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href="https://web.archive.org/web/20220627051428/https://www.bbc.co.uk/bitesize"><svg class="product-icon" version="1.1" xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink" x="0px" y="0px" viewbox="0 0 512 512" enable-background="new 0 0 512 512" xml:space="preserve" focusable="false" aria-hidden="true"><g><path fill="#6100A8" d="M134,400H78c-0.552,0-1.052-0.224-1.414-0.586S76,398.552,76,398V162c0-0.552,0.224-1.052,0.586-1.414 S77.448,160,78,160h56c0.552,0,1.052,0.224,1.414,0.586S136,161.448,136,162v236c0,0.552-0.224,1.052-0.586,1.414 S134.552,400,134,400z"></path><path fill="#7222C6" d="M254,400h-92c-0.552,0-1.052-0.224-1.414-0.586S160,398.552,160,398V114c0-0.552,0.224-1.052,0.586-1.414 S161.448,112,162,112h92c0.552,0,1.052,0.224,1.414,0.586S256,113.448,256,114v284c0,0.552-0.224,1.052-0.586,1.414 S254.552,400,254,400z"></path><path fill="#963CE1" d="M444.77,373.863l-85.829,26.232c-0.529,0.162-1.073,0.093-1.526-0.148s-0.812-0.655-0.973-1.184 L273.901,126.63c-0.16-0.528-0.091-1.07,0.149-1.521c0.241-0.451,0.653-0.811,1.18-0.972l85.829-26.232 c0.529-0.162,1.073-0.093,1.526,0.148s0.812,0.655,0.973,1.184l82.542,272.133c0.16,0.528,0.091,1.07-0.149,1.521 C445.71,373.342,445.297,373.702,444.77,373.863z"></path></g></svg><span>Bitesize</span></a></li><li class="orb-nav-cbeebies"><a href="https://web.archive.org/web/20220627051428/https://www.bbc.co.uk/cbeebies"><span>CBeebies</span></a></li><li class="orb-nav-cbbc"><a href="https://web.archive.org/web/20220627051428/https://www.bbc.co.uk/cbbc"><span>CBBC</span></a></li><li class="orb-nav-food"><a href="https://web.archive.org/web/20220627051428/https://www.bbc.co.uk/food"><span>Food</span></a></li></ul></nav><nav class="orbit-header-links international"><ul><li class="orb-nav-homedotcom"><a href="https://web.archive.org/web/20220627051428/https://www.bbc.com/"><span>Home</span></a></li><li class="orb-nav-newsdotcom"><a 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id="orbit-drawer-container" class="orbit-drawer-container"></div><section class="orbit-more-drawer geo orbit-default orbit-language-en b-r b-g-p" id="orbit-more-drawer"><div class="orbit-more-drawer-content"><ul class="more-domestic"><li class="orb-nav-home"><a href="https://web.archive.org/web/20220627051428/https://www.bbc.co.uk/"><span>Home</span></a></li><li class="orb-nav-news"><a href="https://web.archive.org/web/20220627051428/https://www.bbc.co.uk/news"><svg class="product-icon" version="1.1" xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink" x="0px" y="0px" viewbox="0 0 512 512" enable-background="new 0 0 512 512" xml:space="preserve" focusable="false" aria-hidden="true"><g><path fill="#B80000" d="M302,424h-68c-0.552,0-1.052-0.224-1.414-0.586S232,422.552,232,422V306c0-0.552,0.224-1.052,0.586-1.414 S233.448,304,234,304h68c0.552,0,1.052,0.224,1.414,0.586S304,305.448,304,306v116c0,0.552-0.224,1.052-0.586,1.414 S302.552,424,302,424z"></path><path fill="#EB0000" d="M422,280H234c-0.552,0-1.052-0.224-1.414-0.586S232,278.552,232,278V90c0-0.552,0.224-1.052,0.586-1.414 S233.448,88,234,88h188c0.552,0,1.052,0.224,1.414,0.586S424,89.448,424,90v188c0,0.552-0.224,1.052-0.586,1.414 S422.552,280,422,280z"></path><path fill="#D30000" d="M206,328H90c-0.552,0-1.052-0.224-1.414-0.586S88,326.552,88,326V210c0-0.552,0.224-1.052,0.586-1.414 S89.448,208,90,208h116c0.552,0,1.052,0.224,1.414,0.586S208,209.448,208,210v116c0,0.552-0.224,1.052-0.586,1.414 S206.552,328,206,328z"></path></g></svg><span>News</span></a></li><li class="orb-nav-sport"><a href="https://web.archive.org/web/20220627051428/https://www.bbc.co.uk/sport"><svg class="product-icon" version="1.1" xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink" x="0px" y="0px" viewbox="0 0 512 512" enable-background="new 0 0 512 512" xml:space="preserve" focusable="false" aria-hidden="true"><g><path fill="#FFD230" d="M90,184h332c0.552,0,1.052-0.224,1.414-0.586S424,182.552,424,182V90c0-0.552-0.224-1.052-0.586-1.414 S422.552,88,422,88H90c-0.552,0-1.052,0.224-1.414,0.586S88,89.448,88,90v92c0,0.552,0.224,1.052,0.586,1.414S89.448,184,90,184z"></path><path fill="#FFA100" d="M306,424h116c0.552,0,1.052-0.224,1.414-0.586S424,422.552,424,422v-92c0-0.552-0.224-1.052-0.586-1.414 S422.552,328,422,328H306c-0.552,0-1.052,0.224-1.414,0.586S304,329.448,304,330v92c0,0.552,0.224,1.052,0.586,1.414 S305.448,424,306,424z"></path><path fill="#FFBA00" d="M210,304h212c0.552,0,1.052-0.224,1.414-0.586S424,302.552,424,302v-92c0-0.552-0.224-1.052-0.586-1.414 S422.552,208,422,208H210c-0.552,0-1.052,0.224-1.414,0.586S208,209.448,208,210v92c0,0.552,0.224,1.052,0.586,1.414 S209.448,304,210,304z"></path></g></svg><span>Sport</span></a></li><li class="orb-nav-weather"><a href="https://web.archive.org/web/20220627051428/https://www.bbc.co.uk/weather"><svg class="product-icon" version="1.1" xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink" x="0px" y="0px" viewbox="0 0 512 512" enable-background="new 0 0 512 512" xml:space="preserve" focusable="false" aria-hidden="true"><g><path fill="#067EB3" d="M316.234,368.56l52.326-52.326c0.391-0.391,0.586-0.902,0.586-1.414c0-0.512-0.195-1.024-0.586-1.414 L252.594,197.44c-0.391-0.391-0.902-0.586-1.414-0.586s-1.024,0.195-1.414,0.586l-52.326,52.326 c-0.391,0.391-0.586,0.902-0.586,1.414s0.195,1.024,0.586,1.414L313.406,368.56c0.391,0.391,0.902,0.586,1.414,0.586 C315.332,369.146,315.844,368.95,316.234,368.56z"></path><path fill="#1969A6" d="M90,424h74c0.552,0,1.052-0.224,1.414-0.586S166,422.552,166,422V258c0-0.552-0.224-1.052-0.586-1.414 S164.552,256,164,256H90c-0.552,0-1.052,0.224-1.414,0.586S88,257.448,88,258v164c0,0.552,0.224,1.052,0.586,1.414 S89.448,424,90,424z"></path><path fill="#149EDC" d="M258,166h164c0.552,0,1.052-0.224,1.414-0.586S424,164.552,424,164V90c0-0.552-0.224-1.052-0.586-1.414 S422.552,88,422,88H258c-0.552,0-1.052,0.224-1.414,0.586S256,89.448,256,90v74c0,0.552,0.224,1.052,0.586,1.414 S257.448,166,258,166z"></path></g></svg><span>Weather</span></a></li><li class="orb-nav-iplayer"><a href="https://web.archive.org/web/20220627051428/https://www.bbc.co.uk/iplayer"><svg class="product-icon" version="1.1" xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink" x="0px" y="0px" viewbox="0 0 512 512" enable-background="new 0 0 512 512" xml:space="preserve" focusable="false" aria-hidden="true"><g><path fill="#DC2878" d="M182,358h-68c-0.55,0-1.05-0.225-1.412-0.587C112.225,357.05,112,356.55,112,356V156 c0-0.552,0.224-1.052,0.586-1.414S113.448,154,114,154h68c0.55,0,1.05,0.225,1.413,0.587C183.775,154.95,184,155.45,184,156v200 c0,0.552-0.224,1.052-0.586,1.414S182.552,358,182,358z"></path><path fill="#FF4C98" d="M372.106,248.243l34-58.89c0.275-0.476,0.33-1.022,0.197-1.517c-0.133-0.495-0.453-0.94-0.93-1.215 l-173.205-100c-0.478-0.276-1.023-0.332-1.518-0.2c-0.494,0.132-0.938,0.454-1.214,0.932l-34,58.89 c-0.275,0.476-0.33,1.022-0.197,1.517c0.133,0.495,0.453,0.94,0.93,1.215l173.205,100c0.478,0.276,1.023,0.332,1.518,0.2 C371.386,249.042,371.83,248.721,372.106,248.243z"></path><path fill="#AF0D5B" d="M372.106,263.757l34,58.89c0.275,0.476,0.33,1.022,0.197,1.517c-0.133,0.495-0.453,0.94-0.93,1.215 l-173.205,100c-0.478,0.276-1.023,0.332-1.518,0.2c-0.494-0.132-0.938-0.454-1.214-0.932l-34-58.89 c-0.275-0.476-0.33-1.022-0.197-1.517c0.133-0.495,0.453-0.94,0.93-1.215l173.205-100c0.478-0.276,1.023-0.332,1.518-0.2 C371.386,262.958,371.83,263.279,372.106,263.757z"></path></g></svg><span>iPlayer</span></a></li><li class="orb-nav-sounds"><a href="https://web.archive.org/web/20220627051428/https://www.bbc.co.uk/sounds"><svg class="product-icon" version="1.1" xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink" x="0px" y="0px" viewbox="0 0 512 512" enable-background="new 0 0 512 512" xml:space="preserve" focusable="false" aria-hidden="true"><g><path fill="#A13104" d="M122,304H78c-0.552,0-1.052-0.224-1.414-0.586S76,302.552,76,302v-92c0-0.552,0.224-1.052,0.586-1.414 S77.448,208,78,208h44c0.552,0,1.052,0.224,1.414,0.586S124,209.448,124,210v92c0,0.552-0.224,1.052-0.586,1.414 S122.552,304,122,304z"></path><path fill="#D24712" d="M230,376h-80c-0.552,0-1.052-0.224-1.414-0.586S148,374.552,148,374V138c0-0.552,0.224-1.052,0.586-1.414 S149.448,136,150,136h80c0.552,0,1.052,0.224,1.414,0.586S232,137.448,232,138v236c0,0.552-0.224,1.052-0.586,1.414 S230.552,376,230,376z"></path><path fill="#FA6400" d="M422,424H258c-0.552,0-1.052-0.224-1.414-0.586S256,422.552,256,422V90c0-0.552,0.224-1.052,0.586-1.414 S257.448,88,258,88h164c0.552,0,1.052,0.224,1.414,0.586S424,89.448,424,90v332c0,0.552-0.224,1.052-0.586,1.414 S422.552,424,422,424z"></path></g></svg><span>Sounds</span></a></li><li class="orb-nav-bitesize"><a 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href="/web/20220627051428/https://www.bbc.com/culture/tags/greatest-hip-hop-songs-of-all-time">Greatest hip-hop songs of all time</a></div></div><div class="article-headline__text b-reith-sans-font b-font-weight-300" tabindex="-1">Why Chinese rappers don’t fight the power</div><div class="article-share-tools"><a href="https://web.archive.org/web/20220627051428/mailto:/?subject=Shared from BBC:Why%20Chinese%20rappers%20don%E2%80%99t%20fight%20the%20power&body=https%3A%2F%2Fwww.bbc.com%2Fculture%2Farticle%2F20191106-why-chinese-rappers-dont-fight-the-power%3Focid%3Dww.social.link.email" class="email-icon gelicon--mail" target="_blank" rel="noopener noreferrer" id=""><span class="screen-reader-only">Share using Email</span><div id="EmailIcon"></div></a><a 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href="https://web.archive.org/web/20220627051428/https://www.linkedin.com/shareArticle?mini=true&url=https%3A%2F%2Fwww.bbc.com%2Fculture%2Farticle%2F20191106-why-chinese-rappers-dont-fight-the-power%3Focid%3Dww.social.link.linkedin&title=Why%20Chinese%20rappers%20don%E2%80%99t%20fight%20the%20power" class="linkedin-icon gelicon--linkedin" target="_blank" rel="noopener noreferrer" id=""><span class="screen-reader-only">Share on Linkedin</span><div id="LinkedInIcon"></div></a></div></div><div class="copyright__text b-reith-sans-font">(Image credit: ; Getty Images)</div><div class="hero-image"><picture><source media="(min-width:1200px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/1600x900/p07t1wrd.webp" type="image/webp"/><source media="(min-width:1200px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/1600x900/p07t1wrd.jpg" type="image/jpeg"/><source media="(min-width:880px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/1280x720/p07t1wrd.webp" type="image/webp"/><source media="(min-width:880px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/1280x720/p07t1wrd.jpg" type="image/jpeg"/><source media="(min-width:576px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/976x549/p07t1wrd.webp" type="image/webp"/><source media="(min-width:576px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/976x549/p07t1wrd.jpg" type="image/jpeg"/><source media="(min-width:224px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/624x351/p07t1wrd.webp" type="image/webp"/><source media="(min-width:224px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/624x351/p07t1wrd.jpg" type="image/jpeg"/><img draggable="false" title="The Higher Brothers are one of a new breed of Chinese hip-hop acts eyeing international success (Credit; Getty Images)" src="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/976x549/p07t1wrd.jpg" alt="The Higher Brothers are one of a new breed of Chinese hip-hop acts eyeing international success (Credit; Getty Images)" id=""/></picture></div></div><div class="article__container"><div class="article__main"><div class="article__subcontainer"><article class="article__body"><div class="article__author-unit"><div class="author-unit"><div class="author-unit__container author-unit__container--desktop"><a class="author-unit__text b-font-family-serif" target="" rel="" id="">By Yi-Ling Liu</a><span class="b-font-family-serif b-font-weight-300">6th November 2019</span></div><div class="author-unit__line"><div class="styled-line styled-line--dark-grey styled-line--large"></div></div></div></div><div class="article__body-content"><div class="article__intro b-font-family-serif">Many of China’s best-known rappers have decided to voice their politics, but in contrast to rap’s anti-establishment roots, these artists are asserting a distinctly nationalist tone.</div><div><div class="body-text-card b-reith-sans-font"><div class="drop-capped b-reith-sans-font" style="border-color:#362E67">I</div><div class="body-text-card__text body-text-card__text--culture body-text-card__text--drop-capped body-text-card__text--flush-text"><div><p>In 2015, Chinese hip-hop group Higher Brothers learned something the hard way: be very careful when your songs turn political.</p><p>The source of controversy was an anti-Uber song. “I don’t write political hip-hop,” spat out by the group’s rapper Melo. “But if any politicians try to shut me up, I’ll cut off their heads and lay them at their corpses’ feet. This time it’s Uber that’s investigated. Next time it will be you.” It led to the song being blocked by Chinese censors, and Melo called in for questioning by the local Public Security Bureau.</p><p>Since then, Higher Brothers have garnered widespread success both at home and abroad, partly thanks to landing their first American tour to promote their album Journey To The West. Alongside many of China’s rising crop of hip-hop artists, they’ve stormed onto both the local and global stage – and largely steered clear of politics.</p><p>Until now. Over the course of the summer, as the Hong Kong protests have unfolded, and as geopolitical climes have chilled both at home and abroad, many of China’s rappers have decided to voice their politics.</p></div></div></div></div><div class="article-body__image-text article-body__image-text--landscape"><div id="culture/article/20191106-why-chinese-rappers-dont-fight-the-power-p07t1wrd"><div><picture><source media="(min-width:1200px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/1600x900/p07t1wrd.webp" type="image/webp"/><source media="(min-width:1200px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/1600x900/p07t1wrd.jpg" type="image/jpeg"/><source media="(min-width:880px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/1280x720/p07t1wrd.webp" type="image/webp"/><source media="(min-width:880px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/1280x720/p07t1wrd.jpg" type="image/jpeg"/><source media="(min-width:576px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/976x549/p07t1wrd.webp" type="image/webp"/><source media="(min-width:576px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/976x549/p07t1wrd.jpg" type="image/jpeg"/><source media="(min-width:224px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/624x351/p07t1wrd.webp" type="image/webp"/><source media="(min-width:224px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/624x351/p07t1wrd.jpg" type="image/jpeg"/><img draggable="false" title="The Higher Brothers are one of a new breed of Chinese hip-hop acts eyeing international success (Credit; Getty Images)" src="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/976x549/p07t1wrd.jpg" alt="The Higher Brothers are one of a new breed of Chinese hip-hop acts eyeing international success (Credit; Getty Images)" id=""/></picture><div class="inline-image__description b-reith-sans-font inline-image__description--desktop"><div class="text-summary"><p class="text-summary__text text-summary__text--grey text-summary__text--left">The Higher Brothers are one of a new breed of Chinese hip-hop acts eyeing international success (Credit; Getty Images)</p></div></div></div></div></div><div><div class="body-text-card b-reith-sans-font"><div class="body-text-card__text body-text-card__text--culture body-text-card__text--flush-text"><div><p>But in stark contrast to the longstanding tradition of counter-culturalism and racial protest that has defined American hip-hop, the politics these rappers are asserting has a distinctly, one-noted nationalist tone.</p><p>In response to the protests, Melo <a href="https://web.archive.org/web/20220627051428/https://www.instagram.com/p/B1INtgtB50z/?utm_source=ig_embed&utm_campaign=dlfix">posted</a> a picture of the Chinese national flag on his social media accounts with the caption: “Once again, I’m proud to be Chinese.” The rapper CD Rev released a <a href="https://web.archive.org/web/20220627051428/https://radiichina.com/communist-rappers-cd-rev-drop-new-song-about-hong-kong-featuring-donald-trump/">diss track</a> titled Hong Kong’s Fall. Jackson Wang, a Hong Kong-born artist, <a href="https://web.archive.org/web/20220627051428/https://supchina.com/2019/08/16/hong-kong-jackson-wang-pulls-out-of-88rising-festival-after-supporting-beijing/">declared on Weibo</a> that he was a “flag bearer determined to side with China”.</p><p>Reactions have been <a href="https://web.archive.org/web/20220627051428/https://supchina.com/2019/08/16/hong-kong-jackson-wang-pulls-out-of-88rising-festival-after-supporting-beijing/">polarised</a>. Wang was accused of being a traitor by pro-democracy activists, then given a supportive pat on the back by Chinese state media</p><p>In hip-hop parlance, the “cipher” refers to the circle of participants closing around a group of battling rappers flexing their own skills and challenging each other’s ideas to win over an audience. The cipher is about competition, but most crucially, it’s about identity, a chance for the rapper to express where they stand and what they believe in.</p><p>At a moment in history when identifying “Chinese-ness” has never been so vigorously contested – both on a global scale and in people’s personal lives – it is no surprise that China’s rappers are stepping into the cipher. In doing so, they are raising a very basic question about identity: What does it mean to be Chinese?</p></div></div></div></div><div class="article-body__image-text article-body__image-text--landscape"><div id="culture/article/20191106-why-chinese-rappers-dont-fight-the-power-p07t1vy2"><div><picture><source media="(min-width:1200px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/1600x900/p07t1vy2.webp" type="image/webp"/><source media="(min-width:1200px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/1600x900/p07t1vy2.jpg" type="image/jpeg"/><source media="(min-width:880px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/1280x720/p07t1vy2.webp" type="image/webp"/><source media="(min-width:880px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/1280x720/p07t1vy2.jpg" type="image/jpeg"/><source media="(min-width:576px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/976x549/p07t1vy2.webp" type="image/webp"/><source media="(min-width:576px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/976x549/p07t1vy2.jpg" type="image/jpeg"/><source media="(min-width:224px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/624x351/p07t1vy2.webp" type="image/webp"/><source media="(min-width:224px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/624x351/p07t1vy2.jpg" type="image/jpeg"/><img draggable="false" title="Many Chinese rappers have taken a political stand as the Hong Kong protests have gathered pace (Credit: Getty Images)" src="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/976x549/p07t1vy2.jpg" alt="Many Chinese rappers have taken a political stand as the Hong Kong protests have gathered pace (Credit: Getty Images)" id=""/></picture><div class="inline-image__description b-reith-sans-font inline-image__description--desktop"><div class="text-summary"><p class="text-summary__text text-summary__text--grey text-summary__text--left">Many Chinese rappers have taken a political stand as the Hong Kong protests have gathered pace (Credit: Getty Images)</p></div></div></div></div></div><div><div class="body-text-card b-reith-sans-font"><div class="body-text-card__text body-text-card__text--culture body-text-card__text--flush-text"><div><p>Once, it felt like there was a cacophony of rap voices cutting across different ideologies, geographies and socio-economic classes – creatively competing for the hearts and minds of young Chinese. Chengdu rappers, Chongqing rappers and Changsha rappers. Rappers from the coasts of Guangzhou and the highlands of Gansu. Glitzy, cosmopolitan tunes from Shanghai and scrappy, rural tempos of the Northeastern “hanmai”. Hong Kong rappers, such as Fotan Laiki and Doughboy, spitting rhymes about a hometown in flux. Diaspora rappers like Bohan Phoenix, singing from the cracks of China and the United States.</p><p>Today, the Chinese cipher seems to have ossified into binary themes – love and hate, anti-China vs pro-China, fervent nationalism vs treason to the nation – making it a zero-sum game in which conflict can only be resolved by the defeat of one side by the other. Artists like Wang, Melo and Vava, among so many others, seem have forgotten that the cipher is about competition, but also community, creativity and authenticity.</p><p>Instead of creating a unique sense of self and perspective, they have decided to toe the line, parroting the Chinese authorities’ message.</p></div></div></div></div><div class="article-body__pull-quote"><blockquote class="inline-quote b-font-family-serif b-font-weight-300" style="border-left:3px solid #362E67"><h2 class="simple-header b-reith-sans-font b-font-family-serif b-font-weight-300 simple-header--serif-light-italic simple-p-tag--medium simple-p-tag--quote">The Chinese cipher seems to have ossified into binary themes – love and hate, anti-China vs pro-China, fervent nationalism vs treason to the nation</h2></blockquote></div><div><div class="body-text-card b-reith-sans-font"><div class="body-text-card__text body-text-card__text--culture body-text-card__text--flush-text"><div><p>This is not to say that all Chinese pride is uniformly expressed. Rapper GAI leading chants of Long Live the Motherland at the Spring Festival gala sponsored by state media is a very different brand of patriotism from the Higher Brothers’ breakout track Made In China. On one hand, the Higher Brothers’ song – about how Western products are now made in China – is indeed a bold assertion of Chinese pride. But the rappers are not boasting about China’s national sovereignty, replete with a red and yellow flag, but about the “jar of hot sauce so spicy that foreigners start to burn”.</p><p>The lyrics aren’t Mandarin, the language of national television, but Sichuanese, rich with rising and falling tones, which has great lyrical flow. Unlike the knee-jerk nationalism of Melo’s latest Instagram <a href="https://web.archive.org/web/20220627051428/https://www.instagram.com/p/B1INtgtB50z/?utm_source=ig_embed&utm_campaign=dlfix">post</a>, this playful, creative, hyperlocal pride is for the spicy food and free-wheeling attitude of its capital, Chengdu. </p></div></div></div></div><div class="article-body__image-text article-body__image-text--landscape"><div id="culture/article/20191106-why-chinese-rappers-dont-fight-the-power-p07t1vpc"><div><picture><source media="(min-width:1200px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/1600x900/p07t1vpc.webp" type="image/webp"/><source media="(min-width:1200px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/1600x900/p07t1vpc.jpg" type="image/jpeg"/><source media="(min-width:880px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/1280x720/p07t1vpc.webp" type="image/webp"/><source media="(min-width:880px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/1280x720/p07t1vpc.jpg" type="image/jpeg"/><source media="(min-width:576px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/976x549/p07t1vpc.webp" type="image/webp"/><source media="(min-width:576px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/976x549/p07t1vpc.jpg" type="image/jpeg"/><source media="(min-width:224px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/624x351/p07t1vpc.webp" type="image/webp"/><source media="(min-width:224px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/624x351/p07t1vpc.jpg" type="image/jpeg"/><img draggable="false" title="Rapper Jackson Wang courted controvery by taking to social media and pledging allegiance to the Chinese state (Credit: Getty Images)" src="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/976x549/p07t1vpc.jpg" alt="Rapper Jackson Wang courted controvery by taking to social media and pledging allegiance to the Chinese state (Credit: Getty Images)" id=""/></picture><div class="inline-image__description b-reith-sans-font inline-image__description--desktop"><div class="text-summary"><p class="text-summary__text text-summary__text--grey text-summary__text--left">Rapper Jackson Wang courted controvery by taking to social media and pledging allegiance to the Chinese state (Credit: Getty Images)</p></div></div></div></div></div><div><div class="body-text-card b-reith-sans-font"><div class="body-text-card__text body-text-card__text--culture body-text-card__text--flush-text"><div><p>Two years ago, I visited Chengdu and sat in the studio of a group of young, aspiring rappers – TSP, from the outskirts of Sichuan; Rainbow and Skinnyoyo, from the flat, central grasslands of Xi’an and Shandong; Kong Kong, from the southern coast of Hong Kong; and Young13DBaby and Fendi Boi, from the northern mountains of Lhasa and Gansu.</p><p>As we sat together, shaking our heads to one of the group’s latest collaborations, I was struck by how smoothly they had woven together lyrics in Tibetan, Cantonese, Sichuanese, and Mandarin.</p><p>This scene of six boys, from six different regions of a nation of more than one billion, nodding their heads in unison to the beat of the music they had created together on their own, was the closest I have seen the Chinese cipher in its most platonic form – playful, inclusive, malleable – one song yielding the rich plurality of Chinese language and identity.</p></div></div></div></div><div class="article-body__image-text article-body__image-text--landscape"><div id="culture/article/20191106-why-chinese-rappers-dont-fight-the-power-p07t1w7h"><div><picture><source media="(min-width:1200px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/1600x900/p07t1w7h.webp" type="image/webp"/><source media="(min-width:1200px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/1600x900/p07t1w7h.jpg" type="image/jpeg"/><source media="(min-width:880px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/1280x720/p07t1w7h.webp" type="image/webp"/><source media="(min-width:880px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/1280x720/p07t1w7h.jpg" type="image/jpeg"/><source media="(min-width:576px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/976x549/p07t1w7h.webp" type="image/webp"/><source media="(min-width:576px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/976x549/p07t1w7h.jpg" type="image/jpeg"/><source media="(min-width:224px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/624x351/p07t1w7h.webp" type="image/webp"/><source media="(min-width:224px)" srcset="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/624x351/p07t1w7h.jpg" type="image/jpeg"/><img draggable="false" title="Talent show the Rap Of China has helped hip-hop take off in China (Credit: Getty Images)" src="https://web.archive.org/web/20220627051428im_/https://ychef.files.bbci.co.uk/976x549/p07t1w7h.jpg" alt="Talent show the Rap Of China has helped hip-hop take off in China (Credit: Getty Images)" id=""/></picture><div class="inline-image__description b-reith-sans-font inline-image__description--desktop"><div class="text-summary"><p class="text-summary__text text-summary__text--grey text-summary__text--left">Talent show the Rap Of China has helped hip-hop take off in China (Credit: Getty Images)</p></div></div></div></div></div><div><div class="body-text-card b-reith-sans-font"><div class="body-text-card__text body-text-card__text--culture body-text-card__text--flush-text"><div><p>Hip-hop is a living, breathing culture – a reflection of the hopes and dreams of two generations of youth. Like those dreams, hip-hop music is supposed to be messy and full of contradictions. Can the Chinese hip-hop scene be a space where identities, even when contested, are not hardened in opposition to each other?</p><p>In an increasing polarised world, China’s hip-hop artists may find a new challenge – how to unite their audiences, instead of pushing them further apart.</p><p>--</p><p><em>If you liked this story, sign up for the weekly bbc.com features newsletter, called </em><a href="https://web.archive.org/web/20220627051428/http://pages.emails.bbc.com/subscribe/"><em>The Essential List</em></a><em>. 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Bowl Halftime show","templateUrl":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20220627051428\u002Fhttps:\u002F\u002Fychef.files.bbci.co.uk\u002F$recipe\u002Fp081whck.jpg","title":"xStoryPage_1920_GettyImages.jpg","creationDateTime":"0001-01-01T00:00:00Z","entity":"image","guid":"","id":"p081whck","modifiedDateTime":"0001-01-01T00:00:00Z","project":"","slug":"","url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20220627051428\u002Fhttps:\u002F\u002Fychef.files.bbci.co.uk\u002F$recipe\u002Fp081whck.jpg","cacheLastUpdated":1656306867776}},"articles":{"culture\u002Farticle\u002F20191106-why-chinese-rappers-dont-fight-the-power":{"urn":"urn:pubpipe:wwverticals:article:culture\u002Farticle\u002F20191106-why-chinese-rappers-dont-fight-the-power","_id":"62b41fea1f4b7b03382476e2","ambientVideo":"","articleType":"story","assetVideo":null,"author":["culture\u002Fauthor\u002Fyi-ling-liu"],"bodyIntro":"Many of China’s best-known rappers have decided to voice their politics, but in contrast to rap’s anti-establishment roots, these artists are asserting a distinctly nationalist tone.","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EIn 2015, Chinese hip-hop group Higher Brothers learned something the hard way: be very careful when your songs turn political.\u003C\u002Fp\u003E\u003Cp\u003EThe source of controversy was an anti-Uber song. “I don’t write political hip-hop,” spat out by the group’s rapper Melo. “But if any politicians try to shut me up, I’ll cut off their heads and lay them at their corpses’ feet. This time it’s Uber that’s investigated. Next time it will be you.” It led to the song being blocked by Chinese censors, and Melo called in for questioning by the local Public Security Bureau.\u003C\u002Fp\u003E\u003Cp\u003ESince then, Higher Brothers have garnered widespread success both at home and abroad, partly thanks to landing their first American tour to promote their album Journey To The West. Alongside many of China’s rising crop of hip-hop artists, they’ve stormed onto both the local and global stage – and largely steered clear of politics.\u003C\u002Fp\u003E\u003Cp\u003EUntil now. Over the course of the summer, as the Hong Kong protests have unfolded, and as geopolitical climes have chilled both at home and abroad, many of China’s rappers have decided to voice their politics.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191106-why-chinese-rappers-dont-fight-the-power-0"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07t1wrd"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191106-why-chinese-rappers-dont-fight-the-power-1"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EBut in stark contrast to the longstanding tradition of counter-culturalism and racial protest that has defined American hip-hop, the politics these rappers are asserting has a distinctly, one-noted nationalist tone.\u003C\u002Fp\u003E\u003Cp\u003EIn response to the protests, Melo \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fp\u002FB1INtgtB50z\u002F?utm_source=ig_embed&utm_campaign=dlfix\"\u003Eposted\u003C\u002Fa\u003E a picture of the Chinese national flag on his social media accounts with the caption: “Once again, I’m proud to be Chinese.” The rapper CD Rev released a \u003Ca href=\"https:\u002F\u002Fradiichina.com\u002Fcommunist-rappers-cd-rev-drop-new-song-about-hong-kong-featuring-donald-trump\u002F\"\u003Ediss track\u003C\u002Fa\u003E titled Hong Kong’s Fall. Jackson Wang, a Hong Kong-born artist, \u003Ca href=\"https:\u002F\u002Fsupchina.com\u002F2019\u002F08\u002F16\u002Fhong-kong-jackson-wang-pulls-out-of-88rising-festival-after-supporting-beijing\u002F\"\u003Edeclared on Weibo\u003C\u002Fa\u003E that he was a “flag bearer determined to side with China”.\u003C\u002Fp\u003E\u003Cp\u003EReactions have been \u003Ca href=\"https:\u002F\u002Fsupchina.com\u002F2019\u002F08\u002F16\u002Fhong-kong-jackson-wang-pulls-out-of-88rising-festival-after-supporting-beijing\u002F\"\u003Epolarised\u003C\u002Fa\u003E. Wang was accused of being a traitor by pro-democracy activists, then given a supportive pat on the back by Chinese state media\u003C\u002Fp\u003E\u003Cp\u003EIn hip-hop parlance, the “cipher” refers to the circle of participants closing around a group of battling rappers flexing their own skills and challenging each other’s ideas to win over an audience. The cipher is about competition, but most crucially, it’s about identity, a chance for the rapper to express where they stand and what they believe in.\u003C\u002Fp\u003E\u003Cp\u003EAt a moment in history when identifying “Chinese-ness” has never been so vigorously contested – both on a global scale and in people’s personal lives – it is no surprise that China’s rappers are stepping into the cipher. In doing so, they are raising a very basic question about identity: What does it mean to be Chinese?\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191106-why-chinese-rappers-dont-fight-the-power-2"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07t1vy2"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191106-why-chinese-rappers-dont-fight-the-power-3"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EOnce, it felt like there was a cacophony of rap voices cutting across different ideologies, geographies and socio-economic classes – creatively competing for the hearts and minds of young Chinese. Chengdu rappers, Chongqing rappers and Changsha rappers. Rappers from the coasts of Guangzhou and the highlands of Gansu. Glitzy, cosmopolitan tunes from Shanghai and scrappy, rural tempos of the Northeastern “hanmai”. Hong Kong rappers, such as Fotan Laiki and Doughboy, spitting rhymes about a hometown in flux. Diaspora rappers like Bohan Phoenix, singing from the cracks of China and the United States.\u003C\u002Fp\u003E\u003Cp\u003EToday, the Chinese cipher seems to have ossified into binary themes – love and hate, anti-China vs pro-China, fervent nationalism vs treason to the nation – making it a zero-sum game in which conflict can only be resolved by the defeat of one side by the other. Artists like Wang, Melo and Vava, among so many others, seem have forgotten that the cipher is about competition, but also community, creativity and authenticity.\u003C\u002Fp\u003E\u003Cp\u003EInstead of creating a unique sense of self and perspective, they have decided to toe the line, parroting the Chinese authorities’ message.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191106-why-chinese-rappers-dont-fight-the-power-4"},{"bodyHtml":{"assets":[]},"cardType":"PullQuote","iFrameType":"","pullQuote":"The Chinese cipher seems to have ossified into binary themes – love and hate, anti-China vs pro-China, fervent nationalism vs treason to the nation","id":"culture\u002Farticle\u002F20191106-why-chinese-rappers-dont-fight-the-power-5"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThis is not to say that all Chinese pride is uniformly expressed. Rapper GAI leading chants of Long Live the Motherland at the Spring Festival gala sponsored by state media is a very different brand of patriotism from the Higher Brothers’ breakout track Made In China. On one hand, the Higher Brothers’ song – about how Western products are now made in China – is indeed a bold assertion of Chinese pride. But the rappers are not boasting about China’s national sovereignty, replete with a red and yellow flag, but about the “jar of hot sauce so spicy that foreigners start to burn”.\u003C\u002Fp\u003E\u003Cp\u003EThe lyrics aren’t Mandarin, the language of national television, but Sichuanese, rich with rising and falling tones, which has great lyrical flow. Unlike the knee-jerk nationalism of Melo’s latest Instagram \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fp\u002FB1INtgtB50z\u002F?utm_source=ig_embed&utm_campaign=dlfix\"\u003Epost\u003C\u002Fa\u003E, this playful, creative, hyperlocal pride is for the spicy food and free-wheeling attitude of its capital, Chengdu. \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191106-why-chinese-rappers-dont-fight-the-power-6"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07t1vpc"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191106-why-chinese-rappers-dont-fight-the-power-7"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003ETwo years ago, I visited Chengdu and sat in the studio of a group of young, aspiring rappers – TSP, from the outskirts of Sichuan; Rainbow and Skinnyoyo, from the flat, central grasslands of Xi’an and Shandong; Kong Kong, from the southern coast of Hong Kong; and Young13DBaby and Fendi Boi, from the northern mountains of Lhasa and Gansu.\u003C\u002Fp\u003E\u003Cp\u003EAs we sat together, shaking our heads to one of the group’s latest collaborations, I was struck by how smoothly they had woven together lyrics in Tibetan, Cantonese, Sichuanese, and Mandarin.\u003C\u002Fp\u003E\u003Cp\u003EThis scene of six boys, from six different regions of a nation of more than one billion, nodding their heads in unison to the beat of the music they had created together on their own, was the closest I have seen the Chinese cipher in its most platonic form – playful, inclusive, malleable – one song yielding the rich plurality of Chinese language and identity.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191106-why-chinese-rappers-dont-fight-the-power-8"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07t1w7h"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191106-why-chinese-rappers-dont-fight-the-power-9"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EHip-hop is a living, breathing culture – a reflection of the hopes and dreams of two generations of youth. Like those dreams, hip-hop music is supposed to be messy and full of contradictions. Can the Chinese hip-hop scene be a space where identities, even when contested, are not hardened in opposition to each other?\u003C\u002Fp\u003E\u003Cp\u003EIn an increasing polarised world, China’s hip-hop artists may find a new challenge – how to unite their audiences, instead of pushing them further apart.\u003C\u002Fp\u003E\u003Cp\u003E--\u003C\u002Fp\u003E\u003Cp\u003E\u003Cem\u003EIf you liked this story, sign up for the weekly bbc.com features newsletter, called \u003C\u002Fem\u003E\u003Ca href=\"http:\u002F\u002Fpages.emails.bbc.com\u002Fsubscribe\u002F\"\u003E\u003Cem\u003EThe Essential List\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003Cem\u003E. A handpicked selection of stories from BBC Music, Culture, Capital, Future and Travel, delivered to your inbox every Friday.\u003C\u002Fem\u003E \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191106-why-chinese-rappers-dont-fight-the-power-10"}],"collection":["culture\u002Fpremium-collection\u002Fmusic"],"disableAdverts":false,"displayDate":"2019-11-06T21:33:18.848Z","embeddedCustomHtml":"","embeddedInfographicUrl":"","embeddedType":"","headlineLong":"Why Chinese rappers don’t fight the power","headlineShort":"Why Chinese rappers don’t rock the boat","image":["p07t1wrd"],"imageAlignment":"centre","imageAltText":"","isSyndicated":false,"latitude":"","longitude":"","mpsVideo":"","option":[{"Content":{"Description":"Apple News Publish: Select to publish, remove to unpublish. (Do not just delete or unpublish the story)","Name":"publish-applenews-system-1"},"Metadata":{"CreationDateTime":"2016-02-05T14:32:31.186819Z","Entity":"option","Guid":"13f4bc85-ae27-4a34-9397-0e6ad3619619","Id":"option\u002Fpublish-applenews-system-1","ModifiedDateTime":"2022-02-27T22:52:24.455144Z","Project":"wwverticals","Slug":"option\u002Fpublish-applenews-system-1"},"Urn":"urn:pubpipe:wwverticals:option:option\u002Fpublish-applenews-system-1","_id":"62b420921f4b7b5d34253c8b"}],"partner":null,"primaryVertical":"culture","promoAlignment":"centre","promoAltText":"","promoImage":null,"relatedStories":null,"relatedTag":["tag\u002Fgreatest-hip-hop-songs-of-all-time"],"summaryLong":"Many of China’s best-known rappers have decided to voice their politics, but in contrast to rap’s anti-establishment roots, these artists are asserting a distinctly nationalist tone.","summaryShort":"Politics has become a rhyme too far and nationalistic pride comes first","tag":null,"textToSpeech":false,"creationDateTime":"2020-04-06T09:49:16.582926Z","entity":"article","guid":"33a31429-5bda-4457-9ae5-69c8b4234b40","id":"culture\u002Farticle\u002F20191106-why-chinese-rappers-dont-fight-the-power","modifiedDateTime":"2022-02-24T13:13:05.261764Z","project":"wwverticals","slug":"culture\u002Farticle\u002F20191106-why-chinese-rappers-dont-fight-the-power","cacheLastUpdated":1656306867760},"culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s":{"urn":"urn:pubpipe:wwverticals:article:culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s","_id":"62b41fe01f4b7b090871b79c","ambientVideo":"","articleType":"story","assetVideo":null,"author":["culture\u002Fauthor\u002Fstephen-dowling"],"bodyIntro":"","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EMost decades in popular music have been defined by genres, formats or geographies, but the 2010s can be perhaps best defined by platforms. Spotify launched in the US, as well as Apple Music, YouTube Music, Amazon Music and a Jay-Z-rebranded Tidal, and streaming figures became included in the singles and album charts. Social media broke down walls by creating direct lines of communication between artists and fans, with followers, memes and challenges on YouTube, Instagram and more recently TikTok becoming a crucial window for both fans and A&R departments.\u003C\u002Fp\u003E\u003Cp\u003EAs a result, it was a time in which music became truly global, and genres seemed to mutate and fuse. Latin and K-pop became established as major genres, EDM entered the mainstream. Hip-hop was elevated to a new level, outselling rock music for the first time, and saw subgenres like trap and SoundCloud rap acheiving mainstream success. The 2010s was also bookended by two young female artists – Adele and Billie Eilish – who in their own way personified the present and future of popular music.\u003C\u002Fp\u003E\u003Cp\u003EHere’s our year-by-year guide to the songs we think perhaps best defined the 2010s. These aren’t necessarily our favourite songs, or the best-selling songs, but the songs that helped define the soundtrack to the last 10 years. Listen to all the picks on our \u003Ca href=\"https:\u002F\u002Fopen.spotify.com\u002Fplaylist\u002F1am1xJwhCyqe5t730Lv5ip\" data-vars-ga-outbound-link=\"https:\u002F\u002Fopen.spotify.com\u002Fplaylist\u002F7sKYsVBRr16OzLnYFqD8JM?si=bR44Pq4TQ3OKplY-opSrgg\"\u003ESpotify playlist here\u003C\u002Fa\u003E.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E2010\u003Cbr \u002F\u003E A-side: Adele, Rolling in the Deep\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s-0"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07z6v7j"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s-1"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EApparently, Adele's 21 or 19 albums were so popular in the UK that at one stage a copy was sold every 7 seconds. Given how quickly this song became inescapable – blaring out from wine bars, TVs, and the rolled-up windows of countless school runs – it’s remarkable just how odd Adele’s Rolling In The Deep is. A four-to-the-floor broadside from a woman scorned, the song unleashed a Delta Blues howl that the young Brit had barely hinted at, and that propelled her to the top of the charts worldwide. But it’s the backing vocals that elevate this to something extraordinary – cold and judgemental, where you might have expected warmth and heartfelt harmony. It’s a masterpiece of subverting a classic, timeless form.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EB-side: Robyn, Dancing On My Own\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003EOne of the decade’s great disco bangers, this has remained a high mark in Robyn’s career so far. The first of her songs to top the charts in her native Sweden, the song was a bittersweet, voyeuristic narrative, a woman dancing alone in a crowded club while her ex and his new lover look on. It may have sounded, on the surface, life-affirming, but this was bleak, wounded pop of the highest order, and set the template for a certain brand of female empowerment through angst for the rest of the decade.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E2011\u003Cbr \u002F\u003E A-side: Lana Del Rey, Video Games\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s-2"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07yqwvp"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s-3"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003ELizzy Grant was dead. Long live Lana Del Ray. Grant had played New York clubs for years under her own name, releasing a single album that sank without trace. A name change signalled a Year Zero. Out went casual clothes and a shy onstage persona – in came widescreen Sixties drama, dressed up like a glamorous gangster’s wife on the brink of a biblical fall. For all the accusations of artifice and manufacturing (Del Ray was accused of being a record company puppet), this homage to a sordid, swinging 60s was feverishly cinematic.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EB-side: Rebecca Black, Friday\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003ESelf-recorded tracks existed long before the internet – in the 1950s, you could have your own records pressed after warbling to your heart’s content inside a vocal booth (Elvis Presley was signed after doing just that at Sun Records in Memphis in the 1950s). Rebecca Black only updated the tradition for the social media age. For the princely sum of $4,000, Black’s parents created an unwitting, auto-tuned popstar, a 13-year-old girl whose beyond-innocent tribute to the end of the week went viral – more than 167 million views on YouTube in the first four months alone. The other side of social media success reared its ugly head too: Black faced an onslaught of cyberbullying with people calling it “the worst song ever” and creating a seemingly never-ending series of parodies.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E2012\u003Cbr \u002F\u003E A-side: Psy, Gangnam Style\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s-4"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07z6vnx"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s-5"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EIn Korean, it means “south of the river”. It’s regarded as the South Korean Beverley Hills, and home to some of the world’s priciest real estate. It even hosted the G:20 conference in 2011. But this isn’t why you know Gangnam. In 2012, Korean rapper Psy made this affluent stretch of Seoul as well-known to pop music as London, New York, Paris, Munich. The first globe-swallowing K-pop hit, Gangnam Style made Psy – the antithesis of the chiselled, good looking K-pop pin-up – into a viral star the world over. Let’s face it, you can still do the dance.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EB-side: Lorde, Royals\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003EGlobal popstars – with apologies to one Neil Finn – don’t tend to come from New Zealand. That all changed with the arrival of Lorde, a teenage singer-songwriter whose development had been nurtured by a local A&R since she was 12. Though the song would become a worldwide hit in 2013, it first emerged – free to download – on SoundCloud towards the end of 2012. It was the 17-year-old’s reaction to seeing conspicuous consumption in hip-hop videos and hearing a laundry list of luxury brands on rap songs, a realisation that the world you’re being sold is make believe. It’s minimal production created the blueprint for the “cutting-edge” sound of pop, and set the scene for other global successes like Taylor Swift blockbuster \u003Cem\u003E1989\u003C\u002Fem\u003E album.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E2013\u003Cbr \u002F\u003E A-side: Daft Punk, Get Lucky ft Pharrell Williams, Nile Rodgers\u003Cbr \u002F\u003E\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s-6"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07z6w2f"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s-7"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EBefore Get Lucky, Daft Punk had had a relatively quiet decade – their 2005 album Human After All attracted lacklustre reviews after the well-received Discovery (2001). The duo put their robotic heads down and toured for a couple of years… and then went silent. It was only in 2013 that a new song appeared. Daft Punk had met former Chic legend Nile Rodgers at a listening party in 1997, and more than a decade-and-a-half later, Rodgers would be instrumental in making their disco-flavoured Get Lucky the song of the summer. It’s not just down to Rodgers, either – Get Lucky’s sinuous melodies are ever sweeter thanks to the vocals of Pharrell Williams, who had quite the year…\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EB-side: Robin Thicke, Blurred Lines ft. TI + Pharrell\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003EA song made famous thanks to 1) a video which left little to the imagination and 2) a court case involving the mischievous lifting of one of Marvin Gaye’s most irresistible hooks. Robin Thicke’s song was one of three massive hits featuring Pharrell that year (see also Get Lucky and the Despicable Me 2-featured super smash Happy). The topless version of the video for Blurred Lines was removed from YouTube after only a week but it only served to add to the song’s lustre. The line “I know you want it” only served to cause further issue as the #MeToo movement began to grow, causing it to be banned at student discos in the UK. Worse for Thicke and Williams was to come, when Marvin Gaye’s estate sued claiming the track had pilfered from the club classic Got To Get It On. The case went to trial and in 2015 the pair were found guilty of copyright infringement by a jury in 2015; the song had not sampled Gaye’s tune, but was found to have copied the feel of it – a seismic change in copyright claims which has huge implications for the industry.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E2014\u003Cbr \u002F\u003E A-side: Mark Ronson, Uptown Funk ft. Bruno Mars\u003Cbr \u002F\u003E\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s-8"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07z6w8q"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s-9"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EEver imagined what an updated version of Was Not Was’s Walk The Dinosaur might sound like? Bruno Mars and Mark Ronson might have pondered that very same thought. 2014’s least subtle singalong – at some point you can probably hear the moment a kitchen sink is thrown into the mix – Uptown Funk kisses itself at its prettiness and sweeps all before it with a seemingly unstoppable escalation. It’s as if two bands had an arms race over who could create the most worthy descendant of The Gap Band’s Oops Upside Your Head, and this was the end result.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EB-side: Meghan Trainor, All About That Bass\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003EA paean to the bottom end, just not the kind of bottom end audiophiles are usually obsessed with. Trainor was not a pop star herself, but a writer for hire when she penned the track, a collaboration with Kevin Kadish that took all of 40 minutes. Borrowing some of the tropes of doo-wop (Trainor had been a fan since she was introduced to it by her father), the soca-flavoured song is a no-description-spared celebration of the fuller figure.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E2015\u003Cbr \u002F\u003E A-side: BTS, I Need U\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s-10"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07z6wbw"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s-11"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EIt’s the pop equivalent of the Marvel Universe. When it comes to immersing their fans in a manufactured world, few bands can match the creative vision of K-pop sensations BTS. I Need U, from their second album The Most Beautiful Moment In Life Part 2, was an electro-pop sideways move for the South Korean seven-piece, and a snapshot of the wider story the band teased out over the course of the album’s life, through music videos, social media posts, album art and comics. In due course, K-pop and BTS in particular would become a sensation not just in South East Asia but across the world.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EB-side: Kendrick Lamar, Alright\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003E“We gon’ be alright.” The simplest of choruses, turned into an anthem for a new civil rights movement. Inspired by a trip Lamar took to South Africa, the rapper fused beats provided by man-of-the-decade Pharrell with a wake-up call for black youth, recognising the struggle from generations past was still not done. It gained further credence when that five-syllable chorus became a chant at Black Lives Matter rallies. “We gon’ be alright” became less a throwaway optimistic catchphrase, and more than act of defiance.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E2016\u003Cbr \u002F\u003E A-side: Beyoncé, Formation\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s-12"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07z6wg9"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s-13"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EBeyonce’s sixth album Lemonade broke the mould when it was released with absolutely no advanced notice. The lead single Formation was an intense, uncompromising expression of both blackness and Southern-ness, the latter something Queen Bey had often been accused of forgetting by detractors. The opening verse is unequivocal, laying waste to online gossip (“Y'all haters corny with that Illuminati mess”) before unfurling a \u003Cem\u003Edifferent\u003C\u002Fem\u003E kind of Southern flag a few lines later (“My daddy Alabama \u002F Momma Louisiana”). The beats were insistent, almost martial; this was a Black Power anthem musically stripped back but a lyrical \u003Cem\u003Etour de force.\u003C\u002Fem\u003E\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EB-side: Billie Eilish, ocean eyes\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003EEilish came out of the blocks with real intent: Ocean Eyes was her first song, written by her older brother Finneas O’Connell, ostensibly for his band. First released on SoundCloud in November 2015, the song helped create a buzz about Eilish when she was still only 13, the lack of record company involvement making her feel like a genuine discovery. The lyrics made an instant impression, drawing parallels to Lorde: “Can’t stop staring at those ocean skies \u002F Burning cities and napalm skies \u002F Fifteen flares inside those ocean eyes.” By the \u003Ca href=\"http:\u002F\u002Fwww.bbc.com\u002Fculture\u002Fstory\u002F20191220-the-20-best-songs-of-2019\"\u003Eend of the decade\u003C\u002Fa\u003E, Eilish would become one of the defining stars of pop music.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E2017\u003Cbr \u002F\u003E A-side: Luis Fonsi, Despacito ft. Daddy Yankee\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s-14"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07z6wn5"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s-15"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EFrom the Amazon to the Arctic Circle, Greenland to the Galapagos, this was the song of 2017. A collaboration between Puerto Ricans Fonsi and Daddy Yankee, the song’s remix added Justin Bieber into the mix – and made this song the biggest Latin smash since Macarena, some 20 years before. What was an otherwise inoffensive urban-inflected pop song, mostly sung in Spanish, instead became a battering ram that broke down the barriers that had kept Latino pop off English-speaking airwaves; they now call it “the Despacito effect”, and the likes of Demi Lovato and Camila Cabello have followed in its wake.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EB-side: Ed Sheeran, Shape Of You\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003EIn the UK, you know you’ve made it when your song in used in an advert for middle class supermarket Marks & Spencers. Such was the ubiquity of Shape Of You. Sheeran was already big – stadium-filling big – by the time Shape Of You shimmied its sinuous hips across the world’s speakers in 2017. Inspired by TLC’s No Scrubs (that tune’s writers also get a nod on the credits) the song went on to become the biggest-selling single of 2017, and in 2018 became the first track to break two billion plays on streaming service Spotify. Originally conceived as a duet between Rihanna and rap star Rudimental, the head of Sheeran’s label convinced him to keep the track for himself.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E2018\u003Cbr \u002F\u003E A-side: Childish Gambino, This Is America\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s-16"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07z6wpc"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s-17"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EPolymath Donald Glover (aka Childish Gambino) was starring in an episode of Saturday Night Live when the video for This Is America dropped (by then he’s already appeared in the Star Wars spin-off Solo: A Star Wars Story). He’d already produced a string of albums and singles, but some reviewers wondered out loud whether Glover was too busy being an actor, comedian and DJ to come up with a proper hit. Well, that changed with This Is America and its video, a film so stacked with allusions to black life in 21st Century America that it required several viewings. A visceral diatribe against American gun culture, the video is so stuffed with visual information – especially the nods to police prejudice against black Americans – it takes several views to full take in.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EB-side: Ariana Grande: no tears left to cry\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003EThe American singer\u002Fsongwriter hadn’t quite made the jump from star to superstardom, when her 2017 Manchester Arena concert was the target of a suicide bombing. Grande suspended the remainder of the tour and held the One Love Manchester tribute concert a few weeks later. Grande seemed to channel trauma in real time on her next album, covering her post-traumatic stress after Manchester and struggles with break-ups in an empowering way. no tears left to cry was the first single released, with the music video featuring a bee – the symbol of Manchester – an acknowledgement of strength through togetherness. Our resilience was Ari’s, and Ari’s resilience was ours.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E2019\u003Cbr \u002F\u003E A-side: Lil’ Nas X, Old Town Road ft. Billy Ray Cyrus\u003Cbr \u002F\u003E\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s-18"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07z80hp"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s-19"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThe instrumental version of this song was released in 2018, the work of Dutch beat producer YoungKio. But it would go overground thanks to a marrying of genres that still causes headscratching to this day. Rapper Lil’ Nas X snapped up the beats – which sampled banjo from a Nine Inch Nails instrumental – and bought the rights to the song for just $30; he wrote the lyrics, inspired by the tough times he was going through, in just a day. Old Town Road initially met some resistance from the country crowd; Billboard disqualified it from its country charts because it felt the song wasn’t country enough. But Old Town Road was not to be stopped; a remix version featuring Achy Breaky Heart hitmaker Billy Ray Cyrus helped propel the song into the stratosphere. Old Town Road ended up marking 19 weeks at the top of the US charts, a record. And it broke ground for other reasons, too. Lil Nas X (real name Montero Lamar Hill) came out as gay while the record was still number one in the US, becoming the only artist in history to do so.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EB-side: Lizzo, Juice\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003EIt could have been a classic beamed straight from the mirrorball reflected dancefloors of the early 1980s – but no, Lizzo’s Juice was a fresh hit from 2019, the anthem for a thousand body-positive Instagram posts. The song Truth Hurts had been a sleeper hit in 2018, but it was a sinker compared to Juice; a bold as brass self-love anthem about as subtle as a Transformers film. Juice’s mile-high chorus (“It ain’t my fault that I'm out here gettin’ loose\u002F Gotta blame it on the Goose\u002F Gotta blame it on my juice, baby”) was as infectious as any in living memory.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cem\u003EIf you liked this story, sign up for the weekly bbc.com features newsletter, called \u003C\u002Fem\u003E\u003Ca href=\"http:\u002F\u002Fpages.emails.bbc.com\u002Fsubscribe\u002F\"\u003E\u003Cem\u003EThe Essential List\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003Cem\u003E. A handpicked selection of stories from BBC Music, Culture, Capital, Future and Travel, delivered to your inbox every Friday.\u003C\u002Fem\u003E \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s-20"}],"collection":["culture\u002Fpremium-collection\u002Fmusic"],"disableAdverts":false,"displayDate":"2019-12-20T15:40:43.929Z","embeddedCustomHtml":"","embeddedInfographicUrl":"","embeddedType":"","headlineLong":"The songs that truly defined the 2010s","headlineShort":"Twenty songs that defined the 2010s","image":["p07z6wx4"],"imageAlignment":"centre","imageAltText":"","isSyndicated":false,"latitude":"","longitude":"","mpsVideo":"","option":[{"Content":{"Description":"Apple News Publish: Select to publish, remove to unpublish. (Do not just delete or unpublish the story)","Name":"publish-applenews-system-1"},"Metadata":{"CreationDateTime":"2016-02-05T14:32:31.186819Z","Entity":"option","Guid":"13f4bc85-ae27-4a34-9397-0e6ad3619619","Id":"option\u002Fpublish-applenews-system-1","ModifiedDateTime":"2022-02-27T22:52:24.455144Z","Project":"wwverticals","Slug":"option\u002Fpublish-applenews-system-1"},"Urn":"urn:pubpipe:wwverticals:option:option\u002Fpublish-applenews-system-1","_id":"62b420921f4b7b5d34253c8b"}],"partner":null,"primaryVertical":"culture","promoAlignment":"centre","promoAltText":"","promoImage":null,"relatedStories":["culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019","culture\u002Farticle\u002F20191218-why-lizzo-was-the-star-who-defined-2019","culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019"],"relatedTag":null,"summaryLong":"Most decades in popular music have been defined by genres, formats or geographies, but the 2010s can be perhaps best defined by platform","summaryShort":"From K-pop to Latin to social media sensations","tag":null,"textToSpeech":false,"creationDateTime":"2020-04-06T09:57:59.701233Z","entity":"article","guid":"472907b7-eb9d-4180-93c5-f77168b63a96","id":"culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s","modifiedDateTime":"2022-02-24T13:19:34.530071Z","project":"wwverticals","slug":"culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s","cacheLastUpdated":1656306867773},"culture\u002Farticle\u002F20200218-andrew-weatherall-the-90s-master-of-the-remix":{"urn":"urn:pubpipe:wwverticals:article:culture\u002Farticle\u002F20200218-andrew-weatherall-the-90s-master-of-the-remix","_id":"62b41fd71f4b7b6e913387fc","ambientVideo":"","articleType":"story","assetVideo":null,"author":null,"bodyIntro":"","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EAndrew Weatherall, the legendary DJ and producer \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fnews\u002Fentertainment-arts-51535685\"\u003Ehas died aged 56 from a pulmonary embolism\u003C\u002Fa\u003E. Weatherall, who was born in Windsor, England, rose to fame during the 1990s acid house\u002Fdance era. As well as working with the legends like New Order and Happy Mondays, his work on Primal Scream’s Screamadelica turned it into an era-defining album, mixing the band’s rock swagger with club influences to create a dance album injected with the furious spirit of punk.\u003C\u002Fp\u003E\u003Cp\u003EThe tributes to Weatherall have come from \u003Ca href=\"https:\u002F\u002Ftwitter.com\u002Fi\u002Fevents\u002F1229416105309065219\"\u003Efar and wide\u003C\u002Fa\u003E. BBC 6 Music DJ Giles Peterson said it was “hard to put into words the influence and impact he has had on UK culture.” Trainspotting author Irvine Welsh said: “Genius is an overworked term but I’m struggling to think of anything else that defines him.” BBC 6 Music’s Matt Everett said: “As a producer he was always thinking about the wrong thing to do, which made it the right thing to do invariably. His mission to navigate the darker sides of techno simultaneously with vintage rock ‘n’ roll made him this incredibly inventive figure.”\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200218-andrew-weatherall-the-90s-master-of-the-remix-0"},{"bodyHtml":{"assets":[]},"cardType":"PullQuote","iFrameType":"","pullQuote":"As a producer [Andrew Weatherall] was always thinking about the wrong thing to do, which made it the right thing to do – Matt Everett, BBC 6 Music","id":"culture\u002Farticle\u002F20200218-andrew-weatherall-the-90s-master-of-the-remix-1"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EUnlike DJ contemporaries such as Paul Oakenfold and Fatboy Slim, Weatherall never became a household name, deliberately following a path on the cutting edge of techno, with projects including his Boys Own label, Sabres of Paradise and Two Lone Swordsmen. “It's a lot of work, once you go up that slippery showbiz pole,” \u003Ca href=\"https:\u002F\u002Fwww.independent.co.uk\u002Farts-entertainment\u002Fmusic\u002Ffeatures\u002Fandrew-weatherall-interview-if-i-d-carried-on-i-d-be-on-life-support-a6884511.html\"\u003Ehe told the Independent in 2016\u003C\u002Fa\u003E, “and it would keep me away from what I like, which is making things.”\u003C\u002Fp\u003E\u003Cp\u003EWeatherall had a close association with BBC Music. He created the third-ever \u003Ca href=\"https:\u002F\u002Fwww.mixcloud.com\u002Fjanvrba3\u002Fandrew-weatherall-essential-mix-111393\u002F\"\u003EEssential Mix\u003C\u002Fa\u003E, and his \u003Ca href=\"https:\u002F\u002Fwww.mixcloud.com\u002Foska_\u002Fandrew-weatherall-essential-mix-27-10-1996\u002F\"\u003E1996 Essential Mix\u003C\u002Fa\u003E is up there among the fans’ favourite. To pay tribute to Weatherall’s impact on music, here are his most defining and memorable remixes.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200218-andrew-weatherall-the-90s-master-of-the-remix-2"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p083sfck"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200218-andrew-weatherall-the-90s-master-of-the-remix-3"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003E7. \u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=vQuqvgXvNCE\"\u003ENew Order, Regret (Sabres Slow’n’Low)\u003C\u002Fa\u003E\u003Cstrong\u003E\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003EAs the title suggests, this turns the legendary Manchester band’s sound down a notch or 10. It manages to stay true to the spirit of the original, but adds new context by drawing out the inherent melancholy of the song, making it a rare downbeat note in Weatherall’s remix collection.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E6. \u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=84sBbGdo_98\"\u003ESpiritualized, Come Together (Two Lone Swordsmen Remix)\u003C\u002Fa\u003E\u003Cstrong\u003E\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003EWeatherall was a pioneer in spotting the seemingly invisible threads between bands, sound and melodies. A fine example of this can be found here, with the original song from the space rock explorers turned into an early morning smoke-filled jazz jam. Whiplash-like in its insistent and persistent use of high-hat, it manages to pull and warp spacetime enough to create an even woozier version than the original.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E5. \u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=jAPCm76g6fs\"\u003ESaint Etienne, Only Love Can Break Your Heart (A Mix In Two Halves)\u003C\u002Fa\u003E\u003Cstrong\u003E\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003EOne of Weatherall’s trademarks was creating dub symphonies for indie pop stars. If Saint Etienne’s cover of Neil Young’s song sounded like ethereal pop perfection, the dub-inspired A Mix In Two Halves made it sharper and deadlier. Not many people could include a spoken line like “The DJ eases a spliff from his lyrical lips and smilingly orders ‘Cease’” and still be respectful to the original, but somehow Weatherall made it work; the line used to divide the first Augustus Pablo-like melodica-driven half of the remix from the second, which turns into a more familiar version of the song.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200218-andrew-weatherall-the-90s-master-of-the-remix-4"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p083slbp"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200218-andrew-weatherall-the-90s-master-of-the-remix-5"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003E4. \u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=FOinG0QCfO0\"\u003ESabres of Paradise, Smokebelch II (Beatless Mix)\u003C\u002Fa\u003E\u003Cstrong\u003E\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003EA chillout classic that may have found its way onto an endless list of compilation albums and travel show soundtracks yet still sounds as fresh as a daisy. Uplifting and poignant at the same time, it owed a huge (and uncredited) debt to underground house pioneer \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=Sp1N0iArsuU\"\u003ELB Bad’s New Age Of Faith\u003C\u002Fa\u003E.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E3. \u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=wf73xqZvk6k\"\u003ELoaded, Primal Scream\u003C\u002Fa\u003E\u003Cstrong\u003E\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003EAny track remixed on the legendary Screamadelica album could be on this list, especially Come Together and Higher Than the Sun, but without Loaded none of these could have existed. Primal Scream asked Weatherall to remix their track I’m Losing More Than I’ll Ever Have for the distinctly unprincely sum of £500. After a first effort in which Weatherall admitted he “\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=26hgy4mQVdE\"\u003Ebasically slung a kick drum under the original\u003C\u002Fa\u003E”, he tore up the track – keeping around seven seconds of the bass line and slide guitar from the original, and adding everything from vocal samples from the US soul group The Emotions to a drum loop from an Italian bootleg of Edie Brickell’s song What I Am to a sample from the 1966 Peter Fonda movie The Wild Angels to frontman Bobby Gillespie singing a line from Robert Johnson's Terraplane Blues. What emerged from this reconstruction job was Loaded, one of the defining anthems of the era, and a song that completely changed the fortunes of both Weatherall and the band. (Music journalist \u003Ca href=\"https:\u002F\u002Ftwitter.com\u002FDorianlynskey\u002Fstatus\u002F1229788211251175424\"\u003EDorian Lynsky\u003C\u002Fa\u003E has created a \u003Ca href=\"https:\u002F\u002Fopen.spotify.com\u002Fplaylist\u002F0PbR260htpHTk5bF4jMUfN?si=yR85TK1ySaaYW-YjP8G_4g\"\u003Ewonderful playlist\u003C\u002Fa\u003E that highlights the inspirations and samples that inspired Weatherall on Screamadelica.)\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E2. \u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=IAEcU-cxUGM\"\u003EHappy Mondays, Hallelujah (Paul Oakenfold & Andrew Weatherall Mix)\u003C\u002Fa\u003E\u003Cstrong\u003E\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003EOne of the defining tracks of Manchester’s Hacienda club in the ’90s, this remix helped push baggy and indie-dance into the mainstream. The slow pulsating trance-like beat clocked in at 98 bpm, but the sound was relentless. A dub mix of the Martin Hannett-produced indie song, Weatherall had happy pianos and gospel shrieks of “Higher!” continuously enter and leave the scene, with the briefest, baggiest lyrics from Shaun William Ryder. A remix that was so way ahead of its time, most of us hearing it didn’t know it yet.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E1. \u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fsoundcloud.com\u002Faudiobuffer\u002F05-my-bloody-valentine-soon-andrew-weatherall-mix\"\u003EMy Bloody Valentine, Soon (The Andrew Weatherall Mix)\u003C\u002Fa\u003E\u003Cstrong\u003E \u003Cbr \u002F\u003E \u003C\u002Fstrong\u003EAcclaimed as one of the greatest remixes of all time, Weatherall made the kings of distortion sound like never before – lighter-hearted and fun. My Bloody Valentine’s 1991 single from the Loveless album was completely reimagined, adding a sample from the Dynamic Corvettes’ Funky Music Is The Thing to create a shape-shifting dancefloor monster. It proved the band didn’t always need ear-bleeding distortion to blow the audiences’ mind.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cem\u003EIf you liked this story, sign up for the weekly bbc.com features newsletter, called \u003C\u002Fem\u003E\u003Ca href=\"http:\u002F\u002Fpages.emails.bbc.com\u002Fsubscribe\u002F\"\u003E\u003Cem\u003EThe Essential List\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003Cem\u003E. A handpicked selection of stories from BBC Music, Culture, Capital, Future and Travel, delivered to your inbox every Friday.\u003C\u002Fem\u003E \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200218-andrew-weatherall-the-90s-master-of-the-remix-6"}],"collection":["culture\u002Fpremium-collection\u002Fmusic"],"disableAdverts":false,"displayDate":"2020-02-18T13:56:33.52Z","embeddedCustomHtml":"","embeddedInfographicUrl":"","embeddedType":"","headlineLong":"Andrew Weatherall: The ’90s master of the remix","headlineShort":"The ’90s master of the remix","image":["p083r3t3"],"imageAlignment":"centre","imageAltText":"","isSyndicated":false,"latitude":"","longitude":"","mpsVideo":"","option":[{"Content":{"Description":"Apple News Publish: Select to publish, remove to unpublish. (Do not just delete or unpublish the story)","Name":"publish-applenews-system-1"},"Metadata":{"CreationDateTime":"2016-02-05T14:32:31.186819Z","Entity":"option","Guid":"13f4bc85-ae27-4a34-9397-0e6ad3619619","Id":"option\u002Fpublish-applenews-system-1","ModifiedDateTime":"2022-02-27T22:52:24.455144Z","Project":"wwverticals","Slug":"option\u002Fpublish-applenews-system-1"},"Urn":"urn:pubpipe:wwverticals:option:option\u002Fpublish-applenews-system-1","_id":"62b420921f4b7b5d34253c8b"}],"partner":null,"primaryVertical":"culture","promoAlignment":"centre","promoAltText":"","promoImage":null,"relatedStories":["culture\u002Farticle\u002F20191220-the-songs-that-truly-defined-the-2010s"],"relatedTag":null,"summaryLong":"In tribute to the passing away of the pioneering DJ and producer, we list his most defining and memorable remixes","summaryShort":"Tribute to pioneering DJ and producer Andrew Weatherall, who died on Monday","tag":null,"textToSpeech":false,"creationDateTime":"2020-04-06T10:03:20.121553Z","entity":"article","guid":"0f1e16e0-0f19-4a30-bbdd-d3e6743cfa2b","id":"culture\u002Farticle\u002F20200218-andrew-weatherall-the-90s-master-of-the-remix","modifiedDateTime":"2022-02-24T13:23:27.20638Z","project":"wwverticals","slug":"culture\u002Farticle\u002F20200218-andrew-weatherall-the-90s-master-of-the-remix","cacheLastUpdated":1656306867770},"culture\u002Farticle\u002F20200218-the-best-james-bond-themes-that-never-made-it-to-the-screen":{"urn":"urn:pubpipe:wwverticals:article:culture\u002Farticle\u002F20200218-the-best-james-bond-themes-that-never-made-it-to-the-screen","_id":"62b41fc51f4b7b05263f2066","ambientVideo":"","articleType":"story","assetVideo":null,"author":["culture\u002Fauthor\u002Fstephen-dowling"],"bodyIntro":"","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThe James Bond movie theme tunes have become an indelible part of pop music culture.\u003C\u002Fp\u003E\u003Cp\u003EAlmost from the get-go, with Sean Connery’s industry-creating turn as the suave secret agent in Dr No, the Bond films’ producers hit upon a formula as long-lasting as the secret agent himself.\u003C\u002Fp\u003E\u003Cp\u003EWhile each official Eon Productions Bond film has featured the characteristic theme tune by Monty Norman – you’re humming it now – they have also featured a secret weapon, one which makes each film as distinct as the villain the vodka-martini-sipping spy has to despatch: the theme song.\u003C\u002Fp\u003E\u003Cp\u003EIt’s impossible to think of Live And Let Die (1973) without Wings’ apocalyptic slice of rock opera, or A View To A Kill (1985) without Duran Duran’s grandiose theme song. And that’s before we even consider Shirley Bassey’s masterclasses of cinematic unsubtlety with Goldfinger.\u003C\u002Fp\u003E\u003Cp\u003ESo, spare a thought for those well-known artists who penned a Bond theme hoping for immortality, only for it to be rejected on the casting couch. As Billie Eilish prepares to unleash her Bond theme No Time To Die at the Brit Awards, BBC Music looks back at some of the Bond themes that might have been…\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=YmUriQ_PJjY\"\u003EJohnny Cash, Thunderball\u003C\u002Fa\u003E\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200218-the-best-james-bond-themes-that-never-made-it-to-the-screen-0"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p073s220"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200218-the-best-james-bond-themes-that-never-made-it-to-the-screen-1"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EFilm:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003EThunderball (1965)\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ELost to:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E Tom Jones\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EBetter than the chosen theme?\u003C\u002Fem\u003E \u003C\u002Fstrong\u003ETied\u003Cstrong\u003E\u003Cbr \u002F\u003E \u003Cem\u003EMost Bond-like lyric:\u003C\u002Fem\u003E \u003C\u002Fstrong\u003ESomewhere, there is a man who could stop the thing in time\u002F He is known by very few but he’s feared by all in crime\u003C\u002Fp\u003E\u003Cp\u003E“Thunderball, your fiery breath can burn the coldest man!” intones The Man in Black, in a manner both outrageously camp and as stony faced as an Easter Island statue. Lyrically, Cash’s failed Bond theme follows the film’s plot faithfully – coastal city menaced by a ship containing a giant bomb – in a cinematic country style full of whooping backing vocals and booming brass. Tom Jones, of course, may have recorded the actual theme, but Cash’s effort is a champion among failures.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=R500VKA9-Zo\"\u003EAlice Cooper, The Man With The Golden Gun\u003C\u002Fa\u003E\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200218-the-best-james-bond-themes-that-never-made-it-to-the-screen-2"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p05mxjwc"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200218-the-best-james-bond-themes-that-never-made-it-to-the-screen-3"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EFilm:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003EThe Man With The Golden Gun (1974)\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ELost to:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E Lulu \u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EBetter than the chosen theme?\u003C\u002Fem\u003E \u003C\u002Fstrong\u003ENo\u003Cstrong\u003E\u003Cbr \u002F\u003E \u003Cem\u003EMost Bond-like lyric:\u003C\u002Fem\u003E \u003C\u002Fstrong\u003EThe man with the golden\u002FGun in his pocket\u002F The man with the golden\u002F Gun in your face\u003C\u002Fp\u003E\u003Cp\u003EIn an alternate universe, Alice Cooper could have been a perfect Bond villain – or at the very least, a scene-stealing henchman (secret weapon – a flame-throwing guitar, perhaps?). And in another alternate universe, it would have been him singing the theme to the 1974 Roger Moore film. This restrained glam-rock offcut certainly isn’t one of Cooper’s cast iron classics, and also suffers from virtually no relation to the actual film apart from the title. Less a classy cocktail lounge, more a dive bar at 2am with The Sweet on the jukebox.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=Y2Y-hCydiXA\"\u003EBlondie, For Your Eyes Only\u003C\u002Fa\u003E\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200218-the-best-james-bond-themes-that-never-made-it-to-the-screen-4"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p073s271"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200218-the-best-james-bond-themes-that-never-made-it-to-the-screen-5"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EFilm:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E For Your Eyes Only (1981)\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ELost to:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E Sheena Easton\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EBetter than the chosen theme?\u003C\u002Fem\u003E \u003C\u002Fstrong\u003ENo\u003Cstrong\u003E\u003Cbr \u002F\u003E \u003Cem\u003EMost Bond-like lyric: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003EWe both have our orders\u002F And a trick up the sleeve\u003C\u002Fp\u003E\u003Cp\u003EYou might have been forgiven for thinking that this track, on Blondie’s last studio album before they split for 17 years, was one of those great pop coincidences, coming just a year after Sheena Easton’s theme for the Roger Moore-starring film. But coincidence it was not. The song had originally been earmarked as the theme, but at the 11th hour the producers plumped for Sheena Easton instead. Blondie’s stab at Bond Universe immortality came to nothing.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=pAqmN8Gd39E\"\u003EPet Shop Boys, Theme For James Bond #1\u003C\u002Fa\u003E\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200218-the-best-james-bond-themes-that-never-made-it-to-the-screen-6"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p081b099"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200218-the-best-james-bond-themes-that-never-made-it-to-the-screen-7"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EFilm:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003EThe Living Daylights (1987)\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ELost to:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E A-ha\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EBetter than the chosen theme?\u003C\u002Fem\u003E \u003C\u002Fstrong\u003EYes\u003Cstrong\u003E\u003Cbr \u002F\u003E \u003Cem\u003EMost Bond-like lyric: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003ELike the taciturn Chis Lowe, there are no lyrics\u003C\u002Fp\u003E\u003Cp\u003EThe song that eventually became This Must Be The Place I Waited Years To Leave from the PSB’s 1990 album Behaviour, was originally earmarked for Timothy Dalton’s debut as Bond – the producers had been impressed with the chart success of Duran Duran’s A View To A Kill a few years before. The choice eventually went to Norwegian pop trio A-ha, but the finished track from the “banger-crafting loveable uncles”, as \u003Ca href=\"http:\u002F\u002Fwww.bbc.com\u002Fculture\u002Fstory\u002F20200121-why-pet-shop-boys-are-still-the-cleverest-men-in-pop\"\u003EBBC Culture calls them\u003C\u002Fa\u003E, is the very essence of the duo’s suburban ennui. a tale of rain-soaked misery at some nameless English school. It doesn’t take much to imagine this with swelling strings instead of synths in the background, its strangely Soviet grandeur just waiting to be unleashed.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=AFIm-90hZrA\"\u003EAce of Base, The Goldeneye\u003C\u002Fa\u003E\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200218-the-best-james-bond-themes-that-never-made-it-to-the-screen-8"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p047v07h"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200218-the-best-james-bond-themes-that-never-made-it-to-the-screen-9"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EFilm:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003EGoldenEye (1995)\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ELost to:\u003C\u002Fem\u003E \u003C\u002Fstrong\u003ETina Turner\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EBetter than the chosen theme?\u003C\u002Fem\u003E \u003C\u002Fstrong\u003ENeither better nor worse \u003Cstrong\u003E\u003Cbr \u002F\u003E \u003Cem\u003EMost Bond-like lyric\u003C\u002Fem\u003E:\u003C\u002Fstrong\u003E The world will take us to the end\u002F Tomorrow's foe is now a friend\u003C\u002Fp\u003E\u003Cp\u003EIf you’ve ever wondered what a Bond theme as sung by Swedish Eurodance outfit Ace of Base might have sounded like… well, wonder no more. The band were sounded out for a possible Bond Theme for Pierce Brosnan’s 1995 Bond debut GoldenEye. A demo was recorded but then passed over in favour of Tina Turner’s offering, which had been written by U2’s Bono and The Edge. The track – you can \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=AFIm-90hZrA\"\u003Ehear the demo here\u003C\u002Fa\u003E – ended up becoming the track The Juvenile on their 2002 album Da Capo.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=POLn1jgajkc\"\u003EPulp, Tomorrow Never Lies\u003C\u002Fa\u003E\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200218-the-best-james-bond-themes-that-never-made-it-to-the-screen-10"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07f629m"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200218-the-best-james-bond-themes-that-never-made-it-to-the-screen-11"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EFor:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003ETomorrow Never Dies (1997)\u003Cstrong\u003E\u003Cbr \u002F\u003E \u003Cem\u003ELost to:\u003C\u002Fem\u003E \u003C\u002Fstrong\u003ESheryl Crow\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EBetter than the chosen theme? \u003C\u002Fem\u003E\u003C\u002Fstrong\u003EYes\u003Cstrong\u003E\u003Cbr \u002F\u003E \u003Cem\u003EMost Bond-like lyric: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003EThe city streets are littered\u002F With the casualties\u002F The could haves\u002F The should haves\u002F And the would’ve beens\u003C\u002Fp\u003E\u003Cp\u003EWhen the producers were looking for a song for Pierce Brosnan’s Tomorrow Never Dies, they were particularly proactive, asking several bands to contribute. One on the longlist was Pulp, the Britpop band who had become national treasure in the UK thanks to 1995’s Common People. In true Bond-ticking-timer tradition, apparently, they didn’t have much time to do it, either\u003C\u002Fp\u003E\u003Cp\u003E“It was weird. They set up a kind of American Idol situation, where they asked about nine different artists to come up with a Bond song,” frontman \u003Ca href=\"https:\u002F\u002Fwww.mi6-hq.com\u002Fnews\u002Findex.php?itemid=6504\"\u003EJarvis Cocker told Time Out\u003C\u002Fa\u003E. They listen to nine different attempts of working “tomorrow never dies” into a lyric. We were told on a Wednesday that the deadline was Friday. Consequently, I was really pissed off when they went with Sheryl Crow instead.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=avM_UsVo0IA\"\u003EMuse, Supremacy\u003C\u002Fa\u003E\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200218-the-best-james-bond-themes-that-never-made-it-to-the-screen-12"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07w6xpj"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200218-the-best-james-bond-themes-that-never-made-it-to-the-screen-13"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EFor:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003ESkyfall (2012)\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ELost to:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E Adele\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EBetter than the chosen theme? \u003C\u002Fem\u003E\u003C\u002Fstrong\u003EYes in bombast, no in actual tune\u003Cstrong\u003E\u003Cbr \u002F\u003E \u003Cem\u003EMost Bond-like lyric:\u003C\u002Fem\u003E \u003C\u002Fstrong\u003EYou don’t have long\u002F I am on to you\u002F The time it has come to destroy\u002F Your supremacy\u003C\u002Fp\u003E\u003Cp\u003ETeam Bond didn’t ask, but Muse might have been offering it anyway. In a \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fnews\u002Fentertainment-arts-19699744\"\u003E2012 interview with the BBC\u003C\u002Fa\u003E, the band’s drummer Dom Howard laughed off the thought of their histrionic rock opera gracing the titles. But was he really joking? \"It's got a little whisper to the Bond vibe – it all goes a bit crazy Live and Let Die in the middle. My view is they should use it for the next James Bond film, but I don't know what's going on with that. I heard Adele was doing it!\"\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=o4mIWoLg69Y\"\u003ERadiohead, Spectre\u003C\u002Fa\u003E\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200218-the-best-james-bond-themes-that-never-made-it-to-the-screen-14"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07df240"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200218-the-best-james-bond-themes-that-never-made-it-to-the-screen-15"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EFor:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E Spectre (2015)\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ELost to:\u003C\u002Fem\u003E \u003C\u002Fstrong\u003ESam Smith\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EBetter than the chosen theme?\u003C\u002Fem\u003E \u003C\u002Fstrong\u003EYes\u003Cstrong\u003E\u003Cbr \u002F\u003E \u003Cem\u003EMost Bond-like lyric: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003EThe only truth that I could see\u002F Is when you put your lips to me\u003C\u002Fp\u003E\u003Cp\u003ERadiohead seem like the both the least likely band to hook themselves to the Bond trailer and the most natural: their bookish, literate take on rock more suited to arthouse productions than the bang-crash-explosion thrills and spills of Team Bond, yet containing within their ranks one of the best soundtrack composers working today.\u003C\u002Fp\u003E\u003Cp\u003EThis five-minute epic combines classy Jonny Greenwood classical chops with Thom Yorke’s voice at its most haunting, and a brass-and-string backing that sways like a drunken orchestra on a stormy sea. The band recorded it around the session for their 2016 album A Moon Shaped Pool; the Bond team decided, in the end, it was too dark. Though given the end result - Spectre’s opening sequence is a decidedly creepy affair, with Kraken-like octopuses and Mexican death masks – this was never going to be a job for the likes of Katy Perry.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cem\u003EIf you liked this story, sign up for the weekly bbc.com features newsletter, called \u003C\u002Fem\u003E\u003Ca href=\"http:\u002F\u002Fpages.emails.bbc.com\u002Fsubscribe\u002F\"\u003E\u003Cem\u003EThe Essential List\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003Cem\u003E. A handpicked selection of stories from BBC Music, Culture, Capital, Future and Travel, delivered to your inbox every Friday.\u003C\u002Fem\u003E \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200218-the-best-james-bond-themes-that-never-made-it-to-the-screen-16"}],"collection":["culture\u002Fpremium-collection\u002Fmusic"],"disableAdverts":false,"displayDate":"2020-02-18T14:24:31.004Z","embeddedCustomHtml":"","embeddedInfographicUrl":"","embeddedType":"","headlineLong":"The best James Bond themes that never made it to the screen","headlineShort":"The best Bond themes that never made it","image":["p083qwd3"],"imageAlignment":"centre","imageAltText":"","isSyndicated":false,"latitude":"","longitude":"","mpsVideo":"","option":[{"Content":{"Description":"Apple News Publish: Select to publish, remove to unpublish. (Do not just delete or unpublish the story)","Name":"publish-applenews-system-1"},"Metadata":{"CreationDateTime":"2016-02-05T14:32:31.186819Z","Entity":"option","Guid":"13f4bc85-ae27-4a34-9397-0e6ad3619619","Id":"option\u002Fpublish-applenews-system-1","ModifiedDateTime":"2022-02-27T22:52:24.455144Z","Project":"wwverticals","Slug":"option\u002Fpublish-applenews-system-1"},"Urn":"urn:pubpipe:wwverticals:option:option\u002Fpublish-applenews-system-1","_id":"62b420921f4b7b5d34253c8b"}],"partner":null,"primaryVertical":"culture","promoAlignment":"centre","promoAltText":"","promoImage":null,"relatedStories":null,"relatedTag":null,"summaryLong":"A hall of fame of double-0-failures includes Johnny Cash, Alice Cooper, Blondie and Radiohead","summaryShort":"A hall of fame of double-0-failures from Johnny Cash to Radiohead","tag":null,"textToSpeech":false,"creationDateTime":"2020-04-06T10:03:26.627693Z","entity":"article","guid":"6ff37369-4509-41c0-9862-2f972d12858b","id":"culture\u002Farticle\u002F20200218-the-best-james-bond-themes-that-never-made-it-to-the-screen","modifiedDateTime":"2022-02-24T13:23:32.069875Z","project":"wwverticals","slug":"culture\u002Farticle\u002F20200218-the-best-james-bond-themes-that-never-made-it-to-the-screen","cacheLastUpdated":1656306867770},"culture\u002Farticle\u002F20200123-the-oddest-grammy-album-of-the-year-awards":{"urn":"urn:pubpipe:wwverticals:article:culture\u002Farticle\u002F20200123-the-oddest-grammy-album-of-the-year-awards","_id":"62b41fc41f4b7b624c338f1c","ambientVideo":"","articleType":"story","assetVideo":null,"author":["culture\u002Fauthor\u002Fstephen-dowling"],"bodyIntro":"Blood, Sweat and Tears over The Beatles? Eric Clapton over Nirvana? Steely Dan over Eminem? Herbie Hancock over Amy Winehouse? Surely some mistake?","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EAwards ceremony judging panels are often accused of being pale, male and stale, an ageing cabal out of touch with contemporary culture.\u003C\u002Fp\u003E\u003Cp\u003EIt’s a brickbat that has been hurled at the Grammy voting panel for some time. In 2018, the only one of its best album nominees not to play one of their songs live was the only woman up for the prize – Lorde. The same year, U2 were featured no less than three times during the broadcast, despite not even being up for an award. The awards consistently overlooked dance music, only creating a category for it in 1998, a decade since the heyday of dance culture. And the less said about the Grammy’s arm’s length relationship with hip-hop the better.\u003C\u002Fp\u003E\u003Cp\u003EThe awards’ sometimes dizzying list of categories – which currently stands at 78, having been cut from 109 in 2012 – means artists in all sorts of less high-profile genres (jazz, comedy, children’s) get their nods alongside the usual red-carpet favourites. For instance, Elmo the Muppet has won a Grammy three times – for Best Musical Album for Children in 1998 (Elmopalooza!), 1999 (The Adventures Of Elmo In Grouchland), and 2001 (Elmo And The Orchestra).\u003C\u002Fp\u003E\u003Cp\u003EBut at the heart of the Grammy conundrum is often a dilemma – whether to recognise the uncompromisingly artistic, or plump for the safer bet. No category bears that out better than Album of the Year. This time round, the panel seems to have done a decent job, balancing the pop likes of Arianna Grande and Billie Eilish with critical darlings such as Bon Iver and Lana Del Ray. But BBC Music looks at some of the times the Grammy panel got it noticeably wrong. [Note: the years cited are those in which the albums were released and were awarded for, not the year the ceremony took place, which is the following year.]\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E1969\u003C\u002Fstrong\u003E\u003Cbr \u002F\u003E \u003Cstrong\u003EWon: \u003C\u002Fstrong\u003EBlood, Sweat & Tears, Blood, Sweat & Tears\u003Cbr \u002F\u003E \u003Cstrong\u003EShould have won: \u003C\u002Fstrong\u003EThe Beatles, Abbey Road\u003Cbr \u002F\u003E Canadian jazz fusionists Blood, Sweat & Tears made their first big splash with a cover of Brenda Holloway’s You Make Me So Very Happy, So well-received, in fact, that the Grammy judges decided that the penultimate album by the most influential rock band of all time – one containing the likes of Come Together and Something – just didn’t cut the mustard in the same way as did a jazz-tinged odyssey that included interpretations of Erik Satie and a cover of Cream’s Sunshine Of Your Mind.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E1980\u003C\u002Fstrong\u003E\u003Cbr \u002F\u003E \u003Cstrong\u003EWon: \u003C\u002Fstrong\u003EChristopher Cross, Christopher Cross\u003Cbr \u002F\u003E \u003Cstrong\u003EShould have won: \u003C\u002Fstrong\u003EAC\u002FDC, Back In Black, or The Clash, London Calling \u003Cbr \u002F\u003E It was a momentous year for rock, partly thanks to two phenomenal records. AC\u002FDC reconvened after the death of their charismatic frontman Bon Scott with an emphatic call to arms. This memorial to Scott – encrypted on the leather lungs of new frontman Brian Johnson – is arguably the most popular hard rock album in history. The Clash, meantime, negotiated the revolution of punk mostly intact, and cut their masterwork, a double album which cemented their place in rock’s pantheon – and coining a timeless anthem that will still be hummed long after London is swallowed by the Thames.\u003C\u002Fp\u003E\u003Cp\u003ESo what did the jury crown? Adult-oriented radio favourite Christopher Cross’s self-titled debut, home of tasteful radio staples such as Sailing and Ride Like The Wind.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E1984\u003C\u002Fstrong\u003E\u003Cbr \u002F\u003E \u003Cstrong\u003EWon:\u003C\u002Fstrong\u003E Lionel Richie, Can’t Slow Down\u003Cbr \u002F\u003E \u003Cstrong\u003EShould have won: \u003C\u002Fstrong\u003EBruce Springsteen, Born In The USA\u003Cbr \u002F\u003E Bruce Springsteen’s long, steady climb from New Jersey word-of-mouth to bona fide cultural figurehead reached its high-water mark with Born In the USA, an album as inescapable in Aberdeen, Auckland and Augsburg as it was in Asbury Park, New Jersey. The toast of 1984 stadium rock might have got a nomination nod from the voting panel, but that was as far as it went. Former Commodore Lionel Richie was very much the captain of the Album of the Year category that year, for the album that featured the chart-tastic likes of Penny Lover, All Night and Hello. Or Goodbye, as it very much was for Springsteen’s biggest album.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E1989\u003C\u002Fstrong\u003E\u003Cbr \u002F\u003E \u003Cstrong\u003EWon:\u003C\u002Fstrong\u003E Bonnie Raitt, Nick Of Time\u003Cbr \u002F\u003E \u003Cstrong\u003EShould have won:\u003C\u002Fstrong\u003E Tom Petty, Full Moon Fever\u003Cbr \u002F\u003E No disrespect to Bonnie Raitt, a Californian country legend whose Nick Of Time was a deserved breakthrough after a run of bad luck in the 1980s – not least being dropped by her record company a day after recording the album Tongue In Groove. As good as Nick Of Time was, however, it made only a small splash outside of country-lovin’ circles. The same can’t be said for Tom Petty’s Full Moon Fever, an album recorded by producer Jeff Lynne of ELO as the pair also contributed to the Traveling Wilburys side project. Full Moon Fever was Petty’s first solo album, though virtually all of his band The Heartbreakers contributed. It  included Won’t Back Down and Free Fallin’, two of Petty’s biggest hits, sprinkled with Lynn’s characteristic Beatles-esque production sheen.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E1992\u003Cbr \u002F\u003E Won:\u003C\u002Fstrong\u003E Eric Clapton, MTV… Unplugged\u003Cbr \u002F\u003E \u003Cstrong\u003EShould have won:\u003C\u002Fstrong\u003E Nirvana, Nevermind\u003Cbr \u002F\u003E Chart pedants, relax. Yes, Nevermind was actually released in 1991, but it didn’t go overground until the following year. The Grammys usually only rewarded slow-burning albums in the year they actually blew up, hence Nevermind being odds on for success the year later. Except… the album wasn’t even nominated. The Grammy voting jury, in their wisdom felt Eric Clapton’s café-friendly MTV… Unplugged, Annie Lennox’s Diva and the soundtrack to Disney’s Beauty And The Best more deserving of nods than an album that changed the way rock sounded – and looked – for a generation. As it was, Clapton won, proving that quiet was very much the new loud.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E1996\u003C\u002Fstrong\u003E\u003Cbr \u002F\u003E \u003Cstrong\u003EWon:\u003C\u002Fstrong\u003E Celine Dion, Falling Into You\u003Cbr \u002F\u003E \u003Cstrong\u003EShould have won:\u003C\u002Fstrong\u003E Beck, Odelay\u003Cbr \u002F\u003E Two years later, another ocean-going clanger. Beck’s Odelay was rightly lauded as the album of 1996, a melange of country, folk, hip hop that grew out of largely acoustic sessions in 1994. Beck scrapped these and indeed hooked up with production duo The Dust Brothers (who had previously worked with the Beastie Boys) to produce something much more layered than his breakthrough Mellow Gold. But the ceremony showed that – once again – the Grammy voters preferred something with a little more dramatic wind in its sails. Cue Celine Dion’s Falling Into You – the album which included Dion’s seismograph-bothering version of Eric Carmen’s All By Myself. Odelay, despite being nominated, sat this one out on the sidelines.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E1997\u003Cbr \u002F\u003E Won:\u003C\u002Fstrong\u003E Bob Dylan, Time Out Of Mind\u003Cbr \u002F\u003E \u003Cstrong\u003EShould have won: \u003C\u002Fstrong\u003ERadiohead, OK Computer\u003Cbr \u002F\u003E In 1997, Bob Dylan revitalised a flagging muse with Time Out Of Mind, an album which saw him pairing up with producer Daniel Lanois, the Canadian who had produced U2 in the 80s and helmed Dylan’s own Oh Mercy album in 1989. The album brought a more experimental sheen to Dylan’s work – Lanois, after all, was massively involved in U2’s Achtung Baby – but the generally positive reviews did include some who wondered if the record was less a Dylan masterpiece and more a demonstration of Lanois’ prowess in the studio. Radiohead, on the other hand, had released an LP widely regarded as one of the best of the decade: Pink Floyd levels of existential despair as the clock ticked closer to the end of the millennium.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E2000\u003C\u002Fstrong\u003E\u003Cbr \u002F\u003E \u003Cstrong\u003EWon:\u003C\u002Fstrong\u003E Steely Dan, Two Against Nature\u003Cbr \u002F\u003E \u003Cstrong\u003EShould have won: \u003C\u002Fstrong\u003EEminem, The Marshall Mathers LP, or Radiohead, Kid A\u003Cbr \u002F\u003E Steely Dan were rightly lauded for their bright, smart, jazz-tinged take on pop. Much of that lauding, of course, took place in the 1970s, when the duo of Walter Becker and Donald Fagen produced their most enduring work. After 1980’s Gaucho they called it a day for 13 years, before reuniting for concerts and, eventually, another album, 2000’s Two Against Nature. But the album came out the same year as one of the most controversial – and best-selling – hip-hop albums of all time, Eminem’s third album The Marshall Mathers LP.\u003C\u002Fp\u003E\u003Cp\u003ERadiohead had also been up for contention with Kid A, a sideways swerve from the doom-laden modern prog of OK Computer into more electronic realms; it’s today regarded as a radically successful sideways step, and a classic of the electronic genre. A classic to many, but not the Grammy voting panel, it would seem. But hey, at least they were nominated this time.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E2004\u003C\u002Fstrong\u003E\u003Cbr \u002F\u003E \u003Cstrong\u003EWon:\u003C\u002Fstrong\u003E Ray Charles and Friends, Genius Loves Company\u003Cbr \u002F\u003E \u003Cstrong\u003EShould have won:\u003C\u002Fstrong\u003E Kanye West – The College Dropout, or Franz Ferdinand, Franz Ferdinand\u003Cbr \u002F\u003E Steely Dan’s win in 2000 underlines a frustrating flaw that can affect twilight career albums from established artists. In much the same way that overlooked veteran directors sometimes pick up an Oscar for lesser, later work, the Grammys can reward artists for their continued presence. It’s also possible that the pain of losing blue legend Ray Charles – who died in June 2004 – brought Genius Loves Company into sharp relief when it was released posthumously a few months later. It was a relaxed but unspectacular duets record, pairing Charles with the likes of Willie Nelson, Norah Jones and Diana Krall.\u003C\u002Fp\u003E\u003Cp\u003EYou could argue that two classic albums of that year could have won the prize. Franz Ferdinand’s eponymous debut was a genuine sensation, a hit record across the globe, and the perfect distillation of frontman Alex Kapranos’ desire to write songs “your girlfriend will dance to”, angular and interesting and yet laden with radio-friendly hooks. Kanye West’s The College Dropout, meanwhile, remains arguably his creative zenith. Recorded over four years while West was rebuffed by record label after record label, The College Dropout fizzed with relentless energy.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E2007\u003Cbr \u002F\u003E Won: \u003C\u002Fstrong\u003EHerbie Hancock, River: The Joni Letters\u003Cbr \u002F\u003E \u003Cstrong\u003EShould have won: \u003C\u002Fstrong\u003EAmy Winehouse, Back To Black\u003Cbr \u002F\u003E On paper, Amy Winehouse’s defining album, Back To Black, was perfect Grammy fodder. Winehouse herself seemed beamed in from an old Hollywood movie, all heartache, beehive hairdo and eyeliner, the music shimmering in a retro haze that heightened its drama and longing. But while Winehouse did pick up Record of the Year for Rehab, the album which spawned it was overlooked for jazz-funk pioneer Herbie Hancock’s River: The Joni Letters, an album which reimagined the songs of Joni Mitchell via a cast of collaborators including Leonard Cohen, Norah Jones, Tina Turner and Corinne Bailey Rae. A respectful tip of the hat to a living legend – but not a record that has the legacy Back To Black enjoys more than a decade later.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cem\u003EIf you liked this story, sign up for the weekly bbc.com features newsletter, called \u003C\u002Fem\u003E\u003Ca href=\"http:\u002F\u002Fpages.emails.bbc.com\u002Fsubscribe\u002F\"\u003E\u003Cem\u003EThe Essential List\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003Cem\u003E. A handpicked selection of stories from BBC Music, Culture, Capital, Future and Travel, delivered to your inbox every Friday.\u003C\u002Fem\u003E \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200123-the-oddest-grammy-album-of-the-year-awards-0"}],"collection":["culture\u002Fpremium-collection\u002Fmusic"],"disableAdverts":false,"displayDate":"2020-01-23T15:08:52.278Z","embeddedCustomHtml":"","embeddedInfographicUrl":"","embeddedType":"","headlineLong":"The oddest Grammy Album Of The Year awards","headlineShort":"Oddest Grammy Album Of The Year awards","image":["p0813flj"],"imageAlignment":"centre","imageAltText":"","isSyndicated":false,"latitude":"","longitude":"","mpsVideo":"","option":[{"Content":{"Description":"Apple News Publish: Select to publish, remove to unpublish. (Do not just delete or unpublish the story)","Name":"publish-applenews-system-1"},"Metadata":{"CreationDateTime":"2016-02-05T14:32:31.186819Z","Entity":"option","Guid":"13f4bc85-ae27-4a34-9397-0e6ad3619619","Id":"option\u002Fpublish-applenews-system-1","ModifiedDateTime":"2022-02-27T22:52:24.455144Z","Project":"wwverticals","Slug":"option\u002Fpublish-applenews-system-1"},"Urn":"urn:pubpipe:wwverticals:option:option\u002Fpublish-applenews-system-1","_id":"62b420921f4b7b5d34253c8b"}],"partner":null,"primaryVertical":"culture","promoAlignment":"centre","promoAltText":"","promoImage":["p0813fjl"],"relatedStories":["culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed","culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019"],"relatedTag":null,"summaryLong":"Blood, Sweat and Tears over The Beatles? Eric Clapton over Nirvana? Steely Dan over Eminem? Herbie Hancock over Amy Winehouse? Surely some mistake?","summaryShort":"Steely Dan over Eminem? Eric Clapton over Nirvana? Surely some mistake?","tag":null,"textToSpeech":false,"creationDateTime":"2020-04-06T10:00:45.824456Z","entity":"article","guid":"52ed886d-f7c5-4363-ac7d-be6abbef35bc","id":"culture\u002Farticle\u002F20200123-the-oddest-grammy-album-of-the-year-awards","modifiedDateTime":"2022-02-24T13:21:43.702469Z","project":"wwverticals","slug":"culture\u002Farticle\u002F20200123-the-oddest-grammy-album-of-the-year-awards","cacheLastUpdated":1656306867771},"culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed":{"urn":"urn:pubpipe:wwverticals:article:culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed","_id":"62b41feb1f4b7b7f5f016365","ambientVideo":"","articleType":"story","assetVideo":null,"author":null,"bodyIntro":"The longlist for BBC Music Sound Of 2020 has been unveiled, tipping ten new artists for success next year.","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EBBC Music Sound Of 2020 has revealed its \u003Ca href=\"https:\u002F\u002Fwww.bbc.co.uk\u002Fprogrammes\u002Farticles\u002F4hf3JpfgFysgsBdpf7R0SbJ\u002Fsound-of-2020\"\u003Elonglist of artists who are tipped for success next year\u003C\u002Fa\u003E. The longlist has been chosen by a panel of 170 global industry experts and alumni artists including Billie Eilish, Lewis Capaldi and Chvrches.\u003C\u002Fp\u003E\u003Cp\u003EAll participants were asked to name their three favourite new acts, from any country and any musical genre, signed or unsigned, but could not have been the lead artist on a UK Top 10 single or album before 21 October 2019.\u003C\u002Fp\u003E\u003Cp\u003ELast year saw rapper Octavian top the list, which also included the likes of King Princess, Rosalia and slowthai. Previous winners of the annual Sound of poll include 50 Cent (2003), Adele (2008), Haim (2013) and Sigrid (2018).\u003C\u002Fp\u003E\u003Cp\u003EThe Sound Of 2020 longlist contains several female artists representing the rise of British R&B, and less grime and UK rap artists that have featured heavily in recent years. The full longlist in alphabetical order is below, an \u003Ca href=\"https:\u002F\u002Fopen.spotify.com\u002Fplaylist\u002F7ivVp6D92qJccd7WS3g4zJ\"\u003Eintroductory playlist of the nominees is here\u003C\u002Fa\u003E, and the Sound of 2020 winner will be announced on Thursday 9 January 2020.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EArlo Parks\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed-0"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07xl6d4"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed-1"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EStyle: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003EBlissed out trip-hop for Generation Z\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ESleeve notes:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E Still only 19, Londoner Arlo parks brings a winningly weary worldview to tales of unrequited crushes and adolescent ennui. The singer-songwriter, whose musical journey began after she started writing poetry, cites influences as diverse as Fela Kuti, The Doors’ Jim Morrison and poet Sylvia Plath. Songs like Sophie show almost Lorde levels of irresistible hooks, while Super Sad Generation is a quiet anthem for Extinction Rebellion times.\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ECritics say:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E “Arlo Parks has carved out a niche in committing to music the joyous highs and crushing lows of the emotional rollercoaster that is adolescence.” (\u003Cem\u003EThe Guardian\u003C\u002Fem\u003E)\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EFans say:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E “She's from Hammersmith - same as me... Honestly, this song [Cola] just knocked me off my feet.” (\u003Cem\u003E\u003Ca href=\"https:\u002F\u002Ftwitter.com\u002Fw1lko\u002Fstatus\u002F1115938205503709184\"\u003ELily Allen\u003C\u002Fa\u003E\u003C\u002Fem\u003E)\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ESong to start with:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=6ljQX9DUhOY\"\u003ESophie\u003C\u002Fa\u003E\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EFollow on: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Farlo.parks\u002F?hl=en\"\u003E@arlo.parks\u003C\u002Fa\u003E\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EBeabadoobee\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed-2"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07xltl1"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed-3"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EStyle: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003ENineties indie pop reinvigorated for the 21st Century\u003Cstrong\u003E\u003Cem\u003E\u003Cbr \u002F\u003E Sleeve notes:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E Bea Kristi, also known as Beabadoobee, is a Filipino-British singer-songwriter heavily influenced by indie legends such as Pavement, Belly and Lush. Her father bought her a secondhand guitar, and Beabadoobee wrote her first song, \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=2VMSdwRCKaU\"\u003ECoffee\u003C\u002Fa\u003E, in her bedroom in 2017. A friend uploaded it onto Spotify and Bandcamp, where it received hundreds of thousands of plays within weeks. When Kristi dropped the track I Wish I Was Stephen Malkmus in September, even the erstwhile \u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fculture-desk\u002Fhow-beabadoobees-i-wish-i-was-stephen-malkmus-reckons-with-a-rock-idol\"\u003ENew Yorker\u003C\u002Fa\u003E sat up and took notice.\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ECritics say: \u003C\u002Fem\u003E“\u003C\u002Fstrong\u003EBeabadoobee’s brand new EP, \u003Ca href=\"https:\u002F\u002Fwww.nme.com\u002Freviews\u002Falbum\u002Fbeabadobee-space-cadet-ep-review\"\u003ESpace Cadet\u003C\u002Fa\u003E… is catnip for a new generation of music lovers, like herself, crying out for a new breed of guitar hero.” (\u003Cem\u003ENME\u003C\u002Fem\u003E) \u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EFans say: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E“This tripzz me out” (\u003Cem\u003E\u003Ca href=\"https:\u002F\u002Ftwitter.com\u002Fdronecoma\u002Fstatus\u002F1174758011123843073\"\u003EStephen Malkmus\u003C\u002Fa\u003E\u003C\u002Fem\u003E)\u003Cstrong\u003E\u003Cem\u003E\u003Cbr \u002F\u003E Song to start with:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=9wFwPh-KbEY\"\u003EShe Plays Bass\u003C\u002Fa\u003E\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EFollow on:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fradvxz\u002F?hl=en\"\u003E@radvxz\u003C\u002Fa\u003E\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003ECeleste\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed-4"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07ws82r"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed-5"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EStyle: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003EBeguiling soul from a spellbinding voice\u003Cstrong\u003E\u003Cem\u003E\u003Cbr \u002F\u003E Sleeve notes:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E Celeste has been named \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fnews\u002Fnewsbeat-50643295\"\u003EBBC Music Introducing's Artist of the Year 2019\u003C\u002Fa\u003E and the \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fnews\u002Fentertainment-arts-50680360\"\u003EBRITS Rising Star\u003C\u002Fa\u003E, earning comparisons with Amy Winehouse and Billie Holiday thanks to her bluesy melancholic voice. Born in LA, Celeste was three when her parents split, and she moved to the UK with her mother. She began singing around 10 years ago when she was inspired by hearing Elton John's Your Song, and wrote her first song at 16. She released an EP with Lily Allen’s Bank Holiday Records label in 2017. The following year, Celeste signed to Polydor and toured with label-mate Michael Kiwanuka, who himself topped the BBC’s Sound of 2012 poll. \u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ECritics say:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E “Celeste is a once-in-a-generation talent. With a voice that balances the fragility of Billie Holiday against the sheer power of Aretha Franklin, she’s the finest British soul singer to emerge in years.” (\u003Cem\u003ENME\u003C\u002Fem\u003E)\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EFans say: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E“I cannot stop listening to \u003Ca href=\"https:\u002F\u002Ftwitter.com\u002Fceleste\"\u003E@celeste\u003C\u002Fa\u003E this is her song Strange. It’s sensational. I dare you not to love her. I dare you” (\u003Cem\u003E\u003Ca href=\"https:\u002F\u002Ftwitter.com\u002FJKCorden\u002Fstatus\u002F1189788247066497024\"\u003EJames Corden\u003C\u002Fa\u003E\u003C\u002Fem\u003E)\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ESong to start with:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=MrUPfAbMFio\"\u003EStrange\u003C\u002Fa\u003E\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EFollow on:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fceleste\u002F\" target=\"_blank\"\u003E@celeste\u003C\u002Fa\u003E\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EEasy Life\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed-6"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07w8hkk"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed-7"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EStyle: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003EAccording to NME,“jazz-tinged R&B you can mosh to”.\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ESleeve notes:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E Leicester five-piece Easy Life formed in the summer of 2017 and released their first single, Pockets, via indie label Chess Club Records. Since then, they’ve won plaudits for chaotic, energetic live gigs which often see frontman Murray Matravers surfing the crowd. As for the sound, even the band will admit that it’s eclectic, thanks to formative years spent in swing and reggae bands. \u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ECritics say:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E “Coating bittersweet lyrics dissecting everyday life struggles with a hip-hop-meets-indie veneer, then mixing it in with a slacker rock attitude, their music sounds like what it feels like to just sit back and go with the flow.” (\u003Cem\u003EDIY Mag\u003C\u002Fem\u003E)\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EThey say: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E“It feels like there’s no genre for us. We’re working with people miles away from what people think we should be like.” \u003Cstrong\u003E\u003Cem\u003E\u003Cbr \u002F\u003E Song to start with:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=oeFq3Sta6bY\"\u003EPockets\u003C\u002Fa\u003E\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EFollow on: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003EInstagram: \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Feasylife\u002F\" target=\"_blank\"\u003E@easylife\u003C\u002Fa\u003E\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EGeorgia\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed-8"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07xl6gq"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed-9"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EStyle: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003EDownbeat dance for the selfie generation\u003Cstrong\u003E\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003E\u003Cstrong\u003E\u003Cem\u003ESleeve notes:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E A descendent of dance royalty, given that Georgia Barnes’ father is one of the founding members of British electro legends Leftfield. A young Georgia was a promising footballer (Queen’s Park Rangers and Arsenal trials, in fact) before music came calling; an 11-year-old Barnes duly named her pet hamster Missy Elliott. Barnes drummed for the likes of spoken word artist Kate Tempest before releasing her own material in 2015. Now 29, this self-assured solo artist won’t be pinned down – her material so far fizzes with energy and abandon, drawing comparisons to everyone from Massive Attack to MIA and early Bjork. She’s already proven a hit at Glastonbury. Could she be about to crack the big time?\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ECritics say:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E “Brilliant, brilliant songwriting and production in a world of identikit pop-dance records.” (\u003Cem\u003EAnnie Mac, BBC Radio 1\u003C\u002Fem\u003E)\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EShe says:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E “I didn’t think Started Out would be the one to connect to people because it’s really a bit of a weird song. It’s not really your normal pop song, it doesn’t really have a chorus to it...it’s very dance-influenced. But I think the lyrics are strong: ‘Wicked and bold.’ I think people picked up on those lyrics.”\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ESong to start with:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=vFnnxmb7Z9g\"\u003EStarted Out\u003C\u002Fa\u003E \u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EFollow on: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fgeorgiauk\u002F\"\u003E@georgiauk\u003C\u002Fa\u003E\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EInhaler\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed-10"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07h3tkw"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed-11"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EStyle: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003EGothically energetic indie rock fronted by Bono’s son\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ESleeve notes:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E Inhaler don’t sound like U2 until Elijah Hewson opens his mouth – then it’s like you’ve gone back in time, 40 years to witness Bono and company’s first faltering steps in a sweaty, smoky Dublin club. Elijah has clearly taken a keen interest in the family concern – Inhaler’s clutch of single so far are impressively melodic, from the hook laden It Won’t Always Be Like This to the Killers-esque splendor of My Honest Face. \u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ECritics say:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E “Inhaler displays a maturity to their songwriting that belies their young age.” (\u003Cem\u003ENorthern Transmissions\u003C\u002Fem\u003E)\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EFans say:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E “They’re a bit like the [Echo and the] Bunnymen and early U2, which is a surprise.” (\u003Cem\u003ENoel Gallagher\u003C\u002Fem\u003E) \u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ESong to start with:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=dIIJNWlqAX8\"\u003EIt Won’t Always Be Like This\u003C\u002Fa\u003E\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EFollow on: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Finhalerdublin\u002F?hl=en\"\u003E@inhalerdublin\u003C\u002Fa\u003E\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EJoesef\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed-12"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07xl6jl"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed-13"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EStyle: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003ESad boy soul\u003Cstrong\u003E\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003E\u003Cstrong\u003E\u003Cem\u003ESleeve notes:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E From the east end of Glasgow, Joesef sold out his debut gig at the infamous King Tut’s Wah Wah Hut in his hometown earlier this year, before he had released a track. The only artist to have done this before him was Lewis Capaldi, who rose to number one on the Billboard chart this year. So expectations are large for the blue-eyed soul man with a lo-fi sound that melds Motown, jazz and hip-hop beats, matched with a voice that commands comparisons with Amy Winehouse and Simply Red’s Mick Hucknall. His singles so far – all of which he wrote, played on and produced – were written in the midst of his first break up, and candidly cover the trials and tribulations of being in love.\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ECritics say:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E “At his best, he writes dreamy Al Green-inspired hooks which insinuate themselves instantly within the boudoir of your mind.” (\u003Cem\u003EThe Scotsman\u003C\u002Fem\u003E)\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EHe says:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E “People in Glasgow can smell bullshit from afar. So you need to be honest, otherwise you’ll get laughed at. I think that comes through my music.”\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ESong to start with:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=-FjrYdR00E0\"\u003ELimbo\u003C\u002Fa\u003E\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EFollow on: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fjoesefjoesefjoesef\u002F\"\u003E@joesefjoesefjoesef\u003C\u002Fa\u003E\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EJoy Crookes\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed-14"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07xltn3"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed-15"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EStyle: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003EHypnotic neo-soul that dares to bare all\u003Cstrong\u003E\u003Cem\u003E\u003Cbr \u002F\u003E Sleeve notes:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E Another singer earning comparisons with Amy Winehouse, the Bangladeshi-Irish Londoner wraps brass and trip-hop percussion around her gentle, husky vocals. Crookes has absorbed the multicultural sounds and influences of south London, and delivers with-filled lyrics offering a fearless and candid view love, loss and the machinations of the music industry.\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ECritics say: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E“[Single] Sinatra braids trip-hop atmosphere with deeply considered soul melodies and just the right amount of orchestral strings, to give the song's romantic turmoil some sense of stakes. In its most majestic moments, Sinatra is like a Bond theme you can smoke to.” (\u003Cem\u003E\u003Ca href=\"https:\u002F\u002Fwww.thefader.com\u002F2016\u002F08\u002F10\u002Fjoy-crookes-sinatra-premiere\"\u003EThe Fader\u003C\u002Fa\u003E\u003C\u002Fem\u003E)\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EShe says: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E“I’m not here for five minutes and I want to make sure of that. I see myself growing, getting older and having more and more to write about.” \u003Cstrong\u003E\u003Cem\u003E\u003Cbr \u002F\u003E Song to start with:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E \u003Ca href=\"https:\u002F\u002Fwww.bbc.co.uk\u002Fmusic\u002Fartists\u002F548e9a34-7476-4510-b3cf-70d17106d507#p07c3v6w\"\u003EHurts\u003C\u002Fa\u003E\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EFollow on\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Cem\u003E:\u003C\u002Fem\u003E \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fjoycrookes\u002F\" target=\"_blank\"\u003E@joycrookes\u003C\u002Fa\u003E\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003ESquid\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed-16"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07xkzl0"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed-17"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EStyle: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003EIn their own words: “The Coronation Street theme tune played on flutes by angry children”\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ESleeve notes:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E The Brighton band’s opus, the seven minutes of sick funk called The Cleaner, comes on like a collision between The B-52s and The Fall – a group aiming to be the next Coldplay this is not. The spirit of Postcard Records luminaries such as Orange Juice and Josef K can also be heard amidst the angsty, nervous twitch of their music.\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ECritics say: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E“Their unconventional nature is their most appealing asset. There’s no established frontman, no three-minute pop songs, and yet somehow they made the BBC6 A-List with a track about houseplants.” (\u003Cem\u003EDIY Magazine\u003C\u002Fem\u003E)\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EThey say:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E “We are the first generation that’s been brought up with the internet in developing periods of our lives. It means that genre is much less definable, it’s not about living in the same city, it’s having something else that draws you together.” \u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ESong to start with:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=T3XY6FPrbuM\"\u003EThe Cleaner\u003C\u002Fa\u003E\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EFollow on: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fsquidbanduk\u002F?hl=en\"\u003E@squidbanduk\u003C\u002Fa\u003E\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EYungblud\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed-18"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07vsllx"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed-19"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EStyle: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003ERebel-rousing voice of the underrated generation\u003Cstrong\u003E\u003Cem\u003E\u003Cbr \u002F\u003E Sleeve notes:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E Doncaster-born singer Dominic Harrison is the most high-profile name on the list. He’s worked with Marshmello, dated Halsey, and with 11 million monthly listeners on Spotify, he has more listeners than all the other artists on the list combined. A “woke” poster boy for the new sound of punk, Yungblud wears his heart on his androgynously dressed sleeve about topics like sexual assault, gun control and mental health.\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ECritics say: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E“Is there hope for the underrated youth? With Yungblud around – you bet.” (\u003Cem\u003ENME\u003C\u002Fem\u003E)\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EHe says: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E“I never want to be predictable. If people know what I'm going to do next, then I'm completely shafted.”\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003ESong to start with:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=tP-zl8ruUKE\"\u003EOriginal Me\u003C\u002Fa\u003E\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EFollow on: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fyungblud\u002F\" target=\"_blank\"\u003E@yungblud\u003C\u002Fa\u003E\u003C\u002Fp\u003E\u003Cp\u003E \u003C\u002Fp\u003E\u003Cp\u003E\u003Cem\u003EIf you liked this story, sign up for the weekly bbc.com features newsletter, called \u003C\u002Fem\u003E\u003Ca href=\"http:\u002F\u002Fpages.emails.bbc.com\u002Fsubscribe\u002F\"\u003E\u003Cem\u003EThe Essential List\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003Cem\u003E. A handpicked selection of stories from BBC Music, Culture, Capital, Future and Travel, delivered to your inbox every Friday.\u003C\u002Fem\u003E \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed-20"}],"collection":["culture\u002Fpremium-collection\u002Fmusic"],"disableAdverts":false,"displayDate":"2019-12-12T00:00:59Z","embeddedCustomHtml":"","embeddedInfographicUrl":"","embeddedType":"","headlineLong":"BBC Music Sound Of 2020 longlist revealed","headlineShort":"BBC Sound Of 2020 longlist revealed","image":["p07xltyx"],"imageAlignment":"centre","imageAltText":"","isSyndicated":false,"latitude":"","longitude":"","mpsVideo":"","option":[{"Content":{"Description":"Apple News Publish: Select to publish, remove to unpublish. (Do not just delete or unpublish the story)","Name":"publish-applenews-system-1"},"Metadata":{"CreationDateTime":"2016-02-05T14:32:31.186819Z","Entity":"option","Guid":"13f4bc85-ae27-4a34-9397-0e6ad3619619","Id":"option\u002Fpublish-applenews-system-1","ModifiedDateTime":"2022-02-27T22:52:24.455144Z","Project":"wwverticals","Slug":"option\u002Fpublish-applenews-system-1"},"Urn":"urn:pubpipe:wwverticals:option:option\u002Fpublish-applenews-system-1","_id":"62b420921f4b7b5d34253c8b"}],"partner":null,"primaryVertical":"culture","promoAlignment":"centre","promoAltText":"","promoImage":["p07xltv4"],"relatedStories":["culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances","culture\u002Farticle\u002F20191007-the-greatest-hip-hop-songs-of-all-time"],"relatedTag":null,"summaryLong":"The longlist for BBC Music Sound Of 2020 has been unveiled, tipping ten new artists for success next year.","summaryShort":"The ten new artists most tipped for success next year","tag":null,"textToSpeech":false,"creationDateTime":"2020-04-06T09:54:36.203156Z","entity":"article","guid":"6fab35c8-ec48-43c3-8590-eccb853c2083","id":"culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed","modifiedDateTime":"2022-02-24T13:17:10.078493Z","project":"wwverticals","slug":"culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed","cacheLastUpdated":1656306867775},"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019":{"urn":"urn:pubpipe:wwverticals:article:culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019","_id":"62b41fdb1f4b7b05293c1066","ambientVideo":"","articleType":"story","assetVideo":null,"author":null,"bodyIntro":"Artists that most defined an eventful year in music included Billie Eilish, Vampire Weekend, Rosalía and J Balvin, Lizzo, and of course Lil Nas X.","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThe final year of the decade saw A-list superstars relatively quiet on the singles front; instead we saw newcomers shine, and more established artists revived, re-energised and reinvented. Here are the tracks that topped our playlist, setting the scene for an exciting decade to come. You can listen to \u003Ca href=\"https:\u002F\u002Fopen.spotify.com\u002Fplaylist\u002F6rf4M1qZUHXZD97oBpZGn8\"\u003Eall 20 tracks here\u003C\u002Fa\u003E \u003Cem\u003E(Warning: Contains some language that may offend)\u003C\u002Fem\u003E\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003E20. \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=FbcLcSY2au4\"\u003E\u003Cstrong\u003E\u003Cem\u003EMegan Thee Stallion, Hot Girl Summer\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019-0"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07yqwr6"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019-1"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThe meme that turned into a movement; the song was an unapologetic call to have a good time and not give a flying flamingo about what anybody thinks. Everyone from Wendy’s to Maybelline co-opted the phrase to such a degree that the artist eventually trademarked the phrase. Collaborating with Nicki Minaj and Ty Dolla $ign on the track was a massive poke in the eye for anyone still thinking only one rap queen can reign supreme.\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EMemorable lyric:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E “Handle me? Who gon’ handle me?\u002F Thinkin’ he’s a player, he’s a member on the team.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003E19. \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=UIcVwH47uxQ\"\u003E\u003Cstrong\u003E\u003Cem\u003EBig Thief, Not\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cstrong\u003E\u003Cem\u003E\u003Cbr \u002F\u003E \u003C\u002Fem\u003E\u003C\u002Fstrong\u003EThe Brooklyn-based band have always won praise for finding majesty in the minutiae, and 2019 was a landmark year with two albums (UFOF and Two Hands). The top track was the lead single on the latter album, pain piercing through every one of singer\u002Fsongwriter Adrianne Lenker’s razor-sharp words. The guitar solo, or more accurately a guitar roar, is worthy of Neil Young at his peak.\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EMemorable lyric:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E “It’s not the open weaving\u002F Nor the furnace glow\u002F Nor the blood of you bleeding\u002F As you try to let go.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003E18. \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=YkLjqFpBh84\"\u003E\u003Cstrong\u003E\u003Cem\u003EFKA twigs, Cellophane\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019-2"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07yqwrl"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019-3"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThe British singer\u002Fsongwriter’s breathtaking, hypnotic return after three years. Stripped down to a piano-led arrangement, this tale of a relationship souring despite giving your all drew obvious parallels to the artist’s public break up with Robert Pattinson. The fearless fragility of twigs’s voice made heartbreak sound like being raised to the skies before crashing down to earth.\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EMemorable lyric:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E “I try but I get overwhelmed\u002F When you're gone, I have no one to tell.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003E17. \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=6giKIu5jUvA\"\u003E\u003Cstrong\u003E\u003Cem\u003ESolange, Almeda\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cbr \u002F\u003E The sound of black pride in 2019. Solange presented a freeze frame of the area of Houston she grew up in while reciting a list of beautiful things (“brown face, black skin, black braids, black waves”). Playboi Carti and The-Dream joined the celebration, adding weight and joy to the mood. \u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EMemorable lyric:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E “These are black-owned things\u002F Black faith still can’t be washed away\u002F Not even in that Florida water.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003E16. \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=WZsNnuaUSNs\"\u003E\u003Cstrong\u003E\u003Cem\u003Eslowthai, Nothing Great About Britain\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019-4"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07yqwrz"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019-5"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EA snarling, pessimistic portrait of Britain from the street – covering Brexit, class warfare, and widening inequality – but told with bluntness, wit and wordplay. slowthai makes a mockery of Britishness, but he also celebrates his country, in part through the clear doffing of his cap to a host of musical influences, including Sex Pistols, The Streets and Dizzee Rascal.\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EMemorable lyric: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E“I will treat you with the utmost respect only if you respect me a little bit, Elizabeth.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003E15. \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=rvNqNgHAEys\"\u003E\u003Cstrong\u003E\u003Cem\u003EHolly Herndon, Frontier\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cbr \u002F\u003E Herndon’s third album, Proto, saw her collaborating with vocal performers and the digital voice of an AI program called Spawn. One of its most stunning and human moments came on Frontier. Inspired by Appalachian Sacred Harp singing, a single voice builds to a vocal crescendo that blurs the difference between human and machine in ways that feel comfortable, disorientating and heart-warming all at once.\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EMemorable lyric: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E“This earth doesn't care for what we need, what we breathe\u002F A frontier of green or of dust.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003E14. \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=yljWf3_flbM\"\u003E\u003Cstrong\u003E\u003Cem\u003EThe Highwomen, If She Ever Leaves Me\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019-6"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07yqwt4"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019-7"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EIt was billed as the first gay country song, which isn’t strictly speaking true, but the lead track from the all-female supergroup is certainly the most high-profile one to date. Brandi Carlile subverts country ballad tradition, sending a warning to a male cowboy who has an eye on her female partner, which also felt like a welcome rejoinder to the machismo that can pervade the genre. \u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EMemorable lyric: \u003C\u002Fem\u003E“\u003C\u002Fstrong\u003EIf she ever gives her careful heart to somebody new, well, it won’t be for a cowboy like you.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003E13. \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=bCuhuePlP8o\"\u003E\u003Cstrong\u003E\u003Cem\u003ELewis Capaldi, Someone You Loved\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cbr \u002F\u003E Scottish singer-songwriter Capaldi became the somewhat improbable break-out star of the year. His album Divinely Uninspired to a Hellish Extent was the fastest-selling UK album of the year. And Someone You Loved topped both the UK and US singles chart – its straightforward tale about a break-up and Capaldi’s raspy soulful voice capturing the imagination of a vast swathe of lovelorn fans.\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EMemorable lyric: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E“I was getting kinda used to being someone you loved.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003E12. \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=iSSKDIcpdSE\"\u003E\u003Cstrong\u003E\u003Cem\u003ELittle Simz, Selfish\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019-8"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07yqwtc"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019-9"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EIt may have been a long time coming, but the London rapper is finally achieving the success that has been predicted by everyone from Kendrick Lamar to Forbes magazine. So, it’s perhaps appropriate that it came in the slicker sound and form of Selfish. Haters are always going to hate, the rapper defiantly states, but no-one can question what she’s earned through her own hard graft and creativity. And who are we to argue?\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EMemorable lyric:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E “No validation, no applause\u002F You don’t have to prove you got it when you know it’s yours.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003E11. \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=pDUPSNdmFew\"\u003E\u003Cstrong\u003E\u003Cem\u003EDave, Black\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cstrong\u003E\u003Cem\u003E\u003Cbr \u002F\u003E \u003C\u002Fem\u003E\u003C\u002Fstrong\u003EFrom the groundbreaking Mercury Prize-winning album came a track that was a laser-sharp examination of contemporary racism and racial identity. The south London rapper tackles colonialism, social mobility and media coverage, but like Solange, the song is also peppered with pride about his blackness. UK listeners complained when it appeared on the Radio 1 playlist, but DJ Annie Mac replied: “If you are genuinely offended by a man talking about the colour of his skin and how it has shaped his identity then that is a problem for you.”\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EMemorable lyric:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E “A kid dies, the blacker the killer, the sweeter the news\u002F And if he's white you give him a chance, he’s ill and confused.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003E10. \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=chSZCtLrgz8\"\u003E\u003Cstrong\u003E\u003Cem\u003ECharli XCX – Gone (feat Christine and the Queens)\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019-10"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07yqwtv"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019-11"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003ESometimes a partnership makes more sense on paper than in the studio, sometimes it more than delivers on the promise. Gone is firmly in the latter camp, the two pop mavericks creating an uncompromising, existential anti-social anthem. It’s a collaborative cri de coeur about the weight of expectation, with the unrelenting electro-funk beat providing the perfect soundtrack to their catharsis. \u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EMemorable lyric:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E “Am I a smoke? Am I the sun? Who decides?”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003E9. \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=HmAsUQEFYGI\"\u003E\u003Cstrong\u003E\u003Cem\u003ETyler, The Creator, Earfquake\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cbr \u002F\u003E Originally written with Justin Beiber in mind, and later offered to and rejected by Rhianna, Earfquake finds the rapper singing in heartbreak mode, pleading a lover not to leave over summer sounds and harmonies. His trademark sound is boosted by vocals from R&B legend Charlie Wilson, Devonté Hyne and (as it turns out, \u003Ca href=\"https:\u002F\u002Ftwitter.com\u002Ftylerthecreator\u002Fstatus\u002F1142152753474617344\u002Fphoto\u002F1\"\u003Euntranscribable\u003C\u002Fa\u003E) ad-libs from Playboi Carti.\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EMemorable lyric:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E “You don't want no complication, no\u002F I don't want no side information\u002F I just need to know what's happening\u002F 'cause I'm for real.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003E8. \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=j7sTHoeH0eA\"\u003E\u003Cstrong\u003E\u003Cem\u003ESharon Van Etten, Seventeen\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019-12"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07yqwv7"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019-13"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EA self-declared love letter to New York, Seventeen is up there amongst Van Etten’s finest work. It’s for anyone who has ever peered back into their past and worried whether or not age has improved them. With Van Etten you don’t quite know the answer, but let’s face it that’s life, and Van Etten brilliantly captures the scrambled, jumbled emotions between nostalgia and hindsight.\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EMemorable lyric: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E“I know what you’re gonna be\u002FYou’ll crumple it up just to see\u002FAfraid that you’ll be just like me!”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003E7. \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=IlkTVMMkCP4\"\u003E\u003Cstrong\u003E\u003Cem\u003EVampire Weekend, Harmony Hall\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cbr \u002F\u003E A track that’s the equivalent of opening the curtains and letting the spring sun shine in, Harmony Hall sees the band subtly refining their sound, with Ezra Koenig’s most poignant and accessible lyrics to date. If you like the acoustic guitar riff, rejoice, there’s \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?time_continue=5926&v=qa1t5bjJbms\"\u003Etwo hours-worth of it here\u003C\u002Fa\u003E.\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EMemorable lyric:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E “Anger wants a voice\u002F Voices wanna sing\u002F Singers harmonize\u002F ‘Til they can’t hear anything.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003E6. \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=1F9jesjJMz0\"\u003E\u003Cstrong\u003E\u003Cem\u003ELana Del Rey, The greatest\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019-14"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07yqwvp"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019-15"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EA comedown anthem for the burned-out generation. Del Rey focused her swooning cinematic style on the American Dream, or what she thinks is left of it. The Greatest takes a sombre and elegiac view of a country swamped by political anxiety, climate change, celebrity culture, and even the false alarm of a nuclear attack on Hawaii. The apocalypse may not be now, but in Del Rey’s hands it feels both horrifying and beautiful.\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EMemorable lyric:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E “The culture is lit and I had a ball\u002F I guess that I'm burned out after all.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003E5. \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=p7bfOZek9t4\"\u003E\u003Cstrong\u003E\u003Cem\u003ERosalía feat J Balvin & El Guincho, Con Altura\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cbr \u002F\u003E Rosalía has been making waves with her contemporary take on flamenco, but this is the song that put her on the international map. An effortless fusion of traditional music with old-school reggaetón and a dash of Middle-Eastern inspiration, Rosalía created a sound all of her own – a sound that feels a lot like the future of global pop music.\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EMemorable lyric: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E“Vivo rápido y no tengo cura\u002F Iré joven pa’ la sepulture.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003E4. \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=L9HYJbe9Y18\"\u003E\u003Cstrong\u003E\u003Cem\u003EClairo, Bags\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019-16"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07yqwvz"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019-17"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EBreaking up is hard to do, and sometimes even harder to explain. The lead Rostam Batmanglij-produced single from Clairo’s album Immunity, achingly explores the kind of insignificant, unspoken things that accumulate and coalesce into the moment when a loved one walks out the door with those bags. Low-key, touching and heart-felt, the song elevated the 21-year-old from You Tube phenomenon to bona fide pop star. \u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EMemorable lyric:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E “Can you see me? I’m waiting for the right time \u002F I can’t read you, but if you want, the pleasure’s all mine.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003E3. \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=7ysFgElQtjI\"\u003E\u003Cstrong\u003E\u003Cem\u003ELil Nas X feat Billy Ray Cyrus, Old Town Road (Remix)\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cstrong\u003E\u003Cem\u003E\u003Cbr \u002F\u003E \u003C\u002Fem\u003E\u003C\u002Fstrong\u003ELove it, hate it, or even love to hate it, you can’t deny the song’s domination in 2019. We all know the story: A $30 YouTube beat, a Nine Inch Nails sample, a viral moment on TikTok that turned into a controversy about whether or not the song could be classified as country music, and the genius move of adding Billy Ray Cyrus to the remix. It should never have worked, but it did.\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EMemorable lyric: \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E“Ridin' on a horse, ha\u002F You can whip your Porsche\u002F I been in the valley\u002F You ain’t been up off that porch, now.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003E2. \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=XaCrQL_8eMY\"\u003E\u003Cstrong\u003E\u003Cem\u003ELizzo, Juice\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019-18"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07yqwwf"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019-19"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EA riot of retro-funk filled with soul and sexiness, Lizzo gives Mark Ronson and Bruno Mars a joyous run for their money with this hit. Juice is Lizzo’s finest feeling-good-about-yourself song to date. Along the way, Lizzo praises the woman in the mirror, sips Grey Goose and makes fun of a man sliding into her DMs.\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EMemorable lyric:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E “I be drippin’ so much sauce\u002F Got a bitch lookin’ like Ragù.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003E1. \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=DyDfgMOUjCI\"\u003E\u003Cstrong\u003E\u003Cem\u003EBillie Eilish, bad guy\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019-20"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07yqwxk"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019-21"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EOf all the songs that propelled the remarkable rise of the 17-year-old pop prodigy this year, bad guy was the biggest and most subversive, and was the song that eventually toppled Old Town Road from the number 1 spot. Someone is taunted for being a bad guy, before flipping the tables to suggest that she’s the real culprit. Thumbing a nose at the way people present themselves, the song has it all: Lo-fi swagger, sass in spades, and a surreal music video that \u003Ca href=\"https:\u002F\u002Fmashable.com\u002Farticle\u002Fbillie-eilish-bad-guy-music-video-memes\u002F\"\u003Egot the meme treatment\u003C\u002Fa\u003E online. The dark side had never felt more fun.\u003Cbr \u002F\u003E \u003Cstrong\u003E\u003Cem\u003EMemorable lyric:\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E “Duh.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cem\u003EIf you liked this story, sign up for the weekly bbc.com features newsletter, called \u003C\u002Fem\u003E\u003Ca href=\"http:\u002F\u002Fpages.emails.bbc.com\u002Fsubscribe\u002F\"\u003E\u003Cem\u003EThe Essential List\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003Cem\u003E. A handpicked selection of stories from BBC Music, Culture, Capital, Future and Travel, delivered to your inbox every Friday.\u003C\u002Fem\u003E \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019-22"}],"collection":["culture\u002Fpremium-collection\u002Fmusic"],"disableAdverts":false,"displayDate":"2019-12-23T14:49:02Z","embeddedCustomHtml":"","embeddedInfographicUrl":"","embeddedType":"","headlineLong":"The 20 best songs of 2019","headlineShort":"The 20 best songs of 2019","image":["p07yqwxt"],"imageAlignment":"centre","imageAltText":"","isSyndicated":false,"latitude":"","longitude":"","mpsVideo":"","option":[{"Content":{"Description":"Apple News Publish: Select to publish, remove to unpublish. (Do not just delete or unpublish the story)","Name":"publish-applenews-system-1"},"Metadata":{"CreationDateTime":"2016-02-05T14:32:31.186819Z","Entity":"option","Guid":"13f4bc85-ae27-4a34-9397-0e6ad3619619","Id":"option\u002Fpublish-applenews-system-1","ModifiedDateTime":"2022-02-27T22:52:24.455144Z","Project":"wwverticals","Slug":"option\u002Fpublish-applenews-system-1"},"Urn":"urn:pubpipe:wwverticals:option:option\u002Fpublish-applenews-system-1","_id":"62b420921f4b7b5d34253c8b"}],"partner":null,"primaryVertical":"culture","promoAlignment":"centre","promoAltText":"","promoImage":null,"relatedStories":["culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed","culture\u002Farticle\u002F20191007-the-greatest-hip-hop-songs-of-all-time"],"relatedTag":null,"summaryLong":"Artists that most defined an eventful year in music included Billie Eilish, Vampire Weekend, Rosalía and J Balvin, Lizzo, and of course Lil Nas X.","summaryShort":"Songs that most defined a highly eventful year in music","tag":null,"textToSpeech":false,"creationDateTime":"2020-04-06T09:57:46.745349Z","entity":"article","guid":"5d605e35-bc0a-4f44-b52c-3672344856cd","id":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019","modifiedDateTime":"2022-02-24T13:19:24.861269Z","project":"wwverticals","slug":"culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019","cacheLastUpdated":1656306867774},"culture\u002Farticle\u002F20200123-14-facts-about-the-grammy-songs-of-the-year-award":{"urn":"urn:pubpipe:wwverticals:article:culture\u002Farticle\u002F20200123-14-facts-about-the-grammy-songs-of-the-year-award","_id":"62b41fc41f4b7b393d75883b","ambientVideo":"","articleType":"story","assetVideo":null,"author":["culture\u002Fauthor\u002Fstephen-dowling"],"bodyIntro":"In 1959, Grammy judges inaugurated Song Of The Year – and it’s become one of the most sought-after prizes at the ceremony","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThe 62nd Annual Grammy Awards will take place at the Staples Center in Los Angeles over this weekend, and Song Of The Year is one of the most coveted prizes. Win this, and you join a hallowed hall featuring songs from only the most respected songwriters of the modern era: The Beatles, Frank Sinatra, Elton John and, er, The Doobie Brothers (well, it was the end of the Seventies).\u003C\u002Fp\u003E\u003Cp\u003EThe Grammys recognition of the greatest song of the year is a little more complicated than most awards. Song Of The Year rewards the songwriters who wrote and composed the song, but the awards also have Record Of The Year, a prize that goes to the singer and production team.\u003C\u002Fp\u003E\u003Cp\u003ELast year, This Is America by Childish Gambino won the Song Of The Year award, this year the nominations are:\u003C\u002Fp\u003E\u003Cp\u003EAlways Remember Us This Way (Lady Gaga)\u003Cbr \u002F\u003E Bad Guy (Billie Eilish)\u003Cbr \u002F\u003E Bring My Flowers Now (Tanya Tucker)\u003Cbr \u002F\u003E Hard Place (H.E.R.)\u003Cbr \u002F\u003E Lover (Taylor Swift)\u003Cbr \u002F\u003E Norman F***ing Rockwell (Lana Del Rey)\u003Cbr \u002F\u003E Someone You Loved (Lewis Capaldi)\u003Cbr \u002F\u003E Truth Hurts (Lizzo)\u003C\u002Fp\u003E\u003Cp\u003EFor 60 years the Song Of The Year category has rewarded songs that have become part of our aural history. It’s also thrown up some mystifying decisions too. Ahead of the ceremony this year, here’s BBC Music’s potted history of the the Song Of The Year award in 14 facts. [Note: the years cited are those in which the songs were released and were awarded for, not the year the ceremony took place, which is the following year.]\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EThe first Song Of The Year was in Italian\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003EThe US music industry is big and broad enough to have overwhelmingly swelled the ranks of Song Of The year winners. But when the category kicked off in 1959, the Grammy Awards judges gave the prize to Domenico Modugno’s Volare. The song had already been Italy’s entry into the Eurovision Song Contest in 1958 and spent five weeks at the top of the Billboard charts, turning Modugno into a household name. Modugno, incidentally, later became a member of parliament in Italy and an outspoken critic of Chilean dictator August Pinochet – so much so that he was denied entry to Chile to play a concert.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EJimmy Webb’s surprising win\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200123-14-facts-about-the-grammy-songs-of-the-year-award-0"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08137vx"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200123-14-facts-about-the-grammy-songs-of-the-year-award-1"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EJimmy Webb’s By the Time I Get To Phoenix is regarded as one of the classic songs of the 1960s, made even more memorable by the honeyed tones of the late Glen Campbell. The Grammy panel rightly gave it a nomination for best song in 1967, but the song was beaten by Up, Up And Away – also written by Webb. Thus, The 5th Dimension’s ode to hot-air ballooning made it into the Grammy history books, instead of one of the greatest essays of romantic longing ever recorded.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003ELittle Green Apples beats The Beatles\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003EBobby Russell’s Little Green Apples is a masterpiece of lyrical songwriting; the kind of country song that makes you feel you’re right in the room with the characters. It was originally recorded by country legend Roger Miller, though the song’s confessional approach meant other singers soon clamoured to cover it. Patti Page and OC Smith both covered it in 1968, and Smith’s version earned Russell the Song Of The Year Grammy. Some might have thought that another song that made the category that year might have triumphed, however The Beatles’ Hey Jude missed out.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EThe Beatles won only once\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200123-14-facts-about-the-grammy-songs-of-the-year-award-2"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08137jj"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200123-14-facts-about-the-grammy-songs-of-the-year-award-3"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EIn fact, though Lennon and McCartney may arguably be the most successful songwriting partnership in pop history, nods from the Grammy judges were conspicuous by their absence. The band won only once, for the song Michelle, off the album Rubber Soul. The choice was all the more interesting given that the song wasn’t released as a single, and the album never topped the charts in the US (though Michelle was the most popular Rubber Soul track on US radio).\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EPlaying it safe in the ‘70s\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003EHalfway through the 1970s, the Grammy judges still seemed to be keeping modern pop at arm’s length, celebrating instead the folkier charms of Simon & Garfunkel and the can-you-hear-me-at-the-back music hall projection of Barbra Streisand. 1975 was a year which saw a string of pop classics – from The Bee Gees’ Jive Talkin’ to KC & The Sunshine Band’s Get Down Tonight and David Bowie’s extraordinary Fame. What did the jury go for? Judy Collins’ Send In The Clowns.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003ENo place for Bond\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200123-14-facts-about-the-grammy-songs-of-the-year-award-4"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08137n5"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200123-14-facts-about-the-grammy-songs-of-the-year-award-5"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003ESay what you like about the James Bond films, but they have directly birthed a handful of fantastic pop songs, including Wings’ Live & Let Die and Louis Armstrong’s velvet-smooth We Have All The Time In The World. But one – and only one – has earned a nomination for Song Of The Year. Carly Simon’s Nobody Does It Better was the theme to 1977’s The Spy Who Loved Me, written by composer Marvin Hamlisch and lyricist Carole Bayer Sager. It lost out, however, to two another compositions for films – Evergreen (the theme to A Star Is Born) and You Light Up My Life, from the film of the same name. Incidentally, that’s the only time two songs have shared the prize.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EDoobie Bother\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200123-14-facts-about-the-grammy-songs-of-the-year-award-6"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p081382r"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200123-14-facts-about-the-grammy-songs-of-the-year-award-7"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EJimmy Webb wasn’t the only artist to enjoy a double nomination. The Doobie Brothers’ Michael McDonald also found himself up for the award twice in the same year, though with two different writing partners. Studio Doobie Lester Abrams co-wrote the single Minute By Minute with McDonald, but a place on the podium was assured thanks to the latter’s song with Kenny Loggins, What A Fool Believes.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003ENo song success for Jackson \u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200123-14-facts-about-the-grammy-songs-of-the-year-award-8"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08137qv"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200123-14-facts-about-the-grammy-songs-of-the-year-award-9"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EFew ’80s artists apart from Madonna and Prince could hold a candle to Michael Jackson, but despite his chart-topping domination, neither he nor his songwriting partners had even a sniff of songwriting success during the 80s – apart from Jackson’s part in the Ethiopia famine charity single We Are The World, with Jackson co-credited alongside Lionel Richie. There was more to be thankful for in the Record Of The Year category at least: Beat It won the category for 1983, and Thriller also won Album Of The Year.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EBette Midler’s double run\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200123-14-facts-about-the-grammy-songs-of-the-year-award-10"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08138y6"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200123-14-facts-about-the-grammy-songs-of-the-year-award-11"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThink of 1989 and a clutch of classic singles spring to mind – Madonna’s Like A Prayer, The B-52s’ Love Shack, Cher’s Turn Back Time and Soul II Soul’s Back To Life, to name but a few. What did the Grammy judges plump for? Seemingly possessed by the spirit of a Broadway theatrical agent, the Grammy panel rewarded Bette Midler’s Wind Beneath My Wings, and followed it up a year later with another prize, this time for the equally maudlin From A Distance. In generations to come, music historians may come up with the idea that Midler was the female pre-eminent pop artist of the ’80s. It’s as if Madonna never happened.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EThe year music went to the movies\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200123-14-facts-about-the-grammy-songs-of-the-year-award-12"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08137pz"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200123-14-facts-about-the-grammy-songs-of-the-year-award-13"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EMusic and movies have always gone hand in hand, and the Grammys and the Oscars have been regular dance partners. But 1994 was noteworthy even amid Hollywood themes to shoehorn their way into the proceedings. That year, no less than three of the songs in contention for the prize were from films. The Lion King soundtrack gave Elton John and Tim Rice two nods for the songs Circle Of Life and Can You Feel The Love, but victory went instead to Bruce Springsteen for the downbeat Streets Of Philadelphia.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EIllustrious omissions\u003C\u002Fstrong\u003E\u003Cbr \u002F\u003E Given that the Grammy’s have a public reputation of largely rewarding commercial rather than critical success, it’s odd that several of the pop world’s biggest artists have never been recognised – or even nominated. The Rolling Stones, Madonna, David Bowie and Queen have never even been nominated, while Prince’s one nomination was for Sinead O’Connor’s version of Nothing Compares To You.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EBeautiful day for U2\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200123-14-facts-about-the-grammy-songs-of-the-year-award-14"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08137kx"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200123-14-facts-about-the-grammy-songs-of-the-year-award-15"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EU2, on the other hand, were nominated in 1987 for I Still Haven’t Found What I’m Looking For, though the Linda Ronstadt\u002FJames Ingram duet Somewhere Out There ultimately proved the winner. But U2’s day would come in the 2000s, with a double whammy five years apart. Beautiful Day – widely regarded as something of a commercial return to form after the dance rock antics half a decade earlier – took the honours for 2000, and five years later they followed it up with another for Sometimes You Can’t Make It On Your Own. Some things truly do come to those who wait.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003ESeven’s up for songwriters\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200123-14-facts-about-the-grammy-songs-of-the-year-award-16"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08138dq"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200123-14-facts-about-the-grammy-songs-of-the-year-award-17"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003ESongwriting often demands company – bouncing ideas off each other, helping songs take shape from those sparks of inspiration. But pity whoever had to pay the pizza bill for the songwriting session that birthed Bruno Mars’ That’s What I Like, which took the award for 2017. No less than seven writers – including Mars himself – contributed, a record that will likely take some beating. The most songwriters in this year’s nominations are five – for Hard Place by H.E.R. and Someone You Loved by Lewis Capaldi.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EGrowing choice for the award\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003EWhen the category was invented only five songs went head-to-head. Nowadays – possibly because our streaming and download culture now favours the song over the album – this year’s prize is now contested by eight songs. Well, the human population has more than doubled in that time, so we suppose that’s only fair.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cem\u003EIf you liked this story, sign up for the weekly bbc.com features newsletter, called \u003C\u002Fem\u003E\u003Ca href=\"http:\u002F\u002Fpages.emails.bbc.com\u002Fsubscribe\u002F\"\u003E\u003Cem\u003EThe Essential List\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003Cem\u003E. A handpicked selection of stories from BBC Music, Culture, Capital, Future and Travel, delivered to your inbox every Friday.\u003C\u002Fem\u003E \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200123-14-facts-about-the-grammy-songs-of-the-year-award-18"}],"collection":["culture\u002Fpremium-collection\u002Fmusic"],"disableAdverts":false,"displayDate":"2020-01-23T15:16:04.982Z","embeddedCustomHtml":"","embeddedInfographicUrl":"","embeddedType":"","headlineLong":"14 facts about the Grammy Songs Of The Year award","headlineShort":"Quirky history of Grammy-winning songs","image":["p081374g"],"imageAlignment":"centre","imageAltText":"","isSyndicated":false,"latitude":"","longitude":"","mpsVideo":"","option":[{"Content":{"Description":"Apple News Publish: Select to publish, remove to unpublish. (Do not just delete or unpublish the story)","Name":"publish-applenews-system-1"},"Metadata":{"CreationDateTime":"2016-02-05T14:32:31.186819Z","Entity":"option","Guid":"13f4bc85-ae27-4a34-9397-0e6ad3619619","Id":"option\u002Fpublish-applenews-system-1","ModifiedDateTime":"2022-02-27T22:52:24.455144Z","Project":"wwverticals","Slug":"option\u002Fpublish-applenews-system-1"},"Urn":"urn:pubpipe:wwverticals:option:option\u002Fpublish-applenews-system-1","_id":"62b420921f4b7b5d34253c8b"}],"partner":null,"primaryVertical":"culture","promoAlignment":"centre","promoAltText":"","promoImage":null,"relatedStories":["culture\u002Farticle\u002F20200123-the-oddest-grammy-album-of-the-year-awards","culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed","culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019"],"relatedTag":null,"summaryLong":"In 1959, Grammy judges inaugurated Song Of The Year – and it’s become one of the most sought-after prizes at the ceremony","summaryShort":"60 years of Grammy glory… and infamy","tag":null,"textToSpeech":false,"creationDateTime":"2020-04-06T10:00:26.164016Z","entity":"article","guid":"018b6061-0b0f-4f13-bf44-d6e6788b7353","id":"culture\u002Farticle\u002F20200123-14-facts-about-the-grammy-songs-of-the-year-award","modifiedDateTime":"2022-02-24T13:21:33.905079Z","project":"wwverticals","slug":"culture\u002Farticle\u002F20200123-14-facts-about-the-grammy-songs-of-the-year-award","cacheLastUpdated":1656306867770},"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances":{"urn":"urn:pubpipe:wwverticals:article:culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances","_id":"62b41fc21f4b7b08ff5efdf4","ambientVideo":"","articleType":"story","assetVideo":null,"author":null,"bodyIntro":"","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThis year’s Hyundai Mercury Prize, celebrating the best album by a British or Irish artist over the last 12 months, has been won by Dave for Psychodrama. The album from the south London rapper is an extraordinary debut, framed as excerpts from a year-long course of therapy and tackling issues of grief, racial identity, domestic abuse and depression.\u003C\u002Fp\u003E\u003Cp\u003EThe award honours the best British and Irish album of the last 12 months, and is chosen by a panel of British music critics and industry professionals. Psychodrama beat albums by black midi, Foals, Nao, Little Simz, and others, and joins the likes of other rap winners, including Dizzee Rascal’s Boy in Da Corner and Skepta’s Konnichiwa. Accepting the award, Dave invited his mother up on stage and paid tribute to his brother, who is currently in prison, for inspiring the album.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-0"},{"bodyHtml":{"assets":[]},"cardType":"Video","iFrameType":"","videoImageAlign":"centre","videoUrn":[],"id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-1"},{"bodyHtml":{"assets":[],"html":"\u003Cul\u003E \u003Cli\u003E\u003Ca href=\"http:\u002F\u002Fwww.bbc.com\u002Fculture\u002Fstory\u002F20190726-hyundai-mercury-prize-2019-the-1975-foals-shortlisted\"\u003E2019 Hyundai Mercury Prize shortlist\u003C\u002Fa\u003E\u003C\u002Fli\u003E \u003Cli\u003E\u003Ca href=\"https:\u002F\u002Fwww.bbc.co.uk\u002Fprogrammes\u002Fp07mk58x\"\u003E12 x 1 The Mercury Prize Podcast\u003C\u002Fa\u003E\u003C\u002Fli\u003E \u003Cli\u003E\u003Ca href=\"https:\u002F\u002Fwww.bbc.co.uk\u002Fprogrammes\u002Fp07hss3r\"\u003ELive highlights from shortlisted artists\u003C\u002Fa\u003E\u003C\u002Fli\u003E \u003C\u002Ful\u003E\u003Cp\u003EThe awards feature live performances from the nominated artists, enjoy all the performances below. (Warning: Some performances feature language that may offend.)\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EFoals, On the Luna \u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-2"},{"bodyHtml":{"assets":[]},"cardType":"Video","iFrameType":"","videoImageAlign":"centre","videoUrn":[],"id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-3"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EFoals frontman \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fnews\u002Fentertainment-arts-49759570\"\u003EYannis Philippakis didn’t play guitar\u003C\u002Fa\u003E after a \"run-in with a knife\" that left him unable to play - The Maccabees' Felix White \u003Ca href=\"https:\u002F\u002Ftwitter.com\u002Ffelixwhite\u002Fstatus\u002F1174388315879071750\"\u003Estepped in to save the day\u003C\u002Fa\u003E.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EAnna Calvi, Don’t Beat the Girl out of My Boy\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-4"},{"bodyHtml":{"assets":[]},"cardType":"Video","iFrameType":"","videoImageAlign":"centre","videoUrn":[],"id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-5"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EDescribing the song, Anna Calvi says: “It’s a song about the defiance of happiness. It’s about being free to identify yourself in whichever way you please, without any restraints from society.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003ELittle Simz, Selfish\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-6"},{"bodyHtml":{"assets":[]},"cardType":"Video","iFrameType":"","videoImageAlign":"centre","videoUrn":[],"id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-7"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E“I'm right in the dead middle of my twenties - no one warned me it was going to be this hard,” \u003Ca href=\"https:\u002F\u002Ftwitter.com\u002FAnnieMac\u002Fstatus\u002F1085622546832285697\"\u003ELittle Simz told BBC Radio 1’s Annie Mac\u003C\u002Fa\u003E. “It feels like a Grey Area - which is why I called the album that.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003ESEED Ensemble, Interplanetary Migration\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-8"},{"bodyHtml":{"assets":[]},"cardType":"Video","iFrameType":"","videoImageAlign":"centre","videoUrn":[],"id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-9"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThe ten-piece project led by composer, arranger and saxophonist Cassie Kinoshi combines South African jazz with Sixties soul and hip hop influences.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EFontaines D.C., Boys In The Better Land \u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-10"},{"bodyHtml":{"assets":[]},"cardType":"Video","iFrameType":"","videoImageAlign":"centre","videoUrn":[],"id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-11"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EFast and furious: The band say that the only lighting they had when they recorded some songs was a strobe light.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003ECate Le Bon, Home To You \u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-12"},{"bodyHtml":{"assets":[]},"cardType":"Video","iFrameType":"","videoImageAlign":"centre","videoUrn":[],"id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-13"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EPop with avant-garde flavour explores a search for belonging and a sense of place.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EDave, Black Or Streatham \u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-14"},{"bodyHtml":{"assets":[]},"cardType":"Video","iFrameType":"","videoImageAlign":"centre","videoUrn":[],"id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-15"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThe London rapper brought the audience to their feet with this performance.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003Eblack midi, BM BM BM \u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-16"},{"bodyHtml":{"assets":[]},"cardType":"Video","iFrameType":"","videoImageAlign":"centre","videoUrn":[],"id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-17"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EKeep your eye on the guitarist, trust us.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EThe 1975, It's Not Living (If It's Not With You) \u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-18"},{"bodyHtml":{"assets":[]},"cardType":"Video","iFrameType":"","videoImageAlign":"centre","videoUrn":[],"id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-19"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EAs the band are in Australia, they showed a video of a live performance.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003ENAO, Another Lifetime\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-20"},{"bodyHtml":{"assets":[]},"cardType":"Video","iFrameType":"","videoImageAlign":"centre","videoUrn":[],"id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-21"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003ECosmic sensuality meets sad banger from the singer-songwriter.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003Eslowthai, Doorman\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-22"},{"bodyHtml":{"assets":[]},"cardType":"Video","iFrameType":"","videoImageAlign":"centre","videoUrn":[],"id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-23"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThe self-styled “Brexit Bandit” gnarls and snarls his way through this show-stopping performance describing a night out.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EIDLES, Never Fight a Man With a Perm\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-24"},{"bodyHtml":{"assets":[]},"cardType":"Video","iFrameType":"","videoImageAlign":"centre","videoUrn":[],"id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-25"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EFrom one flavour of punk to another – with the Bristol band’s rant against drugged-up toxic masculinity. slowthai certainly loved it.\u003C\u002Fp\u003E\u003Cp\u003E--\u003C\u002Fp\u003E\u003Cp\u003E\u003Cem\u003EIf you liked this story, sign up for the weekly bbc.com features newsletter, called \u003C\u002Fem\u003E\u003Ca href=\"http:\u002F\u002Fpages.emails.bbc.com\u002Fsubscribe\u002F\"\u003E\u003Cem\u003EThe Essential List\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003Cem\u003E. A handpicked selection of stories from BBC Music, Culture, Capital, Future and Travel, delivered to your inbox every Friday.\u003C\u002Fem\u003E \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances-26"}],"collection":[],"disableAdverts":false,"displayDate":"2019-09-19T23:21:43.529Z","embeddedCustomHtml":"","embeddedInfographicUrl":"","embeddedType":"","headlineLong":"2019 Hyundai Mercury Music Prize: Live performances","headlineShort":"Best performances at the Mercury Prize","image":[],"imageAlignment":"centre","imageAltText":"","isSyndicated":false,"latitude":"","longitude":"","mpsVideo":"","option":[],"partner":null,"primaryVertical":"culture","promoAlignment":"centre","promoAltText":"","promoImage":[],"relatedStories":[],"relatedTag":null,"summaryLong":"This year’s Hyundai Mercury Prize has been won by Dave for Psychodrama. Watch all the amazing sets from the nominated artists","summaryShort":"Watch all the amazing sets from the nominated artists and the winner's speech","tag":null,"textToSpeech":false,"creationDateTime":"2020-04-06T09:42:28.835967Z","entity":"article","guid":"3088bd26-3a92-4141-85f7-e701f0793511","id":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances","modifiedDateTime":"2022-02-24T13:08:20.934658Z","project":"wwverticals","slug":"culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances","cacheLastUpdated":1656306867775},"culture\u002Farticle\u002F20200109-celeste-wins-bbc-musics-sound-of-2020":{"urn":"urn:pubpipe:wwverticals:article:culture\u002Farticle\u002F20200109-celeste-wins-bbc-musics-sound-of-2020","_id":"62b41fd71f4b7b035252edc2","ambientVideo":"","articleType":"story","assetVideo":null,"author":null,"bodyIntro":"The British-Jamaican soul singer was chosen by a panel of 170 influential music experts, including alumni artists Billie Eilish and Lewis Capaldi","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EBBC Music Sound Of 2020 has revealed the top five artists who experts think are most hotly tipped for success this year. Around 170 music critics, musicians and DJs, including alumni artists like Billie Eilish and Lewis Capaldi, voted in this year’s poll, and the top five covers artists whose influences range from Arctic Monkeys to Billie Holliday to The Cure.\u003C\u002Fp\u003E\u003Cp\u003ETopping the list this year is Celeste, the 25-year-old British-Jamaican singer from Brighton with her spine-tingling brand of neo-soul. “Celeste is a phenomenal talent, a voice that does not come around often and when you are exposed to it, is impossible to ignore,” says BBC Radio 1 DJ Annie Mac. “I have received countless emotional texts from listeners who have had to sit in their car and lose themselves to her song Strange before carrying on with their evening.”\u003C\u002Fp\u003E\u003Cp\u003EThe top five artists are listed below, we’ll be showing exclusive videos from the top three over the coming days.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EFIRST PLACE: \u003Ca href=\"@celeste\"\u003ECeleste\u003C\u002Fa\u003E\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200109-celeste-wins-bbc-musics-sound-of-2020-0"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07zngfw"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200109-celeste-wins-bbc-musics-sound-of-2020-1"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003ECeleste adds the Sound of 2020 prize to a growing cabinet, including \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fnews\u002Fnewsbeat-50643295\"\u003EBBC Music Introducing's Artist of the Year 2019\u003C\u002Fa\u003E and the \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fnews\u002Fentertainment-arts-50680360\"\u003EBRITS Rising Star\u003C\u002Fa\u003E. The neo-soul singer has earned feverish comparisons with Amy Winehouse and Billie Holiday for her bluesy melancholic voice. Celeste started her journey with BBC Music in 2014 when she uploaded her track North Circular to the BBC Music Introducing website. Her heartbreaking single \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=MrUPfAbMFio\"\u003EStrange\u003C\u002Fa\u003E put her on the map, and she has toured with label-mate Michael Kiwanuka, who topped the BBC’s Sound of 2012 poll. One of her biggest fans is Paul Weller. “He reached out to one of my managers, we got to do \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=lUPsKZfuXi8\"\u003Ea duet of one of his songs\u003C\u002Fa\u003E,” Celeste tells the BBC. “You don’t expect that sort of thing to happen.” Another fan is James Corden, \u003Ca href=\"https:\u002F\u002Ftwitter.com\u002FJKCorden\u002Fstatus\u002F1189788247066497024\"\u003Ewho tweeted\u003C\u002Fa\u003E:“I cannot stop listening to \u003Ca href=\"https:\u002F\u002Ftwitter.com\u002Fceleste\"\u003E@celeste\u003C\u002Fa\u003E this is her song Strange. It’s sensational. I dare you not to love her. I dare you.” Expect to see her on a late-night talk show sometime soon…\u003C\u002Fp\u003E\u003Cp\u003EInterview with Celeste on BBC Introducing on Radio 1 with Huw Stephens\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200109-celeste-wins-bbc-musics-sound-of-2020-2"},{"bodyHtml":{"assets":[]},"cardType":"Video","iFrameType":"","videoImageAlign":"centre","videoUrn":["p07wphm9"],"id":"culture\u002Farticle\u002F20200109-celeste-wins-bbc-musics-sound-of-2020-3"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200109-celeste-wins-bbc-musics-sound-of-2020-4"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003ESECOND PLACE: \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Feasylife\u002F\"\u003EEasy Life\u003C\u002Fa\u003E\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200109-celeste-wins-bbc-musics-sound-of-2020-5"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07znd9y"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200109-celeste-wins-bbc-musics-sound-of-2020-6"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EIndescribable and undefinable, Leicester’s Easy Life hop, skip and jump effortlessly across a head-spinning range of genres, their sound fusing everything including hip-hop, psychedelic electronica, jazz, indiepop, ambient house, and much, much more. The band say they were formed “on a whim” in a pub two years ago, and their first single \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=oeFq3Sta6bY\"\u003EPockets\u003C\u002Fa\u003E picked up a huge amount of buzz almost immediately. “Pockets is four-and-a-half minutes long and it’s not very commercial, but ironically it was that song that got a moderate commercial seal of approval,” says frontman Murray Matravers. “That was a massive deal for us, because we were just five dudes from Leicester rehearsing on an industrial estate.” Their music is enshrouded with personal experience, but with a distinctly rainy British outlook. “The overarching thing is the idea that life can get a bit crap, but everything’s going to be OK,” Matravers tells the BBC. “It’s quite a British outlook to grit your teeth and smile – but I can't help it, that’s my general outlook.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003ETHIRD PLACE: \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fyungblud\u002F\"\u003EYungblud\u003C\u002Fa\u003E\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200109-celeste-wins-bbc-musics-sound-of-2020-7"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07znd2z"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200109-celeste-wins-bbc-musics-sound-of-2020-8"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EYorkshire’s Yungblud is the most established artist on the list: he has more Spotify streams than the other nine artists on the longlist combined, and his EP \u003Ca href=\"https:\u002F\u002Fopen.spotify.com\u002Falbum\u002F0kGTcfwQC5nlsubgxUXdwP?autoplay=true&v=L\"\u003EThe Underrated Youth\u003C\u002Fa\u003E reached the UK’s top 10. His ambitions are to make anthems that speak to his own generation, and his unflinching honesty about his sexuality and ADHD has won him a host of loyal fans worldwide - who call themselves The Black Hearts Club, based on the two tattoos on his middle fingers. Yungblud wears his heart on his androgynously dressed sleeve about topics like sexual assault, gun control and mental health, and he’s worked with Marshmello, dated Halsey, and \u003Ca href=\"https:\u002F\u002Fwww.nme.com\u002Fnews\u002Fmusic\u002Fyungblud-teases-collaboration-with-post-malone-2593263\"\u003Ecurrent rumours\u003C\u002Fa\u003E suggest a collaboration with Post Malone may be in the pipeline. “People are angry again, people are riled up and want to be told the truth,” he tells the BBC. “When people look back on us in 10 years, I want them to be like, ‘They were a movement and they did something that was that was completely original and a liberation within people’.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EFOURTH PLACE: \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fjoycrookes\u002F\"\u003EJoy Crookes\u003C\u002Fa\u003E\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200109-celeste-wins-bbc-musics-sound-of-2020-9"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07zmj7c"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200109-celeste-wins-bbc-musics-sound-of-2020-10"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EBorn to a Bangladeshi mother and an Irish father, Joy Crookes’ jazz-drenched vocals and honest, witty lyrics paint vivid portraits of everything from her identity to life in London. A cover of Ray Charles’ \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=xooCiCmkS6U\"\u003EHit The Road Jack\u003C\u002Fa\u003E earned her a management deal, and an acoustic performance of \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=sUFEnN7TD50\"\u003EDon’t Let Me Down\u003C\u002Fa\u003E for the BBC became one of the most-talked about moments at 2019’s Glastonbury Festival. Her sound fuses the eclectic range of music her father played as he drove her to her weekly Irish dancing lessons. “My dad wanted to give me a real education, from Nick Cave to King Tubby to all this Pakistani music,” Crookes tells the BBC. “He’d say, ‘This is from your ends of the world, you should hear this.’” Not that Crookes is fully embracing the attention that being on the Sound of 2020 list will bring. “Anxiety central is what it feels like!” she says. “It’s half an incredible feeling because there’s so much adrenaline, but the other half is like, ‘I’m going to die, I’m going to die, I’m going to die!’”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EFIFTH PLACE: \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Finhalerdublin\u002F?hl=en\"\u003EInhaler\u003C\u002Fa\u003E\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200109-celeste-wins-bbc-musics-sound-of-2020-11"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07zfhjb"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200109-celeste-wins-bbc-musics-sound-of-2020-12"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EHaving Bono’s son in the band is always going to open a few doors for you, but rather than trade on his dad’s name, Elijah Hewson and schoolfriend band members Robert Keating, Ryan McMahon and Josh Jenkinson have done their apprenticeship the harder way. The band have crafted a post-punk sound influenced by Joy Division, The Strokes, The Stone Roses and The Cure, and taken it to tiny pubs and clubs to build up a loyal following. They’ve supported Noel Gallagher and recently finished their first US tour, supporting Blossoms. The proto-stadium rock of \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=dAP4B1G-SWk\"\u003EMy Honest Face\u003C\u002Fa\u003E is their stand-out song so far, and the band say their debut album will be about their generation's dependence on smartphones and social media. Hewson says he definitely wants to succeed in his own way, with or without his famous dad’s influence. “I'd never ask him for advice – only advice about where am I going to live next year and that sort of thing,” Hewson tells the BBC. “I try not to ask him about music.”\u003C\u002Fp\u003E\u003Cp\u003EMeet all the artists in BBC’s Sound of 2020 list\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200109-celeste-wins-bbc-musics-sound-of-2020-13"},{"bodyHtml":{"assets":[]},"cardType":"Video","iFrameType":"","videoImageAlign":"centre","videoUrn":["p07xm831"],"id":"culture\u002Farticle\u002F20200109-celeste-wins-bbc-musics-sound-of-2020-14"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200109-celeste-wins-bbc-musics-sound-of-2020-15"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cem\u003EIf you liked this story, sign up for the weekly bbc.com features newsletter, called \u003C\u002Fem\u003E\u003Ca href=\"http:\u002F\u002Fpages.emails.bbc.com\u002Fsubscribe\u002F\"\u003E\u003Cem\u003EThe Essential List\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003Cem\u003E. A handpicked selection of stories from BBC Music, Culture, Capital, Future and Travel, delivered to your inbox every Friday.\u003C\u002Fem\u003E \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200109-celeste-wins-bbc-musics-sound-of-2020-16"}],"collection":["culture\u002Fpremium-collection\u002Fmusic"],"disableAdverts":false,"displayDate":"2020-01-09T12:00:00Z","embeddedCustomHtml":"","embeddedInfographicUrl":"","embeddedType":"","headlineLong":"Celeste wins BBC Music’s Sound of 2020","headlineShort":"Celeste tops BBC’s Sound Of 2020 list","image":["p07zvz96"],"imageAlignment":"centre","imageAltText":"","isSyndicated":false,"latitude":"","longitude":"","mpsVideo":"","option":[{"Content":{"Description":"Apple News Publish: Select to publish, remove to unpublish. (Do not just delete or unpublish the story)","Name":"publish-applenews-system-1"},"Metadata":{"CreationDateTime":"2016-02-05T14:32:31.186819Z","Entity":"option","Guid":"13f4bc85-ae27-4a34-9397-0e6ad3619619","Id":"option\u002Fpublish-applenews-system-1","ModifiedDateTime":"2022-02-27T22:52:24.455144Z","Project":"wwverticals","Slug":"option\u002Fpublish-applenews-system-1"},"Urn":"urn:pubpipe:wwverticals:option:option\u002Fpublish-applenews-system-1","_id":"62b420921f4b7b5d34253c8b"}],"partner":null,"primaryVertical":"culture","promoAlignment":"centre","promoAltText":"","promoImage":["p07ztg92"],"relatedStories":["culture\u002Farticle\u002F20191211-bbc-music-sound-of-2020-longlist-revealed","culture\u002Farticle\u002F20190919-2019-hyundai-mercury-music-prize-live-performances","culture\u002Farticle\u002F20191220-the-20-best-songs-of-2019"],"relatedTag":null,"summaryLong":"The British-Jamaican soul singer was chosen by a panel of 170 influential music experts, including alumni artists Billie Eilish and Lewis Capaldi","summaryShort":"British-Jamaican soul singer chosen by a panel of 170 influential music experts","tag":null,"textToSpeech":false,"creationDateTime":"2020-04-06T09:58:57.615929Z","entity":"article","guid":"90e03fd9-20a1-42cc-8662-469bf08c8f07","id":"culture\u002Farticle\u002F20200109-celeste-wins-bbc-musics-sound-of-2020","modifiedDateTime":"2022-02-24T13:20:25.484213Z","project":"wwverticals","slug":"culture\u002Farticle\u002F20200109-celeste-wins-bbc-musics-sound-of-2020","cacheLastUpdated":1656306867772},"culture\u002Farticle\u002F20191218-why-lizzo-was-the-star-who-defined-2019":{"urn":"urn:pubpipe:wwverticals:article:culture\u002Farticle\u002F20191218-why-lizzo-was-the-star-who-defined-2019","_id":"62b41fc41f4b7b033633f921","ambientVideo":"","articleType":"story","assetVideo":null,"author":[],"bodyIntro":"After many years of groundwork, this year the body-positive US singer-rapper stormed her way into the public consciousness – and became a true diva for our times, writes Nick Levine.","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EWhen Time magazine recently named Lizzo its \u003Ca href=\"https:\u002F\u002Ftime.com\u002Fentertainer-of-the-year-2019-lizzo\u002F\"\u003Eentertainer of the year\u003C\u002Fa\u003E, it hailed the US singer-rapper as the “defining star of 2019 – not just for the music she makes, but for what she represents”. It’s difficult to disagree with this verdict. Over the past 12 months, Lizzo has become the inspiring, high-energy figurehead of the growing self-care movement – with its philosophy of actively nurturing and protecting your own mental and physical wellbeing – and a performer synonymous with unbridled joy and unapologetic self-confidence.\u003C\u002Fp\u003E\u003Cp\u003EMore like this:\u003C\u002Fp\u003E\u003Cp\u003E-        \u003Ca href=\"http:\u002F\u002Fwww.bbc.co.uk\u002Fculture\u002Fstory\u002F20191119-max-martin-the-secrets-of-the-worlds-best-pop-songwriter\"\u003EThe Yoda of pop music\u003C\u002Fa\u003E\u003C\u002Fp\u003E\u003Cp\u003E-        \u003Ca href=\"http:\u002F\u002Fwww.bbc.co.uk\u002Fculture\u002Fstory\u002F20191015-how-todays-rappers-are-resurrecting-the-spirit-of-punk\"\u003EIs this the new age of punk?\u003C\u002Fa\u003E\u003C\u002Fp\u003E\u003Cp\u003E-        \u003Ca href=\"http:\u002F\u002Fwww.bbc.co.uk\u002Fculture\u002Fstory\u002F20190917-the-rise-of-palestinian-pop\"\u003EThe hardest place to be a pop star\u003C\u002Fa\u003E\u003C\u002Fp\u003E\u003Cp\u003ELizzo’s anti-commitment hit Truth Hurts – home to the instantly iconic and inspiringly self-confident line: “I just took a DNA test, turns out I’m 100% that bitch” – spent seven non-consecutive weeks at the top of the Billboard Hot 100 in September and October. In doing so, it tied a record for the longest spell at number one by a female-performed rap song. Its popularity helped Lizzo’s acclaimed album, Cuz I Love You, to be certified gold in the US, a not inconsiderable achievement for an album in the streaming era.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191218-why-lizzo-was-the-star-who-defined-2019-0"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191218-why-lizzo-was-the-star-who-defined-2019-1"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThe autumn success of Truth Hurts cemented Lizzo’s incredible mainstream breakthrough. The Detroit-born artist, whose real name is Melissa Viviane Jefferson, studied classical flute performance at the University of Houston, where her family moved when she was 10. Now, Lizzo has become a byword for body positivity and female empowerment. Google her name, and you’ll find articles with titles like \u003Ca href=\"https:\u002F\u002Fwww.stylist.co.uk\u002Fpeople\u002Flizzo-best-quotes-self-love-body-positivity-empowerment\u002F263004\"\u003ELizzo’s best quotes on body positivity and self-empowerment\u003C\u002Fa\u003E and \u003Ca href=\"https:\u002F\u002Fparade.com\u002F944081\u002Falexandra-hurtado\u002Flizzo-lyrics-self-love-quotes\u002F\"\u003E30 self-love Lizzo lyrics to feel Good as Hell\u003C\u002Fa\u003E. Good as Hell, Lizzo’s other big hit, which cracked the US and UK top 10 in November, after being remixed to feature Ariana Grande, contains the same stirring message of self-worth that Lizzo regularly espouses on social media and in her interviews. “If he don’t love you anymore,” she sings in a sisterly kind of way, “just walk your fine ass out the door”. \u003C\u002Fp\u003E\u003Cp\u003EIn November, Lizzo also underlined her growing reputation as a norm-shattering, plus-size style icon by appearing on the cover of British Vogue. “Lizzo hasn’t captured the zeitgeist this past year so much as set it,” says Giles Hattersley, the fashion magazine’s features director, pointing to “her honesty, kindness [and] the sheer force of her relatability”. Hattersley calls her “the perfect star for now” because “in these fraught times, she just makes people feel good – as anyone who's seen her preaching the art of self-care at her live shows will know”. \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191218-why-lizzo-was-the-star-who-defined-2019-2"},{"bodyHtml":{"assets":[]},"cardType":"PullQuote","iFrameType":"","pullQuote":"Despite her obvious musical talent, Lizzo’s fame is the result of a slow, committed crawl","id":"culture\u002Farticle\u002F20191218-why-lizzo-was-the-star-who-defined-2019-3"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EIn the flesh, Lizzo’s star quality is intense and infectious. When I interviewed her for music magazine NME in August 2018, I was seriously impressed by her charisma, candour and somewhat salty sense of humour. I \u003Ca href=\"https:\u002F\u002Fwww.nme.com\u002Fbig-reads\u002Fnme-big-read-lizzo-2372568\"\u003Ewrote\u003C\u002Fa\u003E at the time that she had a “firecracker personality which inflames the room”. \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191218-why-lizzo-was-the-star-who-defined-2019-4"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191218-why-lizzo-was-the-star-who-defined-2019-5"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EBut despite her obvious musical talent and megawatt personality, Lizzo’s current fame is the result of a slow, committed crawl rather than a lightning-bolt breakthrough. She released her debut album Lizzobangers on a Minneapolis indie label in October 2013, earning critical acclaim but only cult success. It would be another three years before she charted for the first time with Coconut Oil, a six-track EP which was her first release on a major label.\u003C\u002Fp\u003E\u003Cp\u003EIn fact, both Good as Hell and Truth Hurts were unexpected ‘sleeper hits’. She first dropped the latter back in September 2017, but it didn’t chart at the time; it would take a full two years for the song to climb to the top of the Billboard Hot 100. In July, she told \u003Ca href=\"https:\u002F\u002Fpeople.com\u002Fmusic\u002Flizzo-depression-almost-quit-music-after-releasing-truth-hurts\u002F\"\u003EPeople\u003C\u002Fa\u003E magazine: “The day I released Truth Hurts was probably one of the darkest days I’ve had ever in my career. I remember thinking, ‘If I quit music now, nobody would notice. This is my best song ever, and nobody cares.’” \u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EPrevailing mood\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003Cp\u003ESo why was 2019 the year when Lizzo finally made it into the mainstream? Truth Hurts started scaling the charts after being featured in the Netflix rom-com Someone Great, which came out in April. It also gained momentum after the DNA-test line became a viral meme on video-sharing app TikTok; users would pretend to give themselves a mouth swab, then declare themselves ‘100% that bitch’, ‘100% that ogre’ – a reference to Shrek – or ‘100%’ anything else they fancied. This might sound like a couple of lucky breaks, but they probably wouldn’t have happened if Lizzo’s personal brand hadn’t captured a prevailing socio-cultural mood. Jazmin Kopotsha, Entertainment Editor of Refinery29 UK, believes “the music she puts out is celebratory in a way that we’re only just starting to catch up with in society”. Kopotsha says society is now ready to embrace the idea of “women being powerful and feeling strength in themselves”, something Lizzo has been promoting for some time. \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191218-why-lizzo-was-the-star-who-defined-2019-6"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191218-why-lizzo-was-the-star-who-defined-2019-7"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EKopotsha also suggests, depressingly, that Lizzo has had to wait for the mainstream to make space for her. “I think there’s kind of this ‘one in, one out’ entry system in the way that society and the media and advertising like to celebrate women, particularly black women,” she says. “If you think about it, Beyoncé was kind of the go-to [figure] in terms of empowerment for a while, but she hasn’t been spoken about in that way this year. So it feels like that’s where Lizzo has been able to come in.”\u003C\u002Fp\u003E\u003Cp\u003ELizzo’s success has also been founded on an increasingly diverse fanbase of what she playfully calls “Lizzbians”, which includes a loyal LGBTQ contingent and a broad spectrum of women. When she appeared on the cover of African-American women’s magazine Essence in May, Lizzo wrote on Instagram: “This is a big one for me because for so long I felt like my music wasn’t reaching black people and it was breakin’ my heart.” It’s difficult to pinpoint why Lizzo might have initially felt disconnected from black fans, but it could stem partly from her formative years on the so-called ‘Twin Cities’ music scene in Minneapolis and neighbouring Saint Paul, which was dominated by white male artists. Aaron ‘Lazerbeak’ Made, who co-produced her 2013 debut LP, has said that shortly after the album came out, he and Lizzo's then-manager “constantly” discussed how to roll it out to a broader audience. \"At that point, [Lizzo] was into the Twin Cities indie-rock scene,” he \u003Ca href=\"http:\u002F\u002Fmspmag.com\u002Farts-and-culture\u002Foral-history-lizzo-minneapolis\u002F\"\u003Erecalled\u003C\u002Fa\u003E in October. “So, a bunch of white guys [loved] her, and there [was] no connection whatsoever to the black community or anything outside of our white-guy bubble.” \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191218-why-lizzo-was-the-star-who-defined-2019-8"},{"bodyHtml":{"assets":[]},"cardType":"PullQuote","iFrameType":"","pullQuote":"At Glastobury, Lizzo got the crowd to chant her personal mantra of “I love you, you are beautiful and you can do anything”","id":"culture\u002Farticle\u002F20191218-why-lizzo-was-the-star-who-defined-2019-9"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003ELooking beyond the music itself, it’s arguable that the growing profile Lizzo has built this year has been founded on her already-formidable social-media presence. A hilarious clip of Lizzo waving from the back of a moving golf cart as she says “bye bitch” went viral in 2018, several months before the funk-pop tune Juice became her first Top 40 hit. Today, she has seven million Instagram followers, and 300,000 fans follow a tongue-in-cheek fan account dedicated to her flute, @sashabefluting. Giles Hatterley says Lizzo connects with people because “she has a very rare and very authentic star power”. At a time when we’re becoming increasingly suspicious of social-media influencers and so-called ‘sponcon’, this authenticity is a very precious commodity.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191218-why-lizzo-was-the-star-who-defined-2019-10"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191218-why-lizzo-was-the-star-who-defined-2019-11"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EIt’s also at the heart of her live shows, which NME music journalist Hannah Mylrea hail as “magnetic” and “a word-of-mouth success”. Mylrea praises Lizzo’s “powerhouse” vocals and accomplished flute playing, adding: “The stand-out thing about Lizzo as a performer is you leave her gigs feeling really good about yourself”. During her performance at Glastonbury Festival in June, Lizzo got the crowd to chant her personal mantra of “I love you, you are beautiful and you can do anything”. Mylrea says “it might sound corny, but it was a genuinely moving and uniting, and I think people want to experience this”.\u003C\u002Fp\u003E\u003Cp\u003EAfter her stunning 2019, it’s fascinating to speculate about what Lizzo might do next. The music industry is known for trying to capitalise on unique success stories like Lizzo’s by replicating them – following Amy Winehouse’s enormously popular Back to Black album, a glut of similar retro-soul-pop records were steered towards the charts. In addition to potential imitators, Jazmin Kopotsha says Lizzo might have to contend with “brands possibly co-opting her message of self-empowerment” in a way that may not feel entirely authentic. \u003C\u002Fp\u003E\u003Cp\u003EBut so far, Lizzo seems to be making smart decisions. She made a cameo appearance in Hustlers, the acclaimed Jennifer Lopez film whose themes of female solidarity and self-sufficiency complement Lizzo’s personal brand. She’s also resisted the urge to dilute her musical brand with gratuitous features on other artists’ songs. Her only collaborations this year have been with Grande, British pop star Charli XCX – whose own idiosyncrasy is a sound match for Lizzo’s –  and Missy Elliott, the rap pioneer who Lizzo hails as a personal hero. And crucially, Lizzo has weathered her first wave of controversy after Truth Hurts became the subject of plagiarism allegations. British singer-songwriter Mina Lioness \u003Ca href=\"https:\u002F\u002Fwww.thefader.com\u002F2019\u002F10\u002F28\u002Fmina-lioness-lizzo-song-writer-truth-hurts-credit-interview\"\u003Esaid\u003C\u002Fa\u003E in October that she’s due to be credited as the song’s co-writer after Lizzo confirmed that the “100% that bitch line” was inspired by a tweet Lioness posted in 2017. Lizzo wrote on Twitter last month: “In 2017, while working on a demo, I saw a meme that resonated with me... I later used the line in Truth Hurts... I later learned that a tweet inspired the meme. The creator of the tweet is the person I am sharing my success with.”\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191218-why-lizzo-was-the-star-who-defined-2019-12"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191218-why-lizzo-was-the-star-who-defined-2019-13"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EIn February, Lizzo’s place in music’s A-list could be rubber-stamped at the Grammy Awards, where she’s nominated in eight categories. However her nod in the category for Best New Artist feels pretty ironic, given the revealing tweet that Lizzo posted in November: “8 years of touring, giving out free tix to my undersold shows, sleepless nights in my car, losing my dad & giving up on music, playing shows for free beer & food w\u002F -32$ in my bank account, constantly writing songs, hearing ‘no’ but always saying ‘yes’. Glad I never gave up.” \u003C\u002Fp\u003E\u003Cp\u003EThis resilience is a key part of the Lizzo story, and another reason why she’s been embraced as a kind of icon of self-care by millions of fans. Whatever happens next, Lizzo isn’t just 2019’s most exciting musical breakthrough; she’s also its most heartwarming.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cem\u003EIf you would like to comment on this story or anything else you have seen on BBC Culture, head over to our \u003C\u002Fem\u003E\u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002Fpages\u002FBBC-Culture\u002F237388053065908\"\u003E\u003Cstrong\u003EFacebook\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E page or message us on\u003C\u002Fem\u003E \u003Ca href=\"https:\u002F\u002Ftwitter.com\u002Fbbc_culture\"\u003E\u003Cstrong\u003ETwitter\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E.\u003C\u002Fem\u003E\u003C\u002Fp\u003E\u003Cp\u003E\u003Cem\u003EAnd if you liked this story, \u003C\u002Fem\u003E\u003Ca href=\"http:\u002F\u002Fpages.emails.bbc.com\u002Fsubscribe\u002F\"\u003E\u003Cstrong\u003Esign up for the weekly bbc.com features newsletter\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E, called The Essential List. A handpicked selection of stories from BBC Future, Culture, Worklife and Travel, delivered to your inbox every Friday.\u003C\u002Fem\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191218-why-lizzo-was-the-star-who-defined-2019-14"}],"collection":null,"disableAdverts":false,"displayDate":"2019-12-27T09:30:00Z","embeddedCustomHtml":"","embeddedInfographicUrl":"","embeddedType":"","headlineLong":"Why Lizzo was the star who defined 2019","headlineShort":"Why Lizzo was 2019’s greatest star","image":[],"imageAlignment":"centre","imageAltText":"","isSyndicated":true,"latitude":"","longitude":"","mpsVideo":"","option":[],"partner":null,"primaryVertical":"culture","promoAlignment":"centre","promoAltText":"","promoImage":[],"relatedStories":[],"relatedTag":[],"summaryLong":"After many years of groundwork, this year the body-positive US singer-rapper stormed her way into the public consciousness – and became a true diva for our times, writes Nick Levine.","summaryShort":"The body-positive US singer-rapper who conquered the pop world","tag":[],"textToSpeech":false,"creationDateTime":"2020-04-06T09:56:56.070441Z","entity":"article","guid":"b517ea16-75cf-4131-bb9f-4d17d15a69d0","id":"culture\u002Farticle\u002F20191218-why-lizzo-was-the-star-who-defined-2019","modifiedDateTime":"2022-02-24T13:18:57.977593Z","project":"wwverticals","slug":"culture\u002Farticle\u002F20191218-why-lizzo-was-the-star-who-defined-2019","cacheLastUpdated":1656306867773},"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019":{"urn":"urn:pubpipe:wwverticals:article:culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019","_id":"62b41fe01f4b7b7152494bde","ambientVideo":"","articleType":"story","assetVideo":null,"author":null,"bodyIntro":"BBC Culture writers and editors pay tribute to the cultural luminaries we lost this year.","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003ERobert Frank\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-0"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-1"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EFor all that he’s hardly a household name, Robert Frank was arguably one of the most influential photographers of the 20th Century: an artist who redefined what documentary photography looked like, and changed our view of the US, his adopted homeland, for good. Though Frank’s career stretched across the best part of five decades, he will always be remembered for The Americans, a photobook record of road journeys he made criss-crossing America in the mid-1950s. Eighty-three black-and-white pictures, captured in locations as far-flung as New Jersey and Santa Fe, The Americans caused outrage in the US for its unvarnished portraits of America and its people, and for its unblinking portrayal of racism and rural poverty. But, for all its political bite, it is the urgent beauty of Frank’s work that stays with you – captured on the fly, these images are by turns intimate, poignant, joyous and scaldingly sad. No one had a sharper eye than Frank for the cracks in the paintwork of the American Dream; or a kinder one. He died on 9 September aged 94. (AD)\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EToni Morrison\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-2"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-3"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003ENovelist, essayist, playwright and songwriter, Toni Morrison, who died on 5 August at the age of 88, was a titan. Born Chloe Ardelia Wofford in Ohio in 1931, she fell for literature early, and initially embarked on a career in academia, and then publishing. Her autobiographical first novel, The Bluest Eye, was published in 1970, but her best-known novel remains Beloved, based on the true story of a runaway slave who killed her daughter rather than let her be recaptured. Morrison’s might as a chronicler of the African-American experience lies not in her work’s intense lyricism but in her determination not to avert her gaze, and she leaves behind pages of indelible, ever-necessary images. She remains the only African-American writer – and one of all too few women – to have won the Nobel Prize for Literature. (HA)\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EAlbert Finney \u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-4"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-5"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EFinney was more than simply a brilliant performer – rather, as one of a wave of working-class actors who rose to the top in the 1960s, he helped revolutionise the profession. The son of a Salford bookmaker, he went to Rada, and after leaving, quickly excelled on the stage in Shakespeare, among other things. The film role that made his name was rather less classical, however: as one of the era’s iconic ‘angry young men’, Arthur Seaton in 1960’s Saturday Night and Sunday Morning, he had a raw, visceral screen charisma to burn. Another career-making part as the roguish lead in Tony Richardson’s 1963 adaptation of Henry Fielding’s Tom Jones followed, gaining him the first of five Oscar nominations.\u003C\u002Fp\u003E\u003Cp\u003EThroughout his career, Finney avoided typecasting. His versatility was shown in the range of his performances, from his ripe turns as Hercule Poirot in 1974’s star-studded Murder on the Orient Express, and as an embittered thespian in the 1983 adaptation of Ronald Harwood’s The Dresser, to his more understated work as the cuckolded Classics master in the 1994 take on Terence Rattigan’s The Browning Version, and a kindly, world-weary lawyer in Erin Brockovich (2000). One of his last great performances came on the small screen: in the BBC\u002FHBO drama The Gathering Storm, he played Winston Churchill to formidable effect. He died on 7 February, aged 82. (HM)\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EScott Walker\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-6"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-7"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EScott Walker’s music could be sweetly melodic or utterly startling; it always exuded a strange allure. Born Noel Scott Engel in the US, he relocated to Britain in the mid-60s, initially seizing fame as frontman of The Walker Brothers, whose distinctly poignant strain of pop yielded classics including The Sun Ain’t Gonna Shine (Anymore) and their version of Make It Easy On Yourself\u003Cem\u003E; \u003C\u002Fem\u003Ehe also hosted his own TV show. Scott Walker’s vocals – richly brooding, often arch – always remained unmistakeable, but his repertoire constantly evolved, moving into increasingly experimental realms through his solo records (such as the surreal serenades of 1969’s hypnotic Scott 4) and collaborations. He was an enigmatic figure, and retired from live performance (even when he curated London’s Meltdown Festival in 2000), yet he was no recluse; he worked with indie acts including Pulp, Bat For Lashes and Seattle avant rockers Sunn O))), was cited as an influence by David Bowie, and continued to release evocative, unpredictable work, whether wielding industrial showtunes (Bish Bosch\u003Cem\u003E, \u003C\u002Fem\u003E2012) or composing sleek movie scores (Vox Lux, 2018). By the time of his death, aged 76, Walker had established his own creative scene, without limits. (AH)\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EAgnès Varda\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-8"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-9"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E“I’m playing the part of a little old lady,” Agnès Varda says in her wise, lyrical memoir-as-film The Beaches of Agnes (2008). By then the New Wave pioneer had become the beloved granny of cinema, known for fiction and non-fiction alike. No wonder she has more films in \u003Ca href=\"http:\u002F\u002Fwww.bbc.com\u002Fculture\u002Fstory\u002F20191125-the-100-greatest-films-directed-by-women-poll\"\u003EBBC Culture’s poll of the Greatest Films Directed by Women\u003C\u002Fa\u003E than anyone else. Her astonishing range went beyond gender, though, with films that remain startling in their intimacy, innovation and social resonance. \u003Ca href=\"http:\u002F\u002Fwww.bbc.com\u002Fculture\u002Fstory\u002F20191125-greatest-films-directed-by-women-film-poll-agns-varda\"\u003ECléo from 5 to 7\u003C\u002Fa\u003E (1962) is a graceful New Wave classic about a woman confronting mortality. One Sings, the Other Doesn’t (1977) is a feminist anthem dealing with abortion. In documentaries, like The Gleaners and I (2000), Varda appears on screen, a curious, inviting presence. And Jacquot de Nantes (1991), about her husband, director Jacques Demy, is a beautiful hybrid of memory and fiction. She was creative to the end. Her white hair with a bright red border perfectly captured how Varda acknowledged age but resisted its power to stop her. She died on 29 March at the age of 90. (CJ)\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EPeter Fonda\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-10"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-11"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThe son of Henry, brother of Jane, and father of Bridget, Peter Fonda worked steadily for decades, and was Oscar-nominated for his sensitive performance in Ulee’s Gold (1997). But he will always be associated with the counterculture of the 1960s, when a remark of his – “I know what it’s like to be dead” – was used by John Lennon in The Beatles’ She Said She Said. His defining role was as a philosophical biker in Easy Rider (1969), the radical semi-improvised road movie he made with Dennis Hopper and Jack Nicholson. He had enough humour and self-awareness to pastiche that role in Ghost Rider and Wild Hogs (both 2007), among other films, in which his square-jawed Californian handsomeness was as striking as ever. He died on 16 August, aged 79. (NB)\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EJudith Kerr\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-12"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-13"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EIn Judith Kerr’s last interview, \u003Ca href=\"https:\u002F\u002Fwww.theguardian.com\u002Flifeandstyle\u002F2019\u002Fmay\u002F18\u002Fjudith-kerr-interview-the-tiger-who-came-to-tea\"\u003Eshe told The Guardian\u003C\u002Fa\u003E her guiltiest pleasure was to drink the dregs of whisky from the night before. Published just days before her death, this cheeky, charming statement was textbook Kerr, symbolic of the character of much of her work. Most famous for her children’s books The Tiger Who Came to Tea and the 17-title Mog series, Kerr spent most of her life in the UK, having fled from Germany with her Jewish family when she was 13. She won a scholarship to the Central School of Art and Design, and wrote more than 30 books, many of which she also illustrated. She was appointed OBE in 2012 for services to children’s literature and Holocaust education, received a lifetime achievement award from the British literary charity BookTrust, and in the week before her death, was named illustrator of the year at the British Book Awards. In a radical move for a children’s author, Kerr wrote Goodbye Mog in 2002, in which the beloved feline dies. In an interview about the book, \u003Ca href=\"https:\u002F\u002Fwww.theguardian.com\u002Fbooks\u002F2002\u002Fdec\u002F04\u002Fbooksforchildrenandteenagers.familyandrelationships\"\u003Eshe told The Guardian\u003C\u002Fa\u003E “I’m coming up to 80… and you begin to think about those who are going to be left… I just wanted to say: Remember. Remember me. But do get on with your lives.” She died on 22 May at the age of 95. (AC)\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EJoão Gilberto\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-14"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-15"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EJoão Gilberto, celebrated as the founding father of Brazilian bossa nova (‘new wave’), and known as O Mito (‘the legend’) had an unusually commanding way with melodies. His softly persuasive vocals and gently lilting guitar rhythms were also fantastically insistent, becoming synonymous with the Carioca chic of 60s Rio de Janeiro. Gilberto himself had been born in Bahia, and also forged a significant bond with US jazz musicians, notably saxophonist Stan Getz (with whom he recorded a series of classic albums), but Rio was the hotbed of his sound, which merged traditional roots such as samba with a contemporary energy. His collaborations with Antônio Carlos Jobim took bossa nova to an international audience, and inspired further Brazilian innovators, such as Caetano Veloso; his 1958 version of \u003Cem\u003EChega de Saudade \u003C\u002Fem\u003E(‘No More Blues’, with lyrics by Vinicius de Moraes) was a crossover smash, and his most legendary track was arguably The Girl From Ipanema, notably a version sung by his then-wife Astrud Gilberto. Gilberto’s dreamy brilliance lingers, like a cool breeze across pop culture. He died on 6 July, at the age of 88. (AH)\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EDoris Day\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-16"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-17"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EDoris Day’s image was so wholesome that even her sex comedies were innocent. Those movies seem quaint now, but in the 1950s and 60s they made her one of Hollywood’s biggest box-office stars. In films like Pillow Talk (1959), Rock Hudson tried to seduce her and never succeeded. The attempt alone was racy for its time. Day started as a singer, whose 1945 hit recording of Sentimental Journey established her style, expressively bringing out the emotions of the lyrics. On screen she brought warmth and freckle-faced girl-next-door naturalness to dozens of films, including the musicals Calamity Jane (1953), and The Pajama Game (1957). Atypically, she starred in Alfred Hitchcock’s thriller The Man Who Knew Too Much (1956). Her character’s background as a singer gave Day an excuse to perform Que Sera, Sera (Whatever Will Be Will Be), which became a pop hit and her signature song. Day said her purer-than-snow image was “more make-believe than any film part I ever played,” but it endeared her to generations of fans. She died on 13 May at the age of 97. (CJ)\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EKarl Lagerfeld\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-18"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-19"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EWith his trademark dark glasses, fingerless gloves and white ponytail, Karl Lagerfeld was a master of self-mythology. He was also a genius of design – bringing his irreverent alchemy to all he touched. Born in Hamburg, he moved to Paris as a teenager, and, untrained, worked his way up in fashion. He became creative director of Fendi, and then, from 1983, of Chanel. He transformed the venerable house, and created spectacular catwalk shows. Vogue supremo Anna Wintour said of him: “He represents the soul of fashion: restless, forward-looking and voraciously attentive to our changing culture.” He was well-known for his pithy declarations, among them “Sweatpants are a sign of defeat,” and “I’m very much down to Earth. Just not this Earth.” He died on 15 February at the age of 85. (LB)\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EJohn Singleton\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-20"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-21"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EJohn Singleton was only 23 when his debut, 1991’s Boyz n the Hood, broke new ground in its depiction of ghetto life in South Central Los Angeles. Calling himself “the first film-maker from the hip-hop generation”, he also became the first African-American ever to be nominated for the best director Oscar, and he remains the youngest ever nominee in that category. Singleton went on to direct action movies which appealed more to multiplex audiences than to awards voters (Shaft, 2 Fast 2 Furious), and his career tailed off in the last decade, making it all the sadder that he died at just 51, on 28 April, before he had the chance to make the comeback he deserved. (NB)\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EJessye Norman\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-22"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-23"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThe US operatic soprano Jessye Norman was renowned for her glorious poise and technical prowess, but she also delivered iconic roles and recitals from Purcell to Bizet, Beethoven and Verdi with an exceptional warmth and emotive drama. She would recollect her Deep South upbringing in her acclaimed 2014 memoir, Stand Up Straight And Sing!, and she also committed to providing inclusive opportunities for youth, by co-founding the free Jessye Norman School for the Arts in her birthplace of Augusta, Georgia. Norman’s numerous legendary performances included her 1989 Bastille Day bicentenary appearance – wrapped in a Tricolour robe, singing La Marseillaise (broadcast to a global audience of around 500 million); she performed Amazing Grace at an anti-apartheid concert marking Mandela’s 70th birthday; she graced ceremonies for presidents and royalty, and her many accolades included a lifetime achievement Grammy (2006). Norman’s immaculate high art appealed emphatically to the heart. She died on 30 September at the age of 74. (AH)\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003ERutger Hauer\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-24"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-25"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThe Dutch actor, is of course, best known for one role: the replicant Roy Batty in Ridley Scott’s film Blade Runner. And his place in cinema history is assured by one iconic, climactic scene in that sci-fi classic: where his dying cyborg character declares in a heart-rending final monologue that all his memories will be lost like “tears in rain”. It’s a parting shot all the more poignant for the fact that the key lines were written by Hauer himself. \u003C\u002Fp\u003E\u003Cp\u003EThat beautiful moment aside, Hauer had a prolific and eclectic career right up until the end. He first made his name in the 1970s in his home country, forming a rich working relationship with director Paul Verhoeven. His US debut came as the villain in the 1981 Sylvester Stallone thriller Nighthawks, before Blade Runner then firmly put him on the Hollywood map, leading to other memorable roles as a psychopathic hitch-hiker in The Hitcher (1986), and an atypically heroic turn in fantasy drama Ladyhawke (1985). In recent times, he became something of a b-movie icon, mixing cameos in the likes of Sin City and Batman Begins with innumerable roles in grindhouse-style thrillers and horrors. But whatever the scale of the project, Hauer’s intense energy made everything he did never less than compelling. He died on 19 July, aged 75. (HM)\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003ERobert Evans\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-26"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-27"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EAs the head of production at Paramount Pictures, and then as an independent producer, Robert Evans oversaw some of the greatest films of the 1960s and 70s, including The Godfather, Chinatown and Rosemary’s Baby. But he was almost as famous for a private life, which epitomised the sleazier side of Hollywood glamour. By the time of his death on 26 October at the age of 89, he had been married seven times, been convicted of cocaine-trafficking, and had inspired numerous fictional wheeler-dealers, including Saul Goodman in Breaking Bad and Better Call Saul. His personal and professional lives came together in The Kid Stays in the Picture (2002), a documentary adapted from his wry tell-all memoir. It was one of the most entertaining of all the films to benefit from his contributions. (NB)\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EAndrea Levy \u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-28"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-29"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EAndrea Levy didn’t start writing until her 30s and published just six books, but her fiction won a wide readership, and had an outsize impact on British publishing, forcibly demonstrating that stories with black protagonists could have universal appeal. Born in 1956 to Jamaican immigrants of mixed descent, and raised in a north London council flat, her awareness of her own ethnicity was awakened by a racist slight in young adulthood. It brought urgency to her warm, funny prose, and galvanised her award-winning break-out novel, Small Island, which gave an irrepressible voice to the Windrush generation of which her parents were a part. It has since sold over a million copies in the UK alone. Levy died on 14 February at the age of 62. (HA)\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EIM Pei\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-30"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-31"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EIM Pei was a Chinese-American architect whose bold geometries and dazzling use of glass and concrete earned him great acclaim. Born in Canton in 1917, Pei grew up in Shanghai, then studied architecture in the US, where he stayed. Among his most famous buildings are the beautifully-crafted, modernist East Wing of the National Gallery of Art in Washington DC, and the sharp, sky-high Hancock Tower in Boston. In 1983 he won the Pritzker Prize, often referred to as the Nobel Prize of architecture. In 1989, the Louvre Pyramid was completed, and the stunning glass-and-metal structure has since become a famous Paris landmark. Pei said: “If there’s one thing I know I didn’t do wrong, it’s the Louvre.” He died on 16 May at the age of 102. (LB)\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003ETerry O’Neill\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-32"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-33"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EO’Neill was a photographer from another era: a member of the British Fleet Street paparazzi who rose from photographing celebrities to become a kind of celebrity himself. A jobbing snapper who found that his Cockney gift of the gab meant he could charm rich and famous folk into posing for him, O’Neill photographed anyone who was anyone in the 1960s and 70s. Among those he shot were The Rolling Stones, Sinatra, Brigitte Bardot, Raquel Welch, Elvis, David Bowie and a small galaxy of starlets (a number of whom, he liked to boast, also ended up in his bed). As well as his instinct for finding a fresh angle that could jump off a magazine page, it was O’Neill’s talent for photographic flattery that paid off. Though his images are often candid – a moody Bowie dwarfed by his barking dog, Faye Dunaway hanging out with her Oscar by the pool – his subjects never lose their all-important allure. He died on 16 November at the age of 81. (AD)\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EMary Oliver\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-34"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-35"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EOne of America’s most popular poets, and certainly its bestselling, Mary Oliver was born in 1935 in Cleveland, Ohio, where the need to escape a dysfunctional childhood made her first a reader and then a writer. Her muse was the natural world, and over a career spanning more than 50 years and laurels aplenty, she hymned the owls and frogs and wild geese of New England, where she settled with her lifelong partner, the photographer Molly Malone Cook. The sheer accessibility of her generous work sometimes made critics leery, but beneath its calm surface there pulses a luminous life force, and it wasn’t unusual for fans to credit her with teaching them how to live. She died on 17 January at the age of 83. (HA)\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EStanley Donen\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-36"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-37"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EDirector Stanley Donen made the camera his dance partner, and helped shape the singing, dancing, gleeful Hollywood musical at its best. His films include some of the most iconic moments on screen. Co-directing with Gene Kelly, he turned splashing around in puddles into the joyful Singin’ in the Rain (1952). As a solo director, he had Fred Astaire dancing on the ceiling in Royal Wedding (1951), and singing to Audrey Hepburn in Funny Face (1957). His musicals were groundbreaking in the fluid way he made choreography and songs truly cinematic. In the 1960s, he directed sophisticated dramas, two with Hepburn, the thriller Charade (1963) and the bittersweet marital saga Two for the Road (1967). Inspired by watching Astaire on screen, Donen arrived in Hollywood as an aspiring dancer, but his best move was to glide behind the camera. He died on 21 Feb at the age of 94. (CJ)\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EMichel Legrand\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-38"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-39"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThe French composer Michel Legrand created some of most memorable, romantically lush film scores of the past 50 years. If you happen to hear The Windmills of Your Mind and it lingers in your head, you’re hearing Legrand’s legacy. He won an Academy Award for that song, from The Thomas Crown Affair (1968), and for the scores of Summer of ‘42 (1971) and, in a less romantic vein, Barbara Streisand’s Yentl (1983). Beyond Hollywood, he was a prolific pianist, arranger, accompanist and singer throughout his long career. He began as a jazz pianist and arranger, whose acclaimed 1958 album Legrand Jazz featured performances from some of the greats, including Miles Davis and John Coltrane. From the 1960s on, he composed elegant scores for his friends in the French New Wave. Jacques Demy's musical The Umbrellas of Cherbourg (1964) includes what would become one of Legrand’s most famous songs, I Will Wait for You. Like so much of his music, its melody, full of yearning and heartbreak, lingers. He died on 26 January at the age of 86. (CJ)\u003C\u002Fp\u003E\u003Cp\u003E\u003Cem\u003EWritten by: Hephzibah Anderson, Lindsay Baker, Nicholas Barber, Amy Charles, Andy Dickson, Arwa Haider, Caryn James and Hugh Montgomery.\u003C\u002Fem\u003E\u003C\u002Fp\u003E\u003Cp\u003E\u003Cem\u003EIf you would like to comment on this story or anything else you have seen on BBC Culture, head over to our \u003C\u002Fem\u003E\u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002Fpages\u002FBBC-Culture\u002F237388053065908\"\u003E\u003Cem\u003E\u003Cstrong\u003EFacebook\u003C\u002Fstrong\u003E\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003Cem\u003E page or message us on\u003C\u002Fem\u003E \u003Ca href=\"https:\u002F\u002Ftwitter.com\u002Fbbc_culture\"\u003E\u003Cem\u003E\u003Cstrong\u003ETwitter\u003C\u002Fstrong\u003E\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003Cem\u003E.\u003C\u002Fem\u003E\u003C\u002Fp\u003E\u003Cp\u003E\u003Cem\u003EAnd if you liked this story, \u003C\u002Fem\u003E\u003Ca href=\"http:\u002F\u002Fpages.emails.bbc.com\u002Fsubscribe\u002F\"\u003E\u003Cstrong\u003Esign up for the weekly bbc.com features newsletter\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E, called The Essential List. A handpicked selection of stories from BBC Future, Culture, Worklife and Travel, delivered to your inbox every Friday.\u003C\u002Fem\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019-40"}],"collection":null,"disableAdverts":false,"displayDate":"2019-12-26T09:00:00Z","embeddedCustomHtml":"","embeddedInfographicUrl":"","embeddedType":"","headlineLong":"Arts and culture stars who died in 2019","headlineShort":"Gone but not forgotten","image":[],"imageAlignment":"centre","imageAltText":"","isSyndicated":false,"latitude":"","longitude":"","mpsVideo":"","option":[],"partner":null,"primaryVertical":"culture","promoAlignment":"centre","promoAltText":"","promoImage":null,"relatedStories":null,"relatedTag":[],"summaryLong":"BBC Culture writers and editors pay tribute to the cultural luminaries we lost this year.","summaryShort":"Arts and culture stars who died in 2019","tag":[],"textToSpeech":false,"creationDateTime":"2020-04-06T09:57:15.071473Z","entity":"article","guid":"d6554508-5894-40fc-8de9-891b9896e78a","id":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019","modifiedDateTime":"2022-02-24T13:19:03.437699Z","project":"wwverticals","slug":"culture\u002Farticle\u002F20191219-arts-and-culture-stars-who-died-in-2019","cacheLastUpdated":1656306867774},"culture\u002Farticle\u002F20191007-the-greatest-hip-hop-songs-of-all-time":{"urn":"urn:pubpipe:wwverticals:article:culture\u002Farticle\u002F20191007-the-greatest-hip-hop-songs-of-all-time","_id":"62b41fd51f4b7b106623e7ab","ambientVideo":"","articleType":"story","assetVideo":null,"author":["culture\u002Fauthor\u002Ftm-brown"],"bodyIntro":"BBC Music polled over 100 critics in 15 countries to find the best hip-hop song ever – here’s the top 25 list (Warning: Some song titles in this list contain language some readers may find offensive)","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Ca href=\"http:\u002F\u002Fwww.bbc.com\u002Fculture\u002Ftags\u002Fgreatest-hip-hop-songs-of-all-time\"\u003E \u003Cimg src=\"http:\u002F\u002Fichef.bbci.co.uk\u002Fimages\u002Fic\u002Fraw\u002Fp07qd4qy.jpg\" border=\"0\" alt=\"Greatest hip-hop songs of all time\" width=\"100%\" \u002F\u003E\u003C\u002Fa\u003E\u003C\u002Fp\u003E\u003Cp\u003EWhen Sugarhill Gang’s Rapper’s Delight came out 40 years ago, it was dismissed by many tastemakers as a gimmicky track made to make money. Then the song started moving units in the millions and climbed its way up the US Billboard charts, peaking at number 36 in 1980, and at number three on the UK Singles Chart. Rapper’s Delight wasn’t the first hip-hop song, but it was the genre’s commercial Big Bang, and a sign that this music born in the housing project hallways and public parks of the Bronx was more than a passing fad. \u003C\u002Fp\u003E\u003Cp\u003EHip-hop is pop culture now. The genre’s dominance of radio waves, streaming numbers, and billboard charts is undeniable, not to mention its influence on everything from avant-garde electronica to the DNA of mainstream pop music from artists like Taylor Swift, Ed Sheeran and Ariana Grande. \u003C\u002Fp\u003E\u003Cp\u003EBut it’s more than that. Hip-hop has become a dominant cultural force, driving conversations about music, literature, and entertainment forward. Cardi B and Common are movie stars. Young Thug has created a wake of imitators that span genres and sounds. Kendrick Lamar won a Pulitzer Prize for his 2018 album DAMN. And it has become a truly global phenomenon, crossing ethnic, linguistic, and geographical boundaries. The journey from the turntables of DJ Kool Herc to the addictive, meme-ified sounds of Megan Thee Stallion and Lil’ Nas X was long, but hip hop is here to stay. \u003C\u002Fp\u003E\u003Cp\u003EWe asked 108 critics, artists, tastemakers, producers, and photographers from 15 different countries to name their personal top five hip-hop tracks of all time. There were more than 280 different songs named, a testament to the breadth and depth of the genre, and how the term ‘greatest’ can be interpreted in various ways. \u003C\u002Fp\u003E\u003Cp\u003EThe results are dominated by the so-called ‘Golden Age’ of hip-hop between the mid-80s and mid-90s, though there are some surprises from a more recent vintage with Kanye West’s Pusha T-assisted Runaway taking 12th place. There was a remarkable lack of women in the Top 25; only Queen Latifah’s 1993 hit “U.N.I.T.Y.” and Lauryn Hill’s supremely catchy “Doo Wop (That Thing)” appear in the list. (You can read more on the \u003Ca href=\"http:\u002F\u002Fwww.bbc.com\u002Fculture\u002Fstory\u002F20191007-why-are-there-so-few-women-in-best-of-hip-hop-polls\"\u003Edearth of female MCs in our list here\u003C\u002Fa\u003E.) Rapper’s Delight, the track that arguably started it all, came in at number 14. \u003C\u002Fp\u003E\u003Cp\u003EThe full list of critics’ picks is below. One more thing to add: The purpose of polls like these should be to generate debate as well as encourage discovery. And we are aware that no list can be definitive or will please everyone – so look at the list below, \u003Ca href=\"https:\u002F\u002Fopen.spotify.com\u002Fplaylist\u002F1eGrbfxp7ASnjPgAvO5TXU\"\u003Elisten to the playlist\u003C\u002Fa\u003E, and get in touch using the hashtag #GreatestHipHopSongs, and let us know what’s missing. And look out for more features on the global impact of hip-hop in the weeks to come.\u003C\u002Fp\u003E\u003Cp\u003E25.*     Alright, Kendrick Lamar (2015)\u003Cbr \u002F\u003E 25.*     Rosa Parks, OutKast (1998)\u003Cbr \u002F\u003E 24.       All Of The Lights, Kanye West ft. Rhianna, Kid Cudi (2010)\u003Cbr \u002F\u003E 23.       Grindin’, Clipse (2002)\u003Cbr \u002F\u003E 22.       Lose Yourself, Eminem (2002)\u003Cbr \u002F\u003E 21.       Doo Wop (That Thing), Lauryn Hill (1998)\u003Cbr \u002F\u003E 20.       International Players Anthem, UGK ft. OutKast (2007)\u003Cbr \u002F\u003E 19.       U.N.I.T.Y., Queen Latifah (1993)\u003Cbr \u002F\u003E 18.       Fuck Tha Police, NWA (1988)\u003Cbr \u002F\u003E 17.       It Was A Good Day, Ice Cube (1992)\u003Cbr \u002F\u003E 16.       B.O.B., OutKast (2000)\u003Cbr \u002F\u003E 15.       They Reminisce Over You (T.R.O.Y.), Pete Rock & C.L. Smooth (1992)\u003Cbr \u002F\u003E 14.       Rapper’s Delight, Sugarhill Gang (1979)\u003Cbr \u002F\u003E 13.       Paid In Full, Eric B & Rakim (1987)\u003Cbr \u002F\u003E 12.       Runaway, Kanye West ft. Pusha T (2010)\u003Cbr \u002F\u003E 11.       Electric Relaxation, A Tribe Called Quest (1993)\u003Cbr \u002F\u003E 10.       Dear Mama, Tupac Shakur (1995)\u003Cbr \u002F\u003E 9.         N.Y. State Of Mind, Nas (1994)\u003Cbr \u002F\u003E 8.         Passin’ Me By, The Pharcyde (1992)\u003Cbr \u002F\u003E 7.         93 ’Til Infinity, Souls of Mischief (1993)\u003Cbr \u002F\u003E 6.         C.R.E.A.M., Wu-Tang Clan (1993)\u003Cbr \u002F\u003E 5.         Nuthin’ But A ‘G’ Thang, Dr. Dre ft. Snoop Doggy Dogg (1992)\u003Cbr \u002F\u003E 4.         The Message, Grandmaster Flash & The Furious Five (1982)\u003Cbr \u002F\u003E 3.         Shook Ones (Part II), Mobb Deep (1995)\u003Cbr \u002F\u003E 2.         Fight The Power, Public Enemy (1989)\u003Cbr \u002F\u003E 1.         Juicy, Notorious B.I.G. (1994)\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EMore on BBC Music’s greatest hip-hop songs of all time: \u003C\u002Fstrong\u003E\u003Cbr \u002F\u003E \u003Ca href=\"http:\u002F\u002Fwww.bbc.com\u002Fculture\u002Fslideshow-gallery\u002F20191007-critics-on-the-10-greatest-hip-hop-songs-of-all-time\"\u003EWhat critics had to say about the top 10\u003C\u002Fa\u003E\u003Cbr \u002F\u003E \u003Ca href=\"http:\u002F\u002Fwww.bbc.com\u002Fculture\u002Fstory\u002F20191007-the-greatest-hip-hop-songs-of-all-time-who-voted\"\u003EFull list of critics who participated – and how they voted\u003C\u002Fa\u003E\u003Cbr \u002F\u003E \u003Ca href=\"http:\u002F\u002Fwww.bbc.com\u002Fculture\u002Fstory\u002F20191007-why-juicy-is-the-greatest-hip-hop-song-of-all-time\"\u003EWhy Juicy is number one\u003C\u002Fa\u003E (\u003Cem\u003Enot available in UK\u003C\u002Fem\u003E)\u003Cbr \u002F\u003E \u003Ca href=\"http:\u002F\u002Fwww.bbc.com\u002Fculture\u002Fstory\u002F20191007-greatest-hip-hop-song-poll-trends-and-surprises\"\u003ETrends and surprises in the poll\u003C\u002Fa\u003E (\u003Cem\u003Enot available in UK\u003C\u002Fem\u003E)\u003Cbr \u002F\u003E \u003Ca href=\"http:\u002F\u002Fwww.bbc.com\u002Fculture\u002Fstory\u002F20191007-why-are-there-so-few-women-in-best-of-hip-hop-polls\"\u003EWhy are there so few women in hip-hop polls?\u003C\u002Fa\u003E (\u003Cem\u003Enot available in UK\u003C\u002Fem\u003E)\u003Cbr \u002F\u003E \u003Ca href=\"https:\u002F\u002Fopen.spotify.com\u002Fplaylist\u002F1eGrbfxp7ASnjPgAvO5TXU\"\u003EPlaylist of the top 25 songs\u003C\u002Fa\u003E (\u003Cem\u003ESpotify\u003C\u002Fem\u003E)\u003C\u002Fp\u003E\u003Cp\u003E\u003Cem\u003E\u003Cstrong\u003EHow many of these songs do you agree with? Let us know with the hashtag #GreatestHipHopSongs on \u003C\u002Fstrong\u003E\u003C\u002Fem\u003E\u003Cstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002FBBCCulture\u002F\"\u003E\u003Cem\u003EFacebook\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003C\u002Fstrong\u003E\u003Cem\u003E\u003Cstrong\u003E or\u003C\u002Fstrong\u003E\u003C\u002Fem\u003E\u003Cstrong\u003E \u003Ca href=\"https:\u002F\u002Ftwitter.com\u002Fbbc_culture\"\u003E\u003Cem\u003ETwitter\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003C\u002Fstrong\u003E\u003Cem\u003E\u003Cstrong\u003E.\u003C\u002Fstrong\u003E\u003C\u002Fem\u003E\u003C\u002Fp\u003E\u003Cp\u003E--\u003C\u002Fp\u003E\u003Cp\u003E\u003Cem\u003EIf you liked this story, sign up for the weekly bbc.com features newsletter, called \u003C\u002Fem\u003E\u003Ca href=\"http:\u002F\u002Fpages.emails.bbc.com\u002Fsubscribe\u002F\"\u003E\u003Cem\u003EThe Essential List\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003Cem\u003E. A handpicked selection of stories from BBC Music, Culture, Capital, Future and Travel, delivered to your inbox every Friday.\u003C\u002Fem\u003E \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20191007-the-greatest-hip-hop-songs-of-all-time-0"}],"collection":["culture\u002Fcolumn\u002Fmusic"],"disableAdverts":false,"displayDate":"2019-10-08T00:00:01Z","embeddedCustomHtml":"","embeddedInfographicUrl":"","embeddedType":"","headlineLong":"The greatest hip-hop songs of all time","headlineShort":"The greatest hip-hop songs of all time","image":["p07qdxqy"],"imageAlignment":"centre","imageAltText":"","isSyndicated":false,"latitude":"","longitude":"","mpsVideo":"","option":[{"Content":{"Description":"Apple News Publish: Select to publish, remove to unpublish. (Do not just delete or unpublish the story)","Name":"publish-applenews-system-1"},"Metadata":{"CreationDateTime":"2016-02-05T14:32:31.186819Z","Entity":"option","Guid":"13f4bc85-ae27-4a34-9397-0e6ad3619619","Id":"option\u002Fpublish-applenews-system-1","ModifiedDateTime":"2022-02-27T22:52:24.455144Z","Project":"wwverticals","Slug":"option\u002Fpublish-applenews-system-1"},"Urn":"urn:pubpipe:wwverticals:option:option\u002Fpublish-applenews-system-1","_id":"62b420921f4b7b5d34253c8b"}],"partner":null,"primaryVertical":"culture","promoAlignment":"centre","promoAltText":"","promoImage":["p07qf80y"],"relatedStories":null,"relatedTag":["tag\u002Fgreatest-hip-hop-songs-of-all-time"],"summaryLong":"BBC Music polled 108 critics in 15 countries to find the best hip-hop song ever – here’s the top 25 list","summaryShort":"BBC Music polled over 100 critics to find the best hip-hop song ever","tag":["tag\u002Fgreatest-hip-hop-songs-of-all-time"],"textToSpeech":false,"creationDateTime":"2020-04-06T09:44:58.432297Z","entity":"article","guid":"c7ad5ef4-577a-4461-b6c6-bfee4b79639b","id":"culture\u002Farticle\u002F20191007-the-greatest-hip-hop-songs-of-all-time","modifiedDateTime":"2022-02-24T13:10:05.601324Z","project":"wwverticals","slug":"culture\u002Farticle\u002F20191007-the-greatest-hip-hop-songs-of-all-time","cacheLastUpdated":1656306867775},"culture\u002Farticle\u002F20190623-why-janet-jackson-is-pops-most-underrated-legend":{"urn":"urn:pubpipe:wwverticals:article:culture\u002Farticle\u002F20190623-why-janet-jackson-is-pops-most-underrated-legend","_id":"62b41fc01f4b7b105a644994","ambientVideo":"","articleType":"story","assetVideo":null,"author":[],"bodyIntro":"With a Glastonbury show and a Las Vegas residency, the singer is back in the limelight – which is good reason to celebrate her as the pioneer she has been, writes Nick Levine.","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EJanet Jackson’s upcoming appearance at this year’s Glastonbury Festival has already \u003Ca href=\"https:\u002F\u002Fwww.bbc.co.uk\u002Fnews\u002Fentertainment-arts-47624747\"\u003Emade headlines\u003C\u002Fa\u003E. When the singer tweeted the poster for the internationally-renowned British weekender in March, fans spotted that she’d doctored the original image to promote herself from fifth on the bill to first, leapfrogging headline acts The Killers, The Cure and Stormzy, plus Kylie Minogue, who’s playing the Sunday afternoon ‘legends’ slot.\u003C\u002Fp\u003E\u003Cp\u003EIt was a brazen and amusing bit of self-aggrandizement from the US star, who is back in the limelight this summer, with her new Las Vegas residency being hailed as a return to “\u003Ca href=\"https:\u002F\u002Fvariety.com\u002F2019\u002Fmusic\u002Fnews\u002Fjanet-jackson-park-mgm-las-vegas-residency-concert-review-1203219810\u002F\"\u003Etop\u003C\u002Fa\u003E \u003Ca href=\"https:\u002F\u002Fvariety.com\u002F2019\u002Fmusic\u002Fnews\u002Fjanet-jackson-park-mgm-las-vegas-residency-concert-review-1203219810\u002F\"\u003Eform”\u003C\u002Fa\u003E when it began last month. But many fans felt it was more than justified. For, despite a glittering career that includes 10 US number one hits, estimated global record sales totalling 100 million, and a recent induction into the Rock and Roll Hall of Fame, Janet remains a strangely underrated pop icon.\u003C\u002Fp\u003E\u003Cp\u003EMore like this\u003C\u002Fp\u003E\u003Cp\u003E- \u003Ca href=\"http:\u002F\u002Fwww.bbc.com\u002Fculture\u002Fstory\u002F20190618-how-pop-culture-embraced-sexuality-without-labels\"\u003EHow pop culture embraced sexuality without labels\u003C\u002Fa\u003E\u003C\u002Fp\u003E\u003Cp\u003E- \u003Ca href=\"http:\u002F\u002Fwww.bbc.com\u002Fculture\u002Fstory\u002F20190606-the-films-that-defined-generation-x\"\u003EThe films that defined Generation X\u003C\u002Fa\u003E\u003C\u002Fp\u003E\u003Cp\u003E- \u003Ca href=\"http:\u002F\u002Fwww.bbc.com\u002Fculture\u002Fstory\u002F20190610-did-manga-shape-how-the-world-sees-japan\"\u003EDid manga shape how the world sees Japan?\u003C\u002Fa\u003E\u003C\u002Fp\u003E\u003Cp\u003EJanet’s iconic career is especially impressive because it’s involved having to emerge from the shadow of a wildly successful older sibling. When she dropped her eponymous debut album in September 1982, Michael Jackson was just months away from unleashing Thriller, the pop culture phenomenon that became the best-selling album of all time.\u003C\u002Fp\u003E\u003Cp\u003EPerforming as the Jackson Five, Janet’s brothers had been a popular act since the early '70s, and being a Jackson surely gave Janet a head start in the highly competitive music industry. But it didn’t guarantee her a hit: neither 1982’s forgettable Janet Jackson album nor 1984’s slightly stronger follow-up Dream Street,which includes an \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=IKe-mzwTMY8\"\u003Ealmost-quaint duet with British pop legend Cliff Richard\u003C\u002Fa\u003E, sold very well. Their largely characterless blend of contemporary pop sounds offered few clues that by the mid-90s, Janet would be the \u003Ca href=\"https:\u002F\u002Fwww.latimes.com\u002Farchives\u002Fla-xpm-1996-01-12-mn-23892-story.html\"\u003Ehighest-paid recording artist in history\u003C\u002Fa\u003E.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20190623-why-janet-jackson-is-pops-most-underrated-legend-0"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20190623-why-janet-jackson-is-pops-most-underrated-legend-1"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EJanet’s creative and commercial breakthrough came in 1986, when she teamed up with Minneapolis-based producers Jimmy Jam and Terry Lewis to make Control, a game-changing dance-pop-R&B album that paved the way for the \u003Ca href=\"https:\u002F\u002Fen.wikipedia.org\u002Fwiki\u002FNew_jack_swing\"\u003Enew jack swing sound\u003C\u002Fa\u003E of the late-'80s. When Janet declared “this time, I’m gonna do it my way,” on the title track, she meant it: Jam and Lewis’s sleek, teak-tough beats gave her a state-of-the-art platform to establish her own powerful pop persona – that of a strong, self-assured young woman who had no time for “nasty boys”. Then, with 1989’s formidableJanet Jackson’s Rhythm Nation 1814 album, she became more overtly political. \"Join voices in protest to social injustice,\" she sang on the title track. \"A generation full of courage, come forth with me.\"\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20190623-why-janet-jackson-is-pops-most-underrated-legend-2"},{"bodyHtml":{"assets":[]},"cardType":"PullQuote","iFrameType":"","pullQuote":" Long before Beyoncé, Janet was exploring how navigating the world as a black woman is never not political – Dr Kirsty Fairclough","id":"culture\u002Farticle\u002F20190623-why-janet-jackson-is-pops-most-underrated-legend-3"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\"Long before Beyoncé was flashing the word 'feminist' in the background while performing on stage, Janet was exploring how navigating the world as a black woman is never not political,\" says Dr Kirsty Fairclough from the School of Arts and Media at the University of Salford. \"Her music and image melded to explicitly address racism and sexism with songs about trying to flourish as a person in an environment ruled by both. In a 1987 interview following the release of Control, Jackson responded to a question about being a feminist by saying, 'If it’s someone, a woman, who’s taking control of her life as well as her career, then I say that I am a feminist.'\"\u003C\u002Fp\u003E\u003Cp\u003EThese two albums contain some of Janet’s most enduring songs, including What Have You Done for Me Lately?, Escapade and Nasty, on which she delivers an iconic rebuke to disrespectful males: “No, my first name ain’t baby – it’s Janet, Miss Jackson if you’re nasty.” They also established her as one of the most dynamic music video creators of all time. When I Think of You is a joyous homage to old-school Hollywood musicals directed by Absolute Beginners’ Julien Temple; The Pleasure Principle contains a dazzling dance performance from Janet that peaks with a famous chair sequence that \u003Ca href=\"http:\u002F\u002Fwww.mtv.com\u002Fnews\u002Farticles\u002F1626492\u002F20091117\u002Fspears_britney.jhtml\"\u003EBritney Spears referenced in her 2000 video for Stronger\u003C\u002Fa\u003E.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EA sexually-liberated trailblazer\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003Cp\u003ESubsequent albums such as 1993’s janet and 1997’s The Velvet Rope found her fully embracing her sexuality in a way that still feels groundbreaking today. Her 1993 single If is a heady sexual fantasy whose video has been praised for portraying interracial lust. “There are songs on The Velvet Rope that would make Beyoncé in [sexually-charged] Partition mode blush,” BBC Radio 1 DJ Clara Amfo tells BBC Culture. “Her unashamed sexual liberation, especially for black women, is something that's still so taboo.”\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20190623-why-janet-jackson-is-pops-most-underrated-legend-4"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20190623-why-janet-jackson-is-pops-most-underrated-legend-5"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EAt the same time, musically, she began to shift into seductive, slow-burn R&B – see brilliant '90s singles such as the Grammy-winning That’s the Way Love Goes and Joni Mitchell-sampling Got ‘til It’s Gone. But even then, she never abandoned the dancefloor. Two of her biggest mid-career hits were 1997’s Together Again, a poignant house-pop track inspired by a friend she lost to Aids, which cemented her status as an LGBT icon, and 2001’s All for You, an irresistible neo-disco song that spent seven weeks at number one on the Billboard Hot 100.\u003C\u002Fp\u003E\u003Cp\u003EJanet collaborated almost exclusively with Jam and Lewis until 2004’s Damita Jo album, which also included contributions from several other producers including Kanye West. Amfo notes that “her consistency in working with the same producers allowed her to hone a sound that is so distinctively her”. Damita Jo became Janet’s first commercial disappointment since 1984, failing to top the Billboard 200 chart or to yield a sizeable hit single.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003ESuper Bowl sexism\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003Cp\u003EThe album arrived just two months after one of the most notorious moments of her career: the so-called ‘wardrobe malfunction’ during her performance with Justin Timberlake at the 2004 Super Bowl Halftime Show, which saw her breast briefly visible on live TV. Both artists said afterwards that the idea was simply for Timberlake to rip away Janet’s leather bustier to reveal a red lace bra underneath, but that the ‘malfunction’ caused her entire breast to be exposed.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20190623-why-janet-jackson-is-pops-most-underrated-legend-6"},{"bodyHtml":{"assets":[]},"cardType":"PullQuote","iFrameType":"","pullQuote":"Though her nipple was only exposed for about half a second, the incident brought back into popular consciousness a long-held negative trope surrounding black female sexuality – Dr Kirsty Fairclough","id":"culture\u002Farticle\u002F20190623-why-janet-jackson-is-pops-most-underrated-legend-7"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThe incident caused a global furore: Michael Powell, chairman of US media regulator the Federal Communications Commission, told a Senate panel that it was \"a new low for prime time television\". Though ‘Janet Jackson’ became the most searched-for person on the internet that year, her reputation was instantly tarnished. Walt Disney World even \u003Ca href=\"https:\u002F\u002Few.com\u002Farticle\u002F2004\u002F03\u002F03\u002Fdisney-world-removes-janet-jackson-inspired-statue\u002F\"\u003Edecided to remove\u003C\u002Fa\u003E  a life-size statue of Mickey Mouse dressed in her signature Rhythm Nation outfit.\u003C\u002Fp\u003E\u003Cp\u003ELast year a \u003Ca href=\"https:\u002F\u002Fwww.huffingtonpost.co.uk\u002Fentry\u002Fles-moonves-janet-jackson-career_n_5b919b8ce4b0511db3e0a269\"\u003Ereport\u003C\u002Fa\u003E alleged that after the incident, Les Moonves, the chairman and CEO of CBS, which screened the Super Bowl, became “fixated” with derailing her career and effectively blacklisted her from Viacom channels including MTV. Moonves, who \u003Ca href=\"https:\u002F\u002Fwww.bbc.co.uk\u002Fnews\u002Fbusiness-46599490\"\u003Estepped down from the network in September 2018 following accusations of sexual harassment and abuse\u003C\u002Fa\u003E, is said to have been incensed because he believed the incident was a deliberate attempt to whip up controversy that Janet had not shown enough remorse for.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20190623-why-janet-jackson-is-pops-most-underrated-legend-8"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":[],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20190623-why-janet-jackson-is-pops-most-underrated-legend-9"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EWhatever the truth behind this allegation, there’s no doubting that it affected her career in a way that Timberlake, who was equally involved in the incident, largely managed to escape. “Though her nipple was only exposed for about half a second, what the incident triggered was to bring back into popular consciousness a long-held negative trope surrounding black female sexuality,” Fairclough says. “This is essentially the idea that black women are ‘dangerous’ and ‘irrational’ sexual beings that must be controlled. Her career in the mainstream has never fully recovered since this moment.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003EThe Janet revival \u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003Cp\u003EBut in recent years, Janet’s reputation has definitely enjoyed a revival. Her 2015 album Unbreakable debuted at number one on the Billboard 200, and her recent tours have won appreciative reviews. “When [acclaimed French singer-songwriter] Christine and the Queens did a segment on my radio show called Your Song [in which guests select a song that is special to them], she chose Janet’s The Pleasure Principle and she was just so elated when she was speaking about it,” says Clara Amfo. “Janet has and continues to be a template for so many artists: Christine, Ciara, fellow Glastonbury performer Janelle Monáe, MNEK, Beyoncé, the list goes on.”\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20190623-why-janet-jackson-is-pops-most-underrated-legend-10"},{"bodyHtml":{"assets":[]},"cardType":"PullQuote","iFrameType":"","pullQuote":"Her talent gets overshadowed because she’s the ‘baby Jackson’, but it is her own, outside of her family – MNEK","id":"culture\u002Farticle\u002F20190623-why-janet-jackson-is-pops-most-underrated-legend-11"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EIndeed, British artist-producer MNEK tells BBC Culture enthusiastically: “Janet’s songwriting and performing has always been so sophisticated. I’ve always admired her showmanship and how she was able to wrap lyrics with her voice in such a smooth way. [Some] people say her voice is too soft or that she can’t sing, but this obviously isn’t true. Janet has actually got a beautiful voice.”\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003EMNEK also praises Janet for “really drilling in the importance of albums to the public – that gets overshadowed because she’s the ‘baby Jackson’, but her talent is her own, outside of being a Jackson”. Amfo goes a step further, saying that a key part of Janet’s legacy lies in inspiring others by “gaining independence from a family with an overbearing history”. Sadly, it’s arguable that this family history continues to cast a shadow on Janet’s individual achievements. Dr Kirsty Fairclough says that historical sexual abuse allegations levelled at Michael Jackson in this year’s documentary Leaving Neverland “inevitably influences mainstream coverage of Janet and her family”.\u003C\u002Fp\u003E\u003Cp\u003EJanet’s new Las Vegas show, Janet Jackson: Metamorphosis, begins with a performance of Empty, an excellent trip-hop-inflected track from The Velvet Rope. Released 22 years ago, its lyrics seem to have anticipated society’s growing reliance on online relationships. “Is this a new way to love? Never face to face, is it enough?” Janet ponders. Her revival of this very prescient song in 2019 reflects how, knockbacks notwithstanding, Janet remains supremely capable of stewarding her own legacy, and doing so smartly. This weekend’s Glastonbury set gives her a welcome opportunity to remind us that she’s one of her generation’s most thrilling and visionary performers.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cem\u003EIf you would like to comment on this story or anything else you have seen on BBC Culture, head over to our \u003C\u002Fem\u003E\u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002Fpages\u002FBBC-Culture\u002F237388053065908\"\u003E\u003Cstrong\u003EFacebook\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E page or message us on\u003C\u002Fem\u003E \u003Ca href=\"https:\u002F\u002Ftwitter.com\u002Fbbc_culture\"\u003E\u003Cstrong\u003ETwitter\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E.\u003C\u002Fem\u003E\u003C\u002Fp\u003E\u003Cp\u003E\u003Cem\u003EAnd if you liked this story, \u003C\u002Fem\u003E\u003Ca href=\"http:\u002F\u002Fpages.emails.bbc.com\u002Fsubscribe\u002F\"\u003E\u003Cstrong\u003Esign up for the weekly bbc.com features newsletter\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E, called The Essential List. A handpicked selection of stories from BBC Future, Culture, Capital and Travel, delivered to your inbox every Friday.\u003C\u002Fem\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20190623-why-janet-jackson-is-pops-most-underrated-legend-12"}],"collection":null,"disableAdverts":false,"displayDate":"2019-06-24T09:00:09Z","embeddedCustomHtml":"","embeddedInfographicUrl":"","embeddedType":"","headlineLong":"Why Janet Jackson is pop’s most underrated legend","headlineShort":"Pop’s most underrated legend?","image":[],"imageAlignment":"centre","imageAltText":"","isSyndicated":true,"latitude":"","longitude":"","mpsVideo":"","option":[],"partner":null,"primaryVertical":"culture","promoAlignment":"centre","promoAltText":"","promoImage":null,"relatedStories":null,"relatedTag":null,"summaryLong":"With a Glastonbury show and a Las Vegas residency, the singer is back in the limelight – which is good reason to celebrate her as the pioneer she has been, writes Nick Levine.","summaryShort":"Before Beyoncé there was Janet Jackson","tag":null,"textToSpeech":false,"creationDateTime":"2020-04-06T09:29:32.148793Z","entity":"article","guid":"f0b3865f-2271-4548-9cb8-85c9becf5a77","id":"culture\u002Farticle\u002F20190623-why-janet-jackson-is-pops-most-underrated-legend","modifiedDateTime":"2022-02-28T12:48:37.627087Z","project":"wwverticals","slug":"culture\u002Farticle\u002F20190623-why-janet-jackson-is-pops-most-underrated-legend","cacheLastUpdated":1656306867776},"culture\u002Farticle\u002F20200131-10-best-super-bowl-halftime-shows-of-all-time":{"urn":"urn:pubpipe:wwverticals:article:culture\u002Farticle\u002F20200131-10-best-super-bowl-halftime-shows-of-all-time","_id":"62b41fc41f4b7b033633f924","ambientVideo":"","articleType":"story","assetVideo":null,"author":["culture\u002Fauthor\u002Fstephen-dowling"],"bodyIntro":"","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EIn an age of atomised viewing habits, there are few events that capture as many eyeballs as the Super Bowl. Its ad slots are the most expensive on US terrestrial television – $5.6m for 30 seconds, thank you very much – and the Super Bowl Halftime show has become one of the most high-profile gigs of the year.\u003C\u002Fp\u003E\u003Cp\u003EThings have come a long way since 1960, when the first Super Bowl Halftime show consisted of nothing more than the standard The Liberty Bell being performed by the University of Arizona Symphonic Marching Band. Today’s shows go through as much planning as any set at the Grammys or Oscars.\u003C\u002Fp\u003E\u003Cp\u003EThis year, Shakira and Jennifer Lopez are gracing the stage at the Hard Rock Stadium at Miami Gardens in Florida. Ostensibly, the crowd are there to see the game between the San Francisco 49ers and the Kansas City Chiefs at Super Bowl LIV, but sometimes the few minutes of music designed for half-time entertainment linger longer in the memory than the games themselves.\u003C\u002Fp\u003E\u003Cp\u003EHere, BBC Music looks at 10 of the most memorable performances.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E10. Janet Jackson, Justin Timberlake, P Diddy, Nelly, Jessica Simpson and Kid Rock (2004)\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200131-10-best-super-bowl-halftime-shows-of-all-time-0"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p081wh91"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200131-10-best-super-bowl-halftime-shows-of-all-time-1"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EOK, pub quiz music round time. Can you name the opening song that Jessica Simpson introduced the proceedings to? What song had its name rechanged to namecheck P Diddy? Name either of Kid Rock’s two numbers? Nope, us neither. That’s because what became the most famous halftime show of all time was overshadowed by a mishap that birthed a whole new phrase in the English language: “wardrobe malfunction”.\u003C\u002Fp\u003E\u003Cp\u003EThe halftime show at Houston’s Reliant Stadium saw the ensemble, including Janet Jackson and Justin Timberlake, rip through 10 tracks on top of the matching band interludes, but its legacy is for one half-second during the denouement, where Jackson and Timberlake teamed up for the latter’s Rock Your Body. Which Timberlake did, briefly exposing Jackson’s partially-covered right nipple as he ripped off part of her clothing. Fines and lawsuits followed “Nipplegate”, and Jackson briefly saw her music banned from radio and music video channels around the world because many assumed the incident had been a stunt. Legend has it that a software programmer was so frustrated that he couldn’t find footage of the incident online that he invented YouTube.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E9. Michael Jackson (1993)\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200131-10-best-super-bowl-halftime-shows-of-all-time-2"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p081wh9n"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200131-10-best-super-bowl-halftime-shows-of-all-time-3"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EAnother decade, another Jackson, though this time the wardrobe remained malfunction free. Michael Jackson’s 1993 appearance at the Rose Bowl in Pasadena, California was a turning point in halftime extravaganzas, becoming one of the most-watched events in US history.\u003C\u002Fp\u003E\u003Cp\u003EThe production began with Jackson appearing on each of the venue’s massive jumbotron screens, with stunt doubles then appearing on each of them in a puff of smoke. Jackson himself – dressed like a Middle Eastern dictator as imagined by the artist Jeff Koons – then appeared, star jumping up onto the centre of the stage in an entrance of split-second timing, especially considering he sent the following two minutes completely still as the crowd roared their approval. It is peak widescreen Jackson, a stadium-sized segue through Eighties-defining hits (Billie Jean), early 90s anthems (Black Or White) and choir-heavy singalongs (We Are The World, Heal The World).\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E8.Lady Gaga (2017)\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200131-10-best-super-bowl-halftime-shows-of-all-time-4"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p081wh9x"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200131-10-best-super-bowl-halftime-shows-of-all-time-5"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EAmerican football and Lady Gaga don’t seem the most obvious bedfellows, but the Millennial Madonna has earned a formidable reputation for her live shows – and Superbowl LI got a taste of what her Little Monsters have known for some time: Ain’t no show like a Gaga show.\u003C\u002Fp\u003E\u003Cp\u003EThe beginning saw Gaga performing the US National Anthem from the ramparts of the NRG Stadium in Houston, Texas, before segueing into Pete Seeger’s This Land Is Your Land and the Pledge of Allegiance – and if all this is sounding mystifyingly middle of the road, bear in mind that behind her, a fleet of some 300 drones were swarming to create a rippling Stars and Stripes flag.\u003C\u002Fp\u003E\u003Cp\u003EGaga then zipwired onto the stage – very Cirque Du Soleil – before landing on a tower looking like something left over from the nightmarish cityscape of Blade Runner; the perfect place to then launch into Poker Face. With costuming by Versace and a morphing light show courtesy of awards-show staples 22 Degrees, Gaga’s show ended with a Thriller-esque monster mash featuring seemingly zombified football players. That’s quite the show to have to follow with a ball game…\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E7. U2 (2002)\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200131-10-best-super-bowl-halftime-shows-of-all-time-6"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p081whbx"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200131-10-best-super-bowl-halftime-shows-of-all-time-7"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003ENo vertigo-inducing zipwires for Bono in 2002 (the song hadn’t been released yet). U2’s halftime show – at the Mercedes-Benz Superdome in New Orleans – the ever-communal U2 opted for the more personal approach. With the rest of the band already on stage, Bono walked through the crowd to the stage to the strains of Beautiful Day.\u003C\u002Fp\u003E\u003Cp\u003EThis was the first Super Bowl to take place since the September 11 attacks; U2 marked it by showing a scrolling list of names of those who had perished as Bono sprinted around the circular stage to the characteristic chiming guitar of Where the Streets Have No Name. Love them or hate them, U2 know how to turns stadiums into communal services, and this was very much a day at the office.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E6. Bruce Springsteen and the E Street Band (2009)\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200131-10-best-super-bowl-halftime-shows-of-all-time-8"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p081whc2"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200131-10-best-super-bowl-halftime-shows-of-all-time-9"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003ESpringsteen fans can thank Tom Petty and the Heartbreakers, apparently for their Super Bowl appearance. The NFL’s head of programming, Charles Coplin, was on a train home after work when an email popped up congratulating him on the Petty show – from Springsteen’s manager Jon Landau. It was more than just viewer feedback – Landau was testing the water for possibility of The Boss’s own halftime show. When I got the note, it was, ‘Wow, they actually like what we do and they’re actually interested’,” Coplin told Rolling Stone in 2009. “It was one of the \u003Cem\u003Egood \u003C\u002Fem\u003Ee-mails.”\u003C\u002Fp\u003E\u003Cp\u003EAnd so it was that on 1 February 2009, Bruce Springsteen and the E Street Band appeared at at the Raymond James Stadium in Tampa Bay, Florida, with The Boss thundering into the microphone with all the fire-and-brimstone fervour of a Bible Belt preacher: “For the next 12 minutes, we’re going to bring the righteous and mighty power of the E Street Band into your beautiful home! I want you to step back from the guacamole dip! I want you to put the chicken fingers down! And turn your television all the way up!” No fleets of drones or video trickery, but a band drilled into military tightness. When the band slipped effortlessly into Born To Run, the crowd’s roar must have been loud enough to trouble the foundations.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E5. Katy Perry, Lenny Kravitz, and Missy Elliott (2015)\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200131-10-best-super-bowl-halftime-shows-of-all-time-10"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p081whc5"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200131-10-best-super-bowl-halftime-shows-of-all-time-11"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EGiant puppet tiger? Check. Alice in Wonderland-style surreal chess board? Check. Dancing beach balls, sharks and palm trees? Check, check, check. No U2-style plug in and play here, though Lenny Kravitz’s contribution is the definition of stripped back – his guitar, leather and jeans in stark contrast to the dayglo lunacy unfolding around him.\u003C\u002Fp\u003E\u003Cp\u003EThe sudden switch from the Nickelodeon saturation of Teenage Dreams and California Gurls into Missy Elliott’s Get Ur Freak On is one of the great mood changes in halftime show history, as the dancing sharks make way for oversized football shirts. The teen pop-meets-retro-rock-meets-hip-hop triumvirate became the most watched half-time show in history – getting more eyeballs than the game itself.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E4. \u003C\u002Fstrong\u003E\u003Cstrong\u003EMadonna, LMFAO, Nicki Minaj, MIA, Cee Lo Green (2012)\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200131-10-best-super-bowl-halftime-shows-of-all-time-12"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p081whc6"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200131-10-best-super-bowl-halftime-shows-of-all-time-13"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EAllusions of grandeur meets moral majority-baiting mischief. Madonna took to the stage at the Lucas Oil Stadium in Indianapolis flanked by a phalanx of oiled warriors like Cleopatra herself, giant fans revealing her as the intro to Vogue started.\u003C\u002Fp\u003E\u003Cp\u003EIt wasn’t just the Madonna show, however. Novelty dance act LMFAO, rapper MIA, the then rising hip-hop star Nicki Minaj and the soulful Cee-Lo Green – as the sweating centurions from the intro would attest – it takes many hands to support the Material Girl. A decade on from her MTV Video Music Awards controversy, where she kissed Britney Spears and Christina Aguilera, Madonna herself swerved away from upsetting the staid stay-at-homes, but MIA couldn’t help herself: causing a minor scandal by flipping the bird at the end of her brief guest rap.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E3. \u003C\u002Fstrong\u003E\u003Cstrong\u003EAerosmith, Britney Spears, 'NSync, Nelly and Mary J Blige (2001)\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200131-10-best-super-bowl-halftime-shows-of-all-time-14"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p081wh7t"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200131-10-best-super-bowl-halftime-shows-of-all-time-15"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EAnother genre-splicing megafest, throwing together a teen pop titan, the US’s closest answer to The Rolling Stones, a rap superstar, a queen of R&B and a five-headed, chart-topping boyband. The intro came on like a possessed jukebox, with 'NSync and Aerosmith trading hits like Bye Bye Bye and Don’t Want To Miss A Thing, and with 'NSync no doubt scaring the insurers with some handheld pyrotechnics.\u003C\u002Fp\u003E\u003Cp\u003EThings definitely ramped up a notch for the finale, however. For Walk This Way, the supergroup roped in an extra couple of vocalists: Spears and Blige. At some point, amid Joe Perry’s guitar fireworks, you fully expected a kitchen sink on the mic next to 'NSync.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E2. Beyoncé and Destiny’s Child (2013)\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200131-10-best-super-bowl-halftime-shows-of-all-time-16"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p081whcb"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200131-10-best-super-bowl-halftime-shows-of-all-time-17"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EQuite apart from this being the Super Bowl, Beyoncé had something to prove. At the press conference for her Super Bowl performance, Queen Bey admitted she had lip-synched at the inauguration of President Barack Obama days earlier. By the time she took the stage at New Orleans’ Mercedes-Benz Stadium, there was fire in her belly.\u003C\u002Fp\u003E\u003Cp\u003EJay-Z, rumoured to make an appearance at his wife’s show, in the end stayed away. This was very much a ladies’ night, including all the dancers, backing band members and the special guests – Beyoncé’s former Destiny’s Child bandmates, Kelly Rowland and Michelle Williams. Beginning with Bootylicious, the three-song mini-set included them joining forces on Beyoncé’s Run The World. It was a triumphant return after several years all ploughing their own paths, but Beyoncé also silenced any questions over her live abilities.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E1. Prince (2007)\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200131-10-best-super-bowl-halftime-shows-of-all-time-18"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p081whcj"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200131-10-best-super-bowl-halftime-shows-of-all-time-19"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EMost people never realised how much they wanted to hear Prince backed by a marching brass band until the 2007 Super Bowl. The Miami Dolphins’ stadium was hemmed in by gathering stormy clouds, but that didn’t stop Prince taking to his drenched symbol-shaped stage, and signalling his intent by opening with the riff from Queen’s We Will Rock You.\u003C\u002Fp\u003E\u003Cp\u003EWhile Prince hurtled into Let’s Go Crazy and Baby I’m A Star, the Florida A&M University Marching 100 providing a fitting backing band. 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C371.386,262.958,371.83,263.279,372.106,263.757z"></path></g></svg><span>iPlayer</span></a></li><li class="orb-nav-sounds"><a href="https://web.archive.org/web/20220627051428/https://www.bbc.co.uk/sounds"><svg class="product-icon" version="1.1" xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink" x="0px" y="0px" viewbox="0 0 512 512" enable-background="new 0 0 512 512" xml:space="preserve" focusable="false" aria-hidden="true"><g><path fill="#A13104" d="M122,304H78c-0.552,0-1.052-0.224-1.414-0.586S76,302.552,76,302v-92c0-0.552,0.224-1.052,0.586-1.414 S77.448,208,78,208h44c0.552,0,1.052,0.224,1.414,0.586S124,209.448,124,210v92c0,0.552-0.224,1.052-0.586,1.414 S122.552,304,122,304z"></path><path fill="#D24712" d="M230,376h-80c-0.552,0-1.052-0.224-1.414-0.586S148,374.552,148,374V138c0-0.552,0.224-1.052,0.586-1.414 S149.448,136,150,136h80c0.552,0,1.052,0.224,1.414,0.586S232,137.448,232,138v236c0,0.552-0.224,1.052-0.586,1.414 S230.552,376,230,376z"></path><path fill="#FA6400" d="M422,424H258c-0.552,0-1.052-0.224-1.414-0.586S256,422.552,256,422V90c0-0.552,0.224-1.052,0.586-1.414 S257.448,88,258,88h164c0.552,0,1.052,0.224,1.414,0.586S424,89.448,424,90v332c0,0.552-0.224,1.052-0.586,1.414 S422.552,424,422,424z"></path></g></svg><span>Sounds</span></a></li><li class="orb-nav-bitesize"><a href="https://web.archive.org/web/20220627051428/https://www.bbc.co.uk/bitesize"><svg class="product-icon" version="1.1" xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink" x="0px" y="0px" viewbox="0 0 512 512" enable-background="new 0 0 512 512" xml:space="preserve" focusable="false" aria-hidden="true"><g><path fill="#6100A8" d="M134,400H78c-0.552,0-1.052-0.224-1.414-0.586S76,398.552,76,398V162c0-0.552,0.224-1.052,0.586-1.414 S77.448,160,78,160h56c0.552,0,1.052,0.224,1.414,0.586S136,161.448,136,162v236c0,0.552-0.224,1.052-0.586,1.414 S134.552,400,134,400z"></path><path fill="#7222C6" d="M254,400h-92c-0.552,0-1.052-0.224-1.414-0.586S160,398.552,160,398V114c0-0.552,0.224-1.052,0.586-1.414 S161.448,112,162,112h92c0.552,0,1.052,0.224,1.414,0.586S256,113.448,256,114v284c0,0.552-0.224,1.052-0.586,1.414 S254.552,400,254,400z"></path><path fill="#963CE1" d="M444.77,373.863l-85.829,26.232c-0.529,0.162-1.073,0.093-1.526-0.148s-0.812-0.655-0.973-1.184 L273.901,126.63c-0.16-0.528-0.091-1.07,0.149-1.521c0.241-0.451,0.653-0.811,1.18-0.972l85.829-26.232 c0.529-0.162,1.073-0.093,1.526,0.148s0.812,0.655,0.973,1.184l82.542,272.133c0.16,0.528,0.091,1.07-0.149,1.521 C445.71,373.342,445.297,373.702,444.77,373.863z"></path></g></svg><span>Bitesize</span></a></li><li class="orb-nav-cbeebies"><a href="https://web.archive.org/web/20220627051428/https://www.bbc.co.uk/cbeebies"><span>CBeebies</span></a></li><li class="orb-nav-cbbc"><a href="https://web.archive.org/web/20220627051428/https://www.bbc.co.uk/cbbc"><span>CBBC</span></a></li><li class="orb-nav-food"><a 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