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<div id="content" role="main"> <article id="post-3017" class="post-3017 page type-page status-publish hentry"> <header class="entry-header"> <h1 class="entry-title">Book Prize</h1> </header> <div class="entry-content"> <p><strong>2023</strong></p> <p><strong>Award: </strong><strong>Noel Lobley, <a href="https://www.weslpress.org/9780819580771/sound-fragments"><em>Sound Fragments: From Field Recording to African Electronic Stories</em></a> (Wesleyan University Press, 2022). </strong></p> <p><strong> </strong> <strong>Special mention</strong>:</p> <p style="text-align: right;"> Shanté Paradigm Smalls, <a href="https://nyupress.org/9781479808182/hip-hop-heresies/"><em>Hip Hop Heresies: Queer Aesthetics </em><em>in New York City </em></a>(NYU Press, 2022)</p> <p><strong> </strong><strong>Award: </strong><strong>Nathanel Amar, <a href="https://pur-editions.fr/product/8156/scream-for-life"><em>Scream for Life. L’invention d’une contre-culture punk en Chine populaire </em></a>(Presses Universitaires de Rennes, 2022). </strong></p> <p><strong> Special mentions</strong>:</p> <p style="text-align: right;">Anna Cuomo, <a href="https://www.lespressesdureel.com/EN/ouvrage.php?id=9380&menu=4"><em>Faire carrière dans le rap aug Burkina Faso: </em><em>Une anthropologie politique </em></a>(Les Presses du Réel, 2022).</p> <p style="text-align: right;"> Pascal Rudolph, <a href="https://doi.org/10.5771/9783967077582"><em>Präexistente Musik im Film</em></a> (edition text + kritik, 2022).</p> <p><strong>2023 Book Prize – <a href="https://www.youtube.com/playlist?list=PLMbzxadZomQUCGaPTv9nZXTz6JvsgQ5UQ">Meet the Authors</a></strong></p> <h3><strong><a href="http://www.iaspm.net/wp-content/uploads/2023/12/2023-IASPM-Book-Prize-Report-final.pdf">2023 IASPM Book Prize Report</a></strong></h3> <p><strong>*******</strong></p> <p><strong>Previous Winners of IASPM’s Book Prize</strong></p> <p><strong>2021</strong><br /> <strong>Award: </strong>Kyle Devine, <em>Decomposed: the Political Ecology of Music</em> (MIT Press, 2019)<br /> <a href="https://mitpress.mit.edu/books/decomposed">https://mitpress.mit.edu/books/decomposed</a></p> <p><strong>Award: </strong>Ádám Ignácz<em>, Milliók zenéje. Populáris zene és zenetudomány az államszocialista Magyarországon</em> (Rózsavölgyi és Társa, 2020)<br /> <a href="https://rozsavolgyikiado.hu/konyvek/milliok-zeneje---popularis-zene-es-zenetudomany-az-allamszocialista-magyarorszagon/139483624">https://rozsavolgyikiado.hu/konyvek/milliok-zeneje—popularis-zene-es-zenetudomany-az-allamszocialista-magyarorszagon/139483624</a></p> <p><strong> </strong><strong>Award: </strong>Bodo Mrozek<em>, Jugend – Pop – Kultur. Eine transnationale Geschichte (Suhrkamp, 2019)<br /> </em><a href="https://www.suhrkamp.de/buch/bodo-mrozek-jugend-pop-kultur-t-9783518298374">https://www.suhrkamp.de/buch/bodo-mrozek-jugend-pop-kultur-t-9783518298374</a></p> <p><strong>Award: </strong>Jacopo Tomatis, <em>Storia culturale della canzone italiana</em> (il Saggiatore, 2019)<br /> <a href="https://www.ilsaggiatore.com/libro/storia-culturale-della-canzone-italiana/">https://www.ilsaggiatore.com/libro/storia-culturale-della-canzone-italiana/</a></p> <p><strong>Award</strong>: Viriya Sawangchot<em>, Rock Suksa. Suntreeya, Kanmuang, Peuntee</em></p> <p>Special Mention: Mark Burford, <em>Mahalia Jackson and the Black Gospel Field</em> (Oxford University Press, 2018)<br /> <a href="https://oxford.universitypressscholarship.com/view/10.1093/oso/9780190634902.001.0001/oso-9780190634902">https://oxford.universitypressscholarship.com/view/10.1093/oso/9780190634902.001.0001/oso-9780190634902</a></p> <p>Special Mention: Klisala Harrison, <em>Music Downtown Eastside: Human Rights and Capability Development through Music in Urban Poverty</em> (Oxford University Press, 2020)<br /> <a href="https://oxford.universitypressscholarship.com/view/10.1093/oso/9780197535066.001.0001/oso-9780197535066?rskey=3ei8WQ&result=1">https://oxford.universitypressscholarship.com/view/10.1093/oso/9780197535066.001.0001/oso-9780197535066?rskey=3ei8WQ&result=1#</a></p> <p>2021 Book Prize – Meet the Authors: <a href="https://www.youtube.com/playlist?list=PLMbzxadZomQVKQksWpvkTrnc0T2Tw5eQ5">https://www.youtube.com/playlist?list=PLMbzxadZomQVKQksWpvkTrnc0T2Tw5eQ5</a></p> <p><a href="http://www.iaspm.net/archive/2021BookPrizeReport.pdf">2021 Book Prize Jury’s Report</a></p> <p><strong>2019</strong><br /> <strong>Award: </strong>Owen Coggins, <a href="https://www.bloomsbury.com/uk/mysticism-ritual-and-religion-in-drone-metal-9781350123168/" target="_blank" rel="noopener noreferrer"><em>Mysticism, Ritual and Religion in Drone Metal</em></a> (Bloomsbury Academic, 2018)</p> <p>Special Mention: Matt Brennan, <a href="https://www.bloomsbury.com/uk/when-genres-collide-9781501326141/" target="_blank" rel="noopener noreferrer"><em>When Genres Collide: Down Beat, Rolling Stone, and the Struggle Between Jazz and Rock</em></a> (Bloomsbury Academic, 2017)</p> <p><strong>Award:</strong> L. J. Müller, <a href="https://www.amazon.de/Sound-Sexismus-Geschlecht-feministisch-musiktheoretische-Ann%C3%A4herung/dp/3944442555" target="_blank" rel="noopener noreferrer"><em>Sound und Sexismus — Geschlecht im Klang populärer Musik</em></a> (Marta Press, 2018)<br /> AND<br /> Iván Iglesias, <a href="https://www.amazon.co.uk/modernidad-elusiva-pol%C3%ADtica-franquismo-1936-1968/dp/8400102835" target="_blank" rel="noopener noreferrer"><em>La modernidad elusiva. Jazz, baile y política en la Guerra Civil española y el Franquismo (1936-1968)</em></a> (Consejo Superior de Investigaciones Cientificas, 2017)</p> <p><a href="http://www.iaspm.net/archive/2019BookPrizeJuryReport.pdf" target="_blank" rel="noopener noreferrer">2019 Book Prize Jury’s Report</a></p> <p><strong>2017</strong><br /> <strong>Award: </strong>Jeremy Wade Morris, <a href="https://www.amazon.com/Selling-Digital-Music-Formatting-Culture/dp/0520287940" target="_blank" rel="noopener noreferrer"><em>Selling Digital Music, Formatting Culture</em></a> (University of California Press, 2015)</p> <p><strong>Award:</strong> Berenice Corti, <a href="http://www.elargonauta.com/libros/jazz-argentino-la-musica-negra-del-pais-blanco/978-987-3823-02-2/" target="_blank" rel="noopener noreferrer"><em>Jazz Argentino: La música “negra” del país “blanco”</em></a> (Gourmet Musical, 2015)</p> <p><a href="http://www.iaspm.net/archive/2017BookPrizeJuryReport.pdf" target="_blank" rel="noopener noreferrer">2017 Book Prize Jury’s Report</a></p> <p><strong>2015</strong><br /> <strong>Award:</strong> Simon Zagorski-Thomas, <em><a href="http://www.cambridge.org/de/academic/subjects/music/twentieth-century-and-contemporary-music/musicology-record-production" target="_blank" rel="noopener noreferrer">The Musicology of Record Production</a></em> (Cambridge University Press, 2014)</p> <p><strong>Special Mention:</strong> Stephen Amico, <em><a href="http://www.press.uillinois.edu/books/catalog/66xdy3bm9780252038273.html" target="_blank" rel="noopener noreferrer">Roll Over, Tchaikovsky! Russian Popular Music and Post-Soviet Homosexuality</a></em> (University of Illinois Press, 2014)</p> <p><a href="http://www.iaspm.net/archive/2015BookPrizeJuryReport.pdf" target="_blank" rel="noopener noreferrer">2015 Book Prize Jury’s Report</a></p> <p><strong>2013</strong><br /> <strong>Award:</strong> Matt Stahl, <a href="https://www.dukeupress.edu/Unfree-Masters" target="_blank" rel="noopener noreferrer"><em>Unfree Masters: Recording Artists and the Politics of Work</em></a> (Duke University Press, 2012)</p> <p><strong>Special Mention:</strong> Richard Osborne, <a href="http://www.ashgate.com/isbn/9781409440277" target="_blank" rel="noopener noreferrer"><em>Vinyl: A History of the Analogue Record</em></a> (Ashgate, 2012)</p> <p><a href="http://www.iaspm.net/archive/2013%20Book%20Prize%20Jury's%20Report.pdf" target="_blank" rel="noopener noreferrer">2013 Book Prize Jury’s Report</a></p> <p><strong>2011</strong><br /> <strong>Award:</strong> Barbara Lebrun, <a href="https://www.ashgate.com/isbn/9780754664727" target="_blank" rel="noopener noreferrer"><em>Protest Music in France: Production, Identity and Audiences</em></a> (Ashgate, 2009)</p> <p><strong>Award:</strong> Yusuke Wajima, <em>Creating the Myth of “Japanese Spirit”</em> (Kobunsha,  2010)</p> <p><strong>Special Mention:</strong> Eduardo Viñuela, <em>El videoclip en España</em> (ICCMU, 2009)</p> <p><strong>2009</strong><br /> <strong>Award:</strong> Karen Collins, <a href="https://mitpress.mit.edu/books/game-sound" target="_blank" rel="noopener noreferrer"><em>Game Sound: An Introduction to the History, Theory, and Practice of Video Game Music and Sound Design</em></a> (MIT Press, 2008)</p> <p><strong> Award:</strong> Koizumi Kyoko, <em>Youth Wearing Music: The Pleasure of Putting On and Taking Off</em></p> <p><strong> Award:</strong> Celine Cabot-Canet, <em>Léo Ferré: Une voix et une phrasé emblématiques</em> (L’Harmattan, 2008)</p> <p><strong> Award:</strong> Ralf von Appen, <a href="http://www.transcript-verlag.de/978-3-89942-734-9/der-wert-der-musik" target="_blank" rel="noopener noreferrer"><em>Der Wert der Musik: Zur Ästhetik des Populären</em></a> (transcript Verlag, 2007)</p> <p><strong>2007</strong><br /> <strong>Award:</strong> Anne Danielson, <a href="http://www.upne.com/0819568228.html" target="_blank" rel="noopener noreferrer"><em>Presence and Pleasure: The Funk Grooves of James Brown and Parliament</em></a> (Wesleyan University Press, 2006)</p> <p><strong>Award:</strong> Manuel Monestel Ramirez, <em>Ritmo, canción e identidad: Una historia sociocultural del calypso limonense</em> (EUNED, 2005)</p> <p><strong>Special Mention:</strong> Lee Marshall, <a href="http://www.uk.sagepub.com/books/Book226406/title" target="_blank" rel="noopener noreferrer"><em>Bootlegging: Romanticism and Copyright in the Music Industry</em></a> (Sage, 2005)</p> <p><strong>Special Mention:</strong> Wendy Fonarow, <em><a href="http://www.upne.com/0819568104.html" target="_blank" rel="noopener noreferrer">Empire of Dirt: The Aesthetics and Rituals of British Indie Music</a></em> (Wesleyan University Press, 2006)</p> <p><strong>2005</strong><br /> <strong>Award:</strong> Joseph G. Schloss, <em><a href="http://www.upne.com/0819566950.html" target="_blank" rel="noopener noreferrer">Making Beats: The Art of Sample-Based Hip-Hop</a></em> (Wesleyan University Press, 2004)</p> <p><strong>Special Mention:</strong> Rehan Hyder, <em><a href="http://www.ashgate.com/isbn/9780754640646" target="_blank" rel="noopener noreferrer">Brimful of Asia: Negotiating Ethnicity on the UK Music Scene</a></em> (Ashgate, 2004)</p> <p><strong>2003</strong><br /> <strong>Award:</strong> Regina Sweeney, <em><a href="http://www.upne.com/0819564540.html" target="_blank" rel="noopener noreferrer">Singing Our Way to Victory: French Cultural Politics and Music during the Great War</a></em> (Wesleyan University Press, 2001)</p> <p><strong>Special Mention:</strong> Jeroen De Kloet, <em>Red Sonic Trajectories: Popular Music and Youth in Urban China</em> (Amsterdam School for Social Research, 2001)</p> <p><strong>Special Mention:</strong> Lise A. Waxer, <em><a href="http://www.upne.com/0819564419.html" target="_blank" rel="noopener noreferrer">The City of Musical Memory: Salsa, Record Grooves and Popular Culture in Cali, Colombia</a></em> (Wesleyan University Press, 2002)</p> </div> <footer class="entry-meta"> </footer> </article> <div id="comments"> <h2 id="comments-title"> One thought on “<span>Book Prize</span>” </h2> <ol class="commentlist"> <li class="post pingback"> <p>Pingback: <a href="https://writeplaceblog.com/iaspm-book-prize-2021-meet-the-authors-varassi-pega/" class="url" rel="ugc external nofollow">IASPM Book Prize 2021: Meet the Authors - Varassi Pega - WritePlaceBlog</a></p> </li> </ol> <p class="nocomments">Comments are closed.</p> </div> </div> </div> </div> <footer id="colophon"> <div id="site-generator"> <a href="https://wordpress.org/" class="imprint" title="Semantic Personal Publishing Platform"> Proudly powered by WordPress </a> </div> </footer> </div> </body> </html>