CINXE.COM

<!DOCTYPE html> <html lang="en" xmlns:fb="http://www.facebook.com/2008/fbml" class="wf-loading"> <head prefix="og: https://ogp.me/ns# fb: https://ogp.me/ns/fb# academia: https://ogp.me/ns/fb/academia#"> <meta charset="utf-8"> <meta name=viewport content="width=device-width, initial-scale=1"> <meta rel="search" type="application/opensearchdescription+xml" href="/open_search.xml" title="Academia.edu"> <title>Andrzej Marzec | Adam Mickiewicz University in Poznań - Academia.edu</title>  <link href="//a.academia-assets.com/images/favicons/favicon-production.ico" rel="shortcut icon" type="image/vnd.microsoft.icon"> <link rel="apple-touch-icon" sizes="57x57" href="//a.academia-assets.com/images/favicons/apple-touch-icon-57x57.png"> <link rel="apple-touch-icon" sizes="60x60" href="//a.academia-assets.com/images/favicons/apple-touch-icon-60x60.png"> <link rel="apple-touch-icon" sizes="72x72" href="//a.academia-assets.com/images/favicons/apple-touch-icon-72x72.png"> <link rel="apple-touch-icon" sizes="76x76" href="//a.academia-assets.com/images/favicons/apple-touch-icon-76x76.png"> <link rel="apple-touch-icon" sizes="114x114" href="//a.academia-assets.com/images/favicons/apple-touch-icon-114x114.png"> <link rel="apple-touch-icon" sizes="120x120" href="//a.academia-assets.com/images/favicons/apple-touch-icon-120x120.png"> <link rel="apple-touch-icon" sizes="144x144" href="//a.academia-assets.com/images/favicons/apple-touch-icon-144x144.png"> <link rel="apple-touch-icon" sizes="152x152" href="//a.academia-assets.com/images/favicons/apple-touch-icon-152x152.png"> <link rel="apple-touch-icon" sizes="180x180" href="//a.academia-assets.com/images/favicons/apple-touch-icon-180x180.png"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-32x32.png" sizes="32x32"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-194x194.png" sizes="194x194"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-96x96.png" sizes="96x96"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/android-chrome-192x192.png" sizes="192x192"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-16x16.png" sizes="16x16"> <link rel="manifest" href="//a.academia-assets.com/images/favicons/manifest.json"> <meta name="msapplication-TileColor" content="#2b5797"> <meta name="msapplication-TileImage" content="//a.academia-assets.com/images/favicons/mstile-144x144.png"> <meta name="theme-color" content="#ffffff"> <script> window.performance && window.performance.measure && window.performance.measure("Time To First Byte", "requestStart", "responseStart"); </script> <script> (function() { if (!window.URLSearchParams || !window.history || !window.history.replaceState) { return; } var searchParams = new URLSearchParams(window.location.search); var paramsToDelete = [ 'fs', 'sm', 'swp', 'iid', 'nbs', 'rcc', // related content category 'rcpos', // related content carousel position 'rcpg', // related carousel page 'rchid', // related content hit id 'f_ri', // research interest id, for SEO tracking 'f_fri', // featured research interest, for SEO tracking (param key without value) 'f_rid', // from research interest directory for SEO tracking 'f_loswp', // from research interest pills on LOSWP sidebar for SEO tracking 'rhid', // referrring hit id ]; if (paramsToDelete.every((key) => searchParams.get(key) === null)) { return; } paramsToDelete.forEach((key) => { searchParams.delete(key); }); var cleanUrl = new URL(window.location.href); cleanUrl.search = searchParams.toString(); history.replaceState({}, document.title, cleanUrl); })(); </script> <script async src="https://www.googletagmanager.com/gtag/js?id=G-5VKX33P2DS"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'G-5VKX33P2DS', { cookie_domain: 'academia.edu', send_page_view: false, }); gtag('event', 'page_view', { 'controller': "profiles/works", 'action': "summary", 'controller_action': 'profiles/works#summary', 'logged_in': 'false', 'edge': 'unknown', // Send nil if there is no A/B test bucket, in case some records get logged // with missing data - that way we can distinguish between the two cases. // ab_test_bucket should be of the form <ab_test_name>:<bucket> 'ab_test_bucket': null, }) </script> <script type="text/javascript"> window.sendUserTiming = function(timingName) { if (!(window.performance && window.performance.measure)) return; var entries = window.performance.getEntriesByName(timingName, "measure"); if (entries.length !== 1) return; var timingValue = Math.round(entries[0].duration); gtag('event', 'timing_complete', { name: timingName, value: timingValue, event_category: 'User-centric', }); }; window.sendUserTiming("Time To First Byte"); </script> <meta name="csrf-param" content="authenticity_token" /> <meta name="csrf-token" content="n0b6dLVGvV1wbijJQtGIlmGyt8EddPVINlU6buBjwGrdEsDqSdfBF15BGrWNPPMFJMKqK1MNp0I6WgAn8uW6OQ==" /> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/wow-77f7b87cb1583fc59aa8f94756ebfe913345937eb932042b4077563bebb5fb4b.css" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/social/home-1c712297ae3ac71207193b1bae0ecf1aae125886850f62c9c0139dd867630797.css" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/heading-b2b823dd904da60a48fd1bfa1defd840610c2ff414d3f39ed3af46277ab8df3b.css" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/button-3cea6e0ad4715ed965c49bfb15dedfc632787b32ff6d8c3a474182b231146ab7.css" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/body-8d679e925718b5e8e4b18e9a4fab37f7eaa99e43386459376559080ac8f2856a.css" /><link crossorigin="" href="https://fonts.gstatic.com/" rel="preconnect" /><link href="https://fonts.googleapis.com/css2?family=DM+Sans:ital,opsz,wght@0,9..40,100..1000;1,9..40,100..1000&family=Gupter:wght@400;500;700&family=IBM+Plex+Mono:wght@300;400&family=Material+Symbols+Outlined:opsz,wght,FILL,GRAD@20,400,0,0&display=swap" rel="stylesheet" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/common-10fa40af19d25203774df2d4a03b9b5771b45109c2304968038e88a81d1215c5.css" /> <meta name="author" content="andrzej marzec" /> <meta name="description" content="Andrzej Marzec, Adam Mickiewicz University in Poznań: 1399 Followers, 415 Following, 61 Research papers. Research interests: Deconstruction, Psychoanalysis,…" /> <meta name="google-site-verification" content="bKJMBZA7E43xhDOopFZkssMMkBRjvYERV-NaN4R6mrs" /> <script> var $controller_name = 'works'; var $action_name = "summary"; var $rails_env = 'production'; var $app_rev = '49879c2402910372f4abc62630a427bbe033d190'; var $domain = 'academia.edu'; var $app_host = "academia.edu"; var $asset_host = "academia-assets.com"; var $start_time = new Date().getTime(); var $recaptcha_key = "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB"; var $recaptcha_invisible_key = "6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj"; var $disableClientRecordHit = false; </script> <script> window.Aedu = { hit_data: null }; window.Aedu.SiteStats = {"premium_universities_count":15276,"monthly_visitors":"112 million","monthly_visitor_count":112794806,"monthly_visitor_count_in_millions":112,"user_count":277198983,"paper_count":55203019,"paper_count_in_millions":55,"page_count":432000000,"page_count_in_millions":432,"pdf_count":16500000,"pdf_count_in_millions":16}; window.Aedu.serverRenderTime = new Date(1732467710000); window.Aedu.timeDifference = new Date().getTime() - 1732467710000; window.Aedu.isUsingCssV1 = false; window.Aedu.enableLocalization = true; window.Aedu.activateFullstory = false; window.Aedu.serviceAvailability = { status: {"attention_db":"on","bibliography_db":"on","contacts_db":"on","email_db":"on","indexability_db":"on","mentions_db":"on","news_db":"on","notifications_db":"on","offsite_mentions_db":"on","redshift":"on","redshift_exports_db":"on","related_works_db":"on","ring_db":"on","user_tests_db":"on"}, serviceEnabled: function(service) { return this.status[service] === "on"; }, readEnabled: function(service) { return this.serviceEnabled(service) || this.status[service] === "read_only"; }, }; window.Aedu.viewApmTrace = function() { // Check if x-apm-trace-id meta tag is set, and open the trace in APM // in a new window if it is. var apmTraceId = document.head.querySelector('meta[name="x-apm-trace-id"]'); if (apmTraceId) { var traceId = apmTraceId.content; // Use trace ID to construct URL, an example URL looks like: // https://app.datadoghq.com/apm/traces?query=trace_id%31298410148923562634 var apmUrl = 'https://app.datadoghq.com/apm/traces?query=trace_id%3A' + traceId; window.open(apmUrl, '_blank'); } }; </script>  <link href="https://fonts.googleapis.com/css?family=Roboto:100,100i,300,300i,400,400i,500,500i,700,700i,900,900i" rel="stylesheet"> <link href="//maxcdn.bootstrapcdn.com/font-awesome/4.3.0/css/font-awesome.min.css" rel="stylesheet"> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/libraries-a9675dcb01ec4ef6aa807ba772c7a5a00c1820d3ff661c1038a20f80d06bb4e4.css" /> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/academia-296162c7af6fd81dcdd76f1a94f1fad04fb5f647401337d136fe8b68742170b1.css" /> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system_legacy-056a9113b9a0f5343d013b29ee1929d5a18be35fdcdceb616600b4db8bd20054.css" /> <script src="//a.academia-assets.com/assets/webpack_bundles/runtime-bundle-005434038af4252ca37c527588411a3d6a0eabb5f727fac83f8bbe7fd88d93bb.js"></script> <script src="//a.academia-assets.com/assets/webpack_bundles/webpack_libraries_and_infrequently_changed.wjs-bundle-8d53a22151f33ab413d88fa1c02f979c3f8706d470fc1bced09852c72a9f3454.js"></script> <script src="//a.academia-assets.com/assets/webpack_bundles/core_webpack.wjs-bundle-f8fe82512740391f81c9e8cc48220144024b425b359b08194e316f4de070b9e8.js"></script> <script src="//a.academia-assets.com/assets/webpack_bundles/sentry.wjs-bundle-5fe03fddca915c8ba0f7edbe64c194308e8ce5abaed7bffe1255ff37549c4808.js"></script> <script> jade = window.jade || {}; jade.helpers = window.$h; jade._ = window._; </script>  <script id="tag-manager-head-root">(function(w,d,s,l,i){w[l]=w[l]||[];w[l].push({'gtm.start': new Date().getTime(),event:'gtm.js'});var f=d.getElementsByTagName(s)[0], j=d.createElement(s),dl=l!='dataLayer'?'&l='+l:'';j.async=true;j.src= 'https://www.googletagmanager.com/gtm.js?id='+i+dl;f.parentNode.insertBefore(j,f); })(window,document,'script','dataLayer_old','GTM-5G9JF7Z');</script>  <script> window.gptadslots = []; window.googletag = window.googletag || {}; window.googletag.cmd = window.googletag.cmd || []; </script> <script type="text/javascript"> // TODO(jacob): This should be defined, may be rare load order problem. // Checking if null is just a quick fix, will default to en if unset. // Better fix is to run this immedietely after I18n is set. if (window.I18n != null) { I18n.defaultLocale = "en"; I18n.locale = "en"; I18n.fallbacks = true; } </script> <link rel="canonical" href="https://amu.academia.edu/AndrzejMarzec" /> </head>   <body class='c-profiles/works a-summary logged_out'>  <div id="fb-root"></div><script>window.fbAsyncInit = function() { FB.init({ appId: "2369844204", version: "v8.0", status: true, cookie: true, xfbml: true }); // Additional initialization code. if (window.InitFacebook) { // facebook.ts already loaded, set it up. window.InitFacebook(); } else { // Set a flag for facebook.ts to find when it loads. window.academiaAuthReadyFacebook = true; } };</script><script>window.fbAsyncLoad = function() { // Protection against double calling of this function if (window.FB) { return; } (function(d, s, id){ var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) {return;} js = d.createElement(s); js.id = id; js.src = "//connect.facebook.net/en_US/sdk.js"; fjs.parentNode.insertBefore(js, fjs); }(document, 'script', 'facebook-jssdk')); } if (!window.defer_facebook) { // Autoload if not deferred window.fbAsyncLoad(); } else { // Defer loading by 5 seconds setTimeout(function() { window.fbAsyncLoad(); }, 5000); }</script> <div id="google-root"></div><script>window.loadGoogle = function() { if (window.InitGoogle) { // google.ts already loaded, set it up. window.InitGoogle("331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b"); } else { // Set a flag for google.ts to use when it loads. window.GoogleClientID = "331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b"; } };</script><script>window.googleAsyncLoad = function() { // Protection against double calling of this function (function(d) { var js; var id = 'google-jssdk'; var ref = d.getElementsByTagName('script')[0]; if (d.getElementById(id)) { return; } js = d.createElement('script'); js.id = id; js.async = true; js.onload = loadGoogle; js.src = "https://accounts.google.com/gsi/client" ref.parentNode.insertBefore(js, ref); }(document)); } if (!window.defer_google) { // Autoload if not deferred window.googleAsyncLoad(); } else { // Defer loading by 5 seconds setTimeout(function() { window.googleAsyncLoad(); }, 5000); }</script> <div id="tag-manager-body-root">  <noscript><iframe src="https://www.googletagmanager.com/ns.html?id=GTM-5G9JF7Z" height="0" width="0" style="display:none;visibility:hidden"></iframe></noscript>   <script> window.addEventListener('load', function() { if (document.querySelector('input[name="commit"]')) { document.querySelector('input[name="commit"]').addEventListener('click', function() { gtag('event', 'click', { event_category: 'button', event_label: 'Log In' }) }) } }); </script> </div> <script>var _comscore = _comscore || []; _comscore.push({ c1: "2", c2: "26766707" }); (function() { var s = document.createElement("script"), el = document.getElementsByTagName("script")[0]; s.async = true; s.src = (document.location.protocol == "https:" ? "https://sb" : "http://b") + ".scorecardresearch.com/beacon.js"; el.parentNode.insertBefore(s, el); })();</script><img src="https://sb.scorecardresearch.com/p?c1=2&c2=26766707&cv=2.0&cj=1" style="position: absolute; visibility: hidden" /> <div id='react-modal'></div> <div class='DesignSystem'> <a class='u-showOnFocus' href='#site'> Skip to main content </a> </div> <div id="upgrade_ie_banner" style="display: none;"><p>Academia.edu no longer supports Internet Explorer.</p><p>To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to <a href="https://www.academia.edu/upgrade-browser">upgrade your browser</a>.</p></div><script>// Show this banner for all versions of IE if (!!window.MSInputMethodContext || /(MSIE)/.test(navigator.userAgent)) { document.getElementById('upgrade_ie_banner').style.display = 'block'; }</script> <div class="DesignSystem bootstrap ShrinkableNav"><div class="navbar navbar-default main-header"><div class="container-wrapper" id="main-header-container"><div class="container"><div class="navbar-header"><div class="nav-left-wrapper u-mt0x"><div class="nav-logo"><a data-main-header-link-target="logo_home" href="https://www.academia.edu/"><img class="visible-xs-inline-block" style="height: 24px;" alt="Academia.edu" src="//a.academia-assets.com/images/academia-logo-redesign-2015-A.svg" width="24" height="24" /><img width="145.2" height="18" class="hidden-xs" style="height: 24px;" alt="Academia.edu" src="//a.academia-assets.com/images/academia-logo-redesign-2015.svg" /></a></div><div class="nav-search"><div class="SiteSearch-wrapper select2-no-default-pills"><form class="js-SiteSearch-form DesignSystem" action="https://www.academia.edu/search" accept-charset="UTF-8" method="get"><input name="utf8" type="hidden" value="✓" autocomplete="off" /><i class="SiteSearch-icon fa fa-search u-fw700 u-positionAbsolute u-tcGrayDark"></i><input class="js-SiteSearch-form-input SiteSearch-form-input form-control" data-main-header-click-target="search_input" name="q" placeholder="Search" type="text" value="" /></form></div></div></div><div class="nav-right-wrapper pull-right"><ul class="NavLinks js-main-nav list-unstyled"><li class="NavLinks-link"><a class="js-header-login-url Button Button--inverseGray Button--sm u-mb4x" id="nav_log_in" rel="nofollow" href="https://www.academia.edu/login">Log In</a></li><li class="NavLinks-link u-p0x"><a class="Button Button--inverseGray Button--sm u-mb4x" rel="nofollow" href="https://www.academia.edu/signup">Sign Up</a></li></ul><button class="hidden-lg hidden-md hidden-sm u-ml4x navbar-toggle collapsed" data-target=".js-mobile-header-links" data-toggle="collapse" type="button"><span class="icon-bar"></span><span class="icon-bar"></span><span class="icon-bar"></span></button></div></div><div class="collapse navbar-collapse js-mobile-header-links"><ul class="nav navbar-nav"><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/login">Log In</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/signup">Sign Up</a></li><li class="u-borderColorGrayLight u-borderBottom1 js-mobile-nav-expand-trigger"><a href="#">more&nbsp<span class="caret"></span></a></li><li><ul class="js-mobile-nav-expand-section nav navbar-nav u-m0x collapse"><li class="u-borderColorGrayLight u-borderBottom1"><a rel="false" href="https://www.academia.edu/about">About</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/press">Press</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://medium.com/@academia">Blog</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="false" href="https://www.academia.edu/documents">Papers</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/terms">Terms</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/privacy">Privacy</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/copyright">Copyright</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/hiring"><i class="fa fa-briefcase"></i> We're Hiring!</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://support.academia.edu/"><i class="fa fa-question-circle"></i> Help Center</a></li><li class="js-mobile-nav-collapse-trigger u-borderColorGrayLight u-borderBottom1 dropup" style="display:none"><a href="#">less&nbsp<span class="caret"></span></a></li></ul></li></ul></div></div></div><script>(function(){ var $moreLink = $(".js-mobile-nav-expand-trigger"); var $lessLink = $(".js-mobile-nav-collapse-trigger"); var $section = $('.js-mobile-nav-expand-section'); $moreLink.click(function(ev){ ev.preventDefault(); $moreLink.hide(); $lessLink.show(); $section.collapse('show'); }); $lessLink.click(function(ev){ ev.preventDefault(); $moreLink.show(); $lessLink.hide(); $section.collapse('hide'); }); })() if ($a.is_logged_in() || false) { new Aedu.NavigationController({ el: '.js-main-nav', showHighlightedNotification: false }); } else { $(".js-header-login-url").attr("href", $a.loginUrlWithRedirect()); } Aedu.autocompleteSearch = new AutocompleteSearch({el: '.js-SiteSearch-form'});</script></div></div> <div id='site' class='fixed'> <div id="content" class="clearfix"> <script>document.addEventListener('DOMContentLoaded', function(){ var $dismissible = $(".dismissible_banner"); $dismissible.click(function(ev) { $dismissible.hide(); }); });</script> <script src="//a.academia-assets.com/assets/webpack_bundles/profile.wjs-bundle-9601d1cc3d68aa07c0a9901d03d3611aec04cc07d2a2039718ebef4ad4d148ca.js" defer="defer"></script><script>Aedu.rankings = { showPaperRankingsLink: false } $viewedUser = Aedu.User.set_viewed( {"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec","photo":"https://0.academia-photos.com/1934801/652084/20810388/s65_andrzej.marzec.jpg","has_photo":true,"department":{"id":253043,"name":"Institute of Philosophy","url":"https://amu.academia.edu/Departments/Institute_of_Philosophy/Documents","university":{"id":2192,"name":"Adam Mickiewicz University in Poznań","url":"https://amu.academia.edu/"}},"position":"Faculty Member","position_id":1,"is_analytics_public":false,"interests":[{"id":4868,"name":"Deconstruction","url":"https://www.academia.edu/Documents/in/Deconstruction"},{"id":244,"name":"Psychoanalysis","url":"https://www.academia.edu/Documents/in/Psychoanalysis"},{"id":3148,"name":"Actor Network Theory","url":"https://www.academia.edu/Documents/in/Actor_Network_Theory"},{"id":9549,"name":"Lacanian theory","url":"https://www.academia.edu/Documents/in/Lacanian_theory"},{"id":3354,"name":"Poststructuralism","url":"https://www.academia.edu/Documents/in/Poststructuralism"},{"id":10444,"name":"Postmodernism","url":"https://www.academia.edu/Documents/in/Postmodernism"},{"id":3115,"name":"Posthumanism","url":"https://www.academia.edu/Documents/in/Posthumanism"},{"id":10167,"name":"Hauntology","url":"https://www.academia.edu/Documents/in/Hauntology"},{"id":31491,"name":"Jean Baudrillard","url":"https://www.academia.edu/Documents/in/Jean_Baudrillard"},{"id":11927,"name":"Michel Foucault","url":"https://www.academia.edu/Documents/in/Michel_Foucault"},{"id":8302,"name":"Gilles Deleuze","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze"},{"id":12040,"name":"Jacques Derrida","url":"https://www.academia.edu/Documents/in/Jacques_Derrida"},{"id":15323,"name":"Gianni Vattimo","url":"https://www.academia.edu/Documents/in/Gianni_Vattimo"},{"id":7265,"name":"Luce Irigaray","url":"https://www.academia.edu/Documents/in/Luce_Irigaray"},{"id":16041,"name":"Poststructuralist Feminist Theory","url":"https://www.academia.edu/Documents/in/Poststructuralist_Feminist_Theory"},{"id":39466,"name":"Paul Virilio","url":"https://www.academia.edu/Documents/in/Paul_Virilio"},{"id":863,"name":"Visual Studies","url":"https://www.academia.edu/Documents/in/Visual_Studies"},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art"},{"id":12317,"name":"Judith Butler","url":"https://www.academia.edu/Documents/in/Judith_Butler"},{"id":40329,"name":"Donna Haraway","url":"https://www.academia.edu/Documents/in/Donna_Haraway"},{"id":8431,"name":"Slavoj Žižek","url":"https://www.academia.edu/Documents/in/Slavoj_%C5%BDi%C5%BEek"},{"id":5181,"name":"Psychogeography","url":"https://www.academia.edu/Documents/in/Psychogeography"},{"id":43594,"name":"Jean-François Lyotard","url":"https://www.academia.edu/Documents/in/Jean-Fran%C3%A7ois_Lyotard"},{"id":928,"name":"Media Studies","url":"https://www.academia.edu/Documents/in/Media_Studies"},{"id":7725,"name":"Urban Studies","url":"https://www.academia.edu/Documents/in/Urban_Studies"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":3225,"name":"Visual Culture","url":"https://www.academia.edu/Documents/in/Visual_Culture"},{"id":8354,"name":"Gothic Studies","url":"https://www.academia.edu/Documents/in/Gothic_Studies"},{"id":672885,"name":"Specters of Marx","url":"https://www.academia.edu/Documents/in/Specters_of_Marx"},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":8,"name":"Critical Theory","url":"https://www.academia.edu/Documents/in/Critical_Theory"},{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies"},{"id":519076,"name":"Retromania","url":"https://www.academia.edu/Documents/in/Retromania"},{"id":699897,"name":"Widmontologia","url":"https://www.academia.edu/Documents/in/Widmontologia"},{"id":109314,"name":"Nuclear Criticism","url":"https://www.academia.edu/Documents/in/Nuclear_Criticism"},{"id":484997,"name":"Ghost Box","url":"https://www.academia.edu/Documents/in/Ghost_Box"},{"id":484999,"name":"Alternative heritage","url":"https://www.academia.edu/Documents/in/Alternative_heritage"},{"id":60379,"name":"Zombies","url":"https://www.academia.edu/Documents/in/Zombies"},{"id":214494,"name":"Undead","url":"https://www.academia.edu/Documents/in/Undead"},{"id":53039,"name":"Haunting and Spectrality","url":"https://www.academia.edu/Documents/in/Haunting_and_Spectrality"},{"id":1384961,"name":"Hauntology (Music)","url":"https://www.academia.edu/Documents/in/Hauntology_Music_"},{"id":29062,"name":"Abject Art","url":"https://www.academia.edu/Documents/in/Abject_Art"},{"id":42042,"name":"Nostalgia","url":"https://www.academia.edu/Documents/in/Nostalgia"},{"id":519075,"name":"Simon Reynolds","url":"https://www.academia.edu/Documents/in/Simon_Reynolds"},{"id":182681,"name":"Nostalgia and Memory","url":"https://www.academia.edu/Documents/in/Nostalgia_and_Memory"},{"id":111116,"name":"Consumption of nostalgia and retro items","url":"https://www.academia.edu/Documents/in/Consumption_of_nostalgia_and_retro_items"},{"id":17746,"name":"Greek Cinema","url":"https://www.academia.edu/Documents/in/Greek_Cinema"},{"id":614445,"name":"Greek New Wave","url":"https://www.academia.edu/Documents/in/Greek_New_Wave"},{"id":1555,"name":"Film Studies","url":"https://www.academia.edu/Documents/in/Film_Studies"},{"id":5288,"name":"Philosophy of Film","url":"https://www.academia.edu/Documents/in/Philosophy_of_Film"},{"id":8282,"name":"Film-Philosophy","url":"https://www.academia.edu/Documents/in/Film-Philosophy"},{"id":1568,"name":"Film Theory","url":"https://www.academia.edu/Documents/in/Film_Theory"},{"id":36845,"name":"Cinephilia","url":"https://www.academia.edu/Documents/in/Cinephilia"},{"id":7067,"name":"Cultural History Of Ghosts","url":"https://www.academia.edu/Documents/in/Cultural_History_Of_Ghosts"},{"id":575775,"name":"Cultural appropriation","url":"https://www.academia.edu/Documents/in/Cultural_appropriation"},{"id":350815,"name":"Glitch Art","url":"https://www.academia.edu/Documents/in/Glitch_Art"},{"id":17115,"name":"Glitch studies","url":"https://www.academia.edu/Documents/in/Glitch_studies"},{"id":822667,"name":"Glitch Aesthetics","url":"https://www.academia.edu/Documents/in/Glitch_Aesthetics"},{"id":100279,"name":"Glitch","url":"https://www.academia.edu/Documents/in/Glitch"},{"id":8437,"name":"Martin Heidegger","url":"https://www.academia.edu/Documents/in/Martin_Heidegger"},{"id":17754,"name":"Derridean Deconstruction","url":"https://www.academia.edu/Documents/in/Derridean_Deconstruction"},{"id":18606,"name":"Heidegger","url":"https://www.academia.edu/Documents/in/Heidegger"},{"id":27573,"name":"Derrida","url":"https://www.academia.edu/Documents/in/Derrida"},{"id":194970,"name":"Fenomenología Hermenéutica Lenguaje Levinas Heidegger Husserl","url":"https://www.academia.edu/Documents/in/Fenomenologia_Hermeneutica_Lenguaje_Levinas_Heidegger_Husserl"},{"id":195029,"name":"Postdigital","url":"https://www.academia.edu/Documents/in/Postdigital"},{"id":584443,"name":"Postinternet","url":"https://www.academia.edu/Documents/in/Postinternet"},{"id":3301,"name":"Film Analysis","url":"https://www.academia.edu/Documents/in/Film_Analysis"},{"id":12444,"name":"Film History","url":"https://www.academia.edu/Documents/in/Film_History"},{"id":42298,"name":"Film and Media Studies","url":"https://www.academia.edu/Documents/in/Film_and_Media_Studies"},{"id":25107,"name":"Film Aesthetics","url":"https://www.academia.edu/Documents/in/Film_Aesthetics"},{"id":34632,"name":"Film","url":"https://www.academia.edu/Documents/in/Film"},{"id":2601,"name":"Film Music And Sound","url":"https://www.academia.edu/Documents/in/Film_Music_And_Sound"},{"id":100017,"name":"Film Editing","url":"https://www.academia.edu/Documents/in/Film_Editing"},{"id":80698,"name":"Films","url":"https://www.academia.edu/Documents/in/Films"},{"id":1554,"name":"Film Theory and Practice","url":"https://www.academia.edu/Documents/in/Film_Theory_and_Practice"},{"id":5301,"name":"Film Genre","url":"https://www.academia.edu/Documents/in/Film_Genre"},{"id":16196,"name":"Film \u0026 Digital Video","url":"https://www.academia.edu/Documents/in/Film_and_Digital_Video"},{"id":7679,"name":"Theater and film","url":"https://www.academia.edu/Documents/in/Theater_and_film"},{"id":32983,"name":"Experimental Film","url":"https://www.academia.edu/Documents/in/Experimental_Film"},{"id":16055,"name":"Film and History","url":"https://www.academia.edu/Documents/in/Film_and_History"},{"id":19258,"name":"Cinema","url":"https://www.academia.edu/Documents/in/Cinema"},{"id":3145,"name":"Literature and cinema","url":"https://www.academia.edu/Documents/in/Literature_and_cinema"},{"id":52745,"name":"Cinema Studies","url":"https://www.academia.edu/Documents/in/Cinema_Studies"},{"id":4982,"name":"Digital Cinema","url":"https://www.academia.edu/Documents/in/Digital_Cinema"},{"id":1016,"name":"Avant-Garde Cinema","url":"https://www.academia.edu/Documents/in/Avant-Garde_Cinema"},{"id":4290,"name":"National Cinemas","url":"https://www.academia.edu/Documents/in/National_Cinemas"},{"id":285953,"name":"Postdigitalism","url":"https://www.academia.edu/Documents/in/Postdigitalism"},{"id":979,"name":"Analog Circuits","url":"https://www.academia.edu/Documents/in/Analog_Circuits"},{"id":11452,"name":"Memory Studies","url":"https://www.academia.edu/Documents/in/Memory_Studies"},{"id":545153,"name":"Critical Heritage Studies","url":"https://www.academia.edu/Documents/in/Critical_Heritage_Studies"},{"id":23193,"name":"Environmental Humanities","url":"https://www.academia.edu/Documents/in/Environmental_Humanities"},{"id":76626,"name":"New Materialism","url":"https://www.academia.edu/Documents/in/New_Materialism"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":16220,"name":"Dark Ecology","url":"https://www.academia.edu/Documents/in/Dark_Ecology"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":13792,"name":"Speculative Realism","url":"https://www.academia.edu/Documents/in/Speculative_Realism"},{"id":66713,"name":"Graham Harman","url":"https://www.academia.edu/Documents/in/Graham_Harman"},{"id":39738,"name":"Anthropocene studies","url":"https://www.academia.edu/Documents/in/Anthropocene_studies"},{"id":3126,"name":"Political Ecology","url":"https://www.academia.edu/Documents/in/Political_Ecology"}]} ); if ($a.is_logged_in() && $viewedUser.is_current_user()) { $('body').addClass('profile-viewed-by-owner'); } $socialProfiles = [{"id":2694105,"link":"https://www.facebook.com/andrzej.marzec.5","name":"Facebook","link_domain":"www.facebook.com","icon":"//www.google.com/s2/u/0/favicons?domain=www.facebook.com"},{"id":39750246,"link":"https://www.instagram.com/widma.marca/","name":"Instagram","link_domain":"www.instagram.com","icon":"//www.google.com/s2/u/0/favicons?domain=www.instagram.com"},{"id":62934729,"link":"https://orcid.org/0000-0002-9259-2642","name":"ORCID","link_domain":"orcid.org","icon":"//www.google.com/s2/u/0/favicons?domain=orcid.org"},{"id":62934736,"link":"https://lubimyczytac.pl/autor/74813/andrzej-marzec","name":"Lubimy Czytac","link_domain":"lubimyczytac.pl","icon":"//www.google.com/s2/u/0/favicons?domain=lubimyczytac.pl"},{"id":65197194,"link":"https://www.linkedin.com/in/andrzej-marzec-uampoznan","name":"Linkedin","link_domain":"www.linkedin.com","icon":"//www.google.com/s2/u/0/favicons?domain=www.linkedin.com"}]</script><div id="js-react-on-rails-context" style="display:none" data-rails-context="{"inMailer":false,"i18nLocale":"en","i18nDefaultLocale":"en","href":"https://amu.academia.edu/AndrzejMarzec","location":"/AndrzejMarzec","scheme":"https","host":"amu.academia.edu","port":null,"pathname":"/AndrzejMarzec","search":null,"httpAcceptLanguage":null,"serverSide":false}"></div> <div class="js-react-on-rails-component" style="display:none" data-component-name="ProfileCheckPaperUpdate" data-props="{}" data-trace="false" data-dom-id="ProfileCheckPaperUpdate-react-component-b4cf3b6a-a43d-4b36-8beb-a628dea89bf6"></div> <div id="ProfileCheckPaperUpdate-react-component-b4cf3b6a-a43d-4b36-8beb-a628dea89bf6"></div> <div class="DesignSystem"><div class="onsite-ping" id="onsite-ping"></div></div><div class="profile-user-info DesignSystem"><div class="social-profile-container"><div class="left-panel-container"><div class="user-info-component-wrapper"><div class="user-summary-cta-container"><div class="user-summary-container"><div class="social-profile-avatar-container"><img class="profile-avatar u-positionAbsolute" alt="Andrzej Marzec" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/1934801/652084/20810388/s200_andrzej.marzec.jpg" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">Andrzej Marzec</h1><div class="affiliations-container fake-truncate js-profile-affiliations"><div><a class="u-tcGrayDarker" href="https://amu.academia.edu/">Adam Mickiewicz University in Poznań</a>, <a class="u-tcGrayDarker" href="https://amu.academia.edu/Departments/Institute_of_Philosophy/Documents">Institute of Philosophy</a>, <span class="u-tcGrayDarker">Faculty Member</span></div></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden profile-cta-button grow js-profile-follow-button" data-broccoli-component="user-info.follow-button" data-click-track="profile-user-info-follow-button" data-follow-user-fname="Andrzej" data-follow-user-id="1934801" data-follow-user-source="profile_button" data-has-google="false"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">add</span>Follow</button><button class="ds2-5-button hidden profile-cta-button grow js-profile-unfollow-button" data-broccoli-component="user-info.unfollow-button" data-click-track="profile-user-info-unfollow-button" data-unfollow-user-id="1934801"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">done</span>Following</button></div></div><div class="user-stats-container"><a><div class="stat-container js-profile-followers"><p class="label">Followers</p><p class="data">1,399</p></div></a><a><div class="stat-container js-profile-followees" data-broccoli-component="user-info.followees-count" data-click-track="profile-expand-user-info-following"><p class="label">Following</p><p class="data">415</p></div></a><a><div class="stat-container js-profile-coauthors" data-broccoli-component="user-info.coauthors-count" data-click-track="profile-expand-user-info-coauthors"><p class="label">Co-author</p><p class="data">1</p></div></a><a href="/AndrzejMarzec/mentions"><div class="stat-container"><p class="label">Mentions</p><p class="data">273</p></div></a><span><div class="stat-container"><p class="label"><span class="js-profile-total-view-text">Public Views</span></p><p class="data"><span class="js-profile-view-count"></span></p></div></span></div><div class="ri-section"><div class="ri-section-header"><span>Interests</span><a class="ri-more-link js-profile-ri-list-card" data-click-track="profile-user-info-primary-research-interest" data-has-card-for-ri-list="1934801">View All (100)</a></div><div class="ri-tags-container"><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="1934801" href="https://www.academia.edu/Documents/in/Deconstruction"><div id="js-react-on-rails-context" style="display:none" data-rails-context="{"inMailer":false,"i18nLocale":"en","i18nDefaultLocale":"en","href":"https://amu.academia.edu/AndrzejMarzec","location":"/AndrzejMarzec","scheme":"https","host":"amu.academia.edu","port":null,"pathname":"/AndrzejMarzec","search":null,"httpAcceptLanguage":null,"serverSide":false}"></div> <div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Deconstruction"]}" data-trace="false" data-dom-id="Pill-react-component-d1a32bbf-f1de-42d5-82bb-313352e84bb1"></div> <div id="Pill-react-component-d1a32bbf-f1de-42d5-82bb-313352e84bb1"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="1934801" href="https://www.academia.edu/Documents/in/Psychoanalysis"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Psychoanalysis"]}" data-trace="false" data-dom-id="Pill-react-component-3162c06e-b547-477c-bffe-ffc4cf2e8d0e"></div> <div id="Pill-react-component-3162c06e-b547-477c-bffe-ffc4cf2e8d0e"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="1934801" href="https://www.academia.edu/Documents/in/Actor_Network_Theory"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Actor Network Theory"]}" data-trace="false" data-dom-id="Pill-react-component-6ee014ee-06f8-4e79-8e27-d938f7ae9759"></div> <div id="Pill-react-component-6ee014ee-06f8-4e79-8e27-d938f7ae9759"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="1934801" href="https://www.academia.edu/Documents/in/Lacanian_theory"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Lacanian theory"]}" data-trace="false" data-dom-id="Pill-react-component-b09336d0-b8ba-4e1c-8c30-0d288db3efb7"></div> <div id="Pill-react-component-b09336d0-b8ba-4e1c-8c30-0d288db3efb7"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="1934801" href="https://www.academia.edu/Documents/in/Poststructuralism"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Poststructuralism"]}" data-trace="false" data-dom-id="Pill-react-component-1dbd1c4a-b910-4ace-ad04-8a00de6ad611"></div> <div id="Pill-react-component-1dbd1c4a-b910-4ace-ad04-8a00de6ad611"></div> </a></div></div><div class="external-links-container"><ul class="profile-links new-profile js-UserInfo-social"><li class="profile-profiles js-social-profiles-container"><i class="fa fa-spin fa-spinner"></i></li></ul></div></div></div><div class="right-panel-container"><div class="user-content-wrapper"><div class="uploads-container" id="social-redesign-work-container"><div class="upload-header"><h2 class="ds2-5-heading-sans-serif-xs">Uploads</h2></div><div class="nav-container backbone-profile-documents-nav hidden-xs"><ul class="nav-tablist" role="tablist"><li class="nav-chip active" role="presentation"><a data-section-name="" data-toggle="tab" href="#all" role="tab">all</a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Books" data-toggle="tab" href="#books" role="tab" title="Books"><span>3</span> <span class="ds2-5-body-sm-bold">Books</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Papers" data-toggle="tab" href="#papers" role="tab" title="Papers"><span>53</span> <span class="ds2-5-body-sm-bold">Papers</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Translations" data-toggle="tab" href="#translations" role="tab" title="Translations"><span>1</span> <span class="ds2-5-body-sm-bold">Translations</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Interviews" data-toggle="tab" href="#interviews" role="tab" title="Interviews"><span>3</span> <span class="ds2-5-body-sm-bold">Interviews</span></a></li><li class="nav-chip more-tab" role="presentation"><a class="js-profile-documents-more-tab link-unstyled u-textTruncate" data-toggle="dropdown" role="tab">More  <i class="fa fa-chevron-down"></i></a><ul class="js-profile-documents-more-dropdown dropdown-menu dropdown-menu-right profile-documents-more-dropdown" role="menu"><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Book-Reviews" data-toggle="tab" href="#bookreviews" role="tab" style="border: none;"><span>1</span> Book Reviews</a></li></ul></li></ul></div><div class="divider ds-divider-16" style="margin: 0px;"></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Books" id="Books"><h3 class="profile--tab_heading_container">Books by Andrzej Marzec</h3></div><div class="js-work-strip profile--work_container" data-work-id="118954356"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/118954356/Wsp%C3%B3lnota_spod_ciemnej_gwiazdy_wpl%C4%85tani_w_grz%C4%85ski_ekologiczny_p%C3%B3%C5%82%C5%9Bwiatek_wst%C4%99p_do_polskiego_przek%C5%82adu_Mrocznej_ekologii_"><img alt="Research paper thumbnail of Wspólnota spod ciemnej gwiazdy - wplątani w grząski, ekologiczny półświatek (wstęp do polskiego przekładu "Mrocznej ekologii")" class="work-thumbnail" src="https://attachments.academia-assets.com/114455098/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/118954356/Wsp%C3%B3lnota_spod_ciemnej_gwiazdy_wpl%C4%85tani_w_grz%C4%85ski_ekologiczny_p%C3%B3%C5%82%C5%9Bwiatek_wst%C4%99p_do_polskiego_przek%C5%82adu_Mrocznej_ekologii_">Wspólnota spod ciemnej gwiazdy - wplątani w grząski, ekologiczny półświatek (wstęp do polskiego przekładu "Mrocznej ekologii")</a></div><div class="wp-workCard_item"><span>Mroczna ekologia</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Mroczna ekologia to propozycja międzygatunkowego współbycia, która nawiązując do halloweenowej id...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Mroczna ekologia to propozycja międzygatunkowego współbycia, która nawiązując do halloweenowej idei karnawałowej egalitarności, staje się jednocześnie nietypowym projektem politycznym, zarysem przyszłej wspólnoty. Mortonowi udaje się z powodzeniem połączyć to co ciemne, pozaludzkie, wstrętne, przerażające ze wspólnototwórczą rzeczywistością gry, zabawy, śmiechu, a nawet głupoty. Wprowadzając kategorię widmowości, wskazuje na wycofaną, migotliwą obecność pozaludzkiej rzeczywistości, która niczym mgła oblepia i spowija wszystko to, co ludzkie</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="720ed0bd8d9005c469c76794508b45ff" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":114455098,"asset_id":118954356,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/114455098/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118954356"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118954356"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118954356; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=118954356]").text(description); $(".js-view-count[data-work-id=118954356]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 118954356; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='118954356']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 118954356, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "720ed0bd8d9005c469c76794508b45ff" } } $('.js-work-strip[data-work-id=118954356]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":118954356,"title":"Wspólnota spod ciemnej gwiazdy - wplątani w grząski, ekologiczny półświatek (wstęp do polskiego przekładu \"Mrocznej ekologii\")","translated_title":"","metadata":{"abstract":"Mroczna ekologia to propozycja międzygatunkowego współbycia, która nawiązując do halloweenowej idei karnawałowej egalitarności, staje się jednocześnie nietypowym projektem politycznym, zarysem przyszłej wspólnoty. Mortonowi udaje się z powodzeniem połączyć to co ciemne, pozaludzkie, wstrętne, przerażające ze wspólnototwórczą rzeczywistością gry, zabawy, śmiechu, a nawet głupoty. Wprowadzając kategorię widmowości, wskazuje na wycofaną, migotliwą obecność pozaludzkiej rzeczywistości, która niczym mgła oblepia i spowija wszystko to, co ludzkie\r\n","publication_date":{"day":null,"month":null,"year":2024,"errors":{}},"publication_name":"Mroczna ekologia"},"translated_abstract":"Mroczna ekologia to propozycja międzygatunkowego współbycia, która nawiązując do halloweenowej idei karnawałowej egalitarności, staje się jednocześnie nietypowym projektem politycznym, zarysem przyszłej wspólnoty. Mortonowi udaje się z powodzeniem połączyć to co ciemne, pozaludzkie, wstrętne, przerażające ze wspólnototwórczą rzeczywistością gry, zabawy, śmiechu, a nawet głupoty. Wprowadzając kategorię widmowości, wskazuje na wycofaną, migotliwą obecność pozaludzkiej rzeczywistości, która niczym mgła oblepia i spowija wszystko to, co ludzkie\r\n","internal_url":"https://www.academia.edu/118954356/Wsp%C3%B3lnota_spod_ciemnej_gwiazdy_wpl%C4%85tani_w_grz%C4%85ski_ekologiczny_p%C3%B3%C5%82%C5%9Bwiatek_wst%C4%99p_do_polskiego_przek%C5%82adu_Mrocznej_ekologii_","translated_internal_url":"","created_at":"2024-05-12T07:53:32.822-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":114455098,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/114455098/thumbnails/1.jpg","file_name":"Mroczna_ekologia.pdf","download_url":"https://www.academia.edu/attachments/114455098/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Wspolnota_spod_ciemnej_gwiazdy_wplatani.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/114455098/Mroczna_ekologia-libre.pdf?1715525703=\u0026response-content-disposition=attachment%3B+filename%3DWspolnota_spod_ciemnej_gwiazdy_wplatani.pdf\u0026Expires=1732369630\u0026Signature=X9Md4eJn5~1p~LXOMHafSsYiGPg22xxNKnyMNpRqhrJXU7DOyPJvGQ3rzDXVN4i59MbySeeKCa0PPgyP6JasJ81RtnBIDtz5z7GM1rYgyvrRB35aLB1aS0fWAEmizc8taqGl2bIG9~DE68FBsYIqZMFIByZ79t47hy~58T1OZB1LayWZEWgqRDY3e-noEmCpWaeYvZLWxh-Buba7E1J0TFeaeMNysm6N38CF~mcdzYCQP1vVcRq1kujZ9hlwstzCtolvNSPL6SmOGHSbQaCLsHw4GTkIlQKociHfUb7P5lLdIPTmAH4fn-DvoQKgAtkr5xV8e~51e~0Jpche13KUtA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Wspólnota_spod_ciemnej_gwiazdy_wplątani_w_grząski_ekologiczny_półświatek_wstęp_do_polskiego_przekładu_Mrocznej_ekologii_","translated_slug":"","page_count":3,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":114455098,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/114455098/thumbnails/1.jpg","file_name":"Mroczna_ekologia.pdf","download_url":"https://www.academia.edu/attachments/114455098/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Wspolnota_spod_ciemnej_gwiazdy_wplatani.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/114455098/Mroczna_ekologia-libre.pdf?1715525703=\u0026response-content-disposition=attachment%3B+filename%3DWspolnota_spod_ciemnej_gwiazdy_wplatani.pdf\u0026Expires=1732369630\u0026Signature=X9Md4eJn5~1p~LXOMHafSsYiGPg22xxNKnyMNpRqhrJXU7DOyPJvGQ3rzDXVN4i59MbySeeKCa0PPgyP6JasJ81RtnBIDtz5z7GM1rYgyvrRB35aLB1aS0fWAEmizc8taqGl2bIG9~DE68FBsYIqZMFIByZ79t47hy~58T1OZB1LayWZEWgqRDY3e-noEmCpWaeYvZLWxh-Buba7E1J0TFeaeMNysm6N38CF~mcdzYCQP1vVcRq1kujZ9hlwstzCtolvNSPL6SmOGHSbQaCLsHw4GTkIlQKociHfUb7P5lLdIPTmAH4fn-DvoQKgAtkr5xV8e~51e~0Jpche13KUtA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies"},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art"},{"id":3407,"name":"Environmental Studies","url":"https://www.academia.edu/Documents/in/Environmental_Studies"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":13792,"name":"Speculative Realism","url":"https://www.academia.edu/Documents/in/Speculative_Realism"},{"id":16220,"name":"Dark Ecology","url":"https://www.academia.edu/Documents/in/Dark_Ecology"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":23193,"name":"Environmental Humanities","url":"https://www.academia.edu/Documents/in/Environmental_Humanities"},{"id":39738,"name":"Anthropocene studies","url":"https://www.academia.edu/Documents/in/Anthropocene_studies"},{"id":66713,"name":"Graham Harman","url":"https://www.academia.edu/Documents/in/Graham_Harman"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":781620,"name":"Culture and the Anthropocene","url":"https://www.academia.edu/Documents/in/Culture_and_the_Anthropocene"}],"urls":[{"id":41884650,"url":"https://oficynazwiazekotwarty.pl/produkt/mroczna-ekologia-ku-logice-przyszlego-wspolistnienia/"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="45648901"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/45648901/Antropocie%C5%84_Filozofia_i_estetyka_po_ko%C5%84cu_%C5%9Bwiata"><img alt="Research paper thumbnail of Antropocień. Filozofia i estetyka po końcu świata" class="work-thumbnail" src="https://attachments.academia-assets.com/66146983/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/45648901/Antropocie%C5%84_Filozofia_i_estetyka_po_ko%C5%84cu_%C5%9Bwiata">Antropocień. Filozofia i estetyka po końcu świata</a></div><div class="wp-workCard_item"><span>Antropocień. Filozofia i estetyka po końcu świata</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Książka stanowi oryginalną propozycję filozoficznego spojrzenia na epokę antropocenu oraz kryzysu...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Książka stanowi oryginalną propozycję filozoficznego spojrzenia na epokę antropocenu oraz kryzysu klimatycznego. Nawiązuje do takich współczesnych nurtów filozoficznych, jak nowy materializm (Karen Barad, Anna Tsing, Donna Haraway), realizm spekulatywny (Graham Harman) oraz ontologia zwrócona ku przedmiotom (Timothy Morton, Levi Bryant).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="695aaf26f11a95ebcb067ea00b094ef8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":66146983,"asset_id":45648901,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/66146983/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="45648901"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="45648901"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45648901; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45648901]").text(description); $(".js-view-count[data-work-id=45648901]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45648901; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='45648901']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 45648901, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "695aaf26f11a95ebcb067ea00b094ef8" } } $('.js-work-strip[data-work-id=45648901]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":45648901,"title":"Antropocień. Filozofia i estetyka po końcu świata","translated_title":"","metadata":{"abstract":"Książka stanowi oryginalną propozycję filozoficznego spojrzenia na epokę antropocenu oraz kryzysu klimatycznego. Nawiązuje do takich współczesnych nurtów filozoficznych, jak nowy materializm (Karen Barad, Anna Tsing, Donna Haraway), realizm spekulatywny (Graham Harman) oraz ontologia zwrócona ku przedmiotom (Timothy Morton, Levi Bryant).","publication_date":{"day":null,"month":null,"year":2021,"errors":{}},"publication_name":"Antropocień. Filozofia i estetyka po końcu świata"},"translated_abstract":"Książka stanowi oryginalną propozycję filozoficznego spojrzenia na epokę antropocenu oraz kryzysu klimatycznego. Nawiązuje do takich współczesnych nurtów filozoficznych, jak nowy materializm (Karen Barad, Anna Tsing, Donna Haraway), realizm spekulatywny (Graham Harman) oraz ontologia zwrócona ku przedmiotom (Timothy Morton, Levi Bryant).","internal_url":"https://www.academia.edu/45648901/Antropocie%C5%84_Filozofia_i_estetyka_po_ko%C5%84cu_%C5%9Bwiata","translated_internal_url":"","created_at":"2021-03-31T01:10:00.956-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":66146983,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/66146983/thumbnails/1.jpg","file_name":"Antropocien.pdf","download_url":"https://www.academia.edu/attachments/66146983/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Antropocien_Filozofia_i_estetyka_po_konc.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/66146983/Antropocien-libre.pdf?1617180003=\u0026response-content-disposition=attachment%3B+filename%3DAntropocien_Filozofia_i_estetyka_po_konc.pdf\u0026Expires=1732369630\u0026Signature=ItDJAmIA7pHngqPeZvCBo2miKxm1hX~p-hQTFIFWWdxvMbSW7V-SzO3elCSiJ4wDMShGAftFz0i9POfLvhSQ5x~0jVzwVV9TayuA9gma81EZFPAT9X2fQTnuTeassiz7QEcHCVaiXTFLxbSNvaZ6wLz16TSoRBTIOEFjvTsqJuBs8t7FnorsXKawlDPZdzqwEO50arg-Sx9BO1LhZJBS7azAYC1CoV74J96vpI~wnbkeNryESnk48Bh2QAa2~mKbPxGMqP9D7m5c4Au78fqm6UoTcMPcb3N69iBWFPFpTfCKPWFrPKWZSPhFCueLkbjY5vOKBjOf5sbnosrYkPaZpQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Antropocień_Filozofia_i_estetyka_po_końcu_świata","translated_slug":"","page_count":4,"language":"en","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":66146983,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/66146983/thumbnails/1.jpg","file_name":"Antropocien.pdf","download_url":"https://www.academia.edu/attachments/66146983/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Antropocien_Filozofia_i_estetyka_po_konc.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/66146983/Antropocien-libre.pdf?1617180003=\u0026response-content-disposition=attachment%3B+filename%3DAntropocien_Filozofia_i_estetyka_po_konc.pdf\u0026Expires=1732369630\u0026Signature=ItDJAmIA7pHngqPeZvCBo2miKxm1hX~p-hQTFIFWWdxvMbSW7V-SzO3elCSiJ4wDMShGAftFz0i9POfLvhSQ5x~0jVzwVV9TayuA9gma81EZFPAT9X2fQTnuTeassiz7QEcHCVaiXTFLxbSNvaZ6wLz16TSoRBTIOEFjvTsqJuBs8t7FnorsXKawlDPZdzqwEO50arg-Sx9BO1LhZJBS7azAYC1CoV74J96vpI~wnbkeNryESnk48Bh2QAa2~mKbPxGMqP9D7m5c4Au78fqm6UoTcMPcb3N69iBWFPFpTfCKPWFrPKWZSPhFCueLkbjY5vOKBjOf5sbnosrYkPaZpQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":3115,"name":"Posthumanism","url":"https://www.academia.edu/Documents/in/Posthumanism"},{"id":3407,"name":"Environmental Studies","url":"https://www.academia.edu/Documents/in/Environmental_Studies"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":13792,"name":"Speculative Realism","url":"https://www.academia.edu/Documents/in/Speculative_Realism"},{"id":18845,"name":"Environmental Sustainability","url":"https://www.academia.edu/Documents/in/Environmental_Sustainability"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":23193,"name":"Environmental Humanities","url":"https://www.academia.edu/Documents/in/Environmental_Humanities"},{"id":26586,"name":"Anthropocentrism","url":"https://www.academia.edu/Documents/in/Anthropocentrism"},{"id":39738,"name":"Anthropocene studies","url":"https://www.academia.edu/Documents/in/Anthropocene_studies"},{"id":40329,"name":"Donna Haraway","url":"https://www.academia.edu/Documents/in/Donna_Haraway"},{"id":66713,"name":"Graham Harman","url":"https://www.academia.edu/Documents/in/Graham_Harman"},{"id":76626,"name":"New Materialism","url":"https://www.academia.edu/Documents/in/New_Materialism"},{"id":76627,"name":"Agential Realism","url":"https://www.academia.edu/Documents/in/Agential_Realism"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":111959,"name":"Karen Barad","url":"https://www.academia.edu/Documents/in/Karen_Barad"},{"id":113497,"name":"Rosi Braidotti","url":"https://www.academia.edu/Documents/in/Rosi_Braidotti"},{"id":133873,"name":"Plants","url":"https://www.academia.edu/Documents/in/Plants"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":513235,"name":"Levi Bryant","url":"https://www.academia.edu/Documents/in/Levi_Bryant"},{"id":621089,"name":"Anna L. Tsing","url":"https://www.academia.edu/Documents/in/Anna_L._Tsing"}],"urls":[{"id":9340095,"url":"https://ksiegarnia.pwn.pl/Antropocien,891458653,p.html"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="13959376"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/13959376/Widmontologia_Teoria_filozoficzna_i_praktyka_artystyczna_ponowoczesno%C5%9Bci"><img alt="Research paper thumbnail of Widmontologia. Teoria filozoficzna i praktyka artystyczna ponowoczesności" class="work-thumbnail" src="https://attachments.academia-assets.com/56840903/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/13959376/Widmontologia_Teoria_filozoficzna_i_praktyka_artystyczna_ponowoczesno%C5%9Bci">Widmontologia. Teoria filozoficzna i praktyka artystyczna ponowoczesności</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Przysługujący widmom wywrotowy, niemalże rewolucyjny potencjał został odsunięty oraz zagubiony po...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Przysługujący widmom wywrotowy, niemalże rewolucyjny potencjał został odsunięty oraz zagubiony poprzez pozbycie się tej kontrowersyjnej kategorii z terytorium metafizyki i zbyt pośpieszne odesłanie jej do przestrzeni badań nad literaturą, sprowadzając ją jedynie do roli użytecznego, bezpiecznego narzędzia interpretacji. <br /> <br />Książka Andrzeja Marca odzyskuje niepokojący charakter widmontologii i ponownie wprowadza widma do myśli metafizycznej. Czym nawiedzona i przeniknięta jest tradycyjna metafizyka, co właściwie ją dręczy, nie daje spokoju oraz nieustannie podmywa jej stabilność? <br /> <br />Kategoria widma Derridy posłużyła Marcowi przede wszystkim do rozważań nad charakterem współczesności i przeobrażeń, jakie dokonały się w obrębie myśli ponowoczesnej. Współczesna kultura, zdaniem Marca, stała się miejscem powstawania widm, nieustannie powracających z przeszłości. Uznając, że nie jesteśmy już w stanie tworzyć utopijnych wizji przyszłości, autor stara się zdać sprawę z widmowego charakteru współczesnej kultury, analizując m. in. strategie vintage, retro, nurt no future w kulturze lat 70. czy nurt fantastyki naukowej w literaturze.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="51311955eb4bd02b0fc53828154ca1c3" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56840903,"asset_id":13959376,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56840903/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="13959376"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="13959376"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 13959376; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=13959376]").text(description); $(".js-view-count[data-work-id=13959376]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 13959376; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='13959376']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 13959376, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "51311955eb4bd02b0fc53828154ca1c3" } } $('.js-work-strip[data-work-id=13959376]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":13959376,"title":"Widmontologia. Teoria filozoficzna i praktyka artystyczna ponowoczesności","translated_title":"","metadata":{"abstract":"Przysługujący widmom wywrotowy, niemalże rewolucyjny potencjał został odsunięty oraz zagubiony poprzez pozbycie się tej kontrowersyjnej kategorii z terytorium metafizyki i zbyt pośpieszne odesłanie jej do przestrzeni badań nad literaturą, sprowadzając ją jedynie do roli użytecznego, bezpiecznego narzędzia interpretacji. \r\n \r\nKsiążka Andrzeja Marca odzyskuje niepokojący charakter widmontologii i ponownie wprowadza widma do myśli metafizycznej. Czym nawiedzona i przeniknięta jest tradycyjna metafizyka, co właściwie ją dręczy, nie daje spokoju oraz nieustannie podmywa jej stabilność? \r\n \r\nKategoria widma Derridy posłużyła Marcowi przede wszystkim do rozważań nad charakterem współczesności i przeobrażeń, jakie dokonały się w obrębie myśli ponowoczesnej. Współczesna kultura, zdaniem Marca, stała się miejscem powstawania widm, nieustannie powracających z przeszłości. Uznając, że nie jesteśmy już w stanie tworzyć utopijnych wizji przyszłości, autor stara się zdać sprawę z widmowego charakteru współczesnej kultury, analizując m. in. strategie vintage, retro, nurt no future w kulturze lat 70. czy nurt fantastyki naukowej w literaturze."},"translated_abstract":"Przysługujący widmom wywrotowy, niemalże rewolucyjny potencjał został odsunięty oraz zagubiony poprzez pozbycie się tej kontrowersyjnej kategorii z terytorium metafizyki i zbyt pośpieszne odesłanie jej do przestrzeni badań nad literaturą, sprowadzając ją jedynie do roli użytecznego, bezpiecznego narzędzia interpretacji. \r\n \r\nKsiążka Andrzeja Marca odzyskuje niepokojący charakter widmontologii i ponownie wprowadza widma do myśli metafizycznej. Czym nawiedzona i przeniknięta jest tradycyjna metafizyka, co właściwie ją dręczy, nie daje spokoju oraz nieustannie podmywa jej stabilność? \r\n \r\nKategoria widma Derridy posłużyła Marcowi przede wszystkim do rozważań nad charakterem współczesności i przeobrażeń, jakie dokonały się w obrębie myśli ponowoczesnej. Współczesna kultura, zdaniem Marca, stała się miejscem powstawania widm, nieustannie powracających z przeszłości. Uznając, że nie jesteśmy już w stanie tworzyć utopijnych wizji przyszłości, autor stara się zdać sprawę z widmowego charakteru współczesnej kultury, analizując m. in. strategie vintage, retro, nurt no future w kulturze lat 70. czy nurt fantastyki naukowej w literaturze.","internal_url":"https://www.academia.edu/13959376/Widmontologia_Teoria_filozoficzna_i_praktyka_artystyczna_ponowoczesno%C5%9Bci","translated_internal_url":"","created_at":"2015-07-12T14:40:50.058-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":56840903,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/56840903/thumbnails/1.jpg","file_name":"widmontologia.pdf","download_url":"https://www.academia.edu/attachments/56840903/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Widmontologia_Teoria_filozoficzna_i_prak.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/56840903/widmontologia-libre.pdf?1529597107=\u0026response-content-disposition=attachment%3B+filename%3DWidmontologia_Teoria_filozoficzna_i_prak.pdf\u0026Expires=1732369630\u0026Signature=cIZ0B4jIkbwRC84kexnI3rHyLMOmogbswUeaRpQ4LjFT7sBQkXBr1WSv0aEDgRH7R~8sjCF~caxg4a3wyxLiLThREAAIUaoLlt2p1QOt6FOVDkhHPnCN5XYm3iFy8hCLNPEvSxZaP3p4eZwXdjJwmhXZgZwetBi6ZpYYn3xtE9qHqYiXH0VI8AQvm47Rmn-24~Q-I-6SKvzubkkemkYjSaenjg1FqZ7ryg18k-oFJCkOqCpClPoDP~Jomy4H439k8NNIl-YXWwO6Sl2koUvUQtqju8wJ5bg55vdonyFFLCAoEdVpI6zqKgKYHuq6y-hHH62HvUNv-ES74PafHpygxg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Widmontologia_Teoria_filozoficzna_i_praktyka_artystyczna_ponowoczesności","translated_slug":"","page_count":1,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":56840903,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/56840903/thumbnails/1.jpg","file_name":"widmontologia.pdf","download_url":"https://www.academia.edu/attachments/56840903/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Widmontologia_Teoria_filozoficzna_i_prak.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/56840903/widmontologia-libre.pdf?1529597107=\u0026response-content-disposition=attachment%3B+filename%3DWidmontologia_Teoria_filozoficzna_i_prak.pdf\u0026Expires=1732369630\u0026Signature=cIZ0B4jIkbwRC84kexnI3rHyLMOmogbswUeaRpQ4LjFT7sBQkXBr1WSv0aEDgRH7R~8sjCF~caxg4a3wyxLiLThREAAIUaoLlt2p1QOt6FOVDkhHPnCN5XYm3iFy8hCLNPEvSxZaP3p4eZwXdjJwmhXZgZwetBi6ZpYYn3xtE9qHqYiXH0VI8AQvm47Rmn-24~Q-I-6SKvzubkkemkYjSaenjg1FqZ7ryg18k-oFJCkOqCpClPoDP~Jomy4H439k8NNIl-YXWwO6Sl2koUvUQtqju8wJ5bg55vdonyFFLCAoEdVpI6zqKgKYHuq6y-hHH62HvUNv-ES74PafHpygxg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":8,"name":"Critical Theory","url":"https://www.academia.edu/Documents/in/Critical_Theory"},{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History"},{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies"},{"id":196,"name":"Future Studies","url":"https://www.academia.edu/Documents/in/Future_Studies"},{"id":221,"name":"Psychology","url":"https://www.academia.edu/Documents/in/Psychology"},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":863,"name":"Visual Studies","url":"https://www.academia.edu/Documents/in/Visual_Studies"},{"id":902,"name":"Philosophy Of Religion","url":"https://www.academia.edu/Documents/in/Philosophy_Of_Religion"},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History"},{"id":939,"name":"Media Archaeology","url":"https://www.academia.edu/Documents/in/Media_Archaeology"},{"id":945,"name":"Performing Arts","url":"https://www.academia.edu/Documents/in/Performing_Arts"},{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":979,"name":"Analog Circuits","url":"https://www.academia.edu/Documents/in/Analog_Circuits"},{"id":1052,"name":"Atheism","url":"https://www.academia.edu/Documents/in/Atheism"},{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art"},{"id":1386,"name":"Art Theory","url":"https://www.academia.edu/Documents/in/Art_Theory"},{"id":1555,"name":"Film Studies","url":"https://www.academia.edu/Documents/in/Film_Studies"},{"id":1568,"name":"Film Theory","url":"https://www.academia.edu/Documents/in/Film_Theory"},{"id":1595,"name":"Memory (Cognitive Psychology)","url":"https://www.academia.edu/Documents/in/Memory_Cognitive_Psychology_"},{"id":2018,"name":"Plato","url":"https://www.academia.edu/Documents/in/Plato"},{"id":2122,"name":"Death","url":"https://www.academia.edu/Documents/in/Death"},{"id":2123,"name":"Death Studies","url":"https://www.academia.edu/Documents/in/Death_Studies"},{"id":2132,"name":"Cultural Heritage","url":"https://www.academia.edu/Documents/in/Cultural_Heritage"},{"id":2473,"name":"Material Culture Studies","url":"https://www.academia.edu/Documents/in/Material_Culture_Studies"},{"id":2527,"name":"Heritage Studies","url":"https://www.academia.edu/Documents/in/Heritage_Studies"},{"id":2601,"name":"Film Music And Sound","url":"https://www.academia.edu/Documents/in/Film_Music_And_Sound"},{"id":2858,"name":"Popular Culture","url":"https://www.academia.edu/Documents/in/Popular_Culture"},{"id":2869,"name":"Digital Media","url":"https://www.academia.edu/Documents/in/Digital_Media"},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art"},{"id":3145,"name":"Literature and cinema","url":"https://www.academia.edu/Documents/in/Literature_and_cinema"},{"id":3225,"name":"Visual Culture","url":"https://www.academia.edu/Documents/in/Visual_Culture"},{"id":3301,"name":"Film Analysis","url":"https://www.academia.edu/Documents/in/Film_Analysis"},{"id":3303,"name":"Human Memory","url":"https://www.academia.edu/Documents/in/Human_Memory"},{"id":3354,"name":"Poststructuralism","url":"https://www.academia.edu/Documents/in/Poststructuralism"},{"id":3371,"name":"Public Art","url":"https://www.academia.edu/Documents/in/Public_Art"},{"id":3987,"name":"History and Memory","url":"https://www.academia.edu/Documents/in/History_and_Memory"},{"id":4052,"name":"Arts Education","url":"https://www.academia.edu/Documents/in/Arts_Education"},{"id":4115,"name":"Nostalgia (Psychology)","url":"https://www.academia.edu/Documents/in/Nostalgia_Psychology_"},{"id":4195,"name":"Cultural Theory","url":"https://www.academia.edu/Documents/in/Cultural_Theory"},{"id":4474,"name":"Critical Thinking","url":"https://www.academia.edu/Documents/in/Critical_Thinking"},{"id":4868,"name":"Deconstruction","url":"https://www.academia.edu/Documents/in/Deconstruction"},{"id":5239,"name":"Death \u0026 Dying (Thanatology)","url":"https://www.academia.edu/Documents/in/Death_and_Dying_Thanatology_"},{"id":5272,"name":"Identity (Culture)","url":"https://www.academia.edu/Documents/in/Identity_Culture_"},{"id":5288,"name":"Philosophy of Film","url":"https://www.academia.edu/Documents/in/Philosophy_of_Film"},{"id":5290,"name":"Philosophy of Art","url":"https://www.academia.edu/Documents/in/Philosophy_of_Art"},{"id":5301,"name":"Film Genre","url":"https://www.academia.edu/Documents/in/Film_Genre"},{"id":5359,"name":"Visual perception","url":"https://www.academia.edu/Documents/in/Visual_perception"},{"id":5463,"name":"Performance Art","url":"https://www.academia.edu/Documents/in/Performance_Art"},{"id":5960,"name":"Continental Philosophy","url":"https://www.academia.edu/Documents/in/Continental_Philosophy"},{"id":6343,"name":"Historical memory","url":"https://www.academia.edu/Documents/in/Historical_memory"},{"id":6865,"name":"Digital Culture","url":"https://www.academia.edu/Documents/in/Digital_Culture"},{"id":7067,"name":"Cultural History Of Ghosts","url":"https://www.academia.edu/Documents/in/Cultural_History_Of_Ghosts"},{"id":7125,"name":"Culture","url":"https://www.academia.edu/Documents/in/Culture"},{"id":7773,"name":"Everyday Aesthetics","url":"https://www.academia.edu/Documents/in/Everyday_Aesthetics"},{"id":8002,"name":"Youth Culture","url":"https://www.academia.edu/Documents/in/Youth_Culture"},{"id":8102,"name":"Futurism","url":"https://www.academia.edu/Documents/in/Futurism"},{"id":8104,"name":"Mourning","url":"https://www.academia.edu/Documents/in/Mourning"},{"id":8356,"name":"Culture Studies","url":"https://www.academia.edu/Documents/in/Culture_Studies"},{"id":8436,"name":"Edmund Husserl","url":"https://www.academia.edu/Documents/in/Edmund_Husserl"},{"id":8437,"name":"Martin Heidegger","url":"https://www.academia.edu/Documents/in/Martin_Heidegger"},{"id":8538,"name":"Working Memory","url":"https://www.academia.edu/Documents/in/Working_Memory"},{"id":8850,"name":"Melancholy","url":"https://www.academia.edu/Documents/in/Melancholy"},{"id":8927,"name":"Art and Science","url":"https://www.academia.edu/Documents/in/Art_and_Science"},{"id":9539,"name":"Materialism","url":"https://www.academia.edu/Documents/in/Materialism"},{"id":9721,"name":"Music Aesthetics","url":"https://www.academia.edu/Documents/in/Music_Aesthetics"},{"id":10167,"name":"Hauntology","url":"https://www.academia.edu/Documents/in/Hauntology"},{"id":10444,"name":"Postmodernism","url":"https://www.academia.edu/Documents/in/Postmodernism"},{"id":10821,"name":"Cultural Materialism","url":"https://www.academia.edu/Documents/in/Cultural_Materialism"},{"id":11452,"name":"Memory Studies","url":"https://www.academia.edu/Documents/in/Memory_Studies"},{"id":11455,"name":"Social and Collective Memory","url":"https://www.academia.edu/Documents/in/Social_and_Collective_Memory"},{"id":11467,"name":"Visual Communication","url":"https://www.academia.edu/Documents/in/Visual_Communication"},{"id":11483,"name":"Cultural Memory","url":"https://www.academia.edu/Documents/in/Cultural_Memory"},{"id":11927,"name":"Michel Foucault","url":"https://www.academia.edu/Documents/in/Michel_Foucault"},{"id":12040,"name":"Jacques Derrida","url":"https://www.academia.edu/Documents/in/Jacques_Derrida"},{"id":12320,"name":"Autoimmunity","url":"https://www.academia.edu/Documents/in/Autoimmunity"},{"id":12578,"name":"Memory (Psychology)","url":"https://www.academia.edu/Documents/in/Memory_Psychology_"},{"id":12644,"name":"Commemoration and Memory","url":"https://www.academia.edu/Documents/in/Commemoration_and_Memory"},{"id":13950,"name":"Collective Memory","url":"https://www.academia.edu/Documents/in/Collective_Memory"},{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art"},{"id":14067,"name":"Literature and Visual Arts","url":"https://www.academia.edu/Documents/in/Literature_and_Visual_Arts"},{"id":14190,"name":"Nihilism","url":"https://www.academia.edu/Documents/in/Nihilism"},{"id":15341,"name":"Aesthetics and Ethics","url":"https://www.academia.edu/Documents/in/Aesthetics_and_Ethics"},{"id":15342,"name":"Aesthetics and Politics","url":"https://www.academia.edu/Documents/in/Aesthetics_and_Politics"},{"id":15686,"name":"History of Atheism","url":"https://www.academia.edu/Documents/in/History_of_Atheism"},{"id":16032,"name":"Baudrillard","url":"https://www.academia.edu/Documents/in/Baudrillard"},{"id":16196,"name":"Film \u0026 Digital Video","url":"https://www.academia.edu/Documents/in/Film_and_Digital_Video"},{"id":16226,"name":"Materiality (Anthropology)","url":"https://www.academia.edu/Documents/in/Materiality_Anthropology_"},{"id":16235,"name":"Popular And Political Cultures Of Memory","url":"https://www.academia.edu/Documents/in/Popular_And_Political_Cultures_Of_Memory"},{"id":17178,"name":"Ancient Philosophy","url":"https://www.academia.edu/Documents/in/Ancient_Philosophy"},{"id":17562,"name":"Death and Burial (Archaeology)","url":"https://www.academia.edu/Documents/in/Death_and_Burial_Archaeology_"},{"id":17754,"name":"Derridean Deconstruction","url":"https://www.academia.edu/Documents/in/Derridean_Deconstruction"},{"id":18214,"name":"Social Memory","url":"https://www.academia.edu/Documents/in/Social_Memory"},{"id":18606,"name":"Heidegger","url":"https://www.academia.edu/Documents/in/Heidegger"},{"id":18739,"name":"Afterlife studies","url":"https://www.academia.edu/Documents/in/Afterlife_studies"},{"id":19258,"name":"Cinema","url":"https://www.academia.edu/Documents/in/Cinema"},{"id":19405,"name":"Cultural Heritage Management","url":"https://www.academia.edu/Documents/in/Cultural_Heritage_Management"},{"id":19626,"name":"Public Memory","url":"https://www.academia.edu/Documents/in/Public_Memory"},{"id":19712,"name":"Dance and Aesthetics","url":"https://www.academia.edu/Documents/in/Dance_and_Aesthetics"},{"id":20868,"name":"Theory and Practice of Visual Arts","url":"https://www.academia.edu/Documents/in/Theory_and_Practice_of_Visual_Arts"},{"id":20993,"name":"Plato and Platonism","url":"https://www.academia.edu/Documents/in/Plato_and_Platonism"},{"id":21742,"name":"Anthropology of Death","url":"https://www.academia.edu/Documents/in/Anthropology_of_Death"},{"id":22047,"name":"Digital Media Art","url":"https://www.academia.edu/Documents/in/Digital_Media_Art"},{"id":22453,"name":"Materiality of Art","url":"https://www.academia.edu/Documents/in/Materiality_of_Art"},{"id":22656,"name":"Hospitality","url":"https://www.academia.edu/Documents/in/Hospitality"},{"id":22792,"name":"Melancholia (Art)","url":"https://www.academia.edu/Documents/in/Melancholia_Art_"},{"id":22797,"name":"Critical Thinking and Creativity","url":"https://www.academia.edu/Documents/in/Critical_Thinking_and_Creativity"},{"id":22832,"name":"Curatorial Practice (Art)","url":"https://www.academia.edu/Documents/in/Curatorial_Practice_Art_"},{"id":23342,"name":"Cultural Anthropology","url":"https://www.academia.edu/Documents/in/Cultural_Anthropology"},{"id":23918,"name":"Culture and Cognition","url":"https://www.academia.edu/Documents/in/Culture_and_Cognition"},{"id":24003,"name":"Postmodernism (Literature)","url":"https://www.academia.edu/Documents/in/Postmodernism_Literature_"},{"id":25107,"name":"Film Aesthetics","url":"https://www.academia.edu/Documents/in/Film_Aesthetics"},{"id":25552,"name":"Consumption and Material Culture","url":"https://www.academia.edu/Documents/in/Consumption_and_Material_Culture"},{"id":26291,"name":"Postmodern Literature","url":"https://www.academia.edu/Documents/in/Postmodern_Literature"},{"id":26379,"name":"Aestheticism","url":"https://www.academia.edu/Documents/in/Aestheticism"},{"id":26558,"name":"Visual Arts","url":"https://www.academia.edu/Documents/in/Visual_Arts"},{"id":27573,"name":"Derrida","url":"https://www.academia.edu/Documents/in/Derrida"},{"id":27764,"name":"Vintage Fashion","url":"https://www.academia.edu/Documents/in/Vintage_Fashion"},{"id":28299,"name":"Argumentation Theory and Critical Thinking","url":"https://www.academia.edu/Documents/in/Argumentation_Theory_and_Critical_Thinking"},{"id":29109,"name":"Postmodern Literary Theory and Popular Culture","url":"https://www.academia.edu/Documents/in/Postmodern_Literary_Theory_and_Popular_Culture"},{"id":30335,"name":"Grief (Psychology)","url":"https://www.academia.edu/Documents/in/Grief_Psychology_"},{"id":30638,"name":"Memory and materiality","url":"https://www.academia.edu/Documents/in/Memory_and_materiality"},{"id":30965,"name":"Jacques Derrida \u0026 Deconstruction","url":"https://www.academia.edu/Documents/in/Jacques_Derrida_and_Deconstruction"},{"id":31286,"name":"Afterlife landscapes","url":"https://www.academia.edu/Documents/in/Afterlife_landscapes"},{"id":31323,"name":"Heidegger and Technology","url":"https://www.academia.edu/Documents/in/Heidegger_and_Technology"},{"id":31491,"name":"Jean Baudrillard","url":"https://www.academia.edu/Documents/in/Jean_Baudrillard"},{"id":31793,"name":"Sound Art","url":"https://www.academia.edu/Documents/in/Sound_Art"},{"id":33194,"name":"Postmodern Theology","url":"https://www.academia.edu/Documents/in/Postmodern_Theology"},{"id":33457,"name":"Material Culture","url":"https://www.academia.edu/Documents/in/Material_Culture"},{"id":34292,"name":"Poststructuralist Theory","url":"https://www.academia.edu/Documents/in/Poststructuralist_Theory"},{"id":34632,"name":"Film","url":"https://www.academia.edu/Documents/in/Film"},{"id":37328,"name":"Art and Philosophy","url":"https://www.academia.edu/Documents/in/Art_and_Philosophy"},{"id":37479,"name":"Philosophy of Death","url":"https://www.academia.edu/Documents/in/Philosophy_of_Death"},{"id":38481,"name":"Aesthetics and Theory of Arts","url":"https://www.academia.edu/Documents/in/Aesthetics_and_Theory_of_Arts"},{"id":38980,"name":"Heidegger's Being and Time","url":"https://www.academia.edu/Documents/in/Heideggers_Being_and_Time"},{"id":39466,"name":"Paul Virilio","url":"https://www.academia.edu/Documents/in/Paul_Virilio"},{"id":42042,"name":"Nostalgia","url":"https://www.academia.edu/Documents/in/Nostalgia"},{"id":42298,"name":"Film and Media Studies","url":"https://www.academia.edu/Documents/in/Film_and_Media_Studies"},{"id":43349,"name":"Fine Arts","url":"https://www.academia.edu/Documents/in/Fine_Arts"},{"id":43395,"name":"Heritage","url":"https://www.academia.edu/Documents/in/Heritage"},{"id":43776,"name":"Movies","url":"https://www.academia.edu/Documents/in/Movies"},{"id":46519,"name":"Future","url":"https://www.academia.edu/Documents/in/Future"},{"id":46858,"name":"Memory","url":"https://www.academia.edu/Documents/in/Memory"},{"id":49664,"name":"Oral History and Memory","url":"https://www.academia.edu/Documents/in/Oral_History_and_Memory"},{"id":49701,"name":"Revenants","url":"https://www.academia.edu/Documents/in/Revenants"},{"id":51380,"name":"Visual Art","url":"https://www.academia.edu/Documents/in/Visual_Art"},{"id":51610,"name":"Postmodernity","url":"https://www.academia.edu/Documents/in/Postmodernity"},{"id":52745,"name":"Cinema Studies","url":"https://www.academia.edu/Documents/in/Cinema_Studies"},{"id":53039,"name":"Haunting and Spectrality","url":"https://www.academia.edu/Documents/in/Haunting_and_Spectrality"},{"id":54603,"name":"Death and Dying, Mourning and Remembrance","url":"https://www.academia.edu/Documents/in/Death_and_Dying_Mourning_and_Remembrance"},{"id":57670,"name":"Art and Mourning","url":"https://www.academia.edu/Documents/in/Art_and_Mourning"},{"id":60268,"name":"Postmodern","url":"https://www.academia.edu/Documents/in/Postmodern"},{"id":60353,"name":"Complicated Grief","url":"https://www.academia.edu/Documents/in/Complicated_Grief"},{"id":64128,"name":"Ulrich Beck","url":"https://www.academia.edu/Documents/in/Ulrich_Beck"},{"id":74013,"name":"Artes","url":"https://www.academia.edu/Documents/in/Artes"},{"id":74640,"name":"New Atheism","url":"https://www.academia.edu/Documents/in/New_Atheism"},{"id":79465,"name":"Materiality","url":"https://www.academia.edu/Documents/in/Materiality"},{"id":80698,"name":"Films","url":"https://www.academia.edu/Documents/in/Films"},{"id":81108,"name":"Media Archeology","url":"https://www.academia.edu/Documents/in/Media_Archeology"},{"id":91963,"name":"Aesthetic Experience","url":"https://www.academia.edu/Documents/in/Aesthetic_Experience"},{"id":95682,"name":"Atheism/Secular Studies","url":"https://www.academia.edu/Documents/in/Atheism_Secular_Studies"},{"id":105081,"name":"Death and the afterlife","url":"https://www.academia.edu/Documents/in/Death_and_the_afterlife"},{"id":105082,"name":"Death, burial, and concepts of the afterlife","url":"https://www.academia.edu/Documents/in/Death_burial_and_concepts_of_the_afterlife"},{"id":106738,"name":"Public mourning and burial","url":"https://www.academia.edu/Documents/in/Public_mourning_and_burial"},{"id":108743,"name":"Arts and Sciences","url":"https://www.academia.edu/Documents/in/Arts_and_Sciences"},{"id":111116,"name":"Consumption of nostalgia and retro items","url":"https://www.academia.edu/Documents/in/Consumption_of_nostalgia_and_retro_items"},{"id":113473,"name":"Art and Design","url":"https://www.academia.edu/Documents/in/Art_and_Design"},{"id":122565,"name":"Hipsters","url":"https://www.academia.edu/Documents/in/Hipsters"},{"id":131910,"name":"Postmodernizm","url":"https://www.academia.edu/Documents/in/Postmodernizm"},{"id":134327,"name":"Material Culture \u0026 Materiality","url":"https://www.academia.edu/Documents/in/Material_Culture_and_Materiality"},{"id":151313,"name":"Marxism and Hauntology","url":"https://www.academia.edu/Documents/in/Marxism_and_Hauntology"},{"id":152751,"name":"Humanities and Social Sciences","url":"https://www.academia.edu/Documents/in/Humanities_and_Social_Sciences"},{"id":159218,"name":"Death, Grief, and Mourning","url":"https://www.academia.edu/Documents/in/Death_Grief_and_Mourning"},{"id":164153,"name":"Grief and Loss","url":"https://www.academia.edu/Documents/in/Grief_and_Loss"},{"id":166076,"name":"Cultural Revivalism","url":"https://www.academia.edu/Documents/in/Cultural_Revivalism"},{"id":166425,"name":"Monsters, Ghosts, Haunting","url":"https://www.academia.edu/Documents/in/Monsters_Ghosts_Haunting"},{"id":178369,"name":"Grief","url":"https://www.academia.edu/Documents/in/Grief"},{"id":182681,"name":"Nostalgia and Memory","url":"https://www.academia.edu/Documents/in/Nostalgia_and_Memory"},{"id":191350,"name":"Franco Berardi (Bifo)","url":"https://www.academia.edu/Documents/in/Franco_Berardi_Bifo_"},{"id":196661,"name":"Platón","url":"https://www.academia.edu/Documents/in/Plat%C3%B3n"},{"id":199933,"name":"History of Humanities","url":"https://www.academia.edu/Documents/in/History_of_Humanities"},{"id":234644,"name":"Mourning and melancholia","url":"https://www.academia.edu/Documents/in/Mourning_and_melancholia"},{"id":250231,"name":"Catastrophism","url":"https://www.academia.edu/Documents/in/Catastrophism"},{"id":250546,"name":"End of the art","url":"https://www.academia.edu/Documents/in/End_of_the_art"},{"id":256667,"name":"Arts and Humanities","url":"https://www.academia.edu/Documents/in/Arts_and_Humanities"},{"id":264788,"name":"Art History, Exhibition History, Museum and Curating Studies","url":"https://www.academia.edu/Documents/in/Art_History_Exhibition_History_Museum_and_Curating_Studies"},{"id":289649,"name":"Revival","url":"https://www.academia.edu/Documents/in/Revival"},{"id":299778,"name":"Depression and Melancholy","url":"https://www.academia.edu/Documents/in/Depression_and_Melancholy"},{"id":311276,"name":"Hypnagogia","url":"https://www.academia.edu/Documents/in/Hypnagogia"},{"id":317687,"name":"Modern Atheism","url":"https://www.academia.edu/Documents/in/Modern_Atheism"},{"id":317884,"name":"Wolf-man","url":"https://www.academia.edu/Documents/in/Wolf-man"},{"id":350815,"name":"Glitch Art","url":"https://www.academia.edu/Documents/in/Glitch_Art"},{"id":387143,"name":"Nostalgia and home","url":"https://www.academia.edu/Documents/in/Nostalgia_and_home"},{"id":410947,"name":"Filozofia","url":"https://www.academia.edu/Documents/in/Filozofia"},{"id":425177,"name":"Franco Bifo Berardi","url":"https://www.academia.edu/Documents/in/Franco_Bifo_Berardi"},{"id":444382,"name":"Watching movies","url":"https://www.academia.edu/Documents/in/Watching_movies"},{"id":445622,"name":"Curating contemporary art","url":"https://www.academia.edu/Documents/in/Curating_contemporary_art"},{"id":455426,"name":"Cinema and Television","url":"https://www.academia.edu/Documents/in/Cinema_and_Television"},{"id":469105,"name":"Retrospective Studies","url":"https://www.academia.edu/Documents/in/Retrospective_Studies"},{"id":501614,"name":"Media and Culture","url":"https://www.academia.edu/Documents/in/Media_and_Culture"},{"id":507685,"name":"Art and Art History","url":"https://www.academia.edu/Documents/in/Art_and_Art_History"},{"id":517572,"name":"Hostipitality","url":"https://www.academia.edu/Documents/in/Hostipitality"},{"id":517574,"name":"Shizuka Yokomizo","url":"https://www.academia.edu/Documents/in/Shizuka_Yokomizo"},{"id":517575,"name":"Jessica Sue Layton","url":"https://www.academia.edu/Documents/in/Jessica_Sue_Layton"},{"id":517576,"name":"Marja Pirilä","url":"https://www.academia.edu/Documents/in/Marja_Pirila"},{"id":517577,"name":"Eve Dent","url":"https://www.academia.edu/Documents/in/Eve_Dent"},{"id":519076,"name":"Retromania","url":"https://www.academia.edu/Documents/in/Retromania"},{"id":597022,"name":"Death and Mourning in Contemporary Art","url":"https://www.academia.edu/Documents/in/Death_and_Mourning_in_Contemporary_Art"},{"id":620285,"name":"History of Philosophy","url":"https://www.academia.edu/Documents/in/History_of_Philosophy"},{"id":625866,"name":"Culture and death","url":"https://www.academia.edu/Documents/in/Culture_and_death"},{"id":648991,"name":"Grief, Loss, Bereavement","url":"https://www.academia.edu/Documents/in/Grief_Loss_Bereavement"},{"id":672885,"name":"Specters of Marx","url":"https://www.academia.edu/Documents/in/Specters_of_Marx"},{"id":699897,"name":"Widmontologia","url":"https://www.academia.edu/Documents/in/Widmontologia"},{"id":727416,"name":"Concepts of Modernism and Postmodernism","url":"https://www.academia.edu/Documents/in/Concepts_of_Modernism_and_Postmodernism"},{"id":783745,"name":"Hipster Consumerism","url":"https://www.academia.edu/Documents/in/Hipster_Consumerism"},{"id":888449,"name":"Vintage Revival","url":"https://www.academia.edu/Documents/in/Vintage_Revival"},{"id":910947,"name":"Justyna Bargielska","url":"https://www.academia.edu/Documents/in/Justyna_Bargielska"},{"id":972791,"name":"Hauntings","url":"https://www.academia.edu/Documents/in/Hauntings"},{"id":1004456,"name":"Spectres In Cinema","url":"https://www.academia.edu/Documents/in/Spectres_In_Cinema"},{"id":1104260,"name":"Hypnagogic Pop","url":"https://www.academia.edu/Documents/in/Hypnagogic_Pop"},{"id":1122248,"name":"History of Hipsters","url":"https://www.academia.edu/Documents/in/History_of_Hipsters"},{"id":1222774,"name":"Continental Philosophy and Aesthetics","url":"https://www.academia.edu/Documents/in/Continental_Philosophy_and_Aesthetics"},{"id":1223618,"name":"Writing in Visual Art","url":"https://www.academia.edu/Documents/in/Writing_in_Visual_Art"},{"id":1301935,"name":"Modernism and Postmodernism In Architecture","url":"https://www.academia.edu/Documents/in/Modernism_and_Postmodernism_In_Architecture"},{"id":1336395,"name":"Abraham and Torok","url":"https://www.academia.edu/Documents/in/Abraham_and_Torok-1"},{"id":1384961,"name":"Hauntology (Music)","url":"https://www.academia.edu/Documents/in/Hauntology_Music_"},{"id":1455599,"name":"Hipster Subculture","url":"https://www.academia.edu/Documents/in/Hipster_Subculture"},{"id":1516151,"name":"Spectres of Marx","url":"https://www.academia.edu/Documents/in/Spectres_of_Marx"},{"id":1556410,"name":"Full Length Movies","url":"https://www.academia.edu/Documents/in/Full_Length_Movies"},{"id":1599595,"name":"Retrofuturism","url":"https://www.academia.edu/Documents/in/Retrofuturism"},{"id":1663568,"name":"Death and Grief and Social Media","url":"https://www.academia.edu/Documents/in/Death_and_Grief_and_Social_Media"},{"id":1725429,"name":"Modernity and Hauntings","url":"https://www.academia.edu/Documents/in/Modernity_and_Hauntings"},{"id":1819294,"name":"Wilhelm Sasnal","url":"https://www.academia.edu/Documents/in/Wilhelm_Sasnal"},{"id":1897081,"name":"Graviditas Obsoleta","url":"https://www.academia.edu/Documents/in/Graviditas_Obsoleta"}],"urls":[{"id":4966194,"url":"http://issuu.com/beczmiana/docs/widmontologia/1?e=0/14071356"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by Andrzej Marzec</h3></div><div class="js-work-strip profile--work_container" data-work-id="125754752"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/125754752/S%C5%82ownik_poj%C4%99%C4%87_Timothyego_Mortona"><img alt="Research paper thumbnail of Słownik pojęć Timothy'ego Mortona" class="work-thumbnail" src="https://attachments.academia-assets.com/119740367/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/125754752/S%C5%82ownik_poj%C4%99%C4%87_Timothyego_Mortona">Słownik pojęć Timothy'ego Mortona</a></div><div class="wp-workCard_item"><span>Notes Na 6 Tygodni (nr 157)</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Myśl Timothy’ego Mortona w krótkim czasie osiągnęła niezwykłą popularność w świecie sztuki oraz s...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Myśl Timothy’ego Mortona w krótkim czasie osiągnęła niezwykłą popularność w świecie sztuki oraz stała się szczególnie atrakcyjna dla osób artystycznych. Ich zainteresowanie Mortonem bierze się nie tylko stąd, że autor “Mrocznej ekologii” uznał estetykę za najważniejszą dziedzinę współczesnej filozofii, lecz udowodnił, że design decyduje również o kształcie pozaludzkiej rzeczywistości. Dlatego twierdzi, że ewolucja posiada estetyczny charakter, a sztuka ma zawsze wymiar ekologiczny – międzygatunkowa agora opiera się przede wszystkim na wyglądach współtworzących ją organizmów, które doświadczają siebie nawzajem, poznają oraz działają dzięki estetyce. Morton jest autorem, którego kocha się za jego poplątany, kłączasty styl lub nienawidzi. Amerykański filozof łamie konwenanse tradycyjnego myślenia, a znajdując się często poza zasadą sprzeczności oraz flirtując z popkulturą, pokazuje, że ludzki zdrowy rozsądek to zbyt mało, by naszkicować chaotyczny, mroczny i dziwny pejzaż przetrwania w Antropocenie. Definicje pojęć, które znajdziecie poniżej pomogą w samodzielnym poruszaniu się po labiryncie sensów, jakim jest “Mroczna ekologia” – jednak mam nadzieję, że posłużą nam do tego, by się w nim wspólnie zgubić.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c9fd3ab473990ac129250d66b1ac124f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":119740367,"asset_id":125754752,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/119740367/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125754752"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125754752"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125754752; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=125754752]").text(description); $(".js-view-count[data-work-id=125754752]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 125754752; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='125754752']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 125754752, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c9fd3ab473990ac129250d66b1ac124f" } } $('.js-work-strip[data-work-id=125754752]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":125754752,"title":"Słownik pojęć Timothy'ego Mortona","translated_title":"","metadata":{"abstract":"Myśl Timothy’ego Mortona w krótkim czasie osiągnęła niezwykłą popularność w świecie sztuki oraz stała się szczególnie atrakcyjna dla osób artystycznych. Ich zainteresowanie Mortonem bierze się nie tylko stąd, że autor “Mrocznej ekologii” uznał estetykę za najważniejszą dziedzinę współczesnej filozofii, lecz udowodnił, że design decyduje również o kształcie pozaludzkiej rzeczywistości. Dlatego twierdzi, że ewolucja posiada estetyczny charakter, a sztuka ma zawsze wymiar ekologiczny – międzygatunkowa agora opiera się przede wszystkim na wyglądach współtworzących ją organizmów, które doświadczają siebie nawzajem, poznają oraz działają dzięki estetyce. Morton jest autorem, którego kocha się za jego poplątany, kłączasty styl lub nienawidzi. Amerykański filozof łamie konwenanse tradycyjnego myślenia, a znajdując się często poza zasadą sprzeczności oraz flirtując z popkulturą, pokazuje, że ludzki zdrowy rozsądek to zbyt mało, by naszkicować chaotyczny, mroczny i dziwny pejzaż przetrwania w Antropocenie. Definicje pojęć, które znajdziecie poniżej pomogą w samodzielnym poruszaniu się po labiryncie sensów, jakim jest “Mroczna ekologia” – jednak mam nadzieję, że posłużą nam do tego, by się w nim wspólnie zgubić. ","publication_date":{"day":null,"month":null,"year":2024,"errors":{}},"publication_name":"Notes Na 6 Tygodni (nr 157)"},"translated_abstract":"Myśl Timothy’ego Mortona w krótkim czasie osiągnęła niezwykłą popularność w świecie sztuki oraz stała się szczególnie atrakcyjna dla osób artystycznych. Ich zainteresowanie Mortonem bierze się nie tylko stąd, że autor “Mrocznej ekologii” uznał estetykę za najważniejszą dziedzinę współczesnej filozofii, lecz udowodnił, że design decyduje również o kształcie pozaludzkiej rzeczywistości. Dlatego twierdzi, że ewolucja posiada estetyczny charakter, a sztuka ma zawsze wymiar ekologiczny – międzygatunkowa agora opiera się przede wszystkim na wyglądach współtworzących ją organizmów, które doświadczają siebie nawzajem, poznają oraz działają dzięki estetyce. Morton jest autorem, którego kocha się za jego poplątany, kłączasty styl lub nienawidzi. Amerykański filozof łamie konwenanse tradycyjnego myślenia, a znajdując się często poza zasadą sprzeczności oraz flirtując z popkulturą, pokazuje, że ludzki zdrowy rozsądek to zbyt mało, by naszkicować chaotyczny, mroczny i dziwny pejzaż przetrwania w Antropocenie. Definicje pojęć, które znajdziecie poniżej pomogą w samodzielnym poruszaniu się po labiryncie sensów, jakim jest “Mroczna ekologia” – jednak mam nadzieję, że posłużą nam do tego, by się w nim wspólnie zgubić. ","internal_url":"https://www.academia.edu/125754752/S%C5%82ownik_poj%C4%99%C4%87_Timothyego_Mortona","translated_internal_url":"","created_at":"2024-11-22T00:26:34.887-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":119740367,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/119740367/thumbnails/1.jpg","file_name":"Timothy_Morton_słownik_pojec.pdf","download_url":"https://www.academia.edu/attachments/119740367/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Slownik_pojec_Timothyego_Mortona.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/119740367/Timothy_Morton_s%C5%82ownik_pojec-libre.pdf?1732266108=\u0026response-content-disposition=attachment%3B+filename%3DSlownik_pojec_Timothyego_Mortona.pdf\u0026Expires=1732369630\u0026Signature=E6nqXY7Yi7H2EnnvnTwdxLC~-vLsegQaLTYQVzmIFpWsT3NvFd6UsTf2WlD6547MljKQEmiGv0GsROmz2RcQtny1lqmwWHMLF8SlmJ2kls8kvp0DJ9Hxdt~9l8cWhLtSt3DbR4V~G7iOCZKEs~telhnBoL7vJ2syG~s-kcJxfMaCb87aj-DbjCWEEJ8cCK9YyYYjVZcM6WT8O5fKd4Up-kW2Wd4tKlLI3nF75mhw0IkWGqIvt~eLIAZnkOikLjQtQ~kpk5OMxHiSjUpMqeLljEaEw9Pp4xHNjVxiV8jX2tTJYErANhCjWP0yE2JJg6iaA8I-IdpFRRocPI4Z1Elm0w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Słownik_pojęć_Timothyego_Mortona","translated_slug":"","page_count":8,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":119740367,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/119740367/thumbnails/1.jpg","file_name":"Timothy_Morton_słownik_pojec.pdf","download_url":"https://www.academia.edu/attachments/119740367/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Slownik_pojec_Timothyego_Mortona.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/119740367/Timothy_Morton_s%C5%82ownik_pojec-libre.pdf?1732266108=\u0026response-content-disposition=attachment%3B+filename%3DSlownik_pojec_Timothyego_Mortona.pdf\u0026Expires=1732369630\u0026Signature=E6nqXY7Yi7H2EnnvnTwdxLC~-vLsegQaLTYQVzmIFpWsT3NvFd6UsTf2WlD6547MljKQEmiGv0GsROmz2RcQtny1lqmwWHMLF8SlmJ2kls8kvp0DJ9Hxdt~9l8cWhLtSt3DbR4V~G7iOCZKEs~telhnBoL7vJ2syG~s-kcJxfMaCb87aj-DbjCWEEJ8cCK9YyYYjVZcM6WT8O5fKd4Up-kW2Wd4tKlLI3nF75mhw0IkWGqIvt~eLIAZnkOikLjQtQ~kpk5OMxHiSjUpMqeLljEaEw9Pp4xHNjVxiV8jX2tTJYErANhCjWP0yE2JJg6iaA8I-IdpFRRocPI4Z1Elm0w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies"},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History"},{"id":1063,"name":"Environmental Education","url":"https://www.academia.edu/Documents/in/Environmental_Education"},{"id":1512,"name":"Climate Change","url":"https://www.academia.edu/Documents/in/Climate_Change"},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":16220,"name":"Dark Ecology","url":"https://www.academia.edu/Documents/in/Dark_Ecology"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":23193,"name":"Environmental Humanities","url":"https://www.academia.edu/Documents/in/Environmental_Humanities"},{"id":26558,"name":"Visual Arts","url":"https://www.academia.edu/Documents/in/Visual_Arts"},{"id":30027,"name":"The uncanny","url":"https://www.academia.edu/Documents/in/The_uncanny"},{"id":55064,"name":"Object Oriented Analysis and Design","url":"https://www.academia.edu/Documents/in/Object_Oriented_Analysis_and_Design"},{"id":55734,"name":"Object-Oriented philosophy","url":"https://www.academia.edu/Documents/in/Object-Oriented_philosophy"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":301590,"name":"Hyperobjects","url":"https://www.academia.edu/Documents/in/Hyperobjects"},{"id":383005,"name":"Weird Fiction","url":"https://www.academia.edu/Documents/in/Weird_Fiction"},{"id":788456,"name":"The Weird","url":"https://www.academia.edu/Documents/in/The_Weird"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="104214431"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/104214431/Estetyka_hiperobiekt%C3%B3w_reprezentacje_globalnego_ocieplenia_i_archiwum_antropocenu"><img alt="Research paper thumbnail of Estetyka hiperobiektów – reprezentacje globalnego ocieplenia i archiwum antropocenu" class="work-thumbnail" src="https://attachments.academia-assets.com/104002945/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/104214431/Estetyka_hiperobiekt%C3%B3w_reprezentacje_globalnego_ocieplenia_i_archiwum_antropocenu">Estetyka hiperobiektów – reprezentacje globalnego ocieplenia i archiwum antropocenu</a></div><div class="wp-workCard_item"><span>Kwartalnik Filmowy</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Autor zadaje pytanie o estetykę hiperobiektów oraz ich przedstawienia we współczesnym filmi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Autor  zadaje  pytanie  o  estetykę hiperobiektów  oraz  ich przedstawienia we współczesnym filmie. Najbardziej inte-resującym z perspektywy antropocenu hiperobiektem jest dla niego globalne ocieplenie, którego rozbudowaną repre-zentację odnajduje w Impression météo (reż. Nicolas Carrier, Marie Ouazzani, 2019). Interpretując obraz francuskich ar-tystów, autor skupia się na przedstawieniach konkretnych cech  hiperobiektów,  które  odnajdziemy  u  Timothy’ego Mortona:  lepkości,  nielokalności,  czasowym  falowaniu, interobiektywności oraz fazowaniu. Tekst jest próbą udo-wodnienia, że współczesna sztuka filmowa ma do zapropo-nowania zdecydowanie więcej niż powszechnie dostępne naukowe obrazy globalnego ocieplenia. Autor wyjaśnia tak-że  różnicę  pomiędzy  intersubiektywnością  i  interobiek-tywnością, pokazując, że dzięki tej drugiej kategorii jesteś-my w stanie pomyśleć o archiwum antropocenu.<br /><br />The author inquires about the aesthetics of hyperobjects and their visual representations in contemporary cinema. From the perspective of the Anthropocene, the most inter-esting hyperobject for him is global warming, and he finds its extensive representation in Impression météo (dir. Nico-las Carrier, Marie Ouazzani, 2019). Interpreting the film image of French artists, he focuses on presenting specific features of hyperobjects found in Timothy Morton’s work: viscosity,  nonlocality, temporal  undulation,  interobjecti-vity, and phasing. The author demonstrates that contem-porary film art has much more to offer than the commonly available scientific images of global warming. He explains the difference between intersubjectivity and interobjectiv-ity by showing that thanks to the category of interobjec-tivity, we can think about the archive of the Anthropocene.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0749ea864f1edd9085ebe2a361f7e71a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":104002945,"asset_id":104214431,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/104002945/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="104214431"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="104214431"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 104214431; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=104214431]").text(description); $(".js-view-count[data-work-id=104214431]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 104214431; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='104214431']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 104214431, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "0749ea864f1edd9085ebe2a361f7e71a" } } $('.js-work-strip[data-work-id=104214431]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":104214431,"title":"Estetyka hiperobiektów – reprezentacje globalnego ocieplenia i archiwum antropocenu","translated_title":"","metadata":{"doi":"10.36744/kf.1625","abstract":"Autor zadaje pytanie o estetykę hiperobiektów oraz ich przedstawienia we współczesnym filmie. Najbardziej inte-resującym z perspektywy antropocenu hiperobiektem jest dla niego globalne ocieplenie, którego rozbudowaną repre-zentację odnajduje w Impression météo (reż. Nicolas Carrier, Marie Ouazzani, 2019). Interpretując obraz francuskich ar-tystów, autor skupia się na przedstawieniach konkretnych cech hiperobiektów, które odnajdziemy u Timothy’ego Mortona: lepkości, nielokalności, czasowym falowaniu, interobiektywności oraz fazowaniu. Tekst jest próbą udo-wodnienia, że współczesna sztuka filmowa ma do zapropo-nowania zdecydowanie więcej niż powszechnie dostępne naukowe obrazy globalnego ocieplenia. Autor wyjaśnia tak-że różnicę pomiędzy intersubiektywnością i interobiek-tywnością, pokazując, że dzięki tej drugiej kategorii jesteś-my w stanie pomyśleć o archiwum antropocenu.\n\nThe author inquires about the aesthetics of hyperobjects and their visual representations in contemporary cinema. From the perspective of the Anthropocene, the most inter-esting hyperobject for him is global warming, and he finds its extensive representation in Impression météo (dir. Nico-las Carrier, Marie Ouazzani, 2019). Interpreting the film image of French artists, he focuses on presenting specific features of hyperobjects found in Timothy Morton’s work: viscosity, nonlocality, temporal undulation, interobjecti-vity, and phasing. The author demonstrates that contem-porary film art has much more to offer than the commonly available scientific images of global warming. He explains the difference between intersubjectivity and interobjectiv-ity by showing that thanks to the category of interobjec-tivity, we can think about the archive of the Anthropocene.","publication_date":{"day":null,"month":null,"year":2023,"errors":{}},"publication_name":"Kwartalnik Filmowy"},"translated_abstract":"Autor zadaje pytanie o estetykę hiperobiektów oraz ich przedstawienia we współczesnym filmie. Najbardziej inte-resującym z perspektywy antropocenu hiperobiektem jest dla niego globalne ocieplenie, którego rozbudowaną repre-zentację odnajduje w Impression météo (reż. Nicolas Carrier, Marie Ouazzani, 2019). Interpretując obraz francuskich ar-tystów, autor skupia się na przedstawieniach konkretnych cech hiperobiektów, które odnajdziemy u Timothy’ego Mortona: lepkości, nielokalności, czasowym falowaniu, interobiektywności oraz fazowaniu. Tekst jest próbą udo-wodnienia, że współczesna sztuka filmowa ma do zapropo-nowania zdecydowanie więcej niż powszechnie dostępne naukowe obrazy globalnego ocieplenia. Autor wyjaśnia tak-że różnicę pomiędzy intersubiektywnością i interobiek-tywnością, pokazując, że dzięki tej drugiej kategorii jesteś-my w stanie pomyśleć o archiwum antropocenu.\n\nThe author inquires about the aesthetics of hyperobjects and their visual representations in contemporary cinema. From the perspective of the Anthropocene, the most inter-esting hyperobject for him is global warming, and he finds its extensive representation in Impression météo (dir. Nico-las Carrier, Marie Ouazzani, 2019). Interpreting the film image of French artists, he focuses on presenting specific features of hyperobjects found in Timothy Morton’s work: viscosity, nonlocality, temporal undulation, interobjecti-vity, and phasing. The author demonstrates that contem-porary film art has much more to offer than the commonly available scientific images of global warming. He explains the difference between intersubjectivity and interobjectiv-ity by showing that thanks to the category of interobjec-tivity, we can think about the archive of the Anthropocene.","internal_url":"https://www.academia.edu/104214431/Estetyka_hiperobiekt%C3%B3w_reprezentacje_globalnego_ocieplenia_i_archiwum_antropocenu","translated_internal_url":"","created_at":"2023-07-04T01:01:03.375-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":104002945,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/104002945/thumbnails/1.jpg","file_name":"document.pdf","download_url":"https://www.academia.edu/attachments/104002945/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Estetyka_hiperobiektow_reprezentacje_glo.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/104002945/document-libre.pdf?1688460903=\u0026response-content-disposition=attachment%3B+filename%3DEstetyka_hiperobiektow_reprezentacje_glo.pdf\u0026Expires=1732369630\u0026Signature=PFEzXUYqTjat2CI3PWlDwVpnl3cFi3kx~dMlCPpD3Kniola9ONAE~VtW9S83YpQYovZRLGWsCzA1a2dYU-5t6SBCJd6G3rsMEPP5qhUhIwH-RVeC4YPveG-jV12bn-s5zqPnxY8BDjiKKBVTbkus5Ro-Z0bDDm-DuSrqxNDUgYHu9CnENjBbb6ZVpNeJ3umZRckgxP40GVYKahDw6a~XiiTmDa8BZWAPkbNl77163VFVYxR60~yg3W3yUjjl8bc-2tOZMXGE3PSVzBNCQGZdzjuUUL4OnW4V8~PzwhYTz3sO0Q~mcHOb7UWvvrQdmAOKjKvoPijDnQSpRCtLM5iNIQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Estetyka_hiperobiektów_reprezentacje_globalnego_ocieplenia_i_archiwum_antropocenu","translated_slug":"","page_count":15,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":104002945,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/104002945/thumbnails/1.jpg","file_name":"document.pdf","download_url":"https://www.academia.edu/attachments/104002945/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Estetyka_hiperobiektow_reprezentacje_glo.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/104002945/document-libre.pdf?1688460903=\u0026response-content-disposition=attachment%3B+filename%3DEstetyka_hiperobiektow_reprezentacje_glo.pdf\u0026Expires=1732369630\u0026Signature=PFEzXUYqTjat2CI3PWlDwVpnl3cFi3kx~dMlCPpD3Kniola9ONAE~VtW9S83YpQYovZRLGWsCzA1a2dYU-5t6SBCJd6G3rsMEPP5qhUhIwH-RVeC4YPveG-jV12bn-s5zqPnxY8BDjiKKBVTbkus5Ro-Z0bDDm-DuSrqxNDUgYHu9CnENjBbb6ZVpNeJ3umZRckgxP40GVYKahDw6a~XiiTmDa8BZWAPkbNl77163VFVYxR60~yg3W3yUjjl8bc-2tOZMXGE3PSVzBNCQGZdzjuUUL4OnW4V8~PzwhYTz3sO0Q~mcHOb7UWvvrQdmAOKjKvoPijDnQSpRCtLM5iNIQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture"},{"id":1512,"name":"Climate Change","url":"https://www.academia.edu/Documents/in/Climate_Change"},{"id":1555,"name":"Film Studies","url":"https://www.academia.edu/Documents/in/Film_Studies"},{"id":1568,"name":"Film Theory","url":"https://www.academia.edu/Documents/in/Film_Theory"},{"id":3255,"name":"Climate Change Adaptation","url":"https://www.academia.edu/Documents/in/Climate_Change_Adaptation"},{"id":3301,"name":"Film Analysis","url":"https://www.academia.edu/Documents/in/Film_Analysis"},{"id":7513,"name":"Archives","url":"https://www.academia.edu/Documents/in/Archives"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":16220,"name":"Dark Ecology","url":"https://www.academia.edu/Documents/in/Dark_Ecology"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":25107,"name":"Film Aesthetics","url":"https://www.academia.edu/Documents/in/Film_Aesthetics"},{"id":36369,"name":"Human-Nonhuman Assemblages","url":"https://www.academia.edu/Documents/in/Human-Nonhuman_Assemblages"},{"id":42298,"name":"Film and Media Studies","url":"https://www.academia.edu/Documents/in/Film_and_Media_Studies"},{"id":45405,"name":"Global Warming","url":"https://www.academia.edu/Documents/in/Global_Warming"},{"id":66713,"name":"Graham Harman","url":"https://www.academia.edu/Documents/in/Graham_Harman"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":301590,"name":"Hyperobjects","url":"https://www.academia.edu/Documents/in/Hyperobjects"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="94163739"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/94163739/Kosmogonie_czyli_o_pocz%C4%85tkach_%C5%9Bwiat%C3%B3w_zwrot_spekulatywny"><img alt="Research paper thumbnail of Kosmogonie, czyli o początkach światów - zwrot spekulatywny" class="work-thumbnail" src="https://attachments.academia-assets.com/96697970/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/94163739/Kosmogonie_czyli_o_pocz%C4%85tkach_%C5%9Bwiat%C3%B3w_zwrot_spekulatywny">Kosmogonie, czyli o początkach światów - zwrot spekulatywny</a></div><div class="wp-workCard_item"><span>Teksty Drugie nr 3</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Autor pisze przede wszystkim o zwrocie spekulatywnym i skupia się na jego światotwórczej roli. Za...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Autor pisze przede wszystkim o zwrocie spekulatywnym i skupia się na jego światotwórczej roli. Zastanawia się nad kształtem, rolą oraz wpływem najnowszych filozoficznych pojęć na zmianę rzeczywistości, wykorzystując kategorie prze!sądów Nicka Landa oraz metanoi Armena Avanessiana. Następnie odróżnia od siebie fikcje postmodernistyczne od opowieści spekulatywnych, które uznaję za niezbędny składnik myślenia realistycznego. Przedstawia konkretne spekulatywne propozycje: science fiction w ujęciu Donny Haraway i porównuje ją ze śmiałym projektem extro-science fiction Quentina Meillassoux. Na koniec udowadnia, że opowieści, które posługują się spekulacją, wyrastają z przeczucia, że realistyczne myślenie musi być dziwne (Graham Harman) lub nawet magiczne (Federico Campagna).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f9428d36c8e23ae216cdb34350a6f1e3" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":96697970,"asset_id":94163739,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/96697970/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="94163739"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="94163739"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 94163739; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=94163739]").text(description); $(".js-view-count[data-work-id=94163739]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 94163739; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='94163739']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 94163739, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f9428d36c8e23ae216cdb34350a6f1e3" } } $('.js-work-strip[data-work-id=94163739]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":94163739,"title":"Kosmogonie, czyli o początkach światów - zwrot spekulatywny","translated_title":"","metadata":{"volume":"3","abstract":"Autor pisze przede wszystkim o zwrocie spekulatywnym i skupia się na jego światotwórczej roli. Zastanawia się nad kształtem, rolą oraz wpływem najnowszych filozoficznych pojęć na zmianę rzeczywistości, wykorzystując kategorie prze!sądów Nicka Landa oraz metanoi Armena Avanessiana. Następnie odróżnia od siebie fikcje postmodernistyczne od opowieści spekulatywnych, które uznaję za niezbędny składnik myślenia realistycznego. Przedstawia konkretne spekulatywne propozycje: science fiction w ujęciu Donny Haraway i porównuje ją ze śmiałym projektem extro-science fiction Quentina Meillassoux. Na koniec udowadnia, że opowieści, które posługują się spekulacją, wyrastają z przeczucia, że realistyczne myślenie musi być dziwne (Graham Harman) lub nawet magiczne (Federico Campagna).","page_numbers":"62-81","publication_date":{"day":null,"month":null,"year":2022,"errors":{}},"publication_name":"Teksty Drugie nr 3"},"translated_abstract":"Autor pisze przede wszystkim o zwrocie spekulatywnym i skupia się na jego światotwórczej roli. Zastanawia się nad kształtem, rolą oraz wpływem najnowszych filozoficznych pojęć na zmianę rzeczywistości, wykorzystując kategorie prze!sądów Nicka Landa oraz metanoi Armena Avanessiana. Następnie odróżnia od siebie fikcje postmodernistyczne od opowieści spekulatywnych, które uznaję za niezbędny składnik myślenia realistycznego. Przedstawia konkretne spekulatywne propozycje: science fiction w ujęciu Donny Haraway i porównuje ją ze śmiałym projektem extro-science fiction Quentina Meillassoux. Na koniec udowadnia, że opowieści, które posługują się spekulacją, wyrastają z przeczucia, że realistyczne myślenie musi być dziwne (Graham Harman) lub nawet magiczne (Federico Campagna).","internal_url":"https://www.academia.edu/94163739/Kosmogonie_czyli_o_pocz%C4%85tkach_%C5%9Bwiat%C3%B3w_zwrot_spekulatywny","translated_internal_url":"","created_at":"2023-01-02T06:30:00.377-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":39288623,"work_id":94163739,"tagging_user_id":1934801,"tagged_user_id":1934801,"co_author_invite_id":6112381,"email":"a***3@gmail.com","affiliation":"Adam Mickiewicz University in Poznań","display_order":1,"name":"Andrzej Marzec","title":"Kosmogonie, czyli o początkach światów - zwrot spekulatywny"}],"downloadable_attachments":[{"id":96697970,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/96697970/thumbnails/1.jpg","file_name":"Kosmogonie_A._Marzec.pdf","download_url":"https://www.academia.edu/attachments/96697970/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Kosmogonie_czyli_o_poczatkach_swiatow_zw.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/96697970/Kosmogonie_A._Marzec-libre.pdf?1672672209=\u0026response-content-disposition=attachment%3B+filename%3DKosmogonie_czyli_o_poczatkach_swiatow_zw.pdf\u0026Expires=1732369630\u0026Signature=Vqj1lSPpGMWOCE9HJDRaZNv1rPw~LIqQ0Rr0~BXw2ZGkb0tsOKmCp4IlvVU7N5YIrg9IxudFlHhIs~0RMO26NcZsNUQ6YjE7E-OTVZIsQrlErv55U9D43jx4H-4kbkZ0va~ohAhYFfdxukzqFfE4n6XFIFbqs-g11N6Rtss6wtWBo1D~ii9XsinH-4XgHd99WM8Uj24G8Gf5cnyDA8-g3PshBIpE-MVRczg3pdGfbmf-I4JrGZJ3lZYiXjLHWZGXxgMU2aL-HZgrBli3vZYH5htHoqBAycXAKSLfFYfBkNOhMuuUpEsXemnkJU0TmeApy~KBy7E9Li9DPQiTIVN9LA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Kosmogonie_czyli_o_początkach_światów_zwrot_spekulatywny","translated_slug":"","page_count":17,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":96697970,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/96697970/thumbnails/1.jpg","file_name":"Kosmogonie_A._Marzec.pdf","download_url":"https://www.academia.edu/attachments/96697970/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Kosmogonie_czyli_o_poczatkach_swiatow_zw.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/96697970/Kosmogonie_A._Marzec-libre.pdf?1672672209=\u0026response-content-disposition=attachment%3B+filename%3DKosmogonie_czyli_o_poczatkach_swiatow_zw.pdf\u0026Expires=1732369630\u0026Signature=Vqj1lSPpGMWOCE9HJDRaZNv1rPw~LIqQ0Rr0~BXw2ZGkb0tsOKmCp4IlvVU7N5YIrg9IxudFlHhIs~0RMO26NcZsNUQ6YjE7E-OTVZIsQrlErv55U9D43jx4H-4kbkZ0va~ohAhYFfdxukzqFfE4n6XFIFbqs-g11N6Rtss6wtWBo1D~ii9XsinH-4XgHd99WM8Uj24G8Gf5cnyDA8-g3PshBIpE-MVRczg3pdGfbmf-I4JrGZJ3lZYiXjLHWZGXxgMU2aL-HZgrBli3vZYH5htHoqBAycXAKSLfFYfBkNOhMuuUpEsXemnkJU0TmeApy~KBy7E9Li9DPQiTIVN9LA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":196,"name":"Future Studies","url":"https://www.academia.edu/Documents/in/Future_Studies"},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":8694,"name":"Science Fiction","url":"https://www.academia.edu/Documents/in/Science_Fiction"},{"id":13792,"name":"Speculative Realism","url":"https://www.academia.edu/Documents/in/Speculative_Realism"},{"id":30862,"name":"Quentin Meillassoux","url":"https://www.academia.edu/Documents/in/Quentin_Meillassoux"},{"id":35403,"name":"Nick Land","url":"https://www.academia.edu/Documents/in/Nick_Land"},{"id":39738,"name":"Anthropocene studies","url":"https://www.academia.edu/Documents/in/Anthropocene_studies"},{"id":40329,"name":"Donna Haraway","url":"https://www.academia.edu/Documents/in/Donna_Haraway"},{"id":58816,"name":"Cosmogony","url":"https://www.academia.edu/Documents/in/Cosmogony"},{"id":65880,"name":"Speculative Fiction","url":"https://www.academia.edu/Documents/in/Speculative_Fiction"},{"id":66713,"name":"Graham Harman","url":"https://www.academia.edu/Documents/in/Graham_Harman"},{"id":86637,"name":"Speculative Philosophy","url":"https://www.academia.edu/Documents/in/Speculative_Philosophy"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":781620,"name":"Culture and the Anthropocene","url":"https://www.academia.edu/Documents/in/Culture_and_the_Anthropocene"},{"id":925296,"name":"Federico Campagna","url":"https://www.academia.edu/Documents/in/Federico_Campagna"},{"id":1651992,"name":"Weird Realism","url":"https://www.academia.edu/Documents/in/Weird_Realism"},{"id":1834158,"name":"Armen Avanessian","url":"https://www.academia.edu/Documents/in/Armen_Avanessian"},{"id":2509592,"name":"Extro-Science Fiction","url":"https://www.academia.edu/Documents/in/Extro-Science_Fiction"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="81027254"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/81027254/Mrok_antropocenu_perspektywa_dziwnego_realizmu"><img alt="Research paper thumbnail of Mrok antropocenu - perspektywa dziwnego realizmu" class="work-thumbnail" src="https://attachments.academia-assets.com/87213613/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/81027254/Mrok_antropocenu_perspektywa_dziwnego_realizmu">Mrok antropocenu - perspektywa dziwnego realizmu</a></div><div class="wp-workCard_item"><span>Zmierzch Antropocenu. Sztuka i nauka, szkice jutra</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Korzystając z filozoficznych narzędzi wypracowanych przez Grahama Harmana, autor pragnie uwypukli...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Korzystając z filozoficznych narzędzi wypracowanych przez Grahama Harmana, autor pragnie uwypuklić mroczne oblicze antropocenu, którego nie można już dłużej opisywać jako epoki zdominowanej przez ludzką aktywność (Crutzen 2002). Spogląda na nią poprzez pryzmat dziwnego realizmu (Harman 2012). Dzięki przyjęciu tej perspektywy może dostrzec skrywane do tej pory, niepokojące, nieznane i jednocześnie zupełnie niespodziewane oblicza nie-ludzi.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d6d71f10d545bea8b0f06362ed5d4d2f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":87213613,"asset_id":81027254,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/87213613/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="81027254"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="81027254"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 81027254; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=81027254]").text(description); $(".js-view-count[data-work-id=81027254]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 81027254; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='81027254']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 81027254, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d6d71f10d545bea8b0f06362ed5d4d2f" } } $('.js-work-strip[data-work-id=81027254]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":81027254,"title":"Mrok antropocenu - perspektywa dziwnego realizmu","translated_title":"","metadata":{"abstract":"Korzystając z filozoficznych narzędzi wypracowanych przez Grahama Harmana, autor pragnie uwypuklić mroczne oblicze antropocenu, którego nie można już dłużej opisywać jako epoki zdominowanej przez ludzką aktywność (Crutzen 2002). Spogląda na nią poprzez pryzmat dziwnego realizmu (Harman 2012). Dzięki przyjęciu tej perspektywy może dostrzec skrywane do tej pory, niepokojące, nieznane i jednocześnie zupełnie niespodziewane oblicza nie-ludzi.","page_numbers":"274-285","publication_date":{"day":null,"month":null,"year":2022,"errors":{}},"publication_name":"Zmierzch Antropocenu. Sztuka i nauka, szkice jutra"},"translated_abstract":"Korzystając z filozoficznych narzędzi wypracowanych przez Grahama Harmana, autor pragnie uwypuklić mroczne oblicze antropocenu, którego nie można już dłużej opisywać jako epoki zdominowanej przez ludzką aktywność (Crutzen 2002). Spogląda na nią poprzez pryzmat dziwnego realizmu (Harman 2012). Dzięki przyjęciu tej perspektywy może dostrzec skrywane do tej pory, niepokojące, nieznane i jednocześnie zupełnie niespodziewane oblicza nie-ludzi.","internal_url":"https://www.academia.edu/81027254/Mrok_antropocenu_perspektywa_dziwnego_realizmu","translated_internal_url":"","created_at":"2022-06-08T10:45:44.743-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":87213613,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/87213613/thumbnails/1.jpg","file_name":"Mrok_antropocenu.pdf","download_url":"https://www.academia.edu/attachments/87213613/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Mrok_antropocenu_perspektywa_dziwnego_re.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/87213613/Mrok_antropocenu-libre.pdf?1654711237=\u0026response-content-disposition=attachment%3B+filename%3DMrok_antropocenu_perspektywa_dziwnego_re.pdf\u0026Expires=1732369630\u0026Signature=CNQTUdPFRXb83fjV0QVJUOMxblEPZsTdPf0Qw6mFs9-ZsEMGrCdC7JQS3jy6Qd2EbI1MDlXIFNEW4sh4HBwcRXsCiuZSGMpZ4CcVehK5OzVshFmV9CgwVIeUsj8bI28gTAMUeybkvskKQoMNOrPA6G5Lz3O4kKA4PfwZoshur64aU9iMHKo6rbw0xfp4gyVZIHEeZT4K1-BA7u2kIU6rS0-FPUkIysQJqulUJMwZTl77CkHoU4oAO88I~RGWzPZ~tkkRzjVnVj4j-afsQrCFkfw6RFYkro6PDGnypwSeyZsiAfSU3zxwT9G7GvM8pyYZ859qLCNI1adwHTLAgMh1pQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Mrok_antropocenu_perspektywa_dziwnego_realizmu","translated_slug":"","page_count":12,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":87213613,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/87213613/thumbnails/1.jpg","file_name":"Mrok_antropocenu.pdf","download_url":"https://www.academia.edu/attachments/87213613/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Mrok_antropocenu_perspektywa_dziwnego_re.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/87213613/Mrok_antropocenu-libre.pdf?1654711237=\u0026response-content-disposition=attachment%3B+filename%3DMrok_antropocenu_perspektywa_dziwnego_re.pdf\u0026Expires=1732369630\u0026Signature=CNQTUdPFRXb83fjV0QVJUOMxblEPZsTdPf0Qw6mFs9-ZsEMGrCdC7JQS3jy6Qd2EbI1MDlXIFNEW4sh4HBwcRXsCiuZSGMpZ4CcVehK5OzVshFmV9CgwVIeUsj8bI28gTAMUeybkvskKQoMNOrPA6G5Lz3O4kKA4PfwZoshur64aU9iMHKo6rbw0xfp4gyVZIHEeZT4K1-BA7u2kIU6rS0-FPUkIysQJqulUJMwZTl77CkHoU4oAO88I~RGWzPZ~tkkRzjVnVj4j-afsQrCFkfw6RFYkro6PDGnypwSeyZsiAfSU3zxwT9G7GvM8pyYZ859qLCNI1adwHTLAgMh1pQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":13792,"name":"Speculative Realism","url":"https://www.academia.edu/Documents/in/Speculative_Realism"},{"id":16220,"name":"Dark Ecology","url":"https://www.academia.edu/Documents/in/Dark_Ecology"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":26558,"name":"Visual Arts","url":"https://www.academia.edu/Documents/in/Visual_Arts"},{"id":26586,"name":"Anthropocentrism","url":"https://www.academia.edu/Documents/in/Anthropocentrism"},{"id":30862,"name":"Quentin Meillassoux","url":"https://www.academia.edu/Documents/in/Quentin_Meillassoux"},{"id":31526,"name":"H.P. Lovecraft","url":"https://www.academia.edu/Documents/in/H.P._Lovecraft"},{"id":40329,"name":"Donna Haraway","url":"https://www.academia.edu/Documents/in/Donna_Haraway"},{"id":45405,"name":"Global Warming","url":"https://www.academia.edu/Documents/in/Global_Warming"},{"id":62586,"name":"Masks","url":"https://www.academia.edu/Documents/in/Masks"},{"id":66713,"name":"Graham Harman","url":"https://www.academia.edu/Documents/in/Graham_Harman"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":339035,"name":"Forest Fires","url":"https://www.academia.edu/Documents/in/Forest_Fires"},{"id":1651992,"name":"Weird Realism","url":"https://www.academia.edu/Documents/in/Weird_Realism"},{"id":3567366,"name":"Coronavirus COVID-19","url":"https://www.academia.edu/Documents/in/Coronavirus_COVID-19"},{"id":3588092,"name":"Pandemic Coronavirus COVID19","url":"https://www.academia.edu/Documents/in/Pandemic_Coronavirus_COVID19"},{"id":3594697,"name":"COVID-19 PANDEMIC","url":"https://www.academia.edu/Documents/in/COVID-19_PANDEMIC"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="81073646"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/81073646/The_Twilight_of_the_Anthropocene_Perspective_of_Weird_Realism"><img alt="Research paper thumbnail of The Twilight of the Anthropocene - Perspective of Weird Realism" class="work-thumbnail" src="https://attachments.academia-assets.com/87244248/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/81073646/The_Twilight_of_the_Anthropocene_Perspective_of_Weird_Realism">The Twilight of the Anthropocene - Perspective of Weird Realism</a></div><div class="wp-workCard_item"><span>Twilight of the Anthropocene. Art and Science, Tomorrow's</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Employing the philosophical tools developed by Graham Harman, the Author intends to highlight the...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Employing the philosophical tools developed by Graham Harman, the Author intends to highlight the dark face of the Anthropocene which can no longer be described as an era affected predominantly by human activity (Crutzen 2002). Regarding it through the prism of weird realism should prove much more rewarding (Harman 2012). By adopting such perspective, we will be able to see the unsettling, unknown and outright unexpected, heretofore unseen, images of non-humans.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="816d03e6d50b6f2491fe9f012a62d9c8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":87244248,"asset_id":81073646,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/87244248/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="81073646"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="81073646"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 81073646; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=81073646]").text(description); $(".js-view-count[data-work-id=81073646]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 81073646; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='81073646']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 81073646, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "816d03e6d50b6f2491fe9f012a62d9c8" } } $('.js-work-strip[data-work-id=81073646]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":81073646,"title":"The Twilight of the Anthropocene - Perspective of Weird Realism","translated_title":"","metadata":{"abstract":"Employing the philosophical tools developed by Graham Harman, the Author intends to highlight the dark face of the Anthropocene which can no longer be described as an era affected predominantly by human activity (Crutzen 2002). Regarding it through the prism of weird realism should prove much more rewarding (Harman 2012). By adopting such perspective, we will be able to see the unsettling, unknown and outright unexpected, heretofore unseen, images of non-humans.","publication_date":{"day":null,"month":null,"year":2022,"errors":{}},"publication_name":"Twilight of the Anthropocene. Art and Science, Tomorrow's"},"translated_abstract":"Employing the philosophical tools developed by Graham Harman, the Author intends to highlight the dark face of the Anthropocene which can no longer be described as an era affected predominantly by human activity (Crutzen 2002). Regarding it through the prism of weird realism should prove much more rewarding (Harman 2012). By adopting such perspective, we will be able to see the unsettling, unknown and outright unexpected, heretofore unseen, images of non-humans.","internal_url":"https://www.academia.edu/81073646/The_Twilight_of_the_Anthropocene_Perspective_of_Weird_Realism","translated_internal_url":"","created_at":"2022-06-09T02:23:45.440-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":87244248,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/87244248/thumbnails/1.jpg","file_name":"The_Twilight_of_the_Anthropocene.pdf","download_url":"https://www.academia.edu/attachments/87244248/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"The_Twilight_of_the_Anthropocene_Perspec.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/87244248/The_Twilight_of_the_Anthropocene-libre.pdf?1654767196=\u0026response-content-disposition=attachment%3B+filename%3DThe_Twilight_of_the_Anthropocene_Perspec.pdf\u0026Expires=1732369630\u0026Signature=grMBTlQ07E0F1OesWl~WckOFrdpj6t8u44-4AC6dc6e1TUvzpw0aXTuCjZ9oJ-hGocU0Zd4cGwMcx5W7JvhEqiu0zCBYMT8zcR3rUyxHXYRQUZxoPuCeHiHivVeIZ6B-~ZATCujsiMHAXUbRc4ABosGt-kd62zoAj1QUbLXetyaDXAgUf52XtzVcaCeiK4geoYL7n~YJqagMNJG3g3TWtZJtBfdvrCzq9O632NcxD~ta6LSx6n1KzltJA~ekgb5ppK1hduabrvHtjFCC8Cefq10Nlo0QopBSsNaYgfbZT1EB1aZea2BMdNuprEKNHpvvSb9PdpCUPt6rnpNSiJ9AQg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"The_Twilight_of_the_Anthropocene_Perspective_of_Weird_Realism","translated_slug":"","page_count":12,"language":"en","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":87244248,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/87244248/thumbnails/1.jpg","file_name":"The_Twilight_of_the_Anthropocene.pdf","download_url":"https://www.academia.edu/attachments/87244248/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"The_Twilight_of_the_Anthropocene_Perspec.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/87244248/The_Twilight_of_the_Anthropocene-libre.pdf?1654767196=\u0026response-content-disposition=attachment%3B+filename%3DThe_Twilight_of_the_Anthropocene_Perspec.pdf\u0026Expires=1732369630\u0026Signature=grMBTlQ07E0F1OesWl~WckOFrdpj6t8u44-4AC6dc6e1TUvzpw0aXTuCjZ9oJ-hGocU0Zd4cGwMcx5W7JvhEqiu0zCBYMT8zcR3rUyxHXYRQUZxoPuCeHiHivVeIZ6B-~ZATCujsiMHAXUbRc4ABosGt-kd62zoAj1QUbLXetyaDXAgUf52XtzVcaCeiK4geoYL7n~YJqagMNJG3g3TWtZJtBfdvrCzq9O632NcxD~ta6LSx6n1KzltJA~ekgb5ppK1hduabrvHtjFCC8Cefq10Nlo0QopBSsNaYgfbZT1EB1aZea2BMdNuprEKNHpvvSb9PdpCUPt6rnpNSiJ9AQg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1512,"name":"Climate Change","url":"https://www.academia.edu/Documents/in/Climate_Change"},{"id":3115,"name":"Posthumanism","url":"https://www.academia.edu/Documents/in/Posthumanism"},{"id":8694,"name":"Science Fiction","url":"https://www.academia.edu/Documents/in/Science_Fiction"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":13792,"name":"Speculative Realism","url":"https://www.academia.edu/Documents/in/Speculative_Realism"},{"id":16220,"name":"Dark Ecology","url":"https://www.academia.edu/Documents/in/Dark_Ecology"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":23193,"name":"Environmental Humanities","url":"https://www.academia.edu/Documents/in/Environmental_Humanities"},{"id":30027,"name":"The uncanny","url":"https://www.academia.edu/Documents/in/The_uncanny"},{"id":30862,"name":"Quentin Meillassoux","url":"https://www.academia.edu/Documents/in/Quentin_Meillassoux"},{"id":31526,"name":"H.P. Lovecraft","url":"https://www.academia.edu/Documents/in/H.P._Lovecraft"},{"id":40329,"name":"Donna Haraway","url":"https://www.academia.edu/Documents/in/Donna_Haraway"},{"id":45405,"name":"Global Warming","url":"https://www.academia.edu/Documents/in/Global_Warming"},{"id":66713,"name":"Graham Harman","url":"https://www.academia.edu/Documents/in/Graham_Harman"},{"id":76626,"name":"New Materialism","url":"https://www.academia.edu/Documents/in/New_Materialism"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":1208706,"name":"Environment","url":"https://www.academia.edu/Documents/in/Environment"},{"id":1651992,"name":"Weird Realism","url":"https://www.academia.edu/Documents/in/Weird_Realism"},{"id":3594697,"name":"COVID-19 PANDEMIC","url":"https://www.academia.edu/Documents/in/COVID-19_PANDEMIC"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="66005316"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/66005316/Grzyby_jako_hiperobiekty"><img alt="Research paper thumbnail of Grzyby jako hiperobiekty" class="work-thumbnail" src="https://attachments.academia-assets.com/77363981/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/66005316/Grzyby_jako_hiperobiekty">Grzyby jako hiperobiekty</a></div><div class="wp-workCard_item"><span>Refugia. (Prze)trwanie transgatunkowych wspólnot miejskich</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Grzyby w krótkim czasie – głównie za sprawą Anny Tsing – stały się niezwykle interesującym przedm...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Grzyby w krótkim czasie – głównie za sprawą Anny Tsing – stały się niezwykle interesującym przedmiotem badań w obrębie humanistyki środowiskowej. Amerykańska badaczka zwraca przede wszystkim uwagę na ich krnąbrność, rozumianą jako skuteczne opieranie się ludzkim sposobom uprawy, a także wymykanie się znanym modelom wzrostu i produkcji, rozpoznawanym od lat w gospodarce kapitalistycznej. Grzyby są dzisiaj również źródłem inspiracji dla nowomaterialistycznych myślicielek, które zwracają uwagę przede wszystkim na ich symbiotyczność (mikoryza) oraz relacyjność tych tajemniczych i wciąż jeszcze nierozpoznanych do końca organizmów. Chciałbym odejść od relacyjnych rozważań i raczej zwrócić uwagę na to, co możemy powiedzieć o grzybach samych w sobie, korzystając z kategorii wypracowanych na gruncie realizmu spekulatywnego. Dlatego wyeksponowana przez Tsing istotna kategoria krnąbrności będzie przeze mnie odczytywana ontologicznie. Zostanie związana nie tylko z niedostępnością, lecz także z ogromną niezależnością grzybów, istniejących autonomicznie, całkowicie niezależnie od ludzkiego rozpoznania. Spoglądając na nie przez pryzmat ontologii zwróconej ku przedmiotom Grahama Harmana, będę posługiwał się przede wszystkim jego kategorią wycofania (withdrawal), która bardzo dobrze opisuje sekretne, podziemne i często niedostrzegalne życie dyskretnych leśnych mieszkańców. Chciałbym również sprawdzić, czy grzyby – często nazywane superorganizmami – można opisywać poprzez kategorię hiperobiektu Timothy’ego Mortona.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="238e9bb1a8ff90774db38f0e3fbc45d5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":77363981,"asset_id":66005316,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/77363981/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="66005316"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="66005316"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 66005316; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=66005316]").text(description); $(".js-view-count[data-work-id=66005316]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 66005316; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='66005316']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 66005316, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "238e9bb1a8ff90774db38f0e3fbc45d5" } } $('.js-work-strip[data-work-id=66005316]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":66005316,"title":"Grzyby jako hiperobiekty","translated_title":"","metadata":{"doi":"10.14746/amup.9788323239857","abstract":"Grzyby w krótkim czasie – głównie za sprawą Anny Tsing – stały się niezwykle interesującym przedmiotem badań w obrębie humanistyki środowiskowej. Amerykańska badaczka zwraca przede wszystkim uwagę na ich krnąbrność, rozumianą jako skuteczne opieranie się ludzkim sposobom uprawy, a także wymykanie się znanym modelom wzrostu i produkcji, rozpoznawanym od lat w gospodarce kapitalistycznej. Grzyby są dzisiaj również źródłem inspiracji dla nowomaterialistycznych myślicielek, które zwracają uwagę przede wszystkim na ich symbiotyczność (mikoryza) oraz relacyjność tych tajemniczych i wciąż jeszcze nierozpoznanych do końca organizmów. Chciałbym odejść od relacyjnych rozważań i raczej zwrócić uwagę na to, co możemy powiedzieć o grzybach samych w sobie, korzystając z kategorii wypracowanych na gruncie realizmu spekulatywnego. Dlatego wyeksponowana przez Tsing istotna kategoria krnąbrności będzie przeze mnie odczytywana ontologicznie. Zostanie związana nie tylko z niedostępnością, lecz także z ogromną niezależnością grzybów, istniejących autonomicznie, całkowicie niezależnie od ludzkiego rozpoznania. Spoglądając na nie przez pryzmat ontologii zwróconej ku przedmiotom Grahama Harmana, będę posługiwał się przede wszystkim jego kategorią wycofania (withdrawal), która bardzo dobrze opisuje sekretne, podziemne i często niedostrzegalne życie dyskretnych leśnych mieszkańców. Chciałbym również sprawdzić, czy grzyby – często nazywane superorganizmami – można opisywać poprzez kategorię hiperobiektu Timothy’ego Mortona.","publication_date":{"day":null,"month":null,"year":2021,"errors":{}},"publication_name":"Refugia. (Prze)trwanie transgatunkowych wspólnot miejskich"},"translated_abstract":"Grzyby w krótkim czasie – głównie za sprawą Anny Tsing – stały się niezwykle interesującym przedmiotem badań w obrębie humanistyki środowiskowej. Amerykańska badaczka zwraca przede wszystkim uwagę na ich krnąbrność, rozumianą jako skuteczne opieranie się ludzkim sposobom uprawy, a także wymykanie się znanym modelom wzrostu i produkcji, rozpoznawanym od lat w gospodarce kapitalistycznej. Grzyby są dzisiaj również źródłem inspiracji dla nowomaterialistycznych myślicielek, które zwracają uwagę przede wszystkim na ich symbiotyczność (mikoryza) oraz relacyjność tych tajemniczych i wciąż jeszcze nierozpoznanych do końca organizmów. Chciałbym odejść od relacyjnych rozważań i raczej zwrócić uwagę na to, co możemy powiedzieć o grzybach samych w sobie, korzystając z kategorii wypracowanych na gruncie realizmu spekulatywnego. Dlatego wyeksponowana przez Tsing istotna kategoria krnąbrności będzie przeze mnie odczytywana ontologicznie. Zostanie związana nie tylko z niedostępnością, lecz także z ogromną niezależnością grzybów, istniejących autonomicznie, całkowicie niezależnie od ludzkiego rozpoznania. Spoglądając na nie przez pryzmat ontologii zwróconej ku przedmiotom Grahama Harmana, będę posługiwał się przede wszystkim jego kategorią wycofania (withdrawal), która bardzo dobrze opisuje sekretne, podziemne i często niedostrzegalne życie dyskretnych leśnych mieszkańców. Chciałbym również sprawdzić, czy grzyby – często nazywane superorganizmami – można opisywać poprzez kategorię hiperobiektu Timothy’ego Mortona.","internal_url":"https://www.academia.edu/66005316/Grzyby_jako_hiperobiekty","translated_internal_url":"","created_at":"2021-12-26T02:19:01.422-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":77363981,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/77363981/thumbnails/1.jpg","file_name":"Grzyby_jako_hiperobiekty.pdf","download_url":"https://www.academia.edu/attachments/77363981/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Grzyby_jako_hiperobiekty.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/77363981/Grzyby_jako_hiperobiekty-libre.pdf?1640516785=\u0026response-content-disposition=attachment%3B+filename%3DGrzyby_jako_hiperobiekty.pdf\u0026Expires=1732369630\u0026Signature=eg3PhTPr-W1rCBDOftfJ9eDrxeqf~nSl0dGYBiIJaU6a2~IHlRuB8ri5wn4OBW~Im7xetYulvj17pnuSJGhYRH55zgorAEo307Iuk17VP5kOe0izRTtlpIW78UucP7w8qw3kwqaQxHr906WPp~7ShivgckKMQfd7a-VByW8jqXMQ3FkNeUmRL1rGxZ0Oa2EWS4ohvIrTcjcTp0llvu2Ta9vDAD-lM4imw13hr22WgnJaC2KzdQ7l3QLAVHEcOkiarkYd4RPEMY4PTi-PYl2xIcSeJkn9rm4uzwfBSvPOJ-W6MC3hEl6ytM8Af4Y8NpE~i5S20UIGIrgxauhc3cIsyQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Grzyby_jako_hiperobiekty","translated_slug":"","page_count":12,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":77363981,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/77363981/thumbnails/1.jpg","file_name":"Grzyby_jako_hiperobiekty.pdf","download_url":"https://www.academia.edu/attachments/77363981/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Grzyby_jako_hiperobiekty.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/77363981/Grzyby_jako_hiperobiekty-libre.pdf?1640516785=\u0026response-content-disposition=attachment%3B+filename%3DGrzyby_jako_hiperobiekty.pdf\u0026Expires=1732369630\u0026Signature=eg3PhTPr-W1rCBDOftfJ9eDrxeqf~nSl0dGYBiIJaU6a2~IHlRuB8ri5wn4OBW~Im7xetYulvj17pnuSJGhYRH55zgorAEo307Iuk17VP5kOe0izRTtlpIW78UucP7w8qw3kwqaQxHr906WPp~7ShivgckKMQfd7a-VByW8jqXMQ3FkNeUmRL1rGxZ0Oa2EWS4ohvIrTcjcTp0llvu2Ta9vDAD-lM4imw13hr22WgnJaC2KzdQ7l3QLAVHEcOkiarkYd4RPEMY4PTi-PYl2xIcSeJkn9rm4uzwfBSvPOJ-W6MC3hEl6ytM8Af4Y8NpE~i5S20UIGIrgxauhc3cIsyQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":3115,"name":"Posthumanism","url":"https://www.academia.edu/Documents/in/Posthumanism"},{"id":8437,"name":"Martin Heidegger","url":"https://www.academia.edu/Documents/in/Martin_Heidegger"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":10101,"name":"Critical Posthumanism","url":"https://www.academia.edu/Documents/in/Critical_Posthumanism"},{"id":13792,"name":"Speculative Realism","url":"https://www.academia.edu/Documents/in/Speculative_Realism"},{"id":16220,"name":"Dark Ecology","url":"https://www.academia.edu/Documents/in/Dark_Ecology"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":23193,"name":"Environmental Humanities","url":"https://www.academia.edu/Documents/in/Environmental_Humanities"},{"id":66713,"name":"Graham Harman","url":"https://www.academia.edu/Documents/in/Graham_Harman"},{"id":68124,"name":"Mushrooms","url":"https://www.academia.edu/Documents/in/Mushrooms"},{"id":76626,"name":"New Materialism","url":"https://www.academia.edu/Documents/in/New_Materialism"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":248985,"name":"New Materialisms","url":"https://www.academia.edu/Documents/in/New_Materialisms"},{"id":301590,"name":"Hyperobjects","url":"https://www.academia.edu/Documents/in/Hyperobjects"},{"id":621089,"name":"Anna L. Tsing","url":"https://www.academia.edu/Documents/in/Anna_L._Tsing"},{"id":662207,"name":"Ontological Turn","url":"https://www.academia.edu/Documents/in/Ontological_Turn"},{"id":2255721,"name":"Bong Joon-ho","url":"https://www.academia.edu/Documents/in/Bong_Joon-ho"},{"id":2781549,"name":"Mycelium","url":"https://www.academia.edu/Documents/in/Mycelium"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="65710749"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/65710749/Mushrooms_as_Hyperobjects"><img alt="Research paper thumbnail of Mushrooms as Hyperobjects" class="work-thumbnail" src="https://attachments.academia-assets.com/77188946/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/65710749/Mushrooms_as_Hyperobjects">Mushrooms as Hyperobjects</a></div><div class="wp-workCard_item"><span>Refugia: The Survival of Urban Transspecies Communities</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Mushrooms became an extremely interesting object of study in the environmental humanities almost...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Mushrooms became an extremely interesting object of study in <br />the environmental humanities almost overnight, mainly thanks to <br />Anna Tsing. Indeed, Tsing points out how “unruly” mushrooms <br />may be, since they effectively oppose human farming methods and <br />elude the models of growth and production which have been at <br />the heart of the capitalist economy for years.<br /> Today, mushrooms  are also a source of inspiration for new materialist thinkers who  focus on the symbiotic (mycorrhizic) and the relational nature of these mysterious and still obscure entities.<br />I would like to move away from relational considerations and focus instead on what we can say about mushrooms <br />themselves, referring to the critical categories of speculative realism. Therefore, I shall interpret Tsing’s key notion of mushrooms <br />as “unruly” in terms of ontology, discussing their inaccessibility <br />and independence: after all, mushrooms exist autonomously and <br />completely independently of human perception. I shall analyze <br />mushrooms through the prism of Graham Harman’s object-oriented ontology, referring primarily to the category of withdrawal,<br />which describes the secret, underground, and often invisible life <br />of these withdrawn inhabitants of the forest. I shall also discuss <br />mushrooms, often called superorganisms, referring to Timothy <br />Morton’s notion of hyperobjects.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5647bd22c58de9c8741117d36332f783" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":77188946,"asset_id":65710749,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/77188946/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="65710749"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="65710749"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 65710749; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=65710749]").text(description); $(".js-view-count[data-work-id=65710749]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 65710749; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='65710749']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 65710749, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5647bd22c58de9c8741117d36332f783" } } $('.js-work-strip[data-work-id=65710749]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":65710749,"title":"Mushrooms as Hyperobjects","translated_title":"","metadata":{"doi":"10.14746/amup.9788323239857","abstract":"Mushrooms became an extremely interesting object of study in \nthe environmental humanities almost overnight, mainly thanks to \nAnna Tsing. Indeed, Tsing points out how “unruly” mushrooms \nmay be, since they effectively oppose human farming methods and \nelude the models of growth and production which have been at \nthe heart of the capitalist economy for years.\n Today, mushrooms are also a source of inspiration for new materialist thinkers who focus on the symbiotic (mycorrhizic) and the relational nature of these mysterious and still obscure entities.\nI would like to move away from relational considerations and focus instead on what we can say about mushrooms \nthemselves, referring to the critical categories of speculative realism. Therefore, I shall interpret Tsing’s key notion of mushrooms \nas “unruly” in terms of ontology, discussing their inaccessibility \nand independence: after all, mushrooms exist autonomously and \ncompletely independently of human perception. I shall analyze \nmushrooms through the prism of Graham Harman’s object-oriented ontology, referring primarily to the category of withdrawal,\nwhich describes the secret, underground, and often invisible life \nof these withdrawn inhabitants of the forest. I shall also discuss \nmushrooms, often called superorganisms, referring to Timothy \nMorton’s notion of hyperobjects.","publication_date":{"day":null,"month":null,"year":2021,"errors":{}},"publication_name":"Refugia: The Survival of Urban Transspecies Communities"},"translated_abstract":"Mushrooms became an extremely interesting object of study in \nthe environmental humanities almost overnight, mainly thanks to \nAnna Tsing. Indeed, Tsing points out how “unruly” mushrooms \nmay be, since they effectively oppose human farming methods and \nelude the models of growth and production which have been at \nthe heart of the capitalist economy for years.\n Today, mushrooms are also a source of inspiration for new materialist thinkers who focus on the symbiotic (mycorrhizic) and the relational nature of these mysterious and still obscure entities.\nI would like to move away from relational considerations and focus instead on what we can say about mushrooms \nthemselves, referring to the critical categories of speculative realism. Therefore, I shall interpret Tsing’s key notion of mushrooms \nas “unruly” in terms of ontology, discussing their inaccessibility \nand independence: after all, mushrooms exist autonomously and \ncompletely independently of human perception. I shall analyze \nmushrooms through the prism of Graham Harman’s object-oriented ontology, referring primarily to the category of withdrawal,\nwhich describes the secret, underground, and often invisible life \nof these withdrawn inhabitants of the forest. I shall also discuss \nmushrooms, often called superorganisms, referring to Timothy \nMorton’s notion of hyperobjects.","internal_url":"https://www.academia.edu/65710749/Mushrooms_as_Hyperobjects","translated_internal_url":"","created_at":"2021-12-23T08:30:17.732-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":77188946,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/77188946/thumbnails/1.jpg","file_name":"refugia.pdf","download_url":"https://www.academia.edu/attachments/77188946/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Mushrooms_as_Hyperobjects.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/77188946/refugia-libre.pdf?1640292425=\u0026response-content-disposition=attachment%3B+filename%3DMushrooms_as_Hyperobjects.pdf\u0026Expires=1732369630\u0026Signature=NN-Phjb~rb-ELkXxrZ0JGrwKfe8xyW3Nmkvz~GgQg5YswxPOGTqqBgIa6xrj3loSGwIc7Dd9pHugPCdXW-qZwUEn-d2yH13Y0e07WrRTBxWQ9Kj9o3FTrt25WRm1cuqkHxwnndRozWoDsF0WK2p1nQRaDvUoySahKmweN5wu8zvz0UYnKw4Y64Tq6ZluubjfADcYEu24H~clLSPTINCTWqVuWnIy2CshuAbDqgKsak69OMbIbPqaseOl2sT6dFLo78ckgjV8w7DC2ysGTi2l1VCCIDW~atpIvGoAs3ADlx9Ohy~gx6TdOuMNOWwQ3lwsgUPMTgZmyLFyyiHnSSKXpA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Mushrooms_as_Hyperobjects","translated_slug":"","page_count":10,"language":"en","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":77188946,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/77188946/thumbnails/1.jpg","file_name":"refugia.pdf","download_url":"https://www.academia.edu/attachments/77188946/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Mushrooms_as_Hyperobjects.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/77188946/refugia-libre.pdf?1640292425=\u0026response-content-disposition=attachment%3B+filename%3DMushrooms_as_Hyperobjects.pdf\u0026Expires=1732369630\u0026Signature=NN-Phjb~rb-ELkXxrZ0JGrwKfe8xyW3Nmkvz~GgQg5YswxPOGTqqBgIa6xrj3loSGwIc7Dd9pHugPCdXW-qZwUEn-d2yH13Y0e07WrRTBxWQ9Kj9o3FTrt25WRm1cuqkHxwnndRozWoDsF0WK2p1nQRaDvUoySahKmweN5wu8zvz0UYnKw4Y64Tq6ZluubjfADcYEu24H~clLSPTINCTWqVuWnIy2CshuAbDqgKsak69OMbIbPqaseOl2sT6dFLo78ckgjV8w7DC2ysGTi2l1VCCIDW~atpIvGoAs3ADlx9Ohy~gx6TdOuMNOWwQ3lwsgUPMTgZmyLFyyiHnSSKXpA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":3115,"name":"Posthumanism","url":"https://www.academia.edu/Documents/in/Posthumanism"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":10101,"name":"Critical Posthumanism","url":"https://www.academia.edu/Documents/in/Critical_Posthumanism"},{"id":13792,"name":"Speculative Realism","url":"https://www.academia.edu/Documents/in/Speculative_Realism"},{"id":16220,"name":"Dark Ecology","url":"https://www.academia.edu/Documents/in/Dark_Ecology"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":23193,"name":"Environmental Humanities","url":"https://www.academia.edu/Documents/in/Environmental_Humanities"},{"id":66713,"name":"Graham Harman","url":"https://www.academia.edu/Documents/in/Graham_Harman"},{"id":68124,"name":"Mushrooms","url":"https://www.academia.edu/Documents/in/Mushrooms"},{"id":76626,"name":"New Materialism","url":"https://www.academia.edu/Documents/in/New_Materialism"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":248985,"name":"New Materialisms","url":"https://www.academia.edu/Documents/in/New_Materialisms"},{"id":301590,"name":"Hyperobjects","url":"https://www.academia.edu/Documents/in/Hyperobjects"}],"urls":[{"id":15701372,"url":"https://press.amu.edu.pl/pub/media/productattach/b/a/bakke_refugia_przetrwanie_2021.pdf"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="53108457"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/53108457/Wasteplants_Towards_a_Precarious_Aesthetics_and_Ephemeral_Heritage"><img alt="Research paper thumbnail of Wasteplants: Towards a Precarious Aesthetics and Ephemeral Heritage" class="work-thumbnail" src="https://attachments.academia-assets.com/70050175/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/53108457/Wasteplants_Towards_a_Precarious_Aesthetics_and_Ephemeral_Heritage">Wasteplants: Towards a Precarious Aesthetics and Ephemeral Heritage</a></div><div class="wp-workCard_item"><span>Wasteplants Atlas (Atlas śmiecioroślin)</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">To describe and interpret the hybrid objects that make up the Center for Living Things would be n...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">To describe and interpret the hybrid objects that<br />make up the Center for Living Things would be<br />no easy task for taxonomy enthusiasts still faithful<br />to traditional art theory. The difficulty lies in<br />the apparently simple question: what are these<br />things? Diana Lelonek’s objects defy definition,<br />yet their perplexing status is as compelling as it<br />is unnerving. Their charm lies in their promise<br />to finally transcend the border between nature<br />and culture.<br />Wasteplants are ephemeral and ever changing.<br />They are the products of multiple authors and<br />reflect the collaborative efforts of a collective that<br />remains more or less anonymous. Yet their most<br />salient quality is that they exist as the products<br />of posthuman activity. In this way, they speak to<br />the power of nonhuman creativity.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a645d847fdf149ed88aa0fdc1191bad8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":70050175,"asset_id":53108457,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/70050175/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="53108457"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="53108457"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 53108457; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=53108457]").text(description); $(".js-view-count[data-work-id=53108457]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 53108457; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='53108457']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 53108457, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a645d847fdf149ed88aa0fdc1191bad8" } } $('.js-work-strip[data-work-id=53108457]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":53108457,"title":"Wasteplants: Towards a Precarious Aesthetics and Ephemeral Heritage","translated_title":"","metadata":{"abstract":"To describe and interpret the hybrid objects that\nmake up the Center for Living Things would be\nno easy task for taxonomy enthusiasts still faithful\nto traditional art theory. The difficulty lies in\nthe apparently simple question: what are these\nthings? Diana Lelonek’s objects defy definition,\nyet their perplexing status is as compelling as it\nis unnerving. Their charm lies in their promise\nto finally transcend the border between nature\nand culture.\nWasteplants are ephemeral and ever changing.\nThey are the products of multiple authors and\nreflect the collaborative efforts of a collective that\nremains more or less anonymous. Yet their most\nsalient quality is that they exist as the products\nof posthuman activity. In this way, they speak to\nthe power of nonhuman creativity. ","publication_date":{"day":null,"month":null,"year":2021,"errors":{}},"publication_name":"Wasteplants Atlas (Atlas śmiecioroślin)"},"translated_abstract":"To describe and interpret the hybrid objects that\nmake up the Center for Living Things would be\nno easy task for taxonomy enthusiasts still faithful\nto traditional art theory. The difficulty lies in\nthe apparently simple question: what are these\nthings? Diana Lelonek’s objects defy definition,\nyet their perplexing status is as compelling as it\nis unnerving. Their charm lies in their promise\nto finally transcend the border between nature\nand culture.\nWasteplants are ephemeral and ever changing.\nThey are the products of multiple authors and\nreflect the collaborative efforts of a collective that\nremains more or less anonymous. Yet their most\nsalient quality is that they exist as the products\nof posthuman activity. In this way, they speak to\nthe power of nonhuman creativity. ","internal_url":"https://www.academia.edu/53108457/Wasteplants_Towards_a_Precarious_Aesthetics_and_Ephemeral_Heritage","translated_internal_url":"","created_at":"2021-09-21T04:54:58.627-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":70050175,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/70050175/thumbnails/1.jpg","file_name":"Wasteplants_Towards_a_Precarious_Aesthetics_and_Ephemeral_Heritage.pdf","download_url":"https://www.academia.edu/attachments/70050175/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Wasteplants_Towards_a_Precarious_Aesthet.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/70050175/Wasteplants_Towards_a_Precarious_Aesthetics_and_Ephemeral_Heritage-libre.pdf?1632230306=\u0026response-content-disposition=attachment%3B+filename%3DWasteplants_Towards_a_Precarious_Aesthet.pdf\u0026Expires=1732369630\u0026Signature=XpTUSg~ezaygTeHzcvNob~6wpy~JL-FBPAwCOXxxCeNWs4GBE7rmWEjF8PqXaLQ5DZSfJaGtxmnQSTKgsnttbcFPunT9WOLVGQEwfsHe-Y~axB2g1rmNIxnfNzXqIcdaX4E7OEMx12hZv~zqIIWov1z1qtOt8nKSW7445K0CVuUALmQb~tWyfDFHoJ~COZ8xIaH8hef8~UyptDsNwtxC8r9pkZQ4kMGf270LNtYK9r9kqe-2pVeX1y-9Fb51LaWJfO5lUQIGSHtn6vs2A8t9SwUExhoE6zDwo0aPXuggaHK991fsJYP2DSluvgkUCVk83YDr0ZwRKTFdQwEOqrmwWA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Wasteplants_Towards_a_Precarious_Aesthetics_and_Ephemeral_Heritage","translated_slug":"","page_count":4,"language":"en","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":70050175,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/70050175/thumbnails/1.jpg","file_name":"Wasteplants_Towards_a_Precarious_Aesthetics_and_Ephemeral_Heritage.pdf","download_url":"https://www.academia.edu/attachments/70050175/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Wasteplants_Towards_a_Precarious_Aesthet.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/70050175/Wasteplants_Towards_a_Precarious_Aesthetics_and_Ephemeral_Heritage-libre.pdf?1632230306=\u0026response-content-disposition=attachment%3B+filename%3DWasteplants_Towards_a_Precarious_Aesthet.pdf\u0026Expires=1732369630\u0026Signature=XpTUSg~ezaygTeHzcvNob~6wpy~JL-FBPAwCOXxxCeNWs4GBE7rmWEjF8PqXaLQ5DZSfJaGtxmnQSTKgsnttbcFPunT9WOLVGQEwfsHe-Y~axB2g1rmNIxnfNzXqIcdaX4E7OEMx12hZv~zqIIWov1z1qtOt8nKSW7445K0CVuUALmQb~tWyfDFHoJ~COZ8xIaH8hef8~UyptDsNwtxC8r9pkZQ4kMGf270LNtYK9r9kqe-2pVeX1y-9Fb51LaWJfO5lUQIGSHtn6vs2A8t9SwUExhoE6zDwo0aPXuggaHK991fsJYP2DSluvgkUCVk83YDr0ZwRKTFdQwEOqrmwWA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":153,"name":"Landscape Ecology","url":"https://www.academia.edu/Documents/in/Landscape_Ecology"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art"},{"id":3115,"name":"Posthumanism","url":"https://www.academia.edu/Documents/in/Posthumanism"},{"id":3407,"name":"Environmental Studies","url":"https://www.academia.edu/Documents/in/Environmental_Studies"},{"id":5645,"name":"Recycling","url":"https://www.academia.edu/Documents/in/Recycling"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":10101,"name":"Critical Posthumanism","url":"https://www.academia.edu/Documents/in/Critical_Posthumanism"},{"id":14776,"name":"Precarity","url":"https://www.academia.edu/Documents/in/Precarity"},{"id":16220,"name":"Dark Ecology","url":"https://www.academia.edu/Documents/in/Dark_Ecology"},{"id":16433,"name":"Nature Culture","url":"https://www.academia.edu/Documents/in/Nature_Culture"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":21963,"name":"Solid Waste Management","url":"https://www.academia.edu/Documents/in/Solid_Waste_Management"},{"id":23193,"name":"Environmental Humanities","url":"https://www.academia.edu/Documents/in/Environmental_Humanities"},{"id":36369,"name":"Human-Nonhuman Assemblages","url":"https://www.academia.edu/Documents/in/Human-Nonhuman_Assemblages"},{"id":67405,"name":"Toxicity","url":"https://www.academia.edu/Documents/in/Toxicity"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":103084,"name":"Inheritance","url":"https://www.academia.edu/Documents/in/Inheritance"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":1235759,"name":"Dispose of Waste","url":"https://www.academia.edu/Documents/in/Dispose_of_Waste"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="53100202"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/53100202/Potw%C3%B3r_zwany_ekonomi%C4%85_kapitalistyczn%C4%85"><img alt="Research paper thumbnail of Potwór zwany ekonomią kapitalistyczną" class="work-thumbnail" src="https://attachments.academia-assets.com/70045776/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/53100202/Potw%C3%B3r_zwany_ekonomi%C4%85_kapitalistyczn%C4%85">Potwór zwany ekonomią kapitalistyczną</a></div><div class="wp-workCard_item"><span>Raj. Potop. Program</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Thomas Köck nie ukrywa tego, że jedną z bezpośrednich filozoficznych inspiracji do powstania "Try...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Thomas Köck nie ukrywa tego, że jedną z bezpośrednich filozoficznych inspiracji do powstania "Trylogii Klimatycznej" była myśl Timothy’ego Mortona. Zwłaszcza jego oryginalna koncepcja hiperobiektów, czyli tak ogromnych, rozległych i masywnych – jednym słowem monstrualnych – obiektów, że te skutecznie wymykają się ludzkiemu jednostkowemu doświadczeniu (np. globalne ocieplenie, radioaktywność, pandemia, mikroplastik, czarna dziura). Najczęściej po prostu znajdujemy się we wnętrzu hiperobiektów i stąd wynika podstawowa trudność z ich jednoznacznym poznaniem oraz zlokalizowaniem. Odnosimy wrażenie, że są wszędzie i nigdzie, charakteryzuje je nielokalność (nonlocality).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4c70eff69520a9836570a73d2f488eb0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":70045776,"asset_id":53100202,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/70045776/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="53100202"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="53100202"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 53100202; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=53100202]").text(description); $(".js-view-count[data-work-id=53100202]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 53100202; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='53100202']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 53100202, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "4c70eff69520a9836570a73d2f488eb0" } } $('.js-work-strip[data-work-id=53100202]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":53100202,"title":"Potwór zwany ekonomią kapitalistyczną","translated_title":"","metadata":{"abstract":"Thomas Köck nie ukrywa tego, że jedną z bezpośrednich filozoficznych inspiracji do powstania \"Trylogii Klimatycznej\" była myśl Timothy’ego Mortona. Zwłaszcza jego oryginalna koncepcja hiperobiektów, czyli tak ogromnych, rozległych i masywnych – jednym słowem monstrualnych – obiektów, że te skutecznie wymykają się ludzkiemu jednostkowemu doświadczeniu (np. globalne ocieplenie, radioaktywność, pandemia, mikroplastik, czarna dziura). Najczęściej po prostu znajdujemy się we wnętrzu hiperobiektów i stąd wynika podstawowa trudność z ich jednoznacznym poznaniem oraz zlokalizowaniem. Odnosimy wrażenie, że są wszędzie i nigdzie, charakteryzuje je nielokalność (nonlocality).","publication_date":{"day":null,"month":null,"year":2021,"errors":{}},"publication_name":"Raj. Potop. Program"},"translated_abstract":"Thomas Köck nie ukrywa tego, że jedną z bezpośrednich filozoficznych inspiracji do powstania \"Trylogii Klimatycznej\" była myśl Timothy’ego Mortona. Zwłaszcza jego oryginalna koncepcja hiperobiektów, czyli tak ogromnych, rozległych i masywnych – jednym słowem monstrualnych – obiektów, że te skutecznie wymykają się ludzkiemu jednostkowemu doświadczeniu (np. globalne ocieplenie, radioaktywność, pandemia, mikroplastik, czarna dziura). Najczęściej po prostu znajdujemy się we wnętrzu hiperobiektów i stąd wynika podstawowa trudność z ich jednoznacznym poznaniem oraz zlokalizowaniem. Odnosimy wrażenie, że są wszędzie i nigdzie, charakteryzuje je nielokalność (nonlocality).","internal_url":"https://www.academia.edu/53100202/Potw%C3%B3r_zwany_ekonomi%C4%85_kapitalistyczn%C4%85","translated_internal_url":"","created_at":"2021-09-21T03:26:59.574-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":70045776,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/70045776/thumbnails/1.jpg","file_name":"Potwor_zwany_ekonomia_kapitalistyczna.pdf","download_url":"https://www.academia.edu/attachments/70045776/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Potwor_zwany_ekonomia_kapitalistyczna.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/70045776/Potwor_zwany_ekonomia_kapitalistyczna-libre.pdf?1632223036=\u0026response-content-disposition=attachment%3B+filename%3DPotwor_zwany_ekonomia_kapitalistyczna.pdf\u0026Expires=1732369630\u0026Signature=Zy2lf~W~X~BwPdigw2r4ERIUHb9Cf5XHX6nVyVXWEYl6f3SmPBLIjhxqnh0bl4qcsKmvy5XVpxXwcTvLod6BaEiL1rSIPfhRXnzNYxE~1s9hW3mReZHPmfJ6CbjpiaeQ9k2hvGPgnHRFvhMF31nGiMp1DgjCVFK5UWuXLZMiPsjcXogEPG0-nVEikMzTBSdyYpvaOZ2r~6xCmhxNAEdzww2qtxfdZ9TLuHV9f6uR-q6pHZX4hKFf9gbcD1qTVGgnW0N-2sCs76RldpPt9GqEwskJDmBEKkoJvCFOv1Wd9ABFmIGU0xDlheyTWKancpmVoj8lqrnfwyADmg8nJLOH7w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Potwór_zwany_ekonomią_kapitalistyczną","translated_slug":"","page_count":8,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":70045776,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/70045776/thumbnails/1.jpg","file_name":"Potwor_zwany_ekonomia_kapitalistyczna.pdf","download_url":"https://www.academia.edu/attachments/70045776/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Potwor_zwany_ekonomia_kapitalistyczna.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/70045776/Potwor_zwany_ekonomia_kapitalistyczna-libre.pdf?1632223036=\u0026response-content-disposition=attachment%3B+filename%3DPotwor_zwany_ekonomia_kapitalistyczna.pdf\u0026Expires=1732369630\u0026Signature=Zy2lf~W~X~BwPdigw2r4ERIUHb9Cf5XHX6nVyVXWEYl6f3SmPBLIjhxqnh0bl4qcsKmvy5XVpxXwcTvLod6BaEiL1rSIPfhRXnzNYxE~1s9hW3mReZHPmfJ6CbjpiaeQ9k2hvGPgnHRFvhMF31nGiMp1DgjCVFK5UWuXLZMiPsjcXogEPG0-nVEikMzTBSdyYpvaOZ2r~6xCmhxNAEdzww2qtxfdZ9TLuHV9f6uR-q6pHZX4hKFf9gbcD1qTVGgnW0N-2sCs76RldpPt9GqEwskJDmBEKkoJvCFOv1Wd9ABFmIGU0xDlheyTWKancpmVoj8lqrnfwyADmg8nJLOH7w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":947,"name":"Theatre Studies","url":"https://www.academia.edu/Documents/in/Theatre_Studies"},{"id":2860,"name":"Postcolonial Studies","url":"https://www.academia.edu/Documents/in/Postcolonial_Studies"},{"id":3407,"name":"Environmental Studies","url":"https://www.academia.edu/Documents/in/Environmental_Studies"},{"id":9705,"name":"Capitalism","url":"https://www.academia.edu/Documents/in/Capitalism"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":13792,"name":"Speculative Realism","url":"https://www.academia.edu/Documents/in/Speculative_Realism"},{"id":16220,"name":"Dark Ecology","url":"https://www.academia.edu/Documents/in/Dark_Ecology"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":23193,"name":"Environmental Humanities","url":"https://www.academia.edu/Documents/in/Environmental_Humanities"},{"id":35118,"name":"Anthropology of Capitalism","url":"https://www.academia.edu/Documents/in/Anthropology_of_Capitalism"},{"id":45405,"name":"Global Warming","url":"https://www.academia.edu/Documents/in/Global_Warming"},{"id":46429,"name":"Economy","url":"https://www.academia.edu/Documents/in/Economy"},{"id":47112,"name":"Varieties of Capitalism","url":"https://www.academia.edu/Documents/in/Varieties_of_Capitalism"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":250231,"name":"Catastrophism","url":"https://www.academia.edu/Documents/in/Catastrophism"},{"id":301590,"name":"Hyperobjects","url":"https://www.academia.edu/Documents/in/Hyperobjects"},{"id":354782,"name":"Monsters and the Monstrous","url":"https://www.academia.edu/Documents/in/Monsters_and_the_Monstrous"},{"id":511009,"name":"Consumption Culture","url":"https://www.academia.edu/Documents/in/Consumption_Culture"},{"id":1019496,"name":"Anti Capitalist Social Movements","url":"https://www.academia.edu/Documents/in/Anti_Capitalist_Social_Movements"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="43863434"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/43863434/Niebieska_humanistyka_materialno_dyskursywne_do%C5%9Bwiadczenie_oceanu_w_kinie_wsp%C3%B3%C5%82czesnym"><img alt="Research paper thumbnail of Niebieska humanistyka: materialno-dyskursywne doświadczenie oceanu w kinie współczesnym" class="work-thumbnail" src="https://attachments.academia-assets.com/65575544/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43863434/Niebieska_humanistyka_materialno_dyskursywne_do%C5%9Bwiadczenie_oceanu_w_kinie_wsp%C3%B3%C5%82czesnym">Niebieska humanistyka: materialno-dyskursywne doświadczenie oceanu w kinie współczesnym</a></div><div class="wp-workCard_item"><span>MOCAK Forum, nr 15</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Niebieska humanistyka (Blue Humanities) to dynamicznie rozwijający się posthumanistyczny nurt myś...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Niebieska humanistyka (Blue Humanities) to dynamicznie rozwijający się posthumanistyczny nurt myślowy, osadzający historię życia w oceanie. Zgodnie z tym przekonaniem naszą planetę powinniśmy nazywać Oceanem, a nie Ziemią, gdyż wody stanowią około 70 proc. powierzchni ziemskiego globu. Steve Mentz, jeden z teoretyków zwrotu oceanicznego we współczesnej humanistyce, zwraca uwagę na to, że jeśli pragniemy zrozumieć dynamiczne przemiany epoki antropocenu, powinniśmy odejść od statycznych kategorii zielonych pól, ogrodów oraz żyznych gruntów, których uprawa niesie ze sobą opowieści o przetrwaniu nierozerwalnie związane ze stabilnością i przewidywalnością. W jego rozważaniach pierwszorzędne znaczenie mają niespokojne wody, niosące nieustanne zagrożenie katastrofą (wrak, rozbitek) oraz figury żeglarzy i pływaków unoszących się na wodzie, stale przebywających w niebezpiecznym środowisku. Z kolei Astrida Neimanis, związana z tradycją feministycznego nowego materializmu, podkreśla życiodajną i jednocześnie niezwykle kreatywną rolę oceanów, które w swoich niezbadanych głębinach wytwarzają wiele różnorodnych, niesamowitych nie-ludzkich ciał. Woda w jej rozważaniach staje się nie tylko gwarantką materialnej, cielesnej zmienności, lecz przede wszystkim zawsze zaskakującej, niczym nieskrępowanej naturokulturowej twórczości. Podejmując trop wskazany przez Neimanis, chciałbym przyjrzeć się artystycznym manifestacjom oceanu w filmowych obrazach Heleny Wittmann oraz Lucile Hadžihalilović, a także pokazać, w jaki sposób Olafur Eliasson upomina się o utracone ludzkie relacje z żywiołem wody. Zależy mi głównie na tym, aby ukazać związane z wodami praktyki materialno-dyskursywne. Chcę przyjrzeć się temu, w jaki sposób materialny ocean wytwarza symboliczne znaczenie, oraz pokazać, że reżyserki oprócz typowych dla klasycznej sztuki artystycznych środków wyrazu (reprezentacji i metafor) próbują za pomocą swoich filmów wytworzyć w widzach również pewnego rodzaju oceaniczne doświadczenie.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1fbcec183b8b7a4333b0b6c5c31355ac" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65575544,"asset_id":43863434,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65575544/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43863434"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43863434"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43863434; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43863434]").text(description); $(".js-view-count[data-work-id=43863434]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43863434; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='43863434']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 43863434, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1fbcec183b8b7a4333b0b6c5c31355ac" } } $('.js-work-strip[data-work-id=43863434]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":43863434,"title":"Niebieska humanistyka: materialno-dyskursywne doświadczenie oceanu w\nkinie współczesnym","translated_title":"","metadata":{"abstract":"Niebieska humanistyka (Blue Humanities) to dynamicznie rozwijający się posthumanistyczny nurt myślowy, osadzający historię życia w oceanie. Zgodnie z tym przekonaniem naszą planetę powinniśmy nazywać Oceanem, a nie Ziemią, gdyż wody stanowią około 70 proc. powierzchni ziemskiego globu. Steve Mentz, jeden z teoretyków zwrotu oceanicznego we współczesnej humanistyce, zwraca uwagę na to, że jeśli pragniemy zrozumieć dynamiczne przemiany epoki antropocenu, powinniśmy odejść od statycznych kategorii zielonych pól, ogrodów oraz żyznych gruntów, których uprawa niesie ze sobą opowieści o przetrwaniu nierozerwalnie związane ze stabilnością i przewidywalnością. W jego rozważaniach pierwszorzędne znaczenie mają niespokojne wody, niosące nieustanne zagrożenie katastrofą (wrak, rozbitek) oraz figury żeglarzy i pływaków unoszących się na wodzie, stale przebywających w niebezpiecznym środowisku. Z kolei Astrida Neimanis, związana z tradycją feministycznego nowego materializmu, podkreśla życiodajną i jednocześnie niezwykle kreatywną rolę oceanów, które w swoich niezbadanych głębinach wytwarzają wiele różnorodnych, niesamowitych nie-ludzkich ciał. Woda w jej rozważaniach staje się nie tylko gwarantką materialnej, cielesnej zmienności, lecz przede wszystkim zawsze zaskakującej, niczym nieskrępowanej naturokulturowej twórczości. Podejmując trop wskazany przez Neimanis, chciałbym przyjrzeć się artystycznym manifestacjom oceanu w filmowych obrazach Heleny Wittmann oraz Lucile Hadžihalilović, a także pokazać, w jaki sposób Olafur Eliasson upomina się o utracone ludzkie relacje z żywiołem wody. Zależy mi głównie na tym, aby ukazać związane z wodami praktyki materialno-dyskursywne. Chcę przyjrzeć się temu, w jaki sposób materialny ocean wytwarza symboliczne znaczenie, oraz pokazać, że reżyserki oprócz typowych dla klasycznej sztuki artystycznych środków wyrazu (reprezentacji i metafor) próbują za pomocą swoich filmów wytworzyć w widzach również pewnego rodzaju oceaniczne doświadczenie.","publication_date":{"day":null,"month":null,"year":2019,"errors":{}},"publication_name":"MOCAK Forum, nr 15"},"translated_abstract":"Niebieska humanistyka (Blue Humanities) to dynamicznie rozwijający się posthumanistyczny nurt myślowy, osadzający historię życia w oceanie. Zgodnie z tym przekonaniem naszą planetę powinniśmy nazywać Oceanem, a nie Ziemią, gdyż wody stanowią około 70 proc. powierzchni ziemskiego globu. Steve Mentz, jeden z teoretyków zwrotu oceanicznego we współczesnej humanistyce, zwraca uwagę na to, że jeśli pragniemy zrozumieć dynamiczne przemiany epoki antropocenu, powinniśmy odejść od statycznych kategorii zielonych pól, ogrodów oraz żyznych gruntów, których uprawa niesie ze sobą opowieści o przetrwaniu nierozerwalnie związane ze stabilnością i przewidywalnością. W jego rozważaniach pierwszorzędne znaczenie mają niespokojne wody, niosące nieustanne zagrożenie katastrofą (wrak, rozbitek) oraz figury żeglarzy i pływaków unoszących się na wodzie, stale przebywających w niebezpiecznym środowisku. Z kolei Astrida Neimanis, związana z tradycją feministycznego nowego materializmu, podkreśla życiodajną i jednocześnie niezwykle kreatywną rolę oceanów, które w swoich niezbadanych głębinach wytwarzają wiele różnorodnych, niesamowitych nie-ludzkich ciał. Woda w jej rozważaniach staje się nie tylko gwarantką materialnej, cielesnej zmienności, lecz przede wszystkim zawsze zaskakującej, niczym nieskrępowanej naturokulturowej twórczości. Podejmując trop wskazany przez Neimanis, chciałbym przyjrzeć się artystycznym manifestacjom oceanu w filmowych obrazach Heleny Wittmann oraz Lucile Hadžihalilović, a także pokazać, w jaki sposób Olafur Eliasson upomina się o utracone ludzkie relacje z żywiołem wody. Zależy mi głównie na tym, aby ukazać związane z wodami praktyki materialno-dyskursywne. Chcę przyjrzeć się temu, w jaki sposób materialny ocean wytwarza symboliczne znaczenie, oraz pokazać, że reżyserki oprócz typowych dla klasycznej sztuki artystycznych środków wyrazu (reprezentacji i metafor) próbują za pomocą swoich filmów wytworzyć w widzach również pewnego rodzaju oceaniczne doświadczenie.","internal_url":"https://www.academia.edu/43863434/Niebieska_humanistyka_materialno_dyskursywne_do%C5%9Bwiadczenie_oceanu_w_kinie_wsp%C3%B3%C5%82czesnym","translated_internal_url":"","created_at":"2020-08-15T03:56:07.581-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":65575544,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65575544/thumbnails/1.jpg","file_name":"A._Marzec_Niebieska_humanistyka.pdf","download_url":"https://www.academia.edu/attachments/65575544/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Niebieska_humanistyka_materialno_dyskurs.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65575544/A._Marzec_Niebieska_humanistyka-libre.pdf?1612191501=\u0026response-content-disposition=attachment%3B+filename%3DNiebieska_humanistyka_materialno_dyskurs.pdf\u0026Expires=1732369631\u0026Signature=eSYfrMX-vNxlduxFY-mBOutYmd7iJeyfN8QssWcvKpATqFXoNepIdBEdZKBBUJDeCKn3RJd0QAzb18RbY3M-Ldl9-rJT8WNYtETe4wmVIgTt9nSiGAxR2vFBDkCnvCyrM2xwszT~o3zu1jQknCRS7ECog5MKVKEUxvyeibLFYTqFRxhe8y9~W61MVhBWceoUfcTBarPNGp~EOv~GCMIpNh4AscnSXTXDdWqqNMg~DlrCmvv9D9QAu4iWqqsVMVV7pxJjzQiVvUqVnn4VpdDuEZRFLQWXlxkfKwyZ1oSMqxbtFhzcnVC8~Y~Vmc-HcFdyg3B1tyKFDGh4wo8ZJ0zIXQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Niebieska_humanistyka_materialno_dyskursywne_doświadczenie_oceanu_w_kinie_współczesnym","translated_slug":"","page_count":11,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":65575544,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65575544/thumbnails/1.jpg","file_name":"A._Marzec_Niebieska_humanistyka.pdf","download_url":"https://www.academia.edu/attachments/65575544/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Niebieska_humanistyka_materialno_dyskurs.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65575544/A._Marzec_Niebieska_humanistyka-libre.pdf?1612191501=\u0026response-content-disposition=attachment%3B+filename%3DNiebieska_humanistyka_materialno_dyskurs.pdf\u0026Expires=1732369631\u0026Signature=eSYfrMX-vNxlduxFY-mBOutYmd7iJeyfN8QssWcvKpATqFXoNepIdBEdZKBBUJDeCKn3RJd0QAzb18RbY3M-Ldl9-rJT8WNYtETe4wmVIgTt9nSiGAxR2vFBDkCnvCyrM2xwszT~o3zu1jQknCRS7ECog5MKVKEUxvyeibLFYTqFRxhe8y9~W61MVhBWceoUfcTBarPNGp~EOv~GCMIpNh4AscnSXTXDdWqqNMg~DlrCmvv9D9QAu4iWqqsVMVV7pxJjzQiVvUqVnn4VpdDuEZRFLQWXlxkfKwyZ1oSMqxbtFhzcnVC8~Y~Vmc-HcFdyg3B1tyKFDGh4wo8ZJ0zIXQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":415,"name":"Oceanography","url":"https://www.academia.edu/Documents/in/Oceanography"},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":2215,"name":"Water","url":"https://www.academia.edu/Documents/in/Water"},{"id":3115,"name":"Posthumanism","url":"https://www.academia.edu/Documents/in/Posthumanism"},{"id":3329,"name":"Glacial Geology","url":"https://www.academia.edu/Documents/in/Glacial_Geology"},{"id":4035,"name":"Marine Ecology","url":"https://www.academia.edu/Documents/in/Marine_Ecology"},{"id":4523,"name":"Water quality","url":"https://www.academia.edu/Documents/in/Water_quality"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":10101,"name":"Critical Posthumanism","url":"https://www.academia.edu/Documents/in/Critical_Posthumanism"},{"id":14469,"name":"Sustainable Water Resources Management","url":"https://www.academia.edu/Documents/in/Sustainable_Water_Resources_Management"},{"id":19258,"name":"Cinema","url":"https://www.academia.edu/Documents/in/Cinema"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":45405,"name":"Global Warming","url":"https://www.academia.edu/Documents/in/Global_Warming"},{"id":48820,"name":"Shipwrecks","url":"https://www.academia.edu/Documents/in/Shipwrecks"},{"id":52745,"name":"Cinema Studies","url":"https://www.academia.edu/Documents/in/Cinema_Studies"},{"id":76626,"name":"New Materialism","url":"https://www.academia.edu/Documents/in/New_Materialism"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":738447,"name":"Blue Humanities","url":"https://www.academia.edu/Documents/in/Blue_Humanities"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37895543"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37895543/Postdigital_aesthetics_an_art_of_imperfection_disturbances_and_disintegration"><img alt="Research paper thumbnail of Postdigital aesthetics – an art of imperfection, disturbances and disintegration" class="work-thumbnail" src="https://attachments.academia-assets.com/57904751/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37895543/Postdigital_aesthetics_an_art_of_imperfection_disturbances_and_disintegration">Postdigital aesthetics – an art of imperfection, disturbances and disintegration</a></div><div class="wp-workCard_item"><span>Unframing Archives – Essays On Cinema And Visual Arts</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The article discusses the recent phenomenon of postdigital aesthetics, with a focus on postdigita...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The article discusses the recent phenomenon of postdigital aesthetics, with a focus on postdigital artists’ preference for destructive actions, and their use imperfection, distortion and errors. It analyses glitch art creators, using the theoretical tools proposed by Rosa Menkman and Michael Betancourt. It addresses the possible reasons for a return to analog in the postdigital age and for critical use of glitch in contemporary art, The art of glitch perhaps best epitomizes our postdigital condition and shows a discontinuous experience of reality.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ccfbc669e922014204de85ef798af5a6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57904751,"asset_id":37895543,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57904751/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37895543"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37895543"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37895543; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37895543]").text(description); $(".js-view-count[data-work-id=37895543]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37895543; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37895543']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 37895543, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ccfbc669e922014204de85ef798af5a6" } } $('.js-work-strip[data-work-id=37895543]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37895543,"title":"Postdigital aesthetics – an art of imperfection, disturbances and disintegration","translated_title":"","metadata":{"abstract":"The article discusses the recent phenomenon of postdigital aesthetics, with a focus on postdigital artists’ preference for destructive actions, and their use imperfection, distortion and errors. It analyses glitch art creators, using the theoretical tools proposed by Rosa Menkman and Michael Betancourt. It addresses the possible reasons for a return to analog in the postdigital age and for critical use of glitch in contemporary art, The art of glitch perhaps best epitomizes our postdigital condition and shows a discontinuous experience of reality. ","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"Unframing Archives – Essays On Cinema And Visual Arts"},"translated_abstract":"The article discusses the recent phenomenon of postdigital aesthetics, with a focus on postdigital artists’ preference for destructive actions, and their use imperfection, distortion and errors. It analyses glitch art creators, using the theoretical tools proposed by Rosa Menkman and Michael Betancourt. It addresses the possible reasons for a return to analog in the postdigital age and for critical use of glitch in contemporary art, The art of glitch perhaps best epitomizes our postdigital condition and shows a discontinuous experience of reality. ","internal_url":"https://www.academia.edu/37895543/Postdigital_aesthetics_an_art_of_imperfection_disturbances_and_disintegration","translated_internal_url":"","created_at":"2018-12-02T08:28:06.680-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":57904751,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57904751/thumbnails/1.jpg","file_name":"A._Marzec_-_Postdigital_aesthetics.pdf","download_url":"https://www.academia.edu/attachments/57904751/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Postdigital_aesthetics_an_art_of_imperfe.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57904751/A._Marzec_-_Postdigital_aesthetics-libre.pdf?1543768377=\u0026response-content-disposition=attachment%3B+filename%3DPostdigital_aesthetics_an_art_of_imperfe.pdf\u0026Expires=1732369631\u0026Signature=dY8jwHJu4CYQ-Oeka6U6SFOlKJF2-zuYzk5KA2qulF4vsFsfRpnnHAjQdYcQQSApHYs7PDtpw1~iAbzE7RHGWLEt7sliWep9Mp~heiYgyrC7ozUGW98wrDS~iF72bcA0mUQ3EEhgCJDqk8h-VnqIS~X7I3fZqYGMDAQvmgky56aI0lgGB1pwyur7rojc3CuJfl~Zn15IdY51rxgRmVAb-waMKVOyDBSutSaIVl9Y-c21X7lv82SgEBxN9YdtkZrzx9iOYWsRPTDAmfAwOlCkMSgvroLcteFGiqqjYFIszhmuf2fe1WavGX7iUs3aEQKfFdAV-1W2bpmfejUA8Nf6UQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Postdigital_aesthetics_an_art_of_imperfection_disturbances_and_disintegration","translated_slug":"","page_count":10,"language":"en","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":57904751,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57904751/thumbnails/1.jpg","file_name":"A._Marzec_-_Postdigital_aesthetics.pdf","download_url":"https://www.academia.edu/attachments/57904751/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Postdigital_aesthetics_an_art_of_imperfe.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57904751/A._Marzec_-_Postdigital_aesthetics-libre.pdf?1543768377=\u0026response-content-disposition=attachment%3B+filename%3DPostdigital_aesthetics_an_art_of_imperfe.pdf\u0026Expires=1732369631\u0026Signature=dY8jwHJu4CYQ-Oeka6U6SFOlKJF2-zuYzk5KA2qulF4vsFsfRpnnHAjQdYcQQSApHYs7PDtpw1~iAbzE7RHGWLEt7sliWep9Mp~heiYgyrC7ozUGW98wrDS~iF72bcA0mUQ3EEhgCJDqk8h-VnqIS~X7I3fZqYGMDAQvmgky56aI0lgGB1pwyur7rojc3CuJfl~Zn15IdY51rxgRmVAb-waMKVOyDBSutSaIVl9Y-c21X7lv82SgEBxN9YdtkZrzx9iOYWsRPTDAmfAwOlCkMSgvroLcteFGiqqjYFIszhmuf2fe1WavGX7iUs3aEQKfFdAV-1W2bpmfejUA8Nf6UQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":422,"name":"Computer Science","url":"https://www.academia.edu/Documents/in/Computer_Science"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":928,"name":"Media Studies","url":"https://www.academia.edu/Documents/in/Media_Studies"},{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":979,"name":"Analog Circuits","url":"https://www.academia.edu/Documents/in/Analog_Circuits"},{"id":1197,"name":"Digital Humanities","url":"https://www.academia.edu/Documents/in/Digital_Humanities"},{"id":2122,"name":"Death","url":"https://www.academia.edu/Documents/in/Death"},{"id":2123,"name":"Death Studies","url":"https://www.academia.edu/Documents/in/Death_Studies"},{"id":2869,"name":"Digital Media","url":"https://www.academia.edu/Documents/in/Digital_Media"},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art"},{"id":6865,"name":"Digital Culture","url":"https://www.academia.edu/Documents/in/Digital_Culture"},{"id":7125,"name":"Culture","url":"https://www.academia.edu/Documents/in/Culture"},{"id":8673,"name":"Digital Media \u0026 Learning","url":"https://www.academia.edu/Documents/in/Digital_Media_and_Learning"},{"id":9351,"name":"Image Analysis","url":"https://www.academia.edu/Documents/in/Image_Analysis"},{"id":10167,"name":"Hauntology","url":"https://www.academia.edu/Documents/in/Hauntology"},{"id":17160,"name":"Digital Circuits","url":"https://www.academia.edu/Documents/in/Digital_Circuits"},{"id":35938,"name":"Digital Image Processing","url":"https://www.academia.edu/Documents/in/Digital_Image_Processing"},{"id":60834,"name":"Electronic Circuits","url":"https://www.academia.edu/Documents/in/Electronic_Circuits"},{"id":61347,"name":"DIY culture","url":"https://www.academia.edu/Documents/in/DIY_culture"},{"id":350815,"name":"Glitch Art","url":"https://www.academia.edu/Documents/in/Glitch_Art"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="43962647"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/43962647/Kino_zorientowane_ku_przedmiotom_Object_oriented_cinema_"><img alt="Research paper thumbnail of Kino zorientowane ku przedmiotom (Object-oriented cinema)" class="work-thumbnail" src="https://attachments.academia-assets.com/64290171/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43962647/Kino_zorientowane_ku_przedmiotom_Object_oriented_cinema_">Kino zorientowane ku przedmiotom (Object-oriented cinema)</a></div><div class="wp-workCard_item"><span>Kwartalnik Filmowy nr 110</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The author investigates the recent phenomenon of object-oriented cinema. Interpreting the films o...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The author investigates the recent phenomenon of object-oriented cinema. Interpreting the films of Quentin Dupieux and Peter Strickland, he focuses primarily on the key category of speculative realism that is allure, and distinguishes it from sensual seduction, which it is most often confused with. Then, referring to Jane Bennett’s theory of vitalist materialism and her concept of thing-power, he asks about the agency of objects and why we find it so hard to imagine. He presents the passive-active nature of agency discussed by Bennett on the example of the latest film by James Benning "Maggie’s Farm" (2019). The author proves that aesthetics and rhetoric in object-oriented cinema are not superficial ornaments, but, on the contrary, allow individual filmmakers to look at objects in a different way.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8d74d003b7baf07960cf115f5e53afee" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64290171,"asset_id":43962647,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64290171/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43962647"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43962647"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43962647; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43962647]").text(description); $(".js-view-count[data-work-id=43962647]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43962647; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='43962647']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 43962647, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8d74d003b7baf07960cf115f5e53afee" } } $('.js-work-strip[data-work-id=43962647]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":43962647,"title":"Kino zorientowane ku przedmiotom (Object-oriented cinema)","translated_title":"","metadata":{"doi":"10.36744/kf.340","abstract":"The author investigates the recent phenomenon of object-oriented cinema. Interpreting the films of Quentin Dupieux and Peter Strickland, he focuses primarily on the key category of speculative realism that is allure, and distinguishes it from sensual seduction, which it is most often confused with. Then, referring to Jane Bennett’s theory of vitalist materialism and her concept of thing-power, he asks about the agency of objects and why we find it so hard to imagine. He presents the passive-active nature of agency discussed by Bennett on the example of the latest film by James Benning \"Maggie’s Farm\" (2019). The author proves that aesthetics and rhetoric in object-oriented cinema are not superficial ornaments, but, on the contrary, allow individual filmmakers to look at objects in a different way.","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Kwartalnik Filmowy nr 110"},"translated_abstract":"The author investigates the recent phenomenon of object-oriented cinema. Interpreting the films of Quentin Dupieux and Peter Strickland, he focuses primarily on the key category of speculative realism that is allure, and distinguishes it from sensual seduction, which it is most often confused with. Then, referring to Jane Bennett’s theory of vitalist materialism and her concept of thing-power, he asks about the agency of objects and why we find it so hard to imagine. He presents the passive-active nature of agency discussed by Bennett on the example of the latest film by James Benning \"Maggie’s Farm\" (2019). The author proves that aesthetics and rhetoric in object-oriented cinema are not superficial ornaments, but, on the contrary, allow individual filmmakers to look at objects in a different way.","internal_url":"https://www.academia.edu/43962647/Kino_zorientowane_ku_przedmiotom_Object_oriented_cinema_","translated_internal_url":"","created_at":"2020-08-27T07:14:57.945-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":64290171,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64290171/thumbnails/1.jpg","file_name":"340-Tekst artykułu-2093-1-10-20200819.pdf","download_url":"https://www.academia.edu/attachments/64290171/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Kino_zorientowane_ku_przedmiotom_Object.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64290171/340-Tekst_artyku%C5%82u-2093-1-10-20200819-libre.pdf?1598538315=\u0026response-content-disposition=attachment%3B+filename%3DKino_zorientowane_ku_przedmiotom_Object.pdf\u0026Expires=1732369631\u0026Signature=bc3GBmCVbNdtHFqFzJaUYRZemQadPOys0NdS~q1fd3cZGiXONHI5LKVuYvVMHmqR5B2zMjX1jJSbHkaxj1D1AUrougufVpMW9hVOkk2vJF-HUbEwErPpxBH4skhRSimuTwOImx9m1iR3LhR9f1e3fe-xFyDtPiUu8yNQhz-pjcon60L8-MS7DrONyTdVQBIUReCut8tgRD6x451aWT3~BzINpU2sFo78~v7XtvB76DKtH8YmTRwrhNv1mve4B7llX-3ZOJYJtgDRFl4GhALCCCgWHhGZfhEZGDtJyMR8jXemSIFCzvFcarnNdlLBCRB9FYI8Tcncpj00EAA6-g~IEg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Kino_zorientowane_ku_przedmiotom_Object_oriented_cinema_","translated_slug":"","page_count":20,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":64290171,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64290171/thumbnails/1.jpg","file_name":"340-Tekst artykułu-2093-1-10-20200819.pdf","download_url":"https://www.academia.edu/attachments/64290171/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Kino_zorientowane_ku_przedmiotom_Object.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64290171/340-Tekst_artyku%C5%82u-2093-1-10-20200819-libre.pdf?1598538315=\u0026response-content-disposition=attachment%3B+filename%3DKino_zorientowane_ku_przedmiotom_Object.pdf\u0026Expires=1732369631\u0026Signature=bc3GBmCVbNdtHFqFzJaUYRZemQadPOys0NdS~q1fd3cZGiXONHI5LKVuYvVMHmqR5B2zMjX1jJSbHkaxj1D1AUrougufVpMW9hVOkk2vJF-HUbEwErPpxBH4skhRSimuTwOImx9m1iR3LhR9f1e3fe-xFyDtPiUu8yNQhz-pjcon60L8-MS7DrONyTdVQBIUReCut8tgRD6x451aWT3~BzINpU2sFo78~v7XtvB76DKtH8YmTRwrhNv1mve4B7llX-3ZOJYJtgDRFl4GhALCCCgWHhGZfhEZGDtJyMR8jXemSIFCzvFcarnNdlLBCRB9FYI8Tcncpj00EAA6-g~IEg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":928,"name":"Media Studies","url":"https://www.academia.edu/Documents/in/Media_Studies"},{"id":988,"name":"Design","url":"https://www.academia.edu/Documents/in/Design"},{"id":1555,"name":"Film Studies","url":"https://www.academia.edu/Documents/in/Film_Studies"},{"id":1568,"name":"Film Theory","url":"https://www.academia.edu/Documents/in/Film_Theory"},{"id":3115,"name":"Posthumanism","url":"https://www.academia.edu/Documents/in/Posthumanism"},{"id":3323,"name":"Cinematic Space","url":"https://www.academia.edu/Documents/in/Cinematic_Space"},{"id":12916,"name":"Thing Theory","url":"https://www.academia.edu/Documents/in/Thing_Theory"},{"id":13792,"name":"Speculative Realism","url":"https://www.academia.edu/Documents/in/Speculative_Realism"},{"id":19258,"name":"Cinema","url":"https://www.academia.edu/Documents/in/Cinema"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":52745,"name":"Cinema Studies","url":"https://www.academia.edu/Documents/in/Cinema_Studies"},{"id":66713,"name":"Graham Harman","url":"https://www.academia.edu/Documents/in/Graham_Harman"},{"id":76626,"name":"New Materialism","url":"https://www.academia.edu/Documents/in/New_Materialism"},{"id":86638,"name":"Vitalism","url":"https://www.academia.edu/Documents/in/Vitalism"},{"id":638520,"name":"Fashion","url":"https://www.academia.edu/Documents/in/Fashion"},{"id":719142,"name":"James Benning","url":"https://www.academia.edu/Documents/in/James_Benning"},{"id":1999172,"name":"Peter Strickland","url":"https://www.academia.edu/Documents/in/Peter_Strickland"},{"id":2242763,"name":"Quentin Dupieux","url":"https://www.academia.edu/Documents/in/Quentin_Dupieux"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72536119"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72536119/Nie_ludzkie_widma_archiwum_pami%C4%99%C4%87_oraz_przetrwanie_w_epoce_antropocenu"><img alt="Research paper thumbnail of Nie-ludzkie widma - archiwum, pamięć oraz przetrwanie w epoce antropocenu" class="work-thumbnail" src="https://attachments.academia-assets.com/81426043/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72536119/Nie_ludzkie_widma_archiwum_pami%C4%99%C4%87_oraz_przetrwanie_w_epoce_antropocenu">Nie-ludzkie widma - archiwum, pamięć oraz przetrwanie w epoce antropocenu</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/CzasKultury">Czas Kultury</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://amu.academia.edu/AndrzejMarzec">Andrzej Marzec</a></span></div><div class="wp-workCard_item"><span>Czas Kultury</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Artykuł jest propozycją nie-ludzkiej widmontologii, która pragnie upomnieć się o pomijane do tej ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Artykuł jest propozycją nie-ludzkiej widmontologii, która pragnie upomnieć się o pomijane do tej pory kategorie nie-ludzkiej śmierci, melancholii, żałoby oraz materialnych śladów, pozostałości. Autor twierdzi, że wyrastająca bezpośrednio z dekonstrukcji kategoria widma doskonale opisuje i wyjaśnia destrukcyjne przemiany, dynamiczne transformacje zachodzące we współczesnych naturo-kulturach. Pojęcie widma zbyt długo usprawiedliwiało nostalgiczny wymiar ludzkiej kultury i wyjaśniało jej zamiłowanie do powrotów, niemożliwość rozstania z przeszłością. W artykule ta kategoria jest rozwijana przez autora w kontekstach: nie-ludzkiej śmierci, toksyczności, niesamowitego, symbiozy i dziedziczenia, ciemnej ekologii/hiperobiektów oraz nowych materializmów.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a1127963b5df6a030c19cd1f645f18f4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":81426043,"asset_id":72536119,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/81426043/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72536119"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72536119"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72536119; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72536119]").text(description); $(".js-view-count[data-work-id=72536119]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72536119; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72536119']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72536119, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a1127963b5df6a030c19cd1f645f18f4" } } $('.js-work-strip[data-work-id=72536119]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72536119,"title":"Nie-ludzkie widma - archiwum, pamięć oraz przetrwanie w epoce antropocenu","translated_title":"","metadata":{"abstract":"Artykuł jest propozycją nie-ludzkiej widmontologii, która pragnie upomnieć się o pomijane do tej pory kategorie nie-ludzkiej śmierci, melancholii, żałoby oraz materialnych śladów, pozostałości. Autor twierdzi, że wyrastająca bezpośrednio z dekonstrukcji kategoria widma doskonale opisuje i wyjaśnia destrukcyjne przemiany, dynamiczne transformacje zachodzące we współczesnych naturo-kulturach. Pojęcie widma zbyt długo usprawiedliwiało nostalgiczny wymiar ludzkiej kultury i wyjaśniało jej zamiłowanie do powrotów, niemożliwość rozstania z przeszłością. W artykule ta kategoria jest rozwijana przez autora w kontekstach: nie-ludzkiej śmierci, toksyczności, niesamowitego, symbiozy i dziedziczenia, ciemnej ekologii/hiperobiektów oraz nowych materializmów.","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Czas Kultury"},"translated_abstract":"Artykuł jest propozycją nie-ludzkiej widmontologii, która pragnie upomnieć się o pomijane do tej pory kategorie nie-ludzkiej śmierci, melancholii, żałoby oraz materialnych śladów, pozostałości. Autor twierdzi, że wyrastająca bezpośrednio z dekonstrukcji kategoria widma doskonale opisuje i wyjaśnia destrukcyjne przemiany, dynamiczne transformacje zachodzące we współczesnych naturo-kulturach. Pojęcie widma zbyt długo usprawiedliwiało nostalgiczny wymiar ludzkiej kultury i wyjaśniało jej zamiłowanie do powrotów, niemożliwość rozstania z przeszłością. W artykule ta kategoria jest rozwijana przez autora w kontekstach: nie-ludzkiej śmierci, toksyczności, niesamowitego, symbiozy i dziedziczenia, ciemnej ekologii/hiperobiektów oraz nowych materializmów.","internal_url":"https://www.academia.edu/72536119/Nie_ludzkie_widma_archiwum_pami%C4%99%C4%87_oraz_przetrwanie_w_epoce_antropocenu","translated_internal_url":"","created_at":"2022-02-27T05:36:48.909-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":69123326,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":37768641,"work_id":72536119,"tagging_user_id":69123326,"tagged_user_id":1934801,"co_author_invite_id":null,"email":"a***3@gmail.com","affiliation":"Adam Mickiewicz University in Poznań","display_order":1,"name":"Andrzej Marzec","title":"Nie-ludzkie widma - archiwum, pamięć oraz przetrwanie w epoce antropocenu"}],"downloadable_attachments":[{"id":81426043,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/81426043/thumbnails/1.jpg","file_name":"17_22_AMarzec_NieludzkieWidma_CzasKultury_2_2020_uu4w4n.pdf","download_url":"https://www.academia.edu/attachments/81426043/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Nie_ludzkie_widma_archiwum_pamiec_oraz_p.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/81426043/17_22_AMarzec_NieludzkieWidma_CzasKultury_2_2020_uu4w4n-libre.pdf?1645969581=\u0026response-content-disposition=attachment%3B+filename%3DNie_ludzkie_widma_archiwum_pamiec_oraz_p.pdf\u0026Expires=1732369631\u0026Signature=CiTxHaBSZpydp6ktn35P5wrDtPa8Yz64Oz5h2stwsB1yprh0ZK9LADlbNBKDFj7oV0d6Q9Ebn82jiEeEAOtFZHSAvEr9xBvCOc1IyOhf9CqSOxoWUdeD~QePQeLnvNS1x53pwMVLuRPXhbFhMER-SA--CrOeoSZu3FWBQfGTWUNve6Fx7omQeNB6t1F9CksTwMRPospe2fVO-vx79oV0jmGkZLn1tmd3AEOD6jLHyo6QLPkK7~iNrzzaD-ZSxUDE6Ia2hqziV-RdyoEwwgwLXWKPGyKRmelZmAhrbGd6Hwnd9JKJ1b-LCrOew-2dNdY8~1s~m9WAp2gGW709tSXrQA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Nie_ludzkie_widma_archiwum_pamięć_oraz_przetrwanie_w_epoce_antropocenu","translated_slug":"","page_count":6,"language":"pl","content_type":"Work","owner":{"id":69123326,"first_name":"Czas","middle_initials":"","last_name":"Kultury","page_name":"CzasKultury","domain_name":"independent","created_at":"2017-10-06T07:13:29.512-07:00","display_name":"Czas Kultury","url":"https://independent.academia.edu/CzasKultury"},"attachments":[{"id":81426043,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/81426043/thumbnails/1.jpg","file_name":"17_22_AMarzec_NieludzkieWidma_CzasKultury_2_2020_uu4w4n.pdf","download_url":"https://www.academia.edu/attachments/81426043/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Nie_ludzkie_widma_archiwum_pamiec_oraz_p.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/81426043/17_22_AMarzec_NieludzkieWidma_CzasKultury_2_2020_uu4w4n-libre.pdf?1645969581=\u0026response-content-disposition=attachment%3B+filename%3DNie_ludzkie_widma_archiwum_pamiec_oraz_p.pdf\u0026Expires=1732369631\u0026Signature=CiTxHaBSZpydp6ktn35P5wrDtPa8Yz64Oz5h2stwsB1yprh0ZK9LADlbNBKDFj7oV0d6Q9Ebn82jiEeEAOtFZHSAvEr9xBvCOc1IyOhf9CqSOxoWUdeD~QePQeLnvNS1x53pwMVLuRPXhbFhMER-SA--CrOeoSZu3FWBQfGTWUNve6Fx7omQeNB6t1F9CksTwMRPospe2fVO-vx79oV0jmGkZLn1tmd3AEOD6jLHyo6QLPkK7~iNrzzaD-ZSxUDE6Ia2hqziV-RdyoEwwgwLXWKPGyKRmelZmAhrbGd6Hwnd9JKJ1b-LCrOew-2dNdY8~1s~m9WAp2gGW709tSXrQA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="23860574"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/23860574/Vegetal_Philosophy_or_Vegetal_Thinking_"><img alt="Research paper thumbnail of Vegetal Philosophy (or Vegetal Thinking)" class="work-thumbnail" src="https://attachments.academia-assets.com/44590564/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/23860574/Vegetal_Philosophy_or_Vegetal_Thinking_">Vegetal Philosophy (or Vegetal Thinking)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The authors of this edition propose a novel and inspiring research approach to the subject of pla...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The authors of this edition propose a novel and inspiring research approach to the subject of plants, which – being a form of life that is different, yet akin to us – is a constant source of nourishment and metaphors, decoration and obsessions. The articles included in this thematic block on plants enter into lively ongoing debates on genetics, feminism, ecology and plant ontology. They are excellent examples of the fact that in Polish philosophical and cultural reflection there was an understanding very early on of the challenges that posthumanism poses to our anthropocentric intellectual habits. Foreign readers will recognize in these Polish reflections a bold willingness to ask ethical and aesthetic questions of great relevance to the modern world that go far beyond the safe, though most likely imagined, limits of what it is to be human.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="092ca22de3e2eceba5d1ce7516aa1ff4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":44590564,"asset_id":23860574,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/44590564/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="23860574"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="23860574"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 23860574; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=23860574]").text(description); $(".js-view-count[data-work-id=23860574]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 23860574; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='23860574']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 23860574, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "092ca22de3e2eceba5d1ce7516aa1ff4" } } $('.js-work-strip[data-work-id=23860574]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":23860574,"title":"Vegetal Philosophy (or Vegetal Thinking)","translated_title":"","metadata":{"abstract":"The authors of this edition propose a novel and inspiring research approach to the subject of plants, which – being a form of life that is different, yet akin to us – is a constant source of nourishment and metaphors, decoration and obsessions. The articles included in this thematic block on plants enter into lively ongoing debates on genetics, feminism, ecology and plant ontology. They are excellent examples of the fact that in Polish philosophical and cultural reflection there was an understanding very early on of the challenges that posthumanism poses to our anthropocentric intellectual habits. Foreign readers will recognize in these Polish reflections a bold willingness to ask ethical and aesthetic questions of great relevance to the modern world that go far beyond the safe, though most likely imagined, limits of what it is to be human."},"translated_abstract":"The authors of this edition propose a novel and inspiring research approach to the subject of plants, which – being a form of life that is different, yet akin to us – is a constant source of nourishment and metaphors, decoration and obsessions. The articles included in this thematic block on plants enter into lively ongoing debates on genetics, feminism, ecology and plant ontology. They are excellent examples of the fact that in Polish philosophical and cultural reflection there was an understanding very early on of the challenges that posthumanism poses to our anthropocentric intellectual habits. Foreign readers will recognize in these Polish reflections a bold willingness to ask ethical and aesthetic questions of great relevance to the modern world that go far beyond the safe, though most likely imagined, limits of what it is to be human.","internal_url":"https://www.academia.edu/23860574/Vegetal_Philosophy_or_Vegetal_Thinking_","translated_internal_url":"","created_at":"2016-03-31T04:00:57.267-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":44590564,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/44590564/thumbnails/1.jpg","file_name":"AMarzec_VegetalPhilosophy_CzasKultury_5_2008.pdf","download_url":"https://www.academia.edu/attachments/44590564/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Vegetal_Philosophy_or_Vegetal_Thinking.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/44590564/AMarzec_VegetalPhilosophy_CzasKultury_5_2008-libre.pdf?1460291553=\u0026response-content-disposition=attachment%3B+filename%3DVegetal_Philosophy_or_Vegetal_Thinking.pdf\u0026Expires=1732369631\u0026Signature=YKbwEtX9WLa6XRqzZIv6unizZ6Biv-5MmbsyYKrLWf3r2dulfp6dFh1m5NlTParsfT1nV7L6gS75ecDoptxFhdC-dsl1rgdAjdFMtRZJZkdPPk7G~tjJ37T896vLMqQQzQjqGN-pFit5x5oM-3b~6eXw6dll-WToCoklmvdI0F59--kBgsCfEQoTnxBvRWOm4ZlkmMCMQleEs4RctNkntJgBuyNWf498s5BsL0V9NlP5cAU34FmcbGIAskMuD8tTb6OHNVHyGe8Wvor4GrHg1XM2niB4Rsi77N5SJsBO1RYlrNIcpzKXJzSb71Ek1DRr7~ehEErv1zYS4LlKFjZMlg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Vegetal_Philosophy_or_Vegetal_Thinking_","translated_slug":"","page_count":15,"language":"en","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":44590564,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/44590564/thumbnails/1.jpg","file_name":"AMarzec_VegetalPhilosophy_CzasKultury_5_2008.pdf","download_url":"https://www.academia.edu/attachments/44590564/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Vegetal_Philosophy_or_Vegetal_Thinking.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/44590564/AMarzec_VegetalPhilosophy_CzasKultury_5_2008-libre.pdf?1460291553=\u0026response-content-disposition=attachment%3B+filename%3DVegetal_Philosophy_or_Vegetal_Thinking.pdf\u0026Expires=1732369631\u0026Signature=YKbwEtX9WLa6XRqzZIv6unizZ6Biv-5MmbsyYKrLWf3r2dulfp6dFh1m5NlTParsfT1nV7L6gS75ecDoptxFhdC-dsl1rgdAjdFMtRZJZkdPPk7G~tjJ37T896vLMqQQzQjqGN-pFit5x5oM-3b~6eXw6dll-WToCoklmvdI0F59--kBgsCfEQoTnxBvRWOm4ZlkmMCMQleEs4RctNkntJgBuyNWf498s5BsL0V9NlP5cAU34FmcbGIAskMuD8tTb6OHNVHyGe8Wvor4GrHg1XM2niB4Rsi77N5SJsBO1RYlrNIcpzKXJzSb71Ek1DRr7~ehEErv1zYS4LlKFjZMlg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":8,"name":"Critical Theory","url":"https://www.academia.edu/Documents/in/Critical_Theory"},{"id":145,"name":"Biochemistry","url":"https://www.academia.edu/Documents/in/Biochemistry"},{"id":148,"name":"Botany","url":"https://www.academia.edu/Documents/in/Botany"},{"id":153,"name":"Landscape Ecology","url":"https://www.academia.edu/Documents/in/Landscape_Ecology"},{"id":155,"name":"Evolutionary Biology","url":"https://www.academia.edu/Documents/in/Evolutionary_Biology"},{"id":156,"name":"Genetics","url":"https://www.academia.edu/Documents/in/Genetics"},{"id":169,"name":"Systematics (Taxonomy)","url":"https://www.academia.edu/Documents/in/Systematics_Taxonomy_"},{"id":184,"name":"Sociology","url":"https://www.academia.edu/Documents/in/Sociology"},{"id":197,"name":"Human Ecology","url":"https://www.academia.edu/Documents/in/Human_Ecology"},{"id":280,"name":"Cartography","url":"https://www.academia.edu/Documents/in/Cartography"},{"id":768,"name":"Biological Anthropology","url":"https://www.academia.edu/Documents/in/Biological_Anthropology"},{"id":771,"name":"Human Behavioral Ecology","url":"https://www.academia.edu/Documents/in/Human_Behavioral_Ecology"},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":805,"name":"Ontology","url":"https://www.academia.edu/Documents/in/Ontology"},{"id":817,"name":"Philosophy of Agency","url":"https://www.academia.edu/Documents/in/Philosophy_of_Agency"},{"id":821,"name":"Philosophy of Science","url":"https://www.academia.edu/Documents/in/Philosophy_of_Science"},{"id":823,"name":"Philosophy of Biology","url":"https://www.academia.edu/Documents/in/Philosophy_of_Biology"},{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":1035,"name":"Animal Science","url":"https://www.academia.edu/Documents/in/Animal_Science"},{"id":1041,"name":"Forestry","url":"https://www.academia.edu/Documents/in/Forestry"},{"id":1233,"name":"Social Networks","url":"https://www.academia.edu/Documents/in/Social_Networks"},{"id":1237,"name":"Social Sciences","url":"https://www.academia.edu/Documents/in/Social_Sciences"},{"id":1360,"name":"Plant Ecology","url":"https://www.academia.edu/Documents/in/Plant_Ecology"},{"id":1414,"name":"Bioethics","url":"https://www.academia.edu/Documents/in/Bioethics"},{"id":1629,"name":"French Studies","url":"https://www.academia.edu/Documents/in/French_Studies"},{"id":2061,"name":"Genealogy","url":"https://www.academia.edu/Documents/in/Genealogy"},{"id":2467,"name":"Conservation Biology","url":"https://www.academia.edu/Documents/in/Conservation_Biology"},{"id":2513,"name":"Molecular Biology","url":"https://www.academia.edu/Documents/in/Molecular_Biology"},{"id":2553,"name":"Social Networking","url":"https://www.academia.edu/Documents/in/Social_Networking"},{"id":3115,"name":"Posthumanism","url":"https://www.academia.edu/Documents/in/Posthumanism"},{"id":3132,"name":"Biomechanics","url":"https://www.academia.edu/Documents/in/Biomechanics"},{"id":3233,"name":"Animal Studies","url":"https://www.academia.edu/Documents/in/Animal_Studies"},{"id":3284,"name":"Bacteriology","url":"https://www.academia.edu/Documents/in/Bacteriology"},{"id":3354,"name":"Poststructuralism","url":"https://www.academia.edu/Documents/in/Poststructuralism"},{"id":3407,"name":"Environmental Studies","url":"https://www.academia.edu/Documents/in/Environmental_Studies"},{"id":3408,"name":"Green Chemistry","url":"https://www.academia.edu/Documents/in/Green_Chemistry"},{"id":3499,"name":"Social and Cultural Anthropology","url":"https://www.academia.edu/Documents/in/Social_and_Cultural_Anthropology"},{"id":3939,"name":"History and Philosophy of Biology","url":"https://www.academia.edu/Documents/in/History_and_Philosophy_of_Biology"},{"id":4195,"name":"Cultural Theory","url":"https://www.academia.edu/Documents/in/Cultural_Theory"},{"id":4368,"name":"Green Infrastructure","url":"https://www.academia.edu/Documents/in/Green_Infrastructure"},{"id":4474,"name":"Critical Thinking","url":"https://www.academia.edu/Documents/in/Critical_Thinking"},{"id":4728,"name":"Systems Thinking","url":"https://www.academia.edu/Documents/in/Systems_Thinking"},{"id":5026,"name":"Genetic Algorithms","url":"https://www.academia.edu/Documents/in/Genetic_Algorithms"},{"id":5398,"name":"Biotechnology","url":"https://www.academia.edu/Documents/in/Biotechnology"},{"id":5541,"name":"Plant Biology","url":"https://www.academia.edu/Documents/in/Plant_Biology"},{"id":5606,"name":"Aquatic botany","url":"https://www.academia.edu/Documents/in/Aquatic_botany"},{"id":5960,"name":"Continental Philosophy","url":"https://www.academia.edu/Documents/in/Continental_Philosophy"},{"id":6784,"name":"Contemporary French Philosophy","url":"https://www.academia.edu/Documents/in/Contemporary_French_Philosophy"},{"id":7076,"name":"Taxonomy","url":"https://www.academia.edu/Documents/in/Taxonomy"},{"id":7217,"name":"The Abject Body","url":"https://www.academia.edu/Documents/in/The_Abject_Body"},{"id":7653,"name":"Forest Ecology And Management","url":"https://www.academia.edu/Documents/in/Forest_Ecology_And_Management"},{"id":7710,"name":"Biology","url":"https://www.academia.edu/Documents/in/Biology"},{"id":7737,"name":"Post-Human","url":"https://www.academia.edu/Documents/in/Post-Human"},{"id":7738,"name":"Guattari","url":"https://www.academia.edu/Documents/in/Guattari"},{"id":7774,"name":"Aesthetics Of Nature","url":"https://www.academia.edu/Documents/in/Aesthetics_Of_Nature"},{"id":7842,"name":"Green Marketing","url":"https://www.academia.edu/Documents/in/Green_Marketing"},{"id":7997,"name":"Invasive species ecology","url":"https://www.academia.edu/Documents/in/Invasive_species_ecology"},{"id":8208,"name":"Rational Choice","url":"https://www.academia.edu/Documents/in/Rational_Choice"},{"id":8218,"name":"Networks","url":"https://www.academia.edu/Documents/in/Networks"},{"id":8302,"name":"Gilles Deleuze","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze"},{"id":8329,"name":"Responses of plant to abiotic stresses","url":"https://www.academia.edu/Documents/in/Responses_of_plant_to_abiotic_stresses"},{"id":8671,"name":"Abjection","url":"https://www.academia.edu/Documents/in/Abjection"},{"id":9039,"name":"Felix Guattari","url":"https://www.academia.edu/Documents/in/Felix_Guattari"},{"id":9135,"name":"The Internet of Things","url":"https://www.academia.edu/Documents/in/The_Internet_of_Things"},{"id":9539,"name":"Materialism","url":"https://www.academia.edu/Documents/in/Materialism"},{"id":9780,"name":"Insect-Plant Interactions","url":"https://www.academia.edu/Documents/in/Insect-Plant_Interactions"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":9981,"name":"Plant Tissue Culture","url":"https://www.academia.edu/Documents/in/Plant_Tissue_Culture"},{"id":10101,"name":"Critical Posthumanism","url":"https://www.academia.edu/Documents/in/Critical_Posthumanism"},{"id":10444,"name":"Postmodernism","url":"https://www.academia.edu/Documents/in/Postmodernism"},{"id":10650,"name":"Materials","url":"https://www.academia.edu/Documents/in/Materials"},{"id":11191,"name":"Plant-Animal Interactions","url":"https://www.academia.edu/Documents/in/Plant-Animal_Interactions"},{"id":11228,"name":"Mycology and Plant pathology","url":"https://www.academia.edu/Documents/in/Mycology_and_Plant_pathology"},{"id":11230,"name":"Biocontrol of Plant Pathogens","url":"https://www.academia.edu/Documents/in/Biocontrol_of_Plant_Pathogens"},{"id":11510,"name":"Deleuze","url":"https://www.academia.edu/Documents/in/Deleuze"},{"id":11598,"name":"Neural Networks","url":"https://www.academia.edu/Documents/in/Neural_Networks"},{"id":12040,"name":"Jacques Derrida","url":"https://www.academia.edu/Documents/in/Jacques_Derrida"},{"id":12482,"name":"Botanical literature","url":"https://www.academia.edu/Documents/in/Botanical_literature"},{"id":13075,"name":"History of Biology","url":"https://www.academia.edu/Documents/in/History_of_Biology"},{"id":13372,"name":"Plant Taxonomy (Taxonomy)","url":"https://www.academia.edu/Documents/in/Plant_Taxonomy_Taxonomy_"},{"id":13373,"name":"Plant Systematics","url":"https://www.academia.edu/Documents/in/Plant_Systematics"},{"id":13501,"name":"Vegetation Ecology","url":"https://www.academia.edu/Documents/in/Vegetation_Ecology"},{"id":13827,"name":"Cell Biology","url":"https://www.academia.edu/Documents/in/Cell_Biology"},{"id":14282,"name":"Postmodern Fiction","url":"https://www.academia.edu/Documents/in/Postmodern_Fiction"},{"id":14892,"name":"Vegetarianism","url":"https://www.academia.edu/Documents/in/Vegetarianism"},{"id":14933,"name":"Plant Breeding","url":"https://www.academia.edu/Documents/in/Plant_Breeding"},{"id":14941,"name":"Plant Tissue Culture and Genetic Transformation","url":"https://www.academia.edu/Documents/in/Plant_Tissue_Culture_and_Genetic_Transformation"},{"id":15019,"name":"Medicinal Plants","url":"https://www.academia.edu/Documents/in/Medicinal_Plants"},{"id":15482,"name":"Structuralism/Post-Structuralism","url":"https://www.academia.edu/Documents/in/Structuralism_Post-Structuralism"},{"id":15596,"name":"Posthumanist Ethics","url":"https://www.academia.edu/Documents/in/Posthumanist_Ethics"},{"id":16201,"name":"Ecocriticism","url":"https://www.academia.edu/Documents/in/Ecocriticism"},{"id":16226,"name":"Materiality (Anthropology)","url":"https://www.academia.edu/Documents/in/Materiality_Anthropology_"},{"id":16433,"name":"Nature Culture","url":"https://www.academia.edu/Documents/in/Nature_Culture"},{"id":16580,"name":"Plant Physiology (Biology)","url":"https://www.academia.edu/Documents/in/Plant_Physiology_Biology_"},{"id":16743,"name":"Plant domestication (Prehistoric Archaeology)","url":"https://www.academia.edu/Documents/in/Plant_domestication_Prehistoric_Archaeology_"},{"id":16794,"name":"Green architecture","url":"https://www.academia.edu/Documents/in/Green_architecture"},{"id":17440,"name":"Humanism","url":"https://www.academia.edu/Documents/in/Humanism"},{"id":17823,"name":"Biogeography","url":"https://www.academia.edu/Documents/in/Biogeography"},{"id":17825,"name":"Biodiversity","url":"https://www.academia.edu/Documents/in/Biodiversity"},{"id":17829,"name":"Forest Ecology","url":"https://www.academia.edu/Documents/in/Forest_Ecology"},{"id":17910,"name":"Field botany","url":"https://www.academia.edu/Documents/in/Field_botany"},{"id":18187,"name":"Rationalism","url":"https://www.academia.edu/Documents/in/Rationalism"},{"id":18225,"name":"Plant biotechnology","url":"https://www.academia.edu/Documents/in/Plant_biotechnology"},{"id":18845,"name":"Environmental Sustainability","url":"https://www.academia.edu/Documents/in/Environmental_Sustainability"},{"id":18916,"name":"Critical Theory and Difference","url":"https://www.academia.edu/Documents/in/Critical_Theory_and_Difference"},{"id":18945,"name":"Veganism (Anthropology)","url":"https://www.academia.edu/Documents/in/Veganism_Anthropology_"},{"id":19100,"name":"Design thinking","url":"https://www.academia.edu/Documents/in/Design_thinking"},{"id":19304,"name":"Vegetable Science","url":"https://www.academia.edu/Documents/in/Vegetable_Science"},{"id":19406,"name":"Human-wildlife conflicts","url":"https://www.academia.edu/Documents/in/Human-wildlife_conflicts"},{"id":19632,"name":"Molecular Genetics","url":"https://www.academia.edu/Documents/in/Molecular_Genetics"},{"id":19915,"name":"Gilles Deleuze and Felix Guattari","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze_and_Felix_Guattari"},{"id":19936,"name":"Lichenology","url":"https://www.academia.edu/Documents/in/Lichenology"},{"id":20284,"name":"Plant Stress Physiology","url":"https://www.academia.edu/Documents/in/Plant_Stress_Physiology"},{"id":20348,"name":"Plant breeding and genetics","url":"https://www.academia.edu/Documents/in/Plant_breeding_and_genetics"},{"id":21220,"name":"Creative thinking","url":"https://www.academia.edu/Documents/in/Creative_thinking"},{"id":21299,"name":"Fruits and Nuts","url":"https://www.academia.edu/Documents/in/Fruits_and_Nuts"},{"id":21754,"name":"Schizoanalysis","url":"https://www.academia.edu/Documents/in/Schizoanalysis"},{"id":21755,"name":"Rhizomes","url":"https://www.academia.edu/Documents/in/Rhizomes"},{"id":22797,"name":"Critical Thinking and Creativity","url":"https://www.academia.edu/Documents/in/Critical_Thinking_and_Creativity"},{"id":23193,"name":"Environmental Humanities","url":"https://www.academia.edu/Documents/in/Environmental_Humanities"},{"id":23546,"name":"Plant Nutrition","url":"https://www.academia.edu/Documents/in/Plant_Nutrition"},{"id":24038,"name":"Networking","url":"https://www.academia.edu/Documents/in/Networking"},{"id":24598,"name":"Aquatic Plants","url":"https://www.academia.edu/Documents/in/Aquatic_Plants"},{"id":25273,"name":"French philosophy","url":"https://www.academia.edu/Documents/in/French_philosophy"},{"id":25613,"name":"Philosophy of Nature","url":"https://www.academia.edu/Documents/in/Philosophy_of_Nature"},{"id":25657,"name":"Plant Molecular Biology","url":"https://www.academia.edu/Documents/in/Plant_Molecular_Biology"},{"id":25658,"name":"Plant Virology","url":"https://www.academia.edu/Documents/in/Plant_Virology"},{"id":26291,"name":"Postmodern Literature","url":"https://www.academia.edu/Documents/in/Postmodern_Literature"},{"id":26586,"name":"Anthropocentrism","url":"https://www.academia.edu/Documents/in/Anthropocentrism"},{"id":26853,"name":"Animism","url":"https://www.academia.edu/Documents/in/Animism"},{"id":27482,"name":"Plant Science","url":"https://www.academia.edu/Documents/in/Plant_Science"},{"id":27573,"name":"Derrida","url":"https://www.academia.edu/Documents/in/Derrida"},{"id":27903,"name":"Affect (Cultural Theory)","url":"https://www.academia.edu/Documents/in/Affect_Cultural_Theory_"},{"id":28218,"name":"Modern and Postmodern Historiography","url":"https://www.academia.edu/Documents/in/Modern_and_Postmodern_Historiography"},{"id":28299,"name":"Argumentation Theory and Critical Thinking","url":"https://www.academia.edu/Documents/in/Argumentation_Theory_and_Critical_Thinking"},{"id":30048,"name":"Individual Differences","url":"https://www.academia.edu/Documents/in/Individual_Differences"},{"id":32938,"name":"Pluralism","url":"https://www.academia.edu/Documents/in/Pluralism"},{"id":33319,"name":"Nature","url":"https://www.academia.edu/Documents/in/Nature"},{"id":34273,"name":"Transhumanism/Posthumanism","url":"https://www.academia.edu/Documents/in/Transhumanism_Posthumanism"},{"id":34292,"name":"Poststructuralist Theory","url":"https://www.academia.edu/Documents/in/Poststructuralist_Theory"},{"id":34576,"name":"Mutualism","url":"https://www.academia.edu/Documents/in/Mutualism"},{"id":35722,"name":"Philosophy of Nature and the Environment","url":"https://www.academia.edu/Documents/in/Philosophy_of_Nature_and_the_Environment"},{"id":36369,"name":"Human-Nonhuman Assemblages","url":"https://www.academia.edu/Documents/in/Human-Nonhuman_Assemblages"},{"id":36917,"name":"Animals and non-humans","url":"https://www.academia.edu/Documents/in/Animals_and_non-humans"},{"id":37270,"name":"Biology Education","url":"https://www.academia.edu/Documents/in/Biology_Education"},{"id":37344,"name":"Earth and Environmental Sciences","url":"https://www.academia.edu/Documents/in/Earth_and_Environmental_Sciences"},{"id":38028,"name":"Anarchism \u0026 Postmodern Theory","url":"https://www.academia.edu/Documents/in/Anarchism_and_Postmodern_Theory"},{"id":38870,"name":"Contemporary Philosophy","url":"https://www.academia.edu/Documents/in/Contemporary_Philosophy"},{"id":39738,"name":"Anthropocene studies","url":"https://www.academia.edu/Documents/in/Anthropocene_studies"},{"id":40329,"name":"Donna Haraway","url":"https://www.academia.edu/Documents/in/Donna_Haraway"},{"id":41749,"name":"Genetic Engineering","url":"https://www.academia.edu/Documents/in/Genetic_Engineering"},{"id":42496,"name":"Heterogeneity","url":"https://www.academia.edu/Documents/in/Heterogeneity"},{"id":43028,"name":"Genetic Diversity","url":"https://www.academia.edu/Documents/in/Genetic_Diversity"},{"id":43165,"name":"Tropical Fruits","url":"https://www.academia.edu/Documents/in/Tropical_Fruits"},{"id":44390,"name":"Vegetation History and Archaeobotany","url":"https://www.academia.edu/Documents/in/Vegetation_History_and_Archaeobotany"},{"id":45614,"name":"Plant Morphology","url":"https://www.academia.edu/Documents/in/Plant_Morphology"},{"id":45615,"name":"Plant Anatomy","url":"https://www.academia.edu/Documents/in/Plant_Anatomy"},{"id":45617,"name":"Plant Diversity","url":"https://www.academia.edu/Documents/in/Plant_Diversity"},{"id":46632,"name":"Green Construction","url":"https://www.academia.edu/Documents/in/Green_Construction"},{"id":46633,"name":"Green Building","url":"https://www.academia.edu/Documents/in/Green_Building"},{"id":46731,"name":"Think Tanks","url":"https://www.academia.edu/Documents/in/Think_Tanks"},{"id":46901,"name":"Human Biology","url":"https://www.academia.edu/Documents/in/Human_Biology"},{"id":47884,"name":"Biological Sciences","url":"https://www.academia.edu/Documents/in/Biological_Sciences"},{"id":48166,"name":"Ethical veganism","url":"https://www.academia.edu/Documents/in/Ethical_veganism"},{"id":48220,"name":"Posthumanist Ontology","url":"https://www.academia.edu/Documents/in/Posthumanist_Ontology"},{"id":50365,"name":"Filosofie","url":"https://www.academia.edu/Documents/in/Filosofie"},{"id":51610,"name":"Postmodernity","url":"https://www.academia.edu/Documents/in/Postmodernity"},{"id":52421,"name":"Green Technology","url":"https://www.academia.edu/Documents/in/Green_Technology"},{"id":52422,"name":"Green Energy","url":"https://www.academia.edu/Documents/in/Green_Energy"},{"id":52867,"name":"Rationality","url":"https://www.academia.edu/Documents/in/Rationality"},{"id":52937,"name":"Plant Taxonomy","url":"https://www.academia.edu/Documents/in/Plant_Taxonomy"},{"id":53338,"name":"Decision Trees","url":"https://www.academia.edu/Documents/in/Decision_Trees"},{"id":57461,"name":"Plant Physiology","url":"https://www.academia.edu/Documents/in/Plant_Physiology"},{"id":58335,"name":"Plant Ecophysiology","url":"https://www.academia.edu/Documents/in/Plant_Ecophysiology"},{"id":60268,"name":"Postmodern","url":"https://www.academia.edu/Documents/in/Postmodern"},{"id":61251,"name":"Filosofía","url":"https://www.academia.edu/Documents/in/Filosof%C3%ADa"},{"id":61314,"name":"Ecocriticism and Ecofeminism","url":"https://www.academia.edu/Documents/in/Ecocriticism_and_Ecofeminism"},{"id":61922,"name":"Agency","url":"https://www.academia.edu/Documents/in/Agency"},{"id":63431,"name":"Solar Energy","url":"https://www.academia.edu/Documents/in/Solar_Energy"},{"id":63518,"name":"Plant microbe interactions","url":"https://www.academia.edu/Documents/in/Plant_microbe_interactions"},{"id":63648,"name":"Biology, botany, lichenology","url":"https://www.academia.edu/Documents/in/Biology_botany_lichenology"},{"id":66057,"name":"Work-Life Balance","url":"https://www.academia.edu/Documents/in/Work-Life_Balance"},{"id":66802,"name":"Filosofía contemporánea","url":"https://www.academia.edu/Documents/in/Filosof%C3%ADa_contempor%C3%A1nea"},{"id":67401,"name":"Mutagenesis","url":"https://www.academia.edu/Documents/in/Mutagenesis"},{"id":69204,"name":"Green Architecture and Environmental Design","url":"https://www.academia.edu/Documents/in/Green_Architecture_and_Environmental_Design"},{"id":69550,"name":"Economic botany","url":"https://www.academia.edu/Documents/in/Economic_botany"},{"id":69946,"name":"Contemporary Continental Philosophy","url":"https://www.academia.edu/Documents/in/Contemporary_Continental_Philosophy"},{"id":71685,"name":"Flora","url":"https://www.academia.edu/Documents/in/Flora"},{"id":71741,"name":"Poststructuralist Anarchism","url":"https://www.academia.edu/Documents/in/Poststructuralist_Anarchism"},{"id":72643,"name":"Tree Physiology","url":"https://www.academia.edu/Documents/in/Tree_Physiology"},{"id":73418,"name":"Medicinal plants and natural products","url":"https://www.academia.edu/Documents/in/Medicinal_plants_and_natural_products"},{"id":73421,"name":"French Critical Theory","url":"https://www.academia.edu/Documents/in/French_Critical_Theory"},{"id":74780,"name":"Mutation","url":"https://www.academia.edu/Documents/in/Mutation"},{"id":76626,"name":"New Materialism","url":"https://www.academia.edu/Documents/in/New_Materialism"},{"id":79465,"name":"Materiality","url":"https://www.academia.edu/Documents/in/Materiality"},{"id":82145,"name":"Virus","url":"https://www.academia.edu/Documents/in/Virus"},{"id":83925,"name":"Biologia","url":"https://www.academia.edu/Documents/in/Biologia"},{"id":86369,"name":"Ecologia","url":"https://www.academia.edu/Documents/in/Ecologia"},{"id":86370,"name":"Genetica","url":"https://www.academia.edu/Documents/in/Genetica"},{"id":86626,"name":"Veganism","url":"https://www.academia.edu/Documents/in/Veganism"},{"id":88775,"name":"Fruits and vegetables","url":"https://www.academia.edu/Documents/in/Fruits_and_vegetables"},{"id":89623,"name":"Postharvest Physiology of Fruits and Vegetables","url":"https://www.academia.edu/Documents/in/Postharvest_Physiology_of_Fruits_and_Vegetables"},{"id":91216,"name":"Green Design","url":"https://www.academia.edu/Documents/in/Green_Design"},{"id":92703,"name":"Botany, Functional Ecology, Population Biology of Plants","url":"https://www.academia.edu/Documents/in/Botany_Functional_Ecology_Population_Biology_of_Plants"},{"id":92776,"name":"Ciencias Sociales","url":"https://www.academia.edu/Documents/in/Ciencias_Sociales"},{"id":99358,"name":"Botanica","url":"https://www.academia.edu/Documents/in/Botanica"},{"id":103011,"name":"Plant Biotechnology and Molecular Biology","url":"https://www.academia.edu/Documents/in/Plant_Biotechnology_and_Molecular_Biology"},{"id":108112,"name":"Tropical forest","url":"https://www.academia.edu/Documents/in/Tropical_forest"},{"id":111956,"name":"Feminist Posthumanism","url":"https://www.academia.edu/Documents/in/Feminist_Posthumanism"},{"id":113903,"name":"Bacteria","url":"https://www.academia.edu/Documents/in/Bacteria"},{"id":114693,"name":"Multiplicity","url":"https://www.academia.edu/Documents/in/Multiplicity"},{"id":116369,"name":"Citrus Fruits","url":"https://www.academia.edu/Documents/in/Citrus_Fruits"},{"id":117797,"name":"Floral Analysis","url":"https://www.academia.edu/Documents/in/Floral_Analysis"},{"id":118021,"name":"Critical Thinking Skills","url":"https://www.academia.edu/Documents/in/Critical_Thinking_Skills"},{"id":118579,"name":"Post-Humanism","url":"https://www.academia.edu/Documents/in/Post-Humanism"},{"id":121435,"name":"Material Ecocriticism","url":"https://www.academia.edu/Documents/in/Material_Ecocriticism"},{"id":127242,"name":"Becoming","url":"https://www.academia.edu/Documents/in/Becoming"},{"id":129138,"name":"Floral biology","url":"https://www.academia.edu/Documents/in/Floral_biology"},{"id":129792,"name":"Fisiología Vegetal","url":"https://www.academia.edu/Documents/in/Fisiolog%C3%ADa_Vegetal"},{"id":130822,"name":"Flowers","url":"https://www.academia.edu/Documents/in/Flowers"},{"id":131910,"name":"Postmodernizm","url":"https://www.academia.edu/Documents/in/Postmodernizm"},{"id":133873,"name":"Plants","url":"https://www.academia.edu/Documents/in/Plants"},{"id":134327,"name":"Material Culture \u0026 Materiality","url":"https://www.academia.edu/Documents/in/Material_Culture_and_Materiality"},{"id":136473,"name":"Threatened species and ecosystems","url":"https://www.academia.edu/Documents/in/Threatened_species_and_ecosystems"},{"id":144923,"name":"Virality","url":"https://www.academia.edu/Documents/in/Virality"},{"id":148241,"name":"Rhizomatics","url":"https://www.academia.edu/Documents/in/Rhizomatics"},{"id":149132,"name":"Lichens","url":"https://www.academia.edu/Documents/in/Lichens"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":151753,"name":"New Species","url":"https://www.academia.edu/Documents/in/New_Species"},{"id":153569,"name":"Plant sciences","url":"https://www.academia.edu/Documents/in/Plant_sciences"},{"id":155571,"name":"Posthuman Theory","url":"https://www.academia.edu/Documents/in/Posthuman_Theory"},{"id":157953,"name":"Biotecnologia vegetal","url":"https://www.academia.edu/Documents/in/Biotecnologia_vegetal"},{"id":158442,"name":"History of Botany","url":"https://www.academia.edu/Documents/in/History_of_Botany"},{"id":160814,"name":"Fruit","url":"https://www.academia.edu/Documents/in/Fruit"},{"id":161512,"name":"Plant Biochemistry","url":"https://www.academia.edu/Documents/in/Plant_Biochemistry"},{"id":162271,"name":"Decision Tree","url":"https://www.academia.edu/Documents/in/Decision_Tree"},{"id":166845,"name":"Community Forestry","url":"https://www.academia.edu/Documents/in/Community_Forestry"},{"id":170531,"name":"Botany and Etnobotany","url":"https://www.academia.edu/Documents/in/Botany_and_Etnobotany"},{"id":172797,"name":"Plant morphology and anatomy","url":"https://www.academia.edu/Documents/in/Plant_morphology_and_anatomy"},{"id":176238,"name":"Trees","url":"https://www.academia.edu/Documents/in/Trees"},{"id":186268,"name":"Fruits","url":"https://www.academia.edu/Documents/in/Fruits"},{"id":194066,"name":"Systematic Botany, Taxonomy, History of Botany","url":"https://www.academia.edu/Documents/in/Systematic_Botany_Taxonomy_History_of_Botany"},{"id":194565,"name":"Botanica sistematica","url":"https://www.academia.edu/Documents/in/Botanica_sistematica"},{"id":199056,"name":"Species Richness","url":"https://www.academia.edu/Documents/in/Species_Richness"},{"id":203003,"name":"Posthuman","url":"https://www.academia.edu/Documents/in/Posthuman"},{"id":203065,"name":"Becoming Animal","url":"https://www.academia.edu/Documents/in/Becoming_Animal"},{"id":203926,"name":"Plant Protection","url":"https://www.academia.edu/Documents/in/Plant_Protection"},{"id":208544,"name":"Vegetables","url":"https://www.academia.edu/Documents/in/Vegetables"},{"id":211241,"name":"Flora and Vegetation","url":"https://www.academia.edu/Documents/in/Flora_and_Vegetation"},{"id":224606,"name":"Ecología","url":"https://www.academia.edu/Documents/in/Ecolog%C3%ADa"},{"id":224636,"name":"Vegetation","url":"https://www.academia.edu/Documents/in/Vegetation"},{"id":237199,"name":"Human-Nonhuman relations","url":"https://www.academia.edu/Documents/in/Human-Nonhuman_relations"},{"id":243618,"name":"DELEUZE-FOUCAULT","url":"https://www.academia.edu/Documents/in/DELEUZE-FOUCAULT"},{"id":248985,"name":"New Materialisms","url":"https://www.academia.edu/Documents/in/New_Materialisms"},{"id":253477,"name":"Posthumanismo","url":"https://www.academia.edu/Documents/in/Posthumanismo"},{"id":254818,"name":"Department of Botany and Biotechnology","url":"https://www.academia.edu/Documents/in/Department_of_Botany_and_Biotechnology"},{"id":271859,"name":"Genetics and Plant Breeding","url":"https://www.academia.edu/Documents/in/Genetics_and_Plant_Breeding"},{"id":284432,"name":"Deleuze, rhizome, network","url":"https://www.academia.edu/Documents/in/Deleuze_rhizome_network"},{"id":287301,"name":"French Theory","url":"https://www.academia.edu/Documents/in/French_Theory"},{"id":298260,"name":"Wild edible plants","url":"https://www.academia.edu/Documents/in/Wild_edible_plants"},{"id":301008,"name":"Deleuze Studies","url":"https://www.academia.edu/Documents/in/Deleuze_Studies"},{"id":315008,"name":"Floral diversity","url":"https://www.academia.edu/Documents/in/Floral_diversity"},{"id":354056,"name":"Plant extracts","url":"https://www.academia.edu/Documents/in/Plant_extracts"},{"id":373296,"name":"Non-Anthropocentric Knowledge","url":"https://www.academia.edu/Documents/in/Non-Anthropocentric_Knowledge"},{"id":373895,"name":"medicinal \u0026 Aromatic plants","url":"https://www.academia.edu/Documents/in/medicinal_and_Aromatic_plants"},{"id":375907,"name":"Posthumanities","url":"https://www.academia.edu/Documents/in/Posthumanities"},{"id":375960,"name":"Soil Fertility and Plant Nutrition","url":"https://www.academia.edu/Documents/in/Soil_Fertility_and_Plant_Nutrition"},{"id":388767,"name":"Simulacrum","url":"https://www.academia.edu/Documents/in/Simulacrum"},{"id":389042,"name":"Fruit Science","url":"https://www.academia.edu/Documents/in/Fruit_Science"},{"id":426231,"name":"Filosofía francesa contemporánea","url":"https://www.academia.edu/Documents/in/Filosofia_francesa_contemporanea"},{"id":440941,"name":"Posthumanism in Popular Culture","url":"https://www.academia.edu/Documents/in/Posthumanism_in_Popular_Culture"},{"id":443098,"name":"Anthropocene Age and Environment Security","url":"https://www.academia.edu/Documents/in/Anthropocene_Age_and_Environment_Security"},{"id":483826,"name":"Anthropocentric","url":"https://www.academia.edu/Documents/in/Anthropocentric"},{"id":494465,"name":"Anthropocentrism Vs Biocentrism","url":"https://www.academia.edu/Documents/in/Anthropocentrism_Vs_Biocentrism"},{"id":513907,"name":"Botanique","url":"https://www.academia.edu/Documents/in/Botanique"},{"id":514153,"name":"20th century French philosophy","url":"https://www.academia.edu/Documents/in/20th_century_French_philosophy"},{"id":519936,"name":"Endemic Plants","url":"https://www.academia.edu/Documents/in/Endemic_Plants"},{"id":543323,"name":"Deleuze and Guattari","url":"https://www.academia.edu/Documents/in/Deleuze_and_Guattari"},{"id":563262,"name":"Feminist new materialism","url":"https://www.academia.edu/Documents/in/Feminist_new_materialism"},{"id":581391,"name":"Forestry Science","url":"https://www.academia.edu/Documents/in/Forestry_Science"},{"id":581656,"name":"Rhizome","url":"https://www.academia.edu/Documents/in/Rhizome"},{"id":605576,"name":"Environmental Crisis + Anthropocentrism","url":"https://www.academia.edu/Documents/in/Environmental_Crisis_Anthropocentrism"},{"id":620285,"name":"History of Philosophy","url":"https://www.academia.edu/Documents/in/History_of_Philosophy"},{"id":624980,"name":"Plant Pathology","url":"https://www.academia.edu/Documents/in/Plant_Pathology"},{"id":646991,"name":"Green and Sustainability Practices","url":"https://www.academia.edu/Documents/in/Green_and_Sustainability_Practices"},{"id":672527,"name":"Antihumanism/Posthumanism/Nonhumanism","url":"https://www.academia.edu/Documents/in/Antihumanism_Posthumanism_Nonhumanism"},{"id":679549,"name":"Ecological Posthumanism","url":"https://www.academia.edu/Documents/in/Ecological_Posthumanism"},{"id":711564,"name":"Society in the Anthropocene","url":"https://www.academia.edu/Documents/in/Society_in_the_Anthropocene"},{"id":722283,"name":"Anti-Oedipus","url":"https://www.academia.edu/Documents/in/Anti-Oedipus"},{"id":727416,"name":"Concepts of Modernism and Postmodernism","url":"https://www.academia.edu/Documents/in/Concepts_of_Modernism_and_Postmodernism"},{"id":736788,"name":"Environmental Philosophy, Environmental Humanities","url":"https://www.academia.edu/Documents/in/Environmental_Philosophy_Environmental_Humanities"},{"id":740895,"name":"Ecocritical Theory","url":"https://www.academia.edu/Documents/in/Ecocritical_Theory"},{"id":764970,"name":"Body Politics and Posthuman","url":"https://www.academia.edu/Documents/in/Body_Politics_and_Posthuman"},{"id":779381,"name":"Sytematic Botany","url":"https://www.academia.edu/Documents/in/Sytematic_Botany"},{"id":781620,"name":"Culture and the Anthropocene","url":"https://www.academia.edu/Documents/in/Culture_and_the_Anthropocene"},{"id":790519,"name":"Threatened Plants","url":"https://www.academia.edu/Documents/in/Threatened_Plants"},{"id":803989,"name":"The Anthropocene","url":"https://www.academia.edu/Documents/in/The_Anthropocene"},{"id":813810,"name":"History of Biological Sciences","url":"https://www.academia.edu/Documents/in/History_of_Biological_Sciences"},{"id":839326,"name":"Deterioration","url":"https://www.academia.edu/Documents/in/Deterioration"},{"id":889418,"name":"Posthumanity","url":"https://www.academia.edu/Documents/in/Posthumanity"},{"id":902201,"name":"Monumental Trees","url":"https://www.academia.edu/Documents/in/Monumental_Trees"},{"id":907440,"name":"Posthuman Studies","url":"https://www.academia.edu/Documents/in/Posthuman_Studies"},{"id":924436,"name":"Posthuman Subjectivity","url":"https://www.academia.edu/Documents/in/Posthuman_Subjectivity"},{"id":924437,"name":"Posthuman Subjectivity in Contemporary Fiction","url":"https://www.academia.edu/Documents/in/Posthuman_Subjectivity_in_Contemporary_Fiction"},{"id":951530,"name":"Non Humans","url":"https://www.academia.edu/Documents/in/Non_Humans"},{"id":954253,"name":"Posthumans","url":"https://www.academia.edu/Documents/in/Posthumans"},{"id":957210,"name":"Posthumanism and Transhumanism","url":"https://www.academia.edu/Documents/in/Posthumanism_and_Transhumanism"},{"id":958072,"name":"Botany of Useful Plants","url":"https://www.academia.edu/Documents/in/Botany_of_Useful_Plants"},{"id":1001010,"name":"Fruit \u0026 Vegetable Preservation and Post Harvest Technology","url":"https://www.academia.edu/Documents/in/Fruit_and_Vegetable_Preservation_and_Post_Harvest_Technology"},{"id":1126355,"name":"Virus Vector Relationships","url":"https://www.academia.edu/Documents/in/Virus_Vector_Relationships"},{"id":1198428,"name":"Filosofia","url":"https://www.academia.edu/Documents/in/Filosofia"},{"id":1208258,"name":"Viral and Bacterial Pathogenesis","url":"https://www.academia.edu/Documents/in/Viral_and_Bacterial_Pathogenesis"},{"id":1209623,"name":"The New Materialisms","url":"https://www.academia.edu/Documents/in/The_New_Materialisms"},{"id":1230868,"name":"Phallocentricism","url":"https://www.academia.edu/Documents/in/Phallocentricism"},{"id":1239620,"name":"Plant-human Relations","url":"https://www.academia.edu/Documents/in/Plant-human_Relations"},{"id":1240727,"name":"Anthropocentricism","url":"https://www.academia.edu/Documents/in/Anthropocentricism"},{"id":1317556,"name":"Anthropocene Theory","url":"https://www.academia.edu/Documents/in/Anthropocene_Theory"},{"id":1465855,"name":"Culture In the Anthropocene","url":"https://www.academia.edu/Documents/in/Culture_In_the_Anthropocene"},{"id":1466628,"name":"Ecocritcism","url":"https://www.academia.edu/Documents/in/Ecocritcism"},{"id":1487380,"name":"Anthropocene and Landscape","url":"https://www.academia.edu/Documents/in/Anthropocene_and_Landscape"},{"id":1522661,"name":"Teoria General De Los Sistemas","url":"https://www.academia.edu/Documents/in/Teoria_General_De_Los_Sistemas"},{"id":1579263,"name":"Plant-thinking","url":"https://www.academia.edu/Documents/in/Plant-thinking"},{"id":1773753,"name":"Posthumanist theory","url":"https://www.academia.edu/Documents/in/Posthumanist_theory"},{"id":1788180,"name":"Art and the Anthropocene","url":"https://www.academia.edu/Documents/in/Art_and_the_Anthropocene"},{"id":1882819,"name":"Antropocentrism and Ecology","url":"https://www.academia.edu/Documents/in/Antropocentrism_and_Ecology"},{"id":2056539,"name":"Speculative Posthumanism","url":"https://www.academia.edu/Documents/in/Speculative_Posthumanism"},{"id":2206349,"name":"Postantropocentryzm","url":"https://www.academia.edu/Documents/in/Postantropocentryzm"}],"urls":[{"id":6962047,"url":"http://czaskultury.pl/en/vegetal-philosophy-or-vegetable-thinking/"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="42899733"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/42899733/FILOSOFIA_VEGETAL_O_PENSAMIENTO_VEGETAL_"><img alt="Research paper thumbnail of FILOSOFIA VEGETAL (O PENSAMIENTO VEGETAL)" class="work-thumbnail" src="https://attachments.academia-assets.com/63147497/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42899733/FILOSOFIA_VEGETAL_O_PENSAMIENTO_VEGETAL_">FILOSOFIA VEGETAL (O PENSAMIENTO VEGETAL)</a></div><div class="wp-workCard_item"><span>Revista de Investigación Agraria y Ambiental Vol. 11 Núm. 3</span><span>, 2020</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="135b9946853d79610a3ace54680ba892" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63147497,"asset_id":42899733,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63147497/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42899733"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42899733"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42899733; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42899733]").text(description); $(".js-view-count[data-work-id=42899733]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42899733; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42899733']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 42899733, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "135b9946853d79610a3ace54680ba892" } } $('.js-work-strip[data-work-id=42899733]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42899733,"title":"FILOSOFIA VEGETAL (O PENSAMIENTO VEGETAL)","translated_title":"","metadata":{"grobid_abstract":"Desde un principio el pensamiento fue vegetal.","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Revista de Investigación Agraria y Ambiental Vol. 11 Núm. 3","grobid_abstract_attachment_id":63147497},"translated_abstract":null,"internal_url":"https://www.academia.edu/42899733/FILOSOFIA_VEGETAL_O_PENSAMIENTO_VEGETAL_","translated_internal_url":"","created_at":"2020-04-30T05:07:38.633-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":63147497,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/63147497/thumbnails/1.jpg","file_name":"337-156-PB-19-2620200430-12163-4iz74r.pdf","download_url":"https://www.academia.edu/attachments/63147497/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"FILOSOFIA_VEGETAL_O_PENSAMIENTO_VEGETAL.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/63147497/337-156-PB-19-2620200430-12163-4iz74r-libre.pdf?1588251254=\u0026response-content-disposition=attachment%3B+filename%3DFILOSOFIA_VEGETAL_O_PENSAMIENTO_VEGETAL.pdf\u0026Expires=1732369631\u0026Signature=NGi7IKiW9ZEKNszd6EdBzPbTxUdYtT5k5VQcbvIsAdVcwhVO-ti87qVlvqnAJ2hZHS7Nl9v4C~zOekx4-K-qVQ815h3HlbCYQoRpDwhLNp6VCi9m2kRHe9oDmNQblKFI-Bc2xk7IEDuSCuvH5oiyq05HWIhBidV6-t87vknWpJ69MHE9vKZjZXYeTmpk07omrZGCcXaGxD3~axITWTfgxPI7wH6xBW9e7-zlPNbsD9h80ti~mEKMxso33XqmfLH2idZjqE2M7fo1nJOot~~OHAr8abHz9gmFWf2d9F411BoEUf~lF4~kIE832Jc0GVNjk6qmLYjznLo05VOsnacjFQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"FILOSOFIA_VEGETAL_O_PENSAMIENTO_VEGETAL_","translated_slug":"","page_count":8,"language":"es","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":63147497,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/63147497/thumbnails/1.jpg","file_name":"337-156-PB-19-2620200430-12163-4iz74r.pdf","download_url":"https://www.academia.edu/attachments/63147497/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"FILOSOFIA_VEGETAL_O_PENSAMIENTO_VEGETAL.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/63147497/337-156-PB-19-2620200430-12163-4iz74r-libre.pdf?1588251254=\u0026response-content-disposition=attachment%3B+filename%3DFILOSOFIA_VEGETAL_O_PENSAMIENTO_VEGETAL.pdf\u0026Expires=1732369631\u0026Signature=NGi7IKiW9ZEKNszd6EdBzPbTxUdYtT5k5VQcbvIsAdVcwhVO-ti87qVlvqnAJ2hZHS7Nl9v4C~zOekx4-K-qVQ815h3HlbCYQoRpDwhLNp6VCi9m2kRHe9oDmNQblKFI-Bc2xk7IEDuSCuvH5oiyq05HWIhBidV6-t87vknWpJ69MHE9vKZjZXYeTmpk07omrZGCcXaGxD3~axITWTfgxPI7wH6xBW9e7-zlPNbsD9h80ti~mEKMxso33XqmfLH2idZjqE2M7fo1nJOot~~OHAr8abHz9gmFWf2d9F411BoEUf~lF4~kIE832Jc0GVNjk6qmLYjznLo05VOsnacjFQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":148,"name":"Botany","url":"https://www.academia.edu/Documents/in/Botany"},{"id":402,"name":"Environmental Science","url":"https://www.academia.edu/Documents/in/Environmental_Science"},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":1063,"name":"Environmental Education","url":"https://www.academia.edu/Documents/in/Environmental_Education"},{"id":1360,"name":"Plant Ecology","url":"https://www.academia.edu/Documents/in/Plant_Ecology"},{"id":3115,"name":"Posthumanism","url":"https://www.academia.edu/Documents/in/Posthumanism"},{"id":3126,"name":"Political Ecology","url":"https://www.academia.edu/Documents/in/Political_Ecology"},{"id":3533,"name":"Agrarian Studies","url":"https://www.academia.edu/Documents/in/Agrarian_Studies"},{"id":8302,"name":"Gilles Deleuze","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":10101,"name":"Critical Posthumanism","url":"https://www.academia.edu/Documents/in/Critical_Posthumanism"},{"id":18845,"name":"Environmental Sustainability","url":"https://www.academia.edu/Documents/in/Environmental_Sustainability"},{"id":21755,"name":"Rhizomes","url":"https://www.academia.edu/Documents/in/Rhizomes"},{"id":23193,"name":"Environmental Humanities","url":"https://www.academia.edu/Documents/in/Environmental_Humanities"},{"id":133873,"name":"Plants","url":"https://www.academia.edu/Documents/in/Plants"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":152751,"name":"Humanities and Social Sciences","url":"https://www.academia.edu/Documents/in/Humanities_and_Social_Sciences"},{"id":153569,"name":"Plant sciences","url":"https://www.academia.edu/Documents/in/Plant_sciences"},{"id":680899,"name":"Critical Plant Studies","url":"https://www.academia.edu/Documents/in/Critical_Plant_Studies"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="41793275"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/41793275/Jak_d%C5%82ugo_jeszcze_b%C4%99dziemy_uprawia%C4%87_my%C5%9Bl_Filozoficzne_monokultury_zbieracze_i_krn%C4%85brne_grzyby"><img alt="Research paper thumbnail of Jak długo jeszcze będziemy uprawiać myśl? Filozoficzne monokultury, zbieracze i krnąbrne grzyby" class="work-thumbnail" src="https://attachments.academia-assets.com/61944301/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/41793275/Jak_d%C5%82ugo_jeszcze_b%C4%99dziemy_uprawia%C4%87_my%C5%9Bl_Filozoficzne_monokultury_zbieracze_i_krn%C4%85brne_grzyby">Jak długo jeszcze będziemy uprawiać myśl? Filozoficzne monokultury, zbieracze i krnąbrne grzyby</a></div><div class="wp-workCard_item"><span>Ryzosfera. Grzyby i bakterie w sieci kultury</span><span>, 2019</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9ea883825f231ebfa3e6115590556cee" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61944301,"asset_id":41793275,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61944301/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41793275"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41793275"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41793275; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41793275]").text(description); $(".js-view-count[data-work-id=41793275]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41793275; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41793275']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 41793275, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9ea883825f231ebfa3e6115590556cee" } } $('.js-work-strip[data-work-id=41793275]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41793275,"title":"Jak długo jeszcze będziemy uprawiać myśl? Filozoficzne monokultury, zbieracze i krnąbrne grzyby","translated_title":"","metadata":{"publication_date":{"day":null,"month":null,"year":2019,"errors":{}},"publication_name":"Ryzosfera. Grzyby i bakterie w sieci kultury"},"translated_abstract":null,"internal_url":"https://www.academia.edu/41793275/Jak_d%C5%82ugo_jeszcze_b%C4%99dziemy_uprawia%C4%87_my%C5%9Bl_Filozoficzne_monokultury_zbieracze_i_krn%C4%85brne_grzyby","translated_internal_url":"","created_at":"2020-01-30T13:47:20.700-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":61944301,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/61944301/thumbnails/1.jpg","file_name":"A.Marzec_-_grzyby20200130-97885-pprf2k.pdf","download_url":"https://www.academia.edu/attachments/61944301/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Jak_dlugo_jeszcze_bedziemy_uprawiac_mysl.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/61944301/A.Marzec_-_grzyby20200130-97885-pprf2k-libre.pdf?1580421928=\u0026response-content-disposition=attachment%3B+filename%3DJak_dlugo_jeszcze_bedziemy_uprawiac_mysl.pdf\u0026Expires=1732369631\u0026Signature=Sd5qdkXPspQKJ0kSwvaxnlxRdIQSmaToA-jCx9Y7ruv~CLtBYPSNvigG0j-sCguY7dfgaQ6DVi~k9Kzwl-0HtrBb3GXFejjkc0DUI~e7aech4X6Poz1ewgXaCM4V-dqTppDUzhdorDpsthTYSovTAECiiLo1SMciltyXWnFy54~xwjNg58r~LjYSKz9bRW94qHsgsUOjbxBpQS35jbWQO2GIerJjmcTeNPVOYSaiJIBK62s2oXbAVK7GByNtRs8go6zUvFCa-j7bVKreKunScDOyKJ1OPSDLW63jpTjsXsaLe-ZLWBPkqATtHFZkHJDjdjxK2Zy8FIoZI4qITD5DKw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Jak_długo_jeszcze_będziemy_uprawiać_myśl_Filozoficzne_monokultury_zbieracze_i_krnąbrne_grzyby","translated_slug":"","page_count":14,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":61944301,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/61944301/thumbnails/1.jpg","file_name":"A.Marzec_-_grzyby20200130-97885-pprf2k.pdf","download_url":"https://www.academia.edu/attachments/61944301/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Jak_dlugo_jeszcze_bedziemy_uprawiac_mysl.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/61944301/A.Marzec_-_grzyby20200130-97885-pprf2k-libre.pdf?1580421928=\u0026response-content-disposition=attachment%3B+filename%3DJak_dlugo_jeszcze_bedziemy_uprawiac_mysl.pdf\u0026Expires=1732369631\u0026Signature=Sd5qdkXPspQKJ0kSwvaxnlxRdIQSmaToA-jCx9Y7ruv~CLtBYPSNvigG0j-sCguY7dfgaQ6DVi~k9Kzwl-0HtrBb3GXFejjkc0DUI~e7aech4X6Poz1ewgXaCM4V-dqTppDUzhdorDpsthTYSovTAECiiLo1SMciltyXWnFy54~xwjNg58r~LjYSKz9bRW94qHsgsUOjbxBpQS35jbWQO2GIerJjmcTeNPVOYSaiJIBK62s2oXbAVK7GByNtRs8go6zUvFCa-j7bVKreKunScDOyKJ1OPSDLW63jpTjsXsaLe-ZLWBPkqATtHFZkHJDjdjxK2Zy8FIoZI4qITD5DKw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":1360,"name":"Plant Ecology","url":"https://www.academia.edu/Documents/in/Plant_Ecology"},{"id":1555,"name":"Film Studies","url":"https://www.academia.edu/Documents/in/Film_Studies"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":16220,"name":"Dark Ecology","url":"https://www.academia.edu/Documents/in/Dark_Ecology"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":32082,"name":"Ursula K. Le Guin","url":"https://www.academia.edu/Documents/in/Ursula_K._Le_Guin"},{"id":68124,"name":"Mushrooms","url":"https://www.academia.edu/Documents/in/Mushrooms"},{"id":82108,"name":"Plantations","url":"https://www.academia.edu/Documents/in/Plantations"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":621089,"name":"Anna L. Tsing","url":"https://www.academia.edu/Documents/in/Anna_L._Tsing"},{"id":2843604,"name":"Plantationocene","url":"https://www.academia.edu/Documents/in/Plantationocene"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37504054"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37504054/Bye_we_re_dying_"><img alt="Research paper thumbnail of Bye, we’re dying!" class="work-thumbnail" src="https://attachments.academia-assets.com/57475516/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37504054/Bye_we_re_dying_">Bye, we’re dying!</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The title of the exhibition alludes to the sense of the approaching catastrophe, the fatal haunti...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The title of the exhibition alludes to the sense of the approaching catastrophe, the fatal haunting image of the future, the promise of an ending understood in various manners. It refers to the anticipated end of capitalism, the ominous mass species extinction, and the general state of anxiety, which has become the most common model of experiencing the presence. The Anthropocene is not only a notion describing the destructive changes in the external environment but also an internal feeling: fear, tension, and vexation experienced daily by the human body in a very tangible way. One could even speak of the increasing fascination with natural disasters, the fetishisation of dying, functioning not just as a terrifying threat but an inevitable, unchanging, and strongly appealing element of the cultural landscape.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a05b73e711e28188436bf3c017a1de23" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57475516,"asset_id":37504054,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57475516/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37504054"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37504054"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37504054; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37504054]").text(description); $(".js-view-count[data-work-id=37504054]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37504054; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37504054']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 37504054, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a05b73e711e28188436bf3c017a1de23" } } $('.js-work-strip[data-work-id=37504054]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37504054,"title":"Bye, we’re dying!","translated_title":"","metadata":{"abstract":"The title of the exhibition alludes to the sense of the approaching catastrophe, the fatal haunting image of the future, the promise of an ending understood in various manners. It refers to the anticipated end of capitalism, the ominous mass species extinction, and the general state of anxiety, which has become the most common model of experiencing the presence. The Anthropocene is not only a notion describing the destructive changes in the external environment but also an internal feeling: fear, tension, and vexation experienced daily by the human body in a very tangible way. One could even speak of the increasing fascination with natural disasters, the fetishisation of dying, functioning not just as a terrifying threat but an inevitable, unchanging, and strongly appealing element of the cultural landscape."},"translated_abstract":"The title of the exhibition alludes to the sense of the approaching catastrophe, the fatal haunting image of the future, the promise of an ending understood in various manners. It refers to the anticipated end of capitalism, the ominous mass species extinction, and the general state of anxiety, which has become the most common model of experiencing the presence. The Anthropocene is not only a notion describing the destructive changes in the external environment but also an internal feeling: fear, tension, and vexation experienced daily by the human body in a very tangible way. One could even speak of the increasing fascination with natural disasters, the fetishisation of dying, functioning not just as a terrifying threat but an inevitable, unchanging, and strongly appealing element of the cultural landscape.","internal_url":"https://www.academia.edu/37504054/Bye_we_re_dying_","translated_internal_url":"","created_at":"2018-09-30T10:56:39.811-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":57475516,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57475516/thumbnails/1.jpg","file_name":"Bye__were_dying.pdf","download_url":"https://www.academia.edu/attachments/57475516/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Bye_we_re_dying.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57475516/Bye__were_dying-libre.pdf?1538330603=\u0026response-content-disposition=attachment%3B+filename%3DBye_we_re_dying.pdf\u0026Expires=1732369631\u0026Signature=RpfWNx9e4HJyKKw5rpeDVKEpNCwpc3z~BAoJtkVX2DzOzqHbOUls2Xj2HmLwfKTwhSh6ole2LaS5S9dBUJij1-laba-bAWGZwL99QDqEKVabcBYwLLf13LHOvk3YGfyli0-F9PfeLSRhWwfeKBYSMXqLFa0hwlEyvqDkWt1~69TIGXpJG0J5ZjKLq8UVNbZ9Ye8QC5CoSSYbN8EUTiYupEfFScVWG79Y0CXiwJbLPf1jrMU5qBNXj8OtNLcHmMMS6z61sgDLVMylh9lNrRJaoC5aHNgvKQM1pY4M7wmFk-TZTjmW-FwsabAsp-Iwc0oeMkUXkd7vLe4HodKzbv1iGQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Bye_we_re_dying_","translated_slug":"","page_count":5,"language":"en","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":57475516,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57475516/thumbnails/1.jpg","file_name":"Bye__were_dying.pdf","download_url":"https://www.academia.edu/attachments/57475516/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Bye_we_re_dying.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57475516/Bye__were_dying-libre.pdf?1538330603=\u0026response-content-disposition=attachment%3B+filename%3DBye_we_re_dying.pdf\u0026Expires=1732369631\u0026Signature=RpfWNx9e4HJyKKw5rpeDVKEpNCwpc3z~BAoJtkVX2DzOzqHbOUls2Xj2HmLwfKTwhSh6ole2LaS5S9dBUJij1-laba-bAWGZwL99QDqEKVabcBYwLLf13LHOvk3YGfyli0-F9PfeLSRhWwfeKBYSMXqLFa0hwlEyvqDkWt1~69TIGXpJG0J5ZjKLq8UVNbZ9Ye8QC5CoSSYbN8EUTiYupEfFScVWG79Y0CXiwJbLPf1jrMU5qBNXj8OtNLcHmMMS6z61sgDLVMylh9lNrRJaoC5aHNgvKQM1pY4M7wmFk-TZTjmW-FwsabAsp-Iwc0oeMkUXkd7vLe4HodKzbv1iGQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":8,"name":"Critical Theory","url":"https://www.academia.edu/Documents/in/Critical_Theory"},{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies"},{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":1237,"name":"Social Sciences","url":"https://www.academia.edu/Documents/in/Social_Sciences"},{"id":3115,"name":"Posthumanism","url":"https://www.academia.edu/Documents/in/Posthumanism"},{"id":3148,"name":"Actor Network Theory","url":"https://www.academia.edu/Documents/in/Actor_Network_Theory"},{"id":3407,"name":"Environmental Studies","url":"https://www.academia.edu/Documents/in/Environmental_Studies"},{"id":4868,"name":"Deconstruction","url":"https://www.academia.edu/Documents/in/Deconstruction"},{"id":7125,"name":"Culture","url":"https://www.academia.edu/Documents/in/Culture"},{"id":7710,"name":"Biology","url":"https://www.academia.edu/Documents/in/Biology"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":26586,"name":"Anthropocentrism","url":"https://www.academia.edu/Documents/in/Anthropocentrism"},{"id":33575,"name":"Mass extinctions","url":"https://www.academia.edu/Documents/in/Mass_extinctions"},{"id":36917,"name":"Animals and non-humans","url":"https://www.academia.edu/Documents/in/Animals_and_non-humans"},{"id":40329,"name":"Donna Haraway","url":"https://www.academia.edu/Documents/in/Donna_Haraway"},{"id":76626,"name":"New Materialism","url":"https://www.academia.edu/Documents/in/New_Materialism"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":620285,"name":"History of Philosophy","url":"https://www.academia.edu/Documents/in/History_of_Philosophy"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="3205361" id="books"><div class="js-work-strip profile--work_container" data-work-id="118954356"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/118954356/Wsp%C3%B3lnota_spod_ciemnej_gwiazdy_wpl%C4%85tani_w_grz%C4%85ski_ekologiczny_p%C3%B3%C5%82%C5%9Bwiatek_wst%C4%99p_do_polskiego_przek%C5%82adu_Mrocznej_ekologii_"><img alt="Research paper thumbnail of Wspólnota spod ciemnej gwiazdy - wplątani w grząski, ekologiczny półświatek (wstęp do polskiego przekładu "Mrocznej ekologii")" class="work-thumbnail" src="https://attachments.academia-assets.com/114455098/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/118954356/Wsp%C3%B3lnota_spod_ciemnej_gwiazdy_wpl%C4%85tani_w_grz%C4%85ski_ekologiczny_p%C3%B3%C5%82%C5%9Bwiatek_wst%C4%99p_do_polskiego_przek%C5%82adu_Mrocznej_ekologii_">Wspólnota spod ciemnej gwiazdy - wplątani w grząski, ekologiczny półświatek (wstęp do polskiego przekładu "Mrocznej ekologii")</a></div><div class="wp-workCard_item"><span>Mroczna ekologia</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Mroczna ekologia to propozycja międzygatunkowego współbycia, która nawiązując do halloweenowej id...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Mroczna ekologia to propozycja międzygatunkowego współbycia, która nawiązując do halloweenowej idei karnawałowej egalitarności, staje się jednocześnie nietypowym projektem politycznym, zarysem przyszłej wspólnoty. Mortonowi udaje się z powodzeniem połączyć to co ciemne, pozaludzkie, wstrętne, przerażające ze wspólnototwórczą rzeczywistością gry, zabawy, śmiechu, a nawet głupoty. Wprowadzając kategorię widmowości, wskazuje na wycofaną, migotliwą obecność pozaludzkiej rzeczywistości, która niczym mgła oblepia i spowija wszystko to, co ludzkie</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="720ed0bd8d9005c469c76794508b45ff" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":114455098,"asset_id":118954356,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/114455098/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118954356"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118954356"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118954356; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=118954356]").text(description); $(".js-view-count[data-work-id=118954356]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 118954356; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='118954356']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 118954356, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "720ed0bd8d9005c469c76794508b45ff" } } $('.js-work-strip[data-work-id=118954356]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":118954356,"title":"Wspólnota spod ciemnej gwiazdy - wplątani w grząski, ekologiczny półświatek (wstęp do polskiego przekładu \"Mrocznej ekologii\")","translated_title":"","metadata":{"abstract":"Mroczna ekologia to propozycja międzygatunkowego współbycia, która nawiązując do halloweenowej idei karnawałowej egalitarności, staje się jednocześnie nietypowym projektem politycznym, zarysem przyszłej wspólnoty. Mortonowi udaje się z powodzeniem połączyć to co ciemne, pozaludzkie, wstrętne, przerażające ze wspólnototwórczą rzeczywistością gry, zabawy, śmiechu, a nawet głupoty. Wprowadzając kategorię widmowości, wskazuje na wycofaną, migotliwą obecność pozaludzkiej rzeczywistości, która niczym mgła oblepia i spowija wszystko to, co ludzkie\r\n","publication_date":{"day":null,"month":null,"year":2024,"errors":{}},"publication_name":"Mroczna ekologia"},"translated_abstract":"Mroczna ekologia to propozycja międzygatunkowego współbycia, która nawiązując do halloweenowej idei karnawałowej egalitarności, staje się jednocześnie nietypowym projektem politycznym, zarysem przyszłej wspólnoty. Mortonowi udaje się z powodzeniem połączyć to co ciemne, pozaludzkie, wstrętne, przerażające ze wspólnototwórczą rzeczywistością gry, zabawy, śmiechu, a nawet głupoty. Wprowadzając kategorię widmowości, wskazuje na wycofaną, migotliwą obecność pozaludzkiej rzeczywistości, która niczym mgła oblepia i spowija wszystko to, co ludzkie\r\n","internal_url":"https://www.academia.edu/118954356/Wsp%C3%B3lnota_spod_ciemnej_gwiazdy_wpl%C4%85tani_w_grz%C4%85ski_ekologiczny_p%C3%B3%C5%82%C5%9Bwiatek_wst%C4%99p_do_polskiego_przek%C5%82adu_Mrocznej_ekologii_","translated_internal_url":"","created_at":"2024-05-12T07:53:32.822-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":114455098,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/114455098/thumbnails/1.jpg","file_name":"Mroczna_ekologia.pdf","download_url":"https://www.academia.edu/attachments/114455098/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Wspolnota_spod_ciemnej_gwiazdy_wplatani.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/114455098/Mroczna_ekologia-libre.pdf?1715525703=\u0026response-content-disposition=attachment%3B+filename%3DWspolnota_spod_ciemnej_gwiazdy_wplatani.pdf\u0026Expires=1732369630\u0026Signature=X9Md4eJn5~1p~LXOMHafSsYiGPg22xxNKnyMNpRqhrJXU7DOyPJvGQ3rzDXVN4i59MbySeeKCa0PPgyP6JasJ81RtnBIDtz5z7GM1rYgyvrRB35aLB1aS0fWAEmizc8taqGl2bIG9~DE68FBsYIqZMFIByZ79t47hy~58T1OZB1LayWZEWgqRDY3e-noEmCpWaeYvZLWxh-Buba7E1J0TFeaeMNysm6N38CF~mcdzYCQP1vVcRq1kujZ9hlwstzCtolvNSPL6SmOGHSbQaCLsHw4GTkIlQKociHfUb7P5lLdIPTmAH4fn-DvoQKgAtkr5xV8e~51e~0Jpche13KUtA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Wspólnota_spod_ciemnej_gwiazdy_wplątani_w_grząski_ekologiczny_półświatek_wstęp_do_polskiego_przekładu_Mrocznej_ekologii_","translated_slug":"","page_count":3,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":114455098,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/114455098/thumbnails/1.jpg","file_name":"Mroczna_ekologia.pdf","download_url":"https://www.academia.edu/attachments/114455098/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Wspolnota_spod_ciemnej_gwiazdy_wplatani.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/114455098/Mroczna_ekologia-libre.pdf?1715525703=\u0026response-content-disposition=attachment%3B+filename%3DWspolnota_spod_ciemnej_gwiazdy_wplatani.pdf\u0026Expires=1732369630\u0026Signature=X9Md4eJn5~1p~LXOMHafSsYiGPg22xxNKnyMNpRqhrJXU7DOyPJvGQ3rzDXVN4i59MbySeeKCa0PPgyP6JasJ81RtnBIDtz5z7GM1rYgyvrRB35aLB1aS0fWAEmizc8taqGl2bIG9~DE68FBsYIqZMFIByZ79t47hy~58T1OZB1LayWZEWgqRDY3e-noEmCpWaeYvZLWxh-Buba7E1J0TFeaeMNysm6N38CF~mcdzYCQP1vVcRq1kujZ9hlwstzCtolvNSPL6SmOGHSbQaCLsHw4GTkIlQKociHfUb7P5lLdIPTmAH4fn-DvoQKgAtkr5xV8e~51e~0Jpche13KUtA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies"},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art"},{"id":3407,"name":"Environmental Studies","url":"https://www.academia.edu/Documents/in/Environmental_Studies"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":13792,"name":"Speculative Realism","url":"https://www.academia.edu/Documents/in/Speculative_Realism"},{"id":16220,"name":"Dark Ecology","url":"https://www.academia.edu/Documents/in/Dark_Ecology"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":23193,"name":"Environmental Humanities","url":"https://www.academia.edu/Documents/in/Environmental_Humanities"},{"id":39738,"name":"Anthropocene studies","url":"https://www.academia.edu/Documents/in/Anthropocene_studies"},{"id":66713,"name":"Graham Harman","url":"https://www.academia.edu/Documents/in/Graham_Harman"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":781620,"name":"Culture and the Anthropocene","url":"https://www.academia.edu/Documents/in/Culture_and_the_Anthropocene"}],"urls":[{"id":41884650,"url":"https://oficynazwiazekotwarty.pl/produkt/mroczna-ekologia-ku-logice-przyszlego-wspolistnienia/"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="45648901"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/45648901/Antropocie%C5%84_Filozofia_i_estetyka_po_ko%C5%84cu_%C5%9Bwiata"><img alt="Research paper thumbnail of Antropocień. Filozofia i estetyka po końcu świata" class="work-thumbnail" src="https://attachments.academia-assets.com/66146983/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/45648901/Antropocie%C5%84_Filozofia_i_estetyka_po_ko%C5%84cu_%C5%9Bwiata">Antropocień. Filozofia i estetyka po końcu świata</a></div><div class="wp-workCard_item"><span>Antropocień. Filozofia i estetyka po końcu świata</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Książka stanowi oryginalną propozycję filozoficznego spojrzenia na epokę antropocenu oraz kryzysu...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Książka stanowi oryginalną propozycję filozoficznego spojrzenia na epokę antropocenu oraz kryzysu klimatycznego. Nawiązuje do takich współczesnych nurtów filozoficznych, jak nowy materializm (Karen Barad, Anna Tsing, Donna Haraway), realizm spekulatywny (Graham Harman) oraz ontologia zwrócona ku przedmiotom (Timothy Morton, Levi Bryant).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="695aaf26f11a95ebcb067ea00b094ef8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":66146983,"asset_id":45648901,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/66146983/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="45648901"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="45648901"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45648901; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45648901]").text(description); $(".js-view-count[data-work-id=45648901]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45648901; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='45648901']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 45648901, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "695aaf26f11a95ebcb067ea00b094ef8" } } $('.js-work-strip[data-work-id=45648901]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":45648901,"title":"Antropocień. Filozofia i estetyka po końcu świata","translated_title":"","metadata":{"abstract":"Książka stanowi oryginalną propozycję filozoficznego spojrzenia na epokę antropocenu oraz kryzysu klimatycznego. Nawiązuje do takich współczesnych nurtów filozoficznych, jak nowy materializm (Karen Barad, Anna Tsing, Donna Haraway), realizm spekulatywny (Graham Harman) oraz ontologia zwrócona ku przedmiotom (Timothy Morton, Levi Bryant).","publication_date":{"day":null,"month":null,"year":2021,"errors":{}},"publication_name":"Antropocień. Filozofia i estetyka po końcu świata"},"translated_abstract":"Książka stanowi oryginalną propozycję filozoficznego spojrzenia na epokę antropocenu oraz kryzysu klimatycznego. Nawiązuje do takich współczesnych nurtów filozoficznych, jak nowy materializm (Karen Barad, Anna Tsing, Donna Haraway), realizm spekulatywny (Graham Harman) oraz ontologia zwrócona ku przedmiotom (Timothy Morton, Levi Bryant).","internal_url":"https://www.academia.edu/45648901/Antropocie%C5%84_Filozofia_i_estetyka_po_ko%C5%84cu_%C5%9Bwiata","translated_internal_url":"","created_at":"2021-03-31T01:10:00.956-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":66146983,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/66146983/thumbnails/1.jpg","file_name":"Antropocien.pdf","download_url":"https://www.academia.edu/attachments/66146983/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Antropocien_Filozofia_i_estetyka_po_konc.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/66146983/Antropocien-libre.pdf?1617180003=\u0026response-content-disposition=attachment%3B+filename%3DAntropocien_Filozofia_i_estetyka_po_konc.pdf\u0026Expires=1732369630\u0026Signature=ItDJAmIA7pHngqPeZvCBo2miKxm1hX~p-hQTFIFWWdxvMbSW7V-SzO3elCSiJ4wDMShGAftFz0i9POfLvhSQ5x~0jVzwVV9TayuA9gma81EZFPAT9X2fQTnuTeassiz7QEcHCVaiXTFLxbSNvaZ6wLz16TSoRBTIOEFjvTsqJuBs8t7FnorsXKawlDPZdzqwEO50arg-Sx9BO1LhZJBS7azAYC1CoV74J96vpI~wnbkeNryESnk48Bh2QAa2~mKbPxGMqP9D7m5c4Au78fqm6UoTcMPcb3N69iBWFPFpTfCKPWFrPKWZSPhFCueLkbjY5vOKBjOf5sbnosrYkPaZpQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Antropocień_Filozofia_i_estetyka_po_końcu_świata","translated_slug":"","page_count":4,"language":"en","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":66146983,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/66146983/thumbnails/1.jpg","file_name":"Antropocien.pdf","download_url":"https://www.academia.edu/attachments/66146983/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Antropocien_Filozofia_i_estetyka_po_konc.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/66146983/Antropocien-libre.pdf?1617180003=\u0026response-content-disposition=attachment%3B+filename%3DAntropocien_Filozofia_i_estetyka_po_konc.pdf\u0026Expires=1732369630\u0026Signature=ItDJAmIA7pHngqPeZvCBo2miKxm1hX~p-hQTFIFWWdxvMbSW7V-SzO3elCSiJ4wDMShGAftFz0i9POfLvhSQ5x~0jVzwVV9TayuA9gma81EZFPAT9X2fQTnuTeassiz7QEcHCVaiXTFLxbSNvaZ6wLz16TSoRBTIOEFjvTsqJuBs8t7FnorsXKawlDPZdzqwEO50arg-Sx9BO1LhZJBS7azAYC1CoV74J96vpI~wnbkeNryESnk48Bh2QAa2~mKbPxGMqP9D7m5c4Au78fqm6UoTcMPcb3N69iBWFPFpTfCKPWFrPKWZSPhFCueLkbjY5vOKBjOf5sbnosrYkPaZpQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":3115,"name":"Posthumanism","url":"https://www.academia.edu/Documents/in/Posthumanism"},{"id":3407,"name":"Environmental Studies","url":"https://www.academia.edu/Documents/in/Environmental_Studies"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":13792,"name":"Speculative Realism","url":"https://www.academia.edu/Documents/in/Speculative_Realism"},{"id":18845,"name":"Environmental Sustainability","url":"https://www.academia.edu/Documents/in/Environmental_Sustainability"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":23193,"name":"Environmental Humanities","url":"https://www.academia.edu/Documents/in/Environmental_Humanities"},{"id":26586,"name":"Anthropocentrism","url":"https://www.academia.edu/Documents/in/Anthropocentrism"},{"id":39738,"name":"Anthropocene studies","url":"https://www.academia.edu/Documents/in/Anthropocene_studies"},{"id":40329,"name":"Donna Haraway","url":"https://www.academia.edu/Documents/in/Donna_Haraway"},{"id":66713,"name":"Graham Harman","url":"https://www.academia.edu/Documents/in/Graham_Harman"},{"id":76626,"name":"New Materialism","url":"https://www.academia.edu/Documents/in/New_Materialism"},{"id":76627,"name":"Agential Realism","url":"https://www.academia.edu/Documents/in/Agential_Realism"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":111959,"name":"Karen Barad","url":"https://www.academia.edu/Documents/in/Karen_Barad"},{"id":113497,"name":"Rosi Braidotti","url":"https://www.academia.edu/Documents/in/Rosi_Braidotti"},{"id":133873,"name":"Plants","url":"https://www.academia.edu/Documents/in/Plants"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":513235,"name":"Levi Bryant","url":"https://www.academia.edu/Documents/in/Levi_Bryant"},{"id":621089,"name":"Anna L. Tsing","url":"https://www.academia.edu/Documents/in/Anna_L._Tsing"}],"urls":[{"id":9340095,"url":"https://ksiegarnia.pwn.pl/Antropocien,891458653,p.html"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="13959376"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/13959376/Widmontologia_Teoria_filozoficzna_i_praktyka_artystyczna_ponowoczesno%C5%9Bci"><img alt="Research paper thumbnail of Widmontologia. Teoria filozoficzna i praktyka artystyczna ponowoczesności" class="work-thumbnail" src="https://attachments.academia-assets.com/56840903/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/13959376/Widmontologia_Teoria_filozoficzna_i_praktyka_artystyczna_ponowoczesno%C5%9Bci">Widmontologia. Teoria filozoficzna i praktyka artystyczna ponowoczesności</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Przysługujący widmom wywrotowy, niemalże rewolucyjny potencjał został odsunięty oraz zagubiony po...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Przysługujący widmom wywrotowy, niemalże rewolucyjny potencjał został odsunięty oraz zagubiony poprzez pozbycie się tej kontrowersyjnej kategorii z terytorium metafizyki i zbyt pośpieszne odesłanie jej do przestrzeni badań nad literaturą, sprowadzając ją jedynie do roli użytecznego, bezpiecznego narzędzia interpretacji. <br /> <br />Książka Andrzeja Marca odzyskuje niepokojący charakter widmontologii i ponownie wprowadza widma do myśli metafizycznej. Czym nawiedzona i przeniknięta jest tradycyjna metafizyka, co właściwie ją dręczy, nie daje spokoju oraz nieustannie podmywa jej stabilność? <br /> <br />Kategoria widma Derridy posłużyła Marcowi przede wszystkim do rozważań nad charakterem współczesności i przeobrażeń, jakie dokonały się w obrębie myśli ponowoczesnej. Współczesna kultura, zdaniem Marca, stała się miejscem powstawania widm, nieustannie powracających z przeszłości. Uznając, że nie jesteśmy już w stanie tworzyć utopijnych wizji przyszłości, autor stara się zdać sprawę z widmowego charakteru współczesnej kultury, analizując m. in. strategie vintage, retro, nurt no future w kulturze lat 70. czy nurt fantastyki naukowej w literaturze.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="51311955eb4bd02b0fc53828154ca1c3" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56840903,"asset_id":13959376,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56840903/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="13959376"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="13959376"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 13959376; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=13959376]").text(description); $(".js-view-count[data-work-id=13959376]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 13959376; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='13959376']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 13959376, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "51311955eb4bd02b0fc53828154ca1c3" } } $('.js-work-strip[data-work-id=13959376]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":13959376,"title":"Widmontologia. Teoria filozoficzna i praktyka artystyczna ponowoczesności","translated_title":"","metadata":{"abstract":"Przysługujący widmom wywrotowy, niemalże rewolucyjny potencjał został odsunięty oraz zagubiony poprzez pozbycie się tej kontrowersyjnej kategorii z terytorium metafizyki i zbyt pośpieszne odesłanie jej do przestrzeni badań nad literaturą, sprowadzając ją jedynie do roli użytecznego, bezpiecznego narzędzia interpretacji. \r\n \r\nKsiążka Andrzeja Marca odzyskuje niepokojący charakter widmontologii i ponownie wprowadza widma do myśli metafizycznej. Czym nawiedzona i przeniknięta jest tradycyjna metafizyka, co właściwie ją dręczy, nie daje spokoju oraz nieustannie podmywa jej stabilność? \r\n \r\nKategoria widma Derridy posłużyła Marcowi przede wszystkim do rozważań nad charakterem współczesności i przeobrażeń, jakie dokonały się w obrębie myśli ponowoczesnej. Współczesna kultura, zdaniem Marca, stała się miejscem powstawania widm, nieustannie powracających z przeszłości. Uznając, że nie jesteśmy już w stanie tworzyć utopijnych wizji przyszłości, autor stara się zdać sprawę z widmowego charakteru współczesnej kultury, analizując m. in. strategie vintage, retro, nurt no future w kulturze lat 70. czy nurt fantastyki naukowej w literaturze."},"translated_abstract":"Przysługujący widmom wywrotowy, niemalże rewolucyjny potencjał został odsunięty oraz zagubiony poprzez pozbycie się tej kontrowersyjnej kategorii z terytorium metafizyki i zbyt pośpieszne odesłanie jej do przestrzeni badań nad literaturą, sprowadzając ją jedynie do roli użytecznego, bezpiecznego narzędzia interpretacji. \r\n \r\nKsiążka Andrzeja Marca odzyskuje niepokojący charakter widmontologii i ponownie wprowadza widma do myśli metafizycznej. Czym nawiedzona i przeniknięta jest tradycyjna metafizyka, co właściwie ją dręczy, nie daje spokoju oraz nieustannie podmywa jej stabilność? \r\n \r\nKategoria widma Derridy posłużyła Marcowi przede wszystkim do rozważań nad charakterem współczesności i przeobrażeń, jakie dokonały się w obrębie myśli ponowoczesnej. Współczesna kultura, zdaniem Marca, stała się miejscem powstawania widm, nieustannie powracających z przeszłości. Uznając, że nie jesteśmy już w stanie tworzyć utopijnych wizji przyszłości, autor stara się zdać sprawę z widmowego charakteru współczesnej kultury, analizując m. in. strategie vintage, retro, nurt no future w kulturze lat 70. czy nurt fantastyki naukowej w literaturze.","internal_url":"https://www.academia.edu/13959376/Widmontologia_Teoria_filozoficzna_i_praktyka_artystyczna_ponowoczesno%C5%9Bci","translated_internal_url":"","created_at":"2015-07-12T14:40:50.058-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":56840903,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/56840903/thumbnails/1.jpg","file_name":"widmontologia.pdf","download_url":"https://www.academia.edu/attachments/56840903/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Widmontologia_Teoria_filozoficzna_i_prak.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/56840903/widmontologia-libre.pdf?1529597107=\u0026response-content-disposition=attachment%3B+filename%3DWidmontologia_Teoria_filozoficzna_i_prak.pdf\u0026Expires=1732369630\u0026Signature=cIZ0B4jIkbwRC84kexnI3rHyLMOmogbswUeaRpQ4LjFT7sBQkXBr1WSv0aEDgRH7R~8sjCF~caxg4a3wyxLiLThREAAIUaoLlt2p1QOt6FOVDkhHPnCN5XYm3iFy8hCLNPEvSxZaP3p4eZwXdjJwmhXZgZwetBi6ZpYYn3xtE9qHqYiXH0VI8AQvm47Rmn-24~Q-I-6SKvzubkkemkYjSaenjg1FqZ7ryg18k-oFJCkOqCpClPoDP~Jomy4H439k8NNIl-YXWwO6Sl2koUvUQtqju8wJ5bg55vdonyFFLCAoEdVpI6zqKgKYHuq6y-hHH62HvUNv-ES74PafHpygxg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Widmontologia_Teoria_filozoficzna_i_praktyka_artystyczna_ponowoczesności","translated_slug":"","page_count":1,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":56840903,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/56840903/thumbnails/1.jpg","file_name":"widmontologia.pdf","download_url":"https://www.academia.edu/attachments/56840903/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Widmontologia_Teoria_filozoficzna_i_prak.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/56840903/widmontologia-libre.pdf?1529597107=\u0026response-content-disposition=attachment%3B+filename%3DWidmontologia_Teoria_filozoficzna_i_prak.pdf\u0026Expires=1732369630\u0026Signature=cIZ0B4jIkbwRC84kexnI3rHyLMOmogbswUeaRpQ4LjFT7sBQkXBr1WSv0aEDgRH7R~8sjCF~caxg4a3wyxLiLThREAAIUaoLlt2p1QOt6FOVDkhHPnCN5XYm3iFy8hCLNPEvSxZaP3p4eZwXdjJwmhXZgZwetBi6ZpYYn3xtE9qHqYiXH0VI8AQvm47Rmn-24~Q-I-6SKvzubkkemkYjSaenjg1FqZ7ryg18k-oFJCkOqCpClPoDP~Jomy4H439k8NNIl-YXWwO6Sl2koUvUQtqju8wJ5bg55vdonyFFLCAoEdVpI6zqKgKYHuq6y-hHH62HvUNv-ES74PafHpygxg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":8,"name":"Critical Theory","url":"https://www.academia.edu/Documents/in/Critical_Theory"},{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History"},{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies"},{"id":196,"name":"Future Studies","url":"https://www.academia.edu/Documents/in/Future_Studies"},{"id":221,"name":"Psychology","url":"https://www.academia.edu/Documents/in/Psychology"},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":863,"name":"Visual Studies","url":"https://www.academia.edu/Documents/in/Visual_Studies"},{"id":902,"name":"Philosophy Of Religion","url":"https://www.academia.edu/Documents/in/Philosophy_Of_Religion"},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History"},{"id":939,"name":"Media Archaeology","url":"https://www.academia.edu/Documents/in/Media_Archaeology"},{"id":945,"name":"Performing Arts","url":"https://www.academia.edu/Documents/in/Performing_Arts"},{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":979,"name":"Analog Circuits","url":"https://www.academia.edu/Documents/in/Analog_Circuits"},{"id":1052,"name":"Atheism","url":"https://www.academia.edu/Documents/in/Atheism"},{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art"},{"id":1386,"name":"Art Theory","url":"https://www.academia.edu/Documents/in/Art_Theory"},{"id":1555,"name":"Film Studies","url":"https://www.academia.edu/Documents/in/Film_Studies"},{"id":1568,"name":"Film Theory","url":"https://www.academia.edu/Documents/in/Film_Theory"},{"id":1595,"name":"Memory (Cognitive Psychology)","url":"https://www.academia.edu/Documents/in/Memory_Cognitive_Psychology_"},{"id":2018,"name":"Plato","url":"https://www.academia.edu/Documents/in/Plato"},{"id":2122,"name":"Death","url":"https://www.academia.edu/Documents/in/Death"},{"id":2123,"name":"Death Studies","url":"https://www.academia.edu/Documents/in/Death_Studies"},{"id":2132,"name":"Cultural Heritage","url":"https://www.academia.edu/Documents/in/Cultural_Heritage"},{"id":2473,"name":"Material Culture Studies","url":"https://www.academia.edu/Documents/in/Material_Culture_Studies"},{"id":2527,"name":"Heritage Studies","url":"https://www.academia.edu/Documents/in/Heritage_Studies"},{"id":2601,"name":"Film Music And Sound","url":"https://www.academia.edu/Documents/in/Film_Music_And_Sound"},{"id":2858,"name":"Popular Culture","url":"https://www.academia.edu/Documents/in/Popular_Culture"},{"id":2869,"name":"Digital Media","url":"https://www.academia.edu/Documents/in/Digital_Media"},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art"},{"id":3145,"name":"Literature and cinema","url":"https://www.academia.edu/Documents/in/Literature_and_cinema"},{"id":3225,"name":"Visual Culture","url":"https://www.academia.edu/Documents/in/Visual_Culture"},{"id":3301,"name":"Film Analysis","url":"https://www.academia.edu/Documents/in/Film_Analysis"},{"id":3303,"name":"Human Memory","url":"https://www.academia.edu/Documents/in/Human_Memory"},{"id":3354,"name":"Poststructuralism","url":"https://www.academia.edu/Documents/in/Poststructuralism"},{"id":3371,"name":"Public Art","url":"https://www.academia.edu/Documents/in/Public_Art"},{"id":3987,"name":"History and Memory","url":"https://www.academia.edu/Documents/in/History_and_Memory"},{"id":4052,"name":"Arts Education","url":"https://www.academia.edu/Documents/in/Arts_Education"},{"id":4115,"name":"Nostalgia (Psychology)","url":"https://www.academia.edu/Documents/in/Nostalgia_Psychology_"},{"id":4195,"name":"Cultural Theory","url":"https://www.academia.edu/Documents/in/Cultural_Theory"},{"id":4474,"name":"Critical Thinking","url":"https://www.academia.edu/Documents/in/Critical_Thinking"},{"id":4868,"name":"Deconstruction","url":"https://www.academia.edu/Documents/in/Deconstruction"},{"id":5239,"name":"Death \u0026 Dying (Thanatology)","url":"https://www.academia.edu/Documents/in/Death_and_Dying_Thanatology_"},{"id":5272,"name":"Identity (Culture)","url":"https://www.academia.edu/Documents/in/Identity_Culture_"},{"id":5288,"name":"Philosophy of Film","url":"https://www.academia.edu/Documents/in/Philosophy_of_Film"},{"id":5290,"name":"Philosophy of Art","url":"https://www.academia.edu/Documents/in/Philosophy_of_Art"},{"id":5301,"name":"Film Genre","url":"https://www.academia.edu/Documents/in/Film_Genre"},{"id":5359,"name":"Visual perception","url":"https://www.academia.edu/Documents/in/Visual_perception"},{"id":5463,"name":"Performance Art","url":"https://www.academia.edu/Documents/in/Performance_Art"},{"id":5960,"name":"Continental Philosophy","url":"https://www.academia.edu/Documents/in/Continental_Philosophy"},{"id":6343,"name":"Historical memory","url":"https://www.academia.edu/Documents/in/Historical_memory"},{"id":6865,"name":"Digital Culture","url":"https://www.academia.edu/Documents/in/Digital_Culture"},{"id":7067,"name":"Cultural History Of Ghosts","url":"https://www.academia.edu/Documents/in/Cultural_History_Of_Ghosts"},{"id":7125,"name":"Culture","url":"https://www.academia.edu/Documents/in/Culture"},{"id":7773,"name":"Everyday Aesthetics","url":"https://www.academia.edu/Documents/in/Everyday_Aesthetics"},{"id":8002,"name":"Youth Culture","url":"https://www.academia.edu/Documents/in/Youth_Culture"},{"id":8102,"name":"Futurism","url":"https://www.academia.edu/Documents/in/Futurism"},{"id":8104,"name":"Mourning","url":"https://www.academia.edu/Documents/in/Mourning"},{"id":8356,"name":"Culture Studies","url":"https://www.academia.edu/Documents/in/Culture_Studies"},{"id":8436,"name":"Edmund Husserl","url":"https://www.academia.edu/Documents/in/Edmund_Husserl"},{"id":8437,"name":"Martin Heidegger","url":"https://www.academia.edu/Documents/in/Martin_Heidegger"},{"id":8538,"name":"Working Memory","url":"https://www.academia.edu/Documents/in/Working_Memory"},{"id":8850,"name":"Melancholy","url":"https://www.academia.edu/Documents/in/Melancholy"},{"id":8927,"name":"Art and Science","url":"https://www.academia.edu/Documents/in/Art_and_Science"},{"id":9539,"name":"Materialism","url":"https://www.academia.edu/Documents/in/Materialism"},{"id":9721,"name":"Music Aesthetics","url":"https://www.academia.edu/Documents/in/Music_Aesthetics"},{"id":10167,"name":"Hauntology","url":"https://www.academia.edu/Documents/in/Hauntology"},{"id":10444,"name":"Postmodernism","url":"https://www.academia.edu/Documents/in/Postmodernism"},{"id":10821,"name":"Cultural Materialism","url":"https://www.academia.edu/Documents/in/Cultural_Materialism"},{"id":11452,"name":"Memory Studies","url":"https://www.academia.edu/Documents/in/Memory_Studies"},{"id":11455,"name":"Social and Collective Memory","url":"https://www.academia.edu/Documents/in/Social_and_Collective_Memory"},{"id":11467,"name":"Visual Communication","url":"https://www.academia.edu/Documents/in/Visual_Communication"},{"id":11483,"name":"Cultural Memory","url":"https://www.academia.edu/Documents/in/Cultural_Memory"},{"id":11927,"name":"Michel Foucault","url":"https://www.academia.edu/Documents/in/Michel_Foucault"},{"id":12040,"name":"Jacques Derrida","url":"https://www.academia.edu/Documents/in/Jacques_Derrida"},{"id":12320,"name":"Autoimmunity","url":"https://www.academia.edu/Documents/in/Autoimmunity"},{"id":12578,"name":"Memory (Psychology)","url":"https://www.academia.edu/Documents/in/Memory_Psychology_"},{"id":12644,"name":"Commemoration and Memory","url":"https://www.academia.edu/Documents/in/Commemoration_and_Memory"},{"id":13950,"name":"Collective Memory","url":"https://www.academia.edu/Documents/in/Collective_Memory"},{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art"},{"id":14067,"name":"Literature and Visual Arts","url":"https://www.academia.edu/Documents/in/Literature_and_Visual_Arts"},{"id":14190,"name":"Nihilism","url":"https://www.academia.edu/Documents/in/Nihilism"},{"id":15341,"name":"Aesthetics and Ethics","url":"https://www.academia.edu/Documents/in/Aesthetics_and_Ethics"},{"id":15342,"name":"Aesthetics and Politics","url":"https://www.academia.edu/Documents/in/Aesthetics_and_Politics"},{"id":15686,"name":"History of Atheism","url":"https://www.academia.edu/Documents/in/History_of_Atheism"},{"id":16032,"name":"Baudrillard","url":"https://www.academia.edu/Documents/in/Baudrillard"},{"id":16196,"name":"Film \u0026 Digital Video","url":"https://www.academia.edu/Documents/in/Film_and_Digital_Video"},{"id":16226,"name":"Materiality (Anthropology)","url":"https://www.academia.edu/Documents/in/Materiality_Anthropology_"},{"id":16235,"name":"Popular And Political Cultures Of Memory","url":"https://www.academia.edu/Documents/in/Popular_And_Political_Cultures_Of_Memory"},{"id":17178,"name":"Ancient Philosophy","url":"https://www.academia.edu/Documents/in/Ancient_Philosophy"},{"id":17562,"name":"Death and Burial (Archaeology)","url":"https://www.academia.edu/Documents/in/Death_and_Burial_Archaeology_"},{"id":17754,"name":"Derridean Deconstruction","url":"https://www.academia.edu/Documents/in/Derridean_Deconstruction"},{"id":18214,"name":"Social Memory","url":"https://www.academia.edu/Documents/in/Social_Memory"},{"id":18606,"name":"Heidegger","url":"https://www.academia.edu/Documents/in/Heidegger"},{"id":18739,"name":"Afterlife studies","url":"https://www.academia.edu/Documents/in/Afterlife_studies"},{"id":19258,"name":"Cinema","url":"https://www.academia.edu/Documents/in/Cinema"},{"id":19405,"name":"Cultural Heritage Management","url":"https://www.academia.edu/Documents/in/Cultural_Heritage_Management"},{"id":19626,"name":"Public Memory","url":"https://www.academia.edu/Documents/in/Public_Memory"},{"id":19712,"name":"Dance and Aesthetics","url":"https://www.academia.edu/Documents/in/Dance_and_Aesthetics"},{"id":20868,"name":"Theory and Practice of Visual Arts","url":"https://www.academia.edu/Documents/in/Theory_and_Practice_of_Visual_Arts"},{"id":20993,"name":"Plato and Platonism","url":"https://www.academia.edu/Documents/in/Plato_and_Platonism"},{"id":21742,"name":"Anthropology of Death","url":"https://www.academia.edu/Documents/in/Anthropology_of_Death"},{"id":22047,"name":"Digital Media Art","url":"https://www.academia.edu/Documents/in/Digital_Media_Art"},{"id":22453,"name":"Materiality of Art","url":"https://www.academia.edu/Documents/in/Materiality_of_Art"},{"id":22656,"name":"Hospitality","url":"https://www.academia.edu/Documents/in/Hospitality"},{"id":22792,"name":"Melancholia (Art)","url":"https://www.academia.edu/Documents/in/Melancholia_Art_"},{"id":22797,"name":"Critical Thinking and Creativity","url":"https://www.academia.edu/Documents/in/Critical_Thinking_and_Creativity"},{"id":22832,"name":"Curatorial Practice (Art)","url":"https://www.academia.edu/Documents/in/Curatorial_Practice_Art_"},{"id":23342,"name":"Cultural Anthropology","url":"https://www.academia.edu/Documents/in/Cultural_Anthropology"},{"id":23918,"name":"Culture and Cognition","url":"https://www.academia.edu/Documents/in/Culture_and_Cognition"},{"id":24003,"name":"Postmodernism (Literature)","url":"https://www.academia.edu/Documents/in/Postmodernism_Literature_"},{"id":25107,"name":"Film Aesthetics","url":"https://www.academia.edu/Documents/in/Film_Aesthetics"},{"id":25552,"name":"Consumption and Material Culture","url":"https://www.academia.edu/Documents/in/Consumption_and_Material_Culture"},{"id":26291,"name":"Postmodern Literature","url":"https://www.academia.edu/Documents/in/Postmodern_Literature"},{"id":26379,"name":"Aestheticism","url":"https://www.academia.edu/Documents/in/Aestheticism"},{"id":26558,"name":"Visual Arts","url":"https://www.academia.edu/Documents/in/Visual_Arts"},{"id":27573,"name":"Derrida","url":"https://www.academia.edu/Documents/in/Derrida"},{"id":27764,"name":"Vintage Fashion","url":"https://www.academia.edu/Documents/in/Vintage_Fashion"},{"id":28299,"name":"Argumentation Theory and Critical Thinking","url":"https://www.academia.edu/Documents/in/Argumentation_Theory_and_Critical_Thinking"},{"id":29109,"name":"Postmodern Literary Theory and Popular Culture","url":"https://www.academia.edu/Documents/in/Postmodern_Literary_Theory_and_Popular_Culture"},{"id":30335,"name":"Grief (Psychology)","url":"https://www.academia.edu/Documents/in/Grief_Psychology_"},{"id":30638,"name":"Memory and materiality","url":"https://www.academia.edu/Documents/in/Memory_and_materiality"},{"id":30965,"name":"Jacques Derrida \u0026 Deconstruction","url":"https://www.academia.edu/Documents/in/Jacques_Derrida_and_Deconstruction"},{"id":31286,"name":"Afterlife landscapes","url":"https://www.academia.edu/Documents/in/Afterlife_landscapes"},{"id":31323,"name":"Heidegger and Technology","url":"https://www.academia.edu/Documents/in/Heidegger_and_Technology"},{"id":31491,"name":"Jean Baudrillard","url":"https://www.academia.edu/Documents/in/Jean_Baudrillard"},{"id":31793,"name":"Sound Art","url":"https://www.academia.edu/Documents/in/Sound_Art"},{"id":33194,"name":"Postmodern Theology","url":"https://www.academia.edu/Documents/in/Postmodern_Theology"},{"id":33457,"name":"Material Culture","url":"https://www.academia.edu/Documents/in/Material_Culture"},{"id":34292,"name":"Poststructuralist Theory","url":"https://www.academia.edu/Documents/in/Poststructuralist_Theory"},{"id":34632,"name":"Film","url":"https://www.academia.edu/Documents/in/Film"},{"id":37328,"name":"Art and Philosophy","url":"https://www.academia.edu/Documents/in/Art_and_Philosophy"},{"id":37479,"name":"Philosophy of Death","url":"https://www.academia.edu/Documents/in/Philosophy_of_Death"},{"id":38481,"name":"Aesthetics and Theory of Arts","url":"https://www.academia.edu/Documents/in/Aesthetics_and_Theory_of_Arts"},{"id":38980,"name":"Heidegger's Being and Time","url":"https://www.academia.edu/Documents/in/Heideggers_Being_and_Time"},{"id":39466,"name":"Paul Virilio","url":"https://www.academia.edu/Documents/in/Paul_Virilio"},{"id":42042,"name":"Nostalgia","url":"https://www.academia.edu/Documents/in/Nostalgia"},{"id":42298,"name":"Film and Media Studies","url":"https://www.academia.edu/Documents/in/Film_and_Media_Studies"},{"id":43349,"name":"Fine Arts","url":"https://www.academia.edu/Documents/in/Fine_Arts"},{"id":43395,"name":"Heritage","url":"https://www.academia.edu/Documents/in/Heritage"},{"id":43776,"name":"Movies","url":"https://www.academia.edu/Documents/in/Movies"},{"id":46519,"name":"Future","url":"https://www.academia.edu/Documents/in/Future"},{"id":46858,"name":"Memory","url":"https://www.academia.edu/Documents/in/Memory"},{"id":49664,"name":"Oral History and Memory","url":"https://www.academia.edu/Documents/in/Oral_History_and_Memory"},{"id":49701,"name":"Revenants","url":"https://www.academia.edu/Documents/in/Revenants"},{"id":51380,"name":"Visual Art","url":"https://www.academia.edu/Documents/in/Visual_Art"},{"id":51610,"name":"Postmodernity","url":"https://www.academia.edu/Documents/in/Postmodernity"},{"id":52745,"name":"Cinema Studies","url":"https://www.academia.edu/Documents/in/Cinema_Studies"},{"id":53039,"name":"Haunting and Spectrality","url":"https://www.academia.edu/Documents/in/Haunting_and_Spectrality"},{"id":54603,"name":"Death and Dying, Mourning and Remembrance","url":"https://www.academia.edu/Documents/in/Death_and_Dying_Mourning_and_Remembrance"},{"id":57670,"name":"Art and Mourning","url":"https://www.academia.edu/Documents/in/Art_and_Mourning"},{"id":60268,"name":"Postmodern","url":"https://www.academia.edu/Documents/in/Postmodern"},{"id":60353,"name":"Complicated Grief","url":"https://www.academia.edu/Documents/in/Complicated_Grief"},{"id":64128,"name":"Ulrich Beck","url":"https://www.academia.edu/Documents/in/Ulrich_Beck"},{"id":74013,"name":"Artes","url":"https://www.academia.edu/Documents/in/Artes"},{"id":74640,"name":"New Atheism","url":"https://www.academia.edu/Documents/in/New_Atheism"},{"id":79465,"name":"Materiality","url":"https://www.academia.edu/Documents/in/Materiality"},{"id":80698,"name":"Films","url":"https://www.academia.edu/Documents/in/Films"},{"id":81108,"name":"Media Archeology","url":"https://www.academia.edu/Documents/in/Media_Archeology"},{"id":91963,"name":"Aesthetic Experience","url":"https://www.academia.edu/Documents/in/Aesthetic_Experience"},{"id":95682,"name":"Atheism/Secular Studies","url":"https://www.academia.edu/Documents/in/Atheism_Secular_Studies"},{"id":105081,"name":"Death and the afterlife","url":"https://www.academia.edu/Documents/in/Death_and_the_afterlife"},{"id":105082,"name":"Death, burial, and concepts of the afterlife","url":"https://www.academia.edu/Documents/in/Death_burial_and_concepts_of_the_afterlife"},{"id":106738,"name":"Public mourning and burial","url":"https://www.academia.edu/Documents/in/Public_mourning_and_burial"},{"id":108743,"name":"Arts and Sciences","url":"https://www.academia.edu/Documents/in/Arts_and_Sciences"},{"id":111116,"name":"Consumption of nostalgia and retro items","url":"https://www.academia.edu/Documents/in/Consumption_of_nostalgia_and_retro_items"},{"id":113473,"name":"Art and Design","url":"https://www.academia.edu/Documents/in/Art_and_Design"},{"id":122565,"name":"Hipsters","url":"https://www.academia.edu/Documents/in/Hipsters"},{"id":131910,"name":"Postmodernizm","url":"https://www.academia.edu/Documents/in/Postmodernizm"},{"id":134327,"name":"Material Culture \u0026 Materiality","url":"https://www.academia.edu/Documents/in/Material_Culture_and_Materiality"},{"id":151313,"name":"Marxism and Hauntology","url":"https://www.academia.edu/Documents/in/Marxism_and_Hauntology"},{"id":152751,"name":"Humanities and Social Sciences","url":"https://www.academia.edu/Documents/in/Humanities_and_Social_Sciences"},{"id":159218,"name":"Death, Grief, and Mourning","url":"https://www.academia.edu/Documents/in/Death_Grief_and_Mourning"},{"id":164153,"name":"Grief and Loss","url":"https://www.academia.edu/Documents/in/Grief_and_Loss"},{"id":166076,"name":"Cultural Revivalism","url":"https://www.academia.edu/Documents/in/Cultural_Revivalism"},{"id":166425,"name":"Monsters, Ghosts, Haunting","url":"https://www.academia.edu/Documents/in/Monsters_Ghosts_Haunting"},{"id":178369,"name":"Grief","url":"https://www.academia.edu/Documents/in/Grief"},{"id":182681,"name":"Nostalgia and Memory","url":"https://www.academia.edu/Documents/in/Nostalgia_and_Memory"},{"id":191350,"name":"Franco Berardi (Bifo)","url":"https://www.academia.edu/Documents/in/Franco_Berardi_Bifo_"},{"id":196661,"name":"Platón","url":"https://www.academia.edu/Documents/in/Plat%C3%B3n"},{"id":199933,"name":"History of Humanities","url":"https://www.academia.edu/Documents/in/History_of_Humanities"},{"id":234644,"name":"Mourning and melancholia","url":"https://www.academia.edu/Documents/in/Mourning_and_melancholia"},{"id":250231,"name":"Catastrophism","url":"https://www.academia.edu/Documents/in/Catastrophism"},{"id":250546,"name":"End of the art","url":"https://www.academia.edu/Documents/in/End_of_the_art"},{"id":256667,"name":"Arts and Humanities","url":"https://www.academia.edu/Documents/in/Arts_and_Humanities"},{"id":264788,"name":"Art History, Exhibition History, Museum and Curating Studies","url":"https://www.academia.edu/Documents/in/Art_History_Exhibition_History_Museum_and_Curating_Studies"},{"id":289649,"name":"Revival","url":"https://www.academia.edu/Documents/in/Revival"},{"id":299778,"name":"Depression and Melancholy","url":"https://www.academia.edu/Documents/in/Depression_and_Melancholy"},{"id":311276,"name":"Hypnagogia","url":"https://www.academia.edu/Documents/in/Hypnagogia"},{"id":317687,"name":"Modern Atheism","url":"https://www.academia.edu/Documents/in/Modern_Atheism"},{"id":317884,"name":"Wolf-man","url":"https://www.academia.edu/Documents/in/Wolf-man"},{"id":350815,"name":"Glitch Art","url":"https://www.academia.edu/Documents/in/Glitch_Art"},{"id":387143,"name":"Nostalgia and home","url":"https://www.academia.edu/Documents/in/Nostalgia_and_home"},{"id":410947,"name":"Filozofia","url":"https://www.academia.edu/Documents/in/Filozofia"},{"id":425177,"name":"Franco Bifo Berardi","url":"https://www.academia.edu/Documents/in/Franco_Bifo_Berardi"},{"id":444382,"name":"Watching movies","url":"https://www.academia.edu/Documents/in/Watching_movies"},{"id":445622,"name":"Curating contemporary art","url":"https://www.academia.edu/Documents/in/Curating_contemporary_art"},{"id":455426,"name":"Cinema and Television","url":"https://www.academia.edu/Documents/in/Cinema_and_Television"},{"id":469105,"name":"Retrospective Studies","url":"https://www.academia.edu/Documents/in/Retrospective_Studies"},{"id":501614,"name":"Media and Culture","url":"https://www.academia.edu/Documents/in/Media_and_Culture"},{"id":507685,"name":"Art and Art History","url":"https://www.academia.edu/Documents/in/Art_and_Art_History"},{"id":517572,"name":"Hostipitality","url":"https://www.academia.edu/Documents/in/Hostipitality"},{"id":517574,"name":"Shizuka Yokomizo","url":"https://www.academia.edu/Documents/in/Shizuka_Yokomizo"},{"id":517575,"name":"Jessica Sue Layton","url":"https://www.academia.edu/Documents/in/Jessica_Sue_Layton"},{"id":517576,"name":"Marja Pirilä","url":"https://www.academia.edu/Documents/in/Marja_Pirila"},{"id":517577,"name":"Eve Dent","url":"https://www.academia.edu/Documents/in/Eve_Dent"},{"id":519076,"name":"Retromania","url":"https://www.academia.edu/Documents/in/Retromania"},{"id":597022,"name":"Death and Mourning in Contemporary Art","url":"https://www.academia.edu/Documents/in/Death_and_Mourning_in_Contemporary_Art"},{"id":620285,"name":"History of Philosophy","url":"https://www.academia.edu/Documents/in/History_of_Philosophy"},{"id":625866,"name":"Culture and death","url":"https://www.academia.edu/Documents/in/Culture_and_death"},{"id":648991,"name":"Grief, Loss, Bereavement","url":"https://www.academia.edu/Documents/in/Grief_Loss_Bereavement"},{"id":672885,"name":"Specters of Marx","url":"https://www.academia.edu/Documents/in/Specters_of_Marx"},{"id":699897,"name":"Widmontologia","url":"https://www.academia.edu/Documents/in/Widmontologia"},{"id":727416,"name":"Concepts of Modernism and Postmodernism","url":"https://www.academia.edu/Documents/in/Concepts_of_Modernism_and_Postmodernism"},{"id":783745,"name":"Hipster Consumerism","url":"https://www.academia.edu/Documents/in/Hipster_Consumerism"},{"id":888449,"name":"Vintage Revival","url":"https://www.academia.edu/Documents/in/Vintage_Revival"},{"id":910947,"name":"Justyna Bargielska","url":"https://www.academia.edu/Documents/in/Justyna_Bargielska"},{"id":972791,"name":"Hauntings","url":"https://www.academia.edu/Documents/in/Hauntings"},{"id":1004456,"name":"Spectres In Cinema","url":"https://www.academia.edu/Documents/in/Spectres_In_Cinema"},{"id":1104260,"name":"Hypnagogic Pop","url":"https://www.academia.edu/Documents/in/Hypnagogic_Pop"},{"id":1122248,"name":"History of Hipsters","url":"https://www.academia.edu/Documents/in/History_of_Hipsters"},{"id":1222774,"name":"Continental Philosophy and Aesthetics","url":"https://www.academia.edu/Documents/in/Continental_Philosophy_and_Aesthetics"},{"id":1223618,"name":"Writing in Visual Art","url":"https://www.academia.edu/Documents/in/Writing_in_Visual_Art"},{"id":1301935,"name":"Modernism and Postmodernism In Architecture","url":"https://www.academia.edu/Documents/in/Modernism_and_Postmodernism_In_Architecture"},{"id":1336395,"name":"Abraham and Torok","url":"https://www.academia.edu/Documents/in/Abraham_and_Torok-1"},{"id":1384961,"name":"Hauntology (Music)","url":"https://www.academia.edu/Documents/in/Hauntology_Music_"},{"id":1455599,"name":"Hipster Subculture","url":"https://www.academia.edu/Documents/in/Hipster_Subculture"},{"id":1516151,"name":"Spectres of Marx","url":"https://www.academia.edu/Documents/in/Spectres_of_Marx"},{"id":1556410,"name":"Full Length Movies","url":"https://www.academia.edu/Documents/in/Full_Length_Movies"},{"id":1599595,"name":"Retrofuturism","url":"https://www.academia.edu/Documents/in/Retrofuturism"},{"id":1663568,"name":"Death and Grief and Social Media","url":"https://www.academia.edu/Documents/in/Death_and_Grief_and_Social_Media"},{"id":1725429,"name":"Modernity and Hauntings","url":"https://www.academia.edu/Documents/in/Modernity_and_Hauntings"},{"id":1819294,"name":"Wilhelm Sasnal","url":"https://www.academia.edu/Documents/in/Wilhelm_Sasnal"},{"id":1897081,"name":"Graviditas Obsoleta","url":"https://www.academia.edu/Documents/in/Graviditas_Obsoleta"}],"urls":[{"id":4966194,"url":"http://issuu.com/beczmiana/docs/widmontologia/1?e=0/14071356"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="158818" id="papers"><div class="js-work-strip profile--work_container" data-work-id="125754752"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/125754752/S%C5%82ownik_poj%C4%99%C4%87_Timothyego_Mortona"><img alt="Research paper thumbnail of Słownik pojęć Timothy'ego Mortona" class="work-thumbnail" src="https://attachments.academia-assets.com/119740367/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/125754752/S%C5%82ownik_poj%C4%99%C4%87_Timothyego_Mortona">Słownik pojęć Timothy'ego Mortona</a></div><div class="wp-workCard_item"><span>Notes Na 6 Tygodni (nr 157)</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Myśl Timothy’ego Mortona w krótkim czasie osiągnęła niezwykłą popularność w świecie sztuki oraz s...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Myśl Timothy’ego Mortona w krótkim czasie osiągnęła niezwykłą popularność w świecie sztuki oraz stała się szczególnie atrakcyjna dla osób artystycznych. Ich zainteresowanie Mortonem bierze się nie tylko stąd, że autor “Mrocznej ekologii” uznał estetykę za najważniejszą dziedzinę współczesnej filozofii, lecz udowodnił, że design decyduje również o kształcie pozaludzkiej rzeczywistości. Dlatego twierdzi, że ewolucja posiada estetyczny charakter, a sztuka ma zawsze wymiar ekologiczny – międzygatunkowa agora opiera się przede wszystkim na wyglądach współtworzących ją organizmów, które doświadczają siebie nawzajem, poznają oraz działają dzięki estetyce. Morton jest autorem, którego kocha się za jego poplątany, kłączasty styl lub nienawidzi. Amerykański filozof łamie konwenanse tradycyjnego myślenia, a znajdując się często poza zasadą sprzeczności oraz flirtując z popkulturą, pokazuje, że ludzki zdrowy rozsądek to zbyt mało, by naszkicować chaotyczny, mroczny i dziwny pejzaż przetrwania w Antropocenie. Definicje pojęć, które znajdziecie poniżej pomogą w samodzielnym poruszaniu się po labiryncie sensów, jakim jest “Mroczna ekologia” – jednak mam nadzieję, że posłużą nam do tego, by się w nim wspólnie zgubić.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c9fd3ab473990ac129250d66b1ac124f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":119740367,"asset_id":125754752,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/119740367/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125754752"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125754752"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125754752; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=125754752]").text(description); $(".js-view-count[data-work-id=125754752]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 125754752; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='125754752']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 125754752, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c9fd3ab473990ac129250d66b1ac124f" } } $('.js-work-strip[data-work-id=125754752]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":125754752,"title":"Słownik pojęć Timothy'ego Mortona","translated_title":"","metadata":{"abstract":"Myśl Timothy’ego Mortona w krótkim czasie osiągnęła niezwykłą popularność w świecie sztuki oraz stała się szczególnie atrakcyjna dla osób artystycznych. Ich zainteresowanie Mortonem bierze się nie tylko stąd, że autor “Mrocznej ekologii” uznał estetykę za najważniejszą dziedzinę współczesnej filozofii, lecz udowodnił, że design decyduje również o kształcie pozaludzkiej rzeczywistości. Dlatego twierdzi, że ewolucja posiada estetyczny charakter, a sztuka ma zawsze wymiar ekologiczny – międzygatunkowa agora opiera się przede wszystkim na wyglądach współtworzących ją organizmów, które doświadczają siebie nawzajem, poznają oraz działają dzięki estetyce. Morton jest autorem, którego kocha się za jego poplątany, kłączasty styl lub nienawidzi. Amerykański filozof łamie konwenanse tradycyjnego myślenia, a znajdując się często poza zasadą sprzeczności oraz flirtując z popkulturą, pokazuje, że ludzki zdrowy rozsądek to zbyt mało, by naszkicować chaotyczny, mroczny i dziwny pejzaż przetrwania w Antropocenie. Definicje pojęć, które znajdziecie poniżej pomogą w samodzielnym poruszaniu się po labiryncie sensów, jakim jest “Mroczna ekologia” – jednak mam nadzieję, że posłużą nam do tego, by się w nim wspólnie zgubić. ","publication_date":{"day":null,"month":null,"year":2024,"errors":{}},"publication_name":"Notes Na 6 Tygodni (nr 157)"},"translated_abstract":"Myśl Timothy’ego Mortona w krótkim czasie osiągnęła niezwykłą popularność w świecie sztuki oraz stała się szczególnie atrakcyjna dla osób artystycznych. Ich zainteresowanie Mortonem bierze się nie tylko stąd, że autor “Mrocznej ekologii” uznał estetykę za najważniejszą dziedzinę współczesnej filozofii, lecz udowodnił, że design decyduje również o kształcie pozaludzkiej rzeczywistości. Dlatego twierdzi, że ewolucja posiada estetyczny charakter, a sztuka ma zawsze wymiar ekologiczny – międzygatunkowa agora opiera się przede wszystkim na wyglądach współtworzących ją organizmów, które doświadczają siebie nawzajem, poznają oraz działają dzięki estetyce. Morton jest autorem, którego kocha się za jego poplątany, kłączasty styl lub nienawidzi. Amerykański filozof łamie konwenanse tradycyjnego myślenia, a znajdując się często poza zasadą sprzeczności oraz flirtując z popkulturą, pokazuje, że ludzki zdrowy rozsądek to zbyt mało, by naszkicować chaotyczny, mroczny i dziwny pejzaż przetrwania w Antropocenie. Definicje pojęć, które znajdziecie poniżej pomogą w samodzielnym poruszaniu się po labiryncie sensów, jakim jest “Mroczna ekologia” – jednak mam nadzieję, że posłużą nam do tego, by się w nim wspólnie zgubić. ","internal_url":"https://www.academia.edu/125754752/S%C5%82ownik_poj%C4%99%C4%87_Timothyego_Mortona","translated_internal_url":"","created_at":"2024-11-22T00:26:34.887-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":119740367,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/119740367/thumbnails/1.jpg","file_name":"Timothy_Morton_słownik_pojec.pdf","download_url":"https://www.academia.edu/attachments/119740367/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Slownik_pojec_Timothyego_Mortona.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/119740367/Timothy_Morton_s%C5%82ownik_pojec-libre.pdf?1732266108=\u0026response-content-disposition=attachment%3B+filename%3DSlownik_pojec_Timothyego_Mortona.pdf\u0026Expires=1732369630\u0026Signature=E6nqXY7Yi7H2EnnvnTwdxLC~-vLsegQaLTYQVzmIFpWsT3NvFd6UsTf2WlD6547MljKQEmiGv0GsROmz2RcQtny1lqmwWHMLF8SlmJ2kls8kvp0DJ9Hxdt~9l8cWhLtSt3DbR4V~G7iOCZKEs~telhnBoL7vJ2syG~s-kcJxfMaCb87aj-DbjCWEEJ8cCK9YyYYjVZcM6WT8O5fKd4Up-kW2Wd4tKlLI3nF75mhw0IkWGqIvt~eLIAZnkOikLjQtQ~kpk5OMxHiSjUpMqeLljEaEw9Pp4xHNjVxiV8jX2tTJYErANhCjWP0yE2JJg6iaA8I-IdpFRRocPI4Z1Elm0w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Słownik_pojęć_Timothyego_Mortona","translated_slug":"","page_count":8,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":119740367,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/119740367/thumbnails/1.jpg","file_name":"Timothy_Morton_słownik_pojec.pdf","download_url":"https://www.academia.edu/attachments/119740367/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Slownik_pojec_Timothyego_Mortona.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/119740367/Timothy_Morton_s%C5%82ownik_pojec-libre.pdf?1732266108=\u0026response-content-disposition=attachment%3B+filename%3DSlownik_pojec_Timothyego_Mortona.pdf\u0026Expires=1732369630\u0026Signature=E6nqXY7Yi7H2EnnvnTwdxLC~-vLsegQaLTYQVzmIFpWsT3NvFd6UsTf2WlD6547MljKQEmiGv0GsROmz2RcQtny1lqmwWHMLF8SlmJ2kls8kvp0DJ9Hxdt~9l8cWhLtSt3DbR4V~G7iOCZKEs~telhnBoL7vJ2syG~s-kcJxfMaCb87aj-DbjCWEEJ8cCK9YyYYjVZcM6WT8O5fKd4Up-kW2Wd4tKlLI3nF75mhw0IkWGqIvt~eLIAZnkOikLjQtQ~kpk5OMxHiSjUpMqeLljEaEw9Pp4xHNjVxiV8jX2tTJYErANhCjWP0yE2JJg6iaA8I-IdpFRRocPI4Z1Elm0w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies"},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History"},{"id":1063,"name":"Environmental Education","url":"https://www.academia.edu/Documents/in/Environmental_Education"},{"id":1512,"name":"Climate Change","url":"https://www.academia.edu/Documents/in/Climate_Change"},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":16220,"name":"Dark Ecology","url":"https://www.academia.edu/Documents/in/Dark_Ecology"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":23193,"name":"Environmental Humanities","url":"https://www.academia.edu/Documents/in/Environmental_Humanities"},{"id":26558,"name":"Visual Arts","url":"https://www.academia.edu/Documents/in/Visual_Arts"},{"id":30027,"name":"The uncanny","url":"https://www.academia.edu/Documents/in/The_uncanny"},{"id":55064,"name":"Object Oriented Analysis and Design","url":"https://www.academia.edu/Documents/in/Object_Oriented_Analysis_and_Design"},{"id":55734,"name":"Object-Oriented philosophy","url":"https://www.academia.edu/Documents/in/Object-Oriented_philosophy"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":301590,"name":"Hyperobjects","url":"https://www.academia.edu/Documents/in/Hyperobjects"},{"id":383005,"name":"Weird Fiction","url":"https://www.academia.edu/Documents/in/Weird_Fiction"},{"id":788456,"name":"The Weird","url":"https://www.academia.edu/Documents/in/The_Weird"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="104214431"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/104214431/Estetyka_hiperobiekt%C3%B3w_reprezentacje_globalnego_ocieplenia_i_archiwum_antropocenu"><img alt="Research paper thumbnail of Estetyka hiperobiektów – reprezentacje globalnego ocieplenia i archiwum antropocenu" class="work-thumbnail" src="https://attachments.academia-assets.com/104002945/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/104214431/Estetyka_hiperobiekt%C3%B3w_reprezentacje_globalnego_ocieplenia_i_archiwum_antropocenu">Estetyka hiperobiektów – reprezentacje globalnego ocieplenia i archiwum antropocenu</a></div><div class="wp-workCard_item"><span>Kwartalnik Filmowy</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Autor zadaje pytanie o estetykę hiperobiektów oraz ich przedstawienia we współczesnym filmi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Autor  zadaje  pytanie  o  estetykę hiperobiektów  oraz  ich przedstawienia we współczesnym filmie. Najbardziej inte-resującym z perspektywy antropocenu hiperobiektem jest dla niego globalne ocieplenie, którego rozbudowaną repre-zentację odnajduje w Impression météo (reż. Nicolas Carrier, Marie Ouazzani, 2019). Interpretując obraz francuskich ar-tystów, autor skupia się na przedstawieniach konkretnych cech  hiperobiektów,  które  odnajdziemy  u  Timothy’ego Mortona:  lepkości,  nielokalności,  czasowym  falowaniu, interobiektywności oraz fazowaniu. Tekst jest próbą udo-wodnienia, że współczesna sztuka filmowa ma do zapropo-nowania zdecydowanie więcej niż powszechnie dostępne naukowe obrazy globalnego ocieplenia. Autor wyjaśnia tak-że  różnicę  pomiędzy  intersubiektywnością  i  interobiek-tywnością, pokazując, że dzięki tej drugiej kategorii jesteś-my w stanie pomyśleć o archiwum antropocenu.<br /><br />The author inquires about the aesthetics of hyperobjects and their visual representations in contemporary cinema. From the perspective of the Anthropocene, the most inter-esting hyperobject for him is global warming, and he finds its extensive representation in Impression météo (dir. Nico-las Carrier, Marie Ouazzani, 2019). Interpreting the film image of French artists, he focuses on presenting specific features of hyperobjects found in Timothy Morton’s work: viscosity,  nonlocality, temporal  undulation,  interobjecti-vity, and phasing. The author demonstrates that contem-porary film art has much more to offer than the commonly available scientific images of global warming. He explains the difference between intersubjectivity and interobjectiv-ity by showing that thanks to the category of interobjec-tivity, we can think about the archive of the Anthropocene.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0749ea864f1edd9085ebe2a361f7e71a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":104002945,"asset_id":104214431,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/104002945/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="104214431"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="104214431"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 104214431; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=104214431]").text(description); $(".js-view-count[data-work-id=104214431]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 104214431; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='104214431']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 104214431, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "0749ea864f1edd9085ebe2a361f7e71a" } } $('.js-work-strip[data-work-id=104214431]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":104214431,"title":"Estetyka hiperobiektów – reprezentacje globalnego ocieplenia i archiwum antropocenu","translated_title":"","metadata":{"doi":"10.36744/kf.1625","abstract":"Autor zadaje pytanie o estetykę hiperobiektów oraz ich przedstawienia we współczesnym filmie. Najbardziej inte-resującym z perspektywy antropocenu hiperobiektem jest dla niego globalne ocieplenie, którego rozbudowaną repre-zentację odnajduje w Impression météo (reż. Nicolas Carrier, Marie Ouazzani, 2019). Interpretując obraz francuskich ar-tystów, autor skupia się na przedstawieniach konkretnych cech hiperobiektów, które odnajdziemy u Timothy’ego Mortona: lepkości, nielokalności, czasowym falowaniu, interobiektywności oraz fazowaniu. Tekst jest próbą udo-wodnienia, że współczesna sztuka filmowa ma do zapropo-nowania zdecydowanie więcej niż powszechnie dostępne naukowe obrazy globalnego ocieplenia. Autor wyjaśnia tak-że różnicę pomiędzy intersubiektywnością i interobiek-tywnością, pokazując, że dzięki tej drugiej kategorii jesteś-my w stanie pomyśleć o archiwum antropocenu.\n\nThe author inquires about the aesthetics of hyperobjects and their visual representations in contemporary cinema. From the perspective of the Anthropocene, the most inter-esting hyperobject for him is global warming, and he finds its extensive representation in Impression météo (dir. Nico-las Carrier, Marie Ouazzani, 2019). Interpreting the film image of French artists, he focuses on presenting specific features of hyperobjects found in Timothy Morton’s work: viscosity, nonlocality, temporal undulation, interobjecti-vity, and phasing. The author demonstrates that contem-porary film art has much more to offer than the commonly available scientific images of global warming. He explains the difference between intersubjectivity and interobjectiv-ity by showing that thanks to the category of interobjec-tivity, we can think about the archive of the Anthropocene.","publication_date":{"day":null,"month":null,"year":2023,"errors":{}},"publication_name":"Kwartalnik Filmowy"},"translated_abstract":"Autor zadaje pytanie o estetykę hiperobiektów oraz ich przedstawienia we współczesnym filmie. Najbardziej inte-resującym z perspektywy antropocenu hiperobiektem jest dla niego globalne ocieplenie, którego rozbudowaną repre-zentację odnajduje w Impression météo (reż. Nicolas Carrier, Marie Ouazzani, 2019). Interpretując obraz francuskich ar-tystów, autor skupia się na przedstawieniach konkretnych cech hiperobiektów, które odnajdziemy u Timothy’ego Mortona: lepkości, nielokalności, czasowym falowaniu, interobiektywności oraz fazowaniu. Tekst jest próbą udo-wodnienia, że współczesna sztuka filmowa ma do zapropo-nowania zdecydowanie więcej niż powszechnie dostępne naukowe obrazy globalnego ocieplenia. Autor wyjaśnia tak-że różnicę pomiędzy intersubiektywnością i interobiek-tywnością, pokazując, że dzięki tej drugiej kategorii jesteś-my w stanie pomyśleć o archiwum antropocenu.\n\nThe author inquires about the aesthetics of hyperobjects and their visual representations in contemporary cinema. From the perspective of the Anthropocene, the most inter-esting hyperobject for him is global warming, and he finds its extensive representation in Impression météo (dir. Nico-las Carrier, Marie Ouazzani, 2019). Interpreting the film image of French artists, he focuses on presenting specific features of hyperobjects found in Timothy Morton’s work: viscosity, nonlocality, temporal undulation, interobjecti-vity, and phasing. The author demonstrates that contem-porary film art has much more to offer than the commonly available scientific images of global warming. He explains the difference between intersubjectivity and interobjectiv-ity by showing that thanks to the category of interobjec-tivity, we can think about the archive of the Anthropocene.","internal_url":"https://www.academia.edu/104214431/Estetyka_hiperobiekt%C3%B3w_reprezentacje_globalnego_ocieplenia_i_archiwum_antropocenu","translated_internal_url":"","created_at":"2023-07-04T01:01:03.375-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":104002945,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/104002945/thumbnails/1.jpg","file_name":"document.pdf","download_url":"https://www.academia.edu/attachments/104002945/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Estetyka_hiperobiektow_reprezentacje_glo.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/104002945/document-libre.pdf?1688460903=\u0026response-content-disposition=attachment%3B+filename%3DEstetyka_hiperobiektow_reprezentacje_glo.pdf\u0026Expires=1732369630\u0026Signature=PFEzXUYqTjat2CI3PWlDwVpnl3cFi3kx~dMlCPpD3Kniola9ONAE~VtW9S83YpQYovZRLGWsCzA1a2dYU-5t6SBCJd6G3rsMEPP5qhUhIwH-RVeC4YPveG-jV12bn-s5zqPnxY8BDjiKKBVTbkus5Ro-Z0bDDm-DuSrqxNDUgYHu9CnENjBbb6ZVpNeJ3umZRckgxP40GVYKahDw6a~XiiTmDa8BZWAPkbNl77163VFVYxR60~yg3W3yUjjl8bc-2tOZMXGE3PSVzBNCQGZdzjuUUL4OnW4V8~PzwhYTz3sO0Q~mcHOb7UWvvrQdmAOKjKvoPijDnQSpRCtLM5iNIQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Estetyka_hiperobiektów_reprezentacje_globalnego_ocieplenia_i_archiwum_antropocenu","translated_slug":"","page_count":15,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":104002945,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/104002945/thumbnails/1.jpg","file_name":"document.pdf","download_url":"https://www.academia.edu/attachments/104002945/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Estetyka_hiperobiektow_reprezentacje_glo.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/104002945/document-libre.pdf?1688460903=\u0026response-content-disposition=attachment%3B+filename%3DEstetyka_hiperobiektow_reprezentacje_glo.pdf\u0026Expires=1732369630\u0026Signature=PFEzXUYqTjat2CI3PWlDwVpnl3cFi3kx~dMlCPpD3Kniola9ONAE~VtW9S83YpQYovZRLGWsCzA1a2dYU-5t6SBCJd6G3rsMEPP5qhUhIwH-RVeC4YPveG-jV12bn-s5zqPnxY8BDjiKKBVTbkus5Ro-Z0bDDm-DuSrqxNDUgYHu9CnENjBbb6ZVpNeJ3umZRckgxP40GVYKahDw6a~XiiTmDa8BZWAPkbNl77163VFVYxR60~yg3W3yUjjl8bc-2tOZMXGE3PSVzBNCQGZdzjuUUL4OnW4V8~PzwhYTz3sO0Q~mcHOb7UWvvrQdmAOKjKvoPijDnQSpRCtLM5iNIQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture"},{"id":1512,"name":"Climate Change","url":"https://www.academia.edu/Documents/in/Climate_Change"},{"id":1555,"name":"Film Studies","url":"https://www.academia.edu/Documents/in/Film_Studies"},{"id":1568,"name":"Film Theory","url":"https://www.academia.edu/Documents/in/Film_Theory"},{"id":3255,"name":"Climate Change Adaptation","url":"https://www.academia.edu/Documents/in/Climate_Change_Adaptation"},{"id":3301,"name":"Film Analysis","url":"https://www.academia.edu/Documents/in/Film_Analysis"},{"id":7513,"name":"Archives","url":"https://www.academia.edu/Documents/in/Archives"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":16220,"name":"Dark Ecology","url":"https://www.academia.edu/Documents/in/Dark_Ecology"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":25107,"name":"Film Aesthetics","url":"https://www.academia.edu/Documents/in/Film_Aesthetics"},{"id":36369,"name":"Human-Nonhuman Assemblages","url":"https://www.academia.edu/Documents/in/Human-Nonhuman_Assemblages"},{"id":42298,"name":"Film and Media Studies","url":"https://www.academia.edu/Documents/in/Film_and_Media_Studies"},{"id":45405,"name":"Global Warming","url":"https://www.academia.edu/Documents/in/Global_Warming"},{"id":66713,"name":"Graham Harman","url":"https://www.academia.edu/Documents/in/Graham_Harman"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":301590,"name":"Hyperobjects","url":"https://www.academia.edu/Documents/in/Hyperobjects"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="94163739"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/94163739/Kosmogonie_czyli_o_pocz%C4%85tkach_%C5%9Bwiat%C3%B3w_zwrot_spekulatywny"><img alt="Research paper thumbnail of Kosmogonie, czyli o początkach światów - zwrot spekulatywny" class="work-thumbnail" src="https://attachments.academia-assets.com/96697970/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/94163739/Kosmogonie_czyli_o_pocz%C4%85tkach_%C5%9Bwiat%C3%B3w_zwrot_spekulatywny">Kosmogonie, czyli o początkach światów - zwrot spekulatywny</a></div><div class="wp-workCard_item"><span>Teksty Drugie nr 3</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Autor pisze przede wszystkim o zwrocie spekulatywnym i skupia się na jego światotwórczej roli. Za...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Autor pisze przede wszystkim o zwrocie spekulatywnym i skupia się na jego światotwórczej roli. Zastanawia się nad kształtem, rolą oraz wpływem najnowszych filozoficznych pojęć na zmianę rzeczywistości, wykorzystując kategorie prze!sądów Nicka Landa oraz metanoi Armena Avanessiana. Następnie odróżnia od siebie fikcje postmodernistyczne od opowieści spekulatywnych, które uznaję za niezbędny składnik myślenia realistycznego. Przedstawia konkretne spekulatywne propozycje: science fiction w ujęciu Donny Haraway i porównuje ją ze śmiałym projektem extro-science fiction Quentina Meillassoux. Na koniec udowadnia, że opowieści, które posługują się spekulacją, wyrastają z przeczucia, że realistyczne myślenie musi być dziwne (Graham Harman) lub nawet magiczne (Federico Campagna).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f9428d36c8e23ae216cdb34350a6f1e3" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":96697970,"asset_id":94163739,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/96697970/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="94163739"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="94163739"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 94163739; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=94163739]").text(description); $(".js-view-count[data-work-id=94163739]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 94163739; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='94163739']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 94163739, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f9428d36c8e23ae216cdb34350a6f1e3" } } $('.js-work-strip[data-work-id=94163739]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":94163739,"title":"Kosmogonie, czyli o początkach światów - zwrot spekulatywny","translated_title":"","metadata":{"volume":"3","abstract":"Autor pisze przede wszystkim o zwrocie spekulatywnym i skupia się na jego światotwórczej roli. Zastanawia się nad kształtem, rolą oraz wpływem najnowszych filozoficznych pojęć na zmianę rzeczywistości, wykorzystując kategorie prze!sądów Nicka Landa oraz metanoi Armena Avanessiana. Następnie odróżnia od siebie fikcje postmodernistyczne od opowieści spekulatywnych, które uznaję za niezbędny składnik myślenia realistycznego. Przedstawia konkretne spekulatywne propozycje: science fiction w ujęciu Donny Haraway i porównuje ją ze śmiałym projektem extro-science fiction Quentina Meillassoux. Na koniec udowadnia, że opowieści, które posługują się spekulacją, wyrastają z przeczucia, że realistyczne myślenie musi być dziwne (Graham Harman) lub nawet magiczne (Federico Campagna).","page_numbers":"62-81","publication_date":{"day":null,"month":null,"year":2022,"errors":{}},"publication_name":"Teksty Drugie nr 3"},"translated_abstract":"Autor pisze przede wszystkim o zwrocie spekulatywnym i skupia się na jego światotwórczej roli. Zastanawia się nad kształtem, rolą oraz wpływem najnowszych filozoficznych pojęć na zmianę rzeczywistości, wykorzystując kategorie prze!sądów Nicka Landa oraz metanoi Armena Avanessiana. Następnie odróżnia od siebie fikcje postmodernistyczne od opowieści spekulatywnych, które uznaję za niezbędny składnik myślenia realistycznego. Przedstawia konkretne spekulatywne propozycje: science fiction w ujęciu Donny Haraway i porównuje ją ze śmiałym projektem extro-science fiction Quentina Meillassoux. Na koniec udowadnia, że opowieści, które posługują się spekulacją, wyrastają z przeczucia, że realistyczne myślenie musi być dziwne (Graham Harman) lub nawet magiczne (Federico Campagna).","internal_url":"https://www.academia.edu/94163739/Kosmogonie_czyli_o_pocz%C4%85tkach_%C5%9Bwiat%C3%B3w_zwrot_spekulatywny","translated_internal_url":"","created_at":"2023-01-02T06:30:00.377-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":39288623,"work_id":94163739,"tagging_user_id":1934801,"tagged_user_id":1934801,"co_author_invite_id":6112381,"email":"a***3@gmail.com","affiliation":"Adam Mickiewicz University in Poznań","display_order":1,"name":"Andrzej Marzec","title":"Kosmogonie, czyli o początkach światów - zwrot spekulatywny"}],"downloadable_attachments":[{"id":96697970,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/96697970/thumbnails/1.jpg","file_name":"Kosmogonie_A._Marzec.pdf","download_url":"https://www.academia.edu/attachments/96697970/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Kosmogonie_czyli_o_poczatkach_swiatow_zw.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/96697970/Kosmogonie_A._Marzec-libre.pdf?1672672209=\u0026response-content-disposition=attachment%3B+filename%3DKosmogonie_czyli_o_poczatkach_swiatow_zw.pdf\u0026Expires=1732369630\u0026Signature=Vqj1lSPpGMWOCE9HJDRaZNv1rPw~LIqQ0Rr0~BXw2ZGkb0tsOKmCp4IlvVU7N5YIrg9IxudFlHhIs~0RMO26NcZsNUQ6YjE7E-OTVZIsQrlErv55U9D43jx4H-4kbkZ0va~ohAhYFfdxukzqFfE4n6XFIFbqs-g11N6Rtss6wtWBo1D~ii9XsinH-4XgHd99WM8Uj24G8Gf5cnyDA8-g3PshBIpE-MVRczg3pdGfbmf-I4JrGZJ3lZYiXjLHWZGXxgMU2aL-HZgrBli3vZYH5htHoqBAycXAKSLfFYfBkNOhMuuUpEsXemnkJU0TmeApy~KBy7E9Li9DPQiTIVN9LA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Kosmogonie_czyli_o_początkach_światów_zwrot_spekulatywny","translated_slug":"","page_count":17,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":96697970,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/96697970/thumbnails/1.jpg","file_name":"Kosmogonie_A._Marzec.pdf","download_url":"https://www.academia.edu/attachments/96697970/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Kosmogonie_czyli_o_poczatkach_swiatow_zw.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/96697970/Kosmogonie_A._Marzec-libre.pdf?1672672209=\u0026response-content-disposition=attachment%3B+filename%3DKosmogonie_czyli_o_poczatkach_swiatow_zw.pdf\u0026Expires=1732369630\u0026Signature=Vqj1lSPpGMWOCE9HJDRaZNv1rPw~LIqQ0Rr0~BXw2ZGkb0tsOKmCp4IlvVU7N5YIrg9IxudFlHhIs~0RMO26NcZsNUQ6YjE7E-OTVZIsQrlErv55U9D43jx4H-4kbkZ0va~ohAhYFfdxukzqFfE4n6XFIFbqs-g11N6Rtss6wtWBo1D~ii9XsinH-4XgHd99WM8Uj24G8Gf5cnyDA8-g3PshBIpE-MVRczg3pdGfbmf-I4JrGZJ3lZYiXjLHWZGXxgMU2aL-HZgrBli3vZYH5htHoqBAycXAKSLfFYfBkNOhMuuUpEsXemnkJU0TmeApy~KBy7E9Li9DPQiTIVN9LA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":196,"name":"Future Studies","url":"https://www.academia.edu/Documents/in/Future_Studies"},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":8694,"name":"Science Fiction","url":"https://www.academia.edu/Documents/in/Science_Fiction"},{"id":13792,"name":"Speculative Realism","url":"https://www.academia.edu/Documents/in/Speculative_Realism"},{"id":30862,"name":"Quentin Meillassoux","url":"https://www.academia.edu/Documents/in/Quentin_Meillassoux"},{"id":35403,"name":"Nick Land","url":"https://www.academia.edu/Documents/in/Nick_Land"},{"id":39738,"name":"Anthropocene studies","url":"https://www.academia.edu/Documents/in/Anthropocene_studies"},{"id":40329,"name":"Donna Haraway","url":"https://www.academia.edu/Documents/in/Donna_Haraway"},{"id":58816,"name":"Cosmogony","url":"https://www.academia.edu/Documents/in/Cosmogony"},{"id":65880,"name":"Speculative Fiction","url":"https://www.academia.edu/Documents/in/Speculative_Fiction"},{"id":66713,"name":"Graham Harman","url":"https://www.academia.edu/Documents/in/Graham_Harman"},{"id":86637,"name":"Speculative Philosophy","url":"https://www.academia.edu/Documents/in/Speculative_Philosophy"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":781620,"name":"Culture and the Anthropocene","url":"https://www.academia.edu/Documents/in/Culture_and_the_Anthropocene"},{"id":925296,"name":"Federico Campagna","url":"https://www.academia.edu/Documents/in/Federico_Campagna"},{"id":1651992,"name":"Weird Realism","url":"https://www.academia.edu/Documents/in/Weird_Realism"},{"id":1834158,"name":"Armen Avanessian","url":"https://www.academia.edu/Documents/in/Armen_Avanessian"},{"id":2509592,"name":"Extro-Science Fiction","url":"https://www.academia.edu/Documents/in/Extro-Science_Fiction"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="81027254"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/81027254/Mrok_antropocenu_perspektywa_dziwnego_realizmu"><img alt="Research paper thumbnail of Mrok antropocenu - perspektywa dziwnego realizmu" class="work-thumbnail" src="https://attachments.academia-assets.com/87213613/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/81027254/Mrok_antropocenu_perspektywa_dziwnego_realizmu">Mrok antropocenu - perspektywa dziwnego realizmu</a></div><div class="wp-workCard_item"><span>Zmierzch Antropocenu. Sztuka i nauka, szkice jutra</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Korzystając z filozoficznych narzędzi wypracowanych przez Grahama Harmana, autor pragnie uwypukli...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Korzystając z filozoficznych narzędzi wypracowanych przez Grahama Harmana, autor pragnie uwypuklić mroczne oblicze antropocenu, którego nie można już dłużej opisywać jako epoki zdominowanej przez ludzką aktywność (Crutzen 2002). Spogląda na nią poprzez pryzmat dziwnego realizmu (Harman 2012). Dzięki przyjęciu tej perspektywy może dostrzec skrywane do tej pory, niepokojące, nieznane i jednocześnie zupełnie niespodziewane oblicza nie-ludzi.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d6d71f10d545bea8b0f06362ed5d4d2f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":87213613,"asset_id":81027254,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/87213613/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="81027254"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="81027254"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 81027254; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=81027254]").text(description); $(".js-view-count[data-work-id=81027254]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 81027254; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='81027254']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 81027254, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d6d71f10d545bea8b0f06362ed5d4d2f" } } $('.js-work-strip[data-work-id=81027254]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":81027254,"title":"Mrok antropocenu - perspektywa dziwnego realizmu","translated_title":"","metadata":{"abstract":"Korzystając z filozoficznych narzędzi wypracowanych przez Grahama Harmana, autor pragnie uwypuklić mroczne oblicze antropocenu, którego nie można już dłużej opisywać jako epoki zdominowanej przez ludzką aktywność (Crutzen 2002). Spogląda na nią poprzez pryzmat dziwnego realizmu (Harman 2012). Dzięki przyjęciu tej perspektywy może dostrzec skrywane do tej pory, niepokojące, nieznane i jednocześnie zupełnie niespodziewane oblicza nie-ludzi.","page_numbers":"274-285","publication_date":{"day":null,"month":null,"year":2022,"errors":{}},"publication_name":"Zmierzch Antropocenu. Sztuka i nauka, szkice jutra"},"translated_abstract":"Korzystając z filozoficznych narzędzi wypracowanych przez Grahama Harmana, autor pragnie uwypuklić mroczne oblicze antropocenu, którego nie można już dłużej opisywać jako epoki zdominowanej przez ludzką aktywność (Crutzen 2002). Spogląda na nią poprzez pryzmat dziwnego realizmu (Harman 2012). Dzięki przyjęciu tej perspektywy może dostrzec skrywane do tej pory, niepokojące, nieznane i jednocześnie zupełnie niespodziewane oblicza nie-ludzi.","internal_url":"https://www.academia.edu/81027254/Mrok_antropocenu_perspektywa_dziwnego_realizmu","translated_internal_url":"","created_at":"2022-06-08T10:45:44.743-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":87213613,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/87213613/thumbnails/1.jpg","file_name":"Mrok_antropocenu.pdf","download_url":"https://www.academia.edu/attachments/87213613/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Mrok_antropocenu_perspektywa_dziwnego_re.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/87213613/Mrok_antropocenu-libre.pdf?1654711237=\u0026response-content-disposition=attachment%3B+filename%3DMrok_antropocenu_perspektywa_dziwnego_re.pdf\u0026Expires=1732369630\u0026Signature=CNQTUdPFRXb83fjV0QVJUOMxblEPZsTdPf0Qw6mFs9-ZsEMGrCdC7JQS3jy6Qd2EbI1MDlXIFNEW4sh4HBwcRXsCiuZSGMpZ4CcVehK5OzVshFmV9CgwVIeUsj8bI28gTAMUeybkvskKQoMNOrPA6G5Lz3O4kKA4PfwZoshur64aU9iMHKo6rbw0xfp4gyVZIHEeZT4K1-BA7u2kIU6rS0-FPUkIysQJqulUJMwZTl77CkHoU4oAO88I~RGWzPZ~tkkRzjVnVj4j-afsQrCFkfw6RFYkro6PDGnypwSeyZsiAfSU3zxwT9G7GvM8pyYZ859qLCNI1adwHTLAgMh1pQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Mrok_antropocenu_perspektywa_dziwnego_realizmu","translated_slug":"","page_count":12,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":87213613,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/87213613/thumbnails/1.jpg","file_name":"Mrok_antropocenu.pdf","download_url":"https://www.academia.edu/attachments/87213613/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Mrok_antropocenu_perspektywa_dziwnego_re.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/87213613/Mrok_antropocenu-libre.pdf?1654711237=\u0026response-content-disposition=attachment%3B+filename%3DMrok_antropocenu_perspektywa_dziwnego_re.pdf\u0026Expires=1732369630\u0026Signature=CNQTUdPFRXb83fjV0QVJUOMxblEPZsTdPf0Qw6mFs9-ZsEMGrCdC7JQS3jy6Qd2EbI1MDlXIFNEW4sh4HBwcRXsCiuZSGMpZ4CcVehK5OzVshFmV9CgwVIeUsj8bI28gTAMUeybkvskKQoMNOrPA6G5Lz3O4kKA4PfwZoshur64aU9iMHKo6rbw0xfp4gyVZIHEeZT4K1-BA7u2kIU6rS0-FPUkIysQJqulUJMwZTl77CkHoU4oAO88I~RGWzPZ~tkkRzjVnVj4j-afsQrCFkfw6RFYkro6PDGnypwSeyZsiAfSU3zxwT9G7GvM8pyYZ859qLCNI1adwHTLAgMh1pQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":13792,"name":"Speculative Realism","url":"https://www.academia.edu/Documents/in/Speculative_Realism"},{"id":16220,"name":"Dark Ecology","url":"https://www.academia.edu/Documents/in/Dark_Ecology"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":26558,"name":"Visual Arts","url":"https://www.academia.edu/Documents/in/Visual_Arts"},{"id":26586,"name":"Anthropocentrism","url":"https://www.academia.edu/Documents/in/Anthropocentrism"},{"id":30862,"name":"Quentin Meillassoux","url":"https://www.academia.edu/Documents/in/Quentin_Meillassoux"},{"id":31526,"name":"H.P. Lovecraft","url":"https://www.academia.edu/Documents/in/H.P._Lovecraft"},{"id":40329,"name":"Donna Haraway","url":"https://www.academia.edu/Documents/in/Donna_Haraway"},{"id":45405,"name":"Global Warming","url":"https://www.academia.edu/Documents/in/Global_Warming"},{"id":62586,"name":"Masks","url":"https://www.academia.edu/Documents/in/Masks"},{"id":66713,"name":"Graham Harman","url":"https://www.academia.edu/Documents/in/Graham_Harman"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":339035,"name":"Forest Fires","url":"https://www.academia.edu/Documents/in/Forest_Fires"},{"id":1651992,"name":"Weird Realism","url":"https://www.academia.edu/Documents/in/Weird_Realism"},{"id":3567366,"name":"Coronavirus COVID-19","url":"https://www.academia.edu/Documents/in/Coronavirus_COVID-19"},{"id":3588092,"name":"Pandemic Coronavirus COVID19","url":"https://www.academia.edu/Documents/in/Pandemic_Coronavirus_COVID19"},{"id":3594697,"name":"COVID-19 PANDEMIC","url":"https://www.academia.edu/Documents/in/COVID-19_PANDEMIC"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="81073646"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/81073646/The_Twilight_of_the_Anthropocene_Perspective_of_Weird_Realism"><img alt="Research paper thumbnail of The Twilight of the Anthropocene - Perspective of Weird Realism" class="work-thumbnail" src="https://attachments.academia-assets.com/87244248/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/81073646/The_Twilight_of_the_Anthropocene_Perspective_of_Weird_Realism">The Twilight of the Anthropocene - Perspective of Weird Realism</a></div><div class="wp-workCard_item"><span>Twilight of the Anthropocene. Art and Science, Tomorrow's</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Employing the philosophical tools developed by Graham Harman, the Author intends to highlight the...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Employing the philosophical tools developed by Graham Harman, the Author intends to highlight the dark face of the Anthropocene which can no longer be described as an era affected predominantly by human activity (Crutzen 2002). Regarding it through the prism of weird realism should prove much more rewarding (Harman 2012). By adopting such perspective, we will be able to see the unsettling, unknown and outright unexpected, heretofore unseen, images of non-humans.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="816d03e6d50b6f2491fe9f012a62d9c8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":87244248,"asset_id":81073646,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/87244248/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="81073646"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="81073646"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 81073646; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=81073646]").text(description); $(".js-view-count[data-work-id=81073646]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 81073646; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='81073646']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 81073646, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "816d03e6d50b6f2491fe9f012a62d9c8" } } $('.js-work-strip[data-work-id=81073646]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":81073646,"title":"The Twilight of the Anthropocene - Perspective of Weird Realism","translated_title":"","metadata":{"abstract":"Employing the philosophical tools developed by Graham Harman, the Author intends to highlight the dark face of the Anthropocene which can no longer be described as an era affected predominantly by human activity (Crutzen 2002). Regarding it through the prism of weird realism should prove much more rewarding (Harman 2012). By adopting such perspective, we will be able to see the unsettling, unknown and outright unexpected, heretofore unseen, images of non-humans.","publication_date":{"day":null,"month":null,"year":2022,"errors":{}},"publication_name":"Twilight of the Anthropocene. Art and Science, Tomorrow's"},"translated_abstract":"Employing the philosophical tools developed by Graham Harman, the Author intends to highlight the dark face of the Anthropocene which can no longer be described as an era affected predominantly by human activity (Crutzen 2002). Regarding it through the prism of weird realism should prove much more rewarding (Harman 2012). By adopting such perspective, we will be able to see the unsettling, unknown and outright unexpected, heretofore unseen, images of non-humans.","internal_url":"https://www.academia.edu/81073646/The_Twilight_of_the_Anthropocene_Perspective_of_Weird_Realism","translated_internal_url":"","created_at":"2022-06-09T02:23:45.440-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":87244248,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/87244248/thumbnails/1.jpg","file_name":"The_Twilight_of_the_Anthropocene.pdf","download_url":"https://www.academia.edu/attachments/87244248/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"The_Twilight_of_the_Anthropocene_Perspec.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/87244248/The_Twilight_of_the_Anthropocene-libre.pdf?1654767196=\u0026response-content-disposition=attachment%3B+filename%3DThe_Twilight_of_the_Anthropocene_Perspec.pdf\u0026Expires=1732369630\u0026Signature=grMBTlQ07E0F1OesWl~WckOFrdpj6t8u44-4AC6dc6e1TUvzpw0aXTuCjZ9oJ-hGocU0Zd4cGwMcx5W7JvhEqiu0zCBYMT8zcR3rUyxHXYRQUZxoPuCeHiHivVeIZ6B-~ZATCujsiMHAXUbRc4ABosGt-kd62zoAj1QUbLXetyaDXAgUf52XtzVcaCeiK4geoYL7n~YJqagMNJG3g3TWtZJtBfdvrCzq9O632NcxD~ta6LSx6n1KzltJA~ekgb5ppK1hduabrvHtjFCC8Cefq10Nlo0QopBSsNaYgfbZT1EB1aZea2BMdNuprEKNHpvvSb9PdpCUPt6rnpNSiJ9AQg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"The_Twilight_of_the_Anthropocene_Perspective_of_Weird_Realism","translated_slug":"","page_count":12,"language":"en","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":87244248,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/87244248/thumbnails/1.jpg","file_name":"The_Twilight_of_the_Anthropocene.pdf","download_url":"https://www.academia.edu/attachments/87244248/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"The_Twilight_of_the_Anthropocene_Perspec.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/87244248/The_Twilight_of_the_Anthropocene-libre.pdf?1654767196=\u0026response-content-disposition=attachment%3B+filename%3DThe_Twilight_of_the_Anthropocene_Perspec.pdf\u0026Expires=1732369630\u0026Signature=grMBTlQ07E0F1OesWl~WckOFrdpj6t8u44-4AC6dc6e1TUvzpw0aXTuCjZ9oJ-hGocU0Zd4cGwMcx5W7JvhEqiu0zCBYMT8zcR3rUyxHXYRQUZxoPuCeHiHivVeIZ6B-~ZATCujsiMHAXUbRc4ABosGt-kd62zoAj1QUbLXetyaDXAgUf52XtzVcaCeiK4geoYL7n~YJqagMNJG3g3TWtZJtBfdvrCzq9O632NcxD~ta6LSx6n1KzltJA~ekgb5ppK1hduabrvHtjFCC8Cefq10Nlo0QopBSsNaYgfbZT1EB1aZea2BMdNuprEKNHpvvSb9PdpCUPt6rnpNSiJ9AQg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1512,"name":"Climate Change","url":"https://www.academia.edu/Documents/in/Climate_Change"},{"id":3115,"name":"Posthumanism","url":"https://www.academia.edu/Documents/in/Posthumanism"},{"id":8694,"name":"Science Fiction","url":"https://www.academia.edu/Documents/in/Science_Fiction"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":13792,"name":"Speculative Realism","url":"https://www.academia.edu/Documents/in/Speculative_Realism"},{"id":16220,"name":"Dark Ecology","url":"https://www.academia.edu/Documents/in/Dark_Ecology"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":23193,"name":"Environmental Humanities","url":"https://www.academia.edu/Documents/in/Environmental_Humanities"},{"id":30027,"name":"The uncanny","url":"https://www.academia.edu/Documents/in/The_uncanny"},{"id":30862,"name":"Quentin Meillassoux","url":"https://www.academia.edu/Documents/in/Quentin_Meillassoux"},{"id":31526,"name":"H.P. Lovecraft","url":"https://www.academia.edu/Documents/in/H.P._Lovecraft"},{"id":40329,"name":"Donna Haraway","url":"https://www.academia.edu/Documents/in/Donna_Haraway"},{"id":45405,"name":"Global Warming","url":"https://www.academia.edu/Documents/in/Global_Warming"},{"id":66713,"name":"Graham Harman","url":"https://www.academia.edu/Documents/in/Graham_Harman"},{"id":76626,"name":"New Materialism","url":"https://www.academia.edu/Documents/in/New_Materialism"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":1208706,"name":"Environment","url":"https://www.academia.edu/Documents/in/Environment"},{"id":1651992,"name":"Weird Realism","url":"https://www.academia.edu/Documents/in/Weird_Realism"},{"id":3594697,"name":"COVID-19 PANDEMIC","url":"https://www.academia.edu/Documents/in/COVID-19_PANDEMIC"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="66005316"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/66005316/Grzyby_jako_hiperobiekty"><img alt="Research paper thumbnail of Grzyby jako hiperobiekty" class="work-thumbnail" src="https://attachments.academia-assets.com/77363981/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/66005316/Grzyby_jako_hiperobiekty">Grzyby jako hiperobiekty</a></div><div class="wp-workCard_item"><span>Refugia. (Prze)trwanie transgatunkowych wspólnot miejskich</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Grzyby w krótkim czasie – głównie za sprawą Anny Tsing – stały się niezwykle interesującym przedm...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Grzyby w krótkim czasie – głównie za sprawą Anny Tsing – stały się niezwykle interesującym przedmiotem badań w obrębie humanistyki środowiskowej. Amerykańska badaczka zwraca przede wszystkim uwagę na ich krnąbrność, rozumianą jako skuteczne opieranie się ludzkim sposobom uprawy, a także wymykanie się znanym modelom wzrostu i produkcji, rozpoznawanym od lat w gospodarce kapitalistycznej. Grzyby są dzisiaj również źródłem inspiracji dla nowomaterialistycznych myślicielek, które zwracają uwagę przede wszystkim na ich symbiotyczność (mikoryza) oraz relacyjność tych tajemniczych i wciąż jeszcze nierozpoznanych do końca organizmów. Chciałbym odejść od relacyjnych rozważań i raczej zwrócić uwagę na to, co możemy powiedzieć o grzybach samych w sobie, korzystając z kategorii wypracowanych na gruncie realizmu spekulatywnego. Dlatego wyeksponowana przez Tsing istotna kategoria krnąbrności będzie przeze mnie odczytywana ontologicznie. Zostanie związana nie tylko z niedostępnością, lecz także z ogromną niezależnością grzybów, istniejących autonomicznie, całkowicie niezależnie od ludzkiego rozpoznania. Spoglądając na nie przez pryzmat ontologii zwróconej ku przedmiotom Grahama Harmana, będę posługiwał się przede wszystkim jego kategorią wycofania (withdrawal), która bardzo dobrze opisuje sekretne, podziemne i często niedostrzegalne życie dyskretnych leśnych mieszkańców. Chciałbym również sprawdzić, czy grzyby – często nazywane superorganizmami – można opisywać poprzez kategorię hiperobiektu Timothy’ego Mortona.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="238e9bb1a8ff90774db38f0e3fbc45d5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":77363981,"asset_id":66005316,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/77363981/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="66005316"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="66005316"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 66005316; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=66005316]").text(description); $(".js-view-count[data-work-id=66005316]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 66005316; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='66005316']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 66005316, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "238e9bb1a8ff90774db38f0e3fbc45d5" } } $('.js-work-strip[data-work-id=66005316]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":66005316,"title":"Grzyby jako hiperobiekty","translated_title":"","metadata":{"doi":"10.14746/amup.9788323239857","abstract":"Grzyby w krótkim czasie – głównie za sprawą Anny Tsing – stały się niezwykle interesującym przedmiotem badań w obrębie humanistyki środowiskowej. Amerykańska badaczka zwraca przede wszystkim uwagę na ich krnąbrność, rozumianą jako skuteczne opieranie się ludzkim sposobom uprawy, a także wymykanie się znanym modelom wzrostu i produkcji, rozpoznawanym od lat w gospodarce kapitalistycznej. Grzyby są dzisiaj również źródłem inspiracji dla nowomaterialistycznych myślicielek, które zwracają uwagę przede wszystkim na ich symbiotyczność (mikoryza) oraz relacyjność tych tajemniczych i wciąż jeszcze nierozpoznanych do końca organizmów. Chciałbym odejść od relacyjnych rozważań i raczej zwrócić uwagę na to, co możemy powiedzieć o grzybach samych w sobie, korzystając z kategorii wypracowanych na gruncie realizmu spekulatywnego. Dlatego wyeksponowana przez Tsing istotna kategoria krnąbrności będzie przeze mnie odczytywana ontologicznie. Zostanie związana nie tylko z niedostępnością, lecz także z ogromną niezależnością grzybów, istniejących autonomicznie, całkowicie niezależnie od ludzkiego rozpoznania. Spoglądając na nie przez pryzmat ontologii zwróconej ku przedmiotom Grahama Harmana, będę posługiwał się przede wszystkim jego kategorią wycofania (withdrawal), która bardzo dobrze opisuje sekretne, podziemne i często niedostrzegalne życie dyskretnych leśnych mieszkańców. Chciałbym również sprawdzić, czy grzyby – często nazywane superorganizmami – można opisywać poprzez kategorię hiperobiektu Timothy’ego Mortona.","publication_date":{"day":null,"month":null,"year":2021,"errors":{}},"publication_name":"Refugia. (Prze)trwanie transgatunkowych wspólnot miejskich"},"translated_abstract":"Grzyby w krótkim czasie – głównie za sprawą Anny Tsing – stały się niezwykle interesującym przedmiotem badań w obrębie humanistyki środowiskowej. Amerykańska badaczka zwraca przede wszystkim uwagę na ich krnąbrność, rozumianą jako skuteczne opieranie się ludzkim sposobom uprawy, a także wymykanie się znanym modelom wzrostu i produkcji, rozpoznawanym od lat w gospodarce kapitalistycznej. Grzyby są dzisiaj również źródłem inspiracji dla nowomaterialistycznych myślicielek, które zwracają uwagę przede wszystkim na ich symbiotyczność (mikoryza) oraz relacyjność tych tajemniczych i wciąż jeszcze nierozpoznanych do końca organizmów. Chciałbym odejść od relacyjnych rozważań i raczej zwrócić uwagę na to, co możemy powiedzieć o grzybach samych w sobie, korzystając z kategorii wypracowanych na gruncie realizmu spekulatywnego. Dlatego wyeksponowana przez Tsing istotna kategoria krnąbrności będzie przeze mnie odczytywana ontologicznie. Zostanie związana nie tylko z niedostępnością, lecz także z ogromną niezależnością grzybów, istniejących autonomicznie, całkowicie niezależnie od ludzkiego rozpoznania. Spoglądając na nie przez pryzmat ontologii zwróconej ku przedmiotom Grahama Harmana, będę posługiwał się przede wszystkim jego kategorią wycofania (withdrawal), która bardzo dobrze opisuje sekretne, podziemne i często niedostrzegalne życie dyskretnych leśnych mieszkańców. Chciałbym również sprawdzić, czy grzyby – często nazywane superorganizmami – można opisywać poprzez kategorię hiperobiektu Timothy’ego Mortona.","internal_url":"https://www.academia.edu/66005316/Grzyby_jako_hiperobiekty","translated_internal_url":"","created_at":"2021-12-26T02:19:01.422-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":77363981,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/77363981/thumbnails/1.jpg","file_name":"Grzyby_jako_hiperobiekty.pdf","download_url":"https://www.academia.edu/attachments/77363981/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Grzyby_jako_hiperobiekty.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/77363981/Grzyby_jako_hiperobiekty-libre.pdf?1640516785=\u0026response-content-disposition=attachment%3B+filename%3DGrzyby_jako_hiperobiekty.pdf\u0026Expires=1732369630\u0026Signature=eg3PhTPr-W1rCBDOftfJ9eDrxeqf~nSl0dGYBiIJaU6a2~IHlRuB8ri5wn4OBW~Im7xetYulvj17pnuSJGhYRH55zgorAEo307Iuk17VP5kOe0izRTtlpIW78UucP7w8qw3kwqaQxHr906WPp~7ShivgckKMQfd7a-VByW8jqXMQ3FkNeUmRL1rGxZ0Oa2EWS4ohvIrTcjcTp0llvu2Ta9vDAD-lM4imw13hr22WgnJaC2KzdQ7l3QLAVHEcOkiarkYd4RPEMY4PTi-PYl2xIcSeJkn9rm4uzwfBSvPOJ-W6MC3hEl6ytM8Af4Y8NpE~i5S20UIGIrgxauhc3cIsyQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Grzyby_jako_hiperobiekty","translated_slug":"","page_count":12,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":77363981,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/77363981/thumbnails/1.jpg","file_name":"Grzyby_jako_hiperobiekty.pdf","download_url":"https://www.academia.edu/attachments/77363981/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Grzyby_jako_hiperobiekty.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/77363981/Grzyby_jako_hiperobiekty-libre.pdf?1640516785=\u0026response-content-disposition=attachment%3B+filename%3DGrzyby_jako_hiperobiekty.pdf\u0026Expires=1732369630\u0026Signature=eg3PhTPr-W1rCBDOftfJ9eDrxeqf~nSl0dGYBiIJaU6a2~IHlRuB8ri5wn4OBW~Im7xetYulvj17pnuSJGhYRH55zgorAEo307Iuk17VP5kOe0izRTtlpIW78UucP7w8qw3kwqaQxHr906WPp~7ShivgckKMQfd7a-VByW8jqXMQ3FkNeUmRL1rGxZ0Oa2EWS4ohvIrTcjcTp0llvu2Ta9vDAD-lM4imw13hr22WgnJaC2KzdQ7l3QLAVHEcOkiarkYd4RPEMY4PTi-PYl2xIcSeJkn9rm4uzwfBSvPOJ-W6MC3hEl6ytM8Af4Y8NpE~i5S20UIGIrgxauhc3cIsyQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":3115,"name":"Posthumanism","url":"https://www.academia.edu/Documents/in/Posthumanism"},{"id":8437,"name":"Martin Heidegger","url":"https://www.academia.edu/Documents/in/Martin_Heidegger"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":10101,"name":"Critical Posthumanism","url":"https://www.academia.edu/Documents/in/Critical_Posthumanism"},{"id":13792,"name":"Speculative Realism","url":"https://www.academia.edu/Documents/in/Speculative_Realism"},{"id":16220,"name":"Dark Ecology","url":"https://www.academia.edu/Documents/in/Dark_Ecology"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":23193,"name":"Environmental Humanities","url":"https://www.academia.edu/Documents/in/Environmental_Humanities"},{"id":66713,"name":"Graham Harman","url":"https://www.academia.edu/Documents/in/Graham_Harman"},{"id":68124,"name":"Mushrooms","url":"https://www.academia.edu/Documents/in/Mushrooms"},{"id":76626,"name":"New Materialism","url":"https://www.academia.edu/Documents/in/New_Materialism"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":248985,"name":"New Materialisms","url":"https://www.academia.edu/Documents/in/New_Materialisms"},{"id":301590,"name":"Hyperobjects","url":"https://www.academia.edu/Documents/in/Hyperobjects"},{"id":621089,"name":"Anna L. Tsing","url":"https://www.academia.edu/Documents/in/Anna_L._Tsing"},{"id":662207,"name":"Ontological Turn","url":"https://www.academia.edu/Documents/in/Ontological_Turn"},{"id":2255721,"name":"Bong Joon-ho","url":"https://www.academia.edu/Documents/in/Bong_Joon-ho"},{"id":2781549,"name":"Mycelium","url":"https://www.academia.edu/Documents/in/Mycelium"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="65710749"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/65710749/Mushrooms_as_Hyperobjects"><img alt="Research paper thumbnail of Mushrooms as Hyperobjects" class="work-thumbnail" src="https://attachments.academia-assets.com/77188946/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/65710749/Mushrooms_as_Hyperobjects">Mushrooms as Hyperobjects</a></div><div class="wp-workCard_item"><span>Refugia: The Survival of Urban Transspecies Communities</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Mushrooms became an extremely interesting object of study in the environmental humanities almost...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Mushrooms became an extremely interesting object of study in <br />the environmental humanities almost overnight, mainly thanks to <br />Anna Tsing. Indeed, Tsing points out how “unruly” mushrooms <br />may be, since they effectively oppose human farming methods and <br />elude the models of growth and production which have been at <br />the heart of the capitalist economy for years.<br /> Today, mushrooms  are also a source of inspiration for new materialist thinkers who  focus on the symbiotic (mycorrhizic) and the relational nature of these mysterious and still obscure entities.<br />I would like to move away from relational considerations and focus instead on what we can say about mushrooms <br />themselves, referring to the critical categories of speculative realism. Therefore, I shall interpret Tsing’s key notion of mushrooms <br />as “unruly” in terms of ontology, discussing their inaccessibility <br />and independence: after all, mushrooms exist autonomously and <br />completely independently of human perception. I shall analyze <br />mushrooms through the prism of Graham Harman’s object-oriented ontology, referring primarily to the category of withdrawal,<br />which describes the secret, underground, and often invisible life <br />of these withdrawn inhabitants of the forest. I shall also discuss <br />mushrooms, often called superorganisms, referring to Timothy <br />Morton’s notion of hyperobjects.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5647bd22c58de9c8741117d36332f783" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":77188946,"asset_id":65710749,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/77188946/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="65710749"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="65710749"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 65710749; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=65710749]").text(description); $(".js-view-count[data-work-id=65710749]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 65710749; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='65710749']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 65710749, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5647bd22c58de9c8741117d36332f783" } } $('.js-work-strip[data-work-id=65710749]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":65710749,"title":"Mushrooms as Hyperobjects","translated_title":"","metadata":{"doi":"10.14746/amup.9788323239857","abstract":"Mushrooms became an extremely interesting object of study in \nthe environmental humanities almost overnight, mainly thanks to \nAnna Tsing. Indeed, Tsing points out how “unruly” mushrooms \nmay be, since they effectively oppose human farming methods and \nelude the models of growth and production which have been at \nthe heart of the capitalist economy for years.\n Today, mushrooms are also a source of inspiration for new materialist thinkers who focus on the symbiotic (mycorrhizic) and the relational nature of these mysterious and still obscure entities.\nI would like to move away from relational considerations and focus instead on what we can say about mushrooms \nthemselves, referring to the critical categories of speculative realism. Therefore, I shall interpret Tsing’s key notion of mushrooms \nas “unruly” in terms of ontology, discussing their inaccessibility \nand independence: after all, mushrooms exist autonomously and \ncompletely independently of human perception. I shall analyze \nmushrooms through the prism of Graham Harman’s object-oriented ontology, referring primarily to the category of withdrawal,\nwhich describes the secret, underground, and often invisible life \nof these withdrawn inhabitants of the forest. I shall also discuss \nmushrooms, often called superorganisms, referring to Timothy \nMorton’s notion of hyperobjects.","publication_date":{"day":null,"month":null,"year":2021,"errors":{}},"publication_name":"Refugia: The Survival of Urban Transspecies Communities"},"translated_abstract":"Mushrooms became an extremely interesting object of study in \nthe environmental humanities almost overnight, mainly thanks to \nAnna Tsing. Indeed, Tsing points out how “unruly” mushrooms \nmay be, since they effectively oppose human farming methods and \nelude the models of growth and production which have been at \nthe heart of the capitalist economy for years.\n Today, mushrooms are also a source of inspiration for new materialist thinkers who focus on the symbiotic (mycorrhizic) and the relational nature of these mysterious and still obscure entities.\nI would like to move away from relational considerations and focus instead on what we can say about mushrooms \nthemselves, referring to the critical categories of speculative realism. Therefore, I shall interpret Tsing’s key notion of mushrooms \nas “unruly” in terms of ontology, discussing their inaccessibility \nand independence: after all, mushrooms exist autonomously and \ncompletely independently of human perception. I shall analyze \nmushrooms through the prism of Graham Harman’s object-oriented ontology, referring primarily to the category of withdrawal,\nwhich describes the secret, underground, and often invisible life \nof these withdrawn inhabitants of the forest. I shall also discuss \nmushrooms, often called superorganisms, referring to Timothy \nMorton’s notion of hyperobjects.","internal_url":"https://www.academia.edu/65710749/Mushrooms_as_Hyperobjects","translated_internal_url":"","created_at":"2021-12-23T08:30:17.732-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":77188946,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/77188946/thumbnails/1.jpg","file_name":"refugia.pdf","download_url":"https://www.academia.edu/attachments/77188946/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Mushrooms_as_Hyperobjects.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/77188946/refugia-libre.pdf?1640292425=\u0026response-content-disposition=attachment%3B+filename%3DMushrooms_as_Hyperobjects.pdf\u0026Expires=1732369630\u0026Signature=NN-Phjb~rb-ELkXxrZ0JGrwKfe8xyW3Nmkvz~GgQg5YswxPOGTqqBgIa6xrj3loSGwIc7Dd9pHugPCdXW-qZwUEn-d2yH13Y0e07WrRTBxWQ9Kj9o3FTrt25WRm1cuqkHxwnndRozWoDsF0WK2p1nQRaDvUoySahKmweN5wu8zvz0UYnKw4Y64Tq6ZluubjfADcYEu24H~clLSPTINCTWqVuWnIy2CshuAbDqgKsak69OMbIbPqaseOl2sT6dFLo78ckgjV8w7DC2ysGTi2l1VCCIDW~atpIvGoAs3ADlx9Ohy~gx6TdOuMNOWwQ3lwsgUPMTgZmyLFyyiHnSSKXpA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Mushrooms_as_Hyperobjects","translated_slug":"","page_count":10,"language":"en","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":77188946,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/77188946/thumbnails/1.jpg","file_name":"refugia.pdf","download_url":"https://www.academia.edu/attachments/77188946/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Mushrooms_as_Hyperobjects.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/77188946/refugia-libre.pdf?1640292425=\u0026response-content-disposition=attachment%3B+filename%3DMushrooms_as_Hyperobjects.pdf\u0026Expires=1732369630\u0026Signature=NN-Phjb~rb-ELkXxrZ0JGrwKfe8xyW3Nmkvz~GgQg5YswxPOGTqqBgIa6xrj3loSGwIc7Dd9pHugPCdXW-qZwUEn-d2yH13Y0e07WrRTBxWQ9Kj9o3FTrt25WRm1cuqkHxwnndRozWoDsF0WK2p1nQRaDvUoySahKmweN5wu8zvz0UYnKw4Y64Tq6ZluubjfADcYEu24H~clLSPTINCTWqVuWnIy2CshuAbDqgKsak69OMbIbPqaseOl2sT6dFLo78ckgjV8w7DC2ysGTi2l1VCCIDW~atpIvGoAs3ADlx9Ohy~gx6TdOuMNOWwQ3lwsgUPMTgZmyLFyyiHnSSKXpA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":3115,"name":"Posthumanism","url":"https://www.academia.edu/Documents/in/Posthumanism"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":10101,"name":"Critical Posthumanism","url":"https://www.academia.edu/Documents/in/Critical_Posthumanism"},{"id":13792,"name":"Speculative Realism","url":"https://www.academia.edu/Documents/in/Speculative_Realism"},{"id":16220,"name":"Dark Ecology","url":"https://www.academia.edu/Documents/in/Dark_Ecology"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":23193,"name":"Environmental Humanities","url":"https://www.academia.edu/Documents/in/Environmental_Humanities"},{"id":66713,"name":"Graham Harman","url":"https://www.academia.edu/Documents/in/Graham_Harman"},{"id":68124,"name":"Mushrooms","url":"https://www.academia.edu/Documents/in/Mushrooms"},{"id":76626,"name":"New Materialism","url":"https://www.academia.edu/Documents/in/New_Materialism"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":248985,"name":"New Materialisms","url":"https://www.academia.edu/Documents/in/New_Materialisms"},{"id":301590,"name":"Hyperobjects","url":"https://www.academia.edu/Documents/in/Hyperobjects"}],"urls":[{"id":15701372,"url":"https://press.amu.edu.pl/pub/media/productattach/b/a/bakke_refugia_przetrwanie_2021.pdf"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="53108457"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/53108457/Wasteplants_Towards_a_Precarious_Aesthetics_and_Ephemeral_Heritage"><img alt="Research paper thumbnail of Wasteplants: Towards a Precarious Aesthetics and Ephemeral Heritage" class="work-thumbnail" src="https://attachments.academia-assets.com/70050175/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/53108457/Wasteplants_Towards_a_Precarious_Aesthetics_and_Ephemeral_Heritage">Wasteplants: Towards a Precarious Aesthetics and Ephemeral Heritage</a></div><div class="wp-workCard_item"><span>Wasteplants Atlas (Atlas śmiecioroślin)</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">To describe and interpret the hybrid objects that make up the Center for Living Things would be n...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">To describe and interpret the hybrid objects that<br />make up the Center for Living Things would be<br />no easy task for taxonomy enthusiasts still faithful<br />to traditional art theory. The difficulty lies in<br />the apparently simple question: what are these<br />things? Diana Lelonek’s objects defy definition,<br />yet their perplexing status is as compelling as it<br />is unnerving. Their charm lies in their promise<br />to finally transcend the border between nature<br />and culture.<br />Wasteplants are ephemeral and ever changing.<br />They are the products of multiple authors and<br />reflect the collaborative efforts of a collective that<br />remains more or less anonymous. Yet their most<br />salient quality is that they exist as the products<br />of posthuman activity. In this way, they speak to<br />the power of nonhuman creativity.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a645d847fdf149ed88aa0fdc1191bad8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":70050175,"asset_id":53108457,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/70050175/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="53108457"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="53108457"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 53108457; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=53108457]").text(description); $(".js-view-count[data-work-id=53108457]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 53108457; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='53108457']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 53108457, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a645d847fdf149ed88aa0fdc1191bad8" } } $('.js-work-strip[data-work-id=53108457]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":53108457,"title":"Wasteplants: Towards a Precarious Aesthetics and Ephemeral Heritage","translated_title":"","metadata":{"abstract":"To describe and interpret the hybrid objects that\nmake up the Center for Living Things would be\nno easy task for taxonomy enthusiasts still faithful\nto traditional art theory. The difficulty lies in\nthe apparently simple question: what are these\nthings? Diana Lelonek’s objects defy definition,\nyet their perplexing status is as compelling as it\nis unnerving. Their charm lies in their promise\nto finally transcend the border between nature\nand culture.\nWasteplants are ephemeral and ever changing.\nThey are the products of multiple authors and\nreflect the collaborative efforts of a collective that\nremains more or less anonymous. Yet their most\nsalient quality is that they exist as the products\nof posthuman activity. In this way, they speak to\nthe power of nonhuman creativity. ","publication_date":{"day":null,"month":null,"year":2021,"errors":{}},"publication_name":"Wasteplants Atlas (Atlas śmiecioroślin)"},"translated_abstract":"To describe and interpret the hybrid objects that\nmake up the Center for Living Things would be\nno easy task for taxonomy enthusiasts still faithful\nto traditional art theory. The difficulty lies in\nthe apparently simple question: what are these\nthings? Diana Lelonek’s objects defy definition,\nyet their perplexing status is as compelling as it\nis unnerving. Their charm lies in their promise\nto finally transcend the border between nature\nand culture.\nWasteplants are ephemeral and ever changing.\nThey are the products of multiple authors and\nreflect the collaborative efforts of a collective that\nremains more or less anonymous. Yet their most\nsalient quality is that they exist as the products\nof posthuman activity. In this way, they speak to\nthe power of nonhuman creativity. ","internal_url":"https://www.academia.edu/53108457/Wasteplants_Towards_a_Precarious_Aesthetics_and_Ephemeral_Heritage","translated_internal_url":"","created_at":"2021-09-21T04:54:58.627-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":70050175,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/70050175/thumbnails/1.jpg","file_name":"Wasteplants_Towards_a_Precarious_Aesthetics_and_Ephemeral_Heritage.pdf","download_url":"https://www.academia.edu/attachments/70050175/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Wasteplants_Towards_a_Precarious_Aesthet.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/70050175/Wasteplants_Towards_a_Precarious_Aesthetics_and_Ephemeral_Heritage-libre.pdf?1632230306=\u0026response-content-disposition=attachment%3B+filename%3DWasteplants_Towards_a_Precarious_Aesthet.pdf\u0026Expires=1732369630\u0026Signature=XpTUSg~ezaygTeHzcvNob~6wpy~JL-FBPAwCOXxxCeNWs4GBE7rmWEjF8PqXaLQ5DZSfJaGtxmnQSTKgsnttbcFPunT9WOLVGQEwfsHe-Y~axB2g1rmNIxnfNzXqIcdaX4E7OEMx12hZv~zqIIWov1z1qtOt8nKSW7445K0CVuUALmQb~tWyfDFHoJ~COZ8xIaH8hef8~UyptDsNwtxC8r9pkZQ4kMGf270LNtYK9r9kqe-2pVeX1y-9Fb51LaWJfO5lUQIGSHtn6vs2A8t9SwUExhoE6zDwo0aPXuggaHK991fsJYP2DSluvgkUCVk83YDr0ZwRKTFdQwEOqrmwWA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Wasteplants_Towards_a_Precarious_Aesthetics_and_Ephemeral_Heritage","translated_slug":"","page_count":4,"language":"en","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":70050175,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/70050175/thumbnails/1.jpg","file_name":"Wasteplants_Towards_a_Precarious_Aesthetics_and_Ephemeral_Heritage.pdf","download_url":"https://www.academia.edu/attachments/70050175/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Wasteplants_Towards_a_Precarious_Aesthet.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/70050175/Wasteplants_Towards_a_Precarious_Aesthetics_and_Ephemeral_Heritage-libre.pdf?1632230306=\u0026response-content-disposition=attachment%3B+filename%3DWasteplants_Towards_a_Precarious_Aesthet.pdf\u0026Expires=1732369630\u0026Signature=XpTUSg~ezaygTeHzcvNob~6wpy~JL-FBPAwCOXxxCeNWs4GBE7rmWEjF8PqXaLQ5DZSfJaGtxmnQSTKgsnttbcFPunT9WOLVGQEwfsHe-Y~axB2g1rmNIxnfNzXqIcdaX4E7OEMx12hZv~zqIIWov1z1qtOt8nKSW7445K0CVuUALmQb~tWyfDFHoJ~COZ8xIaH8hef8~UyptDsNwtxC8r9pkZQ4kMGf270LNtYK9r9kqe-2pVeX1y-9Fb51LaWJfO5lUQIGSHtn6vs2A8t9SwUExhoE6zDwo0aPXuggaHK991fsJYP2DSluvgkUCVk83YDr0ZwRKTFdQwEOqrmwWA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":153,"name":"Landscape Ecology","url":"https://www.academia.edu/Documents/in/Landscape_Ecology"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art"},{"id":3115,"name":"Posthumanism","url":"https://www.academia.edu/Documents/in/Posthumanism"},{"id":3407,"name":"Environmental Studies","url":"https://www.academia.edu/Documents/in/Environmental_Studies"},{"id":5645,"name":"Recycling","url":"https://www.academia.edu/Documents/in/Recycling"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":10101,"name":"Critical Posthumanism","url":"https://www.academia.edu/Documents/in/Critical_Posthumanism"},{"id":14776,"name":"Precarity","url":"https://www.academia.edu/Documents/in/Precarity"},{"id":16220,"name":"Dark Ecology","url":"https://www.academia.edu/Documents/in/Dark_Ecology"},{"id":16433,"name":"Nature Culture","url":"https://www.academia.edu/Documents/in/Nature_Culture"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":21963,"name":"Solid Waste Management","url":"https://www.academia.edu/Documents/in/Solid_Waste_Management"},{"id":23193,"name":"Environmental Humanities","url":"https://www.academia.edu/Documents/in/Environmental_Humanities"},{"id":36369,"name":"Human-Nonhuman Assemblages","url":"https://www.academia.edu/Documents/in/Human-Nonhuman_Assemblages"},{"id":67405,"name":"Toxicity","url":"https://www.academia.edu/Documents/in/Toxicity"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":103084,"name":"Inheritance","url":"https://www.academia.edu/Documents/in/Inheritance"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":1235759,"name":"Dispose of Waste","url":"https://www.academia.edu/Documents/in/Dispose_of_Waste"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="53100202"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/53100202/Potw%C3%B3r_zwany_ekonomi%C4%85_kapitalistyczn%C4%85"><img alt="Research paper thumbnail of Potwór zwany ekonomią kapitalistyczną" class="work-thumbnail" src="https://attachments.academia-assets.com/70045776/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/53100202/Potw%C3%B3r_zwany_ekonomi%C4%85_kapitalistyczn%C4%85">Potwór zwany ekonomią kapitalistyczną</a></div><div class="wp-workCard_item"><span>Raj. Potop. Program</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Thomas Köck nie ukrywa tego, że jedną z bezpośrednich filozoficznych inspiracji do powstania "Try...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Thomas Köck nie ukrywa tego, że jedną z bezpośrednich filozoficznych inspiracji do powstania "Trylogii Klimatycznej" była myśl Timothy’ego Mortona. Zwłaszcza jego oryginalna koncepcja hiperobiektów, czyli tak ogromnych, rozległych i masywnych – jednym słowem monstrualnych – obiektów, że te skutecznie wymykają się ludzkiemu jednostkowemu doświadczeniu (np. globalne ocieplenie, radioaktywność, pandemia, mikroplastik, czarna dziura). Najczęściej po prostu znajdujemy się we wnętrzu hiperobiektów i stąd wynika podstawowa trudność z ich jednoznacznym poznaniem oraz zlokalizowaniem. Odnosimy wrażenie, że są wszędzie i nigdzie, charakteryzuje je nielokalność (nonlocality).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4c70eff69520a9836570a73d2f488eb0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":70045776,"asset_id":53100202,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/70045776/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="53100202"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="53100202"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 53100202; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=53100202]").text(description); $(".js-view-count[data-work-id=53100202]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 53100202; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='53100202']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 53100202, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "4c70eff69520a9836570a73d2f488eb0" } } $('.js-work-strip[data-work-id=53100202]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":53100202,"title":"Potwór zwany ekonomią kapitalistyczną","translated_title":"","metadata":{"abstract":"Thomas Köck nie ukrywa tego, że jedną z bezpośrednich filozoficznych inspiracji do powstania \"Trylogii Klimatycznej\" była myśl Timothy’ego Mortona. Zwłaszcza jego oryginalna koncepcja hiperobiektów, czyli tak ogromnych, rozległych i masywnych – jednym słowem monstrualnych – obiektów, że te skutecznie wymykają się ludzkiemu jednostkowemu doświadczeniu (np. globalne ocieplenie, radioaktywność, pandemia, mikroplastik, czarna dziura). Najczęściej po prostu znajdujemy się we wnętrzu hiperobiektów i stąd wynika podstawowa trudność z ich jednoznacznym poznaniem oraz zlokalizowaniem. Odnosimy wrażenie, że są wszędzie i nigdzie, charakteryzuje je nielokalność (nonlocality).","publication_date":{"day":null,"month":null,"year":2021,"errors":{}},"publication_name":"Raj. Potop. Program"},"translated_abstract":"Thomas Köck nie ukrywa tego, że jedną z bezpośrednich filozoficznych inspiracji do powstania \"Trylogii Klimatycznej\" była myśl Timothy’ego Mortona. Zwłaszcza jego oryginalna koncepcja hiperobiektów, czyli tak ogromnych, rozległych i masywnych – jednym słowem monstrualnych – obiektów, że te skutecznie wymykają się ludzkiemu jednostkowemu doświadczeniu (np. globalne ocieplenie, radioaktywność, pandemia, mikroplastik, czarna dziura). Najczęściej po prostu znajdujemy się we wnętrzu hiperobiektów i stąd wynika podstawowa trudność z ich jednoznacznym poznaniem oraz zlokalizowaniem. Odnosimy wrażenie, że są wszędzie i nigdzie, charakteryzuje je nielokalność (nonlocality).","internal_url":"https://www.academia.edu/53100202/Potw%C3%B3r_zwany_ekonomi%C4%85_kapitalistyczn%C4%85","translated_internal_url":"","created_at":"2021-09-21T03:26:59.574-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":70045776,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/70045776/thumbnails/1.jpg","file_name":"Potwor_zwany_ekonomia_kapitalistyczna.pdf","download_url":"https://www.academia.edu/attachments/70045776/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Potwor_zwany_ekonomia_kapitalistyczna.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/70045776/Potwor_zwany_ekonomia_kapitalistyczna-libre.pdf?1632223036=\u0026response-content-disposition=attachment%3B+filename%3DPotwor_zwany_ekonomia_kapitalistyczna.pdf\u0026Expires=1732369630\u0026Signature=Zy2lf~W~X~BwPdigw2r4ERIUHb9Cf5XHX6nVyVXWEYl6f3SmPBLIjhxqnh0bl4qcsKmvy5XVpxXwcTvLod6BaEiL1rSIPfhRXnzNYxE~1s9hW3mReZHPmfJ6CbjpiaeQ9k2hvGPgnHRFvhMF31nGiMp1DgjCVFK5UWuXLZMiPsjcXogEPG0-nVEikMzTBSdyYpvaOZ2r~6xCmhxNAEdzww2qtxfdZ9TLuHV9f6uR-q6pHZX4hKFf9gbcD1qTVGgnW0N-2sCs76RldpPt9GqEwskJDmBEKkoJvCFOv1Wd9ABFmIGU0xDlheyTWKancpmVoj8lqrnfwyADmg8nJLOH7w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Potwór_zwany_ekonomią_kapitalistyczną","translated_slug":"","page_count":8,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":70045776,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/70045776/thumbnails/1.jpg","file_name":"Potwor_zwany_ekonomia_kapitalistyczna.pdf","download_url":"https://www.academia.edu/attachments/70045776/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Potwor_zwany_ekonomia_kapitalistyczna.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/70045776/Potwor_zwany_ekonomia_kapitalistyczna-libre.pdf?1632223036=\u0026response-content-disposition=attachment%3B+filename%3DPotwor_zwany_ekonomia_kapitalistyczna.pdf\u0026Expires=1732369630\u0026Signature=Zy2lf~W~X~BwPdigw2r4ERIUHb9Cf5XHX6nVyVXWEYl6f3SmPBLIjhxqnh0bl4qcsKmvy5XVpxXwcTvLod6BaEiL1rSIPfhRXnzNYxE~1s9hW3mReZHPmfJ6CbjpiaeQ9k2hvGPgnHRFvhMF31nGiMp1DgjCVFK5UWuXLZMiPsjcXogEPG0-nVEikMzTBSdyYpvaOZ2r~6xCmhxNAEdzww2qtxfdZ9TLuHV9f6uR-q6pHZX4hKFf9gbcD1qTVGgnW0N-2sCs76RldpPt9GqEwskJDmBEKkoJvCFOv1Wd9ABFmIGU0xDlheyTWKancpmVoj8lqrnfwyADmg8nJLOH7w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":947,"name":"Theatre Studies","url":"https://www.academia.edu/Documents/in/Theatre_Studies"},{"id":2860,"name":"Postcolonial Studies","url":"https://www.academia.edu/Documents/in/Postcolonial_Studies"},{"id":3407,"name":"Environmental Studies","url":"https://www.academia.edu/Documents/in/Environmental_Studies"},{"id":9705,"name":"Capitalism","url":"https://www.academia.edu/Documents/in/Capitalism"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":13792,"name":"Speculative Realism","url":"https://www.academia.edu/Documents/in/Speculative_Realism"},{"id":16220,"name":"Dark Ecology","url":"https://www.academia.edu/Documents/in/Dark_Ecology"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":23193,"name":"Environmental Humanities","url":"https://www.academia.edu/Documents/in/Environmental_Humanities"},{"id":35118,"name":"Anthropology of Capitalism","url":"https://www.academia.edu/Documents/in/Anthropology_of_Capitalism"},{"id":45405,"name":"Global Warming","url":"https://www.academia.edu/Documents/in/Global_Warming"},{"id":46429,"name":"Economy","url":"https://www.academia.edu/Documents/in/Economy"},{"id":47112,"name":"Varieties of Capitalism","url":"https://www.academia.edu/Documents/in/Varieties_of_Capitalism"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":250231,"name":"Catastrophism","url":"https://www.academia.edu/Documents/in/Catastrophism"},{"id":301590,"name":"Hyperobjects","url":"https://www.academia.edu/Documents/in/Hyperobjects"},{"id":354782,"name":"Monsters and the Monstrous","url":"https://www.academia.edu/Documents/in/Monsters_and_the_Monstrous"},{"id":511009,"name":"Consumption Culture","url":"https://www.academia.edu/Documents/in/Consumption_Culture"},{"id":1019496,"name":"Anti Capitalist Social Movements","url":"https://www.academia.edu/Documents/in/Anti_Capitalist_Social_Movements"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="43863434"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/43863434/Niebieska_humanistyka_materialno_dyskursywne_do%C5%9Bwiadczenie_oceanu_w_kinie_wsp%C3%B3%C5%82czesnym"><img alt="Research paper thumbnail of Niebieska humanistyka: materialno-dyskursywne doświadczenie oceanu w kinie współczesnym" class="work-thumbnail" src="https://attachments.academia-assets.com/65575544/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43863434/Niebieska_humanistyka_materialno_dyskursywne_do%C5%9Bwiadczenie_oceanu_w_kinie_wsp%C3%B3%C5%82czesnym">Niebieska humanistyka: materialno-dyskursywne doświadczenie oceanu w kinie współczesnym</a></div><div class="wp-workCard_item"><span>MOCAK Forum, nr 15</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Niebieska humanistyka (Blue Humanities) to dynamicznie rozwijający się posthumanistyczny nurt myś...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Niebieska humanistyka (Blue Humanities) to dynamicznie rozwijający się posthumanistyczny nurt myślowy, osadzający historię życia w oceanie. Zgodnie z tym przekonaniem naszą planetę powinniśmy nazywać Oceanem, a nie Ziemią, gdyż wody stanowią około 70 proc. powierzchni ziemskiego globu. Steve Mentz, jeden z teoretyków zwrotu oceanicznego we współczesnej humanistyce, zwraca uwagę na to, że jeśli pragniemy zrozumieć dynamiczne przemiany epoki antropocenu, powinniśmy odejść od statycznych kategorii zielonych pól, ogrodów oraz żyznych gruntów, których uprawa niesie ze sobą opowieści o przetrwaniu nierozerwalnie związane ze stabilnością i przewidywalnością. W jego rozważaniach pierwszorzędne znaczenie mają niespokojne wody, niosące nieustanne zagrożenie katastrofą (wrak, rozbitek) oraz figury żeglarzy i pływaków unoszących się na wodzie, stale przebywających w niebezpiecznym środowisku. Z kolei Astrida Neimanis, związana z tradycją feministycznego nowego materializmu, podkreśla życiodajną i jednocześnie niezwykle kreatywną rolę oceanów, które w swoich niezbadanych głębinach wytwarzają wiele różnorodnych, niesamowitych nie-ludzkich ciał. Woda w jej rozważaniach staje się nie tylko gwarantką materialnej, cielesnej zmienności, lecz przede wszystkim zawsze zaskakującej, niczym nieskrępowanej naturokulturowej twórczości. Podejmując trop wskazany przez Neimanis, chciałbym przyjrzeć się artystycznym manifestacjom oceanu w filmowych obrazach Heleny Wittmann oraz Lucile Hadžihalilović, a także pokazać, w jaki sposób Olafur Eliasson upomina się o utracone ludzkie relacje z żywiołem wody. Zależy mi głównie na tym, aby ukazać związane z wodami praktyki materialno-dyskursywne. Chcę przyjrzeć się temu, w jaki sposób materialny ocean wytwarza symboliczne znaczenie, oraz pokazać, że reżyserki oprócz typowych dla klasycznej sztuki artystycznych środków wyrazu (reprezentacji i metafor) próbują za pomocą swoich filmów wytworzyć w widzach również pewnego rodzaju oceaniczne doświadczenie.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1fbcec183b8b7a4333b0b6c5c31355ac" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65575544,"asset_id":43863434,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65575544/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43863434"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43863434"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43863434; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43863434]").text(description); $(".js-view-count[data-work-id=43863434]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43863434; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='43863434']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 43863434, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1fbcec183b8b7a4333b0b6c5c31355ac" } } $('.js-work-strip[data-work-id=43863434]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":43863434,"title":"Niebieska humanistyka: materialno-dyskursywne doświadczenie oceanu w\nkinie współczesnym","translated_title":"","metadata":{"abstract":"Niebieska humanistyka (Blue Humanities) to dynamicznie rozwijający się posthumanistyczny nurt myślowy, osadzający historię życia w oceanie. Zgodnie z tym przekonaniem naszą planetę powinniśmy nazywać Oceanem, a nie Ziemią, gdyż wody stanowią około 70 proc. powierzchni ziemskiego globu. Steve Mentz, jeden z teoretyków zwrotu oceanicznego we współczesnej humanistyce, zwraca uwagę na to, że jeśli pragniemy zrozumieć dynamiczne przemiany epoki antropocenu, powinniśmy odejść od statycznych kategorii zielonych pól, ogrodów oraz żyznych gruntów, których uprawa niesie ze sobą opowieści o przetrwaniu nierozerwalnie związane ze stabilnością i przewidywalnością. W jego rozważaniach pierwszorzędne znaczenie mają niespokojne wody, niosące nieustanne zagrożenie katastrofą (wrak, rozbitek) oraz figury żeglarzy i pływaków unoszących się na wodzie, stale przebywających w niebezpiecznym środowisku. Z kolei Astrida Neimanis, związana z tradycją feministycznego nowego materializmu, podkreśla życiodajną i jednocześnie niezwykle kreatywną rolę oceanów, które w swoich niezbadanych głębinach wytwarzają wiele różnorodnych, niesamowitych nie-ludzkich ciał. Woda w jej rozważaniach staje się nie tylko gwarantką materialnej, cielesnej zmienności, lecz przede wszystkim zawsze zaskakującej, niczym nieskrępowanej naturokulturowej twórczości. Podejmując trop wskazany przez Neimanis, chciałbym przyjrzeć się artystycznym manifestacjom oceanu w filmowych obrazach Heleny Wittmann oraz Lucile Hadžihalilović, a także pokazać, w jaki sposób Olafur Eliasson upomina się o utracone ludzkie relacje z żywiołem wody. Zależy mi głównie na tym, aby ukazać związane z wodami praktyki materialno-dyskursywne. Chcę przyjrzeć się temu, w jaki sposób materialny ocean wytwarza symboliczne znaczenie, oraz pokazać, że reżyserki oprócz typowych dla klasycznej sztuki artystycznych środków wyrazu (reprezentacji i metafor) próbują za pomocą swoich filmów wytworzyć w widzach również pewnego rodzaju oceaniczne doświadczenie.","publication_date":{"day":null,"month":null,"year":2019,"errors":{}},"publication_name":"MOCAK Forum, nr 15"},"translated_abstract":"Niebieska humanistyka (Blue Humanities) to dynamicznie rozwijający się posthumanistyczny nurt myślowy, osadzający historię życia w oceanie. Zgodnie z tym przekonaniem naszą planetę powinniśmy nazywać Oceanem, a nie Ziemią, gdyż wody stanowią około 70 proc. powierzchni ziemskiego globu. Steve Mentz, jeden z teoretyków zwrotu oceanicznego we współczesnej humanistyce, zwraca uwagę na to, że jeśli pragniemy zrozumieć dynamiczne przemiany epoki antropocenu, powinniśmy odejść od statycznych kategorii zielonych pól, ogrodów oraz żyznych gruntów, których uprawa niesie ze sobą opowieści o przetrwaniu nierozerwalnie związane ze stabilnością i przewidywalnością. W jego rozważaniach pierwszorzędne znaczenie mają niespokojne wody, niosące nieustanne zagrożenie katastrofą (wrak, rozbitek) oraz figury żeglarzy i pływaków unoszących się na wodzie, stale przebywających w niebezpiecznym środowisku. Z kolei Astrida Neimanis, związana z tradycją feministycznego nowego materializmu, podkreśla życiodajną i jednocześnie niezwykle kreatywną rolę oceanów, które w swoich niezbadanych głębinach wytwarzają wiele różnorodnych, niesamowitych nie-ludzkich ciał. Woda w jej rozważaniach staje się nie tylko gwarantką materialnej, cielesnej zmienności, lecz przede wszystkim zawsze zaskakującej, niczym nieskrępowanej naturokulturowej twórczości. Podejmując trop wskazany przez Neimanis, chciałbym przyjrzeć się artystycznym manifestacjom oceanu w filmowych obrazach Heleny Wittmann oraz Lucile Hadžihalilović, a także pokazać, w jaki sposób Olafur Eliasson upomina się o utracone ludzkie relacje z żywiołem wody. Zależy mi głównie na tym, aby ukazać związane z wodami praktyki materialno-dyskursywne. Chcę przyjrzeć się temu, w jaki sposób materialny ocean wytwarza symboliczne znaczenie, oraz pokazać, że reżyserki oprócz typowych dla klasycznej sztuki artystycznych środków wyrazu (reprezentacji i metafor) próbują za pomocą swoich filmów wytworzyć w widzach również pewnego rodzaju oceaniczne doświadczenie.","internal_url":"https://www.academia.edu/43863434/Niebieska_humanistyka_materialno_dyskursywne_do%C5%9Bwiadczenie_oceanu_w_kinie_wsp%C3%B3%C5%82czesnym","translated_internal_url":"","created_at":"2020-08-15T03:56:07.581-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":65575544,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65575544/thumbnails/1.jpg","file_name":"A._Marzec_Niebieska_humanistyka.pdf","download_url":"https://www.academia.edu/attachments/65575544/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Niebieska_humanistyka_materialno_dyskurs.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65575544/A._Marzec_Niebieska_humanistyka-libre.pdf?1612191501=\u0026response-content-disposition=attachment%3B+filename%3DNiebieska_humanistyka_materialno_dyskurs.pdf\u0026Expires=1732369631\u0026Signature=eSYfrMX-vNxlduxFY-mBOutYmd7iJeyfN8QssWcvKpATqFXoNepIdBEdZKBBUJDeCKn3RJd0QAzb18RbY3M-Ldl9-rJT8WNYtETe4wmVIgTt9nSiGAxR2vFBDkCnvCyrM2xwszT~o3zu1jQknCRS7ECog5MKVKEUxvyeibLFYTqFRxhe8y9~W61MVhBWceoUfcTBarPNGp~EOv~GCMIpNh4AscnSXTXDdWqqNMg~DlrCmvv9D9QAu4iWqqsVMVV7pxJjzQiVvUqVnn4VpdDuEZRFLQWXlxkfKwyZ1oSMqxbtFhzcnVC8~Y~Vmc-HcFdyg3B1tyKFDGh4wo8ZJ0zIXQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Niebieska_humanistyka_materialno_dyskursywne_doświadczenie_oceanu_w_kinie_współczesnym","translated_slug":"","page_count":11,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":65575544,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65575544/thumbnails/1.jpg","file_name":"A._Marzec_Niebieska_humanistyka.pdf","download_url":"https://www.academia.edu/attachments/65575544/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Niebieska_humanistyka_materialno_dyskurs.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65575544/A._Marzec_Niebieska_humanistyka-libre.pdf?1612191501=\u0026response-content-disposition=attachment%3B+filename%3DNiebieska_humanistyka_materialno_dyskurs.pdf\u0026Expires=1732369631\u0026Signature=eSYfrMX-vNxlduxFY-mBOutYmd7iJeyfN8QssWcvKpATqFXoNepIdBEdZKBBUJDeCKn3RJd0QAzb18RbY3M-Ldl9-rJT8WNYtETe4wmVIgTt9nSiGAxR2vFBDkCnvCyrM2xwszT~o3zu1jQknCRS7ECog5MKVKEUxvyeibLFYTqFRxhe8y9~W61MVhBWceoUfcTBarPNGp~EOv~GCMIpNh4AscnSXTXDdWqqNMg~DlrCmvv9D9QAu4iWqqsVMVV7pxJjzQiVvUqVnn4VpdDuEZRFLQWXlxkfKwyZ1oSMqxbtFhzcnVC8~Y~Vmc-HcFdyg3B1tyKFDGh4wo8ZJ0zIXQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":415,"name":"Oceanography","url":"https://www.academia.edu/Documents/in/Oceanography"},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":2215,"name":"Water","url":"https://www.academia.edu/Documents/in/Water"},{"id":3115,"name":"Posthumanism","url":"https://www.academia.edu/Documents/in/Posthumanism"},{"id":3329,"name":"Glacial Geology","url":"https://www.academia.edu/Documents/in/Glacial_Geology"},{"id":4035,"name":"Marine Ecology","url":"https://www.academia.edu/Documents/in/Marine_Ecology"},{"id":4523,"name":"Water quality","url":"https://www.academia.edu/Documents/in/Water_quality"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":10101,"name":"Critical Posthumanism","url":"https://www.academia.edu/Documents/in/Critical_Posthumanism"},{"id":14469,"name":"Sustainable Water Resources Management","url":"https://www.academia.edu/Documents/in/Sustainable_Water_Resources_Management"},{"id":19258,"name":"Cinema","url":"https://www.academia.edu/Documents/in/Cinema"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":45405,"name":"Global Warming","url":"https://www.academia.edu/Documents/in/Global_Warming"},{"id":48820,"name":"Shipwrecks","url":"https://www.academia.edu/Documents/in/Shipwrecks"},{"id":52745,"name":"Cinema Studies","url":"https://www.academia.edu/Documents/in/Cinema_Studies"},{"id":76626,"name":"New Materialism","url":"https://www.academia.edu/Documents/in/New_Materialism"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":738447,"name":"Blue Humanities","url":"https://www.academia.edu/Documents/in/Blue_Humanities"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37895543"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37895543/Postdigital_aesthetics_an_art_of_imperfection_disturbances_and_disintegration"><img alt="Research paper thumbnail of Postdigital aesthetics – an art of imperfection, disturbances and disintegration" class="work-thumbnail" src="https://attachments.academia-assets.com/57904751/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37895543/Postdigital_aesthetics_an_art_of_imperfection_disturbances_and_disintegration">Postdigital aesthetics – an art of imperfection, disturbances and disintegration</a></div><div class="wp-workCard_item"><span>Unframing Archives – Essays On Cinema And Visual Arts</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The article discusses the recent phenomenon of postdigital aesthetics, with a focus on postdigita...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The article discusses the recent phenomenon of postdigital aesthetics, with a focus on postdigital artists’ preference for destructive actions, and their use imperfection, distortion and errors. It analyses glitch art creators, using the theoretical tools proposed by Rosa Menkman and Michael Betancourt. It addresses the possible reasons for a return to analog in the postdigital age and for critical use of glitch in contemporary art, The art of glitch perhaps best epitomizes our postdigital condition and shows a discontinuous experience of reality.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ccfbc669e922014204de85ef798af5a6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57904751,"asset_id":37895543,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57904751/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37895543"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37895543"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37895543; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37895543]").text(description); $(".js-view-count[data-work-id=37895543]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37895543; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37895543']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 37895543, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ccfbc669e922014204de85ef798af5a6" } } $('.js-work-strip[data-work-id=37895543]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37895543,"title":"Postdigital aesthetics – an art of imperfection, disturbances and disintegration","translated_title":"","metadata":{"abstract":"The article discusses the recent phenomenon of postdigital aesthetics, with a focus on postdigital artists’ preference for destructive actions, and their use imperfection, distortion and errors. It analyses glitch art creators, using the theoretical tools proposed by Rosa Menkman and Michael Betancourt. It addresses the possible reasons for a return to analog in the postdigital age and for critical use of glitch in contemporary art, The art of glitch perhaps best epitomizes our postdigital condition and shows a discontinuous experience of reality. ","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"Unframing Archives – Essays On Cinema And Visual Arts"},"translated_abstract":"The article discusses the recent phenomenon of postdigital aesthetics, with a focus on postdigital artists’ preference for destructive actions, and their use imperfection, distortion and errors. It analyses glitch art creators, using the theoretical tools proposed by Rosa Menkman and Michael Betancourt. It addresses the possible reasons for a return to analog in the postdigital age and for critical use of glitch in contemporary art, The art of glitch perhaps best epitomizes our postdigital condition and shows a discontinuous experience of reality. ","internal_url":"https://www.academia.edu/37895543/Postdigital_aesthetics_an_art_of_imperfection_disturbances_and_disintegration","translated_internal_url":"","created_at":"2018-12-02T08:28:06.680-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":57904751,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57904751/thumbnails/1.jpg","file_name":"A._Marzec_-_Postdigital_aesthetics.pdf","download_url":"https://www.academia.edu/attachments/57904751/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Postdigital_aesthetics_an_art_of_imperfe.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57904751/A._Marzec_-_Postdigital_aesthetics-libre.pdf?1543768377=\u0026response-content-disposition=attachment%3B+filename%3DPostdigital_aesthetics_an_art_of_imperfe.pdf\u0026Expires=1732369631\u0026Signature=dY8jwHJu4CYQ-Oeka6U6SFOlKJF2-zuYzk5KA2qulF4vsFsfRpnnHAjQdYcQQSApHYs7PDtpw1~iAbzE7RHGWLEt7sliWep9Mp~heiYgyrC7ozUGW98wrDS~iF72bcA0mUQ3EEhgCJDqk8h-VnqIS~X7I3fZqYGMDAQvmgky56aI0lgGB1pwyur7rojc3CuJfl~Zn15IdY51rxgRmVAb-waMKVOyDBSutSaIVl9Y-c21X7lv82SgEBxN9YdtkZrzx9iOYWsRPTDAmfAwOlCkMSgvroLcteFGiqqjYFIszhmuf2fe1WavGX7iUs3aEQKfFdAV-1W2bpmfejUA8Nf6UQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Postdigital_aesthetics_an_art_of_imperfection_disturbances_and_disintegration","translated_slug":"","page_count":10,"language":"en","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":57904751,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57904751/thumbnails/1.jpg","file_name":"A._Marzec_-_Postdigital_aesthetics.pdf","download_url":"https://www.academia.edu/attachments/57904751/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Postdigital_aesthetics_an_art_of_imperfe.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57904751/A._Marzec_-_Postdigital_aesthetics-libre.pdf?1543768377=\u0026response-content-disposition=attachment%3B+filename%3DPostdigital_aesthetics_an_art_of_imperfe.pdf\u0026Expires=1732369631\u0026Signature=dY8jwHJu4CYQ-Oeka6U6SFOlKJF2-zuYzk5KA2qulF4vsFsfRpnnHAjQdYcQQSApHYs7PDtpw1~iAbzE7RHGWLEt7sliWep9Mp~heiYgyrC7ozUGW98wrDS~iF72bcA0mUQ3EEhgCJDqk8h-VnqIS~X7I3fZqYGMDAQvmgky56aI0lgGB1pwyur7rojc3CuJfl~Zn15IdY51rxgRmVAb-waMKVOyDBSutSaIVl9Y-c21X7lv82SgEBxN9YdtkZrzx9iOYWsRPTDAmfAwOlCkMSgvroLcteFGiqqjYFIszhmuf2fe1WavGX7iUs3aEQKfFdAV-1W2bpmfejUA8Nf6UQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":422,"name":"Computer Science","url":"https://www.academia.edu/Documents/in/Computer_Science"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":928,"name":"Media Studies","url":"https://www.academia.edu/Documents/in/Media_Studies"},{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":979,"name":"Analog Circuits","url":"https://www.academia.edu/Documents/in/Analog_Circuits"},{"id":1197,"name":"Digital Humanities","url":"https://www.academia.edu/Documents/in/Digital_Humanities"},{"id":2122,"name":"Death","url":"https://www.academia.edu/Documents/in/Death"},{"id":2123,"name":"Death Studies","url":"https://www.academia.edu/Documents/in/Death_Studies"},{"id":2869,"name":"Digital Media","url":"https://www.academia.edu/Documents/in/Digital_Media"},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art"},{"id":6865,"name":"Digital Culture","url":"https://www.academia.edu/Documents/in/Digital_Culture"},{"id":7125,"name":"Culture","url":"https://www.academia.edu/Documents/in/Culture"},{"id":8673,"name":"Digital Media \u0026 Learning","url":"https://www.academia.edu/Documents/in/Digital_Media_and_Learning"},{"id":9351,"name":"Image Analysis","url":"https://www.academia.edu/Documents/in/Image_Analysis"},{"id":10167,"name":"Hauntology","url":"https://www.academia.edu/Documents/in/Hauntology"},{"id":17160,"name":"Digital Circuits","url":"https://www.academia.edu/Documents/in/Digital_Circuits"},{"id":35938,"name":"Digital Image Processing","url":"https://www.academia.edu/Documents/in/Digital_Image_Processing"},{"id":60834,"name":"Electronic Circuits","url":"https://www.academia.edu/Documents/in/Electronic_Circuits"},{"id":61347,"name":"DIY culture","url":"https://www.academia.edu/Documents/in/DIY_culture"},{"id":350815,"name":"Glitch Art","url":"https://www.academia.edu/Documents/in/Glitch_Art"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="43962647"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/43962647/Kino_zorientowane_ku_przedmiotom_Object_oriented_cinema_"><img alt="Research paper thumbnail of Kino zorientowane ku przedmiotom (Object-oriented cinema)" class="work-thumbnail" src="https://attachments.academia-assets.com/64290171/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43962647/Kino_zorientowane_ku_przedmiotom_Object_oriented_cinema_">Kino zorientowane ku przedmiotom (Object-oriented cinema)</a></div><div class="wp-workCard_item"><span>Kwartalnik Filmowy nr 110</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The author investigates the recent phenomenon of object-oriented cinema. Interpreting the films o...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The author investigates the recent phenomenon of object-oriented cinema. Interpreting the films of Quentin Dupieux and Peter Strickland, he focuses primarily on the key category of speculative realism that is allure, and distinguishes it from sensual seduction, which it is most often confused with. Then, referring to Jane Bennett’s theory of vitalist materialism and her concept of thing-power, he asks about the agency of objects and why we find it so hard to imagine. He presents the passive-active nature of agency discussed by Bennett on the example of the latest film by James Benning "Maggie’s Farm" (2019). The author proves that aesthetics and rhetoric in object-oriented cinema are not superficial ornaments, but, on the contrary, allow individual filmmakers to look at objects in a different way.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8d74d003b7baf07960cf115f5e53afee" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64290171,"asset_id":43962647,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64290171/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43962647"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43962647"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43962647; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43962647]").text(description); $(".js-view-count[data-work-id=43962647]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43962647; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='43962647']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 43962647, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8d74d003b7baf07960cf115f5e53afee" } } $('.js-work-strip[data-work-id=43962647]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":43962647,"title":"Kino zorientowane ku przedmiotom (Object-oriented cinema)","translated_title":"","metadata":{"doi":"10.36744/kf.340","abstract":"The author investigates the recent phenomenon of object-oriented cinema. Interpreting the films of Quentin Dupieux and Peter Strickland, he focuses primarily on the key category of speculative realism that is allure, and distinguishes it from sensual seduction, which it is most often confused with. Then, referring to Jane Bennett’s theory of vitalist materialism and her concept of thing-power, he asks about the agency of objects and why we find it so hard to imagine. He presents the passive-active nature of agency discussed by Bennett on the example of the latest film by James Benning \"Maggie’s Farm\" (2019). The author proves that aesthetics and rhetoric in object-oriented cinema are not superficial ornaments, but, on the contrary, allow individual filmmakers to look at objects in a different way.","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Kwartalnik Filmowy nr 110"},"translated_abstract":"The author investigates the recent phenomenon of object-oriented cinema. Interpreting the films of Quentin Dupieux and Peter Strickland, he focuses primarily on the key category of speculative realism that is allure, and distinguishes it from sensual seduction, which it is most often confused with. Then, referring to Jane Bennett’s theory of vitalist materialism and her concept of thing-power, he asks about the agency of objects and why we find it so hard to imagine. He presents the passive-active nature of agency discussed by Bennett on the example of the latest film by James Benning \"Maggie’s Farm\" (2019). The author proves that aesthetics and rhetoric in object-oriented cinema are not superficial ornaments, but, on the contrary, allow individual filmmakers to look at objects in a different way.","internal_url":"https://www.academia.edu/43962647/Kino_zorientowane_ku_przedmiotom_Object_oriented_cinema_","translated_internal_url":"","created_at":"2020-08-27T07:14:57.945-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":64290171,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64290171/thumbnails/1.jpg","file_name":"340-Tekst artykułu-2093-1-10-20200819.pdf","download_url":"https://www.academia.edu/attachments/64290171/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Kino_zorientowane_ku_przedmiotom_Object.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64290171/340-Tekst_artyku%C5%82u-2093-1-10-20200819-libre.pdf?1598538315=\u0026response-content-disposition=attachment%3B+filename%3DKino_zorientowane_ku_przedmiotom_Object.pdf\u0026Expires=1732369631\u0026Signature=bc3GBmCVbNdtHFqFzJaUYRZemQadPOys0NdS~q1fd3cZGiXONHI5LKVuYvVMHmqR5B2zMjX1jJSbHkaxj1D1AUrougufVpMW9hVOkk2vJF-HUbEwErPpxBH4skhRSimuTwOImx9m1iR3LhR9f1e3fe-xFyDtPiUu8yNQhz-pjcon60L8-MS7DrONyTdVQBIUReCut8tgRD6x451aWT3~BzINpU2sFo78~v7XtvB76DKtH8YmTRwrhNv1mve4B7llX-3ZOJYJtgDRFl4GhALCCCgWHhGZfhEZGDtJyMR8jXemSIFCzvFcarnNdlLBCRB9FYI8Tcncpj00EAA6-g~IEg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Kino_zorientowane_ku_przedmiotom_Object_oriented_cinema_","translated_slug":"","page_count":20,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":64290171,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64290171/thumbnails/1.jpg","file_name":"340-Tekst artykułu-2093-1-10-20200819.pdf","download_url":"https://www.academia.edu/attachments/64290171/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Kino_zorientowane_ku_przedmiotom_Object.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64290171/340-Tekst_artyku%C5%82u-2093-1-10-20200819-libre.pdf?1598538315=\u0026response-content-disposition=attachment%3B+filename%3DKino_zorientowane_ku_przedmiotom_Object.pdf\u0026Expires=1732369631\u0026Signature=bc3GBmCVbNdtHFqFzJaUYRZemQadPOys0NdS~q1fd3cZGiXONHI5LKVuYvVMHmqR5B2zMjX1jJSbHkaxj1D1AUrougufVpMW9hVOkk2vJF-HUbEwErPpxBH4skhRSimuTwOImx9m1iR3LhR9f1e3fe-xFyDtPiUu8yNQhz-pjcon60L8-MS7DrONyTdVQBIUReCut8tgRD6x451aWT3~BzINpU2sFo78~v7XtvB76DKtH8YmTRwrhNv1mve4B7llX-3ZOJYJtgDRFl4GhALCCCgWHhGZfhEZGDtJyMR8jXemSIFCzvFcarnNdlLBCRB9FYI8Tcncpj00EAA6-g~IEg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":928,"name":"Media Studies","url":"https://www.academia.edu/Documents/in/Media_Studies"},{"id":988,"name":"Design","url":"https://www.academia.edu/Documents/in/Design"},{"id":1555,"name":"Film Studies","url":"https://www.academia.edu/Documents/in/Film_Studies"},{"id":1568,"name":"Film Theory","url":"https://www.academia.edu/Documents/in/Film_Theory"},{"id":3115,"name":"Posthumanism","url":"https://www.academia.edu/Documents/in/Posthumanism"},{"id":3323,"name":"Cinematic Space","url":"https://www.academia.edu/Documents/in/Cinematic_Space"},{"id":12916,"name":"Thing Theory","url":"https://www.academia.edu/Documents/in/Thing_Theory"},{"id":13792,"name":"Speculative Realism","url":"https://www.academia.edu/Documents/in/Speculative_Realism"},{"id":19258,"name":"Cinema","url":"https://www.academia.edu/Documents/in/Cinema"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":52745,"name":"Cinema Studies","url":"https://www.academia.edu/Documents/in/Cinema_Studies"},{"id":66713,"name":"Graham Harman","url":"https://www.academia.edu/Documents/in/Graham_Harman"},{"id":76626,"name":"New Materialism","url":"https://www.academia.edu/Documents/in/New_Materialism"},{"id":86638,"name":"Vitalism","url":"https://www.academia.edu/Documents/in/Vitalism"},{"id":638520,"name":"Fashion","url":"https://www.academia.edu/Documents/in/Fashion"},{"id":719142,"name":"James Benning","url":"https://www.academia.edu/Documents/in/James_Benning"},{"id":1999172,"name":"Peter Strickland","url":"https://www.academia.edu/Documents/in/Peter_Strickland"},{"id":2242763,"name":"Quentin Dupieux","url":"https://www.academia.edu/Documents/in/Quentin_Dupieux"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72536119"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72536119/Nie_ludzkie_widma_archiwum_pami%C4%99%C4%87_oraz_przetrwanie_w_epoce_antropocenu"><img alt="Research paper thumbnail of Nie-ludzkie widma - archiwum, pamięć oraz przetrwanie w epoce antropocenu" class="work-thumbnail" src="https://attachments.academia-assets.com/81426043/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72536119/Nie_ludzkie_widma_archiwum_pami%C4%99%C4%87_oraz_przetrwanie_w_epoce_antropocenu">Nie-ludzkie widma - archiwum, pamięć oraz przetrwanie w epoce antropocenu</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/CzasKultury">Czas Kultury</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://amu.academia.edu/AndrzejMarzec">Andrzej Marzec</a></span></div><div class="wp-workCard_item"><span>Czas Kultury</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Artykuł jest propozycją nie-ludzkiej widmontologii, która pragnie upomnieć się o pomijane do tej ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Artykuł jest propozycją nie-ludzkiej widmontologii, która pragnie upomnieć się o pomijane do tej pory kategorie nie-ludzkiej śmierci, melancholii, żałoby oraz materialnych śladów, pozostałości. Autor twierdzi, że wyrastająca bezpośrednio z dekonstrukcji kategoria widma doskonale opisuje i wyjaśnia destrukcyjne przemiany, dynamiczne transformacje zachodzące we współczesnych naturo-kulturach. Pojęcie widma zbyt długo usprawiedliwiało nostalgiczny wymiar ludzkiej kultury i wyjaśniało jej zamiłowanie do powrotów, niemożliwość rozstania z przeszłością. W artykule ta kategoria jest rozwijana przez autora w kontekstach: nie-ludzkiej śmierci, toksyczności, niesamowitego, symbiozy i dziedziczenia, ciemnej ekologii/hiperobiektów oraz nowych materializmów.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a1127963b5df6a030c19cd1f645f18f4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":81426043,"asset_id":72536119,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/81426043/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72536119"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72536119"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72536119; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72536119]").text(description); $(".js-view-count[data-work-id=72536119]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72536119; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72536119']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72536119, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a1127963b5df6a030c19cd1f645f18f4" } } $('.js-work-strip[data-work-id=72536119]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72536119,"title":"Nie-ludzkie widma - archiwum, pamięć oraz przetrwanie w epoce antropocenu","translated_title":"","metadata":{"abstract":"Artykuł jest propozycją nie-ludzkiej widmontologii, która pragnie upomnieć się o pomijane do tej pory kategorie nie-ludzkiej śmierci, melancholii, żałoby oraz materialnych śladów, pozostałości. Autor twierdzi, że wyrastająca bezpośrednio z dekonstrukcji kategoria widma doskonale opisuje i wyjaśnia destrukcyjne przemiany, dynamiczne transformacje zachodzące we współczesnych naturo-kulturach. Pojęcie widma zbyt długo usprawiedliwiało nostalgiczny wymiar ludzkiej kultury i wyjaśniało jej zamiłowanie do powrotów, niemożliwość rozstania z przeszłością. W artykule ta kategoria jest rozwijana przez autora w kontekstach: nie-ludzkiej śmierci, toksyczności, niesamowitego, symbiozy i dziedziczenia, ciemnej ekologii/hiperobiektów oraz nowych materializmów.","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Czas Kultury"},"translated_abstract":"Artykuł jest propozycją nie-ludzkiej widmontologii, która pragnie upomnieć się o pomijane do tej pory kategorie nie-ludzkiej śmierci, melancholii, żałoby oraz materialnych śladów, pozostałości. Autor twierdzi, że wyrastająca bezpośrednio z dekonstrukcji kategoria widma doskonale opisuje i wyjaśnia destrukcyjne przemiany, dynamiczne transformacje zachodzące we współczesnych naturo-kulturach. Pojęcie widma zbyt długo usprawiedliwiało nostalgiczny wymiar ludzkiej kultury i wyjaśniało jej zamiłowanie do powrotów, niemożliwość rozstania z przeszłością. W artykule ta kategoria jest rozwijana przez autora w kontekstach: nie-ludzkiej śmierci, toksyczności, niesamowitego, symbiozy i dziedziczenia, ciemnej ekologii/hiperobiektów oraz nowych materializmów.","internal_url":"https://www.academia.edu/72536119/Nie_ludzkie_widma_archiwum_pami%C4%99%C4%87_oraz_przetrwanie_w_epoce_antropocenu","translated_internal_url":"","created_at":"2022-02-27T05:36:48.909-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":69123326,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":37768641,"work_id":72536119,"tagging_user_id":69123326,"tagged_user_id":1934801,"co_author_invite_id":null,"email":"a***3@gmail.com","affiliation":"Adam Mickiewicz University in Poznań","display_order":1,"name":"Andrzej Marzec","title":"Nie-ludzkie widma - archiwum, pamięć oraz przetrwanie w epoce antropocenu"}],"downloadable_attachments":[{"id":81426043,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/81426043/thumbnails/1.jpg","file_name":"17_22_AMarzec_NieludzkieWidma_CzasKultury_2_2020_uu4w4n.pdf","download_url":"https://www.academia.edu/attachments/81426043/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Nie_ludzkie_widma_archiwum_pamiec_oraz_p.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/81426043/17_22_AMarzec_NieludzkieWidma_CzasKultury_2_2020_uu4w4n-libre.pdf?1645969581=\u0026response-content-disposition=attachment%3B+filename%3DNie_ludzkie_widma_archiwum_pamiec_oraz_p.pdf\u0026Expires=1732369631\u0026Signature=CiTxHaBSZpydp6ktn35P5wrDtPa8Yz64Oz5h2stwsB1yprh0ZK9LADlbNBKDFj7oV0d6Q9Ebn82jiEeEAOtFZHSAvEr9xBvCOc1IyOhf9CqSOxoWUdeD~QePQeLnvNS1x53pwMVLuRPXhbFhMER-SA--CrOeoSZu3FWBQfGTWUNve6Fx7omQeNB6t1F9CksTwMRPospe2fVO-vx79oV0jmGkZLn1tmd3AEOD6jLHyo6QLPkK7~iNrzzaD-ZSxUDE6Ia2hqziV-RdyoEwwgwLXWKPGyKRmelZmAhrbGd6Hwnd9JKJ1b-LCrOew-2dNdY8~1s~m9WAp2gGW709tSXrQA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Nie_ludzkie_widma_archiwum_pamięć_oraz_przetrwanie_w_epoce_antropocenu","translated_slug":"","page_count":6,"language":"pl","content_type":"Work","owner":{"id":69123326,"first_name":"Czas","middle_initials":"","last_name":"Kultury","page_name":"CzasKultury","domain_name":"independent","created_at":"2017-10-06T07:13:29.512-07:00","display_name":"Czas Kultury","url":"https://independent.academia.edu/CzasKultury"},"attachments":[{"id":81426043,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/81426043/thumbnails/1.jpg","file_name":"17_22_AMarzec_NieludzkieWidma_CzasKultury_2_2020_uu4w4n.pdf","download_url":"https://www.academia.edu/attachments/81426043/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Nie_ludzkie_widma_archiwum_pamiec_oraz_p.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/81426043/17_22_AMarzec_NieludzkieWidma_CzasKultury_2_2020_uu4w4n-libre.pdf?1645969581=\u0026response-content-disposition=attachment%3B+filename%3DNie_ludzkie_widma_archiwum_pamiec_oraz_p.pdf\u0026Expires=1732369631\u0026Signature=CiTxHaBSZpydp6ktn35P5wrDtPa8Yz64Oz5h2stwsB1yprh0ZK9LADlbNBKDFj7oV0d6Q9Ebn82jiEeEAOtFZHSAvEr9xBvCOc1IyOhf9CqSOxoWUdeD~QePQeLnvNS1x53pwMVLuRPXhbFhMER-SA--CrOeoSZu3FWBQfGTWUNve6Fx7omQeNB6t1F9CksTwMRPospe2fVO-vx79oV0jmGkZLn1tmd3AEOD6jLHyo6QLPkK7~iNrzzaD-ZSxUDE6Ia2hqziV-RdyoEwwgwLXWKPGyKRmelZmAhrbGd6Hwnd9JKJ1b-LCrOew-2dNdY8~1s~m9WAp2gGW709tSXrQA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="23860574"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/23860574/Vegetal_Philosophy_or_Vegetal_Thinking_"><img alt="Research paper thumbnail of Vegetal Philosophy (or Vegetal Thinking)" class="work-thumbnail" src="https://attachments.academia-assets.com/44590564/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/23860574/Vegetal_Philosophy_or_Vegetal_Thinking_">Vegetal Philosophy (or Vegetal Thinking)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The authors of this edition propose a novel and inspiring research approach to the subject of pla...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The authors of this edition propose a novel and inspiring research approach to the subject of plants, which – being a form of life that is different, yet akin to us – is a constant source of nourishment and metaphors, decoration and obsessions. The articles included in this thematic block on plants enter into lively ongoing debates on genetics, feminism, ecology and plant ontology. They are excellent examples of the fact that in Polish philosophical and cultural reflection there was an understanding very early on of the challenges that posthumanism poses to our anthropocentric intellectual habits. Foreign readers will recognize in these Polish reflections a bold willingness to ask ethical and aesthetic questions of great relevance to the modern world that go far beyond the safe, though most likely imagined, limits of what it is to be human.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="092ca22de3e2eceba5d1ce7516aa1ff4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":44590564,"asset_id":23860574,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/44590564/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="23860574"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="23860574"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 23860574; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=23860574]").text(description); $(".js-view-count[data-work-id=23860574]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 23860574; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='23860574']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 23860574, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "092ca22de3e2eceba5d1ce7516aa1ff4" } } $('.js-work-strip[data-work-id=23860574]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":23860574,"title":"Vegetal Philosophy (or Vegetal Thinking)","translated_title":"","metadata":{"abstract":"The authors of this edition propose a novel and inspiring research approach to the subject of plants, which – being a form of life that is different, yet akin to us – is a constant source of nourishment and metaphors, decoration and obsessions. The articles included in this thematic block on plants enter into lively ongoing debates on genetics, feminism, ecology and plant ontology. They are excellent examples of the fact that in Polish philosophical and cultural reflection there was an understanding very early on of the challenges that posthumanism poses to our anthropocentric intellectual habits. Foreign readers will recognize in these Polish reflections a bold willingness to ask ethical and aesthetic questions of great relevance to the modern world that go far beyond the safe, though most likely imagined, limits of what it is to be human."},"translated_abstract":"The authors of this edition propose a novel and inspiring research approach to the subject of plants, which – being a form of life that is different, yet akin to us – is a constant source of nourishment and metaphors, decoration and obsessions. The articles included in this thematic block on plants enter into lively ongoing debates on genetics, feminism, ecology and plant ontology. They are excellent examples of the fact that in Polish philosophical and cultural reflection there was an understanding very early on of the challenges that posthumanism poses to our anthropocentric intellectual habits. Foreign readers will recognize in these Polish reflections a bold willingness to ask ethical and aesthetic questions of great relevance to the modern world that go far beyond the safe, though most likely imagined, limits of what it is to be human.","internal_url":"https://www.academia.edu/23860574/Vegetal_Philosophy_or_Vegetal_Thinking_","translated_internal_url":"","created_at":"2016-03-31T04:00:57.267-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":44590564,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/44590564/thumbnails/1.jpg","file_name":"AMarzec_VegetalPhilosophy_CzasKultury_5_2008.pdf","download_url":"https://www.academia.edu/attachments/44590564/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Vegetal_Philosophy_or_Vegetal_Thinking.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/44590564/AMarzec_VegetalPhilosophy_CzasKultury_5_2008-libre.pdf?1460291553=\u0026response-content-disposition=attachment%3B+filename%3DVegetal_Philosophy_or_Vegetal_Thinking.pdf\u0026Expires=1732369631\u0026Signature=YKbwEtX9WLa6XRqzZIv6unizZ6Biv-5MmbsyYKrLWf3r2dulfp6dFh1m5NlTParsfT1nV7L6gS75ecDoptxFhdC-dsl1rgdAjdFMtRZJZkdPPk7G~tjJ37T896vLMqQQzQjqGN-pFit5x5oM-3b~6eXw6dll-WToCoklmvdI0F59--kBgsCfEQoTnxBvRWOm4ZlkmMCMQleEs4RctNkntJgBuyNWf498s5BsL0V9NlP5cAU34FmcbGIAskMuD8tTb6OHNVHyGe8Wvor4GrHg1XM2niB4Rsi77N5SJsBO1RYlrNIcpzKXJzSb71Ek1DRr7~ehEErv1zYS4LlKFjZMlg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Vegetal_Philosophy_or_Vegetal_Thinking_","translated_slug":"","page_count":15,"language":"en","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":44590564,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/44590564/thumbnails/1.jpg","file_name":"AMarzec_VegetalPhilosophy_CzasKultury_5_2008.pdf","download_url":"https://www.academia.edu/attachments/44590564/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Vegetal_Philosophy_or_Vegetal_Thinking.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/44590564/AMarzec_VegetalPhilosophy_CzasKultury_5_2008-libre.pdf?1460291553=\u0026response-content-disposition=attachment%3B+filename%3DVegetal_Philosophy_or_Vegetal_Thinking.pdf\u0026Expires=1732369631\u0026Signature=YKbwEtX9WLa6XRqzZIv6unizZ6Biv-5MmbsyYKrLWf3r2dulfp6dFh1m5NlTParsfT1nV7L6gS75ecDoptxFhdC-dsl1rgdAjdFMtRZJZkdPPk7G~tjJ37T896vLMqQQzQjqGN-pFit5x5oM-3b~6eXw6dll-WToCoklmvdI0F59--kBgsCfEQoTnxBvRWOm4ZlkmMCMQleEs4RctNkntJgBuyNWf498s5BsL0V9NlP5cAU34FmcbGIAskMuD8tTb6OHNVHyGe8Wvor4GrHg1XM2niB4Rsi77N5SJsBO1RYlrNIcpzKXJzSb71Ek1DRr7~ehEErv1zYS4LlKFjZMlg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":8,"name":"Critical Theory","url":"https://www.academia.edu/Documents/in/Critical_Theory"},{"id":145,"name":"Biochemistry","url":"https://www.academia.edu/Documents/in/Biochemistry"},{"id":148,"name":"Botany","url":"https://www.academia.edu/Documents/in/Botany"},{"id":153,"name":"Landscape Ecology","url":"https://www.academia.edu/Documents/in/Landscape_Ecology"},{"id":155,"name":"Evolutionary Biology","url":"https://www.academia.edu/Documents/in/Evolutionary_Biology"},{"id":156,"name":"Genetics","url":"https://www.academia.edu/Documents/in/Genetics"},{"id":169,"name":"Systematics (Taxonomy)","url":"https://www.academia.edu/Documents/in/Systematics_Taxonomy_"},{"id":184,"name":"Sociology","url":"https://www.academia.edu/Documents/in/Sociology"},{"id":197,"name":"Human Ecology","url":"https://www.academia.edu/Documents/in/Human_Ecology"},{"id":280,"name":"Cartography","url":"https://www.academia.edu/Documents/in/Cartography"},{"id":768,"name":"Biological Anthropology","url":"https://www.academia.edu/Documents/in/Biological_Anthropology"},{"id":771,"name":"Human Behavioral Ecology","url":"https://www.academia.edu/Documents/in/Human_Behavioral_Ecology"},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":805,"name":"Ontology","url":"https://www.academia.edu/Documents/in/Ontology"},{"id":817,"name":"Philosophy of Agency","url":"https://www.academia.edu/Documents/in/Philosophy_of_Agency"},{"id":821,"name":"Philosophy of Science","url":"https://www.academia.edu/Documents/in/Philosophy_of_Science"},{"id":823,"name":"Philosophy of Biology","url":"https://www.academia.edu/Documents/in/Philosophy_of_Biology"},{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":1035,"name":"Animal Science","url":"https://www.academia.edu/Documents/in/Animal_Science"},{"id":1041,"name":"Forestry","url":"https://www.academia.edu/Documents/in/Forestry"},{"id":1233,"name":"Social Networks","url":"https://www.academia.edu/Documents/in/Social_Networks"},{"id":1237,"name":"Social Sciences","url":"https://www.academia.edu/Documents/in/Social_Sciences"},{"id":1360,"name":"Plant Ecology","url":"https://www.academia.edu/Documents/in/Plant_Ecology"},{"id":1414,"name":"Bioethics","url":"https://www.academia.edu/Documents/in/Bioethics"},{"id":1629,"name":"French Studies","url":"https://www.academia.edu/Documents/in/French_Studies"},{"id":2061,"name":"Genealogy","url":"https://www.academia.edu/Documents/in/Genealogy"},{"id":2467,"name":"Conservation Biology","url":"https://www.academia.edu/Documents/in/Conservation_Biology"},{"id":2513,"name":"Molecular Biology","url":"https://www.academia.edu/Documents/in/Molecular_Biology"},{"id":2553,"name":"Social Networking","url":"https://www.academia.edu/Documents/in/Social_Networking"},{"id":3115,"name":"Posthumanism","url":"https://www.academia.edu/Documents/in/Posthumanism"},{"id":3132,"name":"Biomechanics","url":"https://www.academia.edu/Documents/in/Biomechanics"},{"id":3233,"name":"Animal Studies","url":"https://www.academia.edu/Documents/in/Animal_Studies"},{"id":3284,"name":"Bacteriology","url":"https://www.academia.edu/Documents/in/Bacteriology"},{"id":3354,"name":"Poststructuralism","url":"https://www.academia.edu/Documents/in/Poststructuralism"},{"id":3407,"name":"Environmental Studies","url":"https://www.academia.edu/Documents/in/Environmental_Studies"},{"id":3408,"name":"Green Chemistry","url":"https://www.academia.edu/Documents/in/Green_Chemistry"},{"id":3499,"name":"Social and Cultural Anthropology","url":"https://www.academia.edu/Documents/in/Social_and_Cultural_Anthropology"},{"id":3939,"name":"History and Philosophy of Biology","url":"https://www.academia.edu/Documents/in/History_and_Philosophy_of_Biology"},{"id":4195,"name":"Cultural Theory","url":"https://www.academia.edu/Documents/in/Cultural_Theory"},{"id":4368,"name":"Green Infrastructure","url":"https://www.academia.edu/Documents/in/Green_Infrastructure"},{"id":4474,"name":"Critical Thinking","url":"https://www.academia.edu/Documents/in/Critical_Thinking"},{"id":4728,"name":"Systems Thinking","url":"https://www.academia.edu/Documents/in/Systems_Thinking"},{"id":5026,"name":"Genetic Algorithms","url":"https://www.academia.edu/Documents/in/Genetic_Algorithms"},{"id":5398,"name":"Biotechnology","url":"https://www.academia.edu/Documents/in/Biotechnology"},{"id":5541,"name":"Plant Biology","url":"https://www.academia.edu/Documents/in/Plant_Biology"},{"id":5606,"name":"Aquatic botany","url":"https://www.academia.edu/Documents/in/Aquatic_botany"},{"id":5960,"name":"Continental Philosophy","url":"https://www.academia.edu/Documents/in/Continental_Philosophy"},{"id":6784,"name":"Contemporary French Philosophy","url":"https://www.academia.edu/Documents/in/Contemporary_French_Philosophy"},{"id":7076,"name":"Taxonomy","url":"https://www.academia.edu/Documents/in/Taxonomy"},{"id":7217,"name":"The Abject Body","url":"https://www.academia.edu/Documents/in/The_Abject_Body"},{"id":7653,"name":"Forest Ecology And Management","url":"https://www.academia.edu/Documents/in/Forest_Ecology_And_Management"},{"id":7710,"name":"Biology","url":"https://www.academia.edu/Documents/in/Biology"},{"id":7737,"name":"Post-Human","url":"https://www.academia.edu/Documents/in/Post-Human"},{"id":7738,"name":"Guattari","url":"https://www.academia.edu/Documents/in/Guattari"},{"id":7774,"name":"Aesthetics Of Nature","url":"https://www.academia.edu/Documents/in/Aesthetics_Of_Nature"},{"id":7842,"name":"Green Marketing","url":"https://www.academia.edu/Documents/in/Green_Marketing"},{"id":7997,"name":"Invasive species ecology","url":"https://www.academia.edu/Documents/in/Invasive_species_ecology"},{"id":8208,"name":"Rational Choice","url":"https://www.academia.edu/Documents/in/Rational_Choice"},{"id":8218,"name":"Networks","url":"https://www.academia.edu/Documents/in/Networks"},{"id":8302,"name":"Gilles Deleuze","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze"},{"id":8329,"name":"Responses of plant to abiotic stresses","url":"https://www.academia.edu/Documents/in/Responses_of_plant_to_abiotic_stresses"},{"id":8671,"name":"Abjection","url":"https://www.academia.edu/Documents/in/Abjection"},{"id":9039,"name":"Felix Guattari","url":"https://www.academia.edu/Documents/in/Felix_Guattari"},{"id":9135,"name":"The Internet of Things","url":"https://www.academia.edu/Documents/in/The_Internet_of_Things"},{"id":9539,"name":"Materialism","url":"https://www.academia.edu/Documents/in/Materialism"},{"id":9780,"name":"Insect-Plant Interactions","url":"https://www.academia.edu/Documents/in/Insect-Plant_Interactions"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":9981,"name":"Plant Tissue Culture","url":"https://www.academia.edu/Documents/in/Plant_Tissue_Culture"},{"id":10101,"name":"Critical Posthumanism","url":"https://www.academia.edu/Documents/in/Critical_Posthumanism"},{"id":10444,"name":"Postmodernism","url":"https://www.academia.edu/Documents/in/Postmodernism"},{"id":10650,"name":"Materials","url":"https://www.academia.edu/Documents/in/Materials"},{"id":11191,"name":"Plant-Animal Interactions","url":"https://www.academia.edu/Documents/in/Plant-Animal_Interactions"},{"id":11228,"name":"Mycology and Plant pathology","url":"https://www.academia.edu/Documents/in/Mycology_and_Plant_pathology"},{"id":11230,"name":"Biocontrol of Plant Pathogens","url":"https://www.academia.edu/Documents/in/Biocontrol_of_Plant_Pathogens"},{"id":11510,"name":"Deleuze","url":"https://www.academia.edu/Documents/in/Deleuze"},{"id":11598,"name":"Neural Networks","url":"https://www.academia.edu/Documents/in/Neural_Networks"},{"id":12040,"name":"Jacques Derrida","url":"https://www.academia.edu/Documents/in/Jacques_Derrida"},{"id":12482,"name":"Botanical literature","url":"https://www.academia.edu/Documents/in/Botanical_literature"},{"id":13075,"name":"History of Biology","url":"https://www.academia.edu/Documents/in/History_of_Biology"},{"id":13372,"name":"Plant Taxonomy (Taxonomy)","url":"https://www.academia.edu/Documents/in/Plant_Taxonomy_Taxonomy_"},{"id":13373,"name":"Plant Systematics","url":"https://www.academia.edu/Documents/in/Plant_Systematics"},{"id":13501,"name":"Vegetation Ecology","url":"https://www.academia.edu/Documents/in/Vegetation_Ecology"},{"id":13827,"name":"Cell Biology","url":"https://www.academia.edu/Documents/in/Cell_Biology"},{"id":14282,"name":"Postmodern Fiction","url":"https://www.academia.edu/Documents/in/Postmodern_Fiction"},{"id":14892,"name":"Vegetarianism","url":"https://www.academia.edu/Documents/in/Vegetarianism"},{"id":14933,"name":"Plant Breeding","url":"https://www.academia.edu/Documents/in/Plant_Breeding"},{"id":14941,"name":"Plant Tissue Culture and Genetic Transformation","url":"https://www.academia.edu/Documents/in/Plant_Tissue_Culture_and_Genetic_Transformation"},{"id":15019,"name":"Medicinal Plants","url":"https://www.academia.edu/Documents/in/Medicinal_Plants"},{"id":15482,"name":"Structuralism/Post-Structuralism","url":"https://www.academia.edu/Documents/in/Structuralism_Post-Structuralism"},{"id":15596,"name":"Posthumanist Ethics","url":"https://www.academia.edu/Documents/in/Posthumanist_Ethics"},{"id":16201,"name":"Ecocriticism","url":"https://www.academia.edu/Documents/in/Ecocriticism"},{"id":16226,"name":"Materiality (Anthropology)","url":"https://www.academia.edu/Documents/in/Materiality_Anthropology_"},{"id":16433,"name":"Nature Culture","url":"https://www.academia.edu/Documents/in/Nature_Culture"},{"id":16580,"name":"Plant Physiology (Biology)","url":"https://www.academia.edu/Documents/in/Plant_Physiology_Biology_"},{"id":16743,"name":"Plant domestication (Prehistoric Archaeology)","url":"https://www.academia.edu/Documents/in/Plant_domestication_Prehistoric_Archaeology_"},{"id":16794,"name":"Green architecture","url":"https://www.academia.edu/Documents/in/Green_architecture"},{"id":17440,"name":"Humanism","url":"https://www.academia.edu/Documents/in/Humanism"},{"id":17823,"name":"Biogeography","url":"https://www.academia.edu/Documents/in/Biogeography"},{"id":17825,"name":"Biodiversity","url":"https://www.academia.edu/Documents/in/Biodiversity"},{"id":17829,"name":"Forest Ecology","url":"https://www.academia.edu/Documents/in/Forest_Ecology"},{"id":17910,"name":"Field botany","url":"https://www.academia.edu/Documents/in/Field_botany"},{"id":18187,"name":"Rationalism","url":"https://www.academia.edu/Documents/in/Rationalism"},{"id":18225,"name":"Plant biotechnology","url":"https://www.academia.edu/Documents/in/Plant_biotechnology"},{"id":18845,"name":"Environmental Sustainability","url":"https://www.academia.edu/Documents/in/Environmental_Sustainability"},{"id":18916,"name":"Critical Theory and Difference","url":"https://www.academia.edu/Documents/in/Critical_Theory_and_Difference"},{"id":18945,"name":"Veganism (Anthropology)","url":"https://www.academia.edu/Documents/in/Veganism_Anthropology_"},{"id":19100,"name":"Design thinking","url":"https://www.academia.edu/Documents/in/Design_thinking"},{"id":19304,"name":"Vegetable Science","url":"https://www.academia.edu/Documents/in/Vegetable_Science"},{"id":19406,"name":"Human-wildlife conflicts","url":"https://www.academia.edu/Documents/in/Human-wildlife_conflicts"},{"id":19632,"name":"Molecular Genetics","url":"https://www.academia.edu/Documents/in/Molecular_Genetics"},{"id":19915,"name":"Gilles Deleuze and Felix Guattari","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze_and_Felix_Guattari"},{"id":19936,"name":"Lichenology","url":"https://www.academia.edu/Documents/in/Lichenology"},{"id":20284,"name":"Plant Stress Physiology","url":"https://www.academia.edu/Documents/in/Plant_Stress_Physiology"},{"id":20348,"name":"Plant breeding and genetics","url":"https://www.academia.edu/Documents/in/Plant_breeding_and_genetics"},{"id":21220,"name":"Creative thinking","url":"https://www.academia.edu/Documents/in/Creative_thinking"},{"id":21299,"name":"Fruits and Nuts","url":"https://www.academia.edu/Documents/in/Fruits_and_Nuts"},{"id":21754,"name":"Schizoanalysis","url":"https://www.academia.edu/Documents/in/Schizoanalysis"},{"id":21755,"name":"Rhizomes","url":"https://www.academia.edu/Documents/in/Rhizomes"},{"id":22797,"name":"Critical Thinking and Creativity","url":"https://www.academia.edu/Documents/in/Critical_Thinking_and_Creativity"},{"id":23193,"name":"Environmental Humanities","url":"https://www.academia.edu/Documents/in/Environmental_Humanities"},{"id":23546,"name":"Plant Nutrition","url":"https://www.academia.edu/Documents/in/Plant_Nutrition"},{"id":24038,"name":"Networking","url":"https://www.academia.edu/Documents/in/Networking"},{"id":24598,"name":"Aquatic Plants","url":"https://www.academia.edu/Documents/in/Aquatic_Plants"},{"id":25273,"name":"French philosophy","url":"https://www.academia.edu/Documents/in/French_philosophy"},{"id":25613,"name":"Philosophy of Nature","url":"https://www.academia.edu/Documents/in/Philosophy_of_Nature"},{"id":25657,"name":"Plant Molecular Biology","url":"https://www.academia.edu/Documents/in/Plant_Molecular_Biology"},{"id":25658,"name":"Plant Virology","url":"https://www.academia.edu/Documents/in/Plant_Virology"},{"id":26291,"name":"Postmodern Literature","url":"https://www.academia.edu/Documents/in/Postmodern_Literature"},{"id":26586,"name":"Anthropocentrism","url":"https://www.academia.edu/Documents/in/Anthropocentrism"},{"id":26853,"name":"Animism","url":"https://www.academia.edu/Documents/in/Animism"},{"id":27482,"name":"Plant Science","url":"https://www.academia.edu/Documents/in/Plant_Science"},{"id":27573,"name":"Derrida","url":"https://www.academia.edu/Documents/in/Derrida"},{"id":27903,"name":"Affect (Cultural Theory)","url":"https://www.academia.edu/Documents/in/Affect_Cultural_Theory_"},{"id":28218,"name":"Modern and Postmodern Historiography","url":"https://www.academia.edu/Documents/in/Modern_and_Postmodern_Historiography"},{"id":28299,"name":"Argumentation Theory and Critical Thinking","url":"https://www.academia.edu/Documents/in/Argumentation_Theory_and_Critical_Thinking"},{"id":30048,"name":"Individual Differences","url":"https://www.academia.edu/Documents/in/Individual_Differences"},{"id":32938,"name":"Pluralism","url":"https://www.academia.edu/Documents/in/Pluralism"},{"id":33319,"name":"Nature","url":"https://www.academia.edu/Documents/in/Nature"},{"id":34273,"name":"Transhumanism/Posthumanism","url":"https://www.academia.edu/Documents/in/Transhumanism_Posthumanism"},{"id":34292,"name":"Poststructuralist Theory","url":"https://www.academia.edu/Documents/in/Poststructuralist_Theory"},{"id":34576,"name":"Mutualism","url":"https://www.academia.edu/Documents/in/Mutualism"},{"id":35722,"name":"Philosophy of Nature and the Environment","url":"https://www.academia.edu/Documents/in/Philosophy_of_Nature_and_the_Environment"},{"id":36369,"name":"Human-Nonhuman Assemblages","url":"https://www.academia.edu/Documents/in/Human-Nonhuman_Assemblages"},{"id":36917,"name":"Animals and non-humans","url":"https://www.academia.edu/Documents/in/Animals_and_non-humans"},{"id":37270,"name":"Biology Education","url":"https://www.academia.edu/Documents/in/Biology_Education"},{"id":37344,"name":"Earth and Environmental Sciences","url":"https://www.academia.edu/Documents/in/Earth_and_Environmental_Sciences"},{"id":38028,"name":"Anarchism \u0026 Postmodern Theory","url":"https://www.academia.edu/Documents/in/Anarchism_and_Postmodern_Theory"},{"id":38870,"name":"Contemporary Philosophy","url":"https://www.academia.edu/Documents/in/Contemporary_Philosophy"},{"id":39738,"name":"Anthropocene studies","url":"https://www.academia.edu/Documents/in/Anthropocene_studies"},{"id":40329,"name":"Donna Haraway","url":"https://www.academia.edu/Documents/in/Donna_Haraway"},{"id":41749,"name":"Genetic Engineering","url":"https://www.academia.edu/Documents/in/Genetic_Engineering"},{"id":42496,"name":"Heterogeneity","url":"https://www.academia.edu/Documents/in/Heterogeneity"},{"id":43028,"name":"Genetic Diversity","url":"https://www.academia.edu/Documents/in/Genetic_Diversity"},{"id":43165,"name":"Tropical Fruits","url":"https://www.academia.edu/Documents/in/Tropical_Fruits"},{"id":44390,"name":"Vegetation History and Archaeobotany","url":"https://www.academia.edu/Documents/in/Vegetation_History_and_Archaeobotany"},{"id":45614,"name":"Plant Morphology","url":"https://www.academia.edu/Documents/in/Plant_Morphology"},{"id":45615,"name":"Plant Anatomy","url":"https://www.academia.edu/Documents/in/Plant_Anatomy"},{"id":45617,"name":"Plant Diversity","url":"https://www.academia.edu/Documents/in/Plant_Diversity"},{"id":46632,"name":"Green Construction","url":"https://www.academia.edu/Documents/in/Green_Construction"},{"id":46633,"name":"Green Building","url":"https://www.academia.edu/Documents/in/Green_Building"},{"id":46731,"name":"Think Tanks","url":"https://www.academia.edu/Documents/in/Think_Tanks"},{"id":46901,"name":"Human Biology","url":"https://www.academia.edu/Documents/in/Human_Biology"},{"id":47884,"name":"Biological Sciences","url":"https://www.academia.edu/Documents/in/Biological_Sciences"},{"id":48166,"name":"Ethical veganism","url":"https://www.academia.edu/Documents/in/Ethical_veganism"},{"id":48220,"name":"Posthumanist Ontology","url":"https://www.academia.edu/Documents/in/Posthumanist_Ontology"},{"id":50365,"name":"Filosofie","url":"https://www.academia.edu/Documents/in/Filosofie"},{"id":51610,"name":"Postmodernity","url":"https://www.academia.edu/Documents/in/Postmodernity"},{"id":52421,"name":"Green Technology","url":"https://www.academia.edu/Documents/in/Green_Technology"},{"id":52422,"name":"Green Energy","url":"https://www.academia.edu/Documents/in/Green_Energy"},{"id":52867,"name":"Rationality","url":"https://www.academia.edu/Documents/in/Rationality"},{"id":52937,"name":"Plant Taxonomy","url":"https://www.academia.edu/Documents/in/Plant_Taxonomy"},{"id":53338,"name":"Decision Trees","url":"https://www.academia.edu/Documents/in/Decision_Trees"},{"id":57461,"name":"Plant Physiology","url":"https://www.academia.edu/Documents/in/Plant_Physiology"},{"id":58335,"name":"Plant Ecophysiology","url":"https://www.academia.edu/Documents/in/Plant_Ecophysiology"},{"id":60268,"name":"Postmodern","url":"https://www.academia.edu/Documents/in/Postmodern"},{"id":61251,"name":"Filosofía","url":"https://www.academia.edu/Documents/in/Filosof%C3%ADa"},{"id":61314,"name":"Ecocriticism and Ecofeminism","url":"https://www.academia.edu/Documents/in/Ecocriticism_and_Ecofeminism"},{"id":61922,"name":"Agency","url":"https://www.academia.edu/Documents/in/Agency"},{"id":63431,"name":"Solar Energy","url":"https://www.academia.edu/Documents/in/Solar_Energy"},{"id":63518,"name":"Plant microbe interactions","url":"https://www.academia.edu/Documents/in/Plant_microbe_interactions"},{"id":63648,"name":"Biology, botany, lichenology","url":"https://www.academia.edu/Documents/in/Biology_botany_lichenology"},{"id":66057,"name":"Work-Life Balance","url":"https://www.academia.edu/Documents/in/Work-Life_Balance"},{"id":66802,"name":"Filosofía contemporánea","url":"https://www.academia.edu/Documents/in/Filosof%C3%ADa_contempor%C3%A1nea"},{"id":67401,"name":"Mutagenesis","url":"https://www.academia.edu/Documents/in/Mutagenesis"},{"id":69204,"name":"Green Architecture and Environmental Design","url":"https://www.academia.edu/Documents/in/Green_Architecture_and_Environmental_Design"},{"id":69550,"name":"Economic botany","url":"https://www.academia.edu/Documents/in/Economic_botany"},{"id":69946,"name":"Contemporary Continental Philosophy","url":"https://www.academia.edu/Documents/in/Contemporary_Continental_Philosophy"},{"id":71685,"name":"Flora","url":"https://www.academia.edu/Documents/in/Flora"},{"id":71741,"name":"Poststructuralist Anarchism","url":"https://www.academia.edu/Documents/in/Poststructuralist_Anarchism"},{"id":72643,"name":"Tree Physiology","url":"https://www.academia.edu/Documents/in/Tree_Physiology"},{"id":73418,"name":"Medicinal plants and natural products","url":"https://www.academia.edu/Documents/in/Medicinal_plants_and_natural_products"},{"id":73421,"name":"French Critical Theory","url":"https://www.academia.edu/Documents/in/French_Critical_Theory"},{"id":74780,"name":"Mutation","url":"https://www.academia.edu/Documents/in/Mutation"},{"id":76626,"name":"New Materialism","url":"https://www.academia.edu/Documents/in/New_Materialism"},{"id":79465,"name":"Materiality","url":"https://www.academia.edu/Documents/in/Materiality"},{"id":82145,"name":"Virus","url":"https://www.academia.edu/Documents/in/Virus"},{"id":83925,"name":"Biologia","url":"https://www.academia.edu/Documents/in/Biologia"},{"id":86369,"name":"Ecologia","url":"https://www.academia.edu/Documents/in/Ecologia"},{"id":86370,"name":"Genetica","url":"https://www.academia.edu/Documents/in/Genetica"},{"id":86626,"name":"Veganism","url":"https://www.academia.edu/Documents/in/Veganism"},{"id":88775,"name":"Fruits and vegetables","url":"https://www.academia.edu/Documents/in/Fruits_and_vegetables"},{"id":89623,"name":"Postharvest Physiology of Fruits and Vegetables","url":"https://www.academia.edu/Documents/in/Postharvest_Physiology_of_Fruits_and_Vegetables"},{"id":91216,"name":"Green Design","url":"https://www.academia.edu/Documents/in/Green_Design"},{"id":92703,"name":"Botany, Functional Ecology, Population Biology of Plants","url":"https://www.academia.edu/Documents/in/Botany_Functional_Ecology_Population_Biology_of_Plants"},{"id":92776,"name":"Ciencias Sociales","url":"https://www.academia.edu/Documents/in/Ciencias_Sociales"},{"id":99358,"name":"Botanica","url":"https://www.academia.edu/Documents/in/Botanica"},{"id":103011,"name":"Plant Biotechnology and Molecular Biology","url":"https://www.academia.edu/Documents/in/Plant_Biotechnology_and_Molecular_Biology"},{"id":108112,"name":"Tropical forest","url":"https://www.academia.edu/Documents/in/Tropical_forest"},{"id":111956,"name":"Feminist Posthumanism","url":"https://www.academia.edu/Documents/in/Feminist_Posthumanism"},{"id":113903,"name":"Bacteria","url":"https://www.academia.edu/Documents/in/Bacteria"},{"id":114693,"name":"Multiplicity","url":"https://www.academia.edu/Documents/in/Multiplicity"},{"id":116369,"name":"Citrus Fruits","url":"https://www.academia.edu/Documents/in/Citrus_Fruits"},{"id":117797,"name":"Floral Analysis","url":"https://www.academia.edu/Documents/in/Floral_Analysis"},{"id":118021,"name":"Critical Thinking Skills","url":"https://www.academia.edu/Documents/in/Critical_Thinking_Skills"},{"id":118579,"name":"Post-Humanism","url":"https://www.academia.edu/Documents/in/Post-Humanism"},{"id":121435,"name":"Material Ecocriticism","url":"https://www.academia.edu/Documents/in/Material_Ecocriticism"},{"id":127242,"name":"Becoming","url":"https://www.academia.edu/Documents/in/Becoming"},{"id":129138,"name":"Floral biology","url":"https://www.academia.edu/Documents/in/Floral_biology"},{"id":129792,"name":"Fisiología Vegetal","url":"https://www.academia.edu/Documents/in/Fisiolog%C3%ADa_Vegetal"},{"id":130822,"name":"Flowers","url":"https://www.academia.edu/Documents/in/Flowers"},{"id":131910,"name":"Postmodernizm","url":"https://www.academia.edu/Documents/in/Postmodernizm"},{"id":133873,"name":"Plants","url":"https://www.academia.edu/Documents/in/Plants"},{"id":134327,"name":"Material Culture \u0026 Materiality","url":"https://www.academia.edu/Documents/in/Material_Culture_and_Materiality"},{"id":136473,"name":"Threatened species and ecosystems","url":"https://www.academia.edu/Documents/in/Threatened_species_and_ecosystems"},{"id":144923,"name":"Virality","url":"https://www.academia.edu/Documents/in/Virality"},{"id":148241,"name":"Rhizomatics","url":"https://www.academia.edu/Documents/in/Rhizomatics"},{"id":149132,"name":"Lichens","url":"https://www.academia.edu/Documents/in/Lichens"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":151753,"name":"New Species","url":"https://www.academia.edu/Documents/in/New_Species"},{"id":153569,"name":"Plant sciences","url":"https://www.academia.edu/Documents/in/Plant_sciences"},{"id":155571,"name":"Posthuman Theory","url":"https://www.academia.edu/Documents/in/Posthuman_Theory"},{"id":157953,"name":"Biotecnologia vegetal","url":"https://www.academia.edu/Documents/in/Biotecnologia_vegetal"},{"id":158442,"name":"History of Botany","url":"https://www.academia.edu/Documents/in/History_of_Botany"},{"id":160814,"name":"Fruit","url":"https://www.academia.edu/Documents/in/Fruit"},{"id":161512,"name":"Plant Biochemistry","url":"https://www.academia.edu/Documents/in/Plant_Biochemistry"},{"id":162271,"name":"Decision Tree","url":"https://www.academia.edu/Documents/in/Decision_Tree"},{"id":166845,"name":"Community Forestry","url":"https://www.academia.edu/Documents/in/Community_Forestry"},{"id":170531,"name":"Botany and Etnobotany","url":"https://www.academia.edu/Documents/in/Botany_and_Etnobotany"},{"id":172797,"name":"Plant morphology and anatomy","url":"https://www.academia.edu/Documents/in/Plant_morphology_and_anatomy"},{"id":176238,"name":"Trees","url":"https://www.academia.edu/Documents/in/Trees"},{"id":186268,"name":"Fruits","url":"https://www.academia.edu/Documents/in/Fruits"},{"id":194066,"name":"Systematic Botany, Taxonomy, History of Botany","url":"https://www.academia.edu/Documents/in/Systematic_Botany_Taxonomy_History_of_Botany"},{"id":194565,"name":"Botanica sistematica","url":"https://www.academia.edu/Documents/in/Botanica_sistematica"},{"id":199056,"name":"Species Richness","url":"https://www.academia.edu/Documents/in/Species_Richness"},{"id":203003,"name":"Posthuman","url":"https://www.academia.edu/Documents/in/Posthuman"},{"id":203065,"name":"Becoming Animal","url":"https://www.academia.edu/Documents/in/Becoming_Animal"},{"id":203926,"name":"Plant Protection","url":"https://www.academia.edu/Documents/in/Plant_Protection"},{"id":208544,"name":"Vegetables","url":"https://www.academia.edu/Documents/in/Vegetables"},{"id":211241,"name":"Flora and Vegetation","url":"https://www.academia.edu/Documents/in/Flora_and_Vegetation"},{"id":224606,"name":"Ecología","url":"https://www.academia.edu/Documents/in/Ecolog%C3%ADa"},{"id":224636,"name":"Vegetation","url":"https://www.academia.edu/Documents/in/Vegetation"},{"id":237199,"name":"Human-Nonhuman relations","url":"https://www.academia.edu/Documents/in/Human-Nonhuman_relations"},{"id":243618,"name":"DELEUZE-FOUCAULT","url":"https://www.academia.edu/Documents/in/DELEUZE-FOUCAULT"},{"id":248985,"name":"New Materialisms","url":"https://www.academia.edu/Documents/in/New_Materialisms"},{"id":253477,"name":"Posthumanismo","url":"https://www.academia.edu/Documents/in/Posthumanismo"},{"id":254818,"name":"Department of Botany and Biotechnology","url":"https://www.academia.edu/Documents/in/Department_of_Botany_and_Biotechnology"},{"id":271859,"name":"Genetics and Plant Breeding","url":"https://www.academia.edu/Documents/in/Genetics_and_Plant_Breeding"},{"id":284432,"name":"Deleuze, rhizome, network","url":"https://www.academia.edu/Documents/in/Deleuze_rhizome_network"},{"id":287301,"name":"French Theory","url":"https://www.academia.edu/Documents/in/French_Theory"},{"id":298260,"name":"Wild edible plants","url":"https://www.academia.edu/Documents/in/Wild_edible_plants"},{"id":301008,"name":"Deleuze Studies","url":"https://www.academia.edu/Documents/in/Deleuze_Studies"},{"id":315008,"name":"Floral diversity","url":"https://www.academia.edu/Documents/in/Floral_diversity"},{"id":354056,"name":"Plant extracts","url":"https://www.academia.edu/Documents/in/Plant_extracts"},{"id":373296,"name":"Non-Anthropocentric Knowledge","url":"https://www.academia.edu/Documents/in/Non-Anthropocentric_Knowledge"},{"id":373895,"name":"medicinal \u0026 Aromatic plants","url":"https://www.academia.edu/Documents/in/medicinal_and_Aromatic_plants"},{"id":375907,"name":"Posthumanities","url":"https://www.academia.edu/Documents/in/Posthumanities"},{"id":375960,"name":"Soil Fertility and Plant Nutrition","url":"https://www.academia.edu/Documents/in/Soil_Fertility_and_Plant_Nutrition"},{"id":388767,"name":"Simulacrum","url":"https://www.academia.edu/Documents/in/Simulacrum"},{"id":389042,"name":"Fruit Science","url":"https://www.academia.edu/Documents/in/Fruit_Science"},{"id":426231,"name":"Filosofía francesa contemporánea","url":"https://www.academia.edu/Documents/in/Filosofia_francesa_contemporanea"},{"id":440941,"name":"Posthumanism in Popular Culture","url":"https://www.academia.edu/Documents/in/Posthumanism_in_Popular_Culture"},{"id":443098,"name":"Anthropocene Age and Environment Security","url":"https://www.academia.edu/Documents/in/Anthropocene_Age_and_Environment_Security"},{"id":483826,"name":"Anthropocentric","url":"https://www.academia.edu/Documents/in/Anthropocentric"},{"id":494465,"name":"Anthropocentrism Vs Biocentrism","url":"https://www.academia.edu/Documents/in/Anthropocentrism_Vs_Biocentrism"},{"id":513907,"name":"Botanique","url":"https://www.academia.edu/Documents/in/Botanique"},{"id":514153,"name":"20th century French philosophy","url":"https://www.academia.edu/Documents/in/20th_century_French_philosophy"},{"id":519936,"name":"Endemic Plants","url":"https://www.academia.edu/Documents/in/Endemic_Plants"},{"id":543323,"name":"Deleuze and Guattari","url":"https://www.academia.edu/Documents/in/Deleuze_and_Guattari"},{"id":563262,"name":"Feminist new materialism","url":"https://www.academia.edu/Documents/in/Feminist_new_materialism"},{"id":581391,"name":"Forestry Science","url":"https://www.academia.edu/Documents/in/Forestry_Science"},{"id":581656,"name":"Rhizome","url":"https://www.academia.edu/Documents/in/Rhizome"},{"id":605576,"name":"Environmental Crisis + Anthropocentrism","url":"https://www.academia.edu/Documents/in/Environmental_Crisis_Anthropocentrism"},{"id":620285,"name":"History of Philosophy","url":"https://www.academia.edu/Documents/in/History_of_Philosophy"},{"id":624980,"name":"Plant Pathology","url":"https://www.academia.edu/Documents/in/Plant_Pathology"},{"id":646991,"name":"Green and Sustainability Practices","url":"https://www.academia.edu/Documents/in/Green_and_Sustainability_Practices"},{"id":672527,"name":"Antihumanism/Posthumanism/Nonhumanism","url":"https://www.academia.edu/Documents/in/Antihumanism_Posthumanism_Nonhumanism"},{"id":679549,"name":"Ecological Posthumanism","url":"https://www.academia.edu/Documents/in/Ecological_Posthumanism"},{"id":711564,"name":"Society in the Anthropocene","url":"https://www.academia.edu/Documents/in/Society_in_the_Anthropocene"},{"id":722283,"name":"Anti-Oedipus","url":"https://www.academia.edu/Documents/in/Anti-Oedipus"},{"id":727416,"name":"Concepts of Modernism and Postmodernism","url":"https://www.academia.edu/Documents/in/Concepts_of_Modernism_and_Postmodernism"},{"id":736788,"name":"Environmental Philosophy, Environmental Humanities","url":"https://www.academia.edu/Documents/in/Environmental_Philosophy_Environmental_Humanities"},{"id":740895,"name":"Ecocritical Theory","url":"https://www.academia.edu/Documents/in/Ecocritical_Theory"},{"id":764970,"name":"Body Politics and Posthuman","url":"https://www.academia.edu/Documents/in/Body_Politics_and_Posthuman"},{"id":779381,"name":"Sytematic Botany","url":"https://www.academia.edu/Documents/in/Sytematic_Botany"},{"id":781620,"name":"Culture and the Anthropocene","url":"https://www.academia.edu/Documents/in/Culture_and_the_Anthropocene"},{"id":790519,"name":"Threatened Plants","url":"https://www.academia.edu/Documents/in/Threatened_Plants"},{"id":803989,"name":"The Anthropocene","url":"https://www.academia.edu/Documents/in/The_Anthropocene"},{"id":813810,"name":"History of Biological Sciences","url":"https://www.academia.edu/Documents/in/History_of_Biological_Sciences"},{"id":839326,"name":"Deterioration","url":"https://www.academia.edu/Documents/in/Deterioration"},{"id":889418,"name":"Posthumanity","url":"https://www.academia.edu/Documents/in/Posthumanity"},{"id":902201,"name":"Monumental Trees","url":"https://www.academia.edu/Documents/in/Monumental_Trees"},{"id":907440,"name":"Posthuman Studies","url":"https://www.academia.edu/Documents/in/Posthuman_Studies"},{"id":924436,"name":"Posthuman Subjectivity","url":"https://www.academia.edu/Documents/in/Posthuman_Subjectivity"},{"id":924437,"name":"Posthuman Subjectivity in Contemporary Fiction","url":"https://www.academia.edu/Documents/in/Posthuman_Subjectivity_in_Contemporary_Fiction"},{"id":951530,"name":"Non Humans","url":"https://www.academia.edu/Documents/in/Non_Humans"},{"id":954253,"name":"Posthumans","url":"https://www.academia.edu/Documents/in/Posthumans"},{"id":957210,"name":"Posthumanism and Transhumanism","url":"https://www.academia.edu/Documents/in/Posthumanism_and_Transhumanism"},{"id":958072,"name":"Botany of Useful Plants","url":"https://www.academia.edu/Documents/in/Botany_of_Useful_Plants"},{"id":1001010,"name":"Fruit \u0026 Vegetable Preservation and Post Harvest Technology","url":"https://www.academia.edu/Documents/in/Fruit_and_Vegetable_Preservation_and_Post_Harvest_Technology"},{"id":1126355,"name":"Virus Vector Relationships","url":"https://www.academia.edu/Documents/in/Virus_Vector_Relationships"},{"id":1198428,"name":"Filosofia","url":"https://www.academia.edu/Documents/in/Filosofia"},{"id":1208258,"name":"Viral and Bacterial Pathogenesis","url":"https://www.academia.edu/Documents/in/Viral_and_Bacterial_Pathogenesis"},{"id":1209623,"name":"The New Materialisms","url":"https://www.academia.edu/Documents/in/The_New_Materialisms"},{"id":1230868,"name":"Phallocentricism","url":"https://www.academia.edu/Documents/in/Phallocentricism"},{"id":1239620,"name":"Plant-human Relations","url":"https://www.academia.edu/Documents/in/Plant-human_Relations"},{"id":1240727,"name":"Anthropocentricism","url":"https://www.academia.edu/Documents/in/Anthropocentricism"},{"id":1317556,"name":"Anthropocene Theory","url":"https://www.academia.edu/Documents/in/Anthropocene_Theory"},{"id":1465855,"name":"Culture In the Anthropocene","url":"https://www.academia.edu/Documents/in/Culture_In_the_Anthropocene"},{"id":1466628,"name":"Ecocritcism","url":"https://www.academia.edu/Documents/in/Ecocritcism"},{"id":1487380,"name":"Anthropocene and Landscape","url":"https://www.academia.edu/Documents/in/Anthropocene_and_Landscape"},{"id":1522661,"name":"Teoria General De Los Sistemas","url":"https://www.academia.edu/Documents/in/Teoria_General_De_Los_Sistemas"},{"id":1579263,"name":"Plant-thinking","url":"https://www.academia.edu/Documents/in/Plant-thinking"},{"id":1773753,"name":"Posthumanist theory","url":"https://www.academia.edu/Documents/in/Posthumanist_theory"},{"id":1788180,"name":"Art and the Anthropocene","url":"https://www.academia.edu/Documents/in/Art_and_the_Anthropocene"},{"id":1882819,"name":"Antropocentrism and Ecology","url":"https://www.academia.edu/Documents/in/Antropocentrism_and_Ecology"},{"id":2056539,"name":"Speculative Posthumanism","url":"https://www.academia.edu/Documents/in/Speculative_Posthumanism"},{"id":2206349,"name":"Postantropocentryzm","url":"https://www.academia.edu/Documents/in/Postantropocentryzm"}],"urls":[{"id":6962047,"url":"http://czaskultury.pl/en/vegetal-philosophy-or-vegetable-thinking/"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="42899733"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/42899733/FILOSOFIA_VEGETAL_O_PENSAMIENTO_VEGETAL_"><img alt="Research paper thumbnail of FILOSOFIA VEGETAL (O PENSAMIENTO VEGETAL)" class="work-thumbnail" src="https://attachments.academia-assets.com/63147497/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42899733/FILOSOFIA_VEGETAL_O_PENSAMIENTO_VEGETAL_">FILOSOFIA VEGETAL (O PENSAMIENTO VEGETAL)</a></div><div class="wp-workCard_item"><span>Revista de Investigación Agraria y Ambiental Vol. 11 Núm. 3</span><span>, 2020</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="135b9946853d79610a3ace54680ba892" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63147497,"asset_id":42899733,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63147497/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42899733"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42899733"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42899733; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42899733]").text(description); $(".js-view-count[data-work-id=42899733]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42899733; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42899733']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 42899733, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "135b9946853d79610a3ace54680ba892" } } $('.js-work-strip[data-work-id=42899733]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42899733,"title":"FILOSOFIA VEGETAL (O PENSAMIENTO VEGETAL)","translated_title":"","metadata":{"grobid_abstract":"Desde un principio el pensamiento fue vegetal.","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Revista de Investigación Agraria y Ambiental Vol. 11 Núm. 3","grobid_abstract_attachment_id":63147497},"translated_abstract":null,"internal_url":"https://www.academia.edu/42899733/FILOSOFIA_VEGETAL_O_PENSAMIENTO_VEGETAL_","translated_internal_url":"","created_at":"2020-04-30T05:07:38.633-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":63147497,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/63147497/thumbnails/1.jpg","file_name":"337-156-PB-19-2620200430-12163-4iz74r.pdf","download_url":"https://www.academia.edu/attachments/63147497/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"FILOSOFIA_VEGETAL_O_PENSAMIENTO_VEGETAL.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/63147497/337-156-PB-19-2620200430-12163-4iz74r-libre.pdf?1588251254=\u0026response-content-disposition=attachment%3B+filename%3DFILOSOFIA_VEGETAL_O_PENSAMIENTO_VEGETAL.pdf\u0026Expires=1732369631\u0026Signature=NGi7IKiW9ZEKNszd6EdBzPbTxUdYtT5k5VQcbvIsAdVcwhVO-ti87qVlvqnAJ2hZHS7Nl9v4C~zOekx4-K-qVQ815h3HlbCYQoRpDwhLNp6VCi9m2kRHe9oDmNQblKFI-Bc2xk7IEDuSCuvH5oiyq05HWIhBidV6-t87vknWpJ69MHE9vKZjZXYeTmpk07omrZGCcXaGxD3~axITWTfgxPI7wH6xBW9e7-zlPNbsD9h80ti~mEKMxso33XqmfLH2idZjqE2M7fo1nJOot~~OHAr8abHz9gmFWf2d9F411BoEUf~lF4~kIE832Jc0GVNjk6qmLYjznLo05VOsnacjFQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"FILOSOFIA_VEGETAL_O_PENSAMIENTO_VEGETAL_","translated_slug":"","page_count":8,"language":"es","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":63147497,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/63147497/thumbnails/1.jpg","file_name":"337-156-PB-19-2620200430-12163-4iz74r.pdf","download_url":"https://www.academia.edu/attachments/63147497/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"FILOSOFIA_VEGETAL_O_PENSAMIENTO_VEGETAL.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/63147497/337-156-PB-19-2620200430-12163-4iz74r-libre.pdf?1588251254=\u0026response-content-disposition=attachment%3B+filename%3DFILOSOFIA_VEGETAL_O_PENSAMIENTO_VEGETAL.pdf\u0026Expires=1732369631\u0026Signature=NGi7IKiW9ZEKNszd6EdBzPbTxUdYtT5k5VQcbvIsAdVcwhVO-ti87qVlvqnAJ2hZHS7Nl9v4C~zOekx4-K-qVQ815h3HlbCYQoRpDwhLNp6VCi9m2kRHe9oDmNQblKFI-Bc2xk7IEDuSCuvH5oiyq05HWIhBidV6-t87vknWpJ69MHE9vKZjZXYeTmpk07omrZGCcXaGxD3~axITWTfgxPI7wH6xBW9e7-zlPNbsD9h80ti~mEKMxso33XqmfLH2idZjqE2M7fo1nJOot~~OHAr8abHz9gmFWf2d9F411BoEUf~lF4~kIE832Jc0GVNjk6qmLYjznLo05VOsnacjFQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":148,"name":"Botany","url":"https://www.academia.edu/Documents/in/Botany"},{"id":402,"name":"Environmental Science","url":"https://www.academia.edu/Documents/in/Environmental_Science"},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":1063,"name":"Environmental Education","url":"https://www.academia.edu/Documents/in/Environmental_Education"},{"id":1360,"name":"Plant Ecology","url":"https://www.academia.edu/Documents/in/Plant_Ecology"},{"id":3115,"name":"Posthumanism","url":"https://www.academia.edu/Documents/in/Posthumanism"},{"id":3126,"name":"Political Ecology","url":"https://www.academia.edu/Documents/in/Political_Ecology"},{"id":3533,"name":"Agrarian Studies","url":"https://www.academia.edu/Documents/in/Agrarian_Studies"},{"id":8302,"name":"Gilles Deleuze","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":10101,"name":"Critical Posthumanism","url":"https://www.academia.edu/Documents/in/Critical_Posthumanism"},{"id":18845,"name":"Environmental Sustainability","url":"https://www.academia.edu/Documents/in/Environmental_Sustainability"},{"id":21755,"name":"Rhizomes","url":"https://www.academia.edu/Documents/in/Rhizomes"},{"id":23193,"name":"Environmental Humanities","url":"https://www.academia.edu/Documents/in/Environmental_Humanities"},{"id":133873,"name":"Plants","url":"https://www.academia.edu/Documents/in/Plants"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":152751,"name":"Humanities and Social Sciences","url":"https://www.academia.edu/Documents/in/Humanities_and_Social_Sciences"},{"id":153569,"name":"Plant sciences","url":"https://www.academia.edu/Documents/in/Plant_sciences"},{"id":680899,"name":"Critical Plant Studies","url":"https://www.academia.edu/Documents/in/Critical_Plant_Studies"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="41793275"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/41793275/Jak_d%C5%82ugo_jeszcze_b%C4%99dziemy_uprawia%C4%87_my%C5%9Bl_Filozoficzne_monokultury_zbieracze_i_krn%C4%85brne_grzyby"><img alt="Research paper thumbnail of Jak długo jeszcze będziemy uprawiać myśl? Filozoficzne monokultury, zbieracze i krnąbrne grzyby" class="work-thumbnail" src="https://attachments.academia-assets.com/61944301/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/41793275/Jak_d%C5%82ugo_jeszcze_b%C4%99dziemy_uprawia%C4%87_my%C5%9Bl_Filozoficzne_monokultury_zbieracze_i_krn%C4%85brne_grzyby">Jak długo jeszcze będziemy uprawiać myśl? Filozoficzne monokultury, zbieracze i krnąbrne grzyby</a></div><div class="wp-workCard_item"><span>Ryzosfera. Grzyby i bakterie w sieci kultury</span><span>, 2019</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9ea883825f231ebfa3e6115590556cee" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61944301,"asset_id":41793275,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61944301/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41793275"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41793275"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41793275; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41793275]").text(description); $(".js-view-count[data-work-id=41793275]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41793275; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41793275']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 41793275, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9ea883825f231ebfa3e6115590556cee" } } $('.js-work-strip[data-work-id=41793275]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41793275,"title":"Jak długo jeszcze będziemy uprawiać myśl? Filozoficzne monokultury, zbieracze i krnąbrne grzyby","translated_title":"","metadata":{"publication_date":{"day":null,"month":null,"year":2019,"errors":{}},"publication_name":"Ryzosfera. Grzyby i bakterie w sieci kultury"},"translated_abstract":null,"internal_url":"https://www.academia.edu/41793275/Jak_d%C5%82ugo_jeszcze_b%C4%99dziemy_uprawia%C4%87_my%C5%9Bl_Filozoficzne_monokultury_zbieracze_i_krn%C4%85brne_grzyby","translated_internal_url":"","created_at":"2020-01-30T13:47:20.700-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":61944301,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/61944301/thumbnails/1.jpg","file_name":"A.Marzec_-_grzyby20200130-97885-pprf2k.pdf","download_url":"https://www.academia.edu/attachments/61944301/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Jak_dlugo_jeszcze_bedziemy_uprawiac_mysl.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/61944301/A.Marzec_-_grzyby20200130-97885-pprf2k-libre.pdf?1580421928=\u0026response-content-disposition=attachment%3B+filename%3DJak_dlugo_jeszcze_bedziemy_uprawiac_mysl.pdf\u0026Expires=1732369631\u0026Signature=Sd5qdkXPspQKJ0kSwvaxnlxRdIQSmaToA-jCx9Y7ruv~CLtBYPSNvigG0j-sCguY7dfgaQ6DVi~k9Kzwl-0HtrBb3GXFejjkc0DUI~e7aech4X6Poz1ewgXaCM4V-dqTppDUzhdorDpsthTYSovTAECiiLo1SMciltyXWnFy54~xwjNg58r~LjYSKz9bRW94qHsgsUOjbxBpQS35jbWQO2GIerJjmcTeNPVOYSaiJIBK62s2oXbAVK7GByNtRs8go6zUvFCa-j7bVKreKunScDOyKJ1OPSDLW63jpTjsXsaLe-ZLWBPkqATtHFZkHJDjdjxK2Zy8FIoZI4qITD5DKw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Jak_długo_jeszcze_będziemy_uprawiać_myśl_Filozoficzne_monokultury_zbieracze_i_krnąbrne_grzyby","translated_slug":"","page_count":14,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":61944301,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/61944301/thumbnails/1.jpg","file_name":"A.Marzec_-_grzyby20200130-97885-pprf2k.pdf","download_url":"https://www.academia.edu/attachments/61944301/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Jak_dlugo_jeszcze_bedziemy_uprawiac_mysl.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/61944301/A.Marzec_-_grzyby20200130-97885-pprf2k-libre.pdf?1580421928=\u0026response-content-disposition=attachment%3B+filename%3DJak_dlugo_jeszcze_bedziemy_uprawiac_mysl.pdf\u0026Expires=1732369631\u0026Signature=Sd5qdkXPspQKJ0kSwvaxnlxRdIQSmaToA-jCx9Y7ruv~CLtBYPSNvigG0j-sCguY7dfgaQ6DVi~k9Kzwl-0HtrBb3GXFejjkc0DUI~e7aech4X6Poz1ewgXaCM4V-dqTppDUzhdorDpsthTYSovTAECiiLo1SMciltyXWnFy54~xwjNg58r~LjYSKz9bRW94qHsgsUOjbxBpQS35jbWQO2GIerJjmcTeNPVOYSaiJIBK62s2oXbAVK7GByNtRs8go6zUvFCa-j7bVKreKunScDOyKJ1OPSDLW63jpTjsXsaLe-ZLWBPkqATtHFZkHJDjdjxK2Zy8FIoZI4qITD5DKw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":1360,"name":"Plant Ecology","url":"https://www.academia.edu/Documents/in/Plant_Ecology"},{"id":1555,"name":"Film Studies","url":"https://www.academia.edu/Documents/in/Film_Studies"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":16220,"name":"Dark Ecology","url":"https://www.academia.edu/Documents/in/Dark_Ecology"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":32082,"name":"Ursula K. Le Guin","url":"https://www.academia.edu/Documents/in/Ursula_K._Le_Guin"},{"id":68124,"name":"Mushrooms","url":"https://www.academia.edu/Documents/in/Mushrooms"},{"id":82108,"name":"Plantations","url":"https://www.academia.edu/Documents/in/Plantations"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":621089,"name":"Anna L. Tsing","url":"https://www.academia.edu/Documents/in/Anna_L._Tsing"},{"id":2843604,"name":"Plantationocene","url":"https://www.academia.edu/Documents/in/Plantationocene"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37504054"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37504054/Bye_we_re_dying_"><img alt="Research paper thumbnail of Bye, we’re dying!" class="work-thumbnail" src="https://attachments.academia-assets.com/57475516/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37504054/Bye_we_re_dying_">Bye, we’re dying!</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The title of the exhibition alludes to the sense of the approaching catastrophe, the fatal haunti...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The title of the exhibition alludes to the sense of the approaching catastrophe, the fatal haunting image of the future, the promise of an ending understood in various manners. It refers to the anticipated end of capitalism, the ominous mass species extinction, and the general state of anxiety, which has become the most common model of experiencing the presence. The Anthropocene is not only a notion describing the destructive changes in the external environment but also an internal feeling: fear, tension, and vexation experienced daily by the human body in a very tangible way. One could even speak of the increasing fascination with natural disasters, the fetishisation of dying, functioning not just as a terrifying threat but an inevitable, unchanging, and strongly appealing element of the cultural landscape.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a05b73e711e28188436bf3c017a1de23" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57475516,"asset_id":37504054,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57475516/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37504054"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37504054"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37504054; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37504054]").text(description); $(".js-view-count[data-work-id=37504054]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37504054; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37504054']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 37504054, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a05b73e711e28188436bf3c017a1de23" } } $('.js-work-strip[data-work-id=37504054]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37504054,"title":"Bye, we’re dying!","translated_title":"","metadata":{"abstract":"The title of the exhibition alludes to the sense of the approaching catastrophe, the fatal haunting image of the future, the promise of an ending understood in various manners. It refers to the anticipated end of capitalism, the ominous mass species extinction, and the general state of anxiety, which has become the most common model of experiencing the presence. The Anthropocene is not only a notion describing the destructive changes in the external environment but also an internal feeling: fear, tension, and vexation experienced daily by the human body in a very tangible way. One could even speak of the increasing fascination with natural disasters, the fetishisation of dying, functioning not just as a terrifying threat but an inevitable, unchanging, and strongly appealing element of the cultural landscape."},"translated_abstract":"The title of the exhibition alludes to the sense of the approaching catastrophe, the fatal haunting image of the future, the promise of an ending understood in various manners. It refers to the anticipated end of capitalism, the ominous mass species extinction, and the general state of anxiety, which has become the most common model of experiencing the presence. The Anthropocene is not only a notion describing the destructive changes in the external environment but also an internal feeling: fear, tension, and vexation experienced daily by the human body in a very tangible way. One could even speak of the increasing fascination with natural disasters, the fetishisation of dying, functioning not just as a terrifying threat but an inevitable, unchanging, and strongly appealing element of the cultural landscape.","internal_url":"https://www.academia.edu/37504054/Bye_we_re_dying_","translated_internal_url":"","created_at":"2018-09-30T10:56:39.811-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":57475516,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57475516/thumbnails/1.jpg","file_name":"Bye__were_dying.pdf","download_url":"https://www.academia.edu/attachments/57475516/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Bye_we_re_dying.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57475516/Bye__were_dying-libre.pdf?1538330603=\u0026response-content-disposition=attachment%3B+filename%3DBye_we_re_dying.pdf\u0026Expires=1732369631\u0026Signature=RpfWNx9e4HJyKKw5rpeDVKEpNCwpc3z~BAoJtkVX2DzOzqHbOUls2Xj2HmLwfKTwhSh6ole2LaS5S9dBUJij1-laba-bAWGZwL99QDqEKVabcBYwLLf13LHOvk3YGfyli0-F9PfeLSRhWwfeKBYSMXqLFa0hwlEyvqDkWt1~69TIGXpJG0J5ZjKLq8UVNbZ9Ye8QC5CoSSYbN8EUTiYupEfFScVWG79Y0CXiwJbLPf1jrMU5qBNXj8OtNLcHmMMS6z61sgDLVMylh9lNrRJaoC5aHNgvKQM1pY4M7wmFk-TZTjmW-FwsabAsp-Iwc0oeMkUXkd7vLe4HodKzbv1iGQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Bye_we_re_dying_","translated_slug":"","page_count":5,"language":"en","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":57475516,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57475516/thumbnails/1.jpg","file_name":"Bye__were_dying.pdf","download_url":"https://www.academia.edu/attachments/57475516/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Bye_we_re_dying.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57475516/Bye__were_dying-libre.pdf?1538330603=\u0026response-content-disposition=attachment%3B+filename%3DBye_we_re_dying.pdf\u0026Expires=1732369631\u0026Signature=RpfWNx9e4HJyKKw5rpeDVKEpNCwpc3z~BAoJtkVX2DzOzqHbOUls2Xj2HmLwfKTwhSh6ole2LaS5S9dBUJij1-laba-bAWGZwL99QDqEKVabcBYwLLf13LHOvk3YGfyli0-F9PfeLSRhWwfeKBYSMXqLFa0hwlEyvqDkWt1~69TIGXpJG0J5ZjKLq8UVNbZ9Ye8QC5CoSSYbN8EUTiYupEfFScVWG79Y0CXiwJbLPf1jrMU5qBNXj8OtNLcHmMMS6z61sgDLVMylh9lNrRJaoC5aHNgvKQM1pY4M7wmFk-TZTjmW-FwsabAsp-Iwc0oeMkUXkd7vLe4HodKzbv1iGQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":8,"name":"Critical Theory","url":"https://www.academia.edu/Documents/in/Critical_Theory"},{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies"},{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":1237,"name":"Social Sciences","url":"https://www.academia.edu/Documents/in/Social_Sciences"},{"id":3115,"name":"Posthumanism","url":"https://www.academia.edu/Documents/in/Posthumanism"},{"id":3148,"name":"Actor Network Theory","url":"https://www.academia.edu/Documents/in/Actor_Network_Theory"},{"id":3407,"name":"Environmental Studies","url":"https://www.academia.edu/Documents/in/Environmental_Studies"},{"id":4868,"name":"Deconstruction","url":"https://www.academia.edu/Documents/in/Deconstruction"},{"id":7125,"name":"Culture","url":"https://www.academia.edu/Documents/in/Culture"},{"id":7710,"name":"Biology","url":"https://www.academia.edu/Documents/in/Biology"},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":26586,"name":"Anthropocentrism","url":"https://www.academia.edu/Documents/in/Anthropocentrism"},{"id":33575,"name":"Mass extinctions","url":"https://www.academia.edu/Documents/in/Mass_extinctions"},{"id":36917,"name":"Animals and non-humans","url":"https://www.academia.edu/Documents/in/Animals_and_non-humans"},{"id":40329,"name":"Donna Haraway","url":"https://www.academia.edu/Documents/in/Donna_Haraway"},{"id":76626,"name":"New Materialism","url":"https://www.academia.edu/Documents/in/New_Materialism"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":620285,"name":"History of Philosophy","url":"https://www.academia.edu/Documents/in/History_of_Philosophy"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35437699"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35437699/HAUNTS_what_haunts_contemporary_art"><img alt="Research paper thumbnail of HAUNTS: what haunts contemporary art?" class="work-thumbnail" src="https://attachments.academia-assets.com/55298948/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35437699/HAUNTS_what_haunts_contemporary_art">HAUNTS: what haunts contemporary art?</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Contemporary culture is somewhat uncontemporary. One can even say that it is anachronistic and fi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Contemporary culture is somewhat uncontemporary. One can even say that it is anachronistic and filled with nostalgia and unexplainable longing for what has been recently alive and new in it.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1a69aa37dbdfa4c384e09c5cc4f6a8f6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55298948,"asset_id":35437699,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55298948/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35437699"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35437699"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35437699; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35437699]").text(description); $(".js-view-count[data-work-id=35437699]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35437699; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35437699']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 35437699, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1a69aa37dbdfa4c384e09c5cc4f6a8f6" } } $('.js-work-strip[data-work-id=35437699]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35437699,"title":"HAUNTS: what haunts contemporary art?","translated_title":"","metadata":{"abstract":"Contemporary culture is somewhat uncontemporary. One can even say that it is anachronistic and filled with nostalgia and unexplainable longing for what has been recently alive and new in it."},"translated_abstract":"Contemporary culture is somewhat uncontemporary. One can even say that it is anachronistic and filled with nostalgia and unexplainable longing for what has been recently alive and new in it.","internal_url":"https://www.academia.edu/35437699/HAUNTS_what_haunts_contemporary_art","translated_internal_url":"","created_at":"2017-12-15T07:14:13.506-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":55298948,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/55298948/thumbnails/1.jpg","file_name":"Haunts.pdf","download_url":"https://www.academia.edu/attachments/55298948/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"HAUNTS_what_haunts_contemporary_art.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/55298948/Haunts-libre.pdf?1513351504=\u0026response-content-disposition=attachment%3B+filename%3DHAUNTS_what_haunts_contemporary_art.pdf\u0026Expires=1732369631\u0026Signature=LkXpT98I-IsXzQdouJ4r-QhCS~iZ5p2Thf35hUCzb6UywgnaAS5s3MoRp1gw2JvFMAwrj3pNKeUjJwLmoFbUkGsh0iZGbbHP8Y0q7eJMeIZl9KK57y84yqC4~SksPX9lPtSsGbucxPXFqGEUEQUhHOQCctD0ZP2F-fAIa6cBrj6UNP2ECy4mSAIeNlMgIXCn3WH9wx-8mzYALC8wKK~FMtU~hljKrPBCoWBYbqW9Z5AO1si4wp0kb57yn2WCV0GCIZxZEqHeu2EvHx9w9OfLhpKF2wXGoznPnT1AQKcsELWs1L8xUvoiZHxLteVnTSAPWd90Yk-K9e38tnxUENk59Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"HAUNTS_what_haunts_contemporary_art","translated_slug":"","page_count":3,"language":"en","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":55298948,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/55298948/thumbnails/1.jpg","file_name":"Haunts.pdf","download_url":"https://www.academia.edu/attachments/55298948/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"HAUNTS_what_haunts_contemporary_art.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/55298948/Haunts-libre.pdf?1513351504=\u0026response-content-disposition=attachment%3B+filename%3DHAUNTS_what_haunts_contemporary_art.pdf\u0026Expires=1732369631\u0026Signature=LkXpT98I-IsXzQdouJ4r-QhCS~iZ5p2Thf35hUCzb6UywgnaAS5s3MoRp1gw2JvFMAwrj3pNKeUjJwLmoFbUkGsh0iZGbbHP8Y0q7eJMeIZl9KK57y84yqC4~SksPX9lPtSsGbucxPXFqGEUEQUhHOQCctD0ZP2F-fAIa6cBrj6UNP2ECy4mSAIeNlMgIXCn3WH9wx-8mzYALC8wKK~FMtU~hljKrPBCoWBYbqW9Z5AO1si4wp0kb57yn2WCV0GCIZxZEqHeu2EvHx9w9OfLhpKF2wXGoznPnT1AQKcsELWs1L8xUvoiZHxLteVnTSAPWd90Yk-K9e38tnxUENk59Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1,"name":"Creative Writing","url":"https://www.academia.edu/Documents/in/Creative_Writing"},{"id":8,"name":"Critical Theory","url":"https://www.academia.edu/Documents/in/Critical_Theory"},{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History"},{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History"},{"id":184,"name":"Sociology","url":"https://www.academia.edu/Documents/in/Sociology"},{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies"},{"id":767,"name":"Anthropology","url":"https://www.academia.edu/Documents/in/Anthropology"},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":805,"name":"Ontology","url":"https://www.academia.edu/Documents/in/Ontology"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":862,"name":"Archival Studies","url":"https://www.academia.edu/Documents/in/Archival_Studies"},{"id":863,"name":"Visual Studies","url":"https://www.academia.edu/Documents/in/Visual_Studies"},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History"},{"id":922,"name":"Education","url":"https://www.academia.edu/Documents/in/Education"},{"id":925,"name":"Visual Anthropology","url":"https://www.academia.edu/Documents/in/Visual_Anthropology"},{"id":934,"name":"Media and Cultural Studies","url":"https://www.academia.edu/Documents/in/Media_and_Cultural_Studies"},{"id":945,"name":"Performing Arts","url":"https://www.academia.edu/Documents/in/Performing_Arts"},{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":988,"name":"Design","url":"https://www.academia.edu/Documents/in/Design"},{"id":1093,"name":"Creativity studies","url":"https://www.academia.edu/Documents/in/Creativity_studies"},{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art"},{"id":1386,"name":"Art Theory","url":"https://www.academia.edu/Documents/in/Art_Theory"},{"id":1441,"name":"Philosophical Anthropology","url":"https://www.academia.edu/Documents/in/Philosophical_Anthropology"},{"id":1595,"name":"Memory (Cognitive Psychology)","url":"https://www.academia.edu/Documents/in/Memory_Cognitive_Psychology_"},{"id":1657,"name":"Museum Studies","url":"https://www.academia.edu/Documents/in/Museum_Studies"},{"id":1677,"name":"Learning \u0026 Memory","url":"https://www.academia.edu/Documents/in/Learning_and_Memory"},{"id":1751,"name":"Creativity","url":"https://www.academia.edu/Documents/in/Creativity"},{"id":1932,"name":"Business \u0026 Society","url":"https://www.academia.edu/Documents/in/Business_and_Society"},{"id":2080,"name":"Installation Art","url":"https://www.academia.edu/Documents/in/Installation_Art"},{"id":2132,"name":"Cultural Heritage","url":"https://www.academia.edu/Documents/in/Cultural_Heritage"},{"id":2473,"name":"Material Culture Studies","url":"https://www.academia.edu/Documents/in/Material_Culture_Studies"},{"id":2527,"name":"Heritage Studies","url":"https://www.academia.edu/Documents/in/Heritage_Studies"},{"id":2858,"name":"Popular Culture","url":"https://www.academia.edu/Documents/in/Popular_Culture"},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art"},{"id":3189,"name":"Experimental Media Arts","url":"https://www.academia.edu/Documents/in/Experimental_Media_Arts"},{"id":3225,"name":"Visual Culture","url":"https://www.academia.edu/Documents/in/Visual_Culture"},{"id":3303,"name":"Human Memory","url":"https://www.academia.edu/Documents/in/Human_Memory"},{"id":3371,"name":"Public Art","url":"https://www.academia.edu/Documents/in/Public_Art"},{"id":3499,"name":"Social and Cultural Anthropology","url":"https://www.academia.edu/Documents/in/Social_and_Cultural_Anthropology"},{"id":3773,"name":"Literary Criticism","url":"https://www.academia.edu/Documents/in/Literary_Criticism"},{"id":3987,"name":"History and Memory","url":"https://www.academia.edu/Documents/in/History_and_Memory"},{"id":4052,"name":"Arts Education","url":"https://www.academia.edu/Documents/in/Arts_Education"},{"id":4071,"name":"Heritage Tourism","url":"https://www.academia.edu/Documents/in/Heritage_Tourism"},{"id":4115,"name":"Nostalgia (Psychology)","url":"https://www.academia.edu/Documents/in/Nostalgia_Psychology_"},{"id":4178,"name":"Textual Criticism","url":"https://www.academia.edu/Documents/in/Textual_Criticism"},{"id":4474,"name":"Critical Thinking","url":"https://www.academia.edu/Documents/in/Critical_Thinking"},{"id":5282,"name":"Design Research","url":"https://www.academia.edu/Documents/in/Design_Research"},{"id":5290,"name":"Philosophy of Art","url":"https://www.academia.edu/Documents/in/Philosophy_of_Art"},{"id":5359,"name":"Visual perception","url":"https://www.academia.edu/Documents/in/Visual_perception"},{"id":5419,"name":"Metaphysics of Time","url":"https://www.academia.edu/Documents/in/Metaphysics_of_Time"},{"id":5459,"name":"Cultural Heritage Conservation","url":"https://www.academia.edu/Documents/in/Cultural_Heritage_Conservation"},{"id":5463,"name":"Performance Art","url":"https://www.academia.edu/Documents/in/Performance_Art"},{"id":5932,"name":"Expressive Arts Therapy","url":"https://www.academia.edu/Documents/in/Expressive_Arts_Therapy"},{"id":5960,"name":"Continental Philosophy","url":"https://www.academia.edu/Documents/in/Continental_Philosophy"},{"id":6093,"name":"Museum Education","url":"https://www.academia.edu/Documents/in/Museum_Education"},{"id":6343,"name":"Historical memory","url":"https://www.academia.edu/Documents/in/Historical_memory"},{"id":6681,"name":"Archival science","url":"https://www.academia.edu/Documents/in/Archival_science"},{"id":6683,"name":"Museum Anthropology","url":"https://www.academia.edu/Documents/in/Museum_Anthropology"},{"id":6735,"name":"Heritage Conservation","url":"https://www.academia.edu/Documents/in/Heritage_Conservation"},{"id":7125,"name":"Culture","url":"https://www.academia.edu/Documents/in/Culture"},{"id":7513,"name":"Archives","url":"https://www.academia.edu/Documents/in/Archives"},{"id":7759,"name":"Time Studies","url":"https://www.academia.edu/Documents/in/Time_Studies"},{"id":7773,"name":"Everyday Aesthetics","url":"https://www.academia.edu/Documents/in/Everyday_Aesthetics"},{"id":7862,"name":"Cultures and heritage tourism","url":"https://www.academia.edu/Documents/in/Cultures_and_heritage_tourism"},{"id":8232,"name":"Anthropology Of Art","url":"https://www.academia.edu/Documents/in/Anthropology_Of_Art"},{"id":8538,"name":"Working Memory","url":"https://www.academia.edu/Documents/in/Working_Memory"},{"id":8769,"name":"Intangible cultural heritage","url":"https://www.academia.edu/Documents/in/Intangible_cultural_heritage"},{"id":8850,"name":"Melancholy","url":"https://www.academia.edu/Documents/in/Melancholy"},{"id":8927,"name":"Art and Science","url":"https://www.academia.edu/Documents/in/Art_and_Science"},{"id":9278,"name":"Sociology of Arts","url":"https://www.academia.edu/Documents/in/Sociology_of_Arts"},{"id":10167,"name":"Hauntology","url":"https://www.academia.edu/Documents/in/Hauntology"},{"id":10633,"name":"Critical Discourse Analysis","url":"https://www.academia.edu/Documents/in/Critical_Discourse_Analysis"},{"id":11452,"name":"Memory Studies","url":"https://www.academia.edu/Documents/in/Memory_Studies"},{"id":11455,"name":"Social and Collective Memory","url":"https://www.academia.edu/Documents/in/Social_and_Collective_Memory"},{"id":11467,"name":"Visual Communication","url":"https://www.academia.edu/Documents/in/Visual_Communication"},{"id":11469,"name":"Curating","url":"https://www.academia.edu/Documents/in/Curating"},{"id":11471,"name":"Cinema and Memory","url":"https://www.academia.edu/Documents/in/Cinema_and_Memory"},{"id":11483,"name":"Cultural Memory","url":"https://www.academia.edu/Documents/in/Cultural_Memory"},{"id":11503,"name":"Communication Of Memory In Archives, Libraries And Museums","url":"https://www.academia.edu/Documents/in/Communication_Of_Memory_In_Archives_Libraries_And_Museums"},{"id":11848,"name":"Social Ontology","url":"https://www.academia.edu/Documents/in/Social_Ontology"},{"id":12578,"name":"Memory (Psychology)","url":"https://www.academia.edu/Documents/in/Memory_Psychology_"},{"id":12644,"name":"Commemoration and Memory","url":"https://www.academia.edu/Documents/in/Commemoration_and_Memory"},{"id":12696,"name":"New Media Art \u0026 Emerging Practices","url":"https://www.academia.edu/Documents/in/New_Media_Art_and_Emerging_Practices"},{"id":13606,"name":"Museums and Exhibition Design","url":"https://www.academia.edu/Documents/in/Museums_and_Exhibition_Design"},{"id":13703,"name":"Sociology of Art","url":"https://www.academia.edu/Documents/in/Sociology_of_Art"},{"id":13950,"name":"Collective Memory","url":"https://www.academia.edu/Documents/in/Collective_Memory"},{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art"},{"id":13979,"name":"Curatorial Practice (Education)","url":"https://www.academia.edu/Documents/in/Curatorial_Practice_Education_"},{"id":14067,"name":"Literature and Visual Arts","url":"https://www.academia.edu/Documents/in/Literature_and_Visual_Arts"},{"id":14261,"name":"Film and Video Art","url":"https://www.academia.edu/Documents/in/Film_and_Video_Art"},{"id":14989,"name":"Philosophy of Time","url":"https://www.academia.edu/Documents/in/Philosophy_of_Time"},{"id":15341,"name":"Aesthetics and Ethics","url":"https://www.academia.edu/Documents/in/Aesthetics_and_Ethics"},{"id":15342,"name":"Aesthetics and Politics","url":"https://www.academia.edu/Documents/in/Aesthetics_and_Politics"},{"id":16235,"name":"Popular And Political Cultures Of Memory","url":"https://www.academia.edu/Documents/in/Popular_And_Political_Cultures_Of_Memory"},{"id":16683,"name":"False Memory","url":"https://www.academia.edu/Documents/in/False_Memory"},{"id":16688,"name":"History of Archives","url":"https://www.academia.edu/Documents/in/History_of_Archives"},{"id":16887,"name":"Museums and Identity","url":"https://www.academia.edu/Documents/in/Museums_and_Identity"},{"id":17760,"name":"Digital Arts","url":"https://www.academia.edu/Documents/in/Digital_Arts"},{"id":17762,"name":"Art and Design Education","url":"https://www.academia.edu/Documents/in/Art_and_Design_Education"},{"id":17813,"name":"Digital Archives","url":"https://www.academia.edu/Documents/in/Digital_Archives"},{"id":18214,"name":"Social Memory","url":"https://www.academia.edu/Documents/in/Social_Memory"},{"id":18690,"name":"Digital Heritage","url":"https://www.academia.edu/Documents/in/Digital_Heritage"},{"id":18736,"name":"New Media Art","url":"https://www.academia.edu/Documents/in/New_Media_Art"},{"id":19161,"name":"Curatorial Studies and Practice","url":"https://www.academia.edu/Documents/in/Curatorial_Studies_and_Practice"},{"id":19405,"name":"Cultural Heritage Management","url":"https://www.academia.edu/Documents/in/Cultural_Heritage_Management"},{"id":19626,"name":"Public Memory","url":"https://www.academia.edu/Documents/in/Public_Memory"},{"id":19755,"name":"World Cultural Heritage","url":"https://www.academia.edu/Documents/in/World_Cultural_Heritage"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":20168,"name":"Artistic Research","url":"https://www.academia.edu/Documents/in/Artistic_Research"},{"id":20178,"name":"Conceptual Art","url":"https://www.academia.edu/Documents/in/Conceptual_Art"},{"id":20855,"name":"Visual Working Memory","url":"https://www.academia.edu/Documents/in/Visual_Working_Memory"},{"id":20868,"name":"Theory and Practice of Visual Arts","url":"https://www.academia.edu/Documents/in/Theory_and_Practice_of_Visual_Arts"},{"id":21220,"name":"Creative thinking","url":"https://www.academia.edu/Documents/in/Creative_thinking"},{"id":21265,"name":"Art and technology","url":"https://www.academia.edu/Documents/in/Art_and_technology"},{"id":21704,"name":"Space and Time (Philosophy)","url":"https://www.academia.edu/Documents/in/Space_and_Time_Philosophy_"},{"id":21902,"name":"Time Perception","url":"https://www.academia.edu/Documents/in/Time_Perception"},{"id":22098,"name":"Artists' Writings","url":"https://www.academia.edu/Documents/in/Artists_Writings"},{"id":22797,"name":"Critical Thinking and Creativity","url":"https://www.academia.edu/Documents/in/Critical_Thinking_and_Creativity"},{"id":22832,"name":"Curatorial Practice (Art)","url":"https://www.academia.edu/Documents/in/Curatorial_Practice_Art_"},{"id":23342,"name":"Cultural Anthropology","url":"https://www.academia.edu/Documents/in/Cultural_Anthropology"},{"id":25969,"name":"Art Education","url":"https://www.academia.edu/Documents/in/Art_Education"},{"id":26379,"name":"Aestheticism","url":"https://www.academia.edu/Documents/in/Aestheticism"},{"id":26558,"name":"Visual Arts","url":"https://www.academia.edu/Documents/in/Visual_Arts"},{"id":26616,"name":"Arts Education and Pedagogy","url":"https://www.academia.edu/Documents/in/Arts_Education_and_Pedagogy"},{"id":26949,"name":"Phenomenology of Temporality","url":"https://www.academia.edu/Documents/in/Phenomenology_of_Temporality"},{"id":28120,"name":"Spatio Temporal Analysis","url":"https://www.academia.edu/Documents/in/Spatio_Temporal_Analysis"},{"id":28299,"name":"Argumentation Theory and Critical Thinking","url":"https://www.academia.edu/Documents/in/Argumentation_Theory_and_Critical_Thinking"},{"id":28394,"name":"Exhibition, Museum, Expositions and Worlds Fairs","url":"https://www.academia.edu/Documents/in/Exhibition_Museum_Expositions_and_Worlds_Fairs"},{"id":29747,"name":"Arts-Based Research","url":"https://www.academia.edu/Documents/in/Arts-Based_Research"},{"id":29866,"name":"Autobiographical Memory","url":"https://www.academia.edu/Documents/in/Autobiographical_Memory"},{"id":30638,"name":"Memory and materiality","url":"https://www.academia.edu/Documents/in/Memory_and_materiality"},{"id":31371,"name":"Time Travel","url":"https://www.academia.edu/Documents/in/Time_Travel"},{"id":32663,"name":"Temporality (Time Studies)","url":"https://www.academia.edu/Documents/in/Temporality_Time_Studies_"},{"id":33372,"name":"Heritage language studies","url":"https://www.academia.edu/Documents/in/Heritage_language_studies"},{"id":37059,"name":"Art of memory","url":"https://www.academia.edu/Documents/in/Art_of_memory"},{"id":38481,"name":"Aesthetics and Theory of Arts","url":"https://www.academia.edu/Documents/in/Aesthetics_and_Theory_of_Arts"},{"id":42042,"name":"Nostalgia","url":"https://www.academia.edu/Documents/in/Nostalgia"},{"id":43349,"name":"Fine Arts","url":"https://www.academia.edu/Documents/in/Fine_Arts"},{"id":43395,"name":"Heritage","url":"https://www.academia.edu/Documents/in/Heritage"},{"id":46201,"name":"Curator as Creator","url":"https://www.academia.edu/Documents/in/Curator_as_Creator"},{"id":46858,"name":"Memory","url":"https://www.academia.edu/Documents/in/Memory"},{"id":48174,"name":"Temporality","url":"https://www.academia.edu/Documents/in/Temporality"},{"id":48878,"name":"Exhibition Design","url":"https://www.academia.edu/Documents/in/Exhibition_Design"},{"id":49664,"name":"Oral History and Memory","url":"https://www.academia.edu/Documents/in/Oral_History_and_Memory"},{"id":52910,"name":"Curatorial writing","url":"https://www.academia.edu/Documents/in/Curatorial_writing"},{"id":53039,"name":"Haunting and Spectrality","url":"https://www.academia.edu/Documents/in/Haunting_and_Spectrality"},{"id":54780,"name":"Presence","url":"https://www.academia.edu/Documents/in/Presence"},{"id":58222,"name":"Models of Curatorship","url":"https://www.academia.edu/Documents/in/Models_of_Curatorship"},{"id":58513,"name":"Learning and Memory","url":"https://www.academia.edu/Documents/in/Learning_and_Memory-1"},{"id":64633,"name":"Society","url":"https://www.academia.edu/Documents/in/Society"},{"id":66604,"name":"Liberal arts","url":"https://www.academia.edu/Documents/in/Liberal_arts"},{"id":74013,"name":"Artes","url":"https://www.academia.edu/Documents/in/Artes"},{"id":78350,"name":"Museum and Heritage Studies","url":"https://www.academia.edu/Documents/in/Museum_and_Heritage_Studies"},{"id":79037,"name":"Historia del Arte","url":"https://www.academia.edu/Documents/in/Historia_del_Arte"},{"id":81272,"name":"Curatorial Practice","url":"https://www.academia.edu/Documents/in/Curatorial_Practice"},{"id":83160,"name":"Archive","url":"https://www.academia.edu/Documents/in/Archive"},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions"},{"id":87599,"name":"Exhibition","url":"https://www.academia.edu/Documents/in/Exhibition"},{"id":88164,"name":"Exhibition Culture","url":"https://www.academia.edu/Documents/in/Exhibition_Culture"},{"id":88295,"name":"Fine Art","url":"https://www.academia.edu/Documents/in/Fine_Art"},{"id":91963,"name":"Aesthetic Experience","url":"https://www.academia.edu/Documents/in/Aesthetic_Experience"},{"id":101682,"name":"Exhibition History","url":"https://www.academia.edu/Documents/in/Exhibition_History"},{"id":105157,"name":"Education of Fine Arts","url":"https://www.academia.edu/Documents/in/Education_of_Fine_Arts"},{"id":108068,"name":"History and Archives","url":"https://www.academia.edu/Documents/in/History_and_Archives"},{"id":108450,"name":"Arte contemporáneo","url":"https://www.academia.edu/Documents/in/Arte_contempor%C3%A1neo"},{"id":108743,"name":"Arts and Sciences","url":"https://www.academia.edu/Documents/in/Arts_and_Sciences"},{"id":111116,"name":"Consumption of nostalgia and retro items","url":"https://www.academia.edu/Documents/in/Consumption_of_nostalgia_and_retro_items"},{"id":113473,"name":"Art and Design","url":"https://www.academia.edu/Documents/in/Art_and_Design"},{"id":134143,"name":"Politics of Memory","url":"https://www.academia.edu/Documents/in/Politics_of_Memory"},{"id":135201,"name":"História da arte","url":"https://www.academia.edu/Documents/in/Hist%C3%B3ria_da_arte"},{"id":141806,"name":"Creatividad","url":"https://www.academia.edu/Documents/in/Creatividad"},{"id":151313,"name":"Marxism and Hauntology","url":"https://www.academia.edu/Documents/in/Marxism_and_Hauntology"},{"id":152110,"name":"Artists","url":"https://www.academia.edu/Documents/in/Artists"},{"id":152388,"name":"Art Theory and Criticism","url":"https://www.academia.edu/Documents/in/Art_Theory_and_Criticism"},{"id":152751,"name":"Humanities and Social Sciences","url":"https://www.academia.edu/Documents/in/Humanities_and_Social_Sciences"},{"id":166425,"name":"Monsters, Ghosts, Haunting","url":"https://www.academia.edu/Documents/in/Monsters_Ghosts_Haunting"},{"id":169362,"name":"Curatorial Theory","url":"https://www.academia.edu/Documents/in/Curatorial_Theory"},{"id":173844,"name":"Curatorial Practice (Architecture)","url":"https://www.academia.edu/Documents/in/Curatorial_Practice_Architecture_"},{"id":182681,"name":"Nostalgia and Memory","url":"https://www.academia.edu/Documents/in/Nostalgia_and_Memory"},{"id":186127,"name":"Postmemory","url":"https://www.academia.edu/Documents/in/Postmemory"},{"id":186130,"name":"Postmemory, Transgenerational Memory","url":"https://www.academia.edu/Documents/in/Postmemory_Transgenerational_Memory"},{"id":226095,"name":"History of Exhibitions","url":"https://www.academia.edu/Documents/in/History_of_Exhibitions"},{"id":229390,"name":"Real Time","url":"https://www.academia.edu/Documents/in/Real_Time"},{"id":231579,"name":"Haunting","url":"https://www.academia.edu/Documents/in/Haunting"},{"id":244353,"name":"Museum Curatorship","url":"https://www.academia.edu/Documents/in/Museum_Curatorship"},{"id":249290,"name":"Mixed Media Artwork","url":"https://www.academia.edu/Documents/in/Mixed_Media_Artwork"},{"id":253545,"name":"Curatorial Studies","url":"https://www.academia.edu/Documents/in/Curatorial_Studies"},{"id":256667,"name":"Arts and Humanities","url":"https://www.academia.edu/Documents/in/Arts_and_Humanities"},{"id":266366,"name":"Curatorial Practice (Art), Art history","url":"https://www.academia.edu/Documents/in/Curatorial_Practice_Art_Art_history"},{"id":313935,"name":"Arts / Design / Restauro/ Scientific reseach on arts / Arts curator/reserach on interaction of arts and science","url":"https://www.academia.edu/Documents/in/Arts_Design_Restauro_Scientific_reseach_on_arts_Arts_curator_reserach_on_interaction_of_arts_"},{"id":324745,"name":"Modern and Contemporary Art History, Art Theory, Curatorial Practice","url":"https://www.academia.edu/Documents/in/Modern_and_Contemporary_Art_History_Art_Theory_Curatorial_Practice"},{"id":333618,"name":"Humanidades","url":"https://www.academia.edu/Documents/in/Humanidades"},{"id":337738,"name":"Exhibition Catalogue","url":"https://www.academia.edu/Documents/in/Exhibition_Catalogue"},{"id":377308,"name":"Curatorship","url":"https://www.academia.edu/Documents/in/Curatorship"},{"id":387143,"name":"Nostalgia and home","url":"https://www.academia.edu/Documents/in/Nostalgia_and_home"},{"id":413195,"name":"Time Factors","url":"https://www.academia.edu/Documents/in/Time_Factors"},{"id":445622,"name":"Curating contemporary art","url":"https://www.academia.edu/Documents/in/Curating_contemporary_art"},{"id":449408,"name":"Memory, Nostalgia","url":"https://www.academia.edu/Documents/in/Memory_Nostalgia"},{"id":469105,"name":"Retrospective Studies","url":"https://www.academia.edu/Documents/in/Retrospective_Studies"},{"id":507685,"name":"Art and Art History","url":"https://www.academia.edu/Documents/in/Art_and_Art_History"},{"id":519076,"name":"Retromania","url":"https://www.academia.edu/Documents/in/Retromania"},{"id":599334,"name":"Architecture and Public Spaces","url":"https://www.academia.edu/Documents/in/Architecture_and_Public_Spaces"},{"id":620285,"name":"History of Philosophy","url":"https://www.academia.edu/Documents/in/History_of_Philosophy"},{"id":622315,"name":"Nostalgia and cultural intimacy","url":"https://www.academia.edu/Documents/in/Nostalgia_and_cultural_intimacy"},{"id":635128,"name":"Social Memory and Nostalgia","url":"https://www.academia.edu/Documents/in/Social_Memory_and_Nostalgia"},{"id":808459,"name":"Presence/absence","url":"https://www.academia.edu/Documents/in/Presence_absence"},{"id":856894,"name":"Museum and Curatorial Studies","url":"https://www.academia.edu/Documents/in/Museum_and_Curatorial_Studies"},{"id":931982,"name":"Refugee memory","url":"https://www.academia.edu/Documents/in/Refugee_memory"},{"id":958538,"name":"Curatorial Research","url":"https://www.academia.edu/Documents/in/Curatorial_Research"},{"id":972791,"name":"Hauntings","url":"https://www.academia.edu/Documents/in/Hauntings"},{"id":972795,"name":"Haunting Experiences","url":"https://www.academia.edu/Documents/in/Haunting_Experiences"},{"id":990198,"name":"Retrospective Study","url":"https://www.academia.edu/Documents/in/Retrospective_Study"},{"id":1019278,"name":"Consciousness and Creativity","url":"https://www.academia.edu/Documents/in/Consciousness_and_Creativity"},{"id":1032577,"name":"Curatorial Practices In Live Art and Media Arts","url":"https://www.academia.edu/Documents/in/Curatorial_Practices_In_Live_Art_and_Media_Arts"},{"id":1154534,"name":"Weaknesses","url":"https://www.academia.edu/Documents/in/Weaknesses"},{"id":1210472,"name":"Ghosts and Hauntings","url":"https://www.academia.edu/Documents/in/Ghosts_and_Hauntings"},{"id":1222774,"name":"Continental Philosophy and Aesthetics","url":"https://www.academia.edu/Documents/in/Continental_Philosophy_and_Aesthetics"},{"id":1329943,"name":"Curatorial Practices","url":"https://www.academia.edu/Documents/in/Curatorial_Practices"},{"id":1384961,"name":"Hauntology (Music)","url":"https://www.academia.edu/Documents/in/Hauntology_Music_"},{"id":1416520,"name":"Memory and Postmemory","url":"https://www.academia.edu/Documents/in/Memory_and_Postmemory"},{"id":1436361,"name":"Haunted Media","url":"https://www.academia.edu/Documents/in/Haunted_Media"},{"id":1727665,"name":"Curatorial","url":"https://www.academia.edu/Documents/in/Curatorial"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="36746548"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/36746548/Specters_of_Colonialism_Sven_Augustijnens_Haunted_Cinema"><img alt="Research paper thumbnail of Specters of Colonialism - Sven Augustijnen's Haunted Cinema" class="work-thumbnail" src="https://attachments.academia-assets.com/56691474/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36746548/Specters_of_Colonialism_Sven_Augustijnens_Haunted_Cinema">Specters of Colonialism - Sven Augustijnen's Haunted Cinema</a></div><div class="wp-workCard_item"><span>Widok. Teorie i praktyki kultury wizualnej</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The author analyzes Sven Agustijnen's Specters from the philosophical perspective. He tries to pr...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The author analyzes Sven Agustijnen's Specters from the philosophical perspective. He tries to prove that the cinema of Belgian director is haunted because it presents the reality as made out of traces, which disturb the traditional division into presence and absence. The author analyzes the Augustijnen's film techniques and uses Jacques Derrida hauntology to show, how contemporary cinema tries to face the difficult and unfinished colonial history of Belgium (the genocide in Congo during the reign of the Belgian king Leopold II and the murder of the first prime minister of the independent Congo, Patrice  Lumumba).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="cb189b4ea0fac9ab4c7e71b60cd107e0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56691474,"asset_id":36746548,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56691474/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36746548"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36746548"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36746548; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36746548]").text(description); $(".js-view-count[data-work-id=36746548]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36746548; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36746548']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 36746548, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "cb189b4ea0fac9ab4c7e71b60cd107e0" } } $('.js-work-strip[data-work-id=36746548]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36746548,"title":"Specters of Colonialism - Sven Augustijnen's Haunted Cinema","translated_title":"","metadata":{"volume":"18","abstract":"The author analyzes Sven Agustijnen's Specters from the philosophical perspective. He tries to prove that the cinema of Belgian director is haunted because it presents the reality as made out of traces, which disturb the traditional division into presence and absence. The author analyzes the Augustijnen's film techniques and uses Jacques Derrida hauntology to show, how contemporary cinema tries to face the difficult and unfinished colonial history of Belgium (the genocide in Congo during the reign of the Belgian king Leopold II and the murder of the first prime minister of the independent Congo, Patrice Lumumba).","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"Widok. Teorie i praktyki kultury wizualnej"},"translated_abstract":"The author analyzes Sven Agustijnen's Specters from the philosophical perspective. He tries to prove that the cinema of Belgian director is haunted because it presents the reality as made out of traces, which disturb the traditional division into presence and absence. The author analyzes the Augustijnen's film techniques and uses Jacques Derrida hauntology to show, how contemporary cinema tries to face the difficult and unfinished colonial history of Belgium (the genocide in Congo during the reign of the Belgian king Leopold II and the murder of the first prime minister of the independent Congo, Patrice Lumumba).","internal_url":"https://www.academia.edu/36746548/Specters_of_Colonialism_Sven_Augustijnens_Haunted_Cinema","translated_internal_url":"","created_at":"2018-05-30T05:22:14.513-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":56691474,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/56691474/thumbnails/1.jpg","file_name":"Specters_-_A._Marzec.pdf","download_url":"https://www.academia.edu/attachments/56691474/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Specters_of_Colonialism_Sven_Augustijnen.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/56691474/Specters_-_A._Marzec-libre.pdf?1527683241=\u0026response-content-disposition=attachment%3B+filename%3DSpecters_of_Colonialism_Sven_Augustijnen.pdf\u0026Expires=1732369631\u0026Signature=MHVIGqx8XAU7FmcTxr~Fn~qYk7TnACerSHomLF4~1FFuuHdaHHUcMMhMT69OEex4zO1bYLjv1gKkH~FHdmrk2nsunJeisBbn7ILtfp7dH0Z9eJ-C4T-9ZFwi5Fa-PqEJ-EfXlGwcK2~It4wGnE8NRHtr83kFWUYwogUIlKtaDjq660p3eqbZir-0etMoVv8~zuSf5Am58iKJu6yOyjHU7gkRwkCFnzAFMUmDb8MoqYYeg7M~RH1jp1ga3TuQwlt90aKdKgCC~g1RqcXA3nleXE2H88RhleIbBHUKE0vD-KcuAGkWmUVkFUC2hIpQnsHceeiOavhzh7-94ghyzfaKLw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Specters_of_Colonialism_Sven_Augustijnens_Haunted_Cinema","translated_slug":"","page_count":17,"language":"en","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":56691474,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/56691474/thumbnails/1.jpg","file_name":"Specters_-_A._Marzec.pdf","download_url":"https://www.academia.edu/attachments/56691474/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Specters_of_Colonialism_Sven_Augustijnen.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/56691474/Specters_-_A._Marzec-libre.pdf?1527683241=\u0026response-content-disposition=attachment%3B+filename%3DSpecters_of_Colonialism_Sven_Augustijnen.pdf\u0026Expires=1732369631\u0026Signature=MHVIGqx8XAU7FmcTxr~Fn~qYk7TnACerSHomLF4~1FFuuHdaHHUcMMhMT69OEex4zO1bYLjv1gKkH~FHdmrk2nsunJeisBbn7ILtfp7dH0Z9eJ-C4T-9ZFwi5Fa-PqEJ-EfXlGwcK2~It4wGnE8NRHtr83kFWUYwogUIlKtaDjq660p3eqbZir-0etMoVv8~zuSf5Am58iKJu6yOyjHU7gkRwkCFnzAFMUmDb8MoqYYeg7M~RH1jp1ga3TuQwlt90aKdKgCC~g1RqcXA3nleXE2H88RhleIbBHUKE0vD-KcuAGkWmUVkFUC2hIpQnsHceeiOavhzh7-94ghyzfaKLw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History"},{"id":133,"name":"Military History","url":"https://www.academia.edu/Documents/in/Military_History"},{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History"},{"id":137,"name":"Economic History","url":"https://www.academia.edu/Documents/in/Economic_History"},{"id":259,"name":"Forensic Psychology","url":"https://www.academia.edu/Documents/in/Forensic_Psychology"},{"id":379,"name":"African Studies","url":"https://www.academia.edu/Documents/in/African_Studies"},{"id":767,"name":"Anthropology","url":"https://www.academia.edu/Documents/in/Anthropology"},{"id":769,"name":"Forensic Anthropology","url":"https://www.academia.edu/Documents/in/Forensic_Anthropology"},{"id":802,"name":"Political Economy","url":"https://www.academia.edu/Documents/in/Political_Economy"},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":813,"name":"Political Philosophy","url":"https://www.academia.edu/Documents/in/Political_Philosophy"},{"id":862,"name":"Archival Studies","url":"https://www.academia.edu/Documents/in/Archival_Studies"},{"id":863,"name":"Visual Studies","url":"https://www.academia.edu/Documents/in/Visual_Studies"},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History"},{"id":925,"name":"Visual Anthropology","url":"https://www.academia.edu/Documents/in/Visual_Anthropology"},{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":958,"name":"Historical Archaeology","url":"https://www.academia.edu/Documents/in/Historical_Archaeology"},{"id":1237,"name":"Social Sciences","url":"https://www.academia.edu/Documents/in/Social_Sciences"},{"id":1386,"name":"Art Theory","url":"https://www.academia.edu/Documents/in/Art_Theory"},{"id":1554,"name":"Film Theory and Practice","url":"https://www.academia.edu/Documents/in/Film_Theory_and_Practice"},{"id":1555,"name":"Film Studies","url":"https://www.academia.edu/Documents/in/Film_Studies"},{"id":1568,"name":"Film Theory","url":"https://www.academia.edu/Documents/in/Film_Theory"},{"id":1696,"name":"Political Theory","url":"https://www.academia.edu/Documents/in/Political_Theory"},{"id":1832,"name":"Influence","url":"https://www.academia.edu/Documents/in/Influence"},{"id":2132,"name":"Cultural Heritage","url":"https://www.academia.edu/Documents/in/Cultural_Heritage"},{"id":2473,"name":"Material Culture Studies","url":"https://www.academia.edu/Documents/in/Material_Culture_Studies"},{"id":2490,"name":"Political Psychology","url":"https://www.academia.edu/Documents/in/Political_Psychology"},{"id":2527,"name":"Heritage Studies","url":"https://www.academia.edu/Documents/in/Heritage_Studies"},{"id":2592,"name":"Human Rights","url":"https://www.academia.edu/Documents/in/Human_Rights"},{"id":2601,"name":"Film Music And Sound","url":"https://www.academia.edu/Documents/in/Film_Music_And_Sound"},{"id":2835,"name":"Refugee Studies","url":"https://www.academia.edu/Documents/in/Refugee_Studies"},{"id":2860,"name":"Postcolonial Studies","url":"https://www.academia.edu/Documents/in/Postcolonial_Studies"},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art"},{"id":3225,"name":"Visual Culture","url":"https://www.academia.edu/Documents/in/Visual_Culture"},{"id":3301,"name":"Film Analysis","url":"https://www.academia.edu/Documents/in/Film_Analysis"},{"id":3354,"name":"Poststructuralism","url":"https://www.academia.edu/Documents/in/Poststructuralism"},{"id":3399,"name":"Documentary (Film Studies)","url":"https://www.academia.edu/Documents/in/Documentary_Film_Studies_"},{"id":3472,"name":"Political Anthropology","url":"https://www.academia.edu/Documents/in/Political_Anthropology"},{"id":3499,"name":"Social and Cultural Anthropology","url":"https://www.academia.edu/Documents/in/Social_and_Cultural_Anthropology"},{"id":3516,"name":"Contemporary History","url":"https://www.academia.edu/Documents/in/Contemporary_History"},{"id":3608,"name":"Historic Preservation","url":"https://www.academia.edu/Documents/in/Historic_Preservation"},{"id":3896,"name":"African History","url":"https://www.academia.edu/Documents/in/African_History"},{"id":3972,"name":"Genocide Studies","url":"https://www.academia.edu/Documents/in/Genocide_Studies"},{"id":3987,"name":"History and Memory","url":"https://www.academia.edu/Documents/in/History_and_Memory"},{"id":4424,"name":"Post-conflict Reconstruction and Development","url":"https://www.academia.edu/Documents/in/Post-conflict_Reconstruction_and_Development"},{"id":4486,"name":"Political Science","url":"https://www.academia.edu/Documents/in/Political_Science"},{"id":4527,"name":"Africa","url":"https://www.academia.edu/Documents/in/Africa"},{"id":4850,"name":"Migration","url":"https://www.academia.edu/Documents/in/Migration"},{"id":4868,"name":"Deconstruction","url":"https://www.academia.edu/Documents/in/Deconstruction"},{"id":5272,"name":"Identity (Culture)","url":"https://www.academia.edu/Documents/in/Identity_Culture_"},{"id":5288,"name":"Philosophy of Film","url":"https://www.academia.edu/Documents/in/Philosophy_of_Film"},{"id":5290,"name":"Philosophy of Art","url":"https://www.academia.edu/Documents/in/Philosophy_of_Art"},{"id":5301,"name":"Film Genre","url":"https://www.academia.edu/Documents/in/Film_Genre"},{"id":5359,"name":"Visual perception","url":"https://www.academia.edu/Documents/in/Visual_perception"},{"id":5374,"name":"Lacan","url":"https://www.academia.edu/Documents/in/Lacan"},{"id":5432,"name":"Slavery","url":"https://www.academia.edu/Documents/in/Slavery"},{"id":5686,"name":"Political Violence and Terrorism","url":"https://www.academia.edu/Documents/in/Political_Violence_and_Terrorism"},{"id":5709,"name":"Politics","url":"https://www.academia.edu/Documents/in/Politics"},{"id":5960,"name":"Continental Philosophy","url":"https://www.academia.edu/Documents/in/Continental_Philosophy"},{"id":6283,"name":"History of Slavery","url":"https://www.academia.edu/Documents/in/History_of_Slavery"},{"id":6556,"name":"Colonialism","url":"https://www.academia.edu/Documents/in/Colonialism"},{"id":6784,"name":"Contemporary French Philosophy","url":"https://www.academia.edu/Documents/in/Contemporary_French_Philosophy"},{"id":7125,"name":"Culture","url":"https://www.academia.edu/Documents/in/Culture"},{"id":7313,"name":"Labor Migration","url":"https://www.academia.edu/Documents/in/Labor_Migration"},{"id":7369,"name":"Political communication","url":"https://www.academia.edu/Documents/in/Political_communication"},{"id":7513,"name":"Archives","url":"https://www.academia.edu/Documents/in/Archives"},{"id":7978,"name":"Political History","url":"https://www.academia.edu/Documents/in/Political_History"},{"id":8104,"name":"Mourning","url":"https://www.academia.edu/Documents/in/Mourning"},{"id":8282,"name":"Film-Philosophy","url":"https://www.academia.edu/Documents/in/Film-Philosophy"},{"id":8338,"name":"Jacques Lacan","url":"https://www.academia.edu/Documents/in/Jacques_Lacan"},{"id":8356,"name":"Culture Studies","url":"https://www.academia.edu/Documents/in/Culture_Studies"},{"id":8431,"name":"Slavoj Žižek","url":"https://www.academia.edu/Documents/in/Slavoj_%C5%BDi%C5%BEek"},{"id":8538,"name":"Working Memory","url":"https://www.academia.edu/Documents/in/Working_Memory"},{"id":8854,"name":"Historical Films","url":"https://www.academia.edu/Documents/in/Historical_Films"},{"id":9405,"name":"Post-Colonialism","url":"https://www.academia.edu/Documents/in/Post-Colonialism"},{"id":9549,"name":"Lacanian theory","url":"https://www.academia.edu/Documents/in/Lacanian_theory"},{"id":9817,"name":"Humanitarian Intervention","url":"https://www.academia.edu/Documents/in/Humanitarian_Intervention"},{"id":10167,"name":"Hauntology","url":"https://www.academia.edu/Documents/in/Hauntology"},{"id":10344,"name":"International Politics","url":"https://www.academia.edu/Documents/in/International_Politics"},{"id":10349,"name":"Politics and Film","url":"https://www.academia.edu/Documents/in/Politics_and_Film"},{"id":10444,"name":"Postmodernism","url":"https://www.academia.edu/Documents/in/Postmodernism"},{"id":11203,"name":"International Migration","url":"https://www.academia.edu/Documents/in/International_Migration"},{"id":11354,"name":"Globalization And Postcolonial Studies","url":"https://www.academia.edu/Documents/in/Globalization_And_Postcolonial_Studies"},{"id":11452,"name":"Memory Studies","url":"https://www.academia.edu/Documents/in/Memory_Studies"},{"id":11455,"name":"Social and Collective Memory","url":"https://www.academia.edu/Documents/in/Social_and_Collective_Memory"},{"id":11467,"name":"Visual Communication","url":"https://www.academia.edu/Documents/in/Visual_Communication"},{"id":11483,"name":"Cultural Memory","url":"https://www.academia.edu/Documents/in/Cultural_Memory"},{"id":12444,"name":"Film History","url":"https://www.academia.edu/Documents/in/Film_History"},{"id":13950,"name":"Collective Memory","url":"https://www.academia.edu/Documents/in/Collective_Memory"},{"id":13995,"name":"Postcolonial Theory","url":"https://www.academia.edu/Documents/in/Postcolonial_Theory"},{"id":14022,"name":"Film Semiotics","url":"https://www.academia.edu/Documents/in/Film_Semiotics"},{"id":14045,"name":"African Politics","url":"https://www.academia.edu/Documents/in/African_Politics"},{"id":14730,"name":"Migration Studies","url":"https://www.academia.edu/Documents/in/Migration_Studies"},{"id":15341,"name":"Aesthetics and Ethics","url":"https://www.academia.edu/Documents/in/Aesthetics_and_Ethics"},{"id":15342,"name":"Aesthetics and Politics","url":"https://www.academia.edu/Documents/in/Aesthetics_and_Politics"},{"id":15447,"name":"Freud and Lacan","url":"https://www.academia.edu/Documents/in/Freud_and_Lacan"},{"id":15449,"name":"Slavoj Zizek","url":"https://www.academia.edu/Documents/in/Slavoj_Zizek"},{"id":15588,"name":"Social History","url":"https://www.academia.edu/Documents/in/Social_History"},{"id":15863,"name":"Postcolonial Literature","url":"https://www.academia.edu/Documents/in/Postcolonial_Literature"},{"id":16055,"name":"Film and History","url":"https://www.academia.edu/Documents/in/Film_and_History"},{"id":16196,"name":"Film \u0026 Digital Video","url":"https://www.academia.edu/Documents/in/Film_and_Digital_Video"},{"id":16471,"name":"Sociology of Migration","url":"https://www.academia.edu/Documents/in/Sociology_of_Migration"},{"id":16472,"name":"Transnational migration","url":"https://www.academia.edu/Documents/in/Transnational_migration"},{"id":16622,"name":"Contemporary International Migration","url":"https://www.academia.edu/Documents/in/Contemporary_International_Migration"},{"id":17562,"name":"Death and Burial (Archaeology)","url":"https://www.academia.edu/Documents/in/Death_and_Burial_Archaeology_"},{"id":17808,"name":"International Refugee Law","url":"https://www.academia.edu/Documents/in/International_Refugee_Law"},{"id":19190,"name":"Postcolonial Writing","url":"https://www.academia.edu/Documents/in/Postcolonial_Writing"},{"id":19258,"name":"Cinema","url":"https://www.academia.edu/Documents/in/Cinema"},{"id":19677,"name":"Film and Philosophy","url":"https://www.academia.edu/Documents/in/Film_and_Philosophy"},{"id":23214,"name":"Documentary Film","url":"https://www.academia.edu/Documents/in/Documentary_Film"},{"id":24455,"name":"Postcolonial Studies (Literature)","url":"https://www.academia.edu/Documents/in/Postcolonial_Studies_Literature_"},{"id":24468,"name":"Zizek","url":"https://www.academia.edu/Documents/in/Zizek"},{"id":24818,"name":"Belgian History","url":"https://www.academia.edu/Documents/in/Belgian_History"},{"id":24940,"name":"Burial Practices (Archaeology)","url":"https://www.academia.edu/Documents/in/Burial_Practices_Archaeology_"},{"id":25097,"name":"Postcolonial Literature of Africa","url":"https://www.academia.edu/Documents/in/Postcolonial_Literature_of_Africa"},{"id":25107,"name":"Film Aesthetics","url":"https://www.academia.edu/Documents/in/Film_Aesthetics"},{"id":25486,"name":"Postcolonial theory (Cultural Theory)","url":"https://www.academia.edu/Documents/in/Postcolonial_theory_Cultural_Theory_"},{"id":25688,"name":"Post-Colonial Literature","url":"https://www.academia.edu/Documents/in/Post-Colonial_Literature"},{"id":25923,"name":"Democratic Republic of Congo","url":"https://www.academia.edu/Documents/in/Democratic_Republic_of_Congo"},{"id":26558,"name":"Visual Arts","url":"https://www.academia.edu/Documents/in/Visual_Arts"},{"id":28038,"name":"Independence","url":"https://www.academia.edu/Documents/in/Independence"},{"id":30603,"name":"Social Influence","url":"https://www.academia.edu/Documents/in/Social_Influence"},{"id":32983,"name":"Experimental Film","url":"https://www.academia.edu/Documents/in/Experimental_Film"},{"id":34292,"name":"Poststructuralist Theory","url":"https://www.academia.edu/Documents/in/Poststructuralist_Theory"},{"id":34632,"name":"Film","url":"https://www.academia.edu/Documents/in/Film"},{"id":34924,"name":"Contemporary Political Theory","url":"https://www.academia.edu/Documents/in/Contemporary_Political_Theory"},{"id":38064,"name":"20th Century Belgium","url":"https://www.academia.edu/Documents/in/20th_Century_Belgium"},{"id":38481,"name":"Aesthetics and Theory of Arts","url":"https://www.academia.edu/Documents/in/Aesthetics_and_Theory_of_Arts"},{"id":38870,"name":"Contemporary Philosophy","url":"https://www.academia.edu/Documents/in/Contemporary_Philosophy"},{"id":39299,"name":"Lacanian Theory (Culture)","url":"https://www.academia.edu/Documents/in/Lacanian_Theory_Culture_"},{"id":40285,"name":"Africana Studies","url":"https://www.academia.edu/Documents/in/Africana_Studies"},{"id":40862,"name":"Belgium","url":"https://www.academia.edu/Documents/in/Belgium"},{"id":42298,"name":"Film and Media Studies","url":"https://www.academia.edu/Documents/in/Film_and_Media_Studies"},{"id":44819,"name":"Lacanian psychoanalysis","url":"https://www.academia.edu/Documents/in/Lacanian_psychoanalysis"},{"id":46858,"name":"Memory","url":"https://www.academia.edu/Documents/in/Memory"},{"id":48682,"name":"Belgian politics","url":"https://www.academia.edu/Documents/in/Belgian_politics"},{"id":49366,"name":"Memorials and the Memorial Art-Work in the Public Arena","url":"https://www.academia.edu/Documents/in/Memorials_and_the_Memorial_Art-Work_in_the_Public_Arena"},{"id":49565,"name":"Filosofía Política","url":"https://www.academia.edu/Documents/in/Filosof%C3%ADa_Pol%C3%ADtica"},{"id":51753,"name":"Genocide","url":"https://www.academia.edu/Documents/in/Genocide"},{"id":52197,"name":"Colonial Discourse","url":"https://www.academia.edu/Documents/in/Colonial_Discourse"},{"id":52745,"name":"Cinema Studies","url":"https://www.academia.edu/Documents/in/Cinema_Studies"},{"id":53039,"name":"Haunting and Spectrality","url":"https://www.academia.edu/Documents/in/Haunting_and_Spectrality"},{"id":55082,"name":"Ciencia Politica","url":"https://www.academia.edu/Documents/in/Ciencia_Politica"},{"id":57670,"name":"Art and Mourning","url":"https://www.academia.edu/Documents/in/Art_and_Mourning"},{"id":61414,"name":"Katanga","url":"https://www.academia.edu/Documents/in/Katanga"},{"id":65713,"name":"Políticas Públicas","url":"https://www.academia.edu/Documents/in/Pol%C3%ADticas_P%C3%BAblicas"},{"id":68103,"name":"Belgian Literature","url":"https://www.academia.edu/Documents/in/Belgian_Literature"},{"id":69946,"name":"Contemporary Continental Philosophy","url":"https://www.academia.edu/Documents/in/Contemporary_Continental_Philosophy"},{"id":77293,"name":"Holocaust and Genocide Studies","url":"https://www.academia.edu/Documents/in/Holocaust_and_Genocide_Studies"},{"id":80698,"name":"Films","url":"https://www.academia.edu/Documents/in/Films"},{"id":83160,"name":"Archive","url":"https://www.academia.edu/Documents/in/Archive"},{"id":85940,"name":"Political Murders","url":"https://www.academia.edu/Documents/in/Political_Murders"},{"id":92038,"name":"Mass Graves","url":"https://www.academia.edu/Documents/in/Mass_Graves"},{"id":93277,"name":"POSTCOLONIAL","url":"https://www.academia.edu/Documents/in/POSTCOLONIAL"},{"id":100017,"name":"Film Editing","url":"https://www.academia.edu/Documents/in/Film_Editing"},{"id":106034,"name":"Harold Bloom","url":"https://www.academia.edu/Documents/in/Harold_Bloom"},{"id":123009,"name":"Burial Customs","url":"https://www.academia.edu/Documents/in/Burial_Customs"},{"id":134693,"name":"Refugees and Forced Migration Studies","url":"https://www.academia.edu/Documents/in/Refugees_and_Forced_Migration_Studies"},{"id":139454,"name":"Colonial and Postcolonial History of Congo","url":"https://www.academia.edu/Documents/in/Colonial_and_Postcolonial_History_of_Congo"},{"id":142584,"name":"Cemeteries","url":"https://www.academia.edu/Documents/in/Cemeteries"},{"id":148028,"name":"Monuments","url":"https://www.academia.edu/Documents/in/Monuments"},{"id":150268,"name":"Postcolonial Studies and Contemporary Literature","url":"https://www.academia.edu/Documents/in/Postcolonial_Studies_and_Contemporary_Literature"},{"id":152751,"name":"Humanities and Social Sciences","url":"https://www.academia.edu/Documents/in/Humanities_and_Social_Sciences"},{"id":158830,"name":"Belgian Congo","url":"https://www.academia.edu/Documents/in/Belgian_Congo"},{"id":159218,"name":"Death, Grief, and Mourning","url":"https://www.academia.edu/Documents/in/Death_Grief_and_Mourning"},{"id":166425,"name":"Monsters, Ghosts, Haunting","url":"https://www.academia.edu/Documents/in/Monsters_Ghosts_Haunting"},{"id":168863,"name":"Colonial Studies","url":"https://www.academia.edu/Documents/in/Colonial_Studies"},{"id":188525,"name":"Anti-Colonialism","url":"https://www.academia.edu/Documents/in/Anti-Colonialism"},{"id":199933,"name":"History of Humanities","url":"https://www.academia.edu/Documents/in/History_of_Humanities"},{"id":202321,"name":"Cemetery Sculpture and Monuments","url":"https://www.academia.edu/Documents/in/Cemetery_Sculpture_and_Monuments"},{"id":205332,"name":"Dependency Theory","url":"https://www.academia.edu/Documents/in/Dependency_Theory"},{"id":234644,"name":"Mourning and melancholia","url":"https://www.academia.edu/Documents/in/Mourning_and_melancholia"},{"id":249390,"name":"Historia Contemporánea","url":"https://www.academia.edu/Documents/in/Historia_Contempor%C3%A1nea"},{"id":254812,"name":"Film History \u0026 Archiving","url":"https://www.academia.edu/Documents/in/Film_History_and_Archiving"},{"id":256667,"name":"Arts and Humanities","url":"https://www.academia.edu/Documents/in/Arts_and_Humanities"},{"id":269893,"name":"Conservation and Restoration of Historic Buildings and Monuments","url":"https://www.academia.edu/Documents/in/Conservation_and_Restoration_of_Historic_Buildings_and_Monuments"},{"id":277833,"name":"Historic Cemetery","url":"https://www.academia.edu/Documents/in/Historic_Cemetery"},{"id":325580,"name":"History of Belgium","url":"https://www.academia.edu/Documents/in/History_of_Belgium"},{"id":366010,"name":"Classical and Contemporary Social Theory","url":"https://www.academia.edu/Documents/in/Classical_and_Contemporary_Social_Theory"},{"id":377242,"name":"War Memorials","url":"https://www.academia.edu/Documents/in/War_Memorials"},{"id":455099,"name":"Post Colonial Theory","url":"https://www.academia.edu/Documents/in/Post_Colonial_Theory"},{"id":455426,"name":"Cinema and Television","url":"https://www.academia.edu/Documents/in/Cinema_and_Television"},{"id":469713,"name":"Postcolonial Thought","url":"https://www.academia.edu/Documents/in/Postcolonial_Thought"},{"id":479541,"name":"Cemetery Studies","url":"https://www.academia.edu/Documents/in/Cemetery_Studies"},{"id":516212,"name":"Leopold II (King of Belgians)","url":"https://www.academia.edu/Documents/in/Leopold_II_King_of_Belgians_"},{"id":537442,"name":"Psychoanalysis (Freud and Lacan)","url":"https://www.academia.edu/Documents/in/Psychoanalysis_Freud_and_Lacan_"},{"id":589398,"name":"Political executions, Opposition groups","url":"https://www.academia.edu/Documents/in/Political_executions_Opposition_groups"},{"id":597612,"name":"Library and Archival Science","url":"https://www.academia.edu/Documents/in/Library_and_Archival_Science"},{"id":626410,"name":"Modernity/coloniality/decoloniality","url":"https://www.academia.edu/Documents/in/Modernity_coloniality_decoloniality"},{"id":639172,"name":"Patrice Lumumba","url":"https://www.academia.edu/Documents/in/Patrice_Lumumba"},{"id":668907,"name":"Forensic Studies","url":"https://www.academia.edu/Documents/in/Forensic_Studies"},{"id":672885,"name":"Specters of Marx","url":"https://www.academia.edu/Documents/in/Specters_of_Marx"},{"id":677599,"name":"Lacanian Analysis","url":"https://www.academia.edu/Documents/in/Lacanian_Analysis"},{"id":688783,"name":"Independencia","url":"https://www.academia.edu/Documents/in/Independencia"},{"id":892890,"name":"Point of View","url":"https://www.academia.edu/Documents/in/Point_of_View"},{"id":931986,"name":"Post Conflict Issues","url":"https://www.academia.edu/Documents/in/Post_Conflict_Issues"},{"id":940741,"name":"Colonial Genocide","url":"https://www.academia.edu/Documents/in/Colonial_Genocide"},{"id":944650,"name":"Slavoj Zizek Film Theory","url":"https://www.academia.edu/Documents/in/Slavoj_Zizek_Film_Theory"},{"id":959768,"name":"Execution","url":"https://www.academia.edu/Documents/in/Execution"},{"id":961068,"name":"History of Film Theory and Criticism","url":"https://www.academia.edu/Documents/in/History_of_Film_Theory_and_Criticism"},{"id":972791,"name":"Hauntings","url":"https://www.academia.edu/Documents/in/Hauntings"},{"id":1019273,"name":"Colonialism and Imperialism","url":"https://www.academia.edu/Documents/in/Colonialism_and_Imperialism"},{"id":1125509,"name":"Postcolonialism","url":"https://www.academia.edu/Documents/in/Postcolonialism"},{"id":1222774,"name":"Continental Philosophy and Aesthetics","url":"https://www.academia.edu/Documents/in/Continental_Philosophy_and_Aesthetics"},{"id":1698012,"name":"Sven Augustijnen","url":"https://www.academia.edu/Documents/in/Sven_Augustijnen"},{"id":1900360,"name":"Kongo Belgia","url":"https://www.academia.edu/Documents/in/Kongo_Belgia"},{"id":2781413,"name":"unburied corpses","url":"https://www.academia.edu/Documents/in/unburied_corpses"}],"urls":[{"id":8511117,"url":"http://pismowidok.org/index.php/one/article/view/513/1057"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="34891114"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/34891114/_Spectres_on_secondhand_reality_"><img alt="Research paper thumbnail of "Spectres: on secondhand reality"" class="work-thumbnail" src="https://attachments.academia-assets.com/54751539/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/34891114/_Spectres_on_secondhand_reality_">"Spectres: on secondhand reality"</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The author is trying to show the idea of unhygienic literature</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="880495b01b3ca5c92610ad8f4b15b474" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":54751539,"asset_id":34891114,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/54751539/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="34891114"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="34891114"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 34891114; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=34891114]").text(description); $(".js-view-count[data-work-id=34891114]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 34891114; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='34891114']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 34891114, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "880495b01b3ca5c92610ad8f4b15b474" } } $('.js-work-strip[data-work-id=34891114]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":34891114,"title":"\"Spectres: on secondhand reality\"","translated_title":"","metadata":{"abstract":"The author is trying to show the idea of unhygienic literature"},"translated_abstract":"The author is trying to show the idea of unhygienic literature","internal_url":"https://www.academia.edu/34891114/_Spectres_on_secondhand_reality_","translated_internal_url":"","created_at":"2017-10-18T08:53:45.058-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":54751539,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/54751539/thumbnails/1.jpg","file_name":"Spectres_-_on_secondhand_reality_A._Marzec.pdf","download_url":"https://www.academia.edu/attachments/54751539/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Spectres_on_secondhand_reality.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/54751539/Spectres_-_on_secondhand_reality_A._Marzec-libre.pdf?1508342393=\u0026response-content-disposition=attachment%3B+filename%3DSpectres_on_secondhand_reality.pdf\u0026Expires=1732369631\u0026Signature=dDuv5LTzZz8y21fM09gwt4CjNzlSorHPyElCCkx-33ZH0Ci2p5vIoqT-LcC5NG0dURDuitEnX0b-NqYWuhozMMbc7P-Mm1HeohZwh9VgGhxRrOQkbSac9Yjn835HOnZ1gIHeskx1Ca-1kxe6yl6L21qmBDVJqchhufcQyup47abUautxl94SMBuiGhvgAi4GCsdpcgt03eOXah2kLF~W12G9otzP9eFueVvLuec2RMAVjS420zKmQroZloJNzgmU74JL1YULoqpRtlUpVzCB7iL6YsDtzexgdlfyobIdjVEpO6Jo8bcCU4FxrMpgfKohzWiBIdZvPVawaoJvhp59FA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"_Spectres_on_secondhand_reality_","translated_slug":"","page_count":6,"language":"en","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":54751539,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/54751539/thumbnails/1.jpg","file_name":"Spectres_-_on_secondhand_reality_A._Marzec.pdf","download_url":"https://www.academia.edu/attachments/54751539/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Spectres_on_secondhand_reality.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/54751539/Spectres_-_on_secondhand_reality_A._Marzec-libre.pdf?1508342393=\u0026response-content-disposition=attachment%3B+filename%3DSpectres_on_secondhand_reality.pdf\u0026Expires=1732369631\u0026Signature=dDuv5LTzZz8y21fM09gwt4CjNzlSorHPyElCCkx-33ZH0Ci2p5vIoqT-LcC5NG0dURDuitEnX0b-NqYWuhozMMbc7P-Mm1HeohZwh9VgGhxRrOQkbSac9Yjn835HOnZ1gIHeskx1Ca-1kxe6yl6L21qmBDVJqchhufcQyup47abUautxl94SMBuiGhvgAi4GCsdpcgt03eOXah2kLF~W12G9otzP9eFueVvLuec2RMAVjS420zKmQroZloJNzgmU74JL1YULoqpRtlUpVzCB7iL6YsDtzexgdlfyobIdjVEpO6Jo8bcCU4FxrMpgfKohzWiBIdZvPVawaoJvhp59FA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":8,"name":"Critical Theory","url":"https://www.academia.edu/Documents/in/Critical_Theory"},{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History"},{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History"},{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":862,"name":"Archival Studies","url":"https://www.academia.edu/Documents/in/Archival_Studies"},{"id":863,"name":"Visual Studies","url":"https://www.academia.edu/Documents/in/Visual_Studies"},{"id":934,"name":"Media and Cultural Studies","url":"https://www.academia.edu/Documents/in/Media_and_Cultural_Studies"},{"id":938,"name":"Critical Discourse Studies","url":"https://www.academia.edu/Documents/in/Critical_Discourse_Studies"},{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":1589,"name":"Photography","url":"https://www.academia.edu/Documents/in/Photography"},{"id":1595,"name":"Memory (Cognitive Psychology)","url":"https://www.academia.edu/Documents/in/Memory_Cognitive_Psychology_"},{"id":2122,"name":"Death","url":"https://www.academia.edu/Documents/in/Death"},{"id":2123,"name":"Death Studies","url":"https://www.academia.edu/Documents/in/Death_Studies"},{"id":2132,"name":"Cultural Heritage","url":"https://www.academia.edu/Documents/in/Cultural_Heritage"},{"id":2340,"name":"Book History","url":"https://www.academia.edu/Documents/in/Book_History"},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature"},{"id":2473,"name":"Material Culture Studies","url":"https://www.academia.edu/Documents/in/Material_Culture_Studies"},{"id":2527,"name":"Heritage Studies","url":"https://www.academia.edu/Documents/in/Heritage_Studies"},{"id":2809,"name":"Conservation","url":"https://www.academia.edu/Documents/in/Conservation"},{"id":2810,"name":"Book and Paper Conservation","url":"https://www.academia.edu/Documents/in/Book_and_Paper_Conservation"},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art"},{"id":3225,"name":"Visual Culture","url":"https://www.academia.edu/Documents/in/Visual_Culture"},{"id":3303,"name":"Human Memory","url":"https://www.academia.edu/Documents/in/Human_Memory"},{"id":3354,"name":"Poststructuralism","url":"https://www.academia.edu/Documents/in/Poststructuralism"},{"id":3773,"name":"Literary Criticism","url":"https://www.academia.edu/Documents/in/Literary_Criticism"},{"id":3987,"name":"History and Memory","url":"https://www.academia.edu/Documents/in/History_and_Memory"},{"id":4071,"name":"Heritage Tourism","url":"https://www.academia.edu/Documents/in/Heritage_Tourism"},{"id":4195,"name":"Cultural Theory","url":"https://www.academia.edu/Documents/in/Cultural_Theory"},{"id":4474,"name":"Critical Thinking","url":"https://www.academia.edu/Documents/in/Critical_Thinking"},{"id":5013,"name":"Industrial Heritage","url":"https://www.academia.edu/Documents/in/Industrial_Heritage"},{"id":5239,"name":"Death \u0026 Dying (Thanatology)","url":"https://www.academia.edu/Documents/in/Death_and_Dying_Thanatology_"},{"id":5272,"name":"Identity (Culture)","url":"https://www.academia.edu/Documents/in/Identity_Culture_"},{"id":5419,"name":"Metaphysics of Time","url":"https://www.academia.edu/Documents/in/Metaphysics_of_Time"},{"id":5459,"name":"Cultural Heritage Conservation","url":"https://www.academia.edu/Documents/in/Cultural_Heritage_Conservation"},{"id":5645,"name":"Recycling","url":"https://www.academia.edu/Documents/in/Recycling"},{"id":5960,"name":"Continental Philosophy","url":"https://www.academia.edu/Documents/in/Continental_Philosophy"},{"id":6735,"name":"Heritage Conservation","url":"https://www.academia.edu/Documents/in/Heritage_Conservation"},{"id":7125,"name":"Culture","url":"https://www.academia.edu/Documents/in/Culture"},{"id":7513,"name":"Archives","url":"https://www.academia.edu/Documents/in/Archives"},{"id":7602,"name":"Waste recycling","url":"https://www.academia.edu/Documents/in/Waste_recycling"},{"id":7759,"name":"Time Studies","url":"https://www.academia.edu/Documents/in/Time_Studies"},{"id":7862,"name":"Cultures and heritage tourism","url":"https://www.academia.edu/Documents/in/Cultures_and_heritage_tourism"},{"id":7888,"name":"Literary Theory","url":"https://www.academia.edu/Documents/in/Literary_Theory"},{"id":8104,"name":"Mourning","url":"https://www.academia.edu/Documents/in/Mourning"},{"id":8356,"name":"Culture Studies","url":"https://www.academia.edu/Documents/in/Culture_Studies"},{"id":8769,"name":"Intangible cultural heritage","url":"https://www.academia.edu/Documents/in/Intangible_cultural_heritage"},{"id":8850,"name":"Melancholy","url":"https://www.academia.edu/Documents/in/Melancholy"},{"id":9580,"name":"Objectification Theory","url":"https://www.academia.edu/Documents/in/Objectification_Theory"},{"id":10167,"name":"Hauntology","url":"https://www.academia.edu/Documents/in/Hauntology"},{"id":10444,"name":"Postmodernism","url":"https://www.academia.edu/Documents/in/Postmodernism"},{"id":10503,"name":"Photography Theory","url":"https://www.academia.edu/Documents/in/Photography_Theory"},{"id":11452,"name":"Memory Studies","url":"https://www.academia.edu/Documents/in/Memory_Studies"},{"id":11455,"name":"Social and Collective Memory","url":"https://www.academia.edu/Documents/in/Social_and_Collective_Memory"},{"id":11469,"name":"Curating","url":"https://www.academia.edu/Documents/in/Curating"},{"id":11483,"name":"Cultural Memory","url":"https://www.academia.edu/Documents/in/Cultural_Memory"},{"id":12040,"name":"Jacques Derrida","url":"https://www.academia.edu/Documents/in/Jacques_Derrida"},{"id":12644,"name":"Commemoration and Memory","url":"https://www.academia.edu/Documents/in/Commemoration_and_Memory"},{"id":12742,"name":"Holocaust Studies","url":"https://www.academia.edu/Documents/in/Holocaust_Studies"},{"id":12916,"name":"Thing Theory","url":"https://www.academia.edu/Documents/in/Thing_Theory"},{"id":13950,"name":"Collective Memory","url":"https://www.academia.edu/Documents/in/Collective_Memory"},{"id":13979,"name":"Curatorial Practice (Education)","url":"https://www.academia.edu/Documents/in/Curatorial_Practice_Education_"},{"id":14989,"name":"Philosophy of Time","url":"https://www.academia.edu/Documents/in/Philosophy_of_Time"},{"id":15341,"name":"Aesthetics and Ethics","url":"https://www.academia.edu/Documents/in/Aesthetics_and_Ethics"},{"id":15749,"name":"Art Criticism","url":"https://www.academia.edu/Documents/in/Art_Criticism"},{"id":16328,"name":"Object Relations","url":"https://www.academia.edu/Documents/in/Object_Relations"},{"id":16688,"name":"History of Archives","url":"https://www.academia.edu/Documents/in/History_of_Archives"},{"id":17374,"name":"Restoration","url":"https://www.academia.edu/Documents/in/Restoration"},{"id":17440,"name":"Humanism","url":"https://www.academia.edu/Documents/in/Humanism"},{"id":17754,"name":"Derridean Deconstruction","url":"https://www.academia.edu/Documents/in/Derridean_Deconstruction"},{"id":17813,"name":"Digital Archives","url":"https://www.academia.edu/Documents/in/Digital_Archives"},{"id":19022,"name":"Documentary Photography","url":"https://www.academia.edu/Documents/in/Documentary_Photography"},{"id":19161,"name":"Curatorial Studies and Practice","url":"https://www.academia.edu/Documents/in/Curatorial_Studies_and_Practice"},{"id":19405,"name":"Cultural Heritage Management","url":"https://www.academia.edu/Documents/in/Cultural_Heritage_Management"},{"id":19626,"name":"Public Memory","url":"https://www.academia.edu/Documents/in/Public_Memory"},{"id":19755,"name":"World Cultural Heritage","url":"https://www.academia.edu/Documents/in/World_Cultural_Heritage"},{"id":19764,"name":"Intangible Cultural Heritage (Culture)","url":"https://www.academia.edu/Documents/in/Intangible_Cultural_Heritage_Culture_"},{"id":20094,"name":"Object Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object_Oriented_Ontology"},{"id":21189,"name":"Fine Art Photography","url":"https://www.academia.edu/Documents/in/Fine_Art_Photography"},{"id":21704,"name":"Space and Time (Philosophy)","url":"https://www.academia.edu/Documents/in/Space_and_Time_Philosophy_"},{"id":21742,"name":"Anthropology of Death","url":"https://www.academia.edu/Documents/in/Anthropology_of_Death"},{"id":21902,"name":"Time Perception","url":"https://www.academia.edu/Documents/in/Time_Perception"},{"id":22181,"name":"Representation of Others","url":"https://www.academia.edu/Documents/in/Representation_of_Others"},{"id":22288,"name":"Architectural Heritage","url":"https://www.academia.edu/Documents/in/Architectural_Heritage"},{"id":22792,"name":"Melancholia (Art)","url":"https://www.academia.edu/Documents/in/Melancholia_Art_"},{"id":22797,"name":"Critical Thinking and Creativity","url":"https://www.academia.edu/Documents/in/Critical_Thinking_and_Creativity"},{"id":23373,"name":"Anthropology of Time","url":"https://www.academia.edu/Documents/in/Anthropology_of_Time"},{"id":23747,"name":"Loss and Trauma","url":"https://www.academia.edu/Documents/in/Loss_and_Trauma"},{"id":24003,"name":"Postmodernism (Literature)","url":"https://www.academia.edu/Documents/in/Postmodernism_Literature_"},{"id":24234,"name":"Heritage Management","url":"https://www.academia.edu/Documents/in/Heritage_Management"},{"id":25652,"name":"Objects Conservation","url":"https://www.academia.edu/Documents/in/Objects_Conservation"},{"id":26291,"name":"Postmodern Literature","url":"https://www.academia.edu/Documents/in/Postmodern_Literature"},{"id":26949,"name":"Phenomenology of Temporality","url":"https://www.academia.edu/Documents/in/Phenomenology_of_Temporality"},{"id":27573,"name":"Derrida","url":"https://www.academia.edu/Documents/in/Derrida"},{"id":27665,"name":"Photography (Visual Studies)","url":"https://www.academia.edu/Documents/in/Photography_Visual_Studies_"},{"id":28120,"name":"Spatio Temporal Analysis","url":"https://www.academia.edu/Documents/in/Spatio_Temporal_Analysis"},{"id":28374,"name":"Visual and Cultural Studies","url":"https://www.academia.edu/Documents/in/Visual_and_Cultural_Studies"},{"id":29109,"name":"Postmodern Literary Theory and Popular Culture","url":"https://www.academia.edu/Documents/in/Postmodern_Literary_Theory_and_Popular_Culture"},{"id":29747,"name":"Arts-Based Research","url":"https://www.academia.edu/Documents/in/Arts-Based_Research"},{"id":29866,"name":"Autobiographical Memory","url":"https://www.academia.edu/Documents/in/Autobiographical_Memory"},{"id":30485,"name":"Time series analysis","url":"https://www.academia.edu/Documents/in/Time_series_analysis"},{"id":30638,"name":"Memory and materiality","url":"https://www.academia.edu/Documents/in/Memory_and_materiality"},{"id":30965,"name":"Jacques Derrida \u0026 Deconstruction","url":"https://www.academia.edu/Documents/in/Jacques_Derrida_and_Deconstruction"},{"id":31328,"name":"Derrida and Ethics","url":"https://www.academia.edu/Documents/in/Derrida_and_Ethics"},{"id":31371,"name":"Time Travel","url":"https://www.academia.edu/Documents/in/Time_Travel"},{"id":32663,"name":"Temporality (Time Studies)","url":"https://www.academia.edu/Documents/in/Temporality_Time_Studies_"},{"id":33372,"name":"Heritage language studies","url":"https://www.academia.edu/Documents/in/Heritage_language_studies"},{"id":33457,"name":"Material Culture","url":"https://www.academia.edu/Documents/in/Material_Culture"},{"id":33575,"name":"Mass extinctions","url":"https://www.academia.edu/Documents/in/Mass_extinctions"},{"id":33909,"name":"Visual Cultures of Science (Visual Studies)","url":"https://www.academia.edu/Documents/in/Visual_Cultures_of_Science_Visual_Studies_"},{"id":34292,"name":"Poststructuralist Theory","url":"https://www.academia.edu/Documents/in/Poststructuralist_Theory"},{"id":37479,"name":"Philosophy of Death","url":"https://www.academia.edu/Documents/in/Philosophy_of_Death"},{"id":40343,"name":"Heritage interpretation","url":"https://www.academia.edu/Documents/in/Heritage_interpretation"},{"id":42042,"name":"Nostalgia","url":"https://www.academia.edu/Documents/in/Nostalgia"},{"id":43349,"name":"Fine Arts","url":"https://www.academia.edu/Documents/in/Fine_Arts"},{"id":43395,"name":"Heritage","url":"https://www.academia.edu/Documents/in/Heritage"},{"id":43575,"name":"Holocaust","url":"https://www.academia.edu/Documents/in/Holocaust"},{"id":46201,"name":"Curator as Creator","url":"https://www.academia.edu/Documents/in/Curator_as_Creator"},{"id":46858,"name":"Memory","url":"https://www.academia.edu/Documents/in/Memory"},{"id":48174,"name":"Temporality","url":"https://www.academia.edu/Documents/in/Temporality"},{"id":49006,"name":"Objectivity","url":"https://www.academia.edu/Documents/in/Objectivity"},{"id":50201,"name":"Object Oriented Design","url":"https://www.academia.edu/Documents/in/Object_Oriented_Design"},{"id":51610,"name":"Postmodernity","url":"https://www.academia.edu/Documents/in/Postmodernity"},{"id":52572,"name":"Books","url":"https://www.academia.edu/Documents/in/Books"},{"id":52910,"name":"Curatorial writing","url":"https://www.academia.edu/Documents/in/Curatorial_writing"},{"id":53039,"name":"Haunting and Spectrality","url":"https://www.academia.edu/Documents/in/Haunting_and_Spectrality"},{"id":53926,"name":"Remembrance","url":"https://www.academia.edu/Documents/in/Remembrance"},{"id":54603,"name":"Death and Dying, Mourning and Remembrance","url":"https://www.academia.edu/Documents/in/Death_and_Dying_Mourning_and_Remembrance"},{"id":55064,"name":"Object Oriented Analysis and Design","url":"https://www.academia.edu/Documents/in/Object_Oriented_Analysis_and_Design"},{"id":55734,"name":"Object-Oriented philosophy","url":"https://www.academia.edu/Documents/in/Object-Oriented_philosophy"},{"id":55872,"name":"Science for Conservation and Restoration of Cultural Heritage","url":"https://www.academia.edu/Documents/in/Science_for_Conservation_and_Restoration_of_Cultural_Heritage"},{"id":56163,"name":"Otherness","url":"https://www.academia.edu/Documents/in/Otherness"},{"id":57414,"name":"Others","url":"https://www.academia.edu/Documents/in/Others"},{"id":57670,"name":"Art and Mourning","url":"https://www.academia.edu/Documents/in/Art_and_Mourning"},{"id":58222,"name":"Models of Curatorship","url":"https://www.academia.edu/Documents/in/Models_of_Curatorship"},{"id":60268,"name":"Postmodern","url":"https://www.academia.edu/Documents/in/Postmodern"},{"id":61995,"name":"Cultural Heritage and Preservation","url":"https://www.academia.edu/Documents/in/Cultural_Heritage_and_Preservation"},{"id":66713,"name":"Graham Harman","url":"https://www.academia.edu/Documents/in/Graham_Harman"},{"id":74013,"name":"Artes","url":"https://www.academia.edu/Documents/in/Artes"},{"id":77293,"name":"Holocaust and Genocide Studies","url":"https://www.academia.edu/Documents/in/Holocaust_and_Genocide_Studies"},{"id":78350,"name":"Museum and Heritage Studies","url":"https://www.academia.edu/Documents/in/Museum_and_Heritage_Studies"},{"id":79465,"name":"Materiality","url":"https://www.academia.edu/Documents/in/Materiality"},{"id":81272,"name":"Curatorial Practice","url":"https://www.academia.edu/Documents/in/Curatorial_Practice"},{"id":83160,"name":"Archive","url":"https://www.academia.edu/Documents/in/Archive"},{"id":84395,"name":"Recycled Materials","url":"https://www.academia.edu/Documents/in/Recycled_Materials"},{"id":84550,"name":"Archaeology of destruction","url":"https://www.academia.edu/Documents/in/Archaeology_of_destruction"},{"id":92735,"name":"Other","url":"https://www.academia.edu/Documents/in/Other"},{"id":93046,"name":"Materiality in art, conservation of contemporary art, memory and memorial objects","url":"https://www.academia.edu/Documents/in/Materiality_in_art_conservation_of_contemporary_art_memory_and_memorial_objects"},{"id":93905,"name":"Purity","url":"https://www.academia.edu/Documents/in/Purity"},{"id":97275,"name":"Annihilation","url":"https://www.academia.edu/Documents/in/Annihilation"},{"id":108068,"name":"History and Archives","url":"https://www.academia.edu/Documents/in/History_and_Archives"},{"id":108450,"name":"Arte contemporáneo","url":"https://www.academia.edu/Documents/in/Arte_contempor%C3%A1neo"},{"id":111116,"name":"Consumption of nostalgia and retro items","url":"https://www.academia.edu/Documents/in/Consumption_of_nostalgia_and_retro_items"},{"id":126588,"name":"Extinction Studies","url":"https://www.academia.edu/Documents/in/Extinction_Studies"},{"id":129560,"name":"Extinction Risk","url":"https://www.academia.edu/Documents/in/Extinction_Risk"},{"id":131910,"name":"Postmodernizm","url":"https://www.academia.edu/Documents/in/Postmodernizm"},{"id":133525,"name":"The Holocaust","url":"https://www.academia.edu/Documents/in/The_Holocaust"},{"id":134143,"name":"Politics of Memory","url":"https://www.academia.edu/Documents/in/Politics_of_Memory"},{"id":134549,"name":"Symbolic Annihilation","url":"https://www.academia.edu/Documents/in/Symbolic_Annihilation"},{"id":140551,"name":"Pure Data","url":"https://www.academia.edu/Documents/in/Pure_Data"},{"id":145920,"name":"Destruction","url":"https://www.academia.edu/Documents/in/Destruction"},{"id":146740,"name":"Impurity","url":"https://www.academia.edu/Documents/in/Impurity"},{"id":151313,"name":"Marxism and Hauntology","url":"https://www.academia.edu/Documents/in/Marxism_and_Hauntology"},{"id":152388,"name":"Art Theory and Criticism","url":"https://www.academia.edu/Documents/in/Art_Theory_and_Criticism"},{"id":152751,"name":"Humanities and Social Sciences","url":"https://www.academia.edu/Documents/in/Humanities_and_Social_Sciences"},{"id":159218,"name":"Death, Grief, and Mourning","url":"https://www.academia.edu/Documents/in/Death_Grief_and_Mourning"},{"id":164153,"name":"Grief and Loss","url":"https://www.academia.edu/Documents/in/Grief_and_Loss"},{"id":164269,"name":"Extinction","url":"https://www.academia.edu/Documents/in/Extinction"},{"id":166425,"name":"Monsters, Ghosts, Haunting","url":"https://www.academia.edu/Documents/in/Monsters_Ghosts_Haunting"},{"id":169362,"name":"Curatorial Theory","url":"https://www.academia.edu/Documents/in/Curatorial_Theory"},{"id":182681,"name":"Nostalgia and Memory","url":"https://www.academia.edu/Documents/in/Nostalgia_and_Memory"},{"id":198879,"name":"Post-structuralism (especially the work of Jacques Derrida)","url":"https://www.academia.edu/Documents/in/Post-structuralism_especially_the_work_of_Jacques_Derrida_"},{"id":201203,"name":"Hygiene","url":"https://www.academia.edu/Documents/in/Hygiene"},{"id":205906,"name":"Rememory","url":"https://www.academia.edu/Documents/in/Rememory"},{"id":224100,"name":"Private Archives","url":"https://www.academia.edu/Documents/in/Private_Archives"},{"id":228869,"name":"Creative Destruction","url":"https://www.academia.edu/Documents/in/Creative_Destruction"},{"id":229390,"name":"Real Time","url":"https://www.academia.edu/Documents/in/Real_Time"},{"id":231579,"name":"Haunting","url":"https://www.academia.edu/Documents/in/Haunting"},{"id":234644,"name":"Mourning and melancholia","url":"https://www.academia.edu/Documents/in/Mourning_and_melancholia"},{"id":244353,"name":"Museum Curatorship","url":"https://www.academia.edu/Documents/in/Museum_Curatorship"},{"id":253545,"name":"Curatorial Studies","url":"https://www.academia.edu/Documents/in/Curatorial_Studies"},{"id":256311,"name":"Things","url":"https://www.academia.edu/Documents/in/Things"},{"id":275905,"name":"Annihilationism","url":"https://www.academia.edu/Documents/in/Annihilationism"},{"id":289649,"name":"Revival","url":"https://www.academia.edu/Documents/in/Revival"},{"id":299778,"name":"Depression and Melancholy","url":"https://www.academia.edu/Documents/in/Depression_and_Melancholy"},{"id":313935,"name":"Arts / Design / Restauro/ Scientific reseach on arts / Arts curator/reserach on interaction of arts and science","url":"https://www.academia.edu/Documents/in/Arts_Design_Restauro_Scientific_reseach_on_arts_Arts_curator_reserach_on_interaction_of_arts_"},{"id":324745,"name":"Modern and Contemporary Art History, Art Theory, Curatorial Practice","url":"https://www.academia.edu/Documents/in/Modern_and_Contemporary_Art_History_Art_Theory_Curatorial_Practice"},{"id":327343,"name":"Virtual Heritage","url":"https://www.academia.edu/Documents/in/Virtual_Heritage"},{"id":333618,"name":"Humanidades","url":"https://www.academia.edu/Documents/in/Humanidades"},{"id":370599,"name":"Jaques Derrida","url":"https://www.academia.edu/Documents/in/Jaques_Derrida"},{"id":377308,"name":"Curatorship","url":"https://www.academia.edu/Documents/in/Curatorship"},{"id":413195,"name":"Time Factors","url":"https://www.academia.edu/Documents/in/Time_Factors"},{"id":491900,"name":"Melancholia Studies","url":"https://www.academia.edu/Documents/in/Melancholia_Studies"},{"id":513234,"name":"Object-Oriented Ontology","url":"https://www.academia.edu/Documents/in/Object-Oriented_Ontology"},{"id":545153,"name":"Critical Heritage Studies","url":"https://www.academia.edu/Documents/in/Critical_Heritage_Studies"},{"id":549847,"name":"Things Fall Apart","url":"https://www.academia.edu/Documents/in/Things_Fall_Apart"},{"id":597022,"name":"Death and Mourning in Contemporary Art","url":"https://www.academia.edu/Documents/in/Death_and_Mourning_in_Contemporary_Art"},{"id":597612,"name":"Library and Archival Science","url":"https://www.academia.edu/Documents/in/Library_and_Archival_Science"},{"id":612040,"name":"Destruction of Heritage","url":"https://www.academia.edu/Documents/in/Destruction_of_Heritage"},{"id":620285,"name":"History of Philosophy","url":"https://www.academia.edu/Documents/in/History_of_Philosophy"},{"id":625866,"name":"Culture and death","url":"https://www.academia.edu/Documents/in/Culture_and_death"},{"id":672885,"name":"Specters of Marx","url":"https://www.academia.edu/Documents/in/Specters_of_Marx"},{"id":675052,"name":"UNESCO world heritage","url":"https://www.academia.edu/Documents/in/UNESCO_world_heritage"},{"id":702334,"name":"Disappearances","url":"https://www.academia.edu/Documents/in/Disappearances"},{"id":818055,"name":"Destruction of Cultural Heritage","url":"https://www.academia.edu/Documents/in/Destruction_of_Cultural_Heritage"},{"id":847382,"name":"Art History and Curatorship","url":"https://www.academia.edu/Documents/in/Art_History_and_Curatorship"},{"id":856894,"name":"Museum and Curatorial Studies","url":"https://www.academia.edu/Documents/in/Museum_and_Curatorial_Studies"},{"id":858173,"name":"Graham Harman, Ian Bogost, Timothy Morton","url":"https://www.academia.edu/Documents/in/Graham_Harman_Ian_Bogost_Timothy_Morton"},{"id":870675,"name":"Object-oriented","url":"https://www.academia.edu/Documents/in/Object-oriented"},{"id":958538,"name":"Curatorial Research","url":"https://www.academia.edu/Documents/in/Curatorial_Research"},{"id":972791,"name":"Hauntings","url":"https://www.academia.edu/Documents/in/Hauntings"},{"id":972795,"name":"Haunting Experiences","url":"https://www.academia.edu/Documents/in/Haunting_Experiences"},{"id":990996,"name":"Culture of Remembrance","url":"https://www.academia.edu/Documents/in/Culture_of_Remembrance"},{"id":992463,"name":"Remembering","url":"https://www.academia.edu/Documents/in/Remembering"},{"id":996359,"name":"Acts of Mourning","url":"https://www.academia.edu/Documents/in/Acts_of_Mourning"},{"id":1019477,"name":"Architectural Heritage Conservation","url":"https://www.academia.edu/Documents/in/Architectural_Heritage_Conservation"},{"id":1032577,"name":"Curatorial Practices In Live Art and Media Arts","url":"https://www.academia.edu/Documents/in/Curatorial_Practices_In_Live_Art_and_Media_Arts"},{"id":1121048,"name":"Object Oriented","url":"https://www.academia.edu/Documents/in/Object_Oriented"},{"id":1210472,"name":"Ghosts and Hauntings","url":"https://www.academia.edu/Documents/in/Ghosts_and_Hauntings"},{"id":1222774,"name":"Continental Philosophy and Aesthetics","url":"https://www.academia.edu/Documents/in/Continental_Philosophy_and_Aesthetics"},{"id":1253039,"name":"Self-annihilation","url":"https://www.academia.edu/Documents/in/Self-annihilation"},{"id":1313622,"name":"Collective Annihilation Anxiety","url":"https://www.academia.edu/Documents/in/Collective_Annihilation_Anxiety"},{"id":1384961,"name":"Hauntology (Music)","url":"https://www.academia.edu/Documents/in/Hauntology_Music_"},{"id":1436361,"name":"Haunted Media","url":"https://www.academia.edu/Documents/in/Haunted_Media"},{"id":1727665,"name":"Curatorial","url":"https://www.academia.edu/Documents/in/Curatorial"},{"id":1745337,"name":"Derrida Hauntology","url":"https://www.academia.edu/Documents/in/Derrida_Hauntology"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="704610" id="translations"><div class="js-work-strip profile--work_container" data-work-id="4359711"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/4359711/Powr%C3%B3t_umar%C5%82ych_Colin_Davis"><img alt="Research paper thumbnail of Powrót umarłych - Colin Davis" class="work-thumbnail" src="https://attachments.academia-assets.com/32104556/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/4359711/Powr%C3%B3t_umar%C5%82ych_Colin_Davis">Powrót umarłych - Colin Davis</a></div><div class="wp-workCard_item"><span>Czas Kultury 2/2013 (ss. 20-37)</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In the Introduction to the book Haunted Subjects: Deconstruction, Psychoanalysis and the Return ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In the Introduction to the book Haunted Subjects: <br />Deconstruction, Psychoanalysis and the Return of <br />the Dead, Colin Davis tries to answer the question of <br />why the theme of the dead returning to haunt us is <br />so fundamental to modern culture. He emphasizes <br />the historical conditions by which the concept of <br />the ghost functions in culture and shows how our <br />thinking about ghosts changed between the time <br />of Augustine of Hippo and the Enlightenment. <br />The author points to two sources of hauntology: <br />epistemological, based on psychoanalysis (Nicholas <br />Abraham and Maria Torok), and ethically inspired <br />deconstruction (Jacques Derrida). Davis characterizes <br />the fundamental differences between them, and <br />then analyzes the impact of hauntology on literary <br />research, citing among others, the positions of Esther <br />Rashkin, Jodey Castricano and Nicholas Royle.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2f2fde69974a5b84a1a37a6a8cccb6f2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":32104556,"asset_id":4359711,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/32104556/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="4359711"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="4359711"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 4359711; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=4359711]").text(description); $(".js-view-count[data-work-id=4359711]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 4359711; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='4359711']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 4359711, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2f2fde69974a5b84a1a37a6a8cccb6f2" } } $('.js-work-strip[data-work-id=4359711]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":4359711,"title":"Powrót umarłych - Colin Davis","translated_title":"","metadata":{"abstract":"In the Introduction to the book Haunted Subjects:\r\nDeconstruction, Psychoanalysis and the Return of\r\nthe Dead, Colin Davis tries to answer the question of\r\nwhy the theme of the dead returning to haunt us is\r\nso fundamental to modern culture. He emphasizes\r\nthe historical conditions by which the concept of\r\nthe ghost functions in culture and shows how our\r\nthinking about ghosts changed between the time\r\nof Augustine of Hippo and the Enlightenment.\r\nThe author points to two sources of hauntology:\r\nepistemological, based on psychoanalysis (Nicholas\r\nAbraham and Maria Torok), and ethically inspired\r\ndeconstruction (Jacques Derrida). Davis characterizes\r\nthe fundamental differences between them, and\r\nthen analyzes the impact of hauntology on literary\r\nresearch, citing among others, the positions of Esther\r\nRashkin, Jodey Castricano and Nicholas Royle.","more_info":"Haunted subjects: deconstruction, psychoanalysis and the Return of the Dead, New York: Palgrave Macmillan, 2007. (pp. 1-19)","publication_name":"Czas Kultury 2/2013 (ss. 20-37)"},"translated_abstract":"In the Introduction to the book Haunted Subjects:\r\nDeconstruction, Psychoanalysis and the Return of\r\nthe Dead, Colin Davis tries to answer the question of\r\nwhy the theme of the dead returning to haunt us is\r\nso fundamental to modern culture. He emphasizes\r\nthe historical conditions by which the concept of\r\nthe ghost functions in culture and shows how our\r\nthinking about ghosts changed between the time\r\nof Augustine of Hippo and the Enlightenment.\r\nThe author points to two sources of hauntology:\r\nepistemological, based on psychoanalysis (Nicholas\r\nAbraham and Maria Torok), and ethically inspired\r\ndeconstruction (Jacques Derrida). Davis characterizes\r\nthe fundamental differences between them, and\r\nthen analyzes the impact of hauntology on literary\r\nresearch, citing among others, the positions of Esther\r\nRashkin, Jodey Castricano and Nicholas Royle.","internal_url":"https://www.academia.edu/4359711/Powr%C3%B3t_umar%C5%82ych_Colin_Davis","translated_internal_url":"","created_at":"2013-08-29T05:10:07.509-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"other","co_author_tags":[],"downloadable_attachments":[{"id":32104556,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/32104556/thumbnails/1.jpg","file_name":"Powrot_umarlych_-_C._Davis_-_Czas_Kultury_2_2013.pdf","download_url":"https://www.academia.edu/attachments/32104556/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Powrot_umarlych_Colin_Davis.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/32104556/Powrot_umarlych_-_C._Davis_-_Czas_Kultury_2_2013-libre.pdf?1391489676=\u0026response-content-disposition=attachment%3B+filename%3DPowrot_umarlych_Colin_Davis.pdf\u0026Expires=1732369631\u0026Signature=NitEFtk1dCSZk6UxDEKRhXkkWi8QY8~2MRESNSnoMyzkJtubVX7heTEo9Pvu~iHtA-3ycCrYESwLyq2y4qVS1XcyZ4Turb9hq3H-gdNPtrgh76x05SlhFDV45ZmOyb5d5dQyCJCRmP-m9-M1ylpA-tbkjj8Vdhs6YY9H0STTjoI9~ZrQ-zq3dfgUo-YHQNiN~C2276FuG13kDq81ksnLQKmM0p-SLuPmV23SF9zHp-KQTlSo~T-2B4U2UnGd2QljQbOEjN2cidmr1-Ja1zNTPHteTx4tF0qF-qpZHRhvCP8eHU90bI1pdpyuhgyegiKadvo5iNPQ6Z0ueA7BBreTrg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Powrót_umarłych_Colin_Davis","translated_slug":"","page_count":1,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":32104556,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/32104556/thumbnails/1.jpg","file_name":"Powrot_umarlych_-_C._Davis_-_Czas_Kultury_2_2013.pdf","download_url":"https://www.academia.edu/attachments/32104556/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Powrot_umarlych_Colin_Davis.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/32104556/Powrot_umarlych_-_C._Davis_-_Czas_Kultury_2_2013-libre.pdf?1391489676=\u0026response-content-disposition=attachment%3B+filename%3DPowrot_umarlych_Colin_Davis.pdf\u0026Expires=1732369631\u0026Signature=NitEFtk1dCSZk6UxDEKRhXkkWi8QY8~2MRESNSnoMyzkJtubVX7heTEo9Pvu~iHtA-3ycCrYESwLyq2y4qVS1XcyZ4Turb9hq3H-gdNPtrgh76x05SlhFDV45ZmOyb5d5dQyCJCRmP-m9-M1ylpA-tbkjj8Vdhs6YY9H0STTjoI9~ZrQ-zq3dfgUo-YHQNiN~C2276FuG13kDq81ksnLQKmM0p-SLuPmV23SF9zHp-KQTlSo~T-2B4U2UnGd2QljQbOEjN2cidmr1-Ja1zNTPHteTx4tF0qF-qpZHRhvCP8eHU90bI1pdpyuhgyegiKadvo5iNPQ6Z0ueA7BBreTrg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":244,"name":"Psychoanalysis","url":"https://www.academia.edu/Documents/in/Psychoanalysis"},{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":2122,"name":"Death","url":"https://www.academia.edu/Documents/in/Death"},{"id":2123,"name":"Death Studies","url":"https://www.academia.edu/Documents/in/Death_Studies"},{"id":4868,"name":"Deconstruction","url":"https://www.academia.edu/Documents/in/Deconstruction"},{"id":6027,"name":"Enlightenment","url":"https://www.academia.edu/Documents/in/Enlightenment"},{"id":6662,"name":"Secrecy","url":"https://www.academia.edu/Documents/in/Secrecy"},{"id":7065,"name":"Ghosts","url":"https://www.academia.edu/Documents/in/Ghosts"},{"id":7067,"name":"Cultural History Of Ghosts","url":"https://www.academia.edu/Documents/in/Cultural_History_Of_Ghosts"},{"id":8296,"name":"Gothic Literature","url":"https://www.academia.edu/Documents/in/Gothic_Literature"},{"id":8354,"name":"Gothic Studies","url":"https://www.academia.edu/Documents/in/Gothic_Studies"},{"id":8431,"name":"Slavoj Žižek","url":"https://www.academia.edu/Documents/in/Slavoj_%C5%BDi%C5%BEek"},{"id":8487,"name":"Sigmund Freud","url":"https://www.academia.edu/Documents/in/Sigmund_Freud"},{"id":10167,"name":"Hauntology","url":"https://www.academia.edu/Documents/in/Hauntology"},{"id":10711,"name":"Augustine","url":"https://www.academia.edu/Documents/in/Augustine"},{"id":12040,"name":"Jacques Derrida","url":"https://www.academia.edu/Documents/in/Jacques_Derrida"},{"id":15448,"name":"Fredric Jameson","url":"https://www.academia.edu/Documents/in/Fredric_Jameson"},{"id":16461,"name":"Psychoanalysis And Literature","url":"https://www.academia.edu/Documents/in/Psychoanalysis_And_Literature"},{"id":17754,"name":"Derridean Deconstruction","url":"https://www.academia.edu/Documents/in/Derridean_Deconstruction"},{"id":18127,"name":"Baruch Spinoza","url":"https://www.academia.edu/Documents/in/Baruch_Spinoza"},{"id":19258,"name":"Cinema","url":"https://www.academia.edu/Documents/in/Cinema"},{"id":47746,"name":"Alejandro Amenábar","url":"https://www.academia.edu/Documents/in/Alejandro_Amen%C3%A1bar"},{"id":81979,"name":"Voltaire","url":"https://www.academia.edu/Documents/in/Voltaire"},{"id":94226,"name":"Nicholas Royle","url":"https://www.academia.edu/Documents/in/Nicholas_Royle"},{"id":105754,"name":"Death Drive","url":"https://www.academia.edu/Documents/in/Death_Drive"},{"id":110246,"name":"Gothic","url":"https://www.academia.edu/Documents/in/Gothic"},{"id":124573,"name":"Psychoanalisis","url":"https://www.academia.edu/Documents/in/Psychoanalisis"},{"id":151313,"name":"Marxism and Hauntology","url":"https://www.academia.edu/Documents/in/Marxism_and_Hauntology"},{"id":153277,"name":"Phantasmagoria","url":"https://www.academia.edu/Documents/in/Phantasmagoria"},{"id":159218,"name":"Death, Grief, and Mourning","url":"https://www.academia.edu/Documents/in/Death_Grief_and_Mourning"},{"id":196221,"name":"Abraham, Torok \u0026 Cryptonymy","url":"https://www.academia.edu/Documents/in/Abraham_Torok_and_Cryptonymy"},{"id":610292,"name":"Phantom","url":"https://www.academia.edu/Documents/in/Phantom"},{"id":672885,"name":"Specters of Marx","url":"https://www.academia.edu/Documents/in/Specters_of_Marx"},{"id":699896,"name":"Julian Wolfreys","url":"https://www.academia.edu/Documents/in/Julian_Wolfreys"},{"id":699897,"name":"Widmontologia","url":"https://www.academia.edu/Documents/in/Widmontologia"},{"id":699900,"name":"Jodey Castricano","url":"https://www.academia.edu/Documents/in/Jodey_Castricano"},{"id":978044,"name":"Plinius Iunior","url":"https://www.academia.edu/Documents/in/Plinius_Iunior"},{"id":1004456,"name":"Spectres In Cinema","url":"https://www.academia.edu/Documents/in/Spectres_In_Cinema"},{"id":1104234,"name":"Colin Davis","url":"https://www.academia.edu/Documents/in/Colin_Davis"}],"urls":[{"id":1522497,"url":"http://sklep.czaskultury.pl/?mod=produkt\u0026id=129"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="704625" id="interviews"><div class="js-work-strip profile--work_container" data-work-id="33415036"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/33415036/Retromania_Interview_with_Simon_Reynolds"><img alt="Research paper thumbnail of Retromania - Interview with Simon Reynolds" class="work-thumbnail" src="https://attachments.academia-assets.com/53467626/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/33415036/Retromania_Interview_with_Simon_Reynolds">Retromania - Interview with Simon Reynolds</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This spectral issue of „Czas Kultury” shows that we are living in a time of continuation in which...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This spectral issue of „Czas Kultury” shows that we are living in a time of continuation in which separation has become impossible – nothing today passes irrevocably, while the idea of a final death, ending, or separation has been laid to rest. Everything that leaves is doomed to return to live a strange, undead, spectral life. Is the present permeated by a weak, trace presence of the past, which continually undermines and stratifies our current activities and projects?</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6941c7e27a4308800fc5e97976389464" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":53467626,"asset_id":33415036,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/53467626/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="33415036"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="33415036"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33415036; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=33415036]").text(description); $(".js-view-count[data-work-id=33415036]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 33415036; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='33415036']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 33415036, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6941c7e27a4308800fc5e97976389464" } } $('.js-work-strip[data-work-id=33415036]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":33415036,"title":"Retromania - Interview with Simon Reynolds","translated_title":"","metadata":{"abstract":"This spectral issue of „Czas Kultury” shows that we are living in a time of continuation in which separation has become impossible – nothing today passes irrevocably, while the idea of a final death, ending, or separation has been laid to rest. Everything that leaves is doomed to return to live a strange, undead, spectral life. Is the present permeated by a weak, trace presence of the past, which continually undermines and stratifies our current activities and projects?"},"translated_abstract":"This spectral issue of „Czas Kultury” shows that we are living in a time of continuation in which separation has become impossible – nothing today passes irrevocably, while the idea of a final death, ending, or separation has been laid to rest. Everything that leaves is doomed to return to live a strange, undead, spectral life. Is the present permeated by a weak, trace presence of the past, which continually undermines and stratifies our current activities and projects?","internal_url":"https://www.academia.edu/33415036/Retromania_Interview_with_Simon_Reynolds","translated_internal_url":"","created_at":"2017-06-11T14:10:22.783-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":53467626,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/53467626/thumbnails/1.jpg","file_name":"Retromania_-_Interview.pdf","download_url":"https://www.academia.edu/attachments/53467626/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Retromania_Interview_with_Simon_Reynolds.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/53467626/Retromania_-_Interview-libre.pdf?1497215524=\u0026response-content-disposition=attachment%3B+filename%3DRetromania_Interview_with_Simon_Reynolds.pdf\u0026Expires=1732369631\u0026Signature=fNsnf6tbWWN4tVTfheL5GVmuzlcI6lO~~ADjzp9Nt9O~GJImpbVXi3QND8fOgInd3kOKaNJRWe3IM1dQRNXnjOXNIWvI~Lrqx4p32zBUXE2-p~aUHYG3cwdu3924iVBu-jr3g2wfYcAl1d1ZjYPBlcRWx6~R0ihSRmT4QMy00ttvTyQtnrnyail~dgIHI~YDCOTN24iqWbp~FgVr1w6S-6~9S7oUR0lo50EuwOBm8n4pOE4uCNlg5y20dhTbbr0AnFt2pZkN7d0xfv4o-rsyEMD6mboEtmzFiR9~fJFb4bO27widWIQi1ACD~Nl5iyZUbzRlkgfg49vOqr1K6-Rnhw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Retromania_Interview_with_Simon_Reynolds","translated_slug":"","page_count":8,"language":"en","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":53467626,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/53467626/thumbnails/1.jpg","file_name":"Retromania_-_Interview.pdf","download_url":"https://www.academia.edu/attachments/53467626/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Retromania_Interview_with_Simon_Reynolds.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/53467626/Retromania_-_Interview-libre.pdf?1497215524=\u0026response-content-disposition=attachment%3B+filename%3DRetromania_Interview_with_Simon_Reynolds.pdf\u0026Expires=1732369631\u0026Signature=fNsnf6tbWWN4tVTfheL5GVmuzlcI6lO~~ADjzp9Nt9O~GJImpbVXi3QND8fOgInd3kOKaNJRWe3IM1dQRNXnjOXNIWvI~Lrqx4p32zBUXE2-p~aUHYG3cwdu3924iVBu-jr3g2wfYcAl1d1ZjYPBlcRWx6~R0ihSRmT4QMy00ttvTyQtnrnyail~dgIHI~YDCOTN24iqWbp~FgVr1w6S-6~9S7oUR0lo50EuwOBm8n4pOE4uCNlg5y20dhTbbr0AnFt2pZkN7d0xfv4o-rsyEMD6mboEtmzFiR9~fJFb4bO27widWIQi1ACD~Nl5iyZUbzRlkgfg49vOqr1K6-Rnhw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History"},{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History"},{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies"},{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music"},{"id":676,"name":"Musical Composition","url":"https://www.academia.edu/Documents/in/Musical_Composition"},{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education"},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History"},{"id":686,"name":"Music Theory","url":"https://www.academia.edu/Documents/in/Music_Theory"},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology"},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":862,"name":"Archival Studies","url":"https://www.academia.edu/Documents/in/Archival_Studies"},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History"},{"id":946,"name":"Musical Theatre","url":"https://www.academia.edu/Documents/in/Musical_Theatre"},{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":1018,"name":"Music Technology","url":"https://www.academia.edu/Documents/in/Music_Technology"},{"id":1056,"name":"Popular Music Studies","url":"https://www.academia.edu/Documents/in/Popular_Music_Studies"},{"id":1631,"name":"Popular Music","url":"https://www.academia.edu/Documents/in/Popular_Music"},{"id":2041,"name":"Music and Language","url":"https://www.academia.edu/Documents/in/Music_and_Language"},{"id":2045,"name":"Computer Music","url":"https://www.academia.edu/Documents/in/Computer_Music"},{"id":2473,"name":"Material Culture Studies","url":"https://www.academia.edu/Documents/in/Material_Culture_Studies"},{"id":2601,"name":"Film Music And Sound","url":"https://www.academia.edu/Documents/in/Film_Music_And_Sound"},{"id":2858,"name":"Popular Culture","url":"https://www.academia.edu/Documents/in/Popular_Culture"},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art"},{"id":3460,"name":"Music Psychology","url":"https://www.academia.edu/Documents/in/Music_Psychology"},{"id":4115,"name":"Nostalgia (Psychology)","url":"https://www.academia.edu/Documents/in/Nostalgia_Psychology_"},{"id":6681,"name":"Archival science","url":"https://www.academia.edu/Documents/in/Archival_science"},{"id":7125,"name":"Culture","url":"https://www.academia.edu/Documents/in/Culture"},{"id":7513,"name":"Archives","url":"https://www.academia.edu/Documents/in/Archives"},{"id":8356,"name":"Culture Studies","url":"https://www.academia.edu/Documents/in/Culture_Studies"},{"id":9720,"name":"Philosophy of Music","url":"https://www.academia.edu/Documents/in/Philosophy_of_Music"},{"id":9722,"name":"Music Criticism","url":"https://www.academia.edu/Documents/in/Music_Criticism"},{"id":10073,"name":"Sociology of Music","url":"https://www.academia.edu/Documents/in/Sociology_of_Music"},{"id":10167,"name":"Hauntology","url":"https://www.academia.edu/Documents/in/Hauntology"},{"id":12672,"name":"Electronic Music","url":"https://www.academia.edu/Documents/in/Electronic_Music"},{"id":16688,"name":"History of Archives","url":"https://www.academia.edu/Documents/in/History_of_Archives"},{"id":17035,"name":"Music Industry","url":"https://www.academia.edu/Documents/in/Music_Industry"},{"id":17546,"name":"Contemporary Music","url":"https://www.academia.edu/Documents/in/Contemporary_Music"},{"id":17813,"name":"Digital Archives","url":"https://www.academia.edu/Documents/in/Digital_Archives"},{"id":25068,"name":"Critical Musicology","url":"https://www.academia.edu/Documents/in/Critical_Musicology"},{"id":27764,"name":"Vintage Fashion","url":"https://www.academia.edu/Documents/in/Vintage_Fashion"},{"id":28879,"name":"Music analysis","url":"https://www.academia.edu/Documents/in/Music_analysis"},{"id":42042,"name":"Nostalgia","url":"https://www.academia.edu/Documents/in/Nostalgia"},{"id":53039,"name":"Haunting and Spectrality","url":"https://www.academia.edu/Documents/in/Haunting_and_Spectrality"},{"id":54895,"name":"Musica","url":"https://www.academia.edu/Documents/in/Musica"},{"id":99301,"name":"Música","url":"https://www.academia.edu/Documents/in/M%C3%BAsica"},{"id":111116,"name":"Consumption of nostalgia and retro items","url":"https://www.academia.edu/Documents/in/Consumption_of_nostalgia_and_retro_items"},{"id":170697,"name":"Musical Analysis","url":"https://www.academia.edu/Documents/in/Musical_Analysis"},{"id":174941,"name":"Rock Music","url":"https://www.academia.edu/Documents/in/Rock_Music"},{"id":182681,"name":"Nostalgia and Memory","url":"https://www.academia.edu/Documents/in/Nostalgia_and_Memory"},{"id":289649,"name":"Revival","url":"https://www.academia.edu/Documents/in/Revival"},{"id":519076,"name":"Retromania","url":"https://www.academia.edu/Documents/in/Retromania"},{"id":597612,"name":"Library and Archival Science","url":"https://www.academia.edu/Documents/in/Library_and_Archival_Science"},{"id":1384961,"name":"Hauntology (Music)","url":"https://www.academia.edu/Documents/in/Hauntology_Music_"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="33314473"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/33314473/In_Limbo_Radically_an_interview_with_Syllas_Tzoumerkas"><img alt="Research paper thumbnail of In Limbo, Radically: an interview with Syllas Tzoumerkas" class="work-thumbnail" src="https://attachments.academia-assets.com/53377385/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/33314473/In_Limbo_Radically_an_interview_with_Syllas_Tzoumerkas">In Limbo, Radically: an interview with Syllas Tzoumerkas</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated"> The email address and password you entered do not match. Already have an altcine account...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The email address and password you entered do not match.<br /> <br /><br /> <br /> <br />Already have an altcine account?<br /><br />Email<br /><br />••••••••<br />Login<br />Forgot your password? <br />Not registered yet?<br /> Sign up for an altcine account now!<br /> <br /> <br />Hello Guest! <br /> Login<br /> <br /> <br /><br /><br />search altcine<br />Prześlij<br /> <br /> <br /> <br /> <br /> <br />About altcine | Contact altcine<br /> <br /><br /> <br /> <br />Syllas Tzoumerkas shares his thoughts on filmmaking<br />First Publication: 22/9/2015 Filmicon: Journal of Greek Film Studies by Andrzej Marzec<br />5 October 2015<br /> <br /> <br /> <br />share info <br /> <br />In Limbo, Radically: an interview with Syllas Tzoumerkas<br /><br />Syllas Tzoumerkas’ second film is literally having A Blast in its trajectory in the international festival circuit: Since March 2015, when it opened in a number of theaters in the Netherlands, the film found distribution in Germany, Switzerland, Italy, Poland, and on September 19, 2015 it premiered in Denmark – opening the way for the raving journey of the main character, Maria (Angeliki Papoulia), beyond the borders of the country, beyond the stereotypes in the representation of a young, Greek, female subject ‘in crisis’. The director discussed his method, his references and profound thoughts on filmmaking with Andrzej Marzec, running the distance between the metaphorical and the literal, between individual and collective truths and illusions.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0617ae4fad1778a789287d179fbbc4ac" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":53377385,"asset_id":33314473,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/53377385/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="33314473"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="33314473"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33314473; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=33314473]").text(description); $(".js-view-count[data-work-id=33314473]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 33314473; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='33314473']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 33314473, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "0617ae4fad1778a789287d179fbbc4ac" } } $('.js-work-strip[data-work-id=33314473]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":33314473,"title":"In Limbo, Radically: an interview with Syllas Tzoumerkas","translated_title":"","metadata":{"abstract":"\nThe email address and password you entered do not match.\n\t\n\n \t\n \nAlready have an altcine account?\n\nEmail\n\n••••••••\nLogin\nForgot your password?\t\nNot registered yet?\n\tSign up for an altcine account now!\n \n \t\nHello Guest!\t \n\t\tLogin\n \n\t\n\n\nsearch altcine\nPrześlij\n\t\n\t \t\n\t \t\n\t\t\n \t\nAbout altcine | Contact altcine\n \n\n\t\t\n \nSyllas Tzoumerkas shares his thoughts on filmmaking\nFirst Publication: 22/9/2015 Filmicon: Journal of Greek Film Studies by Andrzej Marzec\n5 October 2015\n \n \n\t \t\t \nshare info\t\n \nIn Limbo, Radically: an interview with Syllas Tzoumerkas\n\nSyllas Tzoumerkas’ second film is literally having A Blast in its trajectory in the international festival circuit: Since March 2015, when it opened in a number of theaters in the Netherlands, the film found distribution in Germany, Switzerland, Italy, Poland, and on September 19, 2015 it premiered in Denmark – opening the way for the raving journey of the main character, Maria (Angeliki Papoulia), beyond the borders of the country, beyond the stereotypes in the representation of a young, Greek, female subject ‘in crisis’. The director discussed his method, his references and profound thoughts on filmmaking with Andrzej Marzec, running the distance between the metaphorical and the literal, between individual and collective truths and illusions."},"translated_abstract":"\nThe email address and password you entered do not match.\n\t\n\n \t\n \nAlready have an altcine account?\n\nEmail\n\n••••••••\nLogin\nForgot your password?\t\nNot registered yet?\n\tSign up for an altcine account now!\n \n \t\nHello Guest!\t \n\t\tLogin\n \n\t\n\n\nsearch altcine\nPrześlij\n\t\n\t \t\n\t \t\n\t\t\n \t\nAbout altcine | Contact altcine\n \n\n\t\t\n \nSyllas Tzoumerkas shares his thoughts on filmmaking\nFirst Publication: 22/9/2015 Filmicon: Journal of Greek Film Studies by Andrzej Marzec\n5 October 2015\n \n \n\t \t\t \nshare info\t\n \nIn Limbo, Radically: an interview with Syllas Tzoumerkas\n\nSyllas Tzoumerkas’ second film is literally having A Blast in its trajectory in the international festival circuit: Since March 2015, when it opened in a number of theaters in the Netherlands, the film found distribution in Germany, Switzerland, Italy, Poland, and on September 19, 2015 it premiered in Denmark – opening the way for the raving journey of the main character, Maria (Angeliki Papoulia), beyond the borders of the country, beyond the stereotypes in the representation of a young, Greek, female subject ‘in crisis’. The director discussed his method, his references and profound thoughts on filmmaking with Andrzej Marzec, running the distance between the metaphorical and the literal, between individual and collective truths and illusions.","internal_url":"https://www.academia.edu/33314473/In_Limbo_Radically_an_interview_with_Syllas_Tzoumerkas","translated_internal_url":"","created_at":"2017-06-03T07:28:19.187-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":53377385,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/53377385/thumbnails/1.jpg","file_name":"In_Limbo_-_Tzoumerkas-Marzec.pdf","download_url":"https://www.academia.edu/attachments/53377385/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"In_Limbo_Radically_an_interview_with_Syl.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/53377385/In_Limbo_-_Tzoumerkas-Marzec-libre.pdf?1496500371=\u0026response-content-disposition=attachment%3B+filename%3DIn_Limbo_Radically_an_interview_with_Syl.pdf\u0026Expires=1732369631\u0026Signature=cPg-r6qx5BorodryjIhRYaN2ivcv1TypKWzUoTLAmvYebYJcHU-nM~TnqwJVcTrtuHCzhKOXdmBHE0PLpBL-ThDmAqcJLXFCvjaN9tQRs7k0vxoGjwBI560jknkgJmW4rdsap4xW37O4WT45KjmgkwpD5EryxYagdxlkk1B9mKufQA6MCHzkM06QLU3hRDvsaRPn3F4qegxwD7rx9UY2DHTFSqZt90etjO-D~-y51lxSTg-Cyq3hckOkRgohymL0Gb7md8Cwq0FYw7YIi~OSVw8mz9VEmuEwIhx36WA~EFTN~sg3EpkekgpMzfJNJVR37GZ2pPRh10Ya2CdGtc3FmA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"In_Limbo_Radically_an_interview_with_Syllas_Tzoumerkas","translated_slug":"","page_count":8,"language":"en","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":53377385,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/53377385/thumbnails/1.jpg","file_name":"In_Limbo_-_Tzoumerkas-Marzec.pdf","download_url":"https://www.academia.edu/attachments/53377385/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"In_Limbo_Radically_an_interview_with_Syl.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/53377385/In_Limbo_-_Tzoumerkas-Marzec-libre.pdf?1496500371=\u0026response-content-disposition=attachment%3B+filename%3DIn_Limbo_Radically_an_interview_with_Syl.pdf\u0026Expires=1732369631\u0026Signature=cPg-r6qx5BorodryjIhRYaN2ivcv1TypKWzUoTLAmvYebYJcHU-nM~TnqwJVcTrtuHCzhKOXdmBHE0PLpBL-ThDmAqcJLXFCvjaN9tQRs7k0vxoGjwBI560jknkgJmW4rdsap4xW37O4WT45KjmgkwpD5EryxYagdxlkk1B9mKufQA6MCHzkM06QLU3hRDvsaRPn3F4qegxwD7rx9UY2DHTFSqZt90etjO-D~-y51lxSTg-Cyq3hckOkRgohymL0Gb7md8Cwq0FYw7YIi~OSVw8mz9VEmuEwIhx36WA~EFTN~sg3EpkekgpMzfJNJVR37GZ2pPRh10Ya2CdGtc3FmA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":184,"name":"Sociology","url":"https://www.academia.edu/Documents/in/Sociology"},{"id":201,"name":"Political Sociology","url":"https://www.academia.edu/Documents/in/Political_Sociology"},{"id":208,"name":"Social Movements","url":"https://www.academia.edu/Documents/in/Social_Movements"},{"id":724,"name":"Economics","url":"https://www.academia.edu/Documents/in/Economics"},{"id":802,"name":"Political Economy","url":"https://www.academia.edu/Documents/in/Political_Economy"},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":813,"name":"Political Philosophy","url":"https://www.academia.edu/Documents/in/Political_Philosophy"},{"id":833,"name":"Greek Tragedy","url":"https://www.academia.edu/Documents/in/Greek_Tragedy"},{"id":947,"name":"Theatre Studies","url":"https://www.academia.edu/Documents/in/Theatre_Studies"},{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":1237,"name":"Social Sciences","url":"https://www.academia.edu/Documents/in/Social_Sciences"},{"id":1554,"name":"Film Theory and Practice","url":"https://www.academia.edu/Documents/in/Film_Theory_and_Practice"},{"id":1555,"name":"Film Studies","url":"https://www.academia.edu/Documents/in/Film_Studies"},{"id":1568,"name":"Film Theory","url":"https://www.academia.edu/Documents/in/Film_Theory"},{"id":1570,"name":"European Cinema","url":"https://www.academia.edu/Documents/in/European_Cinema"},{"id":1696,"name":"Political Theory","url":"https://www.academia.edu/Documents/in/Political_Theory"},{"id":1698,"name":"Marxism","url":"https://www.academia.edu/Documents/in/Marxism"},{"id":1734,"name":"Marxist Economics","url":"https://www.academia.edu/Documents/in/Marxist_Economics"},{"id":2601,"name":"Film Music And Sound","url":"https://www.academia.edu/Documents/in/Film_Music_And_Sound"},{"id":3145,"name":"Literature and cinema","url":"https://www.academia.edu/Documents/in/Literature_and_cinema"},{"id":3301,"name":"Film Analysis","url":"https://www.academia.edu/Documents/in/Film_Analysis"},{"id":3337,"name":"Balkan Studies","url":"https://www.academia.edu/Documents/in/Balkan_Studies"},{"id":3409,"name":"Balkan History","url":"https://www.academia.edu/Documents/in/Balkan_History"},{"id":3470,"name":"Community Engagement \u0026 Participation","url":"https://www.academia.edu/Documents/in/Community_Engagement_and_Participation"},{"id":3474,"name":"Community Development","url":"https://www.academia.edu/Documents/in/Community_Development"},{"id":3687,"name":"Family Law","url":"https://www.academia.edu/Documents/in/Family_Law"},{"id":3874,"name":"Community Organizing","url":"https://www.academia.edu/Documents/in/Community_Organizing"},{"id":4007,"name":"Crisis communication and management","url":"https://www.academia.edu/Documents/in/Crisis_communication_and_management"},{"id":4267,"name":"Community Ecology","url":"https://www.academia.edu/Documents/in/Community_Ecology"},{"id":4290,"name":"National Cinemas","url":"https://www.academia.edu/Documents/in/National_Cinemas"},{"id":4486,"name":"Political Science","url":"https://www.academia.edu/Documents/in/Political_Science"},{"id":4714,"name":"Sexuality","url":"https://www.academia.edu/Documents/in/Sexuality"},{"id":4801,"name":"Sexual Violence","url":"https://www.academia.edu/Documents/in/Sexual_Violence"},{"id":4807,"name":"Masculine Sexuality","url":"https://www.academia.edu/Documents/in/Masculine_Sexuality"},{"id":4917,"name":"Gender and Sexuality","url":"https://www.academia.edu/Documents/in/Gender_and_Sexuality"},{"id":4941,"name":"Marriage \u0026 Family Therapy","url":"https://www.academia.edu/Documents/in/Marriage_and_Family_Therapy"},{"id":4982,"name":"Digital Cinema","url":"https://www.academia.edu/Documents/in/Digital_Cinema"},{"id":5288,"name":"Philosophy of Film","url":"https://www.academia.edu/Documents/in/Philosophy_of_Film"},{"id":5301,"name":"Film Genre","url":"https://www.academia.edu/Documents/in/Film_Genre"},{"id":5380,"name":"Homeland Security","url":"https://www.academia.edu/Documents/in/Homeland_Security"},{"id":5521,"name":"Crisis Management","url":"https://www.academia.edu/Documents/in/Crisis_Management"},{"id":5686,"name":"Political Violence and Terrorism","url":"https://www.academia.edu/Documents/in/Political_Violence_and_Terrorism"},{"id":6276,"name":"International Political Economy","url":"https://www.academia.edu/Documents/in/International_Political_Economy"},{"id":6463,"name":"History of Sexuality","url":"https://www.academia.edu/Documents/in/History_of_Sexuality"},{"id":6539,"name":"Men's Sexuality","url":"https://www.academia.edu/Documents/in/Mens_Sexuality"},{"id":6574,"name":"Family","url":"https://www.academia.edu/Documents/in/Family"},{"id":7095,"name":"Crisis Communication","url":"https://www.academia.edu/Documents/in/Crisis_Communication"},{"id":7369,"name":"Political communication","url":"https://www.academia.edu/Documents/in/Political_communication"},{"id":7679,"name":"Theater and film","url":"https://www.academia.edu/Documents/in/Theater_and_film"},{"id":7978,"name":"Political History","url":"https://www.academia.edu/Documents/in/Political_History"},{"id":8282,"name":"Film-Philosophy","url":"https://www.academia.edu/Documents/in/Film-Philosophy"},{"id":9246,"name":"Social Media","url":"https://www.academia.edu/Documents/in/Social_Media"},{"id":10349,"name":"Politics and Film","url":"https://www.academia.edu/Documents/in/Politics_and_Film"},{"id":10806,"name":"Marxist theory","url":"https://www.academia.edu/Documents/in/Marxist_theory"},{"id":11471,"name":"Cinema and Memory","url":"https://www.academia.edu/Documents/in/Cinema_and_Memory"},{"id":12444,"name":"Film History","url":"https://www.academia.edu/Documents/in/Film_History"},{"id":12966,"name":"Women \u0026 Film","url":"https://www.academia.edu/Documents/in/Women_and_Film"},{"id":13009,"name":"Modern Greece","url":"https://www.academia.edu/Documents/in/Modern_Greece"},{"id":13405,"name":"Dogme 95","url":"https://www.academia.edu/Documents/in/Dogme_95"},{"id":13860,"name":"Sociology of the Middle Classes","url":"https://www.academia.edu/Documents/in/Sociology_of_the_Middle_Classes"},{"id":14022,"name":"Film Semiotics","url":"https://www.academia.edu/Documents/in/Film_Semiotics"},{"id":15588,"name":"Social History","url":"https://www.academia.edu/Documents/in/Social_History"},{"id":16055,"name":"Film and History","url":"https://www.academia.edu/Documents/in/Film_and_History"},{"id":16196,"name":"Film \u0026 Digital Video","url":"https://www.academia.edu/Documents/in/Film_and_Digital_Video"},{"id":16407,"name":"History of Middle Classes","url":"https://www.academia.edu/Documents/in/History_of_Middle_Classes"},{"id":16416,"name":"Internet \u0026 Society","url":"https://www.academia.edu/Documents/in/Internet_and_Society"},{"id":16854,"name":"Golden Dawn Tradition","url":"https://www.academia.edu/Documents/in/Golden_Dawn_Tradition"},{"id":17179,"name":"Violence in Cinema","url":"https://www.academia.edu/Documents/in/Violence_in_Cinema"},{"id":17656,"name":"Community","url":"https://www.academia.edu/Documents/in/Community"},{"id":17746,"name":"Greek Cinema","url":"https://www.academia.edu/Documents/in/Greek_Cinema"},{"id":19023,"name":"Europeanization of the Balkans","url":"https://www.academia.edu/Documents/in/Europeanization_of_the_Balkans"},{"id":19258,"name":"Cinema","url":"https://www.academia.edu/Documents/in/Cinema"},{"id":19677,"name":"Film and Philosophy","url":"https://www.academia.edu/Documents/in/Film_and_Philosophy"},{"id":21003,"name":"Sexuality And Culture","url":"https://www.academia.edu/Documents/in/Sexuality_And_Culture"},{"id":21150,"name":"Feminist Film Studies","url":"https://www.academia.edu/Documents/in/Feminist_Film_Studies"},{"id":21977,"name":"Art and Independent Cinema","url":"https://www.academia.edu/Documents/in/Art_and_Independent_Cinema"},{"id":21978,"name":"Cinema and the City","url":"https://www.academia.edu/Documents/in/Cinema_and_the_City"},{"id":21979,"name":"Cinema and Socio-Political Consciousness","url":"https://www.academia.edu/Documents/in/Cinema_and_Socio-Political_Consciousness"},{"id":22205,"name":"Cult Movies","url":"https://www.academia.edu/Documents/in/Cult_Movies"},{"id":22547,"name":"Social and Political Philosophy","url":"https://www.academia.edu/Documents/in/Social_and_Political_Philosophy"},{"id":22826,"name":"Dostoevsky","url":"https://www.academia.edu/Documents/in/Dostoevsky"},{"id":23214,"name":"Documentary Film","url":"https://www.academia.edu/Documents/in/Documentary_Film"},{"id":25107,"name":"Film Aesthetics","url":"https://www.academia.edu/Documents/in/Film_Aesthetics"},{"id":26879,"name":"Social Class","url":"https://www.academia.edu/Documents/in/Social_Class"},{"id":27020,"name":"Doris Lessing","url":"https://www.academia.edu/Documents/in/Doris_Lessing"},{"id":29058,"name":"Financial Crisis of 2008/2009","url":"https://www.academia.edu/Documents/in/Financial_Crisis_of_2008_2009"},{"id":29102,"name":"Theatre","url":"https://www.academia.edu/Documents/in/Theatre"},{"id":29830,"name":"Middle Class Identity","url":"https://www.academia.edu/Documents/in/Middle_Class_Identity"},{"id":30064,"name":"Anton Chekhov","url":"https://www.academia.edu/Documents/in/Anton_Chekhov"},{"id":30261,"name":"Interviewing","url":"https://www.academia.edu/Documents/in/Interviewing"},{"id":31000,"name":"Tragedy (Philosophy)","url":"https://www.academia.edu/Documents/in/Tragedy_Philosophy_"},{"id":32337,"name":"Experimental Cinema","url":"https://www.academia.edu/Documents/in/Experimental_Cinema"},{"id":32978,"name":"Film Festival Studies","url":"https://www.academia.edu/Documents/in/Film_Festival_Studies"},{"id":32983,"name":"Experimental Film","url":"https://www.academia.edu/Documents/in/Experimental_Film"},{"id":33298,"name":"Karl Marx","url":"https://www.academia.edu/Documents/in/Karl_Marx"},{"id":34632,"name":"Film","url":"https://www.academia.edu/Documents/in/Film"},{"id":35646,"name":"Community Empowerment","url":"https://www.academia.edu/Documents/in/Community_Empowerment"},{"id":37408,"name":"Social Classes","url":"https://www.academia.edu/Documents/in/Social_Classes"},{"id":38769,"name":"Cinematography","url":"https://www.academia.edu/Documents/in/Cinematography"},{"id":42298,"name":"Film and Media Studies","url":"https://www.academia.edu/Documents/in/Film_and_Media_Studies"},{"id":43017,"name":"Civil Society","url":"https://www.academia.edu/Documents/in/Civil_Society"},{"id":43306,"name":"Global Financial Crisis","url":"https://www.academia.edu/Documents/in/Global_Financial_Crisis"},{"id":43776,"name":"Movies","url":"https://www.academia.edu/Documents/in/Movies"},{"id":48044,"name":"Greece","url":"https://www.academia.edu/Documents/in/Greece"},{"id":49250,"name":"Balkans","url":"https://www.academia.edu/Documents/in/Balkans"},{"id":50679,"name":"Financial Crisis","url":"https://www.academia.edu/Documents/in/Financial_Crisis"},{"id":52745,"name":"Cinema Studies","url":"https://www.academia.edu/Documents/in/Cinema_Studies"},{"id":53732,"name":"Human Sexuality","url":"https://www.academia.edu/Documents/in/Human_Sexuality"},{"id":56429,"name":"Crisis","url":"https://www.academia.edu/Documents/in/Crisis"},{"id":62436,"name":"Interviews","url":"https://www.academia.edu/Documents/in/Interviews"},{"id":62582,"name":"Tragedy","url":"https://www.academia.edu/Documents/in/Tragedy"},{"id":64633,"name":"Society","url":"https://www.academia.edu/Documents/in/Society"},{"id":70855,"name":"Interview","url":"https://www.academia.edu/Documents/in/Interview"},{"id":80698,"name":"Films","url":"https://www.academia.edu/Documents/in/Films"},{"id":83222,"name":"Economic Crisis","url":"https://www.academia.edu/Documents/in/Economic_Crisis"},{"id":90714,"name":"Cinema and History","url":"https://www.academia.edu/Documents/in/Cinema_and_History"},{"id":92071,"name":"Arthur Rimbaud","url":"https://www.academia.edu/Documents/in/Arthur_Rimbaud"},{"id":92190,"name":"Ancient Greek Tragedy and its Reception","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Tragedy_and_its_Reception"},{"id":92776,"name":"Ciencias Sociales","url":"https://www.academia.edu/Documents/in/Ciencias_Sociales"},{"id":95262,"name":"Tragedia griega clásica","url":"https://www.academia.edu/Documents/in/Tragedia_griega_clasica"},{"id":100017,"name":"Film Editing","url":"https://www.academia.edu/Documents/in/Film_Editing"},{"id":150105,"name":"Cinema and Media Studies","url":"https://www.academia.edu/Documents/in/Cinema_and_Media_Studies"},{"id":182228,"name":"History of Cinema","url":"https://www.academia.edu/Documents/in/History_of_Cinema"},{"id":200918,"name":"Cinematic \"New Waves\"","url":"https://www.academia.edu/Documents/in/Cinematic_New_Waves_"},{"id":243266,"name":"Interview Questions","url":"https://www.academia.edu/Documents/in/Interview_Questions"},{"id":262921,"name":"Movies Review","url":"https://www.academia.edu/Documents/in/Movies_Review"},{"id":366010,"name":"Classical and Contemporary Social Theory","url":"https://www.academia.edu/Documents/in/Classical_and_Contemporary_Social_Theory"},{"id":374399,"name":"Tzoumerka","url":"https://www.academia.edu/Documents/in/Tzoumerka"},{"id":385234,"name":"Political Economy and History","url":"https://www.academia.edu/Documents/in/Political_Economy_and_History"},{"id":444305,"name":"Film and television studies","url":"https://www.academia.edu/Documents/in/Film_and_television_studies"},{"id":444382,"name":"Watching movies","url":"https://www.academia.edu/Documents/in/Watching_movies"},{"id":455426,"name":"Cinema and Television","url":"https://www.academia.edu/Documents/in/Cinema_and_Television"},{"id":591344,"name":"Risk and crisis management","url":"https://www.academia.edu/Documents/in/Risk_and_crisis_management"},{"id":614445,"name":"Greek New Wave","url":"https://www.academia.edu/Documents/in/Greek_New_Wave"},{"id":951685,"name":"Movie Analysis","url":"https://www.academia.edu/Documents/in/Movie_Analysis"},{"id":969226,"name":"Cinema and National Identity","url":"https://www.academia.edu/Documents/in/Cinema_and_National_Identity"},{"id":1257671,"name":"Golden Dawn, Neo-nazism, Greece","url":"https://www.academia.edu/Documents/in/Golden_Dawn_Neo-nazism_Greece"},{"id":1556410,"name":"Full Length Movies","url":"https://www.academia.edu/Documents/in/Full_Length_Movies"},{"id":1557949,"name":"Yorgos Lanthimos","url":"https://www.academia.edu/Documents/in/Yorgos_Lanthimos"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="4359792"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/4359792/Retromania_wywiad_z_Simonem_Reynoldsem"><img alt="Research paper thumbnail of Retromania - wywiad z Simonem Reynoldsem" class="work-thumbnail" src="https://attachments.academia-assets.com/32104565/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/4359792/Retromania_wywiad_z_Simonem_Reynoldsem">Retromania - wywiad z Simonem Reynoldsem</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In an interview with Andrzej Marzec, Simon Reynolds talks about his new book Retromania. He expl...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In an interview with Andrzej Marzec, Simon Reynolds <br />talks about his new book Retromania. He explains <br />why contemporary culture seems to feel a nostalgic <br />longing for what is past, or is even dependent on <br />its own past. The music critic examines hipster <br />culture, and such phenomena as recreativity, <br />British hauntology, American hypnagogic pop, and <br />revivalism. He attempts to show why contemporary <br />music can no longer be seen and described using <br />categories such as novelty and originality. He <br />also explains how changes in the reception and <br />consumption of music affect its creation.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bce5a628147291037e46e567415f3a9c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":32104565,"asset_id":4359792,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/32104565/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="4359792"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="4359792"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 4359792; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=4359792]").text(description); $(".js-view-count[data-work-id=4359792]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 4359792; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='4359792']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 4359792, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "bce5a628147291037e46e567415f3a9c" } } $('.js-work-strip[data-work-id=4359792]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":4359792,"title":"Retromania - wywiad z Simonem Reynoldsem","translated_title":"","metadata":{"abstract":"In an interview with Andrzej Marzec, Simon Reynolds\r\ntalks about his new book Retromania. He explains\r\nwhy contemporary culture seems to feel a nostalgic\r\nlonging for what is past, or is even dependent on\r\nits own past. The music critic examines hipster\r\nculture, and such phenomena as recreativity,\r\nBritish hauntology, American hypnagogic pop, and\r\nrevivalism. He attempts to show why contemporary\r\nmusic can no longer be seen and described using\r\ncategories such as novelty and originality. He\r\nalso explains how changes in the reception and\r\nconsumption of music affect its creation.","more_info":"Czas Kultury 2/2013 (ss. 38-47)"},"translated_abstract":"In an interview with Andrzej Marzec, Simon Reynolds\r\ntalks about his new book Retromania. He explains\r\nwhy contemporary culture seems to feel a nostalgic\r\nlonging for what is past, or is even dependent on\r\nits own past. The music critic examines hipster\r\nculture, and such phenomena as recreativity,\r\nBritish hauntology, American hypnagogic pop, and\r\nrevivalism. He attempts to show why contemporary\r\nmusic can no longer be seen and described using\r\ncategories such as novelty and originality. He\r\nalso explains how changes in the reception and\r\nconsumption of music affect its creation.","internal_url":"https://www.academia.edu/4359792/Retromania_wywiad_z_Simonem_Reynoldsem","translated_internal_url":"","created_at":"2013-08-29T05:17:54.306-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"other","co_author_tags":[],"downloadable_attachments":[{"id":32104565,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/32104565/thumbnails/1.jpg","file_name":"Retromania_-_Simon_Reynolds_-_Czas_Kultury_2_2013.pdf","download_url":"https://www.academia.edu/attachments/32104565/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Retromania_wywiad_z_Simonem_Reynoldsem.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/32104565/Retromania_-_Simon_Reynolds_-_Czas_Kultury_2_2013-libre.pdf?1391426131=\u0026response-content-disposition=attachment%3B+filename%3DRetromania_wywiad_z_Simonem_Reynoldsem.pdf\u0026Expires=1732369631\u0026Signature=FiXrgv4n6agta8VSp8Dv~EXqMbDue8eU~Op6DW9t34Ie24nQny6H69hSRzWW1HIMFnGPN9MB3YUkQNMZPv7bInoerqpprrQza7waNN6chzM-kG0ip4lFZLakDwdn-1SN~uFUDa9HOu7f0xGAGbzHljrDlYidkKoToMYmxxRMes6~pv8q1DAsaZbESu-~1sesbSRPNuDrVbPbZ1-NZhKbP621UT1bCIl9yfPVqxTr77cqf0j-IA8OzOo~KJFCODR~MWEDm9BphEJRRQDRWJiSu-S4POqZnrzFk0LZhcOdG9qD3QLr2TvAaub-kb5xL6n3iMIxS1N6tgzHqyh972JY6A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Retromania_wywiad_z_Simonem_Reynoldsem","translated_slug":"","page_count":1,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":32104565,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/32104565/thumbnails/1.jpg","file_name":"Retromania_-_Simon_Reynolds_-_Czas_Kultury_2_2013.pdf","download_url":"https://www.academia.edu/attachments/32104565/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Retromania_wywiad_z_Simonem_Reynoldsem.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/32104565/Retromania_-_Simon_Reynolds_-_Czas_Kultury_2_2013-libre.pdf?1391426131=\u0026response-content-disposition=attachment%3B+filename%3DRetromania_wywiad_z_Simonem_Reynoldsem.pdf\u0026Expires=1732369631\u0026Signature=FiXrgv4n6agta8VSp8Dv~EXqMbDue8eU~Op6DW9t34Ie24nQny6H69hSRzWW1HIMFnGPN9MB3YUkQNMZPv7bInoerqpprrQza7waNN6chzM-kG0ip4lFZLakDwdn-1SN~uFUDa9HOu7f0xGAGbzHljrDlYidkKoToMYmxxRMes6~pv8q1DAsaZbESu-~1sesbSRPNuDrVbPbZ1-NZhKbP621UT1bCIl9yfPVqxTr77cqf0j-IA8OzOo~KJFCODR~MWEDm9BphEJRRQDRWJiSu-S4POqZnrzFk0LZhcOdG9qD3QLr2TvAaub-kb5xL6n3iMIxS1N6tgzHqyh972JY6A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":196,"name":"Future Studies","url":"https://www.academia.edu/Documents/in/Future_Studies"},{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music"},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History"},{"id":686,"name":"Music Theory","url":"https://www.academia.edu/Documents/in/Music_Theory"},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology"},{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":1056,"name":"Popular Music Studies","url":"https://www.academia.edu/Documents/in/Popular_Music_Studies"},{"id":1631,"name":"Popular Music","url":"https://www.academia.edu/Documents/in/Popular_Music"},{"id":2041,"name":"Music and Language","url":"https://www.academia.edu/Documents/in/Music_and_Language"},{"id":2045,"name":"Computer Music","url":"https://www.academia.edu/Documents/in/Computer_Music"},{"id":2858,"name":"Popular Culture","url":"https://www.academia.edu/Documents/in/Popular_Culture"},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art"},{"id":5177,"name":"Countercultural Studies","url":"https://www.academia.edu/Documents/in/Countercultural_Studies"},{"id":7125,"name":"Culture","url":"https://www.academia.edu/Documents/in/Culture"},{"id":8102,"name":"Futurism","url":"https://www.academia.edu/Documents/in/Futurism"},{"id":8303,"name":"Friedrich Nietzsche","url":"https://www.academia.edu/Documents/in/Friedrich_Nietzsche"},{"id":8693,"name":"Pop Culture","url":"https://www.academia.edu/Documents/in/Pop_Culture"},{"id":8918,"name":"Contemporary Arts","url":"https://www.academia.edu/Documents/in/Contemporary_Arts"},{"id":10073,"name":"Sociology of Music","url":"https://www.academia.edu/Documents/in/Sociology_of_Music"},{"id":10167,"name":"Hauntology","url":"https://www.academia.edu/Documents/in/Hauntology"},{"id":10444,"name":"Postmodernism","url":"https://www.academia.edu/Documents/in/Postmodernism"},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory"},{"id":12672,"name":"Electronic Music","url":"https://www.academia.edu/Documents/in/Electronic_Music"},{"id":13052,"name":"History of Popular Music","url":"https://www.academia.edu/Documents/in/History_of_Popular_Music"},{"id":13295,"name":"Futurism, Film and Photography","url":"https://www.academia.edu/Documents/in/Futurism_Film_and_Photography"},{"id":14796,"name":"Electronic Dance Music Culture (EDMC)","url":"https://www.academia.edu/Documents/in/Electronic_Dance_Music_Culture_EDMC_"},{"id":17546,"name":"Contemporary Music","url":"https://www.academia.edu/Documents/in/Contemporary_Music"},{"id":17597,"name":"Consumer Culture Theory","url":"https://www.academia.edu/Documents/in/Consumer_Culture_Theory"},{"id":27764,"name":"Vintage Fashion","url":"https://www.academia.edu/Documents/in/Vintage_Fashion"},{"id":28879,"name":"Music analysis","url":"https://www.academia.edu/Documents/in/Music_analysis"},{"id":29109,"name":"Postmodern Literary Theory and Popular Culture","url":"https://www.academia.edu/Documents/in/Postmodern_Literary_Theory_and_Popular_Culture"},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music"},{"id":30757,"name":"Electronic Dance Music","url":"https://www.academia.edu/Documents/in/Electronic_Dance_Music"},{"id":32038,"name":"Popular musicology","url":"https://www.academia.edu/Documents/in/Popular_musicology"},{"id":42042,"name":"Nostalgia","url":"https://www.academia.edu/Documents/in/Nostalgia"},{"id":42350,"name":"Youtube","url":"https://www.academia.edu/Documents/in/Youtube"},{"id":43841,"name":"Counterculture","url":"https://www.academia.edu/Documents/in/Counterculture"},{"id":44013,"name":"Audiovisual Art","url":"https://www.academia.edu/Documents/in/Audiovisual_Art"},{"id":51610,"name":"Postmodernity","url":"https://www.academia.edu/Documents/in/Postmodernity"},{"id":51611,"name":"William Gibson","url":"https://www.academia.edu/Documents/in/William_Gibson"},{"id":53039,"name":"Haunting and Spectrality","url":"https://www.academia.edu/Documents/in/Haunting_and_Spectrality"},{"id":60268,"name":"Postmodern","url":"https://www.academia.edu/Documents/in/Postmodern"},{"id":61325,"name":"Nicolas Bourriaud","url":"https://www.academia.edu/Documents/in/Nicolas_Bourriaud"},{"id":76226,"name":"Contemporary Popular Music Studies","url":"https://www.academia.edu/Documents/in/Contemporary_Popular_Music_Studies"},{"id":101917,"name":"Popular Music and Culture","url":"https://www.academia.edu/Documents/in/Popular_Music_and_Culture"},{"id":111116,"name":"Consumption of nostalgia and retro items","url":"https://www.academia.edu/Documents/in/Consumption_of_nostalgia_and_retro_items"},{"id":122565,"name":"Hipsters","url":"https://www.academia.edu/Documents/in/Hipsters"},{"id":131910,"name":"Postmodernizm","url":"https://www.academia.edu/Documents/in/Postmodernizm"},{"id":164846,"name":"Cassette Culture","url":"https://www.academia.edu/Documents/in/Cassette_Culture"},{"id":170697,"name":"Musical Analysis","url":"https://www.academia.edu/Documents/in/Musical_Analysis"},{"id":182681,"name":"Nostalgia and Memory","url":"https://www.academia.edu/Documents/in/Nostalgia_and_Memory"},{"id":214261,"name":"Atemporalism","url":"https://www.academia.edu/Documents/in/Atemporalism"},{"id":311276,"name":"Hypnagogia","url":"https://www.academia.edu/Documents/in/Hypnagogia"},{"id":324721,"name":"Mark Fisher","url":"https://www.academia.edu/Documents/in/Mark_Fisher"},{"id":484997,"name":"Ghost Box","url":"https://www.academia.edu/Documents/in/Ghost_Box"},{"id":501614,"name":"Media and Culture","url":"https://www.academia.edu/Documents/in/Media_and_Culture"},{"id":519075,"name":"Simon Reynolds","url":"https://www.academia.edu/Documents/in/Simon_Reynolds"},{"id":519076,"name":"Retromania","url":"https://www.academia.edu/Documents/in/Retromania"},{"id":539710,"name":"British Contemporary Music","url":"https://www.academia.edu/Documents/in/British_Contemporary_Music"},{"id":566816,"name":"Bruce Sterling","url":"https://www.academia.edu/Documents/in/Bruce_Sterling"},{"id":635128,"name":"Social Memory and Nostalgia","url":"https://www.academia.edu/Documents/in/Social_Memory_and_Nostalgia"},{"id":672885,"name":"Specters of Marx","url":"https://www.academia.edu/Documents/in/Specters_of_Marx"},{"id":684511,"name":"Sociology of Electronic Dance Music","url":"https://www.academia.edu/Documents/in/Sociology_of_Electronic_Dance_Music"},{"id":699897,"name":"Widmontologia","url":"https://www.academia.edu/Documents/in/Widmontologia"},{"id":720969,"name":"Skrillex","url":"https://www.academia.edu/Documents/in/Skrillex"},{"id":783745,"name":"Hipster Consumerism","url":"https://www.academia.edu/Documents/in/Hipster_Consumerism"},{"id":888449,"name":"Vintage Revival","url":"https://www.academia.edu/Documents/in/Vintage_Revival"},{"id":1104260,"name":"Hypnagogic Pop","url":"https://www.academia.edu/Documents/in/Hypnagogic_Pop"},{"id":1122248,"name":"History of Hipsters","url":"https://www.academia.edu/Documents/in/History_of_Hipsters"},{"id":1154761,"name":"Recreativity","url":"https://www.academia.edu/Documents/in/Recreativity"},{"id":1256010,"name":"Electronic Music Production","url":"https://www.academia.edu/Documents/in/Electronic_Music_Production"},{"id":1384961,"name":"Hauntology (Music)","url":"https://www.academia.edu/Documents/in/Hauntology_Music_"},{"id":1455599,"name":"Hipster Subculture","url":"https://www.academia.edu/Documents/in/Hipster_Subculture"}],"urls":[{"id":1522543,"url":"http://sklep.czaskultury.pl/?mod=produkt\u0026id=129"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="8724390" id="bookreviews"><div class="js-work-strip profile--work_container" data-work-id="37793604"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37793604/Nekros_ONtologia_martwego_m%C4%99skiego_cia%C5%82a"><img alt="Research paper thumbnail of Nekros. ONtologia martwego (męskiego) ciała" class="work-thumbnail" src="https://attachments.academia-assets.com/57791101/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37793604/Nekros_ONtologia_martwego_m%C4%99skiego_cia%C5%82a">Nekros. ONtologia martwego (męskiego) ciała</a></div><div class="wp-workCard_item"><span>Widok. Teorie i praktyki kultury wizualnej</span><span>, 2018</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4991b1559433fd50e6270761c9931e78" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57791101,"asset_id":37793604,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57791101/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37793604"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37793604"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37793604; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37793604]").text(description); $(".js-view-count[data-work-id=37793604]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37793604; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37793604']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 37793604, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "4991b1559433fd50e6270761c9931e78" } } $('.js-work-strip[data-work-id=37793604]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37793604,"title":"Nekros. ONtologia martwego (męskiego) ciała","translated_title":"","metadata":{"volume":"20","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"Widok. Teorie i praktyki kultury wizualnej"},"translated_abstract":null,"internal_url":"https://www.academia.edu/37793604/Nekros_ONtologia_martwego_m%C4%99skiego_cia%C5%82a","translated_internal_url":"","created_at":"2018-11-17T06:41:25.720-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":1934801,"coauthors_can_edit":true,"document_type":"book_review","co_author_tags":[],"downloadable_attachments":[{"id":57791101,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57791101/thumbnails/1.jpg","file_name":"575-7488-1-PB.pdf","download_url":"https://www.academia.edu/attachments/57791101/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Nekros_ONtologia_martwego_meskiego_ciala.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57791101/575-7488-1-PB-libre.pdf?1542465884=\u0026response-content-disposition=attachment%3B+filename%3DNekros_ONtologia_martwego_meskiego_ciala.pdf\u0026Expires=1732369631\u0026Signature=BZzsC7vuC3LsZkV2kX~6qh9nRn2YiiOhyLucPWGw-AB~lXE0qA4DM2gojfNsH4TnHkb4OZ2wzPvXQ9hhj1timZD1zIa9JuTEeL0VE2FFZIs3wNysNQLdcClNDDw8erZ6PJRLAvEcqo0gEn8JNJW4-iV6wYQ9FGqims8DP3qzAjEws7UJoZI9Efqb4ymoGpCzaQfZo7RkF6wyuINU8ZcO9YJCbJYzL~2pPxmx0R3GThkfsaTSPsBYTzO5zS7R~MJC1Mvsd-NL-E0pkavtNz2YjT00KASi6iHtPy6oVUL-frAO3ov8LSyLAoq746xiyD9ECw1wPtKF~1E49ySpgGh-IA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Nekros_ONtologia_martwego_męskiego_ciała","translated_slug":"","page_count":10,"language":"pl","content_type":"Work","owner":{"id":1934801,"first_name":"Andrzej","middle_initials":null,"last_name":"Marzec","page_name":"AndrzejMarzec","domain_name":"amu","created_at":"2012-06-12T08:22:19.740-07:00","display_name":"Andrzej Marzec","url":"https://amu.academia.edu/AndrzejMarzec"},"attachments":[{"id":57791101,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57791101/thumbnails/1.jpg","file_name":"575-7488-1-PB.pdf","download_url":"https://www.academia.edu/attachments/57791101/download_file?st=MTczMjQ2NzcwOSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Nekros_ONtologia_martwego_meskiego_ciala.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57791101/575-7488-1-PB-libre.pdf?1542465884=\u0026response-content-disposition=attachment%3B+filename%3DNekros_ONtologia_martwego_meskiego_ciala.pdf\u0026Expires=1732369631\u0026Signature=BZzsC7vuC3LsZkV2kX~6qh9nRn2YiiOhyLucPWGw-AB~lXE0qA4DM2gojfNsH4TnHkb4OZ2wzPvXQ9hhj1timZD1zIa9JuTEeL0VE2FFZIs3wNysNQLdcClNDDw8erZ6PJRLAvEcqo0gEn8JNJW4-iV6wYQ9FGqims8DP3qzAjEws7UJoZI9Efqb4ymoGpCzaQfZo7RkF6wyuINU8ZcO9YJCbJYzL~2pPxmx0R3GThkfsaTSPsBYTzO5zS7R~MJC1Mvsd-NL-E0pkavtNz2YjT00KASi6iHtPy6oVUL-frAO3ov8LSyLAoq746xiyD9ECw1wPtKF~1E49ySpgGh-IA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History"},{"id":767,"name":"Anthropology","url":"https://www.academia.edu/Documents/in/Anthropology"},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":1035,"name":"Animal Science","url":"https://www.academia.edu/Documents/in/Animal_Science"},{"id":1192,"name":"Feminist Theory","url":"https://www.academia.edu/Documents/in/Feminist_Theory"},{"id":1200,"name":"Languages and Linguistics","url":"https://www.academia.edu/Documents/in/Languages_and_Linguistics"},{"id":2123,"name":"Death Studies","url":"https://www.academia.edu/Documents/in/Death_Studies"},{"id":3407,"name":"Environmental Studies","url":"https://www.academia.edu/Documents/in/Environmental_Studies"},{"id":4124,"name":"Feminist Philosophy","url":"https://www.academia.edu/Documents/in/Feminist_Philosophy"},{"id":6256,"name":"Necropolitics","url":"https://www.academia.edu/Documents/in/Necropolitics"},{"id":7125,"name":"Culture","url":"https://www.academia.edu/Documents/in/Culture"},{"id":10453,"name":"Feminism","url":"https://www.academia.edu/Documents/in/Feminism"},{"id":40329,"name":"Donna Haraway","url":"https://www.academia.edu/Documents/in/Donna_Haraway"},{"id":65929,"name":"Elizabeth Grosz","url":"https://www.academia.edu/Documents/in/Elizabeth_Grosz"},{"id":69585,"name":"Patriarchy","url":"https://www.academia.edu/Documents/in/Patriarchy"},{"id":76626,"name":"New Materialism","url":"https://www.academia.edu/Documents/in/New_Materialism"},{"id":91714,"name":"Timothy Morton","url":"https://www.academia.edu/Documents/in/Timothy_Morton"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene"},{"id":248985,"name":"New Materialisms","url":"https://www.academia.edu/Documents/in/New_Materialisms"}],"urls":[{"id":8634027,"url":"http://pismowidok.org/index.php/one/article/view/575/1110"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/google_contacts-0dfb882d836b94dbcb4a2d123d6933fc9533eda5be911641f20b4eb428429600.js"], function() { // from javascript_helper.rb $('.js-google-connect-button').click(function(e) { e.preventDefault(); GoogleContacts.authorize_and_show_contacts(); Aedu.Dismissibles.recordClickthrough("WowProfileImportContactsPrompt"); }); $('.js-update-biography-button').click(function(e) { e.preventDefault(); Aedu.Dismissibles.recordClickthrough("UpdateUserBiographyPrompt"); $.ajax({ url: $r.api_v0_profiles_update_about_path({ subdomain_param: 'api', about: "", }), type: 'PUT', success: function(response) { location.reload(); } }); }); $('.js-work-creator-button').click(function (e) { e.preventDefault(); window.location = $r.upload_funnel_document_path({ source: encodeURIComponent(""), }); }); $('.js-video-upload-button').click(function (e) { e.preventDefault(); window.location = $r.upload_funnel_video_path({ source: encodeURIComponent(""), }); }); $('.js-do-this-later-button').click(function() { $(this).closest('.js-profile-nag-panel').remove(); Aedu.Dismissibles.recordDismissal("WowProfileImportContactsPrompt"); }); $('.js-update-biography-do-this-later-button').click(function(){ $(this).closest('.js-profile-nag-panel').remove(); Aedu.Dismissibles.recordDismissal("UpdateUserBiographyPrompt"); }); $('.wow-profile-mentions-upsell--close').click(function(){ $('.wow-profile-mentions-upsell--panel').hide(); Aedu.Dismissibles.recordDismissal("WowProfileMentionsUpsell"); }); $('.wow-profile-mentions-upsell--button').click(function(){ Aedu.Dismissibles.recordClickthrough("WowProfileMentionsUpsell"); }); new WowProfile.SocialRedesignUserWorks({ initialWorksOffset: 20, allWorksOffset: 20, maxSections: 4 }) }); </script> </div></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile_edit-5ea339ee107c863779f560dd7275595239fed73f1a13d279d2b599a28c0ecd33.js","https://a.academia-assets.com/assets/add_coauthor-22174b608f9cb871d03443cafa7feac496fb50d7df2d66a53f5ee3c04ba67f53.js","https://a.academia-assets.com/assets/tab-dcac0130902f0cc2d8cb403714dd47454f11fc6fb0e99ae6a0827b06613abc20.js","https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js"], function() { // from javascript_helper.rb window.ae = window.ae || {}; window.ae.WowProfile = window.ae.WowProfile || {}; if(Aedu.User.current && Aedu.User.current.id === $viewedUser.id) { window.ae.WowProfile.current_user_edit = {}; new WowProfileEdit.EditUploadView({ el: '.js-edit-upload-button-wrapper', model: window.$current_user, }); new AddCoauthor.AddCoauthorsController(); } var userInfoView = new WowProfile.SocialRedesignUserInfo({ recaptcha_key: "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB" }); WowProfile.router = new WowProfile.Router({ userInfoView: userInfoView }); Backbone.history.start({ pushState: true, root: "/" + $viewedUser.page_name }); new WowProfile.UserWorksNav() }); </script> </div> <div class="bootstrap login"><div class="modal fade login-modal" id="login-modal"><div class="login-modal-dialog modal-dialog"><div class="modal-content"><div class="modal-header"><button class="close close" data-dismiss="modal" type="button"><span aria-hidden="true">×</span><span class="sr-only">Close</span></button><h4 class="modal-title text-center"><strong>Log In</strong></h4></div><div class="modal-body"><div class="row"><div class="col-xs-10 col-xs-offset-1"><button class="btn btn-fb btn-lg btn-block btn-v-center-content" id="login-facebook-oauth-button"><svg style="float: left; width: 19px; line-height: 1em; margin-right: .3em;" aria-hidden="true" focusable="false" data-prefix="fab" data-icon="facebook-square" class="svg-inline--fa fa-facebook-square fa-w-14" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 448 512"><path fill="currentColor" d="M400 32H48A48 48 0 0 0 0 80v352a48 48 0 0 0 48 48h137.25V327.69h-63V256h63v-54.64c0-62.15 37-96.48 93.67-96.48 27.14 0 55.52 4.84 55.52 4.84v61h-31.27c-30.81 0-40.42 19.12-40.42 38.73V256h68.78l-11 71.69h-57.78V480H400a48 48 0 0 0 48-48V80a48 48 0 0 0-48-48z"></path></svg><small><strong>Log in</strong> with <strong>Facebook</strong></small></button><br /><button class="btn btn-google btn-lg btn-block btn-v-center-content" id="login-google-oauth-button"><svg style="float: left; width: 22px; line-height: 1em; margin-right: .3em;" aria-hidden="true" focusable="false" data-prefix="fab" data-icon="google-plus" class="svg-inline--fa fa-google-plus fa-w-16" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><path fill="currentColor" d="M256,8C119.1,8,8,119.1,8,256S119.1,504,256,504,504,392.9,504,256,392.9,8,256,8ZM185.3,380a124,124,0,0,1,0-248c31.3,0,60.1,11,83,32.3l-33.6,32.6c-13.2-12.9-31.3-19.1-49.4-19.1-42.9,0-77.2,35.5-77.2,78.1S142.3,334,185.3,334c32.6,0,64.9-19.1,70.1-53.3H185.3V238.1H302.2a109.2,109.2,0,0,1,1.9,20.7c0,70.8-47.5,121.2-118.8,121.2ZM415.5,273.8v35.5H380V273.8H344.5V238.3H380V202.8h35.5v35.5h35.2v35.5Z"></path></svg><small><strong>Log in</strong> with <strong>Google</strong></small></button><br /><style type="text/css">.sign-in-with-apple-button { width: 100%; height: 52px; border-radius: 3px; border: 1px solid black; cursor: pointer; }</style><script src="https://appleid.cdn-apple.com/appleauth/static/jsapi/appleid/1/en_US/appleid.auth.js" type="text/javascript"></script><div class="sign-in-with-apple-button" data-border="false" data-color="white" id="appleid-signin"><span   ="Sign Up with Apple" class="u-fs11"></span></div><script>AppleID.auth.init({ clientId: 'edu.academia.applesignon', scope: 'name email', redirectURI: 'https://www.academia.edu/sessions', state: "55ed825bb64c4704e842cb8b590fbede3adf9f94ebf25e9ee9d0f900d768ca07", });</script><script>// Hacky way of checking if on fast loswp if (window.loswp == null) { (function() { const Google = window?.Aedu?.Auth?.OauthButton?.Login?.Google; const Facebook = window?.Aedu?.Auth?.OauthButton?.Login?.Facebook; if (Google) { new Google({ el: '#login-google-oauth-button', rememberMeCheckboxId: 'remember_me', track: null }); } if (Facebook) { new Facebook({ el: '#login-facebook-oauth-button', rememberMeCheckboxId: 'remember_me', track: null }); } })(); }</script></div></div></div><div class="modal-body"><div class="row"><div class="col-xs-10 col-xs-offset-1"><div class="hr-heading login-hr-heading"><span class="hr-heading-text">or</span></div></div></div></div><div class="modal-body"><div class="row"><div class="col-xs-10 col-xs-offset-1"><form class="js-login-form" action="https://www.academia.edu/sessions" accept-charset="UTF-8" method="post"><input name="utf8" type="hidden" value="✓" autocomplete="off" /><input type="hidden" name="authenticity_token" value="AyPUfkYiYA4QgW8fkkM8AON/hkRCFbAzqhmFWVurxOhBd+7gurMcRD6uXWNdrkeTpg+brgxs4jmmFr8QSS2+uw==" autocomplete="off" /><div class="form-group"><label class="control-label" for="login-modal-email-input" style="font-size: 14px;">Email</label><input class="form-control" id="login-modal-email-input" name="login" type="email" /></div><div class="form-group"><label class="control-label" for="login-modal-password-input" style="font-size: 14px;">Password</label><input class="form-control" id="login-modal-password-input" name="password" type="password" /></div><input type="hidden" name="post_login_redirect_url" id="post_login_redirect_url" value="https://amu.academia.edu/AndrzejMarzec" autocomplete="off" /><div class="checkbox"><label><input type="checkbox" name="remember_me" id="remember_me" value="1" checked="checked" /><small style="font-size: 12px; margin-top: 2px; display: inline-block;">Remember me on this computer</small></label></div><br><input type="submit" name="commit" value="Log In" class="btn btn-primary btn-block btn-lg js-login-submit" data-disable-with="Log In" /></br></form><script>typeof window?.Aedu?.recaptchaManagedForm === 'function' && window.Aedu.recaptchaManagedForm( document.querySelector('.js-login-form'), document.querySelector('.js-login-submit') );</script><small style="font-size: 12px;"><br />or <a data-target="#login-modal-reset-password-container" data-toggle="collapse" href="javascript:void(0)">reset password</a></small><div class="collapse" id="login-modal-reset-password-container"><br /><div class="well margin-0x"><form class="js-password-reset-form" action="https://www.academia.edu/reset_password" accept-charset="UTF-8" method="post"><input name="utf8" type="hidden" value="✓" autocomplete="off" /><input type="hidden" name="authenticity_token" value="wOtlP+TrHbR19enkh5mSQvcOHIW49raEMqMhMexMSfWCv1+hGHph/lva25hIdOnRsn4Bb/aP5I4+rBt4/sozpg==" autocomplete="off" /><p>Enter the email address you signed up with and we'll email you a reset link.</p><div class="form-group"><input class="form-control" name="email" type="email" /></div><script src="https://recaptcha.net/recaptcha/api.js" async defer></script> <script> var invisibleRecaptchaSubmit = function () { var closestForm = function (ele) { var curEle = ele.parentNode; while (curEle.nodeName !== 'FORM' && curEle.nodeName !== 'BODY'){ curEle = curEle.parentNode; } return curEle.nodeName === 'FORM' ? curEle : null }; var eles = document.getElementsByClassName('g-recaptcha'); if (eles.length > 0) { var form = closestForm(eles[0]); if (form) { form.submit(); } } }; </script> <input type="submit" data-sitekey="6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj" data-callback="invisibleRecaptchaSubmit" class="g-recaptcha btn btn-primary btn-block" value="Email me a link" value=""/> </form></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/collapse-45805421cf446ca5adf7aaa1935b08a3a8d1d9a6cc5d91a62a2a3a00b20b3e6a.js"], function() { // from javascript_helper.rb $("#login-modal-reset-password-container").on("shown.bs.collapse", function() { $(this).find("input[type=email]").focus(); }); }); </script> </div></div></div><div class="modal-footer"><div class="text-center"><small style="font-size: 12px;">Need an account? <a rel="nofollow" href="https://www.academia.edu/signup">Click here to sign up</a></small></div></div></div></div></div></div><script>// If we are on subdomain or non-bootstrapped page, redirect to login page instead of showing modal (function(){ if (typeof $ === 'undefined') return; var host = window.location.hostname; if ((host === $domain || host === "www."+$domain) && (typeof $().modal === 'function')) { $("#nav_log_in").click(function(e) { // Don't follow the link and open the modal e.preventDefault(); $("#login-modal").on('shown.bs.modal', function() { $(this).find("#login-modal-email-input").focus() }).modal('show'); }); } })()</script> <div class="bootstrap" id="footer"><div class="footer-content clearfix text-center padding-top-7x" style="width:100%;"><ul class="footer-links-secondary footer-links-wide list-inline margin-bottom-1x"><li><a href="https://www.academia.edu/about">About</a></li><li><a href="https://www.academia.edu/press">Press</a></li><li><a rel="nofollow" href="https://medium.com/academia">Blog</a></li><li><a href="https://www.academia.edu/documents">Papers</a></li><li><a href="https://www.academia.edu/topics">Topics</a></li><li><a href="https://www.academia.edu/journals">Academia.edu Journals</a></li><li><a rel="nofollow" href="https://www.academia.edu/hiring"><svg style="width: 13px; height: 13px;" aria-hidden="true" focusable="false" data-prefix="fas" data-icon="briefcase" class="svg-inline--fa fa-briefcase fa-w-16" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><path fill="currentColor" d="M320 336c0 8.84-7.16 16-16 16h-96c-8.84 0-16-7.16-16-16v-48H0v144c0 25.6 22.4 48 48 48h416c25.6 0 48-22.4 48-48V288H320v48zm144-208h-80V80c0-25.6-22.4-48-48-48H176c-25.6 0-48 22.4-48 48v48H48c-25.6 0-48 22.4-48 48v80h512v-80c0-25.6-22.4-48-48-48zm-144 0H192V96h128v32z"></path></svg> <strong>We're Hiring!</strong></a></li><li><a rel="nofollow" href="https://support.academia.edu/"><svg style="width: 12px; height: 12px;" aria-hidden="true" focusable="false" data-prefix="fas" data-icon="question-circle" class="svg-inline--fa fa-question-circle fa-w-16" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><path fill="currentColor" d="M504 256c0 136.997-111.043 248-248 248S8 392.997 8 256C8 119.083 119.043 8 256 8s248 111.083 248 248zM262.655 90c-54.497 0-89.255 22.957-116.549 63.758-3.536 5.286-2.353 12.415 2.715 16.258l34.699 26.31c5.205 3.947 12.621 3.008 16.665-2.122 17.864-22.658 30.113-35.797 57.303-35.797 20.429 0 45.698 13.148 45.698 32.958 0 14.976-12.363 22.667-32.534 33.976C247.128 238.528 216 254.941 216 296v4c0 6.627 5.373 12 12 12h56c6.627 0 12-5.373 12-12v-1.333c0-28.462 83.186-29.647 83.186-106.667 0-58.002-60.165-102-116.531-102zM256 338c-25.365 0-46 20.635-46 46 0 25.364 20.635 46 46 46s46-20.636 46-46c0-25.365-20.635-46-46-46z"></path></svg> <strong>Help Center</strong></a></li></ul><ul class="footer-links-tertiary list-inline margin-bottom-1x"><li class="small">Find new research papers in:</li><li class="small"><a href="https://www.academia.edu/Documents/in/Physics">Physics</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Chemistry">Chemistry</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Biology">Biology</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Health_Sciences">Health Sciences</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Ecology">Ecology</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Earth_Sciences">Earth Sciences</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Cognitive_Science">Cognitive Science</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Mathematics">Mathematics</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Computer_Science">Computer Science</a></li></ul></div></div><div class="DesignSystem" id="credit" style="width:100%;"><ul class="u-pl0x footer-links-legal list-inline"><li><a rel="nofollow" href="https://www.academia.edu/terms">Terms</a></li><li><a rel="nofollow" href="https://www.academia.edu/privacy">Privacy</a></li><li><a rel="nofollow" href="https://www.academia.edu/copyright">Copyright</a></li><li>Academia ©2024</li></ul></div><script> //<![CDATA[ window.detect_gmtoffset = true; window.Academia && window.Academia.set_gmtoffset && Academia.set_gmtoffset('/gmtoffset'); //]]> </script> <div id='overlay_background'></div> <div id='bootstrap-modal-container' class='bootstrap'></div> <div id='ds-modal-container' class='bootstrap DesignSystem'></div> <div id='full-screen-modal'></div> </div> </body> </html>