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Ephemera - Wikipedia

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class="vector-toc-text"> <span class="vector-toc-numb">2</span> <span>Forms</span> </div> </a> <button aria-controls="toc-Forms-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Forms subsection</span> </button> <ul id="toc-Forms-sublist" class="vector-toc-list"> <li id="toc-Printed_ephemera" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Printed_ephemera"> <div class="vector-toc-text"> <span class="vector-toc-numb">2.1</span> <span>Printed ephemera</span> </div> </a> <ul id="toc-Printed_ephemera-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Digital_ephemera" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Digital_ephemera"> <div class="vector-toc-text"> <span class="vector-toc-numb">2.2</span> <span>Digital ephemera</span> </div> </a> <ul id="toc-Digital_ephemera-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Collecting" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Collecting"> <div class="vector-toc-text"> <span class="vector-toc-numb">3</span> <span>Collecting</span> </div> </a> <button aria-controls="toc-Collecting-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Collecting subsection</span> </button> <ul id="toc-Collecting-sublist" class="vector-toc-list"> <li id="toc-Academia" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Academia"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.1</span> <span>Academia</span> </div> </a> <ul id="toc-Academia-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-See_also" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#See_also"> <div class="vector-toc-text"> <span class="vector-toc-numb">4</span> <span>See also</span> </div> </a> <ul id="toc-See_also-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Notes" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Notes"> <div class="vector-toc-text"> <span class="vector-toc-numb">5</span> <span>Notes</span> </div> </a> <ul id="toc-Notes-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> <span class="vector-toc-numb">6</span> <span>References</span> </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Further_reading" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Further_reading"> <div class="vector-toc-text"> <span class="vector-toc-numb">7</span> <span>Further reading</span> </div> </a> <ul id="toc-Further_reading-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> <span class="vector-toc-numb">8</span> <span>External links</span> </div> </a> <ul id="toc-External_links-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" 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Available in 18 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-18" aria-hidden="true" ><span class="vector-icon mw-ui-icon-language-progressive mw-ui-icon-wikimedia-language-progressive"></span> <span class="vector-dropdown-label-text">18 languages</span> </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-az mw-list-item"><a href="https://az.wikipedia.org/wiki/Efemera" title="Efemera – Azerbaijani" lang="az" hreflang="az" data-title="Efemera" data-language-autonym="Azərbaycanca" data-language-local-name="Azerbaijani" class="interlanguage-link-target"><span>Azərbaycanca</span></a></li><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/Material_ef%C3%ADmer" title="Material efímer – Catalan" lang="ca" hreflang="ca" data-title="Material efímer" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target"><span>Català</span></a></li><li class="interlanguage-link interwiki-da mw-list-item"><a href="https://da.wikipedia.org/wiki/Sm%C3%A5tryk" title="Småtryk – Danish" lang="da" hreflang="da" data-title="Småtryk" data-language-autonym="Dansk" data-language-local-name="Danish" class="interlanguage-link-target"><span>Dansk</span></a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Ephemera" title="Ephemera – German" lang="de" hreflang="de" data-title="Ephemera" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target"><span>Deutsch</span></a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Ephemera" title="Ephemera – Spanish" lang="es" hreflang="es" data-title="Ephemera" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Ephemera_(imprim%C3%A9s)" title="Ephemera (imprimés) – French" lang="fr" hreflang="fr" data-title="Ephemera (imprimés)" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%90%D7%A4%D7%9E%D7%A8%D7%94" title="אפמרה – Hebrew" lang="he" hreflang="he" data-title="אפמרה" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target"><span>עברית</span></a></li><li class="interlanguage-link interwiki-ms mw-list-item"><a href="https://ms.wikipedia.org/wiki/Ephemera" title="Ephemera – Malay" lang="ms" hreflang="ms" data-title="Ephemera" data-language-autonym="Bahasa Melayu" data-language-local-name="Malay" class="interlanguage-link-target"><span>Bahasa Melayu</span></a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%82%A8%E3%83%95%E3%82%A7%E3%83%A1%E3%83%A9" title="エフェメラ – Japanese" lang="ja" hreflang="ja" data-title="エフェメラ" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target"><span>日本語</span></a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Akcydens_(poligrafia)" title="Akcydens (poligrafia) – Polish" lang="pl" hreflang="pl" data-title="Akcydens (poligrafia)" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target"><span>Polski</span></a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/Ef%C3%AAmera_(arte)" title="Efêmera (arte) – Portuguese" lang="pt" hreflang="pt" data-title="Efêmera (arte)" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target"><span>Português</span></a></li><li class="interlanguage-link interwiki-ro mw-list-item"><a href="https://ro.wikipedia.org/wiki/Efemer" title="Efemer – Romanian" lang="ro" hreflang="ro" data-title="Efemer" data-language-autonym="Română" data-language-local-name="Romanian" class="interlanguage-link-target"><span>Română</span></a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%AD%D1%84%D0%B5%D0%BC%D0%B5%D1%80%D0%B0" title="Эфемера – Russian" lang="ru" hreflang="ru" data-title="Эфемера" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target"><span>Русский</span></a></li><li class="interlanguage-link interwiki-simple mw-list-item"><a href="https://simple.wikipedia.org/wiki/Ephemera" title="Ephemera – Simple English" lang="en-simple" hreflang="en-simple" data-title="Ephemera" data-language-autonym="Simple English" data-language-local-name="Simple English" class="interlanguage-link-target"><span>Simple English</span></a></li><li class="interlanguage-link interwiki-sk mw-list-item"><a href="https://sk.wikipedia.org/wiki/Efem%C3%A9ra_(zberate%C4%BEstvo)" title="Efeméra (zberateľstvo) – Slovak" lang="sk" hreflang="sk" data-title="Efeméra (zberateľstvo)" data-language-autonym="Slovenčina" data-language-local-name="Slovak" class="interlanguage-link-target"><span>Slovenčina</span></a></li><li class="interlanguage-link interwiki-sl mw-list-item"><a href="https://sl.wikipedia.org/wiki/Drobni_tisk" title="Drobni tisk – Slovenian" lang="sl" hreflang="sl" data-title="Drobni tisk" data-language-autonym="Slovenščina" data-language-local-name="Slovenian" class="interlanguage-link-target"><span>Slovenščina</span></a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Efem%C3%A4rt_material" title="Efemärt material – Swedish" lang="sv" hreflang="sv" data-title="Efemärt material" data-language-autonym="Svenska" data-language-local-name="Swedish" class="interlanguage-link-target"><span>Svenska</span></a></li><li class="interlanguage-link interwiki-tr mw-list-item"><a href="https://tr.wikipedia.org/wiki/Efemera" title="Efemera – Turkish" lang="tr" hreflang="tr" data-title="Efemera" data-language-autonym="Türkçe" data-language-local-name="Turkish" class="interlanguage-link-target"><span>Türkçe</span></a></li> </ul> <div class="after-portlet after-portlet-lang"><span class="wb-langlinks-edit wb-langlinks-link"><a href="https://www.wikidata.org/wiki/Special:EntityPage/Q1523267#sitelinks-wikipedia" title="Edit interlanguage links" class="wbc-editpage">Edit links</a></span></div> </div> </div> </div> </header> <div class="vector-page-toolbar"> <div class="vector-page-toolbar-container"> <div id="left-navigation"> <nav 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.hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">This article is about temporary objects. For the genus of mayflies, see <a href="/wiki/Ephemera_(mayfly)" title="Ephemera (mayfly)">Ephemera (mayfly)</a>. For other uses, see <a href="/wiki/Ephemera_(disambiguation)" class="mw-disambig" title="Ephemera (disambiguation)">Ephemera (disambiguation)</a>.</div> <div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">Transient items, usually printed</div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Ephemera_Collection;_QV;_Advertising;_1850-1_Wellcome_L0031705.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/76/Ephemera_Collection%3B_QV%3B_Advertising%3B_1850-1_Wellcome_L0031705.jpg/220px-Ephemera_Collection%3B_QV%3B_Advertising%3B_1850-1_Wellcome_L0031705.jpg" decoding="async" width="220" height="342" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/76/Ephemera_Collection%3B_QV%3B_Advertising%3B_1850-1_Wellcome_L0031705.jpg/330px-Ephemera_Collection%3B_QV%3B_Advertising%3B_1850-1_Wellcome_L0031705.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/76/Ephemera_Collection%3B_QV%3B_Advertising%3B_1850-1_Wellcome_L0031705.jpg/440px-Ephemera_Collection%3B_QV%3B_Advertising%3B_1850-1_Wellcome_L0031705.jpg 2x" data-file-width="2706" data-file-height="4202" /></a><figcaption>A historical example of ephemera</figcaption></figure> <p><b>Ephemera</b> are items which were not originally designed to be retained or preserved, but have been collected or retained. The word is <a href="/wiki/Etymology" title="Etymology">etymologically</a> derived from the Greek ephēmeros ‘lasting only a day’.<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">&#91;</span>1<span class="cite-bracket">&#93;</span></a></sup> The word is both plural and singular.<sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> </p><p>One definition for ephemera is "the minor transient documents of everyday life".<sup id="cite_ref-:6_3-0" class="reference"><a href="#cite_note-:6-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:7_4-0" class="reference"><a href="#cite_note-:7-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup> Ephemera are often paper-based, printed items, including menus, ticket stubs, newspapers, postcards, posters, sheet music, stickers, and greeting cards. However, since the 1990s, the term has been used to refer to digital artefacts or texts.<sup id="cite_ref-:18_5-0" class="reference"><a href="#cite_note-:18-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> </p><p>Since the <a href="/wiki/Printing_revolution" class="mw-redirect" title="Printing revolution">printing revolution</a>, ephemera has been a long-standing element of everyday life. Some ephemera are ornate in their design, acquiring prestige, whereas others are minimal and notably utilitarian. Virtually all conceptions of ephemera make note of the object's disposability. </p><p>Collectors and special interest <a href="/wiki/Learned_society" title="Learned society">societies</a> have contributed to a greater willingness to preserve ephemera, which is now ubiquitous in archives and library collections. Ephemera have become a source for <a href="/wiki/Humanities" title="Humanities">humanities</a> research, as ephemera reveal the <a href="/wiki/Sociology" title="Sociology">sociological</a>, historical, cultural, and <a href="/wiki/Anthropology" title="Anthropology">anthropological</a> contexts of their production and preservation. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Etymology_and_categorisation">Etymology and categorisation</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ephemera&amp;action=edit&amp;section=1" title="Edit section: Etymology and categorisation"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Haft.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/71/Haft.jpg/220px-Haft.jpg" decoding="async" width="220" height="147" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/71/Haft.jpg/330px-Haft.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/71/Haft.jpg/440px-Haft.jpg 2x" data-file-width="600" data-file-height="402" /></a><figcaption>The mayfly <i><a href="/wiki/Ephemera_danica" title="Ephemera danica">Ephemera danica</a></i></figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Trade_card_for_Esther_Burney_fan_shop.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Trade_card_for_Esther_Burney_fan_shop.jpg/220px-Trade_card_for_Esther_Burney_fan_shop.jpg" decoding="async" width="220" height="180" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Trade_card_for_Esther_Burney_fan_shop.jpg/330px-Trade_card_for_Esther_Burney_fan_shop.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Trade_card_for_Esther_Burney_fan_shop.jpg/440px-Trade_card_for_Esther_Burney_fan_shop.jpg 2x" data-file-width="3029" data-file-height="2477" /></a><figcaption>A piece of ephemera circa 1749–1751, around the time Samuel Johnson may have coined the term</figcaption></figure> <p>The etymological origin of <i>Ephemera</i> (<span title="Ancient Greek (to 1453)-language text"><span lang="grc">ἐφήμερα</span></span>) is the <a href="/wiki/Greek_language" title="Greek language">Greek</a> <i>epi</i> (<span title="Ancient Greek (to 1453)-language text"><span lang="grc">ἐπί</span></span>)&#160;– "on, for" and <i>hemera</i> (<span title="Ancient Greek (to 1453)-language text"><span lang="grc">ἡμέρα</span></span>)&#160;– "day". This combination generated the term ephemeron in <a href="/wiki/Neuter_(grammar)" class="mw-redirect" title="Neuter (grammar)">neuter</a> gender; the neuter plural form is ephemera, the source of the modern word, which can be traced back to the works of <a href="/wiki/Aristotle" title="Aristotle">Aristotle</a>.<sup id="cite_ref-:122_6-0" class="reference"><a href="#cite_note-:122-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> The initial sense extended to the <a href="/wiki/Mayfly" title="Mayfly">mayfly</a> and other short-lived insects and flowers, belonging to the biological order <a href="/wiki/Ephemeroptera" class="mw-redirect" title="Ephemeroptera">Ephemeroptera</a>.<sup id="cite_ref-FOOTNOTEWasserman20202_7-0" class="reference"><a href="#cite_note-FOOTNOTEWasserman20202-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup> </p><p>In 1751, <a href="/wiki/Samuel_Johnson" title="Samuel Johnson">Samuel Johnson</a> used the term <i>ephemerae</i> in reference to "the papers of the day".<sup id="cite_ref-:6_3-1" class="reference"><a href="#cite_note-:6-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> This application of <i>ephemera</i> has been cited as the first example of aligning it with transient prints.<sup id="cite_ref-:20_8-0" class="reference"><a href="#cite_note-:20-8"><span class="cite-bracket">&#91;</span>8<span class="cite-bracket">&#93;</span></a></sup> <i>Ephemeral</i>, by the mid-19th century, began to be used to generically refer to printed items.<sup id="cite_ref-:6_3-2" class="reference"><a href="#cite_note-:6-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> </p><p>Ephemera and <a href="/wiki/Ephemerality" title="Ephemerality">ephemerality</a> have mutual connotations of "passing time, change, and the philosophically ultimate vision of our own existence".<sup id="cite_ref-:29_9-0" class="reference"><a href="#cite_note-:29-9"><span class="cite-bracket">&#91;</span>9<span class="cite-bracket">&#93;</span></a></sup> The degree to which ephemera is ephemeral is due in part to the value bestowed upon it. Over time, the ephemerality of certain ephemera may change, as items fall in and out of fashion or popularity with collectors.<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:6_3-3" class="reference"><a href="#cite_note-:6-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> Comic books, for example, were once considered ephemera; however, that perception later faded.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">&#91;</span>11<span class="cite-bracket">&#93;</span></a></sup> </p><p>As a conceptual category, ephemera has interested scholars. <a href="/wiki/Henry_Jenkins" title="Henry Jenkins">Henry Jenkins</a> has argued that the emergence of ephemera, and the interest that some people show in collecting items that other people throw away, showcases the immaterial nature of culture arising in daily life.<sup id="cite_ref-:28_12-0" class="reference"><a href="#cite_note-:28-12"><span class="cite-bracket">&#91;</span>12<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">&#91;</span>13<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEStone20057_14-0" class="reference"><a href="#cite_note-FOOTNOTEStone20057-14"><span class="cite-bracket">&#91;</span>14<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Rick_Prelinger" title="Rick Prelinger">Rick Prelinger</a> noted that when a piece of ephemera is preserved, and greater value is placed upon it, the object then arguably stops being ephemera.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">&#91;</span>15<span class="cite-bracket">&#93;</span></a></sup> </p><p>Categorising types of ephemera has presented difficulties to fixed systems in <a href="/wiki/Library_science" class="mw-redirect" title="Library science">library science</a> and <a href="/wiki/Historiography" title="Historiography">historiography</a> due to the ambiguity of the kinds of items that might be included.<sup id="cite_ref-:10_16-0" class="reference"><a href="#cite_note-:10-16"><span class="cite-bracket">&#91;</span>16<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:6_3-4" class="reference"><a href="#cite_note-:6-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:9_17-0" class="reference"><a href="#cite_note-:9-17"><span class="cite-bracket">&#91;</span>17<span class="cite-bracket">&#93;</span></a></sup> A piece of ephemera's purpose, field of use and geography are among the various elements relevant to its categorisation.<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">&#91;</span>18<span class="cite-bracket">&#93;</span></a></sup> Challenges pertaining to ephemera include determining its creator, purpose, date and location of origin and impact thereof.<sup id="cite_ref-:11_19-0" class="reference"><a href="#cite_note-:11-19"><span class="cite-bracket">&#91;</span>19<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEWeaver20106_20-0" class="reference"><a href="#cite_note-FOOTNOTEWeaver20106-20"><span class="cite-bracket">&#91;</span>20<span class="cite-bracket">&#93;</span></a></sup> Determining its worth in a present context, distinct from its perhaps obscured purpose, is also of interest.<sup id="cite_ref-FOOTNOTEEliotRose2019634_21-0" class="reference"><a href="#cite_note-FOOTNOTEEliotRose2019634-21"><span class="cite-bracket">&#91;</span>21<span class="cite-bracket">&#93;</span></a></sup> </p><p>The breadth of printed ephemera is vast and varied, often eluding simple definition.<sup id="cite_ref-:8_22-0" class="reference"><a href="#cite_note-:8-22"><span class="cite-bracket">&#91;</span>22<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:18_5-1" class="reference"><a href="#cite_note-:18-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> Librarians often conflate ephemera with <a href="/wiki/Grey_literature" title="Grey literature">grey literature</a> whereas collectors often broaden the scope and definition of ephemera.<sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span class="cite-bracket">&#91;</span>23<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEEliotRose2019637_24-0" class="reference"><a href="#cite_note-FOOTNOTEEliotRose2019637-24"><span class="cite-bracket">&#91;</span>24<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Jos%C3%A9_Esteban_Mu%C3%B1oz" title="José Esteban Muñoz">José Esteban Muñoz</a> considered the characteristics of ephemera to be subversion and social experience; <a href="/wiki/Alison_Byerly" title="Alison Byerly">Alison Byerly</a> described ephemera as the response to cultural trends.<sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">&#91;</span>25<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:17_26-0" class="reference"><a href="#cite_note-:17-26"><span class="cite-bracket">&#91;</span>26<span class="cite-bracket">&#93;</span></a></sup> Wasserman, who defined ephemera as "objects destined for disappearance or destruction", categorised the following as ephemera:<sup id="cite_ref-FOOTNOTEWasserman20202,_2362–3_27-0" class="reference"><a href="#cite_note-FOOTNOTEWasserman20202,_2362–3-27"><span class="cite-bracket">&#91;</span>27<span class="cite-bracket">&#93;</span></a></sup> </p> <style data-mw-deduplicate="TemplateStyles:r1184024115">.mw-parser-output .div-col{margin-top:0.3em;column-width:30em}.mw-parser-output .div-col-small{font-size:90%}.mw-parser-output .div-col-rules{column-rule:1px solid #aaa}.mw-parser-output .div-col dl,.mw-parser-output .div-col ol,.mw-parser-output .div-col ul{margin-top:0}.mw-parser-output .div-col li,.mw-parser-output .div-col dd{page-break-inside:avoid;break-inside:avoid-column}</style><div class="div-col" style="column-width: 20em;"> <ul><li>air transport labels</li> <li>bank checks</li> <li>bingo cards</li> <li>bookmarks</li> <li>broadsides</li> <li>bus tickets</li> <li>catalogs</li> <li>envelopes</li> <li>flyers</li> <li>maps</li> <li>menus</li> <li>newspapers</li> <li>pamphlets</li> <li>paper dolls</li> <li>postcards</li> <li>receipts</li> <li>sheet music</li> <li>stamps</li> <li>theater programs</li> <li>ticket stubs</li> <li>valentines</li></ul></div><p>Further items that have been categorised as ephemera include: posters, album covers, <a href="/wiki/Minutes" title="Minutes">meeting minutes</a>, buttons, stickers, financial records and personal memorabilia; announcements of events in a life, such as a birth, a death, a graduation or marriage, have been described as ephemera.<sup id="cite_ref-:28_12-1" class="reference"><a href="#cite_note-:28-12"><span class="cite-bracket">&#91;</span>12<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:9_17-1" class="reference"><a href="#cite_note-:9-17"><span class="cite-bracket">&#91;</span>17<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">&#91;</span>28<span class="cite-bracket">&#93;</span></a></sup> Textual material, uniformly, could be considered ephemera.<sup id="cite_ref-:122_6-1" class="reference"><a href="#cite_note-:122-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> Artistic ephemera include sand paintings, sculptures composed of intentionally transient material, graffiti, and guerrilla art.<sup id="cite_ref-:4_29-0" class="reference"><a href="#cite_note-:4-29"><span class="cite-bracket">&#91;</span>29<span class="cite-bracket">&#93;</span></a></sup> Historically, there has been various categories of ephemera.<sup id="cite_ref-:192_30-0" class="reference"><a href="#cite_note-:192-30"><span class="cite-bracket">&#91;</span>30<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEMcAleerMacKenzie2015150_31-0" class="reference"><a href="#cite_note-FOOTNOTEMcAleerMacKenzie2015150-31"><span class="cite-bracket">&#91;</span>31<span class="cite-bracket">&#93;</span></a></sup> Genres may be defined by function or encompass and detail a specific item.<sup id="cite_ref-:122_6-2" class="reference"><a href="#cite_note-:122-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:192_30-1" class="reference"><a href="#cite_note-:192-30"><span class="cite-bracket">&#91;</span>30<span class="cite-bracket">&#93;</span></a></sup> Over 500 categories are listed in <i>The Encyclopedia of Ephemera</i>, ranging from the 18th to 20th century.<sup id="cite_ref-:17_26-1" class="reference"><a href="#cite_note-:17-26"><span class="cite-bracket">&#91;</span>26<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:13_32-0" class="reference"><a href="#cite_note-:13-32"><span class="cite-bracket">&#91;</span>32<span class="cite-bracket">&#93;</span></a></sup> </p><div class="mw-heading mw-heading2"><h2 id="Forms">Forms</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ephemera&amp;action=edit&amp;section=2" title="Edit section: Forms"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style><blockquote class="templatequote"><p>There is scarcely a subject that has not generated its own ephemera.<sup id="cite_ref-:16_33-0" class="reference"><a href="#cite_note-:16-33"><span class="cite-bracket">&#91;</span>33<span class="cite-bracket">&#93;</span></a></sup></p><div class="templatequotecite">—&#8202;<cite>Rickards and, the librarian, Julie Anne Lambert</cite></div></blockquote> <div class="mw-heading mw-heading3"><h3 id="Printed_ephemera">Printed ephemera</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ephemera&amp;action=edit&amp;section=3" title="Edit section: Printed ephemera"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Young_Temperance_Volunteer%27s_diploma.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/0/06/Young_Temperance_Volunteer%27s_diploma.jpg/220px-Young_Temperance_Volunteer%27s_diploma.jpg" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/06/Young_Temperance_Volunteer%27s_diploma.jpg/330px-Young_Temperance_Volunteer%27s_diploma.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/06/Young_Temperance_Volunteer%27s_diploma.jpg/440px-Young_Temperance_Volunteer%27s_diploma.jpg 2x" data-file-width="3725" data-file-height="2793" /></a><figcaption>The temperance movement generated a vast amount of ephemera</figcaption></figure> <p>Commonly, printed ephemera is seen to not exceed "more than thirty-two pages in length", although some understandings are more broadly encompassing.<sup id="cite_ref-:1_34-0" class="reference"><a href="#cite_note-:1-34"><span class="cite-bracket">&#91;</span>34<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-35" class="reference"><a href="#cite_note-35"><span class="cite-bracket">&#91;</span>35<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTERussell20203_36-0" class="reference"><a href="#cite_note-FOOTNOTERussell20203-36"><span class="cite-bracket">&#91;</span>36<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-37" class="reference"><a href="#cite_note-37"><span class="cite-bracket">&#91;</span>a<span class="cite-bracket">&#93;</span></a></sup> Ephemera is chiefly observed as single page materials, with variance and repeat characteristics.<sup id="cite_ref-:28_12-2" class="reference"><a href="#cite_note-:28-12"><span class="cite-bracket">&#91;</span>12<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:22_38-0" class="reference"><a href="#cite_note-:22-38"><span class="cite-bracket">&#91;</span>37<span class="cite-bracket">&#93;</span></a></sup> The material usage of printed ephemera is very often minimal and much are without art, although a distinct design lexicon can be found in pieces.<sup id="cite_ref-:122_6-3" class="reference"><a href="#cite_note-:122-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:16_33-1" class="reference"><a href="#cite_note-:16-33"><span class="cite-bracket">&#91;</span>33<span class="cite-bracket">&#93;</span></a></sup> Early ephemera, functionally monochromatic and predominantly textual, indicates a greater access to printing from common people and later cheap photography.<sup id="cite_ref-FOOTNOTESuarezTurner201066–67_39-0" class="reference"><a href="#cite_note-FOOTNOTESuarezTurner201066–67-39"><span class="cite-bracket">&#91;</span>38<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEMacKenzie198421_40-0" class="reference"><a href="#cite_note-FOOTNOTEMacKenzie198421-40"><span class="cite-bracket">&#91;</span>39<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEEliotRose2019635–636_41-0" class="reference"><a href="#cite_note-FOOTNOTEEliotRose2019635–636-41"><span class="cite-bracket">&#91;</span>40<span class="cite-bracket">&#93;</span></a></sup> 17th century ephemera incorporated administrative elements and more visuals.<sup id="cite_ref-42" class="reference"><a href="#cite_note-42"><span class="cite-bracket">&#91;</span>41<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTESuarezTurner201074_43-0" class="reference"><a href="#cite_note-FOOTNOTESuarezTurner201074-43"><span class="cite-bracket">&#91;</span>42<span class="cite-bracket">&#93;</span></a></sup> Advertising and information are among the primary elements of ephemera; design elements, which are typically indicative of the period of origin, such as <a href="/wiki/The_Renaissance" class="mw-redirect" title="The Renaissance">the Renaissance</a>, likely changed in accordance to higher literacy rates.<sup id="cite_ref-:28_12-3" class="reference"><a href="#cite_note-:28-12"><span class="cite-bracket">&#91;</span>12<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEStone20056SuarezTurner201066–67_44-0" class="reference"><a href="#cite_note-FOOTNOTEStone20056SuarezTurner201066–67-44"><span class="cite-bracket">&#91;</span>43<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEMcAleerMacKenzie2015145_45-0" class="reference"><a href="#cite_note-FOOTNOTEMcAleerMacKenzie2015145-45"><span class="cite-bracket">&#91;</span>44<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-47" class="reference"><a href="#cite_note-47"><span class="cite-bracket">&#91;</span>b<span class="cite-bracket">&#93;</span></a></sup> The prose of ephemera could range from pithy to relatively long (~400 words, for example).<sup id="cite_ref-FOOTNOTEMcAleerMacKenzie2015146_48-0" class="reference"><a href="#cite_note-FOOTNOTEMcAleerMacKenzie2015146-48"><span class="cite-bracket">&#91;</span>46<span class="cite-bracket">&#93;</span></a></sup> By the 19th century, color printing was present, as were vivid, creative, innovative and ornate design, due to the incorporation of <a href="/wiki/Lithography" title="Lithography">lithography</a>.<sup id="cite_ref-FOOTNOTEMcAleerMacKenzie2015145_45-1" class="reference"><a href="#cite_note-FOOTNOTEMcAleerMacKenzie2015145-45"><span class="cite-bracket">&#91;</span>44<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEEliotRose2019636_49-0" class="reference"><a href="#cite_note-FOOTNOTEEliotRose2019636-49"><span class="cite-bracket">&#91;</span>47<span class="cite-bracket">&#93;</span></a></sup> The modern ephemera of duplicating machines and <a href="/wiki/Photocopier" title="Photocopier">photocopiers</a> are chiefly informative.<sup id="cite_ref-:122_6-4" class="reference"><a href="#cite_note-:122-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> Ephemera's "generic legibility" was achieved through the use of visuals, a quality that was significantly democratised by ephemera.<sup id="cite_ref-FOOTNOTEMacKenzie198421_40-1" class="reference"><a href="#cite_note-FOOTNOTEMacKenzie198421-40"><span class="cite-bracket">&#91;</span>39<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEMurphyO&#39;Driscoll2013199_50-0" class="reference"><a href="#cite_note-FOOTNOTEMurphyO&#39;Driscoll2013199-50"><span class="cite-bracket">&#91;</span>48<span class="cite-bracket">&#93;</span></a></sup> </p><p> Various forms of printed ephemera deteriorate quickly, a key element in definitions of ephemera. Although broad, pre-19th century ephemera has seldom survived.<sup id="cite_ref-:6_3-5" class="reference"><a href="#cite_note-:6-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:20_8-1" class="reference"><a href="#cite_note-:20-8"><span class="cite-bracket">&#91;</span>8<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:31_51-0" class="reference"><a href="#cite_note-:31-51"><span class="cite-bracket">&#91;</span>49<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:23_46-1" class="reference"><a href="#cite_note-:23-46"><span class="cite-bracket">&#91;</span>45<span class="cite-bracket">&#93;</span></a></sup> Much of ephemera was not intended to be disposed of.<sup id="cite_ref-FOOTNOTEEliotRose2019633_52-0" class="reference"><a href="#cite_note-FOOTNOTEEliotRose2019633-52"><span class="cite-bracket">&#91;</span>50<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Assignat" title="Assignat">Assignats</a> saw widespread contempt on account of their low-quality, endangering their survival rate.<sup id="cite_ref-53" class="reference"><a href="#cite_note-53"><span class="cite-bracket">&#91;</span>51<span class="cite-bracket">&#93;</span></a></sup> The <a href="/wiki/Temperance_movement" title="Temperance movement">temperance movement</a> produced ubiquitous ephemera; some printed ephemera have had production quantities of millions, although quantifying the matter is often reliant upon limited yet vast approximation.<sup id="cite_ref-54" class="reference"><a href="#cite_note-54"><span class="cite-bracket">&#91;</span>52<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:9_17-2" class="reference"><a href="#cite_note-:9-17"><span class="cite-bracket">&#91;</span>17<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEPettegree201779_55-0" class="reference"><a href="#cite_note-FOOTNOTEPettegree201779-55"><span class="cite-bracket">&#91;</span>53<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-57" class="reference"><a href="#cite_note-57"><span class="cite-bracket">&#91;</span>c<span class="cite-bracket">&#93;</span></a></sup> Such temperance ephemera was prominent enough to elicit contemporaneous sentimentality and disdain.<sup id="cite_ref-FOOTNOTEZieger201816_58-0" class="reference"><a href="#cite_note-FOOTNOTEZieger201816-58"><span class="cite-bracket">&#91;</span>55<span class="cite-bracket">&#93;</span></a></sup> By this point, ephemera was printed by various establishments, having likely become a major element of some.<sup id="cite_ref-FOOTNOTESuarezTurner201066–67_39-1" class="reference"><a href="#cite_note-FOOTNOTESuarezTurner201066–67-39"><span class="cite-bracket">&#91;</span>38<span class="cite-bracket">&#93;</span></a></sup></p><figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Marten_Ephemera.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c6/Marten_Ephemera.jpg/220px-Marten_Ephemera.jpg" decoding="async" width="220" height="194" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c6/Marten_Ephemera.jpg/330px-Marten_Ephemera.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c6/Marten_Ephemera.jpg/440px-Marten_Ephemera.jpg 2x" data-file-width="2823" data-file-height="2486" /></a><figcaption>Smoking-related ephemera depicting a <a href="/wiki/Marten" title="Marten">marten</a></figcaption></figure> <p>The mid-15th century has been identified as the origin of ephemera, following the <a href="/wiki/Printing_Revolution" class="mw-redirect" title="Printing Revolution">Printing Revolution</a>.<sup id="cite_ref-:20_8-2" class="reference"><a href="#cite_note-:20-8"><span class="cite-bracket">&#91;</span>8<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:192_30-2" class="reference"><a href="#cite_note-:192-30"><span class="cite-bracket">&#91;</span>30<span class="cite-bracket">&#93;</span></a></sup> Ephemera, such as religious <a href="/wiki/Indulgence" title="Indulgence">indulgences</a>, were significant in the early days of printing.<sup id="cite_ref-:29_9-1" class="reference"><a href="#cite_note-:29-9"><span class="cite-bracket">&#91;</span>9<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:192_30-3" class="reference"><a href="#cite_note-:192-30"><span class="cite-bracket">&#91;</span>30<span class="cite-bracket">&#93;</span></a></sup> The first mass-produced ephemera is presumed to be a variant of indulgences (~1454/55).<sup id="cite_ref-FOOTNOTEPettegree201781_59-0" class="reference"><a href="#cite_note-FOOTNOTEPettegree201781-59"><span class="cite-bracket">&#91;</span>56<span class="cite-bracket">&#93;</span></a></sup> Demand for ephemera corresponded with an increasing scale of towns whereupon they were commonly dispersed on streets.<sup id="cite_ref-:22_38-1" class="reference"><a href="#cite_note-:22-38"><span class="cite-bracket">&#91;</span>37<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTESuarezTurner201068_60-0" class="reference"><a href="#cite_note-FOOTNOTESuarezTurner201068-60"><span class="cite-bracket">&#91;</span>57<span class="cite-bracket">&#93;</span></a></sup> Ephemera has functioned as a substantial means of disseminating information, evident in public sectors such as tourism, finance, law and recreation and has "aided the proliferation of print media as an exchange of information".<sup id="cite_ref-61" class="reference"><a href="#cite_note-61"><span class="cite-bracket">&#91;</span>58<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEStone20056_62-0" class="reference"><a href="#cite_note-FOOTNOTEStone20056-62"><span class="cite-bracket">&#91;</span>59<span class="cite-bracket">&#93;</span></a></sup> In their times, ephemera has been used for documentation, education, belligerence, critique and propaganda.<sup id="cite_ref-:2_63-0" class="reference"><a href="#cite_note-:2-63"><span class="cite-bracket">&#91;</span>60<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEMcAleerMacKenzie2015143_64-0" class="reference"><a href="#cite_note-FOOTNOTEMcAleerMacKenzie2015143-64"><span class="cite-bracket">&#91;</span>61<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-65" class="reference"><a href="#cite_note-65"><span class="cite-bracket">&#91;</span>62<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-66" class="reference"><a href="#cite_note-66"><span class="cite-bracket">&#91;</span>63<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-67" class="reference"><a href="#cite_note-67"><span class="cite-bracket">&#91;</span>64<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-69" class="reference"><a href="#cite_note-69"><span class="cite-bracket">&#91;</span>d<span class="cite-bracket">&#93;</span></a></sup> </p><p>Lottery tickets, playbills and <a href="/wiki/Trade_card" title="Trade card">trade cards</a> have been among the most prominent ephemera of eras, such as the <a href="/wiki/Georgian_era" title="Georgian era">Georgian</a> and <a href="/wiki/History_of_the_United_States_(1849%E2%80%931865)" title="History of the United States (1849–1865)">Civil War</a> eras.<sup id="cite_ref-:3_70-0" class="reference"><a href="#cite_note-:3-70"><span class="cite-bracket">&#91;</span>66<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEBellows2020159–160_71-0" class="reference"><a href="#cite_note-FOOTNOTEBellows2020159–160-71"><span class="cite-bracket">&#91;</span>67<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Panoramic_painting" title="Panoramic painting">Panoramic paintings</a> were a far-reaching class of ephemera, few remaining as a result.<sup id="cite_ref-:15_72-0" class="reference"><a href="#cite_note-:15-72"><span class="cite-bracket">&#91;</span>68<span class="cite-bracket">&#93;</span></a></sup> Junk mail is a contemporary example of prominent ephemera.<sup id="cite_ref-FOOTNOTEStone20056_62-1" class="reference"><a href="#cite_note-FOOTNOTEStone20056-62"><span class="cite-bracket">&#91;</span>59<span class="cite-bracket">&#93;</span></a></sup> Ephemera's mundane ubiquity is a relatively modern phenomenon, evidenced by <a href="/wiki/Henri_B%C3%A9raldi" title="Henri Béraldi">Henri Béraldi</a>'s amazed writings on their proliferation.<sup id="cite_ref-FOOTNOTEIskinSalsbury2019119_73-0" class="reference"><a href="#cite_note-FOOTNOTEIskinSalsbury2019119-73"><span class="cite-bracket">&#91;</span>69<span class="cite-bracket">&#93;</span></a></sup> Ubiquitous descriptions of printed ephemera have extended back to the 1840s and by the turn of the century, a time in which a deluge of ephemera had become commonplace, "readers [were] defined by their relationship with print ephemera".<sup id="cite_ref-FOOTNOTEZieger201814_74-0" class="reference"><a href="#cite_note-FOOTNOTEZieger201814-74"><span class="cite-bracket">&#91;</span>70<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-75" class="reference"><a href="#cite_note-75"><span class="cite-bracket">&#91;</span>71<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEEliotRose2019472–473_76-0" class="reference"><a href="#cite_note-FOOTNOTEEliotRose2019472–473-76"><span class="cite-bracket">&#91;</span>72<span class="cite-bracket">&#93;</span></a></sup> Discussing an increase in ephemera by the mid-19th century, <a href="/wiki/Eneas_Sweetland_Dallas" title="Eneas Sweetland Dallas">E.S Dallas</a> wrote that new etiquette had been introduced, thus "a new era" was to follow, espousing the impression that authorship and literature were no longer hermetic.<sup id="cite_ref-77" class="reference"><a href="#cite_note-77"><span class="cite-bracket">&#91;</span>73<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Digital_ephemera">Digital ephemera</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ephemera&amp;action=edit&amp;section=4" title="Edit section: Digital ephemera"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 1998, librarian Richard Stone wrote that the internet "can be seen as the ultimate in ephemera with its vast amount of information and advertising which is extremely transitory and volatile in nature, and vulnerable to change or deletion".<sup id="cite_ref-:18_5-3" class="reference"><a href="#cite_note-:18-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> Multiple academics have described digital ephemera as being possibly more vulnerable than traditional forms.<sup id="cite_ref-:31_51-1" class="reference"><a href="#cite_note-:31-51"><span class="cite-bracket">&#91;</span>49<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-78" class="reference"><a href="#cite_note-78"><span class="cite-bracket">&#91;</span>74<span class="cite-bracket">&#93;</span></a></sup> Internet memes and selfies have been described as forms of ephemera and various modern print ephemera features a digital component.<sup id="cite_ref-:26_79-0" class="reference"><a href="#cite_note-:26-79"><span class="cite-bracket">&#91;</span>75<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-80" class="reference"><a href="#cite_note-80"><span class="cite-bracket">&#91;</span>76<span class="cite-bracket">&#93;</span></a></sup> Commonly printed ephemera increasingly only manifests digitally.<sup id="cite_ref-:30_81-0" class="reference"><a href="#cite_note-:30-81"><span class="cite-bracket">&#91;</span>77<span class="cite-bracket">&#93;</span></a></sup> The <a href="/wiki/Tate_Britain" title="Tate Britain">Tate Library</a> defines "e-ephemera" as the digital-born content and <a href="/wiki/Paratext" title="Paratext">paratext</a> of an email, typically of a promotional variety, produced by cultural institutions; similar in nature, monographs, catalogues and micro-sites are excluded, per being considered e-books.<sup id="cite_ref-:26_79-1" class="reference"><a href="#cite_note-:26-79"><span class="cite-bracket">&#91;</span>75<span class="cite-bracket">&#93;</span></a></sup> Websites, such as those of an administrative nature, have seen description as ephemera.<sup id="cite_ref-82" class="reference"><a href="#cite_note-82"><span class="cite-bracket">&#91;</span>78<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-83" class="reference"><a href="#cite_note-83"><span class="cite-bracket">&#91;</span>79<span class="cite-bracket">&#93;</span></a></sup> The likes of <a href="/wiki/Instagram" title="Instagram">Instagram</a> feature accounts dedicated to displaying graphically designed ephemera.<sup id="cite_ref-84" class="reference"><a href="#cite_note-84"><span class="cite-bracket">&#91;</span>80<span class="cite-bracket">&#93;</span></a></sup> </p><p>Digital ephemera is of comparable nature to printed ephemera, although it is even more prevalent and subject to altering perceptions of ephemera.<sup id="cite_ref-:30_81-1" class="reference"><a href="#cite_note-:30-81"><span class="cite-bracket">&#91;</span>77<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEIskinSalsbury2019125_85-0" class="reference"><a href="#cite_note-FOOTNOTEIskinSalsbury2019125-85"><span class="cite-bracket">&#91;</span>81<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEWasserman2020236_86-0" class="reference"><a href="#cite_note-FOOTNOTEWasserman2020236-86"><span class="cite-bracket">&#91;</span>82<span class="cite-bracket">&#93;</span></a></sup> Holly Callaghan of the Tate Library noted a proliferation of "e-ephemera"; an increased reliance upon this form of ephemera has engendered concern, with note to later accessibility and a difficultly to those outside of the intended recipients.<sup id="cite_ref-:26_79-2" class="reference"><a href="#cite_note-:26-79"><span class="cite-bracket">&#91;</span>75<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-87" class="reference"><a href="#cite_note-87"><span class="cite-bracket">&#91;</span>83<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-88" class="reference"><a href="#cite_note-88"><span class="cite-bracket">&#91;</span>84<span class="cite-bracket">&#93;</span></a></sup> Citing ostensibly infinite digital storage, Wasserman said that the category, <i>ephemera</i>, may cease to exist, its contents have being ultimately preserved.<sup id="cite_ref-FOOTNOTEWasserman2020231_89-0" class="reference"><a href="#cite_note-FOOTNOTEWasserman2020231-89"><span class="cite-bracket">&#91;</span>85<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Collecting">Collecting</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ephemera&amp;action=edit&amp;section=5" title="Edit section: Collecting"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Coughs_and_Sneezes_Spread_Diseases_-_British_Ministry_of_Health.jpg" class="mw-file-description"><img alt="British Ministry of Health poster." src="//upload.wikimedia.org/wikipedia/commons/thumb/1/13/Coughs_and_Sneezes_Spread_Diseases_-_British_Ministry_of_Health.jpg/220px-Coughs_and_Sneezes_Spread_Diseases_-_British_Ministry_of_Health.jpg" decoding="async" width="220" height="319" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/13/Coughs_and_Sneezes_Spread_Diseases_-_British_Ministry_of_Health.jpg/330px-Coughs_and_Sneezes_Spread_Diseases_-_British_Ministry_of_Health.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/13/Coughs_and_Sneezes_Spread_Diseases_-_British_Ministry_of_Health.jpg/440px-Coughs_and_Sneezes_Spread_Diseases_-_British_Ministry_of_Health.jpg 2x" data-file-width="4497" data-file-height="6527" /></a><figcaption>20th-century ephemera from the UK </figcaption></figure> <p>Ephemera has long been substantially collected, both with and without intention, presevering what may be the only remaining reproductions.<sup id="cite_ref-:8_22-1" class="reference"><a href="#cite_note-:8-22"><span class="cite-bracket">&#91;</span>22<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-90" class="reference"><a href="#cite_note-90"><span class="cite-bracket">&#91;</span>86<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:32_91-0" class="reference"><a href="#cite_note-:32-91"><span class="cite-bracket">&#91;</span>87<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEStone200513_92-0" class="reference"><a href="#cite_note-FOOTNOTEStone200513-92"><span class="cite-bracket">&#91;</span>88<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Victorian_era" title="Victorian era">Victorian</a> families pasted their <a href="/wiki/Collecting" title="Collecting">collections</a> of ephemera, acquiring the likes of scraps and trade cards, in scrapbooks whereas Georgian curators thoroughly archived ephemera.<sup id="cite_ref-:3_70-1" class="reference"><a href="#cite_note-:3-70"><span class="cite-bracket">&#91;</span>66<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-93" class="reference"><a href="#cite_note-93"><span class="cite-bracket">&#91;</span>89<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEField201981_94-0" class="reference"><a href="#cite_note-FOOTNOTEField201981-94"><span class="cite-bracket">&#91;</span>90<span class="cite-bracket">&#93;</span></a></sup> It was a private endeavour, with little outward cultural presence, although an eminent interpersonal function.<sup id="cite_ref-FOOTNOTEZieger20182_95-0" class="reference"><a href="#cite_note-FOOTNOTEZieger20182-95"><span class="cite-bracket">&#91;</span>91<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Cigarette_card" title="Cigarette card">Cigarette cards</a> were widely collected, by-design.<sup id="cite_ref-:0_96-0" class="reference"><a href="#cite_note-:0-96"><span class="cite-bracket">&#91;</span>92<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEMacKenzie198417_97-0" class="reference"><a href="#cite_note-FOOTNOTEMacKenzie198417-97"><span class="cite-bracket">&#91;</span>93<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-98" class="reference"><a href="#cite_note-98"><span class="cite-bracket">&#91;</span>e<span class="cite-bracket">&#93;</span></a></sup> </p><p>Contemporarily, institutions have attempted to preserve digital ephemera, although problems may exist in regards to scope and interest.<sup id="cite_ref-:17_26-2" class="reference"><a href="#cite_note-:17-26"><span class="cite-bracket">&#91;</span>26<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:26_79-3" class="reference"><a href="#cite_note-:26-79"><span class="cite-bracket">&#91;</span>75<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-99" class="reference"><a href="#cite_note-99"><span class="cite-bracket">&#91;</span>94<span class="cite-bracket">&#93;</span></a></sup> Ephemera has been considered for curation since the 1970s, due in part to collectors, at which point <a href="/wiki/Learned_society" title="Learned society">societies</a>, <a href="/wiki/Professional_association" title="Professional association">professional associations</a> and publications regarding ephemera arose.<sup id="cite_ref-:6_3-6" class="reference"><a href="#cite_note-:6-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-100" class="reference"><a href="#cite_note-100"><span class="cite-bracket">&#91;</span>95<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-Haug_101-0" class="reference"><a href="#cite_note-Haug-101"><span class="cite-bracket">&#91;</span>96<span class="cite-bracket">&#93;</span></a></sup> Although ephemera is a global occurrence, interest is chiefly present in Britain and America.<sup id="cite_ref-:16_33-3" class="reference"><a href="#cite_note-:16-33"><span class="cite-bracket">&#91;</span>33<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEWeaver2010234–35Blum2019xix_102-0" class="reference"><a href="#cite_note-FOOTNOTEWeaver2010234–35Blum2019xix-102"><span class="cite-bracket">&#91;</span>97<span class="cite-bracket">&#93;</span></a></sup> Ephemera collections can be idiosyncratic, sequential and difficult to peruse.<sup id="cite_ref-:17_26-3" class="reference"><a href="#cite_note-:17-26"><span class="cite-bracket">&#91;</span>26<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:5_103-0" class="reference"><a href="#cite_note-:5-103"><span class="cite-bracket">&#91;</span>98<span class="cite-bracket">&#93;</span></a></sup> </p><p>Multiple scholars articulated a connection to the past, such as <a href="/wiki/Nostalgia" title="Nostalgia">nostalgia</a>, as a key motivation for ephemera collecting.<sup id="cite_ref-:17_26-4" class="reference"><a href="#cite_note-:17-26"><span class="cite-bracket">&#91;</span>26<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-104" class="reference"><a href="#cite_note-104"><span class="cite-bracket">&#91;</span>99<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:32_91-1" class="reference"><a href="#cite_note-:32-91"><span class="cite-bracket">&#91;</span>87<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEWeaver2010135,_188_105-0" class="reference"><a href="#cite_note-FOOTNOTEWeaver2010135,_188-105"><span class="cite-bracket">&#91;</span>100<span class="cite-bracket">&#93;</span></a></sup> Such a connection has been described as evocative and atmospheric; the memory as <a href="/wiki/Collective_memory" title="Collective memory">collective</a> and <a href="/wiki/Cultural_memory" title="Cultural memory">cultural</a>; the nostalgia as <a href="/wiki/Populism" title="Populism">populist</a> and the ephemera associated with melancholy.<sup id="cite_ref-:14_106-0" class="reference"><a href="#cite_note-:14-106"><span class="cite-bracket">&#91;</span>101<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:18_5-4" class="reference"><a href="#cite_note-:18-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:192_30-4" class="reference"><a href="#cite_note-:192-30"><span class="cite-bracket">&#91;</span>30<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEStone200513_92-1" class="reference"><a href="#cite_note-FOOTNOTEStone200513-92"><span class="cite-bracket">&#91;</span>88<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEWasserman2020230_107-0" class="reference"><a href="#cite_note-FOOTNOTEWasserman2020230-107"><span class="cite-bracket">&#91;</span>102<span class="cite-bracket">&#93;</span></a></sup> Aesthetics, academic advancement and existential <a href="/wiki/Ephemerality" title="Ephemerality">ephemerality</a> have also been seen as motivation.<sup id="cite_ref-:32_91-2" class="reference"><a href="#cite_note-:32-91"><span class="cite-bracket">&#91;</span>87<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-108" class="reference"><a href="#cite_note-108"><span class="cite-bracket">&#91;</span>103<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-109" class="reference"><a href="#cite_note-109"><span class="cite-bracket">&#91;</span>104<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Academia">Academia</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ephemera&amp;action=edit&amp;section=6" title="Edit section: Academia"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The study of print ephemera has seen much contention; various viewpoints and interpretations have been proposed from scholars, with comparisons to <a href="/wiki/Folklore_studies" title="Folklore studies">folklore studies</a> and popular culture studies, due to the invoking of "remembrance and echoed retellings" and contending that which is more prestigious, respectively.<sup id="cite_ref-:7_4-1" class="reference"><a href="#cite_note-:7-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:18_5-5" class="reference"><a href="#cite_note-:18-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-110" class="reference"><a href="#cite_note-110"><span class="cite-bracket">&#91;</span>105<span class="cite-bracket">&#93;</span></a></sup> Literature around ephemera concern its production, varieties: trade cards, broadside ballads, chapbooks, almanacs, and newspapers; scholars predominately examine ephemera post-19th century due to greater quantities thereof.<sup id="cite_ref-:22_38-2" class="reference"><a href="#cite_note-:22-38"><span class="cite-bracket">&#91;</span>37<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTESuarezTurner201068_60-1" class="reference"><a href="#cite_note-FOOTNOTESuarezTurner201068-60"><span class="cite-bracket">&#91;</span>57<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:25_111-0" class="reference"><a href="#cite_note-:25-111"><span class="cite-bracket">&#91;</span>106<span class="cite-bracket">&#93;</span></a></sup> A significant amount of scholars have been collectors, archivists and amateurs, particularly at the inception of ephemera studies, a now burgeoning academic field.<sup id="cite_ref-FOOTNOTERussell20203_36-1" class="reference"><a href="#cite_note-FOOTNOTERussell20203-36"><span class="cite-bracket">&#91;</span>36<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:33_112-0" class="reference"><a href="#cite_note-:33-112"><span class="cite-bracket">&#91;</span>107<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEIskinSalsbury2019118_113-0" class="reference"><a href="#cite_note-FOOTNOTEIskinSalsbury2019118-113"><span class="cite-bracket">&#91;</span>108<span class="cite-bracket">&#93;</span></a></sup> Digitisation of ephemera has provided accessibility and spurred renewed interest, following the "few writings" present at the start of the 21st century.<sup id="cite_ref-:0_96-1" class="reference"><a href="#cite_note-:0-96"><span class="cite-bracket">&#91;</span>92<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:27_114-0" class="reference"><a href="#cite_note-:27-114"><span class="cite-bracket">&#91;</span>109<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:24_115-0" class="reference"><a href="#cite_note-:24-115"><span class="cite-bracket">&#91;</span>110<span class="cite-bracket">&#93;</span></a></sup> </p><p>As a source, ephemera has been widely accepted.<sup id="cite_ref-:192_30-5" class="reference"><a href="#cite_note-:192-30"><span class="cite-bracket">&#91;</span>30<span class="cite-bracket">&#93;</span></a></sup> Ephemera has been credited with illustrating social dynamics, including daily life, communication, social mobility and the enforcement of social norms.<sup id="cite_ref-:122_6-5" class="reference"><a href="#cite_note-:122-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:192_30-6" class="reference"><a href="#cite_note-:192-30"><span class="cite-bracket">&#91;</span>30<span class="cite-bracket">&#93;</span></a></sup> Furthermore, varied cultures from differing groups can be assessed via ephemera.<sup id="cite_ref-:122_6-6" class="reference"><a href="#cite_note-:122-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:11_19-1" class="reference"><a href="#cite_note-:11-19"><span class="cite-bracket">&#91;</span>19<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:13_32-1" class="reference"><a href="#cite_note-:13-32"><span class="cite-bracket">&#91;</span>32<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:192_30-7" class="reference"><a href="#cite_note-:192-30"><span class="cite-bracket">&#91;</span>30<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEZieger201822_116-0" class="reference"><a href="#cite_note-FOOTNOTEZieger201822-116"><span class="cite-bracket">&#91;</span>111<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-118" class="reference"><a href="#cite_note-118"><span class="cite-bracket">&#91;</span>f<span class="cite-bracket">&#93;</span></a></sup> Ephemera, to Rickards, documents "the other side of history...[which] contains all sorts of human qualities that would otherwise be edited out".<sup id="cite_ref-:33_112-1" class="reference"><a href="#cite_note-:33-112"><span class="cite-bracket">&#91;</span>107<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ephemera&amp;action=edit&amp;section=7" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/Found_Footage_Festival" title="Found Footage Festival">Found Footage Festival</a></li> <li><a href="/wiki/Prelinger_Archives" title="Prelinger Archives">Prelinger Archives</a></li> <li><i><a href="/wiki/The_Show_with_No_Name" title="The Show with No Name">The Show with No Name</a></i></li> <li><a href="/wiki/Ephemeral" class="mw-redirect" title="Ephemeral">Ephemeral</a></li> <li><a href="/wiki/Ephemeris" title="Ephemeris">Ephemeris</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="Notes">Notes</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ephemera&amp;action=edit&amp;section=8" title="Edit section: Notes"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-lower-alpha"> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-37"><span class="mw-cite-backlink"><b><a href="#cite_ref-37">^</a></b></span> <span class="reference-text">A qualifier from the National Library of Australia, devised in 1992, virtually excluded material of more than five pages.<sup id="cite_ref-:18_5-2" class="reference"><a href="#cite_note-:18-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-47"><span class="mw-cite-backlink"><b><a href="#cite_ref-47">^</a></b></span> <span class="reference-text"><a href="/wiki/Display_typeface" title="Display typeface">Display typefaces</a> were an advertising component present prominently in 19th-century ephemera.<sup id="cite_ref-:23_46-0" class="reference"><a href="#cite_note-:23-46"><span class="cite-bracket">&#91;</span>45<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-57"><span class="mw-cite-backlink"><b><a href="#cite_ref-57">^</a></b></span> <span class="reference-text">Ephemera relating to beer, wine and <a href="/wiki/Drinking_culture" title="Drinking culture">drinking</a> is vast and developed in accordance with drinking movements.<sup id="cite_ref-FOOTNOTEWeaver201041–50_56-0" class="reference"><a href="#cite_note-FOOTNOTEWeaver201041–50-56"><span class="cite-bracket">&#91;</span>54<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-69"><span class="mw-cite-backlink"><b><a href="#cite_ref-69">^</a></b></span> <span class="reference-text">Soon after, political propaganda arose as a category of ephemera.<sup id="cite_ref-FOOTNOTESuarezTurner201078_68-0" class="reference"><a href="#cite_note-FOOTNOTESuarezTurner201078-68"><span class="cite-bracket">&#91;</span>65<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-98"><span class="mw-cite-backlink"><b><a href="#cite_ref-98">^</a></b></span> <span class="reference-text">In an overview of ephemera, Rickards and Lambert wrote that the specification of cigarette cards as collectable means they should not be classified as ephemera, though rarely is this distinction acknowledged.<sup id="cite_ref-:16_33-2" class="reference"><a href="#cite_note-:16-33"><span class="cite-bracket">&#91;</span>33<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-118"><span class="mw-cite-backlink"><b><a href="#cite_ref-118">^</a></b></span> <span class="reference-text">Following the <a href="/wiki/California_Gold_Rush" class="mw-redirect" title="California Gold Rush">California Gold Rush</a> of 1849, by means of visual ephemera, the citizens of San Francisco, regardless of race or class, "were exposed to one another".<sup id="cite_ref-117" class="reference"><a href="#cite_note-117"><span class="cite-bracket">&#91;</span>112<span class="cite-bracket">&#93;</span></a></sup></span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ephemera&amp;action=edit&amp;section=9" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <dl><dt>Citations</dt></dl> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.oxfordreference.com/display/10.1093/oi/authority.20110803095754277">"ephemera"</a>. <i>Oxford Reference</i><span class="reference-accessdate">. Retrieved <span class="nowrap">2024-03-13</span></span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Oxford+Reference&amp;rft.atitle=ephemera&amp;rft_id=https%3A%2F%2Fwww.oxfordreference.com%2Fdisplay%2F10.1093%2Foi%2Fauthority.20110803095754277&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AEphemera" class="Z3988"></span></span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSolis-Cohen1980" class="citation news cs1">Solis-Cohen, Lisa (April 4, 1980). <a rel="nofollow" class="external text" href="https://www.newspapers.com/image/665639718/?terms=ephemera&amp;match=1">"Ephemera Society is Group Devoted to Throwaways"</a>. <i><a href="/wiki/Bangor_Daily_News" title="Bangor Daily News">Bangor Daily News</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">May 14,</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Bangor+Daily+News&amp;rft.atitle=Ephemera+Society+is+Group+Devoted+to+Throwaways&amp;rft.date=1980-04-04&amp;rft.aulast=Solis-Cohen&amp;rft.aufirst=Lisa&amp;rft_id=https%3A%2F%2Fwww.newspapers.com%2Fimage%2F665639718%2F%3Fterms%3Dephemera%26match%3D1&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AEphemera" class="Z3988"></span></span> </li> <li id="cite_note-:6-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-:6_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:6_3-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:6_3-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:6_3-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-:6_3-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-:6_3-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-:6_3-6"><sup><i><b>g</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGarner2021" class="citation journal cs1">Garner, Anne (2021). <a rel="nofollow" class="external text" href="https://muse.jhu.edu/article/788356">"State of the Discipline: Throwaway History: Towards a Historiography of Ephemera"</a>. <i>Book History</i>. <b>24</b> (1): 244–263. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1353%2Fbh.2021.0008">10.1353/bh.2021.0008</a>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a>&#160;<a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/1529-1499">1529-1499</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a>&#160;<a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:242506527">242506527</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Book+History&amp;rft.atitle=State+of+the+Discipline%3A+Throwaway+History%3A+Towards+a+Historiography+of+Ephemera&amp;rft.volume=24&amp;rft.issue=1&amp;rft.pages=244-263&amp;rft.date=2021&amp;rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A242506527%23id-name%3DS2CID&amp;rft.issn=1529-1499&amp;rft_id=info%3Adoi%2F10.1353%2Fbh.2021.0008&amp;rft.aulast=Garner&amp;rft.aufirst=Anne&amp;rft_id=https%3A%2F%2Fmuse.jhu.edu%2Farticle%2F788356&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AEphemera" class="Z3988"></span></span> </li> <li id="cite_note-:7-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-:7_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:7_4-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" 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title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Eighteenth-Century+Life&amp;rft.atitle=Transcendent+Ephemera%3A+Performing+Deep+Structure+in+Elegies%2C+Ballads%2C+and+Other+Occasional+Forms&amp;rft.volume=44&amp;rft.issue=2&amp;rft.pages=17-42&amp;rft.date=2020&amp;rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A226080511%23id-name%3DS2CID&amp;rft.issn=1086-3192&amp;rft_id=info%3Adoi%2F10.1215%2F00982601-8218591&amp;rft.aulast=Dugaw&amp;rft.aufirst=Dianne&amp;rft_id=https%3A%2F%2Fmuse.jhu.edu%2Farticle%2F758817&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AEphemera" class="Z3988"></span></span> </li> <li id="cite_note-:18-5"><span class="mw-cite-backlink">^ <a href="#cite_ref-:18_5-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:18_5-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:18_5-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:18_5-3"><sup><i><b>d</b></i></sup></a> <a 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title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Journal+of+Australian+Studies&amp;rft.atitle=Junk+mail%3A+Printed+ephemera+and+preservation+of+the+everyday&amp;rft.volume=22&amp;rft.issue=58&amp;rft.pages=99-106&amp;rft.date=1998&amp;rft_id=info%3Adoi%2F10.1080%2F14443059809387406&amp;rft.issn=1444-3058&amp;rft.aulast=Stone&amp;rft.aufirst=Richard&amp;rft_id=https%3A%2F%2Fdoi.org%2F10.1080%2F14443059809387406&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AEphemera" class="Z3988"></span></span> </li> <li id="cite_note-:122-6"><span class="mw-cite-backlink">^ <a href="#cite_ref-:122_6-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:122_6-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:122_6-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:122_6-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-:122_6-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-:122_6-5"><sup><i><b>f</b></i></sup></a> <a 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Turner 2010</a>, p.&#160;74.</span> </li> <li id="cite_note-FOOTNOTEStone20056SuarezTurner201066–67-44"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEStone20056SuarezTurner201066–67_44-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFStone2005">Stone 2005</a>, p.&#160;6; <a href="#CITEREFSuarezTurner2010">Suarez &amp; Turner 2010</a>, p.&#160;66–67.</span> </li> <li id="cite_note-FOOTNOTEMcAleerMacKenzie2015145-45"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEMcAleerMacKenzie2015145_45-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEMcAleerMacKenzie2015145_45-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFMcAleerMacKenzie2015">McAleer &amp; MacKenzie 2015</a>, p.&#160;145.</span> </li> <li id="cite_note-:23-46"><span class="mw-cite-backlink">^ <a href="#cite_ref-:23_46-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:23_46-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFOsbaldestin2020" class="citation journal cs1">Osbaldestin, David Joseph (2020). <a rel="nofollow" class="external text" href="https://dx.doi.org/10.1080/0047729x.2020.1767975">"The Art of Ephemera: Typographic Innovations of Nineteenth-Century Midland Jobbing Printers"</a>. <i>Midland History</i>. <b>45</b> (2): 208–221. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1080%2F0047729x.2020.1767975">10.1080/0047729x.2020.1767975</a>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a>&#160;<a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0047-729X">0047-729X</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a>&#160;<a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:221055264">221055264</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Midland+History&amp;rft.atitle=The+Art+of+Ephemera%3A+Typographic+Innovations+of+Nineteenth-Century+Midland+Jobbing+Printers&amp;rft.volume=45&amp;rft.issue=2&amp;rft.pages=208-221&amp;rft.date=2020&amp;rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A221055264%23id-name%3DS2CID&amp;rft.issn=0047-729X&amp;rft_id=info%3Adoi%2F10.1080%2F0047729x.2020.1767975&amp;rft.aulast=Osbaldestin&amp;rft.aufirst=David+Joseph&amp;rft_id=http%3A%2F%2Fdx.doi.org%2F10.1080%2F0047729x.2020.1767975&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AEphemera" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEMcAleerMacKenzie2015146-48"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMcAleerMacKenzie2015146_48-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMcAleerMacKenzie2015">McAleer &amp; MacKenzie 2015</a>, p.&#160;146.</span> </li> <li id="cite_note-FOOTNOTEEliotRose2019636-49"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEEliotRose2019636_49-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFEliotRose2019">Eliot &amp; Rose 2019</a>, p.&#160;636.</span> </li> <li id="cite_note-FOOTNOTEMurphyO&#39;Driscoll2013199-50"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMurphyO&#39;Driscoll2013199_50-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMurphyO&#39;Driscoll2013">Murphy &amp; O'Driscoll 2013</a>, p.&#160;199.</span> </li> <li id="cite_note-:31-51"><span class="mw-cite-backlink">^ <a href="#cite_ref-:31_51-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:31_51-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFQuirk2016" class="citation journal cs1">Quirk, Linda (2016). <a rel="nofollow" class="external text" href="https://muse.jhu.edu/article/663384">"Proliferating Ephemera in Print and Digital Media"</a>. <i>ESC: English Studies in Canada</i>. <b>42</b> (3): 22–24. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1353%2Fesc.2016.0027">10.1353/esc.2016.0027</a>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a>&#160;<a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/1913-4835">1913-4835</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a>&#160;<a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:164429601">164429601</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=ESC%3A+English+Studies+in+Canada&amp;rft.atitle=Proliferating+Ephemera+in+Print+and+Digital+Media&amp;rft.volume=42&amp;rft.issue=3&amp;rft.pages=22-24&amp;rft.date=2016&amp;rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A164429601%23id-name%3DS2CID&amp;rft.issn=1913-4835&amp;rft_id=info%3Adoi%2F10.1353%2Fesc.2016.0027&amp;rft.aulast=Quirk&amp;rft.aufirst=Linda&amp;rft_id=https%3A%2F%2Fmuse.jhu.edu%2Farticle%2F663384&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AEphemera" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEEliotRose2019633-52"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEEliotRose2019633_52-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFEliotRose2019">Eliot &amp; Rose 2019</a>, p.&#160;633.</span> </li> <li id="cite_note-53"><span class="mw-cite-backlink"><b><a href="#cite_ref-53">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFThe_Multigraph_Collective2018" class="citation book cs1">The Multigraph Collective (2018). <i>Interacting with Print: Elements of Reading in the Era of Print Saturation</i>. University of Chicago Press. p.&#160;131. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/9780226469287" title="Special:BookSources/9780226469287"><bdi>9780226469287</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Interacting+with+Print%3A+Elements+of+Reading+in+the+Era+of+Print+Saturation&amp;rft.pages=131&amp;rft.pub=University+of+Chicago+Press&amp;rft.date=2018&amp;rft.isbn=9780226469287&amp;rft.au=The+Multigraph+Collective&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AEphemera" class="Z3988"></span></span> </li> <li id="cite_note-54"><span class="mw-cite-backlink"><b><a href="#cite_ref-54">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLinley2019" class="citation journal cs1">Linley, Margaret (2019). <a rel="nofollow" class="external text" href="https://muse.jhu.edu/article/753358">"The Mediated Mind: Affect, Ephemera, and Consumerism in the Nineteenth Century by Susan Zieger (review)"</a>. <i>Victorian Studies</i>. <b>62</b> (1): 125–127. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.2979%2Fvictorianstudies.62.1.09">10.2979/victorianstudies.62.1.09</a>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a>&#160;<a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/1527-2052">1527-2052</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a>&#160;<a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:258100058">258100058</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Victorian+Studies&amp;rft.atitle=The+Mediated+Mind%3A+Affect%2C+Ephemera%2C+and+Consumerism+in+the+Nineteenth+Century+by+Susan+Zieger+%28review%29&amp;rft.volume=62&amp;rft.issue=1&amp;rft.pages=125-127&amp;rft.date=2019&amp;rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A258100058%23id-name%3DS2CID&amp;rft.issn=1527-2052&amp;rft_id=info%3Adoi%2F10.2979%2Fvictorianstudies.62.1.09&amp;rft.aulast=Linley&amp;rft.aufirst=Margaret&amp;rft_id=https%3A%2F%2Fmuse.jhu.edu%2Farticle%2F753358&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AEphemera" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEPettegree201779-55"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPettegree201779_55-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPettegree2017">Pettegree 2017</a>, p.&#160;79.</span> </li> <li id="cite_note-FOOTNOTEWeaver201041–50-56"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWeaver201041–50_56-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWeaver2010">Weaver 2010</a>, p.&#160;41–50.</span> </li> <li id="cite_note-FOOTNOTEZieger201816-58"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEZieger201816_58-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFZieger2018">Zieger 2018</a>, p.&#160;16.</span> </li> <li id="cite_note-FOOTNOTEPettegree201781-59"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPettegree201781_59-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPettegree2017">Pettegree 2017</a>, p.&#160;81.</span> </li> <li id="cite_note-FOOTNOTESuarezTurner201068-60"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTESuarezTurner201068_60-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTESuarezTurner201068_60-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFSuarezTurner2010">Suarez &amp; 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(2019). <a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/1099543594"><i>A Companion to the History of the Book</i></a> (2nd&#160;ed.). <a href="/wiki/Wiley_(publisher)" title="Wiley (publisher)">Wiley</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-119-01821-6" title="Special:BookSources/978-1-119-01821-6"><bdi>978-1-119-01821-6</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/1099543594">1099543594</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=A+Companion+to+the+History+of+the+Book&amp;rft.edition=2nd&amp;rft.pub=Wiley&amp;rft.date=2019&amp;rft_id=info%3Aoclcnum%2F1099543594&amp;rft.isbn=978-1-119-01821-6&amp;rft_id=https%3A%2F%2Fwww.worldcat.org%2Foclc%2F1099543594&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AEphemera" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFField2019" class="citation book cs1">Field, Hannah (2019). <a rel="nofollow" class="external text" href="https://muse.jhu.edu/book/66674"><i>Playing with the Book: Victorian Movable Picture Books and the Child Reader</i></a>. 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(2019). <a rel="nofollow" class="external text" href="https://www.bloomsbury.com/uk/collecting-prints-posters-and-ephemera-9781501338496/"><i>Collecting Prints, Posters, and Ephemera</i></a>. <a href="/wiki/Bloomsbury_Publishing" title="Bloomsbury Publishing">Bloomsbury Publishing</a><span class="reference-accessdate">. Retrieved <span class="nowrap">2021-12-19</span></span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Collecting+Prints%2C+Posters%2C+and+Ephemera&amp;rft.pub=Bloomsbury+Publishing&amp;rft.date=2019&amp;rft_id=https%3A%2F%2Fwww.bloomsbury.com%2Fuk%2Fcollecting-prints-posters-and-ephemera-9781501338496%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AEphemera" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcAleerMacKenzie2015" class="citation book cs1">McAleer, John; MacKenzie, John, eds. (2015). <i>Exhibiting the Empire: Cultures of Display and the British Empire</i>. <a href="/wiki/Manchester_University_Press" title="Manchester University Press">Manchester University Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-7190-9109-4" title="Special:BookSources/978-0-7190-9109-4"><bdi>978-0-7190-9109-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Exhibiting+the+Empire%3A+Cultures+of+Display+and+the+British+Empire&amp;rft.pub=Manchester+University+Press&amp;rft.date=2015&amp;rft.isbn=978-0-7190-9109-4&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AEphemera" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMacKenzie1984" class="citation book cs1">MacKenzie, John (1984). <a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/10208219"><i>Propaganda and Empire: The Manipulation of British Public Opinion, 1880-1960</i></a>. Manchester University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/0-7190-1499-9" title="Special:BookSources/0-7190-1499-9"><bdi>0-7190-1499-9</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/10208219">10208219</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Propaganda+and+Empire%3A+The+Manipulation+of+British+Public+Opinion%2C+1880-1960&amp;rft.pub=Manchester+University+Press&amp;rft.date=1984&amp;rft_id=info%3Aoclcnum%2F10208219&amp;rft.isbn=0-7190-1499-9&amp;rft.aulast=MacKenzie&amp;rft.aufirst=John&amp;rft_id=https%3A%2F%2Fwww.worldcat.org%2Foclc%2F10208219&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AEphemera" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMurphyO&#39;Driscoll2013" class="citation book cs1">Murphy, Kevin; O'Driscoll, Sally, eds. (2013). <a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/812254905"><i>Studies in Ephemera&#160;: Text and Image in Eighteenth-Century Print</i></a>. <a href="/wiki/Bucknell_University_Press" title="Bucknell University Press">Bucknell University Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-61148-494-6" title="Special:BookSources/978-1-61148-494-6"><bdi>978-1-61148-494-6</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/812254905">812254905</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Studies+in+Ephemera+%3A+Text+and+Image+in+Eighteenth-Century+Print&amp;rft.pub=Bucknell+University+Press&amp;rft.date=2013&amp;rft_id=info%3Aoclcnum%2F812254905&amp;rft.isbn=978-1-61148-494-6&amp;rft_id=https%3A%2F%2Fwww.worldcat.org%2Foclc%2F812254905&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AEphemera" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPettegree2017" class="citation book cs1">Pettegree, Andrew, ed. (2017). <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/10.1163/j.ctv2gjwnfd"><i>Broadsheets: Single-sheet Publishing in the First Age of Print</i></a>. <a href="/wiki/Brill_Publishers" title="Brill Publishers">Brill Publishers</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-90-04-34030-5" title="Special:BookSources/978-90-04-34030-5"><bdi>978-90-04-34030-5</bdi></a>. <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a>&#160;<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/10.1163/j.ctv2gjwnfd">10.1163/j.ctv2gjwnfd</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Broadsheets%3A+Single-sheet+Publishing+in+the+First+Age+of+Print&amp;rft.pub=Brill+Publishers&amp;rft.date=2017&amp;rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F10.1163%2Fj.ctv2gjwnfd%23id-name%3DJSTOR&amp;rft.isbn=978-90-04-34030-5&amp;rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F10.1163%2Fj.ctv2gjwnfd&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AEphemera" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRussell2020" class="citation book cs1">Russell, Gillian (2020). <a rel="nofollow" class="external text" href="https://www.cambridge.org/core/books/ephemeral-eighteenth-century/4F9B8D61D476ED883A5B739C720BBD4F"><i>The Ephemeral Eighteenth Century: Print, Sociability, and the Cultures of Collecting</i></a>. Cambridge Studies in Romanticism. Cambridge University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-108-48758-0" title="Special:BookSources/978-1-108-48758-0"><bdi>978-1-108-48758-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Ephemeral+Eighteenth+Century%3A+Print%2C+Sociability%2C+and+the+Cultures+of+Collecting&amp;rft.series=Cambridge+Studies+in+Romanticism&amp;rft.pub=Cambridge+University+Press&amp;rft.date=2020&amp;rft.isbn=978-1-108-48758-0&amp;rft.aulast=Russell&amp;rft.aufirst=Gillian&amp;rft_id=https%3A%2F%2Fwww.cambridge.org%2Fcore%2Fbooks%2Fephemeral-eighteenth-century%2F4F9B8D61D476ED883A5B739C720BBD4F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AEphemera" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFStone2005" class="citation book cs1">Stone, Richard (2005). <a rel="nofollow" class="external text" href="https://catalogue.nla.gov.au/Record/3413498"><i>Fragments of the Everyday: A Book of Australian Ephemera</i></a>. National Library of Australia. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-642-27601-8" title="Special:BookSources/978-0-642-27601-8"><bdi>978-0-642-27601-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Fragments+of+the+Everyday%3A+A+Book+of+Australian+Ephemera&amp;rft.pub=National+Library+of+Australia&amp;rft.date=2005&amp;rft.isbn=978-0-642-27601-8&amp;rft.aulast=Stone&amp;rft.aufirst=Richard&amp;rft_id=https%3A%2F%2Fcatalogue.nla.gov.au%2FRecord%2F3413498&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AEphemera" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSuarezTurner2010" class="citation book cs1">Suarez, Michael F. SJ; Turner, Michael L., eds. (2010). <i><a href="/wiki/The_Cambridge_History_of_the_Book_in_Britain" title="The Cambridge History of the Book in Britain">The Cambridge History of the Book in Britain</a></i>. Vol.&#160;5. 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Minneapolis: University of Minnesota Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-4529-6414-0" title="Special:BookSources/978-1-4529-6414-0"><bdi>978-1-4529-6414-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Death+of+Things%3A+Ephemera+and+the+American+Novel&amp;rft.place=Minneapolis&amp;rft.pub=University+of+Minnesota+Press&amp;rft.date=2020&amp;rft.isbn=978-1-4529-6414-0&amp;rft.aulast=Wasserman&amp;rft.aufirst=Sarah&amp;rft_id=https%3A%2F%2Fmuse.jhu.edu%2Fbook%2F78266&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AEphemera" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWeaver2010" class="citation book cs1">Weaver, William Woys (2010). <a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/794663706"><i>Culinary Ephemera&#160;: an Illustrated History</i></a>. University of California Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-520-94706-1" title="Special:BookSources/978-0-520-94706-1"><bdi>978-0-520-94706-1</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/794663706">794663706</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Culinary+Ephemera+%3A+an+Illustrated+History&amp;rft.pub=University+of+California+Press&amp;rft.date=2010&amp;rft_id=info%3Aoclcnum%2F794663706&amp;rft.isbn=978-0-520-94706-1&amp;rft.aulast=Weaver&amp;rft.aufirst=William+Woys&amp;rft_id=https%3A%2F%2Fwww.worldcat.org%2Foclc%2F794663706&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AEphemera" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFZieger2018" class="citation book cs1">Zieger, Susan (2018). <a rel="nofollow" class="external text" href="https://muse.jhu.edu/book/59089"><i>The Mediated Mind: Affect, Ephemera, and Consumerism in the Nineteenth Century</i></a>. Fordham University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-8232-7985-2" title="Special:BookSources/978-0-8232-7985-2"><bdi>978-0-8232-7985-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Mediated+Mind%3A+Affect%2C+Ephemera%2C+and+Consumerism+in+the+Nineteenth+Century&amp;rft.pub=Fordham+University+Press&amp;rft.date=2018&amp;rft.isbn=978-0-8232-7985-2&amp;rft.aulast=Zieger&amp;rft.aufirst=Susan&amp;rft_id=https%3A%2F%2Fmuse.jhu.edu%2Fbook%2F59089&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AEphemera" class="Z3988"></span></li></ul> <div class="mw-heading mw-heading2"><h2 id="Further_reading">Further reading</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ephemera&amp;action=edit&amp;section=10" title="Edit section: Further reading"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><i>Printed Ephemera: The Changing Uses of Type and Letterforms in English and American Printing</i>, <a href="/wiki/John_Lewis_(typographer)" title="John Lewis (typographer)">John Lewis</a>, Ipswich, Suffolk, Eng.: W. S. Cowell, 1962</li> <li><i>The Encyclopedia of Ephemera: A Guide to the Fragmentary Documents of Everyday Life for the Collector, Curator, and Historian</i> by Maurice Rickards et alia. London: The British Library; New York: Routledge, 2000.</li> <li><i><a rel="nofollow" class="external text" href="http://www.nla.gov.au/apps/onlineshop?action=OLSDisplay&amp;id=nla.int-ls27601-bk">Fragments of the Everyday: A Book of Australian Ephemera</a></i> by Richard Stone (2005, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/0-642-27601-3" title="Special:BookSources/0-642-27601-3">0-642-27601-3</a>)</li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTwyman2002" class="citation journal cs1"><a href="/wiki/Michael_Twyman" title="Michael Twyman">Twyman, Michael</a> (August 2002). "Ephemera: whose responsibility are they?". <i>Library and Information Update</i>. <b>1</b> (5): 54–55. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a>&#160;<a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/1476-7171">1476-7171</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Library+and+Information+Update&amp;rft.atitle=Ephemera%3A+whose+responsibility+are+they%3F&amp;rft.volume=1&amp;rft.issue=5&amp;rft.pages=54-55&amp;rft.date=2002-08&amp;rft.issn=1476-7171&amp;rft.aulast=Twyman&amp;rft.aufirst=Michael&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AEphemera" class="Z3988"></span></li></ul> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ephemera&amp;action=edit&amp;section=11" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 0;text-align:center}@media(min-width:500px){.mw-parser-output .side-box-flex{display:flex;align-items:center}.mw-parser-output .side-box-text{flex:1;min-width:0}}@media(min-width:720px){.mw-parser-output .side-box{width:238px}.mw-parser-output .side-box-right{clear:right;float:right;margin-left:1em}.mw-parser-output .side-box-left{margin-right:1em}}</style><style data-mw-deduplicate="TemplateStyles:r1237033735">@media print{body.ns-0 .mw-parser-output .sistersitebox{display:none!important}}@media screen{html.skin-theme-clientpref-night .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-en-v2.svg"]{background-color:white}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-en-v2.svg"]{background-color:white}}</style><div class="side-box side-box-right plainlinks sistersitebox"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style> <div class="side-box-flex"> <div class="side-box-image"><span class="noviewer" typeof="mw:File"><span><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/9/99/Wiktionary-logo-en-v2.svg/40px-Wiktionary-logo-en-v2.svg.png" decoding="async" width="40" height="40" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/99/Wiktionary-logo-en-v2.svg/60px-Wiktionary-logo-en-v2.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/99/Wiktionary-logo-en-v2.svg/80px-Wiktionary-logo-en-v2.svg.png 2x" data-file-width="512" data-file-height="512" /></span></span></div> <div class="side-box-text plainlist">Look up <i><b><a href="https://en.wiktionary.org/wiki/ephemeron" class="extiw" title="wiktionary:ephemeron">ephemeron</a></b></i> in Wiktionary, the free dictionary.</div></div> </div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1237033735"><div class="side-box side-box-right plainlinks sistersitebox"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><span class="noviewer" typeof="mw:File"><span><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png" decoding="async" width="30" height="40" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/45px-Commons-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/59px-Commons-logo.svg.png 2x" data-file-width="1024" data-file-height="1376" /></span></span></div> <div class="side-box-text plainlist">Wikimedia Commons has media related to <span style="font-weight: bold; font-style: italic;"><a href="https://commons.wikimedia.org/wiki/Category:Ephemera" class="extiw" title="commons:Category:Ephemera">Ephemera</a></span>.</div></div> </div> <ul><li><a rel="nofollow" class="external text" href="http://www.ephemerasociety.org.au/">Ephemera Society of Australia</a></li> <li><a rel="nofollow" class="external text" href="http://www.ephemera-society.org.uk/">The Ephemera Society</a></li> <li><a rel="nofollow" class="external text" href="http://www.ephemerasociety.org/">Ephemera Society of America</a></li> <li><a rel="nofollow" class="external text" href="https://www.loc.gov/collections/broadsides-and-other-printed-ephemera/about-this-collection/">Printed Ephemera</a> in the <a rel="nofollow" class="external text" href="https://www.loc.gov/rr/rarebook/">Rare Book and Special Collections Division</a> of the <a href="/wiki/Library_of_Congress" title="Library of Congress">Library of Congress</a></li> <li><a rel="nofollow" class="external text" href="http://alga.org.au/the-collection#ephemera">Australian Lesbian and Gay Archives – Ephemera Collection</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190115235646/http://alga.org.au/the-collection#ephemera">Archived</a> 2019-01-15 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></li> <li><a rel="nofollow" class="external text" href="http://www.nla.gov.au/find/ephemera.html">National Library of Australia – Ephemera Collection</a></li> <li><a rel="nofollow" class="external text" href="https://www.ggarchives.com/">GG Archives – Ephemera Collection</a></li> <li><a rel="nofollow" class="external text" href="https://www.bl.uk/onlinegallery/onlineex/evancoll/index.html">British Library – Evanian Collection of Ephemera</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170713133624/http://www.bl.uk/onlinegallery/onlineex/evancoll/index.html">Archived</a> 2017-07-13 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></li> <li><a rel="nofollow" class="external text" href="http://www.slv.vic.gov.au/our-collections/what-we-collect/ephemera">State Library of Victoria – Ephemera</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140430125804/http://www.slv.vic.gov.au/our-collections/what-we-collect/ephemera">Archived</a> 2014-04-30 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></li> <li><a rel="nofollow" class="external text" href="http://www.liswa.wa.gov.au/waephemera.html">State Library of Western Australia – Ephemera</a></li> <li><a rel="nofollow" class="external text" href="http://www.johngrossmancollection.com/">The John Grossman Collection of Antique Images</a></li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20081028232252/http://newzealandephemerist.org/">New Zealand Ephemera Society website</a></li> <li><a rel="nofollow" class="external text" href="https://www.bnf.fr/fr/les-collections-dimagerie-et-dephemera">Bibliothèque Nationale de France – Ephemera</a></li> <li><a rel="nofollow" class="external text" href="http://www.ephemerastudies.org">ephemerastudies.org</a> at Louisiana Tech University</li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSheaff" class="citation web cs1">Sheaff, Dick. <a rel="nofollow" class="external text" href="http://www.sheaff-ephemera.com/">"Sheaff: Ephemera"</a>. <i>Ephemera</i><span class="reference-accessdate">. Retrieved <span class="nowrap">12 December</span> 2011</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Ephemera&amp;rft.atitle=Sheaff%3A+Ephemera&amp;rft.aulast=Sheaff&amp;rft.aufirst=Dick&amp;rft_id=http%3A%2F%2Fwww.sheaff-ephemera.com%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AEphemera" class="Z3988"></span></li> <li><a rel="nofollow" class="external text" href="http://bdh.bne.es/bnesearch/Search.do?destacadas1=Ephemera&amp;home=true&amp;languageView=en">Collection of digitized ephemera</a> at <a href="/w/index.php?title=Biblioteca_Digital_Hisp%C3%A1nica&amp;action=edit&amp;redlink=1" class="new" title="Biblioteca Digital Hispánica (page does not exist)">Biblioteca Digital Hispánica</a>, <a href="/wiki/Biblioteca_Nacional_de_Espa%C3%B1a" title="Biblioteca Nacional de España">Biblioteca Nacional de España</a></li> <li><a rel="nofollow" class="external text" href="http://www.ephemerajournal.org">Ephemerajournal. theory &amp; politics of organization</a></li></ul> <!-- NewPP limit report Parsed by mw‐web.codfw.main‐f69cdc8f6‐m9w6c Cached time: 20241122141546 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 1.449 seconds Real time usage: 1.581 seconds Preprocessor visited node count: 8610/1000000 Post‐expand include size: 206515/2097152 bytes Template argument size: 6575/2097152 bytes Highest expansion depth: 14/100 Expensive parser function count: 3/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 350424/5000000 bytes Lua time usage: 0.955/10.000 seconds Lua memory usage: 15553458/52428800 bytes Number of Wikibase entities loaded: 1/400 --> <!-- Transclusion expansion time report (%,ms,calls,template) 100.00% 1419.939 1 -total 47.31% 671.785 2 Template:Reflist 23.72% 336.805 51 Template:Cite_journal 13.93% 197.795 47 Template:Sfn 12.33% 175.065 30 Template:Cite_book 9.48% 134.649 3 Template:Lang 8.30% 117.856 2 Template:Cite_web 4.66% 66.153 1 Template:About 4.02% 57.093 2 Template:Sister_project 3.86% 54.837 2 Template:Side_box --> <!-- Saved in parser cache with key enwiki:pcache:idhash:416677-0!canonical and timestamp 20241122141546 and revision id 1256492502. 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[\"CITEREFFraser2019\"] = 1,\n [\"CITEREFFyfe2015\"] = 1,\n [\"CITEREFGarner2021\"] = 1,\n [\"CITEREFGiannachi2016\"] = 1,\n [\"CITEREFGovil2022\"] = 1,\n [\"CITEREFGrisham2019\"] = 1,\n [\"CITEREFHadley2001\"] = 1,\n [\"CITEREFHammond2016\"] = 1,\n [\"CITEREFHarris2010\"] = 1,\n [\"CITEREFHaug1995\"] = 1,\n [\"CITEREFHedigerVonderau2009\"] = 1,\n [\"CITEREFHolmes2019\"] = 1,\n [\"CITEREFIskinSalsbury2019\"] = 1,\n [\"CITEREFJung2020\"] = 1,\n [\"CITEREFLambert2017\"] = 1,\n [\"CITEREFLambertRickards2003\"] = 1,\n [\"CITEREFLange2015\"] = 1,\n [\"CITEREFLinley2019\"] = 1,\n [\"CITEREFLippert2018\"] = 1,\n [\"CITEREFLondon2013\"] = 1,\n [\"CITEREFMacKenzie1984\"] = 1,\n [\"CITEREFMarcum2006\"] = 1,\n [\"CITEREFMassip2020\"] = 1,\n [\"CITEREFMcAleerMacKenzie2015\"] = 1,\n [\"CITEREFMcDowell2012\"] = 1,\n [\"CITEREFMurphyO\u0026#039;Driscoll2013\"] = 1,\n [\"CITEREFMussell2012\"] = 1,\n [\"CITEREFMuñoz1996\"] = 1,\n [\"CITEREFNelsonTimmons2021\"] = 1,\n [\"CITEREFNewmanRussell2019\"] = 1,\n [\"CITEREFOsbaldestin2020\"] = 1,\n [\"CITEREFPecorari2021\"] = 1,\n [\"CITEREFPettegree2017\"] = 1,\n [\"CITEREFQuirk2016\"] = 1,\n [\"CITEREFRaine2017\"] = 1,\n [\"CITEREFRandall2004\"] = 1,\n [\"CITEREFReichard2012\"] = 1,\n [\"CITEREFRoylance1976\"] = 1,\n [\"CITEREFRussell2014\"] = 1,\n [\"CITEREFRussell2015\"] = 2,\n [\"CITEREFRussell2018\"] = 1,\n [\"CITEREFRussell2020\"] = 1,\n [\"CITEREFRussellKane2008\"] = 1,\n [\"CITEREFSalmon2020\"] = 1,\n [\"CITEREFSheaff\"] = 1,\n [\"CITEREFSlania2013\"] = 1,\n [\"CITEREFSlate2001\"] = 1,\n [\"CITEREFSmith2016\"] = 1,\n [\"CITEREFSnyder2014\"] = 1,\n [\"CITEREFSolis-Cohen1980\"] = 1,\n [\"CITEREFSteinThon2015\"] = 1,\n [\"CITEREFStone1998\"] = 1,\n [\"CITEREFStone2005\"] = 1,\n [\"CITEREFSuarezTurner2010\"] = 1,\n [\"CITEREFSèbeStanard2020\"] = 1,\n [\"CITEREFTeukolsky2020\"] = 1,\n [\"CITEREFThe_Multigraph_Collective2018\"] = 1,\n [\"CITEREFTschabrun2003\"] = 1,\n [\"CITEREFTwyman2002\"] = 1,\n [\"CITEREFVareschiBurkert2016\"] = 1,\n [\"CITEREFWasserman2020\"] = 1,\n [\"CITEREFWeaver2010\"] = 1,\n [\"CITEREFWest2020\"] = 1,\n [\"CITEREFYoung2003\"] = 1,\n [\"CITEREFZieger2018\"] = 1,\n}\ntemplate_list = table#1 {\n [\"About\"] = 1,\n [\"Blockquote\"] = 1,\n [\"Citation\"] = 2,\n [\"Cite book\"] = 30,\n [\"Cite journal\"] = 51,\n [\"Cite magazine\"] = 1,\n [\"Cite news\"] = 1,\n [\"Cite web\"] = 2,\n [\"Columns-list\"] = 1,\n [\"Commons category\"] = 1,\n [\"Efn\"] = 6,\n [\"ISBN\"] = 1,\n [\"Lang\"] = 3,\n [\"Notelist\"] = 1,\n [\"Reflist\"] = 1,\n [\"Sfn\"] = 47,\n [\"Sfnm\"] = 2,\n [\"Short description\"] = 1,\n [\"Webarchive\"] = 3,\n [\"Wiktionary\"] = 1,\n}\narticle_whitelist = table#1 {\n}\n"},"cachereport":{"origin":"mw-web.codfw.main-f69cdc8f6-m9w6c","timestamp":"20241122141546","ttl":2592000,"transientcontent":false}}});});</script> <script type="application/ld+json">{"@context":"https:\/\/schema.org","@type":"Article","name":"Ephemera","url":"https:\/\/en.wikipedia.org\/wiki\/Ephemera","sameAs":"http:\/\/www.wikidata.org\/entity\/Q1523267","mainEntity":"http:\/\/www.wikidata.org\/entity\/Q1523267","author":{"@type":"Organization","name":"Contributors to Wikimedia projects"},"publisher":{"@type":"Organization","name":"Wikimedia Foundation, Inc.","logo":{"@type":"ImageObject","url":"https:\/\/www.wikimedia.org\/static\/images\/wmf-hor-googpub.png"}},"datePublished":"2003-12-31T15:24:33Z","dateModified":"2024-11-10T05:06:07Z","image":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/7\/76\/Ephemera_Collection%3B_QV%3B_Advertising%3B_1850-1_Wellcome_L0031705.jpg","headline":"things that are meant to exist or be used for only a short time"}</script> </body> </html>

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