CINXE.COM

<!DOCTYPE html> <html lang="en" dir="ltr"> <head>  <script async src="https://www.googletagmanager.com/gtag/js?id=G-P63WKM1TM1"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'G-P63WKM1TM1'); </script>  <script type="text/javascript" > (function(m,e,t,r,i,k,a){m[i]=m[i]||function(){(m[i].a=m[i].a||[]).push(arguments)}; m[i].l=1*new Date(); for (var j = 0; j < document.scripts.length; j++) {if (document.scripts[j].src === r) { return; }} k=e.createElement(t),a=e.getElementsByTagName(t)[0],k.async=1,k.src=r,a.parentNode.insertBefore(k,a)}) (window, document, "script", "https://mc.yandex.ru/metrika/tag.js", "ym"); ym(55165297, "init", { clickmap:false, trackLinks:true, accurateTrackBounce:true, webvisor:false }); </script> <noscript><div><img src="https://mc.yandex.ru/watch/55165297" style="position:absolute; left:-9999px;" alt="" /></div></noscript>    <title>Search results for: fabric prints</title> <meta name="description" content="Search results for: fabric prints"> <meta name="keywords" content="fabric prints"> <meta name="viewport" content="width=device-width, initial-scale=1, minimum-scale=1, maximum-scale=1, user-scalable=no"> <meta charset="utf-8"> <link href="https://cdn.waset.org/favicon.ico" type="image/x-icon" rel="shortcut icon"> <link href="https://cdn.waset.org/static/plugins/bootstrap-4.2.1/css/bootstrap.min.css" rel="stylesheet"> <link href="https://cdn.waset.org/static/plugins/fontawesome/css/all.min.css" rel="stylesheet"> <link href="https://cdn.waset.org/static/css/site.css?v=150220211555" rel="stylesheet"> </head> <body> <header> <div class="container"> <nav class="navbar navbar-expand-lg navbar-light"> <a class="navbar-brand" href="https://waset.org"> <img src="https://cdn.waset.org/static/images/wasetc.png" alt="Open Science Research Excellence" title="Open Science Research Excellence" /> </a> <button class="d-block d-lg-none navbar-toggler ml-auto" type="button" data-toggle="collapse" data-target="#navbarMenu" aria-controls="navbarMenu" aria-expanded="false" aria-label="Toggle navigation"> <span class="navbar-toggler-icon"></span> </button> <div class="w-100"> <div class="d-none d-lg-flex flex-row-reverse"> <form method="get" action="https://waset.org/search" class="form-inline my-2 my-lg-0"> <input class="form-control mr-sm-2" type="search" placeholder="Search Conferences" value="fabric prints" name="q" aria-label="Search"> <button class="btn btn-light my-2 my-sm-0" type="submit"><i class="fas fa-search"></i></button> </form> </div> <div class="collapse navbar-collapse mt-1" id="navbarMenu"> <ul class="navbar-nav ml-auto align-items-center" id="mainNavMenu"> <li class="nav-item"> <a class="nav-link" href="https://waset.org/conferences" title="Conferences in 2024/2025/2026">Conferences</a> </li> <li class="nav-item"> <a class="nav-link" href="https://waset.org/disciplines" title="Disciplines">Disciplines</a> </li> <li class="nav-item"> <a class="nav-link" href="https://waset.org/committees" rel="nofollow">Committees</a> </li> <li class="nav-item dropdown"> <a class="nav-link dropdown-toggle" href="#" id="navbarDropdownPublications" role="button" data-toggle="dropdown" aria-haspopup="true" aria-expanded="false"> Publications </a> <div class="dropdown-menu" aria-labelledby="navbarDropdownPublications"> <a class="dropdown-item" href="https://publications.waset.org/abstracts">Abstracts</a> <a class="dropdown-item" href="https://publications.waset.org">Periodicals</a> <a class="dropdown-item" href="https://publications.waset.org/archive">Archive</a> </div> </li> <li class="nav-item"> <a class="nav-link" href="https://waset.org/page/support" title="Support">Support</a> </li> </ul> </div> </div> </nav> </div> </header> <main> <div class="container mt-4"> <div class="row"> <div class="col-md-9 mx-auto"> <form method="get" action="https://publications.waset.org/abstracts/search"> <div id="custom-search-input"> <div class="input-group"> <i class="fas fa-search"></i> <input type="text" class="search-query" name="q" placeholder="Author, Title, Abstract, Keywords" value="fabric prints"> <input type="submit" class="btn_search" value="Search"> </div> </div> </form> </div> </div> <div class="row mt-3"> <div class="col-sm-3"> <div class="card"> <div class="card-body"><strong>Commenced</strong> in January 2007</div> </div> </div> <div class="col-sm-3"> <div class="card"> <div class="card-body"><strong>Frequency:</strong> Monthly</div> </div> </div> <div class="col-sm-3"> <div class="card"> <div class="card-body"><strong>Edition:</strong> International</div> </div> </div> <div class="col-sm-3"> <div class="card"> <div class="card-body"><strong>Paper Count:</strong> 534</div> </div> </div> </div> <h1 class="mt-3 mb-3 text-center" style="font-size:1.6rem;">Search results for: fabric prints</h1> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">534</span> Digital Art Fabric Prints: Procedure, Process and Progress</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Tripti%20Singh">Tripti Singh</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Digital tools are merging boundaries of different mediums as endeavoured artists exploring new areas. Digital fabric printing has motivated artists to create prints by combining images acquired by photograph, scanned images, computer graphics and microscopic imaginary etc to name few, with traditional media such as hand drawing, weaving, hand printed patterns, printing making techniques and so on. It opened whole new world of possibilities for artists to search, research and combine old and contemporary mediums for their unique art prints. As artistic medium digital art fabrics have aesthetic values which have impact and influence on not only on a personality but also interiors of a living or work space. In this way it can be worn, as fashion statement and also an interior decoration. Digital art fabric prints gives opportunity to print almost everything on any fabric with long lasting prints quality. Single edition and limited editions are possible for maintaining scarcity and uniqueness of an art form. These fabric prints fulfill today’s need, as they are eco-friendly in nature and they produce less wastage compared to traditional fabric printing techniques. These prints can be used to make unique and customized curtains, quilts, clothes, bags, furniture, dolls, pillows, framed artwork, costumes, banners and much, much more. This paper will explore the procedure, process, and progress techniques of digital art fabric printing in depth with suitable pictorial examples. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=digital%20art" title="digital art">digital art</a>, <a href="https://publications.waset.org/abstracts/search?q=fabric%20prints" title=" fabric prints"> fabric prints</a>, <a href="https://publications.waset.org/abstracts/search?q=digital%20fabric%20prints" title=" digital fabric prints"> digital fabric prints</a>, <a href="https://publications.waset.org/abstracts/search?q=new%20media" title=" new media"> new media</a> </p> <a href="https://publications.waset.org/abstracts/35137/digital-art-fabric-prints-procedure-process-and-progress" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/35137.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">515</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">533</span> A Study of Parameters That Have an Influence on Fabric Prints in Judging the Attractiveness of a Female Body Shape</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Man%20N.%20M.%20Cheung">Man N. M. Cheung</a> </p> <p class="card-text"><strong>Abstract:</strong></p> In judging the attractiveness of female body shape, visual sense is one of the important means. The ratio and proportion of body shape influence the perception of female physical attractiveness. This study aims to examine visual perception of digital textile prints on a virtual 3D model in judging the attractiveness of the body shape. Also, investigate the influences when using different shape parameters and their relationships. Participants were asked to conduct a set of questionnaires with images to rank the attractiveness of the female body shape. Results showed that morphing the fabric prints with a certain ratio and combination of shape parameters - waist and hip, can enhance the attractiveness of the female body shape. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=digital%20printing" title="digital printing">digital printing</a>, <a href="https://publications.waset.org/abstracts/search?q=3D%20body%20modeling" title=" 3D body modeling"> 3D body modeling</a>, <a href="https://publications.waset.org/abstracts/search?q=fashion%20print%20design" title=" fashion print design"> fashion print design</a>, <a href="https://publications.waset.org/abstracts/search?q=body%20shape%20attractiveness" title=" body shape attractiveness"> body shape attractiveness</a> </p> <a href="https://publications.waset.org/abstracts/96035/a-study-of-parameters-that-have-an-influence-on-fabric-prints-in-judging-the-attractiveness-of-a-female-body-shape" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/96035.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">177</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">532</span> A Biologically Inspired Approach to Automatic Classification of Textile Fabric Prints Based On Both Texture and Colour Information</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Babar%20Khan">Babar Khan</a>, <a href="https://publications.waset.org/abstracts/search?q=Wang%20Zhijie"> Wang Zhijie</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Machine Vision has been playing a significant role in Industrial Automation, to imitate the wide variety of human functions, providing improved safety, reduced labour cost, the elimination of human error and/or subjective judgments, and the creation of timely statistical product data. Despite the intensive research, there have not been any attempts to classify fabric prints based on printed texture and colour, most of the researches so far encompasses only black and white or grey scale images. We proposed a biologically inspired processing architecture to classify fabrics w.r.t. the fabric print texture and colour. We created a texture descriptor based on the HMAX model for machine vision, and incorporated colour descriptor based on opponent colour channels simulating the single opponent and double opponent neuronal function of the brain. We found that our algorithm not only outperformed the original HMAX algorithm on classification of fabric print texture and colour, but we also achieved a recognition accuracy of 85-100% on different colour and different texture fabric. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=automatic%20classification" title="automatic classification">automatic classification</a>, <a href="https://publications.waset.org/abstracts/search?q=texture%20descriptor" title=" texture descriptor"> texture descriptor</a>, <a href="https://publications.waset.org/abstracts/search?q=colour%20descriptor" title=" colour descriptor"> colour descriptor</a>, <a href="https://publications.waset.org/abstracts/search?q=opponent%20colour%20channel" title=" opponent colour channel"> opponent colour channel</a> </p> <a href="https://publications.waset.org/abstracts/31715/a-biologically-inspired-approach-to-automatic-classification-of-textile-fabric-prints-based-on-both-texture-and-colour-information" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/31715.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">484</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">531</span> Contemporary Army Prints for Women’s Wear Kurti</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Shaleni%20Bajpai">Shaleni Bajpai</a>, <a href="https://publications.waset.org/abstracts/search?q=Nancy%20Stephan"> Nancy Stephan</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Various designs of women’s kurtis with different styles, motifs and prints were available in market but none of the kurtis was found in army print. Mostly army prints are used for men’s wear like jackets, trousers, caps, bags. The main colours available in military prints were beige, parrot green, red, dark blue, light blue, orange, bottle green, pink and the original military green colour. As the original camouflage is banned in civil wears so the different variety and colours were used in this study to popularize army prints in women’s wear. The aim of this project was to construct different styles of women kurti’s with various colours of different military prints. Mood board, inspiration and colour board was prepared to design the kurtis. The fabric used for construction was army printed poplin and crepe. The designing and construction of kurti’s were divided into two categories such as - casual and party wear. Casual wear had simple silhouette like a-line, high-low and waist coat style whereas party wear included princess line, panelled and bandhani style. Structured questionnaire was prepared to assess the acceptance of newly designed kurtis with respect to colour combination, overall appearance and cost. Purposively sampling method was adopted for selection of respondents. Opinion was taken from 100 women of various age groups. The result and analysis was presented through graph and percentage. Kurtis in army print of both the categories were appreciated by the respondents. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=army" title="army">army</a>, <a href="https://publications.waset.org/abstracts/search?q=kurti" title=" kurti"> kurti</a>, <a href="https://publications.waset.org/abstracts/search?q=casual%20wear" title=" casual wear"> casual wear</a>, <a href="https://publications.waset.org/abstracts/search?q=party%20wear" title=" party wear"> party wear</a> </p> <a href="https://publications.waset.org/abstracts/52909/contemporary-army-prints-for-womens-wear-kurti" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/52909.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">302</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">530</span> A Method for Measurement and Evaluation of Drape of Textiles</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=L.%20Fridrichova">L. Fridrichova</a>, <a href="https://publications.waset.org/abstracts/search?q=R.%20Kn%C3%AD%C5%BEek"> R. Knížek</a>, <a href="https://publications.waset.org/abstracts/search?q=V.%20Bajz%C3%ADk"> V. Bajzík</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Drape is one of the important visual characteristics of the fabric. This paper is introducing an innovative method of measurement and evaluation of the drape shape of the fabric. The measuring principle is based on the possibility of multiple vertical strain of the fabric. This method more accurately simulates the real behavior of the fabric in the process of draping. The method is fully automated, so the sample can be measured by using any number of cycles in any time horizon. Using the present method of measurement, we are able to describe the viscoelastic behavior of the fabric. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=drape" title="drape">drape</a>, <a href="https://publications.waset.org/abstracts/search?q=drape%20shape" title=" drape shape"> drape shape</a>, <a href="https://publications.waset.org/abstracts/search?q=automated%20drapemeter" title=" automated drapemeter"> automated drapemeter</a>, <a href="https://publications.waset.org/abstracts/search?q=fabric" title=" fabric"> fabric</a> </p> <a href="https://publications.waset.org/abstracts/28487/a-method-for-measurement-and-evaluation-of-drape-of-textiles" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/28487.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">656</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">529</span> Forensic Methods Used for the Verification of the Authenticity of Prints</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Olivia%20Rybak-Karkosz">Olivia Rybak-Karkosz</a> </p> <p class="card-text"><strong>Abstract:</strong></p> This paper aims to present the results of scientific research on methods of forging art prints and their elements, such as signature or provenance and forensic science methods that might be used to verify their authenticity. In the last decades, the art market has observed significant interest in purchasing prints. They are considered an economical alternative to paintings and a considerable investment. However, the authenticity of an art print is difficult to establish as similar visual effects might be achieved with drawings or xerox. The latter is easy to make using a home printer. They are then offered on flea markets or internet auctions as genuine prints. This probable ease of forgery and, at the same time, the difficulty of distinguishing art print techniques were the main reasons why this research was undertaken. A lack of scientific methods dedicated to disclosing a forgery encouraged the author to verify the possibility of using forensic science's methods known and used in other fields of expertise. This research methodology consisted of completing representative forgery samples collected in selected museums based in Poland and a few in Germany and Austria. That allowed the author to present a typology of methods used to forge art prints. Given that one of the most famous graphic design examples is bills and securities, it seems only appropriate to propose in print verification the usage of methods of detecting counterfeit currency. These methods contain an examination of ink, paper, and watermarks. On prints, additionally, signatures and imprints of stamps, etc., are forged as well. So the examination should be completed with handwriting examination and forensic sphragistics. The paper contains a stipulation to conduct a complex analysis of authenticity with the participation of an art restorer, art historian, and forensic expert as head of this team. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=art%20forgery" title="art forgery">art forgery</a>, <a href="https://publications.waset.org/abstracts/search?q=examination%20of%20an%20artwork" title=" examination of an artwork"> examination of an artwork</a>, <a href="https://publications.waset.org/abstracts/search?q=handwriting%20analysis" title=" handwriting analysis"> handwriting analysis</a>, <a href="https://publications.waset.org/abstracts/search?q=prints" title=" prints"> prints</a> </p> <a href="https://publications.waset.org/abstracts/152763/forensic-methods-used-for-the-verification-of-the-authenticity-of-prints" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/152763.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">129</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">528</span> Cheiloscopy: A Study on Predominant Lip Print Patterns among the Gujarati Population </h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Pooja%20Ahuja">Pooja Ahuja</a>, <a href="https://publications.waset.org/abstracts/search?q=Tejal%20Bhutani"> Tejal Bhutani</a>, <a href="https://publications.waset.org/abstracts/search?q=M.%20S.%20Dahiya"> M. S. Dahiya</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Cheiloscopy, the study of lip prints, is a tool in forensic investigation technique that deals with identification of individuals based on lips patterns. The objective of this study is to determine predominant lip print pattern found among the Gujarati population, to evaluate whether any sex difference exists and to study the permanence of the pattern over six months duration. The study comprised of 100 healthy individuals (50 males and 50 females), in the age group of 18 to 25 years of Gujarati population of the Gandhinagar region of the Gujarat state, India. By using Suzuki and Tsuchihashi classification, Lip prints were then divided into four quadrants and also classified on the basis of peripheral shape of the lips. Materials used to record the lip prints were dark brown colored lipstick, cellophane tape, and white bond paper. Lipstick was applied uniformly, and lip prints were taken on the glued portion of cellophane tape and then stuck on to a white bond paper. These lip prints were analyzed with magnifying lens and virtually with stereo microscope. On the analysis of the subject population, results showed Branched pattern Type II (29.57 percentage) to be most predominant in the Gujarati population. Branched pattern Type II (35.60 percentage) and long vertical Type I (28.28 percentage) were most prevalent in males and females respectively and large full lips were most predominantly present in both the sexes. The study concludes that lip prints in any form can be an effective tool for identification of an individual in a closed or open group forms. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=cheiloscopy" title="cheiloscopy">cheiloscopy</a>, <a href="https://publications.waset.org/abstracts/search?q=lip%20pattern" title=" lip pattern"> lip pattern</a>, <a href="https://publications.waset.org/abstracts/search?q=predomianant" title=" predomianant"> predomianant</a>, <a href="https://publications.waset.org/abstracts/search?q=Gujarati%20population" title=" Gujarati population"> Gujarati population</a> </p> <a href="https://publications.waset.org/abstracts/50579/cheiloscopy-a-study-on-predominant-lip-print-patterns-among-the-gujarati-population" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/50579.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">298</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">527</span> Conductive and Stretchable Graphene Nanoribbon Coated Textiles</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Lu%20Gan">Lu Gan</a>, <a href="https://publications.waset.org/abstracts/search?q=Songmin%20Shang"> Songmin Shang</a>, <a href="https://publications.waset.org/abstracts/search?q=Marcus%20Chun%20Wah%20Yuen"> Marcus Chun Wah Yuen</a> </p> <p class="card-text"><strong>Abstract:</strong></p> A conductive and stretchable cotton fabric was prepared in this study through coating the graphene nanoribbon onto the cotton fabric. The mechanical and electrical properties of the prepared cotton fabric were then investigated. As shown in the results, the graphene nanoribbon coated cotton fabric had an improvement in both mechanical strength and electrical conductivity. Moreover, the resistance of the cotton fabric had a linear dependence on the strain applied to it. The prepared graphene nanoribbon coated cotton fabric has great application potentials in smart textile industry. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=conductive%20fabric" title="conductive fabric">conductive fabric</a>, <a href="https://publications.waset.org/abstracts/search?q=graphene%20nanoribbon" title=" graphene nanoribbon"> graphene nanoribbon</a>, <a href="https://publications.waset.org/abstracts/search?q=coating" title=" coating"> coating</a>, <a href="https://publications.waset.org/abstracts/search?q=enhanced%20properties" title=" enhanced properties"> enhanced properties</a> </p> <a href="https://publications.waset.org/abstracts/32101/conductive-and-stretchable-graphene-nanoribbon-coated-textiles" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/32101.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">354</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">526</span> Influence of Resin Finishes on Properties of Khadi Fabric</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Shivi%20Rastogi">Shivi Rastogi</a>, <a href="https://publications.waset.org/abstracts/search?q=Suman%20Pant"> Suman Pant</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Khadi is an Indian fabric and also known by another name “Khaddar”. During pre-independence era, the movement of khadi manufacturing gained momentum. Over the years, khadi fabrics that were generally considered as the “second skin” of the Swadesh revolutionists changed its uniqueness. It underwent a metamorphosis from that of a patriot’s fabric, and a farmer’s apparel, to become a “fashion fabric”. Drape of garment is governed by draping quality of fabric used. Drape is an essential parameter to decide both appearance and handle of fabric. It is also a secondary determinant of fabric mechanical properties as influenced by the low stress properties, like bending length, formability, tensile and shear properties and compressibility of the fabric. In finishing, fabric is treated to add something to coat the fabric or fiber and thereby temporarily or permanently fix. Film forming agents such as thermoplastic and thermosetting resins and other surface deposits alter hand. In this study, resins were used to modify fabric hand. Three types of resins have been applied on the khadi fabric at three concentration. The effect of these finishes on drapeability, crease recovery, stiffness, tearing strength and smoothness of khadi fabrics were assessed. Silicone gave good results in imparting properties specially drape, smoothness and softness and hand of cotton and khadi fabric. KES result also showed that silicone treated samples enhanced THV rating amongst all treated samples when compared to the control fabric. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=crease%20recovery" title="crease recovery">crease recovery</a>, <a href="https://publications.waset.org/abstracts/search?q=drapeability" title=" drapeability"> drapeability</a>, <a href="https://publications.waset.org/abstracts/search?q=KES" title=" KES"> KES</a>, <a href="https://publications.waset.org/abstracts/search?q=silicone" title=" silicone"> silicone</a>, <a href="https://publications.waset.org/abstracts/search?q=THV" title=" THV"> THV</a> </p> <a href="https://publications.waset.org/abstracts/47301/influence-of-resin-finishes-on-properties-of-khadi-fabric" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/47301.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">229</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">525</span> Analysis of Process for Solution of Fiber-Ends after Biopolishing on the Surface of Cotton Knit Fabric</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=P.%20Altay">P. Altay</a>, <a href="https://publications.waset.org/abstracts/search?q=G.%20Kartal"> G. Kartal</a>, <a href="https://publications.waset.org/abstracts/search?q=B.%20Kizilkaya"> B. Kizilkaya</a>, <a href="https://publications.waset.org/abstracts/search?q=S.%20Kahraman"> S. Kahraman</a>, <a href="https://publications.waset.org/abstracts/search?q=N.%20C.%20Gursoy"> N. C. Gursoy</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Biopolishing is applied to remove the fuzz or pills on the fiber or fabric surface which will reduce its tendency to pill or fuzz after repetitive launderings. After biopolishing process, the fuzzes ripped by cellulase enzymes cannot be thoroughly removed from fabric surface, they remain on the fabric or fiber surface; accordingly disturb the user and lead to decrease in productivity of drying process. The main objective of this study is to develop a method for removing weakened fuzz fibers and surface pills from biofinished fabric surface before drying process. Fuzzes in the lattice structure of fabric were completely removed from the internal structure of the fabric by air blowing. The presence of fuzzes leads to problems with formation of pilling and faded appearance; the removal of fuzzes from the fabric results in reduced tendency to pill formation, cleaner, smoother and softer surface, improved handling properties of fabric with maintaining original color. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=biopolishing" title="biopolishing">biopolishing</a>, <a href="https://publications.waset.org/abstracts/search?q=fuzz%20fiber" title=" fuzz fiber"> fuzz fiber</a>, <a href="https://publications.waset.org/abstracts/search?q=weakened%20fiber" title=" weakened fiber"> weakened fiber</a>, <a href="https://publications.waset.org/abstracts/search?q=biofinished%20cotton%20fabric" title=" biofinished cotton fabric"> biofinished cotton fabric</a> </p> <a href="https://publications.waset.org/abstracts/56079/analysis-of-process-for-solution-of-fiber-ends-after-biopolishing-on-the-surface-of-cotton-knit-fabric" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/56079.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">380</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">524</span> Fabric Drapemeter Development towards the Analysis of Its Behavior in 3-D Design</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Aida%20Sheeta">Aida Sheeta</a>, <a href="https://publications.waset.org/abstracts/search?q=M.%20Nashat%20Fors"> M. Nashat Fors</a>, <a href="https://publications.waset.org/abstracts/search?q=Sherwet%20El%20Gholmy"> Sherwet El Gholmy</a>, <a href="https://publications.waset.org/abstracts/search?q=Marwa%20Issa"> Marwa Issa</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Globalization has raised the customer preferences not only towards the high-quality garments but also the right fitting, comfort and aesthetic apparels. This only can be accomplished by the good interaction between fabric mechanical and physical properties as well as the required style. Consequently, this paper provides an integrated review of the fabric drape terminology because it is considered as an essential feature in which the fabric can form folds with the help of the gravity. Moreover, an instrument has been fabricated in order to analyze the static and dynamic drape behaviors using different fabric types. In addition, the obtained results find out the parameters affecting the drape coefficient using digital image processing for various kind of commercial fabrics. This was found to be an essential first step in order to analyze the behavior of this fabric when it is fabricated in a certain 3-D garment design. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=cloth%20fitting" title="cloth fitting">cloth fitting</a>, <a href="https://publications.waset.org/abstracts/search?q=fabric%20drape%20nodes" title=" fabric drape nodes"> fabric drape nodes</a>, <a href="https://publications.waset.org/abstracts/search?q=garment%20silhouette" title=" garment silhouette"> garment silhouette</a>, <a href="https://publications.waset.org/abstracts/search?q=image%20processing" title=" image processing"> image processing</a> </p> <a href="https://publications.waset.org/abstracts/84800/fabric-drapemeter-development-towards-the-analysis-of-its-behavior-in-3-d-design" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/84800.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">187</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">523</span> Innovative Textile Design Using in-situ Ag NPs incorporation into Natural Fabric Matrix</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=M.%20Rehan">M. Rehan</a>, <a href="https://publications.waset.org/abstracts/search?q=H.%20Mashaly"> H. Mashaly</a>, <a href="https://publications.waset.org/abstracts/search?q=H.%20Emam"> H. Emam</a>, <a href="https://publications.waset.org/abstracts/search?q=A.%20Abou%20El-Kheir"> A. Abou El-Kheir</a>, <a href="https://publications.waset.org/abstracts/search?q=S.%20Mowafi">S. Mowafi </a> </p> <p class="card-text"><strong>Abstract:</strong></p> In this work, we will study a simple highly efficient technique to impart multi functional properties to different fabric substrates by in situ Ag NPs incorporation into fabric matrix. Ag NPs as a coloration and antimicrobial agent were prepared in situ incorporation into fabric matrix (Cotton and Wool) by using trisodium citrate as reducing and stabilizing agent. The Ag NPs treated fabric (Cotton and Wool) showed different color because of localized surface Plasmon resonance (LSPR) property of Ag NPs. The formation of Ag NPs was confirmed by UV/Vis spectra for the supernatant solutions and The Ag NPs treated fabric (Cotton and Wool) were characterized by scanning electron microscopy (SEM) and X-ray photo electron spectroscopy (XPS). The dependence of color properties characterized by colorimetric, fastness and antibacterial properties evaluated by Escherichia coli using counting method and the reaction parameters were studied. The results indicate that, the in situ Ag NPs incorporation into fabric matrix approach can simultaneously impart colorant and antimicrobial properties into different fabric substrates. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=Ag%20NPs" title="Ag NPs">Ag NPs</a>, <a href="https://publications.waset.org/abstracts/search?q=coloration" title=" coloration"> coloration</a>, <a href="https://publications.waset.org/abstracts/search?q=antibacterial" title=" antibacterial"> antibacterial</a>, <a href="https://publications.waset.org/abstracts/search?q=wool" title=" wool"> wool</a>, <a href="https://publications.waset.org/abstracts/search?q=cotton%20fabric" title=" cotton fabric"> cotton fabric</a> </p> <a href="https://publications.waset.org/abstracts/11113/innovative-textile-design-using-in-situ-ag-nps-incorporation-into-natural-fabric-matrix" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/11113.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">357</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">522</span> Evaluation of Bagh Printing Motifs and Processes of Madhya Pradesh: From Past to Contemporary</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Kaveri%20Dutta">Kaveri Dutta</a>, <a href="https://publications.waset.org/abstracts/search?q=Ratna%20Sharma"> Ratna Sharma</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Indian traditional textile is a synthesis of various cultures. Art and crafts of a country showcases the rich cultural and artistic history of that nation. Prehistorically Indian handicrafts were basically made for day to day use; the yearning for aesthetic application soon saw the development of flooding designs and motifs. Similarly, Bagh print a traditional hand block Print with natural colours an Indian handicraft practiced in Bagh, Madhya Pradesh(India). Bagh print has its roots in Sindh, which is now a part of Pakistan. The present form of Bagh printing actually started in 1962 when the craftsmen migrated from Manavar to the neighboring town of Bagh situated in Madhya Pradesh and hence Bagh has always been associated with this printing style. Bagh printing basically involved blocks that are carved onto motifs that represent flora such as Jasmine, Mushroom leheriya and so on. There are some prints that were inspired by the jaali work that embellished the Taj Mahal and various other forts. Inspiration is also drawn from the landscapes and geometrical figures. The motifs evoke various moods in the serenity of the prints and that is the catchy element of Bagh prints. The development in this traditional textile is as essential as in another field. Nowadays fashion trends are fragile and innovative changes over existing fashion field in the short span is the demand of times. We must make efforts to preserve this cultural heritage of arts and crafts and this is done either by documenting the various ancient traditions or by making a blend of it. Since this craft is well known over the world, but the need is to document the original motif, fabric, technology and colors used in contemporary fashion. Hence keeping above points in mind this study on bagh print textiles of Madhya Pradesh work has been formulated. The information incorporated in the paper was based on secondary data taken from relevant books, journals, museum visit and articles. Besides for the demographic details and working profile of the artisans dealt with printing, an interview schedule was carried out in three regions of Madhya Pradesh. This work of art was expressed in Cotton fabric. For this study selected traditional motifs for Bang printing was used. Some of the popular traditional Bagh motifs are Jasmine, Mushroom leheriya, geometrical figures and jaali work. The Bagh printed cotton fabrics were developed into a range of men’s ethic wear in combination with embroideries from Rajasthan. Products developed were bandhgala jackets, kurtas, serwani and dupattas. From the present study, it can be observed that the embellished traditional Bang printed range of ethnic men’s wear resulted in the fresh and colourful pattern. The embroidered Bagh printed cotton fabric also created a huge change in a positive way among artisans of the three regions. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=art%20and%20craft%20of%20Madhya%20Pradesh" title="art and craft of Madhya Pradesh">art and craft of Madhya Pradesh</a>, <a href="https://publications.waset.org/abstracts/search?q=evolution%20of%20printing%20in%20India" title=" evolution of printing in India"> evolution of printing in India</a>, <a href="https://publications.waset.org/abstracts/search?q=history%20of%20Bagh%20printing" title=" history of Bagh printing"> history of Bagh printing</a>, <a href="https://publications.waset.org/abstracts/search?q=sources%20of%20inspiration" title=" sources of inspiration"> sources of inspiration</a> </p> <a href="https://publications.waset.org/abstracts/34457/evaluation-of-bagh-printing-motifs-and-processes-of-madhya-pradesh-from-past-to-contemporary" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/34457.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">353</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">521</span> Journey of Striped Fabric in the History and Designs of Evening Dress from Striped Fabric</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Filiz%20Erden">Filiz Erden</a>, <a href="https://publications.waset.org/abstracts/search?q=E.%20Elhan%20%C3%96zus"> E. Elhan Özus</a>, <a href="https://publications.waset.org/abstracts/search?q=Melek%20Tufan"> Melek Tufan</a> </p> <p class="card-text"><strong>Abstract:</strong></p> If the history of clothing is examined, it is seen that clothing has gone through many stages from ancient times to present. Each nation has shaped its clothing according to its own traditions, customs, beliefs, living conditions. While clothes are being prepared, attributing different meanings to colors and patterns of the fabrics has become a common characteristic of many cultures. It is known that cloths worn in special days such as mourning, weddings, engagements, festivals and business vary according to their models, fabrics, colors and patterns. We witness use of cloth to differentiate people belonging to certain classes from nobles throughout the history. Striped fabric has carried many different meanings and uses throughout the history. In this study, place has been given to the important periods related to the history of striped fabric by examining current meaning of the striped fabric and dimensions of its meanings in the past. Also, evening dresses have been designed by using striped fabrics in order to reveal how striped fabric is liked and demanded after it coped with difficulties and being despised in its history. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=striped%20fabric" title="striped fabric">striped fabric</a>, <a href="https://publications.waset.org/abstracts/search?q=design" title=" design"> design</a>, <a href="https://publications.waset.org/abstracts/search?q=clothing" title=" clothing"> clothing</a>, <a href="https://publications.waset.org/abstracts/search?q=fasion" title=" fasion"> fasion</a> </p> <a href="https://publications.waset.org/abstracts/31703/journey-of-striped-fabric-in-the-history-and-designs-of-evening-dress-from-striped-fabric" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/31703.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">311</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">520</span> The Nature of the Complicated Fabric Textures: How to Represent in Primary Visual Cortex</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=J.%20L.%20Liu">J. L. Liu</a>, <a href="https://publications.waset.org/abstracts/search?q=L.%20Wang"> L. Wang</a>, <a href="https://publications.waset.org/abstracts/search?q=B.%20Zhu"> B. Zhu</a>, <a href="https://publications.waset.org/abstracts/search?q=J.%20Zhou"> J. Zhou</a>, <a href="https://publications.waset.org/abstracts/search?q=W.%20D.%20Gao"> W. D. Gao</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Fabric textures are very common in our daily life. However, we never explore the representation of fabric textures from neuroscience view. Theoretical studies suggest that primary visual cortex (V1) uses a sparse code to efficiently represent natural images. However, how the simple cells in V1 encode the artificial textures is still a mystery. So, here we will take fabric texture as stimulus to study the response of independent component analysis that is established to model the receptive field of simple cells in V1. Experimental results based on 140 classical fabric images indicate that the receptive fields of simple cells have obvious selectivity in orientation, frequency, and phase when drifting gratings are used to determine their tuning properties. Additionally, the distribution of optimal orientation and frequency shows that the patch size selected from each original fabric image has a significant effect on the frequency selectivity. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=fabric%20texture" title="fabric texture">fabric texture</a>, <a href="https://publications.waset.org/abstracts/search?q=receptive%20filed" title=" receptive filed"> receptive filed</a>, <a href="https://publications.waset.org/abstracts/search?q=simple%20cell" title=" simple cell"> simple cell</a>, <a href="https://publications.waset.org/abstracts/search?q=spare%20coding" title=" spare coding"> spare coding</a> </p> <a href="https://publications.waset.org/abstracts/22043/the-nature-of-the-complicated-fabric-textures-how-to-represent-in-primary-visual-cortex" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/22043.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">475</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">519</span> Investigation of Antibacterial Property of Bamboo In-Terms of Percentage on Comparing with ZnO Treated Cotton Fabric</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Arjun%20Dakuri">Arjun Dakuri</a>, <a href="https://publications.waset.org/abstracts/search?q=J.%20Hayavadana"> J. Hayavadana</a> </p> <p class="card-text"><strong>Abstract:</strong></p> The study includes selection of 100 % bamboo fabric and cotton fabric for the study. The 100% bamboo fabrics were of 127 g/m², and 112 g/m² and 100% cotton grey fabric were of 104 g/m². The cotton fabric was desized, scoured, bleached and then treated with ZnO (as antimicrobial agent) with 1%, 2% and 3% using pad-dry cure method, whereas the bamboo fabrics were only desized. The antimicrobial activity of bamboo and ZnO treated cotton fabrics were evaluated and compared against E. coli and S. aureus as per the standard AATCC - 147. Moisture management properties of selected fabrics were also analyzed. Further, the selected fabric samples were tested for comfort properties like bending length, tearing strength, drape-ability, and specific handle force and air permeability. It was observed that bamboo fabrics show significant antibacterial activity and the same was shown by 3% ZnO treated cotton fabric. Both cotton and bamboo fabrics show improved moisture management properties than the cotton fabric. The comfort properties of bamboo fabrics are found to be superior to cotton fabrics making it more suitable for applications in place of cotton. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=antimicrobial%20activity" title="antimicrobial activity">antimicrobial activity</a>, <a href="https://publications.waset.org/abstracts/search?q=bamboo" title=" bamboo"> bamboo</a>, <a href="https://publications.waset.org/abstracts/search?q=cotton" title=" cotton"> cotton</a>, <a href="https://publications.waset.org/abstracts/search?q=comfort%20properties" title=" comfort properties"> comfort properties</a>, <a href="https://publications.waset.org/abstracts/search?q=moisture%20management" title=" moisture management"> moisture management</a>, <a href="https://publications.waset.org/abstracts/search?q=zinc%20oxide" title=" zinc oxide"> zinc oxide</a> </p> <a href="https://publications.waset.org/abstracts/76755/investigation-of-antibacterial-property-of-bamboo-in-terms-of-percentage-on-comparing-with-zno-treated-cotton-fabric" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/76755.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">351</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">518</span> Investigating the Morphological Patterns of Lip Prints and Their Effectiveness in Individualization and Gender Determination in Pakistani Population</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Makhdoom%20Saad%20Wasim%20Ghouri">Makhdoom Saad Wasim Ghouri</a>, <a href="https://publications.waset.org/abstracts/search?q=Muneeba%20Butt"> Muneeba Butt</a>, <a href="https://publications.waset.org/abstracts/search?q=Mohammad%20Ashraf%20Tahir"> Mohammad Ashraf Tahir</a>, <a href="https://publications.waset.org/abstracts/search?q=Rashid%20Bhatti"> Rashid Bhatti</a>, <a href="https://publications.waset.org/abstracts/search?q=Akbar%20Ali"> Akbar Ali</a>, <a href="https://publications.waset.org/abstracts/search?q=Abdul%20Rehman"> Abdul Rehman</a>, <a href="https://publications.waset.org/abstracts/search?q=Abdul%20Basit"> Abdul Basit</a>, <a href="https://publications.waset.org/abstracts/search?q=Muzzamel%20Rehman"> Muzzamel Rehman</a>, <a href="https://publications.waset.org/abstracts/search?q=Shahbaz%20Aslam"> Shahbaz Aslam</a>, <a href="https://publications.waset.org/abstracts/search?q=Farakh%20Mansoor"> Farakh Mansoor</a>, <a href="https://publications.waset.org/abstracts/search?q=Ahmad%20Fayyaz"> Ahmad Fayyaz</a>, <a href="https://publications.waset.org/abstracts/search?q=Hadia%20Siddiqui"> Hadia Siddiqui</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Lip print analysis (Cheiloscopy) is the new emerging technique that might be the guardian angel in establishing the personal identity. Cheiloscopy is basically the study of elevations and depressions present on the external surface of the lips. In our study, 600 lip prints samples were taken (300 males and 300 females). Lip prints of each individual were divided into four quadrants and the upper middle portion. For general classification, middle part of the lower lip almost 10 mm wide would be taken into consideration. After analysis of lip-prints, our results show that lip prints are the unique and permanent character of every individual. No two lip print was matched with each other even of the identical twins. Our study reveals that there is equal distribution of lip print patterns among all the four quadrants of lips and the upper middle portion; these distributions were statistically analyzed by applying chi-square test which shows the significant results. In general classification, 5 lip print types/patterns were studied, Type 1 (Vertical lines), Type 2 (Branched pattern), Type 3 (Intersected pattern), Type 4 (Reticular pattern) and Type 5 (Undetermined). Type 1 and Type 2 were found to be the most frequent patterns in female population, while Type 3 and Type 4 most commonly found in male population. These results were also analyzed by applying Chi-square test, and the results show significance statistically. Thus, establishing sex determination on the basis of lip print types among the gender. Type 5 was the least common pattern among genders. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=cheiloscopy" title="cheiloscopy">cheiloscopy</a>, <a href="https://publications.waset.org/abstracts/search?q=distribution" title=" distribution"> distribution</a>, <a href="https://publications.waset.org/abstracts/search?q=quadrants" title=" quadrants"> quadrants</a>, <a href="https://publications.waset.org/abstracts/search?q=sex%20determination" title=" sex determination"> sex determination</a> </p> <a href="https://publications.waset.org/abstracts/81911/investigating-the-morphological-patterns-of-lip-prints-and-their-effectiveness-in-individualization-and-gender-determination-in-pakistani-population" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/81911.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">297</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">517</span> Documenting the 15th Century Prints with RTI</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Peter%20Fornaro">Peter Fornaro</a>, <a href="https://publications.waset.org/abstracts/search?q=Lothar%20Schmitt"> Lothar Schmitt</a> </p> <p class="card-text"><strong>Abstract:</strong></p> The Digital Humanities Lab and the Institute of Art History at the University of Basel are collaborating in the SNSF research project ‘Digital Materiality’. Its goal is to develop and enhance existing methods for the digital reproduction of cultural heritage objects in order to support art historical research. One part of the project focuses on the visualization of a small eye-catching group of early prints that are noteworthy for their subtle reliefs and glossy surfaces. Additionally, this group of objects – known as ‘paste prints’ – is characterized by its fragile state of preservation. Because of the brittle substances that were used for their production, most paste prints are heavily damaged and thus very hard to examine. These specific material properties make a photographic reproduction extremely difficult. To obtain better results we are working with Reflectance Transformation Imaging (RTI), a computational photographic method that is already used in archaeological and cultural heritage research. This technique allows documenting how three-dimensional surfaces respond to changing lighting situations. Our first results show that RTI can capture the material properties of paste prints and their current state of preservation more accurately than conventional photographs, although there are limitations with glossy surfaces because the mathematical models that are included in RTI are kept simple in order to keep the software robust and easy to use. To improve the method, we are currently developing tools for a more detailed analysis and simulation of the reflectance behavior. An enhanced analytical model for the representation and visualization of gloss will increase the significance of digital representations of cultural heritage objects. For collaborative efforts, we are working on a web-based viewer application for RTI images based on WebGL in order to make acquired data accessible to a broader international research community. At the ICDH Conference, we would like to present unpublished results of our work and discuss the implications of our concept for art history, computational photography and heritage science. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=art%20history" title="art history">art history</a>, <a href="https://publications.waset.org/abstracts/search?q=computational%20photography" title=" computational photography"> computational photography</a>, <a href="https://publications.waset.org/abstracts/search?q=paste%20prints" title=" paste prints"> paste prints</a>, <a href="https://publications.waset.org/abstracts/search?q=reflectance%20transformation%20imaging" title=" reflectance transformation imaging"> reflectance transformation imaging</a> </p> <a href="https://publications.waset.org/abstracts/34522/documenting-the-15th-century-prints-with-rti" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/34522.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">275</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">516</span> Strength Translation from Spun Yarns to Woven Fabrics</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Anindya%20Ghosh">Anindya Ghosh</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Structural parameters, yarn to yarn friction, strength of ring, rotor, air-jet and open-end friction spun yarns and the strength of fabrics made from these yarns are measured. The ratio of fabric strip strength per yarn and corresponding single yarn strength is considered as a measure of quantifying the fabric assistance. Mechanism of yarn failure inside the fabric is different as that of single yarn and the former exhibit more fibre rupture. Fabrics made from weaker yarns have higher ratio of strip strength to single yarn strength than that made from stronger yarns due to larger increase in the percentage of rupture fibres in the former. The fabric assistance also depends to some extent on the degree of gripping of the yarns that is influenced by the yarn to yarn friction, extent of yarn flattening and yarn diameter. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=fabric%20assistance" title="fabric assistance">fabric assistance</a>, <a href="https://publications.waset.org/abstracts/search?q=fabric%20strength" title=" fabric strength"> fabric strength</a>, <a href="https://publications.waset.org/abstracts/search?q=yarn%20diameter" title=" yarn diameter"> yarn diameter</a>, <a href="https://publications.waset.org/abstracts/search?q=yarn%20friction" title=" yarn friction"> yarn friction</a>, <a href="https://publications.waset.org/abstracts/search?q=yarn%20strength" title=" yarn strength"> yarn strength</a> </p> <a href="https://publications.waset.org/abstracts/43748/strength-translation-from-spun-yarns-to-woven-fabrics" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/43748.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">249</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">515</span> A Comparison Study of Fabric Objective Measurement (FOM) Using KES-FB and PhabrOmeter System on Warp Knitted Fabrics Handle: Smoothness, Stiffness and Softness</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Ka-Yan%20Yim">Ka-Yan Yim</a>, <a href="https://publications.waset.org/abstracts/search?q=Chi-Wai%20Kan"> Chi-Wai Kan</a> </p> <p class="card-text"><strong>Abstract:</strong></p> This paper conducts a comparison study using KES-FB and PhabrOmeter to measure 58 selected warp knitted fabric hand properties. Fabric samples were selected and measured by both KES-FB and PhabrOmeter. Results show differences between these two measurement methods. Smoothness and stiffness values obtained by KES-FB were found significant correlated (p value = 0.003 and 0.022) to the PhabrOmeter results while softness values between two measurement methods did not show significant correlation (p value = 0.828). Disagreements among these two measurement methods imply limitations on different mechanism principles when facing warp knitted fabrics. Subjective measurement methods and further studies are suggested in order to ascertain deeper investigation on the mechanisms of fabric hand perceptions. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=fabric%20hand" title="fabric hand">fabric hand</a>, <a href="https://publications.waset.org/abstracts/search?q=fabric%20objective%20measurement" title=" fabric objective measurement"> fabric objective measurement</a>, <a href="https://publications.waset.org/abstracts/search?q=KES-FB" title=" KES-FB"> KES-FB</a>, <a href="https://publications.waset.org/abstracts/search?q=PhabrOmeter" title=" PhabrOmeter"> PhabrOmeter</a> </p> <a href="https://publications.waset.org/abstracts/13092/a-comparison-study-of-fabric-objective-measurement-fom-using-kes-fb-and-phabrometer-system-on-warp-knitted-fabrics-handle-smoothness-stiffness-and-softness" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/13092.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">208</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">514</span> Crafting of Paper Cutting Techniques for Embellishment of Fashion Textiles</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=A.%20Vaidya-Soocheta">A. Vaidya-Soocheta</a>, <a href="https://publications.waset.org/abstracts/search?q=K.%20M.%20Wong-Hon-Lang"> K. M. Wong-Hon-Lang </a> </p> <p class="card-text"><strong>Abstract:</strong></p> Craft and fashion have always been interlinked. The combination of both often gives stunning results. The present study introduces ‘Paper Cutting Craft Techniques’ like the Japanese –Kirigami, Mexican –PapelPicado, German –Scherenschnitte, Polish –Wycinankito in textiles to develop innovative and novel design structures as embellishments and ornamentation. The project studies various ways of using these paper cutting techniques to obtain interesting features and delicate design patterns on fabrics. While paper has its advantages and related uses, it is fragile rigid and thus not appropriate for clothing. Fabric is sturdy, flexible, dimensionally stable and washable. In the present study, the cut out techniques develop creative design motifs and patterns to give an inventive and unique appeal to the fabrics. The beauty and fascination of lace in garments have always given them a nostalgic charm. Laces with their intricate and delicate complexity in combination with other materials add a feminine touch to a garment and give it a romantic, mysterious appeal. Various textured and decorative effects through fabric manipulation are experimented along with the use of paper cutting craft skills as an innovative substitute for developing lace or “Broderie Anglaise” effects on textiles. A number of assorted fabric types with varied textures were selected for the study. Techniques to avoid fraying and unraveling of the design cut fabrics were introduced. Fabrics were further manipulated by use of interesting prints with embossed effects on cut outs. Fabric layering in combination with assorted techniques such as cutting of folded fabric, printing, appliqué, embroidery, crochet, braiding, weaving added a novel exclusivity to the fabrics. The fabrics developed by these innovative methods were then tailored into garments. The study thus tested the feasibility and practicability of using these fabrics by designing a collection of evening wear garments based on the theme ‘Nostalgia’. The prototypes developed were complemented by designing fashion accessories with the crafted fabrics. Prototypes of accessories add interesting features to the study. The adaptation and application of this novel technique of paper cutting craft on textiles can be an innovative start for a new trend in textile and fashion industry. The study anticipates that this technique will open new avenues in the world of fashion to incorporate its use commercially. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=collection" title="collection">collection</a>, <a href="https://publications.waset.org/abstracts/search?q=fabric%20cutouts" title=" fabric cutouts"> fabric cutouts</a>, <a href="https://publications.waset.org/abstracts/search?q=nostalgia" title=" nostalgia"> nostalgia</a>, <a href="https://publications.waset.org/abstracts/search?q=prototypes" title=" prototypes"> prototypes</a> </p> <a href="https://publications.waset.org/abstracts/41105/crafting-of-paper-cutting-techniques-for-embellishment-of-fashion-textiles" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/41105.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">357</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">513</span> Prediction Modeling of Compression Properties of a Knitted Sportswear Fabric Using Response Surface Method</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Jawairia%20Umar">Jawairia Umar</a>, <a href="https://publications.waset.org/abstracts/search?q=Tanveer%20Hussain"> Tanveer Hussain</a>, <a href="https://publications.waset.org/abstracts/search?q=Zulfiqar%20Ali"> Zulfiqar Ali</a>, <a href="https://publications.waset.org/abstracts/search?q=Muhammad%20Maqsood"> Muhammad Maqsood</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Different knitted structures and knitted parameters play a vital role in the stretch and recovery management of compression sportswear in addition to the materials use to generate this stretch and recovery behavior of the fabric. The present work was planned to predict the different performance indicators of a compression sportswear fabric with some ground parameters i.e. base yarn stitch length (polyester as base yarn and spandex as plating yarn involve to make a compression fabric) and linear density of the spandex which is a key material of any sportswear fabric. The prediction models were generated by response surface method for performance indicators such as stretch & recovery percentage, compression generated by the garment on body, total elongation on application of high power force and load generated on certain percentage extension in fabric. Certain physical properties of the fabric were also modeled using these two parameters. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=Compression" title="Compression">Compression</a>, <a href="https://publications.waset.org/abstracts/search?q=sportswear" title=" sportswear"> sportswear</a>, <a href="https://publications.waset.org/abstracts/search?q=stretch%20and%20recovery" title=" stretch and recovery"> stretch and recovery</a>, <a href="https://publications.waset.org/abstracts/search?q=statistical%20model" title=" statistical model"> statistical model</a>, <a href="https://publications.waset.org/abstracts/search?q=kikuhime" title=" kikuhime"> kikuhime</a> </p> <a href="https://publications.waset.org/abstracts/39290/prediction-modeling-of-compression-properties-of-a-knitted-sportswear-fabric-using-response-surface-method" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/39290.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">379</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">512</span> Material Characterization of Medical Grade Woven Bio-Fabric for Use in ABAQUS *FABRIC Material Model</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Lewis%20Wallace">Lewis Wallace</a>, <a href="https://publications.waset.org/abstracts/search?q=William%20Dempster"> William Dempster</a>, <a href="https://publications.waset.org/abstracts/search?q=David%20Nash"> David Nash</a>, <a href="https://publications.waset.org/abstracts/search?q=Alexandros%20Boukis"> Alexandros Boukis</a>, <a href="https://publications.waset.org/abstracts/search?q=Craig%20Maclean"> Craig Maclean</a> </p> <p class="card-text"><strong>Abstract:</strong></p> This paper, through traditional test methods and close adherence to international standards, presents a characterization study of a woven Polyethylene Terephthalate (PET). Testing is undergone in the axial, shear, and out-of-plane (bend) directions, and the results are fitted to the *FABRIC material model with ABAQUS FEA. The non-linear behaviors of the fabric in the axial and shear directions and behaviors on the macro scale are explored at the meso scale level. The medical grade bio-fabric is tested in untreated and heat-treated forms, and deviations are closely analyzed at the micro, meso, and macro scales to determine the effects of the process. The heat-treatment process was found to increase the stiffness of the fabric during axial and bending stiffness testing but had a negligible effect on the shear response. The ability of *FABRIC to capture behaviors unique to fabric deformation is discussed, whereby the unique phenomenological input can accurately represent the experimentally derived inputs. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=experimental%20techniques" title="experimental techniques">experimental techniques</a>, <a href="https://publications.waset.org/abstracts/search?q=FEA%20modelling" title=" FEA modelling"> FEA modelling</a>, <a href="https://publications.waset.org/abstracts/search?q=materials%20characterization" title=" materials characterization"> materials characterization</a>, <a href="https://publications.waset.org/abstracts/search?q=post-processing%20techniques" title=" post-processing techniques"> post-processing techniques</a> </p> <a href="https://publications.waset.org/abstracts/170670/material-characterization-of-medical-grade-woven-bio-fabric-for-use-in-abaqus-fabric-material-model" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/170670.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">95</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">511</span> Integrated Finishing of Textiles</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Geetal%20Mahajan">Geetal Mahajan</a>, <a href="https://publications.waset.org/abstracts/search?q=R.%20V.%20Adivarekar"> R. V. Adivarekar</a> </p> <p class="card-text"><strong>Abstract:</strong></p> In this research, an attempt has been made to develop integrated finish on textile fabrics. The demand for mosquito repellent, flame retardant, and water repellent finished fabric has increased. Integrated finishing was done using commercially available products. These finishing agents were first assessed individually for their functional properties and then used in combination with other agents. Dip-air dry and pad-dry-cure (PDC) were two different methods used for fabric finishing. The finished fabric was assessed using spray test, limiting oxygen index and mosquito repellence test. Integrated finished fabric is in great demand by the customers as it increases the aesthetic as well as the functional properties of the fabric with added benefit of water and energy conservation. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=flame%20retardant" title="flame retardant">flame retardant</a>, <a href="https://publications.waset.org/abstracts/search?q=integrated%20finishing" title=" integrated finishing"> integrated finishing</a>, <a href="https://publications.waset.org/abstracts/search?q=mosquito%20repellent" title=" mosquito repellent"> mosquito repellent</a>, <a href="https://publications.waset.org/abstracts/search?q=textiles" title=" textiles"> textiles</a>, <a href="https://publications.waset.org/abstracts/search?q=water%20repellent" title=" water repellent"> water repellent</a> </p> <a href="https://publications.waset.org/abstracts/46903/integrated-finishing-of-textiles" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/46903.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">276</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">510</span> Form-Finding of Tensioned Fabric Structure in Mathematical Monkey Saddle Model</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Yee%20Hooi%20Min">Yee Hooi Min</a>, <a href="https://publications.waset.org/abstracts/search?q=Abdul%20Hadi"> Abdul Hadi</a>, <a href="https://publications.waset.org/abstracts/search?q=M.%20N."> M. N.</a>, <a href="https://publications.waset.org/abstracts/search?q=A.%20G.%20Kay%20Dora"> A. G. Kay Dora</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Form-finding has to be carried out for tensioned fabric structure in order to determine the initial equilibrium shape under prescribed support condition and pre-stress pattern. Tensioned fabric structures are normally designed to be in the form of equal tensioned surface. Tensioned fabric structure is highly suited to be used for realizing surfaces of complex or new forms. However, research study on a new form as a tensioned fabric structure has not attracted much attention. Another source of inspiration minimal surface which could be adopted as form for tensioned fabric structure is very crucial. The aim of this study is to propose initial equilibrium shape of tensioned fabric structures in the form of Monkey Saddle. Computational form-finding is frequently used to determine the possible form of uniformly stressed surfaces. A tensioned fabric structure must curve equally in opposite directions to give the resulting surface a three dimensional stability. In an anticlastic doubly curved surface, the sum of all positive and all negative curvatures is zero. This study provides an alternative choice for structural designer to consider the Monkey Saddle applied in tensioned fabric structures. The results on factors affecting initial equilibrium shape can serve as a reference for proper selection of surface parameter for achieving a structurally viable surface. Such in-sight will lead to improvement of rural basic infrastructure, economic gains, sustainability of built environment and green technology initiative. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=anticlastic" title="anticlastic">anticlastic</a>, <a href="https://publications.waset.org/abstracts/search?q=curvatures" title=" curvatures"> curvatures</a>, <a href="https://publications.waset.org/abstracts/search?q=form-finding" title=" form-finding"> form-finding</a>, <a href="https://publications.waset.org/abstracts/search?q=initial%20equilibrium%20shape" title=" initial equilibrium shape"> initial equilibrium shape</a>, <a href="https://publications.waset.org/abstracts/search?q=minimal%20surface" title=" minimal surface"> minimal surface</a>, <a href="https://publications.waset.org/abstracts/search?q=tensioned%20fabric%20structure" title=" tensioned fabric structure"> tensioned fabric structure</a> </p> <a href="https://publications.waset.org/abstracts/20781/form-finding-of-tensioned-fabric-structure-in-mathematical-monkey-saddle-model" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/20781.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">537</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">509</span> Quality Fabric Optimization Using Genetic Algorithms</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Halimi%20Mohamed%20Taher">Halimi Mohamed Taher</a>, <a href="https://publications.waset.org/abstracts/search?q=Kordoghli%20Bassem"> Kordoghli Bassem</a>, <a href="https://publications.waset.org/abstracts/search?q=Ben%20Hassen%20Mohamed"> Ben Hassen Mohamed</a>, <a href="https://publications.waset.org/abstracts/search?q=Sakli%20Faouzi"> Sakli Faouzi</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Textile industry has been an important part of many developing countries economies such as Tunisia. This industry is confronted with a challenging and increasing competitive environment. Good quality management in production process is the key factor for retaining existence especially in raw material exploitation. The present work aims to develop an intelligent system for fabric inspection. In the first step, we have studied the method used for fabric control which takes into account the default length and localization in woven. In the second step, we have used a method based on the fuzzy logic to minimize the Demerit point indicator with appropriate total rollers length, so that the quality problem becomes multi-objective. In order to optimize the total fabric quality, we have applied the genetic algorithm (GA). <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=fabric%20control" title="fabric control">fabric control</a>, <a href="https://publications.waset.org/abstracts/search?q=Fuzzy%20logic" title=" Fuzzy logic"> Fuzzy logic</a>, <a href="https://publications.waset.org/abstracts/search?q=genetic%20algorithm" title=" genetic algorithm"> genetic algorithm</a>, <a href="https://publications.waset.org/abstracts/search?q=quality%20management" title=" quality management"> quality management</a> </p> <a href="https://publications.waset.org/abstracts/31576/quality-fabric-optimization-using-genetic-algorithms" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/31576.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">591</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">508</span> Water-Repellent Finishing on Cotton Fabric by SF₆ Plasma</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=We%27aam%20Alali">We'aam Alali</a>, <a href="https://publications.waset.org/abstracts/search?q=Ziad%20Saffour"> Ziad Saffour</a>, <a href="https://publications.waset.org/abstracts/search?q=Saker%20Saloum"> Saker Saloum</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Low-pressure, sulfur hexafluoride (SF₆) remote radio-frequency (RF) plasma, ignited in a hollow cathode discharge (HCD-L300) plasma system, has been shown to be a powerful method in cotton fabric finishing to achieve water-repellent property. This plasma was ignited at an SF6 flow rate of (200 cm), low pressure (0.5 mbar), and radio frequency (13.56 MHz) with a power of (300 W). The contact angle has been measured as a function of the plasma exposure period using the water contact angle measuring device (WCA), and the changes in the morphology, chemical structure, and mechanical properties as tensile strength and elongation at the break of the fabric have also been investigated using the scanning electron microscope (SEM), energy-dispersive X-ray spectroscopy (EDX), attenuated total reflectance Fourier transform Infrared spectroscopy (ATR-FTIR), and tensile test device, respectively. In addition, weight loss of the fabric and the fastness of washing have been studied. It was found that the exposure period of the fabric to the plasma is an important parameter. Moreover, a good water-repellent cotton fabric can be obtained by treating it with SF₆ plasma for a short time (1 min) without degrading its mechanical properties. Regarding the modified morphology of the cotton fabric, it was found that grooves were formed on the surface of the fibers after treatment. Chemically, the fluorine atoms were attached to the surface of the fibers. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=cotton%20fabric" title="cotton fabric">cotton fabric</a>, <a href="https://publications.waset.org/abstracts/search?q=SEM" title=" SEM"> SEM</a>, <a href="https://publications.waset.org/abstracts/search?q=SF%E2%82%86%20plasma" title=" SF₆ plasma"> SF₆ plasma</a>, <a href="https://publications.waset.org/abstracts/search?q=water-repellency" title=" water-repellency"> water-repellency</a> </p> <a href="https://publications.waset.org/abstracts/162085/water-repellent-finishing-on-cotton-fabric-by-sf6-plasma" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/162085.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">79</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">507</span> Synthesis, Characterization and Coating of the Zinc Oxide Nanoparticles on Cotton Fabric by Mechanical Thermo-Fixation Techniques to Impart Antimicrobial Activity</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Imana%20Shahrin%20Tania">Imana Shahrin Tania</a>, <a href="https://publications.waset.org/abstracts/search?q=Mohammad%20Ali"> Mohammad Ali</a> </p> <p class="card-text"><strong>Abstract:</strong></p> The present study reports the synthesis, characterization and application of nano-sized zinc-oxide (ZnO) particles on a cotton fabric surface. The aim of the investigations is to impart the antimicrobial activity on textile cloth. Nanoparticle is synthesized by wet chemical method from zinc sulphate and sodium hydroxide. SEM (scanning electron micrograph) images are taken to demonstrate the surface morphology of nanoparticles. XRD analysis is done to determine the crystal size of the nanoparticle. With the conformation of nanoformation, the cotton woven fabric is treated with ZnO nanoparticle by mechanical thermo-fixation (pad-dry-cure) technique. To increase the wash durability of nano treated fabric, an acrylic binder is used as a fixing agent. The treated fabric shows up to 90% bacterial reduction for S. aureus (Staphylococcus aureus) and 87% for E. coli (<em>Escherichia coli) </em>which is appreciable for bacteria protective clothing. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=nanoparticle" title="nanoparticle">nanoparticle</a>, <a href="https://publications.waset.org/abstracts/search?q=zinc%20oxide" title=" zinc oxide"> zinc oxide</a>, <a href="https://publications.waset.org/abstracts/search?q=cotton%20fabric" title=" cotton fabric"> cotton fabric</a>, <a href="https://publications.waset.org/abstracts/search?q=antibacterial%20activity" title=" antibacterial activity"> antibacterial activity</a>, <a href="https://publications.waset.org/abstracts/search?q=binder" title=" binder"> binder</a> </p> <a href="https://publications.waset.org/abstracts/115927/synthesis-characterization-and-coating-of-the-zinc-oxide-nanoparticles-on-cotton-fabric-by-mechanical-thermo-fixation-techniques-to-impart-antimicrobial-activity" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/115927.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">132</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">506</span> Characterization of Inkjet-Printed Carbon Nanotube Electrode Patterns on Cotton Fabric</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=N.%20Najafi">N. Najafi</a>, <a href="https://publications.waset.org/abstracts/search?q=Laleh%20Maleknia"> Laleh Maleknia </a>, <a href="https://publications.waset.org/abstracts/search?q=M.%20E.%20Olya"> M. E. Olya</a> </p> <p class="card-text"><strong>Abstract:</strong></p> An aqueous conductive ink of single-walled carbon nanotubes for inkjet printing was formulated. To prepare the homogeneous SWCNT ink in a size small enough not to block a commercial inkjet printer nozzle, we used a kinetic ball-milling process to disperse the SWCNTs in an aqueous suspension. When a patterned electrode was overlaid by repeated inkjet printings of the ink on various types of fabric, the fabric resistance decreased rapidly following a power law, reaching approximately 760 X/sq, which is the lowest value ever for a dozen printings. The Raman and Fourier transform infrared spectra revealed that the oxidation of the SWCNTs was the source of the doped impurities. This study proved also that the droplet ejection velocity can have an impact on the CNT distribution and consequently on the electrical performances of the ink. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=ink-jet%20printing" title="ink-jet printing">ink-jet printing</a>, <a href="https://publications.waset.org/abstracts/search?q=carbon%20nanotube" title=" carbon nanotube"> carbon nanotube</a>, <a href="https://publications.waset.org/abstracts/search?q=fabric%20ink" title=" fabric ink"> fabric ink</a>, <a href="https://publications.waset.org/abstracts/search?q=cotton%20fabric" title=" cotton fabric"> cotton fabric</a>, <a href="https://publications.waset.org/abstracts/search?q=raman%20spectroscopy" title=" raman spectroscopy"> raman spectroscopy</a>, <a href="https://publications.waset.org/abstracts/search?q=fourier%20transform%20infrared%20spectroscopy" title=" fourier transform infrared spectroscopy"> fourier transform infrared spectroscopy</a>, <a href="https://publications.waset.org/abstracts/search?q=dozen%20printings" title=" dozen printings"> dozen printings</a> </p> <a href="https://publications.waset.org/abstracts/35339/characterization-of-inkjet-printed-carbon-nanotube-electrode-patterns-on-cotton-fabric" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/35339.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">422</span> </span> </div> </div> <div class="card paper-listing mb-3 mt-3"> <h5 class="card-header" style="font-size:.9rem"><span class="badge badge-info">505</span> Research on Residential Block Fabric: A Case Study of Hangzhou West Area</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Wang%20Ye">Wang Ye</a>, <a href="https://publications.waset.org/abstracts/search?q=Wei%20Wei"> Wei Wei</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Residential block construction of big cities in China began in the 1950s, and four models had far-reaching influence on modern residential block in its development process, including unit compound and residential district in 1950s to 1980s, and gated community and open community in 1990s to now. Based on analysis of the four models’ fabric, the article takes residential blocks in Hangzhou west area as an example and carries on the studies from urban structure level and block special level, mainly including urban road network, land use, community function, road organization, public space and building fabric. At last, the article puts forward semi-open sub-community strategy to improve the current fabric. <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=Hangzhou%20west%20area" title="Hangzhou west area">Hangzhou west area</a>, <a href="https://publications.waset.org/abstracts/search?q=residential%20block%20model" title=" residential block model"> residential block model</a>, <a href="https://publications.waset.org/abstracts/search?q=residential%20block%20fabric" title=" residential block fabric"> residential block fabric</a>, <a href="https://publications.waset.org/abstracts/search?q=semi-open%20sub-community%20strategy" title=" semi-open sub-community strategy"> semi-open sub-community strategy</a> </p> <a href="https://publications.waset.org/abstracts/3762/research-on-residential-block-fabric-a-case-study-of-hangzhou-west-area" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/3762.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">417</span> </span> </div> </div> <ul class="pagination"> <li class="page-item disabled"><span class="page-link">&lsaquo;</span></li> <li class="page-item active"><span class="page-link">1</span></li> <li class="page-item"><a class="page-link" href="https://publications.waset.org/abstracts/search?q=fabric%20prints&page=2">2</a></li> <li class="page-item"><a class="page-link" href="https://publications.waset.org/abstracts/search?q=fabric%20prints&page=3">3</a></li> <li class="page-item"><a class="page-link" href="https://publications.waset.org/abstracts/search?q=fabric%20prints&page=4">4</a></li> <li class="page-item"><a class="page-link" href="https://publications.waset.org/abstracts/search?q=fabric%20prints&page=5">5</a></li> <li class="page-item"><a class="page-link" href="https://publications.waset.org/abstracts/search?q=fabric%20prints&page=6">6</a></li> <li class="page-item"><a class="page-link" href="https://publications.waset.org/abstracts/search?q=fabric%20prints&page=7">7</a></li> <li class="page-item"><a class="page-link" href="https://publications.waset.org/abstracts/search?q=fabric%20prints&page=8">8</a></li> <li class="page-item"><a class="page-link" href="https://publications.waset.org/abstracts/search?q=fabric%20prints&page=9">9</a></li> <li class="page-item"><a class="page-link" href="https://publications.waset.org/abstracts/search?q=fabric%20prints&page=10">10</a></li> <li class="page-item disabled"><span class="page-link">...</span></li> <li class="page-item"><a class="page-link" href="https://publications.waset.org/abstracts/search?q=fabric%20prints&page=17">17</a></li> <li class="page-item"><a class="page-link" href="https://publications.waset.org/abstracts/search?q=fabric%20prints&page=18">18</a></li> <li class="page-item"><a class="page-link" href="https://publications.waset.org/abstracts/search?q=fabric%20prints&page=2" rel="next">&rsaquo;</a></li> </ul> </div> </main> <footer> <div id="infolinks" class="pt-3 pb-2"> <div class="container"> <div style="background-color:#f5f5f5;" class="p-3"> <div class="row"> <div class="col-md-2"> <ul class="list-unstyled"> About <li><a href="https://waset.org/page/support">About Us</a></li> <li><a href="https://waset.org/page/support#legal-information">Legal</a></li> <li><a target="_blank" rel="nofollow" href="https://publications.waset.org/static/files/WASET-16th-foundational-anniversary.pdf">WASET celebrates its 16th foundational anniversary</a></li> </ul> </div> <div class="col-md-2"> <ul class="list-unstyled"> Account <li><a href="https://waset.org/profile">My Account</a></li> </ul> </div> <div class="col-md-2"> <ul class="list-unstyled"> Explore <li><a href="https://waset.org/disciplines">Disciplines</a></li> <li><a href="https://waset.org/conferences">Conferences</a></li> <li><a href="https://waset.org/conference-programs">Conference Program</a></li> <li><a href="https://waset.org/committees">Committees</a></li> <li><a href="https://publications.waset.org">Publications</a></li> </ul> </div> <div class="col-md-2"> <ul class="list-unstyled"> Research <li><a href="https://publications.waset.org/abstracts">Abstracts</a></li> <li><a href="https://publications.waset.org">Periodicals</a></li> <li><a href="https://publications.waset.org/archive">Archive</a></li> </ul> </div> <div class="col-md-2"> <ul class="list-unstyled"> Open Science <li><a target="_blank" rel="nofollow" href="https://publications.waset.org/static/files/Open-Science-Philosophy.pdf">Open Science Philosophy</a></li> <li><a target="_blank" rel="nofollow" href="https://publications.waset.org/static/files/Open-Science-Award.pdf">Open Science Award</a></li> <li><a target="_blank" rel="nofollow" href="https://publications.waset.org/static/files/Open-Society-Open-Science-and-Open-Innovation.pdf">Open Innovation</a></li> <li><a target="_blank" rel="nofollow" href="https://publications.waset.org/static/files/Postdoctoral-Fellowship-Award.pdf">Postdoctoral Fellowship Award</a></li> <li><a target="_blank" rel="nofollow" href="https://publications.waset.org/static/files/Scholarly-Research-Review.pdf">Scholarly Research Review</a></li> </ul> </div> <div class="col-md-2"> <ul class="list-unstyled"> Support <li><a href="https://waset.org/page/support">Support</a></li> <li><a href="https://waset.org/profile/messages/create">Contact Us</a></li> <li><a href="https://waset.org/profile/messages/create">Report Abuse</a></li> </ul> </div> </div> </div> </div> </div> <div class="container text-center"> <hr style="margin-top:0;margin-bottom:.3rem;"> <a href="https://creativecommons.org/licenses/by/4.0/" target="_blank" class="text-muted small">Creative Commons Attribution 4.0 International License</a> <div id="copy" class="mt-2">© 2024 World Academy of Science, Engineering and Technology</div> </div> </footer> <a href="javascript:" id="return-to-top"><i class="fas fa-arrow-up"></i></a> <div class="modal" id="modal-template"> <div class="modal-dialog"> <div class="modal-content"> <div class="row m-0 mt-1"> <div class="col-md-12"> <button type="button" class="close" data-dismiss="modal" aria-label="Close"><span aria-hidden="true">×</span></button> </div> </div> <div class="modal-body"></div> </div> </div> </div> <script src="https://cdn.waset.org/static/plugins/jquery-3.3.1.min.js"></script> <script src="https://cdn.waset.org/static/plugins/bootstrap-4.2.1/js/bootstrap.bundle.min.js"></script> <script src="https://cdn.waset.org/static/js/site.js?v=150220211556"></script> <script> jQuery(document).ready(function() { /*jQuery.get("https://publications.waset.org/xhr/user-menu", function (response) { jQuery('#mainNavMenu').append(response); });*/ jQuery.get({ url: "https://publications.waset.org/xhr/user-menu", cache: false }).then(function(response){ jQuery('#mainNavMenu').append(response); }); }); </script> </body> </html>