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.infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox biography vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div class="fn">Dan Sallitt</div></th></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data"><span style="display:none"> (<span class="bday">1955-07-27</span>) </span>July 27, 1955<span class="noprint ForceAgeToShow"> (age 69)</span><br /><div style="display:inline" class="birthplace"><a href="/wiki/Wilkes-Barre" class="mw-redirect" title="Wilkes-Barre">Wilkes-Barre</a>, <a href="/wiki/Pennsylvania" title="Pennsylvania">Pennsylvania</a>, United States</div></td></tr><tr><th scope="row" class="infobox-label">Alma mater</th><td class="infobox-data"><a href="/wiki/Harvard_College" title="Harvard College">Harvard College</a> (BA)<br /><a href="/wiki/University_of_California,_Los_Angeles" title="University of California, Los Angeles">University of California, Los Angeles</a> (MFA)</td></tr><tr><th scope="row" class="infobox-label">Occupation(s)</th><td class="infobox-data role">Filmmaker and film critic</td></tr><tr><th scope="row" class="infobox-label">Website</th><td class="infobox-data"><span class="url"><a rel="nofollow" class="external text" href="http://panix.com/~sallitt">panix<wbr />.com<wbr />/~sallitt</a></span></td></tr></tbody></table> <p><b>Dan Sallitt</b> (born July 27, 1955) is an American filmmaker and film critic. He is known for his <a href="/wiki/Microbudget" class="mw-redirect" title="Microbudget">microbudget</a> filmmaking and <a href="/wiki/Cinephile" class="mw-redirect" title="Cinephile">cinephile</a> film criticism.<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Early_life_and_career">Early life and career</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Dan_Sallitt&action=edit&section=1" title="Edit section: Early life and career"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Sallitt was born on July 27, 1955, in <a href="/wiki/Wilkes-Barre" class="mw-redirect" title="Wilkes-Barre">Wilkes-Barre</a>, <a href="/wiki/Pennsylvania" title="Pennsylvania">Pennsylvania</a>.<sup id="cite_ref-city_3-0" class="reference"><a href="#cite_note-city-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> He received a Bachelor of Arts in Mathematics from <a href="/wiki/Harvard_College" title="Harvard College">Harvard College</a> in 1976 and a Master of Fine Arts in Screenwriting from the <a href="/wiki/University_of_California,_Los_Angeles" title="University of California, Los Angeles">University of California, Los Angeles</a> in 1979.<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p><p>Sallitt resides in <a href="/wiki/New_York_City" title="New York City">New York City</a>, where he works as a <a href="/wiki/Technical_writer" title="Technical writer">technical writer</a> for the <a href="/wiki/New_York_City_Office_of_Technology_and_Innovation" title="New York City Office of Technology and Innovation">New York City Office of Technology and Innovation</a>.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Film_criticism">Film criticism</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Dan_Sallitt&action=edit&section=2" title="Edit section: Film criticism"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Sallitt moved to <a href="/wiki/Los_Angeles" title="Los Angeles">Los Angeles</a> in 1976, where he served as first-string film critic for <a href="/wiki/The_Los_Angeles_Reader" class="mw-redirect" title="The Los Angeles Reader">The Los Angeles Reader</a> from 1983 to 1985.<sup id="cite_ref-reader_6-0" class="reference"><a href="#cite_note-reader-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> He has written film criticism for outlets such as <i><a href="/wiki/Slate_(magazine)" title="Slate (magazine)">Slate</a></i>, <i><a href="/wiki/The_Chicago_Reader" class="mw-redirect" title="The Chicago Reader">The Chicago Reader</a></i>, <a href="/wiki/MUBI" class="mw-redirect" title="MUBI">MUBI</a>, <a href="/wiki/Masters_of_Cinema" title="Masters of Cinema">Masters of Cinema</a>, and <i><a href="/wiki/The_Village_Voice" title="The Village Voice">The Village Voice</a></i>. He maintains a film blog called <i>Thanks for the Use of the Hall</i>.<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> </p><p>When <i><a href="/wiki/Sight_%26_Sound" class="mw-redirect" title="Sight & Sound">Sight & Sound</a></i> published its list of the greatest films of all time in 2012,<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> Sallitt was asked to submit a list of his top-ten films.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> His selections consisted of <i><a href="/wiki/Angel_(1937_film)" title="Angel (1937 film)">Angel</a></i>, <i><a href="/wiki/Daisy_Kenyon" title="Daisy Kenyon">Daisy Kenyon</a></i>, <i><a href="/wiki/Diary_of_a_Country_Priest" title="Diary of a Country Priest">Diary of a Country Priest</a></i>, <i><a href="/wiki/The_General_(1926_film)" title="The General (1926 film)">The General</a></i>, <i><a href="/wiki/The_Mother_and_the_Whore" title="The Mother and the Whore">The Mother and the Whore</a></i>, <i><a href="/wiki/Morocco_(1930_film)" class="mw-redirect" title="Morocco (1930 film)">Morocco</a></i>, <i><a href="/wiki/Notorious_(1946_film)" title="Notorious (1946 film)">Notorious</a></i>, <i><a href="/wiki/Rio_Bravo_(film)" title="Rio Bravo (film)">Rio Bravo</a></i>, <i><a href="/wiki/Ruggles_of_Red_Gap" title="Ruggles of Red Gap">Ruggles of Red Gap</a></i>, and <i><a href="/wiki/The_Searchers" title="The Searchers">The Searchers</a></i>. </p> <div class="mw-heading mw-heading3"><h3 id="Filmmaking">Filmmaking</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Dan_Sallitt&action=edit&section=3" title="Edit section: Filmmaking"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 1986, Sallitt wrote and directed his first feature film, <i>Polly Perverse Strikes Again</i>, which he financed solely from his work as a film critic.<sup id="cite_ref-reader_6-1" class="reference"><a href="#cite_note-reader-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> He moved to <a href="/wiki/New_York_City" title="New York City">New York City</a> in 1992.<sup id="cite_ref-reader_6-2" class="reference"><a href="#cite_note-reader-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> There, he wrote and directed <i>Honeymoon</i> (1998), followed by <i><a href="/wiki/All_the_Ships_at_Sea" title="All the Ships at Sea">All the Ships at Sea</a></i> (2004). </p><p>He released <i><a href="/wiki/The_Unspeakable_Act" title="The Unspeakable Act">The Unspeakable Act</a></i> in 2012. It played at several major international film festivals, including the <a href="/wiki/Rotterdam_International_Film_Festival" class="mw-redirect" title="Rotterdam International Film Festival">Rotterdam</a>, <a href="/wiki/Vienna_International_Film_Festival" title="Vienna International Film Festival">Viennale</a>, <a href="/wiki/Karlovy_Vary_Film_Festival" class="mw-redirect" title="Karlovy Vary Film Festival">Karlovy Vary</a>, <a href="/wiki/Edinburgh_International_Film_Festival" title="Edinburgh International Film Festival">Edinburgh</a>, <a href="/wiki/Melbourne_International_Film_Festival" title="Melbourne International Film Festival">Melbourne</a>, and BAMCinemaFest. The film won the Independent Visions Competition prize at the <a href="/wiki/Sarasota_Film_Festival" title="Sarasota Film Festival">Sarasota Film Festival</a>,<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> and was acquired for U.S. distribution by <a href="/wiki/The_Cinema_Guild" title="The Cinema Guild">The Cinema Guild</a>.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> The film appeared on year-end top ten lists by <a href="/wiki/Amy_Taubin" title="Amy Taubin">Amy Taubin</a>, <a href="/wiki/Jonathan_Rosenbaum" title="Jonathan Rosenbaum">Jonathan Rosenbaum</a>, <a href="/wiki/Adrian_Martin" title="Adrian Martin">Adrian Martin</a>, and <a href="/wiki/Ignatiy_Vishnevetsky" title="Ignatiy Vishnevetsky">Ignatiy Vishnevetsky</a> and was included in the afterword to the <a href="/wiki/South_Korea" title="South Korea">Korean</a> edition of Rosenbaum's <i>Essential Cinema: On the Necessity of Film Canons</i>.<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> </p><p>His fifth feature film, <i><a href="/wiki/Fourteen_(film)" title="Fourteen (film)">Fourteen</a></i>, premiered in 2019 at the <a href="/wiki/69th_Berlin_International_Film_Festival" title="69th Berlin International Film Festival">69th Berlin International Film Festival</a>,<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> and was picked up for U.S. distribution by Grasshopper Film.<sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Retrospectives_and_recognition">Retrospectives and recognition</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Dan_Sallitt&action=edit&section=4" title="Edit section: Retrospectives and recognition"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 2013, <a href="/wiki/Anthology_Film_Archives" title="Anthology Film Archives">Anthology Film Archives</a> hosted a <a href="/wiki/Retrospective" title="Retrospective">retrospective</a> of his work in conjunction with the theatrical release of <i><a href="/wiki/The_Unspeakable_Act" title="The Unspeakable Act">The Unspeakable Act</a></i>.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> In <i><a href="/wiki/Film_Comment" title="Film Comment">Film Comment</a></i>, Jonathan Robbins noted that Sallitt's work was "rooted in the films of <a href="/wiki/Robert_Bresson" title="Robert Bresson">Robert Bresson</a>, <a href="/wiki/Eric_Rohmer" class="mw-redirect" title="Eric Rohmer">Eric Rohmer</a>, <a href="/wiki/Jean_Eustache" title="Jean Eustache">Jean Eustache</a>, <a href="/wiki/John_Cassavetes" title="John Cassavetes">John Cassavetes</a>, and <a href="/wiki/Maurice_Pialat" title="Maurice Pialat">Maurice Pialat</a>".<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> Later that same year, additional Sallitt retrospectives were held at the Cineuropa Film Festival in <a href="/wiki/Santiago_de_Compostela" title="Santiago de Compostela">Santiago de Compostela</a>, <a href="/wiki/Spain" title="Spain">Spain</a> and the CGAI Cinematheque in <a href="/wiki/A_Coru%C3%B1a" title="A Coruña">A Coruña</a>, Spain.<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> </p><p>In 2014, the <a href="/wiki/George_Eastman_House" class="mw-redirect" title="George Eastman House">George Eastman House</a> in <a href="/wiki/Rochester,_New_York" title="Rochester, New York">Rochester</a>, <a href="/wiki/New_York_(state)" title="New York (state)">New York</a> held a retrospective called "Three Weekends with Dan Sallitt."<sup id="cite_ref-city_3-1" class="reference"><a href="#cite_note-city-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> In 2019, Filmadrid hosted a retrospective of Sallitt's work.<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Filmography">Filmography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Dan_Sallitt&action=edit&section=5" title="Edit section: Filmography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <table class="wikitable" style="font-size:95%;"> <tbody><tr> <th style="background:#B0C4DE;">Year </th> <th style="background:#B0C4DE;">Film </th> <th style="background:#B0C4DE;">Notes </th></tr> <tr> <td>1986</td> <td><i>Polly Perverse Strikes Again!</i></td> <td><a href="/wiki/Directorial_debut" class="mw-redirect" title="Directorial debut">Directorial debut</a> </td></tr> <tr> <td>1998</td> <td><i>Honeymoon</i></td> <td> </td></tr> <tr> <td>2004</td> <td><i><a href="/wiki/All_the_Ships_at_Sea" title="All the Ships at Sea">All the Ships at Sea</a></i></td> <td> </td></tr> <tr> <td>2012</td> <td><i><a href="/wiki/The_Unspeakable_Act" title="The Unspeakable Act">The Unspeakable Act</a></i></td> <td> </td></tr> <tr> <td rowspan="2">2019</td> <td><i><a href="/wiki/Fourteen_(film)" title="Fourteen (film)">Fourteen</a></i></td> <td> </td></tr> <tr> <td><i>Caterina</i></td> <td>Short </td></tr></tbody></table> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Dan_Sallitt&action=edit&section=6" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFHinojosa2019" class="citation news cs1">Hinojosa, José Sarmiento (March 7, 2019). <a rel="nofollow" class="external text" href="https://desistfilm.com/dan-sallitt-microbudgets/">"Dan Sallitt: "Micro-Budgets Are a Liberating Thing for Me"<span 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Retrieved <span class="nowrap">March 3,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=IndieWire&rft.atitle=%27Fourteen%27+Review%3A+Dan+Sallitt%27s+Low-Budget%2C+Highly+Affecting+Portrait+of+Female+Friendship+%E2%80%94+Berlinale&rft.date=2019-02-08&rft.aulast=Ehrlich&rft.aufirst=David&rft_id=https%3A%2F%2Fwww.indiewire.com%2F2019%2F02%2Ffourteen-review-dan-sallitt-berlinale-2019-1202042329%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ADan+Sallitt" class="Z3988"></span></span> </li> <li id="cite_note-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-14">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFN'Duka2020" class="citation news cs1">N'Duka, Amanda (February 15, 2020). <a rel="nofollow" class="external text" href="https://deadline.com/2020/01/grasshopper-film-dan-sallitt-fourteen-acquisition-1202831635/">"Grasshopper Film Nabs Berlin Film Festival Pic 'Fourteen'<span class="cs1-kern-right"></span>"</a>. <i><a href="/wiki/Deadline_Hollywood" title="Deadline Hollywood">Deadline</a></i><span class="reference-accessdate">. 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Retrieved <span class="nowrap">March 1,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Audiovisual451&rft.atitle=Filmadrid+2019+dedica+sendas+restrospectivas+a+Dan+Sallitt+y+al+nuevo+cine+brasile%C3%B1o&rft.date=2018-04-25&rft_id=https%3A%2F%2Fwww.audiovisual451.com%2Ffilmadrid-2019-dedica-sendas-restrospectivas-a-dan-sallitt-y-al-nuevo-cine-brasileno%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ADan+Sallitt" class="Z3988"></span></span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Dan_Sallitt&action=edit&section=7" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a rel="nofollow" class="external text" href="https://www.imdb.com/name/nm1908524/">Dan Sallitt</a> at <a 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