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Uno de los aspectos más llamativos es la cantidad de tejidos que enviaban a toda la familia real, siendo los más importantes" /> <meta property="article:author" content="https://uam.academia.edu/SandraAnt%C3%BAnezL%C3%B3pez" /> <meta property="article:author" content="https://uma.academia.edu/RevistaEviterna" /> <meta name="description" content="Resumen. En este artículo hemos procedido al estudio de los distintos mercaderes al servicio de la reina Isabel de Farnesio. Uno de los aspectos más llamativos es la cantidad de tejidos que enviaban a toda la familia real, siendo los más importantes" /> <title>(PDF) Los mercaderes textiles de Isabel de Farnesio (1714-1746) | Sandra Antúnez López and Revista Eviterna - Universidad de Málaga - Academia.edu</title> <link rel="canonical" href="https://www.academia.edu/39694861/Los_mercaderes_textiles_de_Isabel_de_Farnesio_1714_1746_" /> <script async src="https://www.googletagmanager.com/gtag/js?id=G-5VKX33P2DS"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'G-5VKX33P2DS', { cookie_domain: 'academia.edu', send_page_view: false, }); gtag('event', 'page_view', { 'controller': "single_work", 'action': "show", 'controller_action': 'single_work#show', 'logged_in': 'false', 'edge': 'unknown', // Send nil if there is no A/B test bucket, in case some records get logged // with missing data - that way we can distinguish between the two cases. // ab_test_bucket should be of the form <ab_test_name>:<bucket> 'ab_test_bucket': null, }) </script> <script> var $controller_name = 'single_work'; var $action_name = "show"; var $rails_env = 'production'; var $app_rev = '9387f500ddcbb8d05c67bef28a2fe0334f1aafb8'; var $domain = 'academia.edu'; var $app_host = "academia.edu"; var $asset_host = "academia-assets.com"; var $start_time = new Date().getTime(); var $recaptcha_key = "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB"; var $recaptcha_invisible_key = "6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj"; var $disableClientRecordHit = false; </script> <script> window.require = { config: function() { return function() {} } } </script> <script> window.Aedu = window.Aedu || {}; window.Aedu.hit_data = null; window.Aedu.serverRenderTime = new Date(1733038125000); window.Aedu.timeDifference = new Date().getTime() - 1733038125000; </script> <script type="application/ld+json">{"@context":"https://schema.org","@type":"ScholarlyArticle","abstract":"Resumen. En este artículo hemos procedido al estudio de los distintos mercaderes al servicio de la reina Isabel de Farnesio. Uno de los aspectos más llamativos es la cantidad de tejidos que enviaban a toda la familia real, siendo los más importantes tafetanes y sedas bordadas con diferentes motivos ornamentales. Entre los mercaderes más relevantes encontramos a Martin Boucher, Manuel Merino y Pedro Fernandez de Recas, los cuales fueron hombres muy importantes para la construcción de la imagen real de la reina. Abstract. In this article we have proceeded to the study of the different merchants at the service of Queen Elisabeth of Farnese.One of the most striking aspects is the amount of fabrics that were sent to the entire royal family, the most important being taffetas and silks embroidered with different ornamental motifs. Among the most important merchants are Martin Boucher, Manuel Merino and Pedro Fernandez de Recas, who were very important men for the construction of the royal image of the queen. Eviterna. Revista Universitaria de Humanidades, Arte y Cultura. n.º 5, Marzo, 2019, ISSN: 2530-6014","author":[{"@context":"https://schema.org","@type":"Person","name":"Sandra Antúnez López"},{"@context":"https://schema.org","@type":"Person","name":"Revista Eviterna - Universidad de Málaga"}],"contributor":[{"@context":"https://schema.org","@type":"Person","name":"Revista Eviterna - Universidad de Málaga"}],"dateCreated":"2019-06-25","dateModified":"2020-09-24","datePublished":"2019-01-01","headline":"Los mercaderes textiles de Isabel de Farnesio (1714-1746)","inLanguage":"es","keywords":["Intercultural Communication","History of Costume","Archives","Dress and identity","Costume (Art History)","Textile Technology","History of Paris","PARES (Portal de Archivos Españoles)","Comercio Internacional","Historia del Reino de Valencia","Felipe V","Effluent Treatment of Textiles","Felipe V De Borbón","Palacios Reales","LOS REALES SITIOS","Isabel De Farnesio","Farnese Collection","Lonja de mercaderes","Sastres","Real Guardarropa"],"locationCreated":null,"publication":"Eviterna. 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window.loswp.shouldShowBulkDownload = true; window.loswp.showSignupCaptcha = false window.loswp.willEdgeCache = false; window.loswp.work = {"work":{"id":39694861,"created_at":"2019-06-25T14:43:15.143-07:00","from_world_paper_id":null,"updated_at":"2021-01-11T13:00:50.521-08:00","_data":{"doi":"10.24310/Eviternare.v0i5.8057","volume":"N.º 5","abstract":"Resumen. En este artículo hemos procedido al estudio de los distintos mercaderes al servicio de la reina Isabel de Farnesio. Uno de los aspectos más llamativos es la cantidad de tejidos que enviaban a toda la familia real, siendo los más importantes tafetanes y sedas bordadas con diferentes motivos ornamentales. Entre los mercaderes más relevantes encontramos a Martin Boucher, Manuel Merino y Pedro Fernandez de Recas, los cuales fueron hombres muy importantes para la construcción de la imagen real de la reina.\n\nAbstract. In this article we have proceeded to the study of the different merchants at the service of Queen Elisabeth of Farnese.One of the most striking aspects is the amount of fabrics that were sent to the entire royal family, the most important being taffetas and silks embroidered with different ornamental motifs. Among the most important merchants are Martin Boucher, Manuel Merino and Pedro Fernandez de Recas, who were very important men for the construction of the royal image of the queen.\n\nEviterna. Revista Universitaria de Humanidades, Arte y Cultura. n.º 5, Marzo, 2019, ISSN: 2530-6014","page_numbers":"1-14","publication_date":"2019,,","publication_name":"Eviterna. Revista Universitaria de Humanidades, Arte y Cultura. n.º 5, ISSN: 2530-6014"},"document_type":"paper","pre_hit_view_count_baseline":null,"quality":"high","language":"es","title":"Los mercaderes textiles de Isabel de Farnesio (1714-1746)","broadcastable":true,"draft":false,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [160807630,117940397]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "full_page_mobile_sutd_modal"; window.loswp.useOptimizedScribd4genScript = false; window.loswp.appleClientId = 'edu.academia.applesignon';</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":59865012,"attachmentType":"pdf"}"><img alt="First page of “Los mercaderes textiles de Isabel de Farnesio (1714-1746)”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/59865012/mini_magick20190625-24655-1xl40nu.png?1561502831" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/assets/single_work_splash/adobe.icon-574afd46eb6b03a77a153a647fb47e30546f9215c0ee6a25df597a779717f9ef.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">Los mercaderes textiles de Isabel de Farnesio (1714-1746)</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="160807630" href="https://uma.academia.edu/RevistaEviterna"><img alt="Profile image of Revista Eviterna - Universidad de Málaga" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/160807630/45095401/35279562/s65_revista.eviterna.jpg" />Revista Eviterna - Universidad de Málaga</a><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="117940397" href="https://uam.academia.edu/SandraAnt%C3%BAnezL%C3%B3pez"><img alt="Profile image of Sandra Antúnez López" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/117940397/28903755/32017151/s65_sandra.ant_nez_l_pez.png" />Sandra Antúnez López</a></div><div class="ds-work-card--detail"><p class="ds-work-card--detail ds2-5-body-sm">2019, Eviterna. Revista Universitaria de Humanidades, Arte y Cultura. n.º 5, ISSN: 2530-6014</p></div><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">Resumen. En este artículo hemos procedido al estudio de los distintos mercaderes al servicio de la reina Isabel de Farnesio. Uno de los aspectos más llamativos es la cantidad de tejidos que enviaban a toda la familia real, siendo los más importantes tafetanes y sedas bordadas con diferentes motivos ornamentales. Entre los mercaderes más relevantes encontramos a Martin Boucher, Manuel Merino y Pedro Fernandez de Recas, los cuales fueron hombres muy importantes para la construcción de la imagen real de la reina. Abstract. In this article we have proceeded to the study of the different merchants at the service of Queen Elisabeth of Farnese.One of the most striking aspects is the amount of fabrics that were sent to the entire royal family, the most important being taffetas and silks embroidered with different ornamental motifs. Among the most important merchants are Martin Boucher, Manuel Merino and Pedro Fernandez de Recas, who were very important men for the construction of the royal image of the queen. Eviterna. Revista Universitaria de Humanidades, Arte y Cultura. n.º 5, Marzo, 2019, ISSN: 2530-6014</p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":59865012,"attachmentType":"pdf","workUrl":"https://www.academia.edu/39694861/Los_mercaderes_textiles_de_Isabel_de_Farnesio_1714_1746_"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":59865012,"attachmentType":"pdf","workUrl":"https://www.academia.edu/39694861/Los_mercaderes_textiles_de_Isabel_de_Farnesio_1714_1746_"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div></div><div data-auto_select="false" data-client_id="331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b" data-doc_id="59865012" data-landing_url="https://www.academia.edu/39694861/Los_mercaderes_textiles_de_Isabel_de_Farnesio_1714_1746_" data-login_uri="https://www.academia.edu/registrations/google_one_tap" data-moment_callback="onGoogleOneTapEvent" id="g_id_onload"></div><div class="ds-top-related-works--grid-container"><div class="ds-related-content--container ds-top-related-works--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="0" data-entity-id="39694776" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/39694776/Los_art%C3%ADfices_del_vestir_de_Isabel_de_Farnesio_de_1714_hasta_1746">Los artífices del vestir de Isabel de Farnesio de 1714 hasta 1746</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="117940397" href="https://uam.academia.edu/SandraAnt%C3%BAnezL%C3%B3pez">Sandra Antúnez López</a></div><p class="ds-related-work--metadata ds2-5-body-xs">ArtyHum. Revista Digital de Artes y Humanidades, n.º 57, ISSN: 2341-4898, 2019</p><p class="ds-related-work--abstract ds2-5-body-sm">Resumen. Los sastres y otros oficiales de Isabel de Farnesio componen una situación privilegiada en el departamento del Real Guardarropa. En las siguientes páginas pretendemos dar nombres y apellidos a los principales sastres, cotilleros y distintos oficiales que confeccionaban los vestidos reales de la reina durante los años 1714 hasta 1746. La entrada de patrones a la corte madrileña contrasta con el único tratado de sastrería de Juan de Albayzeta en 1720, siendo el único en España durante el siglo XVIII. Los sastres de cámara se inspiraban en el tratado de patrones de Albayzeta para enviar e intercambiar patrones entre Madrid y París. De esta forma, los patrones se realizaban en lienzo, siguiendo un boceto llamado la puesta en carta. Abstract. The tailors and other officers of Isabel de Farnesio make up a privileged situation in the department of the Royal Wardrobe. In the following pages we intend to give names and surnames to the main tailors, cotilleros and different officers who made the royal dresses of the queen during the years 1714 to 1746. The entrance of patrons to the court of Madrid contrasts with the only treaty of tailoring by Juan de Albayzeta in 1720, being the only one in Spain during the 18th century. The tailors of camera were inspired by the treaty of bosses of Albayzeta to send and to exchange patterns between Madrid and París. In this way, the patterns were made on canvas, following a sketch called put on letter. ArtyHum. Revista Digital de Artes y Humanidades, n.º 57. ISSN: 2341-4898. Vigo, 2019.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Los artífices del vestir de Isabel de Farnesio de 1714 hasta 1746","attachmentId":59864881,"attachmentType":"pdf","work_url":"https://www.academia.edu/39694776/Los_art%C3%ADfices_del_vestir_de_Isabel_de_Farnesio_de_1714_hasta_1746","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/39694776/Los_art%C3%ADfices_del_vestir_de_Isabel_de_Farnesio_de_1714_hasta_1746"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="41029874" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/41029874/_Los_art%C3%ADfices_en_el_vestir_de_Isabel_de_Farnesio_1714_1746_en_Nombres_en_la_sombra_Hacia_la_deconstrucci%C3%B3n_del_canon_en_la_Historia_de_la_Moda_y_el_Textil">"Los artífices en el vestir de Isabel de Farnesio (1714-1746)" en: Nombres en la sombra. Hacia la deconstrucción del canon en la Historia de la Moda y el Textil.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="117940397" href="https://uam.academia.edu/SandraAnt%C3%BAnezL%C3%B3pez">Sandra Antúnez López</a></div><p class="ds-related-work--metadata ds2-5-body-xs">II Coloquio de Investigadores en Textil y Moda. Nombres en la sombra. Hacia la deconstrucción del canon en la Historia de la Moda y el Textil, 2019</p><p class="ds-related-work--abstract ds2-5-body-sm">Artículo en el libro de actas: Nombres en la sombra. Hacia la deconstrucción del canon en la Historia de la Moda y el Textil. Libro de Actas del II Coloquio de Investigadores en Textil y Moda celebrado en el Museu del Disseny y en Fundació Història del Disseny en Barcelona. Coordinación de la edición: Isabel Campi y Sílvia Ventosa Edición: Fundación Historia del Diseño y Museo del Diseño de Barcelona ISBN: 978-84-09-15616-0</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"\"Los artífices en el vestir de Isabel de Farnesio (1714-1746)\" en: Nombres en la sombra. 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II Coloquio de Investigadores en Textil y Moda, celebrado en el Museu del Disseny de Barcelona, los días 21 y 22 de noviembre de 2019.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"[21 de noviembre de 2019] \"Los artífices en el vestir de Isabel de Farnesio (1714-1746)\"","attachmentId":61135578,"attachmentType":"pdf","work_url":"https://www.academia.edu/40849914/_21_de_noviembre_de_2019_Los_art%C3%ADfices_en_el_vestir_de_Isabel_de_Farnesio_1714_1746_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/40849914/_21_de_noviembre_de_2019_Los_art%C3%ADfices_en_el_vestir_de_Isabel_de_Farnesio_1714_1746_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="23887596" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/23887596/Los_encargos_de_tejidos_italianos_para_Isabel_de_Portugal_1531_1535">Los encargos de tejidos italianos para Isabel de Portugal: 1531-1535</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="30987289" href="https://uva-es.academia.edu/Mar%C3%ADaJos%C3%A9RedondoCantera">María José Redondo Cantera</a></div><p class="ds-related-work--abstract ds2-5-body-sm">During the years Charles V spent away from Spain to be crowned as an Emperor by the Pope in Bolonia (1529- 1533), her wife Isabella of Portugal gathered luxury objects for the palace, in order to display a language according to the idea of the imperial Majesty. Among those there were rich and unique tissues made or get in Italy. Many unpublished documents from the Archive of Simancas allow us to know about these purchases. Durante la larga ausencia de Carlos V de sus reinos hispánicos (1529-1533) con motivo de su coronación como Emperador en Bolonia, su esposa, Isabel de Portugal, reunió selectas piezas suntuosas para desplegar en palacio un lenguaje de aparato propio de la majestad imperial. Entre ellos se encontraron ricos elementos textiles realizados o comprados en Italia. Numerosos documentos inéditos del Archivo General de Simancas permiten seguir el proceso con detalle.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Los encargos de tejidos italianos para Isabel de Portugal: 1531-1535","attachmentId":44276539,"attachmentType":"pdf","work_url":"https://www.academia.edu/23887596/Los_encargos_de_tejidos_italianos_para_Isabel_de_Portugal_1531_1535","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/23887596/Los_encargos_de_tejidos_italianos_para_Isabel_de_Portugal_1531_1535"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="36538497" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/36538497/Mercaderes_de_arte_arte_para_mercaderes_El_comercio_art%C3%ADstico_durante_el_reinado_de_Isabel_la_Cat%C3%B3lica_1474_1504_">Mercaderes de arte, arte para mercaderes. El comercio artístico durante el reinado de Isabel la Católica (1474-1504)</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="33336146" href="https://ucm.academia.edu/IbanRedondo">Iban Redondo-Parés</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Afilando el pincel, dibujando la voz. Prácticas pictóricas góticas, 2017</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Mercaderes de arte, arte para mercaderes. El comercio artístico durante el reinado de Isabel la Católica (1474-1504)","attachmentId":56458703,"attachmentType":"pdf","work_url":"https://www.academia.edu/36538497/Mercaderes_de_arte_arte_para_mercaderes_El_comercio_art%C3%ADstico_durante_el_reinado_de_Isabel_la_Cat%C3%B3lica_1474_1504_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/36538497/Mercaderes_de_arte_arte_para_mercaderes_El_comercio_art%C3%ADstico_durante_el_reinado_de_Isabel_la_Cat%C3%B3lica_1474_1504_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="17465005" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/17465005/Mercaderes_de_seda_verlegers_y_veinticuatros_Los_Castellano_de_Marquina_de_Granada_1569_1644_">Mercaderes de seda, “verlegers” y veinticuatros: Los Castellano de Marquina de Granada (1569-1644)</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1199326" href="https://uco-es.academia.edu/RafaelMGir%C3%B3nPascual">Rafael M. Girón Pascual</a></div><p class="ds-related-work--abstract ds2-5-body-sm">In this paper I will present a study of a key and important group for the economy of the city of Granada and its kingdom: silk merchants. The Castellano de Marquina will be analysed in the role of production and trade, in putting-out system situations, of silk fabrics in Granada (damask, velvet, taffeta, satin and others) during the early modern period. As merchants-entrepreneurs (verlegers), the Castellano kin bought silk cocoons from rural producers, hired spinners, twisters, weavers and dyers in the city and finally traded the products in a very area that extended beyond the kingdom of Granada, and included the city of Seville, port of the Indies. At the same time acquired great power, holding municipal offices as “jurados” and “venticuatros”, and ruled the city in both eco- nomic and political aspects. It was particularly easy for the merchants to receive mercies of knight cavalry orders.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Mercaderes de seda, “verlegers” y veinticuatros: Los Castellano de Marquina de Granada (1569-1644)","attachmentId":39523848,"attachmentType":"pdf","work_url":"https://www.academia.edu/17465005/Mercaderes_de_seda_verlegers_y_veinticuatros_Los_Castellano_de_Marquina_de_Granada_1569_1644_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/17465005/Mercaderes_de_seda_verlegers_y_veinticuatros_Los_Castellano_de_Marquina_de_Granada_1569_1644_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="88977048" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/88977048/El_coleccionismo_de_Isabel_de_Farnesio_La_porcelana_como_elemento_decorativo_en_el_palacio_de_La_Granja_de_San_Ildefonso">El coleccionismo de Isabel de Farnesio. La porcelana como elemento decorativo en el palacio de La Granja de San Ildefonso</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="8534006" href="https://independent.academia.edu/EvaCalvo">Eva Calvo</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Horizontes del Barroco la cultura de un Imperio, 2022</p><p class="ds-related-work--abstract ds2-5-body-sm">Isabel de Farnesio reunió en el palacio de La Granja de San Ildefonso una destaca- da colección de porcelana de diferentes procedencias como resultado de acciones comerciales, agasajos personajes, regalos diplomáticos y por los lazos familiares entre la monarquía española con algunos de los centros productores más importantes de Europa. En este trabajo mostraremos la estima de la reina por el objeto artístico analizando el inventario que Domingo María Sani elaboró, por orden de Carlos III, tras el fallecimiento de la reina. En este documento se menciona el espacio en el que se exhibió su colección y nos permite visualizar el lugar que ocupó la porcelana en él.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"El coleccionismo de Isabel de Farnesio. La porcelana como elemento decorativo en el palacio de La Granja de San Ildefonso","attachmentId":92856847,"attachmentType":"pdf","work_url":"https://www.academia.edu/88977048/El_coleccionismo_de_Isabel_de_Farnesio_La_porcelana_como_elemento_decorativo_en_el_palacio_de_La_Granja_de_San_Ildefonso","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/88977048/El_coleccionismo_de_Isabel_de_Farnesio_La_porcelana_como_elemento_decorativo_en_el_palacio_de_La_Granja_de_San_Ildefonso"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="40532888" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/40532888/_Isabel_de_Farnesio_1692_1766_impulsora_de_la_m%C3%BAsica_para_viol%C3%ADn_italiana_en_Madrid_Beatriz_Blasco_et_al_eds_Las_mujeres_y_las_artes_mecenas_artistas_emprendedoras_coleccionistas_Madrid_Abada_2021_pp_269_293">“Isabel de Farnesio (1692-1766), impulsora de la música para violín italiana en Madrid”. Beatriz Blasco et al. (eds.), Las mujeres y las artes: mecenas, artistas, emprendedoras, coleccionistas. Madrid, Abada, 2021, pp. 269-293.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="21579915" href="https://usal.academia.edu/AnaLombardia">Ana Lombardía</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2021</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"“Isabel de Farnesio (1692-1766), impulsora de la música para violín italiana en Madrid”. Beatriz Blasco et al. (eds.), Las mujeres y las artes: mecenas, artistas, emprendedoras, coleccionistas. Madrid, Abada, 2021, pp. 269-293.","attachmentId":88271839,"attachmentType":"pdf","work_url":"https://www.academia.edu/40532888/_Isabel_de_Farnesio_1692_1766_impulsora_de_la_m%C3%BAsica_para_viol%C3%ADn_italiana_en_Madrid_Beatriz_Blasco_et_al_eds_Las_mujeres_y_las_artes_mecenas_artistas_emprendedoras_coleccionistas_Madrid_Abada_2021_pp_269_293","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/40532888/_Isabel_de_Farnesio_1692_1766_impulsora_de_la_m%C3%BAsica_para_viol%C3%ADn_italiana_en_Madrid_Beatriz_Blasco_et_al_eds_Las_mujeres_y_las_artes_mecenas_artistas_emprendedoras_coleccionistas_Madrid_Abada_2021_pp_269_293"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="35853844" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/35853844/El_reflejo_del_poder_a_trav%C3%A9s_de_la_indumentaria_inventario_de_la_III_Condesa_de_Pu%C3%B1onrostro_1589_">El reflejo del poder a través de la indumentaria: inventario de la III Condesa de Puñonrostro (1589)</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="23262894" href="https://unizar.academia.edu/ElenaAndres">Elena Andres</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"El reflejo del poder a través de la indumentaria: inventario de la III Condesa de Puñonrostro (1589)","attachmentId":55732357,"attachmentType":"pdf","work_url":"https://www.academia.edu/35853844/El_reflejo_del_poder_a_trav%C3%A9s_de_la_indumentaria_inventario_de_la_III_Condesa_de_Pu%C3%B1onrostro_1589_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/35853844/El_reflejo_del_poder_a_trav%C3%A9s_de_la_indumentaria_inventario_de_la_III_Condesa_de_Pu%C3%B1onrostro_1589_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="25879832" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/25879832/Los_mercaderes_toledanos_en_los_reinos_hisp%C3%A1nicos_1475_1520_una_aproximaci%C3%B3n_a_partir_del_observatorio_valenciano">Los mercaderes toledanos en los reinos hispánicos (1475-1520): una aproximación a partir del observatorio valenciano</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="4425024" href="https://uclm.academia.edu/DavidIgualLuis">David Igual Luis</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Anuario de Estudios Medievales, 48/1, Barcelona. ISSN: 0066-5061, 2018</p><p class="ds-related-work--abstract ds2-5-body-sm">This article examines the presence of the merchants of Toledo in the Hispanic kingdoms in the period 1475-1520. It is based on the viewpoint offered by the city of Valencia and its sources, where references to the activities of Toledo citizens are frequent. It begins with a contextual summary of the families and companies that were prominent in trade outside Toledo and, subsequently, focuses on two aspects: the areas where Toledo merchants acted, based on a series of bills of exchange witnessed in Valencia, and the relationship between the merchants of Toledo and other groups through the study of specific cases and episodes.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Los mercaderes toledanos en los reinos hispánicos (1475-1520): una aproximación a partir del observatorio valenciano","attachmentId":56919893,"attachmentType":"pdf","work_url":"https://www.academia.edu/25879832/Los_mercaderes_toledanos_en_los_reinos_hisp%C3%A1nicos_1475_1520_una_aproximaci%C3%B3n_a_partir_del_observatorio_valenciano","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/25879832/Los_mercaderes_toledanos_en_los_reinos_hisp%C3%A1nicos_1475_1520_una_aproximaci%C3%B3n_a_partir_del_observatorio_valenciano"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":59865012,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":59865012,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_59865012" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. You can download the paper by clicking the button above.</p></div></div></div></div><div class="ds-sidebar--container js-work-sidebar"><div class="ds-related-content--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="0" data-entity-id="69020779" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/69020779/Telas_literatas_Epigraf%C3%ADa_textil_en_los_libros_de_caballer%C3%ADas_espa%C3%B1oles">Telas literatas. 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(2005). El comercio de telas entre Oriente y Occidente (1190-1340). Catálogo de la exposición Vestiduras ricas. El monasterio de las Huelgas y su época, 1170-1340. Madrid: Patrimonio Nacional, 89-106.</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="463330" href="https://unizar.academia.edu/germannavarroespinach">Germán Navarro Espinach</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Navarro, G. (2005). El comercio de telas entre Oriente y Occidente (1190-1340). Catálogo de la exposición Vestiduras ricas. El monasterio de las Huelgas y su época, 1170-1340. 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