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Photography in Canada - Wikipedia
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<div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><p class="mw-empty-elt"> </p> <figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Daguerrotype_of_Niagara_Falls_by_Hugh_Lee_Pattinson_1840.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/2/2e/Daguerrotype_of_Niagara_Falls_by_Hugh_Lee_Pattinson_1840.jpg/300px-Daguerrotype_of_Niagara_Falls_by_Hugh_Lee_Pattinson_1840.jpg" decoding="async" width="300" height="225" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/2e/Daguerrotype_of_Niagara_Falls_by_Hugh_Lee_Pattinson_1840.jpg/450px-Daguerrotype_of_Niagara_Falls_by_Hugh_Lee_Pattinson_1840.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/2e/Daguerrotype_of_Niagara_Falls_by_Hugh_Lee_Pattinson_1840.jpg/600px-Daguerrotype_of_Niagara_Falls_by_Hugh_Lee_Pattinson_1840.jpg 2x" data-file-width="900" data-file-height="675" /></a><figcaption>Possibly the first daguerreotype produced in Canada, Niagara Falls by <a href="/wiki/Hugh_Lee_Pattinson" title="Hugh Lee Pattinson">Hugh Lee Pattinson</a>, 1840</figcaption></figure> <p> <a href="/wiki/Photograph" title="Photograph">Photographs</a> have been taken in the area now known as <a href="/wiki/Canada" title="Canada">Canada</a> since 1839, by both amateurs and professionals. In the 19th century, commercial photography focussed on <a href="/wiki/Portrait_photography" title="Portrait photography">portraiture</a>. But professional photographers were also involved in political and anthropological projects: they were brought along on expeditions to <a href="/wiki/Western_Canada" title="Western Canada">Western Canada</a> and were engaged to document <a href="/wiki/Indigenous_peoples_in_Canada" title="Indigenous peoples in Canada">Indigenous peoples in Canada</a> by government agencies. </p><p>Canadian photography became more institutionalized in the 20th century. Railways including the <a href="/wiki/Canadian_Pacific_Railway" title="Canadian Pacific Railway">Canadian Pacific Railway</a> heavily used photographs in their advertising campaigns. The Still Photography Division, a department of the <a href="/wiki/National_Film_Board_of_Canada" title="National Film Board of Canada">National Film Board of Canada</a>, produced images for national and international distribution. Initially focussed on promoting a positive vision of the nation, by the 1960s the division transitioned to <a href="/wiki/Documentary_photography" title="Documentary photography">documentary photography</a> attuned to individual photographers' artistic inclinations. </p><p>According to critic <a href="/wiki/Penny_Cousineau-Levine" title="Penny Cousineau-Levine">Penny Cousineau-Levine</a>, contemporary photography in Canada de-emphasizes documenting reality; rather, it treats photographs as an invitation to consider the otherworldly. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="19th_century">19th century</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Photography_in_Canada&action=edit&section=1" title="Edit section: 19th century"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Talbot_Fotogramm.jpg" class="mw-file-description"><img alt="A so called "Photogenic Drawing", a preliminary stage of early photographs." src="//upload.wikimedia.org/wikipedia/commons/thumb/6/6e/Talbot_Fotogramm.jpg/220px-Talbot_Fotogramm.jpg" decoding="async" width="220" height="263" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/6e/Talbot_Fotogramm.jpg/330px-Talbot_Fotogramm.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/6/6e/Talbot_Fotogramm.jpg 2x" data-file-width="334" data-file-height="400" /></a><figcaption>A photogenic drawing by William Henry Talbot, the first type of photograph produced in Canada, June 1839</figcaption></figure> <p>In June 1839, the <i>Colonial Pearl,</i> a weekly newspaper in <a href="/wiki/Halifax,_Nova_Scotia" title="Halifax, Nova Scotia">Halifax, Nova Scotia</a>, reported that one of its readers had created a "photogenic drawing," probably of samples of flora such as ferns or flowers, created without a camera by placing objects on "salted" or sensitized paper.<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> According to scholar Ralph Greenhill, this was the first such photograph produced in Canada.<sup id="cite_ref-FOOTNOTEGreenhill196518_2-0" class="reference"><a href="#cite_note-FOOTNOTEGreenhill196518-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> In 1841 Tabot would call this the <a href="/wiki/Calotype" title="Calotype">calotype</a> process. </p> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Advertisement_for_daguerreotypes_-_Halsey_and_Sadd_-_9_October_1840.jpg" class="mw-file-description"><img alt="Advertisement by Halsey & Sadd for daguerreotype services, Quebec City, 9 October 1840" src="//upload.wikimedia.org/wikipedia/commons/thumb/b/b4/Advertisement_for_daguerreotypes_-_Halsey_and_Sadd_-_9_October_1840.jpg/220px-Advertisement_for_daguerreotypes_-_Halsey_and_Sadd_-_9_October_1840.jpg" decoding="async" width="220" height="159" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/b4/Advertisement_for_daguerreotypes_-_Halsey_and_Sadd_-_9_October_1840.jpg/330px-Advertisement_for_daguerreotypes_-_Halsey_and_Sadd_-_9_October_1840.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/b/b4/Advertisement_for_daguerreotypes_-_Halsey_and_Sadd_-_9_October_1840.jpg 2x" data-file-width="390" data-file-height="281" /></a><figcaption>Advertisement by Halsey & Sadd for <a href="/wiki/Daguerreotype" title="Daguerreotype">daguerreotype</a> services, Quebec City, 9 October 1840</figcaption></figure> <p>Canada was among the first countries to pioneer photography after the <a href="/wiki/Daguerreotype" title="Daguerreotype">daguerreotype</a> was released by its inventor, the Frenchman <a href="/wiki/Louis_Daguerre" title="Louis Daguerre">Louis Daguerre</a>, in 1839.<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> In late 1840, photographic "rooms" were being employed in <a href="/wiki/Montreal" title="Montreal">Montreal</a> and <a href="/wiki/Quebec_City" title="Quebec City">Quebec City</a>, notably by two American itinerants, Halsey and Sadd.<sup id="cite_ref-FOOTNOTEPalmquistKailbourn2005298_4-0" class="reference"><a href="#cite_note-FOOTNOTEPalmquistKailbourn2005298-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> Halsey and Sadd sold their prints for $5, including "a fine Morocco case".<sup id="cite_ref-FOOTNOTEGreenhill196522_5-0" class="reference"><a href="#cite_note-FOOTNOTEGreenhill196522-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> Surviving examples of their work have been identified.<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> A Mrs John Fletcher, from Newburyport, was probably the first woman photographer in Canada when she and her husband (who was, in addition to his photographic pursuits, a <a href="/wiki/Phrenology" title="Phrenology">phrenologist</a>), established themselves briefly in Montreal in 1841; her advertisements stated that she could "execute Daguerreotype Miniatures in a style unsurpassed by an American or European artist".<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEGreenhill196523–24_8-0" class="reference"><a href="#cite_note-FOOTNOTEGreenhill196523–24-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> In January, 1842 <a href="/wiki/William_Valentine_(painter)" title="William Valentine (painter)">William Valentine</a> opened a studio in his home on Marchington's Lane in Halifax, establishing the first permanent studio in Canada.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> A year later, Valentine and his partner, Nova Scotia-born <a href="/wiki/Thomas_Coffin_Doane" title="Thomas Coffin Doane">Thomas Coffin Doane</a> briefly took rooms at the Golden Lion Inn in <a href="/wiki/St._John%27s,_Newfoundland_and_Labrador" title="St. John's, Newfoundland and Labrador">St. John's, Newfoundland</a>.<sup id="cite_ref-canency_10-0" class="reference"><a href="#cite_note-canency-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> Doane would later become well known for his work in his adopted city of Montreal. The earliest daguerrotypist with close associations to Quebec was the Swiss-born <a href="/wiki/Pierre-Gustave_Joly_de_Lotbini%C3%A8re" title="Pierre-Gustave Joly de Lotbinière">Pierre-Gustave Joly</a>. In 1839, he traveled to Greece and Egypt where he took some of the world's earliest daguerreotypes. The originals were lost but the copies published as <a href="/wiki/Engraving" title="Engraving">engravings</a> have survived.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> <a href="/w/index.php?title=Eli_J._Palmer&action=edit&redlink=1" class="new" title="Eli J. Palmer (page does not exist)">Eli J. Palmer</a> (working in Toronto) was another early "daguerrian artist" operating in this early period.<sup id="cite_ref-FOOTNOTEGreenhill196524–25_12-0" class="reference"><a href="#cite_note-FOOTNOTEGreenhill196524–25-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> The first photography-related patent in Canada went to L. A. Lemire in 1854 for a <a href="/wiki/Polishing_(metalworking)" title="Polishing (metalworking)">buffing</a> process for daguerreotype plates.<sup id="cite_ref-FOOTNOTEGreenhill196525_13-0" class="reference"><a href="#cite_note-FOOTNOTEGreenhill196525-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:The_Bounce,_Montreal_Snowshoe_Club.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c3/The_Bounce%2C_Montreal_Snowshoe_Club.jpg/220px-The_Bounce%2C_Montreal_Snowshoe_Club.jpg" decoding="async" width="220" height="295" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c3/The_Bounce%2C_Montreal_Snowshoe_Club.jpg/330px-The_Bounce%2C_Montreal_Snowshoe_Club.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c3/The_Bounce%2C_Montreal_Snowshoe_Club.jpg/440px-The_Bounce%2C_Montreal_Snowshoe_Club.jpg 2x" data-file-width="572" data-file-height="767" /></a><figcaption>"The Bounce, Montreal Snowshoe Club" in-studio by Notman, 1886</figcaption></figure> <p>Early Canadian <a href="/wiki/Landscape_photography" title="Landscape photography">landscape photographs</a> are rare—except of <a href="/wiki/Niagara_Falls" title="Niagara Falls">Niagara Falls</a>, which attracted photographers from the daguerreotype era onward.<sup id="cite_ref-FOOTNOTEGreenhill196525_13-1" class="reference"><a href="#cite_note-FOOTNOTEGreenhill196525-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Portrait_photography" title="Portrait photography">Portraits</a> provided the economic basis for 19th-century commercial photography.<sup id="cite_ref-FOOTNOTEKunardPayne201125_14-0" class="reference"><a href="#cite_note-FOOTNOTEKunardPayne201125-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> By the late 1850s, Canadian photographers had largely abandoned the daguerreotype in favour of the <a href="/wiki/Ambrotype" title="Ambrotype">ambrotype</a>,<sup id="cite_ref-FOOTNOTEGreenhill196530_15-0" class="reference"><a href="#cite_note-FOOTNOTEGreenhill196530-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> an application of the <a href="/wiki/Collodion_process" title="Collodion process">collodion process</a>.<sup id="cite_ref-canency_10-1" class="reference"><a href="#cite_note-canency-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> </p><p>Scottish-born <a href="/wiki/William_Notman" title="William Notman">William Notman</a> was Canada's best known portrait photographer in the second half of the 19th century.<sup id="cite_ref-FOOTNOTECousineau-Levine200330_16-0" class="reference"><a href="#cite_note-FOOTNOTECousineau-Levine200330-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> Establishing in Montreal in the late 1850's, he was honoured as photographer to the Queen for his work during the <a href="/wiki/Royal_tours_of_Canada" title="Royal tours of Canada">1860 visit</a> of <a href="/wiki/Edward_VII" title="Edward VII">Edward</a>, then Prince of Wales, to Canada).<sup id="cite_ref-FOOTNOTEGreenhill196539_17-0" class="reference"><a href="#cite_note-FOOTNOTEGreenhill196539-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> After Confederation he established additional studios in Ottawa and Toronto (1868), <a href="/wiki/Halifax,_Nova_Scotia" title="Halifax, Nova Scotia">Halifax</a> (1869) and <a href="/wiki/Saint_John,_New_Brunswick" title="Saint John, New Brunswick">Saint John</a> (1872) before also venturing into the United States.<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> By the 1870s he was producing some 14,000 negatives a year. The Notman studios are remembered for their elaborate <a href="/wiki/Photomontages" class="mw-redirect" title="Photomontages">photomontages</a>, such as his coloured composite of the 1869 Skating Carnaval consisting of some 300 individual views, and for the indigenous scenes the studio created in its Montreal studio.<sup id="cite_ref-canency_10-2" class="reference"><a href="#cite_note-canency-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> </p><p>Canadian photographers such as <a href="/wiki/Frederick_Dally" title="Frederick Dally">Frederick Dally</a>, <a href="/w/index.php?title=Edward_Dosseter&action=edit&redlink=1" class="new" title="Edward Dosseter (page does not exist)">Edward Dosseter</a>, and <a href="/wiki/Richard_Maynard_(photographer)" title="Richard Maynard (photographer)">Richard Maynard</a> were commissioned by government agencies including the department of Indian affairs to conduct ethnographic portraiture of <a href="/wiki/Indigenous_peoples_in_Canada" title="Indigenous peoples in Canada">Indigenous peoples in Canada</a>. These images were sold and disseminated globally. Photographers of settlers, including <a href="/wiki/Hannah_Maynard" title="Hannah Maynard">Hannah Maynard</a>'s series <i>Gems of British Columbia</i>, advertised the colonial frontier to prospective white newcomers.<sup id="cite_ref-FOOTNOTEKunardPayne201127–29_19-0" class="reference"><a href="#cite_note-FOOTNOTEKunardPayne201127–29-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Letitia,_a_Plains_Cree_Half-Breed_-_Humphrey_Lloyd_Hime_-_1858.jpg" class="mw-file-description"><img alt="Letitia, a Plains Cree Half-Breed (1858), by Humphrey Lloyd Hime" src="//upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Letitia%2C_a_Plains_Cree_Half-Breed_-_Humphrey_Lloyd_Hime_-_1858.jpg/220px-Letitia%2C_a_Plains_Cree_Half-Breed_-_Humphrey_Lloyd_Hime_-_1858.jpg" decoding="async" width="220" height="176" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Letitia%2C_a_Plains_Cree_Half-Breed_-_Humphrey_Lloyd_Hime_-_1858.jpg/330px-Letitia%2C_a_Plains_Cree_Half-Breed_-_Humphrey_Lloyd_Hime_-_1858.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Letitia%2C_a_Plains_Cree_Half-Breed_-_Humphrey_Lloyd_Hime_-_1858.jpg/440px-Letitia%2C_a_Plains_Cree_Half-Breed_-_Humphrey_Lloyd_Hime_-_1858.jpg 2x" data-file-width="1200" data-file-height="962" /></a><figcaption><i>Letitia, a Plains Cree Half-Breed</i> (1858), by <a href="/wiki/Humphrey_Lloyd_Hime" title="Humphrey Lloyd Hime">Humphrey Lloyd Hime</a></figcaption></figure> <p><i>The Photographic Portfolio: A Monthly Review of Canadian Scenes and Scenery</i> was the first photography journal in Canada. It was published in Quebec City for two years, from 1858 to 1860, by <a href="/w/index.php?title=Samuel_McLaughlin_(photographer)&action=edit&redlink=1" class="new" title="Samuel McLaughlin (photographer) (page does not exist)">Samuel McLaughlin</a><span class="noprint" style="font-size:85%; font-style: normal;"> [<a href="https://fr.wikipedia.org/wiki/Samuel_McLaughlin_(photographe)" class="extiw" title="fr:Samuel McLaughlin (photographe)">fr</a>]</span> (1824–1914).<sup id="cite_ref-FOOTNOTEGreenhill196537_20-0" class="reference"><a href="#cite_note-FOOTNOTEGreenhill196537-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> </p><p>The <a href="/w/index.php?title=Assiniboine_and_Saskatchewan_Exploring_Expedition&action=edit&redlink=1" class="new" title="Assiniboine and Saskatchewan Exploring Expedition (page does not exist)">Assiniboine and Saskatchewan Exploring Expedition</a> of 1857–1858, overseen by <a href="/wiki/Henry_Youle_Hind" title="Henry Youle Hind">Henry Youle Hind</a>, hired <a href="/wiki/Humphrey_Lloyd_Hime" title="Humphrey Lloyd Hime">Humphrey Lloyd Hime</a> as the first official photographer of a colonial expedition.<sup id="cite_ref-FOOTNOTEKunardPayne201172_21-0" class="reference"><a href="#cite_note-FOOTNOTEKunardPayne201172-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEGreenhill196550_22-0" class="reference"><a href="#cite_note-FOOTNOTEGreenhill196550-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> (Hime was a commercial photographer with the Toronto firm Armstrong, Beere & Hime; he left photography for a career in finance around 1860.<sup id="cite_ref-FOOTNOTEGreenhill196536_23-0" class="reference"><a href="#cite_note-FOOTNOTEGreenhill196536-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup>) Other colonial and anthropological expeditions in the 19th and early 20th centuries, such as the <a href="/wiki/Jesup_North_Pacific_Expedition" title="Jesup North Pacific Expedition">Jesup North Pacific Expedition</a>, also produced a large volume of photographs.<sup id="cite_ref-FOOTNOTEKunardPayne201173_24-0" class="reference"><a href="#cite_note-FOOTNOTEKunardPayne201173-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> Likewise, the first photos of the <a href="/wiki/Canadian_Prairies" title="Canadian Prairies">Canadian Prairies</a> were taken on surveying trips and other officially sponsored explorations.<sup id="cite_ref-FOOTNOTECanadian_Museum_of_Contemporary_Photography199214_25-0" class="reference"><a href="#cite_note-FOOTNOTECanadian_Museum_of_Contemporary_Photography199214-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> Several people associated with the <a href="/wiki/Hudson%27s_Bay_Company" title="Hudson's Bay Company">Hudson's Bay Company</a> documented life at <a href="/wiki/Trading_post" title="Trading post">trading posts</a> in photographs.<sup id="cite_ref-FOOTNOTEKunardPayne201172_21-1" class="reference"><a href="#cite_note-FOOTNOTEKunardPayne201172-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Canadian_Illustrated_News_Volume_1_Number_1_Cover.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Canadian_Illustrated_News_Volume_1_Number_1_Cover.jpg/220px-Canadian_Illustrated_News_Volume_1_Number_1_Cover.jpg" decoding="async" width="220" height="321" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Canadian_Illustrated_News_Volume_1_Number_1_Cover.jpg/330px-Canadian_Illustrated_News_Volume_1_Number_1_Cover.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Canadian_Illustrated_News_Volume_1_Number_1_Cover.jpg/440px-Canadian_Illustrated_News_Volume_1_Number_1_Cover.jpg 2x" data-file-width="1000" data-file-height="1460" /></a><figcaption>First issue of <i>Canadian Illustrated News</i>, October 30, 1869, employing a halftone process invented by <a href="/wiki/William_Leggo" title="William Leggo">William Leggo</a></figcaption></figure> <p>The <a href="/wiki/Dry_plate" class="mw-redirect" title="Dry plate">dry plate</a> technique, which was easier than wet plate photography, became available in the 1880s. Professional photographers initially spurned the innovation, while amateurs quickly adopted it. Dry plate photography was used during the <a href="/wiki/British_Arctic_Expedition" title="British Arctic Expedition">British Arctic Expedition</a> (1875–1876).<sup id="cite_ref-FOOTNOTEGreenhill196558–59_26-0" class="reference"><a href="#cite_note-FOOTNOTEGreenhill196558–59-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> </p><p>In the late 1800s, with the advent of <a href="/wiki/Halftone" title="Halftone">halftone</a> printing, photography became more common in <a href="/wiki/Advertising" title="Advertising">advertising</a> and other media. <i><a href="/wiki/Canadian_Illustrated_News" title="Canadian Illustrated News">Canadian Illustrated News</a></i>, first published on 30 October 1869, made pioneering use of halftone photographic prints.<sup id="cite_ref-FOOTNOTEGreenhill196565_27-0" class="reference"><a href="#cite_note-FOOTNOTEGreenhill196565-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> This technological development coincided with a movement to develop the Prairies into "the granary of the British Empire"; images promoting settlement in Western Canada proliferated.<sup id="cite_ref-FOOTNOTECanadian_Museum_of_Contemporary_Photography199215–16_28-0" class="reference"><a href="#cite_note-FOOTNOTECanadian_Museum_of_Contemporary_Photography199215–16-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> The <a href="/wiki/Canadian_Pacific_Railway" title="Canadian Pacific Railway">Canadian Pacific Railway</a> (CPR) avidly used photographs in its offices abroad to promote <a href="/wiki/Immigration_to_Canada" title="Immigration to Canada">immigration to Canada</a>.<sup id="cite_ref-FOOTNOTECanadian_Museum_of_Contemporary_Photography199216_29-0" class="reference"><a href="#cite_note-FOOTNOTECanadian_Museum_of_Contemporary_Photography199216-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> The CPR and <a href="/wiki/Canadian_National_Railway" title="Canadian National Railway">Canadian National Railway</a>, which also maintained a photography collection, provided pictures free of charge to writers on Canada.<sup id="cite_ref-FOOTNOTECanadian_Museum_of_Contemporary_Photography199217_30-0" class="reference"><a href="#cite_note-FOOTNOTECanadian_Museum_of_Contemporary_Photography199217-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> </p><p>Photographers and studios including William Notman, <a href="/w/index.php?title=Alexander_Henderson_(photographer)&action=edit&redlink=1" class="new" title="Alexander Henderson (photographer) (page does not exist)">Alexander Henderson</a>, and O. B. Buell were all engaged as part of campaigns by the federal government, CPR, and others to encourage settlement.<sup id="cite_ref-FOOTNOTECanadian_Museum_of_Contemporary_Photography199218_31-0" class="reference"><a href="#cite_note-FOOTNOTECanadian_Museum_of_Contemporary_Photography199218-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> Local professional and amateur photographers in the Canadian West also documented the region during this period, often focussing on farm equipment.<sup id="cite_ref-FOOTNOTECanadian_Museum_of_Contemporary_Photography199225–26_32-0" class="reference"><a href="#cite_note-FOOTNOTECanadian_Museum_of_Contemporary_Photography199225–26-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> In 1888 the <a href="/wiki/Toronto_Camera_Club" title="Toronto Camera Club">Toronto Camera Club</a> was founded (as the Toronto Amateur Photographic Association).<sup id="cite_ref-National_Post_33-0" class="reference"><a href="#cite_note-National_Post-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup> </p> <ul class="gallery mw-gallery-packed"> <li class="gallerybox" style="width: 249.33333333333px"> <div class="thumb" style="width: 247.33333333333px;"><span typeof="mw:File"><a href="/wiki/File:Colonnes_du_temple_de_Zeus_olympien,_1839.jpg" class="mw-file-description" title="Olympian Zeus Temple and Acropolis, Athens, 1839, engraving of Pierre-Gustave Joly's daguerreotype"><img alt="Olympian Zeus Temple and Acropolis, Athens, 1839, engraving of Pierre-Gustave Joly's daguerreotype" src="//upload.wikimedia.org/wikipedia/commons/thumb/1/1d/Colonnes_du_temple_de_Zeus_olympien%2C_1839.jpg/371px-Colonnes_du_temple_de_Zeus_olympien%2C_1839.jpg" decoding="async" width="248" height="180" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/1d/Colonnes_du_temple_de_Zeus_olympien%2C_1839.jpg/557px-Colonnes_du_temple_de_Zeus_olympien%2C_1839.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1d/Colonnes_du_temple_de_Zeus_olympien%2C_1839.jpg/742px-Colonnes_du_temple_de_Zeus_olympien%2C_1839.jpg 2x" data-file-width="1752" data-file-height="1275" /></a></span></div> <div class="gallerytext">Olympian Zeus Temple and Acropolis, Athens, 1839, engraving of Pierre-Gustave Joly's daguerreotype </div> </li> <li class="gallerybox" style="width: 223.33333333333px"> <div class="thumb" style="width: 221.33333333333px;"><span typeof="mw:File"><a href="/wiki/File:McDermotsStoreNearUpperFortGarry.jpg" class="mw-file-description" title="Lloyd Hime's photograph of McDermot's store, Fort Garry, Manitoba, 1858"><img alt="Lloyd Hime's photograph of McDermot's store, Fort Garry, Manitoba, 1858" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/ce/McDermotsStoreNearUpperFortGarry.jpg/332px-McDermotsStoreNearUpperFortGarry.jpg" decoding="async" width="222" height="180" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/ce/McDermotsStoreNearUpperFortGarry.jpg/498px-McDermotsStoreNearUpperFortGarry.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/c/ce/McDermotsStoreNearUpperFortGarry.jpg 2x" data-file-width="640" data-file-height="521" /></a></span></div> <div class="gallerytext">Lloyd Hime's photograph of McDermot's store, Fort Garry, Manitoba, 1858</div> </li> <li class="gallerybox" style="width: 250.66666666667px"> <div class="thumb" style="width: 248.66666666667px;"><span typeof="mw:File"><a href="/wiki/File:Skating_carnival_Montreal_by_Notman.jpg" class="mw-file-description" title="Notman's Montreal Skating Carnaval, colored composite 1870"><img alt="Notman's Montreal Skating Carnaval, colored composite 1870" src="//upload.wikimedia.org/wikipedia/commons/thumb/3/3a/Skating_carnival_Montreal_by_Notman.jpg/373px-Skating_carnival_Montreal_by_Notman.jpg" decoding="async" width="249" height="180" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/3a/Skating_carnival_Montreal_by_Notman.jpg/560px-Skating_carnival_Montreal_by_Notman.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/3/3a/Skating_carnival_Montreal_by_Notman.jpg 2x" data-file-width="742" data-file-height="537" /></a></span></div> <div class="gallerytext">Notman's Montreal Skating Carnaval, colored composite 1870</div> </li> <li class="gallerybox" style="width: 248px"> <div class="thumb" style="width: 246px;"><span typeof="mw:File"><a href="/wiki/File:LastSpike_Craigellachie_BC_Canada.jpg" class="mw-file-description" title="Last Spike at Craigellachie, British Columbia, 1885"><img alt="Last Spike at Craigellachie, British Columbia, 1885" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c6/LastSpike_Craigellachie_BC_Canada.jpg/369px-LastSpike_Craigellachie_BC_Canada.jpg" decoding="async" width="246" height="180" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c6/LastSpike_Craigellachie_BC_Canada.jpg/554px-LastSpike_Craigellachie_BC_Canada.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c6/LastSpike_Craigellachie_BC_Canada.jpg/739px-LastSpike_Craigellachie_BC_Canada.jpg 2x" data-file-width="1600" data-file-height="1170" /></a></span></div> <div class="gallerytext"><i>Last Spike at Craigellachie</i>, British Columbia, 1885 </div> </li> </ul> <div class="mw-heading mw-heading2"><h2 id="20th_century">20th century</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Photography_in_Canada&action=edit&section=2" title="Edit section: 20th century"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Children_in_the_Ward.jpg" class="mw-file-description"><img alt="Picture of children in the Ward by William James (1908)" src="//upload.wikimedia.org/wikipedia/commons/thumb/7/7a/Children_in_the_Ward.jpg/220px-Children_in_the_Ward.jpg" decoding="async" width="220" height="303" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/7a/Children_in_the_Ward.jpg/330px-Children_in_the_Ward.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/7a/Children_in_the_Ward.jpg/440px-Children_in_the_Ward.jpg 2x" data-file-width="962" data-file-height="1326" /></a><figcaption>Picture of children in <a href="/wiki/The_Ward,_Toronto" title="The Ward, Toronto">the Ward</a> by <a href="/wiki/William_James_(photographer)" title="William James (photographer)">William James</a> (1908)</figcaption></figure> <p>Concerns about the absence of a specific Canadian mode of photography were aired in the early 20th century, both by Canadians including <a href="/wiki/Harold_Mortimer-Lamb" title="Harold Mortimer-Lamb">Harold Mortimer-Lamb</a>, who lamented that the Canadian natural world was not sufficiently represented, and at least one British critic who remarked that there was no evidence of a "Canadian spirit" in then-contemporary photographic output.<sup id="cite_ref-FOOTNOTEKunardPayne201159_34-0" class="reference"><a href="#cite_note-FOOTNOTEKunardPayne201159-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> </p><p>Around the turn of the 20th century, developments in <a href="/wiki/Printing" title="Printing">printing</a> technology made it possible for Canadian amateurs and professionals to produce their own photographic <a href="/wiki/Postcard" title="Postcard">postcards</a>.<sup id="cite_ref-FOOTNOTEHatfield20184–5_35-0" class="reference"><a href="#cite_note-FOOTNOTEHatfield20184–5-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> In 1913, 60<span class="nowrap"> </span>million postcards were sent in Canada.<sup id="cite_ref-FOOTNOTEHatfield201810_36-0" class="reference"><a href="#cite_note-FOOTNOTEHatfield201810-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup> </p><p>In <a href="/wiki/Toronto" title="Toronto">Toronto</a> around the turn of the 20th century, newspapers and other periodicals documented <a href="/wiki/The_Ward,_Toronto" title="The Ward, Toronto">the Ward</a>, a poor and largely immigrant neighbourhood, in photographs. Copious <a href="/wiki/Halftone" title="Halftone">halftone</a> prints in papers including <i><a href="/wiki/The_Toronto_World" title="The Toronto World">The Toronto World</a></i> and <a href="/wiki/The_Globe_(Toronto_newspaper)" title="The Globe (Toronto newspaper)"><i>The Globe</i></a>,<sup id="cite_ref-FOOTNOTEKunardPayne2011115–116_37-0" class="reference"><a href="#cite_note-FOOTNOTEKunardPayne2011115–116-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> many by <a href="/wiki/William_James_(photographer)" title="William James (photographer)">William James</a>,<sup id="cite_ref-FOOTNOTEKunardPayne2011114_38-0" class="reference"><a href="#cite_note-FOOTNOTEKunardPayne2011114-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> illustrated articles designed to shock, entertain, and attract readers with the lives of Ward residents.<sup id="cite_ref-FOOTNOTEKunardPayne2011111–112_39-0" class="reference"><a href="#cite_note-FOOTNOTEKunardPayne2011111–112-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> </p><p>The CPR, as part of an advertising campaign in the 1920s and 1930s, commissioned photographers including <a href="/wiki/John_Vanderpant" title="John Vanderpant">John Vanderpant</a>, whom scholar Jill Delaney described as the "leading <a href="/wiki/Pictorialism" title="Pictorialism">pictorialist</a> photographer in Canada",<sup id="cite_ref-FOOTNOTEKunardPayne201157_40-0" class="reference"><a href="#cite_note-FOOTNOTEKunardPayne201157-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup> to document <a href="/wiki/Western_Canada" title="Western Canada">Western Canada</a>, particularly the <a href="/wiki/Canadian_Rockies" title="Canadian Rockies">Rockies</a>.<sup id="cite_ref-FOOTNOTEKunardPayne201160–62_41-0" class="reference"><a href="#cite_note-FOOTNOTEKunardPayne201160–62-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> The campaign aimed to associate Canada as a nation with its natural environment—and both with the CPR.<sup id="cite_ref-FOOTNOTEKunardPayne201161_42-0" class="reference"><a href="#cite_note-FOOTNOTEKunardPayne201161-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup> The CPR had used photography to memorialize and promote its operations at least since 1885, when the <a href="/wiki/Last_spike_(Canadian_Pacific_Railway)" title="Last spike (Canadian Pacific Railway)">last spike</a> was driven in;<sup id="cite_ref-FOOTNOTEKunardPayne201161_42-1" class="reference"><a href="#cite_note-FOOTNOTEKunardPayne201161-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup> Alexander Ross of Calgary took the iconic photograph, which was widely distributed.<sup id="cite_ref-43" class="reference"><a href="#cite_note-43"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup> </p><p>Beginning in the 1940s, the Canadian federal government had a photography department. On 8 August 1941, the Still Photography Division, sometimes simply called Photo Services, was transferred to the <a href="/wiki/National_Film_Board_of_Canada" title="National Film Board of Canada">National Film Board of Canada</a> pursuant to an <a href="/wiki/Order_in_Council" title="Order in Council">order in council</a>. The division employed photographers, photo editors, and others to create photographs in service of "national unity".<sup id="cite_ref-FOOTNOTEPayne201320–21_44-0" class="reference"><a href="#cite_note-FOOTNOTEPayne201320–21-44"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup> During the Second World War, the division focussed on documenting the <a href="/wiki/Home_front_during_World_War_II" title="Home front during World War II">home front</a>.<sup id="cite_ref-FOOTNOTEPayne201323_45-0" class="reference"><a href="#cite_note-FOOTNOTEPayne201323-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> Staff also produced photographs for other federal agencies and provided content for publications not affiliated with the government.<sup id="cite_ref-FOOTNOTEPayne201325–26_46-0" class="reference"><a href="#cite_note-FOOTNOTEPayne201325–26-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> Scholar Carol Payne argues that a major role of the division during the war was to produce <a href="/wiki/Propaganda" title="Propaganda">propaganda</a>.<sup id="cite_ref-FOOTNOTEPayne201326_47-0" class="reference"><a href="#cite_note-FOOTNOTEPayne201326-47"><span class="cite-bracket">[</span>47<span class="cite-bracket">]</span></a></sup> </p><p>After the war, the Still Photography Division's budget was cut substantially, even as the National Film Board tried to maintain its status as the federal government's only official photography agency.<sup id="cite_ref-FOOTNOTEPayne201331_48-0" class="reference"><a href="#cite_note-FOOTNOTEPayne201331-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> It continued to promote a vision of Canadian nationhood in peacetime through the 1950s.<sup id="cite_ref-FOOTNOTEPayne201332_49-0" class="reference"><a href="#cite_note-FOOTNOTEPayne201332-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> One distinctive channel for the division's efforts was the <a href="/wiki/Photo-essay" title="Photo-essay">photo story</a>, often distributed as a newspaper supplement.<sup id="cite_ref-FOOTNOTEPayne201337–38_50-0" class="reference"><a href="#cite_note-FOOTNOTEPayne201337–38-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup> Photo stories were uncritically positive; Payne calls them "<a href="/wiki/Jingoism" title="Jingoism">jingoistic</a>".<sup id="cite_ref-FOOTNOTEPayne201343_51-0" class="reference"><a href="#cite_note-FOOTNOTEPayne201343-51"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup> When <a href="/wiki/Lorraine_Monk" title="Lorraine Monk">Lorraine Monk</a> took over as head of the Still Photography Division in 1960, she turned the division away from the photo story model in favour of <a href="/wiki/Documentary_photography" title="Documentary photography">documentary photography</a> more attuned to the sensibilities of individual photographers.<sup id="cite_ref-FOOTNOTEPayne201345_52-0" class="reference"><a href="#cite_note-FOOTNOTEPayne201345-52"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup> This was part of a broader turn towards <a href="/wiki/Modernism" title="Modernism">modernism</a> in Canadian thinking about photography: it was viewed as an art form, not solely as a means of reporting on reality.<sup id="cite_ref-FOOTNOTEPayne201346_53-0" class="reference"><a href="#cite_note-FOOTNOTEPayne201346-53"><span class="cite-bracket">[</span>53<span class="cite-bracket">]</span></a></sup> The division's final photo story was published in April 1971.<sup id="cite_ref-FOOTNOTEPayne201351_54-0" class="reference"><a href="#cite_note-FOOTNOTEPayne201351-54"><span class="cite-bracket">[</span>54<span class="cite-bracket">]</span></a></sup> Later that year, the division ceased to be the federal government's sole photography agency when, as part of a broader redistribution of responsibilities and personnel, some of the division's photographers were sent to Information Canada (another federal department).<sup id="cite_ref-FOOTNOTEPayne201352_55-0" class="reference"><a href="#cite_note-FOOTNOTEPayne201352-55"><span class="cite-bracket">[</span>55<span class="cite-bracket">]</span></a></sup> </p><p>As of the early 1940s, <a href="/wiki/Yousuf_Karsh" title="Yousuf Karsh">Yousuf Karsh</a> was "one of Canada's pre-eminent portrait photographers".<sup id="cite_ref-FOOTNOTEKunardPayne2011121_56-0" class="reference"><a href="#cite_note-FOOTNOTEKunardPayne2011121-56"><span class="cite-bracket">[</span>56<span class="cite-bracket">]</span></a></sup> </p><p>The Commercial and Press Photographers Association of Canada, which changed its name to <a href="/w/index.php?title=Professional_Photographers_of_Canada&action=edit&redlink=1" class="new" title="Professional Photographers of Canada (page does not exist)">Professional Photographers of Canada</a> (PPC) in 1962, was founded in 1946. A <a href="/wiki/Professional_association" title="Professional association">professional association</a> for <a href="/wiki/Photojournalism" title="Photojournalism">photojournalists</a>, PPC aimed to create "a strong national identity for all those involved in the photographic industry".<sup id="cite_ref-FOOTNOTEKunardPayne2011154_57-0" class="reference"><a href="#cite_note-FOOTNOTEKunardPayne2011154-57"><span class="cite-bracket">[</span>57<span class="cite-bracket">]</span></a></sup> </p><p>Critic Serge Jongué argues that photography in <a href="/wiki/Quebec" title="Quebec">Quebec</a> had shifted from a documentary focus during the 1970s to an emphasis on <a href="/wiki/Experimentalism" title="Experimentalism">experimentalism</a> as of the early 1990s. He links this development to rapid cultural changes in the province during the latter half of the 20th century, including the <a href="/wiki/Quiet_Revolution" title="Quiet Revolution">Quiet Revolution</a>.<sup id="cite_ref-FOOTNOTECanadian_Museum_of_Contemporary_Photography199238–39_58-0" class="reference"><a href="#cite_note-FOOTNOTECanadian_Museum_of_Contemporary_Photography199238–39-58"><span class="cite-bracket">[</span>58<span class="cite-bracket">]</span></a></sup> He identifies <a href="/wiki/Gabor_Szilasi" title="Gabor Szilasi">Gabor Szilasi</a> and <a href="/w/index.php?title=Pierre_Gaudard&action=edit&redlink=1" class="new" title="Pierre Gaudard (page does not exist)">Pierre Gaudard</a> as two key figures in Quebec photography of the late 20th century.<sup id="cite_ref-FOOTNOTECanadian_Museum_of_Contemporary_Photography199239–40_59-0" class="reference"><a href="#cite_note-FOOTNOTECanadian_Museum_of_Contemporary_Photography199239–40-59"><span class="cite-bracket">[</span>59<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Contemporary">Contemporary</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Photography_in_Canada&action=edit&section=3" title="Edit section: Contemporary"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><a href="/wiki/Penny_Cousineau-Levine" title="Penny Cousineau-Levine">Penny Cousineau-Levine</a> suggests that <a href="/wiki/Death" title="Death">death</a> is a predominant theme in contemporary Canadian photography.<sup id="cite_ref-FOOTNOTECousineau-Levine200318_60-0" class="reference"><a href="#cite_note-FOOTNOTECousineau-Levine200318-60"><span class="cite-bracket">[</span>60<span class="cite-bracket">]</span></a></sup> She argues, against theories of photography defended by <a href="/wiki/Susan_Sontag" title="Susan Sontag">Susan Sontag</a> in <i><a href="/wiki/On_Photography" title="On Photography">On Photography</a></i> and <a href="/wiki/Roland_Barthes" title="Roland Barthes">Roland Barthes</a> in <i><a href="/wiki/Camera_Lucida_(book)" title="Camera Lucida (book)">Camera Lucida</a></i>, that Canadian photographers use a medium uniquely capable of <a href="/wiki/Mimesis" title="Mimesis">mimesis</a> so as to distance themselves from the real: "[t]he <i>sine qua non</i> of photography, its unique capacity for verisimilitude, is the very trait that many Canadian photographers seem distinctly ill at ease with."<sup id="cite_ref-FOOTNOTECousineau-Levine200324_61-0" class="reference"><a href="#cite_note-FOOTNOTECousineau-Levine200324-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> According to Cousineau-Levine, Canadian <a href="/wiki/Street_photography" title="Street photography">street photography</a> is more often about otherworldly matters than a comment on the worldly events it nominally depicts.<sup id="cite_ref-FOOTNOTECousineau-Levine200324_61-1" class="reference"><a href="#cite_note-FOOTNOTECousineau-Levine200324-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> She identifies a set of portraits taken by <a href="/w/index.php?title=Karen_Smiley&action=edit&redlink=1" class="new" title="Karen Smiley (page does not exist)">Karen Smiley</a> in 1976, and the work of <a href="/w/index.php?title=Anne-Marie_Zeppetelli&action=edit&redlink=1" class="new" title="Anne-Marie Zeppetelli (page does not exist)">Anne-Marie Zeppetelli</a>, as exemplars of Canadian photographers' use of this realist medium to explore themes beyond the everyday.<sup id="cite_ref-FOOTNOTECousineau-Levine200326–27_62-0" class="reference"><a href="#cite_note-FOOTNOTECousineau-Levine200326–27-62"><span class="cite-bracket">[</span>62<span class="cite-bracket">]</span></a></sup> </p><p>Comparing Canadian portraits of working people by <a href="/w/index.php?title=Cal_Bailey&action=edit&redlink=1" class="new" title="Cal Bailey (page does not exist)">Cal Bailey</a> with their American counterparts by <a href="/wiki/Irving_Penn" title="Irving Penn">Irving Penn</a> and <a href="/wiki/Richard_Avedon" title="Richard Avedon">Richard Avedon</a>, Cousineau-Levine suggests that the Canadian portraits show their subjects as "uprooted" from their surroundings—by contrast with the American portraits, which, according to Cousineau-Levine, do not depict people ill at ease in the frame.<sup id="cite_ref-FOOTNOTECousineau-Levine200335–36_63-0" class="reference"><a href="#cite_note-FOOTNOTECousineau-Levine200335–36-63"><span class="cite-bracket">[</span>63<span class="cite-bracket">]</span></a></sup> This tendency to dislocate the photographic subject from its background persists, says Cousineau-Levine, in Canadian architecture photography by artists including <a href="/wiki/Orest_Semchishen" title="Orest Semchishen">Orest Semchishen</a>.<sup id="cite_ref-FOOTNOTECousineau-Levine200337_64-0" class="reference"><a href="#cite_note-FOOTNOTECousineau-Levine200337-64"><span class="cite-bracket">[</span>64<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Photography_in_Canada&action=edit&section=4" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/List_of_Canadian_women_photographers" title="List of Canadian women photographers">List of Canadian women photographers</a></li> <li><a href="/wiki/List_of_Canadian_photojournalists" title="List of Canadian photojournalists">List of Canadian photojournalists</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="Notes">Notes</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Photography_in_Canada&action=edit&section=5" title="Edit section: Notes"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://projects.iq.harvard.edu/saltprintsatharvard/photogenic-drawing">"Photogenic Drawings"</a>. <i>Salt Prints at Harvard</i>. Harvard University<span class="reference-accessdate">. Retrieved <span class="nowrap">6 July</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Salt+Prints+at+Harvard&rft.atitle=Photogenic+Drawings&rft_id=https%3A%2F%2Fprojects.iq.harvard.edu%2Fsaltprintsatharvard%2Fphotogenic-drawing&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhotography+in+Canada" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEGreenhill196518-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGreenhill196518_2-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGreenhill1965">Greenhill 1965</a>, p. 18.</span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFStauble2015" class="citation web cs1">Stauble, Katherine (10 September 2015). <a rel="nofollow" class="external text" href="https://www.gallery.ca/magazine/exhibitions/early-canadian-daguerreotypes-brilliant-jewels">"Early Canadian Daguerreotypes: Brilliant Jewels"</a>. <a href="/wiki/National_Gallery_of_Canada" title="National Gallery of Canada">National Gallery of Canada</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20211028132648/https://www.gallery.ca/magazine/exhibitions/early-canadian-daguerreotypes-brilliant-jewels">Archived</a> from the original on 28 October 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">28 October</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Early+Canadian+Daguerreotypes%3A+Brilliant+Jewels&rft.pub=National+Gallery+of+Canada&rft.date=2015-09-10&rft.aulast=Stauble&rft.aufirst=Katherine&rft_id=https%3A%2F%2Fwww.gallery.ca%2Fmagazine%2Fexhibitions%2Fearly-canadian-daguerreotypes-brilliant-jewels&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhotography+in+Canada" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEPalmquistKailbourn2005298-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPalmquistKailbourn2005298_4-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPalmquistKailbourn2005">Palmquist & Kailbourn 2005</a>, p. 298.</span> </li> <li id="cite_note-FOOTNOTEGreenhill196522-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGreenhill196522_5-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGreenhill1965">Greenhill 1965</a>, p. 22.</span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGarrett1996" class="citation journal cs1">Garrett, Graham (May–June 1996). 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Retrieved <span class="nowrap">27 October</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Canadian+Encyclopedia&rft.atitle=The+Last+Spike&rft.date=2019-02-05&rft.aulast=Francis&rft.aufirst=Daniel&rft_id=https%3A%2F%2Fwww.thecanadianencyclopedia.ca%2Fen%2Farticle%2Fthe-last-spike&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhotography+in+Canada" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEPayne201320–21-44"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPayne201320–21_44-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPayne2013">Payne 2013</a>, pp. 20–21.</span> </li> <li id="cite_note-FOOTNOTEPayne201323-45"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPayne201323_45-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPayne2013">Payne 2013</a>, p. 23.</span> </li> <li id="cite_note-FOOTNOTEPayne201325–26-46"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPayne201325–26_46-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPayne2013">Payne 2013</a>, pp. 25–26.</span> </li> <li id="cite_note-FOOTNOTEPayne201326-47"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPayne201326_47-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPayne2013">Payne 2013</a>, p. 26.</span> </li> <li id="cite_note-FOOTNOTEPayne201331-48"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPayne201331_48-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPayne2013">Payne 2013</a>, p. 31.</span> </li> <li id="cite_note-FOOTNOTEPayne201332-49"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPayne201332_49-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPayne2013">Payne 2013</a>, p. 32.</span> </li> <li id="cite_note-FOOTNOTEPayne201337–38-50"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPayne201337–38_50-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPayne2013">Payne 2013</a>, pp. 37–38.</span> </li> <li id="cite_note-FOOTNOTEPayne201343-51"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPayne201343_51-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPayne2013">Payne 2013</a>, p. 43.</span> </li> <li id="cite_note-FOOTNOTEPayne201345-52"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPayne201345_52-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPayne2013">Payne 2013</a>, p. 45.</span> </li> <li id="cite_note-FOOTNOTEPayne201346-53"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPayne201346_53-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPayne2013">Payne 2013</a>, p. 46.</span> </li> <li id="cite_note-FOOTNOTEPayne201351-54"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPayne201351_54-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPayne2013">Payne 2013</a>, p. 51.</span> </li> <li id="cite_note-FOOTNOTEPayne201352-55"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPayne201352_55-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPayne2013">Payne 2013</a>, p. 52.</span> </li> <li id="cite_note-FOOTNOTEKunardPayne2011121-56"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKunardPayne2011121_56-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKunardPayne2011">Kunard & Payne 2011</a>, p. 121.</span> </li> <li id="cite_note-FOOTNOTEKunardPayne2011154-57"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKunardPayne2011154_57-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKunardPayne2011">Kunard & Payne 2011</a>, p. 154.</span> </li> <li id="cite_note-FOOTNOTECanadian_Museum_of_Contemporary_Photography199238–39-58"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECanadian_Museum_of_Contemporary_Photography199238–39_58-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCanadian_Museum_of_Contemporary_Photography1992">Canadian Museum of Contemporary Photography 1992</a>, pp. 38–39.</span> </li> <li id="cite_note-FOOTNOTECanadian_Museum_of_Contemporary_Photography199239–40-59"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECanadian_Museum_of_Contemporary_Photography199239–40_59-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCanadian_Museum_of_Contemporary_Photography1992">Canadian Museum of Contemporary Photography 1992</a>, pp. 39–40.</span> </li> <li id="cite_note-FOOTNOTECousineau-Levine200318-60"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECousineau-Levine200318_60-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCousineau-Levine2003">Cousineau-Levine 2003</a>, p. 18.</span> </li> <li id="cite_note-FOOTNOTECousineau-Levine200324-61"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTECousineau-Levine200324_61-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTECousineau-Levine200324_61-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFCousineau-Levine2003">Cousineau-Levine 2003</a>, p. 24.</span> </li> <li id="cite_note-FOOTNOTECousineau-Levine200326–27-62"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECousineau-Levine200326–27_62-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCousineau-Levine2003">Cousineau-Levine 2003</a>, pp. 26–27.</span> </li> <li id="cite_note-FOOTNOTECousineau-Levine200335–36-63"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECousineau-Levine200335–36_63-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCousineau-Levine2003">Cousineau-Levine 2003</a>, pp. 35–36.</span> </li> <li id="cite_note-FOOTNOTECousineau-Levine200337-64"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECousineau-Levine200337_64-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCousineau-Levine2003">Cousineau-Levine 2003</a>, pp. 37.</span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="Sources">Sources</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Photography_in_Canada&action=edit&section=6" title="Edit section: Sources"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCanadian_Museum_of_Contemporary_Photography1992" class="citation book cs1"><span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/13essaysonphotog0000unse"><i>13 Essays on Photography</i></a></span>. <a href="/wiki/Canadian_Museum_of_Contemporary_Photography" title="Canadian Museum of Contemporary Photography">Canadian Museum of Contemporary Photography</a>. 1992. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780888845573" title="Special:BookSources/9780888845573"><bdi>9780888845573</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/1145816193">1145816193</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=13+Essays+on+Photography&rft.pub=Canadian+Museum+of+Contemporary+Photography&rft.date=1992&rft_id=info%3Aoclcnum%2F1145816193&rft.isbn=9780888845573&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2F13essaysonphotog0000unse&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhotography+in+Canada" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCousineau-Levine2003" class="citation book cs1"><a href="/wiki/Penny_Cousineau-Levine" title="Penny Cousineau-Levine">Cousineau-Levine, Penny</a> (2003). <i>Faking Death: Canadian Art Photography and the Canadian Imagination</i>. <a href="/wiki/McGill%E2%80%93Queen%27s_University_Press" title="McGill–Queen's University Press">McGill–Queen's University Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7735-7095-5" title="Special:BookSources/978-0-7735-7095-5"><bdi>978-0-7735-7095-5</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/180704373">180704373</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Faking+Death%3A+Canadian+Art+Photography+and+the+Canadian+Imagination&rft.pub=McGill%E2%80%93Queen%27s+University+Press&rft.date=2003&rft_id=info%3Aoclcnum%2F180704373&rft.isbn=978-0-7735-7095-5&rft.aulast=Cousineau-Levine&rft.aufirst=Penny&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhotography+in+Canada" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGreenhill1965" class="citation book cs1">Greenhill, Ralph (1965). <i>Early Photography in Canada</i>. <a href="/wiki/Oxford_University_Press" title="Oxford University Press">Oxford University Press</a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/299937776">299937776</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Early+Photography+in+Canada&rft.pub=Oxford+University+Press&rft.date=1965&rft_id=info%3Aoclcnum%2F299937776&rft.aulast=Greenhill&rft.aufirst=Ralph&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhotography+in+Canada" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHatfield2018" class="citation book cs1">Hatfield, Philip J. (18 June 2018). <i>Canada in the Frame: Copyright, Collections and the Image of Canada, 1895–1924</i>. UCL Press. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.2307%2Fj.ctv3hvc7m">10.2307/j.ctv3hvc7m</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-78735-299-5" title="Special:BookSources/978-1-78735-299-5"><bdi>978-1-78735-299-5</bdi></a>. <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a> <span class="id-lock-free" title="Freely accessible"><a rel="nofollow" class="external text" href="https://www.jstor.org/stable/j.ctv3hvc7m">j.ctv3hvc7m</a></span>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/1045427072">1045427072</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Canada+in+the+Frame%3A+Copyright%2C+Collections+and+the+Image+of+Canada%2C+1895%E2%80%931924&rft.pub=UCL+Press&rft.date=2018-06-18&rft_id=info%3Aoclcnum%2F1045427072&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2Fj.ctv3hvc7m%23id-name%3DJSTOR&rft_id=info%3Adoi%2F10.2307%2Fj.ctv3hvc7m&rft.isbn=978-1-78735-299-5&rft.aulast=Hatfield&rft.aufirst=Philip+J.&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhotography+in+Canada" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKunardPayne2011" class="citation book cs1">Kunard, Andrea; Payne, Carol, eds. (2011). <i>The Cultural Work of Photography in Canada</i>. <a href="/wiki/McGill%E2%80%93Queen%27s_University_Press" title="McGill–Queen's University Press">McGill–Queen's University Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7735-8572-0" title="Special:BookSources/978-0-7735-8572-0"><bdi>978-0-7735-8572-0</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/806255104">806255104</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Cultural+Work+of+Photography+in+Canada&rft.pub=McGill%E2%80%93Queen%27s+University+Press&rft.date=2011&rft_id=info%3Aoclcnum%2F806255104&rft.isbn=978-0-7735-8572-0&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhotography+in+Canada" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPalmquistKailbourn2005" class="citation book cs1">Palmquist, Peter E.; Kailbourn, Thomas R. (2005). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=UNipzykMBEIC"><i>Pioneer Photographers from the Mississippi to the Continental Divide: A Biographical Dictionary, 1839–1865</i></a>. <a href="/wiki/Stanford_University_Press" title="Stanford University Press">Stanford University Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8047-4057-9" title="Special:BookSources/978-0-8047-4057-9"><bdi>978-0-8047-4057-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Pioneer+Photographers+from+the+Mississippi+to+the+Continental+Divide%3A+A+Biographical+Dictionary%2C+1839%E2%80%931865&rft.pub=Stanford+University+Press&rft.date=2005&rft.isbn=978-0-8047-4057-9&rft.aulast=Palmquist&rft.aufirst=Peter+E.&rft.au=Kailbourn%2C+Thomas+R.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DUNipzykMBEIC&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhotography+in+Canada" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPayne2013" class="citation book cs1">Payne, Carol (2013). <i>The Official Picture: The National Film Board of Canada's Still Photography Division and the Image of Canada, 1941–1971</i>. <a href="/wiki/McGill%E2%80%93Queen%27s_University_Press" title="McGill–Queen's University Press">McGill–Queen's University Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7735-8894-3" title="Special:BookSources/978-0-7735-8894-3"><bdi>978-0-7735-8894-3</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/1037916154">1037916154</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Official+Picture%3A+The+National+Film+Board+of+Canada%27s+Still+Photography+Division+and+the+Image+of+Canada%2C+1941%E2%80%931971&rft.pub=McGill%E2%80%93Queen%27s+University+Press&rft.date=2013&rft_id=info%3Aoclcnum%2F1037916154&rft.isbn=978-0-7735-8894-3&rft.aulast=Payne&rft.aufirst=Carol&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhotography+in+Canada" class="Z3988"></span></li></ul> <div class="mw-heading mw-heading2"><h2 id="Further_reading">Further reading</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Photography_in_Canada&action=edit&section=7" title="Edit section: Further reading"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1"><span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/banffpurchaseexh0000banf"><i>The Banff Purchase: An Exhibition of Photography in Canada</i></a></span>. <a href="/wiki/Banff_Centre_for_Arts_and_Creativity" title="Banff Centre for Arts and Creativity">Banff Centre for Arts and Creativity</a>; <a href="/wiki/Wiley_(publisher)" title="Wiley (publisher)">Wiley</a>. 1979. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-471-99829-X" title="Special:BookSources/0-471-99829-X"><bdi>0-471-99829-X</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/6981452">6981452</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Banff+Purchase%3A+An+Exhibition+of+Photography+in+Canada&rft.pub=Banff+Centre+for+Arts+and+Creativity%3B+Wiley&rft.date=1979&rft_id=info%3Aoclcnum%2F6981452&rft.isbn=0-471-99829-X&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fbanffpurchaseexh0000banf&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhotography+in+Canada" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFClose2007" class="citation book cs1">Close, Susan (2007). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/framingidentitys0000clos"><i>Framing Identity: Social Practices of Photography in Canada, 1880–1920</i></a></span>. <a href="/wiki/Arbeiter_Ring_Publishing" title="Arbeiter Ring Publishing">Arbeiter Ring Publishing</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-894037-29-7" title="Special:BookSources/978-1-894037-29-7"><bdi>978-1-894037-29-7</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/137329800">137329800</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Framing+Identity%3A+Social+Practices+of+Photography+in+Canada%2C+1880%E2%80%931920&rft.pub=Arbeiter+Ring+Publishing&rft.date=2007&rft_id=info%3Aoclcnum%2F137329800&rft.isbn=978-1-894037-29-7&rft.aulast=Close&rft.aufirst=Susan&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fframingidentitys0000clos&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhotography+in+Canada" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1"><span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/contemporarycana0000unse_r6q4"><i>Contemporary Canadian Photography: From the Collection of the National Film Board</i></a></span>. <a href="/wiki/National_Film_Board_of_Canada" title="National Film Board of Canada">National Film Board of Canada</a>; <a href="/wiki/Mel_Hurtig" title="Mel Hurtig">Hurtig Publishers</a>. 1984. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-88830-264-9" title="Special:BookSources/0-88830-264-9"><bdi>0-88830-264-9</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/12134746">12134746</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Contemporary+Canadian+Photography%3A+From+the+Collection+of+the+National+Film+Board&rft.pub=National+Film+Board+of+Canada%3B+Hurtig+Publishers&rft.date=1984&rft_id=info%3Aoclcnum%2F12134746&rft.isbn=0-88830-264-9&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fcontemporarycana0000unse_r6q4&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhotography+in+Canada" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKunard2017" class="citation book cs1">Kunard, Andrea (2017). <i>Photography in Canada 1960–2000</i>. Canadian Photography Institute, <a href="/wiki/National_Gallery_of_Canada" title="National Gallery of Canada">National Gallery of Canada</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-88884-948-9" title="Special:BookSources/978-0-88884-948-9"><bdi>978-0-88884-948-9</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/973151202">973151202</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Photography+in+Canada+1960%E2%80%932000&rft.pub=Canadian+Photography+Institute%2C+National+Gallery+of+Canada&rft.date=2017&rft_id=info%3Aoclcnum%2F973151202&rft.isbn=978-0-88884-948-9&rft.aulast=Kunard&rft.aufirst=Andrea&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhotography+in+Canada" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPedersenPhemister1985" class="citation journal cs1">Pedersen, Diana; Phemister, Martha (1985). <a rel="nofollow" class="external text" href="https://doi.org/10.7202%2F800204ar">"Women and Photography in Ontario, 1839–1929: A Case Study of the Interaction of Gender and Technology"</a>. <i>Scientia Canadensis: Canadian Journal of the History of Science, Technology and Medicine</i>. <b>9</b> (1): 27–52. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<span class="id-lock-free" title="Freely accessible"><a rel="nofollow" class="external text" href="https://doi.org/10.7202%2F800204ar">10.7202/800204ar</a></span>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0829-2507">0829-2507</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Scientia+Canadensis%3A+Canadian+Journal+of+the+History+of+Science%2C+Technology+and+Medicine&rft.atitle=Women+and+Photography+in+Ontario%2C+1839%E2%80%931929%3A+A+Case+Study+of+the+Interaction+of+Gender+and+Technology&rft.volume=9&rft.issue=1&rft.pages=27-52&rft.date=1985&rft_id=info%3Adoi%2F10.7202%2F800204ar&rft.issn=0829-2507&rft.aulast=Pedersen&rft.aufirst=Diana&rft.au=Phemister%2C+Martha&rft_id=https%3A%2F%2Fdoi.org%2F10.7202%252F800204ar&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhotography+in+Canada" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSilversides1999" class="citation book cs1">Silversides, Brock V. (1999). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/lookingwestphoto0000silv"><i>Looking West: Photographing the Canadian Prairies, 1858–1957</i></a></span>. Fifth House Publishers. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-894004-09-4" title="Special:BookSources/1-894004-09-4"><bdi>1-894004-09-4</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/45087565">45087565</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Looking+West%3A+Photographing+the+Canadian+Prairies%2C+1858%E2%80%931957&rft.pub=Fifth+House+Publishers&rft.date=1999&rft_id=info%3Aoclcnum%2F45087565&rft.isbn=1-894004-09-4&rft.aulast=Silversides&rft.aufirst=Brock+V.&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Flookingwestphoto0000silv&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhotography+in+Canada" class="Z3988"></span></li></ul> <!-- NewPP limit report Parsed by mw‐web.eqiad.main‐5dc468848‐ljbq5 Cached time: 20241122153913 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.604 seconds Real time usage: 0.981 seconds Preprocessor visited node count: 5188/1000000 Post‐expand include size: 62257/2097152 bytes Template argument size: 5633/2097152 bytes Highest expansion depth: 12/100 Expensive parser function count: 4/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 97930/5000000 bytes Lua time usage: 0.345/10.000 seconds Lua memory usage: 7042100/52428800 bytes Number of Wikibase entities loaded: 0/400 --> <!-- Transclusion expansion time report (%,ms,calls,template) 100.00% 630.762 1 -total 30.34% 191.404 58 Template:Sfn 29.93% 188.785 1 Template:Reflist 17.58% 110.876 5 Template:Cite_web 14.50% 91.470 1 Template:Short_description 11.21% 70.734 13 Template:Cite_book 7.29% 46.014 2 Template:Pagetype 5.92% 37.313 63 Template:Main_other 3.72% 23.469 1 Template:SDcat 3.27% 20.623 1 Template:Use_dmy_dates --> <!-- Saved in parser cache with key enwiki:pcache:idhash:69106126-0!canonical and timestamp 20241122153913 and revision id 1257087689. 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