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class="uploads-container" id="social-redesign-work-container"><div class="upload-header"><h2 class="ds2-5-heading-sans-serif-xs">Uploads</h2></div><div class="nav-container backbone-profile-documents-nav hidden-xs"><ul class="nav-tablist" role="tablist"><li class="nav-chip active" role="presentation"><a data-section-name="" data-toggle="tab" href="#all" role="tab">all</a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Artists-Exhibitions" data-toggle="tab" href="#artistsexhibitions" role="tab" title="Artists / Exhibitions"><span>245</span> <span class="ds2-5-body-sm-bold">Artists / Exhibitions</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Contextual-Essays" data-toggle="tab" href="#contextualessays" role="tab" title="Contextual Essays"><span>62</span> <span 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data-toggle="tab" href="#abstract" role="tab" style="border: none;"><span>81</span> Abstract</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Keyword" data-toggle="tab" href="#keyword" role="tab" style="border: none;"><span>21</span> Keyword</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Book-Review" data-toggle="tab" href="#bookreview" role="tab" style="border: none;"><span>2</span> Book Review </a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="PPT" data-toggle="tab" href="#ppt" role="tab" style="border: none;"><span>18</span> PPT</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="三人成唬之趙鐸與克諭" data-toggle="tab" href="#三人成唬之趙鐸與克諭" role="tab" style="border: none;"><span>4</span> 三人成唬之趙鐸與克諭</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Talks" data-toggle="tab" href="#talks" role="tab" style="border: none;"><span>1</span> Talks</a></li></ul></li></ul></div><div class="divider ds-divider-16" style="margin: 0px;"></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Artists / Exhibitions" id="Artists / Exhibitions"><h3 class="profile--tab_heading_container">Artists / Exhibitions by Po-Wei Wang</h3></div><div class="js-work-strip profile--work_container" data-work-id="126622254"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/126622254/%E6%9D%8E%E4%BA%A6%E5%87%A1%E6%97%A9%E6%9C%9F%E4%BD%9C%E5%93%81%E4%B8%AD%E7%9A%84mapping"><img alt="Research paper thumbnail of 李亦凡早期作品中的mapping" class="work-thumbnail" 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data-click-track="profile-work-strip-title" href="https://www.academia.edu/116456403/%E7%A7%BB%E5%8B%95%E8%A7%80%E9%BB%9E%E4%B8%8B_2011%E5%B9%B4%E8%87%B32020%E5%B9%B4%E8%87%BA%E7%81%A3%E9%8C%84%E5%83%8F%E8%97%9D%E8%A1%93%E7%9A%84%E5%85%A9%E5%80%8B%E5%88%87%E9%9D%A2_%E8%A8%B1%E5%AE%B6%E7%B6%AD%E8%88%87%E5%90%B3%E5%85%B6%E8%82%B2_">移動觀點下，2011年至2020年臺灣錄像藝術的兩個切面(許家維與吳其育)</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="777b6fd9a4e75247e28e9a63a36842fa" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":112582112,"asset_id":116456403,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/112582112/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span 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href="https://www.academia.edu/44270649/%E5%8F%B0%E7%81%A3%E8%97%9D%E8%A1%93%E5%9C%88%E8%A8%80%E8%AB%96%E8%87%AA%E7%94%B1%E7%99%BC%E5%B1%95%E7%9A%84%E4%B8%89%E5%80%8B%E6%99%82%E6%9C%9F">台灣藝術圈言論自由發展的三個時期</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="154fc02d47bada1c9f0154e08dbf19af" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64647563,"asset_id":44270649,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64647563/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44270649"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38427236"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38427236/%E6%96%87%E5%8C%96%E6%8A%80%E8%A1%93_cultural_Techniques_%E8%88%87%E6%96%87%E5%8C%96%E7%A7%91%E6%8A%80_cultural_technology_"><img alt="Research paper thumbnail of 文化技術（cultural Techniques）與文化科技（cultural technology）" class="work-thumbnail" src="https://attachments.academia-assets.com/58486766/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38427236/%E6%96%87%E5%8C%96%E6%8A%80%E8%A1%93_cultural_Techniques_%E8%88%87%E6%96%87%E5%8C%96%E7%A7%91%E6%8A%80_cultural_technology_">文化技術（cultural Techniques）與文化科技（cultural technology）</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">文化技術本期專輯聚焦在「文化技術」 (cultural Techniques)與「文化科技」 (cultural technology)的面向上。我們的問題意識是：如果文化政策是由「文化」作為...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">文化技術本期專輯聚焦在「文化技術」 (cultural Techniques)與「文化科技」 (cultural technology)的面向上。我們的問題意識是：如果文化政策是由「文化」作為主導，而不是「產業」 (經濟部)也不是「科技」 (科技部)作為主導的概念，那麼在政策上，有沒有一個與數位時代更為貼近，卻又不會喪失「文化」優先性的論述？這樣的論述是否能夠在不與產業及科技互斥的狀況下成為數位科技時代文化政策的基礎論述？從文化政策面的角度來看文化與數位技術的關係，台灣迄今政策的主導論述是「加值」。 1 「加值」論述一方面立基於「文化/科技(或，科學與技術) 」兩者對立的預設；另一方面則偏好將「文化」理解為特定的「形象」，而「科技」則被理解為傳佈「作為形象的文化」的「工具」。換句話說，文化與數位技術的「加值」論述意味著：利用數位工具將既有的形象添附到其他物件上，以生產除了物件本身之外的「附加」價值。約末是 2016 年起，台灣的文化政策在文化與數位技術關係上出現了「文化科技」論述， 2 提出了以「文化+科技」兩者「一加一大於二」的思維方式。綜觀這個與 1 關於「加值」論述的發展與政策影響尚未獲得足夠的重視，迄今尚未見到深入討論「加值」論述的文章。 2 請參考網頁：<a href="http://www.culturetech.net/，這個由文化部資訊處與財團法人工業技術研究院外" rel="nofollow">http://www.culturetech.net/，這個由文化部資訊處與財團法人工業技術研究院外</a> 包，台灣文化政策智庫中心承包的政策性標案</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="01d92c7821292e91f78b616ec4ae0a11" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58486766,"asset_id":38427236,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58486766/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" 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是過去二十年內成為數位網路時代基本元素的概念，甚至因為網路與運算能力的發展，還有了「數據科學家」這樣的職稱。不過，誠如許煜所提到的，在西方語言的發展當中，data 是 ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">數據，也稱資料， 1 是過去二十年內成為數位網路時代基本元素的概念，甚至因為網路與運算能力的發展，還有了「數據科學家」這樣的職稱。不過，誠如許煜所提到的，在西方語言的發展當中，data 是 datum 這個拉丁文的複數形式，意味著「所給出的(物)」，上帝很可能是這個所給出之物的給予者。不同於前述這個語意，我們現在所使用的數據這個概念，是 1946 年出現的，意味著「(在電腦運作(operation)過程中所展現的)可傳播(transmittable)與可儲存的資訊」。 2 本文之所以在一篇與數位網絡時代的表演關鍵概念相關的文章中提及「數據」，並將之視為重要的概念，並不是打算在技術層面上將所有事物都數位化數據加以儲存運用，而是希望貼近當代數位網絡技術塑造現實的運作方案，據此提煉符合當代人感知以及經驗架構的概念。雖然當代有越來越多以技術文明為基本架構的理論，但是鮮少有理論從「數據」出發，將理論對象限定在「數位物件(digital objects)」上。 3 對我們來說，</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e2e758037f57130ac23d4ba40e8115d8" 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environments）</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">在《空的空間》一書的起始處，彼得•布魯克(Peter Brook)就告訴我們：「我可以選任何一個空的空間，然後稱它為空曠舞台。如果有一個人在某人注視下經過這個空的空間，就足以構成一個劇場行...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">在《空的空間》一書的起始處，彼得•布魯克(Peter Brook)就告訴我們：「我可以選任何一個空的空間，然後稱它為空曠舞台。如果有一個人在某人注視下經過這個空的空間，就足以構成一個劇場行為。」 1 在這個模型裡，「空的空間」只要透過「第三者注視」的轉化，就變成「表演空間」。然而，布魯克並未言明的是，在這個模型當中，表演者與第三者共享了對於這個表演者的表演之脈絡的理解。在數位網絡時代，這個由表演者與觀眾「共有的脈絡」就其內容發生了一些改變。從技術層面上來說，布魯克的時代並無大量的感測器，更沒有可應用的即時反饋系統。所以「空間」往往以物理性結構的方式被理解，在其被建造完成之後就無法改變，在這種空間中，行動的「意義」因而只好依賴象徵或角色所創造的儀式空間來填補。就此而言，物理空間與象徵空間兩者都必須是穩定的(縱使不是全然固定的) ，對第三者來說，意義才有可能相對穩定。在這種空間中，意義多沿著「社會」所設定的角色軸線進行組織，意義的背景脈絡轉換在物理上相對困難。然而在數位網絡時代，我們的日常生活中滿佈多樣的感測器，像是影像類的監視器、紅外線感測器、超音波或追蹤儀器⋯等等，雖然人工智能與機器人只在部分領域作用而尚未全面鑲嵌在我們的環境裡，但是按照「智慧」 (城市、生活)的進程，全面按照我們期待的各種規模的行動者(不管是人、車、家庭、城市、政黨、甚至社群與文化等等)來建立持續追蹤、即時反饋、專屬於這個單元的意義 1 Peter Brook 著，耿一偉譯，《空的空間》，台北：中正文化，1998，頁 20。</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bc355aa0ab9706213c74fc576e500cef" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55697779,"asset_id":35820726,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55697779/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" 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data-click-track="profile-work-strip-title" href="https://www.academia.edu/71779006/%E7%B7%9A%E4%B8%8A%E5%BD%B1%E5%83%8F%E7%9A%84%E8%AB%B8%E7%A8%AE%E5%BD%A2%E5%BC%8F_%E8%83%BD%E8%88%87%E4%B8%8D%E8%83%BD_%E5%BD%B1%E5%83%8F%E8%A9%95%E8%AB%96%E5%B7%A5%E4%BD%9C%E5%9D%8A_at_%E5%8A%87%E8%A9%95%E4%BA%BA%E5%8D%94%E6%9C%83">線上影像的諸種形式，「能與不能 :影像評論工作坊」@劇評人協會</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">我們往往將許多不同的影像類型統稱「線上影像」，但是這些影像其實希望捕獲不同的獵物。所以在這次工作坊，我們會先行分類線上演出的影像，將之大略區分成紀錄影像、導播影像、平台影像、舞蹈錄像與3D影像幾...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">我們往往將許多不同的影像類型統稱「線上影像」，但是這些影像其實希望捕獲不同的獵物。所以在這次工作坊，我們會先行分類線上演出的影像，將之大略區分成紀錄影像、導播影像、平台影像、舞蹈錄像與3D影像幾種不同的影像類型，再針對不同類型的影像特質，思考鏡頭、描述與評論之間的不同關係。 <br /> <br />參考書目： <br />1.Wolfgang Ullrich著，《模糊的歷史》，台北：一行，2021。 <br />2.W.J.T. Mitchell著，《形象科學》，台北：馬可孛羅，2020。</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5e18fc6211fa371abf15168b93278c11" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":80982000,"asset_id":71779006,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/80982000/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="71779006"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="71779006"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 71779006; 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