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.contentmiddle h1 a { text-decoration: none; font-size: 2.4rem; font-weight: normal; color: #373731; /* near black */ line-height: 140%; } #headerW {height:100%; width: 100% !important; margin-left: auto; margin-right: auto; display:block;} .l_sidebar a:link,.l_sidebar a:visited, .middle_sidebar a:link, .middle_sidebar a:visited, .r_sidebar a:visited, .r_sidebar a:link{ /*color:#0183B2; old blue*/ color: #394244; font-size: 1.4rem; border-top: 1px solid lightgrey; /*word-spacing: -.3rem; */ } .new_subscription_block { font-family:"Muli", sans-serif ; background: #daf4fc; border-radius: 0rem; margin:4% 5% 4% 5%; padding: 5% 7% 5% 7%; line-height:150%; } .new_subscription_block p{ Font-Family:Lora; font-style:italic;} .new_subscription_block h3, h4 {font-family:"Muli", sans-serif; } .r_sub_con a:visited, .r_sub_con a:link, .new_subscription_block a:visited, .new_subscription_block a:link{ border-top: 0px ;} /* turn off links */ #clearfixheader { clear: both; width: 100%; height: 100%; margin-top: 0px; padding-top:0px; } .social_li ul li a:link, .social_li ul li a, .social_li a:link, .social_li li a, .social_li a { padding: .2rem .8rem !important /* this controls how tall & wide socialbuttons are ; remove !important when style.css is consolidated */ color:#1e3a4a } .social_li li{display:inline; margin-left:10px ;margin-left:1rem; margin-right:10px; margin-right:1rem;} .centerwrap ul {margin: 0px -1% 0px 0%} #navbar{ font-size: 1.6rem; _font-family: "Oswald", sans-serif !important; font-family:"Muli", sans-serif !important; font-weight: 400; _text-transform: uppercase; font-weight:bold; z-index:99; /*margin-top, margin-bottom: 0px !important; */ text-alignment:center; height:auto !important; text-align:justify; -ms-text-justify:distribute-all-lines; text-justify:distribute-all-lines; _letter-spacing:-.5px; color:#39AACF; margin-top: 0px; margin-left:0%; _margin-right:7% ; border-radius:0px; _background-color:rgba(118,154,172,.9); background-color:rgba(57, 170, 207, .85); min-width:245px; _width: 86%; width: 100%; } #navbar a{ _font-weight:bold; text-decoration:none; font-weight:bold; padding:0 12px; padding:0 1rem; padding-top: 2px; text-decoration:none; letter-spacing: .1px; color: white; _font-family: Helvetica; _font-family: "Oswald", sans-serif !important; font-family:"Muli", sans-serif font-weight: 600; font-size: 1.55rem; line-height: 2.2rem; padding-top: 3px; } .nav ul, .socmedia ul {text-align:center} /*#nav{list-style-type:none;} */ /* #nav li{display:inline;float:left;list-style-type:none} #nav .stretch { display: inline-block; width: 100%; *display: inline; zoom: 1 } */ /*icons by https://www.entypo.com/*/ .social_li ul li a:link, .social_li ul li a,.social a:link, .social_li li a, .social_li a { padding: 0 .8rem !important; /* this controls how tall & wide socialbuttons are ; remove !important when style.css is consolidated */ color: white; /*#1e3a4a */ } /* might work to space out items more nav li:before { margin-left: 3px} */ #search-old2{ display: inline-block!important; margin-right: 0px; margin-bottom: 8px; float: none!important; width: 115px!important; font-family: font-family:Georgia,"Times New Roman",Times,serif !important; background-color: #1497c2; text-align: left !important; font-weight: normal!important; } #search-old2 form{background:none!important; width:110px; height:100%; margin-top:2px !important; padding:0px} /* this indents widget */ .contentwrapper ul li li{ text-indent: -1.1rem; } .contentwrapper a, a:visited, a:hover{font-size: inherit; } /* 1.6rem; shouldnt this just inherit */ .middle_sidebar ul , .r_sidebar ul , .l_sidebar ul, .contentmiddle ul, .r_sidebar ul li { background:none; list-style-type:none; } /*shading boxes around ads + contact info*/ .r_sidebar .r_adbx_top, .r_sub_con,.r_about_ad{background: #f2f2f2; border-radius: 0rem; } /*#bdbec2 */ .r_adbx_top, .r_sub_con,.r_about_ad{text-align:left; padding: 10px 18px 10px 18px; margin:12px -4px 0px -4px;} .box { border: .2rem solid black; font-size: 4rem; border-radius:2px;} .lightbox {border: .1rem solid grey ;} _colorcontrast {background-color: rgb(224, 224, 224); margin: 0px; border-right: 9px solid rgb(224, 224, 224); border-left: 9px solid rgb(224, 224, 224); border-radius: 8px;} .tagline { text-align:left ; font-size:13px; font-size:1.3hw; line-height:100%; margin:0; margin-top: 6px; /* color:white !important; */ margin-left:6px; padding:2px; color:#4a7d96; font-family:Arial, Helvetica, sans-serif; } #tagline_container{ max-width:335px; width:100%; margin-top: 50px; margin-left: 21px; } _ad_logo_wrapper{margin-left:3.5%; margin-right:4.3%;} #ad_logo_wrapper{margin-left:7%; margin-right:4%; margin-top:3px;} #logocontainer{width:auto; float:left; margin-left:0px; margin-top: 0px; max-width:40%; } #big_logo { /* margin-left: 25%; max-width: 7%; transform: scale(8); float: left; width:100%; max-height: 10%; */ } #big_logo{ transform: scale(8); max-height:10%; max-width:325px; float: left !important; text-align: left; width: 100%; } #logo_container { width: 100%; float: left; z-index: -40; /* overflow: visible; */ max-width: 600px; max-height: 200px; min-width: 140px; margin-left: 20px; height: auto; min-height: 40px; margin-top: 0px; _background-image: url(/wp-content/themes/openculture_v3a/images/openculture_banner.png); background-size: contain; background-repeat: no-repeat; max-width:80vw;; /*css3 viewport setting */ } .left { /* border: 2px dashed #f0f; */ text-align:left; _min-height:40px; height:auto; _margin-top: 45px; margin-left: 0px; _background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-stacked-logo.svg") no-repeat; _background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-horizontal-logo.svg") no-repeat; _background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-stacked-logo-with-stacked-tagline.svg") no-repeat; _background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-horizontal-logo-with-tagline.svg") no-repeat; background-size: contain; max-width:600px; min-width:90px; overflow:hidden; _background-position-y:0px; _background-position-x:0px; background-position-x: center !important; background-position-y: center !important; z-index:200; } .right { float: right; _width: 740px; /*min-height: 25px;*/ margin-left: 2.5%; padding-left: 0px; margin-right: 20px ; padding-right:0px; /* border: 2px dashed #00f; */ position:relative; z-index:200; } .top{} .bottom{ background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-horizontal-logo.svg") no-repeat; _background-size: contain; background-size: revert-layer; min-height:80px; /* border: 2px dashed green; */ clear:both; padding-top:8px; _margin: 4px 10px 0 10px; _background-position-y: 0px; /* min-height: 65px; */ clear: both; background-position-x: center; background-position-y:center; padding-top: 0px; margin: 2px 1rem 0px 1rem; /* height: 90px; */ _min-height: 110px; } #footerW{ right: 0; left: 0; position: relative; padding: 0; overflow:hidden;} .clear {clear:both;} .logo_clickable { position:absolute; width:100%; height:100%; top:0; left: 0; z-index: 50; _position:absolute; /* fixes overlap error in IE7/8, make sure you have an empty gif */ _background-image: url('empty.gif'); } .socialblock li {top: 2px;} .social-mail a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/mail.svg) no-repeat;} .social-twitter a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/twitter.svg) no-repeat;} .social-facebook a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/facebook.svg) no-repeat;} .social-rss a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/rss.svg) no-repeat;} .social-search a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass.svg) no-repeat;} .sb-icon-search {background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass.svg) no-repeat;} .social-mail-black a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/mail-black.svg) no-repeat;} .social-twitter-black a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/twitter-black.svg) no-repeat} .social-facebook-black a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/facebook-black.svg) no-repeat} .social-rss-black a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/rss-black.svg) no-repeat} .social-mail a:hover{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/mail-hover.svg) no-repeat;} .social-twitter a:hover{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/twitter-hover.svg) no-repeat;} .social-facebook a:hover{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/facebook-hover.svg) no-repeat;} .social-rss a:hover { background: url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/rss-hover.svg) no-repeat;} .social-search a:hover{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass-hover.svg) no-repeat;} .sb-icon-search :hover {background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass.svg) no-repeat;} /* override images that we dont want to go to margin */ .contentmiddle img.noexpand, .contentmiddle p img.noexpand, .contentmiddle img[src$="feed-icon16x16139.png"],img[title|="noexpand"], .contentmiddle div.noexpand img, .contentmiddle div.noexpand p img , .begbox img, .ct_comment_info img, ct_this_is_spam img, ct_comment_info div{ width:initial !important; display: block !important; line-height: 100%; } .noexpand img {width:initial !important;} /*this seems to work more reliably than above */ .contentmiddle img.oneXone {width: 1px !important; height: 1px !important;} .contentmiddle img.noexpand.center{display:block !important; } #footer { color: white; width: 100%; /*margin:0 auto; */ margin-bottom:100px; padding:28px 0 0 0px; font-family:"Muli", sans-serif; font-weight:400; clear:both; display:inline-block; } .framearound_ad_in_post{margin: .6rem 0px 2.4rem 0px; height:auto;max-height:120px; width:100%;padding:0px; border: 2px solid #D3D3D3; border-radius:8px;min-height:3rem; } .advertisement_notice{text-align:center; font-family:Arial, Helvetica, sans-serif; font-variant:small caps; color: #0183b2;} .begbox{color:white;width:100%;display:inline-block; background: #36b0d8; margin-left: -4px; padding: 0; font-family: Lora, "Lora", Times, serif;font-style:normal} .begbox img { width:250px ; margin: 8px auto} .begbox p, .begbox div {margin: 1em 0px 0 12px} .da_bottom {line-height:10%} .no-framearound_ad_in_post {padding-bottom: 25px; padding-top:15px; width: 100%} img.no-framearound_ad_in_post {width:100%} .responsive_belowheadline_ad{ height: 100%; display:inline-block; width:98%; min-height:70px; max-height:200px; margin-right:4px; padding-bottom: 10px; } /*comment box */ div.cbInner {background: #eaebe8; border-radius:8px ;} div.cbInner h5 {color: #000;} .comments {color:#000:;} /*bullets*/ /*set chevrons on all widgets don't turn it on for ul li in sidebars*/ /*.contentwrapper ul li li, */ .r_sidebar a:link,.r_sidebar a:visited,.r_sidebar a:hover,.middle_sidebar a:link,.middle_sidebar a:visited,.middle_sidebar a:hover{ font-size: 1.4rem; line-height: inherit; } .contentmiddle a:link, .contentwrapper a {text-decoration:none; } .l_sidebar ul li a:hover, .middle_sidebar ul li a:hover, .r_sidebar ul li a:hover, .contentmiddle a:hover { text-decoration:underline} #footer ul li {line-height:130%; list-style:none;} #footer ul li a:link {color:white; font-size:1.6rem; text-decoration:none;} #footer ul li a:hover {text-decoration:underline;} .l_sidebar li a, .r_sidebar li a, .middle_sidebar li a{ /*display:block; */ /*OC-typography.png */ text-decoration:none; padding-left: 1em; /*font-style:italic;*/ font-family:"Muli", sans-serif; _font-style:bold; font-weight:400; color:#394244; } .widgettitle{ _border-top-width: 1px; _border-top-style: dotted; _border-top-color: gray; font-family:"Lora", sans-serif !important; font-weight: 600; _font-size: 1.6rem; line-height: 19px; font-weight: bold; padding: 3px ; margin: 8px 2px 2px 1px !important; /*color: #898477; */ letter-spacing: -.5px; } .widgetbox ul,.widget_categories ul, .widget_archive ul { border-bottom: 1px dotted #d1ccbc ; padding-bottom: 30px !important; display:block;} .widgetbox li a, .widget_categories li a, .widget_archive li a {display:block;} .recent_post{ border-bottom: 1px dotted #d1ccbc; padding: 0 0 30px 0px; margin-bottom: 30px; line-height:150%; overflow:hidden; } .noborder, .middle_sidebar.noborder:link, div.noborder a {border-top: 0px white !important;} .contentmiddle ul li a{} /*set chevrons on all widgets don't turn it on for ul li in sidebars* .contentwrapper ul li li,*/ .contentmiddle li, .r_sidebar li, .l_sidebar li, .middle_sidebar li { /* background:url(data:image/gif;base64,R0lGODlhBQAFALMJANTPvq2ok8rGs8C8qMXBrrKtmLeynufj0+Pezvby4wAAAAAAAAAAAAAAAAAAAAAAACH5BAEAAAkALAAAAAAFAAUAQAQQcByCkqQpCQPCKYiBfCESAQA7) no-repeat 0 10px; */ list-style-type:none; zoom:1; margin-left: .8em; zoom: 1; padding-left: .2em; margin-bottom: .3em; line-height:1.9rem; } .contentmiddle ul li li :before , .r_sidebar ul li li :before, .middle_sidebar ul li li :before, .l_sidebar ul li li :before { /*content: "\25B8"; */ float:left; padding-right:1rem; font-style:normal;} .contentmiddle ul li li li :before {content:none;} .contentmiddle ul li {list-style-type: none; padding-right:.8rem; padding-bottom: .4rem; font-style:normal;} /*set general padding for Ul lists */ .contentwrapper ul { margin: 0; padding: 0 0 10px 0; background:none; } .middle_sidebar ul , .r_sidebar ul , .l_sidebar ul, .contentmiddle ul { background:none; list-style-type:none; } /*titles in widgets*/ .widgettitle, ul.l_sidebar li h2, ul.r_sidebar li h2, ul.middle_sidebar li h2, .middle_sidebar li h2 { font-weight:normal; padding:3px; margin:2px 2px 2px 1px; _font-family:Arial,Helvetica,sans-serif; font-family:Lora; color:#fc621f letter-spacing:-.5px; list-style-type:none; background: none !important; font-size: 1.9rem; } .r_sidebar ul {margin-left:-.6rem;} .middle_sidebar ul{ margin-top:1.2rem; margin-left:-1.1rem;} .middle_sidebar ul li {background:none } .contentmiddle li {background: none no-repeat 0 10px; list-style-type:none; zoom:1; /*margin-left: .8rem; */ zoom: 1; padding-left: .2rem; margin-bottom: 0rem; } /* turn off bullets on headers */ .contentwrapper ul {background:none;} /*lists inside lists */ .contentmiddle ul li li {margin-bottom:0rem; margin-left:5rem; list-style-type: none; } .contentwrapper ul {content:"";} .contentmiddle ul li li:before, .contentmiddle ul li:before, .middle_sidebar ul li li :before, /*put right triangle before bullets */ .middle_sidebar ul li li, .r_sidebar ul li li, .l_sidebar ul li li {line-height:inherit;} // Variables @colorBase: #394244; .transition (@prop: all, @time: 1s, @ease: linear) { -webkit-transition: @prop @time @ease; -moz-transition: @prop @time @ease; -o-transition: @prop @time @ease; -ms-transition: @prop @time @ease; transition: @prop @time @ease; } .universal-inline-block { display: inline-block; zoom: 1; *display: inline; } /* horizontal buttons */ div .social-icons2 { text-align: center; font-family: "Open Sans"; font-weight: 300; font-size: 1.5em; color: @colorBase; _margin: -2% -8% -2% -14%; } .social-icons2 ul { margin: 0; _padding: 0; list-style-type: none; text-align: center; } .social-icons2 ul li { _padding: 0px 8px 0px 6px; display:inline-block; text-indent:0; margin: 0px -4px 0px -4px;} .social-icons2 ul li a { text-decoration: none; _padding: .1rem .8rem; color: #fff; } .social-icons2-altmargin ul li {padding: 0 20px;} .social-icons2 ul li a:hover{ color: #1497c2; } .margin_left_10 {margin-left:-10px;} .white_background {background-color:white;} .oc-center, .oc-center img { width:100% ; max-width:100% !important; margin:0 auto; display:block; text-align:center;} .oc-center-da, .oc-center-da img, .oc-center-da object, .oc-center-da img { max-width: 100% !important; width: 100% !important; margin:0 auto; display: block; text-align:center;} /*fix expanding captcha refresh */ #fscf_captcha_refresh1 {width: 24px;height: 24px;} .oc-video-container { position: relative; _padding-bottom: 63.25%; padding-bottom:54%; padding-top: 10px; height: 0; } a.mashicon-reddit{background-color: darkred;} /* allow for override of img resizer */ .contentmiddle div.oc-no-resize-center img{ width: inherit !important; margin 0 auto; float:left} /*#footer img{width:inherit!important ;} */ /*footer stuff */ #flexcanvas{ width: 100%; max-width:100%; _height: 600px !important; margin-left: 3px; } .rowParent, .columnParent{ display: -webkit-box; display: -ms-flexbox; display: -webkit-flex; display: flex; -webkit-box-direction: normal; -webkit-box-orient: horizontal; -webkit-flex-direction: row; -ms-flex-direction: row; flex-direction: row; -webkit-flex-wrap: nowrap; -ms-flex-wrap: nowrap; flex-wrap: nowrap; -webkit-box-pack: start; -webkit-justify-content: flex-start; -ms-flex-pack: start; justify-content: flex-start; -webkit-align-content: stretch; -ms-flex-line-pack: stretch; align-content: stretch; -webkit-box-align: stretch; -webkit-align-items: stretch; -ms-flex-align: stretch; align-items: stretch; } .columnParent{ -webkit-box-orient: vertical; -webkit-flex-direction: column; -ms-flex-direction: column; flex-direction: column; } .flexChild{ -webkit-box-flex: 1; -webkit-flex: 1; -ms-flex: 1; flex: 1; -webkit-align-self: auto; -ms-flex-item-align: auto; align-self: auto; margin:1px; font-size:1.3rem; /*border: 1px dotted #d1ccbc */ } .flexChild ul, .flexChild ul li {margin-left:-1.2rem;} .rowChild85696 {padding:1.8rem; margin-bottom:1.4rem} .rowChild9255 {margin:0px;} .minustopbottommargin20{margin-top:-20px !important; margin-bottom:-20px !important;} .minustopbottommargin40{margin-top:-40px !important; margin-bottom:-40px !important;} .minustopmargin20{margin-top:-20px !important;} .minustopmargin40{margin-top:-40px !important;} .curatedcategory ul li { text-decoration: none; list-style-type: none; padding: 0px; margin-left:1.0rem; line-height: 140%;} .curatedcategory ul {margin-left: 1.2rem;} .curatedcategory h2 {margin-left:1.0rem;} .curatedcategory h2 a {font-variant:small-caps;} .contentmiddle ol {list-style-type:decimal; font-size:inherit;} .contentmiddle ol li {list-style-type:decimal; font-size:inherit;line-spacing:120%;margin-bottom:.8rem;} input[type=search] { -moz-appearance:none; -webkit-appearance:none; } .sb-search { position: relative; color:#fff; border:none; width: 20px; width: 0%; min-width: 24px; min-height: 2.4rem; float: right; height:100%; overflow: hidden; -webkit-transition: width 0.3s; -moz-transition: width 0.3s; transition: width 0.6s; -webkit-backface-visibility: hidden; } .sb-search-input, input[type="search"] { position: absolute; top: -6px; right: 0px; border: none; outline: none; margin-right:24px; width: 100%; height: 88%; min-height:2.5rem; _margin: 8px 2px 8px 2px; z-index: 25; _padding: 4px 65px 4px 20px; font-family: inherit; font-size: 1.8rem; color: white; background-color:#1497c2; } input[type="search"] {background-color:#1497c2;} .sb-icon-search, .sb-search-submit { display:block; position: absolute; border:none; right: 0; top: 0; float: right; padding: 0; _margin: 0; _line-height: 24px; text-align: center; cursor: pointer; background-color:#fff; _background-color:#1497c2; _height:1.9rem; color:white; width: 1.6rem; height: 2.3rem; _margin-top: 6px; } .sb-search-submit { background: #fff; /* IE needs this */ -ms-filter: "progid:DXImageTransform.Microsoft.Alpha(Opacity=0)"; /* IE 8 */ filter: alpha(opacity=0); /* IE 5-7 */ opacity: 0; color: transparent; border: none; outline: none; z-index: -1; width: 100%; } /*.sb-icon-search{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass.svg) no-repeat;} */ .sb-icon-search{ color:white; background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass.svg) no-repeat; background-position-y:center; background-margin-y:4px;} li.search-popout {_display:none; top:.8rem;} .sb-search form {min-height:20px;} input[type=text].sb-search-input,textarea.sb-search-input {background-color:#1497c2; color:#FFF;} #navbar :after {clear:both;} /* fix placeholder color */ ::-webkit-input-placeholder { /* WebKit, Blink, Edge */ color: #fff; } :-moz-placeholder { /* Mozilla Firefox 4 to 18 */ color: #fff; opacity: 1; } ::-moz-placeholder { /* Mozilla Firefox 19+ */ color: #fff; opacity: 1; } :-ms-input-placeholder { /* Internet Explorer 10-11 */ color: #fff; } .sb-search.sb-search-open, .no-js .sb-search { width: 100%; min-width:300px; min-width: 75vw; margin-left: -10vw; overflow:visible;; } .sb-search.sb-search-open .sb-icon-search, .no-js .sb-search .sb-icon-search { z-index: 11; } .sb-search.sb-search-open .sb-search-submit, .no-js .sb-search .sb-search-submit { z-index: 90; } .negativetopmargin50 {margin-top:-50px;} .negativetopmargin40 {margin-top:-40px;} .negativetopmargin20 {margin-top:-20px;} .bulleted, .bulleted ul {list-style-type: disc;} .bulleted ul li, .contentmiddle.p1 ul li, .p1 li, .contentmiddle li,.contentmiddle.p1 ul li,.entry ul li, .entry ul {list-style-type: disc;} #last, .last a, .li a last {color:black !important;} .cli-bar-message {font-family:Lora,"Lora",Times,serif;} .addtoany_shortcode div {margin-top: 14px;} /*Step 5 aesthetic tweaks, including column width changes*/ @media only screen and (min-width: 1200px) { body { margin-top:1rem !important;} } @media only screen and (max-width:1024px) and (min-width:930px){ body { _font-size:88%; margin-top: 15px;} ul li#K-12{display:inline} .contentmiddle{width:54%!important} #clearfixheader{ margin-top:30px !important;} #ad_logo_wrapper { margin-left:.2rem; margin-top: 4rem !important;} #navbar {margin-top: -2rem !important;width:100%;} #ad_logo_wrapper {margin: 0 3% 0 3% !important; width:93% !important;} .contentwrapper {width: 94% !important; margin: 6px 1rem 0 1rem !important; _margin: 12px 7% 0 7%;} } @media only screen and (max-width:929px) and (min-width:890px){ #ad_logo_wrapper {margin-left:2% !important; margin-right:2% !important; width:96% !important;} #clearfixheader{ margin-top:65px !important;} .contentmiddle{width:64% !important;} .middle_sidebar{width:34% !important;} } @media only screen and (max-width:891px) and (min-width:821px){ /* less than 891 px, more than 821, run all three ads */ .contentmiddle{width:64% !important;} .middle_sidebar{width:34% !important;} html{margin-top:45px;;} #clearfixheader{ margin-top:60px !important;} /* #wrap{margin-top:100px !important;}*/ /* .left{background: url("/wp-content/themes/openculture_v3a/images/big_white_logo.png") no-repeat !important; min-width:60px !important;} */ #ad_logo_wrapper {margin-left:1% !important; margin-right:1% !important; width:98% !important;} /*.contentwrapper {width:94% !important; margin: 6px 2% 0 2%!important; _margin: 12px 7% 0 7%;} */ } @media only screen and (max-width:814px)and (min-width:740px){ /* less than 820, less than 740, push right sidebar down with wide middle sidebar */ /* this is ipad portrait mode */ /* .r_sidebar{display:none!important} */ html{margin-top:40px;;} .contentmiddle{width:66% !important} .middle_sidebar{width:34% !important} #ad_logo_wrapper {margin-left:2% !important; margin-right:2% !important; width:96% !important;} /*.contentwrapper {width:94% !important; margin: 1.5rem 0rem 0 2rem !important; _margin: 12px 7% 0 7%;} */ #clearfixheader{ margin-top:30px !important;} } @media only screen and (max-width:739px)and (min-width:569px){ /*ipad portrait =768 */ html{font-size:70%; margin-top:30px !important;} .r_sidebar{display:none!important} .contentmiddle{width:62%!important} .middle_sidebar{width:30% !important} /* .contentwrapper {width:94% !important; margin: 0px 3% 0 3% !important;} */ #navbar {margin-top: 4rem !important;} #clearfixheader { margin-bottom: 2rem !important; margin-top:20px !important;} #ad_logo_wrapper {margin-left:4% !important; margin-right:4% !important; width:96% !important;} /* #wrap{margin-top:20px !important;}*/ .middle_sidebar{border-right:solid 0px #fff!important} .right{float:none !important; margin: 0 auto; text-align:center !important;} } @media only screen and (max-width:568px)and (min-width:536px){ /* iphone 6 landscape */ /*h1{font-size:1.3rem} */ html{font-size:72%; margin-top:40px !important;} .contentmiddle{width:100%!important;} .middle_sidebar{display:none!important;} .r_sidebar{display:none!important} /* #wrap{margin-top:30px !important}}*/ #navbar {margin-top: -1.2rem !important } #clearfixheader { margin-bottom: -1.4rem !important; margin-top:20px !important; } .right{width:100%;float:none !important; margin: 0 auto; text-align:center !important;} #ad_logo_wrapper {margin-left:2% !important; margin-right:2% !important; width:96% !important; } /* .contentwrapper {width:96% !important; margin: 1rem 3% 0 3% !important; _margin: 12px 7% 0 7%;} */ } @media only screen and (max-width:535px){ /* */ /*h1{font-size:1.3rem} */ html{font-size:64%; margin-top:0px !important;} .contentmiddle{width:100%!important;} .middle_sidebar{display:none!important;} .r_sidebar{display:none!important} /* #wrap{margin-top:30px !important}}*/ #navbar {margin-top: 1.8rem !important;} #clearfixheader { margin-bottom: -1rem !important; display: inline-flex; height: 100%; margin-top: 35px !important;;} .bottom {min-height:40px !important;margin-top:14px;} .right{float:none 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class="adsbygoogle" style="display:block" data-ad-client="ca-pub-1184791463292965" data-ad-slot="1279265463" data-ad-format="auto"></ins><br> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script></div> </div> <div class="recent_post"> <h1 id="post-76586" ><a href="https://www.openculture.com/2013/09/the-james-merrill-digital-archive.html" rel="bookmark" title="Permanent Link to The James Merrill Digital Archive Lets You Explore the Creative Life of a Great American Poet"> The James Merrill Digital Archive Lets You Explore the Creative Life of a Great American Poet </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/archives" rel="category tag">Archives</a>, <a href="https://www.openculture.com/category/poetry" rel="category tag">Poetry</a> </em> | September 30th, 2013 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>  <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-76586" class="post-76586 post type-post status-publish format-standard hentry category-archives category-poetry"> <p><a href="http://cdn8.openculture.com/wp-content/uploads/2013/09/wul_eh_merrill_shoot_2013_2.jpg"><img fetchpriority="high" decoding="async" class="alignleft size-full wp-image-76587 native-lazyload-js-fallback" alt="wul_eh_merrill_shoot_2013_2" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" width="480" height="320" loading="lazy" data-src="https://cdn8.openculture.com/wp-content/uploads/2013/09/wul_eh_merrill_shoot_2013_2-e1380598926410.jpg" data-srcset="https://cdn8.openculture.com/wp-content/uploads/2013/09/wul_eh_merrill_shoot_2013_2-e1380598926410.jpg 480w, https://cdn8.openculture.com/wp-content/uploads/2013/09/wul_eh_merrill_shoot_2013_2-e1380598926410-150x100.jpg 150w, https://cdn8.openculture.com/wp-content/uploads/2013/09/wul_eh_merrill_shoot_2013_2-e1380598926410-300x200.jpg 300w" data-sizes="(max-width: 480px) 100vw, 480px"><noscript><img loading="lazy" fetchpriority="high" decoding="async" class="alignleft size-full wp-image-76587" alt="wul_eh_merrill_shoot_2013_2" src="https://cdn8.openculture.com/wp-content/uploads/2013/09/wul_eh_merrill_shoot_2013_2-e1380598926410.jpg" width="480" height="320" srcset="https://cdn8.openculture.com/wp-content/uploads/2013/09/wul_eh_merrill_shoot_2013_2-e1380598926410.jpg 480w, https://cdn8.openculture.com/wp-content/uploads/2013/09/wul_eh_merrill_shoot_2013_2-e1380598926410-150x100.jpg 150w, https://cdn8.openculture.com/wp-content/uploads/2013/09/wul_eh_merrill_shoot_2013_2-e1380598926410-300x200.jpg 300w" sizes="(max-width: 480px) 100vw, 480px"></noscript></a></p> <p>The Ouija-inspired poetry of Pulitzer Prize-winning poet <a href="http://www.poetryfoundation.org/bio/james-merrill">James Merrill</a> (1926–1995) comes alive in a <a href="http://digital.wustl.edu/jamesmerrillarchive">newly launched digital archive</a> from Washington University in St. Louis. Visitors to the site can explore notebook after notebook bearing Merrill’s handwritten notes in all caps—<a href="http://omeka.wustl.edu/omeka/exhibits/show/jamesmerrillarchive/ouijatranscripts">colorful transcripts</a> from his “Thousand and One Evenings Spent/ With [partner] David Jackson at the Ouija Board/ In Touch with Ephraim Our Familiar Spirit.” Merrill, the son of Charles E. Merrill, cofounder of the Merrill Lynch investment firm, was considered one of the most significant American poets of his generation.</p> <p>The occult was central to all of Merrill’s later work, including <a href="http://www.nytimes.com/books/01/03/04/specials/merrill-pageant.html">“The Book of Ephraim,”</a> which is the current focus of the <a href="http://www.poetryfoundation.org/bio/james-merrill">James Merrill Digital Archive</a>. Merrill’s complex and highly unusual creative process is evident in the materials presented, all of them drawn from the extensive James Merrill Papers housed in the university’s Special Collections.</p> <p>In a description on the site, project collaborator and graduate student Annelise Duerden (pictured at center below) points out that “the opening to ‘The Book of Ephraim’ clamors for a medium ‘that would reach / The widest public in the shortest time,’ and we hope that digital archiving can provide such an entrance to Merrill’s work, and to the richness of the process behind his finished poem.”</p> <p><a href="http://cdn8.openculture.com/wp-content/uploads/2013/09/wul_eh_merrill_shoot_2013_10.jpg"><img decoding="async" class="alignleft size-full wp-image-76588 native-lazyload-js-fallback" alt="wul_eh_merrill_shoot_2013_10" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" width="480" height="320" loading="lazy" data-src="https://cdn8.openculture.com/wp-content/uploads/2013/09/wul_eh_merrill_shoot_2013_10-e1380599565499.jpg" data-srcset="https://cdn8.openculture.com/wp-content/uploads/2013/09/wul_eh_merrill_shoot_2013_10-e1380599565499.jpg 480w, https://cdn8.openculture.com/wp-content/uploads/2013/09/wul_eh_merrill_shoot_2013_10-e1380599565499-150x100.jpg 150w, https://cdn8.openculture.com/wp-content/uploads/2013/09/wul_eh_merrill_shoot_2013_10-e1380599565499-300x200.jpg 300w" data-sizes="(max-width: 480px) 100vw, 480px"><noscript><img loading="lazy" decoding="async" class="alignleft size-full wp-image-76588" alt="wul_eh_merrill_shoot_2013_10" src="https://cdn8.openculture.com/wp-content/uploads/2013/09/wul_eh_merrill_shoot_2013_10-e1380599565499.jpg" width="480" height="320" srcset="https://cdn8.openculture.com/wp-content/uploads/2013/09/wul_eh_merrill_shoot_2013_10-e1380599565499.jpg 480w, https://cdn8.openculture.com/wp-content/uploads/2013/09/wul_eh_merrill_shoot_2013_10-e1380599565499-150x100.jpg 150w, https://cdn8.openculture.com/wp-content/uploads/2013/09/wul_eh_merrill_shoot_2013_10-e1380599565499-300x200.jpg 300w" sizes="(max-width: 480px) 100vw, 480px"></noscript></a></p> <p>Duerden, herself an active poet, says she was impressed by Merrill’s “imaginative force” and “relentless energy for revision” while helping build the <a href="http://digital.wustl.edu/jamesmerrillarchive">archive</a> this past summer along with staff from Washington University Libraries and the Humanities Digital Workshop.</p> <p>“Merrill originally imagined constructing his story of Ephraim in the form of a novel,” she says. “He planned to write it for some time, began work on it, then lost the pages in a taxi, and gave up on the idea of the novel of Ephraim, instead writing it in poetic form. In a Ouija session, Ephraim later claimed credit for losing the novel.”</p> <p>“The Book of Ephraim” was first published in Merrill’s book <i>Divine Comedies</i> in 1976 and later as the first installment of his apocalyptic epic <i>The Changing Light at Sandover</i>, one of the longest poems in any language and featuring voices ranging from the then-recently deceased poet W. H. Auden to the Archangel Michael.</p> <p><i>Evie Hemphill (</i><a href="https://twitter.com/evhemphill"><i>@evhemphill</i></a><i>) is a writer and photographer for </i><a href="http://library.wustl.edu/"><i>Washington University Libraries</i></a><i> in St. Louis.</i></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/dancolman" title="Posts by OC" rel="author">OC</a> | <a href="https://www.openculture.com/2013/09/the-james-merrill-digital-archive.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2013/09/the-james-merrill-digital-archive.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2013/09/the-james-merrill-digital-archive.html#comments">1</a> ) | </p>   </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-76516" ><a href="https://www.openculture.com/2013/09/virginia-woolf-writes-about-joyces-ulysses-never-did-any-book-so-bore-me-and-quits-at-page-200.html" rel="bookmark" title="Permanent Link to Virginia Woolf on James Joyce’s <i>Ulysses</i>, “Never Did Any Book So Bore Me.” Shen Then Quit at Page 200"> Virginia Woolf on James Joyce’s <i>Ulysses</i>, “Never Did Any Book So Bore Me.” Shen Then Quit at Page 200 </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/books" rel="category tag">Books</a>, <a href="https://www.openculture.com/category/literature" rel="category tag">Literature</a> </em> | September 30th, 2013 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>  <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-76516" class="post-76516 post type-post status-publish format-standard has-post-thumbnail hentry category-books category-literature"> <p><a href="https://cdn8.openculture.com/wp-content/uploads/2013/09/woolf-joyce-e1418090469320.png"><img decoding="async" class="alignleft size-full wp-image-100340 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt="woolf joyce" width="480" height="386" loading="lazy" data-src="https://cdn8.openculture.com/wp-content/uploads/2013/09/woolf-joyce-e1418090469320.png" data-srcset="https://cdn8.openculture.com/wp-content/uploads/2013/09/woolf-joyce-e1418090469320.png 480w, https://cdn8.openculture.com/wp-content/uploads/2013/09/woolf-joyce-e1418090469320-150x121.png 150w, https://cdn8.openculture.com/wp-content/uploads/2013/09/woolf-joyce-e1418090469320-300x241.png 300w" data-sizes="(max-width: 480px) 100vw, 480px"><noscript><img loading="lazy" decoding="async" class="alignleft size-full wp-image-100340" src="https://cdn8.openculture.com/wp-content/uploads/2013/09/woolf-joyce-e1418090469320.png" alt="woolf joyce" width="480" height="386" srcset="https://cdn8.openculture.com/wp-content/uploads/2013/09/woolf-joyce-e1418090469320.png 480w, https://cdn8.openculture.com/wp-content/uploads/2013/09/woolf-joyce-e1418090469320-150x121.png 150w, https://cdn8.openculture.com/wp-content/uploads/2013/09/woolf-joyce-e1418090469320-300x241.png 300w" sizes="(max-width: 480px) 100vw, 480px"></noscript></a></p> <p align="right"><small><em><a href="https://commons.wikimedia.org/wiki/File:Virginia_Woolf_1927.jpg">Image via Wikimedia Common</a>s</em></small></p> <p>Goodreads, that social network for the bookish, recently posted on its blog the results of a survey taken among its 20 million members with the melancholy title “<a href="http://www.goodreads.com/blog/show/424-what-makes-you-put-down-a-book">The Psychology of Abandonment</a>.” Complete with infographic, the survey gives us, among other things, a list of the “Top Five Abandoned Classics.” James Joyce’s <a href="https://www.gutenberg.org/ebooks/4300"><i>Ulysses</i></a> is third on the list, and I’m not at all surprised to find it there. One must know <i>Ulysses,</i> it seems, to merit consideration as a culturally literate person. But <i>Ulysses</i>, perhaps more than any work of modern literature, can easily discourage. It presents us with a landscape so psychologically complex, so dense with literary and historical allusion and contemporary cultural reference, that I cannot say I would have known what to do with it had I not read it under the auspices of an august Irish Joyce scholar and with Don Gifford’s guidebook <i><a href="http://amzn.to/18E5Ag7">Ulysses Annotated</a></i> ready at hand. I had nowhere near the breadth and depth of reading Joyce seems to assume of his ideal reader. Few people do.</p> <div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p>Two of Joyce’s contemporaries, however, had such a grasp of literature and language: T.S. Eliot and Virginia Woolf. And the two had quite a lot to say about the book, much of it to each other. Eliot recommended Joyce’s novel to Woolf, and very soon after its 1922 publication, she purchased her own copy. At the time, Woolf was hard at work on her story “Mrs. Dalloway on Bond Street,” which would eventually grow into her next novel, <a href="https://www.gutenberg.org/ebooks/71865"><i>Mrs. Dalloway</i></a>. She was also immersed in Proust’s epic <i>Remembrance of Things Past</i>, just beginning the second volume. <a href="http://modernism.research.yale.edu/wiki/index.php/Woolf's_Reading_of_Joyce's_Ulysses,_1922-1941">According to Dartmouth’s James Heffernan</a>, Woolf “chafes at the thought of <i>Ulysses</i>,” writing haughtily:</p> <p style="padding-left: 30px;">Oh what a bore about Joyce! Just as I was devoting myself to Proust—Now I must put aside Proust—and what I suspect is that Joyce is one of those undelivered geniuses, whom one can’t neglect, or silence their groans, but must help them out, at considerable pains to oneself.</p> <p>Heffernan chronicles Woolf’s reading of <i>Ulysses</i>, which she documented in her diary in a “withering assessment” as the work of “a self-taught working man… egotistic, insistent, raw, striking, & ultimately nauseating.” “When one can have cooked flesh,” she writes, “why have the raw?”</p> <p>This private critical opinion Woolf recorded after reading only 200 pages of the novel. Heffernan makes the case that she read no more thereafter. Though she claimed to have “finished <i>Ulysses</i>,” he takes her to mean she had finished <em>with</em> the book, putting it aside like those bewildered, bored, or exasperated Goodreads members. Nevertheless, Woolf could not shake Joyce. She continued to write about him, to Eliot and herself. “Never did any book so bore me,” she would write, and many more very disparaging remarks about her brilliant contemporary.</p> <p>Over and again she savaged Joyce in her diaries; so much so that it seems to Heffernan and Woolf scholar Suzette Henke that hers is a case of protesting too much against an author whom, Henke alleges, was her “artistic ‘double,’ a male ally in the modernist battle for psychological realism.” This may indeed be so. In the midst of her characterizations of Joyce as uncouth, boring, “underbred” and worse, she admits in her diary that what she attempted in her fiction was “probably being better done by Mr. Joyce.” While hardly any reader of <i>Ulysses</i>—among those who finish it and those who don’t—can say they are attempting something near what he accomplished, we might all find some solace in knowing that a reader as sharp as Virginia Woolf found his modernist masterpiece either so boring or so intimidating that even she may not have been able to finish it.</p> <p><strong>Related Content:</strong></p> <p><a href="http://www.openculture.com/2013/06/on_bloomsday_hear_james_joyce_read_from_his_epic_iulyssesi_1924.html">On Bloomsday, Hear James Joyce Read From his Epic Ulysses, 1924</a></p> <p><a href="http://www.openculture.com/2013/07/ulysses-seen-reading-james-joyces-classic-in-graphic-novel-form.html">Read Ulysses Seen, A Graphic Novel Adaptation of James Joyce’s Classic</a></p> <p><a href="http://www.openculture.com/2013/01/watch_patti_smith_read_from_virginia_woolf_and_hear_the_only_surviving_recording_of_woolfs_voice.html">Watch Patti Smith Read from Virginia Woolf, and Hear the Only Surviving Recording of Woolf’s Voice</a></p> <p><a href="http://www.openculture.com/2012/04/james_joyces_ulysses_a_free_audio_book.html">James Joyce’s <i>Ulysses</i>: Download the Free Audio Book</a> (also find in our collection of <a href="http://www.openculture.com/free_ebooks">Free eBooks</a>)</p> <p><em><a href="http://about.me/jonesjoshua">Josh Jones</a> is a writer and musician based in Durham, NC. Follow him at <a href="https://twitter.com/jdmagness">@jdmagness</a></em></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/jdavidjones" title="Posts by Josh Jones" rel="author">Josh Jones</a> | <a href="https://www.openculture.com/2013/09/virginia-woolf-writes-about-joyces-ulysses-never-did-any-book-so-bore-me-and-quits-at-page-200.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2013/09/virginia-woolf-writes-about-joyces-ulysses-never-did-any-book-so-bore-me-and-quits-at-page-200.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2013/09/virginia-woolf-writes-about-joyces-ulysses-never-did-any-book-so-bore-me-and-quits-at-page-200.html#comments">20</a> ) | </p>   </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-76485" ><a href="https://www.openculture.com/2013/09/slavoj-zizeks-perverts-guide-to-ideology.html" rel="bookmark" title="Permanent Link to Slavoj Žižek’s <i>Pervert’s Guide to Ideology</i> Decodes <i>The Dark Knight</i> and <i>They Live</i>"> Slavoj Žižek’s <i>Pervert’s Guide to Ideology</i> Decodes <i>The Dark Knight</i> and <i>They Live</i> </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/film" rel="category tag">Film</a>, <a href="https://www.openculture.com/category/philosophy" rel="category tag">Philosophy</a> </em> | September 30th, 2013 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>  <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-76485" class="post-76485 post type-post status-publish format-standard hentry category-film category-philosophy"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/F4WAXQJyxCo?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p>  </p></div> <p></p> <p>Do we have a more energetic commentator on popular culture than <a href="http://www.egs.edu/faculty/slavoj-zizek/biography/">Slavoj Žižek</a>, the Slovenian philosophy professor who has risen to the role the <em>Chronicle of Higher Education </em>calls “the Elvis of cultural theory”? In the 2006 essay film <em>The Pervert’s Guide to Cinema</em>, Žižek offered psychoanalytic readings of such pictures as <em>The Red Shoes</em>, <em>Alien</em>, and <em>The Matrix. </em>(See him take on <em>Vertigo</em> in <a href="http://www.openculture.com/2012/09/philosopher_slavoj_zizek_interprets_hitchcocks_ivertigoi_in_ithe_perverts_guide_to_cinemai_2006.html">a clip featured here</a> before.) Now he returns with a sequel, <em>The Pervert’s Guide to Ideology</em>. At the top, you can see him <a href="http://youtu.be/F4WAXQJyxCo" rel="nofollow">expound upon the role of ideology in <em>They Live</em></a>, John Carpenter’s 1988 science-fiction semi-comedy in which wrestler “Rowdy” Roddy Piper happens upon a pair of sunglasses that, when worn, reveal a host of sinister alien commandments behind advertising and the media. “These glasses function like critique-of-ideology glasses,” Žižek asserts.“We live, so we are told, in a post-ideological society. We are addressed by social authority not as subjects who should do their duty, but subjects of pleasures: ‘Realize your true potential,’ ‘Be yourself,’ ‘Lead a satisfying life.’ When you put the glasses on, you see dictatorship in democracy.”</p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/VRp46PuZDek?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p>  </p></div> <p></p> <p>Just above, Žižek <a href="http://youtu.be/VRp46PuZDek" rel="nofollow">looks into the ideology of <em>The Dark Knight</em></a>, Christopher Nolan’s second Batman movie. “Who is Joker?” he asks. “Which is the lie he is opposing? The truly disturbing thing about <em>The Dark Knight</em> is that it elevates a lie into a general social principle: the principle of organization of our social, political life, as if our societies can remain stable, can function, only if based on a lie, as if the truth — and this telling the truth is embodied in Joker — means destruction.” Last year at the Toronto International Film festival, Žižek participated in an on-stage conversation about the project (<a href="http://www.youtube.com/watch?v=rl1-UqXIIIE&list=PL6Ma-dhtWIRS4Rw986QnrtO7SLdlz_cjC">introduction</a>, <a href="http://www.youtube.com/watch?v=rC-hUGGVeKg&list=PL6Ma-dhtWIRS4Rw986QnrtO7SLdlz_cjC">part one</a>, <a href="http://www.youtube.com/watch?v=mxVq-Rey584&list=PL6Ma-dhtWIRS4Rw986QnrtO7SLdlz_cjC">two</a>), “explaining” in his inimitably roundabout fashion some of the thinking behind these cinematic cultural analyses. <em>The Pervert’s Guide to Ideology</em> also uses other big-name movies like <em>Taxi Driver, Titanic</em>, <em>West Side Story </em>(and <em>Jaws</em>, some of which you can see him comment briefly upon in <a href="http://youtu.be/NUKbhKV7Ia8">the trailer</a>) as jumping off points for extended monologues on the unseen forces that he finds shape our beliefs and behavior. Unseen, of course, unless you’ve got those superpowered sunglasses — or unless, even more unconventionally, you’ve got a mind like Slavoj Žižek’s.</p> <p>via <a href="http://www.metafilter.com/132317/eating-out-of-the-trash-can">Metafilter</a></p> <p><strong>Related Content:</strong></p> <p><a href="http://www.openculture.com/2012/06/zizek.html" rel="nofollow"><em>Žižek!</em>: 2005 Documentary Reveals the “Academic Rock Star” and “Monster” of a Man</a></p> <p><a href="http://www.openculture.com/2010/08/good_capitalist_karma_zizek_animated.html">Good Capitalist Karma: Zizek Animated</a></p> <p><a href="http://www.openculture.com/2011/09/slavoj_zizek_how_the_marx_brothers_embody_freuds_model_of_the_psyche.html" rel="nofollow">Slavoj Žižek: How the Marx Brothers Embody Freud’s Id, Ego & Super-Ego</a></p> <p><a href="http://www.openculture.com/2013/04/a_shirtless_slavoj_zizek_explains_the_purpose_of_philosophy_from_the_comfort_of_his_bed.html">A Shirtless Slavoj Žižek Explains the Purpose of Philosophy from the Comfort of His Bed</a></p> <p><a href="http://www.openculture.com/2012/11/tour_of_slavoj_zizeks_pad.html">After a Tour of Slavoj Žižek’s Pad, You’ll Never See Interior Design in the Same Way</a></p> <p><i>Colin Marshall hosts and produces </i><a href="http://blog.colinmarshall.org/">Notebook on Cities and Culture</a><i> and writes essays on literature, film, cities, Asia, and aesthetics. He’s at work on a book about Los Angeles</i>, <a href="http://www.kcet.org/socal/departures/landofsunshine/a-los-angeles-primer/">A Los Angeles Primer</a>. <em>Follow</em><i> him on Twitter at </i><a href="https://twitter.com/#%21/colinmarshall"><i>@colinmarshall</i></a><i>.</i></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/cjmarshall" title="Posts by Colin Marshall" rel="author">Colin Marshall</a> | <a href="https://www.openculture.com/2013/09/slavoj-zizeks-perverts-guide-to-ideology.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2013/09/slavoj-zizeks-perverts-guide-to-ideology.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2013/09/slavoj-zizeks-perverts-guide-to-ideology.html#comments">3</a> ) | </p>   </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-75570" ><a href="https://www.openculture.com/2013/09/the-complete-wizard-of-oz-series-available-as-free-ebooks-and-free-audio-books.html" rel="bookmark" title="Permanent Link to The Complete <i>Wizard of Oz Series</i>, Available as Free eBooks and Free Audio Books"> The Complete <i>Wizard of Oz Series</i>, Available as Free eBooks and Free Audio Books </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/audio_books" rel="category tag">Audio Books</a>, <a href="https://www.openculture.com/category/e-books" rel="category tag">e-books</a>, <a href="https://www.openculture.com/category/k-12" rel="category tag">K-12</a> </em> | September 29th, 2013 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>  <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-75570" class="post-75570 post type-post status-publish format-standard hentry category-audio_books category-e-books category-k-12"> <p><img loading="lazy" decoding="async" width="493" height="609" class="alignleft size-full wp-image-1016584 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt="wizard of oz original cover" data-src="https://cdn8.openculture.com/wp-content/uploads/2013/09/wizard-of-oz-original-cover.png" data-srcset="https://cdn8.openculture.com/wp-content/uploads/2013/09/27222217/wizard-of-oz-original-cover.png 493w, https://cdn8.openculture.com/wp-content/uploads/2013/09/27222217/wizard-of-oz-original-cover-121x150.png 121w, https://cdn8.openculture.com/wp-content/uploads/2013/09/27222217/wizard-of-oz-original-cover-243x300.png 243w, https://cdn8.openculture.com/wp-content/uploads/2013/09/27222217/wizard-of-oz-original-cover-300x371.png 300w" data-sizes="auto, (max-width: 493px) 100vw, 493px"><noscript><img loading="lazy" loading="lazy" decoding="async" width="493" height="609" class="alignleft size-full wp-image-1016584" src="https://cdn8.openculture.com/wp-content/uploads/2013/09/wizard-of-oz-original-cover.png" alt="wizard of oz original cover" srcset="https://cdn8.openculture.com/wp-content/uploads/2013/09/27222217/wizard-of-oz-original-cover.png 493w, https://cdn8.openculture.com/wp-content/uploads/2013/09/27222217/wizard-of-oz-original-cover-121x150.png 121w, https://cdn8.openculture.com/wp-content/uploads/2013/09/27222217/wizard-of-oz-original-cover-243x300.png 243w, https://cdn8.openculture.com/wp-content/uploads/2013/09/27222217/wizard-of-oz-original-cover-300x371.png 300w" sizes="auto, (max-width: 493px) 100vw, 493px"></noscript></p> <p>The classic Wizard of Oz series was written by L. Frank Baum between 1900 and 1920. There are 14 volumes in total, starting with the most well-known book, <em>The Wonderful Wizard of Oz. </em>Below we’ve gathered every volume in the series, in both text and audio formats. If you have questions about how to load files onto your Kindle, please see this <a href="http://www.youtube.com/watch?v=vV_fsV3Gbao&feature=youtu.be">instructional video</a>. You can find early film adaptations of <em>The Wizard of Oz</em> in our collection of <a href="http://www.openculture.com/freemoviesonline">Free Movies Online</a>. Plus elsewhere on our site we have the complete <em><a href="http://www.openculture.com/2011/12/the_chronicles_of_narnia_free.html">Chronicles of Narnia</a> </em>(in audio)<em> </em>by CS Lewis, another enduring children’s classic.</p> <p><em>The Wonderful Wizard of Oz  — Volume 1</em></p> <ul> <li>Text: <a href="http://itunes.apple.com/us/book/the-wonderful-wizard-of-oz/id395544690?mt=11">iPad/iPhone</a> — <a href="http://www.gutenberg.org/etext/55">Kindle + Other Formats</a></li> <li>Audio: <a href="https://itunes.apple.com/us/itunes-u/the-wonderful-wizard-of-oz/id384533349?mt=10" rel="nofollow">Free iTunes</a> — <a href="http://etc.usf.edu/lit2go/158/the-wonderful-wizard-of-oz/">Free MP3</a></li> </ul> <p><em>Note</em>: If you want to read online a first edition copy of <em>The Wonderful Wizard of Oz</em>, you can do so thanks to The Library of Congress. Click here: <a href="http://hdl.loc.gov/loc.rbc/gen.32405">Page Turner</a> -<a href="http://hdl.loc.gov/loc.rbc/general.32405.1">PDF</a></p> <p><em>The Marvelous Land of Oz</em> <em>– Volume 2</em></p> <ul> <li>Text: <a href="https://itunes.apple.com/us/book/the-marvelous-land-of-oz/id498473354?mt=11">iPad/iPhone</a> — <a href="http://www.gutenberg.org/ebooks/54">Kindle + Other Formats</a></li> <li>Audio: <a href="https://itunes.apple.com/us/podcast/the-marvelous-land-of-oz/id304103829?mt=2">Free iTunes</a> — <a href="http://librivox.org/the-marvelous-land-of-oz-by-l-frank-baum/">Free MP3</a></li> </ul> <p></p><center><iframe loading="lazy" style="border: none; max-width: 900px; max-height: 600px;" frameborder="0" height="250" marginwidth="0" scrolling="no" src="https://rcm-na.amazon-adsystem.com/e/cm?t=openculture-20&o=1&p=12&l=ur1&category=audible&banner=1ATTNKX8Y3TY31EHYR82&f=ifr&linkID=3GTLOIWXLIV2X6QU" width="300"></iframe>></center><em>Ozma of Oz — Volume 3</em> <ul> <li>Text:  <a href="https://itunes.apple.com/us/book/ozma-of-oz/id498729640?mt=11">iPad/iPhone</a> — <a href="http://www.gutenberg.org/ebooks/486">Kindle + Other Formats</a></li> <li>Audio: <a href="https://itunes.apple.com/us/podcast/ozma-oz-version-3-by-baum/id667301800?mt=2">Free iTunes</a> — <a href="http://librivox.org/ozma-of-oz-dramatic-reading-by-l-frank-baum/">Free MP3</a></li> </ul> <p><em>Dorothy and the Wizard of Oz</em> -<em>- Volume 4</em></p> <ul> <li>Text: <a href="http://www.gutenberg.org/ebooks/420">Kindle + Other Formats</a> — <a href="http://www.literaturepage.com/read/dorothy-and-wizard-in-oz.html">Read Online</a></li> <li>Audio: <a href="https://itunes.apple.com/us/itunes-u/dorothy-and-the-wizard-in-oz/id384520075?mt=10" rel="nofollow">Free iTunes</a> — <a href="http://etc.usf.edu/lit2go/193/dorothy-and-the-wizard-in-oz/">Free MP3s</a></li> </ul> <p><em>The Road to Oz — Volume 5</em></p> <ul> <li>Text: <a href="https://itunes.apple.com/us/book/the-road-to-oz/id510951886?mt=11">iPad/iPhone</a> — <a href="http://www.gutenberg.org/ebooks/485">Kindle + Other Formats</a> — <a href="http://www.literature.org/authors/baum-l-frank/the-road-to-oz/">Read Online</a></li> <li>Audio: <a href="https://itunes.apple.com/us/podcast/road-to-oz-version-2-by-baum/id667583868?mt=2">Free iTunes</a> — <a href="http://librivox.org/the-road-to-oz-by-l-frank-baum/">Free MP3</a></li> </ul> <p><em>The Emerald City of Oz — Volume 6</em></p> <ul> <li>Text: <a href="https://itunes.apple.com/us/book/the-emerald-city-of-oz/id498914536?mt=11">iPad/iPhone</a> — <a href="http://www.gutenberg.org/ebooks/517">Kindle + Other Formats</a> — <a href="http://www.literaturepage.com/read/emerald-city-of-oz.html">Read Online</a></li> <li>Audio: <a href="https://itunes.apple.com/us/itunes-u/the-emerald-city-of-oz/id384520129?mt=10" rel="nofollow">Free iTunes</a> — <a href="http://etc.usf.edu/lit2go/123/the-emerald-city-of-oz/">Free MP3s</a></li> </ul> <p><em>The Patchwork Girl of Oz -</em><em>- Volume 7</em></p> <ul> <li><span style="line-height: 15.994318008422852px;"><span style="line-height: 15.994318008422852px;">Text: </span></span><a href="https://itunes.apple.com/us/book/the-patchwork-girl-of-oz/id498918355?mt=11">iPad/iPhone</a> — <a href="http://www.gutenberg.org/ebooks/955">Kindle + Other Formats</a> — <a href="http://www.literature.org/authors/baum-l-frank/the-patchwork-girl-of-oz/">Read Online</a></li> <li>Audio: <a href="https://itunes.apple.com/us/podcast/patchwork-girl-oz-by-baum/id384573309?mt=2">Free iTunes </a>- <a href="http://librivox.org/the-patchwork-girl-of-oz-by-l-frank-baum-2/">Free MP3s</a></li> </ul> <p><em>Tik Tok of Oz </em><em>– Volume 8</em></p> <ul> <li>Text: <a href="https://itunes.apple.com/us/book/tik-tok-of-oz/id498918995?mt=11">iPad/iPhone</a> — <a href="http://www.gutenberg.org/ebooks/956">Kindle + Other Formats</a></li> <li>Audio: <a href="https://itunes.apple.com/us/itunes-u/tik-tok-of-oz/id384532177?mt=10" rel="nofollow">Free iTunes</a> — <a href="http://etc.usf.edu/lit2go/23/tik-tok-of-oz/">Free MP3</a></li> </ul> <p><em>The Scarecrow of Oz -</em><em>- Volume 9</em></p> <ul> <li>Text: <a style="font-size: 13px; line-height: 19px;" href="https://itunes.apple.com/us/book/the-scarecrow-of-oz/id498919009?mt=11">iPad/iPhone</a><span style="font-size: 13px; line-height: 19px;"> — </span><a style="font-size: 13px; line-height: 19px;" href="http://www.gutenberg.org/ebooks/957">Kindle + Other Formats</a></li> <li>Audio: <a href="https://itunes.apple.com/us/podcast/scarecrow-oz-by-baum-l.-frank/id797559094?mt=2">Free iTunes</a> — <a href="http://librivox.org/scarecrow-of-oz-by-l-frank-baum/">Free MP3</a></li> </ul> <p><em>Rinkitink in Oz — Volume 10</em></p> <ul> <li>Text: <a href="https://itunes.apple.com/us/book/rinkitink-in-oz/id498919038?mt=11">iPad/iPhone</a> — <a href="http://www.gutenberg.org/ebooks/958">Kindle + Other Formats</a></li> <li>Audio: <a href="http://librivox.org/rinkitink-in-oz-by-l-frank-baum/">Free MP3</a></li> </ul> <p><em>The Lost Princess of Oz — Volume 11</em></p> <ul> <li>Text: <a href="https://itunes.apple.com/us/book/the-lost-princess-of-oz/id498919115?mt=11">iPad/iPhone</a> — <a href="http://www.gutenberg.org/ebooks/959">Kindle + Other Formats</a></li> <li>Audio: <a href="https://itunes.apple.com/us/podcast/lost-princess-oz-by-baum-l./id737292628?mt=2">Free iTunes</a> — <a href="http://librivox.org/the-lost-princess-of-oz-by-l-frank-baum/">Free MP3</a></li> </ul> <p><em> The Tin Woodman of Oz — Vol 12</em></p> <ul> <li>Text: <a href="https://itunes.apple.com/us/book/the-tin-woodman-of-oz/id498919112?mt=11">iPad/iPhone</a> — <a href="http://www.gutenberg.org/ebooks/960">Kindle + Other Formats</a></li> <li>Audio: <a href="https://itunes.apple.com/us/itunes-u/the-tin-woodman-of-oz/id384532243?mt=10" rel="nofollow">Free iTunes</a> — <a href="http://etc.usf.edu/lit2go/25/the-tin-woodman-of-oz/">Free MP3</a></li> </ul> <p><em>The Magic of Oz — Vol 13</em></p> <ul> <li>Text: <a href="https://itunes.apple.com/us/book/the-magic-of-oz/id498727947?mt=11">iPad/iPhone</a> — <a href="http://www.gutenberg.org/ebooks/419">Kindle + Other Formats</a></li> <li>Audio: <a href="http://librivox.org/the-magic-of-oz-by-l-frank-baum/">Free MP3s</a></li> </ul> <p><em>Glinda of Oz — Vol 14</em></p> <ul> <li>Text: <a href="https://itunes.apple.com/us/book/glinda-of-oz/id498919094?mt=11">iPad/iPhone</a> — <a href="http://www.gutenberg.org/ebooks/961">Kindle + Other Formats</a></li> <li>Audio: <a href="http://librivox.org/glinda-of-oz-by-l-frank-baum/">Free MP3s</a></li> </ul> <p>All of the texts listed above appear in our collections: <span style="font-weight: 400;"><a href="https://www.openculture.com/freeaudiobooks">1,000 Free Audio Books: Download Great Books for Free</a> </span>and <span style="font-weight: 400;"><a href="https://www.openculture.com/free_ebooks">800 Free eBooks for iPad, Kindle & Other Devices</a>.</span></p> <p><strong>Related Content:</strong></p> <p><a title="Permanent Link to Watch the Earliest Surviving Filmed Version of <i>The Wizard of Oz</i> (1910)" href="http://www.openculture.com/2016/03/watch-the-earliest-surviving-filmed-version-of-the-wizard-of-oz-1903.html" rel="bookmark">Watch the Earliest Surviving Filmed Version of The Wizard of Oz (1910)</a></p> <p><a href="http://www.openculture.com/2013/09/dark-side-of-the-rainbow-pink-floyd-meets-the-wizard-of-oz-in-one-of-the-earliest-mash-ups.html"><i>Dark Side of the Rainbow</i>: Pink Floyd Meets <i>The Wizard of Oz</i> in One of the Earliest Mash-Ups</a></p> <p><a title="Permanent Link to Hear All of C.S. Lewis’ <i>Chronicles of Narnia</i> Novels as Free Audio Books" href="http://www.openculture.com/2015/11/hear-all-of-c-s-lewis-chronicles-of-narnia-novels-read-aloud-in-free-online-audio.html" rel="bookmark">Hear All of C.S. Lewis’ Chronicles of Narnia Novels as Free Audio Books</a></p> <p><a title="Permanent Link to <i>The Anti-Slavery Alphabet</i>: 1846 Book Teaches Kids the ABCs of Slavery’s Evils" href="http://www.openculture.com/2016/03/the-anti-slavery-alphabet-1846-book-teaches-kids-the-abcs-of-slaverys-evils.html" rel="bookmark">The Anti-Slavery Alphabet: 1846 Book Teaches Kids the ABCs of Slavery’s Evils</a></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/dancolman" title="Posts by OC" rel="author">OC</a> | <a href="https://www.openculture.com/2013/09/the-complete-wizard-of-oz-series-available-as-free-ebooks-and-free-audio-books.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2013/09/the-complete-wizard-of-oz-series-available-as-free-ebooks-and-free-audio-books.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2013/09/the-complete-wizard-of-oz-series-available-as-free-ebooks-and-free-audio-books.html#comments">5</a> ) | </p>   </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-76467" ><a href="https://www.openculture.com/2013/09/free-audio-a-taste-of-dave-eggers-new-novel.html" rel="bookmark" title="Permanent Link to Free Audio: 46 Minute Reading from Dave Eggers’ New Novel, <i>The Circle</i>"> Free Audio: 46 Minute Reading from Dave Eggers’ New Novel, <i>The Circle</i> </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/audio_books" rel="category tag">Audio Books</a>, <a href="https://www.openculture.com/category/books" rel="category tag">Books</a>, <a href="https://www.openculture.com/category/literature" rel="category tag">Literature</a> </em> | September 29th, 2013 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>  <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-76467" class="post-76467 post type-post status-publish format-standard hentry category-audio_books category-books category-literature tag-dancolman"> <p><a href="http://cdn8.openculture.com/wp-content/uploads/2013/09/dave_eggers_the_circle.jpg"><img loading="lazy" decoding="async" class="alignleft size-full wp-image-76468 native-lazyload-js-fallback" alt="dave_eggers_the_circle" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" width="480" height="320" data-src="https://cdn8.openculture.com/wp-content/uploads/2013/09/dave_eggers_the_circle-e1380398238452.jpg" data-srcset="https://cdn8.openculture.com/wp-content/uploads/2013/09/dave_eggers_the_circle-e1380398238452.jpg 480w, https://cdn8.openculture.com/wp-content/uploads/2013/09/dave_eggers_the_circle-e1380398238452-150x100.jpg 150w, https://cdn8.openculture.com/wp-content/uploads/2013/09/dave_eggers_the_circle-e1380398238452-300x200.jpg 300w" data-sizes="auto, (max-width: 480px) 100vw, 480px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignleft size-full wp-image-76468" alt="dave_eggers_the_circle" src="https://cdn8.openculture.com/wp-content/uploads/2013/09/dave_eggers_the_circle-e1380398238452.jpg" width="480" height="320" srcset="https://cdn8.openculture.com/wp-content/uploads/2013/09/dave_eggers_the_circle-e1380398238452.jpg 480w, https://cdn8.openculture.com/wp-content/uploads/2013/09/dave_eggers_the_circle-e1380398238452-150x100.jpg 150w, https://cdn8.openculture.com/wp-content/uploads/2013/09/dave_eggers_the_circle-e1380398238452-300x200.jpg 300w" sizes="auto, (max-width: 480px) 100vw, 480px"></noscript></a></p> <p>Dave Eggers, author of <em><a href="http://www.amazon.com/Heartbreaking-Work-Staggering-Genius/dp/0375725784/sr=1-1/qid=1163480563/ref=sr_1_1/102-4300529-9360940?ie=UTF8&s=books">A Heartbreaking Work of Staggering Genius</a></em>, has a new book coming out in early October, <em><a href="http://amzn.to/1bh4s2e">The Circle</a>, </em>a novel about “a young woman who goes to work at an omnipotent technology company and gets sucked into a corporate culture that knows no distinction between work and life, public and private.” Breaking with <a href="http://6thfloor.blogs.nytimes.com/2013/09/28/this-sunday-who-put-the-fiction-in-my-nonfiction/?_r=0">tradition</a>, The New York Times has placed the novel’s cover on the cover of its own Sunday Magazine. It has also printed a lengthy excerpt from the book. Read <a href="http://www.nytimes.com/2013/09/29/magazine/dave-eggers-fiction.html?_r=0">it online here</a>, or listen right below (or <a href="http://itunes.apple.com/us/podcast/exclusive-preview-circle-by/id120315179?i=168604511" target="_new">on iTunes</a>) to a <a href="http://graphics8.nytimes.com/packages/audio/magazine/20130929-fiction/Eggers.mp3">reading</a> of the excerpt by actor Don Graham. It runs 46 minutes.</p> <div id="oc-audio-embed"> <audio class="wp-audio-shortcode" id="audio-76467-1" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="http://graphics8.nytimes.com/packages/audio/magazine/20130929-fiction/Eggers.mp3?_=1"><a href="http://graphics8.nytimes.com/packages/audio/magazine/20130929-fiction/Eggers.mp3">http://graphics8.nytimes.com/packages/audio/magazine/20130929-fiction/Eggers.mp3</a></audio></div> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/dancolman" title="Posts by OC" rel="author">OC</a> | <a href="https://www.openculture.com/2013/09/free-audio-a-taste-of-dave-eggers-new-novel.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2013/09/free-audio-a-taste-of-dave-eggers-new-novel.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2013/09/free-audio-a-taste-of-dave-eggers-new-novel.html#respond">None</a> ) | </p>   </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-76415" ><a href="https://www.openculture.com/2013/09/the-stunt-that-got-elvis-costello-banned-from-saturday-night-live.html" rel="bookmark" title="Permanent Link to The Stunt That Got Elvis Costello Banned From <i>Saturday Night Live</i> (1977)"> The Stunt That Got Elvis Costello Banned From <i>Saturday Night Live</i> (1977) </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/music" rel="category tag">Music</a>, <a href="https://www.openculture.com/category/television" rel="category tag">Television</a> </em> | September 27th, 2013 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>  <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-76415" class="post-76415 post type-post status-publish format-standard hentry category-music category-television"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/eD_24nDzkeo?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p>  </p></div> <p></p> <p>One of the defining moments in <a href="http://rockhall.com/inductees/elvis-costello-the-attractions/bio/" rel="nofollow">Elvis Costello’</a>s career happened on December 17, 1977, when he appeared on <em>Saturday Night Live</em>. Costello was 23 years old. His debut album, <em><a href="http://amzn.to/16Px7HN">My Aim Is True</a>, </em>had just come out in America a month earlier. When the Sex Pistols were unable to appear on the show as planned (see <a href="http://www.openculture.com/2013/09/sex-pistols-very-last-concert.html">their last live concert here</a>), Costello and his recently formed band, the Attractions, got their big break.</p> <p>They were supposed to play his single “Less Than Zero,” a catchy tune about a loathsome politician in England. But only a few bars into the song, Costello put a stop to it. “I’m sorry, ladies and gentlemen,” he said, “but there’s no reason to do this song here.”</p> <div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p>At that point he and the band launched into “Radio Radio,” a song that takes a jab at corporate-controlled broadcasting. <em>Saturday Night Live</em> producer Lorne Michaels was furious. According to some reports, he raised his middle finger at Costello and kept it up until the unapproved song was over. Costello was banned from the show for nearly 12 years. You can learn more about the incident by watching this video from <a href="http://www.youtube.com/user/thedailyguru?feature=watch">the Daily Guru</a>:</p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/6H_6pHfKRqU?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p>  </p></div> <p></p> <p>The rift between Costello and Michaels eventually healed, and Costello was invited to appear again on <em>Saturday Night Live</em> in the spring of 1989. Ten years after that, on SNL’s 25th anniversary show, Costello went on the show again and parodied his notorious 1977 appearance by bursting onstage while the Beastie Boys were playing “Sabotage” and ordering them to stop. He and the Boys then launched into a raucous version of “Radio Radio”:</p> <p><iframe loading="lazy" frameborder="0" height="500" src="https://www.bbc.co.uk/programmes/p032vp1d/player" width="100%"></iframe></p> <p>In an <a href="http://www.details.com/celebrities-entertainment/music-and-books/201309/elvis-costello-wise-up-ghost">interview</a> this month with <em>Details</em> magazine, Costello talks a little about the 1977 incident. “They’ve run that clip forever,” he says, “and every time anybody does anything outrageous on that show, I get name-checked. But I was copying Jimi Hendrix. Hendrix had done the same thing on the <em>Lulu Show</em>, when he went into an unscheduled number. I remember seeing it and going, ‘What the hell’s going on?’ ” To see for yourself what Costello is talking about, visit our post, <em><a href="http://www.openculture.com/2012/09/jimi_hendrix_wreaks_havoc_on_the_lulu_show_gets_banned_from_bbc.html">Jimi Hendrix Wreaks Havoc on the Lulu Show, Gets Banned From BBC</a></em>.</p> <p>Also see: <a href="http://www.openculture.com/2014/07/5-musical-guests-banned-from-saturday-night-live.html">5 Musical Guests Banned From <i>Saturday Night Live</i>: From Sinead O’Connor to Frank Zappa</a></p> <p><strong>Related Content:</strong></p> <p><a title="Permanent Link to The Night John Belushi Booked the Punk Band Fear on <i>Saturday Night Live</i>, And They Got Banned from the Show" href="http://www.openculture.com/2016/05/the-night-john-belushi-booked-the-punk-band-fear-on-snl.html" rel="bookmark">The Night John Belushi Booked the Punk Band Fear on Saturday Night Live, And They Got Banned from the Show</a></p> <p><a href="http://www.openculture.com/2010/07/elvis_costello_sings_penny_lane_for_sir_paul.html">Elvis Costello Sings “Penny Lane” for Sir Paul McCartney</a></p> <p><a href="http://www.openculture.com/2012/02/william_s_burroughs_on_saturday_night_live_1981.html">William S. Burroughs on Saturday Night Live, 1981</a></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/zmspringer" title="Posts by Mike Springer" rel="author">Mike Springer</a> | <a href="https://www.openculture.com/2013/09/the-stunt-that-got-elvis-costello-banned-from-saturday-night-live.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2013/09/the-stunt-that-got-elvis-costello-banned-from-saturday-night-live.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2013/09/the-stunt-that-got-elvis-costello-banned-from-saturday-night-live.html#comments">72</a> ) | </p>   </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-76358" ><a href="https://www.openculture.com/2013/09/watch-janis-joplins-final-interview-reborn-as-an-animated-cartoon.html" rel="bookmark" title="Permanent Link to Watch Janis Joplin’s Final Interview Get Reborn as an Animated Cartoon"> Watch Janis Joplin’s Final Interview Get Reborn as an Animated Cartoon </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/animation-2" rel="category tag">Animation</a>, <a href="https://www.openculture.com/category/life" rel="category tag">Life</a>, <a href="https://www.openculture.com/category/music" rel="category tag">Music</a> </em> | September 27th, 2013 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>  <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-76358" class="post-76358 post type-post status-publish format-standard hentry category-animation-2 category-life category-music"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/VdF4b1_LQnQ?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p>  </p></div> <p></p> <p>Four days before her death, <a href="http://www.janisjoplin.com/">Janis Joplin</a> spoke with <a href="http://blankonblank.org/contributors/howard-smith/">Howard Smith</a> of the <a href="http://www.villagevoice.com/" rel="nofollow"><i>Village Voice</i></a> in what was to be her last interview.</p> <p>Their conversation has been resurrected as a four minute animation for PBS Digital Studios’ <a href="http://blankonblank.org/">Blank on Blank</a> series. The cartoon Janis bears a close resemblance to Gloria Steinem, an uncomfortable fit once the topic turns from her sadness at critical rejection to the sisterhood’s alleged withholding of affection.</p> <div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p>Smith hits his subject with some leading questions that smack of the myriad ways Women’s Lib was distorted by even the liberal media of the time: “It seems to bother a lot of Women’s Lib people that you’re so upfront sexually,” he muses.</p> <p>No need to take <i>that </i>one at anything less than face value…</p> <p>Joplin allowed herself to be led, tossing off several statements that animator Patrick Smith faithfully illustrates. (In my opinion the wounded female drummers rock far more than pregnancy and vacuums, his shorthand for “settling.” )</p> <p>When later, Joplin timidly asks if “all that $#*% I said about chicks” sounded bad, Smith reassures her that no, she said what she wanted to say. Perhaps he got what he wanted her to say.</p> <p>As commenter <a href="http://www.youtube.com/user/heyitsmoi">heyitsmoi</a><b> </b>observed on YouTube, “It’s always bothered me when people ask successful women to comment on how some other women don’t like them. I’ve yet to hear a successful man to be asked why other men don’t like him, even though there’s sure to be plenty. Women seem to constantly be put in this defensive position where they can’t answer the question without making it sound like all women are jealous beasts who can’t handle that some woman made it, and that’s simply not true.”</p> <p>If you’re left feeling vaguely queasy, I suggest <a href="http://blankonblank.org/interviews/farrah-fawcett-on-stiletto-power/">“Stiletto Power,”</a> Blank on Blank’s take on <a href="http://blankonblank.org/contributors/lawrence-grobel/">Larry Grobel’s</a> 1994 interview with <a href="http://www.thefarrahfawcettfoundation.org/bio" rel="nofollow">Farrah Fawcet</a><a href="http://blankonblank.org/interviews/farrah-fawcett-on-stiletto-power/">t</a>. Grobel’s approach seemed to have been one of turn on the tape recorder and then get out of the way. Mission accomplished. The resulting monologue is as ferocious as it is funny.</p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/8Eskff0RUQ8?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p>  </p></div> <p></p> <p><strong>Related Content:</strong></p> <p><a href="http://www.openculture.com/2013/04/animations_revive_lost_interviews_with_david_foster_wallace_jim_morrison_dave_brubeck.html">Animations Revive Lost Interviews with David Foster Wallace, Jim Morrison & Dave Brubeck</a></p> <p><a href="http://www.openculture.com/2012/10/remembering_janis_joplin_some_classic_live_performances_and_previews_of_a_new_joplin_musical.html">Remembering Janis Joplin: Some Classic Live Performances and Previews of a New Joplin Musical</a></p> <p><a href="http://www.openculture.com/2013/05/beastie_boys_on_being_stupid_an_animated_interview_from_1985.html">‘Beastie Boys on Being Stupid’: An Animated Interview From 1985</a></p> <p><a href="http://ayunhalliday.com/"><i>Ayun Halliday</i></a><i> </i><i>has fond feelings for both of the women featured in the above article</i> <i>. Follow her </i><a href="http://twitter.com/AyunHalliday"><i>@AyunHalliday</i></a><i>.</i></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/ayunh" title="Posts by Ayun Halliday" rel="author">Ayun Halliday</a> | <a href="https://www.openculture.com/2013/09/watch-janis-joplins-final-interview-reborn-as-an-animated-cartoon.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2013/09/watch-janis-joplins-final-interview-reborn-as-an-animated-cartoon.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2013/09/watch-janis-joplins-final-interview-reborn-as-an-animated-cartoon.html#respond">None</a> ) | </p>   </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-76349" ><a href="https://www.openculture.com/2013/09/herge-draws-tintin.html" rel="bookmark" title="Permanent Link to Hergé Draws Tintin in Vintage Footage (and What Explains the Character’s Enduring Appeal)"> Hergé Draws Tintin in Vintage Footage (and What Explains the Character’s Enduring Appeal) </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/comics" rel="category tag">Comics/Cartoons</a> </em> | September 27th, 2013 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>  <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-76349" class="post-76349 post type-post status-publish format-standard hentry category-comics"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/AVRBS5B9suM?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p>  </p></div> <p></p> <p>“Tintin addicts are a mixed bunch,” writes <em>New Yorker </em>critic Anthony Lane, profiling the beloved plus fours-clad, quiff-topped adventurer and thereby revealing himself as one of the afflicted. “Steven Spielberg and Peter Jackson [have] a three-picture deal to bring Tintin to the big screen. I once heard Hugh Grant declare on a radio program that if he could take only one book to a desert island it would be <em>King Ottokar’s Sceptre</em> (1939). [ … ] General de Gaulle declared that Tintin was his only international rival — he was envious, perhaps, not just of Tintin’s fame but of the defiantly positive attitude that he came to represent.” Despite coming from America, one of the few countries never to have taken wholeheartedly to the character, I too have read and re-read the <a href="http://amzn.to/16Nwle9">23 full-length comic books</a> (or as we call them nowadays, graphic novels) in which he stars, and I too envy his qualities, especially the useful amorphousness of his identity: neither man nor boy; neither traditional nor modern; presumably Belgian, though for practical purposes stateless and apolitical; ostensibly a reporter, but no apparent need ever to file a story.</p> <p><span style="font-size: 13px; line-height: 19px;"></span></p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/iOR4xk8HwEw?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p>  </p></div> <p></p> <p><span style="font-size: 13px; line-height: 19px;">The late <a href="http://en.wikipedia.org/wiki/Harry_Thompson">Harry Thompson</a> surely ranks as a top Tintin addict. A radio and television producer, comedy writer, novelist, and creator of </span><em style="font-size: 13px; line-height: 19px;">Have I Got News for You</em><span style="font-size: 13px; line-height: 19px;">, he also greatly advanced the widespread avocation of English-language Tintinology with his book </span><a href="http://amzn.to/14NIimI"><i style="font-size: 13px; line-height: 19px;">Tintin: Hergé and his Creation</i></a><span style="font-size: 13px; line-height: 19px;">, published in 1991. Three years later, he would star in this episode of London Weekend Television’s documentary series </span><em style="font-size: 13px; line-height: 19px;">Opening Shot</em><span style="font-size: 13px; line-height: 19px;"> on Tintin and his creator (part </span><a style="font-size: 13px; line-height: 19px;" href="http://youtu.be/AVRBS5B9suM">one</a> at the top<span style="font-size: 13px; line-height: 19px;">, click for </span><a style="font-size: 13px; line-height: 19px;" href="http://youtu.be/h6PM4a1nnW4">two</a> and <a style="font-size: 13px; line-height: 19px;" href="http://youtu.be/Xjc_YKj4AfY">three</a><span style="font-size: 13px; line-height: 19px;">). His analysis swiftly assures any adult reader just how and why they should go about picking up and appreciating the truly painstaking craftsmanship of these comics they so relished in their youth. The broadcast also features commentary from Tintin’s English translators and, through archival footage, from Georges “Hergé” Remi himself (seen </span><a style="font-size: 13px; line-height: 19px;" href="http://www.youtube.com/watch?v=iOR4xk8HwEw&feature=share&list=PL8A7CDF5417FA3222">drawing Tintin</a><span style="font-size: 13px; line-height: 19px;"> just above, and his companion <a href="http://youtu.be/we9kQs6LkeA">Captain Haddock</a> below). Finally, we hear from more typical Tintin readers in man-on-the-street interviews — or rather, precocious-British-child-in-the-bookstore interviews: “My favorite character is Snowy, because he says really rude things.” “My favorite book is </span><em style="font-size: 13px; line-height: 19px;">Tintin in America</em><span style="font-size: 13px; line-height: 19px;">, because I like red Indians.” How many of these kids, nearly two decades on, can have resisted the siren song of Tintinology themselves?</span></p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/we9kQs6LkeA?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p>  </p></div> <p></p> <p><strong>Related Content:</strong></p> <p><a href="http://www.openculture.com/2012/03/the_inscrutable_imagination_of_the_late_comic_artist_moebius.html">The Inscrutable Imagination of the Late Comic Artist Mœbius</a></p> <p><a href="http://www.openculture.com/2012/10/the_world_of_ilittle_nemoi_artist_winsor_mccay.html">Visit the World of Little Nemo Artist Winsor McCay: Three Classic Animations and a Google Doodle</a></p> <p><a href="http://www.openculture.com/2013/03/the_confessions_of_robert_crumb.html">The Confessions of Robert Crumb: A Portrait Scripted by the Underground Comics Legend Himself (1987)</a></p> <p><i>Colin Marshall hosts and produces </i><a href="http://blog.colinmarshall.org/">Notebook on Cities and Culture</a><i> and writes essays on literature, film, cities, Asia, and aesthetics. He’s at work on a book about Los Angeles</i>, <a href="http://www.kcet.org/socal/departures/landofsunshine/a-los-angeles-primer/">A Los Angeles Primer</a>. <em>Follow</em><i> him on Twitter at </i><a href="https://twitter.com/#%21/colinmarshall"><i>@colinmarshall</i></a><i>.</i></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/cjmarshall" title="Posts by Colin Marshall" rel="author">Colin Marshall</a> | <a href="https://www.openculture.com/2013/09/herge-draws-tintin.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2013/09/herge-draws-tintin.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2013/09/herge-draws-tintin.html#respond">None</a> ) | </p>   </div> </div> </div> </div> <div class="cleared"></div> <a href="https://www.openculture.com/2013/09/page/2" >More in this category... »</a> </div>  <div class="middle_sidebar"> <ul id="middle_sidebarwidgeted"> <li id="execphp-431254483" class="widget widget_execphp"><h2 class="widgettitle">Essentials</h2> <div class="execphpwidget"><div class="widgetbox"> <ul> <li><a href="https://www.openculture.com/freeonlinecourses">1,700 Free Online Courses</a></li> <li><a href="https://www.openculture.com/online-certificate-programs">200 Online Certificate Programs</a></li> <li><a href="https://www.openculture.com/online-degrees">100+ Online Degree & Mini-Degree Programs</a></li> <li><a href="https://www.openculture.com/freemoviesonline">1,150 Free Movies</a></li> <li><a href="https://www.openculture.com/freeaudiobooks">1,000 Free Audio Books</a></li> <li><a href="https://www.openculture.com/great-podcasts">150+ Best Podcasts</a></li> <li><a href="https://www.openculture.com/free_ebooks">800 Free eBooks</a></li> <li><a href="https://www.openculture.com/free_textbooks">200 Free Textbooks</a></li> <li><a href="https://www.openculture.com/freelanguagelessons">300 Free Language Lessons</a></li> <li><a href="https://www.openculture.com/business_free_courses">150 Free Business Courses</a></li> <li><a href="https://www.openculture.com/free_k-12_educational_resources">Free K-12 Education</a></li> <li><a href="https://www.openculture.com/dailyemail">Get Our Daily Email</a></li> </ul> </div></div> </li><li id="execphp-431254506" class="widget widget_execphp"><h2 class="widgettitle">Support Us</h2> <div class="execphpwidget"><div class="widgetbox noborder"> <br> We're hoping to rely on loyal readers, rather than erratic ads. 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Eliot Reads Waste Land</a></li> <li><a href="https://www.openculture.com/2013/05/hear_sylvia_plath_read_fifteen_poems_from_her_final_collection_ariel_in_1962_recording.html">Sylvia Plath - Ariel</a></li> <li><a href="https://www.openculture.com/2013/06/on_bloomsday_hear_james_joyce_read_from_his_epic_iulyssesi_1924.html">Joyce Reads Ulysses</a></li> <li><a href="https://www.openculture.com/2012/02/james_joyce_reads_anna_livia_plurabelle_from_ifinnegans_wakei.html">Joyce - Finnegans Wake</a></li> <li><a href="https://www.openculture.com/2013/01/watch_patti_smith_read_from_virginia_woolf_and_hear_the_only_surviving_recording_of_woolfs_voice.html">Patti Smith Reads Virginia Woolf</a></li> <li><a href="https://www.openculture.com/2013/03/listen_as_albert_einstein_reads_the_common_language_of_science_1941.html">Albert Einstein</a></li> <li><a href="https://www.openculture.com/2013/08/charles-bukowski-poem-read-by-bukowski-tom-waits-and-bono.html">Charles Bukowski</a></li> <li><a href="https://www.openculture.com/2013/07/bill-murray-reads-poetry-by-billy-collins-cole-porter-and-sarah-manguso.html">Bill Murray</a></li> <li><a href="https://www.openculture.com/2010/04/ernest_hemingway_reads_in_harrys_bar_in_venice.html">Hemingway</a></li> <li><a href="https://www.openculture.com/2012/09/f_scott_fitzgerald_reads_from_shakespeares_iothelloi_and_john_masefields_on_growing_old_c1940.html">Fitzgerald Reads Shakespeare</a></li> <li><a href="https://www.openculture.com/2010/04/william_faulkner_reads_from_as_i_lay_dying.html">William Faulkner</a></li> <li><a href="https://www.openculture.com/2012/05/rare_1959_audio_flannery_oconnor_reads_a_good_man_is_hard_to_find.html">Flannery O'Connor</a></li> <li><a href="https://www.openculture.com/2013/07/j-r-r-tolkien-reads-from-the-two-towers-the-second-book-of-the-lord-of-the-rings-trilogy.html">Tolkien - The Hobbit</a></li> <li><a href="https://www.openculture.com/2012/06/allen_ginsberg_reads_his_beat_classic_poem_howl.html">Allen Ginsberg - Howl</a></li> <li><a href="https://www.openculture.com/2012/06/rare_1930s_audio_wb_yeats_reads_four_of_his_poems.html">W.B Yeats</a></li> <li><a href="https://www.openculture.com/2012/10/ezra_pounds_fiery_1939_reading_of_his_early_poem_isestina_altafortei.html">Ezra Pound</a></li> <li><a href="https://www.openculture.com/2012/08/dylan_thomas_recites_do_not_go_gentle_into_that_good_night_and_other_poems.html">Dylan Thomas</a></li> <li><a href="https://www.openculture.com/2013/02/anne_sexton_confessional_poet_reads_wanting_to_die_in_ominous_1966_video.html">Anne Sexton</a></li> <li><a href="https://www.openculture.com/2014/06/john-cheever-reads-the-swimmer.html">John Cheever</a></li> <li><a href="https://www.openculture.com/2014/09/hear-david-foster-wallace-read-his-own-essays-and-short-fiction.html">David Foster Wallace</a></li> </ul> </div></div> </li><li id="execphp-431254484" class="widget widget_execphp"> <div class="execphpwidget"><div class="widgetbox"> <h2 class="widgettitle">Book Lists By</h2> <ul> <li><a href="https://www.openculture.com/2011/12/neil_degrasse_tyson_8_books_every_intelligent_person_should_read.html">Neil deGrasse Tyson</a></li> <li><a href="https://www.openculture.com/2013/05/ernest_hemingways_reading_list_for_a_young_writer_1934.html">Ernest Hemingway</a></li> <li><a href="https://www.openculture.com/2013/08/f-scott-fitzgerald-creates-a-list-of-22-essential-books-1936.html">F. Scott Fitzgerald</a></li> <li><a href="https://www.openculture.com/2013/05/allen_ginsbergs_celestial_homework_a_reading_list_for_his_class_literary_history_of_the_beats.html">Allen Ginsberg</a></li> <li><a href="https://www.openculture.com/2015/04/patti-smiths-list-of-favorite-books.html">Patti Smith</a></li> <li><a href="https://www.openculture.com/2015/08/brian-eno-book-lists.html">Brian Eno</a></li> <li><a href="https://www.openculture.com/2015/04/henry-miller-makes-a-list-of-the-100-books-that-influenced-me-most.html">Henry Miller</a></li> <li><a href="https://www.openculture.com/2012/09/christopher_hitchens_creates_a_reading_list_for_eight-year-old_girl.html">Christopher Hitchens</a></li> <li><a href="https://www.openculture.com/2013/11/joseph-brodskys-reading-list-for-having-an-intelligent-conversation.html">Joseph Brodsky</a></li> <li><a href="https://www.openculture.com/2013/02/wh_audens_1941_literature_syllabus_asks_students_to_read_32_great_works_covering_6000_pages_.html">W.H. Auden</a></li> <li><a href="https://www.openculture.com/2013/03/donald_barthelmes_syllabus_highlights_81_books_essential_for_a_literary_education_.html">Donald Barthelme</a></li> <li><a href="https://www.openculture.com/2012/07/carl_sagans_undergrad_reading_list_from_plato_and_shakespeare_to_huxley_and_gide.html">Carl Sagan</a></li> <li><a href="https://www.openculture.com/2013/10/david-bowies-list-of-top-100-books.html">David Bowie</a></li> <li><a href="https://www.openculture.com/2015/03/the-books-samuel-beckett-really-liked.html">Samuel Beckett</a></li> <li><a href="https://www.openculture.com/2014/09/art-garfunkel-lists-1195-books.html">Art Garfunkel</a></li> <li><a href="https://www.openculture.com/2014/10/the-430-books-in-marilyn-monroes-library.html">Marilyn Monroe</a></li> <li><a href="https://www.openculture.com/2015/03/jorge-luis-borges-personal-library.html">Jorge Luis Borges</a></li> <li><a href="https://www.openculture.com/2015/03/74-books-curated-by-female-creatives.html">Picks by Female Creatives</a></li> </ul> </div> </div> </li><li id="execphp-431254513" class="widget widget_execphp"> <div class="execphpwidget"></div> </li><li id="execphp-431254490" class="widget widget_execphp"> <div class="execphpwidget"><div class="widgetbox"> <h2 class="widgettitle">Syllabi</h2> <ul> <li><a href="https://www.openculture.com/2013/02/wh_audens_1941_literature_syllabus_asks_students_to_read_32_great_works_covering_6000_pages_.html">WH Auden</a></li> <li><a href="https://www.openculture.com/2013/02/david_foster_wallaces_1994_syllabus.html">David Foster Wallace</a></li> <li><a href="https://www.openculture.com/2013/03/donald_barthelmes_syllabus_highlights_81_books_essential_for_a_literary_education_.html">Donald Barthelme</a></li> <li><a href="https://www.openculture.com/2013/05/allen_ginsbergs_celestial_homework_a_reading_list_for_his_class_literary_history_of_the_beats.html">Allen Ginsberg</a></li> <li><a href="https://www.openculture.com/2013/08/zadie-smith-and-gary-shteyngarts-syllabi-from-columbia-university.html">Zadie Smith & Gary Shteyngart</a></li> <li><a href="https://www.openculture.com/2013/07/spike-lee-shares-his-nyu-teaching-list-of-87-essential-films-every-aspiring-director-should-see.html">Spike Lee</a></li> <li><a href="https://www.openculture.com/2014/11/lynda-barrys-wonderfully-illustrated-syllabus-homework-assignments-from-her-uw-madison-class-the-unthinkable-mind.html">Lynda Barry</a></li> <li><a href="https://www.openculture.com/2015/02/junot-diazs-syllabi-for-his-mit-writing-classes.html">Junot Diaz</a></li> </ul> </div></div> </li><li id="execphp-431254491" class="widget widget_execphp"> <div class="execphpwidget"><div class="widgetbox"> <h2 class="widgettitle">Favorite Movies</h2> <ul> <li><a href="https://www.openculture.com/2013/07/stanley-kubricks-list-of-top-ten-films.html">Kubrick</a></li> <li><a href="https://www.openculture.com/2015/01/akira-kurosawas-list-of-his-100-favorite-movies.html">Kurosawa's 100</a></li> <li><a href="https://www.openculture.com/2013/08/quentin-tarantino-lists-the-12-greatest-films-of-all-time.html">Tarantino</a></li> <li><a href="https://www.openculture.com/2013/07/martin-scorsese-reveals-his-10-favorite-movies.html">Scorsese</a></li> <li><a href="https://www.openculture.com/2014/08/andrei-tarkovsky-creates-a-list-of-his-10-favorite-films-1972.html">Tarkovsky</a></li> <li><a href="https://www.openculture.com/2013/09/david-lynch-on-his-favorite-directors-including-fellini-wilder-tati-and-hitchcock.html">David Lynch</a></li> <li><a href="https://www.openculture.com/2014/05/werner-herzog-picks-his-5-favorite-films.html">Werner Herzog</a></li> <li><a href="https://www.openculture.com/2013/08/woody-allen-lists-the-greatest-films-of-all-time.html">Woody Allen</a></li> <li><a href="https://www.openculture.com/2014/03/wes-andersons-favorite-films.html">Wes Anderson</a></li> <li><a href="https://www.openculture.com/2015/05/the-10-favorite-films-of-avant-garde-surrealist-filmmaker-luis-bunuel-including-his-own-collaboration-with-salvador-dali.html">Luis Buñuel</a></li> <li><a href="https://www.openculture.com/2014/07/roger-eberts-final-list-of-his-top-10-favorite-films-2012.html">Roger Ebert</a></li> <li><a href="https://www.openculture.com/2013/12/susan-sontags-50-favorite-films.html">Susan Sontag</a></li> <li><a href="https://www.openculture.com/2014/10/scorseses-list-of-39-essential-foreign-films.html">Scorsese Foreign Films</a></li> <li><a href="https://www.openculture.com/2014/10/44-essential-movies-for-the-student-of-philosophy.html">Philosophy Films</a></li> </ul> </div></div> </li><li id="archives-3" class="widget widget_archive"><h2 class="widgettitle">Archives</h2> <ul> <li><a href='https://www.openculture.com/2024/12'>December 2024</a></li> <li><a href='https://www.openculture.com/2024/11'>November 2024</a></li> <li><a href='https://www.openculture.com/2024/10'>October 2024</a></li> <li><a href='https://www.openculture.com/2024/09'>September 2024</a></li> <li><a href='https://www.openculture.com/2024/08'>August 2024</a></li> <li><a href='https://www.openculture.com/2024/07'>July 2024</a></li> <li><a href='https://www.openculture.com/2024/06'>June 2024</a></li> <li><a href='https://www.openculture.com/2024/05'>May 2024</a></li> <li><a href='https://www.openculture.com/2024/04'>April 2024</a></li> <li><a href='https://www.openculture.com/2024/03'>March 2024</a></li> <li><a href='https://www.openculture.com/2024/02'>February 2024</a></li> <li><a href='https://www.openculture.com/2024/01'>January 2024</a></li> <li><a href='https://www.openculture.com/2023/12'>December 2023</a></li> <li><a href='https://www.openculture.com/2023/11'>November 2023</a></li> <li><a href='https://www.openculture.com/2023/10'>October 2023</a></li> <li><a href='https://www.openculture.com/2023/09'>September 2023</a></li> <li><a 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