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class="vector-toc-text"> <span class="vector-toc-numb">1.3</span> <span>Mergers (2006)</span> </div> </a> <ul id="toc-Mergers_(2006)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Joint_venture_(2016)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Joint_venture_(2016)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.4</span> <span>Joint venture (2016)</span> </div> </a> <ul id="toc-Joint_venture_(2016)-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-International_agreements" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#International_agreements"> <div class="vector-toc-text"> <span class="vector-toc-numb">2</span> <span>International agreements</span> </div> </a> <ul id="toc-International_agreements-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Playing_music_in_public" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Playing_music_in_public"> <div class="vector-toc-text"> <span class="vector-toc-numb">3</span> <span>Playing music in public</span> </div> </a> <button aria-controls="toc-Playing_music_in_public-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Playing music in public subsection</span> </button> <ul id="toc-Playing_music_in_public-sublist" class="vector-toc-list"> <li id="toc-Music_licensing_for_business" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Music_licensing_for_business"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.1</span> <span>Music licensing for business</span> </div> </a> <ul id="toc-Music_licensing_for_business-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Music_licensing_for_radio_broadcasting" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Music_licensing_for_radio_broadcasting"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.2</span> <span>Music licensing for radio broadcasting</span> </div> </a> <ul id="toc-Music_licensing_for_radio_broadcasting-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Music_licensing_for_television_broadcasting" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Music_licensing_for_television_broadcasting"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.3</span> <span>Music licensing for television broadcasting</span> </div> </a> <ul id="toc-Music_licensing_for_television_broadcasting-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Membership" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Membership"> <div class="vector-toc-text"> <span class="vector-toc-numb">4</span> <span>Membership</span> </div> </a> <button aria-controls="toc-Membership-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Membership subsection</span> </button> <ul id="toc-Membership-sublist" class="vector-toc-list"> <li id="toc-Record_company_members" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Record_company_members"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.1</span> <span>Record company members</span> </div> </a> <ul id="toc-Record_company_members-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Performer_members" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Performer_members"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.2</span> <span>Performer members</span> </div> </a> <ul id="toc-Performer_members-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Repertoire" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Repertoire"> <div class="vector-toc-text"> <span class="vector-toc-numb">5</span> <span>Repertoire</span> </div> </a> <ul id="toc-Repertoire-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-PPL_database" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#PPL_database"> <div class="vector-toc-text"> <span class="vector-toc-numb">6</span> <span>PPL database</span> </div> </a> <ul id="toc-PPL_database-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-The_difference_between_PPL_and_PRS_for_music_licensing" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#The_difference_between_PPL_and_PRS_for_music_licensing"> <div class="vector-toc-text"> <span class="vector-toc-numb">7</span> <span>The difference between PPL and PRS for music licensing</span> </div> </a> <ul id="toc-The_difference_between_PPL_and_PRS_for_music_licensing-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Other_ventures" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Other_ventures"> <div class="vector-toc-text"> <span class="vector-toc-numb">8</span> <span>Other ventures</span> </div> </a> <ul id="toc-Other_ventures-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> <span class="vector-toc-numb">9</span> <span>References</span> </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" 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Unsourced material may be challenged and removed.<br /><small><span class="plainlinks"><i>Find sources:</i> <a rel="nofollow" class="external text" href="https://www.google.com/search?as_eq=wikipedia&q=%22Phonographic+Performance+Limited%22">"Phonographic Performance Limited"</a> – <a rel="nofollow" class="external text" href="https://www.google.com/search?tbm=nws&q=%22Phonographic+Performance+Limited%22+-wikipedia&tbs=ar:1">news</a> <b>·</b> <a rel="nofollow" class="external text" href="https://www.google.com/search?&q=%22Phonographic+Performance+Limited%22&tbs=bkt:s&tbm=bks">newspapers</a> <b>·</b> <a rel="nofollow" class="external text" href="https://www.google.com/search?tbs=bks:1&q=%22Phonographic+Performance+Limited%22+-wikipedia">books</a> <b>·</b> <a rel="nofollow" class="external text" href="https://scholar.google.com/scholar?q=%22Phonographic+Performance+Limited%22">scholar</a> <b>·</b> <a rel="nofollow" class="external text" href="https://www.jstor.org/action/doBasicSearch?Query=%22Phonographic+Performance+Limited%22&acc=on&wc=on">JSTOR</a></span></small></span> <span class="date-container"><i>(<span class="date">November 2020</span>)</i></span><span class="hide-when-compact"><i> (<small><a href="/wiki/Help:Maintenance_template_removal" title="Help:Maintenance template removal">Learn how and when to remove this message</a></small>)</i></span></div></td></tr></tbody></table> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vcard"><caption class="infobox-title fn org">PPL</caption><tbody><tr><td colspan="2" class="infobox-subheader"><div>Phonographic Performance Limited</div></td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.6em;">Founded</th><td class="infobox-data note">12 May 1934</td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.6em;">Founder</th><td class="infobox-data"><a href="/wiki/Decca_Records" title="Decca Records">Decca Records</a>, <a href="/wiki/EMI" title="EMI">EMI</a></td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.6em;">Merger of</th><td class="infobox-data">Association of United Recording Artists (AURA) and the Performing Artists' Media Rights Association Ltd (<a href="/w/index.php?title=PAMRA&action=edit&redlink=1" class="new" title="PAMRA (page does not exist)">PAMRA</a>) into <a href="/wiki/Phonographic_Performance_Ltd" class="mw-redirect" title="Phonographic Performance Ltd">Phonographic Performance Ltd</a> (PPL) in 2006</td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.6em;">Type</th><td class="infobox-data"><a href="/wiki/Private_company_limited_by_guarantee" class="mw-redirect" title="Private company limited by guarantee">Private company limited by guarantee</a></td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.6em;">Location</th><td class="infobox-data label"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><div class="plainlist"><ul><li><a href="/wiki/London,_United_Kingdom" class="mw-redirect" title="London, United Kingdom">London, United Kingdom</a></li></ul></div></td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.6em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0;">Area served </div></th><td class="infobox-data">International</td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.6em;">Services</th><td class="infobox-data note">Music Copyright Collective</td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.6em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0;">Revenue </div></th><td class="infobox-data">£272.6 Million (2022)</td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.6em;">Website</th><td class="infobox-data"><span class="url"><a rel="nofollow" class="external text" href="http://www.ppluk.com">www<wbr />.ppluk<wbr />.com</a></span></td></tr></tbody></table> <p><b>Phonographic Performance Limited</b> (<b>PPL</b>) is a British music <a href="/wiki/Copyright_collective" title="Copyright collective">copyright collective</a>.<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> It is a private <a href="/wiki/Limited_company" title="Limited company">limited company</a> that is registered in the UK. PPL was founded by <a href="/wiki/Decca_Records" title="Decca Records">Decca Records</a> and <a href="/wiki/EMI" title="EMI">EMI</a> and incorporated on 12 May 1934,<sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> and undertakes <a href="/wiki/Collective_rights_management" title="Collective rights management">collective rights management</a> of sound recordings on behalf of its record-company<sup id="cite_ref-:4_3-0" class="reference"><a href="#cite_note-:4-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> members, and distributes the fees collected to both its record company (rights holder) members and performer members.<sup id="cite_ref-:4_3-1" class="reference"><a href="#cite_note-:4-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> As of 2022, PPL collected royalties for over 140,000 performers and recording rightsholders.<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p><p>PPL continues to be owned by record companies, which it refers to as "rights holders", who are legally the only "members" and the only ones entitled to attend the <a href="/wiki/Annual_general_meeting" title="Annual general meeting">annual general meeting</a>.<sup id="cite_ref-Aguilar_4–48_5-0" class="reference"><a href="#cite_note-Aguilar_4–48-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> In 2023, PPL announced its 2022 financial results, revealing £272.6 million was collected that year, an increase of 7.8% on 2018, and that growth was achieved across broadcast and public performance revenue, but international revenue had decreased from 2021.<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> PPL is a member of the <a href="/w/index.php?title=British_Copyright_Council&action=edit&redlink=1" class="new" title="British Copyright Council (page does not exist)">British Copyright Council</a> (BCC).<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> </p><p>After administration costs and contributions to anti-piracy activities and music industry charities—all of which are agreed by the membership at the AGM<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup>—all revenue generated from PPL licence fees is passed onto its registered record company and performer members as royalties for the use of their recorded music. PPL members range from session musicians and emerging artists to major record labels and globally successful performers. It is free to join PPL as a member. </p><p>PPL's field of operation is distinct from the UK's other main music <a href="/wiki/Copyright_collective" title="Copyright collective">copyright collective</a> previously known as the "<a href="/wiki/PRS_for_Music" title="PRS for Music">Performing Right Society</a>",<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> now called <a href="/wiki/PRS_for_Music" title="PRS for Music">PRS for Music</a>, which was founded in 1914 and originally collected fees for live performance of sheet music.<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> </p><p>As of 2018, PRS has entered a joint venture with PPL under a <a href="/wiki/Leicester" title="Leicester">Leicester</a>-based private company called <a href="/w/index.php?title=PPL_PRS_Ltd&action=edit&redlink=1" class="new" title="PPL PRS Ltd (page does not exist)">PPL PRS Ltd</a>, which aims to make it easier for their customers to obtain a music licence, which they have called "<a href="/w/index.php?title=TheMusicLicence&action=edit&redlink=1" class="new" title="TheMusicLicence (page does not exist)">TheMusicLicence</a>".<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> </p><p>PPL's CEO is Peter Leathem OBE.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> Leathem was awarded the OBE for services to the music industry in the Kings 2023 New Years Honours List.<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="History">History</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Phonographic_Performance_Limited&action=edit&section=1" title="Edit section: History"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Founding_and_early_history_(1934–1956)"><span id="Founding_and_early_history_.281934.E2.80.931956.29"></span>Founding and early history (1934–1956)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Phonographic_Performance_Limited&action=edit&section=2" title="Edit section: Founding and early history (1934–1956)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>PPL was formed in May 1934 by the record companies <a href="/wiki/EMI" title="EMI">EMI</a> and <a href="/wiki/Decca_Records" title="Decca Records">Decca Records</a>, following a court case against <a href="/wiki/Bristol" title="Bristol">Bristol</a> coffee shop <a href="/w/index.php?title=Stephen_Carwardine_%26_Co&action=edit&redlink=1" class="new" title="Stephen Carwardine & Co (page does not exist)">Stephen Carwardine & Co</a>, which had been entertaining its customers by playing records. EMI, then called The Gramophone Company, argued it was against the law to play the record in public without first receiving the permission of the copyright owners. The judge agreed, establishing this as a legal principle. EMI and Decca formed Phonographic Performance Ltd (PPL) to carry out this licensing role, and opened the first office in London. </p><p>The <a href="/wiki/Copyright_Act_1956" title="Copyright Act 1956">Copyright Act 1956</a> led to the expansion of PPL's role to also cover the licensing of broadcasters that played recorded music. Further copyright law changes in 1988 strengthened PPL's licensing position.<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Performers'_right_to_equitable_remuneration_(1996)"><span id="Performers.27_right_to_equitable_remuneration_.281996.29"></span>Performers' right to equitable remuneration (1996)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Phonographic_Performance_Limited&action=edit&section=3" title="Edit section: Performers' right to equitable remuneration (1996)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 1996, performers were given the right to receive "equitable remuneration" where recordings of their performances were played in public or broadcast and until 2006, these rights were collected for performers by <a href="/w/index.php?title=Performing_Artists%27_Media_Rights_Association_Ltd_(PAMRA)&action=edit&redlink=1" class="new" title="Performing Artists' Media Rights Association Ltd (PAMRA) (page does not exist)">Performing Artists' Media Rights Association Ltd (PAMRA)</a> and <a href="/w/index.php?title=Association_of_United_Recording_Artists_(AURA)&action=edit&redlink=1" class="new" title="Association of United Recording Artists (AURA) (page does not exist)">Association of United Recording Artists (AURA)</a> for non-featured and featured performers respectively.<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Aguilar_4–48_5-1" class="reference"><a href="#cite_note-Aguilar_4–48-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> <a href="/wiki/WIPO_Performances_and_Phonograms_Treaty" title="WIPO Performances and Phonograms Treaty">Article 15 of the WPPT</a> reads; "Performers and producers of phonograms shall enjoy the right to a single equitable remuneration for the direct or indirect use of phonograms published for commercial purposes for broadcasting or for any communication to the public".<sup class="noprint Inline-Template Template-Fact" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed"><span title="This claim needs references to reliable sources. (November 2020)">citation needed</span></a></i>]</sup> When performers were granted the right to equitable remuneration through legislation, <a href="/wiki/Streaming_service_provider" class="mw-redirect" title="Streaming service provider">streaming services</a> such as <a href="/wiki/YouTube" title="YouTube">YouTube</a>, <a href="/wiki/Spotify" title="Spotify">Spotify</a> and <a href="/wiki/Apple_Music" title="Apple Music">Apple Music</a> did not exist and there is still no statutory right to remuneration for artist and performers when their performances are exploited by streaming services.<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> Unlike its German counterpart <a href="/wiki/Gesellschaft_zur_Verwertung_von_Leistungsschutzrechten" class="mw-redirect" title="Gesellschaft zur Verwertung von Leistungsschutzrechten">GVL</a>, PPL do not collect <a href="/w/index.php?title=Secondary_Exploitation_Rights&action=edit&redlink=1" class="new" title="Secondary Exploitation Rights (page does not exist)">Secondary Exploitation Rights</a> for performers; in the UK this is currently within the remit of the <a href="/wiki/Musicians%27_Union_(United_Kingdom)" title="Musicians' Union (United Kingdom)">Musicians Union</a>.<sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-21" class="reference"><a href="#cite_note-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Mergers_(2006)"><span id="Mergers_.282006.29"></span>Mergers (2006)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Phonographic_Performance_Limited&action=edit&section=4" title="Edit section: Mergers (2006)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Performer organisations PAMRA and AURA merged with PPL in November 2006, leading to an annual meeting and dedicated board specifically for performers.<sup id="cite_ref-:0_22-0" class="reference"><a href="#cite_note-:0-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> Performers had no rights until the right to equitable remuneration was brought in to law in 1996, at which point PAMRA and AURA came into being; PAMRA collecting for non-featured performers and AURA for featured ones.<sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Joint_venture_(2016)"><span id="Joint_venture_.282016.29"></span>Joint venture (2016)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Phonographic_Performance_Limited&action=edit&section=5" title="Edit section: Joint venture (2016)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><a href="/w/index.php?title=PPL_PRS_Ltd&action=edit&redlink=1" class="new" title="PPL PRS Ltd (page does not exist)">PPL PRS Ltd</a> is a private limited company incorporated in the UK on 14 September 2016. It is equally owned by PPL and PRS with an initial shareholding allocation of one <a href="/wiki/Ordinary_share" class="mw-redirect" title="Ordinary share">ordinary share</a> to each party, creating one music copyright collective organisation in the UK that is responsible for licensing music and collection of fees.<sup id="cite_ref-:1_26-0" class="reference"><a href="#cite_note-:1-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> The company's stated aim is to provide the best music licensing experience in the world.<sup id="cite_ref-:2_27-0" class="reference"><a href="#cite_note-:2-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:0_22-1" class="reference"><a href="#cite_note-:0-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="International_agreements">International agreements</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Phonographic_Performance_Limited&action=edit&section=6" title="Edit section: International agreements"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>PPL has international agreements, sometimes referred to as "Reciprocal Deals",<sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-29" class="reference"><a href="#cite_note-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-30" class="reference"><a href="#cite_note-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-31" class="reference"><a href="#cite_note-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-32" class="reference"><a href="#cite_note-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> with 95 music copyright collection societies, including <a href="/wiki/Phonographic_Performance_Company_of_Australia" title="Phonographic Performance Company of Australia">Phonographic Performance Company of Australia</a> (PPCA) in Australia, <a href="/wiki/Gesellschaft_zur_Verwertung_von_Leistungsschutzrechten_GmbH_(GVL)" class="mw-redirect" title="Gesellschaft zur Verwertung von Leistungsschutzrechten GmbH (GVL)">Gesellschaft zur Verwertung von Leistungsschutzrechten GmbH</a> (GVL) in Germany, and <a href="/w/index.php?title=Alliance_of_Artists_and_Recording_Companies&action=edit&redlink=1" class="new" title="Alliance of Artists and Recording Companies (page does not exist)">AARC</a>, <a href="/w/index.php?title=AFM_%26_SAG-AFTRA&action=edit&redlink=1" class="new" title="AFM & SAG-AFTRA (page does not exist)">AFM & SAG-AFTRA</a>, and <a href="/wiki/SoundExchange" title="SoundExchange">SoundExchange</a> (P & R) in the US. The territories and societies that PPL currently hold agreements with do not all offer representation of performers; some offer representation to both rights-holders and performers and some only offer representation for rights holders.<sup id="cite_ref-33" class="reference"><a href="#cite_note-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-34" class="reference"><a href="#cite_note-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> </p><p>PPL is one of 44 ordinary members of the <a href="/w/index.php?title=Societies%E2%80%99_Council_for_the_Collective_Management_of_Performers%E2%80%99_Rights&action=edit&redlink=1" class="new" title="Societies’ Council for the Collective Management of Performers’ Rights (page does not exist)">Societies’ Council for the Collective Management of Performers’ Rights</a> (SCAPR), which was founded in 1986 and is based in <a href="/wiki/Brussels" title="Brussels">Brussels</a>, Belgium.<sup id="cite_ref-35" class="reference"><a href="#cite_note-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> It operates as an international platform for the development of the practical cooperation between copyright collection societies that represent performers. Other ordinary members include <a href="/wiki/GVL_(Gesellschaft_zur_Verwertung_von_Leistungsschutzrechten_GmbH)" class="mw-redirect" title="GVL (Gesellschaft zur Verwertung von Leistungsschutzrechten GmbH)">GVL</a> (Germany), <a href="/w/index.php?title=Foundation_for_the_Exploitation_of_Neighbouring_Rights_(Sena)&action=edit&redlink=1" class="new" title="Foundation for the Exploitation of Neighbouring Rights (Sena) (page does not exist)">SENA</a> (The Netherlands), <a href="/w/index.php?title=ADAMI&action=edit&redlink=1" class="new" title="ADAMI (page does not exist)">ADAMI</a> (France)<sup id="cite_ref-36" class="reference"><a href="#cite_note-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup> and <a href="/w/index.php?title=Recorded_Artists_Actors_Performers_Ltd_(RAAP)&action=edit&redlink=1" class="new" title="Recorded Artists Actors Performers Ltd (RAAP) (page does not exist)">RAAP</a> (Ireland). Associate Members include <a href="/w/index.php?title=AARC_-_Alliance_of_Artists_and_Recording_Companies&action=edit&redlink=1" class="new" title="AARC - Alliance of Artists and Recording Companies (page does not exist)">ARCC</a> (US)<sup id="cite_ref-37" class="reference"><a href="#cite_note-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> and <a href="/w/index.php?title=SAMPRA_-_South_African_Music_Performance_Rights_Association&action=edit&redlink=1" class="new" title="SAMPRA - South African Music Performance Rights Association (page does not exist)">SAMPRA</a> (South Africa).<sup id="cite_ref-38" class="reference"><a href="#cite_note-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Playing_music_in_public">Playing music in public</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Phonographic_Performance_Limited&action=edit&section=7" title="Edit section: Playing music in public"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Music_licensing_for_business">Music licensing for business</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Phonographic_Performance_Limited&action=edit&section=8" title="Edit section: Music licensing for business"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Any business that plays recorded music within PPL's repertoire in public, such as a shop, bar, office, restaurant, gym, community building, not-for-profit organisation; or for activities such as dance classes, needs to have a PPL licence. Exceptions are hotels, guest houses and bed and breakfast accommodation that have fewer than 25 rooms and have no areas that are open to non-residents, such as a bar or restaurant. </p><p>A PPL licence is required when recorded music, within PPL's repertoire, including radio and television, is played in public. There is no statutory definition of "playing in public" and "public performance" but the UK courts have given guidance on its meaning and ruled that it means any playing of music outside of a domestic setting, for example at a workplace, public event or in the course of any business activities. No licence is required for listening on headphones. The playing of recorded music as part of domestic home life, or when the audience consists entirely of friends and/or family does not require a PPL licence. </p><p>A PPL licence gives the licence holder permission to play recorded music from PPL's repertoire; the vast majority of commercially released music in the UK. Playing music that is outside of its <a href="/wiki/Copyright_term" title="Copyright term">copyright term</a> or that is <a href="/wiki/Free_license" title="Free license">freely licensed</a> does not require a PPL licence. </p><p>In 2018 PPL and <i>PRS for Music</i> joined forces to streamline music licensing for businesses, coming together to launch PPL PRS Ltd.<sup id="cite_ref-39" class="reference"><a href="#cite_note-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Music_licensing_for_radio_broadcasting">Music licensing for radio broadcasting</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Phonographic_Performance_Limited&action=edit&section=9" title="Edit section: Music licensing for radio broadcasting"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>PPL licenses radio stations based in the UK, Isle of Man and Channel Islands to use recorded music within its repertoire in all forms of radio, from traditional FM/AM broadcasting to satellite and online streaming. </p> <div class="mw-heading mw-heading3"><h3 id="Music_licensing_for_television_broadcasting">Music licensing for television broadcasting</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Phonographic_Performance_Limited&action=edit&section=10" title="Edit section: Music licensing for television broadcasting"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>With the relevant PPL music licence, broadcasters can use recorded music within PPL's repertoire and/or music videos in their programming with the permission of the performer and copyright owner. Applications for music licences can be made online.<sup id="cite_ref-40" class="reference"><a href="#cite_note-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Membership">Membership</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Phonographic_Performance_Limited&action=edit&section=11" title="Edit section: Membership"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Record_company_members">Record company members</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Phonographic_Performance_Limited&action=edit&section=12" title="Edit section: Record company members"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Anyone who owns or holds an exclusive licence to the rights for recorded music that is broadcast or played in public in the UK can join PPL as a recording rights-holder member. This can include major record labels, independent labels, self-releasing artists or companies that have purchased the relevant rights.<sup id="cite_ref-:4_3-2" class="reference"><a href="#cite_note-:4-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Performer_members">Performer members</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Phonographic_Performance_Limited&action=edit&section=13" title="Edit section: Performer members"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Anyone who has performed on recorded music can join PPL as a performer member. If an audible contribution has been made to a recorded music track, the performer could be eligible for royalties. This includes lead singers, choir members and musicians who have contributed to a recording, and could be eligible for PPL royalties. Inaudible contributions such as a conductor are also eligible. </p><p>The equitable remuneration percentage paid to performers varies<sup id="cite_ref-41" class="reference"><a href="#cite_note-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> as defined in PPL UK Distribution Rules, Schedule 5: Performer Allocation Rules<sup id="cite_ref-42" class="reference"><a href="#cite_note-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup> with featured performers receiving the largest share and non-featured a smaller share. The percentage allocation process is complex and dependent on a number of factors. </p><p>PPL Performers are placed into categories on the Sound Recordings they have performed on; featured, other featured, and non-featured. </p> <div class="mw-heading mw-heading2"><h2 id="Repertoire">Repertoire</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Phonographic_Performance_Limited&action=edit&section=14" title="Edit section: Repertoire"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>A licence is required from PPL whenever recorded music within its repertoire is played in public or broadcast. PPL's repertoire includes all recorded music owned or controlled by its direct members or by members of any of the overseas collective management organisations with which PPL has a reciprocal agreement.<sup id="cite_ref-43" class="reference"><a href="#cite_note-43"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup> PPL's repertoire covers the vast majority of recorded music commercially available in the UK. </p> <div class="mw-heading mw-heading2"><h2 id="PPL_database">PPL database</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Phonographic_Performance_Limited&action=edit&section=15" title="Edit section: PPL database"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The database is the core of PPL's business and the main interface with its registered members. The database holds all the information required to both license the music and to distribute collected licenses to PPL's members. It contains the metadata (or details included in the file) of all the music registered by PPL's members that is relevant to both identify a piece of music and determine its legal status.<sup id="cite_ref-Aguilar_4–48_5-2" class="reference"><a href="#cite_note-Aguilar_4–48-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="The_difference_between_PPL_and_PRS_for_music_licensing">The difference between PPL and PRS for music licensing</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Phonographic_Performance_Limited&action=edit&section=16" title="Edit section: The difference between PPL and PRS for music licensing"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>PPL and <a href="/wiki/PRS_for_Music" title="PRS for Music">PRS for Music</a> are separate, independent companies and in most instances a licence is required from both organisations to legally play recorded music in public. As of 2018 both organisations have launched a joint venture via formation of a new Private limited company called <a href="/w/index.php?title=PPL_PRS_Ltd&action=edit&redlink=1" class="new" title="PPL PRS Ltd (page does not exist)">PPL PRS Ltd</a> which aims to streamline the process of obtaining a Music license in the UK.<sup id="cite_ref-:3_44-0" class="reference"><a href="#cite_note-:3-44"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup> While both companies licence the use of music and collect royalties for the music industry, they represent different rights holders and have separate licences, terms, and conditions. PPL collects and distributes money for the use of recorded music on behalf of record companies and performers. PRS for Music collects and distributes money for the use of the musical composition and lyrics on behalf of authors, songwriters, composers, and publishers. </p> <div class="mw-heading mw-heading2"><h2 id="Other_ventures">Other ventures</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Phonographic_Performance_Limited&action=edit&section=17" title="Edit section: Other ventures"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><a href="/w/index.php?title=Video_Performance_Ltd&action=edit&redlink=1" class="new" title="Video Performance Ltd (page does not exist)">Video Performance Ltd</a>, incorporated 23 May 1984, is a private limited company<sup id="cite_ref-45" class="reference"><a href="#cite_note-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-46" class="reference"><a href="#cite_note-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-47" class="reference"><a href="#cite_note-47"><span class="cite-bracket">[</span>47<span class="cite-bracket">]</span></a></sup> the PPL's website states is as a "sister company" but it is a separate legal entity.<sup id="cite_ref-48" class="reference"><a href="#cite_note-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> VPL licenses music videos when they are played in public or broadcast on television. VPL distributes the fees as royalties to its rights-holder members whose names appear on the VPL register and are kept under Section 352 of the <a href="/wiki/Companies_Act_1985" title="Companies Act 1985">Companies Act 1985</a>.<sup id="cite_ref-49" class="reference"><a href="#cite_note-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> Although technically a separate company, VPL operates under the same management as PPL. All activities relating to music videos are conducted as VPL business. </p> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Phonographic_Performance_Limited&action=edit&section=18" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFAdams_&_Adams_-_Werina_Griffiths2013" class="citation web cs1">Adams & Adams - Werina Griffiths (29 April 2013). <a rel="nofollow" class="external text" href="https://www.lexology.com/library/detail.aspx?g=0608bb07-bdc8-4594-8181-50c3714a660a">"The role of collecting societies | Lexology"</a>. <i>www.lexology.com</i><span class="reference-accessdate">. Retrieved <span class="nowrap">26 August</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=www.lexology.com&rft.atitle=The+role+of+collecting+societies+%7C+Lexology&rft.date=2013-04-29&rft.au=Adams+%26+Adams+-+Werina+Griffiths&rft_id=https%3A%2F%2Fwww.lexology.com%2Flibrary%2Fdetail.aspx%3Fg%3D0608bb07-bdc8-4594-8181-50c3714a660a&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhonographic+Performance+Limited" class="Z3988"></span></span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://beta.companieshouse.gov.uk/company/00288046">"PHONOGRAPHIC PERFORMANCE LIMITED - Overview (free company information from Companies House)"</a>. <i>beta.companieshouse.gov.uk</i><span class="reference-accessdate">. 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Retrieved <span class="nowrap">24 August</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=www.ppluk.com&rft.atitle=Member+policies+and+distribution+rules+-+PPL&rft_id=https%3A%2F%2Fwww.ppluk.com%2Ftools-resources%2Fmember-policies-and-distribution-rules%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhonographic+Performance+Limited" class="Z3988"></span></span> </li> <li id="cite_note-43"><span class="mw-cite-backlink"><b><a href="#cite_ref-43">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20120906213312/http://www.ppluk.com/Documents/Member%20Services/PPL%20International%20Reciprocal%20Deals.pdf">"PPL website"</a> <span class="cs1-format">(PDF)</span>. PPL. Archived from <a rel="nofollow" class="external text" href="http://www.ppluk.com/Documents/Member%20Services/PPL%20International%20Reciprocal%20Deals.pdf">the original</a> <span class="cs1-format">(PDF)</span> on 6 September 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">28 August</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=PPL+website&rft.pub=PPL&rft_id=http%3A%2F%2Fwww.ppluk.com%2FDocuments%2FMember%2520Services%2FPPL%2520International%2520Reciprocal%2520Deals.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhonographic+Performance+Limited" class="Z3988"></span></span> </li> <li id="cite_note-:3-44"><span class="mw-cite-backlink"><b><a href="#cite_ref-:3_44-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://pplprs.co.uk/what-is-themusiclicence/">"What is TheMusicLicence?"</a>. <i>PPL PRS</i><span class="reference-accessdate">. Retrieved <span class="nowrap">23 August</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=PPL+PRS&rft.atitle=What+is+TheMusicLicence%3F&rft_id=https%3A%2F%2Fpplprs.co.uk%2Fwhat-is-themusiclicence%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhonographic+Performance+Limited" class="Z3988"></span></span> </li> <li id="cite_note-45"><span class="mw-cite-backlink"><b><a href="#cite_ref-45">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://variety.com/2008/biz/news/brit-belgium-rights-orgs-link-up-1117989030/">"Brit, Belgium rights orgs link up – Variety"</a>. <i>variety.com</i><span class="reference-accessdate">. Retrieved <span class="nowrap">23 August</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=variety.com&rft.atitle=Brit%2C+Belgium+rights+orgs+link+up+%E2%80%93+Variety&rft_id=https%3A%2F%2Fvariety.com%2F2008%2Fbiz%2Fnews%2Fbrit-belgium-rights-orgs-link-up-1117989030%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhonographic+Performance+Limited" class="Z3988"></span><sup class="noprint Inline-Template"><span style="white-space: nowrap;">[<i><a href="/wiki/Wikipedia:Link_rot" title="Wikipedia:Link rot"><span title=" Dead link tagged February 2024">dead link</span></a></i><span style="visibility:hidden; color:transparent; padding-left:2px">‍</span>]</span></sup></span> </li> <li id="cite_note-46"><span class="mw-cite-backlink"><b><a href="#cite_ref-46">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://beta.companieshouse.gov.uk/company/01818862">"VIDEO PERFORMANCE LIMITED - Overview (free company information from Companies House)"</a>. <i>beta.companieshouse.gov.uk</i><span class="reference-accessdate">. Retrieved <span class="nowrap">20 August</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=beta.companieshouse.gov.uk&rft.atitle=VIDEO+PERFORMANCE+LIMITED+-+Overview+%28free+company+information+from+Companies+House%29&rft_id=https%3A%2F%2Fbeta.companieshouse.gov.uk%2Fcompany%2F01818862&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhonographic+Performance+Limited" class="Z3988"></span></span> </li> <li id="cite_note-47"><span class="mw-cite-backlink"><b><a href="#cite_ref-47">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=mA0EAAAAMBAJ&q=%22reciprocal+deal%22+%22PPL%22%22GVL%22&pg=PA56">"Newsline"</a>. <i>Billboard</i>. 3 May 2003. p. 56.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Newsline&rft.pages=56&rft.date=2003-05-03&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DmA0EAAAAMBAJ%26q%3D%2522reciprocal%2Bdeal%2522%2B%2522PPL%2522%2522GVL%2522%26pg%3DPA56&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhonographic+Performance+Limited" class="Z3988"></span></span> </li> <li id="cite_note-48"><span class="mw-cite-backlink"><b><a href="#cite_ref-48">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.ppluk.com/music-licensing/music-video-licensing/">"Music video licensing - VPL"</a>. <i>www.ppluk.com</i><span class="reference-accessdate">. Retrieved <span class="nowrap">20 August</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=www.ppluk.com&rft.atitle=Music+video+licensing+-+VPL&rft_id=https%3A%2F%2Fwww.ppluk.com%2Fmusic-licensing%2Fmusic-video-licensing%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhonographic+Performance+Limited" class="Z3988"></span></span> </li> <li id="cite_note-49"><span class="mw-cite-backlink"><b><a href="#cite_ref-49">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.ppluk.com/tools-resources/member-policies-and-distribution-rules/">"Member policies and distribution rules - PPL"</a>. <i>www.ppluk.com</i><span class="reference-accessdate">. Retrieved <span class="nowrap">20 August</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=www.ppluk.com&rft.atitle=Member+policies+and+distribution+rules+-+PPL&rft_id=https%3A%2F%2Fwww.ppluk.com%2Ftools-resources%2Fmember-policies-and-distribution-rules%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APhonographic+Performance+Limited" class="Z3988"></span></span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Phonographic_Performance_Limited&action=edit&section=19" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a rel="nofollow" class="external text" href="http://www.ppluk.com/">PPL</a> website</li> <li><a rel="nofollow" class="external text" href="https://www.ppluk.com/international-collections/international-agreements/">List of International Societies with which PPL holds agreements</a></li> <li><a rel="nofollow" class="external text" href="https://www.ppluk.com/wp-content/uploads/Governance/Distribution-Rules-Schedule-5-Performer-Allocation-Rules-2015.pdf">PPL (Performer Allocation Rules)</a></li> <li><a rel="nofollow" class="external text" href="https://pplprs.co.uk">PPL PRS Ltd</a> website</li></ul>    </div><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=Phonographic_Performance_Limited&oldid=1205955271">https://en.wikipedia.org/w/index.php?title=Phonographic_Performance_Limited&oldid=1205955271</a>"</div></div> <div id="catlinks" class="catlinks" data-mw="interface"><div 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