Calenda - Le r茅pertoire de l'Op茅ra de Paris (1671-2009) : analyse et interpr茅tation

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href="search.html?primary=fdate&fyear=2009&fmonth=12&fday=12">12</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2009&fmonth=12">d茅c</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2009">2009</a></div> </td> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2009&fmonth=12&fday=10">10</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2009&fmonth=12">d茅c</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2009">2009</a></div> </td> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2009&fmonth=12&fday=11">11</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2009&fmonth=12">d茅c</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2009">2009</a></div> </td> </tr> </tbody> </table> </div> </div> <div id="listcategories"> <h2>Cat茅gories</h2> <ul> <li><a href="search?primary=fsubject&fsubject=277">Histoire culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=278">Histoire de l'art</a></li> <li><a href="search?primary=fsubject&fsubject=312">脡poque moderne</a></li> <li><a href="search?primary=fsubject&fsubject=280">脡tudes visuelles</a></li> <li><a href="search?primary=fsubject&fsubject=317">脡poque contemporaine</a></li> <li><a href="search?primary=fsubject&fsubject=358">France</a></li> <li><a href="search?primary=fsubject&fsubject=211">Sociologie de la culture</a></li> </ul> </div> </div> <div id="document" class="column"> <div id="main"> <div class="titles"> <h1 class="origt"><a href="199392">Le r茅pertoire de l'Op茅ra de Paris (1671-2009) : analyse et interpr茅tation</a></h1> </div> <div class="mapuce2">*  *  *</div> <p id="pubdate"> Publi茅 le lundi 09 novembre 2009 </p> <div id="texte"> <div id="resume"> <p class="intitule">R茅sum茅</p> <div id="resume-199392-fr" class="tabContent" lang="fr" xml:lang="fr">L鈥橧nstitut de recherche sur le patrimoine musical en France organise avec le concours exceptionnel de l'Op茅ra national de Paris un colloque international sur le re虂pertoire de l鈥橭pe虂ra de Paris les 10, 11 et 12 de虂cembre 2009, a虁 l鈥橭pe虂ra Bastille, Studio Bastille (Responsables Michel Noiray et Solveig Serre). Ce colloque re虂unira des spe虂cialistes du monde de l鈥檕pe虂ra et sera l鈥檕ccasion d鈥檜ne confrontation de diffe虂rents points de vue : musicologie, histoire de la danse, histoire culturelle, e虂tudes the虂a虃trales, responsabilite虂s de direction.</div> </div> <div id="annonce"> <p class="intitule">Annonce</p> <div id="annonce-199392-fr" class="tabContent" lang="fr" xml:lang="fr"> <p>« Anno 1669 » : le rideau de sce虁ne du Palais Garnier rappelle l’e虂tonnante longe虂vite虂 de la premie虁re institution franc抬aise d’ope虂ra et de danse. La re虂flexion collective engage虂e par le colloque se situe, elle aussi, dans la longue dure虂e. La confrontation de toutes les e虂poques de l’histoire de l’Ope虂ra permettra de mieux en de虂gager la logique artistique.</p> <p>Certaines communications partiront des styles, des genres, des sujets mis en sce虁ne, pour de虂terminer comment l’Ope虂ra affirme son identite虂 esthe虂tique. D’autres interventions seront centre虂es sur l’institution et sur ses directeurs successifs, soumis aux contraintes du pouvoir et de la comptabilite虂, mais aussi porteurs de convictions artistiques. Ainsi se de虂gagera une vision de l’e虂quilibre changeant entre tradition et innovation, entre re虂pertoire et cre虂ation. Divers proble虁mes de me虂thode seront aborde虂s en chemin, comme les notions de saison, de version, de mise en sce虁ne.</p> <p>Le colloque a e虂te虂 suscite虂 par l’e虂laboration pre虂alable de la base de donne虂es « Chronope虂ra ». Cette base constitue l’un des programmes de l’Institut de recherche sur le patrimoine musical en France, unite虂 du CNRS associe虂e a虁 la Bibliothe虁que nationale de France et au Ministe虁re de la culture et de la communication.</p> <p>«Chronope虂ra» (http://chronopera.free.fr) contient, dans son e虂tat actuel, la liste quasi exhaustive des repre虂sentations a虁 l’Ope虂ra de Paris, jour par jour, entre 1749 et 1989. </p> <h1>Programme</h1> <h2>JEUDI 10 DECEMBRE 2009</h2> <h3>Dans le cadre des jeudis de Bastille (13h-14h)</h3> <p><b>Michel Noiray</b> et <b>Solveig Serre</b><br />Le répertoire de l’Opéra de Paris depuis 1671</p> <h3>Un théâtre de répertoire ? (14h30–17h30)</h3> <p><b>Christophe Ghristi</b> (Directeur de la dramaturgie et du Studio), Introduction</p> <ul> <li><b>Maud Pouradier</b> (Université Paris Ouest Nanterre La Défense), Le répertoire. Origine et évolution d’une idée </li> <li><b>Jean-Claude Yon</b> (Université de Versailles-Saint-Quentin-en-Yvelines), L’Opéra au XIXe siècle : un répertoire original ? </li> <li><b>Isabelle Moindrot</b> (Université François-Rabelais, Tours), Création, remises, reprises… Le répertoire au fil du temps,du Romantisme à 1914 </li> <li><b>Emmanuel Pedler</b> (EHESS, Marseille), La chute du grand opéra français, de Meyerbeer à Massenet : questions sociologiques. </li> <li><b>Philippe Agid</b> (Directeur adjoint de l’Opéra de Paris entre 1995 et 2001), La programmation de l’Opéra national de Paris (1995–2004) : méthodologie et enseignements </li> </ul> <h3>Conférence (18h00–19h)</h3> <p><b>Jean-Marie Blanchard</b> (Administrateur général de l’Opéra de Paris entre 1992 et 1994, ancien Directeur du Grand Théâtre de Genève)<br />La notion de répertoire dans la programmation d’un théâtre lyrique : l’exemple de l’Opéra Bastille et de sa « montée en puissance »</p> <h2>VENDREDI 11 DECEMBRE 2009</h2> <h3>Naissance d’une tradition (9h30–12h30)</h3> <ul> <li><b>Mario Armellini</b> (Université de Rouen), Opéra pour la monarchie / opéra pour la république : Paris et Venise à l’époque de Lully </li> <li><b>Rebecca Harris-Warrick</b> (Cornell University), Le prologue de Lully à Rameau </li> <li><b>Herbert Schneider</b> (Professeur émérite, Universität Saarbrücken), La conception de l’Histoire du théâtre de l’Académie royale de musique en France de Durey de Noinville </li> <li><b>David Charlton</b> (Professeur émérite, Royal Holloway), How did the Opéra interpret the 1714 Règlements in programming? A look at Archives Nationales AJ¹³1 (doss. 谋x) for 1750–1752 </li> <li><b>Sylvie Bouissou</b> (Institut de recherche sur le patrimoine musical en France-CNRS/BnF/MCC ), Les versions multiples des opéras de Rameau et le concept d’authenticité </li> </ul> <h3>Innovations et pesanteurs (14h–17h30)</h3> <ul> <li><b>Jérôme Pesqué</b> (Rédacteur en chef d’ODB-Opéra), La carrière de six ouvrages lyriques tirés de la Jérusalem délivrée à l’Opéra de Paris (1686–1913) : Lully, Campra, Desmarets, Gluck, Sacchini et Persuis </li> <li><b>Marian Smith</b> (University of Oregon), L’opéra et le ballet en tant que genres complémentaires à l’Opéra (1830–1848) </li> <li><b>Hélène Laplace-Claverie</b> (Université d’Avignon), Le répertoire chorégraphique de l’Opéra entre 1870 et 1914 : décadence ou transition ? </li> <li><b>Florence Poudru</b> (Conservatoire national supérieur de musique et de danse de Lyon), Les tournées du Ballet de l’Opéra au temps de Lifar (1930–1958) </li> <li><b>Hugh Macdonald</b> (Washington University, Saint Louis), Bizet’s aspirations to the Opéra </li> <li><b>Cécile Auzolle</b> (Université de Poitiers), Les créations d’opéras français à l’Opéra de Paris entre 1945 et 1955 </li> </ul> <h2>SAMEDI 12 DECEMBRE 2009</h2> <h3>Faste visuel et chorégraphie (9h30–12h30)</h3> <p><b>Brigitte Lefèvre</b> (Directrice de la Danse à l’Opéra national de Paris), Introduction </p> <ul> <li><b>Françoise Dartois-Lapeyre</b> (Université Paris-Sorbonne, Paris IV-IUFM), La danse et la notion de nouveauté dans le répertoire de l’Opéra au XVIIIe siècle </li> <li><b>Nicole Wild</b> (Conservateur honoraire, Bibliothèque-musée de l’Opéra), La question de la mise en scène au temps du grand opéra </li> <li><b>Karine Boulanger</b> (Centre André Chastel, CNRS), Reprises, nouvelles productions et créations : la mise en scène à l’Opéra de Paris sous la direction d’André Messager et Frédéric Broussan (1908–1914) </li> <li><b>Claire Paolacci</b> (Université Paris 1), Le renouveau chorégraphique à l’Opéra sous l’ère Rouché </li> <li><b>Sylvie Jacq-Mioche</b> (Ecole de danse de l’Opéra de Paris), Comment le répertoire du Ballet de l’Opéra s’est-il enrichi après 1950 ? </li> </ul> <h3> L’institution et le pouvoir (14h–17h30)</h3> <ul> <li><b>Mark Darlow</b> (Christ’s College, Cambridge), Entre subvention et propagande : la gestion du répertoire de l’Opéra de Paris (1789–1799) </li> <li><b>David Chaillou</b> (Université d’Artois), L’Opéra de Paris à l’épreuve du pouvoir impérial (1804–1815) </li> <li><b>Vincent Giroud</b> (Université de Franche-Comté, Besançon), Le docteur Véron : un bourgeois de Paris à l’Opéra </li> <li><b>Jann Pasler</b> (University of California, San Diego), The « question of opera » in the early Third Republic: national luxury or public good? </li> <li><b>Mathias Auclair</b> (Bibliothèque-musée de l’Opéra) et Aurélien Poidevin (Université Paris 8), L’État, le directeur et le répertoire : Jacques Rouché, de l’Opéra de Paris à la Réunion des théâtres lyriques nationaux (1914–1945) </li> <li><b>Emilie Napoly</b> (Opéra national de Paris), Répertoire et patrimoine à l’Opéra national de Paris (1989–2009) </li> </ul> <h1>Informations utiles :</h1> <p>En savoir plus sur le colloque : <a href="http://chronopera.free.fr">http://chronopera.free.fr</a></p> <p>Opéra national de Paris, Studio Bastille <br />Jeudi 10 de虂cembre : 14h30 - 19h (y compris une confe虂rence donne虂e par un ancien administrateur ge虂ne虂ral de l’Ope虂ra) <br />Vendredi 11 de虂cembre : 9h30-12h30 et 14h-17h30 <br />Samedi 12 de虂cembre : 9h30-12h30 et 14h-17h30 </p> <p>Responsables : <b>Michel Noiray</b> (CNRS), <b>Solveig Serre</b> (E虂cole nationale des chartes, CNRS)<br />Contact : solveig.serre@free.fr</p> </div> </div> <div id="categories" class="cat"> <p class="intitule">Cat茅gories</p> <ul> <li><a href="search?primary=fsubject&fsubject=228">Histoire</a> (Cat茅gorie principale)</li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=277">Histoire culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=278">Histoire de l'art</a></li> <li><a href="search?primary=fsubject&fsubject=302">P茅riodes</a> > <a href="search?primary=fsubject&fsubject=312">脡poque moderne</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=280">脡tudes visuelles</a></li> <li><a href="search?primary=fsubject&fsubject=302">P茅riodes</a> > <a href="search?primary=fsubject&fsubject=317">脡poque contemporaine</a></li> <li><a href="search?primary=fsubject&fsubject=327">Espaces</a> > <a href="search?primary=fsubject&fsubject=354">Europe</a> > <a href="search?primary=fsubject&fsubject=358">France</a></li> <li><a href="search?primary=fsubject&fsubject=200">Soci茅t茅s</a> > <a href="search?primary=fsubject&fsubject=201">Sociologie</a> > <a href="search?primary=fsubject&fsubject=211">Sociologie de la culture</a></li> </ul> </div> <div id="lieux"> <p class="intitule">Lieux</p> <ul> <li class="location"> Place de la Bastille <br/> Paris, France </li> </ul> </div> <div id="eventformats"><br></div> <div id="dates"> <p class="intitule">Dates</p> <ul> <li>samedi 12 d茅cembre 2009</li> <li>jeudi 10 d茅cembre 2009</li> <li>vendredi 11 d茅cembre 2009</li> </ul> </div> <div id="attachments"> <p class="intitule">Fichiers attach茅s</p> <ul> <li><a href="213443?file=1" target="_blank">Affiche-Colloque.pdf</a></li> <li><a href="213444?file=1" target="_blank">Programme-Colloque.pdf</a></li> </ul> </div> <div id="motscles"> <p class="intitule">Mots-cl茅s</p> <ul> <li>Op茅ra de Paris, public, 茅tudes th茅芒trales, r茅pertoire, histoire culturelle, histoire de la musique, histoire de la danse</li> </ul> </div> <div id="contacts"> <p class="intitule">Contacts</p> <ul> <li>Solveig Serre<br/><em>courriel :</em> solveig [dot] serre [at] cnrs [dot] fr<br/></li> </ul> </div> <div id="refurl"> <p class="intitule">URLS de r茅f茅rence</p> <ul> <li><a href="http://chronopera.free.fr">Chronopera</a></li> </ul> </div> <div id="source"> <p class="intitule">Source de l'information</p> <ul> <li>Solveig Serre<br/><em>courriel :</em> solveig [dot] serre [at] cnrs [dot] fr</li> </ul> </div> <div id="license"> <p class="intitule">Licence</p> <p><a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/"><img alt="CC0-1.0" class="cc" src="images/cc0-88x31.png" /></a> Cette annonce est mise 脿 disposition selon les termes de la <a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/">Creative Commons CC0 1.0 Universel</a>.</p> </div> <div id="citation"> <p class="intitule">Pour citer cette annonce</p> <p>芦 Le r茅pertoire de l'Op茅ra de Paris (1671-2009) : analyse et interpr茅tation 禄, <span class="category">Colloque</span>, <em>Calenda</em>, Publi茅 le lundi 09 novembre 2009, <a class="url" href="https://doi.org/10.58079/fbr">https://doi.org/10.58079/fbr</a></p> </div> </div> </div> </div> <div id="news" class="column last"> <div id="imprimable"> <a id="impression" onclick="javascript:window.open('199392?formatage=print', '', 'menubar=yes,toolbar=no,scrollbars=yes,width=800,height=600');return false;" href="199392?formatage=print">Imprimer</a> <a id="signaler" 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Calenda - Le r茅pertoire de l'Op茅ra de Paris (1671-2009) : analyse et interpr茅tation