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if ('archive_analytics' in window) { archive_analytics.service = 'blog'; archive_analytics.send_pageview_on_load({}); archive_analytics.process_url_events(window.location); } </script> <meta name="monetization" content="$ilp.uphold.com/D7BwPKMQzBiD"> </head> <body class="archive category category-audio-archive category-4 wp-embed-responsive qi-blocks-1.3.5 qodef-gutenberg--no-touch tribe-no-js custom-font-enabled"> <div id="page" class="hfeed site"> <header id="masthead" class="site-header" role="banner"> <hgroup> <h1 class="site-title"><a href="https://blog.archive.org/" title="Internet Archive Blogs" rel="home">Internet Archive Blogs</a></h1> <h2 class="site-description">A blog from the team at archive.org</h2> </hgroup> <nav id="site-navigation" class="main-navigation" role="navigation"> <button class="menu-toggle">Menu</button> <a class="assistive-text" href="#content" title="Skip to content">Skip to content</a> <div class="menu-menu-container"><ul id="menu-menu" class="nav-menu"><li id="menu-item-7707" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-home menu-item-7707"><a href="https://blog.archive.org">Blog</a></li> <li id="menu-item-3417" class="menu-item menu-item-type-taxonomy menu-item-object-category menu-item-3417"><a href="https://blog.archive.org/category/announcements/">Announcements</a></li> <li id="menu-item-3422" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-3422"><a href="https://archive.org">archive.org</a></li> <li id="menu-item-3421" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-3421"><a href="https://blog.archive.org/about/">About</a></li> <li id="menu-item-26197" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-26197"><a href="https://blog.archive.org/events/">Events</a></li> <li id="menu-item-8100" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-8100"><a href="https://blog.archive.org/developers/">Developers</a></li> <li id="menu-item-15172" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-15172"><a href="http://archive.org/donate">Donate</a></li> </ul></div> </nav> </header> <div id="main" class="wrapper"> <section id="primary" class="site-content"> <div id="content" role="main"> <header class="archive-header"> <h1 class="archive-title"> Category Archives: <span>Audio Archive</span> </h1> </header> <article id="post-28511" class="post-28511 post type-post status-publish format-standard hentry category-audio-archive category-news tag-audiobooks tag-librivox"> <header class="entry-header"> <h1 class="entry-title"> <a href="https://blog.archive.org/2025/03/10/public-domain-spotlight-librivox/" rel="bookmark">Public Domain Spotlight: LibriVox</a> </h1> <div class="entry-byline"> Posted on <a href="https://blog.archive.org/2025/03/10/public-domain-spotlight-librivox/" title="10:08 pm" rel="bookmark"><time class="entry-date" datetime="2025-03-10T22:08:13+00:00">March 10, 2025</time></a><span class="by-author"> by <span class="author vcard"><a class="url fn n" href="https://blog.archive.org/author/seand/" title="View all posts by Sean Dudley" rel="author">Sean Dudley</a></span></span> </div> </header> <div class="entry-content"> <figure class="wp-block-image size-large"><img decoding="async" src="https://ia601806.us.archive.org/23/items/librivox_20250310_collage/Librivox%20%281%29.png" alt=""/></figure> <p>Access to cultural heritage is not a luxury; it’s a necessity. Founded in 2005, <a href="https://librivox.org/">LibriVox</a> stands out as a crucial resource, ensuring that our cultural heritage is freely and openly accessible. With its mission “To make all books in the public domain available, narrated by real people and distributed for free, in audio format on the internet,” LibriVox brings thousands of texts to modern audiences in audio form. The site operates on a volunteer basis, with community members dedicating time to record and independently publish these works. Each audiobook is dedicated to the public domain upon publication, reinforcing free and unrestricted access to our cultural heritage and history.</p> <p>LibriVox’s open structure supports preservation and accessibility. All of the recordings from the site cost nothing, have no limitations on listening time, and are devoid of DRM with the availability to download and keep forever. These positives are especially crucial as more aspects of our digital lives come under tighter corporate controls. The Internet Archive also serves and preserves the digital files in partnership with LibriVox and its community. We host a <a href="https://archive.org/details/librivoxaudio?tab=collection&query=pooh">LibriVox collection</a> full of audios, ensuring these adaptations are accessible.</p> <iframe src="https://archive.org/embed/public-domain-spotlight-librivox" width="640" height="480" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe> <p>On a personal note, LibriVox has enriched my own experiences with literature. Their dramatic recordings of A.A. Milne’s <a href="https://archive.org/details/winnie-the-pooh_dr_2306_librivox"><em>Winnie-the-Pooh</em></a> and <a href="https://archive.org/details/poohcornerdr_2411_librivox"><em>The House at Pooh Corner</em></a>—complete with full casts—have brought these beloved stories to life in new and vibrant ways for your ears. These audiobooks have not only made revisiting my favorite texts more convenient but have also deepened my appreciation for these texts. They also have become a reliable companion giving me something to listen to during insomnia-fueled nights of tossing and turning in bed. </p> <p>History and shared culture are worth preserving. LibriVox’s mission helps to make that preservation more accessible, available, and engaging for us all. LibriVox works utilize books provided by Project Gutenberg, an organization dedicated to making public domain texts available. Take some time to explore our <a href="https://archive.org/details/librivoxaudio?tab=collection&query=pooh">LibriVox Collection</a> and see what stands out to you. You might even find your next favorite book. Or, consider helping to build this rich collection by <a href="https://librivox.org/pages/volunteer-for-librivox/">volunteering with Librivox</a>. Happy listening.</p> <p><strong>This post is published with a CC0 Waiver dedicating it to the public domain.</strong></p> </div> <footer class="entry-meta"> Posted in <a href="https://blog.archive.org/category/audio-archive/" rel="category tag">Audio Archive</a>, <a href="https://blog.archive.org/category/news/" rel="category tag">News</a> | Tagged <a href="https://blog.archive.org/tag/audiobooks/" rel="tag">audiobooks</a>, <a href="https://blog.archive.org/tag/librivox/" rel="tag">Librivox</a> | <span class="comments-link"><a href="https://blog.archive.org/2025/03/10/public-domain-spotlight-librivox/#respond"><span class="leave-reply">Leave a reply</span></a></span> </footer> </article> <article id="post-28420" class="post-28420 post type-post status-publish format-standard hentry category-78rpm category-announcements category-audio-archive category-cool-items category-news tag-public-domain tag-public-domain-day"> <header class="entry-header"> <h1 class="entry-title"> <a href="https://blog.archive.org/2025/02/18/public-domain-spotlight-rhapsody-in-blue/" rel="bookmark">Public Domain Spotlight: Rhapsody in Blue</a> </h1> <div class="entry-byline"> Posted on <a href="https://blog.archive.org/2025/02/18/public-domain-spotlight-rhapsody-in-blue/" title="6:05 pm" rel="bookmark"><time class="entry-date" datetime="2025-02-18T18:05:20+00:00">February 18, 2025</time></a><span class="by-author"> by <span class="author vcard"><a class="url fn n" href="https://blog.archive.org/author/seand/" title="View all posts by Sean Dudley" rel="author">Sean Dudley</a></span></span> </div> </header> <div class="entry-content"> <iframe src="https://archive.org/embed/public-domain-spotlight-rhapsody-in-blue" width="640" height="480" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe> <p><a href="https://archive.org/details/rhapsodyinblue00geor/mode/2up"><em>Rhapsody in Blue</em></a> stands as an iconic piece of American music with riveting orchestration, and a cultural footprint that reflects the modernity of the early 20th century. Beyond its artistic merits, the composition has provided numerous cultural touchstones, including its usage as the theme for United Airlines commercials, score backing for films such as “Fantasia 2000,” and countless memorable recorded performances, including a personal favorite by Leonard Bernstein. Among these recordings is a <a href="https://archive.org/details/rhapsody-in-blue-1924-recording-part-1">significant one</a> performed by George Gershwin himself at the piano, with accompaniment by the Paul Whiteman Orchestra.</p> <div class="wp-block-image"> <figure class="alignleft size-large is-resized"><img decoding="async" src="https://ia902301.us.archive.org/BookReader/BookReaderImages.php?zip=/24/items/rhapsodyinblue00geor/rhapsodyinblue00geor_jp2.zip&file=rhapsodyinblue00geor_jp2/rhapsodyinblue00geor_0001.jp2&id=rhapsodyinblue00geor&scale=4&rotate=0" alt="" style="width:228px;height:auto"/></figure></div> <p>Recorded on June 10, 1924, and released that October, this version is not just historic for its timing, produced shortly after the piece’s premiere in February of the same year, but also for its details. While today’s audiences might not find it unusual, the phenomenon of a composer or musical artist performing their own work is rare in the history of human experience. Until the late 19th Century, the only way to experience music was in a live setting. By 1924, it had become more and more commonplace to experience music through commercially available recordings. When listening to the 1924 recording by Gershwin, listeners today have a direct auditory link to the piece’s 1924 inception. This is in stark contrast to classical pieces by composers like Mozart, Beethoven, and Bach, who never had the opportunity to record their works. Our understanding of these compositions is shaped by interpretations that are decades or centuries removed from their original creation. Yet, Gershwin’s personal interpretation of his composition offers a unique connection to the moment of its creation, allowing us to hear the piano played with the intensity Gershwin intended. It invokes a feeling of closeness to a time long removed from the current moment.</p> <p>The accessibility of Gershwin’s 1924 recording is enhanced by its passage into the public domain. Such accessibility enriches our cultural heritage and allows for a deeper understanding of the moment in which it was produced. It is not some far-off German or French musical masterpiece, but a living document in which we can hear the direct influence of the composer. This direct access to Gershwin’s performance is an invaluable resource, providing a rare auditory bridge to the past. So, the next time you listen to “Rhapsody in Blue,” consider choosing the 1924 version performed by Gershwin. Imagine the uniqueness of that experience and the profound connection to history it offers, replicating the original sound and transporting us to the moment of a bygone era.</p> <p><strong>Published with a CC0 Waiver</strong>.</p> </div> <footer class="entry-meta"> Posted in <a href="https://blog.archive.org/category/audio-archive/78rpm/" rel="category tag">78rpm</a>, <a href="https://blog.archive.org/category/announcements/" rel="category tag">Announcements</a>, <a href="https://blog.archive.org/category/audio-archive/" rel="category tag">Audio Archive</a>, <a href="https://blog.archive.org/category/cool-items/" rel="category tag">Cool items</a>, <a href="https://blog.archive.org/category/news/" rel="category tag">News</a> | Tagged <a href="https://blog.archive.org/tag/public-domain/" rel="tag">public domain</a>, <a href="https://blog.archive.org/tag/public-domain-day/" rel="tag">public domain day</a> | <span class="comments-link"><a href="https://blog.archive.org/2025/02/18/public-domain-spotlight-rhapsody-in-blue/#comments">3 Replies</a></span> </footer> </article> <article id="post-28379" class="post-28379 post type-post status-publish format-standard hentry category-announcements category-audio-archive category-books-archive category-event category-image-archive category-movie-archive category-music category-news tag-public-domain tag-public-domain-day"> <header class="entry-header"> <h1 class="entry-title"> <a href="https://blog.archive.org/2025/01/31/a-red-carpet-affair-celebrating-public-domain-day-2025-in-1929-hollywood-style/" rel="bookmark">A Red-Carpet Affair: Celebrating Public Domain Day 2025 in 1929 Hollywood Style</a> </h1> <div class="entry-byline"> Posted on <a href="https://blog.archive.org/2025/01/31/a-red-carpet-affair-celebrating-public-domain-day-2025-in-1929-hollywood-style/" title="7:00 pm" rel="bookmark"><time class="entry-date" datetime="2025-01-31T19:00:41+00:00">January 31, 2025</time></a><span class="by-author"> by <span class="author vcard"><a class="url fn n" href="https://blog.archive.org/author/chrisfreeland/" title="View all posts by Chris Freeland" rel="author">Chris Freeland</a></span></span> </div> </header> <div class="entry-content"> <p>Lights, camera, preservation! On a star-studded evening at the Internet Archive, we rolled out the red carpet to honor the <strong>creative works from 1929 and the sound recordings from 1924</strong> that entered the public domain in 2025. And what better way to celebrate than with a glamorous, Oscar-inspired soirée?</p> <p>Guests arrived in true 1920s fashion, riding in a vintage convertible before stepping onto the red carpet, where they were met by the spirited <strong><a href="https://rainingchainsaws.org/">Raining Chainsaws</a> street theater troupe</strong>, who transformed into a fleet of eager, old-time paparazzi—flashing cameras, barking questions, and adding a touch of whimsy and Hollywood magic to the night.</p> <p>📸 <strong>Check out photos from the red carpet!</strong></p> <iframe src="https://archive.org/embed/2025-public-domain-day-at-internet-archive" width="560" height="384" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe> <p>Inside the Internet Archive, attendees sipped on <strong>French 75s and Old-Fashioneds</strong>, classic cocktails that transported us back to the final, glittering moments of the Roaring Twenties. The theme of the night? <strong>1929—the year of the very first Academy Awards</strong>—and we honored this cinematic milestone with an evening of film, history, and remixing of the past.</p> <p>🎞 <strong>Lecture by George Evelyn on Disney’s <em>The Skeleton Dance</em></strong><br>Animation historian <strong>George Evelyn</strong> enlightened the audience with a viewing of <em>The Skeleton Dance</em>, the first of Disney’s <em>Silly Symphonies</em>. With its pioneering use of synchronized sound and animation, the 1929 short was a perfect reminder of how creativity from the past continues to shape the present.</p> <p>🎬 <strong>Public Domain Film Remix Contest Screening</strong><br>What happens when today’s creators remix yesterday’s masterpieces? Our <strong>Public Domain Film Remix Contest</strong> showcased the most inventive reinterpretations of public domain classics, where old Hollywood met modern storytelling in unexpected and thrilling ways. View all the <a href="https://blog.archive.org/2025/01/23/2025-public-domain-day-film-remix-contest-winners-announced/">winners, honorable mentions and submissions</a> from this year’s contest.</p> <p>👀 <strong>Watch the livestream of the night’s festivities</strong></p> <iframe loading="lazy" src="https://archive.org/embed/public-domain-day-2025-in-person-event-at-internet-archive-headquarters" width="640" height="480" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe> <p>As the evening came to a close, guests toasted to the future of open culture, celebrating the power of preservation, creativity, and the public domain. Thank you to everyone who joined us for this dazzling night of history, cinema, and community!</p> </div> <footer class="entry-meta"> Posted in <a href="https://blog.archive.org/category/announcements/" rel="category tag">Announcements</a>, <a href="https://blog.archive.org/category/audio-archive/" rel="category tag">Audio Archive</a>, <a href="https://blog.archive.org/category/books-archive/" rel="category tag">Books Archive</a>, <a href="https://blog.archive.org/category/event/" rel="category tag">Event</a>, <a href="https://blog.archive.org/category/image-archive/" rel="category tag">Image Archive</a>, <a href="https://blog.archive.org/category/movie-archive/" rel="category tag">Movie Archive</a>, <a href="https://blog.archive.org/category/music/" rel="category tag">Music</a>, <a href="https://blog.archive.org/category/news/" rel="category tag">News</a> | Tagged <a href="https://blog.archive.org/tag/public-domain/" rel="tag">public domain</a>, <a href="https://blog.archive.org/tag/public-domain-day/" rel="tag">public domain day</a> | <span class="comments-link"><span></span></span> </footer> </article> <article id="post-28358" class="post-28358 post type-post status-publish format-standard hentry category-audio-archive category-books-archive category-event category-movie-archive category-music category-news tag-public-domain tag-public-domain-day"> <header class="entry-header"> <h1 class="entry-title"> <a href="https://blog.archive.org/2025/01/23/virtual-public-domain-day-celebrates-1929-creative-works-1924-sound-recordings/" rel="bookmark">Virtual Public Domain Day Celebrates 1929 Creative Works & 1924 Sound Recordings</a> </h1> <div class="entry-byline"> Posted on <a href="https://blog.archive.org/2025/01/23/virtual-public-domain-day-celebrates-1929-creative-works-1924-sound-recordings/" title="8:12 pm" rel="bookmark"><time class="entry-date" datetime="2025-01-23T20:12:09+00:00">January 23, 2025</time></a><span class="by-author"> by <span class="author vcard"><a class="url fn n" href="https://blog.archive.org/author/chrisfreeland/" title="View all posts by Chris Freeland" rel="author">Chris Freeland</a></span></span> </div> </header> <div class="entry-content"> <figure class="wp-block-image size-full"><a href="http://blog.archive.org/wp-content/uploads/2024/12/SINGIN-IN-THE-PUBLIC-DOMAIN-DECK.png"><img loading="lazy" decoding="async" width="960" height="540" src="http://blog.archive.org/wp-content/uploads/2024/12/SINGIN-IN-THE-PUBLIC-DOMAIN-DECK.png" alt="" class="wp-image-28209" srcset="https://blog.archive.org/wp-content/uploads/2024/12/SINGIN-IN-THE-PUBLIC-DOMAIN-DECK.png 960w, https://blog.archive.org/wp-content/uploads/2024/12/SINGIN-IN-THE-PUBLIC-DOMAIN-DECK-300x169.png 300w, https://blog.archive.org/wp-content/uploads/2024/12/SINGIN-IN-THE-PUBLIC-DOMAIN-DECK-768x432.png 768w, https://blog.archive.org/wp-content/uploads/2024/12/SINGIN-IN-THE-PUBLIC-DOMAIN-DECK-624x351.png 624w" sizes="auto, (max-width: 960px) 100vw, 960px" /></a></figure> <p>On January 22, hundreds of people from all over the world gathered together for <strong>Singin’ in the Public Domain</strong>, a virtual celebration of the works that moved into the public domain in 2025. The event was co-hosted by Internet Archive and Library Futures.</p> <h2 class="wp-block-heading">Watch:</h2> <iframe loading="lazy" src="https://archive.org/embed/singin-in-the-public-domain" width="640" height="480" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe> <h2 class="wp-block-heading">Speakers include (in order of appearance):</h2> <ul class="wp-block-list"> <li><strong>Natalia Paruz</strong> (The Saw Lady), musician</li> <li><strong>Lila Bailey</strong>, Internet Archive</li> <li><strong>Jennie Rose Halperin</strong>, Internet Archive</li> <li><strong>Sean Dudley</strong>, Internet Archive</li> <li><strong>Jennifer Jenkins</strong>, Center for the Study of the Public Domain</li> <li><strong>Vivian Li</strong>, Innovator in Residence, Library of Congress</li> <li><strong>Tim Findlen</strong> (Roochie Toochie and the Ragtime Shepherd Kings), musician</li> <li><strong>Kathleen DeLaurenti</strong>, Peabody Institute of the Johns Hopkins University’s Arthur Friedheim Music Library</li> <li><strong>Colin Hancock</strong> (The Joymakers), musician</li> <li><strong>Ayun Halliday</strong>, Necromancers of the Public Domain</li> <li><strong>Simon Close</strong>, WYNC & Public Song Project</li> <li><strong>Dorothy Berry</strong>, Smithsonian National Museum of African American History and Culture</li> <li><strong>Theo Unkrich</strong>, Internet Archive</li> </ul> </div> <footer class="entry-meta"> Posted in <a href="https://blog.archive.org/category/audio-archive/" rel="category tag">Audio Archive</a>, <a href="https://blog.archive.org/category/books-archive/" rel="category tag">Books Archive</a>, <a href="https://blog.archive.org/category/event/" rel="category tag">Event</a>, <a href="https://blog.archive.org/category/movie-archive/" rel="category tag">Movie Archive</a>, <a href="https://blog.archive.org/category/music/" rel="category tag">Music</a>, <a href="https://blog.archive.org/category/news/" rel="category tag">News</a> | Tagged <a href="https://blog.archive.org/tag/public-domain/" rel="tag">public domain</a>, <a href="https://blog.archive.org/tag/public-domain-day/" rel="tag">public domain day</a> | <span class="comments-link"><span></span></span> </footer> </article> <article id="post-28264" class="post-28264 post type-post status-publish format-standard hentry category-audio-archive category-books-archive category-cool-items category-news category-television-archive category-video-archive tag-dlarc tag-vanishingculture"> <header class="entry-header"> <h1 class="entry-title"> <a href="https://blog.archive.org/2025/01/14/vanishing-culture-digital-library-of-amateur-radio-and-communications/" rel="bookmark">Vanishing Culture: Digital Library of Amateur Radio and Communications</a> </h1> <div class="entry-byline"> Posted on <a href="https://blog.archive.org/2025/01/14/vanishing-culture-digital-library-of-amateur-radio-and-communications/" title="12:00 pm" rel="bookmark"><time class="entry-date" datetime="2025-01-14T12:00:00+00:00">January 14, 2025</time></a><span class="by-author"> by <span class="author vcard"><a class="url fn n" href="https://blog.archive.org/author/vanishingculturex/" title="View all posts by vanishingculture" rel="author">vanishingculture</a></span></span> </div> </header> <div class="entry-content"> <p><em>The following guest post from curator and amateur radio enthusiast <strong>Kay Savetz</strong> is part of our <strong>Vanishing Culture</strong> series, highlighting the power and importance of preservation in our digital age. <a href="https://blog.archive.org/tag/vanishingculture/">Read more essays online</a> or <a href="https://archive.org/details/vanishing-culture-report">download the full report</a> now.</em></p> <figure class="wp-block-image size-large is-resized"><a href="https://blog.archive.org/wp-content/uploads/2025/01/hrm_tapes-scaled.jpg"><img loading="lazy" decoding="async" src="https://blog.archive.org/wp-content/uploads/2025/01/hrm_tapes-1024x908.jpg" alt="" class="wp-image-28295" width="655" height="580" srcset="https://blog.archive.org/wp-content/uploads/2025/01/hrm_tapes-1024x908.jpg 1024w, https://blog.archive.org/wp-content/uploads/2025/01/hrm_tapes-300x266.jpg 300w, https://blog.archive.org/wp-content/uploads/2025/01/hrm_tapes-768x681.jpg 768w, https://blog.archive.org/wp-content/uploads/2025/01/hrm_tapes-1536x1362.jpg 1536w, https://blog.archive.org/wp-content/uploads/2025/01/hrm_tapes-2048x1816.jpg 2048w, https://blog.archive.org/wp-content/uploads/2025/01/hrm_tapes-624x553.jpg 624w" sizes="auto, (max-width: 655px) 100vw, 655px" /></a><figcaption class="wp-element-caption">A selection of cassette tapes from the “<a href="https://archive.org/details/hamradioandmore">Ham Radio & More</a>” radio show digitized by DLARC.</figcaption></figure> <p>Amateur Radio has been a hobby for well over 100 years. For as long as there has been an understanding of electricity and radio waves, people have been experimenting with these technologies and advancing the state of the art. As a result, the world has moved from wired telegraphy to tube radios to telephones—fast forward a century—to GPS and high-speed digital communication devices that fit in your pocket.</p> <p>Advances made by amateur radio experimenters have propelled the work of NASA, satellites, television, the internet, and every communications company in existence today. People fiddling with radios have pushed forward technological advances the world around, time and time again.</p> <p>And yet, the people making these efforts, doing these feats, aren’t always the best at documenting and preserving their work for the future. That’s where Internet Archive comes in.</p> <div class="wp-block-image"> <figure class="alignleft size-full is-resized"><a href="http://blog.archive.org/wp-content/uploads/2022/11/dlarc_logo-2.png"><img loading="lazy" decoding="async" src="http://blog.archive.org/wp-content/uploads/2022/11/dlarc_logo-2.png" alt="" class="wp-image-25198" width="226" height="226" srcset="https://blog.archive.org/wp-content/uploads/2022/11/dlarc_logo-2.png 751w, https://blog.archive.org/wp-content/uploads/2022/11/dlarc_logo-2-300x300.png 300w, https://blog.archive.org/wp-content/uploads/2022/11/dlarc_logo-2-150x150.png 150w, https://blog.archive.org/wp-content/uploads/2022/11/dlarc_logo-2-624x624.png 624w" sizes="auto, (max-width: 226px) 100vw, 226px" /></a></figure></div> <p>I’m the curator of the <a href="https://archive.org/details/dlarc">Digital Library of Amateur Radio and Communications</a>. DLARC is a project of the Internet Archive, and my job is to find and preserve this rich history of radio and communications. DLARC collects resources related to amateur radio, satellite communications, television, shortwave radio, pirate radio, experimental communications, and related communications.</p> <p>In the two years since the project launched, DLARC has preserved thousands of magazines and journals, manuals, product catalogs, radio programs, and conference proceedings. These materials were scattered worldwide, often inaccessible and in obsolete formats. We’ve digitized material that was on paper, cassette tape, reel-to-reel tape, CD-ROMs, DVDs. We’ve digitized video from 16mm film, VHS, U-Matic, Betacam and even more obscure video formats.</p> <p>We’ve built a collection of more than 140,000 items and made them available to the world. Researchers, academics, and hobbyists use the library to learn from the rich history of this 100-year-old hobby.</p> <p><strong>Learn more about DLARC</strong></p> <iframe loading="lazy" width="560" height="315" src="https://www.youtube.com/embed/egjdrt-ye1E?si=zk-3kczauZY8CNKv" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe> <p>One reason this preservation is necessary is that the people creating history don’t always realize at the time that they’re creating history. In 1977, the creators of <a href="https://archive.org/details/arnewsline">Amateur Radio Newsline</a>—a weekly audio news bulletin—probably didn’t realize that their project would still be going on in 2024, 47 years later. And for all of their amazing work, if they had realized they were documenting history, they might have made more effort to save those recordings: the first 20 years of their work are missing. (DLARC has found <a href="https://archive.org/details/arnewsline?tab=collection&page=2&sort=date&and%5B%5D=year:%221996%22">some recordings from 1996</a>, then most of them since 2012.)</p> <p>Sometimes creators do recognize the importance of their effort. For more than six years, Len Winkler hosted <a href="https://archive.org/details/hamradioandmore">Ham Radio & More</a>, a radio show about amateur radio. Winker recorded every episode on cassette tape and managed to digitize many of the shows himself. However, the process of digitizing hundreds of episodes is tedious and he wasn’t able to complete it. With his approval, DLARC stepped in to finish the job. They’re all online now, more than 300 episodes including interviews with many notable names in the radio community.</p> <p>There have been other huge successes: the entire 43-year run of <a href="https://archive.org/details/73-magazine">73 Magazine</a> is digitized and online thanks to the publisher, Wayne Green, who donated the collection to Internet Archive before his death. Most issues of <a href="https://archive.org/details/w5yi_report">The W5YI Report</a>, a ham radio newsletter that was published for 25 years, are online as well.</p> <div class="wp-block-image"> <figure class="alignleft size-full is-resized"><a href="https://archive.org/details/vanishing-culture-report"><img loading="lazy" decoding="async" src="http://blog.archive.org/wp-content/uploads/2024/10/V_C_COVER_IG_SQUARE_1000.png" alt="" class="wp-image-27978" width="227" height="227" srcset="https://blog.archive.org/wp-content/uploads/2024/10/V_C_COVER_IG_SQUARE_1000.png 1000w, https://blog.archive.org/wp-content/uploads/2024/10/V_C_COVER_IG_SQUARE_1000-300x300.png 300w, https://blog.archive.org/wp-content/uploads/2024/10/V_C_COVER_IG_SQUARE_1000-150x150.png 150w, https://blog.archive.org/wp-content/uploads/2024/10/V_C_COVER_IG_SQUARE_1000-768x768.png 768w, https://blog.archive.org/wp-content/uploads/2024/10/V_C_COVER_IG_SQUARE_1000-624x624.png 624w, https://blog.archive.org/wp-content/uploads/2024/10/V_C_COVER_IG_SQUARE_1000-650x650.png 650w" sizes="auto, (max-width: 227px) 100vw, 227px" /></a><figcaption class="wp-element-caption"><em>Download the complete </em><a href="https://archive.org/details/vanishing-culture-report">Vanishing Culture</a><em> report.</em></figcaption></figure></div> <p>Attempting to preserve material years, or sometimes decades, after the fact makes systematic preservation nearly impossible. For every success story of content saved and archived, there is a heartbreaking story of loss. When amateur radio enthusiasts die, their media collections are often disposed of by survivors who don’t have any connection to amateur radio. File cabinets and bookcases full of (sometimes irreplaceable) materials are emptied into recycle bins.</p> <p>Another challenge to preservation and access is membership organizations that keep their material behind paywalls. They sometimes prevent any of their information from being lent in an online library, which it is their right to do. However while they actively thwart efforts at preservation, it remains unclear whether those groups are adequately preserving their own history.</p> <p>Some material is preserved intentionally, but a good amount was saved purely by accident. The material we recover and digitize has come from attics and basements, from libraries discarding obsolete material, from long-forgotten FTP sites, from scratched CD-ROMs, and from the estates of people who have passed.</p> <p>So we float where the radio waves take us, trying to preserve the past as much as possible, while encouraging today’s content creators to consider how to make their material accessible to future generations.</p> <h2 class="wp-block-heading"><strong>About the author</strong></h2> <p><a href="https://www.savetz.com/">Kay Savetz</a> is curator of <a href="https://archive.org/details/dlarc">Digital Library of Amateur Radio & Communications</a>. DLARC is funded by a grant from <a href="https://www.ardc.net/">Amateur Radio Digital Communications</a> to create a free digital library for the radio community, researchers, educators, and students. If you have questions about the project or material to contribute, contact <a href="mailto:kay@archive.org">kay@archive.org</a>.</p> </div> <footer class="entry-meta"> Posted in <a href="https://blog.archive.org/category/audio-archive/" rel="category tag">Audio Archive</a>, <a href="https://blog.archive.org/category/books-archive/" rel="category tag">Books Archive</a>, <a href="https://blog.archive.org/category/cool-items/" rel="category tag">Cool items</a>, <a href="https://blog.archive.org/category/news/" rel="category tag">News</a>, <a href="https://blog.archive.org/category/television-archive/" rel="category tag">Television Archive</a>, <a href="https://blog.archive.org/category/video-archive/" rel="category tag">Video Archive</a> | Tagged <a href="https://blog.archive.org/tag/dlarc/" rel="tag">DLARC</a>, <a href="https://blog.archive.org/tag/vanishingculture/" rel="tag">vanishingculture</a> | <span class="comments-link"><a href="https://blog.archive.org/2025/01/14/vanishing-culture-digital-library-of-amateur-radio-and-communications/#comments">4 Replies</a></span> </footer> </article> <article id="post-28192" class="post-28192 post type-post status-publish format-standard hentry category-announcements category-audio-archive category-books-archive category-cool-items category-movie-archive category-music category-news category-video-archive tag-public-domain"> <header class="entry-header"> <h1 class="entry-title"> <a href="https://blog.archive.org/2025/01/01/welcome-to-the-public-domain-in-2025/" rel="bookmark">Welcome to the Public Domain in 2025</a> </h1> <div class="entry-byline"> Posted on <a href="https://blog.archive.org/2025/01/01/welcome-to-the-public-domain-in-2025/" title="4:41 am" rel="bookmark"><time class="entry-date" datetime="2025-01-01T04:41:52+00:00">January 1, 2025</time></a><span class="by-author"> by <span class="author vcard"><a class="url fn n" href="https://blog.archive.org/author/seand/" title="View all posts by Sean Dudley" rel="author">Sean Dudley</a></span></span> </div> </header> <div class="entry-content"> <figure class="wp-block-image size-large"><a href="http://blog.archive.org/wp-content/uploads/2025/01/PDDmontageRS_2025.png"><img loading="lazy" decoding="async" width="1024" height="613" src="http://blog.archive.org/wp-content/uploads/2025/01/PDDmontageRS_2025-1024x613.png" alt="" class="wp-image-28232" srcset="https://blog.archive.org/wp-content/uploads/2025/01/PDDmontageRS_2025-1024x613.png 1024w, https://blog.archive.org/wp-content/uploads/2025/01/PDDmontageRS_2025-300x180.png 300w, https://blog.archive.org/wp-content/uploads/2025/01/PDDmontageRS_2025-768x460.png 768w, https://blog.archive.org/wp-content/uploads/2025/01/PDDmontageRS_2025-1536x919.png 1536w, https://blog.archive.org/wp-content/uploads/2025/01/PDDmontageRS_2025-2048x1226.png 2048w, https://blog.archive.org/wp-content/uploads/2025/01/PDDmontageRS_2025-624x373.png 624w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></a><figcaption class="wp-element-caption">Image credit: Montage of materials moving into the public domain in 2025. Duke Law Center for the Study of the Public Domain.</figcaption></figure> <h2 class="wp-block-heading">Celebrate the public domain with the Internet Archive in the following ways:</h2> <ul class="wp-block-list"> <li><strong>Register</strong> for our Public Domain Day celebrations on January 22 – both <a href="https://www.eventbrite.com/e/singin-in-the-public-domain-public-domain-day-2025-tickets-1104135491979">virtual</a> and <a href="https://www.eventbrite.com/e/celebrate-public-domain-day-2025-at-the-internet-archive-tickets-1117297439719">in-person</a>.</li> <li><strong>Submit</strong> a short film to our Public Domain Film Remix <a href="https://blog.archive.org/2024/12/16/2025-public-domain-day-remix-contest-the-internet-archive-is-looking-for-creative-short-films-made-by-you/">contest</a>.</li> <li><strong>Explore</strong> the works that have entered the public domain in 2025, below.</li> </ul> <p>On January 1, 2025, we celebrate published works from 1929 and published sound recordings from 1924 entering the public domain! The passage of these works into the public domain celebrates our shared cultural heritage. The ability to breathe new life into long forgotten works, remix the most popular and enduring works of the time, and to better circulate the oddities we find in thrift stores, attics, and on random pockets of the internet are now freely available for us all.</p> <p>While not at the same blockbuster level as 2024 with <a href="https://archive.org/details/steamboat-willie_1928"><em>Steamboat Willie</em>’s</a> passage into the public domain, works from 1929 still inhabit strong cultural significance today. The works of 1929 continue to capture the Lost Generation’s voice, the rise of sound film, and the emerging modern moment of the 1920s. </p> <p><strong>Musical Compositions</strong></p> <p>Show tunes and Jazz dominated the year with many standards that we remember today first being published. While best known for the 1952 film of the same name, <a href="https://archive.org/details/singin-in-the-rain-01">Singin’ in the Rain</a> was first published in 1929 and serves as the inspiration for our <a href="https://blog.archive.org/2024/12/16/2025-public-domain-day-remix-contest-the-internet-archive-is-looking-for-creative-short-films-made-by-you/">remix contest</a> this year. George Gershwin also officially published (and copyrighted) his suite <em>An American in Paris</em> following a premiere in late 1928.</p> <p>Below is sheet music for some popular compositions of the time.</p> <ul class="wp-block-list"> <li><a href="https://archive.org/details/singin-in-the-rain-01">Singin’ in the Rain</a></li> <li><a href="https://archive.org/details/wedding-of-the-painted-doll-1929-sheet-music">Wedding of the Painted Doll</a></li> <li><a href="https://archive.org/details/you-were-meant-for-me-1929-sheet-music/mode/2up">You Were Meant For Me</a></li> <li><a href="https://archive.org/details/am-i-blue-1929-sheet-music">Am I Blue?</a></li> <li><a href="https://archive.org/details/aint-misbehavin-1929-sheet-music">Ain’t Misbehavin’</a></li> <li><a href="https://archive.org/details/what-is-this-thing-called-love-sheet-music-1929">What Is This Thing Called Love?</a></li> <li><a href="https://archive.org/details/imslp-104723-pmlp-03667-ravel-bolero-cropped">Bolero</a></li> </ul> <p class="has-text-align-center"><img loading="lazy" decoding="async" src="https://lh7-rt.googleusercontent.com/docsz/AD_4nXe64S2RBCuwV3QgBs1QyzRvGGlsSxrPGp_hQmGdCWd7JWU2pLFezU3MX1GQD7gEf_xV7IJ7ngpOW1P9WfC7_FkMH2TTYWcClV2ecNkcfpNHk7tubARMMF4uH2JC6NWbTViccXoa5g?key=wO0fMbPUiRPFE3WA74sNCVBS" width="237" height="325"></p> <p><strong>Literature</strong></p> <p>Reflections on World War I continued with<a href="https://archive.org/details/dli.ernet.531939/mode/2up"> <em>A Farewell to Arms</em></a> by Ernest Hemingway, the first English translation of <a href="https://archive.org/details/allquietonwester0000unse_f7g8/mode/2up"><em>All Quiet on the Western Front</em></a>, and Richard Aldington’s <a href="https://archive.org/details/deathofheronovel0000rich/mode/2up"><em>Death of a Hero</em></a>. William Faulkner published his modernist novel <a href="https://archive.org/details/soundfury0000will_o8d3/mode/2up"><em>The Sound and the Fury</em></a>. A. A. Milne followed up 1928’s <a href="https://archive.org/details/houseatpoohcorne0000unse_e5y6"><em>The House at Pooh Corner</em></a> by adapting <a href="https://archive.org/details/windinwillows00grah"><em>The Wind in the Willows</em></a><em> </em>into the play <a href="https://archive.org/details/toad-of-toad-hall-1929"><em>Toad of Toad Hall</em></a>. Detective fiction thrived in 1929, with The Maltese Falcon serialized in Black Mask, Agatha Christie captivating readers with <a href="https://archive.org/details/sevendialsmyster0000agat_n1n0/mode/2up"><em>The Seven Dials Mystery</em></a>, and the first Ellery Queen novel, The Roman Hat Mystery, making its debut. Explore our <a href="https://archive.org/details/periodicals?tab=collection&query=date%3A1929&sort=-date">1929 periodicals</a> to find more hidden detective gems.</p> <p class="has-text-align-center"><img loading="lazy" decoding="async" src="https://lh7-rt.googleusercontent.com/docsz/AD_4nXe89LykI0ONLADaL63mMqm9ZA5YpYxMrrvyGRp7a2v3Q25-wKjAZ9QTCwRHYe8KHUTjZTz6oEY5k4_zZGCQOv-1_Pqo8S3q46HWYelXrrpWggSlLLEMWwKZ3Fh4VO_EjGk0jgiJyg?key=wO0fMbPUiRPFE3WA74sNCVBS" width="205" height="301"></p> <p>While not a towering work of literature, the first set of comic strips featuring Popeye also are joining the public domain. Popeye first made an appearance in <em>Thimble Theatre</em> on <a href="https://archive.org/details/popeyes-first-appearance-in-thimble-theatre-january-17-1929">January 17, 1929</a>. Initially just a side character for an adventure arc featuring gambling and sailing, Popeye rose quickly to fame. By February 4, 1931 the <em>Thimble Theatre</em> would feature a subtitle, <em>Starring Popeye</em>, before being renamed just Popeye later on.</p> <p>Below is a further selection of works from the year:</p> <ul class="wp-block-list"> <li><a href="https://archive.org/details/ropeplayinthreea00hami/mode/2up?view=theater"><em>Rope</em></a><em> </em>by Patrick Hamilton</li> <li><a href="https://archive.org/details/a-room-of-ones-own_202208/mode/2up?q=A+Room+of+One%5C%27s+Own"><em>A Room of One’s Own</em></a> <em>by Virginia Woolf</em></li> <li><a href="https://archive.org/details/highwindinjamaic0000unse_c7o5/page/n3/mode/2up"><em>A High Wind in Jamaica</em></a><em> </em>by Richard Hughes</li> <li><a href="https://archive.org/details/issexnecessary0000unse_u2j1/page/n5/mode/2up?q=Is+Sex+Necessary%3F"><em>Is Sex Necessary? Or, Why You Feel the Way You Do</em></a><em> </em>by E. B. White and James Thurber</li> <li><a href="https://archive.org/details/lookhomewardange0000thom_f9h1/page/n5/mode/2up"><em>Look Homeward, Angel</em></a><em> </em>by Thomas Wolfe</li> </ul> <p>Dive into Archive’s literary collection to unearth more classics from <a href="https://archive.org/details/internetarchivebooks?tab=collection&query=date%3A1929">1929</a>.</p> <p><strong>Films</strong></p> <p class="has-text-align-center"><img decoding="async" src="https://lh7-rt.googleusercontent.com/docsz/AD_4nXfYdvV6W3ELpXhXvm5vfoHb1V5KgBXHBReKMD_7vCtS_agw744iZqjs2DAFwTVSEuL0CsGwCSmN7R315BpjC2Fwv7nCfdsARD3pR2K7xBNsw5U2-dieXdd-InzMQ31ZDKC9LKi4?key=wO0fMbPUiRPFE3WA74sNCVBS" width="298.3833017077799" height="222.2158273381295"></p> <p>Last year Mickey Mouse made a splash with <a href="https://archive.org/details/steamboat-willie_1928"><em>Steamboat Willie</em></a> cruising into the public domain. This year <a href="https://archive.org/details/@smd5dq/lists/2/mickey-mouse-1929?sort=-date"><strong>TWELVE</strong></a><strong> </strong>more Mickey shorts join to flesh out the notable events of Mickey’s young career. He speaks his first words in <a href="https://archive.org/details/the-karnival-kid-1929"><em>The Karnival Kid</em></a>, he wears gloves for the first time in <a href="https://archive.org/details/the-opry-house-1929_202412"><em>The Opry House</em></a>, and Ub Iwerks leaves the studio at year’s end with <a href="https://archive.org/details/wild-waves-1929"><em>Wild Waves</em></a>. Disney animation also kickstarted their <em>Silly Symphonies</em> series with the haunting tales <a href="https://archive.org/details/the-skeleton-dance-1929"><em>The Skeleton Dance</em></a> and <a href="https://archive.org/details/hells-bells-1929"><em>Hell’s Bells</em></a>.</p> <p>In <a href="https://archive.org/details/feature_films?tab=collection&query=date%3A1929">1929</a>, if your film wanted to have any attention it needed sound. Musical films were everywhere with <a href="https://archive.org/details/musicals_202210/1929-02-01+-+The+Broadway+Melody+(1929).mp4"><em>The Broadway Melody</em></a><em> </em>winning the second ever Best Picture award at the Oscars, <a href="https://archive.org/details/the-hollywood-revue-1929"><em>The Hollywood Revue</em></a> introducing the world to “Singin’ in the Rain”, and the Marx Brothers making their big screen debut with <a href="https://archive.org/details/the-cocoanuts-1929_202412"><em>The Cocoanuts</em></a>.</p> <p class="has-text-align-center"><img loading="lazy" decoding="async" src="https://lh7-rt.googleusercontent.com/docsz/AD_4nXcP9ZxMrKL61-d8QmGPk5poaAAyLJqPcQQUogbNltvPJTXeChaJ1i3lXYJPegyWniIcFhbhIYGOdGwcSQ_FcWNt5ck5TakVhNlOoMNFKytYS7qFZHeMwjNfz3UKf09MEePlAc5sBg?key=wO0fMbPUiRPFE3WA74sNCVBS" width="170" height="257"></p> <p>Below is a list of more significant films from the year:</p> <ul class="wp-block-list"> <li><a href="https://archive.org/details/all-americans-1929"><em>All Americans</em></a><em> </em>(dir. Joseph Santley)</li> <li><a href="https://archive.org/details/blackmail_1929"><em>Blackmail</em></a><em> </em>(dir. Alfred Hitchcock)</li> <li><a href="https://archive.org/details/lambchops-1929"><em>Lambchops</em></a><em> </em>(dir. Murray Roth)</li> <li><a href="https://archive.org/details/StellasMerits1929ClaraBowFredricMarchMarcelineDayJackOakie"><em>The Wild Party</em></a><em> </em>(dir. Dorothy Arzner)</li> <li><a href="https://archive.org/details/spite-marriage-1929"><em>Spite Marriage</em></a><em> </em>(dir. Buster Keaton and Edward Sedgwick)</li> <li><a href="https://archive.org/details/1929-08-06-say-it-with-songs-1929"><em>Say It with Songs</em></a><em> </em>(dir. Lloyd Bacon)</li> <li><a href="https://ia804708.us.archive.org/16/items/musicals_202210/1929-08-20%20-%20Hallelujah%20%281929%29.mp4"><em>Hallelujah</em></a><em> </em>(dir. King Vidor)</li> <li><a href="https://archive.org/details/welcome-danger-1929"><em>Welcome Danger</em></a><em> </em>(dir. Clyde Bruckman and Malcolm St. Clair)</li> <li><a href="https://archive.org/details/rec-20231215161834/The+Black+Watch+720p.mp4"><em>The Black Watch</em></a><em> </em>(dir. John Ford)</li> <li>The first five <a href="https://archive.org/details/@smd5dq/lists/3/1929-silly-symphonies"><em>Silly Symphonies</em></a> (dir. Walt Disney or Ub Iwerks)</li> </ul> <p>Our film remix contest is ongoing until January 17, 2025, so please upload your submissions! Read more <a href="https://blog.archive.org/2024/12/16/2025-public-domain-day-remix-contest-the-internet-archive-is-looking-for-creative-short-films-made-by-you/">here</a>.</p> <h2 class="wp-block-heading">Additional resources</h2> <ul class="wp-block-list"> <li><a href="https://archive.us20.list-manage.com/track/click?u=38bd6154386f64fcd92204a25&id=9986cec031&e=caa90e5a55">Learn more</a> about what’s moving into the public domain in 2025 from Jennifer Jenkins and James Boyle of Duke Law’s Center for the Study of the Public Domain.</li> <li>Check out the <a href="https://www.techdirt.com/2024/12/28/the-public-domain-game-jam-starts-next-week/">Public Domain Game Jam</a> from Techdirt.</li> <li>Public Domain Review <a href="https://archive.us20.list-manage.com/track/click?u=38bd6154386f64fcd92204a25&id=844175f270&e=caa90e5a55">highlights the materials moving into the public domain</a> in 2025.</li> <li>Interested in what’s happening with the public domain in Europe? Communia is hosting a <a href="https://archive.us20.list-manage.com/track/click?u=38bd6154386f64fcd92204a25&id=2116ff8c9b&e=caa90e5a55">one-day event</a> on January 9 in Brussels.</li> </ul> <p><strong>In honor of Public Domain Day, this post is published with a CC0 Waiver dedicating it to the public domain.</strong></p> </div> <footer class="entry-meta"> Posted in <a href="https://blog.archive.org/category/announcements/" rel="category tag">Announcements</a>, <a href="https://blog.archive.org/category/audio-archive/" rel="category tag">Audio Archive</a>, <a href="https://blog.archive.org/category/books-archive/" rel="category tag">Books Archive</a>, <a href="https://blog.archive.org/category/cool-items/" rel="category tag">Cool items</a>, <a href="https://blog.archive.org/category/movie-archive/" rel="category tag">Movie Archive</a>, <a href="https://blog.archive.org/category/music/" rel="category tag">Music</a>, <a href="https://blog.archive.org/category/news/" rel="category tag">News</a>, <a href="https://blog.archive.org/category/video-archive/" rel="category tag">Video Archive</a> | Tagged <a href="https://blog.archive.org/tag/public-domain/" rel="tag">public domain</a> | <span class="comments-link"><a href="https://blog.archive.org/2025/01/01/welcome-to-the-public-domain-in-2025/#comments">5 Replies</a></span> </footer> </article> <article id="post-28208" class="post-28208 post type-post status-publish format-standard hentry category-announcements category-audio-archive category-books-archive category-event category-image-archive category-movie-archive category-music category-news tag-public-domain"> <header class="entry-header"> <h1 class="entry-title"> <a href="https://blog.archive.org/2024/12/26/celebrate-the-public-domain-with-the-internet-archive/" rel="bookmark">Celebrate the Public Domain with the Internet Archive</a> </h1> <div class="entry-byline"> Posted on <a href="https://blog.archive.org/2024/12/26/celebrate-the-public-domain-with-the-internet-archive/" title="12:00 pm" rel="bookmark"><time class="entry-date" datetime="2024-12-26T12:00:00+00:00">December 26, 2024</time></a><span class="by-author"> by <span class="author vcard"><a class="url fn n" href="https://blog.archive.org/author/chrisfreeland/" title="View all posts by Chris Freeland" rel="author">Chris Freeland</a></span></span> </div> </header> <div class="entry-content"> <figure class="wp-block-image size-full"><a href="https://blog.archive.org/wp-content/uploads/2024/12/SINGIN-IN-THE-PUBLIC-DOMAIN-DECK.png"><img loading="lazy" decoding="async" width="960" height="540" src="https://blog.archive.org/wp-content/uploads/2024/12/SINGIN-IN-THE-PUBLIC-DOMAIN-DECK.png" alt="" class="wp-image-28209" srcset="https://blog.archive.org/wp-content/uploads/2024/12/SINGIN-IN-THE-PUBLIC-DOMAIN-DECK.png 960w, https://blog.archive.org/wp-content/uploads/2024/12/SINGIN-IN-THE-PUBLIC-DOMAIN-DECK-300x169.png 300w, https://blog.archive.org/wp-content/uploads/2024/12/SINGIN-IN-THE-PUBLIC-DOMAIN-DECK-768x432.png 768w, https://blog.archive.org/wp-content/uploads/2024/12/SINGIN-IN-THE-PUBLIC-DOMAIN-DECK-624x351.png 624w" sizes="auto, (max-width: 960px) 100vw, 960px" /></a></figure> <p><strong>On January 1, 2025, creative works from 1929 and sound recordings from 1924 will enter the public domain in the US. </strong></p> <p>1929 marked the last gasp of the roaring 20s and ushered in the Great Depression, a major economic crisis that would span the next 12 years. One thing we can see nearly a century later is that, in good times and bad, human creativity, knowledge, and culture persist. That year, Virginia Woolfe published her groundbreaking essay, “A Room of One’s Own,” advocating for female freedom of expression. The Museum of Modern Art (MoMA) opened in New York City, featuring the works of Van Gough, Cezanne, and Gauguin. Major movie studios put out not one, but two musicals starring all Black casts: “Halleluja” and “Hearts of Dixie.” Disney continued the Mickey Mouse trend with a dozen new animated shorts. And of course famous songs like “Puttin’ on the Ritz” and “Singin’ in the Rain” topped the charts.</p> <h1 class="wp-block-heading"><strong>Celebrate the public domain with us:</strong></h1> <h2 class="wp-block-heading">1. Creators: Enter the Public Domain Film Remix Contest</h2> <p> We invite filmmakers and artists of all skill levels to celebrate the public domain by creating and uploading 2–3 minute short films to the Internet Archive! Top entries will be awarded prizes up to $1,500. <a href="https://blog.archive.org/2024/12/16/2025-public-domain-day-remix-contest-the-internet-archive-is-looking-for-creative-short-films-made-by-you/">Contest details</a>.</p> <h2 class="wp-block-heading">2. Virtual Celebration: January 22nd @ 10am PT</h2> <p>Join us on January 22 to get “that glorious feeling” of singin’ in the public domain! We’ll have an amazing virtual lineup of academics, librarians, musicians, artists and advocates coming together to celebrate this new class of works being free for everyone to enjoy. <a href="https://www.eventbrite.com/e/singin-in-the-public-domain-public-domain-day-2025-tickets-1104135491979">Register now!</a></p> <h2 class="wp-block-heading">3. In-Person Celebration: January 22nd @ 6pm PT</h2> <p>Please join us at our headquarters in San Francisco for a Celebration of the Public Domain! This year, we’re honoring 1929 — the year of the very first Academy Awards, held at the historic Roosevelt Hotel in Hollywood, CA. Put on your finest attire and get ready for an award-worthy evening. <a href="https://www.eventbrite.com/e/celebrate-public-domain-day-2025-at-the-internet-archive-tickets-1117297439719">Register now!</a></p> <h2 class="wp-block-heading">4. Explore the public domain</h2> <p><a href="https://blog.archive.org/2025/01/01/welcome-to-the-public-domain-in-2025/">Check out our recent post</a> for links to the newly opened public domain resources at the Internet Archive.</p> <h2 class="wp-block-heading">Additional resources</h2> <ul class="wp-block-list"> <li><a href="https://archive.us20.list-manage.com/track/click?u=38bd6154386f64fcd92204a25&id=9986cec031&e=caa90e5a55" target="_blank" rel="noreferrer noopener">Learn more</a> about what’s moving into the public domain in 2025 from <strong>Jennifer Jenkins</strong> and <strong>James Boyle</strong> of Duke Law’s <strong>Center for the Study of the Public Domain</strong>.</li> <li><strong>Public Domain Review</strong> has a <a href="https://archive.us20.list-manage.com/track/click?u=38bd6154386f64fcd92204a25&id=844175f270&e=caa90e5a55" target="_blank" rel="noreferrer noopener">festive countdown</a> to 2025.</li> <li>Interested in what’s happening with the public domain in Europe? <strong>Communia</strong> is hosting a <a href="https://archive.us20.list-manage.com/track/click?u=38bd6154386f64fcd92204a25&id=2116ff8c9b&e=caa90e5a55" target="_blank" rel="noreferrer noopener">one-day event</a> on January 9 in Brussels.</li> </ul> </div> <footer class="entry-meta"> Posted in <a href="https://blog.archive.org/category/announcements/" rel="category tag">Announcements</a>, <a href="https://blog.archive.org/category/audio-archive/" rel="category tag">Audio Archive</a>, <a href="https://blog.archive.org/category/books-archive/" rel="category tag">Books Archive</a>, <a href="https://blog.archive.org/category/event/" rel="category tag">Event</a>, <a href="https://blog.archive.org/category/image-archive/" rel="category tag">Image Archive</a>, <a href="https://blog.archive.org/category/movie-archive/" rel="category tag">Movie Archive</a>, <a href="https://blog.archive.org/category/music/" rel="category tag">Music</a>, <a href="https://blog.archive.org/category/news/" rel="category tag">News</a> | Tagged <a href="https://blog.archive.org/tag/public-domain/" rel="tag">public domain</a> | <span class="comments-link"><a href="https://blog.archive.org/2024/12/26/celebrate-the-public-domain-with-the-internet-archive/#comments">1 Reply</a></span> </footer> </article> <article id="post-28175" class="post-28175 post type-post status-publish format-standard hentry category-audio-archive category-news tag-grateful-dead tag-live-music-archive"> <header class="entry-header"> <h1 class="entry-title"> <a href="https://blog.archive.org/2024/12/18/top-ten-most-popular-grateful-dead-recordings-at-the-internet-archive/" rel="bookmark">Top Ten Most Popular Grateful Dead Recordings at the Internet Archive</a> </h1> <div class="entry-byline"> Posted on <a href="https://blog.archive.org/2024/12/18/top-ten-most-popular-grateful-dead-recordings-at-the-internet-archive/" title="2:15 pm" rel="bookmark"><time class="entry-date" datetime="2024-12-18T14:15:15+00:00">December 18, 2024</time></a><span class="by-author"> by <span class="author vcard"><a class="url fn n" href="https://blog.archive.org/author/chrisfreeland/" title="View all posts by Chris Freeland" rel="author">Chris Freeland</a></span></span> </div> </header> <div class="entry-content"> <figure class="wp-block-image size-large"><a href="https://blog.archive.org/wp-content/uploads/2024/12/Grateful_Dead_1970.png"><img loading="lazy" decoding="async" width="1024" height="537" src="https://blog.archive.org/wp-content/uploads/2024/12/Grateful_Dead_1970-1024x537.png" alt="" class="wp-image-28176" srcset="https://blog.archive.org/wp-content/uploads/2024/12/Grateful_Dead_1970-1024x537.png 1024w, https://blog.archive.org/wp-content/uploads/2024/12/Grateful_Dead_1970-300x157.png 300w, https://blog.archive.org/wp-content/uploads/2024/12/Grateful_Dead_1970-768x403.png 768w, https://blog.archive.org/wp-content/uploads/2024/12/Grateful_Dead_1970-624x327.png 624w, https://blog.archive.org/wp-content/uploads/2024/12/Grateful_Dead_1970.png 1069w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></a><figcaption class="wp-element-caption">By Herb Greene – Billboard, page 9, 5 December 1970, Public Domain, <a href="https://commons.wikimedia.org/w/index.php?curid=27041998">https://commons.wikimedia.org/w/index.php?curid=27041998</a></figcaption></figure> <p>As the Grateful Dead are honored at the Kennedy Center Honors broadcast on Sunday (airing December 22 at 8:30pm ET on CBS & streaming), we’re celebrating their legacy with a look at the top ten most popular recordings in the Internet Archive’s <a href="https://archive.org/details/GratefulDead?tab=collection">Grateful Dead collection</a>. Home to over 17,000 live recordings spanning decades of performances, this collection reflects the band’s rich history, their loyal taper community, and the boundless creativity of their legendary shows. From mesmerizing jams to unforgettable setlists, these recordings represent the enduring magic of the Dead—and the timeless connection between the band and their fans. Listen in and rediscover the music that has kept the Grateful Dead’s spirit alive for generations:</p> <p><strong>Top Ten Grateful Dead Live Recordings at the Internet Archive</strong></p> <ol class="wp-block-list"> <li>Grateful Dead Live at <a href="https://archive.org/details/gd77-05-08.sbd.hicks.4982.sbeok.shnf">Barton Hall, Cornell University</a> on 1977-05-08 (<strong>1.3M views</strong>)</li> <li>Grateful Dead Live at <a href="https://archive.org/details/gd73-06-10.sbd.hollister.174.sbeok.shnf">Robert F. Kennedy Stadium</a> on 1973-06-10 (<strong>1.2M views</strong>)</li> <li>Grateful Dead Live at <a href="https://archive.org/details/gd73-02-15.sbd.hall.1580.sbeok.shnf">Dane County Coliseum</a> on 1973-02-15 (<strong>1.0M views</strong>)</li> <li>Grateful Dead Live at <a href="https://archive.org/details/gd87-04-03.sennme80.clark-miller.24898.sbeok.shnf">The Centrum</a> on 1987-04-03 (<strong>782k views</strong>)</li> <li>Grateful Dead Live at <a href="https://archive.org/details/gd77-05-07.sbd.eaton.wizard.26085.sbeok.shnf">Boston Garden</a> on 1977-05-07 (<strong>772k views</strong>)</li> <li>Grateful Dead Live at <a href="https://archive.org/details/gd77-02-26.sbd.alphadog.9752.sbeok.shnf">Swing Auditorium</a> on 1977-02-26 (<strong>741k views</strong>)</li> <li>Grateful Dead Live at <a href="https://archive.org/details/gd77-05-09.sbd.connor.8304.sbeok.shnf">Buffalo Memorial Auditorium</a> on 1977-05-09 (<strong>704k views</strong>)</li> <li>Grateful Dead Live at <a href="https://archive.org/details/gd71-08-06.aud.bertrando.yerys.129.sbeok.shnf">Hollywood Palladium</a> on 1971-08-06 (<strong>555k views</strong>)</li> <li>Grateful Dead Live at <a href="https://archive.org/details/gd95-07-09.sbd.7233.sbeok.shnf">Soldier Field</a> on 1995-07-09 (<strong>551k views</strong>)</li> <li>Grateful Dead Live at <a href="https://archive.org/details/gd1977-05-08.shure57.stevenson.29303.flac16">Barton Hall – Cornell University</a> on 1977-05-08 (<strong>545k views</strong>)</li> </ol> <p>Eagle-eyed viewers will notice that the legendary concert at Barton Hall, Cornell University, on May 8, 1977 appears twice on the list. The collection often features multiple recordings of the same show by different tapers from different vantage points in the crowd. A note on #10 indicates that recording was made “10 Feet From Stage=Great Instrement [sic] Pickup.”</p> </div> <footer class="entry-meta"> Posted in <a href="https://blog.archive.org/category/audio-archive/" rel="category tag">Audio Archive</a>, <a href="https://blog.archive.org/category/news/" rel="category tag">News</a> | Tagged <a href="https://blog.archive.org/tag/grateful-dead/" rel="tag">grateful dead</a>, <a href="https://blog.archive.org/tag/live-music-archive/" rel="tag">live music archive</a> | <span class="comments-link"><span></span></span> </footer> </article> <article id="post-28075" class="post-28075 post type-post status-publish format-standard hentry category-announcements category-audio-archive category-books-archive category-emulation category-image-archive category-live-music-archive-2 category-open-library category-software-archive category-technical category-television-archive category-wayback-machine tag-ddos"> <header class="entry-header"> <h1 class="entry-title"> <a href="https://blog.archive.org/2024/11/14/learning-from-cyberattacks/" rel="bookmark">Learning from Cyberattacks</a> </h1> <div class="entry-byline"> Posted on <a href="https://blog.archive.org/2024/11/14/learning-from-cyberattacks/" title="9:59 pm" rel="bookmark"><time class="entry-date" datetime="2024-11-14T21:59:03+00:00">November 14, 2024</time></a><span class="by-author"> by <span class="author vcard"><a class="url fn n" href="https://blog.archive.org/author/brewster/" title="View all posts by Brewster Kahle" rel="author">Brewster Kahle</a></span></span> </div> </header> <div class="entry-content"> <p>The Wayback Machine, Archive.org, Archive-it.org, and OpenLibrary.org came up in stages over the week after cyberattacks with some of the contributor features coming up over the last couple of weeks.  A few to go.  Much of the development during this time has been focused on securing the services so they can still run while attacks continue.  </p> <p>The Internet Archive is adapting to a more hostile world, where DDOS attacks are recurring periodically (such as yesterday and today), and more severe attacks might happen. Our response has been to harden our services and learn from friends. This note is to share some high level findings, without being so detailed as to help those that are still attacking archive.org.</p> <p>By tightening firewall technologies, we have changed how data flows through our systems to improve monitoring and control. The downside is these upgrades have forced changes to software, some of it quite old. </p> <p>The bright side is this is forcing upgrades that we have long planned or hoped for.  We are greatly helped by the free and open source community’s improving tools that can be used by large corporations as well as non-profit libraries because they are freely available.</p> <p>Also, some commercial companies have offered assistance that would generally be prohibitively expensive.  We are grateful for the support.</p> <p>Where the Internet Archive has always focused on building collections and preserving them, we have been starkly reminded how important reliable access is to researchers, journalists, and readers. This is leading us to install technical defenses and increase staff to improve service availability.</p> <p>Libraries in general, and the Internet Archive in specific, have been under attack for many years now.  For us it started with the book publishers suing (about lending books), and now the recording industry (about 78rpm records), which is a drain on our staff and financial resources. Now recurring DDOS attacks distract us from the goals of preservation and access to our digital heritage.<br><br>We don’t know why these attacks have started recently and if they are coordinated, but we are building defenses.</p> <p>We are grateful for the support from our patrons, through social media, through donations, and through offers of help, which frankly, makes it worthwhile to keep building a library for all of us.</p> <p>– Brewster Kahle</p> </div> <footer class="entry-meta"> Posted in <a href="https://blog.archive.org/category/announcements/" rel="category tag">Announcements</a>, <a href="https://blog.archive.org/category/audio-archive/" rel="category tag">Audio Archive</a>, <a href="https://blog.archive.org/category/books-archive/" rel="category tag">Books Archive</a>, <a href="https://blog.archive.org/category/emulation/" rel="category tag">Emulation</a>, <a href="https://blog.archive.org/category/image-archive/" rel="category tag">Image Archive</a>, <a href="https://blog.archive.org/category/live-music-archive-2/" rel="category tag">Live Music Archive</a>, <a href="https://blog.archive.org/category/open-library/" rel="category tag">Open Library</a>, <a href="https://blog.archive.org/category/software-archive/" rel="category tag">Software Archive</a>, <a href="https://blog.archive.org/category/technical/" rel="category tag">Technical</a>, <a href="https://blog.archive.org/category/television-archive/" rel="category tag">Television Archive</a>, <a href="https://blog.archive.org/category/wayback-machine/" rel="category tag">Wayback Machine - Web Archive</a> | Tagged <a href="https://blog.archive.org/tag/ddos/" rel="tag">ddos</a> | <span class="comments-link"><a href="https://blog.archive.org/2024/11/14/learning-from-cyberattacks/#comments">15 Replies</a></span> </footer> </article> <article id="post-27929" class="post-27929 post type-post status-publish format-standard hentry category-announcements category-archive-it category-audio-archive category-books-archive category-live-music-archive-2 category-movie-archive category-music category-news category-open-library category-television-archive category-video-archive category-wayback-machine category-web-data-services tag-ddos"> <header class="entry-header"> <h1 class="entry-title"> <a href="https://blog.archive.org/2024/10/18/internet-archive-services-update-2024-10-17/" rel="bookmark">Internet Archive Services Update: 2024-10-17</a> </h1> <div class="entry-byline"> Posted on <a href="https://blog.archive.org/2024/10/18/internet-archive-services-update-2024-10-17/" title="12:56 am" rel="bookmark"><time class="entry-date" datetime="2024-10-18T00:56:36+00:00">October 18, 2024</time></a><span class="by-author"> by <span class="author vcard"><a class="url fn n" href="https://blog.archive.org/author/brewster/" title="View all posts by Brewster Kahle" rel="author">Brewster Kahle</a></span></span> </div> </header> <div class="entry-content"> <p>[<a href="https://wapo.st/4f998w2">Washinton Post piece</a>]</p> <p>Last week, along with a DDOS attack and exposure of patron email addresses and encrypted passwords, the Internet Archive’s website javascript was defaced, leading us to bring the site down to access and improve our security. </p> <p>The stored data of the Internet Archive is safe and we are working on resuming services safely. This new reality requires heightened attention to cyber security and we are responding. We apologize for the impact of these library services being unavailable.</p> <p>The <a href="https://web.archive.org">Wayback Machine</a>, <a href="https://archive-it.org">Archive-It</a>, scanning, and national library crawls have resumed, as well as email, <a href="https://blog.archive.org/">blog</a>, <a href="mailto:info@archive.org">helpdesk</a>, and social media communications.  Our team is working around the clock across time zones to bring other services back online. In coming days more services will resume, some starting in read-only mode as full restoration will take more time. </p> <p>We’re taking a cautious, deliberate approach to rebuild and strengthen our defenses. Our priority is ensuring the Internet Archive comes online stronger and more secure.</p> <p>As a library community, we are seeing other cyber attacks—for instance the <a href="https://www.bl.uk/cyber-incident/">British Library</a>, <a href="https://www.seattletimes.com/seattle-news/seattle-public-library-still-reeling-from-may-cyberattack/">Seattle Public Library</a>, <a href="https://www.cbc.ca/news/canada/toronto/toronto-library-ransomware-recovery-1.7126412">Toronto Public Library</a>, and now <a href="https://www.cbc.ca/news/canada/calgary/calgary-public-library-investigation-cyberattack-1.7353097">Calgary Public Library</a>. We hope these attacks are not indicative of a trend.</p> <p>For the latest updates, please check this blog and our official social media accounts: <a href="https://twitter.com/internetarchive/">X/Twitter</a>, <a href="https://bsky.app/profile/did:plc:73dpznbu4wqwtcyurwbiulov">Bluesky</a> and <a href="https://mastodon.archive.org/deck/@internetarchive">Mastodon</a>.</p> <p>Thank you for your patience and ongoing support.</p> </div> <footer class="entry-meta"> Posted in <a href="https://blog.archive.org/category/announcements/" rel="category tag">Announcements</a>, <a href="https://blog.archive.org/category/archive-it/" rel="category tag">Archive-It</a>, <a href="https://blog.archive.org/category/audio-archive/" rel="category tag">Audio Archive</a>, <a href="https://blog.archive.org/category/books-archive/" rel="category tag">Books Archive</a>, <a href="https://blog.archive.org/category/live-music-archive-2/" rel="category tag">Live Music Archive</a>, <a href="https://blog.archive.org/category/movie-archive/" rel="category tag">Movie Archive</a>, <a href="https://blog.archive.org/category/music/" rel="category tag">Music</a>, <a href="https://blog.archive.org/category/news/" rel="category tag">News</a>, <a href="https://blog.archive.org/category/open-library/" rel="category tag">Open Library</a>, <a href="https://blog.archive.org/category/television-archive/" rel="category tag">Television Archive</a>, <a href="https://blog.archive.org/category/video-archive/" rel="category tag">Video Archive</a>, <a href="https://blog.archive.org/category/wayback-machine/" rel="category tag">Wayback Machine - Web Archive</a>, <a href="https://blog.archive.org/category/web-data-services/" rel="category tag">Web & Data Services</a> | Tagged <a href="https://blog.archive.org/tag/ddos/" rel="tag">ddos</a> | <span class="comments-link"><a href="https://blog.archive.org/2024/10/18/internet-archive-services-update-2024-10-17/#comments">70 Replies</a></span> </footer> </article> <nav id="nav-below" class="navigation"> <h3 class="assistive-text">Post navigation</h3> <div class="nav-previous"><a href="https://blog.archive.org/category/audio-archive/page/2/" ><span class="meta-nav">←</span> Older posts</a></div> <div class="nav-next"></div> </nav> </div> </section> <div id="secondary" class="widget-area" role="complementary"> <aside id="search-2" class="widget widget_search"><form role="search" method="get" id="searchform" class="searchform" action="https://blog.archive.org/"> <div> <label class="screen-reader-text" for="s">Search for:</label> <input type="text" value="" name="s" id="s" /> <input type="submit" id="searchsubmit" value="Search" /> </div> </form></aside> <aside id="recent-posts-2" class="widget widget_recent_entries"> <h3 class="widget-title">Latest Posts</h3> <ul> <li> <a href="https://blog.archive.org/2025/03/13/want-to-help-preserve-the-web-save-page-now/">Want to help preserve the web? 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