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2012. The Uprising: On Poetry and Finance. Los Angeles/ Cambridge: Semiotext(e)/MIT Press.\r\n\r\nCrary, Jonathan. 2013. 24/7: Late Capitalism and the Ends of Sleep. London/New York: Verso.\r\n\r\nHarvey, David. 2013. Rebel Cities: From the Right to the City to the Urban Revolution. 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The Uprising: On Poetry and Finance. Los Angeles/ Cambridge: Semiotext(e)/MIT Press. Crary, Jonathan. 2013. 24/7: Late Capitalism and the Ends of Sleep. London/New York: Verso. Harvey, David. 2013. Rebel Cities: From the Right to the City to the Urban Revolution. London/New York: Verso."</p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":33401713,"attachmentType":"pdf","workUrl":"https://www.academia.edu/6672031/Writing_Resistance_Sleeplessness_Poetry_and_the_Right_to_the_City_under_Financial_Capitalism_Review_Essay_"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":33401713,"attachmentType":"pdf","workUrl":"https://www.academia.edu/6672031/Writing_Resistance_Sleeplessness_Poetry_and_the_Right_to_the_City_under_Financial_Capitalism_Review_Essay_"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div></div><div data-auto_select="false" data-client_id="331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b" data-doc_id="33401713" data-landing_url="https://www.academia.edu/6672031/Writing_Resistance_Sleeplessness_Poetry_and_the_Right_to_the_City_under_Financial_Capitalism_Review_Essay_" data-login_uri="https://www.academia.edu/registrations/google_one_tap" data-moment_callback="onGoogleOneTapEvent" id="g_id_onload"></div><div class="ds-top-related-works--grid-container"><div class="ds-related-content--container ds-top-related-works--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="0" data-entity-id="3279673" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/3279673/_2013_Work_Capitalism_Economics_Resistance_Book_Review_">[2013] Work: Capitalism. Economics. Resistance [Book Review] </a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="885766" href="https://uc.academia.edu/Loadenthal">Michael Loadenthal</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Unrest Magazine [Issue 8], 2013</p><p class="ds-related-work--abstract ds2-5-body-sm">CrimethInc.’s 2011 book, Work: Capitalism. Economics. 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Minor changes will appear in the print version of the essay. This chapter examines the relationship between contemporary North American poetry and finance capital. Following in the footsteps of Theodor Adorno’s essay, “On Lyric Poetry and Society,” it asks how lyric poetry’s experiments with language, affect, and subjectivity constitute a critique of capitalist society. It argues that this critical power comes from grappling with the entanglements between financial abstraction and social life. Pace Franco Berardi, contemporary poetry does not champion concrete, sensuous life against abstraction. Instead, it works with abstraction, seeking the possibility of critical autonomy not outside of financialized society but within its conditions. Contemporary poetry thus deals with the biopolitics of finance, or the way in which financial abstraction becomes lived experience and embodied subjectivity. 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