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Following Kristin Hanson (2001, 2006), this article parses Campion's scansions of Early Modern English syllables, according to moraic theory, into resolved moraic trochees. The analysis demonstrates that (1) Campion distinguished between syllable weight (syllable quantity) and stress or strength (accent) in Early Modern English; (2) Campion prohibited syllabic consonants in English iambic pentameter, despite the fact that they were attested in Early Modern English as a whole; (3) in a successful adaptation of the Latin rule of 'position', as described by William Lily and John Colet's Short Introduction of Grammar (1567), Campion re-syllabified coda consonants followed by vowels; and (4) Campion employed syllabic elision as a means of avoiding pyrrhic syllable combinations that resulted in non-maximal filling of long positions in a line of English iambic pentameter. His two iambic pentameters – the 'pure' and the 'licentiate' – are both accentual and quantitative meters that, in accordance with moraic theory, integrate stress and strength with syllable weight. He contrasted stress and weight in the quantitative Sapphic lyric 'Come let us sound with melodie' (Campion, 1601). 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Ed. by Christoph Küper, pp. 329-337, 2011</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Metrical universals in oral poetry","attachmentId":30904005,"attachmentType":"pdf","work_url":"https://www.academia.edu/2949505/Metrical_universals_in_oral_poetry","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/2949505/Metrical_universals_in_oral_poetry"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="64918343" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/64918343/On_The_Diachronic_Analysis_of_Old_English_Metre">On The Diachronic Analysis of Old English Metre</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1352238" href="https://exeter.academia.edu/InnaMatyushina">Inna Matyushina</a></div><p class="ds-related-work--metadata ds2-5-body-xs">International Journal of Language & Linguistics, 2018</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"On The Diachronic Analysis of Old English Metre","attachmentId":76730439,"attachmentType":"pdf","work_url":"https://www.academia.edu/64918343/On_The_Diachronic_Analysis_of_Old_English_Metre","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/64918343/On_The_Diachronic_Analysis_of_Old_English_Metre"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="39833543" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/39833543/Micro_and_Macro_variation_in_Verse_A_Typology_of_Romance_Renaissance_Meter">Micro-and Macro-variation in Verse. A Typology of Romance Renaissance Meter</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="42603591" href="https://tilburguniversity.academia.edu/MirellaDeSisto">Mirella De Sisto</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Quantitative Approaches to Versification, 2019</p><p class="ds-related-work--abstract ds2-5-body-sm">During the Renaissance, a new meter spread across Europe and imposed itself as the main way of versification. Every poetic tradition adapted it in its own way and, even within Romance languages, the resulting new poetic forms varied considerably from each other. The aim of this paper is to make a typology of the Romance instantiations of Renaissance meter and to analyse the elements characterising metrical variation. A significant aspect of divergence among the poetic forms is related to their tendency towards an iambic rhythm. According to the literature, the main Romance forms can be divided into three groups in this respect: 1) purely syllabic poetry of the French tradition, 2) a meter tending towards iambic rhythm of Italian and Spanish endecasyllable (Nespor-Vogel 1986; Piera 1981; Gasparov 1987) and 3) the one tending towards syllabicity of Catalan and Portuguese decasyllable (Duffell 1994; Spaggiari 2003, respectively). I propose a quantitative approach to test and compare the degree of deviation from an iambic pattern as a way to verify this grouping and to answer the ongoing question about the iambic element of Renaissance meter. I do so by analysing 20 samples (130 lines for each author, ca. 2 authors per language) and calculating the percentage of stressed and unstressed syllables in each metrical position. The samples are from major languages, namely, Italian, French, Spanish, Catalan and Portuguese, and less investigated varieties, namely Occitan, Neapolitan, Sicilian and Venetian.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Micro-and Macro-variation in Verse. A Typology of Romance Renaissance Meter","attachmentId":60022034,"attachmentType":"pdf","work_url":"https://www.academia.edu/39833543/Micro_and_Macro_variation_in_Verse_A_Typology_of_Romance_Renaissance_Meter","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/39833543/Micro_and_Macro_variation_in_Verse_A_Typology_of_Romance_Renaissance_Meter"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="10717907" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" 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Evidence from discrepancies between musical and linguistic rhythm in Italian songs". Probus 25(1), 105-138</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="52968826" href="https://independent.academia.edu/francoisDELL">francois DELL</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Teresa Proto and François Dell, 2013; \"The structure of metrical patterns in tunes and literary verse. Evidence from discrepancies between musical and linguistic rhythm in Italian songs\". 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