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<!DOCTYPE html> <html > <head> <meta charset="utf-8"> <meta rel="search" type="application/opensearchdescription+xml" href="/open_search.xml" title="Academia.edu"> <meta content="width=device-width, initial-scale=1" name="viewport"> <meta name="google-site-verification" content="bKJMBZA7E43xhDOopFZkssMMkBRjvYERV-NaN4R6mrs"> <meta name="csrf-param" content="authenticity_token" /> <meta name="csrf-token" content="sZSzcjkG55A3hpCjxa0IWr0nYgs1av6GDVQFVSEAbRaQQdYsExq0pIS0t1c_WiqsR_XIF989_RNSNL8YrNmZXw" /> <meta name="citation_title" content="AI Aesthetics and the Anthropocentric Myth of Creativity" /> <meta name="citation_publication_date" content="2022/01/01" /> <meta name="citation_journal_title" content="Nodes" /> <meta name="citation_author" content="Lev Manovich" /> <meta name="citation_author" content="Emanuele Arielli" /> <meta name="twitter:card" content="summary" /> <meta name="twitter:url" content="https://www.academia.edu/83852399/AI_Aesthetics_and_the_Anthropocentric_Myth_of_Creativity" /> <meta name="twitter:title" content="AI Aesthetics and the Anthropocentric Myth of Creativity" /> <meta name="twitter:description" content="Suppose human creativity could be potentially replicated by mechanical processes. In that case, we would face a crossroads: either we could give up using the concept of creativity altogether, or if we hold to our common understanding of what" /> <meta name="twitter:image" content="https://0.academia-photos.com/412778/130321/66062342/s200_lev.manovich.jpg" /> <meta property="fb:app_id" content="2369844204" /> <meta property="og:type" content="article" /> <meta property="og:url" content="https://www.academia.edu/83852399/AI_Aesthetics_and_the_Anthropocentric_Myth_of_Creativity" /> <meta property="og:title" content="AI Aesthetics and the Anthropocentric Myth of Creativity" /> <meta property="og:image" content="http://a.academia-assets.com/images/open-graph-icons/fb-paper.gif" /> <meta property="og:description" content="Suppose human creativity could be potentially replicated by mechanical processes. In that case, we would face a crossroads: either we could give up using the concept of creativity altogether, or if we hold to our common understanding of what" /> <meta property="article:author" content="https://gc-cuny.academia.edu/LevManovich" /> <meta property="article:author" content="https://iuav.academia.edu/EmanueleArielli" /> <meta name="description" content="Suppose human creativity could be potentially replicated by mechanical processes. In that case, we would face a crossroads: either we could give up using the concept of creativity altogether, or if we hold to our common understanding of what" /> <title>(PDF) AI Aesthetics and the Anthropocentric Myth of Creativity</title> <link rel="canonical" href="https://www.academia.edu/83852399/AI_Aesthetics_and_the_Anthropocentric_Myth_of_Creativity" /> <script async src="https://www.googletagmanager.com/gtag/js?id=G-5VKX33P2DS"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'G-5VKX33P2DS', { cookie_domain: 'academia.edu', send_page_view: false, }); gtag('event', 'page_view', { 'controller': "single_work", 'action': "show", 'controller_action': 'single_work#show', 'logged_in': 'false', 'edge': 'unknown', // Send nil if there is no A/B test bucket, in case some records get logged // with missing data - that way we can distinguish between the two cases. // ab_test_bucket should be of the form <ab_test_name>:<bucket> 'ab_test_bucket': null, }) </script> <script> var $controller_name = 'single_work'; var $action_name = "show"; var $rails_env = 'production'; var $app_rev = '2dbf19f283ec395370665dd1f7acd1f78b8fa59d'; var $domain = 'academia.edu'; var $app_host = "academia.edu"; var $asset_host = "academia-assets.com"; var $start_time = new Date().getTime(); var $recaptcha_key = "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB"; var $recaptcha_invisible_key = "6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj"; var $disableClientRecordHit = false; </script> <script> window.require = { config: function() { return function() {} } } </script> <script> window.Aedu = window.Aedu || {}; window.Aedu.hit_data = null; window.Aedu.serverRenderTime = new Date(1740163399000); window.Aedu.timeDifference = new Date().getTime() - 1740163399000; </script> <script type="application/ld+json">{"@context":"https://schema.org","@type":"ScholarlyArticle","abstract":"Suppose human creativity could be potentially replicated by mechanical processes. In that case, we would face a crossroads: either we could give up using the concept of creativity altogether, or if we hold to our common understanding of what creativity is, we could agree to apply this concept to non-human phenomena as well, as world champion Lee Sedol did when judging the performance of AlphaGo. However, the idea that artificial creativity discloses the mechanic nature of human creativity should also be met with a bit of critical detachment, particularly if we consider the specific case of the arts. In fact, artificial reproductions of human artifacts do not follow the same processes with which humans actually produced those artifacts. Nobody thinks that Mondrian followed procedures similar to the algorithm used in 1966 that generated pseudo-Mondrian, even though the public appreciated the artificial images more than the original ones....","author":[{"@context":"https://schema.org","@type":"Person","name":"Lev Manovich","url":"https://gc-cuny.academia.edu/LevManovich"},{"@context":"https://schema.org","@type":"Person","name":"Emanuele Arielli","url":"https://iuav.academia.edu/EmanueleArielli"}],"contributor":[{"@context":"https://schema.org","@type":"Person","name":"Emanuele Arielli","url":"https://iuav.academia.edu/EmanueleArielli"}],"dateCreated":"2022-07-28","datePublished":"2022-01-01","headline":"AI Aesthetics and the Anthropocentric Myth of Creativity","image":"https://attachments.academia-assets.com/89065799/thumbnails/1.jpg","inLanguage":"en","keywords":["Artificial Intelligence","Aesthetics","Art History","New Media","Art Theory","Creativity","Contemporary Art","New Media Arts","Media Arts","Software 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window.loswp.shouldDetectTimezone = true; window.loswp.shouldShowBulkDownload = true; window.loswp.showSignupCaptcha = false window.loswp.willEdgeCache = false; window.loswp.work = {"work":{"id":83852399,"created_at":"2022-07-28T01:48:25.699-07:00","from_world_paper_id":null,"updated_at":"2022-09-01T06:50:08.722-07:00","_data":{"abstract":"Suppose human creativity could be potentially replicated by mechanical processes. In that case, we would face a crossroads: either we could give up using the concept of creativity altogether, or if we hold to our common understanding of what creativity is, we could agree to apply this concept to non-human phenomena as well, as world champion Lee Sedol did when judging the performance of AlphaGo. However, the idea that artificial creativity discloses the mechanic nature of human creativity should also be met with a bit of critical detachment, particularly if we consider the specific case of the arts. In fact, artificial reproductions of human artifacts do not follow the same processes with which humans actually produced those artifacts. Nobody thinks that Mondrian followed procedures similar to the algorithm used in 1966 that generated pseudo-Mondrian, even though the public appreciated the artificial images more than the original ones.... ","publication_date":"2022,,","publication_name":"Nodes"},"document_type":"paper","pre_hit_view_count_baseline":null,"quality":"high","language":"en","title":"AI Aesthetics and the Anthropocentric Myth of Creativity","broadcastable":true,"draft":false,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [412778,2996375]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "control"; window.loswp.useOptimizedScribd4genScript = false; window.loginModal = {}; window.loginModal.appleClientId = 'edu.academia.applesignon'; window.userInChina = "false";</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":89065799,"attachmentType":"pdf"}"><img alt="First page of “AI Aesthetics and the Anthropocentric Myth of Creativity”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/89065799/mini_magick20220728-1-2rp5dm.png?1658998123" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/images/single_work_splash/adobe_icon.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">AI Aesthetics and the Anthropocentric Myth of Creativity</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="412778" href="https://gc-cuny.academia.edu/LevManovich"><img alt="Profile image of Lev Manovich" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/412778/130321/66062342/s65_lev.manovich.jpg" />Lev Manovich</a><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="2996375" href="https://iuav.academia.edu/EmanueleArielli"><img alt="Profile image of Emanuele Arielli" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/2996375/15008580/20689828/s65_emanuele.arielli.jpg" />Emanuele Arielli</a></div><div class="ds-work-card--detail"><p class="ds-work-card--detail ds2-5-body-sm">2022, Nodes</p><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">16 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 83852399; 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if (!viewCountBody) { throw new Error('Failed to find work views element'); } viewCountBody.textContent = `${commaizedViewCount} views`; } catch (error) { // Remove the whole views element if there was some issue parsing. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); throw new Error(`Failed to parse view count: ${viewCount}`, error); } }; // If the DOM is still loading, wait for it to be ready before updating the view count. if (document.readyState === "loading") { document.addEventListener('DOMContentLoaded', () => { updateViewCount(viewCount); }); // Otherwise, just update it immediately. } else { updateViewCount(viewCount); } })();</script></div><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">Suppose human creativity could be potentially replicated by mechanical processes. In that case, we would face a crossroads: either we could give up using the concept of creativity altogether, or if we hold to our common understanding of what creativity is, we could agree to apply this concept to non-human phenomena as well, as world champion Lee Sedol did when judging the performance of AlphaGo. However, the idea that artificial creativity discloses the mechanic nature of human creativity should also be met with a bit of critical detachment, particularly if we consider the specific case of the arts. In fact, artificial reproductions of human artifacts do not follow the same processes with which humans actually produced those artifacts. Nobody thinks that Mondrian followed procedures similar to the algorithm used in 1966 that generated pseudo-Mondrian, even though the public appreciated the artificial images more than the original ones.... </p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":89065799,"attachmentType":"pdf","workUrl":"https://www.academia.edu/83852399/AI_Aesthetics_and_the_Anthropocentric_Myth_of_Creativity"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":89065799,"attachmentType":"pdf","workUrl":"https://www.academia.edu/83852399/AI_Aesthetics_and_the_Anthropocentric_Myth_of_Creativity"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div><div class="ds-signup-banner-trigger-container"><div class="ds-signup-banner-trigger ds-signup-banner-trigger-control"></div></div><div class="ds-signup-banner ds-signup-banner-control"><div id="ds-signup-banner-close-button"><button class="ds2-5-button ds2-5-button--secondary ds2-5-button--inverse"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">close</span></button></div><div class="ds-signup-banner-ctas"><img src="//a.academia-assets.com/images/academia-logo-capital-white.svg" /><h4 class="ds2-5-heading-serif-sm">Sign up for access to the world's latest research</h4><button class="ds2-5-button ds2-5-button--inverse ds2-5-button--full-width js-swp-download-button" data-signup-modal="{"location":"signup-banner"}">Sign up for free<span class="material-symbols-outlined" style="font-size: 20px" translate="no">arrow_forward</span></button></div><div class="ds-signup-banner-divider"></div><div class="ds-signup-banner-reasons"><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Get notified about relevant papers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Save papers to use in your research</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Join the discussion with peers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Track your impact</span></div></div></div><script>(() => { // Set up signup banner show/hide behavior: // 1. 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These ideas include the following: “Art is the most creative human domain.” “Art and creativity can’t be measured.” “Artists does not follow rules.” It is also commonly assumed that “computers can only follow rules,” and therefore “computers struggle to generate something novel and original.” Taken together, these ideas lead to a new assumption: “generation of original art is a great test of AI progress.” Where do these popular popular ideas about art and its relationship to creativity come from? Historically, they are quite recent. For thousands of years human creators in all human cultures made artifacts that today we put in museums and worship as great art. But their creators did not have modern concepts of art, artist, and creativity. Th goal of this text is to briefly discuss the historical origins of currently popular ideas about art and creativity, and suggest that these ideas limit our vision of cultural AI. There are a few dominant popular understandings of “art” today. Logically, they contradict each other. Despite this, they may perfectly co-exist in a single publication or conversation. Sometimes one idea dominates and others do not appear. But very often, all three are assumed to be valid in the same time. Because these ideas contradict each other, holding them together can lead to feelings of confusion and unease - and also big fears about “creative AI.”</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Artificial Aesthetics: A Critical Guide to Artificial Intelligence, Media and Design, chapter 4 (Lev Manovich): AI and Myths of Creativity","attachmentId":86134626,"attachmentType":"pdf","work_url":"https://www.academia.edu/79409786/Artificial_Aesthetics_A_Critical_Guide_to_Artificial_Intelligence_Media_and_Design_chapter_4_Lev_Manovich_AI_and_Myths_of_Creativity","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/79409786/Artificial_Aesthetics_A_Critical_Guide_to_Artificial_Intelligence_Media_and_Design_chapter_4_Lev_Manovich_AI_and_Myths_of_Creativity"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="68603992" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/68603992/Artificial_Aesthetics_A_Critical_Guide_to_AI_Media_and_Design_Chapter_2_Lev_Manovich_Who_is_an_artist_in_AI_era_">Artificial Aesthetics: A Critical Guide to AI, Media and Design. Chapter 2 (Lev Manovich): “Who is an artist in AI era?"</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="412778" href="https://gc-cuny.academia.edu/LevManovich">Lev Manovich</a><span>, </span><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="2996375" href="https://iuav.academia.edu/EmanueleArielli">Emanuele Arielli</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Artificial Aesthetics: A Critical Guide to AI, Media and Design, 2022</p><p class="ds-related-work--abstract ds2-5-body-sm">What would be the equivalent of the Turing test for an AI system capable of creating new songs, games, music, visual art, design, architecture, films? This looks like a simple question with an easy answer. If a system can automatically create new works in each media or genre and we cannot tell the difference between those works and those created by humans, it passes the Turing test... If we think further, we quickly realize that this is more complex. To even begin to answer it, we may need to consider ideas from several fields such as philosophical aesthetics, experimental psychology of the arts, histories of the arts, media theory, and software studies. Discussions about a Turing test for artistic creativity have not used perspectives from the last two fields much, and yet in my view they are very important for thinking about AI and creativity questions. This chapters explores the challenges of defining a test for artistic AI in our era when human creators routinely rely on digital assets and creative software which already has been offering AI-type support for long time. In other worlds: what would it mean for “genuine artistic AI” to compete with contemporary artists who already implicitly use AI implemented in their standard tools (operating in Photoshop, Premiere, After Effects, Blender, Unreal and so on behind the scene)?</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Artificial Aesthetics: A Critical Guide to AI, Media and Design. Chapter 2 (Lev Manovich): “Who is an artist in AI era?\"","attachmentId":79027639,"attachmentType":"pdf","work_url":"https://www.academia.edu/68603992/Artificial_Aesthetics_A_Critical_Guide_to_AI_Media_and_Design_Chapter_2_Lev_Manovich_Who_is_an_artist_in_AI_era_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/68603992/Artificial_Aesthetics_A_Critical_Guide_to_AI_Media_and_Design_Chapter_2_Lev_Manovich_Who_is_an_artist_in_AI_era_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="112759952" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/112759952/Redefining_the_role_of_Artificial_Intelligence_in_artistic_production">Redefining the role of Artificial Intelligence in artistic production</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="60027463" href="https://independent.academia.edu/schiarella">Salvatore G. Chiarella</a></div><p class="ds-related-work--abstract ds2-5-body-sm">Since the development of Artificial Intelligence (AI) systems, their pervasiveness has rapidly grown to the point of gaining access to one of the most typical among human activities, the one of art. In the latest years we have indeed witnessed advances outlining AI’s “creative” abilities, now finding applications in the fields of visual art, literature, poetry, and music. As a matter of fact, in many cases, people are no longer able to easily discern what is AI-made from what is human-made and show often a negative bias towards artistic products that are declared to be AI-made. Even though such technologies are capable of rapidly and efficiently generating images, texts, and music, that often are also pleasant, the history of art and aesthetics suggests that the works of art – those that we recognize as such over the centuries – have little to do with technical ability, and rather rely on aesthetic principles, of which the artwork per se is merely representative. We therefore propos...</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Redefining the role of Artificial Intelligence in artistic production","attachmentId":109891492,"attachmentType":"pdf","work_url":"https://www.academia.edu/112759952/Redefining_the_role_of_Artificial_Intelligence_in_artistic_production","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/112759952/Redefining_the_role_of_Artificial_Intelligence_in_artistic_production"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="126301799" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/126301799/A_Digital_Aesthetics_Artificial_Intelligence_and_the_Future_of_the_Art">A Digital Aesthetics? Artificial Intelligence and the Future of the Art</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="324812803" href="https://independent.academia.edu/JournalofCyberspaceStudies">Journal of Cyberspace Studies</a></div><p class="ds-related-work--abstract ds2-5-body-sm">Artificial intelligence has brought about significant changes in various creative domains, sparking discussions about the nature of art and its authenticity in the era of AI. Some scholars assert that the computer monitor now serves as a canvas, a brush, a musical instrument, and even an art tutor, leading us to explore deeper connections between AI and creativity. However, in this presentation, we wish to emphasize the humanistic dimension of creative processes once more. we acknowledge the role of AI in enhancing creative endeavors, but we firmly believe that human creativity remains paramount in the production of artistic works. The current notion of machines replacing artists is, in our view, more of a media sensation than a reality. Examining the history of electronic arts, our paper argues that claims of AI's artistic superiority are not novel; they echo similar trends from the past. The current enthusiasm mirrors earlier media frenzies. While the sciences have made significant strides in unraveling the mysteries of the human brain, our understanding of the intricacies of our remarkably creative minds, their origins, and their fulfillment in our brains This is an open access article distributed under the terms of the Creative Commons Attribution Non-Commercial License (CC BY NC), which permits distribution and reproduction in any medium, provided the original work is properly cited and is not used for commercial purposes.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"A Digital Aesthetics? Artificial Intelligence and the Future of the Art","attachmentId":120200086,"attachmentType":"pdf","work_url":"https://www.academia.edu/126301799/A_Digital_Aesthetics_Artificial_Intelligence_and_the_Future_of_the_Art","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/126301799/A_Digital_Aesthetics_Artificial_Intelligence_and_the_Future_of_the_Art"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="79238264" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/79238264/Artistic_Beauty_in_the_Face_of_Artificial_Intelligence_Art">Artistic Beauty in the Face of Artificial Intelligence Art</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="19985320" href="https://ugr.academia.edu/MatildeCarrascoBarranco">Matilde Carrasco-Barranco</a></div><p class="ds-related-work--metadata ds2-5-body-xs">SOCIAL AND TECHNOLOGICAL ASPECTS OF ART CHALLENGES OF THE ‘NEW NORMAL’ Edited by Iris Vidmar Jovanović and Valentina Marianna Stupnik, 2022</p><p class="ds-related-work--abstract ds2-5-body-sm">My chapter explores the impact of artificial intelligence on art creation and on the manners in which AI art challenges our understanding of beauty and artistic value</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Artistic Beauty in the Face of Artificial Intelligence Art","attachmentId":86020119,"attachmentType":"pdf","work_url":"https://www.academia.edu/79238264/Artistic_Beauty_in_the_Face_of_Artificial_Intelligence_Art","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/79238264/Artistic_Beauty_in_the_Face_of_Artificial_Intelligence_Art"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="38407528" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/38407528/Art_Creativity_and_the_Potential_of_Artificial_Intelligence">Art, Creativity and the Potential of Artificial Intelligence</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="8118130" href="https://cofc.academia.edu/MarianMazzone">Marian Mazzone</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Arts, 2019</p><p class="ds-related-work--abstract ds2-5-body-sm">Our essay discusses an AI process developed for making art (AICAN), and the issues AI creativity raises for understanding art and artists in the 21st century. Backed by our training in computer science (Elgammal) and art history (Mazzone), we argue for the consideration of AICAN’s works as art, relate AICAN works to the contemporary art context, and urge a reconsideration of how we might define human and machine creativity. Our work in developing AI processes for art making, style analysis, and detecting large-scale style patterns in art history has led us to carefully consider the history and dynamics of human art-making and to examine how those patterns can be modeled and taught to the machine. We advocate for a connection between machine creativity and art broadly defined as parallel to but not in conflict with human artists and their emotional and social intentions of art making. Rather, we urge a partnership between human and machine creativity when called for, seeing in this collaboration a means to maximize both partners’ creative strengths.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Art, Creativity and the Potential of Artificial Intelligence","attachmentId":58465400,"attachmentType":"pdf","work_url":"https://www.academia.edu/38407528/Art_Creativity_and_the_Potential_of_Artificial_Intelligence","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/38407528/Art_Creativity_and_the_Potential_of_Artificial_Intelligence"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="38145383" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/38145383/AI_creativity_and_demystification">AI creativity and demystification</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="8405114" href="https://rca.academia.edu/AndersAarvik">Anders Aarvik</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2018</p><p class="ds-related-work--abstract ds2-5-body-sm">This article is written in the context of contemporary art and technology, in confluence with my profession as a technologist, and being an active artist, coming from a crafts-based practice, and recently enrolled at Chelsea College of Arts in a more progressive discourse. The presented meditation primarily consists of personal artistic and technological encounters. It is an attempt to gather my thoughts on the notion of AI creativity in the backdrop of commercialism. The 25th of October 2018, an AI (artificial intelligence) generated 'painting' was sold for $432.500 at Christie’s. For a long period a commercial with the heading; ‘A Higher Intelligence with AI’ was present in the underground of Copenhagen. We are constantly exposed to the idea, that AI has exceeded human potential, in institutions, in published media, and public spaces. This article proposes to take a step back and take a closer look at the algorithms, the machines and the AI's ability to create, with the question; what is creativity then, and where does it belong, however, before we do so, let us start by asking; what is creativity, what is AI, and moreover, how can we study these terms in the context of contemporary art with other fields of study with the goal to establish a comprehensive overview. Comment to readers (2020): Be aware that the genealogy of the term creativity presented in this article is eurocentric and therefore distorted and untrue. In the article How a Machine Learns and Fails: A Grammar of Error for Artificial Intelligence, Matteo Pasquinelli discusses the terminology and mechanisms of AI, and proposes to discuss the notion of AI-generated art as 'statistical art'.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"AI creativity and demystification","attachmentId":60125440,"attachmentType":"pdf","work_url":"https://www.academia.edu/38145383/AI_creativity_and_demystification","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/38145383/AI_creativity_and_demystification"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="79329181" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/79329181/Extended_Aesthetics_Art_and_Artificial_Intelligence">Extended Aesthetics: Art and Artificial Intelligence</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="2996375" href="https://iuav.academia.edu/EmanueleArielli">Emanuele Arielli</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Proceedings of theEuropean Society for Aesthetics, 2022</p><p class="ds-related-work--abstract ds2-5-body-sm">In this paper, I will argue that developments in machine learning and artificial intelligence (AI) applied to aesthetics have relevant implications for philosophical aesthetics, in particular concerning the discussions about the nature of creativity and authorship. The automatic generation of aesthetic artifacts, as well as the development of software increasingly supporting the work of artists and designers, call into question the uniqueness of individual creativity and artistic imagination in an unprecedented way. Moreover, in a scenario in which formal properties of artifacts seem to be easily replicable by machines, the debate on the relationship between aesthetics and the nature of art seems also revitalized. Overall, diverging positions on this issue oscillate between the view of the machine as an Other competing with human capabilities, and, on the contrary, an interpretation of technology as an extension of human potentialities through the externalization o f mental processes. AI and machine learning would be in this sense a direct practical manifestation of an extended aesthetic mind, in which traditional cognitive limits of the biological mind can be overcome also in areas related to aesthetic creation.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Extended Aesthetics: Art and Artificial Intelligence","attachmentId":86080830,"attachmentType":"pdf","work_url":"https://www.academia.edu/79329181/Extended_Aesthetics_Art_and_Artificial_Intelligence","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/79329181/Extended_Aesthetics_Art_and_Artificial_Intelligence"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="43248329" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/43248329/_Un_creative_Artificial_Intelligence_A_Critique_of_Artificial_Art">(Un)creative Artificial Intelligence: A Critique of 'Artificial Art'</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="129189784" href="https://zhdk.academia.edu/DieterMersch">Dieter Mersch</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2020</p><p class="ds-related-work--abstract ds2-5-body-sm">I The arguments that follow are situated within a larger project entitled "Critique of Algorithmic Rationality." That project, drawing deliberately from Immanuel Kant, is an attempt to move beyond the technological, social or cultural critiques of digital rationalities usually found in social, media and cultural theories and take a critical look at the validity of algorithmic approaches. It explores the limitations of the performance and purview of algorithmic schematics in the realm of art and creativity.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"(Un)creative Artificial Intelligence: A Critique of 'Artificial Art'","attachmentId":63519100,"attachmentType":"pdf","work_url":"https://www.academia.edu/43248329/_Un_creative_Artificial_Intelligence_A_Critique_of_Artificial_Art","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/43248329/_Un_creative_Artificial_Intelligence_A_Critique_of_Artificial_Art"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="99616108" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/99616108/The_Ethics_of_AI_generated_artworks">The Ethics of AI generated artworks</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="29520925" href="https://independent.academia.edu/EesshanDivecha">Eshan Divecha</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Zenodo (CERN European Organization for Nuclear Research), 2022</p><p class="ds-related-work--abstract ds2-5-body-sm">were three influential scholars who wrote extensively about the impact of mechanical and technical reproduction on the arts. In this research paper, we will explore their teachings and examine the ways in which AI generative art relates to their ideas. John Berger was a British art critic, novelist, and painter who is best known for his 1972 book Ways of Seeing. In this book, Berger argued that mechanical reproduction, such as photography and film, had fundamentally changed the way that people saw and interacted with art. According to Berger, mechanical reproduction had made art more accessible to the masses, but it had also diminished the unique qualities of individual works of art. Walter Benjamin was a German philosopher, cultural critic, and translator who is best known for his 1936 essay The Work of Art in the Age of Mechanical Reproduction. In this essay, Benjamin argued that mechanical reproduction had fundamentally changed the way that people experienced art. According to Benjamin, mechanical reproduction had made art more democratic, but it had also diminished its aura, or the sense of uniqueness and authenticity that an original work of art possesses. André Bazin was a French film critic and theorist who is best known for his books What is Cinema? and The Myth of Total Cinema. In these books, Bazin explored the impact of technical reproduction, such as sound and color, on the medium of film. According to Bazin, technical reproduction had greatly expanded the expressive possibilities of cinema, but it had also led to a loss of realism and verisimilitude.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"The Ethics of AI generated artworks","attachmentId":100658082,"attachmentType":"pdf","work_url":"https://www.academia.edu/99616108/The_Ethics_of_AI_generated_artworks","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/99616108/The_Ethics_of_AI_generated_artworks"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":89065799,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":89065799,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_89065799" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. You can download the paper by clicking the button above.</p></div></div></div></div><div class="ds-sidebar--container js-work-sidebar"><div class="ds-related-content--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="0" data-entity-id="42563648" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/42563648/CG_Art_demystifying_the_anthropocentric_bias_of_artistic_creativity">CG-Art: demystifying the anthropocentric bias of artistic creativity</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="49243947" href="https://rug.academia.edu/LeonardoArriagada">Leonardo Arriagada</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Connection Science, 2020</p><div 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