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cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet edit-page menu__item--page-actions-viewsource"> View source </a> </li> </ul> </nav>  <div id="mw-content-subtitle"></div> </div> <div id="bodyContent" class="content"> <div id="mw-content-text" class="mw-body-content"><script>function mfTempOpenSection(id){var block=document.getElementById("mf-section-"+id);block.className+=" open-block";block.previousSibling.className+=" open-block";}</script><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><section class="mf-section-0" id="mf-section-0"> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">This article is about the musician. For his debut album, see <a href="/wiki/Bob_Dylan_(album)" title="Bob Dylan (album)">Bob Dylan (album)</a>.</div> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style>Bob Dylan (legally Robert Dylan;<a href="#cite_note-3">[3]</a> born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter. Considered one of the greatest songwriters of all time,<a href="#cite_note-4">[4]</a><a href="#cite_note-5">[5]</a><a href="#cite_note-EncBr-6">[6]</a> Dylan has been a major figure in popular culture over his 60-year career. With an estimated figure of more than 125 million records sold worldwide, he is one of the <a href="/wiki/List_of_best-selling_music_artists" title="List of best-selling music artists">best-selling musicians of all-time</a>.<a href="#cite_note-7">[7]</a> Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 1960s, infusing it "with the intellectualism of classic literature and poetry".<a href="#cite_note-EncBr-6">[6]</a> His lyrics incorporated political, social and philosophical influences, defying pop music conventions and appealing to the burgeoning <a href="/wiki/Counterculture_of_the_1960s" title="Counterculture of the 1960s">counterculture</a>.<a href="#cite_note-8">[8]</a> <table class="infobox biography vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div class="fn">Bob Dylan</div></th></tr><tr><td colspan="2" class="infobox-image"><a href="/wiki/File:DylanYoungKilkenny140719v2_(50_of_52)_(52246124397)_(cropped).jpg" class="mw-file-description"><img alt="Bob Dylan standing on stage" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/2a/DylanYoungKilkenny140719v2_%2850_of_52%29_%2852246124397%29_%28cropped%29.jpg/220px-DylanYoungKilkenny140719v2_%2850_of_52%29_%2852246124397%29_%28cropped%29.jpg" decoding="async" width="220" height="294" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/2a/DylanYoungKilkenny140719v2_%2850_of_52%29_%2852246124397%29_%28cropped%29.jpg/330px-DylanYoungKilkenny140719v2_%2850_of_52%29_%2852246124397%29_%28cropped%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/2a/DylanYoungKilkenny140719v2_%2850_of_52%29_%2852246124397%29_%28cropped%29.jpg/440px-DylanYoungKilkenny140719v2_%2850_of_52%29_%2852246124397%29_%28cropped%29.jpg 2x" data-file-width="1620" data-file-height="2165"></a><div class="infobox-caption">Dylan in 2019</div></td></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data"><div style="display:inline" class="nickname">Robert Allen Zimmerman</div> (1941-05-24) May 24, 1941 (age 83) <div style="display:inline" class="birthplace"><a href="/wiki/Duluth,_Minnesota" title="Duluth, Minnesota">Duluth, Minnesota</a>, U.S.</div></td></tr><tr><th scope="row" class="infobox-label">Other names</th><td class="infobox-data nickname"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist li::after{content:" · ";font-weight:bold}.mw-parser-output .hlist dd:last-child::after,.mw-parser-output .hlist dt:last-child::after,.mw-parser-output .hlist li:last-child::after{content:none}.mw-parser-output .hlist dd dd:first-child::before,.mw-parser-output .hlist dd dt:first-child::before,.mw-parser-output .hlist dd li:first-child::before,.mw-parser-output .hlist dt dd:first-child::before,.mw-parser-output .hlist dt dt:first-child::before,.mw-parser-output .hlist dt li:first-child::before,.mw-parser-output .hlist li dd:first-child::before,.mw-parser-output .hlist li dt:first-child::before,.mw-parser-output .hlist li li:first-child::before{content:" (";font-weight:normal}.mw-parser-output .hlist dd dd:last-child::after,.mw-parser-output .hlist dd dt:last-child::after,.mw-parser-output .hlist dd li:last-child::after,.mw-parser-output .hlist dt dd:last-child::after,.mw-parser-output .hlist dt dt:last-child::after,.mw-parser-output .hlist dt li:last-child::after,.mw-parser-output .hlist li dd:last-child::after,.mw-parser-output .hlist li dt:last-child::after,.mw-parser-output .hlist li li:last-child::after{content:")";font-weight:normal}.mw-parser-output .hlist ol{counter-reset:listitem}.mw-parser-output .hlist ol>li{counter-increment:listitem}.mw-parser-output .hlist ol>li::before{content:" "counter(listitem)"\a0 "}.mw-parser-output .hlist dd ol>li:first-child::before,.mw-parser-output .hlist dt ol>li:first-child::before,.mw-parser-output .hlist li ol>li:first-child::before{content:" ("counter(listitem)"\a0 "}</style><div class="hlist"> <ul><li>Shabtai Zisel ben Avraham (<a href="/wiki/Hebrew_name" title="Hebrew name">Hebrew name</a>)<a href="#cite_note-Sounes14-1">[1]</a></li> <li>Elston Gunnn</li> <li>Blind Boy Grunt</li> <li>Bob Landy</li> <li>Robert Milkwood Thomas</li> <li>Tedham Porterhouse</li> <li><a href="/wiki/Traveling_Wilburys" title="Traveling Wilburys">Lucky Wilbury</a></li> <li><a href="/wiki/Traveling_Wilburys" title="Traveling Wilburys">Boo Wilbury</a></li> <li>Jack Frost</li> <li>Sergei Petrov</li> <li>Zimmy</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label">Occupations</th><td class="infobox-data role"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"> <ul><li>Singer-songwriter</li> <li>painter</li> <li>writer</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label">Years active</th><td class="infobox-data">1957–present<a href="#cite_note-2">[2]</a></td></tr><tr><th scope="row" class="infobox-label">Spouses</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><div class="plainlist"> <ul><li><style data-mw-deduplicate="TemplateStyles:r1151524712">.mw-parser-output .marriage-line-margin2px{line-height:0;margin-bottom:-2px}.mw-parser-output .marriage-line-margin3px{line-height:0;margin-bottom:-3px}.mw-parser-output .marriage-display-ws{display:inline;white-space:nowrap}</style></li></ul> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;margin-top:1px;white-space:normal;"><a href="/wiki/Sara_Dylan" title="Sara Dylan">Sara Lownds</a></div> <div class="marriage-line-margin2px"></div> <div style="display:inline-block;margin-bottom:1px;"></div>(<abbr title="married">m.</abbr> <style data-mw-deduplicate="TemplateStyles:r1038841319">.mw-parser-output .tooltip-dotted{border-bottom:1px dotted;cursor:help}</style>1965; <abbr title="divorced">div.</abbr> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1038841319">1977)</div> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1151524712"></li></ul> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;margin-top:1px;white-space:normal;"><a href="/wiki/Carolyn_Dennis" title="Carolyn Dennis">Carolyn Dennis</a></div> <div class="marriage-line-margin2px"></div> <div style="display:inline-block;margin-bottom:1px;"></div>(<abbr title="married">m.</abbr> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1038841319">1986; <abbr title="divorced">div.</abbr> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1038841319">1992)</div> </div></td></tr><tr><th scope="row" class="infobox-label">Children</th><td class="infobox-data">6, including <a href="/wiki/Jesse_Dylan" title="Jesse Dylan">Jesse</a> and <a href="/wiki/Jakob_Dylan" title="Jakob Dylan">Jakob</a></td></tr><tr><th scope="row" class="infobox-label">Awards</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist"> <ul><li><a href="/wiki/2016_Nobel_Prize_in_Literature" title="2016 Nobel Prize in Literature">2016 Nobel Prize in Literature</a></li> <li>(for others, see <a href="/wiki/List_of_awards_and_nominations_received_by_Bob_Dylan" title="List of awards and nominations received by Bob Dylan">list</a>)</li></ul> </div></td></tr><tr><td colspan="2" class="infobox-full-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1257001546">Musical career</td></tr><tr><th scope="row" class="infobox-label">Genres</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"> <ul><li><a href="/wiki/Contemporary_folk_music" title="Contemporary folk music">Folk</a></li> <li><a href="/wiki/Blues" title="Blues">blues</a></li> <li><a href="/wiki/Rock_music" title="Rock music">rock</a></li> <li><a href="/wiki/Gospel_music" title="Gospel music">gospel</a></li> <li><a href="/wiki/Country_music" title="Country music">country</a></li> <li><a href="/wiki/Traditional_pop" title="Traditional pop">traditional pop</a></li> <li><a href="/wiki/Jazz" title="Jazz">jazz</a></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label">Instruments</th><td class="infobox-data note"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"> <ul><li>Vocals</li> <li>guitar</li> <li>harmonica</li> <li>keyboards</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label">Discography</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"><ul><li><a href="/wiki/Bob_Dylan_discography" title="Bob Dylan discography">Albums and singles</a></li><li><a href="/wiki/List_of_songs_written_by_Bob_Dylan" title="List of songs written by Bob Dylan">songs</a></li><li><a href="/wiki/Bob_Dylan_bootleg_recordings" title="Bob Dylan bootleg recordings">bootleg recordings</a></li></ul></div></td></tr><tr><th scope="row" class="infobox-label">Labels</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"> <ul><li><a href="/wiki/Columbia_Records" title="Columbia Records">Columbia</a></li> <li><a href="/wiki/Asylum_Records" title="Asylum Records">Asylum</a></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label">Website</th><td class="infobox-data"><a rel="nofollow" class="external text" href="http://bobdylan.com">bobdylan.com</a></td></tr><tr><td colspan="2"> </td></tr><tr><th colspan="2" class="infobox-header">Signature</th></tr><tr><td colspan="2" class="infobox-full-data"><a href="/wiki/File:Bob_Dylan_signature.svg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/2/29/Bob_Dylan_signature.svg/90px-Bob_Dylan_signature.svg.png" decoding="async" width="90" height="81" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/29/Bob_Dylan_signature.svg/135px-Bob_Dylan_signature.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/29/Bob_Dylan_signature.svg/180px-Bob_Dylan_signature.svg.png 2x" data-file-width="512" data-file-height="459"></a></td></tr></tbody></table> Dylan was born and raised in <a href="/wiki/St._Louis_County,_Minnesota" title="St. Louis County, Minnesota">St. Louis County, Minnesota</a>, and at 19 years old he moved to New York City to pursue music. Following his <a href="/wiki/Bob_Dylan_(album)" title="Bob Dylan (album)">1962 self-titled debut album</a> of traditional <a href="/wiki/Folk-songs" class="mw-redirect" title="Folk-songs">folk songs</a>, he released his breakthrough album <a href="/wiki/The_Freewheelin%27_Bob_Dylan" title="The Freewheelin' Bob Dylan">The Freewheelin' Bob Dylan</a> (1963) which featured "<a href="/wiki/Girl_from_the_North_Country" title="Girl from the North Country">Girl from the North Country</a>" and "<a href="/wiki/A_Hard_Rain%27s_a-Gonna_Fall" title="A Hard Rain's a-Gonna Fall">A Hard Rain's a-Gonna Fall</a>", adapting the tunes and phrasing of older folk songs. His songs "<a href="/wiki/Blowin%27_in_the_Wind" title="Blowin' in the Wind">Blowin' in the Wind</a>" (1963) and "<a href="/wiki/The_Times_They_Are_a-Changin%27_(song)" title="The Times They Are a-Changin' (song)">The Times They Are a-Changin'</a>" (1964) became anthems for the <a href="/wiki/Civil_rights_movement" title="Civil rights movement">civil rights</a> and <a href="/wiki/Opposition_to_United_States_involvement_in_the_Vietnam_War" title="Opposition to United States involvement in the Vietnam War">antiwar</a> movements. In 1965 and 1966, Dylan <a href="/wiki/Electric_Dylan_controversy" title="Electric Dylan controversy">drew controversy</a> among folk purists when he adopted <a href="/wiki/Amplifier" title="Amplifier">electrically amplified</a> rock instrumentation, recording the rock albums <a href="/wiki/Bringing_It_All_Back_Home" title="Bringing It All Back Home">Bringing It All Back Home</a>, <a href="/wiki/Highway_61_Revisited" title="Highway 61 Revisited">Highway 61 Revisited</a> (both 1965) and <a href="/wiki/Blonde_on_Blonde" title="Blonde on Blonde">Blonde on Blonde</a> (1966). His six-minute single "<a href="/wiki/Like_a_Rolling_Stone" title="Like a Rolling Stone">Like a Rolling Stone</a>" (1965) expanded commercial and creative boundaries in popular music.<a href="#cite_note-LARS-9">[9]</a><a href="#cite_note-10">[10]</a> In July 1966, a motorcycle crash led Dylan to cease touring for seven years. During this period, he recorded <a href="/wiki/List_of_Basement_Tapes_songs" title="List of Basement Tapes songs"> a large body of songs</a> with members of <a href="/wiki/The_Band" title="The Band">the Band</a> which produced the album <a href="/wiki/The_Basement_Tapes" title="The Basement Tapes">The Basement Tapes</a> (1975). Dylan explored <a href="/wiki/Country_music" title="Country music">country music</a> and rural themes on the albums <a href="/wiki/John_Wesley_Harding" title="John Wesley Harding">John Wesley Harding</a> (1967), <a href="/wiki/Nashville_Skyline" title="Nashville Skyline">Nashville Skyline</a> (1969) and <a href="/wiki/New_Morning" title="New Morning">New Morning</a> (1970). He gained critical attention for <a href="/wiki/Blood_on_the_Tracks" title="Blood on the Tracks">Blood on the Tracks</a> (1975), and <a href="/wiki/Time_Out_of_Mind_(Bob_Dylan_album)" title="Time Out of Mind (Bob Dylan album)">Time Out of Mind</a> (1997), the latter of which earned him the <a href="/wiki/Grammy_Award_for_Album_of_the_Year" title="Grammy Award for Album of the Year">Grammy Award for Album of the Year</a>. Dylan still releases music and has toured continuously since the late 1980s on what has become known as the <a href="/wiki/Never_Ending_Tour" title="Never Ending Tour">Never Ending Tour</a>.<a href="#cite_note-11">[11]</a> Since 1994, Dylan has published <a href="/wiki/Bob_Dylan_bibliography#Art_books_by_Bob_Dylan" title="Bob Dylan bibliography">nine books of paintings and drawings</a>, and his work has been exhibited in major art galleries. His life has been profiled in several documentaries and the biopic <a href="/wiki/A_Complete_Unknown" title="A Complete Unknown">A Complete Unknown</a> (2024). Dylan has received <a href="/wiki/List_of_awards_received_by_Bob_Dylan" class="mw-redirect" title="List of awards received by Bob Dylan">numerous accolades</a> throughout his career, including an <a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a>, ten <a href="/wiki/Grammy_Award" class="mw-redirect" title="Grammy Award">Grammy Awards</a> and a <a href="/wiki/Golden_Globe_Award" class="mw-redirect" title="Golden Globe Award">Golden Globe Award</a>. He was honored with the <a href="/wiki/Kennedy_Center_Honors" title="Kennedy Center Honors">Kennedy Center Honors</a> in 1997, <a href="/wiki/National_Medal_of_Arts" title="National Medal of Arts">National Medal of Arts</a> in 2009, and the <a href="/wiki/Presidential_Medal_of_Freedom" title="Presidential Medal of Freedom">Presidential Medal of Freedom</a> in 2012. Dylan has been inducted into the <a href="/wiki/Rock_and_Roll_Hall_of_Fame" title="Rock and Roll Hall of Fame">Rock and Roll Hall of Fame</a>, the <a href="/wiki/Nashville_Songwriters_Hall_of_Fame" title="Nashville Songwriters Hall of Fame">Nashville Songwriters Hall of Fame</a> and the <a href="/wiki/Songwriters_Hall_of_Fame" title="Songwriters Hall of Fame">Songwriters Hall of Fame</a>. He has also been awarded a <a href="/wiki/Pulitzer_Prize_Special_Citations_and_Awards" title="Pulitzer Prize Special Citations and Awards">Pulitzer Prize special citation</a> in 2008, and the 2016 <a href="/wiki/Nobel_Prize_in_Literature" title="Nobel Prize in Literature">Nobel Prize in Literature</a> "for having created new poetic expressions within the great American song tradition".<a href="#cite_note-NobelCite-12">[12]</a> <div id="toc" class="toc" role="navigation" aria-labelledby="mw-toc-heading"><input type="checkbox" role="button" id="toctogglecheckbox" class="toctogglecheckbox" style="display:none"><div class="toctitle" lang="en" dir="ltr"><h2 id="mw-toc-heading">Contents</h2><label class="toctogglelabel" for="toctogglecheckbox"></label></div> <ul> <li class="toclevel-1 tocsection-1"><a href="#Early_life_and_education">1 Early life and education</a></li> <li class="toclevel-1 tocsection-2"><a href="#Career">2 Career</a> <ul> <li class="toclevel-2 tocsection-3"><a href="#1960%E2%80%931962:_Relocation_to_New_York_and_stardom">2.1 1960–1962: Relocation to New York and stardom</a></li> <li class="toclevel-2 tocsection-4"><a href="#1963%E2%80%931965:_Protest_music_and_Another_Side">2.2 1963–1965: Protest music and Another Side</a></li> <li class="toclevel-2 tocsection-5"><a href="#1965%E2%80%931969:_Going_electric_and_motorcycle_accident">2.3 1965–1969: Going electric and motorcycle accident</a></li> <li class="toclevel-2 tocsection-6"><a href="#1970%E2%80%931979:_Return_to_touring_and_Christian_music">2.4 1970–1979: Return to touring and Christian music</a></li> <li class="toclevel-2 tocsection-7"><a href="#1980%E2%80%931989:_Career_fluctuations">2.5 1980–1989: Career fluctuations</a></li> <li class="toclevel-2 tocsection-8"><a href="#1990%E2%80%931999:_Return_to_Folk_music_and_resurgence">2.6 1990–1999: Return to Folk music and resurgence</a></li> <li class="toclevel-2 tocsection-9"><a href="#2000%E2%80%932009:_Oscar_win,_memoir,_and_Modern_Times">2.7 2000–2009: Oscar win, memoir, and Modern Times</a></li> <li class="toclevel-2 tocsection-10"><a href="#2010%E2%80%932019:_Tempest_and_continued_recordings">2.8 2010–2019: Tempest and continued recordings</a></li> <li class="toclevel-2 tocsection-11"><a href="#2020%E2%80%93present">2.9 2020–present</a></li> </ul> </li> <li class="toclevel-1 tocsection-12"><a href="#Never_Ending_Tour">3 Never Ending Tour</a></li> <li class="toclevel-1 tocsection-13"><a href="#Personal_life">4 Personal life</a> <ul> <li class="toclevel-2 tocsection-14"><a href="#Romantic_relationships">4.1 Romantic relationships</a> <ul> <li class="toclevel-3 tocsection-15"><a href="#Echo_Helstrom">4.1.1 Echo Helstrom</a></li> <li class="toclevel-3 tocsection-16"><a href="#Suze_Rotolo">4.1.2 Suze Rotolo</a></li> <li class="toclevel-3 tocsection-17"><a href="#Joan_Baez">4.1.3 Joan Baez</a></li> <li class="toclevel-3 tocsection-18"><a href="#Sara_Lownds">4.1.4 Sara Lownds</a></li> <li class="toclevel-3 tocsection-19"><a href="#Carolyn_Dennis">4.1.5 Carolyn Dennis</a></li> </ul> </li> <li class="toclevel-2 tocsection-20"><a href="#Home">4.2 Home</a></li> <li class="toclevel-2 tocsection-21"><a href="#Religious_beliefs">4.3 Religious beliefs</a></li> </ul> </li> <li class="toclevel-1 tocsection-22"><a href="#Style_and_influences">5 Style and influences</a></li> <li class="toclevel-1 tocsection-23"><a href="#Accolades_and_honors">6 Accolades and honors</a></li> <li class="toclevel-1 tocsection-24"><a href="#Legacy">7 Legacy</a></li> <li class="toclevel-1 tocsection-25"><a href="#Archives_and_recognition">8 Archives and recognition</a></li> <li class="toclevel-1 tocsection-26"><a href="#Visual_art">9 Visual art</a></li> <li class="toclevel-1 tocsection-27"><a href="#Written_works">10 Written works</a></li> <li class="toclevel-1 tocsection-28"><a href="#Discography">11 Discography</a></li> <li class="toclevel-1 tocsection-29"><a href="#Notes">12 Notes</a></li> <li class="toclevel-1 tocsection-30"><a href="#References">13 References</a> <ul> <li class="toclevel-2 tocsection-31"><a href="#Citations">13.1 Citations</a></li> <li class="toclevel-2 tocsection-32"><a href="#Sources">13.2 Sources</a></li> </ul> </li> <li class="toclevel-1 tocsection-33"><a href="#External_links">14 External links</a></li> </ul> </div> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(1)"><h2 id="Early_life_and_education">Early life and education</h2></div><section class="mf-section-1 collapsible-block" id="mf-section-1"> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:ZimmermanHouseHibbingMN.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/6/60/ZimmermanHouseHibbingMN.jpg/220px-ZimmermanHouseHibbingMN.jpg" decoding="async" width="220" height="143" class="mw-file-element" data-file-width="3559" data-file-height="2317"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 143px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/6/60/ZimmermanHouseHibbingMN.jpg/220px-ZimmermanHouseHibbingMN.jpg" data-width="220" data-height="143" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/60/ZimmermanHouseHibbingMN.jpg/330px-ZimmermanHouseHibbingMN.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/60/ZimmermanHouseHibbingMN.jpg/440px-ZimmermanHouseHibbingMN.jpg 2x" data-class="mw-file-element"> </a><figcaption>The Zimmerman family home in Hibbing, Minnesota</figcaption></figure> Bob Dylan was born Robert Allen Zimmerman (his <a href="/wiki/Hebrew_name" title="Hebrew name">Hebrew name</a> is Shabtai Zisl ben Avraham)<a href="#cite_note-Sounes14-1">[1]</a><a href="#cite_note-13">[13]</a><a href="#cite_note-14">[14]</a> in St. Mary's Hospital on May 24, 1941, in <a href="/wiki/Duluth,_Minnesota" title="Duluth, Minnesota">Duluth, Minnesota</a>.<a href="#cite_note-15">[15]</a> Dylan's paternal grandparents, Anna Kirghiz and Zigman Zimmerman, emigrated from <a href="/wiki/Odessa" class="mw-redirect" title="Odessa">Odessa</a> in the <a href="/wiki/Russian_Empire" title="Russian Empire">Russian Empire</a> (now <a href="/wiki/Odesa" title="Odesa">Odesa</a>, Ukraine) to the United States, following the <a href="/wiki/Odessa_pogroms#1905_Pogrom" title="Odessa pogroms">1905 pogroms against Jews</a>.<a href="#cite_note-Sounes-p12-16">[16]</a> His maternal grandparents, Florence and Ben Stone, were <a href="/wiki/Lithuanian_Jews" class="mw-redirect" title="Lithuanian Jews">Lithuanian Jews</a> who had arrived in the United States in 1902.<a href="#cite_note-Sounes-p12-16">[16]</a> Dylan wrote that his paternal grandmother's family was originally from the <a href="/wiki/Ka%C4%9F%C4%B1zman_District" title="Kağızman District">Kağızman District</a> of <a href="/wiki/Kars_Province" title="Kars Province">Kars Province</a> in northeastern Turkey.<a href="#cite_note-17">[17]</a> Dylan's father Abram Zimmerman and his mother Beatrice "Beatty" Stone were part of a small, close-knit Jewish community.<a href="#cite_note-18">[18]</a><a href="#cite_note-19">[19]</a><a href="#cite_note-Haaretz-20">[20]</a> They lived in Duluth until Dylan was six, when his father contracted <a href="/wiki/Polio" title="Polio">polio</a> and the family returned to his mother's hometown of <a href="/wiki/Hibbing,_Minnesota" title="Hibbing, Minnesota">Hibbing</a>, where they lived for the rest of Dylan's childhood, and his father and paternal uncles ran a furniture and appliance store.<a href="#cite_note-Haaretz-20">[20]</a><a href="#cite_note-Hibb-21">[21]</a> In the early 1950s Dylan listened to the <a href="/wiki/Grand_Ole_Opry" title="Grand Ole Opry">Grand Ole Opry</a> radio show and heard the songs of <a href="/wiki/Hank_Williams" title="Hank Williams">Hank Williams</a>. He later wrote: "The sound of his voice went through me like an electric rod."<a href="#cite_note-chronicles95-22">[22]</a> Dylan was also impressed by the delivery of <a href="/wiki/Johnnie_Ray" title="Johnnie Ray">Johnnie Ray</a>: "He was the first singer whose voice and style, I guess, I totally fell in love with… I loved his style, wanted to dress like him too."<a href="#cite_note-23">[23]</a> As a teenager, Dylan heard <a href="/wiki/Rock_and_roll" title="Rock and roll">rock and roll</a> on radio stations broadcasting from <a href="/wiki/Shreveport,_Louisiana" title="Shreveport, Louisiana">Shreveport</a> and <a href="/wiki/Little_Rock,_Arkansas" title="Little Rock, Arkansas">Little Rock</a>.<a href="#cite_note-Shelton-38-24">[24]</a> Dylan formed several bands while attending <a href="/wiki/Hibbing_High_School" title="Hibbing High School">Hibbing High School</a>. In the Golden Chords, he performed <a href="/wiki/Cover_version" title="Cover version">covers</a> of songs by <a href="/wiki/Little_Richard" title="Little Richard">Little Richard</a><a href="#cite_note-GrayJapan-25">[25]</a> and <a href="/wiki/Elvis_Presley" title="Elvis Presley">Elvis Presley</a>.<a href="#cite_note-26">[26]</a> Their performance of <a href="/wiki/Danny_%26_the_Juniors" title="Danny & the Juniors">Danny & the Juniors</a>' "<a href="/wiki/Rock_and_Roll_Is_Here_to_Stay" title="Rock and Roll Is Here to Stay">Rock and Roll Is Here to Stay</a>" at their high school talent show was so loud that the principal cut the microphone.<a href="#cite_note-27">[27]</a> On January 31, 1959, 17 years old Dylan saw <a href="/wiki/Buddy_Holly" title="Buddy Holly">Buddy Holly</a> perform at the <a href="/wiki/Duluth_Armory" title="Duluth Armory">Duluth Armory</a>, four days before Holly’s fatal plane crash. Dylan was electrified and in his Nobel Prize lecture he explained: "Buddy wrote songs – songs that had beautiful melodies and imaginative verses. And he sang great – sang in more than a few voices. He was the archetype. Everything I wasn’t and wanted to be."<a href="#cite_note-28">[28]</a> In 1959, Dylan's high school yearbook carried the caption "Robert Zimmerman: to join 'Little Richard'".<a href="#cite_note-GrayJapan-25">[25]</a><a href="#cite_note-29">[29]</a> That year, as Elston Gunnn, he performed two dates with <a href="/wiki/Bobby_Vee" title="Bobby Vee">Bobby Vee</a>, playing piano and clapping.<a href="#cite_note-30">[30]</a><a href="#cite_note-31">[31]</a><a href="#cite_note-32">[32]</a> In September 1959, Dylan enrolled at the <a href="/wiki/University_of_Minnesota" title="University of Minnesota">University of Minnesota</a>.<a href="#cite_note-33">[33]</a> Living at the Jewish-centric fraternity <a href="/wiki/Sigma_Alpha_Mu" title="Sigma Alpha Mu">Sigma Alpha Mu</a> house, Dylan began to perform at the Ten O'Clock Scholar, a coffeehouse a few blocks from campus, and became involved in the <a href="/wiki/Dinkytown" title="Dinkytown">Dinkytown</a> <a href="/wiki/Folk_music" title="Folk music">folk music</a> circuit.<a href="#cite_note-34">[34]</a><a href="#cite_note-No_Direction_Home-35">[35]</a> His focus on rock and roll gave way to <a href="/wiki/American_folk_music" title="American folk music">American folk music</a>, as he explained in a 1985 interview: <style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style><blockquote class="templatequote">The thing about rock'n'roll is that for me anyway it wasn't enough ... There were great catch-phrases and driving pulse rhythms ... but the songs weren't serious or didn't reflect life in a realistic way. I knew that when I got into folk music, it was more of a serious type of thing. The songs are filled with more despair, more sadness, more triumph, more faith in the supernatural, much deeper feelings.<a href="#cite_note-Crowe-1985-36">[36]</a></blockquote> During this period, he began to introduce himself as "Bob Dylan".<a href="#cite_note-37">[37]</a> In his memoir, he wrote that he considered adopting the surname Dillon before unexpectedly seeing poems by <a href="/wiki/Dylan_Thomas" title="Dylan Thomas">Dylan Thomas</a>, and deciding upon the given name spelling.<a href="#cite_note-38">[38]</a><a href="#cite_note-39">[a 1]</a> In a 2004 interview, he said, "You're born, you know, the wrong names, wrong parents. I mean, that happens. You call yourself what you want to call yourself. This is the land of the free."<a href="#cite_note-60minutes2005-40">[39]</a> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(2)"><h2 id="Career">Career</h2></div><section class="mf-section-2 collapsible-block" id="mf-section-2"> <div class="mw-heading mw-heading3"><h3 id="1960–1962:_Relocation_to_New_York_and_stardom">1960–1962: Relocation to New York and stardom</h3></div> In May 1960, Dylan dropped out of college at the end of his first year. In January 1961, he traveled to New York City to perform and visit his musical idol <a href="/wiki/Woody_Guthrie" title="Woody Guthrie">Woody Guthrie</a><a href="#cite_note-41">[40]</a> at <a href="/wiki/Greystone_Park_Psychiatric_Hospital" title="Greystone Park Psychiatric Hospital">Greystone Park Psychiatric Hospital</a> in New Jersey.<a href="#cite_note-42">[41]</a> Guthrie had been a revelation to Dylan and influenced his early performances. He wrote of Guthrie's impact: "The songs themselves had the infinite sweep of humanity in them... [He] was the true voice of the American spirit. I said to myself I was going to be Guthrie's greatest disciple".<a href="#cite_note-43">[42]</a> In addition to visiting Guthrie, Dylan befriended his protégé <a href="/wiki/Ramblin%27_Jack_Elliott" title="Ramblin' Jack Elliott">Ramblin' Jack Elliott</a>.<a href="#cite_note-44">[43]</a> From February 1961, Dylan played at clubs around <a href="/wiki/Greenwich_Village" title="Greenwich Village">Greenwich Village</a>, befriending and picking up material from folk singers, including <a href="/wiki/Dave_Van_Ronk" title="Dave Van Ronk">Dave Van Ronk</a>, <a href="/wiki/Fred_Neil" title="Fred Neil">Fred Neil</a>, <a href="/wiki/Odetta" title="Odetta">Odetta</a>, the <a href="/wiki/New_Lost_City_Ramblers" title="New Lost City Ramblers">New Lost City Ramblers</a> and Irish musicians <a href="/wiki/The_Clancy_Brothers" title="The Clancy Brothers">the Clancy Brothers and Tommy Makem</a>.<a href="#cite_note-45">[44]</a> In September, <a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a> critic <a href="/wiki/Robert_Shelton_(critic)" title="Robert Shelton (critic)">Robert Shelton</a> boosted Dylan's career with a very enthusiastic review of his performance at <a href="/wiki/Gerde%27s_Folk_City" title="Gerde's Folk City">Gerde's Folk City</a>: "Bob Dylan: A Distinctive Folk-Song Stylist".<a href="#cite_note-46">[45]</a> That month, Dylan played harmonica on folk singer <a href="/wiki/Carolyn_Hester" title="Carolyn Hester">Carolyn Hester</a>'s third album, bringing him to the attention of the album's producer <a href="/wiki/John_Hammond_(record_producer)" class="mw-redirect" title="John Hammond (record producer)">John Hammond</a>,<a href="#cite_note-47">[46]</a> who signed Dylan to <a href="/wiki/Columbia_Records" title="Columbia Records">Columbia Records</a>.<a href="#cite_note-48">[47]</a> Dylan's debut album, <a href="/wiki/Bob_Dylan_(album)" title="Bob Dylan (album)">Bob Dylan</a>, released March 19, 1962,<a href="#cite_note-49">[48]</a><a href="#cite_note-50">[49]</a> consisted of traditional folk, blues and <a href="/wiki/Gospel_music" title="Gospel music">gospel</a> material with just two original compositions, "<a href="/wiki/Talkin%27_New_York" title="Talkin' New York">Talkin' New York</a>" and "<a href="/wiki/Song_to_Woody" title="Song to Woody">Song to Woody</a>". The album sold 5,000 copies in its first year, just breaking even.<a href="#cite_note-Scaduto110-51">[50]</a> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Joan_Baez_Bob_Dylan.jpg" class="mw-file-description"><noscript><img alt="Dylan is seated, singing and playing guitar. Seated to his right is a woman gazing upwards and singing with him." src="//upload.wikimedia.org/wikipedia/commons/thumb/3/33/Joan_Baez_Bob_Dylan.jpg/220px-Joan_Baez_Bob_Dylan.jpg" decoding="async" width="220" height="156" class="mw-file-element" data-file-width="2898" data-file-height="2049"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 156px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/3/33/Joan_Baez_Bob_Dylan.jpg/220px-Joan_Baez_Bob_Dylan.jpg" data-alt="Dylan is seated, singing and playing guitar. Seated to his right is a woman gazing upwards and singing with him." data-width="220" data-height="156" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/33/Joan_Baez_Bob_Dylan.jpg/330px-Joan_Baez_Bob_Dylan.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/33/Joan_Baez_Bob_Dylan.jpg/440px-Joan_Baez_Bob_Dylan.jpg 2x" data-class="mw-file-element"> </a><figcaption><a href="/wiki/Joan_Baez" title="Joan Baez">Joan Baez</a> and Dylan during the civil rights "<a href="/wiki/March_on_Washington_for_Jobs_and_Freedom" class="mw-redirect" title="March on Washington for Jobs and Freedom">March on Washington for Jobs and Freedom</a>", August 28, 1963</figcaption></figure> On August 9, 1962, Dylan legally changed his name from Robert Allen Zimmerman to Robert Dylan in the <a href="/wiki/St._Louis_County_District_Courthouse" title="St. Louis County District Courthouse">St. Louis County Court</a>, Hibbing. His father, Abraham Zimmerman, was the witness at this legal event.<a href="#cite_note-52">[51]</a> The same month, Dylan signed a management contract with <a href="/wiki/Albert_Grossman" title="Albert Grossman">Albert Grossman</a>.<a href="#cite_note-53">[52]</a> Grossman remained Dylan's manager until 1970, and was known for his sometimes confrontational personality and protective loyalty.<a href="#cite_note-54">[53]</a> Dylan said, "He was kind of like a <a href="/wiki/Colonel_Tom_Parker" title="Colonel Tom Parker">Colonel Tom Parker</a> figure ... you could smell him coming."<a href="#cite_note-No_Direction_Home-35">[35]</a> Tension between Grossman and John Hammond led to the latter suggesting Dylan work with the jazz producer <a href="/wiki/Tom_Wilson_(producer)" class="mw-redirect" title="Tom Wilson (producer)">Tom Wilson</a>, who produced several tracks for the second album without formal credit. Wilson produced the next three albums Dylan recorded.<a href="#cite_note-55">[54]</a><a href="#cite_note-56">[55]</a> Dylan made his first trip to the United Kingdom from December 1962 to January 1963.<a href="#cite_note-Heylin-p35-57">[56]</a> He had been invited by television director <a href="/wiki/Philip_Saville" title="Philip Saville">Philip Saville</a> to appear in <a href="/wiki/Madhouse_on_Castle_Street" title="Madhouse on Castle Street">Madhouse on Castle Street</a>, which Saville was directing for <a href="/wiki/BBC_Television" title="BBC Television">BBC Television</a>.<a href="#cite_note-Flash-back-58">[57]</a> At the end of the play, Dylan performed "<a href="/wiki/Blowin%27_in_the_Wind" title="Blowin' in the Wind">Blowin' in the Wind</a>", one of its first public performances.<a href="#cite_note-Flash-back-58">[57]</a> While in London, Dylan performed at London folk clubs, including <a href="/wiki/The_Troubadour,_London" class="mw-redirect" title="The Troubadour, London">the Troubadour</a>, <a href="/wiki/Les_Cousins_(music_club)" title="Les Cousins (music club)">Les Cousins</a>, and <a href="/wiki/Bunjies" title="Bunjies">Bunjies</a>.<a href="#cite_note-Heylin-p35-57">[56]</a><a href="#cite_note-59">[58]</a> He also learned material from UK performers, including <a href="/wiki/Martin_Carthy" title="Martin Carthy">Martin Carthy</a>.<a href="#cite_note-Flash-back-58">[57]</a> By the release of Dylan's second album, <a href="/wiki/The_Freewheelin%27_Bob_Dylan" title="The Freewheelin' Bob Dylan">The Freewheelin' Bob Dylan</a>, in May 1963, he had begun to make his name as a singer-songwriter. Many songs on the album were labeled <a href="/wiki/Protest_song" title="Protest song">protest songs</a>, inspired partly by Guthrie and influenced by <a href="/wiki/Pete_Seeger" title="Pete Seeger">Pete Seeger</a>'s passion for topical songs.<a href="#cite_note-60">[59]</a> "<a href="/wiki/Oxford_Town" title="Oxford Town">Oxford Town</a>" was an account of <a href="/wiki/James_Meredith" title="James Meredith">James Meredith</a>'s ordeal as the first Black student to enroll at the <a href="/wiki/University_of_Mississippi" title="University of Mississippi">University of Mississippi</a>.<a href="#cite_note-61">[60]</a> The first song on the album, "Blowin' in the Wind", partly derived its melody from the traditional <a href="/wiki/Slave_Songs_of_the_United_States" title="Slave Songs of the United States">slave song</a> "No More Auction Block",<a href="#cite_note-62">[61]</a> while its lyrics questioned the social and political status quo. The song was widely recorded by other artists and became a hit for <a href="/wiki/Peter,_Paul_and_Mary" title="Peter, Paul and Mary">Peter, Paul and Mary</a>.<a href="#cite_note-PPM-63">[62]</a> "<a href="/wiki/A_Hard_Rain%27s_a-Gonna_Fall" title="A Hard Rain's a-Gonna Fall">A Hard Rain's a-Gonna Fall</a>" was based on the folk ballad "<a href="/wiki/Lord_Randall" title="Lord Randall">Lord Randall</a>". With its apocalyptic premonitions, the song gained resonance when the <a href="/wiki/Cuban_Missile_Crisis" title="Cuban Missile Crisis">Cuban Missile Crisis</a> developed a few weeks after Dylan began performing it.<a href="#cite_note-64">[63]</a><a href="#cite_note-65">[a 2]</a> Both songs marked a new direction in songwriting, blending a <a href="/wiki/Stream_of_consciousness_(narrative_mode)" class="mw-redirect" title="Stream of consciousness (narrative mode)">stream-of-consciousness</a>, <a href="/wiki/Imagism" title="Imagism">imagist</a> lyrical attack with traditional folk form.<a href="#cite_note-66">[64]</a> Dylan's topical songs led to his being viewed as more than just a songwriter. <a href="/wiki/Janet_Maslin" title="Janet Maslin">Janet Maslin</a> wrote of Freewheelin': <blockquote>These were the songs that established [Dylan] as the voice of his generation—someone who implicitly understood how concerned young Americans felt about <a href="/wiki/Nuclear_disarmament" title="Nuclear disarmament">nuclear disarmament</a> and the growing <a href="/wiki/Civil_Rights_Movement" class="mw-redirect" title="Civil Rights Movement">Civil Rights Movement</a>: his mixture of moral authority and nonconformity was perhaps the most timely of his attributes.<a href="#cite_note-67">[65]</a><a href="#cite_note-68">[a 3]</a></blockquote> Freewheelin' also included love songs and surreal <a href="/wiki/Talking_blues" title="Talking blues">talking blues</a>. Humor was an important part of Dylan's persona,<a href="#cite_note-69">[66]</a> and the range of material on the album impressed listeners, including <a href="/wiki/The_Beatles" title="The Beatles">the Beatles</a>. <a href="/wiki/George_Harrison" title="George Harrison">George Harrison</a> said of the album: "We just played it, just wore it out. The content of the song lyrics and just the attitude—it was incredibly original and wonderful".<a href="#cite_note-70">[67]</a> The rough edge of Dylan's singing unsettled some but attracted others. Author <a href="/wiki/Joyce_Carol_Oates" title="Joyce Carol Oates">Joyce Carol Oates</a> wrote: "When we first heard this raw, very young, and seemingly untrained voice, frankly nasal, as if sandpaper could sing, the effect was dramatic and electrifying".<a href="#cite_note-71">[68]</a> Many early songs reached the public through more palatable versions by other performers, such as <a href="/wiki/Joan_Baez" title="Joan Baez">Joan Baez</a>, who became Dylan's advocate and lover.<a href="#cite_note-72">[69]</a> Baez was influential in bringing Dylan to prominence by recording several of his early songs and inviting him on stage during her concerts.<a href="#cite_note-73">[70]</a> Others who had hits with Dylan's songs in the early 1960s included <a href="/wiki/The_Byrds" title="The Byrds">the Byrds</a>, <a href="/wiki/Sonny_%26_Cher" title="Sonny & Cher">Sonny & Cher</a>, <a href="/wiki/The_Hollies" title="The Hollies">the Hollies</a>, <a href="/wiki/The_Association" title="The Association">the Association</a>, <a href="/wiki/Manfred_Mann" title="Manfred Mann">Manfred Mann</a> and <a href="/wiki/The_Turtles" title="The Turtles">the Turtles</a>. "<a href="/wiki/Mixed-Up_Confusion" title="Mixed-Up Confusion">Mixed-Up Confusion</a>", recorded during the Freewheelin' sessions with a backing band, was released as Dylan's first single in December 1962, but then swiftly withdrawn. In contrast to the mostly solo acoustic performances on the album, the single showed a willingness to experiment with a <a href="/wiki/Rockabilly" title="Rockabilly">rockabilly</a> sound. <a href="/wiki/Cameron_Crowe" title="Cameron Crowe">Cameron Crowe</a> described it as "a fascinating look at a folk artist with his mind wandering towards Elvis Presley and <a href="/wiki/Sun_Records" title="Sun Records">Sun Records</a>".<a href="#cite_note-74">[71]</a> <div class="mw-heading mw-heading3"><h3 id="1963–1965:_Protest_music_and_Another_Side">1963–1965: Protest music and Another Side</h3></div> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 0;text-align:center}@media(min-width:500px){.mw-parser-output .side-box-flex{display:flex;align-items:center}.mw-parser-output .side-box-text{flex:1;min-width:0}}@media(min-width:720px){.mw-parser-output .side-box{width:238px}.mw-parser-output .side-box-right{clear:right;float:right;margin-left:1em}.mw-parser-output .side-box-left{margin-right:1em}}</style><style data-mw-deduplicate="TemplateStyles:r1096940132">.mw-parser-output .listen .side-box-text{line-height:1.1em}.mw-parser-output .listen-plain{border:none;background:transparent}.mw-parser-output .listen-embedded{width:100%;margin:0;border-width:1px 0 0 0;background:transparent}.mw-parser-output .listen-header{padding:2px}.mw-parser-output .listen-embedded .listen-header{padding:2px 0}.mw-parser-output .listen-file-header{padding:4px 0}.mw-parser-output .listen .description{padding-top:2px}.mw-parser-output .listen .mw-tmh-player{max-width:100%}@media(max-width:719px){.mw-parser-output .listen{clear:both}}@media(min-width:720px){.mw-parser-output .listen:not(.listen-noimage){width:320px}.mw-parser-output .listen-left{overflow:visible;float:left}.mw-parser-output .listen-center{float:none;margin-left:auto;margin-right:auto}}</style><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><noscript><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" data-file-width="160" data-file-height="160"></noscript><span class="lazy-image-placeholder" style="width: 50px;height: 50px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" data-alt="" data-width="50" data-height="50" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-class="mw-file-element"> <figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Bob_Dylan_-_The_Times_They_Are_a-Changin%27.ogg" title="File:Bob Dylan - The Times They Are a-Changin'.ogg">"The Times They Are a-Changin'"</a></div> <div><audio id="mwe_player_0" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="20" data-mwtitle="Bob_Dylan_-_The_Times_They_Are_a-Changin'.ogg" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/1/16/Bob_Dylan_-_The_Times_They_Are_a-Changin%27.ogg" type='audio/ogg; codecs="vorbis"' data-width="0" data-height="0"></source><source src="//upload.wikimedia.org/wikipedia/en/transcoded/1/16/Bob_Dylan_-_The_Times_They_Are_a-Changin%27.ogg/Bob_Dylan_-_The_Times_They_Are_a-Changin%27.ogg.mp3" type="audio/mpeg" data-transcodekey="mp3" data-width="0" data-height="0"></source></audio></div> <div class="description">Dylan said of "The Times They Are a-Changin'": "This was definitely a song with a purpose. I wanted to write a big song, some kind of theme song, with short concise verses that piled up on each other in a hypnotic way. The civil rights movement and the folk music movement were pretty close and allied together at that time."<a href="#cite_note-Crowe-1985-36">[36]</a></div></div></div></div> <div class="side-box-abovebelow"><hr>Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</div> </div> In May 1963, Dylan's political profile rose when he walked out of <a href="/wiki/The_Ed_Sullivan_Show" title="The Ed Sullivan Show">The Ed Sullivan Show</a>. During rehearsals, Dylan had been told by CBS television's head of program practices that "<a href="/wiki/Talkin%27_John_Birch_Paranoid_Blues" title="Talkin' John Birch Paranoid Blues">Talkin' John Birch Paranoid Blues</a>" was potentially <a href="/wiki/Libelous" class="mw-redirect" title="Libelous">libelous</a> to the <a href="/wiki/John_Birch_Society" title="John Birch Society">John Birch Society</a>. Rather than comply with censorship, Dylan refused to appear.<a href="#cite_note-75">[72]</a> Dylan and Baez were prominent in the civil rights movement, singing together at the <a href="/wiki/March_on_Washington_for_Jobs_and_Freedom" class="mw-redirect" title="March on Washington for Jobs and Freedom">March on Washington</a> on August 28, 1963. Dylan performed "<a href="/wiki/Only_a_Pawn_in_Their_Game" title="Only a Pawn in Their Game">Only a Pawn in Their Game</a>" and "<a href="/wiki/When_the_Ship_Comes_In" title="When the Ship Comes In">When the Ship Comes In</a>".<a href="#cite_note-76">[73]</a> Dylan's third album, <a href="/wiki/The_Times_They_Are_a-Changin%27_(Bob_Dylan_album)" title="The Times They Are a-Changin' (Bob Dylan album)">The Times They Are a-Changin'</a>, reflected a more politicized Dylan.<a href="#cite_note-77">[74]</a> The songs often took as their subject matter contemporary stories, with "<a href="/wiki/Only_a_Pawn_in_Their_Game" title="Only a Pawn in Their Game">Only a Pawn in Their Game</a>" addressing the murder of civil rights worker <a href="/wiki/Medgar_Evers" title="Medgar Evers">Medgar Evers</a>, and the <a href="/wiki/Bertolt_Brecht" title="Bertolt Brecht">Brechtian</a> "<a href="/wiki/The_Lonesome_Death_of_Hattie_Carroll" title="The Lonesome Death of Hattie Carroll">The Lonesome Death of Hattie Carroll</a>" the death of Black hotel barmaid Hattie Carroll at the hands of young White socialite William Zantzinger.<a href="#cite_note-78">[75]</a> "<a href="/wiki/Ballad_of_Hollis_Brown" title="Ballad of Hollis Brown">Ballad of Hollis Brown</a>" and "<a href="/wiki/North_Country_Blues" title="North Country Blues">North Country Blues</a>" addressed despair engendered by the breakdown of farming and mining communities.<a href="#cite_note-79">[76]</a> The final track on the album expressed Dylan's angry response to a hostile profile published in <a href="/wiki/Newsweek" title="Newsweek">Newsweek</a>.<a href="#cite_note-Svedb-80">[77]</a> As biographer <a href="/wiki/Clinton_Heylin" title="Clinton Heylin">Clinton Heylin</a> puts it, the profile wrote about "the way the Bar Mitzvah boy from Hibbing, Minnesota, had reinvented himself as the prince of protest", emphasising his birth name Robert Zimmerman, his attendance at the University of Minnesota and his close relationship with his parents whom he claimed to be estranged from.<a href="#cite_note-Svedb-80">[77]</a><a href="#cite_note-81">[78]</a> The day after the article appeared, Dylan returned to the studio to record "<a href="/wiki/Restless_Farewell" title="Restless Farewell">Restless Farewell</a>" which ends with his vow to "make my stand/ And remain as I am/ And bid farewell and not give a damn".<a href="#cite_note-82">[79]</a> By the end of 1963, Dylan felt manipulated and constrained by the folk and protest movements.<a href="#cite_note-83">[80]</a> Accepting the "<a href="/wiki/Thomas_Paine" title="Thomas Paine">Tom Paine</a> Award" from the <a href="/wiki/National_Emergency_Civil_Liberties_Committee" title="National Emergency Civil Liberties Committee">Emergency Civil Liberties Committee</a> three weeks after the <a href="/wiki/Assassination_of_John_F._Kennedy" title="Assassination of John F. Kennedy">assassination of John F. Kennedy</a>, an intoxicated Dylan questioned the role of the committee, characterized the members as old and balding, and claimed to see something of himself and of every man in Kennedy's assassin, <a href="/wiki/Lee_Harvey_Oswald" title="Lee Harvey Oswald">Lee Harvey Oswald</a>.<a href="#cite_note-84">[81]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Bob_Dylan_in_November_1963.jpg" class="mw-file-description"><noscript><img alt="A spotlight shines on Dylan as he performs onstage." src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f0/Bob_Dylan_in_November_1963.jpg/220px-Bob_Dylan_in_November_1963.jpg" decoding="async" width="220" height="330" class="mw-file-element" data-file-width="747" data-file-height="1119"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 330px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f0/Bob_Dylan_in_November_1963.jpg/220px-Bob_Dylan_in_November_1963.jpg" data-alt="A spotlight shines on Dylan as he performs onstage." data-width="220" data-height="330" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f0/Bob_Dylan_in_November_1963.jpg/330px-Bob_Dylan_in_November_1963.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f0/Bob_Dylan_in_November_1963.jpg/440px-Bob_Dylan_in_November_1963.jpg 2x" data-class="mw-file-element"> </a><figcaption>Bobby Dylan, as the college yearbook lists him: <a href="/wiki/St._Lawrence_University" title="St. Lawrence University">St. Lawrence University</a>, upstate New York, November 1963</figcaption></figure> <a href="/wiki/Johnny_Cash" title="Johnny Cash">Johnny Cash</a> supported Dylan in his refusal to conform when he wrote a letter to <a href="/wiki/Broadside_(magazine)" title="Broadside (magazine)">Broadside</a> magazine in March 1964, expressing admiration for Dylan's writing and ending with the injunction: “Shut up! And let him sing!”<a href="#cite_note-85">[82]</a> When Cash died in 2003, Dylan remembered: "Johnny wrote the magazine saying to shut up and let me sing, that I knew what I was doing. This was before I had ever met him, and the letter meant the world to me."<a href="#cite_note-86">[83]</a><a href="#cite_note-cashinfluence-87">[84]</a> Cash and Dylan met for the first time at the Newport Folk Festival in July 1964 and became friends.<a href="#cite_note-88">[85]</a> <a href="/wiki/Another_Side_of_Bob_Dylan" title="Another Side of Bob Dylan">Another Side of Bob Dylan</a>, recorded in a single evening on June 9, 1964,<a href="#cite_note-89">[86]</a> had a lighter mood. The humorous Dylan reemerged on "<a href="/wiki/I_Shall_Be_Free_No._10" title="I Shall Be Free No. 10">I Shall Be Free No. 10</a>" and "Motorpsycho Nightmare". "<a href="/wiki/Spanish_Harlem_Incident" title="Spanish Harlem Incident">Spanish Harlem Incident</a>" and "<a href="/wiki/To_Ramona" title="To Ramona">To Ramona</a>" are passionate love songs, while "<a href="/wiki/Black_Crow_Blues" title="Black Crow Blues">Black Crow Blues</a>" and "<a href="/wiki/I_Don%27t_Believe_You_(She_Acts_Like_We_Never_Have_Met)" title="I Don't Believe You (She Acts Like We Never Have Met)">I Don't Believe You (She Acts Like We Never Have Met)</a>" suggest the rock and roll soon to dominate Dylan's music. "<a href="/wiki/It_Ain%27t_Me_Babe" title="It Ain't Me Babe">It Ain't Me Babe</a>", on the surface a song about spurned love, has been described as a rejection of the role of political spokesman thrust upon him.<a href="#cite_note-90">[87]</a> His new direction was signaled by two lengthy songs: the impressionistic "<a href="/wiki/Chimes_of_Freedom_(song)" title="Chimes of Freedom (song)">Chimes of Freedom</a>", which sets <a href="/wiki/Social_commentary" title="Social commentary">social commentary</a> against a metaphorical landscape in a style characterized by <a href="/wiki/Allen_Ginsberg" title="Allen Ginsberg">Allen Ginsberg</a> as "chains of flashing images,"<a href="#cite_note-91">[a 4]</a> and "<a href="/wiki/My_Back_Pages" title="My Back Pages">My Back Pages</a>", which attacks the simplistic and arch seriousness of his own earlier topical songs and seems to predict the backlash he was about to encounter from his former champions.<a href="#cite_note-92">[88]</a> In late 1964 and early 1965, Dylan moved from folk songwriter to <a href="/wiki/Folk-rock" class="mw-redirect" title="Folk-rock">folk-rock</a> pop-music star. His jeans and work shirts were replaced by a <a href="/wiki/Carnaby_Street" title="Carnaby Street">Carnaby Street</a> wardrobe, sunglasses day or night, and pointed "<a href="/wiki/Beatle_boot" title="Beatle boot">Beatle boots</a>". A London reporter noted "Hair that would set the teeth of a comb on edge. A loud shirt that would dim the neon lights of <a href="/wiki/Leicester_Square" title="Leicester Square">Leicester Square</a>. He looks like an undernourished <a href="/wiki/Cockatoo" title="Cockatoo">cockatoo</a>."<a href="#cite_note-93">[89]</a> Dylan began to spar with interviewers. Asked about a movie he planned while on <a href="/wiki/Les_Crane" title="Les Crane">Les Crane</a>'s television show, he told Crane it would be a "cowboy horror movie". Asked if he played the cowboy, Dylan replied, "No, I play my mother."<a href="#cite_note-94">[90]</a> <div class="mw-heading mw-heading3"><h3 id="1965–1969:_Going_electric_and_motorcycle_accident">1965–1969: Going electric and motorcycle accident</h3></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main articles: <a href="/wiki/Electric_Dylan_controversy" title="Electric Dylan controversy">Electric Dylan controversy</a> and <a href="/wiki/Folk_rock" title="Folk rock">Folk rock</a></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Dont_Look_Back_-_Bob_Dylan_(1967_film_poster).jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/2/2b/Dont_Look_Back_-_Bob_Dylan_%281967_film_poster%29.jpg/220px-Dont_Look_Back_-_Bob_Dylan_%281967_film_poster%29.jpg" decoding="async" width="220" height="333" class="mw-file-element" data-file-width="1984" data-file-height="3000"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 333px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/2/2b/Dont_Look_Back_-_Bob_Dylan_%281967_film_poster%29.jpg/220px-Dont_Look_Back_-_Bob_Dylan_%281967_film_poster%29.jpg" data-width="220" data-height="333" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/2b/Dont_Look_Back_-_Bob_Dylan_%281967_film_poster%29.jpg/330px-Dont_Look_Back_-_Bob_Dylan_%281967_film_poster%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/2b/Dont_Look_Back_-_Bob_Dylan_%281967_film_poster%29.jpg/440px-Dont_Look_Back_-_Bob_Dylan_%281967_film_poster%29.jpg 2x" data-class="mw-file-element"> </a><figcaption>The <a href="/wiki/Cin%C3%A9ma_v%C3%A9rit%C3%A9" title="Cinéma vérité">cinéma vérité</a> documentary <a href="/wiki/Dont_Look_Back" title="Dont Look Back">Dont Look Back</a> (1967) follows Dylan on his <a href="/wiki/Bob_Dylan_England_Tour_1965" title="Bob Dylan England Tour 1965">1965 tour of England</a>. An early music video for "<a href="/wiki/Subterranean_Homesick_Blues" title="Subterranean Homesick Blues">Subterranean Homesick Blues</a>" was used as the film's opening segment.</figcaption></figure> Dylan's late March 1965 album, <a href="/wiki/Bringing_It_All_Back_Home" title="Bringing It All Back Home">Bringing It All Back Home</a>, was another leap,<a href="#cite_note-95">[91]</a> featuring his first recordings with electric instruments, under producer Tom Wilson's guidance.<a href="#cite_note-96">[92]</a> The first single, "<a href="/wiki/Subterranean_Homesick_Blues" title="Subterranean Homesick Blues">Subterranean Homesick Blues</a>", owed much to <a href="/wiki/Chuck_Berry" title="Chuck Berry">Chuck Berry</a>'s "<a href="/wiki/Too_Much_Monkey_Business" title="Too Much Monkey Business">Too Much Monkey Business</a>";<a href="#cite_note-97">[93]</a> its free-association lyrics described as harking back to the energy of <a href="/wiki/Beat_poetry" class="mw-redirect" title="Beat poetry">beat poetry</a> and as a forerunner of <a href="/wiki/Rapping" title="Rapping">rap</a> and <a href="/wiki/Hip_hop_music" class="mw-redirect" title="Hip hop music">hip-hop</a>.<a href="#cite_note-98">[94]</a> The song was provided with an early music video, which opened <a href="/wiki/D._A._Pennebaker" title="D. A. Pennebaker">D. A. Pennebaker</a>'s <a href="/wiki/Cin%C3%A9ma_v%C3%A9rit%C3%A9" title="Cinéma vérité">cinéma vérité</a> presentation of Dylan's 1965 British tour, <a href="/wiki/Dont_Look_Back" title="Dont Look Back">Dont Look Back</a>.<a href="#cite_note-99">[95]</a> Instead of miming, Dylan illustrated the lyrics by throwing cue cards containing key words on the ground. Pennebaker said the sequence was Dylan's idea, and it has been imitated in music videos and advertisements.<a href="#cite_note-100">[96]</a> The second side of Bringing It All Back Home contained four long songs on which Dylan accompanied himself on acoustic guitar and harmonica.<a href="#cite_note-Sounes-168-101">[97]</a> "<a href="/wiki/Mr._Tambourine_Man" title="Mr. Tambourine Man">Mr. Tambourine Man</a>" became one of his best-known songs when <a href="/wiki/The_Byrds" title="The Byrds">The Byrds</a> recorded an electric version that reached number one in the US and UK.<a href="#cite_note-102">[98]</a><a href="#cite_note-103">[99]</a> "<a href="/wiki/It%27s_All_Over_Now,_Baby_Blue" title="It's All Over Now, Baby Blue">It's All Over Now, Baby Blue</a>" and "<a href="/wiki/It%27s_Alright_Ma_(I%27m_Only_Bleeding)" class="mw-redirect" title="It's Alright Ma (I'm Only Bleeding)">It's Alright Ma (I'm Only Bleeding)</a>" were two of Dylan's most important compositions.<a href="#cite_note-Sounes-168-101">[97]</a><a href="#cite_note-104">[100]</a> In 1965, headlining the <a href="/wiki/Newport_Folk_Festival" title="Newport Folk Festival">Newport Folk Festival</a>, Dylan performed his first electric set since high school with a <a href="/wiki/Pickup_group" title="Pickup group">pickup group</a> featuring <a href="/wiki/Mike_Bloomfield" title="Mike Bloomfield">Mike Bloomfield</a> on guitar and <a href="/wiki/Al_Kooper" title="Al Kooper">Al Kooper</a> on organ.<a href="#cite_note-105">[101]</a> Dylan had appeared at Newport in 1963 and 1964, but in 1965 was met with cheering and booing and left the stage after three songs. One version has it that the boos were from folk fans whom Dylan had alienated by appearing, unexpectedly, with an electric guitar. <a href="/wiki/Murray_Lerner" title="Murray Lerner">Murray Lerner</a>, who filmed the performance, said: "I absolutely think that they were booing Dylan going electric."<a href="#cite_note-106">[102]</a> An alternative account claims audience members were upset by poor sound and a short set.<a href="#cite_note-107">[103]</a><a href="#cite_note-108">[104]</a> Dylan's performance provoked a hostile response from the folk music establishment.<a href="#cite_note-109">[105]</a><a href="#cite_note-110">[106]</a> In the September issue of <a href="/wiki/Sing_Out!" title="Sing Out!">Sing Out!</a>, <a href="/wiki/Ewan_MacColl" title="Ewan MacColl">Ewan MacColl</a> wrote: "Our traditional songs and ballads are the creations of extraordinarily talented artists working inside disciplines formulated over time ...'But what of Bobby Dylan?' scream the outraged teenagers ... Only a completely non-critical audience, nourished on the watery pap of pop music, could have fallen for such tenth-rate drivel".<a href="#cite_note-111">[107]</a> On July 29, four days after Newport, Dylan was back in the studio in New York, recording "<a href="/wiki/Positively_4th_Street" title="Positively 4th Street">Positively 4th Street</a>". The lyrics contained images of vengeance and paranoia,<a href="#cite_note-112">[108]</a> and have been interpreted as Dylan's put-down of former friends from the folk community he had known in clubs along <a href="/wiki/4th_Street_(Manhattan)" title="4th Street (Manhattan)">West 4th Street</a>.<a href="#cite_note-113">[109]</a> Highway 61 Revisited and Blonde on Blonde <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1096940132"><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><noscript><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" data-file-width="160" data-file-height="160"></noscript><span class="lazy-image-placeholder" style="width: 50px;height: 50px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" data-alt="" data-width="50" data-height="50" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-class="mw-file-element"> <figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Bob_Dylan_-_Like_a_Rolling_Stone.ogg" title="File:Bob Dylan - Like a Rolling Stone.ogg">"Like a Rolling Stone"</a></div> <div><audio id="mwe_player_1" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="30" data-mwtitle="Bob_Dylan_-_Like_a_Rolling_Stone.ogg" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/d/d2/Bob_Dylan_-_Like_a_Rolling_Stone.ogg" type='audio/ogg; codecs="vorbis"' data-width="0" data-height="0"></source><source src="//upload.wikimedia.org/wikipedia/en/transcoded/d/d2/Bob_Dylan_-_Like_a_Rolling_Stone.ogg/Bob_Dylan_-_Like_a_Rolling_Stone.ogg.mp3" type="audio/mpeg" data-transcodekey="mp3" data-width="0" data-height="0"></source><track src="/w/api.php?action=timedtext&title=File%3ABob_Dylan_-_Like_a_Rolling_Stone.ogg&lang=en&trackformat=vtt" kind="subtitles" type="text/vtt" srclang="en" label="English ‪(en)‬" data-dir="ltr"></track></audio></div> <div class="description">Dylan's 1965 hit single, which appeared on the album <a href="/wiki/Highway_61_Revisited" title="Highway 61 Revisited">Highway 61 Revisited</a>. In 2004, it was chosen as the greatest song of all time by <a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a> magazine.<a href="#cite_note-RS500-114">[110]</a></div></div></div></div> <div class="side-box-abovebelow"><hr>Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</div> </div> In July 1965, Dylan's six-minute single "<a href="/wiki/Like_a_Rolling_Stone" title="Like a Rolling Stone">Like a Rolling Stone</a>" peaked at number two in the US chart. In 2004 and in 2011, <a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a> listed it as number one on "<a href="/wiki/The_500_Greatest_Songs_of_All_Time" class="mw-redirect" title="The 500 Greatest Songs of All Time">The 500 Greatest Songs of All Time</a>".<a href="#cite_note-LARS-9">[9]</a><a href="#cite_note-RS500-114">[110]</a> <a href="/wiki/Bruce_Springsteen" title="Bruce Springsteen">Bruce Springsteen</a> recalled first hearing the song: "that snare shot sounded like somebody'd kicked open the door to your mind."<a href="#cite_note-:Sprinsgteen-115">[111]</a> The song opened Dylan's next album, <a href="/wiki/Highway_61_Revisited" title="Highway 61 Revisited">Highway 61 Revisited</a>, named after the road that led from Dylan's Minnesota to the musical hotbed of <a href="/wiki/New_Orleans" title="New Orleans">New Orleans</a>.<a href="#cite_note-116">[112]</a> The songs were in the same vein as the hit single, flavored by Mike Bloomfield's blues guitar and Al Kooper's organ riffs. "<a href="/wiki/Desolation_Row" title="Desolation Row">Desolation Row</a>", backed by acoustic guitar and understated bass,<a href="#cite_note-117">[113]</a> offers the sole exception, with Dylan alluding to figures in Western culture in a song described by Andy Gill as "an 11-minute epic of entropy, which takes the form of a <a href="/wiki/Federico_Fellini" title="Federico Fellini">Fellini-esque</a> parade of grotesques and oddities featuring a huge cast of celebrated characters".<a href="#cite_note-118">[114]</a> Poet <a href="/wiki/Philip_Larkin" title="Philip Larkin">Philip Larkin</a>, who also reviewed jazz for <a href="/wiki/The_Daily_Telegraph" title="The Daily Telegraph">The Daily Telegraph</a>, wrote "I'm afraid I poached Bob Dylan's Highway 61 Revisited (CBS) out of curiosity and found myself well rewarded."<a href="#cite_note-119">[115]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Bob-Dylan-arrived-at-Arlanda-surrounded-by-twenty-bodyguards-and-assistants-391770740297_(cropped).jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c5/Bob-Dylan-arrived-at-Arlanda-surrounded-by-twenty-bodyguards-and-assistants-391770740297_%28cropped%29.jpg/220px-Bob-Dylan-arrived-at-Arlanda-surrounded-by-twenty-bodyguards-and-assistants-391770740297_%28cropped%29.jpg" decoding="async" width="220" height="281" class="mw-file-element" data-file-width="294" data-file-height="376"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 281px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c5/Bob-Dylan-arrived-at-Arlanda-surrounded-by-twenty-bodyguards-and-assistants-391770740297_%28cropped%29.jpg/220px-Bob-Dylan-arrived-at-Arlanda-surrounded-by-twenty-bodyguards-and-assistants-391770740297_%28cropped%29.jpg" data-width="220" data-height="281" data-srcset="//upload.wikimedia.org/wikipedia/commons/c/c5/Bob-Dylan-arrived-at-Arlanda-surrounded-by-twenty-bodyguards-and-assistants-391770740297_%28cropped%29.jpg 1.5x" data-class="mw-file-element"> </a><figcaption>Dylan in 1966</figcaption></figure> In support of the album, Dylan was booked for two US concerts with Al Kooper and <a href="/wiki/Harvey_Brooks_(bassist)" title="Harvey Brooks (bassist)">Harvey Brooks</a> from his studio crew and <a href="/wiki/Robbie_Robertson" title="Robbie Robertson">Robbie Robertson</a> and <a href="/wiki/Levon_Helm" title="Levon Helm">Levon Helm</a>, former members of <a href="/wiki/Ronnie_Hawkins" title="Ronnie Hawkins">Ronnie Hawkins</a>'s backing band <a href="/wiki/The_Hawks_(band)" class="mw-redirect" title="The Hawks (band)">the Hawks</a>.<a href="#cite_note-120">[116]</a> On August 28 at Forest Hills Tennis Stadium, the group was heckled by an audience still annoyed by Dylan's electric sound. The band's reception on September 3 at the <a href="/wiki/Hollywood_Bowl" title="Hollywood Bowl">Hollywood Bowl</a> was more favorable.<a href="#cite_note-121">[117]</a> From September 24, 1965, in Austin, Texas, Dylan toured the US and Canada for six months, backed by the five musicians from the Hawks who became known as <a href="/wiki/The_Band" title="The Band">The Band</a>.<a href="#cite_note-122">[118]</a> While Dylan and the Hawks met increasingly receptive audiences, their studio efforts floundered. Producer <a href="/wiki/Bob_Johnston" title="Bob Johnston">Bob Johnston</a> persuaded Dylan to record in <a href="/wiki/Nashville,_Tennessee" title="Nashville, Tennessee">Nashville</a> in February 1966, and surrounded him with top-notch session men. At Dylan's insistence, Robertson and Kooper came from New York City to play on the sessions.<a href="#cite_note-123">[119]</a> The Nashville sessions produced the double album <a href="/wiki/Blonde_on_Blonde" title="Blonde on Blonde">Blonde on Blonde</a> (1966), featuring what Dylan called "that thin wild mercury sound".<a href="#cite_note-124">[120]</a> Kooper described it as "taking two cultures and smashing them together with a huge explosion": the musical worlds of Nashville and of the "quintessential New York hipster" Bob Dylan.<a href="#cite_note-125">[121]</a> On November 22, 1965, Dylan quietly married 25-year-old former model <a href="/wiki/Sara_Dylan" title="Sara Dylan">Sara Lownds</a>.<a href="#cite_note-Sounes-p193-126">[122]</a> Some of Dylan's friends, including Ramblin' Jack Elliott, say that, immediately after the event, Dylan denied he was married.<a href="#cite_note-Sounes-p193-126">[122]</a> Writer <a href="/wiki/Nora_Ephron" title="Nora Ephron">Nora Ephron</a> made the news public in the <a href="/wiki/New_York_Post" title="New York Post">New York Post</a> in February 1966 with the headline "Hush! Bob Dylan is wed".<a href="#cite_note-127">[123]</a> Dylan toured Australia and Europe in April and May 1966. Each show was split in two. Dylan performed solo during the first half, accompanying himself on <a href="/wiki/Steel-string_guitar" class="mw-redirect" title="Steel-string guitar">acoustic guitar</a> and harmonica. In the second, backed by the Hawks, he played electrically amplified music. This contrast provoked many fans, who jeered and <a href="/wiki/Slow_clap" class="mw-redirect" title="Slow clap">slow clapped</a>.<a href="#cite_note-128">[124]</a> The tour culminated in a raucous confrontation between Dylan and his audience at the Manchester <a href="/wiki/Free_Trade_Hall" title="Free Trade Hall">Free Trade Hall</a> in England on May 17, 1966.<a href="#cite_note-129">[125]</a> A recording of this concert was released in 1998: <a href="/wiki/The_Bootleg_Series_Vol._4:_Bob_Dylan_Live_1966,_The_%22Royal_Albert_Hall%22_Concert" title='The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert'>The Bootleg Series Vol. 4: Bob Dylan Live 1966</a>. At the climax of the evening, a member of the audience, angered by Dylan's electric backing, shouted: "<a href="/wiki/Judas_Iscariot" title="Judas Iscariot">Judas</a>!" to which Dylan responded, "I don't believe you ... You're a liar!" Dylan turned to his band and said, "Play it fucking loud!"<a href="#cite_note-130">[126]</a> During his 1966 tour, Dylan was described as exhausted and acting "as if on a death trip".<a href="#cite_note-131">[127]</a> D. A. Pennebaker, the filmmaker accompanying the tour, described Dylan as "taking a lot of amphetamine and who-knows-what-else".<a href="#cite_note-132">[128]</a> In a 1969 interview with <a href="/wiki/Jann_Wenner" title="Jann Wenner">Jann Wenner</a>, Dylan said, "I was on the road for almost five years. It wore me down. I was on drugs, a lot of things ... just to keep going, you know?"<a href="#cite_note-133">[129]</a> On July 29, 1966, Dylan crashed his motorcycle, a <a href="/wiki/Triumph_Tiger_100" title="Triumph Tiger 100">Triumph Tiger 100</a>, near his home in <a href="/wiki/Woodstock,_New_York" title="Woodstock, New York">Woodstock, New York</a>. Dylan said he broke several <a href="/wiki/Vertebrae" class="mw-redirect" title="Vertebrae">vertebrae</a> in his neck.<a href="#cite_note-Sounes-217-134">[130]</a> The circumstances of the accident are unclear since no ambulance was called to the scene and Dylan was not hospitalized.<a href="#cite_note-Sounes-217-134">[130]</a><a href="#cite_note-crash-135">[131]</a> Dylan's biographers have written that the crash offered him the chance to escape the pressures around him.<a href="#cite_note-Sounes-217-134">[130]</a><a href="#cite_note-shades268-136">[132]</a> Dylan concurred: "I had been in a motorcycle accident and I'd been hurt, but I recovered. Truth was that I wanted to get out of the rat race."<a href="#cite_note-137">[133]</a> He made very few public appearances, and did not tour again for almost eight years.<a href="#cite_note-crash-135">[131]</a><a href="#cite_note-138">[134]</a> Once Dylan was well enough to resume creative work, he began to edit D. A. Pennebaker's film of his 1966 tour. A rough cut was shown to ABC Television, but they rejected it as incomprehensible to mainstream audiences.<a href="#cite_note-139">[135]</a> The film, titled <a href="/wiki/Eat_the_Document" title="Eat the Document">Eat the Document</a> on <a href="/wiki/Bootleg_recording" title="Bootleg recording">bootleg</a> copies, has since been screened at a few film festivals.<a href="#cite_note-140">[136]</a> Secluded from public gaze, Dylan recorded <a href="/wiki/List_of_Basement_Tapes_songs" title="List of Basement Tapes songs">over 100 songs</a> during 1967 at his Woodstock home and in the basement of the Hawks' nearby house, "<a href="/wiki/Big_Pink" title="Big Pink">Big Pink</a>".<a href="#cite_note-141">[137]</a> These songs were initially offered as demos for other artists to record and were hits for <a href="/wiki/Julie_Driscoll" title="Julie Driscoll">Julie Driscoll</a>, the Byrds, and Manfred Mann. The public heard these recordings when <a href="/wiki/Great_White_Wonder" title="Great White Wonder">Great White Wonder</a>, the first "<a href="/wiki/Bootleg_recording" title="Bootleg recording">bootleg recording</a>", appeared in West Coast shops in July 1969, containing Dylan material recorded in Minneapolis in 1961 and seven Basement Tapes songs. This record gave birth to a minor industry in the illicit release of recordings by Dylan and other major rock artists.<a href="#cite_note-142">[138]</a> Columbia released a Basement selection in 1975 as <a href="/wiki/The_Basement_Tapes" title="The Basement Tapes">The Basement Tapes</a>. In late 1967, Dylan returned to studio recording in Nashville,<a href="#cite_note-BjornerJWH-143">[139]</a> accompanied by <a href="/wiki/Charlie_McCoy" title="Charlie McCoy">Charlie McCoy</a> on bass,<a href="#cite_note-BjornerJWH-143">[139]</a> <a href="/wiki/Kenny_Buttrey" title="Kenny Buttrey">Kenny Buttrey</a> on drums<a href="#cite_note-BjornerJWH-143">[139]</a> and <a href="/wiki/Pete_Drake" title="Pete Drake">Pete Drake</a> on steel guitar.<a href="#cite_note-BjornerJWH-143">[139]</a> The result was <a href="/wiki/John_Wesley_Harding" title="John Wesley Harding">John Wesley Harding</a>, a record of short songs thematically drawing on the <a href="/wiki/American_West" class="mw-redirect" title="American West">American West</a> and <a href="/wiki/The_Bible" class="mw-redirect" title="The Bible">the Bible</a>. The sparse structure and instrumentation, with lyrics that took the <a href="/wiki/Judeo-Christian" title="Judeo-Christian">Judeo-Christian</a> tradition seriously, was a departure from Dylan's previous work.<a href="#cite_note-144">[140]</a> It included "<a href="/wiki/All_Along_the_Watchtower" title="All Along the Watchtower">All Along the Watchtower</a>", famously covered by <a href="/wiki/Jimi_Hendrix" title="Jimi Hendrix">Jimi Hendrix</a>.<a href="#cite_note-Crowe-1985-36">[36]</a><a href="#cite_note-145">[a 5]</a> <a href="/wiki/Woody_Guthrie" title="Woody Guthrie">Woody Guthrie</a> died in October 1967, and Dylan made his first live appearance in twenty months at a memorial concert held at <a href="/wiki/Carnegie_Hall" title="Carnegie Hall">Carnegie Hall</a> on January 20, 1968, where he was backed by the Band.<a href="#cite_note-146">[141]</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1096940132"><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><noscript><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" data-file-width="160" data-file-height="160"></noscript><span class="lazy-image-placeholder" style="width: 50px;height: 50px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" data-alt="" data-width="50" data-height="50" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-class="mw-file-element"> <figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Lay_Lady_Lay.ogg" title="File:Lay Lady Lay.ogg">"Lay Lady Lay"</a></div> <div><audio id="mwe_player_2" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="21" data-mwtitle="Lay_Lady_Lay.ogg" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/b/be/Lay_Lady_Lay.ogg" type='audio/ogg; codecs="vorbis"' data-width="0" data-height="0"></source><source src="//upload.wikimedia.org/wikipedia/en/transcoded/b/be/Lay_Lady_Lay.ogg/Lay_Lady_Lay.ogg.mp3" type="audio/mpeg" data-transcodekey="mp3" data-width="0" data-height="0"></source><track src="/w/api.php?action=timedtext&title=File%3ALay_Lady_Lay.ogg&lang=en&trackformat=vtt" kind="subtitles" type="text/vtt" srclang="en" label="English ‪(en)‬" data-dir="ltr"></track></audio></div> <div class="description">"<a href="/wiki/Lay_Lady_Lay" title="Lay Lady Lay">Lay Lady Lay</a>", on the country album <a href="/wiki/Nashville_Skyline" title="Nashville Skyline">Nashville Skyline</a>, has been one of Dylan's biggest hits, reaching No. 7 in the US.<a href="#cite_note-147">[142]</a></div></div></div></div> <div class="side-box-abovebelow"><hr>Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</div> </div> <a href="/wiki/Nashville_Skyline" title="Nashville Skyline">Nashville Skyline</a> (1969), featured Nashville musicians, a mellow-voiced Dylan, a duet with <a href="/wiki/Johnny_Cash" title="Johnny Cash">Johnny Cash</a> and the single "<a href="/wiki/Lay_Lady_Lay" title="Lay Lady Lay">Lay Lady Lay</a>".<a href="#cite_note-148">[143]</a> <a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a> wrote, "Dylan is definitely doing something that can be called singing. Somehow he has managed to add an octave to his range."<a href="#cite_note-149">[144]</a> During one recording session, Dylan and Cash recorded a series of duets, but only their version of "<a href="/wiki/Girl_from_the_North_Country" title="Girl from the North Country">Girl from the North Country</a>" appeared on the album.<a href="#cite_note-cashdylan-150">[145]</a><a href="#cite_note-mornings-151">[146]</a> The album influenced the nascent genre of <a href="/wiki/Country_rock" title="Country rock">country rock</a>.<a href="#cite_note-EncBr-6">[6]</a> In 1969, Dylan was asked to write songs for Scratch, <a href="/wiki/Archibald_MacLeish" title="Archibald MacLeish">Archibald MacLeish</a>'s musical adaptation of "<a href="/wiki/The_Devil_and_Daniel_Webster" title="The Devil and Daniel Webster">The Devil and Daniel Webster</a>". MacLeish initially praised Dylan's contributions, writing to him "Those songs of yours have been haunting me—and exciting me," but creative differences led to Dylan leaving the project. Some of the songs were later recorded by Dylan in a revised form.<a href="#cite_note-MacL-152">[147]</a> In May 1969, Dylan appeared on the first episode of <a href="/wiki/The_Johnny_Cash_Show" title="The Johnny Cash Show">The Johnny Cash Show</a> where he sang a duet with Cash on "Girl from the North Country" and played solos of "Living the Blues" and "<a href="/wiki/I_Threw_It_All_Away" title="I Threw It All Away">I Threw It All Away</a>". Dylan traveled to England to top the bill at the <a href="/wiki/Isle_of_Wight_Festival_1969" title="Isle of Wight Festival 1969">Isle of Wight Festival</a> on August 31, 1969, after rejecting overtures to appear at the <a href="/wiki/Woodstock_Festival" class="mw-redirect" title="Woodstock Festival">Woodstock Festival</a> closer to home.<a href="#cite_note-153">[148]</a> <div class="mw-heading mw-heading3"><h3 id="1970–1979:_Return_to_touring_and_Christian_music">1970–1979: Return to touring and Christian music</h3></div> In the early 1970s, critics charged that Dylan's output was varied and unpredictable. <a href="/wiki/Greil_Marcus" title="Greil Marcus">Greil Marcus</a> asked "What is this shit?" upon first hearing <a href="/wiki/Self_Portrait_(Bob_Dylan_album)" title="Self Portrait (Bob Dylan album)">Self Portrait</a>, released in June 1970.<a href="#cite_note-154">[149]</a><a href="#cite_note-155">[150]</a> It was a double LP including few original songs and was poorly received.<a href="#cite_note-156">[151]</a> In October 1970, Dylan released <a href="/wiki/New_Morning" title="New Morning">New Morning</a>, considered a return to form.<a href="#cite_note-157">[152]</a> The title track was from Dylan's ill-fated collaboration with MacLeish,<a href="#cite_note-MacL-152">[147]</a> and "Day of the Locusts" was his account of receiving an honorary degree from <a href="/wiki/Princeton_University" title="Princeton University">Princeton University</a> on June 9, 1970.<a href="#cite_note-158">[153]</a> In November 1968, Dylan co-wrote "<a href="/wiki/I%27d_Have_You_Anytime" title="I'd Have You Anytime">I'd Have You Anytime</a>" with George Harrison;<a href="#cite_note-159">[154]</a> Harrison recorded that song and Dylan's "<a href="/wiki/If_Not_for_You" title="If Not for You">If Not for You</a>" for his album <a href="/wiki/All_Things_Must_Pass" title="All Things Must Pass">All Things Must Pass</a>. <a href="/wiki/Olivia_Newton-John" title="Olivia Newton-John">Olivia Newton-John</a> covered "If Not For You" on her <a href="/wiki/If_Not_for_You_(album)" title="If Not for You (album)">debut album</a> and "<a href="/wiki/The_Man_in_Me" title="The Man in Me">The Man in Me</a>" was prominently featured in the film <a href="/wiki/The_Big_Lebowski" title="The Big Lebowski">The Big Lebowski</a> (1998). <a href="/wiki/Tarantula_(poetry_collection)" title="Tarantula (poetry collection)">Tarantula</a>, a freeform book of prose-poetry, had been written by Dylan during a creative burst in 1964–65.<a href="#cite_note-160">[155]</a> Dylan shelved his book for several years, apparently uncertain of its status,<a href="#cite_note-161">[156]</a> until he suddenly informed <a href="/wiki/Macmillan_Inc." title="Macmillan Inc.">Macmillan</a> at the end of 1970 that the time had come to publish it.<a href="#cite_note-162">[157]</a> The book attracted negative reviews but later critics have suggested its affinities with <a href="/wiki/Finnegans_Wake" title="Finnegans Wake">Finnegans Wake</a> and <a href="/wiki/A_Season_in_Hell" title="A Season in Hell">A Season in Hell</a>.<a href="#cite_note-163">[158]</a> Between March 16 and 19, 1971, Dylan recorded with <a href="/wiki/Leon_Russell" title="Leon Russell">Leon Russell</a> at <a href="/wiki/Blue_Rock_Studio" title="Blue Rock Studio">Blue Rock</a>, a small studio in Greenwich Village. These sessions resulted in "<a href="/wiki/Watching_the_River_Flow" title="Watching the River Flow">Watching the River Flow</a>" and a new recording of "<a href="/wiki/When_I_Paint_My_Masterpiece" title="When I Paint My Masterpiece">When I Paint My Masterpiece</a>".<a href="#cite_note-164">[159]</a> On November 4, 1971, Dylan recorded "<a href="/wiki/George_Jackson_(song)" title="George Jackson (song)">George Jackson</a>", which he released a week later. For many, the single was a surprising return to protest material, mourning the killing of <a href="/wiki/Black_Panther_Party" title="Black Panther Party">Black Panther</a> <a href="/wiki/George_Jackson_(Black_Panther)" class="mw-redirect" title="George Jackson (Black Panther)">George Jackson</a> in <a href="/wiki/San_Quentin_State_Prison" class="mw-redirect" title="San Quentin State Prison">San Quentin State Prison</a>.<a href="#cite_note-165">[160]</a> Dylan's surprise appearance at Harrison's <a href="/wiki/Concert_for_Bangladesh" class="mw-redirect" title="Concert for Bangladesh">Concert for Bangladesh</a> on August 1, 1971, attracted media coverage as his live appearances had become rare.<a href="#cite_note-166">[161]</a> In 1972, Dylan joined <a href="/wiki/Sam_Peckinpah" title="Sam Peckinpah">Sam Peckinpah</a>'s film <a href="/wiki/Pat_Garrett_and_Billy_the_Kid" title="Pat Garrett and Billy the Kid">Pat Garrett and Billy the Kid</a>, providing <a href="/wiki/Pat_Garrett_and_Billy_the_Kid_(album)" class="mw-redirect" title="Pat Garrett and Billy the Kid (album)">the soundtrack</a> and playing "Alias", a member of Billy's gang.<a href="#cite_note-167">[162]</a> Despite the film's failure at the box office, "<a href="/wiki/Knockin%27_on_Heaven%27s_Door" title="Knockin' on Heaven's Door">Knockin' on Heaven's Door</a>" became one of Dylan's most covered songs.<a href="#cite_note-168">[163]</a><a href="#cite_note-169">[164]</a> That same year, Dylan protested the move to deport <a href="/wiki/John_Lennon" title="John Lennon">John Lennon</a> and <a href="/wiki/Yoko_Ono" title="Yoko Ono">Yoko Ono</a>, who had been convicted for <a href="/wiki/Marijuana" class="mw-redirect" title="Marijuana">marijuana</a> possession, by sending a letter to the US <a href="/wiki/Immigration_and_Naturalization_Service" title="Immigration and Naturalization Service">Immigration Service</a> which read in part: "Hurray for John & Yoko. Let them stay and live here and breathe. The country's got plenty of room and space. Let John and Yoko stay!"<a href="#cite_note-170">[165]</a> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Bob_Dylan_and_The_Band_-_1974.jpg" class="mw-file-description"><noscript><img alt="Dylan together with three musicians from The Band onstage. Dylan is third from left, wearing a black jacket and pants. He is singing and playing an electric guitar." src="//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Bob_Dylan_and_The_Band_-_1974.jpg/220px-Bob_Dylan_and_The_Band_-_1974.jpg" decoding="async" width="220" height="107" class="mw-file-element" data-file-width="2703" data-file-height="1312"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 107px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Bob_Dylan_and_The_Band_-_1974.jpg/220px-Bob_Dylan_and_The_Band_-_1974.jpg" data-alt="Dylan together with three musicians from The Band onstage. Dylan is third from left, wearing a black jacket and pants. He is singing and playing an electric guitar." data-width="220" data-height="107" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Bob_Dylan_and_The_Band_-_1974.jpg/330px-Bob_Dylan_and_The_Band_-_1974.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Bob_Dylan_and_The_Band_-_1974.jpg/440px-Bob_Dylan_and_The_Band_-_1974.jpg 2x" data-class="mw-file-element"> </a><figcaption>Bob Dylan and <a href="/wiki/The_Band" title="The Band">the Band</a> commenced their 1974 tour in Chicago on January 3.<a href="#cite_note-171">[166]</a></figcaption></figure> Dylan began 1973 by signing with a new label, <a href="/wiki/David_Geffen" title="David Geffen">David Geffen</a>'s <a href="/wiki/Asylum_Records" title="Asylum Records">Asylum Records</a>, when his contract with Columbia Records expired.<a href="#cite_note-172">[167]</a> His next album, <a href="/wiki/Planet_Waves" title="Planet Waves">Planet Waves</a>, was recorded in the fall of 1973, using the Band as his backing group as they rehearsed for a major tour.<a href="#cite_note-173">[168]</a> The album included two versions of <a href="/wiki/Forever_Young_(Bob_Dylan_song)" title="Forever Young (Bob Dylan song)">"Forever Young"</a>, which became one of his most popular songs.<a href="#cite_note-Sounes-p273-174">[169]</a> As one critic described it, the song projected "something hymnal and heartfelt that spoke of the father in Dylan",<a href="#cite_note-175">[170]</a> and Dylan said "I wrote it thinking about one of my boys and not wanting to be too sentimental".<a href="#cite_note-Crowe-1985-36">[36]</a> Columbia Records simultaneously released <a href="/wiki/Dylan_(1973_album)" title="Dylan (1973 album)">Dylan</a>, a collection of studio outtakes, widely interpreted as a churlish response to Dylan's signing with a rival record label.<a href="#cite_note-176">[171]</a> In January 1974, Dylan, backed by the Band, embarked on a <a href="/wiki/Bob_Dylan_and_The_Band_1974_Tour" class="mw-redirect" title="Bob Dylan and The Band 1974 Tour">North American tour</a> of 40 concerts—his first tour for seven years. A live double album, <a href="/wiki/Before_the_Flood_(album)" title="Before the Flood (album)">Before the Flood</a>, was released on Asylum Records. Soon, according to <a href="/wiki/Clive_Davis" title="Clive Davis">Clive Davis</a>, Columbia Records sent word they "will spare nothing to bring Dylan back into the fold".<a href="#cite_note-Shelton-378-177">[172]</a> Dylan had second thoughts about Asylum, unhappy that Geffen had sold only 600,000 copies of Planet Waves despite millions of unfulfilled ticket requests for the 1974 tour;<a href="#cite_note-178">[173]</a> he returned to Columbia Records, which reissued his two Asylum albums.<a href="#cite_note-179">[174]</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1096940132"><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><noscript><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" data-file-width="160" data-file-height="160"></noscript><span class="lazy-image-placeholder" style="width: 50px;height: 50px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" data-alt="" data-width="50" data-height="50" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-class="mw-file-element"> <figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Tangled_Up_In_Blue.ogg" title="File:Tangled Up In Blue.ogg">"Tangled Up in Blue"</a></div> <div><audio id="mwe_player_3" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="28" data-mwtitle="Tangled_Up_In_Blue.ogg" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/1/11/Tangled_Up_In_Blue.ogg" type='audio/ogg; codecs="vorbis"' data-width="0" data-height="0"></source><source src="//upload.wikimedia.org/wikipedia/en/transcoded/1/11/Tangled_Up_In_Blue.ogg/Tangled_Up_In_Blue.ogg.mp3" type="audio/mpeg" data-transcodekey="mp3" data-width="0" data-height="0"></source></audio></div> <div class="description">Dylan said of the opening song from <a href="/wiki/Blood_on_the_Tracks" title="Blood on the Tracks">Blood on the Tracks</a>: "I was trying to deal with the concept of time, and the way the characters change from the first person to the third person, and you're never sure if the first person is talking or the third person. But as you look at the whole thing it really doesn't matter."<a href="#cite_note-Crowe-1985-36">[36]</a></div></div></div></div> <div class="side-box-abovebelow"><hr>Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</div> </div> After the tour, Dylan and his wife became estranged. He filled three small notebooks with songs about relationships and ruptures, and recorded the album <a href="/wiki/Blood_on_the_Tracks" title="Blood on the Tracks">Blood on the Tracks</a> in September 1974.<a href="#cite_note-180">[175]</a><a href="#cite_note-181">[176]</a> Dylan delayed the album's release and re-recorded half the songs at <a href="/wiki/Sound_80" title="Sound 80">Sound 80</a> Studios in Minneapolis with production assistance from his brother, David Zimmerman.<a href="#cite_note-182">[177]</a> Released in early 1975, Blood on the Tracks received mixed reviews. In <a href="/wiki/NME" title="NME">NME</a>, <a href="/wiki/Nick_Kent" title="Nick Kent">Nick Kent</a> described the "accompaniments" as "often so trashy they sound like mere practice takes".<a href="#cite_note-Heylin_383-183">[178]</a> In Rolling Stone, <a href="/wiki/Jon_Landau" title="Jon Landau">Jon Landau</a> wrote that "the record has been made with typical shoddiness".<a href="#cite_note-Heylin_383-183">[178]</a> Over the years critics came to see it as one of Dylan's masterpieces. In <a href="/wiki/Salon_(website)" class="mw-redirect" title="Salon (website)">Salon</a>, journalist Bill Wyman wrote: <blockquote>Blood on the Tracks is his only flawless album and his best produced; the songs, each of them, are constructed in disciplined fashion. It is his kindest album and most dismayed, and seems in hindsight to have achieved a sublime balance between the logorrhea-plagued excesses of his mid-1960s output and the self-consciously simple compositions of his post-accident years.<a href="#cite_note-184">[179]</a></blockquote> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Allen_Ginsberg_and_Bob_Dylan_by_Elsa_Dorfman.jpg" class="mw-file-description"><noscript><img alt="Dylan, wearing a hat and leather coat, plays guitar and sings, seated. Crouched next to him is a bearded man, listening to him with head bent." src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c3/Allen_Ginsberg_and_Bob_Dylan_by_Elsa_Dorfman.jpg/220px-Allen_Ginsberg_and_Bob_Dylan_by_Elsa_Dorfman.jpg" decoding="async" width="220" height="149" class="mw-file-element" data-file-width="398" data-file-height="269"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 149px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c3/Allen_Ginsberg_and_Bob_Dylan_by_Elsa_Dorfman.jpg/220px-Allen_Ginsberg_and_Bob_Dylan_by_Elsa_Dorfman.jpg" data-alt="Dylan, wearing a hat and leather coat, plays guitar and sings, seated. Crouched next to him is a bearded man, listening to him with head bent." data-width="220" data-height="149" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c3/Allen_Ginsberg_and_Bob_Dylan_by_Elsa_Dorfman.jpg/330px-Allen_Ginsberg_and_Bob_Dylan_by_Elsa_Dorfman.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/c/c3/Allen_Ginsberg_and_Bob_Dylan_by_Elsa_Dorfman.jpg 2x" data-class="mw-file-element"> </a><figcaption>Bob Dylan with <a href="/wiki/Allen_Ginsberg" title="Allen Ginsberg">Allen Ginsberg</a> on the <a href="/wiki/Rolling_Thunder_Revue" title="Rolling Thunder Revue">Rolling Thunder Revue</a> in 1975</figcaption></figure> In the middle of 1975, Dylan championed boxer <a href="/wiki/Rubin_Carter" title="Rubin Carter">Rubin "Hurricane" Carter</a>, imprisoned for triple murder, with his ballad "<a href="/wiki/Hurricane_(Bob_Dylan_song)" title="Hurricane (Bob Dylan song)">Hurricane</a>" making the case for Carter's innocence. Despite its length—over eight minutes—the song was released as a single, peaking at 33 on the US <a href="/wiki/Billboard_Hot_100" title="Billboard Hot 100">Billboard chart</a>, and performed at every 1975 date of Dylan's next tour, the <a href="/wiki/Rolling_Thunder_Revue" title="Rolling Thunder Revue">Rolling Thunder Revue</a>.<a href="#cite_note-185">[a 6]</a><a href="#cite_note-186">[180]</a> Running through late 1975 and again through early 1976, the tour featured about one hundred performers and supporters from the Greenwich Village folk scene, among them Ramblin' Jack Elliott, <a href="/wiki/T-Bone_Burnett" class="mw-redirect" title="T-Bone Burnett">T-Bone Burnett</a>, <a href="/wiki/Joni_Mitchell" title="Joni Mitchell">Joni Mitchell</a>,<a href="#cite_note-Kokay-187">[181]</a><a href="#cite_note-Sloman-188">[182]</a> <a href="/wiki/David_Mansfield" title="David Mansfield">David Mansfield</a>, <a href="/wiki/Roger_McGuinn" title="Roger McGuinn">Roger McGuinn</a>, <a href="/wiki/Mick_Ronson" title="Mick Ronson">Mick Ronson</a>, <a href="/wiki/Ronee_Blakely" class="mw-redirect" title="Ronee Blakely">Ronee Blakely</a>, Joan Baez and <a href="/wiki/Scarlet_Rivera" title="Scarlet Rivera">Scarlet Rivera</a>, whom Dylan discovered walking down the street, her violin case on her back.<a href="#cite_note-189">[183]</a> The tour encompassed the January 1976 release of the album <a href="/wiki/Desire_(Bob_Dylan_album)" title="Desire (Bob Dylan album)">Desire</a>. Many of Desire's songs featuring a <a href="/wiki/Travel_literature" title="Travel literature">travelogue</a>-like narrative style, influenced by Dylan's new collaborator, playwright <a href="/wiki/Jacques_Levy" title="Jacques Levy">Jacques Levy</a>.<a href="#cite_note-190">[184]</a><a href="#cite_note-191">[185]</a> The 1976 half of the tour was documented by a TV concert special, Hard Rain, and the LP <a href="/wiki/Hard_Rain_(Bob_Dylan_album)" title="Hard Rain (Bob Dylan album)">Hard Rain</a>. <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Bob_Dylan_1978.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/a/a7/Bob_Dylan_1978.jpg/170px-Bob_Dylan_1978.jpg" decoding="async" width="170" height="255" class="mw-file-element" data-file-width="683" data-file-height="1024"></noscript><span class="lazy-image-placeholder" style="width: 170px;height: 255px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/a/a7/Bob_Dylan_1978.jpg/170px-Bob_Dylan_1978.jpg" data-width="170" data-height="255" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a7/Bob_Dylan_1978.jpg/255px-Bob_Dylan_1978.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a7/Bob_Dylan_1978.jpg/340px-Bob_Dylan_1978.jpg 2x" data-class="mw-file-element"> </a><figcaption>Dylan performing in the <a href="/wiki/De_Kuip" title="De Kuip">De Kuip</a> Stadium, Rotterdam, June 23, 1978</figcaption></figure> The 1975 tour with the Revue provided the backdrop to Dylan's film <a href="/wiki/Renaldo_and_Clara" title="Renaldo and Clara">Renaldo and Clara</a>, a sprawling narrative mixed with concert footage and reminiscences. Actor and playwright <a href="/wiki/Sam_Shepard" title="Sam Shepard">Sam Shepard</a> accompanied the Revue and was to serve as screenwriter, but much of the film was improvised. Released in 1978, it received negative, sometimes scathing, reviews.<a href="#cite_note-192">[186]</a><a href="#cite_note-193">[187]</a> Later in the year, a two-hour edit, dominated by the concert performances, was more widely released.<a href="#cite_note-194">[188]</a> In November 1976, Dylan appeared at the Band's farewell concert with <a href="/wiki/Eric_Clapton" title="Eric Clapton">Eric Clapton</a>, <a href="/wiki/Muddy_Waters" title="Muddy Waters">Muddy Waters</a>, <a href="/wiki/Van_Morrison" title="Van Morrison">Van Morrison</a>, <a href="/wiki/Neil_Young" title="Neil Young">Neil Young</a> and Joni Mitchell. <a href="/wiki/Martin_Scorsese" title="Martin Scorsese">Martin Scorsese</a>'s 1978 film of the concert, <a href="/wiki/The_Last_Waltz" title="The Last Waltz">The Last Waltz</a>, included most of Dylan's set.<a href="#cite_note-195">[189]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Bob_Dylan_1978_Japan_Tour_Promotional_Poster.jpg" class="mw-file-description"><noscript><img alt="A promotional poster released by CBS to promote Bob Dylan's 1978 Japan tour. The Japanese caption on the poster translates as, "If you see Bob Dylan, say hello."" src="//upload.wikimedia.org/wikipedia/commons/thumb/1/1e/Bob_Dylan_1978_Japan_Tour_Promotional_Poster.jpg/220px-Bob_Dylan_1978_Japan_Tour_Promotional_Poster.jpg" decoding="async" width="220" height="165" class="mw-file-element" data-file-width="3251" data-file-height="2441"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 165px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/1/1e/Bob_Dylan_1978_Japan_Tour_Promotional_Poster.jpg/220px-Bob_Dylan_1978_Japan_Tour_Promotional_Poster.jpg" data-alt="A promotional poster released by CBS to promote Bob Dylan's 1978 Japan tour. The Japanese caption on the poster translates as, "If you see Bob Dylan, say hello."" data-width="220" data-height="165" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/1e/Bob_Dylan_1978_Japan_Tour_Promotional_Poster.jpg/330px-Bob_Dylan_1978_Japan_Tour_Promotional_Poster.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1e/Bob_Dylan_1978_Japan_Tour_Promotional_Poster.jpg/440px-Bob_Dylan_1978_Japan_Tour_Promotional_Poster.jpg 2x" data-class="mw-file-element"> </a><figcaption>A promotional poster released by CBS to promote Bob Dylan's 1978 Japan tour. The Japanese caption on the poster translates as, "If you see Bob Dylan, say hello."</figcaption></figure> In 1978, Dylan embarked on a <a href="/wiki/1978_Tour" class="mw-redirect" title="1978 Tour">year-long world tour</a>, performing 114 shows in Japan, the Far East, Europe and North America, to a total audience of two million. Dylan assembled an eight-piece band and three backing singers. Concerts in Tokyo in February and March were released as the live double album <a href="/wiki/Bob_Dylan_at_Budokan" title="Bob Dylan at Budokan">Bob Dylan at Budokan</a>.<a href="#cite_note-Sounes314-196">[190]</a> Reviews were mixed. <a href="/wiki/Robert_Christgau" title="Robert Christgau">Robert Christgau</a> awarded the album a C+ rating,<a href="#cite_note-197">[191]</a> while Janet Maslin defended it: "These latest live versions of his old songs have the effect of liberating Bob Dylan from the originals".<a href="#cite_note-198">[192]</a> When Dylan brought the tour to the US in September 1978, the press described the look and sound as a "Las Vegas Tour".<a href="#cite_note-199">[193]</a> The 1978 tour grossed more than $20 million, and Dylan told the Los Angeles Times that he had debts because "I had a couple of bad years. I put a lot of money into the movie, built a big house ... and it costs a lot to get divorced in California."<a href="#cite_note-Sounes314-196">[190]</a> In April and May 1978, Dylan took the same band and vocalists into Rundown Studios in <a href="/wiki/Santa_Monica" class="mw-redirect" title="Santa Monica">Santa Monica</a>, California, to record an album of new material, <a href="/wiki/Street-Legal_(album)" title="Street-Legal (album)">Street-Legal</a>.<a href="#cite_note-200">[194]</a> It was described by <a href="/wiki/Michael_Gray_(author)" title="Michael Gray (author)">Michael Gray</a> as "after Blood On The Tracks, arguably Dylan's best record of the 1970s: a crucial album documenting a crucial period in Dylan's own life".<a href="#cite_note-201">[195]</a> However, it had poor sound and mixing (attributed to Dylan's studio practices), muddying the instrumental detail until a remastered CD release in 1999 restored some of the songs' strengths.<a href="#cite_note-202">[196]</a><a href="#cite_note-203">[197]</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1096940132"><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><noscript><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" data-file-width="160" data-file-height="160"></noscript><span class="lazy-image-placeholder" style="width: 50px;height: 50px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" data-alt="" data-width="50" data-height="50" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-class="mw-file-element"> <figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Gotta_Serve_Somebody.ogg" title="File:Gotta Serve Somebody.ogg">"Gotta Serve Somebody"</a></div> <div><audio id="mwe_player_4" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="31" data-mwtitle="Gotta_Serve_Somebody.ogg" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/5/50/Gotta_Serve_Somebody.ogg" type='audio/ogg; codecs="vorbis"' data-width="0" data-height="0"></source><source src="//upload.wikimedia.org/wikipedia/en/transcoded/5/50/Gotta_Serve_Somebody.ogg/Gotta_Serve_Somebody.ogg.mp3" type="audio/mpeg" data-transcodekey="mp3" data-width="0" data-height="0"></source></audio></div> <div class="description">Dylan took five months off at the beginning of 1979 to attend Bible school.<a href="#cite_note-Crowe-1985-36">[36]</a> His subsequent album <a href="/wiki/Slow_Train_Coming" title="Slow Train Coming">Slow Train Coming</a> reached No. 3 on the US <a href="/wiki/Billboard_200" title="Billboard 200">Billboard 200</a> chart and included this <a href="/wiki/Grammy_Award" class="mw-redirect" title="Grammy Award">Grammy</a>-winning song.</div></div></div></div> <div class="side-box-abovebelow"><hr>Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</div> </div> In the late 1970s, Dylan converted to <a href="/wiki/Evangelical_Christianity" class="mw-redirect" title="Evangelical Christianity">Evangelical Christianity</a>,<a href="#cite_note-204">[198]</a><a href="#cite_note-Vineyard-205">[199]</a> undertaking a three-month discipleship course run by the <a href="/wiki/Association_of_Vineyard_Churches" title="Association of Vineyard Churches">Association of Vineyard Churches</a>.<a href="#cite_note-206">[200]</a><a href="#cite_note-207">[201]</a> He released three albums of contemporary <a href="/wiki/Gospel_music" title="Gospel music">gospel music</a>. <a href="/wiki/Slow_Train_Coming" title="Slow Train Coming">Slow Train Coming</a> (1979) featured <a href="/wiki/Dire_Straits" title="Dire Straits">Dire Straits</a> guitarist <a href="/wiki/Mark_Knopfler" title="Mark Knopfler">Mark Knopfler</a> and was produced by veteran R&B producer <a href="/wiki/Jerry_Wexler" title="Jerry Wexler">Jerry Wexler</a>. Wexler said that Dylan had tried to evangelize him during the recording. He replied: "Bob, you're dealing with a 62-year-old Jewish atheist. Let's just make an album."<a href="#cite_note-208">[202]</a> Dylan won the <a href="/wiki/Grammy_Award_for_Best_Male_Rock_Vocal_Performance" title="Grammy Award for Best Male Rock Vocal Performance">Grammy Award for Best Male Rock Vocal Performance</a> for the song "<a href="/wiki/Gotta_Serve_Somebody" title="Gotta Serve Somebody">Gotta Serve Somebody</a>". When touring in late 1979 and early 1980, Dylan would not play his older, secular works, and he delivered declarations of his faith from the stage, such as: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote">Years ago they ... said I was a prophet. I used to say, "No I'm not a prophet", they say "Yes you are, you're a prophet." I said, "No it's not me." They used to say "You sure are a prophet." They used to convince me I was a prophet. Now I come out and say Jesus Christ is the answer. They say, "Bob Dylan's no prophet." They just can't handle it.<a href="#cite_note-209">[203]</a></blockquote> Dylan's Christianity was unpopular with some fans and musicians.<a href="#cite_note-210">[204]</a> John Lennon, shortly before <a href="/wiki/Murder_of_John_Lennon" title="Murder of John Lennon">being murdered</a>, recorded "Serve Yourself" in response to "Gotta Serve Somebody".<a href="#cite_note-211">[205]</a> In 1981, <a href="/wiki/Stephen_Holden" title="Stephen Holden">Stephen Holden</a> wrote in The New York Times that "neither age (he's now 40) nor his much-publicized conversion to born-again Christianity has altered his essentially iconoclastic temperament".<a href="#cite_note-212">[206]</a> <div class="mw-heading mw-heading3"><h3 id="1980–1989:_Career_fluctuations">1980–1989: Career fluctuations</h3></div> In late 1980, Dylan briefly played concerts billed as "A Musical Retrospective", restoring popular 1960s songs to the repertoire. His second Christian album, <a href="/wiki/Saved_(Bob_Dylan_album)" title="Saved (Bob Dylan album)">Saved</a> (1980), received mixed reviews, described by Michael Gray as "the nearest thing to a follow-up album Dylan has ever made, Slow Train Coming II and inferior".<a href="#cite_note-213">[207]</a> His third Christian album was <a href="/wiki/Shot_of_Love" title="Shot of Love">Shot of Love</a> (1981).<a href="#cite_note-Thompson2000-214">[208]</a> The album featured his first secular compositions in more than two years, mixed with Christian songs. The lyrics of <a href="/wiki/Every_Grain_of_Sand_(Bob_Dylan_song)" class="mw-redirect" title="Every Grain of Sand (Bob Dylan song)">"Every Grain of Sand"</a> recall <a href="/wiki/William_Blake" title="William Blake">William Blake</a>'s "<a href="/wiki/Auguries_of_Innocence" title="Auguries of Innocence">Auguries of Innocence</a>".<a href="#cite_note-215">[209]</a> <a href="/wiki/Elvis_Costello" title="Elvis Costello">Elvis Costello</a> wrote that "Shot of Love may not be your favorite Bob Dylan record, but it might contain his best song: 'Every Grain of Sand'."<a href="#cite_note-216">[210]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Bob_Dylan_in_Toronto2.jpg" class="mw-file-description"><noscript><img alt="Dylan, onstage and with eyes closed, plays a chord on an electric guitar." src="//upload.wikimedia.org/wikipedia/commons/thumb/7/74/Bob_Dylan_in_Toronto2.jpg/220px-Bob_Dylan_in_Toronto2.jpg" decoding="async" width="220" height="142" class="mw-file-element" data-file-width="515" data-file-height="333"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 142px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/7/74/Bob_Dylan_in_Toronto2.jpg/220px-Bob_Dylan_in_Toronto2.jpg" data-alt="Dylan, onstage and with eyes closed, plays a chord on an electric guitar." data-width="220" data-height="142" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/74/Bob_Dylan_in_Toronto2.jpg/330px-Bob_Dylan_in_Toronto2.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/74/Bob_Dylan_in_Toronto2.jpg/440px-Bob_Dylan_in_Toronto2.jpg 2x" data-class="mw-file-element"> </a><figcaption>Dylan in Toronto, April 18, 1980</figcaption></figure> Reception of Dylan's 1980s recordings varied. Gray criticized Dylan's 1980s albums for carelessness in the studio and for failing to release his best songs.<a href="#cite_note-217">[211]</a> <a href="/wiki/Infidels_(Bob_Dylan_album)" title="Infidels (Bob Dylan album)">Infidels</a> (1983) employed Knopfler again as lead guitarist and also as producer; the sessions resulted in several songs that Dylan left off the album. Best regarded of these were "<a href="/wiki/Blind_Willie_McTell_(song)" title="Blind Willie McTell (song)">Blind Willie McTell</a>", which was both a tribute to the <a href="/wiki/Blind_Willie_McTell" title="Blind Willie McTell">eponymous blues musician</a> and an evocation of <a href="/wiki/African_American_history" class="mw-redirect" title="African American history">African American history</a>,<a href="#cite_note-218">[212]</a> "Foot of Pride" and "<a href="/wiki/Lord_Protect_My_Child" title="Lord Protect My Child">Lord Protect My Child</a>". These three songs were later released on <a href="/wiki/The_Bootleg_Series_Volumes_1%E2%80%933_(Rare_%26_Unreleased)_1961%E2%80%931991" title="The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991">The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991</a>.<a href="#cite_note-219">[213]</a> Between July 1984 and March 1985, Dylan recorded <a href="/wiki/Empire_Burlesque" title="Empire Burlesque">Empire Burlesque</a>.<a href="#cite_note-Sounes362-220">[214]</a> <a href="/wiki/Arthur_Baker_(musician)" class="mw-redirect" title="Arthur Baker (musician)">Arthur Baker</a>, who had remixed hits for Bruce Springsteen and <a href="/wiki/Cyndi_Lauper" title="Cyndi Lauper">Cyndi Lauper</a>, was asked to engineer and mix the album. Baker said he felt he was hired to make Dylan's album sound "a little bit more contemporary".<a href="#cite_note-Sounes362-220">[214]</a> In 1985 Dylan sang on <a href="/wiki/USA_for_Africa" class="mw-redirect" title="USA for Africa">USA for Africa</a>'s famine relief single "<a href="/wiki/We_Are_the_World" title="We Are the World">We Are the World</a>". He also joined <a href="/wiki/Artists_United_Against_Apartheid" title="Artists United Against Apartheid">Artists United Against Apartheid</a>, providing vocals for their single "<a href="/wiki/Sun_City_(song)" title="Sun City (song)">Sun City</a>".<a href="#cite_note-221">[215]</a> On July 13, 1985, he appeared at the <a href="/wiki/Live_Aid" title="Live Aid">Live Aid</a> concert at <a href="/wiki/JFK_Stadium" class="mw-redirect" title="JFK Stadium">JFK Stadium</a>, Philadelphia. Backed by <a href="/wiki/Keith_Richards" title="Keith Richards">Keith Richards</a> and <a href="/wiki/Ronnie_Wood" title="Ronnie Wood">Ronnie Wood</a>, he performed a ragged version of "Ballad of Hollis Brown", a tale of rural poverty, and then said to the worldwide audience: "I hope that some of the money ... maybe they can just take a little bit of it, maybe ... one or two million, maybe ... and use it to pay the mortgages on some of the farms and, the farmers here, owe to the banks".<a href="#cite_note-222">[216]</a> His remarks were widely criticized as inappropriate, but inspired <a href="/wiki/Willie_Nelson" title="Willie Nelson">Willie Nelson</a> to organize a concert, <a href="/wiki/Farm_Aid" title="Farm Aid">Farm Aid</a>, to benefit debt-ridden American farmers.<a href="#cite_note-223">[217]</a> In October 1985, Dylan released <a href="/wiki/Biograph_(album)" title="Biograph (album)">Biograph</a>, a box set featuring 53 tracks, 18 of them previously unreleased. <a href="/wiki/Stephen_Thomas_Erlewine" title="Stephen Thomas Erlewine">Stephen Thomas Erlewine</a> wrote: "Historically, Biograph is significant not for what it did for Dylan's career, but for establishing the box set, complete with hits and rarities, as a viable part of rock history."<a href="#cite_note-224">[218]</a> Biograph also contained liner notes by <a href="/wiki/Cameron_Crowe" title="Cameron Crowe">Cameron Crowe</a> in which Dylan discussed the origins of some of his songs.<a href="#cite_note-225">[219]</a> In April 1986, Dylan made a foray into <a href="/wiki/Rap" class="mw-redirect" title="Rap">rap</a> when he added vocals to the opening verse of "Street Rock" on <a href="/wiki/Kurtis_Blow" title="Kurtis Blow">Kurtis Blow</a>'s album <a href="/wiki/Kingdom_Blow" title="Kingdom Blow">Kingdom Blow</a>.<a href="#cite_note-226">[220]</a> Dylan's next studio album, <a href="/wiki/Knocked_Out_Loaded" title="Knocked Out Loaded">Knocked Out Loaded</a> (1986), contained three covers (by <a href="/wiki/Junior_Parker" title="Junior Parker">Junior Parker</a>, <a href="/wiki/Kris_Kristofferson" title="Kris Kristofferson">Kris Kristofferson</a> and the gospel hymn "<a href="/wiki/Precious_Memories_(hymn)" title="Precious Memories (hymn)">Precious Memories</a>"), plus three collaborations (with <a href="/wiki/Tom_Petty" title="Tom Petty">Tom Petty</a>, Sam Shepard and <a href="/wiki/Carole_Bayer_Sager" title="Carole Bayer Sager">Carole Bayer Sager</a>), and two solo compositions by Dylan. A reviewer wrote that "the record follows too many detours to be consistently compelling, and some of those detours wind down roads that are indisputably dead ends. By 1986, such uneven records weren't entirely unexpected by Dylan, but that didn't make them any less frustrating."<a href="#cite_note-227">[221]</a> It was the first Dylan album since his 1962 debut to fail to make the Top 50.<a href="#cite_note-228">[222]</a> Some critics have called the song Dylan co-wrote with Shepard, "<a href="/wiki/Brownsville_Girl" title="Brownsville Girl">Brownsville Girl</a>", a masterpiece.<a href="#cite_note-229">[223]</a> In 1986 and 1987, Dylan toured with <a href="/wiki/Tom_Petty_and_the_Heartbreakers" title="Tom Petty and the Heartbreakers">Tom Petty and the Heartbreakers</a>, sharing vocals with Petty on several songs each night. Dylan also toured with the <a href="/wiki/Grateful_Dead" title="Grateful Dead">Grateful Dead</a> in 1987, resulting in the live album <a href="/wiki/Dylan_%26_The_Dead" class="mw-redirect" title="Dylan & The Dead">Dylan & The Dead</a>, which received negative reviews; Erlewine said it was "quite possibly the worst album by either Bob Dylan or the Grateful Dead".<a href="#cite_note-230">[224]</a> Dylan initiated what came to be called the <a href="/wiki/Never_Ending_Tour" title="Never Ending Tour">Never Ending Tour</a> on June 7, 1988, performing with a back-up band featuring guitarist <a href="/wiki/G._E._Smith" title="G. E. Smith">G. E. Smith</a>. Dylan would continue to tour with a small, changing band for the next 30 years.<a href="#cite_note-231">[225]</a> In 1987, Dylan starred in <a href="/wiki/Richard_Marquand" title="Richard Marquand">Richard Marquand</a>'s movie <a href="/wiki/Hearts_of_Fire" title="Hearts of Fire">Hearts of Fire</a>, in which he played Billy Parker, a washed-up rock star turned chicken farmer whose teenage lover (<a href="/wiki/Fiona_(singer)" title="Fiona (singer)">Fiona</a>) leaves him for a jaded English synth-pop sensation (<a href="/wiki/Rupert_Everett" title="Rupert Everett">Rupert Everett</a>).<a href="#cite_note-232">[226]</a> Dylan also contributed two original songs to the soundtrack—"Night After Night", and "Had a Dream About You, Baby", as well as a cover of <a href="/wiki/John_Hiatt" title="John Hiatt">John Hiatt</a>'s "The Usual". The film was a critical and commercial flop.<a href="#cite_note-233">[227]</a> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Bob_Dylan_Barcelona.jpg" class="mw-file-description"><noscript><img alt="Dylan plays his guitar and sings into a microphone onstage." src="//upload.wikimedia.org/wikipedia/commons/thumb/2/2c/Bob_Dylan_Barcelona.jpg/170px-Bob_Dylan_Barcelona.jpg" decoding="async" width="170" height="227" class="mw-file-element" data-file-width="886" data-file-height="1181"></noscript><span class="lazy-image-placeholder" style="width: 170px;height: 227px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/2/2c/Bob_Dylan_Barcelona.jpg/170px-Bob_Dylan_Barcelona.jpg" data-alt="Dylan plays his guitar and sings into a microphone onstage." data-width="170" data-height="227" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/2c/Bob_Dylan_Barcelona.jpg/255px-Bob_Dylan_Barcelona.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/2c/Bob_Dylan_Barcelona.jpg/340px-Bob_Dylan_Barcelona.jpg 2x" data-class="mw-file-element"> </a><figcaption>Dylan in Barcelona, Spain, 1984</figcaption></figure> Dylan was inducted into the <a href="/wiki/Rock_and_Roll_Hall_of_Fame" title="Rock and Roll Hall of Fame">Rock and Roll Hall of Fame</a> in January 1988. Bruce Springsteen, in his introduction, declared, "Bob freed your mind the way Elvis freed your body. He showed us that just because music was innately physical did not mean that it was anti-intellectual".<a href="#cite_note-:Sprinsgteen-115">[111]</a> <a href="/wiki/Down_in_the_Groove" title="Down in the Groove">Down in the Groove</a> (1988) sold even more poorly than Knocked Out Loaded.<a href="#cite_note-Sounes_385-234">[228]</a> Gray wrote: "The very title undercuts any idea that inspired work may lie within. Here was a further devaluing of the notion of a new Bob Dylan album as something significant."<a href="#cite_note-Gray_2000,_p._13-235">[229]</a> The critical and commercial disappointment of that album was swiftly followed by the success of the <a href="/wiki/Traveling_Wilburys" title="Traveling Wilburys">Traveling Wilburys</a>, a <a href="/wiki/Supergroup_(music)" title="Supergroup (music)">supergroup</a> Dylan co-founded with George Harrison, <a href="/wiki/Jeff_Lynne" title="Jeff Lynne">Jeff Lynne</a>, <a href="/wiki/Roy_Orbison" title="Roy Orbison">Roy Orbison</a> and Tom Petty. In late 1988, their <a href="/wiki/Traveling_Wilburys_Vol._1" title="Traveling Wilburys Vol. 1">Traveling Wilburys Vol. 1</a> reached number three on the US albums chart,<a href="#cite_note-Sounes_385-234">[228]</a> featuring songs described as Dylan's most accessible compositions in years.<a href="#cite_note-236">[230]</a> Despite Orbison's death in December 1988, the remaining four recorded a second album in May 1990, <a href="/wiki/Traveling_Wilburys_Vol._3" title="Traveling Wilburys Vol. 3">Traveling Wilburys Vol. 3</a>.<a href="#cite_note-237">[231]</a> Dylan finished the decade on a critical high note with <a href="/wiki/Oh_Mercy" title="Oh Mercy">Oh Mercy</a>, produced by <a href="/wiki/Daniel_Lanois" title="Daniel Lanois">Daniel Lanois</a>. Gray praised the album as "Attentively written, vocally distinctive, musically warm, and uncompromisingly professional, this cohesive whole is the nearest thing to a great Bob Dylan album in the 1980s."<a href="#cite_note-Gray_2000,_p._13-235">[229]</a> "<a href="/wiki/Most_of_the_Time" title="Most of the Time">Most of the Time</a>", a lost-love composition, was prominently featured in the film <a href="/wiki/High_Fidelity_(film)" title="High Fidelity (film)">High Fidelity</a> (2000), while "<a href="/wiki/What_Was_It_You_Wanted" title="What Was It You Wanted">What Was It You Wanted</a>" has been interpreted both as a catechism and a wry comment on the expectations of critics and fans.<a href="#cite_note-238">[232]</a> The religious imagery of <a href="/wiki/Ring_Them_Bells_(song)" title="Ring Them Bells (song)">"Ring Them Bells"</a> struck some critics as a re-affirmation of faith.<a href="#cite_note-239">[233]</a> <div class="mw-heading mw-heading3"><h3 id="1990–1999:_Return_to_Folk_music_and_resurgence">1990–1999: Return to Folk music and resurgence</h3></div> Dylan's 1990s began with <a href="/wiki/Under_the_Red_Sky" title="Under the Red Sky">Under the Red Sky</a> (1990), an about-face from the serious Oh Mercy. It contained several apparently simple songs, including "Under the Red Sky" and "Wiggle Wiggle". The album was dedicated to "Gabby Goo Goo", a nickname for the daughter of Dylan and <a href="/wiki/Carolyn_Dennis" title="Carolyn Dennis">Carolyn Dennis</a>, Desiree Gabrielle Dennis-Dylan, who was four.<a href="#cite_note-240">[234]</a> Musicians on the album included George Harrison, <a href="/wiki/Slash_(musician)" title="Slash (musician)">Slash</a>, <a href="/wiki/David_Crosby" title="David Crosby">David Crosby</a>, <a href="/wiki/Bruce_Hornsby" title="Bruce Hornsby">Bruce Hornsby</a>, <a href="/wiki/Stevie_Ray_Vaughan" title="Stevie Ray Vaughan">Stevie Ray Vaughan</a>, and <a href="/wiki/Elton_John" title="Elton John">Elton John</a>. The record received negative reviews and sold poorly.<a href="#cite_note-241">[235]</a> In 1990 and 1991 Dylan was described by his biographers as drinking heavily, impairing his performances on stage.<a href="#cite_note-242">[236]</a><a href="#cite_note-243">[237]</a> In an interview with Rolling Stone, Dylan dismissed allegations that drinking was interfering with his music: "That's completely inaccurate. I can drink or not drink. I don't know why people would associate drinking with anything I do, really".<a href="#cite_note-244">[238]</a> Defilement and remorse were themes Dylan addressed when he received a <a href="/wiki/Grammy_Lifetime_Achievement_Award" title="Grammy Lifetime Achievement Award">Grammy Lifetime Achievement Award</a> from <a href="/wiki/Jack_Nicholson" title="Jack Nicholson">Jack Nicholson</a> in February 1991.<a href="#cite_note-Lifetime-245">[239]</a> The event coincided with the start of the <a href="/wiki/Gulf_War" title="Gulf War">Gulf War</a> and Dylan played "<a href="/wiki/Masters_of_War" title="Masters of War">Masters of War</a>"; Rolling Stone called his performance "almost unintelligible".<a href="#cite_note-:R&REncylopedia-246">[240]</a> He made a short speech: "My daddy once said to me, he said, 'Son, it is possible for you to become so defiled in this world that your own mother and father will abandon you. If that happens, God will believe in your ability to mend your own ways'".<a href="#cite_note-Lifetime-245">[239]</a><a href="#cite_note-Heylin-664-247">[241]</a> This was a paraphrase of 19th-century Orthodox Rabbi <a href="/wiki/Samson_Raphael_Hirsch" title="Samson Raphael Hirsch">Samson Raphael Hirsch</a>'s commentary on Psalm 27.<a href="#cite_note-248">[242]</a> On October 16, 1992, the thirtieth anniversary of Dylan's debut album was celebrated with a concert at <a href="/wiki/Madison_Square_Garden" title="Madison Square Garden">Madison Square Garden</a>, christened "Bobfest" by Neil Young and featuring <a href="/wiki/John_Mellencamp" title="John Mellencamp">John Mellencamp</a>, <a href="/wiki/Stevie_Wonder" title="Stevie Wonder">Stevie Wonder</a>, <a href="/wiki/Lou_Reed" title="Lou Reed">Lou Reed</a>, <a href="/wiki/Eddie_Vedder" title="Eddie Vedder">Eddie Vedder</a>, Dylan and others. It was recorded as the live album <a href="/wiki/The_30th_Anniversary_Concert_Celebration" title="The 30th Anniversary Concert Celebration">The 30th Anniversary Concert Celebration</a>.<a href="#cite_note-:R&REncylopedia-246">[240]</a> Over the next few years Dylan returned to his roots with two albums covering traditional folk and blues songs: <a href="/wiki/Good_as_I_Been_to_You" title="Good as I Been to You">Good as I Been to You</a> (1992) and <a href="/wiki/World_Gone_Wrong" title="World Gone Wrong">World Gone Wrong</a> (1993), backed solely by his acoustic guitar.<a href="#cite_note-249">[243]</a> Many critics and fans noted the quiet beauty of the song "Lone Pilgrim",<a href="#cite_note-250">[244]</a> written by a 19th-century teacher. In August 1994, he played at <a href="/wiki/Woodstock_%2794" title="Woodstock '94">Woodstock '94</a>; Rolling Stone called his performance "triumphant".<a href="#cite_note-:R&REncylopedia-246">[240]</a> In November, Dylan recorded two live shows for <a href="/wiki/MTV_Unplugged" title="MTV Unplugged">MTV Unplugged</a>. He said his wish to perform traditional songs was overruled by <a href="/wiki/Sony" title="Sony">Sony</a> executives who insisted on hits.<a href="#cite_note-251">[245]</a> The resulting album, <a href="/wiki/MTV_Unplugged_(Bob_Dylan_album)" title="MTV Unplugged (Bob Dylan album)">MTV Unplugged</a>, included <a href="/wiki/John_Brown_(song)" title="John Brown (song)">"John Brown"</a>, an unreleased 1962 song about how enthusiasm for war ends in mutilation and disillusionment.<a href="#cite_note-252">[246]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Bob_Dylan_1996.jpg" class="mw-file-description"><noscript><img alt="Dylan and members of his band perform onstage. Dylan, wearing a red shirt and black pants, plays an electric guitar and sings." src="//upload.wikimedia.org/wikipedia/commons/thumb/0/07/Bob_Dylan_1996.jpg/220px-Bob_Dylan_1996.jpg" decoding="async" width="220" height="137" class="mw-file-element" data-file-width="397" data-file-height="247"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 137px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/0/07/Bob_Dylan_1996.jpg/220px-Bob_Dylan_1996.jpg" data-alt="Dylan and members of his band perform onstage. Dylan, wearing a red shirt and black pants, plays an electric guitar and sings." data-width="220" data-height="137" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/07/Bob_Dylan_1996.jpg/330px-Bob_Dylan_1996.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/0/07/Bob_Dylan_1996.jpg 2x" data-class="mw-file-element"> </a><figcaption>Dylan performs during the 1996 Lida Festival in <a href="/wiki/Stockholm" title="Stockholm">Stockholm</a>.</figcaption></figure> With a collection of songs reportedly written while snowed in on his Minnesota ranch,<a href="#cite_note-253">[247]</a> Dylan booked recording time with Daniel Lanois at Miami's <a href="/wiki/Criteria_Studios" title="Criteria Studios">Criteria Studios</a> in January 1997. The subsequent recording sessions were, by some accounts, fraught with musical tension.<a href="#cite_note-254">[248]</a> Before the album's release Dylan was hospitalized with life-threatening <a href="/wiki/Pericarditis" title="Pericarditis">pericarditis</a>, brought on by <a href="/wiki/Histoplasmosis" title="Histoplasmosis">histoplasmosis</a>. His scheduled European tour was canceled, but Dylan made a speedy recovery and left the hospital saying, "I really thought I'd be seeing Elvis soon".<a href="#cite_note-255">[249]</a> He was back on the road by mid-year, and performed before <a href="/wiki/Pope_John_Paul_II" title="Pope John Paul II">Pope John Paul II</a> at the World Eucharistic Conference in <a href="/wiki/Bologna" title="Bologna">Bologna</a>, Italy. The Pope treated the audience of 200,000 to a <a href="/wiki/Homily" title="Homily">homily</a> based on Dylan's "Blowin' in the Wind".<a href="#cite_note-256">[250]</a> In September, Dylan released the new Lanois-produced album, <a href="/wiki/Time_Out_of_Mind_(Bob_Dylan_album)" title="Time Out of Mind (Bob Dylan album)">Time Out of Mind</a>. With its bitter assessments of love and morbid ruminations, Dylan's first collection of original songs in seven years was highly acclaimed. <a href="/wiki/Alex_Ross_(music_critic)" title="Alex Ross (music critic)">Alex Ross</a> called it "a thrilling return to form".<a href="#cite_note-:Ross-257">[251]</a> "<a href="/wiki/Cold_Irons_Bound" title="Cold Irons Bound">Cold Irons Bound</a>" won Dylan another Grammy For Best Male Rock Vocal Performance, and the album won him his first <a href="/wiki/Grammy_Award_for_Album_of_the_Year" title="Grammy Award for Album of the Year">Grammy Award for Album of the Year</a>.<a href="#cite_note-258">[252]</a> The album's first single, "<a href="/wiki/Not_Dark_Yet" title="Not Dark Yet">Not Dark Yet</a>", has been called one of Dylan's best songs<a href="#cite_note-259">[253]</a> and "<a href="/wiki/Make_You_Feel_My_Love" title="Make You Feel My Love">Make You Feel My Love</a>" was covered by <a href="/wiki/Billy_Joel" title="Billy Joel">Billy Joel</a>, <a href="/wiki/Garth_Brooks" title="Garth Brooks">Garth Brooks</a>, <a href="/wiki/Adele" title="Adele">Adele</a> and others. Elvis Costello said "I think it might be the best record he's made."<a href="#cite_note-260">[254]</a> <div class="mw-heading mw-heading3"><h3 id="2000–2009:_Oscar_win,_memoir,_and_Modern_Times">2000–2009: Oscar win, memoir, and Modern Times</h3></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1096940132"><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><noscript><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" data-file-width="160" data-file-height="160"></noscript><span class="lazy-image-placeholder" style="width: 50px;height: 50px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" data-alt="" data-width="50" data-height="50" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-class="mw-file-element"> <figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Things_Have_Changed.ogg" title="File:Things Have Changed.ogg">"Things Have Changed"</a></div> <div><audio id="mwe_player_5" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="21" data-mwtitle="Things_Have_Changed.ogg" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/d/dd/Things_Have_Changed.ogg" type='audio/ogg; codecs="vorbis"' data-width="0" data-height="0"></source><source src="//upload.wikimedia.org/wikipedia/en/transcoded/d/dd/Things_Have_Changed.ogg/Things_Have_Changed.ogg.mp3" type="audio/mpeg" data-transcodekey="mp3" data-width="0" data-height="0"></source></audio></div> <div class="description">Dylan's <a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Oscar</a>-winning song was featured in the movie <a href="/wiki/Wonder_Boys_(film)" title="Wonder Boys (film)">Wonder Boys</a>. The line "sapphire-tinted skies" echoes the verse of <a href="/wiki/Percy_Bysshe_Shelley" title="Percy Bysshe Shelley">Shelley</a><a href="#cite_note-261">[255]</a> while "forty miles of bad road" echoes <a href="/wiki/Duane_Eddy" title="Duane Eddy">Duane Eddy</a>'s <a href="/wiki/Forty_Miles_of_Bad_Road" title="Forty Miles of Bad Road">hit single</a>.</div></div></div></div> <div class="side-box-abovebelow"><hr>Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</div> </div> In 2001, Dylan won an <a href="/wiki/Academy_Award_for_Best_Original_Song" title="Academy Award for Best Original Song">Academy Award for Best Original Song</a> for "<a href="/wiki/Things_Have_Changed" title="Things Have Changed">Things Have Changed</a>", written for the film <a href="/wiki/Wonder_Boys_(film)" title="Wonder Boys (film)">Wonder Boys</a>.<a href="#cite_note-262">[256]</a> <a href="/wiki/%22Love_and_Theft%22" class="mw-redirect" title='"Love and Theft"'>"Love and Theft"</a> was released on September 11, 2001. Recorded with his touring band, Dylan produced the album under the alias Jack Frost.<a href="#cite_note-263">[257]</a> Critics noted that Dylan was widening his musical palette to include <a href="/wiki/Rockabilly" title="Rockabilly">rockabilly</a>, <a href="/wiki/Western_swing" title="Western swing">Western swing</a>, <a href="/wiki/Jazz" title="Jazz">jazz</a> and <a href="/wiki/Lounge_music" title="Lounge music">lounge music</a>.<a href="#cite_note-264">[258]</a> The album won the <a href="/wiki/Grammy_Award_for_Best_Contemporary_Folk_Album" title="Grammy Award for Best Contemporary Folk Album">Grammy Award for Best Contemporary Folk Album</a>.<a href="#cite_note-265">[259]</a> Controversy ensued when <a href="/wiki/The_Wall_Street_Journal" title="The Wall Street Journal">The Wall Street Journal</a> pointed out similarities between the album's lyrics and <a href="/wiki/Junichi_Saga" title="Junichi Saga">Junichi Saga</a>'s book <a href="/wiki/Confessions_of_a_Yakuza" title="Confessions of a Yakuza">Confessions of a Yakuza</a>. Saga was not familiar with Dylan's work, but said he was flattered. Upon hearing the album, Saga said of Dylan: "His lines flow from one image to the next and don't always make sense. But they have a great atmosphere."<a href="#cite_note-266">[260]</a><a href="#cite_note-267">[261]</a> In 2003, Dylan revisited the evangelical songs from his Christian period and participated in the project <a href="/wiki/Gotta_Serve_Somebody:_The_Gospel_Songs_of_Bob_Dylan" title="Gotta Serve Somebody: The Gospel Songs of Bob Dylan">Gotta Serve Somebody: The Gospel Songs of Bob Dylan</a>. That year, Dylan released <a href="/wiki/Masked_%26_Anonymous" class="mw-redirect" title="Masked & Anonymous">Masked & Anonymous</a>, which he co-wrote with director <a href="/wiki/Larry_Charles" title="Larry Charles">Larry Charles</a> under the alias Sergei Petrov.<a href="#cite_note-268">[262]</a> Dylan starred as Jack Fate, alongside a cast that included <a href="/wiki/Jeff_Bridges" title="Jeff Bridges">Jeff Bridges</a>, <a href="/wiki/Pen%C3%A9lope_Cruz" title="Penélope Cruz">Penélope Cruz</a> and <a href="/wiki/John_Goodman" title="John Goodman">John Goodman</a>. The film polarized critics.<a href="#cite_note-269">[263]</a> In The New York Times, <a href="/wiki/A._O._Scott" title="A. O. Scott">A. O. Scott</a> called it as an "incoherent mess";<a href="#cite_note-270">[264]</a> a few treated it as a serious work of art.<a href="#cite_note-271">[265]</a><a href="#cite_note-Masked-272">[266]</a> In 2004, Dylan published the first part of his memoir, <a href="/wiki/Chronicles:_Volume_One" title="Chronicles: Volume One">Chronicles: Volume One</a>. Confounding expectations,<a href="#cite_note-Maslin-273">[267]</a> Dylan devoted three chapters to his first year in New York City in 1961–1962, virtually ignoring the mid-1960s when his fame was at its height, while devoting chapters to the albums New Morning (1970) and Oh Mercy (1989). The book reached number two on The New York Times' Hardcover Non-Fiction bestseller list in December 2004 and was nominated for a <a href="/wiki/National_Book_Award" title="National Book Award">National Book Award</a>.<a href="#cite_note-274">[268]</a> Critics noted that Chronicles contained many examples of pastiche and borrowing; sources included <a href="/wiki/Time_(magazine)" title="Time (magazine)">Time magazine</a><a href="#cite_note-275">[269]</a> and the novels of <a href="/wiki/Jack_London" title="Jack London">Jack London</a>.<a href="#cite_note-276">[270]</a> Biographer <a href="/wiki/Clinton_Heylin" title="Clinton Heylin">Clinton Heylin</a> queried the veracity of Dylan's autobiography, noting "Not a single checkable story held water; not one anecdote couldn't be shot full of holes by any half-decent researcher."<a href="#cite_note-277">[271]</a> Martin Scorsese's Dylan documentary <a href="/wiki/No_Direction_Home" title="No Direction Home">No Direction Home</a> was broadcast on September 26–27, 2005, on <a href="/wiki/BBC_Two" title="BBC Two">BBC Two</a> in the UK and as part of <a href="/wiki/American_Masters" title="American Masters">American Masters</a> on <a href="/wiki/PBS" title="PBS">PBS</a> in the US.<a href="#cite_note-278">[272]</a> It covers the period from Dylan's arrival in New York in 1961 to his motorcycle crash in 1966, featuring interviews with <a href="/wiki/Suze_Rotolo" title="Suze Rotolo">Suze Rotolo</a>, <a href="/wiki/Liam_Clancy" title="Liam Clancy">Liam Clancy</a>, Joan Baez, Allen Ginsberg, Pete Seeger, <a href="/wiki/Mavis_Staples" title="Mavis Staples">Mavis Staples</a> and Dylan himself. The film earned a <a href="/wiki/Peabody_Award" class="mw-redirect" title="Peabody Award">Peabody Award</a><a href="#cite_note-279">[273]</a> and a <a href="/wiki/Alfred_I._duPont%E2%80%93Columbia_University_Award" title="Alfred I. duPont–Columbia University Award">Columbia-duPont Award</a>.<a href="#cite_note-280">[274]</a> The <a href="/wiki/The_Bootleg_Series_Vol._7:_No_Direction_Home:_The_Soundtrack" title="The Bootleg Series Vol. 7: No Direction Home: The Soundtrack">accompanying soundtrack</a> featured unreleased songs from Dylan's early years.<a href="#cite_note-NYT-281">[275]</a> Dylan's career as a radio presenter began on May 3, 2006, with his weekly program, <a href="/wiki/Theme_Time_Radio_Hour" title="Theme Time Radio Hour">Theme Time Radio Hour</a>, on <a href="/wiki/XM_Satellite_Radio" title="XM Satellite Radio">XM Satellite Radio</a>. He played songs with a common theme, such as "Weather", "Weddings", "Dance" and "Dreams".<a href="#cite_note-282">[276]</a><a href="#cite_note-283">[277]</a> Dylan's records ranged from <a href="/wiki/Muddy_Waters" title="Muddy Waters">Muddy Waters</a> to <a href="/wiki/Prince_(musician)" title="Prince (musician)">Prince</a>, <a href="/wiki/L.L._Cool_J" class="mw-redirect" title="L.L. Cool J">L.L. Cool J</a> to <a href="/wiki/The_Streets" title="The Streets">the Streets</a>. Dylan's show was praised for the breadth of his musical selections<a href="#cite_note-284">[278]</a> and for his jokes, stories and eclectic references.<a href="#cite_note-285">[279]</a><a href="#cite_note-286">[280]</a> In April 2009, Dylan broadcast the 100th show in his radio series; the theme was "Goodbye" and he signed off with Woody Guthrie's "<a href="/wiki/So_Long,_It%27s_Been_Good_to_Know_Yuh" title="So Long, It's Been Good to Know Yuh">So Long, It's Been Good to Know Yuh</a>".<a href="#cite_note-287">[281]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Dylan2_Spectrum.jpg" class="mw-file-description"><noscript><img alt="Dylan together with five members of his band onstage. Dylan, dressed in a white shirt and black pants, is second from right." src="//upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Dylan2_Spectrum.jpg/220px-Dylan2_Spectrum.jpg" decoding="async" width="220" height="102" class="mw-file-element" data-file-width="1000" data-file-height="465"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 102px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Dylan2_Spectrum.jpg/220px-Dylan2_Spectrum.jpg" data-alt="Dylan together with five members of his band onstage. Dylan, dressed in a white shirt and black pants, is second from right." data-width="220" data-height="102" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Dylan2_Spectrum.jpg/330px-Dylan2_Spectrum.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Dylan2_Spectrum.jpg/440px-Dylan2_Spectrum.jpg 2x" data-class="mw-file-element"> </a><figcaption>Dylan, the Spectrum, 2007</figcaption></figure> Dylan released <a href="/wiki/Modern_Times_(Bob_Dylan_album)" title="Modern Times (Bob Dylan album)">Modern Times</a> in August 2006. Despite some coarsening of Dylan's voice (a critic for <a href="/wiki/The_Guardian" title="The Guardian">The Guardian</a> characterized his singing on the album as "a catarrhal death rattle"<a href="#cite_note-288">[282]</a>) most reviewers praised the album, and many described it as the final installment of a successful trilogy, encompassing Time Out of Mind and "Love and Theft".<a href="#cite_note-289">[283]</a> Modern Times entered the US charts at number one, making it Dylan's first album to reach that position since 1976's Desire.<a href="#cite_note-290">[284]</a> The New York Times published an article exploring similarities between some of Dylan's lyrics in Modern Times and the work of the <a href="/wiki/American_Civil_War" title="American Civil War">Civil War</a> poet <a href="/wiki/Henry_Timrod" title="Henry Timrod">Henry Timrod</a>.<a href="#cite_note-nytTimrod-291">[285]</a> Modern Times won the Grammy Award for Best Contemporary Folk Album and Dylan won <a href="/wiki/Grammy_Award_for_Best_Rock_Vocal_Performance,_Solo" class="mw-redirect" title="Grammy Award for Best Rock Vocal Performance, Solo">Best Solo Rock Vocal Performance</a> for "Someday Baby".<a href="#cite_note-292">[286]</a> Modern Times was named Album of the Year by Rolling Stone<a href="#cite_note-293">[287]</a> and <a href="/wiki/Uncut_(magazine)" title="Uncut (magazine)">Uncut</a>.<a href="#cite_note-294">[288]</a> On the same day that Modern Times was released, the <a href="/wiki/ITunes_Music_Store" class="mw-redirect" title="ITunes Music Store">iTunes Music Store</a> released <a href="/wiki/Bob_Dylan:_The_Collection" title="Bob Dylan: The Collection">Bob Dylan: The Collection</a>, a digital box set containing all of his albums (773 tracks), along with 42 rare and unreleased tracks.<a href="#cite_note-295">[289]</a> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Bob_Dylan_in_Toronto.jpg" class="mw-file-description"><noscript><img alt="Dylan, dressed in a black western outfit with red highlights, stands onstage and plays the keyboards. He gazes to the left of the photo. Behind him is a guitar player, dressed in black." src="//upload.wikimedia.org/wikipedia/commons/thumb/3/38/Bob_Dylan_in_Toronto.jpg/220px-Bob_Dylan_in_Toronto.jpg" decoding="async" width="220" height="165" class="mw-file-element" data-file-width="800" data-file-height="600"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 165px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/3/38/Bob_Dylan_in_Toronto.jpg/220px-Bob_Dylan_in_Toronto.jpg" data-alt="Dylan, dressed in a black western outfit with red highlights, stands onstage and plays the keyboards. He gazes to the left of the photo. Behind him is a guitar player, dressed in black." data-width="220" data-height="165" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/38/Bob_Dylan_in_Toronto.jpg/330px-Bob_Dylan_in_Toronto.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/38/Bob_Dylan_in_Toronto.jpg/440px-Bob_Dylan_in_Toronto.jpg 2x" data-class="mw-file-element"> </a><figcaption>Bob Dylan performs at Air Canada Centre, Toronto, November 7, 2006.</figcaption></figure> On October 1, 2007, Columbia Records released the triple CD retrospective <a href="/wiki/Dylan_(2007_album)" title="Dylan (2007 album)">Dylan</a>, anthologizing his entire career under the Dylan 07 logo.<a href="#cite_note-296">[290]</a> The sophistication of the Dylan 07 marketing campaign was a reminder that Dylan's commercial profile had risen considerably since the 1990s. This became evident in 2004, when Dylan appeared in a TV advertisement for <a href="/wiki/Victoria%27s_Secret" title="Victoria's Secret">Victoria's Secret</a>.<a href="#cite_note-297">[291]</a> In October 2007, he participated in a multi-media campaign for the 2008 <a href="/wiki/Cadillac_Escalade" title="Cadillac Escalade">Cadillac Escalade</a>.<a href="#cite_note-298">[292]</a><a href="#cite_note-299">[293]</a> In 2009 he gave the highest profile endorsement of his career to date, appearing with rapper <a href="/wiki/Will.i.am" title="Will.i.am">will.i.am</a> in a <a href="/wiki/Pepsi" title="Pepsi">Pepsi</a> ad that debuted during <a href="/wiki/Super_Bowl_XLIII" title="Super Bowl XLIII">Super Bowl XLIII</a>. The ad opened with Dylan singing the first verse of "Forever Young" followed by will.i.am doing a <a href="/wiki/Hip_hop_music" class="mw-redirect" title="Hip hop music">hip hop</a> version of the song's third and final verse.<a href="#cite_note-300">[294]</a> <a href="/wiki/The_Bootleg_Series_Vol._8_%E2%80%93_Tell_Tale_Signs:_Rare_and_Unreleased_1989%E2%80%932006" class="mw-redirect" title="The Bootleg Series Vol. 8 – Tell Tale Signs: Rare and Unreleased 1989–2006">The Bootleg Series Vol. 8 – Tell Tale Signs</a> was released in October 2008, as both a two-CD set and a three-CD version with a 150-page hardcover book. The set contains live performances and outtakes from selected studio albums from Oh Mercy to Modern Times, as well as soundtrack contributions and collaborations with <a href="/wiki/David_Bromberg" title="David Bromberg">David Bromberg</a> and <a href="/wiki/Ralph_Stanley" title="Ralph Stanley">Ralph Stanley</a>.<a href="#cite_note-301">[295]</a> The pricing of the album—the two-CD set went on sale for $18.99 and the three-CD version for $129.99—led to complaints about "rip-off packaging".<a href="#cite_note-302">[296]</a><a href="#cite_note-303">[297]</a> The release was widely acclaimed by critics.<a href="#cite_note-304">[298]</a> The abundance of alternative takes and unreleased material suggested to one reviewer that this volume of old outtakes "feels like a new Bob Dylan record, not only for the astonishing freshness of the material, but also for the incredible sound quality and organic feeling of everything here".<a href="#cite_note-305">[299]</a> Dylan released <a href="/wiki/Together_Through_Life" title="Together Through Life">Together Through Life</a> on April 28, 2009. In a conversation with music journalist Bill Flanagan, Dylan explained it originated when French director <a href="/wiki/Olivier_Dahan" title="Olivier Dahan">Olivier Dahan</a> asked him to supply a song for his movie <a href="/wiki/My_Own_Love_Song" title="My Own Love Song">My Own Love Song</a>. He initially intended to record a single track, "Life Is Hard", but "the record sort of took its own direction".<a href="#cite_note-306">[300]</a> Nine of the album's ten songs are credited as co-written by Dylan and <a href="/wiki/Robert_Hunter_(lyricist)" title="Robert Hunter (lyricist)">Robert Hunter</a>.<a href="#cite_note-307">[301]</a> The album received largely favorable reviews,<a href="#cite_note-308">[302]</a> although several critics described it as a minor addition to Dylan's canon.<a href="#cite_note-309">[303]</a> In its first week of release, the album reached number one on the <a href="/wiki/Billboard_200" title="Billboard 200">Billboard 200</a> chart in the US, making Dylan, at 67 years of age, the oldest artist to ever debut at number one on that chart.<a href="#cite_note-Caulfield,_Keith-310">[304]</a> Dylan's <a href="/wiki/Christmas_in_the_Heart" title="Christmas in the Heart">Christmas in the Heart</a> was released in October 2009, comprising such <a href="/wiki/Christmas_music" title="Christmas music">Christmas standards</a> as "<a href="/wiki/Little_Drummer_Boy" class="mw-redirect" title="Little Drummer Boy">Little Drummer Boy</a>", "<a href="/wiki/Winter_Wonderland" title="Winter Wonderland">Winter Wonderland</a>" and "<a href="/wiki/Here_Comes_Santa_Claus" title="Here Comes Santa Claus">Here Comes Santa Claus</a>".<a href="#cite_note-311">[305]</a> <a href="/wiki/Edna_Gundersen" title="Edna Gundersen">Edna Gundersen</a> wrote that Dylan was "revisiting yuletide styles popularized by <a href="/wiki/Nat_King_Cole" title="Nat King Cole">Nat King Cole</a>, <a href="/wiki/Mel_Torm%C3%A9" title="Mel Tormé">Mel Tormé</a>, and the <a href="/wiki/Ray_Conniff_Singers" class="mw-redirect" title="Ray Conniff Singers">Ray Conniff Singers</a>".<a href="#cite_note-312">[306]</a> Dylan's royalties from the album were donated to the charities <a href="/wiki/Feeding_America" title="Feeding America">Feeding America</a> in the US, <a href="/wiki/Crisis_(charity)" title="Crisis (charity)">Crisis</a> in the UK, and the <a href="/wiki/World_Food_Programme" title="World Food Programme">World Food Programme</a>.<a href="#cite_note-UK_Fundraising-313">[307]</a> The album received generally favorable reviews.<a href="#cite_note-314">[308]</a> In an interview published in <a href="/wiki/The_Big_Issue" title="The Big Issue">The Big Issue</a>, Flanagan asked Dylan why he had performed the songs in a straightforward style, and he replied: "There wasn't any other way to play it. These songs are part of my life, just like folk songs. You have to play them straight too."<a href="#cite_note-Dylan_2009_interview_with_Bill_Flanagan-315">[309]</a> <div class="mw-heading mw-heading3"><h3 id="2010–2019:_Tempest_and_continued_recordings">2010–2019: Tempest and continued recordings</h3></div> Volume 9 of Dylan's Bootleg Series, <a href="/wiki/The_Bootleg_Series_Vol._9_%E2%80%93_The_Witmark_Demos:_1962%E2%80%931964" class="mw-redirect" title="The Bootleg Series Vol. 9 – The Witmark Demos: 1962–1964">The Witmark Demos</a>, was issued in October 18, 2010. It comprised 47 <a href="/wiki/Demo_(music)" title="Demo (music)">demo recordings</a> of songs taped between 1962 and 1964 for Dylan's earliest music publishers: Leeds Music in 1962, and <a href="/wiki/M._Witmark_%26_Sons" title="M. Witmark & Sons">Witmark Music</a> from 1962 to 1964. One reviewer described the set as "a hearty glimpse of young Bob Dylan changing the music business, and the world, one note at a time."<a href="#cite_note-316">[310]</a> On the critical aggregator <a href="/wiki/Metacritic" title="Metacritic">Metacritic</a>, the album has a score of 86, indicating "universal acclaim".<a href="#cite_note-317">[311]</a> In the same week, <a href="/wiki/Legacy_Recordings" title="Legacy Recordings">Sony Legacy</a> released <a href="/wiki/The_Original_Mono_Recordings" title="The Original Mono Recordings">Bob Dylan: The Original Mono Recordings</a>, a box set that presented Dylan's eight earliest albums, from Bob Dylan (1962) to John Wesley Harding (1967), in their original mono mix in the CD format for the first time. The set was accompanied by a booklet featuring an essay by Greil Marcus.<a href="#cite_note-318">[312]</a><a href="#cite_note-319">[313]</a> On April 12, 2011, Legacy Recordings released <a href="/wiki/In_Concert_%E2%80%93_Brandeis_University_1963" title="In Concert – Brandeis University 1963">Bob Dylan in Concert – Brandeis University 1963</a>, taped at <a href="/wiki/Brandeis_University" title="Brandeis University">Brandeis University</a> on May 10, 1963, two weeks before the release of The Freewheelin' Bob Dylan. The tape was discovered in the archive of music writer <a href="/wiki/Ralph_J._Gleason" title="Ralph J. Gleason">Ralph J. Gleason</a>, and the recording carries liner notes by Michael Gray, who says it captures Dylan "from way back when Kennedy was President and the Beatles hadn't yet reached America. It reveals him not at any Big Moment but giving a performance like his folk club sets of the period ... This is the last live performance we have of Bob Dylan before he becomes a star."<a href="#cite_note-320">[314]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Dylan-Obamas-White_House-20100209.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f4/Dylan-Obamas-White_House-20100209.jpg/220px-Dylan-Obamas-White_House-20100209.jpg" decoding="async" width="220" height="147" class="mw-file-element" data-file-width="1536" data-file-height="1024"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 147px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f4/Dylan-Obamas-White_House-20100209.jpg/220px-Dylan-Obamas-White_House-20100209.jpg" data-width="220" data-height="147" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f4/Dylan-Obamas-White_House-20100209.jpg/330px-Dylan-Obamas-White_House-20100209.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f4/Dylan-Obamas-White_House-20100209.jpg/440px-Dylan-Obamas-White_House-20100209.jpg 2x" data-class="mw-file-element"> </a><figcaption>Dylan and the Obamas at the <a href="/wiki/White_House" title="White House">White House</a>, after a performance celebrating music from the <a href="/wiki/Civil_rights_movement" title="Civil rights movement">civil rights movement</a> (February 9, 2010)</figcaption></figure> On Dylan's 70th birthday, three universities organized symposia on his work: the <a href="/wiki/University_of_Mainz" title="University of Mainz">University of Mainz</a>,<a href="#cite_note-321">[315]</a> the <a href="/wiki/University_of_Vienna" title="University of Vienna">University of Vienna</a>,<a href="#cite_note-322">[316]</a> and the <a href="/wiki/University_of_Bristol" title="University of Bristol">University of Bristol</a><a href="#cite_note-323">[317]</a> invited literary critics and cultural historians to give papers on aspects of Dylan's work. Other events, including tribute bands, discussions and simple singalongs, took place around the world, as reported in The Guardian: "From Moscow to Madrid, Norway to Northampton and Malaysia to his home state of Minnesota, self-confessed 'Bobcats' will gather today to celebrate the 70th birthday of a giant of popular music."<a href="#cite_note-324">[318]</a> Dylan's 35th studio album, <a href="/wiki/Tempest_(Bob_Dylan_album)" title="Tempest (Bob Dylan album)">Tempest</a>, was released on September 11, 2012.<a href="#cite_note-325">[319]</a> The album features a tribute to John Lennon, "<a href="/wiki/Roll_On_John" title="Roll On John">Roll On John</a>", and <a href="/wiki/Tempest_(Bob_Dylan_song)" title="Tempest (Bob Dylan song)">the title track</a> is a 14-minute song about the <a href="/wiki/Sinking_of_the_RMS_Titanic" class="mw-redirect" title="Sinking of the RMS Titanic">sinking of the Titanic</a>.<a href="#cite_note-326">[320]</a> In Rolling Stone, Will Hermes gave Tempest five out of five stars, writing: "Lyrically, Dylan is at the top of his game, joking around, dropping wordplay and allegories that evade pat readings and quoting other folks' words like a freestyle rapper on fire".<a href="#cite_note-tempestrollingstone-327">[321]</a> Volume 10 of Dylan's Bootleg Series, <a href="/wiki/The_Bootleg_Series_Vol._10:_Another_Self_Portrait_(1969%E2%80%931971)" title="The Bootleg Series Vol. 10: Another Self Portrait (1969–1971)">Another Self Portrait (1969–1971)</a>, was released in August 2013.<a href="#cite_note-328">[322]</a> The album contained 35 previously unreleased tracks, including alternative takes and demos from Dylan's 1969–1971 recording sessions during the making of the Self Portrait and New Morning albums. The box set also included a live recording of Dylan's performance with the Band at the Isle of Wight Festival in 1969. Thom Jurek wrote, "For fans, this is more than a curiosity, it's an indispensable addition to the catalog."<a href="#cite_note-329">[323]</a> Columbia Records released a boxed set containing all 35 Dylan studio albums, six albums of live recordings and a collection of non-album material (Sidetracks) as <a href="/wiki/The_Complete_Album_Collection_Vol._1_(album)" class="mw-redirect" title="The Complete Album Collection Vol. 1 (album)">Bob Dylan: Complete Album Collection: Vol. One</a>, in November 2013.<a href="#cite_note-330">[324]</a><a href="#cite_note-331">[325]</a> To publicize the box set, an innovative video of "Like a Rolling Stone" was released on Dylan's website. The interactive video, created by director <a href="/wiki/Vania_Heymann" title="Vania Heymann">Vania Heymann</a>, allowed viewers to switch between 16 simulated TV channels, all featuring characters who are lip-synching the lyrics.<a href="#cite_note-332">[326]</a><a href="#cite_note-333">[327]</a> Dylan appeared in a commercial for the <a href="/wiki/Chrysler_200" title="Chrysler 200">Chrysler 200</a> car which aired during the <a href="/wiki/Super_Bowl_XLVIII" title="Super Bowl XLVIII">2014 Super Bowl</a>. In it, he says that "Detroit made cars and cars made America... So let Germany brew your beer, let Switzerland make your watch, let Asia assemble your phone. We will build your car." Dylan's ad was criticized for its <a href="/wiki/Protectionism" title="Protectionism">protectionist</a> implications, and people wondered whether he had "<a href="/wiki/Selling_out" title="Selling out">sold out</a>".<a href="#cite_note-334">[328]</a><a href="#cite_note-335">[329]</a> The Lyrics: Since 1962 was published by <a href="/wiki/Simon_%26_Schuster" title="Simon & Schuster">Simon & Schuster</a> in the fall of 2014. The book was edited by literary critic <a href="/wiki/Christopher_Ricks" title="Christopher Ricks">Christopher Ricks</a>, Julie Nemrow and Lisa Nemrow and offered variant versions of Dylan's songs, sourced from out-takes and live performances. A limited edition of 50 books, signed by Dylan, was priced at $5,000. "It's the biggest, most expensive book we've ever published, as far as I know", said Jonathan Karp, Simon & Schuster's president and publisher.<a href="#cite_note-336">[330]</a><a href="#cite_note-337">[331]</a> A comprehensive edition of the Basement Tapes, songs recorded by Dylan and the Band in 1967, was released as <a href="/wiki/The_Bootleg_Series_Vol._11:_The_Basement_Tapes_Complete" title="The Bootleg Series Vol. 11: The Basement Tapes Complete">The Bootleg Series Vol. 11: The Basement Tapes Complete</a> in November 2014. The album included 138 tracks in a six-CD box; the 1975 album The Basement Tapes contained just 24 tracks from the material which Dylan and the Band had recorded at their homes in Woodstock, New York in 1967. Subsequently, <a href="/wiki/List_of_Basement_Tapes_songs" title="List of Basement Tapes songs">over 100 recordings and alternate takes</a> had circulated on bootleg records. The sleeve notes are by author <a href="/wiki/Sid_Griffin" title="Sid Griffin">Sid Griffin</a>.<a href="#cite_note-338">[332]</a><a href="#cite_note-339">[333]</a> The Basement Tapes Complete won the <a href="/wiki/Grammy_Award_for_Best_Historical_Album" title="Grammy Award for Best Historical Album">Grammy Award for Best Historical Album</a>.<a href="#cite_note-340">[334]</a> The box set earned a score of 99 on Metacritic.<a href="#cite_note-341">[335]</a> In February 2015, Dylan released <a href="/wiki/Shadows_in_the_Night" title="Shadows in the Night">Shadows in the Night</a>, featuring ten songs written between 1923 and 1963,<a href="#cite_note-secret-342">[336]</a><a href="#cite_note-ShadowsBauder-343">[337]</a> which have been described as part of the <a href="/wiki/Great_American_Songbook" title="Great American Songbook">Great American Songbook</a>.<a href="#cite_note-ShadowsPetridis-344">[338]</a> All of the songs had been recorded by <a href="/wiki/Frank_Sinatra" title="Frank Sinatra">Frank Sinatra</a>, but both critics and Dylan himself cautioned against seeing the record as a collection of "Sinatra covers".<a href="#cite_note-secret-342">[336]</a><a href="#cite_note-ShadowsGq-345">[339]</a> Dylan explained: "I don't see myself as covering these songs in any way. They've been covered enough. Buried, as a matter a fact. What me and my band are basically doing is uncovering them. Lifting them out of the grave and bringing them into the light of day".<a href="#cite_note-346">[340]</a> Critics praised the restrained instrumental backings and the quality of Dylan's singing.<a href="#cite_note-ShadowsPetridis-344">[338]</a><a href="#cite_note-ShadowsTelegraph-347">[341]</a> The album debuted at number one in the <a href="/wiki/UK_Albums_Chart" title="UK Albums Chart">UK Albums Chart</a> in its first week of release.<a href="#cite_note-348">[342]</a> <a href="/wiki/The_Bootleg_Series_Vol._12:_The_Cutting_Edge_1965%E2%80%931966" title="The Bootleg Series Vol. 12: The Cutting Edge 1965–1966">The Bootleg Series Vol. 12: The Cutting Edge 1965–1966</a>, consisting of previously unreleased material from the three albums Dylan recorded between January 1965 and March 1966 (Bringing It All Back Home, Highway 61 Revisited and Blonde on Blonde) was released in November 2015. The set was released in three formats: a 2-CD "Best Of" version, a 6-CD "Deluxe edition", and an 18-CD limited "Collector's Edition". On Dylan's website the "Collector's Edition" was described as containing "every single note recorded by Bob Dylan in the studio in 1965/1966".<a href="#cite_note-349">[343]</a><a href="#cite_note-350">[344]</a> The Best of the Cutting Edge entered the <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a> Top Rock Albums chart at number one on November 18, based on its first-week sales.<a href="#cite_note-351">[345]</a> Dylan released <a href="/wiki/Fallen_Angels_(Bob_Dylan_album)" title="Fallen Angels (Bob Dylan album)">Fallen Angels</a>, described as "a direct continuation of the work of 'uncovering' the Great Songbook that he began on Shadows In the Night", in May.<a href="#cite_note-Ward-352">[346]</a> The album contained twelve songs by classic songwriters such as <a href="/wiki/Harold_Arlen" title="Harold Arlen">Harold Arlen</a>, <a href="/wiki/Sammy_Cahn" title="Sammy Cahn">Sammy Cahn</a> and <a href="/wiki/Johnny_Mercer" title="Johnny Mercer">Johnny Mercer</a>, eleven of which had been recorded by Sinatra.<a href="#cite_note-Ward-352">[346]</a> Jim Farber wrote in <a href="/wiki/Entertainment_Weekly" title="Entertainment Weekly">Entertainment Weekly</a>: "Tellingly, [Dylan] delivers these songs of love lost and cherished not with a burning passion but with the wistfulness of experience. They're memory songs now, intoned with a present sense of commitment. Released just four days ahead of his 75th birthday, they couldn't be more age-appropriate".<a href="#cite_note-353">[347]</a> <a href="/wiki/The_1966_Live_Recordings_(Album)" class="mw-redirect" title="The 1966 Live Recordings (Album)">The 1966 Live Recordings</a>, including every known recording of Dylan's 1966 concert tour, was released in November 2016.<a href="#cite_note-354">[348]</a> The recordings commence with the concert in White Plains New York on February 5, 1966, and end with the <a href="/wiki/Royal_Albert_Hall" title="Royal Albert Hall">Royal Albert Hall</a> concert in London on May 27.<a href="#cite_note-355">[349]</a><a href="#cite_note-356">[350]</a> The New York Times reported most of the concerts had "never been heard in any form", and described the set as "a monumental addition to the corpus".<a href="#cite_note-357">[351]</a> In March 2017, Dylan released a triple album of 30 more recordings of classic American songs, <a href="/wiki/Triplicate_(Bob_Dylan_album)" title="Triplicate (Bob Dylan album)">Triplicate</a>. Dylan's 38th studio album was recorded in <a href="/wiki/Capitol_Studios" title="Capitol Studios">Hollywood's Capitol Studios</a> and features his touring band.<a href="#cite_note-358">[352]</a> Dylan posted a long interview on his website to promote the album, and was asked if this material was an exercise in nostalgia. <blockquote>Nostalgic? No I wouldn't say that. It's not taking a trip down memory lane or longing and yearning for the good old days or fond memories of what's no more. A song like <a href="/wiki/Sentimental_Journey_(song)" title="Sentimental Journey (song)">'Sentimental Journey'</a> is not a way back when song, it doesn't emulate the past, it's attainable and down to earth, it's in the here and now.<a href="#cite_note-359">[353]</a></blockquote> Critics praised the thoroughness of Dylan's exploration of the Great American Songbook, though, in the opinion of Uncut, "For all its easy charms, Triplicate labours its point to the brink of overkill. After five albums' worth of croon toons, this feels like a fat full stop on a fascinating chapter."<a href="#cite_note-360">[354]</a> The next volume of Dylan's Bootleg Series revisited his "Born Again" Christian period of 1979 to 1981, described by Rolling Stone as "an intense, wildly controversial time that produced three albums and some of the most confrontational concerts of his long career".<a href="#cite_note-Trouble-361">[355]</a> Reviewing the box set <a href="/wiki/The_Bootleg_Series_Vol._13:_Trouble_No_More_1979%E2%80%931981" title="The Bootleg Series Vol. 13: Trouble No More 1979–1981">The Bootleg Series Vol. 13: Trouble No More 1979–1981</a>, comprising 8 CDs and 1 DVD,<a href="#cite_note-Trouble-361">[355]</a> <a href="/wiki/Jon_Pareles" title="Jon Pareles">Jon Pareles</a> wrote in The New York Times: <blockquote>Decades later, what comes through these recordings above all is Mr. Dylan's unmistakable fervor, his sense of mission. The studio albums are subdued, even tentative, compared with what the songs became on the road. Mr. Dylan's voice is clear, cutting and ever improvisational; working the crowds, he was emphatic, committed, sometimes teasingly combative. And the band tears into the music.<a href="#cite_note-362">[356]</a></blockquote> Trouble No More includes a DVD of a film directed by Jennifer Lebeau consisting of live footage of Dylan's gospel performances interspersed with sermons delivered by actor <a href="/wiki/Michael_Shannon" title="Michael Shannon">Michael Shannon</a>. In April 2018, Dylan made a contribution to the compilation EP <a href="/wiki/Universal_Love_%E2%80%93_Wedding_Songs_Reimagined" title="Universal Love – Wedding Songs Reimagined">Universal Love</a>, a collection of reimagined wedding songs for the <a href="/wiki/LGBT" class="mw-redirect" title="LGBT">LGBT</a> community.<a href="#cite_note-MGMresorts-363">[357]</a> The album was funded by <a href="/wiki/MGM_Resorts_International" title="MGM Resorts International">MGM Resorts International</a> and the songs are intended to function as "wedding anthems for same-sex couples".<a href="#cite_note-VarietyLGBT-364">[358]</a> Dylan recorded the 1929 song "<a href="/wiki/She%27s_Funny_That_Way" title="She's Funny That Way">She's Funny That Way</a>", changing the gender pronoun to "He's Funny That Way". The song was previously recorded by <a href="/wiki/Billie_Holiday" title="Billie Holiday">Billie Holiday</a> and Frank Sinatra.<a href="#cite_note-VarietyLGBT-364">[358]</a><a href="#cite_note-NYTGay-365">[359]</a> That same month, The New York Times reported that Dylan was launching Heaven's Door, a range of three <a href="/wiki/Whisky" title="Whisky">whiskeys</a>. The Times described the venture as "Mr. Dylan's entry into the booming celebrity-branded spirits market, the latest career twist for an artist who has spent five decades confounding expectations".<a href="#cite_note-NYTwhiskey-366">[360]</a> Dylan has been involved in both the creation and the marketing of the range; on September 21, 2020, Dylan resurrected Theme Time Radio Hour with a two-hour special with the theme of "Whiskey".<a href="#cite_note-whisk-367">[361]</a> On November 2, 2018, Dylan released <a href="/wiki/The_Bootleg_Series_Vol._14:_More_Blood,_More_Tracks" title="The Bootleg Series Vol. 14: More Blood, More Tracks">More Blood, More Tracks</a> as Volume 14 in the Bootleg Series. The set comprises all Dylan's recordings for Blood On the Tracks and was issued as a single CD and also as a six-CD Deluxe Edition.<a href="#cite_note-368">[362]</a> In 2019, <a href="/wiki/Netflix" title="Netflix">Netflix</a> released <a href="/wiki/Rolling_Thunder_Revue:_A_Bob_Dylan_Story_by_Martin_Scorsese" title="Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese">Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese</a>, billed as "Part documentary, part concert film, part fever dream".<a href="#cite_note-369">[363]</a><a href="#cite_note-Willman2019-370">[364]</a> The film received largely positive reviews but also aroused controversy because it mixed documentary footage filmed during the Rolling Thunder Revue in the fall of 1975 with fictitious characters and stories.<a href="#cite_note-371">[365]</a><a href="#cite_note-372">[366]</a> Coinciding with the film release, the box set <a href="/wiki/Bob_Dylan_%E2%80%93_The_Rolling_Thunder_Revue:_The_1975_Live_Recordings" title="Bob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings">The Rolling Thunder Revue: The 1975 Live Recordings</a>, was released by Columbia Records. The set comprises five full Dylan performances from the tour and recently discovered tapes from Dylan's tour rehearsals.<a href="#cite_note-373">[367]</a> The box set received an aggregate score of 89 on Metacritic, indicating "universal acclaim".<a href="#cite_note-374">[368]</a> The next installment of Dylan's Bootleg Series, <a href="/wiki/The_Bootleg_Series_Vol._15:_Travelin%27_Thru,_1967%E2%80%931969" title="The Bootleg Series Vol. 15: Travelin' Thru, 1967–1969">Bob Dylan (featuring Johnny Cash) – Travelin' Thru, 1967 – 1969: The Bootleg Series Vol. 15</a>, was released on November 1. The set comprises outtakes from Dylan's albums John Wesley Harding and Nashville Skyline, and songs that Dylan recorded with Johnny Cash in Nashville in 1969 and with <a href="/wiki/Earl_Scruggs" title="Earl Scruggs">Earl Scruggs</a> in 1970.<a href="#cite_note-375">[369]</a><a href="#cite_note-376">[370]</a> <div class="mw-heading mw-heading3"><h3 id="2020–present">2020–present</h3></div> Rough and Rowdy Ways <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Rough_and_Rowdy_Ways" title="Rough and Rowdy Ways">Rough and Rowdy Ways</a></div> On March 26, 2020, Dylan released "<a href="/wiki/Murder_Most_Foul_(song)" title="Murder Most Foul (song)">Murder Most Foul</a>", a seventeen-minute song revolving around the <a href="/wiki/Assassination_of_John_F._Kennedy" title="Assassination of John F. Kennedy">Kennedy assassination</a>, on his YouTube channel.<a href="#cite_note-mmf-377">[371]</a> <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a> reported on April 8 that "Murder Most Foul" had topped the Billboard Rock Digital Song Sales Chart, the first time that Dylan had scored a number one song on a pop chart under his own name.<a href="#cite_note-378">[372]</a> Three weeks later, on April 17, 2020, Dylan released another new song, "<a href="/wiki/I_Contain_Multitudes" title="I Contain Multitudes">I Contain Multitudes</a>".<a href="#cite_note-379">[373]</a><a href="#cite_note-380">[374]</a> The title is from <a href="/wiki/Walt_Whitman" title="Walt Whitman">Walt Whitman</a>'s poem "<a href="/wiki/Song_of_Myself" title="Song of Myself">Song of Myself</a>".<a href="#cite_note-381">[375]</a> On May 7, Dylan released a third single, "<a href="/wiki/False_Prophet_(song)" title="False Prophet (song)">False Prophet</a>", accompanied by the news that the three songs would all appear on a forthcoming double album. <a href="/wiki/Rough_and_Rowdy_Ways" title="Rough and Rowdy Ways">Rough and Rowdy Ways</a>, Dylan's 39th studio album and his first album of original material since 2012, was released on June 19 to favorable reviews.<a href="#cite_note-metaR-382">[376]</a> <a href="/wiki/Alexis_Petridis" title="Alexis Petridis">Alexis Petridis</a> wrote: "For all its bleakness, Rough and Rowdy Ways might well be Bob Dylan's most consistently brilliant set of songs in years: the die-hards can spend months unravelling the knottier lyrics, but you don't need a PhD in Dylanology to appreciate its singular quality and power."<a href="#cite_note-383">[377]</a> <a href="/wiki/Rob_Sheffield" title="Rob Sheffield">Rob Sheffield</a> wrote: "While the world keeps trying to celebrate him as an institution, pin him down, cast him in the Nobel Prize canon, embalm his past, this drifter always keeps on making his next escape. On Rough and Rowdy Ways, Dylan is exploring terrain nobody else has reached before—yet he just keeps pushing on into the future".<a href="#cite_note-384">[378]</a> The album earned a score of 95 on Metacritic, indicating "universal acclaim".<a href="#cite_note-metaR-382">[376]</a> In its first week of release Rough and Rowdy Ways reached number one on the UK album chart, making Dylan "the oldest artist to score a No. 1 of new, original material".<a href="#cite_note-385">[379]</a> In December 2020, it was announced that Dylan had sold his entire song catalog to <a href="/wiki/Universal_Music_Publishing_Group" title="Universal Music Publishing Group">Universal Music Publishing Group</a>,<a href="#cite_note-386">[380]</a> including both the income he receives as a songwriter and his control of their copyright. Universal, a division of the French media conglomerate <a href="/wiki/Vivendi" title="Vivendi">Vivendi</a>, will collect all future income from the songs.<a href="#cite_note-nytprice-387">[381]</a> The New York Times stated Universal had purchased the copyright to over 600 songs and the price was "estimated at more than $300 million",<a href="#cite_note-nytprice-387">[381]</a> although other reports suggested the figure was closer to $400 million.<a href="#cite_note-388">[382]</a> In February 2021, Columbia Records released 1970, a three-CD set of recordings from the Self Portrait and New Morning sessions, including the entirety of the session Dylan recorded with George Harrison on May 1, 1970.<a href="#cite_note-1970Box-389">[383]</a><a href="#cite_note-georg-390">[384]</a> Dylan's 80th birthday was commemorated by a virtual conference, Dylan@80, organized by the <a href="/wiki/University_of_Tulsa" title="University of Tulsa">University of Tulsa</a> Institute for Bob Dylan Studies. The program featured seventeen sessions over three days delivered by over fifty international scholars, journalists and musicians.<a href="#cite_note-391">[385]</a> Several new biographies and studies of Dylan were published.<a href="#cite_note-392">[386]</a><a href="#cite_note-393">[387]</a> In July 2021, livestream platform Veeps presented a 50-minute performance by Dylan, <a href="/wiki/Shadow_Kingdom:_The_Early_Songs_of_Bob_Dylan" title="Shadow Kingdom: The Early Songs of Bob Dylan">Shadow Kingdom: The Early Songs of Bob Dylan</a>.<a href="#cite_note-warrior-394">[388]</a> Filmed in black and white with a <a href="/wiki/Film_noir" title="Film noir">film noir</a> look,<a href="#cite_note-lynch-395">[389]</a> Dylan performed 13 songs in a club setting with an audience.<a href="#cite_note-warrior-394">[388]</a><a href="#cite_note-joy-396">[390]</a> The performance was favorably reviewed,<a href="#cite_note-joy-396">[390]</a><a href="#cite_note-lynch-395">[389]</a> and one critic suggested the backing band resembled the style of the musical <a href="/wiki/Girl_from_the_North_Country_(musical)" title="Girl from the North Country (musical)">Girl from the North Country</a>.<a href="#cite_note-397">[391]</a> The <a href="/wiki/Shadow_Kingdom" title="Shadow Kingdom">soundtrack to the film</a> was released on 2 LP and CD formats in June 2023.<a href="#cite_note-398">[392]</a> In September, Dylan released <a href="/wiki/The_Bootleg_Series_Vol._16:_Springtime_in_New_York_1980%E2%80%931985" title="The Bootleg Series Vol. 16: Springtime in New York 1980–1985">Springtime in New York: The Bootleg Series Vol. 16 (1980–1985)</a>, issued in 2 LP, 2 CD and 5 CD formats. It comprised rehearsals, live recordings, out-takes and alternative takes from Shot of Love, Infidels and Empire Burlesque.<a href="#cite_note-399">[393]</a> In <a href="/wiki/The_Daily_Telegraph" title="The Daily Telegraph">The Daily Telegraph</a>, <a href="/wiki/Neil_McCormick" title="Neil McCormick">Neil McCormick</a> wrote: "These bootleg sessions remind us that Dylan's worst period is still more interesting than most artists' purple patches".<a href="#cite_note-400">[394]</a> Springtime in New York received an aggregate score of 85 on Metacritic.<a href="#cite_note-401">[395]</a> On July 7, 2022, <a href="/wiki/Christie%27s" title="Christie's">Christie's</a>, London, auctioned a 2021 recording of Dylan singing "Blowin' in the Wind". The record was in an innovative "one of one" recording medium, branded as Ionic Original, which producer T Bone Burnett claimed "surpasses the sonic excellence and depth for which analogue sound is renowned, while at the same time boasting the durability of a digital recording."<a href="#cite_note-402">[396]</a><a href="#cite_note-403">[397]</a> The recording fetched GBP £1,482,000—equivalent to $1,769,508.<a href="#cite_note-1.8-404">[398]</a><a href="#cite_note-405">[399]</a> In November, Dylan published <a href="/wiki/The_Philosophy_of_Modern_Song" title="The Philosophy of Modern Song">The Philosophy of Modern Song</a>, a collection of 66 essays on songs by other artists. <a href="/wiki/The_New_Yorker" title="The New Yorker">The New Yorker</a> described it as "a rich, riffy, funny, and completely engaging book of essays".<a href="#cite_note-406">[400]</a> Other reviewers praised the book's eclectic outlook,<a href="#cite_note-407">[401]</a> while some questioned its variations in style and dearth of female songwriters.<a href="#cite_note-408">[402]</a> In January 2023, Dylan released <a href="/wiki/The_Bootleg_Series_Vol._17:_Fragments_%E2%80%93_Time_Out_of_Mind_Sessions_(1996%E2%80%931997)" title="The Bootleg Series Vol. 17: Fragments – Time Out of Mind Sessions (1996–1997)">The Bootleg Series Vol. 17: Fragments – Time Out of Mind Sessions (1996–1997)</a> in multiple formats. The 5-CD version comprised a re-mix of the 1997 album "to sound more like how the songs came across when the musicians originally played them in the room" without the effects and processing which producer Daniel Lanois applied later; 25 previously unreleased out-takes from the studio sessions; and a disc of live performances of each song on the album performed by Dylan and his band in concert.<a href="#cite_note-TOOM-409">[403]</a> On November 17, 2023, Dylan released <a href="/wiki/The_Complete_Budokan_1978" title="The Complete Budokan 1978">The Complete Budokan 1978</a>, containing the full recordings of the February 28 and March 1 Tokyo concerts from his 1978 Tour.<a href="#cite_note-410">[404]</a> Dylan contributed a cover version of <a href="/wiki/Cole_Porter" title="Cole Porter">Cole Porter</a>'s song "<a href="/wiki/Don%27t_Fence_Me_In_(song)" title="Don't Fence Me In (song)">Don't Fence Me In</a>" to the soundtrack of the biographical film <a href="/wiki/Reagan_(2024_film)" title="Reagan (2024 film)">Reagan</a>, which was released on August 30, 2024.<a href="#cite_note-411">[405]</a> On September 20, 2024, Dylan released <a href="/wiki/The_1974_Live_Recordings" title="The 1974 Live Recordings">The 1974 Live Recordings</a>, a 27-disc CD boxset of recordings from the 1974 Bob Dylan & The Band tour, featuring 417 previously unreleased live tracks.<a href="#cite_note-412">[406]</a> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(3)"><h2 id="Never_Ending_Tour">Never Ending Tour</h2></div><section class="mf-section-3 collapsible-block" id="mf-section-3"> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Never_Ending_Tour" title="Never Ending Tour">Never Ending Tour</a></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Bob_Dylan_Finsbury_Park_London_2011.jpg" class="mw-file-description"><noscript><img alt="Bob Dylan performing at Finsbury Park, London, June 18, 2011" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/53/Bob_Dylan_Finsbury_Park_London_2011.jpg/260px-Bob_Dylan_Finsbury_Park_London_2011.jpg" decoding="async" width="260" height="173" class="mw-file-element" data-file-width="4310" data-file-height="2868"></noscript><span class="lazy-image-placeholder" style="width: 260px;height: 173px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/5/53/Bob_Dylan_Finsbury_Park_London_2011.jpg/260px-Bob_Dylan_Finsbury_Park_London_2011.jpg" data-alt="Bob Dylan performing at Finsbury Park, London, June 18, 2011" data-width="260" data-height="173" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/53/Bob_Dylan_Finsbury_Park_London_2011.jpg/390px-Bob_Dylan_Finsbury_Park_London_2011.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/53/Bob_Dylan_Finsbury_Park_London_2011.jpg/520px-Bob_Dylan_Finsbury_Park_London_2011.jpg 2x" data-class="mw-file-element"> </a><figcaption>Dylan performing at Finsbury Park, London, June 18, 2011</figcaption></figure> The Never Ending Tour commenced on June 7, 1988.<a href="#cite_note-413">[407]</a> Dylan has played roughly 100 dates a year since, a heavier schedule than most performers who started in the 1960s.<a href="#cite_note-414">[408]</a> By April 2019, Dylan and his band had played more than 3,000 shows,<a href="#cite_note-415">[409]</a> anchored by long-time bassist <a href="/wiki/Tony_Garnier_(musician)" title="Tony Garnier (musician)">Tony Garnier</a>.<a href="#cite_note-Milwauk21-416">[410]</a> To the dismay of some of his audience,<a href="#cite_note-417">[411]</a> Dylan's performances are unpredictable as he often alters his arrangements and changes his vocal approach.<a href="#cite_note-418">[412]</a> These variable performances have divided critics. <a href="/wiki/Richard_Williams_(journalist)" title="Richard Williams (journalist)">Richard Williams</a> and Andy Gill argued that Dylan has found a successful way to present his rich legacy of material.<a href="#cite_note-419">[413]</a><a href="#cite_note-420">[414]</a> Others have criticized his live performances for changing "the greatest lyrics ever written so that they are effectively unrecognisable", and giving so little to the audience that "it is difficult to understand what he is doing on stage at all".<a href="#cite_note-421">[415]</a> In September 2021, Dylan's touring company announced a series of tours which were billed as the "<a href="/wiki/Rough_and_Rowdy_Ways_World_Wide_Tour" title="Rough and Rowdy Ways World Wide Tour">Rough and Rowdy Ways World Wide Tour, 2021–2024</a>". The Rough and Rowdy Ways World Tour replaced Dylan's varied set lists with a more stable repertory, performing nine of the ten songs on his <a href="/wiki/Rough_and_Rowdy_Ways" title="Rough and Rowdy Ways">2020 album</a>.<a href="#cite_note-422">[416]</a> Nevertheless, the tour has been referred to by the media as an extension of his ongoing Never Ending Tour.<a href="#cite_note-423">[417]</a> In February 2025, Dylan announced that he would undertake a U.S. leg of his Rough and Rowdy Ways World Wide Tour, commencing in <a href="/wiki/Tulsa,_Oklahoma" title="Tulsa, Oklahoma">Tulsa, Oklahoma</a> on March 25, and ending in <a href="/wiki/Williamsport,_Pennsylvania" title="Williamsport, Pennsylvania">Williamsport, Pennsylvania</a> on April 22. It was also announced that Dylan would take part in the Outlaw Music Festival 2025 Tour, appearing alongside <a href="/wiki/Willie_Nelson" title="Willie Nelson">Willie Nelson</a> and other artists, beginning on May 13 in <a href="/wiki/Phoenix,_Arizona" title="Phoenix, Arizona">Phoenix, Arizona</a>, and finishing on September 19 in <a href="/wiki/Troy,_Wisconsin" class="mw-disambig" title="Troy, Wisconsin">Troy, Wisconsin</a>.<a href="#cite_note-424">[418]</a> Alex Ross has summarised Dylan's touring career: "his shows cause his songs to mutate, so that no definitive or ideal version exists. Dylan's legacy will be the sum of thousands of performances, over many decades... Every night, whether he's in good or bad form, he says, in effect, 'Think again.'"<a href="#cite_note-:Ross-257">[251]</a> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(4)"><h2 id="Personal_life">Personal life</h2></div><section class="mf-section-4 collapsible-block" id="mf-section-4"> <div class="mw-heading mw-heading3"><h3 id="Romantic_relationships">Romantic relationships</h3></div> <div class="mw-heading mw-heading4"><h4 id="Echo_Helstrom">Echo Helstrom</h4></div> <a href="/wiki/Echo_Helstrom" title="Echo Helstrom">Echo Helstrom</a> was Dylan's high school girlfriend. The couple listened together to rhythm-and-blues on the radio, and her family exposed him to singers such as <a href="/wiki/Jimmie_Rodgers" title="Jimmie Rodgers">Jimmie Rodgers</a> on <a href="/wiki/Phonograph_record#78_rpm_disc_developments" title="Phonograph record">78 RPM records</a>, and a range of folk music magazines, sheet music, and manuscripts.<a href="#cite_note-425">[419]</a> Helstrom is believed by some to be the inspiration for Dylan's song "<a href="/wiki/Girl_from_the_North_Country" title="Girl from the North Country">Girl from the North Country</a>", though this is disputed.<a href="#cite_note-426">[420]</a> <div class="mw-heading mw-heading4"><h4 id="Suze_Rotolo">Suze Rotolo</h4></div> Dylan's first serious relationship was with artist <a href="/wiki/Suze_Rotolo" title="Suze Rotolo">Suze Rotolo</a>, a daughter of <a href="/wiki/Communist_Party_USA" title="Communist Party USA">Communist Party USA</a> radicals. According to Dylan, "She was the most erotic thing I'd ever seen ... The air was suddenly filled with banana leaves. We started talking and my head started to spin".<a href="#cite_note-427">[421]</a> Rotolo was photographed arm-in-arm with Dylan on the cover of his album The Freewheelin' Bob Dylan. Critics have connected Rotolo to some of Dylan's early love songs, including "<a href="/wiki/Don%27t_Think_Twice_It%27s_All_Right" class="mw-redirect" title="Don't Think Twice It's All Right">Don't Think Twice It's All Right</a>". The relationship ended in 1964.<a href="#cite_note-428">[422]</a> In 2008, Rotolo published a memoir about her life in Greenwich Village and relationship with Dylan in the 1960s, A Freewheelin' Time.<a href="#cite_note-429">[423]</a> <div class="mw-heading mw-heading4"><h4 id="Joan_Baez">Joan Baez</h4></div> When <a href="/wiki/Joan_Baez" title="Joan Baez">Joan Baez</a> met Dylan in April 1961, she had already released her <a href="/wiki/Joan_Baez_(album)" title="Joan Baez (album)">first album</a> and was acclaimed as the "Queen of Folk".<a href="#cite_note-430">[424]</a> On hearing Dylan perform his song "<a href="/wiki/With_God_on_Our_Side_(song)" title="With God on Our Side (song)">With God on Our Side</a>", Baez later said, "I never thought anything so powerful could come out of that little toad".<a href="#cite_note-431">[425]</a> In July 1963, Baez invited Dylan to join her on stage at the Newport Folk Festival, setting the scene for similar duets over the next two years.<a href="#cite_note-GrayBaez-432">[426]</a> By the time of Dylan's 1965 tour of the UK, their romantic relationship had begun to fizzle out, as captured in D. A. Pennebaker's documentary film <a href="/wiki/Dont_Look_Back" title="Dont Look Back">Dont Look Back</a>.<a href="#cite_note-GrayBaez-432">[426]</a> Baez later toured with Dylan as a performer on his Rolling Thunder Revue in 1975–76. Baez also starred as "The Woman In White" in the film Renaldo and Clara (1978), directed by Dylan.<a href="#cite_note-433">[427]</a> Dylan and Baez toured together again in 1984 with <a href="/wiki/Carlos_Santana" title="Carlos Santana">Carlos Santana</a>.<a href="#cite_note-GrayBaez-432">[426]</a> Baez recalled her relationship with Dylan in <a href="/wiki/Martin_Scorsese" title="Martin Scorsese">Martin Scorsese</a>'s documentary film No Direction Home (2005). Baez wrote about Dylan in two autobiographies—admiringly in Daybreak (1968), and less admiringly in And A Voice to Sing With (1987). Her song "<a href="/wiki/Diamonds_%26_Rust_(song)" title="Diamonds & Rust (song)">Diamonds & Rust</a>" has been described as "an acute portrait" of Dylan.<a href="#cite_note-GrayBaez-432">[426]</a> <div class="mw-heading mw-heading4"><h4 id="Sara_Lownds">Sara Lownds</h4></div> Dylan married <a href="/wiki/Sara_Lownds" class="mw-redirect" title="Sara Lownds">Sara Lownds</a>, who had worked as a model and secretary at <a href="/wiki/Robert_Drew" title="Robert Drew">Drew Associates</a>, on November 22, 1965.<a href="#cite_note-Gray198-434">[428]</a> They had four children: <a href="/wiki/Jesse_Dylan" title="Jesse Dylan">Jesse Byron</a> (born January 6, 1966), Anna Lea (born July 11, 1967), Samuel Isaac Abram (born July 30, 1968), and <a href="/wiki/Jakob_Dylan" title="Jakob Dylan">Jakob Luke</a> (born December 9, 1969). Dylan also adopted Sara's daughter from a prior marriage, Maria Lownds (later Dylan, born October 21, 1961). Sara Dylan played the role of Clara in Dylan's film Renaldo and Clara (1978). Bob and Sara Dylan were divorced on June 29, 1977.<a href="#cite_note-Gray198-434">[428]</a> <div class="mw-heading mw-heading4"><h4 id="Carolyn_Dennis">Carolyn Dennis</h4></div> Dylan and his backing singer <a href="/wiki/Carolyn_Dennis" title="Carolyn Dennis">Carolyn Dennis</a> (often professionally known as Carol Dennis) have a daughter, Desiree Gabrielle Dennis-Dylan, born on January 31, 1986.<a href="#cite_note-435">[429]</a> The couple were married on June 4, 1986, and divorced in October 1992. Their marriage and child remained a closely guarded secret until the publication of <a href="/wiki/Howard_Sounes" title="Howard Sounes">Howard Sounes</a>'s biography Down the Highway: The Life of Bob Dylan, in 2001.<a href="#cite_note-436">[430]</a> <div class="mw-heading mw-heading3"><h3 id="Home">Home</h3></div> When not touring, Dylan is believed to live primarily in <a href="/wiki/Point_Dume" title="Point Dume">Point Dume</a>, a promontory on the coast of <a href="/wiki/Malibu,_California" title="Malibu, California">Malibu, California</a>, though he owns property around the world.<a href="#cite_note-437">[431]</a><a href="#cite_note-Marty-438">[432]</a> <div class="mw-heading mw-heading3"><h3 id="Religious_beliefs">Religious beliefs</h3></div> Growing up in Hibbing, Minnesota, Dylan and his family were part of the area's small, close-knit Jewish community, and Dylan had his <a href="/wiki/Bar_Mitzvah" class="mw-redirect" title="Bar Mitzvah">Bar Mitzvah</a> in May 1954.<a href="#cite_note-439">[433]</a><a href="#cite_note-Haaretz-20">[20]</a> Around the time of his 30th birthday, in 1971, Dylan visited Israel, and also met Rabbi <a href="/wiki/Meir_Kahane" title="Meir Kahane">Meir Kahane</a>, founder of the New York-based <a href="/wiki/Jewish_Defense_League" title="Jewish Defense League">Jewish Defense League</a>.<a href="#cite_note-440">[434]</a> In the late 1970s, Dylan converted to Christianity. In November 1978, guided by his friend Mary Alice Artes, Dylan made contact with the <a href="/wiki/Vineyard_Christian_Fellowship" class="mw-redirect" title="Vineyard Christian Fellowship">Vineyard School of Discipleship</a>.<a href="#cite_note-Vineyard-205">[199]</a> Vineyard Pastor Kenn Gulliksen recalled: "Larry Myers and Paul Emond went over to Bob's house and ministered to him. He responded by saying yes, he did in fact want Christ in his life. And he prayed that day and received the Lord".<a href="#cite_note-441">[435]</a><a href="#cite_note-442">[436]</a> From January to March 1979, Dylan attended Vineyard's Bible study classes in <a href="/wiki/Reseda,_California" class="mw-redirect" title="Reseda, California">Reseda, California</a>.<a href="#cite_note-Vineyard-205">[199]</a><a href="#cite_note-443">[437]</a> By 1984, Dylan was distancing himself from the "<a href="/wiki/Born_again_(Christianity)" class="mw-redirect" title="Born again (Christianity)">born again</a>" label. He told <a href="/wiki/Kurt_Loder" title="Kurt Loder">Kurt Loder</a> of Rolling Stone: "I've never said I'm 'born again'. That's just a media term. I don't think I've been an agnostic. I've always thought there's a superior power, that this is not the real world and that there's a world to come."<a href="#cite_note-444">[438]</a> In 1997, he told <a href="/wiki/David_Gates_(author)" title="David Gates (author)">David Gates</a> of <a href="/wiki/Newsweek" title="Newsweek">Newsweek</a>: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote">Here's the thing with me and the religious thing. This is the flat-out truth: I find the religiosity and philosophy in the music. I don't find it anywhere else. Songs like "Let Me Rest on a Peaceful Mountain" or "<a href="/wiki/I_Saw_the_Light_(Hank_Williams_song)" title="I Saw the Light (Hank Williams song)">I Saw the Light</a>"—that's my religion. I don't adhere to rabbis, preachers, evangelists, all of that. I've learned more from the songs than I've learned from any of this kind of entity. The songs are my lexicon. I believe the songs.<a href="#cite_note-445">[439]</a></blockquote> Dylan has supported the <a href="/wiki/Chabad" title="Chabad">Chabad Lubavitch</a> movement,<a href="#cite_note-446">[440]</a> and has privately participated in Jewish religious events, including his sons' Bar Mitzvahs and services at <a href="/wiki/Hadar_Hatorah" title="Hadar Hatorah">Hadar Hatorah</a>, a <a href="/wiki/Chabad_Lubavitch" class="mw-redirect" title="Chabad Lubavitch">Chabad Lubavitch</a> <a href="/wiki/Yeshiva" title="Yeshiva">yeshiva</a>. In 1989 and 1991, he appeared on the Chabad <a href="/wiki/Telethon" title="Telethon">telethon</a>.<a href="#cite_note-447">[441]</a> Dylan has continued to perform songs from his gospel albums in concert, occasionally covering traditional religious songs. He has made passing references to his religious faith, such as in a 2004 interview with <a href="/wiki/60_Minutes" title="60 Minutes">60 Minutes</a>, when he told <a href="/wiki/Ed_Bradley" title="Ed Bradley">Ed Bradley</a>, "the only person you have to think twice about lying to is either yourself or to God". He explained his constant touring schedule as part of a bargain he made a long time ago with the "chief commander—in this earth and in the world we can't see".<a href="#cite_note-60minutes2005-40">[39]</a> Speaking to Jeff Slate of <a href="/wiki/The_Wall_Street_Journal" title="The Wall Street Journal">The Wall Street Journal</a> in December 2022, Dylan reaffirmed his religious outlook: "I read the scriptures a lot, meditate and pray, light candles in church. I believe in damnation and salvation as well as <a href="/wiki/Predestination" title="Predestination">predestination</a>. The <a href="/wiki/Five_Books_of_Moses" class="mw-redirect" title="Five Books of Moses">Five Books of Moses</a>, <a href="/wiki/Pauline_Epistles" class="mw-redirect" title="Pauline Epistles">Pauline Epistles</a>, <a href="/wiki/Intercession_of_saints" title="Intercession of saints">Invocation of the Saints</a>, all of it."<a href="#cite_note-448">[442]</a><a href="#cite_note-449">[443]</a> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(5)"><h2 id="Style_and_influences">Style and influences</h2></div><section class="mf-section-5 collapsible-block" id="mf-section-5"> Initially modeling his style on <a href="/wiki/Woody_Guthrie" title="Woody Guthrie">Woody Guthrie</a>'s <a href="/wiki/American_folk_music" title="American folk music">folk songs</a>,<a href="#cite_note-chronicles243-450">[444]</a> <a href="/wiki/Robert_Johnson_(musician)" class="mw-redirect" title="Robert Johnson (musician)">Robert Johnson</a>'s <a href="/wiki/Blues" title="Blues">blues</a><a href="#cite_note-chronicles281-451">[445]</a> and what he called the "architectural forms" of <a href="/wiki/Hank_Williams" title="Hank Williams">Hank Williams</a>'s <a href="/wiki/Country_music" title="Country music">country</a> songs,<a href="#cite_note-chronicles95-22">[22]</a> Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 1960s, infusing it "with the intellectualism of classic literature and poetry".<a href="#cite_note-EncBr-6">[6]</a> His lyrics incorporated political, social, and philosophical influences, defying pop music conventions and appealing to the burgeoning <a href="/wiki/Counterculture_of_the_1960s" title="Counterculture of the 1960s">counterculture</a>.<a href="#cite_note-452">[446]</a> Dylan's move from acoustic folk and <a href="/wiki/Blues" title="Blues">blues</a> music to rock contributed to the development of <a href="/wiki/Folk_rock" title="Folk rock">folk rock</a>, as his musical and lyrical output grew in complexity. </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(6)"><h2 id="Accolades_and_honors">Accolades and honors</h2></div><section class="mf-section-6 collapsible-block" id="mf-section-6"> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/List_of_awards_and_nominations_received_by_Bob_Dylan" title="List of awards and nominations received by Bob Dylan">List of awards and nominations received by Bob Dylan</a></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:President_Barack_Obama_presents_American_musician_Bob_Dylan_with_a_Medal_of_Freedom.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/37/President_Barack_Obama_presents_American_musician_Bob_Dylan_with_a_Medal_of_Freedom.jpg/220px-President_Barack_Obama_presents_American_musician_Bob_Dylan_with_a_Medal_of_Freedom.jpg" decoding="async" width="220" height="176" class="mw-file-element" data-file-width="888" data-file-height="712"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 176px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/3/37/President_Barack_Obama_presents_American_musician_Bob_Dylan_with_a_Medal_of_Freedom.jpg/220px-President_Barack_Obama_presents_American_musician_Bob_Dylan_with_a_Medal_of_Freedom.jpg" data-width="220" data-height="176" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/37/President_Barack_Obama_presents_American_musician_Bob_Dylan_with_a_Medal_of_Freedom.jpg/330px-President_Barack_Obama_presents_American_musician_Bob_Dylan_with_a_Medal_of_Freedom.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/37/President_Barack_Obama_presents_American_musician_Bob_Dylan_with_a_Medal_of_Freedom.jpg/440px-President_Barack_Obama_presents_American_musician_Bob_Dylan_with_a_Medal_of_Freedom.jpg 2x" data-class="mw-file-element"> </a><figcaption>President Obama presents Dylan with a Medal of Freedom, May 2012.</figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><video id="mwe_player_6" poster="//upload.wikimedia.org/wikipedia/commons/thumb/4/4e/Sara_Danius_announces_the_Nobel_Prize_in_Literature_2016_03.webm/220px--Sara_Danius_announces_the_Nobel_Prize_in_Literature_2016_03.webm.jpg" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="220" height="124" data-durationhint="158" data-mwtitle="Sara_Danius_announces_the_Nobel_Prize_in_Literature_2016_03.webm" data-mwprovider="wikimediacommons" resource="/wiki/File:Sara_Danius_announces_the_Nobel_Prize_in_Literature_2016_03.webm"><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/4/4e/Sara_Danius_announces_the_Nobel_Prize_in_Literature_2016_03.webm/Sara_Danius_announces_the_Nobel_Prize_in_Literature_2016_03.webm.480p.vp9.webm" type='video/webm; codecs="vp9, opus"' data-transcodekey="480p.vp9.webm" data-width="854" data-height="480"></source><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/4/4e/Sara_Danius_announces_the_Nobel_Prize_in_Literature_2016_03.webm/Sara_Danius_announces_the_Nobel_Prize_in_Literature_2016_03.webm.720p.vp9.webm" type='video/webm; codecs="vp9, opus"' data-transcodekey="720p.vp9.webm" data-width="1280" data-height="720"></source><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/4/4e/Sara_Danius_announces_the_Nobel_Prize_in_Literature_2016_03.webm/Sara_Danius_announces_the_Nobel_Prize_in_Literature_2016_03.webm.1080p.vp9.webm" type='video/webm; codecs="vp9, opus"' data-transcodekey="1080p.vp9.webm" data-width="1920" data-height="1080"></source><source src="//upload.wikimedia.org/wikipedia/commons/4/4e/Sara_Danius_announces_the_Nobel_Prize_in_Literature_2016_03.webm" type='video/webm; codecs="vp8, vorbis"' data-width="1920" data-height="1080"></source><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/4/4e/Sara_Danius_announces_the_Nobel_Prize_in_Literature_2016_03.webm/Sara_Danius_announces_the_Nobel_Prize_in_Literature_2016_03.webm.144p.mjpeg.mov" type="video/quicktime" data-transcodekey="144p.mjpeg.mov" data-width="256" data-height="144"></source><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/4/4e/Sara_Danius_announces_the_Nobel_Prize_in_Literature_2016_03.webm/Sara_Danius_announces_the_Nobel_Prize_in_Literature_2016_03.webm.240p.vp9.webm" type='video/webm; codecs="vp9, opus"' data-transcodekey="240p.vp9.webm" data-width="426" data-height="240"></source><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/4/4e/Sara_Danius_announces_the_Nobel_Prize_in_Literature_2016_03.webm/Sara_Danius_announces_the_Nobel_Prize_in_Literature_2016_03.webm.360p.vp9.webm" type='video/webm; codecs="vp9, opus"' data-transcodekey="360p.vp9.webm" data-width="640" data-height="360"></source><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/4/4e/Sara_Danius_announces_the_Nobel_Prize_in_Literature_2016_03.webm/Sara_Danius_announces_the_Nobel_Prize_in_Literature_2016_03.webm.360p.webm" type='video/webm; codecs="vp8, vorbis"' data-transcodekey="360p.webm" data-width="640" data-height="360"></source></video><figcaption><a href="/wiki/Sara_Danius" title="Sara Danius">Sara Danius</a> announces the Nobel Prize in Literature 2016.</figcaption></figure> Dylan has been inducted into the <a href="/wiki/Rock_and_Roll_Hall_of_Fame" title="Rock and Roll Hall of Fame">Rock and Roll Hall of Fame</a>, <a href="/wiki/Nashville_Songwriters_Hall_of_Fame" title="Nashville Songwriters Hall of Fame">Nashville Songwriters Hall of Fame</a> and <a href="/wiki/Songwriters_Hall_of_Fame" title="Songwriters Hall of Fame">Songwriters Hall of Fame</a>. In 1997, US President <a href="/wiki/Bill_Clinton" title="Bill Clinton">Bill Clinton</a> presented Dylan with a <a href="/wiki/Kennedy_Center" class="mw-redirect" title="Kennedy Center">Kennedy Center</a> Honor in the East Room of the <a href="/wiki/White_House" title="White House">White House</a>, saying: "He probably had more impact on people of my generation than any other creative artist. His voice and lyrics haven't always been easy on the ear, but throughout his career Bob Dylan has never aimed to please. He's disturbed the peace and discomforted the powerful".<a href="#cite_note-453">[447]</a> In May 2000, Dylan received the <a href="/wiki/Polar_Music_Prize" title="Polar Music Prize">Polar Music Prize</a> from Sweden's <a href="/wiki/Carl_XVI_Gustaf_of_Sweden" class="mw-redirect" title="Carl XVI Gustaf of Sweden">King Carl XVI</a>.<a href="#cite_note-454">[448]</a> In June 2007, Dylan received the <a href="/wiki/Princess_of_Asturias_Award" class="mw-redirect" title="Princess of Asturias Award">Prince of Asturias Award</a> in the Arts category; the jury called him "a living myth in the history of popular music and a light for a generation that dreamed of changing the world."<a href="#cite_note-EncBr-6">[6]</a><a href="#cite_note-455">[449]</a> In 2008, the <a href="/wiki/Pulitzer_Prize" title="Pulitzer Prize">Pulitzer Prize</a> jury awarded him a special citation for "his profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power".<a href="#cite_note-456">[450]</a> Dylan received the <a href="/wiki/Presidential_Medal_of_Freedom" title="Presidential Medal of Freedom">Presidential Medal of Freedom</a> in May 2012.<a href="#cite_note-Medal-457">[451]</a><a href="#cite_note-458">[452]</a> President <a href="/wiki/Barack_Obama" title="Barack Obama">Barack Obama</a>, presenting Dylan with the award, said "There is not a bigger giant in the history of American music." Obama praised Dylan's voice for its "unique gravelly power that redefined not just what music sounded like but the message it carried and how it made people feel".<a href="#cite_note-459">[453]</a> In November 2013, Dylan was awarded France's highest honor, the <a href="/wiki/L%C3%A9gion_d%27Honneur" class="mw-redirect" title="Légion d'Honneur">Légion d'Honneur</a>,<a href="#cite_note-Legiond%E2%80%99H-460">[454]</a> despite the misgiving of the grand chancellor of the Légion, who had declared him unworthy.<a href="#cite_note-Legiond%E2%80%99H-460">[454]</a> In February 2015, Dylan accepted the <a href="/wiki/MusiCares_Person_of_the_Year" title="MusiCares Person of the Year">MusiCares Person of the Year</a> award from the <a href="/wiki/National_Academy_of_Recording_Arts_and_Sciences" class="mw-redirect" title="National Academy of Recording Arts and Sciences">National Academy of Recording Arts and Sciences</a>, in recognition of his philanthropic and artistic contributions.<a href="#cite_note-461">[455]</a> Nobel Prize in Literature <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/2016_Nobel_Prize_in_Literature" title="2016 Nobel Prize in Literature">2016 Nobel Prize in Literature</a></div> In 1996, Gordon Ball of the <a href="/wiki/Virginia_Military_Institute" title="Virginia Military Institute">Virginia Military Institute</a> nominated Dylan for the <a href="/wiki/Nobel_Prize_in_Literature" title="Nobel Prize in Literature">Nobel Prize in Literature</a>,<a href="#cite_note-462">[456]</a><a href="#cite_note-463">[457]</a> initiating a campaign that lasted for 20 years.<a href="#cite_note-464">[458]</a> On October 13, 2016, the Nobel committee announced that it would be awarding Dylan the prize "for having created new poetic expressions within the great American song tradition".<a href="#cite_note-NYTNobel-465">[459]</a> The New York Times reported: "Mr. Dylan, 75, is the first musician to win the award, and his selection on Thursday is perhaps the most radical choice in a history stretching back to 1901."<a href="#cite_note-NYTNobel-465">[459]</a> Dylan remained silent for days after receiving the award,<a href="#cite_note-466">[460]</a> and then told journalist <a href="/wiki/Edna_Gundersen" title="Edna Gundersen">Edna Gundersen</a> that it was "amazing, incredible. Whoever dreams about something like that?"<a href="#cite_note-Gundersen-467">[461]</a> Dylan's Nobel Lecture was posted on the Nobel Prize website on June 5, 2017.<a href="#cite_note-468">[462]</a> <a href="/wiki/Horace_Engdahl" title="Horace Engdahl">Horace Engdahl</a>, a member of the Nobel Committee, described Dylan's place in literary history:<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote">a singer worthy of a place beside the Greek bards, beside <a href="/wiki/Ovid" title="Ovid">Ovid</a>, beside the <a href="/wiki/Romantic_poetry" title="Romantic poetry">Romantic visionaries</a>, beside the kings and queens of <a href="/wiki/The_blues" class="mw-redirect" title="The blues">the blues</a>, beside the forgotten masters of brilliant <a href="/wiki/Standard_(music)" title="Standard (music)">standards</a>.<a href="#cite_note-469">[463]</a></blockquote> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(7)"><h2 id="Legacy">Legacy</h2></div><section class="mf-section-7 collapsible-block" id="mf-section-7"> Dylan has been described as one of the most influential figures of the 20th century, musically and culturally. He was included in the <a href="/wiki/Time_100:_The_Most_Important_People_of_the_Century" title="Time 100: The Most Important People of the Century">Time 100: The Most Important People of the Century</a>, where he was called "master poet, caustic social critic and intrepid, guiding spirit of the counterculture generation".<a href="#cite_note-Time100Dylan-470">[464]</a> <a href="/wiki/Paul_Simon" title="Paul Simon">Paul Simon</a> suggested that Dylan's early compositions virtually took over the folk genre: "[Dylan's] early songs were very rich ... with strong melodies. 'Blowin' in the Wind' has a really strong melody. He so enlarged himself through the folk background that he incorporated it for a while. He defined the genre for a while."<a href="#cite_note-471">[465]</a> For many critics, Dylan's greatest achievement was the cultural synthesis exemplified by his mid-1960s trilogy of albums—Bringing It All Back Home, Highway 61 Revisited and Blonde on Blonde. In <a href="/wiki/Mike_Marqusee" title="Mike Marqusee">Mike Marqusee</a>'s words: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote">Between late 1964 and the middle of 1966, Dylan created a body of work that remains unique. Drawing on folk, blues, country, R&B, rock'n'roll, gospel, <a href="/wiki/British_beat" class="mw-redirect" title="British beat">British beat</a>, <a href="/wiki/Symbolism_(movement)" title="Symbolism (movement)">symbolist</a>, <a href="/wiki/Modernist_poetry_in_English" title="Modernist poetry in English">modernist</a> and <a href="/wiki/Beat_poetry" class="mw-redirect" title="Beat poetry">Beat</a> poetry, <a href="/wiki/Surrealism" title="Surrealism">surrealism</a> and <a href="/wiki/Dada" title="Dada">Dada</a>, advertising jargon and social commentary, <a href="/wiki/Fellini" class="mw-redirect" title="Fellini">Fellini</a> and <a href="/wiki/Mad_magazine" class="mw-redirect" title="Mad magazine">Mad magazine</a>, he forged a coherent and original artistic voice and vision. The beauty of these albums retains the power to shock and console.<a href="#cite_note-Marqusee139-472">[466]</a></blockquote> <a href="/wiki/Michael_Gray_(author)" title="Michael Gray (author)">Michael Gray</a> initiated serious critical scrutiny when he published Song & Dance Man: The Art of Bob Dylan in 1972, situating Dylan’s work in the context of the English literary tradition, <a href="/wiki/John_Donne" title="John Donne">Donne</a>, <a href="/wiki/Robert_Browning" title="Robert Browning">Browning</a> and <a href="/wiki/T._S._Eliot" title="T. S. Eliot">T. S. Eliot</a>.<a href="#cite_note-473">[467]</a> Also in 1972, <a href="/wiki/Craig_McGregor" title="Craig McGregor">Craig McGregor</a> published Bob Dylan: A Retrospective, an anthology containing critical essays about Dylan by <a href="/wiki/Robert_Shelton_(critic)" title="Robert Shelton (critic)">Robert Shelton</a>, <a href="/wiki/Nat_Hentoff" title="Nat Hentoff">Nat Hentoff</a>, <a href="/wiki/Ellen_Willis" title="Ellen Willis">Ellen Willis</a> and other contemporary cultural critics. In 1998, <a href="/wiki/Stanford_University" title="Stanford University">Stanford University</a> sponsored the first international academic conference on Bob Dylan held in the United States.<a href="#cite_note-474">[468]</a> In 2004, <a href="/wiki/Richard_F._Thomas" title="Richard F. Thomas">Richard F. Thomas</a>, <a href="/wiki/Classics" title="Classics">Classics</a> professor at <a href="/wiki/Harvard_University" title="Harvard University">Harvard University</a>, created a freshman seminar titled "Dylan", which aimed "to put the artist in context of not just popular culture of the last half-century, but the tradition of classical poets like <a href="/wiki/Virgil" title="Virgil">Virgil</a> and <a href="/wiki/Homer" title="Homer">Homer</a>."<a href="#cite_note-475">[469]</a> Thomas went on to publish Why Bob Dylan Matters, exploring Dylan's connections with <a href="/wiki/Classical_antiquity" title="Classical antiquity">Greco-Roman literature</a>.<a href="#cite_note-476">[470]</a> Literary critic <a href="/wiki/Christopher_Ricks" title="Christopher Ricks">Christopher Ricks</a> published <a href="/wiki/Dylan%27s_Visions_of_Sin" title="Dylan's Visions of Sin">Dylan's Visions of Sin</a>, an appreciation of Dylan's work.<a href="#cite_note-477">[471]</a> Following Dylan's Nobel win, Ricks reflected: "I'd not have written a book about Dylan, to stand alongside my books on <a href="/wiki/John_Milton" title="John Milton">Milton</a> and <a href="/wiki/John_Keats" title="John Keats">Keats</a>, <a href="/wiki/Alfred,_Lord_Tennyson" title="Alfred, Lord Tennyson">Tennyson</a> and T.S. Eliot, if I didn't think Dylan a genius of and with language."<a href="#cite_note-478">[472]</a> The critical consensus that Dylan's songwriting was his outstanding creative achievement was articulated by <a href="/wiki/Encyclop%C3%A6dia_Britannica" title="Encyclopædia Britannica">Encyclopædia Britannica</a>: "Hailed as the <a href="/wiki/Shakespeare" class="mw-redirect" title="Shakespeare">Shakespeare</a> of his generation, Dylan ... set the standard for lyric writing."<a href="#cite_note-EncBr-6">[6]</a> Former British <a href="/wiki/Poet_laureate" title="Poet laureate">poet laureate</a> <a href="/wiki/Andrew_Motion" title="Andrew Motion">Andrew Motion</a> said Dylan's lyrics should be studied in schools.<a href="#cite_note-479">[473]</a> His lyrics have entered the vernacular; <a href="/wiki/Edna_Gundersen" title="Edna Gundersen">Edna Gundersen</a> notes that<blockquote>Lines that branded Dylan a poet and counterculture valedictorian in the '60s are imprinted on the culture: "When you got nothing, you got nothing to lose"; "a hard rain's a-gonna fall"; "to live outside the law you must be honest." Some lyrics — "you don't need a weather man to know which way the wind blows" and "the times they are a-changin' " — appear in <a href="/wiki/Bartlett%27s_Familiar_Quotations" title="Bartlett's Familiar Quotations">Bartlett's Familiar Quotations</a>.<a href="#cite_note-Gund2001-480">[474]</a></blockquote> <a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a> ranked Dylan first on its 2015 list of the <a href="/wiki/Rolling_Stone%27s_100_Greatest_Songwriters_of_All_Time" title="Rolling Stone's 100 Greatest Songwriters of All Time">100 Greatest Songwriters of All Time</a>,<a href="#cite_note-Rolling_Stone_100_Greatest_Songwriters-481">[475]</a> fifteenth on its 2023 list of the Greatest Singers of All Time,<a href="#cite_note-482">[476]</a> and placed "<a href="/wiki/Like_A_Rolling_Stone" class="mw-redirect" title="Like A Rolling Stone">Like A Rolling Stone</a>" first on their <a href="/wiki/Rolling_Stone%27s_500_Greatest_Songs_of_All_Time" title="Rolling Stone's 500 Greatest Songs of All Time">list of greatest songs</a> in 2004 and 2011.<a href="#cite_note-LARS-9">[9]</a> He was listed second on the magazine's <a href="/wiki/Rolling_Stone%27s_100_Greatest_Artists_of_All_Time" title="Rolling Stone's 100 Greatest Artists of All Time">list of the hundred greatest artists</a>.<a href="#cite_note-483">[477]</a> The Rolling Stone Encyclopedia of Rock & Roll writes that "His lyrics—the first in rock to be seriously regarded as literature—became so well known that politicians from <a href="/wiki/Jimmy_Carter" title="Jimmy Carter">Jimmy Carter</a> to <a href="/wiki/V%C3%A1clav_Havel" title="Václav Havel">Václav Havel</a> have cited them as an influence."<a href="#cite_note-:R&REncylopedia-246">[240]</a> Dylan's voice also received critical attention. <a href="/wiki/Robert_Shelton_(critic)" title="Robert Shelton (critic)">Robert Shelton</a> described his early vocal style as "a rusty voice suggesting Guthrie's old performances, etched in gravel like <a href="/wiki/Dave_Van_Ronk" title="Dave Van Ronk">Dave Van Ronk</a>'s".<a href="#cite_note-484">[478]</a> His voice continued to develop as he began to work with rock'n'roll backing bands; <a href="/wiki/Michael_Gray_(author)" title="Michael Gray (author)">Michael Gray</a> described the sound of Dylan's vocal work on "<a href="/wiki/Like_a_Rolling_Stone" title="Like a Rolling Stone">Like a Rolling Stone</a>" as "at once young and jeeringly cynical".<a href="#cite_note-485">[479]</a> As Dylan's voice aged during the 1980s, for some critics, it became more expressive. Christophe Lebold writes in the journal <a href="/wiki/Oral_Tradition_(journal)" title="Oral Tradition (journal)">Oral Tradition</a>: <blockquote>Dylan's more recent broken voice enables him to present a world view at the sonic surface of the songs—this voice carries us across the landscape of a broken, fallen world. The anatomy of a broken world in "<a href="/wiki/Everything_is_Broken" class="mw-redirect" title="Everything is Broken">Everything is Broken</a>" (on the album <a href="/wiki/Oh_Mercy" title="Oh Mercy">Oh Mercy</a>) is but an example of how the thematic concern with all things broken is grounded in a concrete sonic reality.<a href="#cite_note-486">[480]</a></blockquote> Among musicians who have acknowledged his influence are <a href="/wiki/John_Lennon" title="John Lennon">John Lennon</a>,<a href="#cite_note-487">[481]</a> <a href="/wiki/Paul_McCartney" title="Paul McCartney">Paul McCartney</a>,<a href="#cite_note-488">[482]</a> <a href="/wiki/Jerry_Garcia" title="Jerry Garcia">Jerry Garcia</a>,<a href="#cite_note-489">[483]</a> <a href="/wiki/Pete_Townshend" title="Pete Townshend">Pete Townshend</a>,<a href="#cite_note-490">[484]</a> <a href="/wiki/Syd_Barrett" title="Syd Barrett">Syd Barrett</a>,<a href="#cite_note-491">[485]</a> <a href="/wiki/Joni_Mitchell" title="Joni Mitchell">Joni Mitchell</a>,<a href="#cite_note-492">[486]</a> <a href="/wiki/Neil_Young" title="Neil Young">Neil Young</a>,<a href="#cite_note-493">[487]</a> <a href="/wiki/Bruce_Springsteen" title="Bruce Springsteen">Bruce Springsteen</a>,<a href="#cite_note-:Sprinsgteen-115">[111]</a> <a href="/wiki/David_Bowie" title="David Bowie">David Bowie</a>,<a href="#cite_note-494">[488]</a><a href="#cite_note-Gund2001-480">[474]</a> <a href="/wiki/Bryan_Ferry" title="Bryan Ferry">Bryan Ferry</a>,<a href="#cite_note-495">[489]</a> <a href="/wiki/Patti_Smith" title="Patti Smith">Patti Smith</a>,<a href="#cite_note-496">[490]</a> <a href="/wiki/Joe_Strummer" title="Joe Strummer">Joe Strummer</a>,<a href="#cite_note-497">[491]</a> <a href="/wiki/Bono" title="Bono">Bono</a>,<a href="#cite_note-498">[492]</a><a href="#cite_note-Gund2001-480">[474]</a> <a href="/wiki/Nick_Cave" title="Nick Cave">Nick Cave</a>,<a href="#cite_note-499">[493]</a> <a href="/wiki/Leonard_Cohen" title="Leonard Cohen">Leonard Cohen</a>,<a href="#cite_note-500">[494]</a> <a href="/wiki/Tom_Waits" title="Tom Waits">Tom Waits</a>,<a href="#cite_note-501">[495]</a> <a href="/wiki/Ole_Paus" title="Ole Paus">Ole Paus</a><a href="#cite_note-502">[496]</a> and <a href="/wiki/Chuck_D" title="Chuck D">Chuck D</a>.<a href="#cite_note-503">[497]</a><a href="#cite_note-Gund2001-480">[474]</a> Dylan significantly contributed to the initial success of both <a href="/wiki/The_Byrds" title="The Byrds">the Byrds</a> and <a href="/wiki/The_Band" title="The Band">the Band</a>: the Byrds achieved chart success with their version of "<a href="/wiki/Mr._Tambourine_Man#The_Byrds'_version" title="Mr. Tambourine Man">Mr. Tambourine Man</a>" and the <a href="/wiki/Mr._Tambourine_Man_(album)" title="Mr. Tambourine Man (album)">subsequent album</a>, while the Band were Dylan's backing band <a href="/wiki/Bob_Dylan_World_Tour_1966" title="Bob Dylan World Tour 1966">on his 1966 tour</a>, recorded The Basement Tapes with him in 1967<a href="#cite_note-504">[498]</a> and featured three previously unreleased Dylan songs on their <a href="/wiki/Music_From_Big_Pink" class="mw-redirect" title="Music From Big Pink">debut album</a>.<a href="#cite_note-505">[499]</a> <a href="/wiki/Johnny_Cash" title="Johnny Cash">Johnny Cash</a>, introducing "Wanted Man", said "I don't have to tell you who Bob Dylan is—the greatest writer of our time."<a href="#cite_note-506">[500]</a> Some critics have dissented from the view of Dylan as a visionary figure in popular music. In his book Awopbopaloobop Alopbamboom, <a href="/wiki/Nik_Cohn" title="Nik Cohn">Nik Cohn</a> objected: "I can't take the vision of Dylan as seer, as teenage messiah, as everything else he's been worshipped as. The way I see him, he's a minor talent with a major gift for self-hype".<a href="#cite_note-507">[501]</a> Australian critic <a href="/wiki/Jack_Marx" title="Jack Marx">Jack Marx</a> credited Dylan with changing the persona of the rock star: "What cannot be disputed is that Dylan invented the arrogant, faux-cerebral posturing that has been the dominant style in rock since, with everyone from <a href="/wiki/Mick_Jagger" title="Mick Jagger">Mick Jagger</a> to <a href="/wiki/Eminem" title="Eminem">Eminem</a> educating themselves from the Dylan handbook".<a href="#cite_note-508">[502]</a> Fellow musicians have also expressed critical views. Joni Mitchell described Dylan as a "plagiarist" and his voice as "fake" in a 2010 interview in the <a href="/wiki/Los_Angeles_Times" title="Los Angeles Times">Los Angeles Times</a>.<a href="#cite_note-509">[503]</a><a href="#cite_note-510">[504]</a><a href="#cite_note-511">[505]</a> Mitchell's comments led to discussions on Dylan's use of other people's material, both supporting and criticizing him.<a href="#cite_note-512">[506]</a> Talking to <a href="/wiki/Mikal_Gilmore" title="Mikal Gilmore">Mikal Gilmore</a> in Rolling Stone in 2012, Dylan responded to the allegation of plagiarism, including his use of Henry Timrod's verse in his album Modern Times,<a href="#cite_note-nytTimrod-291">[285]</a> by saying that it was "part of the tradition".<a href="#cite_note-513">[507]</a><a href="#cite_note-514">[a 7]</a> Dylan's music has inspired artists in other fields. <a href="/wiki/Dave_Gibbons" title="Dave Gibbons">Dave Gibbons</a> recalls how he and <a href="/wiki/Alan_Moore" title="Alan Moore">Alan Moore</a> were inspired by the lines of "<a href="/wiki/Desolation_Row" title="Desolation Row">Desolation Row</a>" beginning "At midnight, all the agents/ And the superhuman crew...": <blockquote>It was a glimpse, a mere fragment of something; something ominous, paranoid and threatening. But something that showed that comics, like poetry or rock and roll or Bob Dylan himself, might feasibly become part of the greater cultural continuum. The lines must have also lodged in Alan's consciousness for, nearly twenty years later, Dylan's words eventually provided the title of the first issue of our comic book series <a href="/wiki/Watchmen" title="Watchmen">Watchmen</a>.<a href="#cite_note-515">[508]</a></blockquote> In 2007, <a href="/wiki/Todd_Haynes" title="Todd Haynes">Todd Haynes</a> released <a href="/wiki/I%27m_Not_There" title="I'm Not There">I'm Not There</a>, "inspired by the music and many lives of Bob Dylan".<a href="#cite_note-Variety-07-516">[509]</a> The movie used six actors, <a href="/wiki/Christian_Bale" title="Christian Bale">Christian Bale</a>, <a href="/wiki/Cate_Blanchett" title="Cate Blanchett">Cate Blanchett</a>, <a href="/wiki/Marcus_Carl_Franklin" title="Marcus Carl Franklin">Marcus Carl Franklin</a>, <a href="/wiki/Richard_Gere" title="Richard Gere">Richard Gere</a>, <a href="/wiki/Heath_Ledger" title="Heath Ledger">Heath Ledger</a> and <a href="/wiki/Ben_Whishaw" title="Ben Whishaw">Ben Whishaw</a>, to explore different facets of Dylan's life.<a href="#cite_note-Variety-07-516">[509]</a><a href="#cite_note-517">[510]</a> Dylan's previously unreleased 1967 song from which the film takes its name<a href="#cite_note-518">[511]</a> was included on the <a href="/wiki/I%27m_Not_There_(soundtrack)" title="I'm Not There (soundtrack)">original soundtrack</a> along with covers of Dylan songs by such diverse artists as <a href="/wiki/Sonic_Youth" title="Sonic Youth">Sonic Youth</a>, <a href="/wiki/Calexico_(band)" title="Calexico (band)">Calexico</a> and <a href="/wiki/Yo_La_Tengo" title="Yo La Tengo">Yo La Tengo</a>. Irish playwright <a href="/wiki/Conor_McPherson" title="Conor McPherson">Conor McPherson</a> wrote and directed the musical <a href="/wiki/Girl_from_the_North_Country_(musical)" title="Girl from the North Country (musical)">Girl from the North Country</a>, which used Dylan's songs to tell the stories of various characters during the <a href="/wiki/Great_Depression" title="Great Depression">Depression</a> years, set in Dylan's birthplace, <a href="/wiki/Duluth,_Minnesota" title="Duluth, Minnesota">Duluth, Minnesota</a>. The play premiered in London in 2017.<a href="#cite_note-519">[512]</a><a href="#cite_note-520">[513]</a> If Dylan's work in the 1960s was seen as bringing intellectual ambition to popular music,<a href="#cite_note-Marqusee139-472">[466]</a> critics in the 21st century described him as a figure who had greatly expanded the folk culture from which he initially emerged. In his review of I'm Not There, <a href="/wiki/J._Hoberman" title="J. Hoberman">J. Hoberman</a> wrote: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote">Elvis might never have been born, but someone else would surely have brought the world rock 'n' roll. No such logic accounts for Bob Dylan. No iron law of history demanded that a would-be Elvis from Hibbing, Minnesota, would swerve through the Greenwich Village folk revival to become the world's first and greatest rock 'n' roll beatnik bard and then—having achieved fame and adoration beyond reckoning—vanish into a folk tradition of his own making.<a href="#cite_note-521">[514]</a></blockquote> Dylan's rise to stardom, from his arrival in New York in 1961 to his <a href="/wiki/Electric_Dylan_controversy" title="Electric Dylan controversy">controversial performance at Newport in 1965</a>, was portrayed by the feature film <a href="/wiki/A_Complete_Unknown" title="A Complete Unknown">A Complete Unknown</a>, which opened in the U.S. on December 25, 2024.<a href="#cite_note-522">[515]</a><a href="#cite_note-523">[516]</a> The film garnered generally favorable reviews, with praise for actor <a href="/wiki/Timoth%C3%A9e_Chalamet" title="Timothée Chalamet">Timothée Chalamet</a> in the role of Dylan.<a href="#cite_note-524">[517]</a> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(8)"><h2 id="Archives_and_recognition">Archives and recognition</h2></div><section class="mf-section-8 collapsible-block" id="mf-section-8"> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Bob_Dylan_Drive_street_sign_in_Hibbing,_Minnesota.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/2/29/Bob_Dylan_Drive_street_sign_in_Hibbing%2C_Minnesota.jpg/220px-Bob_Dylan_Drive_street_sign_in_Hibbing%2C_Minnesota.jpg" decoding="async" width="220" height="147" class="mw-file-element" data-file-width="8688" data-file-height="5792"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 147px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/2/29/Bob_Dylan_Drive_street_sign_in_Hibbing%2C_Minnesota.jpg/220px-Bob_Dylan_Drive_street_sign_in_Hibbing%2C_Minnesota.jpg" data-width="220" data-height="147" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/29/Bob_Dylan_Drive_street_sign_in_Hibbing%2C_Minnesota.jpg/330px-Bob_Dylan_Drive_street_sign_in_Hibbing%2C_Minnesota.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/29/Bob_Dylan_Drive_street_sign_in_Hibbing%2C_Minnesota.jpg/440px-Bob_Dylan_Drive_street_sign_in_Hibbing%2C_Minnesota.jpg 2x" data-class="mw-file-element"> </a><figcaption>Bob Dylan Drive street sign in Hibbing, Minnesota</figcaption></figure> The sale of <a href="/wiki/The_Bob_Dylan_Archive" title="The Bob Dylan Archive">Dylan's archive</a> of about 6,000 items of memorabilia to the <a href="/wiki/George_Kaiser" title="George Kaiser">George Kaiser Family Foundation</a> and the <a href="/wiki/University_of_Tulsa" title="University of Tulsa">University of Tulsa</a> was announced on March 2, 2016. It was reported the sale price was "an estimated $15 million to $20 million". The archive comprises notebooks, drafts of Dylan lyrics, recordings, and correspondence.<a href="#cite_note-SisarioNYT-525">[518]</a><a href="#cite_note-526">[519]</a> To house the archive, the <a href="/wiki/Bob_Dylan_Center" title="Bob Dylan Center">Bob Dylan Center</a> in <a href="/wiki/Tulsa,_Oklahoma" title="Tulsa, Oklahoma">Tulsa, Oklahoma</a> opened on May 10, 2022.<a href="#cite_note-527">[520]</a><a href="#cite_note-528">[521]</a> In 2005, 7th Avenue East in Hibbing, Minnesota, the street on which Dylan lived from ages 6 to 18, received the honorary name Bob Dylan Drive.<a href="#cite_note-529">[522]</a><a href="#cite_note-530">[523]</a> In 2006, a cultural pathway, Bob Dylan Way, was inaugurated in Duluth, Minnesota, where Dylan was born. The 1.8-mile path links "cultural and historically significant areas of downtown for the tourists".<a href="#cite_note-531">[524]</a> In 2015, a 160-foot-wide Dylan mural by Brazilian street artist <a href="/wiki/Eduardo_Kobra" title="Eduardo Kobra">Eduardo Kobra</a> was unveiled in downtown Minneapolis.<a href="#cite_note-532">[525]</a> In December 2013, the <a href="/wiki/Fender_Stratocaster" title="Fender Stratocaster">Fender Stratocaster</a> which Dylan had played at the <a href="/wiki/Electric_Dylan_controversy" title="Electric Dylan controversy">1965 Newport Folk Festival</a> fetched $965,000, the second highest price paid for a guitar.<a href="#cite_note-533">[526]</a> In June 2014, Dylan's hand-written lyrics of "Like a Rolling Stone" fetched $2 million at auction, a record for a popular music manuscript.<a href="#cite_note-534">[527]</a><a href="#cite_note-535">[528]</a> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(9)"><h2 id="Visual_art">Visual art</h2></div><section class="mf-section-9 collapsible-block" id="mf-section-9"> Dylan's visual art was first seen by the public via a painting he contributed for the cover of <a href="/wiki/The_Band" title="The Band">The Band</a>'s <a href="/wiki/Music_from_Big_Pink" title="Music from Big Pink">Music from Big Pink</a> album in 1968.<a href="#cite_note-536">[529]</a> The cover of Dylan's own 1970 album <a href="/wiki/Self_Portrait_(Bob_Dylan_album)" title="Self Portrait (Bob Dylan album)">Self Portrait</a> features the painting of a human face by Dylan.<a href="#cite_note-537">[530]</a> More of Dylan's artwork was revealed with the 1973 publication of his book <a href="/wiki/Writings_and_Drawings" title="Writings and Drawings">Writings and Drawings</a>.<a href="#cite_note-538">[531]</a> The cover of Dylan's 1974 album <a href="/wiki/Planet_Waves" title="Planet Waves">Planet Waves</a> again featured one of his paintings. In 1994 <a href="/wiki/Random_House" title="Random House">Random House</a> published Drawn Blank, a book of Dylan's drawings.<a href="#cite_note-539">[532]</a> In 2007, the first public exhibition of Dylan's paintings, The Drawn Blank Series, opened at the Kunstsammlungen in <a href="/wiki/Chemnitz" title="Chemnitz">Chemnitz</a>, Germany;<a href="#cite_note-EncyclopediaDrawn-540">[533]</a> it showcased more than 200 watercolors and <a href="/wiki/Gouache" title="Gouache">gouaches</a> made from the original drawings. The exhibition coincided with the publication of Bob Dylan: The Drawn Blank Series, which includes 170 reproductions from the series.<a href="#cite_note-EncyclopediaDrawn-540">[533]</a><a href="#cite_note-NYTimesArtist-541">[534]</a> From September 2010 until April 2011, the <a href="/wiki/Statens_Museum_for_Kunst" class="mw-redirect" title="Statens Museum for Kunst">National Gallery of Denmark</a> exhibited 40 large-scale acrylic paintings by Dylan, The Brazil Series.<a href="#cite_note-542">[535]</a> In July 2011, a leading contemporary art gallery, <a href="/wiki/Gagosian_Gallery" title="Gagosian Gallery">Gagosian Gallery</a>, announced their representation of Dylan's paintings.<a href="#cite_note-543">[536]</a> An exhibition of Dylan's art, The Asia Series, opened at the Gagosian Madison Avenue Gallery on September 20, displaying Dylan's paintings of scenes in China and the Far East.<a href="#cite_note-544">[537]</a> The New York Times reported that "some fans and Dylanologists have raised questions about whether some of these paintings are based on the singer's own experiences and observations, or on photographs that are widely available and were not taken by Mr. Dylan". The Times pointed to close resemblances between Dylan's paintings and historic photos of Japan and China, and photos taken by <a href="/wiki/Dmitri_Kessel" title="Dmitri Kessel">Dmitri Kessel</a> and <a href="/wiki/Henri_Cartier-Bresson" title="Henri Cartier-Bresson">Henri Cartier-Bresson</a>.<a href="#cite_note-545">[538]</a> Art critic <a href="/wiki/Blake_Gopnik" title="Blake Gopnik">Blake Gopnik</a> has defended Dylan's artistic practice, arguing: "Ever since the birth of photography, painters have used it as the basis for their works: <a href="/wiki/Edgar_Degas" title="Edgar Degas">Edgar Degas</a> and <a href="/wiki/%C3%89douard_Vuillard" title="Édouard Vuillard">Édouard Vuillard</a> and other favorite artists—even <a href="/wiki/Edvard_Munch" title="Edvard Munch">Edvard Munch</a>—all took or used photos as sources for their art, sometimes barely altering them".<a href="#cite_note-546">[539]</a> The <a href="/wiki/Magnum_Photos" title="Magnum Photos">Magnum photo agency</a> confirmed that Dylan had licensed the reproduction rights of these photographs.<a href="#cite_note-547">[540]</a> Dylan's second show at the Gagosian Gallery, Revisionist Art, opened in November 2012. The show consisted of thirty paintings, transforming and satirizing popular magazines, including <a href="/wiki/Playboy" title="Playboy">Playboy</a> and <a href="/wiki/Babytalk_(magazine)" title="Babytalk (magazine)">Babytalk</a>.<a href="#cite_note-548">[541]</a><a href="#cite_note-549">[542]</a> In February 2013, Dylan exhibited the New Orleans Series of paintings at the <a href="/wiki/Royal_Palace_of_Milan" title="Royal Palace of Milan">Palazzo Reale</a> in Milan.<a href="#cite_note-550">[543]</a> In August 2013, Britain's <a href="/wiki/National_Portrait_Gallery,_London" title="National Portrait Gallery, London">National Portrait Gallery</a> in London hosted Dylan's first major UK exhibition, Face Value, featuring twelve pastel portraits.<a href="#cite_note-551">[544]</a> In November 2013, the <a href="/wiki/Halcyon_Gallery" title="Halcyon Gallery">Halcyon Gallery</a> in London mounted Mood Swings, an exhibition in which Dylan displayed seven wrought iron gates he had made. In a statement released by the gallery, Dylan said <blockquote>I've been around iron all my life ever since I was a kid. I was born and raised in iron ore country, where you could breathe it and smell it every day. Gates appeal to me because of the negative space they allow. They can be closed but at the same time they allow the seasons and breezes to enter and flow. They can shut you out or shut you in. And in some ways there is no difference.<a href="#cite_note-552">[545]</a><a href="#cite_note-553">[546]</a></blockquote> In November 2016, the Halcyon Gallery featured a collection of drawings, watercolors and acrylic works by Dylan. The exhibition, The Beaten Path, depicted American landscapes and urban scenes, inspired by Dylan's travels across the US.<a href="#cite_note-554">[547]</a> The show was reviewed by <a href="/wiki/Vanity_Fair_(magazine)" title="Vanity Fair (magazine)">Vanity Fair</a> and <a href="/wiki/Asia_Times_Online" class="mw-redirect" title="Asia Times Online">Asia Times Online</a>.<a href="#cite_note-555">[548]</a><a href="#cite_note-556">[549]</a><a href="#cite_note-557">[550]</a> In October 2018, the Halcyon Gallery mounted an exhibition of Dylan's drawings, Mondo Scripto. The works consisted of Dylan hand-written lyrics of his songs, with each song illustrated by a drawing.<a href="#cite_note-558">[551]</a> Retrospectrum, the largest retrospective of Dylan's visual art to date, consisting of over 250 works in a variety of media, debuted at the Modern Art Museum in Shanghai in 2019.<a href="#cite_note-559">[552]</a> Building on the exhibition in China, a version of Retrospectrum, which includes a new series of paintings, "Deep Focus", drawn from film imagery,<a href="#cite_note-560">[553]</a> opened at the <a href="/wiki/Frost_Art_Museum" title="Frost Art Museum">Frost Art Museum</a> in Miami on November 30, 2021.<a href="#cite_note-561">[554]</a> Since 1994, Dylan has published <a href="/wiki/Bob_Dylan_bibliography#Art_books_by_Bob_Dylan" title="Bob Dylan bibliography">nine books of paintings and drawings</a>.<a href="#cite_note-562">[555]</a> In November 2022, Dylan apologized for using an <a href="/wiki/Autopen" title="Autopen">autopen</a> to sign books and artwork which were subsequently sold as "hand-signed" since 2019.<a href="#cite_note-563">[556]</a><a href="#cite_note-564">[557]</a> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(10)"><h2 id="Written_works">Written works</h2></div><section class="mf-section-10 collapsible-block" id="mf-section-10"> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Bob_Dylan_bibliography" title="Bob Dylan bibliography">Bob Dylan bibliography</a></div> Dylan has published <a href="/wiki/Tarantula_(poetry_collection)" title="Tarantula (poetry collection)">Tarantula</a>, a work of <a href="/wiki/Prose_poetry" title="Prose poetry">prose poetry</a>; <a href="/wiki/Chronicles:_Volume_One" title="Chronicles: Volume One">Chronicles: Volume One</a>, the first part of his memoirs; several books of the lyrics of his songs, and nine books of his art. Dylan's third full length book, <a href="/wiki/The_Philosophy_of_Modern_Song" title="The Philosophy of Modern Song">The Philosophy of Modern Song</a>, which contains 66 essays on songs by other artists, was published on November 1, 2022. Dylan has also been the subject of numerous biographies and critical studies. </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(11)"><h2 id="Discography">Discography</h2></div><section class="mf-section-11 collapsible-block" id="mf-section-11"> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main articles: <a href="/wiki/Bob_Dylan_discography" title="Bob Dylan discography">Bob Dylan discography</a> and <a href="/wiki/List_of_songs_written_by_Bob_Dylan" title="List of songs written by Bob Dylan">List of songs written by Bob Dylan</a></div> <style data-mw-deduplicate="TemplateStyles:r1184024115">.mw-parser-output .div-col{margin-top:0.3em;column-width:30em}.mw-parser-output .div-col-small{font-size:90%}.mw-parser-output .div-col-rules{column-rule:1px solid #aaa}.mw-parser-output .div-col dl,.mw-parser-output .div-col ol,.mw-parser-output .div-col ul{margin-top:0}.mw-parser-output .div-col li,.mw-parser-output .div-col dd{page-break-inside:avoid;break-inside:avoid-column}</style><div class="div-col" style="column-width: 25em;"> <ul><li><a href="/wiki/Bob_Dylan_(album)" title="Bob Dylan (album)">Bob Dylan</a> (1962)</li> <li><a href="/wiki/The_Freewheelin%27_Bob_Dylan" title="The Freewheelin' Bob Dylan">The Freewheelin' Bob Dylan</a> (1963)</li> <li><a href="/wiki/The_Times_They_Are_a-Changin%27_(Bob_Dylan_album)" title="The Times They Are a-Changin' (Bob Dylan album)">The Times They Are a-Changin'</a> (1964)</li> <li><a href="/wiki/Another_Side_of_Bob_Dylan" title="Another Side of Bob Dylan">Another Side of Bob Dylan</a> (1964)</li> <li><a href="/wiki/Bringing_It_All_Back_Home" title="Bringing It All Back Home">Bringing It All Back Home</a> (1965)</li> <li><a href="/wiki/Highway_61_Revisited" title="Highway 61 Revisited">Highway 61 Revisited</a> (1965)</li> <li><a href="/wiki/Blonde_on_Blonde" title="Blonde on Blonde">Blonde on Blonde</a> (1966)</li> <li><a href="/wiki/John_Wesley_Harding" title="John Wesley Harding">John Wesley Harding</a> (1967)</li> <li><a href="/wiki/Nashville_Skyline" title="Nashville Skyline">Nashville Skyline</a> (1969)</li> <li><a href="/wiki/Self_Portrait_(Bob_Dylan_album)" title="Self Portrait (Bob Dylan album)">Self Portrait</a> (1970)</li> <li><a href="/wiki/New_Morning" title="New Morning">New Morning</a> (1970)</li> <li><a href="/wiki/Pat_Garrett_%26_Billy_the_Kid_(album)" title="Pat Garrett & Billy the Kid (album)">Pat Garrett & Billy the Kid</a> (1973)</li> <li><a href="/wiki/Dylan_(1973_album)" title="Dylan (1973 album)">Dylan</a> (1973)</li> <li><a href="/wiki/Planet_Waves" title="Planet Waves">Planet Waves</a> (1974)</li> <li><a href="/wiki/Blood_on_the_Tracks" title="Blood on the Tracks">Blood on the Tracks</a> (1975)</li> <li><a href="/wiki/The_Basement_Tapes" title="The Basement Tapes">The Basement Tapes</a> (1975)</li> <li><a href="/wiki/Desire_(Bob_Dylan_album)" title="Desire (Bob Dylan album)">Desire</a> (1976)</li> <li><a href="/wiki/Street-Legal_(album)" title="Street-Legal (album)">Street-Legal</a> (1978)</li> <li><a href="/wiki/Slow_Train_Coming" title="Slow Train Coming">Slow Train Coming</a> (1979)</li> <li><a href="/wiki/Saved_(Bob_Dylan_album)" title="Saved (Bob Dylan album)">Saved</a> (1980)</li> <li><a href="/wiki/Shot_of_Love" title="Shot of Love">Shot of Love</a> (1981)</li> <li><a href="/wiki/Infidels_(Bob_Dylan_album)" title="Infidels (Bob Dylan album)">Infidels</a> (1983)</li> <li><a href="/wiki/Empire_Burlesque" title="Empire Burlesque">Empire Burlesque</a> (1985)</li> <li><a href="/wiki/Knocked_Out_Loaded" title="Knocked Out Loaded">Knocked Out Loaded</a> (1986)</li> <li><a href="/wiki/Down_in_the_Groove" title="Down in the Groove">Down in the Groove</a> (1988)</li> <li><a href="/wiki/Oh_Mercy" title="Oh Mercy">Oh Mercy</a> (1989)</li> <li><a href="/wiki/Under_the_Red_Sky" title="Under the Red Sky">Under the Red Sky</a> (1990)</li> <li><a href="/wiki/Good_as_I_Been_to_You" title="Good as I Been to You">Good as I Been to You</a> (1992)</li> <li><a href="/wiki/World_Gone_Wrong" title="World Gone Wrong">World Gone Wrong</a> (1993)</li> <li><a href="/wiki/Time_Out_of_Mind_(Bob_Dylan_album)" title="Time Out of Mind (Bob Dylan album)">Time Out of Mind</a> (1997)</li> <li><a href="/wiki/Love_and_Theft_(Bob_Dylan_album)" title="Love and Theft (Bob Dylan album)">"Love and Theft"</a> (2001)</li> <li><a href="/wiki/Modern_Times_(Bob_Dylan_album)" title="Modern Times (Bob Dylan album)">Modern Times</a> (2006)</li> <li><a href="/wiki/Together_Through_Life" title="Together Through Life">Together Through Life</a> (2009)</li> <li><a href="/wiki/Christmas_in_the_Heart" title="Christmas in the Heart">Christmas in the Heart</a> (2009)</li> <li><a href="/wiki/Tempest_(Bob_Dylan_album)" title="Tempest (Bob Dylan album)">Tempest</a> (2012)</li> <li><a href="/wiki/Shadows_in_the_Night" title="Shadows in the Night">Shadows in the Night</a> (2015)</li> <li><a href="/wiki/Fallen_Angels_(Bob_Dylan_album)" title="Fallen Angels (Bob Dylan album)">Fallen Angels</a> (2016)</li> <li><a href="/wiki/Triplicate_(Bob_Dylan_album)" title="Triplicate (Bob Dylan album)">Triplicate</a> (2017)</li> <li><a href="/wiki/Rough_and_Rowdy_Ways" title="Rough and Rowdy Ways">Rough and Rowdy Ways</a> (2020)</li> <li><a href="/wiki/Shadow_Kingdom" title="Shadow Kingdom">Shadow Kingdom</a> (2023)</li></ul> </div> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(12)"><h2 id="Notes">Notes</h2></div><section class="mf-section-12 collapsible-block" id="mf-section-12"> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width" style="column-width: 30em;"> <ol class="references"> <li id="cite_note-39"><a href="#cite_ref-39">^</a> According to Dylan biographer <a href="/wiki/Robert_Shelton_(critic)" title="Robert Shelton (critic)">Robert Shelton</a>, Dylan first confided his change of name to his high school girlfriend, Echo Helstrom, in 1958, telling her that he had found a "great name, Bob Dillon". Shelton surmises that Dillon had two sources: <a href="/wiki/Matt_Dillon_(Gunsmoke)" title="Matt Dillon (Gunsmoke)">Marshal Matt Dillon</a> was the hero of the TV western <a href="/wiki/Gunsmoke" title="Gunsmoke">Gunsmoke</a>; Dillon was also the name of one of Hibbing's principal families. While Shelton was writing Dylan's biography in the 1960s, Dylan told him, "Straighten out in your book that I did not take my name from Dylan Thomas. Dylan Thomas's poetry is for people that aren't really satisfied in their bed, for people who dig masculine romance." At the University of Minnesota, Dylan told a few friends that Dillon was his mother's maiden name, which was untrue. He later told reporters that he had an uncle named Dillon. Shelton added that only when he reached New York in 1961 did he begin to spell his name "Dylan", by which time he was acquainted with the life and work of Dylan Thomas. Shelton (2011), pp. 44–45. </li> <li id="cite_note-65"><a href="#cite_ref-65">^</a> In a May 1963 interview with <a href="/wiki/Studs_Terkel" title="Studs Terkel">Studs Terkel</a>, Dylan broadened the meaning of the song, saying "the pellets of poison flooding the waters" refers to "the lies people are told on their radios and in their newspapers." Cott (2006), p. 8. </li> <li id="cite_note-68"><a href="#cite_ref-68">^</a> The title "Spokesman of a Generation" was viewed by Dylan with disgust in later years. He came to feel it was a label the media had pinned on him, and in his autobiography, <a href="/wiki/Chronicles,_Volume_One" class="mw-redirect" title="Chronicles, Volume One">Chronicles</a>, Dylan wrote: "The press never let up. Once in a while I would have to rise up and offer myself for an interview so they wouldn't beat the door down. Later an article would hit the streets with the headline 'Spokesman Denies That He's A Spokesman.' I felt like a piece of meat that someone had thrown to the dogs." Dylan (2004), p.119 </li> <li id="cite_note-91"><a href="#cite_ref-91">^</a> In an interview with Seth Goddard for Life (July 5, 2001) Ginsberg said Dylan's technique had been inspired by <a href="/wiki/Jack_Kerouac" title="Jack Kerouac">Jack Kerouac</a>: "(Dylan) pulled <a href="/wiki/Mexico_City_Blues" title="Mexico City Blues">Mexico City Blues</a> from my hand and started reading it and I said, 'What do you know about that?' He said, 'Somebody handed it to me in '59 in St. Paul and it blew my mind.' So I said 'Why?' He said, 'It was the first poetry that spoke to me in my own language.' So those chains of flashing images you get in Dylan, like 'the motorcycle black Madonna two-wheeled gypsy queen and her silver studded phantom lover,' they're influenced by Kerouac's chains of flashing images and spontaneous writing, and that spreads out into the people". <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFSchumacher2017" class="citation book cs1">Schumacher, Michael, ed. (2017). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=4Ch0DwAAQBAJ&pg=PT322">First Thought: Conversations with Allen Ginsberg</a>. U of Minnesota Press. pp. 322–. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4529-4995-6" title="Special:BookSources/978-1-4529-4995-6"><bdi>978-1-4529-4995-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=First+Thought%3A+Conversations+with+Allen+Ginsberg&rft.pages=322-&rft.pub=U+of+Minnesota+Press&rft.date=2017&rft.isbn=978-1-4529-4995-6&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D4Ch0DwAAQBAJ%26pg%3DPT322&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-145"><a href="#cite_ref-145">^</a> Later recorded by <a href="/wiki/Jimi_Hendrix" title="Jimi Hendrix">Jimi Hendrix</a>, whose version Dylan acknowledged as definitive. </li> <li id="cite_note-185"><a href="#cite_ref-185">^</a> According to Shelton, Dylan named the tour Rolling Thunder and then "appeared pleased when someone told him to <a href="/wiki/Indigenous_peoples_of_the_Americas" title="Indigenous peoples of the Americas">native Americans</a>, rolling thunder means speaking the truth." A <a href="/wiki/Cherokee" title="Cherokee">Cherokee</a> <a href="/wiki/Medicine_man#The_medicine_man_and_woman_in_North_America" title="Medicine man">medicine man</a> named Rolling Thunder appeared on stage at Providence, RI, "stroking a feather in time to the music." Shelton (2011), p. 310. </li> <li id="cite_note-514"><a href="#cite_ref-514">^</a> Dylan told Gilmore: "As far as Henry Timrod is concerned, have you even heard of him? Who's been reading him lately? And who's pushed him to the forefront? ... And if you think it's so easy to quote him and it can help your work, do it yourself and see how far you can get. Wussies and pussies complain about that stuff. It's an old thing—it's part of the tradition." </li> </ol></div> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(13)"><h2 id="References">References</h2></div><section class="mf-section-13 collapsible-block" id="mf-section-13"> <div class="mw-heading mw-heading3"><h3 id="Citations">Citations</h3></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-Sounes14-1">^ <a href="#cite_ref-Sounes14_1-0">a</a> <a href="#cite_ref-Sounes14_1-1">b</a> Sounes, p. 14, gives his Hebrew name as Shabtai Zisel ben Avraham </li> <li id="cite_note-2"><a href="#cite_ref-2">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFErlewine,_Stephen_Thomas2019" class="citation web cs1"><a href="/wiki/Stephen_Thomas_Erlewine" title="Stephen Thomas Erlewine">Erlewine, Stephen Thomas</a> (December 12, 2019). <a rel="nofollow" class="external text" href="https://www.allmusic.com/artist/bob-dylan-mn0000066915/biography">"Bob Dylan biography"</a>. <a href="/wiki/AllMusic" title="AllMusic">AllMusic</a>. Retrieved January 6, 2020.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=AllMusic&rft.atitle=Bob+Dylan+biography&rft.date=2019-12-12&rft.au=Erlewine%2C+Stephen+Thomas&rft_id=https%3A%2F%2Fwww.allmusic.com%2Fartist%2Fbob-dylan-mn0000066915%2Fbiography&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-3"><a href="#cite_ref-3">^</a> His legal name, Robert Dylan, is enumerated in the following sources: <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1">Dunn, Tim (2008). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=CbJJLXdF0N4C&pg=PA267">The Bob Dylan Copyright Files 1962–2007</a>. AuthorHouse. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781438915890" title="Special:BookSources/9781438915890"><bdi>9781438915890</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Bob+Dylan+Copyright+Files+1962%E2%80%932007&rft.pub=AuthorHouse&rft.date=2008&rft.isbn=9781438915890&rft.aulast=Dunn&rft.aufirst=Tim&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DCbJJLXdF0N4C%26pg%3DPA267&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1">Bell, Ian (2013). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=lXR5AAAAQBAJ&pg=PT324">Once Upon a Time: The Lives of Bob Dylan</a>. Open Road Media. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781480447509" title="Special:BookSources/9781480447509"><bdi>9781480447509</bdi></a>. <q>Bob Dylan—as a matter of legal record, 'Robert Dylan' ...</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Once+Upon+a+Time%3A+The+Lives+of+Bob+Dylan&rft.pub=Open+Road+Media&rft.date=2013&rft.isbn=9781480447509&rft.aulast=Bell&rft.aufirst=Ian&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DlXR5AAAAQBAJ%26pg%3DPT324&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1">Rowley, Chris (1984). Blood on the Tracks: The Story of Bob Dylan. London: Proteus Books. p. 136. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780862761271" title="Special:BookSources/9780862761271"><bdi>9780862761271</bdi></a>. <q>The petition for divorce stated that the 'respondent, Robert Dylan ... '</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Blood+on+the+Tracks%3A+The+Story+of+Bob+Dylan&rft.place=London&rft.pages=136&rft.pub=Proteus+Books&rft.date=1984&rft.isbn=9780862761271&rft.aulast=Rowley&rft.aufirst=Chris&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li></ul> </li> <li id="cite_note-4"><a href="#cite_ref-4">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="http://news.bbc.co.uk/2/hi/entertainment/1347071.stm">"Dylan 'the greatest songwriter'"</a>. <a href="/wiki/BBC_News" title="BBC News">BBC News</a>. May 23, 2001. Retrieved January 1, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Dylan+%27the+greatest+songwriter%27&rft.date=2001-05-23&rft_id=http%3A%2F%2Fnews.bbc.co.uk%2F2%2Fhi%2Fentertainment%2F1347071.stm&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-5"><a href="#cite_ref-5">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://www.rollingstone.com/interactive/lists-100-greatest-songwriters/#bob-dylan">"No. 1 Bob Dylan"</a>. <a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a>. April 10, 2020. Retrieved January 29, 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Rolling+Stone&rft.atitle=No.+1+Bob+Dylan&rft.date=2020-04-10&rft_id=https%3A%2F%2Fwww.rollingstone.com%2Finteractive%2Flists-100-greatest-songwriters%2F%23bob-dylan&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-EncBr-6">^ <a href="#cite_ref-EncBr_6-0">a</a> <a href="#cite_ref-EncBr_6-1">b</a> <a href="#cite_ref-EncBr_6-2">c</a> <a href="#cite_ref-EncBr_6-3">d</a> <a href="#cite_ref-EncBr_6-4">e</a> <a href="#cite_ref-EncBr_6-5">f</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAl_Kooper" class="citation encyclopaedia cs1"><a href="/wiki/Al_Kooper" title="Al Kooper">Al Kooper</a>. <a rel="nofollow" class="external text" href="https://www.britannica.com/biography/Bob-Dylan-American-musician">"Bob Dylan: American musician"</a>. Encyclopædia Britannica. Retrieved November 5, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Bob+Dylan%3A+American+musician&rft.btitle=Encyclop%C3%A6dia+Britannica&rft.au=Al+Kooper&rft_id=https%3A%2F%2Fwww.britannica.com%2Fbiography%2FBob-Dylan-American-musician&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-7"><a href="#cite_ref-7">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLenthang,_Marlene2022" class="citation web cs1">Lenthang, Marlene (January 25, 2022). <a rel="nofollow" class="external text" href="https://www.nbcnews.com/pop-culture/pop-culture-news/bob-dylan-sells-entire-catalog-recorded-music-sony-music-rcna13434">"Bob Dylan sells his entire catalog of recorded music to Sony"</a>. NBC News. Retrieved June 11, 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=NBC+News&rft.atitle=Bob+Dylan+sells+his+entire+catalog+of+recorded+music+to+Sony&rft.date=2022-01-25&rft.au=Lenthang%2C+Marlene&rft_id=https%3A%2F%2Fwww.nbcnews.com%2Fpop-culture%2Fpop-culture-news%2Fbob-dylan-sells-entire-catalog-recorded-music-sony-music-rcna13434&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-8"><a href="#cite_ref-8">^</a> "The Counterculture" by Michael J. Kramer in Latham, Sean (ed.), 2021, The World of Bob Dylan, pp. 251–263. </li> <li id="cite_note-LARS-9">^ <a href="#cite_ref-LARS_9-0">a</a> <a href="#cite_ref-LARS_9-1">b</a> <a href="#cite_ref-LARS_9-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/lists/the-500-greatest-songs-of-all-time-20110407/bob-dylan-like-a-rolling-stone-20110516">"500 Greatest Songs Of All Time"</a>. <a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a>. April 7, 2011. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20191031103816/http://www.rollingstone.com/music/music-lists/500-greatest-songs-of-all-time-151127/bob-dylan-like-a-rolling-stone-2-54028/">Archived</a> from the original on October 31, 2019. 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Retrieved September 30, 2021. <q>Bruce Springsteen, who was originally touted as a 'new Dylan' when he was signed to Columbia Records, Dylan's label, by the same label honcho, John Hammond, who signed Dylan, said this about 'Like a Rolling Stone': 'Dylan freed your mind and showed us that because the music was physical did not mean it was anti-intellect. He had the vision and talent to make a pop song so that it contained the whole world. 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(1981), The Rolling Stone History of Rock & Roll, 1981, p. 220 </li> <li id="cite_note-69"><a href="#cite_ref-69">^</a> Scaduto, p. 35. </li> <li id="cite_note-70"><a href="#cite_ref-70">^</a> Mojo magazine, December 1993. p. 97 </li> <li id="cite_note-71"><a href="#cite_ref-71">^</a> Hedin, p. 259. </li> <li id="cite_note-72"><a href="#cite_ref-72">^</a> Sounes, pp. 136–138. </li> <li id="cite_note-73"><a href="#cite_ref-73">^</a> Joan Baez entry, Gray (2006), pp. 28–31. </li> <li id="cite_note-74"><a href="#cite_ref-74">^</a> <a href="/wiki/Biograph_(album)" title="Biograph (album)">Biograph</a>, 1985, Liner notes & text by <a href="/wiki/Cameron_Crowe" title="Cameron Crowe">Cameron Crowe</a>. Musicians on "Mixed Up Confusion": George Barnes & <a href="/wiki/Bruce_Langhorne" title="Bruce Langhorne">Bruce Langhorne</a> (guitars); <a href="/wiki/Dick_Wellstood" title="Dick Wellstood">Dick Wellstood</a> (piano); <a href="/wiki/Gene_Ramey" title="Gene Ramey">Gene Ramey</a> (bass); <a href="/wiki/Herb_Lovelle" class="mw-redirect" title="Herb Lovelle">Herb Lovelle</a> (drums) </li> <li id="cite_note-75"><a href="#cite_ref-75">^</a> Dylan had recorded "Talkin' John Birch Society Blues" for his <a href="/wiki/The_Freewheelin%27_Bob_Dylan" title="The Freewheelin' Bob Dylan">Freewheelin</a> album, but the song was replaced by later compositions, including "<a href="/wiki/Masters_of_War" title="Masters of War">Masters of War</a>". 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Retrieved October 18, 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=bobdylan.com&rft.atitle=Restless+Farewell&rft.au=Dylan%2C+Bob&rft_id=https%3A%2F%2Fwww.bobdylan.com%2Fsongs%2Frestless-farewell%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-83"><a href="#cite_ref-83">^</a> Shelton, pp. 200–205. </li> <li id="cite_note-84"><a href="#cite_ref-84">^</a> Part of Dylan's speech went: "There's no black and white, left and right to me any more; there's only up and down and down is very close to the ground. And I'm trying to go up without thinking of anything trivial such as politics...I got to admit that the man who shot President Kennedy, Lee Oswald, I don't know exactly where --what he thought he was doing, but I got to admit honestly that I too – I saw some of myself in him. I don't think it would have gone – I don't think it could go that far. 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Retrieved May 8, 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+myth+of+Newport+%2765%3A+It+wasn%27t+Bob+Dylan+they+were+booing&rft.pub=Buffalo+Report&rft.date=2002-08-26&rft.au=Jackson%2C+Bruce&rft_id=http%3A%2F%2Fbuffaloreport.com%2F020826dylan.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-109"><a href="#cite_ref-109">^</a> Shelton, pp. 305–314. </li> <li id="cite_note-110"><a href="#cite_ref-110">^</a> A year earlier, <a href="/wiki/Irwin_Silber" title="Irwin Silber">Irwin Silber</a>, editor of <a href="/wiki/Sing_Out!" title="Sing Out!">Sing Out!</a>, had published an "Open Letter to Bob Dylan", criticizing Dylan's stepping away from political songwriting: "I saw at Newport how you had somehow lost contact with people. Some of the paraphernalia of fame were getting in your way." Sing Out!, November 1964, quoted in Shelton, p. 313. This letter has been mistakenly described as a response to Dylan's 1965 Newport appearance. </li> <li id="cite_note-111"><a href="#cite_ref-111">^</a> Sing Out!, September 1965, quoted in Shelton, p. 313. </li> <li id="cite_note-112"><a href="#cite_ref-112">^</a> "You got a lotta nerve/To say you are my friend/When I was down/You just stood there grinning" Reproduced online: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.bobdylan.com/songs/positively-4th-street/">"Positively 4th Street | The Official Bob Dylan Site"</a>. bobdylan.com. Retrieved February 12, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=bobdylan.com&rft.atitle=Positively+4th+Street+%26%23124%3B+The+Official+Bob+Dylan+Site&rft_id=http%3A%2F%2Fwww.bobdylan.com%2Fsongs%2Fpositively-4th-street%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-113"><a href="#cite_ref-113">^</a> Sounes, p. 186. </li> <li id="cite_note-RS500-114">^ <a href="#cite_ref-RS500_114-0">a</a> <a href="#cite_ref-RS500_114-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20061025051406/http://www.rollingstone.com/news/coverstory/500songs">"The RS 500 Greatest Songs of All Time"</a>. Rolling Stone. December 9, 2004. Archived from <a rel="nofollow" class="external text" href="http://www.rollingstone.com/news/coverstory/500songs">the original</a> (To see 2004 publishing date, click "Like a Rolling Stone" and scroll to the bottom of the resulting page) on October 25, 2006. Retrieved January 6, 2020.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Rolling+Stone&rft.atitle=The+RS+500+Greatest+Songs+of+All+Time&rft.date=2004-12-09&rft_id=http%3A%2F%2Fwww.rollingstone.com%2Fnews%2Fcoverstory%2F500songs&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-:Sprinsgteen-115">^ <a href="#cite_ref-:Sprinsgteen_115-0">a</a> <a href="#cite_ref-:Sprinsgteen_115-1">b</a> <a href="#cite_ref-:Sprinsgteen_115-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.rockhall.com/inductees/bob-dylan">"Bruce Springsteen Inducts Bob Dylan"</a>. <a href="/wiki/Rock_and_Roll_Hall_of_Fame" title="Rock and Roll Hall of Fame">Rock and Roll Hall of Fame</a>. 1988.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Bruce+Springsteen+Inducts+Bob+Dylan&rft.pub=Rock+and+Roll+Hall+of+Fame&rft.date=1988&rft_id=https%3A%2F%2Fwww.rockhall.com%2Finductees%2Fbob-dylan&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-116"><a href="#cite_ref-116">^</a> Gill, pp. 87–88. </li> <li id="cite_note-117"><a href="#cite_ref-117">^</a> Polizzotti identifies <a href="/wiki/Charlie_McCoy" title="Charlie McCoy">Charlie McCoy</a> on guitar and <a href="/wiki/Russ_Savakus" title="Russ Savakus">Russ Savakus</a> on bass as the musicians, see Polizzotti, Highway 61 Revisited, p. 133 </li> <li id="cite_note-118"><a href="#cite_ref-118">^</a> Gill, p. 89. </li> <li id="cite_note-119"><a href="#cite_ref-119">^</a> Larkin, 1985, All What Jazz: A Record Diary, p. 151. </li> <li id="cite_note-120"><a href="#cite_ref-120">^</a> Heylin (1996), pp. 80–81 </li> <li id="cite_note-121"><a href="#cite_ref-121">^</a> Sounes, pp. 189–190. </li> <li id="cite_note-122"><a href="#cite_ref-122">^</a> Heylin (1996), pp. 82–94 </li> <li id="cite_note-123"><a href="#cite_ref-123">^</a> Heylin (2000), pp. 238–243. </li> <li id="cite_note-124"><a href="#cite_ref-124">^</a> "The closest I ever got to the sound I hear in my mind was on individual bands in the Blonde on Blonde album. It's that thin, that wild mercury sound. It's metallic and bright gold, with whatever that conjures up." Dylan Interview, Playboy, March 1978; reprinted in Cott, Dylan on Dylan: The Essential Interviews, p. 204. </li> <li id="cite_note-125"><a href="#cite_ref-125">^</a> Gill, p. 95. </li> <li id="cite_note-Sounes-p193-126">^ <a href="#cite_ref-Sounes-p193_126-0">a</a> <a href="#cite_ref-Sounes-p193_126-1">b</a> Sounes, p. 193. </li> <li id="cite_note-127"><a href="#cite_ref-127">^</a> Shelton, p. 325. </li> <li id="cite_note-128"><a href="#cite_ref-128">^</a> Heylin (2000), pp. 244–261. </li> <li id="cite_note-129"><a href="#cite_ref-129">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/music-album-reviews/the-bootleg-series-vol-4-the-royal-albert-hall-concert-193009/">"The Bootleg Series, Vol. 4: The "Royal Albert Hall" Concert"</a>. Rolling Stone. October 6, 1998. Retrieved January 25, 2020.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Rolling+Stone&rft.atitle=The+Bootleg+Series%2C+Vol.+4%3A+The+%22Royal+Albert+Hall%22+Concert&rft.date=1998-10-06&rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-album-reviews%2Fthe-bootleg-series-vol-4-the-royal-albert-hall-concert-193009%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-130"><a href="#cite_ref-130">^</a> Dylan's dialogue with the Manchester audience is recorded (with subtitles) in Martin Scorsese's documentary <a href="/wiki/No_Direction_Home" title="No Direction Home">No Direction Home</a> </li> <li id="cite_note-131"><a href="#cite_ref-131">^</a> Heylin (2011), p. 251. </li> <li id="cite_note-132"><a href="#cite_ref-132">^</a> Heylin (2011), p. 250. </li> <li id="cite_note-133"><a href="#cite_ref-133">^</a> Rolling Stone, November 29, 1969. 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Archived from <a rel="nofollow" class="external text" href="http://www.americanheritage.com/email/articles/web/20060729-bob-dylan-motorcycle-woodstock-methamphetamine-robert-shelton-howard-sounes-ed-thaler.shtml">the original</a> on November 6, 2006. Retrieved June 18, 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Bob+Dylan+Motorcycle-Crash+Mystery&rft.pub=American+Heritage&rft.date=2006-07-29&rft.au=Scherman%2C+Tony&rft_id=http%3A%2F%2Fwww.americanheritage.com%2Femail%2Farticles%2Fweb%2F20060729-bob-dylan-motorcycle-woodstock-methamphetamine-robert-shelton-howard-sounes-ed-thaler.shtml&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-shades268-136"><a href="#cite_ref-shades268_136-0">^</a> Heylin (2000), p. 268. </li> <li id="cite_note-137"><a href="#cite_ref-137">^</a> Dylan, <a href="/wiki/Chronicles:_Volume_One" title="Chronicles: Volume One">Chronicles: Volume One</a> p. 114. </li> <li id="cite_note-138"><a href="#cite_ref-138">^</a> Heylin (1996), p. 143. </li> <li id="cite_note-139"><a href="#cite_ref-139">^</a> Sounes, p. 216. </li> <li id="cite_note-140"><a href="#cite_ref-140">^</a> Lee, pp. 39–63. </li> <li id="cite_note-141"><a href="#cite_ref-141">^</a> Sounes, pp. 222–225. </li> <li id="cite_note-142"><a href="#cite_ref-142">^</a> Heylin, 2011, Bob Dylan: Behind the Shades: The 20th Anniversary Edition, p. 280. </li> <li id="cite_note-BjornerJWH-143">^ <a href="#cite_ref-BjornerJWH_143-0">a</a> <a href="#cite_ref-BjornerJWH_143-1">b</a> <a href="#cite_ref-BjornerJWH_143-2">c</a> <a href="#cite_ref-BjornerJWH_143-3">d</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.bjorner.com/DSN01620%201967.htm#DSN01640">"Columbia Studio A, Nashville, Tennessee, John Wesley Harding sessions"</a>. 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Retrieved August 4, 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Rolling+Stone&rft.atitle=Bob+Dylan+at+Budokan&rft.date=1979-07-12&rft.au=Maslin%2C+Janet&rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Falbumreviews%2Fat-budokan-19790712&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-199"><a href="#cite_ref-199">^</a> Heylin (2000), p. 483. </li> <li id="cite_note-200"><a href="#cite_ref-200">^</a> Heylin (2011), pp. 479–481. </li> <li id="cite_note-201"><a href="#cite_ref-201">^</a> Gray (2006), p. 643. </li> <li id="cite_note-202"><a href="#cite_ref-202">^</a> Heylin (2000), pp. 480–481. </li> <li id="cite_note-203"><a href="#cite_ref-203">^</a> Barker (2019), Bob Dylan Anthology, Volume 3. p. 357. </li> <li id="cite_note-204"><a href="#cite_ref-204">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHoward_Sounes2011" class="citation book cs1">Howard Sounes (September 30, 2011). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=9RS_RuJf4dUC&pg=PA324">Down The Highway: The Life Of Bob Dylan</a>. Random House. pp. 324–325. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4464-6475-5" title="Special:BookSources/978-1-4464-6475-5"><bdi>978-1-4464-6475-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Down+The+Highway%3A+The+Life+Of+Bob+Dylan&rft.pages=%3Cspan+class%3D%22nowrap%22%3E324-%3C%2Fspan%3E325&rft.pub=Random+House&rft.date=2011-09-30&rft.isbn=978-1-4464-6475-5&rft.au=Howard+Sounes&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D9RS_RuJf4dUC%26pg%3DPA324&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-Vineyard-205">^ <a href="#cite_ref-Vineyard_205-0">a</a> <a href="#cite_ref-Vineyard_205-1">b</a> <a href="#cite_ref-Vineyard_205-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcCarron,_Andrew2017" class="citation web cs1">McCarron, Andrew (January 21, 2017). <a rel="nofollow" class="external text" href="http://blog.oup.com/2017/01/bob-dylan-christianity/">"The year Bob Dylan was born again: a timeline"</a>. Oxford University Press. Retrieved January 24, 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+year+Bob+Dylan+was+born+again%3A+a+timeline&rft.pub=Oxford+University+Press&rft.date=2017-01-21&rft.au=McCarron%2C+Andrew&rft_id=http%3A%2F%2Fblog.oup.com%2F2017%2F01%2Fbob-dylan-christianity%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-206"><a href="#cite_ref-206">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFClinton_Heylin2011" class="citation book cs1">Clinton Heylin (April 1, 2011). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=dd5EmZDdScoC&pg=PA494">Behind the Shades: The 20th Anniversary Edition</a>. Faber & Faber. pp. 494–496. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-571-27241-9" title="Special:BookSources/978-0-571-27241-9"><bdi>978-0-571-27241-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Behind+the+Shades%3A+The+20th+Anniversary+Edition&rft.pages=%3Cspan+class%3D%22nowrap%22%3E494-%3C%2Fspan%3E496&rft.pub=Faber+%26+Faber&rft.date=2011-04-01&rft.isbn=978-0-571-27241-9&rft.au=Clinton+Heylin&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Ddd5EmZDdScoC%26pg%3DPA494&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-207"><a href="#cite_ref-207">^</a> Dylan Interview with Karen Hughes, The Dominion, Wellington, New Zealand, May 21, 1980; reprinted in Cott (ed.), Dylan on Dylan: The Essential Interviews, pp. 275–278 </li> <li id="cite_note-208"><a href="#cite_ref-208">^</a> Heylin (2000), pp. 501–503. </li> <li id="cite_note-209"><a href="#cite_ref-209">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBjörner2001" class="citation web cs1"><a href="/wiki/Olof_Bj%C3%B6rner" title="Olof Björner">Björner</a> (June 8, 2001). <a rel="nofollow" class="external text" href="http://www.bjorner.com/DSN05347%201980%20Second%20Gospel%20Tour.htm#DSN05410">"Omaha, Nebraska, January 25, 1980"</a>. Bjorner's Still on the Road. Retrieved September 11, 2008.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Omaha%2C+Nebraska%2C+January+25%2C+1980&rft.pub=Bjorner%27s+Still+on+the+Road&rft.date=2001-06-08&rft.au=Bj%C3%B6rner&rft_id=http%3A%2F%2Fwww.bjorner.com%2FDSN05347%25201980%2520Second%2520Gospel%2520Tour.htm%23DSN05410&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-210"><a href="#cite_ref-210">^</a> Sounes, pp. 334–336. </li> <li id="cite_note-211"><a href="#cite_ref-211">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRosen2002" class="citation book cs1">Rosen, Robert (2002). Nowhere Man: The Final Days of John Lennon. Quick American Archives. p. 137. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-932551-51-1" title="Special:BookSources/978-0-932551-51-1"><bdi>978-0-932551-51-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Nowhere+Man%3A+The+Final+Days+of+John+Lennon&rft.pages=137&rft.pub=Quick+American+Archives&rft.date=2002&rft.isbn=978-0-932551-51-1&rft.aulast=Rosen&rft.aufirst=Robert&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-212"><a href="#cite_ref-212">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHolden1981" class="citation news cs1">Holden, Stephen (October 29, 1981). <a rel="nofollow" class="external text" href="https://www.nytimes.com/1981/10/29/arts/rock-dylan-in-jersey-revises-old-standbys.html">"Rock: Dylan, in Jersey, Revises Old Standbys"</a>. The New York Times. p. C19. Retrieved May 12, 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Rock%3A+Dylan%2C+in+Jersey%2C+Revises+Old+Standbys&rft.pages=C19&rft.date=1981-10-29&rft.aulast=Holden&rft.aufirst=Stephen&rft_id=https%3A%2F%2Fwww.nytimes.com%2F1981%2F10%2F29%2Farts%2Frock-dylan-in-jersey-revises-old-standbys.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-213"><a href="#cite_ref-213">^</a> Gray (2000), p. 11. </li> <li id="cite_note-Thompson2000-214"><a href="#cite_ref-Thompson2000_214-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJohn_Joseph_Thompson2000" class="citation book cs1">John Joseph Thompson (2000). <a rel="nofollow" class="external text" href="https://archive.org/details/raisedbywolvesst0000thom">Raised by Wolves: The Story of Christian Rock & Roll</a>. ECW Press. pp. <a rel="nofollow" class="external text" href="https://archive.org/details/raisedbywolvesst0000thom/page/n258">73</a>–. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-55022-421-4" title="Special:BookSources/978-1-55022-421-4"><bdi>978-1-55022-421-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Raised+by+Wolves%3A+The+Story+of+Christian+Rock+%26+Roll&rft.pages=73-&rft.pub=ECW+Press&rft.date=2000&rft.isbn=978-1-55022-421-4&rft.au=John+Joseph+Thompson&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fraisedbywolvesst0000thom&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-215"><a href="#cite_ref-215">^</a> Gray (2006), pp. 215–221. </li> <li id="cite_note-216"><a href="#cite_ref-216">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCostello" class="citation magazine cs1">Costello, Elvis. <a rel="nofollow" class="external text" href="https://www.vanityfair.com/culture/2000/11/elvis-costello-500-favorite-albums">"Elvis Costello's 500 Must-Have Albums, from Rap to Classical"</a>. Vanity Fair.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Vanity+Fair&rft.atitle=Elvis+Costello%27s+500+Must-Have+Albums%2C+from+Rap+to+Classical&rft.aulast=Costello&rft.aufirst=Elvis&rft_id=https%3A%2F%2Fwww.vanityfair.com%2Fculture%2F2000%2F11%2Felvis-costello-500-favorite-albums&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-217"><a href="#cite_ref-217">^</a> Gray (2000), pp. 11–14. </li> <li id="cite_note-218"><a href="#cite_ref-218">^</a> Gray (2006), pp. 56–59. </li> <li id="cite_note-219"><a href="#cite_ref-219">^</a> Sounes, pp. 354–356. </li> <li id="cite_note-Sounes362-220">^ <a href="#cite_ref-Sounes362_220-0">a</a> <a href="#cite_ref-Sounes362_220-1">b</a> Sounes, p. 362. </li> <li id="cite_note-221"><a href="#cite_ref-221">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.fastcompany.com/3023454/steven-van-zandt-tells-the-story-of-sun-city-and-fighting-apartheid-in-south-africa">"Steven Van Zandt Tells The Story Of 'Sun City' And Fighting Apartheid In South Africa"</a>. Fast Company. December 13, 2013. Retrieved May 14, 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Fast+Company&rft.atitle=Steven+Van+Zandt+Tells+The+Story+Of+%27Sun+City%27+And+Fighting+Apartheid+In+South+Africa&rft.date=2013-12-13&rft_id=https%3A%2F%2Fwww.fastcompany.com%2F3023454%2Fsteven-van-zandt-tells-the-story-of-sun-city-and-fighting-apartheid-in-south-africa&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-222"><a href="#cite_ref-222">^</a> Sounes, p. 367. </li> <li id="cite_note-223"><a href="#cite_ref-223">^</a> Sounes, pp. 365–367. </li> <li id="cite_note-224"><a href="#cite_ref-224">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFErlewine,_Stephen_Thomas" class="citation web cs1">Erlewine, Stephen Thomas. <a rel="nofollow" class="external text" href="https://www.allmusic.com/album/biograph-mw0000189728#:~:text=AllMusic%20Review&text=But%20Biograph%20is%20really%20remarkable,the%20more%20impressive%20in%20retrospect.">"Biograph Review"</a>. allmusic.com. Retrieved February 28, 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=allmusic.com&rft.atitle=Biograph+Review&rft.au=Erlewine%2C+Stephen+Thomas&rft_id=https%3A%2F%2Fwww.allmusic.com%2Falbum%2Fbiograph-mw0000189728%23%3A~%3Atext%3DAllMusic%2520Review%26text%3DBut%2520Biograph%2520is%2520really%2520remarkable%2Cthe%2520more%2520impressive%2520in%2520retrospect.&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-225"><a href="#cite_ref-225">^</a> Bell, 2013, Time Out of Mind: The Lives of Bob Dylan. p. 31. </li> <li id="cite_note-226"><a href="#cite_ref-226">^</a> Gray (2006), p. 63 </li> <li id="cite_note-227"><a href="#cite_ref-227">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFErlewine,_Stephen_Thomas" class="citation web cs1">Erlewine, Stephen Thomas. <a rel="nofollow" class="external text" href="https://www.allmusic.com/album/r6448">"Knocked Out Loaded"</a>. AllMusic. Retrieved May 2, 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=AllMusic&rft.atitle=Knocked+Out+Loaded&rft.au=Erlewine%2C+Stephen+Thomas&rft_id=https%3A%2F%2Fwww.allmusic.com%2Falbum%2Fr6448&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-228"><a href="#cite_ref-228">^</a> Heylin (2000), p. 595. </li> <li id="cite_note-229"><a href="#cite_ref-229">^</a> Gray (2006), pp. 95–100. </li> <li id="cite_note-230"><a href="#cite_ref-230">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFErlewine,_Stephen_Thomas1989" class="citation web cs1">Erlewine, Stephen Thomas (July 27, 1989). <a rel="nofollow" class="external text" href="https://www.allmusic.com/album/r54428">"Dylan & The Dead"</a>. AllMusic. Retrieved September 10, 2009.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=AllMusic&rft.atitle=Dylan+%26+The+Dead&rft.date=1989-07-27&rft.au=Erlewine%2C+Stephen+Thomas&rft_id=https%3A%2F%2Fwww.allmusic.com%2Falbum%2Fr54428&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-231"><a href="#cite_ref-231">^</a> Heylin (1996), pp. 297–299. </li> <li id="cite_note-232"><a href="#cite_ref-232">^</a> Sounes, pp. 376–383. </li> <li id="cite_note-233"><a href="#cite_ref-233">^</a> Heylin (2000), pp. 599–604. </li> <li id="cite_note-Sounes_385-234">^ <a href="#cite_ref-Sounes_385_234-0">a</a> <a href="#cite_ref-Sounes_385_234-1">b</a> Sounes, p. 385. </li> <li id="cite_note-Gray_2000,_p._13-235">^ <a href="#cite_ref-Gray_2000,_p._13_235-0">a</a> <a href="#cite_ref-Gray_2000,_p._13_235-1">b</a> Gray (2000), p. 13. </li> <li id="cite_note-236"><a href="#cite_ref-236">^</a> Heylin (2000), pp. 627–628. </li> <li id="cite_note-237"><a href="#cite_ref-237">^</a> Heylin (2000), pp. 638–640. </li> <li id="cite_note-238"><a href="#cite_ref-238">^</a> Ricks, pp. 413–420. </li> <li id="cite_note-239"><a href="#cite_ref-239">^</a> Scott Marshall wrote: "When Dylan sings that 'The sun is going down upon the sacred cow', it's safe to assume that the sacred cow here is the biblical metaphor for all false gods. For Dylan, the world will eventually know that there is only one God." Marshall, Restless Pilgrim, p. 103. </li> <li id="cite_note-240"><a href="#cite_ref-240">^</a> Gray (2006), p. 174. </li> <li id="cite_note-241"><a href="#cite_ref-241">^</a> Sounes, p. 391. </li> <li id="cite_note-242"><a href="#cite_ref-242">^</a> Heylin, 2000, Bob Dylan: Behind the Shades Revisited, pp. 661–665. </li> <li id="cite_note-243"><a href="#cite_ref-243">^</a> Sounes, 2001, Down The Highway: The Life Of Bob Dylan, pp. 396–398. </li> <li id="cite_note-244"><a href="#cite_ref-244">^</a> Cott (ed.), 2006, Dylan on Dylan: The Essential Interviews, p. 421. </li> <li id="cite_note-Lifetime-245">^ <a href="#cite_ref-Lifetime_245-0">a</a> <a href="#cite_ref-Lifetime_245-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGreene,_Andy2016" class="citation magazine cs1">Greene, Andy (November 18, 2016). <a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/lists/bob-dylan-before-the-nobel-12-times-he-accepted-an-honor-w451097/the-grammy-lifetime-achievement-award-1991-w451107">"Bob Dylan Before the Nobel: 12 Times He Publicly Accepted an Honor"</a>. Rolling Stone. 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Retrieved February 20, 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=awardsandshows.com&rft.atitle=Best+Contemporary+Folk+Album&rft_id=https%3A%2F%2Fwww.awardsandshows.com%2Ffeatures%2Fbest-contemporary-folk-album-255.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-266"><a href="#cite_ref-266">^</a> This is a reprint of the article from The Wall Street Journal cited in next footnote.<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20080724053350/http://www.csudh.edu/dearhabermas/plagiarbk010.htm">"Did Bob Dylan Lift Lines From Dr Saga?"</a>. California State University, Dear Habermas. July 8, 2003. 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Retrieved October 21, 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=%5BMinneapolis%5D+Star-Tribune&rft.atitle=The+original+%27Girl+From+the+North+Country%2C%27+Bob+Dylan%27s+high+school+sweetheart+has+died&rft.date=2018-01-25&rft.au=Matt+Steichen&rft_id=https%3A%2F%2Fwww.startribune.com%2Fthe-original-girl-from-the-north-country-bob-dylan-s-high-school-sweetheart-has-died%2F470716473%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDylan2004" class="citation book cs1">Dylan, Bob (2004). Chronicles, Volume 1. New York: Simon & Schuster. pp. 59–60. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780743228152" title="Special:BookSources/9780743228152"><bdi>9780743228152</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Chronicles%2C+Volume+1&rft.place=New+York&rft.pages=%3Cspan+class%3D%22nowrap%22%3E59-%3C%2Fspan%3E60&rft.pub=Simon+%26+Schuster&rft.date=2004&rft.isbn=9780743228152&rft.aulast=Dylan&rft.aufirst=Bob&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFToby_Thompson2018" class="citation web cs1">Toby Thompson (January 25, 2018). <a rel="nofollow" class="external text" href="https://uminnpressblog.com/2018/01/25/lookin-to-get-silly-in-hibbing-toby-thompson-on-echo-star-helstrom-the-girl-from-the-north-country/">"Lookin' to get silly in Hibbing: Toby Thompson on Echo Star Helstrom, the 'Girl from the North Country'"</a>. University of Minnesota Press Blog. Retrieved October 20, 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=University+of+Minnesota+Press+Blog&rft.atitle=Lookin%27+to+get+silly+in+Hibbing%3A+Toby+Thompson+on+Echo+Star+Helstrom%2C+the+%27Girl+from+the+North+Country%27&rft.date=2018-01-25&rft.au=Toby+Thompson&rft_id=https%3A%2F%2Fuminnpressblog.com%2F2018%2F01%2F25%2Flookin-to-get-silly-in-hibbing-toby-thompson-on-echo-star-helstrom-the-girl-from-the-north-country%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-426"><a href="#cite_ref-426">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.duluthnewstribune.com/news/4391880-dylans-presumed-girl-north-country-has-died">"Dylan's presumed 'Girl from the North Country' has died"</a>. Duluth News-Tribune. January 22, 2018. Retrieved October 21, 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Duluth+News-Tribune&rft.atitle=Dylan%27s+presumed+%27Girl+from+the+North+Country%27+has+died&rft.date=2018-01-22&rft_id=https%3A%2F%2Fwww.duluthnewstribune.com%2Fnews%2F4391880-dylans-presumed-girl-north-country-has-died&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFToby_Thompson2011" class="citation web cs1">Toby Thompson (May 20, 2011). <a rel="nofollow" class="external text" href="http://english.la.psu.edu/faculty-staff/cwt1">"Penn State professor, biographer reflects on Dylan at 70"</a>. Penn State Live. Retrieved January 4, 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Penn+State+Live&rft.atitle=Penn+State+professor%2C+biographer+reflects+on+Dylan+at+70&rft.date=2011-05-20&rft.au=Toby+Thompson&rft_id=http%3A%2F%2Fenglish.la.psu.edu%2Ffaculty-staff%2Fcwt1&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988">(quoted in Thompson's Penn State faculty biography)<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.thetimes.co.uk/article/obituary-echo-helstrom-kqdmkgwxk">"Echo Helstrom (obituary)"</a>. The Times. February 3, 2018. Retrieved October 22, 2021. <q>[In 1963, Dylan] paid Helstrom an even greater compliment by making her the muse of his folk ballad Girl From the North Country...</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Times&rft.atitle=Echo+Helstrom+%28obituary%29&rft.date=2018-02-03&rft_id=https%3A%2F%2Fwww.thetimes.co.uk%2Farticle%2Fobituary-echo-helstrom-kqdmkgwxk&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMatt_Steichen2018" class="citation web cs1">Matt Steichen (January 25, 2018). <a rel="nofollow" class="external text" href="https://www.startribune.com/the-original-girl-from-the-north-country-bob-dylan-s-high-school-sweetheart-has-died/470716473/">"The original 'Girl From the North Country,' Bob Dylan's high school sweetheart has died"</a>. [Minneapolis] Star-Tribune. Retrieved October 21, 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=%5BMinneapolis%5D+Star-Tribune&rft.atitle=The+original+%27Girl+From+the+North+Country%2C%27+Bob+Dylan%27s+high+school+sweetheart+has+died&rft.date=2018-01-25&rft.au=Matt+Steichen&rft_id=https%3A%2F%2Fwww.startribune.com%2Fthe-original-girl-from-the-north-country-bob-dylan-s-high-school-sweetheart-has-died%2F470716473%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988">><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFChrista_Lawler_and_Digital_First_Media2018" class="citation web cs1">Christa Lawler and Digital First Media (January 25, 2018). <a rel="nofollow" class="external text" href="https://www.record-bee.com/2018/01/25/dylans-girl-from-the-north-country-maybe-dies-in-california/">"Dylan's 'Girl from the North Country' (maybe) dies in California"</a>. Lake Country Record-Bee. Retrieved October 22, 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Lake+Country+Record-Bee&rft.atitle=Dylan%27s+%27Girl+from+the+North+Country%27+%28maybe%29+dies+in+California&rft.date=2018-01-25&rft.au=Christa+Lawler+and+Digital+First+Media&rft_id=https%3A%2F%2Fwww.record-bee.com%2F2018%2F01%2F25%2Fdylans-girl-from-the-north-country-maybe-dies-in-california%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHeylin2012" class="citation book cs1">Heylin, Clinton (2012). Revolution in the Air: The Songs of Bob Dylan, 1957–1973. Chicago Review Press. pp. 119–121. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1613743362" title="Special:BookSources/978-1613743362"><bdi>978-1613743362</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Revolution+in+the+Air%3A+The+Songs+of+Bob+Dylan%2C+1957%E2%80%931973&rft.pages=%3Cspan+class%3D%22nowrap%22%3E119-%3C%2Fspan%3E121&rft.pub=Chicago+Review+Press&rft.date=2012&rft.isbn=978-1613743362&rft.aulast=Heylin&rft.aufirst=Clinton&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-427"><a href="#cite_ref-427">^</a> Dylan, Chronicles, 2004, p. 265. </li> <li id="cite_note-428"><a href="#cite_ref-428">^</a> Gray, The Bob Dylan Encyclopedia, 2006, pp. 592–594. </li> <li id="cite_note-429"><a href="#cite_ref-429">^</a> Suze Rotolo, A Freewheelin' Time, Aurum Press, 2008, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84513-392-4" title="Special:BookSources/978-1-84513-392-4">978-1-84513-392-4</a> </li> <li id="cite_note-430"><a href="#cite_ref-430">^</a> Hajdu, Positively 4th Street, 2001, p. 76 </li> <li id="cite_note-431"><a href="#cite_ref-431">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMenand,_Louis2006" class="citation magazine cs1">Menand, Louis (September 4, 2006). <a rel="nofollow" class="external text" href="https://www.newyorker.com/magazine/2006/09/04/bob-on-bob">"Bob on Bob"</a>. 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Retrieved December 20, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+Yorker&rft.atitle=Bob+on+Bob&rft.date=2006-09-04&rft.au=Menand%2C+Louis&rft_id=https%3A%2F%2Fwww.newyorker.com%2Fmagazine%2F2006%2F09%2F04%2Fbob-on-bob&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-GrayBaez-432">^ <a href="#cite_ref-GrayBaez_432-0">a</a> <a href="#cite_ref-GrayBaez_432-1">b</a> <a href="#cite_ref-GrayBaez_432-2">c</a> <a href="#cite_ref-GrayBaez_432-3">d</a> Gray, The Bob Dylan Encyclopedia, 2006, pp. 28–31. </li> <li id="cite_note-433"><a href="#cite_ref-433">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHogan,_Mike2019" class="citation news cs1">Hogan, Mike (June 10, 2019). <a rel="nofollow" class="external text" href="https://www.vanityfair.com/hollywood/2019/06/martin-scorsese-bob-dylan-documentary">"Scorsese's New Dylan Documentary Is the Rebirth Myth America Need"</a>. <a href="/wiki/Vanity_Fair_magazine" class="mw-redirect" title="Vanity Fair magazine">Vanity Fair</a>. Retrieved February 22, 2020.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Vanity+Fair&rft.atitle=Scorsese%27s+New+Dylan+Documentary+Is+the+Rebirth+Myth+America+Need&rft.date=2019-06-10&rft.au=Hogan%2C+Mike&rft_id=https%3A%2F%2Fwww.vanityfair.com%2Fhollywood%2F2019%2F06%2Fmartin-scorsese-bob-dylan-documentary&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-Gray198-434">^ <a href="#cite_ref-Gray198_434-0">a</a> <a href="#cite_ref-Gray198_434-1">b</a> Gray (2006), pp. 198–200. </li> <li id="cite_note-435"><a href="#cite_ref-435">^</a> Sounes, pp. 371–373. </li> <li id="cite_note-436"><a href="#cite_ref-436">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="http://newsvote.bbc.co.uk/2/hi/entertainment/1273409.stm">"Dylan's Secret Marriage Uncovered"</a>. BBC News. April 12, 2001. Retrieved September 7, 2008.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=BBC+News&rft.atitle=Dylan%27s+Secret+Marriage+Uncovered&rft.date=2001-04-12&rft_id=http%3A%2F%2Fnewsvote.bbc.co.uk%2F2%2Fhi%2Fentertainment%2F1273409.stm&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-437"><a href="#cite_ref-437">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFChagollan,_Steve2013" class="citation magazine cs1">Chagollan, Steve (April 26, 2013). <a rel="nofollow" class="external text" href="https://variety.com/2013/biz/features/bob-dylan-house-designer-1200406286/">"Bob Dylan's Designer Brings It All Back Home"</a>. Variety.com. Retrieved September 16, 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Variety.com&rft.atitle=Bob+Dylan%27s+Designer+Brings+It+All+Back+Home&rft.date=2013-04-26&rft.au=Chagollan%2C+Steve&rft_id=https%3A%2F%2Fvariety.com%2F2013%2Fbiz%2Ffeatures%2Fbob-dylan-house-designer-1200406286%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-Marty-438"><a href="#cite_ref-Marty_438-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNewman2021" class="citation book cs1">Newman, Martin Alan (2021). Bob Dylan's Malibu. 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Retrieved October 13, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Rolling+Stone&rft.atitle=The+200+Greatest+Singers+of+All+Time&rft.date=2023-01-01&rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-lists%2Fbest-singers-all-time-1234642307%2Fbob-dylan-53-1234643193%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-483"><a href="#cite_ref-483">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRobertson" class="citation magazine cs1">Robertson, Robbie. <a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/music-lists/100-greatest-artists-147446/bob-dylan-10-31068/">"100 Greatest Artists: Bob Dylan"</a>. Rolling Stone.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Rolling+Stone&rft.atitle=100+Greatest+Artists%3A+Bob+Dylan&rft.aulast=Robertson&rft.aufirst=Robbie&rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-lists%2F100-greatest-artists-147446%2Fbob-dylan-10-31068%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-484"><a href="#cite_ref-484">^</a> Shelton, pp. 108–111. </li> <li id="cite_note-485"><a href="#cite_ref-485">^</a> Gray (2006), p. 413. </li> <li id="cite_note-486"><a href="#cite_ref-486">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLebold,_Christophe2007" class="citation web cs1">Lebold, Christophe (March 1, 2007). <a rel="nofollow" class="external text" href="https://journal.oraltradition.org/wp-content/uploads/files/articles/22i/Lebold.pdf">"A Face like a Mask and a Voice that Croaks: An Integrated Poetics of Bob Dylan's Voice, Personae, and Lyrics"</a> (PDF). Oral Tradition. Retrieved May 3, 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Oral+Tradition&rft.atitle=A+Face+like+a+Mask+and+a+Voice+that+Croaks%3A+An+Integrated+Poetics+of+Bob+Dylan%27s+Voice%2C+Personae%2C+and+Lyrics&rft.date=2007-03-01&rft.au=Lebold%2C+Christophe&rft_id=https%3A%2F%2Fjournal.oraltradition.org%2Fwp-content%2Fuploads%2Ffiles%2Farticles%2F22i%2FLebold.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-487"><a href="#cite_ref-487">^</a> Lennon: "In Paris in 1964 was the first time I ever heard Dylan at all. Paul got the record (The Freewheelin' Bob Dylan) from a French DJ. For three weeks in Paris we didn't stop playing it. We all went potty about Dylan.": Beatles, (2000), The Beatles Anthology, pp. 112–114. </li> <li id="cite_note-488"><a href="#cite_ref-488">^</a> McCartney: "I'm in awe of Bob ... He hit a period where people went, 'Oh, I don't like him now.' And I said, 'No. It's Bob Dylan.' To me, it's like Picasso, where people discuss his various periods, 'This was better than this, was better than this.' But I go, 'No. It's Picasso. It's all good.' "<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSiegel,_Robert2007" class="citation news cs1">Siegel, Robert (June 27, 2007). <a rel="nofollow" class="external text" href="https://www.avclub.com/paul-mccartney-1798211806">"Paul McCartney interview"</a>. A.V. Club. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170825102000/http://music.avclub.com/paul-mccartney-1798211806">Archived</a> from the original on August 25, 2017. Retrieved August 25, 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=A.V.+Club&rft.atitle=Paul+McCartney+interview&rft.date=2007-06-27&rft.au=Siegel%2C+Robert&rft_id=https%3A%2F%2Fwww.avclub.com%2Fpaul-mccartney-1798211806&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-489"><a href="#cite_ref-489">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRichardson2015" class="citation book cs1">Richardson, P. (2015). <a rel="nofollow" class="external text" href="https://archive.org/details/nosimplehighwayc0000rich">No Simple Highway</a>. St. Martin's Press. p. <a rel="nofollow" class="external text" href="https://archive.org/details/nosimplehighwayc0000rich/page/150">150</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-250-01062-9" title="Special:BookSources/978-1-250-01062-9"><bdi>978-1-250-01062-9</bdi></a>. Retrieved May 13, 2016. <q>Dylan's influence on Garcia and Hunter was a given; both admired his songwriting and thought he gave rock music a modicum of respectability and authority. "He took [rock music] out of the realm of ignorant guys banging away on electrical instruments and put it somewhere else altogether," Garcia said later.</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=No+Simple+Highway&rft.pages=150&rft.pub=St.+Martin%27s+Press&rft.date=2015&rft.isbn=978-1-250-01062-9&rft.aulast=Richardson&rft.aufirst=P.&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fnosimplehighwayc0000rich&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-490"><a href="#cite_ref-490">^</a> "They asked me what effect Bob Dylan had on me," Townshend said. "That's like asking how I was influenced by being born." Flanagan, (1990), Written In My Soul, p. 88. </li> <li id="cite_note-491"><a href="#cite_ref-491">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBarrett,_Syd" class="citation web cs1">Barrett, Syd. <a rel="nofollow" class="external text" href="http://www.pink-floyd.org/barrett/sydlyrics.html#misc">"Bob Dylan Blues"</a>. pink floyd.org. Retrieved May 4, 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Bob+Dylan+Blues&rft.pub=pink+floyd.org&rft.au=Barrett%2C+Syd&rft_id=http%3A%2F%2Fwww.pink-floyd.org%2Fbarrett%2Fsydlyrics.html%23misc&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-492"><a href="#cite_ref-492">^</a> Mitchell: “I can’t really pick just one because I like so many, but the Dylan song that really grabbed me was ‘Positively Fourth Street’ and the reason for that was the subject matter seemed at the time so unique. What it said to me, not only is this a good song, but it means that we can now sing about any kind of emotion. I don’t think there was a song before that that defined the kind of hurt expressed in that song. It widened the scope of possibilities for songwriters.”<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHilburn,_Robert1991" class="citation news cs1">Hilburn, Robert (May 19, 1991). <a rel="nofollow" class="external text" href="https://www.latimes.com/archives/la-xpm-1991-05-19-ca-3173-story.html">"The Impact of Dylan's Music 'Widened the Scope of Possibilities'"</a>. Los Angeles Times. Retrieved August 18, 2011.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Los+Angeles+Times&rft.atitle=The+Impact+of+Dylan%27s+Music+%27Widened+the+Scope+of+Possibilities%27&rft.date=1991-05-19&rft.au=Hilburn%2C+Robert&rft_id=https%3A%2F%2Fwww.latimes.com%2Farchives%2Fla-xpm-1991-05-19-ca-3173-story.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-493"><a href="#cite_ref-493">^</a> "Bob Dylan, I'll never be Bob Dylan. He's the master. If I'd like to be anyone, it's him. And he's a great writer, true to his music and done what he feels is the right thing to do for years and years and years. He's great. He's the one I look to." Time interview with Neil Young, September 28, 2005. Reproduced online : <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTyrangiel,_Josh2005" class="citation magazine cs1">Tyrangiel, Josh (September 28, 2005). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20051210222145/http://www.time.com/time/arts/article/0,8599,1110988,00.html">"Resurrection of Neil Young"</a>. Time. Archived from <a rel="nofollow" class="external text" href="http://www.time.com/time/arts/article/0,8599,1110988,00.html">the original</a> on December 10, 2005. Retrieved September 15, 2008.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Time&rft.atitle=Resurrection+of+Neil+Young&rft.date=2005-09-28&rft.au=Tyrangiel%2C+Josh&rft_id=http%3A%2F%2Fwww.time.com%2Ftime%2Farts%2Farticle%2F0%2C8599%2C1110988%2C00.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-494"><a href="#cite_ref-494">^</a> Bowie: "Dylan taught my generation that it was OK to write pop songs about your worst nightmares." Bowie paid homage with "<a href="/wiki/Song_for_Bob_Dylan" title="Song for Bob Dylan">Song for Bob Dylan</a>" on the album <a href="/wiki/Hunky_Dory_(album)" class="mw-redirect" title="Hunky Dory (album)">Hunky Dory</a>, 1971. </li> <li id="cite_note-495"><a href="#cite_ref-495">^</a> In 2007, Ferry released an album of his versions of Dylan songs, <a href="/wiki/Dylanesque" title="Dylanesque">Dylanesque</a> </li> <li id="cite_note-496"><a href="#cite_ref-496">^</a> <a href="/wiki/Time_Out_(magazine)" title="Time Out (magazine)">Time Out</a> interview with Patti Smith, May 16, 2007: "The people I revered in the late '60s and the early '70s, their motivation was to do great work and great work creates revolution. The motivation of Jimi Hendrix, Bob Dylan or The Who wasn't marketing, to get rich, or be a celebrity."<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20130515164232/http://www.timeout.com/london/music/patti-smith-interview">"Patti Smith: interview"</a>. <a href="/wiki/Time_Out_(magazine)" title="Time Out (magazine)">Time Out</a>. May 16, 2007. Archived from <a rel="nofollow" class="external text" href="https://timeout.com/london/music/patti-smith-interview">the original</a> on May 15, 2013. Retrieved September 8, 2008.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Time+Out&rft.atitle=Patti+Smith%3A+interview&rft.date=2007-05-16&rft_id=https%3A%2F%2Ftimeout.com%2Flondon%2Fmusic%2Fpatti-smith-interview&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-497"><a href="#cite_ref-497">^</a> "Dylan laid down the template for lyric, tune, seriousness, spirituality, depth of rock music".<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="http://news.bbc.co.uk/2/hi/talking_point/1349116.stm">"Bob Dylan: His Legacy to Music"</a>. BBC News. May 29, 2001. Retrieved October 5, 2008.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=BBC+News&rft.atitle=Bob+Dylan%3A+His+Legacy+to+Music&rft.date=2001-05-29&rft_id=http%3A%2F%2Fnews.bbc.co.uk%2F2%2Fhi%2Ftalking_point%2F1349116.stm&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-498"><a href="#cite_ref-498">^</a> Bono:His voice has been a bee buzzing around my ear since I can remember being conscious. It's an unusual voice, not always soothing, sometimes nagging, but it reminds us of the possibilities for music and its place in the world...U2 kind of came from outer space, where punk was ground zero and you didn't admit to having roots. Bob scolded me, "You're sitting on all this stuff. You should check it out." As we fall over ourselves toward the fast and furious future, Dylan feels like the brakes, reminding us of stuff we might have lost, like our dignity. </li> <li id="cite_note-499"><a href="#cite_ref-499">^</a> Mojo: What, if push comes to shove, is your all-time favourite album? Nick Cave: "I guess it's Slow Train Coming by Bob Dylan. That's a great record, full of mean-spirited spirituality. It's a genuinely nasty record, certainly the nastiest 'Christian' album I've ever come across." <a href="/wiki/Mojo_(magazine)" title="Mojo (magazine)">Mojo</a>, January 1997 </li> <li id="cite_note-500"><a href="#cite_ref-500">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWillman,_Chris2016" class="citation magazine cs1">Willman, Chris (October 14, 2016). <a rel="nofollow" class="external text" href="https://www.billboard.com/articles/news/7541930/leonard-cohen-new-album-corrects-ready-to-die-reports">"Leonard Cohen Corrects Himself"</a>. Billboard. Retrieved November 13, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Leonard+Cohen+Corrects+Himself&rft.date=2016-10-14&rft.au=Willman%2C+Chris&rft_id=https%3A%2F%2Fwww.billboard.com%2Farticles%2Fnews%2F7541930%2Fleonard-cohen-new-album-corrects-ready-to-die-reports&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-501"><a href="#cite_ref-501">^</a> Waits: "For a songwriter, Dylan is as essential as a hammer and nails and saw are to a carpenter." <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.theguardian.com/music/2005/mar/20/popandrock1">"It's Perfect Madness"</a>. <a href="/wiki/The_Guardian" title="The Guardian">The Guardian</a>. March 20, 2005.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Guardian&rft.atitle=It%27s+Perfect+Madness&rft.date=2005-03-20&rft_id=https%3A%2F%2Fwww.theguardian.com%2Fmusic%2F2005%2Fmar%2F20%2Fpopandrock1&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-502"><a href="#cite_ref-502">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPausBakke2024" class="citation book cs1">Paus, Ole; Bakke, Asbjørn (2024). For en mann. Kagge forlag. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9788248928508" title="Special:BookSources/9788248928508"><bdi>9788248928508</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=For+en+mann&rft.pub=Kagge+forlag&rft.date=2024&rft.isbn=9788248928508&rft.aulast=Paus&rft.aufirst=Ole&rft.au=Bakke%2C+Asbj%C3%B8rn&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-503"><a href="#cite_ref-503">^</a> Chuck D, in conversation with Edna Gundersen in <a href="/wiki/USA_Today" title="USA Today">USA Today</a>, said of Dylan, “He is stencilled on a lot of aspects of my career. His ability to paint pictures with words and his concerns for society. He taught me to go against the grain." </li> <li id="cite_note-504"><a href="#cite_ref-504">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMarcus,_Greil2010" class="citation web cs1">Marcus, Greil (April 10, 2010). <a rel="nofollow" class="external text" href="http://www.bobdylan.com/albums/basement-tapes/">"The Basement Tapes (1975)"</a>. bobdylan.com. Retrieved July 1, 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Basement+Tapes+%281975%29&rft.pub=bobdylan.com&rft.date=2010-04-10&rft.au=Marcus%2C+Greil&rft_id=http%3A%2F%2Fwww.bobdylan.com%2Falbums%2Fbasement-tapes%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-505"><a href="#cite_ref-505">^</a> Hoskyns, pp. 153–157. </li> <li id="cite_note-506"><a href="#cite_ref-506">^</a> "Johnny Cash, from the intro to "Wanted Man", <a href="/wiki/At_San_Quentin" title="At San Quentin">At San Quentin</a>, recorded February 24, 1969. </li> <li id="cite_note-507"><a href="#cite_ref-507">^</a> Cohn, pp. 164–165. </li> <li id="cite_note-508"><a href="#cite_ref-508">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMarx,_Jack2008" class="citation news cs1">Marx, Jack (September 2, 2008). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130523063537/https://www.theaustralian.com.au/arts/tangled-up-in-blah/story-e6frg8px-1111117308423">"Tangled Up In Blah"</a>. The Australian. Archived from <a rel="nofollow" class="external text" href="http://www.theaustralian.com.au/arts/tangled-up-in-blah/story-e6frg8px-1111117308423">the original</a> on May 23, 2013. Retrieved October 5, 2008.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Australian&rft.atitle=Tangled+Up+In+Blah&rft.date=2008-09-02&rft.au=Marx%2C+Jack&rft_id=http%3A%2F%2Fwww.theaustralian.com.au%2Farts%2Ftangled-up-in-blah%2Fstory-e6frg8px-1111117308423&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-509"><a href="#cite_ref-509">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDiehl,_Matt2010" class="citation news cs1">Diehl, Matt (April 22, 2010). <a rel="nofollow" class="external text" href="https://www.latimes.com/archives/la-xpm-2010-apr-22-la-et-jonimitchell-20100422-story.html">"It's a Joni Mitchell concert, sans Joni"</a>. <a href="/wiki/Los_Angeles_Times" title="Los Angeles Times">Los Angeles Times</a>. 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Retrieved May 2, 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Daily+Beast&rft.atitle=Is+Bob+Dylan+a+Phony%3F&rft.date=2010-04-30&rft.au=Wilentz%2C+Sean&rft_id=http%3A%2F%2Fwww.thedailybeast.com%2Farticles%2F2010%2F04%2F30%2Fis-bob-dylan-a-phony.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-513"><a href="#cite_ref-513">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGilmore,_Mikal2012" class="citation magazine cs1">Gilmore, Mikal (September 27, 2012). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170902145251/https://www.rollingstone.com/music/news/bob-dylan-unleashed-a-wild-ride-on-his-new-lp-and-striking-back-at-critics-20120927?page=7">"Bob Dylan Unleashed"</a>. Rolling Stone. Archived from <a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/news/bob-dylan-unleashed-a-wild-ride-on-his-new-lp-and-striking-back-at-critics-20120927?page=7">the original</a> on September 2, 2017. Retrieved January 11, 2013.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Rolling+Stone&rft.atitle=Bob+Dylan+Unleashed&rft.date=2012-09-27&rft.au=Gilmore%2C+Mikal&rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fnews%2Fbob-dylan-unleashed-a-wild-ride-on-his-new-lp-and-striking-back-at-critics-20120927%3Fpage%3D7&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-515"><a href="#cite_ref-515">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGibbonsMoore2013" class="citation book cs1">Gibbons, Dave; Moore, Alan (2013) [1986]. 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Retrieved January 5, 2025.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=billboard.com&rft.atitle=Bob+Dylan+Biopic+%27A+Complete+Unknown%27+Already+Ranks+Among+the+All-Time+Top-Grossing+Music+Biopics%3A+Here%27s+the+Top+25&rft.date=2025-01-03&rft.au=Grein%2C+Paul&rft_id=https%3A%2F%2Fwww.billboard.com%2Flists%2Ftop-grossing-music-biopics-movies%2Fget-on-up-2014%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-524"><a href="#cite_ref-524">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.metacritic.com/movie/a-complete-unknown/critic-reviews/">"A Complete Unknown, Critic Reviews"</a>. metacritic.com. December 26, 2024. 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Retrieved December 14, 2012.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Revisionist+Art%3A+Thirty+Works+by+Bob+Dylan&rft.date=2012-12-13&rft.au=Smith%2C+Roberta&rft_id=https%3A%2F%2Fwww.nytimes.com%2F2012%2F12%2F14%2Farts%2Fdesign%2Frevisionist-art-thirty-works-by-bob-dylan.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-550"><a href="#cite_ref-550">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFParker,_Sam2013" class="citation web cs1">Parker, Sam (February 6, 2013). <a rel="nofollow" class="external text" href="http://www.huffingtonpost.co.uk/2013/02/06/bob-dylans-new-orleans-se_n_2629294.html">"Bob Dylan's 'New Orleans Series' Goes On Display In Milan"</a>. HuffPost. Retrieved February 9, 2013.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=HuffPost&rft.atitle=Bob+Dylan%27s+%27New+Orleans+Series%27+Goes+On+Display+In+Milan&rft.date=2013-02-06&rft.au=Parker%2C+Sam&rft_id=http%3A%2F%2Fwww.huffingtonpost.co.uk%2F2013%2F02%2F06%2Fbob-dylans-new-orleans-se_n_2629294.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-551"><a href="#cite_ref-551">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGüner,_Fisun2013" class="citation web cs1">Güner, Fisun (August 24, 2013). <a rel="nofollow" class="external text" href="http://www.theartsdesk.com/visual-arts/bob-dylan-face-value-national-portrait-gallery">"Bob Dylan: Face Value, National Portrait Gallery"</a>. TheArtsDesk.com. Retrieved August 26, 2013.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Bob+Dylan%3A+Face+Value%2C+National+Portrait+Gallery&rft.pub=TheArtsDesk.com&rft.date=2013-08-24&rft.au=G%C3%BCner%2C+Fisun&rft_id=http%3A%2F%2Fwww.theartsdesk.com%2Fvisual-arts%2Fbob-dylan-face-value-national-portrait-gallery&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-552"><a href="#cite_ref-552">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.artlyst.com/articles/the-legendary-bob-dylan-unveils-seven-iron-gates-sculpture">"The Legendary Bob Dylan Unveils Seven Iron Gates Sculpture"</a>. artlyst.com. September 24, 2013. Retrieved November 16, 2013.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Legendary+Bob+Dylan+Unveils+Seven+Iron+Gates+Sculpture&rft.pub=artlyst.com&rft.date=2013-09-24&rft_id=http%3A%2F%2Fwww.artlyst.com%2Farticles%2Fthe-legendary-bob-dylan-unveils-seven-iron-gates-sculpture&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-553"><a href="#cite_ref-553">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.halcyongallery.com/exhibitions/bob-dylan-mood-swings">"Mood Swings"</a>. Halcyon Gallery. November 1, 2013. Retrieved November 16, 2013.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Mood+Swings&rft.pub=Halcyon+Gallery&rft.date=2013-11-01&rft_id=http%3A%2F%2Fwww.halcyongallery.com%2Fexhibitions%2Fbob-dylan-mood-swings&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-554"><a href="#cite_ref-554">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDylan,_Bob2016" class="citation web cs1">Dylan, Bob (November 5, 2016). <a rel="nofollow" class="external text" href="https://halcyongallery.cld.bz/Bob-Dylan-The-Beaten-Path/6#6">"The Beaten Path"</a>. Halcyon Gallery. Retrieved December 2, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Beaten+Path&rft.pub=Halcyon+Gallery&rft.date=2016-11-05&rft.au=Dylan%2C+Bob&rft_id=https%3A%2F%2Fhalcyongallery.cld.bz%2FBob-Dylan-The-Beaten-Path%2F6%236&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-555"><a href="#cite_ref-555">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWilentz2016" class="citation web cs1">Wilentz, Sean (November 5, 2016). <a rel="nofollow" class="external text" href="https://asiatimes.com/bob-dylans-visual-art-important-ode-america/">"Bob Dylan's visual art is an important ode to America"</a>. Asia Times Online. Retrieved November 16, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Asia+Times+Online&rft.atitle=Bob+Dylan%27s+visual+art+is+an+important+ode+to+America&rft.date=2016-11-05&rft.aulast=Wilentz&rft.aufirst=Sean&rft_id=https%3A%2F%2Fasiatimes.com%2Fbob-dylans-visual-art-important-ode-america%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-556"><a href="#cite_ref-556">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://asiatimes.com/article/bob-dylan-headed-back-china-canvas/">"Bob Dylan is headed back to China – on canvas"</a>. Asia Times Online. November 5, 2016. Retrieved November 16, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Asia+Times+Online&rft.atitle=Bob+Dylan+is+headed+back+to+China+%E2%80%93+on+canvas&rft.date=2016-11-05&rft_id=https%3A%2F%2Fasiatimes.com%2Farticle%2Fbob-dylan-headed-back-china-canvas%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-557"><a href="#cite_ref-557">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDylan2016" class="citation magazine cs1">Dylan, Bob (November 2, 2016). <a rel="nofollow" class="external text" href="https://vanityfair.com/culture/2016/11/why-bob-dylan-paints">"In His Own Words: Why Bob Dylan Paints"</a>. Vanity Fair. Retrieved November 16, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Vanity+Fair&rft.atitle=In+His+Own+Words%3A+Why+Bob+Dylan+Paints&rft.date=2016-11-02&rft.aulast=Dylan&rft.aufirst=Bob&rft_id=https%3A%2F%2Fvanityfair.com%2Fculture%2F2016%2F11%2Fwhy-bob-dylan-paints&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-558"><a href="#cite_ref-558">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.halcyongallery.com/exhibitions/14-mondo-scripto-bob-dylan/">"Bob Dylan, Mondo Scripto, 09 Oct 2018 – 23 Dec 2018"</a>. halcyongallery.com. September 10, 2018. Retrieved December 1, 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Bob+Dylan%2C+Mondo+Scripto%2C+09+Oct+2018+%E2%80%93+23+Dec+2018&rft.pub=halcyongallery.com&rft.date=2018-09-10&rft_id=https%3A%2F%2Fwww.halcyongallery.com%2Fexhibitions%2F14-mondo-scripto-bob-dylan%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-559"><a href="#cite_ref-559">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.halcyongallery.com/news/10-bob-dylan-s-retrospectrum-debuts-at-the-modern-art/">"Bob Dylan's 'Retrospectrum' debuts at the Modern Art Museum, Shanghai"</a>. Halcyon Gallery. Retrieved June 8, 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Halcyon+Gallery&rft.atitle=Bob+Dylan%27s+%27Retrospectrum%27+debuts+at+the+Modern+Art+Museum%2C+Shanghai&rft_id=https%3A%2F%2Fwww.halcyongallery.com%2Fnews%2F10-bob-dylan-s-retrospectrum-debuts-at-the-modern-art%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-560"><a href="#cite_ref-560">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRichard_F._Thomas2021" class="citation web cs1"><a href="/wiki/Richard_F._Thomas" title="Richard F. Thomas">Richard F. Thomas</a> (December 21, 2021). <a rel="nofollow" class="external text" href="https://artreview.com/dylan-transfigured-deep-focus/">"Dylan Transfigured: Deep Focus"</a>. artreview.com. Retrieved December 24, 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=artreview.com&rft.atitle=Dylan+Transfigured%3A+Deep+Focus&rft.date=2021-12-21&rft.au=Richard+F.+Thomas&rft_id=https%3A%2F%2Fartreview.com%2Fdylan-transfigured-deep-focus%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-561"><a href="#cite_ref-561">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLicon,_Adriana2021" class="citation news cs1">Licon, Adriana (November 27, 2021). <a rel="nofollow" class="external text" href="https://www.washingtonpost.com/lifestyle/bob-dylan-artwork-show-opens-in-miami-new-cinema-paintings/2021/11/27/f7f2e35a-4f94-11ec-a7b8-9ed28bf23929_story.html">"Bob Dylan artwork show opens in Miami, new cinema paintings"</a>. The Washington Post. Retrieved December 1, 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Washington+Post&rft.atitle=Bob+Dylan+artwork+show+opens+in+Miami%2C+new+cinema+paintings&rft.date=2021-11-27&rft.au=Licon%2C+Adriana&rft_id=https%3A%2F%2Fwww.washingtonpost.com%2Flifestyle%2Fbob-dylan-artwork-show-opens-in-miami-new-cinema-paintings%2F2021%2F11%2F27%2Ff7f2e35a-4f94-11ec-a7b8-9ed28bf23929_story.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-562"><a href="#cite_ref-562">^</a> Drawn Blank, Random House (November 15, 1994); Bob Dylan: The Drawn Blank Series, Prestel (March 31, 2008); Bob Dylan: The Brazil Series, Prestel (October 25, 2010); Bob Dylan: The Asia Series, Gagosian Gallery (October 12, 2011); Revisionist Art: Thirty Works by Bob Dylan, Harry N. Abrams (March 26, 2013); Bob Dylan: Face Value, National Portrait Gallery (February 28, 2014); The Beaten Path, Halcyon Gallery (November 5, 2016); Mondo Scripto, Halcyon Gallery, (October 1, 2018); Bob Dylan: Retrospectrum, Skira Editore, (March 1, 2023) </li> <li id="cite_note-563"><a href="#cite_ref-563">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDylan,_Bob2022" class="citation web cs1">Dylan, Bob (November 26, 2022). <a rel="nofollow" class="external text" href="https://www.facebook.com/bobdylan/posts/697295788427537">"To my fans and followers"</a>. Facebook. Retrieved November 29, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Facebook&rft.atitle=To+my+fans+and+followers&rft.date=2022-11-26&rft.au=Dylan%2C+Bob&rft_id=https%3A%2F%2Fwww.facebook.com%2Fbobdylan%2Fposts%2F697295788427537&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> <li id="cite_note-564"><a href="#cite_ref-564">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://www.bbc.com/news/entertainment-arts-63779904">"Bob Dylan apologises for machine-printed 'signatures'"</a>. BBC News. November 28, 2022. Retrieved November 28, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=BBC+News&rft.atitle=Bob+Dylan+apologises+for+machine-printed+%27signatures%27&rft.date=2022-11-28&rft_id=https%3A%2F%2Fwww.bbc.com%2Fnews%2Fentertainment-arts-63779904&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"> </li> </ol></div></div> <div class="mw-heading mw-heading3"><h3 id="Sources">Sources</h3></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1184024115"><div class="div-col" style="column-width: 30em;"> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBarker2019" class="citation book cs1">Barker, Derek, ed. (2019). Bob Dylan Anthology, Volume 3. Red Planet Publishing. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-912733-94-1" title="Special:BookSources/978-1-912733-94-1"><bdi>978-1-912733-94-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Bob+Dylan+Anthology%2C+Volume+3&rft.pub=Red+Planet+Publishing&rft.date=2019&rft.isbn=978-1-912733-94-1&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBauldie1992" class="citation book cs1">Bauldie, John, ed. (1992). Wanted Man: In Search of Bob Dylan. Penguin Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-14-015361-3" title="Special:BookSources/978-0-14-015361-3"><bdi>978-0-14-015361-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Wanted+Man%3A+In+Search+of+Bob+Dylan&rft.pub=Penguin+Books&rft.date=1992&rft.isbn=978-0-14-015361-3&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBeatles2000" class="citation book cs1">Beatles, The (2000). The Beatles Anthology. Cassell & Co. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-304-35605-8" title="Special:BookSources/978-0-304-35605-8"><bdi>978-0-304-35605-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Beatles+Anthology&rft.pub=Cassell+%26+Co.&rft.date=2000&rft.isbn=978-0-304-35605-8&rft.aulast=Beatles&rft.aufirst=The&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBell2012" class="citation book cs1">Bell, Ian (2012). Once Upon a Time: The Lives of Bob Dylan. Mainstream Publishing. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-78057-573-5" title="Special:BookSources/978-1-78057-573-5"><bdi>978-1-78057-573-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Once+Upon+a+Time%3A+The+Lives+of+Bob+Dylan&rft.pub=Mainstream+Publishing&rft.date=2012&rft.isbn=978-1-78057-573-5&rft.aulast=Bell&rft.aufirst=Ian&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBell2013" class="citation book cs1">Bell, Ian (2013). Time Out of Mind: The Lives of Bob Dylan. Mainstream Publishing. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781780575773" title="Special:BookSources/9781780575773"><bdi>9781780575773</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Time+Out+of+Mind%3A+The+Lives+of+Bob+Dylan&rft.pub=Mainstream+Publishing&rft.date=2013&rft.isbn=9781780575773&rft.aulast=Bell&rft.aufirst=Ian&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCohn1970" class="citation book cs1">Cohn, Nik (1970). Awopbopaloobop Alopbamboom. Paladin. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-586-08014-6" title="Special:BookSources/978-0-586-08014-6"><bdi>978-0-586-08014-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Awopbopaloobop+Alopbamboom&rft.pub=Paladin&rft.date=1970&rft.isbn=978-0-586-08014-6&rft.aulast=Cohn&rft.aufirst=Nik&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCott2006" class="citation book cs1">Cott, Jonathan, ed. (2006). Dylan on Dylan: The Essential Interviews. Hodder & Stoughton. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-340-92312-2" title="Special:BookSources/978-0-340-92312-2"><bdi>978-0-340-92312-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Dylan+on+Dylan%3A+The+Essential+Interviews&rft.pub=Hodder+%26+Stoughton&rft.date=2006&rft.isbn=978-0-340-92312-2&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDylan2004" class="citation book cs1">Dylan, Bob (2004). <a href="/wiki/Chronicles:_Volume_One" title="Chronicles: Volume One">Chronicles: Volume One</a>. Simon and Schuster. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7432-2815-2" title="Special:BookSources/978-0-7432-2815-2"><bdi>978-0-7432-2815-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Chronicles%3A+Volume+One&rft.pub=Simon+and+Schuster&rft.date=2004&rft.isbn=978-0-7432-2815-2&rft.aulast=Dylan&rft.aufirst=Bob&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFishkoff2003" class="citation book cs1">Fishkoff, Sue (2003). The Rebbe's Army: Inside the World of Chabad-Lubavitch. Schocken Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8052-1138-2" title="Special:BookSources/978-0-8052-1138-2"><bdi>978-0-8052-1138-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Rebbe%27s+Army%3A+Inside+the+World+of+Chabad-Lubavitch&rft.pub=Schocken+Books&rft.date=2003&rft.isbn=978-0-8052-1138-2&rft.aulast=Fishkoff&rft.aufirst=Sue&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFlanagan1990" class="citation book cs1">Flanagan, Bill (1990). Written In My Soul. Omnibus Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7119-2224-2" title="Special:BookSources/978-0-7119-2224-2"><bdi>978-0-7119-2224-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Written+In+My+Soul&rft.pub=Omnibus+Press&rft.date=1990&rft.isbn=978-0-7119-2224-2&rft.aulast=Flanagan&rft.aufirst=Bill&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFong-Torres1973" class="citation book cs1">Fong-Torres, Ben, ed. (1973). The Rolling Stone Interviews. Vol. 2. Warner Paperback Library.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Rolling+Stone+Interviews&rft.pub=Warner+Paperback+Library&rft.date=1973&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGill1999" class="citation book cs1">Gill, Andy (1999). Classic Bob Dylan: My Back Pages. Carlton. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-85868-599-1" title="Special:BookSources/978-1-85868-599-1"><bdi>978-1-85868-599-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Classic+Bob+Dylan%3A+My+Back+Pages&rft.pub=Carlton&rft.date=1999&rft.isbn=978-1-85868-599-1&rft.aulast=Gill&rft.aufirst=Andy&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGillOdegard2004" class="citation book cs1">Gill, Andy; Odegard, Kevin (2004). <a rel="nofollow" class="external text" href="https://archive.org/details/simpletwistoffat00gill">A Simple Twist Of Fate: Bob Dylan and the Making of Blood on the Tracks</a>. Da Capo Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-306-81413-6" title="Special:BookSources/978-0-306-81413-6"><bdi>978-0-306-81413-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=A+Simple+Twist+Of+Fate%3A+Bob+Dylan+and+the+Making+of+Blood+on+the+Tracks&rft.pub=Da+Capo+Press&rft.date=2004&rft.isbn=978-0-306-81413-6&rft.aulast=Gill&rft.aufirst=Andy&rft.au=Odegard%2C+Kevin&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fsimpletwistoffat00gill&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGilliland1969" class="citation web cs1"><a href="/wiki/John_Gilliland" title="John Gilliland">Gilliland, John</a> (1969). <a rel="nofollow" class="external text" href="https://digital.library.unt.edu/search/?fq=str_title_serial%3A%22The+Pop+Chronicles+%28John+Gilliland+Collection%29%22&sort=date_a&start=30">"Ballad in Plain D: An introduction to the Bob Dylan era"</a> (audio). <a href="/wiki/Pop_Chronicles" title="Pop Chronicles">Pop Chronicles</a>. <a href="/wiki/University_of_North_Texas_Libraries" title="University of North Texas Libraries">University of North Texas Libraries</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Pop+Chronicles&rft.atitle=Ballad+in+Plain+D%3A+An+introduction+to+the+Bob+Dylan+era&rft.date=1969&rft.aulast=Gilliland&rft.aufirst=John&rft_id=https%3A%2F%2Fdigital.library.unt.edu%2Fsearch%2F%3Ffq%3Dstr_title_serial%253A%2522The%2BPop%2BChronicles%2B%2528John%2BGilliland%2BCollection%2529%2522%26sort%3Ddate_a%26start%3D30&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGray1972" class="citation book cs1"><a href="/wiki/Michael_Gray_(author)" title="Michael Gray (author)">Gray, Michael</a> (1972). Song & Dance Man: The Art of Bob Dylan. Hart-Davis, MacGibbon. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-246-10603-4" title="Special:BookSources/0-246-10603-4"><bdi>0-246-10603-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Song+%26+Dance+Man%3A+The+Art+of+Bob+Dylan&rft.pub=Hart-Davis%2C+MacGibbon&rft.date=1972&rft.isbn=0-246-10603-4&rft.aulast=Gray&rft.aufirst=Michael&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGray2000" class="citation book cs1">Gray, Michael (2000). Song & Dance Man III: The Art of Bob Dylan. Continuum International. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8264-5150-7" title="Special:BookSources/978-0-8264-5150-7"><bdi>978-0-8264-5150-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Song+%26+Dance+Man+III%3A+The+Art+of+Bob+Dylan&rft.pub=Continuum+International&rft.date=2000&rft.isbn=978-0-8264-5150-7&rft.aulast=Gray&rft.aufirst=Michael&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGray2006" class="citation book cs1">Gray, Michael (2006). <a href="/wiki/The_Bob_Dylan_Encyclopedia" title="The Bob Dylan Encyclopedia">The Bob Dylan Encyclopedia</a>. Continuum International. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8264-6933-5" title="Special:BookSources/978-0-8264-6933-5"><bdi>978-0-8264-6933-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Bob+Dylan+Encyclopedia&rft.pub=Continuum+International&rft.date=2006&rft.isbn=978-0-8264-6933-5&rft.aulast=Gray&rft.aufirst=Michael&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHajdu2001" class="citation book cs1"><a href="/wiki/David_Hajdu" title="David Hajdu">Hajdu, David</a> (2001). Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Farina, and Richard Farina. Farrar Straus Giroux. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-374-28199-1" title="Special:BookSources/978-0-374-28199-1"><bdi>978-0-374-28199-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Positively+4th+Street%3A+The+Lives+and+Times+of+Joan+Baez%2C+Bob+Dylan%2C+Mimi+Baez+Farina%2C+and+Richard+Farina&rft.pub=Farrar+Straus+Giroux&rft.date=2001&rft.isbn=978-0-374-28199-1&rft.aulast=Hajdu&rft.aufirst=David&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHarvey2001" class="citation book cs1">Harvey, Todd (2001). The Formative Dylan: Transmission & Stylistic Influences, 1961–1963. The Scarecrow Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8108-4115-4" title="Special:BookSources/978-0-8108-4115-4"><bdi>978-0-8108-4115-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Formative+Dylan%3A+Transmission+%26+Stylistic+Influences%2C+1961%E2%80%931963&rft.pub=The+Scarecrow+Press&rft.date=2001&rft.isbn=978-0-8108-4115-4&rft.aulast=Harvey&rft.aufirst=Todd&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHedin2004" class="citation book cs1">Hedin, Benjamin, ed. (2004). Studio A: The Bob Dylan Reader. W.W. Norton & Co. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-393-32742-7" title="Special:BookSources/978-0-393-32742-7"><bdi>978-0-393-32742-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Studio+A%3A+The+Bob+Dylan+Reader&rft.pub=W.W.+Norton+%26+Co.&rft.date=2004&rft.isbn=978-0-393-32742-7&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHelm2000" class="citation book cs1"><a href="/wiki/Levon_Helm" title="Levon Helm">Helm, Levon</a> (2000). This Wheel's on Fire: Levon Helm and the Story of the Band. Stephen Davis. a capella. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-55652-405-9" title="Special:BookSources/978-1-55652-405-9"><bdi>978-1-55652-405-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=This+Wheel%27s+on+Fire%3A+Levon+Helm+and+the+Story+of+the+Band&rft.pub=a+capella&rft.date=2000&rft.isbn=978-1-55652-405-9&rft.aulast=Helm&rft.aufirst=Levon&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHeylin1990" class="citation book cs1"><a href="/wiki/Clinton_Heylin" title="Clinton Heylin">Heylin, Clinton</a> (1990). Saved!: The Gospel Speeches of Bob Dylan. Hanuman Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-937815-38-0" title="Special:BookSources/978-0-937815-38-0"><bdi>978-0-937815-38-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Saved%21%3A+The+Gospel+Speeches+of+Bob+Dylan&rft.pub=Hanuman+Books&rft.date=1990&rft.isbn=978-0-937815-38-0&rft.aulast=Heylin&rft.aufirst=Clinton&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHeylin1996" class="citation book cs1">Heylin, Clinton (1996). Bob Dylan: A Life In Stolen Moments. Book Sales. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7119-5669-8" title="Special:BookSources/978-0-7119-5669-8"><bdi>978-0-7119-5669-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Bob+Dylan%3A+A+Life+In+Stolen+Moments&rft.pub=Book+Sales&rft.date=1996&rft.isbn=978-0-7119-5669-8&rft.aulast=Heylin&rft.aufirst=Clinton&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHeylin2000" class="citation book cs1">Heylin, Clinton (2000). Bob Dylan: Behind the Shades: Take Two. Viking. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-670-88506-0" title="Special:BookSources/978-0-670-88506-0"><bdi>978-0-670-88506-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Bob+Dylan%3A+Behind+the+Shades%3A+Take+Two&rft.pub=Viking&rft.date=2000&rft.isbn=978-0-670-88506-0&rft.aulast=Heylin&rft.aufirst=Clinton&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHeylin2009" class="citation book cs1">Heylin, Clinton (2009). Revolution In The Air: The Songs of Bob Dylan, Volume One: 1957–73. Constable. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84901-051-1" title="Special:BookSources/978-1-84901-051-1"><bdi>978-1-84901-051-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Revolution+In+The+Air%3A+The+Songs+of+Bob+Dylan%2C+Volume+One%3A+1957%E2%80%9373&rft.pub=Constable&rft.date=2009&rft.isbn=978-1-84901-051-1&rft.aulast=Heylin&rft.aufirst=Clinton&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHeylin2010" class="citation book cs1">Heylin, Clinton (2010). <a rel="nofollow" class="external text" href="https://archive.org/details/revolutioninairs0000heyl">Still On The Road: The Songs of Bob Dylan, Volume Two: 1974–2008</a>. Constable. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84901-011-5" title="Special:BookSources/978-1-84901-011-5"><bdi>978-1-84901-011-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Still+On+The+Road%3A+The+Songs+of+Bob+Dylan%2C+Volume+Two%3A+1974%E2%80%932008&rft.pub=Constable&rft.date=2010&rft.isbn=978-1-84901-011-5&rft.aulast=Heylin&rft.aufirst=Clinton&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Frevolutioninairs0000heyl&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHeylin2011" class="citation book cs1">Heylin, Clinton (2011). Bob Dylan: Behind the Shades: 20th Anniversary Edition. Faber and Faber. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-571-27240-2" title="Special:BookSources/978-0-571-27240-2"><bdi>978-0-571-27240-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Bob+Dylan%3A+Behind+the+Shades%3A+20th+Anniversary+Edition&rft.pub=Faber+and+Faber&rft.date=2011&rft.isbn=978-0-571-27240-2&rft.aulast=Heylin&rft.aufirst=Clinton&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHeylin2021" class="citation book cs1">Heylin, Clinton (2021). The Double Life of Bob Dylan: Volume I: 1941–1966 A Restless, Hungry Feeling. Bodley Head. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1847925886" title="Special:BookSources/978-1847925886"><bdi>978-1847925886</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Double+Life+of+Bob+Dylan%3A+Volume+I%3A+1941%E2%80%931966+A+Restless%2C+Hungry+Feeling&rft.pub=Bodley+Head&rft.date=2021&rft.isbn=978-1847925886&rft.aulast=Heylin&rft.aufirst=Clinton&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHeylin2023" class="citation book cs1">Heylin, Clinton (2023). The Double Life of Bob Dylan: Volume 2: 1966–2021 Far Away From Myself. Bodley Head. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1529923797" title="Special:BookSources/978-1529923797"><bdi>978-1529923797</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Double+Life+of+Bob+Dylan%3A+Volume+2%3A+1966%E2%80%932021+Far+Away+From+Myself&rft.pub=Bodley+Head&rft.date=2023&rft.isbn=978-1529923797&rft.aulast=Heylin&rft.aufirst=Clinton&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHoskyns1993" class="citation book cs1"><a href="/wiki/Barney_Hoskyns" title="Barney Hoskyns">Hoskyns, Barney</a> (1993). Across The Great Divide: The Band and America. Viking. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-670-84144-8" title="Special:BookSources/978-0-670-84144-8"><bdi>978-0-670-84144-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Across+The+Great+Divide%3A+The+Band+and+America&rft.pub=Viking&rft.date=1993&rft.isbn=978-0-670-84144-8&rft.aulast=Hoskyns&rft.aufirst=Barney&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLarkin1985" class="citation book cs1"><a href="/wiki/Philip_Larkin" title="Philip Larkin">Larkin, Philip</a> (1985). All What Jazz: A Record Diary. Faber & Faber. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-571-13476-9" title="Special:BookSources/0-571-13476-9"><bdi>0-571-13476-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=All+What+Jazz%3A+A+Record+Diary&rft.pub=Faber+%26+Faber&rft.date=1985&rft.isbn=0-571-13476-9&rft.aulast=Larkin&rft.aufirst=Philip&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLatham2021" class="citation book cs1">Latham, Sean, ed. (2021). The World of Bob Dylan. Cambridge University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-108-49951-4" title="Special:BookSources/978-1-108-49951-4"><bdi>978-1-108-49951-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+World+of+Bob+Dylan&rft.pub=Cambridge+University+Press&rft.date=2021&rft.isbn=978-1-108-49951-4&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLee2000" class="citation book cs1"><a href="/wiki/CP_Lee" class="mw-redirect" title="CP Lee">Lee, C. P.</a> (2000). <a rel="nofollow" class="external text" href="https://archive.org/details/likebulletofligh00cple">Like a Bullet of Light: The Films of Bob Dylan</a>. Helter Skelter. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-900924-06-1" title="Special:BookSources/978-1-900924-06-1"><bdi>978-1-900924-06-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Like+a+Bullet+of+Light%3A+The+Films+of+Bob+Dylan&rft.pub=Helter+Skelter&rft.date=2000&rft.isbn=978-1-900924-06-1&rft.aulast=Lee&rft.aufirst=C.+P.&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Flikebulletofligh00cple&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMarcus2001" class="citation book cs1"><a href="/wiki/Greil_Marcus" title="Greil Marcus">Marcus, Greil</a> (2001). <a href="/wiki/Invisible_Republic_(book)" title="Invisible Republic (book)">The Old, Weird America: The World of Bob Dylan's Basement Tapes</a>. Picador. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-312-42043-7" title="Special:BookSources/978-0-312-42043-7"><bdi>978-0-312-42043-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Old%2C+Weird+America%3A+The+World+of+Bob+Dylan%27s+Basement+Tapes&rft.pub=Picador&rft.date=2001&rft.isbn=978-0-312-42043-7&rft.aulast=Marcus&rft.aufirst=Greil&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMarcus2005" class="citation book cs1"><a href="/wiki/Greil_Marcus" title="Greil Marcus">Marcus, Greil</a> (2005). Like a Rolling Stone: Bob Dylan at the Crossroads. Faber and Faber. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-571-22385-5" title="Special:BookSources/978-0-571-22385-5"><bdi>978-0-571-22385-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Like+a+Rolling+Stone%3A+Bob+Dylan+at+the+Crossroads&rft.pub=Faber+and+Faber&rft.date=2005&rft.isbn=978-0-571-22385-5&rft.aulast=Marcus&rft.aufirst=Greil&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMarqusee2005" class="citation book cs1">Marqusee, Mike (2005). Wicked Messenger: Bob Dylan and the 1960s. Seven Stories Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-58322-686-5" title="Special:BookSources/978-1-58322-686-5"><bdi>978-1-58322-686-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Wicked+Messenger%3A+Bob+Dylan+and+the+1960s&rft.pub=Seven+Stories+Press&rft.date=2005&rft.isbn=978-1-58322-686-5&rft.aulast=Marqusee&rft.aufirst=Mike&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMarshall2002" class="citation book cs1">Marshall, Scott (2002). Restless Pilgrim: The Spiritual Journey of Bob Dylan. Relevant Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-9714576-2-1" title="Special:BookSources/978-0-9714576-2-1"><bdi>978-0-9714576-2-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Restless+Pilgrim%3A+The+Spiritual+Journey+of+Bob+Dylan&rft.pub=Relevant+Books&rft.date=2002&rft.isbn=978-0-9714576-2-1&rft.aulast=Marshall&rft.aufirst=Scott&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcGregor1972" class="citation book cs1">McGregor, Craig, ed. (1972). Bob Dylan: A Retrospective. Morrow Paperback Editions. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-6880-6025-1" title="Special:BookSources/978-0-6880-6025-1"><bdi>978-0-6880-6025-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Bob+Dylan%3A+A+Retrospective&rft.pub=Morrow+Paperback+Editions&rft.date=1972&rft.isbn=978-0-6880-6025-1&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation cs2">Miller, Jim, ed. (1981), The Rolling Stone History of Rock & Roll, Picador, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-330-26568-3" title="Special:BookSources/978-0-330-26568-3"><bdi>978-0-330-26568-3</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Rolling+Stone+History+of+Rock+%26+Roll&rft.pub=Picador&rft.date=1981&rft.isbn=978-0-330-26568-3&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMuir2001" class="citation book cs1">Muir, Andrew (2001). Razor's Edge: Bob Dylan & the Never Ending Tour. Helter Skelter. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-900924-13-9" title="Special:BookSources/978-1-900924-13-9"><bdi>978-1-900924-13-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Razor%27s+Edge%3A+Bob+Dylan+%26+the+Never+Ending+Tour&rft.pub=Helter+Skelter&rft.date=2001&rft.isbn=978-1-900924-13-9&rft.aulast=Muir&rft.aufirst=Andrew&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPolizzotti2006" class="citation book cs1">Polizzotti, Mark (2006). Highway 61 Revisited. Continuum. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8264-1775-6" title="Special:BookSources/978-0-8264-1775-6"><bdi>978-0-8264-1775-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Highway+61+Revisited&rft.pub=Continuum&rft.date=2006&rft.isbn=978-0-8264-1775-6&rft.aulast=Polizzotti&rft.aufirst=Mark&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRicks2003" class="citation book cs1">Ricks, Christopher (2003). Dylan's Visions of Sin. Penguin/Viking. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-670-80133-6" title="Special:BookSources/978-0-670-80133-6"><bdi>978-0-670-80133-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Dylan%27s+Visions+of+Sin&rft.pub=Penguin%2FViking&rft.date=2003&rft.isbn=978-0-670-80133-6&rft.aulast=Ricks&rft.aufirst=Christopher&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRobertson2016" class="citation book cs1"><a href="/wiki/Robbie_Robertson" title="Robbie Robertson">Robertson, Robbie</a> (2016). Testimony. William Heinemann. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-78515-106-4" title="Special:BookSources/978-1-78515-106-4"><bdi>978-1-78515-106-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Testimony&rft.pub=William+Heinemann&rft.date=2016&rft.isbn=978-1-78515-106-4&rft.aulast=Robertson&rft.aufirst=Robbie&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFScaduto2001" class="citation book cs1">Scaduto, Anthony (2001) [1972]. Bob Dylan. Helter Skelter. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-900924-23-8" title="Special:BookSources/978-1-900924-23-8"><bdi>978-1-900924-23-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Bob+Dylan&rft.pub=Helter+Skelter&rft.date=2001&rft.isbn=978-1-900924-23-8&rft.aulast=Scaduto&rft.aufirst=Anthony&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSchumacher2017" class="citation book cs1">Schumacher, Michael, ed. (2017). First Thought: Conversations with Allen Ginsberg. University of Minnesota Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8166-9917-9" title="Special:BookSources/978-0-8166-9917-9"><bdi>978-0-8166-9917-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=First+Thought%3A+Conversations+with+Allen+Ginsberg&rft.pub=University+of+Minnesota+Press&rft.date=2017&rft.isbn=978-0-8166-9917-9&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFShelton1986" class="citation book cs1">Shelton, Robert (1986). No Direction Home. New English Library. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-450-04843-2" title="Special:BookSources/978-0-450-04843-2"><bdi>978-0-450-04843-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=No+Direction+Home&rft.pub=New+English+Library&rft.date=1986&rft.isbn=978-0-450-04843-2&rft.aulast=Shelton&rft.aufirst=Robert&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFShelton2011" class="citation book cs1">Shelton, Robert (2011). No Direction Home: The Life and Music of Bob Dylan, Revised and updated edition. Omnibus Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84938-911-2" title="Special:BookSources/978-1-84938-911-2"><bdi>978-1-84938-911-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=No+Direction+Home%3A+The+Life+and+Music+of+Bob+Dylan%2C+Revised+and+updated+edition&rft.pub=Omnibus+Press&rft.date=2011&rft.isbn=978-1-84938-911-2&rft.aulast=Shelton&rft.aufirst=Robert&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFShepard2004" class="citation book cs1">Shepard, Sam (2004). Rolling Thunder Logbook (reissue ed.). Da Capo. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-306-81371-9" title="Special:BookSources/978-0-306-81371-9"><bdi>978-0-306-81371-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Rolling+Thunder+Logbook&rft.edition=reissue&rft.pub=Da+Capo&rft.date=2004&rft.isbn=978-0-306-81371-9&rft.aulast=Shepard&rft.aufirst=Sam&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSounes2001" class="citation book cs1">Sounes, Howard (2001). <a rel="nofollow" class="external text" href="https://archive.org/details/downhighwaylifeo0000soun">Down The Highway: The Life Of Bob Dylan</a>. Grove Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8021-1686-4" title="Special:BookSources/978-0-8021-1686-4"><bdi>978-0-8021-1686-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Down+The+Highway%3A+The+Life+Of+Bob+Dylan&rft.pub=Grove+Press&rft.date=2001&rft.isbn=978-0-8021-1686-4&rft.aulast=Sounes&rft.aufirst=Howard&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fdownhighwaylifeo0000soun&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWilliams1992" class="citation book cs1">Williams, Richard (1992). Dylan: A Man Called Alias. Bloomsbury. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7475-1084-0" title="Special:BookSources/978-0-7475-1084-0"><bdi>978-0-7475-1084-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Dylan%3A+A+Man+Called+Alias&rft.pub=Bloomsbury&rft.date=1992&rft.isbn=978-0-7475-1084-0&rft.aulast=Williams&rft.aufirst=Richard&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWilliamson2004" class="citation book cs1">Williamson, Nigel (2004). The Rough Guide to Bob Dylan. Rough Guides. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84353-139-5" title="Special:BookSources/978-1-84353-139-5"><bdi>978-1-84353-139-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Rough+Guide+to+Bob+Dylan&rft.pub=Rough+Guides&rft.date=2004&rft.isbn=978-1-84353-139-5&rft.aulast=Williamson&rft.aufirst=Nigel&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABob+Dylan" class="Z3988"></li></ul> </div> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(14)"><h2 id="External_links">External links</h2></div><section class="mf-section-14 collapsible-block" id="mf-section-14"> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><style data-mw-deduplicate="TemplateStyles:r1250146164">.mw-parser-output .sister-box .side-box-abovebelow{padding:0.75em 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#a2a9b1;background-color:var(--background-color-interactive-subtle,#f8f9fa);margin:0.5em 0;padding:0.2em;line-height:1.5em;font-size:90%}.mw-parser-output .spoken-wikipedia-header{text-align:center}.mw-parser-output .spoken-wikipedia-listen-to{font-weight:bold}.mw-parser-output .spoken-wikipedia-files{text-align:center;margin-top:10px;margin-bottom:0.4em}.mw-parser-output .spoken-wikipedia-icon{float:left;margin-left:5px;margin-top:10px}.mw-parser-output .spoken-wikipedia-disclaimer{margin-left:60px;margin-top:10px;font-size:95%;line-height:1.4em}.mw-parser-output .spoken-wikipedia-footer{margin-top:10px;text-align:center}@media(min-width:720px){.mw-parser-output .spoken-wikipedia{width:20em;float:right;clear:right;margin-left:1em}}</style><div class="spoken-wikipedia noprint haudio"><div class="spoken-wikipedia-header">Listen to this article (11 minutes)</div><div class="spoken-wikipedia-files"><figure class="mw-halign-center" typeof="mw:File"><audio id="mwe_player_7" controls="" 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rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1038841319"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1038841319"></div>    </section></div> <noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?useformat=mobile&type=1x1&usesul3=0" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=Bob_Dylan&oldid=1275202156">https://en.wikipedia.org/w/index.php?title=Bob_Dylan&oldid=1275202156</a>"</div></div> </div> <div class="post-content" id="page-secondary-actions"> </div> </main> <footer class="mw-footer minerva-footer" role="contentinfo"> <a class="last-modified-bar" href="/w/index.php?title=Bob_Dylan&action=history"> <div class="post-content last-modified-bar__content"> Last edited on 11 February 2025, at 17:39 </div> </a> <div class="post-content footer-content"> <div id='mw-data-after-content'> <div class="read-more-container"></div> </div> <div id="p-lang"> <h4>Languages</h4> <section> <ul id="p-variants" class="minerva-languages"></ul> <ul class="minerva-languages"><li class="interlanguage-link interwiki-af mw-list-item"><a href="https://af.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Afrikaans" lang="af" hreflang="af" data-title="Bob Dylan" data-language-autonym="Afrikaans" data-language-local-name="Afrikaans" class="interlanguage-link-target">Afrikaans</a></li><li class="interlanguage-link interwiki-als mw-list-item"><a href="https://als.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Alemannic" lang="gsw" hreflang="gsw" data-title="Bob Dylan" data-language-autonym="Alemannisch" data-language-local-name="Alemannic" class="interlanguage-link-target">Alemannisch</a></li><li class="interlanguage-link interwiki-am mw-list-item"><a href="https://am.wikipedia.org/wiki/%E1%89%A6%E1%89%A5_%E1%8B%B2%E1%88%88%E1%8A%95" title="ቦብ ዲለን – Amharic" lang="am" hreflang="am" data-title="ቦብ ዲለን" data-language-autonym="አማርኛ" data-language-local-name="Amharic" class="interlanguage-link-target">አማርኛ</a></li><li class="interlanguage-link interwiki-ang mw-list-item"><a href="https://ang.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Old English" lang="ang" hreflang="ang" data-title="Bob Dylan" data-language-autonym="Ænglisc" data-language-local-name="Old English" class="interlanguage-link-target">Ænglisc</a></li><li class="interlanguage-link interwiki-ab mw-list-item"><a href="https://ab.wikipedia.org/wiki/%D0%94%D0%B8%D0%BB%D0%B0%D0%BD,_%D0%91%D0%BE%D0%B1" title="Дилан, Боб – Abkhazian" lang="ab" hreflang="ab" data-title="Дилан, Боб" data-language-autonym="Аԥсшәа" data-language-local-name="Abkhazian" class="interlanguage-link-target">Аԥсшәа</a></li><li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D8%A8%D9%88%D8%A8_%D8%AF%D9%8A%D9%84%D9%86" title="بوب ديلن – Arabic" lang="ar" hreflang="ar" data-title="بوب ديلن" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target">العربية</a></li><li class="interlanguage-link interwiki-an mw-list-item"><a href="https://an.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Aragonese" lang="an" hreflang="an" data-title="Bob Dylan" data-language-autonym="Aragonés" data-language-local-name="Aragonese" class="interlanguage-link-target">Aragonés</a></li><li class="interlanguage-link interwiki-as mw-list-item"><a href="https://as.wikipedia.org/wiki/%E0%A6%AC%E0%A6%AC_%E0%A6%A1%E0%A6%BF%E0%A6%B2%E0%A6%A8" title="বব ডিলন – Assamese" lang="as" hreflang="as" data-title="বব ডিলন" data-language-autonym="অসমীয়া" data-language-local-name="Assamese" class="interlanguage-link-target">অসমীয়া</a></li><li class="interlanguage-link interwiki-ast mw-list-item"><a href="https://ast.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Asturian" lang="ast" hreflang="ast" data-title="Bob Dylan" data-language-autonym="Asturianu" data-language-local-name="Asturian" class="interlanguage-link-target">Asturianu</a></li><li class="interlanguage-link interwiki-az mw-list-item"><a href="https://az.wikipedia.org/wiki/Bob_Dilan" title="Bob Dilan – Azerbaijani" lang="az" hreflang="az" data-title="Bob Dilan" data-language-autonym="Azərbaycanca" data-language-local-name="Azerbaijani" class="interlanguage-link-target">Azərbaycanca</a></li><li class="interlanguage-link interwiki-azb mw-list-item"><a href="https://azb.wikipedia.org/wiki/%D8%A8%D8%A7%D8%A8_%D8%AF%DB%8C%D9%84%D9%86" title="باب دیلن – South Azerbaijani" lang="azb" hreflang="azb" data-title="باب دیلن" data-language-autonym="تۆرکجه" data-language-local-name="South Azerbaijani" class="interlanguage-link-target">تۆرکجه</a></li><li class="interlanguage-link interwiki-bn mw-list-item"><a href="https://bn.wikipedia.org/wiki/%E0%A6%AC%E0%A6%AC_%E0%A6%A1%E0%A6%BF%E0%A6%B2%E0%A6%BE%E0%A6%A8" title="বব ডিলান – Bangla" lang="bn" hreflang="bn" data-title="বব ডিলান" data-language-autonym="বাংলা" data-language-local-name="Bangla" class="interlanguage-link-target">বাংলা</a></li><li class="interlanguage-link interwiki-zh-min-nan mw-list-item"><a href="https://zh-min-nan.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Minnan" lang="nan" hreflang="nan" data-title="Bob Dylan" data-language-autonym="閩南語 / Bân-lâm-gú" data-language-local-name="Minnan" class="interlanguage-link-target">閩南語 / Bân-lâm-gú</a></li><li class="interlanguage-link interwiki-be mw-list-item"><a href="https://be.wikipedia.org/wiki/%D0%91%D0%BE%D0%B1_%D0%94%D1%8B%D0%BB%D0%B0%D0%BD" title="Боб Дылан – Belarusian" lang="be" hreflang="be" data-title="Боб Дылан" data-language-autonym="Беларуская" data-language-local-name="Belarusian" class="interlanguage-link-target">Беларуская</a></li><li class="interlanguage-link interwiki-be-x-old mw-list-item"><a href="https://be-tarask.wikipedia.org/wiki/%D0%91%D0%BE%D0%B1_%D0%94%D1%8B%D0%BB%D0%B0%D0%BD" title="Боб Дылан – Belarusian (Taraškievica orthography)" lang="be-tarask" hreflang="be-tarask" data-title="Боб Дылан" data-language-autonym="Беларуская (тарашкевіца)" data-language-local-name="Belarusian (Taraškievica orthography)" class="interlanguage-link-target">Беларуская (тарашкевіца)</a></li><li class="interlanguage-link interwiki-bi mw-list-item"><a href="https://bi.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Bislama" lang="bi" hreflang="bi" data-title="Bob Dylan" data-language-autonym="Bislama" data-language-local-name="Bislama" class="interlanguage-link-target">Bislama</a></li><li class="interlanguage-link interwiki-bg mw-list-item"><a href="https://bg.wikipedia.org/wiki/%D0%91%D0%BE%D0%B1_%D0%94%D0%B8%D0%BB%D1%8A%D0%BD" title="Боб Дилън – Bulgarian" lang="bg" hreflang="bg" data-title="Боб Дилън" data-language-autonym="Български" data-language-local-name="Bulgarian" class="interlanguage-link-target">Български</a></li><li class="interlanguage-link interwiki-bar mw-list-item"><a href="https://bar.wikipedia.org/wiki/Dylan_Bob" title="Dylan Bob – Bavarian" lang="bar" hreflang="bar" data-title="Dylan Bob" data-language-autonym="Boarisch" data-language-local-name="Bavarian" class="interlanguage-link-target">Boarisch</a></li><li class="interlanguage-link interwiki-bs mw-list-item"><a href="https://bs.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Bosnian" lang="bs" hreflang="bs" data-title="Bob Dylan" data-language-autonym="Bosanski" data-language-local-name="Bosnian" class="interlanguage-link-target">Bosanski</a></li><li class="interlanguage-link interwiki-br mw-list-item"><a href="https://br.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Breton" lang="br" hreflang="br" data-title="Bob Dylan" data-language-autonym="Brezhoneg" data-language-local-name="Breton" class="interlanguage-link-target">Brezhoneg</a></li><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Catalan" lang="ca" hreflang="ca" data-title="Bob Dylan" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target">Català</a></li><li class="interlanguage-link interwiki-cv mw-list-item"><a href="https://cv.wikipedia.org/wiki/%D0%91%D0%BE%D0%B1_%D0%94%D0%B8%D0%BB%D0%B0%D0%BD" title="Боб Дилан – Chuvash" lang="cv" hreflang="cv" data-title="Боб Дилан" data-language-autonym="Чӑвашла" data-language-local-name="Chuvash" class="interlanguage-link-target">Чӑвашла</a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Czech" lang="cs" hreflang="cs" data-title="Bob Dylan" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target">Čeština</a></li><li class="interlanguage-link interwiki-cy mw-list-item"><a href="https://cy.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Welsh" lang="cy" hreflang="cy" data-title="Bob Dylan" data-language-autonym="Cymraeg" data-language-local-name="Welsh" class="interlanguage-link-target">Cymraeg</a></li><li class="interlanguage-link interwiki-da mw-list-item"><a href="https://da.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Danish" lang="da" hreflang="da" data-title="Bob Dylan" data-language-autonym="Dansk" data-language-local-name="Danish" class="interlanguage-link-target">Dansk</a></li><li class="interlanguage-link interwiki-se mw-list-item"><a href="https://se.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Northern Sami" lang="se" hreflang="se" data-title="Bob Dylan" data-language-autonym="Davvisámegiella" data-language-local-name="Northern Sami" class="interlanguage-link-target">Davvisámegiella</a></li><li class="interlanguage-link interwiki-pdc mw-list-item"><a href="https://pdc.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Pennsylvania German" lang="pdc" hreflang="pdc" data-title="Bob Dylan" data-language-autonym="Deitsch" data-language-local-name="Pennsylvania German" class="interlanguage-link-target">Deitsch</a></li><li class="interlanguage-link interwiki-de badge-Q17437798 badge-goodarticle mw-list-item" title="good article badge"><a href="https://de.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – German" lang="de" hreflang="de" data-title="Bob Dylan" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target">Deutsch</a></li><li class="interlanguage-link interwiki-dsb mw-list-item"><a href="https://dsb.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Lower Sorbian" lang="dsb" hreflang="dsb" data-title="Bob Dylan" data-language-autonym="Dolnoserbski" data-language-local-name="Lower Sorbian" class="interlanguage-link-target">Dolnoserbski</a></li><li class="interlanguage-link interwiki-et mw-list-item"><a href="https://et.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Estonian" lang="et" hreflang="et" data-title="Bob Dylan" data-language-autonym="Eesti" data-language-local-name="Estonian" class="interlanguage-link-target">Eesti</a></li><li class="interlanguage-link interwiki-el mw-list-item"><a href="https://el.wikipedia.org/wiki/%CE%9C%CF%80%CE%BF%CE%BC%CF%80_%CE%9D%CF%84%CE%AF%CE%BB%CE%B1%CE%BD" title="Μπομπ Ντίλαν – Greek" lang="el" hreflang="el" data-title="Μπομπ Ντίλαν" data-language-autonym="Ελληνικά" data-language-local-name="Greek" class="interlanguage-link-target">Ελληνικά</a></li><li class="interlanguage-link interwiki-eml mw-list-item"><a href="https://eml.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Emiliano-Romagnolo" lang="egl" hreflang="egl" data-title="Bob Dylan" data-language-autonym="Emiliàn e rumagnòl" data-language-local-name="Emiliano-Romagnolo" class="interlanguage-link-target">Emiliàn e rumagnòl</a></li><li class="interlanguage-link interwiki-es badge-Q17437796 badge-featuredarticle mw-list-item" title="featured article badge"><a href="https://es.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Spanish" lang="es" hreflang="es" data-title="Bob Dylan" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target">Español</a></li><li class="interlanguage-link interwiki-eo mw-list-item"><a href="https://eo.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Esperanto" lang="eo" hreflang="eo" data-title="Bob Dylan" data-language-autonym="Esperanto" data-language-local-name="Esperanto" class="interlanguage-link-target">Esperanto</a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Basque" lang="eu" hreflang="eu" data-title="Bob Dylan" data-language-autonym="Euskara" data-language-local-name="Basque" class="interlanguage-link-target">Euskara</a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D8%A8%D8%A7%D8%A8_%D8%AF%DB%8C%D9%84%D9%86" title="باب دیلن – Persian" lang="fa" hreflang="fa" data-title="باب دیلن" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target">فارسی</a></li><li class="interlanguage-link interwiki-fo mw-list-item"><a href="https://fo.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Faroese" lang="fo" hreflang="fo" data-title="Bob Dylan" data-language-autonym="Føroyskt" data-language-local-name="Faroese" class="interlanguage-link-target">Føroyskt</a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – French" lang="fr" hreflang="fr" data-title="Bob Dylan" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target">Français</a></li><li class="interlanguage-link interwiki-fy mw-list-item"><a href="https://fy.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Western Frisian" lang="fy" hreflang="fy" data-title="Bob Dylan" data-language-autonym="Frysk" data-language-local-name="Western Frisian" class="interlanguage-link-target">Frysk</a></li><li class="interlanguage-link interwiki-ga mw-list-item"><a href="https://ga.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Irish" lang="ga" hreflang="ga" data-title="Bob Dylan" data-language-autonym="Gaeilge" data-language-local-name="Irish" class="interlanguage-link-target">Gaeilge</a></li><li class="interlanguage-link interwiki-gv mw-list-item"><a href="https://gv.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Manx" lang="gv" hreflang="gv" data-title="Bob Dylan" data-language-autonym="Gaelg" data-language-local-name="Manx" class="interlanguage-link-target">Gaelg</a></li><li class="interlanguage-link interwiki-gd mw-list-item"><a href="https://gd.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Scottish Gaelic" lang="gd" hreflang="gd" data-title="Bob Dylan" data-language-autonym="Gàidhlig" data-language-local-name="Scottish Gaelic" class="interlanguage-link-target">Gàidhlig</a></li><li class="interlanguage-link interwiki-gl mw-list-item"><a href="https://gl.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Galician" lang="gl" hreflang="gl" data-title="Bob Dylan" data-language-autonym="Galego" data-language-local-name="Galician" class="interlanguage-link-target">Galego</a></li><li class="interlanguage-link interwiki-hak mw-list-item"><a href="https://hak.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Hakka Chinese" lang="hak" hreflang="hak" data-title="Bob Dylan" data-language-autonym="客家語 / Hak-kâ-ngî" data-language-local-name="Hakka Chinese" class="interlanguage-link-target">客家語 / Hak-kâ-ngî</a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%EB%B0%A5_%EB%94%9C%EB%9F%B0" title="밥 딜런 – Korean" lang="ko" hreflang="ko" data-title="밥 딜런" data-language-autonym="한국어" data-language-local-name="Korean" class="interlanguage-link-target">한국어</a></li><li class="interlanguage-link interwiki-ha mw-list-item"><a href="https://ha.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Hausa" lang="ha" hreflang="ha" data-title="Bob Dylan" data-language-autonym="Hausa" data-language-local-name="Hausa" class="interlanguage-link-target">Hausa</a></li><li class="interlanguage-link interwiki-hy mw-list-item"><a href="https://hy.wikipedia.org/wiki/%D4%B2%D5%B8%D5%A2_%D4%B4%D5%AB%D5%AC%D5%A1%D5%B6" title="Բոբ Դիլան – Armenian" lang="hy" hreflang="hy" data-title="Բոբ Դիլան" data-language-autonym="Հայերեն" data-language-local-name="Armenian" class="interlanguage-link-target">Հայերեն</a></li><li class="interlanguage-link interwiki-hi mw-list-item"><a href="https://hi.wikipedia.org/wiki/%E0%A4%AC%E0%A5%89%E0%A4%AC_%E0%A4%A1%E0%A4%BF%E0%A4%B2%E0%A4%A8" title="बॉब डिलन – Hindi" lang="hi" hreflang="hi" data-title="बॉब डिलन" data-language-autonym="हिन्दी" data-language-local-name="Hindi" class="interlanguage-link-target">हिन्दी</a></li><li class="interlanguage-link interwiki-hsb mw-list-item"><a href="https://hsb.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Upper Sorbian" lang="hsb" hreflang="hsb" data-title="Bob Dylan" data-language-autonym="Hornjoserbsce" data-language-local-name="Upper Sorbian" class="interlanguage-link-target">Hornjoserbsce</a></li><li class="interlanguage-link interwiki-hr mw-list-item"><a href="https://hr.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Croatian" lang="hr" hreflang="hr" data-title="Bob Dylan" data-language-autonym="Hrvatski" data-language-local-name="Croatian" class="interlanguage-link-target">Hrvatski</a></li><li class="interlanguage-link interwiki-io mw-list-item"><a href="https://io.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Ido" lang="io" hreflang="io" data-title="Bob Dylan" data-language-autonym="Ido" data-language-local-name="Ido" class="interlanguage-link-target">Ido</a></li><li class="interlanguage-link interwiki-ig mw-list-item"><a href="https://ig.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Igbo" lang="ig" hreflang="ig" data-title="Bob Dylan" data-language-autonym="Igbo" data-language-local-name="Igbo" class="interlanguage-link-target">Igbo</a></li><li class="interlanguage-link interwiki-ilo mw-list-item"><a href="https://ilo.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Iloko" lang="ilo" hreflang="ilo" data-title="Bob Dylan" data-language-autonym="Ilokano" data-language-local-name="Iloko" class="interlanguage-link-target">Ilokano</a></li><li class="interlanguage-link interwiki-id mw-list-item"><a href="https://id.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Indonesian" lang="id" hreflang="id" data-title="Bob Dylan" data-language-autonym="Bahasa Indonesia" data-language-local-name="Indonesian" class="interlanguage-link-target">Bahasa Indonesia</a></li><li class="interlanguage-link interwiki-ia mw-list-item"><a href="https://ia.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Interlingua" lang="ia" hreflang="ia" data-title="Bob Dylan" data-language-autonym="Interlingua" data-language-local-name="Interlingua" class="interlanguage-link-target">Interlingua</a></li><li class="interlanguage-link interwiki-os mw-list-item"><a href="https://os.wikipedia.org/wiki/%D0%94%D0%B8%D0%BB%D0%B0%D0%BD,_%D0%91%D0%BE%D0%B1" title="Дилан, Боб – Ossetic" lang="os" hreflang="os" data-title="Дилан, Боб" data-language-autonym="Ирон" data-language-local-name="Ossetic" class="interlanguage-link-target">Ирон</a></li><li class="interlanguage-link interwiki-is mw-list-item"><a href="https://is.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Icelandic" lang="is" hreflang="is" data-title="Bob Dylan" data-language-autonym="Íslenska" data-language-local-name="Icelandic" class="interlanguage-link-target">Íslenska</a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Italian" lang="it" hreflang="it" data-title="Bob Dylan" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target">Italiano</a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%91%D7%95%D7%91_%D7%93%D7%99%D7%9C%D7%9F" title="בוב דילן – Hebrew" lang="he" hreflang="he" data-title="בוב דילן" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target">עברית</a></li><li class="interlanguage-link interwiki-jv mw-list-item"><a href="https://jv.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Javanese" lang="jv" hreflang="jv" data-title="Bob Dylan" data-language-autonym="Jawa" data-language-local-name="Javanese" class="interlanguage-link-target">Jawa</a></li><li class="interlanguage-link interwiki-kbp mw-list-item"><a href="https://kbp.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Kabiye" lang="kbp" hreflang="kbp" data-title="Bob Dylan" data-language-autonym="Kabɩyɛ" data-language-local-name="Kabiye" class="interlanguage-link-target">Kabɩyɛ</a></li><li class="interlanguage-link interwiki-kn mw-list-item"><a href="https://kn.wikipedia.org/wiki/%E0%B2%AC%E0%B2%BE%E0%B2%AC%E0%B3%8D%E2%80%8C_%E0%B2%A1%E0%B3%88%E0%B2%B2%E0%B2%A8%E0%B3%8D%E2%80%8C" title="ಬಾಬ್‌ ಡೈಲನ್‌ – Kannada" lang="kn" hreflang="kn" data-title="ಬಾಬ್‌ ಡೈಲನ್‌" data-language-autonym="ಕನ್ನಡ" data-language-local-name="Kannada" class="interlanguage-link-target">ಕನ್ನಡ</a></li><li class="interlanguage-link interwiki-pam mw-list-item"><a href="https://pam.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Pampanga" lang="pam" hreflang="pam" data-title="Bob Dylan" data-language-autonym="Kapampangan" data-language-local-name="Pampanga" class="interlanguage-link-target">Kapampangan</a></li><li class="interlanguage-link interwiki-ka mw-list-item"><a href="https://ka.wikipedia.org/wiki/%E1%83%91%E1%83%9D%E1%83%91_%E1%83%93%E1%83%98%E1%83%9A%E1%83%90%E1%83%9C%E1%83%98" title="ბობ დილანი – Georgian" lang="ka" hreflang="ka" data-title="ბობ დილანი" data-language-autonym="ქართული" data-language-local-name="Georgian" class="interlanguage-link-target">ქართული</a></li><li class="interlanguage-link interwiki-kk mw-list-item"><a href="https://kk.wikipedia.org/wiki/%D0%91%D0%BE%D0%B1_%D0%94%D0%B8%D0%BB%D0%B0%D0%BD" title="Боб Дилан – Kazakh" lang="kk" hreflang="kk" data-title="Боб Дилан" data-language-autonym="Қазақша" data-language-local-name="Kazakh" class="interlanguage-link-target">Қазақша</a></li><li class="interlanguage-link interwiki-sw mw-list-item"><a href="https://sw.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Swahili" lang="sw" hreflang="sw" data-title="Bob Dylan" data-language-autonym="Kiswahili" data-language-local-name="Swahili" class="interlanguage-link-target">Kiswahili</a></li><li class="interlanguage-link interwiki-avk mw-list-item"><a href="https://avk.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Kotava" lang="avk" hreflang="avk" data-title="Bob Dylan" data-language-autonym="Kotava" data-language-local-name="Kotava" class="interlanguage-link-target">Kotava</a></li><li class="interlanguage-link interwiki-ht mw-list-item"><a href="https://ht.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Haitian Creole" lang="ht" hreflang="ht" data-title="Bob Dylan" data-language-autonym="Kreyòl ayisyen" data-language-local-name="Haitian Creole" class="interlanguage-link-target">Kreyòl ayisyen</a></li><li class="interlanguage-link interwiki-ky mw-list-item"><a href="https://ky.wikipedia.org/wiki/%D0%91%D0%BE%D0%B1_%D0%94%D0%B8%D0%BB%D0%B0%D0%BD" title="Боб Дилан – Kyrgyz" lang="ky" hreflang="ky" data-title="Боб Дилан" data-language-autonym="Кыргызча" data-language-local-name="Kyrgyz" class="interlanguage-link-target">Кыргызча</a></li><li class="interlanguage-link interwiki-mrj mw-list-item"><a href="https://mrj.wikipedia.org/wiki/%D0%91%D0%BE%D0%B1_%D0%94%D0%B8%D0%BB%D0%B0%D0%BD" title="Боб Дилан – Western Mari" lang="mrj" hreflang="mrj" data-title="Боб Дилан" data-language-autonym="Кырык мары" data-language-local-name="Western Mari" class="interlanguage-link-target">Кырык мары</a></li><li class="interlanguage-link interwiki-la mw-list-item"><a href="https://la.wikipedia.org/wiki/Robertus_Dylan" title="Robertus Dylan – Latin" lang="la" hreflang="la" data-title="Robertus Dylan" data-language-autonym="Latina" data-language-local-name="Latin" class="interlanguage-link-target">Latina</a></li><li class="interlanguage-link interwiki-lv mw-list-item"><a href="https://lv.wikipedia.org/wiki/Bobs_Dilans" title="Bobs Dilans – Latvian" lang="lv" hreflang="lv" data-title="Bobs Dilans" data-language-autonym="Latviešu" data-language-local-name="Latvian" class="interlanguage-link-target">Latviešu</a></li><li class="interlanguage-link interwiki-lb mw-list-item"><a href="https://lb.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Luxembourgish" lang="lb" hreflang="lb" data-title="Bob Dylan" data-language-autonym="Lëtzebuergesch" data-language-local-name="Luxembourgish" class="interlanguage-link-target">Lëtzebuergesch</a></li><li class="interlanguage-link interwiki-lt mw-list-item"><a href="https://lt.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Lithuanian" lang="lt" hreflang="lt" data-title="Bob Dylan" data-language-autonym="Lietuvių" data-language-local-name="Lithuanian" class="interlanguage-link-target">Lietuvių</a></li><li class="interlanguage-link interwiki-li badge-Q17437796 badge-featuredarticle mw-list-item" title="featured article badge"><a href="https://li.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Limburgish" lang="li" hreflang="li" data-title="Bob Dylan" data-language-autonym="Limburgs" data-language-local-name="Limburgish" class="interlanguage-link-target">Limburgs</a></li><li class="interlanguage-link interwiki-lfn mw-list-item"><a href="https://lfn.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Lingua Franca Nova" lang="lfn" hreflang="lfn" data-title="Bob Dylan" data-language-autonym="Lingua Franca Nova" data-language-local-name="Lingua Franca Nova" class="interlanguage-link-target">Lingua Franca Nova</a></li><li class="interlanguage-link interwiki-lmo mw-list-item"><a href="https://lmo.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Lombard" lang="lmo" hreflang="lmo" data-title="Bob Dylan" data-language-autonym="Lombard" data-language-local-name="Lombard" class="interlanguage-link-target">Lombard</a></li><li class="interlanguage-link interwiki-hu mw-list-item"><a href="https://hu.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Hungarian" lang="hu" hreflang="hu" data-title="Bob Dylan" data-language-autonym="Magyar" data-language-local-name="Hungarian" class="interlanguage-link-target">Magyar</a></li><li class="interlanguage-link interwiki-mk mw-list-item"><a href="https://mk.wikipedia.org/wiki/%D0%91%D0%BE%D0%B1_%D0%94%D0%B8%D0%BB%D0%B0%D0%BD" title="Боб Дилан – Macedonian" lang="mk" hreflang="mk" data-title="Боб Дилан" data-language-autonym="Македонски" data-language-local-name="Macedonian" class="interlanguage-link-target">Македонски</a></li><li class="interlanguage-link interwiki-mg mw-list-item"><a href="https://mg.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Malagasy" lang="mg" hreflang="mg" data-title="Bob Dylan" data-language-autonym="Malagasy" data-language-local-name="Malagasy" class="interlanguage-link-target">Malagasy</a></li><li class="interlanguage-link interwiki-ml mw-list-item"><a href="https://ml.wikipedia.org/wiki/%E0%B4%AC%E0%B5%8B%E0%B4%AC%E0%B5%8D_%E0%B4%A1%E0%B4%BF%E0%B4%B2%E0%B5%BB" title="ബോബ് ഡിലൻ – Malayalam" lang="ml" hreflang="ml" data-title="ബോബ് ഡിലൻ" data-language-autonym="മലയാളം" data-language-local-name="Malayalam" class="interlanguage-link-target">മലയാളം</a></li><li class="interlanguage-link interwiki-mr mw-list-item"><a href="https://mr.wikipedia.org/wiki/%E0%A4%AC%E0%A5%89%E0%A4%AC_%E0%A4%A1%E0%A4%BF%E0%A4%B2%E0%A4%A8" title="बॉब डिलन – Marathi" lang="mr" hreflang="mr" data-title="बॉब डिलन" data-language-autonym="मराठी" data-language-local-name="Marathi" class="interlanguage-link-target">मराठी</a></li><li class="interlanguage-link interwiki-xmf mw-list-item"><a href="https://xmf.wikipedia.org/wiki/%E1%83%91%E1%83%9D%E1%83%91_%E1%83%93%E1%83%98%E1%83%9A%E1%83%90%E1%83%9C%E1%83%98" title="ბობ დილანი – Mingrelian" lang="xmf" hreflang="xmf" data-title="ბობ დილანი" data-language-autonym="მარგალური" data-language-local-name="Mingrelian" class="interlanguage-link-target">მარგალური</a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D8%A8%D9%88%D8%A8_%D8%AF%D9%8A%D9%84%D8%A7%D9%86" title="بوب ديلان – Egyptian Arabic" lang="arz" hreflang="arz" data-title="بوب ديلان" data-language-autonym="مصرى" data-language-local-name="Egyptian Arabic" class="interlanguage-link-target">مصرى</a></li><li class="interlanguage-link interwiki-mzn mw-list-item"><a href="https://mzn.wikipedia.org/wiki/%D8%A8%D8%A7%D8%A8_%D8%AF%DB%8C%D9%84%D9%86" title="باب دیلن – Mazanderani" lang="mzn" hreflang="mzn" data-title="باب دیلن" data-language-autonym="مازِرونی" data-language-local-name="Mazanderani" class="interlanguage-link-target">مازِرونی</a></li><li class="interlanguage-link interwiki-ms mw-list-item"><a href="https://ms.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Malay" lang="ms" hreflang="ms" data-title="Bob Dylan" data-language-autonym="Bahasa Melayu" data-language-local-name="Malay" class="interlanguage-link-target">Bahasa Melayu</a></li><li class="interlanguage-link interwiki-mn mw-list-item"><a href="https://mn.wikipedia.org/wiki/%D0%91%D0%BE%D0%B1_%D0%94%D0%B8%D0%BB%D0%B0%D0%BD" title="Боб Дилан – Mongolian" lang="mn" hreflang="mn" data-title="Боб Дилан" data-language-autonym="Монгол" data-language-local-name="Mongolian" class="interlanguage-link-target">Монгол</a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Dutch" lang="nl" hreflang="nl" data-title="Bob Dylan" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target">Nederlands</a></li><li class="interlanguage-link interwiki-ne mw-list-item"><a href="https://ne.wikipedia.org/wiki/%E0%A4%AC%E0%A4%AC_%E0%A4%A1%E0%A4%BF%E0%A4%B2%E0%A4%A8" title="बब डिलन – Nepali" lang="ne" hreflang="ne" data-title="बब डिलन" data-language-autonym="नेपाली" data-language-local-name="Nepali" class="interlanguage-link-target">नेपाली</a></li><li class="interlanguage-link interwiki-new mw-list-item"><a href="https://new.wikipedia.org/wiki/%E0%A4%AC%E0%A4%AC_%E0%A4%A1%E0%A4%BF%E0%A4%B2%E0%A5%8D%E0%A4%AF%E0%A4%BE%E0%A4%A8" title="बब डिल्यान – Newari" lang="new" hreflang="new" data-title="बब डिल्यान" data-language-autonym="नेपाल भाषा" data-language-local-name="Newari" class="interlanguage-link-target">नेपाल भाषा</a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%83%9C%E3%83%96%E3%83%BB%E3%83%87%E3%82%A3%E3%83%A9%E3%83%B3" title="ボブ・ディラン – Japanese" lang="ja" hreflang="ja" data-title="ボブ・ディラン" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target">日本語</a></li><li class="interlanguage-link interwiki-no mw-list-item"><a href="https://no.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Norwegian Bokmål" lang="nb" hreflang="nb" data-title="Bob Dylan" data-language-autonym="Norsk bokmål" data-language-local-name="Norwegian Bokmål" class="interlanguage-link-target">Norsk bokmål</a></li><li class="interlanguage-link interwiki-nn mw-list-item"><a href="https://nn.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Norwegian Nynorsk" lang="nn" hreflang="nn" data-title="Bob Dylan" data-language-autonym="Norsk nynorsk" data-language-local-name="Norwegian Nynorsk" class="interlanguage-link-target">Norsk nynorsk</a></li><li class="interlanguage-link interwiki-oc mw-list-item"><a href="https://oc.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Occitan" lang="oc" hreflang="oc" data-title="Bob Dylan" data-language-autonym="Occitan" data-language-local-name="Occitan" class="interlanguage-link-target">Occitan</a></li><li class="interlanguage-link interwiki-uz mw-list-item"><a href="https://uz.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Uzbek" lang="uz" hreflang="uz" data-title="Bob Dylan" data-language-autonym="Oʻzbekcha / ўзбекча" data-language-local-name="Uzbek" class="interlanguage-link-target">Oʻzbekcha / ўзбекча</a></li><li class="interlanguage-link interwiki-pa mw-list-item"><a href="https://pa.wikipedia.org/wiki/%E0%A8%AC%E0%A8%BE%E0%A8%AC_%E0%A8%A1%E0%A8%BF%E0%A8%B2%E0%A8%A8" title="ਬਾਬ ਡਿਲਨ – Punjabi" lang="pa" hreflang="pa" data-title="ਬਾਬ ਡਿਲਨ" data-language-autonym="ਪੰਜਾਬੀ" data-language-local-name="Punjabi" class="interlanguage-link-target">ਪੰਜਾਬੀ</a></li><li class="interlanguage-link interwiki-pnb mw-list-item"><a href="https://pnb.wikipedia.org/wiki/%D8%A8%D8%A7%D8%A8_%DA%88%DB%8C%D9%84%D9%86" title="باب ڈیلن – Western Punjabi" lang="pnb" hreflang="pnb" data-title="باب ڈیلن" data-language-autonym="پنجابی" data-language-local-name="Western Punjabi" class="interlanguage-link-target">پنجابی</a></li><li class="interlanguage-link interwiki-ps mw-list-item"><a href="https://ps.wikipedia.org/wiki/%D8%A8%D8%A7%D8%A8_%DA%89%DB%8C%D9%84%D9%86" title="باب ډیلن – Pashto" lang="ps" hreflang="ps" data-title="باب ډیلن" data-language-autonym="پښتو" data-language-local-name="Pashto" class="interlanguage-link-target">پښتو</a></li><li class="interlanguage-link interwiki-pcd mw-list-item"><a href="https://pcd.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Picard" lang="pcd" hreflang="pcd" data-title="Bob Dylan" data-language-autonym="Picard" data-language-local-name="Picard" class="interlanguage-link-target">Picard</a></li><li class="interlanguage-link interwiki-pms mw-list-item"><a href="https://pms.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Piedmontese" lang="pms" hreflang="pms" data-title="Bob Dylan" data-language-autonym="Piemontèis" data-language-local-name="Piedmontese" class="interlanguage-link-target">Piemontèis</a></li><li class="interlanguage-link interwiki-nds mw-list-item"><a href="https://nds.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Low German" lang="nds" hreflang="nds" data-title="Bob Dylan" data-language-autonym="Plattdüütsch" data-language-local-name="Low German" class="interlanguage-link-target">Plattdüütsch</a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Polish" lang="pl" hreflang="pl" data-title="Bob Dylan" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target">Polski</a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Portuguese" lang="pt" hreflang="pt" data-title="Bob Dylan" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target">Português</a></li><li class="interlanguage-link interwiki-ro mw-list-item"><a href="https://ro.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Romanian" lang="ro" hreflang="ro" data-title="Bob Dylan" data-language-autonym="Română" data-language-local-name="Romanian" class="interlanguage-link-target">Română</a></li><li class="interlanguage-link interwiki-rm mw-list-item"><a href="https://rm.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Romansh" lang="rm" hreflang="rm" data-title="Bob Dylan" data-language-autonym="Rumantsch" data-language-local-name="Romansh" class="interlanguage-link-target">Rumantsch</a></li><li class="interlanguage-link interwiki-qu mw-list-item"><a href="https://qu.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Quechua" lang="qu" hreflang="qu" data-title="Bob Dylan" data-language-autonym="Runa Simi" data-language-local-name="Quechua" class="interlanguage-link-target">Runa Simi</a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%94%D0%B8%D0%BB%D0%B0%D0%BD,_%D0%91%D0%BE%D0%B1" title="Дилан, Боб – Russian" lang="ru" hreflang="ru" data-title="Дилан, Боб" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target">Русский</a></li><li class="interlanguage-link interwiki-sco mw-list-item"><a href="https://sco.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Scots" lang="sco" hreflang="sco" data-title="Bob Dylan" data-language-autonym="Scots" data-language-local-name="Scots" class="interlanguage-link-target">Scots</a></li><li class="interlanguage-link interwiki-sq mw-list-item"><a href="https://sq.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Albanian" lang="sq" hreflang="sq" data-title="Bob Dylan" data-language-autonym="Shqip" data-language-local-name="Albanian" class="interlanguage-link-target">Shqip</a></li><li class="interlanguage-link interwiki-scn mw-list-item"><a href="https://scn.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Sicilian" lang="scn" hreflang="scn" data-title="Bob Dylan" data-language-autonym="Sicilianu" data-language-local-name="Sicilian" class="interlanguage-link-target">Sicilianu</a></li><li class="interlanguage-link interwiki-si mw-list-item"><a href="https://si.wikipedia.org/wiki/%E0%B6%B6%E0%B7%9C%E0%B6%B6%E0%B7%8A_%E0%B6%A9%E0%B7%92%E0%B6%BD%E0%B6%B1%E0%B7%8A" title="බොබ් ඩිලන් – Sinhala" lang="si" hreflang="si" data-title="බොබ් ඩිලන්" data-language-autonym="සිංහල" data-language-local-name="Sinhala" class="interlanguage-link-target">සිංහල</a></li><li class="interlanguage-link interwiki-simple mw-list-item"><a href="https://simple.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Simple English" lang="en-simple" hreflang="en-simple" data-title="Bob Dylan" data-language-autonym="Simple English" data-language-local-name="Simple English" class="interlanguage-link-target">Simple English</a></li><li class="interlanguage-link interwiki-sk badge-Q17437798 badge-goodarticle mw-list-item" title="good article badge"><a href="https://sk.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Slovak" lang="sk" hreflang="sk" data-title="Bob Dylan" data-language-autonym="Slovenčina" data-language-local-name="Slovak" class="interlanguage-link-target">Slovenčina</a></li><li class="interlanguage-link interwiki-sl mw-list-item"><a href="https://sl.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Slovenian" lang="sl" hreflang="sl" data-title="Bob Dylan" data-language-autonym="Slovenščina" data-language-local-name="Slovenian" class="interlanguage-link-target">Slovenščina</a></li><li class="interlanguage-link interwiki-szl mw-list-item"><a href="https://szl.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Silesian" lang="szl" hreflang="szl" data-title="Bob Dylan" data-language-autonym="Ślůnski" data-language-local-name="Silesian" class="interlanguage-link-target">Ślůnski</a></li><li class="interlanguage-link interwiki-ckb mw-list-item"><a href="https://ckb.wikipedia.org/wiki/%D8%A8%DB%86%D8%A8_%D8%AF%DB%8C%D9%84%D8%A7%D9%86" title="بۆب دیلان – Central Kurdish" lang="ckb" hreflang="ckb" data-title="بۆب دیلان" data-language-autonym="کوردی" data-language-local-name="Central Kurdish" class="interlanguage-link-target">کوردی</a></li><li class="interlanguage-link interwiki-sr mw-list-item"><a href="https://sr.wikipedia.org/wiki/%D0%91%D0%BE%D0%B1_%D0%94%D0%B8%D0%BB%D0%B0%D0%BD" title="Боб Дилан – Serbian" lang="sr" hreflang="sr" data-title="Боб Дилан" data-language-autonym="Српски / srpski" data-language-local-name="Serbian" class="interlanguage-link-target">Српски / srpski</a></li><li class="interlanguage-link interwiki-sh mw-list-item"><a href="https://sh.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Serbo-Croatian" lang="sh" hreflang="sh" data-title="Bob Dylan" data-language-autonym="Srpskohrvatski / српскохрватски" data-language-local-name="Serbo-Croatian" class="interlanguage-link-target">Srpskohrvatski / српскохрватски</a></li><li class="interlanguage-link interwiki-su mw-list-item"><a href="https://su.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Sundanese" lang="su" hreflang="su" data-title="Bob Dylan" data-language-autonym="Sunda" data-language-local-name="Sundanese" class="interlanguage-link-target">Sunda</a></li><li class="interlanguage-link interwiki-fi mw-list-item"><a href="https://fi.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Finnish" lang="fi" hreflang="fi" data-title="Bob Dylan" data-language-autonym="Suomi" data-language-local-name="Finnish" class="interlanguage-link-target">Suomi</a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Swedish" lang="sv" hreflang="sv" data-title="Bob Dylan" data-language-autonym="Svenska" data-language-local-name="Swedish" class="interlanguage-link-target">Svenska</a></li><li class="interlanguage-link interwiki-tl mw-list-item"><a href="https://tl.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Tagalog" lang="tl" hreflang="tl" data-title="Bob Dylan" data-language-autonym="Tagalog" data-language-local-name="Tagalog" class="interlanguage-link-target">Tagalog</a></li><li class="interlanguage-link interwiki-ta mw-list-item"><a href="https://ta.wikipedia.org/wiki/%E0%AE%AA%E0%AE%BE%E0%AE%AA%E0%AF%8D_%E0%AE%9F%E0%AE%BF%E0%AE%B2%E0%AE%BE%E0%AE%A9%E0%AF%8D" title="பாப் டிலான் – Tamil" lang="ta" hreflang="ta" data-title="பாப் டிலான்" data-language-autonym="தமிழ்" data-language-local-name="Tamil" class="interlanguage-link-target">தமிழ்</a></li><li class="interlanguage-link interwiki-tt mw-list-item"><a href="https://tt.wikipedia.org/wiki/%D0%91%D0%BE%D0%B1_%D0%94%D0%B8%D0%BB%D0%B0%D0%BD" title="Боб Дилан – Tatar" lang="tt" hreflang="tt" data-title="Боб Дилан" data-language-autonym="Татарча / tatarça" data-language-local-name="Tatar" class="interlanguage-link-target">Татарча / tatarça</a></li><li class="interlanguage-link interwiki-te mw-list-item"><a href="https://te.wikipedia.org/wiki/%E0%B0%AC%E0%B0%BE%E0%B0%AC%E0%B1%8D_%E0%B0%A1%E0%B0%BF%E0%B0%B2%E0%B0%BE%E0%B0%A8%E0%B1%8D" title="బాబ్ డిలాన్ – Telugu" lang="te" hreflang="te" data-title="బాబ్ డిలాన్" data-language-autonym="తెలుగు" data-language-local-name="Telugu" class="interlanguage-link-target">తెలుగు</a></li><li class="interlanguage-link interwiki-th mw-list-item"><a href="https://th.wikipedia.org/wiki/%E0%B8%9A%E0%B9%87%E0%B8%AD%E0%B8%9A_%E0%B8%94%E0%B8%B4%E0%B8%A5%E0%B8%A5%E0%B8%B1%E0%B8%99" title="บ็อบ ดิลลัน – Thai" lang="th" hreflang="th" data-title="บ็อบ ดิลลัน" data-language-autonym="ไทย" data-language-local-name="Thai" class="interlanguage-link-target">ไทย</a></li><li class="interlanguage-link interwiki-tg mw-list-item"><a href="https://tg.wikipedia.org/wiki/%D0%91%D0%BE%D0%B1_%D0%94%D0%B8%D0%BB%D0%B0%D0%BD" title="Боб Дилан – Tajik" lang="tg" hreflang="tg" data-title="Боб Дилан" data-language-autonym="Тоҷикӣ" data-language-local-name="Tajik" class="interlanguage-link-target">Тоҷикӣ</a></li><li class="interlanguage-link interwiki-tr mw-list-item"><a href="https://tr.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Turkish" lang="tr" hreflang="tr" data-title="Bob Dylan" data-language-autonym="Türkçe" data-language-local-name="Turkish" class="interlanguage-link-target">Türkçe</a></li><li class="interlanguage-link interwiki-uk mw-list-item"><a href="https://uk.wikipedia.org/wiki/%D0%91%D0%BE%D0%B1_%D0%94%D1%96%D0%BB%D0%B0%D0%BD" title="Боб Ділан – Ukrainian" lang="uk" hreflang="uk" data-title="Боб Ділан" data-language-autonym="Українська" data-language-local-name="Ukrainian" class="interlanguage-link-target">Українська</a></li><li class="interlanguage-link interwiki-ur mw-list-item"><a href="https://ur.wikipedia.org/wiki/%D8%A8%D9%88%D8%A8_%DA%88%DB%8C%D9%84%D8%A7%D9%86" title="بوب ڈیلان – Urdu" lang="ur" hreflang="ur" data-title="بوب ڈیلان" data-language-autonym="اردو" data-language-local-name="Urdu" class="interlanguage-link-target">اردو</a></li><li class="interlanguage-link interwiki-vec mw-list-item"><a href="https://vec.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Venetian" lang="vec" hreflang="vec" data-title="Bob Dylan" data-language-autonym="Vèneto" data-language-local-name="Venetian" class="interlanguage-link-target">Vèneto</a></li><li class="interlanguage-link interwiki-vep mw-list-item"><a href="https://vep.wikipedia.org/wiki/Dilan_Bob" title="Dilan Bob – Veps" lang="vep" hreflang="vep" data-title="Dilan Bob" data-language-autonym="Vepsän kel’" data-language-local-name="Veps" class="interlanguage-link-target">Vepsän kel’</a></li><li class="interlanguage-link interwiki-vi badge-Q17437796 badge-featuredarticle mw-list-item" title="featured article badge"><a href="https://vi.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Vietnamese" lang="vi" hreflang="vi" data-title="Bob Dylan" data-language-autonym="Tiếng Việt" data-language-local-name="Vietnamese" class="interlanguage-link-target">Tiếng Việt</a></li><li class="interlanguage-link interwiki-vo mw-list-item"><a href="https://vo.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Volapük" lang="vo" hreflang="vo" data-title="Bob Dylan" data-language-autonym="Volapük" data-language-local-name="Volapük" class="interlanguage-link-target">Volapük</a></li><li class="interlanguage-link interwiki-wa mw-list-item"><a href="https://wa.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Walloon" lang="wa" hreflang="wa" data-title="Bob Dylan" data-language-autonym="Walon" data-language-local-name="Walloon" class="interlanguage-link-target">Walon</a></li><li class="interlanguage-link interwiki-vls mw-list-item"><a href="https://vls.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – West Flemish" lang="vls" hreflang="vls" data-title="Bob Dylan" data-language-autonym="West-Vlams" data-language-local-name="West Flemish" class="interlanguage-link-target">West-Vlams</a></li><li class="interlanguage-link interwiki-war mw-list-item"><a href="https://war.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Waray" lang="war" hreflang="war" data-title="Bob Dylan" data-language-autonym="Winaray" data-language-local-name="Waray" class="interlanguage-link-target">Winaray</a></li><li class="interlanguage-link interwiki-wuu mw-list-item"><a href="https://wuu.wikipedia.org/wiki/%E9%B2%8D%E5%8B%83%C2%B7%E8%BF%AA%E4%BC%A6" title="鲍勃·迪伦 – Wu" lang="wuu" hreflang="wuu" data-title="鲍勃·迪伦" data-language-autonym="吴语" data-language-local-name="Wu" class="interlanguage-link-target">吴语</a></li><li class="interlanguage-link interwiki-yo mw-list-item"><a href="https://yo.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Yoruba" lang="yo" hreflang="yo" data-title="Bob Dylan" data-language-autonym="Yorùbá" data-language-local-name="Yoruba" class="interlanguage-link-target">Yorùbá</a></li><li class="interlanguage-link interwiki-zh-yue mw-list-item"><a href="https://zh-yue.wikipedia.org/wiki/%E5%8D%9C%E6%88%B4%E5%80%AB" title="卜戴倫 – Cantonese" lang="yue" hreflang="yue" data-title="卜戴倫" data-language-autonym="粵語" data-language-local-name="Cantonese" class="interlanguage-link-target">粵語</a></li><li class="interlanguage-link interwiki-diq mw-list-item"><a href="https://diq.wikipedia.org/wiki/Bob_Dylan" title="Bob Dylan – Dimli" lang="diq" hreflang="diq" data-title="Bob Dylan" data-language-autonym="Zazaki" data-language-local-name="Dimli" class="interlanguage-link-target">Zazaki</a></li><li class="interlanguage-link interwiki-zh mw-list-item"><a href="https://zh.wikipedia.org/wiki/%E9%B2%8D%E5%8B%83%C2%B7%E8%BF%AA%E4%BC%A6" title="鲍勃·迪伦 – Chinese" lang="zh" hreflang="zh" data-title="鲍勃·迪伦" data-language-autonym="中文" data-language-local-name="Chinese" class="interlanguage-link-target">中文</a></li></ul> </section> </div> <div class="minerva-footer-logo"><img src="/static/images/mobile/copyright/wikipedia-wordmark-en.svg" alt="Wikipedia" width="120" height="18" style="width: 7.5em; height: 1.125em;"/> </div> <ul id="footer-info" class="footer-info hlist hlist-separated"> <li id="footer-info-lastmod"> This page was last edited on 11 February 2025, at 17:39 (UTC).</li> <li id="footer-info-copyright">Content is available under <a class="external" rel="nofollow" href="https://creativecommons.org/licenses/by-sa/4.0/deed.en">CC BY-SA 4.0</a> unless otherwise noted.</li> </ul> <ul id="footer-places" class="footer-places hlist hlist-separated"> <li id="footer-places-privacy"><a href="https://foundation.wikimedia.org/wiki/Special:MyLanguage/Policy:Privacy_policy">Privacy policy</a></li> <li id="footer-places-about"><a href="/wiki/Wikipedia:About">About Wikipedia</a></li> <li id="footer-places-disclaimers"><a href="/wiki/Wikipedia:General_disclaimer">Disclaimers</a></li> <li id="footer-places-contact"><a href="//en.wikipedia.org/wiki/Wikipedia:Contact_us">Contact Wikipedia</a></li> <li id="footer-places-wm-codeofconduct"><a href="https://foundation.wikimedia.org/wiki/Special:MyLanguage/Policy:Universal_Code_of_Conduct">Code of Conduct</a></li> <li id="footer-places-developers"><a href="https://developer.wikimedia.org">Developers</a></li> <li id="footer-places-statslink"><a href="https://stats.wikimedia.org/#/en.wikipedia.org">Statistics</a></li> <li id="footer-places-cookiestatement"><a href="https://foundation.wikimedia.org/wiki/Special:MyLanguage/Policy:Cookie_statement">Cookie statement</a></li> <li id="footer-places-terms-use"><a href="https://foundation.m.wikimedia.org/wiki/Special:MyLanguage/Policy:Terms_of_Use">Terms of Use</a></li> <li id="footer-places-desktop-toggle"><a id="mw-mf-display-toggle" href="//en.wikipedia.org/w/index.php?title=Bob_Dylan&mobileaction=toggle_view_desktop" data-event-name="switch_to_desktop">Desktop</a></li> </ul> </div> </footer> </div> </div> <div class="mw-notification-area" data-mw="interface"></div>  <script>(RLQ=window.RLQ||[]).push(function(){mw.config.set({"wgHostname":"mw-web.codfw.main-b766959bd-5jc9f","wgBackendResponseTime":627,"wgPageParseReport":{"limitreport":{"cputime":"3.721","walltime":"4.172","ppvisitednodes":{"value":32633,"limit":1000000},"postexpandincludesize":{"value":1444720,"limit":2097152},"templateargumentsize":{"value":278945,"limit":2097152},"expansiondepth":{"value":28,"limit":100},"expensivefunctioncount":{"value":38,"limit":500},"unstrip-depth":{"value":1,"limit":20},"unstrip-size":{"value":1641867,"limit":5000000},"entityaccesscount":{"value":1,"limit":400},"timingprofile":["100.00% 3269.931 1 -total"," 52.21% 1707.163 2 Template:Reflist"," 17.71% 579.182 167 Template:Cite_web"," 13.55% 443.071 119 Template:Cite_news"," 11.73% 383.458 1 Template:Infobox_person"," 10.62% 347.241 70 Template:Cite_book"," 5.50% 179.705 1 Template:Navboxes"," 5.06% 165.484 15 Template:Navbox_musical_artist"," 4.56% 148.993 45 Template:Cite_magazine"," 4.45% 145.508 1 Template:Harvnb"]},"scribunto":{"limitreport-timeusage":{"value":"2.132","limit":"10.000"},"limitreport-memusage":{"value":16678202,"limit":52428800},"limitreport-logs":"table#1 {\n}\n\"\"\ntable#1 {\n}\n\"\"\nanchor_id_list = table#1 {\n [\"CITEREF\"] = 1,\n [\"CITEREFA._O._Scott2007\"] = 1,\n [\"CITEREFAl_Kooper\"] = 1,\n [\"CITEREFAswad,_Jem2018\"] = 1,\n [\"CITEREFBall2007\"] = 1,\n [\"CITEREFBarker2019\"] = 1,\n [\"CITEREFBarrett,_Syd\"] = 1,\n [\"CITEREFBarry\"] = 1,\n [\"CITEREFBattersby,_Matilda2010\"] = 1,\n [\"CITEREFBauder,_David2015\"] = 1,\n [\"CITEREFBauder,_David2021\"] = 1,\n [\"CITEREFBauldie1992\"] = 1,\n [\"CITEREFBeatles2000\"] = 1,\n [\"CITEREFBell2012\"] = 1,\n [\"CITEREFBell2013\"] = 1,\n [\"CITEREFBillinngton2017\"] = 1,\n [\"CITEREFBjorner,_Olof2015\"] = 1,\n [\"CITEREFBjorner,_Olof2021\"] = 1,\n [\"CITEREFBjörner\"] = 1,\n [\"CITEREFBjörner2001\"] = 1,\n [\"CITEREFBlackstock,_Peter2024\"] = 1,\n [\"CITEREFBlistein,_Jon2019\"] = 1,\n [\"CITEREFBob\"] = 1,\n [\"CITEREFBob_Dylan2003\"] = 1,\n [\"CITEREFBrantley2020\"] = 1,\n [\"CITEREFBrown,_Helen2016\"] = 1,\n [\"CITEREFBulik2015\"] = 1,\n [\"CITEREFBuncombe,_Andrew2005\"] = 1,\n [\"CITEREFBurger,_Jeff2023\"] = 1,\n [\"CITEREFCairns,_Dan2008\"] = 1,\n [\"CITEREFCaligiuri,_Jim2010\"] = 1,\n [\"CITEREFCaulfield,_Keith2009\"] = 1,\n [\"CITEREFChagollan,_Steve2013\"] = 1,\n [\"CITEREFChrista_Lawler_and_Digital_First_Media2018\"] = 1,\n [\"CITEREFChristgau,_Robert\"] = 2,\n [\"CITEREFClinton_Heylin2011\"] = 1,\n [\"CITEREFClothier,_Mark2014\"] = 1,\n [\"CITEREFCocks,_Jay1999\"] = 1,\n [\"CITEREFCohn1970\"] = 1,\n [\"CITEREFCorbett,_Rachel2011\"] = 1,\n [\"CITEREFCoscarelli2016\"] = 1,\n [\"CITEREFCostello\"] = 1,\n [\"CITEREFCott2006\"] = 1,\n [\"CITEREFDaniel,_Anne_Margaret2019\"] = 1,\n [\"CITEREFDaniel,_Anne_Margaret2020\"] = 2,\n [\"CITEREFDaniel,_Anne_Margaret2021\"] = 1,\n [\"CITEREFDiehl,_Matt2010\"] = 1,\n [\"CITEREFDocx\"] = 1,\n [\"CITEREFDoyle,_Martin2016\"] = 1,\n [\"CITEREFDu_Noyer1998\"] = 1,\n [\"CITEREFDylan,_Bob\"] = 1,\n [\"CITEREFDylan,_Bob2016\"] = 1,\n [\"CITEREFDylan,_Bob2017\"] = 1,\n [\"CITEREFDylan,_Bob2022\"] = 1,\n [\"CITEREFDylan,_Flanagan2017\"] = 1,\n [\"CITEREFDylan1994\"] = 1,\n [\"CITEREFDylan2004\"] = 2,\n [\"CITEREFDylan2016\"] = 1,\n [\"CITEREFEder,_Bruce\"] = 1,\n [\"CITEREFEdwards,_Gavin2013\"] = 1,\n [\"CITEREFEgan2010\"] = 1,\n [\"CITEREFErlewine,_Stephen2013\"] = 1,\n [\"CITEREFErlewine,_Stephen_Thomas\"] = 4,\n [\"CITEREFErlewine,_Stephen_Thomas1989\"] = 1,\n [\"CITEREFErlewine,_Stephen_Thomas2016\"] = 1,\n [\"CITEREFErlewine,_Stephen_Thomas2019\"] = 1,\n [\"CITEREFErlewine,_Thomas2004\"] = 1,\n [\"CITEREFFarber,_Jim2016\"] = 1,\n [\"CITEREFFarber,_Jim2018\"] = 1,\n [\"CITEREFFear2020\"] = 1,\n [\"CITEREFFishkoff2003\"] = 1,\n [\"CITEREFFlanagan,_Bill2009\"] = 2,\n [\"CITEREFFlanagan1990\"] = 1,\n [\"CITEREFFlood,_Alison2012\"] = 1,\n [\"CITEREFFong-Torres1973\"] = 1,\n [\"CITEREFFord,_Mark2011\"] = 1,\n [\"CITEREFGabler,_Neal2013\"] = 1,\n [\"CITEREFGarner,_Dwight2022\"] = 1,\n [\"CITEREFGates,_David1997\"] = 1,\n [\"CITEREFGibbonsMoore2013\"] = 1,\n [\"CITEREFGill,_Andy2009\"] = 2,\n [\"CITEREFGill1999\"] = 1,\n [\"CITEREFGillOdegard2004\"] = 1,\n [\"CITEREFGilmore,_Mikal2012\"] = 1,\n [\"CITEREFGleiberman,_Owen2019\"] = 1,\n [\"CITEREFGluck2012\"] = 1,\n [\"CITEREFGopnik,_Blake2011\"] = 1,\n [\"CITEREFGray\"] = 1,\n [\"CITEREFGray1972\"] = 1,\n [\"CITEREFGray2000\"] = 1,\n [\"CITEREFGray2006\"] = 1,\n [\"CITEREFGray2008\"] = 1,\n [\"CITEREFGray2011\"] = 1,\n [\"CITEREFGreen2015\"] = 1,\n [\"CITEREFGreene,_Andy2013\"] = 1,\n [\"CITEREFGreene,_Andy2014\"] = 2,\n [\"CITEREFGreene,_Andy2015\"] = 1,\n [\"CITEREFGreene,_Andy2016\"] = 2,\n [\"CITEREFGreene,_Andy2017\"] = 1,\n [\"CITEREFGreene,_Andy2018\"] = 1,\n [\"CITEREFGreene2012\"] = 2,\n [\"CITEREFGrein,_Paul2025\"] = 1,\n [\"CITEREFGundersen,_Edna2006\"] = 1,\n [\"CITEREFGundersen,_Edna2008\"] = 1,\n [\"CITEREFGundersen,_Edna2009\"] = 1,\n [\"CITEREFGundersen,_Enda2016\"] = 1,\n [\"CITEREFGundersen2001\"] = 1,\n [\"CITEREFGunts,_Edward2022\"] = 1,\n [\"CITEREFGüner,_Fisun2013\"] = 1,\n [\"CITEREFHajdu2001\"] = 1,\n [\"CITEREFHarvey2001\"] = 1,\n [\"CITEREFHedin2004\"] = 1,\n [\"CITEREFHeller,_Jason2017\"] = 1,\n [\"CITEREFHelm2000\"] = 1,\n [\"CITEREFHermes2012\"] = 1,\n [\"CITEREFHeylin,_Clinton2014\"] = 1,\n [\"CITEREFHeylin1990\"] = 1,\n [\"CITEREFHeylin1996\"] = 1,\n [\"CITEREFHeylin2000\"] = 1,\n [\"CITEREFHeylin2009\"] = 1,\n [\"CITEREFHeylin2010\"] = 1,\n [\"CITEREFHeylin2011\"] = 1,\n [\"CITEREFHeylin2012\"] = 1,\n [\"CITEREFHeylin2021\"] = 1,\n [\"CITEREFHeylin2023\"] = 1,\n [\"CITEREFHiatt2020\"] = 1,\n [\"CITEREFHilburn,_Robert1991\"] = 1,\n [\"CITEREFHinckley,_David2009\"] = 1,\n [\"CITEREFHoberman,_J.2007\"] = 1,\n [\"CITEREFHogan,_Mike2019\"] = 1,\n [\"CITEREFHolden1981\"] = 1,\n [\"CITEREFHoldship,_Bill2021\"] = 1,\n [\"CITEREFHoskyns1993\"] = 1,\n [\"CITEREFHoward_Sounes2011\"] = 1,\n [\"CITEREFHughes2020\"] = 1,\n [\"CITEREFHussey,_Allison2020\"] = 1,\n [\"CITEREFItzkoff,_Dave2011\"] = 1,\n [\"CITEREFItzkoff2012\"] = 1,\n [\"CITEREFJackson,_Bruce2002\"] = 1,\n [\"CITEREFJohn_Joseph_Thompson2000\"] = 1,\n [\"CITEREFJohnny_Cash1964\"] = 1,\n [\"CITEREFJurek,_Thom2008\"] = 1,\n [\"CITEREFJurek,_Thom2013\"] = 1,\n [\"CITEREFKamin2016\"] = 1,\n [\"CITEREFKerr,_Euan2015\"] = 1,\n [\"CITEREFKokay,_Les_via_Olof_Björner2000\"] = 1,\n [\"CITEREFKozinn,_Allan2013\"] = 1,\n [\"CITEREFKozinn,_Allan2014\"] = 2,\n [\"CITEREFKreps,_Daniel2024\"] = 1,\n [\"CITEREFLanger,_Adam2020\"] = 1,\n [\"CITEREFLarkin1985\"] = 1,\n [\"CITEREFLarson2010\"] = 1,\n [\"CITEREFLatham2021\"] = 1,\n [\"CITEREFLebold,_Christophe2007\"] = 1,\n [\"CITEREFLee2000\"] = 1,\n [\"CITEREFLenthang,_Marlene2022\"] = 1,\n [\"CITEREFLethem2004\"] = 1,\n [\"CITEREFLeung,_Rebecca2005\"] = 1,\n [\"CITEREFLevy\"] = 1,\n [\"CITEREFLewis,_Randy2012\"] = 1,\n [\"CITEREFLewis,_Randy2016\"] = 1,\n [\"CITEREFLicon,_Adriana2021\"] = 1,\n [\"CITEREFLlewellyn-Smith2005\"] = 1,\n [\"CITEREFMarcus,_Greil2010\"] = 1,\n [\"CITEREFMarcus1970\"] = 1,\n [\"CITEREFMarcus2001\"] = 1,\n [\"CITEREFMarcus2005\"] = 1,\n [\"CITEREFMarqusee2005\"] = 1,\n [\"CITEREFMarshall2002\"] = 1,\n [\"CITEREFMarx,_Jack2008\"] = 1,\n [\"CITEREFMaslin,_Janet1979\"] = 1,\n [\"CITEREFMaslin1978\"] = 1,\n [\"CITEREFMaslin2004\"] = 1,\n [\"CITEREFMatt_Steichen2018\"] = 2,\n [\"CITEREFMcCarron,_Andrew2017\"] = 1,\n [\"CITEREFMcCarthy2007\"] = 1,\n [\"CITEREFMcCormick,_Neil2009\"] = 1,\n [\"CITEREFMcCormick,_Neil2011\"] = 1,\n [\"CITEREFMcCormick,_Neil2015\"] = 1,\n [\"CITEREFMcCormick,_Neil2021\"] = 1,\n [\"CITEREFMcGregor1972\"] = 1,\n [\"CITEREFMenand,_Louis2006\"] = 1,\n [\"CITEREFMichael_Hall2014\"] = 1,\n [\"CITEREFMichaels,_Sean2009\"] = 1,\n [\"CITEREFMillman,_Ethan2020\"] = 1,\n [\"CITEREFMorris,_Chris2019\"] = 1,\n [\"CITEREFMotion\"] = 1,\n [\"CITEREFMotion,_Andrew2007\"] = 1,\n [\"CITEREFMuir2001\"] = 1,\n [\"CITEREFNewman2021\"] = 1,\n [\"CITEREFNtim2024\"] = 1,\n [\"CITEREFO\u0026#039;Hagan,_Sean2022\"] = 1,\n [\"CITEREFPareles,_Jon2017\"] = 1,\n [\"CITEREFParker,_Sam2013\"] = 1,\n [\"CITEREFPausBakke2024\"] = 1,\n [\"CITEREFPessl2008\"] = 1,\n [\"CITEREFPetridis,_Alex2006\"] = 1,\n [\"CITEREFPetridis,_Alexis2015\"] = 1,\n [\"CITEREFPetridis,_Alexis2020\"] = 1,\n [\"CITEREFPolizzotti2006\"] = 1,\n [\"CITEREFPowers2019\"] = 1,\n [\"CITEREFPreskovsky2016\"] = 1,\n [\"CITEREFPrince,_Bill2015\"] = 1,\n [\"CITEREFRemnick,_David2022\"] = 1,\n [\"CITEREFRich2006\"] = 1,\n [\"CITEREFRichard_F._Thomas2021\"] = 1,\n [\"CITEREFRichardson2015\"] = 1,\n [\"CITEREFRicks2003\"] = 1,\n [\"CITEREFRobertson\"] = 1,\n [\"CITEREFRobertson2016\"] = 1,\n [\"CITEREFRogovoy2021\"] = 1,\n [\"CITEREFRosen2002\"] = 1,\n [\"CITEREFRoss1999\"] = 1,\n [\"CITEREFRutherford,_Kevin2015\"] = 1,\n [\"CITEREFSawyer,_Miranda2006\"] = 1,\n [\"CITEREFScaduto2001\"] = 1,\n [\"CITEREFScherman,_Tony2006\"] = 1,\n [\"CITEREFSchuessler,_Jennifer2016\"] = 1,\n [\"CITEREFSchumacher2017\"] = 2,\n [\"CITEREFScott,_A._O.2003\"] = 1,\n [\"CITEREFSeligson,_Susan\"] = 1,\n [\"CITEREFSexton,_Paul2020\"] = 1,\n [\"CITEREFSheffield,_Rob2020\"] = 1,\n [\"CITEREFShelton1986\"] = 1,\n [\"CITEREFShelton2011\"] = 1,\n [\"CITEREFShepard2004\"] = 1,\n [\"CITEREFSiegel,_Robert2007\"] = 1,\n [\"CITEREFSisario,_Ben2016\"] = 3,\n [\"CITEREFSisario,_Ben2018\"] = 1,\n [\"CITEREFSisario2015\"] = 1,\n [\"CITEREFSisario2020\"] = 1,\n [\"CITEREFSlate,_Jeff2022\"] = 2,\n [\"CITEREFSloman,_Larry2002\"] = 1,\n [\"CITEREFSmith,_RJ2022\"] = 1,\n [\"CITEREFSmith,_Roberta2012\"] = 1,\n [\"CITEREFSounes2001\"] = 1,\n [\"CITEREFSpencer,_Neil2021\"] = 1,\n [\"CITEREFSpitzer,_Mark2013\"] = 1,\n [\"CITEREFStephen_Thomas_Erlewine2015\"] = 1,\n [\"CITEREFSutherland2020\"] = 1,\n [\"CITEREFSvedberg,_Andrea2016\"] = 1,\n [\"CITEREFTeachout2008\"] = 1,\n [\"CITEREFToby_Thompson2011\"] = 1,\n [\"CITEREFToby_Thompson2018\"] = 1,\n [\"CITEREFTopping,_Alexandra2011\"] = 1,\n [\"CITEREFTurner,_Gustavo2015\"] = 1,\n [\"CITEREFTyrangiel,_Josh2005\"] = 1,\n [\"CITEREFUnterberger,_Richie2003\"] = 1,\n [\"CITEREFVulliamy2012\"] = 1,\n [\"CITEREFWardle2021\"] = 1,\n [\"CITEREFWarmuth,_Scott2011\"] = 1,\n [\"CITEREFWarwickBrownKutner2004\"] = 1,\n [\"CITEREFWatson,_Tom2007\"] = 1,\n [\"CITEREFWhitburn2008\"] = 1,\n [\"CITEREFWilentz,_Sean2010\"] = 1,\n [\"CITEREFWilentz2016\"] = 1,\n [\"CITEREFWilliams,_Richard2015\"] = 1,\n [\"CITEREFWilliams,_Richard2021\"] = 1,\n [\"CITEREFWilliams1992\"] = 1,\n [\"CITEREFWilliams1993\"] = 1,\n [\"CITEREFWilliamson2004\"] = 1,\n [\"CITEREFWillman,_Chris2016\"] = 1,\n [\"CITEREFWillman,_Chris2021\"] = 1,\n [\"CITEREFWillman,_Chris2022\"] = 2,\n [\"CITEREFWillman2019\"] = 2,\n [\"CITEREFZacharek,_Stephanie2003\"] = 1,\n [\"CITEREFZollo,_Paul2014\"] = 1,\n}\ntemplate_list = table#1 {\n [\"!\"] = 1,\n [\"'\"] = 2,\n [\"' \\\"\"] = 2,\n [\"'\\\"\"] = 4,\n [\"'-\"] = 1,\n [\"-\\\"\"] = 1,\n [\"1988 Rock and Roll Hall of Fame\"] = 1,\n [\"2016 Nobel Prize winners\"] = 1,\n [\"About\"] = 1,\n [\"AcademyAwardBestOriginalSong 1991–2000\"] = 1,\n [\"AllMusic\"] = 4,\n [\"Authority control\"] = 1,\n [\"Birth date and age\"] = 1,\n [\"Blockquote\"] = 6,\n [\"Bob Dylan\"] = 1,\n [\"Bob Dylan singles\"] = 1,\n [\"Cbignore\"] = 2,\n [\"Citation\"] = 1,\n [\"Cite book\"] = 70,\n [\"Cite encyclopedia\"] = 1,\n [\"Cite magazine\"] = 45,\n [\"Cite news\"] = 119,\n [\"Cite web\"] = 166,\n [\"DEFAULTSORT:Dylan, Bob\"] = 1,\n [\"Div col\"] = 2,\n [\"Div col end\"] = 2,\n [\"Featured article\"] = 1,\n [\"Flatlist\"] = 5,\n [\"Gilliland\"] = 1,\n [\"Golden Globe Award for Best Original Song\"] = 1,\n [\"Grammy Award for Album of the Year\"] = 1,\n [\"Grammy Award for Best Music Film\"] = 1,\n [\"Grammy Lifetime Achievement Award\"] = 1,\n [\"Harvnb\"] = 1,\n [\"Hlist\"] = 1,\n [\"IMDb name\"] = 1,\n [\"ISBN\"] = 1,\n [\"Infobox musical artist\"] = 1,\n [\"Infobox person\"] = 1,\n [\"Kennedy Center Honorees 1990s\"] = 1,\n [\"Listen\"] = 6,\n [\"Main\"] = 7,\n [\"Marriage\"] = 2,\n [\"MusiCares Person of the Year\"] = 1,\n [\"National Medal of Arts recipients 2000s\"] = 1,\n [\"Navboxes\"] = 1,\n [\"Nobel Prize in Literature\"] = 1,\n [\"Nobelprize\"] = 1,\n [\"Official website\"] = 1,\n [\"Plainlist\"] = 2,\n [\"Polar Music Prize\"] = 1,\n [\"Pp-move\"] = 1,\n [\"Pp-vandalism\"] = 1,\n [\"Prince of Asturias Award for the Arts\"] = 1,\n [\"PulitzerPrize SpecialCitations Arts\"] = 1,\n [\"Reflist\"] = 2,\n [\"Short description\"] = 1,\n [\"Sister project links\"] = 1,\n [\"Spoken Wikipedia\"] = 1,\n [\"The Band\"] = 1,\n [\"Theme Time Radio Hour\"] = 1,\n [\"Time 100: The Most Important People of the Century\"] = 1,\n [\"URL\"] = 1,\n [\"Use American English\"] = 1,\n [\"Use mdy dates\"] = 1,\n [\"Webarchive\"] = 1,\n [\"Wilburys\"] = 1,\n}\narticle_whitelist = table#1 {\n}\nciteref_patterns = table#1 {\n}\n","limitreport-profile":[["?","560","24.1"],["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::gsub","220","9.5"],["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::callParserFunction","180","7.8"],["dataWrapper \u003Cmw.lua:672\u003E","180","7.8"],["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::plain","120","5.2"],["citation0 \u003CModule:Citation/CS1:2615\u003E","100","4.3"],["recursiveClone \u003CmwInit.lua:45\u003E","80","3.4"],["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::getEntity","80","3.4"],["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::getAllExpandedArguments","60","2.6"],["is_set \u003CModule:Citation/CS1/Utilities:23\u003E","60","2.6"],["[others]","680","29.3"]]},"cachereport":{"origin":"mw-web.codfw.main-b766959bd-xpjvs","timestamp":"20250216063154","ttl":2592000,"transientcontent":false}}});});</script> <script type="application/ld+json">{"@context":"https:\/\/schema.org","@type":"Article","name":"Bob Dylan","url":"https:\/\/en.wikipedia.org\/wiki\/Bob_Dylan","sameAs":"http:\/\/www.wikidata.org\/entity\/Q392","mainEntity":"http:\/\/www.wikidata.org\/entity\/Q392","author":{"@type":"Organization","name":"Contributors to Wikimedia projects"},"publisher":{"@type":"Organization","name":"Wikimedia Foundation, Inc.","logo":{"@type":"ImageObject","url":"https:\/\/www.wikimedia.org\/static\/images\/wmf-hor-googpub.png"}},"datePublished":"2001-10-26T10:37:51Z","dateModified":"2025-02-11T17:39:58Z","image":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/2\/2a\/DylanYoungKilkenny140719v2_%2850_of_52%29_%2852246124397%29_%28cropped%29.jpg","headline":"American singer-songwriter (born 1941)"}</script><script>(window.NORLQ=window.NORLQ||[]).push(function(){var 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