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printing design</title> <meta name="description" content="Search results for: fabric printing design"> <meta name="keywords" content="fabric printing design"> <meta name="viewport" content="width=device-width, initial-scale=1, minimum-scale=1, maximum-scale=1, user-scalable=no"> <meta charset="utf-8"> <link href="https://cdn.waset.org/favicon.ico" type="image/x-icon" rel="shortcut icon"> <link href="https://cdn.waset.org/static/plugins/bootstrap-4.2.1/css/bootstrap.min.css" rel="stylesheet"> <link href="https://cdn.waset.org/static/plugins/fontawesome/css/all.min.css" rel="stylesheet"> <link href="https://cdn.waset.org/static/css/site.css?v=150220211555" rel="stylesheet"> </head> <body> <header> <div class="container"> <nav class="navbar navbar-expand-lg navbar-light"> <a class="navbar-brand" href="https://waset.org"> <img src="https://cdn.waset.org/static/images/wasetc.png" alt="Open Science Research Excellence" title="Open Science Research Excellence" /> </a> <button class="d-block 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action="https://publications.waset.org/abstracts/search"> <div id="custom-search-input"> <div class="input-group"> <i class="fas fa-search"></i> <input type="text" class="search-query" name="q" placeholder="Author, Title, Abstract, Keywords" value="fabric printing design"> <input type="submit" class="btn_search" value="Search"> </div> </div> </form> </div> </div> <div class="row mt-3"> <div class="col-sm-3"> <div class="card"> <div class="card-body"><strong>Commenced</strong> in January 2007</div> </div> </div> <div class="col-sm-3"> <div class="card"> <div class="card-body"><strong>Frequency:</strong> Monthly</div> </div> </div> <div class="col-sm-3"> <div class="card"> <div class="card-body"><strong>Edition:</strong> International</div> </div> </div> <div class="col-sm-3"> <div class="card"> <div class="card-body"><strong>Paper Count:</strong> 13079</div> </div> </div> </div> <h1 class="mt-3 mb-3 text-center" style="font-size:1.6rem;">Search results for: fabric printing design</h1> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13079</span> Fabric Printing Design: An Inspiration from Thai Kites </h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Suwit%20Sadsunk">Suwit Sadsunk</a> </p> <p class="card-text"><strong>Abstract:</strong></p> This research paper was aimed to study different motifs found on Thai kites in order to be create new fabric printing designs. The objectives of the study were (1) to examine different motifs of Thai kites; and (2) to create appropriate printing designs for fabric based on an examination of motifs of Thai kites from primary and secondary sources. The study found that designs, motifs and colors found on Thai kites were various based on individual artisans’ imagination in each period. From the historical review, there have been 4 kinds of Thai kites namely I-Loom Kite, Pak Pao Kite, Chula Kite and Dui Dui Kite. Nowadays, the kite designs have been developed to be more various by shape and color such as snake- shaped kite, owl-shaped kite and peacock-shaped kite. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=Thai%20kites" title="Thai kites">Thai kites</a>, <a href="https://publications.waset.org/abstracts/search?q=fabric%20printing%20design" title=" fabric printing design "> fabric printing design </a> </p> <a href="https://publications.waset.org/abstracts/7443/fabric-printing-design-an-inspiration-from-thai-kites" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/7443.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">325</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13078</span> In Situ Production of Nano-Cu on a Cotton Fabric Surface by Ink-Jet Printing </h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=N.%20Zoghi">N. Zoghi</a>, <a href="https://publications.waset.org/abstracts/search?q=Laleh%20Maleknia"> Laleh Maleknia </a>, <a href="https://publications.waset.org/abstracts/search?q=M.%20E.%20Olya"> M. E. Olya</a> </p> <p class="card-text"><strong>Abstract:</strong></p> The nano-Cu particles were produced on cotton fabric substrate by ink-jet printing technology with water-soluble ink, which was based on copper. The surface tension and viscosity of the prepared inks were evaluated. The ink-jet printing process was repeated 1, 3, and 5 times in order to evaluate variations in the optical properties by changing thickness of printed film. Following initial drying of the printed film, the samples were annealed at different temperatures (150 °C, 200 °C and 250 °C) to determine the optimum temperature for the parameters set out in this experiment. The prepared nano-Cu particles were characterized by XRD and UV spectroscopy. The appearance of printed image and the nano-Cu particles morphology were observed by SEM. The results demonstrated that the ink-jet printing technology can be used to produce nano-particles on the cotton fabrics surface. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=ink-jet%20printing" title="ink-jet printing">ink-jet printing</a>, <a href="https://publications.waset.org/abstracts/search?q=nano-cu" title=" nano-cu"> nano-cu</a>, <a href="https://publications.waset.org/abstracts/search?q=fabric%20ink" title=" fabric ink"> fabric ink</a>, <a href="https://publications.waset.org/abstracts/search?q=in%20situ%20production" title=" in situ production"> in situ production</a>, <a href="https://publications.waset.org/abstracts/search?q=cotton%20fabric" title=" cotton fabric"> cotton fabric</a>, <a href="https://publications.waset.org/abstracts/search?q=water-soluble%20ink" title=" water-soluble ink"> water-soluble ink</a>, <a href="https://publications.waset.org/abstracts/search?q=morphology" title=" morphology"> morphology</a> </p> <a href="https://publications.waset.org/abstracts/35338/in-situ-production-of-nano-cu-on-a-cotton-fabric-surface-by-ink-jet-printing" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/35338.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">429</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13077</span> Digital Art Fabric Prints: Procedure, Process and Progress</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Tripti%20Singh">Tripti Singh</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Digital tools are merging boundaries of different mediums as endeavoured artists exploring new areas. Digital fabric printing has motivated artists to create prints by combining images acquired by photograph, scanned images, computer graphics and microscopic imaginary etc to name few, with traditional media such as hand drawing, weaving, hand printed patterns, printing making techniques and so on. It opened whole new world of possibilities for artists to search, research and combine old and contemporary mediums for their unique art prints. As artistic medium digital art fabrics have aesthetic values which have impact and influence on not only on a personality but also interiors of a living or work space. In this way it can be worn, as fashion statement and also an interior decoration. Digital art fabric prints gives opportunity to print almost everything on any fabric with long lasting prints quality. Single edition and limited editions are possible for maintaining scarcity and uniqueness of an art form. These fabric prints fulfill today’s need, as they are eco-friendly in nature and they produce less wastage compared to traditional fabric printing techniques. These prints can be used to make unique and customized curtains, quilts, clothes, bags, furniture, dolls, pillows, framed artwork, costumes, banners and much, much more. This paper will explore the procedure, process, and progress techniques of digital art fabric printing in depth with suitable pictorial examples. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=digital%20art" title="digital art">digital art</a>, <a href="https://publications.waset.org/abstracts/search?q=fabric%20prints" title=" fabric prints"> fabric prints</a>, <a href="https://publications.waset.org/abstracts/search?q=digital%20fabric%20prints" title=" digital fabric prints"> digital fabric prints</a>, <a href="https://publications.waset.org/abstracts/search?q=new%20media" title=" new media"> new media</a> </p> <a href="https://publications.waset.org/abstracts/35137/digital-art-fabric-prints-procedure-process-and-progress" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/35137.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">515</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13076</span> The Influence of Microscopic Features on the Self-Cleaning Ability of Developed 3D Printed Fabric-Like Structures Using Different Printing Parameters</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Ayat%20Adnan%20Atwah">Ayat Adnan Atwah</a>, <a href="https://publications.waset.org/abstracts/search?q=Muhammad%20A.%20Khan"> Muhammad A. Khan</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Self-cleaning surfaces are getting significant attention in industrial fields. Especially for textile fabrics, it is observed that self-cleaning textile fabric surfaces are created by manipulating the surface features with the help of coatings and nanoparticles, which are considered costly and far more complicated. However, controlling the fabrication parameters of textile fabrics at the microscopic level by exploring the potential for self-cleaning has not been addressed. This study aimed to establish the context of self-cleaning textile fabrics by controlling the fabrication parameters of the textile fabric at the microscopic level. Therefore, 3D-printed textile fabrics were fabricated using the low-cost fused filament fabrication (FFF) technique. The printing parameters, such as orientation angle (O), layer height (LH), and extruder width (EW), were used to control the microscopic features of the printed fabrics. The combination of three printing parameters was created to provide the best self-cleaning textile fabric surface: (LH) (0.15, 0.13, 0.10 mm) and (EW) (0.5, 0.4, 0.3 mm) along with two different (O) of (45º and 90º). Three different thermoplastic flexible filament materials were used: (TPU 98A), (TPE felaflex), and (TPC flex45). The printing parameters were optimised to get the optimum self-cleaning ability of the printed specimens. Furthermore, the impact of these characteristics on mechanical strength at the fabric-woven structure level was investigated. The study revealed that the printing parameters significantly affect the self-cleaning properties after adjusting the selected combination of layer height, extruder width, and printing orientation. A linear regression model was effectively developed to demonstrate the association between 3D printing parameters (layer height, extruder width, and orientation). According to the experimental results, (TPE felaflex) has a better self-cleaning ability than the other two materials. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=3D%20printing" title="3D printing">3D printing</a>, <a href="https://publications.waset.org/abstracts/search?q=self-cleaning%20fabric" title=" self-cleaning fabric"> self-cleaning fabric</a>, <a href="https://publications.waset.org/abstracts/search?q=microscopic%20features" title=" microscopic features"> microscopic features</a>, <a href="https://publications.waset.org/abstracts/search?q=printing%20parameters" title=" printing parameters"> printing parameters</a>, <a href="https://publications.waset.org/abstracts/search?q=fabrication" title=" fabrication"> fabrication</a> </p> <a href="https://publications.waset.org/abstracts/168395/the-influence-of-microscopic-features-on-the-self-cleaning-ability-of-developed-3d-printed-fabric-like-structures-using-different-printing-parameters" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/168395.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">90</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13075</span> Design Aspects of 3D Printing for Fashion and Textiles</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Chi-Chung%20Marven%20Chick">Chi-Chung Marven Chick</a>, <a href="https://publications.waset.org/abstracts/search?q=Chu-Po%20Ho"> Chu-Po Ho</a>, <a href="https://publications.waset.org/abstracts/search?q=Sau-Chuen%20Joe%20Au"> Sau-Chuen Joe Au</a>, <a href="https://publications.waset.org/abstracts/search?q=Wing-Fai%20Sidney%20Wong"> Wing-Fai Sidney Wong</a>, <a href="https://publications.waset.org/abstracts/search?q=Chi-Wai%20Kan"> Chi-Wai Kan</a> </p> <p class="card-text"><strong>Abstract:</strong></p> 3D printing is now drawing attention to manufacturing process. In fashion and textile industry, many 3D printing applications had been developed for prototyping or even final product production because of its great flexibility in production. However, when compared with conventional manufacturing processes for fashion and textiles, the design aspects and requirements may not be same for using 3D printing process. Therefore, in this paper, we will compare the design aspects between conventional manufacturing processes and 3D printing processes. Also, the material requirements related to the design in 3D printing for fashion and textiles will be reviewed and discussed. This review paper may demonstrate a possible way to develop 3D printing method(s) for fashion and textiles. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=3D%20printing" title="3D printing">3D printing</a>, <a href="https://publications.waset.org/abstracts/search?q=design" title=" design"> design</a>, <a href="https://publications.waset.org/abstracts/search?q=textile" title=" textile"> textile</a>, <a href="https://publications.waset.org/abstracts/search?q=applications" title=" applications"> applications</a> </p> <a href="https://publications.waset.org/abstracts/184119/design-aspects-of-3d-printing-for-fashion-and-textiles" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/184119.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">58</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13074</span> Characterization of Inkjet-Printed Carbon Nanotube Electrode Patterns on Cotton Fabric</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=N.%20Najafi">N. Najafi</a>, <a href="https://publications.waset.org/abstracts/search?q=Laleh%20Maleknia"> Laleh Maleknia </a>, <a href="https://publications.waset.org/abstracts/search?q=M.%20E.%20Olya"> M. E. Olya</a> </p> <p class="card-text"><strong>Abstract:</strong></p> An aqueous conductive ink of single-walled carbon nanotubes for inkjet printing was formulated. To prepare the homogeneous SWCNT ink in a size small enough not to block a commercial inkjet printer nozzle, we used a kinetic ball-milling process to disperse the SWCNTs in an aqueous suspension. When a patterned electrode was overlaid by repeated inkjet printings of the ink on various types of fabric, the fabric resistance decreased rapidly following a power law, reaching approximately 760 X/sq, which is the lowest value ever for a dozen printings. The Raman and Fourier transform infrared spectra revealed that the oxidation of the SWCNTs was the source of the doped impurities. This study proved also that the droplet ejection velocity can have an impact on the CNT distribution and consequently on the electrical performances of the ink. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=ink-jet%20printing" title="ink-jet printing">ink-jet printing</a>, <a href="https://publications.waset.org/abstracts/search?q=carbon%20nanotube" title=" carbon nanotube"> carbon nanotube</a>, <a href="https://publications.waset.org/abstracts/search?q=fabric%20ink" title=" fabric ink"> fabric ink</a>, <a href="https://publications.waset.org/abstracts/search?q=cotton%20fabric" title=" cotton fabric"> cotton fabric</a>, <a href="https://publications.waset.org/abstracts/search?q=raman%20spectroscopy" title=" raman spectroscopy"> raman spectroscopy</a>, <a href="https://publications.waset.org/abstracts/search?q=fourier%20transform%20infrared%20spectroscopy" title=" fourier transform infrared spectroscopy"> fourier transform infrared spectroscopy</a>, <a href="https://publications.waset.org/abstracts/search?q=dozen%20printings" title=" dozen printings"> dozen printings</a> </p> <a href="https://publications.waset.org/abstracts/35339/characterization-of-inkjet-printed-carbon-nanotube-electrode-patterns-on-cotton-fabric" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/35339.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">422</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13073</span> Digital Fashion: An Integrated Approach to Additive Manufacturing in Wearable Fashion</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Lingju%20Wu">Lingju Wu</a>, <a href="https://publications.waset.org/abstracts/search?q=Hao%20Hua"> Hao Hua</a> </p> <p class="card-text"><strong>Abstract:</strong></p> This paper presents a digital fashion production methodology and workflow based on fused deposition modeling additive manufacturing technology, as demonstrated through a 3D printed fashion show held at Southeast University in Nanjing, China. Unlike traditional fashion, 3D printed fashion allows for the creation of complex geometric shapes and unique structural designs, facilitating diverse reconfiguration and sustainable production of textile fabrics. The proposed methodology includes two components: morphogenesis and the 3D printing process. The morphogenesis part comprises digital design methods such as mesh deformation, structural reorganization, particle flow stretching, sheet partitioning, and spreading methods. The 3D printing process section includes three types of methods: sculptural objects, multi-material composite fabric, and self-forming composite fabrics. This paper focuses on multi-material composite fabrics and self-forming composite fabrics, both of which involve weaving fabrics with 3D-printed material sandwiches. Multi-material composite fabrics create specially tailored fabric from the original properties of the printing path and multiple materials, while self-forming fabrics apply pre-stress to the flat fabric and then print the sandwich, allowing the fabric's own elasticity to interact with the printed components and shape into a 3D state. The digital design method and workflow enable the integration of abstract sensual aesthetics and rational thinking, showcasing a digital aesthetic that challenges conventional handicraft workshops. Overall, this paper provides a comprehensive framework for the production of 3D-printed fashion, from concept to final product. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=digital%20fashion" title="digital fashion">digital fashion</a>, <a href="https://publications.waset.org/abstracts/search?q=composite%20fabric" title=" composite fabric"> composite fabric</a>, <a href="https://publications.waset.org/abstracts/search?q=self-forming%20structure" title=" self-forming structure"> self-forming structure</a>, <a href="https://publications.waset.org/abstracts/search?q=additive%20manufacturing" title=" additive manufacturing"> additive manufacturing</a>, <a href="https://publications.waset.org/abstracts/search?q=generating%20design" title=" generating design"> generating design</a> </p> <a href="https://publications.waset.org/abstracts/164039/digital-fashion-an-integrated-approach-to-additive-manufacturing-in-wearable-fashion" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/164039.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">123</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13072</span> Fabric Drapemeter Development towards the Analysis of Its Behavior in 3-D Design</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Aida%20Sheeta">Aida Sheeta</a>, <a href="https://publications.waset.org/abstracts/search?q=M.%20Nashat%20Fors"> M. Nashat Fors</a>, <a href="https://publications.waset.org/abstracts/search?q=Sherwet%20El%20Gholmy"> Sherwet El Gholmy</a>, <a href="https://publications.waset.org/abstracts/search?q=Marwa%20Issa"> Marwa Issa</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Globalization has raised the customer preferences not only towards the high-quality garments but also the right fitting, comfort and aesthetic apparels. This only can be accomplished by the good interaction between fabric mechanical and physical properties as well as the required style. Consequently, this paper provides an integrated review of the fabric drape terminology because it is considered as an essential feature in which the fabric can form folds with the help of the gravity. Moreover, an instrument has been fabricated in order to analyze the static and dynamic drape behaviors using different fabric types. In addition, the obtained results find out the parameters affecting the drape coefficient using digital image processing for various kind of commercial fabrics. This was found to be an essential first step in order to analyze the behavior of this fabric when it is fabricated in a certain 3-D garment design. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=cloth%20fitting" title="cloth fitting">cloth fitting</a>, <a href="https://publications.waset.org/abstracts/search?q=fabric%20drape%20nodes" title=" fabric drape nodes"> fabric drape nodes</a>, <a href="https://publications.waset.org/abstracts/search?q=garment%20silhouette" title=" garment silhouette"> garment silhouette</a>, <a href="https://publications.waset.org/abstracts/search?q=image%20processing" title=" image processing"> image processing</a> </p> <a href="https://publications.waset.org/abstracts/84800/fabric-drapemeter-development-towards-the-analysis-of-its-behavior-in-3-d-design" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/84800.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">187</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13071</span> A Study and Design Scarf Collection Applied Vietnamese Traditional Patterns by Using Printing Method on Fabric</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Mai%20Anh%20Pham%20Ho">Mai Anh Pham Ho</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Scarf products today is a symbol of fashion to decorate, to make our life more beautiful and bring new features to our living space. It also shows the cultural identity by using the traditional patterns that make easily to introduce the image of Vietnam to other nations all over the world. Therefore, the purpose of this research is to classify Vietnamese traditional patterns according to the era and dynasties. Vietnamese traditional patterns through the dynasties of Vietnamese history are done and classified by five groups of patterns including the geometric patterns, the natural patterns, the animal patterns, the floral patterns, and the character patterns in the Prehistoric times, the Bronze and Iron age, the Chinese domination, the Ngo-Dinh-TienLe-Ly-Tran-Ho dynasty, and the LeSo-Mac-LeTrinh-TaySon-Nguyen dynasty. Besides, there are some special kinds of Vietnamese traditional patterns like buffalo, lotus, bronze-drum, Phuc Loc Tho character, and so on. Extensive research was conducted for modernizing scarf collection applied Vietnamese traditional patterns which the fashion trend is used on creating works. The concept, target, image map, lifestyle map, motif, colours, arrangement and completion of patterns on scarf were set up. The scarf collection is designed and developed by the Adobe Illustrator program with three colour ways for each scarf. Upon completion of the research, digital printing technology is chosen for using on scarf collection which Vietnamese traditional patterns were researched deeply and widely with the purpose of establishment the basic background for Vietnamese culture in order to identify Vietnamese national personality as well as establish and preserve the cultural heritage. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=scarf%20collection" title="scarf collection">scarf collection</a>, <a href="https://publications.waset.org/abstracts/search?q=Vietnamese%20traditional%20patterns" title=" Vietnamese traditional patterns"> Vietnamese traditional patterns</a>, <a href="https://publications.waset.org/abstracts/search?q=printing%20methods" title=" printing methods"> printing methods</a>, <a href="https://publications.waset.org/abstracts/search?q=fabric%20design" title=" fabric design"> fabric design</a> </p> <a href="https://publications.waset.org/abstracts/51958/a-study-and-design-scarf-collection-applied-vietnamese-traditional-patterns-by-using-printing-method-on-fabric" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/51958.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">342</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13070</span> Empirical Investigation of the Ecoprint Technique and Natural Dyes Using Geranium and Petunia Petals in a Sustainable Way</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Mar%C3%ADa%20Rojo%20Granados">María Rojo Granados</a> </p> <p class="card-text"><strong>Abstract:</strong></p> This work presents an empirical investigation of the performance of pink and purple petunia petals and orange and red geranium petals on a linen fabric using the Eco Print technique. This theoretical and practical approach represents an advance in the textile world towards sustainable dyeing and printing methods. It is understood that the possibility of mass printing or dyeing through these methods in fashion is complex, but it can be an approach toward a more sustainable industry. The research consists of twenty-two empirical tests where different processes and methods are applied and explained at different temperatures and using different mordants. The test results allow the selection of which printing and dyeing methods can be applied to the fashion industry in an environmentally consistent way. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=dyeing" title="dyeing">dyeing</a>, <a href="https://publications.waset.org/abstracts/search?q=empirical%20tests" title=" empirical tests"> empirical tests</a>, <a href="https://publications.waset.org/abstracts/search?q=petals" title=" petals"> petals</a>, <a href="https://publications.waset.org/abstracts/search?q=performance" title=" performance"> performance</a>, <a href="https://publications.waset.org/abstracts/search?q=printing" title=" printing"> printing</a>, <a href="https://publications.waset.org/abstracts/search?q=sustainably" title=" sustainably"> sustainably</a> </p> <a href="https://publications.waset.org/abstracts/164062/empirical-investigation-of-the-ecoprint-technique-and-natural-dyes-using-geranium-and-petunia-petals-in-a-sustainable-way" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/164062.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">108</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13069</span> Implementing 3D Printed Structures as the Newest Textile Form</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Banu%20Hatice%20G%C3%BCrc%C3%BCm">Banu Hatice Gürcüm</a>, <a href="https://publications.waset.org/abstracts/search?q=P%C4%B1nar%20Arslan"> Pınar Arslan</a>, <a href="https://publications.waset.org/abstracts/search?q=Mahmut%20Yal%C3%A7%C4%B1n"> Mahmut Yalçın</a> </p> <p class="card-text"><strong>Abstract:</strong></p> From the oldest production methods with yarns used to weave, knit, braid and knot to the newest production methods with fibres used to stitch, bond or structures of innovative technologies, laminates, nanoparticles, composites or 3D printing systems, textile industry advanced through materials, processes and context mostly within the last five decades. The creative momentum of fabric like 3D printed structures have come to the point of transforming as for the newest form of textile applications. Moreover, pioneering studies on the applications of 3D Printing Technology and Additive Manufacturing have been focusing on fashion and apparel sector from the last two decades beginning with fashion designers. After the advent of chain-mail like structures and flexible micro or meso structures created by SLS rapid manufacturing a more textile-like behavior is achieved. Thus, the primary aim of this paper is to discuss the most important properties of traditional fabrics that are to be expected of future fabrics. For this reason, this study deals primarily with the physical properties like softness, hand, flexibility, drapability and wearability of 3D Printed structures necessary to identify the possible ways in which it can be used instead of contemporary textile structures, namely knitted and woven fabrics. The aim of this study is to compare the physical properties of 3D printed fabrics regarding different rapid manufacturing methods (FDM and SLS). The implemented method was Material Driven Design (MDD), which comprise the use of innovative materials according to the production techniques such as 3D printing system. As a result, advanced textile processes and materials enable to the creation of new types of fabric structures and rapid solutions in the field of textiles and 3D fabrics on the other hand, are to be used in this regard. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=3D%20printing%20technology" title="3D printing technology">3D printing technology</a>, <a href="https://publications.waset.org/abstracts/search?q=FDM" title=" FDM"> FDM</a>, <a href="https://publications.waset.org/abstracts/search?q=SLS" title=" SLS"> SLS</a>, <a href="https://publications.waset.org/abstracts/search?q=textile%20structure" title=" textile structure"> textile structure</a> </p> <a href="https://publications.waset.org/abstracts/48648/implementing-3d-printed-structures-as-the-newest-textile-form" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/48648.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">339</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13068</span> Innovative Textile Design Using in-situ Ag NPs incorporation into Natural Fabric Matrix</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=M.%20Rehan">M. Rehan</a>, <a href="https://publications.waset.org/abstracts/search?q=H.%20Mashaly"> H. Mashaly</a>, <a href="https://publications.waset.org/abstracts/search?q=H.%20Emam"> H. Emam</a>, <a href="https://publications.waset.org/abstracts/search?q=A.%20Abou%20El-Kheir"> A. Abou El-Kheir</a>, <a href="https://publications.waset.org/abstracts/search?q=S.%20Mowafi">S. Mowafi </a> </p> <p class="card-text"><strong>Abstract:</strong></p> In this work, we will study a simple highly efficient technique to impart multi functional properties to different fabric substrates by in situ Ag NPs incorporation into fabric matrix. Ag NPs as a coloration and antimicrobial agent were prepared in situ incorporation into fabric matrix (Cotton and Wool) by using trisodium citrate as reducing and stabilizing agent. The Ag NPs treated fabric (Cotton and Wool) showed different color because of localized surface Plasmon resonance (LSPR) property of Ag NPs. The formation of Ag NPs was confirmed by UV/Vis spectra for the supernatant solutions and The Ag NPs treated fabric (Cotton and Wool) were characterized by scanning electron microscopy (SEM) and X-ray photo electron spectroscopy (XPS). The dependence of color properties characterized by colorimetric, fastness and antibacterial properties evaluated by Escherichia coli using counting method and the reaction parameters were studied. The results indicate that, the in situ Ag NPs incorporation into fabric matrix approach can simultaneously impart colorant and antimicrobial properties into different fabric substrates. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=Ag%20NPs" title="Ag NPs">Ag NPs</a>, <a href="https://publications.waset.org/abstracts/search?q=coloration" title=" coloration"> coloration</a>, <a href="https://publications.waset.org/abstracts/search?q=antibacterial" title=" antibacterial"> antibacterial</a>, <a href="https://publications.waset.org/abstracts/search?q=wool" title=" wool"> wool</a>, <a href="https://publications.waset.org/abstracts/search?q=cotton%20fabric" title=" cotton fabric"> cotton fabric</a> </p> <a href="https://publications.waset.org/abstracts/11113/innovative-textile-design-using-in-situ-ag-nps-incorporation-into-natural-fabric-matrix" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/11113.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">357</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13067</span> Application and Evaluation of 3D Printing Technology in Customized Fashion Industry</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=A.%20Ezza">A. Ezza</a>, <a href="https://publications.waset.org/abstracts/search?q=B.%20M.%20Babar%20Ramzan"> B. M. Babar Ramzan</a>, <a href="https://publications.waset.org/abstracts/search?q=C.%20Hira"> C. Hira</a> </p> <p class="card-text"><strong>Abstract:</strong></p> This study deliberates emerging design activates in 3D printing technology, the paper provides the insight into the broad opportunities in 3D printing applications in fashion world. 3D printing is becoming a reason for reduction of lead time. The process engenders the precise models and one of prototype components for design approbation; trail and testing significance through the production components to be utilized in true working environments. This emerging technology have given elevate to an emergent realm of digitally fabricated art and design. Bitonic Creations, CONTINUUM (3D printed shoes), Jiri Evenhuis, Michael Schmidt have be giving extensive amassments of haute couture dresses and accessories. Cosyflex TM, N12 undergarments are examples of an innovative process for 3D printing. Varied types of liquid polymers such as latex, silicon, polyurethane and Teflon as well as a variety of textile fibers such as cotton, viscose and polyamide enable tailor made fabrics for any need. Patterns, perforations, embossing and embellishments may be created by printing on 3D structure base plate. Computer solidifies material feedstock layer by layer with micro-millimeter detail. In lieu of producing textiles by meter, then cutting and sewing them into final product, 3D printing can become a reason to make sewing equipment obsolete. The findings positively corroborates the expected advantage of 3D printed sample that seem to facilitate the first steps for designer. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=3D%20printing" title="3D printing">3D printing</a>, <a href="https://publications.waset.org/abstracts/search?q=customization" title=" customization"> customization</a>, <a href="https://publications.waset.org/abstracts/search?q=fashion%20industry" title=" fashion industry"> fashion industry</a>, <a href="https://publications.waset.org/abstracts/search?q=Haute%20couture" title=" Haute couture "> Haute couture </a> </p> <a href="https://publications.waset.org/abstracts/25808/application-and-evaluation-of-3d-printing-technology-in-customized-fashion-industry" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/25808.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">566</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13066</span> Ozone Treatment in Textile Industry</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Umut%20%C3%87%C4%B1nar">Umut Çınar</a> </p> <p class="card-text"><strong>Abstract:</strong></p> The fact that ozone gas has color bleaching properties has made the use of ozone gas widespread in the textile sector as well as in many other sectors. Ozone gas, which is a strong oxidative agent on the fabric, causes the paint on the fabric to wear off and lighten its color with an aged appearance. Within the scope of this thesis, parameters affecting the bleaching properties of ozone gas on reactive dyed knitted fabric, which is rare in the literature, were investigated. Ozone concentration, time, and pH values were analyzed with the Box Behnken experimental design method, and optimum conditions were determined. After the experiments, wear and opacity values were measured with the help of a spectrophotometer. With the help of the Design Expert program, the graphics related to the data were prepared and interpreted with Box Behnken and ANOVA. These experiments on reactive dyed knitted fabric were tested on these parameters, and the spectrophotometric values of the fabric and optimum parameters in abrasion and opacity were revealed. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=ozone" title="ozone">ozone</a>, <a href="https://publications.waset.org/abstracts/search?q=reactive%20dye" title=" reactive dye"> reactive dye</a>, <a href="https://publications.waset.org/abstracts/search?q=bleaching" title=" bleaching"> bleaching</a>, <a href="https://publications.waset.org/abstracts/search?q=textile" title=" textile"> textile</a>, <a href="https://publications.waset.org/abstracts/search?q=garment%20wash" title=" garment wash"> garment wash</a>, <a href="https://publications.waset.org/abstracts/search?q=sustainability" title=" sustainability"> sustainability</a>, <a href="https://publications.waset.org/abstracts/search?q=washing" title=" washing"> washing</a>, <a href="https://publications.waset.org/abstracts/search?q=Box%E2%80%93Behnken" title=" Box–Behnken"> Box–Behnken</a>, <a href="https://publications.waset.org/abstracts/search?q=experimental%20design" title=" experimental design"> experimental design</a> </p> <a href="https://publications.waset.org/abstracts/168203/ozone-treatment-in-textile-industry" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/168203.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">71</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13065</span> Journey of Striped Fabric in the History and Designs of Evening Dress from Striped Fabric</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Filiz%20Erden">Filiz Erden</a>, <a href="https://publications.waset.org/abstracts/search?q=E.%20Elhan%20%C3%96zus"> E. Elhan Özus</a>, <a href="https://publications.waset.org/abstracts/search?q=Melek%20Tufan"> Melek Tufan</a> </p> <p class="card-text"><strong>Abstract:</strong></p> If the history of clothing is examined, it is seen that clothing has gone through many stages from ancient times to present. Each nation has shaped its clothing according to its own traditions, customs, beliefs, living conditions. While clothes are being prepared, attributing different meanings to colors and patterns of the fabrics has become a common characteristic of many cultures. It is known that cloths worn in special days such as mourning, weddings, engagements, festivals and business vary according to their models, fabrics, colors and patterns. We witness use of cloth to differentiate people belonging to certain classes from nobles throughout the history. Striped fabric has carried many different meanings and uses throughout the history. In this study, place has been given to the important periods related to the history of striped fabric by examining current meaning of the striped fabric and dimensions of its meanings in the past. Also, evening dresses have been designed by using striped fabrics in order to reveal how striped fabric is liked and demanded after it coped with difficulties and being despised in its history. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=striped%20fabric" title="striped fabric">striped fabric</a>, <a href="https://publications.waset.org/abstracts/search?q=design" title=" design"> design</a>, <a href="https://publications.waset.org/abstracts/search?q=clothing" title=" clothing"> clothing</a>, <a href="https://publications.waset.org/abstracts/search?q=fasion" title=" fasion"> fasion</a> </p> <a href="https://publications.waset.org/abstracts/31703/journey-of-striped-fabric-in-the-history-and-designs-of-evening-dress-from-striped-fabric" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/31703.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">311</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13064</span> A Method for Measurement and Evaluation of Drape of Textiles</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=L.%20Fridrichova">L. Fridrichova</a>, <a href="https://publications.waset.org/abstracts/search?q=R.%20Kn%C3%AD%C5%BEek"> R. Knížek</a>, <a href="https://publications.waset.org/abstracts/search?q=V.%20Bajz%C3%ADk"> V. Bajzík</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Drape is one of the important visual characteristics of the fabric. This paper is introducing an innovative method of measurement and evaluation of the drape shape of the fabric. The measuring principle is based on the possibility of multiple vertical strain of the fabric. This method more accurately simulates the real behavior of the fabric in the process of draping. The method is fully automated, so the sample can be measured by using any number of cycles in any time horizon. Using the present method of measurement, we are able to describe the viscoelastic behavior of the fabric. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=drape" title="drape">drape</a>, <a href="https://publications.waset.org/abstracts/search?q=drape%20shape" title=" drape shape"> drape shape</a>, <a href="https://publications.waset.org/abstracts/search?q=automated%20drapemeter" title=" automated drapemeter"> automated drapemeter</a>, <a href="https://publications.waset.org/abstracts/search?q=fabric" title=" fabric"> fabric</a> </p> <a href="https://publications.waset.org/abstracts/28487/a-method-for-measurement-and-evaluation-of-drape-of-textiles" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/28487.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">656</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13063</span> Comparison of Tensile Strength and Folding Endurance of (FDM Process) 3D Printed ABS and PLA Materials</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=R.%20Devicharan">R. Devicharan</a> </p> <p class="card-text"><strong>Abstract:</strong></p> In a short span 3D Printing is expected to play a vital role in our life. The possibility of creativity and speed in manufacturing through various 3D printing processes is infinite. This study is performed on the FDM (Fused Deposition Modelling) method of 3D printing, which is one of the pre-dominant methods of 3D printing technologies. This study focuses on physical properties of the objects produced by 3D printing which determine the applications of the 3D printed objects. This paper specifically aims at the study of the tensile strength and the folding endurance of the 3D printed objects through the FDM (Fused Deposition Modelling) method using the ABS (Acronitirile Butadiene Styrene) and PLA (Poly Lactic Acid) plastic materials. The study is performed on a controlled environment and the specific machine settings. Appropriate tables, graphs are plotted and research analysis techniques will be utilized to analyse, verify and validate the experiment results. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=FDM%20process" title="FDM process">FDM process</a>, <a href="https://publications.waset.org/abstracts/search?q=3D%20printing" title=" 3D printing"> 3D printing</a>, <a href="https://publications.waset.org/abstracts/search?q=ABS%20for%203D%20printing" title=" ABS for 3D printing"> ABS for 3D printing</a>, <a href="https://publications.waset.org/abstracts/search?q=PLA%20for%203D%20printing" title=" PLA for 3D printing"> PLA for 3D printing</a>, <a href="https://publications.waset.org/abstracts/search?q=rapid%20prototyping" title=" rapid prototyping"> rapid prototyping</a> </p> <a href="https://publications.waset.org/abstracts/29802/comparison-of-tensile-strength-and-folding-endurance-of-fdm-process-3d-printed-abs-and-pla-materials" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/29802.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">599</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13062</span> Implementing 3D Printing for 3D Digital Modeling in the Classroom</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Saritdikhun%20Somasa">Saritdikhun Somasa</a> </p> <p class="card-text"><strong>Abstract:</strong></p> 3D printing fabrication has empowered many artists in many fields. Artists who work in stop motion, 3D modeling, toy design, product design, sculpture, and fine arts become one-stop shop operations–where they can design, prototype, and distribute their designs for commercial or fine art purposes. The author has developed a digital sculpting course that fosters digital software, peripheral hardware, and 3D printing with traditional sculpting concept techniques to address the complexities of this multifaceted process, allowing the students to produce complex 3d-printed work. The author will detail the preparation and planning for pre- to post-process 3D printing elements, including software, materials, space, equipment, tools, and schedule consideration for small to medium figurine design statues in a semester-long class. In addition, the author provides insight into teaching challenges in the non-studio space that requires students to work intensively on post-printed models to assemble parts, finish, and refine the 3D printed surface. Even though this paper focuses on the 3D printing processes and techniques for small to medium design statue projects for the Digital Media program, the author hopes the paper will benefit other fields of study such as craft practices, product design, and fine-arts programs. Other schools that might implement 3D printing and fabrication in their programs will find helpful information in this paper, such as a teaching plan, choices of equipment and materials, adaptation for non-studio spaces, and putting together a complete and well-resolved project for students. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=3D%20digital%20modeling" title="3D digital modeling">3D digital modeling</a>, <a href="https://publications.waset.org/abstracts/search?q=3D%20digital%20sculpting" title=" 3D digital sculpting"> 3D digital sculpting</a>, <a href="https://publications.waset.org/abstracts/search?q=3D%20modeling" title=" 3D modeling"> 3D modeling</a>, <a href="https://publications.waset.org/abstracts/search?q=3D%20printing" title=" 3D printing"> 3D printing</a>, <a href="https://publications.waset.org/abstracts/search?q=3D%20digital%20fabrication" title=" 3D digital fabrication"> 3D digital fabrication</a> </p> <a href="https://publications.waset.org/abstracts/153758/implementing-3d-printing-for-3d-digital-modeling-in-the-classroom" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/153758.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">103</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13061</span> A Study of Parameters That Have an Influence on Fabric Prints in Judging the Attractiveness of a Female Body Shape</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Man%20N.%20M.%20Cheung">Man N. M. Cheung</a> </p> <p class="card-text"><strong>Abstract:</strong></p> In judging the attractiveness of female body shape, visual sense is one of the important means. The ratio and proportion of body shape influence the perception of female physical attractiveness. This study aims to examine visual perception of digital textile prints on a virtual 3D model in judging the attractiveness of the body shape. Also, investigate the influences when using different shape parameters and their relationships. Participants were asked to conduct a set of questionnaires with images to rank the attractiveness of the female body shape. Results showed that morphing the fabric prints with a certain ratio and combination of shape parameters - waist and hip, can enhance the attractiveness of the female body shape. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=digital%20printing" title="digital printing">digital printing</a>, <a href="https://publications.waset.org/abstracts/search?q=3D%20body%20modeling" title=" 3D body modeling"> 3D body modeling</a>, <a href="https://publications.waset.org/abstracts/search?q=fashion%20print%20design" title=" fashion print design"> fashion print design</a>, <a href="https://publications.waset.org/abstracts/search?q=body%20shape%20attractiveness" title=" body shape attractiveness"> body shape attractiveness</a> </p> <a href="https://publications.waset.org/abstracts/96035/a-study-of-parameters-that-have-an-influence-on-fabric-prints-in-judging-the-attractiveness-of-a-female-body-shape" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/96035.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">178</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13060</span> The Bloom of 3D Printing in the Health Care Industry</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Mihika%20Shivkumar">Mihika Shivkumar</a>, <a href="https://publications.waset.org/abstracts/search?q=Krishna%20Kumar"> Krishna Kumar</a>, <a href="https://publications.waset.org/abstracts/search?q=C.%20Perisamy"> C. Perisamy</a> </p> <p class="card-text"><strong>Abstract:</strong></p> 3D printing is a method of manufacturing wherein materials, such as plastic or metal, are deposited in layers one on top of the other to produce a three dimensional object. 3D printing is most commonly associated with creating engineering prototypes. However, its applications in the field of human health care have been frequently disregarded. Medical applications for 3D printing are expanding rapidly and are envisaged to revolutionize health care. Medical applications for 3D printing, both present and its potential, can be categorized broadly, including: creation of customized prosthetics tissue and organ fabrication; creation of implants, and anatomical models and pharmaceutical research regarding drug dosage forms. This piece breaks down bioprinting in the healthcare sector. It focuses on the better subtle elements of every particular point, including how 3D printing functions in the present, its impediments, and future applications in the health care sector. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=bio-printing" title="bio-printing">bio-printing</a>, <a href="https://publications.waset.org/abstracts/search?q=prototype" title=" prototype"> prototype</a>, <a href="https://publications.waset.org/abstracts/search?q=drug%20delivery" title=" drug delivery"> drug delivery</a>, <a href="https://publications.waset.org/abstracts/search?q=organ%20regeneration" title=" organ regeneration"> organ regeneration</a> </p> <a href="https://publications.waset.org/abstracts/44541/the-bloom-of-3d-printing-in-the-health-care-industry" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/44541.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">271</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13059</span> Development of Soft 3D Printing Materials for Textile Applications</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Chi-Chung%20Marven%20Chick">Chi-Chung Marven Chick</a>, <a href="https://publications.waset.org/abstracts/search?q=Chu-Po%20Ho"> Chu-Po Ho</a>, <a href="https://publications.waset.org/abstracts/search?q=Sau-Chuen%20Joe%20Au"> Sau-Chuen Joe Au</a>, <a href="https://publications.waset.org/abstracts/search?q=Wing-Fai%20Sidney%20Wong"> Wing-Fai Sidney Wong</a>, <a href="https://publications.waset.org/abstracts/search?q=Chi-Wai%20Kan"> Chi-Wai Kan</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Recently, 3D printing becomes popular process for manufacturing, especially has special attention in textile applications. However, there are various types of 3D printing materials, including plastic, resin, rubber, ceramics, gold, platinum, silver, iron, titanium but not all these materials are suitable for textile application. Generally speaking, 3D printing of textile mainly uses thermoplastic polymers such as acrylonitrile butadiene styrene (ABS), polylactide (PLA), polycaprolactone (PCL), thermoplastic polyurethane (TPU), polyethylene terephthalate glycol-modified (PETG), polystyrene (PS), polypropylene (PP). Due to the characteristics of the polymers, 3D printed textiles usually have low air permeability and poor comfortable. Therefore, in this paper, we will review the possible materials suitable for textile application with desired physical and mechanical properties. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=3D%20printing" title="3D printing">3D printing</a>, <a href="https://publications.waset.org/abstracts/search?q=3D%20printing%20materials" title=" 3D printing materials"> 3D printing materials</a>, <a href="https://publications.waset.org/abstracts/search?q=textile" title=" textile"> textile</a>, <a href="https://publications.waset.org/abstracts/search?q=properties" title=" properties"> properties</a> </p> <a href="https://publications.waset.org/abstracts/184118/development-of-soft-3d-printing-materials-for-textile-applications" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/184118.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">63</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13058</span> Conductive and Stretchable Graphene Nanoribbon Coated Textiles</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Lu%20Gan">Lu Gan</a>, <a href="https://publications.waset.org/abstracts/search?q=Songmin%20Shang"> Songmin Shang</a>, <a href="https://publications.waset.org/abstracts/search?q=Marcus%20Chun%20Wah%20Yuen"> Marcus Chun Wah Yuen</a> </p> <p class="card-text"><strong>Abstract:</strong></p> A conductive and stretchable cotton fabric was prepared in this study through coating the graphene nanoribbon onto the cotton fabric. The mechanical and electrical properties of the prepared cotton fabric were then investigated. As shown in the results, the graphene nanoribbon coated cotton fabric had an improvement in both mechanical strength and electrical conductivity. Moreover, the resistance of the cotton fabric had a linear dependence on the strain applied to it. The prepared graphene nanoribbon coated cotton fabric has great application potentials in smart textile industry. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=conductive%20fabric" title="conductive fabric">conductive fabric</a>, <a href="https://publications.waset.org/abstracts/search?q=graphene%20nanoribbon" title=" graphene nanoribbon"> graphene nanoribbon</a>, <a href="https://publications.waset.org/abstracts/search?q=coating" title=" coating"> coating</a>, <a href="https://publications.waset.org/abstracts/search?q=enhanced%20properties" title=" enhanced properties"> enhanced properties</a> </p> <a href="https://publications.waset.org/abstracts/32101/conductive-and-stretchable-graphene-nanoribbon-coated-textiles" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/32101.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">354</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13057</span> Geopolymer Stabilization of Earth Building Material for Construction 3D Printing</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Timur%20Mukhametkaliyev">Timur Mukhametkaliyev</a> </p> <p class="card-text"><strong>Abstract:</strong></p> The earthen material possesses low compression strength, and it is highly sensitive to the water content. Different binders can be added (Portland cement or lime) to improve the durability and the mechanical characteristics of earthen material, but the production of these binders has high embodied energy and results in an increase in world CO₂ emission. Geopolymers are binders which can be synthesized at low temperature in alkaline solutions from raw materials consisting of amorphous aluminosilicates. Geopolymers are an attractive substitution of Portland cement and can be used as an excellent stabilization for earthen material. In this study, earthen material stabilized with geopolymer binder for use in construction 3D printing was developed. Construction 3D printing offers freedom of design, waste minimisation, customisation, reduced labour, and automation. For successful 3D printing, the properties of used material are the most important aspects because they require adaptability for extrusion and controlled time of hardening for the binder. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=3D%20printing" title="3D printing">3D printing</a>, <a href="https://publications.waset.org/abstracts/search?q=building%20construction" title=" building construction"> building construction</a>, <a href="https://publications.waset.org/abstracts/search?q=geopolymer" title=" geopolymer"> geopolymer</a>, <a href="https://publications.waset.org/abstracts/search?q=architecture" title=" architecture"> architecture</a> </p> <a href="https://publications.waset.org/abstracts/135313/geopolymer-stabilization-of-earth-building-material-for-construction-3d-printing" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/135313.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">153</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13056</span> Crafting of Paper Cutting Techniques for Embellishment of Fashion Textiles</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=A.%20Vaidya-Soocheta">A. Vaidya-Soocheta</a>, <a href="https://publications.waset.org/abstracts/search?q=K.%20M.%20Wong-Hon-Lang"> K. M. Wong-Hon-Lang </a> </p> <p class="card-text"><strong>Abstract:</strong></p> Craft and fashion have always been interlinked. The combination of both often gives stunning results. The present study introduces ‘Paper Cutting Craft Techniques’ like the Japanese –Kirigami, Mexican –PapelPicado, German –Scherenschnitte, Polish –Wycinankito in textiles to develop innovative and novel design structures as embellishments and ornamentation. The project studies various ways of using these paper cutting techniques to obtain interesting features and delicate design patterns on fabrics. While paper has its advantages and related uses, it is fragile rigid and thus not appropriate for clothing. Fabric is sturdy, flexible, dimensionally stable and washable. In the present study, the cut out techniques develop creative design motifs and patterns to give an inventive and unique appeal to the fabrics. The beauty and fascination of lace in garments have always given them a nostalgic charm. Laces with their intricate and delicate complexity in combination with other materials add a feminine touch to a garment and give it a romantic, mysterious appeal. Various textured and decorative effects through fabric manipulation are experimented along with the use of paper cutting craft skills as an innovative substitute for developing lace or “Broderie Anglaise” effects on textiles. A number of assorted fabric types with varied textures were selected for the study. Techniques to avoid fraying and unraveling of the design cut fabrics were introduced. Fabrics were further manipulated by use of interesting prints with embossed effects on cut outs. Fabric layering in combination with assorted techniques such as cutting of folded fabric, printing, appliqué, embroidery, crochet, braiding, weaving added a novel exclusivity to the fabrics. The fabrics developed by these innovative methods were then tailored into garments. The study thus tested the feasibility and practicability of using these fabrics by designing a collection of evening wear garments based on the theme ‘Nostalgia’. The prototypes developed were complemented by designing fashion accessories with the crafted fabrics. Prototypes of accessories add interesting features to the study. The adaptation and application of this novel technique of paper cutting craft on textiles can be an innovative start for a new trend in textile and fashion industry. The study anticipates that this technique will open new avenues in the world of fashion to incorporate its use commercially. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=collection" title="collection">collection</a>, <a href="https://publications.waset.org/abstracts/search?q=fabric%20cutouts" title=" fabric cutouts"> fabric cutouts</a>, <a href="https://publications.waset.org/abstracts/search?q=nostalgia" title=" nostalgia"> nostalgia</a>, <a href="https://publications.waset.org/abstracts/search?q=prototypes" title=" prototypes"> prototypes</a> </p> <a href="https://publications.waset.org/abstracts/41105/crafting-of-paper-cutting-techniques-for-embellishment-of-fashion-textiles" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/41105.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">357</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13055</span> Development of Sustainable Composite Fabric from Orange Peel for Ladies’ Undergarments: A Different Approach Towards Eco-Friendly Textile Design</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Abdul%20Hafeez">Abdul Hafeez</a>, <a href="https://publications.waset.org/abstracts/search?q=Samiya%20Shehzadi"> Samiya Shehzadi</a> </p> <p class="card-text"><strong>Abstract:</strong></p> This research paper presents a different approach towards eco-friendly textile design by developing a sustainable composite fabric from orange peel for ladies' undergarments. The research focuses on utilizing orange peel to develop a unique orange leather/composite (fabric) through a process involving heating, extracting, and subsequent sun-drying to obtain the composite. The sustainable composite fabric shows properties that are favorable to the development of environmentally friendly undergarments, which not only offer UV protection but also possess healing properties for the skin. Through comprehensive testing and analysis, it has been determined that the orange peel composite fabric has zero harmful effects on the skin, making it a safe and desirable material for intimate wear. Furthermore, the research suggests that the orange peel composite fabric has the potential to reduce the rate of cancer cell growth. While the exact mechanisms and factors contributing to this effect require further investigation, the initial findings indicate promising aspects of the fabric in terms of potential cancer-preventive properties. Research contribution to the field of sustainable textile design by introducing a usual and eco-friendly approach utilizing orange peel waste. This work opens up avenues for further exploration and development of innovative materials that are both sustainable and beneficial for human health. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=sustainability" title="sustainability">sustainability</a>, <a href="https://publications.waset.org/abstracts/search?q=composite%20textiles" title=" composite textiles"> composite textiles</a>, <a href="https://publications.waset.org/abstracts/search?q=extracting" title=" extracting"> extracting</a>, <a href="https://publications.waset.org/abstracts/search?q=undergarments" title=" undergarments"> undergarments</a>, <a href="https://publications.waset.org/abstracts/search?q=eco-friendly" title=" eco-friendly"> eco-friendly</a>, <a href="https://publications.waset.org/abstracts/search?q=orange%20peels" title=" orange peels"> orange peels</a> </p> <a href="https://publications.waset.org/abstracts/170299/development-of-sustainable-composite-fabric-from-orange-peel-for-ladies-undergarments-a-different-approach-towards-eco-friendly-textile-design" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/170299.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">66</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13054</span> Identification of a Print Design Approach for the Application of Multicolour and Pattern Changing Effects</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Dilusha%20Rajapakse">Dilusha Rajapakse</a> </p> <p class="card-text"><strong>Abstract:</strong></p> The main reason for printing coloured imageries, pattern or motif onto textiles is to enhance the visual appearance of the surface so that the final textile product would get the required attention from potential customers. Such colours and patterns are permanently applied onto the textiles using conventional static colourants, and we expect such decorations to be last for the entire lifecycle of the textile product. The focus of this research presentation is to discuss the ability to integrate multicolour and pattern changing aesthetics onto textiles with the application of water based photochromic colourants. By adopting a research through design approach, a number of iterative flatbed screen printing experiments were conducted to explore the process of printing water based photochromic colours on textile surfaces. The research resulted in several technical parameters that have to be considered during the process of screen printing. Moreover, a modified printing technique that could be used to apply decorative photographic imagery onto textile with multicolour changing effects was also identified. A number of product applications for such dynamic printed textiles were revealed, and appropriate visual evidence was referred to justify the finding. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=dynamic%20aesthetics" title="dynamic aesthetics">dynamic aesthetics</a>, <a href="https://publications.waset.org/abstracts/search?q=multicolour%20changing%20textiles" title=" multicolour changing textiles"> multicolour changing textiles</a>, <a href="https://publications.waset.org/abstracts/search?q=non-emissive%20colours" title=" non-emissive colours"> non-emissive colours</a>, <a href="https://publications.waset.org/abstracts/search?q=printed%20textile%20design" title=" printed textile design "> printed textile design </a> </p> <a href="https://publications.waset.org/abstracts/71454/identification-of-a-print-design-approach-for-the-application-of-multicolour-and-pattern-changing-effects" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/71454.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">395</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13053</span> Influence of Resin Finishes on Properties of Khadi Fabric</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Shivi%20Rastogi">Shivi Rastogi</a>, <a href="https://publications.waset.org/abstracts/search?q=Suman%20Pant"> Suman Pant</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Khadi is an Indian fabric and also known by another name “Khaddar”. During pre-independence era, the movement of khadi manufacturing gained momentum. Over the years, khadi fabrics that were generally considered as the “second skin” of the Swadesh revolutionists changed its uniqueness. It underwent a metamorphosis from that of a patriot’s fabric, and a farmer’s apparel, to become a “fashion fabric”. Drape of garment is governed by draping quality of fabric used. Drape is an essential parameter to decide both appearance and handle of fabric. It is also a secondary determinant of fabric mechanical properties as influenced by the low stress properties, like bending length, formability, tensile and shear properties and compressibility of the fabric. In finishing, fabric is treated to add something to coat the fabric or fiber and thereby temporarily or permanently fix. Film forming agents such as thermoplastic and thermosetting resins and other surface deposits alter hand. In this study, resins were used to modify fabric hand. Three types of resins have been applied on the khadi fabric at three concentration. The effect of these finishes on drapeability, crease recovery, stiffness, tearing strength and smoothness of khadi fabrics were assessed. Silicone gave good results in imparting properties specially drape, smoothness and softness and hand of cotton and khadi fabric. KES result also showed that silicone treated samples enhanced THV rating amongst all treated samples when compared to the control fabric. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=crease%20recovery" title="crease recovery">crease recovery</a>, <a href="https://publications.waset.org/abstracts/search?q=drapeability" title=" drapeability"> drapeability</a>, <a href="https://publications.waset.org/abstracts/search?q=KES" title=" KES"> KES</a>, <a href="https://publications.waset.org/abstracts/search?q=silicone" title=" silicone"> silicone</a>, <a href="https://publications.waset.org/abstracts/search?q=THV" title=" THV"> THV</a> </p> <a href="https://publications.waset.org/abstracts/47301/influence-of-resin-finishes-on-properties-of-khadi-fabric" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/47301.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">231</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13052</span> Analysis of Process for Solution of Fiber-Ends after Biopolishing on the Surface of Cotton Knit Fabric</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=P.%20Altay">P. Altay</a>, <a href="https://publications.waset.org/abstracts/search?q=G.%20Kartal"> G. Kartal</a>, <a href="https://publications.waset.org/abstracts/search?q=B.%20Kizilkaya"> B. Kizilkaya</a>, <a href="https://publications.waset.org/abstracts/search?q=S.%20Kahraman"> S. Kahraman</a>, <a href="https://publications.waset.org/abstracts/search?q=N.%20C.%20Gursoy"> N. C. Gursoy</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Biopolishing is applied to remove the fuzz or pills on the fiber or fabric surface which will reduce its tendency to pill or fuzz after repetitive launderings. After biopolishing process, the fuzzes ripped by cellulase enzymes cannot be thoroughly removed from fabric surface, they remain on the fabric or fiber surface; accordingly disturb the user and lead to decrease in productivity of drying process. The main objective of this study is to develop a method for removing weakened fuzz fibers and surface pills from biofinished fabric surface before drying process. Fuzzes in the lattice structure of fabric were completely removed from the internal structure of the fabric by air blowing. The presence of fuzzes leads to problems with formation of pilling and faded appearance; the removal of fuzzes from the fabric results in reduced tendency to pill formation, cleaner, smoother and softer surface, improved handling properties of fabric with maintaining original color. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=biopolishing" title="biopolishing">biopolishing</a>, <a href="https://publications.waset.org/abstracts/search?q=fuzz%20fiber" title=" fuzz fiber"> fuzz fiber</a>, <a href="https://publications.waset.org/abstracts/search?q=weakened%20fiber" title=" weakened fiber"> weakened fiber</a>, <a href="https://publications.waset.org/abstracts/search?q=biofinished%20cotton%20fabric" title=" biofinished cotton fabric"> biofinished cotton fabric</a> </p> <a href="https://publications.waset.org/abstracts/56079/analysis-of-process-for-solution-of-fiber-ends-after-biopolishing-on-the-surface-of-cotton-knit-fabric" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/56079.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">380</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13051</span> Evaluations of 3D Concrete Printing Produced in the Environment of United Arab Emirates</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Adil%20K.%20Tamimi">Adil K. Tamimi</a>, <a href="https://publications.waset.org/abstracts/search?q=Tarig%20Ali"> Tarig Ali</a>, <a href="https://publications.waset.org/abstracts/search?q=Rawan%20Anoohi"> Rawan Anoohi</a>, <a href="https://publications.waset.org/abstracts/search?q=Ahmed%20Rajput"> Ahmed Rajput</a>, <a href="https://publications.waset.org/abstracts/search?q=Kaltham%20Alkamali"> Kaltham Alkamali</a> </p> <p class="card-text"><strong>Abstract:</strong></p> 3D concrete printing is one of the most innovative and modern techniques in the field of construction that achieved several milestones in that field for the following advantages: saving project’s time, ability to execute complicated shapes, reduce waste and low cost. However, the concept of 3D printing in UAE is relatively new where construction teams, including clients, consultants, and contractors, do not have the required knowledge and experience in the field. This is the most significant obstacle for the construction parties, which make them refrained from using 3D concrete printing compared to conventional concreting methods. This study shows the historical development of the 3D concrete printing, its advantages, and the challenges facing this innovation. Concrete mixes and materials have been proposed and evaluated to select the best combination for successful 3D concrete printing. The main characteristics of the 3D concrete printing in the fresh and hardened states are considered, such as slump test, flow table, compressive strength, tensile, and flexural strengths. There is need to assess the structural stability of the 3D concrete by testing the bond between interlayers of the concrete.   <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=3D%20printing" title="3D printing">3D printing</a>, <a href="https://publications.waset.org/abstracts/search?q=workability" title=" workability"> workability</a>, <a href="https://publications.waset.org/abstracts/search?q=compressive%20strength" title=" compressive strength"> compressive strength</a>, <a href="https://publications.waset.org/abstracts/search?q=robots" title=" robots"> robots</a>, <a href="https://publications.waset.org/abstracts/search?q=dimensions" title=" dimensions"> dimensions</a> </p> <a href="https://publications.waset.org/abstracts/111244/evaluations-of-3d-concrete-printing-produced-in-the-environment-of-united-arab-emirates" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/111244.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">146</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">13050</span> Evaluation of Bagh Printing Motifs and Processes of Madhya Pradesh: From Past to Contemporary</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Kaveri%20Dutta">Kaveri Dutta</a>, <a href="https://publications.waset.org/abstracts/search?q=Ratna%20Sharma"> Ratna Sharma</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Indian traditional textile is a synthesis of various cultures. Art and crafts of a country showcases the rich cultural and artistic history of that nation. Prehistorically Indian handicrafts were basically made for day to day use; the yearning for aesthetic application soon saw the development of flooding designs and motifs. Similarly, Bagh print a traditional hand block Print with natural colours an Indian handicraft practiced in Bagh, Madhya Pradesh(India). Bagh print has its roots in Sindh, which is now a part of Pakistan. The present form of Bagh printing actually started in 1962 when the craftsmen migrated from Manavar to the neighboring town of Bagh situated in Madhya Pradesh and hence Bagh has always been associated with this printing style. Bagh printing basically involved blocks that are carved onto motifs that represent flora such as Jasmine, Mushroom leheriya and so on. There are some prints that were inspired by the jaali work that embellished the Taj Mahal and various other forts. Inspiration is also drawn from the landscapes and geometrical figures. The motifs evoke various moods in the serenity of the prints and that is the catchy element of Bagh prints. The development in this traditional textile is as essential as in another field. Nowadays fashion trends are fragile and innovative changes over existing fashion field in the short span is the demand of times. We must make efforts to preserve this cultural heritage of arts and crafts and this is done either by documenting the various ancient traditions or by making a blend of it. Since this craft is well known over the world, but the need is to document the original motif, fabric, technology and colors used in contemporary fashion. Hence keeping above points in mind this study on bagh print textiles of Madhya Pradesh work has been formulated. The information incorporated in the paper was based on secondary data taken from relevant books, journals, museum visit and articles. Besides for the demographic details and working profile of the artisans dealt with printing, an interview schedule was carried out in three regions of Madhya Pradesh. This work of art was expressed in Cotton fabric. For this study selected traditional motifs for Bang printing was used. Some of the popular traditional Bagh motifs are Jasmine, Mushroom leheriya, geometrical figures and jaali work. The Bagh printed cotton fabrics were developed into a range of men’s ethic wear in combination with embroideries from Rajasthan. Products developed were bandhgala jackets, kurtas, serwani and dupattas. From the present study, it can be observed that the embellished traditional Bang printed range of ethnic men’s wear resulted in the fresh and colourful pattern. The embroidered Bagh printed cotton fabric also created a huge change in a positive way among artisans of the three regions. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=art%20and%20craft%20of%20Madhya%20Pradesh" title="art and craft of Madhya Pradesh">art and craft of Madhya Pradesh</a>, <a href="https://publications.waset.org/abstracts/search?q=evolution%20of%20printing%20in%20India" title=" evolution of printing in India"> evolution of printing in India</a>, <a href="https://publications.waset.org/abstracts/search?q=history%20of%20Bagh%20printing" title=" history of Bagh printing"> history of Bagh printing</a>, <a href="https://publications.waset.org/abstracts/search?q=sources%20of%20inspiration" title=" sources of inspiration"> sources of inspiration</a> </p> <a href="https://publications.waset.org/abstracts/34457/evaluation-of-bagh-printing-motifs-and-processes-of-madhya-pradesh-from-past-to-contemporary" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/34457.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">353</span> </span> </div> </div> <ul class="pagination"> <li class="page-item disabled"><span class="page-link">&lsaquo;</span></li> <li class="page-item active"><span class="page-link">1</span></li> <li class="page-item"><a class="page-link" href="https://publications.waset.org/abstracts/search?q=fabric%20printing%20design&page=2">2</a></li> <li class="page-item"><a class="page-link" href="https://publications.waset.org/abstracts/search?q=fabric%20printing%20design&page=3">3</a></li> <li class="page-item"><a class="page-link" href="https://publications.waset.org/abstracts/search?q=fabric%20printing%20design&page=4">4</a></li> <li class="page-item"><a class="page-link" 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