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<!DOCTYPE html><html><head><title>Key Texts in American Jewish Culture - Google Books</title><link rel="stylesheet" href="/books/css/_a33f2a89320471e58c940b9287b9d4eb/kl_viewport_kennedy_full_bundle.css" type="text/css" /><link rel="stylesheet"href="https://fonts.googleapis.com/css2?family=Product+Sans:wght@400"><script src="/books/javascript/v2_a33f2a89320471e58c940b9287b9d4eb__en.js"></script><script>_OC_Hooks = ["_OC_Page", "_OC_SearchReload", "_OC_TocReload", "_OC_EmptyFunc", "_OC_SearchPage", "_OC_QuotePage" ];for (var _OC_i = 0; _OC_i < _OC_Hooks.length; _OC_i++) {eval("var " + _OC_Hooks[_OC_i] + ";");}function _OC_InitHooks () {for (var i = 0; i < _OC_Hooks.length; i++) {var func = arguments[i];eval( _OC_Hooks[i] + " = func;");}}</script><link rel="canonical" href="https://books.google.com/books/about/Key_Texts_in_American_Jewish_Culture.html?id=2EXMH9rxlQoC"/><meta property="og:url" content="https://books.google.com/books/about/Key_Texts_in_American_Jewish_Culture.html?id=2EXMH9rxlQoC"/><meta name="title" content="Key Texts in American Jewish Culture"/><meta name="description" content="Key Texts in American Jewish Culture expands the frame of reference used by students of culture and history both by widening the "canon" of Jewish texts and by providing a way to extrapolate new meanings from well-known sources. Contributors come from a variety of disciplines, including American studies, anthropology, comparative literature, history, music, religious studies, and women's studies. Each provides an analysis of a specific text in art, music, television, literature, homily, liturgy, or history. Some of the works discussed, such as Philip Roth's novel Counterlife, the musical Fiddler on the Roof, and Irving Howe's World of Our Fathers, are already widely acknowledged components of the American Jewish studies canon. Others-such as Bridget Loves Bernie, infamous for the hostile reception it received among American Jews+ may be considered "key texts" because of the controversy they provoked. Still others, such as Joshua Liebman's Piece of Mind and the radio and TV sitcom The Goldbergs, demonstrate the extent to which American Jewish culture and mainstream American culture intermingle with and borrow from each other."/><meta property="og:title" content="Key Texts in American Jewish Culture"/><meta property="og:type" content="book"/><meta property="og:site_name" content="Google Books"/><meta property="og:image" content="https://books.google.com.sg/books/content?id=2EXMH9rxlQoC&printsec=frontcover&img=1&zoom=1&edge=curl&imgtk=AFLRE72gZXggrDehukItrUZAhw81aY2SHGyda8rNGJgCOjAbqc9dXSTY5oyXj_LtxfuhaJXn9yB7uS3QEgRhHnAVmTq5o4TRJuICuYUTHb_yl0ApUpWtk-C8k3MId1LYX4aIwALaxZBT"/><link rel="image_src" href="https://books.google.com.sg/books/content?id=2EXMH9rxlQoC&printsec=frontcover&img=1&zoom=1&edge=curl&imgtk=AFLRE72gZXggrDehukItrUZAhw81aY2SHGyda8rNGJgCOjAbqc9dXSTY5oyXj_LtxfuhaJXn9yB7uS3QEgRhHnAVmTq5o4TRJuICuYUTHb_yl0ApUpWtk-C8k3MId1LYX4aIwALaxZBT"/><script></script><style>#gbar,#guser{font-size:13px;padding-top:1px !important;}#gbar{height:22px}#guser{padding-bottom:7px !important;text-align:right}.gbh,.gbd{border-top:1px solid #c9d7f1;font-size:1px}.gbh{height:0;position:absolute;top:24px;width:100%}@media all{.gb1{height:22px;margin-right:.5em;vertical-align:top}#gbar{float:left}}a.gb1,a.gb4{text-decoration:underline !important}a.gb1,a.gb4{color:#00c !important}.gbi .gb4{color:#dd8e27 !important}.gbf .gb4{color:#900 !important} #gbar { padding:.3em .6em !important;}</style></head><body class=""><div id=gbar><nobr><a target=_blank class=gb1 href="https://www.google.com.sg/search?tab=pw">Search</a> <a target=_blank class=gb1 href="https://www.google.com.sg/imghp?hl=en&tab=pi">Images</a> <a target=_blank class=gb1 href="https://maps.google.com.sg/maps?hl=en&tab=pl">Maps</a> <a target=_blank class=gb1 href="https://play.google.com/?hl=en&tab=p8">Play</a> <a target=_blank class=gb1 href="https://www.youtube.com/?tab=p1">YouTube</a> <a target=_blank class=gb1 href="https://news.google.com/?tab=pn">News</a> <a target=_blank class=gb1 href="https://mail.google.com/mail/?tab=pm">Gmail</a> <a target=_blank class=gb1 href="https://drive.google.com/?tab=po">Drive</a> <a target=_blank class=gb1 style="text-decoration:none" href="https://www.google.com.sg/intl/en/about/products?tab=ph"><u>More</u> »</a></nobr></div><div id=guser width=100%><nobr><span id=gbn class=gbi></span><span id=gbf class=gbf></span><span id=gbe></span><a target=_top id=gb_70 href="https://www.google.com/accounts/Login?service=print&continue=https://books.google.com.sg/books%3Fid%3D2EXMH9rxlQoC%26q%3Dfiddler%2Bon%2Bthe%2Broof%26pg%3DPA105%26redir_esc%3Dy%26hl%3Den&hl=en&ec=GAZACg" class=gb4>Sign in</a></nobr></div><div class=gbh style=left:0></div><div class=gbh style=right:0></div><div role="alert" style="position: absolute; left: 0; right: 0;"><a href="https://books.google.com.sg/books?id=2EXMH9rxlQoC&q=fiddler+on+the+roof&pg=PA105&redir_esc=y&hl=en&output=html_text" title="Screen reader users: click this link for accessible mode. 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WHITFIELD Television \u0026quot; Yesterday\u0026#39;s Woman , \u0026quot; Today\u0026#39;s Moral Guide :","page_url":"https://books.google.com.sg/books?id=2EXMH9rxlQoC\u0026pg=PP7\u0026vq=fiddler+on+the+roof"},{"page_id":"PA3","page_number":"3","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e ? How about a conference that would focus on one of them ? Twelve or more presentations on the Rise of David Levinsky ? No way . An intriguing idea emerges : a conference in which each participant chooses a text and\u0026nbsp;..."},{"page_id":"PA14","page_number":"14","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e . Yet elements of that con- tent remain within the play , which is suspended , as Stephen Whitfield argues , between universalism and particularism . It had to be so , because audiences \u0026quot; would be drawn only to a\u0026nbsp;..."},{"page_id":"PA105","page_number":"105","snippet_text":"... Roof \u0026quot; WE ARE THE ONLY great people of the civilized world that is a pure democracy , \u0026quot; Henry James told readers of the Nation in 1878 , \u0026quot; and we are the only great people that is exclusively ... \u003cb\u003eFiddler on the Roof\u003c/b\u003e STEPHEN J WHITFIELD."},{"page_id":"PA106","page_number":"106","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e He ends up as Zero Mostel\u0026#39;s straight man . \u0026quot; 2 ( This critic\u0026#39;s contrast happens to minimize Tevye\u0026#39;s own gnawing religious uncertainties , shared by many of his Jewish contempo- raries , who felt displaced in an era\u0026nbsp;..."},{"page_id":"PA107","page_number":"107","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e is none other than Isaac Stern ) . In America popular and commercial success is a perennial temptation even for the most re- fined and serious of artists . When Ezio Pinza , for example , wanted to venture beyond\u0026nbsp;..."},{"page_id":"PA108","page_number":"108","snippet_text":"... \u003cb\u003eRoof\u003c/b\u003e would make the local culture a little less British , a little more Yiddish easing the way for frequent ... \u003cb\u003eFiddler\u003c/b\u003e were staged in the former German Democratic Republic . German audiences could not get enough of what Irving\u0026nbsp;..."},{"page_id":"PA109","page_number":"109","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e \u0026quot; Robbins\u0026#39;s ode to Jewish history , the Jewish soul , the survival of a people , and it was done as a theatrical version of ballet , \u0026quot; 11 another art which guaranteed his place in American cultural history . Robbins\u0026nbsp;..."},{"page_id":"PA110","page_number":"110","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e was to advance . Such anxi- eties were unwarranted . Without provoking irate customers to demand refunds , Yiddish had been spoken on Broadway as early as 1903 , when all actors used English in a production of The\u0026nbsp;..."},{"page_id":"PA111","page_number":"111","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e cannot be explained merely in terms of sociology any more than by the attribution of luck in the casting of Mostel , whose talent was irrelevant to the planetary popularity of the musical and whose retirement did not\u0026nbsp;..."},{"page_id":"PA112","page_number":"112","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e was not the sole artifact to portray a community in tran- sition , or to invoke tradition , or to recall a site to escape . In 1966 Bernard Malamud\u0026#39;s Yakov Bok describes the shtetl as where \u0026quot; everything is falling\u0026nbsp;..."},{"page_id":"PA113","page_number":"113","snippet_text":"... \u003cb\u003eRoof\u003c/b\u003e \u0026quot; spoofed the excesses of embourgeoisement and tabulated the rather mixed blessings bestowed on the descendants ... \u003cb\u003eFiddler\u003c/b\u003e , inhabit- ants of the shtetl are endowed with the dignity of sanity and self - restraint.20 In the\u0026nbsp;..."},{"page_id":"PA115","page_number":"115","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e . Stein\u0026#39;s parents had immigrated from Poland and had raised him in a Yiddish - speaking home in the Bronx , but he relied on translations of the Sholem Aleichem tales ( and later adapted his own libretto for the\u0026nbsp;..."},{"page_id":"PA116","page_number":"116","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e , born in the era when fathers knew best , had located a problem at the heart of Sholem Aleichem\u0026#39;s stories ; and a musical that was itself an adaptation prescribed the need for ad- aptation — to ineluctable forces\u0026nbsp;..."},{"page_id":"PA117","page_number":"117","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e is told mostly from the father\u0026#39;s point of view , the desires and the hopes of his daughters also have their claims . And since one child has chosen to marry a Christian who seems free of prejudice against Jews , the\u0026nbsp;..."},{"page_id":"PA118","page_number":"118","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e magnified the alteration not only of the details but perhaps also of the animating spirit of Sholem Aleichem\u0026#39;s tales . Yet such transformations are intelligible when the musical hit is embedded within a longer\u0026nbsp;..."},{"page_id":"PA119","page_number":"119","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e \u0026quot; ) . As the Yiddishist Anita Norich has noted , Singer\u0026#39;s \u0026quot; Yid- dish and English texts comment on one another , the latter reworking and some- times completing the ideational and imaginative work of the former . The\u0026nbsp;..."},{"page_id":"PA120","page_number":"120","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e posed a threat to his availability to serious readers . In Yiddish and even more in English , his works are still fully accessible on the library shelves . Indeed , translations of Sholem Aleichem con- tinue to\u0026nbsp;..."},{"page_id":"PA121","page_number":"121","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e Jews . \u0026quot; 37 That did not mean , however , that the Broadway show could not be enlisted in the fight against anti - Semitism , oddly enough . In 1994 the poet Gwendolyn Brooks tried to do so in her rather daffy\u0026nbsp;..."},{"page_id":"PA122","page_number":"122","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e is the legatee of the cultural conflict that can be located a century ago , when the Yiddish theater had to struggle against condescension and incomprehension . Consider the reaction of ( arguably ) the most\u0026nbsp;..."},{"page_id":"PA123","page_number":"123","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e , \u0026quot; with Peter Stone ( moderator ) , Jerry Bock , Sheldon Harnick , and Joseph Stein in The Dramatists Guild Quarterly 20 ( Spting 1983 ) : 15 . 8. Quoted in \u0026quot; Masha Leon , \u0026quot; Forward , January 7 , 2000 , 16 ; Richard\u0026nbsp;..."},{"page_id":"PA124","page_number":"124","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e ( New York : Pocket Books , 1966 ) , 158 . 19. Bernard Malamud , The Fixer ( New York : Farrar , Straus and Giroux , 1966 ) , 7 ; Lawrence , Dance with Demons , 338 . 20. Ronald Sanders , \u0026quot; The American Popular Song\u0026nbsp;..."},{"page_id":"PA297","page_number":"297","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e alienation of modernity , 250 Allen , Woody , 12 All - of - a - Kind Family ( Taylor ) , 219 Allport , Gordon , 225 Alter , Robert , 4 , 214 Altmann , Alexander , 201 American Hebrew , 29 American Heritage Haggadah\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=2EXMH9rxlQoC\u0026pg=PA297\u0026vq=fiddler+on+the+roof"},{"page_id":"PA300","page_number":"300","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e ( Stein , Harnick , and Bock ) , 14 ; adaptation of Tevye stories , 115-118 ; criticism of adaptation , 105-107 , 113-114 , 118- 121 ; earlier adaptations and , 114– 115 , 117-118 ; enduring value of , 121-122\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=2EXMH9rxlQoC\u0026pg=PA300\u0026vq=fiddler+on+the+roof"},{"page_id":"PA301","page_number":"301","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e , 105-106 , 108 ; Margin of Hope , 211 ; World of Our Fathers , 16 , 210-220 Howells , William D. , 27 How to Be a Index 301.","page_url":"https://books.google.com.sg/books?id=2EXMH9rxlQoC\u0026pg=PA301\u0026vq=fiddler+on+the+roof"},{"page_id":"PA302","page_number":"302","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e , 116-117 ; Herberg\u0026#39;s religious endogamy and , 265 ; rabbinical opposition to , 151–152 , 157n.15 ; rate of , 19n.17 , 152 , 158nn.16 , 18 Iser , Wolfgang , 77 Israel , Abraham , 283 Israel Passover Haggadah ( Kasher )\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=2EXMH9rxlQoC\u0026pg=PA302\u0026vq=fiddler+on+the+roof"},{"page_id":"PA306","page_number":"306","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e , 106 ; penis fixation of , 76 ; resistance to essential identity , 86 ; sexuality in works of , 80-81 ; works : American Pastoral , 78 ; The Anatomy Lesson , 106 ; Goodbye , Columbus , 8 , 47 , 57 , 191 ; The Human\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=2EXMH9rxlQoC\u0026pg=PA306\u0026vq=fiddler+on+the+roof"},{"page_id":"PA307","page_number":"307","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e , 112 ; Kaplan\u0026#39;s bet am and , 252–253 Shulsinger Haggadot , 282 Shylock image , 63-64 Silver , Harold , 70 Silver , Joan Micklin , 219 Silverman , Morris , 284-285 Simon , Maurice , 283 , 284 Singer , Isaac Bashevis\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=2EXMH9rxlQoC\u0026pg=PA307\u0026vq=fiddler+on+the+roof"},{"page_id":"PT6","snippet_text":"... \u003cb\u003eFiddler on the Roof\u003c/b\u003e , and Irving Howe\u0026#39;s World of Our Fathers , are already widely acknowledged components of the American Jewish studies canon . Others - such as Bridget Loves Bernie , infamous for the hostile reception it received\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=2EXMH9rxlQoC\u0026pg=PT6\u0026vq=fiddler+on+the+roof"}],"search_query_escaped":"fiddler on the roof"},{});</script></div></div></div><script>(function() {var href = window.location.href;if (href.indexOf('?') !== -1) {var parameters = href.split('?')[1].split('&');for (var i = 0; i < parameters.length; i++) {var param = parameters[i].split('=');if (param[0] == 'focus') {var elem = document.getElementById(param[1]);if (elem) {elem.focus();}}}}})();</script>