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fadeOut 1.25s; /* Internet Explorer */ } @keyframes fadeOut { from { opacity: 1; } to { opacity: 0; } } @-webkit-keyframes fadeOut { from { opacity: 1; } to { opacity: 0; } } @-ms-keyframes fadeOut { from { opacity: 1; } to { opacity: 0; } } .App_v2 { border: 0; background: none; padding: 0; margin: 0; } .overlay-gradient { position: absolute; bottom: 0; left: 0; right: 0; height: 49%; -webkit-box-sizing: border-box; -moz-box-sizing: border-box; box-sizing: border-box; background: -moz-linear-gradient(top,rgba(0,0,0,0) 0,rgba(0,0,0,0) 0%,rgba(19,19,21,1) 100%); background: -webkit-gradient(linear,left top,left bottom,color-stop(0%,rgba(0,0,0,0)),color-stop(0%,rgba(0,0,0,0)),color-stop(100%,rgba(19,19,21,1))); background: -webkit-linear-gradient(top,rgba(0,0,0,0) 0,rgba(0,0,0,0) 0%,rgba(19,19,21,1) 100%); background: -ms-linear-gradient(top,rgba(0,0,0,0) 0,rgba(0,0,0,0) 0%,rgba(19,19,21,1) 100%); background: linear-gradient(to bottom,rgba(0,0,0,0) 0,rgba(0,0,0,0) 0%,rgba(19,19,21,1) 100%); color: #FFF; } .SubLead .moduleName { font-size: 42px; color: #fff; } .SubLead .listTitle { font-size: 28px; color: #787889; } .SubLead.movies { margin-left: 25px; margin-right: 25px; } .SubLead.isHomePage { margin-left: 10px; margin-right: 10px; } /* Smartphone & Tablet */ .SubLead.touch { margin: 0; } .SubLead.touch .App_v2 { margin: 10px 10px 0; } .SubLead.touch .App_v2[data-applet-type="td-applet-cardstrip"] { margin: 0; padding-top: 10px; } /*------------------------------------------*/ /* Split view */ /*------------------------------------------*/ /* if no splitView, only display sidekick-right, and do not display sidekick-left */ /* otherwise, display both sidekicks */ .SubLead .sV-Box.noSplitView { margin: 0; } .SubLead .sV-Box.noSplitView .sidekick-left { display: none; } .SubLead .sV-Box.noSplitView .sidekick-right { margin-left: 0; padding-left: 0; } /* split state */ .Sublead .sV-Box .moduleName { font-size: 28px; color: #fff;} .sV-Box { position: relative; margin-bottom: 20px;} .sV-Box.expanded { overflow: visible; } .sV-Item.absPositioned { position: absolute; top: 0; left : 0; width:50%; bottom: 0; } .sV-Item.sidekick-right { margin-left: 50%; padding-right: 0; padding-left: 10px; } .sV-Box .sidekick-right .moduleName, .sV-Box .sidekick-left .moduleName { font-size: 28px; color: #fff; -webkit-font-smoothing: antialiased; -moz-osx-font-smoothing: grayscale; -ms-font-smoothing: antialiased; font-smoothing: antialiased; } .sV-Box .split-expand .Icon, .sV-Box .split-reset.bottom .Icon { border: 1px solid; border-radius: 20px; width: 18px; height: 18px; font-size: 16px; vertical-align: bottom; line-height: 18px; margin-left: 10px; } /* expand left */ .sV-Box.expanded.left .sV-Item.sidekick-left { position: relative; width: 100%; } .sV-Box.expanded.left .sV-Item.sidekick-right { position: absolute; top: 0; display: none; margin-left: 100%; overflow: hidden; } /* expand right */ .sV-Box.expanded.right .sV-Item.sidekick-left { left: -50%; display: none;} .sV-Box.expanded.right .sV-Item.sidekick-right { margin-left: 0; padding-left: 0; padding-right: 0; } /* Right side - details - specific */ /* to get aligned with showtimes module title */ .sV-Box .sidekick-right .moduleHeader { padding-top: 13px;} .sV-Box .sidekick-right .split-expand-neighbor, .sV-Box .sidekick-right .moduleHeader .split-reset { display: none; } /* left side - showtime - specific */ .sV-Item *[data-applet-type="td-applet-movieshowtimes"] { position: static; } .sV-Item.expanded *[data-applet-type="td-applet-movieshowtimes"] { position: relative; } .sV-Item.sidekick-left > *:after { content: ''; display: block; height: 52px; } .SubLead.phone .sV-Item.sidekick-left > *:after { display: none; } .sV-Box .sidekick-left a.split-expand, .sV-Box .sidekick-left a.split-reset { color: #7690fa; cursor: pointer; font-size: 1.8rem; z-index: 1; } .expand-collapse-btn { padding-top: 10px; } .sV-Box .sidekick-left .expand-collapse-btn { position: absolute; background: -moz-linear-gradient(top, rgba(0,0,0,0) 0%, rgba(19,19,21,1) 60%); background: -webkit-gradient(linear, left top, left bottom, color-stop(0%,rgba(0,0,0,0)), color-stop(100%,rgba(19,19,21,1))); background: -webkit-linear-gradient(top, rgba(0,0,0,0) 0%,rgba(19,19,21,1) 60%); background: -ms-linear-gradient(top, rgba(0,0,0,0) 0%,rgba(19,19,21,1) 60%); background: linear-gradient(to bottom, rgba(0,0,0,0) 0%,rgba(19,19,21,1) 60%); bottom: 0; left: 0; right: 0; padding-top: 50px; z-index: 1; } .sV-Box.expanded a.split-expand, .sV-Box a.split-reset { display: none; } .sV-Box a.split-expand, .sV-Box.expanded a.split-reset { display: block; } .sV-Box.expanded .sidekick-left .filtersDiv, .sV-Box.expanded .sidekick-left .collapseLinkDiv, .sV-Box.expanded .sidekick-left .openLinkDiv { padding-bottom: 5px; } .sV-Box .sidekick-left .collapseLinkDiv, .sV-Box .sidekick-left .openLinkDiv { display: none; } /* showtimes expand button - mobile */ .SubLead.touch .sidekick-left .load-more-showtimes { margin-left: 15px; position: absolute; bottom: 0; padding-top: 10px;} /* Smartphone & Tablet */ @media only screen and (max-device-width : 1024px) { .noSplitView .sidekick-left { display: none; } .sV-Item.absPositioned { position: relative; width:100%; } .sV-Item.sidekick-right { margin-left: 0; padding-left: 0; } /* expand left */ .sV-Box.expanded.left .sV-Item.sidekick-left { position: relative; width: 100%; } .sV-Box.expanded.left .sV-Item.sidekick-right { position: relative; top: 0; margin-left: 0; } /* expand right */ .sV-Box.expanded.right .sV-Item.sidekick-left { left: 0; } /* Right side - details - specific */ .sV-Box.expanded .sidekick-right .moduleName { border-bottom: 0; } .sV-Item.sidekick-right .moduleName { font-size: 24px; } /* left side - showtime - specific */ .sV-Item.sidekick-left .moduleName { font-size: 24px; } .sV-Box .split-expand-neighbor, .sV-Box .sidekick-left a.split-expand, .sV-Box .sidekick-left a.split-reset { display: none; } .sV-Box.expanded .sidekick-left .filtersDiv, .sV-Box.expanded .sidekick-left .collapseLinkDiv, .sV-Box.expanded .sidekick-left .openLinkDiv { padding-bottom: 0; } .sV-Box.expanded .sidekick-left .collapseLinkDiv, .sV-Box.expanded .sidekick-left .openLinkDiv { display: none; } .sV-Box.expanded .sidekick-left .filtersDiv, .sV-Box.expanded .sidekick-left .collapseLinkDiv { border-bottom: 0;} } </style> <style>/* Movies styles */ /* Card styles. */ .movieCard { width: 300px; /* Default width, size options below. */ } .movieCard .movieCardSplash .DarkOverlayGradient { background-color: rgba(0, 0, 0, 0.0); background-image: -webkit-gradient(linear, left top, left bottom, color-stop(50%,rgba(0,0,0,0)), color-stop(100%,rgba(0,0,0,0.80))); background-image: -webkit-linear-gradient(top, rgba(0,0,0,0) 50%,rgba(0,0,0,0.80) 100%); background-image: -moz-linear-gradient(top, rgba(0,0,0,0) 50%, rgba(0,0,0,0.80) 100%); background-image: -ms-linear-gradient(top, rgba(0,0,0,0) 50%,rgba(0,0,0,0.80) 100%); background-image: -o-linear-gradient(top, rgba(0,0,0,0) 50%,rgba(0,0,0,0.80) 100%); background-image: linear-gradient(to bottom, rgba(0,0,0,0) 50%,rgba(0,0,0,0.80) 100%); } .desktop .movieCard .movieCardSplash:hover a .DarkOverlayGradient { background-color: rgba(0, 0, 0, 0.2); } .movieCard .movieCardSplash .movieCardSplashInfo { bottom: 6px; left: 15px; right: 15px; text-shadow: 0 1px 0 rgba(0, 0, 0, 0.5); } .movieCard .movieCardSplash .movieCardTitle { max-height: 90px; /* Three lines max. */ font-size: 2.4rem; line-height: 26px; -webkit-font-smoothing: antialiased; font-smoothing: antialiased; } .movieCard .movieCardInfo { height: 40px; color: #abaeb7; } .movieCard .rating { border: 2px solid #abaeb7; color: #abaeb7; } /* Sizes */ /* Size: small */ .movieCard.movieCardSmall { width: 222px; } .movieCard.movieCardSmall .movieCardSplash .movieCardTitle { max-height: 59px; /* Three lines max. */ font-size: 1.6rem; line-height: 18px; } /* Size: tiny */ .movieCard.movieCardTiny { width: 150px; } .movieCard.movieCardTiny .movieCardSplash .movieCardSplashInfo { left: 5px; right: 5px; bottom: 3px; } .movieCard.movieCardTiny .movieCardSplash .movieCardTitle { font-size: 1.6rem; font-weight: 300; white-space: nowrap; text-overflow: ellipsis; } /* Button styles. */ .moviesButton { -webkit-transition: background-color 50ms ease-out; transition: background-color 50ms ease-out; background: #676780; outline: none; } .moviesButton:hover { background: #676780; } .moviesButton.blue { background: #5571FF; } .moviesButton.blue:hover { background: #5571FF; } .moviesButton.moviesButtonNoIcon .Icon { display: none; } .moviesButton.loading, .moviesButtonContainer.moviesButtonLoading .moviesButton { width: 167px; text-indent: -9999px; background-color: rgb(49, 49, 58); background-image: url(https://web.archive.org/web/20140929132139im_/https://s.yimg.com/os/mit/td/yosaic-5.0.7/images/reel_throbber.gif); background-repeat: no-repeat; background-position: center center; background-size: 35px; } </style> <div id="applet_4454109337062799" class="js-applet" data-applet-guid="4454109337062799" data-applet-type="td-applet-movies-layout"> <div class="App-Bd"> <div class="App-Main" data-region="main"> <div class="js-applet-view-container-main"> <div class="teaser"> </div> <div class="sponsored"> </div> <div class="hero noHero movies desktop movies contentType-index "> </div> <div class="SubLead sublead isHomePage movies desktop movies contentType-index "> <div data-region="td-applet-cardstrip"><style>/* Carousel styles */ .App_v2[data-applet-type="td-applet-cardstrip"] { background: none; border: 0; margin: 0; padding: 0; } /* Cards */ .cardstrip-container li { margin: 0 1px 0 0; } .cardstrip-container li:last-child { margin: 0; } /* Transitions */ .cardstrip-container ul { -webkit-transition: left 700ms ease-in-out; -moz-transition: left 700ms ease-in-out; -o-transition: left 700ms ease-in-out; transition: left 700ms ease-in-out; } /* Arrow Buttons */ .cardstrip-container .carousel-container.hidePrevArrow .cardstrip-btn-container.Start-0, .cardstrip-container .carousel-container.hideNextArrow .cardstrip-btn-container.End-0 { visibility: hidden; } /* Smartphone + Tablet */ .cardstrip-container .carousel-container.smartphone, .cardstrip-container .carousel-container.tablet { overflow-x: scroll !important; overflow-y: hidden !important; -webkit-overflow-scrolling: touch; } .cardstrip-container .carousel-container.smartphone ul, .cardstrip-container .carousel-container.tablet ul { padding: 0 10px; } .cardstrip-container .carousel-container.smartphone .cardstrip-btn-container, .cardstrip-container .carousel-container.tablet .cardstrip-btn-container { visibility: hidden; } </style> <style>/* Arrow button styles */ .cardstrip-container .cardstrip-btn { width: 34px; background: rgba(49, 49, 58, 0.6); opacity: 0; color: #787889; outline: none; -webkit-transition: all 150ms ease-in-out; -moz-transition: all 150ms ease-in-out; -o-transition: all 150ms ease-in-out; transition: all 150ms ease-in-out; } .cardstrip-container .carousel-container.desktop .cardstrip-btn .Icon { width: auto; } .cardstrip-container:hover .carousel-container.desktop .cardstrip-btn { opacity: 1.0; } .cardstrip-container .carousel-container.desktop .cardstrip-btn:hover { background: rgba(120, 120, 137, 0.8); color: #131315; } /* Gradient Overlays */ .cardstrip-container .cardstrip-btn-overlay { width: 60px; pointer-events: none; } .cardstrip-container .cardstrip-btn-overlay.Start-0 { background-image: -webkit-gradient(linear, left top, right top, from(rgba(19, 19, 21, 1.0)), to(rgba(19, 19, 21, 0.0))); background-image: -webkit-linear-gradient(left, rgba(19, 19, 21, 1.0), rgba(19, 19, 21, 0.0)); background-image: -moz-linear-gradient(left, rgba(19, 19, 21, 1.0), rgba(19, 19, 21, 0.0)); background-image: -o-linear-gradient(left, rgba(19, 19, 21, 1.0), rgba(19, 19, 21, 0.0)); background-image: linear-gradient(to right, rgba(19, 19, 21, 1.0), rgba(19, 19, 21, 0.0)); } .cardstrip-container .cardstrip-btn-overlay.End-0 { background-image: -webkit-gradient(linear, right top, left top, from(rgba(19, 19, 21, 1.0)), to(rgba(19, 19, 21, 0.0))); background-image: -webkit-linear-gradient(right, rgba(19, 19, 21, 1.0), rgba(19, 19, 21, 0.0)); background-image: -moz-linear-gradient(right, rgba(19, 19, 21, 1.0), rgba(19, 19, 21, 0.0)); background-image: -o-linear-gradient(right, rgba(19, 19, 21, 1.0), rgba(19, 19, 21, 0.0)); background-image: linear-gradient(to left, rgba(19, 19, 21, 1.0), rgba(19, 19, 21, 0.0)); } </style> <div id="applet_4454109417624172" class="App_v2 js-applet" data-i13n="auto:true" data-applet-guid="4454109417624172" data-applet-type="td-applet-cardstrip"> <div class="App-Bd"> <div class="App-Main" data-region="main"> <div class="js-applet-view-container-main"> <div class="cardstrip-container Us-n H-n"> <div class="carousel-container Ov-h Zoom-1 Pos-r hidePrevArrow desktop"> <ul class="Reset D-ib Pos-r Start-0 Whs-nw Ov-h Va-t"> <li class="cardstrip-card Pos-r D-ib Whs-n Va-t"> <div class="movieCard M-0 movieCardSmall "> <div class="movieCardSplash Pos-r W-100 Hover Ov-h" data-content-id="c755b030-a6d6-11e2-a57d-fb1b837de50c"> <img class="W-100 V-h Op-0" src="https://web.archive.org/web/20140929132139im_/https://s.yimg.com/os/mit/ape/ms/d15f883/bg-splash-222x125.jpg" alt="The Boxtrolls"> <a href="/web/20140929132139/https://www.yahoo.com/movies/film/the-boxtrolls" data-ylk="t1:a2;t2:cardstrip;t3:moviecard;sec:cardstrip;mpos:1;bpos:1;cpos:1;slk:the-boxtrolls;g:c755b030-a6d6-11e2-a57d-fb1b837de50c;elm:img;itc:0;" class="Pos-a D-b W-100 T-0 B-0 Ov-h rapidnofollow"> <img class="W-100 Mih-100 Va-t" src="https://web.archive.org/web/20140929132139im_/https://s.yimg.com/lo/api/res/1.2/EN43.PjvVegY5RPXnpgOvg--/YXBwaWQ9bWFnYXppbmVzO3c9MjIy/https://s.yimg.com/os/publish-images/movies/2014-08-12/0fbac460-224a-11e4-9744-29ee95ffc45b_the-boxtrolls.jpg" alt="The Boxtrolls"> <div class="Pos-a B-0 T-0 Start-0 End-0 DarkOverlayGradient P-0 M-0 FastTrans"></div> <div class="movieCardSplashInfo Pos-a"> <date class="Fz-s C-w Mb-4 featureFont"> </date> <div class="movieCardTitle M-0 featureFont H-n Tt-u Ov-h C-w">The Boxtrolls</div> </div> </a> </div> </div> </li><li class="cardstrip-card Pos-r D-ib Whs-n Va-t"> <div class="movieCard M-0 movieCardSmall "> <div class="movieCardSplash Pos-r W-100 Hover Ov-h" data-content-id="b91d49a0-a6d7-11e2-976f-a9f7ce4ce4cd"> <img class="W-100 V-h Op-0" src="https://web.archive.org/web/20140929132139im_/https://s.yimg.com/os/mit/ape/ms/d15f883/bg-splash-222x125.jpg" alt="The Equalizer"> <a href="/web/20140929132139/https://www.yahoo.com/movies/film/the-equalizer" data-ylk="t1:a2;t2:cardstrip;t3:moviecard;sec:cardstrip;mpos:1;bpos:1;cpos:2;slk:the-equalizer;g:b91d49a0-a6d7-11e2-976f-a9f7ce4ce4cd;elm:img;itc:0;" class="Pos-a D-b W-100 T-0 B-0 Ov-h rapidnofollow"> <img class="W-100 Mih-100 Va-t" src="https://web.archive.org/web/20140929132139im_/https://s1.yimg.com/lo/api/res/1.2/9uEgsI4Vvm75hbil5gAK7g--/YXBwaWQ9bWFnYXppbmVzO3c9MjIy/https://s.yimg.com/os/publish-images/movies/2014-09-08/4f933e80-3787-11e4-8956-f147dd467bc5_the-equalizer-denzel.jpg" alt="The Equalizer"> <div class="Pos-a B-0 T-0 Start-0 End-0 DarkOverlayGradient P-0 M-0 FastTrans"></div> <div class="movieCardSplashInfo Pos-a"> <date class="Fz-s C-w Mb-4 featureFont"> </date> <div class="movieCardTitle M-0 featureFont H-n Tt-u Ov-h C-w">The Equalizer</div> </div> </a> </div> </div> </li><li class="cardstrip-card Pos-r D-ib Whs-n Va-t"> <div class="movieCard M-0 movieCardSmall "> <div class="movieCardSplash Pos-r W-100 Hover Ov-h" data-content-id="8683fd80-a6d8-11e2-97b8-15d9ce78ca03"> <img class="W-100 V-h Op-0" src="https://web.archive.org/web/20140929132139im_/https://s.yimg.com/os/mit/ape/ms/d15f883/bg-splash-222x125.jpg" alt="The Maze Runner"> <a href="/web/20140929132139/https://www.yahoo.com/movies/film/the-maze-runner" data-ylk="t1:a2;t2:cardstrip;t3:moviecard;sec:cardstrip;mpos:1;bpos:1;cpos:3;slk:the-maze-runner;g:8683fd80-a6d8-11e2-97b8-15d9ce78ca03;elm:img;itc:0;" class="Pos-a D-b W-100 T-0 B-0 Ov-h rapidnofollow"> <img class="W-100 Mih-100 Va-t" src="https://web.archive.org/web/20140929132139im_/https://s.yimg.com/lo/api/res/1.2/9Se1h2UngBI4mjwLRpilRQ--/YXBwaWQ9bWFnYXppbmVzO3c9MjIy/https://s1.yimg.com/os/publish-images/movies/2014-06-03/c96d98f0-eab5-11e3-bb65-2b2db7e7cc81_the-maze.jpg" alt="The Maze Runner"> <div class="Pos-a B-0 T-0 Start-0 End-0 DarkOverlayGradient P-0 M-0 FastTrans"></div> <div class="movieCardSplashInfo Pos-a"> <date class="Fz-s C-w Mb-4 featureFont"> </date> <div class="movieCardTitle M-0 featureFont H-n Tt-u Ov-h C-w">The Maze Runner</div> </div> </a> </div> </div> </li><li class="cardstrip-card Pos-r D-ib Whs-n Va-t"> <div class="movieCard M-0 movieCardSmall "> <div class="movieCardSplash Pos-r W-100 Hover Ov-h" data-content-id="360a99a0-a6d7-11e2-bfc3-293781d5745e"> <img class="W-100 V-h Op-0" src="https://web.archive.org/web/20140929132139im_/https://s.yimg.com/os/mit/ape/ms/d15f883/bg-splash-222x125.jpg" alt="This Is Where I Leave You"> <a href="/web/20140929132139/https://www.yahoo.com/movies/film/this-is-where-i-leave-you" data-ylk="t1:a2;t2:cardstrip;t3:moviecard;sec:cardstrip;mpos:1;bpos:1;cpos:4;slk:this-is-where-i-leave-you;g:360a99a0-a6d7-11e2-bfc3-293781d5745e;elm:img;itc:0;" class="Pos-a D-b W-100 T-0 B-0 Ov-h rapidnofollow"> <img class="W-100 Mih-100 Va-t" src="https://web.archive.org/web/20140929132139im_/https://s.yimg.com/lo/api/res/1.2/qj7saw_KVSAChDAWuZlu.Q--/YXBwaWQ9bWFnYXppbmVzO3c9MjIy/https://s.yimg.com/os/publish-images/movies/2014-09-04/c26e8d70-3484-11e4-8859-535f3f873ee7_this-is-where-i-leave-you-02.jpg" alt="This Is Where I Leave You"> <div class="Pos-a B-0 T-0 Start-0 End-0 DarkOverlayGradient P-0 M-0 FastTrans"></div> <div 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When a young hooker is threatened by the brutal Russian mob, McCall breaks his self-imposed exile to come to her aid. 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When a young hooker is threatened by the brutal Russian mob, McCall breaks his self-imposed exile to come to her aid. Now his passion for justice is reawakened, and McCall turns vigilante, helping the helpless with skills honed during a lifetime of battle."},{"name":"short_title","value":"The Equalizer"},{"name":"lang","value":"en-US"},{"name":"shared_image","value":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fl.yimg.com\u002Fos\u002Fpublish-images\u002Fmovies\u002F2014-09-08\u002F3073c190-3788-11e4-b953-49cce66baf5b_the-equalizer-poster.jpg"},{"name":"title","value":"The Equalizer"}],"display_name":"The Equalizer","alias_type":"NONE","name":"The Equalizer","slug":"movie:the-equalizer","count":12}],"url_slug":"why-denzel-washington-may-be-the-last-pure-movie-star-98652242672","makelive_date":1411928029359,"ts_update":1411964763,"ccm_id":"51663427-648c-3268-b33c-63354f933890","page_date":1411928029358,"attribution":{"display_name":"Variety","url":{"href":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fvariety.com\u002F","rel":"alternate","type":"text\u002Fhtml"}},"image_sizes":[{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002Fe7d22bba0f1b946e7f70a1fbfd7d323931d3eda0.jpg","type":"image\u002Fjpeg","width":500,"height":334,"size_type":"500"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w1000\u002Fe7d22bba0f1b946e7f70a1fbfd7d323931d3eda0.jpg","type":"image\u002Fjpeg","width":1000,"height":667,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FOklux7d_LpRcCEVxf9UNTI_0GPg"}],"highlight_color":"#000000","data_version":"1","title":"Why Denzel Washington May Be the Last Pure Movie Star","summary":"A look at why 'Equalizer' star Denzel Washington may be one of the last truly bankable movie stars.","body":"\u003Cp\u003E\u003Cimg alt=\"Why Denzel Washington May Be the Last Pure Movie Star\" height=\"355\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002Fe7d22bba0f1b946e7f70a1fbfd7d323931d3eda0.jpg\" title=\"\" width=\"630\"\u003E\u003Cem\u003EDenzel Washington in &#x2018;The Equalizer\u003C\u002Fem\u003E&#x2019;\u003C\u002Fp\u003E \n\u003Cp\u003EBy&#xA0;Brent Lang\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Ca href=\"https:\u002F\u002Fvariety.com\u002Ft\u002Fdenzel-washington\u002F\"\u003EDenzel Washington\u003C\u002Fa\u003E may exert the purest form of star power in movies today.\u003C\u002Fp\u003E \n\u003Cp\u003EHis name above the title guarantees a film will open to solid numbers, something few actors in Hollywood can credibly claim to deliver. He did it again last weekend, when his gritty R-rated thriller \u003Cem\u003E\u003Ca href=\"https:\u002F\u002Fvariety.com\u002Ft\u002Fthe-equalizer\u002F\"\u003EThe Equalizer\u003C\u002Fa\u003E\u003C\u002Fem\u003E&#xA0;bowed to a sterling $35 million.\u003C\u002Fp\u003E \n\u003Cp\u003E&#x201C;He&#x2019;s a name people trust,&#x201D; said Phil Contrino, vice president and chief analyst at BoxOffice.com. &#x201C;He is a brand. Really, it&#x2019;s no different than Marvel or Pixar. People hear Denzel Washington and they show up.&#x201D;\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003ERELATED:\u003C\u002Fstrong\u003E \u003Ca href=\"https:\u002F\u002Fwww.yahoo.com\u002Fmovies\u002F10-things-you-didn-t-c1411756986032.html\"\u003E10 Things You Didn&#x2019;t Know About Antoine Fuqua and Denzel Washington&#x2019;s 2001 Cop Drama \u003Cem\u003ETraining Day\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EOver three decades in the film business, Washington&#x2019;s films have generated north of $3 billion at the global \u003Ca href=\"https:\u002F\u002Fvariety.com\u002Ft\u002Fbox-office\u002F\"\u003Ebox office\u003C\u002Fa\u003E, but he&#x2019;s put up those lofty numbers in a unique way. At the age of 59, he is launching his first franchise with \u003Cem\u003EThe Equalizer\u003C\u002Fem\u003E, an adaptation of the CBS action series that Sony, the studio behind the film, hopes will inspire a sequel.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Ciframe width=\"500\" height=\"281.25\" data-src=\"https:\u002F\u002Fmovies.yahoo.com\u002Fvideo\u002Fequalizer-trailer-1-220200376.html?format=embed&amp;player_autoplay=false\"\u003E\u003C\u002Fiframe\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EThat&#x2019;s a long time to go without starring in a film that has a numeral in the title. Consider Washington&#x2019;s fellow A-listers &#x2014; George Clooney has the \u003Cem\u003EOceans 11\u003C\u002Fem\u003E films, Tom Cruise anchors the \u003Cem\u003EMission: Impossible\u003C\u002Fem\u003E series, Robert Downey Jr. has two franchises with \u003Cem\u003ESherlock Holmes\u003C\u002Fem\u003E and \u003Cem\u003EIron Man\u003C\u002Fem\u003E and Johnny Depp has one in \u003Cem\u003EPirates of the Caribbean\u003C\u002Fem\u003E and is trying to kick off another when the sequel to \u003Cem\u003EAlice in Wonderland\u003C\u002Fem\u003E hits theaters in 2016.\u003C\u002Fp\u003E \n\u003Cp\u003EWashington has also been able to outlast actors from his generation, including past co-stars such as Tom Hanks and Julia Roberts, who have seen their box office powers wane over the past 10 years. Contrino says the only actor with a similar appeal has been Adam Sandler, who had a torrid run throughout much of the aughts, but lately&#xA0;has been striking out as often as scoring with audiences.\u003C\u002Fp\u003E \n\u003Cp\u003EConsistency has been the hallmark of Washington&#x2019;s career. His movies have never been billion dollar grossers, and only four have topped $100 million stateside. Instead of being crafted to sell toy lines or comicbooks, they&#x2019;ve encapsulated a range of genres, many of them geared at adults, a demographic studios often ignore. Some, such as \u003Cem\u003EDeja Vu\u003C\u002Fem\u003E or \u003Cem\u003EThe Book of Eli\u003C\u002Fem\u003E, are formulaic and instantly forgettable, but most are profitable. Through it all, Washington&#x2019;s movies have relied on his name as the guarantor of a good time.\u003C\u002Fp\u003E \n\u003Cp\u003E&#x201C;He&#x2019;s very good at mixing it up and he&#x2019;s absolutely believable in every role he&#x2019;s been in,&#x201D; said Rory Bruer, president of domestic distribution at Sony Pictures. &#x201C;He&#x2019;s one of those actors audiences totally embrace and he&#x2019;s somebody who embodies our best values across all races, sexes and creeds.&#x201D;\u003C\u002Fp\u003E \n\u003Cp\u003EHis public persona may have an aspirational appeal, but the private Washington is little known to moviegoers. For reporters, Washington has a reputation for being a tough interview &#x2014; a man unwilling to open up while the microphone is on. That may be a strategic decision.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cem\u003EWatch Washington talk about his &#x2018;Equalizer&#x2019; character:\u003C\u002Fem\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EUnlike stars whose love lives, vacations and eating habits are picked over and chronicled by gossip rags or offered up for consumption through Twitter feeds or personal blogs (\u003Ca href=\"http:\u002F\u002Fwww.goop.com\"\u003Ewe&#x2019;re looking at you, Gwyneth Paltrow\u003C\u002Fa\u003E), Washington lets the work speak for itself. There&#x2019;s never been a whiff of scandal over the course of his long career, no tearful apologies on Leno or rehabilitation tours.\u003C\u002Fp\u003E \n\u003Cp\u003E&#x201C;In today&#x2019;s Twitter-fied and Facebook world, it&#x2019;s very difficult to keep a low profile,&#x201D; said Paul Dergarabedian, senior media analyst at Rentrak. &#x201C;That can cloud audience&#x2019;s perceptions, but when they go to see a Denzel Washington movie, they&#x2019;re not looking at the personal baggage a lot of big stars carry around.&#x201D;\u003C\u002Fp\u003E \n\u003Cp\u003EThey&#x2019;re just looking at a charismatic actor whose star still shines as others fade from view. One of the last of the movie gods.\u003C\u002Fp\u003E \n\u003Cdiv\u003E \n \u003Cdiv\u003E\n Related stories\n \u003C\u002Fdiv\u003E \n \u003Cdiv\u003E\n \u003Ca href=\"https:\u002F\u002Fvariety.com\u002F2014\u002Ffilm\u002Fnews\u002Fbox-office-the-equalizer-debuts-to-smashing-35-million-1201315644\u002F\"\u003EBox Office: &#x2018;The Equalizer&#x2019; Debuts to Smashing $35 Million\u003C\u002Fa\u003E\n \u003C\u002Fdiv\u003E \n \u003Cdiv\u003E\n \u003Ca href=\"https:\u002F\u002Fvariety.com\u002F2014\u002Ffilm\u002Fnews\u002Fbox-office-denzel-washingtons-the-equalizer-scores-with-36-million-debut-1201315187\u002F\"\u003EBox Office: Denzel Washington&#x2019;s &#x2018;The Equalizer&#x2019; Scores With $36 Million Debut\u003C\u002Fa\u003E\n \u003C\u002Fdiv\u003E \n \u003Cdiv\u003E\n \u003Ca href=\"https:\u002F\u002Fvariety.com\u002F2014\u002Ffilm\u002Fnews\u002Fthe-equalizer-gunning-for-nearly-40-million-at-weekend-box-office-1201314852\u002F\"\u003E&apos;The Equalizer&apos; Gunning for Nearly $40 Million at Weekend Box Office\u003C\u002Fa\u003E\n \u003C\u002Fdiv\u003E \n\u003C\u002Fdiv\u003E \n\u003Cp\u003E\u003Cem\u003E&#xA0;Photo credit:&#xA0;Chris Pizzello\u002FInvision\u002FAP\u003C\u002Fem\u003E\u003C\u002Fp\u003E","content_status":"UNPUBLISHED","canonical_ccm_id":"51663427-648c-3268-b33c-63354f933890","type":"story","leadImages":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w175\u002F445fe3e4b5d88d8e689b1a1f2575736f57cdfe04.jpg","type":"image\u002Fjpeg","width":175,"height":131,"size_type":"175"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w200\u002F445fe3e4b5d88d8e689b1a1f2575736f57cdfe04.jpg","type":"image\u002Fjpeg","width":200,"height":150,"size_type":"200"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w250\u002F445fe3e4b5d88d8e689b1a1f2575736f57cdfe04.jpg","type":"image\u002Fjpeg","width":250,"height":188,"size_type":"250"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w300\u002F445fe3e4b5d88d8e689b1a1f2575736f57cdfe04.jpg","type":"image\u002Fjpeg","width":300,"height":225,"size_type":"300"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w350\u002F445fe3e4b5d88d8e689b1a1f2575736f57cdfe04.jpg","type":"image\u002Fjpeg","width":350,"height":263,"size_type":"350"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w400\u002F445fe3e4b5d88d8e689b1a1f2575736f57cdfe04.jpg","type":"image\u002Fjpeg","width":400,"height":300,"size_type":"400"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w450\u002F445fe3e4b5d88d8e689b1a1f2575736f57cdfe04.jpg","type":"image\u002Fjpeg","width":450,"height":338,"size_type":"450"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F445fe3e4b5d88d8e689b1a1f2575736f57cdfe04.jpg","type":"image\u002Fjpeg","width":500,"height":375,"size_type":"500"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w550\u002F445fe3e4b5d88d8e689b1a1f2575736f57cdfe04.jpg","type":"image\u002Fjpeg","width":550,"height":413,"size_type":"550"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w600\u002F445fe3e4b5d88d8e689b1a1f2575736f57cdfe04.jpg","type":"image\u002Fjpeg","width":600,"height":450,"size_type":"600"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w700\u002F445fe3e4b5d88d8e689b1a1f2575736f57cdfe04.jpg","type":"image\u002Fjpeg","width":700,"height":525,"size_type":"700"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w800\u002F445fe3e4b5d88d8e689b1a1f2575736f57cdfe04.jpg","type":"image\u002Fjpeg","width":800,"height":600,"size_type":"800"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w900\u002F445fe3e4b5d88d8e689b1a1f2575736f57cdfe04.jpg","type":"image\u002Fjpeg","width":900,"height":675,"size_type":"900"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w1000\u002F445fe3e4b5d88d8e689b1a1f2575736f57cdfe04.jpg","type":"image\u002Fjpeg","width":1000,"height":750,"size_type":"1000"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w1100\u002F445fe3e4b5d88d8e689b1a1f2575736f57cdfe04.jpg","type":"image\u002Fjpeg","width":1100,"height":826,"size_type":"1100"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w1200\u002F445fe3e4b5d88d8e689b1a1f2575736f57cdfe04.jpg","type":"image\u002Fjpeg","width":1200,"height":901,"size_type":"1200"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w1571\u002F445fe3e4b5d88d8e689b1a1f2575736f57cdfe04.jpg","type":"image\u002Fjpeg","width":1571,"height":1179,"size_type":"original","title":"Why Denzel Washington May Be the Last Pure Movie Star"}],"lead_image":{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w1571\u002F445fe3e4b5d88d8e689b1a1f2575736f57cdfe04.jpg","type":"image\u002Fjpeg","width":1571,"height":1179,"size_type":"original","title":"Why Denzel Washington May Be the Last Pure Movie Star"},"preferredTag":{"tag":"the-equalizer","blurb":"Tired of fighting and in search of a quiet retirement, former black ops commando Robert McCall fakes his own death to live the rest of his days in peaceful obscurity. 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Now his passion for justice is reawakened, and McCall turns vigilante, helping the helpless with skills honed during a lifetime of battle."},{"name":"short_title","value":"The Equalizer"},{"name":"lang","value":"en-US"},{"name":"shared_image","value":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fl.yimg.com\u002Fos\u002Fpublish-images\u002Fmovies\u002F2014-09-08\u002F3073c190-3788-11e4-b953-49cce66baf5b_the-equalizer-poster.jpg"},{"name":"title","value":"The Equalizer"}],"display_name":"The Equalizer","alias_type":"NONE","name":"The Equalizer","slug":"movie:the-equalizer","count":12},"displayType":"textOnImage"},{"id":"98647529632","magazine":"movies","priority":"","tags":[{"tag":"the-equalizer","blurb":"Tired of fighting and in search of a quiet retirement, former black ops commando Robert McCall fakes his own death to live the rest of his days in peaceful obscurity. When a young hooker is threatened by the brutal Russian mob, McCall breaks his self-imposed exile to come to her aid. Now his passion for justice is reawakened, and McCall turns vigilante, helping the helpless with skills honed during a lifetime of battle.","obj_type":"movie","image_sizes":[{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w1013\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":1013,"height":1500,"size_type":"original"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w175\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":175,"height":259,"size_type":"175"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w200\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":200,"height":296,"size_type":"200"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w250\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":250,"height":370,"size_type":"250"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w300\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":300,"height":444,"size_type":"300"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w350\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":350,"height":518,"size_type":"350"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w400\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":400,"height":592,"size_type":"400"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w450\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":450,"height":666,"size_type":"450"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":500,"height":740,"size_type":"500"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w550\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":550,"height":814,"size_type":"550"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w600\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":600,"height":888,"size_type":"600"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w700\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":700,"height":1037,"size_type":"700"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w800\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":800,"height":1185,"size_type":"800"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w900\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":900,"height":1333,"size_type":"900"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w1000\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":1000,"height":1481,"size_type":"1000"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fmagazines.zenfs.com\u002Fresizer\u002F2.0\u002Foriginal\u002FARqPQtGLTqMnnmKJyHlkAon6VGY"}],"title":"The Equalizer","editor_info":{"edit_date":1411766025870},"ts_update":1411995826,"td_ccm_id":"b91d49a0-a6d7-11e2-976f-a9f7ce4ce4cd","td_applet_type":"movie","meta_tags":[{"name":"description","value":"Tired of fighting and in search of a quiet retirement, former black ops commando Robert McCall fakes his own death to live the rest of his days in peaceful obscurity. When a young hooker is threatened by the brutal Russian mob, McCall breaks his self-imposed exile to come to her aid. Now his passion for justice is reawakened, and McCall turns vigilante, helping the helpless with skills honed during a lifetime of battle."},{"name":"short_title","value":"The Equalizer"},{"name":"lang","value":"en-US"},{"name":"shared_image","value":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fl.yimg.com\u002Fos\u002Fpublish-images\u002Fmovies\u002F2014-09-08\u002F3073c190-3788-11e4-b953-49cce66baf5b_the-equalizer-poster.jpg"},{"name":"title","value":"The Equalizer"}],"display_name":"The Equalizer","alias_type":"NONE","name":"The Equalizer","slug":"movie:the-equalizer","count":12},{"name":"Box Office","slug":"box-office","count":37},{"name":"News","slug":"news","count":200}],"url_slug":"box-office-denzel-washingtons-the-equalizer-scores-98647529632","makelive_date":1411916501221,"ts_update":1411964763,"ccm_id":"77c852f5-907a-3905-be20-1e8fc611c0e6","page_date":1411916501220,"attribution":{"display_name":"The Hollywood Reporter","url":{"href":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fwww.hollywoodreporter.com","rel":"alternate","type":"text\u002Fhtml"}},"highlight_color":"#000000","data_version":"1","title":"Box Office: Denzel Washington's 'The Equalizer' Scores $35 Million Debut","summary":"The $55 million action thriller, reuniting Denzel Washington with Training Day director Antoine Fuqua, is based on the 1980s TV series","body":"\u003Cp\u003E\u003Ciframe width=\"500\" height=\"281.25\" data-src=\"https:\u002F\u002Fmovies.yahoo.com\u002Fvideo\u002Fequalizer-trailer-185240091.html?format=embed&amp;player_autoplay=false\"\u003E\u003C\u002Fiframe\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EBy Pamela McClintock\u003C\u002Fp\u003E \n\u003Cp\u003EDenzel Washington&#x2019;s \u003Cem\u003E\u003Ca href=\"http:\u002F\u002Fwww.hollywoodreporter.com\u002Freview\u002Fequalizer-toronto-review-730832?utm_source=Yahoo&amp;utm_campaign=Syndication&amp;utm_medium=Box+Office%3A+Denzel+Washington%27s+%27The+Equalizer%27+Scores+%2435+Million+Debut\"\u003EThe Equalizer\u003C\u002Fa\u003E\u003C\u002Fem\u003E proved the actor&#x2019;s continuing popularity at the North American box office, debuting to $35 million from 3,236 theaters and marking one of the best openings of his career.\u003C\u002Fp\u003E \n\u003Cp\u003EThe $55 million action thriller, reuniting Washington with \u003Cem\u003ETraining Day\u003C\u002Fem\u003E director Antoine Fuqua, is based on the 1980s TV series created by Michael Sloan and Richard Lindheim. Audiences gave the film an A- CinemaScore, in line with strong reviews. It played more evenly than expected gender-wise, with males making up 52 percent of the audience, and females, 48 percent.\u003C\u002Fp\u003E \n\u003Cp\u003EWashington&#x2019;s top opening of all time is \u003Cem\u003EAmerican Gangster\u003C\u002Fem\u003E ($43.6 million) in 2007, followed by \u003Cem\u003ESafe House\u003C\u002Fem\u003E ($40.2 million) in 2012. Fugua&#x2019;s \u003Cem\u003ETraining Day\u003C\u002Fem\u003E debuted to $22.6 million in 2001.\u003C\u002Fp\u003E \n\u003Cp\u003E&quot;He&#x2019;s one of the few actors on the planet that really appeals to everyone. And he and Antoine just bring out the best in each other,&quot; Sony distribution chief Rory Bruer said.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Ciframe width=\"500\" height=\"281.25\" data-src=\"https:\u002F\u002Fmovies.yahoo.com\u002Fvideo\u002Fequalizer-clip-exception-215005918.html?format=embed&amp;player_autoplay=false\"\u003E\u003C\u002Fiframe\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EHeading into the weekend, Sony was more conservative, suggesting a debut in the $25 million to $30 million range. It&#x2019;s no surprise, considering how volatile the domestic box office has been in recent months. Still, the studio was so keen on \u003Cem\u003EEqualizer\u003C\u002Fem\u003E&apos;s prospects following its premiere at the 2014 Toronto Film Festival that it was already developing a sequel. It made&#xA0;\u003Cem\u003EEqualizer\u003C\u002Fem\u003E with Village Roadshow Pictures and LStar Capital.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003ERead more: \u003Ca href=\"http:\u002F\u002Fwww.hollywoodreporter.com\u002Fnews\u002Fequalizer-ny-premiere-denzel-washington-735356?utm_source=Yahoo&amp;utm_campaign=Syndication&amp;utm_medium=Box+Office%3A+Denzel+Washington%27s+%27The+Equalizer%27+Scores+%2435+Million+Debut\"\u003EDenzel Washington and Antoine Fuqua&#x2019;s&#xA0;\u003Cem\u003EEqualizer:\u003C\u002Fem\u003E &#x201C;Like We Never Stopped Working Together&#x201D;\u003C\u002Fa\u003E\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cem\u003EThe Equalizer\u003C\u002Fem\u003E benefited from playing in Imax theaters and large-format screens, the preferred venue for males. It also features Eminem&#x2019;s new single, &#x201C;Guts Over Fear,&#x201D; featuring Sia.\u003C\u002Fp\u003E \n\u003Cp\u003EThe R-rated film stars Washington as McCall, a former member of the special forces who is now leading a quiet life. But when he meets a young girl (Chloe&#xA0;Grace Moretz) under the control of ultraviolent Russian gangsters, he can&#x2019;t stand idly by and comes out of his self-imposed retirement to do battle on the streets of Boston.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003ERead more: \u003Ca href=\"https:\u002F\u002Fwww.yahoo.com\u002Fmovies\u002F10-things-you-didn-t-c1411756986032.html\"\u003E10 Things You Didn&apos;t Know About Fuqua and Washington&apos;s 2001 Movie &apos;Training Day&apos;\u003C\u002Fa\u003E\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003ESony has waged an aggressive digital marketing campaign for \u003Cem\u003EEqualizer\u003C\u002Fem\u003E, as well as holding tastemaker screenings in 15 major cities with the help of sports stars such as Michael Strahan, Dwight Howard and Tiger Woods, as well as NFL teams the Chicago Bears and the San Francisco 49ers.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Ciframe width=\"500\" height=\"281.25\" data-src=\"https:\u002F\u002Fmovies.yahoo.com\u002Fvideo\u002Fboxtrolls-trailer-4-172457959.html?format=embed&amp;player_autoplay=false\"\u003E\u003C\u002Fiframe\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EFocus Features&#x2019; \u003Ca href=\"http:\u002F\u002Fwww.hollywoodreporter.com\u002Fmovie\u002Fboxtrolls\u002Freview\u002F729292?utm_source=Yahoo&amp;utm_campaign=Syndication&amp;utm_medium=Box+Office%3A+Denzel+Washington%27s+%27The+Equalizer%27+Scores+%2435+Million+Debut\"\u003E3D family offering \u003Cem\u003EThe Boxtrolls\u003C\u002Fem\u003E\u003C\u002Fa\u003E was the weekend&#x2019;s other new nationwide entry, earning a hearty $17.3 million, the best showing for Oregon-based animation house Laika, not accounting for inflation. Previous releases, which also went through Focus, include \u003Cem\u003ECoraline\u003C\u002Fem\u003E ($16.8 million) and \u003Cem\u003EParaNorman\u003C\u002Fem\u003E ($14.1 million).\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cem\u003EBoxtrolls\u003C\u002Fem\u003E, earning a B+ CinemaScore, narrowly lost the No. 2 spot at the box office to holdover \u003Cem\u003EThe Maze Runner\u003C\u002Fem\u003E, which earned $17.5 million in its second weekend for a pleasing domestic total of $58 million for 20th Century Fox.\u003C\u002Fp\u003E \n\u003Cp\u003EDirected by Anthony Stacchi and Graham Annable, \u003Cem\u003EBoxtrolls\u003C\u002Fem\u003E&apos; star-studded voice cast includes Ben Kingsley, Isaac Hempstead Wright, Elle Fanning, Dee Bradley Baker, Steve Blum, Toni Collette, Jared Harris, Nick Frost, Richard Ayoade, Tracy Morgan and Simon Pegg.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cem\u003EBoxtrolls\u003C\u002Fem\u003E features a boy named Eggs, who has been raised by a community of quirky, mischievous creatures living in a cavernous home beneath the streets of Cheesebridge. When the town&#x2019;s villain, Archibald Snatcher, comes up with a plot to get rid of the Boxtrolls, Eggs decides to venture aboveground to save the day.\u003C\u002Fp\u003E \n\u003Cp\u003EShawn Levy&#x2019;s adult-skewing dramedy \u003Cem\u003EThis Is Where I Leave You\u003C\u002Fem\u003E came in No. 4 in its second weekend, falling 39 percent to $7 million from 2,868 theaters for a total $22.6 million. Fellow Warner Bros. release \u003Cem\u003EDolphin Tale 2\u003C\u002Fem\u003E took the No. 5 spot in its third weekend with an estimated $4.8 million from 3,376 locations for a total of $33.4 million.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003C\u002Fp\u003E","content_status":"UNPUBLISHED","canonical_ccm_id":"77c852f5-907a-3905-be20-1e8fc611c0e6","type":"story","leadImages":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w175\u002F569d7ab5b05c77815b236c3d9d8d668f6dab31c1.jpg","type":"image\u002Fjpeg","width":175,"height":117,"size_type":"175"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w200\u002F569d7ab5b05c77815b236c3d9d8d668f6dab31c1.jpg","type":"image\u002Fjpeg","width":200,"height":133,"size_type":"200"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w250\u002F569d7ab5b05c77815b236c3d9d8d668f6dab31c1.jpg","type":"image\u002Fjpeg","width":250,"height":167,"size_type":"250"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w300\u002F569d7ab5b05c77815b236c3d9d8d668f6dab31c1.jpg","type":"image\u002Fjpeg","width":300,"height":200,"size_type":"300"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w350\u002F569d7ab5b05c77815b236c3d9d8d668f6dab31c1.jpg","type":"image\u002Fjpeg","width":350,"height":233,"size_type":"350"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w400\u002F569d7ab5b05c77815b236c3d9d8d668f6dab31c1.jpg","type":"image\u002Fjpeg","width":400,"height":266,"size_type":"400"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w450\u002F569d7ab5b05c77815b236c3d9d8d668f6dab31c1.jpg","type":"image\u002Fjpeg","width":450,"height":300,"size_type":"450"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F569d7ab5b05c77815b236c3d9d8d668f6dab31c1.jpg","type":"image\u002Fjpeg","width":500,"height":333,"size_type":"500"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w542\u002F569d7ab5b05c77815b236c3d9d8d668f6dab31c1.jpg","type":"image\u002Fjpeg","width":542,"height":361,"size_type":"original","title":"Box Office: Denzel Washington's 'The Equalizer' Scores $35 Million Debut"}],"lead_image":{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w542\u002F569d7ab5b05c77815b236c3d9d8d668f6dab31c1.jpg","type":"image\u002Fjpeg","width":542,"height":361,"size_type":"original","title":"Box Office: Denzel Washington's 'The Equalizer' Scores $35 Million Debut"},"preferredTag":{"tag":"the-equalizer","blurb":"Tired of fighting and in search of a quiet retirement, former black ops commando Robert McCall fakes his own death to live the rest of his days in peaceful obscurity. When a young hooker is threatened by the brutal Russian mob, McCall breaks his self-imposed exile to come to her aid. Now his passion for justice is reawakened, and McCall turns vigilante, helping the helpless with skills honed during a lifetime of battle.","obj_type":"movie","image_sizes":[{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w1013\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":1013,"height":1500,"size_type":"original"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w175\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":175,"height":259,"size_type":"175"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w200\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":200,"height":296,"size_type":"200"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w250\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":250,"height":370,"size_type":"250"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w300\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":300,"height":444,"size_type":"300"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w350\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":350,"height":518,"size_type":"350"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w400\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":400,"height":592,"size_type":"400"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w450\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":450,"height":666,"size_type":"450"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":500,"height":740,"size_type":"500"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w550\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":550,"height":814,"size_type":"550"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w600\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":600,"height":888,"size_type":"600"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w700\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":700,"height":1037,"size_type":"700"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w800\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":800,"height":1185,"size_type":"800"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w900\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":900,"height":1333,"size_type":"900"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w1000\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":1000,"height":1481,"size_type":"1000"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fmagazines.zenfs.com\u002Fresizer\u002F2.0\u002Foriginal\u002FARqPQtGLTqMnnmKJyHlkAon6VGY"}],"title":"The Equalizer","editor_info":{"edit_date":1411766025870},"ts_update":1411995826,"td_ccm_id":"b91d49a0-a6d7-11e2-976f-a9f7ce4ce4cd","td_applet_type":"movie","meta_tags":[{"name":"description","value":"Tired of fighting and in search of a quiet retirement, former black ops commando Robert McCall fakes his own death to live the rest of his days in peaceful obscurity. When a young hooker is threatened by the brutal Russian mob, McCall breaks his self-imposed exile to come to her aid. Now his passion for justice is reawakened, and McCall turns vigilante, helping the helpless with skills honed during a lifetime of battle."},{"name":"short_title","value":"The Equalizer"},{"name":"lang","value":"en-US"},{"name":"shared_image","value":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fl.yimg.com\u002Fos\u002Fpublish-images\u002Fmovies\u002F2014-09-08\u002F3073c190-3788-11e4-b953-49cce66baf5b_the-equalizer-poster.jpg"},{"name":"title","value":"The Equalizer"}],"display_name":"The Equalizer","alias_type":"NONE","name":"The Equalizer","slug":"movie:the-equalizer","count":12},"displayType":"textOnImage"},{"id":"c1411756986032","magazine":"movies","priority":"","tags":[{"name":"Galleries","slug":"galleries","count":43},{"tag":"training-day","blurb":"Everyday there is a war being waged on America's inner city streets--a war between residents, drug dealers and the people sworn to protect one from the other. This war has its casualties, none greater than L.A.P.D. Detective Sergeant Alonzo Harris, a 13-year veteran narcotics officer whose questionable methodology blurs the line between legality and corruption. His optimism has long since been chipped away by his tour of duty in the streets, where fighting crime by the book can get you killed and getting the job done often requires Alonzo and his colleagues to break the laws they are empowered to enforce. This crime tale shadows Alonzo as he tests the resolve of wide-eyed, idealistic rookie Jake Hoyt, who has one day and one day only to prove himself to his fiercely charismatic superior. Over the next 24-hours, Jake will be pulled deeper and deeper into the ethical mire of Alonzo's logic as both men put their lives and careers on the line to serve their conflicting notions of justice.","obj_type":"movie","image_sizes":[{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w101\u002F2404e7786a4d93458972213436a33dff04cb52e3.jpg","type":"image\u002Fjpeg","width":101,"height":150,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fmagazines.zenfs.com\u002Fresizer\u002Foriginal\u002Fph0CQxK_zLcv209XqryLLy0uEM0"}],"title":"Training Day","editor_info":{"edit_date":1408483317730},"ts_update":1411990178,"td_ccm_id":"aaa0c2b0-ea15-11e0-bdff-5922d0211946","td_applet_type":"movie","meta_tags":[{"name":"description","value":"Everyday there is a war being waged on America's inner city streets--a war between residents, drug dealers and the people sworn to protect one from the other. This war has its casualties, none greater than L.A.P.D. Detective Sergeant Alonzo Harris, a 13-year veteran narcotics officer whose questionable methodology blurs the line between legality and corruption. His optimism has long since been chipped away by his tour of duty in the streets, where fighting crime by the book can get you killed and getting the job done often requires Alonzo and his colleagues to break the laws they are empowered to enforce. This crime tale shadows Alonzo as he tests the resolve of wide-eyed, idealistic rookie Jake Hoyt, who has one day and one day only to prove himself to his fiercely charismatic superior. Over the next 24-hours, Jake will be pulled deeper and deeper into the ethical mire of Alonzo's logic as both men put their lives and careers on the line to serve their conflicting notions of justice."},{"name":"short_title"},{"name":"lang","value":"en-US"},{"name":"shared_image","value":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fmedia.zenfs.com\u002Fen_us\u002FMovies\u002FHotzilla\u002Ftraining-day-poster-970465882.jpg"},{"name":"title","value":"Training Day"}],"display_name":"Training Day","alias_type":"NONE","name":"Training Day","slug":"movie:training-day","count":1}],"url_slug":"10-things-you-didn-t-c1411756986032","makelive_date":1411913801790,"ts_update":1411913806,"ccm_id":"8b88ebc7-70c7-35b7-a185-f7e95598d110","page_date":1411913801789,"attribution":{"display_name":"Archana Ram","url":{"href":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Ftwitter.com\u002Farchanapram","rel":"alternate","type":"text\u002Fhtml"}},"data_version":"1","title":"10 Things You Didn't Know About 'Training Day'","summary":"We look back on some fascinating factoids about the 2001 cop thriller 'Training Day' starring Denzel Washington","body":"\u003Cp\u003EHe&#x2019;d played Malcolm X, a Civil War soldier, and a football coach, but when Denzel Washington took on the Oscar-winning role of the magnetic, despicable Alonzo in &#x2018;Training Day,&#x2019; critics and audiences saw a new side to the actor &#x2014; and loved it. Directed by Antoine Fuqua, the 2001 drama follows a day with rookie cop Jake (Ethan Hawke) and Alonzo, a veteran undercover detective with highly questionable training methods. To salute the reteaming of Washington and Fuqua in the new action movie &#x2018;The Equalizer,&#x2019; we&#x2019;re revealing 10 things you didn&apos;t know about &#x2018;Training Day.&#x2019; \u003Cspan\u003E(Gifs created by Lisa Aileen Dragani)\u003C\u002Fspan\u003E\u003C\u002Fp\u003E","content_status":"UNPUBLISHED","canonical_ccm_id":"8b88ebc7-70c7-35b7-a185-f7e95598d110","type":"articleset","list_type":"slideshow","list_id":"f41efb00-45ac-11e4-acbf-ef722d7d80da","slideshow":{"id":"c1411756986032","total":10,"slides":[{"index":1,"slug":"training-day-photo-1411756926445","title":"Denzel Washington knew he wanted to be in the movie right after reading the script.","body":"The actor requested to meet Fuqua soon after. &ldquo;We wanted to make it as realistic as possible and we wanted to make sure this character Alonzo was contemporary from what we know on the streets,&rdquo; Fuqua says on the DVD commentary. &ldquo;He&rsquo;s a bit of a gangster, but he&rsquo;s charming, he&rsquo;s sexy, and he&rsquo;s intelligent and he&rsquo;s mean and he&rsquo;s tough. He&rsquo;s the guy that we all wish we could be. It&rsquo;s like meeting the devil for the first time.&rdquo;","palette":["#4d2d3a","#494c71","#1d171f","#332e21","#503c5b"],"highlight_color":"#000000:#000000","magazine":"movies","type":"PHOTO","credit":"","byline":"","leadImages":[],"slideImages":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FJUKghdHzaDBeMAa6A0DAaQSfUCU.gif","type":"image\u002Fgif","width":496,"height":210,"size_type":"original"}],"thumbnailImages":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FJUKghdHzaDBeMAa6A0DAaQSfUCU.gif","type":"image\u002Fgif","width":496,"height":210,"size_type":"original"}]},{"index":2,"slug":"training-day-photo-1411756926526","title":"Fuqua cast Ethan Hawke after seeing him on TV.","body":"According to \n\u003Ca href=\"http:\u002F\u002Fwww.ew.com\u002Few\u002Farticle\u002F0,,171301,00.html\"\u003EEntertainment Weekly\u003C\u002Fa\u003E, Tobey Maguire, Freddie Prinze Jr., Scott Speedman, Paul Walker and Ryan Phillippe all tested for the role of Jake, but when Fuqua spotted Hawke on TV one day, he knew he found his rookie. “I said, ‘This is Jake,’” the director reveals on the DVD commentary. “Ethan Hawke is a young man who has grown a lot since everyone in Hollywood has seen him. He has a lot at stake as a man, and that changes you.” The two had a four-hour meeting to discuss the film, and Fuqua calls it “one of the most interesting meetings I’ve had since I’ve been in the business.”","palette":["#1e1619","#342726","#5d4040","#7e5f59","#9781ad"],"highlight_color":"#000000:#000000","magazine":"movies","type":"PHOTO","credit":"","byline":"","leadImages":[],"slideImages":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FxcAGeoEIFTZkbkp4s3qBwosdzXo.gif","type":"image\u002Fgif","width":517,"height":221,"size_type":"original"}],"thumbnailImages":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FxcAGeoEIFTZkbkp4s3qBwosdzXo.gif","type":"image\u002Fgif","width":517,"height":221,"size_type":"original"}]},{"index":3,"slug":"clapping-photo-1411787239250","title":"Washington and Hawke had a hard time shaking their characters.","body":"Considering the intense subject matter, it&rsquo;s hardly surprising that Washington and Hawke kept going as Alonzo and Jake even after the cameras stopped rolling. &ldquo;Everyday on the set I was dealing with Alonzo, which is a little horrifying sometimes because you don&rsquo;t know what&rsquo;s going to come out of his mouth,&rdquo; Fuqua says on the DVD commentary. &ldquo;The most disappointing thing was that every time I yelled &lsquo;Cut!&rsquo; these guys would rattle on as Jake and Alonzo and I would go, &lsquo;Turn the camera back on!&rsquo; But it&rsquo;d be too late because we&rsquo;d be out of film.&rdquo;","palette":["#321c13","#150607","#25120d","#472819","#684725"],"highlight_color":"#000000:#000000","magazine":"movies","type":"PHOTO","credit":"","byline":"","leadImages":[],"slideImages":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FM9lPrQ1znjP2myS0n3yM1-qETOc.gif","type":"image\u002Fgif","width":525,"height":219,"size_type":"original"}],"thumbnailImages":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FM9lPrQ1znjP2myS0n3yM1-qETOc.gif","type":"image\u002Fgif","width":525,"height":219,"size_type":"original"}]},{"index":4,"slug":"fight-photo-1411787166908","title":"They filmed in dangerous locations.","body":"One road to authenticity was filming in gang-ridden L.A. neighborhoods. “There’s no other way to make this movie,” Fuqua says in the commentary. “You had to shoot this movie in real locations. There are so many incredible faces. There’s a texture you can’t get anywhere else. It made the actors and myself understand a little bit about the world they were portraying.” The cast and crew also used the opportunity to bring something positive to the community. “I came from the streets and I wanted them to see me do something positive,” says Fuqua, who grew up in the Pittsburgh. “Maybe that’s inspiring in some way.”\n\u003Cbr \u002F\u003E\n\u003Cbr \u002F\u003E","palette":["#6f5d57","#7a738b","#504547","#a4898c","#ceb2aa"],"highlight_color":"#000000:#000000","magazine":"movies","type":"PHOTO","credit":"","byline":"","leadImages":[],"slideImages":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002Frjrg7zZHp4zb6d3u_7gM2aGewQE.gif","type":"image\u002Fgif","width":525,"height":223,"size_type":"original"}],"thumbnailImages":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002Frjrg7zZHp4zb6d3u_7gM2aGewQE.gif","type":"image\u002Fgif","width":525,"height":223,"size_type":"original"}]},{"index":5,"slug":"snoop-was-a-disciplined-actor-he-plays-the-wheelchair-bound-sandman-photo-1411761730315","title":"Snoop Dogg was a disciplined actor.","body":"\u003Cp\u003EHis role as the wheelchair-bound, drug dealer may be brief, but the rapper took the responsibility seriously. “Snoop is actually a really good actor,” Fuqua says on the DVD commentary. “I never had to wait for him. 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Check out in the embedded clip above.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003EAlso Read:\u003C\u002Fstrong\u003E&#xA0;\u003Ca href=\"http:\u002F\u002Fwww.hitfix.com\u002Fmonkeys-as-critics\u002Frecap-saturday-night-live-nil-chris-pratt-and-ariana-grande?hf_campaign=TvReferral&amp;hf_medium=RssFeed&amp;hf_source=Yahoo\"\u003ERecap: &#x2018;Saturday Night Live&#x2019; &#x2013; Chris Pratt and Ariana Grande\u003C\u002Fa\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cem\u003E*And major props for someone at&#xA0;\u003C\u002Fem\u003ESNL\u003Cem\u003E giving us the real Nova uniforms comic fans wanted to see this summer!\u003C\u002Fem\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003ERelated Stories From HitFix:\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Ca href=\"http:\u002F\u002Fwww.hitfix.com\u002Fvideos\u002Fandy-samberg-on-his-success-after-saturday-night-live?hf_campaign=TvReferral&amp;hf_medium=RssFeed&amp;hf_source=Yahoo\"\u003EAndy Samberg on his success after \u003Cem\u003ESaturday Night Live\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Ca href=\"http:\u002F\u002Fwww.hitfix.com\u002Fin-contention\u002F9-saturday-night-live-actors-who-actually-managed-to-score-an-oscar-nomination?hf_campaign=TvReferral&amp;hf_medium=RssFeed&amp;hf_source=Yahoo\"\u003EThe only 9&#xA0;\u003Cem\u003ESNL\u003C\u002Fem\u003E cast members to receive Oscar nominations are&#x2026;\u003C\u002Fa\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Ca href=\"http:\u002F\u002Fwww.hitfix.com\u002Ftv-tattle\u002Fchris-pratt-opens-up-jars-of-pickles-in-his-snl-promos?hf_campaign=TvReferral&amp;hf_medium=RssFeed&amp;hf_source=Yahoo\"\u003EChris Pratt opens up jars of pickles in his \u003Cem\u003ESNL\u003C\u002Fem\u003E 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Chris Pratt Spoof ’Star Wars’ and Marvel on ‘Saturday Night Live’"}],"lead_image":{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w1200\u002Fe852ec6ebd4308253730f1fc7e93308a77ea00ab.jpg","type":"image\u002Fjpeg","width":1200,"height":800,"size_type":"original","title":"Watch Chris Pratt Spoof ’Star Wars’ and Marvel on ‘Saturday Night Live’"},"preferredTag":{"tag":"star-wars","blurb":"In a distant galaxy, a long time ago, young Luke Skywalker assembles his motley crew of allies including space rogue Han Solo and two \"droids\" -- C3PO and R2D2 -- to rescue Princess Leia, the rebel leader of her planet from the clutches of the evil Empire as embodied by its enforcer Darth Vader.","obj_type":"movie","image_sizes":[{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w671\u002Faa771b155d6a14793be24318c5aee2be3e05a151.jpg","type":"image\u002Fjpeg","width":671,"height":1024,"size_type":"original"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w175\u002Faa771b155d6a14793be24318c5aee2be3e05a151.jpg","type":"image\u002Fjpeg","width":175,"height":267,"size_type":"175"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w200\u002Faa771b155d6a14793be24318c5aee2be3e05a151.jpg","type":"image\u002Fjpeg","width":200,"height":305,"size_type":"200"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w250\u002Faa771b155d6a14793be24318c5aee2be3e05a151.jpg","type":"image\u002Fjpeg","width":250,"height":382,"size_type":"250"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w300\u002Faa771b155d6a14793be24318c5aee2be3e05a151.jpg","type":"image\u002Fjpeg","width":300,"height":458,"size_type":"300"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w350\u002Faa771b155d6a14793be24318c5aee2be3e05a151.jpg","type":"image\u002Fjpeg","width":350,"height":534,"size_type":"350"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w400\u002Faa771b155d6a14793be24318c5aee2be3e05a151.jpg","type":"image\u002Fjpeg","width":400,"height":610,"size_type":"400"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w450\u002Faa771b155d6a14793be24318c5aee2be3e05a151.jpg","type":"image\u002Fjpeg","width":450,"height":687,"size_type":"450"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w500\u002Faa771b155d6a14793be24318c5aee2be3e05a151.jpg","type":"image\u002Fjpeg","width":500,"height":763,"size_type":"500"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w550\u002Faa771b155d6a14793be24318c5aee2be3e05a151.jpg","type":"image\u002Fjpeg","width":550,"height":839,"size_type":"550"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w600\u002Faa771b155d6a14793be24318c5aee2be3e05a151.jpg","type":"image\u002Fjpeg","width":600,"height":916,"size_type":"600"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fmagazines.zenfs.com\u002Fresizer\u002Foriginal\u002FBUx5DgN-1gxqqCK2Ggyyl3fQ2ME"}],"title":"Star Wars","editor_info":{"edit_date":1407963518000},"ts_update":1411995783,"td_ccm_id":"8ae7df70-e967-11e0-bfbf-7cb133c2b024","td_applet_type":"movie","meta_tags":[{"name":"description","value":"In a distant galaxy, a long time ago, young Luke Skywalker assembles his motley crew of allies including space rogue Han Solo and two \"droids\" -- C3PO and R2D2 -- to rescue Princess Leia, the rebel leader of her planet from the clutches of the evil Empire as embodied by its enforcer Darth Vader."},{"name":"short_title","value":"Star Wars"},{"name":"lang","value":"en-US"},{"name":"shared_image","value":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fl.yimg.com\u002Fos\u002F251\u002F2012\u002F03\u002F14\u002FEP4-POS-2-R-8x10-jpg_234347.jpg"},{"name":"title","value":"Star Wars"}],"display_name":"Star Wars","alias_type":"NONE","name":"Star Wars","slug":"movie:star-wars","count":19},"displayType":"textOnImage"},{"id":"98658168967","magazine":"movies","priority":"","palette":["#a3795b","#eabd91","#593d2b","#57939f","#c86732"],"tags":[{"name":"News","slug":"news","count":200}],"url_slug":"source-dreamworks-animation-in-sale-talks-with-japans-98658168967","makelive_date":1411863001784,"ts_update":1411964762,"ccm_id":"192f7fca-9ced-3624-aca6-c346d0c3fb5e","page_date":1411863001783,"attribution":{"display_name":"The Hollywood Reporter","url":{"href":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fwww.hollywoodreporter.com","rel":"alternate","type":"text\u002Fhtml"}},"image_sizes":[{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F7ed1e5f0bf0010202164e119fd82fba438587c1c.jpg","type":"image\u002Fjpeg","width":500,"height":281,"size_type":"500"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w575\u002F7ed1e5f0bf0010202164e119fd82fba438587c1c.jpg","type":"image\u002Fjpeg","width":575,"height":323,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FxdJUyHi5jEVMHz3xXkXylbOU5tE"}],"highlight_color":"#000000","data_version":"1","title":"Source: DreamWorks Animation in Sale Talks With Japan's SoftBank","summary":"The company, which has seen up-and-down box office numbers of late, would be valued at $3.4 billion","body":"\u003Cp\u003E\u003Cimg alt=\"Source: DreamWorks Animation in Sale Talks With Japan&apos;s SoftBank\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F7ed1e5f0bf0010202164e119fd82fba438587c1c.jpg\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EBy Kim Masters\u003C\u002Fp\u003E \n\u003Cp\u003EJapanese conglomerate SoftBank is in talks to acquire&#xA0;DreamWorks Animation in a deal that would value the company at $3.4 billion, according to a source with knowledge of the situation.&#xA0;\u003C\u002Fp\u003E \n\u003Cp\u003EDWA founder and CEO \u003Ca href=\"http:\u002F\u002Fwww.hollywoodreporter.com\u002Fnews\u002Fjeffrey-katzenberg-receive-national-arts-720479?utm_source=Yahoo&amp;utm_campaign=Syndication&amp;utm_medium=Source%3A+DreamWorks+Animation+in+Sale+Talks+With+Japan%27s+SoftBank+%28Exclusive%29\"\u003EJeffrey Katzenberg\u003C\u002Fa\u003E would sign a five-year contract to remain with the company, according to the source, who says the DWA board held an emergency meeting Thursday to consider the offer. SoftBank is said to have offered $32 a share. DWA stock closed at $22 per share on Friday.\u003C\u002Fp\u003E \n\u003Cp\u003EA DWA spokesperson said, &#x201C;We don&#x2019;t comment on rumors and speculation.&#x201D;\u003C\u002Fp\u003E \n\u003Cp\u003EFormer Google executive Nikesh Arora, who joined SoftBank in July, is said to have been a liaison between DWA and his new firm. Arora is the head of a newly formed unit, SoftBank Internet and Media Inc.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003ERead more: \u003Ca href=\"http:\u002F\u002Fwww.hollywoodreporter.com\u002Fnews\u002Fjeffrey-katzenbergs-earnings-jump-135-699452?utm_source=Yahoo&amp;utm_campaign=Syndication&amp;utm_medium=Source%3A+DreamWorks+Animation+in+Sale+Talks+With+Japan%27s+SoftBank+%28Exclusive%29\"\u003EJeffrey Katzenberg&#x2019;s Earnings Jump to $13.5 Million for 2013\u003C\u002Fa\u003E\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EKatzenberg has long sought a buyer for his company, which began as the animation division of DreamWorks Studios and was spun off as a public company in 2004. DWA currently releases its movies through 20th Century Fox.\u003C\u002Fp\u003E \n\u003Cp\u003EDWA has been on a roller-coaster ride in the stock market as it moves from one release to the next. The issue in a prospective sale has always been valuation. The company&#x2019;s 2014 releases include the&#xA0;\u003Ca href=\"http:\u002F\u002Fwww.hollywoodreporter.com\u002Fnews\u002Fmr-peabody-sherman-dreamworks-animation-write-down-687308?utm_source=Yahoo&amp;utm_campaign=Syndication&amp;utm_medium=Source%3A+DreamWorks+Animation+in+Sale+Talks+With+Japan%27s+SoftBank+%28Exclusive%29\"\u003Eunderperforming \u003Cem\u003EMr. Peabody &amp; Sherman\u003C\u002Fem\u003E\u003C\u002Fa\u003E, which grossed $273 million worldwide, and the more successful \u003Cem\u003EHow to Train Your Dragon 2\u003C\u002Fem\u003E, which pulled in $611 million this summer.\u003C\u002Fp\u003E \n\u003Cp\u003ESoftBank has been in the news lately because of its $20 million investment \u003Ca href=\"http:\u002F\u002Fwww.hollywoodreporter.com\u002Fnews\u002Falibaba-stock-jumps-market-debut-734289?utm_source=Yahoo&amp;utm_campaign=Syndication&amp;utm_medium=Source%3A+DreamWorks+Animation+in+Sale+Talks+With+Japan%27s+SoftBank+%28Exclusive%29\"\u003Ein Chinese Internet giant Alibaba\u003C\u002Fa\u003E, a stake now worth a minimum of $60 billion. The sprawling company is considered undervalued, and on Sept. 25, Jefferies Group LLC rated SoftBank as &#x201C;a compelling buy opportunity.&#x201D;\u003C\u002Fp\u003E \n\u003Cp\u003EDWA is represented by the law firms Cravath, Swaine &amp; Moore and Munger, Tolles &amp; Olson.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003ERead more: \u003Ca href=\"http:\u002F\u002Fwww.hollywoodreporter.com\u002Fnews\u002Fdreamworks-animation-falls-short-earnings-722052?utm_source=Yahoo&amp;utm_campaign=Syndication&amp;utm_medium=Source%3A+DreamWorks+Animation+in+Sale+Talks+With+Japan%27s+SoftBank+%28Exclusive%29\"\u003EDreamWorks Animation Falls Short of Earnings Expectations and Shares Sink\u003C\u002Fa\u003E\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E","content_status":"UNPUBLISHED","canonical_ccm_id":"192f7fca-9ced-3624-aca6-c346d0c3fb5e","type":"story","leadImages":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w175\u002F7ed1e5f0bf0010202164e119fd82fba438587c1c.jpg","type":"image\u002Fjpeg","width":175,"height":98,"size_type":"175"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w200\u002F7ed1e5f0bf0010202164e119fd82fba438587c1c.jpg","type":"image\u002Fjpeg","width":200,"height":112,"size_type":"200"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w250\u002F7ed1e5f0bf0010202164e119fd82fba438587c1c.jpg","type":"image\u002Fjpeg","width":250,"height":140,"size_type":"250"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w300\u002F7ed1e5f0bf0010202164e119fd82fba438587c1c.jpg","type":"image\u002Fjpeg","width":300,"height":169,"size_type":"300"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w350\u002F7ed1e5f0bf0010202164e119fd82fba438587c1c.jpg","type":"image\u002Fjpeg","width":350,"height":197,"size_type":"350"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w400\u002F7ed1e5f0bf0010202164e119fd82fba438587c1c.jpg","type":"image\u002Fjpeg","width":400,"height":225,"size_type":"400"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w450\u002F7ed1e5f0bf0010202164e119fd82fba438587c1c.jpg","type":"image\u002Fjpeg","width":450,"height":253,"size_type":"450"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F7ed1e5f0bf0010202164e119fd82fba438587c1c.jpg","type":"image\u002Fjpeg","width":500,"height":281,"size_type":"500"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w550\u002F7ed1e5f0bf0010202164e119fd82fba438587c1c.jpg","type":"image\u002Fjpeg","width":550,"height":309,"size_type":"550"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w575\u002F7ed1e5f0bf0010202164e119fd82fba438587c1c.jpg","type":"image\u002Fjpeg","width":575,"height":323,"size_type":"original","title":"Source: DreamWorks Animation in Sale Talks With Japan's SoftBank"}],"lead_image":{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w575\u002F7ed1e5f0bf0010202164e119fd82fba438587c1c.jpg","type":"image\u002Fjpeg","width":575,"height":323,"size_type":"original","title":"Source: DreamWorks Animation in Sale Talks With Japan's SoftBank"},"displayType":"textOnImage"},{"id":"c1411769542415","magazine":"movies","priority":"","tags":[{"name":"Galleries","slug":"galleries","count":43},{"tag":"jimi-all-is-by-my-side","obj_type":"movie","name":"Jimi All Is By My Side","slug":"movie:jimi-all-is-by-my-side","count":4}],"url_slug":"actors-who-rock-a-look-c1411769542415","makelive_date":1411788383682,"ts_update":1411788388,"ccm_id":"d7579b0b-8986-3806-afc9-77947f2b55b5","page_date":1411788383681,"attribution":{"display_name":"Yahoo Movies Staff","url":{"href":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fwww.yahoo.com\u002Fmovies","rel":"alternate","type":"text\u002Fhtml"}},"highlight_color":"#000000","data_version":"1","title":"Actors Who Rock: A Look Back at the Movie Stars Who've Played Legendary Musicians","summary":"As the Jimi Hendrix biopic 'Jimi: All Is By My Side' opens in theaters, we look back at all the famous actors who've tackled iconic rockers","body":"In the drama &apos;Jimi: All Is By My Side&apos; opening Friday, Andr&#xE9; Benjamin plays a young Jimi Hendrix finding his musical footing in London. The actor, who usually goes by the name Andre 3000 as one-half of the group Outkast, delved deep to play the future rock god, losing 20 pounds, taking vocal training to learn Hendrix&apos;s speaking style, and even learning to convincingly fake-play the guitar left-handed. He&apos;s not the only actor who&apos;s had to figure out how to play an iconic musician. Click through our gallery to see Benjamin and other stars who&apos;ve answer the siren call of musical biopics.","content_status":"UNPUBLISHED","canonical_ccm_id":"d7579b0b-8986-3806-afc9-77947f2b55b5","type":"articleset","list_type":"slideshow","list_id":"304ef9f0-45ca-11e4-bfef-92adf5bfd6c0","slideshow":{"id":"c1411769542415","total":17,"slides":[{"index":1,"slug":"andré-benjamin-as-jimi-hendrix-photo-1411769274346","title":"André Benjamin as Jimi Hendrix","body":"Benjamin, better known as Andre 3000 from Outkast, learned to strum left-handed in order to play guitar legend Hendrix during his early years in London in the new movie 'Jimi: All Is by My Side.'","palette":["#976d3a","#61524a","#312a2a","#a298a1","#ebebec"],"highlight_color":"#000000:#000000","magazine":"movies","type":"PHOTO","credit":"Getty\u002FOpen Road 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Franco Talks About Challenges of Making His 'SNL' Documentary 'Saturday Night'","summary":"His feature-length documentary Saturday Night documents the weeklong process that goes into creating an episode of SNL","body":"\u003Cp\u003E\u003Cimg alt=\"James Franco Talks About Challenges of Making His &apos;SNL&apos; Documentary &apos;Saturday Night&apos;\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F121559a14af36faa1e4564f491fb4d5c32385618.jpg\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cspan\u003EWith \u003C\u002Fspan\u003E\u003Cem\u003ESaturday Night Live\u003C\u002Fem\u003E\u003Cspan\u003E approaching its 40th season, the show&#x2019;s behind-the-scenes culture has become the stuff of legend. \u003C\u002Fspan\u003E\u003Cem\u003ESNL\u003C\u002Fem\u003E\u003Cspan\u003E&#x2019;s sleepless comedy-writing marathons and weird power dynamics have been \u003C\u002Fspan\u003E\u003Ca href=\"http:\u002F\u002Fen.wikipedia.org\u002Fwiki\u002FSaturday_Night_Live#Books\"\u003Ewritten about\u003C\u002Fa\u003E\u003Cspan\u003E, \u003C\u002Fspan\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=naj8Jo2mVMg\"\u003Edocumented\u003C\u002Fa\u003E\u003Cspan\u003E, and \u003C\u002Fspan\u003E\u003Ca href=\"http:\u002F\u002Fnymag.com\u002Fguides\u002Ffallpreview\u002F2006\u002Ftelevision\u002F19690\u002F\"\u003Efictionalized\u003C\u002Fa\u003E\u003Cspan\u003E so often that it feels like fans have seen it all before. &#xA0;\u003C\u002Fspan\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EYet James Franco managed to find a new way in for his feature-length documentary \u003Cem\u003ESaturday Night\u003C\u002Fem\u003E (now available on Hulu Plus).&#xA0; In the film &#x2014; which was, in fact, completed in 2010 &#x2014; Franco documents the weeklong process of creating an episode of \u003Cem\u003ESNL\u003C\u002Fem\u003E, specifically the December 2008 show starring John Malkovich. What distinguishes \u003Cem\u003ESaturday Night\u003C\u002Fem\u003E from previous documentaries is Franco&#x2019;s level of access: the two-time host attends a pitch meeting in producer Lorne Michaels&#x2019; office, stays up all night with the writers, and is there when NBC&#x2019;s department of Standards and Practices demands that the fake Italian word &#x201C;fagula&#x201D; be axed.\u003C\u002Fp\u003E \n\u003Cp\u003E&#xA0;There&#x2019;s plenty of inherent drama in the creation of the show: Every moment is an audition for the actors and writers, and no one knows for sure what the episode will look like until it happens. In an exclusive interview with Yahoo, director James Franco talks about the process of making \u003Cem\u003ESaturday Night\u003C\u002Fem\u003E, and what he thinks it gets right &#x2013; and wrong &#x2013; about the goings-on at 30 Rock.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cimg alt=\"image\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002Fde0c8af9cf9f919fbc86b07678e7db1bf25ac690.jpg\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003ESo how did you get permission to make this movie?\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EWell &#x2013; it all started when I was at NYU, I was a graduate film student. I&#x2019;d gone back to school, so I already had a film career going, and I had recently hosted \u003Cem\u003ESNL\u003C\u002Fem\u003E. And I had such a good experience that when I was given my second assignment ever assignment at NYU &#x2014; to make a seven-minute observational documentary about someone. &#xA0;&#xA0;I thought, oh, wouldn&#x2019;t it be cool if I followed Bill Hader (above) for a week of his life on \u003Cem\u003ESNL\u003C\u002Fem\u003E? And Bill was game. And then I realized, even though Bill has given me permission, I&#x2019;m probably gonna have to get, you know, permission from [\u003Cem\u003ESNL\u003C\u002Fem\u003E creator and executive producer] Lorne Michaels. Turns out Lorne was fine, but then he said, &#x201C;Well, you&#x2019;re gonna have to get the permission of the host.&#x201D; \u003Cem\u003E[Laughs] \u003C\u002Fem\u003ESo I was like, &#x201C;Oh, John Malkovich? Okay&#x2026;&#x201D; I&#x2019;d never met John Malkovich. And he was \u003Cem\u003Ethe coolest\u003C\u002Fem\u003E.He was like [\u003Cem\u003Ein his best\u003C\u002Fem\u003E \u003Cem\u003EJohn Malkovich voice\u003C\u002Fem\u003E]: &#x201C;No problem, no problem, James.&#x201D; And so, once [all the] permission, I realized: \u003Cem\u003EWhy am I wasting this on a seven-minute student assignment?\u003C\u002Fem\u003E I have just been granted access that no one else has been given.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003EIn general, coverage of SNL is very reverent, because it&#x2019;s a legendary institution. But in the first 10 minutes of \u003Cem\u003ESaturday Night\u003C\u002Fem\u003E, you&#x2019;re talking to Will Forte, and saying &#x201C;The pitch meeting is kind of bullshit, right?&#x201D; \u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cem\u003E[Laughs]\u003C\u002Fem\u003E Yeah. I&#x2019;m a huge fan of \u003Cem\u003ESNL\u003C\u002Fem\u003E, and I&#x2019;d watched a lot of the previous documentaries about it. And they usually take a historical look at the show, and the format is a lot of B-roll, combined with talking-head interviews, where people are \u003Cem\u003Etalking \u003C\u002Fem\u003Eabout what it was like. But rarely do you really get to see much of the actual process. And so I thought, if we get \u003Cem\u003Ethat, \u003C\u002Fem\u003Eif we get to do that, then we&#x2019;ll have something that&#x2019;s: (a) new, and also, (b) I think really valuable, for anybody who&#x2019;s interested in comedy, or writing, or who is interested in the way certain kinds of television work.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cimg alt=\"image\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w429\u002Fd193e7c1ada85e9170bccc27575724de0a9be4fe.jpg\"\u003E\u003Cem\u003ELorne Michaels&#xA0;15th Annual Costume Designers Guild Awards in Beverly Hills, Feb. 19, 2013\u003C\u002Fem\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003EDid Lorne have any parameters or limits for you? Did he get final cut?\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EHere&#x2019;s the thing: Lorne (above) is \u003Cem\u003Eso cool. \u003C\u002Fem\u003EAnd I&#x2019;m sure you can hear from everybody who&#x2019;s been on the show, that he&#x2019;s sort of this strange, slightly mysterious father figure. But the thing that Lorne knows how to do, is work with creative people. And treat them in such a way that their creativity can thrive. And so, once he gave us permission, he was cool! He didn&#x2019;t say anything to us! In fact, I asked for what people had told me was the un-askable &#x2014; which is go into his officewhen he was making selections about which sketches would go on. If nobody has filmed a Tuesday-night writing spree, \u003Cem\u003Ecertainly\u003C\u002Fem\u003E no one has ever\u003Cem\u003E, ever\u003C\u002Fem\u003E filmed Lorne in his office, making those kinds of decisions. So I guess it just shows how supportive he was of the documentary. Now, that being said &#x2014; yeah, we were always gonna run it by him. [\u003Cem\u003ELaughs] \u003C\u002Fem\u003EAnd in fact, because the documentary was made before we even knew what it was going to be, we didn&#x2019;t have certain kinds of permission and signatures that you would normally have beforehand. But in the end it, really, it was fine. Everybody approved, everybody signed off.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003EAt one point, there&#x2019;s a conversation between you and Lorne, in which he says you&#x2019;re not going to get a totally authentic behind-the-scenes picture of \u003Cem\u003ESNL\u003C\u002Fem\u003E because you&#x2019;re bringing a camera into a building full of performers. What&#x2019;s your take on that?\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EFirst of all, obviously, I shot it and edited it; my editor Ian Olds could have easily taken that scene out, right? We didn&#x2019;t have to have Lorne questioning the objectivity of our documentary, but we put it in there because we thought it was important to have a little bit of pushback &#x2014; that it would be interesting to put a question mark within the movie itself. That being said, having been on the show two times as a host, and multiple times just as a little guest here and there, and having known many, many people who have worked on the show, and being friends with a lot of them &#x2013; I think we got a pretty good portrait of what it&#x2019;s like! \u003Cem\u003E[Laughs] \u003C\u002Fem\u003EI think Lorne&#x2019;s comment is \u003Cem\u003Etrue, \u003C\u002Fem\u003Ethat yes, when you put a camera in a room, people change. But we&#x2019;re also dealing in this documentary with people that are used to being in front of a camera.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003EFifty sketches were submitted for this show, and nine got on the air. As a writer yourself, was it tough for you to watch the writers work all night on these sketches, only to see most of them get cut?\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EIt&#x2019;s not like that was a surprise to me; I&#x2019;ve been on the show before, so I knew what it was like. I guess, in a funny way, our documentary pays tribute to all the work they did that ended up on the cutting-room floor. So in fact, we&#x2019;re actually documenting all that work. Otherwise, people would have no idea about it. And the other thing I&#x2019;ll say about that section, is that it was only difficult because in our documentary, we only cover one week. And so it gives us a really false impression of who&#x2019;s up and who&#x2019;s down, you know what I mean? All the cast members and all the writers said to me, &#x201C;Look, we all have our bad weeks, we all have our weeks where we&#x2019;re bombing in there.&#x201D; The sketches that didn&#x2019;t get selected on the particular episode that I covered, were just the ones that particular week.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003EOne sketch that was cut in dress featured John Malkovich singing \u003C\u002Fstrong\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=-Tbejz1h4eM\"\u003E\u003Cstrong\u003Ethe Empire Carpets jingle.\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cstrong\u003E So thanks to you, I now get to hear that in John Malkovich&#x2019;s voice whenever it comes on.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cem\u003E[Laughs]\u003C\u002Fem\u003E I do that too! 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When a young hooker is threatened by the brutal Russian mob, McCall breaks his self-imposed exile to come to her aid. Now his passion for justice is reawakened, and McCall turns vigilante, helping the helpless with skills honed during a lifetime of battle."},{"name":"short_title","value":"The Equalizer"},{"name":"lang","value":"en-US"},{"name":"shared_image","value":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fl.yimg.com\u002Fos\u002Fpublish-images\u002Fmovies\u002F2014-09-08\u002F3073c190-3788-11e4-b953-49cce66baf5b_the-equalizer-poster.jpg"},{"name":"title","value":"The Equalizer"}],"display_name":"The Equalizer","alias_type":"NONE","name":"The Equalizer","slug":"movie:the-equalizer","count":12},{"tag":"speed","blurb":"Jack Traven, an L.A.P.D. SWAT team specialist, is sent to defuse a bomb that a revenge-driven extortionist has planted on a moving bus. But until he does, Jack and one of the passengers must keep the bus speeding through the streets of Los Angeles at more than 50 miles per hour or the bomb will explode.","obj_type":"movie","image_sizes":[{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w110\u002F4af9f922fdecc1ab2a749fc449b05fae33616422.jpg","type":"image\u002Fjpeg","width":110,"height":150,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fmagazines.zenfs.com\u002Fresizer\u002Foriginal\u002FFy8SkThYkJXFROxWU_16zwbsji8"}],"title":"Speed","editor_info":{"edit_date":1407445798367},"ts_update":1411974052,"td_ccm_id":"8680bbb0-e9de-11e0-bff7-0e622c1ea2ae","td_applet_type":"movie","meta_tags":[{"name":"description","value":"Jack Traven, an L.A.P.D. SWAT team specialist, is sent to defuse a bomb that a revenge-driven extortionist has planted on a moving bus. But until he does, Jack and one of the passengers must keep the bus speeding through the streets of Los Angeles at more than 50 miles per hour or the bomb will explode."},{"name":"short_title"},{"name":"lang","value":"en-US"},{"name":"shared_image","value":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fmedia.zenfs.com\u002Fen_us\u002FMovies\u002FHotzilla\u002Fspeed-poster-435489.jpg"},{"name":"title","value":"Speed"}],"display_name":"Speed","alias_type":"NONE","name":"Speed","slug":"movie:speed","count":4}],"url_slug":"from-james-bond-to-the-equalizer-we-rate-hollywoods-98499245442","makelive_date":1411770443415,"ts_update":1411964763,"ccm_id":"38ad0354-dd6c-3ef3-b391-29c0d3e18324","page_date":1411770443414,"image_sizes":[{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FcWDGp80M1O-QMWXbtgFGzbmo7YA.gif","type":"image\u002Fgif","width":630,"height":260,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs1.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FcWDGp80M1O-QMWXbtgFGzbmo7YA"},{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FAtyjOUxxoAjuR7uKGAHcTrtXLn4.gif","type":"image\u002Fgif","width":636,"height":258,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FAtyjOUxxoAjuR7uKGAHcTrtXLn4"},{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FIACcKzppQms6H9B5Hmp9SJ2FLBo.gif","type":"image\u002Fgif","width":632,"height":254,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs1.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FIACcKzppQms6H9B5Hmp9SJ2FLBo"},{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FLAt0011P3t3qFYElWBG2znJQ0U4.gif","type":"image\u002Fgif","width":632,"height":264,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs1.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FLAt0011P3t3qFYElWBG2znJQ0U4"},{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FBsQWaZiPs-rfagbEYvS5stFWYXY.gif","type":"image\u002Fgif","width":392,"height":304,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FBsQWaZiPs-rfagbEYvS5stFWYXY"},{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002F3Zic8AnPrQ8k-fglqUKoNk7v3yQ.gif","type":"image\u002Fgif","width":620,"height":342,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs1.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002F3Zic8AnPrQ8k-fglqUKoNk7v3yQ"},{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FaBlDr_8TTBe-FhnBZk89LKzNsDs.gif","type":"image\u002Fgif","width":632,"height":266,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FaBlDr_8TTBe-FhnBZk89LKzNsDs"}],"highlight_color":"#000000","data_version":"1","title":"From James Bond to 'The Equalizer,' We Rate Hollywood's Most Murderously Creative Good Guys","summary":"Warning: Spoilers aplenty! Sometimes, killing the bad guys requires more than just heavy artillery and die-hard derring-do; it needsMacGyver-high levels of do-it-yourself ingenuity. Take Denzel Washington’s character inThe Equalizer, which opens in theaters this weekend: As McCall, a retired special-ops officer who can’t escape his violent past, Washington manages to turn an entire hardware store into a full-fledged arsenal, creating on-the-fly weapons out of every product you can name, from paint cans to electrical wire. But how do McCall’s creative kills rank among the action-movie antihero greats? ","body":"\u003Cp\u003E\u003Cimg alt=\"From James Bond to &apos;The Equalizer,&apos; We Rate Hollywood&apos;s Most Murderously Creative Good Guys\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FcWDGp80M1O-QMWXbtgFGzbmo7YA.gif\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cem\u003EWarning: Spoilers aplenty!\u003C\u002Fem\u003E\u003C\u002Fp\u003E \n\u003Cp\u003ESometimes, killing the bad guys requires more than just heavy artillery and die-hard derring-do; it needs \u003Cem\u003EMacGyver-\u003C\u002Fem\u003Ehigh levels of do-it-yourself ingenuity. Take Denzel Washington&#x2019;s character in \u003Cem\u003EThe Equalizer\u003C\u002Fem\u003E, which opens in theaters this weekend: As McCall, a retired special-ops officer who can&#x2019;t escape his violent past, Washington manages to turn an entire hardware store into a full-fledged arsenal, creating on-the-fly weapons out of every product you can name, from paint cans to electrical wire.\u003C\u002Fp\u003E \n\u003Cp\u003EBut how do McCall&#x2019;s creative kills rank among the action-movie antihero greats? Herewith, we grade some of the big-screen&#x2019;s most ingenious assassins &#x2014; the good guys who rely on a combination of brains \u003Cem\u003Eand \u003C\u002Fem\u003Ebrawn in order to do their dirty work:\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003ELive and Let Die\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003E (1973)\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cimg alt=\"Live and Let Die James Bond Kananga GIF\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FAtyjOUxxoAjuR7uKGAHcTrtXLn4.gif\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003EKiller:\u003C\u002Fstrong\u003E James Bond (Roger Moore).\u003Cbr\u003E\u003Cstrong\u003EVictim:\u003C\u002Fstrong\u003E Kananga, a.k.a. Mr. Big (Yaphet Kotto).\u003Cbr\u003E\u003Cstrong\u003EMethodology: \u003C\u002Fstrong\u003EDuring a scuffle in which both fighters are pulled underwater &#x2014; with a huge shark swimming nearby, mind you! &#x2014; Bond forces Kananga to ingest an inflation pellet. Kananga becomes buoyant and begins expanding, eventually rising out of the water like a balloon before finally exploding.\u003Cbr\u003E\u003Cstrong\u003EDifficulty (out of 5): \u003C\u002Fstrong\u003E4. Fighting underwater&#x2019;s hard enough. Throw in a shark, though, and suddenly you&#x2019;ve got to concentrate on breathing \u003Cem\u003Eand \u003C\u002Fem\u003Enot getting chomped, all at once!\u003Cbr\u003E\u003Cstrong\u003EPlausibility (out of 5): \u003C\u002Fstrong\u003E2. Being able to force-feed someone a pellet during a fight? That&#x2019;s a hard pill to swallow, even if it \u003Cem\u003Eis \u003C\u002Fem\u003EJames Bond.\u003Cbr\u003E\u003Cstrong\u003EBonus Bad-Catchphrase Points: \u003C\u002Fstrong\u003E4. Bond&#x2019;s waterlogged send-off &#x2014; &#x201C;He always \u003Cem\u003Edid\u003C\u002Fem\u003E have an inflated opinion of himself&#x201D; &#x2014; is perfectly dry.\u003Cbr\u003E\u003Cstrong\u003ETOTAL POINTS: \u003C\u002Fstrong\u003E10\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003ESnake in the Eagle&#x2019;s Shadow \u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003E(1978)\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cimg alt=\"Snake in the Eagles Shadow Jackie Chan GIF\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FIACcKzppQms6H9B5Hmp9SJ2FLBo.gif\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003EKiller:\u003C\u002Fstrong\u003E An orphan named Chien Fu (Jackie Chan), who&#x2019;s been adopted by leaders ata kung fu school.\u003Cbr\u003E\u003Cstrong\u003EVictim:\u003C\u002Fstrong\u003E A fighter from the school&#x2019;s rival Eagle Claw clan.\u003Cbr\u003E\u003Cstrong\u003EMethodology: \u003C\u002Fstrong\u003ERealizing his Snake-style fighting &#x2014; which involves positioning one&#x2019;s arm in the shape of a snake &#x2014; is no match for an Eagle Claw, Chien invents some new moves after watching his cat kill a cobra. Using a martial-arts-modified &#x201C;cat scratch&#x201D; to the face and groin, he miraculously offs his opponent.\u003Cbr\u003E\u003Cstrong\u003EDifficulty (out of 5): \u003C\u002Fstrong\u003E2. The move looks laughably easy.\u003Cbr\u003E\u003Cstrong\u003EPlausibility (out of 5): \u003C\u002Fstrong\u003E0.\u003Cbr\u003E\u003Cstrong\u003EBonus Bad-Catchphrase Points: \u003C\u002Fstrong\u003EN\u002FA There&#x2019;s no talking allowed in kung fu!\u003Cbr\u003E\u003Cstrong\u003ETOTAL POINTS: \u003C\u002Fstrong\u003E2\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003ELethal Weapon 2\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003E (1989)\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cimg alt=\"Lethal Weapon 2 nail gun Danny Glover GIF\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FLAt0011P3t3qFYElWBG2znJQ0U4.gif\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003EKiller:\u003C\u002Fstrong\u003E Detective Roger Murtaugh (Danny Glover).\u003Cbr\u003E\u003Cstrong\u003EVictims:\u003C\u002Fstrong\u003E Two nameless assassins.\u003Cbr\u003E\u003Cstrong\u003EMethodology: \u003C\u002Fstrong\u003EWhen the would-be killers invade Murtaugh&#x2019;s still-under-construction home, they fail to realize Murtaugh&#x2019;s hiding with a nail gun &#x2014; which he quickly uses to blast his foes.\u003Cbr\u003E\u003Cstrong\u003EDifficulty (out of 5): \u003C\u002Fstrong\u003E3. Murtaugh not only has good aim, but he&#x2019;s got eyes in the back of his head, offing one of his victims after he sneaks up behind him.\u003Cbr\u003E\u003Cstrong\u003EPlausibility (out of 5): \u003C\u002Fstrong\u003E4.\u003Cbr\u003E\u003Cstrong\u003EBonus Bad-Catchphrase Points: \u003C\u002Fstrong\u003E5. His cheesily perfect send-off &#x2014; &#x201C;Nailed &#x2018;em both&#x201D; &#x2014; is a highlight in a franchise full of posthumous groaners.&#xA0;\u003Cbr\u003E\u003Cstrong\u003ETOTAL POINTS: \u003C\u002Fstrong\u003E12\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003ESpeed\u003C\u002Fem\u003E (1994)\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cimg alt=\"Speed Keanu Reeves Dennis Hopper GIF\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FBsQWaZiPs-rfagbEYvS5stFWYXY.gif\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003EKiller:\u003C\u002Fstrong\u003E Officer Jack Traven (Keanu Reeves).\u003Cbr\u003E\u003Cstrong\u003EVictim:\u003C\u002Fstrong\u003E Retired cop Howard Payne (Dennis Hopper).\u003Cbr\u003E\u003Cstrong\u003EMethodology: \u003C\u002Fstrong\u003EPayne and Traven are engaged in some heated high-speed fisticuffs while riding atop a moving subway. It appears Payne&#x2019;s going to win &#x2014; he even lets out a pre-emptive &#x201C;I&#x2019;m smarter than you&#x201D; send-off &#x2014; until Traven notices that Payne&#x2019;s head is in the path of an upcoming transit signal. Our hero pushes up Payne&#x2019;s head, which is promptly decapitated, and Tavern groans &#x201C;But I&#x2019;m \u003Cem\u003Etaller\u003C\u002Fem\u003E&quot; as a withered, withering retort.\u003Cbr\u003E\u003Cstrong\u003EDifficulty (out of 5): \u003C\u002Fstrong\u003E4. Trying to fight on a subway car without getting distracted by various rats, mutants, and\u002For ninja turtles is tough!\u003Cbr\u003E\u003Cstrong\u003EPlausibility (out of 5): \u003C\u002Fstrong\u003E1. It&#x2019;d be hard to throw many punches while trying to stay atop of high-speed train.\u003Cbr\u003E\u003Cstrong\u003EBonus Bad-Catchphrase Points: \u003C\u002Fstrong\u003E3 for &#x201C;I&#x2019;m taller.&#x201D; It&#x2019;s funny &#x2018;cause it&#x2019;s true!\u003Cbr\u003E\u003Cstrong\u003ETOTAL POINTS: \u003C\u002Fstrong\u003E8\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003ETrue Lies&#xA0;\u003C\u002Fem\u003E(1994)\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cimg alt=\"True Lies Youre Fired Arnold Schwarzenegger GIF\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002F3Zic8AnPrQ8k-fglqUKoNk7v3yQ.gif\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003EKiller:\u003C\u002Fstrong\u003E\u003Cspan\u003E Counter-terrorism agent and family man Harry Tasker (Arnold Schwarzenegger).\u003Cbr\u003E\u003C\u002Fspan\u003E\u003Cstrong\u003EVictims:\u003C\u002Fstrong\u003E Terrorist Salim Abu Aziz (Art Malik) and his pals.\u003Cbr\u003E\u003Cstrong\u003EMethodology: \u003C\u002Fstrong\u003EDangling from a missile attached to a moving plane piloted by Tasker, our terrorist clings to life. Tasker fires the missile, and off goes our villain, who flies through a cratered-out skyscraper, and heads directly into a chopper holding his evil colleagues. It&#x2019;s the old &#x201C;two birds with one stone&#x201D; trick, Schwarzenegger-style.\u003Cbr\u003E\u003Cstrong\u003EDifficulty (out of 5): \u003C\u002Fstrong\u003E2. As ingeniously simple as the move was, all it really required was a decent aim and a simple push of a button.\u003Cbr\u003E\u003Cstrong\u003EPlausibility (out of 5): \u003C\u002Fstrong\u003E0. We love a James Cameron fever-dream action-sequence as much as anyone, but this move made \u003Cem\u003EAliens \u003C\u002Fem\u003Eseem realistic.\u003Cbr\u003E\u003Cstrong\u003EBonus Bad-Catchphrase Points: \u003C\u002Fstrong\u003E5. Schwarzenegger FTW: &#x201C;You&#x2019;re fired.&#x201D;\u003Cbr\u003E\u003Cstrong\u003ETOTAL POINTS: \u003C\u002Fstrong\u003E\u003Cspan\u003E8\u003C\u002Fspan\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EThe Bourne Ultimatum\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003E (2007)\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cimg alt=\"Bourne Ultimatum Matt Damon GIF\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FaBlDr_8TTBe-FhnBZk89LKzNsDs.gif\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003EKiller:\u003C\u002Fstrong\u003E Jason Bourne (Matt Damon).\u003Cbr\u003E\u003Cstrong\u003EVictim:\u003C\u002Fstrong\u003E Operation Blackbriar agent Desh (Joey Ansah).\u003Cbr\u003E\u003Cstrong\u003EMethodology: \u003C\u002Fstrong\u003EAs Desh points his gun at Bourne&#x2019;s ally Nicky (played by Julia Stiles), the amnesia-addled agent leaps in through a closed window. Glass flies everywhere, distracting Desh, and allowing Bourne to use a bevy of weapons &#x2014; including a candlestick, a book, and a straight razor &#x2014; to do him in.\u003Cbr\u003E\u003Cstrong\u003EDifficulty (out of 5): \u003C\u002Fstrong\u003E5. It&#x2019;s the most inventive use of a candlestick since \u003Cem\u003EClue\u003C\u002Fem\u003E.\u003Cbr\u003E\u003Cstrong\u003EPlausibility (out of 5): \u003C\u002Fstrong\u003EFor anyone else, it&#x2019;d be a 2. But because it&#x2019;s Bourne, such a complex kill seems totally reasonable, so we&#x2019;ll go with 5.\u003Cbr\u003E\u003Cstrong\u003EBonus Bad-Catchphrase Points: \u003C\u002Fstrong\u003EN\u002FA. Bourne&#x2019;s the strong, silent type.\u003Cbr\u003E\u003Cstrong\u003ETOTAL POINTS: \u003C\u002Fstrong\u003E10\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cem\u003EImage credits: Sony, United Artists, Cinematic, Warner Bros. 20th Century Fox, Universal Pictures\u003C\u002Fem\u003E\u003C\u002Fp\u003E","content_status":"UNPUBLISHED","canonical_ccm_id":"38ad0354-dd6c-3ef3-b391-29c0d3e18324","type":"story","leadImages":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FcWDGp80M1O-QMWXbtgFGzbmo7YA.gif","type":"image\u002Fgif","width":630,"height":260,"size_type":"original","title":"From James Bond to 'The Equalizer,' We Rate Hollywood's Most Murderously Creative Good Guys"}],"lead_image":{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FcWDGp80M1O-QMWXbtgFGzbmo7YA.gif","type":"image\u002Fgif","width":630,"height":260,"size_type":"original","title":"From James Bond to 'The Equalizer,' We Rate Hollywood's Most Murderously Creative Good Guys"},"preferredTag":{"tag":"the-equalizer","blurb":"Tired of fighting and in search of a quiet retirement, former black ops commando Robert McCall fakes his own death to live the rest of his days in peaceful obscurity. When a young hooker is threatened by the brutal Russian mob, McCall breaks his self-imposed exile to come to her aid. Now his passion for justice is reawakened, and McCall turns vigilante, helping the helpless with skills honed during a lifetime of battle.","obj_type":"movie","image_sizes":[{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w1013\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":1013,"height":1500,"size_type":"original"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w175\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":175,"height":259,"size_type":"175"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w200\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":200,"height":296,"size_type":"200"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w250\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":250,"height":370,"size_type":"250"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w300\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":300,"height":444,"size_type":"300"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w350\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":350,"height":518,"size_type":"350"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w400\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":400,"height":592,"size_type":"400"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w450\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":450,"height":666,"size_type":"450"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":500,"height":740,"size_type":"500"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w550\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":550,"height":814,"size_type":"550"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w600\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":600,"height":888,"size_type":"600"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w700\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":700,"height":1037,"size_type":"700"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w800\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":800,"height":1185,"size_type":"800"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w900\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":900,"height":1333,"size_type":"900"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w1000\u002F9b9f659c35886eb9b577c84854a493dec661f627.jpg","type":"image\u002Fjpeg","width":1000,"height":1481,"size_type":"1000"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fmagazines.zenfs.com\u002Fresizer\u002F2.0\u002Foriginal\u002FARqPQtGLTqMnnmKJyHlkAon6VGY"}],"title":"The Equalizer","editor_info":{"edit_date":1411766025870},"ts_update":1411996013,"td_ccm_id":"b91d49a0-a6d7-11e2-976f-a9f7ce4ce4cd","td_applet_type":"movie","meta_tags":[{"name":"description","value":"Tired of fighting and in search of a quiet retirement, former black ops commando Robert McCall fakes his own death to live the rest of his days in peaceful obscurity. When a young hooker is threatened by the brutal Russian mob, McCall breaks his self-imposed exile to come to her aid. Now his passion for justice is reawakened, and McCall turns vigilante, helping the helpless with skills honed during a lifetime of battle."},{"name":"short_title","value":"The Equalizer"},{"name":"lang","value":"en-US"},{"name":"shared_image","value":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fl.yimg.com\u002Fos\u002Fpublish-images\u002Fmovies\u002F2014-09-08\u002F3073c190-3788-11e4-b953-49cce66baf5b_the-equalizer-poster.jpg"},{"name":"title","value":"The Equalizer"}],"display_name":"The Equalizer","alias_type":"NONE","name":"The Equalizer","slug":"movie:the-equalizer","count":12},"displayType":"textOnImage"},{"id":"98496104162","magazine":"movies","priority":"","palette":["#0c1735","#0f121b","#314e8e","#769ac7","#2a3b56"],"author":{"id":"memeriah","name":"Meriah Doty","title":"Editor","bio":"An online media Renaissance woman based in Los Angeles, Meriah Doty has worked for CNN.com, ABC.com, and also celebrity sites KimKardashian.com and BritneySpears.com. An avid movie lover, she is also the proud owner of a rescued terrier-poodle, plays bass guitar, and does yoga every chance she gets.","ts_update":1400873324,"socialAliases":{"twitter":"meriahonfiah","googleplus":"105664165260447689400"},"alias":"meriah-doty","image_sizes":[{"type":"AUTHOR","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w215\u002F82e7b4853474df08e87f6ba5bc02f1e717dbee75.png","type":"image\u002Fpng","width":215,"height":144,"size_type":"original"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w100\u002F82e7b4853474df08e87f6ba5bc02f1e717dbee75.png","type":"image\u002Fpng","width":100,"height":67,"size_type":"100"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w133\u002F82e7b4853474df08e87f6ba5bc02f1e717dbee75.png","type":"image\u002Fpng","width":133,"height":89,"size_type":"133"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w175\u002F82e7b4853474df08e87f6ba5bc02f1e717dbee75.png","type":"image\u002Fpng","width":175,"height":117,"size_type":"175"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w200\u002F82e7b4853474df08e87f6ba5bc02f1e717dbee75.png","type":"image\u002Fpng","width":200,"height":134,"size_type":"200"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fmagazines.zenfs.com\u002Fresizer\u002Foriginal\u002F97ptqESedQmbmJPu0-7Ol6Cnw2M"}]},"tags":[{"name":"Videos","slug":"videos","count":200},{"tag":"guardians-of-the-galaxy","blurb":"Brash adventurer Peter Quill finds himself the object of an unrelenting bounty hunt after stealing a mysterious orb coveted by Ronan, a powerful villain with ambitions that threaten the entire universe. 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But once Reynolds gets into Han&#x2019;s head, his mind is changed, and he swiftly leaves to shoot down an alien.\u003C\u002Fp\u003E \n\u003Cp\u003ESee more videos like this on the \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fchannel\u002FUC6t9Bf2o-l8AEv9mv91p22g\"\u003EBrotherhoodWorkshop YouTube channel\u003C\u002Fa\u003E.\u003C\u002Fp\u003E","content_status":"UNPUBLISHED","canonical_ccm_id":"deaf39bb-3aae-336e-8539-610c78009133","type":"video","videos":[{"width":250,"height":140,"embed":"\u003Ciframe width=\"250\" height=\"140\" src=\"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FWy7lFghO6AE?feature=oembed\" frameborder=\"0\" allowfullscreen\u003E\u003C\u002Fiframe\u003E"},{"width":400,"height":225,"embed":"\u003Ciframe width=\"400\" height=\"224\" src=\"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FWy7lFghO6AE?feature=oembed\" frameborder=\"0\" allowfullscreen\u003E\u003C\u002Fiframe\u003E"},{"width":500,"height":281,"embed":"\u003Ciframe width=\"500\" height=\"281\" src=\"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FWy7lFghO6AE?feature=oembed\" frameborder=\"0\" allowfullscreen\u003E\u003C\u002Fiframe\u003E"}],"leadImages":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w175\u002Fc3b65357eb6a2e8505ab7ae4b296140e3f13e2cd.jpg","type":"image\u002Fjpeg","width":175,"height":131,"size_type":"175"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w200\u002Fc3b65357eb6a2e8505ab7ae4b296140e3f13e2cd.jpg","type":"image\u002Fjpeg","width":200,"height":150,"size_type":"200"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w250\u002Fc3b65357eb6a2e8505ab7ae4b296140e3f13e2cd.jpg","type":"image\u002Fjpeg","width":250,"height":188,"size_type":"250"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w300\u002Fc3b65357eb6a2e8505ab7ae4b296140e3f13e2cd.jpg","type":"image\u002Fjpeg","width":300,"height":225,"size_type":"300"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w350\u002Fc3b65357eb6a2e8505ab7ae4b296140e3f13e2cd.jpg","type":"image\u002Fjpeg","width":350,"height":263,"size_type":"350"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w400\u002Fc3b65357eb6a2e8505ab7ae4b296140e3f13e2cd.jpg","type":"image\u002Fjpeg","width":400,"height":300,"size_type":"400"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w450\u002Fc3b65357eb6a2e8505ab7ae4b296140e3f13e2cd.jpg","type":"image\u002Fjpeg","width":450,"height":338,"size_type":"450"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w480\u002Fc3b65357eb6a2e8505ab7ae4b296140e3f13e2cd.jpg","type":"image\u002Fjpeg","width":480,"height":360,"size_type":"original","title":"Watch Han Solo and Star-Lord Get the Lego Treatment in a New Short Film, 'Always Shoot First'"}],"lead_image":{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w480\u002Fc3b65357eb6a2e8505ab7ae4b296140e3f13e2cd.jpg","type":"image\u002Fjpeg","width":480,"height":360,"size_type":"original","title":"Watch Han Solo and Star-Lord Get the Lego Treatment in a New Short Film, 'Always Shoot First'"},"preferredTag":{"tag":"guardians-of-the-galaxy","blurb":"Brash adventurer Peter Quill finds himself the object of an unrelenting bounty hunt after stealing a mysterious orb coveted by Ronan, a powerful villain with ambitions that threaten the entire universe. 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Ennis waits expectantly for his friend, and when Jack at last arrives, in just one moment it is clear that the passage of time has only strengthened the men's attachment. In the years that follow, Ennis and Jack struggle to keep their secret bond alive. They meet up several times annually. Even when they are apart, they face the eternal questions of fidelity, commitment, and trust. Ultimately, the one constant in their lives is a force of nature--love."},{"name":"short_title","value":"Brokeback Mountain"},{"name":"lang","value":"en-US"},{"name":"shared_image","value":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fmedia.zenfs.com\u002Fen_us\u002FMovies\u002FHotzilla\u002Fbrokeback-mountain-poster-586649.jpg"},{"name":"title","value":"Brokeback Mountain"}],"display_name":"Brokeback Mountain","alias_type":"NONE","name":"Brokeback Mountain","slug":"movie:brokeback-mountain","count":1}],"url_slug":"14-movie-moments-you-may-have-never-realized-used-cgi-98490169047","makelive_date":1411766556871,"ts_update":1411964762,"ccm_id":"395dfa81-a00f-3194-abc2-02201296b041","page_date":1411766556870,"attribution":{"display_name":"Ali Gray","url":{"href":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fuk.yahoo.com\u002Fmovies\u002F","rel":"alternate","type":"text\u002Fhtml"}},"image_sizes":[{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F92839dd859dca40e968ed8a69367cc5b2c2e2f98.jpg","type":"image\u002Fjpeg","width":500,"height":333,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs1.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FaAaop7cMU1rDw08zP8ciyYAQjLk"},{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F7b2c1b238b141980af27b1f153bb98fe300900df.jpg","type":"image\u002Fjpeg","width":500,"height":298,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs1.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002F1I2Mfif30Imm8GsGGbt6aW27BwE"},{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002Fbae76b003d34466a2071e93e13b9f447711485e9.jpg","type":"image\u002Fjpeg","width":500,"height":219,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs1.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FNo7HTOTH3xj__-6cr3Hzq7THRPM"},{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w423\u002F2aff1bdd0e28fb49c7865e728cd411470500ba8e.jpg","type":"image\u002Fjpeg","width":423,"height":582,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs1.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002Fh0X0EWPdRIM3LHQ0LyH2rf6EgG4"},{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002Fba204eff2104b44d3a6d35e809543be8946e1c41.jpg","type":"image\u002Fjpeg","width":500,"height":271,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs1.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FITCavWHNpE5xGYEjuduYDNRWb9w"},{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F1a70f2ad545313e3e06c51d38156936bb31353ab.jpg","type":"image\u002Fjpeg","width":500,"height":281,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs1.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002F91YcQdbHlaNejG5EtuDtd9VSJ8w"},{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002Fbbb9a1e7751f3d50d366a1a58a891ae438e09f45.jpg","type":"image\u002Fjpeg","width":500,"height":209,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs1.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FUgB-KlmFoD95cLTjUshAxV4VVp8"},{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F9bbe76efb88b8026165a0e0a994bd00cd0f10d72.jpg","type":"image\u002Fjpeg","width":500,"height":274,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FHhXpPYQfp4ajegvJlc_kxcELmJU"},{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002Febbae4a982857de41646e9c1d00e94c2831994c5.jpg","type":"image\u002Fjpeg","width":500,"height":212,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FHF7WuPgLLkhtZosuQjvZQFsMmIQ"},{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F830a0e5acf795e8805c8bc69d03fcab2f49d9412.jpg","type":"image\u002Fjpeg","width":500,"height":281,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F2014092913213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Movie Moments You May Have Never Realized Used CGI","summary":"Not every bit of CGI is used for explosions and spaceships — here are some examples where digital magic is used in more subtle ways","body":"\u003Cp\u003E\u003Cimg alt=\"14 Movie Moments You May Have Never Realized Used CGI\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F92839dd859dca40e968ed8a69367cc5b2c2e2f98.jpg\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EEver since computer-generated imagery, or CGI, was added to the filmmaker&#x2019;s arsenal, it&#x2019;s been easy to spot &#x2013; a flying dragon here, a gigantic explosion there, a Jar-Jar Binks everywhere.\u003C\u002Fp\u003E \n\u003Cp\u003EBut CGI isn&#x2019;t just used for outlandish effects &#x2013; it&#x2019;s frequently deployed by expert filmmakers to achieve subtle shots that otherwise couldn&#x2019;t be achieved with practical methods. The following 14 scenes all feature examples of CGI that were practically invisible, unless you were in the know&#x2026;\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cbr\u003E\u003Cimg alt=\"Jurassic Park - Ariana Richards\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F7b2c1b238b141980af27b1f153bb98fe300900df.jpg\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EJurassic Park\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003E &#xA0;(1993)\u003Cbr\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003EThe invisible CGI:\u003C\u002Fstrong\u003E Big surprise: dinosaurs aren&#x2019;t real. But we&#x2019;re guessing you knew that. CGI took a quantum leap forward in Spielberg&#x2019;s dino epic, but it wasn&#x2019;t just used for rampaging T-Rexes. The scene in which Lex (Ariana Richards) falls through a roof tile and is almost eaten alive by a raptor was actually performed by a stunt girl, but she looked straight at the camera. Richards&#x2019; face was added in post-production, in a process called digital face replacement. It&#x2019;s a seamless shot that still gets us every time.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cbr\u003E\u003Cimg alt=\"Forrest Gump - Gary Sinise\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002Fbae76b003d34466a2071e93e13b9f447711485e9.jpg\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EForrest Gump\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003E &#xA0;(1994)\u003Cbr\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003EThe invisible CGI:\u003C\u002Fstrong\u003E Computer graphics are great at adding new elements to scenes, \u003Ca href=\"http:\u002F\u002Farticles.latimes.com\u002F1994-07-10\u002Fentertainment\u002Fca-14048_1_gary-sinise\"\u003Ebut they&#x2019;re equally good at removing things, too\u003C\u002Fa\u003E. Though it seems obvious now, we remember watching Gary Sinise&#x2019;s amputee Lieutenant Dan back in &#x2018;94 and wondering how it was possible he &#x201C;got no legs&#x201D;. For a more recent and impressive example of&#xA0; so-called digital erasing, \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=-HETfSaA7SE\"\u003Esee Marion Cotillard in \u003Cem\u003ERust &amp; Bone\u003C\u002Fem\u003E\u003C\u002Fa\u003E.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cbr\u003E\u003Cimg alt=\"Die Hard with a Vengeance - Bruce Willis\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w423\u002F2aff1bdd0e28fb49c7865e728cd411470500ba8e.jpg\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EDie Hard With A Vengeance\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003E &#xA0;(1995)\u003Cbr\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003EThe invisible CGI:\u003C\u002Fstrong\u003E Recall, if you will, the last good \u003Cem\u003EDie Hard\u003C\u002Fem\u003E movie, in particular, the scene in which villain Simon Gruber forces Det. John McClane to travel to Harlem and wear a sign bearing the N-word. Bruce Willis did indeed wear the sandwich board, but to stop anyone from taking offense, the phrase read &#x2018;I Hate Everybody.&#x2019; &#xA0;\u003Cspan\u003EThe epithet&#xA0;\u003C\u002Fspan\u003Ewas later digitally altered in post-production, with the less objectionable version kept for subsequent network TV broadcasts.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cbr\u003E\u003Cimg alt=\"&quot;Fight\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002Fba204eff2104b44d3a6d35e809543be8946e1c41.jpg\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EFight Club\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003E &#xA0;(1999)\u003Cbr\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003EThe invisible CGI:\u003C\u002Fstrong\u003E David Fincher is the absolute master of using subtle CGI, and \u003Cem\u003EFight Club\u003C\u002Fem\u003E contains several scenes you&#x2019;d never guess were altered. Entire shots &#x2013; \u003Ca href=\"http:\u002F\u002Fwww.empireonline.com\u002Ffeatures\u002Fhistory-of-cgi\u002Fp12\"\u003Elike Edward Norton&#x2019;s apartment exploding\u003C\u002Fa\u003E, and the shot of the Starbucks coffee cup in the trashcan &#x2013; were digitally constructed, as was the nude fantasy sequence with Helena Bonham Carter&#x2019;s Marla. She never disrobed on set. There was no set. It was all CGI. Sorry to disappoint you, fellas.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cbr\u003E\u003Cimg alt=\"Gladiator &#x2013; Oliver Reed\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F1a70f2ad545313e3e06c51d38156936bb31353ab.jpg\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EGladiator\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003E &#xA0;(2000)\u003Cbr\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003EThe invisible CGI:\u003C\u002Fstrong\u003E Sometimes CGI is used when forces outside the director&#x2019;s control intervene &#x2013; and that includes death. \u003Cem\u003EGladiator\u003C\u002Fem\u003E was, tragically, to be Oliver Reed&#x2019;s last movie, but he hadn&#x2019;t finished shooting his scenes when he died of a heart attack in 1999. Director Ridley Scott, who had used CGI in earlier scenes featuring the Colosseum, \u003Ca href=\"http:\u002F\u002Fwww.creativeplanetnetwork.com\u002Fnews\u002Fnews-articles\u002Fdigital-resurrections\u002F382628\"\u003Edecided to apply digital face replacement\u003C\u002Fa\u003E onto an extra for the veteran actor&#x2019;s remaining scenes &#x2014; and Olly&#x2019;s memory was suitably honored.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cbr\u003E\u003Cimg alt=\"Spider-Man 2 &#x2013; Alfred Molina\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002Fbbb9a1e7751f3d50d366a1a58a891ae438e09f45.jpg\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003ESpider-Man 2\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003E &#xA0;(2004)\u003Cbr\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003EThe invisible CGI:\u003C\u002Fstrong\u003E Director Sam Raimi couldn&#x2019;t have created the best superhero movie ever made without the help of CGI, but along with providing the more whiz-bang sequences, digital effects added a touch of gravitas to some slower scenes. For example, the final graceful shot of a redeemed Doc Ock&#x2019;s body beneath the harbor waters is entirely computer-generated &#x2013; a flawless render of Alfred Molina&#x2019;s face.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cbr\u003E\u003Cimg alt=\"Brokeback Mountain CGI\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F9bbe76efb88b8026165a0e0a994bd00cd0f10d72.jpg\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EBrokeback Mountain\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003E &#xA0;(2005)\u003Cbr\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003EThe invisible CGI:\u003C\u002Fstrong\u003E Just two guys on a mountain, hanging out. Why get computers involved? Well, because director Ang Lee is a perfectionist, and when he wants a shot than nature can&#x2019;t provide, he&#x2019;ll take matters into his own hands. \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=kPw5plmkd6Q\"\u003EMore than a few shots are augmented with computers\u003C\u002Fa\u003E, adding mountains in the background, and multiplying the sheep being herded. &#x201C;I wish I could quit you,&#x201D; we imagine Lee whispering to his VFX team.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cbr\u003E\u003Cimg alt=\"Blood Diamond &#x2013; Jennifer Connelly\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002Febbae4a982857de41646e9c1d00e94c2831994c5.jpg\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EBlood Diamond\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003E &#xA0;(2006)\u003Cbr\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003EThe invisible CGI:\u003C\u002Fstrong\u003E Sometime after Ed Zwick had completed shooting an emotional scene in which Jennifer Connelly&#x2019;s character receives an important phone call, the \u003Cem\u003EBlood Diamond\u003C\u002Fem\u003E director decided he wanted to pump up the drama by having her cry. Rather than pay for a costly reshoot, \u003Ca href=\"http:\u002F\u002Fwww.npr.org\u002Ftemplates\u002Fstory\u002Fstory.php?storyId=7584994\"\u003EZwick opted to have a single tear added digitally\u003C\u002Fa\u003E.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cbr\u003E\u003Cimg alt=\"Zodiac - CGI\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F830a0e5acf795e8805c8bc69d03fcab2f49d9412.jpg\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EZodiac\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003E &#xA0;(2007)\u003Cbr\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003EThe invisible CGI:\u003C\u002Fstrong\u003E It&#x2019;s everywhere, in practically every scene. David Fincher is a stickler for period detail, and while he can maintain the illusion of 1970s San Francisco through costumes, props and the like, even he can&#x2019;t change the city&#x2019;s skyline. Hence, \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=xW2xhBSfFps\"\u003Eseveral background and establishing shots in the crime thriller were digitally constructed\u003C\u002Fa\u003E. It worked, and \u003Cem\u003EZodiac\u003C\u002Fem\u003E feels like a period piece, just like he wanted.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cbr\u003E\u003Cimg alt=\"Photo description goes here.\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002Fee5401dfa51c1b418be4731a80cda608893bbe7a.jpg\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EThe Fighter\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003E &#xA0;(2010)\u003Cbr\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003EThe invisible CGI:\u003C\u002Fstrong\u003E Some crowd scenes were bolstered with digital effects, but one scene caused the visual-effects crew a real headache: Mark Wahlberg holding up a napkin with a girl&#x2019;s phone number on it, which couldn&#x2019;t be shown for legal reasons. Director David O Russell didn&#x2019;t want to use a \u003Ca href=\"http:\u002F\u002Fen.wikipedia.org\u002Fwiki\u002F555_%28telephone_number%29\"\u003Ephony 555 prefix\u003C\u002Fa\u003E, so had his VFX team \u003Ca href=\"http:\u002F\u002Fwww.postmagazine.com\u002FPublications\u002FPost-Magazine\u002F2011\u002FJanuary-1-2011\u002FVFX-The-Fighter.aspx\"\u003Ecreate a completely CG napkin\u003C\u002Fa\u003E, which was inserted into the final shot. Digital napkins? Now we&#x2019;ve seen everything.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cbr\u003E\u003Cimg alt=\"The Fighter &#x2013; Mark Wahlberg\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F91142c1bdd753baad2e20deb16ccadadb50a6bc9.jpg\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EBlack Swan\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003E &#xA0;(2010)\u003Cbr\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003EThe invisible CGI:\u003C\u002Fstrong\u003E Natalie Portman&#x2019;s descent into madness is supplemented with a few CG augmentations here and there, most notably when her face keeps appearing in place of Mila Kunis&#x2019;. There are more subtle additions, however, such as the early scene in which Portman&#x2019;s character rubs her hands, \u003Ca href=\"http:\u002F\u002Fwww.traileraddict.com\u002Fblack-swan\u002Ffeaturette-vfx-breakdown\"\u003Ewhich are made to look slightly elongated\u003C\u002Fa\u003E, hinting at the grotesque transformation that awaits her later in the film.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cbr\u003E\u003Cimg alt=\"The Change-Up &#x2013; Olivia Wilde\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F92839dd859dca40e968ed8a69367cc5b2c2e2f98.jpg\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003EThe Change-Up\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003E &#xA0;(2011)\u003Cbr\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003EThe invisible CGI:\u003C\u002Fstrong\u003E Boobs. And nipples. CGI often comes to the rescue of bashful actresses keen to keep their fleshy parts under wraps, but the opposite was true in this 2011 comedy. Leslie Mann had the effects team \u003Ca href=\"http:\u002F\u002Fpro.boxoffice.com\u002Farticles\u002F2011-08-director-david-dobkin-talks-the-change-up-cg-boobs-and-returning-to-his-indie-roots?q=emotional\"\u003Egive her CG boobs\u003C\u002Fa\u003E (bigger than the real ones on her request), while Olivia Wilde wore pasties for the camera, \u003Ca href=\"http:\u002F\u002Fpopwatch.ew.com\u002F2011\u002F07\u002F29\u002Folivia-wilde-nude-fake-cgi\u002F\"\u003Ewhich were later replaced with CG nipples\u003C\u002Fa\u003E.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cbr\u003E\u003Cimg alt=\"Les Miserables - CGI\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F2082db8a98e7518c0b3f1a1ff9636dc9f389a7f8.jpg\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003E\u003Cem\u003ELes Mis&#xE9;rables\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003E&#xA0; (2012)\u003Cbr\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003EThe invisible CGI:\u003C\u002Fstrong\u003E This is a perfect example of how a slight CGI tweak can make the whole shooting process more bearable. The actors in Tom Hooper&#x2019;s movie adaptation of the long-running musical were singing their lines for real, but not without some assistance &#x2013; they were \u003Ca href=\"http:\u002F\u002Fwww.soundonsound.com\u002Fsos\u002Fapr13\u002Farticles\u002Fit-0413.htm\"\u003Eallowed to wear earpieces and radio microphones\u003C\u002Fa\u003E, which were digitally removed in post-production. If only they had removed Russell Crowe&#x2019;s mic before he started singing.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cbr\u003E\u003Cimg alt=\"Dark Shadows &#x2013; Johnny Depp\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F090d8980aae627a45ff7d2367ff18a6331b02536.jpg\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003E&apos;Dark Shadows&#x2019; (2012)\u003Cbr\u003E\u003C\u002Fstrong\u003E\u003Cstrong\u003EThe invisible CGI:\u003C\u002Fstrong\u003E What you likely didn&#x2019;t notice in Tim Burton&#x2019;s vampire comedy was the lengths to which he and his effects team went to keep up the pretense that Johnny Depp was a vampire. The make-up worked for the most part, but did you notice Barnabas never blinks? All of \u003Ca href=\"http:\u002F\u002Fwww.fxguide.com\u002Ffeatured\u002Fdark-shadows-retro-old-school-vfx-with-a-modern-twist\u002F\"\u003EDepp&#x2019;s eye movements were excised in post-production\u003C\u002Fa\u003E, as was every single time he was reflected on a surface.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cem\u003EImage credit: Everett, Paramount\u002FUniversal\u002FMomentum\u002FFox 2000\u002FEntertainment\u002FSony Pictures\u002FWarner Bros.\u003C\u002Fem\u003E\u003C\u002Fp\u003E","content_status":"UNPUBLISHED","canonical_ccm_id":"395dfa81-a00f-3194-abc2-02201296b041","type":"story","leadImages":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w175\u002Fd55b35f1a7f6168e7b8ea9c66fff231062fc8a0f.jpg","type":"image\u002Fjpeg","width":175,"height":117,"size_type":"175"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w200\u002Fd55b35f1a7f6168e7b8ea9c66fff231062fc8a0f.jpg","type":"image\u002Fjpeg","width":200,"height":134,"size_type":"200"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w250\u002Fd55b35f1a7f6168e7b8ea9c66fff231062fc8a0f.jpg","type":"image\u002Fjpeg","width":250,"height":167,"size_type":"250"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w300\u002Fd55b35f1a7f6168e7b8ea9c66fff231062fc8a0f.jpg","type":"image\u002Fjpeg","width":300,"height":201,"size_type":"300"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w350\u002Fd55b35f1a7f6168e7b8ea9c66fff231062fc8a0f.jpg","type":"image\u002Fjpeg","width":350,"height":234,"size_type":"350"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w400\u002Fd55b35f1a7f6168e7b8ea9c66fff231062fc8a0f.jpg","type":"image\u002Fjpeg","width":400,"height":268,"size_type":"400"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w450\u002Fd55b35f1a7f6168e7b8ea9c66fff231062fc8a0f.jpg","type":"image\u002Fjpeg","width":450,"height":301,"size_type":"450"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002Fd55b35f1a7f6168e7b8ea9c66fff231062fc8a0f.jpg","type":"image\u002Fjpeg","width":500,"height":335,"size_type":"500"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w550\u002Fd55b35f1a7f6168e7b8ea9c66fff231062fc8a0f.jpg","type":"image\u002Fjpeg","width":550,"height":368,"size_type":"550"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w600\u002Fd55b35f1a7f6168e7b8ea9c66fff231062fc8a0f.jpg","type":"image\u002Fjpeg","width":600,"height":402,"size_type":"600"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w700\u002Fd55b35f1a7f6168e7b8ea9c66fff231062fc8a0f.jpg","type":"image\u002Fjpeg","width":700,"height":469,"size_type":"700"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w800\u002Fd55b35f1a7f6168e7b8ea9c66fff231062fc8a0f.jpg","type":"image\u002Fjpeg","width":800,"height":536,"size_type":"800"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w900\u002Fd55b35f1a7f6168e7b8ea9c66fff231062fc8a0f.jpg","type":"image\u002Fjpeg","width":900,"height":602,"size_type":"900"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w1000\u002Fd55b35f1a7f6168e7b8ea9c66fff231062fc8a0f.jpg","type":"image\u002Fjpeg","width":1000,"height":669,"size_type":"1000"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w1100\u002Fd55b35f1a7f6168e7b8ea9c66fff231062fc8a0f.jpg","type":"image\u002Fjpeg","width":1100,"height":736,"size_type":"1100"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w1200\u002Fd55b35f1a7f6168e7b8ea9c66fff231062fc8a0f.jpg","type":"image\u002Fjpeg","width":1200,"height":803,"size_type":"1200"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w2048\u002Fd55b35f1a7f6168e7b8ea9c66fff231062fc8a0f.jpg","type":"image\u002Fjpeg","width":2048,"height":1371,"size_type":"original","title":"14 Movie Moments You May Have Never Realized Used CGI"}],"lead_image":{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w2048\u002Fd55b35f1a7f6168e7b8ea9c66fff231062fc8a0f.jpg","type":"image\u002Fjpeg","width":2048,"height":1371,"size_type":"original","title":"14 Movie Moments You May Have Never Realized Used CGI"},"preferredTag":{"tag":"jurassic-park","blurb":"Eccentric millionaire John Hammond has invited three dinosaur experts see his new amusement park before it opens. The park is on an island off Costa Rica and is populated by actual, living dinosaurs that Hammond has created using DNA harvested from pre-historic insects. The scientists are joined by Hammond's two grandchildren during their preview of the park and the group is enjoying the tour in their computer-controlled cars until a storm knocks out power on the island. A park employee who wants to steal some of the dinosaur embryos takes advantage of the situation and sabotages the system, inadvertently causing the gigantic beasts to go on a rampage and forcing all the humans on the island to flee for their lives.","obj_type":"movie","image_sizes":[{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w647\u002F533bb50ae75b164b0b0faa08c051078cc0498e6c.jpg","type":"image\u002Fjpeg","width":647,"height":1024,"size_type":"original"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w175\u002F533bb50ae75b164b0b0faa08c051078cc0498e6c.jpg","type":"image\u002Fjpeg","width":175,"height":277,"size_type":"175"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w200\u002F533bb50ae75b164b0b0faa08c051078cc0498e6c.jpg","type":"image\u002Fjpeg","width":200,"height":317,"size_type":"200"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w250\u002F533bb50ae75b164b0b0faa08c051078cc0498e6c.jpg","type":"image\u002Fjpeg","width":250,"height":396,"size_type":"250"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w300\u002F533bb50ae75b164b0b0faa08c051078cc0498e6c.jpg","type":"image\u002Fjpeg","width":300,"height":475,"size_type":"300"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w350\u002F533bb50ae75b164b0b0faa08c051078cc0498e6c.jpg","type":"image\u002Fjpeg","width":350,"height":554,"size_type":"350"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w400\u002F533bb50ae75b164b0b0faa08c051078cc0498e6c.jpg","type":"image\u002Fjpeg","width":400,"height":633,"size_type":"400"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w450\u002F533bb50ae75b164b0b0faa08c051078cc0498e6c.jpg","type":"image\u002Fjpeg","width":450,"height":712,"size_type":"450"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w500\u002F533bb50ae75b164b0b0faa08c051078cc0498e6c.jpg","type":"image\u002Fjpeg","width":500,"height":791,"size_type":"500"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w550\u002F533bb50ae75b164b0b0faa08c051078cc0498e6c.jpg","type":"image\u002Fjpeg","width":550,"height":870,"size_type":"550"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w600\u002F533bb50ae75b164b0b0faa08c051078cc0498e6c.jpg","type":"image\u002Fjpeg","width":600,"height":950,"size_type":"600"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fmagazines.zenfs.com\u002Fresizer\u002Foriginal\u002FFr_eteC9qLYKmaiiiTavkdUD7co"}],"title":"Jurassic Park","editor_info":{"edit_date":1408569928617},"ts_update":1411995752,"td_ccm_id":"aabfccf0-e9d4-11e0-bcf3-a5c06c138491","td_applet_type":"movie","meta_tags":[{"name":"description","value":"Eccentric millionaire John Hammond has invited three dinosaur experts see his new amusement park before it opens. The park is on an island off Costa Rica and is populated by actual, living dinosaurs that Hammond has created using DNA harvested from pre-historic insects. The scientists are joined by Hammond's two grandchildren during their preview of the park and the group is enjoying the tour in their computer-controlled cars until a storm knocks out power on the island. A park employee who wants to steal some of the dinosaur embryos takes advantage of the situation and sabotages the system, inadvertently causing the gigantic beasts to go on a rampage and forcing all the humans on the island to flee for their lives."},{"name":"short_title","value":"Jurassic Park"},{"name":"lang","value":"en-US"},{"name":"shared_image","value":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fl.yimg.com\u002Fos\u002F251\u002F2012\u002F11\u002F08\u002FJP3D-TSR1SHT-RGB-1101-1-jpg_185744.jpg"},{"name":"title","value":"Jurassic Park"}],"display_name":"Jurassic Park","alias_type":"NONE","name":"Jurassic Park","slug":"movie:jurassic-park","count":14},"displayType":"textOnImage"},{"id":"98488961607","magazine":"movies","priority":"","palette":["#b2024a","#860023","#a4490e","#830c04","#cb3f10"],"tags":[{"name":"News","slug":"news","count":200},{"tag":"22-jump-street","blurb":"After making their way through high school (twice), big changes are in store for officers Schmidt and Jenko when they go deep undercover at a local college. 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If these two overgrown adolescents can grow from freshmen into real men, college might be the best thing that ever happened to 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If these two overgrown adolescents can grow from freshmen into real men, college might be the best thing that ever happened to them."},{"name":"short_title","value":"22 Jump Street"},{"name":"lang","value":"en-US"},{"name":"shared_image","value":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fl.yimg.com\u002Fos\u002Fpublish-images\u002Fmovies\u002F2014-01-29\u002F70b2f5f9-cc3d-4856-bbd9-354a2c3699fd_22_JumpStreet_1sheet.jpg"},{"name":"title","value":"22 Jump Street"}],"display_name":"22 Jump Street","alias_type":"NONE","alias_for":["21-jump-street-2"],"name":"22 Jump Street","slug":"movie:22-jump-street","count":23},{"tag":"channing-tatum","obj_type":"people","name":"Channing Tatum","slug":"people:channing-tatum","count":3},{"tag":"jonah-hill","obj_type":"people","name":"Jonah Hill","slug":"people:jonah-hill","count":2}],"url_slug":"check-out-a-gallery-of-every-sequel-from-the-22-jump-98488961607","makelive_date":1411761835741,"ts_update":1411964763,"ccm_id":"5b57a73b-173b-337f-83e1-055951c51045","page_date":1411761835740,"attribution":{"display_name":"Yahoo Movies Staff","url":{"href":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fwww.yahoo.com\u002Fmovies","rel":"alternate","type":"text\u002Fhtml"}},"image_sizes":[{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F1c17d1349513031c63f5cf928609769be26732ce.jpg","type":"image\u002Fjpeg","width":500,"height":289,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs1.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002Fd_8n7b94R3rpfG8HjOToubaVopg"}],"highlight_color":"#000000","data_version":"1","title":"All the '22 Jump Street' End-Credits Sequel Posters are Finally on the Internet","summary":"From 23 Jump Street: Medical School to 31 Jump Street: Ninja Academy, they're all here.","body":"\u003Cp\u003E\u003Cimg src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F1c17d1349513031c63f5cf928609769be26732ce.jpg\" alt=\"All the &apos;22 Jump Street&apos; End-Credits Sequel Posters are Finally on the Internet\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EThis summer&#x2019;s&#xA0;\u003Cem\u003E22 Jump Street&#xA0;\u003C\u002Fem\u003Eended with one of the most memorable send-offs in movie history: \u003Ca href=\"https:\u002F\u002Fwww.yahoo.com\u002Fmovies\u002Fhow-the-22-jump-street-team-made-that-super-fun-88718932892.html\"\u003EA ridiculously lengthy end-credits sequence\u003C\u002Fa\u003E in which Channing Tatum and Jonah Hill&#x2019;s characters are spun off into nearly two dozen sequels, from&#xA0;\u003Cem\u003E23 Jump Street: Medical School\u003C\u002Fem\u003E\u003Cspan\u003E&#xA0;to&#xA0;\u003C\u002Fspan\u003E\u003Cem\u003E31 Jump Street: Ninja Academy. \u003C\u002Fem\u003EYou can now find all of the films&#x2019; poster art &#x2014; and a few other \u003Cem\u003EJump\u003C\u002Fem\u003E-related spin-offs &#x2014; \u003Ca href=\"http:\u002F\u002Fimgur.com\u002Fa\u002FEleOK\"\u003Ehere on Imgur\u003C\u002Fa\u003E, We expect a letter-writing campaign demanding the release of&#xA0;\u003Cem\u003E35 Jump Street: Traffic School \u003C\u002Fem\u003Eany day now.&#xA0;\u003C\u002Fp\u003E \n\u003Cp\u003E\u003C\u002Fp\u003E","content_status":"UNPUBLISHED","canonical_ccm_id":"5b57a73b-173b-337f-83e1-055951c51045","type":"story","leadImages":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w175\u002F1c17d1349513031c63f5cf928609769be26732ce.jpg","type":"image\u002Fjpeg","width":175,"height":101,"size_type":"175"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w200\u002F1c17d1349513031c63f5cf928609769be26732ce.jpg","type":"image\u002Fjpeg","width":200,"height":116,"size_type":"200"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w250\u002F1c17d1349513031c63f5cf928609769be26732ce.jpg","type":"image\u002Fjpeg","width":250,"height":145,"size_type":"250"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w300\u002F1c17d1349513031c63f5cf928609769be26732ce.jpg","type":"image\u002Fjpeg","width":300,"height":173,"size_type":"300"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w350\u002F1c17d1349513031c63f5cf928609769be26732ce.jpg","type":"image\u002Fjpeg","width":350,"height":202,"size_type":"350"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w400\u002F1c17d1349513031c63f5cf928609769be26732ce.jpg","type":"image\u002Fjpeg","width":400,"height":231,"size_type":"400"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w450\u002F1c17d1349513031c63f5cf928609769be26732ce.jpg","type":"image\u002Fjpeg","width":450,"height":260,"size_type":"450"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F1c17d1349513031c63f5cf928609769be26732ce.jpg","type":"image\u002Fjpeg","width":500,"height":289,"size_type":"original"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F1c17d1349513031c63f5cf928609769be26732ce.jpg","type":"image\u002Fjpeg","width":500,"height":289,"size_type":"500","title":"All the '22 Jump Street' End-Credits Sequel Posters are Finally on the Internet"}],"lead_image":{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F1c17d1349513031c63f5cf928609769be26732ce.jpg","type":"image\u002Fjpeg","width":500,"height":289,"size_type":"500","title":"All the '22 Jump Street' End-Credits Sequel Posters are Finally on the Internet"},"preferredTag":{"tag":"22-jump-street","blurb":"After making their way through high school (twice), big changes are in store for officers Schmidt and Jenko when they go deep undercover at a local college. But when Jenko meets a kindred spirit on the football team, and Schmidt infiltrates the bohemian art major scene, they begin to question their partnership. Now they don't have to just crack the case - they have to figure out if they can have a mature relationship. 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But when Caine, a genetically engineered ex-military hunter, arrives on Earth to track her down, Jupiter begin to glimpse the fate that has been waiting for her all along - her genetic signature marks her as next in line for an extraordinary inheritance that could alter the balance of the cosmos."},{"name":"short_title","value":"Jupiter Ascending"},{"name":"lang","value":"en-US"},{"name":"shared_image","value":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fl.yimg.com\u002Fos\u002Fpublish-images\u002Fmovies\u002F2014-03-26\u002F01ab7850-b52c-11e3-a086-43dfb989479c_Bjq1814CEAAsjXs.jpg"},{"name":"title","value":"Jupiter Ascending"}],"display_name":"Jupiter Ascending","alias_type":"NONE","name":"Jupiter Ascending","slug":"movie:jupiter-ascending","count":12},{"tag":"trailers","blurb":"Scroll through our immersive collection of the hottest new trailers.","title":"Trailers","editor_info":{"promotion_date":1400801640566},"ts_update":1411995784,"suppress_articles":false,"display_name":"Trailers","alias_type":"NONE","ad_system_key":"22874989","name":"Trailers","slug":"trailers","count":200}],"url_slug":"jupiter-ascending-new-trailer-mila-kunis-the-98478829432","makelive_date":1411759821534,"ts_update":1411964763,"ccm_id":"f4cecf4f-0925-3ef8-b05c-3ed75028ffba","page_date":1411759821533,"attribution":{"display_name":"Kerrie Mitchell","url":{"href":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Ftwitter.com\u002Fkermitche","rel":"alternate","type":"text\u002Fhtml"}},"highlight_color":"#000000","data_version":"1","title":"New 'Jupiter Ascending' Trailer: Mila Kunis Gets Ready to Save Earth","summary":"The third 'Jupiter Ascending' trailer feature Mila Kunis taking charge as the future queen of Earth in the Wachowskis's space epic.","body":"\u003Cp\u003EThe complex space mythology of next year&#x2019;s sci-fi epic \u003Cem\u003EJupiter Ascending\u003C\u002Fem\u003E has so far required multiple trailers to fully explain the plot. 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The spot also features a more active and assertive Kunis, facing off against Balem and comically romancing Tatum&#x2019;s hybrid warrior. &#x201C;Your majesty, I have more in common with a dog than I have with you,&#x201D; he warns. &#x201C;I love dogs, I&#x2019;ve always loved dogs,&#x201D; she sighs.&#xA0;\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cem\u003EJupiter Ascending\u003C\u002Fem\u003E is the latest from \u003Cem\u003EThe\u003C\u002Fem\u003E \u003Cem\u003EMatrix\u003C\u002Fem\u003E masterminds Lana and Andy Wachowski, and is based on their original screenplay. It was shadowed by bad buzz earlier in the year, when \u003Ca href=\"http:\u002F\u002Fvariety.com\u002F2014\u002Ffilm\u002Fnews\u002Fjupiter-ascending-delayed-until-february-2015-1201211461\u002F\"\u003Eit was moved from\u003C\u002Fa\u003E its prime July release date to Feb. 6, 2015, with the studio, Warner Bros. saying the Wachowskis needed more time to complete the heavy special effects. The movie seemed to get a \u003Ca href=\"http:\u002F\u002Fcollider.com\u002Fjupiter-ascending-comic-con-panel-recap-trailer\u002F\"\u003Epositive\u003C\u002Fa\u003E \u003Ca href=\"http:\u002F\u002Fio9.com\u002Fjupiter-rising-comic-con-footage-sealed-the-deal-this-1611439257\"\u003Ereaction\u003C\u002Fa\u003E at Comic-Con in July, when Tatum was on hand to show off what looks from the trailers to be eye-popping intergalactic footage.&#xA0;\u003Cspan\u003E&#x201C;[The Wachowskis are] absolutely out of their minds,&#x201D; he said \u003Ca href=\"http:\u002F\u002Fwww.slashfilm.com\u002Fjupiter-ascending-comic-con-2014\u002F\"\u003Eaccording to Slashfilm\u003C\u002Fa\u003E. &#x201C;We tried to do something different, something you&#x2019;ve never seen before.&#x201D;\u003C\u002Fspan\u003E\u003C\u002Fp\u003E","content_status":"UNPUBLISHED","canonical_ccm_id":"f4cecf4f-0925-3ef8-b05c-3ed75028ffba","type":"video","videos":[{"width":250,"height":140,"embed":"\u003Ciframe width=\"250\" height=\"140\" src=\"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FEVZELMRXeYM?feature=oembed\" frameborder=\"0\" allowfullscreen\u003E\u003C\u002Fiframe\u003E"},{"width":400,"height":225,"embed":"\u003Ciframe width=\"400\" height=\"224\" src=\"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FEVZELMRXeYM?feature=oembed\" frameborder=\"0\" allowfullscreen\u003E\u003C\u002Fiframe\u003E"},{"width":500,"height":281,"embed":"\u003Ciframe width=\"500\" height=\"281\" src=\"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FEVZELMRXeYM?feature=oembed\" frameborder=\"0\" allowfullscreen\u003E\u003C\u002Fiframe\u003E"}],"leadImages":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w175\u002Fc43ba893432c69c6a5b8add251fb28d3aaa47063.jpg","type":"image\u002Fjpeg","width":175,"height":97,"size_type":"175"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w200\u002Fc43ba893432c69c6a5b8add251fb28d3aaa47063.jpg","type":"image\u002Fjpeg","width":200,"height":111,"size_type":"200"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w250\u002Fc43ba893432c69c6a5b8add251fb28d3aaa47063.jpg","type":"image\u002Fjpeg","width":250,"height":139,"size_type":"250"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w300\u002Fc43ba893432c69c6a5b8add251fb28d3aaa47063.jpg","type":"image\u002Fjpeg","width":300,"height":166,"size_type":"300"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w350\u002Fc43ba893432c69c6a5b8add251fb28d3aaa47063.jpg","type":"image\u002Fjpeg","width":350,"height":194,"size_type":"350"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w400\u002Fc43ba893432c69c6a5b8add251fb28d3aaa47063.jpg","type":"image\u002Fjpeg","width":400,"height":222,"size_type":"400"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w413\u002Fc43ba893432c69c6a5b8add251fb28d3aaa47063.jpg","type":"image\u002Fjpeg","width":413,"height":229,"size_type":"original","title":"New 'Jupiter Ascending' Trailer: Mila Kunis Gets Ready to Save Earth"}],"lead_image":{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w413\u002Fc43ba893432c69c6a5b8add251fb28d3aaa47063.jpg","type":"image\u002Fjpeg","width":413,"height":229,"size_type":"original","title":"New 'Jupiter Ascending' Trailer: Mila Kunis Gets Ready to Save Earth"},"preferredTag":{"tag":"jupiter-ascending","blurb":"Jupiter was born under a night sky and signs predicted she was destined for great things. 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Dish Nation held a little high school reunion for a few of the Eastside Song Birds, who soulfully crooned the academy’s anthem after getting busted by Freeman’s reformist principal, Joe Clark. Jermaine Hopkins, Michael Best, Steven Cappers and Anthony Fuller – three of whom attended the Paterson, New Jersey high school in real life – along with ‘new member’ Delvis Damon, turned up at Dish’s Atlanta studio to reprise their lavatory harmony.","body":"\u003Cp\u003E\u003Cspan\u003EGetting introduced as &#x201C;The Young Men from the Bathroom&#x201D; doesn&#x2019;t sound like the world&#x2019;s highest compliment, but when the bathroom in question was \u003C\u002Fspan\u003E\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=_Duw2ZoyQAE\"\u003E\u003Cspan\u003Ethe one featured in \u003Cem\u003ELean on Me\u003C\u002Fem\u003E\u003C\u002Fspan\u003E\u003C\u002Fa\u003E\u003Cspan\u003E, it changes the equation. And mention of your role in the beloved 1989 Morgan Freeman-led drama will even get you some on-air applause.\u003C\u002Fspan\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cspan\u003E\u003Ca href=\"http:\u002F\u002Fdishnation.com\u002Flean-on-me-bathroom-boys-reunite-to-sing-the-school-song-for-the-first-time-in-25-years-dish-nation-exclusive\u002F\"\u003EDish Nation\u003C\u002Fa\u003E held a little high school reunion for a few of the Eastside Song Birds, who soulfully crooned the academy&#x2019;s anthem after getting busted by Freeman&#x2019;s reformist principal, Joe Clark.\u003C\u002Fspan\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cspan\u003EJermaine Hopkins, Michael Best, Steven Cappers and Anthony Fuller &#x2013; three of whom attended the Paterson, New Jersey high school in real life &#x2013; along with &#x2018;new member&#x2019; Delvis Damon, turned up at Dish&#x2019;s Atlanta studio to reprise their lavatory harmony. And as Dish says, they&#x2019;ve still got it. It&#x2019;s also nice to see they&#x2019;ve graduated to more sanitary performance spaces.\u003C\u002Fspan\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Ciframe height=\"281.25\" width=\"500\" data-src=\"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FH7RiVKmiywA\"\u003E\u003C\u002Fiframe\u003E\u003C\u002Fp\u003E","content_status":"UNPUBLISHED","canonical_ccm_id":"f67ec203-7a32-39df-aeda-35594b0085d1","type":"video","videos":[{"width":250,"height":140,"embed":"\u003Ciframe width=\"250\" height=\"140\" src=\"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FRqIr1e_Orbc?feature=oembed\" frameborder=\"0\" allowfullscreen\u003E\u003C\u002Fiframe\u003E"},{"width":400,"height":225,"embed":"\u003Ciframe width=\"400\" height=\"224\" src=\"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FRqIr1e_Orbc?feature=oembed\" frameborder=\"0\" allowfullscreen\u003E\u003C\u002Fiframe\u003E"},{"width":500,"height":281,"embed":"\u003Ciframe width=\"500\" height=\"281\" src=\"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FRqIr1e_Orbc?feature=oembed\" frameborder=\"0\" 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Bathroom Song Birds From 'Lean on Me' Reunite for a Performance 25 Years Later"}],"lead_image":{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w480\u002Fd317ff17b166719c55d50ca74549e6a0c1cb9fa7.jpg","type":"image\u002Fjpeg","width":480,"height":360,"size_type":"original","title":"The Bathroom Song Birds From 'Lean on Me' Reunite for a Performance 25 Years Later"},"preferredTag":{"tag":"lean-on-me","blurb":"The story of controversial New Jersey high school principal Joe Clark.","obj_type":"movie","image_sizes":[{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w284\u002F76d778930b07ab4c6ee56aabb19453961157dec4.jpg","type":"image\u002Fjpeg","width":284,"height":425,"size_type":"original"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w175\u002F76d778930b07ab4c6ee56aabb19453961157dec4.jpg","type":"image\u002Fjpeg","width":175,"height":262,"size_type":"175"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w200\u002F76d778930b07ab4c6ee56aabb19453961157dec4.jpg","type":"image\u002Fjpeg","width":200,"height":299,"size_type":"200"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w250\u002F76d778930b07ab4c6ee56aabb19453961157dec4.jpg","type":"image\u002Fjpeg","width":250,"height":374,"size_type":"250"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fmagazines.zenfs.com\u002Fresizer\u002Foriginal\u002FcL0HLNGgjiGVs_XCxzaLEsEqRxU"}],"title":"Lean on Me","editor_info":{"edit_date":1407531673044},"ts_update":1411989747,"td_ccm_id":"03160870-e961-11e0-b6ef-ce2540c8ddaa","td_applet_type":"movie","meta_tags":[{"name":"description","value":"The story of controversial New Jersey high school principal Joe Clark."},{"name":"short_title"},{"name":"lang","value":"en-US"},{"name":"shared_image","value":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fmedia.zenfs.com\u002Fen_us\u002FMovies\u002FHotzilla\u002Flean-on-me-poster-497736.jpg"},{"name":"title","value":"Lean on Me"}],"display_name":"Lean on Me","alias_type":"NONE","name":"Lean on Me","slug":"movie:lean-on-me","count":1},"displayType":"textOnImage"},{"id":"98479323082","magazine":"movies","priority":"","palette":["#3b1b11","#4f351d","#260d09","#1a0b18","#1f3c52"],"author":{"id":"adpock","name":"Adam Pockross","title":"Content Producer","bio":"Adam Pockross has penned articles about everything from parenting to industrial waste, but what he really likes to write about are movies. (And if he had his druthers, he'd actually write about nothing but '80s comedies.) He credits his irreverent worldview to watching too much HBO as a child.","ts_update":1400873016,"socialAliases":{"twitter":"AdPoc","googleplus":"110363963205783863418"},"alias":"adam-pockross","image_sizes":[{"type":"AUTHOR","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w215\u002F0fddac98fdf81d3c55e9c36ab30f1bb5d8ee6bd8.png","type":"image\u002Fpng","width":215,"height":144,"size_type":"original"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w100\u002F0fddac98fdf81d3c55e9c36ab30f1bb5d8ee6bd8.png","type":"image\u002Fpng","width":100,"height":67,"size_type":"100"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w133\u002F0fddac98fdf81d3c55e9c36ab30f1bb5d8ee6bd8.png","type":"image\u002Fpng","width":133,"height":89,"size_type":"133"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w175\u002F0fddac98fdf81d3c55e9c36ab30f1bb5d8ee6bd8.png","type":"image\u002Fpng","width":175,"height":117,"size_type":"175"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002FFIT_TO_WIDTH-w200\u002F0fddac98fdf81d3c55e9c36ab30f1bb5d8ee6bd8.png","type":"image\u002Fpng","width":200,"height":134,"size_type":"200"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fmagazines.zenfs.com\u002Fresizer\u002Foriginal\u002FR_k_Es7t-RYCNF24ruSrRRVSXkQ"}]},"tags":[{"name":"Giveaways","slug":"giveaways","count":16},{"name":"Clips","slug":"clips","count":200},{"tag":"the-guest","blurb":"A young woman's life is shattered when she learns that her her upperclass family is not what it purports to be: her father is gay and her mother has a lover half her age.","obj_type":"movie","title":"The Guest","editor_info":{"edit_date":1400724337313},"ts_update":1411964763,"td_ccm_id":"94431d60-ea29-11e0-bff7-2d49e590b9a8","td_applet_type":"movie","meta_tags":[{"name":"description","value":"A young woman's life is shattered when she learns that her her upperclass family is not what it purports to be: her father is gay and her mother has a lover half her age."},{"name":"short_title","value":"The Guest"},{"name":"lang","value":"en-US"},{"name":"shared_image"},{"name":"title","value":"The Guest"}],"display_name":"The Guest","alias_type":"NONE","name":"The Guest","slug":"movie:the-guest","count":1}],"url_slug":"our-the-guest-giveaway-is-oh-so-welcome-when-the-98479323082","makelive_date":1411755161904,"ts_update":1411964763,"ccm_id":"14f8e941-cac0-34c7-84fd-4a30b9c9e2fa","page_date":1411755161903,"highlight_color":"#000000","data_version":"1","title":"Our 'The Guest' Giveaway Is Oh So Welcome","summary":"Our ‘The Guest’ Giveaway Is Oh So Welcome When the time-honored mix-tape met its unfortunate demise, the mix-CD stepped in to take its place as the most heartfelt gesture one music lover can make to another.  InThe Guest , which goes into wide release this weekend, the complexity of this gesture is made more dramatic by the history of the characters doing the mixing, and the receiving. Dan Stevens (Downton Abbey) plays David, a stranger who shows up at the door of the Peterson family after the death of their son, Caleb, who was serving in the army. David claims to have served with Caleb, ingratiates himself to the mourning family, and gets invited to stay as a houseguest. ","body":"\u003Cp\u003E\u003Cspan\u003EWhen the time-honored mix-tape met its unfortunate demise, the mix-CD stepped in to take its place as the most heartfelt gesture one music lover can make to another. &#xA0;In \u003Ca href=\"https:\u002F\u002Fwww.yahoo.com\u002Fmovies\u002Ffilm\u002Fthe-guest-2014\"\u003E\u003Cem\u003EThe Guest\u003C\u002Fem\u003E\u003C\u002Fa\u003E, which is expanding into more theaters this weekend, the complexity of this gesture is made more dramatic by the history of the characters doing the mixing, and the receiving.\u003C\u002Fspan\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cspan\u003EDan Stevens (\u003Cem\u003EDownton Abbey\u003C\u002Fem\u003E) plays David, a stranger who shows up at the door of the Peterson family after the death of their son, Caleb, who was serving in the army. David claims to have served with Caleb, ingratiates himself to the mourning family, and gets invited to stay as a houseguest. Maika Monroe plays Anna, Caleb&#x2019;s sister who starts to feel mix-tape-making emotions about David, as you can see in our exclusive clip above.\u003C\u002Fspan\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cspan\u003EUnfortunately, as you&#x2019;d expect from the creative team that brought us \u003Ca href=\"https:\u002F\u002Fwww.yahoo.com\u002Fmovies\u002Ffilm\u002Fyou-re-next\"\u003E\u003Cem\u003EYou&#x2019;re Next\u003C\u002Fem\u003E\u003C\u002Fa\u003E, David doesn&#x2019;t turn out to be a very good houseguest or very mix-worthy, but hey, that doesn&#x2019;t make the disc any less appealing. And because we love giving away great prizes, we picked up one copy of the mix for five lucky \u003Ca href=\"https:\u002F\u002Ftwitter.com\u002FYahooMovies\"\u003EYahoo Movies Twitter\u003C\u002Fa\u003E followers, addressed &#x201C;to David&#x201D; and everything. Each winner will also receive a full theatrical poster, a branded shot glass, and a coaster.\u003C\u002Fspan\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003EHere&#x2019;s how to enter:\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cem\u003E\u003Cstrong\u003EStep 1:\u003C\u002Fstrong\u003E\u003C\u002Fem\u003E Follow \u003Ca href=\"http:\u002F\u002Ftwitter.com\u002Fyahoomovies\"\u003E@yahoomovies\u003C\u002Fa\u003E on Twitter\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cem\u003E\u003Cstrong\u003EStep 2: \u003C\u002Fstrong\u003E\u003C\u002Fem\u003E\u003Ca href=\"http:\u002F\u002Fbit.ly\u002F1pwnx52\"\u003ETweet this message\u003C\u002Fa\u003E:\u003C\u002Fp\u003E \n\u003Cp\u003EKiller! I want to win #TheGuest mix tape prize pack from @yahoomovies: \u003Ca href=\"http:\u002F\u002Fyhoo.it\u002FTheGuest\"\u003Ehttp:\u002F\u002Fyhoo.it\u002FTheGuest\u003C\u002Fa\u003E #YGiveaway\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cem\u003ENote: One entry per person\u002Femail address\u002FTwitter handle.\u003C\u002Fem\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cem\u003E\u003Cstrong\u003EStep 3:\u003C\u002Fstrong\u003E\u003C\u002Fem\u003E The giveaway ends 11:59 p.m. PT on October 10, 2014. Winners will be notified on Twitter and will receive a Direct Message with further information. Keep in mind, this giveaway is open to \u003Cstrong\u003EU.S. residents only\u003C\u002Fstrong\u003E.\u003C\u002Fp\u003E \n\u003Cdiv\u003E\n &#x2014;&#x2014;&#x2014;&#x2014;&#x2014;- \n\u003C\u002Fdiv\u003E \n\u003Cp\u003E\u003Cstrong\u003EOfficial Rules:\u003C\u002Fstrong\u003E \u003Cstrong\u003E Yahoo! Movies Giveaway: &#x2018;The Guest&#x2019; Prize Pack\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003ETHE FOLLOWING PROMOTION (THE &#x201C;PROMOTION&#x201D;) IS INTENDED FOR PLAY IN THE FIFTY UNITED STATES AND THE DISTRICT OF COLUMBIA ONLY (COLLECTIVELY, THE &#x201C;ELIGIBILITY AREA&#x201D;) AND SHALL ONLY BE CONSTRUED AND EVALUATED ACCORDING TO UNITED STATES LAW. DO NOT ENTER THIS PROMOTION IF YOU ARE NOT LOCATED IN, AND A LEGAL RESIDENT OF, THE ELIGIBILITY AREA. NO PURCHASE IS NECESSARY TO ENTER OR WIN. A PURCHASE DOES NOT IMPROVE YOUR CHANCE OF WINNING. ENTRY IN THIS PROMOTION CONSTITUTES YOUR ACCEPTANCE OF THESE OFFICIAL RULES.\u003C\u002Fp\u003E \n\u003Cp\u003E1. \u003Cstrong\u003EEligibility:\u003C\u002Fstrong\u003E You must be a legal resident of the Eligibility Area and 13 years or older at the time of entry. Void in overseas U.S. territories, possessions, commonwealths and military installations, and where prohibited by law. Employees and agents of Yahoo!, (&#x201C;Sponsor&#x201D;), Twitter, Inc. (&#x201C;Twitter&#x201D;), their respective affiliates, subsidiaries, advertising and promotional agencies, any other prize sponsor, and any entity involved in the development, production, implementation, administration or fulfillment of the Promotion (all of the foregoing, together with Yahoo!, collectively referred to as &#x201C;Promotion Entities&#x201D;), and the immediate family members and persons living in the same household as such individuals, whether related or not, are not eligible to participate or win. Twitter is not a sponsor of, or is in any way affiliated with, this Promotion.\u003C\u002Fp\u003E \n\u003Cp\u003E2. \u003Cstrong\u003EHow To Enter: \u003C\u002Fstrong\u003E a. \u003Cstrong\u003ERegistration:\u003C\u002Fstrong\u003E The &#x201C;Promotion Period&#x201D; is defined as the period specified in the Yahoo! Movies blog for each promotion. If you are not an existing Twitter account holder, visit twitter.com and follow the instructions to register for a free Twitter account. Once logged into Twitter, set your Twitter account to &#x201C;follow&#x201D; the Twitter handle associated with the Promotion, @YahooMovies (the &#x201C;Promotion Twitter Address&#x201D;). You MUST &#x201C;follow&#x201D; the Promotion Twitter Address during the entire Promotion Period to be eligible to win. b. \u003Cstrong\u003EEntry:\u003C\u002Fstrong\u003E Once you have registered for the Promotion, complete your entry in the Promotion by either i. \u003Cstrong\u003EMail Entry: \u003C\u002Fstrong\u003ESend a printed copy of this web page along with your name and contact information to: Yahoo! Movies Promotion Entry, Yahoo! Inc., 2400 Broadway, First Floor, Santa Monica, CA 90404. Include the name of the Promotion you are entering with your entry. Entries post marked after the close of the Promotion Period will not be honored. ii. \u003Cstrong\u003ETwitter Entry: \u003C\u002Fstrong\u003E Send a Twitter update (a &#x201C;Tweet&#x201D;), using the Twitter account you set up in Rule 2a above, to @yahoomovies with the words &#x201C;Killer! I want to win #TheGuest mix tape prize pack from @yahoomovies: \u003Ca href=\"http:\u002F\u002Fyhoo.it\u002FTheGuest\"\u003Ehttp:\u002F\u002Fyhoo.it\u002FTheGuest\u003C\u002Fa\u003E #YGiveaway &#x201D; iii. You will receive ONE entry in the Promotion (an &#x201C;Entry&#x201D;), when you submit a Tweet to @yahoomovies during the Promotion Period, in accordance with the method described above. For purposes of these Official Rules, &#x201C;receipt&#x201D; of an Entry occurs when Yahoo! receives your registration and entry information as properly submitted by you in accordance with the instructions above. In the event of a dispute regarding the identity of the holder of a Twitter account or handle, the dispute will be resolved in favor of the individual who is the &#x201C;authorized email account holder&#x201D; of the &#x201C;alternate email address&#x201D; provided when the Twitter account was created. &#x201C;Authorized email account holder&#x201D; is defined as the natural person assigned an email address by an internet access provider, online service provider, or other organization (i.e., business, educational institution) responsible for assigning email addresses for the domain associated with the submitted email address. If Yahoo! is unable to verify the authorized account holder of a potentially winning Twitter account, that account will be disqualified and an alternate winner selected. A potential prize winner may be required to provide Promotion Entities with proof that he\u002Fshe is the authorized account holder as described above. LIMIT ONE ENTRY PER PERSON, PER EMAIL ADDRESS AND\u002FOR PER TWITTER ID. Although subsequent attempts to enter may be received, only the first entry received from a particular individual will count; subsequent attempts to enter will be disqualified. The submission of an entry is solely the responsibility of the entrant. Entries may only be made according to the method described above. Proof of sending (such as an automated computer receipt, &#x201C;thanks for entering&#x201D; message, or post office receipt) does not constitute proof of actual receipt by Yahoo! of an entry for purposes of these Official Rules. Automated entries (including but not limited to entries submitted using any bot, script, macro, or sweepstakes service), copies, third party entries, facsimiles and\u002For mechanical reproductions are not permitted and will be disqualified. Only eligible entries actually received by Yahoo! before the end of the specified entry period will be included in the prize drawing. Unintelligible, incomplete, or garbled entries will be disqualified. All entries become the property of Yahoo!, and none will be acknowledged or returned.\u003C\u002Fp\u003E \n\u003Cp\u003E3. \u003Cstrong\u003EConduct:\u003C\u002Fstrong\u003E By entering the Promotion, entrants agree to comply with and be bound by these Official Rules. The Official Rules will be posted at \u003Ca href=\"http:\u002F\u002Fmovies.yahoo.com\u002Fblog\"\u003Ehttp:\u002F\u002Fmovies.yahoo.com\u002Fblog\u003C\u002Fa\u003E throughout the Promotion. Failure to comply with these Official Rules may result in disqualification from the Promotion. Entrants further agree to comply with and be bound by the decisions of the judges, which will be final and binding in all respects. Yahoo! reserves the right at its sole discretion to disqualify any individual it finds to be: (a) tampering or attempting to tamper with the entry process or the operation of the Promotion or any Yahoo! or Promotion-related website; (b) violating the Official Rules; (c) violating the terms of service, conditions of use and\u002For general rules or guidelines of any Yahoo! or Promotion related property or service; or (d) acting in an unsportsmanlike or disruptive manner, or with intent to annoy, abuse, threaten or harass any other person. CAUTION: ANY ATTEMPT BY AN ENTRANT OR ANY OTHER INDIVIDUAL TO DELIBERATELY DAMAGE ANY WEBSITE OR UNDERMINE THE LEGITIMATE OPERATION OF THE PROMOTION MAY BE A VIOLATION OF CRIMINAL AND CIVIL LAWS. SHOULD SUCH AN ATTEMPT BE MADE, YAHOO! RESERVES THE RIGHT TO SEEK DAMAGES FROM ANY SUCH PERSON TO THE FULLEST EXTENT PERMITTED BY LAW.\u003C\u002Fp\u003E \n\u003Cp\u003E4. \u003Cstrong\u003EPrizes:\u003C\u002Fstrong\u003E \u003Cstrong\u003EGrand Prize:\u003C\u002Fstrong\u003E Five (5) grand prize winners will receive one of each of the following items: A &#x201C;For David&#x201D; mix-CD, a full theatrical poster of &#x201C;The Guest,&#x201D; a branded shot glass, and a branded coaster. \u003Cem\u003EThe following applies to all Prizes:\u003C\u002Fem\u003E Approximate retail value of all prizes: $150. Limit one prize per winner. Prizes cannot be used in conjunction with any other promotion or offer. Prizes may not be transferred or assigned except by Sponsor. Only listed prizes will be awarded and no substitutions, cash equivalents or redemptions will be made, except that Sponsor reserves the right to substitute any prize package with another prize of equal or greater value in the event that an advertised prize (or any component thereof) is not available. Expenses not specifically stated above, together with the reporting and payment of all applicable taxes, fees, and\u002For surcharges, if any, arising out of, or resulting from, acceptance or use of a prize, are the sole responsibility of the winner of that prize. Yahoo! expressly disclaims any responsibility or liability for injury or loss to any person or property relating to the delivery and\u002For subsequent use of the prizes awarded. Yahoo! makes no representations or warranties concerning the appearance, safety, or performance of any prize awarded. Restrictions, conditions, and limitations apply. Promotion Entities will not replace any lost or stolen prize items.\u003C\u002Fp\u003E \n\u003Cp\u003E5. \u003Cstrong\u003EWinner Selection and Notification:\u003C\u002Fstrong\u003E Potential winners will be selected in a random drawing to be held within three (3) days following the close of the Promotion Period for each Promotion from among all eligible entries received. Odds of winning depend on the number of eligible entries received. All prize drawings will be conducted by a representative of the Sponsor, whose decisions are final. Potential winners will be notified within seven days after drawing date. Prize notifications will be delivered by a Twitter update from Yahoo!. Return of any prize\u002Fprize notification as undeliverable, or inability of Promotion Entities to contact a potential winner within 48 hours following attempted notification may result in disqualification and selection of an alternate winner by random drawing. 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He threatens to freeze Britain, at one point unleashing a blizzard on Trafalgar Square.","obj_type":"movie","image_sizes":[{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w287\u002F02d3381e1e2150494c976744e23235996adf1c04.jpg","type":"image\u002Fjpeg","width":287,"height":425,"size_type":"original"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w175\u002F02d3381e1e2150494c976744e23235996adf1c04.jpg","type":"image\u002Fjpeg","width":175,"height":259,"size_type":"175"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w200\u002F02d3381e1e2150494c976744e23235996adf1c04.jpg","type":"image\u002Fjpeg","width":200,"height":296,"size_type":"200"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w250\u002F02d3381e1e2150494c976744e23235996adf1c04.jpg","type":"image\u002Fjpeg","width":250,"height":370,"size_type":"250"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fmagazines.zenfs.com\u002Fresizer\u002F2.0\u002Foriginal\u002FT3wCnJGOTBq8o5pp4NmjRkbX8JU"}],"title":"The Avengers","editor_info":{"edit_date":1411765963633},"ts_update":1411964763,"td_ccm_id":"d88af500-e96c-11e0-af7f-e29a8891453d","td_applet_type":"movie","meta_tags":[{"name":"description","value":"Mrs. Emma Peel and John Steed are spies who work for the secret branch of the British government called The Ministry. They are called in to investigate Prospero, a plot to blackmail Britain by controlling the weather. Emma Peel is suspected of being involved but it is discovered that she has a double who works for the real baddie, Sir August de Wynter. He threatens to freeze Britain, at one point unleashing a blizzard on Trafalgar Square."},{"name":"short_title","value":"The Avengers %281998 film%29"},{"name":"lang","value":"en-US"},{"name":"shared_image","value":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fmedia.zenfs.com\u002Fen_us\u002FMovies\u002FHotzilla\u002Fthe-avengers-poster-483963.jpg"},{"name":"title","value":"The Avengers"}],"display_name":"The Avengers","alias_type":"NONE","name":"The Avengers","slug":"movie:the-avengers","count":2}],"url_slug":"jeremy-renner-says-tom-cruise-gave-him-the-very-hard-98479186977","makelive_date":1411753601018,"ts_update":1411964763,"ccm_id":"c1f16ced-dee7-36a5-a16c-f65865da2717","page_date":1411753601017,"image_sizes":[{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F4c58de113140701770725c4a2530a24607eac5c4.jpg","type":"image\u002Fjpeg","width":500,"height":333,"size_type":"500"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w1023\u002F4c58de113140701770725c4a2530a24607eac5c4.jpg","type":"image\u002Fjpeg","width":1023,"height":682,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FsJP6V6_WG9cTdmromK18yc2QbpE"},{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002Fd36a06ea3f3bc74970fe9f8fab5ac23a9a7daf3d.jpg","type":"image\u002Fjpeg","width":500,"height":750,"size_type":"500"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w682\u002Fd36a06ea3f3bc74970fe9f8fab5ac23a9a7daf3d.jpg","type":"image\u002Fjpeg","width":682,"height":1023,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs1.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FDrCk9fhpfuNYnvqfgLKmHQHqHAI"}],"highlight_color":"#000000","data_version":"1","title":"Jeremy Renner Says Tom Cruise Gave Him the Hard Sell to Join 'Mission: Impossible'","summary":"Jeremy Renner exactly how Tom Cruise persuaded him to join the 'Mission: Impossible' team.","body":"\u003Cp\u003E\u003Cimg alt=\"Jeremy Renner Says Tom Cruise Gave Him the Hard Sell to Join &apos;Mission: Impossible&apos;\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F4c58de113140701770725c4a2530a24607eac5c4.jpg\"\u003E\u003Cem\u003EJeremy Renner in Mission: Impossible &#x2014; Ghost Protocol\u003C\u002Fem\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EJeremy Renner didn&#x2019;t set out to star in multiple film franchises, but that&#x2019;s what happened &#x2014; thanks, in part, to Tom Cruise. Renner was already feeling the pressure of doing \u003Cem\u003EHansel and Gretel: Witch Hunters\u003C\u002Fem\u003E and \u003Cem\u003EThe Avengers \u003C\u002Fem\u003Eback-to-back, when Cruise ambushed him with the possibility of a \u003Cem\u003EMission: Impossible \u003C\u002Fem\u003Emovie. And in typical Tom Cruise fashion, he wouldn&#x2019;t take &#x201C;no&#x201D; for an answer.\u003C\u002Fp\u003E \n\u003Cp\u003EHere&#x2019;s how Renner remembered it: The actor tells \u003Ca href=\"http:\u002F\u002Fwww.mtv.com\u002Fvideos\u002Fmovies\u002F1084296\u002Fyoull-never-believe-how-jeremy-renner-ended-up-in-mission-impossible.jhtml\"\u003EMTV News\u003C\u002Fa\u003E that he showed up for a meeting with J.J. Abrams about his sci-fi film \u003Cem\u003ESuper 8, \u003C\u002Fem\u003Ewhen the director asked him out of the blue, &#x201C;What do you think of \u003Cem\u003EMission: Impossible\u003C\u002Fem\u003E?&#x201D; Abrams&#x2019; next question: &#x201C;Do you want to go meet Tom right now?&#x201D; So Renner from went from his J.J. Abrams meeting to an impromptu meeting with Tom Cruise at Paramount Studios. Renner says that Cruise spent ten minutes telling him,&#x201C;You gotta do this movie&#x201D; &#x2014; meaning the fourth \u003Cem\u003EMission: Impossible\u003C\u002Fem\u003E film that would eventually be \u003Cem\u003EGhost Protocol,\u003C\u002Fem\u003E which didn&#x2019;t even have a script at that point.\u003C\u002Fp\u003E \n\u003Cp\u003E&#x201C;It was a strange experience and an interesting meeting,&#x201D; Renner \u003Cspan\u003Etold MTV.\u003C\u002Fspan\u003E&#xA0;He declined to commit right away and headed home to mull it over. &#x201C;And by the time I get home on my motorcycle, I get off my helmet, and the phone rings, and it&#x2019;s Tom calling me at my house. I&#x2019;m like, &#x2018;That&#x2019;s weird, Tom Cruise is calling me at home&#x2019;&#x2026;. So he&#x2019;s like, &#x2018;Are we doing this? Come on, are we doing it?&#x2019; So now all of a sudden I&#x2019;m signed on to do three \u003Cem\u003EMission: Impossible\u003C\u002Fem\u003E movies with Tom.&#x201D;\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cimg alt=\"the Team for Missions:Impossible &#x2014; Ghost Protocol\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002Fd36a06ea3f3bc74970fe9f8fab5ac23a9a7daf3d.jpg\"\u003E\u003Cem\u003ETom Cruise and the team in &#x2018;Ghost Protocol&#x2019;\u003C\u002Fem\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EAh, the patented Tom Cruise method of persuasion! Afterwards, when Renner was shooting&#xA0;\u003Cem\u003EHansel and Gretel,&#xA0;\u003C\u002Fem\u003Ehe was approached about the Bourne franchise\u003Cem\u003E.&#xA0;\u003C\u002Fem\u003E&#x201C;I get a call &#x2014; &#x2018;They&#x2019;re looking to do another Bourne,&#x2019;&#x201D; Renner recalled. &#x201C;I&#x2019;m like, &#x2018;Well yeah, it&#x2019;s awesome, but&#xA0;\u003Cem\u003Enow\u003C\u002Fem\u003E?&#x2026; I&#x2019;m tired! I still have to do&#xA0;\u003Cem\u003EThe Avengers\u003C\u002Fem\u003E! Why didn&#x2019;t you come to me first with that?&#x201D; Ultimately, he agreed to sign on for multiple Bourne movies as well.\u003C\u002Fp\u003E \n\u003Cp\u003EThough he admits to occasional &#x201C;franchise fatigue,&#x201D; Renner manages to make independent films &#x2014; like his latest,&#xA0;\u003Ca href=\"https:\u002F\u002Fwww.yahoo.com\u002Fmovies\u002Ffilm\u002Fkill-the-messenger\"\u003E\u003Cem\u003EKill the Messenger\u003C\u002Fem\u003E\u003C\u002Fa\u003E &#x2014; in between big budget epics. Still, he sometimes worried that he&#x2019;s signed too much of his life away. &#x201C;It&#x2019;s hard to think about what you&#x2019;re doing tomorrow let alone six years,&#x201D; he told MTV. &#x201C;When you have an&#xA0;\u003Cem\u003EAvengers\u003C\u002Fem\u003E&#xA0;conversation, you&#x2019;re talking about signing on for, like, seven movies; that&#x2019;s just how they do things. I&#x2019;m like, &#x2018;Hold on, seven &#x2013; what am, I, 55 [years old] in tights, for God&#x2019;s sake?&#x2019; I can&#x2019;t think about those things, man!&#x201D;\u003C\u002Fp\u003E \n\u003Cp\u003ESee Renner and Cruise in action in the \u003Cem\u003EGhost Protocol\u003C\u002Fem\u003E trailer:\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Ciframe width=\"500\" height=\"281.25\" data-src=\"https:\u002F\u002Fmovies.yahoo.com\u002Fvideo\u002Fmission-impossible-ghost-protocol-teaser-060000049.html?format=embed&amp;player_autoplay=false\"\u003E\u003C\u002Fiframe\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cem\u003EPhoto credits:&#xA0;Paramount Pictures\u003C\u002Fem\u003E\u003C\u002Fp\u003E","content_status":"UNPUBLISHED","canonical_ccm_id":"c1f16ced-dee7-36a5-a16c-f65865da2717","type":"story","leadImages":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w175\u002F4c58de113140701770725c4a2530a24607eac5c4.jpg","type":"image\u002Fjpeg","width":175,"height":117,"size_type":"175"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w200\u002F4c58de113140701770725c4a2530a24607eac5c4.jpg","type":"image\u002Fjpeg","width":200,"height":133,"size_type":"200"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w250\u002F4c58de113140701770725c4a2530a24607eac5c4.jpg","type":"image\u002Fjpeg","width":250,"height":167,"size_type":"250"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w300\u002F4c58de113140701770725c4a2530a24607eac5c4.jpg","type":"image\u002Fjpeg","width":300,"height":200,"size_type":"300"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w350\u002F4c58de113140701770725c4a2530a24607eac5c4.jpg","type":"image\u002Fjpeg","width":350,"height":233,"size_type":"350"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w400\u002F4c58de113140701770725c4a2530a24607eac5c4.jpg","type":"image\u002Fjpeg","width":400,"height":267,"size_type":"400"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w450\u002F4c58de113140701770725c4a2530a24607eac5c4.jpg","type":"image\u002Fjpeg","width":450,"height":300,"size_type":"450"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F4c58de113140701770725c4a2530a24607eac5c4.jpg","type":"image\u002Fjpeg","width":500,"height":333,"size_type":"500"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w550\u002F4c58de113140701770725c4a2530a24607eac5c4.jpg","type":"image\u002Fjpeg","width":550,"height":367,"size_type":"550"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w600\u002F4c58de113140701770725c4a2530a24607eac5c4.jpg","type":"image\u002Fjpeg","width":600,"height":400,"size_type":"600"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w700\u002F4c58de113140701770725c4a2530a24607eac5c4.jpg","type":"image\u002Fjpeg","width":700,"height":467,"size_type":"700"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w800\u002F4c58de113140701770725c4a2530a24607eac5c4.jpg","type":"image\u002Fjpeg","width":800,"height":533,"size_type":"800"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w900\u002F4c58de113140701770725c4a2530a24607eac5c4.jpg","type":"image\u002Fjpeg","width":900,"height":600,"size_type":"900"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w1000\u002F4c58de113140701770725c4a2530a24607eac5c4.jpg","type":"image\u002Fjpeg","width":1000,"height":667,"size_type":"1000"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w1023\u002F4c58de113140701770725c4a2530a24607eac5c4.jpg","type":"image\u002Fjpeg","width":1023,"height":682,"size_type":"original","title":"Jeremy Renner Says Tom Cruise Gave Him the Hard Sell to Join 'Mission: Impossible'"}],"lead_image":{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w1023\u002F4c58de113140701770725c4a2530a24607eac5c4.jpg","type":"image\u002Fjpeg","width":1023,"height":682,"size_type":"original","title":"Jeremy Renner Says Tom Cruise Gave Him the Hard Sell to Join 'Mission: Impossible'"},"preferredTag":{"tag":"mission-impossible-ghost-protocol","obj_type":"movie","name":"Mission Impossible Ghost Protocol","slug":"movie:mission-impossible-ghost-protocol","count":2},"displayType":"textOnImage"},{"id":"98477718512","magazine":"movies","priority":"","palette":["#c08065","#875d45","#26160c","#5b5750","#010100"],"author":{"id":"kpolowy","name":"Kevin Polowy","title":"Senior Editor","bio":"Kevin Polowy is a veteran of entertainment media who previously covered Hollywood for MTV, NextMovie, Film.com, and AOL\u002FMoviefone. His obsessions include Bill Murray, A Tribe Called Quest, hot sauce, and zebra. 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Beneath its charming cobblestone streets dwell the Boxtrolls, foul monsters who crawl out of the sewers at night and steal what the townspeople hold most dear: their children and their cheeses. At least, that's the legend residents have always believed. In truth, the Boxtrolls are an underground cavern-dwelling community of quirky and lovable oddballs who wear recycled cardboard boxes the way turtles wear their shells. The Boxtrolls have raised an orphaned human boy, Eggs, since infancy as one of their dumpster-diving and mechanical junk-collecting own. 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Beneath its charming cobblestone streets dwell the Boxtrolls, foul monsters who crawl out of the sewers at night and steal what the townspeople hold most dear: their children and their cheeses. At least, that's the legend residents have always believed. In truth, the Boxtrolls are an underground cavern-dwelling community of quirky and lovable oddballs who wear recycled cardboard boxes the way turtles wear their shells. The Boxtrolls have raised an orphaned human boy, Eggs, since infancy as one of their dumpster-diving and mechanical junk-collecting own. When the Boxtrolls are targeted by villainous pest exterminator Archibald Snatcher, who is bent on eradicating them as his ticket to Cheesebridge society, the kindhearted band of tinkerers must turn to their adopted charge and adventurous rich girl Winnie to bridge two worlds amidst the winds of change - and cheese."},{"name":"short_title","value":"The Boxtrolls"},{"name":"lang","value":"en-US"},{"name":"shared_image","value":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fl.yimg.com\u002Fos\u002Fpublish-images\u002Fmovies\u002F2014-08-12\u002F0fb17590-224a-11e4-ba58-0be9a2170d86_the-boxtrolls-poster.jpg"},{"name":"title","value":"The Boxtrolls"}],"display_name":"The Boxtrolls","alias_type":"NONE","name":"The Boxtrolls","slug":"movie:the-boxtrolls","count":10},{"tag":"interviews","blurb":"Go behind the scenes with stars from new, upcoming, and classic films.","title":"Interviews","editor_info":{"promotion_date":1400801076244},"ts_update":1411994726,"suppress_articles":false,"display_name":"Interviews","alias_type":"NONE","ad_system_key":"23088989","name":"Interviews","slug":"interviews","count":123}],"url_slug":"ben-kingsley-doesnt-think-any-of-the-villains-98477718512","makelive_date":1411751144004,"ts_update":1411964763,"ccm_id":"829c7cd3-8355-384c-9e40-cff96f53c0fc","page_date":1411751144003,"highlight_color":"#000000","data_version":"1","title":"Ben Kingsley Doesn't Think Any of the Villains He's Played Are Evil","summary":"Though Sir Ben Kingsley arrived at fame via the most peace-loving of  paths with his title role in Gandhi, in recent years, he’s more often found playing the baddest of the bad, in a gaggle of films including Prince of Persia, Lucky Number Slevin and Iron Man 3.  Yet when asked where his latest rogue, in the new animated film Boxtrolls, falls within his canon of rogues, Kingsley takes exception to labeling any of them eeeeevil. The film is the latest winner from Laika, the stop-motion wizards behind Coraline and ParaNorman.","body":"\u003Cp\u003E\u003Cstrong\u003E\u003Cspan\u003EWarning: \u003C\u002Fspan\u003E\u003C\u002Fstrong\u003E\u003Cspan\u003EMinor \u003Cem\u003EBoxtrolls\u003C\u002Fem\u003E SpoilerAhead\u003C\u002Fspan\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cspan\u003EThough Sir Ben Kingsley arrived at fame via the most peace-loving of \u003Cspan\u003E&#xA0;\u003C\u002Fspan\u003Epaths with his title role in \u003Cem\u003EGandhi\u003C\u002Fem\u003E, in recent years, he&#x2019;s more often found playing the baddest of the bad, in a gaggle of films including \u003Cem\u003EPrince of Persia\u003C\u002Fem\u003E, \u003Cem\u003ELucky Number Slevin\u003C\u002Fem\u003E and \u003Cem\u003EIron Man 3\u003C\u002Fem\u003E.\u003C\u002Fspan\u003E\u003Cspan\u003E&#xA0;\u003C\u002Fspan\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cspan\u003EYet when asked where his latest rogue, in the new animated film \u003Cem\u003EBoxtrolls\u003C\u002Fem\u003E, falls within his canon of rogues, Kingsley takes exception to labeling any of them \u003Cem\u003Eeeeeevil\u003C\u002Fem\u003E. &#x201C;I have never played anyone who is pathologically evil,&#x201D; he told Yahoo Movies. (Anyone who has seen his brutal turn in \u003Cem\u003ESexy Beast\u003C\u002Fem\u003E would likely beg to disagree.)\u003C\u002Fspan\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cspan\u003ERegardless of your perspective on his character&#x2019;s inner virtue, it&#x2019;s a hoot to watch (or rather, hear) Kingsley ham it up as Archibald Snatcher, the pointy-nosed exterminator hellbent on eliminating the underground Boxtroll race. The film is the latest winner from Laika, the stop-motion wizards behind \u003Cem\u003ECoraline\u003C\u002Fem\u003E and \u003Cem\u003EParaNorman\u003C\u002Fem\u003E.\u003C\u002Fspan\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cspan\u003EIt also marks Kingley&#x2019;s first cross-dressing role in five decades of screen work. &#x201C;I&#x2019;m hoping it will open many doors in the future,&#x201D; he said with a grin. &#x201C;Although, contrary to belief, I did not wear a wig and a corset in the recording studio.&#x201D;\u003C\u002Fspan\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cem\u003EWant to see \u003C\u002Fem\u003EThe Boxtrolls\u003Cem\u003E? 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When the Boxtrolls are targeted by villainous pest exterminator Archibald Snatcher, who is bent on eradicating them as his ticket to Cheesebridge society, the kindhearted band of tinkerers must turn to their adopted charge and adventurous rich girl Winnie to bridge two worlds amidst the winds of change - and cheese.","obj_type":"movie","image_sizes":[{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w752\u002Ff5f0e93f03ebe820a18078657ee908d824eecab2.jpg","type":"image\u002Fjpeg","width":752,"height":1114,"size_type":"original"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w175\u002Ff5f0e93f03ebe820a18078657ee908d824eecab2.jpg","type":"image\u002Fjpeg","width":175,"height":259,"size_type":"175"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w200\u002Ff5f0e93f03ebe820a18078657ee908d824eecab2.jpg","type":"image\u002Fjpeg","width":200,"height":296,"size_type":"200"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w250\u002Ff5f0e93f03ebe820a18078657ee908d824eecab2.jpg","type":"image\u002Fjpeg","width":250,"height":370,"size_type":"250"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w300\u002Ff5f0e93f03ebe820a18078657ee908d824eecab2.jpg","type":"image\u002Fjpeg","width":300,"height":444,"size_type":"300"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w350\u002Ff5f0e93f03ebe820a18078657ee908d824eecab2.jpg","type":"image\u002Fjpeg","width":350,"height":518,"size_type":"350"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w400\u002Ff5f0e93f03ebe820a18078657ee908d824eecab2.jpg","type":"image\u002Fjpeg","width":400,"height":593,"size_type":"400"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w450\u002Ff5f0e93f03ebe820a18078657ee908d824eecab2.jpg","type":"image\u002Fjpeg","width":450,"height":667,"size_type":"450"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002Ff5f0e93f03ebe820a18078657ee908d824eecab2.jpg","type":"image\u002Fjpeg","width":500,"height":741,"size_type":"500"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w550\u002Ff5f0e93f03ebe820a18078657ee908d824eecab2.jpg","type":"image\u002Fjpeg","width":550,"height":815,"size_type":"550"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w600\u002Ff5f0e93f03ebe820a18078657ee908d824eecab2.jpg","type":"image\u002Fjpeg","width":600,"height":889,"size_type":"600"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w700\u002Ff5f0e93f03ebe820a18078657ee908d824eecab2.jpg","type":"image\u002Fjpeg","width":700,"height":1037,"size_type":"700"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fmagazines.zenfs.com\u002Fresizer\u002F2.0\u002Foriginal\u002F0pwRxmI_jCUgVyrIjxn5t4o94aw"}],"title":"The Boxtrolls","editor_info":{"edit_date":1411766041930},"ts_update":1411995857,"td_ccm_id":"c755b030-a6d6-11e2-a57d-fb1b837de50c","td_applet_type":"movie","meta_tags":[{"name":"description","value":"Cheesebridge is a posh Victorian-era town obsessed with wealth, class and the stinkiest of fine cheeses. 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Earlier this year, the 65-year-old actor spent several weeks on the New York streets shooting \u003Cem\u003ETime Out of Mind\u003C\u002Fem\u003E, in which he plays an elderly alcoholic who becomes part of the city&#x2019;s homeless population. Wearing a black-knit winter hat and clutching an empty coffee cup, Gere approached actual passers-by and asked for spare change while director Oren Moverman (\u003Cem\u003ERampart\u003C\u002Fem\u003E, \u003Cem\u003EThe Messenger\u003C\u002Fem\u003E) filmed the interactions, often from a block away. And, amazingly enough, nobody recognized him.\u003C\u002Fp\u003E \n\u003Cp\u003EWell&#x2026;almost nobody. &#x201C;There were two or three times where someone talked to me on the street,&#x201D; Gere remarked at a press conference following a New York Film Festival screening of \u003Cem\u003ETime Out of Mind \u003C\u002Fem\u003Eon Thursday. &#x201C;One was a French tourist, a woman, who totally thought I was a homeless guy and gave me some food. The other two times were African-Americans and they just passed me and went, &#x2018;Hey Rich, how you doin&#x2019; man?&#x2019; No question about what I was doing there or &#x2018;Have you fallen on hard times?&#x2019; and &#x2018;What happened to your career?&#x2019; Just &#x201C;Hey Rich, how you doin&#x2019; man,&#x201D; and they just continued on.&#x201D;\u003C\u002Fp\u003E \n\u003Cp\u003EFor the most part, though, people barely looked at Gere, and that was precisely the non-reaction he needed to get into character. &#x201C;I think we all have a yearning to be known and be seen,&#x201D; he explains. &#x201C;I come here and you want to hear what I want to say. But I&#x2019;m the same guy that I was on the street and no one wanted to hear \u003Cem\u003Ehis\u003C\u002Fem\u003E story. I could see how quickly we can all descend into [scary] territory when we&#x2019;re totally cut loose from all of our connections to people.&#x201D; Here are five other things we learned about \u003Cem\u003ETime Out of Mind \u003C\u002Fem\u003E&#x2014; which is currently without a distributor &#x2014; from Gere and Moverman&#x2019;s press conference.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003EThe movie has been almost 30 years in the making\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EGere remembers receiving the script for what became \u003Cem\u003ETime Out of Mind \u003C\u002Fem\u003Ea decade ago, but it apparently had been kicking around Hollywood a long while before that. &#x201C;It was written in the late &#x2019;80s, but a lot of it was still relevant ten years ago,&#x201D; says the actor, who has been a longtime supporter of the New York organization, Coalition For the Homeless. &#x201C;I couldn&#x2019;t get it out of my mind and I bought it.&#x201D; After befriending Moverman on the set of Todd Haynes&#x2019;s 2007 Bob Dylan non-biopic, \u003Cem\u003EI&#x2019;m Not There\u003C\u002Fem\u003E (which Moverman cowrote), Gere decided he had found the right collaborator to finally make the project a reality. &#x201C;There was a book [\u003Cem\u003ELand of Lost Souls\u003C\u002Fem\u003E] by a guy named the Cadillac Man, a homeless man. It was a very unschooled autobiography, but it was by someone who was able to communicate his world. I knew this was the way it should feel, so Oren and I started talking about this film with that point-of-view&#x2026;. What wasn&#x2019;t clocking with me until I read Oren&#x2019;s first draft is the sense of process being the movie. The process of [this character] going through the bureaucracy is enough plot &#x2014; you don&#x2019;t need to pump it up. Life itself, without any dramaturgy, is enough.&#x201D;\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003EThere was no plan B\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EBecause the entire production hinged on its star being able to panhandle on the street without attracting a crowd, he and Moverman did a test shoot before production began, with Gere wandering around the Astor Place section of Manhattan while his director filmed him from inside a Starbucks. &#x201C;I&#x2019;m out there and I was a little scared and anxious,&#x201D; Gere recalled. &#x201C;And nobody saw me! I started approaching people and asking, &#x2018;Can you help me out, spare some change.&#x2019; There was no eye contact, even when someone gave me a dollar bill. That was the first time I really felt what that [experience] is.&#x201D; As nerve-wracking as that trial run was, it gave both the director and his lead actor the confidence to proceed. &#x201C;The whole thing was predicated on the idea that, for a lot of this, I would be on the streets and New York would be passing me by. If that didn&#x2019;t work, I don&#x2019;t know what we would have done.&#x201D;&#xA0;\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cimg alt=\"Richard Gere during the filming of Time Out of Mind\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F31ce4398cb368a2e9a61fc3b8150b6ce8ee835fa.jpg\"\u003E\u003Cem\u003ERichard Gere was photographed on NYC streets during the filming\u003C\u002Fem\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003EYou might hear yourself onscreen\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EOne of the reasons that New York is colloquially known as &#x201C;The City that Never Sleeps&#x201D; is because it&#x2019;s often too damn loud for anyone to get any shut-eye. Usually movies try to modulate that volume, but Moverman wanted to turn it up to 11. &#x201C;We were creating 3D sound basically; we created a soundscape that was about listening to the city and watching it. We wanted to do everything that most people [shooting] in New York take out of a movie. They want clean sound and we wanted it to be dirty, to have the feeling of walking down the street and hearing fragments of conversations and lives being lived everywhere.&#x201D; To add to the movie&#x2019;s aural authenticity, Moverman secretly taped sidewalk conversations by actual New Yorkers. &#x201C;After we finished shooting, I walked around and covertly recorded people talking and [those recordings are] in the movie. I apologize to anyone who recognizes their own voice!&#x201D;\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003EInstead of demanding more backstory, Gere wanted less\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EActors commonly prepare extensive life histories for their characters, but in this case, Gere opted not to. &#x201C;In our own lives, we make judgments about people without knowing anything about them. Based on how they look, we posit education, where they might live or where they come from very quickly. The original script was a little more specific about where he was coming from economically and the job he had lost. I had no interest in that whatsoever and Oren didn&#x2019;t either.&#x201D;\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cimg alt=\"Richard Gere with Ben Vereen\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002Fe74c6e529367214ef77521270695bd6c87742b78.jpg\"\u003E\u003Cem\u003EGere with his &#x2018;Time Out of Mind&#x2019; costar Ben Vereen at the Toronto Film Festival\u003C\u002Fem\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003EGere&#x2019;s costars also did their homework\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EIf few people on the street recognized Gere, even fewer people in the theater will recognize \u003Cem\u003EThe Closer \u003C\u002Fem\u003Estar Kyra Sedgwick, who appears in a cameo as a homeless woman that provides Gere with a brief moment of comfort. Moverman says that, despite her character&#x2019;s limited screentime, Sedgwick immersed herself in the movie&#x2019;s world. &#x201C;She went out and started talking to homeless women and came back with a lot of notes. I took those notes and wrote her monologue that&#x2019;s chopped up into three scenes. That was all taken from someone she met.&#x201D; Meanwhile, Ben Vereen, who plays an elderly man that befriends&#xA0; Gere in a homeless shelter, came to the director with a very personal take on his part. &#x201C;We sent that role to a bunch of people and the next thing I know, I&#x2019;m being told that he&#x2019;s coming to New York to meet me. He showed up with a suitcase, sat down and said &#x2018;I need to make this movie and here&#x2019;s why.&#x2019; And when he told me why, it was clear he needed to make this movie for his own personal reasons. He had a take on this character that was very personal.&#x201D;\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cem\u003EPhoto credits:&#xA0;Lightstream Pictures\u002FCold Iron Pictures,&#xA0;\u003Cspan\u003ESplash News,&#xA0;&#xA9;Getty Images\u003C\u002Fspan\u003E\u003C\u002Fem\u003E\u003C\u002Fp\u003E","content_status":"UNPUBLISHED","canonical_ccm_id":"5d9ee341-74ae-349d-afdb-f767b8bdb0be","type":"story","leadImages":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w175\u002F1997c4d709714b8997b15f989ed9989fdab700ce.jpg","type":"image\u002Fjpeg","width":175,"height":123,"size_type":"175"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w200\u002F1997c4d709714b8997b15f989ed9989fdab700ce.jpg","type":"image\u002Fjpeg","width":200,"height":141,"size_type":"200"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w250\u002F1997c4d709714b8997b15f989ed9989fdab700ce.jpg","type":"image\u002Fjpeg","width":250,"height":176,"size_type":"250"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w300\u002F1997c4d709714b8997b15f989ed9989fdab700ce.jpg","type":"image\u002Fjpeg","width":300,"height":211,"size_type":"300"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w350\u002F1997c4d709714b8997b15f989ed9989fdab700ce.jpg","type":"image\u002Fjpeg","width":350,"height":246,"size_type":"350"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w400\u002F1997c4d709714b8997b15f989ed9989fdab700ce.jpg","type":"image\u002Fjpeg","width":400,"height":281,"size_type":"400"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w450\u002F1997c4d709714b8997b15f989ed9989fdab700ce.jpg","type":"image\u002Fjpeg","width":450,"height":316,"size_type":"450"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F1997c4d709714b8997b15f989ed9989fdab700ce.jpg","type":"image\u002Fjpeg","width":500,"height":351,"size_type":"500"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w550\u002F1997c4d709714b8997b15f989ed9989fdab700ce.jpg","type":"image\u002Fjpeg","width":550,"height":387,"size_type":"550"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w600\u002F1997c4d709714b8997b15f989ed9989fdab700ce.jpg","type":"image\u002Fjpeg","width":600,"height":422,"size_type":"600"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w680\u002F1997c4d709714b8997b15f989ed9989fdab700ce.jpg","type":"image\u002Fjpeg","width":680,"height":478,"size_type":"original","title":"NYFF Report: Richard Gere Talks About Wandering New York Streets as a Homeless Man for 'Time Out of Mind'"}],"lead_image":{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w680\u002F1997c4d709714b8997b15f989ed9989fdab700ce.jpg","type":"image\u002Fjpeg","width":680,"height":478,"size_type":"original","title":"NYFF Report: Richard Gere Talks About Wandering New York Streets as a Homeless Man for 'Time Out of Mind'"},"preferredTag":{"tag":"time-out-of-mind","blurb":"George, a man on the decline, enters the New York City homeless shelter system when he runs out of options. George struggles to navigate his way through this new world with the help of Dixon, a shelter veteran while trying to reconnect with his estranged daughter Maggie.","obj_type":"movie","title":"Time Out of Mind","editor_info":{"edit_date":1407451055982},"ts_update":1411964763,"td_ccm_id":"bf1d6040-516f-11e3-9f4d-3b1498d9c6b6","td_applet_type":"movie","meta_tags":[{"name":"description","value":"George, a man on the decline, enters the New York City homeless shelter system when he runs out of options. George struggles to navigate his way through this new world with the help of Dixon, a shelter veteran while trying to reconnect with his estranged daughter Maggie."},{"name":"short_title","value":"Time Out of Mind"},{"name":"lang","value":"en-US"},{"name":"shared_image"},{"name":"title","value":"Time Out of Mind"}],"display_name":"Time Out of Mind","alias_type":"NONE","name":"Time Out of Mind","slug":"movie:time-out-of-mind","count":1},"displayType":"textOnImage"},{"id":"98472969287","magazine":"movies","priority":"","palette":["#f5b879","#c49378","#f0eeec","#fdfdfd","#bbbcbb"],"tags":[{"tag":"interviews","blurb":"Go behind the scenes with stars from new, upcoming, and classic films.","title":"Interviews","editor_info":{"promotion_date":1400801076244},"ts_update":1411994726,"suppress_articles":false,"display_name":"Interviews","alias_type":"NONE","ad_system_key":"23088989","name":"Interviews","slug":"interviews","count":123},{"name":"News","slug":"news","count":200},{"tag":"maps-to-the-stars","blurb":"Havana Segrand is a C-list actress approaching midlife who lives in the shadow of her famous mother, Clarice Taggart. Her current obsession is landing the lead in a remake of her mother's most popular film. Meanwhile, the hottest 13-year-old in Hollywood is obnoxious Benjie, who is doted on by the clueless parents managing his career. His sister, the mysterious Agatha, returns to Los Angeles from their home in Florida and quickly snags a job as Havana's personal assistant.","obj_type":"movie","title":"Maps to the Stars","editor_info":{"edit_date":1411765995344},"ts_update":1411988895,"td_ccm_id":"1a517c60-a6dc-11e2-bd13-287db5b94585","td_applet_type":"movie","meta_tags":[{"name":"description","value":"Havana Segrand is a C-list actress approaching midlife who lives in the shadow of her famous mother, Clarice Taggart. Her current obsession is landing the lead in a remake of her mother's most popular film. Meanwhile, the hottest 13-year-old in Hollywood is obnoxious Benjie, who is doted on by the clueless parents managing his career. His sister, the mysterious Agatha, returns to Los Angeles from their home in Florida and quickly snags a job as Havana's personal assistant."},{"name":"short_title","value":"Maps to the Stars"},{"name":"lang","value":"en-US"},{"name":"shared_image"},{"name":"title","value":"Maps to the Stars"}],"display_name":"Maps to the Stars","alias_type":"NONE","name":"Maps to the Stars","slug":"movie:maps-to-the-stars","count":4}],"url_slug":"john-cusack-knocks-hollywood-for-unrealistic-standards-98472969287","makelive_date":1411746544568,"ts_update":1411964763,"ccm_id":"edf2495c-578a-3fa7-b831-3323536e1ced","page_date":1411746544567,"attribution":{"display_name":"The Hollywood Reporter","url":{"href":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttp:\u002F\u002Fwww.hollywoodreporter.com\u002F","rel":"alternate","type":"text\u002Fhtml"}},"image_sizes":[{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002Fc9795c0c7c92e980bda42b3762aa7025a3523d9d.jpg","type":"image\u002Fjpeg","width":500,"height":321,"size_type":"500"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w2048\u002Fc9795c0c7c92e980bda42b3762aa7025a3523d9d.jpg","type":"image\u002Fjpeg","width":2048,"height":1314,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs1.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FfwZ2mHK7NeBGrIKpw4VoX_3ht30"},{"type":"ORIG","sizes":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F9efcbab48cebd8d302dbe45f66e24b3b687248cd.jpg","type":"image\u002Fjpeg","width":500,"height":333,"size_type":"500"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w2048\u002F9efcbab48cebd8d302dbe45f66e24b3b687248cd.jpg","type":"image\u002Fjpeg","width":2048,"height":1366,"size_type":"original"}],"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs1.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002Foriginal\u002FQWOO_Qe6JVqZmgnX12R6cRU05hQ"}],"highlight_color":"#000000","data_version":"1","title":"John Cusack Knocks Hollywood for Unrealistic Standards: 'For Women It's Brutal'","summary":"John Cusack criticizes Hollywood for ageism against women and blockbuster mentality.","body":"\u003Cp\u003E\u003Cimg alt=\"John Cusack Knocks Hollywood for Unrealistic Standards: &apos;For Women It&apos;s Brutal&apos;\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002Fc9795c0c7c92e980bda42b3762aa7025a3523d9d.jpg\"\u003E\u003Cem\u003EJohn Cusack at the Toronto Film Festival on Sept. 2\u003C\u002Fem\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cspan\u003Eby Abid Rahman\u003C\u002Fspan\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E&#x201C;It&#x2019;s a whorehouse, and people go&#xA0;mad,&#x201D; said John Cusack in describing present-day Hollywood in an interview with \u003Ca href=\"http:\u002F\u002Fwww.theguardian.com\u002Ffilm\u002F2014\u002Fsep\u002F25\u002Fjohn-cusack-hollywood-maps-to-the-stars-interview\"\u003E\u003Cspan\u003EThe Guardian\u003C\u002Fspan\u003E\u003C\u002Fa\u003E published on Friday.&#xA0;\u003C\u002Fp\u003E \n\u003Cp\u003EPromoting his latest film, David Cronenberg&#x2019;s\u003Cem\u003E\u003Ca href=\"http:\u002F\u002Fwww.hollywoodreporter.com\u002Freview\u002Fmaps-stars-cannes-review-705374\"\u003E\u003Cspan\u003E Maps to The Stars\u003C\u002Fspan\u003E\u003C\u002Fa\u003E\u003C\u002Fem\u003E, Cusack didn&#x2019;t hold back, criticizing ageism in Hollywood, as well as misogyny and what he sees an increasingly broken studio system.&#xA0;\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cem\u003EMaps\u003C\u002Fem\u003E, which screened in Cannes this year, is a satire of Hollywood with Cusack starring as a wealthy self-help guru and an ensemble cast that includes Robert Pattinson, Julianne Moore and Mia Wasikowska.&#xA0;\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cspan\u003E\u003Cstrong\u003ESee more\u003C\u002Fstrong\u003E&#xA0;\u003Ca href=\"http:\u002F\u002Fwww.hollywoodreporter.com\u002Fvideo\u002Fmaps-stars-international-trailer-733444\"\u003E\u003Cspan\u003E\u003Cem\u003EMaps to the Stars\u003C\u002Fem\u003E International Trailer\u003C\u002Fspan\u003E\u003C\u002Fa\u003E\u003C\u002Fspan\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E&#x201C;L.A. seems to be a place where a guy can say he&#x2019;s a &#x2018;life-coach-channeller-masseur&#x2019;,&#x201D; Cusack told the Guardian. &#x201C;It just seems to be ripe with all these frontier crazies. People are looking to turn their pain into beautiful art, but they also want to be famous. And there&#x2019;s so much money &#x2014; so of course all the predators come in.&#x201D;\u003C\u002Fp\u003E \n\u003Cp\u003EIn the wide-ranging interview, Cusack also railed against the issue of age in Hollywood, which is laid bare in \u003Cem\u003EMaps\u003C\u002Fem\u003E. &#x201C;I got another 15, 20 years before they say I&#x2019;m old. For women it&#x2019;s brutal. Bruce&#x2019;s thing [Bruce Wagner wrote the \u003Cem\u003EMaps\u003C\u002Fem\u003E screenplay] about if you&#x2019;re 26, you&#x2019;re menopausal? It&#x2019;s only absurd because it&#x2019;s a little bit further than the truth,&#x201D; said Cusack.&#xA0;\u003C\u002Fp\u003E \n\u003Cp\u003EHe added: &#x201C;I have actress friends who are being put out to pasture at 29. They just want to open up another can of hot 22. It&#x2019;s becoming almost like kiddie porn.&#x201D;\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cspan\u003E\u003Cstrong\u003ERead more\u003C\u002Fstrong\u003E&#xA0;\u003Ca href=\"http:\u002F\u002Fwww.hollywoodreporter.com\u002Fnews\u002Fcannes-maps-stars-director-cronenberg-705673\"\u003E\u003Cspan\u003ECannes: &#x2018;Maps to the Stars&#x2019; Director David Cronenberg Defends Satire\u003C\u002Fspan\u003E\u003C\u002Fa\u003E\u003C\u002Fspan\u003E\u003C\u002Fp\u003E \n\u003Cp\u003ELater in the interview, Cusack lamented the state of Hollywood today, describing it as an industry dominated by mega-corporations obsessed with franchises. Cusack admits he&#x2019;s made some obviously commercial films to fund projects he cares about and that in the past, there were studio heads who had a similar approach.\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cimg alt=\"Cusack in Maps to the Stars\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F9efcbab48cebd8d302dbe45f66e24b3b687248cd.jpg\"\u003E\u003Cem\u003ECusack as the shady therapist in &#x2018;Maps to the Stars&#x2019;\u003C\u002Fem\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E&#x201C;My friend Joe Roth ran Disney&#x2026; He made things like \u003Cem\u003EThe Rock\u003C\u002Fem\u003E and \u003Cem\u003ECon Air\u003C\u002Fem\u003E to make shareholders happy, but then he also gave six or seven slots to people he liked,&#x201D; Cusack said. &#x201C;I got to make \u003Cem\u003EHigh Fidelity\u003C\u002Fem\u003E and \u003Cem\u003EGrosse Pointe Blank\u003C\u002Fem\u003E. Spike Lee got to make \u003Cem\u003ESummer of Sam\u003C\u002Fem\u003E. Wes Anderson got to make \u003Cem\u003ERushmore\u003C\u002Fem\u003E. I had that memory of film and that&#x2019;s gone.&#x201D;\u003C\u002Fp\u003E \n\u003Cp\u003ECusack thinks the Hollywood system of &#x201C;one for you, one for them&#x201D; is no more. &#x201C;Now it&#x2019;s six for them &#x2014; with a committee cutting the film who weren&#x2019;t part of making it &#x2014; and maybe one for you. If I could do something like sell watches in China, then I would do that and just make movies like \u003Cem\u003EMaps\u003C\u002Fem\u003E.&#x201D;\u003C\u002Fp\u003E \n\u003Cp\u003EWatch a clip of Cusack in \u003Cem\u003EMaps to the Stars\u003C\u002Fem\u003E:\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Ciframe width=\"500\" height=\"281.25\" data-src=\"https:\u002F\u002Fmovies.yahoo.com\u002Fvideo\u002Fmaps-stars-clip-did-154023473.html?format=embed&amp;player_autoplay=false\"\u003E\u003C\u002Fiframe\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cem\u003EPhoto credit:&#xA0;Tommaso Boddi\u002FGetty Images,&#xA0;Focus 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In addition to walking the red carpet and greeting throngs of festivalgoers celebrating the NYFF&#x2019;s opening night, \u003Cspan\u003Estars Ben Affleck, Rosamund Pike, Neil Patrick Harris and Tyler Perry joined\u003C\u002Fspan\u003E&#xA0;director David Fincher and \u003Cem\u003EGone Girl&#xA0;\u003C\u002Fem\u003Eauthor and screenwriter&#xA0;Gillian Flynn at a laugh-filled press conference. Here are some of the highlights from the conference: &#xA0;\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003EBatfleck began during \u003Cem\u003EGone Girl\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EAffleck landed the role of the Dark Knight in \u003Cem\u003EBatman v. Superman: Dawn of Justice \u003C\u002Fem\u003Earound the same time that \u003Cem\u003EGone Girl \u003C\u002Fem\u003Ewent before cameras and had to promptly start getting into Bat-shape. So during production Pike watched as her schlubby, puffy onscreen hubby steadily morphed into Gotham&#x2019;s own Caped Crusader. &#x201C;Throughout the movie, Ben was becoming Batman. By the time we were in the shower [in one scene], I was \u003Cem\u003Ewith \u003C\u002Fem\u003EBatman.&#x201D;\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003EThe two stars were like a bad old married couple \u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EIn their real lives, Affleck is happily married to Jennifer Garner, while Pike is in a long-term relationship with boyfriend, Robie Uniacke. In the movie, though, they get to play out the worst-case scenario of a marriage. &#x201C;We really put a marriage under a microscope, from the giddy early days right though to the more toxic stages,&#x201D; Pike said. &#x201C;The movie seems to be about intimacy really, and the wonderful things that can go with intimacy and the treachery that can come with intimacy.&#x201D; Affleck added: &#x201C;The book asked really hard questions about marriage and relationships. It didn&#x2019;t want to gloss over the things that we don&#x2019;t like to look at about others and ourselves. Sometimes you find out ugly things when you ask hard questions.&#x201D;&#xA0;\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cimg alt=\"image\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F2ec56d806e99ab468eedc923a3eb7cccb56b276a.jpg\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cem\u003ECast members&#xA0;David Clennon, Neil Patrick Harris, Tyler Perry, Rosamund Pike, Ben Affleck, David Fincher, Emily Ratajkowski, and Missi Pyle at Friday night&#x2019;s &#x2018;Gone Girl&#x2019; premiere in New York City.\u003C\u002Fem\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003EThe director and screenwriter were on the same page\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EFrom the moment she sold the \u003Cem\u003EGone Girl \u003C\u002Fem\u003Efilm rights, Flynn wanted Fincher to direct the movie almost more than she wanted to write it. &#x201C;At first, I was like &#x2018;Only I can adapt it. It has to be me, it has to be me.&#x2019; And then they said, &#x2018;Okay, it&#x2019;s you,&#x2019; and I was like &#x201C;&#x2018;No, no!&#x2019; It seemed like a little too much to take on; [eventually], I realized the important thing was not to be too slavishly devoted to every plotline, but that the script ultimately felt like the book. I was very concerned with keeping the dark heart of it and not turning it into a pure whodunit.&#x201D;&#xA0;\u003C\u002Fp\u003E \n\u003Cp\u003EIt was the book&#x2019;s dark sense of humor that convinced Flynn that the \u003Cem\u003EFight Club \u003C\u002Fem\u003Edirector would be the ideal fit for her own twisted comedy. &#x201C;David&#x2019;s really known for the dread in his movies, but he&#x2019;s underrated for those weird bursts of humor. He would be the guy who wouldn&#x2019;t be afraid to keep those [comic scenes] in there.&#x201D; For his part, Fincher was impressed with Flynn&#x2019;s ability to cut through the meat of the novel to reach its thematic bone. &#x201C;When I read the book, I thought &#x2018;There are three movies in here.&#x2019; But with Gillian&#x2019;s first draft, she didn&#x2019;t just trim the tree&#x2014;only the trunk was left. She slaughtered all the darlings.&#x201D;\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003EThe movie&#x2019;s anthem could be &#x201C;I&#x2019;m Every Woman&#x201D;\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EShe may not technically be a comic book hero like Batman, but the &#x201C;gone girl&#x201D; in \u003Cem\u003EGone Girl\u003C\u002Fem\u003E definitely has two special powers: 1) Her ability to disappear; and 2) An aptitude for adapting her personality to complement where she is and who she&#x2019;s with. &#x201C;It was really fun to be able to play every kind of woman,&#x201D; Pike remarked. &#x201C;Amy is alluring, compelling, confounding&#x2014;all of those things. People say &#x2018;Do you like her or dislike her?&#x2019; And I say, &#x2018;I don&#x2019;t know. But I \u003Cem\u003Eunderstand\u003C\u002Fem\u003E her.&#x201D; Amy&#x2019;s creator, Flynn, described the character as &#x201C;someone who can play any role she wants, from the &#x2018;cool girl&#x2019; the men want to hang around with, to the woman men are very afraid of. She&#x2019;s willing to go there. I felt that at the center of Amy was basically nothing. She&#x2019;s someone who is made of a bundle of stories pulled together over the years.&#x201D;&#xA0;\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cimg alt=\"image\" src=\"https:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w499\u002F94f019fb29455f7d35d5aa13905fc3b76ac42a48.jpg\"\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cem\u003E&apos;Gone Girl&apos;&#xA0;executive producer Bruna Papandrea, screenwriter Gillian Flynn, and executive producer Reese Witherspoon.\u003C\u002Fem\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003EThe cat deserves an Oscar\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003ESure, the human cast is top-notch, but \u003Cem\u003EGone Girl\u003C\u002Fem\u003E&apos;s real scene-stealer is Nick and Amy&apos;s adorable cat, which is featured prominently in a number of scenes. &#x201C;There&apos;s a screenplay book called \u003Cem\u003ESave the Cat\u003C\u002Fem\u003E and it&#x2019;s all about making your character likable,&#x201D; explained Flynn. &#x201C;[The rule is that] in the first 10 minutes, you should do something that makes you like him. So I enjoyed that Ben literally saves the cat in the first 10 minutes of \u003Cem\u003EGone Girl\u003C\u002Fem\u003E.&#x201D; Apparently, the feline wasn&#x2019;t the most dynamic performer, though. &#x201C;It was a half-dead cat,&#x201D; Affleck laughed. &#x201C;It wouldn&#x2019;t move. You dropped it and it would just kind of lay there. In that way, it was the best-acting cat I&#x2019;ve ever had!&#x201D; &#xA0; &#xA0;\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cstrong\u003EEveryone loves David\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E \n\u003Cp\u003EMaybe it was just because he was sitting right there, but everyone in the cast had nothing but praise for their famously exacting director. &#x201C;I don&#x2019;t think David sees like regular humans,&#x201D; Perry remarked. &#x201C;He sees everything at once and he&#x2019;s trying to create this perfect tableau. If one thing is out of place, it&#x2019;s got to be redone.&#x201D; But Harris was quick to add that Fincher is a remarkably communicative director. &#x201C;The way he communicates with people is calm and confident. You felt like you were on the right path. He wasn&#x2019;t talking at you&#x2014;he was talking \u003Cem\u003Ewith \u003C\u002Fem\u003Eyou.&#x201D; Pike agreed, adding: &#x201C;[Working with David] isn&#x2019;t unbelievable pressure, because otherwise you wouldn&#x2019;t survive. You feel like you&#x2019;ve got that time and you&#x2019;ve got somebody who is really, really watching. The other days, I saw the premiere of a film I made right before this one and I kept thinking, &#x2018;Oh, God &#x2014; David would hate that.&#x2019; I think you&#x2019;re probably pre and post-Fincher in your work [as an actor].&#x201D;&#xA0;\u003C\u002Fp\u003E \n\u003Cp\u003EAffleck, meanwhile, appreciated the chance to watch Fincher at work behind the camera. &#x201C;I feel like \u003Cem\u003ESeven\u003C\u002Fem\u003E is this perfectly, meticulously, Swiss watch-made thing and I wondered what kind of a person makes a movie like that. David is genuinely an actor&#x2019;s director and he&#x2019;s also got one of the deepest understandings of the technical demands of filmmaking than anyone I&#x2019;ve ever worked with. He&#x2019;s got an engineer&#x2019;s mind and the taste of an artist.&#x201D;\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cem\u003EPhoto: Getty Images\u003C\u002Fem\u003E\u003C\u002Fp\u003E \n\u003Cp\u003E\u003Cem\u003EWatch the trailer for\u003C\u002Fem\u003E Gone Girl \u003Cem\u003Ebelow\u003C\u002Fem\u003E: \u003Ciframe width=\"500\" height=\"281.25\" data-src=\"https:\u002F\u002Fmovies.yahoo.com\u002Fvideo\u002Fgone-girl-trailer-171235662.html?format=embed&amp;player_autoplay=false\"\u003E\u003C\u002Fiframe\u003E\u003C\u002Fp\u003E","content_status":"UNPUBLISHED","canonical_ccm_id":"aa7ec4e5-6822-32d2-93e9-f8c45a9bb872","type":"story","leadImages":[{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w175\u002F45781177e038c00a2a9c205ab8043aac5ad7668f.jpg","type":"image\u002Fjpeg","width":175,"height":238,"size_type":"175"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w200\u002F45781177e038c00a2a9c205ab8043aac5ad7668f.jpg","type":"image\u002Fjpeg","width":200,"height":272,"size_type":"200"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w250\u002F45781177e038c00a2a9c205ab8043aac5ad7668f.jpg","type":"image\u002Fjpeg","width":250,"height":341,"size_type":"250"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w300\u002F45781177e038c00a2a9c205ab8043aac5ad7668f.jpg","type":"image\u002Fjpeg","width":300,"height":409,"size_type":"300"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w350\u002F45781177e038c00a2a9c205ab8043aac5ad7668f.jpg","type":"image\u002Fjpeg","width":350,"height":477,"size_type":"350"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w400\u002F45781177e038c00a2a9c205ab8043aac5ad7668f.jpg","type":"image\u002Fjpeg","width":400,"height":545,"size_type":"400"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w450\u002F45781177e038c00a2a9c205ab8043aac5ad7668f.jpg","type":"image\u002Fjpeg","width":450,"height":613,"size_type":"450"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F45781177e038c00a2a9c205ab8043aac5ad7668f.jpg","type":"image\u002Fjpeg","width":500,"height":681,"size_type":"original"},{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F45781177e038c00a2a9c205ab8043aac5ad7668f.jpg","type":"image\u002Fjpeg","width":500,"height":681,"size_type":"500","title":"'Gone Girl' Premiere: Ben Affleck and Cast Discuss Marriage, Moviemaking, and Muscling Up for 'Batman'"}],"lead_image":{"url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20140929132139\u002Fhttps:\u002F\u002Fs.yimg.com\u002Fcd\u002Fresizer\u002F2.0\u002FFIT_TO_WIDTH-w500\u002F45781177e038c00a2a9c205ab8043aac5ad7668f.jpg","type":"image\u002Fjpeg","width":500,"height":681,"size_type":"500","title":"'Gone Girl' Premiere: Ben Affleck and Cast Discuss Marriage, Moviemaking, and Muscling Up for 'Batman'"},"preferredTag":{"tag":"gone-girl","blurb":"On the occasion of his fifth wedding anniversary, Nick Dunne reports that his beautiful wife, Amy, has gone missing. 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