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William Pahlmann – A Dark, A Light, A Bright: The Designs of Dorothy Liebes

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aria-label="Main menu" role="button" aria-expanded="false"> <span class="hamburger__line hamburger__line--1"></span> <span class="hamburger__line hamburger__line--2"></span> <span class="hamburger__line hamburger__line--3"></span> </a> </div> </div> </div> </div> </header> <main id="application-wrapper" class="application-wrapper" tabindex="0"> <div class="site-container h-100 base-card" data-current-post-id="591"> <div class="container-fluid h-100"> <div class="row h-100"> <div class="col h-100"> <div id="card" class="card card--article h-100"> <div class="card__row row flex-column flex-md-row h-md-100"> <div class="col col-md-6 min-card-height-with-gutters-md d-flex flex-column"> <h1 class="card__title"><p>William Pahlmann</p> </h1> <div class="h2-display text-uppercase"><p>Alexa Griffith Winton</p> </div> </div> <div class="col col-md-6 h-md-100 d-flex flex-column card-offset-right pr-md-0"> <div class="card--image__uncropped-image background-image h-100 card-offset-x-mobile min-card-height-xs" style="background-image: url(https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/Screen-Shot-2023-05-12-at-9.50.36-AM-e1688754897503.png);" role="img" aria-label="1. A color photo of a living room with upholstered furniture, a fireplace, and a portrait of a woman above the fireplace in a modern representational style. There are textured drapes and woven blinds in pale, neutral colors by Dorothy Liebes."></div> </div> </div> <div class="card__row row" name="card-content"> <div class="card--article__text-sections col-md-6 h-md-100"> <div class="card--article__section default-styles paragraph-margin-bottom" data-section-index="0"> <p><span data-contrast="auto">Although it is unclear exactly when Dorothy Liebes met interior designer William Pahlmann, by the mid-1930s they were frequent collaborators on a range of design projects, including model rooms for department stores, private interiors, and corporate offices and showrooms. Their work together popularized an eclectic modern style that accommodated a mix of antique and contemporary furniture and objects, and often leveraged unusual color combinations to dramatic effect. The two also collaborated on many design initiatives that contributed greatly to the professionalization of interior design. </span><span data-ccp-props="{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:480}"> </span></p> <p><span data-contrast="auto">Pahlmann shared with Liebes a strong interest in shaping public taste and fostering appreciation of design. As the head of the decorating department at Lord &amp; Taylor in New York City beginning in 1937, Pahlmann was one of the first designers to create complete room settings for a department store. He incorporated Liebes textiles and blinds as early as 1938, and he continued to use them in both room displays and general store designs throughout the 1940s. He also designed store interiors for Bonwit Teller and included Liebes textiles and blinds in many of the influential department store’s branches departments. [1]</span></p> <p><span data-contrast="auto">Like Liebes, Pahlmann understood the importance of providing quality designs at a range of price points, and he was an early adopter of her powerloomed fabrics. In 1941, he used Liebes’s Goodall fabrics alongside one of her handwoven window blinds in a model room published in </span><i><span data-contrast="auto">House Beautiful</span></i><span data-contrast="auto"> and in the London design magazine </span><i><span data-contrast="auto">The Studio.</span></i><span data-contrast="auto"> The </span><i><span data-contrast="auto">New York Times</span></i><span data-contrast="auto"> design critic </span><span data-contrast="none">Walter Rendell Storey’s instructional book </span><i><span data-contrast="none">Furnishing with Color</span></i><span data-contrast="none"> (1947) called out Pahlmann’s ability to balance traditional and contemporary elements—in particular what Storey called the “modern texture” of Liebes’s pale split-bamboo blinds. [2]  Pahlmann selected a cut pile–fringed textile from Liebes’s line of powerloomed fabrics for Goodall, and its texture adds visual interest to the room without distracting from the room’s core elements: the fireplace and the portrait hanging above it (Figs. 1, 2).</span><span data-ccp-props="{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:480}"> </span></p> <p><span data-contrast="auto">Pahlmann was the first interior designer to use Liebes’s woven blinds extensively in his work. For his own Upper East Side apartment, finished in 1947, he worked with Liebes to develop new ways of using her blinds to skillfully manipulate both natural and artificial light in interiors. He wrote to Jean Beauchamp, director of the Liebes studio, with careful instructions about the colors to be used, and noted that the light for the blinds would be coming from the exterior, rather than from an interior source. He explained, “I want the half-rounds to be the pickled pine effect, with the color done in the yarn, and I want a good covering and a great amount of gold, believe it or not, as we are highlighting the gold from the back, not the front. Therefore, these should not be woven too closely together.” By weaving the blinds somewhat openly, Liebes ensured that light from the outside would penetrate the blinds, activating the gold threads, per Pahlmann’s request. [3] </span><span data-ccp-props="{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:480}"> </span></p> <p><span data-contrast="auto">In addition to gracing Pahlmann’s New York City apartment, Liebes’s blinds were a primary feature in the Matthew Fox apartment on New York City’s Upper East Side, the only residential apartment in the Universal Pictures Building, designed by the firm Kahn &amp; Jacobs in 1946–47. This living room for the prominent movie producer, completed around 1948, featured distinctive blinds of painted wooden dowels with vertical warp striping of greens, neutral beige tones, and copper and brown yarns—a palette that coordinated with the room’s drapes, furniture, and custom-woven upholstery, also made in the Liebes studio. These blinds signify a window aperture—what Liebes referred to as a “structural adjunct”—and could be used to give the appearance of symmetry to a room that had none. [4] For the Fox dining room, Pahlmann used the blinds as a wall covering, creating a richly colored and textured space for dining and entertaining. Although the blinds covered the windows in this room, they were woven so that light still permeated, as seen in the far right of this room (Figs. 3, 4). </span><span data-ccp-props="{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:480}"> </span></p> <p><span data-contrast="auto">Liebes and Pahlmann were both active in architecture and interior design organizations, and they often appeared together at conferences and trade shows to offer their expertise and guidance regarding designing modern interiors. In 1956, they appeared together in a whimsical performance called, “Clairvoyants of Decoration,” for the annual Fashion Group Luncheon, folding practical guidance on the use of colors in interior design into a design-focused mock séance. [5] They also appeared together on television shows throughout the 1950s and early 1960s, including </span><i><span data-contrast="auto">The Today Show</span></i><span data-contrast="auto"> and </span><i><span data-contrast="auto">The Arlene Francis Show</span></i><span data-contrast="auto">, speaking to trends in colors, textiles, and materials in interior design. Through these appearances, they reached vast numbers of American consumers who were hungry for advice about how to bring modern design into their own homes.</span><span data-ccp-props="{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:480}"> </span></p> <p><span data-contrast="auto">In 1968, Liebes’s health was in decline, and Pahlmann brought together textile designer Jack Lenor Larsen, executives from DuPont, and other friends of Liebes to lobby The Metropolitan Museum of Art to celebrate Liebes’s influential career with a monographic exhibition during her lifetime. Although The Metropolitan Museum show did not come to pass, Pahlmann’s efforts resulted in the 1970 retrospective of Liebes’s work at the Museum of Contemporary Craft (now the Museum of Arts and Design) in New York City. Curated by Paul Smith and textile artist and author Nell Znamierowski and funded by Du Pont, this was the last major exhibition of her work before her death in 1972. [6]</span><span data-ccp-props="{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:480}"> </span></p> <h5 style="padding-left: 40px">NOTES</h5> <p style="padding-left: 40px"><span data-contrast="auto">[1] For more on Pahlmann’s collaborations with Liebes, including design projects, lectures, and television appearances, see the chronology in </span><i><span data-contrast="auto">A Dark, A Light, A Bright: The Designs of Dorothy Liebes</span></i><span data-contrast="auto">, Susan Brown and Alexa Griffith Winton, eds., (New York: Cooper Hewitt, Smithsonian Design Museum; New Haven, CT: Yale University Press, 2023), 227–35.</span></p> <p style="padding-left: 40px"><span data-contrast="none">[2] John Stuart Gordon, “Curtain Walls: Dorothy Liebes and the Modern American Interior,” in </span><i><span data-contrast="none">A Dark, A Light, A Bright, </span></i><span data-contrast="none">12–33.</span><span data-ccp-props="{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:480}"> </span></p> <p style="padding-left: 40px"><span data-contrast="none">[3] For Liebes’s take on designing for modern architecture, see Dorothy Liebes, “Enhancing the View,” </span><i><span data-contrast="none">New York Times</span></i><span data-contrast="none">, October 28, 1948.</span><span data-ccp-props="{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:480}"> </span></p> <p style="padding-left: 40px"><span data-contrast="none">[4] </span><span data-contrast="none">William Pahlmann, letter to Jean Beauchamp, August 11, 1947. William Pahlmann Papers, 2388-I, Box I-51, Hagley Library and Collections, Wilmington, DE.</span><span data-ccp-props="{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:480}"> </span></p> <p style="padding-left: 40px">[5] <span data-contrast="none">William Pahlmann Papers, 2388-II, Box II-16, Hagley Library and Collections, Wilmington, DE.</span><span data-ccp-props="{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:480}"> </span></p> <p style="padding-left: 40px"><span data-contrast="none">[6] Ibid.</span></p> <p>&nbsp;</p> </div> </div> <div class="card--article__asset-sections col-md-4 offset-md-1 h-md-100 mt-4 mt-md-0"> <div class="card--article__section default-styles" data-section-index="0"> <div class="card__row"> <div class=" sandbox-image-jump-fix sandbox-image-jump-fix--png" style="padding-bottom: 78%;"><img src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" alt="1. A color photo of a living room with upholstered furniture, a fireplace, and a portrait of a woman above the fireplace in a modern representational style. There are textured drapes and woven blinds in pale, neutral colors by Dorothy Liebes." style="" class="lazy-image lazyload " data-src="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/fig1.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/fig1.png" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 1&lt;/strong&gt; Exhibition Room at Lord &amp;amp; Taylor, New York, 1941; Styled by William Pahlmann (American, 1900–1987); Drapes designed by Dorothy Liebes for Goodall Fabrics; Blinds designed by Dorothy Liebes; From Decorative Art 1942: The Studio Year Book, edited by C. G. Holme (London: Studio Ltd., 1942)&lt;/p&gt;"></div> <div class="caption mt-3 default-styles"> <p><strong> Fig. 1</strong> Exhibition Room at Lord &amp; Taylor, New York, 1941; Styled by William Pahlmann (American, 1900–1987); Drapes designed by Dorothy Liebes for Goodall Fabrics; Blinds designed by Dorothy Liebes; From Decorative Art 1942: The Studio Year Book, edited by C. G. Holme (London: Studio Ltd., 1942)</p> </div> </div> <hr class="my-4 my-md-8 mx-md-n8"> <div class="card__row"> <div class=" sandbox-image-jump-fix sandbox-image-jump-fix--png" style="padding-bottom: 140.835266821%;"><img src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" alt="2. A cream-colored panel of powerloomed fabric with a pattern of cut pile fringe in geometric patterns across the surface of the textiles. Small amounts of metallic yarn are woven throughout the fabric." style="" class="lazy-image lazyload " data-src="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/fig2-e1688754624480-710x1000.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/fig2-e1688754624480.png" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 2&lt;/strong&gt; Untitled, 1946; Designed by Dorothy Liebes for Goodall Fabrics; Woven wool, cotton, metallic yarn with supplementary weft pile; Museum of Arts and Design, New York, Gift of Dorothy Liebes Design and Ralph Higbee, through the American Craft Council, 1973.2.9&lt;/p&gt;"></div> <div class="caption mt-3 default-styles"> <p><strong> Fig. 2</strong> Untitled, 1946; Designed by Dorothy Liebes for Goodall Fabrics; Woven wool, cotton, metallic yarn with supplementary weft pile; Museum of Arts and Design, New York, Gift of Dorothy Liebes Design and Ralph Higbee, through the American Craft Council, 1973.2.9</p> </div> </div> <hr class="my-4 my-md-8 mx-md-n8"> <div class="card__row"> <div class=" sandbox-image-jump-fix sandbox-image-jump-fix--png" style="padding-bottom: 78.2%;"><img src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" alt="3 A large living room with green walls and handwoven window blinds in a palette of greens, grays, and rusts." style="" class="lazy-image lazyload " data-src="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/fig3.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/fig3.png" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 3&lt;/strong&gt; Matthew Fox’s Living Room, New York City, 1948; Interior design by William Pahlmann (American, 1900 1987); Blinds and draperies designed by Dorothy Liebes; William Pahlmann Papers, Texas A&amp;amp;M University&lt;/p&gt;"></div> <div class="caption mt-3 default-styles"> <p><strong> Fig. 3</strong> Matthew Fox’s Living Room, New York City, 1948; Interior design by William Pahlmann (American, 1900 1987); Blinds and draperies designed by Dorothy Liebes; William Pahlmann Papers, Texas A&amp;M University</p> </div> </div> <hr class="my-4 my-md-8 mx-md-n8"> <div class="card__row"> <div class=" sandbox-image-jump-fix sandbox-image-jump-fix--png" style="padding-bottom: 135.1%;"><img src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" alt="3 A large dinning room with handwoven window blinds in a palette of greens, grays, and rusts." style="" class="lazy-image lazyload " data-src="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/fig4-740x1000.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/fig4.png" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 4&lt;/strong&gt; Matthew Fox’s Dining Room, New York City, 1948; interior design by William Pahlmann (American, 1900-1987); Blinds designed by Dorothy Liebes; William Pahlmann Papers, Texas A&amp;amp;M&lt;/p&gt;"></div> <div class="caption mt-3 default-styles"> <p><strong> Fig. 4</strong> Matthew Fox’s Dining Room, New York City, 1948; interior design by William Pahlmann (American, 1900-1987); Blinds designed by Dorothy Liebes; William Pahlmann Papers, Texas A&amp;M</p> </div> </div> <hr class="my-4 my-md-8 mx-md-n8"> <div class="card__row"> <div class="tiny-title mb-2"> Alexa Griffith Winton </div> <div class="caption default-styles"> <p><span class="TextRun MacChromeBold SCXW145891172 BCX0" lang="EN-US" xml:lang="EN-US" data-contrast="none"><span class="NormalTextRun SCXW145891172 BCX0">Alexa Griffith</span></span> <span class="TextRun MacChromeBold SCXW145891172 BCX0" lang="EN-US" xml:lang="EN-US" data-contrast="none"><span class="NormalTextRun SCXW145891172 BCX0">Winton </span></span><span class="TextRun SCXW145891172 BCX0" lang="EN-US" xml:lang="EN-US" data-contrast="none"><span class="NormalTextRun SCXW145891172 BCX0">is a design historian and educator. She is currently Manager, Content + Interpretation at Cooper Hewitt, Smithsonian Design Museum. She has researched and published on the work of Dorothy Liebes for over ten years. Griffith’s work has been published in scholarly and popular publications, including the </span></span><em><span class="TextRun SCXW145891172 BCX0" lang="EN-US" xml:lang="EN-US" data-contrast="none"><span class="NormalTextRun SCXW145891172 BCX0">Journal of Design History</span></span></em><span class="TextRun SCXW145891172 BCX0" lang="EN-US" xml:lang="EN-US" data-contrast="none"><span class="NormalTextRun SCXW145891172 BCX0">, </span></span><em><span class="TextRun SCXW145891172 BCX0" lang="EN-US" xml:lang="EN-US" data-contrast="none"><span class="NormalTextRun SCXW145891172 BCX0">Dwell</span></span></em><span class="TextRun SCXW145891172 BCX0" lang="EN-US" xml:lang="EN-US" data-contrast="none"><span class="NormalTextRun SCXW145891172 BCX0">, </span></span><em><span class="TextRun SCXW145891172 BCX0" lang="EN-US" xml:lang="EN-US" data-contrast="none"><span class="NormalTextRun SCXW145891172 BCX0">Journal of the Archives of American Art</span></span></em><span class="TextRun SCXW145891172 BCX0" lang="EN-US" xml:lang="EN-US" data-contrast="none"><span class="NormalTextRun SCXW145891172 BCX0">, and the </span></span><em><span class="TextRun SCXW145891172 BCX0" lang="EN-US" xml:lang="EN-US" data-contrast="none"><span class="NormalTextRun SCXW145891172 BCX0">Journal of Modern Craft</span></span></em><span class="TextRun SCXW145891172 BCX0" lang="EN-US" xml:lang="EN-US" data-contrast="none"><span class="NormalTextRun SCXW145891172 BCX0">. She co-edited </span></span><em><span class="TextRun SCXW145891172 BCX0" lang="EN-US" xml:lang="EN-US" data-contrast="none"><span class="NormalTextRun SCXW145891172 BCX0">A Dark, A Light, A Bright: The Designs of Dorothy Liebes</span></span></em><span class="TextRun SCXW145891172 BCX0" lang="EN-US" xml:lang="EN-US" data-contrast="none"><span class="NormalTextRun SCXW145891172 BCX0"> (Cooper Hewitt and Yale University Press, 2023) with Susan Brown. She has received research grants from the Graham Foundation, the New York State Council for the Arts, Center for Craft, Nordic Culture Point, and the Beverly Willis Architecture Foundation.</span></span><span class="EOP SCXW145891172 BCX0" data-ccp-props="{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}"> </span></p> </div> </div> <hr class="my-4 my-md-8 mx-md-n8"> </div> </div> </div> </div> </div> </div> </div> </div> </main> <div id="overview-layer" class="overview-layer" style="visibility: hidden;" tabindex="-1"> <div class="site-container page-content"> <div class="container-fluid"> <div class="row"> <div class="col-md-8 order-1 order-md-0"> <h1 class="jumbo text-uppercase mb-3">A Dark, A Light, A Bright: The Designs of Dorothy Liebes</h1> <div class="default-styles medium-body-text mb-8"> <p>Designer and weaver Dorothy Liebes (1897–1972), who introduced handcraft and brilliant color to the modern interior, was among the most influential designers of the 20th century. This digital platform explores how the “<a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/overview/?category=3#all-pages">Liebes Look</a>”—which combined vivid color, lush texture, and often a glint of metallic—became inextricably linked with the American modern aesthetic. Choose a topic to explore her impact on mid-20th-century <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/overview/?category=8#all-pages">interiors</a>, <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/overview/?category=6#all-pages">fashion</a>, <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/overview/?category=6#all-pages">film</a>, and <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/overview/?category=5#all-pages">industrial design</a>, and meet some of the <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/overview/?category=7#all-pages">studio weavers</a> who contributed to the success of the Dorothy Liebes Studio.</p> </div> <div id="post-journey-items-wrapper" class="row"> <div id="post-journey-items" class="col" data-ajax-link="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-admin/admin-ajax.php?action=sandbox_get_journey"> <div style="min-height: 191px;"> <h2 class="h2-display text-uppercase">Your journey so far</h2> <div class="mt-2">Loading...</div> </div> </div> </div> <div class="row small-gutters mt-8 mb-3" name="all-pages" data-smooth-scroll-immediate="true"> <div class="col"> <h2 class="h2-display text-uppercase">All pages</h2> <div class="small-body-text"> <span class="highlight-indicator"></span>Your journey so far </div> </div> </div> <div class="row small-gutters"> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/category/dorothy-liebes/" class="col-12 category-grid-item-link mb-6" data-journey-trackable-id="10" data-journey-trackable-type="category"> <div class="category-grid-item-link__inner position-relative"> <div class="category-grid-item__name-wrapper d-flex flex-column align-items-center justify-content-center text-center p-3"> <div class="category-grid-item__name h2-display text-uppercase pt-2">Dorothy Liebes</div> </div> </div> <div class="medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title></div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/unusual-occupations/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="879" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/08/Getty1222270_DL-studio-1000x747.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/08/Getty1222270_DL-studio.png"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p><em>Unusual Occupations</em></p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Dorothy Liebes, Video </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/designer/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="266" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/liebesatloom-1-e1683909332307-810x1000.jpg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/liebesatloom-1-e1683909332307.jpg"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>About the Designer</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Dorothy Liebes, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/arts-skills/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="749" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/Screen-Shot-2023-07-12-at-12.38.51-PM-1000x809.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/Screen-Shot-2023-07-12-at-12.38.51-PM.png" data-caption="&lt;p&gt;Dorothy Liebes Papers, Archives of American Art, Smithsonian Institution&lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Arts &amp; Skills</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Dorothy Liebes, Video </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/485-2/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="485" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/AAA-AAA_liebdoro_59669-e1688478006981-702x1000.jpeg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/AAA-AAA_liebdoro_59669-e1688478177986.jpeg"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Get to Know Dorothy Liebes</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Dorothy Liebes, Video </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/the-mother-of-modern-weaving/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="882" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/Getty1222274_DL-at-loom-738x1000.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/Getty1222274_DL-at-loom.png"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>The “Mother of Modern Weaving”</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Dorothy Liebes, Video </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/timeline/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="95" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2022/04/DL-Portrait-757x1000.jpg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2022/04/DL-Portrait-scaled.jpg"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Timeline</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Dorothy Liebes, Timeline </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/category/the-liebes-look/" class="col-12 category-grid-item-link mb-6" data-journey-trackable-id="3" data-journey-trackable-type="category"> <div class="category-grid-item-link__inner position-relative"> <div class="category-grid-item__name-wrapper d-flex flex-column align-items-center justify-content-center text-center p-3"> <div class="category-grid-item__name h2-display text-uppercase pt-2">The Liebes Look</div> </div> </div> <div class="medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title></div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/argonaut/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="552" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/fig-3.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/fig-3.png" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 3&lt;/strong&gt; Interior of the Theatre for the Performing Arts, United States Pavilion, Brussels World’s Fair, 1958; Photographer unknown; Dorothy Liebes Papers, Archives of American Art, Smithsonian Institution, Washington, DC&lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Argonaut</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> The Liebes Look, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/lurex/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="567" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/fig-1-718x1000.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/fig-1.png" data-caption="&lt;p&gt;&lt;strong&gt;Fig. 1&lt;/strong&gt; Advertisement, “The Thread of the Story is Lurex: Accessories to the Time,” 1954; Dorothy Liebes Papers, Archives of American Art, Smithsonian Institution &lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Lurex</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> The Liebes Look, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/pretty-penny/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="90" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/3_Griffith_fig-17-1-e1683831383122-1000x756.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/3_Griffith_fig-17-1-e1683831383122.png" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 2&lt;/strong&gt; Boardroom of City National Bank, Houston, Texas, 1947; Interior design by Brochsteins Inc. and Helene Sprong; Drapery panels (seen against the walls) designed by Dorothy Liebes; Photograph by Elwood M. Payne; Woodson Research Center, Rice University, Houston, Texas; Elwood M. Payne, New York &amp;amp; Houston &lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Pretty Penny</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> The Liebes Look, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/ss-_independence_-and-ss-_constitution_/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="525" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/Erin_Dowding_6.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/Erin_Dowding_6.png" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 6&lt;/strong&gt; First-class state cabins featuring a polarized porthole, upholstery by Dorothy Liebes, and sliding curtains created by the Liebes studio; Henry Dreyfuss Archive, Cooper Hewitt, Smithsonian Design Museum&lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>SS <em>Independence</em> &amp; SS <em>Constitution</em></p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> The Liebes Look, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/ss-santa-rosa-and-ss-santa-paula/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="358" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/AAA-AAA_liebdoro_3344699-edit-1-e1688655530911-888x1000.jpg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/AAA-AAA_liebdoro_3344699-edit-1-e1688655530911.jpg" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 2&lt;/strong&gt; Curtains by Dorothy Liebes, 1958; the one on the far left is the SS _Santa Rosa_ drapery. Dorothy Liebes Papers, Archives of American Art, Smithsonian Institution, Washington, DC &lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>SS <em>Santa Rosa</em> &amp; SS <em>Santa Paula</em></p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> The Liebes Look, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/ss-united-states/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="68" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/fig-1-1-e1683820281622-1000x694.jpg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/fig-1-1-e1683820281622.jpg" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 1&lt;/strong&gt; SS _United States_ First Class Observation Lounge, Smyth, Urqhart &amp;amp; Marckwald, interior designers, drapery and upholstery by Dorothy Liebes, 1952; Dorothy Liebes Papers, Archives of American Art, Smithsonian Institution, Washington, DC &lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>SS <em>United States</em></p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> The Liebes Look, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/the-marco-polo-club/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="73" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/fig-4-1-e1687857908310-1000x875.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/fig-4-1-e1687857908310.png" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 4&lt;/strong&gt; Marco Polo Club dining room, Donald Deskey Associates, 1960; Donald Deskey Archive, Cooper Hewitt, Smithsonian Design Museum, Gift of Donald Deskey, 1975-11-77 &lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>The Marco Polo Club</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> The Liebes Look, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/the-persian-room/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="57" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/fig-2-e1683818327407-764x1000.jpg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/fig-2-e1683818327407.jpg" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 2&lt;/strong&gt; Persian Room at the Plaza Hotel, New York City, 1950; Interior design by Henry Dreyfuss (American, 1904–1972); Drapes laced with tiny electric lightbulbs and woven blinds designed by Dorothy Liebes; Henry Dreyfuss Archive, Cooper Hewitt, Smithsonian Design Museum, 1972-88-1; Image © Smithsonian Institution &lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>The Persian Room</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> The Liebes Look, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/toss-pillows-and-tv-cushions/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="349" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/fig-6-e1686854471750.jpg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/fig-6-e1686854471750.jpg" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 6&lt;/strong&gt; Color advertisement for Pillows by Bloomcraft, Chicago Tribune Magazine, October 25, 1964 &lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Toss Pillows and TV Cushions</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> The Liebes Look, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/united-nations-delegates-dining-room/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="105" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/DE-Fig1-1000x780.jpg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/DE-Fig1.jpg" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 1&lt;/strong&gt; United Nations Delegates Dining Room, New York City, 1952; Moveable screens (shown in expanded position) designed by Dorothy Liebes; United Nations Photo Library; UN Photo / MB &lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>United Nations Delegates Dining Room</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> The Liebes Look, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/category/the-modern-interior/" class="col-12 category-grid-item-link mb-6" data-journey-trackable-id="8" data-journey-trackable-type="category"> <div class="category-grid-item-link__inner position-relative"> <div class="category-grid-item__name-wrapper d-flex flex-column align-items-center justify-content-center text-center p-3"> <div class="category-grid-item__name h2-display text-uppercase pt-2">The Modern Interior</div> </div> </div> <div class="medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title></div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/shangri-la/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="397" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/von-hardenburgh-liebes-shangri-la-2023-846x1000.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/von-hardenburgh-liebes-shangri-la-2023.png" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 1D&lt;/strong&gt; Interior image of Doris Duke’s Shangri La, completed 1937; Architect: Marion Sims Wyeth (American, 1889–1982); Interior design by Florence Hayward (American, active 1930s–1950s); Drapes, portières, and upholstery designed by Dorothy Liebes; Photographs taken by the author, December 2021&lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Doris Duke’s Shangri La</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> The Modern Interior, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/frank-lloyd-wright/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="611" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/fig-5.jpg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/fig-5.jpg" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 7&lt;/strong&gt; Frank Lloyd Wright’s Usonian Exhibition House, New York City, 1953; ESTO &lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Frank Lloyd Wright</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> The Modern Interior, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/samuel-a-marx/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="585" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/Marx3.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/Marx3.png" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 3&lt;/strong&gt; Samuel and Florene Marx Living Room, Chicago, Illinois, 1941; Architect: Samuel A. Marx (American, 1885–1964); Drapes and upholstery designed by Dorothy Liebes; Photograph by Hedrich-Blessing Photographers; Condé Nast Archive &lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Samuel A. Marx</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> The Modern Interior, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/the-decorative-arts-display-at-the-golden-gate-international-exposition/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="596" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/Fig-5-1-e1688759759596.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/Fig-5-1-e1688759759596.png" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 5&lt;/strong&gt; Dorothy Liebes and unidentified woman in the textile exhibition at the Decorative Arts Display of the Golden Gate International Exposition, San Francisco, California, 1939; Bancroft Library, University of California, Berkeley &lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>The Decorative Arts Display at the Golden Gate International Exposition</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> The Modern Interior, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/the-royal-hawaiian-hotel-ss-_lurline_/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="697" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/Screen-Shot-2023-07-17-at-4.47.23-PM-e1689629163719-985x1000.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/Screen-Shot-2023-07-17-at-4.47.23-PM-e1689629163719.png"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>The Royal Hawaiian Hotel &amp; SS <em>Lurline</em></p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> The Modern Interior, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/william-pahlmann/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="591" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/Screen-Shot-2023-05-12-at-9.50.36-AM-e1688754897503-1000x987.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/Screen-Shot-2023-05-12-at-9.50.36-AM-e1688754897503.png"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>William Pahlmann</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> The Modern Interior, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/category/studio/" class="col-12 category-grid-item-link mb-6" data-journey-trackable-id="7" data-journey-trackable-type="category"> <div class="category-grid-item-link__inner position-relative"> <div class="category-grid-item__name-wrapper d-flex flex-column align-items-center justify-content-center text-center p-3"> <div class="category-grid-item__name h2-display text-uppercase pt-2">Studio Weavers</div> </div> </div> <div class="medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title></div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/anna-kang/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="980" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/10/von-hardenburgh-liebes-anna-kang-burgess-1000x748.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/10/von-hardenburgh-liebes-anna-kang-burgess.png"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Anna Kang</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Studio Weavers, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/balbir-kaur/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="978" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/10/Screen-Shot-2023-10-29-at-9.51.29-PM-e1698630861835.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/10/Screen-Shot-2023-10-29-at-9.51.29-PM-e1698630861835.png"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Balbir Kaur</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Studio Weavers, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/daren-pierce/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="923" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/08/Kennedy-Daren-Pierce-Fig.-2-Liebes-2023-1-1000x712.jpeg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/08/Kennedy-Daren-Pierce-Fig.-2-Liebes-2023-1-e1692104688242.jpeg"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Daren Pierce</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Studio Weavers, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/dorr-bothwell/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="505" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/Screen-Shot-2023-07-05-at-6.37.21-AM.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/Screen-Shot-2023-07-05-at-6.37.21-AM.png"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Dorr Bothwell</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Studio Weavers, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/emma-amos-the-art-craft-design-connection/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="458" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/IMG_2042-985x1000.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/IMG_2042.png"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Emma Amos</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Studio Weavers, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/geraldine-funk/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="982" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/10/Screenshot-2023-12-07-at-4.59.38 PM.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/10/Screenshot-2023-12-07-at-4.59.38 PM.png"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Geraldine Funk</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Studio Weavers, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/glen-kaufman/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="108" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/GKaufman-ACC-e1688751687470.jpg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/GKaufman-ACC-e1688751687470.jpg" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 1&lt;/strong&gt; Glen Kaufman at the loom, circa 1961; Courtesy American Craft Council Library and Archives &lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Glen Kaufman</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Studio Weavers, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/harry-soviak/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="583" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/Harry-Soviak-Peter-Meltzer-1978-1979-crop.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/Harry-Soviak-Peter-Meltzer-1978-1979-crop.png"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Harry Soviak</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Studio Weavers, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/kamma-zethraus/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="908" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/08/Dowding_1-1-e1692103523382.jpg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/08/Dowding_1-1-e1692103523382.jpg"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Kamma Zethraus</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Studio Weavers, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/louise-and-vanita-fong/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="956" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/10/Warren-Liebes-Fong-1000x801.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/10/Warren-Liebes-Fong.png"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Louise and Vanita Fong</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Studio Weavers, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/mary-walker-phillips/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="64" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/fig-1-e1688751521495.jpg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/fig-1-e1688751521495.jpg" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 1&lt;/strong&gt; Mary Walker Phillips sitting at her loom weaving in her studio, Fresno, California, 1955; Courtesy Friends of Fiber Art International Artist Files, American Craft Council &lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Mary Walker Phillips</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Studio Weavers, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/nancy-kenealy/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="1023" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/12/Screenshot-2023-12-07-at-4.36.25 PM.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/12/Screenshot-2023-12-07-at-4.36.25 PM.png"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Nancy Kenealy</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Studio Weavers, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/ralph-higbee/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="519" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/Screen-Shot-2023-07-05-at-6.57.05-AM-1000x737.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/Screen-Shot-2023-07-05-at-6.57.05-AM.png"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Ralph Higbee</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Studio Weavers, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/tammis-keefe/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="720" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/Screen-Shot-2023-07-18-at-1.09.35-AM-979x1000.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/Screen-Shot-2023-07-18-at-1.09.35-AM.png"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Tammis Keefe</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Studio Weavers, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/the-gift-of-daren-pierce-to-the-smithsonian/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="274" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/Kennedy-Gift-1982-79-17-12-Liebes-2023-651x1000.jpeg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/Kennedy-Gift-1982-79-17-12-Liebes-2023.jpeg" data-caption="&lt;p&gt;Design for a Carpet, circa 1928; Designed by E. McKnight Kauffer (American, 1890–1954); Brush and watercolor, gouache on photostat; Gift of Daren Pierce, 1982-79-17-12&lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>The Gift of Daren Pierce to the Smithsonian</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Studio Weavers, Image Story </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/category/better-better/" class="col-12 category-grid-item-link mb-6" data-journey-trackable-id="5" data-journey-trackable-type="category"> <div class="category-grid-item-link__inner position-relative"> <div class="category-grid-item__name-wrapper d-flex flex-column align-items-center justify-content-center text-center p-3"> <div class="category-grid-item__name h2-display text-uppercase pt-2">Better &amp; Better for Less &amp; Less</div> </div> </div> <div class="medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title></div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/kashmir-for-pomona-tile/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="98" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/IL2021.27.16-1-1-scaled-e1683840144411-1000x959.jpg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/IL2021.27.16-1-1-scaled-e1683840144411.jpg"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>“Kashmir” for Pomona Tile</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Better &amp; Better for Less &amp; Less, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/american-airlines/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="417" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/AA-Liebes-1-995x1000.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/AA-Liebes-1.png"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>American Airlines</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Better &amp; Better for Less &amp; Less, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/bigelow-sanford-custom-carpets/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="625" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2022/03/Screen-Shot-2022-03-10-at-7.22.45-PM.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2022/03/Screen-Shot-2022-03-10-at-7.22.45-PM.png"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Bigelow-Sanford Custom Carpets</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Better &amp; Better for Less &amp; Less, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/carol-stanley/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="330" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/DE-Carol-Stanley-fig-1-750x1000.jpeg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/DE-Carol-Stanley-fig-1.jpeg" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 1&lt;/strong&gt; Model in the Dorothy Liebes Studio in front of Liebes’s Ram’s Head loom, seated on a Liebes cushion and wearing a Dorothy Liebes for Carol Stanley woven shawl, as photographed for Carol Stanley, 1948; Dorothy Liebes Papers, Archives of American Art, Smithsonian Institution, Washington, DC &lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Carol Stanley</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Better &amp; Better for Less &amp; Less, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/chrysler-plymouth-fury/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="111" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/Penick_6B.jpg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/Penick_6B.jpg" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 1&lt;/strong&gt; Chrysler Plymouth Fury, 1957; Chrysler Archives &lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Chrysler Plymouth Fury</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Better &amp; Better for Less &amp; Less, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/dupont-pavilion/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="336" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/MAD-1973_2_11-789x1000.jpg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/MAD-1973_2_11-scaled.jpg" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 1&lt;/strong&gt; Prototype curtain for Blue Theater, DuPont Pavilion, New York World’s Fair, 1964; DuPont Orlon and Fairtex metallic yarn; Museum of Arts &amp;amp; Design, Gift of Dorothy Liebes Design through the American Craft Council, 1973.2.11 &lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>DuPont Pavilion</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Better &amp; Better for Less &amp; Less, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/goodall/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="740" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/Screen-Shot-2023-07-18-at-1.41.30-AM-907x1000.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/Screen-Shot-2023-07-18-at-1.41.30-AM.png"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Goodall Fabrics</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Better &amp; Better for Less &amp; Less, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/kenwood-blankets/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="81" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/Screen-Shot-2023-06-27-at-1.03.55-AM-988x1000.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/Screen-Shot-2023-06-27-at-1.03.55-AM.png" data-caption="&lt;p&gt;&lt;strong&gt;Fig. 1&lt;/strong&gt; Dorothy Liebes, Design for a Blanket, 1952; Graphite and gouache collage on paper; Dorothy Liebes Papers, Archives of American Art, Smithsonian Institution, Washington, DC &lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Kenwood Blankets</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Better &amp; Better for Less &amp; Less, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/united-wallpaper/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="733" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/Screen-Shot-2023-07-18-at-1.26.16-AM-1000x958.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/Screen-Shot-2023-07-18-at-1.26.16-AM.png"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>United Wallpaper</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Better &amp; Better for Less &amp; Less, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/category/fashion/" class="col-12 category-grid-item-link mb-6" data-journey-trackable-id="6" data-journey-trackable-type="category"> <div class="category-grid-item-link__inner position-relative"> <div class="category-grid-item__name-wrapper d-flex flex-column align-items-center justify-content-center text-center p-3"> <div class="category-grid-item__name h2-display text-uppercase pt-2">Fashion &amp; Film</div> </div> </div> <div class="medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title></div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/_adams-rib_/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="905" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/08/Sauer-Adams-Rib-Fig.-1-Liebes-2023-1-e1692106151925-1000x805.jpg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/08/Sauer-Adams-Rib-Fig.-1-Liebes-2023-1-e1692106151925.jpg"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p><em>Adam’s Rib</em></p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Fashion &amp; Film, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/_east-side-west-side_/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="500" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/Fig-4-East-Side-West-Side-1000x938.jpg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/07/Fig-4-East-Side-West-Side-scaled.jpg" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 4&lt;/strong&gt; Interior entrance of the Del Rio nightclub in East Side, West Side, 1949; Directed by Mervyn LeRoy (American, 1900–1987); Art Direction by Randall Duell (American, 1903–1992) and Cedric Gibbons (American, 1890–1960); Set decoration by Edwin B. Willis (American, 1893–1963); Textiles designed by Dorothy Wright Liebes (American, 1897–1972); Distributed by Metro-Goldwyn-Mayer (Beverly Hills, California, USA); Via Prime Video &lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p><em>East Side, West Side</em></p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Fashion &amp; Film, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/_souvenir-de-paris_/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="884" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/08/Fig.-1B-952x1000.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/08/Fig.-1B.png" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 1B&lt;/strong&gt; Portrait by Louise Dahl-Wolfe of Dorothy Liebes with Schiaparelli, or Panel for a Couturière, circa 1938; Dorothy Liebes Papers, Archives of American Art; Smithsonian Institution; © Center for Creative Photography, Arizona Board of Regents &lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p><em>Souvenir de Paris</em></p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Fashion &amp; Film, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/bonnie-cashins-skirtings-inc/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="449" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/fig-1-4-e1688750845197-737x1000.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/fig-1-4-e1688750845197.png" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 1&lt;/strong&gt; Bonnie Cashin skirt made of Liebes fabric from &amp;#8220;Fashion: New Ideas about in-for-the-Evening Clothes,&amp;#8221; _Vogue_, December 1, 1956, p. 143&lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Bonnie Cashin’s Skirtings Inc.</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Fashion &amp; Film, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/clare-potter/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="441" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/6_Wishner_fig-10_FPO-1-e1688052093742.jpg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/6_Wishner_fig-10_FPO-1-e1688052093742.jpg" data-caption="&lt;p&gt;Fig. 4 Cover, House &amp;amp; Garden, February 1950, featuring hostess apron by Clare Potter (American, 1903–1995) with Daren Pierce (American, 1923–1984); Layout by Herbert Matter (Swiss-American, 1907–1984); Condé Nast Archive &lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Clare Potter</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Fashion &amp; Film, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/adrian/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="426" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/Screen-Shot-2023-07-07-at-6.19.50-PM-726x1000.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/Screen-Shot-2023-07-07-at-6.19.50-PM.png" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 4&lt;/strong&gt; Dorothy Liebes in an Adrian jacket, 1945; Photograph by Yousuf Karsh (Armenian-Canadian, 1908–2002); Associated Press; Dorothy Liebes Papers, Archives of American Art, Smithsonian Institution&lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Gilbert Adrian</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Fashion &amp; Film, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/the-jewelry-of-dorothy-liebes/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="897" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/08/Randall-Jewelry-Fig.-1-Liebes-2023-e1692098360807-823x1000.jpg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/08/Randall-Jewelry-Fig.-1-Liebes-2023-e1692098360807.jpg" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 1&lt;/strong&gt; Dorothy Liebes photographed by George Platt Lynes, n.d.; Dorothy Liebes Papers, Archives of American Art, Smithsonian Institution, Washington, DC &lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>The Personal Jewelry Collection of Dorothy Liebes</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> Fashion &amp; Film, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/category/the-idea-factory/" class="col-12 category-grid-item-link mb-6" data-journey-trackable-id="9" data-journey-trackable-type="category"> <div class="category-grid-item-link__inner position-relative"> <div class="category-grid-item__name-wrapper d-flex flex-column align-items-center justify-content-center text-center p-3"> <div class="category-grid-item__name h2-display text-uppercase pt-2">The Idea Factory</div> </div> </div> <div class="medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title></div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/color/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="115" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/1972-75-1-Matt-Flynn-1-scaled-e1683903413873-682x1000.jpg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/1972-75-1-Matt-Flynn-1-scaled-e1683903413873.jpg"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Color</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> The Idea Factory, Object Group </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/glitter-2/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="1070" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2024/01/08EA21CC54042_03-750x1000.jpg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2024/01/08EA21CC54042_03-scaled.jpg"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Glitter</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> The Idea Factory, Object Group </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/materials/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="231" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/D36F31BA952F2_02-1-e1683908945786-1000x986.png" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/D36F31BA952F2_02-1-e1683908945786.png"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Materials</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> The Idea Factory, Object Group </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/conservation-analysis/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="386" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/Fig-4-1-1000x750.jpg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/Fig-4-1.jpg" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 4&lt;/strong&gt; Pink weft fibers seen under crossed polars with first-order Red/530nm analyzer plate at 20x magnification; Photo: Cooper Hewitt Textile Conservation &lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Synthetic Material Identification in Dorothy Liebes Samples at Cooper Hewitt</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> The Idea Factory, Essay </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/texture/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="201" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/1972-75-63-Matt-Flynn-3-1000x943.jpg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/05/1972-75-63-Matt-Flynn-3.jpg"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Texture</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> The Idea Factory, Object Group </div> </a> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/two-liebes-looms/" class="col-6 col-md-4 col-xl-3 opacity-link mb-6" data-journey-trackable-id="342" data-journey-trackable-type="post"> <div class="background-image landscape-image-tall background-image lazy-image lazyload" style="background-image: url(data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==);" data-bg="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/fig-2-e1687841749248-1000x764.jpg" data-src-full="https://exhibitions.cooperhewitt.org/dorothy-liebes/wp-content/uploads/sites/6/2023/06/fig-2-e1687841749248.jpg" data-caption="&lt;p&gt;&lt;strong&gt; Fig. 2&lt;/strong&gt; Dorothy Liebes with her Ram’s Head loom, ca. 1930; Dorothy Liebes Papers &lt;/p&gt;"></div> <h3 class="post-grid-item__title medium-title theme-foreground-color text-shadow mt-2" data-journey-trackable-title><p>Two Liebes Looms</p> </h3> <div class="post-grid-item__labels tiny-title" style="margin-top: 2px;"> The Idea Factory, Essay </div> </a> </div> </div> <div class="col-md-4 order-0 order-md-0 mb-3 md-md-0"> <div id="header__sidebar" class="header__sidebar mb-4"> <nav id="header__nav" class="header__nav large-body-text text-uppercase" data-page-path="https://exhibitions.cooperhewitt.org/dorothy-liebes/about-the-exhibition/"> <div class="menu-main-menu-container"><ul id="menu-main-menu" class="menu"><li id="menu-item-7" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-7 menu-item-slug-overview" data-slug="overview"><a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/overview/">Overview</a></li> <li id="menu-item-8" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-8 menu-item-slug-about-the-exhibition" data-slug="about-the-exhibition"><a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/about-the-exhibition/">About the Exhibition</a></li> <li id="menu-item-571" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-571 menu-item-slug-the-publication" data-slug="the-publication"><a target="_blank" rel="noopener" href="https://yalebooks.yale.edu/book/9780300266153/a-dark-a-light-a-bright/">The Publication</a></li> </ul></div> </nav> <div class="row mt-6"> <div class="col-6 tiny-title"> <div class="mb-2">By Topic:</div> <ul class="link-list"> <li> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/overview/#all-pages" class="opacity-link active">All</a> </li> <li> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/overview/?category=10#all-pages" class="opacity-link ">Dorothy Liebes</a> </li> <li> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/overview/?category=3#all-pages" class="opacity-link ">The Liebes Look</a> </li> <li> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/overview/?category=8#all-pages" class="opacity-link ">The Modern Interior</a> </li> <li> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/overview/?category=7#all-pages" class="opacity-link ">Studio Weavers</a> </li> <li> <a href="https://exhibitions.cooperhewitt.org/dorothy-liebes/overview/?category=5#all-pages" class="opacity-link ">Better &amp; 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