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Beaucoup de ces fictions, tout en construisant" /> <title>(PDF) L'assiette des fictions : enquêtes sur l'autoréflexivité romanesque</title> <link rel="canonical" href="https://www.academia.edu/11733354/Lassiette_des_fictions_enqu%C3%AAtes_sur_lautor%C3%A9flexivit%C3%A9_romanesque" /> <script async src="https://www.googletagmanager.com/gtag/js?id=G-5VKX33P2DS"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'G-5VKX33P2DS', { cookie_domain: 'academia.edu', send_page_view: false, }); gtag('event', 'page_view', { 'controller': "single_work", 'action': "show", 'controller_action': 'single_work#show', 'logged_in': 'false', 'edge': 'unknown', // Send nil if there is no A/B test bucket, in case some records get logged // with missing data - that way we can distinguish between the two cases. // ab_test_bucket should be of the form <ab_test_name>:<bucket> 'ab_test_bucket': null, }) </script> <script> var $controller_name = 'single_work'; var $action_name = "show"; var $rails_env = 'production'; var $app_rev = '8cbfaf8766d0893fd555467e342c810c6b9f33ae'; var $domain = 'academia.edu'; var $app_host = "academia.edu"; var $asset_host = "academia-assets.com"; var $start_time = new Date().getTime(); var $recaptcha_key = "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB"; var $recaptcha_invisible_key = "6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj"; var $disableClientRecordHit = false; </script> <script> window.require = { config: function() { return function() {} } } </script> <script> window.Aedu = window.Aedu || {}; window.Aedu.hit_data = null; window.Aedu.serverRenderTime = new Date(1740507817000); window.Aedu.timeDifference = new Date().getTime() - 1740507817000; </script> <script type="application/ld+json">{"@context":"https://schema.org","@type":"ScholarlyArticle","abstract":"L’un des champs les plus féconds de la recherche sur le roman d’Ancien-Régime ces dernières années se déploie dans l’espace d’examen des diverses manifestations de l’autoréflexivité qui s’y présentent. Beaucoup de ces fictions, tout en construisant des univers artificiels entre expérience du réel, investigation des possibles et produits de l’imagination, renvoient au lecteur une interrogation pluridimensionnelle sur les constituants, le statut, la motivation, les valeurs poétiques et heuristiques de la fiction elle-même. Plusieurs travaux récents ont permis de mettre en lumière les procédures de mise en scène du discours fictionnel : l’examen des apparats péritextuels, l’étude de la parodie, du recyclage et des réemplois de formes constituées, ont mis au jour le fonctionnement, en particulier rhétorique, du régime métafictionnel mis en œuvre dans un si grand nombre de textes de cette époque. Sans doute, l’horizon des études possibles dans cette direction est-il encore très largement ouvert, mais c’est sur une autre dimension du même phénomène que sont concentrés les travaux réunis ici à la suite d’un double colloque organisé en 2007 aux Universités de Lausanne et de Leuven, celle de l’autoréflexivité romanesque. La notion même d’autoréflexivité peut prêter à discussion ; plusieurs des textes réunis dans ce livre rendent d’ailleurs compte des interrogations ou des malaises qu’elle peut susciter. L’autoréflexivité est comprise ici comme cette propriété des fictions qui les pousse à refléter, dans le cours même des histoires qu’elles élaborent et racontent, les éléments qui la constituent comme fiction, indépendamment des intrigues qui s’y développent. Les questions que suscite l’autoréflexivité ainsi comprise relèvent alors moins de la rhétorique et de la discursivité que de la représentation. Aussi s’agit-il, dans les études réunies ici, d’examiner, dans le corps textuel des fictions, les unités de sens, plus ou moins élaborées, qui assurent le glissement du niveau narratif où se constitue et se développe avec vigueur la matière romanesque vers une plate-forme de lecture distanciée, indépendante du cours de la narration, où se dessine une représentation de ce corps textuel en tant qu’ancrage de la fiction.","author":[{"@context":"https://schema.org","@type":"Person","name":"Jan Herman","url":"https://kuleuven.academia.edu/JanHerman"},{"@context":"https://schema.org","@type":"Person","name":"Adrien Paschoud","url":"https://independent.academia.edu/AdrienPaschoud"},{"@context":"https://schema.org","@type":"Person","name":"Paul Pelckmans","url":"https://independent.academia.edu/PaulPelckmans"},{"@context":"https://schema.org","@type":"Person","name":"françois 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Beaucoup de ces fictions, tout en construisant des univers artificiels entre expérience du réel, investigation des possibles et produits de l’imagination, renvoient au lecteur une interrogation pluridimensionnelle sur les constituants, le statut, la motivation, les valeurs poétiques et heuristiques de la fiction elle-même. Plusieurs travaux récents ont permis de mettre en lumière les procédures de mise en scène du discours fictionnel : l’examen des apparats péritextuels, l’étude de la parodie, du recyclage et des réemplois de formes constituées, ont mis au jour le fonctionnement, en particulier rhétorique, du régime métafictionnel mis en œuvre dans un si grand nombre de textes de cette époque. Sans doute, l’horizon des études possibles dans cette direction est-il encore très largement ouvert, mais c’est sur une autre dimension du même phénomène que sont concentrés les travaux réunis ici à la suite d’un double colloque organisé en 2007 aux Universités de Lausanne et de Leuven, celle de l’autoréflexivité romanesque.\r\nLa notion même d’autoréflexivité peut prêter à discussion ; plusieurs des textes réunis dans ce livre rendent d’ailleurs compte des interrogations ou des malaises qu’elle peut susciter. L’autoréflexivité est comprise ici comme cette propriété des fictions qui les pousse à refléter, dans le cours même des histoires qu’elles élaborent et racontent, les éléments qui la constituent comme fiction, indépendamment des intrigues qui s’y développent. Les questions que suscite l’autoréflexivité ainsi comprise relèvent alors moins de la rhétorique et de la discursivité que de la représentation. Aussi s’agit-il, dans les études réunies ici, d’examiner, dans le corps textuel des fictions, les unités de sens, plus ou moins élaborées, qui assurent le glissement du niveau narratif où se constitue et se développe avec vigueur la matière romanesque vers une plate-forme de lecture distanciée, indépendante du cours de la narration, où se dessine une représentation de ce corps textuel en tant qu’ancrage de la fiction.\r\n\r\n\t\r\n","location":"Actes du colloque de Lausanne (mars 2007) et de Leuven (juin 2007)","more_info":"ISBN 978-90-429-2196-2","publisher":"Peeters, Leuven-Paris-Walpole, La république des lettres vol:38","organization":"co-editeurs scientifiques: Adrien Paschoud, Paul Pelckmans, François Rosset","publication_date":"2010,,"},"document_type":"book","pre_hit_view_count_baseline":null,"quality":"low","language":"fr","title":"L'assiette des fictions : enquêtes sur l'autoréflexivité romanesque","broadcastable":true,"draft":null,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [2563778,28868996,28877994,6009813]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "control"; window.loswp.useOptimizedScribd4genScript = false; window.loginModal = {}; window.loginModal.appleClientId = 'edu.academia.applesignon'; window.userInChina = "false";</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":37166488,"attachmentType":"pdf"}"><img alt="First page of “L'assiette des fictions : enquêtes sur l'autoréflexivité romanesque”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/37166488/mini_magick20190304-4789-2i1ozu.png?1551752912" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/images/single_work_splash/adobe_icon.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">L'assiette des fictions : enquêtes sur l'autoréflexivité romanesque</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="2563778" href="https://independent.academia.edu/AdrienPaschoud"><img alt="Profile image of Adrien Paschoud" class="ds-work-card--author-avatar" src="//a.academia-assets.com/images/s65_no_pic.png" />Adrien Paschoud</a><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="28868996" href="https://independent.academia.edu/PaulPelckmans"><img alt="Profile image of Paul Pelckmans" class="ds-work-card--author-avatar" src="//a.academia-assets.com/images/s65_no_pic.png" />Paul Pelckmans</a><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="28877994" href="https://independent.academia.edu/frosset"><img alt="Profile image of françois rosset" class="ds-work-card--author-avatar" src="//a.academia-assets.com/images/s65_no_pic.png" />françois rosset</a><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="6009813" href="https://kuleuven.academia.edu/JanHerman"><img alt="Profile image of Jan Herman" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/6009813/8658699/42890815/s65_jan.herman.jpg" />Jan Herman</a></div><div class="ds-work-card--detail"><p class="ds-work-card--detail ds2-5-body-sm">2010</p><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">10 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 11733354; const worksViewsPath = "/v0/works/views?subdomain_param=api&work_ids%5B%5D=11733354"; const getWorkViews = async (workId) => { const response = await fetch(worksViewsPath); if (!response.ok) { throw new Error('Failed to load work views'); } const data = await response.json(); return data.views[workId]; }; // Get the view count for the work - we send this immediately rather than waiting for // the DOM to load, so it can be available as soon as possible (but without holding up // the backend or other resource requests, because it's a bit expensive and not critical). const viewCount = await getWorkViews(workId); const updateViewCount = (viewCount) => { try { const viewCountNumber = parseInt(viewCount, 10); if (viewCountNumber === 0) { // Remove the whole views element if there are zero views. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); return; } const commaizedViewCount = viewCountNumber.toLocaleString(); const viewCountBody = document.getElementById('work-metadata-view-count'); if (!viewCountBody) { throw new Error('Failed to find work views element'); } viewCountBody.textContent = `${commaizedViewCount} views`; } catch (error) { // Remove the whole views element if there was some issue parsing. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); throw new Error(`Failed to parse view count: ${viewCount}`, error); } }; // If the DOM is still loading, wait for it to be ready before updating the view count. if (document.readyState === "loading") { document.addEventListener('DOMContentLoaded', () => { updateViewCount(viewCount); }); // Otherwise, just update it immediately. } else { updateViewCount(viewCount); } })();</script></div><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">L’un des champs les plus féconds de la recherche sur le roman d’Ancien-Régime ces dernières années se déploie dans l’espace d’examen des diverses manifestations de l’autoréflexivité qui s’y présentent. Beaucoup de ces fictions, tout en construisant des univers artificiels entre expérience du réel, investigation des possibles et produits de l’imagination, renvoient au lecteur une interrogation pluridimensionnelle sur les constituants, le statut, la motivation, les valeurs poétiques et heuristiques de la fiction elle-même. Plusieurs travaux récents ont permis de mettre en lumière les procédures de mise en scène du discours fictionnel : l’examen des apparats péritextuels, l’étude de la parodie, du recyclage et des réemplois de formes constituées, ont mis au jour le fonctionnement, en particulier rhétorique, du régime métafictionnel mis en œuvre dans un si grand nombre de textes de cette époque. Sans doute, l’horizon des études possibles dans cette direction est-il encore très largement ouvert, mais c’est sur une autre dimension du même phénomène que sont concentrés les travaux réunis ici à la suite d’un double colloque organisé en 2007 aux Universités de Lausanne et de Leuven, celle de l’autoréflexivité romanesque. La notion même d’autoréflexivité peut prêter à discussion ; plusieurs des textes réunis dans ce livre rendent d’ailleurs compte des interrogations ou des malaises qu’elle peut susciter. L’autoréflexivité est comprise ici comme cette propriété des fictions qui les pousse à refléter, dans le cours même des histoires qu’elles élaborent et racontent, les éléments qui la constituent comme fiction, indépendamment des intrigues qui s’y développent. Les questions que suscite l’autoréflexivité ainsi comprise relèvent alors moins de la rhétorique et de la discursivité que de la représentation. Aussi s’agit-il, dans les études réunies ici, d’examiner, dans le corps textuel des fictions, les unités de sens, plus ou moins élaborées, qui assurent le glissement du niveau narratif où se constitue et se développe avec vigueur la matière romanesque vers une plate-forme de lecture distanciée, indépendante du cours de la narration, où se dessine une représentation de ce corps textuel en tant qu’ancrage de la fiction. </p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":37166488,"attachmentType":"pdf","workUrl":"https://www.academia.edu/11733354/Lassiette_des_fictions_enqu%C3%AAtes_sur_lautor%C3%A9flexivit%C3%A9_romanesque"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":37166488,"attachmentType":"pdf","workUrl":"https://www.academia.edu/11733354/Lassiette_des_fictions_enqu%C3%AAtes_sur_lautor%C3%A9flexivit%C3%A9_romanesque"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div><div class="ds-signup-banner-trigger-container"><div class="ds-signup-banner-trigger ds-signup-banner-trigger-control"></div></div><div class="ds-signup-banner ds-signup-banner-control"><div id="ds-signup-banner-close-button"><button class="ds2-5-button ds2-5-button--secondary ds2-5-button--inverse"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">close</span></button></div><div class="ds-signup-banner-ctas"><img src="//a.academia-assets.com/images/academia-logo-capital-white.svg" /><h4 class="ds2-5-heading-serif-sm">Sign up for access to the world's latest research</h4><button class="ds2-5-button ds2-5-button--inverse ds2-5-button--full-width js-swp-download-button" data-signup-modal="{"location":"signup-banner"}">Sign up for free<span class="material-symbols-outlined" style="font-size: 20px" translate="no">arrow_forward</span></button></div><div class="ds-signup-banner-divider"></div><div class="ds-signup-banner-reasons"><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Get notified about relevant papers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Save papers to use in your research</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Join the discussion with peers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Track your impact</span></div></div></div><script>(() => { // Set up signup banner show/hide behavior: // 1. 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fictions: Enquêtes sur l'autoréflexivité romanesque (review)</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="28877994" href="https://independent.academia.edu/frosset">françois rosset</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Eighteenth-Century Fiction, 2012</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"L'Assiette des fictions: Enquêtes sur l'autoréflexivité romanesque (review)","attachmentId":104569332,"attachmentType":"pdf","work_url":"https://www.academia.edu/104992123/LAssiette_des_fictions_Enqu%C3%AAtes_sur_lautor%C3%A9flexivit%C3%A9_romanesque_review_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/104992123/LAssiette_des_fictions_Enqu%C3%AAtes_sur_lautor%C3%A9flexivit%C3%A9_romanesque_review_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="7367178" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/7367178/_R%C3%A9cits_fictionnels_sur_l_art_une_exp%C3%A9rience_de_pens%C3%A9e_interm%C3%A9diale_dans_Fiction_et_savoirs_de_lart_Dominique_Vaugeois_et_Johnnie_Gratton_dir_Revue_critique_de_Fixxion_fran%C3%A7aise_contemporaine_n_8_juin_2014">"Récits fictionnels sur l’art: une expérience de pensée intermédiale", dans "Fiction et savoirs de l'art", Dominique Vaugeois et Johnnie Gratton (dir.), Revue critique de Fixxion française contemporaine, n°8, juin 2014.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="10798817" href="https://idefi-creatic.academia.edu/nancymurzilli">nancy murzilli</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Revue critique de Fixxion française contemporaine, 2014</p><p class="ds-related-work--abstract ds2-5-body-sm">John Dewey comparait notre compréhension des œuvres d'art à la relation d'amitié sous-tendue par l'effort de comprendre une personne avec laquelle nous sommes habituellement en relation. L'amitié avec une autre personne ne peut exister sans l'imagination, qui nous apprend à voir et à sentir comme si nous étions à sa place. Cette étude se propose d'explorer l'hypothèse selon laquelle cette forme d'amitié dirige le recours de l'écriture fictionnelle contemporaine aux autres arts, et constitue le récit en un savoir esthétique. Le recours au thème de l'art (personnage artiste, récit portant sur une œuvre d'art) dans certains récits de fiction contemporains semble en effet témoigner de cette capacité de l'art à nous offrir une échappée hors de nous-même et une identification de nous-même avec une pensée, une action ou une personne qui n'est pas la nôtre. S'il existe un savoir de l'art dans la fiction, peut-il être autre que celui d'un détour ? Un détour emprunté par le récit fictionnel dans lequel s'instaurent des conditions d'intelligibilité de l'art dont le processus peut être apparenté à celui de l'amitié. Nous proposons de voir comment s'instaurent, dans le détour emprunté par le récit fictionnel, des conditions d'intelligibilité de l'art dont le processus peut être apparenté à celui de l'amitié.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"\"Récits fictionnels sur l’art: une expérience de pensée intermédiale\", dans \"Fiction et savoirs de l'art\", Dominique Vaugeois et Johnnie Gratton (dir.), Revue critique de Fixxion française contemporaine, n°8, juin 2014.","attachmentId":35034904,"attachmentType":"pdf","work_url":"https://www.academia.edu/7367178/_R%C3%A9cits_fictionnels_sur_l_art_une_exp%C3%A9rience_de_pens%C3%A9e_interm%C3%A9diale_dans_Fiction_et_savoirs_de_lart_Dominique_Vaugeois_et_Johnnie_Gratton_dir_Revue_critique_de_Fixxion_fran%C3%A7aise_contemporaine_n_8_juin_2014","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/7367178/_R%C3%A9cits_fictionnels_sur_l_art_une_exp%C3%A9rience_de_pens%C3%A9e_interm%C3%A9diale_dans_Fiction_et_savoirs_de_lart_Dominique_Vaugeois_et_Johnnie_Gratton_dir_Revue_critique_de_Fixxion_fran%C3%A7aise_contemporaine_n_8_juin_2014"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="86683726" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/86683726/Autofiction_et_autopo%C3%AF%C3%A9tique_La_fictionnalisation_de_soi">Autofiction et autopoïétique: La fictionnalisation de soi</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="163978941" href="https://independent.academia.edu/dominiqueRosse">dominique Rosse</a></div><p class="ds-related-work--metadata ds2-5-body-xs">L'Esprit Créateur, 2002</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Autofiction et autopoïétique: La fictionnalisation de soi","attachmentId":91079481,"attachmentType":"pdf","work_url":"https://www.academia.edu/86683726/Autofiction_et_autopo%C3%AF%C3%A9tique_La_fictionnalisation_de_soi","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/86683726/Autofiction_et_autopo%C3%AF%C3%A9tique_La_fictionnalisation_de_soi"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="90473725" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/90473725/Ce_que_la_reproductibilit%C3%A9_fait_%C3%A0_la_fiction_Imaginaires_du_diner_am%C3%A9ricain_modernit%C3%A9_industrielle">Ce que la reproductibilité fait à la fiction. Imaginaires du "diner" américain, modernité industrielle</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="49073190" href="https://u-paris10.academia.edu/ManonAmandio">Manon Amandio</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Revue Sociopoétiques, n°7, 2022</p><p class="ds-related-work--abstract ds2-5-body-sm">Devenu l’emblème de l’Amérique post-industrielle en proie au consumérisme de masse, le « diner » [ˈdaɪnər], emprunt à l’anglais parfois traduit par « relais routier » ou « restaurant », est un espace omniprésent dans les fictions littéraires et cinématographiques américaines du XXe siècle. Si des études d’histoire ou d’architecture font déjà état des multiples enjeux associés à cet espace, ses fonctions dans le roman et le cinéma à partir des années 1940 restent à étudier. Les « scènes de diner » constituent pourtant des étapes révélatrices pour l’univers fictionnel, tributaires de la construction d’un sujet moderne désorienté. Fondée sur le redoublement et la répétition des mêmes objets et aménagements, la reproductibilité inhérente au « diner » américain est à l’origine d’un nouveau rapport à l’espace, propice au déploiement de l’intériorité du sujet.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Ce que la reproductibilité fait à la fiction. Imaginaires du \"diner\" américain, modernité industrielle","attachmentId":94027290,"attachmentType":"pdf","work_url":"https://www.academia.edu/90473725/Ce_que_la_reproductibilit%C3%A9_fait_%C3%A0_la_fiction_Imaginaires_du_diner_am%C3%A9ricain_modernit%C3%A9_industrielle","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/90473725/Ce_que_la_reproductibilit%C3%A9_fait_%C3%A0_la_fiction_Imaginaires_du_diner_am%C3%A9ricain_modernit%C3%A9_industrielle"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="39711159" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/39711159/Lautofiction_comme_enqu%C3%AAte_sociale_une_%C3%A9criture_interrogative_chez_Cercas_et_Roth">L'autofiction comme enquête sociale : une écriture interrogative chez Cercas et Roth</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="19593853" href="https://univ-paris3.academia.edu/guillermohector">Guillermo Héctor</a></div><p class="ds-related-work--abstract ds2-5-body-sm">Lorsque Javier Cercas essaie de tisser son « roman sans fiction » L’Imposteur (2014), l’écrivain découvre l’impossibilité de discerner les brins de vérité historique qui ont contribué à ériger la figure d’Enric Marco, manipulateur « affreux et génial » qui a manié la mémoire de tout un pays pour construire un récit de soi aussi fallacieux que vraisemblable, aussi insidieux qu’efficace. À l'instar de Nathan Zuckerman, l’écrivain fictif de The Human Stain (Philip Roth, 2000), Cercas devient un personnage-enquêteur confronté à un maître du vrai-mentir qui construit une autofiction lacunaire effaçant toute trace de vérité absolue. Autobiographie honteuse selon Genette, l’autofiction peut aussi être vue comme le reflet d'une pulsion documentaire qui semble préfigurer une tendance dans la biofiction contemporaine, tels Le projet Blumkine de Claude Salmon ou encore Limonov d’Emmanuel Carrère. Chez Cercas et Roth, cependant, l'écrivain sujet devient objet, transformé graduellement en protagoniste d’un récit d'autrui qui s'avère écriture de soi. Sorte d'évolution du personnage d'Ilse dans Le Livre brisé de Doubrosvky, les alter-ego de Cercas et Roth cherchent à se placer au centre d’événements non vécus pour recréer la mémoire d’une époque à travers la tentative d'épuisement d’une identité fugitive.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"L'autofiction comme enquête sociale : une écriture interrogative chez Cercas et Roth","attachmentId":59884288,"attachmentType":"pdf","work_url":"https://www.academia.edu/39711159/Lautofiction_comme_enqu%C3%AAte_sociale_une_%C3%A9criture_interrogative_chez_Cercas_et_Roth","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/39711159/Lautofiction_comme_enqu%C3%AAte_sociale_une_%C3%A9criture_interrogative_chez_Cercas_et_Roth"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="85995307" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/85995307/Approcher_la_litt%C3%A9rature_par_r%C3%A9flexion_">Approcher la littérature par « réflexion »</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="21626059" href="https://college-de-france.academia.edu/WilliamMarx">William Marx</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2016</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Approcher la littérature par « réflexion »","attachmentId":90544178,"attachmentType":"pdf","work_url":"https://www.academia.edu/85995307/Approcher_la_litt%C3%A9rature_par_r%C3%A9flexion_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/85995307/Approcher_la_litt%C3%A9rature_par_r%C3%A9flexion_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="42800429" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/42800429/Infl%C3%A9chir_le_regard_Retour_r%C3%A9flexif_et_dialogue_sur_l_%C3%A9criture_autofictionnelle_comme_m%C3%A9thode_de_recherche_cr%C3%A9ation">Infléchir le regard : Retour réflexif et dialogue sur l’écriture autofictionnelle comme méthode de recherche-création</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="61447013" href="https://uqam.academia.edu/CynthiaNoury">Cynthia Noury</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Anthologie réflexive: 20 ans de la revue COMMposite, 2017</p><p class="ds-related-work--abstract ds2-5-body-sm">Réflexion croisée sur les défis des démarches de recherche-création faisant appel à l'écriture autofictionnelle. (Archive du numéro en ligne: http://www.commposite.org/index.php/revue/issue/view/30)</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Infléchir le regard : Retour réflexif et dialogue sur l’écriture autofictionnelle comme méthode de recherche-création","attachmentId":63028683,"attachmentType":"pdf","work_url":"https://www.academia.edu/42800429/Infl%C3%A9chir_le_regard_Retour_r%C3%A9flexif_et_dialogue_sur_l_%C3%A9criture_autofictionnelle_comme_m%C3%A9thode_de_recherche_cr%C3%A9ation","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/42800429/Infl%C3%A9chir_le_regard_Retour_r%C3%A9flexif_et_dialogue_sur_l_%C3%A9criture_autofictionnelle_comme_m%C3%A9thode_de_recherche_cr%C3%A9ation"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="63827977" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/63827977/Frictions_de_la_fiction_dans_les_imaginaires_contemporains">Frictions de la fiction dans les imaginaires contemporains</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="17988887" href="https://independent.academia.edu/Ren%C3%A9eBourassa">Renée Bourassa</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Ontologie du numérique, 2017</p><p class="ds-related-work--abstract ds2-5-body-sm">Ce document est protégé par la loi sur le droit d'auteur. L'utilisation des services d'Érudit (y compris la reproduction) est assujettie à sa politique d'utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l'</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Frictions de la fiction dans les imaginaires contemporains","attachmentId":76121248,"attachmentType":"pdf","work_url":"https://www.academia.edu/63827977/Frictions_de_la_fiction_dans_les_imaginaires_contemporains","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/63827977/Frictions_de_la_fiction_dans_les_imaginaires_contemporains"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="57098049" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/57098049/Fictions_d_art_des_espaces_pensifs">Fictions d’art : des espaces pensifs</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="33002011" href="https://tcd.academia.edu/JohnnieGratton">Johnnie Gratton</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Revue Critique De Fixxion Francaise Contemporaine, 2014</p><p class="ds-related-work--abstract ds2-5-body-sm">Depuis le début des années 1990, la vogue des récits dont le personnage ou le narrateur sont des peintres 1 , des critiques d'art ou des historiens 2 , les fictions où l'oeuvre plastique, réelle ou imaginaire, est l'objet de la diégèse 3 , où l'intrigue concerne les milieux de l'art à travers l'histoire 4 , ne faiblit pas. Des éditeurs et des collections leur font une place privilégiée, des écrivains s'en font une spécialité (Christian Garcin, Adrien Goetz, Patrick Roegiers) ou entretiennent la pratique comme un fil rouge de leur oeuvre (Pierre Michon, Gérard Macé, Pascal Quignard), tandis que des historiens de l'art accomplissent l'excursion fictionnelle avec conviction 5. Ces livres, romans, essais, proses imaginatives, qui traversent les genres, du polar à l'hommage en passant par la satire ou l'érotisme 6 , sont souvent l'occasion pour leurs auteurs de décrocher un prix. Cette tendance ne concerne pas seulement l'aire française et francophone, notamment pour ce qui est du genre des "art history mysteries" (Ian Pears, Jonathan Argyll series) et de l'usage de l'objet d'art dans la fiction 7. Ces ouvrages participent d'un goût pour le savoir-que l'on constate dans la fiction en général comme en témoigne le succès d'une collection comme "Fiction et Cie" et les nombreux échanges de la littérature contemporaine avec l'histoire, l'anthropologie, les sciences cognitives, les sciences de l'environnement, etc.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Fictions d’art : des espaces pensifs","attachmentId":72160404,"attachmentType":"pdf","work_url":"https://www.academia.edu/57098049/Fictions_d_art_des_espaces_pensifs","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/57098049/Fictions_d_art_des_espaces_pensifs"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="30470131" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/30470131/D%C3%AEners_imaginaires_et_repas_fantasmes_la_recette_de_cuisine_comme_espace_de_projection_litt%C3%A9raire">Dîners imaginaires et repas fantasmes: la recette de cuisine comme espace de projection littéraire</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="19003303" href="https://brynmawr.academia.edu/EdwigeCrucifix">Edwige Crucifix</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Dîners imaginaires et repas fantasmes: la recette de cuisine comme espace de projection littéraire","attachmentId":56518351,"attachmentType":"pdf","work_url":"https://www.academia.edu/30470131/D%C3%AEners_imaginaires_et_repas_fantasmes_la_recette_de_cuisine_comme_espace_de_projection_litt%C3%A9raire","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/30470131/D%C3%AEners_imaginaires_et_repas_fantasmes_la_recette_de_cuisine_comme_espace_de_projection_litt%C3%A9raire"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":37166488,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":37166488,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_37166488" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. 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href="https://www.academia.edu/126103710/Critique_des_fonctions_et_de_la_nature_des_fictions">Critique des fonctions et de la nature des fictions</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="17231669" href="https://independent.academia.edu/FR33">Frédéric Rouvière</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2015</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Critique des fonctions et de la nature des fictions","attachmentId":120032270,"attachmentType":"pdf","work_url":"https://www.academia.edu/126103710/Critique_des_fonctions_et_de_la_nature_des_fictions","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free 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Lingelser</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2014</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"L'écrivain et ses doubles : le personnage autoréflexif dans la littérature européenne","attachmentId":76939885,"attachmentType":"pdf","work_url":"https://www.academia.edu/65259911/L%C3%A9crivain_et_ses_doubles_le_personnage_autor%C3%A9flexif_dans_la_litt%C3%A9rature_europ%C3%A9enne","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/65259911/L%C3%A9crivain_et_ses_doubles_le_personnage_autor%C3%A9flexif_dans_la_litt%C3%A9rature_europ%C3%A9enne"><span 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