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</ul> </div> <div class="hu-pad group"> <article class="post-5247 post type-post status-publish format-standard has-post-thumbnail hentry category-appel-a-communication tag-architecture tag-marges"> <div class="post-inner group"> <h1 class="post-title entry-title">Appel à communications : “Marges et interstices en histoire de l’architecture (XVIIIe-XXIe siècles)”</h1> <p class="post-byline"> par <span class="vcard author"> <span class="fn"><a href="https://intru.hypotheses.org/author/intru" title="Articles par L'équipe InTRu" rel="author">L'équipe InTRu</a></span> </span> · Publié <time class="published" datetime="2017-09-20T07:15:57+01:00">20 septembre 2017</time> · Mis à jour <time class="updated" datetime="2019-03-08T11:30:12+01:00">8 mars 2019</time> </p> <div class="clear"></div> <div class="entry themeform"> <div class="entry-inner"> <p style="text-align: justify">Le laboratoire InTRu lance aux jeunes chercheurs en histoire de l’architecture (doctorants, post-doctorants…) un appel à contributions pour une journée d’étude intitulée <strong><em>Marges et interstices en histoire de l’architecture (XVIIIe-XXIe siècles)</em> : <em>Questionner les limites historiographiques</em> </strong>qui aura lieu à l’université de Tours le <strong>5 février 2018</strong>.</p> <h3 style="text-align: justify">Argumentaire</h3> <p style="text-align: justify">En 2016, au moment où s’achevait le programme de recherche « Écrire l’histoire depuis les marges » codirigé par les universités Sorbonne-Nouvelle, Paris-XIII et Paris-Sorbonne, le sujet de concours du CAPES et de l’Agrégation d’histoire-géographie portait sur « la France des marges », tandis qu’était soutenue une thèse sur travaux intitulée <em>Ecrire l’histoire de l’art de la marge</em> : trois événements parmi d’autres qui consacrent l’actualité de cette problématique interdisciplinaire. Au sein de notre champ disciplinaire, la question de la marge a déjà été traitée par Yves Pauwels dans son ouvrage <em>Aux marges de la règle. Essai sur les ordres d’architecture à la Renaissance</em> (Mardaga, 2008), en tant qu’espace symbolique séparant la règle canonique de l’imagination contextuelle. Les travaux et réflexions en cours nous incitent à envisager ce champ d’investigation du point de vue de l’histoire de l’architecture moderne et contemporaine en prêtant, notamment, attention aux interstices historiographiques, méthodologiques et programmatiques investis ces dernières années par de jeunes chercheurs.</p> <p style="text-align: justify">De nouvelles approches proposent, par exemple, de décentrer le regard en s’intéressant, non à l’architecture produite sous le contrôle des institutions officielles, mais à celle dues à des acteurs que l’on considérait, récemment encore, comme étant de second ordre. Ainsi, s’intéresser aux marges disciplinaires contribuerait à produire une histoire de l’architecture qui ne soit pas uniquement une histoire des architectes, une histoire des institutions, une histoire des politiques ou une histoire des emblèmes.</p> <p style="text-align: justify">La notion de marge, par sa nature, est polysémique et diffuse. Ce faisant, porter attention à des objets considérés comme marginaux – temporairement ou de façon pérenne – conduit naturellement à initier des recherches en parallèle de l’historiographie classique. Il semble ainsi nécessaire de dépasser la seule interrogation d’un sujet par ses sources, en tentant de comprendre les mécanismes qui ont fait de cet objet un sujet à part, marginal par nature ou marginalisé par l’historiographie.</p> <p style="text-align: justify">Revenus des usuelles analyses du chef-d’œuvre, de l’innovation ou encore de l’attributionnisme, les jeunes chercheurs, suivant l’exemple de leurs devanciers, n’ont-ils pas été amenés à renouveler les objets de leurs études ? Après avoir complété notre lecture du bâti existant en intégrant les sources archivistiques, reste-t-il des sources marginales pour la discipline ? Après avoir intégré dans notre réflexion le champ des marges géographiques et territoriales, quelles nouvelles frontières s’offrent à nous ?</p> <p style="text-align: justify">Cette journée d’étude offrira l’occasion de savoir quelles recherches, hypothèses ou méthodes, les intervenants ont eu à dépasser pour réussir à pleinement cerner leur objet d’étude. En outre, elle concourra à définir les écarts, tolérés, voire concédés, entre une histoire des architectures moderne et contemporaine, que l’on pourrait qualifier de dominante, et celle d’une histoire à faire.</p> <p style="text-align: justify">Durant cette journée, dans la ligne de formation du laboratoire interdisciplinaire InTRu, nous souhaitons mettre en avant les travaux de jeunes chercheurs en histoire de l’architecture et d’autres disciplines qui interrogent par des chemins méthodologiques différents l’acte de bâtir ou de penser l’architecture.</p> <h3><strong>Axes privilégiés</strong></h3> <ul> <li>Programmes architecturaux déconsidérés par l’historiographie ou nouveaux programmes</li> <li>Sources atypiques ou inusitées</li> <li>Questionnement de la notion de « marge » (définition, statut, périodicité, géographie) dans le champ disciplinaire de l’histoire de l’architecture entre les XVIII<sup>e</sup> et XXI<sup>e </sup>siècles.</li> </ul> <h3>Comité de sélection</h3> <p>Hervé Doucet, <em>MCF en histoire de l’art contemporain (université de Strasbourg).<br /> </em>Audrey Jeanroy, <em>maître-assistant associé HCA (ENSA Lyon).<br /> </em>Guy Lambert, <em>maître-assistant HCA (ENSA Paris-Belleville).</em><br /> Olivier Liardet, <em>chargé d’études documentaires (Conservation régionale MH – DRAC Hauts-de-France).</em><br /> Christophe Morin, <em>MCF en histoire de l’art moderne (université de Tours).</em><br /> Olivier Prisset, <em>doctorant en histoire de l’art contemporain (université de Tours).</em><br /> Caroline Soppelsa, <em>chercheur post-doc (Centre allemand d’histoire de l’art, Paris).</em><br /> Géraldine Texier-Rideau, <em>maître-assistant HCA (ENSA Clermont-Ferrand).</em></p> <h3>Comité d’organisation</h3> <p>Audrey Jeanroy, Olivier Prisset et Caroline Soppelsa.</p> <h3><strong>Modalités pratiques de soumission</strong></h3> <p style="text-align: justify">Cette journée d’étude, organisée par l’InTRu – EA 6301, aura lieu le <strong>5 février 2018</strong> à l’université François-Rabelais de Tours.</p> <p style="text-align: justify">Les propositions de communication (résumés de 1500 signes précisant le titre de l’intervention et les principaux éléments d’argumentaire qui seront accompagnés d’un court <em>curriculum vitae</em>) sont à envoyer par mail <strong>avant le 20 octobre 2017 </strong>à l’adresse <a href="mailto:archimarges@gmail.com">archimarges@gmail.com</a>. Le comité de sélection se réunira à la fin du mois d’octobre.</p> <p>L’appel détaillé en version pdf est à télécharger par ici : <a href="http://intru.hypotheses.org/files/2017/09/JE_Marges_5-février-2018_appel-à-propositions.pdf">JE_Marges_5 février 2018_appel à propositions</a></p> <hr/><div class="citation"><p><span class="citation-title">OpenEdition vous propose de citer ce billet de la manière suivante :</span><br/>L'équipe InTRu (20 septembre 2017). Appel à communications : “Marges et interstices en histoire de l’architecture (XVIIIe-XXIe siècles)” <em>InTRu - EA 6301</em>. 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datetime="2018-07-10 20:01:05">10 juillet 2018</time> </p> <p class="post-byline" style="display:none"> par <span class="vcard author"> <span class="fn"><a href="https://intru.hypotheses.org/author/intru" title="Articles par L'équipe InTRu" rel="author">L'équipe InTRu</a></span> </span> · Published <span class="published">10 juillet 2018</span> · Last modified <span class="updated">8 mars 2019</span> </p> </div> </div> </article> </li> </ul> <section id="comments" class="themeform"> <h3 class="heading">1 réponse</h3> <ul class="comment-tabs group"> <li class="active"><a href="#commentlist-container"><i class="far fa-comments"></i>Commentaires<span>0</span></a></li> <li><a href="#pinglist-container"><i class="fas fa-share"></i>Pings<span>1</span></a></li> </ul> <div id="pinglist-container" class="comment-tab"> <ol class="pinglist"> <li class="ping"> <div class="ping-link"><a href="https://intru.hypotheses.org/5594" class="url" rel="ugc">5 février, journée d’étude : « Marges et interstices en histoire de l’architecture (XVIIIe-XXIe siècles) » – InTRu – EA 6301</a></div> <div class="ping-meta">11 février 2018</div> <div class="ping-content"><p>[…] Le lundi 5 février, de 9h30 à 17h30, aura lieu à Tours une journée d’étude organisée par le laboratoire InTRu sur le thème « Marges et interstices en histoire de l’architecture (XVIIIème-XXIème siècles). 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srcset="https://intru.hypotheses.org/files/2023/07/paysages-251x300.jpg 251w, https://intru.hypotheses.org/files/2023/07/paysages.jpg 360w" sizes="auto, (max-width: 251px) 100vw, 251px" /> </dt></dl><br style="clear: both" /> </div> </div><div id="meta-2" class="widget widget_meta"><h3 class="widget-title">Meta</h3> <ul> <li><a href="https://intru.hypotheses.org/wp-login.php">Connexion</a></li> <li><a href="https://intru.hypotheses.org/feed" title="Syndicate this site using RSS 2.0">Entries <abbr title="Really Simple Syndication">RSS</abbr></a></li> <li><a href="https://intru.hypotheses.org/comments/feed" title="The latest comments to all posts in RSS">Comments <abbr title="Really Simple Syndication">RSS</abbr></a></li> <li><a href="http://hypotheses.org/" title="Powered by Hypotheses">Hypotheses</a></li> </ul> </div><div id="text-1" class="widget widget_text"><h3 class="widget-title">Présentation</h3> <div class="textwidget"><p>Créée en 2008 au sein de l’Université François-Rabelais à Tours, l’équipe d’accueil InTRu (Interactions, transferts et ruptures artistiques et culturels, EA 6301), regroupe aujourdʼhui une quinzaine de chercheurs/ses issus de disciplines différentes : historiens de l’art, historiens de la littérature, historiens du cinéma, philosophes, etc.</p> <p>Leurs travaux interrogent les modèles de circulation, de transfert et de légitimation de la création (arts visuels, littérature, architecture), ainsi que d’une manière générale les pratiques culturelles de lʼimage.</p> <p>Leurs recherches, historiques et méthodologiques, portent ainsi sur les modèles de transferts (réception, influence, intertextualités), sur les formes dʼintermédiation entre les arts (arts visuels, musique, danse, architecture, littérature), sur les hiérarchies (image/texte, culture de masse/beaux-arts, banal/exceptionnel, etc.), et sur lʼétude des circulations culturelles.</p> <p>Ils portent une attention particulière aux processus de glissement dʼun medium à un autre, à la récupération, à la traduction voire à la trahison dʼune image, dʼune pratique, dʼun savoir-faire.<br /> __________________________________________________</p> <p>Created in 2008 within the Université François-Rabelais in Tours, the research team InTRu (Artistic and Cultural Interactions, Transfers and Ruptures, EA 6301), now includes fifteen researchers from various disciplines such as art history, literature, film studies, philosophy, etc. Their work questions the flow, transfer and legitimation of creation (visual arts, literature, architecture) and the general cultural uses of images. Their historical and methodological research focuses on transfer models (reception, influence, intertextuality), forms of intermediation between the arts (visual arts, music, dance, architecture, literature), hierarchies (image/text, mass culture/fine arts, ordinary/extraordinary, etc.), and the study of cultural circulation. They show a specific interest in the shifting process from one medium to another and in the recuperation, translation and even betrayal of an image, a practice, a savoir-faire.</p> </div> </div> </div> </div> </div> </div> </div> </div> <footer id="footer"> <section class="container" id="footer-bottom"> <div class="container-inner"> <a id="back-to-top" href="#"><i class="fa fa-angle-up"></i></a> <div class="hu-pad group"> <div class="grid one-half"> <div id="copyright"> <p><strong>Laboratoire InTRu</strong>, Université de Tours, 3 rue des Tanneurs (bureau 317), BP 4103, 37041 TOURS Cedex 01 / <a href="mailto:intru@univ-tours.fr">intru@univ-tours.fr</a></p> </div> <div id="credit"> <p>Fièrement propulsé par <a href="http://wordpress.org" target="_blank">WordPress</a>. 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