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Lina Coen - Wikipedia

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class="">Lina Coen</div></th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:Lina_coen_1922_pic_only.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f6/Lina_coen_1922_pic_only.jpg/220px-Lina_coen_1922_pic_only.jpg" decoding="async" width="220" height="278" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/f/f6/Lina_coen_1922_pic_only.jpg 1.5x" data-file-width="298" data-file-height="376" /></a></span></td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de">Background information</th></tr><tr><th scope="row" class="infobox-label"><span class="nowrap">Birth name</span></th><td class="infobox-data nickname">Caroline Marie Cohen</td></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data">September 21, 1878<br />Paris, France</td></tr><tr><th scope="row" class="infobox-label">Died</th><td class="infobox-data">April 13, 1952<br />Miami, Fl</td></tr><tr><th scope="row" class="infobox-label">Genres</th><td class="infobox-data">Classical</td></tr><tr><th scope="row" class="infobox-label">Occupation(s)</th><td class="infobox-data role">pianist, vocal coach, conductor</td></tr><tr><th scope="row" class="infobox-label">Instrument</th><td class="infobox-data note">piano</td></tr><tr><th scope="row" class="infobox-label"><span class="nowrap">Years active</span></th><td class="infobox-data">1896-1947</td></tr></tbody></table><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">Musical artist</div> <p><b>Lina Coen</b> (born <b>Caroline Marie Cohen</b>; September 21, 1878&#160;– April 13, 1952) was a French-American musician of Dutch descent. She won acclaim as a pianist and vocal coach and was the first woman in the United States to conduct an opera.<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">&#91;</span>1<span class="cite-bracket">&#93;</span></a></sup> </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Life">Life</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Lina_Coen&amp;action=edit&amp;section=1" title="Edit section: Life"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Coen was born as Caroline Marie Cohen in Paris on September 21, 1878, to Hippolijte Cohen, diamond merchant, and Mathilde Schoijer. Both her parents were nationals of the Netherlands. </p><p>Coen married Dutch cellist <a href="/wiki/Jacques_van_Lier" title="Jacques van Lier">Jacques van Lier</a> in Berlin in 1899.<sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> They had one child, Felicia Anne van Lier, born in 1901.<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> The couple divorced in 1907 but stayed in Berlin until the outbreak of <a href="/wiki/World_War_I" title="World War I">World War I</a>. In August 1914 Coen travelled with her ex-husband and her daughter to <a href="/wiki/Eastbourne" title="Eastbourne">Eastbourne</a>, England. Coen continued her voyage alone to settle in New York City in November 1914.<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup> In 1925, she obtained US citizenship under the name Lina Coen, renouncing her French and Dutch citizenship in the process. </p><p>After her father's death, Coen returned to Paris in 1921 to take her mother to New York.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> Coen took care of her mother until she died at age 93 in New York in 1942. Coen then moved to Miami to live with her daughter Felicia “Sousie” Van Lier Browne, residing with her daughter's family that included her daughter's husband Van M. Browne and their children Carolyn Browne <a href="/wiki/Alan_Dundes" title="Alan Dundes">Dundes</a>, Roger E. Browne and Peter V. Browne.<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Career">Career</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Lina_Coen&amp;action=edit&amp;section=2" title="Edit section: Career"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Pianist">Pianist</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Lina_Coen&amp;action=edit&amp;section=3" title="Edit section: Pianist"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Coen graduated from the <a href="/wiki/Conservatoire_de_Paris" title="Conservatoire de Paris">Conservatoire de Paris</a>, where she studied piano with <a href="/wiki/%C3%89lie-Miriam_Delaborde" title="Élie-Miriam Delaborde">Élie-Miriam Delaborde</a>. She gave her first known concert in the <a href="/wiki/Kurhaus_of_Scheveningen" title="Kurhaus of Scheveningen">Kurhaus</a> in <a href="/wiki/Scheveningen" title="Scheveningen">Scheveningen</a> in 1896.<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup> At 17 years of age, she played the <a href="/wiki/Hungarian_Rhapsody_No._11" title="Hungarian Rhapsody No. 11">Hungarian Rhapsody no. 11</a> (<a href="/wiki/Franz_Liszt" title="Franz Liszt">Liszt</a>) and the <a href="/wiki/Capriccio_Brillant_(Mendelssohn)" title="Capriccio Brillant (Mendelssohn)">Capriccio Brillant</a> (<a href="/wiki/Felix_Mendelssohn" title="Felix Mendelssohn">Mendelssohn</a>), accompanied by the <a href="/wiki/Berlin_Philharmonic" title="Berlin Philharmonic">Berlin Philharmonic</a> Orchestra under the direction of Frans Mannstädt. Her future husband, Jacques van Lier, played 2nd cello that afternoon. Shortly afterwards, she moved to <a href="/wiki/Berlin" title="Berlin">Berlin</a>. Coen was solo-pianist in a concert of the Berlin Philharmoniker conducted by Josef Řebíček, performing the <a href="/wiki/Piano_Concerto_(Schumann)" title="Piano Concerto (Schumann)">Piano Concerto</a> (<a href="/wiki/Robert_Schumann" title="Robert Schumann">Schumann</a>).<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">&#91;</span>8<span class="cite-bracket">&#93;</span></a></sup> The next year, Coen obtained a contract for a series of 45 concerts throughout Germany.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">&#91;</span>9<span class="cite-bracket">&#93;</span></a></sup> With her fiancé, she was part of a chamber music trio, with violinist Margarethe Baginsky. The German newspaper <i>"<a href="/wiki/Neue_Zeitschrift_f%C3%BCr_Musik" title="Neue Zeitschrift für Musik">Neuen Zeitschrift für Musik</a>"</i> found it a worrisome sign of possible times ahead, should women's rights activists get their way, that the two women overpowered the man.<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> In April 1905, Coen and Van Lier gave concerts in <a href="/wiki/Leipzig" title="Leipzig">Leipzig</a> and <a href="/wiki/Erfurt" title="Erfurt">Erfurt</a> with the German <a href="/wiki/Contralto" title="Contralto">contralto</a> Grete Hentschel. They opened with the <a href="/wiki/Variations_on_a_Rococo_Theme" title="Variations on a Rococo Theme">Variations on a Rococo theme</a> (<a href="/wiki/Pyotr_Ilyich_Tchaikovsky" title="Pyotr Ilyich Tchaikovsky">Tchaikovsky</a>). The critics were especially pleased with Coen's playing.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">&#91;</span>11<span class="cite-bracket">&#93;</span></a></sup> Coen also tried her hand at composing: between 1896 and 1906, three of her compositions were published in Paris in the series "<i>Pensée: pour piano</i>".<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">&#91;</span>12<span class="cite-bracket">&#93;</span></a></sup> </p><p>Coen became famous as <a href="/wiki/Collaborative_piano" title="Collaborative piano">collaborative pianist</a> and <a href="/wiki/R%C3%A9p%C3%A9titeur" title="Répétiteur">répétiteur</a>. As early as 1908, she accompanied Alexander Heinemann on a tour through the Netherlands and England. Her debut in New York was in <a href="/wiki/Carnegie_Hall" title="Carnegie Hall">Carnegie Hall</a> in January 1915, when she supported <a href="/wiki/Olive_Fremstad" title="Olive Fremstad">Olive Fremstad</a> on the piano.<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">&#91;</span>13<span class="cite-bracket">&#93;</span></a></sup> She became the official pianist of <a href="/wiki/L%C3%A9on_Rothier" title="Léon Rothier">Leon Rothier</a> of the <a href="/wiki/Metropolitan_Opera" title="Metropolitan Opera">Metropolitan Opera</a> with whom she toured Canada.<sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">&#91;</span>14<span class="cite-bracket">&#93;</span></a></sup> In 1920, Coen spent nine weeks on tour with <a href="/wiki/Marie_Rappold" title="Marie Rappold">Marie Rappold</a>, including Texas, Missouri, Oklahoma and Kansas.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">&#91;</span>15<span class="cite-bracket">&#93;</span></a></sup> In addition to serving as Rappold's accompanist on the piano, Coen performed as a soloist, playing Rhapsody No. 11 and <a href="/wiki/Consolations_(Liszt)" title="Consolations (Liszt)">Consolations</a> (Liszt) as well as <i>Poèmes</i> by <a href="/wiki/Th%C3%A9odore_Dubois" title="Théodore Dubois">Dubois</a>, music that she frequently performed, that was sometimes complemented by encore performances of <a href="/wiki/Waltz_in_C-sharp_minor,_Op._64,_No._2_(Chopin)" title="Waltz in C-sharp minor, Op. 64, No. 2 (Chopin)">Waltz in C-sharp minor</a> (<a href="/wiki/Fr%C3%A9d%C3%A9ric_Chopin" title="Frédéric Chopin">Chopin</a>) and the <a href="/wiki/Gavotte" title="Gavotte">Gavotte</a> from <i><a href="/wiki/Iphig%C3%A9nie_en_Tauride" title="Iphigénie en Tauride">Iphigénie en Tauride</a></i> (<a href="/wiki/Christoph_Willibald_Gluck" title="Christoph Willibald Gluck">Glück</a>) in the arrangement by <a href="/wiki/Johannes_Brahms" title="Johannes Brahms">Brahms</a>. In 1929, she accompanied Rappold for concerts in the Netherlands, the birthplace of Coen's parents and grandparents. They played the <a href="/wiki/Concertgebouw,_Amsterdam" title="Concertgebouw, Amsterdam">Koninklijk Concertgebouw</a> and <a href="/wiki/Diligentia" title="Diligentia">Diligentia</a>.<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">&#91;</span>16<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Opera_conductor_and_vocal_coach">Opera conductor and vocal coach</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Lina_Coen&amp;action=edit&amp;section=4" title="Edit section: Opera conductor and vocal coach"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:1917.02.08-NYT-LinaCoen.png" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/88/1917.02.08-NYT-LinaCoen.png/220px-1917.02.08-NYT-LinaCoen.png" decoding="async" width="220" height="248" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/88/1917.02.08-NYT-LinaCoen.png/330px-1917.02.08-NYT-LinaCoen.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/88/1917.02.08-NYT-LinaCoen.png/440px-1917.02.08-NYT-LinaCoen.png 2x" data-file-width="513" data-file-height="579" /></a><figcaption>Article in <i>The New York Times,</i> February 8, 1917, p. 10</figcaption></figure> <p>Coen was reportedly the first woman in the US known to conduct an opera, according to the <i>New York Review</i> (February 10, 1917) in an article entitled, “Woman Conducts <i><a href="/wiki/Carmen" title="Carmen">Carmen</a></i> Performance at <a href="/wiki/Garden_Theatre" title="Garden Theatre">Garden Theatre</a>: Mme. Coen is First of Sex to Wield Baton in <a href="/wiki/Grand_opera" title="Grand opera">Grand Opera</a> in America”, which quotes Coen's response to a question about her dress: </p> <style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style><blockquote class="templatequote"><p>An evening gown would be out of place. Woman invades the orchestra pit not with the idea of making a sartorial display of herself, as is the case in so many instances where the box of the opera house is concerned. I want to attract attention solely by the caliber of my reading of the score of <i>Carmen</i>. There is not a role in the opera in which I have not coached singers who are among the foremost exponents of those particular roles, and this, I believe, gives me a greater grasp of the possibilities of the score, than perhaps some conductors display</p></blockquote> <p>The opera was staged by the Cosmopolitan Opera Company and featured <a href="/wiki/Marta_Wittkowska" title="Marta Wittkowska">Marta Wittkowska</a> as Carmen, Enrico Arenson as Don Jose and Auguste Bouillez as Escamillo.<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">&#91;</span>17<span class="cite-bracket">&#93;</span></a></sup> </p><p>Among the singers who coached with Coen were <a href="/wiki/Marion_Telva" title="Marion Telva">Marion Telva</a>, <a href="/wiki/Julia_Culp" title="Julia Culp">Julia Culp</a>, <a href="/wiki/Jeanne_Gordon" title="Jeanne Gordon">Jeanne Gordon</a>, <a href="/wiki/Carl_J%C3%B6rn" title="Carl Jörn">Carl Jörn</a>, <a href="/wiki/Orville_Harrold" title="Orville Harrold">Orville Harrold</a>, <a href="/wiki/Marie_Tiffany" title="Marie Tiffany">Marie Tiffany</a>, <a href="/wiki/Genevi%C3%A8ve_Vix" title="Geneviève Vix">Geneviève Vix</a>, <a href="/wiki/Claire_Dux" title="Claire Dux">Claire Dux</a> and many others.<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">&#91;</span>18<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">&#91;</span>19<span class="cite-bracket">&#93;</span></a></sup> </p><p>Her career as conductor continued in 1921 when she worked with Leon M. Kramer and conducted <i><a href="/wiki/La_Juive" title="La Juive">La Juive</a></i>, at the Lexington Opera House in New York under the auspices of the Jewish American Opera Company, the first time a Grand Opera was performed in the US in <a href="/wiki/Yiddish" title="Yiddish">Yiddish</a>.<sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">&#91;</span>20<span class="cite-bracket">&#93;</span></a></sup> After this, Coen focused on her role as vocal coach until in 1944 when she became the musical director for her third opera, <a href="/wiki/Engelbert_Humperdinck_(composer)" title="Engelbert Humperdinck (composer)">Engelbert Humperdinck</a>´s <i><a href="/wiki/Hansel_and_Gretel_(opera)" title="Hansel and Gretel (opera)">Hansel and Gretel</a></i>, presented by the <a href="/wiki/University_of_Miami" title="University of Miami">University of Miami</a> School of Music, where she had worked since 1943 as a vocal trainer.<sup id="cite_ref-21" class="reference"><a href="#cite_note-21"><span class="cite-bracket">&#91;</span>21<span class="cite-bracket">&#93;</span></a></sup> </p><p>Coen died in <a href="/wiki/Miami" title="Miami">Miami</a>, Florida, in 1952, at age 73. </p> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Lina_Coen&amp;action=edit&amp;section=5" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite class="citation web cs1"><a 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Retrieved <span class="nowrap">July 15,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Sophie+Drinker+Institut&amp;rft.atitle=Baginsky%2C+Margarethe&amp;rft_id=https%3A%2F%2Fwww.sophie-drinker-institut.de%2Fbaginsky-margarethe&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ALina+Coen" class="Z3988"></span></span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSchumann" class="citation journal cs1">Schumann, Robert. <a rel="nofollow" class="external text" href="https://hdl.handle.net/2027/iau.31858027415433?urlappend=;seq=355">"Neue Zeitschrift für Musik. v.101 1905 pt.1"</a>. <i>Neue Leipziger Zeitschrift für Musik1834</i>: 102 Bd. <a href="/wiki/Hdl_(identifier)" class="mw-redirect" title="Hdl (identifier)">hdl</a>:<a rel="nofollow" class="external text" href="https://hdl.handle.net/2027%2Fiau.31858027415433?urlappend=%3Bseq=355">2027/iau.31858027415433</a><span class="reference-accessdate">. Retrieved <span class="nowrap">2020-08-06</span></span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Neue+Leipziger+Zeitschrift+f%C3%BCr+Musik1834&amp;rft.atitle=Neue+Zeitschrift+f%C3%BCr+Musik.+v.101+1905+pt.1.&amp;rft.pages=102+Bd&amp;rft_id=info%3Ahdl%2F2027%2Fiau.31858027415433%3Furlappend%3D%253Bseq%3D355&amp;rft.aulast=Schumann&amp;rft.aufirst=Robert&amp;rft_id=https%3A%2F%2Fhdl.handle.net%2F2027%2Fiau.31858027415433%3Furlappend%3D%3Bseq%3D355&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ALina+Coen" class="Z3988"></span></span> </li> <li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLina_Coen1906" class="citation book cs1 cs1-prop-foreign-lang-source">Lina Coen (1906). <a rel="nofollow" class="external text" href="https://gallica.bnf.fr/ark:/12148/bpt6k396378s"><i>Pensée: Pour piano</i></a> (in French). A. Noel. p.&#160;3 p.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Pens%C3%A9e%3A+Pour+piano&amp;rft.pages=3+p&amp;rft.pub=A.+Noel&amp;rft.date=1906&amp;rft.au=Lina+Coen&amp;rft_id=https%3A%2F%2Fgallica.bnf.fr%2Fark%3A%2F12148%2Fbpt6k396378s&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ALina+Coen" class="Z3988"></span></span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNew_York_Philharmonic_Leon_Levy_Digital_Archives1915" class="citation web cs1">New York Philharmonic Leon Levy Digital Archives (January 10, 1915). <a rel="nofollow" class="external text" href="https://archives.nyphil.org/index.php/artifact/81b921e5-ccd0-4fe7-843d-e9f2b2b446c1-0.1/fullview#page/1/mode/2up">"New York Philharmonic Program (ID: 1947), 1915 Jan 10"</a>. <i>New York Philharmonic Leon Levy Digital Archives</i><span class="reference-accessdate">. Retrieved <span class="nowrap">July 17,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=New+York+Philharmonic+Leon+Levy+Digital+Archives&amp;rft.atitle=New+York+Philharmonic+Program+%28ID%3A+1947%29%2C+1915+Jan+10&amp;rft.date=1915-01-10&amp;rft.au=New+York+Philharmonic+Leon+Levy+Digital+Archives&amp;rft_id=https%3A%2F%2Farchives.nyphil.org%2Findex.php%2Fartifact%2F81b921e5-ccd0-4fe7-843d-e9f2b2b446c1-0.1%2Ffullview%23page%2F1%2Fmode%2F2up&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ALina+Coen" class="Z3988"></span></span> </li> <li id="cite_note-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-14">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://babel.hathitrust.org/cgi/pt?id=njp.32101068507027&amp;view=1up&amp;seq=319&amp;q1=Lina%20Coen">"The Musical blue book of America. 1916-17"</a>. <i>HathiTrust</i><span class="reference-accessdate">. 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Retrieved <span class="nowrap">2020-07-16</span></span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Library+of+Congress&amp;rft.atitle=Marie+Rappold+on+Tour&amp;rft.date=1919-12-03&amp;rft.au=The+Washington+Herald&amp;rft_id=https%3A%2F%2Fwww.loc.gov%2Fresource%2Fsn83045433%2F1919-12-03%2Fed-1%2F%3Fsp%3D4&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ALina+Coen" class="Z3988"></span></span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="https://www.delpher.nl/nl/kranten/view?query=%22lina+coen%22&amp;coll=ddd&amp;sortfield=date&amp;page=2&amp;identifier=MMKB04:000198244:mpeg21:a0088&amp;resultsidentifier=MMKB04:000198244:mpeg21:a0088">"Marie Rappold"</a>. <i>De Maasbode</i> (in Dutch). April 26, 1929<span class="reference-accessdate">. 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Retrieved <span class="nowrap">2023-09-25</span></span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=HathiTrust&amp;rft.atitle=Musical+courier+%3A+a+weekly+journal+devoted+to+music+and+the+music+trades.+v.87%281923%3AJuly-Dec.%29.&amp;rft.pages=28&amp;rft_id=info%3Ahdl%2F2027%2Fuiug.30112097181488%3Furlappend%3D%253Bseq%3D8&amp;rft_id=https%3A%2F%2Fhdl.handle.net%2F2027%2Fuiug.30112097181488%3Furlappend%3D%253Bseq%3D8&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ALina+Coen" class="Z3988"></span></span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://hdl.handle.net/2027/uiug.30112002987813?urlappend=%3Bseq=1">"Musical courier&#160;: a weekly journal devoted to music and the music trades. v.85(1922:July-Dec.)"</a>. <i>HathiTrust</i>. issue 912 of nov 2nd. p.&#160;46. <a href="/wiki/Hdl_(identifier)" class="mw-redirect" title="Hdl (identifier)">hdl</a>:<a rel="nofollow" class="external text" href="https://hdl.handle.net/2027%2Fuiug.30112002987813?urlappend=%3Bseq=1">2027/uiug.30112002987813</a><span class="reference-accessdate">. Retrieved <span class="nowrap">2023-09-25</span></span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=HathiTrust&amp;rft.atitle=Musical+courier+%3A+a+weekly+journal+devoted+to+music+and+the+music+trades.+v.85%281922%3AJuly-Dec.%29.&amp;rft.pages=46&amp;rft_id=info%3Ahdl%2F2027%2Fuiug.30112002987813%3Furlappend%3D%253Bseq%3D1&amp;rft_id=https%3A%2F%2Fhdl.handle.net%2F2027%2Fuiug.30112002987813%3Furlappend%3D%253Bseq%3D1&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ALina+Coen" class="Z3988"></span></span> </li> <li id="cite_note-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-20">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://chroniclingamerica.loc.gov/lccn/sn78004468/1921-05-27/ed-1/seq-15/">"<span class="cs1-kern-left"></span>"La Juive" in Yiddish"</a>. <i>The American Jewish World</i>. May 27, 1921<span class="reference-accessdate">. Retrieved <span class="nowrap">July 15,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+American+Jewish+World&amp;rft.atitle=%22La+Juive%22+in+Yiddish&amp;rft.date=1921-05-27&amp;rft_id=https%3A%2F%2Fchroniclingamerica.loc.gov%2Flccn%2Fsn78004468%2F1921-05-27%2Fed-1%2Fseq-15%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ALina+Coen" class="Z3988"></span></span> </li> <li id="cite_note-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-21">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://digitalcollections.library.miami.edu/digital/collection/asu0053/id/2662/rec/18">"Tickets for Hansel-Gretel now on sale"</a>. <i>digitalcollections.library.miami.edu</i>. Miami Hurricane. May 26, 1944<span class="reference-accessdate">. Retrieved <span class="nowrap">2023-09-25</span></span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=digitalcollections.library.miami.edu&amp;rft.atitle=Tickets+for+Hansel-Gretel+now+on+sale&amp;rft.date=1944-05-26&amp;rft_id=https%3A%2F%2Fdigitalcollections.library.miami.edu%2Fdigital%2Fcollection%2Fasu0053%2Fid%2F2662%2Frec%2F18&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ALina+Coen" class="Z3988"></span></span> </li> </ol></div></div> <!-- NewPP limit report Parsed by mw‐api‐ext.eqiad.main‐6696b4cc84‐snjqv Cached time: 20241122163712 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.289 seconds Real time usage: 0.379 seconds Preprocessor visited node count: 1628/1000000 Post‐expand include size: 40702/2097152 bytes Template argument size: 2561/2097152 bytes Highest expansion depth: 12/100 Expensive parser function count: 1/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 66252/5000000 bytes Lua time usage: 0.169/10.000 seconds Lua memory usage: 5834367/52428800 bytes Number of Wikibase entities loaded: 1/400 --> <!-- Transclusion expansion time report (%,ms,calls,template) 100.00% 335.666 1 -total 46.97% 157.669 1 Template:Reflist 41.30% 138.639 1 Template:Infobox_musical_artist 30.97% 103.959 10 Template:Cite_web 23.59% 79.175 1 Template:Infobox 14.96% 50.230 1 Template:Short_description 7.17% 24.060 8 Template:Main_other 7.06% 23.692 2 Template:Pagetype 5.94% 19.952 6 Template:Cite_news 5.48% 18.396 1 Template:Authority_control --> <!-- Saved in parser cache with key enwiki:pcache:idhash:64583825-0!canonical and timestamp 20241122163712 and revision id 1223917709. 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