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Karnawał lęków. Kino testuje wytrzymałość widzów. "Przeraża do szpiku kości" - Film - Kultura
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Kino testuje wytrzymałość widzów. "Przeraża do szpiku kości" - Film - Kultura</title><meta property="og:title" content="Karnawał lęków. Kino testuje wytrzymałość widzów. "Przeraża do szpiku kości""><meta name="description" content="Za oceanem obserwujemy rozbuchaną oscarową kampanię "Substancji", gdzie spektakularny powrót zalicza Demi Moore, rozliczając się z własną karierą, a niedawno w"><meta property="og:description" content="Za oceanem obserwujemy rozbuchaną oscarową kampanię "Substancji", gdzie spektakularny powrót zalicza Demi Moore, rozliczając się z własną karierą, a niedawno w szoku widzów zostawił nakręcony nad Wisłą film "The Ugly Stepsister" Emilie Blichfeldt. Od 14 lutego wytrzymałość żołądków Polaków przetestuje za to niepokojący "Grafted" Sashy Rainbow. To niewątpliwie dobry czas dla horroru cielesnego, choć to kino dla widzów o mocnych nerwach."><meta property="og:type" content="article"><link rel="canonical" href="https://kultura.onet.pl/film/wywiady-i-artykuly/karnawal-lekow-kino-testuje-wytrzymalosc-widzow-przeraza-do-szpiku-kosci/8p5ykwb"><meta property="og:url" content="https://kultura.onet.pl/film/wywiady-i-artykuly/karnawal-lekow-kino-testuje-wytrzymalosc-widzow-przeraza-do-szpiku-kosci/8p5ykwb"><meta name="robots" content="max-image-preview:large"><meta property="og:image" content="https://cdn.kultura.onet.pl/1/n7Fk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9mZjUzNmQ2ODRjY2ZkMzVmZjlkOWMwMjJhZTRjN2UyNi5qcGeSlQPMhcyWzQjyzQUIkwXNBLDNAnbeAAKhMAehMQQ"><meta property="og:image:width" content="1200"><meta property="og:image:height" content="630"><meta property="og:image:alt" content=""The Ugly Stepsister": kadr z filmu"><meta property="og:image:type" content="image/jpeg"><meta property="og:site_name" content="Kultura Onet"><meta property="og:locale" content="pl_PL"><meta name="fb:app_id" content="226508470737473"><meta name="fb:pages" content="478976472225458"><meta name="twitter:card" content="summary_large_image"><meta name="DC.Identifier" content="27e4cc22-ec3d-41de-8a56-e014814f374f"><script type="application/ld+json">{"@context":"https://schema.org","@graph":[{"@type":"NewsMediaOrganization","@id":"https://kultura.onet.pl/#/schema/Organization/1","url":"https://kultura.onet.pl/","name":"Onet Kultura","legalName":"Ringier Axel Springer Polska Sp. z o.o.","alternateName":"https://kultura.onet.pl/","description":"Serwis Onet Kultura to \"zoom\" na sztukę, literaturę, muzykę, film, teatr i seriale. 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Nowa era dla kina spod znaku "Substancji". Testuje wytrzymałość widzów</span></div><script type="module" src="https://cdn.kultura.onet.pl/static/assets/1.32.83/Breadcrumbs.astro_astro_type_script_index_0_lang.BZ4dlc_b.js"></script><div class="g-container"> <div class="left-column ods-g-cspan-6"><span data-article-start></span><article content-length="6777" content-paywall-length="0" class="ods-article-lead" data-section="article-lead"><h1 class="ods-c-title__text"> Karnawał lęków. Nowa era dla kina spod znaku "Substancji". Testuje wytrzymałość widzów </h1><div class="ods-c-authorship" data-section="author-top"> <div class="ods-c-authorship__row ods-c-authorship__row-simple"><a href="https://kultura.onet.pl/autorzy/dominik-jedlinski" class="ods-c-one_author ods-c-one_author--link"><div class="ods-c-one_avatar"> <img src="https://cdn.kultura.onet.pl/1/yspk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy84MTYzOGJiZjVjMjcwNjdhMjFiZDQyNWIyNjNiOWFlNi5qcGeSlQPMpAfNAcjNAb-TBTo63gACoTAHoTEE" height="58" width="58" alt="Autor Dominik Jedliński" loading="lazy" class="ods-c-image__img ods-c-image__img--placeholder"> </div><span class="ods-c-one_author__name">Dominik Jedliński</span></a></div> <div class="ods-c-authorship__row"> <div class="ods-c-date"><time class="ods-c-date-publication" datetime="2025-02-12T20:00:00+01:00">12 lutego 2025, 20:00</time></div> <div class="ods-c-share" data-section="share-top" data-omp-event-category="share-top-menu"> <button type="button" aria-label="Udostępnij" data-omp-event-name data-omp-event-url class="ods-c-button ods-c-button__small ods-c-button__outlined ods-c-share__button"><svg width="1em" height="1em" viewBox="0 0 24 24" class="ods-c-button__icon ods-c-button__icon-text" data-icon="ShareNetwork_filled"> <use href="#ai:local:ShareNetwork_filled"></use> </svg><span>Udostępnij</span></button> <div class="ods-c-share__dropdown"> <span class="ods-c-share__title">Udostępnij przez</span> <ul class="ods-c-share__container"> <li class="ods-c-share__li"> <a class="ods-c-anchor ods-c-anchor__big ods-c-anchor__neutral" href="https://www.facebook.com/sharer.php?u=https://kultura.onet.pl/film/wywiady-i-artykuly/karnawal-lekow-kino-testuje-wytrzymalosc-widzow-przeraza-do-szpiku-kosci/8p5ykwb" target="_blank"><svg width="1em" height="1em" viewBox="0 0 24 24" class="ods-c-anchor__icon ods-c-anchor__icon-text ods-c-anchor__primary" data-icon="Facebook_filled"> <use href="#ai:local:Facebook_filled"></use> </svg><span>Facebook</span> </a> </li> <li class="ods-c-share__li"> <a class="ods-c-anchor ods-c-anchor__big ods-c-anchor__neutral" href="https://x.com/intent/tweet?text=Karnawa%C5%82%20l%C4%99k%C3%B3w.%20Nowa%20era%20dla%20kina%20spod%20znaku%20%22Substancji%22.%20Testuje%20wytrzyma%C5%82o%C5%9B%C4%87%20widz%C3%B3w%0D%0A%0D%0Ahttps://kultura.onet.pl/film/wywiady-i-artykuly/karnawal-lekow-kino-testuje-wytrzymalosc-widzow-przeraza-do-szpiku-kosci/8p5ykwb" target="_blank"><svg width="1em" height="1em" viewBox="0 0 24 24" class="ods-c-anchor__icon ods-c-anchor__icon-text ods-c-anchor__primary" data-icon="TwitterX_filled"> <use href="#ai:local:TwitterX_filled"></use> </svg><span>X</span> </a> </li> <li class="ods-c-share__li"> <a class="ods-c-anchor ods-c-anchor__big ods-c-anchor__neutral" href="mailto:?subject=Przeczytaj%20artyku%C5%82%3A%20Karnawa%C5%82%20l%C4%99k%C3%B3w.%20Nowa%20era%20dla%20kina%20spod%20znaku%20%22Substancji%22.%20Testuje%20wytrzyma%C5%82o%C5%9B%C4%87%20widz%C3%B3w&body=Karnawa%C5%82%20l%C4%99k%C3%B3w.%20Nowa%20era%20dla%20kina%20spod%20znaku%20%22Substancji%22.%20Testuje%20wytrzyma%C5%82o%C5%9B%C4%87%20widz%C3%B3w%0D%0A%0D%0Ahttps://kultura.onet.pl/film/wywiady-i-artykuly/karnawal-lekow-kino-testuje-wytrzymalosc-widzow-przeraza-do-szpiku-kosci/8p5ykwb" target="_blank"><svg width="1em" height="1em" viewBox="0 0 24 24" class="ods-c-anchor__icon ods-c-anchor__icon-text ods-c-anchor__primary" data-icon="EnvelopeSimple_filled"> <use href="#ai:local:EnvelopeSimple_filled"></use> </svg><span>E-mail</span> </a> </li> <li class="ods-c-share__li ods-c-share__copy-link" data-omp-event-category="share-top"> <button type="button" class="ods-c-anchor ods-c-anchor__big ods-c-anchor__neutral ods-c-share__copy-button" data-omp-event-name="Kopiuj link" data-omp-event-url=""><svg width="1em" height="1em" viewBox="0 0 24 24" class="ods-c-share__icon-copy ods-c-anchor__primary ods-c-anchor__icon" data-icon="Copy_filled"> <use href="#ai:local:Copy_filled"></use> </svg> <svg width="1em" height="1em" viewBox="0 0 24 24" class="ods-c-share__icon-check ods-c-anchor__primary ods-c-anchor__icon" data-icon="CheckRegular_filled"> <use href="#ai:local:CheckRegular_filled"></use> </svg> <span class="ods-c-share__text">Kopiuj link</span> </button> </li> </ul> </div> </div> </div> </div><section class="ods-c-lead"> <p class="ods-c-lead-text">Za oceanem obserwujemy rozbuchaną oscarową kampanię "Substancji", gdzie spektakularny powrót zalicza Demi Moore, rozliczając się z własną karierą, a niedawno w szoku widzów zostawił nakręcony nad Wisłą film "The Ugly Stepsister" Emilie Blichfeldt. Od 14 lutego wytrzymałość żołądków Polaków przetestuje za to niepokojący "Grafted" Sashy Rainbow. To niewątpliwie dobry czas dla horroru cielesnego, choć to kino dla widzów o mocnych nerwach.</p> </section> <script type="module" src="https://cdn.kultura.onet.pl/static/assets/1.32.83/Lead.astro_astro_type_script_index_0_lang.BGHliVaI.js"></script><section class="ods-c-lead-image"> <div class="ods-c-lead-image__image-container"> <div class="ods-c-lead-image__image-wrapper"> <img src="https://cdn.kultura.onet.pl/1/n7Fk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9mZjUzNmQ2ODRjY2ZkMzVmZjlkOWMwMjJhZTRjN2UyNi5qcGeSlQPMhcyWzQjyzQUIkwXNBLDNAnbeAAKhMAehMQQ" height="500" width="940" srcset="https://cdn.kultura.onet.pl/1/JsMk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9mZjUzNmQ2ODRjY2ZkMzVmZjlkOWMwMjJhZTRjN2UyNi5qcGeSlQPMhcyWzQjyzQUIkwXNA6zNAfTeAAKhMAehMQQ 940w" sizes="(min-width: 940px) 940px, 100vw" alt=""The Ugly Stepsister": kadr z filmu" fetchpriority="high" decoding="sync" class="ods-c-image__img"> </div> <div class="ods-c-image-description ods-c-image-description--lead" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.44;"><span class="ods-c-image-description__text ods-c-image-description__text--lead" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.44;">"The Ugly Stepsister": kadr z filmu</span><span class="ods-c-image-description__source ods-c-image-description__source--lead" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.44;">mat. prasowe</span></div> </div> </section></article></div><aside class="right-column ods-g-cspan-2"><aside class="ods-ads__ad-space" data-identifier="right-column-lead" style="flex-grow:1"> <ad-floating-group data-configuration="{"on":true,"slotName":"right","lazyPercentage":"","floatingHeight":"","containerHeight":"","slotsNumber":"","expanding":false,"position":0}" class="ods-ads__floating-group" style="flex-grow:1"></ad-floating-group> <script type="module" src="https://cdn.kultura.onet.pl/static/assets/1.32.83/FloatingGroupAd.astro_astro_type_script_index_0_lang.D5AHUpfw.js"></script> </aside></aside> </div> </div> <ad-default data-configuration="{"slotName":"top","floating":true,"position":0}" class="ods-ads__ph ods-ads__ph--floating top" style="min-height:320px"></ad-default> <script type="module" src="https://cdn.kultura.onet.pl/static/assets/1.32.83/DefaultAd.astro_astro_type_script_index_0_lang.C-z9Xzrn.js"></script> <div class="main-content"> <div class="g-container"> <div class="left-column ods-g-cspan-6"><article content-length="6777" content-paywall-length="0" class="ods-article-body" data-section="article-body"><ul class="ods-c-unordered-list"> <li class="ods-c-text-bullet ods-c-text-bullet--normal"> <span class="ods-c-text-bullet__text"><strong>Obserwujemy wzrost popularności tzw. body horroru, który opiera się w dużej mierze na bezpośrednim ukazywaniu deformacji ludzkiego ciała</strong></span> </li><li class="ods-c-text-bullet ods-c-text-bullet--normal"> <span class="ods-c-text-bullet__text"><strong>Szokujący naturalizm sąsiadujący z surrealistyczną przesadą ma często znamiona obyczajowej i artystycznej prowokacji</strong></span> </li><li class="ods-c-text-bullet ods-c-text-bullet--normal"> <span class="ods-c-text-bullet__text"><strong>Najgłośniejszym przykładem takiego kina jest głośna "Substancja". To wielki powrót na srebrny ekran Demi Moore, która ma szansę na Oscara</strong></span> </li><li class="ods-c-text-bullet ods-c-text-bullet--normal"> <span class="ods-c-text-bullet__text"><strong>Ale przykładów w ostatnim czasie jest więcej. I są to seanse bolesne, oddziałujące na widza fizycznie, ale za szokiem podąża często konkretne przesłanie </strong></span> </li><li class="ods-c-text-bullet ods-c-text-bullet--normal"> <span class="ods-c-text-bullet__text"><a href="https://www.onet.pl/#utm_source=detal&utm_medium=referral&utm_campaign=back_to_onet_bullet"><strong>Więcej takich artykułów znajdziesz na stronie głównej Onetu</strong></a></span> </li><li class="ods-c-text-bullet ods-c-text-bullet--normal"> <span class="ods-c-text-bullet__text"><a href="https://www.onet.pl/premium?utm_source=detal&utm_medium=referral&utm_campaign=detalBullet&tpcc=detalBullet"><strong>Szukasz pogłębionych treści? Wejdź na Onet Premium</strong></a></span> </li> </ul> <ad-default data-configuration="{"slotName":"left","position":0,"lazyPercentage":"","placeholderHiding":false,"floating":true}" class="ods-ads__ph ods-ads__ph--floating" style="min-height:321px"></ad-default> <p class="ods-c-paragraph">"Tak, to film, który obrzydza, szokuje, ale i daje do myślenia — pod płaszczykiem rozwibrowanego horroru cielesnego reżyserka Coralie Fargeat przemyciła dosadny komentarz na temat kultu młodości oraz kąśliwą satyrę na patriarchalne zasady rządzące światem rozrywki" — <a href="https://www.onet.pl/film/onetfilm/glosny-powrot-demi-moore-substancja-to-terapia-szokowa-zasnac-sie-nie-da/wrgex9y,681c1dfa" id="1f999fcc-846b-4e00-862f-1b6bb17d7363">pisałem na łamach Onetu o "Substancji"</a>.</p> <ad-default data-configuration="{"slotName":"flat-link1","position":0,"lazyPercentage":"","placeholderHiding":false,"floating":false}" class style></ad-default> <aside class="ods-c-frame ods-c-frame--full"> <div class="ods-c-frame__content ods-c-frame__content--full"> <p class="ods-c-paragraph"><em>Body horror opiera się w dużej mierze na bezpośrednim ukazywaniu deformacji ludzkiego ciała. Jednym z jego głównych wyróżników jest szczegółowe i szokujące ukazywanie cielesnych przemian, co wywołuje uczucie niepokoju, wstrętu i obrzydzenia. Naturalizm sąsiadujący z surrealistyczną przesadą ma często znamiona obyczajowej i artystycznej prowokacji.</em></p> </div> </aside><p class="ods-c-paragraph">To jeden z najgłośniejszych tytułów ostatnich miesięcy — najpierw Fargeat wróciła z Lazurowego Wybrzeża z nagrodą za scenariusz i przy okazji łatką filmu... przyprawiającego o mdłości (widzowie grzmieli: "Zasnąć się nie da!"). Teraz ma szanse na pięć Oscarów. Dość niespodziewanie okazało się, że gremium amerykańskiej Akademii Filmowej ma mocne nerwy.</p><p class="ods-c-paragraph">To także wielki powrót na srebrny ekran Demi Moore. Trudno nie rozpatrywać nominowanej do Oscara roli jako jej osobistej refleksji na temat własnej kariery i obecności w show-biznesie. Aktorka rozlicza się tu z kanonami piękna, które niejako, świadomie lub nieświadomie, przyszło jej przez lata budować.</p><div class="ods-c-image__wrapper ods-c-image__img--in-article"><img src="https://cdn.kultura.onet.pl/1/zEgk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9lYWIxZWMwNzRjZmQxYmZmNmE5ZmI0MzllY2JhMTVhNS5qcGeSlQMFAM0MLc0IH5UCzQOsAMLD3gACoTAHoTEE" height="627" width="940" alt="Demi Moore w filmie "Substancja"" loading="lazy" class="ods-c-image__img ods-c-image__img--viewport-width"><div class="ods-c-image-description" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.6670212765957447;"><span class="ods-c-image-description__text" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.6670212765957447;">Demi Moore w filmie "Substancja"</span><span class="ods-c-image-description__source" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.6670212765957447;">Christine Tamalet, Universal Studios / mat. prasowe</span></div> </div><h2 id="toc-za-szokiem-podaza-konkretne-przeslanie" class="ods-c-heading">Za szokiem podąża konkretne przesłanie</h2><p class="ods-c-paragraph">Ale warto wspomnieć, że raptem cztery lata temu triumfy święciła inna francuska autorka — Julia Ducournau. <a href="https://kultura.onet.pl/film/recenzje/titane-recenzja-kontrowersyjnego-filmu-julii-ducournau/g3dxq2n" id="e619c1fc-26d1-45b7-a0b2-ed6a54607648">W swoim nagrodzonym Złotą Palmą w Cannes "Titane"</a> za fasadą szalonej opowieści o seryjnej morderczyni skryła wielowymiarowe studium ludzkiego ciała, zacierania granic płci i tożsamości. Co ciekawe, <a href="https://kultura.onet.pl/film/wiadomosci/t-mobile-nowe-horyzonty-2017-dzien-drugi-kryzys-w-rodzinie-relacja/mtt9j81" id="12c32f9d-3dd4-48ca-ac05-2c38f2a49b14">wcześniej publikę zszokowała "Mięsem"</a>. Ze względu na dosadne ujęcia kanibalizmu podczas pokazów widzowie licznie opuszczali sale, część z nich mdlała i wymiotowała. Kilkukrotnie niezbędna okazała się fachowa pomoc lekarska.</p> <ad-default data-configuration="{"slotName":"left2","position":1,"lazyPercentage":"","placeholderHiding":false,"floating":true}" class="ods-ads__ph ods-ads__ph--floating" style="min-height:321px"></ad-default> <p class="ods-c-paragraph">Seans bywał bolesny, oddziaływał na widza fizycznie, ale za szokiem podążało konkretne przesłanie — opowieść o dorastaniu oraz odkrywaniu własnej cielesności i seksualności, ale także metaforyczne studium akceptacji siebie, wyzwalania się ze sztywnych ram i wpajanych przez lata norm.</p><p class="ods-c-paragraph">Drogą obraną przez Fargeat i Ducournau zdaje się podążać także norweska reżyserka Emilie Blichfeldt — w swoim filmie "The Ugly Stepsister", który nakręciła w Polsce i z polską ekipą, przepisała słynną baśń o Kopciuszku i postawiła w centrum jedną z jej przybranych sióstr.</p><div class="ods-c-image__wrapper ods-c-image__img--in-article"><img src="https://cdn.kultura.onet.pl/1/ZMSk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy84MDNkMDk2YWQ0MzllODIzYTQwODZiZjIzODg0OWE2Yy5qcGeSlQPNAjojzQxHzQgvlQLNA6wAwsPeAAKhMAehMQQ" height="627" width="940" alt="Kadr z filmu "The Ugly Stepsister"" loading="lazy" class="ods-c-image__img ods-c-image__img--viewport-width"><div class="ods-c-image-description" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.6670212765957447;"><span class="ods-c-image-description__text" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.6670212765957447;">Kadr z filmu "The Ugly Stepsister"</span><span class="ods-c-image-description__source" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.6670212765957447;">Marcel Zyskind / mat. prasowe</span></div> </div><p class="ods-c-paragraph">— Nadszedł czas, aby historia brzydkiej przyrodniej siostry została wyrwana z cienia Kopciuszka i przekształcona w kultową feministyczną opowieść o tyranii piękna — zapowiada film Blichfeldt.</p><p class="ods-c-paragraph">Premierowy pokaz na dopiero co zakończonym festiwalu w Sundance był tak ekstremalny, że... <a href="https://kultura.onet.pl/film/wiadomosci/obrzydliwe-i-bolesne-do-ogladania-szok-po-pokazie-filmu-polakow-na-festiwalu/v6ktxy7" id="652c1425-bfcb-4186-a79f-3f05831cde74">układ pokarmowy jednego z widzów nie wytrzymał</a>. Wśród wdzów poszła fama, że przeraża do szpiku gości. Z niecierpliwością czekamy na polską premierę.</p><p class="ods-c-paragraph">Ale w ostatnich miesiącach mieliśmy jeszcze jeden tytuł, który garściami czerpał z gatunkowych schematów body horroru. <a href="https://kultura.onet.pl/film/recenzje/choroba-zdeformowala-mu-twarz-operacja-zmienila-wszystko/85krhxk" id="12f184bd-7c48-433a-97ec-2f47ef22a555">Aaron Schimberg w "A Different Man"</a> (ze znakomitą rolą Sebastiana Stana) odrzucił konwenanse i otworzył dyskusję na temat niepełnosprawności i sposobów, w jakie reaguje na nie społeczeństwo. Główny bohater jego filmu, Edward, to początkujący aktor, który swoje niepowodzenia, zarówno w zawodzie, jak i w życiu prywatnym, przypisuje chorobie deformującej jego twarz — <a href="https://www.medonet.pl/choroby-od-a-do-z,neurofibromatoza---deformujaca-choroba-genetyczna,artykul,1733522.html" id="c40509b0-496f-44c1-820a-888de1bd8b83">nerwiakowłókniakowatości</a>. Stopniowo pogrąża się w rozpaczy, bunkrując w ciasnym mieszkanku gdzieś w Nowym Jorku.</p><div class="ods-c-image__wrapper ods-c-image__img--in-article"><img src="https://cdn.kultura.onet.pl/1/MFjk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy81ODYyYjE2Y2M3NTEwMzY0MTFkMzhjNGZiZWYzYzk2My5qcGeSlQPM3ADNA4HNAlaVAs0DrADCw94AAqEwB6ExBA" height="598" width="897" alt="Sebastian Stan w filmie "A Different Man"" loading="lazy" class="ods-c-image__img ods-c-image__img--viewport-width"><div class="ods-c-image-description" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.6666666666666666;"><span class="ods-c-image-description__text" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.6666666666666666;">Sebastian Stan w filmie "A Different Man"</span><span class="ods-c-image-description__source" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.6666666666666666;">mat. prasowe</span></div> </div><p class="ods-c-paragraph">Schimberg w iście cronenbergowskim stylu kreśli mroczną baśń o problemach ze zdefiniowaniem własnej tożsamości. Nie boi się iść pod prąd i demaskować mechanizmy, jakimi współczesne społeczeństwo reaguje na osoby z niepełnosprawnościami. W jego filmie jednak absurd goni absurd, humor jest czarny jak smoła, a ironia cięta jak brzytwa.</p> <ad-default data-configuration="{"slotName":"left2","position":2,"lazyPercentage":"","placeholderHiding":false,"floating":true}" class="ods-ads__ph ods-ads__ph--floating" style="min-height:321px"></ad-default> <h2 id="toc-co-my-bysmy-zrobili-na-jej-miejscu" class="ods-c-heading">Co my byśmy zrobili na jej miejscu?</h2><p class="ods-c-paragraph">Emocje się sprzedają, ludziom okrucieństwo powszednieje, dlatego trudno się dziwić, że body horror — gdzie artystyczna prowokacja i szokujące ukazywanie cielesnych przemian to coś oczywistego — na dobre wszedł do kina głównego nurtu (poza tym: nie od dziś wiadomo, że skandal dobrze się sprzedaje). Przypieczętowuje to niejako symbolicznie najnowsza kinowa premiera — "Grafted" Sashy Rainbow.</p><p class="ods-c-paragraph">— Zastanawiałam się, dlaczego tak łatwo i z taką przyjemnością dałam się porwać tej historii, biorąc pod uwagę jej moralnie wątpliwą i pełną przemocy fabułę — mówi reżyserka.</p><p class="ods-c-paragraph">W centrum mamy tu Wei, młodą wykładowczynię o oszpeconej twarzy, która desperacko pragnie dopasować się do urodziwych koleżanek. Zaczyna eksperymentować ze swoim wyglądem. Wkrótce jednak traci kontrolę nad przebiegiem biologicznych procesów, co przynosi przerażające efekty.</p><div class="ods-c-image__wrapper ods-c-image__img--in-article"><img src="https://cdn.kultura.onet.pl/1/F0Fk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy83MzlkNTQ4MDg3MzBjOTc3ODJlMGQwZTJmODhjMDkxNC5qcGeRlQLNA6wAwsPeAAKhMAehMQQ" height="627" width="940" alt=""Grafted": kadr z filmu" loading="lazy" class="ods-c-image__img ods-c-image__img--viewport-width"><div class="ods-c-image-description" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.6670212765957447;"><span class="ods-c-image-description__text" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.6670212765957447;">"Grafted": kadr z filmu</span><span class="ods-c-image-description__source" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.6670212765957447;">mat. prasowe</span></div> </div><p class="ods-c-paragraph">— Nasz film zawiera przerażający i na swój sposób zabawny obraz tego, co to znaczy być ofiarą istniejącego w społeczeństwie okrucieństwa. Od sekwencji wstępnej do momentu, w którym Wei przypadkowo przelewa pierwszą krew, każdy szczegół igra z oczekiwaniami widzów, którzy zostają zmuszeni do zakwestionowania własnych utrwalonych przekonań i wartości. Zadają sobie pytanie: a co my byśmy zrobili na jej miejscu? — mówi reżyserka, która chce zwrócić uwagę na kwestię społecznej presji wobec wyglądu zewnętrznego.</p> <ad-default data-configuration="{"slotName":"left2","position":3,"lazyPercentage":"","placeholderHiding":false,"floating":true}" class="ods-ads__ph ods-ads__ph--floating" style="min-height:321px"></ad-default> <p class="ods-c-paragraph">Pomysłodawczynią "Grafted" jest aktorka i producentka Hweiling Ow. Urodziła się w Malezji, ale wychowała w Nowej Zelandii. Pracując nad koncepcją filmu, czerpała więc z własnych imigranckich doświadczeń. Jej celem było stworzenie atrakcyjnej dla widza historii grozy i jednocześnie metaforycznej opowieści o dorastaniu. 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data-article-uuid="27e4cc22-ec3d-41de-8a56-e014814f374f"><h2 class="ods-c-widget_title ods-c-widget_title__dot" id="zobacz-rowniez"><strong style="" class="ods-c-widget_title__text">Zobacz</strong><span class="ods-c-widget_title__text">również</span></h2><template id="cardTemplateSelector"><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector="sponsoredTemplateSelector">Materiał promocyjny</span> <a href class="ods-c-card__link" data-lps-url data-uuid-ui data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> <svg width="24" height="24" viewBox="0 0 24 24" class="ods-c-card__type-icon" data-template-selector="iconTemplateSelector" data-lps-hide="true" data-icon="Camera_filled"> <use href="#ai:local:Camera_filled"></use> </svg><svg 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data-configuration="{"slotName":"flat-partner","position":0,"placeholderHiding":true,"adsNoBanner":false,"lazy":false}" class="ods-ads__ph" style="min-height:665px"></ad-default> </template><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-1"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-2"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-3"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-4"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-5"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-6"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-7"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-8"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-9"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-10"></div><div class="ods-c-aside-bottom__feeds" 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data-section="bottom-feed-24"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-25"><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector>Materiał promocyjny</span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/oskar-patka-i-zloto-baltyku-kontynuacja-detektywa-bruno-z-radoscia-cieszy-dzieci/hv13exw" class="ods-c-card__link" data-lps-url data-uuid-ui="2118a60e-7d5a-44a3-a78e-b272bd7ade27" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/jQ-k9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy84ODk2ZTgxMDNhMzMxMGMzOTdhMGYxZmNmNzYzZWM2My5qcGeSlQMAzIvNB9DNBGWTBc0BLMyq3gACoTAHoTEE" height="170" width="300" alt="Karolina Gruszka o kontynuacji "Detektywa Bruno": nie miałam wątpliwości, że to dobry pomysł [WYWIAD]" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img 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src="https://cdn.kultura.onet.pl/1/NRYk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9lZGM0YTEwZThmYTM2MTc1NjljZmEzNWNiZTU3MzllNC5qcGeSlQMBzQFSzQhAzQSkkwXNASzMqt4AAqEwB6ExBA" height="170" width="300" alt="Andrzej Wajda pokazał "bestię, która przeżuwała ludzi". Władze PRL-u były zachwycone" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> <svg width="61" height="16" class="ods-c-card__premium-icon" data-lps-hide="true" data-template-selector data-icon="LabelPremiumSmall"> <symbol id="ai:local:LabelPremiumSmall" viewBox="0 0 61 16"><g fill="none"><path fill="url(#radial_5547_10944)" d="M0 0h61v16H0z"/><path fill="#fff" d="M56.154 5.875a1.86 1.86 0 0 0-1.358-.542A2.09 2.09 0 0 0 53.153 6l-.142-.123a1.7 1.7 0 0 0-.586-.395 2 2 0 0 0-.771-.148 2.09 2.09 0 0 0-1.644.668v-.52h-1.16v5.038h1.325V7.267a1.21 1.21 0 0 1 1.087-.698.95.95 0 0 1 .73.284c.172.204.26.466.247.733v2.934h1.326V7.425q0-.236-.038-.47a1.2 1.2 0 0 1 .877-.386.916.916 0 0 1 .976 1.017v2.934h1.326V7.425a2.17 2.17 0 0 0-.552-1.55m-11.482-.403v2.934a.916.916 0 0 0 .976 1.017 1.21 1.21 0 0 0 1.087-.698V5.472h1.327v5.038h-1.16v-.52a2.09 2.09 0 0 1-1.644.669 1.86 1.86 0 0 1-1.358-.543 2.17 2.17 0 0 1-.554-1.55V5.473zm-5.003.403a1.86 1.86 0 0 0-1.358-.542A2.09 2.09 0 0 0 36.667 6l-.14-.123a1.7 1.7 0 0 0-.587-.395c-.245-.1-.507-.15-.772-.148a2.09 2.09 0 0 0-1.643.668v-.52h-1.16v5.038h1.325V7.267a1.21 1.21 0 0 1 1.087-.698.95.95 0 0 1 .73.284c.172.204.26.466.246.733v2.934h1.326V7.425q0-.236-.038-.47a1.2 1.2 0 0 1 .878-.386.916.916 0 0 1 .976 1.017v2.934h1.326V7.425a2.17 2.17 0 0 0-.552-1.55M29.1 10.67a2.665 2.665 0 1 1-.1-5.327 2.553 2.553 0 0 1 2.553 2.664q0 .27-.05.534v.014h-3.776a1.3 1.3 0 0 0 1.393.91 1.4 1.4 0 0 0 1.056-.43l1.088.606A2.55 2.55 0 0 1 29.1 10.67m1.124-3.151A1.2 1.2 0 0 0 29 6.539a1.24 1.24 0 0 0-1.293.98zM20.035 5.347a1.86 1.86 0 0 0-1.503.757v-.629h-1.2v6.69h1.296v-2.14a1.8 1.8 0 0 0 1.41.624 2.38 2.38 0 0 0 1.721-.742 2.83 2.83 0 0 0 0-3.814 2.38 2.38 0 0 0-1.724-.746m1.143 2.65a1.328 1.328 0 0 1-1.365 1.439 1.39 1.39 0 0 1-1.188-.69V7.248a1.39 1.39 0 0 1 1.188-.69A1.33 1.33 0 0 1 21.177 8zm5.38-2.501a2.8 2.8 0 0 0-.843-.149 1.64 1.64 0 0 0-1.354.824v-.697h-1.232v5.049h1.295V7.23a1.32 1.32 0 0 1 1.403-.643h.01l.003-.009a3.5 3.5 0 0 1 .727-1.059l.014-.014zm15.208-2.464a.837.837 0 1 1 0 1.673.837.837 0 0 1 0-1.673m-.635 2.457h1.27v5.02h-1.27z"/><path fill="#FFD200" d="M10.136 13.272a5.136 5.136 0 1 0 0-10.272 5.136 5.136 0 0 0 0 10.272"/><defs><radialGradient id="radial_5547_10944" cx="0" cy="0" r="1" gradientTransform="matrix(193.614 0 0 156.161 30.5 0)" gradientUnits="userSpaceOnUse"><stop offset="0" stop-color="#0478BF"/><stop offset=".019" stop-color="#0773BA"/><stop offset=".13" stop-color="#1753A2"/><stop offset=".25" stop-color="#294293"/><stop offset=".616" stop-color="#070938"/><stop offset="1" stop-color="#19083C"/></radialGradient></defs></g></symbol><use href="#ai:local:LabelPremiumSmall"></use> </svg> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Andrzej Wajda pokazał "bestię, która przeżuwała ludzi". Władze PRL-u były zachwycone </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/co-kryje-sie-pod-filmem-o-janie-pawle-ii-sila-zbiorowej-histerii/478b1rl" class="ods-c-card__link" data-lps-url data-uuid-ui="861ba4b5-df58-4976-a2fa-391e4f995de6" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/bO7k9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9jMDRlZmI1MWFmNGY0MGUxNzQ2YWVkZTg5ZGExMWUxYy5qcGeSlQMCzQHNzRFKzQm8kwXNASzMqt4AAqEwB6ExBA" height="170" width="300" alt="Co kryje się pod filmem o Janie Pawle II? "Siła zbiorowej histerii"" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Co kryje się pod filmem o Janie Pawle II? "Siła zbiorowej histerii" </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/wyszedl-na-ulice-z-bronia-i-zabil-9-osob-polak-opowiada-o-sytuacji-w-niemczech/qpy1hqp" class="ods-c-card__link" data-lps-url data-uuid-ui="d4ad7db7-40e0-49b0-bb89-8c843a1f44f0" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/dRbk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9kODlkY2UzY2IxNjZjYzYxOGM2MTI2OTljNTM2OWRlOS5qcGeSlQMtzQKkzQ2uzQeykwXNASzMqt4AAqEwB6ExBA" height="170" width="300" alt="Polak był świadkiem zamachu w Niemczech. "Sprawca chciał zabić młodych ludzi"" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> <svg width="61" height="16" viewBox="0 0 61 16" class="ods-c-card__premium-icon" data-lps-hide="true" data-template-selector data-icon="LabelPremiumSmall"> <use href="#ai:local:LabelPremiumSmall"></use> </svg> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Polak był świadkiem zamachu w Niemczech. "Sprawca chciał zabić młodych ludzi" </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/taki-jest-obraz-mojej-polski-usiana-grobami-o-filmie-rozpisuja-sie-na-swiecie/bllew0r" class="ods-c-card__link" data-lps-url data-uuid-ui="7488f0d4-00e3-490e-b872-f708a6f169d2" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/IxZk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9jZGVkYmM0Zjc1YTg3ODU4YTMwMzMzNDhlMGU3YzIwZC5qcGeSlQMAAM0G_s0D7pMFzQEszKreAAKhMAehMQQ" height="170" width="300" alt=""Taki jest obraz mojej Polski. Usiana grobami"" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> <svg width="61" height="16" viewBox="0 0 61 16" class="ods-c-card__premium-icon" data-lps-hide="true" data-template-selector data-icon="LabelPremiumSmall"> <use href="#ai:local:LabelPremiumSmall"></use> </svg> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> "Taki jest obraz mojej Polski. Usiana grobami" </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/diabel-ubiera-sie-u-prady-po-latach-nikt-mnie-nie-uprzedzil/kzese2j" class="ods-c-card__link" data-lps-url data-uuid-ui="da805f6d-7118-4cbd-a86d-b322536f633f" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/fQVk9lCaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9hNGJmZjczOGY5MmQ3NjQzZDM0MjVjMjA2ZWE2ZTIxNi5qcGVnkpUDADjNA-jNAjKTBc0BLMyq3gACoTAHoTEE" height="170" width="300" alt=""Diabeł ubiera się u Prady" po latach. Nikt mnie nie uprzedził" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> <svg width="61" height="16" viewBox="0 0 61 16" class="ods-c-card__premium-icon" data-lps-hide="true" data-template-selector data-icon="LabelPremiumSmall"> <use href="#ai:local:LabelPremiumSmall"></use> </svg> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> "Diabeł ubiera się u Prady" po latach. Nikt mnie nie uprzedził </h3> </div> </a> </div> </div></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-26"><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/kto-tu-jest-prawdziwa-ofiara-ten-proces-zrujnuje-kariere-justina-baldoniego/q6cm8cl" class="ods-c-card__link" data-lps-url data-uuid-ui="1b305181-13a7-4726-b8eb-3daa88c12d88" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/Q9zk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9hNzJkM2ZlMDkyZGRlYmIxYjNkZTg0YzAxODk5MjFkNC5qcGeSlQPMqc0BYs0Rj80J4pMFzQEszKreAAKhMAehMQQ" height="170" width="300" alt="Kto tu jest prawdziwą ofiarą? Ten proces zrujnuje karierę Justina Baldoniego" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> <svg width="61" height="16" viewBox="0 0 61 16" class="ods-c-card__premium-icon" data-lps-hide="true" data-template-selector data-icon="LabelPremiumSmall"> <use href="#ai:local:LabelPremiumSmall"></use> </svg> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Kto tu jest prawdziwą ofiarą? Ten proces zrujnuje karierę Justina Baldoniego </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/adam-brodzisz-i-maria-bogda-ukrywali-prawde-o-zwiazku-byli-krolewska-para/ngq430e" class="ods-c-card__link" data-lps-url data-uuid-ui="c2b24336-25e6-4680-91a8-59e5219bcd2b" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/yi_k9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy83YTUxMWQ2NTI2OGJiMzY2ZWYzYzgzYTgwZjYzNzQ5Yy5qcGeSlQMCzQKNzQ2qzQexkwXNASzMqt4AAqEwB6ExBA" height="170" width="300" alt=""Brodzisz, omdlewam, gdy Ty wchodzisz". Fanki go kochały, on pozostał wierny żonie przez 50 lat" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> "Brodzisz, omdlewam, gdy Ty wchodzisz". Fanki go kochały, on pozostał wierny żonie przez 50 lat </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/byla-gwiazda-kina-w-dniu-jej-smierci-kochanek-odegral-morderczy-spektakl/28zjqr6" class="ods-c-card__link" data-lps-url data-uuid-ui="df66c284-5010-46d9-ab6a-68b3c7f96e7a" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/-JDk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy85OWEwOGFjYzVhZGRjODk4YjY1OGJhMjcyZDI3MGMyNy5qcGeSlQMCzQFFzQwWzQbPkwXNASzMqt4AAqEwB6ExBA" height="170" width="300" alt="Marie Trintignant konała we krwi. W pokoju obok oprawca odegrał spektakl" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Marie Trintignant konała we krwi. W pokoju obok oprawca odegrał spektakl </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/anna-romantowska-gdy-krecilysmy-kazda-przechodzila-zyciowe-nawalnice/egfjxzd" class="ods-c-card__link" data-lps-url data-uuid-ui="51a5a7d3-e675-4cea-9ffa-056611c092d8" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/Vzzk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9iYzQyZWFmZmU5NDRjMzFjYTQxNDhjN2RkNTdmNDM5ZS5qcGeSlQMAZs0H0M0EZZMFzQEszKreAAKhMAehMQQ" height="170" width="300" alt="Anna Romantowska: gdy kręciłyśmy, każda przechodziła życiowe nawałnice" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> <svg width="24" height="24" class="ods-c-card__type-icon" data-lps-hide="true" data-icon="Camera_filled"> <symbol id="ai:local:Camera_filled" viewBox="0 0 24 24"><path fill="currentColor" d="M20.125 6.02h-3.77l-1.76-1.76a2.34 2.34 0 0 0-1.64-.68h-1.9a2.3 2.3 0 0 0-1.64.68l-1.76 1.76h-3.77c-1.3 0-2.34 1.04-2.34 2.32v9.75c0 1.28 1.04 2.33 2.33 2.33h16.25c1.28 0 2.33-1.04 2.33-2.33V8.34c0-1.28-1.04-2.33-2.33-2.33zm-8.13 11.29a4.51 4.51 0 0 1-4.5-4.5 4.51 4.51 0 0 1 4.5-4.5 4.51 4.51 0 0 1 4.5 4.5 4.51 4.51 0 0 1-4.5 4.5"/></symbol><use href="#ai:local:Camera_filled"></use> </svg> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Anna Romantowska: gdy kręciłyśmy, każda przechodziła życiowe nawałnice </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/obejrzalem-po-latach-dziennik-bridget-jones-koszmarnie-sie-zestarzala/h148prq" class="ods-c-card__link" data-lps-url data-uuid-ui="dfff3460-77f0-4066-b8eb-a2d15cf857d6" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/wzBk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy81OGE3NWU0OGIxNDQxMzZkZmY2YmEzODgwNzY3YzkzZi5wbmeSlQMAAM0FAM0C0JMFzQEszKreAAKhMAehMQQ" height="170" width="300" alt=""Jesteś idealna, taka, jaka jesteś", czyli dlaczego "Bridget Jones" fatalnie się zestarzała [KOMENTARZ]" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> "Jesteś idealna, taka, jaka jesteś", czyli dlaczego "Bridget Jones" fatalnie się zestarzała [KOMENTARZ] </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/jedna-z-ulubionych-aktorek-polakow-powiedziala-nie-ma-dla-mnie-ratunku/sz5cltv" class="ods-c-card__link" data-lps-url data-uuid-ui="036e2110-8d88-44f6-9656-b4a9d214e6c6" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/kjrk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9jYWE3MjYzZTdkZTYyMzhiNGIzNzY5MTQyMzBmYjkyZi5qcGeSlQPNAeHNARjNDbjNB7eTBc0BLMyq3gACoTAHoTEE" height="170" width="300" alt="Jedna z ulubionych aktorek Polaków. Powiedziała: nie ma dla mnie ratunku" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Jedna z ulubionych aktorek Polaków. Powiedziała: nie ma dla mnie ratunku </h3> </div> </a> </div> </div></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-27"><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/isabella-rossellini-watykan-to-patriarchalna-przestrzen-rola-kobiety-jest-bycie/8d7wxnf" class="ods-c-card__link" data-lps-url data-uuid-ui="857df248-4afa-456f-9ddf-aace92effb86" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/caEk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9mODRjZTBmNmU2YmNlMGMzZjM3ZDFlMjdlNmRmNzVlZC5qcGeSlQMAzKvNC7jNBpiTBc0BLMyq3gACoTAHoTEE" height="170" width="300" alt="Isabella Rossellini: Watykan to patriarchalna przestrzeń. Rolą kobiety jest bycie niewidzialną [WYWIAD]" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> <svg width="61" height="16" viewBox="0 0 61 16" class="ods-c-card__premium-icon" data-lps-hide="true" data-template-selector data-icon="LabelPremiumSmall"> <use href="#ai:local:LabelPremiumSmall"></use> </svg> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Isabella Rossellini: Watykan to patriarchalna przestrzeń. Rolą kobiety jest bycie niewidzialną [WYWIAD] </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/filmy-na-walentynki-gdzie-i-co-ogladac-13-polecanych-tytulow/28sn9qc" class="ods-c-card__link" data-lps-url data-uuid-ui="1780e95a-eb54-46a7-a84c-714e1b698e51" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/nC0k9lMaHR0cDovL29jZG4uZXUvaW1hZ2VzL3B1bHNjbXMvT1RnN01EQV8vMzVmZjc3ZWZmMjZhZWU2NTRiZmUyY2ZlYjY3YTEwNjMuanBlZ5KVAwAAzQVPzQL9kwXNASzMqt4AAqEwB6ExBA" height="170" width="300" alt="Idealny film na walentynki? Podpowiadamy, co i gdzie obejrzeć" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Idealny film na walentynki? Podpowiadamy, co i gdzie obejrzeć </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/ostatnia-wyprawa-wandy-rutkiewicz-uciec-od-swiata-recenzja/tcqprp7" class="ods-c-card__link" data-lps-url data-uuid-ui="bb9a3a0c-c587-4b72-974d-b1f4add3c085" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/q_Ck9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy80YmVkY2YyODkxOWIwMThjMjhmNzYxNDZjM2I2NTdlMS5wbmeSlQMkKc0EIc0CU5MFzQEszKreAAKhMAehMQQ" height="170" width="300" alt="Matce mówiła, że "jeśli nie wróci, będzie w klasztorze". Ciała nie znaleziono" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Matce mówiła, że "jeśli nie wróci, będzie w klasztorze". Ciała nie znaleziono </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/kocham-kazdy-centymetr-jej-ciala-brosnan-wciaz-nazywa-zone-dziewczynka/0ffd8nv" class="ods-c-card__link" data-lps-url data-uuid-ui="25e29a82-951a-4a60-a7d7-76685c569935" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/8FZk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy81ODRkOWFkZTc1ODNjNTY4Mjc1MGZiOWFjNDkxZDdkZC5qcGeSlQMAzM3NCRvNBR-TBc0BLMyq3gACoTAHoTEE" height="170" width="300" alt=""Kocham każdy centymetr jej ciała". Pierce Brosnan wciąż nazywa żonę "dziewczynką"" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> <svg width="24" height="24" viewBox="0 0 24 24" class="ods-c-card__type-icon" data-lps-hide="true" data-icon="Camera_filled"> <use href="#ai:local:Camera_filled"></use> </svg> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> "Kocham każdy centymetr jej ciała". Pierce Brosnan wciąż nazywa żonę "dziewczynką" </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/rzucil-indie-dla-polski-czuje-sie-polakiem-mam-prawo-mowic-krytycznie-o-tym-kraju/dy78hc7" class="ods-c-card__link" data-lps-url data-uuid-ui="fb471db3-6f9d-49cc-ae15-442f2345524f" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/b3fk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy82OTJmZTMzNWE4Y2ZjMzY4MDUzZDk3NmQ3NGRjYjQ2Yy5qcGeSlQNgS80G-80D7ZMFzQEszKreAAKhMAehMQQ" height="170" width="300" alt="Rzucił Indie dla Polski. "Czuję się trochę Polakiem. Mam prawo mówić krytycznie o tym kraju"" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> <svg width="61" height="16" viewBox="0 0 61 16" class="ods-c-card__premium-icon" data-lps-hide="true" data-template-selector data-icon="LabelPremiumSmall"> <use href="#ai:local:LabelPremiumSmall"></use> </svg> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Rzucił Indie dla Polski. "Czuję się trochę Polakiem. Mam prawo mówić krytycznie o tym kraju" </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/orly-2025-zmieniaja-kurs-ale-o-wielkim-wstydzie-warto-pamietac/6bfxmq5" class="ods-c-card__link" data-lps-url data-uuid-ui="1c31cbd2-7422-4ea8-8d23-3840ed2e3c94" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/lUok9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9lZDQ3NmNlZDlhNGVkYmExZmJkYzkyYmI2MWM5NmM2Ny5qcGeSlQMAPc0H0M0EZZMFzQEszKreAAKhMAehMQQ" height="170" width="300" alt="Orły 2025 zmieniają kurs. Ale o wielkim wstydzie warto pamiętać" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> <svg width="61" height="16" viewBox="0 0 61 16" class="ods-c-card__premium-icon" data-lps-hide="true" data-template-selector data-icon="LabelPremiumSmall"> <use href="#ai:local:LabelPremiumSmall"></use> </svg> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Orły 2025 zmieniają kurs. Ale o wielkim wstydzie warto pamiętać </h3> </div> </a> </div> </div></div><div class="ods-c-aside-bottom__feeds ods-c-aside-bottom__feeds--one-row" data-section="bottom-feed-28"><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/porwanie-edgarda-mortary-skandal-ktory-pograzyl-panstwo-koscielne/cjw92cy" class="ods-c-card__link" data-lps-url data-uuid-ui="b0918536-ef26-4117-83ef-c59f400e4750" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/3yFk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy83ZDc3ZjUxMjZkMjI3MzQxNWUwMmVjOTg0NzJhNDg5NC5qcGeSlQMAXc0L0M0GpZMFzQEszKreAAKhMAehMQQ" height="170" width="300" alt="Ciemna karta Kościoła. Przypadek sześcioletniego Edgarda Mortary, o którym mówiono na całym świecie" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> <svg width="61" height="16" viewBox="0 0 61 16" class="ods-c-card__premium-icon" data-lps-hide="true" data-template-selector data-icon="LabelPremiumSmall"> <use href="#ai:local:LabelPremiumSmall"></use> </svg> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Ciemna karta Kościoła. 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