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<h1 id="firstHeading" class="firstHeading mw-first-heading"><i>La damnation de Faust</i> (Georg Solti recording)</h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="This article exist only in this language. 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<div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">1982 studio album by Georg Solti</div><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul 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li{margin-bottom:0}</style><style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vevent haudio"><tbody><tr><th colspan="2" class="infobox-above summary album" style="font-style: italic; color: inherit; background-color: lightsteelblue; font-size: 125%;">La damnation de Faust</th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:La_damnation_de_faust_(Solti).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/d/de/La_damnation_de_faust_%28Solti%29.jpg/220px-La_damnation_de_faust_%28Solti%29.jpg" decoding="async" width="220" height="220" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/d/de/La_damnation_de_faust_%28Solti%29.jpg 1.5x" data-file-width="316" data-file-height="316" /></a></span><div class="infobox-caption">Decca CD: 414 680 2</div></td></tr><tr><th colspan="2" class="infobox-header description" style="color: #202122;background-color: lightsteelblue"><a href="/wiki/Album" title="Album">Studio album</a> by <div class="contributor" style="display:inline">Georg Solti</div></th></tr><tr><th scope="row" class="infobox-label">Released</th><td class="infobox-data published">1982</td></tr><tr><th scope="row" class="infobox-label">Studio</th><td class="infobox-data plainlist">Medinah Temple, Chicago</td></tr><tr><th scope="row" class="infobox-label"><a href="/wiki/Music_genre" title="Music genre">Genre</a></th><td class="infobox-data category hlist">Classical vocal</td></tr><tr><th scope="row" class="infobox-label">Length</th><td class="infobox-data"><span class="duration"><span class="min">126</span>:<span class="s">55</span></span></td></tr><tr><th scope="row" class="infobox-label">Language</th><td class="infobox-data category">French, Latin and Infernal</td></tr><tr><th scope="row" class="infobox-label"><a href="/wiki/Record_label" title="Record label">Label</a></th><td class="infobox-data hlist">Decca</td></tr><tr><th scope="row" class="infobox-label"><a href="/wiki/Record_producer" title="Record producer">Producer</a></th><td class="infobox-data hlist">James Mallinson</td></tr><tr><td colspan="2" class="infobox-below"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1257001546"></td></tr><tr><th colspan="2" class="infobox-header" style="background: lightsteelblue"><i>La damnation de Faust</i></th></tr><tr><td colspan="2" class="infobox-full-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1257001546"></td></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:La_damnation_de_Faust_Solti_French_CD.jpg" class="mw-file-description" title="Decca Opéra Rouge CD: 455 826 2"><img alt="Decca Opéra Rouge CD: 455 826 2" src="//upload.wikimedia.org/wikipedia/en/thumb/d/d8/La_damnation_de_Faust_Solti_French_CD.jpg/220px-La_damnation_de_Faust_Solti_French_CD.jpg" decoding="async" width="220" height="220" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/d/d8/La_damnation_de_Faust_Solti_French_CD.jpg 1.5x" data-file-width="300" data-file-height="300" /></a></span><div class="infobox-caption">Decca Opéra Rouge CD: 455 826 2</div></td></tr><tr style="display:none"><td colspan="2"> </td></tr><tr style="display:none"><td colspan="2"> </td></tr></tbody></table> <p><i><b>La damnation de Faust</b></i> is a 126-minute studio album of <a href="/wiki/Hector_Berlioz" title="Hector Berlioz">Hector Berlioz</a>'s <i>légende dramatique</i>, performed by <a href="/wiki/Jos%C3%A9_van_Dam" title="José van Dam">José van Dam</a>, Malcolm King, <a href="/wiki/Kenneth_Riegel" title="Kenneth Riegel">Kenneth Riegel</a>, <a href="/wiki/Frederica_von_Stade" title="Frederica von Stade">Frederica von Stade</a> and the <a href="/wiki/Chicago_Symphony_Orchestra" title="Chicago Symphony Orchestra">Chicago Symphony Orchestra</a> and <a href="/wiki/Chicago_Symphony_Chorus" title="Chicago Symphony Chorus">Chorus</a> under the direction of <a href="/wiki/Georg_Solti" title="Georg Solti">Georg Solti</a>. It was released in 1982.<sup id="cite_ref-d_1-0" class="reference"><a href="#cite_note-d-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Recording">Recording</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=La_damnation_de_Faust_(Georg_Solti_recording)&action=edit&section=1" title="Edit section: Recording"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The album was digitally recorded in May 1981 in the <a href="/wiki/Medinah_Temple" title="Medinah Temple">Medinah Temple</a>, Chicago.<sup id="cite_ref-d_1-1" class="reference"><a href="#cite_note-d-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Packaging">Packaging</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=La_damnation_de_Faust_(Georg_Solti_recording)&action=edit&section=2" title="Edit section: Packaging"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The cover art shared by the LP, cassette and CD editions of the album when it was first released is <i>Faust and Méphistophélès</i> by <a href="/wiki/Eug%C3%A8ne_Delacroix" title="Eugène Delacroix">Ferdinand Victor Eugène Delacroix</a> (1798-1863), a painting in the <a href="/wiki/Wallace_Collection" title="Wallace Collection">Wallace Collection</a>, London.<sup id="cite_ref-d_1-2" class="reference"><a href="#cite_note-d-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Critical_reception">Critical reception</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=La_damnation_de_Faust_(Georg_Solti_recording)&action=edit&section=3" title="Edit section: Critical reception"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Reviews">Reviews</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=La_damnation_de_Faust_(Georg_Solti_recording)&action=edit&section=4" title="Edit section: Reviews"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Gustave_Courbet_-_Portrait_of_Hector_Berlioz_-_WGA05492.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d3/Gustave_Courbet_-_Portrait_of_Hector_Berlioz_-_WGA05492.jpg/220px-Gustave_Courbet_-_Portrait_of_Hector_Berlioz_-_WGA05492.jpg" decoding="async" width="220" height="272" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d3/Gustave_Courbet_-_Portrait_of_Hector_Berlioz_-_WGA05492.jpg/330px-Gustave_Courbet_-_Portrait_of_Hector_Berlioz_-_WGA05492.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d3/Gustave_Courbet_-_Portrait_of_Hector_Berlioz_-_WGA05492.jpg/440px-Gustave_Courbet_-_Portrait_of_Hector_Berlioz_-_WGA05492.jpg 2x" data-file-width="1000" data-file-height="1238" /></a><figcaption>Hector Berlioz, painted by <a href="/wiki/Gustave_Courbet" title="Gustave Courbet">Gustave Courbet</a> in 1850</figcaption></figure> <p><a href="/wiki/Alan_Blyth" title="Alan Blyth">Alan Blyth</a> reviewed the album on LP in <i><a href="/wiki/Gramophone_(magazine)" title="Gramophone (magazine)">Gramophone</a></i> in May 1982, comparing it with earlier recordings of <i>La damnation de Faust</i> conducted by <a href="/wiki/Colin_Davis" title="Colin Davis">Colin Davis</a><sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> and <a href="/wiki/Daniel_Barenboim" title="Daniel Barenboim">Daniel Barenboim</a>.<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Frederica von Stade's Marguerite, he wrote, was sensibly phrased and sounded plausibly youthful, and her "Roi de Thule" was done "simply [and] sweetly". In her "D'amour l'ardente flamme", though, there was "a want of vocal warmth and a tendency to sound a shade mannered". Von Stade was better than Barenboim's <a href="/wiki/Yvonne_Minton" title="Yvonne Minton">Yvonne Minton</a>, who sang with an erratic tone and a lack of emotional engagement. But she was far outclassed by Davis's <a href="/wiki/Josephine_Veasey" title="Josephine Veasey">Josephine Veasey</a>, who had a surer grasp of Berliozian style and was "almost unbearably moving".<sup id="cite_ref-blyth_4-0" class="reference"><a href="#cite_note-blyth-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p><p>As Faust, Kenneth Riegel was more successful in his acting than in his vocalism. He was ardent in his Invocation, credible as a man on the brink of Hell and convincing in Faust's multifaceted romanticism, impetuosity and conflictedness. But his "lean" voice was less than pleasant, especially under stress, and he had formidable rivals in Davis's <a href="/wiki/Nicolai_Gedda" title="Nicolai Gedda">Nicolai Gedda</a> and Barenboim's effortless <a href="/wiki/Pl%C3%A1cido_Domingo" title="Plácido Domingo">Plácido Domingo</a>. The most impressive of Solti's soloists was José van Dam as Satan. Although his articulation was inferior to <a href="/wiki/Jules_Bastin" title="Jules Bastin">Jules Bastin</a>'s for Davis, he had the ideal timbre for the role and sang more beautifully than either the Belgian or Barenboim's "strained" <a href="/wiki/Dietrich_Fischer-Dieskau" title="Dietrich Fischer-Dieskau">Dietrich Fischer-Dieskau</a>. Whether imperious or insinuating, his Méphistophélès was compellingly cogent. Solti's chorus, likewise, was preferable to its competitors, outdoing them by a considerable margin. It was "more precise in attack, more refulgent in tone, more articulate in its enunciation, and it [characterized] peasants, students. <i>follets</i> and the rest with a keen ear for the appropriate timbre". Solti's Chicago Symphony Orchestra, however, although not inferior to Davis's <a href="/wiki/London_Symphony_Orchestra" title="London Symphony Orchestra">London Symphony Orchestra</a> or Barenboim's <a href="/wiki/Orchestre_de_Paris" title="Orchestre de Paris">Orchestre de Paris</a>, was not obviously better than them either.<sup id="cite_ref-blyth_4-1" class="reference"><a href="#cite_note-blyth-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p><p>The three conductors' own contributions to their albums were also hard to rank. Solti's reading tended to be "overtly operatic". He was triumphant in conjuring up "the empty glory and ... menace of war" in the Hungarian March and "the fever of the score's more energetic passages" in general, and he was on a par with Davis in his acid, ominous Evocation, in the trauma of Marguerite's Romance and in his "care over the peculiar timbre Berlioz [elicited] from his brass and wind". Where Davis excelled, with his special insight into Berlioz's musical personality, was in the "youthful, athletic vigour of his rhythms" and in his appreciation of the "electrifying originality of Berlioz's concept". Barenboim matched Davis in the feeling of yearning that he evoked at the beginning of Act 2, but, like Solti, was guilty of some injudicious tempos.<sup id="cite_ref-blyth_4-2" class="reference"><a href="#cite_note-blyth-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p><p>As far as engineering was concerned, the case for Solti's album was irresistible. "Batten down the hatches," Blyth wrote, "send your neighbours away on holiday, then take out this new version of <i>Damnation</i> to give your hi-fi an evening out. This is a recording of quite startling range and depth." Until he had heard Solti's discs, he would never have imagined that a recording of the work could give listeners such an overwhelming sense that they were experiencing Berlioz's music from a seat in the orchestra stalls. In sum, the collective strength of Davis's soloists gave his album a slight edge over Solti's as an interpretation, but the "sheer impact", "immediacy and presence" of Solti's entertaining and uplifting version were such that some listeners would prefer it.<sup id="cite_ref-blyth_4-3" class="reference"><a href="#cite_note-blyth-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Johann_Heinrich_Wilhelm_Tischbein_-_Goethe_in_der_roemischen_Campagna.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/4/44/Johann_Heinrich_Wilhelm_Tischbein_-_Goethe_in_der_roemischen_Campagna.jpg/250px-Johann_Heinrich_Wilhelm_Tischbein_-_Goethe_in_der_roemischen_Campagna.jpg" decoding="async" width="250" height="196" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/44/Johann_Heinrich_Wilhelm_Tischbein_-_Goethe_in_der_roemischen_Campagna.jpg/375px-Johann_Heinrich_Wilhelm_Tischbein_-_Goethe_in_der_roemischen_Campagna.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/44/Johann_Heinrich_Wilhelm_Tischbein_-_Goethe_in_der_roemischen_Campagna.jpg/500px-Johann_Heinrich_Wilhelm_Tischbein_-_Goethe_in_der_roemischen_Campagna.jpg 2x" data-file-width="2421" data-file-height="1902" /></a><figcaption>Johann Heinrich Wilhelm Tischbein's painting of Goethe on his tour of Italy</figcaption></figure> <p>John Rockwell reviewed the album on LP in <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i> on 27 June 1982. Frederica von Stade, he wrote, was a "heart-rending" Marguerite. Kenneth Riegel's voice sometimes sounded uncomfortable, and his name would not attract collectors in the way that Nicolai Gedda's or Plácido Domingo's would. But his Faust had to be "the performance of his lifetime thus far - direct, ardent, intelligent". José van Dam was a "chilling, godlike Méphistophélès". Both the chorus and the orchestra were superb. Georg Solti's conducting had often been accused of several misdemeanours - a neglect of minutiae, an inadequate grasp of the architecture of the most challenging works and a degree of anonymity. But in this instance, he had nothing to fear from comparisons with Colin Davis or Daniel Barenboim. His handling of Berlioz's "delicate, elfin" sections was "remarkable", and he invested the album's most thrilling passages with a Teutonic seriousness that was fitting for music inspired by Goethe. Decca's audio quality was sumptuous.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p><p><a href="/wiki/J._B._Steane" title="J. B. Steane">J. B. Steane</a> reviewed the album on LP in <i>Gramophone</i> in July 1982. "I'm afraid that once again", he wrote, "I was deaf to the faults of Frederica von Stade: the private, haunted tone of the Ballade and the tragic maturity of the Romance seemed to me things of very great beauty". Kenneth Riegel was a "vividly anxious" Faust with a voice that was undaunted by the challenges of the role's elevated <i>tessitura</i> even if its tone lacked the inherent loveliness of Plácido Domingo's. José van Dam's Méphistophélès was excellent too, and the Chicago Symphony Orchestra played with "sheer brilliance". Georg Solti's conducting was equally triumphant in every episode of Berlioz's narrative. Emotional passages were invested with a "sustained depth of feeling", solemn moments with a profundity that had rarely been rivalled and exciting scenes with a "sharpness of rhythm" and a "marvellously taut vitality". The album as a whole was a "tremendous energizer".<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> </p><p> Eric Salzman reviewed the album on LP in <i><a href="/wiki/Stereo_Review" class="mw-redirect" title="Stereo Review">Stereo Review</a></i> in December 1982. Frederica von Stade, he wrote, was "very subdued" in "Le roi de Thulé", but livened up in her subsequent duet and Romance. Kenneth Riegel's vocal limitations became impossible to overlook at one or two especially testing moments, but his portrait of Faust was "musical and passionate and [achieved] real heroic-tragic stature". José van Dam was the best of the soloists, delivering a straightforward Méphistophélès who was, however incongruously, sympathetic. All three singers were poor in their diction, presenting a "mealy-mouthed mumble" instead of accurate French. But the album as a whole was nevertheless at least as good as even the best of its predecessors. "It crackles! It insinuates! ... It flashes with colour and emotion. ... It has chills. Thrills. You'll laugh. You'll cry. What a story! ... What beauty! ... What music!! And it rejoiced in "dazzling, full-colour <a href="/wiki/Digital_recording" title="Digital recording">digital recording</a>, which [captured] every thrill and chill to perfection".<sup id="cite_ref-eric_7-0" class="reference"><a href="#cite_note-eric-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup></p><figure class="mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Medinah_temple_facade.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/6/61/Medinah_temple_facade.jpg/250px-Medinah_temple_facade.jpg" decoding="async" width="250" height="188" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/61/Medinah_temple_facade.jpg/375px-Medinah_temple_facade.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/61/Medinah_temple_facade.jpg/500px-Medinah_temple_facade.jpg 2x" data-file-width="2816" data-file-height="2112" /></a><figcaption>Part of Chicago's Medinah Temple's Moorish Revival façade</figcaption></figure> <p>Geoffrey Horn, an expert in high fidelity audio, reviewed the album in <i>Gramophone</i> in April 1984. Record collectors had come to expect exceptionally sound quality from albums that had been taped in Chicago's Medinah Temple, he wrote, and Georg Solti's <i>La damnation de Faust</i> would not disappoint them. The Chicago Symphony Chorus in particular had been recorded with a fidelity that was something to marvel at. Listening to the album was very like experiencing the work in a concert hall. The album's version of the Hungarian March would no doubt be used as a demonstration track by retailers wanting to show their customers what digital recording technology was now capable of.<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> </p><p>The Berlioz specialist John Warrack reviewed the album on CD in <i>Gramophone</i> in March 1990, comparing it to other versions conducted by Colin Davis<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> and Sir John Eliot Gardiner.<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> Frederica von Stade's Marguerite he thought "a touch on the operatic side" compared with Davis's Josephine Veasey's. Kenneth Riegel was not even within hailing distance of Davis's Nicolai Gedda as Faust. Georg Solti's José van Dam, though, was a better Méphistophélès than Davis's Jules Bastin. Solti's conducting was stimulating - he made the Hungarian March "a compulsively exhilarating experience" - but the price of his many thrills was that the score's "wonderful variety of mood and pace and colour" was not served as well as it should have been.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Accolades">Accolades</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=La_damnation_de_Faust_(Georg_Solti_recording)&action=edit&section=5" title="Edit section: Accolades"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The album was rated by <i>Stereo Review</i> as one of the best recordings of its month of issue.<sup id="cite_ref-eric_7-1" class="reference"><a href="#cite_note-eric-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> It was nominated for a <a href="/wiki/Grammy" class="mw-redirect" title="Grammy">Grammy</a> award for the <a href="/wiki/Grammy_Award_for_Best_Classical_Album" title="Grammy Award for Best Classical Album">Best Classical Album</a> of <a href="/wiki/25th_Annual_Grammy_Awards" title="25th Annual Grammy Awards">1982</a>.<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> It won the Grammy award for <a href="/wiki/Grammy_Award_for_Best_Choral_Performance" title="Grammy Award for Best Choral Performance">Best Choral Performance (other than opera)</a> in the same year.<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> Additionally, the album received the 1982 <a href="/wiki/Grand_Prix_du_disque" class="mw-redirect" title="Grand Prix du disque">Grand Prix du Disque</a> for Choral Music.<sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Track_listing,_CD_1"><span id="Track_listing.2C_CD_1"></span>Track listing, CD 1</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=La_damnation_de_Faust_(Georg_Solti_recording)&action=edit&section=6" title="Edit section: Track listing, CD 1"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><b>Hector Berlioz</b> (1803-1869) </p><p><i><b><a href="/wiki/La_damnation_de_Faust" title="La damnation de Faust">La damnation de Faust</a></b></i> (Paris, 1846), with a text by Berlioz, <a href="/wiki/Almire_Gandonni%C3%A8re" title="Almire Gandonnière">Almire Gandonnière</a> and <a href="/wiki/G%C3%A9rard_de_Nerval" title="Gérard de Nerval">Gérard de Nerval</a>, after <a href="/wiki/Johann_Wolfgang_von_Goethe" title="Johann Wolfgang von Goethe">Johann Wolfgang von Goethe</a> </p><p><b>Part One: Plains of Hungary</b> </p><p>Scene 1 </p> <ul><li>1 (6:17) Introduction: "Le vieil hiver a fait place au printemps!" (Faust)</li></ul> <p>Scene 2 </p> <ul><li>2 (3:39) Ronde des paysans: "Les bergers quittent leurs trompeaux" (Faust, Chorus)</li></ul> <p>Scene 3 </p> <ul><li>3 (0:55) "Mais d'un éclat guerrier les campagnes se parent" (Faust)</li> <li>4 (4:47) Marche hongroise</li></ul> <p><b>Part Two: Northern Germany</b> </p><p>Scene 4 </p> <ul><li>5 (5:13) "Sans regrets j'ai quitté les riantes campagnes" (Faust)</li> <li>6 (7:39) Chant de la fête de Paques: "Christ vien de ressusciter" (Chorus, Faust)</li></ul> <p>Scene 5 </p> <ul><li>7 (2:18) "O pure émotion! Enfant du saint parvis!" (Méphistophélès, Faust)</li></ul> <p>Scene 6 </p> <ul><li>8 (0:25) "À boire encor! du vin" (Chorus, Méphistophélès)</li> <li>9 (2:16) Chœur de buveurs: "Oh! qu'il fait bon" (Chorus, Brander)</li> <li>!0 (2:16) Chanson de Brander: "Certain rat, dans une cuisine" (Brander, Chorus, Méphistophélès)</li> <li>11 (2:40) Fugue sur le thème de la chanson de Brander: "Amen" (Brander, Chorus, Méphistophélès)</li> <li>12 (3:53) Chanson de Méphistophélès: "Une puce gentile" (Méphistophélès, Chorus, Faust)</li></ul> <p>Scene 7 </p> <ul><li>13 (2:31) Air de Méphistophélès: "Voici des roses" (Méphistophélès)</li> <li>14 (6:18) Chœur de gnomes et de sylphs: "Dors! Dors! heureux Faust" (Chorus, Faust, Méphistophélès)</li> <li>15 (3:41) Ballet des sylphs (Faust, Méphistophélès)</li></ul> <p>Scene 8 </p> <ul><li>16 (1:30) Chœur des soldats: "Villes entourées de murs et remparts" (Chorus)</li> <li>17 (1:06) Chanson d'étudiants: "Jam nox stellate" (Chorus)</li> <li>18 (2:15) Chœur des soldats et chanson des étudiants (Chorus, Faust, Méphistophélès)<sup id="cite_ref-d_1-3" class="reference"><a href="#cite_note-d-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup></li></ul> <div class="mw-heading mw-heading2"><h2 id="Track_listing,_CD_2"><span id="Track_listing.2C_CD_2"></span>Track listing, CD 2</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=La_damnation_de_Faust_(Georg_Solti_recording)&action=edit&section=7" title="Edit section: Track listing, CD 2"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><b>Part Three: Marguerite's room</b> </p><p>Scene 9 </p> <ul><li>1 (1:07) Tambours et trompettes sonnant la retraite</li> <li>2 (5:18) Air de Faust: "Merci, doux crépuscule!" (Faust)</li></ul> <p>Scene 10 </p> <ul><li>3 (1:02) "Je l'entends" (Méphistophélès, Faust)</li></ul> <p>Scene 11 </p> <ul><li>4 (2:55) "Que l'air est étouffant!" (Marguerite)</li> <li>5 (4:50) Le roi de Thulé (chanson gothique): "Autrefois un roi de Thulé" (Marguerite)</li></ul> <p>Scene 12 </p> <ul><li>6 (2:04) Evocation: "Esprits des flammes inconstantes" (Méphistophélès)</li> <li>7 (5:48) Menuet des follets (Méphistophélès)</li> <li>8 (2:04) Sérénade de Méphistophélès et chœur de follets: "Devant la maison" (Méphistophélès, Chorus)</li></ul> <p>Scene 13 </p> <ul><li>9 (5:09) Duo: "Grands Dieux" (Marguerite, Faust)</li></ul> <p>Scene 14 </p> <ul><li>10 (5:04) Trio et chœur: "Allons, il est trop tard!" (Méphistophélès, Marguerite, Faust, Chorus)</li></ul> <p><b>Part Four: North Germany, the Abyss and Heaven</b> </p><p>Scene 15 </p> <ul><li>11 (10:44) Romance de Marguerite: "D'amour l'ardente flamme" (Marguerite, Chorus)</li></ul> <p>Scene 16 </p> <ul><li>12 (4:02) Invocation à la nature: "Nature immense, impénétrable et fière" (Faust)</li></ul> <p>Scene 17 </p> <ul><li>13 (3:04) Récitatif et chasse: "À la voûte azure" (Méphistophélès, Faust)</li></ul> <p>Scene 18 </p> <ul><li>14 (3:36) La course à l'abîme: "Dans mon cœur retentit sa voix" (Faust, Chorus, Méphistophélès)</li></ul> <p>Scene 19 </p> <ul><li>15 (4:01) Pandaemonium: "Ha! Irimiru Karabrao!" (Chorus, Méphistophélès)</li> <li>16 (1:11) Epilogue sur la terre: "Alors, l'enfer se tut" (Chorus)</li></ul> <p>Scene 20 </p> <ul><li>17 (5:13) Dans le ciel: "Laus! Laus! Hosanna! Hosanna!" (Chorus)<sup id="cite_ref-d_1-4" class="reference"><a href="#cite_note-d-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup></li></ul> <div class="mw-heading mw-heading2"><h2 id="Personnel">Personnel</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=La_damnation_de_Faust_(Georg_Solti_recording)&action=edit&section=8" title="Edit section: Personnel"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Sir_George_Solti_6_Allan_Allan_Warren.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/da/Sir_George_Solti_6_Allan_Allan_Warren.jpg/220px-Sir_George_Solti_6_Allan_Allan_Warren.jpg" decoding="async" width="220" height="299" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/da/Sir_George_Solti_6_Allan_Allan_Warren.jpg/330px-Sir_George_Solti_6_Allan_Allan_Warren.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/da/Sir_George_Solti_6_Allan_Allan_Warren.jpg/440px-Sir_George_Solti_6_Allan_Allan_Warren.jpg 2x" data-file-width="4132" data-file-height="5610" /></a><figcaption>Sir Georg Solti in 1975</figcaption></figure> <div class="mw-heading mw-heading3"><h3 id="Musical">Musical</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=La_damnation_de_Faust_(Georg_Solti_recording)&action=edit&section=9" title="Edit section: Musical"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Frederica von Stade (mezzo-soprano) as Marguerite, a young woman</li> <li>Kenneth Riegel (tenor) as Faust, an aging scholar</li> <li>José van Dam (bass) as Méphistophélès, the Devil disguised as a gentleman</li> <li>Malcolm King (bass) as Brander, a student</li> <li>Glen Ellyn Children's Chorus</li> <li>Chorus of the Chicago Symphony Orchestra</li> <li>Chicago Symphony Orchestra</li> <li>Margaret Hillis, chorus mistress</li> <li>Georg Solti (1912-1997), conductor<sup id="cite_ref-d_1-5" class="reference"><a href="#cite_note-d-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup></li></ul> <div class="mw-heading mw-heading3"><h3 id="Other">Other</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=La_damnation_de_Faust_(Georg_Solti_recording)&action=edit&section=10" title="Edit section: Other"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>James Mallinson, producer</li> <li>James Lock, engineer</li> <li>Simon Eadon, engineer<sup id="cite_ref-d_1-6" class="reference"><a href="#cite_note-d-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup></li></ul> <div class="mw-heading mw-heading2"><h2 id="Release_history">Release history</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=La_damnation_de_Faust_(Georg_Solti_recording)&action=edit&section=11" title="Edit section: Release history"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 1982, Decca and London released the album as a triple LP with a booklet of texts, translations and notes (catalogue numbers D259D3 in Europe and LDR 73007 in the US).<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> Decca also released the album on cassette (catalogue number Decca K259K32).<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> </p><p>In 1984, Decca and London released excerpts from the album on CD (catalogue number Decca and London 410 181-2) with a 36-page booklet of texts and translations.<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> In 1986, Decca and London released the entire album on CD (catalogue number Decca and London 414 680-2) with a 100-page booklet supplying texts, translations and notes by Hugh Macdonald.<sup id="cite_ref-d_1-7" class="reference"><a href="#cite_note-d-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> In 1996, London issued the album on CD in Japan (catalogue number London POCL 4123-4)<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> In 1997, Decca issued the album on CD in France on their Opéra Rouge label (catalogue number Decca 455 826-2).<sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=La_damnation_de_Faust_(Georg_Solti_recording)&action=edit&section=12" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-d-1"><span class="mw-cite-backlink">^ <a href="#cite_ref-d_1-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-d_1-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-d_1-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-d_1-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-d_1-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-d_1-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-d_1-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-d_1-7"><sup><i><b>h</b></i></sup></a></span> <span class="reference-text">Berlioz, Hector: <i>La damnation de Faust</i>, cond. Georg Solti, Decca and London CD 414 680 2, 1986</span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text">Berlioz, Hector: <i>La damnation de Faust</i>, cond. Colin Davis, Philips LP 6703 042</span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text">Berlioz, Hector: <i>La damnation de Faust</i>, cond. Daniel Barenboim, Deutsche Grammophon LP 2709 087</span> </li> <li id="cite_note-blyth-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-blyth_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-blyth_4-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-blyth_4-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-blyth_4-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text">Blyth, Alan: <i>Gramophone</i>, May 1982, p. 1508</span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFRockwell1982" class="citation news cs1">Rockwell, John (27 June 1982). <a rel="nofollow" class="external text" href="https://www.nytimes.com/1982/06/27/arts/recent-albums-champion-the-operas-of-berlioz.html">"Recent Albums Champion the Operas of Berlioz"</a>. <i>The New York Times</i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Recent+Albums+Champion+the+Operas+of+Berlioz&rft.date=1982-06-27&rft.aulast=Rockwell&rft.aufirst=John&rft_id=https%3A%2F%2Fwww.nytimes.com%2F1982%2F06%2F27%2Farts%2Frecent-albums-champion-the-operas-of-berlioz.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALa+damnation+de+Faust+%28Georg+Solti+recording%29" class="Z3988"></span></span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text">Steane, J. B.: <i>Gramophone</i>, July 1982, p. 116</span> </li> <li id="cite_note-eric-7"><span class="mw-cite-backlink">^ <a href="#cite_ref-eric_7-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-eric_7-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Salzman, Eric: <i>Stereo Review</i>, December 1982, p. 74</span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text">Horn, Geoffrey: <i>Gramophone</i>, April 1984, p. 1201</span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text">Berlioz, Hector: <i>La damnation de Faust</i>, cond. Colin Davis, Philips CD 416 395 2</span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text">Berlioz, Hector: <i>La damnation de Faust</i>, cond. John Eliot Gardiner, Philips CD 426 199 2</span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text">Warrack, John: <i>Gramophone</i>, March 1990, p. 1654</span> </li> <li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.grammy.com/grammys/artists/frederica-von-stade-0">"Frederica von Stade"</a>. 15 December 2020.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Frederica+von+Stade&rft.date=2020-12-15&rft_id=https%3A%2F%2Fwww.grammy.com%2Fgrammys%2Fartists%2Ffrederica-von-stade-0&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALa+damnation+de+Faust+%28Georg+Solti+recording%29" class="Z3988"></span></span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.grammy.com/awards/25th-annual-grammy-awards?cat=596">"25th Annual GRAMMY Awards"</a>. <i>www.grammy.com</i><span class="reference-accessdate">. Retrieved <span class="nowrap">2023-05-19</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=www.grammy.com&rft.atitle=25th+Annual+GRAMMY+Awards&rft_id=https%3A%2F%2Fwww.grammy.com%2Fawards%2F25th-annual-grammy-awards%3Fcat%3D596&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALa+damnation+de+Faust+%28Georg+Solti+recording%29" class="Z3988"></span></span> </li> <li id="cite_note-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-14">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFrazes_Hill2022" class="citation book cs1">Frazes Hill, Cheryl (2022). <i>Margaret Hillis: unsung pioneer</i>. Chicago: <a href="/wiki/GIA_Publications" title="GIA Publications">GIA Publications</a>. p. 492. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1622775996" title="Special:BookSources/978-1622775996"><bdi>978-1622775996</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/1285279323">1285279323</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Margaret+Hillis%3A+unsung+pioneer&rft.place=Chicago&rft.pages=492&rft.pub=GIA+Publications&rft.date=2022&rft_id=info%3Aoclcnum%2F1285279323&rft.isbn=978-1622775996&rft.aulast=Frazes+Hill&rft.aufirst=Cheryl&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALa+damnation+de+Faust+%28Georg+Solti+recording%29" class="Z3988"></span></span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text">Berlioz, Hector: <i>La damnation de Faust</i>, cond. Georg Solti, Decca LP D259D3, 1982</span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text">Berlioz, Hector: <i>La damnation de Faust</i>, cond. Georg Solti, London LP LDR 73007, 1982</span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text">Berlioz, Hector: <i>La damnation de Faust</i>, cond. Georg Solti, Decca MC K259K32, 1982</span> </li> <li id="cite_note-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-18">^</a></b></span> <span class="reference-text">Berlioz, Hector: <i>La damnation de Faust, excerpts</i>, cond. Georg Solti, Decca and London CD 410 181-2, 1984</span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text">Berlioz, Hector: <i>La damnation de Faust</i>, cond. Georg Solti, London CD POCL 4123-4, 1996</span> </li> <li id="cite_note-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-20">^</a></b></span> <span class="reference-text">Berlioz, Hector: <i>La damnation de Faust</i>, cond. Georg Solti, Decca Opéra Rouge CD 455 826-2, 1997</span> </li> </ol></div></div>    </div><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=La_damnation_de_Faust_(Georg_Solti_recording)&oldid=1211944684">https://en.wikipedia.org/w/index.php?title=La_damnation_de_Faust_(Georg_Solti_recording)&oldid=1211944684</a>"</div></div> <div id="catlinks" class="catlinks" data-mw="interface"><div id="mw-normal-catlinks" class="mw-normal-catlinks"><a href="/wiki/Help:Category" title="Help:Category">Categories</a>: <ul><li><a href="/wiki/Category:1980s_classical_albums" title="Category:1980s classical albums">1980s classical albums</a></li><li><a href="/wiki/Category:1982_albums" title="Category:1982 albums">1982 albums</a></li><li><a href="/wiki/Category:Decca_Records_albums" title="Category:Decca Records albums">Decca Records albums</a></li><li><a href="/wiki/Category:Hector_Berlioz" title="Category:Hector Berlioz">Hector Berlioz</a></li></ul></div><div id="mw-hidden-catlinks" class="mw-hidden-catlinks mw-hidden-cats-hidden">Hidden categories: <ul><li><a href="/wiki/Category:Articles_with_short_description" title="Category:Articles with short description">Articles with short description</a></li><li><a href="/wiki/Category:Short_description_is_different_from_Wikidata" title="Category:Short description is different from Wikidata">Short description is different from Wikidata</a></li><li><a href="/wiki/Category:Articles_with_hAudio_microformats" title="Category:Articles with hAudio microformats">Articles with hAudio microformats</a></li><li><a href="/wiki/Category:Album_articles_lacking_alt_text_for_covers" title="Category:Album articles lacking alt text for covers">Album articles lacking alt text for covers</a></li></ul></div></div> </div> </main> </div> <div class="mw-footer-container"> <footer id="footer" class="mw-footer" > <ul id="footer-info"> <li id="footer-info-lastmod"> This page was last edited on 5 March 2024, at 10:58<span class="anonymous-show"> (UTC)</span>.</li> <li id="footer-info-copyright">Text is available under the <a href="/wiki/Wikipedia:Text_of_the_Creative_Commons_Attribution-ShareAlike_4.0_International_License" title="Wikipedia:Text of the Creative Commons Attribution-ShareAlike 4.0 International License">Creative Commons Attribution-ShareAlike 4.0 License</a>; additional terms may apply. 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