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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Papers and articles" id="Papers and articles"><h3 class="profile--tab_heading_container">Papers and articles by Fabio Spirinelli</h3></div><div class="js-work-strip profile--work_container" data-work-id="43151285"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/43151285/Creative_Luxembourg_From_implicit_debates_on_cultural_industries_to_an_explicit_policy_on_creative_industries_in_Luxembourg"><img alt="Research paper thumbnail of Creative Luxembourg? From implicit debates on cultural industries to an explicit policy on creative industries in Luxembourg" class="work-thumbnail" src="https://attachments.academia-assets.com/63412240/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43151285/Creative_Luxembourg_From_implicit_debates_on_cultural_industries_to_an_explicit_policy_on_creative_industries_in_Luxembourg">Creative Luxembourg? From implicit debates on cultural industries to an explicit policy on creative industries in Luxembourg</a></div><div class="wp-workCard_item"><span>Hémecht</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In Luxembourg, cultural and creative industries are still a widely ignored research field. The pr...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In Luxembourg, cultural and creative industries are still a widely ignored research field. The present study would like to contribute to a first overview of this neglected aspect in Luxembourgish contemporary history. It will focus on the political discourses on cultural and creative industries, both explicit and implicit, and the policy implemented at the national level in Luxembourg. The late 1960s will serve as a starting point, when Luxembourg’s cultural policy slowly began to evolve under a new ministry and in changing international, social and economic contexts. It is argued that since then a shift from an implicit cultural industries policy to an explicit creative industries policy has taken place.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8d3d1759dc2e7bc00c7b0119b180728f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63412240,"asset_id":43151285,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63412240/download_file?st=MTczNzU1MzYxMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43151285"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43151285"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43151285; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43151285]").text(description); $(".js-view-count[data-work-id=43151285]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43151285; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='43151285']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 43151285, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8d3d1759dc2e7bc00c7b0119b180728f" } } $('.js-work-strip[data-work-id=43151285]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":43151285,"title":"Creative Luxembourg? From implicit debates on cultural industries to an explicit policy on creative industries in Luxembourg","translated_title":"","metadata":{"abstract":"In Luxembourg, cultural and creative industries are still a widely ignored research field. The present study would like to contribute to a first overview of this neglected aspect in Luxembourgish contemporary history. It will focus on the political discourses on cultural and creative industries, both explicit and implicit, and the policy implemented at the national level in Luxembourg. The late 1960s will serve as a starting point, when Luxembourg’s cultural policy slowly began to evolve under a new ministry and in changing international, social and economic contexts. It is argued that since then a shift from an implicit cultural industries policy to an explicit creative industries policy has taken place.","ai_title_tag":"Evolution of Cultural to Creative Industries Policy in Luxembourg","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"Hémecht"},"translated_abstract":"In Luxembourg, cultural and creative industries are still a widely ignored research field. The present study would like to contribute to a first overview of this neglected aspect in Luxembourgish contemporary history. It will focus on the political discourses on cultural and creative industries, both explicit and implicit, and the policy implemented at the national level in Luxembourg. The late 1960s will serve as a starting point, when Luxembourg’s cultural policy slowly began to evolve under a new ministry and in changing international, social and economic contexts. 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The present study would like to contribute to a first overview of this neglected aspect in Luxembourgish contemporary history. It will focus on the political discourses on cultural and creative industries, both explicit and implicit, and the policy implemented at the national level in Luxembourg. The late 1960s will serve as a starting point, when Luxembourg’s cultural policy slowly began to evolve under a new ministry and in changing international, social and economic contexts. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="34432293"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/34432293/Pour_une_histoire_de_la_politique_culturelle_qui_rompt_avec_les_fronti%C3%A8res"><img alt="Research paper thumbnail of Pour une histoire de la politique culturelle qui rompt avec les frontières" class="work-thumbnail" src="https://attachments.academia-assets.com/54308181/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/34432293/Pour_une_histoire_de_la_politique_culturelle_qui_rompt_avec_les_fronti%C3%A8res">Pour une histoire de la politique culturelle qui rompt avec les frontières</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La politique culturelle d'un pays ne peut pas être saisie sans tenir compte des spécificités nati...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La politique culturelle d'un pays ne peut pas être saisie sans tenir compte des spécificités nationales, souvent issues d'une longue histoire et du processus de gestation de l'État. Considérons à titre d'exemple un pays voisin du Luxembourg, la France : certains auteurs, comme Xavier Greffe et Sylvie Pflieger dans La politique culturelle en France (2015), soulignent l'intervention active de l'autorité centrale et la lient à une tradition qui remonterait déjà aux actions des rois et des princes dans le domaine du mécénat. Cette observation n'est pas entièrement partagée par tous les commentateurs qui préfèrent présenter des analyses plus nuancées. Dans L'invention de la politique culturelle (2010), Philippe Urfalino se concentre sur le cas des maisons de la culture en France et met en évidence l'importance des « lieux communs », selon lui l'aspect indispensable à la compréhension de la politique culturelle, laquelle ne peut pas être réduite aux explications courantes comme la « tradition monarchique » (p. 9). Une politique culturelle évolue au cours du temps, elle change d'objectifs et de missions, en fonction de toute une série d'évolutions politiques, sociales, économiques et culturelles.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="de02a6f8c69570daf422e4ede2a73fb6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":54308181,"asset_id":34432293,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/54308181/download_file?st=MTczNzU1MzYxMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="34432293"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="34432293"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 34432293; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=34432293]").text(description); $(".js-view-count[data-work-id=34432293]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 34432293; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='34432293']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 34432293, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "de02a6f8c69570daf422e4ede2a73fb6" } } $('.js-work-strip[data-work-id=34432293]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":34432293,"title":"Pour une histoire de la politique culturelle qui rompt avec les frontières","translated_title":"","metadata":{"grobid_abstract":"La politique culturelle d'un pays ne peut pas être saisie sans tenir compte des spécificités nationales, souvent issues d'une longue histoire et du processus de gestation de l'État. 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Une politique culturelle évolue au cours du temps, elle change d'objectifs et de missions, en fonction de toute une série d'évolutions politiques, sociales, économiques et culturelles.","grobid_abstract_attachment_id":54308181},"translated_abstract":null,"internal_url":"https://www.academia.edu/34432293/Pour_une_histoire_de_la_politique_culturelle_qui_rompt_avec_les_fronti%C3%A8res","translated_internal_url":"","created_at":"2017-08-31T23:45:16.655-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":59185518,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":54308181,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/54308181/thumbnails/1.jpg","file_name":"Spirinelli_-_Histoire_politique_culturelle_transnational.pdf","download_url":"https://www.academia.edu/attachments/54308181/download_file?st=MTczNzU1MzYxMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Pour_une_histoire_de_la_politique_cultur.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/54308181/Spirinelli_-_Histoire_politique_culturelle_transnational-libre.pdf?1504248497=\u0026response-content-disposition=attachment%3B+filename%3DPour_une_histoire_de_la_politique_cultur.pdf\u0026Expires=1737553467\u0026Signature=hApK-MjE8dSCpPFT~gsCLTSOWVGl~GJ~-vJI7fBcFALPZv1gqoaa4YiQrXJeyoICJqwo32OJydU7KKIBu-USSgS2kZgAkTU0j0PAb1MD~rI3O3RI86Ugbv4sneeGdzwBMWWwU6VhMSLslor4CB~EBRu3omISij5vu-Fqz2dKW8QEXEUIg0n-RHl-TwaZFqL5tMf672NOnv2LTXk9V9-PZJfS5739fLv1rakzwDJdJe3e1-Hcql05iCx73K5XtTNdHEfzeD42-GmXPFrJNaxb9uJhP~ec3XSBFE9rmax0v19f-jUP0Ujh~RORGgrKiV-ZAopqNgxP9lGiIXisRl9iWA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Pour_une_histoire_de_la_politique_culturelle_qui_rompt_avec_les_frontières","translated_slug":"","page_count":6,"language":"fr","content_type":"Work","summary":"La politique culturelle d'un pays ne peut pas être saisie sans tenir compte des spécificités nationales, souvent issues d'une longue histoire et du processus de gestation de l'État. Considérons à titre d'exemple un pays voisin du Luxembourg, la France : certains auteurs, comme Xavier Greffe et Sylvie Pflieger dans La politique culturelle en France (2015), soulignent l'intervention active de l'autorité centrale et la lient à une tradition qui remonterait déjà aux actions des rois et des princes dans le domaine du mécénat. Cette observation n'est pas entièrement partagée par tous les commentateurs qui préfèrent présenter des analyses plus nuancées. Dans L'invention de la politique culturelle (2010), Philippe Urfalino se concentre sur le cas des maisons de la culture en France et met en évidence l'importance des « lieux communs », selon lui l'aspect indispensable à la compréhension de la politique culturelle, laquelle ne peut pas être réduite aux explications courantes comme la « tradition monarchique » (p. 9). Une politique culturelle évolue au cours du temps, elle change d'objectifs et de missions, en fonction de toute une série d'évolutions politiques, sociales, économiques et culturelles.","owner":{"id":59185518,"first_name":"Fabio","middle_initials":null,"last_name":"Spirinelli","page_name":"FabioSpirinelli","domain_name":"independent","created_at":"2017-01-23T06:34:03.522-08:00","display_name":"Fabio Spirinelli","url":"https://independent.academia.edu/FabioSpirinelli"},"attachments":[{"id":54308181,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/54308181/thumbnails/1.jpg","file_name":"Spirinelli_-_Histoire_politique_culturelle_transnational.pdf","download_url":"https://www.academia.edu/attachments/54308181/download_file?st=MTczNzU1MzYxMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Pour_une_histoire_de_la_politique_cultur.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/54308181/Spirinelli_-_Histoire_politique_culturelle_transnational-libre.pdf?1504248497=\u0026response-content-disposition=attachment%3B+filename%3DPour_une_histoire_de_la_politique_cultur.pdf\u0026Expires=1737553467\u0026Signature=hApK-MjE8dSCpPFT~gsCLTSOWVGl~GJ~-vJI7fBcFALPZv1gqoaa4YiQrXJeyoICJqwo32OJydU7KKIBu-USSgS2kZgAkTU0j0PAb1MD~rI3O3RI86Ugbv4sneeGdzwBMWWwU6VhMSLslor4CB~EBRu3omISij5vu-Fqz2dKW8QEXEUIg0n-RHl-TwaZFqL5tMf672NOnv2LTXk9V9-PZJfS5739fLv1rakzwDJdJe3e1-Hcql05iCx73K5XtTNdHEfzeD42-GmXPFrJNaxb9uJhP~ec3XSBFE9rmax0v19f-jUP0Ujh~RORGgrKiV-ZAopqNgxP9lGiIXisRl9iWA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1125,"name":"Cultural Policy","url":"https://www.academia.edu/Documents/in/Cultural_Policy"},{"id":3516,"name":"Contemporary History","url":"https://www.academia.edu/Documents/in/Contemporary_History"},{"id":8233,"name":"Transnational History","url":"https://www.academia.edu/Documents/in/Transnational_History"},{"id":1452065,"name":"History of Luxembourg","url":"https://www.academia.edu/Documents/in/History_of_Luxembourg"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Essays and blogposts" id="Essays and blogposts"><h3 class="profile--tab_heading_container">Essays and blogposts by Fabio Spirinelli</h3></div><div class="js-work-strip profile--work_container" data-work-id="35502970"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35502970/A_personal_report_of_the_European_Culture_Forum_2017"><img alt="Research paper thumbnail of A personal report of the European Culture Forum 2017" class="work-thumbnail" src="https://attachments.academia-assets.com/55366721/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35502970/A_personal_report_of_the_European_Culture_Forum_2017">A personal report of the European Culture Forum 2017</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">From a cultural perspective, the city of Milan in Italy has a lot of activities and places to off...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">From a cultural perspective, the city of Milan in Italy has a lot of activities and places to offer. Milan was not only designated by the Unesco as creative city for literature, but also chosen for hosting the European Culture Forum (ECF) from 7 to 8 December 2017. It was the first time that it was held outside of Brussels. The neighbourhood in which the event took place was quite fitting: opposite of the venue was an old factory building repurposed for creative industries with offices and spaces for cultural activities and adjacent to the Museo delle Culture.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="90739fa772b63c8e8bf95fb5e78c3dcc" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55366721,"asset_id":35502970,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55366721/download_file?st=MTczNzU1MzYxMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35502970"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35502970"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35502970; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35502970]").text(description); $(".js-view-count[data-work-id=35502970]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35502970; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35502970']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 35502970, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "90739fa772b63c8e8bf95fb5e78c3dcc" } } $('.js-work-strip[data-work-id=35502970]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35502970,"title":"A personal report of the European Culture Forum 2017","translated_title":"","metadata":{"abstract":"From a cultural perspective, the city of Milan in Italy has a lot of activities and places to offer. 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The neighbourhood in which the event took place was quite fitting: opposite of the venue was an old factory building repurposed for creative industries with offices and spaces for cultural activities and adjacent to the Museo delle Culture.","internal_url":"https://www.academia.edu/35502970/A_personal_report_of_the_European_Culture_Forum_2017","translated_internal_url":"","created_at":"2017-12-24T05:10:39.153-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":59185518,"coauthors_can_edit":true,"document_type":"other","co_author_tags":[],"downloadable_attachments":[{"id":55366721,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/55366721/thumbnails/1.jpg","file_name":"Spirinelli_A_personal_report_of_the_European_Culture_Forum_2017.pdf","download_url":"https://www.academia.edu/attachments/55366721/download_file?st=MTczNzU1MzYxMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"A_personal_report_of_the_European_Cultur.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/55366721/Spirinelli_A_personal_report_of_the_European_Culture_Forum_2017-libre.pdf?1514121392=\u0026response-content-disposition=attachment%3B+filename%3DA_personal_report_of_the_European_Cultur.pdf\u0026Expires=1737553467\u0026Signature=b0YcungTQXcYbqJHpGCrjnn855Doxzss7jqmfXAFOpHUpcUmZeU85oZEguIlpYg2Uwgm1j9CsyWRwTXQc~yQituZPKFtWv4zaPrnGIVtOa2z9CIdf0~QQpiXWw4c~yJZCNOlHkXse10HAu8LMSU6BIrBW9WZU8B1xwLQA7D3eCBlVly5QFcQOPXyvMDQYh8OLV8Pu~5rMXYfN5Z0aV3dG0YBooP0jEZ7k8BrQ3j3FghZvksyXhk52uMrV6wrKqZIvSQKVc~dfBDrPjJROyBKzoexIh6MHDQQ52O7ubwWxWS2aOEKJn4uorc~IapnIxxJQpm9I8KPFhDnuaFSvXunxA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"A_personal_report_of_the_European_Culture_Forum_2017","translated_slug":"","page_count":5,"language":"en","content_type":"Work","summary":"From a cultural perspective, the city of Milan in Italy has a lot of activities and places to offer. 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Though museums have become...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Debates on the role of museums and their place in society are not new. Though museums have become more visitor-oriented over the past decades, a lot of potential remains unused. In this blogpost, I would like to discuss how museums can be places of "shared authority" and public debate.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1019c7184c424138f92b271e9643db45" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55074395,"asset_id":35214464,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55074395/download_file?st=MTczNzU1MzYxMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35214464"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35214464"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35214464; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35214464]").text(description); $(".js-view-count[data-work-id=35214464]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35214464; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35214464']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 35214464, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1019c7184c424138f92b271e9643db45" } } $('.js-work-strip[data-work-id=35214464]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35214464,"title":"Museums as places of shared authority and public debate","translated_title":"","metadata":{"abstract":"Debates on the role of museums and their place in society are not new. 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On the future of archives</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Reflections based on questions related to digitization and raised at the first ForumZ with the to...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Reflections based on questions related to digitization and raised at the first ForumZ with the topic "Archives for the digital era", which took place on February 11th 2017 in Luxembourg and was organized by the Luxembourg Centre for Contemporary and Digital History.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="25cfa22881b1bbdd4be473793819bb67" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":51911011,"asset_id":31577481,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/51911011/download_file?st=MTczNzU1MzYxMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="31577481"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="31577481"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 31577481; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=31577481]").text(description); $(".js-view-count[data-work-id=31577481]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 31577481; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='31577481']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 31577481, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "25cfa22881b1bbdd4be473793819bb67" } } $('.js-work-strip[data-work-id=31577481]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":31577481,"title":"A digital turn? 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by Fabio Spirinelli</h3></div><div class="js-work-strip profile--work_container" data-work-id="79113412"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/79113412/Rezension_Romain_Meyer_Fran%C3%A7ois_Bausch_der_Un_Geduldige_Skizzen_eines_politischen_Lebens_rezensiert_von_Fabio_Spirinelli_"><img alt="Research paper thumbnail of Rezension: Romain Meyer: François Bausch – der Un-Geduldige. Skizzen eines politischen Lebens (rezensiert von Fabio Spirinelli)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/79113412/Rezension_Romain_Meyer_Fran%C3%A7ois_Bausch_der_Un_Geduldige_Skizzen_eines_politischen_Lebens_rezensiert_von_Fabio_Spirinelli_">Rezension: Romain Meyer: François Bausch – der Un-Geduldige. Skizzen eines politischen Lebens (rezensiert von Fabio Spirinelli)</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="79113412"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="79113412"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 79113412; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=79113412]").text(description); $(".js-view-count[data-work-id=79113412]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 79113412; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='79113412']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 79113412, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=79113412]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":79113412,"title":"Rezension: Romain Meyer: François Bausch – der Un-Geduldige. 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Une histoire de la politique culturelle au Grand-Duché de Luxembourg de 1945 à 2015</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Thèse de master sur l'histoire de la politique culturelle au Grand-Duché de Luxembourg, à travers...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Thèse de master sur l'histoire de la politique culturelle au Grand-Duché de Luxembourg, à travers la politique des gouvernements successifs de 1945 à 2015.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bc6067401ea30c8b2f875ae446c71538" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":51481938,"asset_id":31048435,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/51481938/download_file?st=MTczNzU1MzYxMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="31048435"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="31048435"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 31048435; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=31048435]").text(description); $(".js-view-count[data-work-id=31048435]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 31048435; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='31048435']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 31048435, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "bc6067401ea30c8b2f875ae446c71538" } } $('.js-work-strip[data-work-id=31048435]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":31048435,"title":"De l'enfant pauvre à une image de marque. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="7389423" id="papersandarticles"><div class="js-work-strip profile--work_container" data-work-id="43151285"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/43151285/Creative_Luxembourg_From_implicit_debates_on_cultural_industries_to_an_explicit_policy_on_creative_industries_in_Luxembourg"><img alt="Research paper thumbnail of Creative Luxembourg? From implicit debates on cultural industries to an explicit policy on creative industries in Luxembourg" class="work-thumbnail" src="https://attachments.academia-assets.com/63412240/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43151285/Creative_Luxembourg_From_implicit_debates_on_cultural_industries_to_an_explicit_policy_on_creative_industries_in_Luxembourg">Creative Luxembourg? From implicit debates on cultural industries to an explicit policy on creative industries in Luxembourg</a></div><div class="wp-workCard_item"><span>Hémecht</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In Luxembourg, cultural and creative industries are still a widely ignored research field. The pr...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In Luxembourg, cultural and creative industries are still a widely ignored research field. The present study would like to contribute to a first overview of this neglected aspect in Luxembourgish contemporary history. It will focus on the political discourses on cultural and creative industries, both explicit and implicit, and the policy implemented at the national level in Luxembourg. The late 1960s will serve as a starting point, when Luxembourg’s cultural policy slowly began to evolve under a new ministry and in changing international, social and economic contexts. 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It is argued that since then a shift from an implicit cultural industries policy to an explicit creative industries policy has taken place.","internal_url":"https://www.academia.edu/43151285/Creative_Luxembourg_From_implicit_debates_on_cultural_industries_to_an_explicit_policy_on_creative_industries_in_Luxembourg","translated_internal_url":"","created_at":"2020-05-24T09:50:04.205-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":59185518,"coauthors_can_edit":true,"document_type":"other","co_author_tags":[],"downloadable_attachments":[{"id":63412240,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/63412240/thumbnails/1.jpg","file_name":"Spirinelli_Creative_Luxembourg_201820200524-63421-qhlk2u.pdf","download_url":"https://www.academia.edu/attachments/63412240/download_file?st=MTczNzU1MzYxMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Creative_Luxembourg_From_implicit_debate.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/63412240/Spirinelli_Creative_Luxembourg_201820200524-63421-qhlk2u-libre.pdf?1590339627=\u0026response-content-disposition=attachment%3B+filename%3DCreative_Luxembourg_From_implicit_debate.pdf\u0026Expires=1737553467\u0026Signature=UqggsGDPZHDPYrfWL0sr8OCaPyd9G0yap5lBASXhsC9f~qXBsvC9gePbvQKNZqo7WaJ-SRhGVb7WE1B4qfB7IBAd~EdI6pPvAQ-y0RT57ZFKnUdIKNf6~7W3K6QOK7H62zTmtepGlxm9pYwURLKyV1EGfkI-eTF4Gt92EZ025u-iYmUmhSruXJjmiiDa8bWGrn4zLtwfFvUEjEBYe8mjxFU~hq~0c3UUrA~RQJee3P21xuAc8NvT9J3Utg2MMOloHPqGr4--4FuY6zwe6T38~5R3KHT8efcYZQ35hoLmFUJFOZ91fHmHq6ddaZTN-kyU-grQ4gGBNNMAqKqQE1JsdA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Creative_Luxembourg_From_implicit_debates_on_cultural_industries_to_an_explicit_policy_on_creative_industries_in_Luxembourg","translated_slug":"","page_count":30,"language":"en","content_type":"Work","summary":"In Luxembourg, cultural and creative industries are still a widely ignored research field. The present study would like to contribute to a first overview of this neglected aspect in Luxembourgish contemporary history. It will focus on the political discourses on cultural and creative industries, both explicit and implicit, and the policy implemented at the national level in Luxembourg. The late 1960s will serve as a starting point, when Luxembourg’s cultural policy slowly began to evolve under a new ministry and in changing international, social and economic contexts. It is argued that since then a shift from an implicit cultural industries policy to an explicit creative industries policy has taken place.","owner":{"id":59185518,"first_name":"Fabio","middle_initials":null,"last_name":"Spirinelli","page_name":"FabioSpirinelli","domain_name":"independent","created_at":"2017-01-23T06:34:03.522-08:00","display_name":"Fabio Spirinelli","url":"https://independent.academia.edu/FabioSpirinelli"},"attachments":[{"id":63412240,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/63412240/thumbnails/1.jpg","file_name":"Spirinelli_Creative_Luxembourg_201820200524-63421-qhlk2u.pdf","download_url":"https://www.academia.edu/attachments/63412240/download_file?st=MTczNzU1MzYxMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Creative_Luxembourg_From_implicit_debate.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/63412240/Spirinelli_Creative_Luxembourg_201820200524-63421-qhlk2u-libre.pdf?1590339627=\u0026response-content-disposition=attachment%3B+filename%3DCreative_Luxembourg_From_implicit_debate.pdf\u0026Expires=1737553467\u0026Signature=UqggsGDPZHDPYrfWL0sr8OCaPyd9G0yap5lBASXhsC9f~qXBsvC9gePbvQKNZqo7WaJ-SRhGVb7WE1B4qfB7IBAd~EdI6pPvAQ-y0RT57ZFKnUdIKNf6~7W3K6QOK7H62zTmtepGlxm9pYwURLKyV1EGfkI-eTF4Gt92EZ025u-iYmUmhSruXJjmiiDa8bWGrn4zLtwfFvUEjEBYe8mjxFU~hq~0c3UUrA~RQJee3P21xuAc8NvT9J3Utg2MMOloHPqGr4--4FuY6zwe6T38~5R3KHT8efcYZQ35hoLmFUJFOZ91fHmHq6ddaZTN-kyU-grQ4gGBNNMAqKqQE1JsdA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1125,"name":"Cultural Policy","url":"https://www.academia.edu/Documents/in/Cultural_Policy"},{"id":3516,"name":"Contemporary History","url":"https://www.academia.edu/Documents/in/Contemporary_History"},{"id":11344,"name":"Creative Industries","url":"https://www.academia.edu/Documents/in/Creative_Industries"},{"id":1452065,"name":"History of Luxembourg","url":"https://www.academia.edu/Documents/in/History_of_Luxembourg"}],"urls":[]}, dispatcherData: dispatcherData }); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="34432293"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/34432293/Pour_une_histoire_de_la_politique_culturelle_qui_rompt_avec_les_fronti%C3%A8res"><img alt="Research paper thumbnail of Pour une histoire de la politique culturelle qui rompt avec les frontières" class="work-thumbnail" src="https://attachments.academia-assets.com/54308181/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/34432293/Pour_une_histoire_de_la_politique_culturelle_qui_rompt_avec_les_fronti%C3%A8res">Pour une histoire de la politique culturelle qui rompt avec les frontières</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La politique culturelle d'un pays ne peut pas être saisie sans tenir compte des spécificités nati...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La politique culturelle d'un pays ne peut pas être saisie sans tenir compte des spécificités nationales, souvent issues d'une longue histoire et du processus de gestation de l'État. Considérons à titre d'exemple un pays voisin du Luxembourg, la France : certains auteurs, comme Xavier Greffe et Sylvie Pflieger dans La politique culturelle en France (2015), soulignent l'intervention active de l'autorité centrale et la lient à une tradition qui remonterait déjà aux actions des rois et des princes dans le domaine du mécénat. Cette observation n'est pas entièrement partagée par tous les commentateurs qui préfèrent présenter des analyses plus nuancées. Dans L'invention de la politique culturelle (2010), Philippe Urfalino se concentre sur le cas des maisons de la culture en France et met en évidence l'importance des « lieux communs », selon lui l'aspect indispensable à la compréhension de la politique culturelle, laquelle ne peut pas être réduite aux explications courantes comme la « tradition monarchique » (p. 9). Une politique culturelle évolue au cours du temps, elle change d'objectifs et de missions, en fonction de toute une série d'évolutions politiques, sociales, économiques et culturelles.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="de02a6f8c69570daf422e4ede2a73fb6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":54308181,"asset_id":34432293,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/54308181/download_file?st=MTczNzU1MzYxMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="34432293"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="34432293"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 34432293; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=34432293]").text(description); $(".js-view-count[data-work-id=34432293]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 34432293; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='34432293']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 34432293, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "de02a6f8c69570daf422e4ede2a73fb6" } } $('.js-work-strip[data-work-id=34432293]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":34432293,"title":"Pour une histoire de la politique culturelle qui rompt avec les frontières","translated_title":"","metadata":{"grobid_abstract":"La politique culturelle d'un pays ne peut pas être saisie sans tenir compte des spécificités nationales, souvent issues d'une longue histoire et du processus de gestation de l'État. Considérons à titre d'exemple un pays voisin du Luxembourg, la France : certains auteurs, comme Xavier Greffe et Sylvie Pflieger dans La politique culturelle en France (2015), soulignent l'intervention active de l'autorité centrale et la lient à une tradition qui remonterait déjà aux actions des rois et des princes dans le domaine du mécénat. Cette observation n'est pas entièrement partagée par tous les commentateurs qui préfèrent présenter des analyses plus nuancées. Dans L'invention de la politique culturelle (2010), Philippe Urfalino se concentre sur le cas des maisons de la culture en France et met en évidence l'importance des « lieux communs », selon lui l'aspect indispensable à la compréhension de la politique culturelle, laquelle ne peut pas être réduite aux explications courantes comme la « tradition monarchique » (p. 9). Une politique culturelle évolue au cours du temps, elle change d'objectifs et de missions, en fonction de toute une série d'évolutions politiques, sociales, économiques et culturelles.","grobid_abstract_attachment_id":54308181},"translated_abstract":null,"internal_url":"https://www.academia.edu/34432293/Pour_une_histoire_de_la_politique_culturelle_qui_rompt_avec_les_fronti%C3%A8res","translated_internal_url":"","created_at":"2017-08-31T23:45:16.655-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":59185518,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":54308181,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/54308181/thumbnails/1.jpg","file_name":"Spirinelli_-_Histoire_politique_culturelle_transnational.pdf","download_url":"https://www.academia.edu/attachments/54308181/download_file?st=MTczNzU1MzYxMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Pour_une_histoire_de_la_politique_cultur.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/54308181/Spirinelli_-_Histoire_politique_culturelle_transnational-libre.pdf?1504248497=\u0026response-content-disposition=attachment%3B+filename%3DPour_une_histoire_de_la_politique_cultur.pdf\u0026Expires=1737553467\u0026Signature=hApK-MjE8dSCpPFT~gsCLTSOWVGl~GJ~-vJI7fBcFALPZv1gqoaa4YiQrXJeyoICJqwo32OJydU7KKIBu-USSgS2kZgAkTU0j0PAb1MD~rI3O3RI86Ugbv4sneeGdzwBMWWwU6VhMSLslor4CB~EBRu3omISij5vu-Fqz2dKW8QEXEUIg0n-RHl-TwaZFqL5tMf672NOnv2LTXk9V9-PZJfS5739fLv1rakzwDJdJe3e1-Hcql05iCx73K5XtTNdHEfzeD42-GmXPFrJNaxb9uJhP~ec3XSBFE9rmax0v19f-jUP0Ujh~RORGgrKiV-ZAopqNgxP9lGiIXisRl9iWA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Pour_une_histoire_de_la_politique_culturelle_qui_rompt_avec_les_frontières","translated_slug":"","page_count":6,"language":"fr","content_type":"Work","summary":"La politique culturelle d'un pays ne peut pas être saisie sans tenir compte des spécificités nationales, souvent issues d'une longue histoire et du processus de gestation de l'État. Considérons à titre d'exemple un pays voisin du Luxembourg, la France : certains auteurs, comme Xavier Greffe et Sylvie Pflieger dans La politique culturelle en France (2015), soulignent l'intervention active de l'autorité centrale et la lient à une tradition qui remonterait déjà aux actions des rois et des princes dans le domaine du mécénat. Cette observation n'est pas entièrement partagée par tous les commentateurs qui préfèrent présenter des analyses plus nuancées. Dans L'invention de la politique culturelle (2010), Philippe Urfalino se concentre sur le cas des maisons de la culture en France et met en évidence l'importance des « lieux communs », selon lui l'aspect indispensable à la compréhension de la politique culturelle, laquelle ne peut pas être réduite aux explications courantes comme la « tradition monarchique » (p. 9). 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Milan was not only designated by the Unesco as creative city for literature, but also chosen for hosting the European Culture Forum (ECF) from 7 to 8 December 2017. It was the first time that it was held outside of Brussels. The neighbourhood in which the event took place was quite fitting: opposite of the venue was an old factory building repurposed for creative industries with offices and spaces for cultural activities and adjacent to the Museo delle Culture.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="90739fa772b63c8e8bf95fb5e78c3dcc" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55366721,"asset_id":35502970,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55366721/download_file?st=MTczNzU1MzYxMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35502970"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35502970"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35502970; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35502970]").text(description); $(".js-view-count[data-work-id=35502970]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35502970; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35502970']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 35502970, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "90739fa772b63c8e8bf95fb5e78c3dcc" } } $('.js-work-strip[data-work-id=35502970]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35502970,"title":"A personal report of the European Culture Forum 2017","translated_title":"","metadata":{"abstract":"From a cultural perspective, the city of Milan in Italy has a lot of activities and places to offer. 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Though museums have become...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Debates on the role of museums and their place in society are not new. Though museums have become more visitor-oriented over the past decades, a lot of potential remains unused. In this blogpost, I would like to discuss how museums can be places of "shared authority" and public debate.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1019c7184c424138f92b271e9643db45" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55074395,"asset_id":35214464,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55074395/download_file?st=MTczNzU1MzYxMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35214464"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35214464"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35214464; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35214464]").text(description); $(".js-view-count[data-work-id=35214464]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35214464; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35214464']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 35214464, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1019c7184c424138f92b271e9643db45" } } $('.js-work-strip[data-work-id=35214464]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35214464,"title":"Museums as places of shared authority and public debate","translated_title":"","metadata":{"abstract":"Debates on the role of museums and their place in society are not new. 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In this blogpost, I would like to discuss how museums can be places of \"shared authority\" and public debate.","internal_url":"https://www.academia.edu/35214464/Museums_as_places_of_shared_authority_and_public_debate","translated_internal_url":"","created_at":"2017-11-21T12:59:18.599-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":59185518,"coauthors_can_edit":true,"document_type":"other","co_author_tags":[],"downloadable_attachments":[{"id":55074395,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/55074395/thumbnails/1.jpg","file_name":"20171121_Spirinelli_Museums_as_places_of_shared_authority_and_public_debates.pdf","download_url":"https://www.academia.edu/attachments/55074395/download_file?st=MTczNzU1MzYxMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Museums_as_places_of_shared_authority_an.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/55074395/20171121_Spirinelli_Museums_as_places_of_shared_authority_and_public_debates-libre.pdf?1511298109=\u0026response-content-disposition=attachment%3B+filename%3DMuseums_as_places_of_shared_authority_an.pdf\u0026Expires=1737553467\u0026Signature=f8-2f~HrdMuJdZ4u443SlrNqbKtyUuMYPvVAqhKRviof7RICS0lLV6hSr38EZfiVFfjYKIWDE5UaGLdxFJXgVzfZfuj0gR6O18gQMtbqzUAiykF78fU4u3OqBZ4QEqEwCjHn4ubZhmszGddZOK40AiGa2ZxUl803eqPe8pTD~L9N-p0cHO3T-qGr65WxsiuP-WvVt9I4QE7ez9StVStgL4CcmCKdug04ZpLxAXqwit31FHfVq1Xn52hvlc6XmdDfyKqhWNNHh7jczQgRxN1qh4whm-vQwM0chF68pRUVI7U3vjwOLysO-tjUdBDjOnNuSu1oI0pwqOhVTmwGlTx4AA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Museums_as_places_of_shared_authority_and_public_debate","translated_slug":"","page_count":4,"language":"en","content_type":"Work","summary":"Debates on the role of museums and their place in society are not new. 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