CINXE.COM

<!DOCTYPE html> <html dir='ltr' xmlns='http://www.w3.org/1999/xhtml' xmlns:b='http://www.google.com/2005/gml/b' xmlns:data='http://www.google.com/2005/gml/data' xmlns:expr='http://www.google.com/2005/gml/expr'> <head> <link href='https://www.blogger.com/static/v1/widgets/55013136-widget_css_bundle.css' rel='stylesheet' type='text/css'/> <meta content='text/html; charset=UTF-8' http-equiv='Content-Type'/> <meta content='blogger' name='generator'/> <link href='http://ipromesisposi.blogspot.com/favicon.ico' rel='icon' type='image/x-icon'/> <link href='http://ipromesisposi.blogspot.com/search/label/Davis' rel='canonical'/> <link rel="alternate" type="application/atom+xml" title="Ipromesisposi - Atom" href="http://ipromesisposi.blogspot.com/feeds/posts/default" /> <link rel="alternate" type="application/rss+xml" title="Ipromesisposi - RSS" href="http://ipromesisposi.blogspot.com/feeds/posts/default?alt=rss" /> <link rel="service.post" type="application/atom+xml" title="Ipromesisposi - Atom" href="https://www.blogger.com/feeds/5357880801358495252/posts/default" /> <link rel="me" href="https://www.blogger.com/profile/09356673178960485145" />  <meta content='http://ipromesisposi.blogspot.com/search/label/Davis' property='og:url'/> <meta content='Ipromesisposi' property='og:title'/> <meta content='Comprender la diferencia en lugar de combatirla' property='og:description'/> <link href='http://tinypic.com/4duiytqw' rel='shortcut icon' type='image/x-icon'/> <link href='http://www.fileden.com/getfile.php?file_path=http://www.fileden.com/files/2009/7/26/2522273/Cans1.ico' rel='shortcut icon' type='image/x-icon'/> <link href='http://www.fileden.com/getfile.php?file_path=http://www.fileden.com/files/2009/7/26/2522273/Cans1.ico' rel='icon' type='image/x-icon'/> <title>Ipromesisposi: Davis</title> <style id='page-skin-1' type='text/css'></style> <script type='text/javascript'> // Label Cloud User Variables var lcBlogURL = 'http://ipromesisposi.blogspot.com'; var maxFontSize = 20; var maxColor = [0,0,255]; var minFontSize = 10; var minColor = [0,0,0]; var lcShowCount = false; </script> <link href='https://www.blogger.com/dyn-css/authorization.css?targetBlogID=5357880801358495252&zx=810ea65c-bb88-4f6d-bb9d-5c93e10ed22a' media='none' onload='if(media!='all')media='all'' rel='stylesheet'/><noscript><link href='https://www.blogger.com/dyn-css/authorization.css?targetBlogID=5357880801358495252&zx=810ea65c-bb88-4f6d-bb9d-5c93e10ed22a' rel='stylesheet'/></noscript> <meta name='google-adsense-platform-account' content='ca-host-pub-1556223355139109'/> <meta name='google-adsense-platform-domain' content='blogspot.com'/> <link rel="stylesheet" href="https://fonts.googleapis.com/css2?display=swap&family=Baskervville"></head> <body> <div class='navbar section' id='navbar'><div class='widget Navbar' data-version='1' id='Navbar1'><script type="text/javascript"> function setAttributeOnload(object, attribute, val) { if(window.addEventListener) { window.addEventListener('load', function(){ object[attribute] = val; }, false); } else { window.attachEvent('onload', function(){ object[attribute] = val; }); } } </script> <div id="navbar-iframe-container"></div> <script type="text/javascript" src="https://apis.google.com/js/platform.js"></script> <script type="text/javascript"> gapi.load("gapi.iframes:gapi.iframes.style.bubble", function() { if (gapi.iframes && gapi.iframes.getContext) { gapi.iframes.getContext().openChild({ url: 'https://www.blogger.com/navbar/5357880801358495252?origin\x3dhttp://ipromesisposi.blogspot.com', where: document.getElementById("navbar-iframe-container"), id: "navbar-iframe" }); } }); </script><script type="text/javascript"> (function() { var script = document.createElement('script'); script.type = 'text/javascript'; script.src = '//pagead2.googlesyndication.com/pagead/js/google_top_exp.js'; var head = document.getElementsByTagName('head')[0]; if (head) { head.appendChild(script); }})(); </script> </div></div> <div id='outer-wrapper'><div id='wrap2'>  <span id='skiplinks' style='display:none;'> <a href='#main'>skip to main </a> | <a href='#sidebar'>skip to sidebar</a> </span> <div id='header-wrapper'> <div class='header section' id='header'><div class='widget Header' data-version='1' id='Header1'> <div id='header-inner'> <div class='titlewrapper'> <h1 class='title'> <a href='http://ipromesisposi.blogspot.com/'> Ipromesisposi </a> </h1> </div> <div class='descriptionwrapper'> <p class='description'><span>Comprender la diferencia en lugar de combatirla</span></p> </div> </div> </div></div> </div> <div id='content-wrapper'> <div id='crosscol-wrapper' style='text-align:center'> <div class='crosscol no-items section' id='crosscol'></div> </div> <div id='main-wrapper'> <div class='main section' id='main'><div class='widget Blog' data-version='1' id='Blog1'> <div class='blog-posts hfeed'> <div class='status-msg-wrap'> <div class='status-msg-body'> Mostrando entradas con la etiqueta <b>Davis</b>. <a href="http://ipromesisposi.blogspot.com/">Mostrar todas las entradas</a> </div> <div class='status-msg-border'> <div class='status-msg-bg'> <div class='status-msg-hidden'>Mostrando entradas con la etiqueta <b>Davis</b>. <a href="http://ipromesisposi.blogspot.com/">Mostrar todas las entradas</a></div> </div> </div> </div> <div style='clear: both;'></div> <div class="date-outer"> <h2 class='date-header'><span>viernes, 29 de marzo de 2019</span></h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry uncustomized-post-template' itemprop='blogPost' itemscope='itemscope' itemtype='http://schema.org/BlogPosting'> <meta content='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLqdili6eD9sNbhA3OuwHjcudfgu7MF7V3K4ih6tRX9CGAToF27vn_zq4Zw9NDyoV-fv4g4pLyJrY6RLzHv2kj4VaHjHfV5zSHWIkYet55y03eYFzvoyYiZ72cFnPI_PvvU4BaKr580Zw/s320/Beecham.jpg' itemprop='image_url'/> <meta content='5357880801358495252' itemprop='blogId'/> <meta content='8624446186360650042' itemprop='postId'/> <a name='8624446186360650042'></a> <h3 class='post-title entry-title' itemprop='name'> <a href='http://ipromesisposi.blogspot.com/2019/03/handel-messiah.html'>Handel: Messiah</a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-8624446186360650042' itemprop='description articleBody'> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><i>El Mes铆as </i>no existe; o, al menos, un 煤nico <i>Mes铆as</i>. Desde su composici贸n en 1741 Handel reform贸, traspuso, revis贸, enmend贸 y reemplaz贸 unos n煤meros por otros pr谩cticamente en cada representaci贸n (su gesti贸n era para 茅l tan importante como la composici贸n), en su mayor铆a cambios dictados por las caracter铆sticas vocales de los solistas disponibles. Y es que, adem谩s de m煤sico, Handel era un hombre de negocios, promotor y empresario, que se hizo enormemente rico invirtiendo en bolsa. </span></span></div> <div style="text-align: justify;"> <span style="font-size: large;"><br /></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Tras el 茅xito inicial en Dubl铆n, la obra top贸 con la indiferencia del p煤blico londinense e incluso la rotunda hostilidad de la jerarqu铆a anglicana que consider贸 sacr铆lega la representaci贸n de textos b铆blicos en un teatro “<i>a Playhouse… venue for light and vain, prophane and dissolute pieces</i>”, no como “<i>an Act of Religion, but for Diversion and Amusement only</i>”. S贸lo a partir de 1750 se estableci贸 como tradici贸n obligatoria de la temporada musical, luego como banda sonora de un imperio, para llegar al icono cultural y monumento nacional que es hoy en d铆a.</span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Tras El Mes铆as Handel no regres贸 a la ya declinante 贸pera, que le hab铆a ocupado m谩s de 30 a帽os de <i>paganismo </i>y sin la cual el oratorio es inconcebible. Compuesto en solo tres semanas sobre un libreto de Charles Jennens, con la historia presentada por los solistas y el coro (verdadero protagonista de la obra), sin pr谩cticamente formato narrativo, m谩s pomposa que ferviente, y con un extenso cat谩logo de estilos, desde el fugado al coloso arm贸nico, aplicando t茅cnicas teatrales seculares dentro de las convenciones de una historia sagrada sin escenificaci贸n. Los aparentemente comunes cuatro solistas en las claves de soprano, alto, tenor y bajo, no fueron contemplados por Handel ni en la d茅cada precedente ni en la posterior.</span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">El color orquestal es comparativamente restringido, ya que de entre todas sus obras mayores es la 煤nica que en su partitura original omite partes para vientos. Para las posteriores representaciones londinenses simplemente dobla las cuerdas con oboes y fagotes; por consiguiente es a煤n m谩s sobrecogedor el aporte de trompetas y timbales en los coros finales.</span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Cual 贸pera italiana contempor谩nea, <i>El Mes铆as</i> distingue entre el optimismo l铆rico de la Parte I (Natividad), la aflicci贸n desesperada de la II (vida de Cristo), culminando en el glorioso triunfo de la III (Pasi贸n y Resurrecci贸n).</span></span><br /> <br /> <br /> <br /> <div style="text-align: center;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span><a href="magnet:?xt=urn:btih:6AC7C13D6900D785F7202F9B66239D9989473136">157 lossless recordings of Handel Messiah - Part I (1927-1986) - Magnet link</a> </span></span><br /> <br /> <span style="font-family: "georgia" , "times new roman" , serif;"><span><a href="magnet:?xt=urn:btih:460912CE2D5B5339E52202AFAB9793D595C9D411">157 lossless recordings of Handel Messiah - Part II (1988-2005) - Magnet link</a> </span></span><br /> <br /><a href="magnet:?xt=urn:btih:A7391296FE9CAAFD715AD440D3C25F0D3A8F82FC">157 lossless recordings of Handel Messiah - Part III (2006-2022) - Magnet link</a></div><div style="text-align: center;"><a href="magnet:?xt=urn:btih:A7391296FE9CAAFD715AD440D3C25F0D3A8F82FC"></a><br /> <span style="font-family: "georgia" , "times new roman" , serif;"><span><a href="https://1337x.to/torrent/6223815/Handel-Messiah-157-lossless-recordings-Part-I-1927-1986/" target="_blank">Link to the torrent file I</a> </span></span><br /> <br /> <span style="font-family: "georgia" , "times new roman" , serif;"><span><a href="https://1337x.to/torrent/6223817/Handel-Messiah-157-lossless-recordings-Part-II-1988-2005/" target="_blank">Link to the torrent file II</a> </span></span></div><div style="text-align: center;"><span style="font-family: "georgia" , "times new roman" , serif;"><span><br /></span></span></div><div style="text-align: center;"><span style="font-family: "georgia" , "times new roman" , serif;"><span><a href="https://1337x.to/torrent/6223820/Handel-Messiah-157-lossless-recordings-Part-III-2006-2022/" target="_blank">Link to the torrent file III</a><br /></span></span></div> <br /> <br /> <br /> <br /> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Hay una fascinante carta al editor de <i>The Musical Times</i> en febrero de 1927 que reprocha la “<i>inmensa velocidad</i>” que Thomas Beecham hab铆a imprimido a una representaci贸n mesi谩nica, “<i>ausente la sublime majestuosidad… en un ininteligible desplome</i>”. A finales de ese mismo a帽o Beecham registr贸 esta primitiva grabaci贸n con su caracter铆stica elasticidad r铆tmica (BBC Chorus & Symphony Orchestra, Membran). La carta acaba plante谩ndose: “<i>¿Qu茅 ocurrir谩 si otros emulan a Sir Thomas o incluso avanzan en esta direcci贸n?</i>”. Antes de verlo, curioseemos por sus otras dos grabaciones, tan resueltamente diferentes en concepto e interpretaci贸n.</span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">La rescatada por Allegro de 1947 rebasa lo teatral para adentrarse sin miedo en el musical hollywoodiano, con coros de diversos tama帽os para los diferentes n煤meros (Royal Philharmonic Orchestra).</span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">La de 1959 para RCA se basa en la gargantuesca orquestaci贸n de Eugene Goossens, incluyendo percusi贸n, ca帽oneo de metales y arpa. The Royal Philharmonic Orchestra and Chorus (80 voces) deliran por atronadoras din谩micas, r铆tmicas vagas y afinaciones confusas, turbulentas cacofon铆as, sinfon铆as carnavalescas y… poes铆a excelsa. Como si de un Verdi blasfemo se tratara, los solistas cumplen con la extravaganza bizarra y perfectamente medieval en el equ铆voco sentido <i>orffiano</i>: perlada Jennifer Vyvyan (s), f茅rrea Monica Sinclair (ca), descarado (e inmejorable) Jon Vickers (t), y colosal profeta de Giorgio Tozzi (b). Quiz谩 el <i>showman </i>que era Handel hubiera quedado encantado con la experiencia. Imprescindible.</span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <div class="separator" style="clear: both; text-align: center;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLqdili6eD9sNbhA3OuwHjcudfgu7MF7V3K4ih6tRX9CGAToF27vn_zq4Zw9NDyoV-fv4g4pLyJrY6RLzHv2kj4VaHjHfV5zSHWIkYet55y03eYFzvoyYiZ72cFnPI_PvvU4BaKr580Zw/s1600/Beecham.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLqdili6eD9sNbhA3OuwHjcudfgu7MF7V3K4ih6tRX9CGAToF27vn_zq4Zw9NDyoV-fv4g4pLyJrY6RLzHv2kj4VaHjHfV5zSHWIkYet55y03eYFzvoyYiZ72cFnPI_PvvU4BaKr580Zw/s320/Beecham.jpg" /></a></span></span></div> </div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Hermann Scherchen fue un experimentalista que ofreci贸 un gran n煤mero de <i>premi猫res </i>de obras del S. XX y que nunca ces贸 de preguntarse por el estilo correcto con que la m煤sica pret茅rita hab铆a de ser interpretada. A tal fin realiz贸 con la London Philharmonic Orchestra (Archipel, 1953) una pionera y radical grabaci贸n utilizando un aut贸grafo de Handel. Para sus contempor谩neos los <i>tempi </i>sonaban extremos, la instrumentaci贸n, de c谩mara, y la noci贸n, austeramente secular. Por ello es a煤n m谩s asombroso su segundo registro de 1959: Nunca sabremos que pas贸 por la cabeza de <i>Herr Tijerillas </i>para que algunos de los n煤meros doblaran su minutaje; por ejemplo el aria <i>If God Be For Us</i> pasa de 4:48 a 9:59 (y sigue maravillando en su lugubriosidad perversa). Pierrette Alarie (s), Nan Merriman (ca), L茅opold Simoneau (t), y Richard Standen (b) navegan entre el legato de las cuerdas expresionistas de la Wiener Staatsoper y la solemnidad teut贸nica, <i>semper </i>ampulosa, <i>semper </i>musical, junto a un bajo continuo estoico y en todo momento n铆tido. Una sobriedad… me atrever茅 a decirlo… leonhardtiana. L谩stima que el Wiener Akademie Kammerchor no est茅 a la altura, como expone soberbiamente la toma sonora (Westminster).</span></span><br /> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"></span></div> <div style="text-align: justify;"> <div class="separator" style="clear: both; text-align: center;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgew8f5iiSq3N4g7FHtnF-cm5HTij1czRf9MVTy-IvMgd1rpVXI031CLjexSGAdCp4FO7sAnF29AjKvVPpP68_SqKe51dx_w3JHnr8a39xj16VD9U3oaTsrDvBvhzrlaac-V5spXJ2F-hU/s1600/Scherchen59.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgew8f5iiSq3N4g7FHtnF-cm5HTij1czRf9MVTy-IvMgd1rpVXI031CLjexSGAdCp4FO7sAnF29AjKvVPpP68_SqKe51dx_w3JHnr8a39xj16VD9U3oaTsrDvBvhzrlaac-V5spXJ2F-hU/s320/Scherchen59.jpg" /></a></span></span></div> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">La importancia evang茅lica de la que dota Malcolm Sargent al mensaje hace irrelevante la (no) adecuaci贸n del estilo, masivamente victoriano, sin intentar participar de las convenciones dieciochescas, sin trinos, cadenzas o appoggiaturas a帽adidas, ni ritmos con puntillo; solo las notas y nada m谩s que las notas escritas, lo que le da un poder铆o sentimental sin parang贸n. La Royal Liverpool Philharmonic Orchestra, espaciosa de tempi, fluye por la orquestaci贸n a gran escala del propio Sargent “<i>unhesitatingly adopting any good ideas from earlier, experienced editors</i>” (como por ejemplo un tal Wolfgang Amadeus), que incluye unos coloridos clarinetes. Para los coros emplea un centenar de personas de la industrial Huddersfield Choral Society porque, seg煤n 茅l, ning煤n otro coro de Europa lo cantaba con suficiente fuerza –Harnoncourt lo recordaba risue帽o: “<i>Las mujeres eran como tanques, cuando abr铆an la boca, la sala temblaba</i>”–, que funcionan mejor en los n煤meros masivos que en los de agilidad. Excelente el <i>bel canto</i>: Elsie Morison (s), Margaret Thomas (ca), Richard Lewis (t), John Milligan (b), sensiblemente acompa帽ados por Sargent. El 贸rgano es utilizado profusamente como continuo para intentar restablecer el equilibrio. La toma sonora sorprende por su amplia espacialidad (EMI, 1959).</span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <div class="separator" style="clear: both; text-align: center;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfmNs2ubz8C2LmwfsnocLC1lnJ8itNUEojcwrZlp6POTpmrjvE5n2tv6DdaQUtAiODPjZhTITgA1h6FPUmt8URRuT16c3k4tTzSt1MbXXfYV_B9qALo5qj4FXDldNDoA0jNmssgqaz01w/s1600/Sargent.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfmNs2ubz8C2LmwfsnocLC1lnJ8itNUEojcwrZlp6POTpmrjvE5n2tv6DdaQUtAiODPjZhTITgA1h6FPUmt8URRuT16c3k4tTzSt1MbXXfYV_B9qALo5qj4FXDldNDoA0jNmssgqaz01w/s320/Sargent.jpg" /></a></span></span></div> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Hay un placer ad煤ltero en olvidar por una noche los mandatos historicistas y retozar en las s谩banas espesas de la Philharmonia Orchestra. Los contrastes din谩mico–dram谩ticos, numerosos y hasta extremos (<i>For unto us a Child is born</i>) del ardor coral bordean la lascivia. El incesante vibrato no hace sino prolongar el goce. La gran liederista que era Elisabeth Schwarzkopf (s) profundiza en la expresi贸n dram谩tica del texto; en <i>O thou that tellest good tidings</i> la suave Grace Hoffman (ca) reemplaza sus notas largas con escalas descendentes de corcheas, contrastando con el gran铆tico y selecto bajo continuo; Nicolai Gedda (t) arriba a un nivel 茅pico, Jerome Hines (b) se corona napole贸nico, y el gran Otto Klemperer se emplea con car谩cter en busca de la catarsis metaf铆sica. El fin de una 茅poca (Warner, 1964).</span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <div class="separator" style="clear: both; text-align: center;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQO8XDzJ_OhF_ZaHFG0lYomwNCUcU3cLeRsau6eNzNpPHUC9HP5LaVHzfXc3kDwgqClOD1no2SdL1znOvG-dtsttYZQmPPtzQGAHpzr3ak10U-3KJlkU9oFwCbbyPI3bXCapStGSQo-HU/s1600/Klemperer.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQO8XDzJ_OhF_ZaHFG0lYomwNCUcU3cLeRsau6eNzNpPHUC9HP5LaVHzfXc3kDwgqClOD1no2SdL1znOvG-dtsttYZQmPPtzQGAHpzr3ak10U-3KJlkU9oFwCbbyPI3bXCapStGSQo-HU/s320/Klemperer.jpg" /></a></span></span></div> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Si en 1784 la reuni贸n de 500 ejecutantes fund贸 la experiencia mesi谩nica de “<i>mejor cuanto m谩s grande</i>” hasta magnificarse en 1869 con una representaci贸n con 10000 voces y 500 instrumentistas, en 1966 Colin Davis progres贸 hacia la interpretaci贸n musicol贸gica (atenci贸n, la cr铆tica contempor谩nea de <i>Gramophone </i>avisaba de que a ciertos oyentes pod铆a resultarles “<i>faintly sacrilegious</i>”): Frescura y vitalidad estallando las costuras de la London Symphony Orchestra en un formato reducido a 31 cuerdas, igualando el n煤mero de voces del 谩gil coro, con <i>tempi</i> progresivamente <i>alla breve</i> e inicio de la ornamentaci贸n vocal. Eso s铆, a煤n r铆tmicamente inflexible. Para mantener su tesis de que “<i>el Mes铆as es un producto del mundo de la 贸pera italiana</i>”, Davis procura abundantes efectos dram谩ticos como decoraciones y anacronistas din谩micas (la repetici贸n de la obertura francesa en sordina), espesa las secciones de cuerdas produciendo artificiales diferenciaciones de ripieno (<i>Pifa</i>) y regresa al problem谩tico ritmo con puntillo a la francesa (esto es, alargar la nota con puntillo en detrimento de la duraci贸n de la nota siguiente), m谩s vivo y expresivo, pero menos emocionalmente adherido, y que nadie desde Beecham hab铆a empleado. Asimismo todos los solistas van reduciendo la carnosa est茅tica anterior: radiante Heather Harper (s), tormentosa Helen Watts (ca), cuidadoso en sus gradaciones de tono John Wakefield (t), y sibilino John Shirley-Quirk (b).</span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <div class="separator" style="clear: both; text-align: center;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi68XJPNLTTW5WfugBsCJ55uwE98az-W7TydGgfOhv6MS53dETp1z4oQCKykGAeHfruzE3fHB3Eyp79bmB5wtesIO0KMfApFtNMu84JmVTGwuQuiBBEeZJA_5IcuL88ZspDLSPdM26mkDA/s1600/Davis.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi68XJPNLTTW5WfugBsCJ55uwE98az-W7TydGgfOhv6MS53dETp1z4oQCKykGAeHfruzE3fHB3Eyp79bmB5wtesIO0KMfApFtNMu84JmVTGwuQuiBBEeZJA_5IcuL88ZspDLSPdM26mkDA/s320/Davis.jpg" /></a></span></span></div> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">En grabaci贸n paralela a la de Davis para Philips, Charles Mackerras aplica floreados ornamentos (<i>gracias </i>en la denominaci贸n dieciochesca), trinos, mordentes, appoggiaturas, grupetos por doquier, y no solo los prescritos en la edici贸n <i>ad hoc</i> de Basil Lam, sino que adem谩s se incentiv贸 a los solistas a que improvisaran sobre la marcha; obviamente las improvisaciones del <i>tutti </i>son m谩s dif铆ciles de defender –y atufan a reescritura, aunque no tanto como en la exc茅ntrica lectura de Bonynge–. La English Chamber Orchestra (8.7.4.4) se suplementa con doce maderas en los grandes coros que suenan algo menos claros por los forzudos Ambrosian Singers (10.10.8.10). Cautivadora Elizabeth Harwood (s), triunfante la calidez de Janet Baker (ca), delicado Paul Esswood (contratenor) que contrasta con el metal baritonal de Robert Tear (t), e impresionante el empuje profundo del <i>chainsmoker </i>Raimund Herincx (b). A煤n permanecen el espesor de las secciones de cuerdas y <i>ritardandi </i>rom谩nticos en los 煤ltimos compases de algunos n煤meros. Peculiar continuo, incluidos clave y 贸rgano, a veces a la vez (EMI, 1966).</span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <div class="separator" style="clear: both; text-align: center;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKJp8fCtfsm7bRmzDeTpWUBAEU4gTvD5c2d7om7GG4fUSc31yet8LGP0NBvyzSFm9Q5UkeQFoYuSt0SRT3ttLFiRTOLV5u_5fhrMTUgiz2-JXDVQxWqeOF0g6uJ4hNTXH6-YRMz0INpV0/s1600/Mackerras.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKJp8fCtfsm7bRmzDeTpWUBAEU4gTvD5c2d7om7GG4fUSc31yet8LGP0NBvyzSFm9Q5UkeQFoYuSt0SRT3ttLFiRTOLV5u_5fhrMTUgiz2-JXDVQxWqeOF0g6uJ4hNTXH6-YRMz0INpV0/s320/Mackerras.jpg" /></a></span></span></div> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">A los cr铆ticos de 1976 les cost贸 asimilar la “<i>falta de nobleza y grandeza</i>” y los r谩pidos <i>tempi </i>que propon铆a Neville Marriner en el registro de la representaci贸n londinense de 1743 preparada por el clavecinista de la Academy of St. Martin in the Fields, un tal Chris Hogwood. Cual <i>concerto grosso</i> con voces, con grupos instrumentales aligerados y articulaci贸n m谩s viva, pero con las cuerdas amuebladas con untuoso vibrato. Los solistas cuentan con la simplicidad embelesadora de Elly Ameling (s), una pl谩cida Anna Reynolds (ca), un soleado Philip Langridge (t), y un correcto a secas Gwynne Howell (b). La toma sonora de Decca antepone la orquesta a los coros, algo apagados en presencia pero no en convicci贸n, salpicados con piruetas del 贸rgano.</span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <div class="separator" style="clear: both; text-align: center;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFaOqSN_jzBQNbI_0EAEF_NdAEjLqdv0SvmVJcGKohKp4uScujAloTEU8VnlnvtDpkooPKhXf-Xzhs25CsruRZf4J3IMjoDo69rG1YSTLdx_ybCSbVdCJust5MAov6KMaQ0VGkGROROGQ/s1600/Marriner.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFaOqSN_jzBQNbI_0EAEF_NdAEjLqdv0SvmVJcGKohKp4uScujAloTEU8VnlnvtDpkooPKhXf-Xzhs25CsruRZf4J3IMjoDo69rG1YSTLdx_ybCSbVdCJust5MAov6KMaQ0VGkGROROGQ/s320/Marriner.jpg" /></a></span></span></div> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><br /></span> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Christopher Hogwood aline贸 en 1979 por vez primera todos los criterios musicol贸gicos: un coro handeliana y rigurosamente masculino, un conjunto de instrumentos originales con el tama帽o y la t茅cnica adecuados, y una edici贸n pertinente a las intenciones del autor. The Academy of Ancient Music comprende unas cuerdas (8.7.6.3, muchas de ellas historia viva del instrumento) cuyas caracter铆sticas tonales empastan felizmente con el peque帽o Christ Church Cathedral Choir Oxford (16.5.5.5), brillante en su impactante l铆nea superior (con su diferenciada reverberaci贸n eclesial) en n煤meros como <i>For unto us a Child is born</i> o en el esplendoroso <i>Hallelujah</i>. Hogwood hab铆a preparado la edici贸n para el registro de Marriner, pero al no poseer sus derechos eligi贸 la versi贸n posterior que Handel modific贸 para el <i>castrato </i>Gaetano Gudagni: se esperaba contar con James Bowman para la grabaci贸n pero la faringitis cr贸nica que padec铆a el contratenor oblig贸 el cambio a la versi贸n de 1754 que requiere de cinco solistas, incluyendo una segunda soprano: serena Judith Nelson (s), angelical Emma Kirkby (s), implorante Carolyn Watkinson (ca), acertadamente madrigalista Paul Elliott (t), y glorioso David Thomas (b). La estricta claridad se ve inmersa en un flujo muy natural, si bien hay m谩s de instrucci贸n did谩ctica que de experiencia emocional. Con la reciente remasterizaci贸n suena mejor que nunca, fresca e inmediata (L'Oiseau-Lyre). Puede que cuarenta a帽os despu茅s la radicalidad inicial haya dado paso a una sensaci贸n de cierta tibieza m茅trica, pero su impacto supuso un verdadero espaldarazo econ贸mico a este movimiento y cambi贸 el rumbo de la fonograf铆a.</span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <div class="separator" style="clear: both; text-align: center;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8z2wuKfw_tjwsvZ7zaHK0qilEyiqEyvP4prksiRqruW_NfvUEOibV1f8Wkz0rfsi_nBSEoGbu2n12v6tkLnS25gnYxPbE7KtQvEZzwCOYYUwr_S1_2R738crdpJS1yBgFK_ltjVgkqeI/s1600/Hogwood.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8z2wuKfw_tjwsvZ7zaHK0qilEyiqEyvP4prksiRqruW_NfvUEOibV1f8Wkz0rfsi_nBSEoGbu2n12v6tkLnS25gnYxPbE7KtQvEZzwCOYYUwr_S1_2R738crdpJS1yBgFK_ltjVgkqeI/s320/Hogwood.jpg" /></a></span></span></div> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">No conozco ninguna grabaci贸n m谩s desafortunada de Nikolaus Harnoncourt que su Mes铆as de 1982 (Concentus Musicus Wien, Teldec). El conde Graf de la Fontaine und d’Harnoncourt-Unverzagt exalta la sorpresa espasm贸dico-r铆tmica y se despreocupa del color, queriendo persuadirnos de que lo cotidiano en el Londres de 1740 eran los <i>Tristam Shandys </i>y no las <i>Pamelas </i>o <i>Clarissas</i>. </span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <div class="separator" style="clear: both; text-align: center;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjKjyrAmBVA0DHu9jfhr_ltb57gR0lqqeQyktpFRqcnEEc5Cbjg2AyhIQNtNhyphenhyphenM_Nl4SuHFJdEJg19A-eDiT-6-iN5MqOYEMr-48CZMAyFOE6EYx-r4HehuCQExqZYpjjHOx8FplOEAqI/s1600/Harnoncourt.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjKjyrAmBVA0DHu9jfhr_ltb57gR0lqqeQyktpFRqcnEEc5Cbjg2AyhIQNtNhyphenhyphenM_Nl4SuHFJdEJg19A-eDiT-6-iN5MqOYEMr-48CZMAyFOE6EYx-r4HehuCQExqZYpjjHOx8FplOEAqI/s320/Harnoncourt.jpg" /></a></span></span></div> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">El Monteverdi Choir es el coro de c谩mara (11.7.7.7) por antonomasia, impecable, vigoroso, r铆tmicamente superlativo, cada l铆nea vocal di谩fanamente diferenciada; con esta herramienta John Eliot Gardiner subraya con precisi贸n el claroscuro pict贸rico, dejando como secundarios los aspectos r铆tmico y textual. Poco dogm谩tico, Gardiner emplea efectos teatrales como el <i>staccato </i>franc茅s muy marcado en la <i>Sinfonia</i>, la <i>Pifa </i>en <i>tempo </i>de <i>musette</i>, la articulaci贸n vocal en los English Baroque Soloists (6.5.4.2), los <i>crescendi </i>anacr贸nicos, y libera expresivamente a los solistas: La emocionada Margaret Marshall (s) contrasta con la neutral Catherine Robbin (ca); ejemplarmente purcelliano Charles Brett (ct), soberbio en su peque帽o volumen Anthony Rolfe Johnson (t), y fant谩stico el wagneriano Robert Hale (b). Gardiner nos descubre la marcaci贸n din谩mica de la partitura para comenzar gentilmente con la cuerda el <i>Amen </i>o el <i>Hallelujah </i>y contemplar sus maravillas celestiales. La presencia del 贸rgano es frecuente al continuo, en ciertos momentos camer铆stico, como en <i>If God Be For Us</i>, donde se camela una <i>sonata da chiesa</i> (Philips, 1982).</span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <div class="separator" style="clear: both; text-align: center;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWv6pNr_PoruCSiUQpJN2NTqxWMTqzZhgpy6mrsCHFnhtDvE0V4ouJnGm2g372IzrCJUkjJ51SJvnat44cZk3-rZpcYH_z8okZofkUoq4Hhl18UsFiIbhlhvC4bX7DawpVPKGmYWLhna4/s1600/Gardiner.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWv6pNr_PoruCSiUQpJN2NTqxWMTqzZhgpy6mrsCHFnhtDvE0V4ouJnGm2g372IzrCJUkjJ51SJvnat44cZk3-rZpcYH_z8okZofkUoq4Hhl18UsFiIbhlhvC4bX7DawpVPKGmYWLhna4/s320/Gardiner.jpg" /></a></span></span></div> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Handel tuvo, inevitablemente, la formaci贸n de un organista catedralicio tedesco. Y 茅se es el punto de partida del registro de Ton Koopman con The Amsterdam Baroque Orchestra editado a partir de conciertos en vivo (Erato, 1983). La transparencia minimalista de las texturas (3.3.1.1) y la necesaria comprensi贸n del texto arrojan la quietud y precisi贸n de una c谩mara oscura. El coro de 18 voces (un joven grupo <i>quasi-amateur</i> llamado The Sixteen) equipara su rigor camer铆stico al de un continuo al que se otorga un rol protagonista (esos arpegios caracter铆sticos de la escuela holandesa), igualando su peso al del resto instrumental. Los solistas respetan el reposo ceremonial –pastoral Marianne Kweksilber (s), narrativo James Bowman (ca), gentil Paul Elliot (t), maravilloso el bajo Gregory Reinhart– ornamentando incisiva y ricamente, en ofrecimiento al padre espiritual Gustav Leonhardt.</span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <div class="separator" style="clear: both; text-align: center;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJtvr6Dh2Z-ukwwDuWdyUFA9vvUEYBLb56_LhaQzEdZyHiK9s8cZIFgKID8hWpOPz2dhUNHDqqSt1p9iEG_cVfWbRzLKJ6iEDGR2Gxx6SfSyMqf1Y8Pbbd21Ij5unZ6pfvg5yiGd1Ul3Q/s1600/Koopman.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJtvr6Dh2Z-ukwwDuWdyUFA9vvUEYBLb56_LhaQzEdZyHiK9s8cZIFgKID8hWpOPz2dhUNHDqqSt1p9iEG_cVfWbRzLKJ6iEDGR2Gxx6SfSyMqf1Y8Pbbd21Ij5unZ6pfvg5yiGd1Ul3Q/s320/Koopman.jpg" /></a></span></span></div> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Trevor Pinnock siempre se mostr贸 como un pilar conservador dentro de la nueva ola de historicistas brit谩nicos, con <i>tempi</i> pausados y articulaci贸n l铆rica como <i>brexit </i>suave al peligroso continente de los instrumentos originales. Tal como Handel, hace danzar desde el clave a un English Concert (6.6.4.4) que chisporrotea y crepita, y unifica ritmo y color de manera muy tradicional y piadosa en muchos aspectos, incluso pomposa en la <i>Sinfonia</i>. El coro mixto asociado es todav铆a amplio (10.7.7.8) y Pinnock lo empasta en una textura global. El volumen de los solistas corrobora la supremac铆a comunicadora frente a la estil铆stica: expresiva Arleen Aug茅r (s), deslumbrante Anne Sofie von Otter (ca), perfeccionista y reservado Michael Chance (ct), el谩stico Howard Crook (t), empleando el vibrato como decoraci贸n, y John Tomlinson (b), un Wotan reencarnado, sepulcral en sus l贸bregos vagabundeos crom谩ticos. Y como si fuera Sargent redivivo, Pinnock ordena un marcial embate de percusi贸n y trompetas en <i>Hallelujah </i>y <i>Amen </i>(Archiv, 1988).</span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <div class="separator" style="clear: both; text-align: center;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkeUHOGmlVFZ3NdcWpGYuLYbuyPx-1XTlVlUAk9Gz4Vi16wL3S2V3Z7OQQbFESXhFJqd3XjDpiL2MiTsjEDV6FsqRvV20ddZx9T99h3VceLfYFk1B1Mfnq31jyXfvaxZPB2XBnk_frdpo/s1600/Pinnock.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkeUHOGmlVFZ3NdcWpGYuLYbuyPx-1XTlVlUAk9Gz4Vi16wL3S2V3Z7OQQbFESXhFJqd3XjDpiL2MiTsjEDV6FsqRvV20ddZx9T99h3VceLfYFk1B1Mfnq31jyXfvaxZPB2XBnk_frdpo/s320/Pinnock.jpg" /></a></span></span></div> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">William Christie (Harmonia Mundi, 1993) aromatiza la partitura con fragancias francesas en la t铆mbrica homog茅nea de Les Arts Florissants (7.6.4.4) y su conjunto vocal asociado (distribuido en un extra帽o 10.5.4.6). La condici贸n coral es <i>faureniana</i>, de un dramatismo relajado, por no decir velado, dentro de una narrativa continua, cada n煤mero siendo parte de un crecimiento org谩nico hacia el siguiente, mientras los misterios se van desvelando espont谩neamente. Mejor el exquisito cuarteto –deliciosas las sopranos Barbara Schlick y Sandrine Piau, suntuoso Andreas Scholl (ct), Mark Padmore elocuente en el uso de los silencios (t)– cerrado por un d茅bil pero animoso Nathan Berg (b). </span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <div class="separator" style="clear: both; text-align: center;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirrNVwJTWCfLa_fkFUDzilrCCWZx0EYUCLlyztDZfk1cnvRBJ14id4iSgtELxyvVaJNwTxm4Gf82Ogo6bydEybm4EKDhxt0c7OVE9Refp9U0LfHWE7R7RzyNw6Jkf4sxCS6UCXYlNz28E/s1600/Christie.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirrNVwJTWCfLa_fkFUDzilrCCWZx0EYUCLlyztDZfk1cnvRBJ14id4iSgtELxyvVaJNwTxm4Gf82Ogo6bydEybm4EKDhxt0c7OVE9Refp9U0LfHWE7R7RzyNw6Jkf4sxCS6UCXYlNz28E/s320/Christie.jpg" /></a></span></span></div> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Paul McCreesh se aparta de sus habituales y masivos proyectos reconstructivos y plantea una 贸ptica de contemporaneidad caracterizando el texto como un g贸spel, como si fuese un musical finisecular del West End. Aunque el resultado es inestable, esquizofr茅nico en los <i>tempi</i>, con su teatralidad inclinada peligrosamente hacia exageraciones enf谩ticas, resaltan aciertos plenos como la sensible contribuci贸n del tenor Charles Daniels o la desafiante y fogosa soprano Susan Gritton, pero parece discutible la conjunci贸n de los otros solistas –Dorothea Roschman, de inextinguible vibrato (s), la embriagadora Bernarda Fink (ca), el extenso Neal Davies (b)– con sus conjuntos especializados: los trepidantes Gabrieli Players (8.6.4.3, m谩s los estupendos ocho vientos que doblan) y el Gabrieli Consort (8.6.5.5) siempre d煤ctil y virtuoso, tonalmente desequilibrado hacia los agudos. La <i>pifa</i>, en su formato m谩s breve, pierde su contenido emocional y se transforma en una mera introducci贸n al recitativo siguiente (Archiv, 1996).</span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <div class="separator" style="clear: both; text-align: center;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYv6GSak6qQ7T9g2vTtbVjmAjWxyhG5sVfngVZ0Mo6Ul96OyQmCTKiaZYdTsdlhmaISXAwpbF3pP9GxRloEu7dX2Aho_bT8fFiSp8foAPXDS8S_sv3flHRkKv6_cuXG0vA_TeKlPaAbWs/s1600/Mccreesh.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYv6GSak6qQ7T9g2vTtbVjmAjWxyhG5sVfngVZ0Mo6Ul96OyQmCTKiaZYdTsdlhmaISXAwpbF3pP9GxRloEu7dX2Aho_bT8fFiSp8foAPXDS8S_sv3flHRkKv6_cuXG0vA_TeKlPaAbWs/s320/Mccreesh.jpg" /></a></span></span></div> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">La pulida, delicada e hialina lectura de Masaaki Suzuki, basada en la representaci贸n londinense de 1753, consagra una reverencial espiritualidad (quiz谩s no pretendida por el autor), transmitiendo con rigor el mensaje evang茅lico. El Bach Collegium Japan compila con tranquilidad sus 21 voces y el fagot a帽adido barniza de intensidad bachiana al continuo. Los solistas japoneses parecen rezar sus textos –ani帽ada Midori Suzuki (s), Yoshikazu Mera (ct) formidable en su registro grave, ornamentando siempre con respeto al texto, perfecto en <i>If God Be For Us</i>–, mientras los ingleses contrastan por su enfoque dram谩tico: enigm谩tico John Elwes (t), y estent贸reo David Thomas (b). La amplia y c谩lida resonancia redondea este devocional discurso (BIS, 1996), con la misma docilidad de pulso de las Pasiones.</span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <div class="separator" style="clear: both; text-align: center;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgziTqu83Yv359ZbrcvZRVapKkQ4Q61mLaNkTP3-nGf_s-Xb9HncfTHmtvrnFhBFN7jcjP1Ei0JsGwTlgPB7NtU94nArCasG-Zwf-nn5DmlHnH6XcqNqmtqKgnQO165ItrxCKawEJX9QlE/s1600/Suzuki.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgziTqu83Yv359ZbrcvZRVapKkQ4Q61mLaNkTP3-nGf_s-Xb9HncfTHmtvrnFhBFN7jcjP1Ei0JsGwTlgPB7NtU94nArCasG-Zwf-nn5DmlHnH6XcqNqmtqKgnQO165ItrxCKawEJX9QlE/s320/Suzuki.jpg" /></a></span></span></div> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Marc Minkowski reconoce en las notas al disco que jam谩s hab铆a dirigido el <i>Mes铆as </i>anteriormente a este proyecto (Archiv, 1997), grabado como banda sonora para una pel铆cula. Quiz谩 la ruptura de los l铆mites de velocidad sea una imposici贸n del productor para acomodarse al metraje, ya que no parece haber justificaci贸n hist贸rica para que Les Musiciens (7.7.4.6) et Choeur du Louvre (11.8.8.10) troten fren茅ticos, por ejemplo, sobre la marcaci贸n andante en <i>O thou that tellest good tidings</i>. La larga e ilustre concurrencia de solistas (Dawson, Heaston, Kozen谩, Hellekant, Asawa, Ainsley, Smythe y Bannatyne-Scott), entendible para darse <i>relevos</i>, galopa con j煤bilo atl茅tico. </span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div class="separator" style="clear: both; text-align: center;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7NHh3FMO3ha_LvLITf4GheKNlL9Rh-GduO-4T9CXZY9NbFzkrD4ufcViTQvwiNU8x6oS_GpcQXHlGKOmtcVDlQVU8YAUabO5GM2fHc01ipJOlMV_pKT5CrT6OD_TqHv20-VdK6JbL7E8/s1600/Minkowski.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7NHh3FMO3ha_LvLITf4GheKNlL9Rh-GduO-4T9CXZY9NbFzkrD4ufcViTQvwiNU8x6oS_GpcQXHlGKOmtcVDlQVU8YAUabO5GM2fHc01ipJOlMV_pKT5CrT6OD_TqHv20-VdK6JbL7E8/s320/Minkowski.jpg" /></a></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Edward Higginbottom recrea con gozo las interpretaciones londinenses de 1751, cuya caracter铆stica diferenciadora es el uso de ni帽os –Henry Jenkinson (s), Otta Jones (s) y Robert Brooks (s)– tanto en los coros como en las arias para soprano. La discreta ornamentaci贸n y la apagada proyecci贸n de palabras y emociones de los solistas adultos –magistral Iestyn Davies (ct) en <i>If God Be For Us,</i> heroico Toby Spence (t), avispado Eamonn Dougan (b)– son rectificados con mayores dosis de acentuaci贸n en los robustos y divinos timbres del Choir of New College Oxford (15.6.5.7). The Academy of Ancient Music (6.4.2.3) es llevada con elegancia a ritmos pacientes y din谩micas blandas (Naxos, 2006).</span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div class="separator" style="clear: both; text-align: center;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx7WL9xBEOaVzxQKvPdF58tEuHeCegG7ZgGwcFeOj5Ct0M0LaVoS5pGtWIL_g-bLa41qGwxR40d62t3rvExxMN1Vml0jjNifZG5hLl8q1kjzM7a94OOqYmXS1yonc_zSNr8hZjy8ygwJw/s1600/Higginbottom.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx7WL9xBEOaVzxQKvPdF58tEuHeCegG7ZgGwcFeOj5Ct0M0LaVoS5pGtWIL_g-bLa41qGwxR40d62t3rvExxMN1Vml0jjNifZG5hLl8q1kjzM7a94OOqYmXS1yonc_zSNr8hZjy8ygwJw/s320/Higginbottom.jpg" /></a></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Ren茅 Jacobs (HM, 2006) arriesga todo tipo de arbitrariedades en <i>tempi </i>y ornamentaci贸n buscando escenificar una virtual 贸pera evang茅lica. La tensi贸n cinem谩tica, la expresi贸n gestual, el manierismo perturbador, la invenci贸n de pausas y efectos <i>diminuendi-crescendi</i>, el fraseo microscopista, desconciertan el significado doctrinal. Los solistas –arrolladora Kerstin Avemo (s), refinada Patricia Bardon (ca), virtuoso y florido Lawrence Zazzo (ct), autoritario Kobie van Rensburg (t), e impetuoso Neal Davies (b)– y el Choir of Clare College Cambridge (33 voces mixtas) pelean entre el contenido textual del libreto y la articulaci贸n <i>staccata </i>y las din谩micas dictadas por Jacobs. Asimismo, el uso efectista del arpa, la煤d y otros retos iconoclastas se desv铆an del dogma religioso. A pesar de todo el protagonismo lo roba el fabuloso Freiburger Barockorchester coloreando cuerdas (6.5.3.3) y vientos. Las fuentes contempor谩neas nos hablan del Mes铆as como un “<i>entertainment</i>”, y, en efecto, como buen cine de aventuras, Jacobs nos divierte y ense帽a (pero agota).</span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div class="separator" style="clear: both; text-align: center;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXsAXxvgNblCXqNXojGMuvN3Gc7VjFaOc65Zn-To5tlgRUwkY8e5isF28SrQfaDE14aDcIPXCw08WqL1BeF7GrIZc36MEpRq4fuA1qPWg43vVC-UTAxPQH6Lcd7G_n2ZHSz9I3KhPTffg/s1600/Jacobs.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXsAXxvgNblCXqNXojGMuvN3Gc7VjFaOc65Zn-To5tlgRUwkY8e5isF28SrQfaDE14aDcIPXCw08WqL1BeF7GrIZc36MEpRq4fuA1qPWg43vVC-UTAxPQH6Lcd7G_n2ZHSz9I3KhPTffg/s320/Jacobs.jpg" /></a></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">John Butt y el Dunedin Consort (estricto coro de 13 almas) y Players (4.3.2.2) confieren una diligencia inaudita a la representaci贸n original dublinesa de 1742, adaptada a las fuerzas locales (y donde se solicit贸 a las damas no asistir con miri帽aque para maximizar el espacio p煤blico). A la manera catedralicia, los siete solistas forman el n煤cleo del coro, mucho m谩s fervoroso, rec贸ndito y flexible de lo habitual, focalizado en la comprensi贸n del texto, con sorprendente e iluminadora claridad arm贸nica. El adi贸s al histrionismo vocal da como resultado un sonido moderno, casi contempor谩neo. La inocente n贸mina de solistas puede decepcionar por su tenuidad: tensa y limitada Susan Hamilton (s), folck贸rica Annie Gill (ca), reservada Clare Wilkinson (ca), esforzado pero endeble Nicholas Mulroy (t), comprometido y rocoso Matthew Brook (b). La cercana toma sonora permite apreciar el rol de Butt como clavecinista de manera acusada (Linn, 2006).</span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div class="separator" style="clear: both; text-align: center;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHTOOhe4BlBR5jyMt_TWWUW0ZjISlFrQO7F7mI9Ex9NxlQuZwhiXiwAtb41t3CuaMW9VtGHav56yWWGLK-nBtxGYQzOM5LQFC_Xtj8fbakL4PM1AfqUwbZvh_zB9GbqataZYyuQ5D5Snw/s1600/Butt.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHTOOhe4BlBR5jyMt_TWWUW0ZjISlFrQO7F7mI9Ex9NxlQuZwhiXiwAtb41t3CuaMW9VtGHav56yWWGLK-nBtxGYQzOM5LQFC_Xtj8fbakL4PM1AfqUwbZvh_zB9GbqataZYyuQ5D5Snw/s320/Butt.jpg" /></a></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">A Harry Christophers no le falta experiencia: Centenares de representaciones del <i>Mes铆as </i>en d茅cadas como <i>choirmaster </i>y cuatro grabaciones (y media, ya que prest贸 el coro a Koopman) hasta la fecha. La realizada para Coro en 2007 propone s贸lidos solistas, las f茅minas m谩s ornamentadas: chispeante en su coloratura Carolyn Sampson (s), omnipresente de vibrato Catherine Wyn-Rogers (ca), comunicativo Mark Padmore (t), y espont谩neo Christopher Purves (b). El Sixteen Choir (mixto, organizado en 6.4.4.5) aglutina entonaci贸n p茅trea, dicci贸n irreprochable, perfecta conjunci贸n y potencia homof贸nica cuando es requerida. The Sixteen Orchestra (7.6.2.2) se arropa con una prominente contribuci贸n de los oboes. Pero, <i>alas</i>, Christophers despliega poca imaginaci贸n (salvo la tiorba que ilumina el continuo), escasa hondura dram谩tica y sus din谩micas tienden a la planitud. </span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div class="separator" style="clear: both; text-align: center;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaTS5dc7_UEEFnU_TPlkuAk5kibGVzi89NvJmiib287SXiMbENzd6Ouiz1PUyDRo-0vNJ1uv_P2X9PrilgVJ4H2RongoMPQZbuT6qraZXWspQTrOtJxAWOpDQ0RODWrk3i8zAJTYkWqTI/s1600/Christophers.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaTS5dc7_UEEFnU_TPlkuAk5kibGVzi89NvJmiib287SXiMbENzd6Ouiz1PUyDRo-0vNJ1uv_P2X9PrilgVJ4H2RongoMPQZbuT6qraZXWspQTrOtJxAWOpDQ0RODWrk3i8zAJTYkWqTI/s320/Christophers.jpg" /></a></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Frieder Bernius dedica una aproximaci贸n suntuosa y opulenta a pesar de los instrumentos originales de la Barockorchester Stuttgart, con <i>tempi </i>gentiles, moderada en din谩micas y solistas de controlado vibrato: persuasiva Carolyn Sampson (s), l谩nguido Daniel Taylor (ct), luminoso Benjamin Hulett (t), y baritonal pero no escaso de graves Peter Harvey (b). La edici贸n a cargo de Ton Koopman contiene todas las alternativas que se conservan y deja pues a cargo del director su elecci贸n; sin sorpresas en este caso. No as铆 en la articulaci贸n a la antigua en la <i>Sinfonia</i>. La pronunciaci贸n coral (30 almas mixtas del Kammerchor Stuttgart) aunque difuminada en su urdimbre t铆mbrica multicolor, proyecta sus ornamentaciones integradas debidamente en el significado del texto (Carus, 2008).</span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div class="separator" style="clear: both; text-align: center;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjI-9vcqMvUMVrZZxhQKAu0MoJdsDaJEeHdL7NDePTdf3zAd3DDm63_MS51o7Ay9iIKR7XRXqYYM-rdcWybk6C-9dCUnzOpFSXtdlwnSfxoN90lkg46CQ0BeeYcp5Sq1fJs6EPiYrR5SvU/s1600/Bernius.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjI-9vcqMvUMVrZZxhQKAu0MoJdsDaJEeHdL7NDePTdf3zAd3DDm63_MS51o7Ay9iIKR7XRXqYYM-rdcWybk6C-9dCUnzOpFSXtdlwnSfxoN90lkg46CQ0BeeYcp5Sq1fJs6EPiYrR5SvU/s320/Bernius.jpg" /></a></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Stephen Layton presenta la versi贸n de 1750 tal como fue interpretada en el concierto de 2008 en St. John Smith Square, t茅rmino de una secuencia de representaciones navide帽as all铆 a lo largo de quince a帽os. Destaca su sentido casi cinematogr谩fico, liberal en din谩micas, variado en <i>tempi </i>y ornamentaci贸n, pero en 煤ltima instancia 铆ntimo, donde el dramatismo se alcanza por el buen uso del blanco y negro en un peque帽o cine-club y no por los extenuantes efectos 4D de una agitada proyecci贸n-inmersi贸n: Esc煤chense en este sentido las arias donde, a modo de cantata bachiana, se deja a solo la l铆nea de los violines. La Britten Sinfonia (6.5.2.2) no es un conjunto historicista, pero s铆 muy vers谩til, capaz de adaptar su muelle sonido cl谩sico al barroco con una sutileza que comparte con el coro intitulado Polyphony (9.7.8.7), de dicci贸n cristalina y agilidad felina. El cuarteto solista es admirable: serena Julia Doyle (s), conmovedor y pr铆stino t茅cnicamente Iestyn Davies (ct), distinguido Allan Clayton (t), y temperamental aunque escaso de graves Andrew Foster-Williams (b). <i>Am茅n </i>como letan铆a, calmadamente introducido por secciones <i>a capella</i>. La toma sonora de Hyperion suena igualmente fresca y din谩mica en su refectorial ac煤stica.</span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div class="separator" style="clear: both; text-align: center;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD-Hets502QeFOfLBIB3SxjpVpVfHu5VxouCD4d71XjvsTh2k1jK53a3kn38_nJg0zGopzuANQ6uitCEIvQYzrffc-v0gma6l3OAH9f9T9NtYIxZ-CmIiNfZ9nXT82ataCSCQMaQY-UVw/s1600/Layton.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD-Hets502QeFOfLBIB3SxjpVpVfHu5VxouCD4d71XjvsTh2k1jK53a3kn38_nJg0zGopzuANQ6uitCEIvQYzrffc-v0gma6l3OAH9f9T9NtYIxZ-CmIiNfZ9nXT82ataCSCQMaQY-UVw/s320/Layton.jpg" /></a></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Herv茅 Niquet ha llegado a proponer experimentos <i>proustianos</i> colocando difusores de fragancias entre el p煤blico en sus interpretaciones esc茅nicas del Mes铆as; as铆 pues, en esta grabaci贸n dinamita con insolencia la tradici贸n reverencial m谩s arraigada de las 煤ltimas d茅cadas y regresa imparable al campo de batalla oper谩tico, ya que “<i>a煤n sin disfraces ni decorado es una 贸pera sagrada</i>”. Con unos efectivos menores a los que dispuso Handel (15 violines por solo 10 de Le Concert Spirituel: 5.5.3.3) recrea la versi贸n de 1754 con los cinco solistas prescritos: pirot茅cnica Sandrine Piau (s), dulce Katherine Watson (s), exquisita en destreza pero laxa Anthea Pichanick (ca), seductor Rupert Charlesworth (t), Andreas Wolf (b) de voz desenvuelta, y propone como sexto personaje al coro (mayor que el de Handel: 27 por 19: 9.6.6.6). La <i>Pifa </i>es secularizada en apenas once compases, mostrando r煤sticos pastores en vez de id铆licos 谩ngeles. El estilo danzar铆n de direcci贸n de Niquet se extiende a su raudo criterio musical, con diferenciaci贸n entre solo y ripieno, y a la variaci贸n de din谩mica en frases repetidas, lo que quiz谩 no debilita pero s铆 transforma el mensaje evang茅lico. Coro texturizado, rico t铆mbricamente, alejado del empaste 煤nico de tipolog铆a inglesa, con ataques suaves que le dan un aire mon谩stico. Niquet abandona el purismo y antepone la pasi贸n a la pericia: El abandono, la agitaci贸n y la urgencia del coro en <i>He trusted in God</i> se pausan en un sereno y triunfante <i>Hallelujah</i> con efectos de eco. El resonante y espacioso registro de Alpha (2016) nubla la pronunciaci贸n del coro.</span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"> </span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"> </span></span></div> <div class="separator" style="clear: both; text-align: center;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhydRF-o27o_bR991SpfykiCdn_6BDtyx8o4LexyuQhU8yu3bnj4h8d2tHOK3dAVoau81IWoCUV4hqWj64-YkI0ICXxvOs3itn5tVIqiKP3UMxmD3tADL474BAhtDamvhq0SH5arefE8II/s1600/Niquet.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhydRF-o27o_bR991SpfykiCdn_6BDtyx8o4LexyuQhU8yu3bnj4h8d2tHOK3dAVoau81IWoCUV4hqWj64-YkI0ICXxvOs3itn5tVIqiKP3UMxmD3tADL474BAhtDamvhq0SH5arefE8II/s320/Niquet.jpg" /></a></span></span></div> <div style="text-align: justify;"> <span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span></div> <div style="text-align: justify;"> <span style="font-size: small;"><br /></span></div> <script src="moz-extension://b183aa3c-d8d9-49c6-bdd5-0b895412ba60/js/app.js" type="text/javascript"></script><script src="moz-extension://b183aa3c-d8d9-49c6-bdd5-0b895412ba60/js/app.js" type="text/javascript"></script> <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> <span class='post-author vcard'> Publicado por <span class='fn' itemprop='author' itemscope='itemscope' itemtype='http://schema.org/Person'> <meta content='https://www.blogger.com/profile/09356673178960485145' itemprop='url'/> <a class='g-profile' href='https://www.blogger.com/profile/09356673178960485145' rel='author' title='author profile'> <span itemprop='name'>ipromesisposi</span> </a> </span> </span> <span class='post-timestamp'> en <meta content='http://ipromesisposi.blogspot.com/2019/03/handel-messiah.html' itemprop='url'/> <a class='timestamp-link' href='http://ipromesisposi.blogspot.com/2019/03/handel-messiah.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2019-03-29T09:04:00+01:00'>9:04</abbr></a> </span> <span class='post-comment-link'> <a class='comment-link' href='http://ipromesisposi.blogspot.com/2019/03/handel-messiah.html#comment-form' onclick=''> 17 comentarios: </a> </span> <span class='post-icons'> <span class='item-control blog-admin pid-297713093'> <a href='https://www.blogger.com/post-edit.g?blogID=5357880801358495252&postID=8624446186360650042&from=pencil' title='Editar entrada'> <img alt='' class='icon-action' height='18' src='https://resources.blogblog.com/img/icon18_edit_allbkg.gif' width='18'/> </a> </span> </span> <div class='post-share-buttons goog-inline-block'> </div> </div> <div class='post-footer-line post-footer-line-2'> <span class='post-labels'> Etiquetas: <a href='http://ipromesisposi.blogspot.com/search/label/Beecham' rel='tag'>Beecham</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Bernius' rel='tag'>Bernius</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Butt' rel='tag'>Butt</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Christie' rel='tag'>Christie</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Christophers' rel='tag'>Christophers</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Davis' rel='tag'>Davis</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Handel' rel='tag'>Handel</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Higginbottom' rel='tag'>Higginbottom</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Hogwood' rel='tag'>Hogwood</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Jacobs' rel='tag'>Jacobs</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Koopman' rel='tag'>Koopman</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Layton' rel='tag'>Layton</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Mackerras' rel='tag'>Mackerras</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Marriner' rel='tag'>Marriner</a>, <a href='http://ipromesisposi.blogspot.com/search/label/McCreesh' rel='tag'>McCreesh</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Minkowski' rel='tag'>Minkowski</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Niquet' rel='tag'>Niquet</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Sargent' rel='tag'>Sargent</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Scherchen' rel='tag'>Scherchen</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Suzuki' rel='tag'>Suzuki</a> </span> </div> <div class='post-footer-line post-footer-line-3'> <span class='post-location'> </span> </div> </div> </div> </div> </div></div> <div class="date-outer"> <h2 class='date-header'><span>martes, 29 de enero de 2019</span></h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry uncustomized-post-template' itemprop='blogPost' itemscope='itemscope' itemtype='http://schema.org/BlogPosting'> <meta content='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifPcjSiybZwkgCasZEuTa7m7v8-dQT55Q1fB80G-VFR47WkbMNLmGC2D8XuYzbNq_CGqUcjt0iROEYbCLi3s2yJ2yKZl5QrqUcoEtnVXy6stesiVTmGI95OWtx3hsk3Y5O3WxOzAO_yUI/s320/Mackenzie-Rogan.jpg' itemprop='image_url'/> <meta content='5357880801358495252' itemprop='blogId'/> <meta content='534588650599757101' itemprop='postId'/> <a name='534588650599757101'></a> <h3 class='post-title entry-title' itemprop='name'> <a href='http://ipromesisposi.blogspot.com/2019/01/sibelius-valse-triste.html'>Sibelius: Valse triste</a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-534588650599757101' itemprop='description articleBody'> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;">En 1903 Jean Sibelius compuso la m煤sica incidental para el drama <i>Kuolema </i>(Muerte) de su cu帽ado Arvid J盲rnefelt, prominente disc铆pulo de Lev Tolstoy. Sibelius tampoco fue inmune en esta etapa temprana al romanticismo nacionalista finland茅s, con sus principios de igualdad social, resistencia pasiva al mal y cultivo de una vida simple. La pieza de la escena de apertura fue reorquestada un a帽o m谩s tarde para flauta, clarinete, trompas, timbales y conjunto de cuerda y publicada como <i>Valse triste</i>, op. 44 , y est谩 marcada por una intensa comprensi贸n de las inexploradas posibilidades del color de las cuerdas, mientras se manejan los desatendidos registros bajos de la orquesta (contrabajos y timbales) con gran virtuosismo.<o:p></o:p></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;">Su esquema musical puede ser articulado en tres partes:<i><o:p></o:p></i></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-size: large;"><b><span style="font-family: "georgia" , "serif";">I </span></b><span style="font-family: "georgia" , "serif";">Introducci贸n (compases 1-40): La secci贸n de cuerdas con sordina realiza una lenta secuencia crom谩tica, enga帽osamente simple, de acordes t贸nicos ascendentes y descendentes que van presentando las principales claves de la pieza. En los 煤ltimos compases los violonchelos lideran una profec铆a expresiva.<o:p></o:p></span></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-size: large;"><b><span style="font-family: "georgia" , "serif";">II </span></b><span style="font-family: "georgia" , "serif";">El cambio a sol mayor (cc. 41) ilumina con otro semblante un ritmo de vals hasta el tema principal propiamente dicho (c. 73). La sugerencia a pasar a mi menor evolucionando a una melod铆a m谩s danzable (c. 87) no se completa, y el motivo de apertura retorna para cerrar este segundo apartado (c. 106).<o:p></o:p></span></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-size: large;"><b><span style="font-family: "georgia" , "serif";">III </span></b><span style="font-family: "georgia" , "serif";">Tras ocho compases los vientos presentan el vals en sol mayor (c. 115), complet谩ndose ahora s铆 su mutaci贸n a mi menor; el subsidiario argumento danzable es introducido <i>poco risoluto</i> (c. 130). El cl铆max de este nuevo tema regresa a sol menor donde culmina en una presentaci贸n presurosa del motivo inicial (c. 170) y donde por vez primera interviene el timbal con el que Sibelius habitual y deliberadamente recrea el forestal susurro pedal. Los 煤ltimos ocho compases <i>lento assai</i> cierran de manera l煤gubre y efectiva.<o:p></o:p></span></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif";"><span style="font-size: large;">A pesar de su peque帽o tama帽o, el melodismo italiano (o m谩s bien tchaikovskiano) y la tensi贸n germ谩nica (su peregrinaje a Bayreuth en 1894 tuvo un enorme impacto en el lenguaje sibeliano) que produce su evoluci贸n tonal recuerdan, en una escala temporal totalmente diferente, sus inmediatas predecesoras posrom谩ntico-茅picas (1陋 y 2陋 Sinfon铆as) y prefiguran la base creativa de alguna de sus posteriores y magnas compa帽eras.</span><o:p></o:p></span></div> <div class="MsoNormal" style="text-align: justify;"> <br /></div> <div class="MsoNormal" style="text-align: justify;"> <br /></div> <div class="MsoNormal" style="text-align: justify;"> <br /></div> <div class="MsoNormal" style="text-align: center;"> <span style="font-family: "georgia" , "serif";"> <a href="magnet:?xt=urn:btih:78A263104057F090BD8225BA8972F1FAAA70528B">112 lossless recordings of Sibelius Valse Triste (Magnet link)</a></span></div> <div class="MsoNormal" style="text-align: justify;"> <br /></div> <div class="MsoNormal" style="text-align: center;"> <span style="font-family: "georgia" , "serif";"> <a href="https://1337x.to/torrent/6223048/Sibelius-Valse-Triste-112-lossless-recordings/" target="_blank">Link to the torrent file</a></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif";"><span style="background: none 0% 0% repeat scroll white; color: #333333;"><br /></span></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif";"><span style="background: none 0% 0% repeat scroll white; color: #333333;"><br /></span></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif";"><span style="background: none 0% 0% repeat scroll white; color: #333333;"><br /></span></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif";"><span style="background: none 0% 0% repeat scroll white; color: #333333;"><br /></span></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><span style="background: none 0% 0% repeat scroll white; color: #333333;">N</span>o puedo resistirme a la eficiencia castrense de la banda de vientos del Ej茅rcito del Imperio Brit谩nico, The Band of H.M. Coldstream Guards (¡desde 1685!), comandada en sus 44 unidades de tropa por el Teniente-Coronel John <span style="background: none 0% 0% repeat scroll white; color: #333333;">Mackenzie-Rogan.</span> Rigurosamente m煤sica de vanguardia (HMV, 1910), cumple su estricta entonaci贸n sobre un conciso <i>staccato</i>, y, p谩smense ustedes, tras la ag贸nica renuncia al cambio arm贸nico (c. 87) su rauda marcha militar repentinamente arrastra los pies cual mastod贸ntico paso sevillano. Atenci贸n, este regimiento tocaba m煤sica cl谩sica en las ceremonias reales para multitudes de centenares de miles de <i>britons</i>, entusiasmados de tener un ritmo para cantar y bailar. Se dice que llegaban a bailar con <i>Tannhauser</i>… Decididamente eran otros tiempos.<o:p></o:p></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="separator" style="clear: both; text-align: center;"> <span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifPcjSiybZwkgCasZEuTa7m7v8-dQT55Q1fB80G-VFR47WkbMNLmGC2D8XuYzbNq_CGqUcjt0iROEYbCLi3s2yJ2yKZl5QrqUcoEtnVXy6stesiVTmGI95OWtx3hsk3Y5O3WxOzAO_yUI/s1600/Mackenzie-Rogan.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="704" data-original-width="700" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifPcjSiybZwkgCasZEuTa7m7v8-dQT55Q1fB80G-VFR47WkbMNLmGC2D8XuYzbNq_CGqUcjt0iROEYbCLi3s2yJ2yKZl5QrqUcoEtnVXy6stesiVTmGI95OWtx3hsk3Y5O3WxOzAO_yUI/s320/Mackenzie-Rogan.jpg" width="318" /></a></span></div> <div class="MsoNormal" style="text-align: center;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;">El propio compositor condujo frecuentemente el <i>Valse Triste</i> durante su carrera como director, a menudo demandada por el p煤blico como un bis. Sin embargo jam谩s grab贸 ni 茅sta, ni ninguna otra de sus obras. Sin embargo las fuentes nos dicen que favorec铆a “<i>acentuaciones salvajes y ritmos explosivos</i>” y que aconsejaba a los directores que, en su m煤sica, “<i>hab铆a que dejar que los detalles flotasen como carne en salsa</i>”. En 1927, su cu帽ado Armas J盲rnefeld cocin贸 al podium de la Orchester Der Staatsoper Berlin (Parlophone) una receta familiar con <i>rallentandi</i> rom谩nticos por doquier, cual suspiros febriles y el谩sticos, dentro de una cadencia liger铆sima. ¡Bon app茅tit!<o:p></o:p></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="background: none 0% 0% repeat scroll white; color: #202020; font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="separator" style="clear: both; text-align: center;"> <span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgS_AA7DR_r0m-lID1IcWFut_hMEbA9OKwCp0aN7kwFM8obJATrFr-nhljr18tVHLPZnrcJw0b8f_RJIiZSRPHsn8wm6Cg8YIrh8H11RvIuovNi8eb-y0OaG6T4VnuQt42dJ5LuPJw8l4w/s1600/J%25C3%25A4rnefeld.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="550" data-original-width="639" height="275" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgS_AA7DR_r0m-lID1IcWFut_hMEbA9OKwCp0aN7kwFM8obJATrFr-nhljr18tVHLPZnrcJw0b8f_RJIiZSRPHsn8wm6Cg8YIrh8H11RvIuovNi8eb-y0OaG6T4VnuQt42dJ5LuPJw8l4w/s320/J%25C3%25A4rnefeld.jpg" width="320" /></a></span></div> <div class="MsoNormal" style="text-align: center;"> <span style="background: none 0% 0% repeat scroll white; color: #202020; font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="background: none 0% 0% repeat scroll white; color: #202020; font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="background: none 0% 0% repeat scroll white; color: #202020; font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="background: none 0% 0% repeat scroll white; color: #202020; font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="background: none 0% 0% repeat scroll white; color: #202020; font-family: "georgia" , "serif"; font-size: large;">Eminencia </span><span style="font-family: "georgia" , "serif"; font-size: large;">brit谩nica del periodo de entreguerras, <span style="background: none 0% 0% repeat scroll white; color: #202020;">Thomas Beecham </span>radicaliza la ambivalencia siempre presente en Sibelius en una personalizaci贸n neur贸tica y bipolar en los dos temas del <i>Valse Triste</i>: <span style="background: none 0% 0% repeat scroll white; color: #202020;">La London Philharmonic Orchestra esmerila con impacto din谩mico y ritmos inteligentemente marcados, </span>y re煤ne una enigm谩tica mezcla: melancol铆a junto a efervescencia. Ostentoso y arrogante el muscular<i> rallentando</i> asociado al <i>diminuendo</i> en el c. 151 y ss. El sonido a帽ejo de violines estrechos y bajos escasos no debe menoscabar el valor de este documento dada la dificultad y coraje de grabar la obra de un autor todav铆a vivo <span style="background: none 0% 0% repeat scroll white; color: #202020;">(Warner, 1938)</span>.<o:p></o:p></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="separator" style="clear: both; text-align: center;"> <span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifJNctVz7i5zg85VN2KISXAF_BsnUckCREtiDVcgnY42ImrNl4Q-EHLI4GD7nO0WsIKXGJN6vRUxf1pnJOx4ICy0LmVbtCWaUzKzqKcqNdMIgpTnpFjb2n0Qu_Hux9ZfWcMuA8Iw0YOsI/s1600/Beecham.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1500" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifJNctVz7i5zg85VN2KISXAF_BsnUckCREtiDVcgnY42ImrNl4Q-EHLI4GD7nO0WsIKXGJN6vRUxf1pnJOx4ICy0LmVbtCWaUzKzqKcqNdMIgpTnpFjb2n0Qu_Hux9ZfWcMuA8Iw0YOsI/s320/Beecham.jpg" width="320" /></a></span></div> <div class="MsoNormal" style="text-align: center;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;">El otro gran director <span style="background: none 0% 0% repeat scroll white; color: #202020;">isle帽o</span> de la primera mitad del S. XX es John Barbirolli, pionera autoridad fonogr谩fica en la obra sibeliana. Al frente de la Orquesta Hall茅 de Manchester, cuya titularidad, con enfrentamientos directos y odios salvajes, pele贸 con Beecham, muestra en detalles acentuados y contrastados una sutil expresividad: Por ejemplo, en los primeros compases arpegia el acorde de violas y segundos violines anticipando el despliegue que poco despu茅s Sibelius refleja en la partitura. A pesar de que los timbres orquestales no est谩n idealmente pulidos, la incandescencia dram谩tica va creciendo con audacia, enfatizando los vientos que colorean los temas y concitando fiereza en los cuerdas agudas (EMI, 1966).<o:p></o:p></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="separator" style="clear: both; text-align: center;"> <span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhpGXk3Go_ZpiE1SA34j2XMHNJKaBM9Tt5wIZheDJIoUM-cb_RU4O7JuVZALJ3h-Jm7KB3YGU0fxMxpACRFncipKxh0Kp2lGJKgW13bFkjnWfXr0_C9SYC78F0MOmE70PBDJ_ibNUS-vc/s1600/Barbirolli.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1285" data-original-width="1500" height="274" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhpGXk3Go_ZpiE1SA34j2XMHNJKaBM9Tt5wIZheDJIoUM-cb_RU4O7JuVZALJ3h-Jm7KB3YGU0fxMxpACRFncipKxh0Kp2lGJKgW13bFkjnWfXr0_C9SYC78F0MOmE70PBDJ_ibNUS-vc/s320/Barbirolli.jpg" width="320" /></a></span></div> <div class="MsoNormal" style="text-align: center;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;">La comparaci贸n de las lecturas de Herbert von Karajan es apasionante. Quiz谩 no haya gran diferencia en la interpretaci贸n aunque s铆 se perciben maduraciones sutiles (de la impactante robustez viril a la postrera dulzura de pulidos contornos). Descartadas las mezclas modernas de puntillismo microf贸nico, la excelente toma sonora de 1967 (DG) va desplegando suspense a paso l谩nguido, desde el mayest谩tico <i>pizzicato</i>, palpable y puede que aparatoso, manejando las transiciones con obsesiva sofisticaci贸n tonal. Abstracta homogeneidad t铆mbrica de la Berliner Philharmoniker, s铆, pero Karajan dicta que las sedosas y densas cuerdas graves dejen sitio a un furioso cl铆max expresionista, se帽alando la obra como m煤sica de pleno siglo XX. El mismo Sibelius dictamin贸 despu茅s de escuchar su grabaci贸n de 1953 que Karajan “<i>es el 煤nico director que comprende la 4陋 Sinfon铆a</i>”. <o:p></o:p></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="separator" style="clear: both; text-align: center;"> <span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqsz_kr3UWGfJA_geYLpB7Zj-TO0-gy8gfr1TL52h5Nrjd7iPI0n7rFQ-Q7tw_oRS2wwFsO9-1IglSzCnIKP6ktLwWR2ryMRsz5AHAXsMBatgQvbC1TjWscjKZlW7qXnrwJ1WzDn-ugkk/s1600/Karajan.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="597" data-original-width="600" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqsz_kr3UWGfJA_geYLpB7Zj-TO0-gy8gfr1TL52h5Nrjd7iPI0n7rFQ-Q7tw_oRS2wwFsO9-1IglSzCnIKP6ktLwWR2ryMRsz5AHAXsMBatgQvbC1TjWscjKZlW7qXnrwJ1WzDn-ugkk/s320/Karajan.jpg" width="320" /></a></span></div> <div class="MsoNormal" style="text-align: center;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;">Si usted desea perseverar en la v铆a BB e iniciar un entrenamiento de travestismo pruebe la escucha de Leonard Bernstein, donde la personalidad de los <i>tempi</i> o el control de las din谩micas dan lugar a una poes铆a de los violines finales con un extraordinario poder evocador a aire oto帽al y decadencia personificada. La aspereza tonal de la New York Philharmonic Orchestra refleja m谩s un rasgo de car谩cter que una imperfecci贸n de aquella 茅poca (Sony, 1969).<o:p></o:p></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="background: none 0% 0% repeat scroll white; font-family: "georgia" , serif; font-size: large;"><br /></span></div> <div class="separator" style="clear: both; text-align: center;"> <span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgR96yhUycZT_zl2HFf5i-iPYm1KDh0oyz9tOQLsUbHfI3m_q5mgydU82xfoM5nfqq00brzUm64E8e_g2Ogcxloiw-YIO-bXgyga6CRx5rtLY7Y0PttqrZG6yfE-CrdHMYO-RiW93IGBrs/s1600/Bernstein.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="855" height="187" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgR96yhUycZT_zl2HFf5i-iPYm1KDh0oyz9tOQLsUbHfI3m_q5mgydU82xfoM5nfqq00brzUm64E8e_g2Ogcxloiw-YIO-bXgyga6CRx5rtLY7Y0PttqrZG6yfE-CrdHMYO-RiW93IGBrs/s320/Bernstein.jpg" width="320" /></a></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="background: none 0% 0% repeat scroll white; font-family: "georgia" , serif; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="background: none 0% 0% repeat scroll white; font-family: "georgia" , serif; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="background: none 0% 0% repeat scroll white; font-family: "georgia" , serif; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="background: none 0% 0% repeat scroll white; font-family: "georgia" , serif; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="background: none 0% 0% repeat scroll white; font-family: "georgia" , serif; font-size: large;">La Bournemouth Symphony Orchestra a los mandos de Paavo Berglund hace gala de una transparencia exclusiva e insuperable: Enlazando y casi superponiendo conscientemente las l铆neas crea un crecimiento org谩nico de las c茅lulas tem谩ticas, y por ende logra hacer m谩s tr谩gico el</span><span style="font-family: "georgia" , "serif"; font-size: large;"> desfallecimiento en el fallido tr谩nsito a mi menor (c. 87). Los <i>tempi</i> fluct煤an furtw盲nglerianamente con la culminaci贸n mel贸dica. Naturalmente que esta pretendida espontaneidad es el resultado de una estudiada precisi贸n. Excelente contribuci贸n de los timbales dentro de la panor谩mica grabaci贸n </span><span style="background: none 0% 0% repeat scroll white; font-family: "georgia" , serif; font-size: large;">(EMI, 1972)</span><span style="font-family: "georgia" , "serif"; font-size: large;">.<o:p></o:p></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="separator" style="clear: both; text-align: center;"> <span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidtgswoXyzaREi3s3AhAqQndlbzAFVV3dbBIBvA8IiEmdiwKkJuboIcHciG4fbNql-Iyw-Xz3M-U2YzjzeFHXB6j8QrhqHoqvEGSMiDwnbp6NzDb7KmGRA_jqpSlF8QcC6Bgphp_ylHlE/s1600/Berglund.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="598" data-original-width="773" height="247" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidtgswoXyzaREi3s3AhAqQndlbzAFVV3dbBIBvA8IiEmdiwKkJuboIcHciG4fbNql-Iyw-Xz3M-U2YzjzeFHXB6j8QrhqHoqvEGSMiDwnbp6NzDb7KmGRA_jqpSlF8QcC6Bgphp_ylHlE/s320/Berglund.jpg" width="320" /></a></span></div> <div class="MsoNormal" style="text-align: center;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;">Los compradores del ciclo Sibelius que Neeme J盲rvi y la Gothenburg </span><span style="background: none 0% 0% repeat scroll white; font-family: "georgia" , serif; font-size: large;">Symphony Orchestra realizaron para el sello BIS a mediados de los 80 quedaban perplejos por el sangriento aviso que en sus portadas rezaba</span><span style="font-family: "georgia" , "serif"; font-size: large; mso-bidi-font-weight: bold;"> <i>WARNING</i> <i>Contrary to established practice this recording retains the staggering dynamics of the ORIGINAL performance. </i></span><span style="font-size: large;"><i><span lang="EN-US" style="font-family: "georgia" , "serif"; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">This may damage your loudspeakers, but given first-rate playback equipment you are guaranteed a truly remarkable musical and audio experience.</span></i><span lang="EN-US" style="font-family: "georgia" , "serif"; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"> </span><span style="font-family: "georgia" , "serif"; mso-bidi-font-weight: bold;">Aparte del obvio inter茅s de marketing la grabaci贸n arroja un car谩cter impulsivo y espont谩neo que define al director estonio. Y, en el caso de su segunda lectura,</span><span style="font-family: "georgia" , "serif";"> </span><span style="background: none 0% 0% repeat scroll white; font-family: "georgia" , serif;">(DG, 1995) una </span><span style="font-family: "georgia" , "serif"; mso-bidi-font-weight: bold;">voluptuosidad y delicadeza en el ritmo de vals que potencian su sentido 茅pico. </span><span class="bbccenter"><span style="font-family: "georgia" , "serif";"><o:p></o:p></span></span></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="separator" style="clear: both; text-align: center;"> <span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixnUoYtsNyDCTWCMJmwpyJYprShlDDJZXI4vCs7XTWSIQCdh0HAKPJoU8AslixdgdwFnbGHiDvK4hhc_grt-7jIi56xdVpTShbm9lluk4KDCbcBhbfRXNEboaHP4KQrppRRBrGztgtYZE/s1600/J%25C3%25A4rvi+Bis.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixnUoYtsNyDCTWCMJmwpyJYprShlDDJZXI4vCs7XTWSIQCdh0HAKPJoU8AslixdgdwFnbGHiDvK4hhc_grt-7jIi56xdVpTShbm9lluk4KDCbcBhbfRXNEboaHP4KQrppRRBrGztgtYZE/s320/J%25C3%25A4rvi+Bis.jpg" width="320" /></a></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;">Herbert Blomstedt traza un limpio, correcto, juicioso reconocimiento de la arquitectura del pentagrama, racionalizando a media voz el discurso, y huye, con su imperturbable tranquilidad, de excesos rom谩nticos. La San Francisco Symphony Orchestra (Decca, 1991), persuadida por su lucidez, cree en su distanciada sinceridad y le sigue en su itinerario por la estructura.<o:p></o:p></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="separator" style="clear: both; text-align: center;"> <span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgb6FJsbbSrHSSctGD4w0s2MQ-qL81DDd-uqvnY4otwQhY5BzGSTwS8x4NzlQJFnVkHmpZeh7OdBin5anwzXKh9dB9BnqRjAdKX6JsGxJRZs21QjCUGFs69r0nBwsdCutuULsO8NMlmCWU/s1600/Blomstedt.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="922" data-original-width="1080" height="273" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgb6FJsbbSrHSSctGD4w0s2MQ-qL81DDd-uqvnY4otwQhY5BzGSTwS8x4NzlQJFnVkHmpZeh7OdBin5anwzXKh9dB9BnqRjAdKX6JsGxJRZs21QjCUGFs69r0nBwsdCutuULsO8NMlmCWU/s320/Blomstedt.jpg" width="320" /></a></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;">La grabaci贸n de James Levine con la Berliner Philharmoniker (DG, 1992, en concierto) presume de una amplitud din谩mica sobresaliente, empezando con un carnoso e inigualado <i>pianissimo</i>. El muy lento <i>tempo</i> se va acrecentado entre empujones de entusiasmo temperamental y calderones macabramente disueltos en el vac铆o, sin asomo de fraseo danzable en el vals, pero con una petulante convicci贸n emocional e intrusiva, violenta y perturbadora, reinterpretando (re-componiendo) la obra en un drama visceral, crudo y superficial, y en 煤ltima instancia basto.<o:p></o:p></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="separator" style="clear: both; text-align: center;"> <span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtoH23MuO246L91ZXBqIq16AKeF7JK7fm-odJ7tctTxvzijFD4L62z8BfYVI57humbdfkft2d1ZTEF9x8NtVOI3qnMBaf1IPbxYPeJhdFYClXCbdvOqD7sdaRD-bBH7cURB9Z6P0vSMQU/s1600/Levine.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1066" data-original-width="1080" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtoH23MuO246L91ZXBqIq16AKeF7JK7fm-odJ7tctTxvzijFD4L62z8BfYVI57humbdfkft2d1ZTEF9x8NtVOI3qnMBaf1IPbxYPeJhdFYClXCbdvOqD7sdaRD-bBH7cURB9Z6P0vSMQU/s320/Levine.jpg" width="320" /></a></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;"><br /></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif"; font-size: large;">Colin Davis ha demostrado ser un </span><span style="background: none 0% 0% repeat scroll white; font-family: "georgia" , serif; font-size: large;">entusiasta de Sibelius, hasta el extremo de haber llevado al</span><span style="font-family: "georgia" , "serif"; font-size: large;"> disco su ciclo de sinfon铆as en tres ocasiones. La nerviosa excitaci贸n (y quiz谩 m谩s persuasiva) de la lectura previa de Boston (Decca, 1980) ha rolado en la posterior con la London Symphony Orchestra (RCA, 1994) hacia un ambiente sonoro m谩s pausado, incrementando el aspecto t铆mbrico y subrayando el acompa帽amiento figurativo. Un <i>Valse triste</i> contenido y distanciado, dominado por la elegancia a la hora de planificar y construir cada fragmento. Como el mismo Davis confiesa, no le importa desobedecer las marcaciones de la partitura en aras de conseguir un efecto concreto. Y a帽ade conscientemente siempre un toque de misterio, con l铆neas y dise帽os permaneciendo medio enterrados en las texturas a pesar de (o por) la incomparable claridad en l铆nea y articulaci贸n, que desvela con visi贸n microsc贸pica el entrelazado de urdimbre y contrahilo que va tejiendo el lienzo sibeliano, sin por ello caer en el an谩lisis aut贸psico. Davis mantiene la capital elasticidad de los <i>tempi</i>, sujetando las pausas y permitiendo girar con mesura el vals. Ambiente c谩lido pero no excesivamente reverberante, con algunos instrumentos esculpidos en vivo en la amable mezcla.<o:p></o:p></span></div> <div class="MsoNormal" style="text-align: justify;"> <span class="bbccenter" style="font-size: large;"><span style="font-family: "georgia" , "serif"; mso-bidi-font-weight: bold;"><br /></span></span></div> <div class="separator" style="clear: both; text-align: center;"> <span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifC4o7Y6YnhZCjUixrKarcA9GkBzkETYoJSph7oPW8ezXdEuvonybtz6h5By3ZOz8EbzOywaU3_YG9yRE6_r9B9_4nEECCK6uX9nNybiABRymRQ_H1ii1QMCRpukQAjv0DR9EvbbRhDHM/s1600/Davis.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1482" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifC4o7Y6YnhZCjUixrKarcA9GkBzkETYoJSph7oPW8ezXdEuvonybtz6h5By3ZOz8EbzOywaU3_YG9yRE6_r9B9_4nEECCK6uX9nNybiABRymRQ_H1ii1QMCRpukQAjv0DR9EvbbRhDHM/s320/Davis.jpg" width="316" /></a></span></div> <div class="MsoNormal" style="text-align: center;"> <span class="bbccenter" style="font-size: large;"><span style="font-family: "georgia" , "serif"; mso-bidi-font-weight: bold;"><br /></span></span></div> <div class="MsoNormal" style="text-align: justify;"> <span class="bbccenter" style="font-size: large;"><span style="font-family: "georgia" , "serif"; mso-bidi-font-weight: bold;"><br /></span></span></div> <div class="MsoNormal" style="text-align: justify;"> <span class="bbccenter" style="font-size: large;"><span style="font-family: "georgia" , "serif"; mso-bidi-font-weight: bold;"><br /></span></span></div> <div class="MsoNormal" style="text-align: justify;"> <span class="bbccenter" style="font-size: large;"><span style="font-family: "georgia" , "serif"; mso-bidi-font-weight: bold;"><br /></span></span></div> <div class="MsoNormal" style="text-align: justify;"> <span class="bbccenter" style="font-size: large;"><span style="font-family: "georgia" , "serif"; mso-bidi-font-weight: bold;">En 1997 Osmo V盲nsk盲 grab贸</span></span><span class="MsoHyperlink" style="font-size: large;"><span style="font-family: "georgia" , "serif"; mso-bidi-font-weight: bold;"> </span></span><span class="bbccenter" style="font-size: large;"><span style="font-family: "georgia" , "serif"; mso-bidi-font-weight: bold;">en primicia la versi贸n original para el teatro. Aunque las diferencias con la reorquestaci贸n definitiva no son escandalosas, permiten seguir el proceso creativo del que parti贸 Sibelius: solo para conjunto de cuerdas, con peque帽os cambios mel贸dicos y arm贸nicos como la adicci贸n del <i>stretto</i> antes de los compases finales, donde incluy贸 los tres acordes a cargo de los violines a solo, cuyo 煤ltimo suspiro reemplaza el abrupto final del original. V盲nsk盲 es desafiante, descarado y meticuloso en la lectura de unos pentagramas</span></span><span style="font-family: "georgia" , "serif"; font-size: large;"> henchidos de indicaciones de gran precisi贸n<span class="bbccenter">, y por tanto de filosof铆a inversa a Colin Davis. De t铆mbrica m谩s melanc贸lica y menos inquietante que con la incorporaci贸n de vientos, el esquema arquitect贸nico de la miniatura se arma a partir del espectro din谩mico. Posteriormente V盲nsk盲 ha vuelto a grabar la obra con la misma Lahti Symphony Orchestra (BIS, 2007) en su versi贸n revisada, con un nivel superior de ejecuci贸n t茅cnica y una toma sonora de perspectiva en profundidad asombrosa.</span><o:p></o:p></span></div> <span style="font-size: large;"><br /></span> <br /> <div class="MsoNormal" style="text-align: justify;"> <span class="post-b" style="font-size: large;"><span style="font-family: "georgia" , "serif";"><br /></span></span></div> <div class="separator" style="clear: both; text-align: center;"> <span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGnLMGcEhQTUm9WEMDg85zQKnY3LJK7R39pYb8EB1yZokjs3nKlPE4CuinYWNCtxKz5rSnrSIXMGonAaYxv8FNNiKzoKv3zUjBJP7Wi86Up7QhrOXW4v4zGRglDp5tor_U8qhY4q4-k0Y/s1600/V%25C3%25A4nsk%25C3%25A4.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGnLMGcEhQTUm9WEMDg85zQKnY3LJK7R39pYb8EB1yZokjs3nKlPE4CuinYWNCtxKz5rSnrSIXMGonAaYxv8FNNiKzoKv3zUjBJP7Wi86Up7QhrOXW4v4zGRglDp5tor_U8qhY4q4-k0Y/s320/V%25C3%25A4nsk%25C3%25A4.jpg" width="320" /></a></span></div> <div class="MsoNormal" style="text-align: center;"> <span class="post-b" style="font-size: large;"><span style="font-family: "georgia" , "serif";"><br /></span></span></div> <div class="MsoNormal" style="text-align: justify;"> <span class="post-b" style="font-size: large;"><span style="font-family: "georgia" , "serif";"><br /></span></span></div> <div class="MsoNormal" style="text-align: justify;"> <span class="post-b" style="font-size: large;"><span style="font-family: "georgia" , "serif";"><br /></span></span></div> <div class="MsoNormal" style="text-align: justify;"> <span class="post-b" style="font-size: large;"><span style="font-family: "georgia" , "serif";"><br /></span></span></div> <div class="MsoNormal" style="text-align: justify;"> <span class="post-b" style="font-size: large;"><span style="font-family: "georgia" , "serif";">A pesar de las tempranas celebridad y pensi贸n vitalicias, Sibelius pas贸 toda su vida al borde de la quiebra debido a la p茅sima mercantilizaci贸n de sus obras y su perenne adicci贸n al alcohol. Tanto es as铆 que, en 1915 un grupo de admiradores hubo de realizar una colecta para salvar el piano Steinway de los alguaciles que ya estaban llamando a la puerta de Ainola. El instrumento, que asisti贸 a la composici贸n de las obras de Sibelius durante sus 煤ltimos 50 a帽os, es ajeno a los enormes espec铆menes modernos destinados a proyectar tsunamis en salas de concierto, y se mantiene en plena forma, reteniendo su avellanado cuerpo t铆mbrico</span></span><span style="font-family: "georgia" , "serif"; font-size: large;"> de confortable opulencia<span class="post-b">. </span>Folke<span class="post-b"> Gr盲sbeck encapsula la reducci贸n (transcrita por el propio compositor) en ritmos gentiles, subrayando la robustez de </span>unos tintes oscuros que rezuman nostalgia<span class="post-b">. La mano izquierda articula cascadeantes figuras color铆sticas y vibrantes, sin exageradas din谩micas. La toma sonora, realizada <i>in situ</i> en el sal贸n familiar sibeliano (BIS, 2014), prolonga la sensaci贸n dom茅stica, 铆ntima, introspectiva.</span><o:p></o:p></span></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif";"><span class="post-b"><br /></span></span></div> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5mGwCyna10oHQVtnBqMLTnTOScpYN-ILIFLW-kChGWQqGjLSsshFHjQHXxfAF2w8XHixbJlzp3hP60MAtUdc-f-phfmcoTDiJHjT_4J2x5zmcIkMoDjXfGT2tuZS5yDli-PwElSlkhn8/s1600/Gr%25C3%25A4sbeck.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="827" data-original-width="827" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5mGwCyna10oHQVtnBqMLTnTOScpYN-ILIFLW-kChGWQqGjLSsshFHjQHXxfAF2w8XHixbJlzp3hP60MAtUdc-f-phfmcoTDiJHjT_4J2x5zmcIkMoDjXfGT2tuZS5yDli-PwElSlkhn8/s320/Gr%25C3%25A4sbeck.jpg" width="320" /></a></div> <div class="MsoNormal" style="text-align: justify;"> <span style="font-family: "georgia" , "serif";"><span class="post-b"><br /></span></span></div> <script src="moz-extension://b183aa3c-d8d9-49c6-bdd5-0b895412ba60/js/app.js" type="text/javascript"></script><script src="moz-extension://b183aa3c-d8d9-49c6-bdd5-0b895412ba60/js/app.js" type="text/javascript"></script><script src="moz-extension://b183aa3c-d8d9-49c6-bdd5-0b895412ba60/js/app.js" type="text/javascript"></script> <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> <span class='post-author vcard'> Publicado por <span class='fn' itemprop='author' itemscope='itemscope' itemtype='http://schema.org/Person'> <meta content='https://www.blogger.com/profile/09356673178960485145' itemprop='url'/> <a class='g-profile' href='https://www.blogger.com/profile/09356673178960485145' rel='author' title='author profile'> <span itemprop='name'>ipromesisposi</span> </a> </span> </span> <span class='post-timestamp'> en <meta content='http://ipromesisposi.blogspot.com/2019/01/sibelius-valse-triste.html' itemprop='url'/> <a class='timestamp-link' href='http://ipromesisposi.blogspot.com/2019/01/sibelius-valse-triste.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2019-01-29T15:36:00+01:00'>15:36</abbr></a> </span> <span class='post-comment-link'> <a class='comment-link' href='http://ipromesisposi.blogspot.com/2019/01/sibelius-valse-triste.html#comment-form' onclick=''> 1 comentario: </a> </span> <span class='post-icons'> <span class='item-control blog-admin pid-297713093'> <a href='https://www.blogger.com/post-edit.g?blogID=5357880801358495252&postID=534588650599757101&from=pencil' title='Editar entrada'> <img alt='' class='icon-action' height='18' src='https://resources.blogblog.com/img/icon18_edit_allbkg.gif' width='18'/> </a> </span> </span> <div class='post-share-buttons goog-inline-block'> </div> </div> <div class='post-footer-line post-footer-line-2'> <span class='post-labels'> Etiquetas: <a href='http://ipromesisposi.blogspot.com/search/label/Barbirolli' rel='tag'>Barbirolli</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Beecham' rel='tag'>Beecham</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Berglund' rel='tag'>Berglund</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Bernstein' rel='tag'>Bernstein</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Blomstedt' rel='tag'>Blomstedt</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Davis' rel='tag'>Davis</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Gr%C3%A4sbeck' rel='tag'>Gr盲sbeck</a>, <a href='http://ipromesisposi.blogspot.com/search/label/J%C3%A4rnefeld' rel='tag'>J盲rnefeld</a>, <a href='http://ipromesisposi.blogspot.com/search/label/J%C3%A4rvi' rel='tag'>J盲rvi</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Karajan' rel='tag'>Karajan</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Levine' rel='tag'>Levine</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Mackenzie-Rogan' rel='tag'>Mackenzie-Rogan</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Sibelius' rel='tag'>Sibelius</a>, <a href='http://ipromesisposi.blogspot.com/search/label/V%C3%A4nsk%C3%A4' rel='tag'>V盲nsk盲</a> </span> </div> <div class='post-footer-line post-footer-line-3'> <span class='post-location'> </span> </div> </div> </div> </div> </div></div> </div> <div class='blog-pager' id='blog-pager'> <span id='blog-pager-older-link'> <a class='blog-pager-older-link' href='http://ipromesisposi.blogspot.com/search/label/Davis?updated-max=2019-01-29T15:36:00%2B01:00&max-results=20&start=2&by-date=false' id='Blog1_blog-pager-older-link' title='Entradas antiguas'>Entradas antiguas</a> </span> <a class='home-link' href='http://ipromesisposi.blogspot.com/'>Inicio</a> </div> <div class='clear'></div> <div class='blog-feeds'> <div class='feed-links'> Suscribirse a: <a class='feed-link' href='http://ipromesisposi.blogspot.com/feeds/posts/default' target='_blank' type='application/atom+xml'>Entradas (Atom)</a> </div> </div> </div></div> </div> <div id='sidebar-wrapper'> <div class='sidebar section' id='sidebar'><div class='widget Text' data-version='1' id='Text1'> <div class='widget-content'> <span style="font-size: 100%; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;font-family:";font-size:100%;"><span ="" style="font-size:100%;">La m煤sica que ofrece este blog est谩 en formato Lossless (Ape/Flac) y tiene un inter茅s meramente pedag贸gico.</span></span><br /><br /><span style="font-size: 100%; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;font-family:";font-size:100%;"><span ="" style="font-size:100%;">The music offered in this blog is in Lossless format (Ape/Flac) and has a purely pedagogical interest.</span></span><br /><br /><span style="font-size: 100%; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;font-family:";font-size:100%;"><span ="" style="font-size:100%;">Next post/Pr贸ximamente:</span></span><br /><span ="" style="color:#6600cc;"><span ="" style="font-size:100%;"><span style="font-family:";"><b><span style="font-family:";">Beethoven: Symphony no. 9 Choral</span><span style="font-family:";"><br /></span></b></span></span></span> </div> <div class='clear'></div> </div><div class='widget Profile' data-version='1' id='Profile2'> <div class='widget-content'> <a href='https://www.blogger.com/profile/09356673178960485145'><img alt='Mi foto' class='profile-img' height='75' src='//2.bp.blogspot.com/_nqZ8f14p6KQ/SYwFZ1sENHI/AAAAAAAAAAM/N02jmdu0AI8/S220-s80/1+el+curioso.jpg' width='80'/></a> <dl class='profile-datablock'> <dt class='profile-data'> <a class='profile-name-link g-profile' href='https://www.blogger.com/profile/09356673178960485145' rel='author' style='background-image: url(//www.blogger.com/img/logo-16.png);'> ipromesisposi </a> </dt> </dl> <a class='profile-link' href='https://www.blogger.com/profile/09356673178960485145' rel='author'>Ver todo mi perfil</a> <div class='clear'></div> </div> </div><div class='widget Image' data-version='1' id='Image1'> <h2>email</h2> <div class='widget-content'> <img alt='email' height='21' id='Image1_img' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHLOyq4WNB_gjmLevZxI9LslAIPDzDT0Cdr0pGwBPI6kCcup95SVG4W5q3taQpVPWi8DuI-cPGG8tqxxVcYEdgEwjArf2B8hD6dvV6g7jrDraPxqJLcioYJHY3fiaWFtsTmdKjn7G9Ing/s195/Yahoo+pic.png' width='191'/> <br/> </div> <div class='clear'></div> </div><div class='widget Stats' data-version='1' id='Stats1'> <h2>Una celebraci贸n de dispares (e irreconciliables) interpretaciones</h2> <div class='widget-content'> <div id='Stats1_content' style='display: none;'> <span class='counter-wrapper graph-counter-wrapper' id='Stats1_totalCount'> </span> <div class='clear'></div> </div> </div> </div><div class='widget Subscribe' data-version='1' id='Subscribe1'> <div style='white-space:nowrap'> <h2 class='title'>RSS</h2> <div class='widget-content'> <div class='subscribe-wrapper subscribe-type-POST'> <div class='subscribe expanded subscribe-type-POST' id='SW_READER_LIST_Subscribe1POST' style='display:none;'> <div class='top'> <span class='inner' onclick='return(_SW_toggleReaderList(event, "Subscribe1POST"));'> <img class='subscribe-dropdown-arrow' src='https://resources.blogblog.com/img/widgets/arrow_dropdown.gif'/> <img align='absmiddle' alt='' border='0' class='feed-icon' src='https://resources.blogblog.com/img/icon_feed12.png'/> Entradas </span> <div class='feed-reader-links'> <a class='feed-reader-link' href='https://www.netvibes.com/subscribe.php?url=http%3A%2F%2Fipromesisposi.blogspot.com%2Ffeeds%2Fposts%2Fdefault' target='_blank'> <img src='https://resources.blogblog.com/img/widgets/subscribe-netvibes.png'/> </a> <a class='feed-reader-link' href='https://add.my.yahoo.com/content?url=http%3A%2F%2Fipromesisposi.blogspot.com%2Ffeeds%2Fposts%2Fdefault' target='_blank'> <img src='https://resources.blogblog.com/img/widgets/subscribe-yahoo.png'/> </a> <a class='feed-reader-link' href='http://ipromesisposi.blogspot.com/feeds/posts/default' target='_blank'> <img align='absmiddle' class='feed-icon' src='https://resources.blogblog.com/img/icon_feed12.png'/> Atom </a> </div> </div> <div class='bottom'></div> </div> <div class='subscribe' id='SW_READER_LIST_CLOSED_Subscribe1POST' onclick='return(_SW_toggleReaderList(event, "Subscribe1POST"));'> <div class='top'> <span class='inner'> <img class='subscribe-dropdown-arrow' src='https://resources.blogblog.com/img/widgets/arrow_dropdown.gif'/> <span onclick='return(_SW_toggleReaderList(event, "Subscribe1POST"));'> <img align='absmiddle' alt='' border='0' class='feed-icon' src='https://resources.blogblog.com/img/icon_feed12.png'/> Entradas </span> </span> </div> <div class='bottom'></div> </div> </div> <div class='subscribe-wrapper subscribe-type-COMMENT'> <div class='subscribe expanded subscribe-type-COMMENT' id='SW_READER_LIST_Subscribe1COMMENT' style='display:none;'> <div class='top'> <span class='inner' onclick='return(_SW_toggleReaderList(event, "Subscribe1COMMENT"));'> <img class='subscribe-dropdown-arrow' src='https://resources.blogblog.com/img/widgets/arrow_dropdown.gif'/> <img align='absmiddle' alt='' border='0' class='feed-icon' src='https://resources.blogblog.com/img/icon_feed12.png'/> Comentarios </span> <div class='feed-reader-links'> <a class='feed-reader-link' href='https://www.netvibes.com/subscribe.php?url=http%3A%2F%2Fipromesisposi.blogspot.com%2Ffeeds%2Fcomments%2Fdefault' target='_blank'> <img src='https://resources.blogblog.com/img/widgets/subscribe-netvibes.png'/> </a> <a class='feed-reader-link' href='https://add.my.yahoo.com/content?url=http%3A%2F%2Fipromesisposi.blogspot.com%2Ffeeds%2Fcomments%2Fdefault' target='_blank'> <img src='https://resources.blogblog.com/img/widgets/subscribe-yahoo.png'/> </a> <a class='feed-reader-link' href='http://ipromesisposi.blogspot.com/feeds/comments/default' target='_blank'> <img align='absmiddle' class='feed-icon' src='https://resources.blogblog.com/img/icon_feed12.png'/> Atom </a> </div> </div> <div class='bottom'></div> </div> <div class='subscribe' id='SW_READER_LIST_CLOSED_Subscribe1COMMENT' onclick='return(_SW_toggleReaderList(event, "Subscribe1COMMENT"));'> <div class='top'> <span class='inner'> <img class='subscribe-dropdown-arrow' src='https://resources.blogblog.com/img/widgets/arrow_dropdown.gif'/> <span onclick='return(_SW_toggleReaderList(event, "Subscribe1COMMENT"));'> <img align='absmiddle' alt='' border='0' class='feed-icon' src='https://resources.blogblog.com/img/icon_feed12.png'/> Comentarios </span> </span> </div> <div class='bottom'></div> </div> </div> <div style='clear:both'></div> </div> </div> <div class='clear'></div> </div><div class='widget Label' data-version='1' id='Label1'> <h2>Label Cloud</h2> <div class='widget-content'> <div id='labelCloud'></div> <script type='text/javascript'> // Don't change anything past this point ----------------- function s(a,b,i,x){ if(a>b){ var m=(a-b)/Math.log(x),v=a-Math.floor(Math.log(i)*m) } else{ var m=(b-a)/Math.log(x),v=Math.floor(Math.log(i)*m+a) } return v } var ta=0 var c=[]; var labelCount = new Array(); var ts = new Object; var theName = "Abbado"; ts[theName] = 4; var theName = "Ackerman"; ts[theName] = 1; var theName = "Adler"; ts[theName] = 1; var theName = "Akademie f眉r Alte Musik Berlin"; ts[theName] = 2; var theName = "Alain"; ts[theName] = 1; var theName = "Alban Berg Quartet"; ts[theName] = 3; var theName = "Alessandrini"; ts[theName] = 8; var theName = "Allegri"; ts[theName] = 1; var theName = "Alsop"; ts[theName] = 1; var theName = "Altinoglu"; ts[theName] = 1; var theName = "Amadeus Quartet"; ts[theName] = 3; var theName = "Ancerl"; ts[theName] = 3; var theName = "Anders"; ts[theName] = 1; var theName = "Ansermet"; ts[theName] = 2; var theName = "Antonini"; ts[theName] = 2; var theName = "Argenta"; ts[theName] = 1; var theName = "Argerich"; ts[theName] = 4; var theName = "Arrau"; ts[theName] = 1; var theName = "Artemis"; ts[theName] = 1; var theName = "Ashkenazy"; ts[theName] = 4; var theName = "Asperen"; ts[theName] = 2; var theName = "Astronio"; ts[theName] = 1; var theName = "Bach CPE"; ts[theName] = 1; var theName = "Bach Js"; ts[theName] = 10; var theName = "Backhaus"; ts[theName] = 1; var theName = "Badura-Skoda"; ts[theName] = 1; var theName = "Baker"; ts[theName] = 1; var theName = "Balestracci"; ts[theName] = 1; var theName = "Banchini"; ts[theName] = 2; var theName = "Barber"; ts[theName] = 1; var theName = "Barbirolli"; ts[theName] = 9; var theName = "Barenboim"; ts[theName] = 8; var theName = "Barshai"; ts[theName] = 2; var theName = "Bart贸k"; ts[theName] = 1; var theName = "Bashmet"; ts[theName] = 1; var theName = "Bates"; ts[theName] = 1; var theName = "Baumgartner"; ts[theName] = 2; var theName = "Beaux Arts Trio"; ts[theName] = 2; var theName = "Beecham"; ts[theName] = 5; var theName = "Beethoven"; ts[theName] = 7; var theName = "Beethoven Quartet"; ts[theName] = 1; var theName = "Belder"; ts[theName] = 1; var theName = "B臎lohl谩vek"; ts[theName] = 1; var theName = "Berglund"; ts[theName] = 1; var theName = "Bernardini"; ts[theName] = 1; var theName = "Bernius"; ts[theName] = 1; var theName = "Bernstein"; ts[theName] = 17; var theName = "Beschi"; ts[theName] = 1; var theName = "Beyer"; ts[theName] = 1; var theName = "Beznosiuk"; ts[theName] = 2; var theName = "Biber"; ts[theName] = 1; var theName = "Bilson"; ts[theName] = 1; var theName = "Biondi"; ts[theName] = 6; var theName = "Blaze"; ts[theName] = 1; var theName = "Blomstedt"; ts[theName] = 2; var theName = "Boer"; ts[theName] = 1; var theName = "B枚hm"; ts[theName] = 3; var theName = "Bolliger"; ts[theName] = 1; var theName = "Boothby"; ts[theName] = 1; var theName = "Borodin Quartet"; ts[theName] = 3; var theName = "Borodin Trio"; ts[theName] = 2; var theName = "Boskovsky"; ts[theName] = 1; var theName = "Bostridge"; ts[theName] = 2; var theName = "Boulanger"; ts[theName] = 2; var theName = "Boulay"; ts[theName] = 1; var theName = "Boulez"; ts[theName] = 10; var theName = "Boult"; ts[theName] = 4; var theName = "Bour"; ts[theName] = 1; var theName = "Bowman"; ts[theName] = 1; var theName = "Brahms"; ts[theName] = 3; var theName = "Braojos"; ts[theName] = 1; var theName = "Brautigam"; ts[theName] = 2; var theName = "Bream"; ts[theName] = 2; var theName = "Brendel"; ts[theName] = 3; var theName = "Britten"; ts[theName] = 1; var theName = "Brodsky Quartet"; ts[theName] = 1; var theName = "Bronfman"; ts[theName] = 1; var theName = "Brown"; ts[theName] = 2; var theName = "Bruck"; ts[theName] = 1; var theName = "Bruckner"; ts[theName] = 1; var theName = "Br眉ggen"; ts[theName] = 6; var theName = "Budapest"; ts[theName] = 1; var theName = "Bull"; ts[theName] = 1; var theName = "Bundies"; ts[theName] = 1; var theName = "Busch"; ts[theName] = 2; var theName = "Busch Quartet"; ts[theName] = 2; var theName = "Butt"; ts[theName] = 1; var theName = "Bylsma"; ts[theName] = 2; var theName = "Byrd"; ts[theName] = 1; var theName = "Cabez贸n"; ts[theName] = 1; var theName = "Caf茅 Zimmermann"; ts[theName] = 1; var theName = "Campbell"; ts[theName] = 1; var theName = "Cape"; ts[theName] = 1; var theName = "Cardin"; ts[theName] = 1; var theName = "Carwood"; ts[theName] = 1; var theName = "Casals"; ts[theName] = 5; var theName = "Cassad贸"; ts[theName] = 1; var theName = "Cave"; ts[theName] = 1; var theName = "Cavina"; ts[theName] = 1; var theName = "Celibidache"; ts[theName] = 15; var theName = "Cera"; ts[theName] = 1; var theName = "Chailly"; ts[theName] = 4; var theName = "Chalabala"; ts[theName] = 1; var theName = "Chance"; ts[theName] = 1; var theName = "Charlston"; ts[theName] = 2; var theName = "Cherkassky"; ts[theName] = 1; var theName = "Chojnacka"; ts[theName] = 1; var theName = "Chopin"; ts[theName] = 1; var theName = "Christie"; ts[theName] = 4; var theName = "Christophers"; ts[theName] = 5; var theName = "Clemencic"; ts[theName] = 1; var theName = "Cleobury"; ts[theName] = 1; var theName = "Cliburn"; ts[theName] = 1; var theName = "Cluytens"; ts[theName] = 3; var theName = "Codax"; ts[theName] = 1; var theName = "Coh毛n-Akenine"; ts[theName] = 1; var theName = "Colell"; ts[theName] = 1; var theName = "Collegium Aureum"; ts[theName] = 1; var theName = "Colomer"; ts[theName] = 1; var theName = "Coppola"; ts[theName] = 2; var theName = "Corelli"; ts[theName] = 1; var theName = "Cortot"; ts[theName] = 2; var theName = "Coudurier"; ts[theName] = 1; var theName = "Couperin"; ts[theName] = 1; var theName = "Crum"; ts[theName] = 1; var theName = "Cu茅nod"; ts[theName] = 1; var theName = "Cummings"; ts[theName] = 1; var theName = "Currentzis"; ts[theName] = 3; var theName = "Curzon"; ts[theName] = 1; var theName = "Daniels"; ts[theName] = 1; var theName = "Dantone"; ts[theName] = 2; var theName = "Dausgaard"; ts[theName] = 2; var theName = "Davis"; ts[theName] = 4; var theName = "de Luc铆a"; ts[theName] = 1; var theName = "de Van"; ts[theName] = 1; var theName = "Debussy"; ts[theName] = 2; var theName = "Della Casa"; ts[theName] = 1; var theName = "Deller"; ts[theName] = 3; var theName = "Dido y Eneas"; ts[theName] = 1; var theName = "Don Giovanni"; ts[theName] = 1; var theName = "Dorati"; ts[theName] = 4; var theName = "Doric Quartet"; ts[theName] = 1; var theName = "Dowland"; ts[theName] = 1; var theName = "Draper"; ts[theName] = 1; var theName = "Du Pr茅"; ts[theName] = 2; var theName = "Dudamel"; ts[theName] = 1; var theName = "Duftschmid"; ts[theName] = 1; var theName = "Duhan"; ts[theName] = 1; var theName = "Dumestre"; ts[theName] = 2; var theName = "Dutoit"; ts[theName] = 3; var theName = "Dvorak"; ts[theName] = 1; var theName = "Dyens"; ts[theName] = 1; var theName = "Eder Quartet"; ts[theName] = 1; var theName = "Egarr"; ts[theName] = 3; var theName = "Elder"; ts[theName] = 1; var theName = "Elgar"; ts[theName] = 1; var theName = "Ellington"; ts[theName] = 1; var theName = "Emerson Quartet"; ts[theName] = 4; var theName = "Engeset"; ts[theName] = 1; var theName = "Ensemble Agaia"; ts[theName] = 1; var theName = "Equilbey"; ts[theName] = 1; var theName = "Eschenbach"; ts[theName] = 1; var theName = "Esfahani"; ts[theName] = 2; var theName = "Eybler Quartet"; ts[theName] = 1; var theName = "Fabre-Garrus"; ts[theName] = 1; var theName = "Fabritiis"; ts[theName] = 1; var theName = "Fandango"; ts[theName] = 1; var theName = "Farr"; ts[theName] = 1; var theName = "Fasolis"; ts[theName] = 4; var theName = "Fassbaender"; ts[theName] = 1; var theName = "Faur茅"; ts[theName] = 1; var theName = "Fern谩ndez"; ts[theName] = 1; var theName = "Ferran"; ts[theName] = 1; var theName = "Feuermann"; ts[theName] = 1; var theName = "Finley"; ts[theName] = 1; var theName = "Fischer"; ts[theName] = 5; var theName = "Fischer-Dieskau"; ts[theName] = 2; var theName = "Fitzwilliam Quartet"; ts[theName] = 2; var theName = "Flagstad"; ts[theName] = 1; var theName = "Fleming"; ts[theName] = 1; var theName = "Flonzaley Quartet"; ts[theName] = 1; var theName = "Florestan Trio"; ts[theName] = 1; var theName = "Foccroulle"; ts[theName] = 1; var theName = "Forck"; ts[theName] = 1; var theName = "Forster"; ts[theName] = 1; var theName = "Foulon"; ts[theName] = 1; var theName = "Fournier"; ts[theName] = 1; var theName = "Fran莽ois"; ts[theName] = 2; var theName = "Fretwork"; ts[theName] = 1; var theName = "Fricsay"; ts[theName] = 3; var theName = "Frisch"; ts[theName] = 2; var theName = "Froment"; ts[theName] = 1; var theName = "Fr眉beck de Burgos"; ts[theName] = 1; var theName = "Furtw盲ngler"; ts[theName] = 9; var theName = "Gabetta"; ts[theName] = 1; var theName = "Galbraith"; ts[theName] = 1; var theName = "Garc铆a Alarc贸n"; ts[theName] = 1; var theName = "Gardiner"; ts[theName] = 15; var theName = "Garrido"; ts[theName] = 1; var theName = "Gergiev"; ts[theName] = 2; var theName = "Gerhaher"; ts[theName] = 1; var theName = "Gieseking"; ts[theName] = 1; var theName = "Gilels"; ts[theName] = 1; var theName = "Giulini"; ts[theName] = 7; var theName = "Glover"; ts[theName] = 1; var theName = "Gluck"; ts[theName] = 1; var theName = "Goebel"; ts[theName] = 7; var theName = "Goerne"; ts[theName] = 1; var theName = "Goetzel"; ts[theName] = 1; var theName = "Golovanov"; ts[theName] = 2; var theName = "Goltz"; ts[theName] = 2; var theName = "Gonz谩lez"; ts[theName] = 1; var theName = "Goode"; ts[theName] = 1; var theName = "Goodman"; ts[theName] = 1; var theName = "Gorecki"; ts[theName] = 1; var theName = "Gottfried"; ts[theName] = 1; var theName = "Gould"; ts[theName] = 3; var theName = "Gracis"; ts[theName] = 1; var theName = "Gr盲sbeck"; ts[theName] = 1; var theName = "Grieg"; ts[theName] = 1; var theName = "Gr眉n"; ts[theName] = 1; var theName = "Guarneri Quartet"; ts[theName] = 1; var theName = "Guerber"; ts[theName] = 2; var theName = "Guest"; ts[theName] = 1; var theName = "Guglielmi"; ts[theName] = 1; var theName = "Gulda"; ts[theName] = 2; var theName = "G眉ra"; ts[theName] = 2; var theName = "Guyot"; ts[theName] = 1; var theName = "Haenchen"; ts[theName] = 1; var theName = "Hagen"; ts[theName] = 1; var theName = "Hagen Quartet"; ts[theName] = 1; var theName = "Haitink"; ts[theName] = 11; var theName = "Haller"; ts[theName] = 1; var theName = "Handel"; ts[theName] = 2; var theName = "Handley"; ts[theName] = 2; var theName = "Hantai"; ts[theName] = 3; var theName = "Harnoncourt"; ts[theName] = 11; var theName = "Harrison"; ts[theName] = 1; var theName = "Haskil"; ts[theName] = 1; var theName = "Haydn"; ts[theName] = 3; var theName = "Hazelzet"; ts[theName] = 1; var theName = "Helbich"; ts[theName] = 1; var theName = "Henderson"; ts[theName] = 1; var theName = "Hengelbrock"; ts[theName] = 1; var theName = "Herbig"; ts[theName] = 1; var theName = "Herreweghe"; ts[theName] = 7; var theName = "Herrmann"; ts[theName] = 1; var theName = "Hewitt"; ts[theName] = 3; var theName = "Hickox"; ts[theName] = 1; var theName = "Higginbottom"; ts[theName] = 1; var theName = "Hill"; ts[theName] = 2; var theName = "Hillier"; ts[theName] = 3; var theName = "Hoeprich"; ts[theName] = 2; var theName = "Hofstetter"; ts[theName] = 1; var theName = "Hogwood"; ts[theName] = 11; var theName = "Hollman"; ts[theName] = 1; var theName = "Holloway"; ts[theName] = 2; var theName = "Hollywood"; ts[theName] = 2; var theName = "Holman"; ts[theName] = 2; var theName = "Holst"; ts[theName] = 1; var theName = "Holzmair"; ts[theName] = 1; var theName = "Horenstein"; ts[theName] = 5; var theName = "Horowitz"; ts[theName] = 3; var theName = "Hotter"; ts[theName] = 1; var theName = "Hough"; ts[theName] = 1; var theName = "Huggett"; ts[theName] = 3; var theName = "Hurford"; ts[theName] = 1; var theName = "H眉sch"; ts[theName] = 1; var theName = "Huss"; ts[theName] = 1; var theName = "I Musici"; ts[theName] = 1; var theName = "Immerseel"; ts[theName] = 6; var theName = "Inbal"; ts[theName] = 2; var theName = "Inghelbrecht"; ts[theName] = 1; var theName = "Ironwood"; ts[theName] = 1; var theName = "Isokoski"; ts[theName] = 1; var theName = "Isserlis"; ts[theName] = 1; var theName = "Italiano"; ts[theName] = 1; var theName = "Jacobs"; ts[theName] = 9; var theName = "Janis"; ts[theName] = 2; var theName = "Janowitz"; ts[theName] = 1; var theName = "Janowski"; ts[theName] = 1; var theName = "Jansons"; ts[theName] = 5; var theName = "Janssens"; ts[theName] = 1; var theName = "J盲rnefeld"; ts[theName] = 1; var theName = "J盲rvi"; ts[theName] = 3; var theName = "Jochum"; ts[theName] = 2; var theName = "Jungh盲nel"; ts[theName] = 1; var theName = "Jurowski"; ts[theName] = 1; var theName = "Kamirski"; ts[theName] = 1; var theName = "Kanka"; ts[theName] = 1; var theName = "Kapp"; ts[theName] = 1; var theName = "Karajan"; ts[theName] = 18; var theName = "Katlewicz"; ts[theName] = 1; var theName = "Kaufmann"; ts[theName] = 1; var theName = "Kell"; ts[theName] = 1; var theName = "Kempf Trio"; ts[theName] = 1; var theName = "Kempff"; ts[theName] = 2; var theName = "Kertesz"; ts[theName] = 1; var theName = "King"; ts[theName] = 5; var theName = "Kirkpatrick"; ts[theName] = 1; var theName = "Kissin"; ts[theName] = 2; var theName = "Kleiber"; ts[theName] = 4; var theName = "Klemperer"; ts[theName] = 11; var theName = "Kletzki"; ts[theName] = 1; var theName = "Knappertsbusch"; ts[theName] = 3; var theName = "Kocsis"; ts[theName] = 1; var theName = "Kondrashin"; ts[theName] = 2; var theName = "Konwitschny"; ts[theName] = 1; var theName = "K贸nya"; ts[theName] = 1; var theName = "Koopman"; ts[theName] = 8; var theName = "Kord"; ts[theName] = 1; var theName = "Koussevitzky"; ts[theName] = 3; var theName = "Krauss"; ts[theName] = 1; var theName = "Krips"; ts[theName] = 2; var theName = "Krivine"; ts[theName] = 1; var theName = "Kubelik"; ts[theName] = 4; var theName = "Kuerti"; ts[theName] = 1; var theName = "Kuijken"; ts[theName] = 8; var theName = "La Gaia Scienza Trio"; ts[theName] = 2; var theName = "Lab猫que"; ts[theName] = 1; var theName = "Lamon"; ts[theName] = 1; var theName = "Landowska"; ts[theName] = 1; var theName = "Lang"; ts[theName] = 1; var theName = "Larrieu"; ts[theName] = 1; var theName = "Lasalle"; ts[theName] = 1; var theName = "Layton"; ts[theName] = 1; var theName = "Lefebure"; ts[theName] = 1; var theName = "Lehmann"; ts[theName] = 2; var theName = "Leinsdorf"; ts[theName] = 1; var theName = "Leipzig Quartet"; ts[theName] = 1; var theName = "Leister"; ts[theName] = 1; var theName = "Leitner"; ts[theName] = 1; var theName = "Lemieux"; ts[theName] = 1; var theName = "Leonhardt"; ts[theName] = 5; var theName = "Leopold Trio"; ts[theName] = 1; var theName = "Leppard"; ts[theName] = 2; var theName = "Les Escapades"; ts[theName] = 1; var theName = "Lesne"; ts[theName] = 3; var theName = "Levi"; ts[theName] = 1; var theName = "Levin"; ts[theName] = 1; var theName = "Levine"; ts[theName] = 4; var theName = "Lewis"; ts[theName] = 1; var theName = "Lindberg"; ts[theName] = 2; var theName = "Linde"; ts[theName] = 1; var theName = "Linden"; ts[theName] = 1; var theName = "Lindsay"; ts[theName] = 3; var theName = "Lipatti"; ts[theName] = 1; var theName = "Lischka"; ts[theName] = 1; var theName = "Lislevand"; ts[theName] = 1; var theName = "London Quartet"; ts[theName] = 2; var theName = "Longhini"; ts[theName] = 1; var theName = "L贸pez-Cobos"; ts[theName] = 2; var theName = "Luks"; ts[theName] = 1; var theName = "Luojalan-Mikkola"; ts[theName] = 1; var theName = "Lupu"; ts[theName] = 2; var theName = "Ma"; ts[theName] = 2; var theName = "Maazel"; ts[theName] = 2; var theName = "Machaut"; ts[theName] = 1; var theName = "Mackenzie-Rogan"; ts[theName] = 1; var theName = "Mackerras"; ts[theName] = 7; var theName = "Magraner"; ts[theName] = 1; var theName = "Mahler"; ts[theName] = 4; var theName = "Maier"; ts[theName] = 2; var theName = "Maletto"; ts[theName] = 1; var theName = "Mallavibarrena"; ts[theName] = 1; var theName = "Mallon"; ts[theName] = 1; var theName = "Maltman"; ts[theName] = 1; var theName = "Mandelring Quartet"; ts[theName] = 1; var theName = "Mandrin"; ts[theName] = 1; var theName = "Manze"; ts[theName] = 3; var theName = "Marais"; ts[theName] = 1; var theName = "Marcon"; ts[theName] = 1; var theName = "Markevitch"; ts[theName] = 1; var theName = "M盲rkl"; ts[theName] = 1; var theName = "Marriner"; ts[theName] = 7; var theName = "Martinon"; ts[theName] = 4; var theName = "Masur"; ts[theName] = 1; var theName = "Mauersberger"; ts[theName] = 1; var theName = "McCreesh"; ts[theName] = 5; var theName = "Mcintosh"; ts[theName] = 1; var theName = "Mehta"; ts[theName] = 2; var theName = "Meneses"; ts[theName] = 1; var theName = "Mengelberg"; ts[theName] = 11; var theName = "Messori"; ts[theName] = 1; var theName = "Meunier"; ts[theName] = 2; var theName = "Meyer"; ts[theName] = 1; var theName = "Michelangeli"; ts[theName] = 3; var theName = "Miller"; ts[theName] = 1; var theName = "Minasi"; ts[theName] = 1; var theName = "Mingardo"; ts[theName] = 1; var theName = "Minkowski"; ts[theName] = 3; var theName = "Mitropoulos"; ts[theName] = 4; var theName = "Moiseiwitsch"; ts[theName] = 1; var theName = "Monks"; ts[theName] = 1; var theName = "Monteux"; ts[theName] = 1; var theName = "Monteverdi"; ts[theName] = 2; var theName = "Moravec"; ts[theName] = 2; var theName = "Moreno"; ts[theName] = 2; var theName = "Mortensen"; ts[theName] = 1; var theName = "Mosa茂ques"; ts[theName] = 3; var theName = "Mozart"; ts[theName] = 8; var theName = "Mravinsky"; ts[theName] = 2; var theName = "M眉llejans"; ts[theName] = 1; var theName = "Muller"; ts[theName] = 1; var theName = "Munch"; ts[theName] = 3; var theName = "M眉nchinger"; ts[theName] = 1; var theName = "Murray"; ts[theName] = 1; var theName = "Mussorgsky"; ts[theName] = 2; var theName = "Muti"; ts[theName] = 1; var theName = "Neidich"; ts[theName] = 1; var theName = "Nelsons"; ts[theName] = 1; var theName = "Nesbitt"; ts[theName] = 1; var theName = "Neumann"; ts[theName] = 2; var theName = "Nikisch"; ts[theName] = 1; var theName = "Niquet"; ts[theName] = 2; var theName = "Norman"; ts[theName] = 1; var theName = "Norrington"; ts[theName] = 3; var theName = "Ockeghem"; ts[theName] = 1; var theName = "Ogg"; ts[theName] = 2; var theName = "Oistrakh Trio"; ts[theName] = 1; var theName = "Olejniczak"; ts[theName] = 1; var theName = "Oliva"; ts[theName] = 1; var theName = "Orff"; ts[theName] = 1; var theName = "Ormandy"; ts[theName] = 1; var theName = "Ortiz"; ts[theName] = 1; var theName = "Ozawa"; ts[theName] = 2; var theName = "Padmore"; ts[theName] = 2; var theName = "Palmer"; ts[theName] = 1; var theName = "Pandolfo"; ts[theName] = 2; var theName = "Panzera"; ts[theName] = 1; var theName = "Pappano"; ts[theName] = 1; var theName = "Paray"; ts[theName] = 2; var theName = "Parrott"; ts[theName] = 5; var theName = "Pavel Haas Quartet"; ts[theName] = 1; var theName = "Pay"; ts[theName] = 1; var theName = "Pears"; ts[theName] = 1; var theName = "Perahia"; ts[theName] = 2; var theName = "P茅r猫s"; ts[theName] = 2; var theName = "Pergolesi"; ts[theName] = 1; var theName = "Perl"; ts[theName] = 2; var theName = "Petrenko"; ts[theName] = 1; var theName = "Petri"; ts[theName] = 1; var theName = "Peyer"; ts[theName] = 2; var theName = "Phantasm"; ts[theName] = 3; var theName = "Phillips"; ts[theName] = 2; var theName = "Pianca"; ts[theName] = 1; var theName = "Pickett"; ts[theName] = 1; var theName = "Pictures at an exhibition"; ts[theName] = 2; var theName = "Pierlot"; ts[theName] = 1; var theName = "Pierot"; ts[theName] = 1; var theName = "Pinnock"; ts[theName] = 9; var theName = "Piovano"; ts[theName] = 1; var theName = "Pletnev"; ts[theName] = 3; var theName = "Pluhar"; ts[theName] = 2; var theName = "Pogorelich"; ts[theName] = 2; var theName = "Pollini"; ts[theName] = 1; var theName = "Pons"; ts[theName] = 1; var theName = "Pr茅gardien"; ts[theName] = 2; var theName = "Preston"; ts[theName] = 1; var theName = "Pretre"; ts[theName] = 1; var theName = "Previn"; ts[theName] = 5; var theName = "Pro Arte Quartet"; ts[theName] = 1; var theName = "Puccini"; ts[theName] = 1; var theName = "Pugno"; ts[theName] = 1; var theName = "Purcell"; ts[theName] = 3; var theName = "Puyana"; ts[theName] = 3; var theName = "Quasthoff"; ts[theName] = 2; var theName = "Queyras"; ts[theName] = 3; var theName = "Rachmaninov"; ts[theName] = 3; var theName = "Rana"; ts[theName] = 1; var theName = "Rannou"; ts[theName] = 1; var theName = "Ratk贸"; ts[theName] = 1; var theName = "Rattle"; ts[theName] = 3; var theName = "Ravel"; ts[theName] = 2; var theName = "Redel"; ts[theName] = 1; var theName = "Reiner"; ts[theName] = 7; var theName = "Rescigno"; ts[theName] = 1; var theName = "Rhorer"; ts[theName] = 1; var theName = "Richter K"; ts[theName] = 4; var theName = "Richter S"; ts[theName] = 5; var theName = "Riha"; ts[theName] = 1; var theName = "Rilling"; ts[theName] = 1; var theName = "Rimsky Korsakov"; ts[theName] = 1; var theName = "Rincontro Quartet"; ts[theName] = 1; var theName = "Rische"; ts[theName] = 1; var theName = "Ristenpart"; ts[theName] = 1; var theName = "Rodrigo"; ts[theName] = 1; var theName = "Rogg"; ts[theName] = 2; var theName = "Romero"; ts[theName] = 1; var theName = "Rondeau"; ts[theName] = 1; var theName = "Rooley"; ts[theName] = 2; var theName = "Rosbaud"; ts[theName] = 1; var theName = "Ross"; ts[theName] = 2; var theName = "Rostropovich"; ts[theName] = 5; var theName = "Rotem"; ts[theName] = 1; var theName = "Roth"; ts[theName] = 3; var theName = "Rousset"; ts[theName] = 2; var theName = "Rowicki"; ts[theName] = 1; var theName = "Rozhdestvensky"; ts[theName] = 1; var theName = "Rubinstein"; ts[theName] = 3; var theName = "Rubio Quartet"; ts[theName] = 1; var theName = "Rudy"; ts[theName] = 1; var theName = "Runnicles"; ts[theName] = 1; var theName = "Ruud"; ts[theName] = 1; var theName = "Rysanov"; ts[theName] = 1; var theName = "Sabata"; ts[theName] = 1; var theName = "Saint-Sa毛ns"; ts[theName] = 1; var theName = "S谩inz de la Maza"; ts[theName] = 1; var theName = "Salomon String Quartet"; ts[theName] = 1; var theName = "Salonen"; ts[theName] = 1; var theName = "Sanderling"; ts[theName] = 2; var theName = "Sardelli"; ts[theName] = 1; var theName = "Sargent"; ts[theName] = 1; var theName = "S谩rk枚zy"; ts[theName] = 1; var theName = "Satoh"; ts[theName] = 1; var theName = "Sauer"; ts[theName] = 1; var theName = "Savall"; ts[theName] = 11; var theName = "Sch盲fer"; ts[theName] = 1; var theName = "Scharrer"; ts[theName] = 1; var theName = "Schatzberger"; ts[theName] = 1; var theName = "Schellenberger"; ts[theName] = 1; var theName = "Schepkin"; ts[theName] = 1; var theName = "Scherchen"; ts[theName] = 1; var theName = "Schiff"; ts[theName] = 4; var theName = "Schippers"; ts[theName] = 1; var theName = "Schnabel"; ts[theName] = 2; var theName = "Scholl"; ts[theName] = 1; var theName = "Schoonderwoerd"; ts[theName] = 1; var theName = "Schornsheim"; ts[theName] = 1; var theName = "Schreier"; ts[theName] = 2; var theName = "Schubert"; ts[theName] = 5; var theName = "Schumann"; ts[theName] = 2; var theName = "Schwarz"; ts[theName] = 1; var theName = "Schwarzkopf"; ts[theName] = 1; var theName = "Serkin"; ts[theName] = 2; var theName = "Shaham"; ts[theName] = 1; var theName = "Shifrin"; ts[theName] = 1; var theName = "Short"; ts[theName] = 1; var theName = "Shostakovich"; ts[theName] = 2; var theName = "Sh眉tz"; ts[theName] = 1; var theName = "Sibelius"; ts[theName] = 1; var theName = "Simonov"; ts[theName] = 1; var theName = "Sinopoli"; ts[theName] = 6; var theName = "Siranossian"; ts[theName] = 1; var theName = "Slatkin"; ts[theName] = 1; var theName = "Smith"; ts[theName] = 2; var theName = "Soc铆as"; ts[theName] = 1; var theName = "Sokolov"; ts[theName] = 1; var theName = "Soler"; ts[theName] = 1; var theName = "S枚llscher"; ts[theName] = 2; var theName = "Solomon"; ts[theName] = 1; var theName = "Solti"; ts[theName] = 5; var theName = "Souzay"; ts[theName] = 1; var theName = "Sp谩nyi"; ts[theName] = 1; var theName = "Sparf"; ts[theName] = 2; var theName = "Spinosi"; ts[theName] = 1; var theName = "St. Petersburg Quartet"; ts[theName] = 1; var theName = "Stabat Mater"; ts[theName] = 1; var theName = "Staier"; ts[theName] = 3; var theName = "Standage"; ts[theName] = 1; var theName = "Starker"; ts[theName] = 1; var theName = "Steen"; ts[theName] = 1; var theName = "Steinberg"; ts[theName] = 1; var theName = "Stejskal"; ts[theName] = 1; var theName = "Stern Trio"; ts[theName] = 1; var theName = "Stevens"; ts[theName] = 1; var theName = "Stokowski"; ts[theName] = 9; var theName = "Storck"; ts[theName] = 1; var theName = "Straram"; ts[theName] = 1; var theName = "Strauss"; ts[theName] = 1; var theName = "Stravinsky"; ts[theName] = 1; var theName = "Stubs"; ts[theName] = 1; var theName = "Studer"; ts[theName] = 1; var theName = "Suihkonen"; ts[theName] = 1; var theName = "Summerly"; ts[theName] = 2; var theName = "Suzuki"; ts[theName] = 3; var theName = "Svetlanov"; ts[theName] = 1; var theName = "Szell"; ts[theName] = 8; var theName = "Tachezi"; ts[theName] = 2; var theName = "Tak谩cs Quartet"; ts[theName] = 2; var theName = "Talich"; ts[theName] = 2; var theName = "Tallis"; ts[theName] = 1; var theName = "T谩trai Quartet"; ts[theName] = 1; var theName = "Tchaikovsky"; ts[theName] = 3; var theName = "Telemann"; ts[theName] = 1; var theName = "Tennstedt"; ts[theName] = 3; var theName = "The Revolutionary Drawing Room"; ts[theName] = 1; var theName = "Thielemann"; ts[theName] = 3; var theName = "Thomson"; ts[theName] = 1; var theName = "Tilson Thomas"; ts[theName] = 2; var theName = "Tipo"; ts[theName] = 1; var theName = "Tokyo"; ts[theName] = 1; var theName = "Tonnesen"; ts[theName] = 1; var theName = "Tosca"; ts[theName] = 1; var theName = "Toscanini"; ts[theName] = 6; var theName = "Tourniaire"; ts[theName] = 1; var theName = "Tureck"; ts[theName] = 1; var theName = "Turner"; ts[theName] = 1; var theName = "Uchida"; ts[theName] = 1; var theName = "Ugorski"; ts[theName] = 1; var theName = "Van Dam"; ts[theName] = 1; var theName = "van Stade"; ts[theName] = 1; var theName = "V盲nsk盲"; ts[theName] = 1; var theName = "Vartolo"; ts[theName] = 2; var theName = "V谩s谩ry"; ts[theName] = 1; var theName = "Vaughan Williams"; ts[theName] = 2; var theName = "V茅gh"; ts[theName] = 1; var theName = "Velardi"; ts[theName] = 1; var theName = "Vellard"; ts[theName] = 1; var theName = "Venzago"; ts[theName] = 2; var theName = "Verbruggen"; ts[theName] = 1; var theName = "Vickers"; ts[theName] = 1; var theName = "Victoria"; ts[theName] = 1; var theName = "Videla"; ts[theName] = 1; var theName = "Vivaldi"; ts[theName] = 2; var theName = "Wagner"; ts[theName] = 1; var theName = "Walcha"; ts[theName] = 1; var theName = "Walhberg"; ts[theName] = 1; var theName = "Walter"; ts[theName] = 8; var theName = "Wand"; ts[theName] = 2; var theName = "Watillon"; ts[theName] = 1; var theName = "Weil"; ts[theName] = 2; var theName = "Weimann"; ts[theName] = 1; var theName = "Weiss"; ts[theName] = 1; var theName = "Wenzinger"; ts[theName] = 3; var theName = "Wickham"; ts[theName] = 1; var theName = "Wild"; ts[theName] = 1; var theName = "Willcocks"; ts[theName] = 2; var theName = "Williams"; ts[theName] = 2; var theName = "Wilson"; ts[theName] = 1; var theName = "Wispelwey"; ts[theName] = 3; var theName = "Wit"; ts[theName] = 1; var theName = "Wunderlich"; ts[theName] = 1; var theName = "Yepes"; ts[theName] = 1; var theName = "Zacharias"; ts[theName] = 2; var theName = "Zander"; ts[theName] = 1; var theName = "Zapico"; ts[theName] = 1; var theName = "Zimerman"; ts[theName] = 2; var theName = "Zinman"; ts[theName] = 1; for (t in ts){ if (!labelCount[ts[t]]){ labelCount[ts[t]] = new Array(ts[t]) } } tz = labelCount.length-1; lc2 = document.getElementById('labelCloud'); ul = document.createElement('ul'); ul.className = 'label-cloud'; for(var t in ts){ for (var i=0;3 > i;i++) { c[i]=s(minColor[i],maxColor[i],ts[t]-ta,tz) } var fs = s(minFontSize,maxFontSize,ts[t]-ta,tz); li = document.createElement('li'); li.style.fontSize = fs+'px'; li.style.lineHeight = '1'; a = document.createElement('a'); a.title = ts[t]+' Posts in '+t; a.style.color = 'rgb('+c[0]+','+c[1]+','+c[2]+')'; a.href = lcBlogURL+'/search/label/'+encodeURIComponent(t); if (lcShowCount){ span = document.createElement('span'); span.innerHTML = '('+ts[t]+') '; span.className = 'label-count'; a.appendChild(document.createTextNode(t)); li.appendChild(a); li.appendChild(span); } else { a.appendChild(document.createTextNode(t)); li.appendChild(a); } ul.appendChild(li); abnk = document.createTextNode(' '); ul.appendChild(abnk); } lc2.appendChild(ul); </script> <noscript> <ul> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Abbado'>Abbado</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ackerman'>Ackerman</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Adler'>Adler</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Akademie%20f%C3%BCr%20Alte%20Musik%20Berlin'>Akademie f眉r Alte Musik Berlin</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Alain'>Alain</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Alban%20Berg%20Quartet'>Alban Berg Quartet</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Alessandrini'>Alessandrini</a> (8) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Allegri'>Allegri</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Alsop'>Alsop</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Altinoglu'>Altinoglu</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Amadeus%20Quartet'>Amadeus Quartet</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ancerl'>Ancerl</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Anders'>Anders</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ansermet'>Ansermet</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Antonini'>Antonini</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Argenta'>Argenta</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Argerich'>Argerich</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Arrau'>Arrau</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Artemis'>Artemis</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ashkenazy'>Ashkenazy</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Asperen'>Asperen</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Astronio'>Astronio</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bach%20CPE'>Bach CPE</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bach%20Js'>Bach Js</a> (10) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Backhaus'>Backhaus</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Badura-Skoda'>Badura-Skoda</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Baker'>Baker</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Balestracci'>Balestracci</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Banchini'>Banchini</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Barber'>Barber</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Barbirolli'>Barbirolli</a> (9) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Barenboim'>Barenboim</a> (8) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Barshai'>Barshai</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bart%C3%B3k'>Bart贸k</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bashmet'>Bashmet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bates'>Bates</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Baumgartner'>Baumgartner</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Beaux%20Arts%20Trio'>Beaux Arts Trio</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Beecham'>Beecham</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Beethoven'>Beethoven</a> (7) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Beethoven%20Quartet'>Beethoven Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Belder'>Belder</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/B%C4%9Blohl%C3%A1vek'>B臎lohl谩vek</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Berglund'>Berglund</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bernardini'>Bernardini</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bernius'>Bernius</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bernstein'>Bernstein</a> (17) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Beschi'>Beschi</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Beyer'>Beyer</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Beznosiuk'>Beznosiuk</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Biber'>Biber</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bilson'>Bilson</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Biondi'>Biondi</a> (6) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Blaze'>Blaze</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Blomstedt'>Blomstedt</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Boer'>Boer</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/B%C3%B6hm'>B枚hm</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bolliger'>Bolliger</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Boothby'>Boothby</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Borodin%20Quartet'>Borodin Quartet</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Borodin%20Trio'>Borodin Trio</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Boskovsky'>Boskovsky</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bostridge'>Bostridge</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Boulanger'>Boulanger</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Boulay'>Boulay</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Boulez'>Boulez</a> (10) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Boult'>Boult</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bour'>Bour</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bowman'>Bowman</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Brahms'>Brahms</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Braojos'>Braojos</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Brautigam'>Brautigam</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bream'>Bream</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Brendel'>Brendel</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Britten'>Britten</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Brodsky%20Quartet'>Brodsky Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bronfman'>Bronfman</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Brown'>Brown</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bruck'>Bruck</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bruckner'>Bruckner</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Br%C3%BCggen'>Br眉ggen</a> (6) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Budapest'>Budapest</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bull'>Bull</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bundies'>Bundies</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Busch'>Busch</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Busch%20Quartet'>Busch Quartet</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Butt'>Butt</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bylsma'>Bylsma</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Byrd'>Byrd</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cabez%C3%B3n'>Cabez贸n</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Caf%C3%A9%20Zimmermann'>Caf茅 Zimmermann</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Campbell'>Campbell</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cape'>Cape</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cardin'>Cardin</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Carwood'>Carwood</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Casals'>Casals</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cassad%C3%B3'>Cassad贸</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cave'>Cave</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cavina'>Cavina</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Celibidache'>Celibidache</a> (15) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cera'>Cera</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Chailly'>Chailly</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Chalabala'>Chalabala</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Chance'>Chance</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Charlston'>Charlston</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cherkassky'>Cherkassky</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Chojnacka'>Chojnacka</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Chopin'>Chopin</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Christie'>Christie</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Christophers'>Christophers</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Clemencic'>Clemencic</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cleobury'>Cleobury</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cliburn'>Cliburn</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cluytens'>Cluytens</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Codax'>Codax</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Coh%C3%ABn-Akenine'>Coh毛n-Akenine</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Colell'>Colell</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Collegium%20Aureum'>Collegium Aureum</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Colomer'>Colomer</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Coppola'>Coppola</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Corelli'>Corelli</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cortot'>Cortot</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Coudurier'>Coudurier</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Couperin'>Couperin</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Crum'>Crum</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cu%C3%A9nod'>Cu茅nod</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cummings'>Cummings</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Currentzis'>Currentzis</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Curzon'>Curzon</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Daniels'>Daniels</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Dantone'>Dantone</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Dausgaard'>Dausgaard</a> (2) </li> <li> Davis (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/de%20Luc%C3%ADa'>de Luc铆a</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/de%20Van'>de Van</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Debussy'>Debussy</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Della%20Casa'>Della Casa</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Deller'>Deller</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Dido%20y%20Eneas'>Dido y Eneas</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Don%20Giovanni'>Don Giovanni</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Dorati'>Dorati</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Doric%20Quartet'>Doric Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Dowland'>Dowland</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Draper'>Draper</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Du%20Pr%C3%A9'>Du Pr茅</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Dudamel'>Dudamel</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Duftschmid'>Duftschmid</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Duhan'>Duhan</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Dumestre'>Dumestre</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Dutoit'>Dutoit</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Dvorak'>Dvorak</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Dyens'>Dyens</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Eder%20Quartet'>Eder Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Egarr'>Egarr</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Elder'>Elder</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Elgar'>Elgar</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ellington'>Ellington</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Emerson%20Quartet'>Emerson Quartet</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Engeset'>Engeset</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ensemble%20Agaia'>Ensemble Agaia</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Equilbey'>Equilbey</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Eschenbach'>Eschenbach</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Esfahani'>Esfahani</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Eybler%20Quartet'>Eybler Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fabre-Garrus'>Fabre-Garrus</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fabritiis'>Fabritiis</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fandango'>Fandango</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Farr'>Farr</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fasolis'>Fasolis</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fassbaender'>Fassbaender</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Faur%C3%A9'>Faur茅</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fern%C3%A1ndez'>Fern谩ndez</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ferran'>Ferran</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Feuermann'>Feuermann</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Finley'>Finley</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fischer'>Fischer</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fischer-Dieskau'>Fischer-Dieskau</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fitzwilliam%20Quartet'>Fitzwilliam Quartet</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Flagstad'>Flagstad</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fleming'>Fleming</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Flonzaley%20Quartet'>Flonzaley Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Florestan%20Trio'>Florestan Trio</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Foccroulle'>Foccroulle</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Forck'>Forck</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Forster'>Forster</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Foulon'>Foulon</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fournier'>Fournier</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fran%C3%A7ois'>Fran莽ois</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fretwork'>Fretwork</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fricsay'>Fricsay</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Frisch'>Frisch</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Froment'>Froment</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fr%C3%BCbeck%20de%20Burgos'>Fr眉beck de Burgos</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Furtw%C3%A4ngler'>Furtw盲ngler</a> (9) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gabetta'>Gabetta</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Galbraith'>Galbraith</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Garc%C3%ADa%20Alarc%C3%B3n'>Garc铆a Alarc贸n</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gardiner'>Gardiner</a> (15) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Garrido'>Garrido</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gergiev'>Gergiev</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gerhaher'>Gerhaher</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gieseking'>Gieseking</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gilels'>Gilels</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Giulini'>Giulini</a> (7) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Glover'>Glover</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gluck'>Gluck</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Goebel'>Goebel</a> (7) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Goerne'>Goerne</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Goetzel'>Goetzel</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Golovanov'>Golovanov</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Goltz'>Goltz</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gonz%C3%A1lez'>Gonz谩lez</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Goode'>Goode</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Goodman'>Goodman</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gorecki'>Gorecki</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gottfried'>Gottfried</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gould'>Gould</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gracis'>Gracis</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gr%C3%A4sbeck'>Gr盲sbeck</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Grieg'>Grieg</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gr%C3%BCn'>Gr眉n</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Guarneri%20Quartet'>Guarneri Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Guerber'>Guerber</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Guest'>Guest</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Guglielmi'>Guglielmi</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gulda'>Gulda</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/G%C3%BCra'>G眉ra</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Guyot'>Guyot</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Haenchen'>Haenchen</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hagen'>Hagen</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hagen%20Quartet'>Hagen Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Haitink'>Haitink</a> (11) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Haller'>Haller</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Handel'>Handel</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Handley'>Handley</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hantai'>Hantai</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Harnoncourt'>Harnoncourt</a> (11) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Harrison'>Harrison</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Haskil'>Haskil</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Haydn'>Haydn</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hazelzet'>Hazelzet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Helbich'>Helbich</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Henderson'>Henderson</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hengelbrock'>Hengelbrock</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Herbig'>Herbig</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Herreweghe'>Herreweghe</a> (7) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Herrmann'>Herrmann</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hewitt'>Hewitt</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hickox'>Hickox</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Higginbottom'>Higginbottom</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hill'>Hill</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hillier'>Hillier</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hoeprich'>Hoeprich</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hofstetter'>Hofstetter</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hogwood'>Hogwood</a> (11) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hollman'>Hollman</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Holloway'>Holloway</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hollywood'>Hollywood</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Holman'>Holman</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Holst'>Holst</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Holzmair'>Holzmair</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Horenstein'>Horenstein</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Horowitz'>Horowitz</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hotter'>Hotter</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hough'>Hough</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Huggett'>Huggett</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hurford'>Hurford</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/H%C3%BCsch'>H眉sch</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Huss'>Huss</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/I%20Musici'>I Musici</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Immerseel'>Immerseel</a> (6) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Inbal'>Inbal</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Inghelbrecht'>Inghelbrecht</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ironwood'>Ironwood</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Isokoski'>Isokoski</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Isserlis'>Isserlis</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Italiano'>Italiano</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Jacobs'>Jacobs</a> (9) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Janis'>Janis</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Janowitz'>Janowitz</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Janowski'>Janowski</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Jansons'>Jansons</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Janssens'>Janssens</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/J%C3%A4rnefeld'>J盲rnefeld</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/J%C3%A4rvi'>J盲rvi</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Jochum'>Jochum</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Jungh%C3%A4nel'>Jungh盲nel</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Jurowski'>Jurowski</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kamirski'>Kamirski</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kanka'>Kanka</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kapp'>Kapp</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Karajan'>Karajan</a> (18) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Katlewicz'>Katlewicz</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kaufmann'>Kaufmann</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kell'>Kell</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kempf%20Trio'>Kempf Trio</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kempff'>Kempff</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kertesz'>Kertesz</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/King'>King</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kirkpatrick'>Kirkpatrick</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kissin'>Kissin</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kleiber'>Kleiber</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Klemperer'>Klemperer</a> (11) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kletzki'>Kletzki</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Knappertsbusch'>Knappertsbusch</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kocsis'>Kocsis</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kondrashin'>Kondrashin</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Konwitschny'>Konwitschny</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/K%C3%B3nya'>K贸nya</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Koopman'>Koopman</a> (8) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kord'>Kord</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Koussevitzky'>Koussevitzky</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Krauss'>Krauss</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Krips'>Krips</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Krivine'>Krivine</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kubelik'>Kubelik</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kuerti'>Kuerti</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kuijken'>Kuijken</a> (8) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/La%20Gaia%20Scienza%20Trio'>La Gaia Scienza Trio</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lab%C3%A8que'>Lab猫que</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lamon'>Lamon</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Landowska'>Landowska</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lang'>Lang</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Larrieu'>Larrieu</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lasalle'>Lasalle</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Layton'>Layton</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lefebure'>Lefebure</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lehmann'>Lehmann</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Leinsdorf'>Leinsdorf</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Leipzig%20Quartet'>Leipzig Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Leister'>Leister</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Leitner'>Leitner</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lemieux'>Lemieux</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Leonhardt'>Leonhardt</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Leopold%20Trio'>Leopold Trio</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Leppard'>Leppard</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Les%20Escapades'>Les Escapades</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lesne'>Lesne</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Levi'>Levi</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Levin'>Levin</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Levine'>Levine</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lewis'>Lewis</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lindberg'>Lindberg</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Linde'>Linde</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Linden'>Linden</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lindsay'>Lindsay</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lipatti'>Lipatti</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lischka'>Lischka</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lislevand'>Lislevand</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/London%20Quartet'>London Quartet</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Longhini'>Longhini</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/L%C3%B3pez-Cobos'>L贸pez-Cobos</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Luks'>Luks</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Luojalan-Mikkola'>Luojalan-Mikkola</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lupu'>Lupu</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ma'>Ma</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Maazel'>Maazel</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Machaut'>Machaut</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mackenzie-Rogan'>Mackenzie-Rogan</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mackerras'>Mackerras</a> (7) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Magraner'>Magraner</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mahler'>Mahler</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Maier'>Maier</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Maletto'>Maletto</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mallavibarrena'>Mallavibarrena</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mallon'>Mallon</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Maltman'>Maltman</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mandelring%20Quartet'>Mandelring Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mandrin'>Mandrin</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Manze'>Manze</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Marais'>Marais</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Marcon'>Marcon</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Markevitch'>Markevitch</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/M%C3%A4rkl'>M盲rkl</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Marriner'>Marriner</a> (7) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Martinon'>Martinon</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Masur'>Masur</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mauersberger'>Mauersberger</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/McCreesh'>McCreesh</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mcintosh'>Mcintosh</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mehta'>Mehta</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Meneses'>Meneses</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mengelberg'>Mengelberg</a> (11) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Messori'>Messori</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Meunier'>Meunier</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Meyer'>Meyer</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Michelangeli'>Michelangeli</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Miller'>Miller</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Minasi'>Minasi</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mingardo'>Mingardo</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Minkowski'>Minkowski</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mitropoulos'>Mitropoulos</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Moiseiwitsch'>Moiseiwitsch</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Monks'>Monks</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Monteux'>Monteux</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Monteverdi'>Monteverdi</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Moravec'>Moravec</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Moreno'>Moreno</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mortensen'>Mortensen</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mosa%C3%AFques'>Mosa茂ques</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mozart'>Mozart</a> (8) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mravinsky'>Mravinsky</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/M%C3%BCllejans'>M眉llejans</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Muller'>Muller</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Munch'>Munch</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/M%C3%BCnchinger'>M眉nchinger</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Murray'>Murray</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mussorgsky'>Mussorgsky</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Muti'>Muti</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Neidich'>Neidich</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Nelsons'>Nelsons</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Nesbitt'>Nesbitt</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Neumann'>Neumann</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Nikisch'>Nikisch</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Niquet'>Niquet</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Norman'>Norman</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Norrington'>Norrington</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ockeghem'>Ockeghem</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ogg'>Ogg</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Oistrakh%20Trio'>Oistrakh Trio</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Olejniczak'>Olejniczak</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Oliva'>Oliva</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Orff'>Orff</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ormandy'>Ormandy</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ortiz'>Ortiz</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ozawa'>Ozawa</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Padmore'>Padmore</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Palmer'>Palmer</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pandolfo'>Pandolfo</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Panzera'>Panzera</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pappano'>Pappano</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Paray'>Paray</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Parrott'>Parrott</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pavel%20Haas%20Quartet'>Pavel Haas Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pay'>Pay</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pears'>Pears</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Perahia'>Perahia</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/P%C3%A9r%C3%A8s'>P茅r猫s</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pergolesi'>Pergolesi</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Perl'>Perl</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Petrenko'>Petrenko</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Petri'>Petri</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Peyer'>Peyer</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Phantasm'>Phantasm</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Phillips'>Phillips</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pianca'>Pianca</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pickett'>Pickett</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pictures%20at%20an%20exhibition'>Pictures at an exhibition</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pierlot'>Pierlot</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pierot'>Pierot</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pinnock'>Pinnock</a> (9) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Piovano'>Piovano</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pletnev'>Pletnev</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pluhar'>Pluhar</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pogorelich'>Pogorelich</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pollini'>Pollini</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pons'>Pons</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pr%C3%A9gardien'>Pr茅gardien</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Preston'>Preston</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pretre'>Pretre</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Previn'>Previn</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pro%20Arte%20Quartet'>Pro Arte Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Puccini'>Puccini</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pugno'>Pugno</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Purcell'>Purcell</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Puyana'>Puyana</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Quasthoff'>Quasthoff</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Queyras'>Queyras</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rachmaninov'>Rachmaninov</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rana'>Rana</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rannou'>Rannou</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ratk%C3%B3'>Ratk贸</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rattle'>Rattle</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ravel'>Ravel</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Redel'>Redel</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Reiner'>Reiner</a> (7) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rescigno'>Rescigno</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rhorer'>Rhorer</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Richter%20K'>Richter K</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Richter%20S'>Richter S</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Riha'>Riha</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rilling'>Rilling</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rimsky%20Korsakov'>Rimsky Korsakov</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rincontro%20Quartet'>Rincontro Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rische'>Rische</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ristenpart'>Ristenpart</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rodrigo'>Rodrigo</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rogg'>Rogg</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Romero'>Romero</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rondeau'>Rondeau</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rooley'>Rooley</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rosbaud'>Rosbaud</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ross'>Ross</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rostropovich'>Rostropovich</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rotem'>Rotem</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Roth'>Roth</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rousset'>Rousset</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rowicki'>Rowicki</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rozhdestvensky'>Rozhdestvensky</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rubinstein'>Rubinstein</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rubio%20Quartet'>Rubio Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rudy'>Rudy</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Runnicles'>Runnicles</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ruud'>Ruud</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rysanov'>Rysanov</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Sabata'>Sabata</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Saint-Sa%C3%ABns'>Saint-Sa毛ns</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/S%C3%A1inz%20de%20la%20Maza'>S谩inz de la Maza</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Salomon%20String%20Quartet'>Salomon String Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Salonen'>Salonen</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Sanderling'>Sanderling</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Sardelli'>Sardelli</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Sargent'>Sargent</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/S%C3%A1rk%C3%B6zy'>S谩rk枚zy</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Satoh'>Satoh</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Sauer'>Sauer</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Savall'>Savall</a> (11) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Sch%C3%A4fer'>Sch盲fer</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Scharrer'>Scharrer</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Schatzberger'>Schatzberger</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Schellenberger'>Schellenberger</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Schepkin'>Schepkin</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Scherchen'>Scherchen</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Schiff'>Schiff</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Schippers'>Schippers</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Schnabel'>Schnabel</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Scholl'>Scholl</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Schoonderwoerd'>Schoonderwoerd</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Schornsheim'>Schornsheim</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Schreier'>Schreier</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Schubert'>Schubert</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Schumann'>Schumann</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Schwarz'>Schwarz</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Schwarzkopf'>Schwarzkopf</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Serkin'>Serkin</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Shaham'>Shaham</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Shifrin'>Shifrin</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Short'>Short</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Shostakovich'>Shostakovich</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Sh%C3%BCtz'>Sh眉tz</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Sibelius'>Sibelius</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Simonov'>Simonov</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Sinopoli'>Sinopoli</a> (6) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Siranossian'>Siranossian</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Slatkin'>Slatkin</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Smith'>Smith</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Soc%C3%ADas'>Soc铆as</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Sokolov'>Sokolov</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Soler'>Soler</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/S%C3%B6llscher'>S枚llscher</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Solomon'>Solomon</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Solti'>Solti</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Souzay'>Souzay</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Sp%C3%A1nyi'>Sp谩nyi</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Sparf'>Sparf</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Spinosi'>Spinosi</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/St.%20Petersburg%20Quartet'>St. Petersburg Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Stabat%20Mater'>Stabat Mater</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Staier'>Staier</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Standage'>Standage</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Starker'>Starker</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Steen'>Steen</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Steinberg'>Steinberg</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Stejskal'>Stejskal</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Stern%20Trio'>Stern Trio</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Stevens'>Stevens</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Stokowski'>Stokowski</a> (9) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Storck'>Storck</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Straram'>Straram</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Strauss'>Strauss</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Stravinsky'>Stravinsky</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Stubs'>Stubs</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Studer'>Studer</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Suihkonen'>Suihkonen</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Summerly'>Summerly</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Suzuki'>Suzuki</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Svetlanov'>Svetlanov</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Szell'>Szell</a> (8) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Tachezi'>Tachezi</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Tak%C3%A1cs%20Quartet'>Tak谩cs Quartet</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Talich'>Talich</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Tallis'>Tallis</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/T%C3%A1trai%20Quartet'>T谩trai Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Tchaikovsky'>Tchaikovsky</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Telemann'>Telemann</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Tennstedt'>Tennstedt</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/The%20Revolutionary%20Drawing%20Room'>The Revolutionary Drawing Room</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Thielemann'>Thielemann</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Thomson'>Thomson</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Tilson%20Thomas'>Tilson Thomas</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Tipo'>Tipo</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Tokyo'>Tokyo</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Tonnesen'>Tonnesen</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Tosca'>Tosca</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Toscanini'>Toscanini</a> (6) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Tourniaire'>Tourniaire</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Tureck'>Tureck</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Turner'>Turner</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Uchida'>Uchida</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ugorski'>Ugorski</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Van%20Dam'>Van Dam</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/van%20Stade'>van Stade</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/V%C3%A4nsk%C3%A4'>V盲nsk盲</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Vartolo'>Vartolo</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/V%C3%A1s%C3%A1ry'>V谩s谩ry</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Vaughan%20Williams'>Vaughan Williams</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/V%C3%A9gh'>V茅gh</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Velardi'>Velardi</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Vellard'>Vellard</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Venzago'>Venzago</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Verbruggen'>Verbruggen</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Vickers'>Vickers</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Victoria'>Victoria</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Videla'>Videla</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Vivaldi'>Vivaldi</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Wagner'>Wagner</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Walcha'>Walcha</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Walhberg'>Walhberg</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Walter'>Walter</a> (8) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Wand'>Wand</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Watillon'>Watillon</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Weil'>Weil</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Weimann'>Weimann</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Weiss'>Weiss</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Wenzinger'>Wenzinger</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Wickham'>Wickham</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Wild'>Wild</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Willcocks'>Willcocks</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Williams'>Williams</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Wilson'>Wilson</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Wispelwey'>Wispelwey</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Wit'>Wit</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Wunderlich'>Wunderlich</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Yepes'>Yepes</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Zacharias'>Zacharias</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Zander'>Zander</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Zapico'>Zapico</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Zimerman'>Zimerman</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Zinman'>Zinman</a> (1) </li> </ul> </noscript> <div class='clear'></div> </div> </div><div class='widget BlogArchive' data-version='1' id='BlogArchive2'> <h2>Archivo del blog</h2> <div class='widget-content'> <div id='ArchiveList'> <div id='BlogArchive2_ArchiveList'> <ul class='hierarchy'> <li class='archivedate expanded'> <a class='toggle' href='javascript:void(0)'> <span class='zippy toggle-open'> ▼  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2024/'> 2024 </a> <span class='post-count' dir='ltr'>(2)</span> <ul class='hierarchy'> <li class='archivedate expanded'> <a class='toggle' href='javascript:void(0)'> <span class='zippy toggle-open'> ▼  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2024/07/'> julio </a> <span class='post-count' dir='ltr'>(1)</span> <ul class='posts'> <li><a href='http://ipromesisposi.blogspot.com/2024/07/schumann-dichterliebe-remastered.html'>Schumann: Dichterliebe (remastered)</a></li> </ul> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2024/03/'> marzo </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2023/'> 2023 </a> <span class='post-count' dir='ltr'>(5)</span> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2023/12/'> diciembre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2023/08/'> agosto </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2023/06/'> junio </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2023/03/'> marzo </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2023/01/'> enero </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2022/'> 2022 </a> <span class='post-count' dir='ltr'>(7)</span> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2022/11/'> noviembre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2022/10/'> octubre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2022/09/'> septiembre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2022/05/'> mayo </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2022/04/'> abril </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2022/02/'> febrero </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2022/01/'> enero </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2021/'> 2021 </a> <span class='post-count' dir='ltr'>(7)</span> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2021/11/'> noviembre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2021/10/'> octubre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2021/07/'> julio </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2021/06/'> junio </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2021/05/'> mayo </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2021/03/'> marzo </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2021/02/'> febrero </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2020/'> 2020 </a> <span class='post-count' dir='ltr'>(6)</span> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2020/12/'> diciembre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2020/10/'> octubre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2020/09/'> septiembre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2020/04/'> abril </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2020/03/'> marzo </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2020/02/'> febrero </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2019/'> 2019 </a> <span class='post-count' dir='ltr'>(7)</span> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2019/12/'> diciembre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2019/10/'> octubre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2019/08/'> agosto </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2019/06/'> junio </a> <span class='post-count' dir='ltr'>(2)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2019/03/'> marzo </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2019/01/'> enero </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2018/'> 2018 </a> <span class='post-count' dir='ltr'>(6)</span> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2018/12/'> diciembre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2018/10/'> octubre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2018/07/'> julio </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2018/05/'> mayo </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2018/02/'> febrero </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2018/01/'> enero </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2017/'> 2017 </a> <span class='post-count' dir='ltr'>(5)</span> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2017/09/'> septiembre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2017/08/'> agosto </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2017/06/'> junio </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2017/05/'> mayo </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2017/03/'> marzo </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2016/'> 2016 </a> <span class='post-count' dir='ltr'>(6)</span> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2016/12/'> diciembre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2016/10/'> octubre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2016/07/'> julio </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2016/05/'> mayo </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2016/03/'> marzo </a> <span class='post-count' dir='ltr'>(2)</span> </li> </ul> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2015/'> 2015 </a> <span class='post-count' dir='ltr'>(7)</span> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2015/12/'> diciembre </a> <span class='post-count' dir='ltr'>(2)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2015/10/'> octubre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2015/08/'> agosto </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2015/06/'> junio </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2015/04/'> abril </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2015/02/'> febrero </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2014/'> 2014 </a> <span class='post-count' dir='ltr'>(5)</span> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2014/12/'> diciembre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2014/10/'> octubre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2014/08/'> agosto </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2014/06/'> junio </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2014/05/'> mayo </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2013/'> 2013 </a> <span class='post-count' dir='ltr'>(7)</span> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2013/11/'> noviembre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2013/10/'> octubre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2013/09/'> septiembre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2013/07/'> julio </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2013/04/'> abril </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2013/02/'> febrero </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2013/01/'> enero </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2012/'> 2012 </a> <span class='post-count' dir='ltr'>(7)</span> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2012/10/'> octubre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2012/09/'> septiembre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2012/07/'> julio </a> <span class='post-count' dir='ltr'>(2)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2012/06/'> junio </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2012/04/'> abril </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2012/01/'> enero </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2011/'> 2011 </a> <span class='post-count' dir='ltr'>(7)</span> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2011/11/'> noviembre </a> <span class='post-count' dir='ltr'>(2)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2011/09/'> septiembre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2011/07/'> julio </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2011/06/'> junio </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2011/04/'> abril </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2011/03/'> marzo </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2010/'> 2010 </a> <span class='post-count' dir='ltr'>(10)</span> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2010/12/'> diciembre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2010/11/'> noviembre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2010/10/'> octubre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2010/09/'> septiembre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2010/08/'> agosto </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2010/06/'> junio </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2010/05/'> mayo </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2010/04/'> abril </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2010/03/'> marzo </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2010/02/'> febrero </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2009/'> 2009 </a> <span class='post-count' dir='ltr'>(9)</span> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2009/11/'> noviembre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2009/10/'> octubre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2009/09/'> septiembre </a> <span class='post-count' dir='ltr'>(2)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2009/08/'> agosto </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2009/07/'> julio </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2009/04/'> abril </a> <span class='post-count' dir='ltr'>(2)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2009/03/'> marzo </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> </li> </ul> </div> </div> <div class='clear'></div> </div> </div><div class='widget BlogSearch' data-version='1' id='BlogSearch1'> <h2 class='title'>Buscar en este blog</h2> <div class='widget-content'> <div id='BlogSearch1_form'> <form action='http://ipromesisposi.blogspot.com/search' class='gsc-search-box' target='_top'> <table cellpadding='0' cellspacing='0' class='gsc-search-box'> <tbody> <tr> <td class='gsc-input'> <input autocomplete='off' class='gsc-input' name='q' size='10' title='search' type='text' value=''/> </td> <td class='gsc-search-button'> <input class='gsc-search-button' title='search' type='submit' value='Buscar'/> </td> </tr> </tbody> </table> </form> </div> </div> <div class='clear'></div> </div><div class='widget Image' data-version='1' id='Image2'> <h2>Please</h2> <div class='widget-content'> <img alt='Please' height='218' id='Image2_img' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5GH8kj_tT-MwruFaeSC2AHnTQyxJvd-63O66IMdJ3GZnF0ydkygjgtyJ2vw6guhflX8wJE-YPoURhUHojl7pwL3a02hGFgOIQH9ZFnYGOJGViHvuZbQbLJjxwRYionbhlR8X1-2-BDjs/s1600-r/keep-calm-and-seed-the-torrents.png' width='187'/> <br/> </div> <div class='clear'></div> </div><div class='widget BlogList' data-version='1' id='BlogList1'> <h2 class='title'>Lossless blogs</h2> <div class='widget-content'> <div class='blog-list-container' id='BlogList1_container'> <ul id='BlogList1_blogs'> <li style='display: block;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_vmuUOL57pt9n55ssXqTU2YQ0gbvPwTXyNSugWZ_lrSdsdGs0I4EGf0wG_8dQlaycRRXQQcvPU9urihqhdXnALPLfq-ybVp5SoMeZxb1DuRnRs=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='https://afinatusoidos.blogspot.com/' target='_blank'> afina tus oidos</a> </div> <div class='item-content'> <div class='item-thumbnail'> <a href='https://afinatusoidos.blogspot.com/' target='_blank'> <img alt='' border='0' height='72' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_7ZyxhRlV1NyBWDwMCmIVzUyTkQ8noh7EaYNILViI7c_Bw2c1QSUX58zduVzjiCd6sEZB_MS2smmb9xM_pzaFmnXGmxu5jDJGbz_-4fAI_fEexClk2hInfDKtVXu_xz6wzC4Imb2wGuobBWm35RXvxE433UKdBLcldyjXdii5Zv1izVnZBTG2ZIA8hoY/s72-w400-h400-c/JU%20PORTADA.jpg' width='72'/> </a> </div> <span class='item-title'> <a href='https://afinatusoidos.blogspot.com/2025/02/jurinac-sena-soprano.html' target='_blank'> Jurinac Sena Soprano </a> </span> - <span class='item-snippet'> CD. FLAC. </span> <div class='item-time'> Hace 16 minutos </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: block;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_vEMlBiDlhODn4sMocvupjYmGXctZ3S9qpHkxUaYAwCOeOzGZbIAARLauBLrZx3eC1mzS4sQCeMk8cKenPJyS6JP3O7-4Lbv2VOyA=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='https://susato.blogspot.com/' target='_blank'> Susato</a> </div> <div class='item-content'> <div class='item-thumbnail'> <a href='https://susato.blogspot.com/' target='_blank'> <img alt='' border='0' height='72' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5zj_qYSRg5UVx0c4BE5PEviKNX-RQ3ncHAShB9FTd14bUvW4f1WHSSoOyWr4-b_bBfMSL4wWA3y5vIWxkK_mhYAVIiJ0tmQ6LVsMJEZ_3znphDCp0CWrVwaLyHyU0iOhW0tc_T47xcT3_6rJ11KKxwDPaTFPoY0u0AIeGVfA79BHkSCDDsExFFOeHAq8/s72-c/Front.jpg' width='72'/> </a> </div> <span class='item-title'> <a href='https://susato.blogspot.com/2025/02/w-peterson-berger-frosoblomster.html' target='_blank'> W. Peterson-Berger: Fr枚s枚blomster </a> </span> - <span class='item-snippet'> Wilhelm Peterson-Berger (1867-1942) Fr枚s枚blomster • Fr枚s枚 Flowers & Other Pieces Int氓g i Sommarhagen N盲r r枚nnen blommar Danslek Vid Fr枚s枚 kyrka *Mat... </span> <div class='item-time'> Hace 33 minutos </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: block;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_sjF_z6qKfjMhFpYMwBdlwbWQvPQn8yJ7XKhEhqhfdu43f-Nh6MocuVJlHKzF8iLZPBzLflOFjKq1ePlODKZP-gBxSBkxzFw4Q2iKFf-a_rw_ZtAhu42w=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='https://ladiscotecaclasica.blogspot.com/' target='_blank'> La Discoteca Cl谩sica</a> </div> <div class='item-content'> <div class='item-thumbnail'> <a href='https://ladiscotecaclasica.blogspot.com/' target='_blank'> <img alt='' border='0' height='72' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXvFb4OV93BeRAFNaSB4o0Ofg_LOq5XUhwHs9Xoaoclc5WLayp9e73gAK_L4VhUu1o9aa1wJZDsZOAhVz1Cw6QDXALheZJjZSJ4qe3pcoXdoMjMihfSseWoV08kb48bQ5q7M7RAcRw4KYXTN0erpX-0gunpX9li5AREwzVsnf76LuiweYeKvXiJSLiN2DU/s72-c/cover.jpg' width='72'/> </a> </div> <span class='item-title'> <a href='https://ladiscotecaclasica.blogspot.com/2025/02/malcolm-arnold-symphonies-nos-1-and-2.html' target='_blank'> Malcolm Arnold - Symphonies Nos. 1 and 2 </a> </span> - <span class='item-snippet'> Malcolm ARNOLD (1921-2006)Symphony No.1, Op. 22Symphony No.2, Op.40London Symphony OrchestraRichard Hickox Recorded in All Saints' Church, Tooting, London,... </span> <div class='item-time'> Hace 1 hora </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: block;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_tHLCzB8vPppa1SI1L3luuDG5zf6lreWEM9Ejrn0jaaCggcn-SIFVExhgPoc7l9O7Lp0y-4YNuf1FW6q8dL7k9Cid_k1K2S6sViDpsxOzCIqUQ4URA=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='http://laureateconductor.blogspot.com/' target='_blank'> * * * Laureate Conductor(s) * * *</a> </div> <div class='item-content'> <div class='item-thumbnail'> <a href='http://laureateconductor.blogspot.com/' target='_blank'> <img alt='' border='0' height='72' src='https://blogger.googleusercontent.com/img/a/AVvXsEhUIYuvYm5eXO-XM7QEJCrLODu3liN4r58QmmAHC3Q97wjVnat4y7IfMUPM9hDnY75Nst93cK0svbkOdXPUhYq8vALxxpxFmgzZ2KzfT8eGFhdtLmffyE2uGDlakTbj-Ll7KafkxM3ziSc6zxRS4NBHqFnbjarEum2m4SCR3dnpXl5ma0lI1N0SpLx8s3w=s72-w527-h518-c' width='72'/> </a> </div> <span class='item-title'> <a href='http://laureateconductor.blogspot.com/2025/02/strauss-mendelssohn-mitropoulos.html' target='_blank'> Strauss, Mendelssohn - Mitropoulos </a> </span> - <span class='item-snippet'> Here another long time out of print CD in a new rip. The mid-price "Virtuoso" label didn't have a long life, but in the late 1980s recovered several ... </span> <div class='item-time'> Hace 3 d铆as </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: block;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_vV5su_Sci9GKMRtIRZXWv7taMH9mB5x7OuDttSjzi9wIvNKdQQvjbiu96t0T1Wl-6MEVfEoYUER7kV-itS_kQ4N-1YY47oo5BO4oazdTNKrWVP=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='https://meetinginmusic.blogspot.com/' target='_blank'> Meeting in Music</a> </div> <div class='item-content'> <div class='item-thumbnail'> <a href='https://meetinginmusic.blogspot.com/' target='_blank'> <img alt='' border='0' height='72' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj46y4PXz8AlSx8yaRaT30IlqRVKnFVIXIf-jrWhW7iV78cqaPQlZDX5AjwpdfMPn3_6rssapljEdi7Rp9WwT1Z_1zGCipRztDSAizvMVvqg8yXJQU4KInX4_Xmhh4tX310BifM6AtoIquCkuMDhj4FsXYGW0FhnZrH7mVhtUFA_K794j5tp46X-GGxVYo/s72-w200-h200-c/P%C3%B6ssinger%20-%20Drei%20Duos%20f%C3%BCr%20Violine%20und%20Viola,%20Op.4.jpg' width='72'/> </a> </div> <span class='item-title'> <a href='https://meetinginmusic.blogspot.com/2025/02/possinger-three-duos-for-violin-and.html' target='_blank'> P枚ssinger: Three Duos for Violin and Viola, Op. 4 (Katja Gr眉ttner, Christian Goosses) </a> </span> - <span class='item-snippet'> *Franz Alexander P枚ssinger (1766-1827)* Duo No. 1 in E-flat major Duo No. 2 in F major Duo No. 3 in B minor Katja Gr眉ttner, Christian Goosses (Period Instru... </span> <div class='item-time'> Hace 5 d铆as </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: none;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_vHAJ6eW9OohcHCOavaOQfm2TT1OpdNyKxo4DxtwHnE5cO6OYW7rCGwuS1RtIsCUeaFBBTVohX0szXX2uAPigf2JpaSFVrg7pdB1fwPRFvlsrXY=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='http://themusicparlour.blogspot.com/' target='_blank'> The Music Parlour</a> </div> <div class='item-content'> <span class='item-title'> <a href='https://themusicparlour.blogspot.com/2025/02/2448-zubin-mehta-los-angeles-po-varese.html' target='_blank'> </a> </span> - <span class='item-snippet'> </span> <div class='item-time'> Hace 5 d铆as </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: none;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_ui5nXClNEVk3mc9HedYeZB3bQaRpdiAO9-yXlWNEUsKZ-fUTjBlQUP__DyMfIzpdC6VPfW6Kd5QLI-HXox3rU7I7BANgX3NLxna5LeNiiQau1K4qw=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='https://classicalmjourney.blogspot.com/' target='_blank'> Magical Journey</a> </div> <div class='item-content'> <div class='item-thumbnail'> <a href='https://classicalmjourney.blogspot.com/' target='_blank'> <img alt='' border='0' height='72' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht2FipZnNgeIr3B4JarGZz_x1Oxt_Raj8iUmn-4ctC1LEVTFBS7NsezxIKOfKdmqMAQMKDDUElmVPyuv5yJ-B9o_IbJcNC8khZOuzRD5OLGBv1qgrNO6nXHBzKUsssTkpeeq5Gh5q1lSJt5zvIyHdBkmJDla_RcPaSWurNK2Y0EpWzz3ioP2sZV55YhPmm/s72-w400-h400-c/cover.jpg' width='72'/> </a> </div> <span class='item-title'> <a href='https://classicalmjourney.blogspot.com/2024/05/fazil-say-flute-concerto-bulent-evcil.html' target='_blank'> Fazil Say - Flute Concerto (B眉lent Evcil) </a> </span> - <span class='item-snippet'> *Information* Composer: *Fazil Say* - Concerto for Flute and Orchestra Op. 76 *B眉lent Evcil*, flute Camerata Salzburg Nil Venditti, conductor Date... </span> <div class='item-time'> Hace 9 meses </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: none;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_sU99yHobPAvriRMtqOy3xCbSFSWmTPQ1Ho1ryXeW9ZaECKOBoE68VXojhHdWYJ_-bDu2yKdSlYGDFFYzwHlTFk48mAEvwNM-mBBqEB7TZfnYx8baaYMw=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='https://ipromesisposiblog.wordpress.com' target='_blank'> ipromesisposi</a> </div> <div class='item-content'> <span class='item-title'> <a href='https://ipromesisposiblog.wordpress.com/2024/03/15/bach-conciertos-de-brandenburgo/' target='_blank'> Bach: Conciertos de Brandenburgo </a> </span> - <span class='item-snippet'> Los Concerts avec plusiers instruments fueron dedicados (y bellamente caligrafiados en un florido franc茅s) por J.S. Bach en 1721 al Margrave de Brandenburg... </span> <div class='item-time'> Hace 11 meses </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: none;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_s721BIxV3Nnnz9daL-pe1XfAZqKXxq0KFEZsbSxTVi3N72hpJso5GVtLGvGrMiD_gef00fJypPeaY1AKIt7k-JtmTVZZURAjl36PTaqiKKMMCj6qw=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='https://lamusicadermusik.blogspot.com/' target='_blank'> La Guitarra</a> </div> <div class='item-content'> <div class='item-thumbnail'> <a href='https://lamusicadermusik.blogspot.com/' target='_blank'> <img alt='' border='0' height='72' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpn09xmvxmTddT3TR2wZOlCkc5GkYGkLxwX8qx9b5H8n3vTcYjzXYr8baGTLITZQYkdjZq4B3Yfv2553U1U1ozGDMPh064F08vxoc0c8EVccvzYGwbJdiJCjLtW5aTXZJexsQedaa3xw-KGZGX2eW3YBgcOmgk-d0KIwNp8B1B9DYEdTZYm3UqKSZtKg/s72-w640-h640-c/cover.jpg' width='72'/> </a> </div> <span class='item-title'> <a href='https://lamusicadermusik.blogspot.com/2023/02/the-leaves-be-green-vida-guitar-quartet.html' target='_blank'> The Leaves Be Green - Vida Guitar Quartet </a> </span> - <span class='item-snippet'> *Ralph Vaughan Williams (1872-1958)* 01 - English Folk Song Suite I. March Seventeen Come Sunday 02 - English Folk Song Suite II. Intermezzo My Bonny Boy ... </span> <div class='item-time'> Hace 2 a帽os </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: none;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_vh5ZoZob_isKMdqsrU8aW8EAZDeEN7QTGqVebcMxFKklZwIGii4eIQswCR1hzQC1rb1XIY48yIMBPhv7ZhvyC8_jChgkpDxVCeSDdXM0OXuzY=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='https://intempusmusica.blogspot.com/' target='_blank'> Mvsica Laetitiae Comes Medicina Dolorvm</a> </div> <div class='item-content'> <div class='item-thumbnail'> <a href='https://intempusmusica.blogspot.com/' target='_blank'> <img alt='' border='0' height='72' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1ds2hn5sssHt-SuTEoqHLScr4H7EG9iR9NBr_jQ0GD0BDtjDh7iMmbYTFF8heaE-9ny53l1C0OGYsbpZg1Vza-V1jkRGmvxNAQFVfqNKZbfyJHC7hov9UuTNQ3I7LHdDO9jMv__QD4pr1YSCcj2JUD6lMJpYv4vbXdYXOmF3sOMdgRE0_TkXuU6wClA/s72-w400-h400-c/cover.jpg' width='72'/> </a> </div> <span class='item-title'> <a href='https://intempusmusica.blogspot.com/2023/01/german-baroque-oboe-sonatas-benoit.html' target='_blank'> German Baroque Oboe Sonatas - Beno卯t Laurent, Lingua Franca </a> </span> - <span class='item-snippet'> Leer m谩s » </span> <div class='item-time'> Hace 2 a帽os </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: none;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_t8OYQuIv06X71aKcNN7FbBYOc9ceOoIoMuKFCT2qPSoQKie2LR7PlMrzbB6MN1UxqKTmBzDKpbPppETxpffpwxAILnPLtb4KoKYUPeDnFIJhHbnsfyvF1ldA=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='https://paulmichaelvonganski.wordpress.com' target='_blank'> Paul Michael von Ganski's Record Club</a> </div> <div class='item-content'> <span class='item-title'> <a href='https://paulmichaelvonganski.wordpress.com/2022/06/20/albert-spalding-beethoven/' target='_blank'> Albert Spalding * Beethoven </a> </span> - <span class='item-snippet'> BEETHOVEN – Violin Concerto In D Major Opus 61 I.Allegro Ma Non Troppo II. Larghetto III. Finale, Rondo Albert Spalding, Austrian Symphony Orchestra, Wilhe... </span> <div class='item-time'> Hace 2 a帽os </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: none;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_tJvI1Wbt-lR5fFwmEzGprWBiz8_30vVgGx9qQzIjCZR1Wpu_GTuihNUCo2DZEnyeRqKVxEb72gfSDA_6vDENOQ6xCfYVpY3vB3z_0d2JWGYnWXXFc=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='http://bayreuthclassical.blogspot.com/' target='_blank'> bayreuth's classical music resources</a> </div> <div class='item-content'> <div class='item-thumbnail'> <a href='http://bayreuthclassical.blogspot.com/' target='_blank'> <img alt='' border='0' height='72' src='https://1.bp.blogspot.com/-yQrZgP2uiXI/YQy1RSt4omI/AAAAAAAAC7I/yyOAgIGQAiwCtTFFhOXG03yvdO4K9lzTwCLcBGAsYHQ/s72-c/cover.jpg' width='72'/> </a> </div> <span class='item-title'> <a href='http://bayreuthclassical.blogspot.com/2021/08/vpo-orchestra-edition-decca-65cd.html' target='_blank'> VPO The orchestra edition DECCA 65CD </a> </span> - <span class='item-snippet'> </span> <div class='item-time'> Hace 3 a帽os </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: none;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_scYsByINBidDrb9YlePaq_4Ryke6h0Hlybd8wdcaCAieB-pu3EsGa9uQ4CqDwQXCkbEJ8HNYZfcZPRotahx1XMI0YfDVUfVtqf4Sg=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='http://makdelart.blogspot.com/' target='_blank'> makdelart - classique</a> </div> <div class='item-content'> <div class='item-thumbnail'> <a href='http://makdelart.blogspot.com/' target='_blank'> <img alt='' border='0' height='72' src='https://1.bp.blogspot.com/-ZLixftnHfMo/YAM2Qlb1WmI/AAAAAAAAHyk/IIzceo9MXbYvZZy2Sz_3QygTff9YreuSQCLcBGAsYHQ/s72-c/DG111-ThePiano-box-front.jpg' width='72'/> </a> </div> <span class='item-title'> <a href='http://makdelart.blogspot.com/2021/06/dg-111-piano-legendary-recordings-va.html' target='_blank'> DG 111 THE PIANO. Legendary Recordings (VA, 40CDs) (2015)[boxset] </a> </span> - <span class='item-snippet'> 111 YEARS OF DEUTSCHE GRAMMOPHONTHE PIANO - Legendary Recordings 40CDs boxset Edition: DG 2015 </span> <div class='item-time'> Hace 3 a帽os </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: none;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_vHC2gu7F3BW_WlmN0TE6AjR5zhMbGRIUd-iLgPJWCgxyFx7zKeFn1k4nh7i5u-J8G7Cp8ZxUTGMJXEJv74xCOCSi5bgDDPbIqGCTU=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='https://juliosbv.blogspot.com/' target='_blank'> Sentidos</a> </div> <div class='item-content'> <div class='item-thumbnail'> <a href='https://juliosbv.blogspot.com/' target='_blank'> <img alt='' border='0' height='72' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifzj-IhgnwVMsUqkMt4OXdD93Me8eopQBMhuhBbU3iWRsp0Kq_A1dKFeIblI9sXkUadSAIzolMcmV9errn5uCqVbdfRa8XAA1_h96En9UoMX6RCBjs7D6wkhuerCu9AMNRi1IWP2Qa5Qo7/s72-w400-h393-c/Scriabin+-+Sinf.+n%25C2%25BA+3+-+Golovschin+-+Port.jpg' width='72'/> </a> </div> <span class='item-title'> <a href='https://juliosbv.blogspot.com/2021/05/scriabin-sinfonia-n-3-el-poema-divino.html' target='_blank'> Scriabin. Sinfon铆a n潞 3 "El Poema Divino". El Poema del 脡xtasis. Golovschin. Orquesta Sinf贸nica de Mosc煤. 1995. </a> </span> - <span class='item-snippet'> Queridos amigos retomamos las entregas de las obras sinf贸nicas del grand铆simo genio musical Scriabin. Hoy dejamos dos obras verdaderamente bellas y mu... </span> <div class='item-time'> Hace 3 a帽os </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: none;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_tCx06-rFgRFFGqnVTo6OHjWQsbRCdBjpPsV7LJhpOWSMocR1Nuni5vOxmcZedlAEXKAJUjiYoypOSJMGlxdT87lNY8aKWYrO-ZNDxwi-iyRdVOTQ=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='http://kammermusikkammer.blogspot.com/' target='_blank'> Kammermusikkammer</a> </div> <div class='item-content'> <div class='item-thumbnail'> <a href='http://kammermusikkammer.blogspot.com/' target='_blank'> <img alt='' border='0' height='72' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPPDIFycG6oOaswyBfoKTByI1IyfeUpgwixdAxFO7SRwoOpvxoAbvjxY4mhV2wrlSDDaLnC6BCQEOZdVL8ZUMs6PimG2L_QgnlU7gzIiTXKjDyqCvbwwIL5h6n8pk3MFoZqJ1RquY9Vkc/s72-c/Cover.jpg' width='72'/> </a> </div> <span class='item-title'> <a href='http://kammermusikkammer.blogspot.com/2020/02/pierre-boulez-polyphonie-x-poesie-pour.html' target='_blank'> Pierre Boulez: Polyphonie X | Po茅sie pour pouvoir | Structures II </a> </span> - <span class='item-snippet'> W盲re es nach dem Willen seines Vaters gegangen, w盲re der 1925 in Montbrison an der Loire geborene Pierre Boulez nie Musiker geworden, sondern h盲tte nach ... </span> <div class='item-time'> Hace 5 a帽os </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: none;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_tNJTzPzranGv_dgiaHDrxnCo7oACdf4o3SdxwfwUDyDS68ro6nmWNlFY1nY74NFjBYn6TK6g8jZPYLL0iaVF0mfTFCMfXTI5dTFQ=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='http://vonworse.blogspot.com/' target='_blank'> Don Eviltor</a> </div> <div class='item-content'> <span class='item-title'> <a href='http://vonworse.blogspot.com/2020/01/turandot-tanto-amore-segreto.html' target='_blank'> Turandot: "Tanto amore segreto" </a> </span> - <span class='item-snippet'> *Cari amici,* No trecho musical de hoje, percebemos que n茫o se pode subestimar o papel de Li霉 em Turandot e cant谩-lo n茫o 茅 uma tarefa f... </span> <div class='item-time'> Hace 5 a帽os </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: none;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_ur71q4oO49A0ozy03osIXtnW6hya8c6gAclEqpDg9NUCTjQj3YrCCE1j2yAOA-Gy8S8nXyVC8oFCyAgsMSDvJipTcriHFx0VrAcd3dWQ=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='https://odeonmusic.blogspot.com/' target='_blank'> Odeon</a> </div> <div class='item-content'> <div class='item-thumbnail'> <a href='https://odeonmusic.blogspot.com/' target='_blank'> <img alt='' border='0' height='72' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw1YjBR2_-oe6SdcFSCaiCDmGICqffeTddWWmw2mF2Eh81ThN7nrJZL3oHz7YeR6rnvl3mODUnyTBPa4PsvKKouSP4-LpvoCChWKyWLM8bQjzxLRzLgE6sA1OoVAAlSpJ-5MtAcLNo5C5M/s72-c/front.jpg' width='72'/> </a> </div> <span class='item-title'> <a href='https://odeonmusic.blogspot.com/2015/04/haydn-revisited-music-for-flute-and.html' target='_blank'> 'Haydn revisited' music for Flute and Strings – The Galeazzi Ensemble </a> </span> - <span class='item-snippet'> Joseph Aloys Schmittbauer (1718-1809): Divertimento in A major for flute quartet (published under Haydn's name) Joseph Haydn (1732-1809): Flute quartet i... </span> <div class='item-time'> Hace 9 a帽os </div> </div> </div> <div style='clear: both;'></div> </li> </ul> <div class='show-option'> <span id='BlogList1_show-n' style='display: none;'> <a href='javascript:void(0)' onclick='return false;'> Mostrar 5 </a> </span> <span id='BlogList1_show-all' style='margin-left: 5px;'> <a href='javascript:void(0)' onclick='return false;'> Mostrar todo </a> </span> </div> <div class='clear'></div> </div> </div> </div><div class='widget LinkList' data-version='1' id='LinkList1'> <h2>Links to Lossless music</h2> <div class='widget-content'> <ul> <li><a href='http://intoclassics.net/'>Intoclassics</a></li> <li><a href='http://www.rutracker.org/'>Rutracker</a></li> </ul> <div class='clear'></div> </div> </div></div> </div>  <div class='clear'> </div> </div>  <div id='footer-wrapper'> <div class='footer no-items section' id='footer'></div> </div> </div></div>  <script type="text/javascript" src="https://www.blogger.com/static/v1/widgets/2725212210-widgets.js"></script> <script type='text/javascript'> window['__wavt'] = 'AOuZoY4U1d3OWp59jZQtXksvPKdCTuAD0A:1740658446547';_WidgetManager._Init('//www.blogger.com/rearrange?blogID\x3d5357880801358495252','//ipromesisposi.blogspot.com/search/label/Davis','5357880801358495252'); _WidgetManager._SetDataContext([{'name': 'blog', 'data': {'blogId': '5357880801358495252', 'title': 'Ipromesisposi', 'url': 'http://ipromesisposi.blogspot.com/search/label/Davis', 'canonicalUrl': 'http://ipromesisposi.blogspot.com/search/label/Davis', 'homepageUrl': 'http://ipromesisposi.blogspot.com/', 'searchUrl': 'http://ipromesisposi.blogspot.com/search', 'canonicalHomepageUrl': 'http://ipromesisposi.blogspot.com/', 'blogspotFaviconUrl': 'http://ipromesisposi.blogspot.com/favicon.ico', 'bloggerUrl': 'https://www.blogger.com', 'hasCustomDomain': false, 'httpsEnabled': true, 'enabledCommentProfileImages': true, 'gPlusViewType': 'FILTERED_POSTMOD', 'adultContent': false, 'analyticsAccountNumber': '', 'encoding': 'UTF-8', 'locale': 'es', 'localeUnderscoreDelimited': 'es', 'languageDirection': 'ltr', 'isPrivate': false, 'isMobile': false, 'isMobileRequest': false, 'mobileClass': '', 'isPrivateBlog': false, 'isDynamicViewsAvailable': true, 'feedLinks': '\x3clink rel\x3d\x22alternate\x22 type\x3d\x22application/atom+xml\x22 title\x3d\x22Ipromesisposi - Atom\x22 href\x3d\x22http://ipromesisposi.blogspot.com/feeds/posts/default\x22 /\x3e\n\x3clink rel\x3d\x22alternate\x22 type\x3d\x22application/rss+xml\x22 title\x3d\x22Ipromesisposi - RSS\x22 href\x3d\x22http://ipromesisposi.blogspot.com/feeds/posts/default?alt\x3drss\x22 /\x3e\n\x3clink rel\x3d\x22service.post\x22 type\x3d\x22application/atom+xml\x22 title\x3d\x22Ipromesisposi - Atom\x22 href\x3d\x22https://www.blogger.com/feeds/5357880801358495252/posts/default\x22 /\x3e\n', 'meTag': '\x3clink rel\x3d\x22me\x22 href\x3d\x22https://www.blogger.com/profile/09356673178960485145\x22 /\x3e\n', 'adsenseHostId': 'ca-host-pub-1556223355139109', 'adsenseHasAds': false, 'adsenseAutoAds': false, 'boqCommentIframeForm': true, 'loginRedirectParam': '', 'view': '', 'dynamicViewsCommentsSrc': '//www.blogblog.com/dynamicviews/4224c15c4e7c9321/js/comments.js', 'dynamicViewsScriptSrc': '//www.blogblog.com/dynamicviews/74cfe181c1bbb7a1', 'plusOneApiSrc': 'https://apis.google.com/js/platform.js', 'disableGComments': true, 'interstitialAccepted': false, 'sharing': {'platforms': [{'name': 'Obtener enlace', 'key': 'link', 'shareMessage': 'Obtener enlace', 'target': ''}, {'name': 'Facebook', 'key': 'facebook', 'shareMessage': 'Compartir en Facebook', 'target': 'facebook'}, {'name': 'Escribe un blog', 'key': 'blogThis', 'shareMessage': 'Escribe un blog', 'target': 'blog'}, {'name': 'X', 'key': 'twitter', 'shareMessage': 'Compartir en X', 'target': 'twitter'}, {'name': 'Pinterest', 'key': 'pinterest', 'shareMessage': 'Compartir en Pinterest', 'target': 'pinterest'}, {'name': 'Correo electr\xf3nico', 'key': 'email', 'shareMessage': 'Correo electr\xf3nico', 'target': 'email'}], 'disableGooglePlus': true, 'googlePlusShareButtonWidth': 0, 'googlePlusBootstrap': '\x3cscript type\x3d\x22text/javascript\x22\x3ewindow.___gcfg \x3d {\x27lang\x27: \x27es\x27};\x3c/script\x3e'}, 'hasCustomJumpLinkMessage': false, 'jumpLinkMessage': 'Leer m\xe1s', 'pageType': 'index', 'searchLabel': 'Davis', 'pageName': 'Davis', 'pageTitle': 'Ipromesisposi: Davis'}}, {'name': 'features', 'data': {}}, {'name': 'messages', 'data': {'edit': 'Editar', 'linkCopiedToClipboard': 'El enlace se ha copiado en el Portapapeles.', 'ok': 'Aceptar', 'postLink': 'Enlace de la entrada'}}, {'name': 'template', 'data': {'name': 'custom', 'localizedName': 'Personalizado', 'isResponsive': false, 'isAlternateRendering': false, 'isCustom': true}}, {'name': 'view', 'data': {'classic': {'name': 'classic', 'url': '?view\x3dclassic'}, 'flipcard': {'name': 'flipcard', 'url': '?view\x3dflipcard'}, 'magazine': {'name': 'magazine', 'url': '?view\x3dmagazine'}, 'mosaic': {'name': 'mosaic', 'url': '?view\x3dmosaic'}, 'sidebar': {'name': 'sidebar', 'url': '?view\x3dsidebar'}, 'snapshot': {'name': 'snapshot', 'url': '?view\x3dsnapshot'}, 'timeslide': {'name': 'timeslide', 'url': '?view\x3dtimeslide'}, 'isMobile': false, 'title': 'Ipromesisposi', 'description': 'Comprender la diferencia en lugar de combatirla', 'url': 'http://ipromesisposi.blogspot.com/search/label/Davis', 'type': 'feed', 'isSingleItem': false, 'isMultipleItems': true, 'isError': false, 'isPage': false, 'isPost': false, 'isHomepage': false, 'isArchive': false, 'isSearch': true, 'isLabelSearch': true, 'search': {'label': 'Davis', 'resultsMessage': 'Mostrando las entradas con la etiqueta Davis', 'resultsMessageHtml': 'Mostrando las entradas etiquetadas como \x3cspan class\x3d\x27search-label\x27\x3eDavis\x3c/span\x3e'}}}]); _WidgetManager._RegisterWidget('_NavbarView', new _WidgetInfo('Navbar1', 'navbar', document.getElementById('Navbar1'), {}, 'displayModeFull')); _WidgetManager._RegisterWidget('_HeaderView', new _WidgetInfo('Header1', 'header', document.getElementById('Header1'), {}, 'displayModeFull')); _WidgetManager._RegisterWidget('_BlogView', new _WidgetInfo('Blog1', 'main', document.getElementById('Blog1'), {'cmtInteractionsEnabled': false, 'navMessage': 'Mostrando entradas con la etiqueta \x3cb\x3eDavis\x3c/b\x3e. \x3ca href\x3d\x22http://ipromesisposi.blogspot.com/\x22\x3eMostrar todas las entradas\x3c/a\x3e', 'lightboxEnabled': true, 'lightboxModuleUrl': 'https://www.blogger.com/static/v1/jsbin/3909269434-lbx__es.js', 'lightboxCssUrl': 'https://www.blogger.com/static/v1/v-css/1964470060-lightbox_bundle.css'}, 'displayModeFull')); _WidgetManager._RegisterWidget('_TextView', new _WidgetInfo('Text1', 'sidebar', document.getElementById('Text1'), {}, 'displayModeFull')); _WidgetManager._RegisterWidget('_ProfileView', new _WidgetInfo('Profile2', 'sidebar', document.getElementById('Profile2'), {}, 'displayModeFull')); _WidgetManager._RegisterWidget('_ImageView', new _WidgetInfo('Image1', 'sidebar', document.getElementById('Image1'), {'resize': false}, 'displayModeFull')); _WidgetManager._RegisterWidget('_StatsView', new _WidgetInfo('Stats1', 'sidebar', document.getElementById('Stats1'), {'title': 'Una celebraci\xf3n de dispares (e irreconciliables) interpretaciones', 'showGraphicalCounter': true, 'showAnimatedCounter': false, 'showSparkline': false, 'statsUrl': '//ipromesisposi.blogspot.com/b/stats?style\x3dBLACK_TRANSPARENT\x26timeRange\x3dALL_TIME\x26token\x3dAPq4FmD7AQjYoopMZ8ORnASmqn9v5NwukRgfcxeBkwdiG30_3Siq1xCIQxaOgU0jqmY1rXvEAp1l3jnKHEPld2goMLYCbmDmjw'}, 'displayModeFull')); _WidgetManager._RegisterWidget('_SubscribeView', new _WidgetInfo('Subscribe1', 'sidebar', document.getElementById('Subscribe1'), {}, 'displayModeFull')); _WidgetManager._RegisterWidget('_LabelView', new _WidgetInfo('Label1', 'sidebar', document.getElementById('Label1'), {}, 'displayModeFull')); _WidgetManager._RegisterWidget('_BlogArchiveView', new _WidgetInfo('BlogArchive2', 'sidebar', document.getElementById('BlogArchive2'), {'languageDirection': 'ltr', 'loadingMessage': 'Cargando\x26hellip;'}, 'displayModeFull')); _WidgetManager._RegisterWidget('_BlogSearchView', new _WidgetInfo('BlogSearch1', 'sidebar', document.getElementById('BlogSearch1'), {}, 'displayModeFull')); _WidgetManager._RegisterWidget('_ImageView', new _WidgetInfo('Image2', 'sidebar', document.getElementById('Image2'), {'resize': true}, 'displayModeFull')); _WidgetManager._RegisterWidget('_BlogListView', new _WidgetInfo('BlogList1', 'sidebar', document.getElementById('BlogList1'), {'numItemsToShow': 5, 'totalItems': 17}, 'displayModeFull')); _WidgetManager._RegisterWidget('_LinkListView', new _WidgetInfo('LinkList1', 'sidebar', document.getElementById('LinkList1'), {}, 'displayModeFull')); </script> </body> </html>