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Luiz Amorim | Universidade Federal de Pernambuco - Academia.edu

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2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Em teorias normativas ou prescritivas, os requisitos arquitetônicos são definidos como parâmetros...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Em teorias normativas ou prescritivas, os requisitos arquitetônicos são definidos como parâmetros para apoiar as decisões de projeto. Um conjunto de parâmetros formais é suficiente para gerar uma grande variedade de composições, quase sempre associadas a uma mesma linguagem formal. Este artigo analisa a obra do arquiteto luso-brasileiro Delfim Fernandes Amorim, cujas contribuições para a divulgação de ideias modernistas e para o desenvolvimento de léxico arquitetônico moderno são bastante relevantes, como observado na chamada Lei de Amorim – uma interpretação das normas municipais do Recife que considera espaços de ocupação transitória e elementos arquitetônicos específicos poderiam ser construídos para além do recuo obrigatório, sem que suas áreas fossem consideradas na área total da edificação. Este artigo apresenta o desenvolvimento de uma gramática da forma que mostra como alguns dos parâmetros definidos na Lei de Amorim são capazes de criar uma linguagem formal forte. 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A partir dessa premissa, tem-se por objetivo identificar os efeitos sobre as possibilidades de movimento que são gerados por alterações nos padrões de permeabilidade espacial em edifícios. A análise é realizada a partir dos conceitos de espaço-tipo e de tipos de movimento — fully closed / fully open, como definidos por Bill Hillier — nos edifícios dos museus das Minas e do Metal e do Memorial Minas Gerais Vale, projetos de mudança de uso de exemplares originalmente concebidos para abrigar secretarias do Estado de Minas Gerais.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="162e5a94702d2c971e5cd1a045c13661" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:104947191,&quot;asset_id&quot;:105513114,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/104947191/download_file?st=MTczMjQ0MjQyMiw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="105513114"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="105513114"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 105513114; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=105513114]").text(description); $(".js-view-count[data-work-id=105513114]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 105513114; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='105513114']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 105513114, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "162e5a94702d2c971e5cd1a045c13661" } } $('.js-work-strip[data-work-id=105513114]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":105513114,"title":"Espaços-tipo e movimento","translated_title":"","metadata":{"abstract":"As edificações podem ser entendidas como artefatos culturais que produzem e reproduzem lógicas sociais de ocupação e de movimento por meio das funções genéricas do espaço. 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A partir dessa premissa, tem-se por objetivo identificar os efeitos sobre as possibilidades de movimento que são gerados por alterações nos padrões de permeabilidade espacial em edifícios. A análise é realizada a partir dos conceitos de espaço-tipo e de tipos de movimento — fully closed / fully open, como definidos por Bill Hillier — nos edifícios dos museus das Minas e do Metal e do Memorial Minas Gerais Vale, projetos de mudança de uso de exemplares originalmente concebidos para abrigar secretarias do Estado de Minas Gerais.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8558a7a56e227bbb29e6ed0d25aded18" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:104158806,&quot;asset_id&quot;:104424793,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/104158806/download_file?st=MTczMjQ0MjQyMiw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="104424793"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="104424793"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 104424793; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=104424793]").text(description); $(".js-view-count[data-work-id=104424793]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 104424793; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='104424793']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 104424793, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8558a7a56e227bbb29e6ed0d25aded18" } } $('.js-work-strip[data-work-id=104424793]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":104424793,"title":"Espaços-tipo e movimento","translated_title":"","metadata":{"abstract":"As edificações podem ser entendidas como artefatos culturais que produzem e reproduzem lógicas sociais de ocupação e de movimento por meio das funções genéricas do espaço. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="94666957"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/94666957/Paradoxo_Da_Galeria_Progressiva"><img alt="Research paper thumbnail of Paradoxo Da Galeria Progressiva" class="work-thumbnail" src="https://attachments.academia-assets.com/97060348/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/94666957/Paradoxo_Da_Galeria_Progressiva">Paradoxo Da Galeria Progressiva</a></div><div class="wp-workCard_item"><span>Revista de Morfologia Urbana</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Focando no comportamento espacial de visitantes, investiga-se uma tipologia de espaço expositivo ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Focando no comportamento espacial de visitantes, investiga-se uma tipologia de espaço expositivo com arranjo sequencial de ambientes, denominada “galeria progressiva” (GP). Resultado de uma tese de doutoramento, propõe-se a interface entre neurociência e sintaxe espacial. Avalia-se o impacto de GPs na função atencional pela aferição da resposta de foco em visitantes em galerias virtuais. As hipóteses iniciais sobre GPs foram: campos visuais são altamente inteligíveis; leiautes deterministas levam à visitação com maior foco e o espaço impacta decisivamente na visita, sobretudo quando rotas são limitadas. São analisados leiautes hipotéticos simples, exemplares históricos e duas GPs modernas, o Solomon R. Guggenheim Museum e o Museu do Crescimento Ilimitado. Posteriormente, procede a análise de variações complexas e, finalmente, a avaliação de percursos de visitantes e captura de foco durante navegação virtual em galerias, cerne deste artigo. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="94666956"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/94666956/Arquitetura_e_Narrativa_Um_estudo_anal%C3%ADtico_do_Museu_do_Homem_do_Nordeste_MUHNE_"><img alt="Research paper thumbnail of Arquitetura e Narrativa: Um estudo analítico do Museu do Homem do Nordeste (MUHNE)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/94666956/Arquitetura_e_Narrativa_Um_estudo_anal%C3%ADtico_do_Museu_do_Homem_do_Nordeste_MUHNE_">Arquitetura e Narrativa: Um estudo analítico do Museu do Homem do Nordeste (MUHNE)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">O Museu do Homem do Nordeste (MUHNE), antigo Museu do Açúcar, foi o primeiro edifício construído ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">O Museu do Homem do Nordeste (MUHNE), antigo Museu do Açúcar, foi o primeiro edifício construído em Pernambuco especificamente para este fim, em 1963. Em 1979, o MUHNE é fundado a partir da junção do acervo proveniente de três outros museus (Açúcar, Antropologia e Arte Popular). Sua vasta e heterogênea coleção, e a maneira como esta foi apresentada em diferentes exposições de longa duração (1979 e 2008), despertam para o entendimento interação entre as mudanças nas propriedades espaciais de um leiaute de exposição e as narrativas curatoriais e mensagens de exposição pretendidas. O caso do MUHNE fornece subsídios para a análise da interação entre a arquitetura e as estratégias de desenho das narrativas curatoriais e como estas constituem a dimensão espacial das galerias do museu.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="94666956"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="94666956"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 94666956; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=94666956]").text(description); $(".js-view-count[data-work-id=94666956]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 94666956; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='94666956']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 94666956, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=94666956]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":94666956,"title":"Arquitetura e Narrativa: Um estudo analítico do Museu do Homem do Nordeste (MUHNE)","translated_title":"","metadata":{"abstract":"O Museu do Homem do Nordeste (MUHNE), antigo Museu do Açúcar, foi o primeiro edifício construído em Pernambuco especificamente para este fim, em 1963. 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Para tal, utiliza a Bienal de São Paulo como objeto empírico, expressão que designa um conjunto de exposições e um edifício, cuja configuração espacial é simultaneamente descrita como complexa e genérica, e que, desde 1957, é reconfigurado a cada dois anos para sediar o evento – composto por exposições de arte moderna e contemporânea de grande especificidade. A análise de nove casos de leiautes de exposições Bienais e do leiaute de seu edifício no ano correspondente permitiu elaborar e testar tais modelos e sintetizar os resultados por meio de escalas que relacionam os três sistemas e suas se...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1fe60f4e564821c524254f420592ae27" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:97060334,&quot;asset_id&quot;:94666937,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/97060334/download_file?st=MTczMjQ0MjQyMiw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="94666937"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="94666937"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 94666937; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=94666937]").text(description); $(".js-view-count[data-work-id=94666937]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 94666937; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='94666937']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 94666937, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1fe60f4e564821c524254f420592ae27" } } $('.js-work-strip[data-work-id=94666937]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":94666937,"title":"Complexidade, genericidade e especificidade em edifícios","translated_title":"","metadata":{"abstract":"Este artigo discute a interação entre leiautes espaciais efêmeros e perenes que, embora observáveis em diversos tipos edilícios, são particularmente evidentes em espaços expositivos, e propõe três modelos descritivos – complexo, genérico e específico – capazes de capturar e relacionar suas possibilidades máximas, mínimas e intermédias de desempenho das funções genéricas de ocupação e movimento. 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Espacial","url":"https://www.academia.edu/Documents/in/Sintaxe_Espacial"},{"id":633957,"name":"Bienal De São Paulo","url":"https://www.academia.edu/Documents/in/Bienal_De_Sao_Paulo"},{"id":796020,"name":"Exposição De Arte","url":"https://www.academia.edu/Documents/in/Exposicao_De_Arte"},{"id":2641284,"name":"Bienal de Arquitetura de São Paulo","url":"https://www.academia.edu/Documents/in/Bienal_de_Arquitetura_de_S%C3%A3o_Paulo"}],"urls":[{"id":27902861,"url":"http://revistademorfologiaurbana.org/index.php/rmu/article/download/258/159"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="90204473"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/90204473/Complexidade_genericidade_e_especificidade_em_edif%C3%ADcios_modelos_descritivos_e_a_no%C3%A7%C3%A3o_de_media%C3%A7%C3%A3o_espacial"><img alt="Research paper thumbnail of Complexidade, genericidade e especificidade em edifícios: modelos descritivos e a noção de mediação espacial" class="work-thumbnail" src="https://attachments.academia-assets.com/93830528/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/90204473/Complexidade_genericidade_e_especificidade_em_edif%C3%ADcios_modelos_descritivos_e_a_no%C3%A7%C3%A3o_de_media%C3%A7%C3%A3o_espacial">Complexidade, genericidade e especificidade em edifícios: modelos descritivos e a noção de mediação espacial</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ufpe.academia.edu/L%C3%ADviaN%C3%B3brega">Lívia Nóbrega</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://ufpe.academia.edu/LuizAmorim">Luiz Amorim</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://kth.academia.edu/DanielKoch">Daniel Koch</a></span></div><div class="wp-workCard_item"><span>Revista de Morfologia Urbana</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Este artigo discute a interação entre leiautes espaciais efêmeros e perenes que, embora observáve...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Este artigo discute a interação entre leiautes espaciais efêmeros e perenes que, embora observáveis em diversos tipos edilícios, são particularmente evidentes em espaços expositivos, e propõe três modelos descritivos – complexo, genérico e específico – capazes de capturar e relacionar suas possibilidades máximas, mínimas e intermédias de desempenho das funções genéricas de ocupação e movimento. Para tal, utiliza a Bienal de São Paulo como objeto empírico, expressão que designa um conjunto de exposições e um edifício, cuja configuração espacial é simultaneamente descrita como complexa e genérica, e que, desde 1957, é reconfigurado a cada dois anos para sediar o evento – composto por exposições de arte moderna e contemporânea de grande especificidade. A análise de nove casos de leiautes de exposições Bienais e do leiaute de seu edifício no ano correspondente permitiu elaborar e testar tais modelos e sintetizar os resultados por meio de escalas que relacionam os três sistemas e suas sequências de distribuição. Estes modelos e sequências caracterizam a propriedade de mediação espacial da arquitetura (Nóbrega, 2022) e podem suportar a descrição e análise da interação entre leiautes superpostos e o desempenho de suas funções genéricas em edifícios de outros tipos e usos.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="32b6c8b4646b418cc2db731aefd1393a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:93830528,&quot;asset_id&quot;:90204473,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/93830528/download_file?st=MTczMjQ0MjQyMiw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="90204473"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="90204473"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 90204473; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=90204473]").text(description); $(".js-view-count[data-work-id=90204473]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 90204473; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='90204473']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 90204473, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "32b6c8b4646b418cc2db731aefd1393a" } } $('.js-work-strip[data-work-id=90204473]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":90204473,"title":"Complexidade, genericidade e especificidade em edifícios: modelos descritivos e a noção de mediação espacial","translated_title":"","metadata":{"doi":"10.47235/rmu.v10i2.258","issue":"2","volume":"10","abstract":"Este artigo discute a interação entre leiautes espaciais efêmeros e perenes que, embora observáveis em diversos tipos edilícios, são particularmente evidentes em espaços expositivos, e propõe três modelos descritivos – complexo, genérico e específico – capazes de capturar e relacionar suas possibilidades máximas, mínimas e intermédias de desempenho das funções genéricas de ocupação e movimento. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="74990387"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/74990387/Arquitetura_e_Narrativa_Um_estudo_anal%C3%ADtico_do_Museu_do_Homem_do_Nordeste_MUHNE_"><img alt="Research paper thumbnail of Arquitetura e Narrativa: Um estudo analítico do Museu do Homem do Nordeste (MUHNE)" class="work-thumbnail" src="https://attachments.academia-assets.com/93831675/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/74990387/Arquitetura_e_Narrativa_Um_estudo_anal%C3%ADtico_do_Museu_do_Homem_do_Nordeste_MUHNE_">Arquitetura e Narrativa: Um estudo analítico do Museu do Homem do Nordeste (MUHNE)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ufpe.academia.edu/L%C3%ADviaN%C3%B3brega">Lívia Nóbrega</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ufpe.academia.edu/LuizAmorim">Luiz Amorim</a></span></div><div class="wp-workCard_item"><span>Anais do 2o Seminário Internacional Museografia e Arquitetura de Museus - Identidades e Comunicação</span><span>, 2010</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">O Museu do Homem do Nordeste (MUHNE), antigo Museu do Açúcar, foi o primeiro edifício construído ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">O Museu do Homem do Nordeste (MUHNE), antigo Museu do Açúcar, foi o primeiro edifício construído em Pernambuco especificamente para este fim, em 1963. Em 1979, o MUHNE é fundado a partir da junção do acervo proveniente de três outros museus (Açúcar, Antropologia e Arte Popular). Sua vasta e heterogênea coleção, e a maneira como esta foi apresentada em diferentes exposições de longa duração (1979 e 2008), despertam para o entendimento interação entre as mudanças nas propriedades espaciais de um leiaute de exposição e as narrativas curatoriais e mensagens de exposição pretendidas. O caso do MUHNE fornece subsídios para a análise da interação entre a arquitetura e as estratégias de desenho das narrativas curatoriais e como estas constituem a dimensão espacial das galerias do museu.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="eb36201e4fd6ef34871b42a7a0f04957" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:93831675,&quot;asset_id&quot;:74990387,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/93831675/download_file?st=MTczMjQ0MjQyMiw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="74990387"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="74990387"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 74990387; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=74990387]").text(description); $(".js-view-count[data-work-id=74990387]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 74990387; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='74990387']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 74990387, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "eb36201e4fd6ef34871b42a7a0f04957" } } $('.js-work-strip[data-work-id=74990387]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":74990387,"title":"Arquitetura e Narrativa: Um estudo analítico do Museu do Homem do Nordeste (MUHNE)","translated_title":"","metadata":{"abstract":"O Museu do Homem do Nordeste (MUHNE), antigo Museu do Açúcar, foi o primeiro edifício construído em Pernambuco especificamente para este fim, em 1963. Em 1979, o MUHNE é fundado a partir da junção do acervo proveniente de três outros museus (Açúcar, Antropologia e Arte Popular). Sua vasta e heterogênea coleção, e a maneira como esta foi apresentada em diferentes exposições de longa duração (1979 e 2008), despertam para o entendimento interação entre as mudanças nas propriedades espaciais de um leiaute de exposição e as narrativas curatoriais e mensagens de exposição pretendidas. O caso do MUHNE fornece subsídios para a análise da interação entre a arquitetura e as estratégias de desenho das narrativas curatoriais e como estas constituem a dimensão espacial das galerias do museu.","publication_date":{"day":null,"month":null,"year":2010,"errors":{}},"publication_name":"Anais do 2o Seminário Internacional Museografia e Arquitetura de Museus - Identidades e Comunicação"},"translated_abstract":"O Museu do Homem do Nordeste (MUHNE), antigo Museu do Açúcar, foi o primeiro edifício construído em Pernambuco especificamente para este fim, em 1963. Em 1979, o MUHNE é fundado a partir da junção do acervo proveniente de três outros museus (Açúcar, Antropologia e Arte Popular). 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="90135961"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/90135961/OUVINDO_O_ESPA%C3%87O_DAS_IMBRICADAS_RELA%C3%87%C3%95ES_ENTRE_ARQUITETURA_E_M%C3%9ASICA_EM_4_33_DE_JOHN_CAGE"><img alt="Research paper thumbnail of OUVINDO O ESPAÇO: DAS IMBRICADAS RELAÇÕES ENTRE ARQUITETURA E MÚSICA EM 4’33”, DE JOHN CAGE" class="work-thumbnail" src="https://attachments.academia-assets.com/93781604/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/90135961/OUVINDO_O_ESPA%C3%87O_DAS_IMBRICADAS_RELA%C3%87%C3%95ES_ENTRE_ARQUITETURA_E_M%C3%9ASICA_EM_4_33_DE_JOHN_CAGE">OUVINDO O ESPAÇO: DAS IMBRICADAS RELAÇÕES ENTRE ARQUITETURA E MÚSICA EM 4’33”, DE JOHN CAGE</a></div><div class="wp-workCard_item"><span>Revista Projetar</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">O artigo trata da relação entre arquitetura e música a partir do espaço como gerador e difusor da...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">O artigo trata da relação entre arquitetura e música a partir do espaço como gerador e difusor das ondas sonoras, e tomando como objeto de interesse a dimensão espacial arquitetônica através das ideias compositivas e sonoras geradas a partir e com a música. Nessa relação entre os dois campos observou-se a troca, na qual arquitetura e música se influenciam mutuamente e até borram suas fronteiras onde o espaço é musical e a música é espacial. Argumenta-se que esse atravessamento mútuo se dá para além do léxico comum e das questões formais, encontrando o espaço como mediador. Para o desenvolvimento do estudo foram identificados exemplares históricos e paradigmáticos resultantes de novas teorias e inovações tecnológicas. Nesse contexto, a peça 4&#39;33&quot; do compositor John Cage foi utilizada. como objeto de estudo para discorrer sobre a relação imbricada com a qual música e arquitetura trazem a partir do espaço arquitetônico. PALAVRAS-CHAVE: composição arquitetônica; composição musical; matemática; acústica. RESUMEN El artículo aborda la relación entre arquitectura y música a partir del espacio como generador y difusor de ondas sonoras, y tomando como objeto de interés la dimensión espacial arquitectónica a través de las ideas compositivas y sonoras generadas desde y con la música. En esta relación entre los dos campos se observó un intercambio mutuo, en el que la arquitectura y la música se influyen e incluso difuminan sus fronteras donde el espacio es musical y la música es espacial. Se argumenta que este cruce mutuo se produce más allá del léxico común y las cuestiones formales, encontrando espacio como mediador. Para el desarrollo del estudio se identificaron ejemplos históricos y paradigmáticos resultantes de nuevas teorías e innovaciones tecnológicas. En tal contexto, se utilizó la pieza 4&#39;33&quot; del compositor John Cage como objeto de estudio para discutir la relación entrelazada con la que la música y la arquitectura traen del espacio arquitectónico.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="806f17b5ea69f1923a12ff98fe286b88" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:93781604,&quot;asset_id&quot;:90135961,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/93781604/download_file?st=MTczMjQ0MjQyMiw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="90135961"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="90135961"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 90135961; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=90135961]").text(description); $(".js-view-count[data-work-id=90135961]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 90135961; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='90135961']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 90135961, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "806f17b5ea69f1923a12ff98fe286b88" } } $('.js-work-strip[data-work-id=90135961]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":90135961,"title":"OUVINDO O ESPAÇO: DAS IMBRICADAS RELAÇÕES ENTRE ARQUITETURA E MÚSICA EM 4’33”, DE JOHN CAGE","translated_title":"","metadata":{"doi":"10.21680/2448-296X.2022v7n1ID25798","issue":"1","volume":"7","abstract":"O artigo trata da relação entre arquitetura e música a partir do espaço como gerador e difusor das ondas sonoras, e tomando como objeto de interesse a dimensão espacial arquitetônica através das ideias compositivas e sonoras geradas a partir e com a música. Nessa relação entre os dois campos observou-se a troca, na qual arquitetura e música se influenciam mutuamente e até borram suas fronteiras onde o espaço é musical e a música é espacial. Argumenta-se que esse atravessamento mútuo se dá para além do léxico comum e das questões formais, encontrando o espaço como mediador. Para o desenvolvimento do estudo foram identificados exemplares históricos e paradigmáticos resultantes de novas teorias e inovações tecnológicas. Nesse contexto, a peça 4'33\" do compositor John Cage foi utilizada. como objeto de estudo para discorrer sobre a relação imbricada com a qual música e arquitetura trazem a partir do espaço arquitetônico. PALAVRAS-CHAVE: composição arquitetônica; composição musical; matemática; acústica. RESUMEN El artículo aborda la relación entre arquitectura y música a partir del espacio como generador y difusor de ondas sonoras, y tomando como objeto de interés la dimensión espacial arquitectónica a través de las ideas compositivas y sonoras generadas desde y con la música. En esta relación entre los dos campos se observó un intercambio mutuo, en el que la arquitectura y la música se influyen e incluso difuminan sus fronteras donde el espacio es musical y la música es espacial. Se argumenta que este cruce mutuo se produce más allá del léxico común y las cuestiones formales, encontrando espacio como mediador. Para el desarrollo del estudio se identificaron ejemplos históricos y paradigmáticos resultantes de nuevas teorías e innovaciones tecnológicas. En tal contexto, se utilizó la pieza 4'33\" del compositor John Cage como objeto de estudio para discutir la relación entrelazada con la que la música y la arquitectura traen del espacio arquitectónico.","page_numbers":"120-132","publication_date":{"day":null,"month":null,"year":2022,"errors":{}},"publication_name":"Revista Projetar"},"translated_abstract":"O artigo trata da relação entre arquitetura e música a partir do espaço como gerador e difusor das ondas sonoras, e tomando como objeto de interesse a dimensão espacial arquitetônica através das ideias compositivas e sonoras geradas a partir e com a música. Nessa relação entre os dois campos observou-se a troca, na qual arquitetura e música se influenciam mutuamente e até borram suas fronteiras onde o espaço é musical e a música é espacial. Argumenta-se que esse atravessamento mútuo se dá para além do léxico comum e das questões formais, encontrando o espaço como mediador. Para o desenvolvimento do estudo foram identificados exemplares históricos e paradigmáticos resultantes de novas teorias e inovações tecnológicas. Nesse contexto, a peça 4'33\" do compositor John Cage foi utilizada. como objeto de estudo para discorrer sobre a relação imbricada com a qual música e arquitetura trazem a partir do espaço arquitetônico. PALAVRAS-CHAVE: composição arquitetônica; composição musical; matemática; acústica. RESUMEN El artículo aborda la relación entre arquitectura y música a partir del espacio como generador y difusor de ondas sonoras, y tomando como objeto de interés la dimensión espacial arquitectónica a través de las ideas compositivas y sonoras generadas desde y con la música. En esta relación entre los dos campos se observó un intercambio mutuo, en el que la arquitectura y la música se influyen e incluso difuminan sus fronteras donde el espacio es musical y la música es espacial. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="90135944"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/90135944/A_casa_nossa_de_cada_dia"><img alt="Research paper thumbnail of A casa nossa de cada dia" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/90135944/A_casa_nossa_de_cada_dia">A casa nossa de cada dia</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">&amp;quot;Em setembro de 2007 realizamos, no Recife, um ciclo de conferências denominado A Casa nossa...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">&amp;quot;Em setembro de 2007 realizamos, no Recife, um ciclo de conferências denominado A Casa nossa de cada dia, uma. Na ocasião tínhamos como objetivo discutir para melhor compreender, como é percebido, valorado e, sobretudo, experienciado, o espaço habitado. Com isso, esperávamos chamar a atenção — especialmente dos arquitetos, porque a eles compete o projeto do ambiente construído — para o que não é explícito na arquitetura, ainda que lhe seja essencial. Afinal, como bem anotou Norberg-Schulz em seu Intentions in Architecture, publicado originalmente em Oslo, em 1967, “à medida que os problemas transcendem as questões puramente físicas, os arquitetos se sentem perdidos”. Pretendíamos, portanto, com o evento, tornar mais fluidas as fronteiras do repertório teórico da arquitetura, em geral excessivamente centrado em si mesmo. Para tanto, convidamos profissionais da arquitetura e de diversos campos disciplinares — da história, da filosofia, da literatura, da sociologia, da antropologia e da psicanálise —, todos professores universitários, solicitando-lhes que refletissem livremente sobre o tema geral do evento, tendo como suporte as referências teóricas do seu próprio campo disciplinar. &amp;quot;</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="90135944"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="90135944"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 90135944; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=90135944]").text(description); $(".js-view-count[data-work-id=90135944]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 90135944; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='90135944']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 90135944, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=90135944]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":90135944,"title":"A casa nossa de cada dia","translated_title":"","metadata":{"abstract":"\u0026quot;Em setembro de 2007 realizamos, no Recife, um ciclo de conferências denominado A Casa nossa de cada dia, uma. Na ocasião tínhamos como objetivo discutir para melhor compreender, como é percebido, valorado e, sobretudo, experienciado, o espaço habitado. Com isso, esperávamos chamar a atenção — especialmente dos arquitetos, porque a eles compete o projeto do ambiente construído — para o que não é explícito na arquitetura, ainda que lhe seja essencial. Afinal, como bem anotou Norberg-Schulz em seu Intentions in Architecture, publicado originalmente em Oslo, em 1967, “à medida que os problemas transcendem as questões puramente físicas, os arquitetos se sentem perdidos”. Pretendíamos, portanto, com o evento, tornar mais fluidas as fronteiras do repertório teórico da arquitetura, em geral excessivamente centrado em si mesmo. Para tanto, convidamos profissionais da arquitetura e de diversos campos disciplinares — da história, da filosofia, da literatura, da sociologia, da antropologia e da psicanálise —, todos professores universitários, solicitando-lhes que refletissem livremente sobre o tema geral do evento, tendo como suporte as referências teóricas do seu próprio campo disciplinar. \u0026quot;","publication_date":{"day":null,"month":null,"year":2007,"errors":{}}},"translated_abstract":"\u0026quot;Em setembro de 2007 realizamos, no Recife, um ciclo de conferências denominado A Casa nossa de cada dia, uma. Na ocasião tínhamos como objetivo discutir para melhor compreender, como é percebido, valorado e, sobretudo, experienciado, o espaço habitado. Com isso, esperávamos chamar a atenção — especialmente dos arquitetos, porque a eles compete o projeto do ambiente construído — para o que não é explícito na arquitetura, ainda que lhe seja essencial. Afinal, como bem anotou Norberg-Schulz em seu Intentions in Architecture, publicado originalmente em Oslo, em 1967, “à medida que os problemas transcendem as questões puramente físicas, os arquitetos se sentem perdidos”. Pretendíamos, portanto, com o evento, tornar mais fluidas as fronteiras do repertório teórico da arquitetura, em geral excessivamente centrado em si mesmo. Para tanto, convidamos profissionais da arquitetura e de diversos campos disciplinares — da história, da filosofia, da literatura, da sociologia, da antropologia e da psicanálise —, todos professores universitários, solicitando-lhes que refletissem livremente sobre o tema geral do evento, tendo como suporte as referências teóricas do seu próprio campo disciplinar. \u0026quot;","internal_url":"https://www.academia.edu/90135944/A_casa_nossa_de_cada_dia","translated_internal_url":"","created_at":"2022-11-06T15:21:39.075-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":5056519,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"A_casa_nossa_de_cada_dia","translated_slug":"","page_count":null,"language":"pt","content_type":"Work","owner":{"id":5056519,"first_name":"Luiz","middle_initials":null,"last_name":"Amorim","page_name":"LuizAmorim","domain_name":"ufpe","created_at":"2013-08-05T22:17:20.809-07:00","display_name":"Luiz Amorim","url":"https://ufpe.academia.edu/LuizAmorim"},"attachments":[],"research_interests":[{"id":130403,"name":"Casa","url":"https://www.academia.edu/Documents/in/Casa"},{"id":156267,"name":"Subjetividade","url":"https://www.academia.edu/Documents/in/Subjetividade"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="90135943"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/90135943/The_Sectors_Paradigm_a_study_of_the_spatial_and_functional_nature_of_modernist_housing_in_Northeast_Brazil_Ano_de_obten%C3%A7%C3%A3o"><img alt="Research paper thumbnail of The Sectors&#39; Paradigm: a study of the spatial and functional nature of modernist housing in Northeast Brazil, Ano de obtenção" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/90135943/The_Sectors_Paradigm_a_study_of_the_spatial_and_functional_nature_of_modernist_housing_in_Northeast_Brazil_Ano_de_obten%C3%A7%C3%A3o">The Sectors&#39; Paradigm: a study of the spatial and functional nature of modernist housing in Northeast Brazil, Ano de obtenção</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Research on domestic architecture using the space syntax method has suggested that while most ver...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Research on domestic architecture using the space syntax method has suggested that while most vernacular traditions are characterised by &amp;#39;genotypical&amp;#39; consistencies in the relation between spatial configuration and functional &amp;#39;ends&amp;#39;, such consistencies are usually lacking in experimental modernist architecture, where instead a consistency in spatial composition gives rise to &amp;#39;genotype of means&amp;#39; rather than to &amp;#39;genotypes of ends&amp;#39;. In Brazil, however, modernist housing became a established tradition and therefore there may be in them spatio-functional consistencies as found in vernacular tradition. The thesis examines how far this is the case, based on the fact that the dominant idea about the spatial organisation of the modernist dwelling was that it should be organised into spatially distinct &amp;#39;sectors&amp;#39;, within which similar activities could be clustered. This concept provided a pervasive underlying diagram, or paradigm, for housing organisation. No studies have been done however of how this paradigm worked out in practice. This thesis investigates this question with respect to a manifestation of this idea in the modernist architecture of Recife, between 1930 and 1980. The thesis first diagnoses the existence of a &amp;#39;sectors&amp;#39; paradigm&amp;#39; in a pilot sample of modernist houses, then extends the investigation to a larger sample to see how prevalent it is and what different spatial forms it takes. The thesis then looks at historical houses and shows that a sectors&amp;#39; model can also be detected in them, but quite different spatially and functionally. It shows that both the internal form of the sectors and the way they are linked together are the key determinant for differentiating domestic activities and household members in both historical and modern dwellings. The thesis concludes that, through the methodological innovation of sectors&amp;#39; analysis, spatio-functional &amp;#39;genotypes of ends&amp;#39; can be shown to be present in Recife&amp;#39;s modernist dwellings, but that also they can be detected in vernacular houses, suggesting that a first layer should be added to the syntactic analysis of vernacular buildings.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="90135943"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="90135943"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 90135943; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=90135943]").text(description); $(".js-view-count[data-work-id=90135943]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 90135943; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='90135943']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 90135943, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=90135943]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":90135943,"title":"The Sectors' Paradigm: a study of the spatial and functional nature of modernist housing in Northeast Brazil, Ano de obtenção","translated_title":"","metadata":{"abstract":"Research on domestic architecture using the space syntax method has suggested that while most vernacular traditions are characterised by \u0026#39;genotypical\u0026#39; consistencies in the relation between spatial configuration and functional \u0026#39;ends\u0026#39;, such consistencies are usually lacking in experimental modernist architecture, where instead a consistency in spatial composition gives rise to \u0026#39;genotype of means\u0026#39; rather than to \u0026#39;genotypes of ends\u0026#39;. In Brazil, however, modernist housing became a established tradition and therefore there may be in them spatio-functional consistencies as found in vernacular tradition. The thesis examines how far this is the case, based on the fact that the dominant idea about the spatial organisation of the modernist dwelling was that it should be organised into spatially distinct \u0026#39;sectors\u0026#39;, within which similar activities could be clustered. This concept provided a pervasive underlying diagram, or paradigm, for housing organisation. No studies have been done however of how this paradigm worked out in practice. This thesis investigates this question with respect to a manifestation of this idea in the modernist architecture of Recife, between 1930 and 1980. The thesis first diagnoses the existence of a \u0026#39;sectors\u0026#39; paradigm\u0026#39; in a pilot sample of modernist houses, then extends the investigation to a larger sample to see how prevalent it is and what different spatial forms it takes. The thesis then looks at historical houses and shows that a sectors\u0026#39; model can also be detected in them, but quite different spatially and functionally. It shows that both the internal form of the sectors and the way they are linked together are the key determinant for differentiating domestic activities and household members in both historical and modern dwellings. The thesis concludes that, through the methodological innovation of sectors\u0026#39; analysis, spatio-functional \u0026#39;genotypes of ends\u0026#39; can be shown to be present in Recife\u0026#39;s modernist dwellings, but that also they can be detected in vernacular houses, suggesting that a first layer should be added to the syntactic analysis of vernacular buildings.","publication_date":{"day":null,"month":null,"year":1999,"errors":{}}},"translated_abstract":"Research on domestic architecture using the space syntax method has suggested that while most vernacular traditions are characterised by \u0026#39;genotypical\u0026#39; consistencies in the relation between spatial configuration and functional \u0026#39;ends\u0026#39;, such consistencies are usually lacking in experimental modernist architecture, where instead a consistency in spatial composition gives rise to \u0026#39;genotype of means\u0026#39; rather than to \u0026#39;genotypes of ends\u0026#39;. In Brazil, however, modernist housing became a established tradition and therefore there may be in them spatio-functional consistencies as found in vernacular tradition. The thesis examines how far this is the case, based on the fact that the dominant idea about the spatial organisation of the modernist dwelling was that it should be organised into spatially distinct \u0026#39;sectors\u0026#39;, within which similar activities could be clustered. This concept provided a pervasive underlying diagram, or paradigm, for housing organisation. No studies have been done however of how this paradigm worked out in practice. This thesis investigates this question with respect to a manifestation of this idea in the modernist architecture of Recife, between 1930 and 1980. The thesis first diagnoses the existence of a \u0026#39;sectors\u0026#39; paradigm\u0026#39; in a pilot sample of modernist houses, then extends the investigation to a larger sample to see how prevalent it is and what different spatial forms it takes. The thesis then looks at historical houses and shows that a sectors\u0026#39; model can also be detected in them, but quite different spatially and functionally. It shows that both the internal form of the sectors and the way they are linked together are the key determinant for differentiating domestic activities and household members in both historical and modern dwellings. The thesis concludes that, through the methodological innovation of sectors\u0026#39; analysis, spatio-functional \u0026#39;genotypes of ends\u0026#39; can be shown to be present in Recife\u0026#39;s modernist dwellings, but that also they can be detected in vernacular houses, suggesting that a first layer should be added to the syntactic analysis of vernacular buildings.","internal_url":"https://www.academia.edu/90135943/The_Sectors_Paradigm_a_study_of_the_spatial_and_functional_nature_of_modernist_housing_in_Northeast_Brazil_Ano_de_obten%C3%A7%C3%A3o","translated_internal_url":"","created_at":"2022-11-06T15:21:38.990-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":5056519,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"The_Sectors_Paradigm_a_study_of_the_spatial_and_functional_nature_of_modernist_housing_in_Northeast_Brazil_Ano_de_obtenção","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":5056519,"first_name":"Luiz","middle_initials":null,"last_name":"Amorim","page_name":"LuizAmorim","domain_name":"ufpe","created_at":"2013-08-05T22:17:20.809-07:00","display_name":"Luiz Amorim","url":"https://ufpe.academia.edu/LuizAmorim"},"attachments":[],"research_interests":[{"id":48,"name":"Engineering","url":"https://www.academia.edu/Documents/in/Engineering"},{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture"},{"id":2032,"name":"Space Syntax","url":"https://www.academia.edu/Documents/in/Space_Syntax"},{"id":38841,"name":"Vernacular","url":"https://www.academia.edu/Documents/in/Vernacular"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="90135937"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/90135937/A_Casa_Deles_a_Casa_Minha"><img alt="Research paper thumbnail of A Casa Deles, a Casa Minha" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/90135937/A_Casa_Deles_a_Casa_Minha">A Casa Deles, a Casa Minha</a></div><div class="wp-workCard_item"><span>FAU-PPGAU-UPM/SP</span><span>, Oct 1, 2009</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Este artigo relata resultados preliminares de uma investigação que tem por foco as diferenças, a ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Este artigo relata resultados preliminares de uma investigação que tem por foco as diferenças, a partir da análise de projetos de apartamentos em Recife, entre dois campos de saber – o saber profissional, fundado em operações técnicas e metodológicas – prescritivo, expresso no projeto original de edifícios de apartamentos, e o saber laico, baseado nas experiências cotidianas – sensitivo, expresso nos projetos de reforma executados. O fenômeno de modificar a planta original dos apartamentos adquiridos, durante o processo de construção do edifício, é recorrente no mercado imobiliário local. O produto lançado no mercado e comercializado ainda “na planta” difere, em grande medida daquele acabado. Em princípio, a recorrência do fenômeno sugere que uma cultura de morar está presente nas mentes de moradores e que esta difere daquela que informa a atividade profissional de projeto.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="90135937"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="90135937"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 90135937; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=90135937]").text(description); $(".js-view-count[data-work-id=90135937]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 90135937; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='90135937']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 90135937, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=90135937]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":90135937,"title":"A Casa Deles, a Casa Minha","translated_title":"","metadata":{"abstract":"Este artigo relata resultados preliminares de uma investigação que tem por foco as diferenças, a partir da análise de projetos de apartamentos em Recife, entre dois campos de saber – o saber profissional, fundado em operações técnicas e metodológicas – prescritivo, expresso no projeto original de edifícios de apartamentos, e o saber laico, baseado nas experiências cotidianas – sensitivo, expresso nos projetos de reforma executados. O fenômeno de modificar a planta original dos apartamentos adquiridos, durante o processo de construção do edifício, é recorrente no mercado imobiliário local. O produto lançado no mercado e comercializado ainda “na planta” difere, em grande medida daquele acabado. Em princípio, a recorrência do fenômeno sugere que uma cultura de morar está presente nas mentes de moradores e que esta difere daquela que informa a atividade profissional de projeto.","publisher":"FAU-PPGAU-UPM/SP","publication_date":{"day":1,"month":10,"year":2009,"errors":{}},"publication_name":"FAU-PPGAU-UPM/SP"},"translated_abstract":"Este artigo relata resultados preliminares de uma investigação que tem por foco as diferenças, a partir da análise de projetos de apartamentos em Recife, entre dois campos de saber – o saber profissional, fundado em operações técnicas e metodológicas – prescritivo, expresso no projeto original de edifícios de apartamentos, e o saber laico, baseado nas experiências cotidianas – sensitivo, expresso nos projetos de reforma executados. O fenômeno de modificar a planta original dos apartamentos adquiridos, durante o processo de construção do edifício, é recorrente no mercado imobiliário local. O produto lançado no mercado e comercializado ainda “na planta” difere, em grande medida daquele acabado. Em princípio, a recorrência do fenômeno sugere que uma cultura de morar está presente nas mentes de moradores e que esta difere daquela que informa a atividade profissional de projeto.","internal_url":"https://www.academia.edu/90135937/A_Casa_Deles_a_Casa_Minha","translated_internal_url":"","created_at":"2022-11-06T15:21:24.067-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":5056519,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"A_Casa_Deles_a_Casa_Minha","translated_slug":"","page_count":null,"language":"pt","content_type":"Work","owner":{"id":5056519,"first_name":"Luiz","middle_initials":null,"last_name":"Amorim","page_name":"LuizAmorim","domain_name":"ufpe","created_at":"2013-08-05T22:17:20.809-07:00","display_name":"Luiz Amorim","url":"https://ufpe.academia.edu/LuizAmorim"},"attachments":[],"research_interests":[{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art"},{"id":1954680,"name":"Projeto De Apartamentos","url":"https://www.academia.edu/Documents/in/Projeto_De_Apartamentos"}],"urls":[{"id":25628666,"url":"http://projedata.grupoprojetar.ct.ufrn.br/dspace/handle/123456789/478"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="82546790"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/82546790/Dois_Mundos_Uma_S%C3%B3_Espacialidade_Two_Worlds_One_Spatiality"><img alt="Research paper thumbnail of Dois Mundos, Uma Só Espacialidade * Two Worlds, One Spatiality" class="work-thumbnail" src="https://attachments.academia-assets.com/88225046/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/82546790/Dois_Mundos_Uma_S%C3%B3_Espacialidade_Two_Worlds_One_Spatiality">Dois Mundos, Uma Só Espacialidade * Two Worlds, One Spatiality</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">RESUMO Este artigo discute as transformações efetuadas no projeto original de dois conjuntos habi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">RESUMO Este artigo discute as transformações efetuadas no projeto original de dois conjuntos habitacionais construídos na Região Metropolitana do Recife, no Nordeste do Brasil, um deles para a classe média e o outro destinado originalmente à população com renda entre um e três salários mínimos. Apesar de direcionados a diferentes classes sociais, identificam-se, a partir das transformações operadas pelos moradores, duas faces de um mesmo processo, na medida em que sistemas espaciais de mesma natureza são gerados. Palavras-chave: Espaço doméstico; Configuração espacial; Habitação social ; Sintaxe espacial. ABSTRACT This article deals with the spatial changing process carried out in the original project of a middle-class housing estate and of a low-income public housing complex in the Metropolitan Region of Recife, in the Northeast of Brazil. It reveals that, although the projects addressed and were designed to different social classes, the inhabitants of both housing complexes operat...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1cba9b7f9f81d27e3230e452ea84c626" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:88225046,&quot;asset_id&quot;:82546790,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/88225046/download_file?st=MTczMjQ0MjQyMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="82546790"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="82546790"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 82546790; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=82546790]").text(description); $(".js-view-count[data-work-id=82546790]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 82546790; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='82546790']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 82546790, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1cba9b7f9f81d27e3230e452ea84c626" } } $('.js-work-strip[data-work-id=82546790]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":82546790,"title":"Dois Mundos, Uma Só Espacialidade * Two Worlds, One Spatiality","translated_title":"","metadata":{"abstract":"RESUMO Este artigo discute as transformações efetuadas no projeto original de dois conjuntos habitacionais construídos na Região Metropolitana do Recife, no Nordeste do Brasil, um deles para a classe média e o outro destinado originalmente à população com renda entre um e três salários mínimos. Apesar de direcionados a diferentes classes sociais, identificam-se, a partir das transformações operadas pelos moradores, duas faces de um mesmo processo, na medida em que sistemas espaciais de mesma natureza são gerados. Palavras-chave: Espaço doméstico; Configuração espacial; Habitação social ; Sintaxe espacial. ABSTRACT This article deals with the spatial changing process carried out in the original project of a middle-class housing estate and of a low-income public housing complex in the Metropolitan Region of Recife, in the Northeast of Brazil. It reveals that, although the projects addressed and were designed to different social classes, the inhabitants of both housing complexes operat..."},"translated_abstract":"RESUMO Este artigo discute as transformações efetuadas no projeto original de dois conjuntos habitacionais construídos na Região Metropolitana do Recife, no Nordeste do Brasil, um deles para a classe média e o outro destinado originalmente à população com renda entre um e três salários mínimos. Apesar de direcionados a diferentes classes sociais, identificam-se, a partir das transformações operadas pelos moradores, duas faces de um mesmo processo, na medida em que sistemas espaciais de mesma natureza são gerados. Palavras-chave: Espaço doméstico; Configuração espacial; Habitação social ; Sintaxe espacial. ABSTRACT This article deals with the spatial changing process carried out in the original project of a middle-class housing estate and of a low-income public housing complex in the Metropolitan Region of Recife, in the Northeast of Brazil. It reveals that, although the projects addressed and were designed to different social classes, the inhabitants of both housing complexes operat...","internal_url":"https://www.academia.edu/82546790/Dois_Mundos_Uma_S%C3%B3_Espacialidade_Two_Worlds_One_Spatiality","translated_internal_url":"","created_at":"2022-07-04T10:30:21.027-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":5056519,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":88225046,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/88225046/thumbnails/1.jpg","file_name":"738.pdf","download_url":"https://www.academia.edu/attachments/88225046/download_file?st=MTczMjQ0MjQyMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Dois_Mundos_Uma_So_Espacialidade_Two_Wor.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/88225046/738-libre.pdf?1656958240=\u0026response-content-disposition=attachment%3B+filename%3DDois_Mundos_Uma_So_Espacialidade_Two_Wor.pdf\u0026Expires=1732446023\u0026Signature=Mk-o95YbifSYaqxQD4f28I2PeSQnxGSJVejo1Ck8pVD2x0KjhhMjRCc4a3hMqrp0Zw1CCfCARLbW~Uz1906cP~CwzRA5dtisF846QawjaBwkyqHM6xQyTDL2qykO14x6wsu92XwW6gWcw1vjv4KFYlt6uJJZkd3YG2ZKTIxMDXMdzKGpjm9L7n-sQYT8VYkU8jpsu6xeVkXiVnqiCtpjuSM-CDx-cMRK6B1Bs2KwIadqMMB29rMJt3ERXniTIuFBrvK-h5k712EIb4D6DrAZxRuC4G~HIVpB3gloLrmSFRewNQbj2o0obdnB4VKHD52ITdj2uSjpi3hIjBOVlMkTkw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Dois_Mundos_Uma_Só_Espacialidade_Two_Worlds_One_Spatiality","translated_slug":"","page_count":17,"language":"pt","content_type":"Work","owner":{"id":5056519,"first_name":"Luiz","middle_initials":null,"last_name":"Amorim","page_name":"LuizAmorim","domain_name":"ufpe","created_at":"2013-08-05T22:17:20.809-07:00","display_name":"Luiz Amorim","url":"https://ufpe.academia.edu/LuizAmorim"},"attachments":[{"id":88225046,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/88225046/thumbnails/1.jpg","file_name":"738.pdf","download_url":"https://www.academia.edu/attachments/88225046/download_file?st=MTczMjQ0MjQyMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Dois_Mundos_Uma_So_Espacialidade_Two_Wor.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/88225046/738-libre.pdf?1656958240=\u0026response-content-disposition=attachment%3B+filename%3DDois_Mundos_Uma_So_Espacialidade_Two_Wor.pdf\u0026Expires=1732446023\u0026Signature=Mk-o95YbifSYaqxQD4f28I2PeSQnxGSJVejo1Ck8pVD2x0KjhhMjRCc4a3hMqrp0Zw1CCfCARLbW~Uz1906cP~CwzRA5dtisF846QawjaBwkyqHM6xQyTDL2qykO14x6wsu92XwW6gWcw1vjv4KFYlt6uJJZkd3YG2ZKTIxMDXMdzKGpjm9L7n-sQYT8VYkU8jpsu6xeVkXiVnqiCtpjuSM-CDx-cMRK6B1Bs2KwIadqMMB29rMJt3ERXniTIuFBrvK-h5k712EIb4D6DrAZxRuC4G~HIVpB3gloLrmSFRewNQbj2o0obdnB4VKHD52ITdj2uSjpi3hIjBOVlMkTkw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[],"urls":[{"id":21894172,"url":"https://web.archive.org/web/20180509120159/http://periodicos.pucminas.br/index.php/Arquiteturaeurbanismo/article/viewFile/775/738"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="82546644"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/82546644/Prophylactic_architecture_Spatial_configuration_of_Leper_Colonies"><img alt="Research paper thumbnail of Prophylactic architecture: Spatial configuration of Leper Colonies" class="work-thumbnail" src="https://attachments.academia-assets.com/88224272/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/82546644/Prophylactic_architecture_Spatial_configuration_of_Leper_Colonies">Prophylactic architecture: Spatial configuration of Leper Colonies</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This research discusses the Leper Colonies as part of the prophylactic policy of compulsory exclu...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This research discusses the Leper Colonies as part of the prophylactic policy of compulsory exclusion for all leper patients. The leper was identified as contagious in 1883, which triggered the discussion regarding the isolation of patients as the primary means for prevention of the disease. The discussions about the design of a Model Colony from which other Brazilian colonies could be built started in 1921. This represents the template for the prophylactic policy of leper in Brazil, being adjusted to the various regional circumstances, thus acquiring unique/particular configurations. In 1935, a National Plan to Combat Leprosy was established, resulting in construction of Leper Colonies throughout Brazil. The Mirueira Colony, built in Pernambuco from 1937 to 1940, was a part of that plan. 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A partir dessa premissa, tem-se por objetivo identificar os efeitos sobre as possibilidades de movimento que são gerados por alterações nos padrões de permeabilidade espacial em edifícios. 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A partir dessa premissa, tem-se por objetivo identificar os efeitos sobre as possibilidades de movimento que são gerados por alterações nos padrões de permeabilidade espacial em edifícios. A análise é realizada a partir dos conceitos de espaço-tipo e de tipos de movimento — fully closed / fully open, como definidos por Bill Hillier — nos edifícios dos museus das Minas e do Metal e do Memorial Minas Gerais Vale, projetos de mudança de uso de exemplares originalmente concebidos para abrigar secretarias do Estado de Minas Gerais.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8558a7a56e227bbb29e6ed0d25aded18" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:104158806,&quot;asset_id&quot;:104424793,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/104158806/download_file?st=MTczMjQ0MjQyMyw4LjIyMi4yMDguMTQ2&st=MTczMjQ0MjQyMiw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="104424793"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="104424793"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 104424793; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=104424793]").text(description); $(".js-view-count[data-work-id=104424793]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 104424793; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='104424793']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 104424793, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8558a7a56e227bbb29e6ed0d25aded18" } } $('.js-work-strip[data-work-id=104424793]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":104424793,"title":"Espaços-tipo e movimento","translated_title":"","metadata":{"abstract":"As edificações podem ser entendidas como artefatos culturais que produzem e reproduzem lógicas sociais de ocupação e de movimento por meio das funções genéricas do espaço. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="94666957"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/94666957/Paradoxo_Da_Galeria_Progressiva"><img alt="Research paper thumbnail of Paradoxo Da Galeria Progressiva" class="work-thumbnail" src="https://attachments.academia-assets.com/97060348/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/94666957/Paradoxo_Da_Galeria_Progressiva">Paradoxo Da Galeria Progressiva</a></div><div class="wp-workCard_item"><span>Revista de Morfologia Urbana</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Focando no comportamento espacial de visitantes, investiga-se uma tipologia de espaço expositivo ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Focando no comportamento espacial de visitantes, investiga-se uma tipologia de espaço expositivo com arranjo sequencial de ambientes, denominada “galeria progressiva” (GP). Resultado de uma tese de doutoramento, propõe-se a interface entre neurociência e sintaxe espacial. Avalia-se o impacto de GPs na função atencional pela aferição da resposta de foco em visitantes em galerias virtuais. As hipóteses iniciais sobre GPs foram: campos visuais são altamente inteligíveis; leiautes deterministas levam à visitação com maior foco e o espaço impacta decisivamente na visita, sobretudo quando rotas são limitadas. São analisados leiautes hipotéticos simples, exemplares históricos e duas GPs modernas, o Solomon R. Guggenheim Museum e o Museu do Crescimento Ilimitado. Posteriormente, procede a análise de variações complexas e, finalmente, a avaliação de percursos de visitantes e captura de foco durante navegação virtual em galerias, cerne deste artigo. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="94666956"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/94666956/Arquitetura_e_Narrativa_Um_estudo_anal%C3%ADtico_do_Museu_do_Homem_do_Nordeste_MUHNE_"><img alt="Research paper thumbnail of Arquitetura e Narrativa: Um estudo analítico do Museu do Homem do Nordeste (MUHNE)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/94666956/Arquitetura_e_Narrativa_Um_estudo_anal%C3%ADtico_do_Museu_do_Homem_do_Nordeste_MUHNE_">Arquitetura e Narrativa: Um estudo analítico do Museu do Homem do Nordeste (MUHNE)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">O Museu do Homem do Nordeste (MUHNE), antigo Museu do Açúcar, foi o primeiro edifício construído ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">O Museu do Homem do Nordeste (MUHNE), antigo Museu do Açúcar, foi o primeiro edifício construído em Pernambuco especificamente para este fim, em 1963. Em 1979, o MUHNE é fundado a partir da junção do acervo proveniente de três outros museus (Açúcar, Antropologia e Arte Popular). Sua vasta e heterogênea coleção, e a maneira como esta foi apresentada em diferentes exposições de longa duração (1979 e 2008), despertam para o entendimento interação entre as mudanças nas propriedades espaciais de um leiaute de exposição e as narrativas curatoriais e mensagens de exposição pretendidas. O caso do MUHNE fornece subsídios para a análise da interação entre a arquitetura e as estratégias de desenho das narrativas curatoriais e como estas constituem a dimensão espacial das galerias do museu.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="94666956"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="94666956"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 94666956; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=94666956]").text(description); $(".js-view-count[data-work-id=94666956]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 94666956; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='94666956']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 94666956, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=94666956]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":94666956,"title":"Arquitetura e Narrativa: Um estudo analítico do Museu do Homem do Nordeste (MUHNE)","translated_title":"","metadata":{"abstract":"O Museu do Homem do Nordeste (MUHNE), antigo Museu do Açúcar, foi o primeiro edifício construído em Pernambuco especificamente para este fim, em 1963. 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O caso do MUHNE fornece subsídios para a análise da interação entre a arquitetura e as estratégias de desenho das narrativas curatoriais e como estas constituem a dimensão espacial das galerias do museu.","internal_url":"https://www.academia.edu/94666956/Arquitetura_e_Narrativa_Um_estudo_anal%C3%ADtico_do_Museu_do_Homem_do_Nordeste_MUHNE_","translated_internal_url":"","created_at":"2023-01-09T16:19:37.288-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":5056519,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Arquitetura_e_Narrativa_Um_estudo_analítico_do_Museu_do_Homem_do_Nordeste_MUHNE_","translated_slug":"","page_count":null,"language":"pt","content_type":"Work","owner":{"id":5056519,"first_name":"Luiz","middle_initials":null,"last_name":"Amorim","page_name":"LuizAmorim","domain_name":"ufpe","created_at":"2013-08-05T22:17:20.809-07:00","display_name":"Luiz Amorim","url":"https://ufpe.academia.edu/LuizAmorim"},"attachments":[],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture"},{"id":1657,"name":"Museum Studies","url":"https://www.academia.edu/Documents/in/Museum_Studies"},{"id":1880263,"name":"Arquitetura de museus","url":"https://www.academia.edu/Documents/in/Arquitetura_de_museus"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="94666937"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/94666937/Complexidade_genericidade_e_especificidade_em_edif%C3%ADcios"><img alt="Research paper thumbnail of Complexidade, genericidade e especificidade em edifícios" class="work-thumbnail" src="https://attachments.academia-assets.com/97060334/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/94666937/Complexidade_genericidade_e_especificidade_em_edif%C3%ADcios">Complexidade, genericidade e especificidade em edifícios</a></div><div class="wp-workCard_item"><span>Revista de Morfologia Urbana</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Este artigo discute a interação entre leiautes espaciais efêmeros e perenes que, embora observáve...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Este artigo discute a interação entre leiautes espaciais efêmeros e perenes que, embora observáveis em diversos tipos edilícios, são particularmente evidentes em espaços expositivos, e propõe três modelos descritivos – complexo, genérico e específico – capazes de capturar e relacionar suas possibilidades máximas, mínimas e intermédias de desempenho das funções genéricas de ocupação e movimento. Para tal, utiliza a Bienal de São Paulo como objeto empírico, expressão que designa um conjunto de exposições e um edifício, cuja configuração espacial é simultaneamente descrita como complexa e genérica, e que, desde 1957, é reconfigurado a cada dois anos para sediar o evento – composto por exposições de arte moderna e contemporânea de grande especificidade. A análise de nove casos de leiautes de exposições Bienais e do leiaute de seu edifício no ano correspondente permitiu elaborar e testar tais modelos e sintetizar os resultados por meio de escalas que relacionam os três sistemas e suas se...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1fe60f4e564821c524254f420592ae27" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:97060334,&quot;asset_id&quot;:94666937,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/97060334/download_file?st=MTczMjQ0MjQyMyw4LjIyMi4yMDguMTQ2&st=MTczMjQ0MjQyMiw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="94666937"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="94666937"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 94666937; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=94666937]").text(description); $(".js-view-count[data-work-id=94666937]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 94666937; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='94666937']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 94666937, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1fe60f4e564821c524254f420592ae27" } } $('.js-work-strip[data-work-id=94666937]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":94666937,"title":"Complexidade, genericidade e especificidade em edifícios","translated_title":"","metadata":{"abstract":"Este artigo discute a interação entre leiautes espaciais efêmeros e perenes que, embora observáveis em diversos tipos edilícios, são particularmente evidentes em espaços expositivos, e propõe três modelos descritivos – complexo, genérico e específico – capazes de capturar e relacionar suas possibilidades máximas, mínimas e intermédias de desempenho das funções genéricas de ocupação e movimento. 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Espacial","url":"https://www.academia.edu/Documents/in/Sintaxe_Espacial"},{"id":633957,"name":"Bienal De São Paulo","url":"https://www.academia.edu/Documents/in/Bienal_De_Sao_Paulo"},{"id":796020,"name":"Exposição De Arte","url":"https://www.academia.edu/Documents/in/Exposicao_De_Arte"},{"id":2641284,"name":"Bienal de Arquitetura de São Paulo","url":"https://www.academia.edu/Documents/in/Bienal_de_Arquitetura_de_S%C3%A3o_Paulo"}],"urls":[{"id":27902861,"url":"http://revistademorfologiaurbana.org/index.php/rmu/article/download/258/159"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="90204473"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/90204473/Complexidade_genericidade_e_especificidade_em_edif%C3%ADcios_modelos_descritivos_e_a_no%C3%A7%C3%A3o_de_media%C3%A7%C3%A3o_espacial"><img alt="Research paper thumbnail of Complexidade, genericidade e especificidade em edifícios: modelos descritivos e a noção de mediação espacial" class="work-thumbnail" src="https://attachments.academia-assets.com/93830528/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/90204473/Complexidade_genericidade_e_especificidade_em_edif%C3%ADcios_modelos_descritivos_e_a_no%C3%A7%C3%A3o_de_media%C3%A7%C3%A3o_espacial">Complexidade, genericidade e especificidade em edifícios: modelos descritivos e a noção de mediação espacial</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ufpe.academia.edu/L%C3%ADviaN%C3%B3brega">Lívia Nóbrega</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://ufpe.academia.edu/LuizAmorim">Luiz Amorim</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://kth.academia.edu/DanielKoch">Daniel Koch</a></span></div><div class="wp-workCard_item"><span>Revista de Morfologia Urbana</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Este artigo discute a interação entre leiautes espaciais efêmeros e perenes que, embora observáve...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Este artigo discute a interação entre leiautes espaciais efêmeros e perenes que, embora observáveis em diversos tipos edilícios, são particularmente evidentes em espaços expositivos, e propõe três modelos descritivos – complexo, genérico e específico – capazes de capturar e relacionar suas possibilidades máximas, mínimas e intermédias de desempenho das funções genéricas de ocupação e movimento. Para tal, utiliza a Bienal de São Paulo como objeto empírico, expressão que designa um conjunto de exposições e um edifício, cuja configuração espacial é simultaneamente descrita como complexa e genérica, e que, desde 1957, é reconfigurado a cada dois anos para sediar o evento – composto por exposições de arte moderna e contemporânea de grande especificidade. A análise de nove casos de leiautes de exposições Bienais e do leiaute de seu edifício no ano correspondente permitiu elaborar e testar tais modelos e sintetizar os resultados por meio de escalas que relacionam os três sistemas e suas sequências de distribuição. Estes modelos e sequências caracterizam a propriedade de mediação espacial da arquitetura (Nóbrega, 2022) e podem suportar a descrição e análise da interação entre leiautes superpostos e o desempenho de suas funções genéricas em edifícios de outros tipos e usos.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="32b6c8b4646b418cc2db731aefd1393a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:93830528,&quot;asset_id&quot;:90204473,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/93830528/download_file?st=MTczMjQ0MjQyMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="90204473"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="90204473"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 90204473; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=90204473]").text(description); $(".js-view-count[data-work-id=90204473]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 90204473; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='90204473']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 90204473, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "32b6c8b4646b418cc2db731aefd1393a" } } $('.js-work-strip[data-work-id=90204473]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":90204473,"title":"Complexidade, genericidade e especificidade em edifícios: modelos descritivos e a noção de mediação espacial","translated_title":"","metadata":{"doi":"10.47235/rmu.v10i2.258","issue":"2","volume":"10","abstract":"Este artigo discute a interação entre leiautes espaciais efêmeros e perenes que, embora observáveis em diversos tipos edilícios, são particularmente evidentes em espaços expositivos, e propõe três modelos descritivos – complexo, genérico e específico – capazes de capturar e relacionar suas possibilidades máximas, mínimas e intermédias de desempenho das funções genéricas de ocupação e movimento. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="74990387"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/74990387/Arquitetura_e_Narrativa_Um_estudo_anal%C3%ADtico_do_Museu_do_Homem_do_Nordeste_MUHNE_"><img alt="Research paper thumbnail of Arquitetura e Narrativa: Um estudo analítico do Museu do Homem do Nordeste (MUHNE)" class="work-thumbnail" src="https://attachments.academia-assets.com/93831675/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/74990387/Arquitetura_e_Narrativa_Um_estudo_anal%C3%ADtico_do_Museu_do_Homem_do_Nordeste_MUHNE_">Arquitetura e Narrativa: Um estudo analítico do Museu do Homem do Nordeste (MUHNE)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ufpe.academia.edu/L%C3%ADviaN%C3%B3brega">Lívia Nóbrega</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ufpe.academia.edu/LuizAmorim">Luiz Amorim</a></span></div><div class="wp-workCard_item"><span>Anais do 2o Seminário Internacional Museografia e Arquitetura de Museus - Identidades e Comunicação</span><span>, 2010</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">O Museu do Homem do Nordeste (MUHNE), antigo Museu do Açúcar, foi o primeiro edifício construído ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">O Museu do Homem do Nordeste (MUHNE), antigo Museu do Açúcar, foi o primeiro edifício construído em Pernambuco especificamente para este fim, em 1963. Em 1979, o MUHNE é fundado a partir da junção do acervo proveniente de três outros museus (Açúcar, Antropologia e Arte Popular). Sua vasta e heterogênea coleção, e a maneira como esta foi apresentada em diferentes exposições de longa duração (1979 e 2008), despertam para o entendimento interação entre as mudanças nas propriedades espaciais de um leiaute de exposição e as narrativas curatoriais e mensagens de exposição pretendidas. O caso do MUHNE fornece subsídios para a análise da interação entre a arquitetura e as estratégias de desenho das narrativas curatoriais e como estas constituem a dimensão espacial das galerias do museu.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="eb36201e4fd6ef34871b42a7a0f04957" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:93831675,&quot;asset_id&quot;:74990387,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/93831675/download_file?st=MTczMjQ0MjQyMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="74990387"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="74990387"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 74990387; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=74990387]").text(description); $(".js-view-count[data-work-id=74990387]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 74990387; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='74990387']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 74990387, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "eb36201e4fd6ef34871b42a7a0f04957" } } $('.js-work-strip[data-work-id=74990387]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":74990387,"title":"Arquitetura e Narrativa: Um estudo analítico do Museu do Homem do Nordeste (MUHNE)","translated_title":"","metadata":{"abstract":"O Museu do Homem do Nordeste (MUHNE), antigo Museu do Açúcar, foi o primeiro edifício construído em Pernambuco especificamente para este fim, em 1963. Em 1979, o MUHNE é fundado a partir da junção do acervo proveniente de três outros museus (Açúcar, Antropologia e Arte Popular). Sua vasta e heterogênea coleção, e a maneira como esta foi apresentada em diferentes exposições de longa duração (1979 e 2008), despertam para o entendimento interação entre as mudanças nas propriedades espaciais de um leiaute de exposição e as narrativas curatoriais e mensagens de exposição pretendidas. O caso do MUHNE fornece subsídios para a análise da interação entre a arquitetura e as estratégias de desenho das narrativas curatoriais e como estas constituem a dimensão espacial das galerias do museu.","publication_date":{"day":null,"month":null,"year":2010,"errors":{}},"publication_name":"Anais do 2o Seminário Internacional Museografia e Arquitetura de Museus - Identidades e Comunicação"},"translated_abstract":"O Museu do Homem do Nordeste (MUHNE), antigo Museu do Açúcar, foi o primeiro edifício construído em Pernambuco especificamente para este fim, em 1963. Em 1979, o MUHNE é fundado a partir da junção do acervo proveniente de três outros museus (Açúcar, Antropologia e Arte Popular). Sua vasta e heterogênea coleção, e a maneira como esta foi apresentada em diferentes exposições de longa duração (1979 e 2008), despertam para o entendimento interação entre as mudanças nas propriedades espaciais de um leiaute de exposição e as narrativas curatoriais e mensagens de exposição pretendidas. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="90135961"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/90135961/OUVINDO_O_ESPA%C3%87O_DAS_IMBRICADAS_RELA%C3%87%C3%95ES_ENTRE_ARQUITETURA_E_M%C3%9ASICA_EM_4_33_DE_JOHN_CAGE"><img alt="Research paper thumbnail of OUVINDO O ESPAÇO: DAS IMBRICADAS RELAÇÕES ENTRE ARQUITETURA E MÚSICA EM 4’33”, DE JOHN CAGE" class="work-thumbnail" src="https://attachments.academia-assets.com/93781604/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/90135961/OUVINDO_O_ESPA%C3%87O_DAS_IMBRICADAS_RELA%C3%87%C3%95ES_ENTRE_ARQUITETURA_E_M%C3%9ASICA_EM_4_33_DE_JOHN_CAGE">OUVINDO O ESPAÇO: DAS IMBRICADAS RELAÇÕES ENTRE ARQUITETURA E MÚSICA EM 4’33”, DE JOHN CAGE</a></div><div class="wp-workCard_item"><span>Revista Projetar</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">O artigo trata da relação entre arquitetura e música a partir do espaço como gerador e difusor da...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">O artigo trata da relação entre arquitetura e música a partir do espaço como gerador e difusor das ondas sonoras, e tomando como objeto de interesse a dimensão espacial arquitetônica através das ideias compositivas e sonoras geradas a partir e com a música. Nessa relação entre os dois campos observou-se a troca, na qual arquitetura e música se influenciam mutuamente e até borram suas fronteiras onde o espaço é musical e a música é espacial. Argumenta-se que esse atravessamento mútuo se dá para além do léxico comum e das questões formais, encontrando o espaço como mediador. Para o desenvolvimento do estudo foram identificados exemplares históricos e paradigmáticos resultantes de novas teorias e inovações tecnológicas. Nesse contexto, a peça 4&#39;33&quot; do compositor John Cage foi utilizada. como objeto de estudo para discorrer sobre a relação imbricada com a qual música e arquitetura trazem a partir do espaço arquitetônico. PALAVRAS-CHAVE: composição arquitetônica; composição musical; matemática; acústica. RESUMEN El artículo aborda la relación entre arquitectura y música a partir del espacio como generador y difusor de ondas sonoras, y tomando como objeto de interés la dimensión espacial arquitectónica a través de las ideas compositivas y sonoras generadas desde y con la música. En esta relación entre los dos campos se observó un intercambio mutuo, en el que la arquitectura y la música se influyen e incluso difuminan sus fronteras donde el espacio es musical y la música es espacial. Se argumenta que este cruce mutuo se produce más allá del léxico común y las cuestiones formales, encontrando espacio como mediador. Para el desarrollo del estudio se identificaron ejemplos históricos y paradigmáticos resultantes de nuevas teorías e innovaciones tecnológicas. En tal contexto, se utilizó la pieza 4&#39;33&quot; del compositor John Cage como objeto de estudio para discutir la relación entrelazada con la que la música y la arquitectura traen del espacio arquitectónico.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="806f17b5ea69f1923a12ff98fe286b88" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:93781604,&quot;asset_id&quot;:90135961,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/93781604/download_file?st=MTczMjQ0MjQyMyw4LjIyMi4yMDguMTQ2&st=MTczMjQ0MjQyMiw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="90135961"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="90135961"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 90135961; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=90135961]").text(description); $(".js-view-count[data-work-id=90135961]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 90135961; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='90135961']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 90135961, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "806f17b5ea69f1923a12ff98fe286b88" } } $('.js-work-strip[data-work-id=90135961]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":90135961,"title":"OUVINDO O ESPAÇO: DAS IMBRICADAS RELAÇÕES ENTRE ARQUITETURA E MÚSICA EM 4’33”, DE JOHN CAGE","translated_title":"","metadata":{"doi":"10.21680/2448-296X.2022v7n1ID25798","issue":"1","volume":"7","abstract":"O artigo trata da relação entre arquitetura e música a partir do espaço como gerador e difusor das ondas sonoras, e tomando como objeto de interesse a dimensão espacial arquitetônica através das ideias compositivas e sonoras geradas a partir e com a música. Nessa relação entre os dois campos observou-se a troca, na qual arquitetura e música se influenciam mutuamente e até borram suas fronteiras onde o espaço é musical e a música é espacial. Argumenta-se que esse atravessamento mútuo se dá para além do léxico comum e das questões formais, encontrando o espaço como mediador. Para o desenvolvimento do estudo foram identificados exemplares históricos e paradigmáticos resultantes de novas teorias e inovações tecnológicas. Nesse contexto, a peça 4'33\" do compositor John Cage foi utilizada. como objeto de estudo para discorrer sobre a relação imbricada com a qual música e arquitetura trazem a partir do espaço arquitetônico. PALAVRAS-CHAVE: composição arquitetônica; composição musical; matemática; acústica. RESUMEN El artículo aborda la relación entre arquitectura y música a partir del espacio como generador y difusor de ondas sonoras, y tomando como objeto de interés la dimensión espacial arquitectónica a través de las ideas compositivas y sonoras generadas desde y con la música. En esta relación entre los dos campos se observó un intercambio mutuo, en el que la arquitectura y la música se influyen e incluso difuminan sus fronteras donde el espacio es musical y la música es espacial. Se argumenta que este cruce mutuo se produce más allá del léxico común y las cuestiones formales, encontrando espacio como mediador. Para el desarrollo del estudio se identificaron ejemplos históricos y paradigmáticos resultantes de nuevas teorías e innovaciones tecnológicas. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="90135944"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/90135944/A_casa_nossa_de_cada_dia"><img alt="Research paper thumbnail of A casa nossa de cada dia" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/90135944/A_casa_nossa_de_cada_dia">A casa nossa de cada dia</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">&amp;quot;Em setembro de 2007 realizamos, no Recife, um ciclo de conferências denominado A Casa nossa...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">&amp;quot;Em setembro de 2007 realizamos, no Recife, um ciclo de conferências denominado A Casa nossa de cada dia, uma. Na ocasião tínhamos como objetivo discutir para melhor compreender, como é percebido, valorado e, sobretudo, experienciado, o espaço habitado. Com isso, esperávamos chamar a atenção — especialmente dos arquitetos, porque a eles compete o projeto do ambiente construído — para o que não é explícito na arquitetura, ainda que lhe seja essencial. Afinal, como bem anotou Norberg-Schulz em seu Intentions in Architecture, publicado originalmente em Oslo, em 1967, “à medida que os problemas transcendem as questões puramente físicas, os arquitetos se sentem perdidos”. Pretendíamos, portanto, com o evento, tornar mais fluidas as fronteiras do repertório teórico da arquitetura, em geral excessivamente centrado em si mesmo. Para tanto, convidamos profissionais da arquitetura e de diversos campos disciplinares — da história, da filosofia, da literatura, da sociologia, da antropologia e da psicanálise —, todos professores universitários, solicitando-lhes que refletissem livremente sobre o tema geral do evento, tendo como suporte as referências teóricas do seu próprio campo disciplinar. &amp;quot;</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="90135944"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="90135944"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 90135944; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=90135944]").text(description); $(".js-view-count[data-work-id=90135944]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 90135944; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='90135944']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 90135944, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=90135944]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":90135944,"title":"A casa nossa de cada dia","translated_title":"","metadata":{"abstract":"\u0026quot;Em setembro de 2007 realizamos, no Recife, um ciclo de conferências denominado A Casa nossa de cada dia, uma. Na ocasião tínhamos como objetivo discutir para melhor compreender, como é percebido, valorado e, sobretudo, experienciado, o espaço habitado. Com isso, esperávamos chamar a atenção — especialmente dos arquitetos, porque a eles compete o projeto do ambiente construído — para o que não é explícito na arquitetura, ainda que lhe seja essencial. Afinal, como bem anotou Norberg-Schulz em seu Intentions in Architecture, publicado originalmente em Oslo, em 1967, “à medida que os problemas transcendem as questões puramente físicas, os arquitetos se sentem perdidos”. Pretendíamos, portanto, com o evento, tornar mais fluidas as fronteiras do repertório teórico da arquitetura, em geral excessivamente centrado em si mesmo. Para tanto, convidamos profissionais da arquitetura e de diversos campos disciplinares — da história, da filosofia, da literatura, da sociologia, da antropologia e da psicanálise —, todos professores universitários, solicitando-lhes que refletissem livremente sobre o tema geral do evento, tendo como suporte as referências teóricas do seu próprio campo disciplinar. \u0026quot;","publication_date":{"day":null,"month":null,"year":2007,"errors":{}}},"translated_abstract":"\u0026quot;Em setembro de 2007 realizamos, no Recife, um ciclo de conferências denominado A Casa nossa de cada dia, uma. Na ocasião tínhamos como objetivo discutir para melhor compreender, como é percebido, valorado e, sobretudo, experienciado, o espaço habitado. Com isso, esperávamos chamar a atenção — especialmente dos arquitetos, porque a eles compete o projeto do ambiente construído — para o que não é explícito na arquitetura, ainda que lhe seja essencial. Afinal, como bem anotou Norberg-Schulz em seu Intentions in Architecture, publicado originalmente em Oslo, em 1967, “à medida que os problemas transcendem as questões puramente físicas, os arquitetos se sentem perdidos”. Pretendíamos, portanto, com o evento, tornar mais fluidas as fronteiras do repertório teórico da arquitetura, em geral excessivamente centrado em si mesmo. Para tanto, convidamos profissionais da arquitetura e de diversos campos disciplinares — da história, da filosofia, da literatura, da sociologia, da antropologia e da psicanálise —, todos professores universitários, solicitando-lhes que refletissem livremente sobre o tema geral do evento, tendo como suporte as referências teóricas do seu próprio campo disciplinar. \u0026quot;","internal_url":"https://www.academia.edu/90135944/A_casa_nossa_de_cada_dia","translated_internal_url":"","created_at":"2022-11-06T15:21:39.075-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":5056519,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"A_casa_nossa_de_cada_dia","translated_slug":"","page_count":null,"language":"pt","content_type":"Work","owner":{"id":5056519,"first_name":"Luiz","middle_initials":null,"last_name":"Amorim","page_name":"LuizAmorim","domain_name":"ufpe","created_at":"2013-08-05T22:17:20.809-07:00","display_name":"Luiz Amorim","url":"https://ufpe.academia.edu/LuizAmorim"},"attachments":[],"research_interests":[{"id":130403,"name":"Casa","url":"https://www.academia.edu/Documents/in/Casa"},{"id":156267,"name":"Subjetividade","url":"https://www.academia.edu/Documents/in/Subjetividade"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="90135943"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/90135943/The_Sectors_Paradigm_a_study_of_the_spatial_and_functional_nature_of_modernist_housing_in_Northeast_Brazil_Ano_de_obten%C3%A7%C3%A3o"><img alt="Research paper thumbnail of The Sectors&#39; Paradigm: a study of the spatial and functional nature of modernist housing in Northeast Brazil, Ano de obtenção" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/90135943/The_Sectors_Paradigm_a_study_of_the_spatial_and_functional_nature_of_modernist_housing_in_Northeast_Brazil_Ano_de_obten%C3%A7%C3%A3o">The Sectors&#39; Paradigm: a study of the spatial and functional nature of modernist housing in Northeast Brazil, Ano de obtenção</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Research on domestic architecture using the space syntax method has suggested that while most ver...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Research on domestic architecture using the space syntax method has suggested that while most vernacular traditions are characterised by &amp;#39;genotypical&amp;#39; consistencies in the relation between spatial configuration and functional &amp;#39;ends&amp;#39;, such consistencies are usually lacking in experimental modernist architecture, where instead a consistency in spatial composition gives rise to &amp;#39;genotype of means&amp;#39; rather than to &amp;#39;genotypes of ends&amp;#39;. In Brazil, however, modernist housing became a established tradition and therefore there may be in them spatio-functional consistencies as found in vernacular tradition. The thesis examines how far this is the case, based on the fact that the dominant idea about the spatial organisation of the modernist dwelling was that it should be organised into spatially distinct &amp;#39;sectors&amp;#39;, within which similar activities could be clustered. This concept provided a pervasive underlying diagram, or paradigm, for housing organisation. No studies have been done however of how this paradigm worked out in practice. This thesis investigates this question with respect to a manifestation of this idea in the modernist architecture of Recife, between 1930 and 1980. The thesis first diagnoses the existence of a &amp;#39;sectors&amp;#39; paradigm&amp;#39; in a pilot sample of modernist houses, then extends the investigation to a larger sample to see how prevalent it is and what different spatial forms it takes. The thesis then looks at historical houses and shows that a sectors&amp;#39; model can also be detected in them, but quite different spatially and functionally. It shows that both the internal form of the sectors and the way they are linked together are the key determinant for differentiating domestic activities and household members in both historical and modern dwellings. The thesis concludes that, through the methodological innovation of sectors&amp;#39; analysis, spatio-functional &amp;#39;genotypes of ends&amp;#39; can be shown to be present in Recife&amp;#39;s modernist dwellings, but that also they can be detected in vernacular houses, suggesting that a first layer should be added to the syntactic analysis of vernacular buildings.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="90135943"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="90135943"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 90135943; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=90135943]").text(description); $(".js-view-count[data-work-id=90135943]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 90135943; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='90135943']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 90135943, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=90135943]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":90135943,"title":"The Sectors' Paradigm: a study of the spatial and functional nature of modernist housing in Northeast Brazil, Ano de obtenção","translated_title":"","metadata":{"abstract":"Research on domestic architecture using the space syntax method has suggested that while most vernacular traditions are characterised by \u0026#39;genotypical\u0026#39; consistencies in the relation between spatial configuration and functional \u0026#39;ends\u0026#39;, such consistencies are usually lacking in experimental modernist architecture, where instead a consistency in spatial composition gives rise to \u0026#39;genotype of means\u0026#39; rather than to \u0026#39;genotypes of ends\u0026#39;. In Brazil, however, modernist housing became a established tradition and therefore there may be in them spatio-functional consistencies as found in vernacular tradition. The thesis examines how far this is the case, based on the fact that the dominant idea about the spatial organisation of the modernist dwelling was that it should be organised into spatially distinct \u0026#39;sectors\u0026#39;, within which similar activities could be clustered. This concept provided a pervasive underlying diagram, or paradigm, for housing organisation. No studies have been done however of how this paradigm worked out in practice. This thesis investigates this question with respect to a manifestation of this idea in the modernist architecture of Recife, between 1930 and 1980. The thesis first diagnoses the existence of a \u0026#39;sectors\u0026#39; paradigm\u0026#39; in a pilot sample of modernist houses, then extends the investigation to a larger sample to see how prevalent it is and what different spatial forms it takes. The thesis then looks at historical houses and shows that a sectors\u0026#39; model can also be detected in them, but quite different spatially and functionally. It shows that both the internal form of the sectors and the way they are linked together are the key determinant for differentiating domestic activities and household members in both historical and modern dwellings. The thesis concludes that, through the methodological innovation of sectors\u0026#39; analysis, spatio-functional \u0026#39;genotypes of ends\u0026#39; can be shown to be present in Recife\u0026#39;s modernist dwellings, but that also they can be detected in vernacular houses, suggesting that a first layer should be added to the syntactic analysis of vernacular buildings.","publication_date":{"day":null,"month":null,"year":1999,"errors":{}}},"translated_abstract":"Research on domestic architecture using the space syntax method has suggested that while most vernacular traditions are characterised by \u0026#39;genotypical\u0026#39; consistencies in the relation between spatial configuration and functional \u0026#39;ends\u0026#39;, such consistencies are usually lacking in experimental modernist architecture, where instead a consistency in spatial composition gives rise to \u0026#39;genotype of means\u0026#39; rather than to \u0026#39;genotypes of ends\u0026#39;. In Brazil, however, modernist housing became a established tradition and therefore there may be in them spatio-functional consistencies as found in vernacular tradition. The thesis examines how far this is the case, based on the fact that the dominant idea about the spatial organisation of the modernist dwelling was that it should be organised into spatially distinct \u0026#39;sectors\u0026#39;, within which similar activities could be clustered. This concept provided a pervasive underlying diagram, or paradigm, for housing organisation. No studies have been done however of how this paradigm worked out in practice. This thesis investigates this question with respect to a manifestation of this idea in the modernist architecture of Recife, between 1930 and 1980. The thesis first diagnoses the existence of a \u0026#39;sectors\u0026#39; paradigm\u0026#39; in a pilot sample of modernist houses, then extends the investigation to a larger sample to see how prevalent it is and what different spatial forms it takes. The thesis then looks at historical houses and shows that a sectors\u0026#39; model can also be detected in them, but quite different spatially and functionally. It shows that both the internal form of the sectors and the way they are linked together are the key determinant for differentiating domestic activities and household members in both historical and modern dwellings. The thesis concludes that, through the methodological innovation of sectors\u0026#39; analysis, spatio-functional \u0026#39;genotypes of ends\u0026#39; can be shown to be present in Recife\u0026#39;s modernist dwellings, but that also they can be detected in vernacular houses, suggesting that a first layer should be added to the syntactic analysis of vernacular buildings.","internal_url":"https://www.academia.edu/90135943/The_Sectors_Paradigm_a_study_of_the_spatial_and_functional_nature_of_modernist_housing_in_Northeast_Brazil_Ano_de_obten%C3%A7%C3%A3o","translated_internal_url":"","created_at":"2022-11-06T15:21:38.990-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":5056519,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"The_Sectors_Paradigm_a_study_of_the_spatial_and_functional_nature_of_modernist_housing_in_Northeast_Brazil_Ano_de_obtenção","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":5056519,"first_name":"Luiz","middle_initials":null,"last_name":"Amorim","page_name":"LuizAmorim","domain_name":"ufpe","created_at":"2013-08-05T22:17:20.809-07:00","display_name":"Luiz Amorim","url":"https://ufpe.academia.edu/LuizAmorim"},"attachments":[],"research_interests":[{"id":48,"name":"Engineering","url":"https://www.academia.edu/Documents/in/Engineering"},{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture"},{"id":2032,"name":"Space Syntax","url":"https://www.academia.edu/Documents/in/Space_Syntax"},{"id":38841,"name":"Vernacular","url":"https://www.academia.edu/Documents/in/Vernacular"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="90135937"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/90135937/A_Casa_Deles_a_Casa_Minha"><img alt="Research paper thumbnail of A Casa Deles, a Casa Minha" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/90135937/A_Casa_Deles_a_Casa_Minha">A Casa Deles, a Casa Minha</a></div><div class="wp-workCard_item"><span>FAU-PPGAU-UPM/SP</span><span>, Oct 1, 2009</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Este artigo relata resultados preliminares de uma investigação que tem por foco as diferenças, a ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Este artigo relata resultados preliminares de uma investigação que tem por foco as diferenças, a partir da análise de projetos de apartamentos em Recife, entre dois campos de saber – o saber profissional, fundado em operações técnicas e metodológicas – prescritivo, expresso no projeto original de edifícios de apartamentos, e o saber laico, baseado nas experiências cotidianas – sensitivo, expresso nos projetos de reforma executados. O fenômeno de modificar a planta original dos apartamentos adquiridos, durante o processo de construção do edifício, é recorrente no mercado imobiliário local. O produto lançado no mercado e comercializado ainda “na planta” difere, em grande medida daquele acabado. Em princípio, a recorrência do fenômeno sugere que uma cultura de morar está presente nas mentes de moradores e que esta difere daquela que informa a atividade profissional de projeto.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="90135937"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="90135937"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 90135937; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=90135937]").text(description); $(".js-view-count[data-work-id=90135937]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 90135937; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='90135937']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 90135937, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=90135937]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":90135937,"title":"A Casa Deles, a Casa Minha","translated_title":"","metadata":{"abstract":"Este artigo relata resultados preliminares de uma investigação que tem por foco as diferenças, a partir da análise de projetos de apartamentos em Recife, entre dois campos de saber – o saber profissional, fundado em operações técnicas e metodológicas – prescritivo, expresso no projeto original de edifícios de apartamentos, e o saber laico, baseado nas experiências cotidianas – sensitivo, expresso nos projetos de reforma executados. O fenômeno de modificar a planta original dos apartamentos adquiridos, durante o processo de construção do edifício, é recorrente no mercado imobiliário local. O produto lançado no mercado e comercializado ainda “na planta” difere, em grande medida daquele acabado. Em princípio, a recorrência do fenômeno sugere que uma cultura de morar está presente nas mentes de moradores e que esta difere daquela que informa a atividade profissional de projeto.","publisher":"FAU-PPGAU-UPM/SP","publication_date":{"day":1,"month":10,"year":2009,"errors":{}},"publication_name":"FAU-PPGAU-UPM/SP"},"translated_abstract":"Este artigo relata resultados preliminares de uma investigação que tem por foco as diferenças, a partir da análise de projetos de apartamentos em Recife, entre dois campos de saber – o saber profissional, fundado em operações técnicas e metodológicas – prescritivo, expresso no projeto original de edifícios de apartamentos, e o saber laico, baseado nas experiências cotidianas – sensitivo, expresso nos projetos de reforma executados. O fenômeno de modificar a planta original dos apartamentos adquiridos, durante o processo de construção do edifício, é recorrente no mercado imobiliário local. O produto lançado no mercado e comercializado ainda “na planta” difere, em grande medida daquele acabado. Em princípio, a recorrência do fenômeno sugere que uma cultura de morar está presente nas mentes de moradores e que esta difere daquela que informa a atividade profissional de projeto.","internal_url":"https://www.academia.edu/90135937/A_Casa_Deles_a_Casa_Minha","translated_internal_url":"","created_at":"2022-11-06T15:21:24.067-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":5056519,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"A_Casa_Deles_a_Casa_Minha","translated_slug":"","page_count":null,"language":"pt","content_type":"Work","owner":{"id":5056519,"first_name":"Luiz","middle_initials":null,"last_name":"Amorim","page_name":"LuizAmorim","domain_name":"ufpe","created_at":"2013-08-05T22:17:20.809-07:00","display_name":"Luiz Amorim","url":"https://ufpe.academia.edu/LuizAmorim"},"attachments":[],"research_interests":[{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art"},{"id":1954680,"name":"Projeto De Apartamentos","url":"https://www.academia.edu/Documents/in/Projeto_De_Apartamentos"}],"urls":[{"id":25628666,"url":"http://projedata.grupoprojetar.ct.ufrn.br/dspace/handle/123456789/478"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="82546790"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/82546790/Dois_Mundos_Uma_S%C3%B3_Espacialidade_Two_Worlds_One_Spatiality"><img alt="Research paper thumbnail of Dois Mundos, Uma Só Espacialidade * Two Worlds, One Spatiality" class="work-thumbnail" src="https://attachments.academia-assets.com/88225046/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/82546790/Dois_Mundos_Uma_S%C3%B3_Espacialidade_Two_Worlds_One_Spatiality">Dois Mundos, Uma Só Espacialidade * Two Worlds, One Spatiality</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">RESUMO Este artigo discute as transformações efetuadas no projeto original de dois conjuntos habi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">RESUMO Este artigo discute as transformações efetuadas no projeto original de dois conjuntos habitacionais construídos na Região Metropolitana do Recife, no Nordeste do Brasil, um deles para a classe média e o outro destinado originalmente à população com renda entre um e três salários mínimos. Apesar de direcionados a diferentes classes sociais, identificam-se, a partir das transformações operadas pelos moradores, duas faces de um mesmo processo, na medida em que sistemas espaciais de mesma natureza são gerados. Palavras-chave: Espaço doméstico; Configuração espacial; Habitação social ; Sintaxe espacial. ABSTRACT This article deals with the spatial changing process carried out in the original project of a middle-class housing estate and of a low-income public housing complex in the Metropolitan Region of Recife, in the Northeast of Brazil. It reveals that, although the projects addressed and were designed to different social classes, the inhabitants of both housing complexes operat...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1cba9b7f9f81d27e3230e452ea84c626" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:88225046,&quot;asset_id&quot;:82546790,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/88225046/download_file?st=MTczMjQ0MjQyMyw4LjIyMi4yMDguMTQ2&st=MTczMjQ0MjQyMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="82546790"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="82546790"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 82546790; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=82546790]").text(description); $(".js-view-count[data-work-id=82546790]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 82546790; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='82546790']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 82546790, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1cba9b7f9f81d27e3230e452ea84c626" } } $('.js-work-strip[data-work-id=82546790]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":82546790,"title":"Dois Mundos, Uma Só Espacialidade * Two Worlds, One Spatiality","translated_title":"","metadata":{"abstract":"RESUMO Este artigo discute as transformações efetuadas no projeto original de dois conjuntos habitacionais construídos na Região Metropolitana do Recife, no Nordeste do Brasil, um deles para a classe média e o outro destinado originalmente à população com renda entre um e três salários mínimos. Apesar de direcionados a diferentes classes sociais, identificam-se, a partir das transformações operadas pelos moradores, duas faces de um mesmo processo, na medida em que sistemas espaciais de mesma natureza são gerados. Palavras-chave: Espaço doméstico; Configuração espacial; Habitação social ; Sintaxe espacial. ABSTRACT This article deals with the spatial changing process carried out in the original project of a middle-class housing estate and of a low-income public housing complex in the Metropolitan Region of Recife, in the Northeast of Brazil. It reveals that, although the projects addressed and were designed to different social classes, the inhabitants of both housing complexes operat..."},"translated_abstract":"RESUMO Este artigo discute as transformações efetuadas no projeto original de dois conjuntos habitacionais construídos na Região Metropolitana do Recife, no Nordeste do Brasil, um deles para a classe média e o outro destinado originalmente à população com renda entre um e três salários mínimos. Apesar de direcionados a diferentes classes sociais, identificam-se, a partir das transformações operadas pelos moradores, duas faces de um mesmo processo, na medida em que sistemas espaciais de mesma natureza são gerados. Palavras-chave: Espaço doméstico; Configuração espacial; Habitação social ; Sintaxe espacial. ABSTRACT This article deals with the spatial changing process carried out in the original project of a middle-class housing estate and of a low-income public housing complex in the Metropolitan Region of Recife, in the Northeast of Brazil. 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The leper was identified as contagious in 1883, which triggered the discussion regarding the isolation of patients as the primary means for prevention of the disease. The discussions about the design of a Model Colony from which other Brazilian colonies could be built started in 1921. This represents the template for the prophylactic policy of leper in Brazil, being adjusted to the various regional circumstances, thus acquiring unique/particular configurations. In 1935, a National Plan to Combat Leprosy was established, resulting in construction of Leper Colonies throughout Brazil. The Mirueira Colony, built in Pernambuco from 1937 to 1940, was a part of that plan. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="668792" id="thesischapters"><div class="js-work-strip profile--work_container" data-work-id="4213883"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/4213883/The_Sectors_Paradigm_a_study_of_the_spatial_and_functional_nature_of_modernist_housing_in_Northeast_Brazil"><img alt="Research paper thumbnail of The Sectors&#39; Paradigm: a study of the spatial and functional nature of modernist housing in Northeast Brazil" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/4213883/The_Sectors_Paradigm_a_study_of_the_spatial_and_functional_nature_of_modernist_housing_in_Northeast_Brazil">The Sectors&#39; Paradigm: a study of the spatial and functional nature of modernist housing in Northeast Brazil</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Research on domestic architecture using the space syntax method has suggested that while most ve...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Research on domestic architecture using the space syntax method has&nbsp; suggested that while most vernacular traditions are characterised by&nbsp; &#39;genotypical&#39; consistencies in the relation between spatial configuration and&nbsp; functional &#39;ends&#39;, such consistencies are usually lacking in experimental&nbsp; modernist architecture, where instead a consistency in spatial composition<br /> gives rise to &#39;genotype of means&#39; rather than to &#39;genotypes of ends&#39;.<br /> In Brazil, however, modernist housing became a established tradition and&nbsp; therefore there may be in them spatio-functional consistencies as found in&nbsp; vernacular tradition. The thesis examines how far this is the case, based on the&nbsp; fact that the dominant idea about the spatial organisation of the modernist<br /> dwelling was that it should be organised into spatially distinct &#39;sectors&#39;, within&nbsp; which similar activities could be clustered. This concept provided a pervasive&nbsp; underlying diagram, or paradigm, for housing organisation. No studies have&nbsp; been done however of how this paradigm worked out in practice. This thesis&nbsp; investigates this question with respect to a manifestation of this idea in the<br /> modernist architecture of Recife, between 1930 and 1980.<br /> The thesis first diagnoses the existence of a &#39;sectors&#39; paradigm&#39; in a pilot&nbsp; sample of modernist houses, then extends the investigation to a larger sample&nbsp; to see how prevalent it is and what different spatial forms it takes. The thesis&nbsp; then looks at historical houses and shows that a sectors&#39; model can also be<br /> detected in them, but quite different spatially and functionally. It shows that&nbsp; both the internal form of the sectors and the way they are linked together are&nbsp; the key determinant for differentiating domestic activities and household&nbsp; members in both historical and modern dwellings.&nbsp; The thesis concludes that, through the methodological innovation of sectors&#39;&nbsp; analysis, spatio-functional &#39;genotypes of ends&#39; can be shown to be present in&nbsp; Recife&#39;s modernist dwellings, but that also they can be detected in vernacular&nbsp; houses, suggesting that a first layer should be added to the syntactic analysis&nbsp; of vernacular buildings.<br /><br />Download - <a href="http://discovery.ucl.ac.uk/1318054/" rel="nofollow">http://discovery.ucl.ac.uk/1318054/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="4213883"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="4213883"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 4213883; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=4213883]").text(description); $(".js-view-count[data-work-id=4213883]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 4213883; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='4213883']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 4213883, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=4213883]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":4213883,"title":"The Sectors' Paradigm: a study of the spatial and functional nature of modernist housing in Northeast Brazil","translated_title":"","metadata":{"abstract":"Research on domestic architecture using the space syntax method has suggested that while most vernacular traditions are characterised by 'genotypical' consistencies in the relation between spatial configuration and functional 'ends', such consistencies are usually lacking in experimental modernist architecture, where instead a consistency in spatial composition\n gives rise to 'genotype of means' rather than to 'genotypes of ends'.\n In Brazil, however, modernist housing became a established tradition and therefore there may be in them spatio-functional consistencies as found in vernacular tradition. The thesis examines how far this is the case, based on the fact that the dominant idea about the spatial organisation of the modernist\n dwelling was that it should be organised into spatially distinct 'sectors', within which similar activities could be clustered. This concept provided a pervasive underlying diagram, or paradigm, for housing organisation. No studies have been done however of how this paradigm worked out in practice. This thesis investigates this question with respect to a manifestation of this idea in the\n modernist architecture of Recife, between 1930 and 1980.\n The thesis first diagnoses the existence of a 'sectors' paradigm' in a pilot sample of modernist houses, then extends the investigation to a larger sample to see how prevalent it is and what different spatial forms it takes. The thesis then looks at historical houses and shows that a sectors' model can also be\n detected in them, but quite different spatially and functionally. It shows that both the internal form of the sectors and the way they are linked together are the key determinant for differentiating domestic activities and household members in both historical and modern dwellings. The thesis concludes that, through the methodological innovation of sectors' analysis, spatio-functional 'genotypes of ends' can be shown to be present in Recife's modernist dwellings, but that also they can be detected in vernacular houses, suggesting that a first layer should be added to the syntactic analysis of vernacular buildings.\n\nDownload - http://discovery.ucl.ac.uk/1318054/","publication_date":{"day":null,"month":null,"year":1999,"errors":{}}},"translated_abstract":"Research on domestic architecture using the space syntax method has suggested that while most vernacular traditions are characterised by 'genotypical' consistencies in the relation between spatial configuration and functional 'ends', such consistencies are usually lacking in experimental modernist architecture, where instead a consistency in spatial composition\n gives rise to 'genotype of means' rather than to 'genotypes of ends'.\n In Brazil, however, modernist housing became a established tradition and therefore there may be in them spatio-functional consistencies as found in vernacular tradition. The thesis examines how far this is the case, based on the fact that the dominant idea about the spatial organisation of the modernist\n dwelling was that it should be organised into spatially distinct 'sectors', within which similar activities could be clustered. This concept provided a pervasive underlying diagram, or paradigm, for housing organisation. No studies have been done however of how this paradigm worked out in practice. This thesis investigates this question with respect to a manifestation of this idea in the\n modernist architecture of Recife, between 1930 and 1980.\n The thesis first diagnoses the existence of a 'sectors' paradigm' in a pilot sample of modernist houses, then extends the investigation to a larger sample to see how prevalent it is and what different spatial forms it takes. The thesis then looks at historical houses and shows that a sectors' model can also be\n detected in them, but quite different spatially and functionally. It shows that both the internal form of the sectors and the way they are linked together are the key determinant for differentiating domestic activities and household members in both historical and modern dwellings. The thesis concludes that, through the methodological innovation of sectors' analysis, spatio-functional 'genotypes of ends' can be shown to be present in Recife's modernist dwellings, but that also they can be detected in vernacular houses, suggesting that a first layer should be added to the syntactic analysis of vernacular buildings.\n\nDownload - http://discovery.ucl.ac.uk/1318054/","internal_url":"https://www.academia.edu/4213883/The_Sectors_Paradigm_a_study_of_the_spatial_and_functional_nature_of_modernist_housing_in_Northeast_Brazil","translated_internal_url":"","created_at":"2013-08-10T21:34:39.938-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":5056519,"coauthors_can_edit":true,"document_type":"thesis_chapter","co_author_tags":[],"downloadable_attachments":[],"slug":"The_Sectors_Paradigm_a_study_of_the_spatial_and_functional_nature_of_modernist_housing_in_Northeast_Brazil","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":5056519,"first_name":"Luiz","middle_initials":null,"last_name":"Amorim","page_name":"LuizAmorim","domain_name":"ufpe","created_at":"2013-08-05T22:17:20.809-07:00","display_name":"Luiz Amorim","url":"https://ufpe.academia.edu/LuizAmorim"},"attachments":[],"research_interests":[{"id":2032,"name":"Space Syntax","url":"https://www.academia.edu/Documents/in/Space_Syntax"},{"id":14647,"name":"Modern Architecture","url":"https://www.academia.edu/Documents/in/Modern_Architecture"},{"id":15928,"name":"Domestic Space","url":"https://www.academia.edu/Documents/in/Domestic_Space"},{"id":16772,"name":"Housing and Dwelling (Architecture)","url":"https://www.academia.edu/Documents/in/Housing_and_Dwelling_Architecture_"},{"id":79557,"name":"Architectural Morphology","url":"https://www.academia.edu/Documents/in/Architectural_Morphology"}],"urls":[{"id":1441402,"url":"http://discovery.ucl.ac.uk/1318054/1/321905.pdf"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="752351" id="books"><div class="js-work-strip profile--work_container" data-work-id="76014004"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/76014004/The_galleria_progressiva_in_the_Solomon_R_Guggenheim_Museum_and_the_Museum_of_Unlimited_Growth"><img alt="Research paper thumbnail of The galleria progressiva in the Solomon R. Guggenheim Museum and the Museum of Unlimited Growth" class="work-thumbnail" src="https://attachments.academia-assets.com/83699370/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/76014004/The_galleria_progressiva_in_the_Solomon_R_Guggenheim_Museum_and_the_Museum_of_Unlimited_Growth">The galleria progressiva in the Solomon R. Guggenheim Museum and the Museum of Unlimited Growth</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unicap-br.academia.edu/AnaRolim">Ana Luisa Rolim</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ufpe.academia.edu/LuizAmorim">Luiz Amorim</a></span></div><div class="wp-workCard_item"><span>Formal Methods in Architecture and Urbanism, Volume 2</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The Solomon R. Guggenheim Museum, designed by Frank Lloyd Wright (1943-1959) and the Museum of Un...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The Solomon R. Guggenheim Museum, designed by Frank Lloyd Wright (1943-1959) and the Museum of Unlimited Growth (1939), by Le Corbusier, are examples of the galleria progressiva, a type of architectural configuration containing sequentially uninterrupted spaces, emerged after the French Revolution, that generates specific sets of linear events and has the potential to guide the visitor&#39;s experience relying more on the building geometry than on symbolic or guidance artifices. In Wright&#39;s design visitors would take the elevator up and descend, on a leisure mode drift, through a fixed journey on the sloping plane, from which they would sidestep into exhibition rooms and then return to the skewed plane of the spiral gallery in the rotunda. In a similarly deterministic configuration concept, Le Corbusier designed a museum to be accessed from an atrium in the mid-point of the structure, from where visitors would take a ramp to the upper floor, occupied by galleries, laid out in a squareshaped spiral overlaid with a 4-axis cross, that could grow endlessly as more exhibiting spaces were needed. As part of a broader PhD research on visitors&#39; engagement in the galleria progressiva museum type, the interest of this paper relies on finding clues on the morphology of the concepts by two of the most iconic architects in the twentiethcentury that might lead to their potential in facilitating engagement. To investigate morphological aspects, space syntax was used as the main theoretical ground, relying on justified graphs, convex, axial and visual analysis maps as topological representations of both spatial structures. Some of the key questions in future developments of this research are: Are both spiral-like configurations equally deterministic when it comes to route alternatives? Doe ones favor a more exploratory visit than the other? Which spatial system is easier to navigate? How does Le Corbusier&#39;s architectural promenade concept cope with an apparently very restrictive layout? By addressing these issues, we hope to revisit two important museum designs and, at the same time, bring light on the history of museum types by examining the galleria progressiva.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f62ba29abb276ff8407b22db5cbb75a0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:83699370,&quot;asset_id&quot;:76014004,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/83699370/download_file?st=MTczMjQ0MjQyMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="76014004"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="76014004"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 76014004; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=76014004]").text(description); $(".js-view-count[data-work-id=76014004]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 76014004; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='76014004']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 76014004, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f62ba29abb276ff8407b22db5cbb75a0" } } $('.js-work-strip[data-work-id=76014004]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":76014004,"title":"The galleria progressiva in the Solomon R. Guggenheim Museum and the Museum of Unlimited Growth","translated_title":"","metadata":{"issue":"1","volume":"2","abstract":"The Solomon R. Guggenheim Museum, designed by Frank Lloyd Wright (1943-1959) and the Museum of Unlimited Growth (1939), by Le Corbusier, are examples of the galleria progressiva, a type of architectural configuration containing sequentially uninterrupted spaces, emerged after the French Revolution, that generates specific sets of linear events and has the potential to guide the visitor's experience relying more on the building geometry than on symbolic or guidance artifices. In Wright's design visitors would take the elevator up and descend, on a leisure mode drift, through a fixed journey on the sloping plane, from which they would sidestep into exhibition rooms and then return to the skewed plane of the spiral gallery in the rotunda. In a similarly deterministic configuration concept, Le Corbusier designed a museum to be accessed from an atrium in the mid-point of the structure, from where visitors would take a ramp to the upper floor, occupied by galleries, laid out in a squareshaped spiral overlaid with a 4-axis cross, that could grow endlessly as more exhibiting spaces were needed. As part of a broader PhD research on visitors' engagement in the galleria progressiva museum type, the interest of this paper relies on finding clues on the morphology of the concepts by two of the most iconic architects in the twentiethcentury that might lead to their potential in facilitating engagement. To investigate morphological aspects, space syntax was used as the main theoretical ground, relying on justified graphs, convex, axial and visual analysis maps as topological representations of both spatial structures. Some of the key questions in future developments of this research are: Are both spiral-like configurations equally deterministic when it comes to route alternatives? Doe ones favor a more exploratory visit than the other? Which spatial system is easier to navigate? How does Le Corbusier's architectural promenade concept cope with an apparently very restrictive layout? By addressing these issues, we hope to revisit two important museum designs and, at the same time, bring light on the history of museum types by examining the galleria progressiva.","more_info":"ISBN: 1-5275-7446-6 ISBN13: 978-1-5275-7446-5","page_numbers":"540","publication_date":{"day":null,"month":null,"year":2022,"errors":{}},"publication_name":"Formal Methods in Architecture and Urbanism, Volume 2"},"translated_abstract":"The Solomon R. Guggenheim Museum, designed by Frank Lloyd Wright (1943-1959) and the Museum of Unlimited Growth (1939), by Le Corbusier, are examples of the galleria progressiva, a type of architectural configuration containing sequentially uninterrupted spaces, emerged after the French Revolution, that generates specific sets of linear events and has the potential to guide the visitor's experience relying more on the building geometry than on symbolic or guidance artifices. In Wright's design visitors would take the elevator up and descend, on a leisure mode drift, through a fixed journey on the sloping plane, from which they would sidestep into exhibition rooms and then return to the skewed plane of the spiral gallery in the rotunda. In a similarly deterministic configuration concept, Le Corbusier designed a museum to be accessed from an atrium in the mid-point of the structure, from where visitors would take a ramp to the upper floor, occupied by galleries, laid out in a squareshaped spiral overlaid with a 4-axis cross, that could grow endlessly as more exhibiting spaces were needed. As part of a broader PhD research on visitors' engagement in the galleria progressiva museum type, the interest of this paper relies on finding clues on the morphology of the concepts by two of the most iconic architects in the twentiethcentury that might lead to their potential in facilitating engagement. To investigate morphological aspects, space syntax was used as the main theoretical ground, relying on justified graphs, convex, axial and visual analysis maps as topological representations of both spatial structures. Some of the key questions in future developments of this research are: Are both spiral-like configurations equally deterministic when it comes to route alternatives? Doe ones favor a more exploratory visit than the other? Which spatial system is easier to navigate? How does Le Corbusier's architectural promenade concept cope with an apparently very restrictive layout? By addressing these issues, we hope to revisit two important museum designs and, at the same time, bring light on the history of museum types by examining the galleria progressiva.","internal_url":"https://www.academia.edu/76014004/The_galleria_progressiva_in_the_Solomon_R_Guggenheim_Museum_and_the_Museum_of_Unlimited_Growth","translated_internal_url":"","created_at":"2022-04-10T10:04:16.142-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":17839764,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[{"id":38010583,"work_id":76014004,"tagging_user_id":17839764,"tagged_user_id":5056519,"co_author_invite_id":null,"email":"a***l@gmail.com","affiliation":"Universidade Federal de Pernambuco","display_order":1,"name":"Luiz Amorim","title":"The galleria progressiva in the Solomon R. 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patrimônio e sociedade" class="work-thumbnail" src="https://attachments.academia-assets.com/31924033/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/4539307/Cidades_urbanismo_patrim%C3%B4nio_e_sociedade">Cidades: urbanismo, patrimônio e sociedade</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ufpe.academia.edu/LuizAmorim">Luiz Amorim</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/CRISTIANAGRIZ">CRISTIANA GRIZ</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Apresentação da série Editos fundador: Luiz Amorim O Programa de Pós-Graduação de Desenvolvim...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Apresentação da série <br />Editos fundador: Luiz Amorim <br /> <br />O Programa de Pós-Graduação de Desenvolvimento Urbano (MDU) foi criado pelo Departamento de Arquitetura e Urbanismo da Universidade Federal de Pernambuco em 1975. Inicialmente, seu foco de interesse residia no planejamento urbano e regional, mas nestas três décadas de existência, o MDU ampliou seu campo de interesse ao criar as linhas de Conservação Urbana e de Ambiente Construído, incorporando, assim, estudos nas áreas de teoria e projeto da arquitetura e do urbanismo. <br /> <br />Até esta data, foram defendidas no MDU, precisamente, 228 dissertações de mestrado e 19 teses de doutorado. Algumas delas foram publicadas in totum, com as devidas revisões e adaptações, e as demais publicadas parcialmente em periódicos e anais de congressos acadêmicos nacionais e internacionais. Essa divulgação coube, quase sempre, ao esforço dos mestres e doutores, bem como dos seus respectivos orientadores. <br /> <br />Ao assumir a responsabilidade pela organização dos Seminários de Pós-Graduação, estruturei-o como um canal para a divulgação da produção acadêmica, realizada em dois momentos. No primeiro, as defesas de dissertação e de tese passaram a ser feitas em um evento aberto ao público, denominado Seminário Cidades, de tal forma a permitir uma avaliação do nosso produto pelos nossos pares e pela sociedade. Esse evento contou, além das defesas, com a participação de palestrantes convidados, dentre os examinadores internos e externos. No segundo momento, um livro com as diversas contribuições apresentadas no seminário seria publicado, segundo o calendário das defesas públicas e a disponibilidade de recursos. Surge daí, a Série Cidades, que agora se inaugura. <br /> <br />O primeiro seminário foi realizado entre os dias 28 de junho e 2 de julho de 2004. Naquela semana, foram realizadas as defesas públicas de uma tese de doutorado e de três dissertações de mestrado, além de palestras e debates. Na oportunidade, todos os participantes foram convidados a escrever um artigo para compor o primeiro volume da série, intitulado Urbanismo, patrimônio e sociedade. <br /> <br />O hiato entre a realização do evento e a publicação deste livro superou, por vários motivos, aquele planejado inicialmente. O envolvimento da professora Cristiana Griz nesse projeto editorial, em 2006, e o suporte do Laboratório de Estudos Avançados em Arquitetura (lA2), que assumiu a responsabilidade pela edição da série, foram fundamentais para, finalmente, torná-lo viável. <br /> <br />A minha expectativa é de que a Série Cidades se consolide como um meio de interação entre pesquisa e sociedade e, principalmente, como um instrumento para o alargamento das reflexões coletivas sobre os problemas urbanos contemporâneos: um exercício pleno de integração de saberes.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a7402300636084e9556928e1d2c81e65" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:31924033,&quot;asset_id&quot;:4539307,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/31924033/download_file?st=MTczMjQ0MjQyMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="4539307"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="4539307"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 4539307; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=4539307]").text(description); $(".js-view-count[data-work-id=4539307]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 4539307; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='4539307']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 4539307, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a7402300636084e9556928e1d2c81e65" } } $('.js-work-strip[data-work-id=4539307]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":4539307,"title":"Cidades: urbanismo, patrimônio e sociedade","translated_title":"","metadata":{"abstract":"Apresentação da série\r\nEditos fundador: Luiz Amorim\r\n\r\nO Programa de Pós-Graduação de Desenvolvimento Urbano (MDU) foi criado pelo Departamento de Arquitetura e Urbanismo da Universidade Federal de Pernambuco em 1975. 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No primeiro, as defesas de dissertação e de tese passaram a ser feitas em um evento aberto ao público, denominado Seminário Cidades, de tal forma a permitir uma avaliação do nosso produto pelos nossos pares e pela sociedade. Esse evento contou, além das defesas, com a participação de palestrantes convidados, dentre os examinadores internos e externos. No segundo momento, um livro com as diversas contribuições apresentadas no seminário seria publicado, segundo o calendário das defesas públicas e a disponibilidade de recursos. Surge daí, a Série Cidades, que agora se inaugura. \r\n\r\nO primeiro seminário foi realizado entre os dias 28 de junho e 2 de julho de 2004. Naquela semana, foram realizadas as defesas públicas de uma tese de doutorado e de três dissertações de mestrado, além de palestras e debates. 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O envolvimento da professora Cristiana Griz nesse projeto editorial, em 2006, e o suporte do Laboratório de Estudos Avançados em Arquitetura (lA2), que assumiu a responsabilidade pela edição da série, foram fundamentais para, finalmente, torná-lo viável. \r\n\r\nA minha expectativa é de que a Série Cidades se consolide como um meio de interação entre pesquisa e sociedade e, principalmente, como um instrumento para o alargamento das reflexões coletivas sobre os problemas urbanos contemporâneos: um exercício pleno de integração de saberes.\r\n","internal_url":"https://www.academia.edu/4539307/Cidades_urbanismo_patrim%C3%B4nio_e_sociedade","translated_internal_url":"","created_at":"2013-09-20T08:31:07.229-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":5056519,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[{"id":10322001,"work_id":4539307,"tagging_user_id":5056519,"tagged_user_id":31906534,"co_author_invite_id":null,"email":"c***z@gmail.com","display_order":0,"name":"CRISTIANA GRIZ","title":"Cidades: urbanismo, patrimônio e sociedade"}],"downloadable_attachments":[{"id":31924033,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/31924033/thumbnails/1.jpg","file_name":"Cidade_Prefacio.pdf","download_url":"https://www.academia.edu/attachments/31924033/download_file?st=MTczMjQ0MjQyMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Cidades_urbanismo_patrimonio_e_sociedade.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/31924033/Cidade_Prefacio-libre.pdf?1391519486=\u0026response-content-disposition=attachment%3B+filename%3DCidades_urbanismo_patrimonio_e_sociedade.pdf\u0026Expires=1732005815\u0026Signature=OEHDwl7V7~dZNJ6LwlMSDDNmHSi0ppw6sFIFotIcfhw0L3xWlp27mg-LxeTsofb~eAONZ-BKsbMA-c-2lSnQy5ZipgtKQKMC9oxwv5S8Uug4qKqzRWrCUjfiYp-bBAuota8g37b0QgDhazPzKcq4MOkp6ApyS~wVtVz9DqM1HSXn8XqPHZCucOCzt8PpZJcoLXaiIYbItTYxwP-vAnzd96rUEu7CszxP2m1NsP4oeQqW9Woe1es-4gpYYXT~UolL57RGzbaEAhCL4M2mAre5CnbbJQ5VsOvQCmCU0UWKrhSrXnyYOb9kQPsIvH4eigukT06AGKIjN6DC-En7xdXOGA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Cidades_urbanismo_patrimônio_e_sociedade","translated_slug":"","page_count":3,"language":"pt","content_type":"Work","owner":{"id":5056519,"first_name":"Luiz","middle_initials":null,"last_name":"Amorim","page_name":"LuizAmorim","domain_name":"ufpe","created_at":"2013-08-05T22:17:20.809-07:00","display_name":"Luiz Amorim","url":"https://ufpe.academia.edu/LuizAmorim"},"attachments":[{"id":31924033,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/31924033/thumbnails/1.jpg","file_name":"Cidade_Prefacio.pdf","download_url":"https://www.academia.edu/attachments/31924033/download_file?st=MTczMjQ0MjQyMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Cidades_urbanismo_patrimonio_e_sociedade.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/31924033/Cidade_Prefacio-libre.pdf?1391519486=\u0026response-content-disposition=attachment%3B+filename%3DCidades_urbanismo_patrimonio_e_sociedade.pdf\u0026Expires=1732005815\u0026Signature=OEHDwl7V7~dZNJ6LwlMSDDNmHSi0ppw6sFIFotIcfhw0L3xWlp27mg-LxeTsofb~eAONZ-BKsbMA-c-2lSnQy5ZipgtKQKMC9oxwv5S8Uug4qKqzRWrCUjfiYp-bBAuota8g37b0QgDhazPzKcq4MOkp6ApyS~wVtVz9DqM1HSXn8XqPHZCucOCzt8PpZJcoLXaiIYbItTYxwP-vAnzd96rUEu7CszxP2m1NsP4oeQqW9Woe1es-4gpYYXT~UolL57RGzbaEAhCL4M2mAre5CnbbJQ5VsOvQCmCU0UWKrhSrXnyYOb9kQPsIvH4eigukT06AGKIjN6DC-En7xdXOGA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":71918,"name":"Patrimonio Cultural","url":"https://www.academia.edu/Documents/in/Patrimonio_Cultural"},{"id":110273,"name":"Teoria História e Crítica da Arquitetura e do Urbanismo","url":"https://www.academia.edu/Documents/in/Teoria_Historia_e_Critica_da_Arquitetura_e_do_Urbanismo"},{"id":246350,"name":"Morfologia","url":"https://www.academia.edu/Documents/in/Morfologia"},{"id":470288,"name":"Sintaxe Espacial","url":"https://www.academia.edu/Documents/in/Sintaxe_Espacial"},{"id":496878,"name":"História Da Cidade","url":"https://www.academia.edu/Documents/in/Historia_Da_Cidade"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="4539250"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/4539250/A_casa_nossa_de_cada_dia"><img alt="Research paper thumbnail of A casa nossa de cada dia" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/4539250/A_casa_nossa_de_cada_dia">A casa nossa de cada dia</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Em setembro de 2007 realizamos, no Recife, um ciclo de conferências denominado A Casa nossa de ca...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Em setembro de 2007 realizamos, no Recife, um ciclo de conferências denominado A Casa nossa de cada dia, uma. Na ocasião tínhamos como objetivo discutir para melhor compreender, como é percebido, valorado e, sobretudo, experienciado, o espaço habitado. Com isso, esperávamos chamar a atenção — especialmente dos arquitetos, porque a eles compete o projeto do ambiente construído — para o que não é explícito na arquitetura, ainda que lhe seja essencial. Afinal, como bem anotou Norberg-Schulz em seu Intentions in Architecture, publicado originalmente em Oslo, em 1967, “à medida que os problemas transcendem as questões puramente físicas, os arquitetos se sentem perdidos”. <br /> <br />Pretendíamos, portanto, com o evento, tornar mais fluidas as fronteiras do repertório teórico da arquitetura, em geral excessivamente centrado em si mesmo. Para tanto, convidamos profissionais da arquitetura e de diversos campos disciplinares — da história, da filosofia, da literatura, da sociologia, da antropologia e da psicanálise —, todos professores universitários, solicitando-lhes que refletissem livremente sobre o tema geral do evento, tendo como suporte as referências teóricas do seu próprio campo disciplinar.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="4539250"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="4539250"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 4539250; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=4539250]").text(description); $(".js-view-count[data-work-id=4539250]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 4539250; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='4539250']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 4539250, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=4539250]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":4539250,"title":"A casa nossa de cada dia","translated_title":"","metadata":{"abstract":"Em setembro de 2007 realizamos, no Recife, um ciclo de conferências denominado A Casa nossa de cada dia, uma. Na ocasião tínhamos como objetivo discutir para melhor compreender, como é percebido, valorado e, sobretudo, experienciado, o espaço habitado. Com isso, esperávamos chamar a atenção — especialmente dos arquitetos, porque a eles compete o projeto do ambiente construído — para o que não é explícito na arquitetura, ainda que lhe seja essencial. Afinal, como bem anotou Norberg-Schulz em seu Intentions in Architecture, publicado originalmente em Oslo, em 1967, “à medida que os problemas transcendem as questões puramente físicas, os arquitetos se sentem perdidos”. \r\n\r\nPretendíamos, portanto, com o evento, tornar mais fluidas as fronteiras do repertório teórico da arquitetura, em geral excessivamente centrado em si mesmo. Para tanto, convidamos profissionais da arquitetura e de diversos campos disciplinares — da história, da filosofia, da literatura, da sociologia, da antropologia e da psicanálise —, todos professores universitários, solicitando-lhes que refletissem livremente sobre o tema geral do evento, tendo como suporte as referências teóricas do seu próprio campo disciplinar. ","more_info":"Lúcia Leitão e Luiz Amorim (org.)","publisher":"EDUFEPE","publication_date":{"day":null,"month":9,"year":2007,"errors":{}}},"translated_abstract":"Em setembro de 2007 realizamos, no Recife, um ciclo de conferências denominado A Casa nossa de cada dia, uma. Na ocasião tínhamos como objetivo discutir para melhor compreender, como é percebido, valorado e, sobretudo, experienciado, o espaço habitado. Com isso, esperávamos chamar a atenção — especialmente dos arquitetos, porque a eles compete o projeto do ambiente construído — para o que não é explícito na arquitetura, ainda que lhe seja essencial. Afinal, como bem anotou Norberg-Schulz em seu Intentions in Architecture, publicado originalmente em Oslo, em 1967, “à medida que os problemas transcendem as questões puramente físicas, os arquitetos se sentem perdidos”. \r\n\r\nPretendíamos, portanto, com o evento, tornar mais fluidas as fronteiras do repertório teórico da arquitetura, em geral excessivamente centrado em si mesmo. Para tanto, convidamos profissionais da arquitetura e de diversos campos disciplinares — da história, da filosofia, da literatura, da sociologia, da antropologia e da psicanálise —, todos professores universitários, solicitando-lhes que refletissem livremente sobre o tema geral do evento, tendo como suporte as referências teóricas do seu próprio campo disciplinar. ","internal_url":"https://www.academia.edu/4539250/A_casa_nossa_de_cada_dia","translated_internal_url":"","created_at":"2013-09-20T08:11:14.333-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":5056519,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[],"slug":"A_casa_nossa_de_cada_dia","translated_slug":"","page_count":null,"language":"pt","content_type":"Work","owner":{"id":5056519,"first_name":"Luiz","middle_initials":null,"last_name":"Amorim","page_name":"LuizAmorim","domain_name":"ufpe","created_at":"2013-08-05T22:17:20.809-07:00","display_name":"Luiz Amorim","url":"https://ufpe.academia.edu/LuizAmorim"},"attachments":[],"research_interests":[{"id":130403,"name":"Casa","url":"https://www.academia.edu/Documents/in/Casa"},{"id":156267,"name":"Subjetividade","url":"https://www.academia.edu/Documents/in/Subjetividade"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="4040016" id="artigospublicadosemanais"><div class="js-work-strip profile--work_container" data-work-id="44712571"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44712571/Proceedings_of_the_12_th_Space_Syntax_Symposium_291_FROM_PROGRESSIVE_TO_LABYRINTHINE_Testing_formal_variations_of_an_exhibition_space_typology"><img alt="Research paper thumbnail of Proceedings of the 12 th Space Syntax Symposium 291 FROM PROGRESSIVE TO LABYRINTHINE: Testing formal variations of an exhibition space typology" class="work-thumbnail" src="https://attachments.academia-assets.com/65193202/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44712571/Proceedings_of_the_12_th_Space_Syntax_Symposium_291_FROM_PROGRESSIVE_TO_LABYRINTHINE_Testing_formal_variations_of_an_exhibition_space_typology">Proceedings of the 12 th Space Syntax Symposium 291 FROM PROGRESSIVE TO LABYRINTHINE: Testing formal variations of an exhibition space typology</a></div><div class="wp-workCard_item"><span>Proceedings of the 12 th Space Syntax Symposium</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The galleria progressiva is a type of exhibition space emerged after the French Revolution whose ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The galleria progressiva is a type of exhibition space emerged after the French Revolution whose architectural configuration is characterized by sequentially uninterrupted spaces that generate specific sets of linear events and has the potential to guide visitors relying more on the building geometry than on symbolic or guidance artifices (Bennet, 1995; Sutton, 2000). Consisting of a deterministic museum configuration by nature (Choi, 1997), the interest relies in investigating if and to what extent such type would allow for a visiting experience capable of encouraging visitors to explore and experience the museum while still strengthening its social nature. This idea is the core of an on going PhD research focusing on visitors&#39; engagement in museum spaces, having led to previously published studies (Rolim et al, 2017; 2018) on two iconic examples of progressive galleries, the Solomon R. Guggenheim Museum (Frank L.Wright, 1943-59) and the Museum of Unlimited Growth (Le Corbusier, 1939). These works examined differences in route alternatives and ability to generate a more exploratory visit in both layouts, casting light on how they could promote a less tedious visiting experience. This paper focuses on analysing the influence of visual field and spatial layout in hypothetical variations of the progressive gallery. Starting from a purely progressive condition (an uniaxial, uni-convex space, allowing for full visual field reach), whose configuration and metrics were borrowed from both reference projects, this space starts to be transformed, first transversally, by altering the shape of its walls (from rectilinear to sinusoidal, chamfered or niched), conforming a multi-convex system, as in Wright&#39;s upper ring-shaped galleries. The walls are also displaced longitudinally in staggered conditions. Afterwards the layout is no longer crossed by a single axial line, which leads to losing visual information on the non-adjacent spaces and conforming a labyrinth-like condition. Further increasing complexity, similar to the Guggenheim&#39;s renovation in 1990&#39;s, the transformation of the gallery is gradually increased by introducing spatial cells as an alternate system, parallel to the former one. In order to examine these progressive to labyrinthine configurations, we will perform convex, axial, VGA, and agent analysis, comparing the findings pertaining to such variations, and their relationship with the matrix configuration in the Guggenheim museum, as well as site observations performed at the site. By addressing how spatial configuration influence on route options, visual fields and visitors&#39; movement trails, the goal is to bring light on a relevant type of exhibition space, testing its ability to either reassure its condition as a purely deterministic system or point towards hybridized versions of it, potentially able to better facilitate a more exploratory visit. We hope that, rather than achieving robust results, this stage of the research allows to broaden the understanding on the morphology of the progressive gallery, setting the analytical procedures and launching clues for further steps in the studies on visitors&#39; engagement in this museum typology when we will add the use of augmented virtual reality in the hypothetical layouts tested here.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="05ecb9ddf38cdac09af4b3bcb4d20e41" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:65193202,&quot;asset_id&quot;:44712571,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/65193202/download_file?st=MTczMjQ0MjQyMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44712571"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44712571"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44712571; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44712571]").text(description); $(".js-view-count[data-work-id=44712571]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44712571; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44712571']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 44712571, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "05ecb9ddf38cdac09af4b3bcb4d20e41" } } $('.js-work-strip[data-work-id=44712571]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44712571,"title":"Proceedings of the 12 th Space Syntax Symposium 291 FROM PROGRESSIVE TO LABYRINTHINE: Testing formal variations of an exhibition space typology","translated_title":"","metadata":{"abstract":"The galleria progressiva is a type of exhibition space emerged after the French Revolution whose architectural configuration is characterized by sequentially uninterrupted spaces that generate specific sets of linear events and has the potential to guide visitors relying more on the building geometry than on symbolic or guidance artifices (Bennet, 1995; Sutton, 2000). Consisting of a deterministic museum configuration by nature (Choi, 1997), the interest relies in investigating if and to what extent such type would allow for a visiting experience capable of encouraging visitors to explore and experience the museum while still strengthening its social nature. This idea is the core of an on going PhD research focusing on visitors' engagement in museum spaces, having led to previously published studies (Rolim et al, 2017; 2018) on two iconic examples of progressive galleries, the Solomon R. Guggenheim Museum (Frank L.Wright, 1943-59) and the Museum of Unlimited Growth (Le Corbusier, 1939). These works examined differences in route alternatives and ability to generate a more exploratory visit in both layouts, casting light on how they could promote a less tedious visiting experience. This paper focuses on analysing the influence of visual field and spatial layout in hypothetical variations of the progressive gallery. Starting from a purely progressive condition (an uniaxial, uni-convex space, allowing for full visual field reach), whose configuration and metrics were borrowed from both reference projects, this space starts to be transformed, first transversally, by altering the shape of its walls (from rectilinear to sinusoidal, chamfered or niched), conforming a multi-convex system, as in Wright's upper ring-shaped galleries. The walls are also displaced longitudinally in staggered conditions. Afterwards the layout is no longer crossed by a single axial line, which leads to losing visual information on the non-adjacent spaces and conforming a labyrinth-like condition. Further increasing complexity, similar to the Guggenheim's renovation in 1990's, the transformation of the gallery is gradually increased by introducing spatial cells as an alternate system, parallel to the former one. In order to examine these progressive to labyrinthine configurations, we will perform convex, axial, VGA, and agent analysis, comparing the findings pertaining to such variations, and their relationship with the matrix configuration in the Guggenheim museum, as well as site observations performed at the site. By addressing how spatial configuration influence on route options, visual fields and visitors' movement trails, the goal is to bring light on a relevant type of exhibition space, testing its ability to either reassure its condition as a purely deterministic system or point towards hybridized versions of it, potentially able to better facilitate a more exploratory visit. We hope that, rather than achieving robust results, this stage of the research allows to broaden the understanding on the morphology of the progressive gallery, setting the analytical procedures and launching clues for further steps in the studies on visitors' engagement in this museum typology when we will add the use of augmented virtual reality in the hypothetical layouts tested here.","publication_date":{"day":null,"month":null,"year":2019,"errors":{}},"publication_name":"Proceedings of the 12 th Space Syntax Symposium"},"translated_abstract":"The galleria progressiva is a type of exhibition space emerged after the French Revolution whose architectural configuration is characterized by sequentially uninterrupted spaces that generate specific sets of linear events and has the potential to guide visitors relying more on the building geometry than on symbolic or guidance artifices (Bennet, 1995; Sutton, 2000). Consisting of a deterministic museum configuration by nature (Choi, 1997), the interest relies in investigating if and to what extent such type would allow for a visiting experience capable of encouraging visitors to explore and experience the museum while still strengthening its social nature. This idea is the core of an on going PhD research focusing on visitors' engagement in museum spaces, having led to previously published studies (Rolim et al, 2017; 2018) on two iconic examples of progressive galleries, the Solomon R. Guggenheim Museum (Frank L.Wright, 1943-59) and the Museum of Unlimited Growth (Le Corbusier, 1939). These works examined differences in route alternatives and ability to generate a more exploratory visit in both layouts, casting light on how they could promote a less tedious visiting experience. This paper focuses on analysing the influence of visual field and spatial layout in hypothetical variations of the progressive gallery. Starting from a purely progressive condition (an uniaxial, uni-convex space, allowing for full visual field reach), whose configuration and metrics were borrowed from both reference projects, this space starts to be transformed, first transversally, by altering the shape of its walls (from rectilinear to sinusoidal, chamfered or niched), conforming a multi-convex system, as in Wright's upper ring-shaped galleries. The walls are also displaced longitudinally in staggered conditions. Afterwards the layout is no longer crossed by a single axial line, which leads to losing visual information on the non-adjacent spaces and conforming a labyrinth-like condition. Further increasing complexity, similar to the Guggenheim's renovation in 1990's, the transformation of the gallery is gradually increased by introducing spatial cells as an alternate system, parallel to the former one. In order to examine these progressive to labyrinthine configurations, we will perform convex, axial, VGA, and agent analysis, comparing the findings pertaining to such variations, and their relationship with the matrix configuration in the Guggenheim museum, as well as site observations performed at the site. By addressing how spatial configuration influence on route options, visual fields and visitors' movement trails, the goal is to bring light on a relevant type of exhibition space, testing its ability to either reassure its condition as a purely deterministic system or point towards hybridized versions of it, potentially able to better facilitate a more exploratory visit. We hope that, rather than achieving robust results, this stage of the research allows to broaden the understanding on the morphology of the progressive gallery, setting the analytical procedures and launching clues for further steps in the studies on visitors' engagement in this museum typology when we will add the use of augmented virtual reality in the hypothetical layouts tested here.","internal_url":"https://www.academia.edu/44712571/Proceedings_of_the_12_th_Space_Syntax_Symposium_291_FROM_PROGRESSIVE_TO_LABYRINTHINE_Testing_formal_variations_of_an_exhibition_space_typology","translated_internal_url":"","created_at":"2020-12-15T15:11:47.921-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":5056519,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":39057916,"work_id":44712571,"tagging_user_id":5056519,"tagged_user_id":17839764,"co_author_invite_id":null,"email":"a***c@hotmail.com","affiliation":"Universidade Católica de Pernambuco","display_order":0,"name":"Ana Luisa Rolim","title":"Proceedings of the 12 th Space Syntax Symposium 291 FROM PROGRESSIVE TO LABYRINTHINE: Testing formal variations of an exhibition space typology"}],"downloadable_attachments":[{"id":65193202,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65193202/thumbnails/1.jpg","file_name":"0_Rolim_et_al_SSS12_Paper_291_.pdf","download_url":"https://www.academia.edu/attachments/65193202/download_file?st=MTczMjQ0MjQyMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Proceedings_of_the_12_th_Space_Syntax_Sy.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65193202/0_Rolim_et_al_SSS12_Paper_291_-libre.pdf?1608076243=\u0026response-content-disposition=attachment%3B+filename%3DProceedings_of_the_12_th_Space_Syntax_Sy.pdf\u0026Expires=1732035490\u0026Signature=WiraMi-s7764j~g4B~R8mE82GDpVCUg0~HrgMWriF7Ms7RJhsEC6lI7~~B1eAh7aMISbIBW2DeglAJS8CV0wxvxNzB3zxuXAVAYJ4msOGrQY5W26SkE2AaMrzRDADeDJ2V87Ea7h-1PEPvPh5kvY~wdcRg5NGF~lNlLH8F4vFpZq1-biuI4YkPsDKJt~bwnsP~AFCrhkqQroGtuubeAeV5AKX5hb~u5bYUpuSAoOjI8cZ8DuL3zG8BjPsuHW1vKNakuqlnlMPrI1HRKc1AfQ0CzSKC1lWhW2BWDxadHhuAcJFuDpp-VmbNL0X5vj8wFF9LGtO8a1p6KisC9Fw7ZiSg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Proceedings_of_the_12_th_Space_Syntax_Symposium_291_FROM_PROGRESSIVE_TO_LABYRINTHINE_Testing_formal_variations_of_an_exhibition_space_typology","translated_slug":"","page_count":14,"language":"en","content_type":"Work","owner":{"id":5056519,"first_name":"Luiz","middle_initials":null,"last_name":"Amorim","page_name":"LuizAmorim","domain_name":"ufpe","created_at":"2013-08-05T22:17:20.809-07:00","display_name":"Luiz Amorim","url":"https://ufpe.academia.edu/LuizAmorim"},"attachments":[{"id":65193202,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65193202/thumbnails/1.jpg","file_name":"0_Rolim_et_al_SSS12_Paper_291_.pdf","download_url":"https://www.academia.edu/attachments/65193202/download_file?st=MTczMjQ0MjQyMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Proceedings_of_the_12_th_Space_Syntax_Sy.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65193202/0_Rolim_et_al_SSS12_Paper_291_-libre.pdf?1608076243=\u0026response-content-disposition=attachment%3B+filename%3DProceedings_of_the_12_th_Space_Syntax_Sy.pdf\u0026Expires=1732035490\u0026Signature=WiraMi-s7764j~g4B~R8mE82GDpVCUg0~HrgMWriF7Ms7RJhsEC6lI7~~B1eAh7aMISbIBW2DeglAJS8CV0wxvxNzB3zxuXAVAYJ4msOGrQY5W26SkE2AaMrzRDADeDJ2V87Ea7h-1PEPvPh5kvY~wdcRg5NGF~lNlLH8F4vFpZq1-biuI4YkPsDKJt~bwnsP~AFCrhkqQroGtuubeAeV5AKX5hb~u5bYUpuSAoOjI8cZ8DuL3zG8BjPsuHW1vKNakuqlnlMPrI1HRKc1AfQ0CzSKC1lWhW2BWDxadHhuAcJFuDpp-VmbNL0X5vj8wFF9LGtO8a1p6KisC9Fw7ZiSg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":2032,"name":"Space Syntax","url":"https://www.academia.edu/Documents/in/Space_Syntax"},{"id":151023,"name":"Guggenheim Museum New York","url":"https://www.academia.edu/Documents/in/Guggenheim_Museum_New_York"},{"id":3832446,"name":"galleria progressiva","url":"https://www.academia.edu/Documents/in/galleria_progressiva"}],"urls":[]}, dispatcherData: dispatcherData }); 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Apresenta um breve histórico do curso, sua importância na formação de quadros profissionais segundo princípios modernistas e suas recentes condições de oferta. O artigo procura evidenciar os fundamentos que constituem o novo Projeto Pedagógico (PPC 2010), sua estrutura pedagógica e curricular, seus momentos de integração e algumas experiências pedagógicas em curso.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="13c9ff39b0932651327fd1c4b803ecc7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:59118814,&quot;asset_id&quot;:39010290,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/59118814/download_file?st=MTczMjQ0MjQyMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="39010290"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="39010290"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39010290; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39010290]").text(description); $(".js-view-count[data-work-id=39010290]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39010290; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='39010290']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 39010290, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "13c9ff39b0932651327fd1c4b803ecc7" } } $('.js-work-strip[data-work-id=39010290]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":39010290,"title":"CONCEITO, INSTRUMENTO, INTEGRAÇÃO: POSTULADOS PEDAGÓGICOS DO CAU/UFPE","translated_title":"","metadata":{"abstract":"O artigo trata do processo de implantação do projeto pedagógico do Curso de Arquitetura e Urbanismo da Universidade Federal de Pernambuco (CAU/UFPE) iniciado em 2010. Apresenta um breve histórico do curso, sua importância na formação de quadros profissionais segundo princípios modernistas e suas recentes condições de oferta. O artigo procura evidenciar os fundamentos que constituem o novo Projeto Pedagógico (PPC 2010), sua estrutura pedagógica e curricular, seus momentos de integração e algumas experiências pedagógicas em curso.","publication_date":{"day":null,"month":null,"year":2014,"errors":{}},"publication_name":"CADERNO abea 39"},"translated_abstract":"O artigo trata do processo de implantação do projeto pedagógico do Curso de Arquitetura e Urbanismo da Universidade Federal de Pernambuco (CAU/UFPE) iniciado em 2010. Apresenta um breve histórico do curso, sua importância na formação de quadros profissionais segundo princípios modernistas e suas recentes condições de oferta. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="18382732"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/18382732/DE_TODOS_OS_TIPOS_PRE%C3%87OS_TAMANHOS_E_AO_GOSTO_DO_FREGU%C3%8AS_SOBRE_A_IMPLANTA%C3%87%C3%83O_DA_HABITA%C3%87%C3%83O_ECON%C3%94MICA_PRIVADA_NO_RECIFE"><img alt="Research paper thumbnail of DE TODOS OS TIPOS, PREÇOS, TAMANHOS E AO GOSTO DO FREGUÊS: SOBRE A IMPLANTAÇÃO DA HABITAÇÃO ECONÔMICA PRIVADA NO RECIFE" class="work-thumbnail" src="https://attachments.academia-assets.com/40025441/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/18382732/DE_TODOS_OS_TIPOS_PRE%C3%87OS_TAMANHOS_E_AO_GOSTO_DO_FREGU%C3%8AS_SOBRE_A_IMPLANTA%C3%87%C3%83O_DA_HABITA%C3%87%C3%83O_ECON%C3%94MICA_PRIVADA_NO_RECIFE">DE TODOS OS TIPOS, PREÇOS, TAMANHOS E AO GOSTO DO FREGUÊS: SOBRE A IMPLANTAÇÃO DA HABITAÇÃO ECONÔMICA PRIVADA NO RECIFE</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ufpe.academia.edu/FernandoAlmeida">Fernando A D S Almeida</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://ufpe.academia.edu/LuizAmorim">Luiz Amorim</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://fundaj.academia.edu/CristianoFelipeBorbadoNascimento">Cristiano Felipe Borba do Nascimento</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Este artigo trata da construção do modelo de habitação econômica de fundo privado no Recife, Bras...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Este artigo trata da construção do modelo de habitação econômica de fundo privado no Recife, Brasil,<br />na década de 1950. Em específico, o artigo investiga a composição programática dos<br />empreendimentos imobiliários, tendo como foco compreender o processo de introdução do edifício de<br />apartamentos como ideal de moradia. O estudo desenvolvido visa subsidiar o desenvolvimento de<br />estratégias para a requalificação do centro urbano, com a melhoria das condições de habitabilidade das<br />edificações existentes, visando fixar os moradores, assim como proporcionar movimento centrípeto de<br />outras camadas da população.<br />O objeto específico de estudo é o edifício vertical de uso misto, empreendimento tipicamente moderno<br />que agrega em uma única estrutura física as atividades de comércio, serviço e moradia, sendo o<br />edifício Pirapama (1956-1961), estudo de caso deste artigo, um exemplar típico. O edifício foi<br />concebido de acordo com os ideais arquitetônicos modernistas, tais como planta livre, fluidez espacial<br />e setorização funcional, características importantes para qualificá-lo como piloto para ações projetivas<br />baseadas no conceito 3R – restauração, readequação e reutilização.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e2a01b87e932e34e8060d16001faa184" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:40025441,&quot;asset_id&quot;:18382732,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/40025441/download_file?st=MTczMjQ0MjQyNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="18382732"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="18382732"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 18382732; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=18382732]").text(description); $(".js-view-count[data-work-id=18382732]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 18382732; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='18382732']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 18382732, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e2a01b87e932e34e8060d16001faa184" } } $('.js-work-strip[data-work-id=18382732]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":18382732,"title":"DE TODOS OS TIPOS, PREÇOS, TAMANHOS E AO GOSTO DO FREGUÊS: SOBRE A IMPLANTAÇÃO DA HABITAÇÃO ECONÔMICA PRIVADA NO RECIFE","translated_title":"","metadata":{"abstract":"Este artigo trata da construção do modelo de habitação econômica de fundo privado no Recife, Brasil,\nna década de 1950. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="12804145" id="conferencepresentations"><div class="js-work-strip profile--work_container" data-work-id="60583258"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/60583258/The_Progressive_Gallery_Paradox_Measuring_spatial_properties_and_focus_in_an_exhibition_space_typology"><img alt="Research paper thumbnail of The Progressive Gallery Paradox: Measuring spatial properties and focus in an exhibition space typology" class="work-thumbnail" src="https://attachments.academia-assets.com/73962709/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/60583258/The_Progressive_Gallery_Paradox_Measuring_spatial_properties_and_focus_in_an_exhibition_space_typology">The Progressive Gallery Paradox: Measuring spatial properties and focus in an exhibition space typology</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unicap-br.academia.edu/AnaRolim">Ana Luisa Rolim</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ufpe.academia.edu/LuizAmorim">Luiz Amorim</a></span></div><div class="wp-workCard_item"><span>The 2021 ANFA Symposium</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This study analyzes to what extent the type of exhibition space setting with sequential arrangeme...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This study analyzes to what extent the type of exhibition space setting with sequential arrangement of rooms, referred as the &#39;progressive gallery&#39; (PG) interferes in visitors&#39; spatial behavior (Bennet, 1995; Sutton, 2000; Rolim et al, 2019). Resulting from a doctoral thesis (Rolim, 2020), it proposes to bridge space syntax (SS) theory (Hillier &amp; Hanson, 1984; Hillier, 1996) and neuroscience, fitting within the field of neuroscience-informed design (Sourina et al, 2016).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3609a69a37a518c2941ee9ce5506bc0e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:73962709,&quot;asset_id&quot;:60583258,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/73962709/download_file?st=MTczMjQ0MjQyNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="60583258"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="60583258"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 60583258; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=60583258]").text(description); $(".js-view-count[data-work-id=60583258]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 60583258; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='60583258']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 60583258, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3609a69a37a518c2941ee9ce5506bc0e" } } $('.js-work-strip[data-work-id=60583258]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":60583258,"title":"The Progressive Gallery Paradox: Measuring spatial properties and focus in an exhibition space typology","translated_title":"","metadata":{"abstract":"This study analyzes to what extent the type of exhibition space setting with sequential arrangement of rooms, referred as the 'progressive gallery' (PG) interferes in visitors' spatial behavior (Bennet, 1995; Sutton, 2000; Rolim et al, 2019). 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