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class="vector-toc-link" href="#See_also"> <div class="vector-toc-text"> <span class="vector-toc-numb">8</span> <span>See also</span> </div> </a> <ul id="toc-See_also-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Notes" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Notes"> <div class="vector-toc-text"> <span class="vector-toc-numb">9</span> <span>Notes</span> </div> </a> <ul id="toc-Notes-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> <span class="vector-toc-numb">10</span> <span>References</span> </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Further_reading" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Further_reading"> <div class="vector-toc-text"> <span class="vector-toc-numb">11</span> <span>Further reading</span> </div> </a> <ul id="toc-Further_reading-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> <span class="vector-toc-numb">12</span> <span>External links</span> </div> </a> <ul id="toc-External_links-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" title="Table of Contents" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="Toggle the table of contents" > <label id="vector-page-titlebar-toc-label" for="vector-page-titlebar-toc-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" ><span class="vector-icon mw-ui-icon-listBullet mw-ui-icon-wikimedia-listBullet"></span> <span class="vector-dropdown-label-text">Toggle the table of contents</span> </label> <div class="vector-dropdown-content"> <div id="vector-page-titlebar-toc-unpinned-container" class="vector-unpinned-container"> </div> </div> </div> </nav> <h1 id="firstHeading" class="firstHeading mw-first-heading"><i>The Magpie</i> (Monet)</h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" 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Available in 16 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-16" aria-hidden="true" ><span class="vector-icon mw-ui-icon-language-progressive mw-ui-icon-wikimedia-language-progressive"></span> <span class="vector-dropdown-label-text">16 languages</span> </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D8%A7%D9%84%D8%B9%D9%82%D8%B9%D9%82_(%D9%85%D9%88%D9%86%D9%8A%D9%87)" title="العقعق (مونيه) – Arabic" lang="ar" hreflang="ar" data-title="العقعق (مونيه)" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target"><span>العربية</span></a></li><li class="interlanguage-link interwiki-et mw-list-item"><a href="https://et.wikipedia.org/wiki/Harakas_(Monet)" title="Harakas (Monet) – Estonian" lang="et" hreflang="et" data-title="Harakas (Monet)" data-language-autonym="Eesti" data-language-local-name="Estonian" class="interlanguage-link-target"><span>Eesti</span></a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/La_urraca" title="La urraca – Spanish" lang="es" hreflang="es" data-title="La urraca" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D8%B2%D8%A7%D8%BA%DB%8C_(%D9%86%D9%82%D8%A7%D8%B4%DB%8C_%D9%85%D9%88%D9%86%D9%87)" title="زاغی (نقاشی مونه) – Persian" lang="fa" hreflang="fa" data-title="زاغی (نقاشی مونه)" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target"><span>فارسی</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/La_Pie" title="La Pie – French" lang="fr" hreflang="fr" data-title="La Pie" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-hy mw-list-item"><a href="https://hy.wikipedia.org/wiki/%D4%BF%D5%A1%D5%B9%D5%A1%D5%B2%D5%A1%D5%AF_(%D5%B6%D5%AF%D5%A1%D6%80,_%D5%84%D5%B8%D5%B6%D5%A5)" title="Կաչաղակ (նկար, Մոնե) – Armenian" lang="hy" hreflang="hy" data-title="Կաչաղակ (նկար, Մոնե)" data-language-autonym="Հայերեն" data-language-local-name="Armenian" class="interlanguage-link-target"><span>Հայերեն</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/La_gazza" title="La gazza – Italian" lang="it" hreflang="it" data-title="La gazza" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-ka mw-list-item"><a href="https://ka.wikipedia.org/wiki/%E1%83%99%E1%83%90%E1%83%AD%E1%83%99%E1%83%90%E1%83%AD%E1%83%98_(%E1%83%9B%E1%83%9D%E1%83%9C%E1%83%94%E1%83%A1_%E1%83%9C%E1%83%90%E1%83%AE%E1%83%90%E1%83%A2%E1%83%98)" title="კაჭკაჭი (მონეს ნახატი) – Georgian" lang="ka" hreflang="ka" data-title="კაჭკაჭი (მონეს ნახატი)" data-language-autonym="ქართული" data-language-local-name="Georgian" class="interlanguage-link-target"><span>ქართული</span></a></li><li class="interlanguage-link interwiki-mk mw-list-item"><a href="https://mk.wikipedia.org/wiki/%D0%A1%D1%82%D1%80%D0%B0%D1%87%D0%BA%D0%B0_(%D0%9C%D0%BE%D0%BD%D0%B5)" title="Страчка (Моне) – Macedonian" lang="mk" hreflang="mk" data-title="Страчка (Моне)" data-language-autonym="Македонски" data-language-local-name="Macedonian" class="interlanguage-link-target"><span>Македонски</span></a></li><li class="interlanguage-link interwiki-ml mw-list-item"><a href="https://ml.wikipedia.org/wiki/%E0%B4%A6%E0%B4%BF_%E0%B4%AE%E0%B4%BE%E0%B4%97%E0%B5%8D%E0%B4%AA%E0%B5%88_(%E0%B4%AE%E0%B5%8B%E0%B4%A8%E0%B5%86)" title="ദി മാഗ്പൈ (മോനെ) – Malayalam" lang="ml" hreflang="ml" data-title="ദി മാഗ്പൈ (മോനെ)" data-language-autonym="മലയാളം" data-language-local-name="Malayalam" class="interlanguage-link-target"><span>മലയാളം</span></a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D8%A7%D9%84%D8%B9%D9%82%D8%B9%D9%82_(%D9%85%D9%88%D9%86%D9%8A%D9%87)" title="العقعق (مونيه) – Egyptian Arabic" lang="arz" hreflang="arz" data-title="العقعق (مونيه)" data-language-autonym="مصرى" data-language-local-name="Egyptian Arabic" class="interlanguage-link-target"><span>مصرى</span></a></li><li class="interlanguage-link interwiki-ro mw-list-item"><a href="https://ro.wikipedia.org/wiki/Co%C8%9Bofana_(pictur%C4%83_de_Monet)" title="Coțofana (pictură de Monet) – Romanian" lang="ro" hreflang="ro" data-title="Coțofana (pictură de Monet)" data-language-autonym="Română" data-language-local-name="Romanian" class="interlanguage-link-target"><span>Română</span></a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%A1%D0%BE%D1%80%D0%BE%D0%BA%D0%B0_(%D0%BA%D0%B0%D1%80%D1%82%D0%B8%D0%BD%D0%B0_%D0%9C%D0%BE%D0%BD%D0%B5)" title="Сорока (картина Моне) – Russian" lang="ru" hreflang="ru" data-title="Сорока (картина Моне)" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target"><span>Русский</span></a></li><li class="interlanguage-link interwiki-sl mw-list-item"><a href="https://sl.wikipedia.org/wiki/Sraka_(Monet)" title="Sraka (Monet) – Slovenian" lang="sl" hreflang="sl" data-title="Sraka (Monet)" data-language-autonym="Slovenščina" data-language-local-name="Slovenian" class="interlanguage-link-target"><span>Slovenščina</span></a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Skatan_(m%C3%A5lning)" title="Skatan (målning) – Swedish" lang="sv" hreflang="sv" data-title="Skatan (målning)" data-language-autonym="Svenska" data-language-local-name="Swedish" class="interlanguage-link-target"><span>Svenska</span></a></li><li class="interlanguage-link interwiki-zh mw-list-item"><a href="https://zh.wikipedia.org/wiki/%E5%96%9C%E9%B9%8A_(%E6%B2%B9%E7%94%BB)" title="喜鹊 (油画) – Chinese" lang="zh" hreflang="zh" data-title="喜鹊 (油画)" data-language-autonym="中文" data-language-local-name="Chinese" class="interlanguage-link-target"><span>中文</span></a></li> </ul> <div class="after-portlet after-portlet-lang"><span class="wb-langlinks-edit wb-langlinks-link"><a href="https://www.wikidata.org/wiki/Special:EntityPage/Q4429116#sitelinks-wikipedia" title="Edit interlanguage links" class="wbc-editpage">Edit links</a></span></div> </div> </div> </div> </header> <div class="vector-page-toolbar"> <div class="vector-page-toolbar-container"> <div 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Click here for more information." src="//upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/19px-Symbol_support_vote.svg.png" decoding="async" width="19" height="20" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/29px-Symbol_support_vote.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/39px-Symbol_support_vote.svg.png 2x" data-file-width="180" data-file-height="185" /></a></span></div></div> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">1868–1869 painting by Claude Monet</div> <p class="mw-empty-elt"> </p> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vevent" style="width: 22em; line-height: 1.4em; text-align: left;"><tbody><tr><th colspan="2" class="infobox-above summary" style="font-size: 125%; font-weight: bold; font-style: italic">The Magpie</th></tr><tr><td colspan="2" class="infobox-image"><span typeof="mw:File"><a href="/wiki/File:Claude_Monet_-_The_Magpie_-_Google_Art_Project.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/78/Claude_Monet_-_The_Magpie_-_Google_Art_Project.jpg/350px-Claude_Monet_-_The_Magpie_-_Google_Art_Project.jpg" decoding="async" width="350" height="237" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/78/Claude_Monet_-_The_Magpie_-_Google_Art_Project.jpg/525px-Claude_Monet_-_The_Magpie_-_Google_Art_Project.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/78/Claude_Monet_-_The_Magpie_-_Google_Art_Project.jpg/700px-Claude_Monet_-_The_Magpie_-_Google_Art_Project.jpg 2x" data-file-width="4289" data-file-height="2909" /></a></span></td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Artist</th><td class="infobox-data attendee"><a href="/wiki/Claude_Monet" title="Claude Monet">Claude Monet</a></td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Year</th><td class="infobox-data">1868–1869</td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Medium</th><td class="infobox-data category"><a href="/wiki/Oil_painting" title="Oil painting">Oil on canvas</a></td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Dimensions</th><td class="infobox-data">89 cm × 130 cm (35 in × 51 in)</td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Location</th><td class="infobox-data"><a href="/wiki/Mus%C3%A9e_d%27Orsay" title="Musée d'Orsay">Musée d'Orsay</a>, <a href="/wiki/Paris" title="Paris">Paris</a></td></tr></tbody></table> <p><i><b>The Magpie</b></i> (<a href="/wiki/French_language" title="French language">French</a>: <i lang="fr">La Pie</i>) is an oil-on-canvas landscape painting by the French <a href="/wiki/Impressionism" title="Impressionism">Impressionist</a> <a href="/wiki/Claude_Monet" title="Claude Monet">Claude Monet</a>, created during the winter of 1868–1869 near the commune of <a href="/wiki/%C3%89tretat" title="Étretat">Étretat</a> in <a href="/wiki/Normandy" title="Normandy">Normandy</a>. Monet's patron, Louis Joachim Gaudibert, helped arrange a house in Étretat for Monet's girlfriend <a href="/wiki/Camille_Doncieux" title="Camille Doncieux">Camille Doncieux</a> and their newborn son, allowing Monet to paint in relative comfort, surrounded by his family. </p><p>Between 1867 and 1893, Monet and fellow Impressionists <a href="/wiki/Alfred_Sisley" title="Alfred Sisley">Alfred Sisley</a> and <a href="/wiki/Camille_Pissarro" title="Camille Pissarro">Camille Pissarro</a> painted hundreds of landscapes illustrating the natural effect of snow (<i>effet de neige</i>). Similar winter paintings of lesser quantity were produced by <a href="/wiki/Pierre-Auguste_Renoir" title="Pierre-Auguste Renoir">Pierre-Auguste Renoir</a>, <a href="/wiki/Gustave_Caillebotte" title="Gustave Caillebotte">Gustave Caillebotte</a>, and <a href="/wiki/Paul_Gauguin" title="Paul Gauguin">Paul Gauguin</a>. Art historians believe that a series of severe winters in France contributed to an increase in the number of winter landscapes produced by Impressionists.<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> </p><p><i>The Magpie</i> is one of approximately 140 snowscapes produced by Monet. His first snowscape, <i><a href="/wiki/A_Cart_on_the_Snowy_Road_at_Honfleur" title="A Cart on the Snowy Road at Honfleur">A Cart on the Snowy Road at Honfleur</a></i>, was painted sometime in either 1865 or 1867, followed by a notable series of snowscapes in the same year, beginning with <i><a href="/wiki/The_Road_in_Front_of_Saint-Simeon_Farm_in_Winter" title="The Road in Front of Saint-Simeon Farm in Winter">The Road in Front of Saint-Simeon Farm in Winter</a></i>. <i>The Magpie</i> was completed in 1869 and is Monet's largest winter painting. It was followed by <i><a href="/wiki/The_Red_Cape" title="The Red Cape">The Red Cape</a></i> (1869–1871), the only known winter painting featuring Camille Doncieux.<sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> </p><p>The canvas of <i>The Magpie</i> depicts a solitary black <a href="/wiki/Magpie" title="Magpie">magpie</a> perched on a gate formed in a <a href="/wiki/Wattle_(construction)" title="Wattle (construction)">wattle</a> <a href="/wiki/Fence" title="Fence">fence</a>, as the light of the sun shines upon freshly fallen snow creating blue shadows. The painting features one of the first examples of Monet's use of <a href="/wiki/Colored_shadow" class="mw-redirect" title="Colored shadow">colored shadows</a>, which would later become associated with the Impressionist movement. Monet and the Impressionists used colored shadows to represent the actual, changing conditions of light and shadow as seen in nature, challenging the academic convention of painting shadows black. This subjective theory of color perception was introduced to the art world through the works of <a href="/wiki/Johann_Wolfgang_von_Goethe" title="Johann Wolfgang von Goethe">Johann Wolfgang von Goethe</a> and <a href="/wiki/Michel_Eug%C3%A8ne_Chevreul" title="Michel Eugène Chevreul">Michel Eugène Chevreul</a> earlier in the century. </p><p>At the time, Monet's innovative use of light and color led to its rejection by the <a href="/wiki/Salon_(Paris)" title="Salon (Paris)">Paris Salon</a> of 1869. Today, art historians classify <i>The Magpie</i> as one of Monet's best snowscape paintings.<sup id="cite_ref-RouartGedo_3-0" class="reference"><a href="#cite_note-RouartGedo-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> The painting was privately held until the <a href="/wiki/Mus%C3%A9e_d%27Orsay" title="Musée d'Orsay">Musée d'Orsay</a> acquired it in 1984; it is considered one of the most popular paintings in their permanent collection. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Background">Background</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Magpie_(Monet)&action=edit&section=1" title="Edit section: Background"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Claude_Monet" title="Claude Monet">Claude Monet</a></div> <p>In the late 1850s, French landscape painter <a href="/wiki/Eug%C3%A8ne_Boudin" title="Eugène Boudin">Eugène Boudin</a> (1824–1898) introduced Monet (1840–1926) to the art of painting <i><a href="/wiki/En_plein_air" title="En plein air">en plein air</a></i>—"in the open air", using natural light. The invention of the collapsible <a href="/wiki/Metal_paint_tube" class="mw-redirect" title="Metal paint tube">metal paint tube</a> (1841) and <a href="/wiki/Easel" title="Easel">portable easel</a> brought painting, formerly confined to <a href="/wiki/Studio" title="Studio">studios</a>, into the outdoors. Boudin and Monet spent the summer of 1858 painting nature together. Like Boudin, Monet came to prefer painting outdoors rather than in a studio, the convention of the time. "If I have become a painter," Monet said, "I owe it to Boudin."<sup id="cite_ref-FOOTNOTERouart195824_4-0" class="reference"><a href="#cite_note-FOOTNOTERouart195824-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Monet_-_The_Cart.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/3e/Monet_-_The_Cart.jpg/220px-Monet_-_The_Cart.jpg" decoding="async" width="220" height="151" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/3e/Monet_-_The_Cart.jpg/330px-Monet_-_The_Cart.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/3e/Monet_-_The_Cart.jpg/440px-Monet_-_The_Cart.jpg 2x" data-file-width="783" data-file-height="537" /></a><figcaption><i><a href="/wiki/A_Cart_on_the_Snowy_Road_at_Honfleur" title="A Cart on the Snowy Road at Honfleur">A Cart on the Snowy Road at Honfleur</a></i> (1865 or 1867), Monet's first snowscape.</figcaption></figure> <p>The landscape paintings of Dutch painter <a href="/wiki/Johan_Barthold_Jongkind" class="mw-redirect" title="Johan Barthold Jongkind">Johan Barthold Jongkind</a> (1819–1891) influenced both Boudin and Monet and contributed to the development of early Impressionism. After meeting Jongkind in <a href="/wiki/Sainte-Adresse" title="Sainte-Adresse">Sainte-Adresse</a> in 1862,<sup id="cite_ref-FOOTNOTEHerbert199614_5-0" class="reference"><a href="#cite_note-FOOTNOTEHerbert199614-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> Monet began to cultivate an interest in Jongkind's perspective on the changing conditions of the landscape. From Jongkind, Monet learned to substitute optical color for <a href="/wiki/Local_color_(visual_art)" title="Local color (visual art)">local color</a>.<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> "Complementing the teaching I received from Boudin, Jongkind was from that moment my true master," Monet later reminisced.<sup id="cite_ref-FOOTNOTEIsham2004332_7-0" class="reference"><a href="#cite_note-FOOTNOTEIsham2004332-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> "It was he who completed the education of my eye".<sup id="cite_ref-FOOTNOTEHeinrich20009_8-0" class="reference"><a href="#cite_note-FOOTNOTEHeinrich20009-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> This new way of seeing, a shift from a conceptual to a perceptual approach, formed the basis for Monet's <i><a href="/wiki/Haystacks_(Monet)" class="mw-redirect" title="Haystacks (Monet)">Haystacks</a></i> (1890–1891), a series of 25 works showing the effects of dynamic atmospheric conditions over time on a single <a href="/wiki/Haystack" class="mw-redirect" title="Haystack">haystack</a> <a href="/wiki/Motif_(visual_arts)" title="Motif (visual arts)">motif</a>. </p><p><a href="/wiki/Gustave_Courbet" title="Gustave Courbet">Gustave Courbet</a> (1819–1877) had been painting <i>effets de neige</i>, "snow effects", from as early as 1856,<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> in a landscape style preferred by Japanese, Dutch, and Flemish artists. Influenced by Courbet, Monet painted his first snowscape, <i>A Cart on the Snowy Road at Honfleur</i> (1865 or 1867).<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> A journalist observed: </p> <blockquote><p>We have only seen him once. It was in the winter, during several days of snow, when communications were virtually at a standstill. It was cold enough to split stones. We noticed a foot-warmer, then an easel, then a man, swathed in three coats, his hands in gloves, his face half-frozen. It was M. Monet, studying a snow effect.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>In <i>A Cart on the Snowy Road at Honfleur</i>, Monet avoided the usual hunting genre and motifs used by Courbet. Instead, he focused on light and color in a new way by reducing the number of shades. Monet chose an <a href="/wiki/Earth_tone" title="Earth tone">earth tone</a> color scheme and increased the number of shades of blue to highlight reflections on the snow. Monet followed <i>A Cart on the Snowy Road at Honfleur</i> with a notable series of snowscapes in 1867 including <i><a href="/w/index.php?title=Road_by_Saint-Simeon_Farm_in_Winter&action=edit&redlink=1" class="new" title="Road by Saint-Simeon Farm in Winter (page does not exist)">Road by Saint-Simeon Farm in Winter</a></i>. </p> <div class="mw-heading mw-heading2"><h2 id="First_Étretat_campaign"><span id="First_.C3.89tretat_campaign"></span>First Étretat campaign</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Magpie_(Monet)&action=edit&section=2" title="Edit section: First Étretat campaign"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 1867, Monet's girlfriend, Camille Doncieux (1847–1879), gave birth to their son Jean in Paris. Lacking money, Monet returned to his father's house in <a href="/wiki/Sainte-Adresse" title="Sainte-Adresse">Sainte-Adresse</a> and lived with his aunt, leaving Doncieux and their child in Paris. Monet married Doncieux in 1870. Mme. Louis Joachim Gaudibert, an art collector, became Monet's first patron. Gaudibert helped Monet rent a house in Étretat for Doncieux and Jean in late 1868. Recovering from an episode of depression, Monet joined Doncieux and Jean at the house in Étretat in October, with Doncieux in the role of muse and life model.<sup id="cite_ref-cdm2_12-0" class="reference"><a href="#cite_note-cdm2-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> By December, Monet was in great spirits, "surrounded by everything that I love", and began to focus on painting. In a letter to <a href="/wiki/Fr%C3%A9d%C3%A9ric_Bazille" title="Frédéric Bazille">Frédéric Bazille</a> (1841–1870), Monet wrote: </p> <figure typeof="mw:File/Thumb"><a href="/wiki/File:The_Luncheon_by_Claude_Monet_-_St%C3%A4del_-_Frankfurt_am_Main_-_Germany_2017.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/2/2e/The_Luncheon_by_Claude_Monet_-_St%C3%A4del_-_Frankfurt_am_Main_-_Germany_2017.jpg/220px-The_Luncheon_by_Claude_Monet_-_St%C3%A4del_-_Frankfurt_am_Main_-_Germany_2017.jpg" decoding="async" width="220" height="337" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/2e/The_Luncheon_by_Claude_Monet_-_St%C3%A4del_-_Frankfurt_am_Main_-_Germany_2017.jpg/330px-The_Luncheon_by_Claude_Monet_-_St%C3%A4del_-_Frankfurt_am_Main_-_Germany_2017.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/2e/The_Luncheon_by_Claude_Monet_-_St%C3%A4del_-_Frankfurt_am_Main_-_Germany_2017.jpg/440px-The_Luncheon_by_Claude_Monet_-_St%C3%A4del_-_Frankfurt_am_Main_-_Germany_2017.jpg 2x" data-file-width="2805" data-file-height="4295" /></a><figcaption><i>The Luncheon</i> (1868). Camille and son Jean in Étretat.<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup></figcaption></figure> <blockquote><p>I spend my time out in the open, on the shingle beach when the weather is bad or the fishing boats go out, or I go into the countryside which is very beautiful here, that I find perhaps still more charming in winter than in summer and, naturally I work all the time, and I believe that this year I am going to do some serious things.<sup id="cite_ref-Gedo88_14-0" class="reference"><a href="#cite_note-Gedo88-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>Although he enjoyed living with Camille and Jean in Étretat, Monet preferred to paint alone in the countryside. He told Bazille: </p> <blockquote><p>Don't you think that directly in nature and alone one does better?...I've always been of this mind, and what I do under these conditions has always been better. One is too much taken up with what one sees and hears in Paris, however firm one may be, and what I am painting here has at least the merit of not resembling anyone...because it will be simply the expression of what I shall have felt, I myself, personally.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>During his time in Étretat, Monet completed three paintings of fishing boats,<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> one of a rural road,<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> and, sometime between late 1868 and January or February 1869, <i>The Magpie</i> (<a href="/wiki/Wildenstein_Index_Number" title="Wildenstein Index Number">W</a> 133).<sup id="cite_ref-Laclotte_18-0" class="reference"><a href="#cite_note-Laclotte-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> Painted five years before the first major Impressionist exhibition in 1874, <i>The Magpie</i> is one of Monet's 140 winter landscapes,<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> the largest in its class.<sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> The exact location of the snow scene depicted in <i>The Magpie</i> is unknown.<sup id="cite_ref-FOOTNOTERouart195841_21-0" class="reference"><a href="#cite_note-FOOTNOTERouart195841-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Ralph_T._Coe" title="Ralph T. Coe">Ralph T. Coe</a> proposed that Monet painted the scene near the Farm Saint-Siméon above the Seine estuary in <a href="/wiki/Honfleur" title="Honfleur">Honfleur</a>.<sup id="cite_ref-FOOTNOTECoe1957382_22-0" class="reference"><a href="#cite_note-FOOTNOTECoe1957382-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Rejection_by_the_Salon">Rejection by the Salon</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Magpie_(Monet)&action=edit&section=3" title="Edit section: Rejection by the Salon"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Monet submitted <i>The Magpie</i> and <i>Fishing Boats at Sea</i> (W 126) to the <a href="/wiki/Salon_(Paris)" title="Salon (Paris)">Salon</a> of 1869.<sup id="cite_ref-Gedo91_23-0" class="reference"><a href="#cite_note-Gedo91-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> Both paintings were rejected in April.<sup id="cite_ref-FOOTNOTETinterowLoyrette1994322_24-0" class="reference"><a href="#cite_note-FOOTNOTETinterowLoyrette1994322-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> Critic Paul Richard said that the jurors rejected the painting as "too common and too coarse".<sup id="cite_ref-FOOTNOTERichard1998_25-0" class="reference"><a href="#cite_note-FOOTNOTERichard1998-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> Monet's experimental use of color and radical departure from the descriptive, academic style surprised the public and probably contributed to its dismissal by the jury.<sup id="cite_ref-26" class="reference"><a href="#cite_note-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> Monet told French novelist <a href="/wiki/Ars%C3%A8ne_Houssaye" title="Arsène Houssaye">Arsène Houssaye</a> (1815–1896), "This rejection has taken the bread from my mouth, and in spite of my low prices, collectors and dealers turn their backs on me."<sup id="cite_ref-Butler145_27-0" class="reference"><a href="#cite_note-Butler145-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> A century later, <i>The Magpie</i> was acquired by the <a href="/wiki/Mus%C3%A9e_d%27Orsay" title="Musée d'Orsay">Musée d'Orsay</a> in 1984.<sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> It became one of the most popular paintings in their permanent collection.<sup id="cite_ref-29" class="reference"><a href="#cite_note-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Critical_analysis">Critical analysis</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Magpie_(Monet)&action=edit&section=4" title="Edit section: Critical analysis"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In the painting, a black magpie is perched on a gate in a <a href="/wiki/Wattle_(construction)" title="Wattle (construction)">wattle</a> <a href="/wiki/Fence" title="Fence">fence</a> as sunlight falls on fresh white snow, creating shadows. With no human figures present, the bird on the gate becomes the focus.<sup id="cite_ref-30" class="reference"><a href="#cite_note-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> Michael Howard of <a href="/wiki/Manchester_Metropolitan_University" title="Manchester Metropolitan University">Manchester Metropolitan University</a> called the painting "an extraordinary evocation of the snow-bound chill of a late winter's afternoon. The blueness of the long shadows creates a delicate contrast with the creamy whites of the sky and landscape".<sup id="cite_ref-31" class="reference"><a href="#cite_note-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> Curator Lynn Orr, then of the <a href="/wiki/Fine_Arts_Museums_of_San_Francisco" title="Fine Arts Museums of San Francisco">Fine Arts Museums of San Francisco</a>, noted Monet's interest in the changing light that depended on the hour and the vagaries of the atmosphere:<sup id="cite_ref-32" class="reference"><a href="#cite_note-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> </p> <blockquote><p>Unusual weather phenomena, such as snow and mist, fascinated Monet because they altered the chromatic appearance of familiar topography. In such paintings as <i>The Magpie</i>, one of Monet's early masterpieces, form dissolves under the combination of a greatly restricted color range, aerial perspective, and broken brushwork. A virtuoso color performance, the painting is an essay on the variations of white perceptible in the reflection of sun on crisp new snow. Wonderfully abstract passages of flat color, such as the strong violet shades along the fence, are divorced from the spatial realities of the objects portrayed.<sup id="cite_ref-FOOTNOTEOrr199418_33-0" class="reference"><a href="#cite_note-FOOTNOTEOrr199418-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup></p></blockquote> <p><i>The Magpie</i> is an early example of Monet's investigation of colored shadows. In this piece, Monet makes use of the <a href="/wiki/Complementary_color" class="mw-redirect" title="Complementary color">complementary colors</a> of blue and yellow. The shadow produced by yellow sunlight shining on the snow gives the impression of a blue-violet color,<sup id="cite_ref-rcm3_34-0" class="reference"><a href="#cite_note-rcm3-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> the effect of <a href="/wiki/Simultaneous_contrast" class="mw-redirect" title="Simultaneous contrast">simultaneous contrast</a>. French Impressionists popularized the use of colored shadows, which went against the artistic convention of portraying shadows by darkening and <a href="/wiki/Colorfulness" title="Colorfulness">desaturating</a> the color. Colored shadows can be directly observed in nature, particularly in the type of snow scene presented by Monet.<sup id="cite_ref-35" class="reference"><a href="#cite_note-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> In his study of Impressionism, art historian <a href="/wiki/John_Rewald" title="John Rewald">John Rewald</a> observed that artists used snowscapes to "investigate the problem of shadows".<sup id="cite_ref-FOOTNOTERewald1961228_36-0" class="reference"><a href="#cite_note-FOOTNOTERewald1961228-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup> The problem is summarized by Fred S. Kleiner in <i><a href="/wiki/Gardner%27s_Art_Through_the_Ages" title="Gardner's Art Through the Ages">Gardner's Art Through the Ages</a></i>: </p> <blockquote><p>After scrutinizing the effects of light and color on forms, the Impressionists concluded that <i>local color</i>—an object's true color in white light— becomes modified by the quality of the light shining on it, by reflections from other objects, and by the effects juxtaposed colors produce. Shadows do not appear gray or black, as many earlier painters thought, but are composed of colors modified by reflections or other conditions. Using various colors and short choppy brush strokes, Monet was able to catch accurately the vibrating quality of light.<sup id="cite_ref-FOOTNOTEKleiner2009824_37-0" class="reference"><a href="#cite_note-FOOTNOTEKleiner2009824-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>Monet's use of colored shadows arose from color theories that were popular in the 19th century. German scientist <a href="/wiki/Johann_Wolfgang_von_Goethe" title="Johann Wolfgang von Goethe">Johann Wolfgang von Goethe</a> (1749–1832) published one of the first modern descriptions of colored shadows in his <i><a href="/wiki/Theory_of_Colours" title="Theory of Colours">Theory of Colours</a></i> (1810). Goethe attempted to challenge the theory of color propounded by <a href="/wiki/Isaac_Newton" title="Isaac Newton">Isaac Newton</a> (1643–1727) in his treatise on <i><a href="/wiki/Opticks" title="Opticks">Opticks</a></i> (1704). Goethe raised questions about subjective and objective color theory and perception, but his intuitive, non-mathematical approach was criticized as unscientific, and his attack on Newton was dismissed as a polemic. The questions Goethe raised about color persisted. Thirty years later, French chemist <a href="/wiki/Michel_Eug%C3%A8ne_Chevreul" title="Michel Eugène Chevreul">Michel Eugène Chevreul</a> (1786–1889) expanded on Goethe's theory with <i>The Principles of Harmony and Contrast of Colors</i> (1839).<sup id="cite_ref-cdm2_12-1" class="reference"><a href="#cite_note-cdm2-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> Goethe and Chevreul's colour theory greatly influenced the <a href="/wiki/Art_world" title="Art world">art world</a>. It is generally thought that <a href="/wiki/Vincent_van_Gogh" title="Vincent van Gogh">Vincent van Gogh</a>, <a href="/wiki/Camille_Pissarro" title="Camille Pissarro">Camille Pissarro</a> and Monet incorporated elements of these theories into their work.<sup id="cite_ref-38" class="reference"><a href="#cite_note-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Georges_Seurat" title="Georges Seurat">Georges Seurat</a> (1859–1891) came to prominence in 1886 with his technique of <a href="/wiki/Pointillism" title="Pointillism">chromatic division</a>, a style influenced by the color scheme theories of Chevreul and American physicist <a href="/wiki/Ogden_Rood" title="Ogden Rood">Ogden Rood</a> (1831–1902).<sup id="cite_ref-39" class="reference"><a href="#cite_note-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Related_work">Related work</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Magpie_(Monet)&action=edit&section=5" title="Edit section: Related work"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Monet's series of 11 paintings depicting <i>The Bridge at Argenteuil</i> (1874) also explored the use of colored shadows in its portrayal of the blue and purple shadow on the top portion of the bridge.<sup id="cite_ref-FOOTNOTEMagalhães200312_40-0" class="reference"><a href="#cite_note-FOOTNOTEMagalhães200312-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup> Over the years, Monet became more and more obsessed with color and light. When his wife was dying in September 1879, Monet painted her in <i><a href="/w/index.php?title=Camille_Monet_on_Her_Deathbed&action=edit&redlink=1" class="new" title="Camille Monet on Her Deathbed (page does not exist)">Camille Monet on Her Deathbed</a></i> (1879), noting the "blue, yellow, grey tones". Monet told his friend, French statesman <a href="/wiki/Georges_Clemenceau" title="Georges Clemenceau">Georges Clemenceau</a> (1841–1929), that he spent the time "focusing on her temples and automatically analyzing the succession of appropriately graded colors which death was imposing on her motionless face."<sup id="cite_ref-41" class="reference"><a href="#cite_note-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> Camille died from cancer at the age of 32. After her death, Monet largely ceased painting people, focusing instead on natural landscapes.<sup id="cite_ref-FOOTNOTEMeyers201175_42-0" class="reference"><a href="#cite_note-FOOTNOTEMeyers201175-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup> Monet later returned to painting snow and colored shadows with <i><a href="/wiki/Grainstacks_Snow_Effect" class="mw-redirect" title="Grainstacks Snow Effect">Grainstacks Snow Effect</a></i> (1891).<sup id="cite_ref-FOOTNOTEMagalhães200326_43-0" class="reference"><a href="#cite_note-FOOTNOTEMagalhães200326-43"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Derivative_work">Derivative work</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Magpie_(Monet)&action=edit&section=6" title="Edit section: Derivative work"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In honor of the 150th anniversary of Monet's birth, the Principality of <a href="/wiki/Monaco" title="Monaco">Monaco</a> issued a stamp of <i>The Magpie</i> in 1990, designed by French engraver <a href="/wiki/Pierre_Albuisson" title="Pierre Albuisson">Pierre Albuisson</a>.<sup id="cite_ref-44" class="reference"><a href="#cite_note-44"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup> </p><p>French design studio Les 84 created a 3D version of <i>The Magpie</i> for the 2010–2011 Monet exhibition at the <a href="/wiki/Galeries_nationales_du_Grand_Palais" title="Galeries nationales du Grand Palais">Galeries nationales du Grand Palais</a>.<sup id="cite_ref-45" class="reference"><a href="#cite_note-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Provenance">Provenance</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Magpie_(Monet)&action=edit&section=7" title="Edit section: Provenance"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Thor Carlander collection, Paris (1918)</li> <li><a href="/wiki/Paul_Durand-Ruel" title="Paul Durand-Ruel">Durand-Ruel collection</a>, Paris (1941)</li> <li>Guerlain collection, Paris (1946)</li> <li><a href="/wiki/Mus%C3%A9e_du_Louvre" class="mw-redirect" title="Musée du Louvre">Louvre</a>, Paris (1984)</li> <li><a href="/wiki/Mus%C3%A9e_d%27Orsay" title="Musée d'Orsay">Musée d'Orsay</a>, Paris (1984)</li></ul> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Magpie_(Monet)&action=edit&section=8" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/List_of_paintings_by_Claude_Monet" title="List of paintings by Claude Monet">List of paintings by Claude Monet</a></li> <li><a href="/wiki/Chromatic_gray" class="mw-redirect" title="Chromatic gray">Chromatic gray</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="Notes">Notes</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Magpie_(Monet)&action=edit&section=9" title="Edit section: Notes"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width reflist-columns-2"> <ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><a href="#CITEREFRathbone1999">Rathbone 1999</a>, p. 22; <a href="#CITEREFSweeney1999">Sweeney 1999</a>, pp. 23–27; For the range of 63 major works produced from 1867–1893, see Moffett et al. 1999. This arbitrary time period was established for the first <i><a href="/wiki/Impressionists_in_Winter" title="Impressionists in Winter">Impressionists in Winter: Effets de Neige</a> </i> exhibition, based on historical reports of severe winters collected by curators.</span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text">Moffett et al. 1999, p. 86.</span> </li> <li id="cite_note-RouartGedo-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-RouartGedo_3-0">^</a></b></span> <span class="reference-text">Arts Council of Great Britain 1957, p. 43: "Perhaps Monet's greatest snow landscape."; <a href="#CITEREFRouart1958">Rouart 1958</a>, p. 41: "This, Monet's finest snowscape..."; <a href="#CITEREFGedo2010">Gedo 2010</a>, p. 89: "...one of the most magnificent snow scenes in his entire oeuvre..."</span> </li> <li id="cite_note-FOOTNOTERouart195824-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTERouart195824_4-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFRouart1958">Rouart 1958</a>, p. 24.</span> </li> <li id="cite_note-FOOTNOTEHerbert199614-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHerbert199614_5-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHerbert1996">Herbert 1996</a>, p. 14.</span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text"><a href="#CITEREFMathey1961">Mathey 1961</a>, p. 59: "...Jongkind discovered how the so-called "local color" changes with the seasons...It suddenly came to him that for the artist appearance, not reality, was the determining factor...the only thing that did matter was the atmospheric condition at a given moment. He shared this revelation with Monet, who, in turn, experimented by making two paintings of a road in Normandy from the same vantage point—the first one under a cloudy sky, and the second when the road was covered with snow."</span> </li> <li id="cite_note-FOOTNOTEIsham2004332-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEIsham2004332_7-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFIsham2004">Isham 2004</a>, p. 332.</span> </li> <li id="cite_note-FOOTNOTEHeinrich20009-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHeinrich20009_8-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHeinrich2000">Heinrich 2000</a>, p. 9.</span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text">Courbet, Gustave (1856). <i>Trees in the Snow</i>. National Galleries of Scotland.</span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.musee-orsay.fr/en/collections/index-of-works/notice.html?no_cache=1&nnumid=805">Musée d'Orsay</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20141006024030/http://www.musee-orsay.fr/en/collections/index-of-works/notice.html?no_cache=1&nnumid=805">Archived</a> 2014-10-06 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a>: "With this choice of theme, Monet was following in the footsteps of Courbet who had tackled snowscapes in a number of genre scenes. But unlike the older painter, whose principal motif remained the stag and the hunter and who produced many anecdotal scenes, Monet painted an almost deserted landscape, where the cart and its occupant play a very minor role." The painting was originally dated 1865 by Monet. However, correspondence by painter Alexandre Dubourg points to a later date of 1867. In <a href="#CITEREFMoffett1999">Moffett 1999</a>, p. 80, Eliza Rathbone notes that the date is disputed by scholars.</span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><a href="#CITEREFHouse1988">House 1988</a>, p. 137 Published in October 1868, but the anecdote is thought to refer to the previous winter.</span> </li> <li id="cite_note-cdm2-12"><span class="mw-cite-backlink">^ <a href="#cite_ref-cdm2_12-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-cdm2_12-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFMagalhães2003">Magalhães 2003</a>, p. 2</span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text">For an extended discussion of <i>The Luncheon</i> (<i>Le Dejeuner</i>) and how it fits into the timeline of the first Étretat campaign, see: Wagner, Anne M. (1994) "Why Monet gave up figure painting." <i>Art Bulletin</i> <b>74</b> (4): 612. <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://www.worldcat.org/search?fq=x0:jrnl&q=n2:0004-3079">0004-3079</a>.</span> </li> <li id="cite_note-Gedo88-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-Gedo88_14-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGedo2010">Gedo 2010</a>, p. 88. See also: George, Serge (1996). <i>Claude Monet</i>. Masterworks Series. Ramboro Books. p. 14. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-56852-113-8" title="Special:BookSources/1-56852-113-8">1-56852-113-8</a>.</span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text">Wildenstein, I, 425-26: letter 44, Dec. 1868 as quoted in Isaacson 1994.</span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text">Includes <i>Fishing Boats, Calm Weather</i> (Bateaux de Pêche, temps calme) (W 123) and <i>Fishing Boats at Sea</i> (W 126). See also Rouart 1958.</span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text"><i>Lane in Normandy</i> (W 128).</span> </li> <li id="cite_note-Laclotte-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-Laclotte_18-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLaclotte1986" class="citation book cs1"><a href="/wiki/Michel_Laclotte" title="Michel Laclotte">Laclotte, Michel</a> (1986). <a rel="nofollow" class="external text" href="https://archive.org/details/paintingsinmusee00lacl"><i>Painting in the Musée d'Orsay</i></a>. Scala Publications. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-935748-72-5" title="Special:BookSources/0-935748-72-5"><bdi>0-935748-72-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Painting+in+the+Mus%C3%A9e+d%27Orsay&rft.pub=Scala+Publications&rft.date=1986&rft.isbn=0-935748-72-5&rft.aulast=Laclotte&rft.aufirst=Michel&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fpaintingsinmusee00lacl&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span> See also footnote 14 as cited in Herbert 1996, p. 138.</span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text"><a href="#CITEREFMay1999">May 1999</a>: "Over the course of 30 winters, he [Monet] executed some 140 snowy views"; Moffett et al. 1999, p. 55: "...Monet painted the largest number of winter scenes (more than 140) and is the best known impressionist painter of effets de neige. As Monet took advantage of most significant snowfalls, his output of winter landscapes was often more sporadic, with occasional bursts of activity followed by periods without production..."</span> </li> <li id="cite_note-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-20">^</a></b></span> <span class="reference-text">Myers 1998: "...his largest winter painting..."; <a href="#CITEREFSweeney1999">Sweeney 1999</a>, p. 26: "It is Monet's largest and most ambitious snowscape, an essay about light and shadow on snow."</span> </li> <li id="cite_note-FOOTNOTERouart195841-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTERouart195841_21-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFRouart1958">Rouart 1958</a>, p. 41.</span> </li> <li id="cite_note-FOOTNOTECoe1957382-22"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECoe1957382_22-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCoe1957">Coe 1957</a>, p. 382.</span> </li> <li id="cite_note-Gedo91-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-Gedo91_23-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGedo2010">Gedo 2010</a>, p. 91</span> </li> <li id="cite_note-FOOTNOTETinterowLoyrette1994322-24"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTETinterowLoyrette1994322_24-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFTinterowLoyrette1994">Tinterow & Loyrette 1994</a>, p. 322.</span> </li> <li id="cite_note-FOOTNOTERichard1998-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTERichard1998_25-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFRichard1998">Richard 1998</a>.</span> </li> <li id="cite_note-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-26">^</a></b></span> <span class="reference-text">Musée d'Orsay, <i>Claude Monet The Magpie</i>, 2006.</span> </li> <li id="cite_note-Butler145-27"><span class="mw-cite-backlink"><b><a href="#cite_ref-Butler145_27-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFButler2008">Butler 2008</a>, p. 145</span> </li> <li id="cite_note-28"><span class="mw-cite-backlink"><b><a href="#cite_ref-28">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.musee-orsay.fr/fr/collections/catalogue-des-oeuvres/notice.html?nnumid=715">"Musée d'Orsay: Notice d'Oeuvre"</a>. 2006. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20121020235113/http://www.musee-orsay.fr/fr/collections/catalogue-des-oeuvres/notice.html?nnumid=715">Archived</a> from the original on 2012-10-20<span class="reference-accessdate">. Retrieved <span class="nowrap">2011-06-05</span></span>. <q>1984, acquis par les musées nationaux pour le musée d'Orsay (comité du 08/11/1984, conseil du 14/11/1984, arrêté du 14/12/1984)</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Mus%C3%A9e+d%27Orsay%3A+Notice+d%27Oeuvre&rft.date=2006&rft_id=http%3A%2F%2Fwww.musee-orsay.fr%2Ffr%2Fcollections%2Fcatalogue-des-oeuvres%2Fnotice.html%3Fnnumid%3D715&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></span> </li> <li id="cite_note-29"><span class="mw-cite-backlink"><b><a href="#cite_ref-29">^</a></b></span> <span class="reference-text"><a href="#CITEREFMoffett1999">Moffett 1999</a>, p. 13: "Visitor surveys and sales of postcard and reproductions indicate that it is the most popular single image in the museum"; Also see <a href="#CITEREFSweeney1999">Sweeney 1999</a>, p. 26</span> </li> <li id="cite_note-30"><span class="mw-cite-backlink"><b><a href="#cite_ref-30">^</a></b></span> <span class="reference-text">Katherine Rothkopf in <a href="#CITEREFMoffett1999">Moffett 1999</a>, p. 84; <a href="#CITEREFMathieu1987">Mathieu 1987</a>, p. 78: "In the absence of any human figure, the central feature of the painting is the black bird perched on the gate, which is filled with an almost magical significance".</span> </li> <li id="cite_note-31"><span class="mw-cite-backlink"><b><a href="#cite_ref-31">^</a></b></span> <span class="reference-text">Howard 1989, <i>Monet</i>, p. 33 as quoted in <a href="#CITEREFMeynell1993">Meynell 1993</a>.</span> </li> <li id="cite_note-32"><span class="mw-cite-backlink"><b><a href="#cite_ref-32">^</a></b></span> <span class="reference-text"><a href="#CITEREFOrr1994">Orr 1994</a>, p. 18: "...qualities of light characteristic of different times of day and in different atmospheric conditions."</span> </li> <li id="cite_note-FOOTNOTEOrr199418-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEOrr199418_33-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFOrr1994">Orr 1994</a>, p. 18.</span> </li> <li id="cite_note-rcm3-34"><span class="mw-cite-backlink"><b><a href="#cite_ref-rcm3_34-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMagalhães2003">Magalhães 2003</a>, p. 3</span> </li> <li id="cite_note-35"><span class="mw-cite-backlink"><b><a href="#cite_ref-35">^</a></b></span> <span class="reference-text"><a href="#CITEREFHardin1988">Hardin 1988</a>, pp. 50–51; <a href="#CITEREFSchlichting1999">Schlichting 1999</a>, pp. 5–6; <a href="#CITEREFMoffett1999">Moffett 1999</a>, p. 17</span> </li> <li id="cite_note-FOOTNOTERewald1961228-36"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTERewald1961228_36-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFRewald1961">Rewald 1961</a>, p. 228.</span> </li> <li id="cite_note-FOOTNOTEKleiner2009824-37"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKleiner2009824_37-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKleiner2009">Kleiner 2009</a>, p. 824.</span> </li> <li id="cite_note-38"><span class="mw-cite-backlink"><b><a href="#cite_ref-38">^</a></b></span> <span class="reference-text">Georges Roque (1996) questions whether the Impressionists were aware of Chevreul's law of simultaneous contrast. Aside from Pissarro and Seurat, Roque can find no evidence that the Impressionists knew Chevreul's work directly. However, Backhaus et al. (1998) point out that it was possible the early Impressionists were familiar with the work of <a href="/wiki/Eug%C3%A8ne_Delacroix" title="Eugène Delacroix">Eugène Delacroix</a>, who was intimate with Chevreul's color theories. It is generally accepted that as early as the 1860s, Monet was familiar with Delacroix's work and was influenced by his use of color.</span> </li> <li id="cite_note-39"><span class="mw-cite-backlink"><b><a href="#cite_ref-39">^</a></b></span> <span class="reference-text"><a href="#CITEREFRoque1996">Roque 1996</a>, pp. 26–39. For more information about Ogden Rood and the Impressionists, see: Kemp, Martin (2008). "The Impressionists' Bible". <i>Nature</i> 453.7191. p. 37.</span> </li> <li id="cite_note-FOOTNOTEMagalhães200312-40"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMagalhães200312_40-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMagalhães2003">Magalhães 2003</a>, p. 12.</span> </li> <li id="cite_note-41"><span class="mw-cite-backlink"><b><a href="#cite_ref-41">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFClemenceau1926" class="citation book cs1">Clemenceau, Georges (1926). <i>Claude Monet: Les Nymphéas</i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Claude+Monet%3A+Les+Nymph%C3%A9as&rft.date=1926&rft.aulast=Clemenceau&rft.aufirst=Georges&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEMeyers201175-42"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMeyers201175_42-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMeyers2011">Meyers 2011</a>, p. 75.</span> </li> <li id="cite_note-FOOTNOTEMagalhães200326-43"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMagalhães200326_43-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMagalhães2003">Magalhães 2003</a>, p. 26.</span> </li> <li id="cite_note-44"><span class="mw-cite-backlink"><b><a href="#cite_ref-44">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.pierre-albuisson.com/english/timbMonaco17.html">Postage stamp of <i>The Magpie</i></a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110928121928/http://www.pierre-albuisson.com/english/timbMonaco17.html">Archived</a> 2011-09-28 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> Pierre Albuisson (1990). Retrieved June 15, 2011.</span> </li> <li id="cite_note-45"><span class="mw-cite-backlink"><b><a href="#cite_ref-45">^</a></b></span> <span class="reference-text">See <a rel="nofollow" class="external text" href="http://www.monet2010.com/en#/voyage/">"The Journey" at Exhibition Monet 2010</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110827004253/http://www.monet2010.com/en#/voyage/">Archived</a> 2011-08-27 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a>; Ford, Rob (January 2011). "<a rel="nofollow" class="external text" href="https://www.adobe.com/inspire-archive/january2011/articles/article3/index.html?trackingid=IEHCM">The Edge of Flash</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130110083647/http://www.adobe.com/inspire-archive/january2011/articles/article3/index.html?trackingid=IEHCM">Archived</a> 2013-01-10 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a>". <i>Adobe Inspire Magazine</i>. Adobe Systems Incorporated.</span> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Magpie_(Monet)&action=edit&section=10" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBackhausKlieglWerner1998" class="citation book cs1">Backhaus, Werner; Kliegl, Reinhold; Werner, John Simon (1998). <i>Color Vision: Perspectives from Different Disciplines</i>. Walter de Gruyter. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/3-11-015431-5" title="Special:BookSources/3-11-015431-5"><bdi>3-11-015431-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Color+Vision%3A+Perspectives+from+Different+Disciplines&rft.pub=Walter+de+Gruyter&rft.date=1998&rft.isbn=3-11-015431-5&rft.aulast=Backhaus&rft.aufirst=Werner&rft.au=Kliegl%2C+Reinhold&rft.au=Werner%2C+John+Simon&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFButler2008" class="citation book cs1">Butler, Ruth (2008). <i>Hidden in the Shadow of the Master</i>. Yale University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-300-12624-2" title="Special:BookSources/978-0-300-12624-2"><bdi>978-0-300-12624-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Hidden+in+the+Shadow+of+the+Master&rft.pub=Yale+University+Press&rft.date=2008&rft.isbn=978-0-300-12624-2&rft.aulast=Butler&rft.aufirst=Ruth&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCoe1957" class="citation journal cs1"><a href="/wiki/Ralph_T._Coe" title="Ralph T. Coe">Coe, Ralph</a> (1957). "Claude Monet in Edinburgh and London". <i>The Burlington Magazine</i>. <b>99</b> (656): <span class="nowrap">382–</span>383, 385. <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a> <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/872333">872333</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Burlington+Magazine&rft.atitle=Claude+Monet+in+Edinburgh+and+London&rft.volume=99&rft.issue=656&rft.pages=%3Cspan+class%3D%22nowrap%22%3E382-%3C%2Fspan%3E383%2C+385&rft.date=1957&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F872333%23id-name%3DJSTOR&rft.aulast=Coe&rft.aufirst=Ralph&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEitner1992" class="citation book cs1"><a href="/wiki/Lorenz_Eitner" title="Lorenz Eitner">Eitner, Lorenz</a> (1992). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160310062718/https://www.questia.com/library/3667647/an-outline-of-19th-century-european-painting-from"><i>19th century European painting: David to Cézanne</i></a> (1 ed.). Boulder, CO: Westview Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8133-3962-6" title="Special:BookSources/0-8133-3962-6"><bdi>0-8133-3962-6</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/638955890">638955890</a>. Archived from <a rel="nofollow" class="external text" href="https://www.questia.com/library/3667647/an-outline-of-19th-century-european-painting-from">the original</a> on 2016-03-10<span class="reference-accessdate">. Retrieved <span class="nowrap">2017-09-16</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=19th+century+European+painting%3A+David+to+C%C3%A9zanne&rft.place=Boulder%2C+CO&rft.edition=1&rft.pub=Westview+Press&rft.date=1992&rft_id=info%3Aoclcnum%2F638955890&rft.isbn=0-8133-3962-6&rft.aulast=Eitner&rft.aufirst=Lorenz&rft_id=https%3A%2F%2Fwww.questia.com%2Flibrary%2F3667647%2Fan-outline-of-19th-century-european-painting-from&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span><span style="font-size:0.95em; font-size:95%; color: var( --color-subtle, #555 )">(subscription required)</span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGedo2010" class="citation book cs1">Gedo, Mary Mathews (2010). <i>Monet and His Muse: Camille Monet in the Artist's Life</i>. University of Chicago Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-226-28480-4" title="Special:BookSources/978-0-226-28480-4"><bdi>978-0-226-28480-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Monet+and+His+Muse%3A+Camille+Monet+in+the+Artist%27s+Life&rft.pub=University+of+Chicago+Press&rft.date=2010&rft.isbn=978-0-226-28480-4&rft.aulast=Gedo&rft.aufirst=Mary+Mathews&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHardin1988" class="citation book cs1">Hardin, C. L. (1988). <i>Color for Philosophers: Unweaving the Rainbow</i>. Hackett Publishing. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-87220-039-6" title="Special:BookSources/0-87220-039-6"><bdi>0-87220-039-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Color+for+Philosophers%3A+Unweaving+the+Rainbow&rft.pub=Hackett+Publishing&rft.date=1988&rft.isbn=0-87220-039-6&rft.aulast=Hardin&rft.aufirst=C.+L.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHeinrich2000" class="citation book cs1">Heinrich, Christoph (2000). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/claudemonet184010000hein_a8d0"><i>Claude Monet, 1840-1926</i></a></span>. Taschen. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-3-8228-5972-8" title="Special:BookSources/978-3-8228-5972-8"><bdi>978-3-8228-5972-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Claude+Monet%2C+1840-1926&rft.pub=Taschen&rft.date=2000&rft.isbn=978-3-8228-5972-8&rft.aulast=Heinrich&rft.aufirst=Christoph&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fclaudemonet184010000hein_a8d0&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHerbert1996" class="citation book cs1">Herbert, Robert L. (1996). <i>Monet on the Normandy Coast: Tourism and Painting, 1867-1886</i>. Yale University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-300-06881-6" title="Special:BookSources/0-300-06881-6"><bdi>0-300-06881-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Monet+on+the+Normandy+Coast%3A+Tourism+and+Painting%2C+1867-1886&rft.pub=Yale+University+Press&rft.date=1996&rft.isbn=0-300-06881-6&rft.aulast=Herbert&rft.aufirst=Robert+L.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></li> <li>Hornstein, Katie; Caty Telfair (2011). "<a rel="nofollow" class="external text" href="http://19thc-artworldwide.org/index.php/spring11/claude-monet-18401926">Claude Monet, 1840–1926.Galeries Nationales, Grand Palais, Paris. September 22, 2010 – January 24, 2011</a>". <i>Nineteenth-Century Art Worldwide</i>. Association of Historians of Nineteenth-Century Art. <b>10</b> (1) <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://www.worldcat.org/search?fq=x0:jrnl&q=n2:1543-1002">1543-1002</a></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHouse1988" class="citation book cs1">House, John (1988). <a rel="nofollow" class="external text" href="https://archive.org/details/monetnatureintoa00hous"><i>Monet: Nature Into Art</i></a>. Yale University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-300-04361-9" title="Special:BookSources/0-300-04361-9"><bdi>0-300-04361-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Monet%3A+Nature+Into+Art&rft.pub=Yale+University+Press&rft.date=1988&rft.isbn=0-300-04361-9&rft.aulast=House&rft.aufirst=John&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fmonetnatureintoa00hous&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFIsaacson1994" class="citation journal cs1">Isaacson, Joel (1994). "Constable, Duranty, Mallarme, Impressionism, Plein Air, and Forgetting". <i>Art Bulletin</i>. <b>76</b> (3): 427. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0004-3079">0004-3079</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Art+Bulletin&rft.atitle=Constable%2C+Duranty%2C+Mallarme%2C+Impressionism%2C+Plein+Air%2C+and+Forgetting&rft.volume=76&rft.issue=3&rft.pages=427&rft.date=1994&rft.issn=0004-3079&rft.aulast=Isaacson&rft.aufirst=Joel&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span>.</li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFIsham2004" class="citation book cs1">Isham, Howard F. (2004). <i>Image of the Sea: Oceanic Consciousness in the Romantic Century</i>. Peter Lang. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8204-6727-6" title="Special:BookSources/978-0-8204-6727-6"><bdi>978-0-8204-6727-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Image+of+the+Sea%3A+Oceanic+Consciousness+in+the+Romantic+Century&rft.pub=Peter+Lang&rft.date=2004&rft.isbn=978-0-8204-6727-6&rft.aulast=Isham&rft.aufirst=Howard+F.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKleiner2009" class="citation book cs1">Kleiner, Fred S. (2009). <i>Gardner's Art Through the Ages: A Global History</i> (13th ed.). Thomson Wadsworth. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-4950-9307-7" title="Special:BookSources/978-0-4950-9307-7"><bdi>978-0-4950-9307-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Gardner%27s+Art+Through+the+Ages%3A+A+Global+History&rft.edition=13th&rft.pub=Thomson+Wadsworth&rft.date=2009&rft.isbn=978-0-4950-9307-7&rft.aulast=Kleiner&rft.aufirst=Fred+S.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMagalhães2003" class="citation book cs1">Magalhães, Roberto Carvalho de (2003). <i>Claude Monet</i>. New York: Enchanted Lion Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-59270-009-8" title="Special:BookSources/1-59270-009-8"><bdi>1-59270-009-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Claude+Monet&rft.place=New+York&rft.pub=Enchanted+Lion+Books&rft.date=2003&rft.isbn=1-59270-009-8&rft.aulast=Magalh%C3%A3es&rft.aufirst=Roberto+Carvalho+de&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMathey1961" class="citation web cs1">Mathey, François (1961). <a rel="nofollow" class="external text" href="https://archive.org/details/impressionists006072mbp">"The Impressionists"</a>. Jean Steinberg (translator). Frederick A. Praeger. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/812292">812292</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Impressionists&rft.pub=Frederick+A.+Praeger&rft.date=1961&rft_id=info%3Aoclcnum%2F812292&rft.aulast=Mathey&rft.aufirst=Fran%C3%A7ois&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fimpressionists006072mbp&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMathieu1987" class="citation book cs1">Mathieu, Caroline (1987). <a rel="nofollow" class="external text" href="https://archive.org/details/guidetomusedor00math"><i>Guide to the Musée d'Orsay</i></a>. Paris: Ministère de la Culture et de la Communication. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-2-7118-2123-5" title="Special:BookSources/978-2-7118-2123-5"><bdi>978-2-7118-2123-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Guide+to+the+Mus%C3%A9e+d%27Orsay&rft.place=Paris&rft.pub=Minist%C3%A8re+de+la+Culture+et+de+la+Communication&rft.date=1987&rft.isbn=978-2-7118-2123-5&rft.aulast=Mathieu&rft.aufirst=Caroline&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fguidetomusedor00math&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMay1999" class="citation journal cs1">May, Stephen (May 1999). "Painting in the Snow Then and Now". <i>American Artist</i> (63). VNU Business Media: 44.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=American+Artist&rft.atitle=Painting+in+the+Snow+Then+and+Now&rft.issue=63&rft.pages=44&rft.date=1999-05&rft.aulast=May&rft.aufirst=Stephen&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMeyers2011" class="citation journal cs1">Meyers, Jeffrey (2011). <a rel="nofollow" class="external text" href="https://doi.org/10.1038%2F189610b0">"Cloud of unknowing"</a>. <i>New Criterion</i>. <b>29</b> (6): <span class="nowrap">73–</span>75. <a href="/wiki/Bibcode_(identifier)" class="mw-redirect" title="Bibcode (identifier)">Bibcode</a>:<a rel="nofollow" class="external text" href="https://ui.adsabs.harvard.edu/abs/1961Natur.189..610A">1961Natur.189..610A</a>. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<span class="id-lock-free" title="Freely accessible"><a rel="nofollow" class="external text" href="https://doi.org/10.1038%2F189610b0">10.1038/189610b0</a></span>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0734-0222">0734-0222</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=New+Criterion&rft.atitle=Cloud+of+unknowing&rft.volume=29&rft.issue=6&rft.pages=%3Cspan+class%3D%22nowrap%22%3E73-%3C%2Fspan%3E75&rft.date=2011&rft.issn=0734-0222&rft_id=info%3Adoi%2F10.1038%2F189610b0&rft_id=info%3Abibcode%2F1961Natur.189..610A&rft.aulast=Meyers&rft.aufirst=Jeffrey&rft_id=https%3A%2F%2Fdoi.org%2F10.1038%252F189610b0&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMeynell1993" class="citation journal cs1">Meynell, Hugo A. (1993). "The Good of Art". <i>Arts Education Policy Review</i>. <b>95</b> (2). Routledge: <span class="nowrap">13–</span>19. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1080%2F10632913.1993.9936367">10.1080/10632913.1993.9936367</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Arts+Education+Policy+Review&rft.atitle=The+Good+of+Art&rft.volume=95&rft.issue=2&rft.pages=%3Cspan+class%3D%22nowrap%22%3E13-%3C%2Fspan%3E19&rft.date=1993&rft_id=info%3Adoi%2F10.1080%2F10632913.1993.9936367&rft.aulast=Meynell&rft.aufirst=Hugo+A.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMoffett1999" class="citation book cs1">Moffett, Charles S. (1999). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/impressionistsin0000unse"><i>Impressionists in Winter: Effets de Neige</i></a></span>. Phillips Collection. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-85667-495-8" title="Special:BookSources/0-85667-495-8"><bdi>0-85667-495-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Impressionists+in+Winter%3A+Effets+de+Neige&rft.pub=Phillips+Collection&rft.date=1999&rft.isbn=0-85667-495-8&rft.aulast=Moffett&rft.aufirst=Charles+S.&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fimpressionistsin0000unse&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMyers1998" class="citation news cs1">Myers, Chuck (1998). <a rel="nofollow" class="external text" href="https://www.chicagotribune.com/1998/12/14/winter-wonderlandscapes/">"Winter Wonderland(scapes)"</a>. <i>Chicago Tribune</i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Chicago+Tribune&rft.atitle=Winter+Wonderland%28scapes%29&rft.date=1998&rft.aulast=Myers&rft.aufirst=Chuck&rft_id=https%3A%2F%2Fwww.chicagotribune.com%2F1998%2F12%2F14%2Fwinter-wonderlandscapes%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFOrr1994" class="citation book cs1">Orr, Lynn Federle (1994). <a rel="nofollow" class="external text" href="https://archive.org/details/monetlatepaintin00orrl"><i>Monet: An Introduction Monet: Late Paintings of Giverny from the Musée Marmottan</i></a>. New Orleans Museum of Art. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8109-2610-5" title="Special:BookSources/0-8109-2610-5"><bdi>0-8109-2610-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Monet%3A+An+Introduction+Monet%3A+Late+Paintings+of+Giverny+from+the+Mus%C3%A9e+Marmottan&rft.pub=New+Orleans+Museum+of+Art&rft.date=1994&rft.isbn=0-8109-2610-5&rft.aulast=Orr&rft.aufirst=Lynn+Federle&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fmonetlatepaintin00orrl&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRathbone1999" class="citation journal cs1">Rathbone, Eliza E. (1999). <a rel="nofollow" class="external text" href="https://www.questia.com/read/1P3-39251539/snowy-landscapes">"Snowy Landscapes"</a>. <i>Southwest Art</i>. <b>28</b> (10). <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0192-4214">0192-4214</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Southwest+Art&rft.atitle=Snowy+Landscapes&rft.volume=28&rft.issue=10&rft.date=1999&rft.issn=0192-4214&rft.aulast=Rathbone&rft.aufirst=Eliza+E.&rft_id=https%3A%2F%2Fwww.questia.com%2Fread%2F1P3-39251539%2Fsnowy-landscapes&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span> <span style="font-size:0.95em; font-size:95%; color: var( --color-subtle, #555 )">(subscription required)</span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRewald1961" class="citation book cs1">Rewald, John (1961). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160326171601/https://www.questia.com/library/7512867/the-history-of-impressionism"><i>The History of Impressionism</i></a>. New York: Museum of Modern Art. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-87070-369-2" title="Special:BookSources/0-87070-369-2"><bdi>0-87070-369-2</bdi></a>. Archived from <a rel="nofollow" class="external text" href="https://www.questia.com/library/7512867/the-history-of-impressionism">the original</a> on 2016-03-26<span class="reference-accessdate">. Retrieved <span class="nowrap">2017-09-16</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+History+of+Impressionism&rft.place=New+York&rft.pub=Museum+of+Modern+Art&rft.date=1961&rft.isbn=0-87070-369-2&rft.aulast=Rewald&rft.aufirst=John&rft_id=https%3A%2F%2Fwww.questia.com%2Flibrary%2F7512867%2Fthe-history-of-impressionism&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span><span style="font-size:0.95em; font-size:95%; color: var( --color-subtle, #555 )">(subscription required)</span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRichard1998" class="citation news cs1">Richard, Paul (1998). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160410070944/https://www.highbeam.com/doc/1P2-676553.html">"At the Phillips, a Midwinter Day's Dream"</a>. <i>The Washington Post</i>. Archived from <a rel="nofollow" class="external text" href="http://www.highbeam.com/doc/1P2-676553.html">the original</a> on April 10, 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">April 14,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Washington+Post&rft.atitle=At+the+Phillips%2C+a+Midwinter+Day%27s+Dream&rft.date=1998&rft.aulast=Richard&rft.aufirst=Paul&rft_id=http%3A%2F%2Fwww.highbeam.com%2Fdoc%2F1P2-676553.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span> <span style="font-size:0.95em; font-size:95%; color: var( --color-subtle, #555 )">(subscription required)</span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRoque1996" class="citation journal cs1">Roque, Georges (1996). "Chevreul and Impressionism: A reappraisal". <i>Art Bulletin</i>. <b>78</b> (1): <span class="nowrap">26–</span>39. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.2307%2F3046155">10.2307/3046155</a>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0004-3079">0004-3079</a>. <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a> <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/3046155">3046155</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Art+Bulletin&rft.atitle=Chevreul+and+Impressionism%3A+A+reappraisal&rft.volume=78&rft.issue=1&rft.pages=%3Cspan+class%3D%22nowrap%22%3E26-%3C%2Fspan%3E39&rft.date=1996&rft.issn=0004-3079&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F3046155%23id-name%3DJSTOR&rft_id=info%3Adoi%2F10.2307%2F3046155&rft.aulast=Roque&rft.aufirst=Georges&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRouart1958" class="citation book cs1">Rouart, Denis (1958). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170903074925/https://www.questia.com/library/7919327/claude-monet"><i>Claude Monet</i></a>. The Taste of Our Time, 25. James Emmons (translator), León Dégand (introduction and conclusion). New York: Albert Skira. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/518538">518538</a>. Archived from <a rel="nofollow" class="external text" href="https://www.questia.com/library/7919327/claude-monet">the original</a> on 2017-09-03<span class="reference-accessdate">. Retrieved <span class="nowrap">2017-09-16</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Claude+Monet&rft.place=New+York&rft.series=The+Taste+of+Our+Time%2C+25&rft.pub=Albert+Skira&rft.date=1958&rft_id=info%3Aoclcnum%2F518538&rft.aulast=Rouart&rft.aufirst=Denis&rft_id=https%3A%2F%2Fwww.questia.com%2Flibrary%2F7919327%2Fclaude-monet&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span><span style="font-size:0.95em; font-size:95%; color: var( --color-subtle, #555 )">(subscription required)</span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSchlichting1999" class="citation journal cs1">Schlichting, H. Joachim (1999). <a rel="nofollow" class="external text" href="https://www.uni-muenster.de/imperia/md/content/fachbereich_physik/didaktik_physik/publikationen/physiks_and_arts.pdf">"Physics and Art"</a> <span class="cs1-format">(PDF)</span>. <i>Proceedings of '99 International Conference of Physics Teachers & Educators</i>. Guangxi Normal University Press.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Proceedings+of+%2799+International+Conference+of+Physics+Teachers+%26+Educators&rft.atitle=Physics+and+Art&rft.date=1999&rft.aulast=Schlichting&rft.aufirst=H.+Joachim&rft_id=https%3A%2F%2Fwww.uni-muenster.de%2Fimperia%2Fmd%2Fcontent%2Ffachbereich_physik%2Fdidaktik_physik%2Fpublikationen%2Fphysiks_and_arts.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSweeney1999" class="citation journal cs1">Sweeney, Jim (Jan–Feb 1999). "The Impressionists Paint Winter: A Special Effect". <i>Weatherwise</i>. <b>52</b> (1). Taylor & Francis Group: 22. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1080%2F00431679909604257">10.1080/00431679909604257</a>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0043-1672">0043-1672</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Weatherwise&rft.atitle=The+Impressionists+Paint+Winter%3A+A+Special+Effect&rft.volume=52&rft.issue=1&rft.pages=22&rft.date=1999-01%2F1999-02&rft_id=info%3Adoi%2F10.1080%2F00431679909604257&rft.issn=0043-1672&rft.aulast=Sweeney&rft.aufirst=Jim&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTinterowLoyrette1994" class="citation book cs1">Tinterow, Gary; Loyrette, Henri (1994). <i>Origins of Impressionism</i>. Metropolitan Museum of Art. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8109-6485-6" title="Special:BookSources/0-8109-6485-6"><bdi>0-8109-6485-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Origins+of+Impressionism&rft.pub=Metropolitan+Museum+of+Art.&rft.date=1994&rft.isbn=0-8109-6485-6&rft.aulast=Tinterow&rft.aufirst=Gary&rft.au=Loyrette%2C+Henri&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Magpie+%28Monet%29" class="Z3988"></span></li></ul> <div class="mw-heading mw-heading2"><h2 id="Further_reading">Further reading</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Magpie_(Monet)&action=edit&section=11" title="Edit section: Further reading"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Fell, Derek (2007). <i>The Magic of Monet's Garden</i>. Firefly Books. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-55407-277-8" title="Special:BookSources/1-55407-277-8">1-55407-277-8</a>.</li> <li>Schapiro, Meyer (1997). <i>Impressionism: Reflections and Perceptions</i>. George Braziller. pp. 68–69. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8076-1420-3" title="Special:BookSources/0-8076-1420-3">0-8076-1420-3</a>.</li> <li>Wildenstein, Daniel (1999). <i>Monet: Or the Triumph of Impressionism</i>. Taschen. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/3-8228-7060-9" title="Special:BookSources/3-8228-7060-9">3-8228-7060-9</a>.</li></ul> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Magpie_(Monet)&action=edit&section=12" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><i><a rel="nofollow" class="external text" href="http://www.musee-orsay.fr/en/collections/works-in-focus/painting/commentaire_id/the-magpie-3110.html?tx_commentaire_pi1%5BpidLi%5D=509&tx_commentaire_pi1%5Bfrom%5D=841&cHash=e8d8d83f29">The Magpie</a></i> at the <a href="/wiki/Mus%C3%A9e_d%27Orsay" title="Musée d'Orsay">Musée d'Orsay</a> <a rel="nofollow" class="external text" href="http://www.musee-orsay.fr/en/collections/index-of-works/notice.html?no_cache=1&nnumid=715">full entry</a></li> <li><i><a rel="nofollow" class="external text" href="http://www.monet2010.com/en#/galerie/7/hd/">The Magpie</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110827004253/http://www.monet2010.com/en#/galerie/7/hd/">Archived</a> 2011-08-27 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></i> at the <a href="/wiki/Galeries_nationales_du_Grand_Palais" title="Galeries nationales du Grand Palais">Grand Palais</a>, Monet Numérique (high-resolution)</li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output 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href="/wiki/Template:Claude_Monet" title="Template:Claude Monet"><abbr title="View this template" style="color:#064a66">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Claude_Monet" title="Template talk:Claude Monet"><abbr title="Discuss this template" style="color:#064a66">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Claude_Monet" title="Special:EditPage/Template:Claude Monet"><abbr title="Edit this template" style="color:#064a66">e</abbr></a></li></ul></div><div id="Claude_Monet203" style="font-size:114%;margin:0 4em"><a href="/wiki/Claude_Monet" title="Claude Monet"><span style="color:#064a66;">Claude Monet</span></a></div></th></tr><tr><td class="navbox-abovebelow" colspan="2" style="background:#e8c159; color:#064a66;"><div><a href="/wiki/List_of_paintings_by_Claude_Monet" title="List of paintings by Claude Monet">List of paintings</a></div></td></tr><tr><th scope="row" class="navbox-group" style="background:#e8c159; color:#064a66;;width:1%"><a href="/wiki/List_of_paintings_by_Claude_Monet" title="List of paintings by Claude Monet">Paintings</a></th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/View_from_Rouelles" title="View from Rouelles">View from Rouelles</a></i> (1858)</li> <li><a href="/wiki/Le_D%C3%A9jeuner_sur_l%27herbe_(Monet,_Paris)" title="Le Déjeuner sur l'herbe (Monet, Paris)"><i>Le Déjeuner sur l'herbe</i> (Paris</a> / <a href="/wiki/Le_D%C3%A9jeuner_sur_l%27herbe_(Monet,_Moscow)" class="mw-redirect" title="Le Déjeuner sur l'herbe (Monet, Moscow)">Moscow</a>) (1865–1867)</li> <li><i><a href="/wiki/A_Cart_on_the_Snowy_Road_at_Honfleur" title="A Cart on the Snowy Road at Honfleur">A Cart on the Snowy Road at Honfleur</a></i> (1865)</li> <li><i><a href="/wiki/Camille_(Monet)" title="Camille (Monet)">Camille</a></i> (1866)</li> <li><i><a href="/wiki/Women_in_the_Garden" title="Women in the Garden">Women in the Garden</a></i> (1866)</li> <li><i><a href="/wiki/Woman_in_the_Garden" title="Woman in the Garden">Woman in the Garden</a></i> (1866)</li> <li><i><a href="/wiki/Regatta_at_Sainte-Adresse_(Monet)" title="Regatta at Sainte-Adresse (Monet)">Regatta at Sainte-Adresse</a></i> (1867)</li> <li><i><a href="/wiki/The_Beach_at_Sainte-Adresse" title="The Beach at Sainte-Adresse">The Beach at Sainte-Adresse</a></i> (1867)</li> <li><i><a href="/wiki/Garden_at_Sainte-Adresse" title="Garden at Sainte-Adresse">Garden at Sainte-Adresse</a></i> (1867)</li> <li><i><a href="/wiki/The_Road_in_Front_of_Saint-Simeon_Farm_in_Winter" title="The Road in Front of Saint-Simeon Farm in Winter">The Road in Front of Saint-Simeon Farm in Winter</a></i> (1867)</li> <li><i><a href="/wiki/On_the_Bank_of_the_Seine,_Bennecourt" title="On the Bank of the Seine, Bennecourt">On the Bank of the Seine, Bennecourt</a></i> (1868)</li> <li><i><a href="/wiki/L%27Enfant_a_la_tasse" title="L'Enfant a la tasse">L'Enfant a la tasse</a></i> (1868)</li> <li><i><a class="mw-selflink selflink">The Magpie</a></i> (1868)</li> <li><i><a href="/wiki/Interior,_after_Dinner" title="Interior, after Dinner">Interior, after Dinner</a></i> (1868-69)</li> <li><i><a href="/wiki/The_Red_Cape" title="The Red Cape">The Red Cape</a></i> (1868–73)</li> <li><i><a href="/wiki/La_Grenouill%C3%A8re_(Monet)" title="La Grenouillère (Monet)">La Grenouillère</a></i> (1869)</li> <li><i><a href="/wiki/Houses_on_the_Achterzaan" title="Houses on the Achterzaan">Houses on the Achterzaan</a></i> (1871)</li> <li><i><a href="/wiki/Windmill_at_Zaandam" title="Windmill at Zaandam">Windmill at Zaandam</a></i> (1871)</li> <li><i><a href="/wiki/Impression,_Sunrise" title="Impression, Sunrise">Impression, Sunrise</a></i> (1872)</li> <li><i><a href="/wiki/Regatta_at_Argenteuil" title="Regatta at Argenteuil">Regatta at Argenteuil</a></i> (<abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1872</span>)</li> <li><i><a href="/wiki/Springtime_(Claude_Monet)" title="Springtime (Claude Monet)">Springtime</a></i> (1872)</li> <li><i><a href="/wiki/The_Seine_at_Rouen" title="The Seine at Rouen">The Seine at Rouen</a></i> (1872)</li> <li><i><a href="/wiki/Boulevard_des_Capucines_(Monet)" title="Boulevard des Capucines (Monet)">Boulevard des Capucines</a></i> (1873)</li> <li><i><a href="/wiki/Lilac_Bush_in_the_Sun" title="Lilac Bush in the Sun">Lilac Bush in the Sun</a></i> (1873)</li> <li><i><a href="/wiki/The_Seine_at_Asni%C3%A8res" title="The Seine at Asnières">The Seine at Asnières</a></i> (1873)</li> <li><i><a href="/wiki/Resting_Under_a_Lilac_Bush" title="Resting Under a Lilac Bush">Resting Under a Lilac Bush</a></i> (1873)</li> <li><i><a href="/wiki/The_Seine_at_Argenteuil" title="The Seine at Argenteuil">The Seine at Argenteuil</a></i> (1873)</li> <li><i><a href="/wiki/The_Poppy_Field_near_Argenteuil" title="The Poppy Field near Argenteuil">The Poppy Field near Argenteuil</a></i> (1873)</li> <li><i><a href="/wiki/Argenteuil_Basin_with_a_Single_Sailboat" title="Argenteuil Basin with a Single Sailboat">Argenteuil Basin with a Single Sailboat</a></i> (1874)</li> <li><i><a href="/wiki/The_Grand_Quai_at_Le_Havre" title="The Grand Quai at Le Havre">The Grand Quai at Le Havre</a></i> (1874)</li> <li><i><a href="/wiki/Snow_at_Argenteuil" title="Snow at Argenteuil">Snow at Argenteuil</a></i> (1875)</li> <li><i><a href="/wiki/The_Train_in_the_Snow" title="The Train in the Snow">The Train in the Snow</a></i> (1875)</li> <li><i><a href="/wiki/Woman_with_a_Parasol_%E2%80%93_Madame_Monet_and_Her_Son" title="Woman with a Parasol – Madame Monet and Her Son">Woman with a Parasol – Madame Monet and Her Son</a></i> (1875)</li> <li><i><a href="/wiki/A_Corner_in_the_Garden_at_Montgeron" title="A Corner in the Garden at Montgeron">A Corner in the Garden at Montgeron</a></i> (1876)</li> <li><i><a href="/wiki/The_Studio_Boat_(Le_Bateau-atelier)" title="The Studio Boat (Le Bateau-atelier)">The Studio Boat (Le Bateau-atelier)</a></i> (1876)</li> <li><i><a href="/wiki/La_Japonaise_(painting)" title="La Japonaise (painting)">La Japonaise</a></i> (1876)</li> <li><i><a href="/wiki/Arrival_of_the_Normandy_Train,_Gare_Saint-Lazare" title="Arrival of the Normandy Train, Gare Saint-Lazare">Arrival of the Normandy Train, Gare Saint-Lazare</a></i> (1877)</li> <li><i><a href="/wiki/Waves_Breaking" title="Waves Breaking">Waves Breaking</a></i> (1881)</li> <li><i><a href="/wiki/Beach_in_Pourville" title="Beach in Pourville">Beach in Pourville</a></i> (1882)</li> <li><i><a href="/wiki/Portrait_of_P%C3%A8re_Paul" title="Portrait of Père Paul">Portrait of Père Paul</a></i> (1882)</li> <li><i><a href="/wiki/The_Cliff_Walk_at_Pourville" title="The Cliff Walk at Pourville">The Cliff Walk at Pourville</a></i> (1882)</li> <li><i><a href="/wiki/Anglers_on_the_Seine_at_Poissy" title="Anglers on the Seine at Poissy">Anglers on the Seine at Poissy</a></i> (1882)</li> <li><i><a href="/wiki/Stormy_Sea_at_%C3%89tretat" title="Stormy Sea at Étretat">Stormy Sea at Étretat</a></i> (1883)</li> <li><i><a href="/wiki/The_Valley_of_the_Nervia" title="The Valley of the Nervia">The Valley of the Nervia</a></i> (1884)</li> <li><i><a href="/wiki/Garden_at_Bordighera,_Morning" title="Garden at Bordighera, Morning">Garden at Bordighera, Morning</a></i> (1884)</li> <li><i><a href="/wiki/Haystack_Near_Giverny" title="Haystack Near Giverny">Haystack Near Giverny</a></i> (1884)</li> <li><i><a href="/wiki/The_Pyramides_at_Port-Coton,_Rough_Sea" title="The Pyramides at Port-Coton, Rough Sea">The Pyramides at Port-Coton, Rough Sea</a></i> (1886)</li> <li><i><a href="/wiki/Study_of_Rocks;_Creuse" title="Study of Rocks; Creuse">Study of Rocks; Creuse</a></i> (1889)</li> <li><i><a href="/wiki/The_Valley_of_the_Creuse,_Sunset" title="The Valley of the Creuse, Sunset">The Valley of the Creuse, Sunset</a></i> (1889)</li> <li><i><a href="/wiki/Boating_on_the_River_Epte" title="Boating on the River Epte">Boating on the River Epte</a></i> (1890)</li> <li><i><a href="/wiki/Champ_d%27avoine_aux_coquelicots" title="Champ d'avoine aux coquelicots">Champ d'avoine aux coquelicots</a></i> (1890)</li> <li><i><a href="/wiki/The_Artist%27s_Garden_at_Giverny" title="The Artist's Garden at Giverny">Le Jardin de l'artiste à Giverny</a></i> (1900)</li> <li><i><a href="/wiki/San_Giorgio_Maggiore_at_Dusk" title="San Giorgio Maggiore at Dusk">San Giorgio Maggiore at Dusk</a></i> (1908)</li> <li><i><a href="/wiki/The_Doge%27s_Palace_Seen_from_San_Giorgio_Maggiore_(Claude_Monet)" title="The Doge's Palace Seen from San Giorgio Maggiore (Claude Monet)">The Doge's Palace Seen from San Giorgio Maggiore</a></i> (1908)</li> <li><i><a href="/wiki/Le_Grand_Canal" title="Le Grand Canal">Le Grand Canal</a></i> (1908)</li> <li><i><a href="/wiki/Nymph%C3%A9as_en_fleur" title="Nymphéas en fleur">Nymphéas en fleur</a></i> (<abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1914</span>–1917)</li> <li><i><a href="/wiki/Weeping_Willow_(painting)" title="Weeping Willow (painting)">Weeping Willow</a></i> (1918)</li> <li><span title="French-language text"><i lang="fr"><a href="/wiki/Le_Bassin_Aux_Nymph%C3%A9as" title="Le Bassin Aux Nymphéas">Le Bassin Aux Nymphéas</a></i></span> (1919)</li> <li><i><a href="/wiki/Water_Lilies_(1919)" title="Water Lilies (1919)">Water Lilies</a></i> (1919)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:#e8c159; color:#064a66;;width:1%">Series</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Gare_Saint-Lazare_(Monet_series)" title="Gare Saint-Lazare (Monet series)">Gare Saint-Lazare</a></i> (1877)</li> <li><i>Cliffs at Étretat</i> (1885–1886 - <a href="/wiki/Cliffs_at_%C3%89tretat_(Massachusetts)" title="Cliffs at Étretat (Massachusetts)">Massachusetts</a> / <a href="/wiki/Cliffs_at_%C3%89tretat_(Moscow)" title="Cliffs at Étretat (Moscow)">Moscow</a>)</li> <li><i><a href="/wiki/Haystacks_(Monet_series)" title="Haystacks (Monet series)">Haystacks</a></i> (1890–91)</li> <li><i><a href="/wiki/Poplars_(Monet_series)" title="Poplars (Monet series)">Poplars</a></i> (1891)</li> <li><i><a href="/wiki/Rouen_Cathedral_(Monet_series)" title="Rouen Cathedral (Monet series)">Rouen Cathedral</a></i> (1892–1894)</li> <li><i><a href="/wiki/Mount_Kolsaas_(Monet_series)" title="Mount Kolsaas (Monet series)">Mount Kolsaas</a></i> (1895)</li> <li><i><a href="/wiki/Charing_Cross_Bridge_(Monet_series)" title="Charing Cross Bridge (Monet series)">Charing Cross Bridge</a></i> (1899–1904)</li> <li><i><a href="/wiki/Waterloo_Bridge_(Monet_series)" title="Waterloo Bridge (Monet series)">Waterloo Bridge</a></i> (1900–1904)</li> <li><i><a href="/wiki/Houses_of_Parliament_(Monet_series)" title="Houses of Parliament (Monet series)">Houses of Parliament</a></i> (1900–1905)</li> <li><i><a href="/wiki/Le_Grand_Canal_(Monet_series)" title="Le Grand Canal (Monet series)">Le Grand Canal</a></i> (1908)</li> <li><i><a href="/wiki/Le_Palais_Ducal" title="Le Palais Ducal">Le Palais Ducal</a></i> (1908)</li> <li><i><a href="/wiki/San_Giorgio_Maggiore_(Monet_series)" title="San Giorgio Maggiore (Monet series)">San Giorgio Maggiore</a></i> (1908–1912)</li> <li><i><a href="/wiki/Water_Lilies_(Monet_series)" title="Water Lilies (Monet series)">Water Lilies</a></i> (1897–1926)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:#e8c159; color:#064a66;;width:1%">People</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Camille_Doncieux" title="Camille Doncieux">Camille Doncieux</a> (first wife)</li> <li><a href="/wiki/Alice_Hosched%C3%A9" title="Alice Hoschedé">Alice Hoschedé</a> (second wife)</li> <li><a href="/wiki/Jean_Monet_(son_of_Claude_Monet)" title="Jean Monet (son of Claude Monet)">Jean Monet</a> (son)</li> <li><a href="/wiki/Michel_Monet" title="Michel Monet">Michel Monet</a> (son)</li> <li><a href="/wiki/Suzanne_Hosched%C3%A9" title="Suzanne Hoschedé">Suzanne Hoschedé</a> (step-daughter)</li> <li><a href="/wiki/Blanche_Hosched%C3%A9_Monet" title="Blanche Hoschedé Monet">Blanche Hoschedé Monet</a> (step-daughter and daughter-in-law)</li> <li><a href="/wiki/Theodore_Earl_Butler" title="Theodore Earl Butler">Theodore Earl Butler</a> (son-in-law, married Monet's step-daughters, Suzanne and Marthe)</li> <li><a href="/wiki/Jacques-Fran%C3%A7ois_Ochard" title="Jacques-François Ochard">Jacques-François Ochard</a> (teacher)</li> <li><a href="/wiki/Eug%C3%A8ne_Boudin" title="Eugène Boudin">Eugène Boudin</a> (teacher)</li> <li><a href="/wiki/Ernest_Hosched%C3%A9" title="Ernest Hoschedé">Ernest Hoschedé</a> (patron)</li> <li><a href="/wiki/Paul_Durand-Ruel" title="Paul Durand-Ruel">Paul Durand-Ruel</a> (dealer)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:#e8c159; color:#064a66;;width:1%">Museums</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Fondation_Monet_in_Giverny" title="Fondation Monet in Giverny">Fondation Monet – Giverny home, studio, and gardens</a></li> <li><a href="/wiki/Mus%C3%A9e_de_l%27Orangerie" title="Musée de l'Orangerie">Musée de l'Orangerie</a></li> <li><a href="/wiki/Mus%C3%A9e_Marmottan_Monet" title="Musée Marmottan Monet">Musée Marmottan Monet</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:#e8c159; color:#064a66;;width:1%">Portrayals</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Improvised_Field_Hospital" title="The Improvised Field Hospital">The Improvised Field Hospital</a></i> (1865 painting)</li> <li><i><a href="/wiki/A_Studio_at_Les_Batignolles" title="A Studio at Les Batignolles">A Studio at Les Batignolles</a></i> (1870 painting)</li> <li><i><a href="/wiki/Claude_Monet_Painting_in_His_Garden_at_Argenteuil" title="Claude Monet Painting in His Garden at Argenteuil">Claude Monet Painting in His Garden at Argenteuil</a></i> (1873)</li> <li><i><a href="/wiki/Claude_Monet_Painting_in_his_Studio" title="Claude Monet Painting in his Studio">Claude Monet Painting in his Studio</a></i> (1874 painting)</li> <li><i><a href="/wiki/Portrait_of_the_Painter_Claude_Monet" title="Portrait of the Painter Claude Monet">Portrait of the Painter Claude Monet</a></i> (1875 painting)</li> <li><i><a href="/wiki/Monet:_The_Mystery_of_the_Orangery" title="Monet: The Mystery of the Orangery">Monet: The Mystery of the Orangery</a></i> (2000 video game)</li> <li><i><a href="/wiki/The_Impressionists_(TV_series)" title="The Impressionists (TV series)">The Impressionists</a></i> (2006 series)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:#e8c159; color:#064a66;;width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Pays_des_Impressionnistes" title="Pays des Impressionnistes">Pays des Impressionnistes</a></li> <li><a href="/wiki/Monet_(crater)" title="Monet (crater)">Monet (crater)</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Musée_d&#039;Orsay120" style="padding:3px"><table class="nowraplinks hlist mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Mus%C3%A9e_d%27Orsay" title="Template:Musée d'Orsay"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Mus%C3%A9e_d%27Orsay" title="Template talk:Musée d'Orsay"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Mus%C3%A9e_d%27Orsay" title="Special:EditPage/Template:Musée d'Orsay"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Musée_d&#039;Orsay120" style="font-size:114%;margin:0 4em"><a href="/wiki/Mus%C3%A9e_d%27Orsay" title="Musée d'Orsay">Musée d'Orsay</a></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks mw-collapsible uncollapsed navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="text-align: center;"><div id="Building120" style="font-size:114%;margin:0 4em">Building</div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Gare_d%27Orsay" title="Gare d'Orsay">Gare d'Orsay</a></li></ul> </div></td></tr></tbody></table><div></div></td></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks mw-collapsible uncollapsed navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="text-align: center;"><div id="Paintings120" style="font-size:114%;margin:0 4em">Paintings</div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%;text-align: left;background-color: #eee;">French</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="smallcaps"><b>Baader</b></span>: <i><a href="/wiki/Remorse_(Baader_painting)" class="mw-redirect" title="Remorse (Baader painting)">Remorse</a></i></li> <li><span class="smallcaps"><b>Bartholomé</b></span>: <i><a href="/wiki/In_the_Conservatory_(Bartholom%C3%A9)" title="In the Conservatory (Bartholomé)">In the Conservatory</a></i></li> <li><span class="smallcaps"><b>Bastien-Lepage</b></span>: <i><a href="/wiki/Haymaking_(Bastien-Lepage)" title="Haymaking (Bastien-Lepage)">Haymaking</a></i></li> <li><span class="smallcaps"><b>Bazille</b></span>: <i><a href="/wiki/The_Family_Reunion_(painting)" title="The Family Reunion (painting)">The Family Reunion</a></i> – <i><a href="/wiki/The_Improvised_Field_Hospital" title="The Improvised Field Hospital">The Improvised Field Hospital</a></i> – <i><a href="/wiki/The_Pink_Dress" title="The Pink Dress">The Pink Dress</a></i> – <i><a href="/wiki/Bazille%27s_Studio" title="Bazille's Studio">Bazille's Studio</a></i></li> <li><span class="smallcaps"><b>Belly</b></span>: <i><a href="/wiki/Pilgrims_going_to_Mecca" title="Pilgrims going to Mecca">Pilgrims going to Mecca</a></i></li> <li><span class="smallcaps"><b>Bonnard</b></span>: <i><a href="/wiki/Woman_with_a_Cat_(Bonnard)" title="Woman with a Cat (Bonnard)">Woman with a Cat</a></i></li> <li><span class="smallcaps"><b>Bonheur</b></span>: <i><a href="/wiki/Ploughing_in_the_Nivernais" title="Ploughing in the Nivernais">Ploughing in the Nivernais</a></i></li> <li><span class="smallcaps"><b>Bouguereau</b></span>: <i><a href="/wiki/The_Birth_of_Venus_(Bouguereau)" title="The Birth of Venus (Bouguereau)">The Birth of Venus</a></i> – <i><a href="/wiki/La_Danse_(Bouguereau)" title="La Danse (Bouguereau)">La Danse</a></i> – <i><a href="/wiki/Dante_and_Virgil" title="Dante and Virgil">Dante and Virgil</a></i> – <i><a href="/wiki/Equality_Before_Death" title="Equality Before Death">Equality Before Death</a></i> – <i><a href="/wiki/Les_Or%C3%A9ades" title="Les Oréades">Les Oréades</a></i></li> <li><span class="smallcaps"><b>Boulanger</b></span>: <i><a href="/wiki/R%C3%A9p%C3%A9tition_du_%22Joueur_de_fl%C3%BBte%22_et_de_%22La_femme_de_Diom%C3%A8de%22_chez_le_prince_Napol%C3%A9on" title="Répétition du "Joueur de flûte" et de "La femme de Diomède" chez le prince Napoléon">Répétition du "Joueur de flûte" et de "La femme de Diomède" chez le prince Napoléon</a></i></li> <li><span class="smallcaps"><b>Bracquemond</b></span>: <i><a href="/wiki/The_Lady_in_White_(Bracquemond)" title="The Lady in White (Bracquemond)">The Lady in White</a></i> – <i><a href="/wiki/Three_Women_with_Parasols" title="Three Women with Parasols">Three Women with Parasols</a></i></li> <li><span class="smallcaps"><b>Cabanel</b></span>: <i><a href="/wiki/The_Birth_of_Venus_(Cabanel)" title="The Birth of Venus (Cabanel)">The Birth of Venus</a></i></li> <li><span class="smallcaps"><b>Caillebotte</b></span>: <i><a href="/wiki/Les_raboteurs_de_parquet" title="Les raboteurs de parquet">Les raboteurs de parquet</a></i> – <i><a href="/wiki/Vue_de_toits_(Effet_de_neige)" title="Vue de toits (Effet de neige)">Vue de toits (Effet de neige)</a></i></li> <li><span class="smallcaps"><b>Cézanne</b></span>: <i><a href="/wiki/The_Hanged_Man%27s_House" title="The Hanged Man's House">The Hanged Man's House</a></i> – <i><a href="/wiki/The_Card_Players" title="The Card Players">The Card Players</a></i> – <i><a href="/wiki/Portrait_of_Gustave_Geffroy" title="Portrait of Gustave Geffroy">Portrait of Gustave Geffroy</a></i></li> <li><span class="smallcaps"><b>Chassériau</b></span>: <i><a href="/wiki/Arab_Chiefs_Challenging_each_other_to_Single_Combat_under_the_Ramparts_of_a_City" title="Arab Chiefs Challenging each other to Single Combat under the Ramparts of a City">Arab Chiefs Challenging each other to Single Combat under the Ramparts of a City</a></i></li> <li><span class="smallcaps"><b>de Chavannes</b></span>: <i><a href="/wiki/The_Poor_Fisherman" title="The Poor Fisherman">The Poor Fisherman</a></i> – <i><a href="/wiki/The_Turtle_Seller" title="The Turtle Seller">The Turtle Seller</a></i></li> <li><span class="smallcaps"><b>Courbet</b></span>: <i><a href="/wiki/A_Burial_at_Ornans" title="A Burial at Ornans">A Burial at Ornans</a></i> – <i><a href="/wiki/L%27Origine_du_monde" title="L'Origine du monde">L'Origine du monde</a></i> – <i><a href="/wiki/The_Painter%27s_Studio" title="The Painter's Studio">The Painter's Studio</a></i> – <i><a href="/wiki/Le_ruisseau_noir" class="mw-redirect" title="Le ruisseau noir">Le ruisseau noir</a></i> – <i><a href="/wiki/The_Wounded_Man_(painting)" title="The Wounded Man (painting)">The Wounded Man</a></i></li> <li><span class="smallcaps"><b>Couture</b></span>: <i><a href="/wiki/The_Romans_in_their_Decadence" title="The Romans in their Decadence">The Romans in their Decadence</a></i></li> <li><span class="smallcaps"><b>Daubigny</b></span>: <i><a href="/wiki/The_Harvest_(Daubigny)" title="The Harvest (Daubigny)">The Harvest</a></i></li> <li><span class="smallcaps"><b>Daumier</b></span>: <i><a href="/wiki/The_Laundress_(Daumier)" title="The Laundress (Daumier)">The Laundress</a></i> – <i><a href="/wiki/The_Republic_(Daumier)" title="The Republic (Daumier)">The Republic</a></i></li> <li><span class="smallcaps"><b>Degas</b></span>: <i><a href="/wiki/L%27Absinthe" title="L'Absinthe">L'Absinthe</a></i> – <i><a href="/wiki/The_Bellelli_Family" title="The Bellelli Family">The Bellelli Family</a></i> – <i><a href="/wiki/Caf%C3%A9-Concert_at_Les_Ambassadeurs" title="Café-Concert at Les Ambassadeurs">Café-Concert at Les Ambassadeurs</a></i> <span style="font-size:85%;">(1885)</span> – <i><a href="/wiki/Les_Choristes" title="Les Choristes">Les Choristes</a></i> – <i><a href="/wiki/The_Orchestra_at_the_Opera" title="The Orchestra at the Opera">The Orchestra at the Opera</a></i> – <i><a href="/wiki/Portraits_at_the_Stock_Exchange" title="Portraits at the Stock Exchange">Portraits at the Stock Exchange</a></i> – <i><a href="/wiki/The_Tub" title="The Tub">The Tub</a></i></li> <li><span class="smallcaps"><b>Dehodencq</b></span>: <i><a href="/wiki/Boabdil%27s_Farewell_to_Granada" title="Boabdil's Farewell to Granada">Boabdil's Farewell to Granada</a></i></li> <li><span class="smallcaps"><b>Delacroix</b></span>: <i><a href="/wiki/Arab_Horses_Fighting_in_a_Stable" title="Arab Horses Fighting in a Stable">Arab Horses Fighting in a Stable</a></i></li> <li><span class="smallcaps"><b>Denis</b></span>: <i><a href="/wiki/Homage_to_C%C3%A9zanne" title="Homage to Cézanne">Homage to Cézanne</a></i></li> <li><span class="smallcaps"><b>Detaille</b></span>: <i><a href="/wiki/The_Dream_(Detaille)" title="The Dream (Detaille)">The Dream</a></i></li> <li><span class="smallcaps"><b>Doré</b></span>: <i><a href="/wiki/The_Enigma_(Dor%C3%A9)" title="The Enigma (Doré)">The Enigma</a></i></li> <li><span class="smallcaps"><b>Fantin-Latour</b></span>: <i><a href="/wiki/Around_the_Piano" title="Around the Piano">Around the Piano</a></i> – <i><a href="/wiki/The_Corner_of_the_Table" title="The Corner of the Table">The Corner of the Table</a></i> – <i><a href="/wiki/Homage_to_Delacroix" title="Homage to Delacroix">Homage to Delacroix</a></i> – <i><a href="/wiki/A_Studio_at_Les_Batignolles" title="A Studio at Les Batignolles">A Studio at Les Batignolles</a></i></li> <li><span class="smallcaps"><b>Gauguin</b></span>: <i><a href="/wiki/Arearea" title="Arearea">Arearea</a></i> – <i><a href="/wiki/The_Beautiful_Angel" title="The Beautiful Angel">The Beautiful Angel</a></i> – <i><a href="/wiki/Breton_Peasant_Women" title="Breton Peasant Women">Breton Peasant Women</a></i> – <i><a href="/wiki/The_Schuffenecker_Family" title="The Schuffenecker Family">The Schuffenecker Family</a></i> – <i><a href="/wiki/Self-Portrait_in_a_Hat" title="Self-Portrait in a Hat">Self-Portrait in a Hat</a></i> – <i><a href="/wiki/Self-Portrait_with_the_Yellow_Christ" title="Self-Portrait with the Yellow Christ">Self-Portrait with the Yellow Christ</a></i> – <i><a href="/wiki/Tahitian_Women_on_the_Beach" title="Tahitian Women on the Beach">Tahitian Women on the Beach</a></i> – <i><a href="/wiki/Vairumati" title="Vairumati">Vairumati</a></i></li> <li><span class="smallcaps"><b>Gérôme</b></span>: <i><a href="/wiki/The_Cock_Fight" title="The Cock Fight">The Cock Fight</a></i> – <i><a href="/wiki/Jerusalem_(painting)" title="Jerusalem (painting)">Jerusalem</a></i> – <i><a href="/wiki/Reception_of_the_Grand_Cond%C3%A9_at_Versailles" title="Reception of the Grand Condé at Versailles">Reception of the Grand Condé at Versailles</a></i></li> <li><span class="smallcaps"><b>Gervex</b></span>: <i><a href="/wiki/A_Session_of_the_Painting_Jury" title="A Session of the Painting Jury">A Session of the Painting Jury</a></i></li> <li><span class="smallcaps"><b>Glaize</b></span>: <i><a href="/wiki/The_Gallic_Women:_Episode_from_the_Roman_Invasion" title="The Gallic Women: Episode from the Roman Invasion">The Gallic Women: Episode from the Roman Invasion</a></i></li> <li><span class="smallcaps"><b>Ingres</b></span>: <i><a href="/wiki/The_Source_(Ingres)" title="The Source (Ingres)">The Source</a></i></li> <li><span class="smallcaps"><b>Laurens</b></span>: <i><a href="/wiki/The_Excommunication_of_Robert_the_Pious" title="The Excommunication of Robert the Pious">The Excommunication of Robert the Pious</a></i></li> <li><span class="smallcaps"><b>Lefebvre</b></span>: <i><a href="/wiki/The_Truth_(Lefebvre)" title="The Truth (Lefebvre)">The Truth</a></i></li> <li><span class="smallcaps"><b>Luce</b></span>: <i><a href="/wiki/The_Quai_Saint-Michel_and_Notre-Dame" title="The Quai Saint-Michel and Notre-Dame">The Quai Saint-Michel and Notre-Dame</a></i></li> <li><span class="smallcaps"><b>Manet</b></span>: <i><a href="/wiki/The_Balcony_(Manet)" title="The Balcony (Manet)">The Balcony</a></i> – <i><a href="/wiki/Berthe_Morisot_with_a_Bouquet_of_Violets" title="Berthe Morisot with a Bouquet of Violets">Berthe Morisot with a Bouquet of Violets</a></i> – <i><a href="/wiki/Blonde_Woman_with_Bare_Breasts" title="Blonde Woman with Bare Breasts">Blonde Woman with Bare Breasts</a></i> – <i><a href="/wiki/Bullfight_(Manet)" title="Bullfight (Manet)">Bullfight</a></i> – <i><a href="/wiki/Le_D%C3%A9jeuner_sur_l%27herbe" title="Le Déjeuner sur l'herbe">Le Déjeuner sur l'herbe</a></i> – <i><a href="/wiki/Flowers_in_a_Crystal_Vase" title="Flowers in a Crystal Vase">Flowers in a Crystal Vase</a></i> – <i><a href="/wiki/The_Fifer" title="The Fifer">The Fifer</a></i> – <i><a href="/wiki/Madame_Manet_at_the_Piano" title="Madame Manet at the Piano">Madame Manet at the Piano</a></i> – <i><a href="/wiki/Olympia_(Manet)" title="Olympia (Manet)">Olympia</a></i> – <i><a href="/wiki/The_Port_of_Boulogne_by_Moonlight" title="The Port of Boulogne by Moonlight">The Port of Boulogne by Moonlight</a></i> – <i><a href="/wiki/Portrait_of_Clemenceau_(Manet,_Paris)" title="Portrait of Clemenceau (Manet, Paris)">Portrait of Clemenceau</a></i> – <i><a href="/wiki/Portrait_of_Emile_Zola" title="Portrait of Emile Zola">Portrait of Emile Zola</a></i> – <i><a href="/wiki/Portrait_of_Marguerite_de_Conflans" title="Portrait of Marguerite de Conflans">Portrait of Marguerite de Conflans</a></i> <sup>[1]</sup> – <i><a href="/wiki/Portrait_of_Monsieur_and_Madame_Manet" title="Portrait of Monsieur and Madame Manet">Portrait of Monsieur and Madame Manet</a></i> – <i><a href="/wiki/Portrait_of_St%C3%A9phane_Mallarm%C3%A9" title="Portrait of Stéphane Mallarmé">Portrait of Stéphane Mallarmé</a></i> – <i><a href="/wiki/The_Reading_(Manet)" title="The Reading (Manet)">The Reading</a></i> – <i><a href="/wiki/A_Sprig_of_Asparagus" title="A Sprig of Asparagus">A Sprig of Asparagus</a></i> – <i><a href="/wiki/The_Waitress_(Manet)" title="The Waitress (Manet)">The Waitress</a></i></li> <li><span class="smallcaps"><b>Matisse</b></span>: <i><a href="/wiki/Luxe,_Calme_et_Volupt%C3%A9" title="Luxe, Calme et Volupté">Luxe, Calme et Volupté</a></i></li> <li><span class="smallcaps"><b>Meissonier</b></span>: <i><a href="/wiki/French_Campaign,_1814_(Meissonier)" title="French Campaign, 1814 (Meissonier)">French Campaign, 1814</a></i> – <i><a href="/wiki/The_Siege_of_Paris_(Meissonier)" title="The Siege of Paris (Meissonier)">The Siege of Paris</a></i></li> <li><span class="smallcaps"><b>Millet</b></span>: <i><a href="/wiki/The_Angelus_(painting)" title="The Angelus (painting)">The Angelus</a></i> – <i><a href="/wiki/The_Gleaners" title="The Gleaners">The Gleaners</a></i> – <i><a href="/wiki/Shepherdess_with_her_Flock" title="Shepherdess with her Flock">Shepherdess with her Flock</a></i> – <i><a href="/wiki/The_Winnower_(Millet)" title="The Winnower (Millet)">The Winnower</a></i></li> <li><span class="smallcaps"><b>Monet</b></span>: <i><a href="/wiki/The_Artist%27s_Garden_at_Giverny" title="The Artist's Garden at Giverny">The Artist's Garden at Giverny</a></i> – <i><a href="/wiki/A_Cart_on_the_Snowy_Road_at_Honfleur" title="A Cart on the Snowy Road at Honfleur">A Cart on the Snowy Road at Honfleur</a></i> – <i><a href="/wiki/Le_D%C3%A9jeuner_sur_l%27herbe_(Monet,_Paris)" title="Le Déjeuner sur l'herbe (Monet, Paris)">Le Déjeuner sur l'herbe</a></i> – <i><a class="mw-selflink selflink">The Magpie</a></i> – <i><a href="/wiki/Regatta_at_Argenteuil" title="Regatta at Argenteuil">Regatta at Argenteuil</a></i> – <i><a href="/wiki/Resting_Under_a_Lilac_Bush" title="Resting Under a Lilac Bush">Resting Under a Lilac Bush</a></i> – <i><a href="/wiki/The_Road_in_Front_of_Saint-Simeon_Farm_in_Winter" title="The Road in Front of Saint-Simeon Farm in Winter">The Road in Front of Saint-Simeon Farm in Winter</a></i> – <i><a href="/wiki/Women_in_the_Garden" title="Women in the Garden">Women in the Garden</a></i></li> <li><span class="smallcaps"><b>Moreau</b></span>: <i><a href="/wiki/The_Apparition_(Moreau,_Mus%C3%A9e_d%27Orsay)" title="The Apparition (Moreau, Musée d'Orsay)">The Apparition</a></i></li> <li><span class="smallcaps"><b>Morisot</b></span>: <i><a href="/wiki/The_Cradle_(Morisot)" title="The Cradle (Morisot)">The Cradle</a></i></li> <li><span class="smallcaps"><b>Motte</b></span>: <i><a href="/wiki/The_Fianc%C3%A9e_of_Belus" title="The Fiancée of Belus">The Fiancée of Belus</a></i></li> <li><span class="smallcaps"><b>Ottmann</b></span>: <i><a href="/wiki/The_Luxembourg_Station_in_Brussels" title="The Luxembourg Station in Brussels">The Luxembourg Station in Brussels</a></i></li> <li><span class="smallcaps"><b>Regnault</b></span>: <i><a href="/wiki/Summary_Execution_under_the_Moorish_Kings_of_Granada" title="Summary Execution under the Moorish Kings of Granada">Summary Execution under the Moorish Kings of Granada</a></i></li> <li><span class="smallcaps"><b>Renoir</b></span>: <i><a href="/wiki/Bal_du_moulin_de_la_Galette" title="Bal du moulin de la Galette">Bal du moulin de la Galette</a></i> – <i><a href="/wiki/The_Bathers_(Renoir)" title="The Bathers (Renoir)">The Bathers</a></i> – <i><a href="/wiki/Dance_in_the_City" title="Dance in the City">Dance in the City</a></i> – <i><a href="/wiki/Dance_in_the_Country" title="Dance in the Country">Dance in the Country</a></i> – <i><a href="/wiki/Fr%C3%A9d%C3%A9ric_Bazille_at_his_Easel" title="Frédéric Bazille at his Easel">Frédéric Bazille at his Easel</a></i> – <i><a href="/wiki/Girls_at_the_Piano" title="Girls at the Piano">Girls at the Piano</a></i> – <i><a href="/wiki/Portrait_of_the_Painter_Claude_Monet" title="Portrait of the Painter Claude Monet">Portrait of the Painter Claude Monet</a></i> – <i><a href="/wiki/Portrait_of_William_Sisley" title="Portrait of William Sisley">Portrait of William Sisley</a></i> – <i><a href="/wiki/The_Swing_(Renoir)" title="The Swing (Renoir)">The Swing</a></i></li> <li><span class="smallcaps"><b>Rousseau</b></span>: <i><a href="/wiki/The_Snake_Charmer_(Rousseau)" title="The Snake Charmer (Rousseau)">The Snake Charmer</a></i></li> <li><span class="smallcaps"><b>Sérusier</b></span>: <i><a href="/wiki/The_Talisman_(painting)" title="The Talisman (painting)">The Talisman</a></i></li> <li><span class="smallcaps"><b>Seurat</b></span>: <i><a href="/wiki/The_Circus_(Seurat)" title="The Circus (Seurat)">The Circus</a></i></li> <li><span class="smallcaps"><b>Sisley</b></span>: <i><a href="/wiki/Avenue_of_Poplars_near_Moret-sur-Loing" title="Avenue of Poplars near Moret-sur-Loing">Avenue of Poplars near Moret-sur-Loing</a></i> – <i><a href="/wiki/The_Canal_du_Loing_(painting)" title="The Canal du Loing (painting)">The Canal du Loing</a></i> – <i><a href="/wiki/The_Canal_Saint-Martin_(painting)" title="The Canal Saint-Martin (painting)">The Canal Saint-Martin</a></i> – <i><a href="/wiki/Chemin_de_la_Machine,_Louveciennes" title="Chemin de la Machine, Louveciennes">Chemin de la Machine, Louveciennes</a></i> – <i><a href="/wiki/The_Forge_at_Marly-le-Roi" title="The Forge at Marly-le-Roi">The Forge at Marly-le-Roi</a></i> – <i><a href="/wiki/Regatta_at_Molesey_near_Hampton_Court" title="Regatta at Molesey near Hampton Court">Regatta at Molesey near Hampton Court</a></i> – <i><a href="/wiki/Resting_by_a_Stream_at_the_Edge_of_the_Wood" title="Resting by a Stream at the Edge of the Wood">Resting by a Stream at the Edge of the Wood</a></i> – <i><a href="/wiki/Rue_de_la_Chauss%C3%A9e_in_Argenteuil" title="Rue de la Chaussée in Argenteuil">Rue de la Chaussée in Argenteuil</a></i> – <i><a href="/wiki/View_of_the_Canal_Saint-Martin" title="View of the Canal Saint-Martin">View of the Canal Saint-Martin</a></i> – <i><a href="/wiki/The_Village_of_Voisins" title="The Village of Voisins">The Village of Voisins</a></i></li> <li><span class="smallcaps"><b>Toulouse-Lautrec</b></span>: <i><a href="/wiki/Le_Lit_(Toulouse-Lautrec)" title="Le Lit (Toulouse-Lautrec)">Le Lit</a></i> – <i><a href="/wiki/La_Toilette_(Toulouse-Lautrec)" title="La Toilette (Toulouse-Lautrec)">La Toilette</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;text-align: left;background-color: #eee;">American</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="smallcaps"><b>Harrison</b></span>: <i><a href="/wiki/Solitude_(Harrison)" title="Solitude (Harrison)">Solitude</a></i></li> <li><span class="smallcaps"><b>Tanner</b></span>: <i><a href="/wiki/The_Resurrection_of_Lazarus" title="The Resurrection of Lazarus">The Resurrection of Lazarus</a></i></li> <li><span class="smallcaps"><b>Whistler</b></span>: <i><a href="/wiki/Whistler%27s_Mother" title="Whistler's Mother">Whistler's Mother</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;text-align: left;background-color: #eee;">Belgian</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="smallcaps"><b>van Rysselberghe</b></span>: <i><a href="/wiki/Sailboats_and_Estuary" title="Sailboats and Estuary">Sailboats and Estuary</a></i></li> <li><span class="smallcaps"><b>Stevens</b></span>: <i><a href="/wiki/The_Bath_(Stevens)" title="The Bath (Stevens)">The Bath</a></i> – <i><a href="/wiki/What_is_Called_Vagrancy" title="What is Called Vagrancy">What is Called Vagrancy</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;text-align: left;background-color: #eee;">British</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="smallcaps"><b>Burne-Jones</b></span>: <i><a href="/wiki/The_Wheel_of_Fortune_(Burne-Jones)" title="The Wheel of Fortune (Burne-Jones)">The Wheel of Fortune</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;text-align: left;background-color: #eee;">Dutch</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="smallcaps"><b>Van Gogh</b></span>: <i><a href="/wiki/L%27Arl%C3%A9sienne_(painting)" title="L'Arlésienne (painting)">L'Arlésienne</a></i> – <i><a href="/wiki/Bedroom_in_Arles" title="Bedroom in Arles">Bedroom in Arles</a></i> <span style="font-size:85%;">(3rd version)</span> – <i><a href="/wiki/The_Church_at_Auvers" title="The Church at Auvers">The Church at Auvers</a></i> – <i><a href="/wiki/Starry_Night_Over_the_Rh%C3%B4ne" title="Starry Night Over the Rhône">Starry Night Over the Rhône</a></i> – <i><a href="/wiki/Portrait_of_Dr._Gachet" title="Portrait of Dr. Gachet">Portrait of Dr. Gachet</a></i> <span style="font-size:85%;">(2nd version)</span> – <i><a href="/wiki/Doctor_Gachet%27s_Garden_in_Auvers" title="Doctor Gachet's Garden in Auvers">Doctor Gachet's Garden in Auvers</a></i> – <i><a href="/wiki/Imperial_Fritillaries_in_a_Copper_Vase" title="Imperial Fritillaries in a Copper Vase">Imperial Fritillaries in a Copper Vase</a></i> – <i><a href="/wiki/Van_Gogh_self-portrait_(1889)" title="Van Gogh self-portrait (1889)">Self-portrait</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;text-align: left;background-color: #eee;">Finnish</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="smallcaps"><b>Edelfelt</b></span>: <i><a href="/wiki/Pasteur%27s_portrait_by_Edelfelt" title="Pasteur's portrait by Edelfelt">Pasteur's portrait by Edelfelt</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;text-align: left;background-color: #eee;">Italian</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="smallcaps"><b>Boldini</b></span>: <i><a href="/wiki/Madame_Charles_Max" title="Madame Charles Max">Madame Charles Max</a></i> – <i><a href="/wiki/Portrait_of_Robert_de_Montesquiou" title="Portrait of Robert de Montesquiou">Portrait of Robert de Montesquiou</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;text-align: left;background-color: #eee;">Spanish</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="smallcaps"><b>Sorolla</b></span>: <i><a href="/wiki/The_Return_from_Fishing:_Hauling_the_Boat" title="The Return from Fishing: Hauling the Boat">The Return from Fishing: Hauling the Boat</a></i></li></ul> </div></td></tr></tbody></table><div></div></td></tr></tbody></table><div></div></td></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks mw-collapsible uncollapsed navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="text-align: center;"><div id="Sculptures120" style="font-size:114%;margin:0 4em">Sculptures</div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th id="French6" scope="row" class="navbox-group" style="width:1%;text-align: left;background-color: #eee;">French</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="smallcaps"><b>Barrias</b></span>: <i><a href="/wiki/Nature_Unveiling_Herself_Before_Science" title="Nature Unveiling Herself Before Science">Nature Unveiling Herself Before Science</a></i></li> <li><span class="smallcaps"><b>Clésinger</b></span>: <i><a href="/wiki/Woman_Bitten_by_a_Serpent" title="Woman Bitten by a Serpent">Woman Bitten by a Serpent</a></i></li> <li><span class="smallcaps"><b>Claudel</b></span>: <i><a href="/wiki/The_Mature_Age" title="The Mature Age">The Mature Age</a></i></li> <li><span class="smallcaps"><b>Delaplanche</b></span>: <i><a href="/wiki/Virgin_with_a_Lily" title="Virgin with a Lily">Virgin with a Lily</a></i></li> <li><span class="smallcaps"><b>Jacquemart</b></span>: <i><a href="/wiki/Rhinoc%C3%A9ros_(Jacquemart)" title="Rhinocéros (Jacquemart)">Rhinocéros</a></i></li> <li><span class="smallcaps"><b>Gauguin</b></span>: <i><a href="/wiki/Objet_d%C3%A9coratif_carr%C3%A9_avec_dieux_tahitiens" title="Objet décoratif carré avec dieux tahitiens">Objet décoratif carré avec dieux tahitiens</a></i> – <i><a href="/wiki/Oviri" title="Oviri">Oviri</a></i></li></ul> </div></td></tr></tbody></table><div></div></td></tr></tbody></table><div></div></td></tr><tr><td class="navbox-abovebelow hlist" colspan="2"><div> <ul><li><sup>[1]</sup> On display at the <a href="/wiki/Mus%C3%A9e_des_Augustins" title="Musée des Augustins">Musée des Augustins</a> in <a href="/wiki/Toulouse" title="Toulouse">Toulouse</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox authority-control" aria-label="Navbox408" style="padding:3px"><table class="nowraplinks hlist navbox-inner" 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Inc.","logo":{"@type":"ImageObject","url":"https:\/\/www.wikimedia.org\/static\/images\/wmf-hor-googpub.png"}},"datePublished":"2011-03-25T01:09:54Z","dateModified":"2024-12-09T11:19:04Z","image":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/7\/78\/Claude_Monet_-_The_Magpie_-_Google_Art_Project.jpg","headline":"painting by Claude Monet"}</script> </body> </html>