet" href="/print.css" type="text/css" media="Print" /><script type="application/javascript" src="https://scripts.webcontentassessor.com/scripts/8a2459b64f9cac8122fc7f2eac4409c8555fac9383016db59c4c26e3d5b8b157"></script><script src='https://qd.admetricspro.com/js/biblehub/biblehub-layout-loader-revcatch.js'></script><script id='HyDgbd_1s' src='https://prebidads.revcatch.com/ads.js' type='text/javascript' async></script><script>(function(w,d,b,s,i){var cts=d.createElement(s);cts.async=true;cts.id='catchscript'; 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make sweet melody, sing many songs, that thou mayest be remembered.</div><div id="jump">Jump to: <a href="/commentaries/barnes/isaiah/23.htm" title="Barnes' Notes">Barnes</a> • <a href="/commentaries/benson/isaiah/23.htm" title="Benson Commentary">Benson</a> • <a href="/commentaries/illustrator/isaiah/23.htm" title="Biblical Illustrator">BI</a> • <a href="/commentaries/calvin/isaiah/23.htm" title="Calvin's Commentaries">Calvin</a> • <a href="/commentaries/cambridge/isaiah/23.htm" title="Cambridge Bible">Cambridge</a> • <a href="/commentaries/clarke/isaiah/23.htm" title="Clarke's Commentary">Clarke</a> • <a href="/commentaries/darby/isaiah/23.htm" title="Darby's Bible Synopsis">Darby</a> • <a href="/commentaries/ellicott/isaiah/23.htm" title="Ellicott's Commentary for English Readers">Ellicott</a> • <a href="/commentaries/expositors/isaiah/23.htm" title="Expositor's Bible">Expositor's</a> • <a href="/commentaries/edt/isaiah/23.htm" title="Expositor's Dictionary">Exp Dct</a> • <a href="/commentaries/gaebelein/isaiah/23.htm" title="Gaebelein's Annotated Bible">Gaebelein</a> • <a href="/commentaries/gsb/isaiah/23.htm" title="Geneva Study Bible">GSB</a> • <a href="/commentaries/gill/isaiah/23.htm" title="Gill's Bible Exposition">Gill</a> • <a href="/commentaries/gray/isaiah/23.htm" title="Gray's Concise">Gray</a> • <a href="/commentaries/guzik/isaiah/23.htm" title="Guzik Bible Commentary">Guzik</a> • <a href="/commentaries/haydock/isaiah/23.htm" title="Haydock Catholic Bible Commentary">Haydock</a> • <a href="/commentaries/hastings/isaiah/12-3.htm" title="Hastings Great Texts">Hastings</a> • <a href="/commentaries/homiletics/isaiah/23.htm" title="Pulpit Homiletics">Homiletics</a> • <a href="/commentaries/jfb/isaiah/23.htm" title="Jamieson-Fausset-Brown">JFB</a> • <a href="/commentaries/kad/isaiah/23.htm" title="Keil and Delitzsch OT">KD</a> • <a href="/commentaries/kelly/isaiah/23.htm" title="Kelly Commentary">Kelly</a> • <a href="/commentaries/king-en/isaiah/23.htm" title="Kingcomments Bible Studies">King</a> • <a href="/commentaries/lange/isaiah/23.htm" title="Lange Commentary">Lange</a> • <a href="/commentaries/maclaren/isaiah/23.htm" title="MacLaren Expositions">MacLaren</a> • <a href="/commentaries/mhc/isaiah/23.htm" title="Matthew Henry Concise">MHC</a> • <a href="/commentaries/mhcw/isaiah/23.htm" title="Matthew Henry Full">MHCW</a> • <a href="/commentaries/parker/isaiah/23.htm" title="The People's Bible by Joseph Parker">Parker</a> • <a href="/commentaries/poole/isaiah/23.htm" title="Matthew Poole">Poole</a> • <a href="/commentaries/pulpit/isaiah/23.htm" title="Pulpit Commentary">Pulpit</a> • <a href="/commentaries/sermon/isaiah/23.htm" title="Sermon Bible">Sermon</a> • <a href="/commentaries/sco/isaiah/23.htm" title="Scofield Reference Notes">SCO</a> • <a href="/commentaries/teed/isaiah/23.htm" title="Teed Bible Commentary">Teed</a> • <a href="/commentaries/ttb/isaiah/23.htm" title="Through The Bible">TTB</a> • <a href="/commentaries/wes/isaiah/23.htm" title="Wesley's Notes">WES</a> • <a href="#tsk" title="Treasury of Scripture Knowledge">TSK</a></div><div id="leftbox"><div class="padleft"><div class="comtype">EXPOSITORY (ENGLISH BIBLE)</div><div class="vheading2"><a href="/commentaries/ellicott/isaiah/23.htm">Ellicott's Commentary for English Readers</a></div>(16) <span class= "bld">Take an harp, go about the city . . .</span>—In a tone half of irony and half of pity, the prophet tells the “harlot that had been forgotten” to return to her old arts of song (the singing women of the East were commonly of this class), and to go about once more with song and lyre, recalling her old lovers (<span class= "ital">i.e., </span>her old allies) to the memory of their past love.<p><a name="mhc" id="mhc"></a><div class="vheading2"><a href="/commentaries/mhc/isaiah/23.htm">Matthew Henry's Concise Commentary</a></div>23:15-18 The desolations of Tyre were not to be for ever. The Lord will visit Tyre in mercy. But when set at liberty, she will use her old arts of temptation. The love of worldly wealth is spiritual idolatry; and covetousness is spiritual idolatry. This directs those that have wealth, to use it in the service of God. When we abide with God in our worldly callings, when we do all in our power to further the gospel, then our merchandise and hire are holiness to the Lord, if we look to his glory. Christians should carry on business as God's servants, and use riches as his stewards.<a name="bar" id="bar"></a><div class="vheading2"><a href="/commentaries/barnes/isaiah/23.htm">Barnes' Notes on the Bible</a></div>Take an harp - This is a continuation of the figure commenced in the previous verse, a direct command to Tyre as an harlot, to go about the city with the usual expressions of rejoicing. Thus Donatus, in Terent. Eunuch., iii. 2, 4, says:<p>'Fidicinam esse meretricum est;'<p>And thus Horace:<p>'Nec meretrix tibicina, cujus<p>Ad strepitum salias.'<p>1 Epis. xiv. 25.<p>Thou harlot that hast been forgotten - For seventy years thou hast lain unknown, desolate, ruined.<p>Make sweet melody ... - Still the prophet keeps up the idea of the harlot that had been forgotten, and that would now call her lovers again to her dwelling. The sense is, that Tyre would rise to her former splendor, and that the nations would be attracted by the proofs of returning prosperity to renew their commercial contact with her. <a name="jfb" id="jfb"></a><div class="vheading2"><a href="/commentaries/jfb/isaiah/23.htm">Jamieson-Fausset-Brown Bible Commentary</a></div>16. Same figure [Isa 23:15] to express that Tyre would again prosper and attract commercial intercourse of nations to her, and be the same joyous, self-indulging city as before.<div class="vheading2"><a href="/commentaries/poole/isaiah/23.htm">Matthew Poole's Commentary</a></div> <span class="bld">Take an harp, go about the city; </span> as harlots use to do, to allure customers. <span class="p"><br /><br /></span><span class="bld">Thou harlot; </span> so he calleth Tyre, partly because she enticed merchants to deal with her by various artifices, and even by dishonest practices, as harlots use; and partly because of the great and general uncleanness which was both committed and tolerated in it. That thou mayest be remembered by those who had forgotten thee, <span class="bld"><a href="/isaiah/23-15.htm" title="And it shall come to pass in that day, that Tyre shall be forgotten seventy years, according to the days of one king: after the end of seventy years shall Tyre sing as an harlot.">Isaiah 23:15</a></span>. <span class="p"><br /><br /></span><a name="gil" id="gil"></a><div class="vheading2"><a href="/commentaries/gill/isaiah/23.htm">Gill's Exposition of the Entire Bible</a></div>Take a harp, go about the city,.... As harlots used to do, that by their music, both vocal and instrumental, they might allure men into their company to commit fornication with them; so Tyre is directed to, or rather this is a prophecy that she should take very artful and ensnaring methods to restore her commerce and merchandise: <p>thou harlot that hast been forgotten; See Gill on <a href="http://biblehub.com/isaiah/23-15.htm">Isaiah 23:15</a>, <p>make sweet melody; or, "do well by striking" (k); that is, the harp in her hand; strike it well with art and skill, so as to make melody, and give pleasure: <p>sing many songs; or, "multiply a song" (l); sing one after another, till the point is carried aimed at: <p>that thou mayest be remembered; men may took at thee again, and trade with thee as formerly, who had been so long forgotten and neglected. <p>(k) "benefac pulsando", Junius; "belle pulsa", Piscator. (l) "multiplica cantum", Piscator. <a name="gsb" id="gsb"></a><div class="vheading2"><a href="/commentaries/gsb/isaiah/23.htm">Geneva Study Bible</a></div><span class="cverse2">Take an harp, go about the city, thou harlot that hast been forgotten; <span class="cverse3">{x}</span> make sweet melody, sing many songs, that thou mayest be remembered.</span><p>(x) She will labour by all means to recover her first credit, as a harlot when she is long forgotten, seeks by all means to entertain her lovers.</div></div><div id="centbox"><div class="padcent"><div class="comtype">EXEGETICAL (ORIGINAL LANGUAGES)</div><div class="vheading2"><a href="/commentaries/cambridge/isaiah/23.htm">Cambridge Bible for Schools and Colleges</a></div><span class="bld">16</span>. The song of the harlot, celebrating the wiles by which a forgotten prostitute seeks to regain her influence. The song has a light, dancing rhythm, and consists of six lines of two words each.<span class="p"><br /><br /></span><span class="ital">make sweet melody</span>] Better: <span class="bld">play skilfully</span>.<span class="p"><br /><br /></span><a name="pul" id="pul"></a><div class="vheading2"><a href="/commentaries/pulpit/isaiah/23.htm">Pulpit Commentary</a></div><span class="cmt_sub_title">Verse 16.</span> - <span class="cmt_word">Take an harp</span>. Harlots in the East, and indeed in the West also in ancient times (Her., 'Epist.,' 1:14, 1. 25), were expected to be musicians. The harp and the guitar were their usual instruments. <span class="cmt_word">Forgotten harlot</span>. In addressing. Tyro as a "harlot," the prophet does not seem to mean more than that her aims were, or at any rate had been, selfish and worldly, such as sever between man and God. She had pursued wealth for the enjoyments that it brought her, not in order to make a good use of it. Hers had been the covetousness which is "idolatry" (<a href="/colossians/3-5.htm">Colossians 3:5</a>). Isaiah 23:16<a name="kad" id="kad"></a><div class="vheading2"><a href="/commentaries/kad/isaiah/23.htm">Keil and Delitzsch Biblical Commentary on the Old Testament</a></div>The prophet here foretells the rise of Tyre again at the close of the Chaldean world-wide monarchy. "And it will come to pass in that day, that Tzor will be forgotten seventy years, equal to the days of one king; after the end of the seventy years, Tzor will go, according to the song of the harlot. Take the guitar, sweep through the city, O forgotten harlot! Play bravely, sing zealously, that thou mayest be remembered!" The "days of a king" are a fixed and unchangeable period, for which everything is determined by the one sovereign will (as is the case more especially in the East), and is therefore stereotyped. The seventy years are compared to the days of such a king. Seventy is well fitted to be the number used to denote a uniform period of this kind, being equal to 10 x 7, i.e., a compact series of heptads of years (shabbathoth). But the number is also historical, prophecy being the power by which the history of the future was "periodized" beforehand in this significant manner. They coincide with the seventy years of Jeremiah (compare <a href="/2_chronicles/36-21.htm">2 Chronicles 36:21</a>), that is to say, with the duration of the Chaldean rule. During this period Tyre continued with its world-wide commerce in a state of involuntary repose. "Tyre will be forgotten:" v'nishcachath is not a participle (Bttcher), but the perf. cons. which is required here, and stands for ונשׁכּחה with an original ת fem. (cf., <a href="/isaiah/7-14.htm">Isaiah 7:14</a>; <a href="/psalms/118-23.htm">Psalm 118:23</a>). After the seventy years (that is to say, along with the commencement of the Persian rule) the harlot is welcomed again. She is like a bayadere or troubadour going through the streets with song and guitar, and bringing her charms into notice again. The prophecy here falls into the tone of a popular song, as in <a href="/isaiah/5-1.htm">Isaiah 5:1</a> and <a href="/isaiah/27-2.htm">Isaiah 27:2</a>. It will be with Tyre as with such a musician and dancer as the one described in the popular song. <div class="vheading2">Links</div><a href="/interlinear/isaiah/23-16.htm">Isaiah 23:16 Interlinear</a><br /><a href="/texts/isaiah/23-16.htm">Isaiah 23:16 Parallel Texts</a><br /><span class="p"><br /><br /></span><a href="/niv/isaiah/23-16.htm">Isaiah 23:16 NIV</a><br /><a href="/nlt/isaiah/23-16.htm">Isaiah 23:16 NLT</a><br /><a href="/esv/isaiah/23-16.htm">Isaiah 23:16 ESV</a><br /><a href="/nasb/isaiah/23-16.htm">Isaiah 23:16 NASB</a><br /><a href="/kjv/isaiah/23-16.htm">Isaiah 23:16 KJV</a><span class="p"><br /><br /></span><a href="http://bibleapps.com/isaiah/23-16.htm">Isaiah 23:16 Bible Apps</a><br /><a href="/isaiah/23-16.htm">Isaiah 23:16 Parallel</a><br /><a href="http://bibliaparalela.com/isaiah/23-16.htm">Isaiah 23:16 Biblia Paralela</a><br /><a href="http://holybible.com.cn/isaiah/23-16.htm">Isaiah 23:16 Chinese Bible</a><br /><a href="http://saintebible.com/isaiah/23-16.htm">Isaiah 23:16 French Bible</a><br /><a href="http://bibeltext.com/isaiah/23-16.htm">Isaiah 23:16 German Bible</a><span class="p"><br /><br /></span><a href="/">Bible Hub</a><br /></div></div></td></tr></table></div><div id="mdd"><div align="center"><div class="bot2"><table align="center" width="100%"><tr><td align="center"><div align="center"> <script id="3d27ed63fc4348d5b062c4527ae09445"> (new Image()).src = 'https://capi.connatix.com/tr/si?token=51ce25d5-1a8c-424a-8695-4bd48c750f35&cid=3a9f82d0-4344-4f8d-ac0c-e1a0eb43a405'; </script> <script id="b817b7107f1d4a7997da1b3c33457e03"> (new Image()).src = 'https://capi.connatix.com/tr/si?token=cb0edd8b-b416-47eb-8c6d-3cc96561f7e8&cid=3a9f82d0-4344-4f8d-ac0c-e1a0eb43a405'; </script><br /><br />  <div id='div-gpt-ad-1529103594582-2'> </div><br /><br />  <div id='div-gpt-ad-1529103594582-0' style='max-width: 300px;'> </div><br /><br />  <div id='div-gpt-ad-1529103594582-3'> </div><br /><br />  <div id='div-gpt-ad-1529103594582-1' style='max-width: 300px;'> </div><br /><br />  <div align="center" id='div-gpt-ad-1531425649696-0'> </div><br /><br /> <ins class="adsbygoogle" style="display:inline-block;width:200px;height:200px" data-ad-client="ca-pub-3753401421161123" data-ad-slot="3592799687"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script><br /><br /> </div> <div id="left"><a href="../isaiah/23-15.htm" onmouseover='lft.src="/leftgif.png"' onmouseout='lft.src="/left.png"' title="Isaiah 23:15"><img src="/left.png" name="lft" border="0" alt="Isaiah 23:15" /></a></div><div id="right"><a href="../isaiah/23-17.htm" onmouseover='rght.src="/rightgif.png"' onmouseout='rght.src="/right.png"' title="Isaiah 23:17"><img src="/right.png" name="rght" border="0" alt="Isaiah 23:17" /></a></div><div id="botleft"><a href="#" onmouseover='botleft.src="/botleftgif.png"' onmouseout='botleft.src="/botleft.png"' title="Top of Page"><img src="/botleft.png" name="botleft" border="0" alt="Top of Page" /></a></div><div id="botright"><a href="#" onmouseover='botright.src="/botrightgif.png"' onmouseout='botright.src="/botright.png"' title="Top of Page"><img src="/botright.png" name="botright" border="0" alt="Top of Page" /></a></div> <div id="bot"><iframe width="100%" height="1500" scrolling="no" src="/botmenubhnew2.htm" frameborder="0"></iframe></div></td></tr></table></div></body></html>