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class="social-profile-avatar-container"><img class="profile-avatar u-positionAbsolute" alt="Ghislain Kieft" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/79146921/19684441/19549801/s200_ghislain.kieft.jpg" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">Ghislain Kieft</h1><div class="affiliations-container fake-truncate js-profile-affiliations"></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden profile-cta-button grow js-profile-follow-button" data-broccoli-component="user-info.follow-button" data-click-track="profile-user-info-follow-button" data-follow-user-fname="Ghislain" data-follow-user-id="79146921" data-follow-user-source="profile_button" data-has-google="false"><span class="material-symbols-outlined" style="font-size: 20px" 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class="profile-links new-profile js-UserInfo-social"><li class="profile-profiles js-social-profiles-container"><i class="fa fa-spin fa-spinner"></i></li></ul></div></div></div><div class="right-panel-container"><div class="user-content-wrapper"><div class="uploads-container" id="social-redesign-work-container"><div class="upload-header"><h2 class="ds2-5-heading-sans-serif-xs">Uploads</h2></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by Ghislain Kieft</h3></div><div class="js-work-strip profile--work_container" data-work-id="111029430"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/111029430/De_zeventiende_en_de_achttiende_eeuw"><img alt="Research paper thumbnail of De zeventiende en de achttiende eeuw" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/111029430/De_zeventiende_en_de_achttiende_eeuw">De zeventiende en de achttiende eeuw</a></div><div class="wp-workCard_item"><span>Amsterdam University Press eBooks</span><span>, 2007</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Part two in this extensive research of painting in the Netherlands will take you back to the Dutc...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Part two in this extensive research of painting in the Netherlands will take you back to the Dutch and Flamish painting in the seventeenth and eighteenth century. Ghislain Kieft discusses paintings and artists of the northern Netherlands. Whereas Hans Vlieghe analyses the works of the great painters of the southern parts: Rubens Jordaens, Van Dyck. Finally Christine Wansink reconstructs the life and times of painters in the eighteenth century. This three volume comprehensive overview explores in depth the painting in the Netherlands throughout the ages, up to the present day. It offers a complete panorama extending from the early Middle Ages to the most recent trends, reflecting the growth and development of the Dutch artistic identity, poised between tradition and experiment. This is an ambitious work, involving several internationally renowned art historians. It includes an impressive set of illustrations which will enable the reader to appreciate the great masters, schools and artistic currents, admire celebrated masterpieces and discover lesser-known ones. The imaginative layout and interplay of text, images, indices and appendices, bring the three volumes to life. Also available: &quot;<a href="http://www.aup.nl/do.php?a=show_visitor_book&amp;isbn=9789053568095&quot;&gt;De" rel="nofollow">http://www.aup.nl/do.php?a=show_visitor_book&amp;isbn=9789053568095&quot;&gt;De</a> Schilderkunst der Lage Landen, deel 1 no longer available &quot;<a href="http://www.aup.nl/do.php?a=show_visitor_book&amp;isbn=9789053568347&quot;&gt;De" rel="nofollow">http://www.aup.nl/do.php?a=show_visitor_book&amp;isbn=9789053568347&quot;&gt;De</a> Schilderkunst der Lage Landen, deel 3</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111029430"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111029430"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111029430; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111029430]").text(description); $(".js-view-count[data-work-id=111029430]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111029430; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111029430']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 111029430, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=111029430]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111029430,"title":"De zeventiende en de achttiende eeuw","translated_title":"","metadata":{"abstract":"Part two in this extensive research of painting in the Netherlands will take you back to the Dutch and Flamish painting in the seventeenth and eighteenth century. 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Kieft en T. Baars, The Ratto delle Sabine and the Diavolino as Apotropeia: Iconography, Locati...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">G. Kieft en T. Baars, The Ratto delle Sabine and the Diavolino as Apotropeia: Iconography, Location and Function of two Giambologna Sculptures, in: Giambologna tra Firenze e l’Europa (S. Eiche, G-J van der Sman, eds.) 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In L.M. Helmus & G. Seelig (Eds.), Het Bloemaert-effect...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Bloemaert als leermeester en bonenkoning. In L.M. Helmus & G. Seelig (Eds.), Het Bloemaert-effect. Kleur en compositie in de Gouden Eeuw (pp. 23-30). 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Ghislain Kieft discusses paintings and artists of the northern Netherlands. Whereas Hans Vlieghe analyses the works of the great painters of the southern parts: Rubens Jordaens, Van Dyck. Finally Christine Wansink reconstructs the life and times of painters in the eighteenth century. This three volume comprehensive overview explores in depth the painting in the Netherlands throughout the ages, up to the present day. It offers a complete panorama extending from the early Middle Ages to the most recent trends, reflecting the growth and development of the Dutch artistic identity, poised between tradition and experiment. This is an ambitious work, involving several internationally renowned art historians. It includes an impressive set of illustrations which will enable the reader to appreciate the great masters, schools and artistic currents, admire celebrated masterpieces and discover lesser-known ones. The imaginative layout and interplay of text, images, indices and appendices, bring the three volumes to life. Also available: &quot;<a href="http://www.aup.nl/do.php?a=show_visitor_book&amp;isbn=9789053568095&quot;&gt;De" rel="nofollow">http://www.aup.nl/do.php?a=show_visitor_book&amp;isbn=9789053568095&quot;&gt;De</a> Schilderkunst der Lage Landen, deel 1 no longer available &quot;<a href="http://www.aup.nl/do.php?a=show_visitor_book&amp;isbn=9789053568347&quot;&gt;De" rel="nofollow">http://www.aup.nl/do.php?a=show_visitor_book&amp;isbn=9789053568347&quot;&gt;De</a> Schilderkunst der Lage Landen, deel 3</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111029430"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111029430"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111029430; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111029430]").text(description); $(".js-view-count[data-work-id=111029430]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111029430; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111029430']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 111029430, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=111029430]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111029430,"title":"De zeventiende en de achttiende eeuw","translated_title":"","metadata":{"abstract":"Part two in this extensive research of painting in the Netherlands will take you back to the Dutch and Flamish painting in the seventeenth and eighteenth century. 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Kieft en T. Baars, The Ratto delle Sabine and the Diavolino as Apotropeia: Iconography, Locati...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">G. Kieft en T. Baars, The Ratto delle Sabine and the Diavolino as Apotropeia: Iconography, Location and Function of two Giambologna Sculptures, in: Giambologna tra Firenze e l’Europa (S. Eiche, G-J van der Sman, eds.) 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In L.M. Helmus & G. Seelig (Eds.), Het Bloemaert-effect...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Bloemaert als leermeester en bonenkoning. In L.M. Helmus & G. Seelig (Eds.), Het Bloemaert-effect. Kleur en compositie in de Gouden Eeuw (pp. 23-30). 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