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1921–1936: Early life and education </div> </a> <ul id="toc-1921–1936:_Early_life_and_education-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-1937–1939:_Discovery_and_early_films" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1937–1939:_Discovery_and_early_films"> <div class="vector-toc-text"> 1.2 1937–1939: Discovery and early films </div> </a> <ul id="toc-1937–1939:_Discovery_and_early_films-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-1940–1945:_War_years_and_film_stardom" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1940–1945:_War_years_and_film_stardom"> <div class="vector-toc-text"> 1.3 1940–1945: War years and film stardom </div> </a> <ul id="toc-1940–1945:_War_years_and_film_stardom-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-1946–1948:_Expansion_to_dramatic_roles" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1946–1948:_Expansion_to_dramatic_roles"> <div class="vector-toc-text"> 1.4 1946–1948: Expansion to dramatic roles </div> </a> <ul id="toc-1946–1948:_Expansion_to_dramatic_roles-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-1948–1952:_Studio_rebranding_and_personal_struggles" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1948–1952:_Studio_rebranding_and_personal_struggles"> <div class="vector-toc-text"> 1.5 1948–1952: Studio rebranding and personal struggles </div> </a> <ul id="toc-1948–1952:_Studio_rebranding_and_personal_struggles-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-1953–1957:_MGM_departure_and_film_resurgence" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1953–1957:_MGM_departure_and_film_resurgence"> <div class="vector-toc-text"> 1.6 1953–1957: MGM departure and film resurgence </div> </a> <ul id="toc-1953–1957:_MGM_departure_and_film_resurgence-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-1958–1959:_Johnny_Stompanato_homicide_scandal" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1958–1959:_Johnny_Stompanato_homicide_scandal"> <div class="vector-toc-text"> 1.7 1958–1959: Johnny Stompanato homicide scandal </div> </a> <ul id="toc-1958–1959:_Johnny_Stompanato_homicide_scandal-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-1959–1965:_Financial_successes" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1959–1965:_Financial_successes"> <div class="vector-toc-text"> 1.8 1959–1965: Financial successes </div> </a> <ul id="toc-1959–1965:_Financial_successes-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-1966–1985:_Later_films,_television_and_theatre" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1966–1985:_Later_films,_television_and_theatre"> <div class="vector-toc-text"> 1.9 1966–1985: Later films, television and theatre </div> </a> <ul id="toc-1966–1985:_Later_films,_television_and_theatre-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Death" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Death"> <div class="vector-toc-text"> 2 Death </div> </a> <ul id="toc-Death-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Public_and_screen_persona" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Public_and_screen_persona"> <div class="vector-toc-text"> 3 Public and screen persona </div> </a> <ul id="toc-Public_and_screen_persona-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Legacy" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Legacy"> <div class="vector-toc-text"> 4 Legacy </div> </a> <ul id="toc-Legacy-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Filmography_and_credits" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Filmography_and_credits"> <div class="vector-toc-text"> 5 Filmography and credits </div> </a> <ul id="toc-Filmography_and_credits-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Notes" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Notes"> <div class="vector-toc-text"> 6 Notes </div> </a> <ul id="toc-Notes-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> 7 References </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Sources" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Sources"> <div class="vector-toc-text"> 8 Sources </div> </a> <ul id="toc-Sources-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> 9 External links </div> </a> <ul id="toc-External_links-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="Toggle the table of contents" > <label id="vector-page-titlebar-toc-label" for="vector-page-titlebar-toc-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" > Toggle the table of contents </label> <div class="vector-dropdown-content"> <div id="vector-page-titlebar-toc-unpinned-container" class="vector-unpinned-container"> </div> </div> </div> </nav> <h1 id="firstHeading" class="firstHeading mw-first-heading">Lana Turner</h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. Available in 56 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-56" aria-hidden="true" > 56 languages </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-af mw-list-item"><a href="https://af.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Afrikaans" lang="af" hreflang="af" data-title="Lana Turner" data-language-autonym="Afrikaans" data-language-local-name="Afrikaans" class="interlanguage-link-target">Afrikaans</a></li><li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D9%84%D8%A7%D9%86%D8%A7_%D8%AA%D9%8A%D8%B1%D9%86%D8%B1" title="لانا تيرنر – Arabic" lang="ar" hreflang="ar" data-title="لانا تيرنر" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target">العربية</a></li><li class="interlanguage-link interwiki-an mw-list-item"><a href="https://an.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Aragonese" lang="an" hreflang="an" data-title="Lana Turner" data-language-autonym="Aragonés" data-language-local-name="Aragonese" class="interlanguage-link-target">Aragonés</a></li><li class="interlanguage-link interwiki-frp mw-list-item"><a href="https://frp.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Arpitan" lang="frp" hreflang="frp" data-title="Lana Turner" data-language-autonym="Arpetan" data-language-local-name="Arpitan" class="interlanguage-link-target">Arpetan</a></li><li class="interlanguage-link interwiki-ast mw-list-item"><a href="https://ast.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Asturian" lang="ast" hreflang="ast" data-title="Lana Turner" data-language-autonym="Asturianu" data-language-local-name="Asturian" class="interlanguage-link-target">Asturianu</a></li><li class="interlanguage-link interwiki-azb mw-list-item"><a href="https://azb.wikipedia.org/wiki/%D9%84%D8%A7%D9%86%D8%A7_%D8%AA%D8%B1%D9%86%D8%B1" title="لانا ترنر – South Azerbaijani" lang="azb" hreflang="azb" data-title="لانا ترنر" data-language-autonym="تۆرکجه" data-language-local-name="South Azerbaijani" class="interlanguage-link-target">تۆرکجه</a></li><li class="interlanguage-link interwiki-bn mw-list-item"><a href="https://bn.wikipedia.org/wiki/%E0%A6%B2%E0%A6%BE%E0%A6%A8%E0%A6%BE_%E0%A6%9F%E0%A6%BE%E0%A6%B0%E0%A7%8D%E0%A6%A8%E0%A6%BE%E0%A6%B0" title="লানা টার্নার – Bangla" lang="bn" hreflang="bn" data-title="লানা টার্নার" data-language-autonym="বাংলা" data-language-local-name="Bangla" class="interlanguage-link-target">বাংলা</a></li><li class="interlanguage-link interwiki-be mw-list-item"><a href="https://be.wikipedia.org/wiki/%D0%9B%D0%B0%D0%BD%D0%B0_%D0%A6%D1%91%D1%80%D0%BD%D0%B5%D1%80" title="Лана Цёрнер – Belarusian" lang="be" hreflang="be" data-title="Лана Цёрнер" data-language-autonym="Беларуская" data-language-local-name="Belarusian" class="interlanguage-link-target">Беларуская</a></li><li class="interlanguage-link interwiki-bg mw-list-item"><a href="https://bg.wikipedia.org/wiki/%D0%9B%D0%B0%D0%BD%D0%B0_%D0%A2%D1%8A%D1%80%D0%BD%D1%8A%D1%80" title="Лана Търнър – Bulgarian" lang="bg" hreflang="bg" data-title="Лана Търнър" data-language-autonym="Български" data-language-local-name="Bulgarian" class="interlanguage-link-target">Български</a></li><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Catalan" lang="ca" hreflang="ca" data-title="Lana Turner" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target">Català</a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Czech" lang="cs" hreflang="cs" data-title="Lana Turner" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target">Čeština</a></li><li class="interlanguage-link interwiki-da mw-list-item"><a href="https://da.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Danish" lang="da" hreflang="da" data-title="Lana Turner" data-language-autonym="Dansk" data-language-local-name="Danish" class="interlanguage-link-target">Dansk</a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – German" lang="de" hreflang="de" data-title="Lana Turner" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target">Deutsch</a></li><li class="interlanguage-link interwiki-et mw-list-item"><a href="https://et.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Estonian" lang="et" hreflang="et" data-title="Lana Turner" data-language-autonym="Eesti" data-language-local-name="Estonian" class="interlanguage-link-target">Eesti</a></li><li class="interlanguage-link interwiki-el mw-list-item"><a href="https://el.wikipedia.org/wiki/%CE%9B%CE%AC%CE%BD%CE%B1_%CE%A4%CE%AC%CF%81%CE%BD%CE%B5%CF%81" title="Λάνα Τάρνερ – Greek" lang="el" hreflang="el" data-title="Λάνα Τάρνερ" data-language-autonym="Ελληνικά" data-language-local-name="Greek" class="interlanguage-link-target">Ελληνικά</a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Spanish" lang="es" hreflang="es" data-title="Lana Turner" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target">Español</a></li><li class="interlanguage-link interwiki-eo mw-list-item"><a href="https://eo.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Esperanto" lang="eo" hreflang="eo" data-title="Lana Turner" data-language-autonym="Esperanto" data-language-local-name="Esperanto" class="interlanguage-link-target">Esperanto</a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Basque" lang="eu" hreflang="eu" data-title="Lana Turner" data-language-autonym="Euskara" data-language-local-name="Basque" class="interlanguage-link-target">Euskara</a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D9%84%D8%A7%D9%86%D8%A7_%D8%AA%D8%B1%D9%86%D8%B1" title="لانا ترنر – Persian" lang="fa" hreflang="fa" data-title="لانا ترنر" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target">فارسی</a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – French" lang="fr" hreflang="fr" data-title="Lana Turner" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target">Français</a></li><li class="interlanguage-link interwiki-fy mw-list-item"><a href="https://fy.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Western Frisian" lang="fy" hreflang="fy" data-title="Lana Turner" data-language-autonym="Frysk" data-language-local-name="Western Frisian" class="interlanguage-link-target">Frysk</a></li><li class="interlanguage-link interwiki-ga mw-list-item"><a href="https://ga.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Irish" lang="ga" hreflang="ga" data-title="Lana Turner" data-language-autonym="Gaeilge" data-language-local-name="Irish" class="interlanguage-link-target">Gaeilge</a></li><li class="interlanguage-link interwiki-gl mw-list-item"><a href="https://gl.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Galician" lang="gl" hreflang="gl" data-title="Lana Turner" data-language-autonym="Galego" data-language-local-name="Galician" class="interlanguage-link-target">Galego</a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%EB%9D%BC%EB%82%98_%ED%84%B0%EB%84%88" title="라나 터너 – Korean" lang="ko" hreflang="ko" data-title="라나 터너" data-language-autonym="한국어" data-language-local-name="Korean" class="interlanguage-link-target">한국어</a></li><li class="interlanguage-link interwiki-ha mw-list-item"><a href="https://ha.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Hausa" lang="ha" hreflang="ha" data-title="Lana Turner" data-language-autonym="Hausa" data-language-local-name="Hausa" class="interlanguage-link-target">Hausa</a></li><li class="interlanguage-link interwiki-hy mw-list-item"><a href="https://hy.wikipedia.org/wiki/%D4%BC%D5%A1%D5%B6%D5%A1_%D4%B9%D5%A8%D6%80%D5%B6%D5%A5%D6%80" title="Լանա Թըրներ – Armenian" lang="hy" hreflang="hy" data-title="Լանա Թըրներ" data-language-autonym="Հայերեն" data-language-local-name="Armenian" class="interlanguage-link-target">Հայերեն</a></li><li class="interlanguage-link interwiki-hr mw-list-item"><a href="https://hr.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Croatian" lang="hr" hreflang="hr" data-title="Lana Turner" data-language-autonym="Hrvatski" data-language-local-name="Croatian" class="interlanguage-link-target">Hrvatski</a></li><li class="interlanguage-link interwiki-io mw-list-item"><a href="https://io.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Ido" lang="io" hreflang="io" data-title="Lana Turner" data-language-autonym="Ido" data-language-local-name="Ido" class="interlanguage-link-target">Ido</a></li><li class="interlanguage-link interwiki-id mw-list-item"><a href="https://id.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Indonesian" lang="id" hreflang="id" data-title="Lana Turner" data-language-autonym="Bahasa Indonesia" data-language-local-name="Indonesian" class="interlanguage-link-target">Bahasa Indonesia</a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Italian" lang="it" hreflang="it" data-title="Lana Turner" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target">Italiano</a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%9C%D7%A0%D7%94_%D7%98%D7%A8%D7%A0%D7%A8" title="לנה טרנר – Hebrew" lang="he" hreflang="he" data-title="לנה טרנר" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target">עברית</a></li><li class="interlanguage-link interwiki-ka mw-list-item"><a href="https://ka.wikipedia.org/wiki/%E1%83%9A%E1%83%90%E1%83%9C%E1%83%90_%E1%83%A2%E1%83%94%E1%83%A0%E1%83%9C%E1%83%94%E1%83%A0%E1%83%98" title="ლანა ტერნერი – Georgian" lang="ka" hreflang="ka" data-title="ლანა ტერნერი" data-language-autonym="ქართული" data-language-local-name="Georgian" class="interlanguage-link-target">ქართული</a></li><li class="interlanguage-link interwiki-ht mw-list-item"><a href="https://ht.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Haitian Creole" lang="ht" hreflang="ht" data-title="Lana Turner" data-language-autonym="Kreyòl ayisyen" data-language-local-name="Haitian Creole" class="interlanguage-link-target">Kreyòl ayisyen</a></li><li class="interlanguage-link interwiki-la mw-list-item"><a href="https://la.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Latin" lang="la" hreflang="la" data-title="Lana Turner" data-language-autonym="Latina" data-language-local-name="Latin" class="interlanguage-link-target">Latina</a></li><li class="interlanguage-link interwiki-lb mw-list-item"><a href="https://lb.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Luxembourgish" lang="lb" hreflang="lb" data-title="Lana Turner" data-language-autonym="Lëtzebuergesch" data-language-local-name="Luxembourgish" class="interlanguage-link-target">Lëtzebuergesch</a></li><li class="interlanguage-link interwiki-hu mw-list-item"><a href="https://hu.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Hungarian" lang="hu" hreflang="hu" data-title="Lana Turner" data-language-autonym="Magyar" data-language-local-name="Hungarian" class="interlanguage-link-target">Magyar</a></li><li class="interlanguage-link interwiki-mk mw-list-item"><a href="https://mk.wikipedia.org/wiki/%D0%9B%D0%B0%D0%BD%D0%B0_%D0%A2%D0%B0%D1%80%D0%BD%D0%B5%D1%80" title="Лана Тарнер – Macedonian" lang="mk" hreflang="mk" data-title="Лана Тарнер" data-language-autonym="Македонски" data-language-local-name="Macedonian" class="interlanguage-link-target">Македонски</a></li><li class="interlanguage-link interwiki-ml mw-list-item"><a href="https://ml.wikipedia.org/wiki/%E0%B4%B2%E0%B4%BE%E0%B4%A8_%E0%B4%9F%E0%B5%87%E0%B4%A3%E0%B5%BC" title="ലാന ടേണർ – Malayalam" lang="ml" hreflang="ml" data-title="ലാന ടേണർ" data-language-autonym="മലയാളം" data-language-local-name="Malayalam" class="interlanguage-link-target">മലയാളം</a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D9%84%D8%A7%D9%86%D8%A7_%D8%AA%D9%8A%D8%B1%D9%86%D8%B1" title="لانا تيرنر – Egyptian Arabic" lang="arz" hreflang="arz" data-title="لانا تيرنر" data-language-autonym="مصرى" data-language-local-name="Egyptian Arabic" class="interlanguage-link-target">مصرى</a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Dutch" lang="nl" hreflang="nl" data-title="Lana Turner" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target">Nederlands</a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%83%A9%E3%83%8A%E3%83%BB%E3%82%BF%E3%83%BC%E3%83%8A%E3%83%BC" title="ラナ・ターナー – Japanese" lang="ja" hreflang="ja" data-title="ラナ・ターナー" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target">日本語</a></li><li class="interlanguage-link interwiki-no mw-list-item"><a href="https://no.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Norwegian Bokmål" lang="nb" hreflang="nb" data-title="Lana Turner" data-language-autonym="Norsk bokmål" data-language-local-name="Norwegian Bokmål" class="interlanguage-link-target">Norsk bokmål</a></li><li class="interlanguage-link interwiki-pl badge-Q17437796 badge-featuredarticle mw-list-item" title="featured article badge"><a href="https://pl.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Polish" lang="pl" hreflang="pl" data-title="Lana Turner" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target">Polski</a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Portuguese" lang="pt" hreflang="pt" data-title="Lana Turner" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target">Português</a></li><li class="interlanguage-link interwiki-ro mw-list-item"><a href="https://ro.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Romanian" lang="ro" hreflang="ro" data-title="Lana Turner" data-language-autonym="Română" data-language-local-name="Romanian" class="interlanguage-link-target">Română</a></li><li class="interlanguage-link interwiki-qu mw-list-item"><a href="https://qu.wikipedia.org/wiki/Lana_Turner" title="Lana Turner – Quechua" lang="qu" hreflang="qu" data-title="Lana Turner" data-language-autonym="Runa Simi" data-language-local-name="Quechua" class="interlanguage-link-target">Runa Simi</a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%A2%D1%91%D1%80%D0%BD%D0%B5%D1%80,_%D0%9B%D0%B0%D0%BD%D0%B0" title="Тёрнер, Лана – Russian" lang="ru" hreflang="ru" data-title="Тёрнер, Лана" data-language-autonym="Русский" data-language-local-name="Russian" 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Click here for more information." src="//upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/19px-Symbol_support_vote.svg.png" decoding="async" width="19" height="20" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/29px-Symbol_support_vote.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/39px-Symbol_support_vote.svg.png 2x" data-file-width="180" data-file-height="185" /></a></div></div> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">American actress (1921–1995)</div> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">For the fashion stylist and collector, see <a href="/wiki/Lana_Turner_(stylist)" title="Lana Turner (stylist)">Lana Turner (stylist)</a>.</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Not to be confused with <a href="/wiki/Lahna_Turner" title="Lahna Turner">Lahna Turner</a>.</div> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox biography vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div class="fn">Lana Turner</div></th></tr><tr><td colspan="2" class="infobox-image"><a href="/wiki/File:Lana_Turner_by_Paul_Hesse_1946.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Lana_Turner_by_Paul_Hesse_1946.jpg/220px-Lana_Turner_by_Paul_Hesse_1946.jpg" decoding="async" width="220" height="302" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Lana_Turner_by_Paul_Hesse_1946.jpg/330px-Lana_Turner_by_Paul_Hesse_1946.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Lana_Turner_by_Paul_Hesse_1946.jpg/440px-Lana_Turner_by_Paul_Hesse_1946.jpg 2x" data-file-width="1127" data-file-height="1547" /></a><div class="infobox-caption">Turner by Paul Hesse, appearing on the cover of Photoplay magazine, 1946</div></td></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data"><div style="display:inline" class="nickname">Julia Jean Turner</div> (1921-02-08)February 8, 1921 <div style="display:inline" class="birthplace"><a href="/wiki/Wallace,_Idaho" title="Wallace, Idaho">Wallace, Idaho</a>, U.S.</div></td></tr><tr><th scope="row" class="infobox-label">Died</th><td class="infobox-data">June 29, 1995(1995-06-29) (aged 74) <div style="display:inline" class="deathplace"><a href="/wiki/Los_Angeles" title="Los Angeles">Los Angeles</a>, <a href="/wiki/California" title="California">California</a>, U.S.</div></td></tr><tr><th scope="row" class="infobox-label">Education</th><td class="infobox-data"><a href="/wiki/Hollywood_High_School" title="Hollywood High School">Hollywood High School</a></td></tr><tr><th scope="row" class="infobox-label">Occupation</th><td class="infobox-data role">Actress</td></tr><tr><th scope="row" class="infobox-label">Years active</th><td class="infobox-data">1937–1985</td></tr><tr><th scope="row" class="infobox-label">Known for</th><td 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li:last-child::after{content:")";font-weight:normal}.mw-parser-output .hlist ol{counter-reset:listitem}.mw-parser-output .hlist ol>li{counter-increment:listitem}.mw-parser-output .hlist ol>li::before{content:" "counter(listitem)"\a0 "}.mw-parser-output .hlist dd ol>li:first-child::before,.mw-parser-output .hlist dt ol>li:first-child::before,.mw-parser-output .hlist li ol>li:first-child::before{content:" ("counter(listitem)"\a0 "}</style><div class="hlist"><ul><li><a href="/wiki/Johnny_Eager" title="Johnny Eager">Johnny Eager</a></li><li><a href="/wiki/Ziegfeld_Girl_(film)" title="Ziegfeld Girl (film)">Ziegfeld Girl</a></li><li><a href="/wiki/The_Postman_Always_Rings_Twice_(1946_film)" title="The Postman Always Rings Twice (1946 film)">The Postman Always Rings Twice</a></li><li><a href="/wiki/Dr._Jekyll_and_Mr._Hyde_(1941_film)" title="Dr. Jekyll and Mr. Hyde (1941 film)">Dr. Jekyll and Mr. Hyde</a></li><li><a href="/wiki/Somewhere_I%27ll_Find_You" title="Somewhere I'll Find You">Somewhere I'll Find You</a></li><li><a href="/wiki/The_Bad_and_the_Beautiful" title="The Bad and the Beautiful">The Bad and the Beautiful</a></li><li><a href="/wiki/Peyton_Place_(film)" title="Peyton Place (film)">Peyton Place</a></li><li><a href="/wiki/Imitation_of_Life_(1959_film)" title="Imitation of Life (1959 film)">Imitation of Life</a></li><li><a href="/wiki/Madame_X_(1966_film)" title="Madame X (1966 film)">Madame X</a></li></ul></div></td></tr><tr><th scope="row" class="infobox-label">Spouses</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><div class="plainlist"><ul><li><style data-mw-deduplicate="TemplateStyles:r1151524712">.mw-parser-output .marriage-line-margin2px{line-height:0;margin-bottom:-2px}.mw-parser-output .marriage-line-margin3px{line-height:0;margin-bottom:-3px}.mw-parser-output .marriage-display-ws{display:inline;white-space:nowrap}</style> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;margin-top:1px;white-space:normal;"><a href="/wiki/Artie_Shaw" title="Artie Shaw">Artie Shaw</a></div> <div class="marriage-line-margin2px"></div> <div style="display:inline-block;margin-bottom:1px;"></div>(<abbr title="married">m.</abbr> 1940; <abbr title="divorced">div.</abbr> 1940)</div></li><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1151524712"> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;margin-top:1px;white-space:normal;"><a href="/wiki/Joseph_Stephen_Crane" title="Joseph Stephen Crane">Joseph Stephen Crane</a></div> <div class="marriage-line-margin2px"></div> <div style="display:inline-block;margin-bottom:1px;"></div>(<abbr title="married">m.</abbr> 1942; <abbr title="">ann.</abbr> 1943)</div></li><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1151524712"> <div class="marriage-line-margin3px"></div> <div class="marriage-display-ws"> <div style="display:inline-block;margin-bottom:1px;"></div>(<abbr title="married">m.</abbr> 1943; <abbr title="divorced">div.</abbr> 1944)</div></li><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1151524712"> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;margin-top:1px;white-space:normal;">Bob Topping</div> <div class="marriage-line-margin2px"></div> <div style="display:inline-block;margin-bottom:1px;"></div>(<abbr title="married">m.</abbr> 1948; <abbr title="divorced">div.</abbr> 1952)</div></li><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1151524712"> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;margin-top:1px;white-space:normal;"><a href="/wiki/Lex_Barker" title="Lex Barker">Lex Barker</a></div> <div class="marriage-line-margin2px"></div> <div style="display:inline-block;margin-bottom:1px;"></div>(<abbr title="married">m.</abbr> 1953; <abbr title="divorced">div.</abbr> 1957)</div></li><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1151524712"> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;margin-top:1px;white-space:normal;">Fred May</div> <div class="marriage-line-margin2px"></div> <div style="display:inline-block;margin-bottom:1px;"></div>(<abbr title="married">m.</abbr> 1960; <abbr title="divorced">div.</abbr> 1962)</div></li><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1151524712"> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;margin-top:1px;white-space:normal;">Robert Eaton</div> <div class="marriage-line-margin2px"></div> <div style="display:inline-block;margin-bottom:1px;"></div>(<abbr title="married">m.</abbr> 1965; <abbr title="divorced">div.</abbr> 1969)</div></li><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1151524712"> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;margin-top:1px;white-space:normal;"><a href="/wiki/Ronald_Pellar" title="Ronald Pellar">Ronald Pellar</a></div> <div class="marriage-line-margin2px"></div> <div style="display:inline-block;margin-bottom:1px;"></div>(<abbr title="married">m.</abbr> 1969; <abbr title="divorced">div.</abbr> 1972)</div></li></ul></div></td></tr><tr><th scope="row" class="infobox-label">Partner</th><td class="infobox-data"><a href="/wiki/Johnny_Stompanato" title="Johnny Stompanato">Johnny Stompanato</a> (1957–1958; his death)</td></tr><tr><th scope="row" class="infobox-label">Children</th><td class="infobox-data"><a href="/wiki/Cheryl_Crane" title="Cheryl Crane">Cheryl Crane</a></td></tr><tr><th colspan="2" class="infobox-header">Signature</th></tr><tr><td colspan="2" class="infobox-full-data"><a href="/wiki/File:Lana_Turner_signature.svg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/70/Lana_Turner_signature.svg/190px-Lana_Turner_signature.svg.png" decoding="async" width="190" height="62" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/70/Lana_Turner_signature.svg/285px-Lana_Turner_signature.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/70/Lana_Turner_signature.svg/380px-Lana_Turner_signature.svg.png 2x" data-file-width="821" data-file-height="269" /></a></td></tr></tbody></table> Julia Jean "Lana" Turner (<a href="/wiki/Help:IPA/English" title="Help:IPA/English">/ˈlɑːnə/</a> <a href="/wiki/Help:Pronunciation_respelling_key" title="Help:Pronunciation respelling key">LAH-nə</a>;<a href="#cite_note-4">[a]</a> February 8, 1921 – June 29, 1995) was an American actress. Over a career spanning nearly five decades, she achieved fame as both a <a href="/wiki/Pin-up_model" title="Pin-up model">pin-up model</a> and a film actress, as well as for her highly publicized personal life. In the mid-1940s, she was one of the highest-paid American actresses and one of <a href="/wiki/Metro-Goldwyn-Mayer" title="Metro-Goldwyn-Mayer">MGM</a>'s biggest stars, with her films earning approximately one billion dollars in 2024 currency for the studio during her 18-year contract with them. Turner is frequently cited as a <a href="/wiki/Popular_culture" title="Popular culture">popular culture</a> icon due to her <a href="/wiki/Glamour_(presentation)" title="Glamour (presentation)">glamourous</a> persona and a screen legend of the <a href="/wiki/Classical_Hollywood_cinema" title="Classical Hollywood cinema">Golden Age of Hollywood</a>.<a href="#cite_note-FOOTNOTEFields2007109-5">[4]</a> She was nominated for <a href="/wiki/Lana_Turner_performances_and_awards" class="mw-redirect" title="Lana Turner performances and awards">numerous awards</a>. Born to working-class parents in <a href="/wiki/Idaho" title="Idaho">Idaho</a>, Turner spent her childhood there before her family relocated to <a href="/wiki/California" title="California">California</a>. In 1936, at the age of 15, she was discovered by a talent scout while shopping at the Top Hat <a href="/wiki/Soda_shop" title="Soda shop">malt shop</a> in <a href="/wiki/Hollywood,_Los_Angeles" title="Hollywood, Los Angeles">Hollywood</a>. At the age of 16, she was signed to a personal contract by <a href="/wiki/Warner_Bros." title="Warner Bros.">Warner Bros.</a> director <a href="/wiki/Mervyn_LeRoy" title="Mervyn LeRoy">Mervyn LeRoy</a>, who took her with him when he transferred to MGM in 1938. She soon attracted attention by playing a murder victim in her screen debut, LeRoy's film <a href="/wiki/They_Won%27t_Forget" title="They Won't Forget">They Won't Forget</a> (1937), and she later moved into supporting roles that often cast her as an <a href="/wiki/Ing%C3%A9nue" title="Ingénue">ingénue</a>. During the early 1940s, Turner established herself as a <a href="/wiki/Leading_lady" class="mw-redirect" title="Leading lady">leading lady</a> and one of MGM's top stars, appearing in such films as the film noir <a href="/wiki/Johnny_Eager" title="Johnny Eager">Johnny Eager</a> (1941), the musical <a href="/wiki/Ziegfeld_Girl_(film)" title="Ziegfeld Girl (film)">Ziegfeld Girl</a> (1941), the horror <a href="/wiki/Dr._Jekyll_and_Mr._Hyde_(1941_film)" title="Dr. Jekyll and Mr. Hyde (1941 film)">Dr. Jekyll and Mr. Hyde</a> (1941), and the romantic war drama <a href="/wiki/Somewhere_I%27ll_Find_You" title="Somewhere I'll Find You">Somewhere I'll Find You</a> (1942), the latter being one of several films in which she starred opposite <a href="/wiki/Clark_Gable" title="Clark Gable">Clark Gable</a>. Her reputation as a glamorous <a href="/wiki/Femme_fatale" title="Femme fatale">femme fatale</a> was enhanced by her critically acclaimed performance in the film noir <a href="/wiki/The_Postman_Always_Rings_Twice_(1946_film)" title="The Postman Always Rings Twice (1946 film)">The Postman Always Rings Twice</a> (1946), a role which established her as a serious dramatic actress. Her popularity continued through the 1950s in dramas such as <a href="/wiki/The_Bad_and_the_Beautiful" title="The Bad and the Beautiful">The Bad and the Beautiful</a> (1952) and <a href="/wiki/Peyton_Place_(film)" title="Peyton Place (film)">Peyton Place</a> (1957), the latter for which she was nominated for an <a href="/wiki/Academy_Award_for_Best_Actress" title="Academy Award for Best Actress">Academy Award for Best Actress</a>. In 1958, intense media scrutiny surrounded Turner when her lover <a href="/wiki/Johnny_Stompanato" title="Johnny Stompanato">Johnny Stompanato</a> was stabbed to death by her teenage daughter, <a href="/wiki/Cheryl_Crane" title="Cheryl Crane">Cheryl Crane</a>, during a domestic struggle in their home. Her next film, <a href="/wiki/Imitation_of_Life_(1959_film)" title="Imitation of Life (1959 film)">Imitation of Life</a> (1959), proved to be one of the greatest commercial successes of her career and her starring role in <a href="/wiki/Madame_X_(1966_film)" title="Madame X (1966 film)">Madame X</a> (1966) earned her a <a href="/wiki/David_di_Donatello" title="David di Donatello">David di Donatello</a> Award for Best Foreign Actress. She spent most of the 1970s in semi-retirement, making her final film appearance in 1980. She accepted a much-publicized and lucrative recurring guest role in the television series <a href="/wiki/Falcon_Crest" title="Falcon Crest">Falcon Crest</a> in 1982, with the series subsequently garnering notably high ratings. She was diagnosed with <a href="/wiki/Oropharyngeal_cancer" title="Oropharyngeal cancer">throat cancer</a> in 1992, and died three years later at the age of 74. <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Life_and_career">Life and career</h2>[<a href="/w/index.php?title=Lana_Turner&action=edit&section=1" title="Edit section: Life and career">edit</a>]</div> <div class="mw-heading mw-heading3"><h3 id="1921–1936:_Early_life_and_education">1921–1936: Early life and education</h3>[<a href="/w/index.php?title=Lana_Turner&action=edit&section=2" title="Edit section: 1921–1936: Early life and education">edit</a>]</div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Lana_Turner_c._1926.jpg" class="mw-file-description"><img alt="Young girl walking uphill" src="//upload.wikimedia.org/wikipedia/commons/thumb/b/b3/Lana_Turner_c._1926.jpg/170px-Lana_Turner_c._1926.jpg" decoding="async" width="170" height="213" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/b3/Lana_Turner_c._1926.jpg/255px-Lana_Turner_c._1926.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/b3/Lana_Turner_c._1926.jpg/340px-Lana_Turner_c._1926.jpg 2x" data-file-width="1294" data-file-height="1624" /></a><figcaption>Turner at the age of five in Wallace, Idaho<a href="#cite_note-FOOTNOTETurner198265-6">[5]</a></figcaption></figure> Julia Jean Turner<a href="#cite_note-newspref1-7">[6]</a><a href="#cite_note-squire-8">[7]</a><a href="#cite_note-11">[b]</a> was born on February 8, 1921,<a href="#cite_note-15">[c]</a> at <a href="/wiki/Providence_Hospital_(Wallace,_Idaho)" title="Providence Hospital (Wallace, Idaho)">Providence Hospital</a><a href="#cite_note-16">[13]</a> in <a href="/wiki/Wallace,_Idaho" title="Wallace, Idaho">Wallace, Idaho</a>.<a href="#cite_note-grever-17">[14]</a><a href="#cite_note-FOOTNOTETurner198210–11-18">[15]</a> She was the only child of Mildred Frances Cowan, who hailed from <a href="/wiki/Lamar,_Arkansas" title="Lamar, Arkansas">Lamar, Arkansas</a>, and John Virgil Turner, a miner from <a href="/wiki/Montgomery,_Alabama" title="Montgomery, Alabama">Montgomery, Alabama</a>. Her mother had English, Irish, and Scottish ancestry, while her father was of Dutch descent. She was born four days before her mother's 17th birthday.<a href="#cite_note-FOOTNOTETurner19829–10-19">[16]</a> Her parents had first met while her mother was 14 and her father was 24; Mildred was the daughter of a mine inspector and was visiting <a href="/wiki/Picher,_Oklahoma" title="Picher, Oklahoma">Picher, Oklahoma</a>, a trip that was taken so her father could inspect the mines there.<a href="#cite_note-FOOTNOTETurner19829-9">[8]</a> Mildred's father objected to the courtship, but she and John eloped and moved west before settling in Idaho.<a href="#cite_note-FOOTNOTETurner198210-20">[17]</a> The family lived in <a href="/wiki/Burke,_Idaho" title="Burke, Idaho">Burke, Idaho</a>, at the time of Turner's birth,<a href="#cite_note-21">[18]</a> and relocated to nearby Wallace in 1925,<a href="#cite_note-23">[d]</a> where her father opened a dry cleaning service and worked in the local silver mines.<a href="#cite_note-FOOTNOTEBamontJacobson2017161-24">[20]</a> As a child, Turner was known to family and friends as Judy.<a href="#cite_note-FOOTNOTEBasinger197619-25">[21]</a> She expressed interest in performance at a young age, performing short dance routines at her father's <a href="/wiki/Benevolent_and_Protective_Order_of_Elks" title="Benevolent and Protective Order of Elks">Elks chapter</a> in Wallace.<a href="#cite_note-laobit-26">[22]</a> When she was three, she performed an impromptu dance routine at a charity fashion show in which her mother was modeling.<a href="#cite_note-laobit-26">[22]</a> The Turner family struggled financially and relocated to <a href="/wiki/San_Francisco" title="San Francisco">San Francisco</a> when she was six years old, after which her parents separated.<a href="#cite_note-FOOTNOTEWayne2003164-27">[23]</a> On December 14, 1930,<a href="#cite_note-FOOTNOTETurner198215-28">[24]</a> her father won some money at a traveling <a href="/wiki/Craps" title="Craps">craps</a> game; he stuffed his winnings in his sock and headed home, but was later found bludgeoned to death on the corner of Minnesota and Mariposa Streets, on the edge of San Francisco's <a href="/wiki/Potrero_Hill,_San_Francisco,_California" class="mw-redirect" title="Potrero Hill, San Francisco, California">Potrero Hill</a> and the <a href="/wiki/Dogpatch,_San_Francisco" title="Dogpatch, San Francisco">Dogpatch District</a>, with his left shoe and sock missing.<a href="#cite_note-FOOTNOTEBasinger197619-25">[21]</a><a href="#cite_note-FOOTNOTEWayne2003164–165-29">[25]</a> His robbery and homicide were never solved,<a href="#cite_note-FOOTNOTEBasinger197619-25">[21]</a> and his death had a profound effect on Turner.<a href="#cite_note-FOOTNOTETurner198218-30">[26]</a> She later said, "I know that my father's sweetness and gaiety, his warmth and his tragedy, have never been far from me. That, and a sense of loss and of growing up too fast."<a href="#cite_note-FOOTNOTEMorellaEpstein197111-31">[27]</a> Turner sometimes lived with family friends or acquaintances so that her impoverished mother could save money.<a href="#cite_note-FOOTNOTEMorellaEpstein197112-32">[28]</a> They also frequently moved, for a time living in <a href="/wiki/Sacramento" class="mw-redirect" title="Sacramento">Sacramento</a> and throughout the San Francisco Bay Area.<a href="#cite_note-FOOTNOTETurner198213-33">[29]</a> Following her father's death, Turner lived for a period in <a href="/wiki/Modesto,_California" title="Modesto, California">Modesto</a> with a family who physically abused her and "treated her like a servant".<a href="#cite_note-FOOTNOTEMorellaEpstein197111-31">[27]</a> Her mother worked 80 hours per week as a beautician to support herself and her daughter,<a href="#cite_note-FOOTNOTEFischer199122-34">[30]</a><a href="#cite_note-FOOTNOTEBasinger197621-35">[31]</a> and Turner recalled sometimes "living on crackers and milk for half a week".<a href="#cite_note-FOOTNOTETurner198213-33">[29]</a> While baptized a <a href="/wiki/Protestantism" title="Protestantism">Protestant</a> at birth,<a href="#cite_note-FOOTNOTEMorellaEpstein19717-36">[32]</a> Turner attended <a href="/wiki/Mass_in_the_Catholic_Church" title="Mass in the Catholic Church">Mass</a> with the Hislops, a Catholic family with whom her mother had temporarily boarded her in <a href="/wiki/Stockton,_California" title="Stockton, California">Stockton, California</a>.<a href="#cite_note-FOOTNOTETurner198214-10">[9]</a> She became "thrilled" by the ritual practices of the church,<a href="#cite_note-FOOTNOTETurner198214-10">[9]</a> and when she was seven, her mother allowed her to formally convert to <a href="/wiki/Catholic_Church" title="Catholic Church">Roman Catholicism</a>.<a href="#cite_note-FOOTNOTETurner198214-10">[9]</a><a href="#cite_note-donahue-37">[33]</a> Turner subsequently attended the <a href="/wiki/Immaculate_Conception_Academy_(California)" title="Immaculate Conception Academy (California)">Convent of the Immaculate Conception</a><a href="#cite_note-sfc-12">[10]</a> in San Francisco, hoping to become a nun.<a href="#cite_note-laobit-26">[22]</a> In the mid-1930s, Turner's mother developed respiratory problems and was advised by her doctor to move to a drier climate, upon which the two moved to <a href="/wiki/Los_Angeles" title="Los Angeles">Los Angeles</a> in 1936.<a href="#cite_note-laobit-26">[22]</a><a href="#cite_note-FOOTNOTEWayne2003164–165-29">[25]</a> <div class="mw-heading mw-heading3"><h3 id="1937–1939:_Discovery_and_early_films">1937–1939: Discovery and early films</h3>[<a href="/w/index.php?title=Lana_Turner&action=edit&section=3" title="Edit section: 1937–1939: Discovery and early films">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1224211176">.mw-parser-output .quotebox{background-color:#F9F9F9;border:1px solid #aaa;box-sizing:border-box;padding:10px;font-size:88%;max-width:100%}.mw-parser-output .quotebox.floatleft{margin:.5em 1.4em .8em 0}.mw-parser-output .quotebox.floatright{margin:.5em 0 .8em 1.4em}.mw-parser-output .quotebox.centered{overflow:hidden;position:relative;margin:.5em auto .8em auto}.mw-parser-output .quotebox.floatleft span,.mw-parser-output .quotebox.floatright span{font-style:inherit}.mw-parser-output .quotebox>blockquote{margin:0;padding:0;border-left:0;font-family:inherit;font-size:inherit}.mw-parser-output .quotebox-title{text-align:center;font-size:110%;font-weight:bold}.mw-parser-output .quotebox-quote>:first-child{margin-top:0}.mw-parser-output .quotebox-quote:last-child>:last-child{margin-bottom:0}.mw-parser-output .quotebox-quote.quoted:before{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" “ ";vertical-align:-45%;line-height:0}.mw-parser-output .quotebox-quote.quoted:after{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" ” ";line-height:0}.mw-parser-output .quotebox .left-aligned{text-align:left}.mw-parser-output .quotebox .right-aligned{text-align:right}.mw-parser-output .quotebox .center-aligned{text-align:center}.mw-parser-output .quotebox .quote-title,.mw-parser-output .quotebox .quotebox-quote{display:block}.mw-parser-output .quotebox cite{display:block;font-style:normal}@media screen and (max-width:640px){.mw-parser-output .quotebox{width:100%!important;margin:0 0 .8em!important;float:none!important}}</style><div class="quotebox pullquote floatleft" style="width:22em; ;"> <blockquote class="quotebox-quote left-aligned" style=""> Her hair was dark, messy, uncombed. Her hands were trembling so she could barely read the script. But she had that sexy clean quality I wanted. There was something smoldering underneath that innocent face. </blockquote> <div style="padding-bottom: 0; padding-top: 0.5em"><cite class="left-aligned" style="">– Mervyn LeRoy on Turner during her first audition, December 1936<a href="#cite_note-FOOTNOTEWayne2003165-38">[34]</a></cite></div> </div> Turner's discovery is considered a show-business legend and part of Hollywood mythology among film and popular cultural historians.<a href="#cite_note-FOOTNOTEValentino197618-39">[35]</a><a href="#cite_note-FOOTNOTEBasinger197627-40">[36]</a><a href="#cite_note-43">[e]</a> One version of the story erroneously has her discovery occurring at <a href="/wiki/Schwab%27s_Pharmacy" title="Schwab's Pharmacy">Schwab's Pharmacy</a>,<a href="#cite_note-FOOTNOTEFields200779-44">[39]</a> which Turner claimed was the result of a reporting error that began circulating in articles published by columnist <a href="/wiki/Sidney_Skolsky" title="Sidney Skolsky">Sidney Skolsky</a>.<a href="#cite_note-lawilk-42">[38]</a> By Turner's own account, she was a junior at <a href="/wiki/Hollywood_High_School" title="Hollywood High School">Hollywood High School</a> when she skipped a typing class and bought a <a href="/wiki/Coca-Cola" title="Coca-Cola">Coca-Cola</a> at the Top Hat Malt Shop<a href="#cite_note-FOOTNOTEWayne2003165-38">[34]</a><a href="#cite_note-FOOTNOTELewis201791-45">[40]</a> located on the southeast corner of <a href="/wiki/Sunset_Boulevard" title="Sunset Boulevard">Sunset Boulevard</a> and McCadden Place.<a href="#cite_note-FOOTNOTELawsonRufus200041-46">[41]</a> While in the shop, she was spotted by <a href="/wiki/William_Wilkerson" class="mw-redirect" title="William Wilkerson">William R. Wilkerson</a>, publisher of <a href="/wiki/The_Hollywood_Reporter" title="The Hollywood Reporter">The Hollywood Reporter</a>.<a href="#cite_note-FOOTNOTEValentino197618-39">[35]</a> Wilkerson was attracted by her beauty and physique, and asked her if she was interested in appearing in films, to which she responded: "I'll have to ask my mother first."<a href="#cite_note-lawilk-42">[38]</a> With her mother's permission, Turner was referred by Wilkerson to the actor/comedian/talent agent <a href="/wiki/Zeppo_Marx" title="Zeppo Marx">Zeppo Marx</a>.<a href="#cite_note-FOOTNOTEBusch194064-47">[42]</a> In December 1936, Marx introduced Turner to film director <a href="/wiki/Mervyn_LeRoy" title="Mervyn LeRoy">Mervyn LeRoy</a>, who signed her to a $50 weekly contract with <a href="/wiki/Warner_Bros." title="Warner Bros.">Warner Bros.</a> on February 22, 1937 ($1,060 in 2023 dollars <a href="#cite_note-inflation-US-48">[43]</a>).<a href="#cite_note-FOOTNOTEWayne2003165-38">[34]</a> She soon became a protégée of LeRoy, who suggested that she take the stage name Lana Turner, a name she would come to legally adopt several years later.<a href="#cite_note-FOOTNOTETurner198224-49">[44]</a> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Edward_Norris_and_Lana_Turner.jpg" class="mw-file-description"><img alt="Woman seated at a desk, being instructed by a man, crouching" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c9/Edward_Norris_and_Lana_Turner.jpg/180px-Edward_Norris_and_Lana_Turner.jpg" decoding="async" width="180" height="223" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c9/Edward_Norris_and_Lana_Turner.jpg/270px-Edward_Norris_and_Lana_Turner.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c9/Edward_Norris_and_Lana_Turner.jpg/360px-Edward_Norris_and_Lana_Turner.jpg 2x" data-file-width="538" data-file-height="666" /></a><figcaption><a href="/wiki/Edward_Norris" title="Edward Norris">Edward Norris</a> and Turner in They Won't Forget (1937), her feature film debut</figcaption></figure> Turner made her feature film debut in LeRoy's <a href="/wiki/They_Won%27t_Forget" title="They Won't Forget">They Won't Forget</a> (1937),<a href="#cite_note-FOOTNOTEBusch194063-50">[45]</a> a crime drama in which she played a teenage murder victim. Though Turner only appeared on screen for a few minutes,<a href="#cite_note-FOOTNOTELanger2001at_6:05-51">[46]</a> Wilkerson wrote in The Hollywood Reporter that her performance was "worthy of more than a passing note".<a href="#cite_note-FOOTNOTEWayne2003166-52">[47]</a> The film earned her the nickname of the "<a href="/wiki/Sweater_girl" title="Sweater girl">Sweater Girl</a>" for her form-fitting attire, which accentuated her bust.<a href="#cite_note-FOOTNOTEBusch194064-47">[42]</a><a href="#cite_note-FOOTNOTEFischer1991187-53">[48]</a> Turner always detested the nickname,<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_6:40-54">[49]</a> and upon seeing a sneak preview of the film, she recalled being profoundly embarrassed and "squirming lower and lower" into her seat.<a href="#cite_note-donahue-37">[33]</a> She stated that she had "never seen myself walking before… [It was] the first time [I was] conscious of my body."<a href="#cite_note-donahue-37">[33]</a> Several years after the film's release, <a href="/wiki/Modern_Screen" title="Modern Screen">Modern Screen</a> journalist Nancy Squire wrote that Turner "made a sweater look like something <a href="/wiki/Cleopatra" title="Cleopatra">Cleopatra</a> was saving for the next visiting <a href="/wiki/Julius_Caesar" title="Julius Caesar">Caesar</a>".<a href="#cite_note-squire-8">[7]</a> Shortly after completing They Won't Forget, she made an appearance in <a href="/wiki/James_Whale" title="James Whale">James Whale</a>'s historical comedy <a href="/wiki/The_Great_Garrick" title="The Great Garrick">The Great Garrick</a> (1937), a biographical film about British actor <a href="/wiki/David_Garrick" title="David Garrick">David Garrick</a>, in which she had a small role portraying an actress posing as a chambermaid.<a href="#cite_note-FOOTNOTEJordan2009221-55">[50]</a><a href="#cite_note-FOOTNOTEValentino197663-56">[51]</a> In late 1937, LeRoy was hired as an executive at <a href="/wiki/Metro-Goldwyn-Mayer" title="Metro-Goldwyn-Mayer">Metro-Goldwyn-Mayer</a> (MGM), and asked <a href="/wiki/Jack_L._Warner" title="Jack L. Warner">Jack L. Warner</a> to allow Turner to relocate with him to MGM.<a href="#cite_note-FOOTNOTEBasinger197631-57">[52]</a> Warner obliged, as he believed Turner would not "amount to anything".<a href="#cite_note-FOOTNOTEMorellaEpstein197129-58">[53]</a> Turner left Warner Bros. and signed a contract with MGM for $100 a week ($2,119 in 2023 dollars <a href="#cite_note-inflation-US-48">[43]</a>).<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_7:00-59">[54]</a> The same year, she was loaned to <a href="/wiki/United_Artists" title="United Artists">United Artists</a> for a minor role as a maid in <a href="/wiki/The_Adventures_of_Marco_Polo" title="The Adventures of Marco Polo">The Adventures of Marco Polo</a>.<a href="#cite_note-FOOTNOTEWayne2003166-52">[47]</a> Her first starring role for MGM was scheduled to be an adaptation of <a href="/wiki/The_Sea-Wolf" title="The Sea-Wolf">The Sea-Wolf</a>, co-starring <a href="/wiki/Clark_Gable" title="Clark Gable">Clark Gable</a>, but the project was eventually shelved.<a href="#cite_note-FOOTNOTEBreuer1989129-60">[55]</a> Instead, she was assigned opposite teen idol <a href="/wiki/Mickey_Rooney" title="Mickey Rooney">Mickey Rooney</a> and <a href="/wiki/Judy_Garland" title="Judy Garland">Judy Garland</a> in the <a href="/wiki/Andy_Hardy" title="Andy Hardy">Andy Hardy</a> film <a href="/wiki/Love_Finds_Andy_Hardy" title="Love Finds Andy Hardy">Love Finds Andy Hardy</a> (1938).<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_7:55-61">[56]</a> During the shoot, Turner completed her studies with an educational social worker, allowing her to graduate high school that year.<a href="#cite_note-FOOTNOTETurner198234–35-62">[57]</a> The film was a box-office success,<a href="#cite_note-FOOTNOTEDennis200797-63">[58]</a> and her appearance in it as a flirtatious high school student convinced studio head <a href="/wiki/Louis_B._Mayer" title="Louis B. Mayer">Louis B. Mayer</a> that Turner could be the next <a href="/wiki/Jean_Harlow" title="Jean Harlow">Jean Harlow</a>, a <a href="/wiki/Sex_symbol" title="Sex symbol">sex symbol</a> who had died six months before Turner's arrival at MGM.<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_9:08-64">[59]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Lana_Turner_and_Lew_Ayres_in_These_Glamour_Girls.jpg" class="mw-file-description"><img alt="Woman and man seated in car" src="//upload.wikimedia.org/wikipedia/commons/thumb/4/48/Lana_Turner_and_Lew_Ayres_in_These_Glamour_Girls.jpg/240px-Lana_Turner_and_Lew_Ayres_in_These_Glamour_Girls.jpg" decoding="async" width="240" height="190" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/48/Lana_Turner_and_Lew_Ayres_in_These_Glamour_Girls.jpg/360px-Lana_Turner_and_Lew_Ayres_in_These_Glamour_Girls.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/48/Lana_Turner_and_Lew_Ayres_in_These_Glamour_Girls.jpg/480px-Lana_Turner_and_Lew_Ayres_in_These_Glamour_Girls.jpg 2x" data-file-width="937" data-file-height="740" /></a><figcaption>Turner with <a href="/wiki/Lew_Ayres" title="Lew Ayres">Lew Ayres</a> in <a href="/wiki/These_Glamour_Girls" title="These Glamour Girls">These Glamour Girls</a> (1939)</figcaption></figure> Mayer helped further Turner's career by giving her roles in several youth-oriented films in the late 1930s, such as the comedy <a href="/wiki/Rich_Man,_Poor_Girl" title="Rich Man, Poor Girl">Rich Man, Poor Girl</a> (1938) in which she played the sister of a poor woman romanced by a wealthy man, and <a href="/wiki/Dramatic_School_(film)" title="Dramatic School (film)">Dramatic School</a> (1938), in which she portrayed Mado, a troubled drama student.<a href="#cite_note-FOOTNOTEMorellaEpstein197133-65">[60]</a> In the former, she was billed as the "Kissing Bug from the Andy Hardy film".<a href="#cite_note-FOOTNOTEMorellaEpstein197133-65">[60]</a> Upon completing Dramatic School, Turner screen-tested unsuccessfully for the role of <a href="/wiki/Scarlett_O%27Hara" title="Scarlett O'Hara">Scarlett O'Hara</a> in <a href="/wiki/Gone_with_the_Wind_(film)" title="Gone with the Wind (film)">Gone with the Wind</a> (1939).<a href="#cite_note-FOOTNOTEMorellaEpstein197133-65">[60]</a> She was then cast in a supporting part as a "sympathetic bad girl" in <a href="/wiki/Calling_Dr._Kildare" title="Calling Dr. Kildare">Calling Dr. Kildare</a> (1939), MGM's second entry in the <a href="/wiki/Dr._Kildare" title="Dr. Kildare">Dr. Kildare</a> series.<a href="#cite_note-FOOTNOTEMorellaEpstein197133-65">[60]</a> This was followed by <a href="/wiki/These_Glamour_Girls" title="These Glamour Girls">These Glamour Girls</a> (1939), a comedy in which she portrayed a <a href="/wiki/Taxi_dancer" title="Taxi dancer">taxi dancer</a> invited to attend a dance with a male coed at his elite college.<a href="#cite_note-FOOTNOTEConklin2009116-66">[61]</a> Turner's onscreen sex appeal in the film was reflected by a review in the <a href="/wiki/St._Louis_Post-Dispatch" title="St. Louis Post-Dispatch">St. Louis Post-Dispatch</a> in which she was characterized as "the answer to 'oomph'".<a href="#cite_note-67">[62]</a> In her next film, <a href="/wiki/Dancing_Co-Ed" title="Dancing Co-Ed">Dancing Co-Ed</a> (1939), Turner was given first billing portraying Patty Marlow, a professional dancer who enters a college as part of a rigged national talent contest.<a href="#cite_note-FOOTNOTEConklin2009170-68">[63]</a> The film was a commercial success, and led to Turner appearing on the cover of <a href="/wiki/Look_(American_magazine)" title="Look (American magazine)">Look</a> magazine.<a href="#cite_note-FOOTNOTEMorellaEpstein197135-69">[64]</a> In February 1940, Turner garnered significant publicity when she eloped to Las Vegas with 28-year-old bandleader <a href="/wiki/Artie_Shaw" title="Artie Shaw">Artie Shaw</a>, her co-star in Dancing Co-Ed.<a href="#cite_note-FOOTNOTECrane198839–43-70">[65]</a><a href="#cite_note-FOOTNOTELanger2001event_occurs_at_13:20-71">[66]</a> Though they had only briefly known each other, Turner recalled being "stirred by his eloquence", and after their first date the two spontaneously decided to get married.<a href="#cite_note-FOOTNOTETurner198240-72">[67]</a> Their marriage only lasted four months, but was highly publicized, and led MGM executives to grow concerned over Turner's "impulsive behavior".<a href="#cite_note-FOOTNOTEMorellaEpstein197140-73">[68]</a> In the spring of 1940, after the two had divorced, Turner discovered she was pregnant and had an <a href="/wiki/Abortion" title="Abortion">abortion</a>.<a href="#cite_note-FOOTNOTEMorellaEpstein197141-74">[69]</a> In contemporaneous press, it was noted she had been hospitalized for "exhaustion".<a href="#cite_note-FOOTNOTEMorellaEpstein197141-74">[69]</a> She would later recall that Shaw treated her "like an untutored blonde savage, and took no pains to conceal his opinion".<a href="#cite_note-FOOTNOTEMorellaEpstein197135-69">[64]</a> In the midst of her marriage to Shaw, she starred in <a href="/wiki/We_Who_Are_Young" title="We Who Are Young">We Who Are Young</a>, a drama in which she played a woman who, against their employer's policy, marries her coworker.<a href="#cite_note-FOOTNOTEMorellaEpstein197142-75">[70]</a> <div class="mw-heading mw-heading3"><h3 id="1940–1945:_War_years_and_film_stardom">1940–1945: War years and film stardom</h3>[<a href="/w/index.php?title=Lana_Turner&action=edit&section=4" title="Edit section: 1940–1945: War years and film stardom">edit</a>]</div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Judy_Garland,_Lana_Turner,_and_James_Stewart.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/74/Judy_Garland%2C_Lana_Turner%2C_and_James_Stewart.jpg/220px-Judy_Garland%2C_Lana_Turner%2C_and_James_Stewart.jpg" decoding="async" width="220" height="184" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/74/Judy_Garland%2C_Lana_Turner%2C_and_James_Stewart.jpg/330px-Judy_Garland%2C_Lana_Turner%2C_and_James_Stewart.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/74/Judy_Garland%2C_Lana_Turner%2C_and_James_Stewart.jpg/440px-Judy_Garland%2C_Lana_Turner%2C_and_James_Stewart.jpg 2x" data-file-width="816" data-file-height="681" /></a><figcaption><a href="/wiki/Judy_Garland" title="Judy Garland">Judy Garland</a>, Turner, and <a href="/wiki/James_Stewart" title="James Stewart">James Stewart</a> on the set of <a href="/wiki/Ziegfeld_Girl_(film)" title="Ziegfeld Girl (film)">Ziegfeld Girl</a> (1941), which precipitated her rise at MGM</figcaption></figure> In 1940, Turner appeared in her first musical film, <a href="/wiki/Two_Girls_on_Broadway" title="Two Girls on Broadway">Two Girls on Broadway</a>, in which she received top billing over established co-stars <a href="/wiki/Joan_Blondell" title="Joan Blondell">Joan Blondell</a> and <a href="/wiki/George_Murphy" title="George Murphy">George Murphy</a>.<a href="#cite_note-FOOTNOTEMorellaEpstein197135-69">[64]</a> A remake of <a href="/wiki/The_Broadway_Melody" title="The Broadway Melody">The Broadway Melody</a>, the film was marketed as featuring Turner's "hottest, most daring role".<a href="#cite_note-FOOTNOTEMorellaEpstein197135-69">[64]</a> The following year, she had a lead role in her second musical, <a href="/wiki/Ziegfeld_Girl_(film)" title="Ziegfeld Girl (film)">Ziegfeld Girl</a>, opposite <a href="/wiki/James_Stewart" title="James Stewart">James Stewart</a>, Judy Garland and <a href="/wiki/Hedy_Lamarr" title="Hedy Lamarr">Hedy Lamarr</a>.<a href="#cite_note-FOOTNOTEBarton2010101-76">[71]</a> In the film, she portrayed Sheila Regan, an alcoholic aspiring actress based on <a href="/wiki/Lillian_Lorraine" title="Lillian Lorraine">Lillian Lorraine</a>.<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_15:18-77">[72]</a><a href="#cite_note-FOOTNOTEValentino197697-78">[73]</a> Ziegfeld Girl marked a personal and professional shift for Turner; she claimed it as the first role that got her "interested in acting",<a href="#cite_note-79">[74]</a> and the studio, impressed by her performance, marketed the film as featuring her in "the best role of the biggest picture to be released by the industry's biggest company".<a href="#cite_note-FOOTNOTEMorellaEpstein197149-80">[75]</a> The film's high box-office returns elevated Turner's profitability, and MGM gave her a weekly salary raise to $1,500 as well as a personal makeup artist and trailer ($32,622 in 2023 dollars <a href="#cite_note-inflation-US-48">[43]</a>).<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_17:10-81">[76]</a> After completing the film, Turner and co-star Garland remained lifelong friends, and lived in houses next to one another in the 1950s.<a href="#cite_note-FOOTNOTECraneDe_La_Hoz200834,_185,_331-82">[77]</a> Following the success of Ziegfeld Girl, Turner took a supporting role as an <a href="/wiki/Ing%C3%A9nue" title="Ingénue">ingénue</a> in <a href="/wiki/Dr._Jekyll_and_Mr._Hyde_(1941_film)" title="Dr. Jekyll and Mr. Hyde (1941 film)">Dr. Jekyll and Mr. Hyde</a> (1941) – a sanitized remake of the original <a href="/wiki/Pre-Code" class="mw-redirect" title="Pre-Code">pre-Code</a> film from a decade earlier – remade as a <a href="/wiki/Sigmund_Freud" title="Sigmund Freud">Freudian</a>-influenced horror film, opposite <a href="/wiki/Spencer_Tracy" title="Spencer Tracy">Spencer Tracy</a> and <a href="/wiki/Ingrid_Bergman" title="Ingrid Bergman">Ingrid Bergman</a>.<a href="#cite_note-83">[78]</a> MGM had initially cast Turner in the lead, but Tracy specifically requested Bergman for the part. The studio recast Turner in the smaller role, though she was still given top billing.<a href="#cite_note-FOOTNOTEMorellaEpstein197150-84">[79]</a> While the film was financially successful at the box office,<a href="#cite_note-FOOTNOTESchatz1999111-85">[80]</a> <a href="/wiki/Time_(magazine)" title="Time (magazine)">Time</a> magazine panned it, calling it "a pretentious resurrection of <a href="/wiki/Robert_Louis_Stevenson" title="Robert Louis Stevenson">Robert Louis Stevenson</a>'s ghoulish classic ... As for Lana Turner, fully clad for a change, and the rest of the cast ... they are as wooden as their roles."<a href="#cite_note-86">[81]</a> Turner was then cast in the Western <a href="/wiki/Honky_Tonk_(1941_film)" title="Honky Tonk (1941 film)">Honky Tonk</a> (1941), the first of four films in which she would star opposite <a href="/wiki/Clark_Gable" title="Clark Gable">Clark Gable</a>.<a href="#cite_note-FOOTNOTEBasinger197651–53-87">[82]</a> The Turner-Gable films' successes were often heightened by gossip-column rumors about a relationship between the two.<a href="#cite_note-FOOTNOTEWayne2003173-88">[83]</a> In January 1942, she began shooting her second picture with Gable, titled <a href="/wiki/Somewhere_I%27ll_Find_You" title="Somewhere I'll Find You">Somewhere I'll Find You</a>;<a href="#cite_note-89">[84]</a> however, the production was halted for several weeks after the death of Gable's wife, <a href="/wiki/Carole_Lombard" title="Carole Lombard">Carole Lombard</a>, in a plane crash.<a href="#cite_note-FOOTNOTEWayne2003174-90">[85]</a> Meanwhile, the press continued to fuel rumors that Turner and Gable were romantic offscreen, which Turner vehemently denied.<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_21:05-91">[86]</a> "I adored Mr. Gable, but we were [just] friends", she later recalled. "When six o'clock came, he went his way and I went mine."<a href="#cite_note-donahue-37">[33]</a> Her next project was <a href="/wiki/Johnny_Eager" title="Johnny Eager">Johnny Eager</a> (1941), a violent mobster film in which she portrayed a socialite.<a href="#cite_note-FOOTNOTEBasinger197654-92">[87]</a><a href="#cite_note-FOOTNOTEMorellaEpstein197151-93">[88]</a> <a href="/wiki/James_Agee" title="James Agee">James Agee</a> of Time magazine was critical of co-star <a href="/wiki/Robert_Taylor_(American_actor)" title="Robert Taylor (American actor)">Robert Taylor</a>'s performance and noted: "Turner is similarly handicapped: Metro has swathed her best assets in a toga, swears that she shall become an actress, or else. Under these adverse circumstances, stars Taylor and Turner are working under wraps."<a href="#cite_note-94">[89]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Lana_Turner_1943.png" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e7/Lana_Turner_1943.png/220px-Lana_Turner_1943.png" decoding="async" width="220" height="281" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/e7/Lana_Turner_1943.png/330px-Lana_Turner_1943.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/e7/Lana_Turner_1943.png/440px-Lana_Turner_1943.png 2x" data-file-width="999" data-file-height="1277" /></a><figcaption>Turner in 1943</figcaption></figure> At the advent of US involvement in <a href="/wiki/World_War_II" title="World War II">World War II</a>, Turner's increasing prominence in Hollywood led to her becoming a popular <a href="/wiki/Pin-up_model" title="Pin-up model">pin-up girl</a>,<a href="#cite_note-FOOTNOTEFischer1991187–189-95">[90]</a> and her image appeared painted on the noses of U.S. fighter planes, bearing the nickname "Tempest Turner".<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_33:33-96">[91]</a> In June 1942, she embarked on a 10-week <a href="/wiki/War_bond" title="War bond">war bond</a> tour throughout the western United States with Gable.<a href="#cite_note-pittsburghkiss-97">[92]</a> During the tour, she began promising kisses to the highest war bond buyers; while selling bonds at the <a href="/wiki/Pioneer_Courthouse" title="Pioneer Courthouse">Pioneer Courthouse</a> in <a href="/wiki/Portland,_Oregon" title="Portland, Oregon">Portland, Oregon</a>, she sold a $5,000 bond to a man for two kisses,<a href="#cite_note-98">[93]</a> and another to an elderly man for $50,000.<a href="#cite_note-pittsburghkiss-97">[92]</a> Arriving to sell bonds in her hometown of <a href="/wiki/Wallace,_Idaho" title="Wallace, Idaho">Wallace, Idaho</a>, she was greeted with a banner that read "Welcome home, Lana", followed by a large celebration during which the mayor declared a holiday in her honor.<a href="#cite_note-FOOTNOTETurner198281-99">[94]</a> Upon completing the tour, Turner had sold $5.25 million in war bonds.<a href="#cite_note-pittsburghkiss-97">[92]</a> Throughout the war, Turner continued to make regular appearances at U.S. troop events and area bases, though she confided to friends that she found visiting the hospital wards of injured soldiers emotionally difficult.<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_33:53-100">[95]</a> During World War II, the Royal Canadian Air Force 427 Lion Squadron had been "adopted" by MGM. Many of the aircraft had dedications or nose art honoring MGM's stars. A Handley-Page Halifax bomber "London's Revenge" DK186 ZL L carried the name of Lana Turner into battle over Germany.<a href="#cite_note-101">[96]</a> In July 1942,<a href="#cite_note-FOOTNOTEValentino197628-102">[97]</a> Turner met her second husband, actor-turned-restaurateur <a href="/wiki/Joseph_Stephen_Crane" title="Joseph Stephen Crane">Joseph Stephen "Steve" Crane</a>, at a dinner party in Los Angeles.<a href="#cite_note-FOOTNOTETurner198266-103">[98]</a> The two eloped to Las Vegas a week after they began dating.<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_24:20-104">[99]</a> The marriage was annulled by Turner four months later upon discovering that Crane's previous divorce had not yet been finalized.<a href="#cite_note-FOOTNOTEBasinger1976141–142-105">[100]</a> After discovering she was pregnant in November 1942, Turner remarried Crane in <a href="/wiki/Tijuana" title="Tijuana">Tijuana</a> in March 1943.<a href="#cite_note-FOOTNOTEValentino197628-102">[97]</a> During her early pregnancy, she filmed the comedy <a href="/wiki/Marriage_Is_a_Private_Affair" title="Marriage Is a Private Affair">Marriage Is a Private Affair</a>, in which she starred as a carefree woman struggling to balance her new life as a mother.<a href="#cite_note-FOOTNOTEMorellaEpstein197169-106">[101]</a> Though she wanted multiple children, Turner had <a href="/wiki/Rh_blood_group_system" title="Rh blood group system">Rh-negative blood</a>, which caused fetal <a href="/wiki/Anemia" title="Anemia">anemia</a> and made it difficult to carry a child to term.<a href="#cite_note-FOOTNOTEParish2011249-107">[102]</a><a href="#cite_note-FOOTNOTETurner19829,_85,_142-108">[103]</a> Turner was urged by doctors to undergo a <a href="/wiki/Therapeutic_abortion" class="mw-redirect" title="Therapeutic abortion">therapeutic abortion</a> to avoid potentially life-threatening complications, but she managed to carry the child to term. She gave birth to a daughter, <a href="/wiki/Cheryl_Crane" title="Cheryl Crane">Cheryl</a>, on July 25, 1943. Turner's blood condition resulted in Cheryl being born with near-fatal <a href="/wiki/Hemolytic_disease_of_the_newborn" title="Hemolytic disease of the newborn">erythroblastosis fetalis</a>.<a href="#cite_note-FOOTNOTETurner198270-109">[104]</a><a href="#cite_note-FOOTNOTEMorellaEpstein197169–70-110">[105]</a> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Lana_Turner_-_Suspense_Radio_(1945).jpg" class="mw-file-description"><img alt="Woman speaking into a microphone" src="//upload.wikimedia.org/wikipedia/commons/thumb/e/eb/Lana_Turner_-_Suspense_Radio_%281945%29.jpg/180px-Lana_Turner_-_Suspense_Radio_%281945%29.jpg" decoding="async" width="180" height="222" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/eb/Lana_Turner_-_Suspense_Radio_%281945%29.jpg/270px-Lana_Turner_-_Suspense_Radio_%281945%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/eb/Lana_Turner_-_Suspense_Radio_%281945%29.jpg/360px-Lana_Turner_-_Suspense_Radio_%281945%29.jpg 2x" data-file-width="668" data-file-height="825" /></a><figcaption>Turner performing on <a href="/wiki/Suspense_(radio_drama)" title="Suspense (radio drama)">Suspense</a> radio show, 1945</figcaption></figure> Meanwhile, publicity over Turner's remarriage to Crane led MGM to play up her image as a sex symbol in the comedy <a href="/wiki/Slightly_Dangerous" title="Slightly Dangerous">Slightly Dangerous</a> (1943), with <a href="/wiki/Robert_Young_(actor)" title="Robert Young (actor)">Robert Young</a>, <a href="/wiki/Walter_Brennan" title="Walter Brennan">Walter Brennan</a> and Dame <a href="/wiki/May_Whitty" title="May Whitty">May Whitty</a>, in which she portrayed a woman who moves to New York City and poses as the long-lost daughter of a millionaire.<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_27:00-111">[106]</a> Released in the midst of Turner's pregnancy, the film was financially successful<a href="#cite_note-FOOTNOTEMorellaEpstein197168-112">[107]</a> but received mixed reviews, with <a href="/wiki/Bosley_Crowther" title="Bosley Crowther">Bosley Crowther</a> of The New York Times writing: "No less than four Metro writers must have racked their brains for all of five minutes to think up the rags-to-riches fable ... Indeed, there is cause for suspicion that they didn't even bother to think."<a href="#cite_note-113">[108]</a> Critic <a href="/wiki/Anita_Loos" title="Anita Loos">Anita Loos</a> praised Turner's performance in the film, writing: "Lana Turner typifies modern allure. She is the vamp of today as <a href="/wiki/Theda_Bara" title="Theda Bara">Theda Bara</a> was of yesterday. However, she doesn't look like a vamp. She is far more deadly because she lets her audience relax."<a href="#cite_note-FOOTNOTEMorellaEpstein197168–69-114">[109]</a> In August 1944, Turner divorced Crane, citing his gambling and unemployment as primary reasons.<a href="#cite_note-FOOTNOTETurner198277-115">[110]</a> Turner was among 250 film notables listed by the Hollywood Democratic Committee as supporting the re-election of <a href="/wiki/Democratic_Party_(United_States)" title="Democratic Party (United States)">Democratic Party</a> incumbent President <a href="/wiki/Franklin_D._Roosevelt" title="Franklin D. Roosevelt">Franklin D. Roosevelt</a> during the 1944 presidential election.<a href="#cite_note-FOOTNOTEJordan2011232-116">[111]</a><a href="#cite_note-FOOTNOTEValentino1976267-117">[112]</a> In 1945, she co-starred with <a href="/wiki/Laraine_Day" title="Laraine Day">Laraine Day</a> and <a href="/wiki/Susan_Peters" title="Susan Peters">Susan Peters</a> in <a href="/wiki/Keep_Your_Powder_Dry" title="Keep Your Powder Dry">Keep Your Powder Dry</a>, a war drama about three disparate women who join the <a href="/wiki/Women%27s_Army_Corps" title="Women's Army Corps">Women's Army Corps</a>.<a href="#cite_note-FOOTNOTEValentino1976133-118">[113]</a> She was then cast as the female lead in <a href="/wiki/Week-End_at_the_Waldorf" title="Week-End at the Waldorf">Week-End at the Waldorf</a>, a loose remake of <a href="/wiki/Grand_Hotel_(1932_film)" title="Grand Hotel (1932 film)">Grand Hotel</a> (1932) in which she portrayed a stenographer (a role originated by <a href="/wiki/Joan_Crawford" title="Joan Crawford">Joan Crawford</a>).<a href="#cite_note-FOOTNOTEMorellaEpstein197182-119">[114]</a> The film was a box-office hit.<a href="#cite_note-FOOTNOTEMorellaEpstein197182-119">[114]</a><a href="#cite_note-FOOTNOTEValentino1976135-120">[115]</a> <div class="mw-heading mw-heading3"><h3 id="1946–1948:_Expansion_to_dramatic_roles">1946–1948: Expansion to dramatic roles</h3>[<a href="/w/index.php?title=Lana_Turner&action=edit&section=5" title="Edit section: 1946–1948: Expansion to dramatic roles">edit</a>]</div> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Lana_Turner_on_set_of_%27The_Postman_Always_Rings_Twice%27.png" class="mw-file-description"><img alt="Woman in white wearing a towel on her head, clutching her chest" src="//upload.wikimedia.org/wikipedia/commons/thumb/b/b9/Lana_Turner_on_set_of_%27The_Postman_Always_Rings_Twice%27.png/180px-Lana_Turner_on_set_of_%27The_Postman_Always_Rings_Twice%27.png" decoding="async" width="180" height="219" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/b9/Lana_Turner_on_set_of_%27The_Postman_Always_Rings_Twice%27.png/270px-Lana_Turner_on_set_of_%27The_Postman_Always_Rings_Twice%27.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/b9/Lana_Turner_on_set_of_%27The_Postman_Always_Rings_Twice%27.png/360px-Lana_Turner_on_set_of_%27The_Postman_Always_Rings_Twice%27.png 2x" data-file-width="1280" data-file-height="1554" /></a><figcaption>Turner as Cora Smith in <a href="/wiki/The_Postman_Always_Rings_Twice_(1946_film)" title="The Postman Always Rings Twice (1946 film)">The Postman Always Rings Twice</a> (1946), considered by many critics to be her career-defining performance</figcaption></figure> After the war, Turner was cast in a lead role opposite <a href="/wiki/John_Garfield" title="John Garfield">John Garfield</a> in <a href="/wiki/The_Postman_Always_Rings_Twice_(1946_film)" title="The Postman Always Rings Twice (1946 film)">The Postman Always Rings Twice</a> (1946), a <a href="/wiki/Film_noir" title="Film noir">film noir</a> based on <a href="/wiki/James_M._Cain" title="James M. Cain">James M. Cain</a>'s debut <a href="/wiki/The_Postman_Always_Rings_Twice_(novel)" title="The Postman Always Rings Twice (novel)">novel of the same name</a>.<a href="#cite_note-121">[116]</a> She portrayed Cora, an ambitious woman married to a stodgy, older owner of a roadside diner, who falls in love with a drifter and their desire to be together motivates them to murder her husband.<a href="#cite_note-FOOTNOTEBrook2013120-122">[117]</a> The classic film noir marked a turning point in Turner's career as her first <a href="/wiki/Femme_fatale" title="Femme fatale">femme fatale</a> role.<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_36:18-123">[118]</a> Reviews of the film, including Turner's performance, were glowing, with Bosley Crowther of The New York Times writing it was "the role of her career".<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_38:45-124">[119]</a> <a href="/wiki/Life_(magazine)" title="Life (magazine)">Life</a> magazine named the film its "Movie of the Week" in April 1946, and noted that both Turner and Garfield were "aptly cast" and "take over the screen, [creating] more fireworks than the Fourth of July".<a href="#cite_note-125">[120]</a> Turner commented on her decision to take the role: <style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style><blockquote class="templatequote">I finally got tired of making movies where all I did was walk across the screen and look pretty. I got a big chance to do some real acting in The Postman Always Rings Twice, and I'm not going to slip back if I can help it. I tried to persuade the studio to give me something different. But every time I went into my argument about how bad a picture was, they'd say, "well, it's making a fortune". That licked me.<a href="#cite_note-concentrate-126">[121]</a></blockquote> The Postman Always Rings Twice became a major box office success, which prompted the studio to take more risks on Turner, casting her outside of the glamorous sex-symbol roles for which she had come to be known.<a href="#cite_note-concentrate-126">[121]</a> In August 1946, it was announced she would replace <a href="/wiki/Katharine_Hepburn" title="Katharine Hepburn">Katharine Hepburn</a> in the big-budget historical drama <a href="/wiki/Green_Dolphin_Street_(film)" title="Green Dolphin Street (film)">Green Dolphin Street</a> (1947), a role for which she darkened her hair and lost 15 pounds.<a href="#cite_note-concentrate-126">[121]</a><a href="#cite_note-dolphin-127">[122]</a> The film was produced by <a href="/wiki/Carey_Wilson_(writer)" title="Carey Wilson (writer)">Carey Wilson</a>, who insisted on casting Turner based on her performance in The Postman Always Rings Twice. In the film, she portrayed the daughter of a wealthy patriarch who pursues a relationship with a man in love with her sister.<a href="#cite_note-dolphin-127">[122]</a> Turner later recalled she was surprised about replacing Hepburn, saying: "I'm about the most un-Hepburnish actress on the lot. But it was just what I wanted to do."<a href="#cite_note-concentrate-126">[121]</a> It was her first starring role that did not center on her looks. In an interview, Turner said: "I even go running around in the jungles of New Zealand in a dress that's filthy and ragged. I don't wear any make-up and my hair's a mess." Nevertheless, she insisted she would not give up her glamorous image.<a href="#cite_note-concentrate-126">[121]</a> In the midst of filming Green Dolphin Street, Turner began an affair with actor <a href="/wiki/Tyrone_Power" title="Tyrone Power">Tyrone Power</a>,<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_39:40-128">[123]</a><a href="#cite_note-FOOTNOTEBellows2006192-129">[124]</a> whom she considered to be the love of her life.<a href="#cite_note-FOOTNOTEWayne2003178-130">[125]</a> She discovered she was pregnant with Power's child in the fall of 1947, but chose to have an abortion.<a href="#cite_note-FOOTNOTEWayne2003178-130">[125]</a><a href="#cite_note-donahue-37">[33]</a> During this time, she also had romantic affairs with <a href="/wiki/Frank_Sinatra" title="Frank Sinatra">Frank Sinatra</a><a href="#cite_note-FOOTNOTELanger2001event_occurs_at_32:44-131">[126]</a> and <a href="/wiki/Howard_Hughes" title="Howard Hughes">Howard Hughes</a>, the latter of which lasted for 12 weeks in late 1946.<a href="#cite_note-FOOTNOTEBrownBroeske2004199–201-132">[127]</a> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Lana_Turner_1940s_publicity_portrait.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/de/Lana_Turner_1940s_publicity_portrait.jpg/170px-Lana_Turner_1940s_publicity_portrait.jpg" decoding="async" width="170" height="218" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/de/Lana_Turner_1940s_publicity_portrait.jpg/255px-Lana_Turner_1940s_publicity_portrait.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/de/Lana_Turner_1940s_publicity_portrait.jpg/340px-Lana_Turner_1940s_publicity_portrait.jpg 2x" data-file-width="663" data-file-height="849" /></a><figcaption>Turner in a 1940s publicity portrait</figcaption></figure> Turner's next film was the romantic drama <a href="/wiki/Cass_Timberlane" title="Cass Timberlane">Cass Timberlane</a>, in which she played a young woman in love with an older judge, a role for which <a href="/wiki/Jennifer_Jones" title="Jennifer Jones">Jennifer Jones</a>, <a href="/wiki/Vivien_Leigh" title="Vivien Leigh">Vivien Leigh</a> and <a href="/wiki/Virginia_Grey" title="Virginia Grey">Virginia Grey</a> had also been considered.<a href="#cite_note-133">[128]</a> As of early 1946, Turner was set for the role, but schedules with Green Dolphin Street almost prohibited her from taking it, and by late 1946, she was nearly recast.<a href="#cite_note-134">[129]</a> Production of Cass Timberlane was exhausting for Turner, because it was shot in between retakes of Green Dolphin Street.<a href="#cite_note-FOOTNOTEMcClelland1992292-135">[130]</a> Cass Timberlane earned Turner favorable reviews, with <a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a> noting: "Turner is the surprise of the picture via her top performance thespically. In a role that allows her the gamut from tomboy to the pangs of childbirth and from being another man's woman to remorseful wife, she seldom fails to acquit herself creditably."<a href="#cite_note-136">[131]</a> In August 1947, immediately upon completion of Cass Timberlane, Turner agreed to appear as the female lead in the World War II-set romantic drama <a href="/wiki/Homecoming_(1948_film)" title="Homecoming (1948 film)">Homecoming</a> (1948), in which she was again paired with Clark Gable, portraying a female army lieutenant who falls in love with an American surgeon (Gable).<a href="#cite_note-homecoming-137">[132]</a> She was the studio's first choice for the role, but it was reluctant to offer her the part, considering her overbooked schedule.<a href="#cite_note-homecoming-137">[132]</a> Homecoming was well received by audiences, and Turner and Gable were nicknamed "the team that generates steam".<a href="#cite_note-FOOTNOTEValentino1976158-138">[133]</a> By this period, Turner was at the zenith of her film career, and was not only MGM's most popular star, but also one of the ten highest-paid women in the United States, with annual earnings of $226,000.<a href="#cite_note-FOOTNOTEMorellaEpstein197182-119">[114]</a><a href="#cite_note-FOOTNOTELanger2001event_occurs_at_42:51-139">[134]</a> <div class="mw-heading mw-heading3"><h3 id="1948–1952:_Studio_rebranding_and_personal_struggles">1948–1952: Studio rebranding and personal struggles</h3>[<a href="/w/index.php?title=Lana_Turner&action=edit&section=6" title="Edit section: 1948–1952: Studio rebranding and personal struggles">edit</a>]</div> In late 1947, Turner was cast as Lady de Winter in <a href="/wiki/The_Three_Musketeers_(1948_film)" title="The Three Musketeers (1948 film)">The Three Musketeers</a>, her first <a href="/wiki/Technicolor" title="Technicolor">Technicolor</a> film.<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_44:12-140">[135]</a><a href="#cite_note-FOOTNOTEBasinger197677-141">[136]</a> Around this time, she began dating Henry J. "Bob" Topping Jr., a millionaire socialite and brother of <a href="/wiki/New_York_Yankees" title="New York Yankees">New York Yankees</a> owner <a href="/wiki/Dan_Topping" title="Dan Topping">Dan Topping</a>, and a grandson of tin-plate magnate <a href="/wiki/Daniel_G._Reid" title="Daniel G. Reid">Daniel G. Reid</a>.<a href="#cite_note-FOOTNOTEValentino197628-102">[97]</a> Topping proposed to her at the <a href="/wiki/21_Club" title="21 Club">21 Club</a> in New York City by dropping a diamond ring into her martini, and they married shortly after in April 1948 at the Topping family mansion in <a href="/wiki/Greenwich,_Connecticut" title="Greenwich, Connecticut">Greenwich, Connecticut</a>.<a href="#cite_note-FOOTNOTECrane198893–97-142">[137]</a><a href="#cite_note-FOOTNOTELanger2001event_occurs_at_43:47-143">[138]</a> Turner's wedding celebrations interfered with her filming schedule for The Three Musketeers, and she arrived to the set three days late.<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_44:05-144">[139]</a><a href="#cite_note-FOOTNOTEMorellaEpstein1971111–113-145">[140]</a> Studio head Louis B. Mayer threatened to suspend her contract, but Turner managed to leverage her box-office draw with MGM to negotiate an expansion of her role in the film, as well as a salary increase amounting to $5,000 per week ($68,227 in 2023 dollars <a href="#cite_note-inflation-US-48">[43]</a>).<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_44:45-146">[141]</a><a href="#cite_note-FOOTNOTEMorellaEpstein1971112-147">[142]</a> The Three Musketeers went on to become a box-office success, earning $4.5 million ($61,403,875 in 2023 dollars <a href="#cite_note-inflation-US-48">[43]</a>),<a href="#cite_note-FOOTNOTEMorellaEpstein1971122-148">[143]</a> but Turner's contract was put on temporary suspension by Mayer after production finished.<a href="#cite_note-FOOTNOTETurner1982122-149">[144]</a> After the release of The Three Musketeers, Turner discovered she was pregnant; in early 1949, she went into premature labor and gave birth to a <a href="/wiki/Stillbirth" title="Stillbirth">stillborn</a> baby boy in New York City.<a href="#cite_note-FOOTNOTETurner1982115–116-150">[145]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:George_Cukor_and_Lana_Turner_1950.png" class="mw-file-description"><img alt="Woman sitting in chair beside a man" src="//upload.wikimedia.org/wikipedia/commons/thumb/1/1e/George_Cukor_and_Lana_Turner_1950.png/200px-George_Cukor_and_Lana_Turner_1950.png" decoding="async" width="200" height="210" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/1e/George_Cukor_and_Lana_Turner_1950.png/300px-George_Cukor_and_Lana_Turner_1950.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1e/George_Cukor_and_Lana_Turner_1950.png/400px-George_Cukor_and_Lana_Turner_1950.png 2x" data-file-width="706" data-file-height="743" /></a><figcaption>Turner with <a href="/wiki/George_Cukor" title="George Cukor">George Cukor</a> on the set of <a href="/wiki/A_Life_of_Her_Own" title="A Life of Her Own">A Life of Her Own</a> (1950)</figcaption></figure> In 1949, Turner was to star in <a href="/wiki/A_Life_of_Her_Own" title="A Life of Her Own">A Life of Her Own</a> (1950), a <a href="/wiki/George_Cukor" title="George Cukor">George Cukor</a>-directed drama about a woman who aspires to be a model in New York City. The project was shelved for several months, and Turner told journalists in December 1949: "Everybody agrees that the script is still a pile of junk. I'm anxious to get started. By the time this one comes out, it will be almost three years since I was last on the screen, in The Three Musketeers. I don't think it's healthy to stay off the screen that long."<a href="#cite_note-151">[146]</a> Although unenthusiastic about the screenplay, Turner agreed to appear in the film after executives promised her suspension would be lifted upon doing so.<a href="#cite_note-FOOTNOTETurner1982122-149">[144]</a> A Life of Her Own was among the least successful of Cukor's films, receiving unfavorable reviews and low box-office sales.<a href="#cite_note-FOOTNOTEMorellaEpstein1971127-152">[147]</a> On May 24, 1950, Turner left her handprints and footprints in cement in front of <a href="/wiki/Grauman%27s_Chinese_Theatre" title="Grauman's Chinese Theatre">Grauman's Chinese Theatre</a>.<a href="#cite_note-153">[148]</a> In response to the poor reception for A Life of Her Own, MGM attempted to rebrand Turner by casting her in musicals.<a href="#cite_note-FOOTNOTEShipman1970526-154">[149]</a> The first, <a href="/wiki/Mr._Imperium" title="Mr. Imperium">Mr. Imperium</a>, released in March 1951, was a <a href="/wiki/Box_office_flop" class="mw-redirect" title="Box office flop">box-office flop</a>, and had Turner starring as an American woman who is wooed by a European prince.<a href="#cite_note-FOOTNOTEValentino1976171–173-155">[150]</a> "The script was stupid," she recalled. "I fought against doing the picture, but I lost."<a href="#cite_note-FOOTNOTETurner1982124-156">[151]</a> It earned her unfavorable reviews, with one critic from the St. Petersburg Times writing: "Without Lana Turner, Mr. Imperium ... would be a better picture."<a href="#cite_note-157">[152]</a> During this period, Turner's personal finances were in disarray, and she was facing bankruptcy.<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_53:37-158">[153]</a> Suffering from depression over her career and financial problems, she attempted suicide in September 1951 by slitting her wrists in a locked bathroom.<a href="#cite_note-FOOTNOTETurner1982129-159">[154]</a> She was saved by her business manager, Benton Cole, who broke down the bathroom door and called emergency medical services.<a href="#cite_note-FOOTNOTETurner1982129-159">[154]</a> The following year, she began filming her second musical, <a href="/wiki/The_Merry_Widow_(1952_film)" title="The Merry Widow (1952 film)">The Merry Widow</a>. During the shoot, Turner began an affair with her co-star <a href="/wiki/Fernando_Lamas" title="Fernando Lamas">Fernando Lamas</a>, which ended after Lamas physically assaulted her; the incident also caused Lamas to lose his MGM contract upon the production's completion.<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_56:23-160">[155]</a> The Merry Widow proved more commercially successful than Turner's previous musical, Mr. Imperium, despite receiving unfavorable critical reviews.<a href="#cite_note-FOOTNOTEMorellaEpstein1971135–136-161">[156]</a> Turner's next project was opposite <a href="/wiki/Kirk_Douglas" title="Kirk Douglas">Kirk Douglas</a> in <a href="/wiki/Vincente_Minnelli" title="Vincente Minnelli">Vincente Minnelli</a>'s <a href="/wiki/The_Bad_and_the_Beautiful" title="The Bad and the Beautiful">The Bad and the Beautiful</a> (1952), a drama focusing on the rise and fall of a Hollywood film mogul, in which Turner portrayed an alcoholic movie star.<a href="#cite_note-FOOTNOTEMorellaEpstein1971132–133-162">[157]</a> The Bad and the Beautiful was both a critical and commercial success, and earned her favorable reviews.<a href="#cite_note-FOOTNOTEMorellaEpstein1971139–140-163">[158]</a> A little over a week before the film's release in December 1952, Turner divorced her third husband, Bob Topping.<a href="#cite_note-FOOTNOTEValentino197628-102">[97]</a> She later claimed Topping's drinking problem and excessive gambling as her impetus for the divorce.<a href="#cite_note-FOOTNOTETurner1982126–134-164">[159]</a> Her next film project was <a href="/wiki/Latin_Lovers_(1953_film)" title="Latin Lovers (1953 film)">Latin Lovers</a> (1953), a romantic musical in which Lamas had originally been cast. He was replaced by <a href="/wiki/Ricardo_Montalb%C3%A1n" title="Ricardo Montalbán">Ricardo Montalbán</a>.<a href="#cite_note-FOOTNOTEMorellaEpstein1971136–139-165">[160]</a> <div class="mw-heading mw-heading3"><h3 id="1953–1957:_MGM_departure_and_film_resurgence">1953–1957: MGM departure and film resurgence</h3>[<a href="/w/index.php?title=Lana_Turner&action=edit&section=7" title="Edit section: 1953–1957: MGM departure and film resurgence">edit</a>]</div> In the spring of 1953, Turner relocated to Europe for 18 months to make two films under a tax credit for American productions shot abroad.<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_59:00-166">[161]</a> The films were <a href="/wiki/Flame_and_the_Flesh" title="Flame and the Flesh">Flame and the Flesh</a>, in which she portrayed a manipulative woman who takes advantage of a musician, and <a href="/wiki/Betrayed_(1954_film)" title="Betrayed (1954 film)">Betrayed</a>, an espionage thriller set in the <a href="/wiki/Nazi" class="mw-redirect" title="Nazi">Nazi</a>-occupied Netherlands; the latter marked Turner's fourth and final film appearance opposite Clark Gable.<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_59:49-167">[162]</a> In The New York Times, Bosley Crowther wrote of Betrayed: "By the time this picture gets around to figuring out whether the betrayer is Miss Turner or Mr. Mature, it has taken the audience through such a lengthy and tedious amount of detail that it has not only frayed all possible tension but it has aggravated patience as well."<a href="#cite_note-168">[163]</a> Upon returning to the United States in September 1953, Turner married actor <a href="/wiki/Lex_Barker" title="Lex Barker">Lex Barker</a>,<a href="#cite_note-FOOTNOTEValentino197628-102">[97]</a> whom she had been dating since their first meeting at a party held by <a href="/wiki/Marion_Davies" title="Marion Davies">Marion Davies</a> in the summer of 1952.<a href="#cite_note-FOOTNOTETurner1982132-169">[164]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Lana_Turner_in_The_Prodigal.png" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/4/47/Lana_Turner_in_The_Prodigal.png/170px-Lana_Turner_in_The_Prodigal.png" decoding="async" width="170" height="229" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/47/Lana_Turner_in_The_Prodigal.png/255px-Lana_Turner_in_The_Prodigal.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/47/Lana_Turner_in_The_Prodigal.png/340px-Lana_Turner_in_The_Prodigal.png 2x" data-file-width="463" data-file-height="625" /></a><figcaption>Turner in <a href="/wiki/The_Prodigal" title="The Prodigal">The Prodigal</a> (1955)</figcaption></figure> In 1955, MGM's new studio head <a href="/wiki/Dore_Schary" title="Dore Schary">Dore Schary</a> had Turner star as a pagan temptress in the Biblical epic <a href="/wiki/The_Prodigal" title="The Prodigal">The Prodigal</a> (1955), her first <a href="/wiki/CinemaScope" title="CinemaScope">CinemaScope</a> feature.<a href="#cite_note-FOOTNOTEParishBowers1973777-170">[165]</a><a href="#cite_note-FOOTNOTEMorellaEpstein1971155-171">[166]</a> She was reluctant to appear in the film because of the character's scanty, "atrocious" costumes and "stupid" lines, and during the shoot struggled to get along with co-star <a href="/wiki/Edmund_Purdom" title="Edmund Purdom">Edmund Purdom</a>, whom she later described as "a young man with a remarkably high opinion of himself".<a href="#cite_note-FOOTNOTETurner1982146-172">[167]</a> Variety deemed the film "a big-scale spectacle ...End result of all this flamboyant polish, however, is only fair entertainment."<a href="#cite_note-173">[168]</a> Turner was next cast in <a href="/wiki/John_Farrow" title="John Farrow">John Farrow</a>'s <a href="/wiki/The_Sea_Chase" title="The Sea Chase">The Sea Chase</a> (1955), an adventure film starring <a href="/wiki/John_Wayne" title="John Wayne">John Wayne</a>, in which she portrayed a femme fatale spy aboard a ship.<a href="#cite_note-FOOTNOTEMorellaEpstein1971156-174">[169]</a> The film, released one month after The Prodigal, was a commercial success.<a href="#cite_note-FOOTNOTEMorellaEpstein1971160-175">[170]</a> MGM then gave Turner the titular role of <a href="/wiki/Diane_de_Poitiers" title="Diane de Poitiers">Diane de Poitiers</a> in the period drama <a href="/wiki/Diane_(1956_film)" title="Diane (1956 film)">Diane</a> (1956), which had originally been optioned by the studio in the 1930s for <a href="/wiki/Greta_Garbo" title="Greta Garbo">Greta Garbo</a>.<a href="#cite_note-FOOTNOTEValentino1976211-176">[171]</a> After completing Diane, Turner was loaned to 20th Century-Fox to headline <a href="/wiki/The_Rains_of_Ranchipur" title="The Rains of Ranchipur">The Rains of Ranchipur</a> (1955), a remake of <a href="/wiki/The_Rains_Came" title="The Rains Came">The Rains Came</a> (1939), playing the wife of an aristocrat in the <a href="/wiki/British_Raj" title="British Raj">British Raj</a> opposite <a href="/wiki/Richard_Burton" title="Richard Burton">Richard Burton</a>.<a href="#cite_note-FOOTNOTEMorellaEpstein1971158–159-177">[172]</a><a href="#cite_note-FOOTNOTEValentino1976207-178">[173]</a> The production was rushed to accommodate a Christmas release and was completed in only three months, but it received unfavorable reviews from critics.<a href="#cite_note-FOOTNOTEMorellaEpstein1971161-179">[174]</a> Meanwhile, Diane was given a test screening in late December 1955, and was met with poor response from audiences.<a href="#cite_note-FOOTNOTEMorellaEpstein1971161-179">[174]</a> Though an elaborate marketing campaign was crafted to promote the film, it was a box-office flop,<a href="#cite_note-FOOTNOTEParishBowers1973745-180">[175]</a> and MGM announced in February 1956 that it was opting not to renew Turner's contract.<a href="#cite_note-FOOTNOTEWayne2003183-181">[176]</a> Turner gleefully told a reporter at the time that she was "walking around in a daze. I've been sprung. After 18 years at MGM, I'm a free agent ...I used to go on a bended knee to the front office and say, please give me a decent story. I'll work for nothing, just give me a good story. So what happened? The last time I begged for a good story they gave me The Prodigal."<a href="#cite_note-FOOTNOTEMorellaEpstein1971162-182">[177]</a> At the time of her contract termination, Turner's films had earned the studio more than $50 million.<a href="#cite_note-FOOTNOTEMorellaEpstein1971162-182">[177]</a> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Lana_Turner_and_Betty_Field_-_Peyton_Place.jpg" class="mw-file-description"><img alt="Two women facing one another" src="//upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Lana_Turner_and_Betty_Field_-_Peyton_Place.jpg/220px-Lana_Turner_and_Betty_Field_-_Peyton_Place.jpg" decoding="async" width="220" height="167" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Lana_Turner_and_Betty_Field_-_Peyton_Place.jpg/330px-Lana_Turner_and_Betty_Field_-_Peyton_Place.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Lana_Turner_and_Betty_Field_-_Peyton_Place.jpg/440px-Lana_Turner_and_Betty_Field_-_Peyton_Place.jpg 2x" data-file-width="786" data-file-height="596" /></a><figcaption>Turner and <a href="/wiki/Betty_Field" title="Betty Field">Betty Field</a> in Peyton Place (1957), which earned Turner an <a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> nomination</figcaption></figure> In 1956, Turner discovered she was pregnant with Barker's child, but gave birth to a stillborn baby girl seven months into the pregnancy.<a href="#cite_note-FOOTNOTETurner1982154-183">[178]</a> In July 1957,<a href="#cite_note-FOOTNOTEValentino197628-102">[97]</a> she filed for divorce from Barker after her daughter Cheryl alleged that he had regularly molested and raped her over the course of their marriage.<a href="#cite_note-FOOTNOTECrane1988167-184">[179]</a><a href="#cite_note-FOOTNOTELanger2001event_occurs_at_1:01:15-185">[180]</a> According to Cheryl, Turner confronted Barker before forcing him out of their home at gunpoint.<a href="#cite_note-186">[181]</a> Weeks after her divorce, Turner began filming 20th Century-Fox's <a href="/wiki/Peyton_Place_(film)" title="Peyton Place (film)">Peyton Place</a>, in which she had been cast in the lead role of <a href="/wiki/Constance_MacKenzie" title="Constance MacKenzie">Constance MacKenzie</a>, a New England mother struggling to maintain a relationship with her teenage daughter.<a href="#cite_note-FOOTNOTEMorellaEpstein1971175-187">[182]</a> The film, directed by <a href="/wiki/Mark_Robson_(film_director)" title="Mark Robson (film director)">Mark Robson</a>, was adapted from <a href="/wiki/Grace_Metalious" title="Grace Metalious">Grace Metalious</a>' best-selling novel of the same name.<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_1:08:20-188">[183]</a> Released in December 1957, Peyton Place was a major <a href="/wiki/Blockbuster_(entertainment)" title="Blockbuster (entertainment)">blockbuster</a> success, which worked in Turner's favor as she had agreed to take a percentage of the film's overall earnings instead of a salary.<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_1:08:25-189">[184]</a> She also received critical acclaim, with Variety noting that "Turner looks elegant" and "registers strongly",<a href="#cite_note-190">[185]</a> and, for the first and only time, she was nominated for an <a href="/wiki/Academy_Award_for_Best_Actress" title="Academy Award for Best Actress">Academy Award for Best Actress</a>.<a href="#cite_note-FOOTNOTEKashnerMacNair2002254-191">[186]</a> Though grateful for the nomination, Turner would later state that she felt it was not "one of my better roles".<a href="#cite_note-FOOTNOTETurner1982181-192">[187]</a> <div class="mw-heading mw-heading3"><h3 id="1958–1959:_Johnny_Stompanato_homicide_scandal">1958–1959: Johnny Stompanato homicide scandal</h3>[<a href="/w/index.php?title=Lana_Turner&action=edit&section=8" title="Edit section: 1958–1959: Johnny Stompanato homicide scandal">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Johnny_Stompanato_homicide" class="mw-redirect" title="Johnny Stompanato homicide">Johnny Stompanato homicide</a></div> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Lana_Turner_and_Johnny_Stompanato.jpg" class="mw-file-description"><img alt="Woman and man in bathing suits, embracing" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/2f/Lana_Turner_and_Johnny_Stompanato.jpg/170px-Lana_Turner_and_Johnny_Stompanato.jpg" decoding="async" width="170" height="204" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/2f/Lana_Turner_and_Johnny_Stompanato.jpg/255px-Lana_Turner_and_Johnny_Stompanato.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/2f/Lana_Turner_and_Johnny_Stompanato.jpg/340px-Lana_Turner_and_Johnny_Stompanato.jpg 2x" data-file-width="664" data-file-height="795" /></a><figcaption>Turner and Stompanato in <a href="/wiki/Acapulco" title="Acapulco">Acapulco</a> on April 1, 1958, four days before he was stabbed to death by Turner's daughter</figcaption></figure> In January 1958, <a href="/wiki/Paramount_Pictures" title="Paramount Pictures">Paramount Pictures</a> released <a href="/wiki/The_Lady_Takes_a_Flyer" title="The Lady Takes a Flyer">The Lady Takes a Flyer</a>, a romantic comedy in which Turner portrayed a female pilot.<a href="#cite_note-FOOTNOTEBasinger1976115-193">[188]</a> While shooting the film the previous spring, she had begun receiving phone calls and flowers on the set from <a href="/wiki/Gangster" title="Gangster">mobster</a> <a href="/wiki/Johnny_Stompanato" title="Johnny Stompanato">Johnny Stompanato</a>, using the name "John Steele".<a href="#cite_note-FOOTNOTETurner1982158-194">[189]</a> Stompanato had close ties to the Los Angeles underworld and gangster <a href="/wiki/Mickey_Cohen" title="Mickey Cohen">Mickey Cohen</a>, which he feared would dissuade her from dating him.<a href="#cite_note-FOOTNOTETurner1982200–203-195">[190]</a> He pursued Turner aggressively, sending her various gifts.<a href="#cite_note-FOOTNOTETurner1982159–161-196">[191]</a> Turner was "thoroughly intrigued" and began casually dating him.<a href="#cite_note-FOOTNOTETurner1982161-197">[192]</a> After a friend informed her of who Stompanato actually was, she confronted him and tried to break off the affair.<a href="#cite_note-FOOTNOTETurner1982163–165-198">[193]</a> Stompanato was not easily deterred, and over the course of the following year, they carried on a relationship filled with violent arguments, physical abuse and repeated reconciliations.<a href="#cite_note-FOOTNOTEFeldstein2000120-199">[194]</a><a href="#cite_note-FOOTNOTETurner1982160–191-200">[195]</a> Turner would also claim that on one occasion he drugged her and took nude photographs of her while unconscious, potentially to use as blackmail.<a href="#cite_note-FOOTNOTETurner1982205-201">[196]</a> In September 1957, Stompanato visited Turner in London, where she was filming <a href="/wiki/Another_Time,_Another_Place_(1958_film)" title="Another Time, Another Place (1958 film)">Another Time, Another Place</a>, co-starring <a href="/wiki/Sean_Connery" title="Sean Connery">Sean Connery</a>.<a href="#cite_note-FOOTNOTEMorellaEpstein1971177–182-202">[197]</a> Their meeting was initially happy, but they soon began fighting. Stompanato became suspicious when Turner would not allow him to visit the set and, during one fight, he violently choked her.<a href="#cite_note-FOOTNOTETurner1982168–169-203">[198]</a> To avoid further confrontation, Turner and her makeup artist, Del Armstrong, called <a href="/wiki/Scotland_Yard" title="Scotland Yard">Scotland Yard</a> in order to have Stompanato deported.<a href="#cite_note-FOOTNOTEFischer1991217-204">[199]</a><a href="#cite_note-FOOTNOTETurner1982169–172-205">[200]</a> Stompanato got wind of the plan and showed up on the set with a gun, threatening her and Connery.<a href="#cite_note-FOOTNOTEWayne2003185-206">[201]</a> Connery answered by grabbing the gun out of Stompanato's hand and twisting his wrist, causing him to run off the set.<a href="#cite_note-FOOTNOTEKohn2001388-207">[202]</a> Turner and Armstrong later returned with two Scotland Yard detectives to the rented house where she and Stompanato were staying. The detectives advised Stompanato to leave and escorted him out of the house and to the airport, where he boarded a plane back to the U.S.<a href="#cite_note-FOOTNOTETurner1982170-208">[203]</a> On the evening of March 26, 1958, Turner attended the Academy Awards to observe her nomination for Peyton Place and present the award for <a href="/wiki/Academy_Award_for_Best_Supporting_Actor" title="Academy Award for Best Supporting Actor">Best Supporting Actor</a>.<a href="#cite_note-FOOTNOTETurner1982180-209">[204]</a> Stompanato, angered that he did not attend with her, awaited her return home that evening, whereupon he physically assaulted her.<a href="#cite_note-FOOTNOTETurner1982183–187-210">[205]</a> Around 8:00 p.m. on Friday, April 4, Stompanato arrived at Turner's rented home at 730 North Bedford Drive in Beverly Hills.<a href="#cite_note-FOOTNOTETurner1982190-211">[206]</a><a href="#cite_note-FOOTNOTEMorellaEpstein1971186-212">[207]</a> The two began arguing heatedly in the bedroom, during which Stompanato threatened to kill Turner, her daughter Cheryl and her mother.<a href="#cite_note-FOOTNOTEFeldstein2000120-199">[194]</a> Fearing that her mother's life was in danger, Cheryl – who had been watching television in an adjacent room – grabbed a kitchen knife and ran to Turner's defense.<a href="#cite_note-FOOTNOTEMorellaEpstein1971188-213">[208]</a> According to testimony provided by Turner, Stompanato died at the scene when Cheryl, who had been listening to the couple's fight behind the closed door, stabbed Stompanato in the stomach when Turner attempted to usher him out of the bedroom.<a href="#cite_note-FOOTNOTELewis201794-214">[209]</a> Turner testified that she initially believed Cheryl had punched him, but realized Stompanato had been stabbed when he collapsed and she saw blood on his shirt.<a href="#cite_note-FOOTNOTELewis201794-214">[209]</a> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Stephen_Crane,_Lana_Turner,_and_Mildred_Turner.jpg" class="mw-file-description"><img alt="Two women wearing sunglasses seated next to a man" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c7/Stephen_Crane%2C_Lana_Turner%2C_and_Mildred_Turner.jpg/220px-Stephen_Crane%2C_Lana_Turner%2C_and_Mildred_Turner.jpg" decoding="async" width="220" height="154" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c7/Stephen_Crane%2C_Lana_Turner%2C_and_Mildred_Turner.jpg/330px-Stephen_Crane%2C_Lana_Turner%2C_and_Mildred_Turner.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c7/Stephen_Crane%2C_Lana_Turner%2C_and_Mildred_Turner.jpg/440px-Stephen_Crane%2C_Lana_Turner%2C_and_Mildred_Turner.jpg 2x" data-file-width="826" data-file-height="577" /></a><figcaption>Turner (center) with ex-husband Steve Crane and mother Mildred at Cheryl's juvenile court hearing, April 24, 1958</figcaption></figure> Because of Turner's fame and the fact that the killing involved her teenage daughter, the case quickly became a media sensation.<a href="#cite_note-FOOTNOTEMorellaEpstein1971195-215">[210]</a> More than 100 reporters and journalists attended the April 12, 1958 <a href="/wiki/Inquest" title="Inquest">inquest</a>, described by attendees as "near-riotous".<a href="#cite_note-FOOTNOTEFeldstein2000120–121-216">[211]</a> After four hours of testimony and approximately 25 minutes of deliberation, the jury deemed the killing a <a href="/wiki/Justifiable_homicide" title="Justifiable homicide">justifiable homicide</a>.<a href="#cite_note-cnn-217">[212]</a><a href="#cite_note-FOOTNOTETurner1982203-218">[213]</a> Cheryl remained a temporary ward of the court until April 24, when a <a href="/wiki/Juvenile_court" title="Juvenile court">juvenile court</a> hearing was held, during which the judge expressed concerns over her receiving "proper parental supervision".<a href="#cite_note-FOOTNOTETurner1982203-218">[213]</a> She was ultimately released to the care of her grandmother, and was ordered to regularly visit a psychiatrist alongside her parents.<a href="#cite_note-FOOTNOTETurner1982203-218">[213]</a> Though Turner and her daughter were exonerated of any wrongdoing, public opinion on the event was varied, with numerous publications intimating that Turner's testimony at the inquest was a performance; Life magazine published a photo of Turner testifying in court along with stills of her in courtroom scenes from three of her films.<a href="#cite_note-FOOTNOTEFeldstein2000122-219">[214]</a> The scandal also coincided with the release of Another Time, Another Place, and the film was met with poor box-office receipts and a lackluster critical response.<a href="#cite_note-FOOTNOTEValentino1976221-220">[215]</a> Stompanato's family sought a <a href="/wiki/Wrongful_death_claim" title="Wrongful death claim">wrongful death</a> suit of $750,000 in damages against both Turner and her ex-husband, Steve Crane. In the suit, Stompanato's son alleged that Turner had been responsible for his death, and that her daughter had taken the blame.<a href="#cite_note-221">[216]</a> The suit was settled out of court for a reported $20,000 in May 1962.<a href="#cite_note-FOOTNOTEMorellaEpstein1971233-222">[217]</a> A 1962 novel by <a href="/wiki/Harold_Robbins" title="Harold Robbins">Harold Robbins</a> entitled <a href="/wiki/Where_Love_Has_Gone_(novel)" title="Where Love Has Gone (novel)">Where Love Has Gone</a> and its subsequent <a href="/wiki/Where_Love_Has_Gone_(film)" title="Where Love Has Gone (film)">film adaptation</a> were inspired by the event.<a href="#cite_note-FOOTNOTEErickson2017119-223">[218]</a> <div class="mw-heading mw-heading3"><h3 id="1959–1965:_Financial_successes">1959–1965: Financial successes</h3>[<a href="/w/index.php?title=Lana_Turner&action=edit&section=9" title="Edit section: 1959–1965: Financial successes">edit</a>]</div> In the wake of negative publicity related to Stompanato's death, Turner accepted the lead role in <a href="/wiki/Ross_Hunter" title="Ross Hunter">Ross Hunter</a>'s remake of <a href="/wiki/Imitation_of_Life_(1959_film)" title="Imitation of Life (1959 film)">Imitation of Life</a> (1959) under the direction of <a href="/wiki/Douglas_Sirk" title="Douglas Sirk">Douglas Sirk</a>.<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_1:19:15-224">[219]</a> She portrayed a struggling stage actress who makes personal sacrifices to further her career.<a href="#cite_note-FOOTNOTEMorellaEpstein1971215-225">[220]</a> The production was difficult for Turner given the recent events of her personal life, and she suffered a panic attack on the first day of filming.<a href="#cite_note-FOOTNOTEMorellaEpstein1971217-226">[221]</a> Her co-star <a href="/wiki/Juanita_Moore" title="Juanita Moore">Juanita Moore</a> recalled that Turner cried for three days after filming a scene in which Moore's character dies.<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_1:20:05-227">[222]</a> When she returned to the set, "her face was so swollen, she couldn't work", Moore said.<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_1:20:09-228">[223]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Lana_Turner_in_Imitation_of_Life_2.jpg" class="mw-file-description"><img alt="Blonde woman" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/56/Lana_Turner_in_Imitation_of_Life_2.jpg/170px-Lana_Turner_in_Imitation_of_Life_2.jpg" decoding="async" width="170" height="231" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/56/Lana_Turner_in_Imitation_of_Life_2.jpg/255px-Lana_Turner_in_Imitation_of_Life_2.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/5/56/Lana_Turner_in_Imitation_of_Life_2.jpg 2x" data-file-width="297" data-file-height="403" /></a><figcaption>Turner in <a href="/wiki/Imitation_of_Life_(1959_film)" title="Imitation of Life (1959 film)">Imitation of Life</a> (1959)</figcaption></figure> Released in the spring of 1959, Imitation of Life was among the year's biggest successes, and the biggest of Turner's career; by opting to receive 50% of the film's earnings rather than receiving a salary, she earned more than two million dollars.<a href="#cite_note-thomasmay1957-229">[224]</a> Imitation of Life made more than $50 million in box office receipts.<a href="#cite_note-FOOTNOTEKashnerMacNair2002267-230">[225]</a> Reviews were mixed,<a href="#cite_note-FOOTNOTEMorellaEpstein1971219-231">[226]</a> although Variety praised her performance, writing: "Turner plays a character of changing moods, and her changes are remarkably effective, as she blends love and understanding, sincerity and ambition. The growth of maturity is reflected neatly in her distinguished portrayal."<a href="#cite_note-232">[227]</a> Critics and audiences could not help noticing that the plots of Peyton Place and Imitation of Life both seemed to mirror certain parts of Turner's private life, resulting in comparisons she found painful.<a href="#cite_note-FOOTNOTETurner1982208-233">[228]</a> Both films depicted the troubled, complicated relationship between a single mother and her teenage daughter.<a href="#cite_note-FOOTNOTEKashnerMacNair2002257-234">[229]</a> During this time, Turner's daughter Cheryl privately <a href="/wiki/Coming_out" title="Coming out">came out</a> as a <a href="/wiki/Lesbian" title="Lesbian">lesbian</a> to her parents, who were both supportive of her.<a href="#cite_note-cnn-217">[212]</a> Despite this, Cheryl ran away from home multiple times and the press wrote about her rebelliousness.<a href="#cite_note-thomasmay1957-229">[224]</a><a href="#cite_note-FOOTNOTETurner1982215–221-235">[230]</a> Worried she was still suffering from the trauma of Stompanato's death, Turner sent Cheryl to the <a href="/wiki/The_Institute_of_Living" title="The Institute of Living">Institute of Living</a> in <a href="/wiki/Hartford,_Connecticut" title="Hartford, Connecticut">Hartford, Connecticut</a>.<a href="#cite_note-FOOTNOTETurner1982221-236">[231]</a> Shortly before the release of Imitation of Life in the spring of 1959, Turner was cast in a lead role in <a href="/wiki/Otto_Preminger" title="Otto Preminger">Otto Preminger</a>'s <a href="/wiki/Anatomy_of_a_Murder" title="Anatomy of a Murder">Anatomy of a Murder</a>, but walked off the set over a wardrobe disagreement, effectively dropping out of the production.<a href="#cite_note-237">[232]</a><a href="#cite_note-FOOTNOTETurner1982263–265-238">[233]</a> She was replaced by <a href="/wiki/Lee_Remick" title="Lee Remick">Lee Remick</a>.<a href="#cite_note-FOOTNOTEThomas1997191-239">[234]</a> Instead, Turner took a lead role as a disturbed socialite in the film noir <a href="/wiki/Portrait_in_Black" title="Portrait in Black">Portrait in Black</a> (1960) opposite <a href="/wiki/Anthony_Quinn" title="Anthony Quinn">Anthony Quinn</a> and <a href="/wiki/Sandra_Dee" title="Sandra Dee">Sandra Dee</a>, which was a box-office success despite bad reviews.<a href="#cite_note-FOOTNOTEWayne2003187-240">[235]</a><a href="#cite_note-FOOTNOTEMorellaEpstein1971223-241">[236]</a> Ray Duncan of the <a href="/wiki/Pasadena_Star-News" title="Pasadena Star-News">Independent Star-News</a> wrote that Turner "suffers prettily through it all, like a fashion model with a tight-fitting shoe".<a href="#cite_note-242">[237]</a> In November 1960, Turner married her fifth husband, Frederick "Fred" May, a rancher and member of the <a href="/wiki/The_May_Department_Stores_Company" title="The May Department Stores Company">May department-store family</a> whom she had met at a beach party in Malibu shortly after filming Imitation of Life.<a href="#cite_note-FOOTNOTETurner1982210-243">[238]</a> Turner moved in with him on his ranch in <a href="/wiki/Chino,_California" title="Chino, California">Chino, California</a>, where the two took care of horses and other animals.<a href="#cite_note-FOOTNOTETurner1982217-244">[239]</a><a href="#cite_note-FOOTNOTEMorellaEpstein1971233-222">[217]</a> The following year, she made her final film at MGM with <a href="/wiki/Bob_Hope" title="Bob Hope">Bob Hope</a> in <a href="/wiki/Bachelor_in_Paradise_(film)" title="Bachelor in Paradise (film)">Bachelor in Paradise</a> (1961), a romantic comedy about an investigative writer (Hope) working on a book about the wives of a lavish California community; the film received a mostly positive critical reception.<a href="#cite_note-FOOTNOTEWayne2003188-245">[240]</a> Upon completing filming, Turner collected the remaining $92,000 from her <a href="/wiki/Pension" title="Pension">pension</a> fund with MGM.<a href="#cite_note-FOOTNOTEMorellaEpstein1971236-246">[241]</a> The same year, she starred in <a href="/wiki/By_Love_Possessed_(film)" title="By Love Possessed (film)">By Love Possessed</a> (1961), based on a <a href="/wiki/By_Love_Possessed_(novel)" title="By Love Possessed (novel)">bestselling novel</a> by <a href="/wiki/James_Gould_Cozzens" title="James Gould Cozzens">James Gould Cozzens</a>.<a href="#cite_note-FOOTNOTEValentino1976234-247">[242]</a> The film became the first <a href="/wiki/In-flight_entertainment#In-flight_movies" title="In-flight entertainment">in-flight movie</a> to be shown on a regular basis on a scheduled airline flight when <a href="/wiki/Trans_World_Airlines" title="Trans World Airlines">TWA</a> showed it to its first-class passengers.<a href="#cite_note-FOOTNOTESlide1998101-248">[243]</a> In mid-1962, Turner filmed <a href="/wiki/Who%27s_Got_the_Action%3F" title="Who's Got the Action?">Who's Got the Action?</a>, a comedy in which she portrayed the wife of a gambling addict opposite <a href="/wiki/Dean_Martin" title="Dean Martin">Dean Martin</a>.<a href="#cite_note-FOOTNOTEValentino1976240-249">[244]</a> In September of that year,<a href="#cite_note-250">[245]</a> Turner and May separated, divorcing shortly after in October.<a href="#cite_note-FOOTNOTEValentino197628-102">[97]</a> They remained friends throughout her later life.<a href="#cite_note-donahue-37">[33]</a> In 1965, she met Hollywood producer and businessman Robert Eaton, who was ten years her junior, through business associates.<a href="#cite_note-FOOTNOTETurner1982223-251">[246]</a> The two married in June of that year at his family's home in <a href="/wiki/Arlington_County,_Virginia" title="Arlington County, Virginia">Arlington County, Virginia</a>.<a href="#cite_note-FOOTNOTETurner1982226-252">[247]</a> <div class="mw-heading mw-heading3"><h3 id="1966–1985:_Later_films,_television_and_theatre">1966–1985: Later films, television and theatre</h3>[<a href="/w/index.php?title=Lana_Turner&action=edit&section=10" title="Edit section: 1966–1985: Later films, television and theatre">edit</a>]</div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Lana_Turner_-_Madame_X_publicity_photo.jpg" class="mw-file-description"><img alt="Woman in headscarf" src="//upload.wikimedia.org/wikipedia/commons/thumb/3/36/Lana_Turner_-_Madame_X_publicity_photo.jpg/180px-Lana_Turner_-_Madame_X_publicity_photo.jpg" decoding="async" width="180" height="215" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/36/Lana_Turner_-_Madame_X_publicity_photo.jpg/270px-Lana_Turner_-_Madame_X_publicity_photo.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/36/Lana_Turner_-_Madame_X_publicity_photo.jpg/360px-Lana_Turner_-_Madame_X_publicity_photo.jpg 2x" data-file-width="635" data-file-height="758" /></a><figcaption>Turner's role in <a href="/wiki/Madame_X_(1966_film)" title="Madame X (1966 film)">Madame X</a> (1966), earned her a <a href="/wiki/David_di_Donatello" title="David di Donatello">David di Donatello</a> Golden Plaque</figcaption></figure> In 1966, Turner had her last major starring role in the courtroom drama film <a href="/wiki/Madame_X_(1966_film)" title="Madame X (1966 film)">Madame X</a>, based on the <a href="/wiki/Madame_X" title="Madame X">1904 play</a> by <a href="/wiki/Alexandre_Bisson" title="Alexandre Bisson">Alexandre Bisson</a>, in which Turner portrayed a lower-class woman who marries into a wealthy family.<a href="#cite_note-FOOTNOTEValentino1976247–249-253">[248]</a> A review in the <a href="/wiki/Chicago_Tribune" title="Chicago Tribune">Chicago Tribune</a> praised her performance, noting: "when she takes the stand in the final (with <a href="/wiki/Keir_Dullea" title="Keir Dullea">Keir Dullea</a>) courtroom scene, her face resembling a dust bowl victory garden, it's the most devastating denouement since <a href="/wiki/Barbara_Fritchie" title="Barbara Fritchie">Barbara Fritchie</a> poked her head out the window."<a href="#cite_note-254">[249]</a> Kaspar Monahan of the <a href="/wiki/Pittsburgh_Press" class="mw-redirect" title="Pittsburgh Press">Pittsburgh Press</a> lauded her performance, writing: "Her performance, I think, is far and away her very best, even rating Oscar consideration in next year's Academy Award race, unless the culture snobs gang up against her."<a href="#cite_note-255">[250]</a> The role earned Turner a <a href="/wiki/David_di_Donatello" title="David di Donatello">David di Donatello</a> Golden Plaque Award for Best Foreign Actress that year.<a href="#cite_note-FOOTNOTEValentino1976251-256">[251]</a> In late 1968, she began filming the low-budget thriller <a href="/wiki/The_Big_Cube" title="The Big Cube">The Big Cube</a>, in which she portrayed a glamorous heiress being dosed with <a href="/wiki/Lysergic_acid_diethylamide" class="mw-redirect" title="Lysergic acid diethylamide">LSD</a> by her stepdaughter in hopes of driving her insane and receiving the family estate.<a href="#cite_note-FOOTNOTEMorellaEpstein1971260-257">[252]</a> One critic deemed Turner's acting in the film "strained and amateurish", and declared it "one of her poorest performances".<a href="#cite_note-258">[253]</a> In April 1969,<a href="#cite_note-259">[254]</a> Turner filed for divorce from Eaton after four years of marriage upon discovering he had been unfaithful to her.<a href="#cite_note-FOOTNOTETurner1982232-260">[255]</a> Weeks later, on May 9, 1969, she married <a href="/wiki/Ronald_Pellar" title="Ronald Pellar">Ronald Pellar</a>, a nightclub <a href="/wiki/Hypnotist" class="mw-redirect" title="Hypnotist">hypnotist</a> whom she had met at a Los Angeles disco.<a href="#cite_note-FOOTNOTETurner1982286–287-261">[256]</a> According to Turner, Pellar (also known as Ronald Dante or Dr. Dante)<a href="#cite_note-FOOTNOTETurner1982232–233-262">[257]</a> falsely claimed to have been raised in Singapore and to have a <a href="/wiki/Doctor_of_Philosophy" title="Doctor of Philosophy">Ph.D.</a> in psychology.<a href="#cite_note-FOOTNOTETurner1982233-263">[258]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Lana_Turner_in_The_Big_Cube_(1969).jpg" class="mw-file-description"><img alt="Woman with short hair, with a lost face" src="//upload.wikimedia.org/wikipedia/commons/thumb/9/98/Lana_Turner_in_The_Big_Cube_%281969%29.jpg/170px-Lana_Turner_in_The_Big_Cube_%281969%29.jpg" decoding="async" width="170" height="201" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/98/Lana_Turner_in_The_Big_Cube_%281969%29.jpg/255px-Lana_Turner_in_The_Big_Cube_%281969%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/98/Lana_Turner_in_The_Big_Cube_%281969%29.jpg/340px-Lana_Turner_in_The_Big_Cube_%281969%29.jpg 2x" data-file-width="1249" data-file-height="1477" /></a><figcaption>Turner in <a href="/wiki/The_Big_Cube" title="The Big Cube">The Big Cube</a> (1969)</figcaption></figure> With few film offers coming in, Turner signed on to appear in the television series <a href="/wiki/Harold_Robbins%27_The_Survivors" title="Harold Robbins' The Survivors">Harold Robbins' The Survivors</a>.<a href="#cite_note-264">[259]</a> Premiering in September 1969, the series was given a major national marketing campaign, with billboards featuring life-sized images of Turner.<a href="#cite_note-FOOTNOTERobbins2008222-265">[260]</a> Despite ABC's extensive publicity campaign and the presence of other big-name stars, the program fared badly, and it was canceled halfway into the season after a 15-week run in 1970.<a href="#cite_note-FOOTNOTERobbins2008222-265">[260]</a> Meanwhile, after six months of marriage, Turner discovered Pellar had stolen $35,000 she had given him for an investment.<a href="#cite_note-FOOTNOTEJordan2009227-266">[261]</a> In addition, she later accused him of stealing $100,000 worth of jewelry from her.<a href="#cite_note-FOOTNOTEJordan2009227-266">[261]</a> Pellar denied the accusations and no charges were filed against him.<a href="#cite_note-267">[262]</a> She filed for divorce in January 1970,<a href="#cite_note-FOOTNOTEValentino197628-102">[97]</a> after which she claimed to be <a href="/wiki/Celibate" class="mw-redirect" title="Celibate">celibate</a> for the remainder of her life.<a href="#cite_note-adelson-268">[263]</a><a href="#cite_note-thomasjuly1995-269">[264]</a> Turner married a total of eight times to seven different husbands,<a href="#cite_note-cnn-217">[212]</a> and later famously said: "My goal was to have one husband and seven children, but it turned out to be the other way around."<a href="#cite_note-FOOTNOTEParish2011249-107">[102]</a> Turner returned to feature films with a lead role in the 1974 British horror film <a href="/wiki/Persecution_(film)" title="Persecution (film)">Persecution</a>, in which she played a disturbed wealthy woman tormenting her son.<a href="#cite_note-FOOTNOTEValentino1976255–257-270">[265]</a> Variety noted of her performance: "Under the circumstances, Turner's performance as Carrie, the perverted dame of the English manor, has reasonable poise."<a href="#cite_note-271">[266]</a> In April 1975, Turner spoke at a retrospective gala in New York City examining her career, which was attended by <a href="/wiki/Andy_Warhol" title="Andy Warhol">Andy Warhol</a>, <a href="/wiki/Sylvia_Miles" title="Sylvia Miles">Sylvia Miles</a>, <a href="/wiki/Rex_Reed" title="Rex Reed">Rex Reed</a> and numerous fans.<a href="#cite_note-camp-272">[267]</a> Her next film was <a href="/wiki/Bittersweet_Love" title="Bittersweet Love">Bittersweet Love</a> (1976), a romantic drama in which she portrayed the mother of a woman who unwittingly marries her half-brother.<a href="#cite_note-FOOTNOTEValentino1976288-273">[268]</a> <a href="/wiki/Lawrence_Van_Gelder" title="Lawrence Van Gelder">Lawrence Van Gelder</a> of The New York Times wrote that the film served "as a reminder that Miss Turner was never one of our subtler actresses".<a href="#cite_note-274">[269]</a> In the early 1970s, Turner transitioned to theater, beginning with a production of <a href="/wiki/Forty_Carats" title="Forty Carats">Forty Carats</a>, which toured various East Coast cities in 1971.<a href="#cite_note-FOOTNOTETurner1982245-275">[270]</a> A review in <a href="/wiki/The_Philadelphia_Inquirer" title="The Philadelphia Inquirer">The Philadelphia Inquirer</a> noted: "Miss Turner always could wear clothes well, and her Forty Carats is a fashion show in the guise of a frothy, little comedy. It wasn't much of a play even when <a href="/wiki/Julie_Harris_(actress)" class="mw-redirect" title="Julie Harris (actress)">Julie Harris</a> was doing it, and it all but disappears under the old-time Hollywood glamor of Miss Turner's star presence."<a href="#cite_note-276">[271]</a> In 1975, Turner gave a single performance as Jessica Poole in <a href="/wiki/The_Pleasure_of_His_Company" title="The Pleasure of His Company">The Pleasure of His Company</a> opposite <a href="/wiki/Louis_Jourdan" title="Louis Jourdan">Louis Jourdan</a> at the Arlington Park Theater in Chicago.<a href="#cite_note-FOOTNOTEValentino1976284-277">[272]</a> From 1976 to 1978, she starred in a touring production of <a href="/wiki/Bell,_Book_and_Candle" title="Bell, Book and Candle">Bell, Book and Candle</a>, playing Gillian Holroyd.<a href="#cite_note-sbs-278">[273]</a><a href="#cite_note-straw-279">[274]</a> Critic Elaine Matas noted of a 1977 performance that Turner was "brilliant" and "the bright spot in an otherwise mediocre play".<a href="#cite_note-280">[275]</a> In the fall of 1978, she appeared in a Chicago production of Divorce Me, Darling, an original play in which she portrayed a San Francisco divorce attorney.<a href="#cite_note-christiansen-281">[276]</a> During rehearsals, a stagehand told reporters that Turner was "the hardest working broad I've known".<a href="#cite_note-detroit-282">[277]</a> <a href="/wiki/Richard_Christiansen_(critic)" title="Richard Christiansen (critic)">Richard Christiansen</a> of the <a href="/wiki/Chicago_Tribune" title="Chicago Tribune">Chicago Tribune</a> praised her performance, writing that, "though she is still a very nervous and inexpert actress, she is giving by far her most winning performance".<a href="#cite_note-christiansen-281">[276]</a> Between 1979 and 1980, Turner returned to theater, appearing in Murder Among Friends, a murder-mystery play that showed in various U.S. cities.<a href="#cite_note-283">[278]</a><a href="#cite_note-284">[279]</a><a href="#cite_note-285">[280]</a> During this time, Turner was in the midst of a self-described "downhill slide".<a href="#cite_note-FOOTNOTETurner1982248-286">[281]</a> She was suffering from an <a href="/wiki/Alcoholism" title="Alcoholism">alcohol addiction</a> that had begun in the late 1950s,<a href="#cite_note-FOOTNOTETurner1982245-275">[270]</a> was missing performances and weighed only 95 pounds (43 kg).<a href="#cite_note-FOOTNOTETurner1982248-286">[281]</a> In 1980, Turner made her final feature film appearance, in the <a href="/wiki/Comedy_horror" title="Comedy horror">comedy horror</a> film <a href="/wiki/Witches%27_Brew_(film)" title="Witches' Brew (film)">Witches' Brew</a>, alongside <a href="/wiki/Teri_Garr" title="Teri Garr">Teri Garr</a>. The same year, she had what she referred to as a "religious awakening", and again began practicing her Catholic faith.<a href="#cite_note-nytobit-287">[282]</a><a href="#cite_note-FOOTNOTETurner1982248–249-288">[283]</a> On October 25, 1981, the National Film Society presented Turner with an Artistry in Cinema award.<a href="#cite_note-289">[284]</a> In December 1981, it was announced that Turner would appear as the mysterious Jacqueline Perrault in an episode of <a href="/wiki/Falcon_Crest" title="Falcon Crest">Falcon Crest</a>,<a href="#cite_note-290">[285]</a> marking her first television role in 12 years.<a href="#cite_note-fc-291">[286]</a> Her appearance was a ratings success, and her character returned for an additional five episodes.<a href="#cite_note-292">[287]</a> In January 1982, Turner reprised her role in Murder Among Friends, which toured throughout the U.S. that year; paired with <a href="/wiki/Bob_Fosse" title="Bob Fosse">Bob Fosse</a>'s <a href="/wiki/Dancin%27" title="Dancin'">Dancin'</a>, the play earned a combined gross of $400,000 during one week at Pittsburgh's <a href="/wiki/Heinz_Hall_for_the_Performing_Arts" class="mw-redirect" title="Heinz Hall for the Performing Arts">Heinz Hall</a> in June 1982.<a href="#cite_note-anderson-293">[288]</a> In September, Turner released an autobiography entitled <a href="/wiki/Lana:_The_Lady,_the_Legend,_the_Truth" title="Lana: The Lady, the Legend, the Truth">Lana: The Lady, the Legend, the Truth</a>.<a href="#cite_note-294">[289]</a> She subsequently guest-starred on an episode of <a href="/wiki/The_Love_Boat" title="The Love Boat">The Love Boat</a> in 1985,<a href="#cite_note-davis-295">[290]</a> which marked her final on-screen appearance. <div class="mw-heading mw-heading2"><h2 id="Death">Death</h2>[<a href="/w/index.php?title=Lana_Turner&action=edit&section=11" title="Edit section: Death">edit</a>]</div> Turner was a regular drinker<a href="#cite_note-FOOTNOTETurner1982245-275">[270]</a> and <a href="/wiki/Tobacco_smoking" title="Tobacco smoking">cigarette smoker</a> for most of her life.<a href="#cite_note-FOOTNOTEMorellaEpstein197126-296">[291]</a><a href="#cite_note-FOOTNOTEParish2001239-297">[292]</a> During her contract with MGM, photographs that showed her holding cigarettes had to be <a href="/wiki/Airbrush" title="Airbrush">airbrushed</a> at the studio's request in an effort to conceal her smoking.<a href="#cite_note-FOOTNOTEMorellaEpstein197126-296">[291]</a> In her early sixties Turner stopped drinking to preserve her health,<a href="#cite_note-FOOTNOTETurner1982248–249-288">[283]</a> but she was unable to quit smoking.<a href="#cite_note-FOOTNOTETurner1982233-263">[258]</a> She was diagnosed with <a href="/wiki/Oropharyngeal_cancer" title="Oropharyngeal cancer">throat cancer</a> in the spring of 1992.<a href="#cite_note-298">[293]</a><a href="#cite_note-recovering-299">[294]</a> In a press release, she stated that the cancer had been detected early and had not damaged her vocal cords or larynx.<a href="#cite_note-recovering-299">[294]</a> She underwent exploratory surgery to remove the cancer,<a href="#cite_note-recovering-299">[294]</a> but it had <a href="/wiki/Metastasis" title="Metastasis">metastasized</a> to her jaw and lungs.<a href="#cite_note-guardianobit-300">[295]</a> After undergoing <a href="/wiki/Radiation_therapy" title="Radiation therapy">radiation therapy</a>,<a href="#cite_note-FOOTNOTEParish2001239-297">[292]</a> Turner announced that she was in full remission in early 1993.<a href="#cite_note-301">[296]</a> The cancer was found to have returned in July 1994.<a href="#cite_note-302">[297]</a> In September 1994, Turner made her final public appearance at the <a href="/wiki/San_Sebasti%C3%A1n_International_Film_Festival" title="San Sebastián International Film Festival">San Sebastián International Film Festival</a> in Spain to accept a Lifetime Achievement Award,<a href="#cite_note-FOOTNOTEWayne2003194-303">[298]</a> and used a wheelchair for much of the event.<a href="#cite_note-FOOTNOTEParish2001239-297">[292]</a> She died nine months later at the age of 74 on June 29, 1995, of complications from the cancer, at her home in <a href="/wiki/Century_City,_Los_Angeles" class="mw-redirect" title="Century City, Los Angeles">Century City, Los Angeles</a>, with her daughter by her side.<a href="#cite_note-cnn-217">[212]</a><a href="#cite_note-304">[299]</a> According to Cheryl, Turner's death was a "total shock", as she had appeared to be in better health and had recently completed seven weeks of radiation therapy.<a href="#cite_note-thomasjuly1995-269">[264]</a> Turner's remains were cremated and given to Cheryl. Multiple accounts have the ashes still in Cheryl's possession, while other accounts say the ashes were scattered in the ocean, but which ocean and location varies by the sources.<a href="#cite_note-FOOTNOTEWayne200313-305">[300]</a><a href="#cite_note-FOOTNOTEWilson2016761-306">[301]</a> Cheryl and her partner Joyce LeRoy, whom Turner said she accepted "as a second daughter",<a href="#cite_note-307">[302]</a> inherited some of Turner's personal effects and $50,000 in Turner's will. Her estate was estimated in court documents to be worth $1.7 million. Turner left the majority of her estate to her maid, Carmen Lopez Cruz, who had been her companion for 45 years and caregiver during her final illness.<a href="#cite_note-308">[303]</a> Cheryl challenged the will, and Cruz said that the majority of the estate was consumed by probate costs, legal fees and medical expenses.<a href="#cite_note-309">[304]</a> <div class="mw-heading mw-heading2"><h2 id="Public_and_screen_persona">Public and screen persona</h2>[<a href="/w/index.php?title=Lana_Turner&action=edit&section=12" title="Edit section: Public and screen persona">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatright" style="width:25em; ;"> <blockquote class="quotebox-quote left-aligned" style=""> Despite the reams of copy that have been written about me, even the supposedly private Lana, the press has never had any sense of who I am; they've even missed my humor, my love of gaiety and color ... Humor has been the balm of my life, but it's been reserved for those closest to me. </blockquote> <div style="padding-bottom: 0; padding-top: 0.5em"><cite class="left-aligned" style="">– Turner on her representation in press<a href="#cite_note-FOOTNOTETurner19828-310">[305]</a></cite></div> </div> When Turner was discovered, MGM executive Mervyn LeRoy envisioned her as a replacement for the recently deceased <a href="/wiki/Jean_Harlow" title="Jean Harlow">Jean Harlow</a> and began developing her image as a <a href="/wiki/Sex_symbol" title="Sex symbol">sex symbol</a>.<a href="#cite_note-FOOTNOTEMorellaEpstein197124–25-311">[306]</a> In They Won't Forget (1937) and Love Finds Andy Hardy (1938), she embodied an "innocent sexuality" portraying <a href="/wiki/Ing%C3%A9nue" title="Ingénue">ingénues</a>.<a href="#cite_note-FOOTNOTEJordan2009127-312">[307]</a> Film historian <a href="/wiki/Jeanine_Basinger" title="Jeanine Basinger">Jeanine Basinger</a> notes that she "represented the girl who'd rather sit on the diving board to show off her figure than get wet in the water ... the girl who'd rather kiss than kibbitz".<a href="#cite_note-FOOTNOTEBasinger197631-57">[52]</a> In her early films, Turner did not color her auburn hair—see Dancing Co-Ed (1939), in which she was billed "the red-headed sensation who brought "it" back to the screen".<a href="#cite_note-FOOTNOTEMorellaEpstein197134-313">[308]</a> 1941's Ziegfeld Girl was the first film to showcase Turner with <a href="/wiki/Blond#Varieties" title="Blond">platinum blonde</a> hair, which she wore for much of the remainder of her life and for which she came to be known.<a href="#cite_note-FOOTNOTEValentino197697,_195-314">[309]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Lana_Turner_1944_photo.jpg" class="mw-file-description"><img alt="Woman wearing flowered hairpiece looking into camera" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/56/Lana_Turner_1944_photo.jpg/200px-Lana_Turner_1944_photo.jpg" decoding="async" width="200" height="238" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/56/Lana_Turner_1944_photo.jpg/300px-Lana_Turner_1944_photo.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/56/Lana_Turner_1944_photo.jpg/400px-Lana_Turner_1944_photo.jpg 2x" data-file-width="596" data-file-height="710" /></a><figcaption>Turner in 1944</figcaption></figure> After Turner's first marriage in 1940, columnist <a href="/wiki/Louella_Parsons" title="Louella Parsons">Louella Parsons</a> wrote: "If Lana Turner will behave herself and not go completely berserk she is headed for a top spot in motion pictures. She is the most glamorous actress since Jean Harlow."<a href="#cite_note-FOOTNOTEMorellaEpstein197140–41-315">[310]</a> She also likened her to <a href="/wiki/Clara_Bow" title="Clara Bow">Clara Bow</a>, adding: "Both of them, trusting and lovable, use their hearts instead of their heads. Lana ... has always acted hastily and been guided more by her own ideas than by any advance any studio gave her."<a href="#cite_note-FOOTNOTEMorellaEpstein197141-74">[69]</a> By the mid-1940s, Turner had been married and divorced three times, had given birth to her daughter Cheryl and had numerous publicized affairs.<a href="#cite_note-thomasmay1957-229">[224]</a><a href="#cite_note-FOOTNOTEJordan2009127-312">[307]</a> However, her image in 1946's The Postman Always Rings Twice marked a departure from her strictly-sex symbol screen persona to that of a full-fledged <a href="/wiki/Femme_fatale" title="Femme fatale">femme fatale</a>.<a href="#cite_note-FOOTNOTEJordan2009127-312">[307]</a> By the 1950s, both critics and audiences began noting parallels between Turner's rocky personal life and the roles she played.<a href="#cite_note-FOOTNOTEDyer1991186–188-316">[311]</a> The likeness was most evident in Peyton Place and Imitation of Life, both films in which Turner portrayed single mothers struggling to maintain relationships with their teenage daughters.<a href="#cite_note-FOOTNOTEKashnerMacNair2002257–264-317">[312]</a> Film scholar <a href="/wiki/Richard_Dyer" title="Richard Dyer">Richard Dyer</a> cites Turner as an example of one of Hollywood's earliest stars whose publicized private life perceptibly inflected their careers: "Her career is marked by an unusually, even spectacularly, high degree of interpenetration between her publicly available private life and her films ... not only do her vehicles furnish characters and situations in accord with her off-screen image, but frequently incidents in them echo incidents in her life so that by the end of her career films like Peyton Place, Imitation of Life, Madame X and Love Has Many Faces seem in parts like mere illustrations of her life."<a href="#cite_note-FOOTNOTEDyer1991186–187-318">[313]</a> Basinger echoes similar sentiments, noting that Turner was often "cast only in roles that were symbolic of what the public knew—or thought they knew—of her life from headlines she made as a person, not as a movie character ... Her person became her persona."<a href="#cite_note-FOOTNOTEBasinger2008182-319">[314]</a> In addition, Basinger credits Turner as the first mainstream female star to "take the male prerogative openly for herself", publicly indulging in romances and affairs that in turn fueled the publicity surrounding her.<a href="#cite_note-FOOTNOTEBasinger197614-320">[315]</a> Film scholar Jessica Hope Jordan considers Turner an "implosion" of both a "real-life image and star image" and suggests that she utilized one to mask the other, thus rendering her representative of the "ultimate femme fatale".<a href="#cite_note-FOOTNOTEJordan2009114-321">[316]</a> Columnist <a href="/wiki/Dorothy_Kilgallen" title="Dorothy Kilgallen">Dorothy Kilgallen</a> took note of the intersections between Turner's life and screen persona early in her career, writing in 1946: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote">Lana Turner is a super-star for many reasons but chiefly because she is the same off-screen as she is on. Some of the stars are magnetic dazzlers on celluloid and ordinary, practical, polo-coated little things in private life. Not so Lana. No one who adored her in movies would be disappointed to meet her in the flesh. The flesh is the same. The biography is as colorful as any plot she has ever romped through on screen. The clothes she wears are just like the clothes you pay to see her in on Saturday night at the <a href="/wiki/Bijou_Theatre_(Manhattan,_1917)" title="Bijou Theatre (Manhattan, 1917)">Bijou</a>. The physical allure is just as heavy when she looks at a headwaiter as when she looks at a hero.<a href="#cite_note-FOOTNOTEMorellaEpstein197197-322">[317]</a> </blockquote> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Lana_Turner_1943.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/75/Lana_Turner_1943.jpg/200px-Lana_Turner_1943.jpg" decoding="async" width="200" height="273" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/75/Lana_Turner_1943.jpg/300px-Lana_Turner_1943.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/75/Lana_Turner_1943.jpg/400px-Lana_Turner_1943.jpg 2x" data-file-width="705" data-file-height="964" /></a><figcaption>Turner in 1943</figcaption></figure> Historians have cited Turner as one of the most <a href="/wiki/Glamour_(presentation)" title="Glamour (presentation)">glamorous</a> film stars of all time, an association that was made both during her lifetime<a href="#cite_note-FOOTNOTEBasinger197611-323">[318]</a><a href="#cite_note-FOOTNOTEValentino197613-324">[319]</a><a href="#cite_note-glamour-325">[320]</a> and after her death.<a href="#cite_note-FOOTNOTEKashnerMacNair2002254-191">[186]</a> Commenting on her image, she once told a journalist: "Forsaking glamour is like forsaking my identity. It's an image I've worked too hard to obtain and preserve."<a href="#cite_note-FOOTNOTEFields2007109-5">[4]</a> <a href="/wiki/Michael_Gordon_(film_director)" title="Michael Gordon (film director)">Michael Gordon</a>, who directed Turner in Portrait in Black, remembered her as "a very talented actress whose chief reliability was what I regarded as impoverished taste ... Lana was not a dummy, and she would give me wonderful rationalizations why she should wear pendant earrings. They had nothing to do with the role, but they had to do with her particular self-image."<a href="#cite_note-FOOTNOTEDavis2005119-326">[321]</a> According to her daughter, Turner's obsessive attention to detail often resulted in dressmakers storming out during dress fittings.<a href="#cite_note-FOOTNOTECraneDe_La_Hoz200896-327">[322]</a> No matter the setting, Turner also took care to ensure she was always "camera-ready", wearing jewelry and makeup even while lounging in sweatpants.<a href="#cite_note-FOOTNOTECraneDe_La_Hoz2008104-328">[323]</a> Turner often purchased her favorite styles of shoes in every available color, at one time accumulating 698 pairs.<a href="#cite_note-FOOTNOTECraneDe_La_Hoz200899-329">[324]</a> She favored the designers <a href="/wiki/Salvatore_Ferragamo" title="Salvatore Ferragamo">Salvatore Ferragamo</a>, <a href="/wiki/Jean_Louis" title="Jean Louis">Jean Louis</a>, <a href="/wiki/Helen_Rose" title="Helen Rose">Helen Rose</a> and <a href="/wiki/Nolan_Miller" title="Nolan Miller">Nolan Miller</a>.<a href="#cite_note-FOOTNOTECraneDe_La_Hoz200896-327">[322]</a><a href="#cite_note-FOOTNOTETurner198275-330">[325]</a> Film historians Joe Morella and Edward Epstein have observed that, unlike many female stars, Turner "wasn't resented by female fans", and that women made up a large part of her fan base in later years.<a href="#cite_note-FOOTNOTEMorellaEpstein197130-331">[326]</a> Turner maintained her glamorous image into her late career; a 1966 film review characterized her as "the glitter and glamour of Hollywood".<a href="#cite_note-FOOTNOTEFields2007109-5">[4]</a> While she consistently embraced her glamorous persona, she was also vocal about her dedication to acting<a href="#cite_note-concentrate-126">[121]</a> and attained a reputation as a versatile, hard-working performer.<a href="#cite_note-hwof-13">[11]</a> She was an admirer of <a href="/wiki/Bette_Davis" title="Bette Davis">Bette Davis</a>, whom she cited as her favorite actress.<a href="#cite_note-FOOTNOTEErickson2017119-223">[218]</a> <div class="mw-heading mw-heading2"><h2 id="Legacy">Legacy</h2>[<a href="/w/index.php?title=Lana_Turner&action=edit&section=13" title="Edit section: Legacy">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Lana_Turner_in_popular_culture" title="Lana Turner in popular culture">Lana Turner in popular culture</a></div><figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Lana_Turner_still.JPG" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/3f/Lana_Turner_still.JPG/200px-Lana_Turner_still.JPG" decoding="async" width="200" height="261" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/3f/Lana_Turner_still.JPG/300px-Lana_Turner_still.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/3f/Lana_Turner_still.JPG/400px-Lana_Turner_still.JPG 2x" data-file-width="541" data-file-height="705" /></a><figcaption>Lana Turner in a publicity still, <a href="/wiki/Metro-Goldwyn-Mayer" title="Metro-Goldwyn-Mayer">Metro-Goldwyn-Mayer</a>, 1940s</figcaption></figure> Turner has been noted by historians as a sex symbol, a <a href="/wiki/Popular_culture" title="Popular culture">popular culture</a> icon<a href="#cite_note-FOOTNOTEFields2007109-5">[4]</a><a href="#cite_note-FOOTNOTEBasinger2008182-319">[314]</a> and "a symbol of the <a href="/wiki/American_Dream" title="American Dream">American Dream</a> fulfilled ... Because of her, being discovered at a soda fountain has become almost as cherished an ideal as being <a href="/wiki/Log_cabin#Symbolism" title="Log cabin">born in a log cabin</a>."<a href="#cite_note-FOOTNOTEFields2007109-5">[4]</a> Critic <a href="/wiki/Leonard_Maltin" title="Leonard Maltin">Leonard Maltin</a> noted in 2005 that Turner "came to crystallize the opulent heights to which show business could usher a small-town girl, as well as its darkest, most tragic and narcissistic depths".<a href="#cite_note-332">[327]</a> She has also been cited by scholars as a <a href="/wiki/Gay_icon" title="Gay icon">gay icon</a> because of her diva persona and triumphs over personal struggles.<a href="#cite_note-FOOTNOTEGuilbert2018176–177-333">[328]</a> While discussions surrounding Turner have largely been based on her cultural prevalence, little scholarly study has been undertaken on her career,<a href="#cite_note-FOOTNOTEJordan2009108-334">[329]</a> and opinion of her legacy as an actress has divided critics. Upon Turner's death, <a href="/wiki/John_Updike" title="John Updike">John Updike</a> wrote in <a href="/wiki/The_New_Yorker" title="The New Yorker">The New Yorker</a> that she "was a faded period piece, an old-fashioned glamour queen whose fifty-four films, over four decades didn't amount, retrospectively to much ... As a performer, she was purely a studio-made product."<a href="#cite_note-335">[330]</a> Defenders of Turner's acting ability, such as Jessica Hope Jordan<a href="#cite_note-FOOTNOTEJordan2009108–109-336">[331]</a> and <a href="/wiki/James_Robert_Parish" title="James Robert Parish">James Robert Parish</a>,<a href="#cite_note-FOOTNOTEParish1978401-337">[332]</a> cite her performance in The Postman Always Rings Twice as an argument for the value of her work. Turner's role in the film has also caused her to be frequently associated with <a href="/wiki/Film_noir" title="Film noir">film noir</a> and the femme fatale archetype in critical circles.<a href="#cite_note-338">[333]</a><a href="#cite_note-339">[334]</a><a href="#cite_note-FOOTNOTEMorellaEpstein1971200-340">[335]</a> In a 1973 Films in Review retrospective on her career, Turner was referred to as "a master of the motion picture technique and a hardworking craftsman".<a href="#cite_note-fir-341">[336]</a> Jeanine Basinger has similarly championed Turner's acting, writing of her performance in The Bad and the Beautiful: "None of the sex symbols who have been touted as actresses—not <a href="/wiki/Rita_Hayworth" title="Rita Hayworth">Hayworth</a> or <a href="/wiki/Ava_Gardner" title="Ava Gardner">Gardner</a> or <a href="/wiki/Elizabeth_Taylor" title="Elizabeth Taylor">Taylor</a> or <a href="/wiki/Marilyn_Monroe" title="Marilyn Monroe">Monroe</a>—have ever given such a fine performance."<a href="#cite_note-FOOTNOTEBasinger197688-342">[337]</a> Because of the intersections between Turner's high-profile, glamorous persona, and storied, often troubled personal life, she is included in critical discussions about the Hollywood <a href="/wiki/Studio_system" title="Studio system">studio system</a>, specifically its capitalization on its stars' private travails.<a href="#cite_note-FOOTNOTEJordan2009108-334">[329]</a> Basinger considers her the "epitome of the Hollywood machine-made stardom".<a href="#cite_note-FOOTNOTEBasinger2008181-343">[338]</a> Turner has also been cited in scholarly discussions of women's sexuality.<a href="#cite_note-FOOTNOTEJordan2009109–113-344">[339]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Lana_Turner_has_Collapsed_poem_(2145671178).jpg" class="mw-file-description"><img alt="Paper hanging on a white wall with "Poem" written above it" src="//upload.wikimedia.org/wikipedia/commons/thumb/d/dd/Lana_Turner_has_Collapsed_poem_%282145671178%29.jpg/200px-Lana_Turner_has_Collapsed_poem_%282145671178%29.jpg" decoding="async" width="200" height="133" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/dd/Lana_Turner_has_Collapsed_poem_%282145671178%29.jpg/300px-Lana_Turner_has_Collapsed_poem_%282145671178%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/dd/Lana_Turner_has_Collapsed_poem_%282145671178%29.jpg/400px-Lana_Turner_has_Collapsed_poem_%282145671178%29.jpg 2x" data-file-width="3786" data-file-height="2520" /></a><figcaption>Copies of the poem "Lana Turner has Collapsed" (1964) by <a href="/wiki/Frank_O%27Hara" title="Frank O'Hara">Frank O'Hara</a> at the <a href="/wiki/Museum_of_the_City_of_New_York" title="Museum of the City of New York">Museum of the City of New York</a></figcaption></figure> Turner has been depicted and referenced in numerous works across literature, film, music and art. She was the subject of the poem "Lana Turner has collapsed" by <a href="/wiki/Frank_O%27Hara" title="Frank O'Hara">Frank O'Hara</a>,<a href="#cite_note-FOOTNOTESutherlandFender201154-345">[340]</a> and was depicted as a minor character in <a href="/wiki/James_Ellroy" title="James Ellroy">James Ellroy</a>'s novel <a href="/wiki/L.A._Confidential" title="L.A. Confidential">L.A. Confidential</a> (1990).<a href="#cite_note-FOOTNOTEDargis200333-346">[341]</a> The Stompanato murder and its aftermath were also the basis of the <a href="/wiki/Harold_Robbins" title="Harold Robbins">Harold Robbins</a> novel <a href="/wiki/Where_Love_Has_Gone_(novel)" title="Where Love Has Gone (novel)">Where Love Has Gone</a> (1962).<a href="#cite_note-FOOTNOTEErickson2017119-223">[218]</a> In popular music, Turner was referenced in songs recorded by <a href="/wiki/Nina_Simone" title="Nina Simone">Nina Simone</a><a href="#cite_note-347">[342]</a> and <a href="/wiki/Frank_Sinatra" title="Frank Sinatra">Frank Sinatra</a>,<a href="#cite_note-FOOTNOTEIngham2005138-348">[343]</a> and was the source of the stage name of singer-songwriter <a href="/wiki/Lana_Del_Rey" title="Lana Del Rey">Lana Del Rey</a>.<a href="#cite_note-349">[344]</a><a href="#cite_note-350">[345]</a> In 2002, artist Eloy Torrez included Turner in an outdoor <a href="/wiki/Mural" title="Mural">mural</a>, Portrait of Hollywood, painted on the auditorium of <a href="/wiki/Hollywood_High_School" title="Hollywood High School">Hollywood High School</a>, her alma mater.<a href="#cite_note-351">[346]</a> Turner has a star on the <a href="/wiki/Hollywood_Walk_of_Fame" title="Hollywood Walk of Fame">Hollywood Walk of Fame</a> at 6241 Hollywood Boulevard.<a href="#cite_note-hwof-13">[11]</a> In 2012, <a href="/wiki/Complex_(magazine)" class="mw-redirect" title="Complex (magazine)">Complex</a> named her the eighth-most infamous actress of all time.<a href="#cite_note-352">[347]</a> <div class="mw-heading mw-heading2"><h2 id="Filmography_and_credits">Filmography and credits</h2>[<a href="/w/index.php?title=Lana_Turner&action=edit&section=14" title="Edit section: Filmography and credits">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Lana_Turner_performances_and_awards" class="mw-redirect" title="Lana Turner performances and awards">Lana Turner performances and awards</a></div> <div class="mw-heading mw-heading2"><h2 id="Notes">Notes</h2>[<a href="/w/index.php?title=Lana_Turner&action=edit&section=15" title="Edit section: Notes">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-lower-alpha"> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-4"><a href="#cite_ref-4">^</a> Turner pronounced her first name <a href="/wiki/Help:Pronunciation_respelling_key" title="Help:Pronunciation respelling key">LAH-nə</a>,<a href="#cite_note-FOOTNOTEBasinger197624-1">[1]</a><a href="#cite_note-FOOTNOTEBusch194065-2">[2]</a> and remarked her dislike for the alternate pronunciation <a href="/wiki/Help:Pronunciation_respelling_key" title="Help:Pronunciation respelling key">LAN-ə</a> (<a href="/wiki/Help:IPA/English" title="Help:IPA/English">/ˈlænə/</a>). In a 1982 interview, <a href="/wiki/Joan_Rivers" title="Joan Rivers">Joan Rivers</a> asked Turner how she preferred her name be spoken, and she joked: "Please, if you say 'Lan-ah', I shall slaughter you."<a href="#cite_note-3">[3]</a> </li> <li id="cite_note-11"><a href="#cite_ref-11">^</a> Some sources claim Turner's birth name to be Julia Jean Mildred Frances Turner. However, Turner notes in her autobiography that her birth certificate lists Julia Jean Turner as her official birth name.<a href="#cite_note-FOOTNOTETurner19829-9">[8]</a> She writes that she later adopted the middle names Mildred and Frances (saints' names as well as the given and middle names of her mother) after converting to Catholicism.<a href="#cite_note-FOOTNOTETurner198214-10">[9]</a> </li> <li id="cite_note-15"><a href="#cite_ref-15">^</a> Some sources (including the San Francisco Chronicle<a href="#cite_note-sfc-12">[10]</a> and Los Angeles Times's Hollywood Walk of Fame series)<a href="#cite_note-hwof-13">[11]</a> erroneously report her birth year as 1920. However, in her memoir, Turner cited her birth certificate as reading 1921,<a href="#cite_note-FOOTNOTETurner19829-9">[8]</a> and her daughter again confirmed this as her birth year in 2008.<a href="#cite_note-FOOTNOTECraneDe_La_Hoz200816-14">[12]</a> </li> <li id="cite_note-23"><a href="#cite_ref-23">^</a> Per the official city of Wallace website, the Turner home in Wallace was located at 217 Bank Street, immediately west of downtown Wallace. The home is located within the Wallace Historic District, which is on the <a href="/wiki/National_Register_of_Historic_Places" title="National Register of Historic Places">National Register of Historic Places</a> (OMB no. 1024-0018).<a href="#cite_note-22">[19]</a> </li> <li id="cite_note-43"><a href="#cite_ref-43">^</a> An article published in the Los Angeles Times in 1995 after Turner's death recounts the varied retellings of her discovery, and notes their status as show-business legends. A 2001 documentary on Turner refers to her discovery as the "most legendary star discovery story" in Hollywood.<a href="#cite_note-FOOTNOTELanger2001event_occurs_at_05:20-41">[37]</a> Turner would dismiss the widely circulated version that had the event occurring at Schwab's Pharmacy, insisting she met William R. Wilkerson at the Top Hat Malt Shop while drinking a Coca-Cola.<a href="#cite_note-lawilk-42">[38]</a> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2>[<a href="/w/index.php?title=Lana_Turner&action=edit&section=16" title="Edit section: References">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-FOOTNOTEBasinger197624-1"><a href="#cite_ref-FOOTNOTEBasinger197624_1-0">^</a> <a href="#CITEREFBasinger1976">Basinger 1976</a>, p. 24. </li> <li id="cite_note-FOOTNOTEBusch194065-2"><a href="#cite_ref-FOOTNOTEBusch194065_2-0">^</a> <a href="#CITEREFBusch1940">Busch 1940</a>, p. 65. </li> <li id="cite_note-3"><a href="#cite_ref-3">^</a> Turner, Lana (September 28, 1982). "Joan Rivers interviews Lana Turner". <a href="/wiki/The_Tonight_Show" title="The Tonight Show">The Tonight Show</a> (Interview). Interviewed by <a href="/wiki/Joan_Rivers" title="Joan Rivers">Joan Rivers</a>. NBC. </li> <li id="cite_note-FOOTNOTEFields2007109-5">^ <a href="#cite_ref-FOOTNOTEFields2007109_5-0">a</a> <a href="#cite_ref-FOOTNOTEFields2007109_5-1">b</a> <a href="#cite_ref-FOOTNOTEFields2007109_5-2">c</a> <a href="#cite_ref-FOOTNOTEFields2007109_5-3">d</a> <a href="#cite_ref-FOOTNOTEFields2007109_5-4">e</a> <a href="#CITEREFFields2007">Fields 2007</a>, p. 109. </li> <li id="cite_note-FOOTNOTETurner198265-6"><a href="#cite_ref-FOOTNOTETurner198265_6-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, p. 65. </li> <li id="cite_note-newspref1-7"><a href="#cite_ref-newspref1_7-0">^</a> <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://news.google.com/newspapers?nid=1310&dat=19500507&id=Tx01AAAAIBAJ&pg=6996,6106468">"'Lana' Turner Official Now"</a>. Eugene Register-Guard. Eugene, OR: UP. 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San Francisco Chronicle. Retrieved July 28, 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=San+Francisco+Chronicle&rft.atitle=Editorial+%E2%80%93+Lana+Turner%3A+1920%E2%80%931995&rft.date=1995-07-03&rft.au=%27%27San+Francisco+Chronicle%27%27+Staff&rft_id=https%3A%2F%2Fwww.sfgate.com%2Fopinion%2Farticle%2FEDITORIAL-Lana-Turner-1920-1995-3029046.php&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-hwof-13">^ <a href="#cite_ref-hwof_13-0">a</a> <a href="#cite_ref-hwof_13-1">b</a> <a href="#cite_ref-hwof_13-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLos_Angeles_Times_Staff1995" class="citation web cs1">Los Angeles Times Staff (June 30, 1995). <a rel="nofollow" class="external text" href="http://projects.latimes.com/hollywood/star-walk/lana-turner/">"Lana Turner"</a>. Los Angeles Times. Hollywood Star Walk. Retrieved May 23, 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Los+Angeles+Times&rft.atitle=Lana+Turner&rft.date=1995-06-30&rft.au=%27%27Los+Angeles+Times%27%27+Staff&rft_id=http%3A%2F%2Fprojects.latimes.com%2Fhollywood%2Fstar-walk%2Flana-turner%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTECraneDe_La_Hoz200816-14"><a href="#cite_ref-FOOTNOTECraneDe_La_Hoz200816_14-0">^</a> <a href="#CITEREFCraneDe_La_Hoz2008">Crane & De La Hoz 2008</a>, p. 16. </li> <li id="cite_note-16"><a href="#cite_ref-16">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFernandes,_Charles1995" class="citation web cs1">Fernandes, Charles (July 3, 1995). <a rel="nofollow" class="external text" href="http://lmtribune.com/northwest/a-star-was-born-in-idaho-wallace-folks-remember-turner/article_404bbbc9-f885-53bd-8001-8a9bae6bcc1f.html">"A star was born in Idaho; Wallace folks remember Turner's early years. Her family moved to San Francisco when she was 6 years old"</a>. Lewiston Tribune. Lewiston, Idaho. Retrieved June 25, 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Lewiston+Tribune&rft.atitle=A+star+was+born+in+Idaho%3B+Wallace+folks+remember+Turner%27s+early+years.+Her+family+moved+to+San+Francisco+when+she+was+6+years+old&rft.date=1995-07-03&rft.au=Fernandes%2C+Charles&rft_id=http%3A%2F%2Flmtribune.com%2Fnorthwest%2Fa-star-was-born-in-idaho-wallace-folks-remember-turner%2Farticle_404bbbc9-f885-53bd-8001-8a9bae6bcc1f.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-grever-17"><a href="#cite_ref-grever_17-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGrever,_Brindley1941" class="citation news cs1">Grever, Brindley (May 15, 1941). <a rel="nofollow" class="external text" href="https://news.google.com/newspapers?nid=1338&dat=19410515&id=MeJXAAAAIBAJ&pg=7185,3777463">"Lana Turner, Born in Wallace, Idaho, Twenty Years Ago, Now a Star"</a>. Spokane Daily Chronicle. Spokane, WA. p. 16 – via Google News.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Spokane+Daily+Chronicle&rft.atitle=Lana+Turner%2C+Born+in+Wallace%2C+Idaho%2C+Twenty+Years+Ago%2C+Now+a+Star&rft.pages=16&rft.date=1941-05-15&rft.au=Grever%2C+Brindley&rft_id=https%3A%2F%2Fnews.google.com%2Fnewspapers%3Fnid%3D1338%26dat%3D19410515%26id%3DMeJXAAAAIBAJ%26pg%3D7185%2C3777463&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTETurner198210–11-18"><a href="#cite_ref-FOOTNOTETurner198210–11_18-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, pp. 10–11. </li> <li id="cite_note-FOOTNOTETurner19829–10-19"><a href="#cite_ref-FOOTNOTETurner19829–10_19-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, pp. 9–10. </li> <li id="cite_note-FOOTNOTETurner198210-20"><a href="#cite_ref-FOOTNOTETurner198210_20-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, p. 10. </li> <li id="cite_note-21"><a href="#cite_ref-21">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBuenneke,_Troy_D.1991" class="citation book cs1 cs1-prop-long-vol">Buenneke, Troy D. (1991). "Burke, Idaho, 1884–1925: The Rise and Fall of a Mining Community". Idaho Yesterdays. Vol. 35–36. Idaho Historical Society. p. 26. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0019-1264">0019-1264</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Burke%2C+Idaho%2C+1884%E2%80%931925%3A+The+Rise+and+Fall+of+a+Mining+Community&rft.btitle=Idaho+Yesterdays&rft.pages=26&rft.pub=Idaho+Historical+Society&rft.date=1991&rft.issn=0019-1264&rft.au=Buenneke%2C+Troy+D.&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-22"><a href="#cite_ref-22">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMarsh,_Greg" class="citation web cs1">Marsh, Greg. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20071213051616/http://wallace-id.com/lana.html">"Lana Turner lived in Historic Wallace"</a>. City of Wallace, Idaho. Archived from <a rel="nofollow" class="external text" href="http://wallace-id.com/lana.html">the original</a> on December 13, 2007. Retrieved August 26, 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=City+of+Wallace%2C+Idaho&rft.atitle=Lana+Turner+lived+in+Historic+Wallace&rft.au=Marsh%2C+Greg&rft_id=http%3A%2F%2Fwallace-id.com%2Flana.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBamontJacobson2017161-24"><a href="#cite_ref-FOOTNOTEBamontJacobson2017161_24-0">^</a> <a href="#CITEREFBamontJacobson2017">Bamont & Jacobson 2017</a>, p. 161. </li> <li id="cite_note-FOOTNOTEBasinger197619-25">^ <a href="#cite_ref-FOOTNOTEBasinger197619_25-0">a</a> <a href="#cite_ref-FOOTNOTEBasinger197619_25-1">b</a> <a href="#cite_ref-FOOTNOTEBasinger197619_25-2">c</a> <a href="#CITEREFBasinger1976">Basinger 1976</a>, p. 19. </li> <li id="cite_note-laobit-26">^ <a href="#cite_ref-laobit_26-0">a</a> <a href="#cite_ref-laobit_26-1">b</a> <a href="#cite_ref-laobit_26-2">c</a> <a href="#cite_ref-laobit_26-3">d</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLos_Angeles_Times_Staff1995" class="citation news cs1">Los Angeles Times Staff (June 30, 1995). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160811055023/http://www.latimes.com/local/obituaries/archives/la-me-lana-turner-20160624-snap-htmlstory.html">"Lana Turner, Glamorous Star of 50 Films, Dies at 75"</a>. Los Angeles Times. Archived from <a rel="nofollow" class="external text" href="http://www.latimes.com/local/obituaries/archives/la-me-lana-turner-20160624-snap-htmlstory.html">the original</a> on August 11, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Los+Angeles+Times&rft.atitle=Lana+Turner%2C+Glamorous+Star+of+50+Films%2C+Dies+at+75&rft.date=1995-06-30&rft.au=%27%27Los+Angeles+Times%27%27+Staff&rft_id=http%3A%2F%2Fwww.latimes.com%2Flocal%2Fobituaries%2Farchives%2Fla-me-lana-turner-20160624-snap-htmlstory.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTEWayne2003164-27"><a href="#cite_ref-FOOTNOTEWayne2003164_27-0">^</a> <a href="#CITEREFWayne2003">Wayne 2003</a>, p. 164. </li> <li id="cite_note-FOOTNOTETurner198215-28"><a href="#cite_ref-FOOTNOTETurner198215_28-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, p. 15. </li> <li id="cite_note-FOOTNOTEWayne2003164–165-29">^ <a href="#cite_ref-FOOTNOTEWayne2003164–165_29-0">a</a> <a href="#cite_ref-FOOTNOTEWayne2003164–165_29-1">b</a> <a href="#CITEREFWayne2003">Wayne 2003</a>, pp. 164–165. </li> <li id="cite_note-FOOTNOTETurner198218-30"><a href="#cite_ref-FOOTNOTETurner198218_30-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, p. 18. </li> <li id="cite_note-FOOTNOTEMorellaEpstein197111-31">^ <a href="#cite_ref-FOOTNOTEMorellaEpstein197111_31-0">a</a> <a href="#cite_ref-FOOTNOTEMorellaEpstein197111_31-1">b</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, p. 11. </li> <li id="cite_note-FOOTNOTEMorellaEpstein197112-32"><a href="#cite_ref-FOOTNOTEMorellaEpstein197112_32-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, p. 12. </li> <li id="cite_note-FOOTNOTETurner198213-33">^ <a href="#cite_ref-FOOTNOTETurner198213_33-0">a</a> <a href="#cite_ref-FOOTNOTETurner198213_33-1">b</a> <a href="#CITEREFTurner1982">Turner 1982</a>, p. 13. </li> <li id="cite_note-FOOTNOTEFischer199122-34"><a href="#cite_ref-FOOTNOTEFischer199122_34-0">^</a> <a href="#CITEREFFischer1991">Fischer 1991</a>, p. 22. </li> <li id="cite_note-FOOTNOTEBasinger197621-35"><a href="#cite_ref-FOOTNOTEBasinger197621_35-0">^</a> <a href="#CITEREFBasinger1976">Basinger 1976</a>, p. 21. </li> <li id="cite_note-FOOTNOTEMorellaEpstein19717-36"><a href="#cite_ref-FOOTNOTEMorellaEpstein19717_36-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, p. 7. </li> <li id="cite_note-donahue-37">^ <a href="#cite_ref-donahue_37-0">a</a> <a href="#cite_ref-donahue_37-1">b</a> <a href="#cite_ref-donahue_37-2">c</a> <a href="#cite_ref-donahue_37-3">d</a> <a href="#cite_ref-donahue_37-4">e</a> <a href="#cite_ref-donahue_37-5">f</a> Turner, Lana (September 29, 1982). "Guest: Lana Turner". <a href="/wiki/The_Phil_Donahue_Show" title="The Phil Donahue Show">The Phil Donahue Show</a> (Interview). Interviewed by <a href="/wiki/Phil_Donahue" title="Phil Donahue">Phil Donahue</a>. <a href="/wiki/Multimedia_Entertainment" title="Multimedia Entertainment">Multimedia Entertainment</a>. </li> <li id="cite_note-FOOTNOTEWayne2003165-38">^ <a href="#cite_ref-FOOTNOTEWayne2003165_38-0">a</a> <a href="#cite_ref-FOOTNOTEWayne2003165_38-1">b</a> <a href="#cite_ref-FOOTNOTEWayne2003165_38-2">c</a> <a href="#CITEREFWayne2003">Wayne 2003</a>, p. 165. </li> <li id="cite_note-FOOTNOTEValentino197618-39">^ <a href="#cite_ref-FOOTNOTEValentino197618_39-0">a</a> <a href="#cite_ref-FOOTNOTEValentino197618_39-1">b</a> <a href="#CITEREFValentino1976">Valentino 1976</a>, p. 18. </li> <li id="cite_note-FOOTNOTEBasinger197627-40"><a href="#cite_ref-FOOTNOTEBasinger197627_40-0">^</a> <a href="#CITEREFBasinger1976">Basinger 1976</a>, p. 27. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_05:20-41"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_05:20_41-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 05:20. </li> <li id="cite_note-lawilk-42">^ <a href="#cite_ref-lawilk_42-0">a</a> <a href="#cite_ref-lawilk_42-1">b</a> <a href="#cite_ref-lawilk_42-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWilkerson,_W.R._III1995" class="citation news cs1">Wilkerson, W.R. III (July 1, 1995). <a rel="nofollow" class="external text" href="https://www.latimes.com/archives/la-xpm-1995-07-01-ca-19119-story.html">"Writing the End to a True-to-Life Cinderella Story"</a>. Los Angeles Times. Retrieved May 23, 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Los+Angeles+Times&rft.atitle=Writing+the+End+to+a+True-to-Life+Cinderella+Story&rft.date=1995-07-01&rft.au=Wilkerson%2C+W.R.+III&rft_id=https%3A%2F%2Fwww.latimes.com%2Farchives%2Fla-xpm-1995-07-01-ca-19119-story.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTEFields200779-44"><a href="#cite_ref-FOOTNOTEFields200779_44-0">^</a> <a href="#CITEREFFields2007">Fields 2007</a>, p. 79. </li> <li id="cite_note-FOOTNOTELewis201791-45"><a href="#cite_ref-FOOTNOTELewis201791_45-0">^</a> <a href="#CITEREFLewis2017">Lewis 2017</a>, p. 91. </li> <li id="cite_note-FOOTNOTELawsonRufus200041-46"><a href="#cite_ref-FOOTNOTELawsonRufus200041_46-0">^</a> <a href="#CITEREFLawsonRufus2000">Lawson & Rufus 2000</a>, p. 41. </li> <li id="cite_note-FOOTNOTEBusch194064-47">^ <a href="#cite_ref-FOOTNOTEBusch194064_47-0">a</a> <a href="#cite_ref-FOOTNOTEBusch194064_47-1">b</a> <a href="#CITEREFBusch1940">Busch 1940</a>, p. 64. </li> <li id="cite_note-inflation-US-48">^ <a href="#cite_ref-inflation-US_48-0">a</a> <a href="#cite_ref-inflation-US_48-1">b</a> <a href="#cite_ref-inflation-US_48-2">c</a> <a href="#cite_ref-inflation-US_48-3">d</a> <a href="#cite_ref-inflation-US_48-4">e</a> 1634–1699: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcCusker1997" class="citation book cs1"><a href="/wiki/John_J._McCusker" title="John J. McCusker">McCusker, J. J.</a> (1997). <a rel="nofollow" class="external text" href="https://www.americanantiquarian.org/proceedings/44525121.pdf">How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda</a> (PDF). <a href="/wiki/American_Antiquarian_Society" title="American Antiquarian Society">American Antiquarian Society</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=How+Much+Is+That+in+Real+Money%3F+A+Historical+Price+Index+for+Use+as+a+Deflator+of+Money+Values+in+the+Economy+of+the+United+States%3A+Addenda+et+Corrigenda&rft.pub=American+Antiquarian+Society&rft.date=1997&rft.aulast=McCusker&rft.aufirst=J.+J.&rft_id=https%3A%2F%2Fwww.americanantiquarian.org%2Fproceedings%2F44525121.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> 1700–1799: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcCusker1992" class="citation book cs1"><a href="/wiki/John_J._McCusker" title="John J. McCusker">McCusker, J. J.</a> (1992). <a rel="nofollow" class="external text" href="https://www.americanantiquarian.org/proceedings/44517778.pdf">How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States</a> (PDF). <a href="/wiki/American_Antiquarian_Society" title="American Antiquarian Society">American Antiquarian Society</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=How+Much+Is+That+in+Real+Money%3F+A+Historical+Price+Index+for+Use+as+a+Deflator+of+Money+Values+in+the+Economy+of+the+United+States&rft.pub=American+Antiquarian+Society&rft.date=1992&rft.aulast=McCusker&rft.aufirst=J.+J.&rft_id=https%3A%2F%2Fwww.americanantiquarian.org%2Fproceedings%2F44517778.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> 1800–present: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFederal_Reserve_Bank_of_Minneapolis" class="citation web cs1">Federal Reserve Bank of Minneapolis. <a rel="nofollow" class="external text" href="https://www.minneapolisfed.org/about-us/monetary-policy/inflation-calculator/consumer-price-index-1800-">"Consumer Price Index (estimate) 1800–"</a>. Retrieved February 29, 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Consumer+Price+Index+%28estimate%29+1800%E2%80%93&rft.au=Federal+Reserve+Bank+of+Minneapolis&rft_id=https%3A%2F%2Fwww.minneapolisfed.org%2Fabout-us%2Fmonetary-policy%2Finflation-calculator%2Fconsumer-price-index-1800-&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTETurner198224-49"><a href="#cite_ref-FOOTNOTETurner198224_49-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, p. 24. </li> <li id="cite_note-FOOTNOTEBusch194063-50"><a href="#cite_ref-FOOTNOTEBusch194063_50-0">^</a> <a href="#CITEREFBusch1940">Busch 1940</a>, p. 63. </li> <li id="cite_note-FOOTNOTELanger2001at_6:05-51"><a href="#cite_ref-FOOTNOTELanger2001at_6:05_51-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, at 6:05. </li> <li id="cite_note-FOOTNOTEWayne2003166-52">^ <a href="#cite_ref-FOOTNOTEWayne2003166_52-0">a</a> <a href="#cite_ref-FOOTNOTEWayne2003166_52-1">b</a> <a href="#CITEREFWayne2003">Wayne 2003</a>, p. 166. </li> <li id="cite_note-FOOTNOTEFischer1991187-53"><a href="#cite_ref-FOOTNOTEFischer1991187_53-0">^</a> <a href="#CITEREFFischer1991">Fischer 1991</a>, p. 187. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_6:40-54"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_6:40_54-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 6:40. </li> <li id="cite_note-FOOTNOTEJordan2009221-55"><a href="#cite_ref-FOOTNOTEJordan2009221_55-0">^</a> <a href="#CITEREFJordan2009">Jordan 2009</a>, p. 221. </li> <li id="cite_note-FOOTNOTEValentino197663-56"><a href="#cite_ref-FOOTNOTEValentino197663_56-0">^</a> <a href="#CITEREFValentino1976">Valentino 1976</a>, p. 63. </li> <li id="cite_note-FOOTNOTEBasinger197631-57">^ <a href="#cite_ref-FOOTNOTEBasinger197631_57-0">a</a> <a href="#cite_ref-FOOTNOTEBasinger197631_57-1">b</a> <a href="#CITEREFBasinger1976">Basinger 1976</a>, p. 31. </li> <li id="cite_note-FOOTNOTEMorellaEpstein197129-58"><a href="#cite_ref-FOOTNOTEMorellaEpstein197129_58-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, p. 29. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_7:00-59"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_7:00_59-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 7:00. </li> <li id="cite_note-FOOTNOTEBreuer1989129-60"><a href="#cite_ref-FOOTNOTEBreuer1989129_60-0">^</a> <a href="#CITEREFBreuer1989">Breuer 1989</a>, p. 129. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_7:55-61"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_7:55_61-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 7:55. </li> <li id="cite_note-FOOTNOTETurner198234–35-62"><a href="#cite_ref-FOOTNOTETurner198234–35_62-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, pp. 34–35. </li> <li id="cite_note-FOOTNOTEDennis200797-63"><a href="#cite_ref-FOOTNOTEDennis200797_63-0">^</a> <a href="#CITEREFDennis2007">Dennis 2007</a>, p. 97. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_9:08-64"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_9:08_64-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 9:08. </li> <li id="cite_note-FOOTNOTEMorellaEpstein197133-65">^ <a href="#cite_ref-FOOTNOTEMorellaEpstein197133_65-0">a</a> <a href="#cite_ref-FOOTNOTEMorellaEpstein197133_65-1">b</a> <a href="#cite_ref-FOOTNOTEMorellaEpstein197133_65-2">c</a> <a href="#cite_ref-FOOTNOTEMorellaEpstein197133_65-3">d</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, p. 33. </li> <li id="cite_note-FOOTNOTEConklin2009116-66"><a href="#cite_ref-FOOTNOTEConklin2009116_66-0">^</a> <a href="#CITEREFConklin2009">Conklin 2009</a>, p. 116. </li> <li id="cite_note-67"><a href="#cite_ref-67">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcPherson1939" class="citation news cs1">McPherson, Colvin (September 2, 1939). <a rel="nofollow" class="external text" href="https://www.newspapers.com/clip/22038903/st_louis_postdispatch/">"Thumbnail Reviews of New Movies"</a>. <a href="/wiki/St._Louis_Post-Dispatch" title="St. Louis Post-Dispatch">St. Louis Post-Dispatch</a>. St. Louis, MO. p. 5 – via Newspapers.com.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=St.+Louis+Post-Dispatch&rft.atitle=Thumbnail+Reviews+of+New+Movies&rft.pages=5&rft.date=1939-09-02&rft.aulast=McPherson&rft.aufirst=Colvin&rft_id=https%3A%2F%2Fwww.newspapers.com%2Fclip%2F22038903%2Fst_louis_postdispatch%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTEConklin2009170-68"><a href="#cite_ref-FOOTNOTEConklin2009170_68-0">^</a> <a href="#CITEREFConklin2009">Conklin 2009</a>, p. 170. </li> <li id="cite_note-FOOTNOTEMorellaEpstein197135-69">^ <a href="#cite_ref-FOOTNOTEMorellaEpstein197135_69-0">a</a> <a href="#cite_ref-FOOTNOTEMorellaEpstein197135_69-1">b</a> <a href="#cite_ref-FOOTNOTEMorellaEpstein197135_69-2">c</a> <a href="#cite_ref-FOOTNOTEMorellaEpstein197135_69-3">d</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, p. 35. </li> <li id="cite_note-FOOTNOTECrane198839–43-70"><a href="#cite_ref-FOOTNOTECrane198839–43_70-0">^</a> <a href="#CITEREFCrane1988">Crane 1988</a>, pp. 39–43. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_13:20-71"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_13:20_71-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 13:20. </li> <li id="cite_note-FOOTNOTETurner198240-72"><a href="#cite_ref-FOOTNOTETurner198240_72-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, p. 40. </li> <li id="cite_note-FOOTNOTEMorellaEpstein197140-73"><a href="#cite_ref-FOOTNOTEMorellaEpstein197140_73-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, p. 40. </li> <li id="cite_note-FOOTNOTEMorellaEpstein197141-74">^ <a href="#cite_ref-FOOTNOTEMorellaEpstein197141_74-0">a</a> <a href="#cite_ref-FOOTNOTEMorellaEpstein197141_74-1">b</a> <a href="#cite_ref-FOOTNOTEMorellaEpstein197141_74-2">c</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, p. 41. </li> <li id="cite_note-FOOTNOTEMorellaEpstein197142-75"><a href="#cite_ref-FOOTNOTEMorellaEpstein197142_75-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, p. 42. </li> <li id="cite_note-FOOTNOTEBarton2010101-76"><a href="#cite_ref-FOOTNOTEBarton2010101_76-0">^</a> <a href="#CITEREFBarton2010">Barton 2010</a>, p. 101. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_15:18-77"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_15:18_77-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 15:18. </li> <li id="cite_note-FOOTNOTEValentino197697-78"><a href="#cite_ref-FOOTNOTEValentino197697_78-0">^</a> <a href="#CITEREFValentino1976">Valentino 1976</a>, p. 97. </li> <li id="cite_note-79"><a href="#cite_ref-79">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHolliday1943" class="citation news cs1">Holliday, Kate (June 6, 1943). <a rel="nofollow" class="external text" href="https://www.newspapers.com/clip/21981331/the_baltimore_sun/">"Glamor Palling on Lana"</a>. The Baltimore Sun. Baltimore, Maryland. p. 55 – via Newspapers.com.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Baltimore+Sun&rft.atitle=Glamor+Palling+on+Lana&rft.pages=55&rft.date=1943-06-06&rft.aulast=Holliday&rft.aufirst=Kate&rft_id=https%3A%2F%2Fwww.newspapers.com%2Fclip%2F21981331%2Fthe_baltimore_sun%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTEMorellaEpstein197149-80"><a href="#cite_ref-FOOTNOTEMorellaEpstein197149_80-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, p. 49. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_17:10-81"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_17:10_81-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 17:10. </li> <li id="cite_note-FOOTNOTECraneDe_La_Hoz200834,_185,_331-82"><a href="#cite_ref-FOOTNOTECraneDe_La_Hoz200834,_185,_331_82-0">^</a> <a href="#CITEREFCraneDe_La_Hoz2008">Crane & De La Hoz 2008</a>, pp. 34, 185, 331. </li> <li id="cite_note-83"><a href="#cite_ref-83">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=ZE0EAAAAMBAJ&q=lana+turner+ingrid+bergman&pg=PA15">"Speaking of Pictures ... These Freudian Montage Shots Show Mental State of Jekyll Changing to Hyde"</a>. <a href="/wiki/Life_(magazine)" title="Life (magazine)">Life</a>. Time, Inc. August 25, 1941. pp. 14–16. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0024-3019">0024-3019</a> – via Google Books.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Life&rft.atitle=Speaking+of+Pictures+...+These+Freudian+Montage+Shots+Show+Mental+State+of+Jekyll+Changing+to+Hyde&rft.pages=14-16&rft.date=1941-08-25&rft.issn=0024-3019&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DZE0EAAAAMBAJ%26q%3Dlana%2Bturner%2Bingrid%2Bbergman%26pg%3DPA15&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTEMorellaEpstein197150-84"><a href="#cite_ref-FOOTNOTEMorellaEpstein197150_84-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, p. 50. </li> <li id="cite_note-FOOTNOTESchatz1999111-85"><a href="#cite_ref-FOOTNOTESchatz1999111_85-0">^</a> <a href="#CITEREFSchatz1999">Schatz 1999</a>, p. 111. </li> <li id="cite_note-86"><a href="#cite_ref-86">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTime_Staff1941" class="citation magazine cs1">Time Staff (August 11, 1941). "Review: Dr. Jekyll and Mr. Hyde". <a href="/wiki/Time_(magazine)" title="Time (magazine)">Time</a>. Vol. XXXVIII, no. 6. Time, Inc. p. 4. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0040-781X">0040-781X</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Time&rft.atitle=Review%3A+Dr.+Jekyll+and+Mr.+Hyde&rft.volume=XXXVIII&rft.issue=6&rft.pages=4&rft.date=1941-08-11&rft.issn=0040-781X&rft.au=%27%27Time%27%27+Staff&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBasinger197651–53-87"><a href="#cite_ref-FOOTNOTEBasinger197651–53_87-0">^</a> <a href="#CITEREFBasinger1976">Basinger 1976</a>, pp. 51–53. </li> <li id="cite_note-FOOTNOTEWayne2003173-88"><a href="#cite_ref-FOOTNOTEWayne2003173_88-0">^</a> <a href="#CITEREFWayne2003">Wayne 2003</a>, p. 173. </li> <li id="cite_note-89"><a href="#cite_ref-89">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://news.google.com/newspapers?nid=1983&dat=19421017&id=IwJgAAAAIBAJ&pg=998,3909798">"Gable and Lana Turner Star"</a>. San Jose Evening News. San Jose, California. October 17, 1942. p. 4 – via Google News.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=San+Jose+Evening+News&rft.atitle=Gable+and+Lana+Turner+Star&rft.pages=4&rft.date=1942-10-17&rft_id=https%3A%2F%2Fnews.google.com%2Fnewspapers%3Fnid%3D1983%26dat%3D19421017%26id%3DIwJgAAAAIBAJ%26pg%3D998%2C3909798&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTEWayne2003174-90"><a href="#cite_ref-FOOTNOTEWayne2003174_90-0">^</a> <a href="#CITEREFWayne2003">Wayne 2003</a>, p. 174. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_21:05-91"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_21:05_91-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 21:05. </li> <li id="cite_note-FOOTNOTEBasinger197654-92"><a href="#cite_ref-FOOTNOTEBasinger197654_92-0">^</a> <a href="#CITEREFBasinger1976">Basinger 1976</a>, p. 54. </li> <li id="cite_note-FOOTNOTEMorellaEpstein197151-93"><a href="#cite_ref-FOOTNOTEMorellaEpstein197151_93-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, p. 51. </li> <li id="cite_note-94"><a href="#cite_ref-94">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAgee,_James1942" class="citation magazine cs1"><a href="/wiki/James_Agee" title="James Agee">Agee, James</a> (February 23, 1942). <a rel="nofollow" class="external text" href="https://content.time.com/time/subscriber/article/0,33009,884505-2,00.html">"Cinema: The New Pictures"</a>. <a href="/wiki/Time_(magazine)" title="Time (magazine)">Time</a>. Retrieved May 28, 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Time&rft.atitle=Cinema%3A+The+New+Pictures&rft.date=1942-02-23&rft.au=Agee%2C+James&rft_id=https%3A%2F%2Fcontent.time.com%2Ftime%2Fsubscriber%2Farticle%2F0%2C33009%2C884505-2%2C00.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTEFischer1991187–189-95"><a href="#cite_ref-FOOTNOTEFischer1991187–189_95-0">^</a> <a href="#CITEREFFischer1991">Fischer 1991</a>, pp. 187–189. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_33:33-96"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_33:33_96-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 33:33. </li> <li id="cite_note-pittsburghkiss-97">^ <a href="#cite_ref-pittsburghkiss_97-0">a</a> <a href="#cite_ref-pittsburghkiss_97-1">b</a> <a href="#cite_ref-pittsburghkiss_97-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://www.newspapers.com/clip/21981391/the_pittsburgh_press/">"Lana's Kisses Sell Bonds Without Her Fancy Speech"</a>. The Pittsburgh Press. Pittsburgh, Pennsylvania. June 25, 1942. p. 1 – via Newspapers.com.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Pittsburgh+Press&rft.atitle=Lana%27s+Kisses+Sell+Bonds+Without+Her+Fancy+Speech&rft.pages=1&rft.date=1942-06-25&rft_id=https%3A%2F%2Fwww.newspapers.com%2Fclip%2F21981391%2Fthe_pittsburgh_press%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-98"><a href="#cite_ref-98">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://www.newspapers.com/clip/21981418/the_eugene_guard/">"Lana's Kisses Really 'Sell'"</a>. Eugene Register-Guard. Eugene, Oregon. June 12, 1942. p. 1 – via Newspapers.com.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Eugene+Register-Guard&rft.atitle=Lana%27s+Kisses+Really+%27Sell%27&rft.pages=1&rft.date=1942-06-12&rft_id=https%3A%2F%2Fwww.newspapers.com%2Fclip%2F21981418%2Fthe_eugene_guard%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988">Burnt Norton </li> <li id="cite_note-FOOTNOTETurner198281-99"><a href="#cite_ref-FOOTNOTETurner198281_99-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, p. 81. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_33:53-100"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_33:53_100-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 33:53. </li> <li id="cite_note-101"><a href="#cite_ref-101">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.427squadron.com/news_file/photos_427_wwII.html">"427 World War II Photos"</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=427+World+War+II+Photos&rft_id=https%3A%2F%2Fwww.427squadron.com%2Fnews_file%2Fphotos_427_wwII.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTEValentino197628-102">^ <a href="#cite_ref-FOOTNOTEValentino197628_102-0">a</a> <a href="#cite_ref-FOOTNOTEValentino197628_102-1">b</a> <a href="#cite_ref-FOOTNOTEValentino197628_102-2">c</a> <a href="#cite_ref-FOOTNOTEValentino197628_102-3">d</a> <a href="#cite_ref-FOOTNOTEValentino197628_102-4">e</a> <a href="#cite_ref-FOOTNOTEValentino197628_102-5">f</a> <a href="#cite_ref-FOOTNOTEValentino197628_102-6">g</a> <a href="#cite_ref-FOOTNOTEValentino197628_102-7">h</a> <a href="#CITEREFValentino1976">Valentino 1976</a>, p. 28. </li> <li id="cite_note-FOOTNOTETurner198266-103"><a href="#cite_ref-FOOTNOTETurner198266_103-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, p. 66. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_24:20-104"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_24:20_104-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 24:20. </li> <li id="cite_note-FOOTNOTEBasinger1976141–142-105"><a href="#cite_ref-FOOTNOTEBasinger1976141–142_105-0">^</a> <a href="#CITEREFBasinger1976">Basinger 1976</a>, pp. 141–142. </li> <li id="cite_note-FOOTNOTEMorellaEpstein197169-106"><a href="#cite_ref-FOOTNOTEMorellaEpstein197169_106-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, p. 69. </li> <li id="cite_note-FOOTNOTEParish2011249-107">^ <a href="#cite_ref-FOOTNOTEParish2011249_107-0">a</a> <a href="#cite_ref-FOOTNOTEParish2011249_107-1">b</a> <a href="#CITEREFParish2011">Parish 2011</a>, p. 249. </li> <li id="cite_note-FOOTNOTETurner19829,_85,_142-108"><a href="#cite_ref-FOOTNOTETurner19829,_85,_142_108-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, pp. 9, 85, 142. </li> <li id="cite_note-FOOTNOTETurner198270-109"><a href="#cite_ref-FOOTNOTETurner198270_109-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, p. 70. </li> <li id="cite_note-FOOTNOTEMorellaEpstein197169–70-110"><a href="#cite_ref-FOOTNOTEMorellaEpstein197169–70_110-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, pp. 69–70. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_27:00-111"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_27:00_111-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 27:00. </li> <li id="cite_note-FOOTNOTEMorellaEpstein197168-112"><a href="#cite_ref-FOOTNOTEMorellaEpstein197168_112-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, p. 68. </li> <li id="cite_note-113"><a href="#cite_ref-113">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCrowther,_Bosley1943" class="citation news cs1"><a href="/wiki/Bosley_Crowther" title="Bosley Crowther">Crowther, Bosley</a> (April 2, 1943). <a rel="nofollow" class="external text" href="https://www.nytimes.com/1943/04/02/archives/-slightly-dangerous-a-comedy-wherein-lana-turner-robert-young.html">"'Slightly Dangerous,' a Comedy Wherein Lana Turner, Robert Young Appear, at Capitol – 'Saint' Film at the Palace"</a>. The New York Times. p. 17. Retrieved June 14, 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=%27Slightly+Dangerous%2C%27+a+Comedy+Wherein+Lana+Turner%2C+Robert+Young+Appear%2C+at+Capitol+%E2%80%93+%27Saint%27+Film+at+the+Palace&rft.pages=17&rft.date=1943-04-02&rft.au=Crowther%2C+Bosley&rft_id=https%3A%2F%2Fwww.nytimes.com%2F1943%2F04%2F02%2Farchives%2F-slightly-dangerous-a-comedy-wherein-lana-turner-robert-young.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTEMorellaEpstein197168–69-114"><a href="#cite_ref-FOOTNOTEMorellaEpstein197168–69_114-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, pp. 68–69. </li> <li id="cite_note-FOOTNOTETurner198277-115"><a href="#cite_ref-FOOTNOTETurner198277_115-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, p. 77. </li> <li id="cite_note-FOOTNOTEJordan2011232-116"><a href="#cite_ref-FOOTNOTEJordan2011232_116-0">^</a> <a href="#CITEREFJordan2011">Jordan 2011</a>, p. 232. </li> <li id="cite_note-FOOTNOTEValentino1976267-117"><a href="#cite_ref-FOOTNOTEValentino1976267_117-0">^</a> <a href="#CITEREFValentino1976">Valentino 1976</a>, p. 267. </li> <li id="cite_note-FOOTNOTEValentino1976133-118"><a href="#cite_ref-FOOTNOTEValentino1976133_118-0">^</a> <a href="#CITEREFValentino1976">Valentino 1976</a>, p. 133. </li> <li id="cite_note-FOOTNOTEMorellaEpstein197182-119">^ <a href="#cite_ref-FOOTNOTEMorellaEpstein197182_119-0">a</a> <a href="#cite_ref-FOOTNOTEMorellaEpstein197182_119-1">b</a> <a href="#cite_ref-FOOTNOTEMorellaEpstein197182_119-2">c</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, p. 82. </li> <li id="cite_note-FOOTNOTEValentino1976135-120"><a href="#cite_ref-FOOTNOTEValentino1976135_120-0">^</a> <a href="#CITEREFValentino1976">Valentino 1976</a>, p. 135. </li> <li id="cite_note-121"><a href="#cite_ref-121">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMaslin,_Janet1981" class="citation web cs1">Maslin, Janet (April 26, 1981). <a rel="nofollow" class="external text" href="https://www.nytimes.com/1981/04/26/movies/film-view-the-story-is-the-same-but-hollywood-has-changed.html">"The Story is the Same But Hollywood Has Changed"</a>. The New York Times. Retrieved May 23, 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+New+York+Times&rft.atitle=The+Story+is+the+Same+But+Hollywood+Has+Changed&rft.date=1981-04-26&rft.au=Maslin%2C+Janet&rft_id=https%3A%2F%2Fwww.nytimes.com%2F1981%2F04%2F26%2Fmovies%2Ffilm-view-the-story-is-the-same-but-hollywood-has-changed.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBrook2013120-122"><a href="#cite_ref-FOOTNOTEBrook2013120_122-0">^</a> <a href="#CITEREFBrook2013">Brook 2013</a>, p. 120. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_36:18-123"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_36:18_123-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 36:18. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_38:45-124"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_38:45_124-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 38:45. </li> <li id="cite_note-125"><a href="#cite_ref-125">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=-FQEAAAAMBAJ&q=lana+turner+garfield&pg=PA129">"Movie of the Week: The Postman Always Rings Twice"</a>. Life. Time, Inc. April 29, 1946. p. 129. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0024-3019">0024-3019</a> – via Google Books.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Life&rft.atitle=Movie+of+the+Week%3A+The+Postman+Always+Rings+Twice&rft.pages=129&rft.date=1946-04-29&rft.issn=0024-3019&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D-FQEAAAAMBAJ%26q%3Dlana%2Bturner%2Bgarfield%26pg%3DPA129&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-concentrate-126">^ <a href="#cite_ref-concentrate_126-0">a</a> <a href="#cite_ref-concentrate_126-1">b</a> <a href="#cite_ref-concentrate_126-2">c</a> <a href="#cite_ref-concentrate_126-3">d</a> <a href="#cite_ref-concentrate_126-4">e</a> <a href="#cite_ref-concentrate_126-5">f</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMacPherson,_Virginia1946" class="citation news cs1">MacPherson, Virginia (October 12, 1946). <a rel="nofollow" class="external text" href="https://www.newspapers.com/clip/21981482/democrat_and_chronicle/">"Heavy Drama Her Dish Now, Says Lana"</a>. <a href="/wiki/Democrat_and_Chronicle" title="Democrat and Chronicle">Democrat and Chronicle</a>. Rochester, New York. p. 11 – via Newspapers.com.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Democrat+and+Chronicle&rft.atitle=Heavy+Drama+Her+Dish+Now%2C+Says+Lana&rft.pages=11&rft.date=1946-10-12&rft.au=MacPherson%2C+Virginia&rft_id=https%3A%2F%2Fwww.newspapers.com%2Fclip%2F21981482%2Fdemocrat_and_chronicle%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-dolphin-127">^ <a href="#cite_ref-dolphin_127-0">a</a> <a href="#cite_ref-dolphin_127-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFManners,_Dorothy1946" class="citation news cs1">Manners, Dorothy (August 3, 1946). <a rel="nofollow" class="external text" href="https://www.newspapers.com/clip/21981517/tampa_bay_times/">"Lana Turner To Play Lead In 'Green Dolphin Street"</a>. <a href="/wiki/St._Petersburg_Times" class="mw-redirect" title="St. Petersburg Times">St. Petersburg Times</a>. St. Petersburg, Florida. p. 13 – via Newspapers.com.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=St.+Petersburg+Times&rft.atitle=Lana+Turner+To+Play+Lead+In+%27Green+Dolphin+Street&rft.pages=13&rft.date=1946-08-03&rft.au=Manners%2C+Dorothy&rft_id=https%3A%2F%2Fwww.newspapers.com%2Fclip%2F21981517%2Ftampa_bay_times%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_39:40-128"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_39:40_128-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 39:40. </li> <li id="cite_note-FOOTNOTEBellows2006192-129"><a href="#cite_ref-FOOTNOTEBellows2006192_129-0">^</a> <a href="#CITEREFBellows2006">Bellows 2006</a>, p. 192. </li> <li id="cite_note-FOOTNOTEWayne2003178-130">^ <a href="#cite_ref-FOOTNOTEWayne2003178_130-0">a</a> <a href="#cite_ref-FOOTNOTEWayne2003178_130-1">b</a> <a href="#CITEREFWayne2003">Wayne 2003</a>, p. 178. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_32:44-131"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_32:44_131-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 32:44. </li> <li id="cite_note-FOOTNOTEBrownBroeske2004199–201-132"><a href="#cite_ref-FOOTNOTEBrownBroeske2004199–201_132-0">^</a> <a href="#CITEREFBrownBroeske2004">Brown & Broeske 2004</a>, pp. 199–201. </li> <li id="cite_note-133"><a href="#cite_ref-133">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://archive.today/20180618033237/https://catalog.afi.com/Catalog/MovieDetails/25492?cxt=filmography">"Cass Timberlane"</a>. <a href="/wiki/American_Film_Institute" title="American Film Institute">American Film Institute</a> Catalog. Archived from <a rel="nofollow" class="external text" href="https://catalog.afi.com/Catalog/MovieDetails/25492?cxt=filmography">the original</a> on June 18, 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=American+Film+Institute+Catalog&rft.atitle=Cass+Timberlane&rft_id=https%3A%2F%2Fcatalog.afi.com%2FCatalog%2FMovieDetails%2F25492%3Fcxt%3Dfilmography&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-134"><a href="#cite_ref-134">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFManners,_Dorothy1946" class="citation news cs1">Manners, Dorothy (August 3, 1946). <a rel="nofollow" class="external text" href="https://newspaperarchive.com/san-antonio-light-aug-03-1946-p-6/">"News Of The Movies"</a>. The San Antonio Light. San Antonio, Texas. p. 6 – via Newspaper Archive.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+San+Antonio+Light&rft.atitle=News+Of+The+Movies&rft.pages=6&rft.date=1946-08-03&rft.au=Manners%2C+Dorothy&rft_id=https%3A%2F%2Fnewspaperarchive.com%2Fsan-antonio-light-aug-03-1946-p-6%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTEMcClelland1992292-135"><a href="#cite_ref-FOOTNOTEMcClelland1992292_135-0">^</a> <a href="#CITEREFMcClelland1992">McClelland 1992</a>, p. 292. </li> <li id="cite_note-136"><a href="#cite_ref-136">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFVariety_Staff1946" class="citation web cs1">Variety Staff (December 31, 1946). <a rel="nofollow" class="external text" href="https://variety.com/1946/film/reviews/cass-timberlane-1200415122/">"Cass Timberlane"</a>. <a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a>. Retrieved May 25, 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Variety&rft.atitle=Cass+Timberlane&rft.date=1946-12-31&rft.au=%27%27Variety%27%27+Staff&rft_id=https%3A%2F%2Fvariety.com%2F1946%2Ffilm%2Freviews%2Fcass-timberlane-1200415122%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-homecoming-137">^ <a href="#cite_ref-homecoming_137-0">a</a> <a href="#cite_ref-homecoming_137-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFParsons,_Louella1947" class="citation news cs1"><a href="/wiki/Louella_O._Parsons" class="mw-redirect" title="Louella O. Parsons">Parsons, Louella</a> (August 12, 1947). <a rel="nofollow" class="external text" href="https://www.newspapers.com/clip/21981576/tampa_bay_times/">"Hepburn's Screen Career Unaffected by Frankness"</a>. St. Petersburg Times. St. Petersburg, Florida. p. 8 – via Newspapers.com.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=St.+Petersburg+Times&rft.atitle=Hepburn%27s+Screen+Career+Unaffected+by+Frankness&rft.pages=8&rft.date=1947-08-12&rft.au=Parsons%2C+Louella&rft_id=https%3A%2F%2Fwww.newspapers.com%2Fclip%2F21981576%2Ftampa_bay_times%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTEValentino1976158-138"><a href="#cite_ref-FOOTNOTEValentino1976158_138-0">^</a> <a href="#CITEREFValentino1976">Valentino 1976</a>, p. 158. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_42:51-139"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_42:51_139-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 42:51. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_44:12-140"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_44:12_140-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 44:12. </li> <li id="cite_note-FOOTNOTEBasinger197677-141"><a href="#cite_ref-FOOTNOTEBasinger197677_141-0">^</a> <a href="#CITEREFBasinger1976">Basinger 1976</a>, p. 77. </li> <li id="cite_note-FOOTNOTECrane198893–97-142"><a href="#cite_ref-FOOTNOTECrane198893–97_142-0">^</a> <a href="#CITEREFCrane1988">Crane 1988</a>, pp. 93–97. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_43:47-143"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_43:47_143-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 43:47. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_44:05-144"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_44:05_144-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 44:05. </li> <li id="cite_note-FOOTNOTEMorellaEpstein1971111–113-145"><a href="#cite_ref-FOOTNOTEMorellaEpstein1971111–113_145-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, pp. 111–113. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_44:45-146"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_44:45_146-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 44:45. </li> <li id="cite_note-FOOTNOTEMorellaEpstein1971112-147"><a href="#cite_ref-FOOTNOTEMorellaEpstein1971112_147-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, p. 112. </li> <li id="cite_note-FOOTNOTEMorellaEpstein1971122-148"><a href="#cite_ref-FOOTNOTEMorellaEpstein1971122_148-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, p. 122. </li> <li id="cite_note-FOOTNOTETurner1982122-149">^ <a href="#cite_ref-FOOTNOTETurner1982122_149-0">a</a> <a href="#cite_ref-FOOTNOTETurner1982122_149-1">b</a> <a href="#CITEREFTurner1982">Turner 1982</a>, p. 122. </li> <li id="cite_note-FOOTNOTETurner1982115–116-150"><a href="#cite_ref-FOOTNOTETurner1982115–116_150-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, pp. 115–116. </li> <li id="cite_note-151"><a href="#cite_ref-151">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFThomas1949" class="citation news cs1">Thomas, Bob (December 7, 1949). <a rel="nofollow" class="external text" href="https://www.newspapers.com/clip/21981615/the_postregister/">"Lana Turner Says She Is Now the Home-Girl Type"</a>. <a href="/wiki/Post_Register" title="Post Register">The Post-Register</a>. Idaho Falls, Idaho. p. 9 – via Newspapers.com.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Post-Register&rft.atitle=Lana+Turner+Says+She+Is+Now+the+Home-Girl+Type&rft.pages=9&rft.date=1949-12-07&rft.aulast=Thomas&rft.aufirst=Bob&rft_id=https%3A%2F%2Fwww.newspapers.com%2Fclip%2F21981615%2Fthe_postregister%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTEMorellaEpstein1971127-152"><a href="#cite_ref-FOOTNOTEMorellaEpstein1971127_152-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, p. 127. </li> <li id="cite_note-153"><a href="#cite_ref-153">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://newspaperarchive.com/morning-avalanche-may-25-1950-p-24/">"Lana Turner leaves Footprints At Grauman's Chinese Theater"</a>. Morning Avalanche Newspaper. Lubbock, Texas. May 24, 1950. p. 24.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Morning+Avalanche+Newspaper&rft.atitle=Lana+Turner+leaves+Footprints+At+Grauman%27s+Chinese+Theater&rft.pages=24&rft.date=1950-05-24&rft_id=https%3A%2F%2Fnewspaperarchive.com%2Fmorning-avalanche-may-25-1950-p-24%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTEShipman1970526-154"><a href="#cite_ref-FOOTNOTEShipman1970526_154-0">^</a> <a href="#CITEREFShipman1970">Shipman 1970</a>, p. 526. </li> <li id="cite_note-FOOTNOTEValentino1976171–173-155"><a href="#cite_ref-FOOTNOTEValentino1976171–173_155-0">^</a> <a href="#CITEREFValentino1976">Valentino 1976</a>, pp. 171–173. </li> <li id="cite_note-FOOTNOTETurner1982124-156"><a href="#cite_ref-FOOTNOTETurner1982124_156-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, p. 124. </li> <li id="cite_note-157"><a href="#cite_ref-157">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://www.newspapers.com/clip/21981628/tampa_bay_times/">"Pinza Is Tops, Lana Is Dull In 'Mr. Imperium'"</a>. St. Petersburg Times. St. Petersburg, Florida. November 6, 1951. p. 8 – via Newspapers.com.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=St.+Petersburg+Times&rft.atitle=Pinza+Is+Tops%2C+Lana+Is+Dull+In+%27Mr.+Imperium%27&rft.pages=8&rft.date=1951-11-06&rft_id=https%3A%2F%2Fwww.newspapers.com%2Fclip%2F21981628%2Ftampa_bay_times%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_53:37-158"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_53:37_158-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 53:37. </li> <li id="cite_note-FOOTNOTETurner1982129-159">^ <a href="#cite_ref-FOOTNOTETurner1982129_159-0">a</a> <a href="#cite_ref-FOOTNOTETurner1982129_159-1">b</a> <a href="#CITEREFTurner1982">Turner 1982</a>, p. 129. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_56:23-160"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_56:23_160-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 56:23. </li> <li id="cite_note-FOOTNOTEMorellaEpstein1971135–136-161"><a href="#cite_ref-FOOTNOTEMorellaEpstein1971135–136_161-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, pp. 135–136. </li> <li id="cite_note-FOOTNOTEMorellaEpstein1971132–133-162"><a href="#cite_ref-FOOTNOTEMorellaEpstein1971132–133_162-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, pp. 132–133. </li> <li id="cite_note-FOOTNOTEMorellaEpstein1971139–140-163"><a href="#cite_ref-FOOTNOTEMorellaEpstein1971139–140_163-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, pp. 139–140. </li> <li id="cite_note-FOOTNOTETurner1982126–134-164"><a href="#cite_ref-FOOTNOTETurner1982126–134_164-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, pp. 126–134. </li> <li id="cite_note-FOOTNOTEMorellaEpstein1971136–139-165"><a href="#cite_ref-FOOTNOTEMorellaEpstein1971136–139_165-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, pp. 136–139. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_59:00-166"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_59:00_166-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 59:00. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_59:49-167"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_59:49_167-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 59:49. </li> <li id="cite_note-168"><a href="#cite_ref-168">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCrowther,_Bosley1954" class="citation news cs1">Crowther, Bosley (September 9, 1954). <a rel="nofollow" class="external text" href="https://www.nytimes.com/1954/09/09/archives/the-screen-in-review-betrayed-war-story-opens-at-the-state.html">"The Screen in Review; 'Betrayed,' War Story, Opens at the State"</a>. <a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a>. p. 36. Retrieved June 18, 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=The+Screen+in+Review%3B+%27Betrayed%2C%27+War+Story%2C+Opens+at+the+State&rft.pages=36&rft.date=1954-09-09&rft.au=Crowther%2C+Bosley&rft_id=https%3A%2F%2Fwww.nytimes.com%2F1954%2F09%2F09%2Farchives%2Fthe-screen-in-review-betrayed-war-story-opens-at-the-state.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTETurner1982132-169"><a href="#cite_ref-FOOTNOTETurner1982132_169-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, p. 132. </li> <li id="cite_note-FOOTNOTEParishBowers1973777-170"><a href="#cite_ref-FOOTNOTEParishBowers1973777_170-0">^</a> <a href="#CITEREFParishBowers1973">Parish & Bowers 1973</a>, p. 777. </li> <li id="cite_note-FOOTNOTEMorellaEpstein1971155-171"><a href="#cite_ref-FOOTNOTEMorellaEpstein1971155_171-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, p. 155. </li> <li id="cite_note-FOOTNOTETurner1982146-172"><a href="#cite_ref-FOOTNOTETurner1982146_172-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, p. 146. </li> <li id="cite_note-173"><a href="#cite_ref-173">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFVariety_Staff1954" class="citation web cs1">Variety Staff (December 31, 1954). <a rel="nofollow" class="external text" href="https://variety.com/1954/film/reviews/the-prodigal-1200417780/">"The Prodigal"</a>. Variety. Retrieved June 17, 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Variety&rft.atitle=The+Prodigal&rft.date=1954-12-31&rft.au=%27%27Variety%27%27+Staff&rft_id=https%3A%2F%2Fvariety.com%2F1954%2Ffilm%2Freviews%2Fthe-prodigal-1200417780%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTEMorellaEpstein1971156-174"><a href="#cite_ref-FOOTNOTEMorellaEpstein1971156_174-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, p. 156. </li> <li id="cite_note-FOOTNOTEMorellaEpstein1971160-175"><a href="#cite_ref-FOOTNOTEMorellaEpstein1971160_175-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, p. 160. </li> <li id="cite_note-FOOTNOTEValentino1976211-176"><a href="#cite_ref-FOOTNOTEValentino1976211_176-0">^</a> <a href="#CITEREFValentino1976">Valentino 1976</a>, p. 211. </li> <li id="cite_note-FOOTNOTEMorellaEpstein1971158–159-177"><a href="#cite_ref-FOOTNOTEMorellaEpstein1971158–159_177-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, pp. 158–159. </li> <li id="cite_note-FOOTNOTEValentino1976207-178"><a href="#cite_ref-FOOTNOTEValentino1976207_178-0">^</a> <a href="#CITEREFValentino1976">Valentino 1976</a>, p. 207. </li> <li id="cite_note-FOOTNOTEMorellaEpstein1971161-179">^ <a href="#cite_ref-FOOTNOTEMorellaEpstein1971161_179-0">a</a> <a href="#cite_ref-FOOTNOTEMorellaEpstein1971161_179-1">b</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, p. 161. </li> <li id="cite_note-FOOTNOTEParishBowers1973745-180"><a href="#cite_ref-FOOTNOTEParishBowers1973745_180-0">^</a> <a href="#CITEREFParishBowers1973">Parish & Bowers 1973</a>, p. 745. </li> <li id="cite_note-FOOTNOTEWayne2003183-181"><a href="#cite_ref-FOOTNOTEWayne2003183_181-0">^</a> <a href="#CITEREFWayne2003">Wayne 2003</a>, p. 183. </li> <li id="cite_note-FOOTNOTEMorellaEpstein1971162-182">^ <a href="#cite_ref-FOOTNOTEMorellaEpstein1971162_182-0">a</a> <a href="#cite_ref-FOOTNOTEMorellaEpstein1971162_182-1">b</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, p. 162. </li> <li id="cite_note-FOOTNOTETurner1982154-183"><a href="#cite_ref-FOOTNOTETurner1982154_183-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, p. 154. </li> <li id="cite_note-FOOTNOTECrane1988167-184"><a href="#cite_ref-FOOTNOTECrane1988167_184-0">^</a> <a href="#CITEREFCrane1988">Crane 1988</a>, p. 167. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_1:01:15-185"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_1:01:15_185-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 1:01:15. </li> <li id="cite_note-186"><a href="#cite_ref-186">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFArcher2008" class="citation web cs1">Archer, Greg (November 26, 2008). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130105050649/http://www.advocate.com/arts-entertainment/books/2008/11/26/kid-stays-picture">"The Kid Stays in the Picture"</a>. <a href="/wiki/The_Advocate_(LGBT_magazine)" class="mw-redirect" title="The Advocate (LGBT magazine)">The Advocate</a>. Archived from <a rel="nofollow" class="external text" href="http://www.advocate.com/arts-entertainment/books/2008/11/26/kid-stays-picture">the original</a> on January 5, 2013.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Advocate&rft.atitle=The+Kid+Stays+in+the+Picture&rft.date=2008-11-26&rft.aulast=Archer&rft.aufirst=Greg&rft_id=http%3A%2F%2Fwww.advocate.com%2Farts-entertainment%2Fbooks%2F2008%2F11%2F26%2Fkid-stays-picture&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTEMorellaEpstein1971175-187"><a href="#cite_ref-FOOTNOTEMorellaEpstein1971175_187-0">^</a> <a href="#CITEREFMorellaEpstein1971">Morella & Epstein 1971</a>, p. 175. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_1:08:20-188"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_1:08:20_188-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 1:08:20. </li> <li id="cite_note-FOOTNOTELanger2001event_occurs_at_1:08:25-189"><a href="#cite_ref-FOOTNOTELanger2001event_occurs_at_1:08:25_189-0">^</a> <a href="#CITEREFLanger2001">Langer 2001</a>, event occurs at 1:08:25. </li> <li id="cite_note-190"><a href="#cite_ref-190">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFVariety_Staff1957" class="citation web cs1">Variety Staff (December 31, 1957). <a rel="nofollow" class="external text" href="https://variety.com/1956/film/reviews/peyton-place-1200418280/">"Peyton Place"</a>. Variety. Retrieved May 29, 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Variety&rft.atitle=Peyton+Place&rft.date=1957-12-31&rft.au=%27%27Variety%27%27+Staff&rft_id=https%3A%2F%2Fvariety.com%2F1956%2Ffilm%2Freviews%2Fpeyton-place-1200418280%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> <li id="cite_note-FOOTNOTEKashnerMacNair2002254-191">^ <a href="#cite_ref-FOOTNOTEKashnerMacNair2002254_191-0">a</a> <a href="#cite_ref-FOOTNOTEKashnerMacNair2002254_191-1">b</a> <a href="#CITEREFKashnerMacNair2002">Kashner & MacNair 2002</a>, p. 254. </li> <li id="cite_note-FOOTNOTETurner1982181-192"><a href="#cite_ref-FOOTNOTETurner1982181_192-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, p. 181. </li> <li id="cite_note-FOOTNOTEBasinger1976115-193"><a href="#cite_ref-FOOTNOTEBasinger1976115_193-0">^</a> <a href="#CITEREFBasinger1976">Basinger 1976</a>, p. 115. </li> <li id="cite_note-FOOTNOTETurner1982158-194"><a href="#cite_ref-FOOTNOTETurner1982158_194-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, p. 158. </li> <li id="cite_note-FOOTNOTETurner1982200–203-195"><a href="#cite_ref-FOOTNOTETurner1982200–203_195-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, pp. 200–203. </li> <li id="cite_note-FOOTNOTETurner1982159–161-196"><a href="#cite_ref-FOOTNOTETurner1982159–161_196-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, pp. 159–161. </li> <li id="cite_note-FOOTNOTETurner1982161-197"><a href="#cite_ref-FOOTNOTETurner1982161_197-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, p. 161. </li> <li id="cite_note-FOOTNOTETurner1982163–165-198"><a href="#cite_ref-FOOTNOTETurner1982163–165_198-0">^</a> <a href="#CITEREFTurner1982">Turner 1982</a>, pp. 163–165. </li> <li id="cite_note-FOOTNOTEFeldstein2000120-199">^ <a href="#cite_ref-FOOTNOTEFeldstein2000120_199-0">a</a> <a href="#cite_ref-FOOTNOTEFeldstein2000120_199-1">b</a> <a 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Retrieved July 27, 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Complex&rft.atitle=The+50+Most+Infamous+Actresses+of+All+Time&rft.date=2012-08-27&rft.aulast=Aquino&rft.aufirst=Tara&rft.au=Hoare%2C+Peter&rft_id=https%3A%2F%2Fwww.complex.com%2Fpop-culture%2F2012%2F08%2Fthe-50-most-infamous-actresses-of-all-time%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="Sources">Sources</h2>[<a href="/w/index.php?title=Lana_Turner&action=edit&section=17" title="Edit section: Sources">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1239549316">.mw-parser-output .refbegin{margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}@media screen{.mw-parser-output .refbegin{font-size:90%}}</style><div class="refbegin refbegin-columns references-column-width" style="column-width: 20em"> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBamontJacobson2017" class="citation book cs1">Bamont, Tony; Jacobson, Butch (2017). Historic Wallace, Idaho. Spokane, Washington: Tornado Creek Publications. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-982-15296-6" title="Special:BookSources/978-0-982-15296-6"><bdi>978-0-982-15296-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Historic+Wallace%2C+Idaho&rft.place=Spokane%2C+Washington&rft.pub=Tornado+Creek+Publications&rft.date=2017&rft.isbn=978-0-982-15296-6&rft.aulast=Bamont&rft.aufirst=Tony&rft.au=Jacobson%2C+Butch&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBarton2010" class="citation book cs1">Barton, Ruth (2010). Hedy Lamarr: The Most Beautiful Woman in Film. Lexington, Kentucky: University Press of Kentucky. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-813-12604-3" title="Special:BookSources/978-0-813-12604-3"><bdi>978-0-813-12604-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Hedy+Lamarr%3A+The+Most+Beautiful+Woman+in+Film&rft.place=Lexington%2C+Kentucky&rft.pub=University+Press+of+Kentucky&rft.date=2010&rft.isbn=978-0-813-12604-3&rft.aulast=Barton&rft.aufirst=Ruth&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBasinger1976" class="citation book cs1"><a href="/wiki/Jeanine_Basinger" title="Jeanine Basinger">Basinger, Jeanine</a> (1976). Lana Turner. New York: <a href="/wiki/Pyramid_Books" class="mw-redirect" title="Pyramid Books">Pyramid Publications</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-515-04194-1" title="Special:BookSources/978-0-515-04194-1"><bdi>978-0-515-04194-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Lana+Turner&rft.place=New+York&rft.pub=Pyramid+Publications&rft.date=1976&rft.isbn=978-0-515-04194-1&rft.aulast=Basinger&rft.aufirst=Jeanine&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBasinger2008" class="citation book cs1">Basinger, Jeanine (2008). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=N_M7-qeZdlsC">The Star Machine</a>. New York: Knopf. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-307-49128-2" title="Special:BookSources/978-0-307-49128-2"><bdi>978-0-307-49128-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Star+Machine&rft.place=New+York&rft.pub=Knopf&rft.date=2008&rft.isbn=978-0-307-49128-2&rft.aulast=Basinger&rft.aufirst=Jeanine&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DN_M7-qeZdlsC&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBellows2006" class="citation book cs1">Bellows, Barbara L. (2006). A Talent for Living: Josephine Pinckney and the Charleston Literary Tradition. Baton Rouge, Louisiana: Louisiana State University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-807-15734-3" title="Special:BookSources/978-0-807-15734-3"><bdi>978-0-807-15734-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=A+Talent+for+Living%3A+Josephine+Pinckney+and+the+Charleston+Literary+Tradition&rft.place=Baton+Rouge%2C+Louisiana&rft.pub=Louisiana+State+University+Press&rft.date=2006&rft.isbn=978-0-807-15734-3&rft.aulast=Bellows&rft.aufirst=Barbara+L.&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBillipsPierce1995" class="citation book cs1">Billips, Connie J.; Pierce, Arthur (1995). Lux Presents Hollywood: A Show-by-Show History of the Lux Radio Theatre and the Lux Video Theatre, 1934–1957. Jefferson, North Carolina: McFarland. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-899-50938-9" title="Special:BookSources/978-0-899-50938-9"><bdi>978-0-899-50938-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Lux+Presents+Hollywood%3A+A+Show-by-Show+History+of+the+Lux+Radio+Theatre+and+the+Lux+Video+Theatre%2C+1934%E2%80%931957&rft.place=Jefferson%2C+North+Carolina&rft.pub=McFarland&rft.date=1995&rft.isbn=978-0-899-50938-9&rft.aulast=Billips&rft.aufirst=Connie+J.&rft.au=Pierce%2C+Arthur&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBreuer1989" class="citation book cs1"><a href="/wiki/William_Breuer" title="William Breuer">Breuer, William B.</a> (1989). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=NnffAAAAMAAJ&q=9780891413356">Sea Wolf: A Biography of John D. Bulkeley, USN</a>. Novato, California: Presidio. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-89141-335-6" title="Special:BookSources/978-0-89141-335-6"><bdi>978-0-89141-335-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Sea+Wolf%3A+A+Biography+of+John+D.+Bulkeley%2C+USN&rft.place=Novato%2C+California&rft.pub=Presidio&rft.date=1989&rft.isbn=978-0-89141-335-6&rft.aulast=Breuer&rft.aufirst=William+B.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DNnffAAAAMAAJ%26q%3D9780891413356&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBrook2013" class="citation book cs1">Brook, Vincent (2013). Land of Smoke and Mirrors: A Cultural History of Los Angeles. Rutgers, New Jersey: Rutgers University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-813-55458-7" title="Special:BookSources/978-0-813-55458-7"><bdi>978-0-813-55458-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Land+of+Smoke+and+Mirrors%3A+A+Cultural+History+of+Los+Angeles&rft.place=Rutgers%2C+New+Jersey&rft.pub=Rutgers+University+Press&rft.date=2013&rft.isbn=978-0-813-55458-7&rft.aulast=Brook&rft.aufirst=Vincent&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBrownBroeske2004" class="citation book cs1">Brown, Peter Harry; Broeske, Pat H. (2004). <a rel="nofollow" class="external text" href="https://archive.org/details/howardhughesunto00brow">Howard Hughes: The Untold Story</a>. Cambridge, Massachusetts: Da Capo Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-306-81392-4" title="Special:BookSources/978-0-306-81392-4"><bdi>978-0-306-81392-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Howard+Hughes%3A+The+Untold+Story&rft.place=Cambridge%2C+Massachusetts&rft.pub=Da+Capo+Press&rft.date=2004&rft.isbn=978-0-306-81392-4&rft.aulast=Brown&rft.aufirst=Peter+Harry&rft.au=Broeske%2C+Pat+H.&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fhowardhughesunto00brow&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBusch1940" class="citation magazine cs1"><a href="/wiki/Niven_Busch" title="Niven Busch">Busch, Niven</a> (December 23, 1940). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=P0oEAAAAMBAJ&q=Julia+Jean+Mildred+lana+turner&pg=PA63">"Lana Turner"</a>. Life. Vol. 9, no. 26. Time, Inc. pp. 62–65. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0024-3019">0024-3019</a> – via Google Books.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Life&rft.atitle=Lana+Turner&rft.volume=9&rft.issue=26&rft.pages=62-65&rft.date=1940-12-23&rft.issn=0024-3019&rft.aulast=Busch&rft.aufirst=Niven&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DP0oEAAAAMBAJ%26q%3DJulia%2BJean%2BMildred%2Blana%2Bturner%26pg%3DPA63&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFClementsWeber1996" class="citation book cs1">Clements, Cynthia; Weber, Sandra (1996). George Burns and Gracie Allen: A Bio-Bibliography. Vol. 72. New York: Greenwood Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-313-26883-0" title="Special:BookSources/978-0-313-26883-0"><bdi>978-0-313-26883-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=George+Burns+and+Gracie+Allen%3A+A+Bio-Bibliography&rft.place=New+York&rft.pub=Greenwood+Press&rft.date=1996&rft.isbn=978-0-313-26883-0&rft.aulast=Clements&rft.aufirst=Cynthia&rft.au=Weber%2C+Sandra&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFConklin2009" class="citation book cs1">Conklin, John E. (2009). Campus Life in the Movies: A Critical Survey from the Silent Era to the Present. Jefferson, North Carolina: McFarland. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-786-45235-4" title="Special:BookSources/978-0-786-45235-4"><bdi>978-0-786-45235-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Campus+Life+in+the+Movies%3A+A+Critical+Survey+from+the+Silent+Era+to+the+Present&rft.place=Jefferson%2C+North+Carolina&rft.pub=McFarland&rft.date=2009&rft.isbn=978-0-786-45235-4&rft.aulast=Conklin&rft.aufirst=John+E.&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCrane1988" class="citation book cs1"><a href="/wiki/Cheryl_Crane" title="Cheryl Crane">Crane, Cheryl</a> (1988). <a href="/wiki/Detour:_A_Hollywood_Story" title="Detour: A Hollywood Story">Detour: A Hollywood Story</a>. New York: Arbor House/William Morrow. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-87795-938-2" title="Special:BookSources/0-87795-938-2"><bdi>0-87795-938-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Detour%3A+A+Hollywood+Story&rft.place=New+York&rft.pub=Arbor+House%2FWilliam+Morrow&rft.date=1988&rft.isbn=0-87795-938-2&rft.aulast=Crane&rft.aufirst=Cheryl&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCraneDe_La_Hoz2008" class="citation book cs1">Crane, Cheryl; De La Hoz, Cindy (2008). <a rel="nofollow" class="external text" href="https://archive.org/details/lanamemoriesmyth0000cran">Lana: The Memories, the Myths, the Movies</a>. Philadelphia, Pennsylvania: Running Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-762-43316-2" title="Special:BookSources/978-0-762-43316-2"><bdi>978-0-762-43316-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Lana%3A+The+Memories%2C+the+Myths%2C+the+Movies&rft.place=Philadelphia%2C+Pennsylvania&rft.pub=Running+Press&rft.date=2008&rft.isbn=978-0-762-43316-2&rft.aulast=Crane&rft.aufirst=Cheryl&rft.au=De+La+Hoz%2C+Cindy&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Flanamemoriesmyth0000cran&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDargis2003" class="citation book cs1"><a href="/wiki/Manohla_Dargis" title="Manohla Dargis">Dargis, Manohla</a> (2003). <a rel="nofollow" class="external text" href="https://archive.org/details/laconfidential00darg">L.A. Confidential</a>. BFI Film Classics. London: Macmillan. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-851-70944-4" title="Special:BookSources/978-0-851-70944-4"><bdi>978-0-851-70944-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=L.A.+Confidential&rft.place=London&rft.series=BFI+Film+Classics&rft.pub=Macmillan&rft.date=2003&rft.isbn=978-0-851-70944-4&rft.aulast=Dargis&rft.aufirst=Manohla&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Flaconfidential00darg&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDavis2005" class="citation book cs1">Davis, Ronald L. (2005). <a rel="nofollow" class="external text" href="https://archive.org/details/justmakingmovies00davi">Just Making Movies: Company Directors on the Studio System</a>. Jackson, Mississippi: University Press of Mississippi. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-578-06691-9" title="Special:BookSources/978-1-578-06691-9"><bdi>978-1-578-06691-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Just+Making+Movies%3A+Company+Directors+on+the+Studio+System&rft.place=Jackson%2C+Mississippi&rft.pub=University+Press+of+Mississippi&rft.date=2005&rft.isbn=978-1-578-06691-9&rft.aulast=Davis&rft.aufirst=Ronald+L.&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fjustmakingmovies00davi&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDennis2007" class="citation book cs1">Dennis, Jeffrey P. (2007). We Boys Together: Teenagers in Love Before Girl-Craziness. Nashville, Tennessee: Vanderbilt University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-826-51557-5" title="Special:BookSources/978-0-826-51557-5"><bdi>978-0-826-51557-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=We+Boys+Together%3A+Teenagers+in+Love+Before+Girl-Craziness&rft.place=Nashville%2C+Tennessee&rft.pub=Vanderbilt+University+Press&rft.date=2007&rft.isbn=978-0-826-51557-5&rft.aulast=Dennis&rft.aufirst=Jeffrey+P.&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDyer1991" class="citation book cs1"><a href="/wiki/Richard_Dyer" title="Richard Dyer">Dyer, Richard</a> (1991). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=NxHbph9wFJsC&pg=PA3">"Four Films of Lana Turner"</a>. In Fischer, Lucy (ed.). Imitation of Life. New Brunswick, New Jersey: <a href="/wiki/Rutgers_University_Press" title="Rutgers University Press">Rutgers University Press</a>. pp. 186–206. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8135-1644-7" title="Special:BookSources/0-8135-1644-7"><bdi>0-8135-1644-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Four+Films+of+Lana+Turner&rft.btitle=Imitation+of+Life&rft.place=New+Brunswick%2C+New+Jersey&rft.pages=186-206&rft.pub=Rutgers+University+Press&rft.date=1991&rft.isbn=0-8135-1644-7&rft.aulast=Dyer&rft.aufirst=Richard&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DNxHbph9wFJsC%26pg%3DPA3&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFErickson2017" class="citation book cs1">Erickson, Hal (2017). Any Resemblance to Actual Persons: The Real People Behind 400+ Fictional Movie Characters. Jefferson, North Carolina: McFarland. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-476-62930-8" title="Special:BookSources/978-1-476-62930-8"><bdi>978-1-476-62930-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Any+Resemblance+to+Actual+Persons%3A+The+Real+People+Behind+400%2B+Fictional+Movie+Characters&rft.place=Jefferson%2C+North+Carolina&rft.pub=McFarland&rft.date=2017&rft.isbn=978-1-476-62930-8&rft.aulast=Erickson&rft.aufirst=Hal&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFeldstein2000" class="citation book cs1"><a href="/wiki/Ruth_Feldstein" title="Ruth Feldstein">Feldstein, Ruth</a> (2000). Motherhood in Black and White: Race and Sex in American Liberalism, 1930–1965. Ithaca, New York: Cornell University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8014-8438-4" title="Special:BookSources/978-0-8014-8438-4"><bdi>978-0-8014-8438-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Motherhood+in+Black+and+White%3A+Race+and+Sex+in+American+Liberalism%2C+1930%E2%80%931965&rft.place=Ithaca%2C+New+York&rft.pub=Cornell+University+Press&rft.date=2000&rft.isbn=978-0-8014-8438-4&rft.aulast=Feldstein&rft.aufirst=Ruth&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFields2007" class="citation book cs1">Fields, Jill (2007). An Intimate Affair: Women, Lingerie, and Sexuality. Los Angeles: University of California Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-520-22369-1" title="Special:BookSources/978-0-520-22369-1"><bdi>978-0-520-22369-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=An+Intimate+Affair%3A+Women%2C+Lingerie%2C+and+Sexuality&rft.place=Los+Angeles&rft.pub=University+of+California+Press&rft.date=2007&rft.isbn=978-0-520-22369-1&rft.aulast=Fields&rft.aufirst=Jill&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFischer1991" class="citation book cs1">Fischer, Lucy (ed). (1991). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=NxHbph9wFJsC&pg=PA3">Imitation of Life</a>. New Brunswick, New Jersey: <a href="/wiki/Rutgers_University_Press" title="Rutgers University Press">Rutgers University Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8135-1644-7" title="Special:BookSources/0-8135-1644-7"><bdi>0-8135-1644-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Imitation+of+Life&rft.place=New+Brunswick%2C+New+Jersey&rft.pub=Rutgers+University+Press&rft.date=1991&rft.isbn=0-8135-1644-7&rft.aulast=Fischer&rft.aufirst=Lucy+%28ed%29.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DNxHbph9wFJsC%26pg%3DPA3&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGrams2000" class="citation book cs1">Grams, Martin (2000). Radio Drama: A Comprehensive Chronicle of American Network Programs, 1932–1962. Jefferson, North Carolina: McFarland. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-786-40051-5" title="Special:BookSources/978-0-786-40051-5"><bdi>978-0-786-40051-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Radio+Drama%3A+A+Comprehensive+Chronicle+of+American+Network+Programs%2C+1932%E2%80%931962&rft.place=Jefferson%2C+North+Carolina&rft.pub=McFarland&rft.date=2000&rft.isbn=978-0-786-40051-5&rft.aulast=Grams&rft.aufirst=Martin&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGreene2018" class="citation book cs1">Greene, Heather (2018). Bell, Book and Camera: A Critical History of Witches in American Film and Television. Jefferson, North Carolina: McFarland. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-476-63206-3" title="Special:BookSources/978-1-476-63206-3"><bdi>978-1-476-63206-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Bell%2C+Book+and+Camera%3A+A+Critical+History+of+Witches+in+American+Film+and+Television&rft.place=Jefferson%2C+North+Carolina&rft.pub=McFarland&rft.date=2018&rft.isbn=978-1-476-63206-3&rft.aulast=Greene&rft.aufirst=Heather&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGuilbert2018" class="citation book cs1">Guilbert, Georges-Claude (2018). Gay Icons: The (Mostly) Female Entertainers Gay Men Love. Jefferson, North Carolina: McFarland. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-476-67433-9" title="Special:BookSources/978-1-476-67433-9"><bdi>978-1-476-67433-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Gay+Icons%3A+The+%28Mostly%29+Female+Entertainers+Gay+Men+Love&rft.place=Jefferson%2C+North+Carolina&rft.pub=McFarland&rft.date=2018&rft.isbn=978-1-476-67433-9&rft.aulast=Guilbert&rft.aufirst=Georges-Claude&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHeyer2005" class="citation book cs1">Heyer, Paul (2005). The Medium and the Magician: Orson Welles, the Radio Years, 1934–1952. Lanham, Maryland: Rowman and Littlefield. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-742-53797-2" title="Special:BookSources/978-0-742-53797-2"><bdi>978-0-742-53797-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Medium+and+the+Magician%3A+Orson+Welles%2C+the+Radio+Years%2C+1934%E2%80%931952&rft.place=Lanham%2C+Maryland&rft.pub=Rowman+and+Littlefield&rft.date=2005&rft.isbn=978-0-742-53797-2&rft.aulast=Heyer&rft.aufirst=Paul&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFIngham2005" class="citation book cs1">Ingham, Chris (2005). Frank Sinatra. New York: Rough Guides. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-843-53414-3" title="Special:BookSources/978-1-843-53414-3"><bdi>978-1-843-53414-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Frank+Sinatra&rft.place=New+York&rft.pub=Rough+Guides&rft.date=2005&rft.isbn=978-1-843-53414-3&rft.aulast=Ingham&rft.aufirst=Chris&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJordan2011" class="citation book cs1">Jordan, David M. (2011). <a rel="nofollow" class="external text" href="https://archive.org/details/fdrdeweyelection0000jord">FDR, Dewey, and the Election of 1944</a>. Bloomington, Indiana: Indiana University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-253-00562-5" title="Special:BookSources/978-0-253-00562-5"><bdi>978-0-253-00562-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=FDR%2C+Dewey%2C+and+the+Election+of+1944&rft.place=Bloomington%2C+Indiana&rft.pub=Indiana+University+Press&rft.date=2011&rft.isbn=978-0-253-00562-5&rft.aulast=Jordan&rft.aufirst=David+M.&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Ffdrdeweyelection0000jord&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJordan2009" class="citation book cs1">Jordan, Jessica Hope (2009). The Sex Goddess in American Film, 1930–1965: Jean Harlow, Mae West, Lana Turner, and Jayne Mansfield. Amherst, New York: Cambria Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-60497-663-2" title="Special:BookSources/978-1-60497-663-2"><bdi>978-1-60497-663-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Sex+Goddess+in+American+Film%2C+1930%E2%80%931965%3A+Jean+Harlow%2C+Mae+West%2C+Lana+Turner%2C+and+Jayne+Mansfield&rft.place=Amherst%2C+New+York&rft.pub=Cambria+Press&rft.date=2009&rft.isbn=978-1-60497-663-2&rft.aulast=Jordan&rft.aufirst=Jessica+Hope&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKashnerMacNair2002" class="citation book cs1">Kashner, Sam; MacNair, Jennifer (2002). <a rel="nofollow" class="external text" href="https://archive.org/details/badbeautifulholl00kash">The Bad & the Beautiful: Hollywood in the Fifties</a>. New York: W. W. Norton & Company. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-393-32436-5" title="Special:BookSources/978-0-393-32436-5"><bdi>978-0-393-32436-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Bad+%26+the+Beautiful%3A+Hollywood+in+the+Fifties&rft.place=New+York&rft.pub=W.+W.+Norton+%26+Company&rft.date=2002&rft.isbn=978-0-393-32436-5&rft.aulast=Kashner&rft.aufirst=Sam&rft.au=MacNair%2C+Jennifer&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fbadbeautifulholl00kash&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKohn2001" class="citation book cs1">Kohn, George C. (2001). The New Encyclopedia of American Scandal. Facts on File: Library of American History (Revised ed.). New York: Infobase Publishing. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-438-13022-4" title="Special:BookSources/978-1-438-13022-4"><bdi>978-1-438-13022-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+New+Encyclopedia+of+American+Scandal&rft.place=New+York&rft.series=Facts+on+File%3A+Library+of+American+History&rft.edition=Revised&rft.pub=Infobase+Publishing&rft.date=2001&rft.isbn=978-1-438-13022-4&rft.aulast=Kohn&rft.aufirst=George+C.&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLanger2001" class="citation audio-visual cs1">Langer, Carole (dir.) (2001). <a rel="nofollow" class="external text" href="http://www.tcm.com/tcmdb/title/410000/Lana-Turner-A-Daughter-s-Memoir/">Lana Turner ... a Daughter's Memoir</a> (Documentary). Turner Classic Movies.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Lana+Turner+...+a+Daughter%27s+Memoir&rft.date=2001&rft.aulast=Langer&rft.aufirst=Carole+%28dir.%29&rft_id=http%3A%2F%2Fwww.tcm.com%2Ftcmdb%2Ftitle%2F410000%2FLana-Turner-A-Daughter-s-Memoir%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLawsonRufus2000" class="citation book cs1">Lawson, Kristan; Rufus, Anneli (2000). <a rel="nofollow" class="external text" href="https://archive.org/details/californiababylo00laws">California Babylon: A Guide to Site of Scandal, Mayhem and Celluloid in the Golden State</a> (Revised ed.). New York: St. Martin's Griffin. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-312-26385-0" title="Special:BookSources/978-0-312-26385-0"><bdi>978-0-312-26385-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=California+Babylon%3A+A+Guide+to+Site+of+Scandal%2C+Mayhem+and+Celluloid+in+the+Golden+State&rft.place=New+York&rft.edition=Revised&rft.pub=St.+Martin%27s+Griffin&rft.date=2000&rft.isbn=978-0-312-26385-0&rft.aulast=Lawson&rft.aufirst=Kristan&rft.au=Rufus%2C+Anneli&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fcaliforniababylo00laws&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLewis2017" class="citation book cs1">Lewis, Jon (2017). Hard-Boiled Hollywood: Crime and Punishment in Postwar Los Angeles. Los Angeles: University of California Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-520-28432-6" title="Special:BookSources/978-0-520-28432-6"><bdi>978-0-520-28432-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Hard-Boiled+Hollywood%3A+Crime+and+Punishment+in+Postwar+Los+Angeles&rft.place=Los+Angeles&rft.pub=University+of+California+Press&rft.date=2017&rft.isbn=978-0-520-28432-6&rft.aulast=Lewis&rft.aufirst=Jon&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcClelland1992" class="citation book cs1">McClelland, Doug (1992). Forties Film Talk: Oral Histories of Hollywood, with 120 Lobby Posters. Jefferson, North Carolina: McFarland. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-899-50672-2" title="Special:BookSources/978-0-899-50672-2"><bdi>978-0-899-50672-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Forties+Film+Talk%3A+Oral+Histories+of+Hollywood%2C+with+120+Lobby+Posters&rft.place=Jefferson%2C+North+Carolina&rft.pub=McFarland&rft.date=1992&rft.isbn=978-0-899-50672-2&rft.aulast=McClelland&rft.aufirst=Doug&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMoore2014" class="citation book cs1"><a href="/wiki/Roger_Moore" title="Roger Moore">Moore, Roger</a> (2014). Last Man Standing: Tales from Tinseltown. London: Michael O'Mara Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-782-43267-8" title="Special:BookSources/978-1-782-43267-8"><bdi>978-1-782-43267-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Last+Man+Standing%3A+Tales+from+Tinseltown&rft.place=London&rft.pub=Michael+O%27Mara+Books&rft.date=2014&rft.isbn=978-1-782-43267-8&rft.aulast=Moore&rft.aufirst=Roger&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMorellaEpstein1971" class="citation book cs1">Morella, Joe; Epstein, Edward Z. (1971). <a rel="nofollow" class="external text" href="https://archive.org/details/lanapublicpriv00more">Lana: The Public and Private Lives of Miss Turner</a>. New York: Citadel Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8065-0226-6" title="Special:BookSources/0-8065-0226-6"><bdi>0-8065-0226-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Lana%3A+The+Public+and+Private+Lives+of+Miss+Turner&rft.place=New+York&rft.pub=Citadel+Press&rft.date=1971&rft.isbn=0-8065-0226-6&rft.aulast=Morella&rft.aufirst=Joe&rft.au=Epstein%2C+Edward+Z.&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Flanapublicpriv00more&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFParishBowers1973" class="citation book cs1"><a href="/wiki/James_Robert_Parish" title="James Robert Parish">Parish, James Robert</a>; Bowers, Ronald L. (1973). <a rel="nofollow" class="external text" href="https://archive.org/details/fdr00farr">The MGM Stock Company: The Golden Era</a>. New Rochelle, New York: Arlington House. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-870-00128-4" title="Special:BookSources/978-0-870-00128-4"><bdi>978-0-870-00128-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+MGM+Stock+Company%3A+The+Golden+Era&rft.place=New+Rochelle%2C+New+York&rft.pub=Arlington+House&rft.date=1973&rft.isbn=978-0-870-00128-4&rft.aulast=Parish&rft.aufirst=James+Robert&rft.au=Bowers%2C+Ronald+L.&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Ffdr00farr&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFParish1978" class="citation book cs1">Parish, James Robert (1978). <a rel="nofollow" class="external text" href="https://archive.org/details/hollywoodbeautie00pari">The Hollywood Beauties</a>. New Rochelle, New York: Arlington House. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-87000-412-4" title="Special:BookSources/978-0-87000-412-4"><bdi>978-0-87000-412-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Hollywood+Beauties&rft.place=New+Rochelle%2C+New+York&rft.pub=Arlington+House&rft.date=1978&rft.isbn=978-0-87000-412-4&rft.aulast=Parish&rft.aufirst=James+Robert&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fhollywoodbeautie00pari&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFParish2001" class="citation book cs1">Parish, James (2001). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=S8I63YmASU8C&q=9780809222278">The Hollywood Book of Death: The Bizarre, Often Sordid, Passings of More than 125 American Movie and TV Idols</a>. New York: McGraw-Hill Education. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8092-2227-8" title="Special:BookSources/978-0-8092-2227-8"><bdi>978-0-8092-2227-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Hollywood+Book+of+Death%3A+The+Bizarre%2C+Often+Sordid%2C+Passings+of+More+than+125+American+Movie+and+TV+Idols&rft.place=New+York&rft.pub=McGraw-Hill+Education&rft.date=2001&rft.isbn=978-0-8092-2227-8&rft.aulast=Parish&rft.aufirst=James&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DS8I63YmASU8C%26q%3D9780809222278&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFParish2011" class="citation book cs1">Parish, James Robert (2011). The Hollywood Book of Extravagance: The Totally Infamous, Mostly Disastrous, and Always Compelling Excesses of America's Film and TV Idols. New York: John Wiley & Sons. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-118-03902-1" title="Special:BookSources/978-1-118-03902-1"><bdi>978-1-118-03902-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Hollywood+Book+of+Extravagance%3A+The+Totally+Infamous%2C+Mostly+Disastrous%2C+and+Always+Compelling+Excesses+of+America%27s+Film+and+TV+Idols&rft.place=New+York&rft.pub=John+Wiley+%26+Sons&rft.date=2011&rft.isbn=978-1-118-03902-1&rft.aulast=Parish&rft.aufirst=James+Robert&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPitts2015" class="citation book cs1">Pitts, Michael R. (2015). RKO Radio Pictures Horror, Science Fiction and Fantasy Films, 1929–1956. Jefferson, North Carolina: McFarland. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-476-61683-4" title="Special:BookSources/978-1-476-61683-4"><bdi>978-1-476-61683-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=RKO+Radio+Pictures+Horror%2C+Science+Fiction+and+Fantasy+Films%2C+1929%E2%80%931956&rft.place=Jefferson%2C+North+Carolina&rft.pub=McFarland&rft.date=2015&rft.isbn=978-1-476-61683-4&rft.aulast=Pitts&rft.aufirst=Michael+R.&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRaha2008" class="citation book cs1"><a href="/wiki/Maria_Raha" title="Maria Raha">Raha, Maria</a> (2008). Hellions: Pop Culture's Rebel Women. Berkeley, California: Seal Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7867-2626-4" title="Special:BookSources/978-0-7867-2626-4"><bdi>978-0-7867-2626-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Hellions%3A+Pop+Culture%27s+Rebel+Women&rft.place=Berkeley%2C+California&rft.pub=Seal+Press&rft.date=2008&rft.isbn=978-0-7867-2626-4&rft.aulast=Raha&rft.aufirst=Maria&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRobbins2008" class="citation book cs1">Robbins, Jann (2008). <a rel="nofollow" class="external text" href="https://archive.org/details/haroldmemylifelo0000robb">Harold and Me: My Life, Love, and Hard Times with Harold Robbins</a>. New York: Forge Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7653-0003-4" title="Special:BookSources/978-0-7653-0003-4"><bdi>978-0-7653-0003-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Harold+and+Me%3A+My+Life%2C+Love%2C+and+Hard+Times+with+Harold+Robbins&rft.place=New+York&rft.pub=Forge+Books&rft.date=2008&rft.isbn=978-0-7653-0003-4&rft.aulast=Robbins&rft.aufirst=Jann&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fharoldmemylifelo0000robb&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSchatz1999" class="citation book cs1">Schatz, Thomas (1999). Boom and Bust: American Cinema in the 1940s. Los Angeles: University of California Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-520-22130-7" title="Special:BookSources/978-0-520-22130-7"><bdi>978-0-520-22130-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Boom+and+Bust%3A+American+Cinema+in+the+1940s&rft.place=Los+Angeles&rft.pub=University+of+California+Press&rft.date=1999&rft.isbn=978-0-520-22130-7&rft.aulast=Schatz&rft.aufirst=Thomas&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFShipman1970" class="citation book cs1">Shipman, Dan (1970). <a rel="nofollow" class="external text" href="https://archive.org/details/greatmoviestarst00ship">The Great Movie Stars: The Golden Years</a>. Boston, Massachusetts: Little, Brown & Company. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-316-78487-0" title="Special:BookSources/978-0-316-78487-0"><bdi>978-0-316-78487-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Great+Movie+Stars%3A+The+Golden+Years&rft.place=Boston%2C+Massachusetts&rft.pub=Little%2C+Brown+%26+Company&rft.date=1970&rft.isbn=978-0-316-78487-0&rft.aulast=Shipman&rft.aufirst=Dan&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fgreatmoviestarst00ship&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSlide1998" class="citation book cs1"><a href="/wiki/Anthony_Slide" title="Anthony Slide">Slide, Anthony</a> (1998). The New Historical Dictionary of the American Film Industry. Chicago: Fitzroy Dearborn. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-57958-056-8" title="Special:BookSources/978-1-57958-056-8"><bdi>978-1-57958-056-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+New+Historical+Dictionary+of+the+American+Film+Industry&rft.place=Chicago&rft.pub=Fitzroy+Dearborn&rft.date=1998&rft.isbn=978-1-57958-056-8&rft.aulast=Slide&rft.aufirst=Anthony&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFStaggs2009" class="citation book cs1">Staggs, Sam (2009). Born to Be Hurt: The Untold Story of Imitation of Life. New York: Macmillan. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-312-37336-8" title="Special:BookSources/978-0-312-37336-8"><bdi>978-0-312-37336-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Born+to+Be+Hurt%3A+The+Untold+Story+of+Imitation+of+Life&rft.place=New+York&rft.pub=Macmillan&rft.date=2009&rft.isbn=978-0-312-37336-8&rft.aulast=Staggs&rft.aufirst=Sam&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSutherlandFender2011" class="citation book cs1">Sutherland, John; Fender, Stephen (2011). Love, Sex, Death and Words: Surprising Tales From a Year in Literature (Reprint ed.). London: Icon Books Ltd. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-848-31247-0" title="Special:BookSources/978-1-848-31247-0"><bdi>978-1-848-31247-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Love%2C+Sex%2C+Death+and+Words%3A+Surprising+Tales+From+a+Year+in+Literature&rft.place=London&rft.edition=Reprint&rft.pub=Icon+Books+Ltd&rft.date=2011&rft.isbn=978-1-848-31247-0&rft.aulast=Sutherland&rft.aufirst=John&rft.au=Fender%2C+Stephen&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFThomas1997" class="citation book cs1">Thomas, Tony (1997). <a rel="nofollow" class="external text" href="https://archive.org/details/wonderfullifefil0000thom">A Wonderful Life: The Films and Career of James Stewart</a>. New York: Citadel Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-806-51953-1" title="Special:BookSources/978-0-806-51953-1"><bdi>978-0-806-51953-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=A+Wonderful+Life%3A+The+Films+and+Career+of+James+Stewart&rft.place=New+York&rft.pub=Citadel+Press&rft.date=1997&rft.isbn=978-0-806-51953-1&rft.aulast=Thomas&rft.aufirst=Tony&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fwonderfullifefil0000thom&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTurner1982" class="citation book cs1">Turner, Lana (1982). <a href="/wiki/Lana:_The_Lady,_the_Legend,_the_Truth" title="Lana: The Lady, the Legend, the Truth">Lana: The Lady, the Legend, the Truth</a> (1st ed.). New York: Dutton. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-525-24106-X" title="Special:BookSources/0-525-24106-X"><bdi>0-525-24106-X</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Lana%3A+The+Lady%2C+the+Legend%2C+the+Truth&rft.place=New+York&rft.edition=1st&rft.pub=Dutton&rft.date=1982&rft.isbn=0-525-24106-X&rft.aulast=Turner&rft.aufirst=Lana&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFValentino1976" class="citation book cs1">Valentino, Lou (1976). The Films of Lana Turner. Seacaucus, New Jersey: Citadel Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8065-0553-4" title="Special:BookSources/978-0-8065-0553-4"><bdi>978-0-8065-0553-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Films+of+Lana+Turner&rft.place=Seacaucus%2C+New+Jersey&rft.pub=Citadel+Press&rft.date=1976&rft.isbn=978-0-8065-0553-4&rft.aulast=Valentino&rft.aufirst=Lou&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWayne2003" class="citation book cs1">Wayne, Jane Ellen (2003). <a rel="nofollow" class="external text" href="https://archive.org/details/goldengirlsofmgm00wayn">The Golden Girls of MGM: Greta Garbo, Joan Crawford, Lana Turner, Judy Garland, Ava Gardner, Grace Kelly and Others</a>. New York: Carroll & Graf. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-7867-1303-8" title="Special:BookSources/0-7867-1303-8"><bdi>0-7867-1303-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Golden+Girls+of+MGM%3A+Greta+Garbo%2C+Joan+Crawford%2C+Lana+Turner%2C+Judy+Garland%2C+Ava+Gardner%2C+Grace+Kelly+and+Others&rft.place=New+York&rft.pub=Carroll+%26+Graf&rft.date=2003&rft.isbn=0-7867-1303-8&rft.aulast=Wayne&rft.aufirst=Jane+Ellen&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fgoldengirlsofmgm00wayn&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWilson2016" class="citation book cs1">Wilson, Scott (2016). Resting Places: The Burial Sites of More Than 14,000 Famous Persons (3rd ed.). Jefferson, North Carolina: McFarland. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7864-7992-4" title="Special:BookSources/978-0-7864-7992-4"><bdi>978-0-7864-7992-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Resting+Places%3A+The+Burial+Sites+of+More+Than+14%2C000+Famous+Persons&rft.place=Jefferson%2C+North+Carolina&rft.edition=3rd&rft.pub=McFarland&rft.date=2016&rft.isbn=978-0-7864-7992-4&rft.aulast=Wilson&rft.aufirst=Scott&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALana+Turner" class="Z3988"></li></ul> </div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2>[<a href="/w/index.php?title=Lana_Turner&action=edit&section=18" title="Edit section: External links">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 0;text-align:center}@media(min-width:500px){.mw-parser-output .side-box-flex{display:flex;align-items:center}.mw-parser-output .side-box-text{flex:1;min-width:0}}@media(min-width:720px){.mw-parser-output .side-box{width:238px}.mw-parser-output .side-box-right{clear:right;float:right;margin-left:1em}.mw-parser-output .side-box-left{margin-right:1em}}</style><style data-mw-deduplicate="TemplateStyles:r1250146164">.mw-parser-output .sister-box .side-box-abovebelow{padding:0.75em 0;text-align:center}.mw-parser-output .sister-box .side-box-abovebelow>b{display:block}.mw-parser-output .sister-box .side-box-text>ul{border-top:1px solid #aaa;padding:0.75em 0;width:217px;margin:0 auto}.mw-parser-output .sister-box .side-box-text>ul>li{min-height:31px}.mw-parser-output .sister-logo{display:inline-block;width:31px;line-height:31px;vertical-align:middle;text-align:center}.mw-parser-output .sister-link{display:inline-block;margin-left:4px;width:182px;vertical-align:middle}@media print{body.ns-0 .mw-parser-output .sistersitebox{display:none!important}}@media screen{html.skin-theme-clientpref-night .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-v2.svg"]{background-color:white}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-v2.svg"]{background-color:white}}</style><div role="navigation" aria-labelledby="sister-projects" class="side-box metadata side-box-right sister-box sistersitebox plainlinks"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-abovebelow"> Lana Turner at Wikipedia's <a href="/wiki/Wikipedia:Wikimedia_sister_projects" title="Wikipedia:Wikimedia sister projects">sister projects</a></div> <div class="side-box-flex"> <div class="side-box-text plainlist"><ul><li><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/20px-Commons-logo.svg.png" decoding="async" width="20" height="27" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/40px-Commons-logo.svg.png 2x" data-file-width="1024" data-file-height="1376" /><a href="https://commons.wikimedia.org/wiki/Category:Lana_Turner" class="extiw" title="c:Category:Lana Turner">Media</a> from Commons</li><li><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/23px-Wikiquote-logo.svg.png" decoding="async" width="23" height="27" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/35px-Wikiquote-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/46px-Wikiquote-logo.svg.png 2x" data-file-width="300" data-file-height="355" /><a href="https://en.wikiquote.org/wiki/Lana_Turner" class="extiw" title="q:Lana Turner">Quotations</a> from Wikiquote</li><li><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Wikidata-logo.svg/27px-Wikidata-logo.svg.png" decoding="async" width="27" height="15" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Wikidata-logo.svg/41px-Wikidata-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Wikidata-logo.svg/54px-Wikidata-logo.svg.png 2x" data-file-width="1050" data-file-height="590" /><a href="https://www.wikidata.org/wiki/Q201034" class="extiw" title="d:Q201034">Data</a> from Wikidata</li></ul></div></div> </div> <ul><li><a rel="nofollow" class="external text" href="https://www.allmovie.com/artist/p72175">Lana Turner</a> at <a href="/wiki/AllMovie" title="AllMovie">AllMovie</a></li> <li><a rel="nofollow" class="external text" href="https://www.imdb.com/name/nm0001805/">Lana Turner</a> at <a href="/wiki/IMDb_(identifier)" class="mw-redirect" title="IMDb (identifier)">IMDb</a></li> <li><a rel="nofollow" class="external text" href="https://www.tcm.com/tcmdb/person/195162%7C95348/wp">Lana Turner</a> at the <a href="/wiki/Turner_Classic_Movies" title="Turner Classic Movies">TCM Movie Database</a> <a href="https://www.wikidata.org/wiki/Q201034#P3056" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></li> <li><a rel="nofollow" class="external text" href="https://tcf.ua.edu/Classes/Jbutler/T577/TurnerIllustrations.php">Lana Turner media archive</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20201204010659/https://tcf.ua.edu/Classes/Jbutler/T577/TurnerIllustrations.php">Archived</a> December 4, 2020, at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> at the <a href="/wiki/University_of_Alabama" title="University of Alabama">University of Alabama</a></li></ul> <style data-mw-deduplicate="TemplateStyles:r1130092004">.mw-parser-output .portal-bar{font-size:88%;font-weight:bold;display:flex;justify-content:center;align-items:baseline}.mw-parser-output .portal-bar-bordered{padding:0 2em;background-color:#fdfdfd;border:1px solid #a2a9b1;clear:both;margin:1em auto 0}.mw-parser-output .portal-bar-related{font-size:100%;justify-content:flex-start}.mw-parser-output .portal-bar-unbordered{padding:0 1.7em;margin-left:0}.mw-parser-output .portal-bar-header{margin:0 1em 0 0.5em;flex:0 0 auto;min-height:24px}.mw-parser-output .portal-bar-content{display:flex;flex-flow:row wrap;flex:0 1 auto;padding:0.15em 0;column-gap:1em;align-items:baseline;margin:0;list-style:none}.mw-parser-output .portal-bar-content-related{margin:0;list-style:none}.mw-parser-output .portal-bar-item{display:inline-block;margin:0.15em 0.2em;min-height:24px;line-height:24px}@media screen and (max-width:768px){.mw-parser-output .portal-bar{font-size:88%;font-weight:bold;display:flex;flex-flow:column wrap;align-items:baseline}.mw-parser-output .portal-bar-header{text-align:center;flex:0;padding-left:0.5em;margin:0 auto}.mw-parser-output .portal-bar-related{font-size:100%;align-items:flex-start}.mw-parser-output .portal-bar-content{display:flex;flex-flow:row wrap;align-items:center;flex:0;column-gap:1em;border-top:1px solid #a2a9b1;margin:0 auto;list-style:none}.mw-parser-output .portal-bar-content-related{border-top:none;margin:0;list-style:none}}.mw-parser-output .navbox+link+.portal-bar,.mw-parser-output .navbox+style+.portal-bar,.mw-parser-output .navbox+link+.portal-bar-bordered,.mw-parser-output .navbox+style+.portal-bar-bordered,.mw-parser-output .sister-bar+link+.portal-bar,.mw-parser-output .sister-bar+style+.portal-bar,.mw-parser-output .portal-bar+.navbox-styles+.navbox,.mw-parser-output .portal-bar+.navbox-styles+.sister-bar{margin-top:-1px}</style><div class="portal-bar noprint metadata noviewer portal-bar-bordered" role="navigation" aria-label="Portals"><a href="/wiki/Wikipedia:Contents/Portals" title="Wikipedia:Contents/Portals">Portals</a>:<ul class="portal-bar-content"><li class="portal-bar-item"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/6/69/P_vip.svg/19px-P_vip.svg.png" decoding="async" width="19" height="19" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/6/69/P_vip.svg/28px-P_vip.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/6/69/P_vip.svg/37px-P_vip.svg.png 2x" data-file-width="1911" data-file-height="1944" /> <a href="/wiki/Portal:Biography" title="Portal:Biography">Biography</a></li><li class="portal-bar-item"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Video-x-generic.svg/19px-Video-x-generic.svg.png" decoding="async" width="19" height="19" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Video-x-generic.svg/29px-Video-x-generic.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/e/e7/Video-x-generic.svg/38px-Video-x-generic.svg.png 2x" data-file-width="48" data-file-height="48" /> <a href="/wiki/Portal:Film" title="Portal:Film">Film</a></li></ul></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1236075235">.mw-parser-output .navbox{box-sizing:border-box;border:1px solid #a2a9b1;width:100%;clear:both;font-size:88%;text-align:center;padding:1px;margin:1em auto 0}.mw-parser-output .navbox .navbox{margin-top:0}.mw-parser-output .navbox+.navbox,.mw-parser-output .navbox+.navbox-styles+.navbox{margin-top:-1px}.mw-parser-output .navbox-inner,.mw-parser-output .navbox-subgroup{width:100%}.mw-parser-output .navbox-group,.mw-parser-output .navbox-title,.mw-parser-output .navbox-abovebelow{padding:0.25em 1em;line-height:1.5em;text-align:center}.mw-parser-output .navbox-group{white-space:nowrap;text-align:right}.mw-parser-output .navbox,.mw-parser-output .navbox-subgroup{background-color:#fdfdfd}.mw-parser-output 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td.hlist ul{padding:0.125em 0}.mw-parser-output .navbox .navbar{display:block;font-size:100%}.mw-parser-output .navbox-title .navbar{float:left;text-align:left;margin-right:0.5em}body.skin--responsive .mw-parser-output .navbox-image img{max-width:none!important}@media print{body.ns-0 .mw-parser-output .navbox{display:none!important}}</style></div><div role="navigation" class="navbox" aria-labelledby="Lana_Turner" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1239400231">.mw-parser-output .navbar{display:inline;font-size:88%;font-weight:normal}.mw-parser-output .navbar-collapse{float:left;text-align:left}.mw-parser-output .navbar-boxtext{word-spacing:0}.mw-parser-output .navbar ul{display:inline-block;white-space:nowrap;line-height:inherit}.mw-parser-output .navbar-brackets::before{margin-right:-0.125em;content:"[ "}.mw-parser-output .navbar-brackets::after{margin-left:-0.125em;content:" ]"}.mw-parser-output .navbar li{word-spacing:-0.125em}.mw-parser-output .navbar a>span,.mw-parser-output .navbar a>abbr{text-decoration:inherit}.mw-parser-output .navbar-mini abbr{font-variant:small-caps;border-bottom:none;text-decoration:none;cursor:inherit}.mw-parser-output .navbar-ct-full{font-size:114%;margin:0 7em}.mw-parser-output .navbar-ct-mini{font-size:114%;margin:0 4em}html.skin-theme-clientpref-night .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}@media(prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}}@media print{.mw-parser-output .navbar{display:none!important}}</style><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Lana_Turner" title="Template:Lana Turner"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Lana_Turner" title="Template talk:Lana Turner"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Lana_Turner" title="Special:EditPage/Template:Lana Turner"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Lana_Turner" style="font-size:114%;margin:0 4em"><a class="mw-selflink selflink">Lana Turner</a></div></th></tr><tr><td class="navbox-abovebelow" colspan="2"><div> <ul><li><a href="/wiki/Lana_Turner_performances_and_awards" class="mw-redirect" title="Lana Turner performances and awards">Performances and awards</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Books</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Lana:_The_Lady,_the_Legend,_the_Truth" title="Lana: The Lady, the Legend, the Truth">Lana: The Lady, the Legend, the Truth</a> (1982)</li> <li><a href="/wiki/Detour:_A_Hollywood_Story" title="Detour: A Hollywood Story">Detour: A Hollywood Story</a> (1988)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Lana_Turner_in_popular_culture" title="Lana Turner in popular culture">Popular culture</a></th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Where_Love_Has_Gone_(novel)" title="Where Love Has Gone (novel)">Where Love Has Gone</a> (1962)</li> <li><a href="/wiki/Where_Love_Has_Gone_(film)" title="Where Love Has Gone (film)">Where Love Has Gone</a> (1964)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Cheryl_Crane" title="Cheryl Crane">Cheryl Crane</a></li> <li><a href="/wiki/Joseph_Stephen_Crane" title="Joseph Stephen Crane">Joseph Stephen Crane</a></li> <li><a href="/wiki/Lex_Barker" title="Lex Barker">Lex Barker</a></li> <li><a href="/wiki/Johnny_Stompanato" title="Johnny Stompanato">Johnny Stompanato</a> <ul><li><a href="/wiki/Killing_of_Johnny_Stompanato" title="Killing of Johnny Stompanato">homicide</a></li></ul></li></ul> </div></td></tr><tr><td class="navbox-abovebelow" colspan="2"><div> <ul><li><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/16px-Symbol_category_class.svg.png" decoding="async" width="16" height="16" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/23px-Symbol_category_class.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/31px-Symbol_category_class.svg.png 2x" data-file-width="180" data-file-height="185" /> <a href="/wiki/Category:Lana_Turner" title="Category:Lana Turner">Category</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Donostia_Award" style="padding:3px"><table class="nowraplinks mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Donostia_Award" title="Template:Donostia Award"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Donostia_Award" title="Template talk:Donostia Award"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Donostia_Award" title="Special:EditPage/Template:Donostia Award"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Donostia_Award" style="font-size:114%;margin:0 4em"><a href="/wiki/Donostia_Award" title="Donostia Award">Donostia Award</a></div></th></tr><tr><td class="navbox-abovebelow" colspan="2"><div>Lifetime Achievement Award at the <a href="/wiki/San_Sebasti%C3%A1n_International_Film_Festival" title="San Sebastián International Film Festival">San Sebastián International Film Festival</a></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">1980s</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>1986: <a href="/wiki/Gregory_Peck" title="Gregory Peck">Gregory Peck</a> / <a href="/wiki/Gene_Tierney" title="Gene Tierney">Gene Tierney</a></li> <li>1987: <a href="/wiki/Glenn_Ford" title="Glenn Ford">Glenn Ford</a></li> <li>1988: <a href="/wiki/Vittorio_Gassman" title="Vittorio Gassman">Vittorio Gassman</a></li> <li>1989: <a href="/wiki/Bette_Davis" title="Bette Davis">Bette Davis</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">1990s</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>1990: <a href="/wiki/Claudette_Colbert" title="Claudette Colbert">Claudette Colbert</a></li> <li>1991: <a href="/wiki/Anthony_Perkins" title="Anthony Perkins">Anthony Perkins</a></li> <li>1992: <a href="/wiki/Lauren_Bacall" title="Lauren Bacall">Lauren Bacall</a></li> <li>1993: <a href="/wiki/Robert_Mitchum" title="Robert Mitchum">Robert Mitchum</a></li> <li>1994: <a class="mw-selflink selflink">Lana Turner</a></li> <li>1995: <a href="/wiki/Susan_Sarandon" title="Susan Sarandon">Susan Sarandon</a> / <a href="/wiki/Catherine_Deneuve" title="Catherine Deneuve">Catherine Deneuve</a></li> <li>1996: <a href="/wiki/Al_Pacino" title="Al Pacino">Al Pacino</a></li> <li>1997: <a href="/wiki/Michael_Douglas" title="Michael Douglas">Michael Douglas</a> / <a href="/wiki/Jeremy_Irons" title="Jeremy Irons">Jeremy Irons</a></li> <li>1998: <a href="/wiki/Jeanne_Moreau" title="Jeanne Moreau">Jeanne Moreau</a> / <a href="/wiki/Anthony_Hopkins" title="Anthony Hopkins">Anthony Hopkins</a> / <a href="/wiki/John_Malkovich" title="John Malkovich">John Malkovich</a></li> <li>1999: <a href="/wiki/Anjelica_Huston" title="Anjelica Huston">Anjelica Huston</a> / <a href="/wiki/Fernando_Fern%C3%A1n_G%C3%B3mez" title="Fernando Fernán Gómez">Fernando Fernán Gómez</a> / <a href="/wiki/Vanessa_Redgrave" title="Vanessa Redgrave">Vanessa Redgrave</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">2000s</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>2000: <a href="/wiki/Michael_Caine" title="Michael Caine">Michael Caine</a> / <a href="/wiki/Robert_De_Niro" title="Robert De Niro">Robert De Niro</a></li> <li>2001: <a href="/wiki/Julie_Andrews" title="Julie Andrews">Julie Andrews</a> / <a href="/wiki/Warren_Beatty" title="Warren Beatty">Warren Beatty</a> / <a href="/wiki/Francisco_Rabal" title="Francisco Rabal">Francisco Rabal</a></li> <li>2002: <a href="/wiki/Jessica_Lange" title="Jessica Lange">Jessica Lange</a> / <a href="/wiki/Bob_Hoskins" title="Bob Hoskins">Bob Hoskins</a> / <a href="/wiki/Dennis_Hopper" title="Dennis Hopper">Dennis Hopper</a> / <a href="/wiki/Francis_Ford_Coppola" title="Francis Ford Coppola">Francis Ford Coppola</a></li> <li>2003: <a href="/wiki/Robert_Duvall" title="Robert Duvall">Robert Duvall</a> / <a href="/wiki/Sean_Penn" title="Sean Penn">Sean Penn</a> / <a href="/wiki/Isabelle_Huppert" title="Isabelle Huppert">Isabelle Huppert</a></li> <li>2004: <a href="/wiki/Annette_Bening" title="Annette Bening">Annette Bening</a> / <a href="/wiki/Jeff_Bridges" title="Jeff Bridges">Jeff Bridges</a> / <a href="/wiki/Woody_Allen" title="Woody Allen">Woody Allen</a></li> <li>2005: <a href="/wiki/Willem_Dafoe" title="Willem Dafoe">Willem Dafoe</a> / <a href="/wiki/Ben_Gazzara" title="Ben Gazzara">Ben Gazzara</a></li> <li>2006: <a href="/wiki/Max_von_Sydow" title="Max von Sydow">Max von Sydow</a> / <a href="/wiki/Matt_Dillon" title="Matt Dillon">Matt Dillon</a></li> <li>2007: <a href="/wiki/Liv_Ullmann" title="Liv Ullmann">Liv Ullmann</a> / <a href="/wiki/Richard_Gere" title="Richard Gere">Richard Gere</a></li> <li>2008: <a href="/wiki/Meryl_Streep" title="Meryl Streep">Meryl Streep</a> / <a href="/wiki/Antonio_Banderas" title="Antonio Banderas">Antonio Banderas</a></li> <li>2009: <a href="/wiki/Ian_McKellen" title="Ian McKellen">Ian McKellen</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">2010s</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>2010: <a href="/wiki/Julia_Roberts" title="Julia Roberts">Julia Roberts</a></li> <li>2011: <a href="/wiki/Glenn_Close" title="Glenn Close">Glenn Close</a></li> <li>2012: <a href="/wiki/Oliver_Stone" title="Oliver Stone">Oliver Stone</a> / <a href="/wiki/Ewan_McGregor" title="Ewan McGregor">Ewan McGregor</a> / <a href="/wiki/Tommy_Lee_Jones" title="Tommy Lee Jones">Tommy Lee Jones</a> / <a href="/wiki/John_Travolta" title="John Travolta">John Travolta</a> / <a href="/wiki/Dustin_Hoffman" title="Dustin Hoffman">Dustin Hoffman</a></li> <li>2013: <a href="/wiki/Carmen_Maura" title="Carmen Maura">Carmen Maura</a> / <a href="/wiki/Hugh_Jackman" title="Hugh Jackman">Hugh Jackman</a></li> <li>2014: <a href="/wiki/Denzel_Washington" title="Denzel Washington">Denzel Washington</a> / <a href="/wiki/Benicio_del_Toro" title="Benicio del Toro">Benicio del Toro</a></li> <li>2015: <a href="/wiki/Emily_Watson" title="Emily Watson">Emily Watson</a></li> <li>2016: <a href="/wiki/Sigourney_Weaver" title="Sigourney Weaver">Sigourney Weaver</a> / <a href="/wiki/Ethan_Hawke" title="Ethan Hawke">Ethan Hawke</a></li> <li>2017: <a href="/wiki/Ricardo_Dar%C3%ADn" title="Ricardo Darín">Ricardo Darín</a> / <a href="/wiki/Monica_Bellucci" title="Monica Bellucci">Monica Bellucci</a> / <a href="/wiki/Agn%C3%A8s_Varda" title="Agnès Varda">Agnès Varda</a></li> <li>2018: <a href="/wiki/Hirokazu_Kore-eda" title="Hirokazu Kore-eda">Hirokazu Kore-eda</a> / <a href="/wiki/Danny_DeVito" title="Danny DeVito">Danny DeVito</a> / <a href="/wiki/Judi_Dench" title="Judi Dench">Judi Dench</a></li> <li>2019: <a href="/wiki/Pen%C3%A9lope_Cruz" title="Penélope Cruz">Penélope Cruz</a> / <a href="/wiki/Costa-Gavras" title="Costa-Gavras">Costa-Gavras</a> / <a href="/wiki/Donald_Sutherland" title="Donald Sutherland">Donald Sutherland</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">2020s</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>2020: <a href="/wiki/Viggo_Mortensen" title="Viggo Mortensen">Viggo Mortensen</a></li> <li>2021: <a href="/wiki/Johnny_Depp" title="Johnny Depp">Johnny Depp</a> / <a href="/wiki/Marion_Cotillard" title="Marion Cotillard">Marion Cotillard</a></li> <li>2022: <a href="/wiki/Juliette_Binoche" title="Juliette Binoche">Juliette Binoche</a> / <a href="/wiki/David_Cronenberg" title="David Cronenberg">David Cronenberg</a></li> <li>2023: <a href="/wiki/Javier_Bardem" title="Javier Bardem">Javier Bardem</a> / <a href="/wiki/V%C3%ADctor_Erice" title="Víctor Erice">Víctor Erice</a> / <a href="/wiki/Hayao_Miyazaki" title="Hayao Miyazaki">Hayao Miyazaki</a></li> <li>2024: <a href="/wiki/Pedro_Almod%C3%B3var" title="Pedro Almodóvar">Pedro Almodóvar</a> / <a href="/wiki/Cate_Blanchett" title="Cate Blanchett">Cate Blanchett</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Idaho&#039;s_Women_of_Influence" style="padding:3px"><table class="nowraplinks mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Idaho%27s_Women_of_Influence" title="Template:Idaho's Women of Influence"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Idaho%27s_Women_of_Influence" title="Template talk:Idaho's Women of Influence"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Idaho%27s_Women_of_Influence" title="Special:EditPage/Template:Idaho's Women of Influence"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Idaho&#039;s_Women_of_Influence" style="font-size:114%;margin:0 4em"><a href="/wiki/Idaho%27s_Women_of_Influence" title="Idaho's Women of Influence">Idaho's Women of Influence</a></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Margaret_Cobb_Ailshie" title="Margaret Cobb Ailshie">Margaret Cobb Ailshie</a></li> <li><a href="/w/index.php?title=Verda_Barnes&action=edit&redlink=1" class="new" title="Verda Barnes (page does not exist)">Verda Barnes</a></li> <li><a href="/wiki/Carol_Ryrie_Brink" title="Carol Ryrie Brink">Carol Ryrie Brink</a></li> <li><a href="/wiki/Mary_Brooks" title="Mary Brooks">Mary Brooks</a></li> <li><a href="/wiki/Helen_Chenoweth-Hage" title="Helen Chenoweth-Hage">Helen Chenoweth-Hage</a></li> <li><a href="/w/index.php?title=Mary_Elizabeth_Donaldson_(Idaho)&action=edit&redlink=1" class="new" title="Mary Elizabeth Donaldson (Idaho) (page does not exist)">Mary Elizabeth Donaldson</a></li> <li><a href="/wiki/Abigail_Scott_Duniway" title="Abigail Scott Duniway">Abigail Scott Duniway</a></li> <li><a href="/wiki/Permeal_J._French" title="Permeal J. French">Permeal J. French</a></li> <li><a href="/wiki/Maggie_Hall" title="Maggie Hall">Maggie Hall</a></li> <li><a href="/w/index.php?title=Christine_Holbert&action=edit&redlink=1" class="new" title="Christine Holbert (page does not exist)">Christine Holbert</a></li> <li><a href="/wiki/Minnie_Howard" title="Minnie Howard">Minnie Howard</a></li> <li><a href="/wiki/Mary_Kirkwood" title="Mary Kirkwood">Mary Kirkwood</a></li> <li><a href="/w/index.php?title=Edith_Miller_Klein&action=edit&redlink=1" class="new" title="Edith Miller Klein (page does not exist)">Edith Miller Klein</a></li> <li><a href="/w/index.php?title=Velma_Morrison&action=edit&redlink=1" class="new" title="Velma Morrison (page does not exist)">Velma Morrison</a></li> <li><a href="/wiki/Lee_Morse" title="Lee Morse">Lee Morse</a></li> <li><a href="/wiki/Sarah_Palin" title="Sarah Palin">Sarah Palin</a></li> <li><a href="/wiki/Gracie_Pfost" title="Gracie Pfost">Gracie Pfost</a></li> <li><a href="/wiki/Marjorie_Reynolds" title="Marjorie Reynolds">Marjorie Reynolds</a></li> <li><a href="/w/index.php?title=Margaret_Ritchie_(Idaho)&action=edit&redlink=1" class="new" title="Margaret Ritchie (Idaho) (page does not exist)">Margaret Ritchie</a></li> <li><a href="/wiki/Marilynne_Robinson" title="Marilynne Robinson">Marilynne Robinson</a></li> <li><a href="/wiki/Louise_Shadduck" title="Louise Shadduck">Louise Shadduck</a></li> <li><a href="/w/index.php?title=Jennie_Eva_Hughes_Smith&action=edit&redlink=1" class="new" title="Jennie Eva Hughes Smith (page does not exist)">Jennie Eva Hughes Smith</a></li> <li><a href="/wiki/Nellie_Stockbridge" title="Nellie Stockbridge">Nellie Stockbridge</a></li> <li><a href="/w/index.php?title=Belle_Sweet&action=edit&redlink=1" class="new" title="Belle Sweet (page does not exist)">Belle Sweet</a></li> <li><a href="/w/index.php?title=Dorice_Taylor&action=edit&redlink=1" class="new" title="Dorice Taylor (page does not exist)">Dorice Taylor</a></li> <li><a class="mw-selflink selflink">Lana Turner</a></li> <li><a href="/w/index.php?title=Betty_Penson-Ward&action=edit&redlink=1" class="new" title="Betty Penson-Ward (page does not exist)">Betty Penson-Ward</a></li> <li><a href="/wiki/Benedicte_Wrensted" title="Benedicte Wrensted">Benedicte Wrensted</a></li> <li><a href="/wiki/Mary_Allen_Wright" title="Mary Allen Wright">Mary Allen Wright</a></li> <li><a href="/w/index.php?title=Emma_Russell_Yearian&action=edit&redlink=1" class="new" title="Emma Russell Yearian (page does not exist)">Emma Russell Yearian</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox authority-control" aria-labelledby="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q201034#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><div id="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q201034#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata" style="font-size:114%;margin:0 4em"><a href="/wiki/Help:Authority_control" title="Help:Authority control">Authority control databases</a> <a href="https://www.wikidata.org/wiki/Q201034#identifiers" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">International</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://isni.org/isni/0000000117631157">ISNI</a></li><li><a rel="nofollow" class="external text" href="https://viaf.org/viaf/51804802">VIAF</a></li><li><a rel="nofollow" class="external text" href="http://id.worldcat.org/fast/17021/">FAST</a></li><li><a rel="nofollow" class="external text" href="https://id.oclc.org/worldcat/entity/E39PBJhRDkhRr9mHtfbCGKhCQq">WorldCat</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/119306557">Germany</a></li><li><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/n50050081">United States</a></li><li><a rel="nofollow" class="external text" href="https://catalogue.bnf.fr/ark:/12148/cb125528319">France</a></li><li><a rel="nofollow" class="external text" href="https://data.bnf.fr/ark:/12148/cb125528319">BnF data</a></li><li><a rel="nofollow" class="external text" href="https://nla.gov.au/anbd.aut-an35158150">Australia</a></li><li><a rel="nofollow" class="external text" href="https://aleph.nkp.cz/F/?func=find-c&local_base=aut&ccl_term=ica=xx0109842&CON_LNG=ENG">Czech Republic</a></li><li><a rel="nofollow" class="external text" href="http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX1172951">Spain</a></li><li><a rel="nofollow" class="external text" href="http://data.bibliotheken.nl/id/thes/p074026380">Netherlands</a></li><li><a rel="nofollow" class="external text" href="https://authority.bibsys.no/authority/rest/authorities/html/90781987">Norway</a></li><li><a rel="nofollow" class="external text" href="https://libris.kb.se/b8nr0pjv2pznktn">Sweden</a></li><li><a rel="nofollow" class="external text" href="http://olduli.nli.org.il/F/?func=find-b&local_base=NLX10&find_code=UID&request=987007452552305171">Israel</a></li><li><a rel="nofollow" class="external text" href="https://cantic.bnc.cat/registre/981058524268506706">Catalonia</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Academics</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://ci.nii.ac.jp/author/DA1678050X?l=en">CiNii</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">People</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://trove.nla.gov.au/people/845846">Trove</a></li><li><a rel="nofollow" class="external text" href="https://www.deutsche-biographie.de/pnd119306557.html?language=en">Deutsche Biographie</a></li><li><a rel="nofollow" class="external text" href="https://www.deutsche-digitale-bibliothek.de/person/gnd/119306557">DDB</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://www.idref.fr/073922609">IdRef</a></li><li><a rel="nofollow" class="external text" href="https://catalog.archives.gov/id/10582965">NARA</a></li><li><a rel="nofollow" class="external text" href="https://snaccooperative.org/ark:/99166/w64b56nd">SNAC</a></li></ul></div></td></tr></tbody></table></div>    </div><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1&useformat=desktop" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=Lana_Turner&oldid=1258498304">https://en.wikipedia.org/w/index.php?title=Lana_Turner&oldid=1258498304</a>"</div></div> <div id="catlinks" class="catlinks" data-mw="interface"><div id="mw-normal-catlinks" class="mw-normal-catlinks"><a 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