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12h12v2H0v-2zm8 6H0v2h8v-2z" clip-rule="evenodd" data-v-186fe156 data-v-186fe156></path></svg></button>   <div class="languages" data-v-083a86ac data-v-082d4ac8 data-v-082d4ac8><span data-v-083a86ac><a href="/" aria-current="page" title="Deutsch" lang="de-DE" class="language nuxt-link-exact-active nuxt-link-active active" data-v-083a86ac><span data-v-083a86ac>de</span></a><a href="/fr/" title="Français" lang="fr-FR" class="language" data-v-083a86ac><span data-v-083a86ac>fr</span></a><a href="/en/" title="English" lang="en-GB" class="language" data-v-083a86ac><span data-v-083a86ac>en</span></a></span></div> </nav>  <main tabindex="-1" data-v-00263075> <div class="blocks"><section data-aos="woosh" data-module-name="CU_09" class="snm-focus-posts wide" data-v-0bdb44a8><figure class="active focus-post-1" data-v-0bdb44a8><img srcset="https://blog.nationalmuseum.ch/app/uploads/Basler-Fasnacht-Titel.webp 1600w, https://blog.nationalmuseum.ch/app/uploads/Basler-Fasnacht-Titel-600x450.webp 600w, https://blog.nationalmuseum.ch/app/uploads/Basler-Fasnacht-Titel-1200x900.webp 1200w" src="/app/uploads/Basler-Fasnacht-Titel.webp" alt="Tambouren der Clique Alti Stainlemer 1933 als «dr helvetisch Hooggegryzzug»." loading="eager" sizes="75vw" class="image" style="--x:51%;--y:27.4%;" data-v-0bdb44a8> <figcaption data-v-0bdb44a8><a href="/2024/02/basler-fasnacht/" data-v-0bdb44a8><strong class="title" data-v-0bdb44a8>Die Basler Fasnacht und der Nationalsozialismus</strong> <svg fill="none" viewBox="0 0 24 24" preserveAspectRatio="xMidYMid meet" xmlns="http://www.w3.org/2000/svg" class="icon icon-arrow-right" data-v-0bdb44a8><path fill="#D44625" fill-rule="evenodd" d="M18.42 13H2v-2h16.42L14 6.374 15.312 5 22 12l-6.688 7L14 17.626 18.42 13z" clip-rule="evenodd" data-v-0bdb44a8></path></svg> <div class="excerpt" data-v-0bdb44a8><p data-v-0bdb44a8>An der Basler Fasnacht nimmt man grundsätzlich Jede und Jeden auf die Schippe. Ab 1933 war dies jedoch ein heikles Unterfangen.</p></div></a></figcaption></figure><figure class="focus-post-2" data-v-0bdb44a8><img srcset="https://blog.nationalmuseum.ch/app/uploads/2019/11/fondue-keystone-75892029.webp 1500w, https://blog.nationalmuseum.ch/app/uploads/2019/11/fondue-keystone-75892029-600x398.webp 600w, https://blog.nationalmuseum.ch/app/uploads/2019/11/fondue-keystone-75892029-1200x797.webp 1200w" src="/app/uploads/2019/11/fondue-keystone-75892029.webp" alt="Gemütliches Fondue-Essen in den 40er Jahren, Liestal." loading="eager" sizes="75vw" class="image" style="--x:50%;--y:50%;" data-v-0bdb44a8> <figcaption data-v-0bdb44a8><a href="/2019/11/geschichte-des-fondue-in-der-schweiz/" data-v-0bdb44a8><strong class="title" data-v-0bdb44a8>Das Fondue – ein «Naturkunstprodukt»</strong> <svg fill="none" viewBox="0 0 24 24" preserveAspectRatio="xMidYMid meet" xmlns="http://www.w3.org/2000/svg" class="icon icon-arrow-right" data-v-0bdb44a8><path fill="#D44625" fill-rule="evenodd" d="M18.42 13H2v-2h16.42L14 6.374 15.312 5 22 12l-6.688 7L14 17.626 18.42 13z" clip-rule="evenodd" data-v-0bdb44a8></path></svg> <div class="excerpt" data-v-0bdb44a8><p data-v-0bdb44a8>Bis zum Zweiten Weltkrieg war das Fondue in den meisten Regionen der Schweiz unbekannt. Zum «Nationalgericht» wurde die Käsespezialität erst mit einer Marketingkampagne der Schweizerischen Käseunion.</p></div></a></figcaption></figure><figure class="focus-post-3" data-v-0bdb44a8><img srcset="https://blog.nationalmuseum.ch/app/uploads/sportwoche-titel.webp 1600w, https://blog.nationalmuseum.ch/app/uploads/sportwoche-titel-600x450.webp 600w, https://blog.nationalmuseum.ch/app/uploads/sportwoche-titel-1200x900.webp 1200w" src="/app/uploads/sportwoche-titel.webp" alt="Skifahren im Berner Oberland, 1990." loading="eager" sizes="75vw" class="image" style="--x:50%;--y:50%;" data-v-0bdb44a8> <figcaption data-v-0bdb44a8><a href="/2021/02/jugendskilager/" data-v-0bdb44a8><strong class="title" data-v-0bdb44a8>Von der Abhärtung zum Fun</strong> <svg fill="none" viewBox="0 0 24 24" preserveAspectRatio="xMidYMid meet" xmlns="http://www.w3.org/2000/svg" class="icon icon-arrow-right" data-v-0bdb44a8><path fill="#D44625" fill-rule="evenodd" d="M18.42 13H2v-2h16.42L14 6.374 15.312 5 22 12l-6.688 7L14 17.626 18.42 13z" clip-rule="evenodd" data-v-0bdb44a8></path></svg> <div class="excerpt" data-v-0bdb44a8><p data-v-0bdb44a8>Seit 1940 gibt es in der Schweiz Jugendskilager. Der Ursprung geht auf den Zweiten Weltkrieg zurück und hat durchaus ernste Gründe: Die Jugend sollte für einen Winterfeldzug gerüstet sein.</p></div></a></figcaption></figure> <div class="snm-logo" style="--opacity:1;" data-v-7e6d6eb5 data-v-0bdb44a8><svg role="img" viewBox="0 0 570 147" preserveAspectRatio="xMidYMid meet" xmlns="http://www.w3.org/2000/svg" class="svg snm-logo-blog" data-v-7e6d6eb5 data-v-7e6d6eb5><title data-v-7e6d6eb5 data-v-7e6d6eb5>Blog</title><path d="M19.365 6.441c0 2.61-1.241 4.434-3.724 5.473 3.065.811 4.598 2.875 4.598 6.193 0 2.28-.602 4.123-1.805 5.529-1.204 1.406-2.781 2.109-4.731 2.109-.608 0-1.508-.038-2.698-.114-1.191-.076-2.09-.114-2.698-.114-.558 0-1.394.038-2.508.114-1.114.076-1.951.114-2.508.114-.735 0-1.33-.262-1.786-.786-.456-.524-.684-1.212-.684-2.061 0-.648.152-1.197.456-1.647.304-.449.659-.674 1.064-.674h.722c.354 0 .532-.228.532-.681V6.097c0-.454-.177-.681-.532-.681h-.722c-.431 0-.792-.229-1.083-.685C.966 4.275.821 3.718.821 3.059c0-.836.228-1.525.684-2.07A2.178 2.178 0 013.253.172c.659 0 1.507.051 2.546.152.785.075 1.545.113 2.28.113.608 0 1.532-.044 2.774-.133 1.241-.088 2.166-.133 2.774-.133 1.723 0 3.109.576 4.161 1.729 1.051 1.154 1.577 2.667 1.577 4.541zm-10.032.191v3.534c.228.025.456.038.684.038.962 0 1.729-.241 2.299-.723.57-.48.855-1.127.855-1.938 0-.709-.247-1.312-.741-1.805a2.457 2.457 0 00-1.805-.741c-.862.001-1.292.546-1.292 1.635zm.76 8.094c-.253 0-.507.014-.76.038v4.94c0 .811.494 1.216 1.482 1.216 2.179 0 3.268-.963 3.268-2.888 0-.963-.374-1.754-1.121-2.375-.748-.621-1.704-.931-2.869-.931z" data-v-7e6d6eb5 data-v-7e6d6eb5></path><path d="M27.991.172c.709 0 1.064.441 1.064 1.325v18.44c0 1.061.202 1.591.608 1.591h.684c.811 0 1.216.595 1.216 1.785 0 1.622-.633 2.433-1.9 2.433-.279 0-.811-.038-1.596-.114a18.417 18.417 0 00-1.748-.076c-.304 0-.773.032-1.406.095-.633.063-1.102.096-1.406.096-1.216 0-1.824-.798-1.824-2.395 0-1.216.393-1.823 1.178-1.823h.722c.405 0 .608-.53.608-1.59V5.979c0-1.059-.165-1.589-.494-1.589-.102 0-.241.02-.418.058a2.199 2.199 0 01-.38.057c-.887 0-1.33-.684-1.33-2.052 0-1.521.595-2.28 1.786-2.28.253 0 .772.051 1.558.152.633.075 1.14.089 1.52.038l1.444-.19h.114V.172z" data-v-7e6d6eb5 data-v-7e6d6eb5></path><path d="M40.189 26.24c-2.356 0-4.187-.861-5.491-2.584-1.305-1.723-1.957-4.155-1.957-7.297 0-3.191.652-5.655 1.957-7.391 1.305-1.734 3.16-2.603 5.567-2.603 2.331 0 4.136.842 5.415 2.526 1.279 1.686 1.919 4.047 1.919 7.087 0 3.294-.64 5.827-1.919 7.601-1.28 1.775-3.11 2.661-5.491 2.661zm.076-15.314c-1.622 0-2.47 1.686-2.546 5.054a1.828 1.828 0 00-.038.418c0 1.622.222 2.907.665 3.857.443.95 1.045 1.425 1.805 1.425 1.646 0 2.47-1.798 2.47-5.396 0-1.646-.209-2.951-.627-3.914-.418-.963-.995-1.444-1.729-1.444z" data-v-7e6d6eb5 data-v-7e6d6eb5></path><path d="M60.442 7.278v.228c1.85 1.14 2.773 2.977 2.773 5.51 0 1.951-.576 3.541-1.729 4.77-1.153 1.229-2.641 1.843-4.465 1.843a5.95 5.95 0 01-2.888-.722c-.38.278-.57.569-.57.874 0 .734 1.089 1.152 3.268 1.254.912.051 1.672.089 2.28.113a7.125 7.125 0 012.546.608c1.975.861 2.963 2.432 2.963 4.712 0 2.026-.754 3.673-2.26 4.94-1.508 1.266-3.491 1.899-5.948 1.899-2.305 0-4.123-.494-5.453-1.481-1.33-.988-1.995-2.318-1.995-3.99 0-1.647.722-3.002 2.166-4.066-1.14-.886-1.71-1.988-1.71-3.306s.671-2.646 2.014-3.99c-.557-1.14-.836-2.406-.836-3.8 0-1.874.583-3.375 1.748-4.503 1.165-1.127 2.723-1.691 4.674-1.691h.228c.126-2.559 1.381-3.838 3.762-3.838 1.014 0 1.836.261 2.471.779.633.52.949 1.197.949 2.033 0 .659-.178 1.203-.531 1.634-.355.431-.787.646-1.293.646-.557 0-.938-.139-1.141-.418l-.342-.38a.373.373 0 00-.342-.189c-.223-.001-.339.177-.339.531zm-3.457 17.974a24.358 24.358 0 01-1.748-.152c-.988.432-1.482 1.039-1.482 1.824 0 .557.272 1.013.817 1.368.544.354 1.222.532 2.033.532 1.976 0 2.965-.621 2.965-1.862-.001-1.039-.863-1.608-2.585-1.71zm-.076-14.782c-1.014 0-1.52.899-1.52 2.698 0 1.697.506 2.546 1.52 2.546.431 0 .785-.253 1.064-.76.278-.507.418-1.141.418-1.9 0-.734-.146-1.349-.437-1.843-.292-.494-.641-.741-1.045-.741z" data-v-7e6d6eb5 data-v-7e6d6eb5></path><path d="M69.6 26.202c-.911 0-1.666-.374-2.261-1.121-.596-.747-.893-1.678-.893-2.793 0-1.089.31-2.008.931-2.755.62-.747 1.387-1.121 2.299-1.121.912 0 1.659.367 2.242 1.102.583.735.874 1.672.874 2.812 0 1.114-.298 2.039-.893 2.773-.595.735-1.362 1.103-2.299 1.103z" data-v-7e6d6eb5 data-v-7e6d6eb5></path></svg> <svg role="img" viewBox="0 0 570 147" preserveAspectRatio="xMidYMid meet" xmlns="http://www.w3.org/2000/svg" class="svg snm-logo-type" data-v-7e6d6eb5 data-v-7e6d6eb5><title data-v-7e6d6eb5 data-v-7e6d6eb5>Schweizerisches Nationalmuseum. Musée national suisse. Museo nazionale svizzero. Museum naziunal svizzer</title><path d="M342.687 120.597c-.253 0-.545.026-.874.076-1.039.127-1.799.189-2.28.189-.38 0-.931-.044-1.653-.133-.722-.088-1.273-.133-1.653-.133-1.267 0-1.9.862-1.9 2.584 0 1.343.329 2.116.988 2.318l.494.151c.203.052.304.279.304.685 0 .102-.025.278-.076.531l-2.432 12.465-2.318-12.351a4.07 4.07 0 01-.076-.722c0-.329.241-.595.722-.798.76-.305 1.14-1.089 1.14-2.356 0-1.672-.659-2.508-1.976-2.508-.304 0-.798.051-1.482.152-.507.075-1.102.113-1.786.113-.355 0-.874-.044-1.558-.133-.684-.088-1.191-.133-1.52-.133-.709 0-1.286.264-1.729.793-.442.528-.665 1.207-.665 2.036 0 .604.147 1.157.437 1.66.291.504.602.743.931.717h.76c.304-.025.532.279.684.912l4.484 17.708c.304 1.19.861 1.786 1.672 1.786.127 0 .431-.026.912-.076.481-.051.988-.076 1.52-.076.228 0 .576.025 1.045.076.469.05.817.076 1.045.076.659 0 1.153-.596 1.482-1.786l4.788-17.708c.152-.608.367-.912.646-.912h.646c.431 0 .798-.234 1.102-.703.304-.468.456-1.032.456-1.69 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1.223.836 1.987v1.49c.076 1.606.899 2.408 2.471 2.408 1.773 0 2.66-.975 2.66-2.926 0-.354-.034-.772-.102-1.254-.136-.937-.203-1.634-.203-2.09 0-.354.052-.886.152-1.596.101-.709.152-1.241.152-1.596 0-1.57-.764-2.356-2.29-2.356-.993 0-1.654.507-1.984 1.52-1.4-1.19-2.863-1.786-4.389-1.786-2.774 0-4.938 1.204-6.489 3.61-1.552 2.407-2.328 5.738-2.328 9.994 0 4.155.817 7.372 2.451 9.652 1.636 2.28 3.935 3.42 6.899 3.42z" data-v-7e6d6eb5 data-v-7e6d6eb5></path><path d="M209.804 23.378c0 1.799.887 2.698 2.66 2.698.937 0 2.001-.025 3.191-.076.608-.025 1.773-.038 3.496-.038 1.064 0 1.977.013 2.736.038 1.495.051 2.608.076 3.344.076.81 0 1.374-.152 1.691-.456.315-.304.475-.836.475-1.596 0-.354-.025-1.038-.076-2.052 0-1.57.063-2.926.19-4.066.05-.456.076-.874.076-1.254 0-1.748-.824-2.622-2.471-2.622-1.723 0-2.584.836-2.584 2.508 0 .38.052.862.152 1.444.051.71.076 1.204.076 1.482 0 .684-.146 1.128-.438 1.33-.291.203-.816.304-1.577.304h-3.609l9.12-14.467c.734-1.167 1.102-2.347 1.102-3.54 0-.913-.19-1.561-.573-1.942-.382-.38-1.018-.571-1.907-.571-.662 0-1.643.051-2.94.152-1.298.102-2.278.152-2.939.152-.637 0-1.578-.05-2.825-.152-1.246-.101-2.189-.152-2.824-.152-.993 0-1.667.152-2.024.456-.355.304-.533.874-.533 1.71 0 .102.037.469.113 1.102v1.672c0 .38-.019.963-.057 1.748a39.949 39.949 0 00-.057 1.748c0 1.672.76 2.508 2.279 2.508 1.672 0 2.508-.899 2.508-2.698 0-.456-.02-.785-.063-.988a5.1 5.1 0 01-.126-1.102c0-.861.515-1.292 1.544-1.292h3.282l-9.387 14.972c-.683 1.09-1.025 2.078-1.025 2.964z" data-v-7e6d6eb5 data-v-7e6d6eb5></path></svg></div></section><section data-aos="woosh" data-module-name="CU_11" class="snm-latest-posts" data-v-32d2f28f><h1 class="title" data-v-32d2f28f>Neueste Beiträge</h1> <section data-aos="woosh" data-aos-delay="0" class="snm-post-teaser horizontal" data-v-e996d628 data-v-32d2f28f><h2 class="title" data-v-e996d628><a href="/2025/02/der-schweizer-lehrer-der-impressionisten/" data-v-e996d628><span data-v-e996d628>Der Schweizer Lehrer der Impressionisten</span> <svg fill="none" viewBox="0 0 24 24" preserveAspectRatio="xMidYMid meet" xmlns="http://www.w3.org/2000/svg" class="icon icon-arrow-right" data-v-e996d628><path fill="#D44625" fill-rule="evenodd" d="M18.42 13H2v-2h16.42L14 6.374 15.312 5 22 12l-6.688 7L14 17.626 18.42 13z" clip-rule="evenodd" data-v-e996d628></path></svg></a></h2> <a href="/author/barbara-basting/" class="author" data-v-e996d628>Barbara Basting</a> <span class="date" data-v-e996d628>18.02.2025</span> <span class="excerpt" data-v-e996d628>Der Schweizer Maler Charles Gleyre (1806-1874) hatte im 19. Jahrhundert einen klangvollen Namen. In seinem Pariser Atelier lernten so unterschiedliche Maler wie Albert Anker und Auguste Renoir. Gleyre selber steht an der Schwelle zwischen Romantik und Impressionismus. </span> <figure class="image-container" style="--aspect-ratio:(4/3);" data-v-e996d628><img srcset="https://blog.nationalmuseum.ch/app/uploads/gleyre-titel-mba.webp 1600w, https://blog.nationalmuseum.ch/app/uploads/gleyre-titel-mba-600x450.webp 600w, https://blog.nationalmuseum.ch/app/uploads/gleyre-titel-mba-1200x900.webp 1200w" src="/app/uploads/gleyre-titel-mba.webp" width="1600" height="1200" sizes="(max-width: 800px) 100vw, 50vw" alt="Selbstporträt von Charles Gleyre, zwischen 1830 und 1834 (Ausschnitt)." loading="lazy" class="image" style="--x:50%;--y:50%;" data-v-e996d628></figure> </section><section data-aos="woosh" data-aos-delay="350" class="snm-post-teaser horizontal" data-v-e996d628 data-v-32d2f28f><h2 class="title" data-v-e996d628><a href="/2025/02/rekordpetition-in-der-schublade/" data-v-e996d628><span data-v-e996d628>Rekordpetition in der Schublade</span> <svg fill="none" viewBox="0 0 24 24" preserveAspectRatio="xMidYMid meet" xmlns="http://www.w3.org/2000/svg" class="icon icon-arrow-right" data-v-e996d628><path fill="#D44625" fill-rule="evenodd" d="M18.42 13H2v-2h16.42L14 6.374 15.312 5 22 12l-6.688 7L14 17.626 18.42 13z" clip-rule="evenodd" data-v-e996d628></path></svg></a></h2> <a href="/author/noemi-crain/" class="author" data-v-e996d628>Noëmi Crain Merz</a> <span class="date" data-v-e996d628>13.02.2025</span> <span class="excerpt" data-v-e996d628>Die Geschichte einer Petition für das Frauenstimmrecht, die mit 250'000 Unterschriften eingereicht wurde und danach für Jahrzehnte in einer Schublade verschwand.</span> <figure class="image-container" style="--aspect-ratio:(4/3);" data-v-e996d628><img srcset="https://blog.nationalmuseum.ch/app/uploads/annie-leuch-reineck-portrat.webp 1600w, https://blog.nationalmuseum.ch/app/uploads/annie-leuch-reineck-portrat-600x450.webp 600w, https://blog.nationalmuseum.ch/app/uploads/annie-leuch-reineck-portrat-1200x900.webp 1200w" src="/app/uploads/annie-leuch-reineck-portrat.webp" width="1600" height="1200" sizes="(max-width: 800px) 100vw, 50vw" alt="Annie Leuch-Reineck war eine der Hauptfiguren in der Schweizer Frauenbewegung der 1920er-Jahre." loading="lazy" class="image" style="--x:50%;--y:50%;" data-v-e996d628></figure> </section><section data-aos="woosh" data-aos-delay="0" class="snm-post-teaser horizontal" data-v-e996d628 data-v-32d2f28f><h2 class="title" data-v-e996d628><a href="/2025/02/marie-colinet/" data-v-e996d628><span data-v-e996d628>Die berühmteste Hebamme der Schweiz</span> <svg fill="none" viewBox="0 0 24 24" preserveAspectRatio="xMidYMid meet" xmlns="http://www.w3.org/2000/svg" class="icon icon-arrow-right" data-v-e996d628><path fill="#D44625" fill-rule="evenodd" d="M18.42 13H2v-2h16.42L14 6.374 15.312 5 22 12l-6.688 7L14 17.626 18.42 13z" clip-rule="evenodd" data-v-e996d628></path></svg></a></h2> <a href="/author/christophe-vuilleumier/" class="author" data-v-e996d628>Christophe Vuilleumier</a> <span class="date" data-v-e996d628>11.02.2025</span> <span class="excerpt" data-v-e996d628>Marie Colinet, eine Genferin und Pionierin der Medizin, schrieb im 16. Jahrhundert Geschichte. Als Hebamme und Ärztin führte sie innovative Verfahren ein – darunter den ersten erfolgreichen Kaiserschnitt der Schweiz.</span> <figure class="image-container" style="--aspect-ratio:(4/3);" data-v-e996d628><img srcset="https://blog.nationalmuseum.ch/app/uploads/marie-colinet.webp 1600w, https://blog.nationalmuseum.ch/app/uploads/marie-colinet-600x450.webp 600w, https://blog.nationalmuseum.ch/app/uploads/marie-colinet-1200x900.webp 1200w" src="/app/uploads/marie-colinet.webp" width="1600" height="1200" sizes="(max-width: 800px) 100vw, 50vw" alt="Marie Colinet war nicht nur eine geschickte Hebamme, sondern auch eine erfinderische Ärztin. Illustration von Marco Heer." loading="lazy" class="image" style="--x:50%;--y:50%;" data-v-e996d628></figure> </section><section data-aos="woosh" data-aos-delay="350" class="snm-post-teaser horizontal" data-v-e996d628 data-v-32d2f28f><h2 class="title" data-v-e996d628><a href="/2025/02/churchills-schweizer-koch/" data-v-e996d628><span data-v-e996d628>Ein Mann für Churchills leibliches Wohl</span> <svg fill="none" viewBox="0 0 24 24" preserveAspectRatio="xMidYMid meet" xmlns="http://www.w3.org/2000/svg" class="icon icon-arrow-right" data-v-e996d628><path fill="#D44625" fill-rule="evenodd" d="M18.42 13H2v-2h16.42L14 6.374 15.312 5 22 12l-6.688 7L14 17.626 18.42 13z" clip-rule="evenodd" data-v-e996d628></path></svg></a></h2> <a href="/author/beat-kuhn/" class="author" data-v-e996d628>Beat Kuhn</a> <span class="date" data-v-e996d628>06.02.2025</span> <span class="excerpt" data-v-e996d628>Winston Churchill war ein politisches Schwergewicht. Für sein kulinarisches Wohl war für einige Jahre Fritz Schmied, ein junger Koch aus der Freiburger Provinz, zuständig.</span> <figure class="image-container" style="--aspect-ratio:(4/3);" data-v-e996d628><img srcset="https://blog.nationalmuseum.ch/app/uploads/churchill-butler-titel.webp 1600w, https://blog.nationalmuseum.ch/app/uploads/churchill-butler-titel-600x450.webp 600w, https://blog.nationalmuseum.ch/app/uploads/churchill-butler-titel-1200x900.webp 1200w" src="/app/uploads/churchill-butler-titel.webp" width="1600" height="1200" sizes="(max-width: 800px) 100vw, 50vw" alt="Mit den Jahren wurde Fritz Schmied zu einer grossen Stütze für Winston Churchill." loading="lazy" class="image" style="--x:74.8%;--y:17.1%;" data-v-e996d628></figure> </section> <a href="/neueste-beitraege/" class="more decoration" data-v-32d2f28f>Alle Beiträge</a></section><section data-aos="woosh" data-module-name="ST_14" class="snm-newsletter-subscription wide beige" data-v-bb9cf9fe><form data-aos="fade-up" novalidate="novalidate" class="newsletter-form" data-v-bb9cf9fe><h1 class="title" data-v-bb9cf9fe>Blog abonnieren</h1> <p class="description" data-v-bb9cf9fe>Wir informieren Sie alle zwei Wochen über neue Artikel.</p> <div class="input-container is-hidden" data-v-bb9cf9fe><label for="newsletter-name" class="visually-hidden" data-v-bb9cf9fe>Name</label> <input id="newsletter-name" type="text" data-v-bb9cf9fe></div> <div class="input-container" data-v-bb9cf9fe><label for="newsletter-email" class="visually-hidden" data-v-bb9cf9fe>E-Mail-Adresse eingeben</label> <input id="newsletter-email" autocomplete="email" placeholder="E-Mail-Adresse eingeben" type="email" required="required" value="" class="email" data-v-bb9cf9fe> <svg fill="none" viewBox="0 0 24 24" preserveAspectRatio="xMidYMid meet" xmlns="http://www.w3.org/2000/svg" class="is-disabled icon icon-arrow-right" data-v-bb9cf9fe data-v-bb9cf9fe><path fill="#D44625" fill-rule="evenodd" d="M18.42 13H2v-2h16.42L14 6.374 15.312 5 22 12l-6.688 7L14 17.626 18.42 13z" clip-rule="evenodd" data-v-bb9cf9fe data-v-bb9cf9fe></path></svg></div>   <span data-v-bb9cf9fe></span> </form></section><section data-aos="woosh" data-module-name="Post Map" data-fetch-key="data-v-7603ad06:0" class="snm-post-map wide" data-v-7603ad06><header data-v-7603ad06><h1 class="title" data-v-7603ad06>Blogbeiträge auf der Karte finden</h1> <p class="description" data-v-7603ad06>Die Zahl im Kreis zeigt an, wie viele Blogbeiträge sich in der entsprechendem Region befinden. 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Schreiben Sie uns! Wenn möglich, werden wir Ihren Vorschlag gerne umsetzen.</p> <a href="mailto:blog@nationalmuseum.ch" class="mailto" data-v-6a537eb4><span data-v-6a537eb4>E-Mail an blog@nationalmuseum.ch schreiben</span> <svg fill="none" viewBox="0 0 24 24" preserveAspectRatio="xMidYMid meet" xmlns="http://www.w3.org/2000/svg" class="icon icon-arrow-right" data-v-6a537eb4 data-v-6a537eb4><path fill="#D44625" fill-rule="evenodd" d="M18.42 13H2v-2h16.42L14 6.374 15.312 5 22 12l-6.688 7L14 17.626 18.42 13z" clip-rule="evenodd" data-v-6a537eb4 data-v-6a537eb4></path></svg></a></section><section data-aos="woosh" data-module-name="CU_12" class="snm-popular-posts" data-v-93def3f6><h1 class="title" data-v-93def3f6>Meistgelesene Beiträge</h1> <section data-aos="woosh" data-aos-delay="0" class="snm-post-teaser vertical" data-v-e996d628 data-v-93def3f6><h2 class="title" data-v-e996d628><a href="/2017/06/napoleon-war-ein-breguet-fan/" data-v-e996d628><span data-v-e996d628>Napoleon war ein Breguet-Fan</span> <svg fill="none" viewBox="0 0 24 24" preserveAspectRatio="xMidYMid meet" xmlns="http://www.w3.org/2000/svg" class="icon icon-arrow-right" data-v-e996d628><path fill="#D44625" fill-rule="evenodd" d="M18.42 13H2v-2h16.42L14 6.374 15.312 5 22 12l-6.688 7L14 17.626 18.42 13z" clip-rule="evenodd" data-v-e996d628></path></svg></a></h2> <a href="/author/andrej/" class="author" data-v-e996d628>Andrej Abplanalp</a> <span class="date" data-v-e996d628>18.06.2017</span> <span class="excerpt" data-v-e996d628>Napoleon war ein Fan von Breguet-Uhren. Sogar auf dem Schlachtfeld verzichtete er nicht auf die Schweizer Chronometer.</span> <figure class="image-container" style="--aspect-ratio:(1/1);" data-v-e996d628><img srcset="https://blog.nationalmuseum.ch/app/uploads/2017/03/Breguet2.webp 1000w, https://blog.nationalmuseum.ch/app/uploads/2017/03/Breguet2-448x600.webp 448w, https://blog.nationalmuseum.ch/app/uploads/2017/03/Breguet2-896x1200.webp 896w" src="/app/uploads/2017/03/Breguet2.webp" width="1000" height="1340" sizes="150px" alt="" loading="lazy" class="image" style="--x:50%;--y:50%;" data-v-e996d628></figure> </section><section data-aos="woosh" data-aos-delay="0" class="snm-post-teaser vertical" data-v-e996d628 data-v-93def3f6><h2 class="title" data-v-e996d628><a href="/2025/01/die-menhire-von-clendy/" data-v-e996d628><span data-v-e996d628>Stonehenge made in Switzerland</span> <svg fill="none" viewBox="0 0 24 24" preserveAspectRatio="xMidYMid meet" xmlns="http://www.w3.org/2000/svg" class="icon icon-arrow-right" data-v-e996d628><path fill="#D44625" fill-rule="evenodd" d="M18.42 13H2v-2h16.42L14 6.374 15.312 5 22 12l-6.688 7L14 17.626 18.42 13z" clip-rule="evenodd" data-v-e996d628></path></svg></a></h2> <a href="/author/thomas-weibel/" class="author" data-v-e996d628>Thomas Weibel</a> <span class="date" data-v-e996d628>21.01.2025</span> <span class="excerpt" data-v-e996d628>Die Menhire von Clendy sind eindrucksvolle Zeitzeugen der Steinzeit. Die Anlage am Südufer des Neuenburgersees ist ebenso mystisch wie geheimnisvoll und ermöglicht eine Reise in längst vergessene Zeiten.</span> <figure class="image-container" style="--aspect-ratio:(1/1);" data-v-e996d628><img srcset="https://blog.nationalmuseum.ch/app/uploads/titelbild-menhire-von-clendy.webp 1600w, https://blog.nationalmuseum.ch/app/uploads/titelbild-menhire-von-clendy-600x450.webp 600w, https://blog.nationalmuseum.ch/app/uploads/titelbild-menhire-von-clendy-1200x900.webp 1200w" src="/app/uploads/titelbild-menhire-von-clendy.webp" width="1600" height="1200" sizes="150px" alt="Mystisch und eindrucksvoll: Die Menhire von Clendy." loading="lazy" class="image" style="--x:50%;--y:50%;" data-v-e996d628></figure> </section><section data-aos="woosh" data-aos-delay="0" class="snm-post-teaser vertical" data-v-e996d628 data-v-93def3f6><h2 class="title" data-v-e996d628><a href="/2024/06/sexualitaet-im-mittelalter/" data-v-e996d628><span data-v-e996d628>Sexualität im Mittelalter</span> <svg fill="none" viewBox="0 0 24 24" preserveAspectRatio="xMidYMid meet" xmlns="http://www.w3.org/2000/svg" class="icon icon-arrow-right" data-v-e996d628><path fill="#D44625" fill-rule="evenodd" d="M18.42 13H2v-2h16.42L14 6.374 15.312 5 22 12l-6.688 7L14 17.626 18.42 13z" clip-rule="evenodd" data-v-e996d628></path></svg></a></h2> <a href="/author/valerie/" class="author" data-v-e996d628>Valérie Lüthi</a> <span class="date" data-v-e996d628>13.06.2024</span> <span class="excerpt" data-v-e996d628>Wagt man einen Blick in die mittelalterliche Zeit, eröffnet sich eine weitaus vielseitigere Geschichte der Sexualität, als sich zunächst vermuten lässt. Wenngleich die christliche Kirche ihren Einfluss bis in die privaten Schlafgemächer auszuweiten suchte, fordern «wollüstige» Ansichten und Praktiken diesen Anspruch heraus.</span> <figure class="image-container" style="--aspect-ratio:(1/1);" data-v-e996d628><img srcset="https://blog.nationalmuseum.ch/app/uploads/blog-titelbild-5.webp 1600w, https://blog.nationalmuseum.ch/app/uploads/blog-titelbild-5-600x450.webp 600w, https://blog.nationalmuseum.ch/app/uploads/blog-titelbild-5-1200x900.webp 1200w" src="/app/uploads/blog-titelbild-5.webp" width="1600" height="1200" sizes="150px" alt="Ausschnitt aus dem Triptychon Garten der Lüste von Hieronymus Bosch, 1490-1500." loading="lazy" class="image" style="--x:50%;--y:50%;" data-v-e996d628></figure> </section><section data-aos="woosh" data-aos-delay="0" class="snm-post-teaser vertical" data-v-e996d628 data-v-93def3f6><h2 class="title" data-v-e996d628><a href="/2024/05/mit-geschlechtsteilen-geschmueckt/" data-v-e996d628><span data-v-e996d628>Mit Geschlechtsteilen geschmückt</span> <svg fill="none" viewBox="0 0 24 24" preserveAspectRatio="xMidYMid meet" xmlns="http://www.w3.org/2000/svg" class="icon icon-arrow-right" data-v-e996d628><path fill="#D44625" fill-rule="evenodd" d="M18.42 13H2v-2h16.42L14 6.374 15.312 5 22 12l-6.688 7L14 17.626 18.42 13z" clip-rule="evenodd" data-v-e996d628></path></svg></a></h2> <a href="/author/jasmin-pfister/" class="author" data-v-e996d628>Jasmin Mollet</a> <span class="date" data-v-e996d628>23.05.2024</span> <span class="excerpt" data-v-e996d628>Unter den mittelalterlichen Trageabzeichen schlummert eine Grosszahl von Exemplaren, welche so gar nicht in ein Schema passen: Phantastische Wesen aus Geschlechtsteilen lassen uns daran zweifeln, wie prüde das Mittelalter wirklich war.</span> <figure class="image-container" style="--aspect-ratio:(1/1);" data-v-e996d628><img srcset="https://blog.nationalmuseum.ch/app/uploads/blog-titelbild-tragezeichen.webp 1600w, https://blog.nationalmuseum.ch/app/uploads/blog-titelbild-tragezeichen-600x450.webp 600w, https://blog.nationalmuseum.ch/app/uploads/blog-titelbild-tragezeichen-1200x900.webp 1200w" src="/app/uploads/blog-titelbild-tragezeichen.webp" width="1600" height="1200" sizes="150px" alt="Mittelalterliche Tragezeichen mit obszönen Motiven." loading="lazy" class="image" style="--x:50%;--y:50%;" data-v-e996d628></figure> </section></section></div></main>   <footer data-aos="woosh" class="footer" data-v-25c937aa data-v-00263075><div class="center" data-v-25c937aa><address data-aos="woosh" class="address" data-v-25c937aa><h2 class="address-title" data-v-25c937aa>Adresse & Kontakt</h2> <div data-v-25c937aa>Schweizerisches Nationalmuseum</div> <div data-v-25c937aa>Landesmuseum Zürich<br /> Museumstrasse 2<br /> Postfach<br /> 8021 Zürich<br /> <a href="mailto:info@nationalmuseum.ch">info@nationalmuseum.ch</a><br /> <a href="https://www.nationalmuseum.ch" target="_blank" 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Schweizer Maler Charles Gleyre (1806-1874) hatte im 19. 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Gleyre selber steht an der Schwelle zwischen Romantik und Impressionismus.\",\"inLanguage\":\"de-CH\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\u002F\u002Fblog.nationalmuseum.ch\u002F2025\u002F02\u002Fder-schweizer-lehrer-der-impressionisten\u002F\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"de-CH\",\"@id\":\"https:\u002F\u002Fblog.nationalmuseum.ch\u002F2025\u002F02\u002Fder-schweizer-lehrer-der-impressionisten\u002F#primaryimage\",\"url\":\"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fgleyre-titel-mba.webp\",\"contentUrl\":\"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fgleyre-titel-mba.webp\",\"width\":1600,\"height\":1200,\"caption\":\"Selbstporträt von Charles Gleyre, zwischen 1830 und 1834 (Ausschnitt).\"},{\"@type\":\"WebSite\",\"@id\":\"https:\u002F\u002Fblog.nationalmuseum.ch\u002F#website\",\"url\":\"https:\u002F\u002Fblog.nationalmuseum.ch\u002F\",\"name\":\"Blog zur Schweizer Geschichte - Schweizerisches Nationalmuseum\",\"description\":\"Spannende Artikel zur Geschichte der Schweiz - von Historiker\u002Finnen, Expert\u002Finnen der Kultur und Kurator\u002Finnen.\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\u002F\u002Fblog.nationalmuseum.ch\u002F?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"de-CH\"},{\"@type\":\"Person\",\"@id\":\"https:\u002F\u002Fblog.nationalmuseum.ch\u002F#\u002Fschema\u002Fperson\u002F9f8106f8b465631222bc22ffc3915406\",\"name\":\"Barbara Basting\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de-CH\",\"@id\":\"https:\u002F\u002Fblog.nationalmuseum.ch\u002F#\u002Fschema\u002Fperson\u002Fimage\u002F\",\"url\":\"https:\u002F\u002Fsecure.gravatar.com\u002Favatar\u002Fb5cc6e151f0cfb0badeaafb32d5e651f?s=96&d=mm&r=g\",\"contentUrl\":\"https:\u002F\u002Fsecure.gravatar.com\u002Favatar\u002Fb5cc6e151f0cfb0badeaafb32d5e651f?s=96&d=mm&r=g\",\"caption\":\"Barbara Basting\"},\"description\":\"Barbara Basting war als Kulturredaktorin tätig und leitet derzeit das Ressort Bildende Kunst in der Kulturabteilung der Stadt Zürich.\",\"url\":\"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fauthor\u002Fbarbara-basting\u002F\"}]}\u003C\u002Fscript\u003E\n\u003C!-- \u002F Yoast SEO Premium plugin. --\u003E";cf.lang=K;cf.translations={de:aJ,fr:160559,en:160563};cf.snm_blocks=[{blockName:"acf\u002Ftitle-fullbleed",blockData:{image:{id:bs,url:av,alt:an,title:an,height:L,width:N,focus:{x:s,y:s},source:{title:T,url:aK},srcset:bt,poster:av,square:bu},video:m,videoMobile:m,title:aX,caption:an,lead:bv,author:{title:g,mail:g,website:g,link:bw,portrait:{id:bx,url:aw,alt:ad,title:ad,height:ai,width:ai,focus:{x:w,y:w},source:y,srcset:by,poster:aw,square:bz},id:bA,name:ad,description:bB}}},{blockName:U,blockData:{text:"Wer kennt noch den romantischen Helden Manfred? Im 19. Jahrhundert war er eine Art Popstar, der ähnlich wie Goethes Faust nach Erkenntnis strebte und daran verzweifelte.\r\n\r\nErfunden hat Manfred 1817 der Dichter und Dandy Lord Byron für sein gleichnamiges «dramatisches Gedicht». Heute mutet dieses eher skurril an: Zunächst nimmt Manfred an einer Geisterbeschwörung teil und bittet Geister um die Gabe des Vergessens. Als daraus nichts wird, bricht er zusammen. So weit, so normal. Doch anderntags wacht er auf dem Berggipfel der Jungfrau auf, von wo er sich in den Tod stürzen will. In letzter Minute verhindert dies ein Gemsjäger. Nach einer Episode, in der Manfred die Gründe für das Schweigen der Geister erfährt, kehrt er erneut auf die Jungfrau zurück. Erneute Geisteranrufung, erneuter Misserfolg.\r\n\r\nGenau diese Szene hat unter anderem Charles Gleyre gemalt."}},{blockName:ae,blockData:{image:{id:160137,url:cg,alt:bC,title:bC,height:1480,width:N,focus:{x:s,y:s},source:{title:aY,url:ch},srcset:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fmanfred-invoquant-lesprit-des-alpes-dig-2270-lm-77955.webp 1600w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fmanfred-invoquant-lesprit-des-alpes-dig-2270-lm-77955-600x555.webp 600w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fmanfred-invoquant-lesprit-des-alpes-dig-2270-lm-77955-1200x1110.webp 1200w",poster:cg,square:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fmanfred-invoquant-lesprit-des-alpes-dig-2270-lm-77955-300x300.webp"},size:ao,caption:bC,source:{title:aY,url:ch}}},{blockName:U,blockData:{text:"Auf uns wirkt sie mindestens so bizarr wie Byrons Opus: Gestreifte Beinkleider, als sei Manfred ein wandernder Schweizergardist, nicht gerade bergtaugliche Schnabelschuhe, albern theatralische Pose am Abgrund wie für ein Selfie. Immerhin, die gespenstische Atmosphäre ist dank der Lichtregie ausserordentlich gelungen und dürfte auch heutige Fantasy-Fans ansprechen.\r\n\r\nNatürlich hatte der aus Chevilly in der Waadt stammende Gleyre die Jungfrau höchstens aus der Ferne gesehen. Auch \u003Ca href=\"https:\u002F\u002Fblog.nationalmuseum.ch\u002F2019\u002F07\u002Ffrankensteins-sommer\u002F\" target=\"_blank\" rel=\"noopener\"\u003ELord Byron\u003C\u002Fa\u003E hat während seines Schweizaufenthalts im Sommer 1816 bestenfalls von der Erstbesteigung des Bergs 1811 gehört.\r\n\r\nGleyres Kabinettstück ist ein um 1825 entstandenes Frühwerk des Malers. Triumphe feierte er erst viel später, zunächst mit dem grossen Querformat «Le Soir»."}},{blockName:ae,blockData:{image:{id:160131,url:ci,alt:bD,title:bD,height:910,width:N,focus:{x:s,y:s},source:{title:cj,url:ck},srcset:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fle-soir-gleyre.webp 1600w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fle-soir-gleyre-600x341.webp 600w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fle-soir-gleyre-1200x683.webp 1200w",poster:ci,square:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fle-soir-gleyre-300x300.webp"},size:ao,caption:bD,source:{title:cj,url:ck}}},{blockName:U,blockData:{text:"Der Schmachtfetzen machte Gleyre 1843 zum Star des alljährlichen Akademiewettwerbs in Paris, des «Salons», in der damals tonangebenden Metropole der Kunst.\r\n\r\nDenn das Gemälde mit der märchenhaften Barke in der Dämmerung, auf der sich antikisch kostümierte Musen ihren Aktivitäten hingeben, während ein melancholischer Alter am Bildrand sinniert, traf einen Nerv. Es war eine Projektionsfläche für das «mal du siècle», die von Dichtern wie Alfred de Musset diagnostizierte bleierne Stimmung. Sie erfasste während der sogenannten «Julimonarchie» von König Louis Philippe eine ganze Generation, die für sich keine Perspektive mehr sah und vergangenen, nicht selten in einer fernen Antike angesiedelten Idealen nachtrauerte. Die napoleonischen Kriege waren verloren, die bürgerliche Julirevolution gescheitert, konservative Kräfte regierten durch. Gleyres Gemälde wurde sogleich als gemaltes Gegenstück zu Balzacs berühmtem Roman «Illusions perdues», «Verlorene Illusionen», interpretiert und vom Louvre angekauft."}},{blockName:ae,blockData:{image:{id:160143,url:cl,alt:bE,title:bE,height:1650,width:L,focus:{x:s,y:s},source:{title:T,url:aK},srcset:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fselbstportrat-von-charles-gleyre.webp 1200w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fselbstportrat-von-charles-gleyre-436x600.webp 436w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fselbstportrat-von-charles-gleyre-873x1200.webp 873w",poster:cl,square:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fselbstportrat-von-charles-gleyre-300x300.webp"},size:cm,caption:bE,source:{title:T,url:aK}}},{blockName:U,blockData:{text:"Gleyre hatte sich mühsam an die Spitze des damaligen Kunstbetriebs gekämpft. Weil das Bewusstsein für Kunst damals in der Schweiz unterentwickelt und eine künstlerische Ausbildung inexistent war, hatte er sich zunächst in Lyon und Paris ausbilden lassen, unter anderem als Aquarellist.\r\n\r\nWie viele seiner Kollegen reiste er anschliessend nach Italien, um seine Skizzenbücher zu füllen. Doch seinen mehrjährigen Aufenthalt in Rom und Venedig ab 1828 konnte er kaum finanzieren. Als Schweizer kam er nicht an begehrte Stipendien wie den «Prix de Rome» der Franzosen für einen Aufenthalt in der Römer Villa Medici. So war es für ihn eine Chance, dass der ihm wohlgesonnene Maler Horace Vernet, seinerzeit Direktor der Villa Medici, Gleyre an den Bostoner Industriellen John Lowell vermittelte. Dieser suchte als Begleiter für seine Orientreise, die ab 1834 unter anderem via Griechenland nach Ägypten und schliesslich Indien führte, einen Zeichner und Aquarellisten. Kurz vor der Erfindung der Fotografie war dies die übliche Art, Reisen visuell zu dokumentieren.\r\n\r\nLowell und Gleyre trennten sich zwar in Ägypten wegen Unstimmigkeiten, zumal beide zunehmend unter dem Klima und Infektionen litten. Bis dahin fertigte Gleyre zum Teil eindrückliche Aquarelle, die neben den damals bekannten Denkmälern aus der Pharaonenzeit auch die lokale Bevölkerung festhalten."}},{blockName:"acf\u002Fimage-column",blockData:{left:{image:{id:160155,url:cn,alt:bF,title:bF,height:N,width:L,focus:{x:s,y:s},source:{title:"Boston Museum of Fine Arts ",url:"https:\u002F\u002Fwww.wikiart.org\u002Fen\u002Fcharles-gleyre\u002Finterior-of-the-temple-of-amun-karnak-1835# "},srcset:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fder-tempel-von-amun-gleyre.webp 1200w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fder-tempel-von-amun-gleyre-450x600.webp 450w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fder-tempel-von-amun-gleyre-900x1200.webp 900w",poster:cn,square:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fder-tempel-von-amun-gleyre-300x300.webp"},caption:bF},right:{image:{id:160158,url:co,alt:bG,title:bG,height:2049,width:1536,focus:{x:s,y:s},source:{title:T,url:"https:\u002F\u002Fwww.mcba.ch\u002Fwp-content\u002Fuploads\u002F2019\u002F01\u002F1027_GLEYRE_num4000_em_web-1536x1993.jpg"},srcset:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fetude-dun-nubien.webp 1536w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fetude-dun-nubien-450x600.webp 450w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fetude-dun-nubien-900x1200.webp 900w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fetude-dun-nubien-1349x1800.webp 1349w",poster:co,square:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fetude-dun-nubien-300x300.webp"},caption:bG},joint:{caption:g,source:m}}},{blockName:U,blockData:{text:"Als prägend für sein Werk erwiesen sich die starken atmosphärischen Eindrücke seiner langen Orientreise. «Le Soir» etwa erinnert an eine Flusspartie auf dem Nil \u003Cem\u003Eà la mode\u003C\u002Fem\u003E. Die kecken rosa Schleifen im Empirestil scheint eine Pariser Modistin angebracht zu haben.\r\n\r\nDer Schweizer Kunsthistoriker Michel Thévoz hat zuletzt anlässlich der grossen Gleyre-Ausstellung im Pariser Musée d'Orsay 2016 das Gemälde «Le Soir» als frühe Essenz der von Selbstzweifeln geprägten künstlerischen Haltung Gleyres gesehen. Der melancholische Alte am Bildrand ist demnach eine Verkörperung des Künstlers, der mit dem neoklassizistischen Akademiestil hadert. Ohne sich davon lossagen zu können, musste er gespürt haben, wie steril und schal dieser war. Denn er drängte den Maler in die fragwürdige Rolle eines Theaterausstatters. Er hantierte mit möglichst glaubwürdigen Requisiten, um angestaubte Geschichten für ein zeitgenössisches Publikum appetitlich aufzubereiten.\r\n\r\nDieser aktuellen Lesart zufolge war der Künstler fixiert auf vergangene künstlerische Ideale. Das machte ihn blind für eine von den Umbrüchen der beginnenden Industrialisierung und Modernisierung zunehmend verunsicherte, nervöse Gesellschaft. Tatsächlich wurde Gleyre in der Folge kein «peintre de la vie moderne», ein Maler des modernen Lebens, wie ihn der Dichter Charles Baudelaire in seiner berühmten Essaysammlung von 1863 zum Vorbild stilisieren wird. Allerdings waren Künstler wie er, die aus der allmählich abgestandenen Ästhetik Funken zu schlagen wussten, durchaus beliebt beim Publikum. Denn dieses bevorzugte anders als Modernisten wie Baudelaire, meist eher Spielarten des Vertrauten als den manchmal verstörenden Aufbruch zu neuen Ufern.\r\n\r\nAn den Pariser Erfolg mit «Le Soir» kann Gleyre, der an den Folgen einer in Ägypten erlittenen Augeninfektion leidet und langsam arbeitet, nicht unmittelbar mit weiteren Werken anknüpfen. Immerhin ist man inzwischen in Lausanne auf ihn aufmerksam geworden und engagiert ihn in der Folge für öffentliche Aufträge. Zunächst malt Gleyre eine Episode aus dem 18. Jahrhundert, die Hinrichtung des aufständischen Major Davel im Kampf der Waadt um die Unabhängigkeit von Bern. Das 1850 fertiggestellte, begeistert aufgenommene Gemälde provoziert noch 1980 einen Vandalen im Lausanner Kunstmuseum und ist seither fast vollständig zerstört."}},{blockName:ae,blockData:{image:{id:160128,url:cp,alt:cq,title:cq,height:1341,width:L,focus:{x:s,y:s},source:{title:T,url:cr},srcset:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Flexecution-du-major-davel-gleyre.webp 1200w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Flexecution-du-major-davel-gleyre-537x600.webp 537w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Flexecution-du-major-davel-gleyre-1074x1200.webp 1074w",poster:cp,square:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Flexecution-du-major-davel-gleyre-300x300.webp"},size:ao,caption:"Charles Gleyre, «L’Exécution du Major Davel», 1850.",source:{title:T,url:cr}}},{blockName:U,blockData:{text:"Gleyres republikanische Ader demonstriert ein weiteres staatstragendes Historienbild: «Die Römer unter dem Joch» von 1858. Es illustriert die Legende der von den Waadtländern besiegten römischen Kolonisatoren und ist erneut ein Erfolg."}},{blockName:ae,blockData:{image:{id:160134,url:cs,alt:ct,title:ct,height:1553,width:L,focus:{x:s,y:s},source:{title:T,url:cu},srcset:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fles-romains-passant-sous-le-joug-gleyre.webp 1200w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fles-romains-passant-sous-le-joug-gleyre-464x600.webp 464w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fles-romains-passant-sous-le-joug-gleyre-927x1200.webp 927w",poster:cs,square:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fles-romains-passant-sous-le-joug-gleyre-300x300.webp"},size:ao,caption:"Charles Gleyre, «Les Romains passant sous le joug» oder «La bataille du Léman», 1858.",source:{title:T,url:cu}}},{blockName:U,blockData:{text:"In der Deutschschweiz erfassen nur die Basler Gleyres Qualität. Das für das Kunstmuseum entstandene Grossformat «Pentheus verfolgt von den Mänaden» demonstriert einmal mehr Gleyres Sinn für Dramatik und virtuose Lichtregie."}},{blockName:ae,blockData:{image:{id:160140,url:cv,alt:cw,title:cw,height:1430,width:bH,focus:{x:s,y:s},source:{title:cx,url:cy},srcset:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fpentheus-verfolgt-von-den-manaden-gleyre-bs-scaled.webp 2400w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fpentheus-verfolgt-von-den-manaden-gleyre-bs-600x358.webp 600w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fpentheus-verfolgt-von-den-manaden-gleyre-bs-1200x715.webp 1200w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fpentheus-verfolgt-von-den-manaden-gleyre-bs-1800x1073.webp 1800w",poster:cv,square:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fpentheus-verfolgt-von-den-manaden-gleyre-bs-300x300.webp"},size:ao,caption:"Charles Gleyre, «Pentheus verfolgt von den Mänaden», 1864.",source:{title:cx,url:cy}}},{blockName:U,blockData:{text:"Obwohl Gleyre an den Pariser «Salons» aus Protest gegen Napoléon III. nicht mehr teilnimmt und sich mit Selbstzweifeln plagt, ist der Maler in Paris doch mehr als präsent. Denn nach dem Erfolg mit «Le Soir» kann er sein Pariser Atelier in der Nachfolge des Malers Paul Delaroche als Ausbildungsstätte etablieren. In einer Epoche, wo die offizielle Akademieausbildung einerseits nicht allen zugänglich ist, andererseits aber auch zunehmend als erstarrt wahrgenommen wird, sind die Ateliers prominenter Künstler in Paris für Ausbildung, Austausch und Vernetzung wichtig.\r\n\r\nGleyre geniesst einen guten Ruf als Lehrer, zumal er einen Lehrplan vorsieht. Dabei legt er, selber ein exzellenter Zeichner, zunächst grössten Wert auf den Zeichenunterricht. Er nimmt dafür, obwohl häufig klamm, nur bescheidene Gebühren und ist auch künstlerisch grosszügig: Er zwingt seinen Schülern keinen Stil auf. So erklärt sich, dass so unterschiedliche Temperamente wie Albert Anker und Auguste Renoir, Jean-Léon Gérôme und Alfred Sisley, James Whistler und Frédéric Bazille zu seinen insgesamt mehr als 500 Schülerinnen und Schülern zählen."}},{blockName:ae,blockData:{image:{id:160149,url:cz,alt:cA,title:cA,height:1041,width:L,focus:{x:s,y:s},source:{title:cB,url:cC},srcset:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fune-sceance-dans-latelier-de-gleyre.webp 1200w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fune-sceance-dans-latelier-de-gleyre-600x521.webp 600w",poster:cz,square:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fune-sceance-dans-latelier-de-gleyre-300x300.webp"},size:ao,caption:"«Une scéance dans l'atelier de Gleyre», gezeichnet von Alfred Dumont, 1857.",source:{title:cB,url:cC}}},{blockName:U,blockData:{text:"Gleyre ist ein Wegbereiter und Türöffner, der den bevorstehenden Umbruch in der Kunst wahrnimmt, auch wenn er an diesem selber nicht mehr teilhaben wird. Der Impressionismus löst zunehmend eine kühl klassizistische Akademie- und Salonmalerei ab, die nur noch ihre eigenen Codes variiert und reproduziert. Gleyre selber unternimmt Schritte in Richtung Moderne zwar zögerlich, aber auf originelle Weise. Etwa, wenn er in «Die Sintflut» eine aus heutiger Perspektive sehr aktuell anmutende apokalyptische Landschaft entwirft. Die collageartig wirkende präraffaelitische Engelsschwadron scheint den Surrealismus vorwegzunehmen."}},{blockName:ae,blockData:{image:{id:160152,url:cD,alt:cE,title:cE,height:1201,width:bH,focus:{x:s,y:s},source:{title:T,url:cF},srcset:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fdeluge-gleyre.webp 2400w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fdeluge-gleyre-600x300.webp 600w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fdeluge-gleyre-1200x601.webp 1200w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fdeluge-gleyre-1800x901.webp 1800w",poster:cD,square:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fdeluge-gleyre-300x300.webp"},size:ao,caption:"Charles Gleyre, «Le Déluge», 1856.",source:{title:T,url:cF}}},{blockName:U,blockData:{text:"Mehrere von Gleyres ehemaligen Schülern werden 1884 am «Salon des indépendants» in Paris teilnehmen, der dem Impressionismus zum Durchbruch verhilft. Schon der «Salon des refusés» von 1863 hatte die Vormacht der dominanten Akademie des Beaux Arts in Frankreich gebrochen. Eine 1873 beschlossene Reform schwächte jedoch auch freie Ausbildungsstätten wie Gleyres Atelier. Gleyre schloss dieses 1870 und kehrte wegen des deutsch-französischen Krieges in die Schweiz zurück. Dort malte er weiterhin Auftragsporträts und arbeitet bis fast zu seinem Tod 1874 an grossen Entwürfen wie dem «Irdischen Paradis». Sein Ruf war inzwischen bis nach Amerika gedrungen. Der amerikanische Eisenbahnmagnat und Sammler John Taylor Johnston, zugleich der Gründungspräsident des Metropolitan Museum New York, hat mit dem Gemälde «Das Bad» das erste Werk des Künstlers für eine amerikanischen Sammlung erworben."}},{blockName:ae,blockData:{image:{id:160146,url:cG,alt:cH,title:cH,height:800,width:563,focus:{x:s,y:s},source:{title:cI,url:cJ},srcset:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fthe-bath-gleyre.webp 563w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fthe-bath-gleyre-422x600.webp 422w",poster:cG,square:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fthe-bath-gleyre-300x300.webp"},size:cm,caption:"Charles Gleyre, «The Bath», 1868.",source:{title:cI,url:cJ}}},{blockName:U,blockData:{text:"Doch vom entstehenden freien Kunstmarkt profitierte Gleyre trotz seiner Erfolge als Porträtmaler insgesamt wenig. Ein Grossteil seines Werks findet sich daher in öffentlichen Museen und vor allem im Musée des Beaux Arts in Lausanne. Es handelt von den künstlerischen Herausforderungen in einer Zeit der Unruhe und des Übergangs – und von der melancholischen Sehnsucht nach sicheren ästhetischen Werten."}}];cf.snm_model={categories:[{parent:m,order:ax,id:c,name:ay,description:aL,slug:aM,taxonomy:j,permalink:aZ},{parent:m,order:W,id:e,name:Y,description:Z,slug:_,taxonomy:j,permalink:af},{parent:{parent:m,order:W,id:e,name:Y,description:Z,slug:_,taxonomy:j,permalink:af},order:J,id:q,name:cK,description:g,slug:cL,taxonomy:j,permalink:cM}],primaryCategory:q,comments:[],coordinates:{latitude:g,longitude:g},id:aJ,author:{title:g,mail:g,website:g,link:bw,portrait:{id:bx,url:aw,alt:ad,title:ad,height:ai,width:ai,focus:{x:w,y:w},source:y,srcset:by,poster:aw,square:bz},id:bA,name:ad,description:bB},language:K,availableLanguages:{fr:{single:cN},en:{single:cO}},slug:br,title:aX,excerpt:bv,postType:E,permalink:aW,thumbnail:{id:bs,url:av,alt:an,title:an,height:L,width:N,focus:{x:s,y:s},source:{title:T,url:aK},srcset:bt,poster:av,square:bu},date:cP,readableDate:a_,modifiedDate:cQ,readableModifiedDate:a_,seoTitle:g,seoDescription:g};return {layout:"default",data:[{}],fetch:{"data-v-24996fd6:0":{latestPost:cf,lazyIsVisible:y},"data-v-7603ad06:0":{isSettingsToggle:y,map:m,zoom:8.6,selectedPostId:m,selectedPost:m,currentMapView:"basic",showLocalisator:a$,currentLocation:y}},error:m,state:{options:{general:{isBlogBanner:a$,algoliaIndex:"prod_snm_blog"},pages:{landing:{id:bI,date:"2018-10-30T10:14:09",slug:cR,type:ba,link:cS,title:{rendered:cT},content:{rendered:"\n\n\n\n\n\n\n\n\n\n",protected:y},excerpt:{rendered:g,protected:y},yoast_head:"\u003C!-- This site is optimized with the Yoast SEO Premium plugin v23.9 (Yoast SEO v23.9) - https:\u002F\u002Fyoast.com\u002Fwordpress\u002Fplugins\u002Fseo\u002F --\u003E\n\u003Ctitle\u003EBlog des Schweizerischen Nationalmuseums - Geschichte der Schweiz\u003C\u002Ftitle\u003E\n\u003Cmeta name=\"description\" content=\"Der Blog des Schweizerischen Nationalmuseums informiert über die Geschichte der Schweiz, stellt Objekte aus der Vergangenheit vor oder setzt Aktualität in einen geschichtlichen Kontext. 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Hier finden Sie spannende Geschichten, ansprechend aufbereitet und zeitgemäss präsentiert in Text, Bild und Video.\" \u002F\u003E\n\u003Cmeta name=\"twitter:image\" content=\"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F06\u002Fblog_on_mobile-twitter.webp\" \u002F\u003E\n\u003Cmeta name=\"twitter:site\" content=\"@LMZurich\" \u002F\u003E\n\u003Cmeta name=\"twitter:label1\" content=\"Geschätzte Lesezeit\" \u002F\u003E\n\t\u003Cmeta name=\"twitter:data1\" content=\"1 Minute\" \u002F\u003E\n\u003Cscript type=\"application\u002Fld+json\" class=\"yoast-schema-graph\"\u003E{\"@context\":\"https:\u002F\u002Fschema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\u002F\u002Fblog.nationalmuseum.ch\u002F\",\"url\":\"https:\u002F\u002Fblog.nationalmuseum.ch\u002F\",\"name\":\"Blog des Schweizerischen Nationalmuseums - Geschichte der Schweiz\",\"isPartOf\":{\"@id\":\"https:\u002F\u002Fblog.nationalmuseum.ch\u002F#website\"},\"datePublished\":\"2018-10-30T09:14:09+00:00\",\"dateModified\":\"2025-02-13T16:36:56+00:00\",\"description\":\"Der Blog des Schweizerischen Nationalmuseums informiert über die Geschichte der Schweiz, stellt Objekte aus der Vergangenheit vor oder setzt Aktualität in einen geschichtlichen Kontext. 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Januar 2025",time:"08:26",author:"Kuno Emch",note:"Sehr interessanter Artikel!",replies:[]},{id:"7395",date:"29. Februar 2024",time:"22:10",author:"Martin Dahinden",note:"Besten Dank für diesen interessanten und gut geschriebenen Artikel. Im Zusammenhang mit meiner eigenen Dissertation (Das Schweizerbuch im Zeitalter von Nationalsozialismus und Geistiger Landesverteidigung) bin ich im Bundesarchiv und - wenn ich mich richtige erinnere - im Nachlass von Bundesrat Etter zu Dokumenten zu diesem Thema gestossen. Die Basler Fasnacht hat damals auch die hohe Politik und Diplomatie beschäftigt. An Einzelheiten mag ich mich nicht mehr erinnern - es sind auch schon fast vierzig Jahre vergangen seit ich als Historiker arbeitete.",replies:[]},{id:"7388",date:"25. Februar 2024",time:"16:54",author:"Peter Wäsch",note:"Hat der Hinweis auf dem Nachttopf im ersten Bild - Druckerei Zurzach - mit dem \"Zurzacher Volksblatt und dessen Verbindungen zur Fröntler Szene zu tun?",replies:[]},{id:"7376",date:"22. Februar 2024",time:"10:35",author:cV,note:"Noch eine Ergänzung zum 11. März 1946: Die \"Chuttlebutzer\" präsentierten damals einen Wagen mit der Aufschrift: \"Do hoggt dr Edi butzt und gschtrählt - dr ainzig wo in Nürnbärg fählt.\" (Quelle Urs P. Engeler: \"Grosser Bruder Schweiz\") Gemeint war Bundesrat Eduard von Steiger, der als Hauptverantwortlicher für die Rückweisungen ziemlich vieler Jüdisch-Stämmiger an der Grenze - zumeist in den KZ-Tod - gilt. Damals zweifellos eine sehr gerechtfertigte Satire. Heute allerdings sollten wir uns langsam überlegen, ob wir dafür nicht schon genügend Kompensation geleistet haben mit der pro Kopf total (einschliesslich Eingebürgerte) höchsten Flüchtlingszahl Europas im Land. Die allermeisten Länder auch Westeuropas mit geringeren diesbezüglichen Quoten machen ihre Grenzen heute wesentlich dichter als wir!",replies:[{id:"7401",date:"7. März 2024",time:"14:50",author:cV,note:"Von Steiger wurde erstmals zum kritischen Thema, als Historiker wie Jakob Tanner und Hans-Ulrich Jost sich mit dem Thema CH\u002F2. Weltkrieg zu beschäftigen begannen. Zuvor, während der kalten Krieges, wurden solche Aspekte - nicht zuletzt wohl auch zugunsten einer neuen, antikommunistisch orientierten geistigen Landesverteidigung - weitgehend tabuisiert. Da war die Basler Fasnacht vermutlich eine der letzten transparenten 'historischen Quellen' ....",replies:[]},{id:"7380",date:"23. Februar 2024",time:"12:27",author:"P. Künzler",note:"Habe ich nicht gewusst - freut mich sehr, das zu lesen. Sonst ist es um von Steiger so kurios still geblieben.",replies:[]}]},{id:"7374",date:cW,time:"23:33",author:"Trix Richter",note:"Toller Artikel. Hätte ausführlicher sein können.",replies:[{id:"7397",date:"4. März 2024",time:"12:44",author:"Margaret P.",note:"JA. Hätte auch sehr gern noch mehr gelesen. Wirklich hochinteressant, dieser Artikel.",replies:[]}]},{id:"7373",date:cW,time:"23:10",author:"martin sessler",note:"Höchst interessant",replies:[]}],coordinates:{latitude:cX,longitude:cY},id:bJ,author:{title:g,mail:g,website:g,link:cZ,portrait:{id:c_,url:be,alt:g,title:c$,height:bf,width:bf,focus:{x:w,y:w},source:y,srcset:da,poster:be,square:db},id:dc,name:dd,description:de},language:K,availableLanguages:{fr:{single:"carnaval-de-bale-et-national-socialisme"},en:{single:"basel-carnival-in-the-1930s-dont-upset-the-nazis"}},slug:"basler-fasnacht",title:df,excerpt:"An der Basler Fasnacht nimmt man grundsätzlich Jede und Jeden auf die Schippe. Ab 1933 war dies jedoch ein heikles Unterfangen.",postType:E,permalink:cU,thumbnail:{id:138948,url:dg,alt:dh,title:dh,height:L,width:N,focus:{x:"51",y:"27.4"},source:{title:"© Archiv der Alten Stainlemer",url:g},srcset:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002FBasler-Fasnacht-Titel.webp 1600w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002FBasler-Fasnacht-Titel-600x450.webp 600w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002FBasler-Fasnacht-Titel-1200x900.webp 1200w",poster:dg,square:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002FBasler-Fasnacht-Titel-300x300.webp"},date:1708416000,readableDate:"20.02.2024",modifiedDate:1707501227,readableModifiedDate:g,seoTitle:g,seoDescription:g}},{id:di,type:E,link:dj,snm_model:{categories:[{parent:m,order:ap,id:a,name:az,description:aA,slug:aB,taxonomy:j,permalink:aN},{parent:m,order:aD,id:i,name:aO,description:aP,slug:aQ,taxonomy:j,permalink:bg},{parent:m,order:X,id:f,name:$,description:aa,slug:ab,taxonomy:j,permalink:ag},{parent:{parent:m,order:X,id:f,name:$,description:aa,slug:ab,taxonomy:j,permalink:ag},order:J,id:A,name:dk,description:g,slug:dl,taxonomy:j,permalink:dm},{parent:m,order:bb,id:b,name:bc,description:g,slug:bd,taxonomy:j,permalink:bN}],primaryCategory:a,comments:[{id:"6038",date:"24. Januar 2022",time:"10:04",author:"Jeannette Röthlisberger",note:"Nicht zu vergessen ist der Einfluss der Armee! Der geniale Einfall der Käseunion waren die «Fonduekisten», welche von den Fourieren für die Truppe bestellt werden konnten und die alles Notwendige für ein Kompaniefondue enthielten, vom Gäbeli bis zum Caquelon. Wie sonst ist es zu erklären, dass Fondue 🫕 kochen noch sehr lange ein Männerjob war?",replies:[]},{id:"6010",date:"22. Dezember 2021",time:"12:18",author:"Bruno Benz",note:"Gestern behauptete ein Teilnehmer des SRF-Literaturclubs, Fondue kenne man in der Schweiz erst seit den Fünfzigerjahren. Ich selber habe es 1943 kennengelernt, als ich ein paar Wochen in einem Kinderheim untergebracht war. Dessen Leiterin kam aus dem Welschland. Wir mussten in der Heimküche einen Zug bilden, der sich dem Fondue-Caquelon zu bewegte. Mit einer Gabel tauchte jedes Kind ein Stück Brot ins Caquelin und schloss sich der Kolonne hinten an, bis es von nuem an der Reihe war.",replies:[{id:"6036",date:"19. Januar 2022",time:"18:59",author:"Eric",note:"Ein Fonduezug. So luschtig. Das machen wir nächstes Mal auch am Esstisch. Danke für die härzige Erinnerung.",replies:[]}]},{id:"3372",date:"1. Dezember 2019",time:"07:20",author:"François",note:"Interessanter Artikel - danke! Weiss man allenfalls ob es sich beim Raclette ähnlich verhält?",replies:[]},{id:"3280",date:bh,time:"08:22",author:"Thierry Leyva",note:"OK, erst nach dem 2. Weltkrieg wurde es ganz National bekannt. Seit wann ist Fondue aber in der Romandie und Savoyen bekannt? Weiss man das?",replies:[{id:"3281",date:bh,time:"09:46",author:"Alexander Rechsteiner",note:"Woher das Fondue genau kommt und wie lange es schon gegessen wird, weiss man nicht genau. Klar ist, dass Käse bereits in der Antike ein alpines Exportprodukt war. Ebenso erweisen ist, dass das Fondue sich von der Westschweiz aus in der Schweiz verbreitet hat.",replies:[{id:dn,date:bh,time:do0,author:dp,note:dq,replies:[]}]},{id:dn,date:bh,time:do0,author:dp,note:dq,replies:[]}]}],coordinates:{latitude:g,longitude:g},id:di,author:{title:m,mail:m,website:m,link:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fauthor\u002Fpeter-moser\u002F",portrait:{id:23392,url:dr,alt:g,title:ds,height:bi,width:bi,focus:{x:w,y:w},source:y,srcset:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F02\u002FPeter-Moser.webp 400w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F02\u002FPeter-Moser-150x150.webp 150w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F02\u002FPeter-Moser-300x300.webp 300w",poster:dr,square:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F02\u002FPeter-Moser-300x300.webp"},id:84,name:ds,description:"Peter Moser ist Historiker und Leiter des Archivs für Agrargeschichte AfA in Bern. Er ist zudem Vorstandsmitglied der European Rural History Organisation EURHO."},language:K,availableLanguages:{fr:{single:"histoire-de-la-fondue-suisse"},en:{single:"story-of-fondue-in-switzerland"}},slug:"geschichte-des-fondue-in-der-schweiz",title:"Das Fondue – ein «Naturkunstprodukt»",excerpt:"Bis zum Zweiten Weltkrieg war das Fondue in den meisten Regionen der Schweiz unbekannt. Zum «Nationalgericht» wurde die Käsespezialität erst mit einer Marketingkampagne der Schweizerischen Käseunion.",postType:E,permalink:dj,thumbnail:{id:37702,url:dt,alt:du,title:du,height:996,width:1500,focus:{x:s,y:s},source:{title:"Keystone\u002FMuseum.BL\u002FTheodor Struebin",url:g},srcset:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F11\u002Ffondue-keystone-75892029.webp 1500w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F11\u002Ffondue-keystone-75892029-600x398.webp 600w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F11\u002Ffondue-keystone-75892029-1200x797.webp 1200w",poster:dt,square:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F11\u002Ffondue-keystone-75892029-300x300.webp"},date:1573632039,readableDate:"13.11.2019",modifiedDate:1643095625,readableModifiedDate:"25.01.2022",seoTitle:g,seoDescription:"Die Geschichte des Käsefondues beginnt erst nach dem Zweiten Weltkrieg so richtig. 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Februar 2025",time:"11:10",author:"Yvonne Zbinden",note:"Sehr interessant. Danke für diesen Beitrag!",replies:[]}],coordinates:{latitude:g,longitude:g},id:dO,author:{title:m,mail:m,website:m,link:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fauthor\u002Fchristophe-vuilleumier\u002F",portrait:{id:22784,url:dQ,alt:g,title:"Christophe_Vuilleumier",height:bi,width:bi,focus:{x:w,y:w},source:y,srcset:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F01\u002FChristophe_Vuilleumier.webp 400w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F01\u002FChristophe_Vuilleumier-150x150.webp 150w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F01\u002FChristophe_Vuilleumier-300x300.webp 300w",poster:dQ,square:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F01\u002FChristophe_Vuilleumier-300x300.webp"},id:82,name:"Christophe Vuilleumier",description:"Christophe Vuilleumier ist Historiker und Vorstandsmitglied der Schweizerischen Gesellschaft für Geschichte. 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Februar 2025",time:"18:22",author:"Christine Vuilleumier",note:"Ich und meine Tochter haben diesen fantastischer Platz in1024 imSommer besucht.sehr imposant. Es hat noch ein Anderer Menhier ,oberhaupt Yverdon nah bei der Strasse,auf einem Feld!!!",replies:[]},{id:"8070",date:"25. Januar 2025",time:"17:25",author:"Jean Roth",note:"Eine solche, kreisförmige Ansammlung von Menhiren gibt es auch in Nordmarokko, unweit von Azilah. Allerdings nicht gross bekannt.",replies:[]},{id:"8064",date:bX,time:"13:43",author:"M. Gruenberg",note:"Vielen Dank für diesen informativen wissenschaftlichen Beitrag!",replies:[]},{id:"8061",date:bX,time:"11:21",author:"Dr. Helen Wider",note:"Weiteführende interessante Angaben finden Sie unter (Ursusmajor->) \"Richard Walkers Page\"-> ganz unten: \"Archäoastronomie\" -> \"Megalithanlage Yverdon Clendy\"\nRichard Walker konnte aufgrund eines alten Planes, die Steinreihen rekonstruieren und eine mögliche astronomische Beziehung formulieren. Weiter Steinsetzungen und Berechnungen sind ebenfalls aufgeführt. Eine Fundgrube für Megalithiker!",replies:[]},{id:"8060",date:bX,time:"11:20",author:"Laube Thomas",note:"Ist das aber eine Überraschung!",replies:[]}],coordinates:{latitude:eh,longitude:eg},id:bQ,author:{title:g,mail:g,website:m,link:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fauthor\u002Fthomas-weibel\u002F",portrait:{id:65057,url:eu,alt:bY,title:bY,height:aE,width:aE,focus:{x:w,y:w},source:y,srcset:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fthomas-weibel.webp 600w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fthomas-weibel-150x150.webp 150w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fthomas-weibel-300x300.webp 300w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fthomas-weibel-450x450.webp 450w",poster:eu,square:"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fthomas-weibel-300x300.webp"},id:142,name:bY,description:"Thomas Weibel ist Journalist und Professor für Media Engineering an der Fachhochschule Graubünden und der Hochschule der Künste Bern."},language:K,availableLanguages:{en:{single:"switzerlands-very-own-stonehenge"},fr:{single:"les-alignements-de-clendy-ou-le-stonehenge-suisse"}},slug:"die-menhire-von-clendy",title:ef,excerpt:"Die Menhire von Clendy sind eindrucksvolle Zeitzeugen der Steinzeit. 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Zürich\u003Cbr \u002F\u003E\r\nMuseumstrasse 2\u003Cbr \u002F\u003E\r\nPostfach\u003Cbr \u002F\u003E\r\n8021 Zürich\u003Cbr \u002F\u003E\r\n\u003Ca href=\"mailto:info@nationalmuseum.ch\"\u003Einfo@nationalmuseum.ch\u003C\u002Fa\u003E\u003Cbr \u002F\u003E\r\n\u003Ca href=\"https:\u002F\u002Fwww.nationalmuseum.ch\" target=\"_blank\" rel=\"noopener\"\u003Ewww.nationalmuseum.ch\u003C\u002Fa\u003E\u003Cbr \u002F\u003E\r\n\u003Cbr \u002F\u003E\r\nDesign: \u003Ca href=\"http:\u002F\u002Fdreipol.ch\"\u003Edreipol\u003C\u002Fa\u003E | Realisation: \u003Ca href=\"http:\u002F\u002Fwhatwedo.ch\"\u003Ewhatwedo\u003C\u002Fa\u003E",description:"Unter dem Dach des Schweizerischen Nationalmuseums sind die drei Museen – \u003Ca href=\"https:\u002F\u002Fwww.landesmuseum.ch\u002F\" target=\"_blank\" rel=\"noopener\"\u003ELandesmuseum Zürich\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.chateaudeprangins.ch\u002Fde\" target=\"_blank\" rel=\"noopener\"\u003EChâteau de Prangins\u003C\u002Fa\u003E 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Beiträge",popularPosts:"Meistgelesene Beiträge",postsBy:"Beiträge von",teaserMore:"zum Beitrag",readMoreExcerpt:"weiterlesen",bannerNewestPost:"Neuer Artikel:",comments:"Kommentare",moreComments:"Weitere Kommentare anzeigen",sendComment:"Kommentar senden",addComment:"Fügen Sie einen Kommentar hinzu",addAnswer:"Fügen Sie Ihre Antwort hinzu",emailAddress:"E-Mail-Adresse",commentatorName:"Name",answer:"Antworten",abort:"Abbrechen",commentThankYou:"Vielen Dank, Ihr Kommentar wird durch uns geprüft und anschliessend freigeschaltet.",close:"Schliessen",home:"Startseite",searchButton:"Suche",search:"Suchen",searchBlog:"Blog durchsuchen",skipLink:"Zum Inhalt springen",loadingText:"Inhalt wird geladen",contentLoadedText:"wurde geladen",postsFound:"Beiträge zum Suchbegriff % gefunden",moreOf:"Mehr zu",allCategories:"Alle Kategorien",showAllCategories:"Alle Kategorien anzeigen",addressTitle:"Adresse & Kontakt",name:aY,more:"Mehr",less:"Weniger",publishedAt:"Publiziert am:",modifiedAt:"Aktualisiert am:",websiteLabel:"Webseite:",emailLabel:"E-Mail:",newsletterTitle:eb,newsletterText:ec,newsletterPlaceholder:ed,wantsMuseumNewsletter:"Ich möchte zusätzlich den Museum-Newsletter mit Infos zu Ausstellungen und Veranstaltungen erhalten.",subscribe:"Abonnieren",newsletterEmailErrorMessage:"Bitte tragen Sie eine gültige E-Mail-Adresse ein, um fortzufahren.",newsletterListSelection:"Bitte wählen Sie, zu welchem Museum Sie den Newsletter erhalten möchten.",newsletterThankYou:"Vielen Dank! Um Ihre Anmeldung abzuschliessen, klicken Sie bitte auf den Bestätigungslink im E-Mail, welches wir soeben an Sie gesendet haben.",newsletterLMZ:"Landesmuseum Zürich (deutsch)",newsletterFSGS:"Forum Schweizer Geschichte Schwyz (deutsch)",newsletterCDP:"Château de Prangins (französisch)",newsletterExhibitions:eA,newsletterEventsAndTours:"Veranstaltungen und Führungen",newsletterGarden:"Garten",newsletterBoutique:"Boutique",newsletterEmailVerificationLinkSent:"Eine E-Mail mit einem Verifizierungslink wurde bereits an diese E-Mail-Adresse geschickt.",newsletterEmailAlreadySubscribed:"Diese E-Mailadresse ist bereits registriert. Klicken Sie im Newsletter des Schweizerischen Nationalmuseums, den Sie auf diese Adresse erhalten haben, auf «Einstellungen anpassen», um auch den Blog-Newsletter zu abonnieren.",previewNotFoundTitle:"Vorschau nicht gefunden",previewNotFoundText:"Diese Vorschau ist abgelaufen oder konnte nicht gefunden werden.",imageOf:"Bild % von",backButton:"Zurück",sliderLeft:"Nach links",sliderRight:"Nach rechts",mapSearch:"Ort suchen",mapBackgroundTitle:"Hintergrund wählen",mapBackgroundBasis:"Karte klassisch",mapBackgroundSatellite:"Satellitenbild",mapBackgroundHistory:"Historische Karte",mapFilterTitle:"mapFilterTitle",mapFilterAll:"mapFilterAll"}},menu:{visible:y},adminBar:{visible:y},banner:{visible:a$},nonce:"4be0a57948",i18nTransition:y,author:{authors:[]},category:{categories:[]},comment:{comments:[]},post:{post:y,posts:[cf]},route:{name:"index___de",path:aI,hash:g,query:{},params:{},fullPath:aI,meta:{},from:{name:m,path:aI,hash:g,query:{},params:{},fullPath:aI,meta:{}}},i18n:{routeParams:{}}},serverRendered:a$,routePath:aI,config:{algoliaApiKey:"QAQEHLLWP9",algoliaApplicationId:"94b5ff7e52342d74d0962965962016e1",_app:{basePath:aI,assetsPath:"\u002F_nuxt\u002F",cdnURL:m}}}}(33,795,61,104,794,130,"",116,73,"category",30,485,null,74,1217,10775,69,109,"50",67,119,0,50,39549,false,26269,127,66,29,38,"post",133,64,56,122,"0","de",1200,145,1600,38181,"raw",36,42423,40620,"Musée cantonal des Beaux-Arts de Lausanne","acf\u002Ftext",141,"14","13","Kultur","Die Kulturgeschichte umfasst Höhepunkte der Kunst, Theater, Literatur, Film und Alltag.","kultur","Soziales","Die Sozialgeschichte behandelt das Zusammenleben der Menschen, ihren Alltag, wie z.B. der Sport, und die Beziehung der Geschlechter.","soziales",38672,"Barbara Basting","acf\u002Fimage","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fcategory\u002Fkultur\u002F","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fcategory\u002Fsoziales\u002F",35729,500,"12",33301,113,40463,"Selbstporträt von Charles Gleyre, zwischen 1830 und 1834 (Ausschnitt).","regular","5","Politik","Die Politik umfasst die Geschichte der Staaten, ihrer Organisation und das Zusammenleben der Bürgerinnen und Bürger.","politik",40261,644,"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fgleyre-titel-mba.webp","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fbarbara-basting.webp","4","Neuzeit","20.\u002F21. Jhd","Das 20. und 21. Jahrhundert sind die Jahrhunderte der jüngsten Vergangenheit und der aktuellen Zeitgeschichte.","20-21-jhd","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fcategory\u002Fpolitik\u002F","10",600,42248,41209,101,"\u002F",160161,"https:\u002F\u002Fwww.mcba.ch\u002Fcollection\u002Fautoportrait-2\u002F ","Die Neuzeit dauert vom 16. bis zum 19. Jahrhundert. In die Neuzeit gehören unter anderem die Renaissance, die Reformation, der Barock, die Französische Revolution und die Industrialisierung.","neuzeit","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fcategory\u002F20-21-jhd\u002F","Wirtschaft","Alles zum Thema Wirtschaft, Industrialisierung, Innovation und die Geschichte des Geldes.","wirtschaft",42806,37284,155,37804,157,"https:\u002F\u002Fblog.nationalmuseum.ch\u002F2025\u002F02\u002Fder-schweizer-lehrer-der-impressionisten\u002F","Der Schweizer Lehrer der Impressionisten","Schweizerisches Nationalmuseum","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fcategory\u002Fneuzeit\u002F","18.02.2025",true,"page","20","Artikel","artikel","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F08\u002FCrain-Merz-Noemi.webp",828,"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fcategory\u002Fwirtschaft\u002F","15. November 2019",400,"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F12\u002FAndrej.webp","Andrej Abplanalp",65,42112,1203,597,"Mittelalter","3","der-schweizer-lehrer-der-impressionisten",160125,"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fgleyre-titel-mba.webp 1600w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fgleyre-titel-mba-600x450.webp 600w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fgleyre-titel-mba-1200x900.webp 1200w","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fgleyre-titel-mba-300x300.webp","Der Schweizer Maler Charles Gleyre (1806-1874) hatte im 19. Jahrhundert einen klangvollen Namen. In seinem Pariser Atelier lernten so unterschiedliche Maler wie Albert Anker und Auguste Renoir. Gleyre selber steht an der Schwelle zwischen Romantik und Impressionismus. ","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fauthor\u002Fbarbara-basting\u002F",96677,"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fbarbara-basting.webp 500w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fbarbara-basting-150x150.webp 150w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fbarbara-basting-300x300.webp 300w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fbarbara-basting-450x450.webp 450w","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fbarbara-basting-300x300.webp",187,"Barbara Basting war als Kulturredaktorin tätig und leitet derzeit das Ressort Bildende Kunst in der Kulturabteilung der Stadt Zürich.","«Manfred invoquant l´esprit des Alpes», gemalt von Charles Gleyre, um 1825.","«Le Soir» oder «Les Illusions perdues», gemalt von Charles Gleyre, um 1843.","Selbstporträt von Charles Gleyre, zwischen 1830 und 1834.","Charles Gleyre, «Der Tempel von Amun, Karnak», 1835.","Charles Gleyre, «Etude d’un Nubien», zwischen 1835 und 1837.",2400,19412,138637,"Krieg\u002FSchlacht","krieg-schlacht","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fcategory\u002Fpolitik\u002Fkrieg-schlacht\u002F","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fcategory\u002Fartikel\u002F",157979,"Beat Kuhn",157991,72,2822,796,"Frühzeit",1000,"1","24. Januar 2025","Thomas Weibel","Das Mittelalter folgt auf die Antike und umfasst ungefähr die Zeit vom 5. bis ins 15. Jahrhundert. Es gliedert sich in das Frühmittelalter, das Hochmittelalter und das Spätmittelalter.","mittelalter","11","Religion","Vom frühen Naturglauben über die Reformation zu den Religionskriegen: Die Religion prägte die Geschichte des Menschen wie fast kein anderes Thema.","religion",53162,"Artikel nicht gefunden",{},"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fmanfred-invoquant-lesprit-des-alpes-dig-2270-lm-77955.webp","https:\u002F\u002Fsammlung.nationalmuseum.ch\u002Fde\u002Flist\u002Fcollection?searchText=Gleyre%2520Charles%2520&detailID=100157123","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fle-soir-gleyre.webp","Musée du Louvre","https:\u002F\u002Fcollections.louvre.fr\u002Fen\u002Fark:\u002F53355\u002Fcl010065885","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fselbstportrat-von-charles-gleyre.webp","small","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fder-tempel-von-amun-gleyre.webp","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fetude-dun-nubien.webp","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Flexecution-du-major-davel-gleyre.webp","Charles Gleyre, «L’Exécution du Major Davel», 1850","https:\u002F\u002Fwww.mcba.ch\u002Fcollection\u002Flexecution-du-major-davel\u002F ","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fles-romains-passant-sous-le-joug-gleyre.webp","Charles Gleyre, «Les Romains passant sous le joug» oder «La bataille du Léman», 1858","https:\u002F\u002Fwww.mcba.ch\u002Fcollection\u002Fles-romains-passant-sous-le-joug-ou-la-bataille-du-leman\u002F","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fpentheus-verfolgt-von-den-manaden-gleyre-bs-scaled.webp","Charles Gleyre, «Pentheus verfolgt von den Mänaden», 1864","Kunstmuseum Basel","https:\u002F\u002Fsammlungonline.kunstmuseumbasel.ch\u002FeMP\u002FeMuseumPlus?service=ExternalInterface&module=collection&objectId=2960&viewType=detailView ","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fune-sceance-dans-latelier-de-gleyre.webp","«Une scéance dans l'atelier de Gleyre», gezeichnet von Alfred Dumont, 1857","Musée d’art et d’histoire de la Ville de Genève","https:\u002F\u002Fwww.mahmah.ch\u002Fcollection\u002Foeuvres\u002Fune-sceance-dans-latelier-de-gleyre\u002Fdum-063-069 ","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fdeluge-gleyre.webp","Charles Gleyre, «Le Déluge», 1856","https:\u002F\u002Fwww.mcba.ch\u002Fcollection\u002Fle-deluge\u002F ","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fthe-bath-gleyre.webp","Charles Gleyre, «The Bath», 1868","Chrysler Museum of Art","https:\u002F\u002Fchrysler.emuseum.com\u002Fobjects\u002F7888\u002Fthe-bath?ctx=cb42d3e649a268dd6c380030e958e200d05aa695&idx=0","Kunst","kunst","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fcategory\u002Fkultur\u002Fkunst\u002F","le-maitre-suisse-des-impressionnistes","the-swiss-teacher-of-the-impressionists",1739865600,1739868526,"https-blog-nationalmuseum-ch","https:\u002F\u002Fblog.nationalmuseum.ch\u002F","Blog Schweizerisches Nationalmuseum Geschichte der Schweiz","https:\u002F\u002Fblog.nationalmuseum.ch\u002F2024\u002F02\u002Fbasler-fasnacht\u002F","F. Pauli","20. Februar 2024","47.55478837980972","7.589762306146545","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fauthor\u002Fnoemi-crain\u002F",29311,"Crain-Merz-Noemi","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F08\u002FCrain-Merz-Noemi.webp 828w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F08\u002FCrain-Merz-Noemi-150x150.webp 150w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F08\u002FCrain-Merz-Noemi-600x600.webp 600w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F08\u002FCrain-Merz-Noemi-300x300.webp 300w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F08\u002FCrain-Merz-Noemi-450x450.webp 450w","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F08\u002FCrain-Merz-Noemi-300x300.webp",96,"Noëmi Crain Merz","Noëmi Crain Merz ist Historikerin an der Universität Basel.","Die Basler Fasnacht und der Nationalsozialismus","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002FBasler-Fasnacht-Titel.webp","Tambouren der Clique Alti Stainlemer 1933 als «dr helvetisch Hooggegryzzug».",37690,"https:\u002F\u002Fblog.nationalmuseum.ch\u002F2019\u002F11\u002Fgeschichte-des-fondue-in-der-schweiz\u002F","Essen","essen","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fcategory\u002Fsoziales\u002Fessen\u002F","3283","10:17","Thierry","Besten Dank für Ihre rasche Antwort!","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F02\u002FPeter-Moser.webp","Peter Moser","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F11\u002Ffondue-keystone-75892029.webp","Gemütliches Fondue-Essen in den 40er Jahren, Liestal.",61317,"https:\u002F\u002Fblog.nationalmuseum.ch\u002F2021\u002F02\u002Fjugendskilager\u002F","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fauthor\u002Fandrej\u002F",39346,"https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F12\u002FAndrej.webp 600w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F12\u002FAndrej-150x150.webp 150w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F12\u002FAndrej-300x300.webp 300w, https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F12\u002FAndrej-450x450.webp 450w","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F12\u002FAndrej-300x300.webp",4,"Historiker und Kommunikations-Chef des Schweizerischen Nationalmuseums.","Seit 1940 gibt es in der Schweiz Jugendskilager. Der Ursprung geht auf den Zweiten Weltkrieg zurück und hat durchaus ernste Gründe: Die Jugend sollte für einen Winterfeldzug gerüstet sein.","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fsportwoche-titel.webp","Skifahren im Berner Oberland, 1990.",159727,"https:\u002F\u002Fblog.nationalmuseum.ch\u002F2025\u002F02\u002Frekordpetition-in-der-schublade\u002F","Frauen in der Geschichte","frauen","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fcategory\u002Fsoziales\u002Ffrauen\u002F","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fannie-leuch-reineck-portrat.webp","Annie Leuch-Reineck war eine der Hauptfiguren in der Schweizer Frauenbewegung der 1920er-Jahre.","13.02.2025",159215,"https:\u002F\u002Fblog.nationalmuseum.ch\u002F2025\u002F02\u002Fmarie-colinet\u002F","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2019\u002F01\u002FChristophe_Vuilleumier.webp","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fmarie-colinet.webp","Marie Colinet war nicht nur eine geschickte Hebamme, sondern auch eine erfinderische Ärztin. Illustration von Marco Heer.","https:\u002F\u002Fblog.nationalmuseum.ch\u002F2025\u002F02\u002Fchurchills-schweizer-koch\u002F","7. Februar 2025","46.95484756429731","7.185518904888095","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fbeat-kuhn.webp",319,"Ein Mann für Churchills leibliches Wohl","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fchurchill-butler-titel.webp","Mit den Jahren wurde Fritz Schmied zu einer grossen Stütze für Winston Churchill.","06.02.2025","Blog abonnieren","Wir informieren Sie alle zwei Wochen über neue Artikel.","E-Mail-Adresse eingeben","beige","Stonehenge made in Switzerland","6.656658506921047","46.78062973490622","8.53525520386648","47.35025519971764",976,152,"Antike",939,"https:\u002F\u002Fblog.nationalmuseum.ch\u002F2017\u002F06\u002Fnapoleon-war-ein-breguet-fan\u002F","Napoleon war ein Fan von Breguet-Uhren. Sogar auf dem Schlachtfeld verzichtete er nicht auf die Schweizer Chronometer.","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2017\u002F03\u002FBreguet2.webp","https:\u002F\u002Fblog.nationalmuseum.ch\u002F2025\u002F01\u002Fdie-menhire-von-clendy\u002F","Die Frühzeit beinhaltet die Steinzeit, die Hochkulturen in Ägypten, Mesopotanien und China sowie die Eisenzeit in Europa.","fruehzeit","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fthomas-weibel.webp","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Ftitelbild-menhire-von-clendy.webp","Mystisch und eindrucksvoll: Die Menhire von Clendy.",147352,"https:\u002F\u002Fblog.nationalmuseum.ch\u002F2024\u002F06\u002Fsexualitaet-im-mittelalter\u002F",42114,"Ausstellungen","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fcategory\u002Fmittelalter\u002F","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fcategory\u002Freligion\u002F","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fvl-autorbild-scaled.webp","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fblog-titelbild-5.webp","Ausschnitt aus dem Triptychon Garten der Lüste von Hieronymus Bosch, 1490-1500.",146577,"https:\u002F\u002Fblog.nationalmuseum.ch\u002F2024\u002F05\u002Fmit-geschlechtsteilen-geschmueckt\u002F","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fjasmin-pfister.webp","Jasmin Pfister","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Fblog-titelbild-tragezeichen.webp","Mittelalterliche Tragezeichen mit obszönen Motiven.","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002F2018\u002F04\u002FS.webp","artikel-nicht-gefunden","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fartikel-nicht-gefunden\u002F","https:\u002F\u002Fblog.nationalmuseum.ch\u002Fapp\u002Fuploads\u002Ffrau-sucht-schluessel-new.webp","2",138,"serie"));</script><script src="/_nuxt/9fcda0d.js" defer></script><script src="/_nuxt/8c65cbb.js" defer></script><script src="/_nuxt/6b9286a.js" defer></script><script src="/_nuxt/b94f6da.js" defer></script><script src="/_nuxt/1cd886d.js" defer></script><script src="/_nuxt/2f29eb4.js" defer></script><script data-n-head="ssr" src="https://api3.geo.admin.ch/loader.js?version=4.4.2" data-body="true"></script> </body> </html>