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Pink Floyd - Wikipedia

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id="toc-1963–1965:_formation" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1963–1965:_formation"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.1</span> <span>1963–1965: formation</span> </div> </a> <ul id="toc-1963–1965:_formation-sublist" class="vector-toc-list"> <li id="toc-Preceding_the_band" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Preceding_the_band"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.1.1</span> <span>Preceding the band</span> </div> </a> <ul id="toc-Preceding_the_band-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-1965–1967:_early_years" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1965–1967:_early_years"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.2</span> <span>1965–1967: early years</span> </div> </a> <ul id="toc-1965–1967:_early_years-sublist" class="vector-toc-list"> <li id="toc-Pink_Floyd" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Pink_Floyd"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.2.1</span> <span>Pink Floyd</span> </div> </a> <ul id="toc-Pink_Floyd-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Signing_with_EMI" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Signing_with_EMI"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.2.2</span> <span>Signing with EMI</span> </div> </a> <ul id="toc-Signing_with_EMI-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-The_Piper_at_the_Gates_of_Dawn" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#The_Piper_at_the_Gates_of_Dawn"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.2.3</span> <span><i>The Piper at the Gates of Dawn</i></span> </div> </a> <ul id="toc-The_Piper_at_the_Gates_of_Dawn-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-1967–1978:_transition_and_international_success" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1967–1978:_transition_and_international_success"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.3</span> <span>1967–1978: transition and international success</span> </div> </a> <ul id="toc-1967–1978:_transition_and_international_success-sublist" class="vector-toc-list"> <li id="toc-1967:_replacement_of_Barrett_by_Gilmour" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#1967:_replacement_of_Barrett_by_Gilmour"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.3.1</span> <span>1967: replacement of Barrett by Gilmour</span> </div> </a> <ul id="toc-1967:_replacement_of_Barrett_by_Gilmour-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-A_Saucerful_of_Secrets_(1968)" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#A_Saucerful_of_Secrets_(1968)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.3.2</span> <span><i>A Saucerful of Secrets</i> (1968)</span> </div> </a> <ul id="toc-A_Saucerful_of_Secrets_(1968)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Ummagumma_(1969)_and_Atom_Heart_Mother_(1970)" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Ummagumma_(1969)_and_Atom_Heart_Mother_(1970)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.3.3</span> <span><i>Ummagumma</i> (1969) and <i>Atom Heart Mother</i> (1970)</span> </div> </a> <ul id="toc-Ummagumma_(1969)_and_Atom_Heart_Mother_(1970)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Meddle_(1971)" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Meddle_(1971)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.3.4</span> <span><i>Meddle</i> (1971)</span> </div> </a> <ul id="toc-Meddle_(1971)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Obscured_by_Clouds_(1972)" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Obscured_by_Clouds_(1972)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.3.5</span> <span><i>Obscured by Clouds</i> (1972)</span> </div> </a> <ul id="toc-Obscured_by_Clouds_(1972)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-The_Dark_Side_of_the_Moon_(1973)" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#The_Dark_Side_of_the_Moon_(1973)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.3.6</span> <span><i>The Dark Side of the Moon</i> (1973)</span> </div> </a> <ul id="toc-The_Dark_Side_of_the_Moon_(1973)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Wish_You_Were_Here_(1975)" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Wish_You_Were_Here_(1975)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.3.7</span> <span><i>Wish You Were Here</i> (1975)</span> </div> </a> <ul id="toc-Wish_You_Were_Here_(1975)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Animals_(1977)" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Animals_(1977)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.3.8</span> <span><i>Animals</i> (1977)</span> </div> </a> <ul id="toc-Animals_(1977)-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-1978–1985:_Waters-led_era" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1978–1985:_Waters-led_era"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.4</span> <span>1978–1985: Waters-led era</span> </div> </a> <ul id="toc-1978–1985:_Waters-led_era-sublist" class="vector-toc-list"> <li id="toc-The_Wall_(1979)" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#The_Wall_(1979)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.4.1</span> <span><i>The Wall</i> (1979)</span> </div> </a> <ul id="toc-The_Wall_(1979)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-The_Final_Cut_(1983)" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#The_Final_Cut_(1983)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.4.2</span> <span><i>The Final Cut</i> (1983)</span> </div> </a> <ul id="toc-The_Final_Cut_(1983)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Waters&#039;s_departure_and_legal_battles" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Waters&#039;s_departure_and_legal_battles"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.4.3</span> <span>Waters's departure and legal battles</span> </div> </a> <ul id="toc-Waters&#039;s_departure_and_legal_battles-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-1985–present:_Gilmour-led_era" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1985–present:_Gilmour-led_era"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.5</span> <span>1985–present: Gilmour-led era</span> </div> </a> <ul id="toc-1985–present:_Gilmour-led_era-sublist" class="vector-toc-list"> <li id="toc-A_Momentary_Lapse_of_Reason_(1987)" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#A_Momentary_Lapse_of_Reason_(1987)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.5.1</span> <span><i>A Momentary Lapse of Reason</i> (1987)</span> </div> </a> <ul id="toc-A_Momentary_Lapse_of_Reason_(1987)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-The_Division_Bell_(1994)" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#The_Division_Bell_(1994)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.5.2</span> <span><i>The Division Bell</i> (1994)</span> </div> </a> <ul id="toc-The_Division_Bell_(1994)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-2005–2006:_Live_8_reunion" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#2005–2006:_Live_8_reunion"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.5.3</span> <span>2005–2006: Live 8 reunion</span> </div> </a> <ul id="toc-2005–2006:_Live_8_reunion-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-2006–2008:_deaths_of_Barrett_and_Wright" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#2006–2008:_deaths_of_Barrett_and_Wright"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.5.4</span> <span>2006–2008: deaths of Barrett and Wright</span> </div> </a> <ul id="toc-2006–2008:_deaths_of_Barrett_and_Wright-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-2010–2011:_further_performances_and_rereleases" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#2010–2011:_further_performances_and_rereleases"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.5.5</span> <span>2010–2011: further performances and rereleases</span> </div> </a> <ul id="toc-2010–2011:_further_performances_and_rereleases-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-The_Endless_River_(2014)_and_Nick_Mason&#039;s_Saucerful_of_Secrets" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#The_Endless_River_(2014)_and_Nick_Mason&#039;s_Saucerful_of_Secrets"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.5.6</span> <span><i>The Endless River</i> (2014) and Nick Mason's Saucerful of Secrets</span> </div> </a> <ul id="toc-The_Endless_River_(2014)_and_Nick_Mason&#039;s_Saucerful_of_Secrets-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-2022–present:_&quot;Hey,_Hey,_Rise_Up!&quot;_and_conflicts" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#2022–present:_&quot;Hey,_Hey,_Rise_Up!&quot;_and_conflicts"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.5.7</span> <span>2022–present: "Hey, Hey, Rise Up!" and conflicts</span> </div> </a> <ul id="toc-2022–present:_&quot;Hey,_Hey,_Rise_Up!&quot;_and_conflicts-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> </ul> </li> <li id="toc-Artistry" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Artistry"> <div class="vector-toc-text"> <span class="vector-toc-numb">2</span> <span>Artistry</span> </div> </a> <button aria-controls="toc-Artistry-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Artistry subsection</span> </button> <ul id="toc-Artistry-sublist" class="vector-toc-list"> <li id="toc-Classification" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Classification"> <div class="vector-toc-text"> <span class="vector-toc-numb">2.1</span> <span>Classification</span> </div> </a> <ul id="toc-Classification-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Instrumentation" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Instrumentation"> <div class="vector-toc-text"> <span class="vector-toc-numb">2.2</span> <span>Instrumentation</span> </div> </a> <ul id="toc-Instrumentation-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Sonic_experimentation" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Sonic_experimentation"> <div class="vector-toc-text"> <span class="vector-toc-numb">2.3</span> <span>Sonic experimentation</span> </div> </a> <ul id="toc-Sonic_experimentation-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Film_scores" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Film_scores"> <div class="vector-toc-text"> <span class="vector-toc-numb">2.4</span> <span>Film scores</span> </div> </a> <ul id="toc-Film_scores-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Live_performances" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Live_performances"> <div class="vector-toc-text"> <span class="vector-toc-numb">2.5</span> <span>Live performances</span> </div> </a> <ul id="toc-Live_performances-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Lyrical_themes" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Lyrical_themes"> <div class="vector-toc-text"> <span class="vector-toc-numb">3</span> <span>Lyrical themes</span> </div> </a> <button aria-controls="toc-Lyrical_themes-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Lyrical themes subsection</span> </button> <ul id="toc-Lyrical_themes-sublist" class="vector-toc-list"> <li id="toc-Disillusionment,_absence,_and_non-being" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Disillusionment,_absence,_and_non-being"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.1</span> <span>Disillusionment, absence, and non-being</span> </div> </a> <ul id="toc-Disillusionment,_absence,_and_non-being-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Exploitation_and_oppression" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Exploitation_and_oppression"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.2</span> <span>Exploitation and oppression</span> </div> </a> <ul id="toc-Exploitation_and_oppression-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Alienation,_war,_and_insanity" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Alienation,_war,_and_insanity"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.3</span> <span>Alienation, war, and insanity</span> </div> </a> <ul id="toc-Alienation,_war,_and_insanity-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Legacy_and_influence" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Legacy_and_influence"> <div class="vector-toc-text"> <span class="vector-toc-numb">4</span> <span>Legacy and influence</span> </div> </a> <ul id="toc-Legacy_and_influence-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Band_members" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Band_members"> <div class="vector-toc-text"> <span class="vector-toc-numb">5</span> <span>Band members</span> </div> </a> <ul id="toc-Band_members-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Discography" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Discography"> <div class="vector-toc-text"> <span class="vector-toc-numb">6</span> <span>Discography</span> </div> </a> <ul id="toc-Discography-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Concert_tours" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Concert_tours"> <div class="vector-toc-text"> <span class="vector-toc-numb">7</span> <span>Concert tours</span> </div> </a> <ul id="toc-Concert_tours-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Notes" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Notes"> <div class="vector-toc-text"> <span class="vector-toc-numb">8</span> <span>Notes</span> </div> </a> <ul id="toc-Notes-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> <span class="vector-toc-numb">9</span> <span>References</span> </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Sources" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Sources"> <div class="vector-toc-text"> <span class="vector-toc-numb">10</span> <span>Sources</span> </div> </a> <ul id="toc-Sources-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Further_reading" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Further_reading"> <div class="vector-toc-text"> <span class="vector-toc-numb">11</span> <span>Further reading</span> </div> </a> <ul id="toc-Further_reading-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> <span class="vector-toc-numb">12</span> <span>External links</span> </div> </a> <ul id="toc-External_links-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="Toggle the table of contents" > <label id="vector-page-titlebar-toc-label" for="vector-page-titlebar-toc-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" ><span class="vector-icon mw-ui-icon-listBullet mw-ui-icon-wikimedia-listBullet"></span> <span class="vector-dropdown-label-text">Toggle the table of contents</span> </label> <div class="vector-dropdown-content"> <div id="vector-page-titlebar-toc-unpinned-container" class="vector-unpinned-container"> </div> </div> </div> </nav> <h1 id="firstHeading" class="firstHeading mw-first-heading"><span class="mw-page-title-main">Pink Floyd</span></h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. Available in 111 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-111" aria-hidden="true" ><span class="vector-icon mw-ui-icon-language-progressive mw-ui-icon-wikimedia-language-progressive"></span> <span class="vector-dropdown-label-text">111 languages</span> </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-af mw-list-item"><a href="https://af.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Afrikaans" lang="af" hreflang="af" data-title="Pink Floyd" data-language-autonym="Afrikaans" data-language-local-name="Afrikaans" class="interlanguage-link-target"><span>Afrikaans</span></a></li><li class="interlanguage-link interwiki-smn mw-list-item"><a href="https://smn.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Inari Sami" lang="smn" hreflang="smn" data-title="Pink Floyd" data-language-autonym="Anarâškielâ" data-language-local-name="Inari Sami" class="interlanguage-link-target"><span>Anarâškielâ</span></a></li><li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D8%A8%D9%8A%D9%86%D9%83_%D9%81%D9%84%D9%88%D9%8A%D8%AF" title="بينك فلويد – Arabic" lang="ar" hreflang="ar" data-title="بينك فلويد" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target"><span>العربية</span></a></li><li class="interlanguage-link interwiki-hyw mw-list-item"><a href="https://hyw.wikipedia.org/wiki/%D5%93%D5%AB%D5%B6%D6%84_%D5%96%D5%AC%D5%B8%D5%AB%D5%BF" title="Փինք Ֆլոիտ – Western Armenian" lang="hyw" hreflang="hyw" data-title="Փինք Ֆլոիտ" data-language-autonym="Արեւմտահայերէն" data-language-local-name="Western Armenian" class="interlanguage-link-target"><span>Արեւմտահայերէն</span></a></li><li class="interlanguage-link interwiki-ast mw-list-item"><a href="https://ast.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Asturian" lang="ast" hreflang="ast" data-title="Pink Floyd" data-language-autonym="Asturianu" data-language-local-name="Asturian" class="interlanguage-link-target"><span>Asturianu</span></a></li><li class="interlanguage-link interwiki-ay mw-list-item"><a href="https://ay.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Aymara" lang="ay" hreflang="ay" data-title="Pink Floyd" data-language-autonym="Aymar aru" data-language-local-name="Aymara" class="interlanguage-link-target"><span>Aymar aru</span></a></li><li class="interlanguage-link interwiki-az mw-list-item"><a href="https://az.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Azerbaijani" lang="az" hreflang="az" data-title="Pink Floyd" data-language-autonym="Azərbaycanca" data-language-local-name="Azerbaijani" class="interlanguage-link-target"><span>Azərbaycanca</span></a></li><li class="interlanguage-link interwiki-azb mw-list-item"><a href="https://azb.wikipedia.org/wiki/%D9%BE%DB%8C%D9%86%DA%A9_%D9%81%D9%84%D9%88%DB%8C%D8%AF" title="پینک فلوید – South Azerbaijani" lang="azb" hreflang="azb" data-title="پینک فلوید" data-language-autonym="تۆرکجه" data-language-local-name="South Azerbaijani" class="interlanguage-link-target"><span>تۆرکجه</span></a></li><li class="interlanguage-link interwiki-bn badge-Q17437798 badge-goodarticle mw-list-item" title="good article badge"><a href="https://bn.wikipedia.org/wiki/%E0%A6%AA%E0%A6%BF%E0%A6%82%E0%A6%95_%E0%A6%AB%E0%A7%8D%E0%A6%B2%E0%A6%AF%E0%A6%BC%E0%A7%87%E0%A6%A1" title="পিংক ফ্লয়েড – Bangla" lang="bn" hreflang="bn" data-title="পিংক ফ্লয়েড" data-language-autonym="বাংলা" data-language-local-name="Bangla" class="interlanguage-link-target"><span>বাংলা</span></a></li><li class="interlanguage-link interwiki-zh-min-nan mw-list-item"><a href="https://zh-min-nan.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Minnan" lang="nan" hreflang="nan" data-title="Pink Floyd" data-language-autonym="閩南語 / Bân-lâm-gú" data-language-local-name="Minnan" class="interlanguage-link-target"><span>閩南語 / Bân-lâm-gú</span></a></li><li class="interlanguage-link interwiki-be mw-list-item"><a href="https://be.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Belarusian" lang="be" hreflang="be" data-title="Pink Floyd" data-language-autonym="Беларуская" data-language-local-name="Belarusian" class="interlanguage-link-target"><span>Беларуская</span></a></li><li class="interlanguage-link interwiki-be-x-old mw-list-item"><a href="https://be-tarask.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Belarusian (Taraškievica orthography)" lang="be-tarask" hreflang="be-tarask" data-title="Pink Floyd" data-language-autonym="Беларуская (тарашкевіца)" data-language-local-name="Belarusian (Taraškievica orthography)" class="interlanguage-link-target"><span>Беларуская (тарашкевіца)</span></a></li><li class="interlanguage-link interwiki-bg mw-list-item"><a href="https://bg.wikipedia.org/wiki/%D0%9F%D0%B8%D0%BD%D0%BA_%D0%A4%D0%BB%D0%BE%D0%B9%D0%B4" title="Пинк Флойд – Bulgarian" lang="bg" hreflang="bg" data-title="Пинк Флойд" data-language-autonym="Български" data-language-local-name="Bulgarian" class="interlanguage-link-target"><span>Български</span></a></li><li class="interlanguage-link interwiki-bs mw-list-item"><a href="https://bs.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Bosnian" lang="bs" hreflang="bs" data-title="Pink Floyd" data-language-autonym="Bosanski" data-language-local-name="Bosnian" class="interlanguage-link-target"><span>Bosanski</span></a></li><li class="interlanguage-link interwiki-br mw-list-item"><a href="https://br.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Breton" lang="br" hreflang="br" data-title="Pink Floyd" data-language-autonym="Brezhoneg" data-language-local-name="Breton" class="interlanguage-link-target"><span>Brezhoneg</span></a></li><li class="interlanguage-link interwiki-ca badge-Q17437796 badge-featuredarticle mw-list-item" title="featured article badge"><a href="https://ca.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Catalan" lang="ca" hreflang="ca" data-title="Pink Floyd" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target"><span>Català</span></a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Czech" lang="cs" hreflang="cs" data-title="Pink Floyd" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target"><span>Čeština</span></a></li><li class="interlanguage-link interwiki-co mw-list-item"><a href="https://co.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Corsican" lang="co" hreflang="co" data-title="Pink Floyd" data-language-autonym="Corsu" data-language-local-name="Corsican" class="interlanguage-link-target"><span>Corsu</span></a></li><li class="interlanguage-link interwiki-cy mw-list-item"><a href="https://cy.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Welsh" lang="cy" hreflang="cy" data-title="Pink Floyd" data-language-autonym="Cymraeg" data-language-local-name="Welsh" class="interlanguage-link-target"><span>Cymraeg</span></a></li><li class="interlanguage-link interwiki-da mw-list-item"><a href="https://da.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Danish" lang="da" hreflang="da" data-title="Pink Floyd" data-language-autonym="Dansk" data-language-local-name="Danish" class="interlanguage-link-target"><span>Dansk</span></a></li><li class="interlanguage-link interwiki-de badge-Q17437796 badge-featuredarticle mw-list-item" title="featured article badge"><a href="https://de.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – German" lang="de" hreflang="de" data-title="Pink Floyd" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target"><span>Deutsch</span></a></li><li class="interlanguage-link interwiki-et mw-list-item"><a href="https://et.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Estonian" lang="et" hreflang="et" data-title="Pink Floyd" data-language-autonym="Eesti" data-language-local-name="Estonian" class="interlanguage-link-target"><span>Eesti</span></a></li><li class="interlanguage-link interwiki-el mw-list-item"><a href="https://el.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Greek" lang="el" hreflang="el" data-title="Pink Floyd" data-language-autonym="Ελληνικά" data-language-local-name="Greek" class="interlanguage-link-target"><span>Ελληνικά</span></a></li><li class="interlanguage-link interwiki-eml mw-list-item"><a href="https://eml.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Emiliano-Romagnolo" lang="egl" hreflang="egl" data-title="Pink Floyd" data-language-autonym="Emiliàn e rumagnòl" data-language-local-name="Emiliano-Romagnolo" class="interlanguage-link-target"><span>Emiliàn e rumagnòl</span></a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Spanish" lang="es" hreflang="es" data-title="Pink Floyd" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-eo badge-Q17437798 badge-goodarticle mw-list-item" title="good article badge"><a href="https://eo.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Esperanto" lang="eo" hreflang="eo" data-title="Pink Floyd" data-language-autonym="Esperanto" data-language-local-name="Esperanto" class="interlanguage-link-target"><span>Esperanto</span></a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Basque" lang="eu" hreflang="eu" data-title="Pink Floyd" data-language-autonym="Euskara" data-language-local-name="Basque" class="interlanguage-link-target"><span>Euskara</span></a></li><li class="interlanguage-link interwiki-fa badge-Q17437796 badge-featuredarticle mw-list-item" title="featured article badge"><a href="https://fa.wikipedia.org/wiki/%D9%BE%DB%8C%D9%86%DA%A9_%D9%81%D9%84%D9%88%DB%8C%D8%AF" title="پینک فلوید – Persian" lang="fa" hreflang="fa" data-title="پینک فلوید" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target"><span>فارسی</span></a></li><li class="interlanguage-link interwiki-fo mw-list-item"><a href="https://fo.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Faroese" lang="fo" hreflang="fo" data-title="Pink Floyd" data-language-autonym="Føroyskt" data-language-local-name="Faroese" class="interlanguage-link-target"><span>Føroyskt</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – French" lang="fr" hreflang="fr" data-title="Pink Floyd" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-fy mw-list-item"><a href="https://fy.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Western Frisian" lang="fy" hreflang="fy" data-title="Pink Floyd" data-language-autonym="Frysk" data-language-local-name="Western Frisian" class="interlanguage-link-target"><span>Frysk</span></a></li><li class="interlanguage-link interwiki-ga mw-list-item"><a href="https://ga.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Irish" lang="ga" hreflang="ga" data-title="Pink Floyd" data-language-autonym="Gaeilge" data-language-local-name="Irish" class="interlanguage-link-target"><span>Gaeilge</span></a></li><li class="interlanguage-link interwiki-gl mw-list-item"><a href="https://gl.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Galician" lang="gl" hreflang="gl" data-title="Pink Floyd" data-language-autonym="Galego" data-language-local-name="Galician" class="interlanguage-link-target"><span>Galego</span></a></li><li class="interlanguage-link interwiki-glk mw-list-item"><a href="https://glk.wikipedia.org/wiki/%D9%BE%D9%8A%D9%86%DA%A9_%D9%81%D9%84%D8%A4%D9%8A%D8%AF" title="پينک فلؤيد – Gilaki" lang="glk" hreflang="glk" data-title="پينک فلؤيد" data-language-autonym="گیلکی" data-language-local-name="Gilaki" class="interlanguage-link-target"><span>گیلکی</span></a></li><li class="interlanguage-link interwiki-gu mw-list-item"><a href="https://gu.wikipedia.org/wiki/%E0%AA%AA%E0%AA%BF%E0%AA%82%E0%AA%95_%E0%AA%AB%E0%AB%8D%E0%AA%B2%E0%AB%8B%E0%AA%87%E0%AA%A1" title="પિંક ફ્લોઇડ – Gujarati" lang="gu" hreflang="gu" data-title="પિંક ફ્લોઇડ" data-language-autonym="ગુજરાતી" data-language-local-name="Gujarati" class="interlanguage-link-target"><span>ગુજરાતી</span></a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%ED%95%91%ED%81%AC_%ED%94%8C%EB%A1%9C%EC%9D%B4%EB%93%9C" title="핑크 플로이드 – Korean" lang="ko" hreflang="ko" data-title="핑크 플로이드" data-language-autonym="한국어" data-language-local-name="Korean" class="interlanguage-link-target"><span>한국어</span></a></li><li class="interlanguage-link interwiki-hy mw-list-item"><a href="https://hy.wikipedia.org/wiki/%D5%93%D5%AB%D5%B6%D6%84_%D5%96%D5%AC%D5%B8%D5%B5%D5%A4" title="Փինք Ֆլոյդ – Armenian" lang="hy" hreflang="hy" data-title="Փինք Ֆլոյդ" data-language-autonym="Հայերեն" data-language-local-name="Armenian" class="interlanguage-link-target"><span>Հայերեն</span></a></li><li class="interlanguage-link interwiki-hi mw-list-item"><a href="https://hi.wikipedia.org/wiki/%E0%A4%AA%E0%A4%BF%E0%A4%82%E0%A4%95_%E0%A4%AB%E0%A4%BC%E0%A5%8D%E0%A4%B2%E0%A5%89%E0%A4%87%E0%A4%A1" title="पिंक फ़्लॉइड – Hindi" lang="hi" hreflang="hi" data-title="पिंक फ़्लॉइड" data-language-autonym="हिन्दी" data-language-local-name="Hindi" class="interlanguage-link-target"><span>हिन्दी</span></a></li><li class="interlanguage-link interwiki-hsb mw-list-item"><a href="https://hsb.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Upper Sorbian" lang="hsb" hreflang="hsb" data-title="Pink Floyd" data-language-autonym="Hornjoserbsce" data-language-local-name="Upper Sorbian" class="interlanguage-link-target"><span>Hornjoserbsce</span></a></li><li class="interlanguage-link interwiki-hr mw-list-item"><a href="https://hr.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Croatian" lang="hr" hreflang="hr" data-title="Pink Floyd" data-language-autonym="Hrvatski" data-language-local-name="Croatian" class="interlanguage-link-target"><span>Hrvatski</span></a></li><li class="interlanguage-link interwiki-io mw-list-item"><a href="https://io.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Ido" lang="io" hreflang="io" data-title="Pink Floyd" data-language-autonym="Ido" data-language-local-name="Ido" class="interlanguage-link-target"><span>Ido</span></a></li><li class="interlanguage-link interwiki-id mw-list-item"><a href="https://id.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Indonesian" lang="id" hreflang="id" data-title="Pink Floyd" data-language-autonym="Bahasa Indonesia" data-language-local-name="Indonesian" class="interlanguage-link-target"><span>Bahasa Indonesia</span></a></li><li class="interlanguage-link interwiki-ia mw-list-item"><a href="https://ia.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Interlingua" lang="ia" hreflang="ia" data-title="Pink Floyd" data-language-autonym="Interlingua" data-language-local-name="Interlingua" class="interlanguage-link-target"><span>Interlingua</span></a></li><li class="interlanguage-link interwiki-is mw-list-item"><a href="https://is.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Icelandic" lang="is" hreflang="is" data-title="Pink Floyd" data-language-autonym="Íslenska" data-language-local-name="Icelandic" class="interlanguage-link-target"><span>Íslenska</span></a></li><li class="interlanguage-link interwiki-it badge-Q17437796 badge-featuredarticle mw-list-item" title="featured article badge"><a href="https://it.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Italian" lang="it" hreflang="it" data-title="Pink Floyd" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%A4%D7%99%D7%A0%D7%A7_%D7%A4%D7%9C%D7%95%D7%99%D7%93" title="פינק פלויד – Hebrew" lang="he" hreflang="he" data-title="פינק פלויד" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target"><span>עברית</span></a></li><li class="interlanguage-link interwiki-kn mw-list-item"><a href="https://kn.wikipedia.org/wiki/%E0%B2%AA%E0%B2%BF%E0%B2%82%E0%B2%95%E0%B3%8D_%E0%B2%AB%E0%B3%8D%E0%B2%B2%E0%B2%BE%E0%B2%AF%E0%B3%8D%E0%B2%A1%E0%B3%8D" title="ಪಿಂಕ್ ಫ್ಲಾಯ್ಡ್ – Kannada" lang="kn" hreflang="kn" data-title="ಪಿಂಕ್ ಫ್ಲಾಯ್ಡ್" data-language-autonym="ಕನ್ನಡ" data-language-local-name="Kannada" class="interlanguage-link-target"><span>ಕನ್ನಡ</span></a></li><li class="interlanguage-link interwiki-ka badge-Q17437796 badge-featuredarticle mw-list-item" title="featured article badge"><a href="https://ka.wikipedia.org/wiki/%E1%83%9E%E1%83%98%E1%83%9C%E1%83%99_%E1%83%A4%E1%83%9A%E1%83%9D%E1%83%98%E1%83%93%E1%83%98" title="პინკ ფლოიდი – Georgian" lang="ka" hreflang="ka" data-title="პინკ ფლოიდი" data-language-autonym="ქართული" data-language-local-name="Georgian" class="interlanguage-link-target"><span>ქართული</span></a></li><li class="interlanguage-link interwiki-kk mw-list-item"><a href="https://kk.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Kazakh" lang="kk" hreflang="kk" data-title="Pink Floyd" data-language-autonym="Қазақша" data-language-local-name="Kazakh" class="interlanguage-link-target"><span>Қазақша</span></a></li><li class="interlanguage-link interwiki-sw mw-list-item"><a href="https://sw.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Swahili" lang="sw" hreflang="sw" data-title="Pink Floyd" data-language-autonym="Kiswahili" data-language-local-name="Swahili" class="interlanguage-link-target"><span>Kiswahili</span></a></li><li class="interlanguage-link interwiki-ku mw-list-item"><a href="https://ku.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Kurdish" lang="ku" hreflang="ku" data-title="Pink Floyd" data-language-autonym="Kurdî" data-language-local-name="Kurdish" class="interlanguage-link-target"><span>Kurdî</span></a></li><li class="interlanguage-link interwiki-ltg mw-list-item"><a href="https://ltg.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Latgalian" lang="ltg" hreflang="ltg" data-title="Pink Floyd" data-language-autonym="Latgaļu" data-language-local-name="Latgalian" class="interlanguage-link-target"><span>Latgaļu</span></a></li><li class="interlanguage-link interwiki-la mw-list-item"><a href="https://la.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Latin" lang="la" hreflang="la" data-title="Pink Floyd" data-language-autonym="Latina" data-language-local-name="Latin" class="interlanguage-link-target"><span>Latina</span></a></li><li class="interlanguage-link interwiki-lv mw-list-item"><a href="https://lv.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Latvian" lang="lv" hreflang="lv" data-title="Pink Floyd" data-language-autonym="Latviešu" data-language-local-name="Latvian" class="interlanguage-link-target"><span>Latviešu</span></a></li><li class="interlanguage-link interwiki-lt badge-Q17437798 badge-goodarticle mw-list-item" title="good article badge"><a href="https://lt.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Lithuanian" lang="lt" hreflang="lt" data-title="Pink Floyd" data-language-autonym="Lietuvių" data-language-local-name="Lithuanian" class="interlanguage-link-target"><span>Lietuvių</span></a></li><li class="interlanguage-link interwiki-lmo mw-list-item"><a href="https://lmo.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Lombard" lang="lmo" hreflang="lmo" data-title="Pink Floyd" data-language-autonym="Lombard" data-language-local-name="Lombard" class="interlanguage-link-target"><span>Lombard</span></a></li><li class="interlanguage-link interwiki-hu mw-list-item"><a href="https://hu.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Hungarian" lang="hu" hreflang="hu" data-title="Pink Floyd" data-language-autonym="Magyar" data-language-local-name="Hungarian" class="interlanguage-link-target"><span>Magyar</span></a></li><li class="interlanguage-link interwiki-mk mw-list-item"><a href="https://mk.wikipedia.org/wiki/%D0%9F%D0%B8%D0%BD%D0%BA_%D1%84%D0%BB%D0%BE%D1%98%D0%B4" title="Пинк флојд – Macedonian" lang="mk" hreflang="mk" data-title="Пинк флојд" data-language-autonym="Македонски" data-language-local-name="Macedonian" class="interlanguage-link-target"><span>Македонски</span></a></li><li class="interlanguage-link interwiki-mg mw-list-item"><a href="https://mg.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Malagasy" lang="mg" hreflang="mg" data-title="Pink Floyd" data-language-autonym="Malagasy" data-language-local-name="Malagasy" class="interlanguage-link-target"><span>Malagasy</span></a></li><li class="interlanguage-link interwiki-ml mw-list-item"><a href="https://ml.wikipedia.org/wiki/%E0%B4%AA%E0%B4%BF%E0%B4%99%E0%B5%8D%E0%B4%95%E0%B5%8D_%E0%B4%AB%E0%B5%8D%E0%B4%B2%E0%B5%8B%E0%B4%AF%E0%B5%8D%E0%B4%A1%E0%B5%8D" title="പിങ്ക് ഫ്ലോയ്ഡ് – Malayalam" lang="ml" hreflang="ml" data-title="പിങ്ക് ഫ്ലോയ്ഡ്" data-language-autonym="മലയാളം" data-language-local-name="Malayalam" class="interlanguage-link-target"><span>മലയാളം</span></a></li><li class="interlanguage-link interwiki-mr mw-list-item"><a href="https://mr.wikipedia.org/wiki/%E0%A4%AA%E0%A4%BF%E0%A4%82%E0%A4%95_%E0%A4%AB%E0%A5%8D%E0%A4%B2%E0%A5%89%E0%A4%87%E0%A4%A1" title="पिंक फ्लॉइड – Marathi" lang="mr" hreflang="mr" data-title="पिंक फ्लॉइड" data-language-autonym="मराठी" data-language-local-name="Marathi" class="interlanguage-link-target"><span>मराठी</span></a></li><li class="interlanguage-link interwiki-xmf mw-list-item"><a href="https://xmf.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Mingrelian" lang="xmf" hreflang="xmf" data-title="Pink Floyd" data-language-autonym="მარგალური" data-language-local-name="Mingrelian" class="interlanguage-link-target"><span>მარგალური</span></a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D8%A8%D9%8A%D9%86%D9%83_%D9%81%D9%84%D9%88%D9%8A%D8%AF" title="بينك فلويد – Egyptian Arabic" lang="arz" hreflang="arz" data-title="بينك فلويد" data-language-autonym="مصرى" data-language-local-name="Egyptian Arabic" class="interlanguage-link-target"><span>مصرى</span></a></li><li class="interlanguage-link interwiki-ms mw-list-item"><a href="https://ms.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Malay" lang="ms" hreflang="ms" data-title="Pink Floyd" data-language-autonym="Bahasa Melayu" data-language-local-name="Malay" class="interlanguage-link-target"><span>Bahasa Melayu</span></a></li><li class="interlanguage-link interwiki-mn mw-list-item"><a href="https://mn.wikipedia.org/wiki/%D0%9F%D0%B8%D0%BD%D0%BA_%D0%A4%D0%BB%D0%BE%D0%B9%D0%B4" title="Пинк Флойд – Mongolian" lang="mn" hreflang="mn" data-title="Пинк Флойд" data-language-autonym="Монгол" data-language-local-name="Mongolian" class="interlanguage-link-target"><span>Монгол</span></a></li><li class="interlanguage-link interwiki-nah mw-list-item"><a href="https://nah.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Nahuatl" lang="nah" hreflang="nah" data-title="Pink Floyd" data-language-autonym="Nāhuatl" data-language-local-name="Nahuatl" class="interlanguage-link-target"><span>Nāhuatl</span></a></li><li class="interlanguage-link interwiki-fj mw-list-item"><a href="https://fj.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Fijian" lang="fj" hreflang="fj" data-title="Pink Floyd" data-language-autonym="Na Vosa Vakaviti" data-language-local-name="Fijian" class="interlanguage-link-target"><span>Na Vosa Vakaviti</span></a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Dutch" lang="nl" hreflang="nl" data-title="Pink Floyd" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target"><span>Nederlands</span></a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%83%94%E3%83%B3%E3%82%AF%E3%83%BB%E3%83%95%E3%83%AD%E3%82%A4%E3%83%89" title="ピンク・フロイド – Japanese" lang="ja" hreflang="ja" data-title="ピンク・フロイド" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target"><span>日本語</span></a></li><li class="interlanguage-link interwiki-no badge-Q17437798 badge-goodarticle mw-list-item" title="good article badge"><a href="https://no.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Norwegian Bokmål" lang="nb" hreflang="nb" data-title="Pink Floyd" data-language-autonym="Norsk bokmål" data-language-local-name="Norwegian Bokmål" class="interlanguage-link-target"><span>Norsk bokmål</span></a></li><li class="interlanguage-link interwiki-nn badge-Q17437796 badge-featuredarticle mw-list-item" title="featured article badge"><a href="https://nn.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Norwegian Nynorsk" lang="nn" hreflang="nn" data-title="Pink Floyd" data-language-autonym="Norsk nynorsk" data-language-local-name="Norwegian Nynorsk" class="interlanguage-link-target"><span>Norsk nynorsk</span></a></li><li class="interlanguage-link interwiki-oc mw-list-item"><a href="https://oc.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Occitan" lang="oc" hreflang="oc" data-title="Pink Floyd" data-language-autonym="Occitan" data-language-local-name="Occitan" class="interlanguage-link-target"><span>Occitan</span></a></li><li class="interlanguage-link interwiki-uz mw-list-item"><a href="https://uz.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Uzbek" lang="uz" hreflang="uz" data-title="Pink Floyd" data-language-autonym="Oʻzbekcha / ўзбекча" data-language-local-name="Uzbek" class="interlanguage-link-target"><span>Oʻzbekcha / ўзбекча</span></a></li><li class="interlanguage-link interwiki-pa mw-list-item"><a href="https://pa.wikipedia.org/wiki/%E0%A8%AA%E0%A8%BF%E0%A9%B0%E0%A8%95_%E0%A8%AB%E0%A8%B2%E0%A9%8B%E0%A8%87%E0%A8%A1" title="ਪਿੰਕ ਫਲੋਇਡ – Punjabi" lang="pa" hreflang="pa" data-title="ਪਿੰਕ ਫਲੋਇਡ" data-language-autonym="ਪੰਜਾਬੀ" data-language-local-name="Punjabi" class="interlanguage-link-target"><span>ਪੰਜਾਬੀ</span></a></li><li class="interlanguage-link interwiki-pnb mw-list-item"><a href="https://pnb.wikipedia.org/wiki/%D9%BE%D9%86%DA%A9_%D9%81%D9%84%D9%88%DB%8C%DA%88" title="پنک فلویڈ – Western Punjabi" lang="pnb" hreflang="pnb" data-title="پنک فلویڈ" data-language-autonym="پنجابی" data-language-local-name="Western Punjabi" class="interlanguage-link-target"><span>پنجابی</span></a></li><li class="interlanguage-link interwiki-pms mw-list-item"><a href="https://pms.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Piedmontese" lang="pms" hreflang="pms" data-title="Pink Floyd" data-language-autonym="Piemontèis" data-language-local-name="Piedmontese" class="interlanguage-link-target"><span>Piemontèis</span></a></li><li class="interlanguage-link interwiki-nds mw-list-item"><a href="https://nds.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Low German" lang="nds" hreflang="nds" data-title="Pink Floyd" data-language-autonym="Plattdüütsch" data-language-local-name="Low German" class="interlanguage-link-target"><span>Plattdüütsch</span></a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Polish" lang="pl" hreflang="pl" data-title="Pink Floyd" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target"><span>Polski</span></a></li><li class="interlanguage-link interwiki-pt badge-Q17437796 badge-featuredarticle mw-list-item" title="featured article badge"><a href="https://pt.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Portuguese" lang="pt" hreflang="pt" data-title="Pink Floyd" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target"><span>Português</span></a></li><li class="interlanguage-link interwiki-kaa mw-list-item"><a href="https://kaa.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Kara-Kalpak" lang="kaa" hreflang="kaa" data-title="Pink Floyd" data-language-autonym="Qaraqalpaqsha" data-language-local-name="Kara-Kalpak" class="interlanguage-link-target"><span>Qaraqalpaqsha</span></a></li><li class="interlanguage-link interwiki-ro mw-list-item"><a href="https://ro.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Romanian" lang="ro" hreflang="ro" data-title="Pink Floyd" data-language-autonym="Română" data-language-local-name="Romanian" class="interlanguage-link-target"><span>Română</span></a></li><li class="interlanguage-link interwiki-qu mw-list-item"><a href="https://qu.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Quechua" lang="qu" hreflang="qu" data-title="Pink Floyd" data-language-autonym="Runa Simi" data-language-local-name="Quechua" class="interlanguage-link-target"><span>Runa Simi</span></a></li><li class="interlanguage-link interwiki-ru badge-Q17437796 badge-featuredarticle mw-list-item" title="featured article badge"><a href="https://ru.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Russian" lang="ru" hreflang="ru" data-title="Pink Floyd" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target"><span>Русский</span></a></li><li class="interlanguage-link interwiki-sq mw-list-item"><a href="https://sq.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Albanian" lang="sq" hreflang="sq" data-title="Pink Floyd" data-language-autonym="Shqip" data-language-local-name="Albanian" class="interlanguage-link-target"><span>Shqip</span></a></li><li class="interlanguage-link interwiki-scn mw-list-item"><a href="https://scn.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Sicilian" lang="scn" hreflang="scn" data-title="Pink Floyd" data-language-autonym="Sicilianu" data-language-local-name="Sicilian" class="interlanguage-link-target"><span>Sicilianu</span></a></li><li class="interlanguage-link interwiki-simple mw-list-item"><a href="https://simple.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Simple English" lang="en-simple" hreflang="en-simple" data-title="Pink Floyd" data-language-autonym="Simple English" data-language-local-name="Simple English" class="interlanguage-link-target"><span>Simple English</span></a></li><li class="interlanguage-link interwiki-sk badge-Q17437798 badge-goodarticle mw-list-item" title="good article badge"><a href="https://sk.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Slovak" lang="sk" hreflang="sk" data-title="Pink Floyd" data-language-autonym="Slovenčina" data-language-local-name="Slovak" class="interlanguage-link-target"><span>Slovenčina</span></a></li><li class="interlanguage-link interwiki-sl mw-list-item"><a href="https://sl.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Slovenian" lang="sl" hreflang="sl" data-title="Pink Floyd" data-language-autonym="Slovenščina" data-language-local-name="Slovenian" class="interlanguage-link-target"><span>Slovenščina</span></a></li><li class="interlanguage-link interwiki-szl mw-list-item"><a href="https://szl.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Silesian" lang="szl" hreflang="szl" data-title="Pink Floyd" data-language-autonym="Ślůnski" data-language-local-name="Silesian" class="interlanguage-link-target"><span>Ślůnski</span></a></li><li class="interlanguage-link interwiki-ckb mw-list-item"><a href="https://ckb.wikipedia.org/wiki/%D9%BE%DB%8C%D9%86%DA%A9_%D9%81%D9%84%DB%86%DB%8C%D8%AF" title="پینک فلۆید – Central Kurdish" lang="ckb" hreflang="ckb" data-title="پینک فلۆید" data-language-autonym="کوردی" data-language-local-name="Central Kurdish" class="interlanguage-link-target"><span>کوردی</span></a></li><li class="interlanguage-link interwiki-sr mw-list-item"><a href="https://sr.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Serbian" lang="sr" hreflang="sr" data-title="Pink Floyd" data-language-autonym="Српски / srpski" data-language-local-name="Serbian" class="interlanguage-link-target"><span>Српски / srpski</span></a></li><li class="interlanguage-link interwiki-sh mw-list-item"><a href="https://sh.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Serbo-Croatian" lang="sh" hreflang="sh" data-title="Pink Floyd" data-language-autonym="Srpskohrvatski / српскохрватски" data-language-local-name="Serbo-Croatian" class="interlanguage-link-target"><span>Srpskohrvatski / српскохрватски</span></a></li><li class="interlanguage-link interwiki-fi badge-Q17559452 badge-recommendedarticle mw-list-item" title="recommended article"><a href="https://fi.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Finnish" lang="fi" hreflang="fi" data-title="Pink Floyd" data-language-autonym="Suomi" data-language-local-name="Finnish" class="interlanguage-link-target"><span>Suomi</span></a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Swedish" lang="sv" hreflang="sv" data-title="Pink Floyd" data-language-autonym="Svenska" data-language-local-name="Swedish" class="interlanguage-link-target"><span>Svenska</span></a></li><li class="interlanguage-link interwiki-tl mw-list-item"><a href="https://tl.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Tagalog" lang="tl" hreflang="tl" data-title="Pink Floyd" data-language-autonym="Tagalog" data-language-local-name="Tagalog" class="interlanguage-link-target"><span>Tagalog</span></a></li><li class="interlanguage-link interwiki-ta mw-list-item"><a href="https://ta.wikipedia.org/wiki/%E0%AE%AA%E0%AE%BF%E0%AE%99%E0%AF%8D%E0%AE%95%E0%AF%8D_%E0%AE%83%E0%AE%AA%E0%AE%BF%E0%AE%B2%E0%AE%BE%E0%AE%AF%E0%AF%8D%E0%AE%9F%E0%AF%8D" title="பிங்க் ஃபிலாய்ட் – Tamil" lang="ta" hreflang="ta" data-title="பிங்க் ஃபிலாய்ட்" data-language-autonym="தமிழ்" data-language-local-name="Tamil" class="interlanguage-link-target"><span>தமிழ்</span></a></li><li class="interlanguage-link interwiki-kab mw-list-item"><a href="https://kab.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Kabyle" lang="kab" hreflang="kab" data-title="Pink Floyd" data-language-autonym="Taqbaylit" data-language-local-name="Kabyle" class="interlanguage-link-target"><span>Taqbaylit</span></a></li><li class="interlanguage-link interwiki-tt mw-list-item"><a href="https://tt.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Tatar" lang="tt" hreflang="tt" data-title="Pink Floyd" data-language-autonym="Татарча / tatarça" data-language-local-name="Tatar" class="interlanguage-link-target"><span>Татарча / tatarça</span></a></li><li class="interlanguage-link interwiki-th mw-list-item"><a href="https://th.wikipedia.org/wiki/%E0%B8%9E%E0%B8%B4%E0%B8%87%E0%B8%81%E0%B9%8C%E0%B8%9F%E0%B8%A5%E0%B8%AD%E0%B8%A2%E0%B8%94%E0%B9%8C" title="พิงก์ฟลอยด์ – Thai" lang="th" hreflang="th" data-title="พิงก์ฟลอยด์" data-language-autonym="ไทย" data-language-local-name="Thai" class="interlanguage-link-target"><span>ไทย</span></a></li><li class="interlanguage-link interwiki-tg mw-list-item"><a href="https://tg.wikipedia.org/wiki/%D0%9F%D0%B8%D0%BD%D0%BA_%D0%A4%D0%BB%D0%BE%D0%B9%D0%B4" title="Пинк Флойд – Tajik" lang="tg" hreflang="tg" data-title="Пинк Флойд" data-language-autonym="Тоҷикӣ" data-language-local-name="Tajik" class="interlanguage-link-target"><span>Тоҷикӣ</span></a></li><li class="interlanguage-link interwiki-tr mw-list-item"><a href="https://tr.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Turkish" lang="tr" hreflang="tr" data-title="Pink Floyd" data-language-autonym="Türkçe" data-language-local-name="Turkish" class="interlanguage-link-target"><span>Türkçe</span></a></li><li class="interlanguage-link interwiki-uk mw-list-item"><a href="https://uk.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Ukrainian" lang="uk" hreflang="uk" data-title="Pink Floyd" data-language-autonym="Українська" data-language-local-name="Ukrainian" class="interlanguage-link-target"><span>Українська</span></a></li><li class="interlanguage-link interwiki-ur mw-list-item"><a href="https://ur.wikipedia.org/wiki/%D9%BE%D9%86%DA%A9_%D9%81%D9%84%D8%A7%D8%A6%DB%8C%DA%88" title="پنک فلائیڈ – Urdu" lang="ur" hreflang="ur" data-title="پنک فلائیڈ" data-language-autonym="اردو" data-language-local-name="Urdu" class="interlanguage-link-target"><span>اردو</span></a></li><li class="interlanguage-link interwiki-vec mw-list-item"><a href="https://vec.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Venetian" lang="vec" hreflang="vec" data-title="Pink Floyd" data-language-autonym="Vèneto" data-language-local-name="Venetian" class="interlanguage-link-target"><span>Vèneto</span></a></li><li class="interlanguage-link interwiki-vi mw-list-item"><a href="https://vi.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Vietnamese" lang="vi" hreflang="vi" data-title="Pink Floyd" data-language-autonym="Tiếng Việt" data-language-local-name="Vietnamese" class="interlanguage-link-target"><span>Tiếng Việt</span></a></li><li class="interlanguage-link interwiki-wa mw-list-item"><a href="https://wa.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Walloon" lang="wa" hreflang="wa" data-title="Pink Floyd" data-language-autonym="Walon" data-language-local-name="Walloon" class="interlanguage-link-target"><span>Walon</span></a></li><li class="interlanguage-link interwiki-war mw-list-item"><a href="https://war.wikipedia.org/wiki/Pink_Floyd" title="Pink Floyd – Waray" lang="war" hreflang="war" data-title="Pink Floyd" data-language-autonym="Winaray" data-language-local-name="Waray" class="interlanguage-link-target"><span>Winaray</span></a></li><li class="interlanguage-link interwiki-wuu mw-list-item"><a href="https://wuu.wikipedia.org/wiki/%E5%B9%B3%E5%85%8B%C2%B7%E5%BC%97%E6%B4%9B%E4%BC%8A%E5%BE%B7" title="平克·弗洛伊德 – Wu" lang="wuu" hreflang="wuu" data-title="平克·弗洛伊德" data-language-autonym="吴语" data-language-local-name="Wu" class="interlanguage-link-target"><span>吴语</span></a></li><li class="interlanguage-link interwiki-yi mw-list-item"><a href="https://yi.wikipedia.org/wiki/%D7%A4%D7%99%D7%A0%D7%A7_%D7%A4%D7%9C%D7%95%D7%99%D7%93" title="פינק פלויד – Yiddish" lang="yi" hreflang="yi" data-title="פינק פלויד" data-language-autonym="ייִדיש" data-language-local-name="Yiddish" class="interlanguage-link-target"><span>ייִדיש</span></a></li><li class="interlanguage-link interwiki-zh-yue mw-list-item"><a href="https://zh-yue.wikipedia.org/wiki/%E7%B2%89%E7%B4%85%E5%BC%97%E6%B4%9B%E4%BC%8A%E5%BE%B7" title="粉紅弗洛伊德 – Cantonese" lang="yue" hreflang="yue" data-title="粉紅弗洛伊德" data-language-autonym="粵語" data-language-local-name="Cantonese" class="interlanguage-link-target"><span>粵語</span></a></li><li class="interlanguage-link interwiki-zh mw-list-item"><a href="https://zh.wikipedia.org/wiki/%E5%B9%B3%E5%85%8B%C2%B7%E5%BC%97%E6%B4%9B%E4%BC%8A%E5%BE%B7" title="平克·弗洛伊德 – Chinese" lang="zh" hreflang="zh" data-title="平克·弗洛伊德" data-language-autonym="中文" data-language-local-name="Chinese" 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Clockwise from bottom: <a href="/wiki/David_Gilmour" title="David Gilmour">David Gilmour</a>, <a href="/wiki/Nick_Mason" title="Nick Mason">Nick Mason</a>, <a href="/wiki/Syd_Barrett" title="Syd Barrett">Syd Barrett</a>, <a href="/wiki/Roger_Waters" title="Roger Waters">Roger Waters</a> and <a href="/wiki/Richard_Wright_(musician)" title="Richard Wright (musician)">Richard Wright</a>.</div></td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de">Background information</th></tr><tr><th scope="row" class="infobox-label"><span class="nowrap">Also known as</span></th><td class="infobox-data nickname"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist"> <ul><li>Sigma 6 (1963–1964)</li> <li>The Meggadeaths (1964)</li> <li>The Abdabs (1964)</li> <li>The Screaming Abdabs (1964)</li> <li>Leonard's Lodgers (1964)</li> <li>The Spectrum Five (1964)</li> <li>The Tea Set (1964–1965)</li> <li>The Pink Floyd Sound (1965)</li> <li>The Pink Floyd (1965–1967)</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label">Origin</th><td class="infobox-data">London, England</td></tr><tr><th scope="row" class="infobox-label">Genres</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist li::after{content:" · ";font-weight:bold}.mw-parser-output .hlist dd:last-child::after,.mw-parser-output .hlist dt:last-child::after,.mw-parser-output .hlist li:last-child::after{content:none}.mw-parser-output .hlist dd dd:first-child::before,.mw-parser-output .hlist dd dt:first-child::before,.mw-parser-output .hlist dd li:first-child::before,.mw-parser-output .hlist dt dd:first-child::before,.mw-parser-output .hlist dt dt:first-child::before,.mw-parser-output .hlist dt li:first-child::before,.mw-parser-output .hlist li dd:first-child::before,.mw-parser-output .hlist li dt:first-child::before,.mw-parser-output .hlist li li:first-child::before{content:" (";font-weight:normal}.mw-parser-output .hlist dd dd:last-child::after,.mw-parser-output .hlist dd dt:last-child::after,.mw-parser-output .hlist dd li:last-child::after,.mw-parser-output .hlist dt dd:last-child::after,.mw-parser-output .hlist dt dt:last-child::after,.mw-parser-output .hlist dt li:last-child::after,.mw-parser-output .hlist li dd:last-child::after,.mw-parser-output .hlist li dt:last-child::after,.mw-parser-output .hlist li li:last-child::after{content:")";font-weight:normal}.mw-parser-output .hlist ol{counter-reset:listitem}.mw-parser-output .hlist ol>li{counter-increment:listitem}.mw-parser-output .hlist ol>li::before{content:" "counter(listitem)"\a0 "}.mw-parser-output .hlist dd ol>li:first-child::before,.mw-parser-output .hlist dt ol>li:first-child::before,.mw-parser-output .hlist li ol>li:first-child::before{content:" ("counter(listitem)"\a0 "}</style><div class="hlist"> <ul><li><a href="/wiki/Progressive_rock" title="Progressive rock">Progressive rock</a></li> <li><a href="/wiki/Art_rock" title="Art rock">art rock</a></li> <li><a href="/wiki/Psychedelic_rock" title="Psychedelic rock">psychedelic rock</a></li> <li><a href="/wiki/Space_rock" title="Space rock">space rock</a></li> <li><a href="/wiki/Experimental_rock" title="Experimental rock">experimental rock</a></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label">Discography</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"> <ul><li><a href="/wiki/Pink_Floyd_discography" title="Pink Floyd discography">Albums and singles</a></li> <li><a href="/wiki/List_of_songs_recorded_by_Pink_Floyd" title="List of songs recorded by Pink Floyd">songs</a></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label"><span class="nowrap">Years active</span></th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"> <ul><li>1965–1994</li> <li>2005</li> <li>2007</li> <li>2013–2014</li> <li>2022</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label">Labels</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"> <ul><li><a href="/wiki/EMI_Records" title="EMI Records">EMI</a></li> <li><a href="/wiki/Columbia_Graphophone_Company" title="Columbia Graphophone Company">EMI Columbia</a></li> <li><a href="/wiki/Tower_Records_(record_label)" title="Tower Records (record label)">Tower</a></li> <li><a href="/wiki/Harvest_Records" title="Harvest Records">Harvest</a></li> <li><a href="/wiki/Capitol_Records" title="Capitol Records">Capitol</a></li> <li><a href="/wiki/Columbia_Records" title="Columbia Records">Columbia</a></li> <li><a href="/wiki/Sony_Music" title="Sony Music">Sony Music</a></li> <li><a href="/wiki/Parlophone" title="Parlophone">Parlophone</a></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label">Spinoffs</th><td class="infobox-data"><a href="/wiki/Nick_Mason%27s_Saucerful_of_Secrets" title="Nick Mason&#39;s Saucerful of Secrets">Nick Mason's Saucerful of Secrets</a></td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de"></th></tr><tr><th scope="row" class="infobox-label">Members</th><td class="infobox-data"> <ul><li><a href="/wiki/Nick_Mason" title="Nick Mason">Nick Mason</a></li> <li><a href="/wiki/David_Gilmour" title="David Gilmour">David Gilmour</a></li></ul> </td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de"></th></tr><tr><th scope="row" class="infobox-label"><span class="nowrap">Past members</span></th><td class="infobox-data"> <ul><li><a href="/wiki/Roger_Waters" title="Roger Waters">Roger Waters</a></li> <li><a href="/wiki/Richard_Wright_(musician)" title="Richard Wright (musician)">Richard Wright</a></li> <li><a href="/wiki/Syd_Barrett" title="Syd Barrett">Syd Barrett</a></li></ul> </td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de"></th></tr><tr><th scope="row" class="infobox-label">Website</th><td class="infobox-data"><span class="url"><a rel="nofollow" class="external text" href="http://pinkfloyd.com">pinkfloyd<wbr />.com</a></span></td></tr></tbody></table> <p><b>Pink Floyd</b> are an English <a href="/wiki/Rock_music" title="Rock music">rock</a> band formed in London in 1965. Gaining an early following as one of the first British <a href="/wiki/Psychedelic_music" title="Psychedelic music">psychedelic</a> groups, they were distinguished by their extended compositions, sonic experiments, philosophical lyrics, and elaborate <a href="/wiki/Pink_Floyd_live_performances" title="Pink Floyd live performances">live shows</a>. They became a leading band of the <a href="/wiki/Progressive_rock" title="Progressive rock">progressive rock</a> genre, cited by some as the greatest progressive rock band of all time. </p><p>Pink Floyd were founded in 1965 by <a href="/wiki/Syd_Barrett" title="Syd Barrett">Syd Barrett</a> (guitar, lead vocals), <a href="/wiki/Nick_Mason" title="Nick Mason">Nick Mason</a> (drums), <a href="/wiki/Roger_Waters" title="Roger Waters">Roger Waters</a> (bass guitar, vocals) and <a href="/wiki/Richard_Wright_(musician)" title="Richard Wright (musician)">Richard Wright</a> (keyboards, vocals). With Barrett as their main songwriter, they released two hit singles, "<a href="/wiki/Arnold_Layne" title="Arnold Layne">Arnold Layne</a>" and "<a href="/wiki/See_Emily_Play" title="See Emily Play">See Emily Play</a>", and the successful debut album <i><a href="/wiki/The_Piper_at_the_Gates_of_Dawn" title="The Piper at the Gates of Dawn">The Piper at the Gates of Dawn</a></i> (all 1967). <a href="/wiki/David_Gilmour" title="David Gilmour">David Gilmour</a> (guitar, vocals) joined in 1967; Barrett left in 1968 due to deteriorating mental health. While all four members contributed compositions, Waters became the primary lyricist and thematic leader, devising the <a href="/wiki/Concept_album" title="Concept album">concepts</a> behind Pink Floyd's most successful albums, <i><a href="/wiki/The_Dark_Side_of_the_Moon" title="The Dark Side of the Moon">The Dark Side of the Moon</a></i> (1973), <i><a href="/wiki/Wish_You_Were_Here_(Pink_Floyd_album)" title="Wish You Were Here (Pink Floyd album)">Wish You Were Here</a></i> (1975), <i><a href="/wiki/Animals_(Pink_Floyd_album)" title="Animals (Pink Floyd album)">Animals</a></i> (1977) and <i><a href="/wiki/The_Wall" title="The Wall">The Wall</a></i> (1979). The musical film based on <i>The Wall</i>, <i><a href="/wiki/Pink_Floyd_%E2%80%93_The_Wall" title="Pink Floyd – The Wall">Pink Floyd – The Wall</a></i> (1982), won two <a href="/wiki/BAFTA_Awards" class="mw-redirect" title="BAFTA Awards">BAFTA Awards</a>. Pink Floyd also composed several <a href="/wiki/Film_score" title="Film score">film scores</a>. </p><p>Following personal tensions, Wright left Pink Floyd in 1981, followed by Waters in 1985. Gilmour and Mason continued as Pink Floyd, rejoined later by Wright. They produced the albums <i><a href="/wiki/A_Momentary_Lapse_of_Reason" title="A Momentary Lapse of Reason">A Momentary Lapse of Reason</a></i> (1987) and <i><a href="/wiki/The_Division_Bell" title="The Division Bell">The Division Bell</a></i> (1994), both backed by major tours. In 2005, all but Barrett reunited for a performance at the global awareness event <a href="/wiki/Live_8" title="Live 8">Live&#160;8</a>. Barrett died in 2006 and Wright in 2008. The last Pink Floyd studio album, <i><a href="/wiki/The_Endless_River" title="The Endless River">The Endless River</a></i> (2014), was based on unreleased material from the <i>Division Bell</i> recording sessions. In 2022, Gilmour and Mason reformed Pink Floyd to release the song "<a href="/wiki/Hey,_Hey,_Rise_Up!" title="Hey, Hey, Rise Up!">Hey, Hey, Rise Up!</a>" in protest of the <a href="/wiki/Russian_invasion_of_Ukraine" title="Russian invasion of Ukraine">Russian invasion of Ukraine</a>. </p><p>By 2013, Pink Floyd had sold more than 250&#160;million records worldwide, making them one of the <a href="/wiki/List_of_best-selling_music_artists" title="List of best-selling music artists">best-selling music artists of all time</a>. <i>The Dark Side of the Moon</i> and <i>The Wall</i> were inducted into the <a href="/wiki/Grammy_Hall_of_Fame" title="Grammy Hall of Fame">Grammy Hall of Fame</a>,<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">&#91;</span>1<span class="cite-bracket">&#93;</span></a></sup> and are among the <a href="/wiki/List_of_best-selling_albums" title="List of best-selling albums">best-selling albums of all time</a>. Four Pink Floyd albums topped the US <a href="/wiki/Billboard_200" title="Billboard 200"><i>Billboard</i> 200</a> and five topped the <a href="/wiki/UK_Albums_Chart" title="UK Albums Chart">UK Albums Chart</a>. Their hit singles include "Arnold Layne" (1967), "See Emily Play" (1967), "<a href="/wiki/Money_(Pink_Floyd_song)" title="Money (Pink Floyd song)">Money</a>" (1973), "<a href="/wiki/Another_Brick_in_the_Wall,_Part_2" class="mw-redirect" title="Another Brick in the Wall, Part 2">Another Brick in the Wall, Part 2</a>" (1979), "<a href="/wiki/Not_Now_John" title="Not Now John">Not Now John</a>" (1983), "<a href="/wiki/On_the_Turning_Away" title="On the Turning Away">On the Turning Away</a>" (1987) and "<a href="/wiki/High_Hopes_(Pink_Floyd_song)" title="High Hopes (Pink Floyd song)">High Hopes</a>" (1994). Pink Floyd were inducted into the US <a href="/wiki/Rock_and_Roll_Hall_of_Fame" title="Rock and Roll Hall of Fame">Rock and Roll Hall of Fame</a> in 1996 and the <a href="/wiki/UK_Music_Hall_of_Fame" title="UK Music Hall of Fame">UK Music Hall of Fame</a> in 2005. In 2008, they were awarded the <a href="/wiki/Polar_Music_Prize" title="Polar Music Prize">Polar Music Prize</a> in Sweden for their contribution to modern music. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="History">History</h2></div> <p>The founding members of Pink Floyd were <a href="/wiki/Roger_Waters" title="Roger Waters">Roger Waters</a>, <a href="/wiki/Nick_Mason" title="Nick Mason">Nick Mason</a>, and <a href="/wiki/Richard_Wright_(musician)" title="Richard Wright (musician)">Richard Wright</a>, who enrolled at the <a href="/wiki/University_of_Westminster" title="University of Westminster">London Polytechnic</a> at <a href="/wiki/Regent_Street" title="Regent Street">Regent Street</a> in September 1962 to study architecture,<sup id="cite_ref-Meet_2-0" class="reference"><a href="#cite_note-Meet-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> and <a href="/wiki/Syd_Barrett" title="Syd Barrett">Syd Barrett</a>, two years younger than the rest of the band, who had moved to London in 1964 to study at the <a href="/wiki/Camberwell_College_of_Arts" title="Camberwell College of Arts">Camberwell College of Arts</a>.<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> Waters and Barrett were childhood friends; Waters had often visited Barrett and watched him play guitar at Barrett's mother's house.<sup id="cite_ref-FOOTNOTESchaffner199122–23_4-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner199122–23-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup> Mason said about Barrett: "In a period when everyone was being cool in a very adolescent, self-conscious way, Syd was unfashionably outgoing; my enduring memory of our first encounter is the fact that he bothered to come up and introduce himself to me."<sup id="cite_ref-FOOTNOTEMason200527_5-0" class="reference"><a href="#cite_note-FOOTNOTEMason200527-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="1963–1965:_formation"><span id="1963.E2.80.931965:_formation"></span>1963–1965: formation</h3></div> <div class="mw-heading mw-heading4"><h4 id="Preceding_the_band">Preceding the band</h4></div> <p>Waters and Mason met while studying architecture at the <a href="/wiki/University_of_Westminster" title="University of Westminster">London Polytechnic</a> at <a href="/wiki/Regent_Street" title="Regent Street">Regent Street</a>.<sup id="cite_ref-Meet_2-1" class="reference"><a href="#cite_note-Meet-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> They first played music together in a group formed by fellow students Keith Noble and Clive Metcalfe,<sup id="cite_ref-FOOTNOTEPovey200815_6-0" class="reference"><a href="#cite_note-FOOTNOTEPovey200815-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> with Noble's sister Sheilagh. <a href="/wiki/Richard_Wright_(musician)" title="Richard Wright (musician)">Richard Wright</a>, a fellow architecture student,<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">&#91;</span>nb 1<span class="cite-bracket">&#93;</span></a></sup> joined later that year, and the group became a sextet, Sigma&#160;6. Waters played lead guitar, Mason drums, and Wright rhythm guitar, later moving to keyboards.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">&#91;</span>8<span class="cite-bracket">&#93;</span></a></sup> The band performed at private functions and rehearsed in a <a href="/wiki/Tea_house" class="mw-redirect" title="Tea house">tearoom</a> in the basement of the Regent Street Polytechnic. They performed songs by <a href="/wiki/The_Searchers_(band)" title="The Searchers (band)">the Searchers</a> and material written by their manager and songwriter, fellow student Ken Chapman.<sup id="cite_ref-FOOTNOTEBlake200838–39_10-0" class="reference"><a href="#cite_note-FOOTNOTEBlake200838–39-10"><span class="cite-bracket">&#91;</span>9<span class="cite-bracket">&#93;</span></a></sup> </p><p>In September 1963, Waters and Mason moved into a flat at 39 Stanhope Gardens, <a href="/wiki/Highgate" title="Highgate">Highgate</a> in London, owned by Mike Leonard,<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> a part-time tutor at the nearby <a href="/wiki/Hornsey_College_of_Art" title="Hornsey College of Art">Hornsey College of Art</a> and the Regent Street Polytechnic.<sup id="cite_ref-FOOTNOTEMason200524–26_12-0" class="reference"><a href="#cite_note-FOOTNOTEMason200524–26-12"><span class="cite-bracket">&#91;</span>11<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">&#91;</span>nb 2<span class="cite-bracket">&#93;</span></a></sup> Mason moved out after the 1964 academic year, and guitarist <a href="/wiki/Bob_Klose" title="Bob Klose">Bob Klose</a> moved in during September 1964, prompting Waters's switch to bass.<sup id="cite_ref-FOOTNOTEPovey200814_14-0" class="reference"><a href="#cite_note-FOOTNOTEPovey200814-14"><span class="cite-bracket">&#91;</span>12<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">&#91;</span>nb 3<span class="cite-bracket">&#93;</span></a></sup> Sigma&#160;6 went through several names, including the Meggadeaths, the Abdabs and the Screaming Abdabs, Leonard's Lodgers, and the Spectrum Five, before settling on the Tea Set.<sup id="cite_ref-FOOTNOTEPovey200813–18_16-0" class="reference"><a href="#cite_note-FOOTNOTEPovey200813–18-16"><span class="cite-bracket">&#91;</span>13<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">&#91;</span>nb 4<span class="cite-bracket">&#93;</span></a></sup> In September 1963, as Metcalfe and Noble left to form their own band,<sup id="cite_ref-21" class="reference"><a href="#cite_note-21"><span class="cite-bracket">&#91;</span>17<span class="cite-bracket">&#93;</span></a></sup> the guitarist <a href="/wiki/Syd_Barrett" title="Syd Barrett">Syd Barrett</a> joined Klose and Waters at Stanhope Gardens.<sup id="cite_ref-FOOTNOTEBlake200841_22-0" class="reference"><a href="#cite_note-FOOTNOTEBlake200841-22"><span class="cite-bracket">&#91;</span>18<span class="cite-bracket">&#93;</span></a></sup> </p><p>Klose introduced the band to the singer Chris Dennis, a technician with the <a href="/wiki/Royal_Air_Force" title="Royal Air Force">Royal Air Force</a> (RAF).<sup id="cite_ref-FOOTNOTEBlake200842–44_23-0" class="reference"><a href="#cite_note-FOOTNOTEBlake200842–44-23"><span class="cite-bracket">&#91;</span>19<span class="cite-bracket">&#93;</span></a></sup> In December 1964, they secured their first recording time, at a studio in West Hampstead, through one of Wright's friends, who let them use some downtime free. Wright, who was taking a break from his studies, did not participate.<sup id="cite_ref-FOOTNOTEMason200529–30_24-0" class="reference"><a href="#cite_note-FOOTNOTEMason200529–30-24"><span class="cite-bracket">&#91;</span>20<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">&#91;</span>nb 5<span class="cite-bracket">&#93;</span></a></sup> When the RAF assigned Dennis a post in Bahrain in early 1965, Barrett became the band's frontman.<sup id="cite_ref-FOOTNOTEPovey200819_26-0" class="reference"><a href="#cite_note-FOOTNOTEPovey200819-26"><span class="cite-bracket">&#91;</span>21<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-27" class="reference"><a href="#cite_note-27"><span class="cite-bracket">&#91;</span>nb 6<span class="cite-bracket">&#93;</span></a></sup> Later that year, they became the resident band at the Countdown Club near <a href="/wiki/Kensington_High_Street" title="Kensington High Street">Kensington High Street</a> in London, where from late night until early morning they played three sets of 90 minutes each. During this period, spurred by the need to extend their sets to minimise song repetition, the band realised that "songs could be extended with lengthy solos", wrote Mason.<sup id="cite_ref-FOOTNOTEMason200530_28-0" class="reference"><a href="#cite_note-FOOTNOTEMason200530-28"><span class="cite-bracket">&#91;</span>22<span class="cite-bracket">&#93;</span></a></sup> After pressure from his parents and advice from his college tutors, Klose quit in mid-1965 and Barrett took over lead guitar.<sup id="cite_ref-29" class="reference"><a href="#cite_note-29"><span class="cite-bracket">&#91;</span>23<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="1965–1967:_early_years"><span id="1965.E2.80.931967:_early_years"></span>1965–1967: early years</h3></div> <div class="mw-heading mw-heading4"><h4 id="Pink_Floyd">Pink Floyd</h4></div> <p>The group rebranded as the Pink Floyd Sound in late 1965. Barrett created the name on the spur of the moment when he discovered that another band, also called the Tea Set, were to perform at one of their gigs.<sup id="cite_ref-FOOTNOTEPovey200818–19_30-0" class="reference"><a href="#cite_note-FOOTNOTEPovey200818–19-30"><span class="cite-bracket">&#91;</span>24<span class="cite-bracket">&#93;</span></a></sup> The name is derived from the given names of two <a href="/wiki/Blues" title="Blues">blues</a> musicians whose <a href="/wiki/Piedmont_blues" title="Piedmont blues">Piedmont blues</a> records Barrett had in his collection, <a href="/wiki/Pink_Anderson" title="Pink Anderson">Pink Anderson</a> and <a href="/wiki/Floyd_Council" title="Floyd Council">Floyd Council</a>.<sup id="cite_ref-31" class="reference"><a href="#cite_note-31"><span class="cite-bracket">&#91;</span>25<span class="cite-bracket">&#93;</span></a></sup> By 1966, the group's repertoire consisted mainly of <a href="/wiki/Rhythm_and_blues" title="Rhythm and blues">rhythm and blues</a> songs, and they had begun to receive paid bookings, including a performance at the <a href="/wiki/Marquee_Club" title="Marquee Club">Marquee Club</a> in December 1966, where <a href="/wiki/Peter_Jenner" title="Peter Jenner">Peter Jenner</a>, a lecturer at the <a href="/wiki/London_School_of_Economics" title="London School of Economics">London School of Economics</a>, noticed them. Jenner was impressed by the sonic effects Barrett and Wright created and, with his business partner and friend <a href="/wiki/Andrew_King_(music_manager)" title="Andrew King (music manager)">Andrew King</a>, became their manager.<sup id="cite_ref-32" class="reference"><a href="#cite_note-32"><span class="cite-bracket">&#91;</span>26<span class="cite-bracket">&#93;</span></a></sup> The pair had little experience in the <a href="/wiki/Music_industry" title="Music industry">music industry</a> and used King's inheritance to set up <a href="/wiki/Blackhill_Enterprises" title="Blackhill Enterprises">Blackhill Enterprises</a>, purchasing about £1,000 (equivalent to £23,500&#32;in 2023<sup id="cite_ref-inflation-UK_33-0" class="reference"><a href="#cite_note-inflation-UK-33"><span class="cite-bracket">&#91;</span>27<span class="cite-bracket">&#93;</span></a></sup>) worth of new instruments and equipment for the band.<sup id="cite_ref-35" class="reference"><a href="#cite_note-35"><span class="cite-bracket">&#91;</span>nb 7<span class="cite-bracket">&#93;</span></a></sup> Around this time, Jenner suggested the band drop the "Sound" from their name.<sup id="cite_ref-FOOTNOTESchaffner199132–33_36-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner199132–33-36"><span class="cite-bracket">&#91;</span>29<span class="cite-bracket">&#93;</span></a></sup> </p><p>Under Jenner and King's guidance, Pink Floyd became part of London's <a href="/wiki/Underground_music" title="Underground music">underground music</a> scene, playing at venues including All Saints Hall and the Marquee.<sup id="cite_ref-FOOTNOTEMason200550–51_37-0" class="reference"><a href="#cite_note-FOOTNOTEMason200550–51-37"><span class="cite-bracket">&#91;</span>30<span class="cite-bracket">&#93;</span></a></sup> While performing at the Countdown Club, the band had experimented with long instrumental excursions, and they began to expand them with rudimentary but effective light shows, projected by coloured slides and domestic lights.<sup id="cite_ref-38" class="reference"><a href="#cite_note-38"><span class="cite-bracket">&#91;</span>31<span class="cite-bracket">&#93;</span></a></sup> Jenner and King's social connections helped gain the band prominent coverage in the <i><a href="/wiki/Financial_Times" title="Financial Times">Financial Times</a></i> and an article in the <i><a href="/wiki/The_Sunday_Times" title="The Sunday Times">Sunday Times</a></i> which stated: "At the launching of the new magazine <i><a href="/wiki/International_Times" title="International Times">IT</a></i> the other night a pop group called the Pink Floyd played throbbing music while a series of bizarre coloured shapes flashed on a huge screen behind them&#160;... apparently very psychedelic."<sup id="cite_ref-39" class="reference"><a href="#cite_note-39"><span class="cite-bracket">&#91;</span>32<span class="cite-bracket">&#93;</span></a></sup> </p><p>In 1966, the band strengthened their business relationship with Blackhill Enterprises, becoming equal partners with Jenner and King and the band members each holding a one-sixth share.<sup id="cite_ref-FOOTNOTESchaffner199132–33_36-1" class="reference"><a href="#cite_note-FOOTNOTESchaffner199132–33-36"><span class="cite-bracket">&#91;</span>29<span class="cite-bracket">&#93;</span></a></sup> By late 1966, their set included fewer R&amp;B standards and more Barrett originals, many of which would be included on their first album.<sup id="cite_ref-FOOTNOTEMason200549_40-0" class="reference"><a href="#cite_note-FOOTNOTEMason200549-40"><span class="cite-bracket">&#91;</span>33<span class="cite-bracket">&#93;</span></a></sup> While they had significantly increased the frequency of their performances, the band were still not widely accepted. Following a performance at a Catholic youth club, the owner refused to pay them, claiming that their performance was not music.<sup id="cite_ref-FOOTNOTEMason200554_41-0" class="reference"><a href="#cite_note-FOOTNOTEMason200554-41"><span class="cite-bracket">&#91;</span>34<span class="cite-bracket">&#93;</span></a></sup> When their management filed suit in a small claims court against the owner of the youth organisation, a local magistrate upheld the owner's decision. The band was much better received at the <a href="/wiki/UFO_Club" title="UFO Club">UFO Club</a> in London, where they began to build a fan base.<sup id="cite_ref-FOOTNOTEMason200554–58_42-0" class="reference"><a href="#cite_note-FOOTNOTEMason200554–58-42"><span class="cite-bracket">&#91;</span>35<span class="cite-bracket">&#93;</span></a></sup> Barrett's performances were enthusiastic, "leaping around&#160;... madness&#160;... improvisation&#160;... [inspired] to get past his limitations and into areas that were&#160;... very interesting. Which none of the others could do", wrote biographer <a href="/wiki/Nicholas_Schaffner" title="Nicholas Schaffner">Nicholas Schaffner</a>.<sup id="cite_ref-FOOTNOTESchaffner199149_43-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner199149-43"><span class="cite-bracket">&#91;</span>36<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="Signing_with_EMI">Signing with EMI</h4></div> <p>In 1967, Pink Floyd began to attract the attention of the music industry.<sup id="cite_ref-44" class="reference"><a href="#cite_note-44"><span class="cite-bracket">&#91;</span>37<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-46" class="reference"><a href="#cite_note-46"><span class="cite-bracket">&#91;</span>nb 8<span class="cite-bracket">&#93;</span></a></sup> While in negotiations with record companies, <i>IT</i> co-founder and UFO club manager <a href="/wiki/Joe_Boyd" title="Joe Boyd">Joe Boyd</a> and Pink Floyd's booking agent, <a href="/wiki/Bryan_Morrison" title="Bryan Morrison">Bryan Morrison</a>, arranged and funded a recording session at <a href="/wiki/Sound_Techniques" title="Sound Techniques">Sound Techniques</a> in <a href="/wiki/Kensington" title="Kensington">Kensington</a>.<sup id="cite_ref-FOOTNOTEBlake201172,_74_47-0" class="reference"><a href="#cite_note-FOOTNOTEBlake201172,_74-47"><span class="cite-bracket">&#91;</span>39<span class="cite-bracket">&#93;</span></a></sup> On 15 February 1967, Pink Floyd signed with EMI, receiving a £5,000 advance (equivalent to £114,600&#32;in 2023<sup id="cite_ref-inflation-UK_33-1" class="reference"><a href="#cite_note-inflation-UK-33"><span class="cite-bracket">&#91;</span>27<span class="cite-bracket">&#93;</span></a></sup>). EMI released the band's first single, "<a href="/wiki/Arnold_Layne" title="Arnold Layne">Arnold Layne</a>", with the B-side "<a href="/wiki/Candy_and_a_Currant_Bun" title="Candy and a Currant Bun">Candy and a Currant Bun</a>", on 10 March 1967 on its <a href="/wiki/Columbia_Graphophone_Company" title="Columbia Graphophone Company">Columbia</a> label.<sup id="cite_ref-48" class="reference"><a href="#cite_note-48"><span class="cite-bracket">&#91;</span>40<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-50" class="reference"><a href="#cite_note-50"><span class="cite-bracket">&#91;</span>nb 9<span class="cite-bracket">&#93;</span></a></sup> Both tracks were recorded on 29 January 1967.<sup id="cite_ref-FOOTNOTEPovey200837_49-1" class="reference"><a href="#cite_note-FOOTNOTEPovey200837-49"><span class="cite-bracket">&#91;</span>41<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-52" class="reference"><a href="#cite_note-52"><span class="cite-bracket">&#91;</span>nb 10<span class="cite-bracket">&#93;</span></a></sup> "Arnold Layne"'s references to <a href="/wiki/Cross-dressing" title="Cross-dressing">cross-dressing</a> led to a ban by several radio stations; however, creative manipulation by the retailers who supplied sales figures to the music business meant that the single reached number 20 in the UK.<sup id="cite_ref-FOOTNOTEMason200584–85_53-0" class="reference"><a href="#cite_note-FOOTNOTEMason200584–85-53"><span class="cite-bracket">&#91;</span>43<span class="cite-bracket">&#93;</span></a></sup> </p><p>EMI-Columbia released Pink Floyd's second single, "<a href="/wiki/See_Emily_Play" title="See Emily Play">See Emily Play</a>", on 16 June 1967. It fared slightly better than "Arnold Layne", peaking at number&#160;6 in the UK.<sup id="cite_ref-FOOTNOTEPovey2008342_54-0" class="reference"><a href="#cite_note-FOOTNOTEPovey2008342-54"><span class="cite-bracket">&#91;</span>44<span class="cite-bracket">&#93;</span></a></sup> The band performed on the BBC's <i>Look of the Week</i>, where Waters and Barrett, erudite and engaging, faced tough questioning from <a href="/wiki/Hans_Keller" title="Hans Keller">Hans Keller</a>.<sup id="cite_ref-FOOTNOTEBlake200886–87_55-0" class="reference"><a href="#cite_note-FOOTNOTEBlake200886–87-55"><span class="cite-bracket">&#91;</span>45<span class="cite-bracket">&#93;</span></a></sup> They appeared on the BBC's <i><a href="/wiki/Top_of_the_Pops" title="Top of the Pops">Top of the Pops</a></i>, a popular programme that controversially required artists to mime their singing and playing.<sup id="cite_ref-FOOTNOTEMason200586–87_56-0" class="reference"><a href="#cite_note-FOOTNOTEMason200586–87-56"><span class="cite-bracket">&#91;</span>46<span class="cite-bracket">&#93;</span></a></sup> Though Pink Floyd returned for two more performances, by the third, Barrett had begun to unravel, and around this time the band first noticed significant changes in his behaviour.<sup id="cite_ref-FOOTNOTEPovey200843_57-0" class="reference"><a href="#cite_note-FOOTNOTEPovey200843-57"><span class="cite-bracket">&#91;</span>47<span class="cite-bracket">&#93;</span></a></sup> By early 1967, he was regularly using <a href="/wiki/Lysergic_acid_diethylamide" class="mw-redirect" title="Lysergic acid diethylamide">LSD</a>, and Mason described him as "completely distanced from everything going on".<sup id="cite_ref-58" class="reference"><a href="#cite_note-58"><span class="cite-bracket">&#91;</span>48<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="The_Piper_at_the_Gates_of_Dawn"><i>The Piper at the Gates of Dawn</i></h4></div> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/The_Piper_at_the_Gates_of_Dawn" title="The Piper at the Gates of Dawn">The Piper at the Gates of Dawn</a></div> <p>Morrison and EMI producer <a href="/wiki/Norman_Smith_(record_producer)" title="Norman Smith (record producer)">Norman Smith</a> negotiated Pink Floyd's first recording contract. As part of the deal, the band agreed to record their first album at <a href="/wiki/Abbey_Road_Studios" title="Abbey Road Studios">EMI Studios</a> in London.<sup id="cite_ref-59" class="reference"><a href="#cite_note-59"><span class="cite-bracket">&#91;</span>49<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-61" class="reference"><a href="#cite_note-61"><span class="cite-bracket">&#91;</span>nb 11<span class="cite-bracket">&#93;</span></a></sup> Mason recalled that the sessions were trouble-free. Smith disagreed, stating that Barrett was unresponsive to his suggestions and constructive criticism.<sup id="cite_ref-FOOTNOTEMason200592–93_62-0" class="reference"><a href="#cite_note-FOOTNOTEMason200592–93-62"><span class="cite-bracket">&#91;</span>51<span class="cite-bracket">&#93;</span></a></sup> EMI-Columbia released <i>The Piper at the Gates of Dawn</i> in August 1967. The album reached number six, spending 14 weeks on the UK charts.<sup id="cite_ref-FOOTNOTERoberts2005391_63-0" class="reference"><a href="#cite_note-FOOTNOTERoberts2005391-63"><span class="cite-bracket">&#91;</span>52<span class="cite-bracket">&#93;</span></a></sup> One month later, it was released under the <a href="/wiki/Tower_Records_(record_label)" title="Tower Records (record label)">Tower Records</a> label.<sup id="cite_ref-64" class="reference"><a href="#cite_note-64"><span class="cite-bracket">&#91;</span>53<span class="cite-bracket">&#93;</span></a></sup> Pink Floyd continued to draw large crowds at the UFO Club; however, Barrett's mental breakdown was by then causing serious concern. The group initially hoped that his erratic behaviour would be a passing phase, but some were less optimistic, including Jenner and his assistant, <a href="/wiki/Marc_Bolan#1967–1970:_Tyrannosaurus_Rex" title="Marc Bolan">June Child</a>, who commented: "I found [Barrett] in the dressing room and he was so&#160;... gone. Roger Waters and I got him on his feet, [and] we got him out to the stage&#160;... The band started to play and Syd just stood there. He had his guitar around his neck and his arms just hanging down".<sup id="cite_ref-65" class="reference"><a href="#cite_note-65"><span class="cite-bracket">&#91;</span>54<span class="cite-bracket">&#93;</span></a></sup> </p><p>Forced to cancel Pink Floyd's appearance at the prestigious <a href="/wiki/National_Jazz_and_Blues_Festival" title="National Jazz and Blues Festival">National Jazz and Blues Festival</a>, as well as several other shows, King informed the music press that Barrett was suffering from nervous exhaustion.<sup id="cite_ref-FOOTNOTEPovey200867_66-0" class="reference"><a href="#cite_note-FOOTNOTEPovey200867-66"><span class="cite-bracket">&#91;</span>55<span class="cite-bracket">&#93;</span></a></sup> Waters arranged a meeting with psychiatrist <a href="/wiki/R._D._Laing" title="R. D. Laing">R. D. Laing</a>, and though Waters personally drove Barrett to the appointment, Barrett refused to come out of the car.<sup id="cite_ref-FOOTNOTEBlake2008123_67-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008123-67"><span class="cite-bracket">&#91;</span>56<span class="cite-bracket">&#93;</span></a></sup> A stay in <a href="/wiki/Formentera" title="Formentera">Formentera</a> with <a href="/wiki/Hank_Wangford" title="Hank Wangford">Sam Hutt</a>, a doctor well established in the underground music scene, led to no visible improvement. The band followed a few concert dates in Europe during September with their first tour of the US in October.<sup id="cite_ref-FOOTNOTEPovey200867–71_68-0" class="reference"><a href="#cite_note-FOOTNOTEPovey200867–71-68"><span class="cite-bracket">&#91;</span>57<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-70" class="reference"><a href="#cite_note-70"><span class="cite-bracket">&#91;</span>nb 12<span class="cite-bracket">&#93;</span></a></sup> As the US tour went on, Barrett's condition grew steadily worse.<sup id="cite_ref-FOOTNOTESchaffner199188–90_71-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner199188–90-71"><span class="cite-bracket">&#91;</span>59<span class="cite-bracket">&#93;</span></a></sup> During appearances on the <a href="/wiki/Dick_Clark" title="Dick Clark">Dick Clark</a> and <a href="/wiki/Pat_Boone" title="Pat Boone">Pat Boone</a> shows in November, Barrett confounded his hosts by giving terse answers to questions (or not responding at all) and staring into space. He refused to move his lips when it came time to <a href="/wiki/Lip_sync" title="Lip sync">mime</a> "See Emily Play" on Boone's show. After these embarrassing episodes, King ended their US visit and immediately sent them home to London.<sup id="cite_ref-FOOTNOTESchaffner199191–92_72-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner199191–92-72"><span class="cite-bracket">&#91;</span>60<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-74" class="reference"><a href="#cite_note-74"><span class="cite-bracket">&#91;</span>nb 13<span class="cite-bracket">&#93;</span></a></sup> Soon after their return, they supported <a href="/wiki/Jimi_Hendrix" title="Jimi Hendrix">Jimi Hendrix</a> during a tour of England; however, Barrett's depression worsened as the tour continued.<sup id="cite_ref-75" class="reference"><a href="#cite_note-75"><span class="cite-bracket">&#91;</span>62<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-78" class="reference"><a href="#cite_note-78"><span class="cite-bracket">&#91;</span>nb 14<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="1967–1978:_transition_and_international_success"><span id="1967.E2.80.931978:_transition_and_international_success"></span>1967–1978: transition and international success</h3></div> <div class="mw-heading mw-heading4"><h4 id="1967:_replacement_of_Barrett_by_Gilmour">1967: replacement of Barrett by Gilmour</h4></div> <p>In December 1967, reaching a crisis point with Barrett, Pink Floyd added guitarist <a href="/wiki/David_Gilmour" title="David Gilmour">David Gilmour</a> as the fifth member.<sup id="cite_ref-FOOTNOTEPovey200847_79-0" class="reference"><a href="#cite_note-FOOTNOTEPovey200847-79"><span class="cite-bracket">&#91;</span>65<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEBlake2011109_80-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2011109-80"><span class="cite-bracket">&#91;</span>66<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-82" class="reference"><a href="#cite_note-82"><span class="cite-bracket">&#91;</span>nb 15<span class="cite-bracket">&#93;</span></a></sup> Gilmour already knew Barrett, having studied with him at Cambridge Tech in the early 1960s.<sup id="cite_ref-FOOTNOTESchaffner199122–23_4-1" class="reference"><a href="#cite_note-FOOTNOTESchaffner199122–23-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup> The two had performed at lunchtimes together with guitars and harmonicas, and later hitch-hiked and <a href="/wiki/Street_performance" title="Street performance">busked</a> their way around the south of France.<sup id="cite_ref-FOOTNOTEMason200528_83-0" class="reference"><a href="#cite_note-FOOTNOTEMason200528-83"><span class="cite-bracket">&#91;</span>68<span class="cite-bracket">&#93;</span></a></sup> In 1965, while a member of <a href="/wiki/Jokers_Wild_(band)" title="Jokers Wild (band)">Joker's Wild</a>, Gilmour had watched the Tea Set.<sup id="cite_ref-FOOTNOTEMason200534_84-0" class="reference"><a href="#cite_note-FOOTNOTEMason200534-84"><span class="cite-bracket">&#91;</span>69<span class="cite-bracket">&#93;</span></a></sup> </p><p>Morrison's assistant, <a href="/wiki/Steve_O%27Rourke" title="Steve O&#39;Rourke">Steve O'Rourke</a>, set Gilmour up in a room at O'Rourke's house with a salary of £30 per week (equivalent to £700&#32;in 2023<sup id="cite_ref-inflation-UK_33-2" class="reference"><a href="#cite_note-inflation-UK-33"><span class="cite-bracket">&#91;</span>27<span class="cite-bracket">&#93;</span></a></sup>). In January 1968, Blackhill Enterprises announced Gilmour as the band's newest member, intending to continue with Barrett as a nonperforming songwriter.<sup id="cite_ref-85" class="reference"><a href="#cite_note-85"><span class="cite-bracket">&#91;</span>70<span class="cite-bracket">&#93;</span></a></sup> According to Jenner, the group planned that Gilmour would&#160;"cover for [Barrett's] eccentricities". When this proved unworkable, it was decided that Barrett would just write material.<sup id="cite_ref-FOOTNOTESchaffner1991107_86-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991107-86"><span class="cite-bracket">&#91;</span>71<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-88" class="reference"><a href="#cite_note-88"><span class="cite-bracket">&#91;</span>nb 16<span class="cite-bracket">&#93;</span></a></sup> In an expression of his frustration, Barrett, who was expected to write additional hit singles to follow up "Arnold Layne" and "See Emily Play", instead introduced "<a href="/wiki/List_of_unreleased_Pink_Floyd_material#&quot;Have_You_Got_It_Yet?&quot;" class="mw-redirect" title="List of unreleased Pink Floyd material">Have You Got It Yet?</a>" to the band, intentionally changing the structure on each performance so as to make the song impossible to follow and learn.<sup id="cite_ref-FOOTNOTEPovey200847_79-1" class="reference"><a href="#cite_note-FOOTNOTEPovey200847-79"><span class="cite-bracket">&#91;</span>65<span class="cite-bracket">&#93;</span></a></sup> In a January 1968 photoshoot of Pink Floyd, the photographs show Barrett looking detached from the others, staring into the distance.<sup id="cite_ref-FOOTNOTEPalacios2010317_89-0" class="reference"><a href="#cite_note-FOOTNOTEPalacios2010317-89"><span class="cite-bracket">&#91;</span>73<span class="cite-bracket">&#93;</span></a></sup> </p><p>Working with Barrett eventually proved too difficult, and matters came to a conclusion in January while en route to a performance in <a href="/wiki/Southampton" title="Southampton">Southampton</a> when a band member asked if they should collect Barrett. According to Gilmour, the answer was "Nah, let's not bother", signalling the end of Barrett's tenure with Pink Floyd.<sup id="cite_ref-FOOTNOTEPovey200878_90-0" class="reference"><a href="#cite_note-FOOTNOTEPovey200878-90"><span class="cite-bracket">&#91;</span>74<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-92" class="reference"><a href="#cite_note-92"><span class="cite-bracket">&#91;</span>nb 17<span class="cite-bracket">&#93;</span></a></sup> Waters later said, "He was our friend, but most of the time we now wanted to strangle him."<sup id="cite_ref-FOOTNOTEBlake2008112_93-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008112-93"><span class="cite-bracket">&#91;</span>76<span class="cite-bracket">&#93;</span></a></sup> In early March 1968, Pink Floyd met with business partners Jenner and King to discuss the band's future; Barrett agreed to leave.<sup id="cite_ref-94" class="reference"><a href="#cite_note-94"><span class="cite-bracket">&#91;</span>77<span class="cite-bracket">&#93;</span></a></sup> </p><p>Jenner and King believed Barrett was the creative genius of the band, and decided to represent him and end their relationship with Pink Floyd.<sup id="cite_ref-FOOTNOTEPovey200878–80_95-0" class="reference"><a href="#cite_note-FOOTNOTEPovey200878–80-95"><span class="cite-bracket">&#91;</span>78<span class="cite-bracket">&#93;</span></a></sup> Morrison sold his business to <a href="/wiki/Brian_Epstein" title="Brian Epstein">NEMS Enterprises</a>, and O'Rourke became the band's personal manager.<sup id="cite_ref-FOOTNOTEMason2005112–114,_127–131:_On_O&#39;Rourke_becoming_the_band&#39;s_manager_96-0" class="reference"><a href="#cite_note-FOOTNOTEMason2005112–114,_127–131:_On_O&#39;Rourke_becoming_the_band&#39;s_manager-96"><span class="cite-bracket">&#91;</span>79<span class="cite-bracket">&#93;</span></a></sup> Blackhill announced Barrett's departure on 6 April 1968.<sup id="cite_ref-FOOTNOTESchaffner1991107–108_97-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991107–108-97"><span class="cite-bracket">&#91;</span>80<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-99" class="reference"><a href="#cite_note-99"><span class="cite-bracket">&#91;</span>nb 18<span class="cite-bracket">&#93;</span></a></sup> After Barrett's departure, the burden of lyrical composition and creative direction fell mostly on Waters.<sup id="cite_ref-FOOTNOTEBlake20083,_9,_113,_156,_242,_279,_320,_398:_After_Barrett&#39;s_departure,_the_burden_of_lyrical_composition_and_creative_direction_fell_mostly_on_Waters_100-0" class="reference"><a href="#cite_note-FOOTNOTEBlake20083,_9,_113,_156,_242,_279,_320,_398:_After_Barrett&#39;s_departure,_the_burden_of_lyrical_composition_and_creative_direction_fell_mostly_on_Waters-100"><span class="cite-bracket">&#91;</span>82<span class="cite-bracket">&#93;</span></a></sup> Initially, Gilmour mimed to Barrett's voice on the group's European TV appearances; however, while playing on the university circuit, they avoided Barrett songs in favour of Waters and Wright material such as "<a href="/wiki/It_Would_Be_So_Nice" title="It Would Be So Nice">It Would Be So Nice</a>" and "<a href="/wiki/Careful_with_That_Axe,_Eugene" title="Careful with That Axe, Eugene">Careful with That Axe, Eugene</a>".<sup id="cite_ref-FOOTNOTEdi_Perna200213_101-0" class="reference"><a href="#cite_note-FOOTNOTEdi_Perna200213-101"><span class="cite-bracket">&#91;</span>83<span class="cite-bracket">&#93;</span></a></sup> Mason said later that Gilmour added greater structure to Pink Floyd's music and that "we became far less difficult to enjoy, I think".<sup id="cite_ref-102" class="reference"><a href="#cite_note-102"><span class="cite-bracket">&#91;</span>84<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="A_Saucerful_of_Secrets_(1968)"><span id="A_Saucerful_of_Secrets_.281968.29"></span><i>A Saucerful of Secrets</i> (1968)</h4></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/A_Saucerful_of_Secrets" title="A Saucerful of Secrets">A Saucerful of Secrets</a></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Saucerful_of_secrets2.jpg" class="mw-file-description"><img alt="A psychedelic album cover with mostly greenish-blue tones" src="//upload.wikimedia.org/wikipedia/en/thumb/5/54/Saucerful_of_secrets2.jpg/180px-Saucerful_of_secrets2.jpg" decoding="async" width="180" height="180" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/5/54/Saucerful_of_secrets2.jpg/270px-Saucerful_of_secrets2.jpg 1.5x, //upload.wikimedia.org/wikipedia/en/5/54/Saucerful_of_secrets2.jpg 2x" data-file-width="300" data-file-height="300" /></a><figcaption>The psychedelic artwork for <i>A Saucerful of Secrets</i> was the first of many Pink Floyd covers designed by Hipgnosis.</figcaption></figure> <p>In 1968, Pink Floyd returned to <a href="/wiki/Abbey_Road_Studios" title="Abbey Road Studios">Abbey Road Studios</a> to complete their second album, <i>A Saucerful of Secrets</i>, which they had begun in 1967 under Barrett's leadership. The album included Barrett's final contribution to their discography, "<a href="/wiki/Jugband_Blues" title="Jugband Blues">Jugband Blues</a>". Waters developed his own songwriting, contributing "<a href="/wiki/Set_the_Controls_for_the_Heart_of_the_Sun" title="Set the Controls for the Heart of the Sun">Set the Controls for the Heart of the Sun</a>", "<a href="/wiki/Let_There_Be_More_Light" title="Let There Be More Light">Let There Be More Light</a>", and "<a href="/wiki/Corporal_Clegg" title="Corporal Clegg">Corporal Clegg</a>". Wright composed "<a href="/wiki/See-Saw_(song)" title="See-Saw (song)">See-Saw</a>" and "<a href="/wiki/Remember_a_Day" title="Remember a Day">Remember a Day</a>". <a href="/wiki/Norman_Smith_(record_producer)" title="Norman Smith (record producer)">Norman Smith</a> encouraged them to self-produce their music, and they recorded demos of new material at their houses. With Smith's instruction at Abbey Road, they learned how to use the recording studio to realise their artistic vision. However, Smith remained unconvinced by their music, and when Mason struggled to perform his drum part on "Remember a Day", Smith stepped in as his replacement.<sup id="cite_ref-FOOTNOTEBlake2008116–117_103-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008116–117-103"><span class="cite-bracket">&#91;</span>85<span class="cite-bracket">&#93;</span></a></sup> Wright recalled Smith's attitude about the sessions, "Norman gave up on the second album&#160;... he was forever saying things like, 'You can't do twenty minutes of this ridiculous noise<span style="padding-right:.15em;">'</span>".<sup id="cite_ref-FOOTNOTEBlake2008117_104-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008117-104"><span class="cite-bracket">&#91;</span>86<span class="cite-bracket">&#93;</span></a></sup> As neither Waters nor Mason could read music, to illustrate the structure of "<a href="/wiki/A_Saucerful_of_Secrets_(instrumental)" title="A Saucerful of Secrets (instrumental)">A Saucerful of Secrets</a>", they invented their own system of notation. Gilmour later described their method as looking "like an architectural diagram".<sup id="cite_ref-FOOTNOTEBlake2008118_105-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008118-105"><span class="cite-bracket">&#91;</span>87<span class="cite-bracket">&#93;</span></a></sup> </p><p>Released in June 1968, <i>A Saucerful of Secrets</i> featured a <a href="/wiki/Psychedelia" title="Psychedelia">psychedelic</a> cover designed by <a href="/wiki/Storm_Thorgerson" title="Storm Thorgerson">Storm Thorgerson</a> and <a href="/wiki/Aubrey_Powell_(designer)" title="Aubrey Powell (designer)">Aubrey Powell</a> of <a href="/wiki/Hipgnosis" title="Hipgnosis">Hipgnosis</a>. The first of several Pink Floyd album covers designed by Hipgnosis, it was the second time that EMI permitted one of their groups to contract designers for an album jacket.<sup id="cite_ref-106" class="reference"><a href="#cite_note-106"><span class="cite-bracket">&#91;</span>88<span class="cite-bracket">&#93;</span></a></sup> The release reached number nine, spending 11 weeks on the UK chart.<sup id="cite_ref-FOOTNOTERoberts2005391_63-1" class="reference"><a href="#cite_note-FOOTNOTERoberts2005391-63"><span class="cite-bracket">&#91;</span>52<span class="cite-bracket">&#93;</span></a></sup> <i><a href="/wiki/Record_Mirror" title="Record Mirror">Record Mirror</a></i> gave the album an overall favourable review, but urged listeners to "forget it as background music to a party".<sup id="cite_ref-FOOTNOTEBlake2008118_105-1" class="reference"><a href="#cite_note-FOOTNOTEBlake2008118-105"><span class="cite-bracket">&#91;</span>87<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/John_Peel" title="John Peel">John Peel</a> described a live performance of the title track as "like a religious experience", while <i><a href="/wiki/NME" title="NME">NME</a></i> described the song as "long and boring&#160;... [with] little to warrant its monotonous direction".<sup id="cite_ref-FOOTNOTEBlake2008117_104-1" class="reference"><a href="#cite_note-FOOTNOTEBlake2008117-104"><span class="cite-bracket">&#91;</span>86<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-108" class="reference"><a href="#cite_note-108"><span class="cite-bracket">&#91;</span>nb 19<span class="cite-bracket">&#93;</span></a></sup> On the day after the album's UK release, Pink Floyd performed at the first ever free <a href="/wiki/List_of_concerts_in_Hyde_Park" title="List of concerts in Hyde Park">concert in Hyde Park</a>.<sup id="cite_ref-FOOTNOTEPovey200884_109-0" class="reference"><a href="#cite_note-FOOTNOTEPovey200884-109"><span class="cite-bracket">&#91;</span>90<span class="cite-bracket">&#93;</span></a></sup> In July 1968, they made a second visit to the US. Accompanied by the <a href="/wiki/Soft_Machine" title="Soft Machine">Soft Machine</a> and <a href="/wiki/The_Who" title="The Who">the Who</a>, it marked Pink Floyd's first major tour.<sup id="cite_ref-FOOTNOTEMason2005127–131_110-0" class="reference"><a href="#cite_note-FOOTNOTEMason2005127–131-110"><span class="cite-bracket">&#91;</span>91<span class="cite-bracket">&#93;</span></a></sup> That December, they released "<a href="/wiki/Point_Me_at_the_Sky" title="Point Me at the Sky">Point Me at the Sky</a>"; no more successful than the two singles they had released since "See Emily Play", it was their last single until "<a href="/wiki/Money_(Pink_Floyd_song)" title="Money (Pink Floyd song)">Money</a>" in 1973.<sup id="cite_ref-111" class="reference"><a href="#cite_note-111"><span class="cite-bracket">&#91;</span>92<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="Ummagumma_(1969)_and_Atom_Heart_Mother_(1970)"><span id="Ummagumma_.281969.29_and_Atom_Heart_Mother_.281970.29"></span><i>Ummagumma</i> (1969) and <i>Atom Heart Mother</i> (1970)</h4></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main articles: <a href="/wiki/Ummagumma" title="Ummagumma">Ummagumma</a> and <a href="/wiki/Atom_Heart_Mother" title="Atom Heart Mother">Atom Heart Mother</a></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Roger_waters_leeds_1970.jpg" class="mw-file-description"><img alt="A monochrome image of Waters playing bass guitar. He has shoulder-length hair, black attire, and is standing in front of a microphone." src="//upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Roger_waters_leeds_1970.jpg/150px-Roger_waters_leeds_1970.jpg" decoding="async" width="150" height="205" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/b/ba/Roger_waters_leeds_1970.jpg 1.5x" data-file-width="194" data-file-height="265" /></a><figcaption>Waters performing with Pink Floyd at <a href="/wiki/University_of_Leeds" title="University of Leeds">Leeds University</a> in 1970</figcaption></figure> <p><i>Ummagumma</i> represented a departure from Pink Floyd's previous work. Released as a double LP on EMI's <a href="/wiki/Harvest_Records" title="Harvest Records">Harvest</a> label, the first two sides contained live performances recorded at <a href="/wiki/Manchester_College_of_Commerce" class="mw-redirect" title="Manchester College of Commerce">Manchester College of Commerce</a> and <a href="/wiki/Mothers_(music_venue)" title="Mothers (music venue)">Mothers</a>, a club in <a href="/wiki/Birmingham" title="Birmingham">Birmingham</a>. The second LP contained a single experimental contribution from each band member.<sup id="cite_ref-FOOTNOTEPovey200887–89_112-0" class="reference"><a href="#cite_note-FOOTNOTEPovey200887–89-112"><span class="cite-bracket">&#91;</span>93<span class="cite-bracket">&#93;</span></a></sup> <i>Ummagumma</i> was released in November 1969 and received positive reviews.<sup id="cite_ref-FOOTNOTEPovey2008135–136_113-0" class="reference"><a href="#cite_note-FOOTNOTEPovey2008135–136-113"><span class="cite-bracket">&#91;</span>94<span class="cite-bracket">&#93;</span></a></sup> It reached number five, spending 21 weeks on the UK chart.<sup id="cite_ref-FOOTNOTERoberts2005391_63-2" class="reference"><a href="#cite_note-FOOTNOTERoberts2005391-63"><span class="cite-bracket">&#91;</span>52<span class="cite-bracket">&#93;</span></a></sup> In October 1970, Pink Floyd released <i>Atom Heart Mother</i>.<sup id="cite_ref-FOOTNOTEPovey2008344_114-0" class="reference"><a href="#cite_note-FOOTNOTEPovey2008344-114"><span class="cite-bracket">&#91;</span>95<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-116" class="reference"><a href="#cite_note-116"><span class="cite-bracket">&#91;</span>nb 20<span class="cite-bracket">&#93;</span></a></sup> An early version premièred in England in mid January, but disagreements over the mix prompted the hiring of <a href="/wiki/Ron_Geesin" title="Ron Geesin">Ron Geesin</a> to work out the sound problems. Geesin worked to improve the score, but with little creative input from the band, production was troublesome. Geesin eventually completed the project with the aid of <a href="/wiki/John_Alldis" title="John Alldis">John Alldis</a>, who was the director of the choir hired to perform on the record. Smith earned an executive producer credit, and the album marked his final official contribution to the band's discography. Gilmour said it was "A neat way of saying that he didn't&#160;... do anything".<sup id="cite_ref-FOOTNOTEBlake2008148_117-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008148-117"><span class="cite-bracket">&#91;</span>97<span class="cite-bracket">&#93;</span></a></sup> Waters was critical of <i>Atom Heart Mother</i>, claiming that he would prefer if it were "thrown into the dustbin and never listened to by anyone ever again".<sup id="cite_ref-FOOTNOTESchaffner1991144_118-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991144-118"><span class="cite-bracket">&#91;</span>98<span class="cite-bracket">&#93;</span></a></sup> Gilmour once described it as "a load of rubbish", stating: "I think we were scraping the barrel a bit at that period."<sup id="cite_ref-FOOTNOTESchaffner1991144_118-1" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991144-118"><span class="cite-bracket">&#91;</span>98<span class="cite-bracket">&#93;</span></a></sup> Pink Floyd's first number-one album, <i>Atom Heart Mother</i> was hugely successful in Britain, spending 18 weeks on the UK chart.<sup id="cite_ref-FOOTNOTERoberts2005391_63-3" class="reference"><a href="#cite_note-FOOTNOTERoberts2005391-63"><span class="cite-bracket">&#91;</span>52<span class="cite-bracket">&#93;</span></a></sup> It premièred at the Bath Festival on 27 June 1970.<sup id="cite_ref-FOOTNOTESchaffner1991140–147_119-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991140–147-119"><span class="cite-bracket">&#91;</span>99<span class="cite-bracket">&#93;</span></a></sup> </p><p>Pink Floyd toured extensively across America and Europe in 1970.<sup id="cite_ref-FOOTNOTEPovey2008128–140_120-0" class="reference"><a href="#cite_note-FOOTNOTEPovey2008128–140-120"><span class="cite-bracket">&#91;</span>100<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-121" class="reference"><a href="#cite_note-121"><span class="cite-bracket">&#91;</span>nb 21<span class="cite-bracket">&#93;</span></a></sup> In 1971, Pink Floyd took second place in a reader's poll, in <i>Melody Maker</i>, and for the first time were making a profit. Mason and Wright became fathers and bought homes in London while Gilmour, still single, moved to a 19th-century farm in Essex. Waters installed a home recording studio at his house in <a href="/wiki/Islington" title="Islington">Islington</a> in a converted tool shed at the back of his garden.<sup id="cite_ref-FOOTNOTESchaffner1991150–151_122-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991150–151-122"><span class="cite-bracket">&#91;</span>101<span class="cite-bracket">&#93;</span></a></sup> In January 1971, upon their return from touring <i>Atom Heart Mother</i>, Pink Floyd began working on new material.<sup id="cite_ref-FOOTNOTEPovey2008122_123-0" class="reference"><a href="#cite_note-FOOTNOTEPovey2008122-123"><span class="cite-bracket">&#91;</span>102<span class="cite-bracket">&#93;</span></a></sup> Lacking a central theme, they attempted several unproductive experiments; engineer <a href="/wiki/John_Leckie" title="John Leckie">John Leckie</a> described the sessions as often beginning in the afternoon and ending early the next morning, "during which time nothing would get [accomplished]. There was no record company contact whatsoever, except when their label manager would show up now and again with a couple of bottles of wine and a couple of joints".<sup id="cite_ref-124" class="reference"><a href="#cite_note-124"><span class="cite-bracket">&#91;</span>103<span class="cite-bracket">&#93;</span></a></sup> The band spent long periods working on basic sounds, or a guitar riff. They also spent several days at Air Studios, attempting to create music using a variety of household objects, a project which would be revisited between <i>The Dark Side of the Moon</i> and <i><a href="/wiki/Wish_You_Were_Here_(Pink_Floyd_album)" title="Wish You Were Here (Pink Floyd album)">Wish You Were Here</a></i>.<sup id="cite_ref-FOOTNOTEHarris200572_125-0" class="reference"><a href="#cite_note-FOOTNOTEHarris200572-125"><span class="cite-bracket">&#91;</span>104<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="Meddle_(1971)"><span id="Meddle_.281971.29"></span><i>Meddle</i> (1971)</h4></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Meddle" title="Meddle">Meddle</a></div> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Pink_Floyd,_1971.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Pink_Floyd%2C_1971.jpg/260px-Pink_Floyd%2C_1971.jpg" decoding="async" width="260" height="94" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Pink_Floyd%2C_1971.jpg/390px-Pink_Floyd%2C_1971.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Pink_Floyd%2C_1971.jpg/520px-Pink_Floyd%2C_1971.jpg 2x" data-file-width="682" data-file-height="247" /></a><figcaption>Pink Floyd in 1971, following Barrett's departure. From left to right: Waters, Mason, Gilmour, Wright.</figcaption></figure> <p><i>Meddle</i> was released in October 1971, and reached number three, spending 82 weeks on the UK chart.<sup id="cite_ref-FOOTNOTERoberts2005391_63-4" class="reference"><a href="#cite_note-FOOTNOTERoberts2005391-63"><span class="cite-bracket">&#91;</span>52<span class="cite-bracket">&#93;</span></a></sup> It marks a transition between the Barrett-led group of the late 1960s and the emerging Pink Floyd;<sup id="cite_ref-126" class="reference"><a href="#cite_note-126"><span class="cite-bracket">&#91;</span>105<span class="cite-bracket">&#93;</span></a></sup> Jean-Charles Costa of <i><a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a></i> wrote that "not only confirms lead guitarist David Gilmour's emergence as a real shaping force with the group, it states forcefully and accurately that the group is well into the growth track again".<sup id="cite_ref-127" class="reference"><a href="#cite_note-127"><span class="cite-bracket">&#91;</span>106<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-129" class="reference"><a href="#cite_note-129"><span class="cite-bracket">&#91;</span>nb 22<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-132" class="reference"><a href="#cite_note-132"><span class="cite-bracket">&#91;</span>nb 23<span class="cite-bracket">&#93;</span></a></sup> <i>NME</i> called it "an exceptionally good album", singling out "<a href="/wiki/Echoes_(Pink_Floyd_song)" title="Echoes (Pink Floyd song)">Echoes</a>" as the "Zenith which the Floyd have been striving for".<sup id="cite_ref-FOOTNOTESchaffner1991155_133-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991155-133"><span class="cite-bracket">&#91;</span>110<span class="cite-bracket">&#93;</span></a></sup> However, <i>Melody Maker's</i> Michael Watts found it underwhelming, calling the album "a soundtrack to a non-existent movie", and shrugging off Pink Floyd as "so much sound and fury, signifying nothing".<sup id="cite_ref-FOOTNOTEWatts199656–57_134-0" class="reference"><a href="#cite_note-FOOTNOTEWatts199656–57-134"><span class="cite-bracket">&#91;</span>111<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="Obscured_by_Clouds_(1972)"><span id="Obscured_by_Clouds_.281972.29"></span><i>Obscured by Clouds</i> (1972)</h4></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Obscured_by_Clouds" title="Obscured by Clouds">Obscured by Clouds</a></div> <p>Pink Floyd had already recorded the soundtracks to the films <i><a href="/wiki/The_Committee_(film)" title="The Committee (film)">The Committee</a></i> (1968) and <i><a href="/wiki/More_(1969_film)" title="More (1969 film)">More</a></i> (1969)<sup id="cite_ref-FOOTNOTEManning2006p._164,_&#39;&#39;&quot;The_Albums&quot;&#39;&#39;_135-0" class="reference"><a href="#cite_note-FOOTNOTEManning2006p._164,_&#39;&#39;&quot;The_Albums&quot;&#39;&#39;-135"><span class="cite-bracket">&#91;</span>112<span class="cite-bracket">&#93;</span></a></sup> and part of <i><a href="/wiki/Zabriskie_Point_(film)" title="Zabriskie Point (film)">Zabriskie Point</a></i> (1970). On the back of <i>More</i><span class="nowrap" style="padding-left:0.1em;">&#39;</span>s success, the director <a href="/wiki/Barbet_Schroeder" title="Barbet Schroeder">Barbet Schroeder</a> asked them to record the soundtrack of his next major project, <i>La Vallée</i>.<sup id="cite_ref-:3_136-0" class="reference"><a href="#cite_note-:3-136"><span class="cite-bracket">&#91;</span>113<span class="cite-bracket">&#93;</span></a></sup> The band took two breaks to <a href="/wiki/Strawberry_Studios" title="Strawberry Studios">Strawberry Studios</a>, <a href="/wiki/Ch%C3%A2teau_d%27H%C3%A9rouville" title="Château d&#39;Hérouville">Château d'Hérouville</a>, France, either side of a Japanese tour, to write and record music for the film.<sup id="cite_ref-:4_137-0" class="reference"><a href="#cite_note-:4-137"><span class="cite-bracket">&#91;</span>114<span class="cite-bracket">&#93;</span></a></sup> The album was mixed from 4–6 April at <a href="/wiki/Morgan_Studios" title="Morgan Studios">Morgan Studios</a> in London.<sup id="cite_ref-:4_137-1" class="reference"><a href="#cite_note-:4-137"><span class="cite-bracket">&#91;</span>114<span class="cite-bracket">&#93;</span></a></sup> During the first recording session in February 1972, the French television station <a href="/wiki/ORTF" class="mw-redirect" title="ORTF">ORTF</a> filmed a short segment of the band recording the album, including interviews with Waters and Gilmour.<sup id="cite_ref-:4_137-2" class="reference"><a href="#cite_note-:4-137"><span class="cite-bracket">&#91;</span>114<span class="cite-bracket">&#93;</span></a></sup> </p><p>Waters said that early UK pressings of the album contained "excessive sibilance". After recording had finished, the band fell out with the film company, prompting them to release the soundtrack album as <i>Obscured by Clouds</i>, rather than <i>La Vallée</i>. The film was retitled <i>La Vallée (Obscured by Clouds)</i> on its release.<sup id="cite_ref-:3_136-1" class="reference"><a href="#cite_note-:3-136"><span class="cite-bracket">&#91;</span>113<span class="cite-bracket">&#93;</span></a></sup> </p><p>The songs on <i>Obscured by Clouds</i> were all short and economical, with a strong country music influence. The album also featured the <a href="/wiki/EMS_VCS_3" title="EMS VCS 3">EMS VCS 3</a> synthesiser, which Wright had purchased from the <a href="/wiki/BBC_Radiophonic_Workshop" title="BBC Radiophonic Workshop">BBC Radiophonic Workshop</a>. "<a href="/wiki/Burning_Bridges_(Pink_Floyd_song)" title="Burning Bridges (Pink Floyd song)">Burning Bridges</a>" was one of two songwriting collaborations between Wright and Waters. "<a href="/wiki/Childhood%27s_End_(Pink_Floyd_song)" title="Childhood&#39;s End (Pink Floyd song)">Childhood's End</a>" was the last song Pink Floyd released to have lyrics written by Gilmour until the release of <i>A Momentary Lapse of Reason</i> in 1987. "<a href="/wiki/Free_Four" title="Free Four">Free Four</a>" was the first Pink Floyd song since "See Emily Play" to attract significant airplay in the US, and the second to refer to the death of Waters' father during World War II. "Stay" was written and sung by Wright, with lyrics by Waters. The closing instrumental on the album ends with a recording of the Mapuga tribe chanting, as seen in the film. </p> <div class="mw-heading mw-heading4"><h4 id="The_Dark_Side_of_the_Moon_(1973)"><span id="The_Dark_Side_of_the_Moon_.281973.29"></span><i>The Dark Side of the Moon</i> (1973)</h4></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/The_Dark_Side_of_the_Moon" title="The Dark Side of the Moon">The Dark Side of the Moon</a></div> <p>Pink Floyd recorded <i>The Dark Side of the Moon</i> between May 1972 and January 1973 with EMI staff engineer <a href="/wiki/Alan_Parsons" title="Alan Parsons">Alan Parsons</a> at Abbey Road. The title is an allusion to lunacy rather than astronomy.<sup id="cite_ref-138" class="reference"><a href="#cite_note-138"><span class="cite-bracket">&#91;</span>115<span class="cite-bracket">&#93;</span></a></sup> The band had composed and refined the material while touring the UK, Japan, North America, and Europe.<sup id="cite_ref-FOOTNOTEPovey2008164–173_139-0" class="reference"><a href="#cite_note-FOOTNOTEPovey2008164–173-139"><span class="cite-bracket">&#91;</span>116<span class="cite-bracket">&#93;</span></a></sup> Producer <a href="/wiki/Chris_Thomas_(record_producer)" title="Chris Thomas (record producer)">Chris Thomas</a> assisted Parsons.<sup id="cite_ref-140" class="reference"><a href="#cite_note-140"><span class="cite-bracket">&#91;</span>117<span class="cite-bracket">&#93;</span></a></sup> Hipgnosis designed the packaging, which included <a href="/wiki/George_Hardie_(artist)" title="George Hardie (artist)">George Hardie</a>'s iconic refracting <a href="/wiki/Prism_(optics)" title="Prism (optics)">prism</a> design on the cover.<sup id="cite_ref-FOOTNOTEHarris2005151_141-0" class="reference"><a href="#cite_note-FOOTNOTEHarris2005151-141"><span class="cite-bracket">&#91;</span>118<span class="cite-bracket">&#93;</span></a></sup> Thorgerson's cover features a beam of white light, representing unity, passing through a prism, which represents society. The refracted beam of coloured light symbolises unity diffracted, leaving an absence of unity.<sup id="cite_ref-FOOTNOTEWeinstein200786_142-0" class="reference"><a href="#cite_note-FOOTNOTEWeinstein200786-142"><span class="cite-bracket">&#91;</span>119<span class="cite-bracket">&#93;</span></a></sup> Waters is the sole author of the lyrics.<sup id="cite_ref-FOOTNOTEHarris200512–13,_88–89_143-0" class="reference"><a href="#cite_note-FOOTNOTEHarris200512–13,_88–89-143"><span class="cite-bracket">&#91;</span>120<span class="cite-bracket">&#93;</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:ROCK_CONCERT._(FROM_THE_SITES_EXHIBITION._FOR_OTHER_IMAGES_IN_THIS_ASSIGNMENT,_SEE_FICHE_NUMBERS_42,_97.)_-_NARA_-_553890.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/83/ROCK_CONCERT._%28FROM_THE_SITES_EXHIBITION._FOR_OTHER_IMAGES_IN_THIS_ASSIGNMENT%2C_SEE_FICHE_NUMBERS_42%2C_97.%29_-_NARA_-_553890.jpg/220px-ROCK_CONCERT._%28FROM_THE_SITES_EXHIBITION._FOR_OTHER_IMAGES_IN_THIS_ASSIGNMENT%2C_SEE_FICHE_NUMBERS_42%2C_97.%29_-_NARA_-_553890.jpg" decoding="async" width="220" height="151" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/83/ROCK_CONCERT._%28FROM_THE_SITES_EXHIBITION._FOR_OTHER_IMAGES_IN_THIS_ASSIGNMENT%2C_SEE_FICHE_NUMBERS_42%2C_97.%29_-_NARA_-_553890.jpg/330px-ROCK_CONCERT._%28FROM_THE_SITES_EXHIBITION._FOR_OTHER_IMAGES_IN_THIS_ASSIGNMENT%2C_SEE_FICHE_NUMBERS_42%2C_97.%29_-_NARA_-_553890.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/83/ROCK_CONCERT._%28FROM_THE_SITES_EXHIBITION._FOR_OTHER_IMAGES_IN_THIS_ASSIGNMENT%2C_SEE_FICHE_NUMBERS_42%2C_97.%29_-_NARA_-_553890.jpg/440px-ROCK_CONCERT._%28FROM_THE_SITES_EXHIBITION._FOR_OTHER_IMAGES_IN_THIS_ASSIGNMENT%2C_SEE_FICHE_NUMBERS_42%2C_97.%29_-_NARA_-_553890.jpg 2x" data-file-width="3000" data-file-height="2064" /></a><figcaption>Pink Floyd performing on their early 1973 US tour, shortly before the release of <i>The Dark Side of the Moon</i></figcaption></figure> <p>Released in March 1973, the LP became an instant chart success in the UK and throughout Western Europe, earning an enthusiastic response from critics.<sup id="cite_ref-FOOTNOTESchaffner1991166_144-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991166-144"><span class="cite-bracket">&#91;</span>121<span class="cite-bracket">&#93;</span></a></sup> Each member of Pink Floyd except Wright boycotted the press release of <i>The Dark Side of the Moon</i> because a quadraphonic mix had not yet been completed, and they felt presenting the album through a poor-quality stereo <a href="/wiki/Public_address_system" title="Public address system">PA system</a> was insufficient.<sup id="cite_ref-FOOTNOTEPovey2008160_145-0" class="reference"><a href="#cite_note-FOOTNOTEPovey2008160-145"><span class="cite-bracket">&#91;</span>122<span class="cite-bracket">&#93;</span></a></sup> <i><a href="/wiki/Melody_Maker" title="Melody Maker">Melody Maker</a></i><span class="nowrap" style="padding-left:0.1em;">&#39;s</span> Roy Hollingworth described side one as "utterly confused&#160;... [and] difficult to follow", but praised side two, writing: "The songs, the sounds&#160;... [and] the rhythms were solid&#160;... [the] saxophone hit the air, the band rocked and rolled".<sup id="cite_ref-146" class="reference"><a href="#cite_note-146"><span class="cite-bracket">&#91;</span>123<span class="cite-bracket">&#93;</span></a></sup> <i>Rolling Stone</i><span class="nowrap" style="padding-left:0.1em;">&#39;s</span> <a href="/wiki/Loyd_Grossman" title="Loyd Grossman">Loyd Grossman</a> described it as "a fine album with a textural and conceptual richness that not only invites, but demands involvement."<sup id="cite_ref-RSReview_147-0" class="reference"><a href="#cite_note-RSReview-147"><span class="cite-bracket">&#91;</span>124<span class="cite-bracket">&#93;</span></a></sup> </p><p>Throughout March 1973, <i>The Dark Side of the Moon</i> featured as part of Pink Floyd's US tour.<sup id="cite_ref-FOOTNOTESchaffner1991166–167_148-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991166–167-148"><span class="cite-bracket">&#91;</span>125<span class="cite-bracket">&#93;</span></a></sup> The album is one of the most commercially successful rock albums of all time. A US number-one, it remained on the <a href="/wiki/Billboard_200" title="Billboard 200"><i>Billboard</i> Top LPs &amp; Tape</a> chart for more than fourteen years during the 1970s and 1980s, selling more than 45&#160;million copies worldwide.<sup id="cite_ref-149" class="reference"><a href="#cite_note-149"><span class="cite-bracket">&#91;</span>126<span class="cite-bracket">&#93;</span></a></sup> In Britain, it reached number two, spending 364 weeks on the UK chart.<sup id="cite_ref-FOOTNOTERoberts2005391_63-5" class="reference"><a href="#cite_note-FOOTNOTERoberts2005391-63"><span class="cite-bracket">&#91;</span>52<span class="cite-bracket">&#93;</span></a></sup> <i>The Dark Side of the Moon</i> is the world's third best-selling album, and the twenty-first best-selling album of all time in the US.<sup id="cite_ref-FOOTNOTEPovey2008345_150-0" class="reference"><a href="#cite_note-FOOTNOTEPovey2008345-150"><span class="cite-bracket">&#91;</span>127<span class="cite-bracket">&#93;</span></a></sup> The success of the album brought enormous wealth to the members of Pink Floyd. Waters and Wright bought large country houses while Mason became a collector of expensive cars.<sup id="cite_ref-FOOTNOTEHarris2005172–173_151-0" class="reference"><a href="#cite_note-FOOTNOTEHarris2005172–173-151"><span class="cite-bracket">&#91;</span>128<span class="cite-bracket">&#93;</span></a></sup> Disenchanted with their US record company, <a href="/wiki/Capitol_Records" title="Capitol Records">Capitol Records</a>, Pink Floyd and O'Rourke negotiated a new contract with <a href="/wiki/Columbia_Records" title="Columbia Records">Columbia Records</a>, who gave them a reported advance of $1,000,000 (US$6,178,138 in 2023 dollars).<sup id="cite_ref-inflation-US_152-0" class="reference"><a href="#cite_note-inflation-US-152"><span class="cite-bracket">&#91;</span>129<span class="cite-bracket">&#93;</span></a></sup> In Europe, they continued to be represented by Harvest Records.<sup id="cite_ref-FOOTNOTESchaffner1991173_153-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991173-153"><span class="cite-bracket">&#91;</span>130<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="Wish_You_Were_Here_(1975)"><span id="Wish_You_Were_Here_.281975.29"></span><i>Wish You Were Here</i> (1975)</h4></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Wish_You_Were_Here_(Pink_Floyd_album)" title="Wish You Were Here (Pink Floyd album)">Wish You Were Here (Pink Floyd album)</a></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Black_Strat.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/1/19/Black_Strat.jpg/150px-Black_Strat.jpg" decoding="async" width="150" height="294" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/19/Black_Strat.jpg/225px-Black_Strat.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/19/Black_Strat.jpg/300px-Black_Strat.jpg 2x" data-file-width="1959" data-file-height="3836" /></a><figcaption><a href="/wiki/The_Black_Strat" title="The Black Strat">The Black Strat</a>, a black <a href="/wiki/Fender_Stratocaster" title="Fender Stratocaster">Fender Stratocaster</a> bought by Gilmour in 1970 and used on songs including "<a href="/wiki/Shine_On_You_Crazy_Diamond" title="Shine On You Crazy Diamond">Shine On You Crazy Diamond</a>", "<a href="/wiki/Money_(Pink_Floyd_song)" title="Money (Pink Floyd song)">Money</a>" and "<a href="/wiki/Comfortably_Numb" title="Comfortably Numb">Comfortably Numb</a>"</figcaption></figure> <p>After a tour of the UK performing <i>Dark Side</i>, Pink Floyd returned to the studio in January 1975 and began work on their ninth studio album, <i>Wish You Were Here</i>.<sup id="cite_ref-FOOTNOTEPovey2008184_154-0" class="reference"><a href="#cite_note-FOOTNOTEPovey2008184-154"><span class="cite-bracket">&#91;</span>131<span class="cite-bracket">&#93;</span></a></sup> Parsons declined an offer to continue working with them, becoming successful in his own right with <a href="/wiki/The_Alan_Parsons_Project" title="The Alan Parsons Project">the Alan Parsons Project</a>, and so the band turned to Brian Humphries.<sup id="cite_ref-FOOTNOTEMason2005177:_Parsons_declined_an_offer_to_continue_working_with_Pink_Floyd,_200:_Pink_Floyd_hired_Humphries_155-0" class="reference"><a href="#cite_note-FOOTNOTEMason2005177:_Parsons_declined_an_offer_to_continue_working_with_Pink_Floyd,_200:_Pink_Floyd_hired_Humphries-155"><span class="cite-bracket">&#91;</span>132<span class="cite-bracket">&#93;</span></a></sup> Initially, they found it difficult to compose new material; the success of <i>The Dark Side of the Moon</i> had left Pink Floyd physically and emotionally drained. Wright later described these early sessions as "falling within a difficult period" and Waters found them "tortuous".<sup id="cite_ref-FOOTNOTESchaffner1991184–185_156-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991184–185-156"><span class="cite-bracket">&#91;</span>133<span class="cite-bracket">&#93;</span></a></sup> Gilmour was more interested in improving the band's existing material. Mason's failing marriage left him in a general malaise and with a sense of apathy, both of which interfered with his drumming.<sup id="cite_ref-FOOTNOTESchaffner1991184–185_156-1" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991184–185-156"><span class="cite-bracket">&#91;</span>133<span class="cite-bracket">&#93;</span></a></sup> </p><p>Despite the lack of creative direction, Waters began to visualise a new concept after several weeks.<sup id="cite_ref-FOOTNOTESchaffner1991184–185_156-2" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991184–185-156"><span class="cite-bracket">&#91;</span>133<span class="cite-bracket">&#93;</span></a></sup> During 1974, Pink Floyd had sketched out three original compositions and had performed them at a series of concerts in Europe.<sup id="cite_ref-FOOTNOTESchaffner1991178–184_157-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991178–184-157"><span class="cite-bracket">&#91;</span>134<span class="cite-bracket">&#93;</span></a></sup> These compositions became the starting point for a new album whose opening four-note guitar phrase, composed purely by chance by Gilmour, reminded Waters of Barrett.<sup id="cite_ref-158" class="reference"><a href="#cite_note-158"><span class="cite-bracket">&#91;</span>135<span class="cite-bracket">&#93;</span></a></sup> The songs provided a fitting summary of the rise and fall of their former bandmate.<sup id="cite_ref-FOOTNOTESchaffner1991185–186_159-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991185–186-159"><span class="cite-bracket">&#91;</span>136<span class="cite-bracket">&#93;</span></a></sup> Waters commented: "Because I wanted to get as close as possible to what I felt&#160;... [that] indefinable, inevitable melancholy about the disappearance of Syd."<sup id="cite_ref-FOOTNOTESchaffner1991184_160-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991184-160"><span class="cite-bracket">&#91;</span>137<span class="cite-bracket">&#93;</span></a></sup> </p><p>While Pink Floyd were working on the album, Barrett made an impromptu visit to the studio. Thorgerson recalled that he "sat round and talked for a bit, but he wasn't really there".<sup id="cite_ref-FOOTNOTEWatkinsonAnderson2001120_161-0" class="reference"><a href="#cite_note-FOOTNOTEWatkinsonAnderson2001120-161"><span class="cite-bracket">&#91;</span>138<span class="cite-bracket">&#93;</span></a></sup> He had changed significantly in appearance, so much so that the band did not initially recognise him. Waters was reportedly deeply upset by the experience.<sup id="cite_ref-FOOTNOTEBlake2008231_162-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008231-162"><span class="cite-bracket">&#91;</span>139<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-165" class="reference"><a href="#cite_note-165"><span class="cite-bracket">&#91;</span>nb 24<span class="cite-bracket">&#93;</span></a></sup> Most of <i>Wish You Were Here</i> premiered on 5 July 1975, at an open-air music festival at <a href="/wiki/Knebworth_House" title="Knebworth House">Knebworth</a>. Released in September, it reached number one in both the UK and the US.<sup id="cite_ref-FOOTNOTEPovey2008346_164-1" class="reference"><a href="#cite_note-FOOTNOTEPovey2008346-164"><span class="cite-bracket">&#91;</span>141<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="Animals_(1977)"><span id="Animals_.281977.29"></span><i>Animals</i> (1977)</h4></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Animals_(Pink_Floyd_album)" title="Animals (Pink Floyd album)">Animals (Pink Floyd album)</a></div> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Battersea_Power_Station_in_London.jpg" class="mw-file-description"><img alt="Colour picture of a power station factory with four tall white chimneys. The image was taken on a sunny day. The sky is blue and the building is brown." src="//upload.wikimedia.org/wikipedia/commons/thumb/4/47/Battersea_Power_Station_in_London.jpg/220px-Battersea_Power_Station_in_London.jpg" decoding="async" width="220" height="148" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/47/Battersea_Power_Station_in_London.jpg/330px-Battersea_Power_Station_in_London.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/47/Battersea_Power_Station_in_London.jpg/440px-Battersea_Power_Station_in_London.jpg 2x" data-file-width="3210" data-file-height="2159" /></a><figcaption>Battersea Power Station is featured in the cover image for <i>Animals</i>.</figcaption></figure> <p>In 1975, Pink Floyd bought a three-storey group of church halls at <a href="/wiki/Britannia_Row_Studios" title="Britannia Row Studios">35 Britannia Row</a> in Islington and began converting them into a recording studio and storage space.<sup id="cite_ref-FOOTNOTEBlake2008236_166-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008236-166"><span class="cite-bracket">&#91;</span>142<span class="cite-bracket">&#93;</span></a></sup> In 1976, they recorded their tenth album, <i>Animals</i>, in their newly finished 24-track studio.<sup id="cite_ref-FOOTNOTEPovey2008200_167-0" class="reference"><a href="#cite_note-FOOTNOTEPovey2008200-167"><span class="cite-bracket">&#91;</span>143<span class="cite-bracket">&#93;</span></a></sup> The album concept originated with Waters, loosely based on <a href="/wiki/George_Orwell" title="George Orwell">George Orwell</a>'s political fable <i><a href="/wiki/Animal_Farm" title="Animal Farm">Animal Farm</a></i>. The lyrics describe different classes of society as dogs, pigs, and sheep.<sup id="cite_ref-FOOTNOTEBlake2008241–242_168-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008241–242-168"><span class="cite-bracket">&#91;</span>144<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-170" class="reference"><a href="#cite_note-170"><span class="cite-bracket">&#91;</span>nb 25<span class="cite-bracket">&#93;</span></a></sup> Hipgnosis received credit for the packaging; however, Waters designed the final concept, choosing an image of the ageing <a href="/wiki/Battersea_Power_Station" title="Battersea Power Station">Battersea Power Station</a>, over which they superimposed an image of a pig.<sup id="cite_ref-171" class="reference"><a href="#cite_note-171"><span class="cite-bracket">&#91;</span>146<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-174" class="reference"><a href="#cite_note-174"><span class="cite-bracket">&#91;</span>nb 26<span class="cite-bracket">&#93;</span></a></sup> </p><p>The division of royalties was a source of conflict between band members, who earned royalties on a per-song basis. Although Gilmour was largely responsible for "<a href="/wiki/Dogs_(Pink_Floyd_song)" title="Dogs (Pink Floyd song)">Dogs</a>", which took up almost the entire first side of the album, he received less than Waters, who contributed the much shorter two-part "<a href="/wiki/Pigs_on_the_Wing" title="Pigs on the Wing">Pigs on the Wing</a>".<sup id="cite_ref-FOOTNOTEBlake2008242–245_175-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008242–245-175"><span class="cite-bracket">&#91;</span>149<span class="cite-bracket">&#93;</span></a></sup> Wright commented: "It was partly my fault because I didn't push my material&#160;... but Dave <i>did</i> have something to offer, and only managed to get a couple of things on there."<sup id="cite_ref-FOOTNOTEBlake2008242_176-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008242-176"><span class="cite-bracket">&#91;</span>150<span class="cite-bracket">&#93;</span></a></sup> Mason recalled: "Roger was in full flow with the ideas, but he was really keeping Dave down, and frustrating him deliberately."<sup id="cite_ref-FOOTNOTEBlake2008242_176-1" class="reference"><a href="#cite_note-FOOTNOTEBlake2008242-176"><span class="cite-bracket">&#91;</span>150<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-178" class="reference"><a href="#cite_note-178"><span class="cite-bracket">&#91;</span>nb 27<span class="cite-bracket">&#93;</span></a></sup> Gilmour, distracted by the birth of his first child, contributed little else toward the album. Similarly, neither Mason nor Wright contributed much toward <i>Animals</i>; Wright had marital problems, and his relationship with Waters was also suffering.<sup id="cite_ref-FOOTNOTEBlake2008242–243_179-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008242–243-179"><span class="cite-bracket">&#91;</span>152<span class="cite-bracket">&#93;</span></a></sup> <i>Animals</i> was the first Pink Floyd album with no writing credit for Wright, who said: "This was when Roger <i>really</i> started to believe that he was the sole writer for the band&#160;... that it was only because of him that [we] were still going&#160;... when he started to develop his ego trips, the person he would have his conflicts with would be me."<sup id="cite_ref-FOOTNOTEBlake2008242–243_179-1" class="reference"><a href="#cite_note-FOOTNOTEBlake2008242–243-179"><span class="cite-bracket">&#91;</span>152<span class="cite-bracket">&#93;</span></a></sup> </p><p>Released in January 1977, <i>Animals</i> reached number two in the UK and number three in the US.<sup id="cite_ref-FOOTNOTEPovey2008347_180-0" class="reference"><a href="#cite_note-FOOTNOTEPovey2008347-180"><span class="cite-bracket">&#91;</span>153<span class="cite-bracket">&#93;</span></a></sup> <i><a href="/wiki/NME" title="NME">NME</a></i> described it as "one of the most extreme, relentless, harrowing and downright iconoclastic hunks of music", and <i>Melody Maker</i><span class="nowrap" style="padding-left:0.1em;">&#39;s</span> <a href="/wiki/Karl_Dallas" title="Karl Dallas">Karl Dallas</a> called it "[an] uncomfortable taste of reality in a medium that has become in recent years, increasingly soporific".<sup id="cite_ref-FOOTNOTEBlake2008247_181-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008247-181"><span class="cite-bracket">&#91;</span>154<span class="cite-bracket">&#93;</span></a></sup> </p><p>Pink Floyd performed much of <i>Animals</i> during their "<a href="/wiki/In_the_Flesh_(1977_Pink_Floyd_%27Animals%27_tour)" class="mw-redirect" title="In the Flesh (1977 Pink Floyd &#39;Animals&#39; tour)">In the Flesh</a>" tour. It was their first experience playing large stadiums, whose size caused unease in the band.<sup id="cite_ref-FOOTNOTEBlake2008252–253_182-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008252–253-182"><span class="cite-bracket">&#91;</span>155<span class="cite-bracket">&#93;</span></a></sup> Waters began arriving at each venue alone, departing immediately after the performance. On one occasion, Wright flew back to England, threatening to quit.<sup id="cite_ref-FOOTNOTEMason2005235–236_183-0" class="reference"><a href="#cite_note-FOOTNOTEMason2005235–236-183"><span class="cite-bracket">&#91;</span>156<span class="cite-bracket">&#93;</span></a></sup> At the <a href="/wiki/Montreal" title="Montreal">Montreal</a> <a href="/wiki/Olympic_Stadium_(Montreal)" title="Olympic Stadium (Montreal)">Olympic Stadium</a>, a group of noisy and enthusiastic fans in the front row of the audience irritated Waters so much that he spat at one of them.<sup id="cite_ref-FOOTNOTEPovey2008207_184-0" class="reference"><a href="#cite_note-FOOTNOTEPovey2008207-184"><span class="cite-bracket">&#91;</span>157<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-185" class="reference"><a href="#cite_note-185"><span class="cite-bracket">&#91;</span>nb 28<span class="cite-bracket">&#93;</span></a></sup> The end of the tour marked a low point for Gilmour, who felt that the band achieved the success they had sought, with nothing left for them to accomplish.<sup id="cite_ref-FOOTNOTEMason2005230_186-0" class="reference"><a href="#cite_note-FOOTNOTEMason2005230-186"><span class="cite-bracket">&#91;</span>158<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="1978–1985:_Waters-led_era"><span id="1978.E2.80.931985:_Waters-led_era"></span>1978–1985: Waters-led era</h3></div> <div class="mw-heading mw-heading4"><h4 id="The_Wall_(1979)"><span id="The_Wall_.281979.29"></span><i>The Wall</i> (1979)</h4></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main articles: <a href="/wiki/The_Wall" title="The Wall">The Wall</a> and <a href="/wiki/Pink_Floyd_%E2%80%93_The_Wall" title="Pink Floyd – The Wall">Pink Floyd – The Wall</a></div> <p>In July 1978, amid a financial crisis caused by negligent investments, Waters presented two ideas for Pink Floyd's next album. The first was a 90-minute demo with the working title <i>Bricks in the Wall;</i> the other later became Waters's first solo album, <i><a href="/wiki/The_Pros_and_Cons_of_Hitch_Hiking" title="The Pros and Cons of Hitch Hiking">The Pros and Cons of Hitch Hiking</a></i>. Although both Mason and Gilmour were initially cautious, they chose the former.<sup id="cite_ref-FOOTNOTEBlake2008258–259_187-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008258–259-187"><span class="cite-bracket">&#91;</span>159<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-189" class="reference"><a href="#cite_note-189"><span class="cite-bracket">&#91;</span>nb 29<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Bob_Ezrin" title="Bob Ezrin">Bob Ezrin</a> co-produced and wrote a forty-page script for the new album.<sup id="cite_ref-FOOTNOTEBlake2008260_190-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008260-190"><span class="cite-bracket">&#91;</span>161<span class="cite-bracket">&#93;</span></a></sup> Ezrin based the story on the central figure of Pink—a <i>gestalt</i> character inspired by Waters's childhood experiences, the most notable of which was the death of his father in <a href="/wiki/World_War_II" title="World War II">World War II</a>. This first metaphorical brick led to more problems; Pink would become drug-addled and depressed by the music industry, eventually transforming into a megalomaniac, a development inspired partly by the decline of Syd Barrett. At the end of the album, the increasingly fascist audience would watch as Pink tore down the wall, once again becoming a regular and caring person.<sup id="cite_ref-FOOTNOTEBlake2008260–261_191-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008260–261-191"><span class="cite-bracket">&#91;</span>162<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-194" class="reference"><a href="#cite_note-194"><span class="cite-bracket">&#91;</span>nb 30<span class="cite-bracket">&#93;</span></a></sup> </p><p>During the recording of <i>The Wall</i>, the band became dissatisfied with Wright's lack of contribution and fired him.<sup id="cite_ref-FOOTNOTESimmons199976–95_195-0" class="reference"><a href="#cite_note-FOOTNOTESimmons199976–95-195"><span class="cite-bracket">&#91;</span>165<span class="cite-bracket">&#93;</span></a></sup> Gilmour said that Wright was dismissed as he "hadn't contributed anything of any value whatsoever to the album—he did very, very little".<sup id="cite_ref-196" class="reference"><a href="#cite_note-196"><span class="cite-bracket">&#91;</span>166<span class="cite-bracket">&#93;</span></a></sup> According to Mason, Wright would sit in on the sessions "without doing anything, just 'being a producer<span style="padding-right:.15em;">'</span>".<sup id="cite_ref-FOOTNOTEMason2005246_197-0" class="reference"><a href="#cite_note-FOOTNOTEMason2005246-197"><span class="cite-bracket">&#91;</span>167<span class="cite-bracket">&#93;</span></a></sup> Waters said the band agreed that Wright would either have to "have a long battle" or agree to "leave quietly" after the album was finished; Wright accepted the ultimatum and left.<sup id="cite_ref-FOOTNOTESimmons199988_198-0" class="reference"><a href="#cite_note-FOOTNOTESimmons199988-198"><span class="cite-bracket">&#91;</span>168<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-201" class="reference"><a href="#cite_note-201"><span class="cite-bracket">&#91;</span>nb 31<span class="cite-bracket">&#93;</span></a></sup> </p><p><i>The Wall</i> was supported by Pink Floyd's first single since "Money", "<a href="/wiki/Another_Brick_in_the_Wall,_Part_II" class="mw-redirect" title="Another Brick in the Wall, Part II">Another Brick in the Wall (Part II)</a>", which topped the charts in the US and the UK.<sup id="cite_ref-202" class="reference"><a href="#cite_note-202"><span class="cite-bracket">&#91;</span>171<span class="cite-bracket">&#93;</span></a></sup> <i>The Wall</i> was released on 30 November 1979 and topped the <i>Billboard</i> chart in the US for 15 weeks, reaching number three in the UK.<sup id="cite_ref-203" class="reference"><a href="#cite_note-203"><span class="cite-bracket">&#91;</span>172<span class="cite-bracket">&#93;</span></a></sup> It is tied for sixth most certified album by <a href="/wiki/Recording_Industry_Association_of_America" title="Recording Industry Association of America">RIAA</a>, with 23&#160;million certified units sold in the US.<sup id="cite_ref-204" class="reference"><a href="#cite_note-204"><span class="cite-bracket">&#91;</span>173<span class="cite-bracket">&#93;</span></a></sup> The cover, with a stark brick wall and band name, was the first Pink Floyd album cover since <i>The Piper at the Gates of Dawn</i> not designed by Hipgnosis.<sup id="cite_ref-FOOTNOTEBlake2008279_205-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008279-205"><span class="cite-bracket">&#91;</span>174<span class="cite-bracket">&#93;</span></a></sup> </p><p><a href="/wiki/Gerald_Scarfe" title="Gerald Scarfe">Gerald Scarfe</a> produced a series of animations for the <a href="/wiki/The_Wall_Tour_(1980%E2%80%9381)" class="mw-redirect" title="The Wall Tour (1980–81)"><i>Wall</i> tour.</a> He also commissioned the construction of large inflatable puppets representing characters from the storyline, including the "Mother", the "Ex-wife" and the "Schoolmaster". Pink Floyd used the puppets during their performances.<sup id="cite_ref-FOOTNOTEScarfe201091–115_206-0" class="reference"><a href="#cite_note-FOOTNOTEScarfe201091–115-206"><span class="cite-bracket">&#91;</span>175<span class="cite-bracket">&#93;</span></a></sup> Relationships within the band reached an all-time low; their four <a href="/wiki/Winnebago_Industries" title="Winnebago Industries">Winnebagos</a> parked in a circle, the doors facing away from the centre. Waters used his own vehicle to arrive at the venue and stayed in different hotels from the rest of the band. Wright returned as a paid musician, making him the only band member to profit from the tour, which lost about $600,000 (US$2,010,835 in 2023 dollars<sup id="cite_ref-inflation-US_152-1" class="reference"><a href="#cite_note-inflation-US-152"><span class="cite-bracket">&#91;</span>129<span class="cite-bracket">&#93;</span></a></sup>).<sup id="cite_ref-FOOTNOTEBlake2008285–286_207-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008285–286-207"><span class="cite-bracket">&#91;</span>176<span class="cite-bracket">&#93;</span></a></sup> </p><p><i>The Wall</i> was adapted into a film, <i>Pink Floyd – The Wall.</i> The film was conceived as a combination of live concert footage and animated scenes; however, the concert footage proved impractical to film. <a href="/wiki/Alan_Parker" title="Alan Parker">Alan Parker</a> agreed to direct and took a different approach. The animated sequences remained, but scenes were acted by actors with no dialogue. Waters was screentested but quickly discarded, and they asked <a href="/wiki/Bob_Geldof" title="Bob Geldof">Bob Geldof</a> to accept the role of Pink. Geldof was initially dismissive, condemning <i>The Wall</i><span class="nowrap" style="padding-left:0.1em;">&#39;s</span> storyline as "bollocks".<sup id="cite_ref-FOOTNOTEBlake2008289_208-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008289-208"><span class="cite-bracket">&#91;</span>177<span class="cite-bracket">&#93;</span></a></sup> Eventually won over by the prospect of participation in a significant film and receiving a large payment for his work, Geldof agreed.<sup id="cite_ref-FOOTNOTEBlake2008288–292_209-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008288–292-209"><span class="cite-bracket">&#91;</span>178<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-210" class="reference"><a href="#cite_note-210"><span class="cite-bracket">&#91;</span>nb 32<span class="cite-bracket">&#93;</span></a></sup> Screened at the <a href="/wiki/Cannes_Film_Festival" title="Cannes Film Festival">Cannes Film Festival</a> in May 1982, <i>Pink Floyd – The Wall</i> premièred in the UK in July 1982.<sup id="cite_ref-FOOTNOTEPovey2008229_211-0" class="reference"><a href="#cite_note-FOOTNOTEPovey2008229-211"><span class="cite-bracket">&#91;</span>179<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-212" class="reference"><a href="#cite_note-212"><span class="cite-bracket">&#91;</span>nb 33<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="The_Final_Cut_(1983)"><span id="The_Final_Cut_.281983.29"></span><i>The Final Cut</i> (1983)</h4></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/The_Final_Cut_(album)" title="The Final Cut (album)">The Final Cut (album)</a></div> <p>In 1982, Waters suggested a project with the working title <i>Spare Bricks</i>, originally conceived as the soundtrack album for <i>Pink Floyd – The Wall.</i> With the onset of the <a href="/wiki/Falklands_War" title="Falklands War">Falklands War</a>, Waters changed direction and began writing new material. He saw <a href="/wiki/Margaret_Thatcher" title="Margaret Thatcher">Margaret Thatcher</a>'s response to the invasion of the Falklands as <a href="/wiki/Jingoism" title="Jingoism">jingoistic</a> and unnecessary, and dedicated the album to his late father. Immediately arguments arose between Waters and Gilmour, who felt that the album should include all new material, rather than recycle songs passed over for <i>The Wall</i>. Waters felt that Gilmour had contributed little to the band's lyrical repertoire.<sup id="cite_ref-FOOTNOTEBlake2008294–295_213-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008294–295-213"><span class="cite-bracket">&#91;</span>180<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Michael_Kamen" title="Michael Kamen">Michael Kamen</a>, a contributor to the orchestral arrangements of <i>The Wall</i>, mediated between the two, performing the role traditionally occupied by the then-absent Wright.<sup id="cite_ref-FOOTNOTEBlake2008296–298_214-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008296–298-214"><span class="cite-bracket">&#91;</span>181<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-216" class="reference"><a href="#cite_note-216"><span class="cite-bracket">&#91;</span>nb 34<span class="cite-bracket">&#93;</span></a></sup> The tension within the band grew. Waters and Gilmour worked independently; however, Gilmour began to feel the strain, sometimes barely maintaining his composure. After a final confrontation, Gilmour's name disappeared from the credit list, reflecting what Waters felt was his lack of songwriting contributions.<sup id="cite_ref-217" class="reference"><a href="#cite_note-217"><span class="cite-bracket">&#91;</span>183<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-218" class="reference"><a href="#cite_note-218"><span class="cite-bracket">&#91;</span>nb 35<span class="cite-bracket">&#93;</span></a></sup> </p><p>Though Mason's musical contributions were minimal, he stayed busy recording sound effects for an experimental <a href="/wiki/Holophonics" title="Holophonics">Holophonic</a> system to be used on the album. With marital problems of his own, he remained distant. Pink Floyd did not use Thorgerson for the cover design, and Waters designed the cover himself.<sup id="cite_ref-FOOTNOTEBlake2008299_219-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008299-219"><span class="cite-bracket">&#91;</span>184<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-220" class="reference"><a href="#cite_note-220"><span class="cite-bracket">&#91;</span>nb 36<span class="cite-bracket">&#93;</span></a></sup> Gilmour did not have any material ready and asked Waters to delay the recording until he could write some songs, but Waters refused.<sup id="cite_ref-FOOTNOTEBlake2008295_221-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008295-221"><span class="cite-bracket">&#91;</span>185<span class="cite-bracket">&#93;</span></a></sup> Gilmour later said "I'm certainly guilty at times of being lazy&#160;... but he wasn't right about wanting to put some duff tracks on <i>The Final Cut</i>."<sup id="cite_ref-FOOTNOTEBlake2008295_221-1" class="reference"><a href="#cite_note-FOOTNOTEBlake2008295-221"><span class="cite-bracket">&#91;</span>185<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-223" class="reference"><a href="#cite_note-223"><span class="cite-bracket">&#91;</span>nb 37<span class="cite-bracket">&#93;</span></a></sup> </p><p>Released in March 1983, <i>The Final Cut</i> went straight to number one in the UK and number six in the US.<sup id="cite_ref-224" class="reference"><a href="#cite_note-224"><span class="cite-bracket">&#91;</span>187<span class="cite-bracket">&#93;</span></a></sup> Waters wrote all the lyrics, as well as all the music.<sup id="cite_ref-225" class="reference"><a href="#cite_note-225"><span class="cite-bracket">&#91;</span>188<span class="cite-bracket">&#93;</span></a></sup> <i>Rolling Stone</i> gave the album five stars, with <a href="/wiki/Kurt_Loder" title="Kurt Loder">Kurt Loder</a> calling it "a superlative achievement&#160;... art rock's crowning masterpiece".<sup id="cite_ref-FOOTNOTESchaffner1991243_226-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991243-226"><span class="cite-bracket">&#91;</span>189<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-228" class="reference"><a href="#cite_note-228"><span class="cite-bracket">&#91;</span>nb 38<span class="cite-bracket">&#93;</span></a></sup> He viewed <i>The Final Cut</i> as "essentially a Roger Waters solo album".<sup id="cite_ref-229" class="reference"><a href="#cite_note-229"><span class="cite-bracket">&#91;</span>191<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="Waters's_departure_and_legal_battles"><span id="Waters.27s_departure_and_legal_battles"></span>Waters's departure and legal battles</h4></div> <p>Gilmour recorded his second solo album, <i><a href="/wiki/About_Face_(album)" title="About Face (album)">About Face</a></i>, in 1984, and used it to express his feelings about a variety of topics, from the murder of <a href="/wiki/John_Lennon" title="John Lennon">John Lennon</a> to his relationship with Waters. He later stated that he used the album to distance himself from Pink Floyd. Soon afterwards, Waters began touring his first solo album, <i><a href="/wiki/The_Pros_and_Cons_of_Hitch_Hiking" title="The Pros and Cons of Hitch Hiking">The Pros and Cons of Hitch Hiking</a></i> (1984).<sup id="cite_ref-FOOTNOTEBlake2008302–309_230-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008302–309-230"><span class="cite-bracket">&#91;</span>192<span class="cite-bracket">&#93;</span></a></sup> Wright formed Zee with Dave Harris and recorded <i><a href="/wiki/Identity_(Zee_album)" title="Identity (Zee album)">Identity</a></i>, which went almost unnoticed upon its release.<sup id="cite_ref-FOOTNOTEBlake2008309–311_231-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008309–311-231"><span class="cite-bracket">&#91;</span>193<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-232" class="reference"><a href="#cite_note-232"><span class="cite-bracket">&#91;</span>nb 39<span class="cite-bracket">&#93;</span></a></sup> Mason released his second solo album, <i><a href="/wiki/Profiles_(Nick_Mason_and_Rick_Fenn_album)" title="Profiles (Nick Mason and Rick Fenn album)">Profiles</a></i>, in August 1985.<sup id="cite_ref-FOOTNOTEBlake2008311–313_233-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008311–313-233"><span class="cite-bracket">&#91;</span>194<span class="cite-bracket">&#93;</span></a></sup> </p><p>Gilmour, Mason, Waters and O'Rourke met for dinner in 1984 to discuss their future. Mason and Gilmour left the restaurant thinking that Pink Floyd could continue after Waters had finished <i>The Pros and Cons of Hitch Hiking</i>, noting that they had had several hiatuses before; however, Waters left believing that Mason and Gilmour had accepted that Pink Floyd were finished. Mason said that Waters later saw the meeting as "duplicity rather than diplomacy", and wrote in his memoir: "Clearly, our communication skills were still troublingly nonexistent. We left the restaurant with diametrically opposed views of what had been decided."<sup id="cite_ref-234" class="reference"><a href="#cite_note-234"><span class="cite-bracket">&#91;</span>195<span class="cite-bracket">&#93;</span></a></sup> </p><p>Following the release of <i>The Pros and Cons of Hitch Hiking</i>, Waters publicly insisted that Pink Floyd would not reunite. He contacted O'Rourke to discuss settling future royalty payments. O'Rourke felt obliged to inform Mason and Gilmour, which angered Waters, who wanted to dismiss him as the band's manager. He terminated his management contract with O'Rourke and employed Peter Rudge to manage his affairs.<sup id="cite_ref-FOOTNOTEBlake2008311–313_233-1" class="reference"><a href="#cite_note-FOOTNOTEBlake2008311–313-233"><span class="cite-bracket">&#91;</span>194<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-236" class="reference"><a href="#cite_note-236"><span class="cite-bracket">&#91;</span>nb 40<span class="cite-bracket">&#93;</span></a></sup> Waters wrote to <a href="/wiki/EMI" title="EMI">EMI</a> and <a href="/wiki/Columbia_Records" title="Columbia Records">Columbia</a> announcing he had left the band, and asked them to release him from his contractual obligations. Gilmour believed that Waters left to hasten the demise of Pink Floyd. Waters later stated that, by not making new albums, Pink Floyd would be in breach of contract—which would suggest that royalty payments would be suspended—and that the other band members had forced him from the group by threatening to sue him. He went to the <a href="/wiki/High_Court_of_Justice" title="High Court of Justice">High Court</a> in an effort to dissolve the band and prevent the use of the Pink Floyd name, declaring Pink Floyd "a spent force creatively".<sup id="cite_ref-237" class="reference"><a href="#cite_note-237"><span class="cite-bracket">&#91;</span>197<span class="cite-bracket">&#93;</span></a></sup> </p><p>When Waters's lawyers discovered that the partnership had never been formally confirmed, Waters returned to the High Court in an attempt to obtain a veto over further use of the band's name. Gilmour responded with a press release affirming that Pink Floyd would continue to exist.<sup id="cite_ref-FOOTNOTESchaffner1991271_238-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991271-238"><span class="cite-bracket">&#91;</span>198<span class="cite-bracket">&#93;</span></a></sup> The sides reached an out-of-court agreement, finalised on Gilmour's houseboat, the <i><a href="/wiki/Astoria_(recording_studio)" title="Astoria (recording studio)">Astoria</a></i>, on Christmas Eve 1987.<sup id="cite_ref-239" class="reference"><a href="#cite_note-239"><span class="cite-bracket">&#91;</span>199<span class="cite-bracket">&#93;</span></a></sup> In 2013, Waters said he regretted the lawsuit and had failed to appreciate that the Pink Floyd name had commercial value independent of the band members.<sup id="cite_ref-240" class="reference"><a href="#cite_note-240"><span class="cite-bracket">&#91;</span>200<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="1985–present:_Gilmour-led_era"><span id="1985.E2.80.93present:_Gilmour-led_era"></span>1985–present: Gilmour-led era</h3></div> <div class="mw-heading mw-heading4"><h4 id="A_Momentary_Lapse_of_Reason_(1987)"><span id="A_Momentary_Lapse_of_Reason_.281987.29"></span><i>A Momentary Lapse of Reason</i> (1987)</h4></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/A_Momentary_Lapse_of_Reason" title="A Momentary Lapse of Reason">A Momentary Lapse of Reason</a></div> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Astoria_(P%C3%A9niche).jpg" class="mw-file-description"><img alt="A colour image Gilmour&#39;s houseboat and studio the Astoria, anchored in a river. The background is green forest and it is a bright sunny day." src="//upload.wikimedia.org/wikipedia/commons/thumb/a/a9/Astoria_%28P%C3%A9niche%29.jpg/220px-Astoria_%28P%C3%A9niche%29.jpg" decoding="async" width="220" height="166" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a9/Astoria_%28P%C3%A9niche%29.jpg/330px-Astoria_%28P%C3%A9niche%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a9/Astoria_%28P%C3%A9niche%29.jpg/440px-Astoria_%28P%C3%A9niche%29.jpg 2x" data-file-width="1578" data-file-height="1189" /></a><figcaption>The <i>Astoria</i> recording studio</figcaption></figure> <p>In 1986, Gilmour began recruiting musicians for a new project.<sup id="cite_ref-Schaffnerpp268269_241-0" class="reference"><a href="#cite_note-Schaffnerpp268269-241"><span class="cite-bracket">&#91;</span>201<span class="cite-bracket">&#93;</span></a></sup> Initially, there was no commitment to a Pink Floyd release, and Gilmour maintained that the material might become his third solo album. However, by the end of 1986, Gilmour had decided to make the material into a Pink Floyd project, the first without Waters.<sup id="cite_ref-Redbeard2007_242-0" class="reference"><a href="#cite_note-Redbeard2007-242"><span class="cite-bracket">&#91;</span>202<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTESchaffner1991264–268_243-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991264–268-243"><span class="cite-bracket">&#91;</span>203<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-244" class="reference"><a href="#cite_note-244"><span class="cite-bracket">&#91;</span>nb 41<span class="cite-bracket">&#93;</span></a></sup> There were legal obstacles to Wright's re-admittance to the band, but after a meeting in Hampstead, Pink Floyd invited Wright to participate in the coming sessions.<sup id="cite_ref-FOOTNOTEBlake2008316–317_245-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008316–317-245"><span class="cite-bracket">&#91;</span>204<span class="cite-bracket">&#93;</span></a></sup> Gilmour later stated that Wright's presence "would make us stronger legally and musically", and Pink Floyd employed him with weekly earnings of $11,000.<sup id="cite_ref-246" class="reference"><a href="#cite_note-246"><span class="cite-bracket">&#91;</span>205<span class="cite-bracket">&#93;</span></a></sup> </p><p>Recording sessions began on Gilmour's houseboat, the <i>Astoria</i>, moored on the <a href="/wiki/River_Thames" title="River Thames">River Thames</a>.<sup id="cite_ref-FOOTNOTEBlake2008318_247-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008318-247"><span class="cite-bracket">&#91;</span>206<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-249" class="reference"><a href="#cite_note-249"><span class="cite-bracket">&#91;</span>nb 42<span class="cite-bracket">&#93;</span></a></sup> Gilmour felt that lyrics had become more important than the music under Waters, and sought to restore the balance.<sup id="cite_ref-250" class="reference"><a href="#cite_note-250"><span class="cite-bracket">&#91;</span>208<span class="cite-bracket">&#93;</span></a></sup> The group found it difficult to work without Waters's creative direction;<sup id="cite_ref-FOOTNOTEBlake2008320_251-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008320-251"><span class="cite-bracket">&#91;</span>209<span class="cite-bracket">&#93;</span></a></sup> to write lyrics, Gilmour worked with several songwriters, including <a href="/wiki/Eric_Stewart" title="Eric Stewart">Eric Stewart</a> and <a href="/wiki/Roger_McGough" title="Roger McGough">Roger McGough</a>, eventually choosing <a href="/wiki/Anthony_Moore" title="Anthony Moore">Anthony Moore</a>.<sup id="cite_ref-FOOTNOTEMason2005284–285_252-0" class="reference"><a href="#cite_note-FOOTNOTEMason2005284–285-252"><span class="cite-bracket">&#91;</span>210<span class="cite-bracket">&#93;</span></a></sup> Wright and Mason were out of practice; Gilmour said they had been "destroyed" by Waters, and their contributions were minimal.<sup id="cite_ref-253" class="reference"><a href="#cite_note-253"><span class="cite-bracket">&#91;</span>211<span class="cite-bracket">&#93;</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Pink_Floyd_(1989).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c7/Pink_Floyd_%281989%29.jpg/220px-Pink_Floyd_%281989%29.jpg" decoding="async" width="220" height="151" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c7/Pink_Floyd_%281989%29.jpg/330px-Pink_Floyd_%281989%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c7/Pink_Floyd_%281989%29.jpg/440px-Pink_Floyd_%281989%29.jpg 2x" data-file-width="872" data-file-height="598" /></a><figcaption>Pink Floyd in 1989 on the <a href="/wiki/A_Momentary_Lapse_of_Reason_tour" class="mw-redirect" title="A Momentary Lapse of Reason tour"><i>Momentary Lapse of Reason</i> tour</a></figcaption></figure> <p><i>A Momentary Lapse of Reason</i> was released in September 1987. Thorgerson, whose creative input was absent from <i>The Wall</i> and <i>The Final Cut</i>, designed the album cover.<sup id="cite_ref-FOOTNOTESchaffner1991273_254-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991273-254"><span class="cite-bracket">&#91;</span>212<span class="cite-bracket">&#93;</span></a></sup> To emphasise that Waters had left the band, they included a group photograph on the inside cover — the first since <i>Meddle</i> — featuring only Gilmour and Mason.<sup id="cite_ref-FOOTNOTEBlake2008166_255-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008166-255"><span class="cite-bracket">&#91;</span>213<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-257" class="reference"><a href="#cite_note-257"><span class="cite-bracket">&#91;</span>nb 43<span class="cite-bracket">&#93;</span></a></sup> The album reached number three in the UK and the US.<sup id="cite_ref-FOOTNOTEPovey2008349_258-0" class="reference"><a href="#cite_note-FOOTNOTEPovey2008349-258"><span class="cite-bracket">&#91;</span>215<span class="cite-bracket">&#93;</span></a></sup> Waters said: "I think it's facile, but a quite clever forgery&#160;... The songs are poor in general&#160;... [and] Gilmour's lyrics are third-rate."<sup id="cite_ref-FOOTNOTEBlake2008328_259-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008328-259"><span class="cite-bracket">&#91;</span>216<span class="cite-bracket">&#93;</span></a></sup> Although Gilmour initially viewed the album as a return to the band's top form, Wright disagreed, stating: "Roger's criticisms are fair. It's not a band album at all."<sup id="cite_ref-FOOTNOTEBlake2008327_260-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008327-260"><span class="cite-bracket">&#91;</span>217<span class="cite-bracket">&#93;</span></a></sup> <i><a href="/wiki/Q_(magazine)" title="Q (magazine)">Q</a></i> described it as essentially a Gilmour solo album.<sup id="cite_ref-FOOTNOTEBlake2008326–327_261-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008326–327-261"><span class="cite-bracket">&#91;</span>218<span class="cite-bracket">&#93;</span></a></sup> </p><p>Waters attempted to subvert the <a href="/wiki/A_Momentary_Lapse_of_Reason_tour" class="mw-redirect" title="A Momentary Lapse of Reason tour"><i>Momentary Lapse of Reason</i> tour</a> by contacting promoters in the US and threatening to sue if they used the Pink Floyd name. Gilmour and Mason funded the start-up costs with Mason using his <a href="/wiki/Ferrari_250_GTO" title="Ferrari 250 GTO">Ferrari 250 GTO</a> as collateral.<sup id="cite_ref-FOOTNOTEBlake2008322_262-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008322-262"><span class="cite-bracket">&#91;</span>219<span class="cite-bracket">&#93;</span></a></sup> Early rehearsals for the tour were chaotic, with Mason and Wright out of practice. Realising he had taken on too much work, Gilmour asked Ezrin to assist them. As Pink Floyd toured North America, Waters's <a href="/wiki/Radio_K.A.O.S._(tour)" title="Radio K.A.O.S. (tour)">K.A.O.S. On the Road tour</a> was on occasion, close by, in much smaller venues. Waters issued a writ for copyright fees for Pink Floyd's use of the <a href="/wiki/Pink_Floyd_pigs" title="Pink Floyd pigs">flying pig</a>. Pink Floyd responded by attaching a large set of male genitalia to its underside to distinguish it from Waters's design.<sup id="cite_ref-FOOTNOTESchaffner1991277_263-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991277-263"><span class="cite-bracket">&#91;</span>220<span class="cite-bracket">&#93;</span></a></sup> The parties reached a legal agreement on 23 December; Mason and Gilmour retained the right to use the Pink Floyd name in perpetuity and Waters received exclusive rights to, among other things, <i>The Wall</i>.<sup id="cite_ref-FOOTNOTEBlake2008329–335_264-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008329–335-264"><span class="cite-bracket">&#91;</span>221<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="The_Division_Bell_(1994)"><span id="The_Division_Bell_.281994.29"></span><i>The Division Bell</i> (1994)</h4></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/The_Division_Bell" title="The Division Bell">The Division Bell</a></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Pink_Floyd_-_Division_Bell.jpg" class="mw-file-description"><img alt="A colour photograph of two large silver-grey iron sculptures of opposing silhouetted faces. The sculptures are standing in a brown wheat field with a blue sky behind them." src="//upload.wikimedia.org/wikipedia/en/thumb/6/6e/Pink_Floyd_-_Division_Bell.jpg/160px-Pink_Floyd_-_Division_Bell.jpg" decoding="async" width="160" height="160" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/6/6e/Pink_Floyd_-_Division_Bell.jpg/240px-Pink_Floyd_-_Division_Bell.jpg 1.5x, //upload.wikimedia.org/wikipedia/en/6/6e/Pink_Floyd_-_Division_Bell.jpg 2x" data-file-width="300" data-file-height="300" /></a><figcaption>The album artwork for <i>The Division Bell</i>, designed by Storm Thorgerson, represented the absence of Barrett and Waters.</figcaption></figure> <p>For several years, Pink Floyd had busied themselves with personal pursuits, such as filming and competing in the <a href="/wiki/La_Carrera_Panamericana" title="La Carrera Panamericana">La Carrera Panamericana</a> and recording a soundtrack for a film based on the event.<sup id="cite_ref-FOOTNOTEMason2005311–313_265-0" class="reference"><a href="#cite_note-FOOTNOTEMason2005311–313-265"><span class="cite-bracket">&#91;</span>222<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-267" class="reference"><a href="#cite_note-267"><span class="cite-bracket">&#91;</span>nb 44<span class="cite-bracket">&#93;</span></a></sup> In January 1993, they began working on a new album, <i>The Division Bell</i>, in Britannia Row Studios, where Gilmour, Mason and Wright worked collaboratively, improvising material. After about two weeks, they had enough ideas to begin creating songs. Ezrin returned to co-produce the album and production moved to the <i>Astoria</i>, where the band worked from February to May 1993.<sup id="cite_ref-FOOTNOTEMason2005314–321_268-0" class="reference"><a href="#cite_note-FOOTNOTEMason2005314–321-268"><span class="cite-bracket">&#91;</span>224<span class="cite-bracket">&#93;</span></a></sup> </p><p>Contractually, Wright was not a member of the band, and said "It came close to a point where I wasn't going to do the album".<sup id="cite_ref-FOOTNOTEBlake2008355_269-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008355-269"><span class="cite-bracket">&#91;</span>225<span class="cite-bracket">&#93;</span></a></sup> However, he earned five co-writing credits, his first on a Pink Floyd album since 1975's <i>Wish You Were Here</i>.<sup id="cite_ref-FOOTNOTEBlake2008355_269-1" class="reference"><a href="#cite_note-FOOTNOTEBlake2008355-269"><span class="cite-bracket">&#91;</span>225<span class="cite-bracket">&#93;</span></a></sup> Gilmour's future wife, the novelist <a href="/wiki/Polly_Samson" title="Polly Samson">Polly Samson</a>, is also credited; she helped Gilmour write tracks including "<a href="/wiki/High_Hopes_(Pink_Floyd_song)" title="High Hopes (Pink Floyd song)">High Hopes</a>", a collaborative arrangement which, though initially tense, "pulled the whole album together", according to Ezrin.<sup id="cite_ref-FOOTNOTEBlake2008356_270-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008356-270"><span class="cite-bracket">&#91;</span>226<span class="cite-bracket">&#93;</span></a></sup> They hired Michael Kamen to arrange the orchestral parts; <a href="/wiki/Dick_Parry" title="Dick Parry">Dick Parry</a> and Chris Thomas also returned.<sup id="cite_ref-271" class="reference"><a href="#cite_note-271"><span class="cite-bracket">&#91;</span>227<span class="cite-bracket">&#93;</span></a></sup> The writer <a href="/wiki/Douglas_Adams" title="Douglas Adams">Douglas Adams</a> provided the album title and Thorgerson the cover artwork.<sup id="cite_ref-FOOTNOTEBlake2008359_272-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008359-272"><span class="cite-bracket">&#91;</span>228<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-274" class="reference"><a href="#cite_note-274"><span class="cite-bracket">&#91;</span>nb 45<span class="cite-bracket">&#93;</span></a></sup> Thorgerson drew inspiration from the <a href="/wiki/Moai" title="Moai">Moai</a> monoliths of <a href="/wiki/Easter_Island" title="Easter Island">Easter Island</a>; two opposing faces forming an implied third face about which he commented: "the absent face—the ghost of Pink Floyd's past, Syd and Roger".<sup id="cite_ref-FOOTNOTEBlake2008357–358_275-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008357–358-275"><span class="cite-bracket">&#91;</span>230<span class="cite-bracket">&#93;</span></a></sup> To avoid competing against other album releases, as had happened with <i>A Momentary Lapse</i>, Pink Floyd set a deadline of April 1994, at which point they would resume touring.<sup id="cite_ref-FOOTNOTEMason2005319_276-0" class="reference"><a href="#cite_note-FOOTNOTEMason2005319-276"><span class="cite-bracket">&#91;</span>231<span class="cite-bracket">&#93;</span></a></sup> <i>The Division Bell</i> reached number 1 in the UK and the US,<sup id="cite_ref-FOOTNOTEPovey2008345_150-1" class="reference"><a href="#cite_note-FOOTNOTEPovey2008345-150"><span class="cite-bracket">&#91;</span>127<span class="cite-bracket">&#93;</span></a></sup> and spent 51 weeks on the UK chart.<sup id="cite_ref-FOOTNOTERoberts2005391_63-6" class="reference"><a href="#cite_note-FOOTNOTERoberts2005391-63"><span class="cite-bracket">&#91;</span>52<span class="cite-bracket">&#93;</span></a></sup> </p><p>Pink Floyd spent more than two weeks rehearsing in a hangar at <a href="/wiki/Norton_Air_Force_Base" title="Norton Air Force Base">Norton Air Force Base</a> in <a href="/wiki/San_Bernardino,_California" title="San Bernardino, California">San Bernardino, California</a>, before opening <a href="/wiki/The_Division_Bell_Tour" title="The Division Bell Tour"><i>The Division Bell</i> tour</a> on 29 March 1994, in Miami, with an almost identical road crew to that used for their <i>Momentary Lapse of Reason</i> tour.<sup id="cite_ref-277" class="reference"><a href="#cite_note-277"><span class="cite-bracket">&#91;</span>232<span class="cite-bracket">&#93;</span></a></sup> They played a variety of Pink Floyd favourites, and later changed their setlist to include <i>The Dark Side of the Moon</i> in its entirety.<sup id="cite_ref-FOOTNOTEBlake2008363–367_278-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008363–367-278"><span class="cite-bracket">&#91;</span>233<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-280" class="reference"><a href="#cite_note-280"><span class="cite-bracket">&#91;</span>nb 46<span class="cite-bracket">&#93;</span></a></sup> The tour, Pink Floyd's last, ended on 29 October 1994.<sup id="cite_ref-FOOTNOTEBlake2008367_279-1" class="reference"><a href="#cite_note-FOOTNOTEBlake2008367-279"><span class="cite-bracket">&#91;</span>234<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-282" class="reference"><a href="#cite_note-282"><span class="cite-bracket">&#91;</span>nb 47<span class="cite-bracket">&#93;</span></a></sup> Mason published a memoir, <i><a href="/wiki/Inside_Out:_A_Personal_History_of_Pink_Floyd" title="Inside Out: A Personal History of Pink Floyd">Inside Out: A Personal History of Pink Floyd</a></i>, in 2004.<sup id="cite_ref-283" class="reference"><a href="#cite_note-283"><span class="cite-bracket">&#91;</span>236<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="2005–2006:_Live_8_reunion"><span id="2005.E2.80.932006:_Live_8_reunion"></span>2005–2006: Live 8 reunion</h4></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Pink_floyd_live_8_london.jpg" class="mw-file-description"><img alt="A concert stage lit by purple lighting. Four men are performing on the stage as a crowd stands in front of it. Behind the men are video screens displaying images of vinyl records." src="//upload.wikimedia.org/wikipedia/commons/thumb/9/9a/Pink_floyd_live_8_london.jpg/220px-Pink_floyd_live_8_london.jpg" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/9a/Pink_floyd_live_8_london.jpg/330px-Pink_floyd_live_8_london.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/9a/Pink_floyd_live_8_london.jpg/440px-Pink_floyd_live_8_london.jpg 2x" data-file-width="2048" data-file-height="1536" /></a><figcaption>Waters (right) rejoined his former bandmates at Live&#160;8 in <a href="/wiki/Hyde_Park,_London" title="Hyde Park, London">Hyde Park</a>, London on 2 July 2005.</figcaption></figure> <p>On 2 July 2005, Waters, Gilmour, Mason, and Wright performed together as Pink Floyd at <a href="/wiki/Live_8" title="Live 8">Live&#160;8</a>, a <a href="/wiki/Benefit_concert" title="Benefit concert">benefit concert</a> raising awareness about poverty, in <a href="/wiki/Hyde_Park,_London" title="Hyde Park, London">Hyde Park</a>, London.<sup id="cite_ref-:2_284-0" class="reference"><a href="#cite_note-:2-284"><span class="cite-bracket">&#91;</span>237<span class="cite-bracket">&#93;</span></a></sup> It was their first performance together in more than 24&#160;years.<sup id="cite_ref-:2_284-1" class="reference"><a href="#cite_note-:2-284"><span class="cite-bracket">&#91;</span>237<span class="cite-bracket">&#93;</span></a></sup> The reunion was arranged by the Live&#160;8 organiser, <a href="/wiki/Bob_Geldof" title="Bob Geldof">Bob Geldof</a>. After Gilmour declined, Geldof asked Mason, who contacted Waters. About two weeks later, Waters called Gilmour, their first conversation in two years, and the next day Gilmour agreed. In a statement to the press, the band stressed the unimportance of their problems in the context of the Live&#160;8 event.<sup id="cite_ref-FOOTNOTEPovey2008160_145-1" class="reference"><a href="#cite_note-FOOTNOTEPovey2008160-145"><span class="cite-bracket">&#91;</span>122<span class="cite-bracket">&#93;</span></a></sup> </p><p>The group planned their setlist at the <a href="/wiki/The_Connaught_(hotel)" title="The Connaught (hotel)">Connaught</a> hotel in London, followed by three days of rehearsals at Black Island Studios.<sup id="cite_ref-FOOTNOTEPovey2008160_145-2" class="reference"><a href="#cite_note-FOOTNOTEPovey2008160-145"><span class="cite-bracket">&#91;</span>122<span class="cite-bracket">&#93;</span></a></sup> The sessions were problematic, with disagreements over the style and pace of the songs they were practising; the running order was decided on the eve of the event.<sup id="cite_ref-285" class="reference"><a href="#cite_note-285"><span class="cite-bracket">&#91;</span>238<span class="cite-bracket">&#93;</span></a></sup> At the beginning of their performance of "Wish You Were Here", Waters told the audience: "[It is] quite emotional, standing up here with these three guys after all these years, standing to be counted with the rest of you&#160;... We're doing this for everyone who's not here, and particularly of course for Syd."<sup id="cite_ref-FOOTNOTEPovey2008287_286-0" class="reference"><a href="#cite_note-FOOTNOTEPovey2008287-286"><span class="cite-bracket">&#91;</span>239<span class="cite-bracket">&#93;</span></a></sup> At the end, Gilmour thanked the audience and started to walk off the stage. Waters called him back, and the band embraced. Images of the embrace were a favourite among Sunday newspapers after Live&#160;8.<sup id="cite_ref-FOOTNOTEBlake2008386_287-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008386-287"><span class="cite-bracket">&#91;</span>240<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-289" class="reference"><a href="#cite_note-289"><span class="cite-bracket">&#91;</span>nb 48<span class="cite-bracket">&#93;</span></a></sup> Waters said: "I don't think any of us came out of the years from 1985 with any credit&#160;... It was a bad, negative time, and I regret my part in that negativity."<sup id="cite_ref-FOOTNOTEBlake2008395_290-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008395-290"><span class="cite-bracket">&#91;</span>242<span class="cite-bracket">&#93;</span></a></sup> </p><p>Though Pink Floyd turned down a contract worth £136&#160;million for a final tour, Waters did not rule out more performances, suggesting it ought to be for a charity event only.<sup id="cite_ref-FOOTNOTEBlake2008386_287-1" class="reference"><a href="#cite_note-FOOTNOTEBlake2008386-287"><span class="cite-bracket">&#91;</span>240<span class="cite-bracket">&#93;</span></a></sup> However, Gilmour told the <a href="/wiki/Associated_Press" title="Associated Press">Associated Press</a> that a reunion would not happen: "The [Live&#160;8] rehearsals convinced me it wasn't something I wanted to be doing a lot of&#160;... There have been all sorts of farewell moments in people's lives and careers which they have then rescinded, but I think I can fairly categorically say that there won't be a tour or an album again that I take part in. It isn't to do with animosity or anything like that. It's just&#160;... I've been there, I've done it."<sup id="cite_ref-291" class="reference"><a href="#cite_note-291"><span class="cite-bracket">&#91;</span>243<span class="cite-bracket">&#93;</span></a></sup> </p><p>In February 2006, Gilmour was interviewed for the Italian newspaper <i><a href="/wiki/La_Repubblica" title="La Repubblica">La Repubblica</a></i>, which announced that Pink Floyd had disbanded.<sup id="cite_ref-LR06_292-0" class="reference"><a href="#cite_note-LR06-292"><span class="cite-bracket">&#91;</span>244<span class="cite-bracket">&#93;</span></a></sup> Gilmour said that Pink Floyd were "over", citing his advancing age and his preference for working alone.<sup id="cite_ref-LR06_292-1" class="reference"><a href="#cite_note-LR06-292"><span class="cite-bracket">&#91;</span>244<span class="cite-bracket">&#93;</span></a></sup> He and Waters repeatedly said that they had no plans to reunite.<sup id="cite_ref-293" class="reference"><a href="#cite_note-293"><span class="cite-bracket">&#91;</span>245<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-294" class="reference"><a href="#cite_note-294"><span class="cite-bracket">&#91;</span>246<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-296" class="reference"><a href="#cite_note-296"><span class="cite-bracket">&#91;</span>nb 49<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="2006–2008:_deaths_of_Barrett_and_Wright"><span id="2006.E2.80.932008:_deaths_of_Barrett_and_Wright"></span>2006–2008: deaths of Barrett and Wright</h4></div> <p>Barrett died on 7 July 2006, at his home in Cambridge, aged&#160;60.<sup id="cite_ref-Pareles_297-0" class="reference"><a href="#cite_note-Pareles-297"><span class="cite-bracket">&#91;</span>248<span class="cite-bracket">&#93;</span></a></sup> His funeral was held at Cambridge Crematorium on 18 July 2006. No Pink Floyd members attended. Wright said: "The band are very naturally upset and sad to hear of Syd Barrett's death. Syd was the guiding light of the early band line-up and leaves a legacy which continues to inspire."<sup id="cite_ref-Pareles_297-1" class="reference"><a href="#cite_note-Pareles-297"><span class="cite-bracket">&#91;</span>248<span class="cite-bracket">&#93;</span></a></sup> Although Barrett had faded into obscurity over the decades, the national press praised him for his contributions to music.<sup id="cite_ref-FOOTNOTEBlake2008390–391_298-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008390–391-298"><span class="cite-bracket">&#91;</span>249<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-300" class="reference"><a href="#cite_note-300"><span class="cite-bracket">&#91;</span>nb 50<span class="cite-bracket">&#93;</span></a></sup> On 10 May 2007, Waters, Gilmour, Wright, and Mason performed at the Barrett tribute concert "Madcap's Last Laugh" at the <a href="/wiki/Barbican_Centre" title="Barbican Centre">Barbican Centre</a> in London. Gilmour, Wright, and Mason performed the Barrett compositions "<a href="/wiki/Bike_(song)" title="Bike (song)">Bike</a>" and "Arnold Layne", and Waters performed a solo version of his song "Flickering Flame".<sup id="cite_ref-301" class="reference"><a href="#cite_note-301"><span class="cite-bracket">&#91;</span>251<span class="cite-bracket">&#93;</span></a></sup> </p><p>Wright died of cancer on 15 September 2008, aged&#160;65.<sup id="cite_ref-302" class="reference"><a href="#cite_note-302"><span class="cite-bracket">&#91;</span>252<span class="cite-bracket">&#93;</span></a></sup> His former bandmates paid tributes to his life and work; Gilmour said that Wright's contributions were often overlooked, and that his "soulful voice and playing were vital, magical components of our most recognised Pink Floyd sound".<sup id="cite_ref-303" class="reference"><a href="#cite_note-303"><span class="cite-bracket">&#91;</span>253<span class="cite-bracket">&#93;</span></a></sup> A week after Wright's death, Gilmour performed "Remember a Day" from <i>A Saucerful of Secrets</i>, written and originally sung by Wright, in tribute on BBC Two's <i><a href="/wiki/Later..._with_Jools_Holland" title="Later... with Jools Holland">Later... with Jools Holland</a></i>.<sup id="cite_ref-304" class="reference"><a href="#cite_note-304"><span class="cite-bracket">&#91;</span>254<span class="cite-bracket">&#93;</span></a></sup> The keyboardist <a href="/wiki/Keith_Emerson" title="Keith Emerson">Keith Emerson</a> released a statement praising Wright as the "backbone" of Pink Floyd.<sup id="cite_ref-305" class="reference"><a href="#cite_note-305"><span class="cite-bracket">&#91;</span>255<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="2010–2011:_further_performances_and_rereleases"><span id="2010.E2.80.932011:_further_performances_and_rereleases"></span>2010–2011: further performances and rereleases</h4></div> <p>In March 2010, Pink Floyd went to the <a href="/wiki/High_Court_of_Justice" title="High Court of Justice">High Court of Justice</a> to prevent EMI selling individual tracks online, arguing that their 1999 contract "prohibits the sale of albums in any configuration other than the original". The judge ruled in their favour, which the <i>Guardian</i> described as a "triumph for artistic integrity" and a "vindication of the album as a creative format".<sup id="cite_ref-306" class="reference"><a href="#cite_note-306"><span class="cite-bracket">&#91;</span>256<span class="cite-bracket">&#93;</span></a></sup> In January 2011, Pink Floyd signed a new five-year contract with EMI that permitted the sale of single downloads.<sup id="cite_ref-307" class="reference"><a href="#cite_note-307"><span class="cite-bracket">&#91;</span>257<span class="cite-bracket">&#93;</span></a></sup> </p><p>On 10 July 2010, Waters and Gilmour performed together at a charity event for the Hoping Foundation. The event, which raised money for Palestinian children, took place at <a href="/wiki/Kiddington_Hall" title="Kiddington Hall">Kiddington Hall</a> in Oxfordshire, England, with an audience of approximately 200.<sup id="cite_ref-308" class="reference"><a href="#cite_note-308"><span class="cite-bracket">&#91;</span>258<span class="cite-bracket">&#93;</span></a></sup> In return for Waters's appearance at the event, Gilmour performed "Comfortably Numb" at Waters's <a href="/wiki/The_Wall_Live_(2010%E2%80%9313)" class="mw-redirect" title="The Wall Live (2010–13)">performance of <i>The Wall</i></a> at the London <a href="/wiki/The_O2_Arena" title="The O2 Arena">O2 Arena</a> on 12 May 2011, singing the choruses and playing the guitar solos. Mason also joined, playing tambourine for "<a href="/wiki/Outside_the_Wall_(song)" title="Outside the Wall (song)">Outside the Wall</a>" with Gilmour on mandolin.<sup id="cite_ref-309" class="reference"><a href="#cite_note-309"><span class="cite-bracket">&#91;</span>259<span class="cite-bracket">&#93;</span></a></sup> </p><p>On 26 September 2011, Pink Floyd and EMI launched an exhaustive re-release campaign under the title <i>Why Pink Floyd...?</i>, reissuing the back catalogue in newly <a href="/wiki/Audio_mastering" class="mw-redirect" title="Audio mastering">remastered</a> versions, including "Experience" and "Immersion" multi-disc multi-format editions. The albums were remastered by <a href="/wiki/James_Guthrie_(record_producer)" title="James Guthrie (record producer)">James Guthrie</a>, co-producer of <i>The Wall</i>.<sup id="cite_ref-310" class="reference"><a href="#cite_note-310"><span class="cite-bracket">&#91;</span>260<span class="cite-bracket">&#93;</span></a></sup> In November 2015, Pink Floyd released a limited edition EP, <i><a href="/wiki/1965:_Their_First_Recordings" title="1965: Their First Recordings">1965: Their First Recordings</a></i>, comprising six songs recorded prior to <i>The Piper at the Gates of Dawn</i>.<sup id="cite_ref-311" class="reference"><a href="#cite_note-311"><span class="cite-bracket">&#91;</span>261<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="The_Endless_River_(2014)_and_Nick_Mason's_Saucerful_of_Secrets"><span id="The_Endless_River_.282014.29_and_Nick_Mason.27s_Saucerful_of_Secrets"></span><i>The Endless River</i> (2014) and Nick Mason's Saucerful of Secrets</h4></div> <p>In November 2013, Gilmour and Mason revisited recordings made with Wright during the <i>Division Bell </i>sessions to create a new Pink Floyd album. They recruited session musicians to help record new parts and "generally harness studio technology".<sup id="cite_ref-312" class="reference"><a href="#cite_note-312"><span class="cite-bracket">&#91;</span>262<span class="cite-bracket">&#93;</span></a></sup> Waters was not involved.<sup id="cite_ref-313" class="reference"><a href="#cite_note-313"><span class="cite-bracket">&#91;</span>263<span class="cite-bracket">&#93;</span></a></sup> Mason described the album as a tribute to Wright: "I think this record is a good way of recognising a lot of what he does and how his playing was at the heart of the Pink Floyd sound. Listening back to the sessions, it really brought home to me what a special player he was."<sup id="cite_ref-latimesquote_314-0" class="reference"><a href="#cite_note-latimesquote-314"><span class="cite-bracket">&#91;</span>264<span class="cite-bracket">&#93;</span></a></sup> </p><p><i><a href="/wiki/The_Endless_River" title="The Endless River">The Endless River</a></i> was released in the following year. Though it received mixed reviews,<sup id="cite_ref-MC_315-0" class="reference"><a href="#cite_note-MC-315"><span class="cite-bracket">&#91;</span>265<span class="cite-bracket">&#93;</span></a></sup> it<i> </i>became the most pre-ordered album of all time on <a href="/wiki/Amazon_UK" class="mw-redirect" title="Amazon UK">Amazon UK</a><sup id="cite_ref-cnbc_316-0" class="reference"><a href="#cite_note-cnbc-316"><span class="cite-bracket">&#91;</span>266<span class="cite-bracket">&#93;</span></a></sup> and debuted at number one in several countries.<sup id="cite_ref-officialcharts3_317-0" class="reference"><a href="#cite_note-officialcharts3-317"><span class="cite-bracket">&#91;</span>267<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-officialcharts2_318-0" class="reference"><a href="#cite_note-officialcharts2-318"><span class="cite-bracket">&#91;</span>268<span class="cite-bracket">&#93;</span></a></sup> The vinyl edition was the fastest-selling UK vinyl release of 2014 and the fastest-selling since 1997.<sup id="cite_ref-319" class="reference"><a href="#cite_note-319"><span class="cite-bracket">&#91;</span>269<span class="cite-bracket">&#93;</span></a></sup> Gilmour said <i>The Endless River</i> would be Pink Floyd's last album, saying: "I think we have successfully commandeered the best of what there is&#160;... It's a shame, but this is the end."<sup id="cite_ref-bbcend_320-0" class="reference"><a href="#cite_note-bbcend-320"><span class="cite-bracket">&#91;</span>270<span class="cite-bracket">&#93;</span></a></sup> There was no supporting tour, as Gilmour felt it was impossible without Wright.<sup id="cite_ref-321" class="reference"><a href="#cite_note-321"><span class="cite-bracket">&#91;</span>271<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-322" class="reference"><a href="#cite_note-322"><span class="cite-bracket">&#91;</span>272<span class="cite-bracket">&#93;</span></a></sup> In 2015, Gilmour reiterated that Pink Floyd were "done" and that to reunite without Wright would be wrong.<sup id="cite_ref-323" class="reference"><a href="#cite_note-323"><span class="cite-bracket">&#91;</span>273<span class="cite-bracket">&#93;</span></a></sup> </p><p>In November 2016, Pink Floyd released a box set, <i><a href="/wiki/The_Early_Years_1965%E2%80%931972_(Pink_Floyd_album)" class="mw-redirect" title="The Early Years 1965–1972 (Pink Floyd album)">The Early Years 1965–1972</a></i>, comprising outtakes, live recordings, remixes, and films from their early career.<sup id="cite_ref-EY-RS_324-0" class="reference"><a href="#cite_note-EY-RS-324"><span class="cite-bracket">&#91;</span>274<span class="cite-bracket">&#93;</span></a></sup> It was followed in December 2019 by <i><a href="/wiki/The_Later_Years" title="The Later Years">The Later Years</a></i>, compiling Pink Floyd's work after Waters's departure. The set includes a remixed version of <i>A Momentary Lapse of Reason</i> with more contributions by Wright and Mason, and an expanded reissue of the 1988 live album <i><a href="/wiki/Delicate_Sound_of_Thunder" title="Delicate Sound of Thunder">Delicate Sound of Thunder</a></i>.<sup id="cite_ref-325" class="reference"><a href="#cite_note-325"><span class="cite-bracket">&#91;</span>275<span class="cite-bracket">&#93;</span></a></sup> In November 2020, the reissue of <i>Delicate Sound of Thunder</i> was given a standalone release on multiple formats.<sup id="cite_ref-326" class="reference"><a href="#cite_note-326"><span class="cite-bracket">&#91;</span>276<span class="cite-bracket">&#93;</span></a></sup> Pink Floyd's <i>Live at Knebworth 1990</i> performance, previously released as part of the <i>Later Years</i> box set, was released on CD and vinyl on 30 April.<sup id="cite_ref-327" class="reference"><a href="#cite_note-327"><span class="cite-bracket">&#91;</span>277<span class="cite-bracket">&#93;</span></a></sup> </p><p>In 2018, Mason formed a new band, <a href="/wiki/Nick_Mason%27s_Saucerful_of_Secrets" title="Nick Mason&#39;s Saucerful of Secrets">Nick Mason's Saucerful of Secrets</a>, to perform Pink Floyd's early material. The band includes <a href="/wiki/Gary_Kemp" title="Gary Kemp">Gary Kemp</a> of <a href="/wiki/Spandau_Ballet" title="Spandau Ballet">Spandau Ballet</a> and the longtime Pink Floyd collaborator <a href="/wiki/Guy_Pratt" title="Guy Pratt">Guy Pratt</a>.<sup id="cite_ref-328" class="reference"><a href="#cite_note-328"><span class="cite-bracket">&#91;</span>278<span class="cite-bracket">&#93;</span></a></sup> They toured Europe in September 2018<sup id="cite_ref-329" class="reference"><a href="#cite_note-329"><span class="cite-bracket">&#91;</span>279<span class="cite-bracket">&#93;</span></a></sup> and North America in 2019.<sup id="cite_ref-330" class="reference"><a href="#cite_note-330"><span class="cite-bracket">&#91;</span>280<span class="cite-bracket">&#93;</span></a></sup> Waters joined the band at the New York <a href="/wiki/Beacon_Theatre_(New_York_City)" title="Beacon Theatre (New York City)">Beacon Theatre</a> to perform vocals for "<a href="/wiki/Set_the_Controls_for_the_Heart_of_the_Sun" title="Set the Controls for the Heart of the Sun">Set the Controls for the Heart of the Sun</a>".<sup id="cite_ref-331" class="reference"><a href="#cite_note-331"><span class="cite-bracket">&#91;</span>281<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="2022–present:_&quot;Hey,_Hey,_Rise_Up!&quot;_and_conflicts"><span id="2022.E2.80.93present:_.22Hey.2C_Hey.2C_Rise_Up.21.22_and_conflicts"></span>2022–present: "Hey, Hey, Rise Up!" and conflicts</h4></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Hey,_Hey,_Rise_Up!" title="Hey, Hey, Rise Up!">Hey, Hey, Rise Up!</a></div><p> Mason said in 2018 that, while he remained close to Gilmour and Waters, the two remained "at loggerheads".<sup id="cite_ref-332" class="reference"><a href="#cite_note-332"><span class="cite-bracket">&#91;</span>282<span class="cite-bracket">&#93;</span></a></sup> A remixed version of <i>Animals</i> was delayed until 2022 after Gilmour and Waters could not agree on the liner notes.<sup id="cite_ref-RSAnimals_333-0" class="reference"><a href="#cite_note-RSAnimals-333"><span class="cite-bracket">&#91;</span>283<span class="cite-bracket">&#93;</span></a></sup> In a public statement, Waters accused Gilmour of attempting to steal credit and complained that Gilmour would not allow him to use Pink Floyd's website and social media channels.<sup id="cite_ref-RSAnimals_333-1" class="reference"><a href="#cite_note-RSAnimals-333"><span class="cite-bracket">&#91;</span>283<span class="cite-bracket">&#93;</span></a></sup> <i>Rolling Stone</i> noted that the pair seemed "to have hit yet another low point in their relationship".<sup id="cite_ref-RSAnimals_333-2" class="reference"><a href="#cite_note-RSAnimals-333"><span class="cite-bracket">&#91;</span>283<span class="cite-bracket">&#93;</span></a></sup></p><figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:BoomBox_Toronto2015_4.JPG" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/6/6f/BoomBox_Toronto2015_4.JPG/170px-BoomBox_Toronto2015_4.JPG" decoding="async" width="170" height="255" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/6f/BoomBox_Toronto2015_4.JPG/255px-BoomBox_Toronto2015_4.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/6f/BoomBox_Toronto2015_4.JPG/340px-BoomBox_Toronto2015_4.JPG 2x" data-file-width="4016" data-file-height="6016" /></a><figcaption><a href="/wiki/Andriy_Khlyvnyuk" title="Andriy Khlyvnyuk">Andriy Khlyvnyuk</a>, whose vocals are featured in "<a href="/wiki/Hey,_Hey,_Rise_Up!" title="Hey, Hey, Rise Up!">Hey, Hey, Rise Up!</a>"</figcaption></figure> <p>In March 2022, Gilmour and Mason reunited as Pink Floyd, alongside Pratt and the keyboardist <a href="/wiki/Nitin_Sawhney" title="Nitin Sawhney">Nitin Sawhney</a>, to record the single "Hey, Hey, Rise Up!", protesting <a href="/wiki/2022_Russian_invasion_of_Ukraine" class="mw-redirect" title="2022 Russian invasion of Ukraine">Russian's invasion of Ukraine</a> that February. It features vocals by the <a href="/wiki/BoomBox_(Ukrainian_band)" title="BoomBox (Ukrainian band)">BoomBox</a> singer <a href="/wiki/Andriy_Khlyvnyuk" title="Andriy Khlyvnyuk">Andriy Khlyvnyuk</a>, taken from an <a href="/wiki/Instagram" title="Instagram">Instagram</a> video of Khlyvnyuk singing the 1914 Ukrainian anthem "<a href="/wiki/Oi_u_luzi_chervona_kalyna" title="Oi u luzi chervona kalyna">Oh, the Red Viburnum in the Meadow</a>" in <a href="/wiki/Kyiv" title="Kyiv">Kyiv</a>. Gilmour described Khlyvnyuk's performance as "a powerful moment that made me want to put it to music".<sup id="cite_ref-:1_334-0" class="reference"><a href="#cite_note-:1-334"><span class="cite-bracket">&#91;</span>284<span class="cite-bracket">&#93;</span></a></sup> "Hey, Hey, Rise Up!" was released on 8 April, with proceeds going to Ukrainian Humanitarian Relief. Gilmour said the war had inspired him to release new music as Pink Floyd as he felt it was important to raise awareness in support of Ukraine.<sup id="cite_ref-:1_334-1" class="reference"><a href="#cite_note-:1-334"><span class="cite-bracket">&#91;</span>284<span class="cite-bracket">&#93;</span></a></sup> Asked whether he was considering more Pink Floyd music, Gilmour said the single was a "one-off".<sup id="cite_ref-Rolling_Stone_335-0" class="reference"><a href="#cite_note-Rolling_Stone-335"><span class="cite-bracket">&#91;</span>285<span class="cite-bracket">&#93;</span></a></sup> </p><p>Pink Floyd removed music from streaming services in Russia and Belarus. Their work with Waters remained, leading to speculation that Waters had blocked its removal; Gilmour said only that "I was disappointed&#160;... Read into that what you will."<sup id="cite_ref-:1_334-2" class="reference"><a href="#cite_note-:1-334"><span class="cite-bracket">&#91;</span>284<span class="cite-bracket">&#93;</span></a></sup> Waters refused to condemn Russia's invasion and criticised "Hey, Hey, Rise Up!".<sup id="cite_ref-:16_336-0" class="reference"><a href="#cite_note-:16-336"><span class="cite-bracket">&#91;</span>286<span class="cite-bracket">&#93;</span></a></sup> Shortly afterwards, Gilmour and his wife, <a href="/wiki/Polly_Samson" title="Polly Samson">Polly Samson</a>, condemned Waters on Twitter as "a lying, thieving, hypocritical, tax-avoiding, lip-synching, misogynistic, sick-with-envy megalomaniac".<sup id="cite_ref-:16_336-1" class="reference"><a href="#cite_note-:16-336"><span class="cite-bracket">&#91;</span>286<span class="cite-bracket">&#93;</span></a></sup> In 2023, Waters released <i><a href="/wiki/The_Dark_Side_of_the_Moon_Redux" title="The Dark Side of the Moon Redux">The Dark Side of the Moon Redux</a></i>, a new version of the album.<sup id="cite_ref-RollingStoneRedux_337-0" class="reference"><a href="#cite_note-RollingStoneRedux-337"><span class="cite-bracket">&#91;</span>287<span class="cite-bracket">&#93;</span></a></sup> In 2024, Gilmour released his fifth solo album, <i><a href="/wiki/Luck_and_Strange" title="Luck and Strange">Luck and Strange</a></i>, featuring keyboards recorded with Wright in 2007.<sup id="cite_ref-338" class="reference"><a href="#cite_note-338"><span class="cite-bracket">&#91;</span>288<span class="cite-bracket">&#93;</span></a></sup> </p><p>In March 2023, <i><a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a></i> reported that Pink Floyd had been seeking to sell their back catalogue for some time, but that this had been hampered by infighting.<sup id="cite_ref-339" class="reference"><a href="#cite_note-339"><span class="cite-bracket">&#91;</span>289<span class="cite-bracket">&#93;</span></a></sup> Gilmour said he wanted to "be rid of the decision-making and the arguments that are involved with keeping [the catalogue] going ... It's three people saying yes, but one person saying no."<sup id="cite_ref-340" class="reference"><a href="#cite_note-340"><span class="cite-bracket">&#91;</span>290<span class="cite-bracket">&#93;</span></a></sup> In October 2024, Pink Floyd agreed to sell their catalogue to <a href="/wiki/Sony_Music" title="Sony Music">Sony Music</a> for approximately $400 million. The sale included the rights to Pink Floyd's recorded music, merchandise and spin-offs, but not songwriting rights.<sup id="cite_ref-341" class="reference"><a href="#cite_note-341"><span class="cite-bracket">&#91;</span>291<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Artistry">Artistry</h2></div> <div class="mw-heading mw-heading3"><h3 id="Classification">Classification</h3></div> <p>Considered one of the UK's first <a href="/wiki/Psychedelic_music" title="Psychedelic music">psychedelic music</a> groups, Pink Floyd began their career at the vanguard of London's <a href="/wiki/Underground_music" title="Underground music">underground music</a> scene,<sup id="cite_ref-FOOTNOTEPovey200886_342-0" class="reference"><a href="#cite_note-FOOTNOTEPovey200886-342"><span class="cite-bracket">&#91;</span>292<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-345" class="reference"><a href="#cite_note-345"><span class="cite-bracket">&#91;</span>nb 51<span class="cite-bracket">&#93;</span></a></sup> appearing at <a href="/wiki/UFO_Club" title="UFO Club">UFO Club</a> and its successor <a href="/wiki/Middle_Earth_(club)" title="Middle Earth (club)">Middle Earth</a>. According to <i>Rolling Stone</i>: "By 1967, they had developed an unmistakably psychedelic sound, performing long, loud suitelike compositions that touched on <a href="/wiki/Hard_rock" title="Hard rock">hard rock</a>, blues, <a href="/wiki/Country_music" title="Country music">country</a>, <a href="/wiki/Folk_music" title="Folk music">folk</a>, and <a href="/wiki/Electronic_music" title="Electronic music">electronic music</a>."<sup id="cite_ref-FOOTNOTEGeorge-Warren2001761_346-0" class="reference"><a href="#cite_note-FOOTNOTEGeorge-Warren2001761-346"><span class="cite-bracket">&#91;</span>295<span class="cite-bracket">&#93;</span></a></sup> Released in 1968, the song "Careful with That Axe, Eugene" helped galvanise their reputation as an <a href="/wiki/Art_rock" title="Art rock">art rock</a> group.<sup id="cite_ref-FOOTNOTEdi_Perna200213_101-1" class="reference"><a href="#cite_note-FOOTNOTEdi_Perna200213-101"><span class="cite-bracket">&#91;</span>83<span class="cite-bracket">&#93;</span></a></sup> Other genres attributed to the band are <a href="/wiki/Space_rock" title="Space rock">space rock</a>,<sup id="cite_ref-FOOTNOTEdi_Perna200229_347-0" class="reference"><a href="#cite_note-FOOTNOTEdi_Perna200229-347"><span class="cite-bracket">&#91;</span>296<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Experimental_rock" title="Experimental rock">experimental rock</a>,<sup id="cite_ref-348" class="reference"><a href="#cite_note-348"><span class="cite-bracket">&#91;</span>297<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Acid_rock" title="Acid rock">acid rock</a>,<sup id="cite_ref-FOOTNOTEGeorge-Warren2001760_349-0" class="reference"><a href="#cite_note-FOOTNOTEGeorge-Warren2001760-349"><span class="cite-bracket">&#91;</span>298<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-350" class="reference"><a href="#cite_note-350"><span class="cite-bracket">&#91;</span>299<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-351" class="reference"><a href="#cite_note-351"><span class="cite-bracket">&#91;</span>300<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Proto-prog" title="Proto-prog">proto-prog</a>,<sup id="cite_ref-352" class="reference"><a href="#cite_note-352"><span class="cite-bracket">&#91;</span>301<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Experimental_pop" title="Experimental pop">experimental pop</a> (while under Barrett),<sup id="cite_ref-FOOTNOTEChapman2012113_353-0" class="reference"><a href="#cite_note-FOOTNOTEChapman2012113-353"><span class="cite-bracket">&#91;</span>302<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Psychedelic_pop" title="Psychedelic pop">psychedelic pop</a>,<sup id="cite_ref-FOOTNOTEDeRogatis2006xvi_354-0" class="reference"><a href="#cite_note-FOOTNOTEDeRogatis2006xvi-354"><span class="cite-bracket">&#91;</span>303<span class="cite-bracket">&#93;</span></a></sup> and <a href="/wiki/Psychedelic_rock" title="Psychedelic rock">psychedelic rock</a>.<sup id="cite_ref-355" class="reference"><a href="#cite_note-355"><span class="cite-bracket">&#91;</span>304<span class="cite-bracket">&#93;</span></a></sup> Author Mike Cormack claims that Pink Floyd likely have "the greatest range in all of rock music",<sup id="cite_ref-FOOTNOTECormack202481_356-0" class="reference"><a href="#cite_note-FOOTNOTECormack202481-356"><span class="cite-bracket">&#91;</span>305<span class="cite-bracket">&#93;</span></a></sup> encompassing styles that go from disco to ambient to meta rock to folk to country and western to blues to freeform to chamber pop to freeform psychedelia.<sup id="cite_ref-FOOTNOTECormack202478_357-0" class="reference"><a href="#cite_note-FOOTNOTECormack202478-357"><span class="cite-bracket">&#91;</span>306<span class="cite-bracket">&#93;</span></a></sup> </p><p>During the late 1960s, the press labelled Pink Floyd's music psychedelic pop,<sup id="cite_ref-FOOTNOTEPalacios2010_358-0" class="reference"><a href="#cite_note-FOOTNOTEPalacios2010-358"><span class="cite-bracket">&#91;</span>307<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Progressive_pop" title="Progressive pop">progressive pop</a><sup id="cite_ref-FOOTNOTEPoveyRussell199797_359-0" class="reference"><a href="#cite_note-FOOTNOTEPoveyRussell199797-359"><span class="cite-bracket">&#91;</span>308<span class="cite-bracket">&#93;</span></a></sup> and <a href="/wiki/Progressive_rock" title="Progressive rock">progressive rock</a>;<sup id="cite_ref-FOOTNOTEPovey200885_360-0" class="reference"><a href="#cite_note-FOOTNOTEPovey200885-360"><span class="cite-bracket">&#91;</span>309<span class="cite-bracket">&#93;</span></a></sup> they gained a following as a psychedelic pop group.<sup id="cite_ref-FOOTNOTEPalacios2010_358-1" class="reference"><a href="#cite_note-FOOTNOTEPalacios2010-358"><span class="cite-bracket">&#91;</span>307<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEMiles2011_361-0" class="reference"><a href="#cite_note-FOOTNOTEMiles2011-361"><span class="cite-bracket">&#91;</span>310<span class="cite-bracket">&#93;</span></a></sup><sup class="noprint Inline-Template" style="white-space:nowrap;">&#91;<i><a href="/wiki/Wikipedia:Citing_sources" title="Wikipedia:Citing sources"><span title="This citation requires a reference to the specific page or range of pages in which the material appears. (July 2023)">page&#160;needed</span></a></i>&#93;</sup><sup id="cite_ref-362" class="reference"><a href="#cite_note-362"><span class="cite-bracket">&#91;</span>311<span class="cite-bracket">&#93;</span></a></sup> In 1968, Wright said: "It's hard to see why we were cast as the first British psychedelic group. We never saw ourselves that way&#160;... we realised that we were, after all, only playing for fun&#160;... tied to no particular form of music, we could do whatever we wanted&#160;... the emphasis&#160;... [is] firmly on spontaneity and improvisation."<sup id="cite_ref-FOOTNOTEFitch200145_363-0" class="reference"><a href="#cite_note-FOOTNOTEFitch200145-363"><span class="cite-bracket">&#91;</span>312<span class="cite-bracket">&#93;</span></a></sup> Waters said later: "There wasn't anything 'grand' about it. We were laughable. We were useless. We couldn't play at all so we had to do something stupid and 'experimental'&#160;... Syd was a genius, but I wouldn't want to go back to playing '<a href="/wiki/Interstellar_Overdrive" title="Interstellar Overdrive">Interstellar Overdrive</a>' for hours and hours."<sup id="cite_ref-FOOTNOTEHibbert1996147_364-0" class="reference"><a href="#cite_note-FOOTNOTEHibbert1996147-364"><span class="cite-bracket">&#91;</span>313<span class="cite-bracket">&#93;</span></a></sup> Unconstrained by conventional pop formats, Pink Floyd were innovators of progressive rock during the 1970s and <a href="/wiki/Ambient_music" title="Ambient music">ambient music</a> during the 1980s.<sup id="cite_ref-FOOTNOTEGeorge-Warren2001760–761_365-0" class="reference"><a href="#cite_note-FOOTNOTEGeorge-Warren2001760–761-365"><span class="cite-bracket">&#91;</span>314<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Instrumentation">Instrumentation</h3></div> <style data-mw-deduplicate="TemplateStyles:r1224211176">.mw-parser-output .quotebox{background-color:#F9F9F9;border:1px solid #aaa;box-sizing:border-box;padding:10px;font-size:88%;max-width:100%}.mw-parser-output .quotebox.floatleft{margin:.5em 1.4em .8em 0}.mw-parser-output .quotebox.floatright{margin:.5em 0 .8em 1.4em}.mw-parser-output .quotebox.centered{overflow:hidden;position:relative;margin:.5em auto .8em auto}.mw-parser-output .quotebox.floatleft span,.mw-parser-output .quotebox.floatright span{font-style:inherit}.mw-parser-output .quotebox>blockquote{margin:0;padding:0;border-left:0;font-family:inherit;font-size:inherit}.mw-parser-output .quotebox-title{text-align:center;font-size:110%;font-weight:bold}.mw-parser-output .quotebox-quote>:first-child{margin-top:0}.mw-parser-output .quotebox-quote:last-child>:last-child{margin-bottom:0}.mw-parser-output .quotebox-quote.quoted:before{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" “ ";vertical-align:-45%;line-height:0}.mw-parser-output .quotebox-quote.quoted:after{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" ” ";line-height:0}.mw-parser-output .quotebox .left-aligned{text-align:left}.mw-parser-output .quotebox .right-aligned{text-align:right}.mw-parser-output .quotebox .center-aligned{text-align:center}.mw-parser-output .quotebox .quote-title,.mw-parser-output .quotebox .quotebox-quote{display:block}.mw-parser-output .quotebox cite{display:block;font-style:normal}@media screen and (max-width:640px){.mw-parser-output .quotebox{width:100%!important;margin:0 0 .8em!important;float:none!important}}</style><div class="quotebox pullquote floatright" style="width:20%; ; padding:8px;"> <blockquote class="quotebox-quote left-aligned" style=""> <p>"While Waters was Floyd's lyricist and conceptualist, Gilmour was the band's voice and its main instrumental focus."<sup id="cite_ref-FOOTNOTEdi_Perna200659_366-0" class="reference"><a href="#cite_note-FOOTNOTEdi_Perna200659-366"><span class="cite-bracket">&#91;</span>315<span class="cite-bracket">&#93;</span></a></sup> </p> </blockquote> <p style="padding-bottom: 0;"><cite class="left-aligned" style="">—Alan di Perna, in <i>Guitar World</i>, May 2006</cite></p> </div> <p><i>Rolling Stone</i> critic Alan di Perna praised Gilmour's guitar work as integral to Pink Floyd's sound,<sup id="cite_ref-FOOTNOTEdi_Perna200659_366-1" class="reference"><a href="#cite_note-FOOTNOTEdi_Perna200659-366"><span class="cite-bracket">&#91;</span>315<span class="cite-bracket">&#93;</span></a></sup> and described him as the most important guitarist of the 1970s, "the missing link between Hendrix and <a href="/wiki/Eddie_Van_Halen" title="Eddie Van Halen">Van Halen</a>".<sup id="cite_ref-:0_367-0" class="reference"><a href="#cite_note-:0-367"><span class="cite-bracket">&#91;</span>316<span class="cite-bracket">&#93;</span></a></sup> <i>Rolling Stone</i> named him the 14th greatest guitarist of all time.<sup id="cite_ref-:0_367-1" class="reference"><a href="#cite_note-:0-367"><span class="cite-bracket">&#91;</span>316<span class="cite-bracket">&#93;</span></a></sup> In 2006, Gilmour said of his technique: "[My] fingers make a distinctive sound&#160;... [they] aren't very fast, but I think I am instantly recognisable&#160;... The way I play melodies is connected to things like <a href="/wiki/Hank_Marvin" title="Hank Marvin">Hank Marvin</a> and <a href="/wiki/The_Shadows" title="The Shadows">the Shadows</a>."<sup id="cite_ref-FOOTNOTEdi_Perna200658–59_368-0" class="reference"><a href="#cite_note-FOOTNOTEdi_Perna200658–59-368"><span class="cite-bracket">&#91;</span>317<span class="cite-bracket">&#93;</span></a></sup> Gilmour's ability to use fewer notes than most to express himself without sacrificing strength or beauty drew a favourable comparison to <a href="/wiki/Jazz" title="Jazz">jazz</a> trumpeter <a href="/wiki/Miles_Davis" title="Miles Davis">Miles Davis</a>.<sup id="cite_ref-FOOTNOTEBrown200662_369-0" class="reference"><a href="#cite_note-FOOTNOTEBrown200662-369"><span class="cite-bracket">&#91;</span>318<span class="cite-bracket">&#93;</span></a></sup> </p><p>In 2006, <i>Guitar World</i> writer Jimmy Brown described Gilmour's guitar style as "characterised by simple, huge-sounding riffs; gutsy, well-paced solos; and rich, ambient chordal textures."<sup id="cite_ref-FOOTNOTEBrown200662_369-1" class="reference"><a href="#cite_note-FOOTNOTEBrown200662-369"><span class="cite-bracket">&#91;</span>318<span class="cite-bracket">&#93;</span></a></sup> According to Brown, Gilmour's solos on "Money", "<a href="/wiki/Time_(Pink_Floyd_song)" title="Time (Pink Floyd song)">Time</a>" and "<a href="/wiki/Comfortably_Numb" title="Comfortably Numb">Comfortably Numb</a>" "cut through the mix like a laser beam through fog."<sup id="cite_ref-FOOTNOTEBrown200662_369-2" class="reference"><a href="#cite_note-FOOTNOTEBrown200662-369"><span class="cite-bracket">&#91;</span>318<span class="cite-bracket">&#93;</span></a></sup> Brown described the "Time" solo as "a masterpiece of phrasing and motivic development&#160;... Gilmour paces himself throughout and builds upon his initial idea by leaping into the upper register with gut-wrenching one-and-one-half-step 'over bends', soulful triplet arpeggios and a typically impeccable bar vibrato."<sup id="cite_ref-FOOTNOTEBrown200666_370-0" class="reference"><a href="#cite_note-FOOTNOTEBrown200666-370"><span class="cite-bracket">&#91;</span>319<span class="cite-bracket">&#93;</span></a></sup> Brown described Gilmour's phrasing as intuitive and perhaps his best asset as a lead guitarist. Gilmour explained how he achieved his signature tone: "I usually use a fuzz box, a delay and a bright EQ setting&#160;... [to get] singing sustain&#160;... you need to play loud—at or near the feedback threshold. It's just so much more fun to play&#160;... when bent notes slice right through you like a razor blade."<sup id="cite_ref-FOOTNOTEBrown200662_369-3" class="reference"><a href="#cite_note-FOOTNOTEBrown200662-369"><span class="cite-bracket">&#91;</span>318<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Sonic_experimentation">Sonic experimentation</h3></div> <p>Throughout their career, Pink Floyd experimented with their sound. Their second single, "See Emily Play" premiered at the <a href="/wiki/Queen_Elizabeth_Hall" title="Queen Elizabeth Hall">Queen Elizabeth Hall</a> in London, on 12 May 1967. During the performance, the group first used an early <a href="/wiki/Quadraphonic_sound" title="Quadraphonic sound">quadraphonic device</a> called an <a href="/wiki/Azimuth_Co-ordinator" title="Azimuth Co-ordinator">Azimuth Co-ordinator</a>.<sup id="cite_ref-FOOTNOTEBlake200886_371-0" class="reference"><a href="#cite_note-FOOTNOTEBlake200886-371"><span class="cite-bracket">&#91;</span>320<span class="cite-bracket">&#93;</span></a></sup> The device enabled the controller, usually Wright, to manipulate the band's amplified sound, combined with recorded tapes, projecting the sounds 270 degrees around a venue, achieving a sonic swirling effect.<sup id="cite_ref-FOOTNOTEBlake2008134_372-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008134-372"><span class="cite-bracket">&#91;</span>321<span class="cite-bracket">&#93;</span></a></sup> In 1972, they purchased a custom-built PA which featured an upgraded four-channel, 360-degree system.<sup id="cite_ref-FOOTNOTEBlake2008178_373-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008178-373"><span class="cite-bracket">&#91;</span>322<span class="cite-bracket">&#93;</span></a></sup> </p><p>Waters experimented with the <a href="/wiki/EMS_VCS_3" title="EMS VCS 3">VCS 3</a> synthesiser on Pink Floyd pieces such as "<a href="/wiki/On_the_Run_(instrumental)" title="On the Run (instrumental)">On the Run</a>", "<a href="/wiki/Welcome_to_the_Machine" title="Welcome to the Machine">Welcome to the Machine</a>", and "<a href="/wiki/In_the_Flesh%3F" class="mw-redirect" title="In the Flesh?">In the Flesh?</a>".<sup id="cite_ref-374" class="reference"><a href="#cite_note-374"><span class="cite-bracket">&#91;</span>323<span class="cite-bracket">&#93;</span></a></sup> He used a <a href="/wiki/Binson" class="mw-redirect" title="Binson">binson</a> echorec 2 delay effect on his bass-guitar track for "<a href="/wiki/One_of_These_Days_(instrumental)" title="One of These Days (instrumental)">One of These Days</a>".<sup id="cite_ref-FOOTNOTEMabbett199539_375-0" class="reference"><a href="#cite_note-FOOTNOTEMabbett199539-375"><span class="cite-bracket">&#91;</span>324<span class="cite-bracket">&#93;</span></a></sup> </p><p>Pink Floyd used innovative sound effects and <a href="/wiki/State_of_the_art" title="State of the art">state of the art</a> audio recording technology during the recording of <i>The Final Cut</i>. Mason's contributions to the album were almost entirely limited to work with the experimental <a href="/wiki/Holophonics" title="Holophonics">Holophonic</a> system, an audio processing technique used to simulate a three-dimensional effect. The system used a conventional stereo tape to produce an effect that seemed to move the sound around the listener's head when they were wearing headphones. The process enabled an engineer to simulate moving the sound to behind, above or beside the listener's ears.<sup id="cite_ref-FOOTNOTEBlake2008297–298_376-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008297–298-376"><span class="cite-bracket">&#91;</span>325<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Film_scores">Film scores</h3></div> <p>Pink Floyd also composed several film scores, starting in 1968, with <i><a href="/wiki/The_Committee_(film)" title="The Committee (film)">The Committee</a></i>.<sup id="cite_ref-FOOTNOTEMason2005133–135_377-0" class="reference"><a href="#cite_note-FOOTNOTEMason2005133–135-377"><span class="cite-bracket">&#91;</span>326<span class="cite-bracket">&#93;</span></a></sup> In 1969, they recorded the score for <a href="/wiki/Barbet_Schroeder" title="Barbet Schroeder">Barbet Schroeder</a>'s film <i><a href="/wiki/More_(1969_film)" title="More (1969 film)">More</a></i>. The soundtrack proved beneficial: not only did it pay well but, along with <i>A Saucerful of Secrets</i>, the material they created became part of their live shows for some time thereafter.<sup id="cite_ref-FOOTNOTESchaffner1991128_378-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991128-378"><span class="cite-bracket">&#91;</span>327<span class="cite-bracket">&#93;</span></a></sup> While composing the soundtrack for director <a href="/wiki/Michelangelo_Antonioni" title="Michelangelo Antonioni">Michelangelo Antonioni</a>'s film <i><a href="/wiki/Zabriskie_Point_(film)" title="Zabriskie Point (film)">Zabriskie Point</a></i>, the band stayed at a luxury hotel in Rome for almost a month. Waters claimed that, without Antonioni's constant changes to the music, they would have completed the work in less than a week. Eventually he used only three of their recordings. One of the pieces turned down by Antonioni, called "The Violent Sequence", later became "Us and Them", included on 1973's <i>The Dark Side of the Moon</i>.<sup id="cite_ref-FOOTNOTESchaffner1991135–136_379-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991135–136-379"><span class="cite-bracket">&#91;</span>328<span class="cite-bracket">&#93;</span></a></sup> In 1971, the band again worked with Schroeder on the film <i><a href="/wiki/La_Vall%C3%A9e_(film)" title="La Vallée (film)">La Vallée</a></i>, for which they released a soundtrack album called <i><a href="/wiki/Obscured_by_Clouds" title="Obscured by Clouds">Obscured by Clouds</a></i>. They composed the material in about a week at the <a href="/wiki/Ch%C3%A2teau_d%27H%C3%A9rouville" title="Château d&#39;Hérouville">Château d'Hérouville</a> near Paris, and upon its release, it became Pink Floyd's first album to break into the top&#160;50 on the US <i>Billboard</i> chart.<sup id="cite_ref-FOOTNOTESchaffner1991156–157_380-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991156–157-380"><span class="cite-bracket">&#91;</span>329<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Live_performances">Live performances</h3></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Pink_Floyd_live_performances" title="Pink Floyd live performances">Pink Floyd live performances</a></div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:DarkSideOfTheMoon1973.jpg" class="mw-file-description"><img alt="A monochrome image of members of the band. The photograph is taken from a distance, and is bisected horizontally by the forward edge of the stage. Each band member and his equipment is illuminated from above by bright spotlights, also visible. A long-haired man holds a guitar and sings into a microphone on the left of the image. Central, another man is seated behind a large drumkit. Two men on the right of the image hold a saxophone or a bass guitar and appear to be looking in each other&#39;s general direction. In the foreground, silhouetted, are the heads of the audience." src="//upload.wikimedia.org/wikipedia/commons/thumb/8/8f/DarkSideOfTheMoon1973.jpg/220px-DarkSideOfTheMoon1973.jpg" decoding="async" width="220" height="152" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/8f/DarkSideOfTheMoon1973.jpg/330px-DarkSideOfTheMoon1973.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/8f/DarkSideOfTheMoon1973.jpg/440px-DarkSideOfTheMoon1973.jpg 2x" data-file-width="1000" data-file-height="690" /></a><figcaption>A live performance of <i>The Dark Side of the Moon</i> at <a href="/wiki/Earls_Court_Exhibition_Centre" title="Earls Court Exhibition Centre">Earls Court</a>, shortly after its release in 1973: (l–r) Gilmour, Mason, <a href="/wiki/Dick_Parry" title="Dick Parry">Dick Parry</a>, Waters</figcaption></figure> <p>Regarded as pioneers of <a href="/wiki/Concert" title="Concert">live music</a> performance and renowned for their lavish stage shows, Pink Floyd also set high standards in sound quality, making use of innovative sound effects and quadraphonic speaker systems.<sup id="cite_ref-381" class="reference"><a href="#cite_note-381"><span class="cite-bracket">&#91;</span>330<span class="cite-bracket">&#93;</span></a></sup> From their earliest days, they employed visual effects to accompany their psychedelic music while performing at venues such as the UFO Club in London.<sup id="cite_ref-FOOTNOTEMason200554–58_42-1" class="reference"><a href="#cite_note-FOOTNOTEMason200554–58-42"><span class="cite-bracket">&#91;</span>35<span class="cite-bracket">&#93;</span></a></sup> Their slide-and-light show was one of the first in British rock, and it helped them become popular among London's underground.<sup id="cite_ref-FOOTNOTEGeorge-Warren2001761_346-1" class="reference"><a href="#cite_note-FOOTNOTEGeorge-Warren2001761-346"><span class="cite-bracket">&#91;</span>295<span class="cite-bracket">&#93;</span></a></sup> </p><p>To celebrate the launch of the <a href="/wiki/London_Free_School" title="London Free School">London Free School</a>'s magazine <i>International Times</i> in 1966, they performed in front of 2,000 people at the opening of <a href="/wiki/Roundhouse_(venue)" title="Roundhouse (venue)">the Roundhouse</a>, attended by celebrities including <a href="/wiki/Paul_McCartney" title="Paul McCartney">Paul McCartney</a> and <a href="/wiki/Marianne_Faithfull" title="Marianne Faithfull">Marianne Faithfull</a>.<sup id="cite_ref-FOOTNOTESchaffner199142–43_382-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner199142–43-382"><span class="cite-bracket">&#91;</span>331<span class="cite-bracket">&#93;</span></a></sup> In mid-1966, road manager Peter Wynne-Willson joined their road crew, and updated the band's lighting rig with some innovative ideas including the use of <a href="/wiki/Polarizer" title="Polarizer">polarisers</a>, mirrors and stretched <a href="/wiki/Condom" title="Condom">condoms</a>.<sup id="cite_ref-383" class="reference"><a href="#cite_note-383"><span class="cite-bracket">&#91;</span>332<span class="cite-bracket">&#93;</span></a></sup> After their record deal with EMI, Pink Floyd purchased a <a href="/wiki/Ford_Transit" title="Ford Transit">Ford Transit</a> van, then considered extravagant band transportation.<sup id="cite_ref-FOOTNOTEMason200570_384-0" class="reference"><a href="#cite_note-FOOTNOTEMason200570-384"><span class="cite-bracket">&#91;</span>333<span class="cite-bracket">&#93;</span></a></sup> On 29 April 1967, they headlined an all-night event called <i><a href="/wiki/The_14_Hour_Technicolour_Dream" class="mw-redirect" title="The 14 Hour Technicolour Dream">The 14 Hour Technicolour Dream</a></i> at the <a href="/wiki/Alexandra_Palace" title="Alexandra Palace">Alexandra Palace</a>, London. Pink Floyd arrived at the festival at around three o'clock in the morning after a long journey by van and ferry from the Netherlands, taking the stage just as the sun was beginning to rise.<sup id="cite_ref-FOOTNOTEPovey200858_385-0" class="reference"><a href="#cite_note-FOOTNOTEPovey200858-385"><span class="cite-bracket">&#91;</span>334<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-387" class="reference"><a href="#cite_note-387"><span class="cite-bracket">&#91;</span>nb 52<span class="cite-bracket">&#93;</span></a></sup> In July 1969, precipitated by their space-related music and lyrics, they took part in the live BBC television coverage of the <a href="/wiki/Apollo_11" title="Apollo 11">Apollo 11</a> Moon landing, performing an instrumental piece which they called "<a href="/wiki/Moonhead_(song)" class="mw-redirect" title="Moonhead (song)">Moonhead</a>".<sup id="cite_ref-FOOTNOTEPovey200887:_The_television_audience,_111:_Pink_Floyd_performed_a_piece_titled_&quot;Moonhead&quot;_388-0" class="reference"><a href="#cite_note-FOOTNOTEPovey200887:_The_television_audience,_111:_Pink_Floyd_performed_a_piece_titled_&quot;Moonhead&quot;-388"><span class="cite-bracket">&#91;</span>336<span class="cite-bracket">&#93;</span></a></sup> </p><p>In November 1974, they employed for the first time the large circular screen that would become a staple of their live shows.<sup id="cite_ref-FOOTNOTEPovey2008183_389-0" class="reference"><a href="#cite_note-FOOTNOTEPovey2008183-389"><span class="cite-bracket">&#91;</span>337<span class="cite-bracket">&#93;</span></a></sup> In 1977, they employed the use of a large inflatable floating pig named "Algie". Filled with helium and propane, Algie, while floating above the audience, would explode with a loud noise during the In the Flesh Tour.<sup id="cite_ref-FOOTNOTEFitch2005241_390-0" class="reference"><a href="#cite_note-FOOTNOTEFitch2005241-390"><span class="cite-bracket">&#91;</span>338<span class="cite-bracket">&#93;</span></a></sup> The behaviour of the audience during the tour, as well as the large size of the venues, proved a strong influence on their concept album <i><a href="/wiki/The_Wall" title="The Wall">The Wall</a></i>. The subsequent <a href="/wiki/The_Wall_Tour" class="mw-redirect" title="The Wall Tour">The Wall Tour</a> featured a 40 feet (12&#160;m) high wall, built from cardboard bricks, constructed between the band and the audience. They projected animations onto the wall, while gaps allowed the audience to view various scenes from the story. They commissioned the creation of several giant inflatables to represent characters from the story.<sup id="cite_ref-FOOTNOTEBlake2008280–282_391-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008280–282-391"><span class="cite-bracket">&#91;</span>339<span class="cite-bracket">&#93;</span></a></sup> One striking feature of the tour was the performance of "Comfortably Numb". While Waters sang his opening verse, in darkness, Gilmour waited for his cue on top of the wall. When it came, bright blue and white lights would suddenly reveal him. Gilmour stood on a <a href="/wiki/Road_case" title="Road case">flightcase</a> on castors, an insecure setup supported from behind by a technician. A large hydraulic platform supported both Gilmour and the tech.<sup id="cite_ref-FOOTNOTEBlake2008284–285_392-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008284–285-392"><span class="cite-bracket">&#91;</span>340<span class="cite-bracket">&#93;</span></a></sup> </p><p>During the <a href="/wiki/The_Division_Bell_Tour" title="The Division Bell Tour">Division Bell Tour</a>, an unknown person using the name Publius posted a message on an internet newsgroup inviting fans to solve a riddle supposedly concealed in the new album. White lights in front of the stage at the Pink Floyd concert in <a href="/wiki/East_Rutherford,_New_Jersey" title="East Rutherford, New Jersey">East Rutherford</a> spelled out the words Enigma Publius. During a televised concert at Earls Court on 20 October 1994, someone projected the word "enigma" in large letters on to the backdrop of the stage. Mason later acknowledged that their record company had instigated the Publius Enigma mystery, rather than the band.<sup id="cite_ref-FOOTNOTEBlake2008363–367_278-1" class="reference"><a href="#cite_note-FOOTNOTEBlake2008363–367-278"><span class="cite-bracket">&#91;</span>233<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Lyrical_themes">Lyrical themes</h2></div> <p>Marked by Waters's philosophical lyrics, <i>Rolling Stone</i> described Pink Floyd as "purveyors of a distinctively dark vision".<sup id="cite_ref-FOOTNOTEGeorge-Warren2001760_349-1" class="reference"><a href="#cite_note-FOOTNOTEGeorge-Warren2001760-349"><span class="cite-bracket">&#91;</span>298<span class="cite-bracket">&#93;</span></a></sup> Author Jere O'Neill Surber wrote: "their interests are truth and illusion, life and death, time and space, causality and chance, compassion and indifference."<sup id="cite_ref-FOOTNOTEO&#39;Neill_Surber2007192_393-0" class="reference"><a href="#cite_note-FOOTNOTEO&#39;Neill_Surber2007192-393"><span class="cite-bracket">&#91;</span>341<span class="cite-bracket">&#93;</span></a></sup> Waters identified <a href="/wiki/Empathy" title="Empathy">empathy</a> as a central theme in the lyrics of Pink Floyd.<sup id="cite_ref-FOOTNOTECroskery200736_394-0" class="reference"><a href="#cite_note-FOOTNOTECroskery200736-394"><span class="cite-bracket">&#91;</span>342<span class="cite-bracket">&#93;</span></a></sup> Author George Reisch described <i>Meddle</i><span class="nowrap" style="padding-left:0.1em;">&#39;s</span> psychedelic opus, "<a href="/wiki/Echoes_(Pink_Floyd_song)" title="Echoes (Pink Floyd song)">Echoes</a>", as "built around the core idea of genuine communication, <a href="/wiki/Sympathy" title="Sympathy">sympathy</a>, and <i>collaboration</i> with others."<sup id="cite_ref-FOOTNOTEReisch2007268_395-0" class="reference"><a href="#cite_note-FOOTNOTEReisch2007268-395"><span class="cite-bracket">&#91;</span>343<span class="cite-bracket">&#93;</span></a></sup> Despite having been labelled "the gloomiest man in rock", author Deena Weinstein described Waters as an <a href="/wiki/Existentialism" title="Existentialism">existentialist</a>, dismissing the unfavourable moniker as the result of misinterpretation by music critics.<sup id="cite_ref-FOOTNOTEWeinstein200781–82_396-0" class="reference"><a href="#cite_note-FOOTNOTEWeinstein200781–82-396"><span class="cite-bracket">&#91;</span>344<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Disillusionment,_absence,_and_non-being"><span id="Disillusionment.2C_absence.2C_and_non-being"></span>Disillusionment, absence, and non-being</h3></div> <p>Waters's lyrics to <i>Wish You Were Here</i><span class="nowrap" style="padding-left:0.1em;">&#39;s</span> "<a href="/wiki/Have_a_Cigar" title="Have a Cigar">Have a Cigar</a>" deal with a perceived lack of sincerity on the part of music industry representatives.<sup id="cite_ref-FOOTNOTEFitch2005133_397-0" class="reference"><a href="#cite_note-FOOTNOTEFitch2005133-397"><span class="cite-bracket">&#91;</span>345<span class="cite-bracket">&#93;</span></a></sup> The song illustrates a dysfunctional dynamic between the band and a record label executive who congratulates the group on their current sales success, implying that they are on the same team while revealing that he erroneously believes "Pink" is the name of one of the band members.<sup id="cite_ref-FOOTNOTEDetmer200777_398-0" class="reference"><a href="#cite_note-FOOTNOTEDetmer200777-398"><span class="cite-bracket">&#91;</span>346<span class="cite-bracket">&#93;</span></a></sup> According to author David Detmer, the album's lyrics deal with the "dehumanising aspects of the world of commerce", a situation the artist must endure to reach their audience.<sup id="cite_ref-FOOTNOTEDetmer200775_399-0" class="reference"><a href="#cite_note-FOOTNOTEDetmer200775-399"><span class="cite-bracket">&#91;</span>347<span class="cite-bracket">&#93;</span></a></sup> </p><p>Absence as a lyrical theme is common in the music of Pink Floyd. Examples include the absence of Barrett after 1968, and that of Waters's father, who died during the <a href="/wiki/Second_World_War" class="mw-redirect" title="Second World War">Second World War</a>. Waters's lyrics also explored unrealised political goals and unsuccessful endeavours. Their film score, <i>Obscured by Clouds</i>, dealt with the loss of youthful exuberance that sometimes comes with ageing.<sup id="cite_ref-FOOTNOTEO&#39;Neill_Surber2007197_400-0" class="reference"><a href="#cite_note-FOOTNOTEO&#39;Neill_Surber2007197-400"><span class="cite-bracket">&#91;</span>348<span class="cite-bracket">&#93;</span></a></sup> Longtime Pink Floyd album cover designer, Storm Thorgerson, described the lyrics of <i>Wish You Were Here</i>: "The idea of presence withheld, of the ways that people pretend to be present while their minds are really elsewhere, and the devices and motivations employed psychologically by people to suppress the full force of their presence, eventually boiled down to a single theme, absence: The absence of a person, the absence of a feeling."<sup id="cite_ref-401" class="reference"><a href="#cite_note-401"><span class="cite-bracket">&#91;</span>349<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-402" class="reference"><a href="#cite_note-402"><span class="cite-bracket">&#91;</span>nb 53<span class="cite-bracket">&#93;</span></a></sup> Waters commented: "it's about none of us really being there&#160;... [it] should have been called <i>Wish We Were Here</i>".<sup id="cite_ref-FOOTNOTEWeinstein200790_403-0" class="reference"><a href="#cite_note-FOOTNOTEWeinstein200790-403"><span class="cite-bracket">&#91;</span>350<span class="cite-bracket">&#93;</span></a></sup> Critic Mike Cormack likewise points out that absence is a key theme for Pink Floyd, going all the way from the song "Paintbox" ("I open the door to an empty room / Then I forget") to "Summer '68" ("She let six hours ago") to "Saint Tropez" ("And if you’re alone / I’ll come home") to "Shine On You Crazy Diamond" to "Wish You Were Here" to "Comfortably Numb" to "Paranoid Eyes" ("You can hide, hide, hide / Behind petrified eyes").<sup id="cite_ref-FOOTNOTECormack2024_404-0" class="reference"><a href="#cite_note-FOOTNOTECormack2024-404"><span class="cite-bracket">&#91;</span>351<span class="cite-bracket">&#93;</span></a></sup> </p><p>Waters invoked non-being or non-existence in <i>The Wall</i>, with the lyrics to "Comfortably Numb": "I caught a fleeting glimpse, out of the corner of my eye. I turned to look, but it was gone, I cannot put my finger on it now, the child is grown, the dream is gone."<sup id="cite_ref-FOOTNOTEO&#39;Neill_Surber2007197_400-1" class="reference"><a href="#cite_note-FOOTNOTEO&#39;Neill_Surber2007197-400"><span class="cite-bracket">&#91;</span>348<span class="cite-bracket">&#93;</span></a></sup> Barrett referred to non-being in his final contribution to the band's catalogue, "Jugband Blues": "I'm most obliged to you for making it clear that I'm not here."<sup id="cite_ref-FOOTNOTEO&#39;Neill_Surber2007197_400-2" class="reference"><a href="#cite_note-FOOTNOTEO&#39;Neill_Surber2007197-400"><span class="cite-bracket">&#91;</span>348<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Exploitation_and_oppression">Exploitation and oppression</h3></div> <p>Author Patrick Croskery described <i>Animals</i> as a unique blend of the "powerful sounds and suggestive themes" of <i>Dark Side</i> with <i>The Wall</i><span class="nowrap" style="padding-left:0.1em;">&#39;s</span> portrayal of artistic alienation.<sup id="cite_ref-FOOTNOTECroskery200735_405-0" class="reference"><a href="#cite_note-FOOTNOTECroskery200735-405"><span class="cite-bracket">&#91;</span>352<span class="cite-bracket">&#93;</span></a></sup> He drew a parallel between the album's political themes and that of <a href="/wiki/George_Orwell" title="George Orwell">Orwell's</a> <a href="/wiki/Animal_Farm" title="Animal Farm"><i>Animal Farm</i></a>. <sup id="cite_ref-FOOTNOTECroskery200735_405-1" class="reference"><a href="#cite_note-FOOTNOTECroskery200735-405"><span class="cite-bracket">&#91;</span>352<span class="cite-bracket">&#93;</span></a></sup> <i>Animals</i> begins with a thought experiment, which asks: "If you didn't care what happened to me. And I didn't care for you", then develops a <a href="/wiki/Beast_fable" class="mw-redirect" title="Beast fable">beast fable</a> based on anthropomorphised characters using music to reflect the individual states of mind of each. The lyrics ultimately paint a picture of <a href="/wiki/Dystopia" title="Dystopia">dystopia</a>, the inevitable result of a world devoid of empathy and compassion, answering the question posed in the opening lines.<sup id="cite_ref-FOOTNOTECroskery200735–36_406-0" class="reference"><a href="#cite_note-FOOTNOTECroskery200735–36-406"><span class="cite-bracket">&#91;</span>353<span class="cite-bracket">&#93;</span></a></sup> </p><p>The album's characters include the "Dogs", representing fervent capitalists, the "Pigs", symbolising political corruption, and the "Sheep", who represent the exploited.<sup id="cite_ref-FOOTNOTECroskery200737–40_407-0" class="reference"><a href="#cite_note-FOOTNOTECroskery200737–40-407"><span class="cite-bracket">&#91;</span>354<span class="cite-bracket">&#93;</span></a></sup> Croskery described the "Sheep" as being in a "state of delusion created by a misleading cultural identity", a <a href="/wiki/False_consciousness" title="False consciousness">false consciousness</a>.<sup id="cite_ref-FOOTNOTECroskery200740_408-0" class="reference"><a href="#cite_note-FOOTNOTECroskery200740-408"><span class="cite-bracket">&#91;</span>355<span class="cite-bracket">&#93;</span></a></sup> The "Dog", in his tireless pursuit of self-interest and success, ends up depressed and alone with no one to trust, utterly lacking emotional satisfaction after a life of exploitation.<sup id="cite_ref-FOOTNOTECroskery200737–38_409-0" class="reference"><a href="#cite_note-FOOTNOTECroskery200737–38-409"><span class="cite-bracket">&#91;</span>356<span class="cite-bracket">&#93;</span></a></sup> Waters used <a href="/wiki/Mary_Whitehouse" title="Mary Whitehouse">Mary Whitehouse</a> as an example of a "Pig"; being someone who in his estimation, used the power of the government to impose her values on society.<sup id="cite_ref-FOOTNOTECroskery200739_410-0" class="reference"><a href="#cite_note-FOOTNOTECroskery200739-410"><span class="cite-bracket">&#91;</span>357<span class="cite-bracket">&#93;</span></a></sup> At the album's conclusion, Waters returns to empathy with the lyrical statement: "You know that I care what happens to you. And I know that you care for me too."<sup id="cite_ref-FOOTNOTECroskery200741_411-0" class="reference"><a href="#cite_note-FOOTNOTECroskery200741-411"><span class="cite-bracket">&#91;</span>358<span class="cite-bracket">&#93;</span></a></sup> However, he also acknowledges that the "Pigs" are a continuing threat and reveals that he is a "Dog" who requires shelter, suggesting the need for a balance between state, commerce and community, versus an ongoing battle between them.<sup id="cite_ref-FOOTNOTECroskery200741–42_412-0" class="reference"><a href="#cite_note-FOOTNOTECroskery200741–42-412"><span class="cite-bracket">&#91;</span>359<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Alienation,_war,_and_insanity"><span id="Alienation.2C_war.2C_and_insanity"></span>Alienation, war, and insanity</h3></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatright" style="width:25%; ; padding:8px;"> <blockquote class="quotebox-quote left-aligned" style=""> <p>When I say, "I'll see you on the dark side of the moon"&#160;... what I mean [is]&#160;... If you feel that you're the only one&#160;... that you seem crazy [because] you think everything is crazy, you're not alone.<sup id="cite_ref-FOOTNOTEHarris200589_413-0" class="reference"><a href="#cite_note-FOOTNOTEHarris200589-413"><span class="cite-bracket">&#91;</span>360<span class="cite-bracket">&#93;</span></a></sup> </p> </blockquote> <p style="padding-bottom: 0;"><cite class="left-aligned" style="">—Waters, quoted in Harris, 2005</cite></p> </div> <p>O'Neill Surber compared the lyrics of <i>Dark Side of the Moon</i><span class="nowrap" style="padding-left:0.1em;">&#39;s</span> "<a href="/wiki/Brain_Damage_(Pink_Floyd_song)" title="Brain Damage (Pink Floyd song)">Brain Damage</a>" with <a href="/wiki/Karl_Marx" title="Karl Marx">Karl Marx</a><span class="nowrap" style="padding-left:0.1em;">&#39;s</span> theory of <a href="/wiki/Social_alienation#Self-estrangement" title="Social alienation">self-alienation</a>; "there's someone in my head, but it's not me."<sup id="cite_ref-FOOTNOTEO&#39;Neill_Surber2007195_414-0" class="reference"><a href="#cite_note-FOOTNOTEO&#39;Neill_Surber2007195-414"><span class="cite-bracket">&#91;</span>361<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-415" class="reference"><a href="#cite_note-415"><span class="cite-bracket">&#91;</span>nb 54<span class="cite-bracket">&#93;</span></a></sup> The lyrics to <i>Wish You Were Here</i><span class="nowrap" style="padding-left:0.1em;">&#39;s</span> "Welcome to the Machine" suggest what Marx called the <a href="/wiki/Marx%27s_theory_of_alienation" title="Marx&#39;s theory of alienation">alienation of the thing</a>; the song's protagonist preoccupied with material possessions to the point that he becomes estranged from himself and others.<sup id="cite_ref-FOOTNOTEO&#39;Neill_Surber2007195_414-2" class="reference"><a href="#cite_note-FOOTNOTEO&#39;Neill_Surber2007195-414"><span class="cite-bracket">&#91;</span>361<span class="cite-bracket">&#93;</span></a></sup> Allusions to the <a href="/wiki/Marx%27s_theory_of_alienation#Types_of_alienation" title="Marx&#39;s theory of alienation">alienation of man's species being</a> can be found in <i>Animals</i>; the "Dog" reduced to living instinctively as a non-human.<sup id="cite_ref-FOOTNOTEO&#39;Neill_Surber2007196_416-0" class="reference"><a href="#cite_note-FOOTNOTEO&#39;Neill_Surber2007196-416"><span class="cite-bracket">&#91;</span>362<span class="cite-bracket">&#93;</span></a></sup> The "Dogs" become alienated from themselves to the extent that they justify their lack of integrity as a "necessary and defensible" position in "a cutthroat world with no room for empathy or moral principle" wrote Detmer.<sup id="cite_ref-FOOTNOTEDetmer200773_417-0" class="reference"><a href="#cite_note-FOOTNOTEDetmer200773-417"><span class="cite-bracket">&#91;</span>363<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Marx%27s_theory_of_alienation#Types_of_alienation" title="Marx&#39;s theory of alienation">Alienation from others</a> is a consistent theme in the lyrics of Pink Floyd, and it is a core element of <i>The Wall</i>.<sup id="cite_ref-FOOTNOTEO&#39;Neill_Surber2007195_414-3" class="reference"><a href="#cite_note-FOOTNOTEO&#39;Neill_Surber2007195-414"><span class="cite-bracket">&#91;</span>361<span class="cite-bracket">&#93;</span></a></sup> </p><p>War, viewed as the most severe consequence of the manifestation of alienation from others, is also a core element of <i>The Wall</i>, and a recurring theme in the band's music.<sup id="cite_ref-FOOTNOTEO&#39;Neill_Surber2007195–196_418-0" class="reference"><a href="#cite_note-FOOTNOTEO&#39;Neill_Surber2007195–196-418"><span class="cite-bracket">&#91;</span>364<span class="cite-bracket">&#93;</span></a></sup> Waters's father died in combat during the Second World War, and his lyrics often alluded to the cost of war, including those from "<a href="/wiki/Corporal_Clegg" title="Corporal Clegg">Corporal Clegg</a>" (1968), "<a href="/wiki/Free_Four" title="Free Four">Free Four</a>" (1972), "<a href="/wiki/Us_and_Them_(song)" title="Us and Them (song)">Us and Them</a>" (1973), "<a href="/wiki/When_the_Tigers_Broke_Free" title="When the Tigers Broke Free">When the Tigers Broke Free</a>" and "<a href="/wiki/The_Fletcher_Memorial_Home" title="The Fletcher Memorial Home">The Fletcher Memorial Home</a>" from <i><a href="/wiki/The_Final_Cut_(album)" title="The Final Cut (album)">The Final Cut</a></i> (1983), an album dedicated to his late father and subtitled <i>A Requiem for the Postwar Dream</i>.<sup id="cite_ref-419" class="reference"><a href="#cite_note-419"><span class="cite-bracket">&#91;</span>365<span class="cite-bracket">&#93;</span></a></sup> The themes and composition of <i>The Wall</i> express Waters's upbringing in an English society depleted of men after the Second World War, a condition that negatively affected his personal relationships with women.<sup id="cite_ref-FOOTNOTEBlake2008294–295:_The_influence_of_WWII_on_&#39;&#39;The_Wall&#39;&#39;,_351:_An_English_society_depleted_of_men_after_WWII_420-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008294–295:_The_influence_of_WWII_on_&#39;&#39;The_Wall&#39;&#39;,_351:_An_English_society_depleted_of_men_after_WWII-420"><span class="cite-bracket">&#91;</span>366<span class="cite-bracket">&#93;</span></a></sup> </p><p>Waters's lyrics to <i>The Dark Side of the Moon</i> dealt with the pressures of modern life and how those pressures can sometimes cause insanity.<sup id="cite_ref-FOOTNOTEBlake2008194–195_421-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008194–195-421"><span class="cite-bracket">&#91;</span>367<span class="cite-bracket">&#93;</span></a></sup> He viewed the album's explication of mental illness as illuminating a universal condition.<sup id="cite_ref-FOOTNOTEWeinstein200785_422-0" class="reference"><a href="#cite_note-FOOTNOTEWeinstein200785-422"><span class="cite-bracket">&#91;</span>368<span class="cite-bracket">&#93;</span></a></sup> However, Waters also wanted the album to communicate positivity, calling it "an exhortation&#160;... to embrace the positive and reject the negative."<sup id="cite_ref-FOOTNOTEHarris200581_423-0" class="reference"><a href="#cite_note-FOOTNOTEHarris200581-423"><span class="cite-bracket">&#91;</span>369<span class="cite-bracket">&#93;</span></a></sup> Reisch described <i>The Wall</i> as "less about the experience of madness than the habits, institutions, and social structures that <i>create</i> or <i>cause</i> madness."<sup id="cite_ref-FOOTNOTEReisch2007257_424-0" class="reference"><a href="#cite_note-FOOTNOTEReisch2007257-424"><span class="cite-bracket">&#91;</span>370<span class="cite-bracket">&#93;</span></a></sup> <i>The Wall</i><span class="nowrap" style="padding-left:0.1em;">&#39;s</span> protagonist, Pink, is unable to deal with the circumstances of his life, and overcome by feelings of guilt, slowly closes himself off from the outside world inside a barrier of his own making. After he completes his estrangement from the world, Pink realises that he is "crazy, over the rainbow".<sup id="cite_ref-FOOTNOTEReisch2007263_425-0" class="reference"><a href="#cite_note-FOOTNOTEReisch2007263-425"><span class="cite-bracket">&#91;</span>371<span class="cite-bracket">&#93;</span></a></sup> He then considers the possibility that his condition may be his own fault: "have I been guilty all this time?"<sup id="cite_ref-FOOTNOTEReisch2007263_425-1" class="reference"><a href="#cite_note-FOOTNOTEReisch2007263-425"><span class="cite-bracket">&#91;</span>371<span class="cite-bracket">&#93;</span></a></sup> Realising his greatest fear, Pink believes that he has let everyone down, his overbearing mother wisely choosing to smother him, the teachers rightly criticising his poetic aspirations, and his wife justified in leaving him. He then stands trial for "showing feelings of an almost human nature", further exacerbating his alienation of species being.<sup id="cite_ref-FOOTNOTEReisch2007263–264_426-0" class="reference"><a href="#cite_note-FOOTNOTEReisch2007263–264-426"><span class="cite-bracket">&#91;</span>372<span class="cite-bracket">&#93;</span></a></sup> As with the writings of philosopher <a href="/wiki/Michel_Foucault" title="Michel Foucault">Michel Foucault</a>, Waters's lyrics suggest Pink's insanity is a product of modern life, the elements of which, "custom, codependancies, and psychopathologies", contribute to his angst, according to Reisch.<sup id="cite_ref-FOOTNOTEReisch2007258–264_427-0" class="reference"><a href="#cite_note-FOOTNOTEReisch2007258–264-427"><span class="cite-bracket">&#91;</span>373<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Legacy_and_influence">Legacy and influence</h2></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">See also: <a href="/wiki/List_of_awards_and_nominations_received_by_Pink_Floyd" title="List of awards and nominations received by Pink Floyd">List of awards and nominations received by Pink Floyd</a></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Pink_Floyd_The_Wall_-_Rock_and_Roll_Hall_of_Fame_(2014-12-30_15.20.43_by_Sam_Howzit).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d3/Pink_Floyd_The_Wall_-_Rock_and_Roll_Hall_of_Fame_%282014-12-30_15.20.43_by_Sam_Howzit%29.jpg/220px-Pink_Floyd_The_Wall_-_Rock_and_Roll_Hall_of_Fame_%282014-12-30_15.20.43_by_Sam_Howzit%29.jpg" decoding="async" width="220" height="147" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d3/Pink_Floyd_The_Wall_-_Rock_and_Roll_Hall_of_Fame_%282014-12-30_15.20.43_by_Sam_Howzit%29.jpg/330px-Pink_Floyd_The_Wall_-_Rock_and_Roll_Hall_of_Fame_%282014-12-30_15.20.43_by_Sam_Howzit%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d3/Pink_Floyd_The_Wall_-_Rock_and_Roll_Hall_of_Fame_%282014-12-30_15.20.43_by_Sam_Howzit%29.jpg/440px-Pink_Floyd_The_Wall_-_Rock_and_Roll_Hall_of_Fame_%282014-12-30_15.20.43_by_Sam_Howzit%29.jpg 2x" data-file-width="5512" data-file-height="3675" /></a><figcaption>Pink Floyd's <i>The Wall</i> exhibit at the <a href="/wiki/Rock_and_Roll_Hall_of_Fame" title="Rock and Roll Hall of Fame">Rock and Roll Hall of Fame</a></figcaption></figure> <p>Pink Floyd are one of the <a href="/wiki/List_of_best-selling_music_artists" title="List of best-selling music artists">most commercially successful</a> and influential rock bands of all time.<sup id="cite_ref-428" class="reference"><a href="#cite_note-428"><span class="cite-bracket">&#91;</span>374<span class="cite-bracket">&#93;</span></a></sup> They have sold more than 250&#160;million records worldwide, including 75&#160;million certified units in the United States, and 37.9&#160;million albums sold in the US since 1993.<sup id="cite_ref-429" class="reference"><a href="#cite_note-429"><span class="cite-bracket">&#91;</span>375<span class="cite-bracket">&#93;</span></a></sup> The <i><a href="/wiki/Sunday_Times_Rich_List" title="Sunday Times Rich List">Sunday Times Rich List</a></i>, Music Millionaires 2013 (UK), ranked Waters at number 12 with an estimated fortune of £150&#160;million, Gilmour at number 27 with £85&#160;million and Mason at number 37 with £50&#160;million.<sup id="cite_ref-430" class="reference"><a href="#cite_note-430"><span class="cite-bracket">&#91;</span>376<span class="cite-bracket">&#93;</span></a></sup> </p><p>In 2003, <i>Rolling Stone</i><span class="nowrap" style="padding-left:0.1em;">&#39;s</span> <a href="/wiki/Rolling_Stone%27s_500_Greatest_Albums_of_All_Time" title="Rolling Stone&#39;s 500 Greatest Albums of All Time">500 Greatest Albums of All Time</a> list included <i><a href="/wiki/The_Dark_Side_of_the_Moon" title="The Dark Side of the Moon">The Dark Side of the Moon</a></i> at number 43,<sup id="cite_ref-431" class="reference"><a href="#cite_note-431"><span class="cite-bracket">&#91;</span>377<span class="cite-bracket">&#93;</span></a></sup> <i><a href="/wiki/The_Wall" title="The Wall">The Wall</a></i> at number 87,<sup id="cite_ref-432" class="reference"><a href="#cite_note-432"><span class="cite-bracket">&#91;</span>378<span class="cite-bracket">&#93;</span></a></sup> <i><a href="/wiki/Wish_You_Were_Here_(Pink_Floyd_album)" title="Wish You Were Here (Pink Floyd album)">Wish You Were Here</a></i> at number 209,<sup id="cite_ref-433" class="reference"><a href="#cite_note-433"><span class="cite-bracket">&#91;</span>379<span class="cite-bracket">&#93;</span></a></sup> and <i><a href="/wiki/The_Piper_at_the_Gates_of_Dawn" title="The Piper at the Gates of Dawn">The Piper at the Gates of Dawn</a></i> at number 347.<sup id="cite_ref-434" class="reference"><a href="#cite_note-434"><span class="cite-bracket">&#91;</span>380<span class="cite-bracket">&#93;</span></a></sup> In 2004, on their <a href="/wiki/The_500_Greatest_Songs_of_All_Time" class="mw-redirect" title="The 500 Greatest Songs of All Time">500 Greatest Songs of All Time</a> list, <i>Rolling Stone</i> included "<a href="/wiki/Comfortably_Numb" title="Comfortably Numb">Comfortably Numb</a>" at number 314, "<a href="/wiki/Wish_You_Were_Here_(Pink_Floyd_song)" title="Wish You Were Here (Pink Floyd song)">Wish You Were Here</a>" at number 316, and "<a href="/wiki/Another_Brick_in_the_Wall" title="Another Brick in the Wall">Another Brick in the Wall</a>, Part 2" at number 375.<sup id="cite_ref-435" class="reference"><a href="#cite_note-435"><span class="cite-bracket">&#91;</span>381<span class="cite-bracket">&#93;</span></a></sup> </p><p>In 2004, <a href="/wiki/MSNBC" title="MSNBC">MSNBC</a> ranked Pink Floyd number 8 on their list of "The 10 Best Rock Bands Ever".<sup id="cite_ref-436" class="reference"><a href="#cite_note-436"><span class="cite-bracket">&#91;</span>382<span class="cite-bracket">&#93;</span></a></sup> In the same year, <i><a href="/wiki/Q_(magazine)" title="Q (magazine)">Q</a></i> named Pink Floyd as the biggest band of all time according to "a points system that measured sales of their biggest album, the scale of their biggest headlining show and the total number of weeks spent on the UK album chart".<sup id="cite_ref-437" class="reference"><a href="#cite_note-437"><span class="cite-bracket">&#91;</span>383<span class="cite-bracket">&#93;</span></a></sup> <i>Rolling Stone</i> ranked them number 51 on their list of "The 100 Greatest Artists of All Time".<sup id="cite_ref-438" class="reference"><a href="#cite_note-438"><span class="cite-bracket">&#91;</span>384<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/VH1" title="VH1">VH1</a> ranked them number 18 in the list of the "100 Greatest Artists of All Time".<sup id="cite_ref-439" class="reference"><a href="#cite_note-439"><span class="cite-bracket">&#91;</span>385<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Colin_Larkin_(writer)" class="mw-redirect" title="Colin Larkin (writer)">Colin Larkin</a> ranked Pink Floyd number 3 in his list of the 'Top 50 Artists of All Time', a ranking based on the cumulative votes for each artist's albums included in his <i><a href="/wiki/All_Time_Top_1000_Albums" title="All Time Top 1000 Albums">All Time Top 1000 Albums</a></i>.<sup id="cite_ref-440" class="reference"><a href="#cite_note-440"><span class="cite-bracket">&#91;</span>386<span class="cite-bracket">&#93;</span></a></sup> In 2008, the head rock and pop critic of <i><a href="/wiki/The_Guardian" title="The Guardian">The Guardian</a></i>, <a href="/wiki/Alexis_Petridis" title="Alexis Petridis">Alexis Petridis</a>, wrote that the band occupy a unique place in progressive rock, stating, "Thirty years on, prog is still persona non grata [...] Only Pink Floyd—never really a prog band, their penchant for long songs and 'concepts' notwithstanding—are permitted into the 100 best album lists."<sup id="cite_ref-441" class="reference"><a href="#cite_note-441"><span class="cite-bracket">&#91;</span>387<span class="cite-bracket">&#93;</span></a></sup> The writer <a href="/wiki/Eric_Olsen_(writer)" title="Eric Olsen (writer)">Eric Olsen</a> has called Pink Floyd "the most eccentric and experimental multi-platinum band of the <a href="/wiki/Album_era" title="Album era">album rock era</a>".<sup id="cite_ref-442" class="reference"><a href="#cite_note-442"><span class="cite-bracket">&#91;</span>388<span class="cite-bracket">&#93;</span></a></sup> </p><p>Pink Floyd have won several awards. In 1981 <a href="/wiki/Audio_engineer" title="Audio engineer">audio engineer</a> <a href="/wiki/James_Guthrie_(record_producer)" title="James Guthrie (record producer)">James Guthrie</a> won the <a href="/wiki/Grammy_Award" class="mw-redirect" title="Grammy Award">Grammy Award</a> for "Best Engineered Non-Classical Album" for <i>The Wall</i>, and Roger Waters won the <a href="/wiki/British_Academy_of_Film_and_Television_Arts" title="British Academy of Film and Television Arts">British Academy of Film and Television Arts</a> award for "Best Original Song Written for a Film" in 1983 for "Another Brick in the Wall" from <a href="/wiki/Pink_Floyd_%E2%80%93_The_Wall" title="Pink Floyd – The Wall"><i>The Wall</i> film</a>.<sup id="cite_ref-443" class="reference"><a href="#cite_note-443"><span class="cite-bracket">&#91;</span>389<span class="cite-bracket">&#93;</span></a></sup> In 1995, Pink Floyd won the Grammy for "Best Rock Instrumental Performance" for "<a href="/wiki/Marooned_(instrumental)" title="Marooned (instrumental)">Marooned</a>".<sup id="cite_ref-444" class="reference"><a href="#cite_note-444"><span class="cite-bracket">&#91;</span>390<span class="cite-bracket">&#93;</span></a></sup> In 2008, Pink Floyd were awarded the Swedish <a href="/wiki/Polar_Music_Prize" title="Polar Music Prize">Polar Music Prize</a> for their contribution to modern music.<sup id="cite_ref-445" class="reference"><a href="#cite_note-445"><span class="cite-bracket">&#91;</span>391<span class="cite-bracket">&#93;</span></a></sup> They were inducted into the <a href="/wiki/Rock_and_Roll_Hall_of_Fame" title="Rock and Roll Hall of Fame">Rock and Roll Hall of Fame</a> in 1996, the <a href="/wiki/UK_Music_Hall_of_Fame" title="UK Music Hall of Fame">UK Music Hall of Fame</a> in 2005, and the <a href="/wiki/Hit_Parade_Hall_of_Fame" class="mw-redirect" title="Hit Parade Hall of Fame">Hit Parade Hall of Fame</a> in 2010.<sup id="cite_ref-446" class="reference"><a href="#cite_note-446"><span class="cite-bracket">&#91;</span>392<span class="cite-bracket">&#93;</span></a></sup> </p><p>Pink Floyd have influenced numerous artists. <a href="/wiki/David_Bowie" title="David Bowie">David Bowie</a> called Barrett a significant inspiration, and <a href="/wiki/The_Edge" title="The Edge">the Edge</a> of <a href="/wiki/U2" title="U2">U2</a> bought his first <a href="/wiki/Delay_(audio_effect)" title="Delay (audio effect)">delay pedal</a> after hearing the opening guitar chords to "<a href="/wiki/Dogs_(Pink_Floyd_song)" title="Dogs (Pink Floyd song)">Dogs</a>" from <i>Animals</i>.<sup id="cite_ref-447" class="reference"><a href="#cite_note-447"><span class="cite-bracket">&#91;</span>393<span class="cite-bracket">&#93;</span></a></sup> Other bands and artists who cite them as an influence include <a href="/wiki/Queen_(band)" title="Queen (band)">Queen</a>, <a href="/wiki/Radiohead" title="Radiohead">Radiohead</a>, <a href="/wiki/Steven_Wilson" title="Steven Wilson">Steven Wilson</a>, <a href="/wiki/Marillion" title="Marillion">Marillion</a>, <a href="/wiki/Queensr%C3%BFche" title="Queensrÿche">Queensrÿche</a>, <a href="/wiki/Nine_Inch_Nails" title="Nine Inch Nails">Nine Inch Nails</a>, <a href="/wiki/The_Orb" title="The Orb">the Orb</a> and <a href="/wiki/The_Smashing_Pumpkins" title="The Smashing Pumpkins">the Smashing Pumpkins</a>.<sup id="cite_ref-448" class="reference"><a href="#cite_note-448"><span class="cite-bracket">&#91;</span>394<span class="cite-bracket">&#93;</span></a></sup> Pink Floyd were an influence on the <a href="/wiki/Neo-prog" title="Neo-prog">neo-prog</a> subgenre which emerged in the 1980s.<sup id="cite_ref-449" class="reference"><a href="#cite_note-449"><span class="cite-bracket">&#91;</span>395<span class="cite-bracket">&#93;</span></a></sup> The English rock band <a href="/wiki/Mostly_Autumn" title="Mostly Autumn">Mostly Autumn</a> "fuse the music of <a href="/wiki/Genesis_(band)" title="Genesis (band)">Genesis</a> and Pink Floyd" in their sound.<sup id="cite_ref-450" class="reference"><a href="#cite_note-450"><span class="cite-bracket">&#91;</span>396<span class="cite-bracket">&#93;</span></a></sup> </p><p>Pink Floyd were admirers of the <a href="/wiki/Monty_Python" title="Monty Python">Monty Python</a> comedy group, and helped finance their 1975 film <i><a href="/wiki/Monty_Python_and_the_Holy_Grail" title="Monty Python and the Holy Grail">Monty Python and the Holy Grail</a></i>.<sup id="cite_ref-451" class="reference"><a href="#cite_note-451"><span class="cite-bracket">&#91;</span>397<span class="cite-bracket">&#93;</span></a></sup> In 2016, Pink Floyd became the second band (after <a href="/wiki/The_Beatles" title="The Beatles">the Beatles</a>) to feature on a <a href="/wiki/Great_Britain_commemorative_stamps_2010%E2%80%932019#2016" class="mw-redirect" title="Great Britain commemorative stamps 2010–2019">series of UK postage stamps</a> issued by the <a href="/wiki/Royal_Mail" title="Royal Mail">Royal Mail</a>.<sup id="cite_ref-452" class="reference"><a href="#cite_note-452"><span class="cite-bracket">&#91;</span>398<span class="cite-bracket">&#93;</span></a></sup> In May 2017, to mark the 50th anniversary of Pink Floyd's first single, an audio-visual exhibition, <i><a href="/wiki/Their_Mortal_Remains" class="mw-redirect" title="Their Mortal Remains">Their Mortal Remains</a></i>, opened at the <a href="/wiki/Victoria_and_Albert_Museum" title="Victoria and Albert Museum">Victoria and Albert Museum</a> in London.<sup id="cite_ref-453" class="reference"><a href="#cite_note-453"><span class="cite-bracket">&#91;</span>399<span class="cite-bracket">&#93;</span></a></sup> The exhibition featured analysis of cover art, conceptual props from the stage shows, and photographs from Mason's personal archive.<sup id="cite_ref-454" class="reference"><a href="#cite_note-454"><span class="cite-bracket">&#91;</span>400<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-455" class="reference"><a href="#cite_note-455"><span class="cite-bracket">&#91;</span>401<span class="cite-bracket">&#93;</span></a></sup> Due to its success, it was extended for two weeks beyond its planned closing date of 1 October.<sup id="cite_ref-456" class="reference"><a href="#cite_note-456"><span class="cite-bracket">&#91;</span>402<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Band_members">Band members</h2></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/List_of_Pink_Floyd_band_members" title="List of Pink Floyd band members">List of Pink Floyd band members</a></div> <ul><li><a href="/wiki/Syd_Barrett" title="Syd Barrett">Syd Barrett</a> – vocals, lead and rhythm guitars (1965–1968) (died 2006)<sup id="cite_ref-457" class="reference"><a href="#cite_note-457"><span class="cite-bracket">&#91;</span>403<span class="cite-bracket">&#93;</span></a></sup></li> <li><a href="/wiki/David_Gilmour" title="David Gilmour">David Gilmour</a> – lead and rhythm guitars, vocals, bass, keyboards, synthesisers (1967–present)</li> <li><a href="/wiki/Nick_Mason" title="Nick Mason">Nick Mason</a> – drums, percussion (1965–present)</li> <li><a href="/wiki/Roger_Waters" title="Roger Waters">Roger Waters</a> – bass, vocals, rhythm guitar, synthesisers (1965–1985; guest in 2005)</li> <li><a href="/wiki/Richard_Wright_(musician)" title="Richard Wright (musician)">Richard Wright</a> – keyboards, piano, organ, synthesisers, vocals (1965–1981, 1987–2008; session musician earlier in 1987)<sup id="cite_ref-460" class="reference"><a href="#cite_note-460"><span class="cite-bracket">&#91;</span>nb 55<span class="cite-bracket">&#93;</span></a></sup> (died 2008)<sup id="cite_ref-461" class="reference"><a href="#cite_note-461"><span class="cite-bracket">&#91;</span>406<span class="cite-bracket">&#93;</span></a></sup></li></ul> <div class="mw-heading mw-heading2"><h2 id="Discography">Discography</h2></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main articles: <a href="/wiki/Pink_Floyd_discography" title="Pink Floyd discography">Pink Floyd discography</a> and <a href="/wiki/List_of_songs_recorded_by_Pink_Floyd" title="List of songs recorded by Pink Floyd">List of songs recorded by Pink Floyd</a></div> <p><b>Studio albums</b> </p> <ul><li><i><a href="/wiki/The_Piper_at_the_Gates_of_Dawn" title="The Piper at the Gates of Dawn">The Piper at the Gates of Dawn</a></i> (1967)</li> <li><i><a href="/wiki/A_Saucerful_of_Secrets" title="A Saucerful of Secrets">A Saucerful of Secrets</a></i> (1968)</li> <li><i><a href="/wiki/More_(soundtrack)" title="More (soundtrack)">More</a></i> (1969)</li> <li><i><a href="/wiki/Ummagumma" title="Ummagumma">Ummagumma</a></i> (1969)</li> <li><i><a href="/wiki/Atom_Heart_Mother" title="Atom Heart Mother">Atom Heart Mother</a></i> (1970)</li> <li><i><a href="/wiki/Meddle" title="Meddle">Meddle</a></i> (1971)</li> <li><i><a href="/wiki/Obscured_by_Clouds" title="Obscured by Clouds">Obscured by Clouds</a></i> (1972)</li> <li><i><a href="/wiki/The_Dark_Side_of_the_Moon" title="The Dark Side of the Moon">The Dark Side of the Moon</a></i> (1973)</li> <li><i><a href="/wiki/Wish_You_Were_Here_(Pink_Floyd_album)" title="Wish You Were Here (Pink Floyd album)">Wish You Were Here</a></i> (1975)</li> <li><i><a href="/wiki/Animals_(Pink_Floyd_album)" title="Animals (Pink Floyd album)">Animals</a></i> (1977)</li> <li><i><a href="/wiki/The_Wall" title="The Wall">The Wall</a></i> (1979)</li> <li><i><a href="/wiki/The_Final_Cut_(album)" title="The Final Cut (album)">The Final Cut</a></i> (1983)</li> <li><i><a href="/wiki/A_Momentary_Lapse_of_Reason" title="A Momentary Lapse of Reason">A Momentary Lapse of Reason</a></i> (1987)</li> <li><i><a href="/wiki/The_Division_Bell" title="The Division Bell">The Division Bell</a></i> (1994)</li> <li><i><a href="/wiki/The_Endless_River" title="The Endless River">The Endless River</a></i> (2014)</li></ul> <div class="mw-heading mw-heading2"><h2 id="Concert_tours">Concert tours</h2></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Pink_Floyd_live_performances" title="Pink Floyd live performances">Pink Floyd live performances</a></div> <ul><li><a href="/wiki/Pink_Floyd_World_Tour_1968" title="Pink Floyd World Tour 1968">Pink Floyd World Tour</a> (1968)</li> <li><a href="/wiki/The_Man_and_The_Journey_Tour" title="The Man and The Journey Tour">The Man and The Journey Tour</a> (1969)</li> <li>Atom Heart Mother World Tour (1970–71)</li> <li>Meddle Tour (1971)</li> <li><a href="/wiki/Dark_Side_of_the_Moon_Tour" title="Dark Side of the Moon Tour">Dark Side of the Moon Tour</a> (1972–73)</li> <li><a href="/wiki/Pink_Floyd_1974_tours#1974_French_Summer_Tour" title="Pink Floyd 1974 tours">French Summer Tour</a> (1974)</li> <li><a href="/wiki/Pink_Floyd_1974_tours#1974_British_Winter_Tour" title="Pink Floyd 1974 tours">British Winter Tour</a> (1974)</li> <li><a href="/wiki/Wish_You_Were_Here_Tour" title="Wish You Were Here Tour">Wish You Were Here Tour</a> (1975)</li> <li><a href="/wiki/In_the_Flesh_(Pink_Floyd_tour)" title="In the Flesh (Pink Floyd tour)">In the Flesh Tour</a> (1977)</li> <li><a href="/wiki/The_Wall_Tour_(1980%E2%80%931981)" title="The Wall Tour (1980–1981)">The Wall Tour</a> (1980–81)</li> <li><a href="/wiki/A_Momentary_Lapse_of_Reason_Tour" title="A Momentary Lapse of Reason Tour">A Momentary Lapse of Reason Tour</a> (1987–89)</li> <li><a href="/wiki/The_Division_Bell_Tour" title="The Division Bell Tour">The Division Bell Tour</a> (1994)</li></ul> <div class="mw-heading mw-heading2"><h2 id="Notes">Notes</h2></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width" style="column-width: 30em;"> <ol class="references"> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text">Wright studied architecture until 1963, when he began studying music at London's <a href="/wiki/Royal_College_of_Music" title="Royal College of Music">Royal College of Music</a>.<sup id="cite_ref-FOOTNOTEBlake200839–40_7-0" class="reference"><a href="#cite_note-FOOTNOTEBlake200839–40-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text">Leonard designed light machines, which used electric motors to spin perforated discs, casting patterns of lights on the walls. These would be demonstrated in an early edition of <i><a href="/wiki/Tomorrow%27s_World" title="Tomorrow&#39;s World">Tomorrow's World</a></i>. For a brief time, Leonard played keyboard with them using the front room of his flat for rehearsals.<sup id="cite_ref-FOOTNOTEMason200524–26_12-1" class="reference"><a href="#cite_note-FOOTNOTEMason200524–26-12"><span class="cite-bracket">&#91;</span>11<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text">Wright also briefly lived at Leonard's.<sup id="cite_ref-FOOTNOTEPovey200814_14-1" class="reference"><a href="#cite_note-FOOTNOTEPovey200814-14"><span class="cite-bracket">&#91;</span>12<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-20">^</a></b></span> <span class="reference-text">Povey spelled it Meggadeaths but Blake spelled it Megadeaths.<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">&#91;</span>14<span class="cite-bracket">&#93;</span></a></sup> Architectural Abdabs is sometimes suggested as another variation; Povey dismisses it as a misreading of a headline about the Abdabs in the Polytechnic's student newspaper.<sup id="cite_ref-FOOTNOTEPovey200814–15_18-0" class="reference"><a href="#cite_note-FOOTNOTEPovey200814–15-18"><span class="cite-bracket">&#91;</span>15<span class="cite-bracket">&#93;</span></a></sup> Povey used the Tea Set throughout whereas Blake's claim of the alternative spelling, the T-Set, remains unsubstantiated.<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">&#91;</span>16<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-25">^</a></b></span> <span class="reference-text">The four-song session became the band's first demo and included the R&amp;B classic "<a href="/wiki/I%27m_a_King_Bee" title="I&#39;m a King Bee">I'm a King Bee</a>" (original of bluesman <a href="/wiki/Slim_Harpo" title="Slim Harpo">Slim Harpo</a>, and three Syd Barrett originals, "Butterfly", "Lucy Leave" and "Double O Bo", a song Mason described as "Bo Diddley meets the 007 theme".<sup id="cite_ref-FOOTNOTEMason200529–30_24-1" class="reference"><a href="#cite_note-FOOTNOTEMason200529–30-24"><span class="cite-bracket">&#91;</span>20<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-27"><span class="mw-cite-backlink"><b><a href="#cite_ref-27">^</a></b></span> <span class="reference-text">According to Povey, by 1964 the group began calling itself the Abdabs.<sup id="cite_ref-FOOTNOTEPovey200814_14-2" class="reference"><a href="#cite_note-FOOTNOTEPovey200814-14"><span class="cite-bracket">&#91;</span>12<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-35"><span class="mw-cite-backlink"><b><a href="#cite_ref-35">^</a></b></span> <span class="reference-text">Soon after, someone stole the equipment, and the group resorted to purchasing new gear on a payment plan.<sup id="cite_ref-FOOTNOTESchaffner199132_34-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner199132-34"><span class="cite-bracket">&#91;</span>28<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-46"><span class="mw-cite-backlink"><b><a href="#cite_ref-46">^</a></b></span> <span class="reference-text">They dropped the definite article from the band's name at some point in early 1967.<sup id="cite_ref-FOOTNOTEBlake200879_45-0" class="reference"><a href="#cite_note-FOOTNOTEBlake200879-45"><span class="cite-bracket">&#91;</span>38<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-50"><span class="mw-cite-backlink"><b><a href="#cite_ref-50">^</a></b></span> <span class="reference-text">Schaffner described the £5,000 advance as generous; however, Povey suggested it was an inadequate agreement which required that the money be disbursed over five years.<sup id="cite_ref-FOOTNOTEPovey200837_49-0" class="reference"><a href="#cite_note-FOOTNOTEPovey200837-49"><span class="cite-bracket">&#91;</span>41<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-52"><span class="mw-cite-backlink"><b><a href="#cite_ref-52">^</a></b></span> <span class="reference-text">Previous to this session, on 11 and 12 January, they recorded a long take of "<a href="/wiki/Interstellar_Overdrive" title="Interstellar Overdrive">Interstellar Overdrive</a>".<sup id="cite_ref-FOOTNOTEPovey200837_49-2" class="reference"><a href="#cite_note-FOOTNOTEPovey200837-49"><span class="cite-bracket">&#91;</span>41<span class="cite-bracket">&#93;</span></a></sup> Sometime around the sessions on 29 January, they produced a short music film for "Arnold Layne" in Sussex.<sup id="cite_ref-FOOTNOTEMason200559–63_51-0" class="reference"><a href="#cite_note-FOOTNOTEMason200559–63-51"><span class="cite-bracket">&#91;</span>42<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-61"><span class="mw-cite-backlink"><b><a href="#cite_ref-61">^</a></b></span> <span class="reference-text">At EMI, Pink Floyd experimented with <a href="/wiki/Musique_concr%C3%A8te" title="Musique concrète">musique concrète</a> and watched <a href="/wiki/The_Beatles" title="The Beatles">the Beatles</a> record "<a href="/wiki/Lovely_Rita" title="Lovely Rita">Lovely Rita</a>".<sup id="cite_ref-FOOTNOTEBlake200885_60-0" class="reference"><a href="#cite_note-FOOTNOTEBlake200885-60"><span class="cite-bracket">&#91;</span>50<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-70"><span class="mw-cite-backlink"><b><a href="#cite_ref-70">^</a></b></span> <span class="reference-text">Blackhill's late application for work permits forced Pink Floyd to cancel several of the US dates.<sup id="cite_ref-FOOTNOTEPovey200869_69-0" class="reference"><a href="#cite_note-FOOTNOTEPovey200869-69"><span class="cite-bracket">&#91;</span>58<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-74"><span class="mw-cite-backlink"><b><a href="#cite_ref-74">^</a></b></span> <span class="reference-text">Pink Floyd released the single "<a href="/wiki/Apples_and_Oranges_(song)" title="Apples and Oranges (song)">Apples and Oranges</a>" in November 1967 in the UK.<sup id="cite_ref-FOOTNOTEPovey200872_73-0" class="reference"><a href="#cite_note-FOOTNOTEPovey200872-73"><span class="cite-bracket">&#91;</span>61<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-78"><span class="mw-cite-backlink"><b><a href="#cite_ref-78">^</a></b></span> <span class="reference-text">Barrett's absence on more than one occasion forced the band to book <a href="/wiki/David_O%27List" title="David O&#39;List">David O'List</a> as his replacement.<sup id="cite_ref-FOOTNOTEFitch2005224_76-0" class="reference"><a href="#cite_note-FOOTNOTEFitch2005224-76"><span class="cite-bracket">&#91;</span>63<span class="cite-bracket">&#93;</span></a></sup> Wynne-Willson left his position as lighting director and assisted the guitarist with his daily activities.<sup id="cite_ref-FOOTNOTEBlake2008102_77-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008102-77"><span class="cite-bracket">&#91;</span>64<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-82"><span class="mw-cite-backlink"><b><a href="#cite_ref-82">^</a></b></span> <span class="reference-text">In late 1967, Barrett suggested adding four new members; in the words of Waters: "two freaks he'd met somewhere. One of them played the banjo, the other the saxophone&#160;... [and] a couple of chick singers".<sup id="cite_ref-FOOTNOTEBlake2008110_81-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008110-81"><span class="cite-bracket">&#91;</span>67<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-88"><span class="mw-cite-backlink"><b><a href="#cite_ref-88">^</a></b></span> <span class="reference-text">One of Gilmour's first tasks was to mime Barrett's guitar playing on an "Apples and Oranges" promotional film.<sup id="cite_ref-FOOTNOTESchaffner1991104_87-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991104-87"><span class="cite-bracket">&#91;</span>72<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-92"><span class="mw-cite-backlink"><b><a href="#cite_ref-92">^</a></b></span> <span class="reference-text">Mason is unsure which member of Pink Floyd said "let's not bother".<sup id="cite_ref-FOOTNOTEMason2005111_91-0" class="reference"><a href="#cite_note-FOOTNOTEMason2005111-91"><span class="cite-bracket">&#91;</span>75<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-99"><span class="mw-cite-backlink"><b><a href="#cite_ref-99">^</a></b></span> <span class="reference-text">For a short period after, Barrett turned up at occasional performances, apparently confused about his standing with the band.<sup id="cite_ref-FOOTNOTEBlake2008112–114_98-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008112–114-98"><span class="cite-bracket">&#91;</span>81<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-108"><span class="mw-cite-backlink"><b><a href="#cite_ref-108">^</a></b></span> <span class="reference-text">Thorgerson had attended <a href="/wiki/Cambridgeshire_High_School_for_Boys" title="Cambridgeshire High School for Boys">Cambridgeshire High School for Boys</a> with Waters and Barrett.<sup id="cite_ref-FOOTNOTEFitch2005311_107-0" class="reference"><a href="#cite_note-FOOTNOTEFitch2005311-107"><span class="cite-bracket">&#91;</span>89<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-116"><span class="mw-cite-backlink"><b><a href="#cite_ref-116">^</a></b></span> <span class="reference-text">The band recorded their previous LPs using a <a href="/wiki/Multitrack_recording" title="Multitrack recording">four-track</a> system; <i>Atom Heart Mother</i> was their first album recorded on an eight-track machine.<sup id="cite_ref-FOOTNOTESchaffner1991154_115-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991154-115"><span class="cite-bracket">&#91;</span>96<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-121"><span class="mw-cite-backlink"><b><a href="#cite_ref-121">^</a></b></span> <span class="reference-text">A theft of the band's equipment, worth about $40,000, after a May 1970 show at the Warehouse in New Orleans, nearly crippled their finances. However, hours after the band notified the <a href="/wiki/Federal_Bureau_of_Investigation" title="Federal Bureau of Investigation">FBI</a> they had recovered most of the stolen equipment.</span> </li> <li id="cite_note-129"><span class="mw-cite-backlink"><b><a href="#cite_ref-129">^</a></b></span> <span class="reference-text">Povey states that the UK release date was 5 November, but Pink Floyd's official website states 13 November. All sources agree on the US release date of 30 October.<sup id="cite_ref-128" class="reference"><a href="#cite_note-128"><span class="cite-bracket">&#91;</span>107<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-132"><span class="mw-cite-backlink"><b><a href="#cite_ref-132">^</a></b></span> <span class="reference-text"><i>Meddle</i><span class="nowrap" style="padding-left:0.1em;">&#39;s</span> production consisted of sessions spread over several months; the band recorded in the first half of April, but in the latter half played at Doncaster and Norwich before returning to record at the end of the month. In May, they split their time between sessions at Abbey Road, rehearsals and concerts across Great Britain. They spent June and July performing at venues across Europe, and August in the far east and Australia, returning to Europe in September.<sup id="cite_ref-130" class="reference"><a href="#cite_note-130"><span class="cite-bracket">&#91;</span>108<span class="cite-bracket">&#93;</span></a></sup> In October, they made the <a href="/wiki/Concert_film" title="Concert film">concert film</a> <i><a href="/wiki/Pink_Floyd:_Live_at_Pompeii" title="Pink Floyd: Live at Pompeii">Pink Floyd: Live at Pompeii</a></i>, before touring the US in November.<sup id="cite_ref-FOOTNOTEPovey2008155:_Touring_the_US_in_November,_174:_Pink_Floyd:_Live_at_Pompeii_131-0" class="reference"><a href="#cite_note-FOOTNOTEPovey2008155:_Touring_the_US_in_November,_174:_Pink_Floyd:_Live_at_Pompeii-131"><span class="cite-bracket">&#91;</span>109<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-165"><span class="mw-cite-backlink"><b><a href="#cite_ref-165">^</a></b></span> <span class="reference-text">Immediately after the session, Barrett attended a pre-party held for Gilmour's upcoming first wedding, but eventually left without saying goodbye and none of the band members ever saw him again, apart from a run-in between Waters and Barrett a couple of years later.<sup id="cite_ref-FOOTNOTESchaffner1991189–190_163-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991189–190-163"><span class="cite-bracket">&#91;</span>140<span class="cite-bracket">&#93;</span></a></sup> The inspiration behind the cover image, designed by Thorgerson, is the idea that people tend to conceal their true feelings for fear of "getting burned", wrote Pink Floyd biographer Glen Povey. Therefore, it features two businessmen shown shaking hands; one of them is on fire.<sup id="cite_ref-FOOTNOTEPovey2008346_164-0" class="reference"><a href="#cite_note-FOOTNOTEPovey2008346-164"><span class="cite-bracket">&#91;</span>141<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-170"><span class="mw-cite-backlink"><b><a href="#cite_ref-170">^</a></b></span> <span class="reference-text">Brian Humphries engineered the album, which was completed in December 1976.<sup id="cite_ref-FOOTNOTEMason2005218–220_169-0" class="reference"><a href="#cite_note-FOOTNOTEMason2005218–220-169"><span class="cite-bracket">&#91;</span>145<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-174"><span class="mw-cite-backlink"><b><a href="#cite_ref-174">^</a></b></span> <span class="reference-text">The band commissioned a 30 feet (9.1&#160;m) pig-shaped balloon and photography began on 2 December. Inclement weather delayed filming, and the balloon broke free of its moorings in strong winds. It eventually landed in <a href="/wiki/Kent" title="Kent">Kent</a>, where a local farmer recovered it, reportedly furious that it had frightened his cows.<sup id="cite_ref-FOOTNOTEBlake2008246_172-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008246-172"><span class="cite-bracket">&#91;</span>147<span class="cite-bracket">&#93;</span></a></sup> The difficult shoot had resumed before they decided to superimpose the image of the pig onto the photograph of the power station.<sup id="cite_ref-173" class="reference"><a href="#cite_note-173"><span class="cite-bracket">&#91;</span>148<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-178"><span class="mw-cite-backlink"><b><a href="#cite_ref-178">^</a></b></span> <span class="reference-text">"Pigs on the Wing" contained references to Waters's romantic relationship with Carolyne Anne Christie.<sup id="cite_ref-FOOTNOTEBlake2008244–245_177-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008244–245-177"><span class="cite-bracket">&#91;</span>151<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-185"><span class="mw-cite-backlink"><b><a href="#cite_ref-185">^</a></b></span> <span class="reference-text">Waters was not the only person depressed by playing in large venues, as Gilmour refused to perform the band's usual encore that night.<sup id="cite_ref-FOOTNOTEMason2005235–236_183-1" class="reference"><a href="#cite_note-FOOTNOTEMason2005235–236-183"><span class="cite-bracket">&#91;</span>156<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-189"><span class="mw-cite-backlink"><b><a href="#cite_ref-189">^</a></b></span> <span class="reference-text">In 1976, Pink Floyd had become involved with financial advisers Norton Warburg Group (NWG). NWG became the band's collecting agents and handled all financial planning, for an annual fee of about £300,000 (equivalent to £2,173,900&#32;in 2023<sup id="cite_ref-inflation-UK_33-3" class="reference"><a href="#cite_note-inflation-UK-33"><span class="cite-bracket">&#91;</span>27<span class="cite-bracket">&#93;</span></a></sup>). NWG invested between £1.6&#160;million and £3.3&#160;million of the band's money in high-risk venture capital schemes, primarily to reduce their exposure to UK taxes. It soon became apparent that the band were still losing money. Not only did NWG invest in failing businesses, they also left the band liable for tax bills as high as 83 per cent of their income. The band eventually terminated their relationship with NWG and demanded the return of any funds not yet invested, which at that time amounted to £860,000; they received only £740,000.<sup id="cite_ref-FOOTNOTESchaffner1991206–208_188-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991206–208-188"><span class="cite-bracket">&#91;</span>160<span class="cite-bracket">&#93;</span></a></sup> Pink Floyd eventually sued NWG for £1M, accusing them of fraud and negligence. NWG collapsed in 1981: Andrew Warburg fled to Spain; Waterbrook purchased Norton Warburg Investments, and many of its holdings sold at a significant loss. Andrew Warburg began serving a three-year jail sentence upon his return to the UK in 1987.<sup id="cite_ref-FOOTNOTESchaffner1991206–208_188-1" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991206–208-188"><span class="cite-bracket">&#91;</span>160<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-194"><span class="mw-cite-backlink"><b><a href="#cite_ref-194">^</a></b></span> <span class="reference-text"><a href="/wiki/James_Guthrie_(record_producer)" title="James Guthrie (record producer)">James Guthrie</a> replaced engineer Brian Humphries, emotionally drained by his five years with the band, for the recording of the album.<sup id="cite_ref-FOOTNOTEMason2005238_192-0" class="reference"><a href="#cite_note-FOOTNOTEMason2005238-192"><span class="cite-bracket">&#91;</span>163<span class="cite-bracket">&#93;</span></a></sup> In March 1979, the band's dire financial situation demanded that they leave the UK for a year, or more and recording moved to the Super Bear Studios near <a href="/wiki/Nice" title="Nice">Nice</a>.<sup id="cite_ref-193" class="reference"><a href="#cite_note-193"><span class="cite-bracket">&#91;</span>164<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-201"><span class="mw-cite-backlink"><b><a href="#cite_ref-201">^</a></b></span> <span class="reference-text">Pink Floyd employed Wright as a paid musician on their subsequent <i>The Wall</i> tour.<sup id="cite_ref-FOOTNOTEBlake2008285–286:_Wright_as_a_paid_musician_during_the_tour_199-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008285–286:_Wright_as_a_paid_musician_during_the_tour-199"><span class="cite-bracket">&#91;</span>169<span class="cite-bracket">&#93;</span></a></sup> Towards the end of <i>The Wall</i> sessions, Mason left the final mix to Waters, Gilmour, Ezrin and Guthrie, travelling to New York to record his debut solo album, <i><a href="/wiki/Nick_Mason%27s_Fictitious_Sports" title="Nick Mason&#39;s Fictitious Sports">Nick Mason's Fictitious Sports</a></i>.<sup id="cite_ref-FOOTNOTEMason2005249_200-0" class="reference"><a href="#cite_note-FOOTNOTEMason2005249-200"><span class="cite-bracket">&#91;</span>170<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-210"><span class="mw-cite-backlink"><b><a href="#cite_ref-210">^</a></b></span> <span class="reference-text">Waters took a six-week leave during filming and returned to find that Parker had used his artistic licence to modify parts of the film to his liking. Waters became incensed; the two fought, and Parker threatened to walk out. Gilmour urged Waters to reconsider his stance, reminding the bassist that he and the other band members were shareholders and directors and could outvote him on such decisions.<sup id="cite_ref-FOOTNOTEBlake2008288–292_209-1" class="reference"><a href="#cite_note-FOOTNOTEBlake2008288–292-209"><span class="cite-bracket">&#91;</span>178<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-212"><span class="mw-cite-backlink"><b><a href="#cite_ref-212">^</a></b></span> <span class="reference-text">Pink Floyd created a modified soundtrack for some of the film's songs.<sup id="cite_ref-FOOTNOTEBlake2008288–292_209-2" class="reference"><a href="#cite_note-FOOTNOTEBlake2008288–292-209"><span class="cite-bracket">&#91;</span>178<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-216"><span class="mw-cite-backlink"><b><a href="#cite_ref-216">^</a></b></span> <span class="reference-text">Recording took place in eight studios, including Gilmour's home studio at <a href="/wiki/Outside_Studios" class="mw-redirect" title="Outside Studios">Hookend Manor</a> and Waters's home studio at <a href="/wiki/East_Sheen" title="East Sheen">East Sheen</a>.<sup id="cite_ref-215" class="reference"><a href="#cite_note-215"><span class="cite-bracket">&#91;</span>182<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-218"><span class="mw-cite-backlink"><b><a href="#cite_ref-218">^</a></b></span> <span class="reference-text">During the sessions, Waters lost his temper and began ranting at Kamen who, out of frustration during one recording session, had started repeatedly writing "I Must Not Fuck Sheep" on a notepad in the studio's control room.<sup id="cite_ref-FOOTNOTEBlake2008296–298_214-1" class="reference"><a href="#cite_note-FOOTNOTEBlake2008296–298-214"><span class="cite-bracket">&#91;</span>181<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-220"><span class="mw-cite-backlink"><b><a href="#cite_ref-220">^</a></b></span> <span class="reference-text">Waters commissioned his brother-in-law, Willie Christie, to take photographs for the album cover.<sup id="cite_ref-FOOTNOTEBlake2008299_219-1" class="reference"><a href="#cite_note-FOOTNOTEBlake2008299-219"><span class="cite-bracket">&#91;</span>184<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-223"><span class="mw-cite-backlink"><b><a href="#cite_ref-223">^</a></b></span> <span class="reference-text">Though Gilmour's name did not appear on the production credits, he retained his pay as musician and producer.<sup id="cite_ref-222" class="reference"><a href="#cite_note-222"><span class="cite-bracket">&#91;</span>186<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-228"><span class="mw-cite-backlink"><b><a href="#cite_ref-228">^</a></b></span> <span class="reference-text">Released as a single, "<a href="/wiki/Not_Now_John" title="Not Now John">Not Now John</a>", with its chorus of "Fuck all that" bowdlerised to "Stuff all that"; <i>Melody Maker</i> declared it "a milestone in the history of awfulness".<sup id="cite_ref-FOOTNOTEBlake2008300_227-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008300-227"><span class="cite-bracket">&#91;</span>190<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-232"><span class="mw-cite-backlink"><b><a href="#cite_ref-232">^</a></b></span> <span class="reference-text">Wright was also in the midst of a difficult divorce and later said that the album was, "made at a time in my life when I was lost."<sup id="cite_ref-FOOTNOTEBlake2008309–311_231-1" class="reference"><a href="#cite_note-FOOTNOTEBlake2008309–311-231"><span class="cite-bracket">&#91;</span>193<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-236"><span class="mw-cite-backlink"><b><a href="#cite_ref-236">^</a></b></span> <span class="reference-text">Waters went on to record the soundtrack for <i><a href="/wiki/When_the_Wind_Blows_(1986_film)" title="When the Wind Blows (1986 film)">When the Wind Blows</a></i>, as well as his second solo album, <i><a href="/wiki/Radio_K.A.O.S." title="Radio K.A.O.S.">Radio K.A.O.S.</a></i>.<sup id="cite_ref-FOOTNOTESchaffner1991263–266_235-0" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991263–266-235"><span class="cite-bracket">&#91;</span>196<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-244"><span class="mw-cite-backlink"><b><a href="#cite_ref-244">^</a></b></span> <span class="reference-text">Artists such as <a href="/wiki/Jon_Carin" title="Jon Carin">Jon Carin</a> and <a href="/wiki/Phil_Manzanera" title="Phil Manzanera">Phil Manzanera</a> worked on the album, joined by Bob Ezrin.<sup id="cite_ref-FOOTNOTESchaffner1991264–268_243-1" class="reference"><a href="#cite_note-FOOTNOTESchaffner1991264–268-243"><span class="cite-bracket">&#91;</span>203<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-249"><span class="mw-cite-backlink"><b><a href="#cite_ref-249">^</a></b></span> <span class="reference-text"><a href="/wiki/Andrew_Jackson_(recording_engineer)" class="mw-redirect" title="Andrew Jackson (recording engineer)">Andy Jackson</a> engineered the album.<sup id="cite_ref-FOOTNOTEFitch2005158_248-0" class="reference"><a href="#cite_note-FOOTNOTEFitch2005158-248"><span class="cite-bracket">&#91;</span>207<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-257"><span class="mw-cite-backlink"><b><a href="#cite_ref-257">^</a></b></span> <span class="reference-text">Wright's name appears only on the credit list.<sup id="cite_ref-FOOTNOTEBlake2008366_256-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008366-256"><span class="cite-bracket">&#91;</span>214<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-267"><span class="mw-cite-backlink"><b><a href="#cite_ref-267">^</a></b></span> <span class="reference-text">Gilmour divorced his wife Ginger and Mason married actress Annette Lynton.<sup id="cite_ref-FOOTNOTEBlake2008352_266-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008352-266"><span class="cite-bracket">&#91;</span>223<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-274"><span class="mw-cite-backlink"><b><a href="#cite_ref-274">^</a></b></span> <span class="reference-text">Thorgerson also provided six new pieces of film for the upcoming tour.<sup id="cite_ref-FOOTNOTEMason2005322_273-0" class="reference"><a href="#cite_note-FOOTNOTEMason2005322-273"><span class="cite-bracket">&#91;</span>229<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-280"><span class="mw-cite-backlink"><b><a href="#cite_ref-280">^</a></b></span> <span class="reference-text">Waters declined their invitation to join them as the tour reached Europe.<sup id="cite_ref-FOOTNOTEBlake2008367_279-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008367-279"><span class="cite-bracket">&#91;</span>234<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-282"><span class="mw-cite-backlink"><b><a href="#cite_ref-282">^</a></b></span> <span class="reference-text">In 1995, Pink Floyd released the live album, <i><a href="/wiki/Pulse_(Pink_Floyd_album)" title="Pulse (Pink Floyd album)">Pulse</a></i>, and an accompanying <a href="/wiki/Pulse_(1995_film)" title="Pulse (1995 film)">concert video</a>.<sup id="cite_ref-FOOTNOTEPovey2008264,_285,_351–352:_&#39;&#39;Pulse&#39;&#39;_281-0" class="reference"><a href="#cite_note-FOOTNOTEPovey2008264,_285,_351–352:_&#39;&#39;Pulse&#39;&#39;-281"><span class="cite-bracket">&#91;</span>235<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-289"><span class="mw-cite-backlink"><b><a href="#cite_ref-289">^</a></b></span> <span class="reference-text">In the week following their performance, there was a resurgence of commercial interest in Pink Floyd's music, when according to <a href="/wiki/HMV" title="HMV">HMV</a>, sales of <i>Echoes: The Best of Pink Floyd</i> rose more than one thousand per cent, while <a href="/wiki/Amazon_(company)" title="Amazon (company)">Amazon</a> reported a significant increase in sales of <i>The Wall</i>.<sup id="cite_ref-Live8_288-0" class="reference"><a href="#cite_note-Live8-288"><span class="cite-bracket">&#91;</span>241<span class="cite-bracket">&#93;</span></a></sup> Gilmour subsequently declared that he would give his share of profits from this sales boost to charity, urging other associated artists and <a href="/wiki/Music_industry" title="Music industry">record companies</a> to do the same.<sup id="cite_ref-Live8_288-1" class="reference"><a href="#cite_note-Live8-288"><span class="cite-bracket">&#91;</span>241<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-296"><span class="mw-cite-backlink"><b><a href="#cite_ref-296">^</a></b></span> <span class="reference-text">In 2006, Gilmour began a tour of small concert venues with contributions from Wright and other musicians from the post-Waters Pink Floyd tours. Gilmour, Wright, and Mason's encore performance of "Wish You Were Here" and "Comfortably Numb" marked the only appearance by Pink Floyd since Live&#160;8 as of 2012<sup class="plainlinks noexcerpt noprint asof-tag update" style="display:none;"><a class="external text" href="https://en.wikipedia.org/w/index.php?title=Pink_Floyd&amp;action=edit">&#91;update&#93;</a></sup>.<sup id="cite_ref-FOOTNOTEBlake2008387–389_295-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008387–389-295"><span class="cite-bracket">&#91;</span>247<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-300"><span class="mw-cite-backlink"><b><a href="#cite_ref-300">^</a></b></span> <span class="reference-text">Barrett left more than £1.25M in his will, to be divided among his immediate family, who then auctioned some of his possessions and artwork.<sup id="cite_ref-FOOTNOTEBlake2008394_299-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008394-299"><span class="cite-bracket">&#91;</span>250<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-345"><span class="mw-cite-backlink"><b><a href="#cite_ref-345">^</a></b></span> <span class="reference-text">In early 1965, Pink Floyd auditioned for <a href="/wiki/ITV_(TV_channel)" class="mw-redirect" title="ITV (TV channel)">ITV</a>'s <i><a href="/wiki/Ready_Steady_Go!" title="Ready Steady Go!">Ready Steady Go!</a></i>, which Mason described as "the definitive music show of the day".<sup id="cite_ref-FOOTNOTEMason200531_343-0" class="reference"><a href="#cite_note-FOOTNOTEMason200531-343"><span class="cite-bracket">&#91;</span>293<span class="cite-bracket">&#93;</span></a></sup> Despite sounding what Mason considered "too <i>radical</i> for the general viewer", they earned a callback for a second audition, with the caveat that they play material more familiar to the judges; they did not earn an appearance on the show.<sup id="cite_ref-FOOTNOTEMason200531–32_344-0" class="reference"><a href="#cite_note-FOOTNOTEMason200531–32-344"><span class="cite-bracket">&#91;</span>294<span class="cite-bracket">&#93;</span></a></sup> Also in 1965, they auditioned for the <i><a href="/wiki/Melody_Maker" title="Melody Maker">Melody Maker</a></i> Beat Contest, losing to the eventual national winners.<sup id="cite_ref-FOOTNOTEMason200531–32_344-1" class="reference"><a href="#cite_note-FOOTNOTEMason200531–32-344"><span class="cite-bracket">&#91;</span>294<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-387"><span class="mw-cite-backlink"><b><a href="#cite_ref-387">^</a></b></span> <span class="reference-text">Road manager <a href="/wiki/Peter_Watts_(road_manager)" title="Peter Watts (road manager)">Peter Watts</a> joined them before touring Europe in 1968.<sup id="cite_ref-FOOTNOTEMason2005115–119_386-0" class="reference"><a href="#cite_note-FOOTNOTEMason2005115–119-386"><span class="cite-bracket">&#91;</span>335<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-402"><span class="mw-cite-backlink"><b><a href="#cite_ref-402">^</a></b></span> <span class="reference-text">Thorgerson's design for <i>Wish You Were Here</i><span class="nowrap" style="padding-left:0.1em;">&#39;s</span> cover included four sides, counting the inner jacket, which represented four absences related to the classical <a href="/wiki/Classical_element" title="Classical element">categories of substance</a>: earth, air, fire and water. His <i>Dark Side</i> album cover features a beam of white light, representing unity, passing through a prism, which represents society. The resulting refracted beam of coloured light symbolises unity diffracted, leaving an absence of unity.<sup id="cite_ref-FOOTNOTEWeinstein200786_142-1" class="reference"><a href="#cite_note-FOOTNOTEWeinstein200786-142"><span class="cite-bracket">&#91;</span>119<span class="cite-bracket">&#93;</span></a></sup> Absence is a key element in the existentialism of <a href="/wiki/Albert_Camus" title="Albert Camus">Albert Camus</a>, who defined absurdity as the absence of a response to the individual's need for unity.<sup id="cite_ref-FOOTNOTEWeinstein200786_142-2" class="reference"><a href="#cite_note-FOOTNOTEWeinstein200786-142"><span class="cite-bracket">&#91;</span>119<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-415"><span class="mw-cite-backlink"><b><a href="#cite_ref-415">^</a></b></span> <span class="reference-text">Marx considered insanity the ultimate form of self-alienation.<sup id="cite_ref-FOOTNOTEO&#39;Neill_Surber2007195_414-1" class="reference"><a href="#cite_note-FOOTNOTEO&#39;Neill_Surber2007195-414"><span class="cite-bracket">&#91;</span>361<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-460"><span class="mw-cite-backlink"><b><a href="#cite_ref-460">^</a></b></span> <span class="reference-text">Wright was not legally a band member after 1979, as a clause in his leaving agreement from that year prohibited him from rejoining the legal entity, though he did continue working with the band and being publicly presented as a full member before leaving completely in 1981.<sup id="cite_ref-FOOTNOTEBlake2008166,_316–317_458-0" class="reference"><a href="#cite_note-FOOTNOTEBlake2008166,_316–317-458"><span class="cite-bracket">&#91;</span>404<span class="cite-bracket">&#93;</span></a></sup> In early 1987 he guested on <i>A Momentary Lapse of Reason</i> and then took part in the subsequent tour beginning in late 1987, from which point on he was credited and publicly presented as an official band member again, even though the legal situation remained unchanged.<sup id="cite_ref-459" class="reference"><a href="#cite_note-459"><span class="cite-bracket">&#91;</span>405<span class="cite-bracket">&#93;</span></a></sup></span> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.grammy.com/grammys/news/pink-floyds-wall-record-4">"For The Record: Pink Floyd's 'The Wall'<span class="cs1-kern-right"></span>"</a>. <i>GRAMMY.com</i>. 23 November 2017. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20200811161947/https://www.grammy.com/grammys/news/pink-floyds-wall-record-4">Archived</a> from the original on 11 August 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">7 September</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=GRAMMY.com&amp;rft.atitle=For+The+Record%3A+Pink+Floyd%27s+%27The+Wall%27&amp;rft.date=2017-11-23&amp;rft_id=https%3A%2F%2Fwww.grammy.com%2Fgrammys%2Fnews%2Fpink-floyds-wall-record-4&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-Meet-2"><span class="mw-cite-backlink">^ <a href="#cite_ref-Meet_2-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Meet_2-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;37–38: Mason meeting Waters while studying architecture at the London Polytechnic; <a href="#CITEREFFitch2005">Fitch 2005</a>, p.&#160;335: Waters meeting Mason while studying architecture at the London Polytechnic.</span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGlenn_Povey2007" class="citation book cs1">Glenn Povey (2007). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=qnnl3FnO-B4C&amp;pg=PP21"><i>Echoes: The Complete History of Pink Floyd</i></a>. Mind Head Publishing. p.&#160;13. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-9554624-0-5" title="Special:BookSources/978-0-9554624-0-5"><bdi>978-0-9554624-0-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Echoes%3A+The+Complete+History+of+Pink+Floyd&amp;rft.pages=13&amp;rft.pub=Mind+Head+Publishing&amp;rft.date=2007&amp;rft.isbn=978-0-9554624-0-5&amp;rft.au=Glenn+Povey&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dqnnl3FnO-B4C%26pg%3DPP21&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTESchaffner199122–23-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTESchaffner199122–23_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTESchaffner199122–23_4-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, pp.&#160;22–23.</span> </li> <li id="cite_note-FOOTNOTEMason200527-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason200527_5-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;27.</span> </li> <li id="cite_note-FOOTNOTEPovey200815-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey200815_6-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;15.</span> </li> <li id="cite_note-FOOTNOTEBlake200839–40-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake200839–40_7-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;39–40.</span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;39–40: Wright was also an architecture student when he joined Sigma 6; <a href="#CITEREFPovey2008">Povey 2008</a>, pp.&#160;13–14: The formation of Sigma 6; <a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;27: Instrumental line-up of Sigma 6: Waters (lead guitar), Wright (rhythm guitar) and Mason (drums).</span> </li> <li id="cite_note-FOOTNOTEBlake200838–39-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake200838–39_10-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;38–39.</span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.standard.co.uk/homesandproperty/celebrity-homes/stanhope-gardens-highgate-pink-floyd-for-rent-b1127086.html">"Highgate house where Pink Floyd was formed available to rent"</a>. <i>Evening Standard</i>. 17 December 2023<span class="reference-accessdate">. Retrieved <span class="nowrap">12 January</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Evening+Standard&amp;rft.atitle=Highgate+house+where+Pink+Floyd+was+formed+available+to+rent&amp;rft.date=2023-12-17&amp;rft_id=https%3A%2F%2Fwww.standard.co.uk%2Fhomesandproperty%2Fcelebrity-homes%2Fstanhope-gardens-highgate-pink-floyd-for-rent-b1127086.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEMason200524–26-12"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEMason200524–26_12-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEMason200524–26_12-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;24–26.</span> </li> <li id="cite_note-FOOTNOTEPovey200814-14"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEPovey200814_14-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEPovey200814_14-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEPovey200814_14-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;14.</span> </li> <li id="cite_note-FOOTNOTEPovey200813–18-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey200813–18_16-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, pp.&#160;13–18.</span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;39: Megadeaths; <a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;13: Meggadeaths.</span> </li> <li id="cite_note-FOOTNOTEPovey200814–15-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey200814–15_18-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, pp.&#160;14–15.</span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;43–44: The T-Set as an alternate spelling; <a href="#CITEREFPovey2008">Povey 2008</a>, pp.&#160;28–29: The Tea Set used throughout.</span> </li> <li id="cite_note-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-21">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNick_Mason2011" class="citation book cs1">Nick Mason (2011). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=S86vyiU-nwwC&amp;pg=PT16"><i>Inside Out: A Personal History of Pink Floyd</i></a>. Hachette UK. p.&#160;16. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-78022-175-5" title="Special:BookSources/978-1-78022-175-5"><bdi>978-1-78022-175-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Inside+Out%3A+A+Personal+History+of+Pink+Floyd&amp;rft.pages=16&amp;rft.pub=Hachette+UK&amp;rft.date=2011&amp;rft.isbn=978-1-78022-175-5&amp;rft.au=Nick+Mason&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DS86vyiU-nwwC%26pg%3DPT16&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEBlake200841-22"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake200841_22-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;41.</span> </li> <li id="cite_note-FOOTNOTEBlake200842–44-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake200842–44_23-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;42–44.</span> </li> <li id="cite_note-FOOTNOTEMason200529–30-24"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEMason200529–30_24-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEMason200529–30_24-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;29–30.</span> </li> <li id="cite_note-FOOTNOTEPovey200819-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey200819_26-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;19.</span> </li> <li id="cite_note-FOOTNOTEMason200530-28"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason200530_28-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;30.</span> </li> <li id="cite_note-29"><span class="mw-cite-backlink"><b><a href="#cite_ref-29">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;44–45: Klose quit the band in mid 1965 and Barrett took over on lead guitar (secondary source); <a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;32: Klose quit the band in mid 1965 (primary source).</span> </li> <li id="cite_note-FOOTNOTEPovey200818–19-30"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey200818–19_30-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, pp.&#160;18–19.</span> </li> <li id="cite_note-31"><span class="mw-cite-backlink"><b><a href="#cite_ref-31">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;33–37: The origin of the band name Pink Floyd (primary source); <a href="#CITEREFPovey2008">Povey 2008</a>, pp.&#160;18–19: The origin of the band name Pink Floyd (secondary source).</span> </li> <li id="cite_note-32"><span class="mw-cite-backlink"><b><a href="#cite_ref-32">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;33–37: Jenner was impressed by Barrett and Wright; <a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;17: Jenner and King became Pink Floyd's business managers.</span> </li> <li id="cite_note-inflation-UK-33"><span class="mw-cite-backlink">^ <a href="#cite_ref-inflation-UK_33-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-inflation-UK_33-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-inflation-UK_33-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-inflation-UK_33-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text">UK <a href="/wiki/Retail_Price_Index" title="Retail Price Index">Retail Price Index</a> inflation figures are based on data from <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFClark2017" class="citation web cs1">Clark, Gregory (2017). <a rel="nofollow" class="external text" href="https://measuringworth.com/datasets/ukearncpi/">"The Annual RPI and Average Earnings for Britain, 1209 to Present (New Series)"</a>. <i><a href="/wiki/MeasuringWorth" title="MeasuringWorth">MeasuringWorth</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">7 May</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=MeasuringWorth&amp;rft.atitle=The+Annual+RPI+and+Average+Earnings+for+Britain%2C+1209+to+Present+%28New+Series%29&amp;rft.date=2017&amp;rft.aulast=Clark&amp;rft.aufirst=Gregory&amp;rft_id=https%3A%2F%2Fmeasuringworth.com%2Fdatasets%2Fukearncpi%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTESchaffner199132-34"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner199132_34-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;32.</span> </li> <li id="cite_note-FOOTNOTESchaffner199132–33-36"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTESchaffner199132–33_36-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTESchaffner199132–33_36-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, pp.&#160;32–33.</span> </li> <li id="cite_note-FOOTNOTEMason200550–51-37"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason200550–51_37-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;50–51.</span> </li> <li id="cite_note-38"><span class="mw-cite-backlink"><b><a href="#cite_ref-38">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;46–49: (primary source); <a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;34: (secondary source).</span> </li> <li id="cite_note-39"><span class="mw-cite-backlink"><b><a href="#cite_ref-39">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;52–53: Jenner and King's connections helped gain the band important coverage; <a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;44: "apparently very psychedelic"</span> </li> <li id="cite_note-FOOTNOTEMason200549-40"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason200549_40-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;49.</span> </li> <li id="cite_note-FOOTNOTEMason200554-41"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason200554_41-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;54.</span> </li> <li id="cite_note-FOOTNOTEMason200554–58-42"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEMason200554–58_42-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEMason200554–58_42-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;54–58.</span> </li> <li id="cite_note-FOOTNOTESchaffner199149-43"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner199149_43-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;49.</span> </li> <li id="cite_note-44"><span class="mw-cite-backlink"><b><a href="#cite_ref-44">^</a></b></span> <span class="reference-text"><a href="#CITEREFdi_Perna2002">di Perna 2002</a>, p.&#160;29: Pink Floyd as a spack rock band; <a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;37: The music industry began to take notice of Pink Floyd.</span> </li> <li id="cite_note-FOOTNOTEBlake200879-45"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake200879_45-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;79.</span> </li> <li id="cite_note-FOOTNOTEBlake201172,_74-47"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake201172,_74_47-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2011">Blake 2011</a>, pp.&#160;72, 74.</span> </li> <li id="cite_note-48"><span class="mw-cite-backlink"><b><a href="#cite_ref-48">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;342: Release date for "Arnold Layne"; <a href="#CITEREFSchaffner1991">Schaffner 1991</a>, pp.&#160;54–55: Signing with EMI.</span> </li> <li id="cite_note-FOOTNOTEPovey200837-49"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEPovey200837_49-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEPovey200837_49-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEPovey200837_49-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;37.</span> </li> <li id="cite_note-FOOTNOTEMason200559–63-51"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason200559–63_51-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;59–63.</span> </li> <li id="cite_note-FOOTNOTEMason200584–85-53"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason200584–85_53-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;84–85.</span> </li> <li id="cite_note-FOOTNOTEPovey2008342-54"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey2008342_54-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;342.</span> </li> <li id="cite_note-FOOTNOTEBlake200886–87-55"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake200886–87_55-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;86–87.</span> </li> <li id="cite_note-FOOTNOTEMason200586–87-56"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason200586–87_56-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;86–87.</span> </li> <li id="cite_note-FOOTNOTEPovey200843-57"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey200843_57-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;43.</span> </li> <li id="cite_note-58"><span class="mw-cite-backlink"><b><a href="#cite_ref-58">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;82: Barrett was "completely distanced from everything going on"; <a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;51: Barrett's increasing LSD use starting early 1967.</span> </li> <li id="cite_note-59"><span class="mw-cite-backlink"><b><a href="#cite_ref-59">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;87–88: Smith negotiated Pink Floyd's first record contract; <a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;55: Morrison negotiated Pink Floyd's first contract and in it they agreed to record their first album at EMI Studios.</span> </li> <li id="cite_note-FOOTNOTEBlake200885-60"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake200885_60-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;85.</span> </li> <li id="cite_note-FOOTNOTEMason200592–93-62"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason200592–93_62-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;92–93.</span> </li> <li id="cite_note-FOOTNOTERoberts2005391-63"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTERoberts2005391_63-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTERoberts2005391_63-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTERoberts2005391_63-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTERoberts2005391_63-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-FOOTNOTERoberts2005391_63-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-FOOTNOTERoberts2005391_63-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-FOOTNOTERoberts2005391_63-6"><sup><i><b>g</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFRoberts2005">Roberts 2005</a>, p.&#160;391.</span> </li> <li id="cite_note-64"><span class="mw-cite-backlink"><b><a href="#cite_ref-64">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCavanagh2003" class="citation book cs1">Cavanagh, John (2003). <i>The Piper at the Gates of Dawn</i>. New York [u.a.]: Continuum. pp.&#160;55–56. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-8264-1497-7" title="Special:BookSources/978-0-8264-1497-7"><bdi>978-0-8264-1497-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Piper+at+the+Gates+of+Dawn&amp;rft.place=New+York+%5Bu.a.%5D&amp;rft.pages=55-56&amp;rft.pub=Continuum&amp;rft.date=2003&amp;rft.isbn=978-0-8264-1497-7&amp;rft.aulast=Cavanagh&amp;rft.aufirst=John&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-65"><span class="mw-cite-backlink"><b><a href="#cite_ref-65">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;95: "The band started to play and Syd just stood there"; <a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;36: June Child was Blackhill's assistant and secretary.</span> </li> <li id="cite_note-FOOTNOTEPovey200867-66"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey200867_66-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;67.</span> </li> <li id="cite_note-FOOTNOTEBlake2008123-67"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008123_67-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;123.</span> </li> <li id="cite_note-FOOTNOTEPovey200867–71-68"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey200867–71_68-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, pp.&#160;67–71.</span> </li> <li id="cite_note-FOOTNOTEPovey200869-69"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey200869_69-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;69.</span> </li> <li id="cite_note-FOOTNOTESchaffner199188–90-71"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner199188–90_71-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, pp.&#160;88–90.</span> </li> <li id="cite_note-FOOTNOTESchaffner199191–92-72"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner199191–92_72-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, pp.&#160;91–92.</span> </li> <li id="cite_note-FOOTNOTEPovey200872-73"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey200872_73-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;72.</span> </li> <li id="cite_note-75"><span class="mw-cite-backlink"><b><a href="#cite_ref-75">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;95–105: Barrett's mental deterioration and Pink Floyd's first US tour (primary source); <a href="#CITEREFSchaffner1991">Schaffner 1991</a>, pp.&#160;91–94: Barrett's mental deterioration and Pink Floyd's first US tour (secondary source).</span> </li> <li id="cite_note-FOOTNOTEFitch2005224-76"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEFitch2005224_76-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFFitch2005">Fitch 2005</a>, p.&#160;224.</span> </li> <li id="cite_note-FOOTNOTEBlake2008102-77"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008102_77-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;102.</span> </li> <li id="cite_note-FOOTNOTEPovey200847-79"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEPovey200847_79-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEPovey200847_79-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;47.</span> </li> <li id="cite_note-FOOTNOTEBlake2011109-80"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2011109_80-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2011">Blake 2011</a>, p.&#160;109.</span> </li> <li id="cite_note-FOOTNOTEBlake2008110-81"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008110_81-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;110.</span> </li> <li id="cite_note-FOOTNOTEMason200528-83"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason200528_83-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;28.</span> </li> <li id="cite_note-FOOTNOTEMason200534-84"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason200534_84-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;34.</span> </li> <li id="cite_note-85"><span class="mw-cite-backlink"><b><a href="#cite_ref-85">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;110–111: "the band intending to continue with Barrett"; <a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;109–111: O'Rourke set Gilmour up in O'Rourke's home; <a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;104: Gilmour was officially announced as a new member of Pink Floyd.</span> </li> <li id="cite_note-FOOTNOTESchaffner1991107-86"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner1991107_86-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;107.</span> </li> <li id="cite_note-FOOTNOTESchaffner1991104-87"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner1991104_87-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;104.</span> </li> <li id="cite_note-FOOTNOTEPalacios2010317-89"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPalacios2010317_89-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPalacios2010">Palacios 2010</a>, p.&#160;317.</span> </li> <li id="cite_note-FOOTNOTEPovey200878-90"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey200878_90-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;78.</span> </li> <li id="cite_note-FOOTNOTEMason2005111-91"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason2005111_91-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;111.</span> </li> <li id="cite_note-FOOTNOTEBlake2008112-93"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008112_93-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;112.</span> </li> <li id="cite_note-94"><span class="mw-cite-backlink"><b><a href="#cite_ref-94">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;90–113: (secondary source); <a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;78–105: (primary source).</span> </li> <li id="cite_note-FOOTNOTEPovey200878–80-95"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey200878–80_95-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, pp.&#160;78–80.</span> </li> <li id="cite_note-FOOTNOTEMason2005112–114,_127–131:_On_O&#39;Rourke_becoming_the_band&#39;s_manager-96"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason2005112–114,_127–131:_On_O&#39;Rourke_becoming_the_band&#39;s_manager_96-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;112–114, 127–131: On O'Rourke becoming the band's manager.</span> </li> <li id="cite_note-FOOTNOTESchaffner1991107–108-97"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner1991107–108_97-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, pp.&#160;107–108.</span> </li> <li id="cite_note-FOOTNOTEBlake2008112–114-98"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008112–114_98-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;112–114.</span> </li> <li id="cite_note-FOOTNOTEBlake20083,_9,_113,_156,_242,_279,_320,_398:_After_Barrett&#39;s_departure,_the_burden_of_lyrical_composition_and_creative_direction_fell_mostly_on_Waters-100"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake20083,_9,_113,_156,_242,_279,_320,_398:_After_Barrett&#39;s_departure,_the_burden_of_lyrical_composition_and_creative_direction_fell_mostly_on_Waters_100-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;3, 9, 113, 156, 242, 279, 320, 398: After Barrett's departure, the burden of lyrical composition and creative direction fell mostly on Waters.</span> </li> <li id="cite_note-FOOTNOTEdi_Perna200213-101"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEdi_Perna200213_101-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEdi_Perna200213_101-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFdi_Perna2002">di Perna 2002</a>, p.&#160;13.</span> </li> <li id="cite_note-102"><span class="mw-cite-backlink"><b><a href="#cite_ref-102">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation journal cs1">"The 30-Year Technicolor Dream". <i><a href="/wiki/Mojo_(magazine)" title="Mojo (magazine)">Mojo</a></i>. July 1995.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Mojo&amp;rft.atitle=The+30-Year+Technicolor+Dream&amp;rft.date=1995-07&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEBlake2008116–117-103"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008116–117_103-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;116–117.</span> </li> <li id="cite_note-FOOTNOTEBlake2008117-104"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEBlake2008117_104-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBlake2008117_104-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;117.</span> </li> <li id="cite_note-FOOTNOTEBlake2008118-105"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEBlake2008118_105-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBlake2008118_105-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;118.</span> </li> <li id="cite_note-106"><span class="mw-cite-backlink"><b><a href="#cite_ref-106">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRoberts1997" class="citation journal cs1">Roberts, James (1 November 1997). <a rel="nofollow" class="external text" href="http://www.frieze.com/issue/article/hipgnotic-suggestion/">"Hipgnotic Suggestion"</a>. <i><a href="/wiki/Frieze_(magazine)" title="Frieze (magazine)">Frieze</a></i> (37). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20131103080337/http://www.frieze.com/issue/article/hipgnotic-suggestion/">Archived</a> from the original on 3 November 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">12 September</span> 2012</span>. <q>Throughout the 70s many of the more successful rock bands adopted similarly abstract imagery, in particular Led Zeppelin (the album IV, 1971, dispensed with their name and the title of the record entirely) and Pink Floyd, who, following the Beatles, were only the second band to be allowed by EMI to use an outside designer.</q></cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Frieze&amp;rft.atitle=Hipgnotic+Suggestion&amp;rft.issue=37&amp;rft.date=1997-11-01&amp;rft.aulast=Roberts&amp;rft.aufirst=James&amp;rft_id=http%3A%2F%2Fwww.frieze.com%2Fissue%2Farticle%2Fhipgnotic-suggestion%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEFitch2005311-107"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEFitch2005311_107-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFFitch2005">Fitch 2005</a>, p.&#160;311.</span> </li> <li id="cite_note-FOOTNOTEPovey200884-109"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey200884_109-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;84.</span> </li> <li id="cite_note-FOOTNOTEMason2005127–131-110"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason2005127–131_110-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;127–131.</span> </li> <li id="cite_note-111"><span class="mw-cite-backlink"><b><a href="#cite_ref-111">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarris2005">Harris 2005</a>, p.&#160;168: (secondary source); <a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;133–135: (primary source).</span> </li> <li id="cite_note-FOOTNOTEPovey200887–89-112"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey200887–89_112-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, pp.&#160;87–89.</span> </li> <li id="cite_note-FOOTNOTEPovey2008135–136-113"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey2008135–136_113-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, pp.&#160;135–136.</span> </li> <li id="cite_note-FOOTNOTEPovey2008344-114"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey2008344_114-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;344.</span> </li> <li id="cite_note-FOOTNOTESchaffner1991154-115"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner1991154_115-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;154.</span> </li> <li id="cite_note-FOOTNOTEBlake2008148-117"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008148_117-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;148.</span> </li> <li id="cite_note-FOOTNOTESchaffner1991144-118"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTESchaffner1991144_118-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTESchaffner1991144_118-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;144.</span> </li> <li id="cite_note-FOOTNOTESchaffner1991140–147-119"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner1991140–147_119-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, pp.&#160;140–147.</span> </li> <li id="cite_note-FOOTNOTEPovey2008128–140-120"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey2008128–140_120-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, pp.&#160;128–140.</span> </li> <li id="cite_note-FOOTNOTESchaffner1991150–151-122"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner1991150–151_122-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, pp.&#160;150–151.</span> </li> <li id="cite_note-FOOTNOTEPovey2008122-123"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey2008122_123-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;122.</span> </li> <li id="cite_note-124"><span class="mw-cite-backlink"><b><a href="#cite_ref-124">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarris2005">Harris 2005</a>, p.&#160;71: "a couple of bottles of wine and a couple of joints"; <a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;153: Lacking a central theme they experimented.</span> </li> <li id="cite_note-FOOTNOTEHarris200572-125"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHarris200572_125-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarris2005">Harris 2005</a>, p.&#160;72.</span> </li> <li id="cite_note-126"><span class="mw-cite-backlink"><b><a href="#cite_ref-126">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.bbc.co.uk/music/reviews/wnbd">"Review of Pink Floyd&#160;– Meddle"</a>. BBC Music. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120816063435/http://www.bbc.co.uk/music/reviews/wnbd">Archived</a> from the original on 16 August 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">5 August</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Review+of+Pink+Floyd+%E2%80%93+Meddle&amp;rft.pub=BBC+Music&amp;rft_id=https%3A%2F%2Fwww.bbc.co.uk%2Fmusic%2Freviews%2Fwnbd&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-127"><span class="mw-cite-backlink"><b><a href="#cite_ref-127">^</a></b></span> <span class="reference-text">For "<i>Meddle</i> not only confirms lead guitarist David Gilmour's emergence" see: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCosta1972" class="citation magazine cs1">Costa, Jean-Charles (6 January 1972). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20080104170149/http://www.rollingstone.com/artists/pinkfloyd/albums/album/235970/review/6067420/meddle">"Pink Floyd: Meddle"</a>. <i>Rolling Stone</i>. Archived from <a rel="nofollow" class="external text" href="https://www.rollingstone.com/artists/pinkfloyd/albums/album/235970/review/6067420/meddle">the original</a> on 4 January 2008<span class="reference-accessdate">. Retrieved <span class="nowrap">19 August</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=Pink+Floyd%3A+Meddle&amp;rft.date=1972-01-06&amp;rft.aulast=Costa&amp;rft.aufirst=Jean-Charles&amp;rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fartists%2Fpinkfloyd%2Falbums%2Falbum%2F235970%2Freview%2F6067420%2Fmeddle&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span>; <a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;150: The release dates for <i>Meddle</i>.</span> </li> <li id="cite_note-128"><span class="mw-cite-backlink"><b><a href="#cite_ref-128">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;150: A 5 November UK release date for <i>Meddle</i>; For a 13 November UK release date for <i>Meddle</i> see: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.pinkfloyd.com/">"Pink Floyd&#160;– Echoes (click Echoes image link)"</a>. pinkfloyd.com. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20090828101353/http://www.pinkfloyd.com/">Archived</a> from the original on 28 August 2009<span class="reference-accessdate">. Retrieved <span class="nowrap">22 August</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pink+Floyd+%E2%80%93+Echoes+%28click+Echoes+image+link%29&amp;rft.pub=pinkfloyd.com&amp;rft_id=http%3A%2F%2Fwww.pinkfloyd.com%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-130"><span class="mw-cite-backlink"><b><a href="#cite_ref-130">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;157: (primary source); <a href="#CITEREFPovey2008">Povey 2008</a>, pp.&#160;142–144: (secondary source)</span> </li> <li id="cite_note-FOOTNOTEPovey2008155:_Touring_the_US_in_November,_174:_Pink_Floyd:_Live_at_Pompeii-131"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey2008155:_Touring_the_US_in_November,_174:_Pink_Floyd:_Live_at_Pompeii_131-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, pp.&#160;155: Touring the US in November, 174: Pink Floyd: Live at Pompeii.</span> </li> <li id="cite_note-FOOTNOTESchaffner1991155-133"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner1991155_133-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;155.</span> </li> <li id="cite_note-FOOTNOTEWatts199656–57-134"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWatts199656–57_134-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWatts1996">Watts 1996</a>, pp.&#160;56–57.</span> </li> <li id="cite_note-FOOTNOTEManning2006p._164,_&#39;&#39;&quot;The_Albums&quot;&#39;&#39;-135"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEManning2006p._164,_&#39;&#39;&quot;The_Albums&quot;&#39;&#39;_135-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFManning2006">Manning 2006</a>, p. 164, <i>"The Albums"</i>.</span> </li> <li id="cite_note-:3-136"><span class="mw-cite-backlink">^ <a href="#cite_ref-:3_136-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:3_136-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMason2004" class="citation book cs1">Mason, Nick (2004). <i>There Is No Dark Side Inside Out: A Personal History of Pink Floyd</i> (New&#160;ed.). Widenfeld &amp; Nicolson. p.&#160;164. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/0-297-84387-7" title="Special:BookSources/0-297-84387-7"><bdi>0-297-84387-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=There+Is+No+Dark+Side+Inside+Out%3A+A+Personal+History+of+Pink+Floyd&amp;rft.pages=164&amp;rft.edition=New&amp;rft.pub=Widenfeld+%26+Nicolson&amp;rft.date=2004&amp;rft.isbn=0-297-84387-7&amp;rft.aulast=Mason&amp;rft.aufirst=Nick&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-:4-137"><span class="mw-cite-backlink">^ <a href="#cite_ref-:4_137-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:4_137-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:4_137-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPovey2006" class="citation book cs1">Povey, Glenn (2006). <i>Playing Different Tunes 1972–1973 Echoes&#160;: The Complete History of Pink Floyd</i> (New&#160;ed.). Mind Head Publishing. pp.&#160;155 and 166. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-9554624-0-5" title="Special:BookSources/978-0-9554624-0-5"><bdi>978-0-9554624-0-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Playing+Different+Tunes+1972%E2%80%931973+Echoes+%3A+The+Complete+History+of+Pink+Floyd&amp;rft.pages=155+and+166&amp;rft.edition=New&amp;rft.pub=Mind+Head+Publishing&amp;rft.date=2006&amp;rft.isbn=978-0-9554624-0-5&amp;rft.aulast=Povey&amp;rft.aufirst=Glenn&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-138"><span class="mw-cite-backlink"><b><a href="#cite_ref-138">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarris2005">Harris 2005</a>, pp.&#160;103–104: Recording schedule for <i>Dark Side</i>; <a href="#CITEREFHarris2005">Harris 2005</a>, p.&#160;104: Alan Parsons as an engineer on <i>Dark Side</i>; <a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;159: <i>The Dark Side of the Moon</i> as an allusion to lunacy, rather than astronomy.</span> </li> <li id="cite_note-FOOTNOTEPovey2008164–173-139"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey2008164–173_139-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, pp.&#160;164–173.</span> </li> <li id="cite_note-140"><span class="mw-cite-backlink"><b><a href="#cite_ref-140">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarris2005">Harris 2005</a>, pp.&#160;140–141: (secondary source); <a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;177: (primary source).</span> </li> <li id="cite_note-FOOTNOTEHarris2005151-141"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHarris2005151_141-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarris2005">Harris 2005</a>, p.&#160;151.</span> </li> <li id="cite_note-FOOTNOTEWeinstein200786-142"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEWeinstein200786_142-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEWeinstein200786_142-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEWeinstein200786_142-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFWeinstein2007">Weinstein 2007</a>, p.&#160;86.</span> </li> <li id="cite_note-FOOTNOTEHarris200512–13,_88–89-143"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHarris200512–13,_88–89_143-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarris2005">Harris 2005</a>, pp.&#160;12–13, 88–89.</span> </li> <li id="cite_note-FOOTNOTESchaffner1991166-144"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner1991166_144-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;166.</span> </li> <li id="cite_note-FOOTNOTEPovey2008160-145"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEPovey2008160_145-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEPovey2008160_145-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEPovey2008160_145-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;160.</span> </li> <li id="cite_note-146"><span class="mw-cite-backlink"><b><a href="#cite_ref-146">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHollingworth1973" class="citation web cs1">Hollingworth, Roy (1973). <a rel="nofollow" class="external text" href="http://pinkfloyd.com/history/timeline_1973.php">"Historical info&#160;– 1973 review, Melody Maker"</a>. pinkfloyd.com. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110515095602/http://www.pinkfloyd.com/history/timeline_1973.php">Archived</a> from the original on 15 May 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">28 May</span> 2011</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Historical+info+%E2%80%93+1973+review%2C+Melody+Maker&amp;rft.pub=pinkfloyd.com&amp;rft.date=1973&amp;rft.aulast=Hollingworth&amp;rft.aufirst=Roy&amp;rft_id=http%3A%2F%2Fpinkfloyd.com%2Fhistory%2Ftimeline_1973.php&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-RSReview-147"><span class="mw-cite-backlink"><b><a href="#cite_ref-RSReview_147-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGrossman1973" class="citation magazine cs1">Grossman, Lloyd (24 May 1973). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20080618145828/http://www.rollingstone.com/artists/pinkfloyd/albums/album/270102/review/6212432/dark_side_of_the_moon">"Dark Side of the Moon Review"</a>. <i>Rolling Stone</i>. Archived from <a rel="nofollow" class="external text" href="https://www.rollingstone.com/artists/pinkfloyd/albums/album/270102/review/6212432/dark_side_of_the_moon">the original</a> on 18 June 2008<span class="reference-accessdate">. Retrieved <span class="nowrap">7 August</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=Dark+Side+of+the+Moon+Review&amp;rft.date=1973-05-24&amp;rft.aulast=Grossman&amp;rft.aufirst=Lloyd&amp;rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fartists%2Fpinkfloyd%2Falbums%2Falbum%2F270102%2Freview%2F6212432%2Fdark_side_of_the_moon&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTESchaffner1991166–167-148"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner1991166–167_148-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, pp.&#160;166–167.</span> </li> <li id="cite_note-149"><span class="mw-cite-backlink"><b><a href="#cite_ref-149">^</a></b></span> <span class="reference-text">For <i>Billboard</i> chart history see: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTitusWaddell2005" class="citation magazine cs1">Titus, Christa; Waddell, Ray (2005). <a rel="nofollow" class="external text" href="https://www.billboard.com/articles/news/58524/floyds-dark-side-celebrates-chart-milestone">"Floyd's 'Dark Side' Celebrates Chart Milestone"</a>. <i>Billboard</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130330033818/http://www.billboard.com/articles/news/58524/floyds-dark-side-celebrates-chart-milestone">Archived</a> from the original on 30 March 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">12 August</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Billboard&amp;rft.atitle=Floyd%27s+%27Dark+Side%27+Celebrates+Chart+Milestone&amp;rft.date=2005&amp;rft.aulast=Titus&amp;rft.aufirst=Christa&amp;rft.au=Waddell%2C+Ray&amp;rft_id=https%3A%2F%2Fwww.billboard.com%2Farticles%2Fnews%2F58524%2Ffloyds-dark-side-celebrates-chart-milestone&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span>; for sales figures see: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSmirke2013" class="citation magazine cs1">Smirke, Richard (16 March 2013). <a rel="nofollow" class="external text" href="https://www.billboard.com/articles/review/1552399/pink-floyd-the-dark-side-of-the-moon-at-40-classic-track-by-track-review">"Pink Floyd, 'The Dark Side of the Moon' At 40: Classic Track-By-Track Review"</a>. <i>Billboard</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160706221342/http://www.billboard.com/articles/review/1552399/pink-floyd-the-dark-side-of-the-moon-at-40-classic-track-by-track-review">Archived</a> from the original on 6 July 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">22 June</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Billboard&amp;rft.atitle=Pink+Floyd%2C+%27The+Dark+Side+of+the+Moon%27+At+40%3A+Classic+Track-By-Track+Review&amp;rft.date=2013-03-16&amp;rft.aulast=Smirke&amp;rft.aufirst=Richard&amp;rft_id=https%3A%2F%2Fwww.billboard.com%2Farticles%2Freview%2F1552399%2Fpink-floyd-the-dark-side-of-the-moon-at-40-classic-track-by-track-review&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span>; <a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;345: A US number 1.</span> </li> <li id="cite_note-FOOTNOTEPovey2008345-150"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEPovey2008345_150-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEPovey2008345_150-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;345.</span> </li> <li id="cite_note-FOOTNOTEHarris2005172–173-151"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHarris2005172–173_151-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarris2005">Harris 2005</a>, pp.&#160;172–173.</span> </li> <li id="cite_note-inflation-US-152"><span class="mw-cite-backlink">^ <a href="#cite_ref-inflation-US_152-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-inflation-US_152-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">1634–1699: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcCusker1997" class="citation book cs1"><a href="/wiki/John_J._McCusker" title="John J. McCusker">McCusker, J. J.</a> (1997). <a rel="nofollow" class="external text" href="https://www.americanantiquarian.org/proceedings/44525121.pdf"><i>How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda</i></a> <span class="cs1-format">(PDF)</span>. <a href="/wiki/American_Antiquarian_Society" title="American Antiquarian Society">American Antiquarian Society</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=How+Much+Is+That+in+Real+Money%3F+A+Historical+Price+Index+for+Use+as+a+Deflator+of+Money+Values+in+the+Economy+of+the+United+States%3A+Addenda+et+Corrigenda&amp;rft.pub=American+Antiquarian+Society&amp;rft.date=1997&amp;rft.aulast=McCusker&amp;rft.aufirst=J.+J.&amp;rft_id=https%3A%2F%2Fwww.americanantiquarian.org%2Fproceedings%2F44525121.pdf&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span> 1700–1799: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcCusker1992" class="citation book cs1"><a href="/wiki/John_J._McCusker" title="John J. McCusker">McCusker, J. J.</a> (1992). <a rel="nofollow" class="external text" href="https://www.americanantiquarian.org/proceedings/44517778.pdf"><i>How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States</i></a> <span class="cs1-format">(PDF)</span>. <a href="/wiki/American_Antiquarian_Society" title="American Antiquarian Society">American Antiquarian Society</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=How+Much+Is+That+in+Real+Money%3F+A+Historical+Price+Index+for+Use+as+a+Deflator+of+Money+Values+in+the+Economy+of+the+United+States&amp;rft.pub=American+Antiquarian+Society&amp;rft.date=1992&amp;rft.aulast=McCusker&amp;rft.aufirst=J.+J.&amp;rft_id=https%3A%2F%2Fwww.americanantiquarian.org%2Fproceedings%2F44517778.pdf&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span> 1800–present: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFederal_Reserve_Bank_of_Minneapolis" class="citation web cs1">Federal Reserve Bank of Minneapolis. <a rel="nofollow" class="external text" href="https://www.minneapolisfed.org/about-us/monetary-policy/inflation-calculator/consumer-price-index-1800-">"Consumer Price Index (estimate) 1800–"</a><span class="reference-accessdate">. Retrieved <span class="nowrap">29 February</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Consumer+Price+Index+%28estimate%29+1800%E2%80%93&amp;rft.au=Federal+Reserve+Bank+of+Minneapolis&amp;rft_id=https%3A%2F%2Fwww.minneapolisfed.org%2Fabout-us%2Fmonetary-policy%2Finflation-calculator%2Fconsumer-price-index-1800-&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTESchaffner1991173-153"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner1991173_153-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;173.</span> </li> <li id="cite_note-FOOTNOTEPovey2008184-154"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey2008184_154-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;184.</span> </li> <li id="cite_note-FOOTNOTEMason2005177:_Parsons_declined_an_offer_to_continue_working_with_Pink_Floyd,_200:_Pink_Floyd_hired_Humphries-155"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason2005177:_Parsons_declined_an_offer_to_continue_working_with_Pink_Floyd,_200:_Pink_Floyd_hired_Humphries_155-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;177: Parsons declined an offer to continue working with Pink Floyd, 200: Pink Floyd hired Humphries.</span> </li> <li id="cite_note-FOOTNOTESchaffner1991184–185-156"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTESchaffner1991184–185_156-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTESchaffner1991184–185_156-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTESchaffner1991184–185_156-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, pp.&#160;184–185.</span> </li> <li id="cite_note-FOOTNOTESchaffner1991178–184-157"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner1991178–184_157-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, pp.&#160;178–184.</span> </li> <li id="cite_note-158"><span class="mw-cite-backlink"><b><a href="#cite_ref-158">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;184: The motif reminded Waters of Barrett; <a href="#CITEREFWatkinsonAnderson2001">Watkinson &amp; Anderson 2001</a>, p.&#160;119: Gilmour composed the motif entirely by accident.</span> </li> <li id="cite_note-FOOTNOTESchaffner1991185–186-159"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner1991185–186_159-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, pp.&#160;185–186.</span> </li> <li id="cite_note-FOOTNOTESchaffner1991184-160"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner1991184_160-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;184.</span> </li> <li id="cite_note-FOOTNOTEWatkinsonAnderson2001120-161"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWatkinsonAnderson2001120_161-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWatkinsonAnderson2001">Watkinson &amp; Anderson 2001</a>, p.&#160;120.</span> </li> <li id="cite_note-FOOTNOTEBlake2008231-162"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008231_162-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;231.</span> </li> <li id="cite_note-FOOTNOTESchaffner1991189–190-163"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner1991189–190_163-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, pp.&#160;189–190.</span> </li> <li id="cite_note-FOOTNOTEPovey2008346-164"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEPovey2008346_164-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEPovey2008346_164-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;346.</span> </li> <li id="cite_note-FOOTNOTEBlake2008236-166"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008236_166-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;236.</span> </li> <li id="cite_note-FOOTNOTEPovey2008200-167"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey2008200_167-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;200.</span> </li> <li id="cite_note-FOOTNOTEBlake2008241–242-168"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008241–242_168-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;241–242.</span> </li> <li id="cite_note-FOOTNOTEMason2005218–220-169"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason2005218–220_169-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;218–220.</span> </li> <li id="cite_note-171"><span class="mw-cite-backlink"><b><a href="#cite_ref-171">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;245–246: (secondary source); <a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;223–225: (primary source).</span> </li> <li id="cite_note-FOOTNOTEBlake2008246-172"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008246_172-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;246.</span> </li> <li id="cite_note-173"><span class="mw-cite-backlink"><b><a href="#cite_ref-173">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;246: (secondary source); <a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;223–225: (primary source).</span> </li> <li id="cite_note-FOOTNOTEBlake2008242–245-175"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008242–245_175-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;242–245.</span> </li> <li id="cite_note-FOOTNOTEBlake2008242-176"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEBlake2008242_176-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBlake2008242_176-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;242.</span> </li> <li id="cite_note-FOOTNOTEBlake2008244–245-177"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008244–245_177-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;244–245.</span> </li> <li id="cite_note-FOOTNOTEBlake2008242–243-179"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEBlake2008242–243_179-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBlake2008242–243_179-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;242–243.</span> </li> <li id="cite_note-FOOTNOTEPovey2008347-180"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey2008347_180-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;347.</span> </li> <li id="cite_note-FOOTNOTEBlake2008247-181"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008247_181-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;247.</span> </li> <li id="cite_note-FOOTNOTEBlake2008252–253-182"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008252–253_182-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;252–253.</span> </li> <li id="cite_note-FOOTNOTEMason2005235–236-183"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEMason2005235–236_183-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEMason2005235–236_183-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;235–236.</span> </li> <li id="cite_note-FOOTNOTEPovey2008207-184"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey2008207_184-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;207.</span> </li> <li id="cite_note-FOOTNOTEMason2005230-186"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason2005230_186-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;230.</span> </li> <li id="cite_note-FOOTNOTEBlake2008258–259-187"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008258–259_187-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;258–259.</span> </li> <li id="cite_note-FOOTNOTESchaffner1991206–208-188"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTESchaffner1991206–208_188-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTESchaffner1991206–208_188-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, pp.&#160;206–208.</span> </li> <li id="cite_note-FOOTNOTEBlake2008260-190"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008260_190-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;260.</span> </li> <li id="cite_note-FOOTNOTEBlake2008260–261-191"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008260–261_191-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;260–261.</span> </li> <li id="cite_note-FOOTNOTEMason2005238-192"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason2005238_192-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;238.</span> </li> <li id="cite_note-193"><span class="mw-cite-backlink"><b><a href="#cite_ref-193">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;240–242: (primary source); <a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;213: (secondary source).</span> </li> <li id="cite_note-FOOTNOTESimmons199976–95-195"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESimmons199976–95_195-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSimmons1999">Simmons 1999</a>, pp.&#160;76–95.</span> </li> <li id="cite_note-196"><span class="mw-cite-backlink"><b><a href="#cite_ref-196">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;219: That's why Wright "got the boot"; <a href="#CITEREFSimmons1999">Simmons 1999</a>, pp.&#160;86–88: Wright, "hadn't contributed anything of any value".</span> </li> <li id="cite_note-FOOTNOTEMason2005246-197"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason2005246_197-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;246.</span> </li> <li id="cite_note-FOOTNOTESimmons199988-198"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESimmons199988_198-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSimmons1999">Simmons 1999</a>, p.&#160;88.</span> </li> <li id="cite_note-FOOTNOTEBlake2008285–286:_Wright_as_a_paid_musician_during_the_tour-199"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008285–286:_Wright_as_a_paid_musician_during_the_tour_199-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;285–286: Wright as a paid musician during the tour.</span> </li> <li id="cite_note-FOOTNOTEMason2005249-200"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason2005249_200-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;249.</span> </li> <li id="cite_note-202"><span class="mw-cite-backlink"><b><a href="#cite_ref-202">^</a></b></span> <span class="reference-text"><a href="#CITEREFBronson1992">Bronson 1992</a>, p.&#160;523: Peak US chart position for "Another Brick in the Wall (Part II)"; 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Retrieved <span class="nowrap">14 February</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=RIAA+most+certified+albums&amp;rft.pub=Recording+Industry+Association+of+America&amp;rft_id=https%3A%2F%2Fwww.riaa.com%2Fgold-platinum%2F%3Ftab_active%3Dawards_by_album%23search_section&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEBlake2008279-205"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008279_205-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;279.</span> </li> <li id="cite_note-FOOTNOTEScarfe201091–115-206"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEScarfe201091–115_206-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFScarfe2010">Scarfe 2010</a>, pp.&#160;91–115.</span> </li> <li id="cite_note-FOOTNOTEBlake2008285–286-207"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008285–286_207-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;285–286.</span> </li> <li id="cite_note-FOOTNOTEBlake2008289-208"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008289_208-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;289.</span> </li> <li id="cite_note-FOOTNOTEBlake2008288–292-209"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEBlake2008288–292_209-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBlake2008288–292_209-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBlake2008288–292_209-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;288–292.</span> </li> <li id="cite_note-FOOTNOTEPovey2008229-211"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey2008229_211-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;229.</span> </li> <li id="cite_note-FOOTNOTEBlake2008294–295-213"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008294–295_213-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;294–295.</span> </li> <li id="cite_note-FOOTNOTEBlake2008296–298-214"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEBlake2008296–298_214-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBlake2008296–298_214-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;296–298.</span> </li> <li id="cite_note-215"><span class="mw-cite-backlink"><b><a href="#cite_ref-215">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;296–298: (secondary source); 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<a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;269–270: (primary source).</span> </li> <li id="cite_note-224"><span class="mw-cite-backlink"><b><a href="#cite_ref-224">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;300: Peak US chart position for <i>The Final Cut</i>; <a href="#CITEREFRoberts2005">Roberts 2005</a>, p.&#160;391: Peak UK chart position for <i>The Final Cut</i>.</span> </li> <li id="cite_note-225"><span class="mw-cite-backlink"><b><a href="#cite_ref-225">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;294: (secondary source); <a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;265: (primary source).</span> </li> <li id="cite_note-FOOTNOTESchaffner1991243-226"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner1991243_226-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;243.</span> </li> <li id="cite_note-FOOTNOTEBlake2008300-227"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008300_227-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;300.</span> </li> <li id="cite_note-229"><span class="mw-cite-backlink"><b><a href="#cite_ref-229">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLoder1983" class="citation magazine cs1">Loder, Kurt (14 April 1983). <a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/albumreviews/the-final-cut-19830414">"Pink Floyd&#160;– The Final Cut"</a>. <i><a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20080622041133/http://www.rollingstone.com/artists/pinkfloyd/albums/album/107472/review/5943392/the_final_cut">Archived</a> from the original on 22 June 2008<span class="reference-accessdate">. Retrieved <span class="nowrap">4 September</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=Pink+Floyd+%E2%80%93+The+Final+Cut&amp;rft.date=1983-04-14&amp;rft.aulast=Loder&amp;rft.aufirst=Kurt&amp;rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Falbumreviews%2Fthe-final-cut-19830414&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEBlake2008302–309-230"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008302–309_230-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;302–309.</span> </li> <li id="cite_note-FOOTNOTEBlake2008309–311-231"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEBlake2008309–311_231-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBlake2008309–311_231-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;309–311.</span> </li> <li id="cite_note-FOOTNOTEBlake2008311–313-233"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEBlake2008311–313_233-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBlake2008311–313_233-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;311–313.</span> </li> <li id="cite_note-234"><span class="mw-cite-backlink"><b><a href="#cite_ref-234">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a></span> </li> <li id="cite_note-FOOTNOTESchaffner1991263–266-235"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner1991263–266_235-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, pp.&#160;263–266.</span> </li> <li id="cite_note-237"><span class="mw-cite-backlink"><b><a href="#cite_ref-237">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;311–313: O'Rourke's involvement in the settlement; <a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;240: "a spent force".</span> </li> <li id="cite_note-FOOTNOTESchaffner1991271-238"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner1991271_238-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;271.</span> </li> <li id="cite_note-239"><span class="mw-cite-backlink"><b><a href="#cite_ref-239">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDanton2013" class="citation magazine cs1">Danton, Eric R. (19 September 2013). <a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/music-news/roger-waters-regrets-pink-floyd-legal-battle-191084/">"Roger Waters Regrets Pink Floyd Legal Battle"</a>. <i>Rolling Stone</i><span class="reference-accessdate">. Retrieved <span class="nowrap">24 May</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=Roger+Waters+Regrets+Pink+Floyd+Legal+Battle&amp;rft.date=2013-09-19&amp;rft.aulast=Danton&amp;rft.aufirst=Eric+R.&amp;rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-news%2Froger-waters-regrets-pink-floyd-legal-battle-191084%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-240"><span class="mw-cite-backlink"><b><a href="#cite_ref-240">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.bbc.com/news/entertainment-arts-24160584">"Pink Floyd star Roger Waters regrets suing band"</a>. <i>BBC News</i>. 19 September 2013. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160228034159/http://www.bbc.com/news/entertainment-arts-24160584">Archived</a> from the original on 28 February 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">10 March</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=BBC+News&amp;rft.atitle=Pink+Floyd+star+Roger+Waters+regrets+suing+band&amp;rft.date=2013-09-19&amp;rft_id=https%3A%2F%2Fwww.bbc.com%2Fnews%2Fentertainment-arts-24160584&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-Schaffnerpp268269-241"><span class="mw-cite-backlink"><b><a href="#cite_ref-Schaffnerpp268269_241-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, pp.&#160;268–269</span> </li> <li id="cite_note-Redbeard2007-242"><span class="mw-cite-backlink"><b><a href="#cite_ref-Redbeard2007_242-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation cs2"><i>In the Studio with Redbeard, A Momentary Lapse of Reason</i> (Radio broadcast), Barbarosa Ltd. Productions, 2007</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=In+the+Studio+with+Redbeard%2C+A+Momentary+Lapse+of+Reason&amp;rft.pub=Barbarosa+Ltd.+Productions&amp;rft.date=2007&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTESchaffner1991264–268-243"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTESchaffner1991264–268_243-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTESchaffner1991264–268_243-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, pp.&#160;264–268.</span> </li> <li id="cite_note-FOOTNOTEBlake2008316–317-245"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008316–317_245-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;316–317.</span> </li> <li id="cite_note-246"><span class="mw-cite-backlink"><b><a href="#cite_ref-246">^</a></b></span> <span class="reference-text"><a href="#CITEREFManning2006">Manning 2006</a>, p.&#160;134: Pink Floyd employed Wright as a paid musician with weekly earnings of $11,000; <a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;269: "would make us stronger legally and musically".</span> </li> <li id="cite_note-FOOTNOTEBlake2008318-247"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008318_247-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;318.</span> </li> <li id="cite_note-FOOTNOTEFitch2005158-248"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEFitch2005158_248-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFFitch2005">Fitch 2005</a>, p.&#160;158.</span> </li> <li id="cite_note-250"><span class="mw-cite-backlink"><b><a href="#cite_ref-250">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;274</span> </li> <li id="cite_note-FOOTNOTEBlake2008320-251"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008320_251-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;320.</span> </li> <li id="cite_note-FOOTNOTEMason2005284–285-252"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason2005284–285_252-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;284–285.</span> </li> <li id="cite_note-253"><span class="mw-cite-backlink"><b><a href="#cite_ref-253">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.independent.co.uk/arts-entertainment/music/features/the-greatest-feud-in-rock-494131.html">"The Greatest Feud in Rock"</a>. <i>The Independent</i>. 14 June 2005<span class="reference-accessdate">. Retrieved <span class="nowrap">24 May</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=The+Independent&amp;rft.atitle=The+Greatest+Feud+in+Rock&amp;rft.date=2005-06-14&amp;rft_id=http%3A%2F%2Fwww.independent.co.uk%2Farts-entertainment%2Fmusic%2Ffeatures%2Fthe-greatest-feud-in-rock-494131.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTESchaffner1991273-254"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner1991273_254-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;273.</span> </li> <li id="cite_note-FOOTNOTEBlake2008166-255"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008166_255-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;166.</span> </li> <li id="cite_note-FOOTNOTEBlake2008366-256"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008366_256-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;366.</span> </li> <li id="cite_note-FOOTNOTEPovey2008349-258"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey2008349_258-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;349.</span> </li> <li id="cite_note-FOOTNOTEBlake2008328-259"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008328_259-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;328.</span> </li> <li id="cite_note-FOOTNOTEBlake2008327-260"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008327_260-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;327.</span> </li> <li id="cite_note-FOOTNOTEBlake2008326–327-261"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008326–327_261-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;326–327.</span> </li> <li id="cite_note-FOOTNOTEBlake2008322-262"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008322_262-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;322.</span> </li> <li id="cite_note-FOOTNOTESchaffner1991277-263"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner1991277_263-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;277.</span> </li> <li id="cite_note-FOOTNOTEBlake2008329–335-264"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008329–335_264-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;329–335.</span> </li> <li id="cite_note-FOOTNOTEMason2005311–313-265"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason2005311–313_265-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;311–313.</span> </li> <li id="cite_note-FOOTNOTEBlake2008352-266"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008352_266-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;352.</span> </li> <li id="cite_note-FOOTNOTEMason2005314–321-268"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason2005314–321_268-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;314–321.</span> </li> <li id="cite_note-FOOTNOTEBlake2008355-269"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEBlake2008355_269-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBlake2008355_269-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;355.</span> </li> <li id="cite_note-FOOTNOTEBlake2008356-270"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008356_270-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;356.</span> </li> <li id="cite_note-271"><span class="mw-cite-backlink"><b><a href="#cite_ref-271">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;356–357: (secondary source); <a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;314–321: (primary source).</span> </li> <li id="cite_note-FOOTNOTEBlake2008359-272"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008359_272-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;359.</span> </li> <li id="cite_note-FOOTNOTEMason2005322-273"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason2005322_273-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;322.</span> </li> <li id="cite_note-FOOTNOTEBlake2008357–358-275"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008357–358_275-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;357–358.</span> </li> <li id="cite_note-FOOTNOTEMason2005319-276"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason2005319_276-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;319.</span> </li> <li id="cite_note-277"><span class="mw-cite-backlink"><b><a href="#cite_ref-277">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;330: <i>Momentary Lapse of Reason</i> tour crew was almost identical to the <i>Division Bell</i> tour crew; <a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;270: Rehearsing for over two weeks at Norton Air Force Base before opening in Miami.</span> </li> <li id="cite_note-FOOTNOTEBlake2008363–367-278"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEBlake2008363–367_278-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBlake2008363–367_278-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;363–367.</span> </li> <li id="cite_note-FOOTNOTEBlake2008367-279"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEBlake2008367_279-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBlake2008367_279-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;367.</span> </li> <li id="cite_note-FOOTNOTEPovey2008264,_285,_351–352:_&#39;&#39;Pulse&#39;&#39;-281"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey2008264,_285,_351–352:_&#39;&#39;Pulse&#39;&#39;_281-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, pp.&#160;264, 285, 351–352: <i>Pulse</i>.</span> </li> <li id="cite_note-283"><span class="mw-cite-backlink"><b><a href="#cite_ref-283">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSinclair2004" class="citation web cs1">Sinclair, David (6 November 2004). <a rel="nofollow" class="external text" href="https://www.theguardian.com/books/2004/nov/06/highereducation.biography1">"Review: XS All Areas and Inside Out"</a>. <i>The Guardian</i><span class="reference-accessdate">. Retrieved <span class="nowrap">27 September</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=The+Guardian&amp;rft.atitle=Review%3A+XS+All+Areas+and+Inside+Out&amp;rft.date=2004-11-06&amp;rft.aulast=Sinclair&amp;rft.aufirst=David&amp;rft_id=http%3A%2F%2Fwww.theguardian.com%2Fbooks%2F2004%2Fnov%2F06%2Fhighereducation.biography1&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-:2-284"><span class="mw-cite-backlink">^ <a href="#cite_ref-:2_284-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:2_284-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;342: (primary source); <a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;237: (secondary source).</span> </li> <li id="cite_note-285"><span class="mw-cite-backlink"><b><a href="#cite_ref-285">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;380–384: (secondary source); <a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;335–339: (primary source).</span> </li> <li id="cite_note-FOOTNOTEPovey2008287-286"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey2008287_286-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;287.</span> </li> <li id="cite_note-FOOTNOTEBlake2008386-287"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEBlake2008386_287-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBlake2008386_287-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;386.</span> </li> <li id="cite_note-Live8-288"><span class="mw-cite-backlink">^ <a href="#cite_ref-Live8_288-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Live8_288-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="http://news.bbc.co.uk/2/hi/entertainment/4651309.stm">"Donate Live&#160;8 profit says Gilmour"</a>. <i>BBC News</i>. 5 July 2005. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20111103043430/http://news.bbc.co.uk/2/hi/entertainment/4651309.stm">Archived</a> from the original on 3 November 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">2 August</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=BBC+News&amp;rft.atitle=Donate+Live+8+profit+says+Gilmour&amp;rft.date=2005-07-05&amp;rft_id=http%3A%2F%2Fnews.bbc.co.uk%2F2%2Fhi%2Fentertainment%2F4651309.stm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEBlake2008395-290"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008395_290-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;395.</span> </li> <li id="cite_note-291"><span class="mw-cite-backlink"><b><a href="#cite_ref-291">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.today.com/id/26628516/site/todayshow/ns/today-entertainment/t/gilmour-says-no-pink-floyd-reunion/#.UP3hhSc4t8E">"Gilmour says no Pink Floyd reunion"</a>. NBC News. 9 September 2008. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130501173223/http://www.today.com/id/26628516/site/todayshow/ns/today-entertainment/t/gilmour-says-no-pink-floyd-reunion/#.UP3hhSc4t8E">Archived</a> from the original on 1 May 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">2 August</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Gilmour+says+no+Pink+Floyd+reunion&amp;rft.pub=NBC+News&amp;rft.date=2008-09-09&amp;rft_id=http%3A%2F%2Fwww.today.com%2Fid%2F26628516%2Fsite%2Ftodayshow%2Fns%2Ftoday-entertainment%2Ft%2Fgilmour-says-no-pink-floyd-reunion%2F%23.UP3hhSc4t8E&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-LR06-292"><span class="mw-cite-backlink">^ <a href="#cite_ref-LR06_292-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-LR06_292-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCastaldo2006" class="citation web cs1 cs1-prop-foreign-lang-source">Castaldo, Gino (3 February 2006). <a rel="nofollow" class="external text" href="http://www.repubblica.it/2006/b/sezioni/spettacoli_e_cultura/gilmo/gilmo/gilmo.html">"The requiem of David Gilmour: Pink Floyd gone?"</a>. <i>La Repubblica</i> (in Italian). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110522010708/http://www.repubblica.it/2006/b/sezioni/spettacoli_e_cultura/gilmo/gilmo/gilmo.html">Archived</a> from the original on 22 May 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">9 May</span> 2006</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=La+Repubblica&amp;rft.atitle=The+requiem+of+David+Gilmour%3A+Pink+Floyd+gone%3F&amp;rft.date=2006-02-03&amp;rft.aulast=Castaldo&amp;rft.aufirst=Gino&amp;rft_id=http%3A%2F%2Fwww.repubblica.it%2F2006%2Fb%2Fsezioni%2Fspettacoli_e_cultura%2Fgilmo%2Fgilmo%2Fgilmo.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-293"><span class="mw-cite-backlink"><b><a href="#cite_ref-293">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKielty2013" class="citation web cs1">Kielty, Martin (7 January 2013). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20131203005138/http://www.classicrockmagazine.com/news/pink-floyd-was-over-in-1985-says-waters/">"Pink Floyd was over in 1985 says Waters"</a>. <i>Classic Rock Magazine</i>. Archived from <a rel="nofollow" class="external text" href="http://www.classicrockmagazine.com/news/pink-floyd-was-over-in-1985-says-waters/">the original</a> on 3 December 2013.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Classic+Rock+Magazine&amp;rft.atitle=Pink+Floyd+was+over+in+1985+says+Waters&amp;rft.date=2013-01-07&amp;rft.aulast=Kielty&amp;rft.aufirst=Martin&amp;rft_id=http%3A%2F%2Fwww.classicrockmagazine.com%2Fnews%2Fpink-floyd-was-over-in-1985-says-waters%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span>; <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="http://www.torontosun.com/2011/09/28/pink-floyd-star-reunion-unlikely">"Pink Floyd star: Reunion unlikely"</a>. <i>Toronto Sun</i>. wenn.com. 28 September 2011. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20131203012113/http://www.torontosun.com/2011/09/28/pink-floyd-star-reunion-unlikely">Archived</a> from the original on 3 December 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">1 December</span> 2013</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Toronto+Sun&amp;rft.atitle=Pink+Floyd+star%3A+Reunion+unlikely&amp;rft.date=2011-09-28&amp;rft_id=http%3A%2F%2Fwww.torontosun.com%2F2011%2F09%2F28%2Fpink-floyd-star-reunion-unlikely&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-294"><span class="mw-cite-backlink"><b><a href="#cite_ref-294">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMaxwell2021" class="citation web cs1">Maxwell, Jackson (11 March 2021). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210312132533/https://www.guitarplayer.com/news/david-gilmour-confirms-pink-floyd-are-broken-up-for-good-im-done-with-it">"David Gilmour Confirms Pink Floyd Are Broken Up for Good: "I'm Done with it"<span class="cs1-kern-right"></span>"</a>. <i>Guitar Player</i>. Archived from <a rel="nofollow" class="external text" href="https://www.guitarplayer.com/news/david-gilmour-confirms-pink-floyd-are-broken-up-for-good-im-done-with-it">the original</a> on 12 March 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">12 March</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Guitar+Player&amp;rft.atitle=David+Gilmour+Confirms+Pink+Floyd+Are+Broken+Up+for+Good%3A+%22I%27m+Done+with+it%22&amp;rft.date=2021-03-11&amp;rft.aulast=Maxwell&amp;rft.aufirst=Jackson&amp;rft_id=https%3A%2F%2Fwww.guitarplayer.com%2Fnews%2Fdavid-gilmour-confirms-pink-floyd-are-broken-up-for-good-im-done-with-it&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEBlake2008387–389-295"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008387–389_295-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;387–389.</span> </li> <li id="cite_note-Pareles-297"><span class="mw-cite-backlink">^ <a href="#cite_ref-Pareles_297-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Pareles_297-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPareles2006" class="citation news cs1">Pareles, Jon (12 July 2006). <a rel="nofollow" class="external text" href="https://query.nytimes.com/gst/fullpage.html?res=9F06E0D91130F931A25754C0A9609C8B63">"Syd Barrett, a Founder of Pink Floyd And Psychedelic Rock Pioneer, Dies at 60"</a>. <i>The New York Times</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120305004903/http://query.nytimes.com/gst/fullpage.html?res=9F06E0D91130F931A25754C0A9609C8B63">Archived</a> from the original on 5 March 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">7 September</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+New+York+Times&amp;rft.atitle=Syd+Barrett%2C+a+Founder+of+Pink+Floyd+And+Psychedelic+Rock+Pioneer%2C+Dies+at+60&amp;rft.date=2006-07-12&amp;rft.aulast=Pareles&amp;rft.aufirst=Jon&amp;rft_id=https%3A%2F%2Fquery.nytimes.com%2Fgst%2Ffullpage.html%3Fres%3D9F06E0D91130F931A25754C0A9609C8B63&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEBlake2008390–391-298"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008390–391_298-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;390–391.</span> </li> <li id="cite_note-FOOTNOTEBlake2008394-299"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008394_299-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;394.</span> </li> <li id="cite_note-301"><span class="mw-cite-backlink"><b><a href="#cite_ref-301">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFYoungs2007" class="citation news cs1">Youngs, Ian (11 May 2007). <a rel="nofollow" class="external text" href="http://news.bbc.co.uk/2/hi/entertainment/6643779.stm">"Floyd play at Barrett tribute gig"</a>. <i>BBC News</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130811171344/http://news.bbc.co.uk/2/hi/entertainment/6643779.stm">Archived</a> from the original on 11 August 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">3 August</span> 2013</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=BBC+News&amp;rft.atitle=Floyd+play+at+Barrett+tribute+gig&amp;rft.date=2007-05-11&amp;rft.aulast=Youngs&amp;rft.aufirst=Ian&amp;rft_id=http%3A%2F%2Fnews.bbc.co.uk%2F2%2Fhi%2Fentertainment%2F6643779.stm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-302"><span class="mw-cite-backlink"><b><a href="#cite_ref-302">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBooth2008" class="citation news cs1">Booth, Robert (16 September 2008). <a rel="nofollow" class="external text" href="https://www.theguardian.com/music/2008/sep/16/pinkfloyd.popandrock">"Pink Floyd's Richard Wright dies"</a>. <i>The Guardian</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20131017095539/http://www.theguardian.com/music/2008/sep/16/pinkfloyd.popandrock">Archived</a> from the original on 17 October 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">7 September</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Guardian&amp;rft.atitle=Pink+Floyd%27s+Richard+Wright+dies&amp;rft.date=2008-09-16&amp;rft.aulast=Booth&amp;rft.aufirst=Robert&amp;rft_id=https%3A%2F%2Fwww.theguardian.com%2Fmusic%2F2008%2Fsep%2F16%2Fpinkfloyd.popandrock&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-303"><span class="mw-cite-backlink"><b><a href="#cite_ref-303">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="http://news.bbc.co.uk/2/hi/entertainment/7617363.stm">"Floyd Founder Wright dies at 65"</a>. <i>BBC News</i>. 15 September 2008. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120801104257/http://news.bbc.co.uk/2/hi/entertainment/7617363.stm">Archived</a> from the original on 1 August 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">2 August</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=BBC+News&amp;rft.atitle=Floyd+Founder+Wright+dies+at+65&amp;rft.date=2008-09-15&amp;rft_id=http%3A%2F%2Fnews.bbc.co.uk%2F2%2Fhi%2Fentertainment%2F7617363.stm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-304"><span class="mw-cite-backlink"><b><a href="#cite_ref-304">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.guitarworld.com/david-gilmour-performs-pink-floyds-remember-day-tribute-rick-wright-video/25470">"David Gilmour Performs Pink Floyd's "Remember a Day" in Tribute to Rick Wright"</a> <span class="cs1-format">(Video)</span>. 15 September 2015. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160816013135/http://www.guitarworld.com/david-gilmour-performs-pink-floyds-remember-day-tribute-rick-wright-video/25470">Archived</a> from the original on 16 August 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">3 August</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=David+Gilmour+Performs+Pink+Floyd%27s+%22Remember+a+Day%22+in+Tribute+to+Rick+Wright&amp;rft.date=2015-09-15&amp;rft_id=https%3A%2F%2Fwww.guitarworld.com%2Fdavid-gilmour-performs-pink-floyds-remember-day-tribute-rick-wright-video%2F25470&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-305"><span class="mw-cite-backlink"><b><a href="#cite_ref-305">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.keithemerson.com/MiscPages/RememberingRichardWright.html">"Official Keith Emerson Website – Richard Wright Tribute by Keith Emerson"</a>. <i>www.keithemerson.com</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20161009062030/http://www.keithemerson.com/MiscPages/RememberingRichardWright.html">Archived</a> from the original on 9 October 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">3 August</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=www.keithemerson.com&amp;rft.atitle=Official+Keith+Emerson+Website+%E2%80%93+Richard+Wright+Tribute+by+Keith+Emerson&amp;rft_id=http%3A%2F%2Fwww.keithemerson.com%2FMiscPages%2FRememberingRichardWright.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-306"><span class="mw-cite-backlink"><b><a href="#cite_ref-306">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSimpson2010" class="citation news cs1">Simpson, Dave (12 March 2010). <a rel="nofollow" class="external text" href="https://www.theguardian.com/music/musicblog/2010/mar/12/pink-floyd-emi">"Pink Floyd's legal victory over EMI is a triumph for artistic integrity"</a>. <i><a href="/wiki/The_Guardian" title="The Guardian">The Guardian</a></i>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a>&#160;<a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0261-3077">0261-3077</a><span class="reference-accessdate">. Retrieved <span class="nowrap">18 February</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Guardian&amp;rft.atitle=Pink+Floyd%27s+legal+victory+over+EMI+is+a+triumph+for+artistic+integrity&amp;rft.date=2010-03-12&amp;rft.issn=0261-3077&amp;rft.aulast=Simpson&amp;rft.aufirst=Dave&amp;rft_id=https%3A%2F%2Fwww.theguardian.com%2Fmusic%2Fmusicblog%2F2010%2Fmar%2F12%2Fpink-floyd-emi&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-307"><span class="mw-cite-backlink"><b><a href="#cite_ref-307">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://www.bbc.com/news/entertainment-arts-12112630">"Pink Floyd end EMI legal dispute"</a>. <i><a href="/wiki/BBC_News" title="BBC News">BBC News</a></i>. 4 January 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">18 February</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=BBC+News&amp;rft.atitle=Pink+Floyd+end+EMI+legal+dispute&amp;rft.date=2011-01-04&amp;rft_id=https%3A%2F%2Fwww.bbc.com%2Fnews%2Fentertainment-arts-12112630&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-308"><span class="mw-cite-backlink"><b><a href="#cite_ref-308">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBychawski2010" class="citation web cs1">Bychawski, Adam (11 July 2010). <a rel="nofollow" class="external text" href="https://www.nme.com/news/pink-floyd/52041">"Pink Floyd's Roger Waters and David Gilmour reunite for charity gig: Duo play together for Hoping Foundation"</a>. <i><a href="/wiki/NME" title="NME">NME</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120805034528/http://www.nme.com/news/pink-floyd/52041">Archived</a> from the original on 5 August 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">2 August</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=NME&amp;rft.atitle=Pink+Floyd%27s+Roger+Waters+and+David+Gilmour+reunite+for+charity+gig%3A+Duo+play+together+for+Hoping+Foundation&amp;rft.date=2010-07-11&amp;rft.aulast=Bychawski&amp;rft.aufirst=Adam&amp;rft_id=https%3A%2F%2Fwww.nme.com%2Fnews%2Fpink-floyd%2F52041&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-309"><span class="mw-cite-backlink"><b><a href="#cite_ref-309">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBarth2010" class="citation magazine cs1">Barth, Chris (15 July 2010). <a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/news/roger-waters-reunites-with-david-gilmour-for-wall-tour-20100715">"Roger Waters Reunites With David Gilmour for 'Wall' Tour"</a>. <i>Rolling Stone</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20101219205344/http://www.rollingstone.com/music/news/roger-waters-reunites-with-david-gilmour-for-wall-tour-20100715">Archived</a> from the original on 19 December 2010<span class="reference-accessdate">. Retrieved <span class="nowrap">1 August</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=Roger+Waters+Reunites+With+David+Gilmour+for+%27Wall%27+Tour&amp;rft.date=2010-07-15&amp;rft.aulast=Barth&amp;rft.aufirst=Chris&amp;rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fnews%2Froger-waters-reunites-with-david-gilmour-for-wall-tour-20100715&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-310"><span class="mw-cite-backlink"><b><a href="#cite_ref-310">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.whypinkfloyd.com/">"Why Pink Floyd?, Pink Floyd &amp; EMI 2011 remastered campaign"</a>. Whypinkfloyd.com. 2011. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110522045740/http://www.whypinkfloyd.com/">Archived</a> from the original on 22 May 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">27 May</span> 2011</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Why+Pink+Floyd%3F%2C+Pink+Floyd+%26+EMI+2011+remastered+campaign&amp;rft.pub=Whypinkfloyd.com&amp;rft.date=2011&amp;rft_id=http%3A%2F%2Fwww.whypinkfloyd.com%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-311"><span class="mw-cite-backlink"><b><a href="#cite_ref-311">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKreps2015" class="citation magazine cs1">Kreps, Daniel (2 December 2015). <a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/news/pink-floyd-release-rare-1965-their-first-recordings-ep-20151202">"Pink Floyd Release Rare '1965: Their First Recordings' EP"</a>. <i>Rolling Stone</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20151205235317/http://www.rollingstone.com/music/news/pink-floyd-release-rare-1965-their-first-recordings-ep-20151202">Archived</a> from the original on 5 December 2015<span class="reference-accessdate">. Retrieved <span class="nowrap">6 December</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=Pink+Floyd+Release+Rare+%271965%3A+Their+First+Recordings%27+EP&amp;rft.date=2015-12-02&amp;rft.aulast=Kreps&amp;rft.aufirst=Daniel&amp;rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fnews%2Fpink-floyd-release-rare-1965-their-first-recordings-ep-20151202&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-312"><span class="mw-cite-backlink"><b><a href="#cite_ref-312">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRoseb2014" class="citation web cs1">Roseb, Craig (9 October 2014). <a rel="nofollow" class="external text" href="https://music.yahoo.com/blogs/yahoo-music/pink-floyd-returns-with-first-new-song-from-final-album--the-endless-river-195800138.html">"Pink Floyd Returns With First New Song From Final Album <i>The Endless River</i>"</a>. Yahoo! Music. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20200219084757/https://www.yahoo.com/entertainment/blogs/yahoo-music/pink-floyd-returns-with-first-new-song-from-final-album--the-endless-river-195800138.html">Archived</a> from the original on 19 February 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">14 November</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pink+Floyd+Returns+With+First+New+Song+From+Final+Album+The+Endless+River&amp;rft.pub=Yahoo%21+Music&amp;rft.date=2014-10-09&amp;rft.aulast=Roseb&amp;rft.aufirst=Craig&amp;rft_id=https%3A%2F%2Fmusic.yahoo.com%2Fblogs%2Fyahoo-music%2Fpink-floyd-returns-with-first-new-song-from-final-album--the-endless-river-195800138.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-313"><span class="mw-cite-backlink"><b><a href="#cite_ref-313">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMaloney2014" class="citation magazine cs1">Maloney, Devon (5 July 2014). <a rel="nofollow" class="external text" href="https://www.billboard.com/articles/news/6150283/new-pink-floyd-album-endless-river-out-in-october">"New Pink Floyd Album 'The Endless River' Out in October"</a>. <i>Billboard</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140708200942/http://www.billboard.com/articles/news/6150283/new-pink-floyd-album-endless-river-out-in-october">Archived</a> from the original on 8 July 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">18 September</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Billboard&amp;rft.atitle=New+Pink+Floyd+Album+%27The+Endless+River%27+Out+in+October&amp;rft.date=2014-07-05&amp;rft.aulast=Maloney&amp;rft.aufirst=Devon&amp;rft_id=https%3A%2F%2Fwww.billboard.com%2Farticles%2Fnews%2F6150283%2Fnew-pink-floyd-album-endless-river-out-in-october&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-latimesquote-314"><span class="mw-cite-backlink"><b><a href="#cite_ref-latimesquote_314-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRoberts2014" class="citation web cs1">Roberts, Randall (22 September 2014). <a rel="nofollow" class="external text" href="https://latimes.com/entertainment/music/posts/la-et-ms-pink-floyd-release-date-new-album-the-endless-river-20140922-story.html">"Pink Floyd offers release date, cover art for album 'The Endless River'<span class="cs1-kern-right"></span>"</a>. <i><a href="/wiki/Los_Angeles_Times" title="Los Angeles Times">Los Angeles Times</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140922165253/http://www.latimes.com/entertainment/music/posts/la-et-ms-pink-floyd-release-date-new-album-the-endless-river-20140922-story.html">Archived</a> from the original on 22 September 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">22 September</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Los+Angeles+Times&amp;rft.atitle=Pink+Floyd+offers+release+date%2C+cover+art+for+album+%27The+Endless+River%27&amp;rft.date=2014-09-22&amp;rft.aulast=Roberts&amp;rft.aufirst=Randall&amp;rft_id=https%3A%2F%2Flatimes.com%2Fentertainment%2Fmusic%2Fposts%2Fla-et-ms-pink-floyd-release-date-new-album-the-endless-river-20140922-story.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-MC-315"><span class="mw-cite-backlink"><b><a href="#cite_ref-MC_315-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20141108134751/http://www.metacritic.com/music/the-endless-river/pink-floyd">"Reviews for The Endless River by Pink Floyd"</a>. <i><a href="/wiki/Metacritic" title="Metacritic">Metacritic</a></i>. <a href="/wiki/CBS_Interactive" class="mw-redirect" title="CBS Interactive">CBS Interactive</a>. Archived from <a rel="nofollow" class="external text" href="https://metacritic.com/music/the-endless-river/pink-floyd">the original</a> on 8 November 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">5 November</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Metacritic&amp;rft.atitle=Reviews+for+The+Endless+River+by+Pink+Floyd&amp;rft_id=https%3A%2F%2Fmetacritic.com%2Fmusic%2Fthe-endless-river%2Fpink-floyd&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-cnbc-316"><span class="mw-cite-backlink"><b><a href="#cite_ref-cnbc_316-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKharpal2014" class="citation web cs1">Kharpal, Arjun (10 November 2014). <a rel="nofollow" class="external text" href="https://www.cnbc.com/2014/11/10/pink-floyd-album-becomes-most-pre-ordered-on-amazon.html">"Pink Floyd album becomes most pre-ordered on Amazon"</a>. <i>CNBC</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20141129061722/http://www.cnbc.com/id/102168695#.">Archived</a> from the original on 29 November 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">14 November</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=CNBC&amp;rft.atitle=Pink+Floyd+album+becomes+most+pre-ordered+on+Amazon&amp;rft.date=2014-11-10&amp;rft.aulast=Kharpal&amp;rft.aufirst=Arjun&amp;rft_id=https%3A%2F%2Fwww.cnbc.com%2F2014%2F11%2F10%2Fpink-floyd-album-becomes-most-pre-ordered-on-amazon.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-officialcharts3-317"><span class="mw-cite-backlink"><b><a href="#cite_ref-officialcharts3_317-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMoss2014" class="citation web cs1">Moss, Liv (16 November 2014). <a rel="nofollow" class="external text" href="http://www.officialcharts.com/chart-news/pink-floyd-score-first-number-1-album-in-nearly-20-years-3290/">"Pink Floyd score first Number 1 album in nearly 20 years!"</a>. <a href="/wiki/Official_Charts_Company" title="Official Charts Company">Official Charts Company</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20141120062753/http://www.officialcharts.com/chart-news/pink-floyd-score-first-number-1-album-in-nearly-20-years-3290/">Archived</a> from the original on 20 November 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">16 November</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pink+Floyd+score+first+Number+1+album+in+nearly+20+years%21&amp;rft.pub=Official+Charts+Company&amp;rft.date=2014-11-16&amp;rft.aulast=Moss&amp;rft.aufirst=Liv&amp;rft_id=http%3A%2F%2Fwww.officialcharts.com%2Fchart-news%2Fpink-floyd-score-first-number-1-album-in-nearly-20-years-3290%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-officialcharts2-318"><span class="mw-cite-backlink"><b><a href="#cite_ref-officialcharts2_318-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20141225210830/http://www.localuknews.co.uk/othernews/music/localnews/official-charts-analysis-wake-me-up-returns-to-singles-summit-as-children-in-need-charity-track">"Pink Floyd score first Number 1 album in nearly 20 years!"</a>. <i>localuknews.co.uk</i>. 17 November 2014. Archived from <a rel="nofollow" class="external text" href="http://www.localuknews.co.uk/othernews/music/localnews/official-charts-analysis-wake-me-up-returns-to-singles-summit-as-children-in-need-charity-track">the original</a> on 25 December 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">17 November</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=localuknews.co.uk&amp;rft.atitle=Pink+Floyd+score+first+Number+1+album+in+nearly+20+years%21&amp;rft.date=2014-11-17&amp;rft_id=http%3A%2F%2Fwww.localuknews.co.uk%2Fothernews%2Fmusic%2Flocalnews%2Fofficial-charts-analysis-wake-me-up-returns-to-singles-summit-as-children-in-need-charity-track&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-319"><span class="mw-cite-backlink"><b><a href="#cite_ref-319">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLee2014" class="citation news cs1">Lee, Dave (27 November 2014). <a rel="nofollow" class="external text" href="https://www.bbc.co.uk/news/technology-30216638">"Vinyl record sales hit 18-year high"</a>. <i>BBC News</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20141127080525/http://www.bbc.co.uk/news/technology-30216638">Archived</a> from the original on 27 November 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">27 November</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=BBC+News&amp;rft.atitle=Vinyl+record+sales+hit+18-year+high&amp;rft.date=2014-11-27&amp;rft.aulast=Lee&amp;rft.aufirst=Dave&amp;rft_id=https%3A%2F%2Fwww.bbc.co.uk%2Fnews%2Ftechnology-30216638&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-bbcend-320"><span class="mw-cite-backlink"><b><a href="#cite_ref-bbcend_320-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEveritt2014" class="citation web cs1">Everitt, Matt (9 October 2014). <a rel="nofollow" class="external text" href="https://www.bbc.co.uk/programmes/p0288yhn">"Shaun Keaveny, with a Pink Floyd Exclusive, Pink Floyd Talk to 6 Music's Matt Everitt"</a>. <a href="/wiki/BBC" title="BBC">BBC</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20141111133444/http://www.bbc.co.uk/programmes/p0288yhn">Archived</a> from the original on 11 November 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">10 October</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Shaun+Keaveny%2C+with+a+Pink+Floyd+Exclusive%2C+Pink+Floyd+Talk+to+6+Music%27s+Matt+Everitt&amp;rft.pub=BBC&amp;rft.date=2014-10-09&amp;rft.aulast=Everitt&amp;rft.aufirst=Matt&amp;rft_id=https%3A%2F%2Fwww.bbc.co.uk%2Fprogrammes%2Fp0288yhn&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-321"><span class="mw-cite-backlink"><b><a href="#cite_ref-321">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGreene2014" class="citation magazine cs1">Greene, Andy (29 October 2014). <a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/features/david-gilmour-theres-no-room-in-my-life-for-pink-floyd-20141029">"David Gilmour: There's No Room in My Life for Pink Floyd"</a>. <i><a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20141108190911/http://www.rollingstone.com/music/features/david-gilmour-theres-no-room-in-my-life-for-pink-floyd-20141029">Archived</a> from the original on 8 November 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">9 November</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=David+Gilmour%3A+There%27s+No+Room+in+My+Life+for+Pink+Floyd&amp;rft.date=2014-10-29&amp;rft.aulast=Greene&amp;rft.aufirst=Andy&amp;rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Ffeatures%2Fdavid-gilmour-theres-no-room-in-my-life-for-pink-floyd-20141029&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-322"><span class="mw-cite-backlink"><b><a href="#cite_ref-322">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.neptunepinkfloyd.co.uk/david-gilmours-new-album-coming-along-very-well-in-2015">"David Gilmour's New Album "Coming Along Very Well..." in 2015"</a>. <i>Neptune Pink Floyd</i>. 29 October 2014. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20141109154915/http://www.neptunepinkfloyd.co.uk/david-gilmours-new-album-coming-along-very-well-in-2015">Archived</a> from the original on 9 November 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">9 November</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Neptune+Pink+Floyd&amp;rft.atitle=David+Gilmour%27s+New+Album+%22Coming+Along+Very+Well...%22+in+2015&amp;rft.date=2014-10-29&amp;rft_id=http%3A%2F%2Fwww.neptunepinkfloyd.co.uk%2Fdavid-gilmours-new-album-coming-along-very-well-in-2015&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-323"><span class="mw-cite-backlink"><b><a href="#cite_ref-323">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMusic2015" class="citation news cs1">Music, Guardian (14 August 2015). <a rel="nofollow" class="external text" href="https://www.theguardian.com/music/2015/aug/14/pink-floyd-are-done-says-dave-gilmour">"Pink Floyd are 'done', says Dave Gilmour"</a>. <i>The Guardian</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20161018075857/https://www.theguardian.com/music/2015/aug/14/pink-floyd-are-done-says-dave-gilmour">Archived</a> from the original on 18 October 2016.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Guardian&amp;rft.atitle=Pink+Floyd+are+%27done%27%2C+says+Dave+Gilmour&amp;rft.date=2015-08-14&amp;rft.aulast=Music&amp;rft.aufirst=Guardian&amp;rft_id=https%3A%2F%2Fwww.theguardian.com%2Fmusic%2F2015%2Faug%2F14%2Fpink-floyd-are-done-says-dave-gilmour&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-EY-RS-324"><span class="mw-cite-backlink"><b><a href="#cite_ref-EY-RS_324-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/news/pink-floyd-detail-massive-27-disc-early-years-box-set-w431264">"Pink Floyd Detail Massive 27-Disc 'Early Years' Box Set"</a>. <i><a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a></i>. 28 July 2016. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170911183747/http://www.rollingstone.com/music/news/pink-floyd-detail-massive-27-disc-early-years-box-set-w431264">Archived</a> from the original on 11 September 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">29 July</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=Pink+Floyd+Detail+Massive+27-Disc+%27Early+Years%27+Box+Set&amp;rft.date=2016-07-28&amp;rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fnews%2Fpink-floyd-detail-massive-27-disc-early-years-box-set-w431264&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-325"><span class="mw-cite-backlink"><b><a href="#cite_ref-325">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKreps2019" class="citation magazine cs1">Kreps, Daniel (29 August 2019). <a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/music-news/pink-floyd-the-later-year-box-set-pulse-877966/">"Pink Floyd Ready Massive 'The Later Years' Box Set"</a>. <i><a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190829144038/https://www.rollingstone.com/music/music-news/pink-floyd-the-later-year-box-set-pulse-877966/">Archived</a> from the original on 29 August 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">30 August</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=Pink+Floyd+Ready+Massive+%27The+Later+Years%27+Box+Set&amp;rft.date=2019-08-29&amp;rft.aulast=Kreps&amp;rft.aufirst=Daniel&amp;rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-news%2Fpink-floyd-the-later-year-box-set-pulse-877966%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-326"><span class="mw-cite-backlink"><b><a href="#cite_ref-326">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.nme.com/en_asia/news/music/pink-floyds-delicate-sound-of-thunder-to-be-reissued-in-multiple-formats-2762870">"Pink Floyd's 'Delicate Sound of Thunder' to be reissued in multiple formats"</a>. <i><a href="/wiki/NME" title="NME">NME</a></i>. 27 September 2020.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=NME&amp;rft.atitle=Pink+Floyd%27s+%27Delicate+Sound+of+Thunder%27+to+be+reissued+in+multiple+formats&amp;rft.date=2020-09-27&amp;rft_id=https%3A%2F%2Fwww.nme.com%2Fen_asia%2Fnews%2Fmusic%2Fpink-floyds-delicate-sound-of-thunder-to-be-reissued-in-multiple-formats-2762870&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-327"><span class="mw-cite-backlink"><b><a href="#cite_ref-327">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMoore2021" class="citation web cs1">Moore, Sam (10 March 2021). <a rel="nofollow" class="external text" href="https://www.nme.com/news/music/pink-floyd-announce-live-at-knebworth-1990-live-album-2897633">"Pink Floyd announce 'Live At Knebworth 1990' live album"</a>. <i>NME</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210310165546/https://www.nme.com/news/music/pink-floyd-announce-live-at-knebworth-1990-live-album-2897633">Archived</a> from the original on 10 March 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">11 March</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=NME&amp;rft.atitle=Pink+Floyd+announce+%27Live+At+Knebworth+1990%27+live+album&amp;rft.date=2021-03-10&amp;rft.aulast=Moore&amp;rft.aufirst=Sam&amp;rft_id=https%3A%2F%2Fwww.nme.com%2Fnews%2Fmusic%2Fpink-floyd-announce-live-at-knebworth-1990-live-album-2897633&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-328"><span class="mw-cite-backlink"><b><a href="#cite_ref-328">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMazza2018" class="citation news cs1">Mazza, Ed (30 May 2018). <a rel="nofollow" class="external text" href="https://www.huffingtonpost.co.uk/entry/pink-floyd-nick-mason-new-band_us_5b0b69b9e4b0802d69cc74e7">"Pink Floyd Co-Founder Forms New Act To Play The Band's Earliest Songs"</a>. <i>HuffPost UK</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180612141736/https://www.huffingtonpost.co.uk/entry/pink-floyd-nick-mason-new-band_us_5b0b69b9e4b0802d69cc74e7">Archived</a> from the original on 12 June 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">30 May</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=HuffPost+UK&amp;rft.atitle=Pink+Floyd+Co-Founder+Forms+New+Act+To+Play+The+Band%27s+Earliest+Songs&amp;rft.date=2018-05-30&amp;rft.aulast=Mazza&amp;rft.aufirst=Ed&amp;rft_id=https%3A%2F%2Fwww.huffingtonpost.co.uk%2Fentry%2Fpink-floyd-nick-mason-new-band_us_5b0b69b9e4b0802d69cc74e7&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-329"><span class="mw-cite-backlink"><b><a href="#cite_ref-329">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKielty" class="citation news cs1">Kielty, Martin. <a rel="nofollow" class="external text" href="http://ultimateclassicrock.com/saucerful-of-secrets-2018-tour/">"Nick Mason's Pink Floyd Supergroup Announces Debut Tour"</a>. <i>Ultimate Classic Rock</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180529111209/http://ultimateclassicrock.com/saucerful-of-secrets-2018-tour/">Archived</a> from the original on 29 May 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">30 May</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Ultimate+Classic+Rock&amp;rft.atitle=Nick+Mason%27s+Pink+Floyd+Supergroup+Announces+Debut+Tour&amp;rft.aulast=Kielty&amp;rft.aufirst=Martin&amp;rft_id=http%3A%2F%2Fultimateclassicrock.com%2Fsaucerful-of-secrets-2018-tour%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-330"><span class="mw-cite-backlink"><b><a href="#cite_ref-330">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGreene" class="citation news cs1">Greene, Andy. <a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/music-news/nick-mason-pink-floyd-tour-saucerful-secrets-749931/">"Pink Floyd's Nick Mason to Play Pre-'Dark Side of the Moon' Songs on U.S. Tour"</a>. <i>Rolling Stone</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190610232545/https://www.rollingstone.com/music/music-news/nick-mason-pink-floyd-tour-saucerful-secrets-749931/">Archived</a> from the original on 10 June 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">1 June</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=Pink+Floyd%27s+Nick+Mason+to+Play+Pre-%27Dark+Side+of+the+Moon%27+Songs+on+U.S.+Tour&amp;rft.aulast=Greene&amp;rft.aufirst=Andy&amp;rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-news%2Fnick-mason-pink-floyd-tour-saucerful-secrets-749931%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-331"><span class="mw-cite-backlink"><b><a href="#cite_ref-331">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGrow" class="citation magazine cs1">Grow, Kory. <a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/music-news/see-roger-waters-nick-mason-reunite-new-york-beacon-824633/">"See Roger Waters, Nick Mason Reunite to Play 'Set the Controls for the Heart of the Sun'<span class="cs1-kern-right"></span>"</a>. <i>Rolling Stone</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190423211218/https://www.rollingstone.com/music/music-news/see-roger-waters-nick-mason-reunite-new-york-beacon-824633/">Archived</a> from the original on 23 April 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">1 June</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=See+Roger+Waters%2C+Nick+Mason+Reunite+to+Play+%27Set+the+Controls+for+the+Heart+of+the+Sun%27&amp;rft.aulast=Grow&amp;rft.aufirst=Kory&amp;rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-news%2Fsee-roger-waters-nick-mason-reunite-new-york-beacon-824633%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-332"><span class="mw-cite-backlink"><b><a href="#cite_ref-332">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGreene2018" class="citation magazine cs1">Greene, Andy (10 December 2018). <a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/music-news/pink-floyd-nick-mason-talks-roger-waters-david-gilmour-763670/">"Nick Mason on the State of Pink Floyd: 'It's Silly to Still Be Fighting'<span class="cs1-kern-right"></span>"</a>. <i>Rolling Stone</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20201108093832/https://www.rollingstone.com/music/music-news/pink-floyd-nick-mason-talks-roger-waters-david-gilmour-763670/">Archived</a> from the original on 8 November 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">27 September</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=Nick+Mason+on+the+State+of+Pink+Floyd%3A+%27It%27s+Silly+to+Still+Be+Fighting%27&amp;rft.date=2018-12-10&amp;rft.aulast=Greene&amp;rft.aufirst=Andy&amp;rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-news%2Fpink-floyd-nick-mason-talks-roger-waters-david-gilmour-763670%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-RSAnimals-333"><span class="mw-cite-backlink">^ <a href="#cite_ref-RSAnimals_333-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-RSAnimals_333-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-RSAnimals_333-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGreene2021" class="citation magazine cs1">Greene, Andy (1 June 2021). <a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/music-news/roger-waters-announces-animals-deluxe-edition-plans-memoir-1176303/">"Roger Waters Announces 'Animals' Deluxe Edition, Plans for a Memoir"</a>. <i>Rolling Stone</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221013222550/https://www.rollingstone.com/music/music-news/roger-waters-announces-animals-deluxe-edition-plans-memoir-1176303/">Archived</a> from the original on 13 October 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">2 June</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=Roger+Waters+Announces+%27Animals%27+Deluxe+Edition%2C+Plans+for+a+Memoir&amp;rft.date=2021-06-01&amp;rft.aulast=Greene&amp;rft.aufirst=Andy&amp;rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-news%2Froger-waters-announces-animals-deluxe-edition-plans-memoir-1176303%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-:1-334"><span class="mw-cite-backlink">^ <a href="#cite_ref-:1_334-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:1_334-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:1_334-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAlexis2022" class="citation news cs1"><a href="/wiki/Alexis_Petridis" title="Alexis Petridis">Alexis, Petridis</a> (7 April 2022). <a rel="nofollow" class="external text" href="https://www.theguardian.com/music/2022/apr/07/pink-floyd-reform-to-support-ukraine">"<span class="cs1-kern-left"></span>'This is a crazy, unjust attack': Pink Floyd re-form to support Ukraine"</a>. <i><a href="/wiki/The_Guardian" title="The Guardian">The Guardian</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220407205530/https://www.theguardian.com/music/2022/apr/07/pink-floyd-reform-to-support-ukraine">Archived</a> from the original on 7 April 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">7 April</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Guardian&amp;rft.atitle=%27This+is+a+crazy%2C+unjust+attack%27%3A+Pink+Floyd+re-form+to+support+Ukraine&amp;rft.date=2022-04-07&amp;rft.aulast=Alexis&amp;rft.aufirst=Petridis&amp;rft_id=https%3A%2F%2Fwww.theguardian.com%2Fmusic%2F2022%2Fapr%2F07%2Fpink-floyd-reform-to-support-ukraine&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-Rolling_Stone-335"><span class="mw-cite-backlink"><b><a href="#cite_ref-Rolling_Stone_335-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/music-features/pink-floyd-david-gilmour-ukraine-interview-1334514/">"David Gilmour: Why I'm Bringing Back Pink Floyd After 28 Years"</a>. <i><a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a></i>. 8 April 2022. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220410103712/https://www.rollingstone.com/music/music-features/pink-floyd-david-gilmour-ukraine-interview-1334514/">Archived</a> from the original on 10 April 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">8 April</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=David+Gilmour%3A+Why+I%27m+Bringing+Back+Pink+Floyd+After+28+Years&amp;rft.date=2022-04-08&amp;rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-features%2Fpink-floyd-david-gilmour-ukraine-interview-1334514%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-:16-336"><span class="mw-cite-backlink">^ <a href="#cite_ref-:16_336-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:16_336-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWillman2023" class="citation web cs1">Willman, Chris (7 February 2023). <a rel="nofollow" class="external text" href="https://variety.com/2023/music/news/roger-waters-antisemitic-says-polly-samson-david-gilmour-agrees-pink-floyd-ukraine-1235515432/">"Roger Waters Is 'Antisemitic to Rotten Core,' Says Former Pink Floyd Lyricist Polly Samson — and Her Husband, David Gilmour, Emphatically Agrees"</a>. <i><a href="/wiki/Variety_(website)" class="mw-redirect" title="Variety (website)">Variety</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230207224214/https://variety.com/2023/music/news/roger-waters-antisemitic-says-polly-samson-david-gilmour-agrees-pink-floyd-ukraine-1235515432/">Archived</a> from the original on 7 February 2023<span class="reference-accessdate">. Retrieved <span class="nowrap">8 February</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Variety&amp;rft.atitle=Roger+Waters+Is+%27Antisemitic+to+Rotten+Core%2C%27+Says+Former+Pink+Floyd+Lyricist+Polly+Samson+%E2%80%94+and+Her+Husband%2C+David+Gilmour%2C+Emphatically+Agrees&amp;rft.date=2023-02-07&amp;rft.aulast=Willman&amp;rft.aufirst=Chris&amp;rft_id=https%3A%2F%2Fvariety.com%2F2023%2Fmusic%2Fnews%2Froger-waters-antisemitic-says-polly-samson-david-gilmour-agrees-pink-floyd-ukraine-1235515432%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-RollingStoneRedux-337"><span class="mw-cite-backlink"><b><a href="#cite_ref-RollingStoneRedux_337-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFZemler2023" class="citation magazine cs1">Zemler, Emily (21 July 2023). <a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/music-news/roger-waters-dark-side-of-the-moon-redux-solo-album-1234793036/">"Roger Waters to Release 'The Dark Side of the Moon Redux' as a Solo LP in October"</a>. <i><a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230831170326/https://www.rollingstone.com/music/music-news/roger-waters-dark-side-of-the-moon-redux-solo-album-1234793036/">Archived</a> from the original on 31 August 2023<span class="reference-accessdate">. Retrieved <span class="nowrap">21 July</span> 2023</span>. <q>ROGER WATERS HAS re-recorded Pink Floyd's seminal album, The Dark Side of the Moon, and will release it as a solo LP, The Dark Side of the Moon Redux, on Oct. 6 via SGB Music.</q></cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=Roger+Waters+to+Release+%27The+Dark+Side+of+the+Moon+Redux%27+as+a+Solo+LP+in+October&amp;rft.date=2023-07-21&amp;rft.aulast=Zemler&amp;rft.aufirst=Emily&amp;rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-news%2Froger-waters-dark-side-of-the-moon-redux-solo-album-1234793036%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-338"><span class="mw-cite-backlink"><b><a href="#cite_ref-338">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBrown2024" class="citation news cs1">Brown, Helen (6 September 2024). <a rel="nofollow" class="external text" href="https://www.independent.co.uk/arts-entertainment/music/reviews/david-gilmour-review-luck-and-strange-polly-samson-b2607577.html">"David Gilmour review, Luck and Strange: Graceful ruminations on love and mortality"</a>. <i><a href="/wiki/The_Independent" title="The Independent">The Independent</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">6 September</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Independent&amp;rft.atitle=David+Gilmour+review%2C+Luck+and+Strange%3A+Graceful+ruminations+on+love+and+mortality&amp;rft.date=2024-09-06&amp;rft.aulast=Brown&amp;rft.aufirst=Helen&amp;rft_id=https%3A%2F%2Fwww.independent.co.uk%2Farts-entertainment%2Fmusic%2Freviews%2Fdavid-gilmour-review-luck-and-strange-polly-samson-b2607577.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-339"><span class="mw-cite-backlink"><b><a href="#cite_ref-339">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAswad2023" class="citation web cs1">Aswad, Jem (14 March 2023). <a rel="nofollow" class="external text" href="https://variety.com/2023/music/news/pink-floyd-500-million-catalog-sale-dead-or-not-1235549360/">"Pink Floyd's $500 Million Catalog Sale Is 'Basically Dead' — Or Is It?"</a>. <i><a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">16 March</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Variety&amp;rft.atitle=Pink+Floyd%27s+%24500+Million+Catalog+Sale+Is+%27Basically+Dead%27+%E2%80%94+Or+Is+It%3F&amp;rft.date=2023-03-14&amp;rft.aulast=Aswad&amp;rft.aufirst=Jem&amp;rft_id=https%3A%2F%2Fvariety.com%2F2023%2Fmusic%2Fnews%2Fpink-floyd-500-million-catalog-sale-dead-or-not-1235549360%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-340"><span class="mw-cite-backlink"><b><a href="#cite_ref-340">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGreene2024" class="citation magazine cs1">Greene, Andy (26 August 2024). <a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/music-features/david-gilmour-luck-and-strange-tour-1235084401/">"David Gilmour on his new LP <i>Luck and Strange</i>, and plans for upcoming tour"</a>. <i><a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">27 August</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=David+Gilmour+on+his+new+LP+Luck+and+Strange%2C+and+plans+for+upcoming+tour&amp;rft.date=2024-08-26&amp;rft.aulast=Greene&amp;rft.aufirst=Andy&amp;rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-features%2Fdavid-gilmour-luck-and-strange-tour-1235084401%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-341"><span class="mw-cite-backlink"><b><a href="#cite_ref-341">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFThomas2024" class="citation web cs1">Thomas, Daniel (2 October 2024). <a rel="nofollow" class="external text" href="https://www.ft.com/content/c484dfc0-e144-4313-b70f-040a47c189ff">"Pink Floyd agrees deal to sell music rights to Sony for $400mn"</a>. <i><a href="/wiki/Financial_Times" title="Financial Times">Financial Times</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20241002134148/https://www.ft.com/content/c484dfc0-e144-4313-b70f-040a47c189ff">Archived</a> from the original on 2 October 2024<span class="reference-accessdate">. Retrieved <span class="nowrap">2 October</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Financial+Times&amp;rft.atitle=Pink+Floyd+agrees+deal+to+sell+music+rights+to+Sony+for+%24400mn&amp;rft.date=2024-10-02&amp;rft.aulast=Thomas&amp;rft.aufirst=Daniel&amp;rft_id=https%3A%2F%2Fwww.ft.com%2Fcontent%2Fc484dfc0-e144-4313-b70f-040a47c189ff&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEPovey200886-342"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey200886_342-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;86.</span> </li> <li id="cite_note-FOOTNOTEMason200531-343"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason200531_343-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;31.</span> </li> <li id="cite_note-FOOTNOTEMason200531–32-344"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEMason200531–32_344-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEMason200531–32_344-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;31–32.</span> </li> <li id="cite_note-FOOTNOTEGeorge-Warren2001761-346"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEGeorge-Warren2001761_346-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEGeorge-Warren2001761_346-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFGeorge-Warren2001">George-Warren 2001</a>, p.&#160;761.</span> </li> <li id="cite_note-FOOTNOTEdi_Perna200229-347"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEdi_Perna200229_347-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFdi_Perna2002">di Perna 2002</a>, p.&#160;29.</span> </li> <li id="cite_note-348"><span class="mw-cite-backlink"><b><a href="#cite_ref-348">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGreene2016" class="citation book cs1">Greene, Doyle (2016). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=ELeaCwAAQBAJ"><i>Rock, Counterculture and the Avant-Garde, 1966–1970: How the Beatles, Frank Zappa and the Velvet Underground Defined an Era</i></a>. McFarland. p.&#160;158. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-4766-2403-7" title="Special:BookSources/978-1-4766-2403-7"><bdi>978-1-4766-2403-7</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170211001234/https://books.google.com/books?id=ELeaCwAAQBAJ">Archived</a> from the original on 11 February 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">19 October</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Rock%2C+Counterculture+and+the+Avant-Garde%2C+1966%E2%80%931970%3A+How+the+Beatles%2C+Frank+Zappa+and+the+Velvet+Underground+Defined+an+Era&amp;rft.pages=158&amp;rft.pub=McFarland&amp;rft.date=2016&amp;rft.isbn=978-1-4766-2403-7&amp;rft.aulast=Greene&amp;rft.aufirst=Doyle&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DELeaCwAAQBAJ&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEGeorge-Warren2001760-349"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEGeorge-Warren2001760_349-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEGeorge-Warren2001760_349-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFGeorge-Warren2001">George-Warren 2001</a>, p.&#160;760.</span> </li> <li id="cite_note-350"><span class="mw-cite-backlink"><b><a href="#cite_ref-350">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=G9RWAAAAMAAJ"><i>Ramparts</i></a>. Noah's Ark, Incorporated. 1971. <q>Pink Floyd was one of the original English acid-rock bands, and probably the acidiest of them all.</q></cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Ramparts&amp;rft.pub=Noah%27s+Ark%2C+Incorporated&amp;rft.date=1971&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DG9RWAAAAMAAJ&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-351"><span class="mw-cite-backlink"><b><a href="#cite_ref-351">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSantelli1985" class="citation book cs1">Santelli, Robert (June 1985). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=IP1DAQAAIAAJ"><i>Sixties rock, a listener's guide</i></a>. Contemporary Books. p.&#160;264. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-8092-5439-2" title="Special:BookSources/978-0-8092-5439-2"><bdi>978-0-8092-5439-2</bdi></a>. <q>Of all the major bands to emerge in Britain in the late sixties, none was more wildly experimental and more closely tied to the atmospheric qualities of acid rock than Pink Floyd.</q></cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Sixties+rock%2C+a+listener%27s+guide&amp;rft.pages=264&amp;rft.pub=Contemporary+Books&amp;rft.date=1985-06&amp;rft.isbn=978-0-8092-5439-2&amp;rft.aulast=Santelli&amp;rft.aufirst=Robert&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DIP1DAQAAIAAJ&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-352"><span class="mw-cite-backlink"><b><a href="#cite_ref-352">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGreene2016" class="citation book cs1">Greene, Doyle (2016). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=ELeaCwAAQBAJ"><i>Rock, Counterculture and the Avant-Garde, 1966–1970: How the Beatles, Frank Zappa and the Velvet Underground Defined an Era</i></a>. McFarland. p.&#160;182. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-4766-2403-7" title="Special:BookSources/978-1-4766-2403-7"><bdi>978-1-4766-2403-7</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170211001234/https://books.google.com/books?id=ELeaCwAAQBAJ">Archived</a> from the original on 11 February 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">19 October</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Rock%2C+Counterculture+and+the+Avant-Garde%2C+1966%E2%80%931970%3A+How+the+Beatles%2C+Frank+Zappa+and+the+Velvet+Underground+Defined+an+Era&amp;rft.pages=182&amp;rft.pub=McFarland&amp;rft.date=2016&amp;rft.isbn=978-1-4766-2403-7&amp;rft.aulast=Greene&amp;rft.aufirst=Doyle&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DELeaCwAAQBAJ&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEChapman2012113-353"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEChapman2012113_353-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFChapman2012">Chapman 2012</a>, p.&#160;113.</span> </li> <li id="cite_note-FOOTNOTEDeRogatis2006xvi-354"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDeRogatis2006xvi_354-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDeRogatis2006">DeRogatis 2006</a>, p.&#160;xvi.</span> </li> <li id="cite_note-355"><span class="mw-cite-backlink"><b><a href="#cite_ref-355">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1"><i>The Hutchinson Softback Encyclopedia</i>. Helicon. 1993. p.&#160;653. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-09-177134-8" title="Special:BookSources/978-0-09-177134-8"><bdi>978-0-09-177134-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Hutchinson+Softback+Encyclopedia&amp;rft.pages=653&amp;rft.pub=Helicon&amp;rft.date=1993&amp;rft.isbn=978-0-09-177134-8&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTECormack202481-356"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECormack202481_356-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCormack2024">Cormack 2024</a>, p.&#160;81.</span> </li> <li id="cite_note-FOOTNOTECormack202478-357"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECormack202478_357-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCormack2024">Cormack 2024</a>, p.&#160;78.</span> </li> <li id="cite_note-FOOTNOTEPalacios2010-358"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEPalacios2010_358-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEPalacios2010_358-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFPalacios2010">Palacios 2010</a>.</span> </li> <li id="cite_note-FOOTNOTEPoveyRussell199797-359"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPoveyRussell199797_359-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPoveyRussell1997">Povey &amp; Russell 1997</a>, p.&#160;97.</span> </li> <li id="cite_note-FOOTNOTEPovey200885-360"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey200885_360-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;85.</span> </li> <li id="cite_note-FOOTNOTEMiles2011-361"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMiles2011_361-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMiles2011">Miles 2011</a>.</span> </li> <li id="cite_note-362"><span class="mw-cite-backlink"><b><a href="#cite_ref-362">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFowler2008" class="citation book cs1">Fowler, David (2008). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=DpgnAQAAIAAJ"><i>Youth culture in modern Britain, c.1920-c.1970: from ivory tower to global movement – a new history</i></a>. Palgrave Macmillan. p.&#160;9. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-333-59921-1" title="Special:BookSources/978-0-333-59921-1"><bdi>978-0-333-59921-1</bdi></a>. <q>...&#160;the most celebrated psychedelic pop group of the 1960s, Pink Floyd&#160;...</q></cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Youth+culture+in+modern+Britain%2C+c.1920-c.1970%3A+from+ivory+tower+to+global+movement+%E2%80%93+a+new+history&amp;rft.pages=9&amp;rft.pub=Palgrave+Macmillan&amp;rft.date=2008&amp;rft.isbn=978-0-333-59921-1&amp;rft.aulast=Fowler&amp;rft.aufirst=David&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DDpgnAQAAIAAJ&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEFitch200145-363"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEFitch200145_363-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFFitch2001">Fitch 2001</a>, p.&#160;45.</span> </li> <li id="cite_note-FOOTNOTEHibbert1996147-364"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHibbert1996147_364-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHibbert1996">Hibbert 1996</a>, p.&#160;147.</span> </li> <li id="cite_note-FOOTNOTEGeorge-Warren2001760–761-365"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGeorge-Warren2001760–761_365-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGeorge-Warren2001">George-Warren 2001</a>, pp.&#160;760–761.</span> </li> <li id="cite_note-FOOTNOTEdi_Perna200659-366"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEdi_Perna200659_366-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEdi_Perna200659_366-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFdi_Perna2006">di Perna 2006</a>, p.&#160;59.</span> </li> <li id="cite_note-:0-367"><span class="mw-cite-backlink">^ <a href="#cite_ref-:0_367-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:0_367-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFdi_Perna2006">di Perna 2006</a>, p.&#160;58: "the missing link"; For <i>Rolling Stone</i><span class="nowrap" style="padding-left:0.1em;">&#39;s</span> "100 Greatest Guitarists" list see: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/lists/100-greatest-guitarists-20111123/david-gilmour-20111122">"100 Greatest Guitarists of All Time: 51) David Gilmour"</a>. <i>Rolling Stone</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20121021055044/http://www.rollingstone.com/music/lists/100-greatest-guitarists-20111123/david-gilmour-20111122">Archived</a> from the original on 21 October 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">2 August</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=100+Greatest+Guitarists+of+All+Time%3A+51%29+David+Gilmour&amp;rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Flists%2F100-greatest-guitarists-20111123%2Fdavid-gilmour-20111122&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEdi_Perna200658–59-368"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEdi_Perna200658–59_368-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFdi_Perna2006">di Perna 2006</a>, pp.&#160;58–59.</span> </li> <li id="cite_note-FOOTNOTEBrown200662-369"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEBrown200662_369-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBrown200662_369-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBrown200662_369-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBrown200662_369-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBrown2006">Brown 2006</a>, p.&#160;62.</span> </li> <li id="cite_note-FOOTNOTEBrown200666-370"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBrown200666_370-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBrown2006">Brown 2006</a>, p.&#160;66.</span> </li> <li id="cite_note-FOOTNOTEBlake200886-371"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake200886_371-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;86.</span> </li> <li id="cite_note-FOOTNOTEBlake2008134-372"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008134_372-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;134.</span> </li> <li id="cite_note-FOOTNOTEBlake2008178-373"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008178_373-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;178.</span> </li> <li id="cite_note-374"><span class="mw-cite-backlink"><b><a href="#cite_ref-374">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;169: Synthesiser use in "On the Run"; <a href="#CITEREFFitch2005">Fitch 2005</a>, p.&#160;324: Synthesiser use on "Welcome to the Machine"; <a href="#CITEREFFitchMahon2006">Fitch &amp; Mahon 2006</a>, p.&#160;71: Synthesiser use on "In the Flesh?".</span> </li> <li id="cite_note-FOOTNOTEMabbett199539-375"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMabbett199539_375-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMabbett1995">Mabbett 1995</a>, p.&#160;39.</span> </li> <li id="cite_note-FOOTNOTEBlake2008297–298-376"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008297–298_376-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;297–298.</span> </li> <li id="cite_note-FOOTNOTEMason2005133–135-377"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason2005133–135_377-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;133–135.</span> </li> <li id="cite_note-FOOTNOTESchaffner1991128-378"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner1991128_378-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, p.&#160;128.</span> </li> <li id="cite_note-FOOTNOTESchaffner1991135–136-379"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner1991135–136_379-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, pp.&#160;135–136.</span> </li> <li id="cite_note-FOOTNOTESchaffner1991156–157-380"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner1991156–157_380-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, pp.&#160;156–157.</span> </li> <li id="cite_note-381"><span class="mw-cite-backlink"><b><a href="#cite_ref-381">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCalore2009" class="citation magazine cs1">Calore, Michael (12 May 2009). <a rel="nofollow" class="external text" href="https://www.wired.com/thisdayintech/2009/05/dayintech_0512/">"12&#160;May 1967: Pink Floyd Astounds With 'Sound in the Round'<span class="cs1-kern-right"></span>"</a>. <i>Wired</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110815155805/http://www.wired.com/thisdayintech/2009/05/dayintech_0512">Archived</a> from the original on 15 August 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">2 August</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Wired&amp;rft.atitle=12+May+1967%3A+Pink+Floyd+Astounds+With+%27Sound+in+the+Round%27&amp;rft.date=2009-05-12&amp;rft.aulast=Calore&amp;rft.aufirst=Michael&amp;rft_id=https%3A%2F%2Fwww.wired.com%2Fthisdayintech%2F2009%2F05%2Fdayintech_0512%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTESchaffner199142–43-382"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESchaffner199142–43_382-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchaffner1991">Schaffner 1991</a>, pp.&#160;42–43.</span> </li> <li id="cite_note-383"><span class="mw-cite-backlink"><b><a href="#cite_ref-383">^</a></b></span> <span class="reference-text"><a href="#CITEREFFitch2005">Fitch 2005</a>, pp.&#160;359–360: Peter Wynne-Willson; <a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;78–79: Wynne-Willson updated the band's lighting rig with some innovative ideas.</span> </li> <li id="cite_note-FOOTNOTEMason200570-384"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason200570_384-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, p.&#160;70.</span> </li> <li id="cite_note-FOOTNOTEPovey200858-385"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey200858_385-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;58.</span> </li> <li id="cite_note-FOOTNOTEMason2005115–119-386"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMason2005115–119_386-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMason2005">Mason 2005</a>, pp.&#160;115–119.</span> </li> <li id="cite_note-FOOTNOTEPovey200887:_The_television_audience,_111:_Pink_Floyd_performed_a_piece_titled_&quot;Moonhead&quot;-388"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey200887:_The_television_audience,_111:_Pink_Floyd_performed_a_piece_titled_&quot;Moonhead&quot;_388-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, pp.&#160;87: The television audience, 111: Pink Floyd performed a piece titled "Moonhead".</span> </li> <li id="cite_note-FOOTNOTEPovey2008183-389"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPovey2008183_389-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;183.</span> </li> <li id="cite_note-FOOTNOTEFitch2005241-390"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEFitch2005241_390-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFFitch2005">Fitch 2005</a>, p.&#160;241.</span> </li> <li id="cite_note-FOOTNOTEBlake2008280–282-391"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008280–282_391-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;280–282.</span> </li> <li id="cite_note-FOOTNOTEBlake2008284–285-392"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008284–285_392-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;284–285.</span> </li> <li id="cite_note-FOOTNOTEO&#39;Neill_Surber2007192-393"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEO&#39;Neill_Surber2007192_393-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFO&#39;Neill_Surber2007">O'Neill Surber 2007</a>, p.&#160;192.</span> </li> <li id="cite_note-FOOTNOTECroskery200736-394"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECroskery200736_394-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCroskery2007">Croskery 2007</a>, p.&#160;36.</span> </li> <li id="cite_note-FOOTNOTEReisch2007268-395"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEReisch2007268_395-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFReisch2007">Reisch 2007</a>, p.&#160;268.</span> </li> <li id="cite_note-FOOTNOTEWeinstein200781–82-396"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWeinstein200781–82_396-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWeinstein2007">Weinstein 2007</a>, pp.&#160;81–82.</span> </li> <li id="cite_note-FOOTNOTEFitch2005133-397"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEFitch2005133_397-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFFitch2005">Fitch 2005</a>, p.&#160;133.</span> </li> <li id="cite_note-FOOTNOTEDetmer200777-398"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDetmer200777_398-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDetmer2007">Detmer 2007</a>, p.&#160;77.</span> </li> <li id="cite_note-FOOTNOTEDetmer200775-399"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDetmer200775_399-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDetmer2007">Detmer 2007</a>, p.&#160;75.</span> </li> <li id="cite_note-FOOTNOTEO&#39;Neill_Surber2007197-400"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEO&#39;Neill_Surber2007197_400-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEO&#39;Neill_Surber2007197_400-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEO&#39;Neill_Surber2007197_400-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFO&#39;Neill_Surber2007">O'Neill Surber 2007</a>, p.&#160;197.</span> </li> <li id="cite_note-401"><span class="mw-cite-backlink"><b><a href="#cite_ref-401">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFThorgerson1978" class="citation book cs1">Thorgerson, Storm (1978). <i>The Work of Hipgnosis&#160;– Walk Away Reneé</i>. A &amp; W. p.&#160;148. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-89104-105-4" title="Special:BookSources/978-0-89104-105-4"><bdi>978-0-89104-105-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Work+of+Hipgnosis+%E2%80%93+Walk+Away+Rene%C3%A9&amp;rft.pages=148&amp;rft.pub=A+%26+W&amp;rft.date=1978&amp;rft.isbn=978-0-89104-105-4&amp;rft.aulast=Thorgerson&amp;rft.aufirst=Storm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEWeinstein200790-403"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWeinstein200790_403-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWeinstein2007">Weinstein 2007</a>, p.&#160;90.</span> </li> <li id="cite_note-FOOTNOTECormack2024-404"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECormack2024_404-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCormack2024">Cormack 2024</a>.</span> </li> <li id="cite_note-FOOTNOTECroskery200735-405"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTECroskery200735_405-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTECroskery200735_405-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFCroskery2007">Croskery 2007</a>, p.&#160;35.</span> </li> <li id="cite_note-FOOTNOTECroskery200735–36-406"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECroskery200735–36_406-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCroskery2007">Croskery 2007</a>, pp.&#160;35–36.</span> </li> <li id="cite_note-FOOTNOTECroskery200737–40-407"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECroskery200737–40_407-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCroskery2007">Croskery 2007</a>, pp.&#160;37–40.</span> </li> <li id="cite_note-FOOTNOTECroskery200740-408"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECroskery200740_408-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCroskery2007">Croskery 2007</a>, p.&#160;40.</span> </li> <li id="cite_note-FOOTNOTECroskery200737–38-409"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECroskery200737–38_409-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCroskery2007">Croskery 2007</a>, pp.&#160;37–38.</span> </li> <li id="cite_note-FOOTNOTECroskery200739-410"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECroskery200739_410-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCroskery2007">Croskery 2007</a>, p.&#160;39.</span> </li> <li id="cite_note-FOOTNOTECroskery200741-411"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECroskery200741_411-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCroskery2007">Croskery 2007</a>, p.&#160;41.</span> </li> <li id="cite_note-FOOTNOTECroskery200741–42-412"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECroskery200741–42_412-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCroskery2007">Croskery 2007</a>, pp.&#160;41–42.</span> </li> <li id="cite_note-FOOTNOTEHarris200589-413"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHarris200589_413-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarris2005">Harris 2005</a>, p.&#160;89.</span> </li> <li id="cite_note-FOOTNOTEO&#39;Neill_Surber2007195-414"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEO&#39;Neill_Surber2007195_414-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEO&#39;Neill_Surber2007195_414-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEO&#39;Neill_Surber2007195_414-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEO&#39;Neill_Surber2007195_414-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFO&#39;Neill_Surber2007">O'Neill Surber 2007</a>, p.&#160;195.</span> </li> <li id="cite_note-FOOTNOTEO&#39;Neill_Surber2007196-416"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEO&#39;Neill_Surber2007196_416-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFO&#39;Neill_Surber2007">O'Neill Surber 2007</a>, p.&#160;196.</span> </li> <li id="cite_note-FOOTNOTEDetmer200773-417"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDetmer200773_417-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDetmer2007">Detmer 2007</a>, p.&#160;73.</span> </li> <li id="cite_note-FOOTNOTEO&#39;Neill_Surber2007195–196-418"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEO&#39;Neill_Surber2007195–196_418-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFO&#39;Neill_Surber2007">O'Neill Surber 2007</a>, pp.&#160;195–196.</span> </li> <li id="cite_note-419"><span class="mw-cite-backlink"><b><a href="#cite_ref-419">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, p.&#160;294: <i>The Final Cut</i> dedicated to Waters's late father; <a href="#CITEREFGeorge-Warren2001">George-Warren 2001</a>, p.&#160;761: <i>A Requiem for the Postwar Dream</i>.</span> </li> <li id="cite_note-FOOTNOTEBlake2008294–295:_The_influence_of_WWII_on_&#39;&#39;The_Wall&#39;&#39;,_351:_An_English_society_depleted_of_men_after_WWII-420"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008294–295:_The_influence_of_WWII_on_&#39;&#39;The_Wall&#39;&#39;,_351:_An_English_society_depleted_of_men_after_WWII_420-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;294–295: The influence of WWII on <i>The Wall</i>, 351: An English society depleted of men after WWII.</span> </li> <li id="cite_note-FOOTNOTEBlake2008194–195-421"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008194–195_421-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;194–195.</span> </li> <li id="cite_note-FOOTNOTEWeinstein200785-422"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWeinstein200785_422-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWeinstein2007">Weinstein 2007</a>, p.&#160;85.</span> </li> <li id="cite_note-FOOTNOTEHarris200581-423"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHarris200581_423-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarris2005">Harris 2005</a>, p.&#160;81.</span> </li> <li id="cite_note-FOOTNOTEReisch2007257-424"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEReisch2007257_424-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFReisch2007">Reisch 2007</a>, p.&#160;257.</span> </li> <li id="cite_note-FOOTNOTEReisch2007263-425"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEReisch2007263_425-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEReisch2007263_425-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFReisch2007">Reisch 2007</a>, p.&#160;263.</span> </li> <li id="cite_note-FOOTNOTEReisch2007263–264-426"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEReisch2007263–264_426-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFReisch2007">Reisch 2007</a>, pp.&#160;263–264.</span> </li> <li id="cite_note-FOOTNOTEReisch2007258–264-427"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEReisch2007258–264_427-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFReisch2007">Reisch 2007</a>, pp.&#160;258–264.</span> </li> <li id="cite_note-428"><span class="mw-cite-backlink"><b><a href="#cite_ref-428">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://rockhall.com/inductees/pink-floyd/bio/">"Rock &amp; Roll Hall of Fame: Pink Floyd biography"</a>. Rock and Roll Hall of Fame. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130517174311/https://rockhall.com/inductees/pink-floyd/bio/">Archived</a> from the original on 17 May 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">2 August</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Rock+%26+Roll+Hall+of+Fame%3A+Pink+Floyd+biography&amp;rft.pub=Rock+and+Roll+Hall+of+Fame&amp;rft_id=http%3A%2F%2Frockhall.com%2Finductees%2Fpink-floyd%2Fbio%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-429"><span class="mw-cite-backlink"><b><a href="#cite_ref-429">^</a></b></span> <span class="reference-text">For 250&#160;million records sold see: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20130812212513/http://www.bloomberg.com/apps/news?pid=newsarchive&amp;sid=aOmothQgn6l4&amp;refer=muse">"Pink Floyd Reunion Tops Fans' Wish List in Music Choice Survey"</a>. <a href="/wiki/Bloomberg_Television" title="Bloomberg Television">Bloomberg Television</a>. 26 September 2007. Archived from <a rel="nofollow" class="external text" href="https://www.bloomberg.com/apps/news?pid=newsarchive&amp;sid=aOmothQgn6l4&amp;refer=muse">the original</a> on 12 August 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">2 August</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pink+Floyd+Reunion+Tops+Fans%27+Wish+List+in+Music+Choice+Survey&amp;rft.pub=Bloomberg+Television&amp;rft.date=2007-09-26&amp;rft_id=https%3A%2F%2Fwww.bloomberg.com%2Fapps%2Fnews%3Fpid%3Dnewsarchive%26sid%3DaOmothQgn6l4%26refer%3Dmuse&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span>; For 75&#160;million RIAA-certified units sold see: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.riaa.com/goldandplatinum.php?content_selector=top-selling-artists">"Top Selling Artists"</a>. Recording Industry Association of America. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120719114528/http://riaa.com/goldandplatinum.php?content_selector=top-selling-artists">Archived</a> from the original on 19 July 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">2 August</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Top+Selling+Artists&amp;rft.pub=Recording+Industry+Association+of+America&amp;rft_id=https%3A%2F%2Fwww.riaa.com%2Fgoldandplatinum.php%3Fcontent_selector%3Dtop-selling-artists&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span>; For 37.9&#160;million albums sold since 1993 see: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.businesswire.com/news/home/20130104005149/en/Nielsen-Company-Billboard%E2%80%99s-2012-Music-Industry-Report">"The Nielsen Company &amp; Billboard's 2012 Music Industry Report"</a>. <a href="/wiki/Business_Wire" title="Business Wire">Business Wire</a>. 4 January 2013. <a rel="nofollow" class="external text" href="https://archive.today/20130112121109/http://www.businesswire.com/news/home/20130104005149/en/Nielsen-Company-Billboard%E2%80%99s-2012-Music-Industry-Report">Archived</a> from the original on 12 January 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">10 May</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=The+Nielsen+Company+%26+Billboard%27s+2012+Music+Industry+Report&amp;rft.pub=Business+Wire&amp;rft.date=2013-01-04&amp;rft_id=http%3A%2F%2Fwww.businesswire.com%2Fnews%2Fhome%2F20130104005149%2Fen%2FNielsen-Company-Billboard%25E2%2580%2599s-2012-Music-Industry-Report&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-430"><span class="mw-cite-backlink"><b><a href="#cite_ref-430">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.frostmagazine.com/2013/04/sunday-times-rich-list-2013-who-made-the-list/">"Sunday Times Rich List 2013: Music Millionaires"</a>. 2013. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20131128024916/http://www.frostmagazine.com/2013/04/sunday-times-rich-list-2013-who-made-the-list/">Archived</a> from the original on 28 November 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">23 November</span> 2013</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Sunday+Times+Rich+List+2013%3A+Music+Millionaires&amp;rft.date=2013&amp;rft_id=http%3A%2F%2Fwww.frostmagazine.com%2F2013%2F04%2Fsunday-times-rich-list-2013-who-made-the-list%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-431"><span class="mw-cite-backlink"><b><a href="#cite_ref-431">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110902082653/http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-19691231/the-dark-side-of-the-moon-pink-floyd-19691231">"Dark Side ranked no. 43"</a>. <i>Rolling Stone</i>. Archived from <a rel="nofollow" class="external text" href="http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-19691231/the-dark-side-of-the-moon-pink-floyd-19691231">the original</a> on 2 September 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">27 November</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=Dark+Side+ranked+no.+43&amp;rft_id=http%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Flists%2F500-greatest-albums-of-all-time-19691231%2Fthe-dark-side-of-the-moon-pink-floyd-19691231&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-432"><span class="mw-cite-backlink"><b><a href="#cite_ref-432">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110902073011/http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-19691231/the-wall-pink-floyd-19691231">"The Wall ranked no. 87"</a>. <i>Rolling Stone</i>. Archived from <a rel="nofollow" class="external text" href="http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-19691231/the-wall-pink-floyd-19691231">the original</a> on 2 September 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">27 November</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=The+Wall+ranked+no.+87&amp;rft_id=http%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Flists%2F500-greatest-albums-of-all-time-19691231%2Fthe-wall-pink-floyd-19691231&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-433"><span class="mw-cite-backlink"><b><a href="#cite_ref-433">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110902071718/http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-19691231/wish-you-were-here-pink-floyd-19691231">"Wish You Were Here ranked no. 209"</a>. <i>Rolling Stone</i>. Archived from <a rel="nofollow" class="external text" href="http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-19691231/wish-you-were-here-pink-floyd-19691231">the original</a> on 2 September 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">27 November</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=Wish+You+Were+Here+ranked+no.+209&amp;rft_id=http%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Flists%2F500-greatest-albums-of-all-time-19691231%2Fwish-you-were-here-pink-floyd-19691231&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-434"><span class="mw-cite-backlink"><b><a href="#cite_ref-434">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110902072944/http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-19691231/the-piper-at-the-gates-of-dawn-pink-floyd-19691231">"Piper ranked no. 347"</a>. <i>Rolling Stone</i>. Archived from <a rel="nofollow" class="external text" href="http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-19691231/the-piper-at-the-gates-of-dawn-pink-floyd-19691231">the original</a> on 2 September 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">27 November</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=Piper+ranked+no.+347&amp;rft_id=http%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Flists%2F500-greatest-albums-of-all-time-19691231%2Fthe-piper-at-the-gates-of-dawn-pink-floyd-19691231&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-435"><span class="mw-cite-backlink"><b><a href="#cite_ref-435">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20080621075825/http://www.rollingstone.com/news/coverstory/500songs/page/4">"Rolling Stone: 500 Greatest Songs of All Time 2004 301–400"</a>. <i>Rolling Stone</i>. Archived from <a rel="nofollow" class="external text" href="http://www.rollingstone.com/news/coverstory/500songs/page/4">the original</a> on 21 June 2008<span class="reference-accessdate">. Retrieved <span class="nowrap">27 November</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=Rolling+Stone%3A+500+Greatest+Songs+of+All+Time+2004+301%E2%80%93400&amp;rft_id=http%3A%2F%2Fwww.rollingstone.com%2Fnews%2Fcoverstory%2F500songs%2Fpage%2F4&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-436"><span class="mw-cite-backlink"><b><a href="#cite_ref-436">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFOlsen2004" class="citation web cs1">Olsen, Eric (3 March 2004). <a rel="nofollow" class="external text" href="http://www.today.com/id/4595384/site/todayshow/ns/today-entertainment/t/best-rock-bands-ever/">"The 10 best rock bands ever: A purely subjective list of the groups that changed music forever"</a>. <i>today.com</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130927090954/http://www.today.com/id/4595384/site/todayshow/ns/today-entertainment/t/best-rock-bands-ever/">Archived</a> from the original on 27 September 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">2 August</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=today.com&amp;rft.atitle=The+10+best+rock+bands+ever%3A+A+purely+subjective+list+of+the+groups+that+changed+music+forever&amp;rft.date=2004-03-03&amp;rft.aulast=Olsen&amp;rft.aufirst=Eric&amp;rft_id=http%3A%2F%2Fwww.today.com%2Fid%2F4595384%2Fsite%2Ftodayshow%2Fns%2Ftoday-entertainment%2Ft%2Fbest-rock-bands-ever%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-437"><span class="mw-cite-backlink"><b><a href="#cite_ref-437">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBarnes2004" class="citation web cs1">Barnes, Anthony (3 October 2004). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120804190837/http://www.independent.co.uk/arts-entertainment/music/news/q-which-is-biggest-band-of-all-time-a-and-readers-say-6160587.html">"Q: Which is biggest band of all time? A: And readers say&#160;..."</a> <i>The Independent</i>. London. Archived from <a rel="nofollow" class="external text" href="https://www.independent.co.uk/arts-entertainment/music/news/q-which-is-biggest-band-of-all-time-a-and-readers-say-6160587.html">the original</a> on 4 August 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">2 August</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=The+Independent&amp;rft.atitle=Q%3A+Which+is+biggest+band+of+all+time%3F+A%3A+And+readers+say+...&amp;rft.date=2004-10-03&amp;rft.aulast=Barnes&amp;rft.aufirst=Anthony&amp;rft_id=https%3A%2F%2Fwww.independent.co.uk%2Farts-entertainment%2Fmusic%2Fnews%2Fq-which-is-biggest-band-of-all-time-a-and-readers-say-6160587.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-438"><span class="mw-cite-backlink"><b><a href="#cite_ref-438">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/lists/100-greatest-artists-of-all-time-19691231/pink-floyd-20110426">"100 Greatest Artists: 51) Pink Floyd"</a>. <i>Rolling Stone</i>. 3 December 2010. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130620172751/http://www.rollingstone.com/music/lists/100-greatest-artists-of-all-time-19691231/pink-floyd-20110426">Archived</a> from the original on 20 June 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">2 August</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=100+Greatest+Artists%3A+51%29+Pink+Floyd&amp;rft.date=2010-12-03&amp;rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Flists%2F100-greatest-artists-of-all-time-19691231%2Fpink-floyd-20110426&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-439"><span class="mw-cite-backlink"><b><a href="#cite_ref-439">^</a></b></span> <span class="reference-text">For VH1's "100 Greatest Artists of All Time" see: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJuzwiak2010" class="citation web cs1">Juzwiak, Rich (10 August 2010). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110920023354/http://blog.vh1.com/2010-08-25/who-will-come-out-on-top-of-vh1s-100-greatest-artists-of-all-time/">"Who Will Come Out on Top of VH1's 100 Greatest Artists of All Time?"</a>. VH1. Archived from <a rel="nofollow" class="external text" href="http://blog.vh1.com/2010-08-25/who-will-come-out-on-top-of-vh1s-100-greatest-artists-of-all-time/">the original</a> on 20 September 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">23 August</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Who+Will+Come+Out+on+Top+of+VH1%27s+100+Greatest+Artists+of+All+Time%3F&amp;rft.pub=VH1&amp;rft.date=2010-08-10&amp;rft.aulast=Juzwiak&amp;rft.aufirst=Rich&amp;rft_id=http%3A%2F%2Fblog.vh1.com%2F2010-08-25%2Fwho-will-come-out-on-top-of-vh1s-100-greatest-artists-of-all-time%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-440"><span class="mw-cite-backlink"><b><a href="#cite_ref-440">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLarkin1998" class="citation book cs1">Larkin, Colin (1998). <a rel="nofollow" class="external text" href="https://archive.org/details/alltimetop1000al0000lark/page/281"><i>All Time Top 1000 Albums: The World's Most Authoritative Guide to the Perfect Record Collection</i></a>. Virgin. p.&#160;<a rel="nofollow" class="external text" href="https://archive.org/details/alltimetop1000al0000lark/page/281">281</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-7535-0258-7" title="Special:BookSources/978-0-7535-0258-7"><bdi>978-0-7535-0258-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=All+Time+Top+1000+Albums%3A+The+World%27s+Most+Authoritative+Guide+to+the+Perfect+Record+Collection&amp;rft.pages=281&amp;rft.pub=Virgin&amp;rft.date=1998&amp;rft.isbn=978-0-7535-0258-7&amp;rft.aulast=Larkin&amp;rft.aufirst=Colin&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Falltimetop1000al0000lark%2Fpage%2F281&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-441"><span class="mw-cite-backlink"><b><a href="#cite_ref-441">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPetridis2008" class="citation web cs1">Petridis, Alexis (7 November 2008). <a rel="nofollow" class="external text" href="https://www.theguardian.com/music/2008/nov/07/popandrock">"Pop &amp; rock review: Genesis, The Beginning 1970–1975"</a>. <i>The Guardian</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20191111153135/https://www.theguardian.com/music/2008/nov/07/popandrock">Archived</a> from the original on 11 November 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">11 November</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=The+Guardian&amp;rft.atitle=Pop+%26+rock+review%3A+Genesis%2C+The+Beginning+1970%E2%80%931975&amp;rft.date=2008-11-07&amp;rft.aulast=Petridis&amp;rft.aufirst=Alexis&amp;rft_id=https%3A%2F%2Fwww.theguardian.com%2Fmusic%2F2008%2Fnov%2F07%2Fpopandrock&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-442"><span class="mw-cite-backlink"><b><a href="#cite_ref-442">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFOlsen2004" class="citation web cs1"><a href="/wiki/Eric_Olsen_(writer)" title="Eric Olsen (writer)">Olsen, Eric</a> (30 March 2004). <a rel="nofollow" class="external text" href="https://www.today.com/popculture/10-best-rock-bands-ever-2D80554936">"The 10 best rock bands ever"</a>. <i><a href="/wiki/Today.com" class="mw-redirect" title="Today.com">Today.com</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20200521134354/https://www.today.com/popculture/10-best-rock-bands-ever-2D80554936">Archived</a> from the original on 21 May 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">20 February</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Today.com&amp;rft.atitle=The+10+best+rock+bands+ever&amp;rft.date=2004-03-30&amp;rft.aulast=Olsen&amp;rft.aufirst=Eric&amp;rft_id=https%3A%2F%2Fwww.today.com%2Fpopculture%2F10-best-rock-bands-ever-2D80554936&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-443"><span class="mw-cite-backlink"><b><a href="#cite_ref-443">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;348: Grammy award for <i>The Wall</i>; For the 1982 BAFTA awards see: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://awards.bafta.org/explore?award=false&amp;category=Film&amp;pageNo=2&amp;year=1982">"BAFTA: Awards Database"</a>. BAFTA. 1982. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130927025800/http://awards.bafta.org/explore?award=false&amp;category=Film&amp;pageNo=2&amp;year=1982">Archived</a> from the original on 27 September 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">2 August</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=BAFTA%3A+Awards+Database&amp;rft.pub=BAFTA&amp;rft.date=1982&amp;rft_id=http%3A%2F%2Fawards.bafta.org%2Fexplore%3Faward%3Dfalse%26category%3DFilm%26pageNo%3D2%26year%3D1982&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-444"><span class="mw-cite-backlink"><b><a href="#cite_ref-444">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://www.nytimes.com/1995/03/02/arts/and-the-winners-are.html">"And the Winners Are&#160;..."</a> <i>The New York Times</i>. 2 March 1995. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120806003703/http://www.nytimes.com/1995/03/02/arts/and-the-winners-are.html">Archived</a> from the original on 6 August 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">2 August</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+New+York+Times&amp;rft.atitle=And+the+Winners+Are+...&amp;rft.date=1995-03-02&amp;rft_id=https%3A%2F%2Fwww.nytimes.com%2F1995%2F03%2F02%2Farts%2Fand-the-winners-are.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-445"><span class="mw-cite-backlink"><b><a href="#cite_ref-445">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNordstrom2008" class="citation web cs1">Nordstrom, Louise (21 May 2008). <a rel="nofollow" class="external text" href="http://usatoday30.usatoday.com/life/music/news/2008-05-21-polar-music-prize_N.htm">"Pink Floyd wins Polar Music Prize"</a>. <i>USA Today</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20121104070227/http://usatoday30.usatoday.com/life/music/news/2008-05-21-polar-music-prize_N.htm">Archived</a> from the original on 4 November 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">7 October</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=USA+Today&amp;rft.atitle=Pink+Floyd+wins+Polar+Music+Prize&amp;rft.date=2008-05-21&amp;rft.aulast=Nordstrom&amp;rft.aufirst=Louise&amp;rft_id=http%3A%2F%2Fusatoday30.usatoday.com%2Flife%2Fmusic%2Fnews%2F2008-05-21-polar-music-prize_N.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-446"><span class="mw-cite-backlink"><b><a href="#cite_ref-446">^</a></b></span> <span class="reference-text"><a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;286: Rock and Roll Hall of Fame induction; <a href="#CITEREFPovey2008">Povey 2008</a>, p.&#160;287: The UK Hall of Fame induction; For the Hit Parade Hall of Fame induction see: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20121112192831/http://www.hitparadehalloffame.com/Inductees_all/PinkFloyd.html">"Pink Floyd&#160;– 2010 Inductee"</a>. Hit Parade Hall of Fame. Archived from <a rel="nofollow" class="external text" href="http://www.hitparadehalloffame.com/Inductees_all/PinkFloyd.html">the original</a> on 12 November 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">2 August</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pink+Floyd+%E2%80%93+2010+Inductee&amp;rft.pub=Hit+Parade+Hall+of+Fame&amp;rft_id=http%3A%2F%2Fwww.hitparadehalloffame.com%2FInductees_all%2FPinkFloyd.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-447"><span class="mw-cite-backlink"><b><a href="#cite_ref-447">^</a></b></span> <span class="reference-text">For Bowie naming Barrett an inspiration see: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBychawski2006" class="citation web cs1">Bychawski, Adam (11 July 2006). <a rel="nofollow" class="external text" href="https://www.nme.com/news/pink-floyd/23574">"David Bowie pays tribute to Syd Barrett"</a>. <i>NME</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130430183050/http://www.nme.com/news/pink-floyd/23574">Archived</a> from the original on 30 April 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">13 October</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=NME&amp;rft.atitle=David+Bowie+pays+tribute+to+Syd+Barrett&amp;rft.date=2006-07-11&amp;rft.aulast=Bychawski&amp;rft.aufirst=Adam&amp;rft_id=https%3A%2F%2Fwww.nme.com%2Fnews%2Fpink-floyd%2F23574&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span>; For Edge buying his first delay pedal see: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcCormick2006" class="citation book cs1">McCormick, Neil, ed. (2006). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/u2byu200u2ne"><i>U2 by U2</i></a></span>. HarperCollins. p.&#160;<a rel="nofollow" class="external text" href="https://archive.org/details/u2byu200u2ne/page/102">102</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-00-719668-5" title="Special:BookSources/978-0-00-719668-5"><bdi>978-0-00-719668-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=U2+by+U2&amp;rft.pages=102&amp;rft.pub=HarperCollins&amp;rft.date=2006&amp;rft.isbn=978-0-00-719668-5&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fu2byu200u2ne&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-448"><span class="mw-cite-backlink"><b><a href="#cite_ref-448">^</a></b></span> <span class="reference-text">For Queen citing Pink Floyd as an influence see: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSutcillfe2009" class="citation book cs1">Sutcillfe, Phil (2009). <i>Queen: The Ultimate Illustrated History of the Crown Kings of Rock</i>. Voyageur Press. p.&#160;17. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-7603-3719-6" title="Special:BookSources/978-0-7603-3719-6"><bdi>978-0-7603-3719-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Queen%3A+The+Ultimate+Illustrated+History+of+the+Crown+Kings+of+Rock&amp;rft.pages=17&amp;rft.pub=Voyageur+Press&amp;rft.date=2009&amp;rft.isbn=978-0-7603-3719-6&amp;rft.aulast=Sutcillfe&amp;rft.aufirst=Phil&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span>; For Marillion see: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFThore2009" class="citation web cs1">Thore, Kim (27 August 2009). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140325022145/http://allaccessmagazine.com/vol7/issue12/steve-rothery.html">"Steve Rothery Interview"</a>. <i>All Access Magazine</i>. Archived from <a rel="nofollow" class="external text" href="http://allaccessmagazine.com/vol7/issue12/steve-rothery.html">the original</a> on 25 March 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">24 March</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=All+Access+Magazine&amp;rft.atitle=Steve+Rothery+Interview&amp;rft.date=2009-08-27&amp;rft.aulast=Thore&amp;rft.aufirst=Kim&amp;rft_id=http%3A%2F%2Fallaccessmagazine.com%2Fvol7%2Fissue12%2Fsteve-rothery.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span>; <a href="#CITEREFManning2006">Manning 2006</a>, p.&#160;288: Queensryche, the Orb, Nemrud, the Smashing Pumpkins; 289: Radiohead; <a href="#CITEREFKittsTolinski2002">Kitts &amp; Tolinski 2002</a>, p.&#160;126: For Nine Inch Nails see the back cover; For Steven Wilson, see: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMasters2012" class="citation news cs1">Masters, Tim (6 September 2012). <a rel="nofollow" class="external text" href="https://www.bbc.com/news/entertainment-arts-19492677">"Genesis honoured at Progressive Music awards"</a>. <i>BBC News</i>. BBC. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180113080633/http://www.bbc.com/news/entertainment-arts-19492677">Archived</a> from the original on 13 January 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">30 December</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=BBC+News&amp;rft.atitle=Genesis+honoured+at+Progressive+Music+awards&amp;rft.date=2012-09-06&amp;rft.aulast=Masters&amp;rft.aufirst=Tim&amp;rft_id=https%3A%2F%2Fwww.bbc.com%2Fnews%2Fentertainment-arts-19492677&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-449"><span class="mw-cite-backlink"><b><a href="#cite_ref-449">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.allmusic.com/subgenre/neo-prog-ma0000012218">"Pop/Rock " Art-Rock/Experimental " Neo-Prog"</a>. <a href="/wiki/AllMusic" title="AllMusic">AllMusic</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20150904053727/http://www.allmusic.com/subgenre/neo-prog-ma0000012218">Archived</a> from the original on 4 September 2015<span class="reference-accessdate">. Retrieved <span class="nowrap">28 July</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pop%2FRock+%22+Art-Rock%2FExperimental+%22+Neo-Prog&amp;rft.pub=AllMusic&amp;rft_id=https%3A%2F%2Fwww.allmusic.com%2Fsubgenre%2Fneo-prog-ma0000012218&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-450"><span class="mw-cite-backlink"><b><a href="#cite_ref-450">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLambe" class="citation web cs1">Lambe, Stephen. <a rel="nofollow" class="external text" href="https://www.bbc.co.uk/gloucestershire/content/articles/2005/08/03/prog_feature.shtml">"New Prog Rock festival hits Gloucester"</a>. BBC. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170501132528/http://www.bbc.co.uk/gloucestershire/content/articles/2005/08/03/prog_feature.shtml">Archived</a> from the original on 1 May 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">22 December</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=New+Prog+Rock+festival+hits+Gloucester&amp;rft.pub=BBC&amp;rft.aulast=Lambe&amp;rft.aufirst=Stephen&amp;rft_id=http%3A%2F%2Fwww.bbc.co.uk%2Fgloucestershire%2Fcontent%2Farticles%2F2005%2F08%2F03%2Fprog_feature.shtml&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-451"><span class="mw-cite-backlink"><b><a href="#cite_ref-451">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJohnson2009" class="citation web cs1">Johnson, Steve (6 May 2009). <a rel="nofollow" class="external text" href="https://www.chicagotribune.com/2009/05/06/cue-the-coconuts-holy-grail-gallops-on/">"Cue the coconuts: 'Holy Grail' gallops on"</a>. <i><a href="/wiki/Chicago_Tribune" title="Chicago Tribune">Chicago Tribune</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20141205050545/http://articles.chicagotribune.com/2009-05-06/entertainment/0905050391_1_holy-grail-monty-python-john-goldstone">Archived</a> from the original on 5 December 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">30 November</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Chicago+Tribune&amp;rft.atitle=Cue+the+coconuts%3A+%27Holy+Grail%27+gallops+on&amp;rft.date=2009-05-06&amp;rft.aulast=Johnson&amp;rft.aufirst=Steve&amp;rft_id=https%3A%2F%2Fwww.chicagotribune.com%2F2009%2F05%2F06%2Fcue-the-coconuts-holy-grail-gallops-on%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-452"><span class="mw-cite-backlink"><b><a href="#cite_ref-452">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://www.theguardian.com/music/2020/jun/23/queen-to-appear-on-postage-stamps">"Queen – not that one – to appear on postage stamps"</a>. <i>The Guardian</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20200628004306/https://www.theguardian.com/music/2020/jun/23/queen-to-appear-on-postage-stamps">Archived</a> from the original on 28 June 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">28 June</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Guardian&amp;rft.atitle=Queen+%E2%80%93+not+that+one+%E2%80%93+to+appear+on+postage+stamps&amp;rft_id=https%3A%2F%2Fwww.theguardian.com%2Fmusic%2F2020%2Fjun%2F23%2Fqueen-to-appear-on-postage-stamps&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-453"><span class="mw-cite-backlink"><b><a href="#cite_ref-453">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://www.bbc.co.uk/news/entertainment-arts-37228496">"Pink Floyd exhibition announced for Victoria and Albert Museum"</a>. <i>BBC News</i>. 31 August 2016. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20171128203403/http://www.bbc.co.uk/news/entertainment-arts-37228496">Archived</a> from the original on 28 November 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">1 October</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=BBC+News&amp;rft.atitle=Pink+Floyd+exhibition+announced+for+Victoria+and+Albert+Museum&amp;rft.date=2016-08-31&amp;rft_id=https%3A%2F%2Fwww.bbc.co.uk%2Fnews%2Fentertainment-arts-37228496&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-454"><span class="mw-cite-backlink"><b><a href="#cite_ref-454">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.vam.ac.uk/exhibitions/pink-floyd">"V&amp;A – Pink Floyd: Their Mortal Remains"</a>. <i>Victoria and Albert Museum</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20171022195904/https://www.vam.ac.uk/exhibitions/pink-floyd">Archived</a> from the original on 22 October 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">7 October</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Victoria+and+Albert+Museum&amp;rft.atitle=V%26A+%E2%80%93+Pink+Floyd%3A+Their+Mortal+Remains&amp;rft_id=https%3A%2F%2Fwww.vam.ac.uk%2Fexhibitions%2Fpink-floyd&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-455"><span class="mw-cite-backlink"><b><a href="#cite_ref-455">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://www.telegraph.co.uk/art/what-to-see/ambitious-fascinating-faceless-just-like-pink-floyd-mortal/">"Ambitious, fascinating and faceless – just like Pink Floyd themselves: Their Mortal Remains, V&amp;A, review"</a>. <i>The Daily Telegraph</i>. 7 May 2018. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20171009064000/http://www.telegraph.co.uk/art/what-to-see/ambitious-fascinating-faceless-just-like-pink-floyd-mortal/">Archived</a> from the original on 9 October 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">7 October</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Daily+Telegraph&amp;rft.atitle=Ambitious%2C+fascinating+and+faceless+%E2%80%93+just+like+Pink+Floyd+themselves%3A+Their+Mortal+Remains%2C+V%26A%2C+review&amp;rft.date=2018-05-07&amp;rft_id=https%3A%2F%2Fwww.telegraph.co.uk%2Fart%2Fwhat-to-see%2Fambitious-fascinating-faceless-just-like-pink-floyd-mortal%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-456"><span class="mw-cite-backlink"><b><a href="#cite_ref-456">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://www.theguardian.com/artanddesign/2017/aug/30/pink-floyd-exhibition-v-and-a-most-visited-music-show">"Pink Floyd exhibition set to become V&amp;A's most visited music show"</a>. <i>The Guardian</i>. 30 August 2017. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20171007170552/https://www.theguardian.com/artanddesign/2017/aug/30/pink-floyd-exhibition-v-and-a-most-visited-music-show">Archived</a> from the original on 7 October 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">7 October</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Guardian&amp;rft.atitle=Pink+Floyd+exhibition+set+to+become+V%26A%27s+most+visited+music+show&amp;rft.date=2017-08-30&amp;rft_id=https%3A%2F%2Fwww.theguardian.com%2Fartanddesign%2F2017%2Faug%2F30%2Fpink-floyd-exhibition-v-and-a-most-visited-music-show&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-457"><span class="mw-cite-backlink"><b><a href="#cite_ref-457">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGillan2006" class="citation web cs1">Gillan, Audrey (11 July 2006). <a rel="nofollow" class="external text" href="https://www.theguardian.com/culture/2006/jul/11/pinkfloyd.popandrock">"Syd Barrett dies aged 60"</a>. <i>The Guardian</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20211023230758/https://www.theguardian.com/culture/2006/jul/11/pinkfloyd.popandrock">Archived</a> from the original on 23 October 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">11 October</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=The+Guardian&amp;rft.atitle=Syd+Barrett+dies+aged+60&amp;rft.date=2006-07-11&amp;rft.aulast=Gillan&amp;rft.aufirst=Audrey&amp;rft_id=http%3A%2F%2Fwww.theguardian.com%2Fculture%2F2006%2Fjul%2F11%2Fpinkfloyd.popandrock&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEBlake2008166,_316–317-458"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBlake2008166,_316–317_458-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBlake2008">Blake 2008</a>, pp.&#160;166, 316–317.</span> </li> <li id="cite_note-459"><span class="mw-cite-backlink"><b><a href="#cite_ref-459">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPink_Floyd1988" class="citation AV-media-notes cs1">Pink Floyd (1988). <a rel="nofollow" class="external text" href="https://www.discogs.com/release/3338291-Pink-Floyd-Delicate-Sound-Of-Thunder"><i>Delicate Sound of Thunder</i></a> (Media notes)<span class="reference-accessdate">. Retrieved <span class="nowrap">31 December</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Delicate+Sound+of+Thunder&amp;rft.date=1988&amp;rft.au=Pink+Floyd&amp;rft_id=https%3A%2F%2Fwww.discogs.com%2Frelease%2F3338291-Pink-Floyd-Delicate-Sound-Of-Thunder&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> <li id="cite_note-461"><span class="mw-cite-backlink"><b><a href="#cite_ref-461">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPareles2008" class="citation news cs1">Pareles, Jon (16 September 2008). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2008/09/16/arts/music/16wright.html">"Richard Wright, Member of Pink Floyd, Dies at 65"</a>. <i>The New York Times</i>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a>&#160;<a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0362-4331">0362-4331</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180330224928/https://www.nytimes.com/2008/09/16/arts/music/16wright.html">Archived</a> from the original on 30 March 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">11 October</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+New+York+Times&amp;rft.atitle=Richard+Wright%2C+Member+of+Pink+Floyd%2C+Dies+at+65&amp;rft.date=2008-09-16&amp;rft.issn=0362-4331&amp;rft.aulast=Pareles&amp;rft.aufirst=Jon&amp;rft_id=https%3A%2F%2Fwww.nytimes.com%2F2008%2F09%2F16%2Farts%2Fmusic%2F16wright.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="Sources">Sources</h2></div> <style data-mw-deduplicate="TemplateStyles:r1239549316">.mw-parser-output .refbegin{margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}@media screen{.mw-parser-output .refbegin{font-size:90%}}</style><div class="refbegin refbegin-columns references-column-width" style="column-width: 30em"> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBlake2011" class="citation book cs1"><a href="/wiki/Mark_Blake_(writer)" title="Mark Blake (writer)">Blake, Mark</a> (2011) [2007]. <a rel="nofollow" class="external text" href="https://books.google.com/books?id=fC_BAgAAQBAJ"><i>Pigs Might Fly&#160;: The Inside Story of Pink Floyd</i></a>. Arum Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-78131-519-4" title="Special:BookSources/978-1-78131-519-4"><bdi>978-1-78131-519-4</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210521212507/https://books.google.com/books?id=fC_BAgAAQBAJ">Archived</a> from the original on 21 May 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">18 November</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Pigs+Might+Fly+%3A+The+Inside+Story+of+Pink+Floyd&amp;rft.pub=Arum+Press&amp;rft.date=2011&amp;rft.isbn=978-1-78131-519-4&amp;rft.aulast=Blake&amp;rft.aufirst=Mark&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DfC_BAgAAQBAJ&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBlake2008" class="citation book cs1">Blake, Mark (2008). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=jmJbSIn1LacC"><i>Comfortably Numb: The Inside Story of Pink Floyd</i></a>. Da Capo Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-306-81752-6" title="Special:BookSources/978-0-306-81752-6"><bdi>978-0-306-81752-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Comfortably+Numb%3A+The+Inside+Story+of+Pink+Floyd&amp;rft.pub=Da+Capo+Press&amp;rft.date=2008&amp;rft.isbn=978-0-306-81752-6&amp;rft.aulast=Blake&amp;rft.aufirst=Mark&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DjmJbSIn1LacC&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBronson1992" class="citation book cs1">Bronson, Fred (1992). Weiler, Fred (ed.). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=PgGqNrqfrsoC"><i>The Billboard Book of Number One Hits</i></a> (3rd revised&#160;ed.). Billboard Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-8230-8298-8" title="Special:BookSources/978-0-8230-8298-8"><bdi>978-0-8230-8298-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Billboard+Book+of+Number+One+Hits&amp;rft.edition=3rd+revised&amp;rft.pub=Billboard+Books&amp;rft.date=1992&amp;rft.isbn=978-0-8230-8298-8&amp;rft.aulast=Bronson&amp;rft.aufirst=Fred&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DPgGqNrqfrsoC&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBrown2006" class="citation journal cs1">Brown, Jimmy (May 2006). "Sorcerer Full of Secrets". <i>Guitar World</i>. <b>27</b> (5).</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Guitar+World&amp;rft.atitle=Sorcerer+Full+of+Secrets&amp;rft.volume=27&amp;rft.issue=5&amp;rft.date=2006-05&amp;rft.aulast=Brown&amp;rft.aufirst=Jimmy&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFChapman2012" class="citation book cs1">Chapman, Rob (2012). <i>Syd Barrett and British Psychedelia: Faber Forty-Fives: 1966–1967</i>. Faber &amp; Faber. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-571-29676-7" title="Special:BookSources/978-0-571-29676-7"><bdi>978-0-571-29676-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Syd+Barrett+and+British+Psychedelia%3A+Faber+Forty-Fives%3A+1966%E2%80%931967&amp;rft.pub=Faber+%26+Faber&amp;rft.date=2012&amp;rft.isbn=978-0-571-29676-7&amp;rft.aulast=Chapman&amp;rft.aufirst=Rob&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCormack2024" class="citation book cs1">Cormack, Mike (2024). <i><a href="/wiki/Everything_Under_the_Sun_(book)" title="Everything Under the Sun (book)">Everything Under The Sun: The Complete Guide To Pink Floyd</a></i>. The History Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1803995359" title="Special:BookSources/978-1803995359"><bdi>978-1803995359</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Everything+Under+The+Sun%3A+The+Complete+Guide+To+Pink+Floyd&amp;rft.pub=The+History+Press&amp;rft.date=2024&amp;rft.isbn=978-1803995359&amp;rft.aulast=Cormack&amp;rft.aufirst=Mike&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCroskery2007" class="citation book cs1">Croskery, Patrick (2007). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=qxlBF7G5tjcC">"Pigs Training Dogs to Exploit Sheep: <i>Animals</i> as a Beast Fable Dystopia"</a>. In Reisch, George A (ed.). <i>Pink Floyd and Philosophy: Careful with that Axiom, Eugene!</i>. Open Court. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-8126-9636-3" title="Special:BookSources/978-0-8126-9636-3"><bdi>978-0-8126-9636-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=Pigs+Training+Dogs+to+Exploit+Sheep%3A+Animals+as+a+Beast+Fable+Dystopia&amp;rft.btitle=Pink+Floyd+and+Philosophy%3A+Careful+with+that+Axiom%2C+Eugene%21&amp;rft.pub=Open+Court&amp;rft.date=2007&amp;rft.isbn=978-0-8126-9636-3&amp;rft.aulast=Croskery&amp;rft.aufirst=Patrick&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DqxlBF7G5tjcC&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDeRogatis2006" class="citation book cs1">DeRogatis, Jim (2006). <a rel="nofollow" class="external text" href="https://archive.org/details/staringatsoundtr00dero"><i>Staring at Sound: The True Story of Oklahoma's Fabulous Flaming Lips</i></a>. <a href="/wiki/Broadway_Books" title="Broadway Books">Broadway Books</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-7679-2140-4" title="Special:BookSources/978-0-7679-2140-4"><bdi>978-0-7679-2140-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Staring+at+Sound%3A+The+True+Story+of+Oklahoma%27s+Fabulous+Flaming+Lips&amp;rft.pub=Broadway+Books&amp;rft.date=2006&amp;rft.isbn=978-0-7679-2140-4&amp;rft.aulast=DeRogatis&amp;rft.aufirst=Jim&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fstaringatsoundtr00dero&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDetmer2007" class="citation book cs1">Detmer, David (2007). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=qxlBF7G5tjcC">"Dragged Down by the Stone: Pink Floyd, Alienation, and the Pressures of Life"</a>. In Reisch, George A (ed.). <i>Pink Floyd and Philosophy: Careful with that Axiom, Eugene!</i>. Open Court. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-8126-9636-3" title="Special:BookSources/978-0-8126-9636-3"><bdi>978-0-8126-9636-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=Dragged+Down+by+the+Stone%3A+Pink+Floyd%2C+Alienation%2C+and+the+Pressures+of+Life&amp;rft.btitle=Pink+Floyd+and+Philosophy%3A+Careful+with+that+Axiom%2C+Eugene%21&amp;rft.pub=Open+Court&amp;rft.date=2007&amp;rft.isbn=978-0-8126-9636-3&amp;rft.aulast=Detmer&amp;rft.aufirst=David&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DqxlBF7G5tjcC&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFdi_Perna2006" class="citation journal cs1">di Perna, Alan (May 2006). "Shine On". <i>Guitar World</i>. <b>27</b> (5).</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Guitar+World&amp;rft.atitle=Shine+On&amp;rft.volume=27&amp;rft.issue=5&amp;rft.date=2006-05&amp;rft.aulast=di+Perna&amp;rft.aufirst=Alan&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFdi_Perna2002" class="citation book cs1">di Perna, Alan (2002). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=nQ1f7Vasrv8C">"Mysterious Ways"</a>. In Kitts, Jeff; Tolinski, Brad (eds.). <i>Guitar World Presents: Pink Floyd</i>. Hal Leonard. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-7546-6708-7" title="Special:BookSources/978-0-7546-6708-7"><bdi>978-0-7546-6708-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=Mysterious+Ways&amp;rft.btitle=Guitar+World+Presents%3A+Pink+Floyd&amp;rft.pub=Hal+Leonard&amp;rft.date=2002&amp;rft.isbn=978-0-7546-6708-7&amp;rft.aulast=di+Perna&amp;rft.aufirst=Alan&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DnQ1f7Vasrv8C&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFitch2005" class="citation book cs1">Fitch, Vernon (2005). <i>The Pink Floyd Encyclopedia</i> (Third&#160;ed.). Collector's Guide Publishing. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-894959-24-7" title="Special:BookSources/978-1-894959-24-7"><bdi>978-1-894959-24-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Pink+Floyd+Encyclopedia&amp;rft.edition=Third&amp;rft.pub=Collector%27s+Guide+Publishing&amp;rft.date=2005&amp;rft.isbn=978-1-894959-24-7&amp;rft.aulast=Fitch&amp;rft.aufirst=Vernon&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFitch2001" class="citation book cs1">Fitch, Vernon (2001). <i>Pink Floyd: The Press Reports 1966–1983</i>. Collector's Guide Publishing Inc. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-896522-72-2" title="Special:BookSources/978-1-896522-72-2"><bdi>978-1-896522-72-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Pink+Floyd%3A+The+Press+Reports+1966%E2%80%931983&amp;rft.pub=Collector%27s+Guide+Publishing+Inc&amp;rft.date=2001&amp;rft.isbn=978-1-896522-72-2&amp;rft.aulast=Fitch&amp;rft.aufirst=Vernon&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFitchMahon2006" class="citation book cs1">Fitch, Vernon; Mahon, Richard (2006). <i>Comfortably Numb: A History of "The Wall", Pink Floyd, 1978–1981</i> (1st&#160;ed.). PFA Publishing, Inc. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-9777366-0-7" title="Special:BookSources/978-0-9777366-0-7"><bdi>978-0-9777366-0-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Comfortably+Numb%3A+A+History+of+%22The+Wall%22%2C+Pink+Floyd%2C+1978%E2%80%931981&amp;rft.edition=1st&amp;rft.pub=PFA+Publishing%2C+Inc.&amp;rft.date=2006&amp;rft.isbn=978-0-9777366-0-7&amp;rft.aulast=Fitch&amp;rft.aufirst=Vernon&amp;rft.au=Mahon%2C+Richard&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGeorge-Warren2001" class="citation book cs1">George-Warren, Holly, ed. (2001). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/rollingstoneency00holl"><i>The Rolling Stone Encyclopedia of Rock &amp; Roll</i></a></span> (2005 revised and updated&#160;ed.). Fireside. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-7432-9201-6" title="Special:BookSources/978-0-7432-9201-6"><bdi>978-0-7432-9201-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Rolling+Stone+Encyclopedia+of+Rock+%26+Roll&amp;rft.edition=2005+revised+and+updated&amp;rft.pub=Fireside&amp;rft.date=2001&amp;rft.isbn=978-0-7432-9201-6&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Frollingstoneency00holl&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHarris2005" class="citation book cs1">Harris, John (2005). <i>The Dark Side of the Moon</i> (First Hardcover&#160;ed.). Da Capo. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-306-81342-9" title="Special:BookSources/978-0-306-81342-9"><bdi>978-0-306-81342-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Dark+Side+of+the+Moon&amp;rft.edition=First+Hardcover&amp;rft.pub=Da+Capo&amp;rft.date=2005&amp;rft.isbn=978-0-306-81342-9&amp;rft.aulast=Harris&amp;rft.aufirst=John&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHibbert1996" class="citation book cs1">Hibbert, Tom (1996) [1971]. <a rel="nofollow" class="external text" href="https://books.google.com/books?id=b7J3K2snuhAC">"Who the hell does Roger Waters think he is?"</a>. In MacDonald, Bruno (ed.). <i>Pink Floyd: Through the Eyes of the Band, Its Fans and Foes</i>. Da Capo. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-306-80780-0" title="Special:BookSources/978-0-306-80780-0"><bdi>978-0-306-80780-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=Who+the+hell+does+Roger+Waters+think+he+is%3F&amp;rft.btitle=Pink+Floyd%3A+Through+the+Eyes+of+the+Band%2C+Its+Fans+and+Foes&amp;rft.pub=Da+Capo&amp;rft.date=1996&amp;rft.isbn=978-0-306-80780-0&amp;rft.aulast=Hibbert&amp;rft.aufirst=Tom&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Db7J3K2snuhAC&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span><sup class="noprint Inline-Template"><span style="white-space: nowrap;">&#91;<i><a href="/wiki/Wikipedia:Link_rot" title="Wikipedia:Link rot"><span title="&#160;Dead link tagged January 2024">permanent dead link</span></a></i><span style="visibility:hidden; color:transparent; padding-left:2px">&#8205;</span>&#93;</span></sup></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKittsTolinski2002" class="citation book cs1">Kitts, Jeff; Tolinski, Brad, eds. (2002). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=nQ1f7Vasrv8C"><i>Guitar World Presents: Pink Floyd</i></a>. Hal Leonard. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-7546-6708-7" title="Special:BookSources/978-0-7546-6708-7"><bdi>978-0-7546-6708-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Guitar+World+Presents%3A+Pink+Floyd&amp;rft.pub=Hal+Leonard&amp;rft.date=2002&amp;rft.isbn=978-0-7546-6708-7&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DnQ1f7Vasrv8C&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMabbett1995" class="citation book cs1">Mabbett, Andy (1995). <i>The Complete Guide to the Music of Pink Floyd</i> (1st UK paperback&#160;ed.). Omnibus Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-7119-4301-8" title="Special:BookSources/978-0-7119-4301-8"><bdi>978-0-7119-4301-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Complete+Guide+to+the+Music+of+Pink+Floyd&amp;rft.edition=1st+UK+paperback&amp;rft.pub=Omnibus+Press&amp;rft.date=1995&amp;rft.isbn=978-0-7119-4301-8&amp;rft.aulast=Mabbett&amp;rft.aufirst=Andy&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFManning2006" class="citation book cs1">Manning, Toby (2006). <i>The Rough Guide to Pink Floyd</i> (First&#160;ed.). Rough Guides. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-84353-575-1" title="Special:BookSources/978-1-84353-575-1"><bdi>978-1-84353-575-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Rough+Guide+to+Pink+Floyd&amp;rft.edition=First&amp;rft.pub=Rough+Guides&amp;rft.date=2006&amp;rft.isbn=978-1-84353-575-1&amp;rft.aulast=Manning&amp;rft.aufirst=Toby&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMason2005" class="citation book cs1"><a href="/wiki/Nick_Mason" title="Nick Mason">Mason, Nick</a> (2005) [2004]. Dodd, Philip (ed.). <i>Inside Out: A Personal History of Pink Floyd</i> (Paperback&#160;ed.). Phoenix. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-7538-1906-7" title="Special:BookSources/978-0-7538-1906-7"><bdi>978-0-7538-1906-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Inside+Out%3A+A+Personal+History+of+Pink+Floyd&amp;rft.edition=Paperback&amp;rft.pub=Phoenix&amp;rft.date=2005&amp;rft.isbn=978-0-7538-1906-7&amp;rft.aulast=Mason&amp;rft.aufirst=Nick&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMiles2011" class="citation book cs1"><a href="/wiki/Barry_Miles" title="Barry Miles">Miles, Barry</a> (2011). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=vu-aAwAAQBAJ&amp;pg=PT135"><i>Pink Floyd: The Early Years</i></a>. Omnibus Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-85712-740-2" title="Special:BookSources/978-0-85712-740-2"><bdi>978-0-85712-740-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Pink+Floyd%3A+The+Early+Years&amp;rft.pub=Omnibus+Press&amp;rft.date=2011&amp;rft.isbn=978-0-85712-740-2&amp;rft.aulast=Miles&amp;rft.aufirst=Barry&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dvu-aAwAAQBAJ%26pg%3DPT135&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPalacios2010" class="citation book cs1">Palacios, Julian (2010). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=DvgH58uEPFAC&amp;pg=PA317"><i>Syd Barrett and Pink Floyd: Dark Globe</i></a>. Plexus. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-85965-431-9" title="Special:BookSources/978-0-85965-431-9"><bdi>978-0-85965-431-9</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160624004447/https://books.google.com/books?id=DvgH58uEPFAC&amp;pg=PA317">Archived</a> from the original on 24 June 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">12 January</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Syd+Barrett+and+Pink+Floyd%3A+Dark+Globe&amp;rft.pub=Plexus&amp;rft.date=2010&amp;rft.isbn=978-0-85965-431-9&amp;rft.aulast=Palacios&amp;rft.aufirst=Julian&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DDvgH58uEPFAC%26pg%3DPA317&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPovey2008" class="citation book cs1">Povey, Glenn (2008) [2007]. <a rel="nofollow" class="external text" href="https://books.google.com/books?id=qnnl3FnO-B4C&amp;pg=RA4-PT76"><i>Echoes: The Complete History of Pink Floyd</i></a>. Mind Head Publishing. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-9554624-1-2" title="Special:BookSources/978-0-9554624-1-2"><bdi>978-0-9554624-1-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Echoes%3A+The+Complete+History+of+Pink+Floyd&amp;rft.pub=Mind+Head+Publishing&amp;rft.date=2008&amp;rft.isbn=978-0-9554624-1-2&amp;rft.aulast=Povey&amp;rft.aufirst=Glenn&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dqnnl3FnO-B4C%26pg%3DRA4-PT76&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPoveyRussell1997" class="citation book cs1">Povey, Glen; Russell, Ian (1997). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=KrOPQni4yTsC"><i>Pink Floyd: In the Flesh: The Complete Performance History</i></a> (1st US paperback&#160;ed.). St. Martin's Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-9554624-0-5" title="Special:BookSources/978-0-9554624-0-5"><bdi>978-0-9554624-0-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Pink+Floyd%3A+In+the+Flesh%3A+The+Complete+Performance+History&amp;rft.edition=1st+US+paperback&amp;rft.pub=St.+Martin%27s+Press&amp;rft.date=1997&amp;rft.isbn=978-0-9554624-0-5&amp;rft.aulast=Povey&amp;rft.aufirst=Glen&amp;rft.au=Russell%2C+Ian&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DKrOPQni4yTsC&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFReisch2007" class="citation book cs1">Reisch, George A (2007). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=qxlBF7G5tjcC">"The Worms and the Wall: Michael Foucault on Syd Barrett"</a>. In Reisch, George A (ed.). <i>Pink Floyd and Philosophy: Careful with that Axiom, Eugene!</i>. Open Court. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-8126-9636-3" title="Special:BookSources/978-0-8126-9636-3"><bdi>978-0-8126-9636-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=The+Worms+and+the+Wall%3A+Michael+Foucault+on+Syd+Barrett&amp;rft.btitle=Pink+Floyd+and+Philosophy%3A+Careful+with+that+Axiom%2C+Eugene%21&amp;rft.pub=Open+Court&amp;rft.date=2007&amp;rft.isbn=978-0-8126-9636-3&amp;rft.aulast=Reisch&amp;rft.aufirst=George+A&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DqxlBF7G5tjcC&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRoberts2005" class="citation book cs1">Roberts, David, ed. (2005). <i>British Hit Singles &amp; Albums</i> (18&#160;ed.). Guinness World Records Limited. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-904994-00-8" title="Special:BookSources/978-1-904994-00-8"><bdi>978-1-904994-00-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=British+Hit+Singles+%26+Albums&amp;rft.edition=18&amp;rft.pub=Guinness+World+Records+Limited&amp;rft.date=2005&amp;rft.isbn=978-1-904994-00-8&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRosen1996" class="citation magazine cs1">Rosen, Craig (1996). Lukas, Paul (ed.). "The Billboard Book of Number One Albums". <i>Billboard</i>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-8230-7586-7" title="Special:BookSources/978-0-8230-7586-7"><bdi>978-0-8230-7586-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Billboard&amp;rft.atitle=The+Billboard+Book+of+Number+One+Albums&amp;rft.date=1996&amp;rft.isbn=978-0-8230-7586-7&amp;rft.aulast=Rosen&amp;rft.aufirst=Craig&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSchaffner1991" class="citation book cs1">Schaffner, Nicholas (1991). <i>Saucerful of Secrets</i> (First&#160;ed.). Sidgwick &amp; Jackson. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-283-06127-1" title="Special:BookSources/978-0-283-06127-1"><bdi>978-0-283-06127-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Saucerful+of+Secrets&amp;rft.edition=First&amp;rft.pub=Sidgwick+%26+Jackson&amp;rft.date=1991&amp;rft.isbn=978-0-283-06127-1&amp;rft.aulast=Schaffner&amp;rft.aufirst=Nicholas&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFScarfe2010" class="citation book cs1">Scarfe, Gerald (2010). <i>The Making of Pink Floyd: The Wall</i> (1st US paperback&#160;ed.). Da Capo Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-306-81997-1" title="Special:BookSources/978-0-306-81997-1"><bdi>978-0-306-81997-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Making+of+Pink+Floyd%3A+The+Wall&amp;rft.edition=1st+US+paperback&amp;rft.pub=Da+Capo+Press&amp;rft.date=2010&amp;rft.isbn=978-0-306-81997-1&amp;rft.aulast=Scarfe&amp;rft.aufirst=Gerald&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSimmons1999" class="citation journal cs1">Simmons, Sylvie (December 1999). "Pink Floyd: The Making of The Wall". <i>Mojo Magazine</i>. <b>73</b>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Mojo+Magazine&amp;rft.atitle=Pink+Floyd%3A+The+Making+of+The+Wall&amp;rft.volume=73&amp;rft.date=1999-12&amp;rft.aulast=Simmons&amp;rft.aufirst=Sylvie&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFO&#39;Neill_Surber2007" class="citation book cs1">O'Neill Surber, Jere (2007). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=qxlBF7G5tjcC">"Wish You Were Here (But You Aren't): Pink Floyd and Non-Being"</a>. In Reisch, George A (ed.). <i>Pink Floyd and Philosophy: Careful with that Axiom, Eugene!</i>. Open Court. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-8126-9636-3" title="Special:BookSources/978-0-8126-9636-3"><bdi>978-0-8126-9636-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=Wish+You+Were+Here+%28But+You+Aren%27t%29%3A+Pink+Floyd+and+Non-Being&amp;rft.btitle=Pink+Floyd+and+Philosophy%3A+Careful+with+that+Axiom%2C+Eugene%21&amp;rft.pub=Open+Court&amp;rft.date=2007&amp;rft.isbn=978-0-8126-9636-3&amp;rft.aulast=O%27Neill+Surber&amp;rft.aufirst=Jere&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DqxlBF7G5tjcC&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWatkinsonAnderson2001" class="citation book cs1">Watkinson, Mike; Anderson, Pete (2001). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=kPJlLjf4OogC"><i>Crazy Diamond: Syd Barrett &amp; the Dawn of Pink Floyd</i></a> (First&#160;ed.). Omnibus Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-7119-2397-3" title="Special:BookSources/978-0-7119-2397-3"><bdi>978-0-7119-2397-3</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20240928172025/https://books.google.com/books?id=kPJlLjf4OogC">Archived</a> from the original on 28 September 2024<span class="reference-accessdate">. Retrieved <span class="nowrap">28 October</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Crazy+Diamond%3A+Syd+Barrett+%26+the+Dawn+of+Pink+Floyd&amp;rft.edition=First&amp;rft.pub=Omnibus+Press&amp;rft.date=2001&amp;rft.isbn=978-0-7119-2397-3&amp;rft.aulast=Watkinson&amp;rft.aufirst=Mike&amp;rft.au=Anderson%2C+Pete&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DkPJlLjf4OogC&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWatts1996" class="citation book cs1">Watts, Michael (1996) [1971]. "Pink's muddled Meddle". In MacDonald, Bruno (ed.). <i>Pink Floyd: Through the Eyes of the Band, Its Fans and Foes</i>. Da Capo Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-306-80780-0" title="Special:BookSources/978-0-306-80780-0"><bdi>978-0-306-80780-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=Pink%27s+muddled+Meddle&amp;rft.btitle=Pink+Floyd%3A+Through+the+Eyes+of+the+Band%2C+Its+Fans+and+Foes&amp;rft.pub=Da+Capo+Press&amp;rft.date=1996&amp;rft.isbn=978-0-306-80780-0&amp;rft.aulast=Watts&amp;rft.aufirst=Michael&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWeinstein2007" class="citation book cs1">Weinstein, Deena (2007). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=qxlBF7G5tjcC">"Roger Waters: Artist of the Absurd"</a>. In Reisch, George A (ed.). <i>Pink Floyd and Philosophy: Careful with that Axiom, Eugene!</i>. Open Court. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-8126-9636-3" title="Special:BookSources/978-0-8126-9636-3"><bdi>978-0-8126-9636-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=Roger+Waters%3A+Artist+of+the+Absurd&amp;rft.btitle=Pink+Floyd+and+Philosophy%3A+Careful+with+that+Axiom%2C+Eugene%21&amp;rft.pub=Open+Court&amp;rft.date=2007&amp;rft.isbn=978-0-8126-9636-3&amp;rft.aulast=Weinstein&amp;rft.aufirst=Deena&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DqxlBF7G5tjcC&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li></ul> </div> <div class="mw-heading mw-heading2"><h2 id="Further_reading">Further reading</h2></div> <p><b>Books</b> </p> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBenchO&#39;Brien2004" class="citation book cs1">Bench, Jeff; O'Brien, Daniel (2004). <i>Pink Floyd's The Wall: In the Studio, on Stage and on Screen</i> (First UK paperback&#160;ed.). Reynolds and Hearn. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-903111-82-6" title="Special:BookSources/978-1-903111-82-6"><bdi>978-1-903111-82-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Pink+Floyd%27s+The+Wall%3A+In+the+Studio%2C+on+Stage+and+on+Screen&amp;rft.edition=First+UK+paperback&amp;rft.pub=Reynolds+and+Hearn&amp;rft.date=2004&amp;rft.isbn=978-1-903111-82-6&amp;rft.aulast=Bench&amp;rft.aufirst=Jeff&amp;rft.au=O%27Brien%2C+Daniel&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHearn2012" class="citation book cs1">Hearn, Marcus (2012). <i>Pink Floyd</i>. Titan Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-85768-664-0" title="Special:BookSources/978-0-85768-664-0"><bdi>978-0-85768-664-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Pink+Floyd&amp;rft.pub=Titan+Books&amp;rft.date=2012&amp;rft.isbn=978-0-85768-664-0&amp;rft.aulast=Hearn&amp;rft.aufirst=Marcus&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJones1996" class="citation book cs1">Jones, Cliff (1996). <i>Another Brick in the Wall: The Stories Behind Every Pink Floyd Song</i>. Broadway Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-553-06733-0" title="Special:BookSources/978-0-553-06733-0"><bdi>978-0-553-06733-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Another+Brick+in+the+Wall%3A+The+Stories+Behind+Every+Pink+Floyd+Song&amp;rft.pub=Broadway+Books&amp;rft.date=1996&amp;rft.isbn=978-0-553-06733-0&amp;rft.aulast=Jones&amp;rft.aufirst=Cliff&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMabbett2010" class="citation book cs1">Mabbett, Andy (2010). <i>Pink Floyd: The Music and the Mystery</i>. Omnibus Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-84938-370-7" title="Special:BookSources/978-1-84938-370-7"><bdi>978-1-84938-370-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Pink+Floyd%3A+The+Music+and+the+Mystery&amp;rft.pub=Omnibus+Press&amp;rft.date=2010&amp;rft.isbn=978-1-84938-370-7&amp;rft.aulast=Mabbett&amp;rft.aufirst=Andy&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMiles1988" class="citation book cs1"><a href="/wiki/Barry_Miles" title="Barry Miles">Miles, Barry</a> (1988). <i>Pink Floyd: 25th Anniversary Edition (Visual Documentary)</i>. Omnibus Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-7119-4109-0" title="Special:BookSources/978-0-7119-4109-0"><bdi>978-0-7119-4109-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Pink+Floyd%3A+25th+Anniversary+Edition+%28Visual+Documentary%29&amp;rft.pub=Omnibus+Press&amp;rft.date=1988&amp;rft.isbn=978-0-7119-4109-0&amp;rft.aulast=Miles&amp;rft.aufirst=Barry&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMiles2007" class="citation book cs1"><a href="/wiki/Barry_Miles" title="Barry Miles">Miles, Barry</a> (2007). <i>Pink Floyd</i>. Omnibus Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-84609-444-6" title="Special:BookSources/978-1-84609-444-6"><bdi>978-1-84609-444-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Pink+Floyd&amp;rft.pub=Omnibus+Press&amp;rft.date=2007&amp;rft.isbn=978-1-84609-444-6&amp;rft.aulast=Miles&amp;rft.aufirst=Barry&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPalacios2001" class="citation book cs1">Palacios, Julian (2001). <i>Lost in the Woods: Syd Barrett and the Pink Floyd</i>. Boxtree. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-7522-2328-5" title="Special:BookSources/978-0-7522-2328-5"><bdi>978-0-7522-2328-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Lost+in+the+Woods%3A+Syd+Barrett+and+the+Pink+Floyd&amp;rft.pub=Boxtree&amp;rft.date=2001&amp;rft.isbn=978-0-7522-2328-5&amp;rft.aulast=Palacios&amp;rft.aufirst=Julian&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFReising2005" class="citation book cs1">Reising, Russell (2005). <i>Speak to Me</i>. Ashgate Publishing, Ltd. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-7546-4019-6" title="Special:BookSources/978-0-7546-4019-6"><bdi>978-0-7546-4019-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Speak+to+Me&amp;rft.pub=Ashgate+Publishing%2C+Ltd&amp;rft.date=2005&amp;rft.isbn=978-0-7546-4019-6&amp;rft.aulast=Reising&amp;rft.aufirst=Russell&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRuhlmann2004" class="citation book cs1">Ruhlmann, William (2004). <a rel="nofollow" class="external text" href="https://archive.org/details/breakingrecords100ruhl"><i>Breaking Records</i></a>. Routledge. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-415-94305-5" title="Special:BookSources/978-0-415-94305-5"><bdi>978-0-415-94305-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Breaking+Records&amp;rft.pub=Routledge&amp;rft.date=2004&amp;rft.isbn=978-0-415-94305-5&amp;rft.aulast=Ruhlmann&amp;rft.aufirst=William&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fbreakingrecords100ruhl&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRuhlmann1993" class="citation book cs1">Ruhlmann, William (1993). <i>Pink Floyd</i>. Smithmark. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-8317-6912-3" title="Special:BookSources/978-0-8317-6912-3"><bdi>978-0-8317-6912-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Pink+Floyd&amp;rft.pub=Smithmark&amp;rft.date=1993&amp;rft.isbn=978-0-8317-6912-3&amp;rft.aulast=Ruhlmann&amp;rft.aufirst=William&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSnider2008" class="citation book cs1">Snider, Charles (2008). <i>The Strawberry Bricks Guide to Progressive Rock</i>. Strawberry Bricks. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-615-17566-9" title="Special:BookSources/978-0-615-17566-9"><bdi>978-0-615-17566-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Strawberry+Bricks+Guide+to+Progressive+Rock&amp;rft.pub=Strawberry+Bricks&amp;rft.date=2008&amp;rft.isbn=978-0-615-17566-9&amp;rft.aulast=Snider&amp;rft.aufirst=Charles&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li></ul> <p><b> Documentaries</b> </p> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation audio-visual cs1">CreateSpace (2009). <i>Pink Floyd: Meddle</i> (Streaming video). Sexy Intellectual.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pink+Floyd%3A+Meddle&amp;rft.pub=Sexy+Intellectual&amp;rft.date=2009&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation audio-visual cs1">John Edginton (Director) (2012). <i>Pink Floyd: The Story of Wish You Were Here</i> (Colour, NTSC, DVD). Eagle Rock Entertainment.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pink+Floyd%3A+The+Story+of+Wish+You+Were+Here&amp;rft.pub=Eagle+Rock+Entertainment&amp;rft.date=2012&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation audio-visual cs1">Matthew Longfellow (Director) (2003). <i>Classic Albums: The Making of The Dark Side of the Moon</i> (Colour, Dolby, NTSC, DVD). Eagle Rock Entertainment.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Classic+Albums%3A+The+Making+of+The+Dark+Side+of+the+Moon&amp;rft.pub=Eagle+Rock+Entertainment&amp;rft.date=2003&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation audio-visual cs1">Pink Floyd (2007). <i>Pink Floyd&#160;– Then and Now</i> (Colour, NTSC DVD). Pride.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pink+Floyd+%E2%80%93+Then+and+Now&amp;rft.pub=Pride&amp;rft.date=2007&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation audio-visual cs1">Pink Floyd (2010). <i>Pink Floyd&#160;– Whatever Happened to Pink Floyd?</i> (Colour, NTSC, DVD). Sexy Intellectual.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pink+Floyd+%E2%80%93+Whatever+Happened+to+Pink+Floyd%3F&amp;rft.pub=Sexy+Intellectual&amp;rft.date=2010&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APink+Floyd" class="Z3988"></span></li></ul> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2></div> <style data-mw-deduplicate="TemplateStyles:r1235611614">.mw-parser-output .spoken-wikipedia{border:1px solid #a2a9b1;background-color:var(--background-color-interactive-subtle,#f8f9fa);margin:0.5em 0;padding:0.2em;line-height:1.5em;font-size:90%}.mw-parser-output .spoken-wikipedia-header{text-align:center}.mw-parser-output .spoken-wikipedia-listen-to{font-weight:bold}.mw-parser-output .spoken-wikipedia-files{text-align:center;margin-top:10px;margin-bottom:0.4em}.mw-parser-output .spoken-wikipedia-icon{float:left;margin-left:5px;margin-top:10px}.mw-parser-output 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class="nv-edit"><a href="/wiki/Special:EditPage/Template:Pink_Floyd" title="Special:EditPage/Template:Pink Floyd"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Pink_Floyd" class="fn org" style="font-size:114%;margin:0 4em"><a class="mw-selflink selflink">Pink Floyd</a></div></th></tr><tr><td class="navbox-abovebelow" colspan="2"><div> <ul><li><b><a href="/wiki/Nick_Mason" title="Nick Mason">Nick Mason</a></b></li> <li><b><a href="/wiki/David_Gilmour" title="David Gilmour">David Gilmour</a></b></li></ul> <ul><li><a href="/wiki/Syd_Barrett" title="Syd Barrett">Syd Barrett</a></li> <li><a href="/wiki/Roger_Waters" title="Roger Waters">Roger Waters</a></li> <li><a href="/wiki/Richard_Wright_(musician)" title="Richard Wright (musician)">Richard Wright</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Studio albums</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Piper_at_the_Gates_of_Dawn" title="The Piper at the Gates of Dawn">The Piper at the Gates of Dawn</a></i></li> <li><i><a href="/wiki/A_Saucerful_of_Secrets" title="A Saucerful of Secrets">A Saucerful of Secrets</a></i></li> <li><i><a href="/wiki/More_(soundtrack)" title="More (soundtrack)">More</a></i></li> <li><i><a href="/wiki/Ummagumma" title="Ummagumma">Ummagumma</a></i></li> <li><i><a href="/wiki/Atom_Heart_Mother" title="Atom Heart Mother">Atom Heart Mother</a></i></li> <li><i><a href="/wiki/Meddle" title="Meddle">Meddle</a></i></li> <li><i><a href="/wiki/Obscured_by_Clouds" title="Obscured by Clouds">Obscured by Clouds</a></i></li> <li><i><a href="/wiki/The_Dark_Side_of_the_Moon" title="The Dark Side of the Moon">The Dark Side of the Moon</a></i></li> <li><i><a href="/wiki/Wish_You_Were_Here_(Pink_Floyd_album)" title="Wish You Were Here (Pink Floyd album)">Wish You Were Here</a></i></li> <li><i><a href="/wiki/Animals_(Pink_Floyd_album)" title="Animals (Pink Floyd album)">Animals</a></i></li> <li><i><a href="/wiki/The_Wall" title="The Wall">The Wall</a></i></li> <li><i><a href="/wiki/The_Final_Cut_(album)" title="The Final Cut (album)">The Final Cut</a></i></li> <li><i><a href="/wiki/A_Momentary_Lapse_of_Reason" title="A Momentary Lapse of Reason">A Momentary Lapse of Reason</a></i></li> <li><i><a href="/wiki/The_Division_Bell" title="The Division Bell">The Division Bell</a></i></li> <li><i><a href="/wiki/The_Endless_River" title="The Endless River">The Endless River</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Live albums</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Ummagumma" title="Ummagumma">Ummagumma</a></i></li> <li><i><a href="/wiki/Delicate_Sound_of_Thunder" title="Delicate Sound of Thunder">Delicate Sound of Thunder</a></i></li> <li><i><a href="/wiki/Pulse_(Pink_Floyd_album)" title="Pulse (Pink Floyd album)">Pulse</a></i></li> <li><i><a href="/wiki/London_%2766%E2%80%93%2767" title="London &#39;66–&#39;67">London '66–'67</a></i></li> <li><i><a href="/wiki/Is_There_Anybody_Out_There%3F_The_Wall_Live_1980%E2%80%9381" title="Is There Anybody Out There? The Wall Live 1980–81">Is There Anybody Out There? The Wall Live 1980–81</a></i></li> <li><i><a href="/wiki/The_Dark_Side_of_the_Moon_50th_Anniversary#The_Dark_Side_of_the_Moon_Live_at_Wembley_1974" title="The Dark Side of the Moon 50th Anniversary">The Dark Side of the Moon Live at Wembley 1974</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Compilations</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Best_of_the_Pink_Floyd" title="The Best of the Pink Floyd">The Best of the Pink Floyd</a></i></li> <li><i><a href="/wiki/Relics_(album)" title="Relics (album)">Relics</a></i></li> <li><i><a href="/wiki/A_Nice_Pair" title="A Nice Pair">A Nice Pair</a></i></li> <li><i><a href="/wiki/A_Collection_of_Great_Dance_Songs" title="A Collection of Great Dance Songs">A Collection of Great Dance Songs</a></i></li> <li><i><a href="/wiki/Works_(Pink_Floyd_album)" title="Works (Pink Floyd album)">Works</a></i></li> <li><i><a href="/wiki/Echoes:_The_Best_of_Pink_Floyd" title="Echoes: The Best of Pink Floyd">Echoes: The Best of Pink Floyd</a></i></li> <li><i><a href="/wiki/The_Best_of_Pink_Floyd:_A_Foot_in_the_Door" title="The Best of Pink Floyd: A Foot in the Door">The Best of Pink Floyd: A Foot in the Door</a></i></li> <li><i><a href="/wiki/The_Early_Years_1965%E2%80%931972#The_Early_Years_1967–1972:_Cre/ation" title="The Early Years 1965–1972">1967–1972: Cre/ation</a></i></li> <li><i><a href="/wiki/The_Later_Years#The_Later_Years:_1987–2019_(highlights_compilation_album)" title="The Later Years">The Later Years: 1987–2019</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Extended plays</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/1967:_The_First_Three_Singles" title="1967: The First Three Singles">1967: The First Three Singles</a></i></li> <li><i><a href="/wiki/1965:_Their_First_Recordings" title="1965: Their First Recordings">1965: Their First Recordings</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Box sets</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Shine_On_(Pink_Floyd_box_set)" title="Shine On (Pink Floyd box set)">Shine On</a></i></li> <li><i><a href="/wiki/Oh,_by_the_Way" title="Oh, by the Way">Oh, by the Way</a></i></li> <li><i><a href="/wiki/Discovery_(Pink_Floyd_box_set)" title="Discovery (Pink Floyd box set)">Discovery</a></i></li> <li><i><a href="/wiki/The_Early_Years_1965%E2%80%931972" title="The Early Years 1965–1972">The Early Years 1965–1972</a></i></li> <li><i><a href="/wiki/The_Later_Years" title="The Later Years">The Later Years</a></i></li> <li><i><a href="/wiki/The_Dark_Side_of_the_Moon_50th_Anniversary" title="The Dark Side of the Moon 50th Anniversary">The Dark Side of the Moon 50th Anniversary</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Soundtracks</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/San_Francisco_(1968_film)" title="San Francisco (1968 film)">San Francisco</a></i></li> <li><i><a href="/wiki/The_Committee_(film)" title="The Committee (film)">The Committee</a></i></li> <li><i><a href="/wiki/Tonite_Lets_All_Make_Love_in_London" title="Tonite Lets All Make Love in London">Tonite Lets All Make Love in London</a></i></li> <li><i><a href="/wiki/More_(soundtrack)" title="More (soundtrack)">More</a></i></li> <li><i><a href="/wiki/Zabriskie_Point_(album)" title="Zabriskie Point (album)">Zabriskie Point</a></i></li> <li><i><a href="/wiki/La_Carrera_Panamericana" title="La Carrera Panamericana">La Carrera Panamericana</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Singles</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>"<a href="/wiki/Lucy_Leave" title="Lucy Leave">Lucy Leave</a>" / "<a href="/wiki/I%27m_a_King_Bee" title="I&#39;m a King Bee">I'm a King Bee</a>"</li> <li>"<a href="/wiki/Arnold_Layne" title="Arnold Layne">Arnold Layne</a>" / "<a href="/wiki/Candy_and_a_Currant_Bun" title="Candy and a Currant Bun">Candy and a Currant Bun</a>"</li> <li>"<a href="/wiki/See_Emily_Play" title="See Emily Play">See Emily Play</a>" / "<a href="/wiki/The_Scarecrow_(song)" title="The Scarecrow (song)">The Scarecrow</a>"</li> <li>"<a href="/wiki/Flaming_(song)" title="Flaming (song)">Flaming</a>" / "<a href="/wiki/The_Gnome" title="The Gnome">The Gnome</a>"</li> <li>"<a href="/wiki/Apples_and_Oranges_(song)" title="Apples and Oranges (song)">Apples and Oranges</a>" / "<a href="/wiki/Paint_Box_(song)" title="Paint Box (song)">Paint Box</a>"</li> <li>"<a href="/wiki/It_Would_Be_So_Nice" title="It Would Be So Nice">It Would Be So Nice</a>" / "<a href="/wiki/Julia_Dream" title="Julia Dream">Julia Dream</a>"</li> <li>"<a href="/wiki/Let_There_Be_More_Light" title="Let There Be More Light">Let There Be More Light</a>" / "<a href="/wiki/Remember_a_Day" title="Remember a Day">Remember a Day</a>"</li> <li>"<a href="/wiki/Point_Me_at_the_Sky" title="Point Me at the Sky">Point Me at the Sky</a>" / "<a href="/wiki/Careful_with_That_Axe,_Eugene" title="Careful with That Axe, Eugene">Careful with That Axe, Eugene</a>"</li> <li>"<a href="/wiki/The_Nile_Song" title="The Nile Song">The Nile Song</a>"</li> <li>"<a href="/wiki/One_of_These_Days_(instrumental)" title="One of These Days (instrumental)">One of These Days</a>" / "<a href="/wiki/Fearless_(Pink_Floyd_song)" title="Fearless (Pink Floyd song)">Fearless</a>"</li> <li>"<a href="/wiki/Free_Four" title="Free Four">Free Four</a>"</li> <li>"<a href="/wiki/Money_(Pink_Floyd_song)" title="Money (Pink Floyd song)">Money</a>" / "<a href="/wiki/Any_Colour_You_Like" title="Any Colour You Like">Any Colour You Like</a>"</li> <li>"<a href="/wiki/Time_(Pink_Floyd_song)" title="Time (Pink Floyd song)">Time</a>" / "<a href="/wiki/Us_and_Them_(song)" title="Us and Them (song)">Us and Them</a>"</li> <li>"<a href="/wiki/Have_a_Cigar" title="Have a Cigar">Have a Cigar</a>" / "<a href="/wiki/Welcome_to_the_Machine" title="Welcome to the Machine">Welcome to the Machine</a>" / "<a href="/wiki/Shine_On_You_Crazy_Diamond" title="Shine On You Crazy Diamond">Shine On You Crazy Diamond Part I</a>"</li> <li>"<a href="/wiki/Another_Brick_in_the_Wall" title="Another Brick in the Wall">Another Brick in the Wall (Part 2)</a>" / "<a href="/wiki/One_of_My_Turns" title="One of My Turns">One of My Turns</a>"</li> <li>"<a href="/wiki/Run_Like_Hell" title="Run Like Hell">Run Like Hell</a>" / "<a href="/wiki/Don%27t_Leave_Me_Now_(Pink_Floyd_song)" title="Don&#39;t Leave Me Now (Pink Floyd song)">Don't Leave Me Now</a>"</li> <li>"<a href="/wiki/Comfortably_Numb" title="Comfortably Numb">Comfortably Numb</a>" / "<a href="/wiki/Hey_You_(Pink_Floyd_song)" title="Hey You (Pink Floyd song)">Hey You</a>"</li> <li>"<a href="/wiki/When_the_Tigers_Broke_Free" title="When the Tigers Broke Free">When the Tigers Broke Free</a>" / "<a href="/wiki/Bring_the_Boys_Back_Home" title="Bring the Boys Back Home">Bring the Boys Back Home</a>"</li> <li>"<a href="/wiki/Not_Now_John" title="Not Now John">Not Now John</a>" / "<a href="/wiki/The_Hero%27s_Return" title="The Hero&#39;s Return">The Hero's Return</a>"</li> <li>"<a href="/wiki/Learning_to_Fly_(Pink_Floyd_song)" title="Learning to Fly (Pink Floyd song)">Learning to Fly</a>" / "<a href="/wiki/Terminal_Frost" title="Terminal Frost">Terminal Frost</a>"</li> <li>"<a href="/wiki/On_the_Turning_Away" title="On the Turning Away">On the Turning Away</a>"</li> <li>"<a href="/wiki/One_Slip" title="One Slip">One Slip</a>" / "<a href="/wiki/The_Dogs_of_War_(song)" title="The Dogs of War (song)">The Dogs of War</a>"</li> <li>"<a href="/wiki/Keep_Talking_(Pink_Floyd_song)" title="Keep Talking (Pink Floyd song)">Keep Talking</a>"</li> <li>"<a href="/wiki/Lost_for_Words_(Pink_Floyd_song)" title="Lost for Words (Pink Floyd song)">Lost for Words</a>"</li> <li>"<a href="/wiki/What_Do_You_Want_from_Me_(Pink_Floyd_song)" title="What Do You Want from Me (Pink Floyd song)">What Do You Want from Me</a>"</li> <li>"<a href="/wiki/Take_It_Back" title="Take It Back">Take It Back</a>" / "<a href="/wiki/Astronomy_Domine" title="Astronomy Domine">Astronomy Domine</a>"</li> <li>"<a href="/wiki/High_Hopes_(Pink_Floyd_song)" title="High Hopes (Pink Floyd song)">High Hopes</a>"</li> <li>"<a href="/wiki/Wish_You_Were_Here_(Pink_Floyd_song)" title="Wish You Were Here (Pink Floyd song)">Wish You Were Here</a>" / "<a href="/wiki/Coming_Back_to_Life" title="Coming Back to Life">Coming Back to Life</a>"</li> <li>"<a href="/wiki/Louder_than_Words_(Pink_Floyd_song)" title="Louder than Words (Pink Floyd song)">Louder than Words</a>"</li> <li>"<a href="/wiki/Grantchester_Meadows_(song)" title="Grantchester Meadows (song)">Grantchester Meadows</a>"</li> <li>"<a href="/wiki/Childhood%27s_End_(Pink_Floyd_song)" title="Childhood&#39;s End (Pink Floyd song)">Childhood's End</a>"</li> <li>"<a href="/wiki/Green_Is_the_Colour" title="Green Is the Colour">Green Is the Colour</a>"</li> <li>"<a href="/wiki/Hey,_Hey,_Rise_Up!" title="Hey, Hey, Rise Up!">Hey, Hey, Rise Up!</a>"</li> <li>"<a href="/wiki/Brain_Damage_(Pink_Floyd_song)" title="Brain Damage (Pink Floyd song)">Brain Damage</a>"</li> <li>"<a href="/wiki/The_Great_Gig_in_the_Sky" title="The Great Gig in the Sky">The Great Gig in the Sky</a>"</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Films</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks vcard navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%">Concerts</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/London_%2766%E2%80%93%2767" title="London &#39;66–&#39;67">London '66–'67</a></i></li> <li><i><a href="/wiki/Pink_Floyd:_Live_at_Pompeii" title="Pink Floyd: Live at Pompeii">Live at Pompeii</a></i></li> <li><i><a href="/wiki/Delicate_Sound_of_Thunder_(film)" title="Delicate Sound of Thunder (film)">Delicate Sound of Thunder</a></i></li> <li><i><a href="/wiki/Pulse_(1995_film)" title="Pulse (1995 film)">Pulse</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Narratives</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Pink_Floyd_%E2%80%93_The_Wall" title="Pink Floyd – The Wall">The Wall</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Documentaries</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Pink_Floyd_and_Syd_Barrett_Story" title="The Pink Floyd and Syd Barrett Story">The Pink Floyd and Syd Barrett Story</a></i></li> <li><i><a href="/wiki/London_%2766%E2%80%93%2767" title="London &#39;66–&#39;67">London '66–'67</a></i></li> <li><i><a href="/wiki/La_Carrera_Panamericana" title="La Carrera Panamericana">La Carrera Panamericana</a></i></li> <li><i><a href="/wiki/The_Story_of_Wish_You_Were_Here" title="The Story of Wish You Were Here">The Story of Wish You Were Here</a></i></li></ul> </div></td></tr></tbody></table><div></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Tours</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Pink_Floyd_World_Tour_1968" title="Pink Floyd World Tour 1968">World Tour 1968</a></li> <li><a href="/wiki/The_Man_and_The_Journey_Tour" title="The Man and The Journey Tour">The Man and The Journey Tour</a></li> <li><a href="/wiki/Dark_Side_of_the_Moon_Tour" title="Dark Side of the Moon Tour">Dark Side of the Moon Tour</a></li> <li><a href="/wiki/Pink_Floyd_1974_tours" title="Pink Floyd 1974 tours">1974 French Summer/British Winter Tour</a></li> <li><a href="/wiki/Wish_You_Were_Here_Tour" title="Wish You Were Here Tour">North American/Wish You Were Here Tour</a></li> <li><a href="/wiki/In_the_Flesh_(Pink_Floyd_tour)" title="In the Flesh (Pink Floyd tour)">In the Flesh/Animals Tour</a></li> <li><a href="/wiki/The_Wall_Tour_(1980%E2%80%931981)" title="The Wall Tour (1980–1981)">The Wall Tour</a></li> <li><a href="/wiki/A_Momentary_Lapse_of_Reason_Tour" title="A Momentary Lapse of Reason Tour">A Momentary Lapse of Reason Tour</a> (<a href="/wiki/Pink_Floyd_in_Venice:_A_Concert_for_Europe" title="Pink Floyd in Venice: A Concert for Europe">Concert in Venice, Italy</a>)</li> <li><a href="/wiki/The_Division_Bell_Tour" title="The Division Bell Tour">The Division Bell Tour</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Lists</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Pink_Floyd_discography" title="Pink Floyd discography">Discography</a></li> <li><a href="/wiki/List_of_songs_recorded_by_Pink_Floyd" title="List of songs recorded by Pink Floyd">Songs</a></li> <li><a href="/wiki/List_of_unreleased_songs_recorded_by_Pink_Floyd" title="List of unreleased songs recorded by Pink Floyd">Unreleased songs</a></li> <li><a href="/wiki/Pink_Floyd_videography" title="Pink Floyd videography">Videography</a></li> <li><a href="/wiki/List_of_Pink_Floyd_band_members" title="List of Pink Floyd band members">Band members</a></li> <li><a href="/wiki/Pink_Floyd_live_performances" title="Pink Floyd live performances">Live performances</a></li> <li><a href="/wiki/Pink_Floyd_bootleg_recordings" title="Pink Floyd bootleg recordings">Bootleg recordings</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related media<br />and tributes</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/19367_Pink_Floyd" title="19367 Pink Floyd">19367 Pink Floyd</a></li> <li><i><a href="/wiki/The_Amazing_Pudding" title="The Amazing Pudding">The Amazing Pudding</a></i></li> <li><a href="/wiki/The_Australian_Pink_Floyd_Show" title="The Australian Pink Floyd Show">The Australian Pink Floyd Show</a></li> <li><a href="/wiki/Brit_Floyd" title="Brit Floyd">Brit Floyd</a></li> <li><i><a href="/wiki/The_Dark_Side_of_the_Moo" title="The Dark Side of the Moo">The Dark Side of the Moo</a></i></li> <li>"<a href="/wiki/Echoes_(Pink_Floyd_song)" title="Echoes (Pink Floyd song)">Echoes</a>"</li> <li>"<a href="/wiki/Embryo_(Pink_Floyd_song)" title="Embryo (Pink Floyd song)">Embryo</a>"</li> <li><i><a href="/wiki/Inside_Out:_A_Personal_History_of_Pink_Floyd" title="Inside Out: A Personal History of Pink Floyd">Inside Out: A Personal History of Pink Floyd</a></i></li> <li><i><a href="/wiki/Live_at_the_Empire_Pool" title="Live at the Empire Pool">Live at the Empire Pool</a></i></li> <li><a href="/wiki/The_Man_and_The_Journey" title="The Man and The Journey"><i>The Man</i> and <i>The Journey</i></a></li> <li><i><a href="/wiki/Music_from_The_Body" title="Music from The Body">Music from The Body</a></i></li> <li><a href="/wiki/Nick_Mason%27s_Saucerful_of_Secrets" title="Nick Mason&#39;s Saucerful of Secrets">Nick Mason's Saucerful of Secrets</a></li> <li><i><a href="/wiki/Pinkfloydia" title="Pinkfloydia">Pinkfloydia</a></i></li> <li><i><a href="/wiki/Pink_Floyd:_The_Music_and_the_Mystery" title="Pink Floyd: The Music and the Mystery">Pink Floyd: The Music and the Mystery</a></i></li> <li>"<a href="/wiki/Proper_Education" title="Proper Education">Proper Education</a>"</li> <li><i><a href="/wiki/Roger_Waters:_The_Wall" title="Roger Waters: The Wall">Roger Waters: The Wall</a></i></li> <li><i><a href="/wiki/Synalpheus_pinkfloydi" title="Synalpheus pinkfloydi">Synalpheus pinkfloydi</a></i></li> <li><i><a href="/wiki/Umma_gumma" title="Umma gumma">Umma gumma</a></i></li> <li><i><a href="/wiki/Pink_Floyd:_Their_Mortal_Remains" title="Pink Floyd: Their Mortal Remains">Their Mortal Remains</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related topics</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/The_14_Hour_Technicolor_Dream" title="The 14 Hour Technicolor Dream">The 14 Hour Technicolor Dream</a></li> <li><a href="/wiki/Azimuth_Co-ordinator" title="Azimuth Co-ordinator">Azimuth Co-ordinator</a></li> <li><a href="/wiki/Blackhill_Enterprises" title="Blackhill Enterprises">Blackhill Enterprises</a></li> <li><a href="/wiki/Britannia_Row_Studios" title="Britannia Row Studios">Britannia Row Studios</a></li> <li><a href="/wiki/The_Dark_Side_of_the_Rainbow" title="The Dark Side of the Rainbow">The Dark Side of the Rainbow</a></li> <li><a href="/wiki/Games_for_May" title="Games for May">Games for May</a></li> <li><a href="/wiki/Pink_Floyd_pigs" title="Pink Floyd pigs">Pink Floyd pigs</a></li> <li><a href="/wiki/Publius_Enigma" title="Publius Enigma">Publius Enigma</a></li> <li><a href="/wiki/Bob_Klose" title="Bob Klose">Bob Klose</a></li></ul> </div></td></tr><tr><td class="navbox-abovebelow" colspan="2"><div> <ul><li>&#160;<span class="noviewer" typeof="mw:File"><span title="Category"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/16px-Symbol_category_class.svg.png" decoding="async" width="16" height="16" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/23px-Symbol_category_class.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/31px-Symbol_category_class.svg.png 2x" data-file-width="180" data-file-height="185" /></span></span> <a href="/wiki/Category:Pink_Floyd" title="Category:Pink Floyd">Category</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Links_to_related_articles" style="padding:3px"><table class="nowraplinks mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:#e8e8ff;"><div id="Links_to_related_articles" style="font-size:114%;margin:0 4em">Links to related articles</div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0;font-size:114%"><div style="padding:0px"> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Laureates_of_the_Polar_Music_Prize" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:#d3d3d3;"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Polar_Music_Prize" title="Template:Polar Music Prize"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Polar_Music_Prize" title="Template talk:Polar Music Prize"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Polar_Music_Prize" title="Special:EditPage/Template:Polar Music Prize"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Laureates_of_the_Polar_Music_Prize" style="font-size:114%;margin:0 4em">Laureates of the <a href="/wiki/Polar_Music_Prize" title="Polar Music Prize">Polar Music Prize</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background:#d3d3d3;;width:1%">1990s</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Paul_McCartney" title="Paul McCartney">Paul McCartney</a> / the <a href="/wiki/Baltic_states" title="Baltic states">Baltic states</a> (1992)</li> <li><a href="/wiki/Dizzy_Gillespie" title="Dizzy Gillespie">Dizzy Gillespie</a> / <a href="/wiki/Witold_Lutos%C5%82awski" title="Witold Lutosławski">Witold Lutosławski</a> (1993)</li> <li><a href="/wiki/Quincy_Jones" title="Quincy Jones">Quincy Jones</a> / <a href="/wiki/Nikolaus_Harnoncourt" title="Nikolaus Harnoncourt">Nikolaus Harnoncourt</a> (1994)</li> <li><a href="/wiki/Elton_John" title="Elton John">Elton John</a> / <a href="/wiki/Mstislav_Rostropovich" title="Mstislav Rostropovich">Mstislav Rostropovich</a> (1995)</li> <li><a href="/wiki/Joni_Mitchell" title="Joni Mitchell">Joni Mitchell</a> / <a href="/wiki/Pierre_Boulez" title="Pierre Boulez">Pierre Boulez</a> (1996)</li> <li><a href="/wiki/Bruce_Springsteen" title="Bruce Springsteen">Bruce Springsteen</a> / <a href="/wiki/Eric_Ericson" title="Eric Ericson">Eric Ericson</a> (1997)</li> <li><a href="/wiki/Ray_Charles" title="Ray Charles">Ray Charles</a> / <a href="/wiki/Ravi_Shankar" title="Ravi Shankar">Ravi Shankar</a> (1998)</li> <li><a href="/wiki/Stevie_Wonder" title="Stevie Wonder">Stevie Wonder</a> / <a href="/wiki/Iannis_Xenakis" title="Iannis Xenakis">Iannis Xenakis</a> (1999)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:#d3d3d3;;width:1%">2000s</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Bob_Dylan" title="Bob Dylan">Bob Dylan</a> / <a href="/wiki/Isaac_Stern" title="Isaac Stern">Isaac Stern</a> (2000)</li> <li><a href="/wiki/Burt_Bacharach" title="Burt Bacharach">Burt Bacharach</a> / <a href="/wiki/Robert_Moog" title="Robert Moog">Robert Moog</a> / <a href="/wiki/Karlheinz_Stockhausen" title="Karlheinz Stockhausen">Karlheinz Stockhausen</a> (2001)</li> <li><a href="/wiki/Miriam_Makeba" title="Miriam Makeba">Miriam Makeba</a> / <a href="/wiki/Sofia_Gubaidulina" title="Sofia Gubaidulina">Sofia Gubaidulina</a> (2002)</li> <li><a href="/wiki/Keith_Jarrett" title="Keith Jarrett">Keith Jarrett</a> (2003)</li> <li><a href="/wiki/B.B._King" class="mw-redirect" title="B.B. King">B.B. King</a> / <a href="/wiki/Gy%C3%B6rgy_Ligeti" title="György Ligeti">György Ligeti</a> (2004)</li> <li><a href="/wiki/Gilberto_Gil" title="Gilberto Gil">Gilberto Gil</a> / <a href="/wiki/Dietrich_Fischer-Dieskau" title="Dietrich Fischer-Dieskau">Dietrich Fischer-Dieskau</a> (2005)</li> <li><a href="/wiki/Led_Zeppelin" title="Led Zeppelin">Led Zeppelin</a> / <a href="/wiki/Valery_Gergiev" title="Valery Gergiev">Valery Gergiev</a> (2006)</li> <li><a href="/wiki/Sonny_Rollins" title="Sonny Rollins">Sonny Rollins</a> / <a href="/wiki/Steve_Reich" title="Steve Reich">Steve Reich</a> (2007)</li> <li><a class="mw-selflink selflink">Pink Floyd</a> / <a href="/wiki/Ren%C3%A9e_Fleming" title="Renée Fleming">Renée Fleming</a> (2008)</li> <li><a href="/wiki/Peter_Gabriel" title="Peter Gabriel">Peter Gabriel</a> / <a href="/wiki/Jos%C3%A9_Antonio_Abreu" title="José Antonio Abreu">José Antonio Abreu</a> / <a href="/wiki/El_Sistema" title="El Sistema">El Sistema</a> (2009)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:#d3d3d3;;width:1%">2010s</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Bj%C3%B6rk" title="Björk">Björk</a> / <a href="/wiki/Ennio_Morricone" title="Ennio Morricone">Ennio Morricone</a> (2010)</li> <li><a href="/wiki/Kronos_Quartet" title="Kronos Quartet">Kronos Quartet</a> / <a href="/wiki/Patti_Smith" title="Patti Smith">Patti Smith</a> (2011)</li> <li><a href="/wiki/Paul_Simon" title="Paul Simon">Paul Simon</a> / <a href="/wiki/Yo-Yo_Ma" title="Yo-Yo Ma">Yo-Yo Ma</a> (2012)</li> <li><a href="/wiki/Youssou_N%27Dour" title="Youssou N&#39;Dour">Youssou N'Dour</a> / <a href="/wiki/Kaija_Saariaho" title="Kaija Saariaho">Kaija Saariaho</a> (2013)</li> <li><a href="/wiki/Chuck_Berry" title="Chuck Berry">Chuck Berry</a> / <a href="/wiki/Peter_Sellars" title="Peter Sellars">Peter Sellars</a> (2014)</li> <li><a href="/wiki/Emmylou_Harris" title="Emmylou Harris">Emmylou Harris</a> / <a href="/wiki/Evelyn_Glennie" title="Evelyn Glennie">Evelyn Glennie</a> (2015)</li> <li><a href="/wiki/Max_Martin" title="Max Martin">Max Martin</a> / <a href="/wiki/Cecilia_Bartoli" title="Cecilia Bartoli">Cecilia Bartoli</a> (2016)</li> <li><a href="/wiki/Sting_(musician)" title="Sting (musician)">Sting</a> / <a href="/wiki/Wayne_Shorter" title="Wayne Shorter">Wayne Shorter</a> (2017)</li> <li><a href="/wiki/Metallica" title="Metallica">Metallica</a> / <a href="/wiki/Afghanistan_National_Institute_of_Music" title="Afghanistan National Institute of Music">Afghanistan National Institute of Music</a> (2018)</li> <li><a href="/wiki/Grandmaster_Flash" title="Grandmaster Flash">Grandmaster Flash</a> / <a href="/wiki/Anne-Sophie_Mutter" title="Anne-Sophie Mutter">Anne-Sophie Mutter</a> / <a href="/wiki/Playing_for_Change" title="Playing for Change">Playing for Change</a> (2019)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:#d3d3d3;;width:1%">2020s</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Anna_Netrebko" title="Anna Netrebko">Anna Netrebko</a> / <a href="/wiki/Diane_Warren" title="Diane Warren">Diane Warren</a> (2020)</li> <li><a href="/wiki/Iggy_Pop" title="Iggy Pop">Iggy Pop</a> / <a href="/wiki/Ensemble_intercontemporain" title="Ensemble intercontemporain">Ensemble intercontemporain</a> (2022)</li> <li><a href="/wiki/Chris_Blackwell" title="Chris Blackwell">Chris Blackwell</a> / <a href="/wiki/Ang%C3%A9lique_Kidjo" title="Angélique Kidjo">Angélique Kidjo</a> / <a href="/wiki/Arvo_P%C3%A4rt" title="Arvo Pärt">Arvo Pärt</a> (2023)</li> <li><a href="/wiki/Nile_Rodgers" title="Nile Rodgers">Nile Rodgers</a> / <a href="/wiki/Esa-Pekka_Salonen" title="Esa-Pekka Salonen">Esa-Pekka Salonen</a> (2024)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Rock_and_Roll_Hall_of_Fame_–_Class_of_1996" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:1996_Rock_and_Roll_Hall_of_Fame" title="Template:1996 Rock and Roll Hall of Fame"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:1996_Rock_and_Roll_Hall_of_Fame" title="Template talk:1996 Rock and Roll Hall of Fame"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:1996_Rock_and_Roll_Hall_of_Fame" title="Special:EditPage/Template:1996 Rock and Roll Hall of Fame"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Rock_and_Roll_Hall_of_Fame_–_Class_of_1996" style="font-size:114%;margin:0 4em"><a href="/wiki/Rock_and_Roll_Hall_of_Fame" title="Rock and Roll Hall of Fame">Rock and Roll Hall of Fame</a> – <a href="/wiki/List_of_Rock_and_Roll_Hall_of_Fame_inductees" title="List of Rock and Roll Hall of Fame inductees">Class of 1996</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Performers</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><b><a href="/wiki/David_Bowie" title="David Bowie">David Bowie</a></b></li> <li><b><a href="/wiki/Gladys_Knight_%26_the_Pips" title="Gladys Knight &amp; the Pips">Gladys Knight &amp; the Pips</a></b> <ul><li><a href="/wiki/William_Guest_(singer)" title="William Guest (singer)">William Guest</a>, <a href="/wiki/Gladys_Knight" title="Gladys Knight">Gladys Knight</a>, <a href="/wiki/Merald_%22Bubba%22_Knight" title="Merald &quot;Bubba&quot; Knight">Merald "Bubba" Knight</a>, <a href="/wiki/Edward_Patten" title="Edward Patten">Edward Patten</a></li></ul></li> <li><b><a href="/wiki/Jefferson_Airplane" title="Jefferson Airplane">Jefferson Airplane</a></b> <ul><li><a href="/wiki/Marty_Balin" title="Marty Balin">Marty Balin</a>, <a href="/wiki/Jack_Casady" title="Jack Casady">Jack Casady</a>, <a href="/wiki/Spencer_Dryden" title="Spencer Dryden">Spencer Dryden</a>, <a href="/wiki/Paul_Kantner" title="Paul Kantner">Paul Kantner</a>, <a href="/wiki/Jorma_Kaukonen" title="Jorma Kaukonen">Jorma Kaukonen</a>, <a href="/wiki/Grace_Slick" title="Grace Slick">Grace Slick</a></li></ul></li> <li><b><a href="/wiki/Little_Willie_John" title="Little Willie John">Little Willie John</a></b></li> <li><b><a class="mw-selflink selflink">Pink Floyd</a></b> <ul><li><a href="/wiki/Syd_Barrett" title="Syd Barrett">Syd Barrett</a>, <a href="/wiki/David_Gilmour" title="David Gilmour">David Gilmour</a>, <a href="/wiki/Nick_Mason" title="Nick Mason">Nick Mason</a>, <a href="/wiki/Roger_Waters" title="Roger Waters">Roger Waters</a>, <a href="/wiki/Richard_Wright_(musician)" title="Richard Wright (musician)">Richard Wright</a></li></ul></li> <li><b><a href="/wiki/The_Shirelles" title="The Shirelles">The Shirelles</a></b> <ul><li><a href="/wiki/Doris_Coley" title="Doris Coley">Doris Kenner-Jackson</a>, <a href="/wiki/The_Shirelles" title="The Shirelles">Addie Harris</a>, Beverly Lee, <a href="/wiki/Shirley_Owens" title="Shirley Owens">Shirley Owens</a></li></ul></li> <li><b><a href="/wiki/The_Velvet_Underground" title="The Velvet Underground">The Velvet Underground</a></b> <ul><li><a href="/wiki/John_Cale" title="John Cale">John Cale</a>, <a href="/wiki/Sterling_Morrison" title="Sterling Morrison">Sterling Morrison</a>, <a href="/wiki/Lou_Reed" title="Lou Reed">Lou Reed</a>, <a href="/wiki/Moe_Tucker" title="Moe Tucker">Maureen Tucker</a></li></ul></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Early influences</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><b><a href="/wiki/Pete_Seeger" title="Pete Seeger">Pete Seeger</a></b></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Non-performers<br />(Ahmet Ertegun Award)</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><b><a href="/wiki/Tom_Donahue_(DJ)" title="Tom Donahue (DJ)">Tom Donahue</a></b></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Billboard_Year-End_number_one_albums" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Billboard_Year-End_number_one_albums" title="Template:Billboard Year-End number one albums"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Billboard_Year-End_number_one_albums" title="Template talk:Billboard Year-End number one albums"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Billboard_Year-End_number_one_albums" title="Special:EditPage/Template:Billboard Year-End number one albums"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Billboard_Year-End_number_one_albums" style="font-size:114%;margin:0 4em"><a href="/wiki/Billboard_Year-End" title="Billboard Year-End"><i>Billboard</i> Year-End</a> <a href="/wiki/List_of_Billboard_Year-End_number-one_singles_and_albums" title="List of Billboard Year-End number-one singles and albums">number one albums</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">1956–1975</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap">1956: <i><a href="/wiki/Calypso_(album)" title="Calypso (album)">Calypso</a></i> – <a href="/wiki/Harry_Belafonte" title="Harry Belafonte">Harry Belafonte</a></span></li> <li><span class="nowrap">1957: <i><a href="/wiki/My_Fair_Lady_(Broadway_cast_recording)" title="My Fair Lady (Broadway cast recording)">Music</a></i> from <i><a href="/wiki/My_Fair_Lady" title="My Fair Lady">My Fair Lady</a></i> – Original Cast</span></li> <li><span class="nowrap">1958: <i><a href="/wiki/My_Fair_Lady_(Broadway_cast_recording)" title="My Fair Lady (Broadway cast recording)">Music</a></i> from <i><a href="/wiki/My_Fair_Lady" title="My Fair Lady">My Fair Lady</a></i> – Original Cast</span></li> <li><span class="nowrap">1959: <i><a href="/wiki/The_Music_from_Peter_Gunn" title="The Music from Peter Gunn">The Music from Peter Gunn</a></i> – <a href="/wiki/Henry_Mancini" title="Henry Mancini">Henry Mancini</a></span></li> <li><span class="nowrap">1960: <i>Music</i> from <i><a href="/wiki/The_Sound_of_Music" title="The Sound of Music">The Sound of Music</a></i> – Original Cast</span></li> <li><span class="nowrap">1961: <i><a href="/wiki/Camelot_(musical)" title="Camelot (musical)">Camelot</a></i> – Original Cast</span></li> <li><span class="nowrap">1962: <i><a href="/wiki/West_Side_Story_(1961_soundtrack)" title="West Side Story (1961 soundtrack)">West Side Story</a></i> – Soundtrack</span></li> <li><span class="nowrap">1963: <i><a href="/wiki/West_Side_Story_(1961_soundtrack)" title="West Side Story (1961 soundtrack)">West Side Story</a></i> – Soundtrack</span></li> <li><span class="nowrap">1964: <i>Music</i> from <i><a href="/wiki/Hello,_Dolly!_(musical)" title="Hello, Dolly! (musical)">Hello, Dolly!</a></i> – Original Cast</span></li> <li><span class="nowrap">1965: <i><a href="/wiki/Mary_Poppins_(film)" title="Mary Poppins (film)">Mary Poppins</a>: <a href="/wiki/Mary_Poppins:_Original_Cast_Soundtrack" title="Mary Poppins: Original Cast Soundtrack">Original Cast Soundtrack</a></i> – Soundtrack</span></li> <li><span class="nowrap">1966: <i><a href="/wiki/Whipped_Cream_%26_Other_Delights" title="Whipped Cream &amp; Other Delights">Whipped Cream &amp; Other Delights</a></i> – <a href="/wiki/Herb_Alpert" title="Herb Alpert">Herb Alpert &amp; the Tijuana Brass</a></span></li> <li><span class="nowrap">1967: <i><a href="/wiki/More_of_the_Monkees" title="More of the Monkees">More of the Monkees</a></i> – <a href="/wiki/The_Monkees" title="The Monkees">The Monkees</a></span></li> <li><span class="nowrap">1968: <i><a href="/wiki/Are_You_Experienced" title="Are You Experienced">Are You Experienced</a></i> – <a href="/wiki/The_Jimi_Hendrix_Experience" class="mw-redirect" title="The Jimi Hendrix Experience">The Jimi Hendrix Experience</a></span></li> <li><span class="nowrap">1969: <i><a href="/wiki/In-A-Gadda-Da-Vida_(album)" title="In-A-Gadda-Da-Vida (album)">In-A-Gadda-Da-Vida</a></i> – <a href="/wiki/Iron_Butterfly" title="Iron Butterfly">Iron Butterfly</a></span></li> <li><span class="nowrap">1970: <i><a href="/wiki/Bridge_over_Troubled_Water" title="Bridge over Troubled Water">Bridge over Troubled Water</a></i> – <a href="/wiki/Simon_%26_Garfunkel" title="Simon &amp; Garfunkel">Simon &amp; Garfunkel</a></span></li> <li><span class="nowrap">1971: <i><a href="/wiki/Jesus_Christ_Superstar_(album)" title="Jesus Christ Superstar (album)">Jesus Christ Superstar</a></i> – Soundtrack</span></li> <li><span class="nowrap">1972: <i><a href="/wiki/Harvest_(Neil_Young_album)" title="Harvest (Neil Young album)">Harvest</a></i> – <a href="/wiki/Neil_Young" title="Neil Young">Neil Young</a></span></li> <li><span class="nowrap">1973: <i><a href="/wiki/The_World_Is_a_Ghetto" title="The World Is a Ghetto">The World Is a Ghetto</a></i> – <a href="/wiki/War_(band)" title="War (band)">War</a></span></li> <li><span class="nowrap">1974: <i><a href="/wiki/Goodbye_Yellow_Brick_Road" title="Goodbye Yellow Brick Road">Goodbye Yellow Brick Road</a></i> – <a href="/wiki/Elton_John" title="Elton John">Elton John</a></span></li> <li><span class="nowrap">1975: <i><a href="/wiki/Greatest_Hits_(Elton_John_album)" title="Greatest Hits (Elton John album)">Greatest Hits</a></i> – <a href="/wiki/Elton_John" title="Elton John">Elton John</a></span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">1976–2000</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap">1976: <i><a href="/wiki/Frampton_Comes_Alive!" title="Frampton Comes Alive!">Frampton Comes Alive!</a></i> – <a href="/wiki/Peter_Frampton" title="Peter Frampton">Peter Frampton</a></span></li> <li><span class="nowrap">1977: <i><a href="/wiki/Rumours_(album)" title="Rumours (album)">Rumours</a></i> – <a href="/wiki/Fleetwood_Mac" title="Fleetwood Mac">Fleetwood Mac</a></span></li> <li><span class="nowrap">1978: <i><a href="/wiki/Saturday_Night_Fever_(soundtrack)" title="Saturday Night Fever (soundtrack)">Saturday Night Fever</a></i> – Soundtrack</span></li> <li><span class="nowrap">1979: <i><a href="/wiki/52nd_Street_(album)" title="52nd Street (album)">52nd Street</a></i> – <a href="/wiki/Billy_Joel" title="Billy Joel">Billy Joel</a></span></li> <li><span class="nowrap">1980: <i><a href="/wiki/The_Wall" title="The Wall">The Wall</a></i> – <a class="mw-selflink selflink">Pink Floyd</a></span></li> <li><span class="nowrap">1981: <i><a href="/wiki/Hi_Infidelity" title="Hi Infidelity">Hi Infidelity</a></i> – <a href="/wiki/REO_Speedwagon" title="REO Speedwagon">REO Speedwagon</a></span></li> <li><span class="nowrap">1982: <i><a href="/wiki/Asia_(Asia_album)" title="Asia (Asia album)">Asia</a></i> – <a href="/wiki/Asia_(band)" title="Asia (band)">Asia</a></span></li> <li><span class="nowrap">1983: <i><a href="/wiki/Thriller_(album)" title="Thriller (album)">Thriller</a></i> – <a href="/wiki/Michael_Jackson" title="Michael Jackson">Michael Jackson</a></span></li> <li><span class="nowrap">1984: <i><a href="/wiki/Thriller_(album)" title="Thriller (album)">Thriller</a></i> – <a href="/wiki/Michael_Jackson" title="Michael Jackson">Michael Jackson</a></span></li> <li><span class="nowrap">1985: <i><a href="/wiki/Born_in_the_U.S.A." title="Born in the U.S.A.">Born in the U.S.A.</a></i> – <a href="/wiki/Bruce_Springsteen" title="Bruce Springsteen">Bruce Springsteen</a></span></li> <li><span class="nowrap">1986: <i><a href="/wiki/Whitney_Houston_(album)" title="Whitney Houston (album)">Whitney Houston</a></i> – <a href="/wiki/Whitney_Houston" title="Whitney Houston">Whitney Houston</a></span></li> <li><span class="nowrap">1987: <i><a href="/wiki/Slippery_When_Wet" title="Slippery When Wet">Slippery When Wet</a></i> – <a href="/wiki/Bon_Jovi" title="Bon Jovi">Bon Jovi</a></span></li> <li><span class="nowrap">1988: <i><a href="/wiki/Faith_(George_Michael_album)" title="Faith (George Michael album)">Faith</a></i> – <a href="/wiki/George_Michael" title="George Michael">George Michael</a></span></li> <li><span class="nowrap">1989: <i><a href="/wiki/Don%27t_Be_Cruel_(album)" title="Don&#39;t Be Cruel (album)">Don't Be Cruel</a></i> – <a href="/wiki/Bobby_Brown" title="Bobby Brown">Bobby Brown</a></span></li> <li><span class="nowrap">1990: <i><a href="/wiki/Janet_Jackson%27s_Rhythm_Nation_1814" title="Janet Jackson&#39;s Rhythm Nation 1814">Janet Jackson's Rhythm Nation 1814</a></i> – <a href="/wiki/Janet_Jackson" title="Janet Jackson">Janet Jackson</a></span></li> <li><span class="nowrap">1991: <i><a href="/wiki/Mariah_Carey_(album)" title="Mariah Carey (album)">Mariah Carey</a></i> – <a href="/wiki/Mariah_Carey" title="Mariah Carey">Mariah Carey</a></span></li> <li><span class="nowrap">1992: <i><a href="/wiki/Ropin%27_the_Wind" title="Ropin&#39; the Wind">Ropin' the Wind</a></i> – <a href="/wiki/Garth_Brooks" title="Garth Brooks">Garth Brooks</a></span></li> <li><span class="nowrap">1993: <i><a href="/wiki/The_Bodyguard_(soundtrack)" title="The Bodyguard (soundtrack)">The Bodyguard</a></i> – Soundtrack</span></li> <li><span class="nowrap">1994: <i><a href="/wiki/The_Sign_(Ace_of_Base_album)" title="The Sign (Ace of Base album)">The Sign</a></i> – <a href="/wiki/Ace_of_Base" title="Ace of Base">Ace of Base</a></span></li> <li><span class="nowrap">1995: <i><a href="/wiki/Cracked_Rear_View" title="Cracked Rear View">Cracked Rear View</a></i> – <a href="/wiki/Hootie_%26_the_Blowfish" title="Hootie &amp; the Blowfish">Hootie &amp; the Blowfish</a></span></li> <li><span class="nowrap">1996: <i><a href="/wiki/Jagged_Little_Pill" title="Jagged Little Pill">Jagged Little Pill</a></i> – <a href="/wiki/Alanis_Morissette" title="Alanis Morissette">Alanis Morissette</a></span></li> <li><span class="nowrap">1997: <i><a href="/wiki/Spice_(album)" title="Spice (album)">Spice</a></i> – <a href="/wiki/Spice_Girls" title="Spice Girls">Spice Girls</a></span></li> <li><span class="nowrap">1998: <i><a href="/wiki/Titanic:_Music_from_the_Motion_Picture" title="Titanic: Music from the Motion Picture">Titanic: Music from the Motion Picture</a></i> – <a href="/wiki/James_Horner" title="James Horner">James Horner</a></span></li> <li><span class="nowrap">1999: <i><a href="/wiki/Millennium_(Backstreet_Boys_album)" title="Millennium (Backstreet Boys album)">Millennium</a></i> – <a href="/wiki/Backstreet_Boys" title="Backstreet Boys">Backstreet Boys</a></span></li> <li><span class="nowrap">2000: <i><a href="/wiki/No_Strings_Attached_(NSYNC_album)" title="No Strings Attached (NSYNC album)">No Strings Attached</a></i> – <a href="/wiki/NSYNC" title="NSYNC">NSYNC</a></span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">2001–present</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap">2001: <i><a href="/wiki/1_(Beatles_album)" title="1 (Beatles album)">1</a></i> – <a href="/wiki/The_Beatles" title="The Beatles">The Beatles</a></span></li> <li><span class="nowrap">2002: <i><a href="/wiki/The_Eminem_Show" title="The Eminem Show">The Eminem Show</a></i> – <a href="/wiki/Eminem" title="Eminem">Eminem</a></span></li> <li><span class="nowrap">2003: <i><a href="/wiki/Get_Rich_or_Die_Tryin%27" title="Get Rich or Die Tryin&#39;">Get Rich or Die Tryin'</a></i> – <a href="/wiki/50_Cent" title="50 Cent">50 Cent</a></span></li> <li><span class="nowrap">2004: <i><a href="/wiki/Confessions_(Usher_album)" title="Confessions (Usher album)">Confessions</a></i> – <a href="/wiki/Usher_(musician)" title="Usher (musician)">Usher</a></span></li> <li><span class="nowrap">2005: <i><a href="/wiki/The_Massacre" title="The Massacre">The Massacre</a></i> – <a href="/wiki/50_Cent" title="50 Cent">50 Cent</a></span></li> <li><span class="nowrap">2006: <i><a href="/wiki/Some_Hearts" title="Some Hearts">Some Hearts</a></i> – <a href="/wiki/Carrie_Underwood" title="Carrie Underwood">Carrie Underwood</a></span></li> <li><span class="nowrap">2007: <i><a href="/wiki/Daughtry_(album)" title="Daughtry (album)">Daughtry</a></i> – <a href="/wiki/Daughtry_(band)" title="Daughtry (band)">Daughtry</a></span></li> <li><span class="nowrap">2008: <i><a href="/wiki/As_I_Am_(Alicia_Keys_album)" class="mw-redirect" title="As I Am (Alicia Keys album)">As I Am</a></i> – <a href="/wiki/Alicia_Keys" title="Alicia Keys">Alicia Keys</a></span></li> <li><span class="nowrap">2009: <i><a href="/wiki/Fearless_(Taylor_Swift_album)" title="Fearless (Taylor Swift album)">Fearless</a></i> – <a href="/wiki/Taylor_Swift" title="Taylor Swift">Taylor Swift</a></span></li> <li><span class="nowrap">2010: <i><a href="/wiki/I_Dreamed_a_Dream_(album)" title="I Dreamed a Dream (album)">I Dreamed a Dream</a></i> – <a href="/wiki/Susan_Boyle" title="Susan Boyle">Susan Boyle</a></span></li> <li><span class="nowrap">2011: <i><a href="/wiki/21_(Adele_album)" title="21 (Adele album)">21</a></i> – <a href="/wiki/Adele" title="Adele">Adele</a></span></li> <li><span class="nowrap">2012: <i><a href="/wiki/21_(Adele_album)" title="21 (Adele album)">21</a></i> – <a href="/wiki/Adele" title="Adele">Adele</a></span></li> <li><span class="nowrap">2013: <i><a href="/wiki/The_20/20_Experience" title="The 20/20 Experience">The 20/20 Experience</a></i> – <a href="/wiki/Justin_Timberlake" title="Justin Timberlake">Justin Timberlake</a></span></li> <li><span class="nowrap">2014: <i><a href="/wiki/Frozen_(soundtrack)" title="Frozen (soundtrack)">Frozen</a></i> – Soundtrack</span></li> <li><span class="nowrap">2015: <i><a href="/wiki/1989_(album)" title="1989 (album)">1989</a></i> – <a href="/wiki/Taylor_Swift" title="Taylor Swift">Taylor Swift</a></span></li> <li><span class="nowrap">2016: <i><a href="/wiki/25_(Adele_album)" title="25 (Adele album)">25</a></i> – <a href="/wiki/Adele" title="Adele">Adele</a></span></li> <li><span class="nowrap">2017: <i><a href="/wiki/Damn_(Kendrick_Lamar_album)" title="Damn (Kendrick Lamar album)">Damn</a></i> – <a href="/wiki/Kendrick_Lamar" title="Kendrick Lamar">Kendrick Lamar</a></span></li> <li><span class="nowrap">2018: <i><a href="/wiki/Reputation_(album)" title="Reputation (album)">Reputation</a></i> – <a href="/wiki/Taylor_Swift" title="Taylor Swift">Taylor Swift</a></span></li> <li><span class="nowrap">2019: <i><a href="/wiki/When_We_All_Fall_Asleep,_Where_Do_We_Go%3F" title="When We All Fall Asleep, Where Do We Go?">When We All Fall Asleep, Where Do We Go?</a></i> – <a href="/wiki/Billie_Eilish" title="Billie Eilish">Billie Eilish</a></span></li> <li><span class="nowrap">2020: <i><a href="/wiki/Hollywood%27s_Bleeding" title="Hollywood&#39;s Bleeding">Hollywood's Bleeding</a></i> – <a href="/wiki/Post_Malone" title="Post Malone">Post Malone</a></span></li> <li><span class="nowrap">2021: <i><a href="/wiki/Dangerous:_The_Double_Album" title="Dangerous: The Double Album">Dangerous: The Double Album</a></i> – <a href="/wiki/Morgan_Wallen" title="Morgan Wallen">Morgan Wallen</a></span></li> <li><span class="nowrap">2022: <i><a href="/wiki/Un_Verano_Sin_Ti" title="Un Verano Sin Ti">Un Verano Sin Ti</a></i> – <a href="/wiki/Bad_Bunny" title="Bad Bunny">Bad Bunny</a></span></li> <li><span class="nowrap">2023: <i><a href="/wiki/One_Thing_at_a_Time" title="One Thing at a Time">One Thing at a Time</a></i> – <a href="/wiki/Morgan_Wallen" title="Morgan Wallen">Morgan Wallen</a></span></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1256394678"></div><div role="navigation" class="navbox navbox-musical-artist navbox-musical-artist-solo" aria-labelledby="Syd_Barrett" style="padding:3px"><table class="nowraplinks vcard hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Syd_Barrett" title="Template:Syd Barrett"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Syd_Barrett" title="Template talk:Syd Barrett"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Syd_Barrett" title="Special:EditPage/Template:Syd Barrett"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Syd_Barrett" class="fn" style="font-size:114%;margin:0 4em"><a href="/wiki/Syd_Barrett" title="Syd Barrett">Syd Barrett</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Studio albums</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Madcap_Laughs" title="The Madcap Laughs">The Madcap Laughs</a></i> (1970)</li> <li><i><a href="/wiki/Barrett_(album)" title="Barrett (album)">Barrett</a></i> (1970)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Radio sessions albums</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Peel_Session_(Syd_Barrett_album)" title="The Peel Session (Syd Barrett album)">The Peel Session</a></i> (1987)</li> <li><i><a href="/wiki/The_Radio_One_Sessions_(Syd_Barrett_album)" title="The Radio One Sessions (Syd Barrett album)">The Radio One Sessions</a></i> (2004)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Compilation albums</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Syd_Barrett_(album)" title="Syd Barrett (album)">Syd Barrett</a></i> (1974)</li> <li><i><a href="/wiki/Opel_(album)" title="Opel (album)">Opel</a></i> (1988)</li> <li><i><a href="/wiki/Octopus:_The_Best_of_Syd_Barrett" title="Octopus: The Best of Syd Barrett">Octopus: The Best of Syd Barrett</a></i> (1992)</li> <li><i><a href="/wiki/Crazy_Diamond" title="Crazy Diamond">Crazy Diamond</a></i> (1993)</li> <li><i><a href="/wiki/The_Best_of_Syd_Barrett:_Wouldn%27t_You_Miss_Me%3F" title="The Best of Syd Barrett: Wouldn&#39;t You Miss Me?">Wouldn't You Miss Me?</a></i> (2001)</li> <li><i><a href="/wiki/An_Introduction_to_Syd_Barrett" title="An Introduction to Syd Barrett">An Introduction to Syd Barrett</a></i> (2010)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Songs and singles</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>"<a href="/wiki/Baby_Lemonade" title="Baby Lemonade">Baby Lemonade</a>"</li> <li>"<a href="/wiki/Bob_Dylan_Blues" title="Bob Dylan Blues">Bob Dylan Blues</a>"</li> <li>"<a href="/wiki/Dark_Globe" title="Dark Globe">Dark Globe</a>"</li> <li>"<a href="/wiki/Here_I_Go_(Syd_Barrett_song)" title="Here I Go (Syd Barrett song)">Here I Go</a>"</li> <li>"<a href="/wiki/Milky_Way_(Syd_Barrett_song)" title="Milky Way (Syd Barrett song)">Milky Way</a>"</li> <li>"<a href="/wiki/Octopus_(Syd_Barrett_song)" title="Octopus (Syd Barrett song)">Octopus</a>"</li> <li>"<a href="/wiki/Terrapin_(song)" title="Terrapin (song)">Terrapin</a>"</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related articles</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Syd_Barrett_discography" title="Syd Barrett discography">Discography</a></li> <li><a href="/wiki/List_of_songs_recorded_by_Syd_Barrett" title="List of songs recorded by Syd Barrett">Song list</a></li> <li><a href="/wiki/List_of_songs_about_or_referencing_Syd_Barrett" title="List of songs about or referencing Syd Barrett">List of songs about or referencing Syd Barrett</a></li> <li><a class="mw-selflink selflink">Pink Floyd</a></li> <li><a href="/wiki/Stars_(British_band)" title="Stars (British band)">Stars</a></li> <li><i><a href="/wiki/Beyond_the_Wildwood" title="Beyond the Wildwood">Beyond the Wildwood</a></i></li> <li>"<a href="/wiki/Singing_a_Song_in_the_Morning" title="Singing a Song in the Morning">Singing a Song in the Morning</a>"</li> <li><a href="/wiki/Max_Barrett" title="Max Barrett">Max Barrett</a></li></ul> </div></td></tr><tr><td class="navbox-abovebelow" colspan="2"><div> <ul><li><span class="noviewer" typeof="mw:File"><span title="Category"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/16px-Symbol_category_class.svg.png" decoding="async" width="16" height="16" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/23px-Symbol_category_class.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/31px-Symbol_category_class.svg.png 2x" data-file-width="180" data-file-height="185" /></span></span> <a href="/wiki/Category:Syd_Barrett" title="Category:Syd Barrett">Category</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1256394678"></div><div role="navigation" class="navbox navbox-musical-artist navbox-musical-artist-solo" aria-labelledby="Roger_Waters" style="padding:3px"><table class="nowraplinks vcard hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Roger_Waters" title="Template:Roger Waters"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Roger_Waters" title="Template talk:Roger Waters"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Roger_Waters" title="Special:EditPage/Template:Roger Waters"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Roger_Waters" class="fn" style="font-size:114%;margin:0 4em"><a href="/wiki/Roger_Waters" title="Roger Waters">Roger Waters</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Studio albums</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Pros_and_Cons_of_Hitch_Hiking" title="The Pros and Cons of Hitch Hiking">The Pros and Cons of Hitch Hiking</a></i> (1984)</li> <li><i><a href="/wiki/Radio_K.A.O.S." title="Radio K.A.O.S.">Radio K.A.O.S.</a></i> (1987)</li> <li><i><a href="/wiki/Amused_to_Death" title="Amused to Death">Amused to Death</a></i> (1992)</li> <li><i><a href="/wiki/Is_This_the_Life_We_Really_Want%3F" title="Is This the Life We Really Want?">Is This the Life We Really Want?</a></i> (2017)</li> <li><i><a href="/wiki/Igor_Stravinsky%27s_The_Soldier%27s_Tale" title="Igor Stravinsky&#39;s The Soldier&#39;s Tale">Igor Stravinsky's The Soldier's Tale</a></i> (2018)</li> <li><i><a href="/wiki/The_Lockdown_Sessions_(Roger_Waters_album)" title="The Lockdown Sessions (Roger Waters album)">The Lockdown Sessions</a></i> (2022)</li> <li><i><a href="/wiki/The_Dark_Side_of_the_Moon_Redux" title="The Dark Side of the Moon Redux">The Dark Side of the Moon Redux</a></i> (2023)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Soundtracks</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Music_from_The_Body" title="Music from The Body">Music from The Body</a></i> (1970)</li> <li><i><a href="/wiki/When_the_Wind_Blows_(soundtrack)" class="mw-redirect" title="When the Wind Blows (soundtrack)">When the Wind Blows</a></i> (1986)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Live albums</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Wall_%E2%80%93_Live_in_Berlin" title="The Wall – Live in Berlin">The Wall – Live in Berlin</a></i> (1990)</li> <li><i><a href="/wiki/In_the_Flesh_%E2%80%93_Live" title="In the Flesh – Live">In the Flesh – Live</a></i> (2000)</li> <li><i><a href="/wiki/Roger_Waters:_The_Wall_(album)" title="Roger Waters: The Wall (album)">Roger Waters: The Wall</a></i> (2015)</li> <li><i><a href="/wiki/Roger_Waters:_Us_%2B_Them" title="Roger Waters: Us + Them">Roger Waters: Us + Them</a></i> (2020)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Operas</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/%C3%87a_Ira_(opera)" title="Ça Ira (opera)">Ça Ira</a></i> (2005)</li> <li><i><a href="/wiki/Another_Brick_in_the_Wall:_The_Opera" title="Another Brick in the Wall: The Opera">Another Brick in the Wall: The Opera</a></i> (2017)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Compilations</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Flickering_Flame:_The_Solo_Years_Volume_1" title="Flickering Flame: The Solo Years Volume 1">Flickering Flame: The Solo Years Volume 1</a></i> (2002)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Singles</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>"<a href="/wiki/The_Pros_and_Cons_of_Hitch_Hiking_(song)" title="The Pros and Cons of Hitch Hiking (song)">The Pros and Cons of Hitch Hiking</a>"</li> <li>"<a href="/wiki/Radio_Waves_(Roger_Waters_song)" title="Radio Waves (Roger Waters song)">Radio Waves</a>"</li> <li>"<a href="/wiki/Sunset_Strip_(song)" title="Sunset Strip (song)">Sunset Strip</a>"</li> <li>"<a href="/wiki/The_Tide_Is_Turning" title="The Tide Is Turning">The Tide Is Turning</a>"</li> <li>"<a href="/wiki/What_God_Wants,_Part_I" title="What God Wants, Part I">What God Wants, Part I</a>"</li> <li>"<a href="/wiki/The_Bravery_of_Being_Out_of_Range" title="The Bravery of Being Out of Range">The Bravery of Being Out of Range</a>"</li> <li>"<a href="/wiki/To_Kill_the_Child/Leaving_Beirut" title="To Kill the Child/Leaving Beirut">To Kill the Child/Leaving Beirut</a>"</li> <li>"<a href="/wiki/Hello_(I_Love_You)" title="Hello (I Love You)">Hello (I Love You)</a>"</li> <li>"<a href="/wiki/We_Shall_Overcome" title="We Shall Overcome">We Shall Overcome</a>"</li> <li>"<a href="/wiki/Smell_the_Roses" title="Smell the Roses">Smell the Roses</a>"</li> <li>"<a href="/wiki/D%C3%A9j%C3%A0_Vu_(Roger_Waters_song)" title="Déjà Vu (Roger Waters song)">Déjà Vu</a>"</li> <li>"<a href="/wiki/The_Last_Refugee" title="The Last Refugee">The Last Refugee</a>"</li> <li>"<a href="/wiki/Comfortably_Numb#&quot;Comfortably_Numb_2022&quot;" title="Comfortably Numb">Comfortably Numb 2022</a>"</li> <li>"<a href="/wiki/Money_(Pink_Floyd_song)#Roger_Waters_version" title="Money (Pink Floyd song)">Money</a>"</li> <li>"<a href="/wiki/Time_(Pink_Floyd_song)#Roger_Waters_version" title="Time (Pink Floyd song)">Time</a>"</li> <li>"<a href="/wiki/Speak_to_Me#Roger_Waters_version" title="Speak to Me">Speak to Me</a>" / "<a href="/wiki/Breathe_(Pink_Floyd_song)#Roger_Waters_version" title="Breathe (Pink Floyd song)">Breathe</a>"</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other songs</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>"<a href="/wiki/Perfect_Sense_(song)" title="Perfect Sense (song)">Perfect Sense, Pt. I</a>"</li> <li>"<a href="/wiki/Perfect_Sense_(song)" title="Perfect Sense (song)">Perfect Sense, Pt. II</a>"</li> <li>"<a href="/wiki/Each_Small_Candle" title="Each Small Candle">Each Small Candle</a>"</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Films</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Wall_%E2%80%93_Live_in_Berlin" title="The Wall – Live in Berlin">The Wall – Live in Berlin</a></i></li> <li><i><a href="/wiki/In_the_Flesh_%E2%80%93_Live" title="In the Flesh – Live">In the Flesh – Live</a></i></li> <li><i><a href="/wiki/Roger_Waters:_The_Wall" title="Roger Waters: The Wall">Roger Waters: The Wall</a></i></li> <li><i><a href="/wiki/Roger_Waters:_Us_%2B_Them" title="Roger Waters: Us + Them">Roger Waters: Us + Them</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Tours</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Radio_K.A.O.S._(tour)" title="Radio K.A.O.S. (tour)">K.A.O.S. On the Road</a></li> <li><a href="/wiki/In_the_Flesh_(Roger_Waters_tour)" title="In the Flesh (Roger Waters tour)">In the Flesh</a></li> <li><a href="/wiki/The_Dark_Side_of_the_Moon_Live" title="The Dark Side of the Moon Live">The Dark Side of the Moon Live</a></li> <li><a href="/wiki/The_Wall_Live_(2010%E2%80%932013)" title="The Wall Live (2010–2013)">The Wall Live</a></li> <li><a href="/wiki/Us_%2B_Them_Tour" title="Us + Them Tour">Us + Them Tour</a></li> <li><a href="/wiki/This_Is_Not_a_Drill" title="This Is Not a Drill">This Is Not a Drill</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related articles</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Roger_Waters_discography" title="Roger Waters discography">Discography</a></li> <li><a href="/wiki/List_of_songs_recorded_by_Roger_Waters" title="List of songs recorded by Roger Waters">Songs</a></li> <li><a href="/wiki/Harry_Waters" title="Harry Waters">Harry Waters</a></li> <li><a class="mw-selflink selflink">Pink Floyd</a></li> <li><a href="/wiki/The_Bleeding_Heart_Band" title="The Bleeding Heart Band">The Bleeding Heart Band</a></li> <li><a href="/wiki/Carolyne_Christie" title="Carolyne Christie">Carolyne Christie</a></li> <li><a href="/wiki/Judith_Trim" title="Judith Trim">Judith Trim</a></li> <li><a href="/wiki/David_Gilmour" title="David Gilmour">David Gilmour</a></li> <li><i><a href="/wiki/The_Madcap_Laughs" title="The Madcap Laughs">The Madcap Laughs</a></i></li></ul> </div></td></tr><tr><td class="navbox-abovebelow" colspan="2"><div> <ul><li><span class="noviewer" typeof="mw:File"><span title="Category"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/16px-Symbol_category_class.svg.png" decoding="async" width="16" height="16" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/23px-Symbol_category_class.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/31px-Symbol_category_class.svg.png 2x" data-file-width="180" data-file-height="185" /></span></span> <a href="/wiki/Category:Roger_Waters" title="Category:Roger Waters">Category</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1256394678"></div><div role="navigation" class="navbox navbox-musical-artist navbox-musical-artist-non-vocal" aria-labelledby="Nick_Mason" style="padding:3px"><table class="nowraplinks vcard mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Nick_Mason" title="Template:Nick Mason"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Nick_Mason" title="Template talk:Nick Mason"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Nick_Mason" title="Special:EditPage/Template:Nick Mason"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Nick_Mason" class="fn" style="font-size:114%;margin:0 4em"><a href="/wiki/Nick_Mason" title="Nick Mason">Nick Mason</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Solo albums</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Nick_Mason%27s_Fictitious_Sports" title="Nick Mason&#39;s Fictitious Sports">Fictitious Sports</a></i> (1981)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">With <a href="/wiki/Rick_Fenn" title="Rick Fenn">Rick Fenn</a></th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Profiles_(Nick_Mason_and_Rick_Fenn_album)" title="Profiles (Nick Mason and Rick Fenn album)">Profiles</a></i> (1985)</li> <li><i><a href="/wiki/White_of_the_Eye#Soundtrack" title="White of the Eye">White of the Eye</a></i> (1987)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">As producer</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Rock_Bottom_(album)" title="Rock Bottom (album)">Rock Bottom</a></i> (1974)</li> <li><i><a href="/wiki/Shamal_(album)" title="Shamal (album)">Shamal</a></i> (1976)</li> <li><i><a href="/wiki/Music_for_Pleasure_(The_Damned_album)" title="Music for Pleasure (The Damned album)">Music for Pleasure</a></i> (1977)</li> <li><i><a href="/wiki/Green_(Steve_Hillage_album)" title="Green (Steve Hillage album)">Green</a></i> (1978)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Film soundtracks</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Body_Contact_(film)" title="Body Contact (film)">Body Contact</a></i> (1987)</li> <li><i><a href="/wiki/Tank_Malling" title="Tank Malling">Tank Malling</a></i> (1988)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">See also</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a class="mw-selflink selflink">Pink Floyd</a></li> <li><a href="/wiki/Middlewick_House" title="Middlewick House">Middlewick House</a></li> <li><i><a href="/wiki/Inside_Out:_A_Personal_History_of_Pink_Floyd" title="Inside Out: A Personal History of Pink Floyd">Inside Out: A Personal History of Pink Floyd</a></i></li> <li><a href="/wiki/Nick_Mason%27s_Saucerful_of_Secrets" title="Nick Mason&#39;s Saucerful of Secrets">Nick Mason's Saucerful of Secrets</a></li> <li><i><a href="/wiki/Live_at_the_Roundhouse_(Nick_Mason%27s_Saucerful_of_Secrets_album)" title="Live at the Roundhouse (Nick Mason&#39;s Saucerful of Secrets album)">Live at the Roundhouse</a></i></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1256394678"></div><div role="navigation" class="navbox navbox-musical-artist navbox-musical-artist-solo" aria-labelledby="Richard_Wright" style="padding:3px"><table class="nowraplinks vcard mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Richard_Wright" title="Template:Richard Wright"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Richard_Wright" title="Template talk:Richard Wright"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Richard_Wright" title="Special:EditPage/Template:Richard Wright"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Richard_Wright" class="fn" style="font-size:114%;margin:0 4em"><a href="/wiki/Richard_Wright_(musician)" title="Richard Wright (musician)">Richard Wright</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Solo albums</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Wet_Dream_(album)" title="Wet Dream (album)">Wet Dream</a></i> (1978)</li> <li><i><a href="/wiki/Broken_China" title="Broken China">Broken China</a></i> (1996)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Collaborations</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Barrett_(album)" title="Barrett (album)">Barrett</a></i> (1970)</li> <li><i><a href="/wiki/Identity_(Zee_album)" title="Identity (Zee album)">Identity</a></i> (1984)</li> <li><i><a href="/wiki/David_Gilmour_in_Concert" title="David Gilmour in Concert">David Gilmour in Concert</a></i> (2002)</li> <li><i><a href="/wiki/On_an_Island" title="On an Island">On an Island</a></i> (2006)</li> <li><i><a href="/wiki/Remember_That_Night" title="Remember That Night">Remember That Night</a></i> (2007)</li> <li><i><a href="/wiki/Live_in_Gda%C5%84sk" title="Live in Gdańsk">Live in Gdańsk</a></i> (2008)</li> <li><i><a href="/wiki/Luck_and_Strange" title="Luck and Strange">Luck and Strange</a></i> (2024)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related articles</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a class="mw-selflink selflink">Pink Floyd</a></li> <li><i><a href="/wiki/The_Endless_River" title="The Endless River">The Endless River</a></i></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1256394678"></div><div role="navigation" class="navbox navbox-musical-artist navbox-musical-artist-solo" aria-labelledby="David_Gilmour" style="padding:3px"><table class="nowraplinks vcard hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:David_Gilmour" title="Template:David Gilmour"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:David_Gilmour" title="Template talk:David Gilmour"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:David_Gilmour" title="Special:EditPage/Template:David Gilmour"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="David_Gilmour" class="fn" style="font-size:114%;margin:0 4em"><a href="/wiki/David_Gilmour" title="David Gilmour">David Gilmour</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Studio albums</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/David_Gilmour_(album)" title="David Gilmour (album)">David Gilmour</a></i> (1978)</li> <li><i><a href="/wiki/About_Face_(album)" title="About Face (album)">About Face</a></i> (1984)</li> <li><i><a href="/wiki/On_an_Island" title="On an Island">On an Island</a></i> (2006)</li> <li><i><a href="/wiki/Metallic_Spheres" title="Metallic Spheres">Metallic Spheres</a></i> (2010, with <a href="/wiki/The_Orb" title="The Orb">the Orb</a>)</li> <li><i><a href="/wiki/Rattle_That_Lock" title="Rattle That Lock">Rattle That Lock</a></i> (2015)</li> <li><i><a href="/wiki/Luck_and_Strange" title="Luck and Strange">Luck and Strange</a></i> (2024)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Live albums</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Live_in_Gda%C5%84sk" title="Live in Gdańsk">Live in Gdańsk</a></i> (2008)</li> <li><i><a href="/wiki/Live_at_Pompeii" title="Live at Pompeii">Live at Pompeii</a></i> (2017)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Singles</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>"<a href="/wiki/Love_on_the_Air" title="Love on the Air">Love on the Air</a>"</li> <li>"<a href="/wiki/On_an_Island_(song)" class="mw-redirect" title="On an Island (song)">On an Island</a>"</li> <li>"<a href="/wiki/Smile_(David_Gilmour_song)" title="Smile (David Gilmour song)">Smile</a>"</li> <li>"<a href="/wiki/Arnold_Layne#David_Gilmour" title="Arnold Layne">Arnold Layne (live)</a>"</li> <li>"<a href="/wiki/Chicago_(Graham_Nash_song)" title="Chicago (Graham Nash song)">Chicago – Change the World</a>"</li> <li>"<a href="/wiki/Faces_of_Stone" title="Faces of Stone">Faces of Stone</a>"</li> <li>"<a href="/wiki/One_of_These_Days_(instrumental)" title="One of These Days (instrumental)">One of These Days (live)</a>"</li> <li>"<a href="/wiki/Run_Like_Hell" title="Run Like Hell">Run Like Hell (live)</a>"</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Videos and DVDs</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/David_Gilmour_Live_1984" title="David Gilmour Live 1984">David Gilmour Live 1984</a></i></li> <li><i><a href="/wiki/David_Gilmour_in_Concert" title="David Gilmour in Concert">David Gilmour in Concert</a></i></li> <li><i><a href="/wiki/Remember_That_Night" title="Remember That Night">Remember That Night</a></i></li> <li><i><a href="/wiki/Live_in_Gda%C5%84sk" title="Live in Gdańsk">Live in Gdańsk</a></i></li> <li><i><a href="/wiki/Live_at_Pompeii" title="Live at Pompeii">Live at Pompeii</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Concert tours</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/On_an_Island_Tour" title="On an Island Tour">On an Island Tour</a></li> <li><a href="/wiki/Rattle_That_Lock_Tour" title="Rattle That Lock Tour">Rattle That Lock Tour</a></li> <li><a href="/wiki/Luck_and_Strange_Tour" class="mw-redirect" title="Luck and Strange Tour">Luck and Strange Tour</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Guest appearances</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Back_to_the_Egg" title="Back to the Egg">Back to the Egg</a></i></li> <li><i><a href="/wiki/Boys_and_Girls_(album)" title="Boys and Girls (album)">Boys and Girls</a></i></li> <li><a href="/wiki/Brother_Where_You_Bound_(song)" title="Brother Where You Bound (song)">Brother Where You Bound</a></li> <li><i><a href="/wiki/Count_Three_%26_Pray" title="Count Three &amp; Pray">Count Three &amp; Pray</a></i></li> <li><i><a href="/wiki/The_Dreaming_(album)" title="The Dreaming (album)">The Dreaming</a></i></li> <li><i><a href="/wiki/Flowers_in_the_Dirt" title="Flowers in the Dirt">Flowers in the Dirt</a></i></li> <li><i><a href="/wiki/Headline_News_(album)" title="Headline News (album)">Headline News</a></i></li> <li><i><a href="/wiki/HQ_(album)" title="HQ (album)">HQ</a></i></li> <li><a href="/wiki/No_More_Lonely_Nights" title="No More Lonely Nights">No More Lonely Nights</a></li> <li><i><a href="/wiki/Once_(Roy_Harper_album)" title="Once (Roy Harper album)">Once</a></i></li> <li><i><a href="/wiki/Run_Devil_Run_(album)" title="Run Devil Run (album)">Run Devil Run</a></i></li> <li><i><a href="/wiki/The_Sensual_World" title="The Sensual World">The Sensual World</a></i></li> <li><i><a href="/wiki/So_Red_the_Rose" title="So Red the Rose">So Red the Rose</a></i></li> <li><i><a href="/wiki/The_Unknown_Soldier_(album)" title="The Unknown Soldier (album)">The Unknown Soldier</a></i></li> <li><i><a href="/wiki/White_City:_A_Novel" title="White City: A Novel">White City: A Novel</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related articles</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/David_Gilmour_discography" title="David Gilmour discography">Discography</a></li> <li><a class="mw-selflink selflink">Pink Floyd</a></li> <li><a href="/wiki/Roger_Waters" title="Roger Waters">Roger Waters</a></li> <li><a href="/wiki/Deep_End_(band)" title="Deep End (band)">Deep End</a></li> <li><a href="/wiki/Jokers_Wild_(band)" title="Jokers Wild (band)">Jokers Wild</a></li> <li><a href="/wiki/The_Law_(English_band)" title="The Law (English band)">The Law</a></li> <li><a href="/wiki/Ginger_Gilmour" title="Ginger Gilmour">Ginger Gilmour</a></li> <li><a href="/wiki/Polly_Samson" title="Polly Samson">Polly Samson</a></li> <li><a href="/wiki/Astoria_(recording_studio)" title="Astoria (recording studio)"><i>Astoria</i></a></li> <li><a href="/wiki/Hookend_Recording_Studios" class="mw-redirect" title="Hookend Recording Studios">Hookend Recording Studios</a></li> <li><a href="/wiki/Roy_Harper_(singer)" title="Roy Harper (singer)">Roy Harper</a></li> <li><a href="/wiki/The_Black_Strat" title="The Black Strat">The Black Strat</a></li> <li><i><a href="/wiki/The_Madcap_Laughs" title="The Madcap Laughs">The Madcap Laughs</a></i></li> <li><i><a href="/wiki/Barrett_(album)" title="Barrett (album)">Barrett</a></i></li> <li><i><a href="/wiki/Two_Weeks_in_September" title="Two Weeks in September">Two Weeks in September</a></i></li></ul> </div></td></tr><tr><td class="navbox-abovebelow" colspan="2"><div> <ul><li><span class="noviewer" typeof="mw:File"><span title="Category"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/16px-Symbol_category_class.svg.png" decoding="async" width="16" height="16" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/23px-Symbol_category_class.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/31px-Symbol_category_class.svg.png 2x" data-file-width="180" data-file-height="185" /></span></span> <a href="/wiki/Category:David_Gilmour" title="Category:David Gilmour">Category</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="British_underground" style="padding:3px"><table class="nowraplinks mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="3"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:UK_underground" title="Template:UK underground"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:UK_underground" title="Template talk:UK underground"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:UK_underground" title="Special:EditPage/Template:UK underground"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="British_underground" style="font-size:114%;margin:0 4em"><a href="/wiki/UK_underground" title="UK underground">British underground</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">People</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Stephen_Abrams" title="Stephen Abrams">Stephen Abrams</a></li> <li><a href="/wiki/Nicholas_Albery" title="Nicholas Albery">Nicholas Albery</a></li> <li><a href="/wiki/Tariq_Ali" title="Tariq Ali">Tariq Ali</a></li> <li><a href="/wiki/Jim_Anderson_(editor)" title="Jim Anderson (editor)">Jim Anderson</a></li> <li><a href="/wiki/Kevin_Ayers" title="Kevin Ayers">Kevin Ayers</a></li> <li><a href="/wiki/Edward_Barker_(cartoonist)" title="Edward Barker (cartoonist)">Edward Barker</a></li> <li><a href="/wiki/Syd_Barrett" title="Syd Barrett">Syd Barrett</a></li> <li><a href="/wiki/Mark_Boyle_(artist)" title="Mark Boyle (artist)">Mark Boyle</a></li> <li><a href="/wiki/Joe_Boyd" title="Joe Boyd">Joe Boyd</a></li> <li><a href="/wiki/Barney_Bubbles" title="Barney Bubbles">Barney Bubbles</a></li> <li><a href="/wiki/Bob_Cobbing" title="Bob Cobbing">Bob Cobbing</a></li> <li><a href="/wiki/Caroline_Coon" title="Caroline Coon">Caroline Coon</a></li> <li><a href="/wiki/Felix_Dennis" title="Felix Dennis">Felix Dennis</a></li> <li><a href="/wiki/Robin_Farquharson" title="Robin Farquharson">Robin Farquharson</a></li> <li><a href="/wiki/Mick_Farren" title="Mick Farren">Mick Farren</a></li> <li><a href="/wiki/Duggie_Fields" title="Duggie Fields">Duggie Fields</a></li> <li><a href="/wiki/Germaine_Greer" title="Germaine Greer">Germaine Greer</a></li> <li><a href="/wiki/Hapshash_and_the_Coloured_Coat" title="Hapshash and the Coloured Coat">Hapshash and the Coloured Coat</a></li> <li><a href="/wiki/Lee_Harris_(South_African_writer)" title="Lee Harris (South African writer)">Lee Harris</a></li> <li><a href="/wiki/Jim_Haynes" title="Jim Haynes">Jim Haynes</a></li> <li><a href="/wiki/Wally_Hope" title="Wally Hope">Wally Hope</a></li> <li><a href="/wiki/John_Hopkins_(political_activist)" title="John Hopkins (political activist)">John 'Hoppy' Hopkins</a></li> <li><a href="/wiki/Michael_Horovitz" title="Michael Horovitz">Michael Horovitz</a></li> <li><a href="/wiki/Blackhill_Enterprises" title="Blackhill Enterprises">Peter Jenner &amp; Andrew King</a></li> <li><a href="/wiki/Mike_Lesser" title="Mike Lesser">Mike Lesser</a></li> <li><a href="/wiki/Tom_McGrath_(playwright)" title="Tom McGrath (playwright)">Tom McGrath</a></li> <li><a href="/wiki/John_Michell_(writer)" title="John Michell (writer)">John Michell</a></li> <li><a href="/wiki/Barry_Miles" title="Barry Miles">Barry Miles</a></li> <li><a href="/wiki/Sue_Miles" title="Sue Miles">Sue Miles</a></li> <li><a href="/wiki/Richard_Neville_(writer)" title="Richard Neville (writer)">Richard Neville</a></li> <li><a href="/wiki/Jeff_Nuttall" title="Jeff Nuttall">Jeff Nuttall</a></li> <li><a href="/wiki/Neil_Oram" title="Neil Oram">Neil Oram</a></li> <li><a href="/wiki/John_Peel" title="John Peel">John Peel</a></li> <li><a href="/wiki/Aubrey_Powell_(designer)" title="Aubrey Powell (designer)">Aubrey Powell</a></li> <li><a href="/wiki/Sid_Rawle" title="Sid Rawle">Sid Rawle</a></li> <li><a href="/wiki/Craig_Sams" title="Craig Sams">Craig Sams</a></li> <li><a href="/wiki/Greg_Sams" title="Greg Sams">Gregory Sams</a></li> <li><a href="/wiki/Martin_Sharp" title="Martin Sharp">Martin Sharp</a></li> <li><a href="/wiki/Nicholas_Saunders_(activist)" title="Nicholas Saunders (activist)">Nicholas Saunders</a></li> <li><a href="/wiki/Storm_Thorgerson" title="Storm Thorgerson">Storm Thorgerson</a></li> <li><a href="/wiki/Steve_Peregrin_Took" title="Steve Peregrin Took">Steve Peregrin Took</a></li> <li><a href="/wiki/Alexander_Trocchi" title="Alexander Trocchi">Alexander Trocchi</a></li> <li><a href="/wiki/Heathcote_Williams" title="Heathcote Williams">Heathcote Williams</a></li> <li><a href="/wiki/Ubi_Dwyer" title="Ubi Dwyer">Ubi Dwyer</a></li></ul> </div></td><td class="noviewer navbox-image" rowspan="6" style="width:1px;padding:0 0 0 2px"><div><span typeof="mw:File"><a href="/wiki/File:Oz-33-cover.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/9/91/Oz-33-cover.jpg/70px-Oz-33-cover.jpg" decoding="async" width="70" height="96" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/91/Oz-33-cover.jpg/105px-Oz-33-cover.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/91/Oz-33-cover.jpg/140px-Oz-33-cover.jpg 2x" data-file-width="1292" data-file-height="1766" /></a></span></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Publications</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Nicholas_Saunders_(activist)" title="Nicholas Saunders (activist)">Alternative London</a></i></li> <li><i><a href="/wiki/Brighton_Voice" title="Brighton Voice">Brighton Voice</a></i></li> <li><i><a href="/wiki/Children_of_Albion:_Poetry_of_the_Underground_in_Britain" title="Children of Albion: Poetry of the Underground in Britain">Children of Albion: Poetry of the Underground in Britain</a></i></li> <li><i><a href="/wiki/The_Black_Dwarf_(newspaper)" title="The Black Dwarf (newspaper)">The Black Dwarf</a></i></li> <li><i><a href="/wiki/Gandalf%27s_Garden" title="Gandalf&#39;s Garden">Gandalf's Garden</a></i></li> <li><i><a href="/wiki/Gay_News" title="Gay News">Gay News</a></i></li> <li><i><a href="/wiki/Ink_(underground_paper)" class="mw-redirect" title="Ink (underground paper)">Ink</a></i></li> <li><i><a href="/wiki/International_Times" title="International Times">International Times</a></i></li> <li><i><a href="/wiki/Muther_Grumble" title="Muther Grumble">Muther Grumble</a></i></li> <li><i><a href="/wiki/The_Mersey_Sound_(anthology)" title="The Mersey Sound (anthology)">The Mersey Sound</a></i></li> <li><i><a href="/wiki/Oz_(magazine)" title="Oz (magazine)">Oz</a></i></li> <li><i><a href="/wiki/Schoolkids_Oz" title="Schoolkids Oz">Schoolkids Oz</a></i></li> <li><i><a href="/wiki/Peace_News" title="Peace News">Peace News</a></i></li> <li><i><a href="/wiki/Greg_Sams" title="Greg Sams">Seed - The Journal of Organic Living</a></i></li> <li><i><a href="/wiki/Spare_Rib" title="Spare Rib">Spare Rib</a></i></li> <li><i><a href="/wiki/Undercurrents_(magazine)" title="Undercurrents (magazine)">Undercurrents</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Bands</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/AMM_(band)" title="AMM (band)">AMM</a></li> <li><a href="/wiki/Arthur_Brown_(musician)" title="Arthur Brown (musician)">Arthur Brown</a></li> <li><a href="/wiki/Bonzo_Dog_Doo-Dah_Band" title="Bonzo Dog Doo-Dah Band">Bonzo Dog Doo-Dah Band</a></li> <li><a href="/wiki/Edgar_Broughton_Band" title="Edgar Broughton Band">Edgar Broughton Band</a></li> <li><a href="/wiki/Delivery_(British_band)" title="Delivery (British band)">Delivery</a></li> <li><a href="/wiki/The_Deviants_(band)" title="The Deviants (band)">The Deviants</a></li> <li><a href="/wiki/Fairport_Convention" title="Fairport Convention">Fairport Convention</a></li> <li><a href="/wiki/Family_(band)" title="Family (band)">Family</a></li> <li><a href="/wiki/Gong_(band)" title="Gong (band)">Gong</a></li> <li><a href="/wiki/Hawkwind" title="Hawkwind">Hawkwind</a></li> <li><a href="/wiki/The_Incredible_String_Band" title="The Incredible String Band">The Incredible String Band</a></li> <li><a href="/wiki/Pink_Fairies" title="Pink Fairies">Pink Fairies</a></li> <li><a class="mw-selflink selflink">Pink Floyd</a></li> <li><a href="/wiki/Pretty_Things" title="Pretty Things">Pretty Things</a></li> <li><a href="/wiki/The_Purple_Gang_(British_band)" title="The Purple Gang (British band)">The Purple Gang</a></li> <li><a href="/wiki/Quintessence_(English_band)" class="mw-redirect" title="Quintessence (English band)">Quintessence</a></li> <li><a href="/wiki/Shagrat_(band)" title="Shagrat (band)">Shagrat</a></li> <li><a href="/wiki/Soft_Machine" title="Soft Machine">Soft Machine</a></li> <li><a href="/wiki/Third_Ear_Band" title="Third Ear Band">Third Ear Band</a></li> <li><a href="/wiki/Tomorrow_(band)" title="Tomorrow (band)">Tomorrow</a></li> <li><a href="/wiki/T._Rex_(band)" title="T. Rex (band)">Tyrannosaurus Rex</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Events</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Games_for_May" title="Games for May">Games for May</a></li> <li><a href="/wiki/International_Poetry_Incarnation" title="International Poetry Incarnation">International Poetry Incarnation</a></li> <li><a href="/wiki/The_14_Hour_Technicolor_Dream" title="The 14 Hour Technicolor Dream">The 14 Hour Technicolor Dream</a></li> <li><a href="/wiki/Phun_City" title="Phun City">Phun City</a></li> <li><a href="/wiki/Windsor_Free_Festival" title="Windsor Free Festival">Windsor Free Festival</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Arts_Lab" title="Arts Lab">Arts Lab</a></li> <li><a href="/wiki/Better_Books" title="Better Books">Better Books</a></li> <li><a href="/wiki/BIT_(alternative_information_centre)" title="BIT (alternative information centre)">BIT</a></li> <li><a href="/wiki/Compendium_Books" title="Compendium Books">Compendium Books</a></li> <li><a href="/wiki/Games_for_May" title="Games for May">Games for May</a></li> <li><a href="/wiki/Granny_Takes_a_Trip" title="Granny Takes a Trip">Granny Takes a Trip</a></li> <li><a href="/wiki/Indica_Gallery" title="Indica Gallery">Indica Gallery</a></li> <li>"<a href="/wiki/It%27s_So_Far_Out,_It%27s_Straight_Down" title="It&#39;s So Far Out, It&#39;s Straight Down">It's So Far Out, It's Straight Down</a>"</li> <li><a href="/wiki/London_Free_School" title="London Free School">London Free School</a></li> <li><a href="/wiki/London_Film-Makers%27_Co-op" title="London Film-Makers&#39; Co-op">London Film-Makers' Co-op</a></li> <li><a href="/wiki/Mr_Freedom_(fashion)" title="Mr Freedom (fashion)">Mr Freedom (fashion)</a></li> <li><a href="/wiki/Release_(agency)" title="Release (agency)">Release</a></li> <li><a href="/wiki/Greg_Sams" title="Greg Sams">Seed Macrobiotic Restaurant</a></li> <li><a href="/wiki/UFO_Club" title="UFO Club">UFO Club</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">See also</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/British_Poetry_Revival" title="British Poetry Revival">British Poetry Revival</a></li> <li><a href="/wiki/Counterculture" title="Counterculture">Counterculture</a></li> <li><a href="/wiki/English_underground" title="English underground">English underground</a></li> <li><a href="/wiki/Freak_scene" title="Freak scene">Freak scene</a></li> <li><a href="/wiki/Hippie" title="Hippie">Hippies</a></li> <li><a href="/wiki/Youth_subculture" title="Youth subculture">Youth subculture</a></li></ul> </div></td></tr></tbody></table></div></div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"><style data-mw-deduplicate="TemplateStyles:r1038841319">.mw-parser-output .tooltip-dotted{border-bottom:1px dotted;cursor:help}</style><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1038841319"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1038841319"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1038841319"></div><div role="navigation" class="navbox authority-control" aria-labelledby="Authority_control_databases_frameless&amp;#124;text-top&amp;#124;10px&amp;#124;alt=Edit_this_at_Wikidata&amp;#124;link=https&amp;#58;//www.wikidata.org/wiki/Q2306#identifiers&amp;#124;class=noprint&amp;#124;Edit_this_at_Wikidata" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><div id="Authority_control_databases_frameless&amp;#124;text-top&amp;#124;10px&amp;#124;alt=Edit_this_at_Wikidata&amp;#124;link=https&amp;#58;//www.wikidata.org/wiki/Q2306#identifiers&amp;#124;class=noprint&amp;#124;Edit_this_at_Wikidata" style="font-size:114%;margin:0 4em"><a href="/wiki/Help:Authority_control" title="Help:Authority control">Authority control databases</a> <span class="mw-valign-text-top noprint" typeof="mw:File/Frameless"><a href="https://www.wikidata.org/wiki/Q2306#identifiers" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></span></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">International</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://isni.org/isni/0000000109397559">ISNI</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://viaf.org/viaf/120713567">VIAF</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/1214989-5">Germany</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/n82000561">United States</a></span></li><li><span class="uid"><span class="rt-commentedText tooltip tooltip-dotted" title="Pink Floyd"><a rel="nofollow" class="external text" href="https://catalogue.bnf.fr/ark:/12148/cb139058178">France</a></span></span></li><li><span class="uid"><span class="rt-commentedText tooltip tooltip-dotted" title="Pink Floyd"><a rel="nofollow" class="external text" href="https://data.bnf.fr/ark:/12148/cb139058178">BnF data</a></span></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.ndl.go.jp/auth/ndlna/00297643">Japan</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://nla.gov.au/anbd.aut-an36222524">Australia</a></span></li><li><span class="uid"><span class="rt-commentedText tooltip tooltip-dotted" title="Pink Floyd (hudební skupina)"><a rel="nofollow" class="external text" href="https://aleph.nkp.cz/F/?func=find-c&amp;local_base=aut&amp;ccl_term=ica=kn20020506004&amp;CON_LNG=ENG">Czech Republic</a></span></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&amp;authority_id=XX254199">Spain</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://id.bnportugal.gov.pt/aut/catbnp/96310">Portugal</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://authority.bibsys.no/authority/rest/authorities/html/90350024">Norway</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://kopkatalogs.lv/F?func=direct&amp;local_base=lnc10&amp;doc_number=000154269&amp;P_CON_LNG=ENG">Latvia</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://katalog.nsk.hr/F/?func=direct&amp;doc_number=000066793&amp;local_base=nsk10">Croatia</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://www.bncatalogo.cl/F?func=direct&amp;local_base=red10&amp;doc_number=000236297">Chile</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://libris.kb.se/hftwz6814tr2gqj">Sweden</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://olduli.nli.org.il/F/?func=find-b&amp;local_base=NLX10&amp;find_code=UID&amp;request=987007524665105171">Israel</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://cantic.bnc.cat/registre/981058530673306706">Catalonia</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Academics</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://ci.nii.ac.jp/author/DA04822340?l=en">CiNii</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Artists</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://musicbrainz.org/artist/83d91898-7763-47d7-b03b-b92132375c47">MusicBrainz</a></span></li><li><span class="uid"><span class="rt-commentedText tooltip tooltip-dotted" title="Pink Floyd"><a rel="nofollow" class="external text" href="https://www.grammy.com/artists/pink-floyd/15905">Grammy Awards</a></span></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">People</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://trove.nla.gov.au/people/1232118">Trove</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.idref.fr/027590577">IdRef</a></span></li></ul></div></td></tr></tbody></table></div> <!-- NewPP limit report Parsed by mw‐api‐ext.codfw.main‐7556f8b5dd‐25qr4 Cached time: 20241124053254 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] 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Rendering was triggered because: unknown --> </div><!--esi <esi:include src="/esitest-fa8a495983347898/content" /> --><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=Pink_Floyd&amp;oldid=1258887104">https://en.wikipedia.org/w/index.php?title=Pink_Floyd&amp;oldid=1258887104</a>"</div></div> <div id="catlinks" class="catlinks" data-mw="interface"><div id="mw-normal-catlinks" class="mw-normal-catlinks"><a href="/wiki/Help:Category" title="Help:Category">Categories</a>: <ul><li><a href="/wiki/Category:Pink_Floyd" title="Category:Pink Floyd">Pink Floyd</a></li><li><a href="/wiki/Category:1965_establishments_in_England" title="Category:1965 establishments in England">1965 establishments in England</a></li><li><a href="/wiki/Category:1994_disestablishments_in_England" title="Category:1994 disestablishments in England">1994 disestablishments in England</a></li><li><a href="/wiki/Category:British_rhythm_and_blues_boom_musicians" title="Category:British rhythm and blues boom musicians">British rhythm and blues boom musicians</a></li><li><a href="/wiki/Category:Capitol_Records_artists" title="Category:Capitol Records artists">Capitol Records artists</a></li><li><a href="/wiki/Category:Columbia_Graphophone_Company_artists" title="Category:Columbia Graphophone Company artists">Columbia Graphophone Company artists</a></li><li><a href="/wiki/Category:David_Gilmour" title="Category:David Gilmour">David Gilmour</a></li><li><a href="/wiki/Category:Echo_(music_award)_winners" title="Category:Echo (music award) winners">Echo (music award) winners</a></li><li><a href="/wiki/Category:English_art_rock_groups" title="Category:English art rock groups">English art rock groups</a></li><li><a href="/wiki/Category:English_experimental_rock_groups" title="Category:English experimental rock groups">English experimental rock groups</a></li><li><a href="/wiki/Category:English_progressive_rock_groups" title="Category:English progressive rock groups">English progressive rock groups</a></li><li><a href="/wiki/Category:English_psychedelic_rock_music_groups" title="Category:English psychedelic rock music groups">English psychedelic rock music groups</a></li><li><a href="/wiki/Category:English_space_rock_musical_groups" title="Category:English space rock musical groups">English space rock musical groups</a></li><li><a href="/wiki/Category:Grammy_Award_winners" title="Category:Grammy Award winners">Grammy Award winners</a></li><li><a href="/wiki/Category:Harvest_Records_artists" title="Category:Harvest Records artists">Harvest Records artists</a></li><li><a href="/wiki/Category:Juno_Award_for_International_Album_of_the_Year_winners" title="Category:Juno Award for International Album of the Year winners">Juno Award for International Album of the Year winners</a></li><li><a href="/wiki/Category:Musical_groups_disestablished_in_1994" title="Category:Musical groups disestablished in 1994">Musical groups disestablished in 1994</a></li><li><a href="/wiki/Category:Musical_groups_established_in_1965" title="Category:Musical groups established in 1965">Musical groups established in 1965</a></li><li><a href="/wiki/Category:Nick_Mason" title="Category:Nick Mason">Nick Mason</a></li><li><a href="/wiki/Category:Parlophone_artists" title="Category:Parlophone artists">Parlophone artists</a></li><li><a href="/wiki/Category:Proto-prog_groups" title="Category:Proto-prog groups">Proto-prog groups</a></li><li><a href="/wiki/Category:Psychedelic_pop_music_groups" title="Category:Psychedelic pop music groups">Psychedelic pop music groups</a></li><li><a href="/wiki/Category:Richard_Wright_(musician)" title="Category:Richard Wright (musician)">Richard Wright (musician)</a></li><li><a href="/wiki/Category:Rock_music_groups_from_London" title="Category:Rock music groups from London">Rock music groups from London</a></li><li><a href="/wiki/Category:Roger_Waters" title="Category:Roger Waters">Roger Waters</a></li><li><a href="/wiki/Category:Syd_Barrett" title="Category:Syd Barrett">Syd Barrett</a></li></ul></div><div id="mw-hidden-catlinks" class="mw-hidden-catlinks mw-hidden-cats-hidden">Hidden categories: <ul><li><a href="/wiki/Category:Articles_containing_potentially_dated_statements_from_2012" title="Category:Articles containing potentially dated statements from 2012">Articles containing potentially dated statements from 2012</a></li><li><a href="/wiki/Category:All_articles_containing_potentially_dated_statements" title="Category:All articles containing potentially dated statements">All articles containing potentially dated statements</a></li><li><a href="/wiki/Category:CS1_Italian-language_sources_(it)" title="Category:CS1 Italian-language sources (it)">CS1 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