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Madonna and Child (Duccio, Metropolitan) - Wikipedia

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class="vector-unpinned-container"> </div> </div> </div> </nav> <h1 id="firstHeading" class="firstHeading mw-first-heading"><i>Madonna and Child</i> (Duccio, Metropolitan)</h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. 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href="https://fr.wikipedia.org/wiki/Vierge_%C3%A0_l%27Enfant_(Duccio)" title="Vierge à l&#039;Enfant (Duccio) – French" lang="fr" hreflang="fr" data-title="Vierge à l&#039;Enfant (Duccio)" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Madonna_Stroganoff" title="Madonna Stroganoff – Italian" lang="it" hreflang="it" data-title="Madonna Stroganoff" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Stoclet-Madonna" title="Stoclet-Madonna – Dutch" lang="nl" hreflang="nl" data-title="Stoclet-Madonna" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target"><span>Nederlands</span></a></li><li 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class="mw-redirect" title="Madonna and Child (Duccio)">Madonna and Child (Duccio)</a>)</span></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">Painting by Duccio di Buoninsegna in the Metropolitan Museum of Art</div> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vevent" style="width: 22em; line-height: 1.4em; text-align: left;"><tbody><tr><th colspan="2" class="infobox-above summary" style="font-size: 125%; font-weight: bold; font-style: italic">Madonna and Child</th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:Duccio_Di_Buoninsegna_-_Madonna_col_Bambino.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Duccio_Di_Buoninsegna_-_Madonna_col_Bambino.jpg/270px-Duccio_Di_Buoninsegna_-_Madonna_col_Bambino.jpg" decoding="async" width="270" height="358" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Duccio_Di_Buoninsegna_-_Madonna_col_Bambino.jpg/405px-Duccio_Di_Buoninsegna_-_Madonna_col_Bambino.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/65/Duccio_Di_Buoninsegna_-_Madonna_col_Bambino.jpg/540px-Duccio_Di_Buoninsegna_-_Madonna_col_Bambino.jpg 2x" data-file-width="2807" data-file-height="3722" /></a></span></td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Artist</th><td class="infobox-data attendee"><a href="/wiki/Duccio" title="Duccio">Duccio</a></td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Year</th><td class="infobox-data">c. 1300</td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Medium</th><td class="infobox-data category">Tempera</td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Dimensions</th><td class="infobox-data">27.9&#160;cm&#32;×&#160;21&#160;cm&#32;(11.0&#160;in&#32;×&#160;8.3&#160;in)</td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Location</th><td class="infobox-data"><a href="/wiki/Metropolitan_Museum_of_Art" title="Metropolitan Museum of Art">Metropolitan Museum of Art</a>, <a href="/wiki/New_York_City" title="New York City">New York</a></td></tr></tbody></table> <p><i><b>Madonna and Child</b></i> was painted by one of the most influential artists of the late 13th and early 14th century, <a href="/wiki/Duccio_di_Buoninsegna" class="mw-redirect" title="Duccio di Buoninsegna">Duccio di Buoninsegna</a>. This iconic image of the <a href="/wiki/Madonna_and_Child" class="mw-redirect" title="Madonna and Child">Madonna and Child</a>, seen throughout the history of western art, holds significant value in terms of stylistic innovations of religious subject matter that would continue to evolve for centuries.<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">&#91;</span>1<span class="cite-bracket">&#93;</span></a></sup> </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Description_and_influences">Description and influences</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Madonna_and_Child_(Duccio,_Metropolitan)&amp;action=edit&amp;section=1" title="Edit section: Description and influences"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Comparing the compact size of this work of 11×8<style data-mw-deduplicate="TemplateStyles:r1154941027">.mw-parser-output .frac{white-space:nowrap}.mw-parser-output .frac .num,.mw-parser-output .frac .den{font-size:80%;line-height:0;vertical-align:super}.mw-parser-output .frac .den{vertical-align:sub}.mw-parser-output .sr-only{border:0;clip:rect(0,0,0,0);clip-path:polygon(0px 0px,0px 0px,0px 0px);height:1px;margin:-1px;overflow:hidden;padding:0;position:absolute;width:1px}</style><span class="frac"><span class="num">1</span>&#8260;<span class="den">8</span></span> in. to larger, more illustrious <a href="/wiki/Altarpieces" class="mw-redirect" title="Altarpieces">altarpieces</a> and large scale <a href="/wiki/Frescoes" class="mw-redirect" title="Frescoes">frescoes</a>, the <i>Madonna and Child</i> is understood to be an intimate, devotional image. Some evocations of this understanding come from the burnt edges on the bottom of the original engaged frame caused by burning candles that likely would have sat just beneath.<sup id="cite_ref-Christiansen,_Keith_2007_2-0" class="reference"><a href="#cite_note-Christiansen,_Keith_2007-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> Looking past the abrupt simplicity of the image, one can begin to understand the changes Duccio was applying to the depiction of religious figures in painting during the early 14th century. Duccio followed other innovative Italian artists of the time like <a href="/wiki/Giotto" title="Giotto">Giotto</a>, both of whom strove to move beyond the purely iconic <a href="/wiki/Byzantine" class="mw-redirect" title="Byzantine">Byzantine</a> and <a href="/wiki/Italo-Byzantine" title="Italo-Byzantine">Italo-Byzantine</a> canon and attempted to create a more tangible connection between the viewer and the objects in the painting. For example, the <a href="/wiki/Parapet" title="Parapet">parapet</a> that sits at the bottom of the painting works as a visual enticement for the viewer to look past and into the moment that is captured between the <a href="/wiki/Virgin" class="mw-redirect" title="Virgin">Virgin</a> and <a href="/wiki/Christ_Child" title="Christ Child">Christ Child</a>. At the same time, the parapet also acts as a barrier between the vernacular world and the sacred.<sup id="cite_ref-Christiansen,_Keith_2007_2-1" class="reference"><a href="#cite_note-Christiansen,_Keith_2007-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Aesthetic_influences">Aesthetic influences</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Madonna_and_Child_(Duccio,_Metropolitan)&amp;action=edit&amp;section=2" title="Edit section: Aesthetic influences"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Many other elements of Duccio's interest in <a href="/wiki/Humanism" title="Humanism">humanism</a> are prevalent and can be seen in the tenderly draped robe worn by the <a href="/wiki/Mary_(mother_of_Jesus)" class="mw-redirect" title="Mary (mother of Jesus)">Madonna</a> and on Christ's lap, the childish reach of his hand to the Virgin's somewhat austere gaze back as she anticipates Christ's future, the luminous colors employed to the garments, and the fine details found on the inner layer of the Virgin's veil.<sup id="cite_ref-Christiansen,_Keith_2005._pp._14_3-0" class="reference"><a href="#cite_note-Christiansen,_Keith_2005._pp._14-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> It is these distinct qualities that would shape the sensibility of later Sienese painting and that give Duccio's Madonna and Child such worthy attention and credibility in the history of art. Other details found in this image are ones that stay behind in <a href="/wiki/Byzantine" class="mw-redirect" title="Byzantine">Byzantine</a> tradition and characterize earlier works of Duccio, while the more innovative qualities prosper over time. The tooled details in the <a href="/wiki/Gold_ground" title="Gold ground">gold ground</a> are minute and difficult to notice at a far glance but add an important element to the image. Punched designs were employed for the halos and the border design, all of which were hand inscribed.<sup id="cite_ref-Christiansen,_Keith_2007_2-2" class="reference"><a href="#cite_note-Christiansen,_Keith_2007-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="History_of_ownership">History of ownership</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Madonna_and_Child_(Duccio,_Metropolitan)&amp;action=edit&amp;section=3" title="Edit section: History of ownership"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>As is common for <a href="/wiki/Duecento" title="Duecento">duecento</a> and <a href="/wiki/Trecento" title="Trecento">trecento</a> paintings, the ownership and location of the <i>Madonna and Child</i> before the mid 19th century is unknown. The first known owner of the painting is the Russian Count Gregori Stroganoff (1829–1910), who said he spotted it in a dealer's shop, not attributed to any artist. In 1904 he lent it to an exhibition at the <a href="/wiki/Palazzo_Pubblico_of_Siena" class="mw-redirect" title="Palazzo Pubblico of Siena">Palazzo Pubblico of Siena</a> (<i>Mostra d’arte antica senese</i>). He kept it in his palazzo in Rome.<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup> </p><p>Stated in her review of the 1904 <i>Mostra d’art senese exhibition</i>, art historian, Mary Logan Berenson believes this work to be among Duccio's “most perfect” pieces,<sup id="cite_ref-Christiansen,_Keith_2005._pp._14_3-1" class="reference"><a href="#cite_note-Christiansen,_Keith_2005._pp._14-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> therefore it is no surprise the painting caused an awe-inspiring reaction from exhibition viewers and especially from those in the art and art history arena. Following the death of Stroganoff in 1910, the Duccio joined the assembly of works collected by <a href="/wiki/Adolphe_Stoclet" title="Adolphe Stoclet">Adolphe Stoclet</a> (1871–1949), hence the painting's namesake, the <i>Stoclet Madonna</i>. Stoclet was understood to treat his fruitful collection of art with the most careful attention and held them in the most ideal environments to preserve their unique, and many times fragile, qualities. The Duccio was shown at few exhibitions in 1930 and 1935 and to chosen, limited guests of Stoclet at his home. </p><p>Following the death of Stoclet and his wife in 1949, their children inherited Duccio's <i>Madonna and Child</i> along with the rest of the collector's assemblage. Although the coveted work of art was of interest to scholars, they were unable to access it except through photographs that fortunately document the ages of the painting and its process of restoration. Photographs of before it was restored, and later minor retouching, to what we see now all of which reveal the time past and the true impression of the original painting of 1300.<sup id="cite_ref-Christiansen,_Keith_2007_2-3" class="reference"><a href="#cite_note-Christiansen,_Keith_2007-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> The painting was excitingly acquired in the autumn of 2004 by the <a href="/wiki/Metropolitan_Museum_of_Art" title="Metropolitan Museum of Art">Metropolitan Museum of Art</a> for an estimated amount of 45 million <a href="/wiki/USD" class="mw-redirect" title="USD">USD</a>.<sup id="cite_ref-ReferenceA_5-0" class="reference"><a href="#cite_note-ReferenceA-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup> This is a highly valuable acquisition not only for the aesthetic significance in terms of the history of art, but also because there are only 13 known paintings by Duccio in the world.<sup id="cite_ref-ReferenceA_5-1" class="reference"><a href="#cite_note-ReferenceA-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Controversy">Controversy</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Madonna_and_Child_(Duccio,_Metropolitan)&amp;action=edit&amp;section=4" title="Edit section: Controversy"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>There is debate between scholars of what the most accurate chronology of Duccio's <i>Madonna and Child</i> is. There is more than 20 years of time where scholars do not have accounted works by Duccio leaving a questionable, although fairly certain estimation of the <i>Madonna and Child</i> to be made around 1300.<sup id="cite_ref-Christiansen,_Keith_2007_2-4" class="reference"><a href="#cite_note-Christiansen,_Keith_2007-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> Due to the fact that some qualities of the painting are Bysantinesque like the oval shape of the Virgin's face and her elegantly long nose, and also of the “miniature man” nature of Christ Child,<sup id="cite_ref-ReferenceA_5-2" class="reference"><a href="#cite_note-ReferenceA-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> the lack of consensus of when it was created proceeds. But, there are of course many innovative elements to the painting which align it appropriately in the time that is now acknowledged to be most accurate. Along with the humanistic qualities between the Virgin and Christ Child, and the elegant draping, the marble parapet is a notable detail to the intentions of the painting, and serves as a visual invitation that encourages the viewer to engage more emotionally to the image. This idea would continue on in a myriad of paintings proceeding this work. </p> <div class="mw-heading mw-heading2"><h2 id="Attribution">Attribution</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Madonna_and_Child_(Duccio,_Metropolitan)&amp;action=edit&amp;section=5" title="Edit section: Attribution"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The late <a href="/wiki/James_Beck_(art_historian)" title="James Beck (art historian)">James Beck</a>, Professor of Art History at <a href="/wiki/Columbia_University" title="Columbia University">Columbia University</a> in New York, believed that Duccio's <i>Madonna and Child</i>, which the Met dates to 1300, is the work of a 19th-century artist or forger based on stylistic grounds. He pointed to what he considers to be the low quality of the painting and elements of content that he claims had not yet appeared in artwork of that period. Professor Beck said: "We are asked to believe that the modest little picture represents a leap into the future of Western painting by establishing a plane in front of Mary and the Child. This feature, a characteristic of Renaissance not Medieval pictures, occurs only a hundred years after the presumptive date of the picture ...". Beck's conclusions were published in 2007 in his book, <i>From Duccio to Raphael: Connoisseurship in Crisis</i> in which he also disputes the attribution of the <a href="/wiki/National_Gallery,_London" class="mw-redirect" title="National Gallery, London">National Gallery of London's</a> painting <i><a href="/wiki/Madonna_of_the_Pinks" title="Madonna of the Pinks">Madonna of the Pinks</a></i> to <a href="/wiki/Raphael" title="Raphael">Raphael</a>. </p><p>Keith Christiansen, the Met's curator of European paintings, disagrees with Beck's contention. Christiansen has noted that, in addition to stylistic analysis of the painting in relation to other known works by the painter, the museum conducted a thorough examination of the painting, including the wooden panel's construction, the painting's <a href="/wiki/Underdrawing" title="Underdrawing">underdrawing</a> and <a href="/wiki/Pigment" title="Pigment">pigment</a> composition and found them consistent with an attribution to Duccio and a date of around 1300. Christiansen said: "What everyone else sees as a sign of quality and innovation, Beck sees as weakness. There is no reason to doubt the period and authenticity of the picture."<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">&#91;</span>8<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Madonna_and_Child_(Duccio,_Metropolitan)&amp;action=edit&amp;section=6" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1257001546"><table class="infobox" style="width: 210px; clear: right; float:right;margin:0 0 1.5em 1.5em"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:115%">External videos</th></tr><tr><td colspan="2" class="infobox-full-data" style="text-align: left"><span typeof="mw:File"><span><img alt="video icon" src="//upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Nuvola_apps_kaboodle.svg/16px-Nuvola_apps_kaboodle.svg.png" decoding="async" width="16" height="16" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Nuvola_apps_kaboodle.svg/24px-Nuvola_apps_kaboodle.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Nuvola_apps_kaboodle.svg/32px-Nuvola_apps_kaboodle.svg.png 2x" data-file-width="128" data-file-height="128" /></span></span> <a rel="nofollow" class="external text" href="https://smarthistory.khanacademy.org/duccio-madonna.html">Duccio's <i>Madonna and Child</i></a>, <a href="/wiki/Smarthistory" title="Smarthistory">Smarthistory</a><sup id="cite_ref-smarth_9-0" class="reference"><a href="#cite_note-smarth-9"><span class="cite-bracket">&#91;</span>9<span class="cite-bracket">&#93;</span></a></sup></td></tr></tbody></table> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"> <a href="/wiki/Keith_Christiansen_(art_historian)" title="Keith Christiansen (art historian)">Christiansen, Keith</a>. "Recent Acquisitions, A Selection: 2004–2005." Metropolitan Museum of Art Bulletin 63 (Fall 2005), pp. 14–15, ill. on cover (color, cropped) and p. 14 (color).</span> </li> <li id="cite_note-Christiansen,_Keith_2007-2"><span class="mw-cite-backlink">^ <a href="#cite_ref-Christiansen,_Keith_2007_2-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Christiansen,_Keith_2007_2-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Christiansen,_Keith_2007_2-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Christiansen,_Keith_2007_2-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-Christiansen,_Keith_2007_2-4"><sup><i><b>e</b></i></sup></a></span> <span class="reference-text">Christiansen, Keith. "The Metropolitan's Duccio." Apollo (London, England) 165.(2007): 40–47. Art Full Text (H.W. Wilson). Web. 18 Apr. 2012.</span> </li> <li id="cite_note-Christiansen,_Keith_2005._pp._14-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-Christiansen,_Keith_2005._pp._14_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Christiansen,_Keith_2005._pp._14_3-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Christiansen, Keith. "Recent Acquisitions, A Selection: 2004–2005." Metropolitan Museum of Art Bulletin 63 (Fall 2005), pp. 14–15, ill. on cover (color, cropped) and p. 14 (color)</span> </li> <li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.metmuseum.org/Collections/search-the-collections/110003462">Madonna and Child</a> (www.metmuseum.org)</span> </li> <li id="cite_note-ReferenceA-5"><span class="mw-cite-backlink">^ <a href="#cite_ref-ReferenceA_5-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-ReferenceA_5-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-ReferenceA_5-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">smarthistory.khanacademy.org/duccio-madonna.html</span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free 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(prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFVogel2004" class="citation news cs1">Vogel, Carol (10 November 2004). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2004/11/10/arts/design/the-met-makes-its-biggest-purchase-ever.html">"The Met Makes Its Biggest Purchase Ever"</a>. <i>The New York Times</i>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+New+York+Times&amp;rft.atitle=The+Met+Makes+Its+Biggest+Purchase+Ever&amp;rft.date=2004-11-10&amp;rft.aulast=Vogel&amp;rft.aufirst=Carol&amp;rft_id=https%3A%2F%2Fwww.nytimes.com%2F2004%2F11%2F10%2Farts%2Fdesign%2Fthe-met-makes-its-biggest-purchase-ever.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AMadonna+and+Child+%28Duccio%2C+Metropolitan%29" class="Z3988"></span></span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.antiquestradegazette.com/news/2004/met-pay-45m-for-duccio-s-stroganoff-madonna/">"Met pay $45m for Duccio's 'Stroganoff' Madonna"</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Met+pay+%2445m+for+Duccio%27s+%27Stroganoff%27+Madonna&amp;rft_id=https%3A%2F%2Fwww.antiquestradegazette.com%2Fnews%2F2004%2Fmet-pay-45m-for-duccio-s-stroganoff-madonna%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AMadonna+and+Child+%28Duccio%2C+Metropolitan%29" class="Z3988"></span></span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20080720013148/http://www.timesonline.co.uk/article/0,,11069-2257809,00.html">timesonline.co.uk</a></span> </li> <li id="cite_note-smarth-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-smarth_9-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://smarthistory.khanacademy.org/duccio-madonna.html">"Duccio's Madonna and Child"</a>. <a href="/wiki/Smarthistory" title="Smarthistory">Smarthistory</a> at <a href="/wiki/Khan_Academy" title="Khan Academy">Khan Academy</a><span class="reference-accessdate">. Retrieved <span class="nowrap">January 24,</span> 2013</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Duccio%27s+Madonna+and+Child&amp;rft.pub=Smarthistory+at+Khan+Academy&amp;rft_id=http%3A%2F%2Fsmarthistory.khanacademy.org%2Fduccio-madonna.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AMadonna+and+Child+%28Duccio%2C+Metropolitan%29" class="Z3988"></span></span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Madonna_and_Child_(Duccio,_Metropolitan)&amp;action=edit&amp;section=7" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><span class="noviewer" typeof="mw:File"><a href="/wiki/File:Commons-logo.svg" class="mw-file-description"><img alt="" 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.navbar-brackets::before{margin-right:-0.125em;content:"[ "}.mw-parser-output .navbar-brackets::after{margin-left:-0.125em;content:" ]"}.mw-parser-output .navbar li{word-spacing:-0.125em}.mw-parser-output .navbar a>span,.mw-parser-output .navbar a>abbr{text-decoration:inherit}.mw-parser-output .navbar-mini abbr{font-variant:small-caps;border-bottom:none;text-decoration:none;cursor:inherit}.mw-parser-output .navbar-ct-full{font-size:114%;margin:0 7em}.mw-parser-output .navbar-ct-mini{font-size:114%;margin:0 4em}html.skin-theme-clientpref-night .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}@media(prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}}@media print{.mw-parser-output .navbar{display:none!important}}</style><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Duccio" title="Template:Duccio"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Duccio" title="Template talk:Duccio"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Duccio" title="Special:EditPage/Template:Duccio"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Duccio" style="font-size:114%;margin:0 4em"><a href="/wiki/Duccio" title="Duccio">Duccio</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Paintings</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Gualino_Madonna" title="Gualino Madonna">Gualino Madonna</a></i> (1280–1283)</li> <li><i><a href="/wiki/Crevole_Madonna" title="Crevole Madonna">Crevole Madonna</a></i> (c. 1283–1284)</li> <li><i><a href="/wiki/Rucellai_Madonna" title="Rucellai Madonna">Rucellai Madonna</a></i> (c. 1286)</li> <li><i><a class="mw-selflink selflink">Madonna and Child</a></i> (c. 1300)</li> <li><i><a href="/wiki/Madonna_with_Child_and_Six_Angels_(Duccio)" class="mw-redirect" title="Madonna with Child and Six Angels (Duccio)">Madonna with Child and Six Angels</a></i> (1300–1305)</li> <li><i><a href="/wiki/Madonna_and_Child_with_Saints_Polyptych_(Duccio)" class="mw-redirect" title="Madonna and Child with Saints Polyptych (Duccio)">Madonna and Child with Saints Polyptych</a></i> (c. 1311–1318)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Altarpieces</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Maest%C3%A0_(Duccio)" title="Maestà (Duccio)">Maestà</a></i> (1308–1311)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Sienese_school" title="Sienese school">Sienese school</a></li> <li><a href="/wiki/Trecento" title="Trecento">Trecento</a></li></ul> </div></td></tr></tbody></table></div> <!-- NewPP limit report Parsed by mw‐web.codfw.main‐76c6b8f495‐rt6kd Cached time: 20241128142159 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.403 seconds Real time usage: 0.510 seconds Preprocessor visited node count: 1879/1000000 Post‐expand include size: 20518/2097152 bytes Template argument size: 2345/2097152 bytes Highest expansion depth: 15/100 Expensive parser function count: 1/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 26903/5000000 bytes Lua time usage: 0.251/10.000 seconds Lua memory usage: 5590246/52428800 bytes Number of Wikibase entities loaded: 1/400 --> <!-- Transclusion expansion time report (%,ms,calls,template) 100.00% 465.333 1 -total 27.01% 125.703 1 Template:Reflist 21.65% 100.763 1 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