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Aarti Kawlra | International Institute of Asian Studies, Leiden - Academia.edu

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Social Sciences, IIT Delhi, 1998. I am currently with the International Institute of Asian Studies (IIAS), Leiden, The Netherlands where I am Academic Director of the program, “Humanities across Borders: Asia and Africa in the World” (HaB) (www.humanitiesacrossborders.org). HaB is an educational program engaged in creating spaces of academia-society dialogue for building a universally applicable, situated-learning model of curricula development and pedagogy beyond the classroom. <br />My research interrogates narratives of culture, economy and nation in postcolonial societies from the vantage of diverse subject positions especially those constituted around manual work and skilled labour. I am especially interested in artisanal self-identification in global modernity. My most recent publication is the book We Who Wove with Lotus Thread: Summoning Community in South India (Orient Blackswan, January 2018).<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="ri-section"><div class="ri-section-header"><span>Interests</span></div><div class="ri-tags-container"><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="6159362" href="https://www.academia.edu/Documents/in/Cultural_Studies"><div id="js-react-on-rails-context" style="display:none" 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id="Pill-react-component-02df2d38-b2be-4e24-a8ca-1bd670912ac3"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="6159362" href="https://www.academia.edu/Documents/in/Technology_And_Culture"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{&quot;color&quot;:&quot;gray&quot;,&quot;children&quot;:[&quot;Technology And Culture&quot;]}" data-trace="false" data-dom-id="Pill-react-component-4ff00a9c-9653-4224-bd50-932cb02970e1"></div> <div id="Pill-react-component-4ff00a9c-9653-4224-bd50-932cb02970e1"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="6159362" href="https://www.academia.edu/Documents/in/Postcolonial_Studies"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{&quot;color&quot;:&quot;gray&quot;,&quot;children&quot;:[&quot;Postcolonial Studies&quot;]}" data-trace="false" 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src="https://attachments.academia-assets.com/118153402/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/123806449/From_Rural_Outsourcing_to_Rural_Opportunities">From Rural Outsourcing to Rural Opportunities</a></div><div class="wp-workCard_item"><span>International Journal of Information Communication Technologies and Human Development</span><span>, Jul 1, 2011</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="94288dacdcf93d5c323b7663b98eace8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:118153402,&quot;asset_id&quot;:123806449,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" 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Technologies (ICT) for socio-economic development in rural Tamil Nadu, India. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="111156789"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/111156789/Narrating_indigo"><img alt="Research paper thumbnail of Narrating indigo" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/111156789/Narrating_indigo">Narrating indigo</a></div><div class="wp-workCard_item"><span>Routledge eBooks</span><span>, May 26, 2023</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111156789"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111156789"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111156789; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="107970898"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/107970898/The_Question_of_Women_and_Craft_Pre_and_Post_Independence_India"><img alt="Research paper thumbnail of The Question of Women and Craft, Pre- and Post Independence India" class="work-thumbnail" src="https://attachments.academia-assets.com/106482854/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/107970898/The_Question_of_Women_and_Craft_Pre_and_Post_Independence_India">The Question of Women and Craft, Pre- and Post Independence India</a></div><div class="wp-workCard_item"><span>Katy Deepwell edited De-/Anti-/Post-colonial Feminisms in Contemporary Art and Textile Crafts</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In this chapter, I interrogate elements within the trajectory of India’s discourse on craft, that...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In this chapter, I interrogate elements within the trajectory of India’s discourse on craft, that permeated policy and action in the pre- and post-independence period, from a feminist perspective. Asking the question ‘Where are the women?’ in the sphere of crafts, as does Cynthia Enloe (2014) in the sphere of international politics, is to shed light on the ways in which women’s activities are framed through the private and the domestic in the service of national and international goals. Seeking answers to this question also highlights the different spaces and roles women occupied in the renewed debates about crafts, as well as the intended and unintended consequences of foregrounding women’s capacities in craft in relation to their home-based skills.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d618b4d57a35ce4fb1cdb7a5ba61536d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:106482854,&quot;asset_id&quot;:107970898,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/106482854/download_file?st=MTczNDAzNjc4MSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="107970898"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="107970898"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 107970898; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=107970898]").text(description); $(".js-view-count[data-work-id=107970898]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 107970898; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='107970898']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 107970898, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d618b4d57a35ce4fb1cdb7a5ba61536d" } } $('.js-work-strip[data-work-id=107970898]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":107970898,"title":"The Question of Women and Craft, Pre- and Post Independence India","translated_title":"","metadata":{"abstract":"In this chapter, I interrogate elements within the trajectory of India’s discourse on craft, that permeated policy and action in the pre- and post-independence period, from a feminist perspective. 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In comparison, the movement of patterned textiles, especially silk, along the geographies and cultures throughout the first millennium CE, has received scant attention. Scholarship and exhibitions on the Silk Roads via both land and sea in the past five decades have no doubt opened new pathways to transregional dialogue and exchange, but as art historian, Angela Sheng, has noted, &quot;textiles have not merited detailed discussions in any of these historical accounts&quot;. The present UNESCO volume redresses this gap in the literature. In this chapter, we inquire into figurative motifs in textiles of the Silk Roads as artefacts of the cross-fertilization of beliefs, skills and techniques as seen from the vantage point of the Indian subcontinent.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="78348cedf45c7f6075ea33de5c8cc1fd" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:96007050,&quot;asset_id&quot;:93205445,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/96007050/download_file?st=MTczNDAzNjc4MSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="93205445"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="93205445"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 93205445; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=93205445]").text(description); $(".js-view-count[data-work-id=93205445]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 93205445; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='93205445']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 93205445, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "78348cedf45c7f6075ea33de5c8cc1fd" } } $('.js-work-strip[data-work-id=93205445]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":93205445,"title":"Hybrid creature motifs as cross-cultural transmission along the Silk Roads","translated_title":"","metadata":{"doi":"10700797147779%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C\u0026sdata=dKaYGBemlAweN0Pq54Wv6oDr0UherMQXovCJ4CpcbTk%3D\u0026reserved=0","abstract":"The Indian subcontinent in the world of the Silk Roads The pivotal place of India in the transregional network of trade in cloth with the entry of British, Dutch and, later, French trading companies in the early seventeenth century has been well documented in global historiography. 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She is co-author of National Handicrafts and Handlooms Museum, New Delhi. Her research has led her to work among handloom weavers in Tamil Nadu for more than a decade and taken her to the National Museum of Ethnology Osaka, Japan as a Visiting Scholar. The Kimono Body</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="93205235"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="93205235"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 93205235; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=93205235]").text(description); $(".js-view-count[data-work-id=93205235]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 93205235; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='93205235']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 93205235, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=93205235]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":93205235,"title":"The Kimono Body","translated_title":"","metadata":{"abstract":"Aarti Kawlra is Assistant Professor in the Fashion Design Department at the National Institute of Fashion Technology in Chennai, India. 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The Kimono Body","internal_url":"https://www.academia.edu/93205235/The_Kimono_Body","translated_internal_url":"","created_at":"2022-12-18T20:35:53.074-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":6159362,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"The_Kimono_Body","translated_slug":"","page_count":null,"language":"en","content_type":"Work","summary":"Aarti Kawlra is Assistant Professor in the Fashion Design Department at the National Institute of Fashion Technology in Chennai, India. She is co-author of National Handicrafts and Handlooms Museum, New Delhi. Her research has led her to work among handloom weavers in Tamil Nadu for more than a decade and taken her to the National Museum of Ethnology Osaka, Japan as a Visiting Scholar. The Kimono Body","owner":{"id":6159362,"first_name":"Aarti","middle_initials":"","last_name":"Kawlra","page_name":"AartiKawlra","domain_name":"iias","created_at":"2013-10-15T11:45:31.252-07:00","display_name":"Aarti Kawlra","url":"https://iias.academia.edu/AartiKawlra"},"attachments":[],"research_interests":[{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art"},{"id":1433,"name":"Fashion Theory","url":"https://www.academia.edu/Documents/in/Fashion_Theory"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="85918742"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/85918742/Sari_Kimono_and_the_Making_of_a_Transnational_Craft_scape"><img alt="Research paper thumbnail of Sari-Kimono and the Making of a Transnational Craft-scape" class="work-thumbnail" src="https://attachments.academia-assets.com/90485567/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/85918742/Sari_Kimono_and_the_Making_of_a_Transnational_Craft_scape">Sari-Kimono and the Making of a Transnational Craft-scape</a></div><div class="wp-workCard_item"><span>India - Japan Narratives: Lesser known historical and cultural interactions</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In this exploratory paper, I inquire into the re-articulation of craft in India and Japan during ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In this exploratory paper, I inquire into the re-articulation of craft in India and Japan during the first half of the 20th century. Examining notions of craftsmanship as expounded by Muneyoshi (Soetsu) Yanagi (1889–1961) in Japan and Kamaladevi Chattopadhyay (1903– 1988) in India, I explore how craft came to be initially deployed as a peg to situate an imagined &#39;Asian&#39; civilizational affinity following the friendship forged between <br /> Okakura Tenshin and Rabindranath Tagore. In the post-War period craft came to be accepted world-wide as a modernist project for Asian countries seeking to re-build their national self-hood. What were the routes taken by India and Japan? We know that Kamaladevi was deeply impressed by Japan&#39;s valorisation of its artisans as &#39;national treasures&#39; and understood well the significance of state-led institutionalisation of craft for India&#39;s national development. How did Kamaladevi and Yanagi re-constitute folk craft as aestheticized labour on the international stage of nations emerging from the ravages of war? What were the metaphors,<br />affinities and aesthetics invoked by the two cultural interlocuters in shaping the emergent transnational craft-scape, whose legacy continues in contemporary craft (and design) conversations between India and Japan? The paper will take up articulations around the linkages between the sari and the kimono as unstitched or textile garments, to constitute a shared crafts ethic.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="25850d0c4172d16b17efd3e9e5c61c1e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:90485567,&quot;asset_id&quot;:85918742,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/90485567/download_file?st=MTczNDAzNjc4MSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="85918742"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="85918742"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 85918742; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=85918742]").text(description); $(".js-view-count[data-work-id=85918742]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 85918742; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='85918742']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 85918742, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "25850d0c4172d16b17efd3e9e5c61c1e" } } $('.js-work-strip[data-work-id=85918742]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":85918742,"title":"Sari-Kimono and the Making of a Transnational Craft-scape","translated_title":"","metadata":{"abstract":"In this exploratory paper, I inquire into the re-articulation of craft in India and Japan during the first half of the 20th century. 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We interrogate the Gramamukhya portal, which was initiated in 2011 and continued until 2015, as a democratic space to politicise the invited spaces of governance. Revisiting the question of women’s engagement in panchayati raj institutions in Kerala, we suggest that the practice of citizenship can become politically effective for women in governance if they use a platform that facilitates critical engagement from within and without the invited spaces of participation. This reflection becomes all the more significant given the contemporary political context of Kerala, where the women’s question is caught between developmentalist intentions of the state and right-wing political mobilisations at the grass-roots level.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="75681210"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="75681210"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 75681210; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=75681210]").text(description); $(".js-view-count[data-work-id=75681210]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 75681210; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='75681210']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 75681210, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=75681210]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":75681210,"title":"An Experiment in Feminist Technology in Local Governance: Revisiting the Question of ‘Invited Spaces’ of Participation in Kerala","translated_title":"","metadata":{"abstract":"In this article, we foreground the potential for a space for collective deliberation and political subjectivities building among women leaders in local governance. 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We interrogate the Gramamukhya portal, which was initiated in 2011 and continued until 2015, as a democratic space to politicise the invited spaces of governance. Revisiting the question of women’s engagement in panchayati raj institutions in Kerala, we suggest that the practice of citizenship can become politically effective for women in governance if they use a platform that facilitates critical engagement from within and without the invited spaces of participation. 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Duke University Press, 2019, 16...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Anand Pandian, A Possible Anthropology: Methods for Uneasy Times. Duke University Press, 2019, 168pp., ₹2,115, ISBN: 978-1-4780-0375-5 (paperback). ISBN:978-1-4780-0311-3 (cloth).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="70617615"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="70617615"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 70617615; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=70617615]").text(description); $(".js-view-count[data-work-id=70617615]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 70617615; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='70617615']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 70617615, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=70617615]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":70617615,"title":"Book review: Anand Pandian, A Possible Anthropology: Methods for Uneasy Times","translated_title":"","metadata":{"abstract":"Anand Pandian, A Possible Anthropology: Methods for Uneasy Times. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="70617587"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/70617587/Lives_of_Indian_Images_by_Richard_H_Davis"><img alt="Research paper thumbnail of Lives of Indian Images by Richard H. Davis" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/70617587/Lives_of_Indian_Images_by_Richard_H_Davis">Lives of Indian Images by Richard H. Davis</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In the review of Lives of Indian Images, by Rich H. Davis, Kawlra looks at how the book presents ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In the review of Lives of Indian Images, by Rich H. Davis, Kawlra looks at how the book presents individual biographies of seven prominent artistic and religious objects and sites. The author shows how Davis seeks to go beyond the ‘cult’ value and ‘exhibition’ value of art to discover the multiple ways in which visual art can be integrated meaningfully by the particular set of people viewing it. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="50066857"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/50066857/Caste_Craft_and_Education_in_India_and_Sri_Lanka_An_Introduction"><img alt="Research paper thumbnail of Caste, Craft and Education in India and Sri Lanka: An Introduction" class="work-thumbnail" src="https://attachments.academia-assets.com/68189764/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/50066857/Caste_Craft_and_Education_in_India_and_Sri_Lanka_An_Introduction">Caste, Craft and Education in India and Sri Lanka: An Introduction</a></div><div class="wp-workCard_item"><span>Review of Development and Change</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The post-Mandal era has seen the emergence of a special interest in exploring the connection betw...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The post-Mandal era has seen the emergence of a special interest in exploring the connection between caste and education. &#39;New perspectives&#39; in the history of education in India depart from earlier preoccupations with macro-level analyses of colonial educational policies and national development, to foreground &#39;silent voices&#39; and &#39;Dalit initiatives&#39; from regional and micro settings. 1 Following the methodological provocation of the &#39;knowing subject&#39; where the knower is not &#39;disincorporated from the known&#39;, 2 each of the papers in this special issue of Review of Development and Change shifts our attention from the &#39;enunciated to the enunciation&#39;. 3 Taking off from the idea of the heterogenous colonial state in pointing to the significance of provincial, district and local-level interventions in producing very diverse, even contradictory, outcomes, 4 this volume focuses on the discursive context of caste and craft that complicated the discourse on education in colonial India and Sri Lanka. Caste was a highly visible trope in reformist discourse on education in the colonial period. An international conference panel exploring the conflation of caste, gender and education in colonial India and Sri Lanka pointed to the paucity of literature dealing with the content, form and pedagogical practices that shaped the course of the debate on education. 5 It not only drew attention to new registers in education historiography, i.e. interventions of missionaries and theosophists, but also brought to the fore arguments of hereditary skill, mind and body that entered debates on education and industrial development. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="49936121"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/49936121/The_Kimono_Body"><img alt="Research paper thumbnail of The Kimono Body" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49936121/The_Kimono_Body">The Kimono Body</a></div><div class="wp-workCard_item"><span>Minpaku Anthropology Newsletter</span><span>, Dec 1, 2000</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49936121"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49936121"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49936121; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="49251767"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/49251767/Sari_Kimono_and_the_making_of_a_transnational_craftscape_pp_138_152"><img alt="Research paper thumbnail of Sari-Kimono and the making of a transnational craftscape, pp 138-152" class="work-thumbnail" src="https://attachments.academia-assets.com/67635682/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49251767/Sari_Kimono_and_the_making_of_a_transnational_craftscape_pp_138_152">Sari-Kimono and the making of a transnational craftscape, pp 138-152</a></div><div class="wp-workCard_item"><span>Indian Japan Narratives: Lesser known historical and cultural interactions edited by S. Narasimhan</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In this exploratory paper, I inquire into the re-articulation of craft in India and Japan during ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In this exploratory paper, I inquire into the re-articulation of craft in India and Japan during<br />the first half of the 20th century. Examining notions of craftsmanship as expounded by Muneyoshi<br />(Soetsu) Yanagi (1889–1961) in Japan and Kamaladevi Chattopadhyay (1903– 1988) in India, I<br />explore how craft came to be initially deployed as a peg to situate an imagined &#39;Asian&#39; civilizational<br />affinity following the friendship forged between Okakura Tenshin and Rabindranath Tagore. In the<br />post-War period craft came to be accepted world-wide as a modernist project for Asian countries<br />seeking to re-build their national self-hood. What were the routes taken by India and Japan? We<br />know that Kamaladevi was deeply impressed by Japan&#39;s valorisation of its artisans as &#39;national<br />treasures&#39; and understood well the significance of state-led institutionalisation of craft for India&#39;s<br />national development.<br />How did Kamaladevi and Yanagi re-constitute folk craft as aestheticized labour on the<br />international stage of nations emerging from the ravages of war? What were the metaphors,<br />affinities and aesthetics invoked by the two cultural interlocuters in shaping the emergent<br />transnational craftscape, whose legacy continues in contemporary craft (and design) conversations<br />between India and Japan? The paper will take up articulations around the linkages between the sari<br />and the kimono as unstitched or textile garments, to constitute a shared crafts ethic.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="47a5ae00ed37c1f4b5ac2f5c57dab7c0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:67635682,&quot;asset_id&quot;:49251767,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/67635682/download_file?st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49251767"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49251767"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49251767; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49251767]").text(description); $(".js-view-count[data-work-id=49251767]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49251767; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49251767']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 49251767, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "47a5ae00ed37c1f4b5ac2f5c57dab7c0" } } $('.js-work-strip[data-work-id=49251767]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49251767,"title":"Sari-Kimono and the making of a transnational craftscape, pp 138-152","translated_title":"","metadata":{"abstract":"In this exploratory paper, I inquire into the re-articulation of craft in India and Japan during\nthe first half of the 20th century. 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What were the metaphors,\naffinities and aesthetics invoked by the two cultural interlocuters in shaping the emergent\ntransnational craftscape, whose legacy continues in contemporary craft (and design) conversations\nbetween India and Japan? 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A room with a few mats and possibly chaukies will not only remain clean but also provide infinite opportunities for small group work, music and dance, sitting in a circle, reading</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="cff8b915f37170ec8e38370875416976" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:66600659,&quot;asset_id&quot;:47579993,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/66600659/download_file?st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="47579993"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="47579993"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 47579993; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=47579993]").text(description); $(".js-view-count[data-work-id=47579993]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 47579993; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='47579993']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 47579993, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "cff8b915f37170ec8e38370875416976" } } $('.js-work-strip[data-work-id=47579993]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":47579993,"title":"At School with Design Early Explorations in Introducing Design in the Curriculum at The School, Krishnamurti Foundation of India (KFI), Chennai","translated_title":"","metadata":{"abstract":"As teachers we have recognized that space that lends itself to use in multiple ways is far more valuable than space which can be used only in one way…. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="42772650"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/42772650/Between_Culture_and_Technology_Theme_Saris_and_the_Graphic_Representation_of_Heritage_in_Tamil_Nadu_India"><img alt="Research paper thumbnail of Between Culture and Technology: Theme Saris and the Graphic Representation of Heritage in Tamil Nadu, India" class="work-thumbnail" src="https://attachments.academia-assets.com/62996476/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42772650/Between_Culture_and_Technology_Theme_Saris_and_the_Graphic_Representation_of_Heritage_in_Tamil_Nadu_India">Between Culture and Technology: Theme Saris and the Graphic Representation of Heritage in Tamil Nadu, India</a></div><div class="wp-workCard_item"><span>Fashionable Traditions: Asian Handmade Textiles in Motion edited by Ayami Nakatani</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The diffusion of information technologies in recent decades has introduced new modes of productio...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The diffusion of information technologies in recent decades has introduced new modes of production and consumption of traditional textiles in India. New media technologies have opened spaces of participatory parity for artisans, hitherto labelled as “bearers of tradition” and insulated from global capital and markets via protective state policies. In this chapter, I explore the ways in which computer-aided graphics have transformed silk handloom saris into canvasses for the visual representation of a shared past. My aim is to inquire into how agents of a handloom tradition in south India deploy digital imagery, drawn from an authorized discourse of heritage, in claiming techno-economic coevality in the present.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b514e4e15fbec8f92e9247f2e9062beb" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:62996476,&quot;asset_id&quot;:42772650,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/62996476/download_file?st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42772650"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42772650"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42772650; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42772650]").text(description); $(".js-view-count[data-work-id=42772650]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42772650; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42772650']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 42772650, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b514e4e15fbec8f92e9247f2e9062beb" } } $('.js-work-strip[data-work-id=42772650]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42772650,"title":"Between Culture and Technology: Theme Saris and the Graphic Representation of Heritage in Tamil Nadu, India","translated_title":"","metadata":{"abstract":"The diffusion of information technologies in recent decades has introduced new modes of production and consumption of traditional textiles in India. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="41229332"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/41229332/An_Experiment_in_Feminist_Technology_in_Local_Governance_Revisiting_the_Question_of_Invited_Spaces_of_Participation_in_Kerala"><img alt="Research paper thumbnail of An Experiment in Feminist Technology in Local Governance: Revisiting the Question of &#39;Invited Spaces&#39; of Participation in Kerala" class="work-thumbnail" src="https://attachments.academia-assets.com/61459496/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/41229332/An_Experiment_in_Feminist_Technology_in_Local_Governance_Revisiting_the_Question_of_Invited_Spaces_of_Participation_in_Kerala">An Experiment in Feminist Technology in Local Governance: Revisiting the Question of &#39;Invited Spaces&#39; of Participation in Kerala</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://iias.academia.edu/AartiKawlra">Aarti Kawlra</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://iitm.academia.edu/BinithaThampi">Binitha Thampi</a></span></div><div class="wp-workCard_item"><span>Review of Development and Change</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In this article, we foreground the potential for a space for collective deliberation and politica...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In this article, we foreground the potential for a space for collective deliberation and political subjectivities building among women leaders in local governance. We interrogate the Gramamukhya portal, which was initiated in 2011 and continued until 2015, as a democratic space to politicise the invited spaces of governance. Revisiting the question of women&#39;s engagement in panchayati raj institutions in Kerala, we suggest that the practice of citizenship can become politically effective for women in governance if they use a platform that facilitates critical engagement from within and without the invited spaces of participation. This reflection becomes all the more significant given the contemporary political context of Kerala, where the women&#39;s question is caught between developmentalist intentions of the state and right-wing political mobilisations at the grassroots level.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bb63c046d03533ab19023f13d54fca8c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:61459496,&quot;asset_id&quot;:41229332,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/61459496/download_file?st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41229332"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41229332"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41229332; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41229332]").text(description); $(".js-view-count[data-work-id=41229332]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41229332; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41229332']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 41229332, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "bb63c046d03533ab19023f13d54fca8c" } } $('.js-work-strip[data-work-id=41229332]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41229332,"title":"An Experiment in Feminist Technology in Local Governance: Revisiting the Question of 'Invited Spaces' of Participation in Kerala","translated_title":"","metadata":{"abstract":"In this article, we foreground the potential for a space for collective deliberation and political subjectivities building among women leaders in local governance. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="111156789"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/111156789/Narrating_indigo"><img alt="Research paper thumbnail of Narrating indigo" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/111156789/Narrating_indigo">Narrating indigo</a></div><div class="wp-workCard_item"><span>Routledge eBooks</span><span>, May 26, 2023</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111156789"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111156789"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111156789; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="107970898"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/107970898/The_Question_of_Women_and_Craft_Pre_and_Post_Independence_India"><img alt="Research paper thumbnail of The Question of Women and Craft, Pre- and Post Independence India" class="work-thumbnail" src="https://attachments.academia-assets.com/106482854/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/107970898/The_Question_of_Women_and_Craft_Pre_and_Post_Independence_India">The Question of Women and Craft, Pre- and Post Independence India</a></div><div class="wp-workCard_item"><span>Katy Deepwell edited De-/Anti-/Post-colonial Feminisms in Contemporary Art and Textile Crafts</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In this chapter, I interrogate elements within the trajectory of India’s discourse on craft, that...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In this chapter, I interrogate elements within the trajectory of India’s discourse on craft, that permeated policy and action in the pre- and post-independence period, from a feminist perspective. Asking the question ‘Where are the women?’ in the sphere of crafts, as does Cynthia Enloe (2014) in the sphere of international politics, is to shed light on the ways in which women’s activities are framed through the private and the domestic in the service of national and international goals. Seeking answers to this question also highlights the different spaces and roles women occupied in the renewed debates about crafts, as well as the intended and unintended consequences of foregrounding women’s capacities in craft in relation to their home-based skills.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d618b4d57a35ce4fb1cdb7a5ba61536d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:106482854,&quot;asset_id&quot;:107970898,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/106482854/download_file?st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&st=MTczNDAzNjc4MSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="107970898"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="107970898"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 107970898; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=107970898]").text(description); $(".js-view-count[data-work-id=107970898]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 107970898; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='107970898']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 107970898, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d618b4d57a35ce4fb1cdb7a5ba61536d" } } $('.js-work-strip[data-work-id=107970898]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":107970898,"title":"The Question of Women and Craft, Pre- and Post Independence India","translated_title":"","metadata":{"abstract":"In this chapter, I interrogate elements within the trajectory of India’s discourse on craft, that permeated policy and action in the pre- and post-independence period, from a feminist perspective. 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In comparison, the movement of patterned textiles, especially silk, along the geographies and cultures throughout the first millennium CE, has received scant attention. Scholarship and exhibitions on the Silk Roads via both land and sea in the past five decades have no doubt opened new pathways to transregional dialogue and exchange, but as art historian, Angela Sheng, has noted, &quot;textiles have not merited detailed discussions in any of these historical accounts&quot;. The present UNESCO volume redresses this gap in the literature. In this chapter, we inquire into figurative motifs in textiles of the Silk Roads as artefacts of the cross-fertilization of beliefs, skills and techniques as seen from the vantage point of the Indian subcontinent.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="78348cedf45c7f6075ea33de5c8cc1fd" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:96007050,&quot;asset_id&quot;:93205445,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/96007050/download_file?st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="93205445"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="93205445"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 93205445; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=93205445]").text(description); $(".js-view-count[data-work-id=93205445]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 93205445; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='93205445']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 93205445, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "78348cedf45c7f6075ea33de5c8cc1fd" } } $('.js-work-strip[data-work-id=93205445]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":93205445,"title":"Hybrid creature motifs as cross-cultural transmission along the Silk Roads","translated_title":"","metadata":{"doi":"10700797147779%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C\u0026sdata=dKaYGBemlAweN0Pq54Wv6oDr0UherMQXovCJ4CpcbTk%3D\u0026reserved=0","abstract":"The Indian subcontinent in the world of the Silk Roads The pivotal place of India in the transregional network of trade in cloth with the entry of British, Dutch and, later, French trading companies in the early seventeenth century has been well documented in global historiography. 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In this chapter, we inquire into figurative motifs in textiles of the Silk Roads as artefacts of the cross-fertilization of beliefs, skills and techniques as seen from the vantage point of the Indian subcontinent.","internal_url":"https://www.academia.edu/93205445/Hybrid_creature_motifs_as_cross_cultural_transmission_along_the_Silk_Roads","translated_internal_url":"","created_at":"2022-12-18T20:38:32.233-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":6159362,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":39215635,"work_id":93205445,"tagging_user_id":6159362,"tagged_user_id":1391121,"co_author_invite_id":null,"email":"s***r@gmail.com","affiliation":"Ambedkar University Delhi","display_order":1,"name":"Surajit Sarkar","title":"Hybrid creature motifs as cross-cultural transmission along the Silk Roads"}],"downloadable_attachments":[{"id":96007050,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/96007050/thumbnails/1.jpg","file_name":"UNESCO_vol_Silk_Road_2022_Kawlra_Sarkar_chapter_12.pdf","download_url":"https://www.academia.edu/attachments/96007050/download_file?st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Hybrid_creature_motifs_as_cross_cultural.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/96007050/UNESCO_vol_Silk_Road_2022_Kawlra_Sarkar_chapter_12-libre.pdf?1671434754=\u0026response-content-disposition=attachment%3B+filename%3DHybrid_creature_motifs_as_cross_cultural.pdf\u0026Expires=1734033789\u0026Signature=WIU9hp6AfQD5DwVnjS9VBmN2GGD2lYTCPbsbINLyeZE~rv62J1kn-XnkknHJC-pCrSKalCu99qjv2h25oE3DJywaoODznGlQR2XC1oufkHKdOS66uKeOjvGiDq72wWvqm4QEM0B0CGOZLLB8xvvoFVnDB9T0Ev8iBIXtYgxp~A1riOnSWuTRtHZdD-hj5Q2ThZrbUgBYFHn9tHA0yKhZievknHnnXbGBWCSwAfnKDxh4a84ylIsrcC5u3CAQCXjfErA~90obZTCc4fz4gdnlPUI4Suz0wGmjEihcUANg9UufaB2rr4IcZsBEtpmWiGGMDsWmI0FYDCo0u4t-B76DFA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Hybrid_creature_motifs_as_cross_cultural_transmission_along_the_Silk_Roads","translated_slug":"","page_count":20,"language":"en","content_type":"Work","summary":"The Indian subcontinent in the world of the Silk Roads The pivotal place of India in the transregional network of trade in cloth with the entry of British, Dutch and, later, French trading companies in the early seventeenth century has been well documented in global historiography. 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She is co-author of National Handicrafts and Handlooms Museum, New Delhi. Her research has led her to work among handloom weavers in Tamil Nadu for more than a decade and taken her to the National Museum of Ethnology Osaka, Japan as a Visiting Scholar. The Kimono Body</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="93205235"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="93205235"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 93205235; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=93205235]").text(description); $(".js-view-count[data-work-id=93205235]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 93205235; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='93205235']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 93205235, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=93205235]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":93205235,"title":"The Kimono Body","translated_title":"","metadata":{"abstract":"Aarti Kawlra is Assistant Professor in the Fashion Design Department at the National Institute of Fashion Technology in Chennai, India. 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The Kimono Body","internal_url":"https://www.academia.edu/93205235/The_Kimono_Body","translated_internal_url":"","created_at":"2022-12-18T20:35:53.074-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":6159362,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"The_Kimono_Body","translated_slug":"","page_count":null,"language":"en","content_type":"Work","summary":"Aarti Kawlra is Assistant Professor in the Fashion Design Department at the National Institute of Fashion Technology in Chennai, India. She is co-author of National Handicrafts and Handlooms Museum, New Delhi. Her research has led her to work among handloom weavers in Tamil Nadu for more than a decade and taken her to the National Museum of Ethnology Osaka, Japan as a Visiting Scholar. The Kimono Body","owner":{"id":6159362,"first_name":"Aarti","middle_initials":"","last_name":"Kawlra","page_name":"AartiKawlra","domain_name":"iias","created_at":"2013-10-15T11:45:31.252-07:00","display_name":"Aarti Kawlra","url":"https://iias.academia.edu/AartiKawlra"},"attachments":[],"research_interests":[{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art"},{"id":1433,"name":"Fashion Theory","url":"https://www.academia.edu/Documents/in/Fashion_Theory"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="85918742"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/85918742/Sari_Kimono_and_the_Making_of_a_Transnational_Craft_scape"><img alt="Research paper thumbnail of Sari-Kimono and the Making of a Transnational Craft-scape" class="work-thumbnail" src="https://attachments.academia-assets.com/90485567/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/85918742/Sari_Kimono_and_the_Making_of_a_Transnational_Craft_scape">Sari-Kimono and the Making of a Transnational Craft-scape</a></div><div class="wp-workCard_item"><span>India - Japan Narratives: Lesser known historical and cultural interactions</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In this exploratory paper, I inquire into the re-articulation of craft in India and Japan during ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In this exploratory paper, I inquire into the re-articulation of craft in India and Japan during the first half of the 20th century. Examining notions of craftsmanship as expounded by Muneyoshi (Soetsu) Yanagi (1889–1961) in Japan and Kamaladevi Chattopadhyay (1903– 1988) in India, I explore how craft came to be initially deployed as a peg to situate an imagined &#39;Asian&#39; civilizational affinity following the friendship forged between <br /> Okakura Tenshin and Rabindranath Tagore. In the post-War period craft came to be accepted world-wide as a modernist project for Asian countries seeking to re-build their national self-hood. What were the routes taken by India and Japan? We know that Kamaladevi was deeply impressed by Japan&#39;s valorisation of its artisans as &#39;national treasures&#39; and understood well the significance of state-led institutionalisation of craft for India&#39;s national development. How did Kamaladevi and Yanagi re-constitute folk craft as aestheticized labour on the international stage of nations emerging from the ravages of war? What were the metaphors,<br />affinities and aesthetics invoked by the two cultural interlocuters in shaping the emergent transnational craft-scape, whose legacy continues in contemporary craft (and design) conversations between India and Japan? The paper will take up articulations around the linkages between the sari and the kimono as unstitched or textile garments, to constitute a shared crafts ethic.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="25850d0c4172d16b17efd3e9e5c61c1e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:90485567,&quot;asset_id&quot;:85918742,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/90485567/download_file?st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&st=MTczNDAzNjc4MSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="85918742"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="85918742"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 85918742; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=85918742]").text(description); $(".js-view-count[data-work-id=85918742]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 85918742; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='85918742']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 85918742, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "25850d0c4172d16b17efd3e9e5c61c1e" } } $('.js-work-strip[data-work-id=85918742]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":85918742,"title":"Sari-Kimono and the Making of a Transnational Craft-scape","translated_title":"","metadata":{"abstract":"In this exploratory paper, I inquire into the re-articulation of craft in India and Japan during the first half of the 20th century. 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Examining notions of craftsmanship as expounded by Muneyoshi (Soetsu) Yanagi (1889–1961) in Japan and Kamaladevi Chattopadhyay (1903– 1988) in India, I explore how craft came to be initially deployed as a peg to situate an imagined 'Asian' civilizational affinity following the friendship forged between \n Okakura Tenshin and Rabindranath Tagore. In the post-War period craft came to be accepted world-wide as a modernist project for Asian countries seeking to re-build their national self-hood. What were the routes taken by India and Japan? We know that Kamaladevi was deeply impressed by Japan's valorisation of its artisans as 'national treasures' and understood well the significance of state-led institutionalisation of craft for India's national development. How did Kamaladevi and Yanagi re-constitute folk craft as aestheticized labour on the international stage of nations emerging from the ravages of war? What were the metaphors,\naffinities and aesthetics invoked by the two cultural interlocuters in shaping the emergent transnational craft-scape, whose legacy continues in contemporary craft (and design) conversations between India and Japan? The paper will take up articulations around the linkages between the sari and the kimono as unstitched or textile garments, to constitute a shared crafts ethic.","owner":{"id":6159362,"first_name":"Aarti","middle_initials":"","last_name":"Kawlra","page_name":"AartiKawlra","domain_name":"iias","created_at":"2013-10-15T11:45:31.252-07:00","display_name":"Aarti Kawlra","url":"https://iias.academia.edu/AartiKawlra"},"attachments":[{"id":90485567,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/90485567/thumbnails/1.jpg","file_name":"Kawlra_2021_India_Japan_Narratives.pdf","download_url":"https://www.academia.edu/attachments/90485567/download_file?st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&st=MTczNDAzNjc4MSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Sari_Kimono_and_the_Making_of_a_Transnat.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/90485567/Kawlra_2021_India_Japan_Narratives-libre.pdf?1661937664=\u0026response-content-disposition=attachment%3B+filename%3DSari_Kimono_and_the_Making_of_a_Transnat.pdf\u0026Expires=1734040381\u0026Signature=XSy8Z0WcgpeYpiFXesD8VQLCZ4tATFdYKi7kKYjRRX1QyMrShVBP~swPny2RPzOtxkfSCMfrBFpzKeqZQnfLA8pf6VIsMGekE8Od58TNg966ObJuXhX33pd8PSfH6vNX3lxFiEnS~BUNY9xY0iQ4wWFYhskbqU-WLNIxPgojWpIaCSNVFIz1c0uB71bcckPuH0eKUHTRSANUy2DoIPCSivrGzohwsec-IA0WBA30yCNovRMSccHq2CtmUrcA9Aq34-EZ0fQiKnDMpcj~4Qc06yeaTqsKmw-BNzp-72NGsamQkL-YxDAFgAJZRvrv2vQwPaQvcKMnOxM-oCHNKL0w9A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History"},{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies"},{"id":380,"name":"Asian Studies","url":"https://www.academia.edu/Documents/in/Asian_Studies"},{"id":767,"name":"Anthropology","url":"https://www.academia.edu/Documents/in/Anthropology"},{"id":2915,"name":"Design Methods","url":"https://www.academia.edu/Documents/in/Design_Methods"},{"id":43613,"name":"Craft","url":"https://www.academia.edu/Documents/in/Craft"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="75681210"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/75681210/An_Experiment_in_Feminist_Technology_in_Local_Governance_Revisiting_the_Question_of_Invited_Spaces_of_Participation_in_Kerala"><img alt="Research paper thumbnail of An Experiment in Feminist Technology in Local Governance: Revisiting the Question of ‘Invited Spaces’ of Participation in Kerala" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/75681210/An_Experiment_in_Feminist_Technology_in_Local_Governance_Revisiting_the_Question_of_Invited_Spaces_of_Participation_in_Kerala">An Experiment in Feminist Technology in Local Governance: Revisiting the Question of ‘Invited Spaces’ of Participation in Kerala</a></div><div class="wp-workCard_item"><span>Review of Development and Change</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In this article, we foreground the potential for a space for collective deliberation and politica...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In this article, we foreground the potential for a space for collective deliberation and political subjectivities building among women leaders in local governance. We interrogate the Gramamukhya portal, which was initiated in 2011 and continued until 2015, as a democratic space to politicise the invited spaces of governance. Revisiting the question of women’s engagement in panchayati raj institutions in Kerala, we suggest that the practice of citizenship can become politically effective for women in governance if they use a platform that facilitates critical engagement from within and without the invited spaces of participation. This reflection becomes all the more significant given the contemporary political context of Kerala, where the women’s question is caught between developmentalist intentions of the state and right-wing political mobilisations at the grass-roots level.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="75681210"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="75681210"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 75681210; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=75681210]").text(description); $(".js-view-count[data-work-id=75681210]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 75681210; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='75681210']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 75681210, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=75681210]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":75681210,"title":"An Experiment in Feminist Technology in Local Governance: Revisiting the Question of ‘Invited Spaces’ of Participation in Kerala","translated_title":"","metadata":{"abstract":"In this article, we foreground the potential for a space for collective deliberation and political subjectivities building among women leaders in local governance. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="70617615"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/70617615/Book_review_Anand_Pandian_A_Possible_Anthropology_Methods_for_Uneasy_Times"><img alt="Research paper thumbnail of Book review: Anand Pandian, A Possible Anthropology: Methods for Uneasy Times" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/70617615/Book_review_Anand_Pandian_A_Possible_Anthropology_Methods_for_Uneasy_Times">Book review: Anand Pandian, A Possible Anthropology: Methods for Uneasy Times</a></div><div class="wp-workCard_item"><span>Urbanisation</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Anand Pandian, A Possible Anthropology: Methods for Uneasy Times. Duke University Press, 2019, 16...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Anand Pandian, A Possible Anthropology: Methods for Uneasy Times. Duke University Press, 2019, 168pp., ₹2,115, ISBN: 978-1-4780-0375-5 (paperback). ISBN:978-1-4780-0311-3 (cloth).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="70617615"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="70617615"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 70617615; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=70617615]").text(description); $(".js-view-count[data-work-id=70617615]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 70617615; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='70617615']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 70617615, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=70617615]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":70617615,"title":"Book review: Anand Pandian, A Possible Anthropology: Methods for Uneasy Times","translated_title":"","metadata":{"abstract":"Anand Pandian, A Possible Anthropology: Methods for Uneasy Times. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="70617587"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/70617587/Lives_of_Indian_Images_by_Richard_H_Davis"><img alt="Research paper thumbnail of Lives of Indian Images by Richard H. Davis" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/70617587/Lives_of_Indian_Images_by_Richard_H_Davis">Lives of Indian Images by Richard H. Davis</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In the review of Lives of Indian Images, by Rich H. Davis, Kawlra looks at how the book presents ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In the review of Lives of Indian Images, by Rich H. Davis, Kawlra looks at how the book presents individual biographies of seven prominent artistic and religious objects and sites. The author shows how Davis seeks to go beyond the ‘cult’ value and ‘exhibition’ value of art to discover the multiple ways in which visual art can be integrated meaningfully by the particular set of people viewing it. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="50066857"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/50066857/Caste_Craft_and_Education_in_India_and_Sri_Lanka_An_Introduction"><img alt="Research paper thumbnail of Caste, Craft and Education in India and Sri Lanka: An Introduction" class="work-thumbnail" src="https://attachments.academia-assets.com/68189764/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/50066857/Caste_Craft_and_Education_in_India_and_Sri_Lanka_An_Introduction">Caste, Craft and Education in India and Sri Lanka: An Introduction</a></div><div class="wp-workCard_item"><span>Review of Development and Change</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The post-Mandal era has seen the emergence of a special interest in exploring the connection betw...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The post-Mandal era has seen the emergence of a special interest in exploring the connection between caste and education. &#39;New perspectives&#39; in the history of education in India depart from earlier preoccupations with macro-level analyses of colonial educational policies and national development, to foreground &#39;silent voices&#39; and &#39;Dalit initiatives&#39; from regional and micro settings. 1 Following the methodological provocation of the &#39;knowing subject&#39; where the knower is not &#39;disincorporated from the known&#39;, 2 each of the papers in this special issue of Review of Development and Change shifts our attention from the &#39;enunciated to the enunciation&#39;. 3 Taking off from the idea of the heterogenous colonial state in pointing to the significance of provincial, district and local-level interventions in producing very diverse, even contradictory, outcomes, 4 this volume focuses on the discursive context of caste and craft that complicated the discourse on education in colonial India and Sri Lanka. Caste was a highly visible trope in reformist discourse on education in the colonial period. An international conference panel exploring the conflation of caste, gender and education in colonial India and Sri Lanka pointed to the paucity of literature dealing with the content, form and pedagogical practices that shaped the course of the debate on education. 5 It not only drew attention to new registers in education historiography, i.e. interventions of missionaries and theosophists, but also brought to the fore arguments of hereditary skill, mind and body that entered debates on education and industrial development. It revealed the concrete ways in which caste hierarchies were naturalised and inserted into different agendas such as how, to whom, at what level, and for what purpose technical education</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9a01adb95cd5df9883c6fe6c802508e2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:68189764,&quot;asset_id&quot;:50066857,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/68189764/download_file?st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&st=MTczNDAzNjc4MSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="50066857"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="50066857"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 50066857; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=50066857]").text(description); $(".js-view-count[data-work-id=50066857]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 50066857; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='50066857']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 50066857, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9a01adb95cd5df9883c6fe6c802508e2" } } $('.js-work-strip[data-work-id=50066857]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":50066857,"title":"Caste, Craft and Education in India and Sri Lanka: An Introduction","translated_title":"","metadata":{"publisher":"SAGE Publications","grobid_abstract":"The post-Mandal era has seen the emergence of a special interest in exploring the connection between caste and education. 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An international conference panel exploring the conflation of caste, gender and education in colonial India and Sri Lanka pointed to the paucity of literature dealing with the content, form and pedagogical practices that shaped the course of the debate on education. 5 It not only drew attention to new registers in education historiography, i.e. interventions of missionaries and theosophists, but also brought to the fore arguments of hereditary skill, mind and body that entered debates on education and industrial development. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="49936121"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/49936121/The_Kimono_Body"><img alt="Research paper thumbnail of The Kimono Body" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49936121/The_Kimono_Body">The Kimono Body</a></div><div class="wp-workCard_item"><span>Minpaku Anthropology Newsletter</span><span>, Dec 1, 2000</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49936121"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49936121"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49936121; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="49251767"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/49251767/Sari_Kimono_and_the_making_of_a_transnational_craftscape_pp_138_152"><img alt="Research paper thumbnail of Sari-Kimono and the making of a transnational craftscape, pp 138-152" class="work-thumbnail" src="https://attachments.academia-assets.com/67635682/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49251767/Sari_Kimono_and_the_making_of_a_transnational_craftscape_pp_138_152">Sari-Kimono and the making of a transnational craftscape, pp 138-152</a></div><div class="wp-workCard_item"><span>Indian Japan Narratives: Lesser known historical and cultural interactions edited by S. Narasimhan</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In this exploratory paper, I inquire into the re-articulation of craft in India and Japan during ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In this exploratory paper, I inquire into the re-articulation of craft in India and Japan during<br />the first half of the 20th century. Examining notions of craftsmanship as expounded by Muneyoshi<br />(Soetsu) Yanagi (1889–1961) in Japan and Kamaladevi Chattopadhyay (1903– 1988) in India, I<br />explore how craft came to be initially deployed as a peg to situate an imagined &#39;Asian&#39; civilizational<br />affinity following the friendship forged between Okakura Tenshin and Rabindranath Tagore. In the<br />post-War period craft came to be accepted world-wide as a modernist project for Asian countries<br />seeking to re-build their national self-hood. What were the routes taken by India and Japan? We<br />know that Kamaladevi was deeply impressed by Japan&#39;s valorisation of its artisans as &#39;national<br />treasures&#39; and understood well the significance of state-led institutionalisation of craft for India&#39;s<br />national development.<br />How did Kamaladevi and Yanagi re-constitute folk craft as aestheticized labour on the<br />international stage of nations emerging from the ravages of war? What were the metaphors,<br />affinities and aesthetics invoked by the two cultural interlocuters in shaping the emergent<br />transnational craftscape, whose legacy continues in contemporary craft (and design) conversations<br />between India and Japan? The paper will take up articulations around the linkages between the sari<br />and the kimono as unstitched or textile garments, to constitute a shared crafts ethic.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="47a5ae00ed37c1f4b5ac2f5c57dab7c0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:67635682,&quot;asset_id&quot;:49251767,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/67635682/download_file?st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49251767"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49251767"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49251767; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49251767]").text(description); $(".js-view-count[data-work-id=49251767]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49251767; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49251767']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 49251767, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "47a5ae00ed37c1f4b5ac2f5c57dab7c0" } } $('.js-work-strip[data-work-id=49251767]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49251767,"title":"Sari-Kimono and the making of a transnational craftscape, pp 138-152","translated_title":"","metadata":{"abstract":"In this exploratory paper, I inquire into the re-articulation of craft in India and Japan during\nthe first half of the 20th century. Examining notions of craftsmanship as expounded by Muneyoshi\n(Soetsu) Yanagi (1889–1961) in Japan and Kamaladevi Chattopadhyay (1903– 1988) in India, I\nexplore how craft came to be initially deployed as a peg to situate an imagined 'Asian' civilizational\naffinity following the friendship forged between Okakura Tenshin and Rabindranath Tagore. In the\npost-War period craft came to be accepted world-wide as a modernist project for Asian countries\nseeking to re-build their national self-hood. What were the routes taken by India and Japan? We\nknow that Kamaladevi was deeply impressed by Japan's valorisation of its artisans as 'national\ntreasures' and understood well the significance of state-led institutionalisation of craft for India's\nnational development.\nHow did Kamaladevi and Yanagi re-constitute folk craft as aestheticized labour on the\ninternational stage of nations emerging from the ravages of war? What were the metaphors,\naffinities and aesthetics invoked by the two cultural interlocuters in shaping the emergent\ntransnational craftscape, whose legacy continues in contemporary craft (and design) conversations\nbetween India and Japan? The paper will take up articulations around the linkages between the sari\nand the kimono as unstitched or textile garments, to constitute a shared crafts ethic.","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Indian Japan Narratives: Lesser known historical and cultural interactions edited by S. Narasimhan"},"translated_abstract":"In this exploratory paper, I inquire into the re-articulation of craft in India and Japan during\nthe first half of the 20th century. Examining notions of craftsmanship as expounded by Muneyoshi\n(Soetsu) Yanagi (1889–1961) in Japan and Kamaladevi Chattopadhyay (1903– 1988) in India, I\nexplore how craft came to be initially deployed as a peg to situate an imagined 'Asian' civilizational\naffinity following the friendship forged between Okakura Tenshin and Rabindranath Tagore. In the\npost-War period craft came to be accepted world-wide as a modernist project for Asian countries\nseeking to re-build their national self-hood. What were the routes taken by India and Japan? We\nknow that Kamaladevi was deeply impressed by Japan's valorisation of its artisans as 'national\ntreasures' and understood well the significance of state-led institutionalisation of craft for India's\nnational development.\nHow did Kamaladevi and Yanagi re-constitute folk craft as aestheticized labour on the\ninternational stage of nations emerging from the ravages of war? What were the metaphors,\naffinities and aesthetics invoked by the two cultural interlocuters in shaping the emergent\ntransnational craftscape, whose legacy continues in contemporary craft (and design) conversations\nbetween India and Japan? The paper will take up articulations around the linkages between the sari\nand the kimono as unstitched or textile garments, to constitute a shared crafts ethic.","internal_url":"https://www.academia.edu/49251767/Sari_Kimono_and_the_making_of_a_transnational_craftscape_pp_138_152","translated_internal_url":"","created_at":"2021-06-15T08:47:58.403-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":6159362,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":67635682,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/67635682/thumbnails/1.jpg","file_name":"Kawlra_2021_India_Japan_Craftscape_138_152.pdf","download_url":"https://www.academia.edu/attachments/67635682/download_file?st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Sari_Kimono_and_the_making_of_a_transnat.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/67635682/Kawlra_2021_India_Japan_Craftscape_138_152-libre.pdf?1623774401=\u0026response-content-disposition=attachment%3B+filename%3DSari_Kimono_and_the_making_of_a_transnat.pdf\u0026Expires=1734040382\u0026Signature=LUxWHkSUHMleVL8u1bPUKPEmXEAPJat2mOlm3kC659K8qqqjzUb5I5bnLFZ3jGhCksvXSAVEVjCLiFIbn~r-mpJuNL22MrI4MD-rDb46Ks4CxY8wAu25~R~IadHr-eAyXS49VDANek2jXlPI2Gx5Yz1QcgG9ge1XcuptsowX3wVXFONGvVaWAl3owQY2lQFcBM-IpLwoPT7VCOvtk9RvcNLkTPl~DoiiOhGelyl~Vrg1tg2-dx4H4AvZzcT0lu9ssSJxRUEWQORsa84tl428Lyjh6nlWS7PGZ-wgK-ixOls32SA4NFSLIwRsBtfNi3NGiT80Qp5wolzo7vvz2iXXSw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Sari_Kimono_and_the_making_of_a_transnational_craftscape_pp_138_152","translated_slug":"","page_count":35,"language":"en","content_type":"Work","summary":"In this exploratory paper, I inquire into the re-articulation of craft in India and Japan during\nthe first half of the 20th century. Examining notions of craftsmanship as expounded by Muneyoshi\n(Soetsu) Yanagi (1889–1961) in Japan and Kamaladevi Chattopadhyay (1903– 1988) in India, I\nexplore how craft came to be initially deployed as a peg to situate an imagined 'Asian' civilizational\naffinity following the friendship forged between Okakura Tenshin and Rabindranath Tagore. In the\npost-War period craft came to be accepted world-wide as a modernist project for Asian countries\nseeking to re-build their national self-hood. What were the routes taken by India and Japan? We\nknow that Kamaladevi was deeply impressed by Japan's valorisation of its artisans as 'national\ntreasures' and understood well the significance of state-led institutionalisation of craft for India's\nnational development.\nHow did Kamaladevi and Yanagi re-constitute folk craft as aestheticized labour on the\ninternational stage of nations emerging from the ravages of war? What were the metaphors,\naffinities and aesthetics invoked by the two cultural interlocuters in shaping the emergent\ntransnational craftscape, whose legacy continues in contemporary craft (and design) conversations\nbetween India and Japan? The paper will take up articulations around the linkages between the sari\nand the kimono as unstitched or textile garments, to constitute a shared crafts ethic.","owner":{"id":6159362,"first_name":"Aarti","middle_initials":"","last_name":"Kawlra","page_name":"AartiKawlra","domain_name":"iias","created_at":"2013-10-15T11:45:31.252-07:00","display_name":"Aarti Kawlra","url":"https://iias.academia.edu/AartiKawlra"},"attachments":[{"id":67635682,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/67635682/thumbnails/1.jpg","file_name":"Kawlra_2021_India_Japan_Craftscape_138_152.pdf","download_url":"https://www.academia.edu/attachments/67635682/download_file?st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Sari_Kimono_and_the_making_of_a_transnat.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/67635682/Kawlra_2021_India_Japan_Craftscape_138_152-libre.pdf?1623774401=\u0026response-content-disposition=attachment%3B+filename%3DSari_Kimono_and_the_making_of_a_transnat.pdf\u0026Expires=1734040382\u0026Signature=LUxWHkSUHMleVL8u1bPUKPEmXEAPJat2mOlm3kC659K8qqqjzUb5I5bnLFZ3jGhCksvXSAVEVjCLiFIbn~r-mpJuNL22MrI4MD-rDb46Ks4CxY8wAu25~R~IadHr-eAyXS49VDANek2jXlPI2Gx5Yz1QcgG9ge1XcuptsowX3wVXFONGvVaWAl3owQY2lQFcBM-IpLwoPT7VCOvtk9RvcNLkTPl~DoiiOhGelyl~Vrg1tg2-dx4H4AvZzcT0lu9ssSJxRUEWQORsa84tl428Lyjh6nlWS7PGZ-wgK-ixOls32SA4NFSLIwRsBtfNi3NGiT80Qp5wolzo7vvz2iXXSw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":135,"name":"Intellectual History","url":"https://www.academia.edu/Documents/in/Intellectual_History"},{"id":767,"name":"Anthropology","url":"https://www.academia.edu/Documents/in/Anthropology"},{"id":2473,"name":"Material Culture Studies","url":"https://www.academia.edu/Documents/in/Material_Culture_Studies"},{"id":16903,"name":"Traditional Crafts","url":"https://www.academia.edu/Documents/in/Traditional_Crafts"},{"id":113473,"name":"Art and Design","url":"https://www.academia.edu/Documents/in/Art_and_Design"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="47579993"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/47579993/At_School_with_Design_Early_Explorations_in_Introducing_Design_in_the_Curriculum_at_The_School_Krishnamurti_Foundation_of_India_KFI_Chennai"><img alt="Research paper thumbnail of At School with Design Early Explorations in Introducing Design in the Curriculum at The School, Krishnamurti Foundation of India (KFI), Chennai" class="work-thumbnail" src="https://attachments.academia-assets.com/66600659/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/47579993/At_School_with_Design_Early_Explorations_in_Introducing_Design_in_the_Curriculum_at_The_School_Krishnamurti_Foundation_of_India_KFI_Chennai">At School with Design Early Explorations in Introducing Design in the Curriculum at The School, Krishnamurti Foundation of India (KFI), Chennai</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">As teachers we have recognized that space that lends itself to use in multiple ways is far more v...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">As teachers we have recognized that space that lends itself to use in multiple ways is far more valuable than space which can be used only in one way…. A room with a few mats and possibly chaukies will not only remain clean but also provide infinite opportunities for small group work, music and dance, sitting in a circle, reading</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="cff8b915f37170ec8e38370875416976" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:66600659,&quot;asset_id&quot;:47579993,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/66600659/download_file?st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="47579993"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="47579993"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 47579993; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=47579993]").text(description); $(".js-view-count[data-work-id=47579993]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 47579993; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='47579993']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 47579993, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "cff8b915f37170ec8e38370875416976" } } $('.js-work-strip[data-work-id=47579993]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":47579993,"title":"At School with Design Early Explorations in Introducing Design in the Curriculum at The School, Krishnamurti Foundation of India (KFI), Chennai","translated_title":"","metadata":{"abstract":"As teachers we have recognized that space that lends itself to use in multiple ways is far more valuable than space which can be used only in one way…. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="42772650"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/42772650/Between_Culture_and_Technology_Theme_Saris_and_the_Graphic_Representation_of_Heritage_in_Tamil_Nadu_India"><img alt="Research paper thumbnail of Between Culture and Technology: Theme Saris and the Graphic Representation of Heritage in Tamil Nadu, India" class="work-thumbnail" src="https://attachments.academia-assets.com/62996476/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42772650/Between_Culture_and_Technology_Theme_Saris_and_the_Graphic_Representation_of_Heritage_in_Tamil_Nadu_India">Between Culture and Technology: Theme Saris and the Graphic Representation of Heritage in Tamil Nadu, India</a></div><div class="wp-workCard_item"><span>Fashionable Traditions: Asian Handmade Textiles in Motion edited by Ayami Nakatani</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The diffusion of information technologies in recent decades has introduced new modes of productio...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The diffusion of information technologies in recent decades has introduced new modes of production and consumption of traditional textiles in India. New media technologies have opened spaces of participatory parity for artisans, hitherto labelled as “bearers of tradition” and insulated from global capital and markets via protective state policies. In this chapter, I explore the ways in which computer-aided graphics have transformed silk handloom saris into canvasses for the visual representation of a shared past. My aim is to inquire into how agents of a handloom tradition in south India deploy digital imagery, drawn from an authorized discourse of heritage, in claiming techno-economic coevality in the present.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b514e4e15fbec8f92e9247f2e9062beb" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:62996476,&quot;asset_id&quot;:42772650,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/62996476/download_file?st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42772650"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42772650"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42772650; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42772650]").text(description); $(".js-view-count[data-work-id=42772650]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42772650; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42772650']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 42772650, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b514e4e15fbec8f92e9247f2e9062beb" } } $('.js-work-strip[data-work-id=42772650]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42772650,"title":"Between Culture and Technology: Theme Saris and the Graphic Representation of Heritage in Tamil Nadu, India","translated_title":"","metadata":{"abstract":"The diffusion of information technologies in recent decades has introduced new modes of production and consumption of traditional textiles in India. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="41229332"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/41229332/An_Experiment_in_Feminist_Technology_in_Local_Governance_Revisiting_the_Question_of_Invited_Spaces_of_Participation_in_Kerala"><img alt="Research paper thumbnail of An Experiment in Feminist Technology in Local Governance: Revisiting the Question of &#39;Invited Spaces&#39; of Participation in Kerala" class="work-thumbnail" src="https://attachments.academia-assets.com/61459496/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/41229332/An_Experiment_in_Feminist_Technology_in_Local_Governance_Revisiting_the_Question_of_Invited_Spaces_of_Participation_in_Kerala">An Experiment in Feminist Technology in Local Governance: Revisiting the Question of &#39;Invited Spaces&#39; of Participation in Kerala</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://iias.academia.edu/AartiKawlra">Aarti Kawlra</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://iitm.academia.edu/BinithaThampi">Binitha Thampi</a></span></div><div class="wp-workCard_item"><span>Review of Development and Change</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In this article, we foreground the potential for a space for collective deliberation and politica...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In this article, we foreground the potential for a space for collective deliberation and political subjectivities building among women leaders in local governance. We interrogate the Gramamukhya portal, which was initiated in 2011 and continued until 2015, as a democratic space to politicise the invited spaces of governance. Revisiting the question of women&#39;s engagement in panchayati raj institutions in Kerala, we suggest that the practice of citizenship can become politically effective for women in governance if they use a platform that facilitates critical engagement from within and without the invited spaces of participation. This reflection becomes all the more significant given the contemporary political context of Kerala, where the women&#39;s question is caught between developmentalist intentions of the state and right-wing political mobilisations at the grassroots level.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bb63c046d03533ab19023f13d54fca8c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:61459496,&quot;asset_id&quot;:41229332,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/61459496/download_file?st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41229332"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41229332"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41229332; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41229332]").text(description); $(".js-view-count[data-work-id=41229332]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41229332; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41229332']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 41229332, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "bb63c046d03533ab19023f13d54fca8c" } } $('.js-work-strip[data-work-id=41229332]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41229332,"title":"An Experiment in Feminist Technology in Local Governance: Revisiting the Question of 'Invited Spaces' of Participation in Kerala","translated_title":"","metadata":{"abstract":"In this article, we foreground the potential for a space for collective deliberation and political subjectivities building among women leaders in local governance. 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As conventional models and modes of understanding lose their capacity to explain the human condition in the new global era, the multitude of voices, lives, locales, and journeys emerge as windows into the past and present to give a fresh, more expanded meaning to the Humanities.<br /><br />Comprising monographs as well as edited volumes, the HAB book series focuses on methodological experiments and reflections across disciplinary, institutional, ideological, national, and sectoral borders. The series will:<br /><br />Interrogate prevailing, often dominant, conceptual frames and categories.<br />Posit uncommon entry points to inquiry that bear meaning in the everyday lives of people and are relevant for interrogating wider global issues.<br />View quotidian knowledge-practices as valuable sources of experiential knowledge (and pedagogies) unfolding over time and space.<br />Encourage dialogue ‘across borders’, in the spirit of inter-cultural scholarship and educational justice.<br />Seek collaborative institutional and/or programmatic arrangements that re-invigorate the civic embeddedness and global connectedness of university-based curricula.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102738528"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102738528"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102738528; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102738528]").text(description); $(".js-view-count[data-work-id=102738528]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102738528; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102738528']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 102738528, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=102738528]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102738528,"title":"Humanities Across Borders: A Methodologies Book Series","translated_title":"","metadata":{"abstract":"The 'Humanities Across Borders' (HAB) book series aims to trigger discussions on the relevance of normative, top down, and institutionalised standards of knowledge production and transmission in the academy. 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The series will:\n\nInterrogate prevailing, often dominant, conceptual frames and categories.\nPosit uncommon entry points to inquiry that bear meaning in the everyday lives of people and are relevant for interrogating wider global issues.\nView quotidian knowledge-practices as valuable sources of experiential knowledge (and pedagogies) unfolding over time and space.\nEncourage dialogue ‘across borders’, in the spirit of inter-cultural scholarship and educational justice.\nSeek collaborative institutional and/or programmatic arrangements that re-invigorate the civic embeddedness and global connectedness of university-based curricula.\n","owner":{"id":6159362,"first_name":"Aarti","middle_initials":"","last_name":"Kawlra","page_name":"AartiKawlra","domain_name":"iias","created_at":"2013-10-15T11:45:31.252-07:00","display_name":"Aarti Kawlra","url":"https://iias.academia.edu/AartiKawlra"},"attachments":[],"research_interests":[{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies"},{"id":379,"name":"African Studies","url":"https://www.academia.edu/Documents/in/African_Studies"},{"id":380,"name":"Asian Studies","url":"https://www.academia.edu/Documents/in/Asian_Studies"},{"id":388,"name":"Latin American Studies","url":"https://www.academia.edu/Documents/in/Latin_American_Studies"},{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature"},{"id":767,"name":"Anthropology","url":"https://www.academia.edu/Documents/in/Anthropology"},{"id":813,"name":"Political Philosophy","url":"https://www.academia.edu/Documents/in/Political_Philosophy"},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History"},{"id":928,"name":"Media Studies","url":"https://www.academia.edu/Documents/in/Media_Studies"},{"id":2065,"name":"Research Methodology","url":"https://www.academia.edu/Documents/in/Research_Methodology"},{"id":2524,"name":"Sociolinguistics","url":"https://www.academia.edu/Documents/in/Sociolinguistics"},{"id":2527,"name":"Heritage Studies","url":"https://www.academia.edu/Documents/in/Heritage_Studies"},{"id":3722,"name":"Environmental History","url":"https://www.academia.edu/Documents/in/Environmental_History"},{"id":4121,"name":"Atlantic World","url":"https://www.academia.edu/Documents/in/Atlantic_World"},{"id":7725,"name":"Urban Studies","url":"https://www.academia.edu/Documents/in/Urban_Studies"},{"id":12199,"name":"Humanistic Geography","url":"https://www.academia.edu/Documents/in/Humanistic_Geography"},{"id":25275,"name":"Indian Ocean World","url":"https://www.academia.edu/Documents/in/Indian_Ocean_World"},{"id":385234,"name":"Political Economy and History","url":"https://www.academia.edu/Documents/in/Political_Economy_and_History"},{"id":556119,"name":"History and Archeaology","url":"https://www.academia.edu/Documents/in/History_and_Archeaology"},{"id":1744493,"name":"Science and Technology Studies","url":"https://www.academia.edu/Documents/in/Science_and_Technology_Studies"}],"urls":[{"id":31945299,"url":"https://www.aup.nl/en/series/humanities-across-borders"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35726791"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35726791/We_Who_Wove_with_Lotus_Thread_Summoning_Community_in_South_India"><img alt="Research paper thumbnail of We Who Wove with Lotus Thread: Summoning Community in South India" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35726791/We_Who_Wove_with_Lotus_Thread_Summoning_Community_in_South_India">We Who Wove with Lotus Thread: Summoning Community in South India</a></div><div class="wp-workCard_item"><span>Orient Blackswan Pvt. Ltd. </span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">About the Book &quot;Our thread is different from the thread of the brahmin. They have the Vedas, we...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">About the Book<br /><br />&quot;Our thread is different from the thread of the brahmin. <br />They have the Vedas, we have weaving.&quot;<br /><br />We Who Wove is the first in-depth ethnographic study of the Telugu-speaking Padma Saliyars of Tamil Nadu, who claim a high status among hereditary weaving castes. The Padma Saliyars consider themselves ‘on par’ with brahmins, claiming difference through their ‘thread’ and the divinely ordained work of weaving. Their origin myth as recorded in the Bhavanarishi Puranam pronounces weaving as a divine boon, referring to their longstanding recognition and status as those who wove with lotus thread. Approaching community not as a closed and unchanging world but as a dynamic one, the study contributes to the growing scholarship on re-articulations of caste in South Asia. Using methods of both history and ethnography, it reveals the ‘hidden histories’ of artisan caste affirmation and community belonging in mobilising for production.<br /><br />The author beautifully reconstructs the organisation of the weaver household and the meticulous work that goes into producing a Kanchipuram silk sari, highlighting the unity of the work, the loom and the weaver. She explores handloom weaving in light of the different regimes of value—craft (as opposed to machine) aesthetic, traditional technology, cottage industry and embodied work—that define its lived reality in South India. She also addresses the need for a new approach to the subject of artisans in India, given the lack of critical anthropological and historical works on the subject.<br /><br />Providing descriptions and analyses of hitherto unpublished material supplemented with photographs, this volume will be a valuable addition to the fields of ethnography, anthropology and sociology.&nbsp; &nbsp; <br /><br />Table of Contents<br /><br />List of Figures and Tables <br />Publisher’s Acknowledgements<br />Foreword by Prasannan Parthasarathi&nbsp; <br />Author’s Preface and Acknowledgements<br />Note on Transliteration<br /><br /> <br /><br />1.&nbsp; Claims of Community<br /><br />2.&nbsp; Reform and Revival: Making of a Handloom Tradition<br /><br />3.&nbsp; Sustaining Production: Leadership and Cooperative Conflicts<br /><br />4.&nbsp; Weaving as Sacrament<br /><br />5.&nbsp; Reproductive Household: Work, Loom and the Body<br /><br />6.&nbsp; Mobilising Value: Authentic and Auspicious Design<br /><br />7.&nbsp; Concluding Reflections<br /><br /> <br /><br />Bibliography<br />Appendix<br />Index</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35726791"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35726791"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35726791; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35726791]").text(description); $(".js-view-count[data-work-id=35726791]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35726791; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35726791']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 35726791, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=35726791]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35726791,"title":"We Who Wove with Lotus Thread: Summoning Community in South India","translated_title":"","metadata":{"abstract":"About the Book\n\n\"Our thread is different from the thread of the brahmin. \nThey have the Vedas, we have weaving.\"\n\nWe Who Wove is the first in-depth ethnographic study of the Telugu-speaking Padma Saliyars of Tamil Nadu, who claim a high status among hereditary weaving castes. 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She also addresses the need for a new approach to the subject of artisans in India, given the lack of critical anthropological and historical works on the subject.\n\nProviding descriptions and analyses of hitherto unpublished material supplemented with photographs, this volume will be a valuable addition to the fields of ethnography, anthropology and sociology. \n\nTable of Contents\n\nList of Figures and Tables \nPublisher’s Acknowledgements\nForeword by Prasannan Parthasarathi \nAuthor’s Preface and Acknowledgements\nNote on Transliteration\n\n \n\n1. Claims of Community\n\n2. Reform and Revival: Making of a Handloom Tradition\n\n3. Sustaining Production: Leadership and Cooperative Conflicts\n\n4. Weaving as Sacrament\n\n5. Reproductive Household: Work, Loom and the Body\n\n6. Mobilising Value: Authentic and Auspicious Design\n\n7. 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She explores handloom weaving in light of the different regimes of value—craft (as opposed to machine) aesthetic, traditional technology, cottage industry and embodied work—that define its lived reality in South India. She also addresses the need for a new approach to the subject of artisans in India, given the lack of critical anthropological and historical works on the subject.\n\nProviding descriptions and analyses of hitherto unpublished material supplemented with photographs, this volume will be a valuable addition to the fields of ethnography, anthropology and sociology. \n\nTable of Contents\n\nList of Figures and Tables \nPublisher’s Acknowledgements\nForeword by Prasannan Parthasarathi \nAuthor’s Preface and Acknowledgements\nNote on Transliteration\n\n \n\n1. Claims of Community\n\n2. Reform and Revival: Making of a Handloom Tradition\n\n3. Sustaining Production: Leadership and Cooperative Conflicts\n\n4. Weaving as Sacrament\n\n5. 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By working on South East Asian cities, they were simultaneously engaged in knowledge production as well as methodological innovation. This is the same challenge that stands before researchers from the Humanities across Borders project as well. It also dovetails with the broader goal of HaB – to reflect on current educational practice and envision pedagogical and methodological interventions to revitalize the current model of the humanities.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="39776c70d3632c2d8921d627ac329a90" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:56343140,&quot;asset_id&quot;:36429794,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/56343140/download_file?st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36429794"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36429794"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36429794; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36429794]").text(description); $(".js-view-count[data-work-id=36429794]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36429794; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36429794']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 36429794, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "39776c70d3632c2d8921d627ac329a90" } } $('.js-work-strip[data-work-id=36429794]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36429794,"title":"A Report on Neighbourhoods and Cities SEANNET's Surabaya Roundtable December 2017 by Humanities Across Borders","translated_title":"","metadata":{"abstract":"The members of SEANNET were highlighting the flaws in the current practice of urban studies or urban history that was comfortable with the city as its unit of entry. 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","owner":{"id":6159362,"first_name":"Aarti","middle_initials":"","last_name":"Kawlra","page_name":"AartiKawlra","domain_name":"iias","created_at":"2013-10-15T11:45:31.252-07:00","display_name":"Aarti Kawlra","url":"https://iias.academia.edu/AartiKawlra"},"attachments":[{"id":66180872,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/66180872/thumbnails/1.jpg","file_name":"Kawlra_2021_Book_Review_of_A_Possible_Anthropology.pdf","download_url":"https://www.academia.edu/attachments/66180872/download_file?st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Review_of_A_Possible_Anthropology_by_Ana.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/66180872/Kawlra_2021_Book_Review_of_A_Possible_Anthropology-libre.pdf?1617610124=\u0026response-content-disposition=attachment%3B+filename%3DReview_of_A_Possible_Anthropology_by_Ana.pdf\u0026Expires=1734040382\u0026Signature=SjsGvlN0QWDLlm8vD0aIMH1-jMUnXb5sC7uRfS5C-iNdyzHNzSs2qmNfqFyIG5PXTiFAkaJA8-1YEhIl1PUUTJ7FOW1PL-mKYvOnwLjp0-NIbt2n0zC-Wmse~l-8XYC3a7I63NqpdHqk40EElYqY-H2FD1WqvtUWLW81rYuP294lVV8TtJ0OhYmAJhoscUV1tBonouMwRJjwkNwb7QhtwiYQgScu6zQ8kh6SqhGPQtQKiUmv14XIoQtBLhGyV10FLR~jZmadRzEaSGxM6iEVMkJV~pf4zOhB1ohIsEIH5c-q28Wbs-ZW-LXav0PF4WhYtbmTSAPACqTEuCxUyHqbaw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":767,"name":"Anthropology","url":"https://www.academia.edu/Documents/in/Anthropology"},{"id":2065,"name":"Research Methodology","url":"https://www.academia.edu/Documents/in/Research_Methodology"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="40885111"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40885111/Review_of_Aarti_Kawlras_Book_We_Who_Wove_with_Lotus_Thread_Summoning_Community_in_South_India"><img alt="Research paper thumbnail of Review of Aarti Kawlra&#39;s Book We Who Wove with Lotus Thread Summoning Community in South India" class="work-thumbnail" src="https://attachments.academia-assets.com/61171468/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40885111/Review_of_Aarti_Kawlras_Book_We_Who_Wove_with_Lotus_Thread_Summoning_Community_in_South_India">Review of Aarti Kawlra&#39;s Book We Who Wove with Lotus Thread Summoning Community in South India</a></div><div class="wp-workCard_item"><span>Contributions to Indian Sociology</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Reviewed by Chandan Bose for the Contributions to Indian Sociology 53, 3 (2019): 441–468 Excerpts...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Reviewed by Chandan Bose for the<br />Contributions to Indian Sociology 53, 3 (2019): 441–468<br />Excerpts:<br />What differentiates Kawlra’s book from previous scholarship on the transformation of caste patrimony into cultural associations in India, such as Balmurli Natrajan’s The Culturalization of Caste in India: Identity<br />and inequality in a multicultural age (Routledge 2013)—an ethnography among the kumhar (potter) community of North India—is her unpacking of the very notion of politics that underlies the articulation of collective/<br />individual agency.<br /><br />The organisation of chapters within the book indicates that Kawlra wishes to engage with the subject matter, namely the institutionalisation of weaving among the Padma Saliyars, by juxtaposing two perspectives. One<br />is from a macro viewpoint highlighting structural and historical contexts within which weaving as an industry took shape over the course of the 20th century. The other looks at weaving as an embodied performance<br />which emerges within moral claims— practices of the body and spaces one articulates in everyday life.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6fee4c3a5cfbffc70fdf4dccb3502bd4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:61171468,&quot;asset_id&quot;:40885111,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/61171468/download_file?st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40885111"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40885111"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40885111; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40885111]").text(description); $(".js-view-count[data-work-id=40885111]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40885111; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40885111']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 40885111, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6fee4c3a5cfbffc70fdf4dccb3502bd4" } } $('.js-work-strip[data-work-id=40885111]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40885111,"title":"Review of Aarti Kawlra's Book We Who Wove with Lotus Thread Summoning Community in South India","translated_title":"","metadata":{"abstract":"Reviewed by Chandan Bose for the\nContributions to Indian Sociology 53, 3 (2019): 441–468\nExcerpts:\nWhat differentiates Kawlra’s book from previous scholarship on the transformation of caste patrimony into cultural associations in India, such as Balmurli Natrajan’s The Culturalization of Caste in India: Identity\nand inequality in a multicultural age (Routledge 2013)—an ethnography among the kumhar (potter) community of North India—is her unpacking of the very notion of politics that underlies the articulation of collective/\nindividual agency.\n\nThe organisation of chapters within the book indicates that Kawlra wishes to engage with the subject matter, namely the institutionalisation of weaving among the Padma Saliyars, by juxtaposing two perspectives. 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Anandhi The book under review, We Who Wove With Lotus Thread, neither offers...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Caste as Capital<br />S. Anandhi<br /><br />The book under review, We Who Wove With Lotus Thread, neither offers such images of weaver vulnerability nor does it offer any resolution of class collectivism. Instead, it invites us to look at how caste serves as social and cultural capital in protecting the material interest of the Telugu-speaking silk weaving community of Padma Saliyars of Tamil Nadu under harsh conditions of economic distress.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7cfddd9e7fbc1171882d2ee108375b94" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:58479134,&quot;asset_id&quot;:38420307,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/58479134/download_file?st=MTczNDAzNjc4Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38420307"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38420307"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38420307; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38420307]").text(description); $(".js-view-count[data-work-id=38420307]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38420307; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38420307']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 38420307, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "7cfddd9e7fbc1171882d2ee108375b94" } } $('.js-work-strip[data-work-id=38420307]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38420307,"title":"Book Review of We Who Wove with Lotus Thread.pdf","translated_title":"","metadata":{"abstract":"Caste as Capital\nS. 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