JSTOR: Viewing Subject: Performing Arts

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href="/web/20210219125626/https://www.jstor.org/register?redirectUri=%2Fsubject%2Fperformingarts">Register</a> </div> </div> </div> </div> </nav> </header> <main id="content" class="content"> <div class="row" data-equalizer> <div class="small-12 xlarge-8 columns column-max-width" data-equalizer-watch> <div class="row"> <div class="small-12 columns"> <h1>Performing Arts</h1> <div class="row collapse mbxl"> <div class="columns small-12 xlarge-6"> <h2 class="medium-heading mbm">Search within Performing Arts:</h2> <form role="search" class="form-jstor basic-search-form" action="/web/20210219125626/https://www.jstor.org/action/doBasicSearch" method="GET"> <label for="q0" class="visuallyhidden pharos-label">Search within Performing Arts</label> <div class="input-group"> <input id="q0" title="Search Box" name="Query" type="text" class="input-group-field searchBox small" data-qa="search-within-discipline-box"> <div class="input-group-button"> <button type="submit" title="search button" class="button" data-sc="but click:search" data-qa="search-within-discipline-button"> <i class="icon-search" aria-label="Submit search"></i> </button> </div> </div> <input id="filter" type="hidden" name="filter" value="disc:performingarts-discipline"> </form> </div> </div> <ul class="tabs" id="subjectTabs" data-tabs> <li id="journal_tab" class="tabs-title is-active" tabindex="0"> <a href="#journal_tab_contents"> Journals </a> </li> <li id="book_tab" class="tabs-title" tabindex="0"> <a href="#book_tab_contents"> Books </a> </li> </ul> <div class="tabs-content notranslate" data-tabs-content="subjectTabs"> <div id="journal_tab_contents" class="tabs-panel ptn is-active"> <table id="journal" class="journal_table "> <thead> <tr> <th> 26 Journals in JSTOR </th> <th class="txtr"> Date Range </th> </tr> </thead> <tbody> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/asiantheatrej" data-itemtype="journal" data-content-id="j100750" data-content-id-type="jid"> Asian Theatre Journal </a> </td> <td class="txtr"> 1984 - 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/bomb" data-itemtype="journal" data-content-id="j50000530" data-content-id-type="jid"> BOMB </a> </td> <td class="txtr"> 1981 - 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/chiricu" data-itemtype="journal" data-content-id="j50016418" data-content-id-type="jid"> Chiricú Journal: Latina/o Literatures, Arts, and Cultures </a> </td> <td class="txtr"> 1976 - 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/comeperf" data-itemtype="journal" data-content-id="j50020282" data-content-id-type="jid"> Comedia Performance </a> </td> <td class="txtr"> 2004 - 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/comparativedrama" data-itemtype="journal" data-content-id="j50002253" data-content-id-type="jid"> Comparative Drama </a> </td> <td class="txtr"> 1967 - 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/corkreview" data-itemtype="journal" data-content-id="j50000928" data-content-id-type="jid"> The Cork Review </a> </td> <td class="txtr"> 1979 - 2000 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/dancechronicle" data-itemtype="journal" data-content-id="j100527" data-content-id-type="jid"> Dance Chronicle </a> </td> <td class="txtr"> 1977 - 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/danceresearchj" data-itemtype="journal" data-content-id="j100535" data-content-id-type="jid"> Dance Research Journal </a> </td> <td class="txtr"> 1974 - 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/cordnews" data-itemtype="journal" class="mlxl" data-content-id="j100721" data-content-id-type="jid"> CORD News </a> </td> <td class="txtr"> 1969 - 1974 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/dancresejsocidan" data-itemtype="journal" data-content-id="j100594" data-content-id-type="jid"> Dance Research: The Journal of the Society for Dance Research </a> </td> <td class="txtr"> 1983 - 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/earlytheatre" data-itemtype="journal" data-content-id="j50010511" data-content-id-type="jid"> Early Theatre </a> </td> <td class="txtr"> 1998 - 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/recoearlengldram" data-itemtype="journal" class="mlxl" data-content-id="j50010914" data-content-id-type="jid"> Records of Early English Drama </a> </td> <td class="txtr"> 1976 - 1997 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/ecumenica" data-itemtype="journal" data-content-id="j50020984" data-content-id-type="jid"> Ecumenica </a> </td> <td class="txtr"> 2008 - 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/bayljtheaperf" data-itemtype="journal" class="mlxl" data-content-id="j50020987" data-content-id-type="jid"> Baylor Journal of Theatre and Performance </a> </td> <td class="txtr"> 2004 - 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/eugeoneirevi" data-itemtype="journal" data-content-id="j50002247" data-content-id-type="jid"> The Eugene O'Neill Review </a> </td> <td class="txtr"> 1989 - 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/haropintrevi" data-itemtype="journal" data-content-id="j50019437" data-content-id-type="jid"> The Harold Pinter Review </a> </td> <td class="txtr"> 2017 - 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/histperf" data-itemtype="journal" data-content-id="j50020584" data-content-id-type="jid"> Historical Performance </a> </td> <td class="txtr"> 2018 - 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/ibsenewscomm" data-itemtype="journal" data-content-id="j50021445" data-content-id-type="jid"> Ibsen News and Comment </a> </td> <td class="txtr"> 1980 - 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/jazzeducreseprac" data-itemtype="journal" data-content-id="j50022343" data-content-id-type="jid"> Jazz Education in Research and Practice </a> </td> <td class="txtr"> 2020 - 2021 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/jbeckettstudies" data-itemtype="journal" data-content-id="j50020762" data-content-id-type="jid"> Journal of Beckett Studies </a> </td> <td class="txtr"> 1976 - 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/jfantarts" data-itemtype="journal" data-content-id="j50016676" data-content-id-type="jid"> Journal of the Fantastic in the Arts </a> </td> <td class="txtr"> 1988 - 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/lenavenjinte" data-itemtype="journal" data-content-id="j101409" data-content-id-type="jid"> Lenox Avenue: A Journal of Interarts Inquiry </a> </td> <td class="txtr"> 1995 - 1999 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/pajjperfart" data-itemtype="journal" data-content-id="j100951" data-content-id-type="jid"> PAJ: A Journal of Performance and Art </a> </td> <td class="txtr"> 1998 - 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/performingartsj" data-itemtype="journal" class="mlxl" data-content-id="j100736" data-content-id-type="jid"> Performing Arts Journal </a> </td> <td class="txtr"> 1976 - 1997 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/renadram1964" data-itemtype="journal" data-content-id="j50006490" data-content-id-type="jid"> Renaissance Drama </a> </td> <td class="txtr"> 1964 - 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/renadramreporese" data-itemtype="journal" class="mlxl" data-content-id="j50016023" data-content-id-type="jid"> Renaissance Drama, a Report on Research Opportunities </a> </td> <td class="txtr"> 1963 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/opporeserenadram" data-itemtype="journal" class="mlxl" data-content-id="j50015929" data-content-id-type="jid"> Opportunities for Research in Renaissance Drama </a> </td> <td class="txtr"> 1958 - 1959 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/renadram" data-itemtype="journal" class="mlxl" data-content-id="j50015930" data-content-id-type="jid"> Renaissance Drama (1956-1957) </a> </td> <td class="txtr"> 1956 - 1957 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/opresrendrashake" data-itemtype="journal" class="mlxl" data-content-id="j50015931" data-content-id-type="jid"> Opportunities for Research in Renaissance Drama (Exclusive of Shakespeare) </a> </td> <td class="txtr"> 1955 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/shakquar" data-itemtype="journal" data-content-id="j100360" data-content-id-type="jid"> Shakespeare Quarterly </a> </td> <td class="txtr"> 1950 - 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/shakassobull" data-itemtype="journal" class="mlxl" data-content-id="j50009590" data-content-id-type="jid"> The Shakespeare Association Bulletin </a> </td> <td class="txtr"> 1924 - 1949 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/tavmusiartssoci" data-itemtype="journal" data-content-id="j50009670" data-content-id-type="jid"> Tav+: Music, Arts, Society / תו+: מוסיקה, אמנויות, חברה </a> </td> <td class="txtr"> 2003 - 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/tdr1988" data-itemtype="journal" data-content-id="j100870" data-content-id-type="jid"> TDR (1988-) </a> </td> <td class="txtr"> 1988 - 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/dramareviewtdr" data-itemtype="journal" class="mlxl" data-content-id="j100135" data-content-id-type="jid"> The Drama Review: TDR </a> </td> <td class="txtr"> 1968 - 1987 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/tdr19671968" data-itemtype="journal" class="mlxl" data-content-id="j100617" data-content-id-type="jid"> TDR (1967-1968) </a> </td> <td class="txtr"> 1967 - 1968 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/tuladramrevi" data-itemtype="journal" class="mlxl" data-content-id="j100782" data-content-id-type="jid"> The Tulane Drama Review </a> </td> <td class="txtr"> 1957 - 1967 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/carldramrevi" data-itemtype="journal" class="mlxl" data-content-id="j100544" data-content-id-type="jid"> The Carleton Drama Review </a> </td> <td class="txtr"> 1955 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/carldrambull" data-itemtype="journal" class="mlxl" data-content-id="j50011496" data-content-id-type="jid"> The Carleton Drama Bulletin </a> </td> <td class="txtr"> 1949 - 1954 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/theatreireland" data-itemtype="journal" data-content-id="j50000299" data-content-id-type="jid"> Theatre Ireland </a> </td> <td class="txtr"> 1982 - 1993 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/theatrej" data-itemtype="journal" data-content-id="j100575" data-content-id-type="jid"> Theatre Journal </a> </td> <td class="txtr"> 1979 - 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/journal/eductheaj" data-itemtype="journal" class="mlxl" data-content-id="j100147" data-content-id-type="jid"> Educational Theatre Journal </a> </td> <td class="txtr"> 1949 - 1978 </td> </tr> </tbody> </table> </div> <div id="book_tab_contents" class="tabs-panel ptn"> <table id="book" class="book_table "> <thead> <tr> <th> 1472 Books in JSTOR </th> <th class="txtr"> Copyright Date </th> </tr> </thead> <tbody> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hj9rm" data-itemtype="book" data-content-id="0878b20b-d55e-3215-b729-ba6f3d7c6b75" data-content-id-type="bid"> 21st-Century Hollywood: Movies in the Era of Transformation</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt1g052r5" data-itemtype="book" data-content-id="93701b95-6b06-3ac3-a518-4f2f63280f83" data-content-id-type="bid"> Abbas Kiarostami and Film-Philosophy</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctv80c9w4" data-itemtype="book" data-content-id="be92b8d8-c073-3bf1-bce6-c2ec03213fb6" data-content-id-type="bid"> Abbas Kiarostami: Expanded Second Edition</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2005r94" data-itemtype="book" data-content-id="9269ced8-8fc6-349f-8bd1-3c12e3ff950d" data-content-id-type="bid"> Abidjan USA: Music, Dance, and Mobility in the Lives of Four Ivorian Immigrants</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt24hxj5" data-itemtype="book" data-content-id="e5afdcf3-8df3-3f02-9978-e7ef694edaf7" data-content-id-type="bid"> Abraham Polonsky: Interviews</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.3704364" data-itemtype="book" data-content-id="e0ba13db-2ab1-3a6b-a379-22e010b3f40a" data-content-id-type="bid"> Acting in Real Time</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.14678" data-itemtype="book" data-content-id="258cf519-13c2-36bf-be9f-76e09cd8632d" data-content-id-type="bid"> Acting Like Men: Gender, Drama, and Nostalgia in Ancient Greece</a> </td> <td class="txtr"> 1998 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt19jch2h" data-itemtype="book" data-content-id="dededdf1-1faf-3cdd-99a6-219c3ab640e3" data-content-id-type="bid"> Acting</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvvn2fq" data-itemtype="book" data-content-id="8cf0ec66-08c4-39d3-901b-c416f375bf30" data-content-id-type="bid"> Acting the Right Part: Political Theater and Popular Drama in Contemporary China</a> </td> <td class="txtr"> 2002 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt21pxmd8" data-itemtype="book" data-content-id="e5eca7bd-e7fa-3675-85b0-b53b137b3f6a" data-content-id-type="bid"> Acting Together I: Performance and the Creative Transformation of Conflict: Resistance and Reconciliation in Regions of Violence</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt21pxmtg" data-itemtype="book" data-content-id="d9d1ef5c-e14b-3984-b9aa-2504a3d5fc82" data-content-id-type="bid"> Acting Together II: Performance and the Creative Transformation of Conflict: Building Just and Inclusive Communities</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.cttttgrz" data-itemtype="book" data-content-id="37755a93-49e9-3382-b2b5-c3c673b07dae" data-content-id-type="bid"> Active Radio: Pacifica’s Brash Experiment</a> </td> <td class="txtr"> 1999 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt130j8c4" data-itemtype="book" data-content-id="cdfbb402-51f4-3ffe-a4f2-0a8d1eb35a9c" data-content-id-type="bid"> Actors, Audiences, and Historic Theaters of Kentucky</a> </td> <td class="txtr"> 2000 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv5npj13" data-itemtype="book" data-content-id="abf007e5-08d8-32ef-85cb-9c24ea6a14f8" data-content-id-type="bid"> Acts and apparitions: Discourses on the real in performance practice and theory, 1990–2010</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.17085" data-itemtype="book" data-content-id="dcf4b247-e9aa-3f6f-a2c2-a64c890d125f" data-content-id-type="bid"> Acts of Authority/Acts of Resistance: Theater and Politics in Colonial and Postcolonial India</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.4652985" data-itemtype="book" data-content-id="2ff885a6-6e4e-36d9-a59c-0e0826554cc9" data-content-id-type="bid"> Acts of Conspicuous Compassion: Performance Culture and American Charity Practices</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.4845841" data-itemtype="book" data-content-id="10034db4-fee9-3512-a6ec-3af4cf5c7e7f" data-content-id-type="bid"> Acts of Gaiety: LGBT Performance and the Politics of Pleasure</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.6610419" data-itemtype="book" data-content-id="4a759bbb-4d9c-39a2-8d9e-92824a85eae0" data-content-id-type="bid"> Acts: Theater, Philosophy, and the Performing Self</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt7zv4v5" data-itemtype="book" data-content-id="e683adf5-a6c4-3446-9b8e-9d34c40c4c11" data-content-id-type="bid"> Aeschylus: The Suppliants: The Suppliants</a> </td> <td class="txtr"> 1991 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv47w6rb" data-itemtype="book" data-content-id="c2618ffe-58aa-351b-adc9-6ba016f206c3" data-content-id-type="bid"> Aesthetic Citizenship: Immigration and Theater in Twenty-First-Century Paris</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv9hvqnz" data-itemtype="book" data-content-id="289c5d4b-9f78-3526-a4e7-5db6764deb5c" data-content-id-type="bid"> Aesthetic Spaces: The Place of Art in Film</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.9209652" data-itemtype="book" data-content-id="64f6e2fb-1faa-3110-b956-3d9d645044be" data-content-id-type="bid"> Affect, Animals, and Autists: Feeling Around the Edges of the Human in Performance</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv128fp88" data-itemtype="book" data-content-id="1993b816-31c3-33c1-880e-9fcc8fd1c7b8" data-content-id-type="bid"> African American Arts: Activism, Aesthetics, and Futurity</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.14321/j.ctv11qdww1" data-itemtype="book" data-content-id="2a361ca4-fddf-397d-9b0d-0e2309b41239" data-content-id-type="bid"> African Diasporic Cinema: Aesthetics of Reconstruction</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11smtpg" data-itemtype="book" data-content-id="6301616f-9e96-3956-a53f-265b8ae3fd81" data-content-id-type="bid"> African Rhythms: The Autobiography of Randy Weston</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt1bh2mfk" data-itemtype="book" data-content-id="91785839-1241-3394-a2f8-60c3cce99046" data-content-id-type="bid"> African Theatre 10: Media and Performance</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvktrxj4" data-itemtype="book" data-content-id="ad8411cd-f2aa-3bba-8fec-4ed94e7e0837" data-content-id-type="bid"> African Theatre 18</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvnb7p5v" data-itemtype="book" data-content-id="65120b2b-527a-31af-90d8-ecbc704f6183" data-content-id-type="bid"> After '89: Polish theatre and the political</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvwcjfvw" data-itemtype="book" data-content-id="631a64bd-a493-3b62-bd96-decd7424ed26" data-content-id-type="bid"> After Authority: Global Art Cinema and Political Transition</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.7027630" data-itemtype="book" data-content-id="a5000b22-89bf-353a-acd9-62cced7e40d8" data-content-id-type="bid"> After Live: Possibility, Potentiality, and the Future of Performance</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/scri16864" data-itemtype="book" data-content-id="4f2001fa-3a9d-363e-87bd-f5bdda19206f" data-content-id-type="bid"> After the Red Army Faction: Gender, Culture, and Militancy</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt13x0jc0" data-itemtype="book" data-content-id="1f68299d-8c14-3123-b596-499904ee5060" data-content-id-type="bid"> Agency and Embodiment</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2tvpbv" data-itemtype="book" data-content-id="45acd2aa-c87a-364c-8e0e-1474478ba357" data-content-id-type="bid"> Agnès Varda: Interviews</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2tvjqc" data-itemtype="book" data-content-id="d3d0511f-3c0d-3977-b449-c67a10495e51" data-content-id-type="bid"> Ain't That a Knee-Slapper: Rural Comedy in the Twentieth Century</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt2ttbgw" data-itemtype="book" data-content-id="5d08d228-45b5-3a4b-ba96-b435e0246243" data-content-id-type="bid"> Air Castle of the South: WSM and the Making of Music City</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2tvnht" data-itemtype="book" data-content-id="73b3f287-ec28-3930-9077-f2e0d3999977" data-content-id-type="bid"> Alan Ball: Conversations</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt155j75c" data-itemtype="book" data-content-id="0bc7f26f-53bc-3e6a-92ad-5c7527963b63" data-content-id-type="bid"> Alan Clarke</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt18kr467" data-itemtype="book" data-content-id="ca09a3a0-948c-3eb0-9f7d-519a11250206" data-content-id-type="bid"> Albert Capellani: Pioneer of the Silent Screen</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt1xcfk3" data-itemtype="book" data-content-id="ff7fd1fc-a922-3be2-905e-da1143cd9f76" data-content-id-type="bid"> Albert Maysles</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qhmkg" data-itemtype="book" data-content-id="66557fa2-07a3-34f8-b08e-bfc6dfd56394" data-content-id-type="bid"> Alexander Payne: Interviews</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1gk08f6" data-itemtype="book" data-content-id="c2cb6332-4454-317b-b6c6-bc61f69d5b21" data-content-id-type="bid"> Alienation Effects: Performance and Self-Management in Yugoslavia, 1945-91</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt7smgs" data-itemtype="book" data-content-id="dc74e0dd-9308-343d-b2e2-84747f438fd7" data-content-id-type="bid"> All the News That's Fit to Sell: How the Market Transforms Information into News</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctv2n7mpr" data-itemtype="book" data-content-id="0efbca63-9be2-31e6-a60f-3378374f3b83" data-content-id-type="bid"> All Theater Is Revolutionary Theater</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11smsmz" data-itemtype="book" data-content-id="49731d05-a61f-310f-98ac-ba997e30754a" data-content-id-type="bid"> Always More Than One: Individuation's Dance</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7560/745179" data-itemtype="book" data-content-id="cf6d3559-141e-300e-9269-6f0c8d11bb22" data-content-id-type="bid"> Amazon Town TV: An Audience Ethnography in Gurupá, Brazil</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvf3w51b" data-itemtype="book" data-content-id="d8b6254d-f070-3ea0-a8b2-2f252145a205" data-content-id-type="bid"> America, As Seen on TV: How Television Shapes Immigrant Expectations around the Globe</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvd7w7gp" data-itemtype="book" data-content-id="535f41c7-f629-3603-9f84-4a2728b82a14" data-content-id-type="bid"> America in the Round: Capital, Race, and Nation at Washington D.C.'s Arena Stage</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hhz03" data-itemtype="book" data-content-id="767062ce-1266-3d9c-8c8c-f9eebdf24622" data-content-id-type="bid"> American Cinema 1890-1909: Themes and Variations</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hj3fk" data-itemtype="book" data-content-id="196dc031-9496-329f-bff4-a02c9e014450" data-content-id-type="bid"> American Cinema of the 1910s: Themes and Variations</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hj6fx" data-itemtype="book" data-content-id="b7a6c0d8-baf3-31f6-b584-7b73cba90271" data-content-id-type="bid"> American Cinema of the 1990s: Themes and Variations</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv3f8rvf" data-itemtype="book" data-content-id="8cfdc77b-94f7-3a76-93b0-328e1a97ba52" data-content-id-type="bid"> The American Negro Theatre and the Long Civil RIghts Era</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5vm5k1" data-itemtype="book" data-content-id="d3f56108-6c72-32b5-b46c-58efc160d8ba" data-content-id-type="bid"> The American Play: 1787-2000</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20q2069" data-itemtype="book" data-content-id="82ac252e-d4e3-3946-b971-b1a90fcc6f56" data-content-id-type="bid"> American Theater in the Culture of the Cold War: Producing and Contesting Containment, 1947-1962</a> </td> <td class="txtr"> 2003 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.2645266" data-itemtype="book" data-content-id="5fa84119-0748-338f-9da0-2ab5f723f83c" data-content-id-type="bid"> America's Japan and Japan's Performing Arts: Cultural Mobility and Exchange in New York, 1952-2011</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvk3gp2z" data-itemtype="book" data-content-id="48bfaa10-e1b4-347a-b9a1-79e9fe0be8b2" data-content-id-type="bid"> America’s Most Famous Catholic (According to Himself): Stephen Colbert and American Religion in the Twenty-First Century</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1t88v4d" data-itemtype="book" data-content-id="70737046-13f4-35c2-850b-d5c30d4885dc" data-content-id-type="bid"> Aminta: A Pastoral Play</a> </td> <td class="txtr"> 2000 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.1525/j.ctt1c3snrj" data-itemtype="book" data-content-id="cbd07d82-368b-3188-9908-dec2011d669f" data-content-id-type="bid"> Anatomy of Sound: Norman Corwin and Media Authorship</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt1tqxtcf" data-itemtype="book" data-content-id="34c04afe-d44e-36c8-9c67-ea301f71bb7b" data-content-id-type="bid"> Ancient Greece on British Television</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctv7h0vnq" data-itemtype="book" data-content-id="99e52f20-58e2-3f87-ab15-4b9a0c412e34" data-content-id-type="bid"> Ancient Greek History and Contemporary Social Science</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt7zvs9z" data-itemtype="book" data-content-id="6cf79aeb-c925-3ae4-8759-ede7d808cde8" data-content-id-type="bid"> Ancient Scripts and Modern Experience on the English Stage, 1500-1700</a> </td> <td class="txtr"> 1988 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt20p56mb" data-itemtype="book" data-content-id="a2553c49-2f98-3ef1-913d-575440cc9be3" data-content-id-type="bid"> And the Shark, He Has Teeth: A Theater Producer's Notes</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.1525/j.ctt7zw302" data-itemtype="book" data-content-id="2a0a0a1d-dce7-3d07-a9e3-1bc10dd3e730" data-content-id-type="bid"> Andre Bazin's New Media</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt155j6h2" data-itemtype="book" data-content-id="53c69bc1-0adc-3fe5-93b9-ee602be9163b" data-content-id-type="bid"> André Téchiné</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qdfmg" data-itemtype="book" data-content-id="d494ba8e-8f14-3798-b4ec-3b99af49943e" data-content-id-type="bid"> Andrzej Wajda: History, Politics & Nostalgia In Polish Cinema</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.ctttsxdg" data-itemtype="book" data-content-id="97f1ddc5-94da-31f7-9122-f8cac010923f" data-content-id-type="bid"> Andy Kaufman: Wrestling with the American Dream</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvnjbfn0" data-itemtype="book" data-content-id="1dfec99b-b96b-31c3-97e8-7ca39e47ddf0" data-content-id-type="bid"> Animal Acts: Performing Species Today</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hj80j" data-itemtype="book" data-content-id="bb0b123b-71ea-39f8-9062-c2108c0c37ab" data-content-id-type="bid"> The Animated Bestiary: Animals, Cartoons, and Culture</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv7r42kr" data-itemtype="book" data-content-id="abde98e9-4678-35c2-b1a5-18804963aa35" data-content-id-type="bid"> Animated Encounters: Transnational Movements of Chinese Animation, 1940s–1970s</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt22p7j2j" data-itemtype="book" data-content-id="4d503542-add0-3284-b4c2-06931c23af2e" data-content-id-type="bid"> Animated Worlds</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11sn1f6" data-itemtype="book" data-content-id="71a1f247-37a5-351e-b7af-9a6adb68225d" data-content-id-type="bid"> Animating Film Theory</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvx5w9nd" data-itemtype="book" data-content-id="eab14528-8777-388d-86e4-d89391c938a7" data-content-id-type="bid"> Animating the Spirited: Journeys and Transformations</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt16gz6nm" data-itemtype="book" data-content-id="66b98d8a-6fdb-327c-ade3-bb520bb2e1b4" data-content-id-type="bid"> Animation: Art and Industry</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.ctt21c4stv" data-itemtype="book" data-content-id="f84a6bb8-ab73-386a-b432-9fc51582f4e2" data-content-id-type="bid"> The Anime Ecology: A Genealogy of Television, Animation, and Game Media</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.1525/j.ctt1pprbt" data-itemtype="book" data-content-id="c4d5c9f0-759b-33af-bf58-2a215565087a" data-content-id-type="bid"> Anna Halprin: Experience as Dance</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.373985" data-itemtype="book" data-content-id="14d60322-2ee6-3471-b1b9-184b5c2e20a9" data-content-id-type="bid"> Another Part of a Long Story: Literary Traces of Eugene O'Neill and Agnes Boulton</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt155jd5s" data-itemtype="book" data-content-id="97cc0374-a2f7-3476-9433-1c2ff615b11f" data-content-id-type="bid"> Anthony Asquith</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt24hvsn" data-itemtype="book" data-content-id="4d4b4d15-41e0-3474-a269-0005a789ce8f" data-content-id-type="bid"> Anthony Minghella: Interviews</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv2t49w8" data-itemtype="book" data-content-id="d4414532-4b3d-3a9e-b7d1-cb6ecbd9fd49" data-content-id-type="bid"> Antitheatricality and the Body Public</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1x07zfw" data-itemtype="book" data-content-id="06501826-f258-3ff3-8573-29fd7474f047" data-content-id-type="bid"> Antonine Maillet : Les trésors cachés - Our Hidden Treasures: Les trésors cachés - Our Hidden Treasures</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvqmp2g7" data-itemtype="book" data-content-id="821b19f2-5e4a-3780-9f6d-9c58d5fdf6e1" data-content-id-type="bid"> Antonio Pietrangeli, The Director of Women: Feminism and Film Theory in Postwar Italian Cinema</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt6wr5s9" data-itemtype="book" data-content-id="821aade1-8aac-3c25-a453-9f57ae7b04f4" data-content-id-type="bid"> Appalachian Dance: Creativity and Continuity in Six Communities</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvr33dcw" data-itemtype="book" data-content-id="ec743145-a2da-31a1-861a-47dcfcf56827" data-content-id-type="bid"> Aqui and Alla: Transnational Dominican Theater</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv47w22w" data-itemtype="book" data-content-id="f6e7137e-1398-3d02-9fee-156f76eddb8c" data-content-id-type="bid"> Architectural Involutions: Writing, Staging, and Building Space, c. 1435-1650</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11smgv7" data-itemtype="book" data-content-id="5af7c85d-9864-334e-85b1-689b6f4a5386" data-content-id-type="bid"> Ariel Dorfman: An Aesthetics of Hope</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv10tq4p6" data-itemtype="book" data-content-id="3a48c4f8-52ad-3a04-8ae2-6d071032625e" data-content-id-type="bid"> Aristophanes: Birds</a> </td> <td class="txtr"> 1988 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1228hm9" data-itemtype="book" data-content-id="5bc0a05f-7bfd-3e0d-9a70-76276346cad8" data-content-id-type="bid"> Aristophanes: Ecclesiazusae</a> </td> <td class="txtr"> 1998 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1228hb5" data-itemtype="book" data-content-id="a6ca92cd-6c69-36a5-8549-2da0d2e6dc0b" data-content-id-type="bid"> Aristophanes: Knights</a> </td> <td class="txtr"> 1981 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1228grw" data-itemtype="book" data-content-id="e9b2c49a-869e-3d0b-ba1c-f7d5be2788b5" data-content-id-type="bid"> Aristophanes: Wasps</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt14bt1bb" data-itemtype="book" data-content-id="217bbd90-73fa-31af-88d7-da025b3d676e" data-content-id-type="bid"> Art in Cinema: Documents Toward a History of the Film Society</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2005zgm" data-itemtype="book" data-content-id="3a1cf8f2-f325-3ade-8d43-a51e3ca7ff70" data-content-id-type="bid"> Art in Motion, Revised Edition: Animation Aesthetics</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvn96hg5" data-itemtype="book" data-content-id="ba536ffc-01e8-31b8-8a17-7bb1f0cc2727" data-content-id-type="bid"> The Art of Collectivity: Social Circus and the Cultural Politics of a Post-Neoliberal Vision</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1pwt9j0" data-itemtype="book" data-content-id="90320248-ae43-3161-ad21-c6918162deaa" data-content-id-type="bid"> The Art of Confession: The Performance of Self from Robert Lowell to Reality TV</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv941vvj" data-itemtype="book" data-content-id="19168bfc-7274-371f-9e76-d57c46cf55af" data-content-id-type="bid"> Art Rebels: Race, Class, and Gender in the Art of Miles Davis and Martin Scorsese</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.345778" data-itemtype="book" data-content-id="aa9addd9-3240-3be0-bdf1-aec330c37fb4" data-content-id-type="bid"> Artaud and His Doubles</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.17514" data-itemtype="book" data-content-id="826b164d-51ce-317a-a159-3de9a25ed0db" data-content-id-type="bid"> Arthur Miller's America: Theater and Culture in a Time of Change</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.264675" data-itemtype="book" data-content-id="bf114c2d-b688-3be2-a087-f2c268014a67" data-content-id-type="bid"> Arthur Miller's Global Theater</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt7zv789" data-itemtype="book" data-content-id="a3f44007-adaf-3448-9c8f-34c05ab88d21" data-content-id-type="bid"> Artist and Patron in Postwar Japan: Dance, Music, Theater, and the Visual Arts, 1955-1980</a> </td> <td class="txtr"> 1982 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7249/j.ctt3fgzkf" data-itemtype="book" data-content-id="bde8fcd6-9d38-325f-8834-8175635d824e" data-content-id-type="bid"> Artists and the Arab Uprisings</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv36zqcv" data-itemtype="book" data-content-id="74f79318-278f-3153-bc91-dfcf5a56c604" data-content-id-type="bid"> Artists in the Audience: Cults, Camp, and American Film Criticism</a> </td> <td class="txtr"> 1999 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.100352" data-itemtype="book" data-content-id="044058f1-90cf-3831-a83e-67790c2764cf" data-content-id-type="bid"> As If: An Autobiography</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvjhzqsj" data-itemtype="book" data-content-id="a5e2700e-9e35-3070-9d30-a5d769ec896a" data-content-id-type="bid"> As Seen on TV: The Visual Culture of Everyday Life in the 1950s</a> </td> <td class="txtr"> 1994 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv18b5hwp" data-itemtype="book" data-content-id="0469aca4-3f07-339e-92c3-a844f140a4b9" data-content-id-type="bid"> As You Like It</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20p5973" data-itemtype="book" data-content-id="dfe1af5f-c630-3b45-8963-b43ebc773320" data-content-id-type="bid"> Athenian Tragedy in Performance: A Guide to Contemporary Studies and Historical Debates</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20mvfbq" data-itemtype="book" data-content-id="69d7227d-90a1-33f9-87df-79e4865a8dd0" data-content-id-type="bid"> August Wilson: Completing the Twentieth-Century Cycle</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv6jmv7d" data-itemtype="book" data-content-id="ca92fac6-4cfd-36d4-8605-b01b64c933a1" data-content-id-type="bid"> Ausgewählte Studien zur Theaterwissenschaft Griechenlands und Südosteuropas</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv5qdhgc" data-itemtype="book" data-content-id="e1f035d7-69db-39f3-b8ab-e03cc5152eda" data-content-id-type="bid"> Australian Theatre, Modernism and Patrick White: Governing Culture</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.6144123" data-itemtype="book" data-content-id="7445c96f-d39d-3fef-9374-2f45bef914b1" data-content-id-type="bid"> The Avant-Garde and the Popular in Modern China: Tian Han and the Intersection of Performance and Politics</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv16x2bcf" data-itemtype="book" data-content-id="35350bbd-da21-33da-a217-d726c5d7f3a7" data-content-id-type="bid"> Avant-Garde Nationalism at the Dublin Gate Theatre, 1928-1940</a> </td> <td class="txtr"> 2021 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11g988s" data-itemtype="book" data-content-id="2e1e0216-fc54-3d51-9174-f1451ca22ed0" data-content-id-type="bid"> Babylon Girls: Black Women Performers and the Shaping of the Modern</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctv80cb20" data-itemtype="book" data-content-id="5d0781c6-a0d7-38d2-a1a3-dfeb65fe07ef" data-content-id-type="bid"> Back to the Dance Itself: Phenomenologies of the Body in Performance</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt13x0rcw" data-itemtype="book" data-content-id="9267c80f-a56e-34d1-805f-357df78381f1" data-content-id-type="bid"> Ballet and Opera in the Age of "Giselle"</a> </td> <td class="txtr"> 2000 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1nppc1" data-itemtype="book" data-content-id="18f0f19d-5145-3d60-a885-62aca21bb77b" data-content-id-type="bid"> Ballet's Magic Kingdom: Selected Writings on Dance in Russia, 1911-1925</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv47w7tr" data-itemtype="book" data-content-id="d5f68b13-290a-36c1-9097-652a120a0c28" data-content-id-type="bid"> Bannermen Tales (Zidishu): Manchu Storytelling and Cultural Hybridity in the Qing Dynasty</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv4cbh8h" data-itemtype="book" data-content-id="9f68f767-99db-36ec-866b-24fdd2b5479c" data-content-id-type="bid"> The Baroque Night</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1xp3mg2" data-itemtype="book" data-content-id="4d9bea0d-b21b-3c44-87d3-1770fd46609f" data-content-id-type="bid"> The Barter Theatre Story: Love Made Visible</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 1982 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt46n23s" data-itemtype="book" data-content-id="90772378-d870-3eeb-b0f9-beff84912ffd" data-content-id-type="bid"> Bastard Culture!: How User Participation Transforms Cultural Production</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hjdj2" data-itemtype="book" data-content-id="ac46e6f5-22b3-3180-9389-c7ad4f3fda1c" data-content-id-type="bid"> The Battle for the Bs: 1950s Hollywood and the Rebirth of Low-Budget Cinema</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.14321/j.ctv131bt3r" data-itemtype="book" data-content-id="7d7612ac-4b81-3f9f-931b-ebab00d5b8e8" data-content-id-type="bid"> The Beautiful Skin: Football, Fantasy, and Cinematic Bodies in Africa</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7560/716421" data-itemtype="book" data-content-id="bc653a7e-364d-3bb5-b778-85797281b14a" data-content-id-type="bid"> Beautiful TV: The Art and Argument of Ally McBeal</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.15933" data-itemtype="book" data-content-id="38f11981-06cf-3506-bf85-43e8c9633fae" data-content-id-type="bid"> A Beckett Canon</a> </td> <td class="txtr"> 2001 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctvxcrmmk" data-itemtype="book" data-content-id="2a111347-9a01-3504-8bcf-787ea250f6b1" data-content-id-type="bid"> The Beckett Critical Reader: Archives, Theories and Translations</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctvv415cb" data-itemtype="book" data-content-id="1ec42123-8520-3b2a-a723-0bac3f81e5cf" data-content-id-type="bid"> Beckett Writing Beckett: The Author in the Autograph</a> </td> <td class="txtr"> 1996 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5325/j.ctv1c5csfk" data-itemtype="book" data-content-id="ed7b1efb-d818-3d2a-9c11-461d9fff0042" data-content-id-type="bid"> Becoming Audible: Sounding Animality in Performance</a> </td> <td class="txtr"> 2021 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt130jthx" data-itemtype="book" data-content-id="b5f7258e-7364-3829-9386-272c978d1091" data-content-id-type="bid"> Becoming Beautiful: Ballroom Dance in the American Heartland</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5325/j.ctv14gpg56" data-itemtype="book" data-content-id="a8d082a8-17b1-3680-99ac-a4eb40cf1520" data-content-id-type="bid"> Becoming Centaur: Eighteenth-Century Masculinity and English Horsemanship</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvj7wmhg" data-itemtype="book" data-content-id="2d758d66-4e7f-3fec-925b-066e11832904" data-content-id-type="bid"> Becoming: Genre, Queerness, and Transformation in NBC’s Hannibal</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1g2490v" data-itemtype="book" data-content-id="47637be7-22b2-3a97-a186-8ed63823481a" data-content-id-type="bid"> Beethoven, A Life</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv180h41s" data-itemtype="book" data-content-id="86cfeb23-eedd-3bb3-80d9-a00821ec9f75" data-content-id-type="bid"> Beethoven: Der einsame Revolutionär</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt9qh945" data-itemtype="book" data-content-id="675615c6-0fde-312a-ab51-05ed7841bc73" data-content-id-type="bid"> Befriending the Commedia dell'Arte of Flaminio Scala: The Comic Scenarios</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt6wqqbs" data-itemtype="book" data-content-id="d6087109-3ae5-3e28-854a-dcd9bc6c1412" data-content-id-type="bid"> A Beggar's Art: Scripting Modernity in Japanese Drama, 1900-1930</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt1bh2j60" data-itemtype="book" data-content-id="92ce09f7-dac4-30af-8c53-71d38d5b7ee3" data-content-id-type="bid"> Ben-Hur: The Original Blockbuster</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt2ttt3v" data-itemtype="book" data-content-id="6c17fb2f-e9a1-395d-a8d1-713ebbb4a01c" data-content-id-type="bid"> Bennewitz, Goethe, 'Faust': German and Intercultural Stagings</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1168z4m" data-itemtype="book" data-content-id="e4daa88d-c3f8-3916-b0cb-29f7c2780f94" data-content-id-type="bid"> Bernini: Der Schöpfer des barocken Rom</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt81nm0" data-itemtype="book" data-content-id="887dd355-24e9-324b-b3fb-b5695a0d1d58" data-content-id-type="bid"> Bertolt Brecht's Dramatic Theory</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1zxxzvm" data-itemtype="book" data-content-id="aee842a1-6ee0-38c1-aaf3-f1ae1b002640" data-content-id-type="bid"> Beyond Bollywood and Broadway: Plays from the South Asian Diaspora</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt155j7j2" data-itemtype="book" data-content-id="c192bc39-594b-372b-932b-7eb1237aef6b" data-content-id-type="bid"> Beyond representation: Television drama and the politics and aesthetics of identity</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv131bws2" data-itemtype="book" data-content-id="4c43e7e7-0112-3ac9-ae8d-21194451341e" data-content-id-type="bid"> Beyond the Black and White TV: Asian and Latin American Spectacle in Cold War America</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2jcmkh" data-itemtype="book" data-content-id="ad3f6852-82f7-3668-aa30-973f54697697" data-content-id-type="bid"> Beyond the Epic: The Life and Films of David Lean</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctvfrxc43" data-itemtype="book" data-content-id="59798819-e90e-354d-b01b-2c8a9d43abdd" data-content-id-type="bid"> Bibliografia Tematica de Estudios sobre el Teatro Español Antiguo</a> </td> <td class="txtr"> 1966 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctv1c29snj" data-itemtype="book" data-content-id="f7b80e6a-a503-3ce5-9d44-b40c9faffb5a" data-content-id-type="bid"> Biopolitics, Materiality and Meaning in Modern European Drama</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv123x7jb" data-itemtype="book" data-content-id="9e185079-a626-3c70-ad2f-36b7ad64e11c" data-content-id-type="bid"> Birth of an Industry: Blackface Minstrelsy and the Rise of American Animation</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv47wbg8" data-itemtype="book" data-content-id="b2a4e3e0-deea-3559-8ba1-9b7b1e8e4077" data-content-id-type="bid"> The Birth of Theater from the Spirit of Philosophy: Nietzsche and the Modern Drama</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt130jgtr" data-itemtype="book" data-content-id="65da6571-7a9b-343b-b0bd-a4bdabe423ce" data-content-id-type="bid"> The Bizarre Careers of John R. Brinkley</a> </td> <td class="txtr"> 2002 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt81j88" data-itemtype="book" data-content-id="9ed50b92-2aa1-3af6-82eb-ef6a8def3eb7" data-content-id-type="bid"> The Bjorling Sound: A Recorded Legacy</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1134fs5" data-itemtype="book" data-content-id="165a92e2-3063-354c-a228-ca4cc301fabd" data-content-id-type="bid"> Black Arts West: Culture and Struggle in Postwar Los Angeles</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1pwtdkz" data-itemtype="book" data-content-id="6137ce65-1e7a-3337-ab41-41f7b15337a8" data-content-id-type="bid"> Black Movements: Performance and Cultural Politics</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11cvzpk" data-itemtype="book" data-content-id="a18edfae-82fb-3de7-8a51-334dfdd125f3" data-content-id-type="bid"> Black Performance Theory</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11318k9" data-itemtype="book" data-content-id="e15b6f41-e914-31e6-81da-5737e8f99ba1" data-content-id-type="bid"> Black Power TV</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt15zc833" data-itemtype="book" data-content-id="6dc1a22b-1b26-3ce8-80ce-7dafd9758b29" data-content-id-type="bid"> The Black Radical Tragic: Performance, Aesthetics, and the Unfinished Haitian Revolution</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt14bs6rh" data-itemtype="book" data-content-id="01ddd3de-97b0-34ca-915c-3f9744b0148d" data-content-id-type="bid"> Black Theatre: Ritual Performance In The African Diaspora</a> </td> <td class="txtr"> 2002 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv36zqw3" data-itemtype="book" data-content-id="358867ba-81ec-3eab-aa82-1b5bc284aba0" data-content-id-type="bid"> Black, White, and in Color: Television and Black Civil Rights</a> </td> <td class="txtr"> 2003 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11cw2mf" data-itemtype="book" data-content-id="6df3fddb-95c9-3901-8cff-cbe853b234af" data-content-id-type="bid"> Blacktino Queer Performance</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv15pk9xp" data-itemtype="book" data-content-id="f99ea96c-65c7-34af-a860-5ececd1b04fa" data-content-id-type="bid"> Bloody Tyrants and Little Pickles: Stage Roles of Anglo-American Girls in the Nineteenth Century</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1228gqc" data-itemtype="book" data-content-id="874eabef-4335-335b-b1da-4023d5aca9b9" data-content-id-type="bid"> Bluecoat, Liverpool: The UK's first arts centre</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qh46w" data-itemtype="book" data-content-id="893a9b00-ac33-3210-a046-7a452bce1560" data-content-id-type="bid"> Blue-Collar Broadway: The Craft and Industry of American Theater</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctvswx7tx" data-itemtype="book" data-content-id="027c773d-a0e9-3cc0-99b4-565c39f4afcc" data-content-id-type="bid"> Blues Before Sunrise 2: Interviews from the Chicago Scene</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt1xcg67" data-itemtype="book" data-content-id="5bd62aca-6a4f-392d-bc1f-c7cadd3c87ec" data-content-id-type="bid"> Blues Before Sunrise: The Radio Interviews</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctvpwhcwp" data-itemtype="book" data-content-id="5ed6632a-e853-373f-9847-0c72aa866229" data-content-id-type="bid"> Blues Legacy: Tradition and Innovation in Chicago</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1zxz1cs" data-itemtype="book" data-content-id="7578add5-bd70-3d3d-ab28-06e906cde682" data-content-id-type="bid"> Boats on the Marne: Jean Renoir's Critique of Modernity</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv15vwjbc" data-itemtype="book" data-content-id="09a2681d-09b6-3994-abc0-cc9c1218cd14" data-content-id-type="bid"> Bobby Braddock: A Life on Nashville’s Music Row</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.92455" data-itemtype="book" data-content-id="e56c5c2f-6a68-3e05-adda-b25e938d8b54" data-content-id-type="bid"> Bodies in Commotion: Disability and Performance</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv125jkz8" data-itemtype="book" data-content-id="0c4f38cd-21b1-344e-81dc-c3e2fd514fa9" data-content-id-type="bid"> Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qd2gm" data-itemtype="book" data-content-id="2dbe818f-e402-3b7e-8ace-7c7c4c61cd14" data-content-id-type="bid"> Bodies in Pain: Emotion and the Cinema of Darren Aronofsky</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv12sdvn4" data-itemtype="book" data-content-id="17969d48-c7bc-3637-833d-239b222eacaf" data-content-id-type="bid"> Bodies of Stone in the Media, Visual Culture and the Arts</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt1r2brj" data-itemtype="book" data-content-id="982c3f4c-9544-3834-92dd-8eb83310272f" data-content-id-type="bid"> Bollywood in the Age of New Media: The Geo-televisual Aesthetic</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5vk3xj" data-itemtype="book" data-content-id="f86f9d0e-a7bb-348f-bf8d-bf63d568803c" data-content-id-type="bid"> The Book of the Play: Playwrights, Stationers, and Readers in Early Modern England</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt13wwz4d" data-itemtype="book" data-content-id="cf209d16-469d-3ae4-92bf-018987bbf606" data-content-id-type="bid"> Boro, L'Île d'Amour: The Films of Walerian Borowczyk</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.19503" data-itemtype="book" data-content-id="f6c485d0-0b99-3c72-aa6a-b08462a54c7a" data-content-id-type="bid"> Boundaries of the Text: Epic Performances in South and Southeast Asia</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 1991 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2jc2cf" data-itemtype="book" data-content-id="7ce2734b-be66-335a-acb6-ea911fec9ddb" data-content-id-type="bid"> Brecht and East Asian Theatre: The Proceedings of a Conference on Brecht in East Asian Theatre</a> </td> <td class="txtr"> 1982 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5149/9781469656755_murphy" data-itemtype="book" data-content-id="63d53187-42e2-338f-91b4-2864b6636921" data-content-id-type="bid"> Brecht and the Bible: A Study of Religious Nihilism and Human Weakness in Brecht's Drama of Morality and the City</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 1980 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11hpscx" data-itemtype="book" data-content-id="f84c2272-2323-3e80-8d7c-3bfe950dcff8" data-content-id-type="bid"> Brecht at the Opera</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt1wx938x" data-itemtype="book" data-content-id="c9507ff3-a4a7-374b-b302-03f7495d5406" data-content-id-type="bid"> Brecht, Turkish Theater, and Turkish-German Literature: Reception, Adaptation, and Innovation after 1960</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvw04j7d" data-itemtype="book" data-content-id="6f654825-ec4c-3f53-a9c0-1fcc0551ffa1" data-content-id-type="bid"> The Bressonians: French Cinema and the Culture of Authorship</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvjz833g" data-itemtype="book" data-content-id="0174024d-dda6-3043-be20-41d90a63ff26" data-content-id-type="bid"> Breve historia de los cineastas del Caribe colombiano</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt155jp86" data-itemtype="book" data-content-id="1d4d888d-5208-3ff9-9057-581b4fecf1c9" data-content-id-type="bid"> Brian De Palma's Split-Screen: A Life in Film</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5vm4r0" data-itemtype="book" data-content-id="da3fd6e8-d3e6-3305-b014-d56c61e92ecb" data-content-id-type="bid"> British Theatre Since the War</a> </td> <td class="txtr"> 1999 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt130jg8g" data-itemtype="book" data-content-id="0504bc20-efb0-3bfb-bd67-83adb443ec97" data-content-id-type="bid"> Broadcasting Freedom: The Cold War Triumph of Radio Free Europe and Radio Liberty</a> </td> <td class="txtr"> 2000 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7560/722859" data-itemtype="book" data-content-id="9e63ada1-c7c0-38e0-bad0-e7528c89aa3e" data-content-id-type="bid"> Broadcasting the Civil War in El Salvador</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.5639672" data-itemtype="book" data-content-id="120f0a05-9e2c-33c6-92f5-029bcbde168c" data-content-id-type="bid"> Broadway Rhythm: Imaging the City in Song</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1168xwh" data-itemtype="book" data-content-id="bdae39f6-6c0e-3e8e-9d8c-2478587ed021" data-content-id-type="bid"> Bruckners Sinfonien: Ein musikalischer Werkführer</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt18d833v" data-itemtype="book" data-content-id="f582ad9d-057d-32cf-92b6-01a3c46da3b7" data-content-id-type="bid"> The Builders Association: Performance and Media in Contemporary Theater</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.9751301" data-itemtype="book" data-content-id="1e9bd43c-a9be-36b4-8b1f-47bfe73fe136" data-content-id-type="bid"> Building Character: The Art and Science of Casting</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.1175684" data-itemtype="book" data-content-id="c9702377-923f-334e-af89-08a28f5ba034" data-content-id-type="bid"> Bulldaggers, Pansies, and Chocolate Babies: Performance, Race, and Sexuality in the Harlem Renaissance</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt6wqdjn" data-itemtype="book" data-content-id="c5c18640-903b-3a45-8fc7-3e05cdd0f182" data-content-id-type="bid"> The Bunraku Puppet Theatre: Honor, Vengeance, and Love in Four Plays of the 18th and 19th Centuries</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5vk2wm" data-itemtype="book" data-content-id="b2feb0e1-0036-3170-9234-23bf926896d6" data-content-id-type="bid"> Burnt Cork: Traditions and Legacies of Blackface Minstrelsy</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.ctv15kxfxv" data-itemtype="book" data-content-id="1ac2a3ab-b051-3dea-8642-110d654812a4" data-content-id-type="bid"> "But He Doesn't Know the Territory": The Story behind Meredith Willson's The Music Man</a> </td> <td class="txtr"> 1987 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.799908" data-itemtype="book" data-content-id="85750f0e-839b-3baf-b53d-59e6f18f1dc8" data-content-id-type="bid"> Butch Queens Up in Pumps: Gender, Performance, and Ballroom Culture in Detroit</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt1xcncw" data-itemtype="book" data-content-id="1c3249d7-5a20-3bf6-82a4-a5457d803c7e" data-content-id-type="bid"> Butoh: Metamorphic Dance and Global Alchemy</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2jctmp" data-itemtype="book" data-content-id="93a72f85-d37a-35e3-873c-586dad3f752d" data-content-id-type="bid"> Buzz: The Life and Art of Busby Berkeley</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qg15n" data-itemtype="book" data-content-id="3528a2c9-3e19-3154-a5db-84192a72348d" data-content-id-type="bid"> Cable Visions: Television Beyond Broadcasting</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctvg2526p" data-itemtype="book" data-content-id="a981c01e-4c29-35b9-b2c4-82afab9dfba6" data-content-id-type="bid"> Canadian Dreams and American Control: The Political Economy of the Canadian Film Industry</a> </td> <td class="txtr"> 1990 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.5306356" data-itemtype="book" data-content-id="1f38fce4-131c-3505-84aa-137b2a8e019b" data-content-id-type="bid"> The Captive Stage: Performance and the Proslavery Imagination of the Antebellum North</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt1xcfh4" data-itemtype="book" data-content-id="80753fa9-ef6f-35ee-bf6b-2cc2a22c6cd5" data-content-id-type="bid"> Caribbean and Atlantic Diaspora Dance: Igniting Citizenship</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2jch7b" data-itemtype="book" data-content-id="7e0dd732-96d3-39c6-9156-95da793e7244" data-content-id-type="bid"> Carl Theodor Dreyer and Ordet: My Summer with the Danish Filmmaker</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvx5w9b2" data-itemtype="book" data-content-id="838f5cef-e431-30ae-ac38-59f01fb39809" data-content-id-type="bid"> Carnival Is Woman: Feminism and Performance in Caribbean Mas</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvfxv8pj" data-itemtype="book" data-content-id="289fd070-1543-3590-9c14-b11db3ee56ec" data-content-id-type="bid"> Cartoon Vision: UPA Animation and Postwar Aesthetics</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/ghig14496" data-itemtype="book" data-content-id="880d1f9d-78da-39d7-a8ce-62803846061f" data-content-id-type="bid"> CBS's Don Hollenbeck: An Honest Reporter in the Age of McCarthyism</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt15jvwf8" data-itemtype="book" data-content-id="92c2978f-c56b-3b05-8715-9fbdc362d6a5" data-content-id-type="bid"> A Celebration of Ben Jonson</a> </td> <td class="txtr"> 1973 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1dnncf7" data-itemtype="book" data-content-id="39920068-8c51-323a-bedb-27a443b0aea1" data-content-id-type="bid"> Celluloid Pueblo: Western Ways Films and the Invention of the Postwar Southwest</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5149/9781469618371_kibler" data-itemtype="book" data-content-id="9f8ff79a-501b-382d-bb7a-514ead5dfb51" data-content-id-type="bid"> Censoring Racial Ridicule: Irish, Jewish, and African American Struggles over Race and Representation, 1890-1930</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv16km0vw" data-itemtype="book" data-content-id="30943510-03ca-301f-90f8-ca4a2d6421d3" data-content-id-type="bid"> Chantal Akerman: Afterlives</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/meis16632" data-itemtype="book" data-content-id="3e3a3258-d35b-371f-866f-f8669d671c54" data-content-id-type="bid"> Chaos Imagined: Literature, Art, Science</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.6706550" data-itemtype="book" data-content-id="ffceea2d-2415-383b-9f45-90b68ef0a17c" data-content-id-type="bid"> Charles Ludlam Lives!: Charles Busch, Bradford Louryk, Taylor Mac, and the Queer Legacy of the Ridiculous Theatrical Company</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qhkzb" data-itemtype="book" data-content-id="f930dc37-fdfb-3d1a-a7f2-b2cebf07e50d" data-content-id-type="bid"> Charles Walters: The Director Who Made Hollywood Dance</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv47w5nf" data-itemtype="book" data-content-id="b4a7ae83-23ac-3f5d-82dc-c29fbff2809c" data-content-id-type="bid"> Charlie Chaplin, Director</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv12sdv5w" data-itemtype="book" data-content-id="6eb14d36-85e1-33ce-88ea-45cd944d5a12" data-content-id-type="bid"> Chartist drama</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvxhrkmn" data-itemtype="book" data-content-id="3fe0125a-e01f-34df-a1f4-230a82340002" data-content-id-type="bid"> Cheer Up!: British Musical Films, 1929-1945</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11g9726" data-itemtype="book" data-content-id="97e89c29-d206-3883-a2c7-1aa326fe5a46" data-content-id-type="bid"> Chick Flicks: Theories and Memories of the Feminist Film Movement</a> </td> <td class="txtr"> 1998 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvwcjfbn" data-itemtype="book" data-content-id="0df3b9fb-8850-36b2-8808-7abe14f1cff0" data-content-id-type="bid"> A Child of the Century</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1djmdjk" data-itemtype="book" data-content-id="09afa9f8-23f1-3630-a482-fc57607d67cf" data-content-id-type="bid"> Chilena o cueca tradicional</a> </td> <td class="txtr"> 1994 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1b9x191" data-itemtype="book" data-content-id="ca92a94d-000f-3e44-99cd-b593e2d4db12" data-content-id-type="bid"> China's Encounter with Global Hollywood: Cultural Policy and the Film Industry, 1994-2013</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv143mdq2" data-itemtype="book" data-content-id="a3682790-42eb-3df2-a02d-889ff9b82097" data-content-id-type="bid"> Chinatown Film Culture: The Appearance of Cinema in San Francisco’s Chinese Neighborhood</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt1kc6hrk" data-itemtype="book" data-content-id="385fd9a7-67d8-3c8c-a163-b66862d47fcc" data-content-id-type="bid"> Chinatown Opera Theater in North America</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt14bs8rg" data-itemtype="book" data-content-id="eb9e6d4b-6e98-31bd-941d-3aed4e3d6994" data-content-id-type="bid"> The Chinese Diaspora on American Screens: Race, Sex, and Cinema</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.3900360" data-itemtype="book" data-content-id="a40f3fef-e5da-3526-b26d-3086dec3c125" data-content-id-type="bid"> Chinese Dreams: Pound, Brecht, Tel Quel</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt16gzm0k" data-itemtype="book" data-content-id="f1a1f893-4b9e-3a51-9d2a-c2754e39b851" data-content-id-type="bid"> Chinese Looks: Fashion, Performance, Race</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt7zsx31" data-itemtype="book" data-content-id="ed9dc542-7d92-3441-8b1d-0f58c7ef5efc" data-content-id-type="bid"> Chinese Opera: The Actor's Craft</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt80q3q" data-itemtype="book" data-content-id="c9a1fcd5-1b07-3c15-89d3-59ea2c800412" data-content-id-type="bid"> Chinese Shadow Theatre: History, Popular Religion, and Women Warriors</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/huan14848" data-itemtype="book" data-content-id="3e273dda-cb53-3507-b669-a977a42a0e78" data-content-id-type="bid"> Chinese Shakespeares: Two Centuries of Cultural Exchange</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt7ztr8m" data-itemtype="book" data-content-id="8c2e7c10-ba7e-3897-abdc-082579eb9cdf" data-content-id-type="bid"> Choreia: Pindar and Dance</a> </td> <td class="txtr"> 1982 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt6wrbfq" data-itemtype="book" data-content-id="ce1c332a-5809-3843-b21d-d4c5623acf17" data-content-id-type="bid"> Choreography And The Specific Image</a> </td> <td class="txtr"> 2001 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20h6s8r" data-itemtype="book" data-content-id="f212162b-7fc4-3104-a9ca-f4889837ae71" data-content-id-type="bid"> Choreography Observed</a> </td> <td class="txtr"> 1987 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt1g04zxv" data-itemtype="book" data-content-id="a1970d2a-5530-345f-81e5-170e69b46ccd" data-content-id-type="bid"> Chow Yun-fat and Territories of Hong Kong Stardom</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv62hdcz" data-itemtype="book" data-content-id="a760f2d0-9b59-3b98-a06b-797bfed6ceee" data-content-id-type="bid"> Christian Metz and the Codes of Cinema: Film Semiology and Beyond</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt3fh4jm" data-itemtype="book" data-content-id="8aa30250-98f4-3753-bf75-836cdfb4efec" data-content-id-type="bid"> Christian Petzold</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt1g0b0tg" data-itemtype="book" data-content-id="9a74b778-fe23-33fa-87a8-7a8f54b9f219" data-content-id-type="bid"> Christopher Marlowe, Renaissance Dramatist</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20krz64" data-itemtype="book" data-content-id="36561df4-a0b9-35cf-b367-4031923dd7a4" data-content-id-type="bid"> Cinema and Narrative Complexity: Embodying the Fabula</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qd97c" data-itemtype="book" data-content-id="60bcfbe6-07aa-3b5b-9ab1-df1cb52b21dc" data-content-id-type="bid"> Cinema at the Edges: New Encounters with Julio Medem, Bigas Luna and Jose Luis Guerin</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt13x1g0s" data-itemtype="book" data-content-id="9b7b1b2e-ac56-336f-b944-45b50c407d19" data-content-id-type="bid"> Cinema Civil Rights: Regulation, Repression, and Race in the Classical Hollywood Era</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt155j8gh" data-itemtype="book" data-content-id="435047a2-f31d-395f-8da8-fab697b67a5a" data-content-id-type="bid"> The cinema of Álex de la Iglesia</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvvh86vm" data-itemtype="book" data-content-id="1a53764d-636c-334c-af51-dfd197ac030c" data-content-id-type="bid"> A Cinema of Obsession: The Life and Work of Mai Zetterling</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hj9h7" data-itemtype="book" data-content-id="fd19ba82-97d9-3a70-a066-3be3d66e22dd" data-content-id-type="bid"> Cinema Today: A Conversation with Thirty-nine Filmmakers from around the World</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1bw1k94" data-itemtype="book" data-content-id="cdbff8b9-7281-3ba9-93ba-14ad172453c3" data-content-id-type="bid"> Cinemas in Transition in Central and Eastern Europe after 1989</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctvh9w0qq" data-itemtype="book" data-content-id="1eb4366e-a1f5-3ffa-aaba-c2e2144795eb" data-content-id-type="bid"> Cinematic Encounters 2: Portraits and Polemics</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctv9hvt7h" data-itemtype="book" data-content-id="797e3168-b9e5-3ac4-a8ee-a318fae9844f" data-content-id-type="bid"> Cinematic Encounters: Interviews and Dialogues</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv5nph05" data-itemtype="book" data-content-id="72c5e7b4-8551-3b56-9ab3-0d65ca8b3e4c" data-content-id-type="bid"> Cinematic Vitalism: Film Theory and the Question of Life</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1tg5kmx" data-itemtype="book" data-content-id="134b13fb-6828-3e9e-a322-90174334fb19" data-content-id-type="bid"> Circles of Fantasy: Convention in the Plays of Chikamatsu</a> </td> <td class="txtr"> 1986 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1c99c0h" data-itemtype="book" data-content-id="66f87501-3deb-3290-9d4f-12ce7c4b87b0" data-content-id-type="bid"> Cirque Global: Quebec's Expanding Circus Boundaries</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctv5j03b6" data-itemtype="book" data-content-id="d8d72862-8e05-38e7-a627-160255debf7a" data-content-id-type="bid"> Citizen Comedy in the Age of Shakespeare</a> </td> <td class="txtr"> 1973 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.ctttshqj" data-itemtype="book" data-content-id="1d33f222-e0c0-399e-8688-8855584c4f8f" data-content-id-type="bid"> Citizen Spy: Television, Espionage, and Cold War Culture</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/9781442684195" data-itemtype="book" data-content-id="8e5659e1-4b29-312f-b351-e7cd54bc8cf4" data-content-id-type="bid"> City Stages: Theatre and Urban Space in a Global City</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctvfc51p2" data-itemtype="book" data-content-id="25f2f341-b444-31a6-a8d5-7886e5d53fd8" data-content-id-type="bid"> Civil Vengeance: Literature, Culture, and Early Modern Revenge</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt5vk0mv" data-itemtype="book" data-content-id="01dae2c9-0fab-3054-a066-c0063b36fd1f" data-content-id-type="bid"> Claire Denis</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv5npk1j" data-itemtype="book" data-content-id="0596c606-abfd-39f5-b318-70dc29d84145" data-content-id-type="bid"> Clarence Brown: Hollywood's Forgotten Master</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/atki12364" data-itemtype="book" data-content-id="4bd1dd74-5148-3f58-bff5-879b8f33c6ed" data-content-id-type="bid"> Class Act: The Jazz Life of Choreographer Cholly Atkins</a> </td> <td class="txtr"> 2001 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20q201q" data-itemtype="book" data-content-id="08864810-25a3-378c-856f-0e7656033f8e" data-content-id-type="bid"> Classical Greek Theatre: New Views of an Old Subject</a> </td> <td class="txtr"> 1999 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt80w5p" data-itemtype="book" data-content-id="ee6e8f37-9cec-360e-aa3b-60bbbbc350e4" data-content-id-type="bid"> Claude Jutra: Filmmaker</a> </td> <td class="txtr"> 1999 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1168d5d" data-itemtype="book" data-content-id="15317d4f-e267-344a-ac03-88cf568bf003" data-content-id-type="bid"> Claudio Abbado: Der stille Revolutionär</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvx8b777" data-itemtype="book" data-content-id="532865e8-97f1-3cbc-aae7-ec45acc230e7" data-content-id-type="bid"> Cleopatra in Italian and English Renaissance Drama</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.cttttrzz" data-itemtype="book" data-content-id="414da52d-d63f-347a-ba91-0b49dca388ed" data-content-id-type="bid"> Clint Eastwood: A Cultural Production</a> </td> <td class="txtr"> 1993 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt24hx9s" data-itemtype="book" data-content-id="6f77c798-6db7-3652-83ed-ebc93a9f381f" data-content-id-type="bid"> Clint Eastwood: Interviews, Revised and Updated</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt1tqxtm2" data-itemtype="book" data-content-id="c8bf1e50-067a-32ee-85c7-e131bffd294c" data-content-id-type="bid"> Close-Up: Great Cinematic performances Volume 1: America</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1f8851b" data-itemtype="book" data-content-id="b6cb59e6-01bc-3301-bb3f-c927e7429dd3" data-content-id-type="bid"> Cold War Cosmopolitanism: Period Style in 1950s Korean Cinema</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctv5rf0nv" data-itemtype="book" data-content-id="f3d8e5bc-c2d2-398a-be17-75629ee9bfc4" data-content-id-type="bid"> Collaborations with the Past: Reshaping Shakespeare across Time and Media</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvw048hp" data-itemtype="book" data-content-id="00eddcdd-65c6-3886-ad9b-80d20862c958" data-content-id-type="bid"> Collaborative Intimacies in Music and Dance: Anthropologies of Sound and Movement</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5vk5fp" data-itemtype="book" data-content-id="bdb52dfc-c172-3d41-bd4f-a1185a147c13" data-content-id-type="bid"> The Colored Cartoon: Black Presentation in American Animated Short Films, 19071954</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.5262413" data-itemtype="book" data-content-id="d25723fd-6a09-3ea8-b85c-08a91f5fbab4" data-content-id-type="bid"> Coloring Whiteness: Acts of Critique in Black Performance</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/chen16502" data-itemtype="book" data-content-id="61f29f9a-cd85-31c5-8944-b2f27331e0ad" data-content-id-type="bid"> The Columbia Anthology of Modern Chinese Drama</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/chen14570" data-itemtype="book" data-content-id="a8204ab4-c842-358c-9d33-129edb2dffd2" data-content-id-type="bid"> The Columbia Anthology of Modern Chinese Drama</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/edge12164" data-itemtype="book" data-content-id="a85f1d75-6166-363a-96fe-b0bf177081b7" data-content-id-type="bid"> The Columbia History of American Television</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv75d0w2" data-itemtype="book" data-content-id="0c799095-f760-3b94-9bec-d931f1765609" data-content-id-type="bid"> Comédie (La) à l'epoque d'Henri II et de Charles IX. (1541-1554). Première Série: Série fondé par Enea Balmas et Michel Dassonville</a> </td> <td class="txtr"> 1994 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv75d6rt" data-itemtype="book" data-content-id="02d23add-d86b-35cd-9814-73ecbd301c2a" data-content-id-type="bid"> Comédie (La) à l'epoque d'Henri II et de Charles IX. (1561-1568). Première Série: Série fondé par Enea Balmas et Michel Dassonville</a> </td> <td class="txtr"> 1995 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv75d1mn" data-itemtype="book" data-content-id="d32af6b3-7d8b-39b6-a9e3-9d2aa006a797" data-content-id-type="bid"> Comédie (La) à l'epoque d'Henri II et de Charles IX. (1564-1573). Première Série: Série fondé par Enea Balmas et Michel Dassonville</a> </td> <td class="txtr"> 1996 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv75d2qj" data-itemtype="book" data-content-id="28c4f464-ff6f-36c0-91b9-d0993918bc8c" data-content-id-type="bid"> Comédie (La) à l'epoque d'Henri II et de Charles IX. (1566-1573). Première Série: Série fondé par Enea Balmas et Michel Dassonville</a> </td> <td class="txtr"> 1997 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv75d7cz" data-itemtype="book" data-content-id="fe3d5b9d-de34-3706-a741-e6e084877ebd" data-content-id-type="bid"> Comédie (La) à l’epoque d’Henri III. Deuxième Série. Vol. VII (1576-1578): Série fondé par Enea Balmas et Michel Dassonville</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv75d0xj" data-itemtype="book" data-content-id="729b701b-78ca-3ae3-89e2-c7fc2adf1f30" data-content-id-type="bid"> Comédie (La) à l’epoque d’Henri III. Deuxième Série. Vol. VIII (1580-1589): Série fondé par Enea Balmas et Michel Dassonville</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv16v3321" data-itemtype="book" data-content-id="fb675afc-d37a-364a-996e-570617a4e979" data-content-id-type="bid"> Comedy and Crisis: Pieter Langendijk, the Dutch, and the Speculative Bubbles of 1720</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt3fgsbt" data-itemtype="book" data-content-id="685c1991-722a-3904-86ea-5d3f524c9a44" data-content-id-type="bid"> Comedy and Cultural Critique in American Film</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctv5j0368" data-itemtype="book" data-content-id="47d62890-14f6-3136-adbc-e1d178b2805d" data-content-id-type="bid"> The Comedy of Entropy: Humour/Narrative/Reading</a> </td> <td class="txtr"> 1990 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt227281j" data-itemtype="book" data-content-id="fb3a6169-0ab8-3ca5-b967-56d3be2d0465" data-content-id-type="bid"> Comic Book Movies</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvfxvb4q" data-itemtype="book" data-content-id="5bfec03e-7596-3e7c-8b2f-5207fafc3383" data-content-id-type="bid"> Comic Books Incorporated: How the Business of Comics Became the Business of Hollywood</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctvfrxqvq" data-itemtype="book" data-content-id="88eb2b33-9416-3b83-91af-3fa5f892f703" data-content-id-type="bid"> A Common Stage: Theater and Public Life in Medieval Arras</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt6wqd2w" data-itemtype="book" data-content-id="47108f20-b67e-31d2-8155-9e3f66d6fc10" data-content-id-type="bid"> Communities of Imagination: Contemporary Southeast Asian Theatres</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1wxrb9" data-itemtype="book" data-content-id="2d7981f5-a6f6-3c60-93e4-490c5192c99b" data-content-id-type="bid"> Cómo obtienene los reporteros la información</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctvfc51cq" data-itemtype="book" data-content-id="45c91d30-a1ac-366f-8a5c-f153f07ddaeb" data-content-id-type="bid"> Competing Germanies: Nazi, Antifascist, and Jewish Theater in German Argentina, 1933–1965</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5325/j.ctv14gp36d" data-itemtype="book" data-content-id="f41cd68c-ada6-34c0-9865-4ea3d263574d" data-content-id-type="bid"> The Complete Plays of Jean Racine: Volume 1: The Fratricides</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5325/j.ctv14gpd15" data-itemtype="book" data-content-id="955072fe-0553-3afb-a568-c8bce49f5f99" data-content-id-type="bid"> The Complete Plays of Jean Racine: Volume 2: Bajazet</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5325/j.ctv14gp9x5" data-itemtype="book" data-content-id="754783fb-d746-345b-bb91-ab7e99c63d07" data-content-id-type="bid"> The Complete Plays of Jean Racine: Volume 5: Britannicus</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt2tv39r" data-itemtype="book" data-content-id="4ab6cae0-bd37-3ae3-8dc8-3cfe1ce300a9" data-content-id-type="bid"> Conscience on Stage: The Comedia as Casuistry in Early Modern Spain</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt1r24zr" data-itemtype="book" data-content-id="3493b462-3242-3a2b-b890-66690c01d677" data-content-id-type="bid"> Contemporary Arab Broadcast Media</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt31nhbr" data-itemtype="book" data-content-id="3895e39c-4a0b-3a5b-8005-49b7abea9924" data-content-id-type="bid"> Contemporary Hispanic Cinema: Interrogating the Transnational in Spanish and Latin American Film</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.9449991" data-itemtype="book" data-content-id="468a1ace-90ad-365f-8e5b-4bf8b84a7e89" data-content-id-type="bid"> Contemporary Mormon Pageantry: Seeking After the Dead</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt18z4h5h" data-itemtype="book" data-content-id="e9f293d9-1c01-38f5-9e31-270672523189" data-content-id-type="bid"> Contemporary Plays by African American Women: Ten Complete Works</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctvxcrqhg" data-itemtype="book" data-content-id="bb8a8a2f-fc39-38bb-8570-2799e3b7175b" data-content-id-type="bid"> Contemporary Scottish Fictions - Film, Television and the Novel</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctv5qdg24" data-itemtype="book" data-content-id="26fbd64e-9c4c-3e3d-a26b-c2d0db3368a3" data-content-id-type="bid"> The Contested Parterre: Public Theater and French Political Culture, 1680–1791</a> </td> <td class="txtr"> 1999 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvhrd0f0" data-itemtype="book" data-content-id="b97a9804-6663-3b92-82ab-6c1bf15c28d2" data-content-id-type="bid"> Conversations with Legendary Television Stars: Interviews from the First Fifty Years</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv6jmvcb" data-itemtype="book" data-content-id="20c93ff9-4eac-3f5e-b7b8-564287cdc690" data-content-id-type="bid"> Corps du Théâtre / Il Corpo del Teatro: organicité, contemporanéité, interculturalité / organicità, contemporaneità, interculturalità</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv16756fm" data-itemtype="book" data-content-id="3e09434d-81a8-3572-b31f-4a7039b56c3b" data-content-id-type="bid"> Creating Carmen Miranda: Race, Camp, and Transnational Stardom</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11sn2kr" data-itemtype="book" data-content-id="bcc5a906-c0e4-382d-94f5-f742d75c5125" data-content-id-type="bid"> Creating Our Own: Folklore, Performance, and Identity in Cuzco, Peru</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvh1dx96" data-itemtype="book" data-content-id="fd915a8d-2349-3624-9ce0-5fdfa69714b9" data-content-id-type="bid"> Creativity and Copyright: Legal Essentials for Screenwriters and Creative Artists</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2tvnfv" data-itemtype="book" data-content-id="d79005cc-c22d-314c-852f-e593b6427ed2" data-content-id-type="bid"> The Crime Films of Anthony Mann</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvscxs38" data-itemtype="book" data-content-id="dd71fdf9-c4ec-3e59-b997-5e325bd99a94" data-content-id-type="bid"> Criminalization/Assimilation: Chinese/Americans and Chinatowns in Classical Hollywood Film</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt1h1hs69" data-itemtype="book" data-content-id="69603e88-4107-31ae-9702-ed7ad44a86bd" data-content-id-type="bid"> Crispien Ier: La Vie et l'œuvre de Raymond Poisson comédien-poète du XVIIe siècle</a> </td> <td class="txtr"> 1972 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt1kw28x6" data-itemtype="book" data-content-id="a3f0919f-8034-3226-8fc4-fa8b6a066444" data-content-id-type="bid"> Cristi Puiu</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5149/9781469645797_case" data-itemtype="book" data-content-id="b901b13d-5eb8-3709-ab7d-2804a8cc6a87" data-content-id-type="bid"> A Critical and Annotated Edition of Lope de Vega's Las almenas de Toro</a> </td> <td class="txtr"> 1971 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5149/9781469645810_castaneda" data-itemtype="book" data-content-id="0f97da4e-c808-364c-a56a-7371fc3b1f3c" data-content-id-type="bid"> A Critical Edition of Lope de Vega's Las paces de los reyes y judía de Toledo</a> </td> <td class="txtr"> 1962 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvfrxqfx" data-itemtype="book" data-content-id="6a1d9a3d-0f40-305b-85f7-b6fd9905c5a8" data-content-id-type="bid"> Cuerpo y Visualidad: Reflexiones en torno al archivo</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.ctttsjh8" data-itemtype="book" data-content-id="2edbad34-0335-323b-a56b-d8e0b841cf64" data-content-id-type="bid"> Cult Television</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvbqs5r1" data-itemtype="book" data-content-id="8e707324-574d-3e77-911c-a74736319958" data-content-id-type="bid"> A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.322627" data-itemtype="book" data-content-id="de851b81-9b10-33b7-936c-81e985b8aace" data-content-id-type="bid"> The Cultural Politics of Slam Poetry: Race, Identity, and the Performance of Popular Verse in America</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.4845471" data-itemtype="book" data-content-id="8919ee52-e108-3526-8658-7c483880b21f" data-content-id-type="bid"> Cultural Struggles: Performance, Ethnography, Praxis</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvw04b29" data-itemtype="book" data-content-id="656cf744-7bf0-370c-8626-ba2dc86e5524" data-content-id-type="bid"> Curating Live Arts: Critical Perspectives, Essays, and Conversations on Theory and Practice</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv102bdhf" data-itemtype="book" data-content-id="7d0a0725-c764-39b7-a35c-59d9fd961a31" data-content-id-type="bid"> Curtains?: The Future of the Arts in America</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.359575" data-itemtype="book" data-content-id="dd403962-e538-30f2-943f-de17229ff6a0" data-content-id-type="bid"> Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv102bg15" data-itemtype="book" data-content-id="0077e553-c218-345b-8a77-41655e896978" data-content-id-type="bid"> The Cycle: A Practical Approach to Managing Arts Organizations</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvx1hvp0" data-itemtype="book" data-content-id="66bfd574-59b3-36f6-b2a0-83afd71954ce" data-content-id-type="bid"> Damsels and Divas: European Stardom in Silent Hollywood</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7476/9788523218164" data-itemtype="book" data-content-id="4ee2a48e-7cf0-38fd-9db9-ba876911fa29" data-content-id-type="bid"> Dança e diferença: cartografia de múltiplos corpos</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvx1ht59" data-itemtype="book" data-content-id="334ef456-5d90-34e8-bcc4-9ede0a7202f2" data-content-id-type="bid"> Dance and Gender: An Evidence-Based Approach</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hjrjj" data-itemtype="book" data-content-id="13e9798d-3579-340e-a17c-468c8565fff4" data-content-id-type="bid"> Dance And Lived Body</a> </td> <td class="txtr"> 1987 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt6wrbb8" data-itemtype="book" data-content-id="01dbfac5-6848-38f0-ad8d-d53a943548ec" data-content-id-type="bid"> Dance and the Specific Image: Improvisation</a> </td> <td class="txtr"> 1994 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qcw06" data-itemtype="book" data-content-id="484e5cd7-2e36-3d35-af08-c62dceb94011" data-content-id-type="bid"> Dance Circles: Movement, Morality and Self-fashioning in Urban Senegal</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1npszk" data-itemtype="book" data-content-id="95b4a603-ffd3-3ac8-a110-b0e6474aa392" data-content-id-type="bid"> The Dance Claimed Me: A Biography of Pearl Primus</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qh7hk" data-itemtype="book" data-content-id="bddaa6c0-26df-30fb-a2d7-78b91ab8fe35" data-content-id-type="bid"> Dance Improvisations</a> </td> <td class="txtr"> 1987 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt32bg7h" data-itemtype="book" data-content-id="9575cde6-7cf5-3cba-9580-6df5ae27ae1c" data-content-id-type="bid"> Dance Writings and Poetry</a> </td> <td class="txtr"> 1998 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qcn02" data-itemtype="book" data-content-id="ac991475-080d-3aac-9e79-df1e6e46bb00" data-content-id-type="bid"> Dancing at the Crossroads: Memory and Mobility in Ireland</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctv1005bxm" data-itemtype="book" data-content-id="8bcc3394-e94c-36b6-bb79-cd8dbf0a5e6a" data-content-id-type="bid"> Dancing Boys: High School Males in Dance</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qcxqs" data-itemtype="book" data-content-id="b1f0d892-cb63-3bef-ad86-154ee47a270f" data-content-id-type="bid"> Dancing Cultures: Globalization, Tourism and Identity in the Anthropology of Dance</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt6wqvtb" data-itemtype="book" data-content-id="adb87813-7029-370e-9e99-61a3b7841015" data-content-id-type="bid"> Dancing from the Heart: Movement, Gender, and Sociality in the Cook Islands</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hjq68" data-itemtype="book" data-content-id="774f59fd-4bda-30a8-9468-aba737db3246" data-content-id-type="bid"> Dancing Identity: Metaphysics In Motion</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvx06wqt" data-itemtype="book" data-content-id="4e58620f-e8aa-3fe0-80d4-733754a62931" data-content-id-type="bid"> Dancing in Blackness: A Memoir</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.ctttt473" data-itemtype="book" data-content-id="59ad9f01-d796-30b6-abf0-3ba5914fd7fb" data-content-id-type="bid"> Dancing in the Distraction Factory: Music Television and Popular Culture</a> </td> <td class="txtr"> 1992 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvnb7p9s" data-itemtype="book" data-content-id="5339f1b7-5732-37e1-b303-a6b03434dccc" data-content-id-type="bid"> Dancing in the English style: Consumption, Americanisation and national identity in Britain, 1918–50</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hjp8s" data-itemtype="book" data-content-id="17badf9f-80c4-34a8-b618-296273f11eb8" data-content-id-type="bid"> Dancing Into Darkness: Butoh, Zen, and Japan</a> </td> <td class="txtr"> 1999 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctvd7w81v" data-itemtype="book" data-content-id="a81c9eb1-a210-3d03-a825-187cd42cb573" data-content-id-type="bid"> Dancing Queen: Marie de Médicis' Ballets at the Court of Henri IV</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctvh8qzbh" data-itemtype="book" data-content-id="3af81936-d0b6-311c-bc26-9d192c775db4" data-content-id-type="bid"> Dancing Revolution: Bodies, Space, and Sound in American Cultural History</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvhrd016" data-itemtype="book" data-content-id="5187099c-f330-3c56-9db9-3c22c43ff3d2" data-content-id-type="bid"> Dancing Spirit, Love, and War: Performing the Translocal Realities of Contemporary Fiji</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1287j7t" data-itemtype="book" data-content-id="bd3c31b2-da6e-3e10-a56a-458baf4742d4" data-content-id-type="bid"> Dancing Tango: Passionate Encounters in a Globalizing World</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvrdf3jt" data-itemtype="book" data-content-id="980b2e81-bf20-31cc-a908-10d17b519c33" data-content-id-type="bid"> Dancing the Fairy Tale: Producing and Performing The Sleeping Beauty</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7560/744929" data-itemtype="book" data-content-id="4b288761-ae3f-3dda-b4ab-a179eaa31f48" data-content-id-type="bid"> Dancing the New World: Aztecs, Spaniards, and the Choreography of Conquest</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt155jdzp" data-itemtype="book" data-content-id="bf192641-cf89-37f7-9975-7d3fa1c30e5b" data-content-id-type="bid"> Daniel Calparsoro</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvthhcnh" data-itemtype="book" data-content-id="a477768f-d1dd-3399-aa49-53b68b7e0ee6" data-content-id-type="bid"> Danièle Huillet, Jean-Marie Straub: "Objectivists" in Cinema</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.3186316" data-itemtype="book" data-content-id="1d987f6c-0bd9-37cb-80f1-c3fac798abcd" data-content-id-type="bid"> Dark Matter: Invisibility in Drama, Theater, and Performance</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11cw8nv" data-itemtype="book" data-content-id="c7ccbb6f-d1e0-345c-a9de-831e58c2a15b" data-content-id-type="bid"> Darkening Mirrors: Imperial Representation in Depression-Era African American Performance</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1168hdg" data-itemtype="book" data-content-id="7ca03bdc-4b93-38b8-823a-88b0922b91ae" data-content-id-type="bid"> Das antike Drama</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv6jmbg2" data-itemtype="book" data-content-id="e956c81f-dd27-3710-8bae-ed3819668d82" data-content-id-type="bid"> Das neugriechische Schattentheater Karagiozis</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1168f5w" data-itemtype="book" data-content-id="80665f7c-c620-3291-81c4-72044521efe4" data-content-id-type="bid"> Das Theater der Gegenwart</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qh1gd" data-itemtype="book" data-content-id="9d5618fa-b88c-35ad-80d3-a874abe5ac1c" data-content-id-type="bid"> Dashiell Hammett and the Movies</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt13x0w04" data-itemtype="book" data-content-id="c1fbc2a4-ebb9-36a4-a588-db59edb7e121" data-content-id-type="bid"> David Belasco: Naturalism in the American Theatre: Naturalism in the American Theatre</a> </td> <td class="txtr"> 1975 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt14bs824" data-itemtype="book" data-content-id="fda2a404-de56-3339-a502-ea41b43384e9" data-content-id-type="bid"> The Day the Dancers Stayed: Performing in the Filipino/American Diaspora</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11smwhv" data-itemtype="book" data-content-id="a1a3b3ef-4f04-3845-a095-02ac620a0766" data-content-id-type="bid"> Days on Earth: The Dance of Doris Humphrey</a> </td> <td class="txtr"> 1993 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvnb7mxk" data-itemtype="book" data-content-id="73308ef2-9cc5-3fab-af47-00d0968f8976" data-content-id-type="bid"> Death in modern theatre: Stages of mortality</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2005s83" data-itemtype="book" data-content-id="2c2e6e3d-c75e-3427-8b5a-a46266947d1c" data-content-id-type="bid"> The Death of Character: Perspectives on Theater after Modernism</a> </td> <td class="txtr"> 1996 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvfxv948" data-itemtype="book" data-content-id="5539a8cd-4fd3-352e-ba1e-511c00ef67bd" data-content-id-type="bid"> The Deceived: A New English Translation of Gl’Ingannati in a Dual-Language Edition</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2005s5j" data-itemtype="book" data-content-id="c689e1b6-bf47-3754-ace7-93b576c72ae7" data-content-id-type="bid"> Decomposition: Post-Disciplinary Performance</a> </td> <td class="txtr"> 2000 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2005r6k" data-itemtype="book" data-content-id="a5719105-dbc7-3607-89bf-fcc18e7db19c" data-content-id-type="bid"> Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5149/9781469640570_teves" data-itemtype="book" data-content-id="fd46a21a-5020-3df3-bb8e-ac4a6d371d27" data-content-id-type="bid"> Defiant Indigeneity: The Politics of Hawaiian Performance</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.ctttswk9" data-itemtype="book" data-content-id="db2600bf-eea8-394d-9162-2127418c9d95" data-content-id-type="bid"> Déjà Vu: Aberrations of Cultural Memory</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvjsf6j8" data-itemtype="book" data-content-id="9697cade-57d1-312d-84f2-9fa8e461e7e3" data-content-id-type="bid"> Déjala morir</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5149/9781469641607_gmez" data-itemtype="book" data-content-id="ed089b23-f4ce-35cf-ad15-651220a35899" data-content-id-type="bid"> Del escenario a la pantalla</a> </td> <td class="txtr"> 2000 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11hpqwq" data-itemtype="book" data-content-id="1120aaa0-5a7c-3782-94c3-a23ead27fa81" data-content-id-type="bid"> Democracy's Body: Judson Dance Theatre, 1962–1964</a> </td> <td class="txtr"> 1993 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qd05c" data-itemtype="book" data-content-id="6d7cea45-5f8c-3ee8-a903-84a3799a385f" data-content-id-type="bid"> The Demons of Modernity: Ingmar Bergman and European Cinema</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt24hxsj" data-itemtype="book" data-content-id="6a06634d-525c-3840-a2a3-630ba3faa916" data-content-id-type="bid"> Dennis Hopper: Interviews</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv6jmv4z" data-itemtype="book" data-content-id="6ecb987c-d1fb-3ab5-ab78-c57b766525ee" data-content-id-type="bid"> Der 30-jährige ABC-Schütz. Text, Musik und szenische Praxis im Wiener Volkstheater: 2. Band. Klavierauszug von Karl Friedrich Hensler und Wenzel Müller: Taddädl der dreyssigjährige A B C Schütz (1799)</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvzsmczh" data-itemtype="book" data-content-id="4e67d5fc-6b5a-304f-ab0d-304866fc818d" data-content-id-type="bid"> Der einsame Zensor: Zur staatlichen Kontrolle des Theaters unter Maria Theresia und Joseph II.</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11691tc" data-itemtype="book" data-content-id="2c1e3390-dce5-34fd-ad6c-7964b2a7d95b" data-content-id-type="bid"> Der glückliche Kunsträuber: Das Leben des Vivant Denon</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.ctttvbhj" data-itemtype="book" data-content-id="f13fb5d7-7822-3241-8914-16c3a8fabf7c" data-content-id-type="bid"> Derek Jarman’s Angelic Conversations</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1sq5t4k" data-itemtype="book" data-content-id="4dcaa0a8-bbdb-33a2-8494-e0ee0030cdb4" data-content-id-type="bid"> Designing Interdisciplinary Education: A Practical Handbook for University Teachers</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvsrh9r" data-itemtype="book" data-content-id="a37b33b0-e64d-39dd-bd20-86edc2a60410" data-content-id-type="bid"> Developing Zeami: The Noh Actor's Attunement in Practice</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5149/9781469645889_daniel" data-itemtype="book" data-content-id="c72264f9-0b67-3831-900d-04cd4050fd29" data-content-id-type="bid"> The Development of the Tragédie Nationale in France from 1552-1800</a> </td> <td class="txtr"> 1964 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv17hm9r7" data-itemtype="book" data-content-id="cbacf2c6-c286-377c-b075-d645bbae8cb3" data-content-id-type="bid"> Deviant Opera: Sex, Power, and Perversion on Stage</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1xxwr8" data-itemtype="book" data-content-id="93db512e-4c00-30d1-b9dd-63c3090e15c8" data-content-id-type="bid"> Die böhmischen Länder in den Wiener Zeitschriften und Almanachen des Vormärz (1805-1848), Teil 5:: Gesamtregister</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5149/9781469657769_kurth" data-itemtype="book" data-content-id="4466a11b-f14b-32b0-8dd0-86d1494f6779" data-content-id-type="bid"> Die zweite Wirklichkeit: Studien zum Roman des achtzehnten Jahrhunderts: Studien zum Roman des achtzehnten Jahrhunderts</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 1969 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt3fgmw9" data-itemtype="book" data-content-id="f8df62b5-e4cf-3a58-92a0-d66559a3fbe1" data-content-id-type="bid"> The Differentiation of Modernism: Postwar German Media Arts</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvrxk12h" data-itemtype="book" data-content-id="89dbb139-0e74-365c-b78b-f6c7484bd787" data-content-id-type="bid"> The Digby Mary Magdalene Play</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt18dzr8k" data-itemtype="book" data-content-id="fea2cfb5-71c9-3267-9897-5fd6d7bdcce7" data-content-id-type="bid"> Directing scenes and senses: The thinking of Regie</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7440/j.ctv12pnspk" data-itemtype="book" data-content-id="59842365-6492-3e63-acb3-1ce7e2ac1557" data-content-id-type="bid"> Directores invisibles: El laberinto endotrágico de la Socíetas Raffaello Sanzio</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv47w298" data-itemtype="book" data-content-id="d2c6c2f9-0e98-345c-8c53-b49684146446" data-content-id-type="bid"> The Director's Prism: E. T. A. Hoffmann and the Russian Theatrical Avant-Garde</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvwvr3kb" data-itemtype="book" data-content-id="ff0d99eb-3783-334f-ad1d-24fe9569b473" data-content-id-type="bid"> Dirty Harry's America: Clint Eastwood, Harry Callahan, and the Conservative Backlash</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1ddr701" data-itemtype="book" data-content-id="c056c9bc-abb9-37df-996a-bf910b8e122b" data-content-id-type="bid"> Dirty Words in Deadwood: Literature and the Postwestern</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11smxf9" data-itemtype="book" data-content-id="5d591f1c-7fc2-35f1-854a-c3cf45755277" data-content-id-type="bid"> Disappearing Acts: Spectacles of Gender and Nationalism in Argentina's "Dirty War"</a> </td> <td class="txtr"> 1997 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.6944908" data-itemtype="book" data-content-id="a88bddf2-f456-3bef-9287-2b03d3dffe7b" data-content-id-type="bid"> Discipline and Desire: Surveillance Technologies in Performance</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvqc6k2q" data-itemtype="book" data-content-id="ad8f97df-54f7-37bd-b1b3-cb7a441ad69a" data-content-id-type="bid"> Discussing Disney</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvmx3ht7" data-itemtype="book" data-content-id="a7f3675f-33b7-348d-93a0-8037004ebc58" data-content-id-type="bid"> Disney's Star Wars: Forces of Production, Promotion, and Reception</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/kim-16482" data-itemtype="book" data-content-id="24d52192-60a7-3eae-a4d0-c23d31888277" data-content-id-type="bid"> DMZ Crossing: Performing Emotional Citizenship Along the Korean Border</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt8050r" data-itemtype="book" data-content-id="965d3ec1-7888-3afd-bfa2-c987c6021bcf" data-content-id-type="bid"> Documentary Television in Canada: From National Public Service to Global Marketplace</a> </td> <td class="txtr"> 2002 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2005t1z" data-itemtype="book" data-content-id="a916cb68-4558-360f-83ec-560de9266d5e" data-content-id-type="bid"> The Domain-Matrix: Performing Lesbian at the End of Print Culture</a> </td> <td class="txtr"> 1996 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1287mrj" data-itemtype="book" data-content-id="18a9e38d-3e96-3637-97f7-c05a9b34fb28" data-content-id-type="bid"> Don't Act, Just Dance: The Metapolitics of Cold War Culture</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv3f8pw1" data-itemtype="book" data-content-id="17b57755-f116-3cee-a741-7078fd6f9ca0" data-content-id-type="bid"> Doscientos años de narrativa mexicana: siglo XIX</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv3dnq1k" data-itemtype="book" data-content-id="5240aee7-1cba-3471-b132-32f3ecd740cc" data-content-id-type="bid"> Doscientos años de narrativa mexicana: Siglo XX</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvc772z0" data-itemtype="book" data-content-id="3383687b-0dc1-3fc2-8bec-842753c1154f" data-content-id-type="bid"> The Drama of Celebrity</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.8783628" data-itemtype="book" data-content-id="0d406d01-e51c-3d08-a8f3-bfcad0c5e6b1" data-content-id-type="bid"> The Drama of the American Short Story, 1800-1865</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt13x19wt" data-itemtype="book" data-content-id="924c76ed-e3fe-31b1-9d2b-e5a75ddb05a7" data-content-id-type="bid"> Dramatic Character in the English Romantic Age</a> </td> <td class="txtr"> 1970 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv16t6hz6" data-itemtype="book" data-content-id="c35a27de-582d-3b2b-ab29-ee163102eced" data-content-id-type="bid"> Dramatic Justice: Trial by Theater in the Age of the French Revolution</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.4578760" data-itemtype="book" data-content-id="42d954fd-fc89-375e-a5b5-667d2279804e" data-content-id-type="bid"> The Dramaturgy of Senecan Tragedy</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctvh9vtzf" data-itemtype="book" data-content-id="a9e3f36a-3ef2-3d55-88d3-f848575d9046" data-content-id-type="bid"> The Dramaturgy of the Spectator: Italian Theatre and the Public Sphere, 1600–1800</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2jcntb" data-itemtype="book" data-content-id="a9566e11-d40f-3169-bd3e-64d48be90f9e" data-content-id-type="bid"> Drawing the Line: The Untold Story of the Animation Unions from Bosko to Bart Simpson</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvrdf3wn" data-itemtype="book" data-content-id="ece0d647-bd69-3c65-a621-19477e7dd209" data-content-id-type="bid"> Dream Machine: Realism and Fantasy in Hindi Cinema</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1qft00c" data-itemtype="book" data-content-id="291b574a-b8e0-340e-ab4d-1aa4eb9963a6" data-content-id-type="bid"> A Dream of Resistance: The Cinema of Kobayashi Masaki</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv16b77nb" data-itemtype="book" data-content-id="3304ebdf-8892-37a6-8fe1-501299609f4d" data-content-id-type="bid"> Dreaming America: Popular Front Ideals and Aesthetics in Children's Plays of the Federal Theatre Project</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv47w921" data-itemtype="book" data-content-id="8b6f5a76-8c78-3107-a8ad-679c2d005f99" data-content-id-type="bid"> Drop Dead: Performance in Crisis, 1970s New York</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.1525/j.ctt1ppfgq" data-itemtype="book" data-content-id="b6f927cd-8655-3c66-9025-53180da85627" data-content-id-type="bid"> Drop That Knowledge: Youth Radio Stories</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7560/714502" data-itemtype="book" data-content-id="7cd7951a-70ef-321c-adf9-c09c2daef242" data-content-id-type="bid"> Drugs, Thugs, and Divas</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1168cpp" data-itemtype="book" data-content-id="b81c5a29-466f-3cad-9e92-4cce76ec60fb" data-content-id-type="bid"> Dust of the Zulu: Ngoma Aesthetics after Apartheid</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hj6z5" data-itemtype="book" data-content-id="8a0ee60e-4cf3-3cdb-a70a-aae9633a8ea6" data-content-id-type="bid"> Dying Swans and Madmen: Ballet, the Body, and Narrative Cinema</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1nhhxr" data-itemtype="book" data-content-id="bd325d3c-c4c8-3998-b526-a94ca92ba5f3" data-content-id-type="bid"> E. T. A. Hoffmann: Transgressive Romanticism</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv157bwd" data-itemtype="book" data-content-id="2eefb612-b024-394e-966c-9fe5fa3768db" data-content-id-type="bid"> Early Film Theories in Italy 1896-1922: The Little Magic Machine</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctv5j03j3" data-itemtype="book" data-content-id="4b86eb1b-6e7f-3196-8113-7b456f50afb8" data-content-id-type="bid"> Early Stages: Theatre in Ontario 1800 - 1914</a> </td> <td class="txtr"> 1990 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv102bgqh" data-itemtype="book" data-content-id="84f0ec8d-227d-3a28-b5e8-ddc7f85a4200" data-content-id-type="bid"> The Eddie Cantor Story: A Jewish Life in Performance and Politics</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt3fgrj8" data-itemtype="book" data-content-id="e060c7f3-e37a-3483-9152-2b8ab8a307e1" data-content-id-type="bid"> The Edinburgh Festivals: Culture and Society in Post-war Britain</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/shim17226" data-itemtype="book" data-content-id="06216cde-38f2-34d3-bb61-31ad3ac08589" data-content-id-type="bid"> Edo Kabuki in Transition: From the Worlds of the Samurai to the Vengeful Female Ghost</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2jcbc1" data-itemtype="book" data-content-id="47b6de16-229d-3baf-957a-6453b9800f02" data-content-id-type="bid"> Eight Men Speak: A Play by Oscar Ryan et al.</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv116960c" data-itemtype="book" data-content-id="7d08855c-3ed9-35af-966d-4fb54651aa8d" data-content-id-type="bid"> Einsame Klasse: Das Leben der Marlene Dietrich</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv19qmdxh" data-itemtype="book" data-content-id="f99d55c7-8297-39e7-bea0-66d41fe4745e" data-content-id-type="bid"> El bullerengue colombiano entre el peinao y el despeluque: Subjetividad, intersensibilidad y prácticas danzarias</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvpwhd50" data-itemtype="book" data-content-id="488ce9ef-1e6f-35dc-b9ec-6dca924492be" data-content-id-type="bid"> El cuerpo escénico como territorio de la acción educativa.: Un análisis didáctico de la formación en artes escénicas</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv12100hh" data-itemtype="book" data-content-id="7d07ba7d-4fcc-3a6e-ab4e-a4ee560d4ccb" data-content-id-type="bid"> El guion cinematográfico como pieza audiovisual autónoma</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv16zjzjd" data-itemtype="book" data-content-id="b4adbd0c-36a6-3fb5-b3ad-7930b059f0b4" data-content-id-type="bid"> El muerto disimulado / Presumed Dead: Ângela de Azevedo</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv3f8nq5" data-itemtype="book" data-content-id="f018aeb8-8d8b-3d41-a1f1-f8bcecdda568" data-content-id-type="bid"> El obsesivo circular de la ficción: asedios a "Los siete locos" y "Los lanzallamas" de Roberto Arlt</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 1992 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvfb6zm7" data-itemtype="book" data-content-id="c25d3431-765d-340f-ba68-35a0d61d39f5" data-content-id-type="bid"> El teatro como herramienta de cambio</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv14nphhx" data-itemtype="book" data-content-id="6b8bfff5-4a81-362d-b0ca-8a75535bfaae" data-content-id-type="bid"> El teatro de Jorge Isaacs: Identidades y contextos</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv893gf6" data-itemtype="book" data-content-id="f8160ab2-700b-3d81-b2a3-9f4d51f29149" data-content-id-type="bid"> El teatro de Santiago García: Trayectoria intelectual de un artista</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1xxtz8" data-itemtype="book" data-content-id="5ec37af6-5529-3f4c-9508-acc4345149a8" data-content-id-type="bid"> El teatro norteamericano: una síntesis</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt3fgmbk" data-itemtype="book" data-content-id="fd6846b5-1d80-3ed7-9b81-0124e3b01740" data-content-id-type="bid"> El Teatro Pánico de Fernando Arrabal</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1hfqzzr" data-itemtype="book" data-content-id="d2d53420-f5be-3863-b50a-ebbd2512ef5b" data-content-id-type="bid"> Electric Salome: Loie Fuller's Performance of Modernism</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv3hh4h6" data-itemtype="book" data-content-id="c182bb14-595c-39b5-bc83-e7f2a269595d" data-content-id-type="bid"> Elektra: A Play by Ezra Pound</a> </td> <td class="txtr"> 1989 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctvr7f4p9" data-itemtype="book" data-content-id="25a592f8-b637-321c-aaa3-2169e6b0f921" data-content-id-type="bid"> The Elizabethan Theatre and "The Book of Sir Thomas More''</a> </td> <td class="txtr"> 1987 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt1kc6htm" data-itemtype="book" data-content-id="22a4b9e2-082b-3378-9ba2-411dadc93a0d" data-content-id-type="bid"> The Elocutionists: Women, Music, and the Spoken Word</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.235634" data-itemtype="book" data-content-id="5c60f783-d9bf-38ef-8963-743e8fece4b6" data-content-id-type="bid"> Embodying Black Experience: Stillness, Critical Memory, and the Black Body</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1xp3v06" data-itemtype="book" data-content-id="ccb8c231-b55a-3da4-97fe-9724837473bd" data-content-id-type="bid"> The Emergence of the Modern American Theater, 1914-1929</a> </td> <td class="txtr"> 1997 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1wxt9q" data-itemtype="book" data-content-id="5e33068c-5ed1-33b4-adf8-2c7195b2f710" data-content-id-type="bid"> Emerging Bodies: The Performance of Worldmaking in Dance and Choreography</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1j5dgnc" data-itemtype="book" data-content-id="19e85d2c-57c9-3848-895e-e028124f3ca0" data-content-id-type="bid"> En busca del dégagé perfecto: Terminología del ballet</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv7tq4g0" data-itemtype="book" data-content-id="04def5b0-8490-33d7-8bb5-de52750b5dc4" data-content-id-type="bid"> Encounters on Contested Lands: Indigenous Performances of Sovereignty and Nationhood in Québec</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv3dnqgv" data-itemtype="book" data-content-id="4e8d08a3-23a3-30cc-910f-e494e51eab63" data-content-id-type="bid"> Encuentros en cadena: las artes escénicas en Asia, África y América Latina</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 1998 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt24hwtk" data-itemtype="book" data-content-id="fc3163c8-cf0c-377b-84c3-b959feec26be" data-content-id-type="bid"> The Encyclopedia of Vaudeville</a> </td> <td class="txtr"> 1994 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt18mbg84" data-itemtype="book" data-content-id="a5c76153-0486-3a52-97b0-e771c0666822" data-content-id-type="bid"> Entertaining television: The BBC and popular television culture in the 1950s</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvfc560n" data-itemtype="book" data-content-id="afc1cfc5-493c-3af3-bffa-14ea78c7cf8e" data-content-id-type="bid"> Entre líneas, trazos y visiones: Modos de pensar y realizar la enseñanza del dibujo</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1xxv44" data-itemtype="book" data-content-id="bbdca3c5-8032-3680-b9cc-77d494abec43" data-content-id-type="bid"> Entrenamiento para siempre</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.327161" data-itemtype="book" data-content-id="570cccc0-d987-3de6-8c72-10c8ba4cc017" data-content-id-type="bid"> Envisioning Asia: On Location, Travel, and the Cinematic Geography of U.S. Orientalism</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt16gzmgt" data-itemtype="book" data-content-id="c10e6e51-2ea6-3875-b10e-d164752b902e" data-content-id-type="bid"> The Epic Cinema of Kumar Shahani</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt2tt9gf" data-itemtype="book" data-content-id="c109b861-0015-36ac-9406-0953011f1b70" data-content-id-type="bid"> Equal Time: Television and the Civil Rights Movement</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt24hwk6" data-itemtype="book" data-content-id="cff8720f-876f-311a-b8ea-8ea7e795a637" data-content-id-type="bid"> Eric Rohmer: Interviews</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv2bctbv" data-itemtype="book" data-content-id="26feb9a2-c405-36a0-8bc4-378b6d34c510" data-content-id-type="bid"> Eric Rohmer's Film Theory: From "École Scherer" to "Politique des Auteurs"</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7560/721944" data-itemtype="book" data-content-id="a0c02c9e-ecfe-3097-a987-31b6f6ce9930" data-content-id-type="bid"> Ernie Kovacs & Early TV Comedy: Nothing in Moderation</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5149/9781469657967_mews" data-itemtype="book" data-content-id="f2358547-1bf3-3ac4-a86a-c647e0ab8082" data-content-id-type="bid"> Essays on Brecht: Theater and Politics</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 1974 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt130jj8f" data-itemtype="book" data-content-id="4926746a-536f-317b-8cb8-6b0d7fbfae3b" data-content-id-type="bid"> The Essential Cult TV Reader</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2jcsz2" data-itemtype="book" data-content-id="3131e6fc-4d16-31c1-ae2f-15c739ac4e46" data-content-id-type="bid"> The Essential HBO Reader</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2jch2x" data-itemtype="book" data-content-id="17f619e4-e990-3877-a6f4-b2f65a4f7942" data-content-id-type="bid"> The Essential Science Fiction Television Reader</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt15m7kj7" data-itemtype="book" data-content-id="98720eb4-9a01-31c0-9052-037eab5b6d79" data-content-id-type="bid"> The Essential Tawfiq al-Hakim: Great Egyptian Writers</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1zxz04p" data-itemtype="book" data-content-id="767b9e5d-eaab-3b94-a86c-85b09919458a" data-content-id-type="bid"> Estonian Animation: Between Genius and Utter Illiteracy</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv86dh5c" data-itemtype="book" data-content-id="5db0e0de-8b4b-34dd-b838-e239d4823dda" data-content-id-type="bid"> Estudios sobre animación en Colombia: Acrobacias en la linea de tiempo</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hjctg" data-itemtype="book" data-content-id="dc9a71d8-6aad-3217-a26c-1e2893857066" data-content-id-type="bid"> Ethnic Humor in Multiethnic America</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1tfjcbd" data-itemtype="book" data-content-id="c9b2aa91-0899-3a29-b1bc-e9bf321f6a3e" data-content-id-type="bid"> The Ethos of Noh: Actors and Their Art</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7476/9788523211523" data-itemtype="book" data-content-id="adf98fc8-5a06-39a4-ab99-0bcf15b1ccb1" data-content-id-type="bid"> A etnocenologia e seu método: pesquisa contemporânea em artes cênicas</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5325/j.ctv14gp9bc" data-itemtype="book" data-content-id="9a08ee5f-6d31-3ccf-be1e-e8cd4f6d021d" data-content-id-type="bid"> Eugene O'Neill's Creative Struggle: The Decisive Decade, 1924–1933</a> </td> <td class="txtr"> 1992 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1228hfq" data-itemtype="book" data-content-id="525e30f7-0d1d-30a1-89cb-422162d1eaf1" data-content-id-type="bid"> Euripides: The Children of Heracles</a> </td> <td class="txtr"> 2001 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11smkfg" data-itemtype="book" data-content-id="490a3ff2-1b40-3165-8635-6c3f378b3a0b" data-content-id-type="bid"> Everynight Life: Culture and Dance in Latin/o America</a> </td> <td class="txtr"> 1997 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.6516374" data-itemtype="book" data-content-id="28f0241a-a6bf-3405-9543-dbfb5619422e" data-content-id-type="bid"> Evita, Inevitably: Performing Argentina's Female Icons Before and After Eva Perón</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt18mvm8s" data-itemtype="book" data-content-id="589e88c0-5e38-36bc-b537-d864bf3c48c8" data-content-id-type="bid"> Experimental British television</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt13x066k" data-itemtype="book" data-content-id="3a0a3c52-84e8-31a9-a35c-609854660cf0" data-content-id-type="bid"> Experimenting: Essays with Samuel Weber</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7560/722040" data-itemtype="book" data-content-id="efca109c-67ff-3285-bdbe-8492abd9af7a" data-content-id-type="bid"> Experiments in a Jazz Aesthetic</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv160btb3" data-itemtype="book" data-content-id="1ac0f6be-7996-3488-8d16-5fa8587fb475" data-content-id-type="bid"> Exporting Jim Crow: Blackface Minstrelsy in South Africa and Beyond</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1pc5g0d" data-itemtype="book" data-content-id="244c2da2-4fcc-363f-b264-229af1a1a6e1" data-content-id-type="bid"> Expressionism and Film</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qfbq0" data-itemtype="book" data-content-id="acf8799c-647a-3135-887e-82366ddfcf8e" data-content-id-type="bid"> The Exquisite Corpse of Asian America: Biopolitics, Biosociality, and Posthuman Ecologies</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv18b5dz8" data-itemtype="book" data-content-id="dc9487d7-21c6-3957-94ab-d1180d3ffe55" data-content-id-type="bid"> Extending ecocriticism: Crisis, collaboration and challenges in the environmental humanities</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctvnjbfvw" data-itemtype="book" data-content-id="0c64cf80-9b5e-3418-bfa9-6d851885dac6" data-content-id-type="bid"> Face-to-Face in Shakespearean Drama: Ethics, Performance, Philosophy</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20q1xkk" data-itemtype="book" data-content-id="858e7140-1a1d-3a5a-ad54-4a7a0ea15806" data-content-id-type="bid"> Fangs Of Malice: Hypocrisy Sincerity And Acting</a> </td> <td class="txtr"> 2002 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20ks01g" data-itemtype="book" data-content-id="f111af97-afb1-3e57-8ec6-b9913457cc16" data-content-id-type="bid"> Fantasies of Empire: The Empire Theatre of Varieties and the Licensing Controversy of 1894</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1c0gm3z" data-itemtype="book" data-content-id="a50870a2-9668-31b8-9b13-bade671d6357" data-content-id-type="bid"> Fascism and Theatre: Comparative Studies on the Aesthetics and Politics of Performance in Europe, 1925-1945</a> </td> <td class="txtr"> 1996 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvbkk569" data-itemtype="book" data-content-id="70c3f91f-030e-308d-8ba5-c33c6b94e870" data-content-id-type="bid"> Fatih Akin's Cinema and the New Sound of Europe</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt13x1bqq" data-itemtype="book" data-content-id="2244214b-f244-37aa-8f70-852df63d2f4c" data-content-id-type="bid"> Federal Theatre, 1935-1939: Plays, Relief, and Politics: Plays, Relief, and Politics</a> </td> <td class="txtr"> 1967 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt7s7m1" data-itemtype="book" data-content-id="db4d86ef-8d8c-3c79-ba61-663a19d0fcf8" data-content-id-type="bid"> Female Acts in Greek Tragedy</a> </td> <td class="txtr"> 2001 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1dhph8p" data-itemtype="book" data-content-id="a0302268-fd0d-388e-9a5a-33f16fb2a8c2" data-content-id-type="bid"> Female Spectacle: The Theatrical Roots of Modern Feminism</a> </td> <td class="txtr"> 2000 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt1pwt8n2" data-itemtype="book" data-content-id="1d40cfbf-eba2-3b78-a7d6-17108ca2ac22" data-content-id-type="bid"> Female Stars of British Cinema: The Women in Question</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt6wq6cj" data-itemtype="book" data-content-id="4dfce74e-cb67-32f8-bc7c-9a78a1c249c5" data-content-id-type="bid"> Feminism and the Honor Plays of Lope de Vega</a> </td> <td class="txtr"> 1994 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.5169198" data-itemtype="book" data-content-id="2b451c6e-19fd-3de0-9bda-030f027de78d" data-content-id-type="bid"> The Feminist Spectator as Critic</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv105bbxx" data-itemtype="book" data-content-id="cb2f73b4-8198-3c35-81eb-e72abe5095ef" data-content-id-type="bid"> Fictions of Presence: Theatre and Novel in Eighteenth-Century Britain</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt13x13f6" data-itemtype="book" data-content-id="52a71f3f-d320-3d3a-9273-ba4ed8dc333c" data-content-id-type="bid"> Fields of Play in Modern Drama</a> </td> <td class="txtr"> 1977 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctv186grzg" data-itemtype="book" data-content-id="035548c2-66d9-30ee-a6a9-c89854f76b7f" data-content-id-type="bid"> Film and the Anarchist Imagination: Expanded Second Edition</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1v2xssp" data-itemtype="book" data-content-id="cf305344-1643-3fb0-a310-24fcb3a90c57" data-content-id-type="bid"> The Film Museum Practice and Film Historiography: The Case of the Nederlands Filmmuseum (1946-2000)</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/klev6424" data-itemtype="book" data-content-id="24fac8ba-eba9-31a9-8d35-b30fbf387279" data-content-id-type="bid"> Film Performance: From Achievement to Appreciation</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv7xbs29" data-itemtype="book" data-content-id="cfbb3f3d-04a4-3c09-8a38-1f37cdf69a6a" data-content-id-type="bid"> Film Serials and the American Cinema, 1910-1940: Operational Detection</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvbkk3g8" data-itemtype="book" data-content-id="fad4bee7-9d19-3680-bd6a-05027f4d721f" data-content-id-type="bid"> Filmische Seitenblicke: Cinepoetische Exkursionen ins Kino von 1968</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvpmw4t3" data-itemtype="book" data-content-id="42a7dbb8-1616-3c4b-b881-859934a3a5b0" data-content-id-type="bid"> Film's First Family: The Untold Story of the Costellos</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1zxskc8" data-itemtype="book" data-content-id="478c2d9b-eb49-3010-81d0-046553a9be37" data-content-id-type="bid"> The Films of Bill Morrison: Aesthetics of the Archive</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv17rvx76" data-itemtype="book" data-content-id="721bce86-f2a0-3bd8-abba-71766fec6847" data-content-id-type="bid"> Finding Balanchine's Lost Ballets: Exploring the Early Choreography of a Master</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctvcj2t8j" data-itemtype="book" data-content-id="c4fd0837-02bb-3691-9a23-ddffcb19a158" data-content-id-type="bid"> The First Falls on Monday</a> </td> <td class="txtr"> 1972 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvgc62dd" data-itemtype="book" data-content-id="c1d61035-fe42-3a1a-90e4-7112c92d16f9" data-content-id-type="bid"> Flamenco Nation: The Construction of Spanish National Identity</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hj84g" data-itemtype="book" data-content-id="286f849d-5910-32d0-83b8-b1538c9ed59a" data-content-id-type="bid"> Flickers of Desire: Movie Stars of the 1910s</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.ctt1p0vjt6" data-itemtype="book" data-content-id="8046cb4e-486d-36d4-8edb-7f5cb7d73cf8" data-content-id-type="bid"> Flying Funny: My Life without a Net</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv6wgmrn" data-itemtype="book" data-content-id="864ba955-ce6e-3983-b8f8-37fd797f8f59" data-content-id-type="bid"> Focus on Playwrights: Portraits and Interviews</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv16zjxxm" data-itemtype="book" data-content-id="c89446e4-0d3c-324b-8343-13c91ab35056" data-content-id-type="bid"> The Force of Habit (La fuerza de la costumbre) by Guillén de Castro</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv16km0zf" data-itemtype="book" data-content-id="2f2762c6-9068-37ed-ba5c-3651ba8c2809" data-content-id-type="bid"> Foreign Parts: German and Austrian Actors on the British Stage 1933-1960</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt13x05j8" data-itemtype="book" data-content-id="8f6dc734-b315-3de5-b66f-00b12b949cbc" data-content-id-type="bid"> Forgetting Lot's Wife: On Destructive Spectatorship</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvrnfqpg" data-itemtype="book" data-content-id="3c14b10b-c38b-3778-90cb-6dbb6baf1821" data-content-id-type="bid"> Foucault’s theatres</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvkjb3cz" data-itemtype="book" data-content-id="7bdfcdfe-5d00-305e-8b88-e9f92193a0bc" data-content-id-type="bid"> The Fourth Estate at the Fourth Wall: Newspapers on Stage in July Monarchy France</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvr7fd7m" data-itemtype="book" data-content-id="2d8da6dd-6030-3601-8757-1a18ed464c26" data-content-id-type="bid"> Frame by Frame: A Materialist Aesthetics of Animated Cartoons</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvrdf2mb" data-itemtype="book" data-content-id="93081538-e9d0-327e-9237-bb5815e9f566" data-content-id-type="bid"> Framing Blackness: The African American Image in Film</a> </td> <td class="txtr"> 1993 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv16km1mr" data-itemtype="book" data-content-id="8d2b2f8e-ee87-38e8-9b66-0c2980bcf607" data-content-id-type="bid"> Franz Grillparzer’s Dramatic Heroines: Theatre and Women’s Emancipation in Nineteenth-Century Austria</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.9899173" data-itemtype="book" data-content-id="43991237-3639-3719-91d4-05dbffad5262" data-content-id-type="bid"> Freak Performances: Dissidence in Latin American Theater</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt18dzt6h" data-itemtype="book" data-content-id="5bfb5d44-eff0-3901-9d94-43b6c6ba6be3" data-content-id-type="bid"> Freakshow: First Person Media and Factual Television</a> </td> <td class="txtr"> 2000 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5vkm26" data-itemtype="book" data-content-id="170924de-702f-3dfe-b284-106a53e8069b" data-content-id-type="bid"> Fred Zinnemann and the Cinema of Resistance</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv6cfq27" data-itemtype="book" data-content-id="d8e1336f-6941-3744-accc-6505d4dccb1f" data-content-id-type="bid"> The French Play: Exploring Theatre 'Re-creatively' with Foreign Language Students</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20q21vm" data-itemtype="book" data-content-id="d28d0c8a-316c-3628-b757-96a8b59efa21" data-content-id-type="bid"> French Theatre Today: The View from New York, Paris, and Avignon</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/enge13690" data-itemtype="book" data-content-id="7474f80d-9d17-3a63-ac0c-3b12ce9f0164" data-content-id-type="bid"> Friendlyvision: Fred Friendly and the Rise and Fall of Television Journalism</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qdd1t" data-itemtype="book" data-content-id="62263efa-543d-3792-b632-e633b26f7b2e" data-content-id-type="bid"> The Frightful Stage: Political Censorship of the Theater in Nineteenth-Century Europe</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctv1005cv2" data-itemtype="book" data-content-id="f7133927-b756-3492-a590-77a255b893f7" data-content-id-type="bid"> Fritz Bennewitz in India: Intercultural Theatre with Brecht and Shakespeare</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20p59c5" data-itemtype="book" data-content-id="2c1c3f59-a447-3d23-a919-034f4efa3673" data-content-id-type="bid"> From Androboros to the First Amendment: A History of America's First Play</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt46mvrv" data-itemtype="book" data-content-id="079e7673-1b87-32a8-8aa8-c481622aa2a7" data-content-id-type="bid"> From Grain to Pixel: The Archival Life of Film in Transition</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1gxpcvz" data-itemtype="book" data-content-id="a114060b-a2e2-3ab3-8042-48633efab46a" data-content-id-type="bid"> From Happy Homemaker to Desperate Housewives: Motherhood and Popular Television</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv4cbhcz" data-itemtype="book" data-content-id="6c35af1f-132f-3267-a5c0-c1193b4f556b" data-content-id-type="bid"> From Scenarios to Networks: Performing the Intercultural in Colonial Mexico</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1ws7x1b" data-itemtype="book" data-content-id="62e7a317-330e-3ea2-90d5-2406cce4fce9" data-content-id-type="bid"> From the Romans to the Normans on the English Renaissance Stage</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.1525/j.ctt1pp6jj" data-itemtype="book" data-content-id="5fd383ce-98c6-3151-a85e-fcb0c58da7f0" data-content-id-type="bid"> Funny Pictures: Animation and Comedy in Studio-Era Hollywood</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.1525/j.ctt9qh27g" data-itemtype="book" data-content-id="424a1e7a-c8c6-3c5a-ab41-0964e87369ee" data-content-id-type="bid"> Funnybooks: The Improbable Glories of the Best American Comic Books</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvvh86kr" data-itemtype="book" data-content-id="98cb7934-08fa-3eee-a989-55991cd9fb34" data-content-id-type="bid"> Futures of Dance Studies</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1zkjz2n" data-itemtype="book" data-content-id="5a2b3896-9b96-3aad-9dad-193f788c7090" data-content-id-type="bid"> Futurist Cinema: Studies on Italian Avant-garde Film</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvjz81jv" data-itemtype="book" data-content-id="4d541d87-0d8b-343b-b924-2333493fb852" data-content-id-type="bid"> Gabriel García Márquez y el cine ¿Una buena amistad?</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1qv5p52" data-itemtype="book" data-content-id="32741b32-fb18-3778-b60a-f36a23407ce8" data-content-id-type="bid"> Gaelic Cape Breton Step-Dancing: An Historical and Ethnographic Perspective</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv3mt93h" data-itemtype="book" data-content-id="c7541c66-9b4e-3e52-a4a4-914055e950c4" data-content-id-type="bid"> Gaming the Stage: Playable Media and the Rise of English Commercial Theater</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/levy15276" data-itemtype="book" data-content-id="40dc2353-6a90-338b-881d-c1db32506bcf" data-content-id-type="bid"> Gay Directors, Gay Films?: Pedro Almodóvar, Terence Davies, Todd Haynes, Gus Van Sant, John Waters</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.cttq465d" data-itemtype="book" data-content-id="af97433b-37cc-3da1-80cc-7c821465de2e" data-content-id-type="bid"> Gender, Religion, and Modern Hindi Drama</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1d5nktb" data-itemtype="book" data-content-id="88b965ff-a4f8-3080-8d37-487d411d205b" data-content-id-type="bid"> Gene Kelly: The Making of a Creative Legend</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv18b5jhg" data-itemtype="book" data-content-id="ae99d735-6ddc-3711-9a97-b6c4018e16ef" data-content-id-type="bid"> The genres of Renaissance tragedy</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt1xcdzz" data-itemtype="book" data-content-id="24f8ff8b-7ad3-36ad-af57-36e1958212ff" data-content-id-type="bid"> George Gershwin: An Intimate Portrait</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctv182jrk1" data-itemtype="book" data-content-id="0bc3194a-f69c-389f-9e0b-bfaf86e92dd3" data-content-id-type="bid"> Geraldine Chaplin: The Gift of Film Performance</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvnb7j33" data-itemtype="book" data-content-id="c7984158-05e9-315a-b7c3-b9d882533c0f" data-content-id-type="bid"> The gestures of participatory art</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.5070882" data-itemtype="book" data-content-id="ce04f425-ab9e-3c97-aa4b-941386ebb011" data-content-id-type="bid"> The Ghosts of the Avant-Garde(s): Exorcising Experimental Theater and Performance</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11cw199" data-itemtype="book" data-content-id="74f29aa4-3f57-3550-92f1-7e86de9ccbef" data-content-id-type="bid"> Ghouls, Gimmicks, and Gold: Horror Films and the American Movie Business, 1953–1968</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/will14804" data-itemtype="book" data-content-id="9a7c1552-8472-3512-a6da-9bb56bed0950" data-content-id-type="bid"> Gilbert and Sullivan: Gender, Genre, Parody</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt15hvv36" data-itemtype="book" data-content-id="00fe5676-6c7a-3b90-a777-8f5920e7a96f" data-content-id-type="bid"> Gilgamesh: El hombre ante la muerte</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11696dk" data-itemtype="book" data-content-id="818b0803-2662-3c55-a930-c3f0e81856a6" data-content-id-type="bid"> Giuseppe Verdi: Genie der Oper</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvj7wmsb" data-itemtype="book" data-content-id="2d7bae2c-435b-3ba9-8328-01b5da321f40" data-content-id-type="bid"> Gladiators in Suits: Race, Gender, and the Politics of Representation in Scandal</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt1w6tfvk" data-itemtype="book" data-content-id="45c01bf4-b71e-3dfd-a749-61edd6e63a50" data-content-id-type="bid"> Global Tarantella: Reinventing Southern Italian Folk Music and Dances</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt14bs76q" data-itemtype="book" data-content-id="12f54e9a-8250-35ba-9ea1-de5b10182a01" data-content-id-type="bid"> Global Television: Co-Producing Culture</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qftdx" data-itemtype="book" data-content-id="f9c046d9-ad8f-3e9f-9025-680800943b23" data-content-id-type="bid"> Global TV: Exporting Television and Culture in the World Market</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1gxpbmv" data-itemtype="book" data-content-id="fe29c32b-8533-3b39-9072-fb96847a05cc" data-content-id-type="bid"> Globalization, Nationalism and the Text of ‘Kichaka-Vadha’: The First English Translation of the Marathi Anticolonial Classic, with a Historical Analysis of Theatre in British India</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/sing14718" data-itemtype="book" data-content-id="f3042401-ab1a-335e-8b51-b2ef17b09a72" data-content-id-type="bid"> Globalized Arts: The Entertainment Economy and Cultural Identity</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv47w584" data-itemtype="book" data-content-id="4949bbc4-5efd-3a62-9c9b-9a3d2a97e0ae" data-content-id-type="bid"> Godard and the Essay Film: A Form That Thinks</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5149/9781469657226_cottrell" data-itemtype="book" data-content-id="0ca986ba-d085-3910-a0ce-469ed54bdf68" data-content-id-type="bid"> Goethe's "Faust": Seven Essays</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 1976 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt16gzbqk" data-itemtype="book" data-content-id="20f165ec-a0d6-308d-aed7-7d5d23f44ced" data-content-id-type="bid"> Good Girls and Wicked Witches: Changing Representations of Women in Disney's Feature Animation, 1937-2001</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv116987z" data-itemtype="book" data-content-id="9e1840d2-e3c2-3b82-a763-7520ad42e76c" data-content-id-type="bid"> Gotthold Ephraim Lessing</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1168vgb" data-itemtype="book" data-content-id="d9402c32-b977-3244-8c59-2e6af115e0b6" data-content-id-type="bid"> Goya</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.2395380" data-itemtype="book" data-content-id="f5ed898d-e161-3fd7-b0af-e810fc46868e" data-content-id-type="bid"> Great Lengths: Seven Works of Marathon Theater</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qdgfh" data-itemtype="book" data-content-id="04d63a5a-9a7e-3b52-a87c-b7b141dc6999" data-content-id-type="bid"> The Great Tradition and Its Legacy: The Evolution of Dramatic and Musical Theater in Austria and Central Europe</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt1r20t1" data-itemtype="book" data-content-id="07e6ba11-db4e-3ff0-9f1b-fdca121172a2" data-content-id-type="bid"> The Great War on the Small Screen: Representing the First World War in Contemporary Britain</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5vjxk2" data-itemtype="book" data-content-id="ee1299a6-81ba-3721-9cd4-cfa061adff88" data-content-id-type="bid"> The Great White Way: Race and the Broadway Musical</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv7r41zm" data-itemtype="book" data-content-id="19be5461-5c91-3da3-935c-19cf6d520249" data-content-id-type="bid"> The Greatest Films Never Seen: The Film Archive and the Copyright Smokescreen</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11smn4s" data-itemtype="book" data-content-id="3de7e31e-792f-3ec9-b2d1-839f8461cb9b" data-content-id-type="bid"> Greenwich Village 1963: Avant-Garde Performance and the Effervescent Body</a> </td> <td class="txtr"> 1993 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvkrkk41" data-itemtype="book" data-content-id="c61aa69f-4d5f-3a4b-b351-cc372f78052b" data-content-id-type="bid"> Groteske Komödie: in den Zeichnungen Lodovico Ottavio Burnacini (1636-1707)</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11smk6v" data-itemtype="book" data-content-id="2dbede3e-6975-3b3e-bbd2-3e6b73da4f1f" data-content-id-type="bid"> G-Strings and Sympathy: Strip Club Regulars and Male Desire</a> </td> <td class="txtr"> 2002 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv6jm9vx" data-itemtype="book" data-content-id="5364d9c7-34fc-3076-aa6a-9534013a2d2e" data-content-id-type="bid"> Günther G. Bauer, ein "Ewigspielender": Schauspieler, Rektor, Spiel- und Mozartforscher</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctvthhctx" data-itemtype="book" data-content-id="28c99f46-9654-3917-b578-83072268889a" data-content-id-type="bid"> A Guru’s Journey: Pandit Chitresh Das and Indian Classical Dance in Diaspora</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7440/j.ctvt7x52j" data-itemtype="book" data-content-id="4143a87a-c5aa-3d2d-8f0f-f614abf25982" data-content-id-type="bid"> Hacia una dramaturgia nacional: cinco autores del Teatro Libre</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctvx1hvcn" data-itemtype="book" data-content-id="ae788546-a4a9-33d5-bdfc-db371087fc98" data-content-id-type="bid"> Hamilton and the Law: Reading Today's Most Contentious Legal Issues through the Hit Musical</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvw1d7c0" data-itemtype="book" data-content-id="9d1a5f26-c0ff-3d1a-89d4-0c6c76547a5c" data-content-id-type="bid"> Hamlet and the Vision of Darkness</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt1tqx9bp" data-itemtype="book" data-content-id="8c6d5f79-94e0-3bc4-9a64-38b66ef3bdc6" data-content-id-type="bid"> Hamlet Lives in Hollywood: John Barrymore and the Acting Tradition Onscreen</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv12sdz9d" data-itemtype="book" data-content-id="84986022-5be0-3b58-8d74-a360ddd687ab" data-content-id-type="bid"> Hamlet's Choice: Religion and Resistance in Shakespeare's Revenge Tragedies</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt16gh6sv" data-itemtype="book" data-content-id="d592bdcf-d073-3947-8c87-c1f841f13f8e" data-content-id-type="bid"> Handsome Heroes and Vile Villains: Masculinity in Disney's Feature Films</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctvcj2xgs" data-itemtype="book" data-content-id="e818cb5c-c1f5-3a56-9f53-c94b73996629" data-content-id-type="bid"> Hans Christian Andersen and the Romantic Theatre: A study of stage practices in the prenaturalistic Scandinavian theatre</a> </td> <td class="txtr"> 1971 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv47w4h2" data-itemtype="book" data-content-id="7f2aeb76-d988-31f7-9f5c-ac5e6c239602" data-content-id-type="bid"> Harlem's Theaters: A Staging Ground for Community, Class, and Contradiction, 1923-1939</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt1vgw5dt" data-itemtype="book" data-content-id="4301c6cc-f006-3b18-a39d-97de46fe8b04" data-content-id-type="bid"> Harlequin in Hogtown: George Luscombe and Toronto Workshop Productions</a> </td> <td class="txtr"> 1995 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctvxcrs80" data-itemtype="book" data-content-id="1a95612b-6829-3a31-ad37-d21bf8fec73f" data-content-id-type="bid"> Harold Hobson: The Complete Catalogue</a> </td> <td class="txtr"> 1995 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv5rdx7r" data-itemtype="book" data-content-id="58533af2-1080-3acf-988c-dd5d436dc151" data-content-id-type="bid"> Harold Pinter</a> </td> <td class="txtr"> 2001 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv161f3jt" data-itemtype="book" data-content-id="74a48257-a1ae-359e-bc58-316d994e88e0" data-content-id-type="bid"> Harry Dean Stanton: Hollywood's Zen Rebel</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1m3p04c" data-itemtype="book" data-content-id="25a5e603-d332-31d4-be73-e54323df3f4b" data-content-id-type="bid"> Harry Langdon: King of Silent Comedy</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.7380855" data-itemtype="book" data-content-id="d3404aa4-b5fe-36e0-8c57-b114b48be0f3" data-content-id-type="bid"> Haunted City: Three Centuries of Racial Impersonation in Philadelphia</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt4cgsgb" data-itemtype="book" data-content-id="e471b9f4-bbf9-333c-971b-8e892a5aeec4" data-content-id-type="bid"> Hawks on Hawks</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt1pwt58x" data-itemtype="book" data-content-id="517aae73-b157-332b-a786-ce89d03dd6e6" data-content-id-type="bid"> Heiner Müller's Democratic Theater: The Politics of Making the Audience Work</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt155j8q4" data-itemtype="book" data-content-id="36398313-9be1-3481-b229-d084d8dfcfaa" data-content-id-type="bid"> Henri-Georges Clouzot</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvcb5bvf" data-itemtype="book" data-content-id="63677f22-5134-37b6-8682-3e5894884952" data-content-id-type="bid"> Henrik Ibsen: The Man and the Mask</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt130hnv7" data-itemtype="book" data-content-id="e8f592ba-8513-3741-a839-dee39a65aba2" data-content-id-type="bid"> Here Comes The Showboat!</a> </td> <td class="txtr"> 1994 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt1vgw5c9" data-itemtype="book" data-content-id="6b7d983b-68f7-3642-9e55-6833db6d7bba" data-content-id-type="bid"> The Heresy of Wu Han: His play 'Hai Jui's Dismissal' and its role in China's Cultural Revolution</a> </td> <td class="txtr"> 1971 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt14bswbz" data-itemtype="book" data-content-id="d7bdd66d-3848-3dd3-b0ca-fab1d819e5df" data-content-id-type="bid"> Heroes In Hard Times</a> </td> <td class="txtr"> 1999 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1mtz57m" data-itemtype="book" data-content-id="a6909f58-4137-3ae8-a336-d1e23faf524f" data-content-id-type="bid"> He's Got Rhythm: The Life and Career of Gene Kelly</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2tvmhc" data-itemtype="book" data-content-id="bb973a69-dcbb-3a4c-978b-e811b19381b0" data-content-id-type="bid"> Hi There, Boys and Girls! America's Local Children's TV Programs</a> </td> <td class="txtr"> 2001 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt81t57" data-itemtype="book" data-content-id="38a99afe-628f-306b-b5a0-655b8d3e5f1f" data-content-id-type="bid"> The Historical Experience in German Drama: From Gryphius to Brecht</a> </td> <td class="txtr"> 2003 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7560/730496" data-itemtype="book" data-content-id="54eed372-0199-35b7-b542-f88d7650165c" data-content-id-type="bid"> A History of Hispanic Theatre in the United States: Origins to 1940</a> </td> <td class="txtr"> 1990 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qhk0t" data-itemtype="book" data-content-id="4809738a-7c20-3faa-8dd5-311d3d250b2c" data-content-id-type="bid"> A History of Independent Television in Wales</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/9781442681453" data-itemtype="book" data-content-id="3c340462-24e9-3762-b070-302a75b0bcc0" data-content-id-type="bid"> The History of Morris Dancing, 1438-1750</a> </td> <td class="txtr"> 1999 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt2ttbps" data-itemtype="book" data-content-id="4ba9d2c7-9fc6-3f78-ac38-f1c9a65b2b74" data-content-id-type="bid"> A History of the American Theatre from Its Origins to 1832</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt13x1s1n" data-itemtype="book" data-content-id="25add95c-e300-39dc-8028-9774fd4c123b" data-content-id-type="bid"> Hitchcock Lost and Found: The Forgotten Films</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.1525/j.ctt13x1hpm" data-itemtype="book" data-content-id="1be62513-19a3-3e6f-870f-8b1ad5ebbdd3" data-content-id-type="bid"> Hitchcock on Hitchcock, Volume 1: Selected Writings and Interviews</a> </td> <td class="txtr"> 1995 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5vkkwb" data-itemtype="book" data-content-id="7ee78c10-1f93-3eba-b8ba-cd699c474aa2" data-content-id-type="bid"> Hitchcock's Partner in Suspense: The Life of Screenwriter Charles Bennett</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvgs0b5p" data-itemtype="book" data-content-id="44e14462-489d-35f0-965b-20f56fcbb5ae" data-content-id-type="bid"> Hitchcock's People, Places, and Things</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/alle13574" data-itemtype="book" data-content-id="fd57d749-7c30-32ec-a0ae-ab4253e036c5" data-content-id-type="bid"> Hitchcock's Romantic Irony</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1x76fgm" data-itemtype="book" data-content-id="6aa0264f-5381-3f23-b4f8-adc372742af0" data-content-id-type="bid"> Hitler's Dancers: German Modern Dance and the Third Reich</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt14bs6q0" data-itemtype="book" data-content-id="9725d57a-3309-3f5f-9ab4-e2d5be1c8783" data-content-id-type="bid"> Hitler's Heroines: Stardom & Womanhood In Nazi Cinema</a> </td> <td class="txtr"> 2003 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv116975f" data-itemtype="book" data-content-id="3070695b-1b37-3317-afc8-1e1e7ecabada" data-content-id-type="bid"> Hitlers Kunsthändler: Hildebrand Gurlitt 1895-1956</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt15nmjm4" data-itemtype="book" data-content-id="9bbf8105-2a07-3ca2-af28-fa10ca1514cf" data-content-id-type="bid"> Hoedowns, Reels, and Frolics: Roots and Branches of Southern Appalachian Dance</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvwcjftd" data-itemtype="book" data-content-id="d45f0103-bda3-315c-9d91-a35a28d1f077" data-content-id-type="bid"> Hollywood Diplomacy: Film Regulation, Foreign Relations, and East Asian Representations</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hj2mj" data-itemtype="book" data-content-id="b58a2927-4211-3a98-a874-68dc499d824b" data-content-id-type="bid"> Hollywood on the Hudson: Film and Television in New York from Griffith to Sarnoff</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7560/730595" data-itemtype="book" data-content-id="570ef0c5-f885-3e8d-ba90-f8fe9db30245" data-content-id-type="bid"> Hollywood TV: The Studio System in the Fifties</a> </td> <td class="txtr"> 1994 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2jctq4" data-itemtype="book" data-content-id="8079784b-ac10-3706-bebd-2e7c0b0231f5" data-content-id-type="bid"> Hollywood Under Siege: Martin Scorsese, the Religious Right, and the Culture Wars</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt24hwpn" data-itemtype="book" data-content-id="ac2c99a5-5dea-3316-aae2-e6b750315bbb" data-content-id-type="bid"> Hollywood Unknowns: A History of Extras, Bit Players, and Stand-Ins</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctvswx837" data-itemtype="book" data-content-id="68b0d13d-cfb2-3107-acca-3ab049b90a58" data-content-id-type="bid"> Hot Feet and Social Change: African Dance and Diaspora Communities</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvxkn78v" data-itemtype="book" data-content-id="176e5461-b56f-32d5-9328-dfd88935cf67" data-content-id-type="bid"> Houdini: The Elusive American</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1dnn8rf" data-itemtype="book" data-content-id="86591598-54f4-35f7-a101-f489d33e514a" data-content-id-type="bid"> Householders: The Reizei Family in Japanese History</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.99247" data-itemtype="book" data-content-id="f7620ae1-09aa-3999-9387-7ba9f8ebcbee" data-content-id-type="bid"> How Sondheim Found His Sound</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hhxkv" data-itemtype="book" data-content-id="4ad0b995-0a17-3c29-a956-9746d18acb22" data-content-id-type="bid"> How Television Invented New Media</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5149/9780807894057_nance" data-itemtype="book" data-content-id="657077c3-1e35-343a-8fa0-5c5c69f8108c" data-content-id-type="bid"> How the Arabian Nights Inspired the American Dream, 1790-1935</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1d2dp37" data-itemtype="book" data-content-id="07184596-274d-3f60-82c2-2dada72f7f04" data-content-id-type="bid"> Human Rights and African Airwaves: Mediating Equality on the Chichewa Radio</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt21kk0z4" data-itemtype="book" data-content-id="541798ea-6d07-3869-bebd-450fa85b3d1e" data-content-id-type="bid"> Humor político audiovisual en Colombia: de los gloriosos años noventa en televisión a Internet como alternativa</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvfc528q" data-itemtype="book" data-content-id="c7b35dc1-8e48-34f4-b834-ea783edb1eb8" data-content-id-type="bid"> Humour</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt155jd7t" data-itemtype="book" data-content-id="2596b2e4-526f-3157-8d76-3906a4d7ff55" data-content-id-type="bid"> Humphrey Jennings</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctv1f45rj9" data-itemtype="book" data-content-id="2e9ac621-c446-3bde-a74b-f06b95a113e9" data-content-id-type="bid"> I Died a Million Times: Gangster Noir in Midcentury America</a> </td> <td class="txtr"> 2021 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.287881" data-itemtype="book" data-content-id="53229be2-3021-3dd8-b195-01e2720d78d6" data-content-id-type="bid"> I Want to Be Ready: Improvised Dance as a Practice of Freedom</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1b0fwbx" data-itemtype="book" data-content-id="4b474ee3-2a8d-3dd7-bf66-59c672e311c4" data-content-id-type="bid"> Ibsen's Kingdom: The Man and His Works</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv10sm995" data-itemtype="book" data-content-id="b2058b81-4a13-35ea-81f6-6683b4551ec0" data-content-id-type="bid"> The Iceman Cometh</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt7ztmwh" data-itemtype="book" data-content-id="53e5741b-e814-390b-8367-2d15dd5e16a3" data-content-id-type="bid"> The Idea of the Actor</a> </td> <td class="txtr"> 1984 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.17485" data-itemtype="book" data-content-id="7bc36586-dda2-346c-b286-badd781eb20d" data-content-id-type="bid"> The Idea of the Theater in Latin Christian Thought: Augustine to the Fourteenth Century</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.5176711" data-itemtype="book" data-content-id="399e44fa-0e76-3bba-b548-c1d246b59ec8" data-content-id-type="bid"> Identity, Place, and Subversion in Contemporary Mizrahi Cinema in Israel</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1b7x4sw" data-itemtype="book" data-content-id="51a4d702-b080-3eb5-b5a8-e677c658e1de" data-content-id-type="bid"> Ifá Divination, Knowledge, Power, and Performance</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11hpr2s" data-itemtype="book" data-content-id="4024992d-7edf-3c0d-b271-24ca335747e3" data-content-id-type="bid"> Illegible Will: Coercive Spectacles of Labor in South Africa and the Diaspora</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt1pk85zc" data-itemtype="book" data-content-id="a6d4fdec-d881-34a5-bbf8-2038bd738831" data-content-id-type="bid"> An Illini Place: Building the University of Illinois Campus</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.370207" data-itemtype="book" data-content-id="f0b9f1f1-b581-3d2b-8856-488f671828e3" data-content-id-type="bid"> Illusive Utopia: Theater, Film, and Everyday Performance in North Korea</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1v2xsr5" data-itemtype="book" data-content-id="535ba8c3-6569-3576-9cd2-d958c0096aff" data-content-id-type="bid"> Images of Occupation in Dutch Film: Memory, Myth, and the Cultural Legacy of War</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv9hj8kf" data-itemtype="book" data-content-id="d78ead2c-2fae-3f41-9771-70faf4c46315" data-content-id-type="bid"> The Imaginary Geography of Hollywood Cinema 1960–2000</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvs32svh" data-itemtype="book" data-content-id="e4e78616-5b06-3d4a-8feb-7d48b3e27cd6" data-content-id-type="bid"> Imaginary Plots and Political Realities in the Plays of William Congreve</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvzxxb56" data-itemtype="book" data-content-id="855ad556-a3e2-3d07-bc6d-e4adb62930a7" data-content-id-type="bid"> Imitation Artist: Gertrude Hoffmann’s Life in Vaudeville and Dance</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.8765418" data-itemtype="book" data-content-id="604539c1-f363-3775-afff-7da7133e61c9" data-content-id-type="bid"> Immersions in Cultural Difference: Tourism, War, Performance</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5149/9781469637785_gasta" data-itemtype="book" data-content-id="5fb0b220-68c3-32c1-a889-db972ad6581b" data-content-id-type="bid"> Imperial Stagings: Empire and Ideology in Transatlantic Theater of Early Modern Spain and the New World</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1mmftns" data-itemtype="book" data-content-id="525dc690-4fbf-329c-9a4d-6ee3e707e9d0" data-content-id-type="bid"> Improvising Out Loud: My Life Teaching Hollywood How to Act</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1dwstpt" data-itemtype="book" data-content-id="1086bdb9-5af3-32a7-b116-0dd12e693aed" data-content-id-type="bid"> In and Out of the Mind: Greek Images of the Tragic Self</a> </td> <td class="txtr"> 1992 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctv1005c88" data-itemtype="book" data-content-id="0ae1b601-0c46-3bbc-8017-5ada40d72be6" data-content-id-type="bid"> In Defence of Theatre: Aesthetic Practices and Social Interventions</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt6wqhmz" data-itemtype="book" data-content-id="36107b90-9d78-36ef-970c-c6f1a7f11a60" data-content-id-type="bid"> In Search of Korean Traditional Opera: Discourses of Ch'angguk</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvgs09gk" data-itemtype="book" data-content-id="844be0c1-723f-37eb-845e-ac11ae3b0834" data-content-id-type="bid"> In Search of Legitimacy: How Outsiders Become Part of the Afro-Brazilian Capoeira Tradition</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv43vt58" data-itemtype="book" data-content-id="0f5ec949-686b-3e44-ae62-a2caa83027f5" data-content-id-type="bid"> In Search of Our Warrior Mothers: Women Dramatists of the Black Arts Movement</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv119911q" data-itemtype="book" data-content-id="c183b73a-280c-30c2-a044-ff9d0e0b14f0" data-content-id-type="bid"> In the Wake of Medea: Neoclassical Theater and the Arts of Destruction</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv125jqm1" data-itemtype="book" data-content-id="c80929f4-387b-3e4c-8f27-ce2af23983ba" data-content-id-type="bid"> Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt22rbjnh" data-itemtype="book" data-content-id="b016df80-0bc7-3801-8021-5ac07584b2c9" data-content-id-type="bid"> The Indecent Screen: Regulating Television in the Twenty-First Century</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1xxssd" data-itemtype="book" data-content-id="ab02f81a-79e1-3a86-80d8-1df66ac3379b" data-content-id-type="bid"> Independent Theatre in Contemporary Europe: Structures – Aesthetics – Cultural Policy</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvx1htc6" data-itemtype="book" data-content-id="05ace087-23df-3c09-b898-9f103b5dede9" data-content-id-type="bid"> Indians and Wannabes: Native American Powwow Dancing in the Northeast and Beyond</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5149/9781469639246_braider" data-itemtype="book" data-content-id="53e9f8ac-8eb6-37c2-8fdf-98217fdedfd8" data-content-id-type="bid"> Indiscernible Counterparts: The Invention of the Text in French Classical Drama</a> </td> <td class="txtr"> 2002 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt7zx1k" data-itemtype="book" data-content-id="0d2ef126-b438-3a94-a469-f44906a6f5d4" data-content-id-type="bid"> Ingmar Bergman: Magician and Prophet</a> </td> <td class="txtr"> 1999 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvcwnrxn" data-itemtype="book" data-content-id="3735e132-51ff-321a-95e9-ee02062ece3e" data-content-id-type="bid"> Ingmar Bergman's The Silence: Pictures in the Typewriter, Writings on the Screen</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctvfjcz6s" data-itemtype="book" data-content-id="ed4dd818-73ea-3dbb-96c8-7570ee51dfb5" data-content-id-type="bid"> Insecurity: Perils and Products of Theatres of the Real</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt3fgm4p" data-itemtype="book" data-content-id="66394bf0-5e49-3573-8a90-3b14c2b808b6" data-content-id-type="bid"> Inside Conducting</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11hpnq5" data-itemtype="book" data-content-id="f716bd51-19d6-3b62-8146-0607a82d79a8" data-content-id-type="bid"> Inside the Mouse: Work and Play at Disney World</a> </td> <td class="txtr"> 1995 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1j2n9b6" data-itemtype="book" data-content-id="e48b99f1-094a-3e05-bd9f-a873d6560118" data-content-id-type="bid"> Inside the TV Writer's Room: Practical Advice For Succeeding in Television</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1mf71rg" data-itemtype="book" data-content-id="fbcb88a5-2f82-3a75-bb4f-92cd4b7a3f2b" data-content-id-type="bid"> The international politics of the Middle East: Second edition</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt3fh5b5" data-itemtype="book" data-content-id="5604322d-b9fa-3931-88eb-e605a4743542" data-content-id-type="bid"> International Women Stage Directors</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.ctt20fw7d7" data-itemtype="book" data-content-id="a03ea2b7-2f44-3954-8092-7a811b9a1077" data-content-id-type="bid"> Interpreting Anime</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1j1nt9h" data-itemtype="book" data-content-id="36e63920-2dea-3359-99ec-2a2edfd0d25e" data-content-id-type="bid"> Interrogating The Shield</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5149/9781469658087_newman" data-itemtype="book" data-content-id="5408de2a-ce1e-363d-91ca-7244672f0693" data-content-id-type="bid"> The Intervention of Philology: Gender, Learning, and Power in Lohenstein's Roman Plays</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2000 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hjqp1" data-itemtype="book" data-content-id="fbbbb097-4478-3d25-a3e1-ddde8e31b134" data-content-id-type="bid"> The Intimate Act Of Choreography</a> </td> <td class="txtr"> 1982 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hjz9v" data-itemtype="book" data-content-id="c2901bde-949f-3156-9a24-92b788b2a054" data-content-id-type="bid"> Intrepid Laughter: Preston Sturges and the Movies</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt14bt9d7" data-itemtype="book" data-content-id="8f3c87cf-16e7-398d-83e4-c9c13c1651b4" data-content-id-type="bid"> Invasion of the Mind Snatchers: Television's Conquest of America in the Fifties</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvvn504" data-itemtype="book" data-content-id="0309f9bc-0a15-3dc6-a9dc-5f34e107a4b6" data-content-id-type="bid"> Inventing the Performing Arts: Modernity and Tradition in Colonial Indonesia</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt14btcb5" data-itemtype="book" data-content-id="272d5535-6e25-306a-8225-3e0c8e7d004a" data-content-id-type="bid"> Inventing Vietnam: The War in Film and Television</a> </td> <td class="txtr"> 1991 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2005vhp" data-itemtype="book" data-content-id="95f9de5a-5fab-363a-990d-8907a58f07f1" data-content-id-type="bid"> The Invention of Robert Bresson: The Auteur and His Market</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt3fgn44" data-itemtype="book" data-content-id="63765ad8-609e-3df7-98aa-b72ae9347409" data-content-id-type="bid"> Ira Aldridge: Performing Shakespeare in Europe, 1852-1855</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt1814grn" data-itemtype="book" data-content-id="b1c64c4d-407b-37ca-9476-290dfb6859cf" data-content-id-type="bid"> Ira Aldridge: The Last Years, 1855-1867</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctv2n7m9f" data-itemtype="book" data-content-id="43c52be9-e5c7-3e5f-88b4-1be4c42c1c28" data-content-id-type="bid"> The Irish Art of Controversy</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvrs8xv1" data-itemtype="book" data-content-id="2cc77859-b4b8-3ec0-9010-35414f366520" data-content-id-type="bid"> Irish on the Move: Performing Mobility in American Variety Theatre</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt130hrm2" data-itemtype="book" data-content-id="615f1de9-df47-3582-a3e6-dd6e193b5be0" data-content-id-type="bid"> The Irish Play on the New York Stage, 1874-1966</a> </td> <td class="txtr"> 1997 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1j5d679" data-itemtype="book" data-content-id="743adc52-2c0d-3671-abcd-d0e51e0ab3c3" data-content-id-type="bid"> Irish Theater in America: Essays on Irish Theatrical Diaspora</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvrf8922" data-itemtype="book" data-content-id="8d0a9542-73f9-3b38-9f1d-cff430c5288c" data-content-id-type="bid"> Irving Berlin: New York Genius</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.171012" data-itemtype="book" data-content-id="4c4dc4b1-2c0b-35c0-99ea-f5f26dab160f" data-content-id-type="bid"> It</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt3fgsn5" data-itemtype="book" data-content-id="8bbcdb6b-35f8-3248-b141-e98b9d00447d" data-content-id-type="bid"> Italian Neorealist Cinema</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2tvj26" data-itemtype="book" data-content-id="b2971fec-cde8-32cf-bc7b-fa0c706cb1f5" data-content-id-type="bid"> Iwao Takamoto: My Life with a Thousand Characters</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt155j53c" data-itemtype="book" data-content-id="4a643c7d-f1f2-369c-a1bd-be0292a020f5" data-content-id-type="bid"> Jack Rosenthal</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt1xp3wfd" data-itemtype="book" data-content-id="d7bcc299-42ea-377b-9ed4-be1fbd9a030b" data-content-id-type="bid"> Jan Svankmajer</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv4cbgzq" data-itemtype="book" data-content-id="c136db29-ac7b-33db-b775-6397449051ce" data-content-id-type="bid"> Jarmila Novotná: My Life in Song</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1m3221q" data-itemtype="book" data-content-id="281930ec-9b60-3a57-bdc9-e0981fd04341" data-content-id-type="bid"> Javanese Shadow Plays, Javanese Selves</a> </td> <td class="txtr"> 1987 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv18b5fv6" data-itemtype="book" data-content-id="b45bd558-49e5-37bc-b1f8-ca3c0421c9a6" data-content-id-type="bid"> Jean Epstein: Corporeal cinema and film philosophy</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt46n14t" data-itemtype="book" data-content-id="83f9352e-81d8-3c77-b5b2-e03288ebafef" data-content-id-type="bid"> Jean Epstein: Critical Essays and New Translations</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt16gh7jq" data-itemtype="book" data-content-id="d98a56b7-378d-3289-84ad-443b14d31a27" data-content-id-type="bid"> Jean-Luc Godard, Cinema Historian</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv15d7z3n" data-itemtype="book" data-content-id="882d572d-c390-3dd7-addb-67f77c3b40a3" data-content-id-type="bid"> Jeden Tag Cowboy. Viktor Rogy: Der Kunstrebell vom Wörthersee</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv6gqxhn" data-itemtype="book" data-content-id="f28cec3b-c12e-36a4-9518-adaca623b74b" data-content-id-type="bid"> Jerome Robbins: A Life in Dance</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvd1c9g3" data-itemtype="book" data-content-id="e06e84f8-5be5-3996-b2d0-85b4c8fd9916" data-content-id-type="bid"> The Jeu d'Adam: MS Tours 927 and the Provenance of the Play</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvd1c8zd" data-itemtype="book" data-content-id="89530d0b-c205-3a97-a6a4-98d88c9d8c05" data-content-id-type="bid"> Jewish Difference and the Arts in Vienna: Composing Compassion in Music and Biblical Theater</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20mvgkt" data-itemtype="book" data-content-id="459b5013-d6ef-31fa-8dcd-109d036abd99" data-content-id-type="bid"> Jews and the Making of Modern German Theatre</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv18b5fmk" data-itemtype="book" data-content-id="77abd992-3f02-351e-8d7b-b31e1cf7d088" data-content-id-type="bid"> Jimmy McGovern</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt16gz97v" data-itemtype="book" data-content-id="cab13d4e-cd08-3aa2-9a30-89c0680c14b4" data-content-id-type="bid"> John Coates: The Man Who Built the Snowman</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1w1vn40" data-itemtype="book" data-content-id="cefab17d-e5eb-39b2-8164-317960353a49" data-content-id-type="bid"> John Ford: Baroque English Dramatist</a> </td> <td class="txtr"> 1977 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt18j8wtg" data-itemtype="book" data-content-id="82169606-9f2e-37b6-a6f3-7e7daad67823" data-content-id-type="bid"> John Lasseter</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt1r2712" data-itemtype="book" data-content-id="a0f97999-aadf-387d-bccd-7bebe31deb33" data-content-id-type="bid"> John Mills and British Cinema: Masculinity, Identity and Nation</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctvnwc0wr" data-itemtype="book" data-content-id="623f36a1-007a-3828-8bd6-1fa9f421ee35" data-content-id-type="bid"> Josephine Baker and Katherine Dunham: Dances in Literature and Cinema</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2tv8t7" data-itemtype="book" data-content-id="b9c6fb9f-6e7f-3537-b429-5514c6418ab5" data-content-id-type="bid"> Joss Whedon: Conversations</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv18b5f08" data-itemtype="book" data-content-id="73c23db3-f6e0-33ec-934f-9ce3de4a8822" data-content-id-type="bid"> Julien Duvivier</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt155j939" data-itemtype="book" data-content-id="3f62e82c-a830-34c9-af2b-0ccc3ac1cc08" data-content-id-type="bid"> Julio Medem</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1w8h3z3" data-itemtype="book" data-content-id="1a5c8516-5d4a-3100-9229-2566706105b7" data-content-id-type="bid"> Junctures in Women's Leadership: The Arts</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt1ztdvv6" data-itemtype="book" data-content-id="0cffe4bd-5077-3d6f-8779-69b31db45564" data-content-id-type="bid"> Just One of the Boys: Female-to-Male Cross-Dressing on the American Variety Stage</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt2tt9w7" data-itemtype="book" data-content-id="8844a3b5-e8c1-35a1-a9ea-5122da5611a3" data-content-id-type="bid"> Justice Provocateur: Jane Tennison and Policing in Prime Suspect</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvvn0wq" data-itemtype="book" data-content-id="ccc27271-23e6-32e5-8412-e8dc66a84074" data-content-id-type="bid"> Kabuki Plays on Stage. Volume 2: Villainy and Vengeance, 1773-1799</a> </td> <td class="txtr"> 2002 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt6wqthj" data-itemtype="book" data-content-id="eabb0e35-6554-3616-a31d-2e656fcb87e3" data-content-id-type="bid"> Kabuki's Forgotten War: 1931–1945</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt130jn6v" data-itemtype="book" data-content-id="70ed4972-f279-384c-b9e7-ac7d1618b15a" data-content-id-type="bid"> Karagiozis: Culture and Comedy in Greek Puppet Theater</a> </td> <td class="txtr"> 1992 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1168psk" data-itemtype="book" data-content-id="f0efdd55-c273-366d-944d-9c91c220bab8" data-content-id-type="bid"> Käthe Kollwitz: Die Liebe, der Krieg und die Kunst</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv103xdnj" data-itemtype="book" data-content-id="e23937b1-8efd-3447-a973-094ccb267c21" data-content-id-type="bid"> Katherine Jackson French: Kentucky's Forgotten Ballad Collector</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt24hv9w" data-itemtype="book" data-content-id="1e0c2e3e-f369-3473-a057-7ce2157d483c" data-content-id-type="bid"> Kathryn Bigelow: Interviews</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvjf9wq6" data-itemtype="book" data-content-id="d6dc324f-ffa0-3514-ac6c-bda92410705c" data-content-id-type="bid"> Keeping Together in Time: Dance and Drill in Human History</a> </td> <td class="txtr"> 1995 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt1xhr4wz" data-itemtype="book" data-content-id="94714784-ad7e-3ee2-8df8-b96f87621cf9" data-content-id-type="bid"> Kelly Reichardt</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt13x0bs9" data-itemtype="book" data-content-id="aaed6da6-d765-3d2d-ac81-61370473ff7f" data-content-id-type="bid"> Kierkegaard and the Staging of Desire: Rhetoric and Performance in a Theology of Eros</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20q1snp" data-itemtype="book" data-content-id="551a8dab-492f-3696-bf07-d27b55f1613b" data-content-id-type="bid"> Kitchen Sink Realisms: Domestic Labor, Dining, and Drama in American Theatre</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5325/j.ctv14gp9zp" data-itemtype="book" data-content-id="4e9c29e7-78c0-3736-a595-b72fd3162095" data-content-id-type="bid"> Kitsch and Art</a> </td> <td class="txtr"> 1996 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvd58s59" data-itemtype="book" data-content-id="3ecddb5c-dd8b-3fc3-abfe-7fb4b6b72985" data-content-id-type="bid"> Kitty Clive, or The Fair Songster</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvnb7j8h" data-itemtype="book" data-content-id="312989e4-578f-3337-9c19-10b10409cb5a" data-content-id-type="bid"> Kitty Marion: Actor and activist</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1168jm2" data-itemtype="book" data-content-id="d3883997-9b20-3835-b2af-c64a8d0f5b7b" data-content-id-type="bid"> Kleine Weltgeschichte des Theaters</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv180h59d" data-itemtype="book" data-content-id="eeeff670-267d-3aff-ae85-83bf4440872d" data-content-id-type="bid"> 'Komm' aus dem Staunen nicht heraus': Memoiren</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1dnnbhs" data-itemtype="book" data-content-id="de68f968-8367-30a1-b766-c20417f5c8e6" data-content-id-type="bid"> The Korean Singer of Tales</a> </td> <td class="txtr"> 1994 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv14jx9fw" data-itemtype="book" data-content-id="b8db71c8-c4e2-3fc6-adbe-42166c853e62" data-content-id-type="bid"> La acrobacia: Un recurso para la formación corporal del artista escénico</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvt9k26r" data-itemtype="book" data-content-id="99d4e7e7-9390-3755-aa66-a2ee9dc5587b" data-content-id-type="bid"> La caravana académica de los siete pecados capitales</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvwvr361" data-itemtype="book" data-content-id="7e3fe51e-9721-3a4c-980b-0f8246706489" data-content-id-type="bid"> La Meri and Her Life in Dance: Performing the World</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvc5pfdt" data-itemtype="book" data-content-id="ee8e7021-cb3a-37e9-b30a-2d08273805ce" data-content-id-type="bid"> La puesta en escena de sus mensaje: Palabras, voz y cuerpo</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11cw267" data-itemtype="book" data-content-id="fe193693-92fb-3db3-a70e-3fc98b06ccf6" data-content-id-type="bid"> Lamb at the Altar: The Story of a Dance</a> </td> <td class="txtr"> 1994 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctv80c9bd" data-itemtype="book" data-content-id="e75f8069-9cb1-3a5a-9fba-3768eb9014f2" data-content-id-type="bid"> Lana and Lilly Wachowski</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt7zvpqd" data-itemtype="book" data-content-id="035c3ec2-0d53-336c-af0a-ef3c2f7de619" data-content-id-type="bid"> The Language of Balinese Shadow Theater</a> </td> <td class="txtr"> 1987 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvswx748" data-itemtype="book" data-content-id="557175c4-f6bc-3c1f-986d-fff448679f85" data-content-id-type="bid"> Languid Bodies, Grounded Stances: The Curving Pathway of Neoclassical Odissi Dance</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv14npj0n" data-itemtype="book" data-content-id="f489aaed-5044-3401-b16e-a13c5b5b9110" data-content-id-type="bid"> Las Herramientas básicas del actor aplicadas al teatro de títeres</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvdtpjv0" data-itemtype="book" data-content-id="1644433a-2ee7-3e6e-aa9e-cba5ce8e60c6" data-content-id-type="bid"> Last Acts: The Art of Dying on the Early Modern Stage</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11315wh" data-itemtype="book" data-content-id="45de0983-88f9-332f-908e-5ae8f4612e37" data-content-id-type="bid"> The Last "Darky": Bert Williams, Black-on-Black Minstrelsy, and the African Diaspora</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv7tq4kf" data-itemtype="book" data-content-id="58cefd08-b087-3690-b561-e377d06d2614" data-content-id-type="bid"> Late Bresson and the Visual Arts: Cinema, Painting and Avant-Garde Experiment</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1zxxzjz" data-itemtype="book" data-content-id="d7bcfd79-9aee-37ce-bae4-9b478ee23187" data-content-id-type="bid"> Latin American Women Dramatists: Theater, Texts, and Theories</a> </td> <td class="txtr"> 1998 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2005rn9" data-itemtype="book" data-content-id="ecc18b8a-fa50-3bfb-8a15-909532e0757b" data-content-id-type="bid"> Latina Performance: Traversing the Stage</a> </td> <td class="txtr"> 1999 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv47w26t" data-itemtype="book" data-content-id="b59727ff-02a7-30a3-8e20-7ece9ad8ea5a" data-content-id-type="bid"> Latinx Theater in the Times of Neoliberalism</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctv2n7jwr" data-itemtype="book" data-content-id="69fd5702-ef55-37c8-9074-354e9a5e717d" data-content-id-type="bid"> Laughing Matters: Farce and the Making of Absolutism in France</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt80c41" data-itemtype="book" data-content-id="ecd8f85d-8ae3-380a-9cb1-6e1da3883acf" data-content-id-type="bid"> Laugh-Makers: Stand-Up Comedy as Art, Business, and Life-Style</a> </td> <td class="txtr"> 1990 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv18phhp6" data-itemtype="book" data-content-id="74bb8f95-320c-30e5-b6eb-bb2c3fc5ef93" data-content-id-type="bid"> Laughter and Civility: The Theater of Emma Gad</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1rv6235" data-itemtype="book" data-content-id="e8771d7d-06b1-38f0-98d4-5dd80dfc9d27" data-content-id-type="bid"> Laurence Olivier</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv69t2xk" data-itemtype="book" data-content-id="de54bddc-7b08-3e62-9818-69c8f4363e93" data-content-id-type="bid"> Le diable en ville: Alexandre Silvio et l’émergence de la modernité populaire au Québec</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv69t47t" data-itemtype="book" data-content-id="4db285ce-fe93-39f6-bcac-fafb795d550d" data-content-id-type="bid"> Le triomphe de la scène intermédiale: Théâtre et médias à l'ère électrique</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qcwhf" data-itemtype="book" data-content-id="1d848b9c-19b6-3b62-8fc5-cf475ee34533" data-content-id-type="bid"> Learning Senegalese Sabar: Dancers and Embodiment in New York and Dakar</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7476/9788576286981" data-itemtype="book" data-content-id="8e8639c2-1d26-3b2b-87c7-9b61515f26a2" data-content-id-type="bid"> Leia o livro, veja o filme, compre o disco: a formação do cinema juvenil brasileiro</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1btbz1h" data-itemtype="book" data-content-id="d643829c-8971-34a2-ab11-0b13e884b81b" data-content-id-type="bid"> Lela in Bali: History through Ceremony in Cameroon</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv69szmg" data-itemtype="book" data-content-id="225ae3ba-6db1-35e0-a55f-038126bb8c49" data-content-id-type="bid"> L'entrécriture de Marguerite Duras: Du texte au film en passant par la scène</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv116961w" data-itemtype="book" data-content-id="8b72cb54-0122-366f-9989-64887536e92e" data-content-id-type="bid"> Leonardo da Vinci: Das Auge der Welt</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1168qfw" data-itemtype="book" data-content-id="249b6c78-0119-3f23-a236-e534ee0abd4a" data-content-id-type="bid"> Leonardo: Der Mann, der alles wissen wollte</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5149/9781469645629_gladhart" data-itemtype="book" data-content-id="f151e4f7-4ea8-3546-baee-62991965fd62" data-content-id-type="bid"> The Leper in Blue: Coercive Performance and the Contemporary Latin American Theater</a> </td> <td class="txtr"> 2000 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvq4c1n5" data-itemtype="book" data-content-id="283d83fc-cddb-3cd7-87e5-7537e265a1d5" data-content-id-type="bid"> The Letters of Cole Porter</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv69sxnh" data-itemtype="book" data-content-id="389fc5a0-78c9-340c-93a9-9217453d8b06" data-content-id-type="bid"> L'éveil culturel. Théâtre et presse à Montréal, 1898-1914: Théâtre et presse à Montréal, 1898-1914</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvqmp2xh" data-itemtype="book" data-content-id="a51c938f-4764-3f1f-8311-2ec92f34a8a8" data-content-id-type="bid"> Lewis Milestone: Life and Films</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qhd6g" data-itemtype="book" data-content-id="c4ec3601-c1db-3376-b0af-b04310b13c10" data-content-id-type="bid"> Life on Mars: From Manchester to New York</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1ffjhtd" data-itemtype="book" data-content-id="97c519c8-eb94-36e7-a7d6-f281ba5ae7c6" data-content-id-type="bid"> Lights! Camera! Arkansas!: From Broncho Billy to Billy Bob Thornton</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt13x1sv2" data-itemtype="book" data-content-id="1584c293-9a97-32ac-a3d9-982699763f87" data-content-id-type="bid"> Like a Bomb Going Off: Leonid Yakobson and Ballet as Resistance in Soviet Russia</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1ch79b9" data-itemtype="book" data-content-id="8edcc2cf-083f-3371-a602-6629120a75cd" data-content-id-type="bid"> Lincoln and Shakespeare</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv69tcj9" data-itemtype="book" data-content-id="fe546b29-1d3c-3f55-ad61-4f3bf5e52e86" data-content-id-type="bid"> L'interview à la radio et à la télévision: Préface de Jacques Languirand</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv111jhj2" data-itemtype="book" data-content-id="b6896b4e-5756-39f3-9014-b63add037352" data-content-id-type="bid"> Lion Songs: Thomas Mapfumo and the Music That Made Zimbabwe</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv17db456" data-itemtype="book" data-content-id="6411ed81-de47-367f-92b0-806608fda28b" data-content-id-type="bid"> Liquor Store Theatre</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv5jxm7n" data-itemtype="book" data-content-id="91db915f-a3da-335e-bfe6-db8a919ccc9c" data-content-id-type="bid"> List Cultures: Knowledge and Poetics from Mesopotamia to Buzzfeed</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt18mvm2p" data-itemtype="book" data-content-id="a4a97f64-1db5-3511-9b39-d1de0800e611" data-content-id-type="bid"> Listen in terror: British horror radio from the advent of broadcasting to the digital age</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hjd67" data-itemtype="book" data-content-id="bdc14523-5e6f-3a09-8789-5446b7d8622f" data-content-id-type="bid"> A Little Solitaire: John Frankenheimer and American Film</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvvncn4" data-itemtype="book" data-content-id="3ebcf8d1-b003-317b-9c81-2f6425c1dcc4" data-content-id-type="bid"> Liturgical Drama and the Reimagining of Medieval Theater</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.4653571" data-itemtype="book" data-content-id="03de4bd1-9279-3a42-8705-eeb9e341ddca" data-content-id-type="bid"> Lives in Play: Autobiography and Biography on the Feminist Stage</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt2ttcgb" data-itemtype="book" data-content-id="b4380ede-6f5e-38d3-b5ef-61d19517eeaf" data-content-id-type="bid"> The Living and the Undead: Slaying Vampires, Exterminating Zombies</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1675bsq" data-itemtype="book" data-content-id="e6ccab89-6bab-3dee-b224-9722a664f2db" data-content-id-type="bid"> Living Quixote: Performative Activism in Contemporary Brazil and the Americas</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt1xchh1" data-itemtype="book" data-content-id="159ffacf-8ba1-3f44-a278-82eea9c681fc" data-content-id-type="bid"> Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1b4cwtm" data-itemtype="book" data-content-id="922d8db6-ace5-32c2-bde9-d71db1d442ea" data-content-id-type="bid"> Local Acts: Community-Based Performance in the United States</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20q22n0" data-itemtype="book" data-content-id="764f3577-a613-3eb5-9e1f-eb554a336794" data-content-id-type="bid"> London in a Box: Englishness and Theatre in Revolutionary America</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20q23hd" data-itemtype="book" data-content-id="fecdb9c5-d18f-3986-9e76-147555ebbd5e" data-content-id-type="bid"> London's West End Actresses and the Origins of Celebrity Charity, 1880-1920</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvcwn2t7" data-itemtype="book" data-content-id="030e9373-badd-35d5-bf35-786250510d63" data-content-id-type="bid"> Lone Scherfig's Italian for Beginners</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.8057432" data-itemtype="book" data-content-id="ee79cac4-41b5-39b8-9721-7802e98efbd2" data-content-id-type="bid"> Long Suffering: American Endurance Art as Prophetic Witness</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.1525/j.ctt1x3s3sd" data-itemtype="book" data-content-id="2e6879f1-9030-3354-bd56-c75f05db8dc4" data-content-id-type="bid"> Los Angeles Documentary and the Production of Public History, 1958-1977</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt9qdpwg" data-itemtype="book" data-content-id="020896b2-0379-3a5b-b0dc-70fac242bd24" data-content-id-type="bid"> Los aposentos del Corral de la Cruz: 1581-1823: Estudio y documentos</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv18dvtq7" data-itemtype="book" data-content-id="c2afae81-b10d-31c4-8f82-c36688cdef4a" data-content-id-type="bid"> Los viajes de tespis</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5149/9781469627786_porter" data-itemtype="book" data-content-id="584842ef-7f49-3d74-aef1-7e21cc969dd8" data-content-id-type="bid"> Lost Sound: The Forgotten Art of Radio Storytelling</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11cw9vf" data-itemtype="book" data-content-id="d5dfd57e-97d9-3b00-b07b-e18ecdd1b6c5" data-content-id-type="bid"> Love Saves the Day: A History of American Dance Music Culture, 1970-1979</a> </td> <td class="txtr"> 2003 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctvscxt84" data-itemtype="book" data-content-id="72cf9f41-588e-304f-87fc-c41cdb5a507a" data-content-id-type="bid"> Lucrecia Martel</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvcwnmsx" data-itemtype="book" data-content-id="a9486e49-e045-3805-9ef9-129d011002a5" data-content-id-type="bid"> Lukas Moodysson’s Show Me Love</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt130hwxn" data-itemtype="book" data-content-id="462e567e-7f8d-3e99-a036-b11896796c56" data-content-id-type="bid"> Lum and Abner: Rural America and the Golden Age of Radio</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctvv417pk" data-itemtype="book" data-content-id="de6a27ab-fbdb-328e-9592-2b79ca90152f" data-content-id-type="bid"> Lyric as Comedy: The Poetics of Abjection in Postwar America</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt1hj9xjx" data-itemtype="book" data-content-id="bbf33c5a-7bab-3dfb-9a33-cb8e23c01631" data-content-id-type="bid"> The Magic World of Orson Welles</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt6wqhkg" data-itemtype="book" data-content-id="24159509-84dd-35eb-8f6d-0989f9b3d335" data-content-id-type="bid"> Mainstream Culture Refocused: Television Drama, Society, and the Production of Meaning in Reform-Era China</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1q1cqxp" data-itemtype="book" data-content-id="7d956499-cfa5-3d9a-96cd-1df658ea52cc" data-content-id-type="bid"> Making Believe: Screen Performance and Special Effects in Popular Cinema</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11sn21g" data-itemtype="book" data-content-id="e1b283bf-5b2f-338b-bf9c-23ca6a3b1821" data-content-id-type="bid"> Making Light: Haydn, Musical Camp, and the Long Shadow of German Idealism</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1dnn98p" data-itemtype="book" data-content-id="e5259adc-90cf-30db-bae3-ac12fe68850c" data-content-id-type="bid"> Making Personas: Transnational Film Stardom in Modern Japan</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv10rrcd2" data-itemtype="book" data-content-id="9622395b-6f49-3647-b5fa-02e218ec883e" data-content-id-type="bid"> Malay Arts and Crafts</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2tvn6g" data-itemtype="book" data-content-id="cfb7dce5-12ce-3ed6-9d15-2d6f2201b75b" data-content-id-type="bid"> Mama Rose's Turn: The True Story of America's Most Notorious Stage Mother</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvss40hs" data-itemtype="book" data-content-id="c09b3475-efad-31cb-8637-455641547f5f" data-content-id-type="bid"> The Man from the Third Row: Hasse Ekman, Swedish Cinema and the Long Shadow of Ingmar Bergman</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1hrdn2n" data-itemtype="book" data-content-id="1cf1fd98-b8f5-3e6c-bc7c-9b1610a7ae41" data-content-id-type="bid"> Manual de dramaturgia</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1djmbq6" data-itemtype="book" data-content-id="ed19a59e-03e7-3141-8891-4418f511b36d" data-content-id-type="bid"> Manual de producción audiovisual</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/9781442698550" data-itemtype="book" data-content-id="45574732-7f55-344b-8a1b-7a87824adab1" data-content-id-type="bid"> Marco Bellocchio: The Cinematic I in the Political Sphere</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.17570" data-itemtype="book" data-content-id="0f39ae9f-b460-34ac-9574-5b12d1a556fd" data-content-id-type="bid"> Margaret Webster: A Life in the Theater</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv893j8p" data-itemtype="book" data-content-id="bfacde69-37fc-3a9a-a7e6-cd04b693c69e" data-content-id-type="bid"> María la de El Paraíso: El juicio en televisión de la novela de Jorge Isaacs: los ecos y el dolor de lo que pudo haber sido y no fue</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv16kkzd7" data-itemtype="book" data-content-id="eb51d3ca-95a3-3f08-b500-964f941320a8" data-content-id-type="bid"> Marie NDiaye: Inhospitable Fictions</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt1vgw5fb" data-itemtype="book" data-content-id="87a2b4fb-3e1c-3d55-811f-61c985d27e10" data-content-id-type="bid"> Marivaux</a> </td> <td class="txtr"> 1965 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvs09r93" data-itemtype="book" data-content-id="cbf5127d-6d7d-3d2c-a96f-16ad3e757938" data-content-id-type="bid"> Martial Law Melodrama: Lino Brocka’s Cinema Politics</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv14npk67" data-itemtype="book" data-content-id="92a20c83-231e-336a-957d-5e7b8eda59cf" data-content-id-type="bid"> Mary Ellen Bute: Pioneer Animator</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt1r1zht" data-itemtype="book" data-content-id="ea55c89a-8ece-3154-a8b5-856142e3fc90" data-content-id-type="bid"> Masculinity and Popular Television</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt1vgw78q" data-itemtype="book" data-content-id="069e526c-d12b-3236-9a00-22045cf9c2d2" data-content-id-type="bid"> Masks of the Prophet: The Theatrical World of Karl Kraus</a> </td> <td class="txtr"> 1982 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv16kkxsf" data-itemtype="book" data-content-id="51070ba7-e385-3f63-b98a-e93f3ee4f751" data-content-id-type="bid"> Maud Beerbohm Tree: Lady of the Stage</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt155jbtn" data-itemtype="book" data-content-id="207f93d7-d418-3afe-8bf2-2e694d76d9c7" data-content-id-type="bid"> Maurice Pialat</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv13xpr4j" data-itemtype="book" data-content-id="75f1133c-8a39-3c41-a58e-6273f439b426" data-content-id-type="bid"> Max Reinhardt: Regiebuch zu Hugo von Hofmannsthals "Jedermann" | Edition & Kommentare</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv13xpr52" data-itemtype="book" data-content-id="f2eddadc-100a-3a8b-a919-1c1fe2d1ad91" data-content-id-type="bid"> Max Reinhardt: Regiebuch zu Hugo von Hofmannsthals "Jedermann" | Faksimile</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20h6vmw" data-itemtype="book" data-content-id="991df281-fa79-3716-bdfd-410835cf627a" data-content-id-type="bid"> May All Your Fences Have Gates: Essays on the Drama of August Wilson</a> </td> <td class="txtr"> 1994 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt1jd957c" data-itemtype="book" data-content-id="b56097f1-0d72-32ba-9d6b-be4cb03bc912" data-content-id-type="bid"> May Irwin: Singing, Shouting, and the Shadow of Minstrelsy</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11sn2b4" data-itemtype="book" data-content-id="e119c10f-af40-38d2-8bef-81294cc0c43e" data-content-id-type="bid"> Meaning in Motion: New Cultural Studies of Dance</a> </td> <td class="txtr"> 1997 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/9781442677159" data-itemtype="book" data-content-id="92b04174-3f18-32db-b20a-6122aee53d44" data-content-id-type="bid"> A Measured Pace: Toward a Philosophical Understanding of the Arts of Dance</a> </td> <td class="txtr"> 1995 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt1r26bz" data-itemtype="book" data-content-id="b9a7815d-69c9-32d1-9cd5-9ba25075c614" data-content-id-type="bid"> Media Audiences: Television, Meaning and Emotion</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvd58sc6" data-itemtype="book" data-content-id="a5584533-4380-3f9f-be60-00cd417112b0" data-content-id-type="bid"> Media in Postapartheid South Africa: Postcolonial Politics in the Age of Globalization</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt1r292f" data-itemtype="book" data-content-id="bcee3054-cc46-3566-bef6-1bd500e8d61e" data-content-id-type="bid"> The Media in Scotland</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt163tbq7" data-itemtype="book" data-content-id="07935005-726d-3cd7-9d2f-9c18fb1c72cd" data-content-id-type="bid"> Medicine's Moving Pictures: Medicine, Health, and Bodies in American Film and Television</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt1kgqt2j" data-itemtype="book" data-content-id="25c80c23-333a-33b2-98af-f3c65c528df7" data-content-id-type="bid"> Medieval English Theatre 38: "The Best Pairt of our Play". Essays presented to John J. McGavin. Part II</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt1wx91m4" data-itemtype="book" data-content-id="ab707a84-6685-3c88-8515-ac04b25df2d4" data-content-id-type="bid"> Medieval English Theatre 39: Stagecraft, Performance, Reception</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctv3s8n76" data-itemtype="book" data-content-id="cf95ce73-9573-372f-b991-1dda7cd2ab1e" data-content-id-type="bid"> The Medieval Theater of Cruelty: Rhetoric, Memory, Violence</a> </td> <td class="txtr"> 1999 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt1t6p5gg" data-itemtype="book" data-content-id="f6f1395c-656d-377f-8f3b-0f117bb4ca59" data-content-id-type="bid"> Medieval Theatre Performance: Actors, Dancers, Automata and their Audiences</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20h6v34" data-itemtype="book" data-content-id="0a6d20ff-2e9d-3650-bc7f-67516b523943" data-content-id-type="bid"> Melodramatic Formations: American Theatre and Society, 1820-1870</a> </td> <td class="txtr"> 1992 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1zxz077" data-itemtype="book" data-content-id="79cfc9bb-1be5-3ee6-8c9a-0d44aa0f9003" data-content-id-type="bid"> The Melodramatic Thread: Spectacle and Political Culture in Modern France</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv113160j" data-itemtype="book" data-content-id="43487ba1-45cc-3072-a6bd-49ad990409f0" data-content-id-type="bid"> Memoirs from the Beijing Film Academy: The Genesis of China’s Fifth Generation</a> </td> <td class="txtr"> 2002 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.11731" data-itemtype="book" data-content-id="d1b534b0-caa1-3213-9ea6-249c410aff96" data-content-id-type="bid"> Memories of the Revolution: The First Ten Years of the WOW Café Theater</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11vcfwz" data-itemtype="book" data-content-id="3ed281d5-6667-3f61-b0d4-f0ff9f427bfe" data-content-id-type="bid"> The Memory Marketplace: Witnessing Pain in Contemporary Irish and International Theatre</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1b3h95z" data-itemtype="book" data-content-id="a7249fb4-078d-38f1-baa1-32306fae9d1a" data-content-id-type="bid"> Men with stakes: Masculinity and the gothic in US television</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt130j7tc" data-itemtype="book" data-content-id="f3f96d2d-010d-3190-bcc7-32c24f56262c" data-content-id-type="bid"> The Merchant Prince of Poverty Row: Harry Cohn of Columbia Pictures</a> </td> <td class="txtr"> 1993 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt14btdgq" data-itemtype="book" data-content-id="79e0c196-2ce1-3874-8fc7-580f604fd88d" data-content-id-type="bid"> Messiahs of 1933: How American Yiddish Theatre Survived Adversity through Satire</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv47w3zw" data-itemtype="book" data-content-id="0f579ddc-1945-3824-af7e-520da7cba2d5" data-content-id-type="bid"> Method Acting and Its Discontents: On American Psycho-Drama</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt14bthg5" data-itemtype="book" data-content-id="613614f6-9e30-3057-989d-79b4de41bee4" data-content-id-type="bid"> Metropolitan Tragedy: Genre, Justice, and the City in Early Modern England</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.4344102" data-itemtype="book" data-content-id="b9bf304d-efcb-3758-a4a7-ade6b2b4d9cf" data-content-id-type="bid"> Mex-Ciné: Mexican Filmmaking, Production, and Consumption in the Twenty-first Century</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt20vxq1q" data-itemtype="book" data-content-id="9b5ee63a-eefd-3bc5-994d-02a1fe0df85e" data-content-id-type="bid"> Michael Bay</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1v2xtzr" data-itemtype="book" data-content-id="b4ec3c0b-819a-358d-92b2-639347ef65f8" data-content-id-type="bid"> Michael Curtiz: A Life in Film</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv2dswp9" data-itemtype="book" data-content-id="b3484246-c4b7-39e0-bfba-9f5739b2ea26" data-content-id-type="bid"> Michael Haneke: The Intermedial Void</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt6wp746" data-itemtype="book" data-content-id="4b1b9033-2cf8-3f43-8b4f-00f11b5b2376" data-content-id-type="bid"> Mickery Theater: An Imperfect Archaeology</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qhm9m" data-itemtype="book" data-content-id="1ebea226-243a-3a27-8204-cc737f6d5ed5" data-content-id-type="bid"> A Mickey Mouse Reader</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.9380984" data-itemtype="book" data-content-id="58ec58e9-ae08-396a-bdd8-c2883e0167a9" data-content-id-type="bid"> Microdramas: Crucibles for Theater and Time</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/9781442696747" data-itemtype="book" data-content-id="d363245a-af8c-320b-8eb0-697799419c32" data-content-id-type="bid"> Middleton & Rowley: Forms of Collaboration in the Jacobean Playhouse</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.ctttsr1g" data-itemtype="book" data-content-id="6ff83356-38eb-3f53-afc3-72aabd638066" data-content-id-type="bid"> Migrations of Gesture</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1npdtq" data-itemtype="book" data-content-id="5c7a933e-9a7c-30f3-8c51-12238c049794" data-content-id-type="bid"> Millennial Stages: Essays and Reviews 2001-2005</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvqsf0j9" data-itemtype="book" data-content-id="1d1a06b1-163a-3ae4-ab47-6ebee472f58c" data-content-id-type="bid"> The Mind-Body Stage: Passion and Interaction in the Cartesian Theater</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv7r42p6" data-itemtype="book" data-content-id="367a7076-ac42-39e5-a217-7379f7cb15d4" data-content-id-type="bid"> Minority Stages: Sino-Indonesian Performance and Public Display</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt2ttbn9" data-itemtype="book" data-content-id="5d7ec290-f961-31f8-b8c3-9381614690ab" data-content-id-type="bid"> The Miriam Tradition: Teaching Embodied Torah</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvr7fd3p" data-itemtype="book" data-content-id="8dbd8b3c-c219-301d-8bb0-d2ca81952374" data-content-id-type="bid"> Mister Rogers' Neighborhood, 2nd Edition: Children, Television, and Fred Rogers</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hjsmz" data-itemtype="book" data-content-id="271969ec-823a-3f0c-9710-5499d5f56479" data-content-id-type="bid"> Mister Rogers Neighborhood: Children Television And Fred Rogers</a> </td> <td class="txtr"> 1996 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv16t6kjz" data-itemtype="book" data-content-id="a796d209-1000-3bbc-9df0-d0d590df2f3f" data-content-id-type="bid"> Mixed Faith and Shared Feeling: Theater in Post-Reformation London</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/parl11630" data-itemtype="book" data-content-id="8c3f5141-09a0-3627-96f3-64a9414fb385" data-content-id-type="bid"> Modern Armenian Drama: An Anthology</a> </td> <td class="txtr"> 2001 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20q1xr5" data-itemtype="book" data-content-id="9e6bdffa-f841-39c7-9bff-b102213b1a55" data-content-id-type="bid"> Modern Czech Theatre: Reflector and Conscience of a Nation</a> </td> <td class="txtr"> 2000 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.1525/j.ctt13x1gp4" data-itemtype="book" data-content-id="8861271d-614a-3045-ae81-dd2232244e0a" data-content-id-type="bid"> Modern Drama and the Rhetoric of Theater</a> </td> <td class="txtr"> 1992 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1pk3jns" data-itemtype="book" data-content-id="d8f30188-2c94-3786-b8b1-d45a1a3116b7" data-content-id-type="bid"> Modern Ghost Melodramas: "What Lies Beneath"</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20h6s6q" data-itemtype="book" data-content-id="92da6998-a3d5-3bf0-8abf-5ed7268529bf" data-content-id-type="bid"> Modern Hamlets & Soliloquies: An Expanded Edition</a> </td> <td class="txtr"> 2003 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/nich14946" data-itemtype="book" data-content-id="f3831c97-9336-38ac-a1cb-bfcc39242328" data-content-id-type="bid"> Modern Korean Drama: An Anthology</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.cttttd3m" data-itemtype="book" data-content-id="ef5b2a4e-53e2-3f65-b96d-78da54176fb4" data-content-id-type="bid"> Modern Nature</a> </td> <td class="txtr"> 1991 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctvxcrjtk" data-itemtype="book" data-content-id="57e45fc3-3a8b-3f89-b28c-dbd7ab8572e8" data-content-id-type="bid"> Modern Scottish Culture</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1gxp6c9" data-itemtype="book" data-content-id="3d580899-2e2d-3584-80ae-0924b6be1025" data-content-id-type="bid"> Molière on Stage: What’s So Funny?</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20mvfqd" data-itemtype="book" data-content-id="4a364d89-560b-384a-8b6d-b4c82da9782b" data-content-id-type="bid"> Molière, the French Revolution, and the Theatrical Afterlife</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1f1hddb" data-itemtype="book" data-content-id="b317be00-4db9-3491-82f1-b207c0891579" data-content-id-type="bid"> Moment of Action: Riddles of Cinematic Performance</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hjrqz" data-itemtype="book" data-content-id="f3a47022-d76b-3e19-998a-3c1142605259" data-content-id-type="bid"> The Moment Of Movement: Dance Improvisation</a> </td> <td class="txtr"> 1988 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.cttttdzt" data-itemtype="book" data-content-id="914164df-b729-3afe-ad10-262d7521cf3c" data-content-id-type="bid"> Monitored Peril: Asian Americans and the Politics of TV Representation</a> </td> <td class="txtr"> 1994 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7560/717596" data-itemtype="book" data-content-id="4d4d5e6d-a2b5-360a-aaf4-5dd14756441c" data-content-id-type="bid"> Monkey Business Theatre</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv16t6k2q" data-itemtype="book" data-content-id="9d0b1b21-4ab6-3fcd-b822-2dbc4e4edbff" data-content-id-type="bid"> A Monster with a Thousand Hands: The Discursive Spectator in Early Modern England</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11smvqg" data-itemtype="book" data-content-id="307d2f25-a2d1-32a9-8b15-0eaad7abaf8a" data-content-id-type="bid"> More Art in the Public Eye</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctvkjb3r8" data-itemtype="book" data-content-id="3ca938a7-6840-3963-832f-0768c88eb4a4" data-content-id-type="bid"> Mormons, Musical Theater, and Belonging in America</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1vjqncn" data-itemtype="book" data-content-id="54810d6a-56e3-3527-9100-ccdf88d90ed3" data-content-id-type="bid"> Morta Las Vegas: CSI and the Problem of the West</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20mvbd9" data-itemtype="book" data-content-id="e1220138-4830-3ea9-b599-49e111b20032" data-content-id-type="bid"> The Most American Thing in America: Circuit Chautauqua as Performance</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt17kk8zx" data-itemtype="book" data-content-id="b87ac7aa-584f-3a55-9185-0a09dfe02b7a" data-content-id-type="bid"> Motion and Representation: The Language of Human Movement</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt130jqxp" data-itemtype="book" data-content-id="9b4a9160-8c90-35bf-adaa-e6f999eefa6a" data-content-id-type="bid"> Mountaineer Jamboree: Country Music in West Virginia</a> </td> <td class="txtr"> 1984 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt1xck15" data-itemtype="book" data-content-id="693f3178-db03-3a62-bb2b-d5f3487552ca" data-content-id-type="bid"> The Mouse Machine: Disney and Technology</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.ctt20vxpvn" data-itemtype="book" data-content-id="8f65e04e-c925-3258-b211-1efbc8072a35" data-content-id-type="bid"> Movement, Action, Image, Montage: Sergei Eisenstein and the Cinema in Crisis</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt22rbjqj" data-itemtype="book" data-content-id="ccd3300d-9cd8-3bc6-b7cd-5261cfe02339" data-content-id-type="bid"> The Movies as a World Force: American Silent Cinema and the Utopian Imagination</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1b9x1rr" data-itemtype="book" data-content-id="976fbf12-63c1-33e8-b5ed-9394b1c930c5" data-content-id-type="bid"> Moving Color: Early Film, Mass Culture, Modernism</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt1647csj" data-itemtype="book" data-content-id="40e86fb5-c2e9-3760-ba10-ebc34cd17a62" data-content-id-type="bid"> Moving Consciously: Somatic Transformations through Dance, Yoga, and Touch</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1j7x9t3" data-itemtype="book" data-content-id="1c3a14f4-7ea1-3b8c-a6ef-3eee77e9e4ea" data-content-id-type="bid"> Moving Performances: Divas, Iconicity, and Remembering the Modern Stage</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv12fw7g0" data-itemtype="book" data-content-id="e0f4ce72-5f7b-3da6-90e9-3d751f486b23" data-content-id-type="bid"> Mozart: Genius und Eros</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1168jxq" data-itemtype="book" data-content-id="34901b0d-f2da-35bd-87a8-e4cb2a88b629" data-content-id-type="bid"> Mozarts Klaviersonaten: Ein musikalischer Werkführer</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.6949764" data-itemtype="book" data-content-id="b5b2526b-82f9-3970-86da-e46abc672a37" data-content-id-type="bid"> Murder Most Queer: The Homicidal Homosexual in the American Theater</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20p58j8" data-itemtype="book" data-content-id="af420c56-3e29-38f1-9a8f-0d1b1f5565d7" data-content-id-type="bid"> Music for the Melodramatic Theatre in Nineteenth-Century London and New York</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv5jxpcg" data-itemtype="book" data-content-id="4a899082-e3b5-322f-b303-b0292a4ddc93" data-content-id-type="bid"> Music in Disney's Animated Features: Snow White and the Seven Dwarfs to The Jungle Book</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt2111ffv" data-itemtype="book" data-content-id="842b12b2-5c98-31f5-a20c-36fc5cbef7ed" data-content-id-type="bid"> The Music of Arbeau's Orchésographie</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt13x10x0" data-itemtype="book" data-content-id="bf640554-9032-3dd1-a4f1-20940131b206" data-content-id-type="bid"> Musical Experience of Composer, Performer, Listener</a> </td> <td class="txtr"> 1950 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt15jvx64" data-itemtype="book" data-content-id="8f5b5395-c7e9-367e-b801-3320ace3d911" data-content-id-type="bid"> My Sister's Keeper</a> </td> <td class="txtr"> 1969 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.3871892" data-itemtype="book" data-content-id="d4c62524-b645-3e6b-bd0c-3e6c98e7c81e" data-content-id-type="bid"> The Myopia and Other Plays by David Greenspan</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv2bct6x" data-itemtype="book" data-content-id="b8443349-7418-3fe3-b26a-f6964533c3b3" data-content-id-type="bid"> Mysteries of Cinema: Reflections on Film Theory, History and Culture 1982-2016</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1198wch" data-itemtype="book" data-content-id="01f0be8d-dbc9-3fc6-8054-654dfc32f2e4" data-content-id-type="bid"> National Abjection: The Asian American Body Onstage</a> </td> <td class="txtr"> 2002 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt2ttzwr" data-itemtype="book" data-content-id="84f71505-5cd5-39bd-ae97-a7605dbec8f0" data-content-id-type="bid"> National Performance: Representing Quebec from Expo 67 to Celine Dion</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.1525/j.ctt1pp6sx" data-itemtype="book" data-content-id="bf799855-de1b-307d-b1ec-ff509ca07b71" data-content-id-type="bid"> NBC: America’s Network</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvzgb7b9" data-itemtype="book" data-content-id="e3a1516f-5ed3-3a3c-9e41-4acbf29df14f" data-content-id-type="bid"> The Necropolitical Theater: Race and Immigration on the Contemporary Spanish Stage</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv12102kh" data-itemtype="book" data-content-id="603bb772-56c5-384d-8e38-3a77e9070155" data-content-id-type="bid"> Negotiating Performance: Gender, Sexuality, and Theatricality in Latin/o America</a> </td> <td class="txtr"> 1994 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20h6v4n" data-itemtype="book" data-content-id="6a635fca-303a-34a2-b750-e70dff13bf32" data-content-id-type="bid"> Neighboring on the Air: Cooking KMA Radio Homemakers</a> </td> <td class="txtr"> 1991 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt24hvnq" data-itemtype="book" data-content-id="1303a14e-6459-3336-b2cb-0f4ea9d40ce4" data-content-id-type="bid"> Neil Jordan: Interviews</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1gn69rv" data-itemtype="book" data-content-id="67a6b9f6-5891-35ab-844e-88bfc203a89f" data-content-id-type="bid"> Never Done: A History of Women's Work in Media Production</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qh6f5" data-itemtype="book" data-content-id="4d0a2622-c04b-36df-8946-1bbe22512e01" data-content-id-type="bid"> New Dance</a> </td> <td class="txtr"> 1971 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt32bq27" data-itemtype="book" data-content-id="8193a659-54f2-34f9-a1a5-972d7b7b8910" data-content-id-type="bid"> A New Hymnal for Colleges and Schools</a> </td> <td class="txtr"> 1992 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt46mx80" data-itemtype="book" data-content-id="0da654d3-1572-3deb-a5b0-0ac691871d68" data-content-id-type="bid"> New Mythological Figures in Spanish Cinema: Dissident Bodies under Franco</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1220nq6" data-itemtype="book" data-content-id="0305aa78-a7e4-3ba7-a8ac-2f9b2de57e62" data-content-id-type="bid"> New World Drama: The Performative Commons in the Atlantic World, 1649-1849</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.1729062" data-itemtype="book" data-content-id="8ecfc028-24dc-39f3-a70e-d58f3b8ade5d" data-content-id-type="bid"> No Safe Spaces: Re-casting Race, Ethnicity, and Nationality in American Theater</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.ctttvc1p" data-itemtype="book" data-content-id="a6494e0a-1f0c-3732-a947-01267fc2ccee" data-content-id-type="bid"> Nomadic Identities: The Performance of Citizenship</a> </td> <td class="txtr"> 1999 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv102bf05" data-itemtype="book" data-content-id="92da6cfd-e760-35d4-ab45-1a03bf2866e5" data-content-id-type="bid"> Not Bad for Delancey Street: The Rise of Billy Rose</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.166699" data-itemtype="book" data-content-id="3e0f2561-0659-3e67-8fb0-3af99e966a3b" data-content-id-type="bid"> Not the Other Avant-Garde: The Transnational Foundations of Avant-Garde Performance</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv14jx7wn" data-itemtype="book" data-content-id="cb89fd80-02f2-38b9-b472-000d00ee82f8" data-content-id-type="bid"> Novela y dramaturgia</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/mcca12160" data-itemtype="book" data-content-id="c974a9d4-33a9-365a-b3ca-fa1ad1dcd4e9" data-content-id-type="bid"> NPR: The Trials and Triumphs of National Public Radio</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1nqb52" data-itemtype="book" data-content-id="297a7efd-507c-3347-89b2-5ed5b6d5e8fc" data-content-id-type="bid"> Nutcracker Nation: How an Old World Ballet Became a Christmas Tradition in the New World</a> </td> <td class="txtr"> 2003 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2005sqt" data-itemtype="book" data-content-id="ae4ce3f6-f4ba-30e6-b35a-8d6f4b5f5738" data-content-id-type="bid"> O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5149/9781469645834_clark" data-itemtype="book" data-content-id="b4c6b5de-f49a-3cdd-ba95-583ebd776655" data-content-id-type="bid"> Objective Methods for Testing Authenticity and the Study of Ten Doubtful Comedias Attributed to Lope de Vega</a> </td> <td class="txtr"> 1971 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1168c6f" data-itemtype="book" data-content-id="a9930a60-b9e0-319f-ba2f-f5f3b9c78c97" data-content-id-type="bid"> Obstruction</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv7vcthp" data-itemtype="book" data-content-id="85d38242-d5f5-3f77-8c36-571c0a81a704" data-content-id-type="bid"> Occupying the Stage: The Theater of May '68</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt14brvsr" data-itemtype="book" data-content-id="cd344522-7c39-3ca5-aaf7-ec040a623a38" data-content-id-type="bid"> Of Poetry and Song: Approaches to the Nineteenth-Century Lied</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1m3nvxw" data-itemtype="book" data-content-id="aa69baa9-10a4-3202-82ec-df7225ad9bb7" data-content-id-type="bid"> Off the Ground: First Steps to a Philosophical Consideration of the Dance</a> </td> <td class="txtr"> 1988 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.1525/j.ctv1xxxcd" data-itemtype="book" data-content-id="11c813ff-0726-38a2-965a-0e59b7aa7c6a" data-content-id-type="bid"> Off the Page: Screenwriting in the Era of Media Convergence</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1gxpcsx" data-itemtype="book" data-content-id="8e3630b7-6e7e-3e9e-8e57-a01a47af8264" data-content-id-type="bid"> On Beckett: Essays and Criticism</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt1287qqg" data-itemtype="book" data-content-id="45a09836-d726-398b-a69b-40b6f1ba113e" data-content-id-type="bid"> On Location: Canada's Television Industry in a Global Market</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvx1htdp" data-itemtype="book" data-content-id="e203c689-5c4f-34fe-9073-85cbd8a0155b" data-content-id-type="bid"> On Stage Alone: Soloists and the Modern Dance Canon</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvzsmfdp" data-itemtype="book" data-content-id="fe93662b-aa60-3f17-95c1-1321e7e91cd0" data-content-id-type="bid"> On the Art of the No Drama: The Major Treatises of Zeami</a> </td> <td class="txtr"> 1984 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctv1g248rr" data-itemtype="book" data-content-id="25f93212-a436-3ac3-b6a2-1cea82d0b976" data-content-id-type="bid"> On the Queerness of Early English Drama: Sex in the Subjunctive</a> </td> <td class="txtr"> 2021 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvcwnjxz" data-itemtype="book" data-content-id="9edf5447-0c72-3c04-9eef-9a041fcf40c0" data-content-id-type="bid"> Onnagata: A Labyrinth of Gendering in Kabuki Theater</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.ctttt009" data-itemtype="book" data-content-id="76889bfe-7478-3800-b010-5d7fba6ec56f" data-content-id-type="bid"> Opera Production: A Handbook</a> </td> <td class="txtr"> 1961 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv15vwj7t" data-itemtype="book" data-content-id="60e4e58b-38bd-3f3f-b0fb-a1e01687e8ab" data-content-id-type="bid"> Opera, Society, and Politics in Modern China</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv105bc0f" data-itemtype="book" data-content-id="af0151b4-9c05-36fa-854f-260450406a51" data-content-id-type="bid"> Opposing Apartheid on Stage: King Kong the Musical</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/illo11812" data-itemtype="book" data-content-id="04b78893-3357-385b-a50b-818fec59d29c" data-content-id-type="bid"> Oprah Winfrey and the Glamour of Misery: An Essay on Popular Culture</a> </td> <td class="txtr"> 2003 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.2056317" data-itemtype="book" data-content-id="3cea7c8e-d75d-3ff4-9f9e-35a791b9bc1f" data-content-id-type="bid"> Ornamentalism: The Art of Renaissance Accessories</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/west16854" data-itemtype="book" data-content-id="10ae627d-1d1a-3b44-be36-83e2577ed5cf" data-content-id-type="bid"> The Orphan of Zhaoand Other Yuan Plays: The Earliest Known Versions</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt21215qj" data-itemtype="book" data-content-id="3d91afff-533c-3c9f-b657-0754ec479c19" data-content-id-type="bid"> Orson Welles in Focus: Texts and Contexts</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1b7x4wf" data-itemtype="book" data-content-id="5f8c559b-7d1f-34a4-8cb7-4c5939966340" data-content-id-type="bid"> Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era</a> </td> <td class="txtr"> 2001 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20q20rk" data-itemtype="book" data-content-id="f0a22ee7-6033-3b79-b01e-0e0053d266fc" data-content-id-type="bid"> Othello and Interpretive Traditions</a> </td> <td class="txtr"> 1999 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvzsmcx1" data-itemtype="book" data-content-id="c2773750-d4ee-37de-bba6-5f222095da17" data-content-id-type="bid"> Ottoman Empire and European Theatre V: Gluck and the Turkish Subject in Ballet and Dance</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv6jmvq5" data-itemtype="book" data-content-id="20050abb-636b-3220-8911-b7f76e125bd8" data-content-id-type="bid"> Ottoman Empire and European Theatre Vol. I: The Age of Mozart and Selim III (1756-1808)</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv6jmbqf" data-itemtype="book" data-content-id="76bfb304-3477-35ce-8b43-249cdeb190e9" data-content-id-type="bid"> Ottoman Empire and European Theatre Vol. II: The Time of Joseph Haydn: From Sultan Mahmud I to Mahmud II (r.1730-1839)</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv6jmvn6" data-itemtype="book" data-content-id="2868966a-107e-39ec-8773-e55a8feb82c2" data-content-id-type="bid"> Ottoman Empire and European Theatre Vol. III: Images of Harem in Literature and Theatre</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv102bhfv" data-itemtype="book" data-content-id="be873679-d08d-3872-b322-61d9081f92dd" data-content-id-type="bid"> Our Musicals, Ourselves: A Social History of the American Musical Theatre</a> </td> <td class="txtr"> 2003 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2jcqz5" data-itemtype="book" data-content-id="0149e637-4e94-3433-995b-8a8567a8db01" data-content-id-type="bid"> Out of the Inkwell: Max Fleischer and the Animation Revolution</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt9qh9pw" data-itemtype="book" data-content-id="c3bc53e4-f123-3788-8f21-b783a5e95691" data-content-id-type="bid"> OuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt7zv43" data-itemtype="book" data-content-id="3305f95f-b6ca-3128-94cd-b3e4cdb602ec" data-content-id-type="bid"> Outside Looking In: Viewing First Nations Peoples in Canadian Dramatic Television Series</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1mmft5j" data-itemtype="book" data-content-id="17ab9f79-efa1-3011-9339-46fd9f96caca" data-content-id-type="bid"> Outside Theater: Alliances That Shape Mexico</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv102bf89" data-itemtype="book" data-content-id="0e10bdc2-a059-3f70-a8e9-01202f94ae04" data-content-id-type="bid"> Overweight Sensation: The Life and Comedy of Allan Sherman</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctvss4011" data-itemtype="book" data-content-id="d82ddb29-aff9-33cf-a013-b0e585ebb6a0" data-content-id-type="bid"> Ovid and Adaptation in Early Modern English Theatre</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.4353160" data-itemtype="book" data-content-id="aeab01fb-9319-3ee8-9fc1-ec5ae5eecedd" data-content-id-type="bid"> Page to Stage: The Craft of Adaptation</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv16zjhzb" data-itemtype="book" data-content-id="df9f99be-7d0c-3780-9987-03b0c78499f0" data-content-id-type="bid"> Pájaros maleducados: Laboratorio musicoteatral</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7476/9788539303342" data-itemtype="book" data-content-id="4b2b1a4f-bfa8-30e1-98cf-21d0bc5d9d88" data-content-id-type="bid"> Palhaços</a> </td> <td class="txtr"> 2003 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11smw5p" data-itemtype="book" data-content-id="a31a28ec-083c-3190-b1c8-a836c6f7664d" data-content-id-type="bid"> Paper Tangos</a> </td> <td class="txtr"> 1998 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt17mvhxs" data-itemtype="book" data-content-id="855d91e1-56cf-3588-a954-63f19ca56b35" data-content-id-type="bid"> Parisian Music-Hall Ballet, 1871-1913</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1gk08bn" data-itemtype="book" data-content-id="3aef3065-eeb7-3c65-aeaf-fb5318a1d462" data-content-id-type="bid"> Passionate Amateurs: Theatre, Communism, and Love</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.17666" data-itemtype="book" data-content-id="bc39f455-ac59-3781-af1c-e454271973ae" data-content-id-type="bid"> The Past as Present in the Drama of August Wilson</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv18b5nph" data-itemtype="book" data-content-id="ae0ce0c6-eee6-3d69-9ded-541584268c83" data-content-id-type="bid"> Paul Abbott</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1168xsz" data-itemtype="book" data-content-id="f960b918-eda7-39f0-9995-c0dc905f9fe8" data-content-id-type="bid"> Paul Klee</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.3365636" data-itemtype="book" data-content-id="b336cd42-3e31-320a-a6a1-fb46363f0a0a" data-content-id-type="bid"> Paul Robeson and the Cold War Performance Complex: Race, Madness, Activism</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt1hd18fz" data-itemtype="book" data-content-id="eee01b72-5666-3432-9f0b-bd8335c1fbef" data-content-id-type="bid"> Paul Thomas Anderson</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.7027158" data-itemtype="book" data-content-id="7ce1f156-73e2-3c2f-ae88-4b4ce5b817b9" data-content-id-type="bid"> Paula Vogel</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1d9njxr" data-itemtype="book" data-content-id="32f07f65-e7b4-3cfd-885c-bd2f751a4378" data-content-id-type="bid"> Pauline Frederick Reporting: A Pioneering Broadcaster Covers the Cold War</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt4cgr9g" data-itemtype="book" data-content-id="2d4750be-4a19-3901-85bf-324c2334afa1" data-content-id-type="bid"> Peculiar Portrayals: Mormons on the Page, Stage and Screen</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt6wr57k" data-itemtype="book" data-content-id="2a3c5119-c27c-3690-b361-da3c26d3c697" data-content-id-type="bid"> The Pekin: The Rise and Fall of Chicagoâ€™s First Black-Owned Theater</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20p57nb" data-itemtype="book" data-content-id="2b370f8d-c19d-3bc5-b092-7cc1f46510a9" data-content-id-type="bid"> The Penelope Project: An Arts-Based Odyssey to Change Elder Care</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv14npk9s" data-itemtype="book" data-content-id="1e9f1ec2-d7bb-33ed-abc6-6eefa2260f62" data-content-id-type="bid"> Pequeñas máquinas de consciencia: La obra de Sylvia Palacios Whitman</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt7zvggb" data-itemtype="book" data-content-id="6791b1eb-ec0d-3615-bc8d-07462d973010" data-content-id-type="bid"> Performance and Gender in Ancient Greece: Nondramatic Poetry in Its Setting</a> </td> <td class="txtr"> 1997 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.5582757" data-itemtype="book" data-content-id="de6f73db-7b6a-30f6-a3e3-a42ddd24e938" data-content-id-type="bid"> Performance and Media: Taxonomies for a Changing Field</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvnb7qtg" data-itemtype="book" data-content-id="95d41924-13a7-3347-a480-eae4c6a65085" data-content-id-type="bid"> Performance art in Eastern Europe since 1960</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/9781442678354" data-itemtype="book" data-content-id="26bd45cd-52cd-3d10-af0a-8ae18ce991a8" data-content-id-type="bid"> Performance Degree Zero: Roland Barthes and Theatre</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11smgbg" data-itemtype="book" data-content-id="fed2990f-e7bb-3cad-9db1-a632c66085b5" data-content-id-type="bid"> Performance</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20h6tv1" data-itemtype="book" data-content-id="3b523ca5-adbb-3ff4-b91a-abd25ea4e589" data-content-id-type="bid"> The Performance of Power: Theatrical Discourse and Politics</a> </td> <td class="txtr"> 1991 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1w6t87v" data-itemtype="book" data-content-id="5b5b5764-fd04-35d3-8be4-3268f881c2ff" data-content-id-type="bid"> Performance Studies in Canada</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.9780711" data-itemtype="book" data-content-id="0f116096-902e-397d-88f1-2a3e3210cfc3" data-content-id-type="bid"> Performance, Transparency, and the Cultures of Surveillance</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11qdv1m" data-itemtype="book" data-content-id="9fda8496-12c0-3421-af90-943bdd8db8b1" data-content-id-type="bid"> Performative Lernkulturen: Ritual – Tanz – Theater</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.16346" data-itemtype="book" data-content-id="cba03a27-3e27-3833-b562-a5be03b96a18" data-content-id-type="bid"> Performing America: Cultural Nationalism in American Theater</a> </td> <td class="txtr"> 1999 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5325/j.ctv14gpcfw" data-itemtype="book" data-content-id="44eeb10d-4cfb-3c59-81c1-1b59228a9599" data-content-id-type="bid"> Performing Animals: History, Agency, Theater</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt21pxmkv" data-itemtype="book" data-content-id="3526458f-7680-3f2e-be2b-a37385449cbc" data-content-id-type="bid"> Performing Communities: Grassroots Ensemble Theaters Deeply Rooted in Eight U.S. Communities</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv9hj90p" data-itemtype="book" data-content-id="c5587bad-0280-338c-beb1-8f4ab7c99ad2" data-content-id-type="bid"> Performing Exile: Foreign Bodies</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20q1zs5" data-itemtype="book" data-content-id="91340762-2edc-3627-a32d-96f7ff036604" data-content-id-type="bid"> Performing History: Theatrical Representations of the Past in Conetmporary Theatre</a> </td> <td class="txtr"> 2000 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv18dvt2d" data-itemtype="book" data-content-id="7b9ed37e-88ae-316b-9a14-fa4f3f791b57" data-content-id-type="bid"> Performing Hysteria: Images and Imaginations of Hysteria</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1gxpb12" data-itemtype="book" data-content-id="5d03f678-df7e-3ff4-beb9-143e43b80313" data-content-id-type="bid"> Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7560/745865" data-itemtype="book" data-content-id="18cf817b-a055-3183-b396-4e099e28415c" data-content-id-type="bid"> Performing Piety: Singers and Actors in Egypt's Islamic Revival</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qcv55" data-itemtype="book" data-content-id="a15f49bf-5307-31eb-ba80-ec742acd44b3" data-content-id-type="bid"> Performing Place, Practising Memories: Aboriginal Australians, Hippies and the State</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.2395967" data-itemtype="book" data-content-id="288c47c7-c709-3e3e-b8dd-bde896a1add3" data-content-id-type="bid"> Performing Queer Latinidad: Dance, Sexuality, Politics</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.9509783" data-itemtype="book" data-content-id="95fb16f5-19af-3160-94e2-fb4654d68e70" data-content-id-type="bid"> Performing the Intercultural City</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvgs0cvs" data-itemtype="book" data-content-id="3cc557ad-81da-3c94-96fc-f7cb94c480b5" data-content-id-type="bid"> Performing the Progressive Era: Immigration, Urban Life, and Nationalism on Stage</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv14t47dd" data-itemtype="book" data-content-id="f05ed3f7-f433-3a75-a6b1-a27de9c15d71" data-content-id-type="bid"> Performing the testimonial: Rethinking verbatim dramaturgies</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt16gzjdt" data-itemtype="book" data-content-id="a724461b-0225-367e-9ca5-c249bfc1c423" data-content-id-type="bid"> Performing the US Latina and Latino Borderlands</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2204qq5" data-itemtype="book" data-content-id="4bfef00b-1415-3242-aa80-a35c95a3b142" data-content-id-type="bid"> Performing Trauma in Central Africa: Shadows of Empire</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.9406366" data-itemtype="book" data-content-id="2ba8373e-a3c2-35cf-b044-27f7c09360bb" data-content-id-type="bid"> Performing Unification: History and Nation in German Theater after 1989</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20q22jf" data-itemtype="book" data-content-id="5245c30c-6daa-32ae-988f-36afab91901a" data-content-id-type="bid"> Performing Whitely in the Postcolony: Afrikaners in South African Theatrical and Public Life</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctv75d7jc" data-itemtype="book" data-content-id="1f557756-55d9-3315-91f0-26443ce8a60d" data-content-id-type="bid"> Performing Women: Female Characters, Male Playwrights, and the Modern Stage</a> </td> <td class="txtr"> 1993 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.ctvxw3p32" data-itemtype="book" data-content-id="53ccf03b-2c1b-37d8-9d4f-74c72b17b26c" data-content-id-type="bid"> Perpetual Motion: Dance, Digital Cultures, and the Common</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1168zxh" data-itemtype="book" data-content-id="731cd92b-9155-376a-a1d4-068f2b2812db" data-content-id-type="bid"> Peter Tschaikowsky</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2tvpjr" data-itemtype="book" data-content-id="6c262d4c-f822-3d16-8f6c-34d0beeece4f" data-content-id-type="bid"> Peter Weir: Interviews</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvrf88jc" data-itemtype="book" data-content-id="3e0a5c7b-cfc0-3550-9f6c-5f4aa8003a87" data-content-id-type="bid"> The Phenomenology of Dance</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2jcr7g" data-itemtype="book" data-content-id="e76572ff-73c6-395f-a64a-6f6936b3cffb" data-content-id-type="bid"> The Philosophy of Ang Lee</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hk087" data-itemtype="book" data-content-id="15dd9693-8241-31d3-a160-d9d21ce9dfb0" data-content-id-type="bid"> The Philosophy of Clint Eastwood</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2jcvp3" data-itemtype="book" data-content-id="6e1f3570-018b-39f6-8428-3603f064d2ad" data-content-id-type="bid"> The Philosophy of David Cronenberg</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt6wrrzb" data-itemtype="book" data-content-id="501955cf-e0d3-3724-ac22-ef88b6b507a2" data-content-id-type="bid"> The Philosophy of J.J. Abrams</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2jcjcq" data-itemtype="book" data-content-id="bccaa2f8-5a1d-3e39-8945-96b5f692e4f9" data-content-id-type="bid"> The Philosophy of Martin Scorsese</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5vkktc" data-itemtype="book" data-content-id="06edb767-aa2a-3ead-86ce-9cc13bed5e5f" data-content-id-type="bid"> The Philosophy of Michael Mann</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2jcpb1" data-itemtype="book" data-content-id="2a132f7f-65c6-35c6-9c7b-2fce4a18759d" data-content-id-type="bid"> The Philosophy of Stanley Kubrick</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2jcmzt" data-itemtype="book" data-content-id="58556e5c-812d-3a18-af94-6aed87416f7f" data-content-id-type="bid"> The Philosophy of the Coen Brothers</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2jcmxb" data-itemtype="book" data-content-id="a0a6b9b6-a51c-3207-9861-6abba21dfd7a" data-content-id-type="bid"> The Philosophy of The X-Files</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5vkkxt" data-itemtype="book" data-content-id="91f8163e-5c93-3cd8-87fe-2ea0fcf1f842" data-content-id-type="bid"> The Philosophy of Tim Burton</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt130j91f" data-itemtype="book" data-content-id="dfe595f2-d8de-30a0-b276-1f267c092e3f" data-content-id-type="bid"> The Philosophy of TV Noir</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvqsdzst" data-itemtype="book" data-content-id="13e9a24d-1e93-3d4a-83dd-b165f4bb72ce" data-content-id-type="bid"> Phonopoetics: The Making of Early Literary Recordings</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1t88vv8" data-itemtype="book" data-content-id="69f745b3-31ea-3a93-b1d8-be11c1da9981" data-content-id-type="bid"> Phyllis of Scyros</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv8jnzz0" data-itemtype="book" data-content-id="2cfdbcfa-16f8-3ec6-90fc-2066cf70dcf4" data-content-id-type="bid"> Physics and Dance</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv10vkznw" data-itemtype="book" data-content-id="edcf08d5-6491-3c45-93d4-12e08afe29d5" data-content-id-type="bid"> Picturing Peter Bogdanovich: My Conversations with the New Hollywood Director</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/anno18030" data-itemtype="book" data-content-id="9091bd29-d555-31c2-badd-393ecb7a601b" data-content-id-type="bid"> Pier Paolo Pasolini: Performing Authorship</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctv13qftfj" data-itemtype="book" data-content-id="d6bcacd0-9e75-3af4-b024-f58e8a31a645" data-content-id-type="bid"> Piercing the Structure of Tradition: Flute Performance, Continuity, and Freedom in the Music of Noh Drama</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt155j42c" data-itemtype="book" data-content-id="7203fccb-778f-3797-a86b-f9e936cc66e2" data-content-id-type="bid"> Pierrot/Lorca: White Carnival of Black Desire</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt7zvwn4" data-itemtype="book" data-content-id="c264d33c-ce54-3995-94f4-c26322e55253" data-content-id-type="bid"> Pierrots on the Stage of Desire: Nineteenth-Century French Literary Artists and the Comic Pantomime</a> </td> <td class="txtr"> 1985 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1168wmw" data-itemtype="book" data-content-id="2076db11-d3ee-322c-afc9-2bcfccf21ac6" data-content-id-type="bid"> Pieter Bruegel d.Ä.</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt212172p" data-itemtype="book" data-content-id="d5295c78-5055-31d2-b889-ca1a020a1209" data-content-id-type="bid"> Pink-Slipped: What Happened to Women in the Silent Film Industries?</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.1525/j.ctt1j2n8rx" data-itemtype="book" data-content-id="d85eb1ef-2e9d-3864-8361-987defa7b55a" data-content-id-type="bid"> Pixar and the Aesthetic Imagination: Animation, Storytelling, and Digital Culture</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctvfrxntb" data-itemtype="book" data-content-id="43242f33-bf36-3f34-9857-456135be1b9c" data-content-id-type="bid"> Pixérécourt and the French Romantic Drama</a> </td> <td class="txtr"> 1928 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvvmz99" data-itemtype="book" data-content-id="a8b1278a-e577-346b-9ea0-947e719c0d2c" data-content-id-type="bid"> Places for Happiness: Community, Self, and Performance in the Philippines</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt7sg70" data-itemtype="book" data-content-id="ec7faea7-9f7e-3233-b54f-c3008e1b7f35" data-content-id-type="bid"> The Play of Space: Spatial Transformation in Greek Tragedy</a> </td> <td class="txtr"> 2002 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.9290953" data-itemtype="book" data-content-id="64e63cbf-b0d3-3b90-8055-0319a9b82f91" data-content-id-type="bid"> A Player and a Gentleman: The Diary of Harry Watkins, Nineteenth-Century U.S. American Actor</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/9781442688803" data-itemtype="book" data-content-id="18de8b9b-68ad-33ba-8c4e-8dfe20d615dc" data-content-id-type="bid"> Playing a Part in History: The York Mysteries, 1951 - 2006</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.354930" data-itemtype="book" data-content-id="ddc01bac-5d99-3922-88a0-e5fb484666c0" data-content-id-type="bid"> Playing Doctor: Television, Storytelling, and Medical Power</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.7427158" data-itemtype="book" data-content-id="8ea9be2f-35b5-3d22-bac2-673dd7360a6d" data-content-id-type="bid"> Playing God: The Bible on the Broadway Stage</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.22965" data-itemtype="book" data-content-id="6b25501a-53e8-3336-bb58-92e9b0d2e2be" data-content-id-type="bid"> Playing Underground: A Critical History of the 1960s Off-Off-Broadway Movement</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv7xbrwf" data-itemtype="book" data-content-id="c00bb05e-2717-3df5-8018-ebcf7c867c8c" data-content-id-type="bid"> Poetics of History: Rousseau and the Theater of Originary Mimesis</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.1525/j.ctt1pphsz" data-itemtype="book" data-content-id="3642cd5a-0c89-3a74-af03-e3553cc3d5b3" data-content-id-type="bid"> The Poetics of Slumberland: Animated Spirits and the Animating Spirit</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctv15d80tf" data-itemtype="book" data-content-id="0d6b0abf-a400-3b19-8a29-3c8fcb46a381" data-content-id-type="bid"> Poetry on Stage: The Theatre of the Italian Neo-Avant-Garde</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctv3mtbhr" data-itemtype="book" data-content-id="2d25bc24-7984-385e-81cc-e868793c4e89" data-content-id-type="bid"> Political Actors: Representative Bodies and Theatricality in the Age of the French Revolution</a> </td> <td class="txtr"> 2002 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1ht4wjh" data-itemtype="book" data-content-id="48bf441f-2a79-38e1-9b4f-e4fbd0f1e38d" data-content-id-type="bid"> Political Acts: Women in Northern Irish Theatre, 1921-2012</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv15d7xxk" data-itemtype="book" data-content-id="1f6cff00-ecdf-32ab-b119-943a05417fdf" data-content-id-type="bid"> Political Adaptation in Canadian Theatre</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt155jbcx" data-itemtype="book" data-content-id="ca6d30fb-8b24-35f8-9bc0-9e47cfb9b3d8" data-content-id-type="bid"> Political concepts</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2003 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.cttn3425" data-itemtype="book" data-content-id="55dcfd84-793a-3ada-81fb-32a7cd4a56b3" data-content-id-type="bid"> Politics and Performance in Post-Dictatorship Argentine Film and Theatre</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt17kmw4n" data-itemtype="book" data-content-id="c23a5da4-ffff-399d-81e3-13b3b0ef22e3" data-content-id-type="bid"> The Politics and Poetics of Black Film: Nothing But a Man</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1vwmdv9" data-itemtype="book" data-content-id="50c4b11d-21da-3f2d-a7f4-3d3f8a7d39c1" data-content-id-type="bid"> The politics of Jean Genet's late theatre: Spaces of revolution</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv7r429w" data-itemtype="book" data-content-id="a68050fe-2562-3fe6-8fee-4ccb97b1d246" data-content-id-type="bid"> Pop Empires: Transnational and Diasporic Flows of India and Korea</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.1525/j.ctt1ppd8c" data-itemtype="book" data-content-id="7327e0c0-ff8c-35b9-8155-cf5c89cfbf55" data-content-id-type="bid"> Popular Theater and Society in Tsarist Russia</a> </td> <td class="txtr"> 2002 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv43vt0v" data-itemtype="book" data-content-id="3a370364-f596-31ec-a65b-f54c4739b43c" data-content-id-type="bid"> Populism and Performance in the Bolivarian Revolution of Venezuela</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt80fzm" data-itemtype="book" data-content-id="ead985db-4fb2-3024-928e-f9601a667976" data-content-id-type="bid"> A Portrait of the Artist as Australian: L’Oeuvre bizarre de Barry Humphries</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11hpr9d" data-itemtype="book" data-content-id="e015085a-57bb-3d25-8b2d-ed5ab6d80fcd" data-content-id-type="bid"> Post-Communist Malaise: Cinematic Responses to European Integration</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1gxp834" data-itemtype="book" data-content-id="08132b87-0863-3744-9007-e8cd7ee5b551" data-content-id-type="bid"> The Post-traumatic Theatre of Grotowski and Kantor: History and Holocaust in ‘Akropolis’ and ‘Dead Class’</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt14bthb3" data-itemtype="book" data-content-id="12d1c22d-5b30-37a8-9f7d-0f76df4bb2e0" data-content-id-type="bid"> Post-TV: Piracy, Cord-Cutting, and the Future of Television</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20q1ssr" data-itemtype="book" data-content-id="86b30cde-2702-3a45-abc4-a7ffa9029c95" data-content-id-type="bid"> Poverty and Charity in Early Modern Theater and Performance</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvw048kn" data-itemtype="book" data-content-id="8faac2cf-e57c-3b39-b412-4d5dc56bbce8" data-content-id-type="bid"> Power in Practice: The Pragmatic Anthropology of Afro-Brazilian Capoeira</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt1r20kn" data-itemtype="book" data-content-id="97423ec6-b181-33c7-af7f-4f4b34dd0e72" data-content-id-type="bid"> Power Play: Sport, the Media and Popular Culture</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv18pgw38" data-itemtype="book" data-content-id="c3a2fc6e-d8bd-3ba2-ac8f-7e42ac02cfbd" data-content-id-type="bid"> Pratiques performatives: Body Remix</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qfcd3" data-itemtype="book" data-content-id="df198af6-664a-3a1f-bbbd-6b09f5e91dcd" data-content-id-type="bid"> Preaching on Wax: The Phonograph and the Shaping of Modern African American Religion</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.4078895" data-itemtype="book" data-content-id="614bde84-a785-30d4-b458-e3c26688cadd" data-content-id-type="bid"> Preaching to Convert: Evangelical Outreach and Performance Activism in a Secular Age</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv102bjfb" data-itemtype="book" data-content-id="52ebb2c7-05a7-3083-92c4-00707cd8d5f1" data-content-id-type="bid"> Precarious Forms: Performing Utopia in the Neoliberal Americas</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvr33b2n" data-itemtype="book" data-content-id="0dd2fc52-a2f4-3cef-9754-98b890446f58" data-content-id-type="bid"> Precarious spectatorship: Theatre and image in an age of emergencies</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.331702" data-itemtype="book" data-content-id="5ef67ed3-76e3-34c4-a9ba-f5216a08518c" data-content-id-type="bid"> The President Electric: Ronald Reagan and the Politics of Performance</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/schr14104" data-itemtype="book" data-content-id="4715767b-def6-3c27-9fee-06a30cec2fe5" data-content-id-type="bid"> Presidential Debates: Fifty Years of High-Risk TV</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/schr11400" data-itemtype="book" data-content-id="62a416a6-4514-367c-ac06-48658b1e6ec2" data-content-id-type="bid"> Presidential Debates: Forty Years of High-Risk TV</a> </td> <td class="txtr"> 2000 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/schr17056" data-itemtype="book" data-content-id="0c1ad002-fe6c-3184-a190-7c6df58e2601" data-content-id-type="bid"> Presidential Debates: Risky Business on the Campaign Trail</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv14h57x" data-itemtype="book" data-content-id="39ccc4bb-588f-3769-8834-df4057e1dc46" data-content-id-type="bid"> Pretty Liar: Television, Language, and Gender in Wartime Lebanon</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hj8m7" data-itemtype="book" data-content-id="5d2f4977-d5c4-3bb0-80bc-7fd62ad47fba" data-content-id-type="bid"> Pretty People: Movie Stars of the 1990s</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.1525/j.ctt1pn8pz" data-itemtype="book" data-content-id="18f53959-7684-3ed9-a3d6-8a913c718016" data-content-id-type="bid"> Prime-Time Families: Television Culture in Post-War America</a> </td> <td class="txtr"> 1989 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt1xckmc" data-itemtype="book" data-content-id="f60d8b61-0540-3ed4-89f1-7d42f46d78ed" data-content-id-type="bid"> The Prime-Time Presidency: The West Wing and U.S. Nationalism</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.cttttg4w" data-itemtype="book" data-content-id="f9595fc9-b77c-36dc-8ebc-5a6b9beae3f0" data-content-id-type="bid"> Private Screenings: Television and the Female Consumer</a> </td> <td class="txtr"> 1992 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt7zvgr6" data-itemtype="book" data-content-id="c03b1b5c-affd-3ec3-bff7-9e08748223e1" data-content-id-type="bid"> The Privileged Playgoers of Shakespeare's London, 1576-1642</a> </td> <td class="txtr"> 1981 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv15vwkdw" data-itemtype="book" data-content-id="8c03340b-a1ab-3ed4-997c-528550e7a02d" data-content-id-type="bid"> Privileged Spectatorship: Theatrical Interventions in White Supremacy</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1kgqwc5" data-itemtype="book" data-content-id="22c92180-15fd-35b1-a37a-fb6ca2dc6545" data-content-id-type="bid"> The Problem Body: Projecting Disability on Film</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvzgb8xz" data-itemtype="book" data-content-id="1cb6d95f-6632-3479-a901-db0442d3f5bf" data-content-id-type="bid"> The Problem in the Middle: Liminal Space and the Court Masque</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv136btzr" data-itemtype="book" data-content-id="a4c856a5-e2a0-332f-97fc-bc9846b6fa67" data-content-id-type="bid"> The Problem of the Actress in Modern German Theater and Thought</a> </td> <td class="txtr"> 2021 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.368267" data-itemtype="book" data-content-id="2cb8485d-48fe-3b47-9ef1-8d03f02d01d6" data-content-id-type="bid"> The Problem of the Color[blind]: Racial Transgression and the Politics of Black Performance</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hjrzb" data-itemtype="book" data-content-id="19a9d873-8c51-39eb-98b8-e15a4957e422" data-content-id-type="bid"> Prodigal Son</a> </td> <td class="txtr"> 1992 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt7zvg12" data-itemtype="book" data-content-id="dc7a9af0-03cc-35af-87be-1a84ae1ac50e" data-content-id-type="bid"> The Profession of Player in Shakespeare's Time, 1590-1642</a> </td> <td class="txtr"> 1984 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvx5w9pw" data-itemtype="book" data-content-id="0ab80659-db64-3034-b41b-bb05584e8ae6" data-content-id-type="bid"> Professional Wrestling: Sport and Spectacle, Second Edition</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.14321/j.ctv114c7cm" data-itemtype="book" data-content-id="8d477abc-cc6d-3b01-9f55-95405cfd427a" data-content-id-type="bid"> Projecting Nation: South African Cinemas after 1994</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt1tqxb5k" data-itemtype="book" data-content-id="faab999e-831f-3208-8988-b3caa9f78178" data-content-id-type="bid"> The Proletarian Answer to the Modernist Question</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctvr6984b" data-itemtype="book" data-content-id="1c9715d0-93e2-37ca-9de8-e74eed6a01f4" data-content-id-type="bid"> Prophesying Tragedy: Sign and Voice in Sophocles' Theban Plays</a> </td> <td class="txtr"> 1988 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvxrpxj0" data-itemtype="book" data-content-id="1c979f78-5c73-38af-ae79-23920806ba5c" data-content-id-type="bid"> Put Your Hands on Your Hips and Act Like a Woman: Black History and Poetics in Performance</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5vkd0j" data-itemtype="book" data-content-id="7a429971-85d1-3403-8082-2fbdc4f7a68e" data-content-id-type="bid"> The Queen's Dumbshows: John Lydgate and the Making of Early Theater</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvnb7pfq" data-itemtype="book" data-content-id="c4257feb-d405-3d73-b6d2-38ef0406b769" data-content-id-type="bid"> Queer exceptions: Solo performance in neoliberal times</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1trkkgj" data-itemtype="book" data-content-id="3b4533c6-3ad1-345e-84f0-c55211e63a2d" data-content-id-type="bid"> The Queer Fantasies of the American Family Sitcom</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctvkjb36j" data-itemtype="book" data-content-id="85e42aa8-35d3-37dc-8683-7a7708b83e35" data-content-id-type="bid"> Queer Timing: The Emergence of Lesbian Sexuality in Early Cinema</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt6wp99h" data-itemtype="book" data-content-id="158e3fe3-b678-3f8d-95e1-f2ce1eff5be1" data-content-id-type="bid"> Queering Acts of Mourning in the Aftermath of Argentina's Dictatorship: The Performances of Blood</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvtv93wm" data-itemtype="book" data-content-id="6fc77fca-cc7b-3634-b590-d48436b8bf76" data-content-id-type="bid"> Queering Drag: Redefining the Discourse of Gender-Bending</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2tvn9x" data-itemtype="book" data-content-id="765ddb02-cb19-311c-8ca7-f6c133ced55b" data-content-id-type="bid"> Quentin Tarantino: Interviews, Revised and Updated</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv14162v3" data-itemtype="book" data-content-id="cc8b0cba-19d4-3c36-b1ab-a2a67b96468d" data-content-id-type="bid"> Quiproquo o las peripecias del formador de artes escénicas en la educación</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt1r238n" data-itemtype="book" data-content-id="e672c166-cf26-3726-9ff4-76290359c7cd" data-content-id-type="bid"> The Quiz Show</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv153k5r4" data-itemtype="book" data-content-id="2145344c-e5f3-3f0a-a4cd-b8d277f4dee7" data-content-id-type="bid"> Race and Performance after Repetition</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvkwnmq1" data-itemtype="book" data-content-id="7f6db237-7204-3f1d-bdb1-474e065c0c84" data-content-id-type="bid"> Race and Radio: Pioneering Black Broadcasters in New Orleans</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2204p2v" data-itemtype="book" data-content-id="c69a6e3e-4a99-3103-ae7a-150fb2451b58" data-content-id-type="bid"> Race and the Revolutionary Impulse in The Spook Who Sat by the Door</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5149/9781469654447_dossett" data-itemtype="book" data-content-id="33f0301c-b37e-3844-b733-7526b8b30e43" data-content-id-type="bid"> Radical Black Theatre in the New Deal</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt7zs65" data-itemtype="book" data-content-id="43250c27-1ccf-3014-9777-8af22f293cae" data-content-id-type="bid"> Radical Gestures: Feminism and Performance Art in North America</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.1525/j.ctt1ppsb8" data-itemtype="book" data-content-id="18d9ecb1-5d69-3350-a1d2-9de97d07fe3d" data-content-id-type="bid"> Radio: Essays in Bad Reception</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.1525/j.ctt1pn9kz" data-itemtype="book" data-content-id="1fbb8a97-36d0-33b8-a9bc-0dec1cc03aa3" data-content-id-type="bid"> Radio Goes to War: The Cultural Politics of Propaganda during World War II</a> </td> <td class="txtr"> 2002 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qhfbv" data-itemtype="book" data-content-id="e6ce75c7-3232-3dd4-a375-e58fa3caea86" data-content-id-type="bid"> Radio in Small Nations: Production, Programmes, Audiences</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.cttts70t" data-itemtype="book" data-content-id="94f9b552-d3a1-32f7-bfc5-a662a148faca" data-content-id-type="bid"> Radio’s Intimate Public: Network Broadcasting and Mass-Mediated Democracy</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvwcjfxv" data-itemtype="book" data-content-id="ada42aa2-eb3d-3560-a5ac-c8a4d209dcf7" data-content-id-type="bid"> Radio's Second Century: Past, Present, and Future Perspectives</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1tfjbg0" data-itemtype="book" data-content-id="a104adb8-880a-3042-8a5b-ea230e621bf4" data-content-id-type="bid"> Rakugo: The Popular Narrative Art of Japan</a> </td> <td class="txtr"> 1990 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1w6tcvm" data-itemtype="book" data-content-id="d7b38309-b3d8-31ce-8010-d3cb351fa354" data-content-id-type="bid"> Rantin' Pipe and Tremblin' String: A History of Scottish Dance Music</a> </td> <td class="txtr"> 1971 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2jcp3n" data-itemtype="book" data-content-id="7e2a0adf-08bf-3d77-a048-9e4fb40ede38" data-content-id-type="bid"> Raoul Walsh: The True Adventures of Hollywood's Legendary Director</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7560/709263" data-itemtype="book" data-content-id="16b2e5a1-f56c-3497-be3f-bf9089811f79" data-content-id-type="bid"> Reading between Designs: Visual Imagery and the Generation of Meaning in The Avengers, The Prisoner, and Doctor Who</a> </td> <td class="txtr"> 2003 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1j2n7v0" data-itemtype="book" data-content-id="e24df1f3-4c21-32c4-91f0-fb17eec97824" data-content-id-type="bid"> Reading Joss Whedon</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/9781442661486" data-itemtype="book" data-content-id="9447b1b2-ba13-34dd-9082-2315b6d38fc7" data-content-id-type="bid"> Reading Modern Drama</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/9781442679023" data-itemtype="book" data-content-id="726aa5ef-5452-3165-a5e4-eb2aef1baa78" data-content-id-type="bid"> Reading Theatre</a> </td> <td class="txtr"> 1999 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt17rw51m" data-itemtype="book" data-content-id="813ac831-833a-3507-9cb2-67cb6bd19e10" data-content-id-type="bid"> Real Sister: Stereotypes, Respectability, and Black Women in Reality TV</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7560/712591" data-itemtype="book" data-content-id="ce147277-0af2-3564-a6a2-d9d790ff7ebf" data-content-id-type="bid"> Realer Than Reel: Global Directions in Documentary</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.3119291" data-itemtype="book" data-content-id="ab951366-b498-3f89-b735-4849fda7c6c1" data-content-id-type="bid"> Reality Principles: From the Absurd to the Virtual</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5149/9781469633145_biewen" data-itemtype="book" data-content-id="427de48d-0c2f-3a29-8f89-b215c668696d" data-content-id-type="bid"> Reality Radio, Second Edition: Telling True Stories in Sound</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt155jm1m" data-itemtype="book" data-content-id="4f826d7c-e16a-32c8-9d0b-84f4abc307fb" data-content-id-type="bid"> Reality TV: Remaking Television Culture</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.3355867" data-itemtype="book" data-content-id="eb38c2d0-8926-318e-88fb-9b16b997cc79" data-content-id-type="bid"> Rebel Dance, Renegade Stance: Timba Music and Black Identity in Cuba</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.6949630" data-itemtype="book" data-content-id="6a99534d-4c1e-30e4-9b7a-a1e19815faf7" data-content-id-type="bid"> Reckoning with Spirit in the Paradigm of Performance</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt32bh9x" data-itemtype="book" data-content-id="e98fcc30-e15e-3bb9-81dc-43b4896d8b72" data-content-id-type="bid"> The Recording Angel: Music, Records and Culture from Aristotle to Zappa, Second Edition</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20h6t24" data-itemtype="book" data-content-id="f06fcdd3-ce08-3876-8796-b3711e413a84" data-content-id-type="bid"> The Recurrence of Fate: Theatre and Memory in Twentieth-Century Russia</a> </td> <td class="txtr"> 1994 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt1kc6hn1" data-itemtype="book" data-content-id="92c1e762-b130-3bc1-bd64-296985228aa3" data-content-id-type="bid"> The Red and the Black: American Film Noir in the 1950s</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1kc6jvm" data-itemtype="book" data-content-id="c81c4abc-7eee-3444-a02e-fe00a8a521a0" data-content-id-type="bid"> Reel Inequality: Hollywood Actors and Racism</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20q1zk2" data-itemtype="book" data-content-id="c60a7b34-e338-3f88-98ba-1eb4fb9de8bc" data-content-id-type="bid"> Reflecting the Audience: London Theatregoing, 1840-1880</a> </td> <td class="txtr"> 2001 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctvnjbgrw" data-itemtype="book" data-content-id="56d6ecfa-2011-3900-a85e-f51b5ffccfb8" data-content-id-type="bid"> ReFocus: The Films of Elaine May</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctvnjbg84" data-itemtype="book" data-content-id="78edcee0-d688-33b5-aa83-835ae8eb52d8" data-content-id-type="bid"> ReFocus: The Films of Francis Veber</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctv10kmd73" data-itemtype="book" data-content-id="cca32d68-7201-37fa-8958-5fe1ecfa6804" data-content-id-type="bid"> ReFocus: The Films of Sohrab Shahid-Saless: Exile, Displacement and the Stateless Moving Image</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctvrxk1cv" data-itemtype="book" data-content-id="995b6bec-84be-3b39-b548-45dedc28e4d8" data-content-id-type="bid"> ReFocus: The Films of Xavier Dolan</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11smm6b" data-itemtype="book" data-content-id="88351b04-e573-3462-8abb-4cb78242ce71" data-content-id-type="bid"> Refrains for Moving Bodies: Experience and Experiment in Affective Spaces</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.104480" data-itemtype="book" data-content-id="360684fc-65a5-37e3-a2d1-fa33780a8946" data-content-id-type="bid"> Reframing Screen Performance</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvrs8zb7" data-itemtype="book" data-content-id="fee0d663-190e-34cd-910f-131a850760a5" data-content-id-type="bid"> Regional Literature and the Transmission of Culture: Chinese Drum Ballads, 1800-1937</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.ctttshr0" data-itemtype="book" data-content-id="13ddfc87-0fb7-366f-bb2e-e77eb211effe" data-content-id-type="bid"> Regional Theatre: The Revolutionary Stage</a> </td> <td class="txtr"> 1973 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvhrczxw" data-itemtype="book" data-content-id="0c505a89-976c-39fb-8d0b-dc2b2b2bb48e" data-content-id-type="bid"> Rehearsing Revolutions: The Labor Drama Experiment and Radical Activism in the Early Twentieth Century</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv8j4hf" data-itemtype="book" data-content-id="5867874a-136e-36dc-82ee-e2ceebdf8e24" data-content-id-type="bid"> Reimagining Brazilian Television: Luiz Fernando Carvalho's Contemporary Vision</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.6981447" data-itemtype="book" data-content-id="0d54489e-a097-3ccf-b525-bd7ef0f0a9ff" data-content-id-type="bid"> Religion and Spanish Film: Luis Buñuel, the Franco Era, and Contemporary Directors</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1bmznjh" data-itemtype="book" data-content-id="bc6df496-e2c6-3cf9-bcc1-a1deb20149f6" data-content-id-type="bid"> The Reluctant Film Art of Woody Allen</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvsrgvh" data-itemtype="book" data-content-id="eede1c8f-35c2-3825-a87a-b7fb78ead222" data-content-id-type="bid"> Remaking Pacific Pasts: History, Memory, and Identity in Contemporary Theater from Oceania</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt13wztdh" data-itemtype="book" data-content-id="0d1b53e1-0497-3e57-b332-61fa4d2cb03d" data-content-id-type="bid"> Remaking the Comedia: Spanish Classical Theater in Adaptation</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv18b5nq1" data-itemtype="book" data-content-id="da4e488b-3d2a-3212-8227-0d9864b460e3" data-content-id-type="bid"> Renaissance psychologies: Spenser and Shakespeare</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7722/j.ctt5vj81t" data-itemtype="book" data-content-id="db9d21d7-343e-3bf2-a77a-ab3714c1e48f" data-content-id-type="bid"> Representations of Flight and Expulsion in East German Prose Works</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20mvg5m" data-itemtype="book" data-content-id="bc52f68a-2fda-385e-9ef5-56e4526b08f7" data-content-id-type="bid"> Representing the Past: Essays in Performance Historiography</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt7sq2n" data-itemtype="book" data-content-id="67aaa81d-b155-3edf-9472-58dd8326b804" data-content-id-type="bid"> Reproducing Athens: Menander's Comedy, Democratic Culture, and the Hellenistic City</a> </td> <td class="txtr"> 2003 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt1g0b2vz" data-itemtype="book" data-content-id="c27f9fb4-8118-30b7-aaa4-dc53d9a65149" data-content-id-type="bid"> Research Methods in Theatre and Performance</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5vkdz2" data-itemtype="book" data-content-id="f3cb7d77-7f52-329b-b0b9-c19b9601c94b" data-content-id-type="bid"> Researching Dance: Evolving Modes of Inquiry</a> </td> <td class="txtr"> 1999 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv9hj78n" data-itemtype="book" data-content-id="b37187dd-98e6-325d-85af-c07820d10cb2" data-content-id-type="bid"> Resetting the Stage: Public Theatre Between the Market and Democracy</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1j7x85s" data-itemtype="book" data-content-id="4dfef8bb-2c72-30d9-b850-2d0ba9dd72a4" data-content-id-type="bid"> Resistance on the National Stage: Theater and Politics in Late New Order Indonesia</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7440/j.ctv11qdwjv" data-itemtype="book" data-content-id="98c0c0af-4d63-3c5d-ab21-4fa34d98e386" data-content-id-type="bid"> Resistencias al olvido: Memoria y arte en Colombia</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv13xprsc" data-itemtype="book" data-content-id="48a668ad-3fca-3346-bbe2-73ddf7fbdf1d" data-content-id-type="bid"> Restaging the Past: Historical Pageants, Culture and Society in Modern Britain</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvvsqc1p" data-itemtype="book" data-content-id="62e44142-1d74-345a-b5d3-c08ab177b0aa" data-content-id-type="bid"> Resurrecting the First Great American Play: Imperial Politics and Colonial Ambitions in Frontier Detroit</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv15pjz72" data-itemtype="book" data-content-id="893e9844-c4e0-3e11-a276-3e7e6b0066a4" data-content-id-type="bid"> A Revolution in Movement: Dancers, Painters, and the Image of Modern Mexico</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.cttttx48" data-itemtype="book" data-content-id="68e30f83-1021-379c-b592-26ec29006571" data-content-id-type="bid"> Revolution Televised: Prime Time and the Struggle for Black Power</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt805q5" data-itemtype="book" data-content-id="dcee1f18-28f0-31fe-8ff8-ade2efa74bea" data-content-id-type="bid"> Rewind and Search: Conversations with the Makers and Decision-Makers of CBC Television Drama</a> </td> <td class="txtr"> 1996 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvcwncdg" data-itemtype="book" data-content-id="113bac78-a88b-37f4-b210-7297e73707cf" data-content-id-type="bid"> Rewriting Russia: Jacob Gordin's Yiddish Drama</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qhm46" data-itemtype="book" data-content-id="7499aef3-f22d-3be0-bd63-d3c53acb5994" data-content-id-type="bid"> Rex Ingram: Visionary Director of the Silent Screen</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvc5pf5f" data-itemtype="book" data-content-id="aa1dec29-c21b-30be-a061-cd4f401b679d" data-content-id-type="bid"> Rhythms of the Afro-Atlantic World: Rituals and Remembrances</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv18b5mhf" data-itemtype="book" data-content-id="5f84507e-531d-3d51-9447-29b739fa183b" data-content-id-type="bid"> Richard Attenborough</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1168xrf" data-itemtype="book" data-content-id="2094b9c4-d8aa-3a2e-9ef0-8c3922c26833" data-content-id-type="bid"> Richard Strauss: Magier der Töne</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.1525/j.ctt1ppf6v" data-itemtype="book" data-content-id="8d987238-3324-35e3-a89f-3004b719f29d" data-content-id-type="bid"> Right Here on Our Stage Tonight!: Ed Sullivan's America</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt7zw5wh" data-itemtype="book" data-content-id="20864570-63b1-36a1-81bc-12623376590b" data-content-id-type="bid"> Ring Shout, Wheel About: The Racial Politics of Music and Dance in North American Slavery</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7560/752726" data-itemtype="book" data-content-id="cad3ce77-f476-3b27-8904-de4e276df44d" data-content-id-type="bid"> The Rise of Cable Programming in the United States: Revolution or Evolution?</a> </td> <td class="txtr"> 2003 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvbnm1h1" data-itemtype="book" data-content-id="49f750e8-082e-3233-92c2-51c04c334d6e" data-content-id-type="bid"> The Rise of the Modern Yiddish Theater</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv18zhf48" data-itemtype="book" data-content-id="8f294ebc-ad31-34c6-a6f5-d2455b7a7e5e" data-content-id-type="bid"> Rising Star: Dandyism, Gender, and Performance in the Fin de Si??cle</a> </td> <td class="txtr"> 1998 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.1459955" data-itemtype="book" data-content-id="360919ed-a9d5-33f8-8828-387fd5969c01" data-content-id-type="bid"> Risk Culture: Performance and Danger in Early America</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2005z70" data-itemtype="book" data-content-id="03f75cbe-b1cd-34f2-b34b-34ea0d17079f" data-content-id-type="bid"> The Rite of Spring at 100</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt2tv24w" data-itemtype="book" data-content-id="752f40dc-5bbe-32d4-892f-401c9abd3364" data-content-id-type="bid"> Rites of the Republic: Citizens' Theatre and the Politics of Culture in Southern France</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctv2n7fh3" data-itemtype="book" data-content-id="ae07e6bb-d267-39e8-a9c6-68ed0caf7bef" data-content-id-type="bid"> Ritual Imports: Performing Medieval Drama in America</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctvn1tb8f" data-itemtype="book" data-content-id="142b57c7-f922-399a-a804-cb85b48058c6" data-content-id-type="bid"> Ritual Irony: Poetry and Sacrifice in Euripides</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 1985 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvvnbsh" data-itemtype="book" data-content-id="ca3975af-a03b-3975-b42b-f6fdb7cc59db" data-content-id-type="bid"> The Rivals of Aristophanes: Studies in Athenian Old Comedy</a> </td> <td class="txtr"> 2000 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt7zw7v" data-itemtype="book" data-content-id="f8f572f8-2e1f-395a-9a23-7ac76d14956f" data-content-id-type="bid"> Robert and Frances Flaherty: A Documentary Life, 1883-1922</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv18b5jkh" data-itemtype="book" data-content-id="c7e01421-a9f2-319c-8770-ced76718a6e5" data-content-id-type="bid"> Robert Guédiguian</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv14npjkf" data-itemtype="book" data-content-id="39f62c16-9381-33c5-861f-f5fb1436b80a" data-content-id-type="bid"> Robert Lepage's original stage productions: Making theatre global</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1168xg9" data-itemtype="book" data-content-id="834caac0-93b0-3b60-808e-e6d496e8b075" data-content-id-type="bid"> Robert Schumann</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt16r0jjn" data-itemtype="book" data-content-id="cf03e269-3fab-3975-b66c-fae94f1fd4b5" data-content-id-type="bid"> Rome Season Two: Trial and Triumph</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20q1xvq" data-itemtype="book" data-content-id="4641f426-2cf3-3a20-ba72-27720c718547" data-content-id-type="bid"> The Roots of Theatre: Rethinking Ritual and Other Theories of Origin</a> </td> <td class="txtr"> 2002 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt14bsxrn" data-itemtype="book" data-content-id="bddb5eb7-a612-3ecd-832f-1f16ccf590a8" data-content-id-type="bid"> Rubble Films: German Cinema In Shadow Of 3Rd Reich</a> </td> <td class="txtr"> 2001 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvd1c7kn" data-itemtype="book" data-content-id="ff5101d6-18a1-34ca-b76c-da6679fe235e" data-content-id-type="bid"> Runaway Hollywood: Internationalizing Postwar Production and Location Shooting</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt14btdk8" data-itemtype="book" data-content-id="6b9a473b-4101-35f0-a895-e2715331a90f" data-content-id-type="bid"> Runaway Romances: Hollywood's Postwar Tour of Europe</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt8068r" data-itemtype="book" data-content-id="109a1566-9835-32bc-a800-33d549c0d9ed" data-content-id-type="bid"> Sad Comedy of Èl'dar Riazanov: An Introduction to Russia's Most Popular Filmmaker</a> </td> <td class="txtr"> 2003 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.16561" data-itemtype="book" data-content-id="d010e05d-78f3-33f5-a23b-bce1e7c86b51" data-content-id-type="bid"> Sails of the Herring Fleet: Essays on Beckett</a> </td> <td class="txtr"> 2000 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.1979616" data-itemtype="book" data-content-id="79d2d34b-8b5e-3b9d-8314-d6902b7a2b0a" data-content-id-type="bid"> Salome's Modernity: Oscar Wilde and the Aesthetics of Transgression</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11g9899" data-itemtype="book" data-content-id="82de5322-c39f-3568-8a4d-acce7724f574" data-content-id-type="bid"> Salsa Crossings: Dancing Latinidad in Los Angeles</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt16kdvtf" data-itemtype="book" data-content-id="f46db9bb-3ca9-3ed3-b84b-faeaf3e83963" data-content-id-type="bid"> Salsa World: A Global Dance in Local Contexts</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv18b5m8t" data-itemtype="book" data-content-id="0029db8c-a76a-387f-9fd9-a47bc60ea77b" data-content-id-type="bid"> Samuel Beckett and trauma</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.11872" data-itemtype="book" data-content-id="4cd4fe80-8fab-398e-b02b-3d8572e56de4" data-content-id-type="bid"> The San Francisco Mime Troupe Reader</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.3119423" data-itemtype="book" data-content-id="ea45f14a-a522-35f3-b064-aaa521697762" data-content-id-type="bid"> The Sarah Siddons Audio Files: Romanticism and the Lost Voice</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qfgjc" data-itemtype="book" data-content-id="7d76d679-5e89-32a1-a640-7c0fad640ac9" data-content-id-type="bid"> Satire TV: Politics and Comedy in the Post-Network Era</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt16gznsz" data-itemtype="book" data-content-id="dca32a13-5b25-3d2f-a8c2-64254a670836" data-content-id-type="bid"> Saturday Night Live and American TV</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctv5rf0vr" data-itemtype="book" data-content-id="d8f91be8-ab08-3850-8390-41395de2b00b" data-content-id-type="bid"> Sbek Thom: Khmer Shadow Theater</a> </td> <td class="txtr"> 1995 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.ctt1pwt7r4" data-itemtype="book" data-content-id="24f516d7-c3ca-3f53-8053-b0eb56fbddb4" data-content-id-type="bid"> Scenarios: Aguirre, the Wrath of God; Every Man for Himself and God Against All; Land of Silence and Darkness; Fitzcarraldo</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.ctv5qdfrb" data-itemtype="book" data-content-id="8688cc47-c408-3b14-ae87-b829664b8276" data-content-id-type="bid"> Scenarios II: Signs of Life; Even Dwarfs Started Small; Fata Morgana; Heart of Glass</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.ctvrs91gg" data-itemtype="book" data-content-id="669ef619-306e-3c26-865a-15feb98530c2" data-content-id-type="bid"> Scenarios III: Stroszek; Nosferatu, Phantom of the Night; Where the Green Ants Dream; Cobra Verde</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv47w8w5" data-itemtype="book" data-content-id="f58414a0-616b-3c8a-a8d4-9281e58b2280" data-content-id-type="bid"> The Scene of Foreplay: Theater, Labor, and Leisure in 1960s New York</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv69tgh5" data-itemtype="book" data-content-id="44510cb4-397c-31ae-8d47-07f9bcf8be8f" data-content-id-type="bid"> Scenes from the Revolution: Making Political Theatre 1968-2018</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctvcj2v9g" data-itemtype="book" data-content-id="46cce05c-24d7-34f5-8982-da66f2d12f1f" data-content-id-type="bid"> Scenography in Canada: Selected Designers</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv6jmvf9" data-itemtype="book" data-content-id="35908dc3-45ef-30d2-852e-ba55d88b1211" data-content-id-type="bid"> Schriften zur Theater- und Kulturgeschichte des 18. Jahrhunderts</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv2tvzq2" data-itemtype="book" data-content-id="75aeb942-c381-35a7-aa75-fd9c5779b2e7" data-content-id-type="bid"> Science on Stage: From Doctor Faustus to Copenhagen</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctvxcrnm1" data-itemtype="book" data-content-id="a4eade24-6ffc-38de-8594-c5710a57d871" data-content-id-type="bid"> Scottish Theatre Since the Seventies</a> </td> <td class="txtr"> 1996 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2005tsb" data-itemtype="book" data-content-id="909257d1-e299-3fa1-b391-8b6409889cc5" data-content-id-type="bid"> Screening the Stage: Case Studies of Film Adaptations of Stage Plays and Musicals in the Classical Hollywood Era, 1914-1956</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20q1t8g" data-itemtype="book" data-content-id="9bd7cce5-d860-372a-8852-54df18d44d15" data-content-id-type="bid"> Screenwriting for Neurotics: A Beginner's Guide to Writing a Feature-Length Screenplay from Start to Finish</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1j5d768" data-itemtype="book" data-content-id="681d8447-afe3-3d9c-bb32-ce9bb229b316" data-content-id-type="bid"> Screwball Television: Critical Perspectives on Gilmore Girls</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2jcf40" data-itemtype="book" data-content-id="ce70007e-7393-3000-a52a-74d25ba10125" data-content-id-type="bid"> Secrets of the Sideshows</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt14brxm4" data-itemtype="book" data-content-id="99211751-173d-336a-b778-cb683194afcb" data-content-id-type="bid"> Selling the Splat Pack: The DVD Revolution and the American Horror Film</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctv75d30v" data-itemtype="book" data-content-id="bd9ac800-326f-341e-bb5c-af3fcfe5e0e1" data-content-id-type="bid"> Seneca's "Hercules Furens": A Critical Text with Introduction and Commentary</a> </td> <td class="txtr"> 1987 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctvnjbhkx" data-itemtype="book" data-content-id="c1d5c558-94e8-38a0-84c0-4801e58088f9" data-content-id-type="bid"> Sensation Drama, 1860–1880: An Anthology</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.5159114" data-itemtype="book" data-content-id="70d8c644-b827-33c6-a5c2-5047f351a1a9" data-content-id-type="bid"> Sensational Devotion: Evangelical Performance in Twenty-First-Century America</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.ctvpb3wh2" data-itemtype="book" data-content-id="6a712e15-3232-3d49-8dbf-1bab8535785f" data-content-id-type="bid"> Sensations of History: Animation and New Media Art</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvd1c9tx" data-itemtype="book" data-content-id="62fafebe-4886-3593-8900-cf16ba3e0fb6" data-content-id-type="bid"> Sentence to Hope: A Sa'dallah Wannous Reader</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt802h7" data-itemtype="book" data-content-id="8ba8ed35-8260-3ece-8ff0-c609e360a8e0" data-content-id-type="bid"> Setting the Stage</a> </td> <td class="txtr"> 1999 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20p57f7" data-itemtype="book" data-content-id="cb42607b-6441-3a4a-89f8-c444f62b7117" data-content-id-type="bid"> Sex for Sale: Six Progressive-Era Brothel Dramas</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1g809c7" data-itemtype="book" data-content-id="b8a74246-2a1b-38f1-9bce-b7c5475132d6" data-content-id-type="bid"> Sex, Politics, and Comedy: The Transnational Cinema of Ernst Lubitsch</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvpj7dj6" data-itemtype="book" data-content-id="a39a240c-f95c-3750-8a56-ebc0e1254fbb" data-content-id-type="bid"> Shakespeare and Abraham</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20krzx0" data-itemtype="book" data-content-id="4559c618-ed17-3a50-a2b6-53e238b5947e" data-content-id-type="bid"> Shakespeare and Chekhov in Production and Reception: Theatrical Events and Their Audiences</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1850h82" data-itemtype="book" data-content-id="ffcba60d-d5b8-3db1-baed-e13b8b0e4207" data-content-id-type="bid"> Shakespeare and Commemoration</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1850gtv" data-itemtype="book" data-content-id="04df708b-64b5-3025-a974-8bb420e85e4d" data-content-id-type="bid"> Shakespeare and the Ethics of War</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.9793696" data-itemtype="book" data-content-id="121a5aec-951b-3e7b-8f33-bbd4c6751947" data-content-id-type="bid"> Shakespeare and the Legacy of Loss</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/9781442698376" data-itemtype="book" data-content-id="4d9bc1b4-e1cc-384c-a727-66946aa3c016" data-content-id-type="bid"> Shakespeare and the Second World War: Memory, Culture, Identity</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt6wrgmx" data-itemtype="book" data-content-id="b29b9c74-7931-3b1b-9734-0e0d6fa8f649" data-content-id-type="bid"> Shakespeare in Quebec: Nation, Gender, and Adaptation</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20q1zbf" data-itemtype="book" data-content-id="ca2a105c-7a02-3a29-a5f2-7943aa6d41b1" data-content-id-type="bid"> Shakespeare on the American Yiddish Stage</a> </td> <td class="txtr"> 2002 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctv3s8pnf" data-itemtype="book" data-content-id="9656f8a7-cc8e-315b-9590-f02e7adaae70" data-content-id-type="bid"> Shakespeare Remains: Theater to Film, Early Modern to Postmodern</a> </td> <td class="txtr"> 2002 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvfxvcb2" data-itemtype="book" data-content-id="b08accca-a9cb-30e5-be70-2b9874d60b98" data-content-id-type="bid"> A Shared Truth: The Theater of Lagartijas Tiradas al Sol</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv6gqrs8" data-itemtype="book" data-content-id="cad0e919-386e-31ef-a98e-aba57e82b81d" data-content-id-type="bid"> Sharon Pollock: First Woman of Canadian Theatre</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2jbzr0" data-itemtype="book" data-content-id="b6f46ddf-726f-38af-bafc-0256fa34c92b" data-content-id-type="bid"> Shashibiya: Staging Shakespeare in China</a> </td> <td class="txtr"> 2003 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.7720299" data-itemtype="book" data-content-id="1c4868b8-d0f0-3ca1-89a3-f22aaf949db4" data-content-id-type="bid"> Shattering Hamlet's Mirror: Theatre and Reality</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv7n0cdk" data-itemtype="book" data-content-id="a7b9f35c-351e-38aa-8578-4f03ee0075e8" data-content-id-type="bid"> Sherlock's World: Fan Fiction and the Reimagining of BBC's Sherlock</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.5626042" data-itemtype="book" data-content-id="7fa6ff16-7dad-391d-8225-3256a14898bb" data-content-id-type="bid"> Shipwrecked: Disaster and Transformation in Homer, Shakespeare, Defoe, and the Modern World</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt17t74zd" data-itemtype="book" data-content-id="e0160b8e-6aa3-337c-8f22-d6bdeccd67ba" data-content-id-type="bid"> Sidney J. Furie: Life and Films</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt130j5wf" data-itemtype="book" data-content-id="160c2278-c1be-3b12-a756-816994315c1f" data-content-id-type="bid"> Sidney Lumet: Film and Literary Vision</a> </td> <td class="txtr"> 2001 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1djmdq5" data-itemtype="book" data-content-id="d1ee46ab-b713-3956-a662-1c062e3c2bf7" data-content-id-type="bid"> Siete obras desconocidas de Jorge Díaz</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt6wqnfb" data-itemtype="book" data-content-id="496baa29-0cbd-3b4f-b507-a95d6ac9fe2a" data-content-id-type="bid"> Significant Other: Staging the American in China</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt1vgw8zj" data-itemtype="book" data-content-id="0fa18f42-c974-3270-9812-c17166939fdb" data-content-id-type="bid"> The Silenced Theatre: Czech Playwrights without a Stage</a> </td> <td class="txtr"> 1979 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctvq2vzx5" data-itemtype="book" data-content-id="6a0f1b4a-477f-3b2d-8350-b4eeadc232d0" data-content-id-type="bid"> Silent Serial Sensations: The Wharton Brothers and the Magic of Early Cinema</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.4969005" data-itemtype="book" data-content-id="0b3393ce-e721-3f0d-afe3-8355875a7580" data-content-id-type="bid"> Simming: Participatory Performance and the Making of Meaning</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7560/723153" data-itemtype="book" data-content-id="caef042c-6b0a-3493-98b0-8c07ffc08f93" data-content-id-type="bid"> Since When Is Fran Drescher Jewish?</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctvxcrq5n" data-itemtype="book" data-content-id="d940cdfc-c002-3138-b1c9-21223a958acd" data-content-id-type="bid"> Sir Henry Irving: Theatre, Culture and Society: Essays, Addresses and Lectures</a> </td> <td class="txtr"> 1994 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv15vwkfd" data-itemtype="book" data-content-id="5dff9411-928d-386a-bf59-002317eee148" data-content-id-type="bid"> Sistuhs in the Struggle: An Oral History of Black Arts Movement Theater and Performance</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv47w2pk" data-itemtype="book" data-content-id="71dbb971-6b5a-354d-ab6d-5c755a19b71a" data-content-id-type="bid"> Site Unscene: The Offstage in English Renaissance Drama</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1gxpbdr" data-itemtype="book" data-content-id="b757e68c-40cb-350e-9364-91cc3d8b22e4" data-content-id-type="bid"> Sites of Performance: Of Time and Memory</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5vkgfq" data-itemtype="book" data-content-id="3b93fcdc-6d95-34df-88c2-1464b48f02b9" data-content-id-type="bid"> The Six Questions: Acting Technique For Dance Performance</a> </td> <td class="txtr"> 1997 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvq4bzz6" data-itemtype="book" data-content-id="ae6af022-9a20-38cf-923e-cc7be451f685" data-content-id-type="bid"> Sketch Comedy: Identity, Reflexivity, and American Television</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11cw1t2" data-itemtype="book" data-content-id="8818b5c3-6b7e-3524-80f3-7cdb63b6ea50" data-content-id-type="bid"> Skin Acts: Race, Psychoanalysis, and the Black Male Performer</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt18j8xw0" data-itemtype="book" data-content-id="06b896a5-72bd-3e51-a83f-ce6f447086a7" data-content-id-type="bid"> Slapstick Modernism: Chaplin to Kerouac to Iggy Pop</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt7s4pp" data-itemtype="book" data-content-id="64510674-ecb2-360a-ab7a-2c168d9f3c5c" data-content-id-type="bid"> Slaves, Masters, and the Art of Authority in Plautine Comedy</a> </td> <td class="txtr"> 2000 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11vc89r" data-itemtype="book" data-content-id="f0fcf6fe-9497-344a-93c4-c6e18b8cf38c" data-content-id-type="bid"> Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.1525/j.ctt1d4v0gx" data-itemtype="book" data-content-id="af882b08-6ff2-3289-a82c-0887dc222789" data-content-id-type="bid"> Smutty Little Movies: The Creation and Regulation of Adult Video</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11smwrg" data-itemtype="book" data-content-id="8c821b92-67b6-3cb6-9c01-70c5c14ede92" data-content-id-type="bid"> So Much Wasted: Hunger, Performance, and the Morbidity of Resistance</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1t88wt7" data-itemtype="book" data-content-id="8041474d-2c7f-388c-ac4a-4a62604ad040" data-content-id-type="bid"> A Social History of Scottish Dance: Ane Celestial Recreatioun</a> </td> <td class="txtr"> 1972 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv4t811z" data-itemtype="book" data-content-id="07fca08d-5454-3d9a-ab7d-b01809f4672b" data-content-id-type="bid"> A Sociosemiotic Theory of Theatre</a> </td> <td class="txtr"> 1990 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1cvvbfv" data-itemtype="book" data-content-id="26386242-a633-3f3d-8d54-282c1723122d" data-content-id-type="bid"> SOFT IN THE MIDDLE: CONTEMPORARY SOFTCORE FEATURE IN ITS CONTEXTS</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt1gxxrc5" data-itemtype="book" data-content-id="0276292f-fdf5-3fc3-b943-40430fbb7fa9" data-content-id-type="bid"> Some Facets of King Lear: Essays in Prismatic Criticism</a> </td> <td class="txtr"> 1974 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.ctttt9hr" data-itemtype="book" data-content-id="be43091e-e4ed-37f7-9ba1-ffd7392dbcb3" data-content-id-type="bid"> Something Completely Different: British Television and American Culture</a> </td> <td class="txtr"> 2000 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt81dm3" data-itemtype="book" data-content-id="9d0f4984-8a89-36e1-b953-93a78e8051ea" data-content-id-type="bid"> Something New in the Air: The Story of First Peoples Television Broadcasting in Canada</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1574pm4" data-itemtype="book" data-content-id="c8e18ff6-56f4-3d2c-bd41-5614615c9ee8" data-content-id-type="bid"> The Song Is You: Musical Theatre and the Politics of Bursting into Song and Dance</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1xwd14" data-itemtype="book" data-content-id="fe53019a-c9fe-39f6-8ca8-f9c570df4e74" data-content-id-type="bid"> The Soul of Beijing Opera: Theatrical Creativity and Continuity in the Changing World</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctt18kr5w2" data-itemtype="book" data-content-id="0783600d-4c83-3a98-81c3-e64731cf4f11" data-content-id-type="bid"> The Soul of Pleasure: Sentiment and Sensation in Nineteenth-Century American Mass Entertainment</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt18mbfgr" data-itemtype="book" data-content-id="667341b9-9f51-3122-bbb7-c159075968ed" data-content-id-type="bid"> South African performance and archives of memory</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1bh4ch4" data-itemtype="book" data-content-id="19578fb8-f7f3-3e9a-b2e6-30026fe502b0" data-content-id-type="bid"> The Soviet Theater: A Documentary History</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvgc62m9" data-itemtype="book" data-content-id="d5731ebd-d5a3-38e6-950e-5562e1bf4d58" data-content-id-type="bid"> Speaking in Shakespeare's Voice: A Guide for American Actors</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.91254" data-itemtype="book" data-content-id="f401ff77-2746-3b74-99b2-43d94c79c2a6" data-content-id-type="bid"> Speaking in Tongues: Languages at Play in the Theatre</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.ctttszdw" data-itemtype="book" data-content-id="f30ff2b5-26ac-3129-ae29-578edb89ee96" data-content-id-type="bid"> The Spectacle of Democracy: Spanish Television, Nationalism, and Political Transition</a> </td> <td class="txtr"> 1995 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.4993455" data-itemtype="book" data-content-id="457ed37f-38a9-3dbd-8625-607d53450562" data-content-id-type="bid"> Spectacles of Reform: Theater and Activism in Nineteenth-Century America</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1gk08dp" data-itemtype="book" data-content-id="1b9f685f-f52d-390e-9edd-817021f10d1c" data-content-id-type="bid"> Spectacular Disappearances: Celebrity and Privacy, 1696-1801</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1ch76z5" data-itemtype="book" data-content-id="5ef07344-7ca4-3a20-a580-d7ffe99b5844" data-content-id-type="bid"> Spiders of the Market: Ghanaian Trickster Performance in a Web of Neoliberalism</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.1525/j.ctt1ppd10" data-itemtype="book" data-content-id="43c41a93-a35a-3d11-bfa5-a42faa8c9928" data-content-id-type="bid"> Spoken Word: Postwar American Phonograph Cultures</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.11888" data-itemtype="book" data-content-id="01f54893-cf6b-353b-8815-468ec1e25198" data-content-id-type="bid"> The Stage Life of Props</a> </td> <td class="txtr"> 2003 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv6wgf0s" data-itemtype="book" data-content-id="4236a65f-4540-32d4-b2e3-80fd66b7e6c1" data-content-id-type="bid"> Stage Money: The Business of the Professional Theater</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvrxk2x1" data-itemtype="book" data-content-id="ffc42f3d-b7e8-3cf2-a1aa-c6e7d043d82a" data-content-id-type="bid"> Stage Money: The Business of the Professional Theater</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvnb7rqg" data-itemtype="book" data-content-id="0892dd55-1e49-3229-8680-4968478b319c" data-content-id-type="bid"> Stage rights!: The Actresses’ Franchise League, activism and politics 1908–58</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1pq0w3" data-itemtype="book" data-content-id="e17912e8-89ba-3bb3-a6f2-25d046c9375a" data-content-id-type="bid"> Stage Turns: Canadian Disability Theatre</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/arjo18488" data-itemtype="book" data-content-id="304e3cdd-aa72-3e44-b31e-f2e82eba4972" data-content-id-type="bid"> Staged: Show Trials, Political Theater, and the Aesthetics of Judgment</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11317pc" data-itemtype="book" data-content-id="a84fcfd6-2343-3daf-bfd2-4ed1da6a09d5" data-content-id-type="bid"> Stages of Emergency: Cold War Nuclear Civil Defense</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1gxpbnc" data-itemtype="book" data-content-id="b7e32d44-5c9f-3dbf-9eaf-feaf3053f2e8" data-content-id-type="bid"> Stages of Life: Indian Theatre Autobiographies</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt2tv5hj" data-itemtype="book" data-content-id="edbd0fd4-1548-3e64-a21f-5b9779f17ca9" data-content-id-type="bid"> Stages of Reality: Theatricality in Cinema</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20mvg3k" data-itemtype="book" data-content-id="e58cdc38-5483-34a8-a267-377facb4712e" data-content-id-type="bid"> Stagestruck Filmmaker: D. W. Griffith and the American Theatre</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/chen16638" data-itemtype="book" data-content-id="5c57f663-1788-3ff3-a21b-7fee37607ac2" data-content-id-type="bid"> Staging Chinese Revolution: Theater, Film, and the Afterlives of Propaganda</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvw04fnv" data-itemtype="book" data-content-id="d31b6259-48fe-3d7c-b061-732b94f7816e" data-content-id-type="bid"> Staging Citizenship: Roma, Performance and Belonging in EU Romania</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv177thwk" data-itemtype="book" data-content-id="6097dc01-d4b9-324a-b30a-a8f13f9553d3" data-content-id-type="bid"> Staging Cultural Encounters: Algerian Actors Tour the United States</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1198zm3" data-itemtype="book" data-content-id="0233c33b-10bb-393c-8833-917d3bcfd8e7" data-content-id-type="bid"> Staging Discomfort: Performance and Queerness in Contemporary Cuba</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt16kdvwg" data-itemtype="book" data-content-id="c4891b6b-cfb4-3849-8062-fa0c70be674b" data-content-id-type="bid"> Staging Ghana: Artistry and Nationalism in State Dance Ensembles</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5325/j.ctv14gp5jj" data-itemtype="book" data-content-id="5eaf9f8c-dd9b-3b5b-8bf2-c90717ff18eb" data-content-id-type="bid"> Staging Ground: An American Theater and Its Ghosts</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5325/j.ctv14gp309" data-itemtype="book" data-content-id="c26a4d80-e978-3160-9d8b-68c99cc7d1b3" data-content-id-type="bid"> Staging Habla de Negros: Radical Performances of the African Diaspora in Early Modern Spain</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.23054" data-itemtype="book" data-content-id="fcc4a229-2592-39b2-82ff-fd88ba22c2a8" data-content-id-type="bid"> Staging Masculinity: The Rhetoric of Performance in the Roman World</a> </td> <td class="txtr"> 2000 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1xhr5ks" data-itemtype="book" data-content-id="a288cbf3-497c-3713-858f-993b4d21765f" data-content-id-type="bid"> Staging Memory and Materiality in Eighteenth-Century Theatrical Biography</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/wang19190" data-itemtype="book" data-content-id="1fe81ab1-8b6d-361c-9586-f2f75878c5c4" data-content-id-type="bid"> Staging Personhood: Costuming in Early Qing Drama</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.147168" data-itemtype="book" data-content-id="6306c431-7e62-3e7e-bc77-41836b7ac024" data-content-id-type="bid"> Staging Philosophy: Intersections of Theater, Performance, and Philosophy</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvtxw2wz" data-itemtype="book" data-content-id="791506ae-f3b0-3728-856c-727c8cd9cc19" data-content-id-type="bid"> Staging Postcommunism: Alternative Theatre in Eastern and Central Europe after 1989</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvvsqbxs" data-itemtype="book" data-content-id="03688c3c-5d27-34c7-8912-8dfa9439fae4" data-content-id-type="bid"> Staging Process: The Aesthetic Politics of Collective Performance</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt22p7jf7" data-itemtype="book" data-content-id="6dec04b1-60b7-3afe-a759-be41957d3a8c" data-content-id-type="bid"> Staging Revolution: Artistry and Aesthetics in Model Beijing Opera during the Cultural Revolution</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1bw1k0g" data-itemtype="book" data-content-id="aa8d3c66-b281-31ed-9e2a-067feef8a7d7" data-content-id-type="bid"> Stan Brakhage: Filmmaker</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1198z2t" data-itemtype="book" data-content-id="1a328f56-2707-32d2-8c4c-40f8687ff9b5" data-content-id-type="bid"> Stand-up Comedy in Theory, or, Abjection in America</a> </td> <td class="txtr"> 2000 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv14rmq8j" data-itemtype="book" data-content-id="56a9c4e7-3e37-3678-ba33-0a88c6732ea3" data-content-id-type="bid"> Stanley Kubrick: American Filmmaker</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2tvpmq" data-itemtype="book" data-content-id="9009da82-10b3-3385-962c-6f51b43496fa" data-content-id-type="bid"> Stanley Kubrick: Interviews</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvrs8xs2" data-itemtype="book" data-content-id="3739b6fc-0ff0-3ff6-8edf-3703f2d26443" data-content-id-type="bid"> Star Attractions: Twentieth-Century Movie Magazines and Global Fandom</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.1525/j.ctt6wqbf9" data-itemtype="book" data-content-id="ff651bf4-c364-33b6-9057-7f14cdf79e93" data-content-id-type="bid"> Star Trek and American Television</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvqc6hc5" data-itemtype="book" data-content-id="377c67b2-5e1e-368f-8a1e-aa8d8c04d961" data-content-id-type="bid"> Starring Red Wing!: The Incredible Career of Lilian M. St. Cyr, the First Native American Film Star</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt1g052p4" data-itemtype="book" data-content-id="10e1d771-95ba-3221-8884-0090b6f282d6" data-content-id-type="bid"> STARZ Spartacus: Reimagining an Icon on Screen</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt155j9g0" data-itemtype="book" data-content-id="5db1b72b-ce0a-3aa0-8dce-74e1ed3661e5" data-content-id-type="bid"> State of play: Contemporary 'high-end' TV drama</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1bh4b4z" data-itemtype="book" data-content-id="56005fdc-8653-3874-b034-e9d588e00210" data-content-id-type="bid"> The state of the art: teaching drama in the 21st century</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvpg845z" data-itemtype="book" data-content-id="3db02b11-fbc9-3c70-95b0-e1af0fbc5b1c" data-content-id-type="bid"> Statecraft and Stagecraft: American Political Life in the Age of Personality, Second Edition</a> </td> <td class="txtr"> 1992 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1220jr8" data-itemtype="book" data-content-id="3935adb3-3c70-354c-9892-6b05689e061a" data-content-id-type="bid"> Stepping Left: Dance and Politics in New York City, 1928–1942</a> </td> <td class="txtr"> 1997 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2jcgct" data-itemtype="book" data-content-id="46e23a3a-8058-35af-93cc-bfcb45279518" data-content-id-type="bid"> Steven Spielberg and Philosophy: We're Gonna Need a Bigger Book</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11cw314" data-itemtype="book" data-content-id="473003e8-beca-31a0-ac91-f8169ae65294" data-content-id-type="bid"> Stigmas of the Tamil Stage: An Ethnography of Special Drama Artists in South India</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctvrs91qv" data-itemtype="book" data-content-id="89ba5b7e-910a-3519-9f95-e983bb701c71" data-content-id-type="bid"> The Stillness of Solitude: Romanticism and Contemporary American Independent Film</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvw04c75" data-itemtype="book" data-content-id="31322a85-5bce-3fcb-b408-9749b6dfe013" data-content-id-type="bid"> Stories Make the World: Reflections on Storytelling and the Art of the Documentary</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv5rf6vf" data-itemtype="book" data-content-id="915b4b64-130d-359c-9326-85ba6ac440ec" data-content-id-type="bid"> Stories: Screen Narrative in the Digital Era</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv177tj35" data-itemtype="book" data-content-id="fc1a1e94-7378-3554-82fb-322a3a526a58" data-content-id-type="bid"> Storytelling in Opera and Musical Theater</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt16gh8wc" data-itemtype="book" data-content-id="a924900e-a9c5-3cdf-9cfe-7e641eb8b901" data-content-id-type="bid"> Storytelling on the Northern Irish Border: Characters and Community</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt7ztpsz" data-itemtype="book" data-content-id="09a988c7-5b1e-3182-9dba-d75a9780fdcc" data-content-id-type="bid"> Story/Time: The Life of an Idea</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt1bgzbtn" data-itemtype="book" data-content-id="67017e95-54b7-3b9f-9769-4387e439de0f" data-content-id-type="bid"> Straight Girls and Queer Guys: The Hetero Media Gaze in Film and Television</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5149/9780807837337_noonan" data-itemtype="book" data-content-id="1afad548-fb96-3384-a96c-046f85b15c61" data-content-id-type="bid"> The Strange Career of Porgy and Bess: Race, Culture, and America’s Most Famous Opera</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20ks0fp" data-itemtype="book" data-content-id="958e4036-c17d-3d5a-bc44-ad5ebe29511b" data-content-id-type="bid"> Strange Duets: Impresarios and Actresses in the American Theatre, 1865-1914</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv102bfmg" data-itemtype="book" data-content-id="3ce4e05e-9727-3d95-a56b-78d9a155e1bf" data-content-id-type="bid"> Strategic Planning in the Arts: A Practical Guide</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1npt3z" data-itemtype="book" data-content-id="647f7be1-d952-322e-8642-0fbf53f4ed09" data-content-id-type="bid"> Stravinsky and Balanchine: A Journey of Invention</a> </td> <td class="txtr"> 2002 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.ctttskx2" data-itemtype="book" data-content-id="a7998bc6-afb8-3cde-b0e3-93c23821b9d0" data-content-id-type="bid"> Street Scenes: Staging the Self in Immigrant New York, 1880–1924</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt1vgw5w2" data-itemtype="book" data-content-id="05786293-465d-3f20-841b-237efcbb529a" data-content-id-type="bid"> Striker Schneiderman</a> </td> <td class="txtr"> 1973 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt32bh4h" data-itemtype="book" data-content-id="9b4ab6fd-fd1d-3fb1-a3a8-7d216c2e8aa2" data-content-id-type="bid"> The Structure of Atonal Music</a> </td> <td class="txtr"> 1973 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt2tv0v4" data-itemtype="book" data-content-id="0c2838ed-e801-3bbd-9cf1-b409a64e79a1" data-content-id-type="bid"> Structures of Feeling in Seventeenth-Century Cultural Expression</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvpbnq82" data-itemtype="book" data-content-id="294241b1-0a45-3cd8-9f78-f0bcad9fdcdf" data-content-id-type="bid"> The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5149/9781469657325_crosby" data-itemtype="book" data-content-id="83a9cca5-005e-31d8-8401-8da33303473f" data-content-id-type="bid"> Studies in the German Drama: A Festschrift in Honor of Walter Silz</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 1974 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt1vgw9pw" data-itemtype="book" data-content-id="3bfa9bd4-72c8-3837-96b0-34419f41f6e2" data-content-id-type="bid"> Studies in the Textual Tradition of Terence</a> </td> <td class="txtr"> 1986 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvh4zdk3" data-itemtype="book" data-content-id="87a3dd9a-a6b6-3a28-86e3-b1683af651d5" data-content-id-type="bid"> Styling Blackness in Chile: Music and Dance in the African Diaspora</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/nero17070" data-itemtype="book" data-content-id="ad9b3153-d911-3d79-af5f-01ebda61e9aa" data-content-id-type="bid"> The Subject of Torture: Psychoanalysis and Biopolitics in Television and Film</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt2ttx36" data-itemtype="book" data-content-id="c3a5abea-988f-355c-b850-c240f01d39e0" data-content-id-type="bid"> Subject Stages: Marriage, Theatre and the Law in Early Modern Spain</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctvh8r4tx" data-itemtype="book" data-content-id="7d88c4b9-cca6-3d21-b7a0-2aac0553a45e" data-content-id-type="bid"> Subject to Reality: Women and Documentary Film</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv16t6fhh" data-itemtype="book" data-content-id="96a5acd9-e150-3e12-aa4c-cc2549db7163" data-content-id-type="bid"> Subscription Theater: Democracy and Drama in Britain and Ireland, 1880-1939</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7829/j.ctt1pq33zt" data-itemtype="book" data-content-id="6f0b292e-2c59-3653-a4d4-2d057e47986b" data-content-id-type="bid"> Subversive Stages: Theater in Pre- and Post-Communist in Hungary, Romania and Bulgaria</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt12f63j" data-itemtype="book" data-content-id="a1239fe0-5d64-314c-9181-b3a7ef223a1f" data-content-id-type="bid"> The Survival of Soap Opera: Transformations for a New Media Era</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.14558" data-itemtype="book" data-content-id="ec3b01de-1657-32f7-bd30-b69b1bf5c7cf" data-content-id-type="bid"> Susan Glaspell in Context: American Theater, Culture, and Politics, 1915-48</a> </td> <td class="txtr"> 2001 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20q2315" data-itemtype="book" data-content-id="618676ee-cccd-3fb2-aa94-b497efb34492" data-content-id-type="bid"> Susan Glaspell's Poetics and Politics of Rebellion</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1b4cx8t" data-itemtype="book" data-content-id="9b9aa66b-9e9d-34b9-b7b4-e83b74ee6950" data-content-id-type="bid"> Swans of the Kremlin: Ballet and Power in Soviet Russia</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt14bt8tz" data-itemtype="book" data-content-id="424bd00f-7d6d-3597-ac65-05d08699f4ef" data-content-id-type="bid"> Sweating Saris: Indian Dance as Transnational Labor</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt14btbgr" data-itemtype="book" data-content-id="7fae8374-c807-3294-a54d-6fc7c963627b" data-content-id-type="bid"> Sync: Stylistics of Hieroglyphic Time</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt130jwfv" data-itemtype="book" data-content-id="b2b7fd42-a1c6-3b6b-bec9-c8caf133697c" data-content-id-type="bid"> Taking Exception to the Law: Materializing Injustice in Early Modern English Literature</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.345788" data-itemtype="book" data-content-id="077a7dc9-7db4-30d0-a100-049a29ed7be5" data-content-id-type="bid"> Taking It to the Bridge: Music as Performance</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1rfsnwx" data-itemtype="book" data-content-id="49450f90-1be2-3af9-a5e0-01e206a6eac4" data-content-id-type="bid"> Taking Liberties: Gender, Transgressive Patriotism, and Polish Drama, 1786–1989</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1xz088" data-itemtype="book" data-content-id="aa259fff-2805-30ef-8a1d-0495f5ef4a0f" data-content-id-type="bid"> Tall Tree, Nest of the Wind - The Javanese Shadow-play Dewa Ruci Performed by Ki Anom Soeroto: A Study in Performance Philology</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv6jmv8w" data-itemtype="book" data-content-id="12f863b8-e3b0-3b38-852f-dda5f862a153" data-content-id-type="bid"> The Taming of the Turk: Ottomans on the Danish Stage 1596-1896</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2005v61" data-itemtype="book" data-content-id="6732dc1b-225f-3f68-9ce1-c146929951eb" data-content-id-type="bid"> Tango: Creation of a Cultural Icon</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvx072sf" data-itemtype="book" data-content-id="cf317a11-7c9e-36ec-ac33-72d33df396e3" data-content-id-type="bid"> Tango Nuevo</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt1xcms7" data-itemtype="book" data-content-id="03baa2d3-4f32-3948-b178-db3fc1aceeb7" data-content-id-type="bid"> Teaching Dancing with Ideokinetic Principles</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt18kr4q0" data-itemtype="book" data-content-id="2daf351e-b29d-3e7f-ac89-acb6e9d4b115" data-content-id-type="bid"> ¡A Teatro Camaradas!: Dramaturgia militante y política de masas en Colombia (1965-1975)</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7560/717435" data-itemtype="book" data-content-id="37e22b95-c962-3353-a754-6f86fbba1b36" data-content-id-type="bid"> Teatro Chicana</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvpwhcq8" data-itemtype="book" data-content-id="5f70731b-c0a7-3ba3-bc02-b25f6650d761" data-content-id-type="bid"> Teatro para aprender, enseñar y curar: Usos académicos y terapéuticos del teatro</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1zqrmrh" data-itemtype="book" data-content-id="d760bf73-3429-3f5c-ae4a-9ebaaa7ebb58" data-content-id-type="bid"> Technology and Film Scholarship: Experience, Study, Theory</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt14bt168" data-itemtype="book" data-content-id="f52bed73-099e-3abc-8b31-7450543fa88a" data-content-id-type="bid"> Teenagers And Teenpics: Juvenilization Of American Movies</a> </td> <td class="txtr"> 2002 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv14h4x4" data-itemtype="book" data-content-id="3985e6d4-5f4d-3226-aa57-6fd7f6e2db37" data-content-id-type="bid"> Television Finales: From Howdy Doody to Girls</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt130j11k" data-itemtype="book" data-content-id="d1bfd274-426f-324f-b4d2-36298ef00ff4" data-content-id-type="bid"> Television Histories: Shaping Collective Memory in the Media Age</a> </td> <td class="txtr"> 2001 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hjdxc" data-itemtype="book" data-content-id="9e09ca64-83fb-3e34-8ad0-494082178883" data-content-id-type="bid"> Television in the Age of Radio: Modernity, Imagination, and the Making of a Medium</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1rfspj7" data-itemtype="book" data-content-id="1808bd98-0ac5-3343-b9e9-87043a4fd3a2" data-content-id-type="bid"> Television, Nation, and Culture in Indonesia</a> </td> <td class="txtr"> 2000 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7560/781757" data-itemtype="book" data-content-id="b72f67c7-cba9-3501-8145-ffcc31dce94f" data-content-id-type="bid"> Television Talk: A History of the TV Talk Show</a> </td> <td class="txtr"> 2002 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qfwq5" data-itemtype="book" data-content-id="17696780-41c1-338b-8012-11494a832cff" data-content-id-type="bid"> The Television Will Be Revolutionized, 2nd edition</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qcxkv" data-itemtype="book" data-content-id="8864678c-700a-3bbd-b280-8cc946978ee6" data-content-id-type="bid"> Television's Moment: Sitcom Audiences and the Sixties Cultural Revolution</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt17rw4vj" data-itemtype="book" data-content-id="b812d215-e537-35c8-a41a-e1eb35fd641d" data-content-id-type="bid"> Tellings and Texts: Music, Literature and Performance in North India</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv19wx7wp" data-itemtype="book" data-content-id="1afbf8fd-c76f-3f46-9653-291c7dd27a48" data-content-id-type="bid"> Telltale Women: Chronicling Gender in Early Modern Historiography</a> </td> <td class="txtr"> 2021 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt16gzbbw" data-itemtype="book" data-content-id="97e217db-1b68-3c9b-a58b-9b02b87dffd3" data-content-id-type="bid"> Ten Arab Filmmakers: Political Dissent and Social Critique</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.9209293" data-itemtype="book" data-content-id="728efab3-a0fa-35bf-94f5-f95d7fac36ae" data-content-id-type="bid"> Ten Thousand Nights: Highlights from 50 Years of Theatre-Going</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1228gk9" data-itemtype="book" data-content-id="d06e30ea-4eb9-3b4b-b649-9ac0be5bddc0" data-content-id-type="bid"> Terence: Phormio</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5325/j.ctv14gp6kj" data-itemtype="book" data-content-id="44576b44-6e39-372c-b907-717bcfec2898" data-content-id-type="bid"> Text and Supertext in Ibsen’s Drama</a> </td> <td class="txtr"> 1989 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv6jmv5f" data-itemtype="book" data-content-id="e93c2552-f50e-3f54-9590-8e0141c31a29" data-content-id-type="bid"> Texte zur Musikdramatik im 17. und 18. Jahrhundert: Aufsätze und Vorträge</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv6jmwz0" data-itemtype="book" data-content-id="60ac628d-e0f7-3620-ab16-4e53f776c805" data-content-id-type="bid"> Texto y representación en el teatro del siglo de oro</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 1997 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1j7x79c" data-itemtype="book" data-content-id="47d3cea9-163b-378b-a555-25a4ff5ab21b" data-content-id-type="bid"> Theater and Martial Arts in West Sumatra: Randai and Silek of the Minangkabau</a> </td> <td class="txtr"> 1998 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctvr7f8p3" data-itemtype="book" data-content-id="1091671b-e5e6-35d9-832e-30fb1250041b" data-content-id-type="bid"> Theater as Problem: Modern Drama and Its Place in Literature</a> </td> <td class="txtr"> 1990 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv6wgjdx" data-itemtype="book" data-content-id="38e3fdf2-19e2-3438-95ab-23b541e72f96" data-content-id-type="bid"> Theater Careers: A Realistic Guide</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11sn51x" data-itemtype="book" data-content-id="05fbb8ed-3685-3e42-8141-e23b8cb723fd" data-content-id-type="bid"> Theater der Frühen Neuzeit in Deutschland und Japan: Eine komparatistische Spurensuche nach dem Besonderen und Universellen</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11sn81c" data-itemtype="book" data-content-id="ca194722-d0b8-32ad-95b9-78a20ff7f715" data-content-id-type="bid"> Theater Enough: American Culture and the Metaphor of the World Stage, 1607–1789</a> </td> <td class="txtr"> 1991 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5149/9781469657585_huettich" data-itemtype="book" data-content-id="e69d5999-c983-3fc8-929d-58a2b6e83d14" data-content-id-type="bid"> Theater in the Planned Society: Contemporary Drama in the German Democratic Republic in its Historical, Political, and Cultural Context</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 1978 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5vk4h6" data-itemtype="book" data-content-id="876d1d2f-8d2d-3995-8603-6aab5b5fb72e" data-content-id-type="bid"> The Theater Is in the Street: Politics and Public Performance in 1960s America</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvrf88qs" data-itemtype="book" data-content-id="4cf6e7f1-3e89-37eb-9510-0bd366e78a12" data-content-id-type="bid"> Theater of State: A Dramaturgy of the United Nations</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvsrg60" data-itemtype="book" data-content-id="c8223c55-f6e2-344c-8788-aa184d44d607" data-content-id-type="bid"> Theater of the Dead: A Social Turn in Chinese Funerary Art, 1000-1400</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7560/723948" data-itemtype="book" data-content-id="2a8b0232-eb0f-3c97-bac0-ef9fbe74c986" data-content-id-type="bid"> Theater of the People</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.119496" data-itemtype="book" data-content-id="a3ac06f6-97bf-33ee-b8a9-87ff5621c820" data-content-id-type="bid"> The Theater Will Rock: A History of the Rock Musical, from Hair to Hedwig</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv6jmb66" data-itemtype="book" data-content-id="ab3bc33c-1f77-34fe-a52a-ed6fabbb1e0c" data-content-id-type="bid"> Theater - Zettel - Sammlungen: Erschließung, Digitalisierung, Forschung</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvdmwxzk" data-itemtype="book" data-content-id="3b948004-e3f3-37c4-a35e-5262d9c5c257" data-content-id-type="bid"> Theatergeschichte Österreichs / Geschichte des deutschsprachigen Theaters in Kroatien</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctvrf8b5z" data-itemtype="book" data-content-id="957a70a8-9a7e-3cfb-9216-1513719fc7e9" data-content-id-type="bid"> Theaters of Pardoning</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv47wc99" data-itemtype="book" data-content-id="9f4a3c28-f382-3a7d-b065-ee9752516ad0" data-content-id-type="bid"> Theaters of the Everyday: Aesthetic Democracy on the American Stage</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/shep16470" data-itemtype="book" data-content-id="36c6e1e4-8ee6-325b-ac23-6a473a13990e" data-content-id-type="bid"> Theatre and Evolution from Ibsen to Beckett</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20mvd7p" data-itemtype="book" data-content-id="090f350b-aa60-338b-901f-4d3c1d856399" data-content-id-type="bid"> Theatre and Identity in Imperial Russia</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1fzhh7c" data-itemtype="book" data-content-id="45c9ec0f-62a3-3e27-b832-41ba0f3ccc91" data-content-id-type="bid"> Theatre and War: Notes from the Field</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20q225r" data-itemtype="book" data-content-id="9c44bd67-ed8d-3921-9db1-571fea0596f6" data-content-id-type="bid"> Theatre, Community, and Civic Engagement in Jacobean London</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt1vxmdkk" data-itemtype="book" data-content-id="195a7857-8092-3a17-bc46-de63f2ccbd17" data-content-id-type="bid"> Theatre for Shakespeare</a> </td> <td class="txtr"> 1955 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt1gxxr52" data-itemtype="book" data-content-id="c51eb273-a851-33dc-b252-83d24b6e2b79" data-content-id-type="bid"> Theatre in French Canada: Laying the Foundations 1606-1867</a> </td> <td class="txtr"> 1984 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20mvcnd" data-itemtype="book" data-content-id="aaa6e69a-4180-37f3-b5c8-4be2661442d7" data-content-id-type="bid"> Theatre Is More Beautiful Than War: German Stage Directing in the Late Twentieth Century</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctv19j75gd" data-itemtype="book" data-content-id="06a7794f-f571-3f1e-852a-4f9ac1a975aa" data-content-id-type="bid"> Theatre of Anger: Radical Transnational Performance in Contemporary Berlin</a> </td> <td class="txtr"> 2021 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/9781442682580" data-itemtype="book" data-content-id="deb3ebb6-287f-3856-9422-299a34b599fc" data-content-id-type="bid"> Theatre of Estrangement: Theory, Practice, Ideology</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1cbn3xt" data-itemtype="book" data-content-id="038c1f6d-7ab4-3d71-8d00-544d7125ef07" data-content-id-type="bid"> Theatre of the Real: Yeats, Beckett, and Sondheim</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv15d7z24" data-itemtype="book" data-content-id="56052196-0165-318b-9b3a-12b6fefc0fac" data-content-id-type="bid"> Theatre Spaces for Music in 18th-Century Europe</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctvnjbgj0" data-itemtype="book" data-content-id="c1a9350e-a77e-3987-943d-7eb43f437465" data-content-id-type="bid"> Theatre Through the Camera Eye: The Poetics of an Intermedial Encounter</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20ks1sb" data-itemtype="book" data-content-id="b3551b57-de49-358a-9f9f-7ef40bd651ec" data-content-id-type="bid"> Theatres of Independence: Drama, Theory, and Urban Performance in India since 1947</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt13x0t89" data-itemtype="book" data-content-id="1ea879d2-d66d-3e88-8d08-fba546336537" data-content-id-type="bid"> The Theatrical Manager in Britain and America: Player of a Perilous Game: Player of a Perilous Game</a> </td> <td class="txtr"> 1971 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1cg4j9d" data-itemtype="book" data-content-id="07646aae-71bf-3deb-b90a-9caf868cffc2" data-content-id-type="bid"> Theatrical Theology: Explorations in Performing the Faith</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt13wzzq3" data-itemtype="book" data-content-id="c37ff0de-3528-3973-97e7-388ce2a78caa" data-content-id-type="bid"> Theatricality as Medium</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvq4c12z" data-itemtype="book" data-content-id="ec471cf7-87f9-37ae-a9c2-a00971b4982f" data-content-id-type="bid"> Theatricality in the Horror Film: A Brief Study on the Dark Pleasures of Screen Artifice</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctv6jm9dn" data-itemtype="book" data-content-id="ae734871-64d7-38df-a7ed-5c60c630ab11" data-content-id-type="bid"> Theories of the Theatre: A Historical and Critical Survey, from the Greeks to the Present</a> </td> <td class="txtr"> 1993 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1vjqqnr" data-itemtype="book" data-content-id="f973ed83-c5ff-3b8f-883e-2acf4a6a9be7" data-content-id-type="bid"> Thieving Three-Fingered Jack: Transatlantic Tales of a Jamaican Outlaw, 1780-2015</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1bmzp59" data-itemtype="book" data-content-id="83e59628-520a-3da1-bd84-8f5f84983aa2" data-content-id-type="bid"> Think, Pig!: Beckett at the Limit of the Human</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1bc53zs" data-itemtype="book" data-content-id="e3e63374-7b13-3f1c-94f6-0063e4c95c16" data-content-id-type="bid"> Thinking in the Dark: Cinema, Theory, Practice</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7560/747494" data-itemtype="book" data-content-id="7f052680-4db1-3643-9688-9756ffb9f133" data-content-id-type="bid"> "This Is Jerusalem Calling": State Radio in Mandate Palestine</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.16103" data-itemtype="book" data-content-id="19e5e6fa-039c-3cb5-a3b7-eba0fd5b0a18" data-content-id-type="bid"> This Is My Body: Representational Practices in the Early Middle Ages</a> </td> <td class="txtr"> 1999 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctv11wj6s" data-itemtype="book" data-content-id="b5461fc8-7987-336d-89c1-4935df424e3b" data-content-id-type="bid"> This Thing of Darkness: Eisenstein's Ivan the Terrible in Stalin's Russia</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2jcf02" data-itemtype="book" data-content-id="af2866fa-a2d6-32bf-8cd8-bdd08b57fb9f" data-content-id-type="bid"> Thomas Ince: Hollywood's Independent Pioneer</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv18b5pxm" data-itemtype="book" data-content-id="83ea9396-9e2c-32bb-912c-31be52d99e2b" data-content-id-type="bid"> Thomas ‘Jupiter’ Harris: Spinning dark intrigue at Covent Garden theatre, 1767–1820</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvnb7n00" data-itemtype="book" data-content-id="c6541d5e-e005-3c67-ae1b-84476d82c83c" data-content-id-type="bid"> Three romances of Eastern conquest</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv19x44w" data-itemtype="book" data-content-id="001ad4dc-c9e8-3fa9-b89a-e7c40b0a358e" data-content-id-type="bid"> Through the Crosshairs: War, Visual Culture, and the Weaponized Gaze</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt24hv2h" data-itemtype="book" data-content-id="eec37230-19b0-3834-aa63-d8e1db8f0680" data-content-id-type="bid"> Time in Television Narrative: Exploring Temporality in Twenty-First-Century Programming</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv47wbfs" data-itemtype="book" data-content-id="84458e63-c56f-3d88-a956-c2381b95091f" data-content-id-type="bid"> Time Slips: Queer Temporalities, Contemporary Performance, and the Hole of History</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt7zwf11" data-itemtype="book" data-content-id="97c75f0a-8bb5-390e-8c95-8f319333c8a3" data-content-id-type="bid"> Todd Haynes: Interviews</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctvnwbxdp" data-itemtype="book" data-content-id="dc959e76-e7e9-387e-ad01-3b4637a3c707" data-content-id-type="bid"> Todd Solondz</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt155j829" data-itemtype="book" data-content-id="003d8729-38f1-3f4e-a39d-3d5d9ad0c80d" data-content-id-type="bid"> Tony Garnett</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvscxrnj" data-itemtype="book" data-content-id="a3609a98-436b-3a8d-9d4b-25b19617a4b8" data-content-id-type="bid"> Touched Bodies: The Performative Turn in Latin American Art</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvrxk1db" data-itemtype="book" data-content-id="0dab2b3c-f5b7-3731-ab32-ba14e63be770" data-content-id-type="bid"> The Towneley Plays</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvgs08tz" data-itemtype="book" data-content-id="098eae90-186f-30f7-905c-aa2adf49bc59" data-content-id-type="bid"> Traces of Trauma: Cambodian Visual Culture and National Identity in the Aftermath of Genocide</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv75d70n" data-itemtype="book" data-content-id="53525c62-a953-3b2c-8894-bcd77b3602a9" data-content-id-type="bid"> Tragedie (La) à l'époque d'Henri II et de Charles IX. Première Série. Vol. I (1550-1561): Série fondé par Enea Balmas et Michel Dassonville</a> </td> <td class="txtr"> 1986 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv75d6v8" data-itemtype="book" data-content-id="0df4e011-0b0f-31c9-86c3-5364d38f6e4b" data-content-id-type="bid"> Tragedie (La) à l'époque d'Henri II et de Charles IX. Première Série. Vol. II (1561-1566): Série fondé par Enea Balmas et Michel Dassonville</a> </td> <td class="txtr"> 1989 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv75d2hn" data-itemtype="book" data-content-id="a79b70f8-c3d4-36ae-b39f-82ee72aecdcc" data-content-id-type="bid"> Tragedie (La) à l'époque d'Henri II et de Charles IX. Première Série. Vol. III (1566-1567): Série fondé par Enea Balmas et Michel Dassonville</a> </td> <td class="txtr"> 1990 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv75d536" data-itemtype="book" data-content-id="4205a0d9-c837-3857-ad24-ddd68536e38d" data-content-id-type="bid"> Tragedie (La) à l'époque d'Henri II et de Charles IX. Première Série. Vol. IV (1568-1573): Série fondé par Enea Balmas et Michel Dassonville</a> </td> <td class="txtr"> 1992 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv75d7bg" data-itemtype="book" data-content-id="d111cf34-7e42-3ceb-b4b0-7a73ea6fd0eb" data-content-id-type="bid"> Tragedie (La) à l'époque d'Henri II et de Charles IX. Première Série. Vol. V (1573-1575): Série fondé par Enea Balmas et Michel Dassonville</a> </td> <td class="txtr"> 1993 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv75d2r1" data-itemtype="book" data-content-id="d50a79a6-d2c5-393c-b97d-f01230ec4218" data-content-id-type="bid"> Tragedie (La) à l’époque d’Henri III. Deuxième Série. Vol. I (1574-1579): Série fondé par Enea Balmas et Michel Dassonville</a> </td> <td class="txtr"> 1999 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv75d0z1" data-itemtype="book" data-content-id="70a22c9a-0ca6-3253-9b83-17b1b98cd107" data-content-id-type="bid"> Tragedie (La) à l’époque d’Henri III. Deuxième Série. Vol. II (1579-1582): Série fondé par Enea Balmas et Michel Dassonville</a> </td> <td class="txtr"> 2000 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv75d428" data-itemtype="book" data-content-id="dbad05d8-2d90-3d93-8f40-b142447ddc2d" data-content-id-type="bid"> Tragedie (La) à l’époque d’Henri III. Deuxième Série. Vol. III (1582-1584): Série fondé par Enea Balmas et Michel Dassonville</a> </td> <td class="txtr"> 2002 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv75d47p" data-itemtype="book" data-content-id="915f333a-b529-384c-9eb8-5cfe3f2760ee" data-content-id-type="bid"> Tragedie (La) à l’époque d’Henri III. Deuxième Série. Vol. IV (1584-1585): Série fondé par Enea Balmas et Michel Dassonville</a> </td> <td class="txtr"> 2005 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv75d6b1" data-itemtype="book" data-content-id="8fdd5f31-4ea3-3116-9520-da610ee44c1e" data-content-id-type="bid"> Tragedie (La) à l’époque d’Henri III. Deuxième Série. Vol. V (1586-1589): Série fondé par Enea Balmas et Michel Dassonville</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv75d5kz" data-itemtype="book" data-content-id="a9487c27-e497-38db-ae81-3388b12c8858" data-content-id-type="bid"> Tragedie (La) à l’époque d’Henri III. Deuxième Série. Vol. VI (1589): Série fondé par Enea Balmas et Michel Dassonville</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvvnb06" data-itemtype="book" data-content-id="3564ed73-e53d-30c2-8301-75c4726a7f54" data-content-id-type="bid"> Tragedy and Archaic Greek Thought</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt7zvqvs" data-itemtype="book" data-content-id="391e1fdd-4f3b-33de-bd91-353871166f13" data-content-id-type="bid"> Tragic Pleasures: Aristotle on Plot and Emotion</a> </td> <td class="txtr"> 1992 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11sn23h" data-itemtype="book" data-content-id="c1fe3aac-dec4-397a-b1a1-6f4a047bca73" data-content-id-type="bid"> Transcending Blackness: From the New Millennium Mulatta to the Exceptional Multiracial</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvvh8541" data-itemtype="book" data-content-id="7022a68a-c2ad-3304-9bfb-b3d65d1a5cc5" data-content-id-type="bid"> Transgenerational Remembrance: Performance and the Asia-Pacific War in Contemporary Japan</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv14t4837" data-itemtype="book" data-content-id="c58a40a9-c84f-3c0e-9235-5b462b836586" data-content-id-type="bid"> Transnational Korean Cinema: Cultural Politics, Film Genres, and Digital Technologies</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv15d7zth" data-itemtype="book" data-content-id="b5864995-b2d6-31fa-ae89-c3324e47d44c" data-content-id-type="bid"> Transoceanic Animals as Spectacle in Early Modern Spain</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt212165r" data-itemtype="book" data-content-id="5c6a4b2a-be1d-32b8-8656-484a317021d5" data-content-id-type="bid"> Trauma-Tragedy: Symptoms of contemporary performance</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20q241n" data-itemtype="book" data-content-id="b8cfadcd-dfeb-3e86-8d62-242d7a4be59d" data-content-id-type="bid"> Traveler, There Is No Road: Theatre, the Spanish Civil War, and the Decolonial Imagination in the Americas</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1j2n765" data-itemtype="book" data-content-id="d89dc559-e376-3a9f-bcd4-dba38bda4e68" data-content-id-type="bid"> The Travels of Benjamin Zuskin</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt155j7fh" data-itemtype="book" data-content-id="52b4143c-e973-3cfd-87d1-961114f4bdd0" data-content-id-type="bid"> Treading the bawds: Actresses and playwrights on the Late Stuart stage</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1g2kmz6" data-itemtype="book" data-content-id="10bcbedf-9bf8-3be5-ad47-f9d820431b59" data-content-id-type="bid"> The Trial of the Catonsville Nine</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt16gz9df" data-itemtype="book" data-content-id="a3ceebf0-9f8d-3cad-a42e-aa53692f35ec" data-content-id-type="bid"> Trickster Theatre: The Poetics of Freedom in Urban Africa</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1f9pvzr" data-itemtype="book" data-content-id="04ce47b9-4290-37ae-8e8e-47a669650229" data-content-id-type="bid"> Tríptico de las ausencias presentes: Concepto escénico, estructura dramatúrgica y escénica</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt155j8s5" data-itemtype="book" data-content-id="f6541aae-7a53-3c5f-8c06-42d59775d340" data-content-id-type="bid"> Troy Kennedy Martin</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2005t0f" data-itemtype="book" data-content-id="6011555d-962c-3693-afba-f004b93a391d" data-content-id-type="bid"> Truffaut on Cinema</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1131bqb" data-itemtype="book" data-content-id="35f69965-960f-30ab-91ae-6a53b64076c9" data-content-id-type="bid"> Trumpets in the Mountains: Theater and the Politics of National Culture in Cuba</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2jcnkz" data-itemtype="book" data-content-id="1a585b44-18e5-32da-9525-af8e4e96f8bb" data-content-id-type="bid"> The Tube Has Spoken: Reality TV and History</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv17ppc8x" data-itemtype="book" data-content-id="2e32336d-3300-34ea-a33a-5a6569b22bfe" data-content-id-type="bid"> Turkish German Muslims and Comedy Entertainment: Settling into Mainstream Culture in the 21st Century</a> <span class="mls inline-block"> <span class="badge badge-border dark-green-color "> OPEN ACCESS </span> </span> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qchzs" data-itemtype="book" data-content-id="38ab6f34-10ca-30c3-a381-94f0e9f563c2" data-content-id-type="bid"> Turning the Tune: Traditional Music, Tourism, and Social Change in an Irish Village</a> </td> <td class="txtr"> 2009 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctt1g0b60z" data-itemtype="book" data-content-id="82b421de-5808-3477-8bfd-7f4c26cec879" data-content-id-type="bid"> The TV Crime Drama</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvscxr68" data-itemtype="book" data-content-id="1e24533d-4133-3aae-9378-59fde7ac3314" data-content-id-type="bid"> TV Family Values: Gender, Domestic Labor, and 1980s Sitcoms</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1j1w0tt" data-itemtype="book" data-content-id="f6d1a771-aa13-3cf5-8b58-49b259680eda" data-content-id-type="bid"> TV on Strike: Why Hollywood Went To War Over the Internet</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvh9vwtd" data-itemtype="book" data-content-id="5d21f76a-cf84-3737-b11b-3058454838f8" data-content-id-type="bid"> Tyranny and Usurpation: The New Prince and Lawmaking Violence in Early Modern Drama</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt9qh9x8" data-itemtype="book" data-content-id="4040e2c2-5cfd-3ba2-b1df-d5c9f6811cec" data-content-id-type="bid"> Ugo Foscolo's Tragic Vision in Italy and England</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.8057139" data-itemtype="book" data-content-id="11a06391-7170-3847-8d03-5f3712255060" data-content-id-type="bid"> Uncle Tom's Cabins: The Transnational History of America's Most Mutable Book</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1npswm" data-itemtype="book" data-content-id="645d2d77-16a9-3d00-8ede-db1eb3c20847" data-content-id-type="bid"> Uncloseting Drama: Modernism's Queer Theatres</a> </td> <td class="txtr"> 2010 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvscxr5s" data-itemtype="book" data-content-id="888a4fd2-9d88-3b43-bcc4-f34626a7625e" data-content-id-type="bid"> Undead Ends: Stories of Apocalypse</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv6wgctg" data-itemtype="book" data-content-id="c0386b74-57a8-349b-8d11-8ac2035310ee" data-content-id-type="bid"> Understanding John Guare</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv10tq3k5" data-itemtype="book" data-content-id="1b94d983-4974-3495-aec1-6c380a2d1d42" data-content-id-type="bid"> Understanding Tracy Letts</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv47w9v4" data-itemtype="book" data-content-id="f48fb58e-8ed4-3215-9d8b-547cbb514eda" data-content-id-type="bid"> The Unfinished Art of Theater: Avant-Garde Intellectuals in Mexico and Brazil</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvnb7mnq" data-itemtype="book" data-content-id="544c97e5-c378-3f22-a864-543510615627" data-content-id-type="bid"> Unlimited action: The performance of extremity in the 1970s</a> </td> <td class="txtr"> 2019 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctv137973k" data-itemtype="book" data-content-id="62b1621d-6991-3117-9468-1e6b78774864" data-content-id-type="bid"> Unruly Cinema: History, Politics, and Bollywood</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7560/718333" data-itemtype="book" data-content-id="b1b6e785-6772-3d61-9314-91bb95fff9ed" data-content-id-type="bid"> Unruly Girls, Unrepentant Mothers</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.5071255" data-itemtype="book" data-content-id="90ccb4bd-276c-3904-8dad-bf190237a348" data-content-id-type="bid"> Vanguard Performance Beyond Left and Right</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt32bwsm" data-itemtype="book" data-content-id="d47561f2-02f3-34eb-8f11-6ae445b3d0fc" data-content-id-type="bid"> Vanishing Acts: Theater Since the Sixties</a> </td> <td class="txtr"> 2000 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5149/9781469660578_monod" data-itemtype="book" data-content-id="7e6c6607-0d48-3bcf-9384-6dea96cd531a" data-content-id-type="bid"> Vaudeville and the Making of Modern Entertainment, 1890–1925</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt19wccz5" data-itemtype="book" data-content-id="531e81f1-6889-3c25-b7e9-16c743527dd6" data-content-id-type="bid"> Veit Harlan: The Life and Work of a Nazi Filmmaker</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.cttts4k6" data-itemtype="book" data-content-id="2ab188c6-4b8b-3b92-92a4-46b7cc789f53" data-content-id-type="bid"> Verdi’s Aida: The History of an Opera in Letters and Documents</a> </td> <td class="txtr"> 1978 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2jct2z" data-itemtype="book" data-content-id="9599ebf8-134b-3973-bed6-ebcc1d99cb80" data-content-id-type="bid"> Vernon and Irene Castle's Ragtime Revolution</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.8879114" data-itemtype="book" data-content-id="a2a073f9-bd22-3c3d-b0ee-ca735f170133" data-content-id-type="bid"> The Very Thought of Herbert Blau</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hjz7w" data-itemtype="book" data-content-id="75f20160-bfcd-36b2-a06d-f0250404b7b5" data-content-id-type="bid"> Victor Fleming: An American Movie Master</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt14brzzs" data-itemtype="book" data-content-id="345e586e-8842-3732-8fd4-efd72686031f" data-content-id-type="bid"> Victor Herbert: A Theatrical Life</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qd62m" data-itemtype="book" data-content-id="1b7cd211-8c14-3253-90ae-a9a5ad9e55d6" data-content-id-type="bid"> Victor Turner and Contemporary Cultural Performance</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt20ks041" data-itemtype="book" data-content-id="1da3ea26-373e-360c-82f5-34f2ac5f6ab0" data-content-id-type="bid"> The Victorian Marionette Theatre</a> </td> <td class="txtr"> 2004 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv15kxgq7" data-itemtype="book" data-content-id="85dc35a2-483d-30d5-93a8-c5298ad020d0" data-content-id-type="bid"> Victorian touring actresses: Crossing boundaries and negotiating the cultural landscape</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/oull11942" data-itemtype="book" data-content-id="d4820eb9-4382-367f-ba39-f22b7109c808" data-content-id-type="bid"> Viewers Like You: How Public TV Failed the People</a> </td> <td class="txtr"> 2002 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv43vssh" data-itemtype="book" data-content-id="74d80e44-af61-3cfe-a76b-c8544c73fc6a" data-content-id-type="bid"> Violence and Grace: Exceptional Life between Shakespeare and Modernity</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv47w3vf" data-itemtype="book" data-content-id="bbd69729-fc68-3d3f-a034-829b67e64572" data-content-id-type="bid"> Viral Performance: Contagious Theaters from Modernism to the Digital Age</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3366/j.ctv7n08p3" data-itemtype="book" data-content-id="5d703688-b4d9-378e-994b-528d0a03c63d" data-content-id-type="bid"> Virginia Woolf and Christian Culture</a> </td> <td class="txtr"> 2018 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2005x3f" data-itemtype="book" data-content-id="b5d4c5cd-71a5-3490-88a1-26e96fc4c7d8" data-content-id-type="bid"> Visions of Avant-Garde Film: Polish Cinematic Experiments from Expressionism to Constructivism</a> </td> <td class="txtr"> 2016 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1zkjxwk" data-itemtype="book" data-content-id="886b097f-2227-38a3-b4a5-a7a0e8079cd0" data-content-id-type="bid"> Visions of Vienna: Narrating the City in 1920s and 1930s Cinema</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/9781442689367" data-itemtype="book" data-content-id="7817790f-e4e5-3e88-8967-211a913d0cc4" data-content-id-type="bid"> The Voice of Newfoundland: A Social History of the Broadcasting Corporation of Newfoundland,1939-1949</a> </td> <td class="txtr"> 2008 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctvz0hcn6" data-itemtype="book" data-content-id="d0ebb029-9227-337c-9bb0-7831dd8be378" data-content-id-type="bid"> Voicing the Cinema: Film Music and the Integrated Soundtrack</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt6wqfr0" data-itemtype="book" data-content-id="5245a077-bdbe-3b0d-b0aa-bf77d9848849" data-content-id-type="bid"> The Voyage of Contemporary Japanese Theatre</a> </td> <td class="txtr"> 1997 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt9qhmhh" data-itemtype="book" data-content-id="98058bcc-3867-35c9-9c9d-f9b4ea0a0f09" data-content-id-type="bid"> A Vulgar Art: A New Approach to Stand-Up Comedy</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/9781442685116" data-itemtype="book" data-content-id="73cabfb8-7d32-387a-905d-dd65c54fc64c" data-content-id-type="bid"> Wagner and the Wonder of Art: An Introduction to Die Meistersinger</a> </td> <td class="txtr"> 2007 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv11g975r" data-itemtype="book" data-content-id="9d361c04-aac5-385d-a0c3-793b69b1ebfe" data-content-id-type="bid"> Wandering: Philosophical Performances of Racial and Sexual Freedom</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7560/728448" data-itemtype="book" data-content-id="59e5d82e-d98d-376f-9a18-6ec359de4269" data-content-id-type="bid"> Watching Television Come of Age: The New York Times Reviews by Jack Gould</a> </td> <td class="txtr"> 2002 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hj68h" data-itemtype="book" data-content-id="01c87458-850b-35f2-874a-f61bab03809d" data-content-id-type="bid"> Watching While Black: Centering the Television of Black Audiences</a> </td> <td class="txtr"> 2012 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5749/j.cttttr0d" data-itemtype="book" data-content-id="32ec4dd1-15f5-3320-b9ab-60b7b0706499" data-content-id-type="bid"> Watching Wildlife</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt6wr5ts" data-itemtype="book" data-content-id="4bccc0af-06ad-3187-a4ae-239d34f8e8eb" data-content-id-type="bid"> Watching Women's Liberation, 1970: Feminism's Pivotal Year on the Network News</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7591/j.ctvx1hv67" data-itemtype="book" data-content-id="692d73cf-3b8c-32ef-ac57-a2e379d9ac77" data-content-id-type="bid"> Ways of the World: Theater and Cosmopolitanism in the Restoration and Beyond</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt2ttccw" data-itemtype="book" data-content-id="e2d32dd2-a10f-310b-a675-1423211e334d" data-content-id-type="bid"> Weavers of Dreams, Unite!: Actors' Unionism in Early Twentieth-Century America</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3998/mpub.351280" data-itemtype="book" data-content-id="483b6212-633b-3c7f-b9ec-f4c1fe7b2c0b" data-content-id-type="bid"> Wendy Wasserstein</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt6wrsb3" data-itemtype="book" data-content-id="06d42116-30e6-396a-ab07-ead8ed0d8445" data-content-id-type="bid"> Werner Herzog: Interviews</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctv13qfvx8" data-itemtype="book" data-content-id="6d41a8d5-a3e2-3eae-b55d-3afa9546770c" data-content-id-type="bid"> Werner Herzog</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.5406/j.ctt1t89knr" data-itemtype="book" data-content-id="83d7257b-915c-3091-8199-fb6943315262" data-content-id-type="bid"> Wes Anderson</a> </td> <td class="txtr"> 2017 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt2005z0c" data-itemtype="book" data-content-id="dbfb305e-f96b-3c33-b31c-945065591aa7" data-content-id-type="bid"> West African Popular Theatre</a> </td> <td class="txtr"> 1997 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1mf71s0" data-itemtype="book" data-content-id="6706afc9-f8a8-3b87-af69-f7f78347961d" data-content-id-type="bid"> The West must wait: County Galway and the Irish Free State, 1922–32</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1j5dgdr" data-itemtype="book" data-content-id="13471751-9f78-3c91-975d-1e2a8325e3fb" data-content-id-type="bid"> The West Wing: The American Presidency as Television Drama</a> </td> <td class="txtr"> 2003 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hj328" data-itemtype="book" data-content-id="a329ed9f-7079-3f1d-89d0-37bcd820e0f5" data-content-id-type="bid"> What Dreams Were Made Of: Movie Stars of the 1940s</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hjzsm" data-itemtype="book" data-content-id="10ff7631-1670-3d6d-b59f-c49c6fe3f04e" data-content-id-type="bid"> What Ever Happened to Orson Welles?: A Portrait of an Independent Career</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv10h9dmx" data-itemtype="book" data-content-id="3ede15d2-77f3-38e2-8463-d9756a54e8b4" data-content-id-type="bid"> What Price Hollywood?: Gender and Sex in the Films of George Cukor</a> 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data-itemtype="book" data-content-id="556d6e83-ca22-3551-9be5-1f4f23b352f7" data-content-id-type="bid"> Whiting Up: Whiteface Minstrels and Stage Europeans in African American Performance</a> </td> <td class="txtr"> 2011 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctv1220mw9" data-itemtype="book" data-content-id="49b68bdc-311f-34be-9380-6ef1387f520e" data-content-id-type="bid"> Whom God Wishes to Destroy . . .: Francis Coppola and the New Hollywood</a> </td> <td class="txtr"> 1995 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.3138/j.ctt9qh9d1" data-itemtype="book" data-content-id="c984a18b-177f-375b-ad3a-e489bde61e6a" data-content-id-type="bid"> Why Theatre Matters: Urban Youth, Engagement, and a Pedagogy of the Real</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.7312/lamo17104" data-itemtype="book" 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data-itemtype="book" data-content-id="e5b888f0-43e3-3613-8d04-a69ef7647fb1" data-content-id-type="bid"> Woody on Rye: Jewishness in the Films and Plays of Woody Allen</a> </td> <td class="txtr"> 2014 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt1dnnbcq" data-itemtype="book" data-content-id="aba7b182-501d-3340-b15c-1e2eba0db6b5" data-content-id-type="bid"> Words Well Put: Visions of Poetic Competence in the Chinese Tradition</a> </td> <td class="txtr"> 2006 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctvscxsqz" data-itemtype="book" data-content-id="68eea79c-9cb3-3268-b331-e29090c249c4" data-content-id-type="bid"> The Work of Terrence Malick: Time-Based Ecocinema</a> </td> <td class="txtr"> 2020 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt24hv30" data-itemtype="book" data-content-id="bafff0bb-7641-3ca0-9635-72305f47a7be" 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data-content-id-type="bid"> Ysgrifau ar Theatr a Pherfformio</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt5hjc97" data-itemtype="book" data-content-id="85a39f76-4c42-31a2-9b05-e3266e2b0069" data-content-id-type="bid"> Zapotecs on the Move: Cultural, Social, and Political Processes in Transnational Perspective</a> </td> <td class="txtr"> 2013 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt14tqd2z" data-itemtype="book" data-content-id="f9b61f17-2dbc-375c-bf5d-89ab5a70dcda" data-content-id-type="bid"> Ziegfeld and His Follies: A Biography of Broadway's Greatest Producer</a> </td> <td class="txtr"> 2015 </td> </tr> <tr> <td> <a href="/web/20210219125626/https://www.jstor.org/stable/10.2307/j.ctt16gh5xf" data-itemtype="book" data-content-id="09d499e5-1410-37f4-84e3-ab45fe33ed9d" data-content-id-type="bid"> Zimbabwe's Cinematic Arts: Language, Power, Identity</a> 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