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class="screen-reader-text">Rechercher :</span> <input type="search" class="search-field" placeholder="Rechercher…" value="" name="s" /> </label> <input type="submit" class="search-submit" value="Rechercher" /> </form> </div> </div> </header> <div id="main" class="site-main"> <section id="primary" class="content-area"> <div id="content" class="site-content" role="main"> <header class="page-header"> <h1 class="page-title"> Archives mensuelles : octobre 2021 </h1> </header> <article id="post-13824" class="post-13824 post type-post status-publish format-standard hentry category-billets category-evenements category-hors-les-murs tag-exhibition tag-exposition tag-greek-papyrology tag-papyrologie-grecque tag-papyrus"> <header class="entry-header"> <div class="entry-meta"> <span class="cat-links"><a href="https://antiquitebnf.hypotheses.org/category/billets" rel="category tag">Billets</a>, <a href="https://antiquitebnf.hypotheses.org/category/evenements" rel="category tag">evenements</a>, <a href="https://antiquitebnf.hypotheses.org/category/hors-les-murs" rel="category tag">hors les murs</a></span> </div> <h1 class="entry-title"><a href="https://antiquitebnf.hypotheses.org/13824" rel="bookmark">Un papyrus grec comme reliure d’un manuscrit mérovingien: les tribulations du Suppl. gr. 1379</a></h1> <div class="entry-meta"> <span class="entry-date"><a href="https://antiquitebnf.hypotheses.org/13824" rel="bookmark"><time class="entry-date" datetime="2021-10-25T22:47:26+01:00">25/10/2021</time></a></span> <span class="byline"><span class="author vcard"><a class="url fn n" href="https://antiquitebnf.hypotheses.org/author/auberdelapierre" rel="author">Julien AUBER DE LAPIERRE</a></span></span> <span class="comments-link"><a href="https://antiquitebnf.hypotheses.org/13824#comments">Un commentaire</a></span> </div> </header> <div class="entry-content"> <p>L’exposition qui se déroulait du 18 septembre au 26 octobre 2021 au Collège de France, « <a href="https://www.college-de-france.fr/site/jean-luc-fournet/Le-papyrus-dans-tous-ses-Etats-de-Cleopatre-a-Clovis.htm" target="_blank" rel="noopener">Le papyrus dans tous ses États, de Cléopâtre à Clovis</a> », montre comment ce support d’écriture est devenu, à partir de l’époque hellénistique, indispensable à l’ensemble du monde méditerranéen. Jean-Luc Fournet, professeur titulaire de la chaire « <a href="https://www.college-de-france.fr/site/jean-luc-fournet/Chaire-Culture-ecrite-de-l-antiquite-tardive-et-papyrologie-byzantine.htm" target="_blank" rel="noopener">Culture écrite de l’Antiquité tardive et papyrologie byzantine</a> » et commissaire de l’exposition, a pour ambition de sortir le papyrus de son cadre égyptologique traditionnel lorsqu’il est orné de hiéroglyphes et nous conserve les chapitres du Livre des morts.</p> <p><a href="https://antiquitebnf.hypotheses.org/13824/upl3495419207354873970_visuel_papyrus" rel="attachment wp-att-13852"><img decoding="async" class="alignnone size-large wp-image-13852" src="https://antiquitebnf.hypotheses.org/files/2021/10/UPL3495419207354873970_visuel_papyrus-500x285.jpg" alt="" width="474" height="270" srcset="https://antiquitebnf.hypotheses.org/files/2021/10/UPL3495419207354873970_visuel_papyrus-500x285.jpg 500w, https://antiquitebnf.hypotheses.org/files/2021/10/UPL3495419207354873970_visuel_papyrus-300x171.jpg 300w, https://antiquitebnf.hypotheses.org/files/2021/10/UPL3495419207354873970_visuel_papyrus.jpg 720w" sizes="(max-width: 474px) 100vw, 474px" /></a></p> <p>Décrivant dans un premier temps du parcours le cheminement de la plante au « papier », il met ensuite à l’honneur les différentes langues attestées sur ce matériau : grec, copte et latin bien sûr, mais aussi pehlevi, arabe, syriaque ou hébreu (<a href="https://archivesetmanuscrits.bnf.fr/ark:/12148/cc19981x" target="_blank" rel="noopener">Paris, BnF, Hébreu 1492</a>). Cette richesse linguistique et la diversité des informations transmises par ces documents montrent la popularité de ce moyen de communication qui s’étend d’ailleurs au-delà du bassin méditerranéen puisque la trace de papyrus découverte le plus à l’est se trouvait en Afghanistan (Aï Khanoum, province de Kondoz), et le plus à l’ouest, en France (Mané Véchen, Bretagne).</p> <p> <a href="https://antiquitebnf.hypotheses.org/13824#more-13824" class="more-link">Continuer la lecture de <span class="screen-reader-text">Un papyrus grec comme reliure d’un manuscrit mérovingien: les tribulations du Suppl. gr. 1379</span> <span class="meta-nav">→</span></a></p> </div> <footer class="entry-meta"><span class="tag-links"><a href="https://antiquitebnf.hypotheses.org/tag/exhibition" rel="tag">exhibition</a><a href="https://antiquitebnf.hypotheses.org/tag/exposition" rel="tag">exposition</a><a href="https://antiquitebnf.hypotheses.org/tag/greek-papyrology" rel="tag">greek papyrology</a><a href="https://antiquitebnf.hypotheses.org/tag/papyrologie-grecque" rel="tag">papyrologie grecque</a><a href="https://antiquitebnf.hypotheses.org/tag/papyrus" rel="tag">papyrus</a></span></footer></article> <article id="post-13829" class="post-13829 post type-post status-publish format-standard has-post-thumbnail hentry category-billets category-collections category-hors-les-murs tag-19th-century tag-athenes tag-cartes tag-grece tag-greece"> <a class="post-thumbnail" href="https://antiquitebnf.hypotheses.org/13829" aria-hidden="true"> <img width="672" height="372" src="https://antiquitebnf.hypotheses.org/files/2021/10/plan-relief-672x372.jpg" class="attachment-post-thumbnail size-post-thumbnail wp-post-image" alt="#RETOURAUMUSÉE – LA BNF HORS LES MURS #6 : Paris-Athènes 1675-1919" decoding="async" /> </a> <header class="entry-header"> <div class="entry-meta"> <span class="cat-links"><a href="https://antiquitebnf.hypotheses.org/category/billets" rel="category tag">Billets</a>, <a href="https://antiquitebnf.hypotheses.org/category/collections" rel="category tag">collections</a>, <a href="https://antiquitebnf.hypotheses.org/category/hors-les-murs" rel="category tag">hors les murs</a></span> </div> <h1 class="entry-title"><a href="https://antiquitebnf.hypotheses.org/13829" rel="bookmark">#RETOURAUMUSÉE – LA BNF HORS LES MURS #6 : Paris-Athènes 1675-1919</a></h1> <div class="entry-meta"> <span class="entry-date"><a href="https://antiquitebnf.hypotheses.org/13829" rel="bookmark"><time class="entry-date" datetime="2021-10-21T16:00:34+01:00">21/10/2021</time></a></span> <span class="byline"><span class="author vcard"><a class="url fn n" href="https://antiquitebnf.hypotheses.org/author/angeaniesa" rel="author">Ange Aniesa</a></span></span> <span class="comments-link"><a href="https://antiquitebnf.hypotheses.org/13829#comments">Un commentaire</a></span> </div> </header> <div class="entry-content"> <p>La grande exposition de rentrée du musée du Louvre<a href="https://www.louvre.fr/en-ce-moment/expositions/paris-athenes#autour-de-l-exposition">, Paris</a>–<a href="https://www.louvre.fr/en-ce-moment/expositions/paris-athenes" target="_blank" rel="noopener">Athènes 1675-1919, </a> explore plus de 200 ans de relations culturelles, artistiques et diplomatiques entre la France et la Grèce, en croisant l’histoire de l’archéologie, l’histoire du développement de l’État grec et celle des arts modernes. De nombreuses cartes jalonnent ces deux siècles et soutiennent le parcours chronologique parmi les plus de deux cents pièces et œuvres d’art présentées. </p> <figure id="attachment_13836" aria-describedby="caption-attachment-13836" style="width: 474px" class="wp-caption alignnone"><a href="https://gallica.bnf.fr/ark:/12148/btv1b8494927j" rel="attachment wp-att-13836"><img loading="lazy" decoding="async" class="wp-image-13836 size-large" src="https://antiquitebnf.hypotheses.org/files/2021/10/Plan-Athenes-Fauvel-Barbier-OK-500x424.jpg" alt="" width="474" height="402" srcset="https://antiquitebnf.hypotheses.org/files/2021/10/Plan-Athenes-Fauvel-Barbier-OK-500x424.jpg 500w, https://antiquitebnf.hypotheses.org/files/2021/10/Plan-Athenes-Fauvel-Barbier-OK-300x254.jpg 300w, https://antiquitebnf.hypotheses.org/files/2021/10/Plan-Athenes-Fauvel-Barbier-OK-768x651.jpg 768w, https://antiquitebnf.hypotheses.org/files/2021/10/Plan-Athenes-Fauvel-Barbier-OK.jpg 934w" sizes="(max-width: 474px) 100vw, 474px" /></a><figcaption id="caption-attachment-13836" class="wp-caption-text">Fig. 1 : Plan d’Athènes, d’après les plans et levés de Louis-François-Sébastien Fauvel, par Jean-Denis Barbié Du Bocage, vers 1791, détail, BnF, Dpt CPL, <a href="https://gallica.bnf.fr/ark:/12148/btv1b8494927j/f1.item.zoom" target="_blank" rel="noopener">Ge D-17297</a></figcaption></figure> <p> <a href="https://antiquitebnf.hypotheses.org/13829#more-13829" class="more-link">Continuer la lecture de <span class="screen-reader-text">#RETOURAUMUSÉE – LA BNF HORS LES MURS #6 : Paris-Athènes 1675-1919</span> <span class="meta-nav">→</span></a></p> </div> <footer class="entry-meta"><span class="tag-links"><a href="https://antiquitebnf.hypotheses.org/tag/19th-century" rel="tag">19th Century</a><a href="https://antiquitebnf.hypotheses.org/tag/athenes" rel="tag">Athènes</a><a href="https://antiquitebnf.hypotheses.org/tag/cartes" rel="tag">cartes</a><a href="https://antiquitebnf.hypotheses.org/tag/grece" rel="tag">grèce</a><a href="https://antiquitebnf.hypotheses.org/tag/greece" rel="tag">Greece</a></span></footer></article> <article id="post-13724" class="post-13724 post type-post status-publish format-standard has-post-thumbnail hentry category-billets tag-concours-de-lenseignement"> <a class="post-thumbnail" href="https://antiquitebnf.hypotheses.org/13724" aria-hidden="true"> <img width="672" height="372" src="https://antiquitebnf.hypotheses.org/files/2021/09/image-e1632991284408-672x372.jpeg" class="attachment-post-thumbnail size-post-thumbnail wp-post-image" alt="CAPES et Agrégation 2022 : L’Antiquité en questions en Histoire, Philosophie et Lettres classiques" decoding="async" loading="lazy" /> </a> <header class="entry-header"> <div class="entry-meta"> <span class="cat-links"><a href="https://antiquitebnf.hypotheses.org/category/billets" rel="category tag">Billets</a></span> </div> <h1 class="entry-title"><a href="https://antiquitebnf.hypotheses.org/13724" rel="bookmark">CAPES et Agrégation 2022 : L’Antiquité en questions en Histoire, Philosophie et Lettres classiques</a></h1> <div class="entry-meta"> <span class="entry-date"><a href="https://antiquitebnf.hypotheses.org/13724" rel="bookmark"><time class="entry-date" datetime="2021-10-11T11:07:34+01:00">11/10/2021</time></a></span> <span class="byline"><span class="author vcard"><a class="url fn n" href="https://antiquitebnf.hypotheses.org/author/antiquitebnf" rel="author">Antiquité BnF</a></span></span> <span class="comments-link"><a href="https://antiquitebnf.hypotheses.org/13724#respond">Laisser un commentaire</a></span> </div> </header> <div class="entry-content"> <p>Nous vous proposons quelques repères pour les questions d’Histoire ancienne, de Philosophie et de Lettres classiques aux concours de l’enseignement CAPES et Agrégation 2022.</p> <p> <a href="https://antiquitebnf.hypotheses.org/13724#more-13724" class="more-link">Continuer la lecture de <span class="screen-reader-text">CAPES et Agrégation 2022 : L’Antiquité en questions en Histoire, Philosophie et Lettres classiques</span> <span class="meta-nav">→</span></a></p> </div> <footer class="entry-meta"><span class="tag-links"><a href="https://antiquitebnf.hypotheses.org/tag/concours-de-lenseignement" rel="tag">concours de l'enseignement</a></span></footer></article> <article id="post-13579" class="post-13579 post type-post status-publish format-standard has-post-thumbnail hentry category-collections category-zoom-sur tag-civic-cult tag-culte-civique tag-greek-numismatic tag-iliad tag-iliade tag-numismatique-grecque tag-troie tag-troy"> <a class="post-thumbnail" href="https://antiquitebnf.hypotheses.org/13579" aria-hidden="true"> <img width="672" height="372" src="https://antiquitebnf.hypotheses.org/files/2021/09/Assos-pour-mise-en-avant-1-672x372.jpg" class="attachment-post-thumbnail size-post-thumbnail wp-post-image" alt="La statue d’Athéna Ilias, ou la promotion de l’héritage troyen d’Ilion" decoding="async" loading="lazy" /> </a> <header class="entry-header"> <div class="entry-meta"> <span class="cat-links"><a href="https://antiquitebnf.hypotheses.org/category/collections" rel="category tag">collections</a>, <a href="https://antiquitebnf.hypotheses.org/category/collections/zoom-sur" rel="category tag">Zoom sur...</a></span> </div> <h1 class="entry-title"><a href="https://antiquitebnf.hypotheses.org/13579" rel="bookmark">La statue d’Athéna Ilias, ou la promotion de l’héritage troyen d’Ilion</a></h1> <div class="entry-meta"> <span class="entry-date"><a href="https://antiquitebnf.hypotheses.org/13579" rel="bookmark"><time class="entry-date" datetime="2021-10-01T15:10:37+01:00">01/10/2021</time></a></span> <span class="byline"><span class="author vcard"><a class="url fn n" href="https://antiquitebnf.hypotheses.org/author/jolivier" rel="author">Julien Olivier</a></span></span> <span class="comments-link"><a href="https://antiquitebnf.hypotheses.org/13579#comments">3 commentaires</a></span> </div> </header> <div class="entry-content"> <p><strong>Archive :</strong> Image du mois septembre 2021</p> <p><figure id="attachment_13638" aria-describedby="caption-attachment-13638" style="width: 2065px" class="wp-caption alignnone"><img loading="lazy" decoding="async" class="wp-image-13638 size-full" src="https://antiquitebnf.hypotheses.org/files/2021/09/Ilion-FG-680.jpg" alt="" width="2065" height="1009" srcset="https://antiquitebnf.hypotheses.org/files/2021/09/Ilion-FG-680.jpg 2065w, https://antiquitebnf.hypotheses.org/files/2021/09/Ilion-FG-680-300x147.jpg 300w, https://antiquitebnf.hypotheses.org/files/2021/09/Ilion-FG-680-500x244.jpg 500w, https://antiquitebnf.hypotheses.org/files/2021/09/Ilion-FG-680-768x375.jpg 768w, https://antiquitebnf.hypotheses.org/files/2021/09/Ilion-FG-680-1536x751.jpg 1536w, https://antiquitebnf.hypotheses.org/files/2021/09/Ilion-FG-680-2048x1001.jpg 2048w" sizes="(max-width: 2065px) 100vw, 2065px" /><figcaption id="caption-attachment-13638" class="wp-caption-text">Tétradrachme d’Ilion, Troade, vers 188-133 av. J.-C. Argent, 16,70 g, 36 mm, 12 h (<a href="https://gallica.bnf.fr/ark:/12148/btv1b8512123j" target="_blank" rel="noopener">BnF, MMA, Fonds général 680</a>).</figcaption></figure></p> <p>A plusieurs reprises la cité d’Ilion a choisi de faire figurer au revers de ses émissions monétaires la statue d’Athéna Ilias. Tandis qu’au droit de ce grand tétradrachme hellénistique du II<sup>e</sup> siècle av. J.-C. figure une tête casquée et couronnée de la divinité, au revers se trouve une représentation de sa statue. Coiffée d’un <a href="https://referenceworks.brillonline.com/entries/brill-s-new-pauly/polos-e1000840?lang=en" target="_blank" rel="noopener"><em>polos</em> </a>et vêtue d’un chiton, Athéna est debout à droite. Elle brandit une lance de la main droite et tient un quenouille dans la main gauche. A ses pieds se tient une chouette, le rapace<span style="font-size: 12pt"> qui lui est généralement associé. Outre le nom d’un monétaire placé sous le type principal (AΠHMANTOY), l’inscription AΘHNAΣ ΙΛΙAΔΟΣ, qui encadre la</span> statue, assure l’identification d’Athéna Ilias.</p> <p> <a href="https://antiquitebnf.hypotheses.org/13579#more-13579" class="more-link">Continuer la lecture de <span class="screen-reader-text">La statue d’Athéna Ilias, ou la promotion de l’héritage troyen d’Ilion</span> <span class="meta-nav">→</span></a></p> </div> <footer class="entry-meta"><span class="tag-links"><a href="https://antiquitebnf.hypotheses.org/tag/civic-cult" rel="tag">civic cult</a><a href="https://antiquitebnf.hypotheses.org/tag/culte-civique" rel="tag">culte civique</a><a href="https://antiquitebnf.hypotheses.org/tag/greek-numismatic" rel="tag">greek numismatic</a><a href="https://antiquitebnf.hypotheses.org/tag/iliad" rel="tag">Iliad</a><a href="https://antiquitebnf.hypotheses.org/tag/iliade" rel="tag">Iliade</a><a href="https://antiquitebnf.hypotheses.org/tag/numismatique-grecque" rel="tag">numismatique grecque</a><a href="https://antiquitebnf.hypotheses.org/tag/troie" rel="tag">Troie</a><a href="https://antiquitebnf.hypotheses.org/tag/troy" rel="tag">Troy</a></span></footer></article> </div> </section> <div id="content-sidebar" class="content-sidebar widget-area" role="complementary"> <aside id="media_image-2" class="widget widget_media_image"><img width="1417" height="270" src="https://antiquitebnf.hypotheses.org/files/2024/10/logo1.jpg" class="image wp-image-26684 attachment-full size-full" alt="" style="max-width: 100%; height: auto;" decoding="async" loading="lazy" srcset="https://antiquitebnf.hypotheses.org/files/2024/10/logo1.jpg 1417w, https://antiquitebnf.hypotheses.org/files/2024/10/logo1-300x57.jpg 300w, https://antiquitebnf.hypotheses.org/files/2024/10/logo1-500x95.jpg 500w, https://antiquitebnf.hypotheses.org/files/2024/10/logo1-768x146.jpg 768w" sizes="(max-width: 1417px) 100vw, 1417px" /></aside><aside id="text-3" class="widget widget_text"><h1 class="widget-title">L’image du mois : “Une intaille de Caracalla dans une reliure médiévale de la Saint-Chapelle”</h1> <div class="textwidget"><figure id="attachment_26862" aria-describedby="caption-attachment-26862" style="width: 410px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" class="size-large wp-image-26862" src="https://antiquitebnf.hypotheses.org/files/2024/11/Capture-decran-2024-11-01-a-13.53.09-410x500.png" alt="" width="410" height="500" srcset="https://antiquitebnf.hypotheses.org/files/2024/11/Capture-decran-2024-11-01-a-13.53.09-410x500.png 410w, https://antiquitebnf.hypotheses.org/files/2024/11/Capture-decran-2024-11-01-a-13.53.09-246x300.png 246w, https://antiquitebnf.hypotheses.org/files/2024/11/Capture-decran-2024-11-01-a-13.53.09-768x936.png 768w, https://antiquitebnf.hypotheses.org/files/2024/11/Capture-decran-2024-11-01-a-13.53.09.png 944w" sizes="(max-width: 410px) 100vw, 410px" /><figcaption id="caption-attachment-26862" class="wp-caption-text">Portrait de Caracalla, BnF, <a href="https://medaillesetantiques.bnf.fr/ark:/12148/c33gbcssq" target="_blank" rel="noopener">MMA inv.58.2101</a></figcaption></figure> <p>Ce portrait d’empereur romain représente <a href="https://data.bnf.fr/ark:/12148/cb11967505w" target="_blank" rel="noopener">Caracalla</a> en homme, la tête nue en cheveux bouclés, visage de profil et buste de trois-quarts, selon la veine classique idéalisée qui coexiste sous les <a href="https://data.bnf.fr/ark:/12148/cb124266804" target="_blank" rel="noopener">Sévères</a> avec un style plus vigoureux. La taille minutieuse de l’améthyste montre une grande maîtrise technique.</p> <p><img loading="lazy" decoding="async" class="alignnone size-large wp-image-26872" src="https://antiquitebnf.hypotheses.org/files/2024/11/Intaille_en_amethyste.jpg" alt="" width="86" height="366" /> <img loading="lazy" decoding="async" class="alignnone size-full wp-image-26867" src="https://antiquitebnf.hypotheses.org/files/2024/11/Intaille_en_amethyste-det.jpeg" alt="" width="133" height="164" /></p> <p>Sur le bord gauche, des lettres grecques en majuscule disposées à la verticale formant le nom O ΠΕΤΡΟC et, à droite, une croix plantée à la base du cou à l’arrière du drapé du paludamentum furent ajoutées à l’époque byzantine, transformant ce portrait païen en une effigie de saint Pierre.</p> <p>La pierre gravée est citée dans l’inventaire de 1336 du <a href="https://data.bnf.fr/ark:/12148/cb18024160s" target="_blank" rel="noopener">trésor de la Sainte-Chapelle de Paris</a>, enchâssée dans la reliure d’argent doré du second évangéliaire de la Sainte-Chapelle, réalisé peu après 1241.</p> <p>Au moment de la Révolution française et de la naissance de la notion de patrimoine, Louis XVI fit déposer à la Bibliothèque royale un grand nombre d’oeuvres pour assurer leur préservation. Le manuscrit aujourd’hui conservé sous la cote <a href="https://archivesetmanuscrits.bnf.fr/ark:/12148/cc774805?collect" target="_blank" rel="noopener">Latin 9455</a> arriva en 1791 au Département des manuscrits. L’intaille fut détachée de la reliure et reversée en 1834 au Cabinet des médailles.</p> <figure id="attachment_26882" aria-describedby="caption-attachment-26882" style="width: 454px" class="wp-caption alignnone"><img loading="lazy" decoding="async" class="size-large wp-image-26882" src="https://antiquitebnf.hypotheses.org/files/2024/11/IMG_4943-454x500.jpg" alt="" width="454" height="500" srcset="https://antiquitebnf.hypotheses.org/files/2024/11/IMG_4943-454x500.jpg 454w, https://antiquitebnf.hypotheses.org/files/2024/11/IMG_4943-272x300.jpg 272w, https://antiquitebnf.hypotheses.org/files/2024/11/IMG_4943-768x846.jpg 768w, https://antiquitebnf.hypotheses.org/files/2024/11/IMG_4943.jpg 1073w" sizes="(max-width: 454px) 100vw, 454px" /><figcaption id="caption-attachment-26882" class="wp-caption-text">Reliure du Latin 9455 et intaille de Caracalla/St Pierre exposées dans la galerie Mazarin, photo V. Desclaux 2024</figcaption></figure> <p>La vitrine ouvrant la galerie Mazarin du <a href="https://www.bnf.fr/fr/le-musee-de-la-bnf" target="_blank" rel="noopener">musée de la BnF</a> permet de les voir réunies côte à côte pour cette nouvelle saison de la programmation, intitulée “<a href="https://www.bnf.fr/fr/le-monde-pour-horizon" target="_blank" rel="noopener">Le monde pour horizon</a>“.</p> <p>La circulation des gemmes et camées depuis l’Antiquité au gré de montures successives permit en grande partie leur transmission. Cette intaille illustre le cas des antiques ayant rejoint des trésors d’églises. Il n’est qu’à regarder l’index du catalogue du volume sur les portraits romains des <em>Camées et intailles du Cabinet des Médailles</em> pour en trouver mention (avec liens vers la notice du catalogue et de la base en ligne):</p> <ul> <li>Trésor de Chartres : n<sup>o</sup><a href="https://books.openedition.org/editionsbnf/342#anchor-toc-1-41" target="_blank" rel="noopener"> 83</a> (<a href="https://medaillesetantiques.bnf.fr/ark:/12148/c33gbctf6" target="_blank" rel="noopener">camée.1</a>)</li> <li class="paragraphesansretrait">Trésor de la Sainte-Chapelle : n<sup>o</sup> <a href="https://books.openedition.org/editionsbnf/345#anchor-toc-1-63" target="_blank" rel="noopener">233</a> (<a href="https://medaillesetantiques.bnf.fr/ark:/12148/c33gbcssq" target="_blank" rel="noopener">inv.58.2101</a>), <a href="https://books.openedition.org/editionsbnf/346#anchor-toc-1-13" target="_blank" rel="noopener">260</a> (<a href="https://medaillesetantiques.bnf.fr/ark:/12148/c33gbcsq5" target="_blank" rel="noopener">camée.309</a>)</li> <li class="paragraphesansretrait">Trésor de Saint-Castor de Coblence : n<sup>o</sup> <a href="https://books.openedition.org/editionsbnf/342#anchor-toc-1-150" target="_blank" rel="noopener">132</a> (<a href="https://medaillesetantiques.bnf.fr/ark:/12148/c33gb1cvz0" target="_blank" rel="noopener">camée.128</a>)</li> <li class="paragraphesansretrait">Trésor de Saint-Èvre de Toul : n<sup>o</sup> <a href="https://books.openedition.org/editionsbnf/342#anchor-toc-1-123" target="_blank" rel="noopener">120</a> (<a href="https://medaillesetantiques.bnf.fr/ark:/12148/c33gbf97b" target="_blank" rel="noopener">camée.265</a>)</li> <li class="paragraphesansretrait">Trésor de Saint-Denis : n<sup>o</sup> <a href="https://books.openedition.org/editionsbnf/341#anchor-toc-1-34" target="_blank" rel="noopener">52</a> (<a href="https://medaillesetantiques.bnf.fr/ark:/12148/c33gbcvn3" target="_blank" rel="noopener">camée.234</a>), <a href="https://books.openedition.org/editionsbnf/341#anchor-toc-1-36" target="_blank" rel="noopener">53</a> (<a href="https://medaillesetantiques.bnf.fr/ark:/12148/c33gbcvrx" target="_blank" rel="noopener">camée.233</a>), <a href="https://books.openedition.org/editionsbnf/342#anchor-toc-1-79" target="_blank" rel="noopener">101</a> (<a href="https://medaillesetantiques.bnf.fr/ark:/12148/c33gbcvvr" target="_blank" rel="noopener">camée.269</a>), <a href="https://books.openedition.org/editionsbnf/342#anchor-toc-1-142" target="_blank" rel="noopener">128</a> (<a href="https://medaillesetantiques.bnf.fr/ark:/12148/c33gbctgg" target="_blank" rel="noopener">dépôt du Louvre 1625 ancien MR.86</a>), <a href="https://books.openedition.org/editionsbnf/343#anchor-toc-1-21" target="_blank" rel="noopener">145</a> (<a href="https://medaillesetantiques.bnf.fr/ark:/12148/c33gbcvqn" target="_blank" rel="noopener">inv.58.2089</a>)</li> </ul> <p>Rendez-vous dans le <a href="https://www.bnf.fr/fr/le-parcours-du-musee-de-la-bnf" target="_blank" rel="noopener">musée</a>, en salles des colonnes et du cabinet précieux ainsi qu’en galerie Mazarin pour les (re)découvrir.</p> <p><strong>Pour aller plus loin:</strong></p> <ul> <li>Notice en ligne: <a href="https://medaillesetantiques.bnf.fr/ark:/12148/c33gbcssq" target="_blank" rel="noopener">https://medaillesetantiques.bnf.fr/ark:/12148/c33gbcssq</a></li> <li>Publications: M.-L. Vollenweider, M. Avisseau-Broustet, <em>Camées et intailles, II, Les portraits romains du Cabinet des Médailles</em>. Paris, BnF, 2003, p.182-183, n°233, <a href="https://books.openedition.org/editionsbnf/345#anchor-toc-1-63" target="_blank" rel="noopener">en ligne</a>.</li> <li>M.-P. Laffitte, E. Taburet-Delahaye, M. Avisseau-Broustet, <em>Le trésor de la Sainte-Chapelle</em>, Paris, RMN, 2001, p. 154-158, n°36, <a href="https://catalogue.bnf.fr/ark:/12148/cb37689254p" target="_blank" rel="noopener">notice</a>.</li> </ul> </div> </aside><aside id="rss-2" class="widget widget_rss"><h1 class="widget-title"><a class="rsswidget rss-widget-feed" href="https://histoirebnf.hypotheses.org"><img class="rss-widget-icon" style="border:0" width="14" height="14" src="https://antiquitebnf.hypotheses.org/wp-includes/images/rss.png" alt="Flux" loading="lazy" /></a> <a class="rsswidget rss-widget-title" href="">L’Histoire à la BnF</a></h1><nav aria-label="L’Histoire à la BnF"></nav></aside><aside id="rss-3" class="widget widget_rss"><h1 class="widget-title"><a class="rsswidget rss-widget-feed" href="https://bnf.hypotheses.org/"><img class="rss-widget-icon" style="border:0" width="14" height="14" src="https://antiquitebnf.hypotheses.org/wp-includes/images/rss.png" alt="Flux" loading="lazy" /></a> <a class="rsswidget rss-widget-title" href="">Carnet de la BnF</a></h1><nav aria-label="Carnet de la BnF"></nav></aside><aside id="rss-8" class="widget widget_rss"><h1 class="widget-title"><a class="rsswidget rss-widget-feed" href="https://manuscripta.hypotheses.org/"><img class="rss-widget-icon" style="border:0" width="14" height="14" src="https://antiquitebnf.hypotheses.org/wp-includes/images/rss.png" alt="Flux" loading="lazy" /></a> <a class="rsswidget rss-widget-title" href="">MANUSCRIPTA</a></h1><nav aria-label="MANUSCRIPTA"></nav></aside><aside id="rss-9" class="widget widget_rss"><h1 class="widget-title"><a class="rsswidget rss-widget-feed" href="https://arcbn2gm.hypotheses.org/"><img class="rss-widget-icon" style="border:0" width="14" height="14" src="https://antiquitebnf.hypotheses.org/wp-includes/images/rss.png" alt="Flux" loading="lazy" /></a> <a class="rsswidget rss-widget-title" href="">La Bibliothèque nationale sous l’Occupation</a></h1><nav aria-label="La Bibliothèque nationale sous l’Occupation"></nav></aside><aside id="rss-5" class="widget widget_rss"><h1 class="widget-title"><a class="rsswidget rss-widget-feed" href="http://books.openedition.org/editionsbnf/backend?format=rss"><img class="rss-widget-icon" style="border:0" width="14" height="14" src="https://antiquitebnf.hypotheses.org/wp-includes/images/rss.png" alt="Flux" loading="lazy" /></a> <a class="rsswidget rss-widget-title" href="https://books.openedition.org/editionsbnf">editions de la BnF</a></h1><nav aria-label="editions de la BnF"><ul><li><a class='rsswidget' href='https://books.openedition.org/editionsbnf/4706'>Bibliographie des livres d’artiste imprimés de Michel Butor. 1991-2000</a><div class="rssSummary">Cet inventaire recense les livres illustrés et les livres d’artistes de Michel Butor qui sont l’expression d’un travail de collaboration active entre l’écrivain et l’artiste. 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Il sera consacré aux nouvelles approches de l’histoire et de l’archéologie urbaines entre Antiquité et Moyen Âge, en prenant Rome comme cas d’étude privilégié tant il s’agit d’un […]</div></li><li><a class='rsswidget' href='https://calenda.org/1204440'>« Construire des liens » du chapitre français "Computer Applications in Archaeology" (CAA-FR)</a> <span class="rss-date">12/11/2024</span><div class="rssSummary">L'événement a pour but d'encourager la rencontre, le dialogue et le travail en réseau entre archéologues intéressé·e·s, de près ou de loin, par les approches computationnelles et quantitatives. Quatre formats seront proposés durant les deux jours de la rencontre : un workshop et un forum des doctorant·e·s avec appels à communications ; une table ronde […]</div></li></ul></nav></aside></div> <div id="secondary"> <h2 class="site-description">Recherches, collections, ressources sur l'Antiquité à la Bibliothèque nationale de France</h2> <nav class="navigation site-navigation secondary-navigation"> <div class="menu-menu-a-pages-container"><ul id="menu-menu-a-pages" class="menu"><li id="menu-item-11" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-11"><a href="https://antiquitebnf.hypotheses.org/credits">Crédits</a></li> <li id="menu-item-12" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-12"><a href="https://antiquitebnf.hypotheses.org/a-propos">À propos</a></li> </ul></div> </nav> <div id="primary-sidebar" class="primary-sidebar widget-area" role="complementary"> <aside id="rss-7" class="widget widget_rss"><h1 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aria-label="XVIIIe siècle (12 éléments)">XVIIIe siècle</a></li> </ul> </div> </nav></aside><aside id="categories-1" class="widget widget_categories"><h1 class="widget-title">Catégories</h1><nav aria-label="Catégories"> <ul> <li class="cat-item cat-item-249658"><a href="https://antiquitebnf.hypotheses.org/category/a-la-bnf">à la bnf</a> (135) </li> <li class="cat-item cat-item-3247"><a href="https://antiquitebnf.hypotheses.org/category/acquisitions">acquisitions</a> (37) </li> <li class="cat-item cat-item-965"><a href="https://antiquitebnf.hypotheses.org/category/bibliographies">bibliographies</a> (17) </li> <li class="cat-item cat-item-1"><a href="https://antiquitebnf.hypotheses.org/category/billets">Billets</a> (104) </li> <li class="cat-item cat-item-1075"><a href="https://antiquitebnf.hypotheses.org/category/collections">collections</a> (197) <ul class='children'> <li class="cat-item cat-item-476195"><a href="https://antiquitebnf.hypotheses.org/category/collections/zoom-sur">Zoom sur…</a> (58) </li> </ul> </li> <li class="cat-item cat-item-249655"><a href="https://antiquitebnf.hypotheses.org/category/en-cours">en cours</a> (12) </li> <li class="cat-item cat-item-2367"><a href="https://antiquitebnf.hypotheses.org/category/evenements">evenements</a> (154) </li> <li class="cat-item cat-item-160"><a href="https://antiquitebnf.hypotheses.org/category/gallica">gallica</a> (65) </li> <li class="cat-item cat-item-1571922"><a href="https://antiquitebnf.hypotheses.org/category/hors-les-murs">hors les murs</a> (54) </li> <li class="cat-item cat-item-249"><a href="https://antiquitebnf.hypotheses.org/category/publications">publications</a> (20) </li> <li class="cat-item cat-item-2522"><a href="https://antiquitebnf.hypotheses.org/category/recherches">recherches</a> (88) </li> <li class="cat-item cat-item-1023"><a href="https://antiquitebnf.hypotheses.org/category/ressources">ressources</a> (19) <ul class='children'> <li class="cat-item cat-item-3168621"><a href="https://antiquitebnf.hypotheses.org/category/ressources/presse-d-antique">Pressé d'Antique</a> (4) </li> </ul> </li> <li class="cat-item cat-item-1309"><a href="https://antiquitebnf.hypotheses.org/category/ressources-electroniques">ressources électroniques</a> (42) </li> </ul> </nav></aside><aside id="text-1" class="widget widget_text"><h1 class="widget-title">Présentation</h1> <div class="textwidget"><p>« L’Antiquité à la BnF » est un carnet de recherche présentant l’actualité des collections et la recherche à la BnF. Il a pour ambition d’illustrer la diversité des fonds de la Bibliothèque nationale de France sur l’Antiquité, les collections d’antiquités et la réception de l’Antiquité. Il est écrit par des chercheurs intra et hors BnF.</p> <hr /> <p>« L’Antiquité à la BnF » deals with the collections and current research at the French National Library. The blog provides insight into the richness and diversity of the material held on Antiquity, antics and Reception of Antiquity. Articles are written both by librarians and academics.</p> </div> </aside><aside id="archives-1" class="widget widget_archive"><h1 class="widget-title">Archives</h1><nav aria-label="Archives"> <ul> <li><a href='https://antiquitebnf.hypotheses.org/date/2024/12'>décembre 2024</a> (2)</li> <li><a href='https://antiquitebnf.hypotheses.org/date/2024/11'>novembre 2024</a> (4)</li> <li><a href='https://antiquitebnf.hypotheses.org/date/2024/10'>octobre 2024</a> (4)</li> <li><a href='https://antiquitebnf.hypotheses.org/date/2024/09'>septembre 2024</a> (4)</li> <li><a href='https://antiquitebnf.hypotheses.org/date/2024/08'>août 2024</a> (3)</li> <li><a href='https://antiquitebnf.hypotheses.org/date/2024/07'>juillet 2024</a> (4)</li> <li><a href='https://antiquitebnf.hypotheses.org/date/2024/06'>juin 2024</a> (2)</li> <li><a href='https://antiquitebnf.hypotheses.org/date/2024/05'>mai 2024</a> (3)</li> <li><a href='https://antiquitebnf.hypotheses.org/date/2024/04'>avril 2024</a> (3)</li> <li><a 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