Fondation Oskar Kokoschka - Online Werkkatalog

<!DOCTYPE html> <html class="t-site"> <head> <meta charset="UTF-8" /> <meta name="viewport" content="width=device-width, initial-scale=1, maximum-scale=1" /> <title>Fondation Oskar Kokoschka - Online Werkkatalog - Online Werkkatalog</title> <meta property="og:title" content="Fondation Oskar Kokoschka - Online Werkkatalog - Online Werkkatalog" /> <meta name="twitter:title" content="Fondation Oskar Kokoschka - Online Werkkatalog - Online Werkkatalog" /> <meta name="description" content="WERKKATALOG " /> <meta property="og:description" content="WERKKATALOG " /> <meta name="twitter:description" content="WERKKATALOG " /> <meta property="og:url" content="https://www.oskar-kokoschka.ch/1020/1483/Konrad%20Adenauer" /> <meta property="og:type" content="website" /> <link rel="stylesheet" href="/css/font.css" /> <link rel="stylesheet" href="/css/icon.css" /> <link rel="stylesheet" href="/css/site.css" /> <link rel="stylesheet" href="/css/ICONS_FOK/css/riforma_symbols-embed_cby.css" /> <script type="text/javascript" src="/jsc/jquery-1.12.1.min.js"></script> <script type="text/javascript" src="/jsc/jquery.form.js"></script> <script type="text/javascript" src="/jsc/jquery.dragsort-0.5.2.js"></script> <script type="text/javascript" src="/jsc/jquery.textcomplete.js"></script> <script type="text/javascript" src="/jsc/memo.js"></script> <script type="text/javascript" src="/jsc/site.js"></script></head> <body lang="de" class="t-site"><header class="t-site"><nav class="c-nav-top t-width u-padding u-bold"><div class="o-grid-hard-6"><a href="/de/" class="c-logo"><img src="/img/FOK_logo_header_tall.svg" /></a></div><div class="o-grid-hard-6 c-nav-link u-text-right"><span class="c-lang u-hide-mobile"><a href="/fr/1020/Catalogue-en-ligne" class="c-lang c-hover">FR</a>/<a href="/en/1020/Online-catalogue" class="c-lang c-hover">EN</a>/<a href="/de/1020/Online-Werkkatalog" class="c-lang c-hover is-active">DE</a></span><span class="u-hide-mobile"><a href="/de/1007/Kontakt" class="c-hover">KONTAKT</a></span><span><a href="#" onclick="$(this).toggleClass('icon-fok_burger icon-fok_cross').parent().parent().next().slideToggle(100)" class="c-burger icon-fok_burger"></a></span></div><div class="o-grid-soft-6"><ul class="c-nav-menu"><li><a href="#">Oskar Kokoschka</a><ul><li><a href="/de/1001/Biografie">Biografie</a></li><li><a href="/de/1002/Kokoschka-und-die-Schweiz">Kokoschka und die Schweiz</a></li><li><a href="/de/1003/Standardwerke">Standardwerke</a></li></ul></li><li><a href="#">Stiftung </a><ul><li><a href="/de/1005/Uber-uns">Über uns</a></li><li><a href="/de/1028/Team">Team</a></li><li><a href="/de/1007/Kontakt">Kontakt</a></li></ul></li><li><a href="#">Expertise</a><ul><li><a href="/de/1033/Beratung">Beratung</a></li><li><a href="/de/1006/Authentifizierungen">Authentifizierungen</a></li><li><a href="/de/1029/Copyright">Copyright</a></li></ul></li><li><a href="#">Sammlungen</a><ul><li><a href="/de/1009/Werksammlung">Werksammlung</a><ul><li><a href="/de/1010/Gemalde">Gemälde</a></li><li><a href="/de/1011/Aquarelle">Aquarelle</a></li><li><a href="/de/1012/Zeichnungen">Zeichnungen</a></li><li><a href="/de/1013/Lithographien">Lithographien</a></li></ul></li><li><a href="/de/1014/Objektsammlung">Objektsammlung</a></li></ul></li><li><a href="#">Ausstellungen</a><ul><li><a href="/de/1016/Aktuelle-Ausstellungen">Aktuelle Ausstellungen</a></li><li><a href="/de/1017/Vergangene-Ausstellungen">Vergangene Ausstellungen</a></li></ul></li><li><a href="#">Werkkatalog</a><ul><li><a href="/de/1019/Hinweis">Hinweis</a></li><li><a href="/de/1020/Online-Werkkatalog" class="is-active">Online Werkkatalog</a></li></ul></li><li><a href="#">[footer]</a><ul><li><a href="/de/1030/Disclaimer">Disclaimer</a></li><li><a href="/de/1035/Datenschutz">Datenschutz</a></li></ul></li></ul></div></nav></header><main class="t-site t-width"><section class="c-page-rich"><h2>WERKKATALOG <br></h2> <script type="text/javascript" src="/lib/selectize/selectize.js"></script> <script type="text/javascript" src="/lib/zoom-master/jquery.zoom.min.js"></script> <link rel="stylesheet" href="/lib/selectize/selectize.css" /><div class="c-catalogue"></div><div data="{"base":"/de/1020","catalogue":[{"id":1024,"img":{"extraLarge":"AP_100042028_extraLarge.jpg","medium":"AP_100042028_medium.jpg"},"arr":["1906.01","Stehender Mädchenakt","","[1906]","Öl auf dünnem Karton, auf Karton aufgezogen","65 x 40 cm ","Unbez. ","","","1",""," ","","Leopold Museum, Wien, Inv. 5973"],"mul":[[["Schnabl Maria (Mitzi)","Maria (Mitzi) Schnabl, Wien",""],["Möbius sen. Reinhold","[Reinhold Möbius sen., Vöcklabruck (1957)]",""],["Möbius jun. Reinhold","[Reinhold Möbius jun., Salzburg]",""],["Friederike Kodric & Co., Kunsthandel","Friederike Kodric & Co., Kunsthandel, Salzburg (um 1970)",""],["Boos-Waldeck Louise","Louise Boos-Waldeck, Salzburg",""],["Leopold Rudolf","Rudolf Leopold, Wien (um 1995)",""]],[["2008 Wien, Belvedere","8619","S. 16, Farbtaf. 3 S. 17"],["2018/2019 Zürich","21106","Nr. 1, Farbtaf. S. 47"]],[["Weidinger/Strobl 2008, S. 102, Abb. V.180","2435"],["Spielmann 2003 a, S. 27 mit Abb.","3309"]],[["Akte"],["Mädchen"]]]},{"id":1012,"img":{"extraLarge":"AP_100042016_extraLarge.jpg","medium":"AP_100042016_medium.jpg"},"arr":["1906.02","Anna Donner","","[1906]","Öl/Karton","67 x 37.5 cm ","Unbez. ","","","2","Wien Museum"," ","117581","Wien Museum"],"mul":[[["Loidl Anton","Anton Loidl, Lassing",""],["Loidl Mitzi","Mitzi Loidl, Lassing",""],["Geyer Marianne","Marianne Geyer, Wien (um 1946-1970 )",""],["Historisches Museum der Stadt Wien","Historisches Museum der Stadt Wien, Wien (30.6.1970)",""]],[["2014 Wolfsburg","8102","S. 300"],["1980 Pöchlarn","8237","Nr. 1 "],["1988 Akademie der bildenden Künste, Wien","8799","Abb. S. 108 "],["1971 Wien","8820","Nr. 1 "]],[["Lowitzer-Hönig 2008, S. 32, 50, Abb. 48","2124"],["Santner 1971, mit Abb. der Rückseite des Bildes ","2374"],["Bonnefoit 2014 a, S. 35, Farbabb. 2, 3","2634"],["Spielmann 1986 a, S. 31-32","2845"],["Spielmann 2003 a, S. 29 mit Abb.","3309"],["Feuchtmüller 1977, S. 26-27 ","3333"],["Spiegel 1971, S. 182, mit Abb. der Rückseite des Bildes ","3867"]],[["Weibliches Bildnis"]]]},{"id":1374,"img":{"extraLarge":"AP_100042381_extraLarge.jpg","medium":"AP_100042381_medium.jpg"},"arr":["1906.03","Juliana Loidl","","[1906]","Öl/Holz","40 x 30 cm ","Unbez. ","","","3","Museum Niederösterreich","","","Landessammlungen Niederösterreich"],"mul":[[["Kokoschka Romana und Gustav","Romana und Gustav Kokoschka, Wien",""],["Patočka-Kokoschka Berta","Berta Patocka-Kokoschka, Prag",""],["Kokoschka Roman","Roman Kokoschka, Wien (1960)",""],["Sotheby's","Sotheby's, London (21.10.1998, Nr. 48 mit Farbtaf.)",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 2 "]],[["Lowitzer-Hönig 2008, S. 32, Abb. 49","2124"],["Bonnefoit 2013, S. 41, Farabb. 1","2194"],["Feuchtmüller 1978, S. 98 ","2311"],["Santner 1971, ","2374"],["Weidinger/Strobl 2008, S. 28","2435"],["Sotheby's London 1998 b, Nr. 48 mit Farbtaf.","2828"],["Spielmann 1986 a, S.30-31 ","2845"],["Feuchtmüller 1977, S. 19 ","3333"],["Spiegel 1971, S. 182-184 ","3867"]],[["Weibliches Bildnis"]]]},{"id":1093,"img":{"extraLarge":"AP_100042098_extraLarge.jpg","medium":"AP_100042098_medium.jpg"},"arr":["1906.04","Lassinger Madonna","","[1906]","Öl/Sackleinen","42.5 x 21.8 cm ","Unbez. ","","","4","Musée Jenisch, Fondation Oskar Kokoschka, Vevey","1988","FOK 1","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Grießer Juliana","Juliana Grießer, Strohmarkt bei Lassing ",""],["Grießer Alfred und Erna","Alfred und Erna Grießer, Hollenstein (3.1976)",""],["Kokoschka Olda","Olda Kokoschka (1986)",""]],[["1992 Cismar","8291","S. 173, Farbtaf. 1"],["2003 Apolda","8411","Nr. 1, S. 91, Farbtaf. S. 42"],["1989 Pöchlarn","8428"," "],["2001/02 Emden","8542","S. 93"],["2000 Pöchlarn","8766","S. 28, Farbtaf. S. 7"],["1986 Zürich","8836","(außer Katalog) "],["2005/06 Pfäffikon","8898","o. Farbtaf. (außer Kat.)"]],[["Feuchtmüller 1978, S. 98-99, Abb. S. 99 ","2311"],["Weidinger/Strobl 2008, S. 28","2435"],["Spielmann 1986 a, S.32-33 ","2845"],["Spielmann 2003 a, Farbtaf. S. 59","3309"],["Feuchtmüller 1977, S. 19 ","3333"],["Reinhold 2013, Farbabb.","3582"],["Vevey 1994, S. 14 mit Farbtaf. S. 15","3718"]],[["Religiöse Bilder"]]]},{"id":1114,"img":{"extraLarge":"AP_100042120_extraLarge.jpg","medium":"AP_100042120_medium.jpg"},"arr":["1906.05","Mädchenbildnis","","[1906]","Öl/Sackleinen, auf Hartfaserplatte aufgezogen","41.5 x 28 cm ","Bez. unten rechts: OK ","","","5","Privatbesitz","","",""],"mul":[[["Kokoschka Romana und Gustav","Romana und Gustav Kokoschka, Wien",""],["Patočka-Kokoschka Berta","Berta Patočka-Kokoschka, Prag",""],["Kokoschka Roman","Roman Kokoschka, Wien (1960)",""],["Sotheby's","Sotheby's, London (21.10.1998, Nr. 49 mit Farbtaf.)",""],["Galerie und Antiquariat Hassfurther","Galerie und Antiquariat Hassfurther, Wien (27.5.2004, Nr. 5 mit Farbtaf.)",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 2 "],["1986 Würthle, Wien","8394","Nr. 2 mit Farbabb. "]],[["Lowitzer-Hönig 2008, S. 32, Abb. 50","2124"],["Hassfurther 2004, Nr. 5 mit Farbtaf. ","2241"],["Sotheby's London 1998 b, Nr. 49 mit Farbtaf. ","2828"],["Spielmann 1986 a, S. 33, Abb. S. 34 ","2845"],["Shapira 2001, S. 507, Farbabb. 7","4108"]],[["Kinder"]]]},{"id":1058,"img":{"extraLarge":"AP_100042063_extraLarge.jpg","medium":"AP_100042063_medium.jpg"},"arr":["1906.06","Bohuslav Kokoschka","","[1906]","Öl/Karton","48.5 x 42.5 cm ","Bez. oben links: OK ? (kaum leserlich) ","","","6","Museum Niederösterreich","","","Landessammlungen Niederösterreich"],"mul":[[["Kokoschka Romana und Gustav","Romana und Gustav Kokoschka, Wien",""],["Patočka-Kokoschka Berta","Berta Patočka-Kokoschka, Prag",""],["Kokoschka Hermine","Hermine Kokoschka, Wien (1960)",""],["Kokoschka Roman","Roman Kokoschka, Wien",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 1 "],["1978 Pöchlarn","8345","Nr. 41 "],["1986 Würthle, Wien","8394","Nr. 1 mit Farbabb. "]],[["Lowitzer-Hönig 2008, S. 32, 50, Abb. 51","2124"],["Spielmann 1986 a, S. 33 mit Abb. ","2845"],["Shapira 2001, S. 507, Farbabb. 6","4108"]],[["Kinder"]]]},{"id":1484,"img":{"extraLarge":"AP_100042494_extraLarge.jpg","medium":"AP_100042494_medium.jpg"},"arr":["1906.07","Ludwig Quittner","","1906","Öl/Lwd.","68.6 x 55.1 cm ","Bez. unten rechts: OK. Auf der Rückseite datiert und beschriftet: Sommer 1906","","","","Privatbesitz","","","Privatbesitz"],"mul":[[["Quittner Ludwig","Ludwig Quittner, Wien (1906)",""],["Quittner Paul","Paul Quittner, Wien/seit 1938 New York",""],["Brecher Käthe","Käthe Brecher, New York (1977)",""],["Sotheby's","Sotheby's, London (6.2.2014, Nr. 422, nicht verkauft)",""]],[],[["Lowitzer-Hönig 2008, S. 36-39, 93, Farabb. 52, 52/1, 52/2, 52/3, 52/4","2124"],["Sotheby's London 2014, Nr. 422 mit Farbtaf.","9164"]],[["Männliches Bildnis"]]]},{"id":1325,"img":{"extraLarge":"AP_100042332_extraLarge.jpg","medium":"AP_100042332_medium.jpg"},"arr":["1906.08","Barbara Siegl von Siegwille","Barbara Siegel von Siegville","[1906]","Öl/Lwd.","73 x 56 cm ","Bez. unten links (von fremder Hand?): OK.06. ","","12","7","Privatbesitz, Wien ","ca. 1980 ","","Privatbesitz"],"mul":[[["Kokoschka Romana und Gustav","Romana und Gustav Kokoschka, Wien",""],["Siegl von Siegwille Eduard","Eduard Siegl von Siegwille, Wien (1915)",""],["Siegl von Siegwille Karl","Karl Siegl von Siegwille, Wien (1920)",""],["Lasser Anna","Anna Lasser, Wien (1929) ",""]],[],[["Spielmann 1986 a, S. 32 ","2845"],["Spielmann 2003 a, S. 29 mit Abb.","3309"]],[["Weibliches Bildnis"]]]},{"id":1179,"img":{"extraLarge":"AP_100042185_extraLarge.jpg","medium":"AP_100042185_medium.jpg"},"arr":["1907.01","Natalie Baczewski","","1907","Öl/Lwd.","94 x 67 cm ","Bez. auf der Rückseite von fremder Hand: Natalie Baczewski ","","","8","Museum Leopold Wien","","","Privatbesitz"],"mul":[[["Baczewski Max und Natalie","Max und Natalie Baczewski, Wien",""],["Barrett Victor B.","Victor B. Barrett, Washington (um 1939)","1960/61 als Eigentum von Victor B. Barrett bei Leopold Zahn, Baden-Baden; später bei Victor B. und Birgit Barrett, Berlin "],["Barrett-Eten Birgit","Birgit Barrett-Eten, Berlin (1973)",""],["Eckehart Weiß","Eckehart Weiß, Berlin, später Hildesheim (1975)",""],["Galerie Kurt Kalb","Galerie Kurt Kalb, Wien",""],["Privatbesitz","Privatbesitz, Wien (1987)",""]],[["2015 Pöchlarn","8372","Farb. Umschlagabb. [Faltblatt]"],["2008 Wien, Belvedere","8619","S. 22, Farbtaf. 7 S. 23"],["1919 München","9091","Nr. 37 u. d. T. \"Porträt der Frau Dr. B.\" "],["2018/2019 Zürich","21106","Nr. 3, Farbtaf. S. 41"]],[["Lowitzer-Hönig 2008, S. 34, Abb. 54","2124"],["Spielmann 1986 a, S. 34 ","2845"],["Spielmann 2003 a, S. 52-53 mit Abb.","3309"]],[["Weibliches Bildnis"]]]},{"id":1464,"img":{"extraLarge":"AP_100042473_extraLarge.jpg","medium":"AP_100042473_medium.jpg"},"arr":["1907.02","Mädchen, Hände vor der Brust","Das Apollo-Girl (Mata Hari)","[1907/08]","Öl/Lwd.","42 x 49 cm ","Bez. oben links: OK ","","1 (ohne Abb.)","9","Privatbesitz","1984 ","",""],"mul":[[["Galerie Arnot","Galerie Arnot, Wien",""],["Beran Bruno","Bruno Beran, Wien/später München, Brünn und Paris (vor 1914)",""],["Goerig-Beran Hermine","Hermine Goerig-Beran, Paris (1979)","gemeinsamer Besitz mit Rudolf Beran, Birmingham"],["Christie's","Christie's, London (27.3.1984, Nr. 332B mit Abb., nur s/w Abb.)",""],["Galerie Kurt Kalb","Galerie Kurt Kalb, Wien",""]],[["2008 Wien, Belvedere","8619","S. 28, Farbtaf. 9 S. 27"],["1991 Wien","9033","Nr. 1 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 2, Farbtaf. S. 42-43"]],[["Spielmann 2003 a, S. 33 mit Abb.","3309"],["Werkner 2002, Abb. S. 32 (Detail)","3381"],["Wingler 1956, S. 33 ","3708"],["Christie's London 1984, Nr. 332B mit Abb.","11165"]],[["Weibliches Bildnis"]]]},{"id":1043,"img":{"extraLarge":"AP_100042047_extraLarge.jpg","medium":"AP_100042047_medium.jpg"},"arr":["1908.01","Ungarische Landschaft","Landschaft Italien\nJapanische Landschaft","1908","Öl/Lwd.","73 x 100.4 cm ","Bez. unten rechts: OK ","8","8, Taf. 1","10","Musée Jenisch, Fondation Oskar Kokoschka, Vevey","1996","FOK 400","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Galerie Georg Caspari","Galerie Georg Caspari, München",""],["Tietz Alfred Leonhard","Alfred Leonhard Tietz, Köln-Marienburg (1924)",""],["Tietz Albert U.","Albert U. Tietz, New York (1941 bis mind. 1986)","in den vierziger Jahren zeitweilig als Leihgabe aus Privatbesitz in der Galerie J. K. Thannhauser, New York"],["Marlborough Fine Art","Marlborough Fine Art, London (1986-96)",""]],[["1925 Köln","8096","Nr. 49 "],["1927 Zürich, Kunsthaus","8209","Nr. 1, Taf. XV "],["1948 Boston","8222","Nr. 3 "],["1925 Cassirer, Berlin","8326","Nr. 1 "],["1922 Caspari, München","8440"," "],["1941 New York","8466","Nr. 6 "],["2001/02 Emden","8542","S. 93, Farbtaf. S. 33"],["1986 London","8643","Nr. 1 mit Farbtaf. "],["1986 Zürich","8836","Nr. 1 mit Farbtaf. "],["1931 Paris, Galeries Georges Petit","8875","Nr. 3 "],["2005/06 Pfäffikon","8898","o. Farbtaf. (außer Kat.)"],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 4 "],["1929 Abels, Köln","9030","Nr. 4 "],["1923 Cassirer, Berlin","9051"," "],["1986/87 Guggenheim, New York","9072","Nr. 1 mit Farbtaf. "],["2017 Davos","20106","Farbtaf. S. 199"],["2018/2019 Zürich","21106","Nr. 4, Farbtaf. S. 44-45"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 1, Farbtaf. S. 63"]],[["Westheim 1925 a, Abb. 1 ","2027"],["Einstein 1926, Abb. S. 444 ","3305"],["Spielmann 2003 a, S. 54, Farbtaf. S. 72","3309"],["Einstein/Westheim 1984, Abb. S. [10] ","3423"],["Vevey 1994, S. 75 mit Abb.","3718"],["Rukschcio/Schachel 1982, S. 140 ","3815"],["Paris 2022, Farbtaf. S. 63","43164"]],[["Ungarn"]]]},{"id":1176,"img":{"extraLarge":"AP_100042182_extraLarge.jpg","medium":"AP_100042182_medium.jpg"},"arr":["1909.01","Der Trancespieler (Ernst Reinhold)","","1909","Öl/Lwd.","81 x 65 cm ","Bez. oben links: OK ","5","5, Taf. 3","11","Musées Royaux des Beaux-Arts de Belgique, Brüssel ","30.6.1939 ","6152",""],"mul":[[["Pollack Fritz","Fritz Pollack, Frankfurt a. M.",""],["Falk Henri und Adele","Henri und Adele Falk, Mannheim",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (1918)","über Hugo Helbing, München"],["Galerie Georg Caspari","Galerie Georg Caspari, München (16.5.1918)",""],["Schlesisches Museum der Bildenden Künste","Schlesisches Museum der Bildenden Künste, Breslau (1920)",""],["1937 beschlagnahmt","1937 beschlagnahmt",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin",""],["Galerie Fischer","Galerie Fischer, Luzern (30.6.1939, Nr. 63)",""]],[["1961 Brüssel","8031","Nr. 103 "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 1 "],["1962 Tate Gallery, London","8075","Nr. 2, Abb. Nr. 5 "],["1909 Wien","8082","Nr. 5 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 1 "],["1972 New York","8275","Nr. 40 mit Farbabb. "],["1918 Neue Secession, München","8290","Nr. 92 "],["1957 Amsterdam","8311","Nr. 54 "],["1939 Grand Hôtel National, Luzern","8353","Nr. 63, Abb. 37"],["1964 Gent","8396","Nr. 143, Abb. S. 36 "],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 17 "],["2002 Hamburg","8474","S. 98, 243, Farbtaf. S. 99 (nur in New York ausgestellt)"],["1965 Brüssel","8569","mit Abb. "],["1987 Gent","8571","Nr. 2, Farbtaf. S. 74 "],["1956 Prag","8648","Nr. 5 "],["1964 Florenz","8683","Nr. 306, Abb. S. 130 "],["1951 Berlin","8741","Nr. 1 "],["1918 Cassirer, Berlin","8777","Nr. 1 "],["1960/61 Paris","8787","Nr. 329 "],["[1910 Hagen]","8871"," "],["1931 Paris, Galeries Georges Petit","8875","Nr. 1 mit Abb. "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 7 "],["1955 Wien, Secession","8960","Nr. 1 "],["1911 Wien","8994","Nr. 41 "],["1955 Kassel","8996","Nr. 292 "],["1983 Bordeaux","9016","Nr. 1, Abb. S. 71 "],["1939 Zürich","9061"," "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 2, Farbtaf. S. 65"]],[["Westheim 1925 a, S. 33, Abb. 50 ","2027"],["Lowitzer-Hönig 2008, S. 32, 51, Abb. 56","2124"],["Meyer 2013, S. 198, Farbabb. 63 S. 400","2165"],["Kokoschka 1935 b, S. [3] ","2188"],["Stefan 1913, S. 6 ","2232"],["Westheim 1917 a, S. 319 ","2244"],["Goldberg 2005, S. 77 mit Farbabb. 1","2345"],["Biermann 1929, Abb. 1 ","2394"],["Masciotta 1967, Farbtaf. I ","2447"],["Nebehay 1983 a, S. III/13 mit Abb. ","2462"],["Echte/Feilchenfeldt 2013, S. 457, Farbabb. S. 458","2467"],["Hoffmann 1947, S. 51--53 ","2499"],["Duchesne 2014, Nr. 63, S. 170 mit Farbabb.","2583"],["Leshko 1977, S. 28, 77-80, S. 133, Abb. 33 ","2659"],["Sultano 2003 b, S. 114, Abb. 37","2720"],["Westheim 1918 a, S. 22, 52, Abb. 7 ","2738"],["Powell 1974, S. 169, Abb. S. 170 ","2880"],["Heilmaier 1929, S. 7, Abb. 1 ","2885"],["Kokoschka 1971, S. 56, 66, 69, 73 und 208--211 ","2894"],["Mayer 1918, Abb. S. [286]","3008"],["Barron 1992 b, S. 159 mit Abb.","3051"],["Selz 1974, S. 166, Abb. 62a ","3116"],["Mannheim 1994, Nr. 138, S. 168, Farbabb. S. 131","3152"],["Meyer 2010, S. 153, Farbabb. 39","3160"],["Galerie Fischer Luzern 1939 a, Nr. 63, Abb. S. 37","3165"],["Hodin 1968 a, S. 112-114 ","3213"],["Husslein-Arco/Weidinger 2008, S. 157, Farbabb. 86","3215"],["Einstein 1926, Abb. S. 440 ","3305"],["Giebe 2002, S. 8","3308"],["Spielmann 2003 a, S. 54, 81, Farbtaf. S. 124","3309"],["Fischer 1982, S. 9-10, Abb. 11 ","3317"],["Bruxelles 1984, S. 341 mit Abb.","3348"],["Werkner 1986, Abb. 42 ","3369"],["Comini 1974, S. 34-35, Abb. 43 ","3390"],["Palkovsky 1958, Abb. 2 ","3411"],["Servaes 1910, Abb. S. [15] ","3422"],["Kandel 2014, S. 177-179, Farbabb. 9-10 S. 178 u. S. 387, Farbabb. 20-3 S. 389","3467"],["Gatt 1972, Farbtaf. 1 ","3468"],["Breslau 1926, Nr. 1183","3483"],["Ollinger-Zinque 1969, Nr. 34","3488"],["Platschek 1946, Abb. 6 ","3496"],["Fierens 1963, S. [122]--125, Abb. 46","3530"],["Hoffmann 1967, Farbtaf. I ","3588"],["Wingler 1956, S. 33-34 ","3708"],["Landau 1925, Abb. nach S. 64 u. d. T. \"Medium\" ","3813"],["Schmalenbach F. 1947, S. 7 ","3824"],["Westheim 1918 b, S. 240 ","3846"],["Hofmann 1967, Farbabb. S. 51 ","3918"],["Schweiger 1983, S. 44--45, 71, 106, 108, Farbtaf. S. 96 ","3945"],["Zauner/Köstler 1996, S. 174, Farbtaf. S. 177","3956"],["Primack 1961, S. 8-10 und 12 ","4107"],["Kokoschka 1913, Abb. ","4130"],["Berland 2015 a, S. 191","4152"],["Hecker 1986, S. 316-332 (zur Person Ernst Reinhold), Abb. gegenüber S. 316","4157"],["Bruxelles 2006, Nr. 6152, Abb.","20175"],["Mannheim 1994, Nr. 138, S. 168, Abb. S. 131","23190"],["Görner 2018, S. 32","41167"],["CFA 2020","42164"],["Paris 2022, Farbtaf. S. 65","43164"]],[["Männliches Bildnis"]]]},{"id":1214,"img":{"extraLarge":"AP_100042220_extraLarge.jpg","medium":"AP_100042220_medium.jpg"},"arr":["1909.02","Robert Freund I","","1909","Öl/Lwd., auf Holz aufgezogen","58 x 48 cm ","Bez. oben links: OK ","86","89","12","Standort unbekannt "," ","","Standort unbekannt "],"mul":[[["Freund Robert","Robert Freund, Berlin /Wien/seit 1941 New York (bis 1952)",""],["Jarislowsky Otti E.","Otti E. Jarislowsky, Montreal, Canada (1958)",""],["Nathanson Anne","Anne Nathanson, Montreal, Canada (1962)",""],["Brook Street Gallery Lewin Robert","Robert Lewin, London (1966)",""],["Miller William","William Miller, London/später Spanien",""]],[["1911 Karlsbad","8044","Nr. 14 "],["1943 Galerie St. Etienne, New York","8196"," "],["1958 Den Haag","8309","Nr. 24 "],["1938 London","8417","außer Katalog "],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 21 "],["1962 Haus der Kunst, München","8465","Nr. 79 mit Abb. "],["1958 Wien","8541","Nr. 34, Abb. S. 32 "],["[1910 Hagen]","8871"," "],["1938 Paris","8892"," "],["1958 München, Haus der Kunst","8914","Nr. 34, Abb. S. 32 "],["1912 Wien, Volksheim","8951","Nr. 99 "],["[1927 Cassirer, Berlin]","8968","Nr. 7 u. d. T. \"Dr. F.\" "]],[["Roussel 1984, S. 188-189 ","2118"],["Frowein 1984, S. 223-225 ","2157"],["Holz 2011, S. 292, Abb. 6 (Irmgard Burchard zeigt das zerschnittene Gemälde)","2162"],["Sotheby Parke Bernet 1966, Nr. 84 mit Abb.","2257"],["Graeve 1988, S. 340 mit Abb., S. 344, Abb. S. 345","2287"],["Torberg 1982, S. 192 (zur Person Robert Freund)","2366"],["Echte/Feilchenfeldt 2013, S. 461 mit Abb.","2467"],["Sultano 2003 a, S. 12, 52, Abb.1","2542"],["Daily Herald 1938, ","2586"],["Feilchenfeldt 2009 a, S. 259-279 mit Farbtaf. II","2599"],["Adkins 1988, S. 325","2749"],["Carte postale 1938","2759"],["Kokoschka 1971, S. 125 ","2894"],["Kallir 1981, Abb. 5, S. 11","2980"],["Held 2011, S. 106, Anm. 56, Abb. 16","3054"],["Daily Express 1938, Abb.","3058"],["Husslein-Arco/Weidinger 2008, S. 157, Abb. 87","3215"],["Kallir 1999, Abb. als Frontispiz","3267"],["Holz 2001 b, S. 150-157, Abb. S. 152","3466"],["Mihan 1944, S. 81, Abb. 33 S. 82 ","3528"],["Westheim 1938","3627"],["Hodin 1963 a, S. 120 ","3637"],["Holz 2004, S. 204-205 mit Abb. 6.3. und 6.4., S. 233-234, 238 mit Abb. 6.14","3842"],["New York Times 1952","4101"],["Piper 1964, S. 400--401 [zur Person Robert Freund]","4111"],["Lackner 1988, S. 318--319, S. 320 ","4155"]],[["Männliches Bildnis"]]]},{"id":1312,"img":{"extraLarge":"AP_100042319_extraLarge.jpg","medium":"AP_100042319_medium.jpg"},"arr":["1909.03","Veronika mit dem Schweißtuch","","[1909]","Öl/Lwd.","119 x 80 cm ","Bez. unten rechts: OK ","44","54","13","Szépmüvészeti Muzeum, Budapest ","1964 ","542.B",""],"mul":[[["Schmidt Friedrich Otto","Friedrich Otto Schmidt, Wien und Budapest (1913)",""],["von Nemes Marczell","[Marczell von Nemes, Budapest/München]",""],["Szilárd Vilmos","Vilmos Szilárd, Budapest (1934)",""]],[["1980/81 Wien","8408","Nr. 14 "],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 25 "],["2008 Wien, Belvedere","8619","S. 192, Farbtaf. 95 S. 194"],["1986 London","8643","Nr. 2 mit Farbtaf. "],["[1980 Budapest]","8739",""],["1971 Wien","8820","Nr. 19 "],["1984 Venedig","8824","Nr. 651 "],["1986 Zürich","8836","Nr. 2 mit Farbtaf. "],["[1910 Hagen]","8871"," "],["2013 Budapest","8981","S. 152, 189, Farbtaf. 102"],["1911 Wien","8994","Nr. 60 "],["1991 Wien","9033","Nr. 4 mit Farbtaf. und Detail "],["2016 Paris","9102",""],["2018/2019 Zürich","21106","Nr. 11, Farbtaf. S. 61"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 3, Farbtaf. S. 71"]],[["Kovács 1961, S. 95-96, Abb. 65 S. 97","2060"],["Kovács 1964, S. 52 mit Abb.","2076"],["Fenjö 1976, S. 70, Farbtaf. Abb. 46 ","2098"],["Lowitzer-Hönig 2008, S. 45, Abb. 155","2124"],["Budapest 1978, Nr. 3 mit Farbtaf.","2161"],["Westheim 1917 a, S. 319 u. d. T. \"Heilige Veronika\" ","2244"],["Schaukal 1912, S. 812 ","2307"],["Trummer 2002, S. 38 mit Abb.","2337"],["Echte/Feilchenfeldt 2013, S. 472 mit Farbabb. S. 474","2467"],["Bauer 2012, S. 58, Farbabb. 59","2541"],["Reich 1911, S. 7 ","2589"],["Westheim 1918 a, S. 53 ","2738"],["Poindront 2005, S. 67-68, Farbabb. S. 67","2847"],["Kokoschka 1971, S. 125--126 ","2894"],["Meyer 2010, S. 153, Farbabb. 40","3160"],["Serati 2008, S. 206 mit Farbabb.","3304"],["Spielmann 2003 a, S. 83, Farbtaf. S. 121","3309"],["Budapest 1971, S. 136 mit Abb., Farbabb. S. [137] (Detail)","3669"],["Budapest 1969, S. 24, Farbabb. 71","3740"],["Budapest 2006, Nr. 171, Farbabb. 67","20176"],["Budapest 2002, S. 171, Nr. 274","20177"],["Paris 2022, Farbtaf. S. 71","43164"]],[["Religiöse Bilder"],["Biblische Figuren"]]]},{"id":1421,"img":{"extraLarge":"AP_100042429_extraLarge.jpg","medium":"AP_100042429_medium.jpg"},"arr":["1909.04","Vater Hirsch","Portrait of an old man\nAlter Mann (Vater Hirsch)","[1909]","Öl/Lwd.","70.5 x 62.5 cm ","Bez. oben links: OK ","2","4, Farbtaf. I","14","LENTOS Kunstmuseum, Linz\n","1953 ","4","LENTOS Kunstmuseum"],"mul":[[["Hirsch Moritz","Moritz Hirsch",""],["Fischer Rosy und Ludwig","Rosy und Ludwig Fischer, Frankfurt a. M. (1918-24)",""],["Städtisches Museum für Kunst und Kunstgewerbe","Städtisches Museum für Kunst und Kunstgewerbe, Halle a. S. (1924)",""],["1937 beschlagnahmt","1937 beschlagnahmt (Beschlagnahmeinventar: Nr. 16064)",""],["Böhmer Bernhard A.","Bernhard A. Böhmer, Güstrow (1937)",""],["Gurlitt Wolfgang","Wolfgang Gurlitt, Berlin/später Linz",""],["Neue Galerie der Stadt Linz/ Wolfgang Gurlitt Museum","Neue Galerie der Stadt Linz/ Wolfgang Gurlitt Museum, Linz",""]],[["2014 Wolfsburg","8102","S. 20-21, 89, 301, Farbtaf. S. 95"],["1996/97 Wien","8103","S. 34, Farbtaf. S. 35"],["1937 Hofgarten-Arkaden, München","8108","Raum 4 "],["1956 Recklinghausen","8122","Nr. 140 mit Abb. "],["1971 München","8125","Nr. 1, Farbabb. S. 20 "],["1950 München","8139","Nr. 1 "],["1965 Recklinghausen","8158","Nr. 159 mit Abb. "],["1959/60 Rom","8164","außer Katalog "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 2 "],["1974 Luzern","8167","Nr. 114 mit Abb. "],["1966 Zürich","8225","Nr. 2 "],["1953/54 Sao Paulo","8265","Nr. 1 mit Abb. "],["1966 Karlsruhe","8284","Nr. 1 mit Abb. "],["1956 Amsterdam","8297","Nr. 130 "],["1958 Den Haag","8309","Nr. 2 mit Abb. "],["1957 Amsterdam","8311","Nr. 56 mit Abb. "],["2001 Paris","8333","S. 201, Nr. 8 mit Farbtaf."],["2006/07 Amsterdam","8340","S. 109, 154, Farbtaf. S. 110"],["1990 Essen","8364","Nr. 193 mit Farbtaf. "],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 18 u. d. T. \"Ein brutaler Egoist\" "],["2002 Hamburg","8474","S. 100, 243, Farbtaf. S. 101"],["2013/14 Rotterdam","8478","S. 17, Nr. 21 mit Farbtaf."],["1954 Rio de Janeiro","8534","Nr. 1 "],["1958 Wien","8541","Nr. 2, Abb. S. 3 "],["1987 Gent","8571","Nr. 1, Farbtaf. S. 73 "],["1992 Altes Museum, Berlin","8573","S. 285, Farbabb. 281"],["1990 Frankfurt/Main","8579","Nr. 232, S. 164, Farbtaf. 17"],["1976 Bregenz","8605","Nr. 1, Farbtaf. I "],["1957 Bern","8617","Nr. 55 "],["2008 Wien, Belvedere","8619","S. 156, Farbtaf. 77 S. 159"],["1971 Mechelen","8625"," "],["1988 Barcelona","8659","Nr. 1, Farbtaf. S. 35 "],["1964 Florenz","8683","Nr. 305 "],["1959 Düsseldorf","8710","Nr. 85 "],["1951 Berlin","8741","Nr. 2 "],["1986 Paris","8762"," "],["1957 St. Gallen","8764","Nr. 47 "],["1918 Cassirer, Berlin","8777","Nr. 2 "],["1975 Recklinghausen","8794","Nr. 125 mit Abb. "],["1971 Wien","8820","Nr. 2 "],["1984 Venedig","8824","Nr. 647, Farbabb. S. 196 "],["1972 Menton","8838"," "],["[1910 Hagen]","8871"," "],["1980/81 New York","8897","Nr. 274, Farbabb. S. 252 (deutscher Katalog: Nr. 275, Farbabb. S. 263)"],["1958 München, Haus der Kunst","8914","Nr. 2, Abb. S. 3 "],["1986 Museum of Modern Art, New York","8925","(Nr. 56), Farbabb. S. 206 "],["1955 Wien, Secession","8960","Nr. 2 "],["1995 Madrid","8965","S. 62, 110, Nr. 11 mit Farbtaf."],["1951 Linz","8989","Nr. 1, Abb. S. 9 "],["1960 Kopenhagen","9011","Nr. 2 mit Abb. "],["2008 Linz","9042","S. 164, 235, Farbtaf. S. 165"],["1985 Künstlerhaus, Wien","9048","Nr. 15/6/1 "],["1962 Wien","9060","Nr. 38 mit Abb. "],["1986/87 Guggenheim, New York","9072","Nr. 2 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 10, Farbtaf. S. 69"],["2020 Lausanne","26106","Nr. 67, Farbtaf. S. 142"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 4, Farbtaf. S. 64"]],[["Lowitzer-Hönig 2008, S. 33, Abb. 58","2124"],["Roşu 1976, Abb. S. 10 ","2148"],["Calvocoressi 1992, Farbtaf. 2 ","2193"],["Lloyd 2009, S. 25 mit Farbabb.","2221"],["Westheim 1917 a, S. 319 ","2244"],["Schvey 1982, S. 43, Abb. 16 ","2375"],["Palmier 1992, S. 85, Farbtaf. S. 84","2432"],["Nebehay 1983 a, Farbabb. S. III/14 ","2462"],["Echte/Feilchenfeldt 2013, S. 459, Farbabb. S. 458","2467"],["Hiller 1910, S. 150 ","2520"],["Feilchenfeldt 2009 a, S. 265, Farbabb. 87","2599"],["Leshko 1977, S. 71-75, 77, S. 78, Abb. 30 ","2659"],["Grohmann 1925 b, S. 983, Abb. S. [982]","2705"],["Westheim 1918 a, S. 52 ","2738"],["Nowak-Thaller 2008 a, S. 24, Farbabb. 18","2870"],["Kokoschka 1971, S. 73 ","2894"],["Romanus 1985, S. 37, Abb. S. 84 ","3042"],["Auböck/Marchetti 1985, Farbtaf. S. 140","3045"],["Goldberg 1998, S. 16 mit Farabb.","3217"],["Spielmann 2003 a, S. 87, Farbtaf. S. 125","3309"],["Fischer 1982, S. 11, Abb. 12 ","3317"],["Werkner 1986, Farbtaf. X ","3369"],["Palkovsky 1958, Abb. 1 ","3411"],["Bultmann 1959, S. 20 und 48, Farbtaf. 2 ","3434"],["Kandel 2014, S. 387, 390, Farbabb. 20-5 S. 389","3467"],["Gatt 1972, Abb. 2 ","3468"],["Whitford 1986, S. 18, Abb. 7 ","3477"],["Schuster 1988, S. 144, Abb. S. 145 ","3565"],["Reinhold 2013, Farbabb.","3582"],["Linz 2003, S. 457, 202 mit Farbabb.","3640"],["Simpson 1979, Abb. S. 70 ","3677"],["Wingler 1956, S. 33 ","3708"],["George 1963, S. 44 ","3814"],["Muller 1982, Farbabb. S. 80 ","3821"],["Keegan 1999, S. 37--38","3854"],["Sotriffer 1964, S. 27 ","3985"],["Linz 1979, S. 189 mit Abb.","3990"],["Linz 1958, Nr. 72, Abb. 43","4140"],["Peters 2014, S. 239, Abb. 121, S. 240, Abb. 122","17164"],["Linz 2002, S. 202 mit Farbabb.","23181"],["Paris 2022, Farbtaf. S. 64","43164"]],[["Männliches Bildnis"]]]},{"id":1403,"img":{"extraLarge":"AP_100042410_extraLarge.jpg","medium":"AP_100042410_medium.jpg"},"arr":["1909.05","Stillleben mit Ananas","","[1909]","Öl/Lwd.","109 x 78 cm ","Bez. unten links: OK ","3","3, Taf. 2 ","15","Staatliche Museen Preußischer Kulturbesitz, Neue Nationalgalerie, Berlin","1928, Rückführung aus Wiesbaden um 1957 ","A II 637 Kat. 1558",""],"mul":[[["Oppenheim Max","Max Oppenheim, Wien",""],["Galerie Würthle","Galerie Würthle, Wien",""],["Nationalgalerie","Nationalgalerie, Berlin (1928)","im März 1943 im Tiefenkeller des neuen Reichsbankgebäudes, Kurstr. 36/51, ausgelagert, 1944 in den Flakturm am Zoo gebracht, 1945 Grube Kaiseroda bei Merkens, 1945 Treuhandverwaltung Kultusministerium Hessen, Wiesbaden, Central Collecting Point Wiesbaden"]],[["1962 Tate Gallery, London","8075","Nr. 1, Abb. Nr. 4 "],["1950 München","8139","Nr. 36 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 11 "],["1966 Zürich","8225","Nr. 1 "],["1958 Den Haag","8309","Nr. 1 mit Abb. "],["1957 Amsterdam","8311","Nr. 55 mit Abb. "],["1990 Essen","8364","Nr. 194 mit Farbtaf. "],["1980/81 Wien","8408","Nr. 20 "],["1962/1963 Hamburg","8422","Nr. 1 mit Farbabb. "],["1958 Wien","8541","Nr.1, Abb. S. 2 "],["2008 Wien, Belvedere","8619","S. 158, Farbtaf. 76 S. 157"],["1986 London","8643","Nr. 3 mit Farbtaf. "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 11, Nr. 3 "],["1920 Wien","8693","Nr. 34 "],["1984 Brüssel","8705","Nr. 100 mit Abb. "],["1959 Düsseldorf","8710","Nr. 84 mit Abb. "],["1951 Berlin","8741","Nr. 18 "],["1984 Venedig","8824","Nr. 648 "],["1986 Zürich","8836","Nr. 3 mit Farbtaf. "],["1958 München, Haus der Kunst","8914","Nr. 1, Abb. S. 2 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 14 "],["1995 Madrid","8965","S. 64, 110, Nr. 12 mit Farbtaf."],["1960 Kopenhagen","9011","Nr. 1 mit Farbabb. "],["1930 Nationalgalerie, Berlin","9053"," "]],[["Janda 1986, S. 21 und 48 ","2030"],["Grimschitz 1963, Farbtaf. S. 120 ","2061"],["Calvocoressi 1992, Farbtaf. 1 ","2193"],["Berlin 1979, S. 359","2196"],["Spielmann 1997, S. 83, Abb. 80","2228"],["Berlin 1928, ","2510"],["Leshko 1977, S. 314-315, Abb. 159 ","2659"],["Hentzen 1972 a, S. 40 ","2809"],["Wolfradt 1930","3009"],["Spielmann 2003 a, S. 55 mit Abb., S. 82, 85, Farbtaf. S. 119","3309"],["Dube 1973, Abb. 139 S. 181 ","3325"],["Bultmann 1959, S. 46, Farbtaf. 1 ","3434"],["Gatt 1972, Abb. 3 ","3468"],["Berlin 1964, S. 64 ","3603"],["Leshko 1980 a, S. 85 ","3688"],["Wingler 1956, S. 33 ","3708"],["Die Bildenden Künste 1920, Abb. S. 69","3760"],["Scheffler 1930, S. 338","3766"],["Sotriffer 1964, S. 27 ","3985"],["Berlin 1968, S. 121","4021"],["Westheim 1930 b","4092"]],[["Stillleben"]]]},{"id":1104,"img":{"extraLarge":"AP_100042110_extraLarge.jpg","medium":"AP_100042110_medium.jpg"},"arr":["1909.06","Ernest Ebenstein","\"Der Hofschneider E. Ebenstein\"","[1909]","","101.8 x 81.1 cm ","Bez. unten rechts: OK ","11","10","16","The Art Institute of Chicago, Chicago ","1956 ","Joseph Winterbotham Collection 1956.364","Joseph Winterbotham Collection, 1956.364"],"mul":[[["Ebenstein Ernest","Ernest Ebenstein, Wien",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (1926)",""],["Simon Hugo","Hugo Simon, Berlin/später Paris und Rio de Janeiro (1927)",""],["Bernoulli Christoph","Christoph Bernoulli, Basel (1952)",""],["Curt Valentin Gallery","Curt Valentin Gallery, New York (um 1955)",""],["Galerie St. Etienne, Otto Kallir","Galerie St. Etienne, Otto Kallir, New York (1956)",""]],[["1911 Karlsbad","8044","Nr. 3 "],["1956 Chicago","8045","Nr. 4 "],["1950 München","8139","Nr. 2 "],["1927 Zürich, Kunsthaus","8209","Nr. 2, Taf. II "],["1947 Basel, Kunsthalle","8376","Nr. 121 "],["1947 Zürich, Kunsthaus","8415","Nr. 2 "],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 10 "],["2002 Hamburg","8474","S. 102, 243, Farbtaf. S. 103"],["1928 Nationalgalerie, Berlin","8558","Nr. 78 "],["1928 London","8640","Nr. 18, Abb. S. [6] "],["1986 London","8643","Nr. 4 mit Farbtaf. "],["1955 Winnipeg","8718","Nr. 38 u. d. T. \"Portrait of a man\" "],["1951 Berlin","8741","Nr. 3 "],["1952 Basel","8779","Nr. 18 "],["1971 Wien","8820","Nr. 6 "],["1947 Amsterdam","8829","Nr. 2 "],["1986 Zürich","8836","Nr. 4 mit Farbtaf. "],["[1910 Hagen]","8871"," "],["1931 Paris, Galeries Georges Petit","8875","Nr. 2 "],["1955 Valentin, New York","8888","Nr. 67 mit Abb. "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 1 "],["1927 Cassirer, Berlin","8968","Nr. 6 mit Abb. "],["1948 Venedig","8991","Nr. 2 "],["1911 Wien","8994","Nr. 39 "],["1986/87 Guggenheim, New York","9072","Nr. 3 mit Farbtaf. "]],[["Biermann 1929, Abb. 2 ","2394"],["Echte/Feilchenfeldt 2013, S. 460 mit Farbabb.","2467"],["Westheim 1918 a, S. 52 ","2738"],["Heilmaier 1929, Abb. 3 ","2885"],["Kokoschka 1971, S. 85 ","2894"],["Chicago 1980, Nr. 2D3, S. 50","2974"],["Husslein-Arco/Weidinger 2008, S. 158, Farbabb. 90","3215"],["Novotny 1954, Abb. S. 73 ","3259"],["Spielmann 2003 a, S. 85--86 mit Abb.","3309"],["Rukschcio/Schachel 1982, S. 43 mit Abb. ","3815"],["Schmalenbach F. 1947, S. 11 ","3824"],["Schweiger 1983, S. 118, 262 (Anm. 6 zum Kapitel \"Wie der Geisterkönig ...\"), Abb. S. 187 ","3945"],["Chicago 1961, S. 253 ","4076"],["Andreotti 1994, S. 136-137 ","5162"]],[["Männliches Bildnis"]]]},{"id":1434,"img":{"extraLarge":"AP_100042442_extraLarge.jpg","medium":"AP_100042442_medium.jpg"},"arr":["1909.07","Richard Stein","Baron Dirsztay\nHerrenbildnis in Blau","[1909]","Öl/Lwd."," x ","Bez. unten rechts: OK ","83","18 ","17","Verbleib unbekannt"," ","",""],"mul":[[["Galerie Ernst Arnold","Galerie Ernst Arnold, Dresden (1923)",""],["Galerie Georg Caspari","Galerie Georg Caspari, München (1931)","gemeinsam mit Neue Galerie, Wien"],["Rathenau Ernest","Ernest Rathenau, Berlin",""]],[["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 24 u. d. T. \"Porträt Dirsztay\" "],["1927 Zürich, Kunsthaus","8209","Nr. 30 u. d. T. \"Herrenbildnis, in blau\" (?) "],["1923 Arnold, Dresden","8319"," "],["1931/32 Hagenbund, Wien","8433","Nr. 65 "],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 11 "],["[1910 Hagen]","8871"," "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 23 u. d. T. \"Baron Dirstay\" "],["1927 Cassirer, Berlin","8968","Nr. 24 u. d. T. \"Baron Dirstay\" "],["1911 Wien","8994","Nr. 37 "]],[["Westheim 1925 a, Abb. 72 u. d. T. \"Bildnis Baron Dirstay\" ","2027"],["Echte/Feilchenfeldt 2013, S. 466 mit Abb.","2467"],["Hiller 1910, S. 151 ","2520"],["Schürer 1923, Abb. S. [271]","20193"]],[["Männliches Bildnis"]]]},{"id":1239,"img":{"extraLarge":"AP_100042245_extraLarge.jpg","medium":"AP_100042245_medium.jpg"},"arr":["1909.08","Herr von Reininghaus","Herr von Reininghausen","[1909]","Öl/Lwd.","92 x 63 cm ","Bez. oben rechts: OK ","","28 ","18","Verbleib unbekannt"," ","",""],"mul":[[["Ronde Adolf","Adolf Ronde, Mainz (bis 1945)",""]],[["1931 Bad Homburg","8087","Nr. 44"],["1927 Mainz","8512","Nr. 164 u. d. T. \"Männliches Porträt\" mit Abb. "]],[["Einstein 1926, Abb. S. 441 ","3305"],["Magazine of art 1942","20194"]],[["Männliches Bildnis"]]]},{"id":1296,"img":{"extraLarge":"AP_100042303_extraLarge.jpg","medium":"AP_100042303_medium.jpg"},"arr":["1909.09","Josef Stein","Dr. Stein","[1909]","Öl/Lwd."," x ","Unbez. ","21","","19","Verbleib unbekannt"," ","",""],"mul":[[["Stein Josef","Josef Stein, Wien",""]],[["1930 Künstlerhaus, Wien","8811","Nr. 39 mit Abb. "],["1911 Wien","8994","Nr. 51 "]],[],[["Männliches Bildnis"]]]},{"id":1126,"img":{"extraLarge":"AP_100042132_extraLarge.jpg","medium":"AP_100042132_medium.jpg"},"arr":["1909.1","Alfred Sobotka","\"Älterer Herr mit Schnurrbart\" ","[1909/11]","Öl/Lwd.","78 x 63 cm ","Bez. unten links: OK 1911 (\"1911\" möglicherweise von fremder Hand) ","","16","20","Verbleib unbekannt"," ","",""],"mul":[[["Lehmbruck Frau W.","Frau W. Lehmbruck (bis 1919)",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (1919 )",""],["Kunsthalle Bremen","Kunsthalle Bremen, Bremen (1919-1922)","1922 getauscht mit Cat. rais. 1918/1 \"Die Jagd\""],["von Baviez A.","A. von Baviez, Frankfurt a. M.",""],["Bangel Rudolf ","Rudolf Bangel, Frankfurt a. M. (15.4.1924, Nr. 141 u. d. T. \"Herrenporträt\", Abb. Taf. XX)",""]],[],[["Bangel 1924, Nr. 141 u. d. T. \"Herrenporträt\", Abb. Taf. XX","3474"],["Schweiger 1983, S. 118, 262 (Anm. 6 zum Kapitel \"Wie der Geisterkönig ...\"), Abb. S. 193 ","3945"]],[["Männliches Bildnis"]]]},{"id":1319,"img":{"extraLarge":"AP_100042326_extraLarge.jpg","medium":"AP_100042326_medium.jpg"},"arr":["1909.11","Gustav Meyrink","","1909","Öl/Lwd."," x ","Bez. unten links: OK ","25","37","21","Verbleib unbekannt"," ","",""],"mul":[[["Fuld Harry","Harry Fuld, Frankfurt a. M./seit 1929 Berlin",""],["Fuld Flora","Flora Fuld, Frankfurt/Main (1932)",""],["1941 beschlagnahmt","1941 beschlagnahmt, seitdem verschollen","nach Harry Fuld Jun."]],[["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 4 "],["1918 Cassirer, Berlin","8777","Nr. 7 "],["[1910 Hagen]","8871"," "]],[["Mangoldt 1963, S. 99","2090"],["Westheim 1917 a, S. 319 ","2244"],["Meyrink 1926, Abb.","2581"],["Neue Roman 1917, Abb. gegenüber S. 144 ","2706"],["Westheim 1918 a, S. 52 ","2738"],["Kokoschka 1971, S. 103 ","2894"],["Smit 1988, S. 105-108, Abb. S. 106","3354"],["Swarzenski 1918, S. 90, Abb. S. 79","3556"],["Binder 1971, S. 811mit Abb.","3795"],["Das Kunstblatt 1931, S. 9 ","4128"]],[["Männliches Bildnis"]]]},{"id":1262,"img":{"extraLarge":"AP_100042268_extraLarge.jpg","medium":"AP_100042268_medium.jpg"},"arr":["1909.12","Wilhelm Hirsch","Herr Hirsch (Bildnis in Blau)","[1909]","Öl/Lwd.","91 x 72 cm ","Bez. unten links: OK ","","7","22","Staatliche Museen Preußischer Kulturbesitz, Neue Nationalgalerie, Berlin","1935; bis 1992 in der Alten Nationalgalerie, Berlin, ehemals DDR ","A III 448",""],"mul":[[["Galerie Georg Caspari","Galerie Georg Caspari, München (um 1922)","gemeinsamer Besitz mit Kunsthandlung Hugo Perls, Berlin "],["Dresdner Bank","Dresdner Bank, München (um 1932)",""],["Nationalgalerie","Nationalgalerie, Berlin (15.8.1935)","Kaufvertrag vom 15.8. zwischen \"Dresdner Bank\" und \"Land Preußen\"; 1944 im Flakturm von Berlin-Friedrichshain ausgelagert "]],[["[1911 Karlsbad]","8044","Nr. 4 "],["1964/65 Dresden","8146","Nr. 149 "],["1927 Zürich, Kunsthaus","8209","Nr. 30 u. d. T. \"Herrenbildnis, in blau\" (?) "],["1966 Karlsruhe","8284","Nr. 2 mit Abb. und Erläuterungen "],["1987 Grafenegg","8379","Nr. 27.5 "],["1986 Würthle, Wien","8394","Nr. 3 mit Farbtaf. "],["1922 Caspari, München","8440"," "],["2002 Hamburg","8474","S. 104, 243, Farbtaf. S. 105"],["2013/14 Rotterdam","8478","S. 78, Nr. 25 mit Farbtaf."],["2008 Wien, Belvedere","8619","S. 160, Farbtaf. 79 S. 163"],["1995 Madrid","8965","S. 70, 110, Nr. 15 mit Farbtaf."],["[1911 Wien]","8994"," "],["1929 Abels, Köln","9030","Nr. 3 u. d. T. \"Bildnis eines sitzenden Herrn\" "],["2008 Linz","9042","S. 60 mit Farbtaf."]],[["Janda 1986, S. 37 und 48 ","2030"],["Berlin-DDR 1963, S. 37, Abb. Nr. 96","2036"],["Berlin 1976, S. 43-44 mit Abb.","2198"],["Berlin 1980, S. 207, Abb. S. 206","2294"],["Hütt 1969, S. 132, Abb. 95 ","3238"],["Spielmann 2003 a, S. 86, Abb. S. 88","3309"],["Schweiger 1983, Farbtaf. S. 169 ","3945"],["Weltschätze 1985, S. 195, Nr. 189 mit Abb. (nicht ausgestellt)","3987"],["Domanický/Jindra 2011, S. 58-63, 266-271, 296-297, 300-303, 312--17, Farbtaf. 1, S. 298","4096"]],[["Männliches Bildnis"]]]},{"id":1467,"img":{"extraLarge":"AP_100042476_extraLarge.jpg","medium":"AP_100042476_medium.jpg"},"arr":["1909.13","Martha Hirsch","Frau Hirsch (Frau mit den großen Augen)","[1909]","Öl/Lwd.","88 x 70 cm ","Bez. unten rechts: OK ","1","6, Taf. 12","23","Privatbesitz, U.S.A. ","1969 ","",""],"mul":[[["Loos Adolf","Adolf Loos, Wien",""],["Neue Galerie, Otto Kallir-Nirenstein, Wien","Neue Galerie, Otto Kallir-Nirenstein, Wien (8.1.1925)",""],["Wolff Fritz","Fritz Wolff, Wien (um 1927)",""],["Wolff Fritz","Fritz Wolff, Wien/seit 1940 New York (um 1930)",""],["Knize Annie","Annie Knize, New York (1949)",""],["Sabarsky Serge","Serge Sabarsky, New York",""],["Cherry Wendel","Wendel Cherry, Louisville, Kentucky",""],["Sabarsky Serge","Serge Sabarsky, New York",""]],[["1994 Krakau","8013","S. 130, Farbtaf. 1"],["1911 Karlsbad","8044","Nr. 11 u. d. T. \"Weibliches Bildnis\" "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 3, Abb. S. [8] "],["1962 Tate Gallery, London","8075","Nr. 3 "],["1985/86 New York","8137","Nr. 1, Farbabb. S. 7 "],["1927 Zürich, Kunsthaus","8209","Nr. 10 "],["1977 Bloomington","8213","Nr. 56 mit Farbabb. "],["1948 Boston","8222","Nr. 1 mit Abb. "],["1972 New York","8275","Nr. 40 mit Farbtaf. "],["1997 Krumau","8285","S. [50], Farbtaf. S. [51]"],["1927 Gemeentemuseum, Den Haag","8370","Nr. 63 "],["1962/1963 Hamburg","8422","Nr. 3 mit Abb. "],["1910 Berlin, Galerie Paul Cassirer","8444","außer Katalog u. d. T. \"Die verträumte Frau\" "],["[1915 New York]","8449"," "],["2002 Hamburg","8474","S. 106, 243, Farbtaf. S. 107"],["2015/16 Wien","8486","Farbtaf. 21"],["2011 Neue Galerie, New York","8499","S. 276, Farbtaf. 2"],["1981 New York, Marlborough","8535","Nr. 1, Abb. S. 24 "],["1958 Wien","8541","Nr. 3 "],["1966 New York","8544","Nr. 1, Abb. S. 21 "],["1987 Gent","8571","Nr. 3, Farbtaf. S. 75 "],["2007 Madrid","8595","S. 62, 322, Farbtaf. 16"],["2008 Wien, Belvedere","8619","S. 160, Farbtaf. 80 S. 164"],["1926 Köln","8627"," "],["1925 Zürich","8635","Nr. 225 "],["1959 Bayer, New York","8649","Nr. 1 mit Abb. "],["1988 Barcelona","8659","Nr. 3, Farbtaf. S. 37 "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 11, Nr. 5 "],["1964 Guggenheim, New York","8695"," "],["1986 Tokyo","8703","Nr. 104 mit Farbtaf. "],["1915 San Francisco","8772","Nr. 317 "],["1954 Santa Barbara","8806","Nr. 1 "],["1987 Florenz","8852","Nr. 1 mit Farbtaf. "],["[1910 Hagen]","8871"," "],["1958 München, Haus der Kunst","8914","Nr. 3 "],["1986 Museum of Modern Art, New York","8925","(Nr. 60) "],["1928 Prag","8927","Nr. 176"],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 3 "],["1913 Zürich","8966","Nr. 130 "],["1927 Cassirer, Berlin","8968","Nr. 3 u. d. T. \"Die Frau mit den grossen Augen (Frau H.)\" "],["2001/02 Neue Galerie, New York","8978","Nr. I.45, S. 131, Farbtaf. S. 119"],["1929 Abels, Köln","9030","Nr. 14 "],["1991 Wien","9033","Nr. 3 mit Farbtaf. "],["1986/87 Guggenheim, New York","9072","Nr. 4 mit Farbtaf. "]],[["Bisanz 2005, Farbtaf. S. 143","2094"],["Lowitzer-Hönig 2008, S. 33, Abb. 66","2124"],["Monsel 1995, S. 5, Farbtaf. 2","2144"],["Calvocoressi 1992, Farbtaf. 3 ","2193"],["Schmalenbach F. 1967, S. 14, Farbtaf. S. 33 ","2199"],["Westheim 1917 a, S. 319 u. d. T. \"Frau mit den großen Augen\" ","2244"],["Echte/Feilchenfeldt 2013, S. 472, Farbtaf. S. 473","2467"],["Hiller 1910, S. 150 ","2520"],["Westheim 1918 a, S. 52 ","2738"],["Bisanz 2000, S. 35 mit Farbabb.","3146"],["Spielmann 2003 a, S. 88, Abb. S. 89","3309"],["Birthälmer 2012 b, S. 39, Farbabb. 3","3380"],["Masciotta 1949, Taf. I ","3880"],["Schweiger 1983, S. 118, 262 (Anm. 6 zum Kapitel \"Wie der Geisterkönig ...\"), Abb. S. 118 ","3945"],["Natter 2003, S. 244, 247, Farbabb. S. 250","4056"],["Domanický/Jindra 2011, S. 266-271, 296-297, 300-303, 312-317, Farbtaf. 2, S. 299","4096"]],[["Weibliches Bildnis"]]]},{"id":1310,"img":{"extraLarge":"AP_100042317_extraLarge.jpg","medium":"AP_100042317_medium.jpg"},"arr":["1909.14","Spielende Kinder","Zwei Kinder","[1909]","Öl/Lwd.","72 x 108 cm ","Bez. unten rechts: OK ","17, Abb. 8","19, Farbtaf. II","24","Lehmbruck-Museum, Duisburg ","1954, Stiftung der DEMAG AG Duisburg ","WLM: 573/655","Lehmbruck-Museum, Duisburg"],"mul":[[["Stein, Wien] [Richard","[Richard Stein, Wien]",""],["Loos Adolf","Adolf Loos, Wien",""],["Galerie Ernst Arnold","Galerie Ernst Arnold, Dresden (1924)",""],["Staatliche Gemäldegalerie","Staatliche Gemäldegalerie, Dresden (1926)",""],["1937 beschlagnahmt","1937 beschlagnahmt (21.12.1937)",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin",""],["Galerie Fischer","Galerie Fischer, Luzern (30.6.1939, Nr. 71)",""],["Woelfers Theodor","Theodor Woelfers, Malmö (1939)",""],["Galerie Aenne Abels","Galerie Aenne Abels, Köln (1952/53)",""]],[["1961 Brüssel","8031","Nr. 104 "],["1911 Karlsbad","8044","Nr. 5 "],["1976 Villingen-Schwenningen","8054","Nr. 1, Farbabb. S. 15 "],["1962 Tate Gallery, London","8075","Nr. 8, Abb. Nr. 10 "],["1971 München","8125","Nr. 3 mit Abb. "],["1950 München","8139","Nr. 4 "],["1927 Zürich, Kunsthaus","8209","Nr. 39 "],["1966 Zürich","8225","Nr. 4 "],["1966 Karlsruhe","8284","Nr. 5 mit Farbabb. "],["1958 Den Haag","8309","Nr. 4 "],["1939 Grand Hôtel National, Luzern","8353","Nr. 71"],["2006/07 Rovereto","8360","Farbtaf. 53"],["2013/14 London","8388","S. 139--140, 213, Farbabb. 47"],["1962/1963 Hamburg","8422","Nr. 6 mit Farbabb. "],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 5 "],["[1915 New York]","8449"," "],["2002 Hamburg","8474","S. 108, 244, Farbtaf. S. 109"],["2015/16 Wien","8486","S. 106, Farbtaf. 71"],["1931 Frankfurt/Main","8487","Nr. 127 "],["1958 Wien","8541","Nr. 6, Abb. S. 5 "],["1976 Bregenz","8605","Nr. 3, Abb. XIX "],["2008 Wien, Belvedere","8619","S. 160, Farbtaf. 81 S. 165"],["1983 Duisburg","8631","S. 110, Farbabb. S. 111 "],["1986 London","8643","Nr. 5 mit Farbtaf. "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 11, Nr. 11 "],["1980 Budapest","8739","Nr. 45, Farbtaf. S. 81 "],["1978 London","8751","Nr. 63, Farbabb. S. 72 "],["1915 San Francisco","8772","Nr. 319 u. d. T. \"Portrait Two Children\" "],["1956 London","8785","Nr. 96 "],["1996 Dresden","8815","S. 86, Farbtaf. S. [87]"],["1971 Wien","8820","Nr. 8, Farbabb. 4 "],["1982 New Delhi","8834","Nr. 61, Farbabb. S. 115 "],["1986 Zürich","8836","Nr. 5 mit Farbtaf. "],["1926 Dresden","8856","Nr. 532 "],["[1910 Hagen]","8871"," "],["1958 München, Haus der Kunst","8914","Nr. 5, Abb. S. 5 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 21 "],["1913 Zürich","8966","Nr. 131 u. d. T. \"Kindergruppe\" "],["1927 Cassirer, Berlin","8968","Nr. 12 "],["1984 Rosenheim","8976","Nr. 7 "],["1959 Recklinghausen","8979","Nr. 167 mit Abb. "],["1911 Wien","8994","Nr. 42 "],["1960 Kopenhagen","9011","Nr. 3 "],["1991 Wien","9033","Nr. 6 mit Farbtaf. und Detail "],["2008 Linz","9042","S. 54 mit Farbtaf."],["1985 Künstlerhaus, Wien","9048","Nr. 15/6/3 "],["1939 Zürich","9061",""],["1924 Neue Galerie, Wien","9081"," "],["1981 Hamburg","9082","Nr. 59, S. 75 mit Abb. "],["2018/2019 Zürich","21106","Nr. 9, Farbtaf. S. 78-79"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 5, Farbtaf. S. 67"]],[["Westheim 1925 a, Abb. 62 ","2027"],["Lévêque 2005, S. 183 mit Farbabb.","2028"],["Deutsche Kunst und Dekoration 1926, Abb. S. 116","2035"],["Monsel 1995, S. 5, Farbabb. 1","2144"],["Calvocoressi 1992, Farbabb. 5 ","2193"],["Tietze 1925, Abb. nach S. 64 ","2220"],["Westheim 1917 a, S. 319 ","2244"],["Grüner 1911, S. 21-22 ","2297"],["Biermann 1929, Abb. 8 ","2394"],["Wingler 1951 a, Mappe I, S. [3-4], Farbtaf. 1 ","2406"],["Wingler 1957, S. 100, Farbabb. S. [101] ","2423"],["Echte/Feilchenfeldt 2013, S. 472, Farbabb. S. 470","2467"],["Hoffmann 1947, S. 98, Abb. VIII ","2499"],["Göpfert 1987, S. 181, Abb. S. 180 ","2573"],["Duchesne 2014, Nr. 71, S. 176 mit Farbabb.","2583"],["Hodin 1971, S. 68, Abb. S. [69] ","2585"],["Leshko 1977, S. 139-142, Abb. 64 ","2659"],["Dalbajewa 1999, S. 150 Anm. 81","2681"],["Westheim 1918 a, S. 52 ","2738"],["Händler 1956, Abb. 27 ","2767"],["Händler 1957, Abb. S. 161","2827"],["Roh 1962, S. 150 ","2860"],["Duisburg 1989, S. 66, Farbabb. S. 67","2919"],["Barron 1992 b, S. 159 mit Abb.","3051"],["Held 2011, S. 95, 101, 106, Farbabb. 7","3054"],["Deutsche Kunst und Dekoration 1931, Abb. S. [75]","3125"],["Galerie Fischer Luzern 1939 a, Nr. 71 (u. d. Titel Zwei Kinder)","3165"],["Grohmann 1926 b, Abb. S. [375]","3168"],["Westheim 1952, S. [4], farb. Umschlagabb.","3173"],["Mikš 2013, S. 160, 357, Abb. 3.10","3257"],["Hodin 1963 b, S. 18, Abb. 4 S. 19 ","3282"],["Schmidt Gerhard 1956, Taf. 14 ","3352"],["Bultmann 1959, Farbtaf. 3 ","3434"],["Kandel 2014, S. 194-195, Farbabb. 9-22 S. 194 u. S. 394, Farbabb. 20-12 S. 395","3467"],["Hodin 1966, Abb. 7 ","3490"],["Duisburg 1981, S. 109, 336, Farbtaf. 162","3493"],["Leshko 1969, S. 35, Abb. 8 (Detail) ","3660"],["Duisburg 1964, S. 118, Farbtaf. S. 141","3720"],["Neumeyer 1945, S. 262, Abb. S. 261 ","3895"],["Kokoschka 1952 b, Abb. S. 147 ","3911"],["Hofmann 1967, Farbabb. S. 55 ","3918"],["Schweiger 1983, S. 262 (Anm. 6 zum Kapitel \"Wie der Geisterkönig ...\"), Abb. S. 189 ","3945"],["Gombrich 1977, S. 450--451, Abb. 370 S. 452 ","3950"],["Hoffmann 1964, S. 5, Abb. S. 6 ","3973"],["Bisanz 1963, S. 95 ","3999"],["Dresden 1930, Nr. 2594B mit Abb.","4011"],["Wellershoff 2013, Farbtaf. S. 226","4044"],["Shapira 2001","4108"],["Kokoschka 1913, Abb. ","4130"],["Comini 2002","4151"],["Duisburg 1999","21166"],["Görner 2018, S. 198-199","41167"],["Paris 2022, Farbtaf. S. 67","43164"]],[["Kinder"]]]},{"id":1201,"img":{"extraLarge":"AP_100042207_extraLarge.jpg","medium":"AP_100042207_medium.jpg"},"arr":["1909.15","Kind mit den Händen der Eltern (Fred Goldman)","","1909","Öl/Lwd.","72 x 52 cm ","Bez. oben links: OK ","22","23, Taf. 7","25","Belvedere, Wien ","1963 ","5548","Belvedere, Wien"],"mul":[[["Loos Adolf","Adolf Loos, Wien",""],["Goldman Leopold","Leopold Goldman, Wien",""],["Neue Galerie, Otto Kallir-Nirenstein, Wien/Galerie St. Etienne, Otto Kallir, New York","Neue Galerie, Otto Kallir-Nirenstein, Wien/Galerie St. Etienne, Otto Kallir, New York, Wien (1931)",""],["Ludington Wright","Wright Ludington, Santa Barbara, Calif. (1943)",""],["Sotheby & Co.","Sotheby & Co., London (5.12.1962, Nr. 87 mit Abb.)",""],["Marlborough Fine Art","Marlborough Fine Art, London (1962)",""],["Österreichische Galerie","Österreichische Galerie, Wien (bis 2007)",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 14 "],["1911 Karlsbad","8044","Nr. 10 "],["1962 Tate Gallery, London","8075","Nr. 11 "],["1996/97 Wien","8103","S. 48, Farbtaf. S. 49"],["1989 Tokio","8126","Nr. 122 mit Farbabb. "],["1942 Saint Louis","8134","[Nr. 8] "],["1948 San Francisco","8136"," "],["1943 Galerie St. Etienne, New York","8196"," "],["1927 Zürich, Kunsthaus","8209","Nr. 9, Taf. VI "],["1935 Salzburg","8273"," "],["1941 Chicago","8292","Nr. 14 "],["1958 Den Haag","8309","Nr. 5 "],["2006/07 Rovereto","8360","Farbtaf. 52"],["1931/32 Hagenbund, Wien","8433","Nr. 64 "],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 6 u. d. T. \"Ein neugeborenes Kind\" "],["[1915 New York]","8449"," "],["2002 Hamburg","8474","S. 110, 244, Farbtaf. S. 111"],["2013/14 Rotterdam","8478","S. 78, Nr. 68 mit Farbtaf."],["1991 Stockholm","8501","Nr. 30, S. 219, Farbtaf. S. 47"],["1958 Wien","8541","Nr. 8, Abb. S. 7 "],["1987 Gent","8571","Nr. 5, Farbtaf. S. 77 "],["1964 Secession, Wien","8590","Nr. 61 "],["2008 Wien, Belvedere","8619","S. 158, Farbtaf. 78 S. 161"],["1988 Barcelona","8659","Nr. 4, Farbtaf. S. 38 und Farbabb. S. 10 "],["1931 Neue Galerie, Wien","8702"," "],["1940 Galerie St. Etienne, New York","8726","Nr. 11 "],["1986 Paris","8762","Farbtaf. [S. 496] "],["1915 San Francisco","8772","Nr. 321 "],["2013 Wien","8802","Farbtaf. S. 157"],["1980 Österreichische Galerie, Wien","8804","Nr. 74 "],["1954 Santa Barbara","8806","Nr. 2 "],["1976/77 Darmstadt","8809","Bd. 3, Nr. 80, Abb. S. 88 "],["1971 Wien","8820","Nr. 9, Abb. 3 "],["1984 Venedig","8824","Nr. 650, Farbabb. S. 204 "],["[1910 Hagen]","8871"," "],["1958 München, Haus der Kunst","8914","Nr. 6, Abb. S. 7 "],["1981/82 Rom","8934","Farbtaf. S. 16 u. Abb. S. XIX "],["1939 Paris","8964"," "],["1995 Madrid","8965","S. 66, 110, Nr. 13 mit Farbtaf."],["1913 Zürich","8966","Nr. 132 "],["1911 Wien","8994","Nr. 47 "],["1933 Wien","9009"," "],["1991 Wien","9033","Nr. 5 mit Farbtaf. "],["[1933/34 Prag]","9035","Nr. 1 "],["2008 Linz","9042","S. 55 mit Farbtaf."],["1932 Neue Galerie, Wien","9065"," "],["1924 Neue Galerie, Wien","9081"," "],["2006 Belvedere, Wien","9094","S. 227, Farbtaf. S. 118"],["1989 Wien","9096","Nr. 25, Farbabb. S. 534 "],["2018/2019 Zürich","21106","Nr. 8, Farbtaf. S. 75"]],[["Wien 1964, Abb. 64 S. 79","2004"],["Westheim 1925 a, S. 38, Abb. 53 ","2027"],["Serner 1981, S. 77 ","2055"],["Sotheby's London 1962, Nr. 87 mit Abb.","2143"],["Serner 1911 d, S. 2","2159"],["Calvocoressi 1992, Farbabb. 4 ","2193"],["Stefan 1913, S. 7 ","2232"],["Westheim 1917 a, S. 319 u. d. T. \"Neugeborenes Kind\" ","2244"],["Echte/Feilchenfeldt 2013, S. 467 mit Farbabb.","2467"],["Hoffmann 1947, S. 97--98, Abb. XII ","2499"],["Hiller 1910, S. 150 ","2520"],["Leshko 1977, S. 135-136, Abb. 58 ","2659"],["Westheim 1918 a, S. 26 und 52, Abb. 10 ","2738"],["Feuchtmüller/Mrazek 1964, S. 74 ","2811"],["Kokoschka 1971, S. 85 ","2894"],["Kallir 1981, Farbtaf. 22 ","2980"],["Waissenberger 1984, Farbtaf. 35 ","3056"],["Dichand 1986, Farbtaf. S. 45 ","3104"],["Art News 1943, Abb. S. 23","3195"],["Mikš 2013, S. 161, 358, Farbabb. II","3257"],["Werkner 1986, S. 102, Abb. 44 ","3369"],["Kandel 2014, S. 191, Farbabb. 9-20 S. 192 u. S. 394, Farbabb. 20-11 S. 395","3467"],["Gatt 1972, Abb. 7 ","3468"],["Hofmann 1967, Farbabb. S. 54 ","3918"],["Schweiger 1983, Farbtaf. S. 170 ","3945"],["Natter 2003, S. 244, Farbtaf. S. [246]","4056"],["Wien 1968 b, S. 13, Farbabb. 47","4094"],["Badura-Triska 2016","32168"]],[["Kinder"]]]},{"id":1079,"img":{"extraLarge":"AP_100042084_extraLarge.jpg","medium":"AP_100042084_medium.jpg"},"arr":["1909.16","Karl Kraus","","1909","Öl/Lwd.","100 x 74.5 cm ","Bez. oben rechts: OK ","7","12, Taf. 4","26","Zerstört "," ","",""],"mul":[[["Kraus Karl","Karl Kraus, Wien",""],["Gesellschaft zur Förderung deutscher Kunst des 20. Jahrhunderts","Gesellschaft zur Förderung deutscher Kunst des 20. Jahrhunderts, Neuss (um 1915)",""],["Geller Johannes","Johannes Geller, Neuss (1922)",""],["Auslagerung in das Wallraf-Richartz-Museum, Köln, dort durch Kriegseinwirkung zerstört","Auslagerung in das Wallraf-Richartz-Museum, Köln, dort durch Kriegseinwirkung zerstört (1944)",""]],[["1911 Karlsbad","8044","Nr. 17 "],["1927 Zürich, Kunsthaus","8209","Nr. 3, Taf. III "],["1912 Budapest","8245"," "],["1921 Basel","8302","Nr. 36 u. d. T. \"Bildnis Krauß\" "],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 2 "],["[1910 Hagen]","8871"," "],["1911 Wien","8994","Nr. 56 "]],[["Stefan 1913, S. 6 ","2232"],["Westheim 1917 a, S. 296 und 319 ","2244"],["Weidinger/Strobl 2008, S. 213, Abb. V.306a","2435"],["Echte/Feilchenfeldt 2013, S. 460 mit Abb.","2467"],["Hoffmann 1947, S. 89--90 ","2499"],["Hiller 1910, S. 151 ","2520"],["Leshko 1977, S. 93-100, Abb. 38 ","2659"],["Tietze/Krapf-Weiler 2007, S. 34, Abb. 2 S. 33","2702"],["Westheim 1918 a, S. 52 ","2738"],["Geller 1943, Nr. 29","2760"],["Kokoschka 1971, S. 73, 76 und 80--81 ","2894"],["Krapf-Weiler 2006, Abb. 1","3137"],["Birthälmer 2012 b, S. 40, 42, Abb. 6","3380"],["Werkner 2002, Abb. S. 33","3381"],["Palkovsky 1958, Abb. 4 ","3411"],["Gatt 1972, Abb. 4 ","3468"],["Lensing 1986, S. 128--132, Abb. S. 129 ","3591"],["Bueno de Mesquita 2009, S. 446, Abb. 3","3609"],["George 1963, S. 44 ","3814"],["Schweiger 1983, S. 127","3945"],["Lensing 1988, S. 8 ","3981"],["Feldhaus 1959, S. 18, 23, Abb. S. 21","3996"],["Alarcó 2001, S. 55, Abb. S. 56","4105"],["Kokoschka 1913, Abb. ","4130"]],[["Männliches Bildnis"]]]},{"id":1393,"img":{"extraLarge":"AP_100042400_extraLarge.jpg","medium":"AP_100042400_medium.jpg"},"arr":["1909.17","Ludwig Ritter von Janikowski","","1909","Öl/Lwd.","60.2 x 55.2 cm ","Bez. oben rechts: OK. Auf der Rückseite daiert und beschriftet: 14. X. 09 Steinhof ","23","27, Taf. 9","27","Privatbesitz, U.S.A. "," ","","Courtesy Neue Galerie, New York"],"mul":[[["Loos Adolf","Adolf Loos, Wien",""],["Neue Galerie, Otto Kallir-Nirenstein, Wien","Neue Galerie, Otto Kallir-Nirenstein, Wien (1925)",""],["Wolff Fritz","Fritz Wolff, Wien//ab 1940 New York (um 1927)",""],["Knize Annie","Annie Knize, New York (1949)",""],["Knize Peter A.","Peter A. Knize, Newton, Co. (1979)",""],["Marlborough Fine Art","Marlborough Fine Art, New York",""]],[["2001 New York","8011","Nr. 1, Farbtaf. S. 8"],["1911 Karlsbad","8044","Nr. 13 "],["1956 Chicago","8045","Nr. 2 "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 7 "],["2014 Wolfsburg","8102","S. 23, 90, 301, Farbtaf. S. 103"],["1985/86 New York","8137","Nr. 2, Farbabb. S. 9 "],["1948 Boston","8222","Nr. 8, S. 21 mit Abb. "],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 13 "],["[1915 New York]","8449"," "],["2002 Hamburg","8474","S. 112, 244, Farbtaf. S. 113"],["2011 Neue Galerie, New York","8499","S. 280, Farbtaf. 67"],["1981 New York, Marlborough","8535","Nr. 5, Abb. S. 28 "],["1966 New York","8544","Nr. 7, Abb. S. 26 "],["1987 Gent","8571","Nr. 6, Farbtaf. S. 78 "],["1925 Zürich","8635","Nr. 223 "],["1959 Bayer, New York","8649","Nr. 2 "],["1988 Barcelona","8659","Nr. 6, Farbabb. S. 40 "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 11, Nr. 6 mit Abb. "],["1964 Guggenheim, New York","8695"," "],["1915 San Francisco","8772","Nr. 316 u. d. T. \"Portrait Dr. de Jankosy\" "],["1987 Florenz","8852","Nr. 2 mit Farbabb. "],["[1910 Hagen]","8871"," "],["1986 Museum of Modern Art, New York","8925","(Nr. 65), Farbabb. S. 207 "],["1913 Zürich","8966","Nr. 139 "],["1911 Wien","8994","Nr. 50 "],["1929 Abels, Köln","9030","Nr. 36 "],["1991 Wien","9033","Nr. 8 mit Farbtaf. "],["2010 Wien Museum, Wien","9039","S. 156, Farbtaf. 040"],["1924 Neue Galerie, Wien","9081"," "]],[["Berland 2015 b, S. 213","2123"],["Lowitzer-Hönig 2008, S. 57, Abb. 70","2124"],["Roşu 1976, Abb. S. 14 ","2148"],["Meyer 2013, S. 201, Farbabb. 64 S. 400","2165"],["Calvocoressi 1992, Farbtaf. 9 ","2193"],["Echte/Feilchenfeldt 2013, S. 472, Farbabb. S. 471","2467"],["Hoffmann 1947, S. 94 ","2499"],["Feilchenfeldt 2009 a, S. 266, Farbabb. 88","2599"],["Leshko 1977, S. 144-146, Abb. 68 ","2659"],["Bormann 2013, S. 19, Farbabb. 10","2688"],["Tietze/Krapf-Weiler 2007, S. 33 mit Abb. 1","2702"],["Westheim 1918 a, S. 52 u. d. T. \"Porträt Janykorsky\" ","2738"],["Schick 1968, S. 56-58 [zur Person Ludwig Ritter von Janikowski], Abb. S. 56","3281"],["Spielmann 2003 a, S. 86, Abb. S. 87","3309"],["Fischer 1982, S. 11, Abb. 14 ","3317"],["Gordon 1987, S. 87--88, Abb. 69 ","3453"],["Kandel 2014, S. 183-184, Farbabb. 9-13 S. 183 u. Farbabb. 18-13 S. 371","3467"],["Gatt 1972, Abb. 8 ","3468"],["Wingler 1956, S. 37 ","3708"],["Blackshaw 2010, S. 51 mit Farbtaf. 040","3751"],["George 1963, S. 45 ","3814"],["Masciotta 1949, S. 24, Taf. III ","3880"],["Kokoschka 1913, Abb. ","4130"]],[["Männliches Bildnis"]]]},{"id":1017,"img":{"extraLarge":"AP_100042021_extraLarge.jpg","medium":"AP_100042021_medium.jpg"},"arr":["1909.18","Adolf Loos","","1909","Öl/Lwd.","74 x 91 cm ","Bez. oben rechts (nachträglich): OK; datiert unten rechts: 1909. Ursprünglich bez. und datiert unten rechts: OK09 (vgl. Abb. in: Kokoschka 1913) ","19","15, Taf. 5","28","Staatliche Museen Preußischer Kulturbesitz, Neue Nationalgalerie, Berlin","1925, Rückführung aus Wiesbaden um 1957 ","A II 448 NG 1482",""],"mul":[[["Loos Adolf","Adolf Loos, Wien",""],["Neue Galerie, Otto Kallir-Nirenstein, Wien","Neue Galerie, Otto Kallir-Nirenstein, Wien (8.1.1925)",""],["Nationalgalerie","Nationalgalerie, Berlin (27.2.1925)","im März 1943 in den Tiefenkeller des neuen Reichsbankgebäudes Kurstr. 36/51 ausgelagert, 1944 in den Flakturm am Zoo gebracht, 1945 Grube Kaiseroda bei Merkens, 1945 Treuhandverwaltung Kultusministerium Hessen, Wiesbaden"]],[["1961 Berlin","8021","Nr. 1 "],["1989/90 Wien, Graphische Sammlung Albertina","8036"," "],["1911 Karlsbad","8044","Nr. 18 "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 4, Abb. S.[10] "],["1962 Tate Gallery, London","8075","Nr. 6, Farbabb. Nr. 2 "],["1960 Berlin","8113","Farbabb. "],["1950 München","8139","Nr. 5 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 3 "],["1927 Zürich, Kunsthaus","8209","Nr. 6 "],["1966 Zürich","8225","Nr. 3, Abb. 1 "],["1912 Budapest","8245"," "],["2001 London","8278","S. 289 mit Farbabb. S. 229"],["1966 Karlsruhe","8284","Nr. 4, Farbabb. "],["1958 Den Haag","8309","Nr. 3, Abb. "],["1937 Paris","8318","Nr. 528 "],["1962/1963 Hamburg","8422","Nr. 4, Abb. 2 "],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 1 "],["[1915 New York]","8449"," "],["2002 Hamburg","8474","S. 114, 244, Farbtaf. S. 115"],["2013/14 Rotterdam","8478","S. 42, Nr. 24 mit Farbtaf."],["2001/02 Madrid","8525","S. 51, Nr. 1 mit Farbtaf."],["1958 Wien","8541","Nr. 5, Abb. S. 4 "],["1964 Secession, Wien","8590","Nr. 60, Abb. 21 "],["1986 London","8643","Nr. 6 mit Farbtaf. "],["1984 Brüssel","8705","Nr. 101, Farbabb. "],["1959 Düsseldorf","8710","Nr. 86 "],["1951 Berlin","8741","Nr. 4 "],["1986 Paris","8762","Farbabb. S. 490 "],["1915 San Francisco","8772","Nr. 307 "],["1983 Edinburgh","8813","Nr. 3.31, Farbabb. 20 "],["1971 Wien","8820","Nr. 7, Abb. 2 "],["1986 Zürich","8836","Nr. 6 mit Farbtaf. "],["[1910 Hagen]","8871"," "],["1978 Chicago","8886","Farbabb. S. 8 "],["1958 München, Haus der Kunst","8914","Nr. 4, Abb. S. 4 "],["1995 Madrid","8965","S. 68, 110, Nr. 14 mit Farbtaf."],["1913 Zürich","8966","Nr. 128 "],["1911 Wien","8994","Nr. 57 "],["1937 Bern","9000","Nr. 78 "],["1964 Wuppertal","9021","Nr. 38, Abb. "],["1985 Künstlerhaus, Wien","9048","Nr. 14/15, Farbtaf. S. 461 "],["1987 Wien","9066","S. 310, Farbtaf. S. 311 "],["1986/87 Guggenheim, New York","9072","Nr. 5 mit Farbtaf. (nicht ausgestellt) "],["1924 Neue Galerie, Wien","9081"," "],["1981 Hamburg","9082","Nr. 61, Abb. S. 77 "],["2018/2019 Zürich","21106","Nr. 5, Farbtaf. S. 67"]],[["Westheim 1925 a, S. 34, Abb. 7 ","2027"],["Lévêque 2005, S. 81 mit Farbabb.","2028"],["Janda 1986, S. 48 ","2030"],["Grimschitz 1963, Nr. 119, Farbabb. ","2061"],["Bisanz 2005, S. 142 mit Farbabb.","2094"],["Lowitzer-Hönig 2008, S. 31, 48, 54, Abb. 71 und 164","2124"],["Monsel 1995, S. 5, [10], Farbabb. 4","2144"],["Berlin 1931, S. 139--140, Abb. 67 ","2185"],["Krieger/Heidecker 1982, S. 107, Farbabb. S. 27 ","2190"],["Calvocoressi 1992, Farbtaf. 8 ","2193"],["Berlin 1979, S. 359, Farbtaf. XLIII","2196"],["Moeller 2005, S. 142, Farbtaf. S. [143]","2215"],["Schmied 2006, S. 24, Farbabb. S. 26","2222"],["Stefan 1913, S. 6 ","2232"],["Westheim 1917 a, S. 319 ","2244"],["Calvocoressi/Hartley 2001, Farbabb. S. 229","2389"],["Biermann 1929, Abb. 4 ","2394"],["Whitford 1987, S. 112, Farbtaf. S. 113 ","2396"],["Elger 1988, S. 243, Farbabb. S. [241] ","2452"],["Nebehay 1983 a, Farbabb. S. III/15 ","2462"],["Echte/Feilchenfeldt 2013, S. 455, Farbtaf. S. 454","2467"],["Hoffmann 1947, S. 95--96, Abb. X ","2499"],["Schorske 1980, Farbtaf. XVII ","2507"],["Berlin 1928, ","2510"],["Hofmann 1981 b, Abb. S. 72 ","2515"],["Hiller 1910, S. 150 ","2520"],["Leshko 1977, S. 103, S. 105-107, Abb. 42 ","2659"],["Tietze/Krapf-Weiler 2007, S. 34 mit Abb. 3","2702"],["Westheim 1918 a, S. 23, Abb. 9 ","2738"],["Smith 1986, S. 49, Abb. 5 ","2773"],["Arnason 1983, S. 262, Abb. 435 ","2787"],["Hentzen 1972 a, S. 40 ","2809"],["Poindront 2005, S. 67-68, Farbabb. S. 67","2847"],["Wild 1966 b, Bl. 19 mit Abb. ","2850"],["Goldscheider 1963, S. 75 (Anm. 2), Farbtaf. 2 ","2855"],["Stamm 1998, S. 792, Farbabb. 8","2857"],["Kokoschka 1971, S. 74--76, Farbabb. S. [209] (Detail) ","2894"],["Das Kunstblatt 1925 c, S. 126","2996"],["Vergo 1975, Abb. 162 ","3050"],["Kanz 2008, S. 82 mit Farbtaf. S. 83","3176"],["Hodin 1968 a, S. 169 ","3213"],["Husslein-Arco/Weidinger 2008, S. 168, Farbabb. 93","3215"],["Mikš 2013, S. 159, 357, Abb. 3.8","3257"],["Vogelsberger 2006, S. 28--29, Farbabb. 21","3306"],["Spielmann 2003 a, S. 87, Farbtaf. S. 127","3309"],["Fischer 1982, S. 12, Abb. 20 ","3317"],["Palkovsky 1958, Abb. 6 ","3411"],["Gatt 1972, Abb. 6 ","3468"],["Hodin 1966, S. 111, Abb. 9 ","3490"],["Smola 2013, S. [88]-92, Farbabb. S. 91","3500"],["Harrison 1996, S. 168-173, Abb. S. 170","3559"],["Vergo 2015, S. 219, Farbabb. 171","3593"],["Berlin 1964, S. 64, Farbabb. S. [65] ","3603"],["Selz 1981, Farbabb. 207 S. 93 ","3621"],["Leshko 1969, S. 33--35, Abb. 10 (Detail) ","3660"],["Wingler 1956, S. 37 ","3708"],["Blackshaw 2010, S. 55 mit Farbtaf. 045","3751"],["Elger 2007, S. 243, Farbabb. S. [241]","3791"],["Rukschcio/Schachel 1982, S. 139--140, Abb. 123 (Farbtaf.) ","3815"],["Moeller 2000, S. 112, Farbtaf. S. [113]","3873"],["Foster/Krauss 2011, S. 56 mit Abb. 5","3931"],["Schweiger 1983, S. 127, 262 (Anm. 6 zum Kapitel \"Wie der Geisterkönig ...\"), Farbtaf. S. 175; S. 8 und 116--123 ","3945"],["Hughes 1981, S. 288, Farbabb. 196 S. [289] ","3982"],["Berlin 1968, S. 121, Farbtaf. 25","4021"],["Natter 2003, S. 240--250, Farbtaf. S. [245]","4056"],["Domanický/Jindra 2011, S. 271-274, 284-286, 294-295, Farbabb. 1, S. 295","4096"],["Kokoschka 1913, Abb. ","4130"],["Bormann 2014 b, S. 207 mit Farbabb.","4156"],["Berlin 2001, Abb. S. 170","20170"],["Berlin 1996, Abb S. 34","20171"]],[["Männliches Bildnis"]]]},{"id":1049,"img":{"extraLarge":"AP_100042053_extraLarge.jpg","medium":"AP_100042053_medium.jpg"},"arr":["1909.19","Constantin Christomanos","\"Dr. Chrisostomo\"","[1909]","Öl/Lwd."," x ","Bez. unten links: OK ","6","14, Taf. 10","29","übermalt"," ","",""],"mul":[[],[["1911 Karlsbad","8044","Nr. 15 "],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 23 "],["[1910 Hagen]","8871"," "],["1911 Wien","8994","Nr. 54 "]],[["Leshko 1977, S. 128-130, Abb. 54 ","2659"],["Westheim 1918 a, S. 52 u. d. T. \"Porträt Dr. Christomas\" ","2738"],["Kokoschka 1971, S. 83--84 ","2894"],["Enepekides 1986, S. 61-64 [Zur Person Constantin Christomanos]","2926"],["Comini 1974, S. 69, Taf. 40 ","3390"],["Schweiger 1983, S. 262 (Anm. 6 zum Kapitel \"Wie der Geisterkönig ...\"), Abb. S. 194 ","3945"]],[["Männliches Bildnis"]]]},{"id":1209,"img":{"extraLarge":"AP_100042215_extraLarge.jpg","medium":"AP_100042215_medium.jpg"},"arr":["1909.2","Felix Albrecht Harta","","1909","Öl/Lwd.","73 x 52 cm ","Bez. oben rechts: OK; datiert unten rechts: 1909 ","20","13","30","Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC","17.5.1966 ","66.2777","Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966"],"mul":[[["Neufeld Adolf","Adolf Neufeld, Wien",""],["Galerie Hans Goltz","Galerie Hans Goltz, München (1919/20)",""],["Galerie Thannhauser","Galerie Thannhauser, München (1927)",""],["Gabrielson Hjalmar","Hjalmar Gabrielson, Göteborg (um 1947)",""],["Stuttgarter Kunstkabinett","Stuttgarter Kunstkabinett, Stuttgart (1.12.1955, Nr. 1430, S. 129, Abb. Taf. 46, u.d.T.: „Der österreichische Maler Felix Albrecht Harta\")",""],["Galerie Rosengart","Galerie Rosengart, Luzern (1.12.1955)",""],["Galerie des Arts Anciens et Modernes","Galerie des Arts Anciens et Modernes, Schaan (Liechtenstein) (24.11.1958)",""],["Hirshhorn Joseph H.","Joseph H. Hirshhorn, New York (24.11.1958-1966)",""]],[["1949 Göteborg","8042","Nr. 199 mit Abb. "],["1911 Karlsbad","8044","Nr. 1 u. d. T. \"Männliches Bildnis\" "],["1962 Tate Gallery, London","8075","Nr. 5 "],["2014 Wolfsburg","8102","S. 89, 301, Farbtaf. S. 94"],["2001 London","8278","S. 289"],["1927 Thannhauser, Berlin","8351","Nr. 106 "],["1962/1963 Hamburg","8422","Nr. 3 mit Abb. "],["1984/85 New York","8441","Nr. 16 "],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 19 u. d. T. \"Ein Schwächling\" "],["2002 Hamburg","8474","S. 116, 244, Farbtaf. S. 117"],["2013/14 Rotterdam","8478","Nr. 20 mit Farbtaf."],["1968 New York, Marlborough-Gerson","8505","Nr. 26 mit Abb. "],["1981 New York, Marlborough","8535","Nr. 2, Abb. S. 25 "],["1957 Bern","8617","Nr. 56 "],["2008 Wien, Belvedere","8619","S. 170, Farbtaf. 82 S. 166"],["1986 London","8643","Nr. 7 mit Farbtaf. "],["1957 St. Gallen","8764","Nr. 48 "],["1986 Zürich","8836","Nr. 7 mit Farbtaf. "],["[1910 Hagen]","8871"," "],["2001/02 Rom","8918","Nr. 59 mit Farbtaf."],["1929 Abels, Köln","9030","Nr. 1 "],["1986/87 Guggenheim, New York","9072","Nr. 6 mit Farbtaf. "],["1919 München","9091","Nr. 38 "],["2018/2019 Zürich","21106","Nr. 6, Farbtaf. S. 66"]],[["Westheim 1925 a, Abb. 51 ","2027"],["Monsel 1995, S. 5, Farbtaf. 3","2144"],["Calvocoressi 1992, Farbtaf. 7 ","2193"],["Westheim 1917 a, S. 319 u. d. T. \"Porträt eines Malers\"","2244"],["Kallir 1984, Farbtaf. 20 ","2350"],["Echte/Feilchenfeldt 2013, S. 459, Farbabb. S. 458","2467"],["Hoffmann 1947, S. 98 ","2499"],["Westheim 1918 a, S. 52, Abb. 8 ","2738"],["Hodin 1968 a, S. 169 ","3213"],["Der Ararat 1920 b, S. 17","3223"],["Hodin 1963 b, Abb. 9 ","3282"],["Comini 1974, S. 152 ","3390"],["Stuttgarter Kunstkabinett 1955 b, Nr. 1430, Abb. Taf. 46, u.d.T.: „Der österreichische Maler Felix Albrecht Harta","3421"],["Harta 1956, S. 16","3457"],["Kandel 2014, S. 387, Farbabb. 20-4 S. 389","3467"],["Hodin 1966, S. 111 ","3490"],["Kokoschka 1952 b, Abb. S. 143 ","3911"],["Schweiger 1983, Abb. S. 166 ","3945"]],[["Männliches Bildnis"]]]},{"id":1120,"img":{"extraLarge":"AP_100042126_extraLarge.jpg","medium":"AP_100042126_medium.jpg"},"arr":["1909.21","Peter Altenberg","","1909","Öl/Lwd.","76 x 71.5 cm ","Bez. und datiert unten links: OK 09 ","16","17, Taf. 11","31","Privatbesitz, U.S.A. "," ","","Courtesy Neue Galerie, New York"],"mul":[[["Loos Adolf","Adolf Loos, Wien",""],["Wolff Fritz","Fritz Wolff, Wien/ab 1940 New York (6.1926)",""],["Knize Annie","Annie Knize, New York (1949)",""],["Knize Peter A.","Peter A. Knize, Newtown, CO. (1979)",""],["Sabarsky Serge","Serge Sabarsky, New York",""]],[["1994 Krakau","8013","S. 130, Farbtaf. 3"],["1911 Karlsbad","8044","Nr. 8 "],["1956 Chicago","8045","Nr. 1 "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 8 "],["1962 Tate Gallery, London","8075","Nr. 7 "],["1985/86 New York","8137","Nr. 4, Farbabb. S. 13 "],["1927 Zürich, Kunsthaus","8209","Nr. 7 "],["1948 Boston","8222","Nr. 6 mit Abb. "],["1912 Budapest","8245"," "],["1997 Krumau","8285","S. [48], Farbtaf. S. [49]"],["2006/07 Amsterdam","8340","S. 109, 154, Farbtaf. S. 112"],["1927 Gemeentemuseum, Den Haag","8370","Nr. 62 "],["2013/14 London","8388","S. 162, 213, Farbabb. 54"],["1962/1963 Hamburg","8422","Nr. 5 mit Abb. "],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 3 "],["[1915 New York]","8449"," "],["2011 Neue Galerie, New York","8499","S. 280, Farbtaf. 66"],["1966 New York","8544","Nr. 4, Abb. S. 24 "],["1926 Köln","8627"," "],["1925 Zürich","8635","Nr. 222 "],["1959 Bayer, New York","8649","Nr. 4 mit Abb. "],["1988 Barcelona","8659","Nr. 5 , Farbabb. S. 39 "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 12, Nr. 16 "],["1986 Paris","8762","Farbabb. S. 333 "],["1915 San Francisco","8772","Nr. 309 "],["[1910 Hagen]","8871"," "],["1986 Museum of Modern Art, New York","8925","(Nr. 67), Abb. S. 166 "],["1928 Prag","8927","Nr. 174"],["1913 Zürich","8966","Nr. 135 "],["1927 Cassirer, Berlin","8968","Nr. 11 "],["2001/02 Neue Galerie, New York","8978","Nr. I.46, S. 132, Farbtaf. S. 115"],["1911 Wien","8994","Nr. 45 "],["1986/87 Guggenheim, New York","9072","Nr. 7 mit Farbtaf. "]],[["Westheim 1925 a, Abb. 52 ","2027"],["Lowitzer-Hönig 2008, S. 55, Abb. 72","2124"],["Monsel 1995, S. [10], Farbtaf. 6","2144"],["Calvocoressi 1992, Farbtaf. 10 ","2193"],["Stefan 1913, S. 5--6 ","2232"],["Westheim 1917 a, S. 319 ","2244"],["Nebehay 1983 a, Abb. S. III/16 ","2462"],["Echte/Feilchenfeldt 2013, S. 461 mit Farbabb.","2467"],["Hoffmann 1947, S. 90--94 ","2499"],["Hiller 1910, S. 150 ","2520"],["Fechter 1914, Abb. ","2559"],["Lensing 1993, S. 205-211, Abb. 1 S. 218","2576"],["Leshko 1977, S. 85-92, Abb. 35 ","2659"],["Westheim 1918 a, S. 52 ","2738"],["Kokoschka 1971, S. 82--83 ","2894"],["Hügel 1983, Abb. S. 22 ","2940"],["Hodin 1968 a, S. 171-172 ","3213"],["Husslein-Arco/Weidinger 2008, S. 170, Farbabb. 94","3215"],["Barker 1996, S. 135-138","3219"],["Spielmann 2003 a, S. 86 mit Abb.","3309"],["Fischer 1982, S. 12, Abb. 19 ","3317"],["Comini 1974, Taf. 27b ","3390"],["Palkovsky 1958, Abb. 5 ","3411"],["Landsberger 1919, Abb. 15 ","3415"],["Gatt 1972, Abb. 9 ","3468"],["Hodin 1966, S. 112--113 ","3490"],["Blackshaw 2010, S. 53 mit Farbtaf. 041","3751"],["Barker/Lensing 1995, S. 104-106 mit Abb. S. 105","3790"],["Masciotta 1949, S. 24, Taf. II ","3880"],["Hofmann 1967, Farbabb. S. 54 ","3918"],["Schweiger 1983, S. 118, 127, 168, 187, Abb. S. 117 ","3945"],["Lehel 1926, Abb. 39 ","4016"],["Kokoschka 1913, Abb. ","4130"]],[["Männliches Bildnis"]]]},{"id":1161,"img":{"extraLarge":"AP_100042167_extraLarge.jpg","medium":"AP_100042167_medium.jpg"},"arr":["1909.22","Elisabeth Reitler","Italian woman\nItalienerin","[1909]","Öl/Lwd.","65 x 54 cm ","Bez. unterhalb der Mitte links: OK. Auf der Rückseite beschriftet: Italienerin ","34","24","32","Von der Heydt-Museum, Wuppertal ","1988 mit Unterstützung der Kultur-Stiftung der Länder ","","Von der Heydt-Museum Wuppertal"],"mul":[[["Loos Adolf","Adolf Loos, Wien",""],["Kunstverein","Kunstverein, Barmen (1924)",""],["1937 beschlagnahmt","1937 beschlagnahmt",""],["Ibach Rudolf","Rudolf Ibach, Wuppertal (um 1939)",""],["Stangl Otto und Etta","Otto und Etta Stangl, München (um 1950)","seit 1971 als Leihgabe in den Bayrischen Staatsgemäldesammlungen, München"]],[["1911 Karlsbad","8044","Nr. 20 "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 9 "],["1971 München","8125","Nr. 4 mit Abb. "],["1950 München","8139","Nr. 12 "],["1958 Den Haag","8309","Nr. 6 "],["[1915 New York]","8449"," "],["2015/16 Wien","8486","Farbtaf. 16"],["1958 Wien","8541","Nr. 9, Abb. S. 8 "],["2009/10 Paris","8607","Nr. 36"],["1951 Berlin","8741","Nr. 7 "],["1915 San Francisco","8772","Nr. 320 u. d. T. \"Portrait Italian Lady\" "],["1956 London","8785","Nr. 98 "],["1986 Zürich","8836","außer Katalog "],["1958 München, Haus der Kunst","8914","Nr. 7, Abb. S. 8 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 11 "],["1913 Zürich","8966","Nr. 138 "],["1955 Kassel","8996","Nr. 295 "],["1929 Abels, Köln","9030","Nr. 9 "],["2012 Wuppertal","9047","Farbtaf. S. 84"]],[["Lowitzer-Hönig 2008, S. 33, Abb. 74","2124"],["Weidinger/Strobl 2008, S. 284-285","2435"],["Museum der Gegenwart 1930, Abb. S. 57","2590"],["München 1987, S. 24 mit Farbabb. ","3253"],["Wuppertal 1988, S.33--34, Abb. S. 35 ","3511"],["Birthälmer 2012 a, Farbtaf. S. 84","3635"],["Fehlemann 1988, Farbtaf. S. 11","3847"],["Becks-Malorny 1992, S. 173, Abb. S. 174 ","3856"],["Schweiger 1983, S. 118, 148, 262 (Anm. 6 zum Kapitel \"Wie der Geisterkönig ...\"), Abb. S. 191 ","3945"],["Fehlemann 1987, Abb. 57 S. 77 ","4100"],["Wuppertal 2003, S. 487, Farbtaf. S. 290","23219"]],[["Weibliches Bildnis"]]]},{"id":1112,"img":{"extraLarge":"AP_100042118_extraLarge.jpg","medium":"AP_100042118_medium.jpg"},"arr":["1909.23","Helene Kann","","[1909]","Öl/Lwd.","70 x 50 cm ","Bez. unten links (in den fünfziger Jahren): OK ","42","25","33","Kunsthaus Zürich ","1965, Schenkung Hans Röder in memoriam Eva Maria Röder-Kann","1965/42","Kunsthaus Zürich, Geschenk Hans Röder in memoriam Eva Maria Röder-Kann, 1965"],"mul":[[["Reichel Oskar","Oskar Reichel, Wien",""],["Reichel Hans","Hans Reichel, Wien (1937)",""],["Galerie St. Etienne, Otto Kallir","Galerie St. Etienne, Otto Kallir, New York (1939-54)",""],["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich (1954)",""],["Röder-Kann Eva Maria","Eva Maria Röder-Kann, Zürich (1955)",""]],[["1984 Vevey","8050","Nr. 2, Farbabb. S. 27 "],["1977 Kunsthaus, Zürich","8067","Nr. 8 "],["1971 München","8125","Nr. 5 mit Abb. "],["1950 München","8139","Nr. 16 "],["1974 Luzern","8167","Nr. 116 "],["1949 St. Etienne, New York","8184"," "],["1966 Zürich","8225","Nr. 6, Farbtaf. I "],["1966 Karlsruhe","8284","Nr. 6 mit Farbabb. "],["[1941 Chicago]","8292","Nr. 18 "],["1958 Wien","8541","Nr. 10, Abb. S. 6 "],["1957 Bern","8617","Nr. 58 "],["1986 London","8643","Nr. 8 mit Farbtaf. "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 12, Nr. 14 "],["1940 Galerie St. Etienne, New York","8726","Nr. 12 "],["1957 St. Gallen","8764","Nr. 50 "],["1954 Santa Barbara","8806","Nr. 3 "],["1986 Zürich","8836","Nr. 8 mit Farbtaf. "],["1958 München, Haus der Kunst","8914","Nr. 8, Abb. S. 6 "],["1955 Wien, Secession","8960","Nr. 6 "],["1955 Kassel","8996","Nr. 293, Farbtaf. 3 "],["1933 Wien","9009"," "],["1960 Kopenhagen","9011","Nr. 4 "],["1985 Künstlerhaus, Wien","9048","Nr. 15/6/5 "],["1924 Neue Galerie, Wien","9081"," "],["2018/2019 Zürich","21106","Nr. 7, Farbtaf. S. 63"]],[["Schmalenbach F. 1967, S. 4 ","2199"],["Hoffmann 1947, Abb. XI ","2499"],["Haftmann 1965 b, Farbtaf. S. 73 ","2732"],["Wild 1966 b, Bl. 19-20 ","2850"],["Demus 1963, Farbtaf. S. [45]","3156"],["Zürich 2007, S. 633 mit Abb.","3336"],["Gatt 1972, Farbtaf. 3 ","3468"],["Schweiger 1983, S. 148 ","3945"]],[["Weibliches Bildnis"]]]},{"id":1412,"img":{"extraLarge":"AP_100042419_extraLarge.jpg","medium":"AP_100042419_medium.jpg"},"arr":["1909.24","Lotte Franzos","","[1909]","Öl/Lwd.","115 x 79.5 cm ","Bez. unten rechts: OK","18 ","11, Taf. 8","34","The Phillips Collection, Washington, D.C.","1941","1062","The Phillips Collection, Washington, D.C."],"mul":[[["Franzos Lotte","Lotte Franzos, Wien//ab 1934 Washington D.C.",""],["Buchholz Gallery Curt Valentin","Buchholz Gallery Curt Valentin, New York",""],["Phillips Duncan","Duncan Phillips, Washington, D. C. (1941)",""]],[["1911 Karlsbad","8044","Nr. 6 "],["1962 Tate Gallery, London","8075","Nr. 4 "],["1954 Valentin, New York","8088","Nr. 14 mit Abb. "],["1942 Saint Louis","8134","[Nr. 3] "],["1927 Zürich, Kunsthaus","8209","Nr. 5, Taf. IV "],["1948 Boston","8222","Nr. 7 mit Abb. "],["2001 London","8278","S. 290"],["1941 Chicago","8292","Nr. 1 "],["2013/14 London","8388","S. 25, 28, 212, Farbtaf. 2"],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 20 "],["1941 New York","8466","Nr. 7 "],["1951 North Carolina","8491"," "],["2011 Neue Galerie, New York","8499","S. 279, Farbtaf. 55"],["2001/02 Madrid","8525","S. 57--58, Nr. 2 mit Farbtaf."],["1966 New York","8544","Nr. 3, Abb. S. 23 "],["2007 Madrid","8595","S. 62-63, 322, Farbtaf. 15"],["2005/06 Paris","8637","S. 270, Farbtaf. S. 271 (in dt. Ausg.)"],["1986 London","8643","Nr. 9 mit Farbtaf. "],["1948 Minneapolis","8732","Nr. 23 "],["1986 Paris","8762","Farbabb. S. 483 "],["1986 Zürich","8836","Nr. 9 mit Farbtaf. "],["[1910 Hagen]","8871"," "],["1981 St. Etienne, New York","8882","Nr. 30 "],["1911 Wien","8994","Nr. 43 mit Abb. (Ausschnitt) "],["1959 Oberlin","9005"," "],["1991 Wien","9033","Nr. 2 mit Farbtaf. und Detail "],["1986/87 Guggenheim, New York","9072","Nr. 9 mit Farbtaf. "]],[["Lévêque 2005, S. 184, Farbtaf. S. 185","2028"],["Lowitzer-Hönig 2008, S. 31, 51, 56, Abb. 76","2124"],["Calvocoressi 1992, Farbtaf. 6 ","2193"],["Schmalenbach F. 1967, S. 31, Farbtaf. S. 40 ","2199"],["Westheim 1917 a, S. 319 ","2244"],["Weidinger/Strobl 2008, S. 276","2435"],["Echte/Feilchenfeldt 2013, S. 468 mit Farbabb.","2467"],["Hoffmann 1947, S. 95, Abb. VI ","2499"],["Washington 1952, S. 58, Abb. 201","2571"],["Leshko 1977, S. 80-83, Abb. 34 ","2659"],["Tietze/Krapf-Weiler 2007, S. 34 mit Abb. 4","2702"],["Westheim 1918 a, S. 52 ","2738"],["Washington 1985, Nr. 982 mit Abb.","2779"],["Poindront 2005, S. 68 mit Farbabb.","2847"],["Goldscheider 1963, S. 14-15 und 75 (Anm. 1), Farbtaf. 1 ","2855"],["Gombrich 1986, S. 22, Abb. S. 23 ","2916"],["Kallir 1981, S. 33, Abb. 30","2980"],["Phillips 1970, S. 231, Abb. S. 232","3113"],["Sármány-Parsons 1991, Nr. 34 mit Farbtaf. ","3233"],["Mikš 2013, S. 160, 358, Farbabb. I","3257"],["Serati 2008, S. 204 mit Farbabb.","3304"],["Spielmann 2003 a, S. 86, 88--89, Farbtaf. S. 123","3309"],["Palkovsky 1958, Abb. 3 ","3411"],["Blackshaw 2010, S. 59 mit Farbtaf. 046","3751"],["Keegan 1999, S. 43--44, 62 mit Farbabb. Nach S. 144","3854"],["Hofmann 1967, Farbabb. S. 53 ","3918"],["Schweiger 1983, Farbtaf. S. 171 ","3945"],["Zauner/Köstler 1996, Farbabb. S. 174","3956"]],[["Weibliches Bildnis"]]]},{"id":1361,"img":{"extraLarge":"AP_100042368_extraLarge.jpg","medium":"AP_100042368_medium.jpg"},"arr":["1909.25","Hans und Erika Tietze","Hans Tietze and Erica Tietze-Conrat\nEhepaar Tietze","1909","Öl/Lwd.","76.5 x 136.2 cm ","Bez. unten rechts: OK ","15, Taf. VII","29, Taf. 25","35","The Museum of Modern Art, New York, Abby Aldrich Rockefeller Fund ","8.12.1939, Abby Aldrich Rockefeller Fund","651.39","Abby Aldrich Rockefeller Fund"],"mul":[[["Tietze Hans und Erika","Hans und Erika Tietze, Wien/ab 1938 New York",""]],[["1943 Ottawa","8015"," "],["1957 New York, Museum of Modern Art,","8040","Nr. 95, Farbabb. S. 74 "],["1940/41 New York","8091"," "],["1996/97 Wien","8103","S. 36, Farbtaf. S. 37"],["1948 Boston","8222","Nr. 5 mit Farbtaf. "],["1947 Richmond","8226","Nr. 17 "],["2001 London","8278","S. 289"],["1942/43 Museum of Modern Art, New York","8312"," "],["2013/14 London","8388","S. 166, 213, Farbabb. 55"],["2002 Hamburg","8474","S. 122, 244, Farbtaf. S. 123"],["1981 New York, Marlborough","8535","Nr. 6, Abb. S. 29 "],["1966 New York","8544","Nr. 8, Abb. S. 28 "],["1963/64 Washington, D.C.","8549"," "],["2008 Wien, Belvedere","8619","S. 172, 176, Farbtaf. 86 S. 174--175"],["1959 Bayer, New York","8649","Nr. 3 mit Abb. "],["1944 New York","8709"," "],["1986 Paris","8762","Farbabb. S. 345 "],["1940 Palace of Fine Arts, San Francisco","8776",""],["1980 Metropolitan Museum, New York","8792","S. 47--48 "],["1952 Minneapolis","8894"," "],["1980/81 New York","8897","Nr. 275, Abb. S. 253 (deutscher Katalog: Nr. 274, Abb. S. 262) "],["1986 Museum of Modern Art, New York","8925","Nr. 64, Abb. S. 167 "],["1955 Wien, Secession","8960","Nr. 3 mit Abb. "],["1955 Kassel","8996","Nr. 294 "],["1986/87 Guggenheim, New York","9072","Nr. 10 mit Farbtaf. "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 6, Farbtaf. S. 68-69"]],[["Lowitzer-Hönig 2008, S. 28, Abb. 37","2124"],["Monsel 1995, S. 6, Farbabb. 5","2144"],["Meyer 2013, S. 208-209, Farbabb. 67 S. 401","2165"],["Calvocoressi 1992, Farbabb. 11 ","2193"],["Westheim 1917 a, S. 319 u. d. T. \"Doppelporträt\" ","2244"],["New York 1954, S. 66 mit Farbabb.","2296"],["Werner 1966, S. 53, Abb. S. 50","2310"],["New York 1977 a, Nr. 74, Abb. S. 74","2315"],["Krapf-Weiler 1999, S. 64-83","2344"],["Goldberg 2005, S. 79 mit Farbabb. 3","2345"],["Schvey 1982, S. 43 und 45, Farbabb. 2","2375"],["Langfeld 2011, S. 231, Farbabb. 99 S. 155 und Abb. S. 176","2397"],["Weidinger/Strobl 2008, S. 219, Abb. V.310a","2435"],["Elger 1988, S. 245, Farbabb. S. [242] ","2452"],["Kahr 1981, S. 305, 318, Abb. 19","2480"],["Weidinger 1996, S. 13 mit Farbabb.","2485"],["Hoffmann 1947, S. 99--100, Abb. VII ","2499"],["Schorske 1980, S. 341, Farbtaf. XV ","2507"],["Frodl-Kraft 1997, S. 28, Abb. 10 S. 29","2551"],["Hodin 1971, Abb. S. [243] ","2585"],["Sultano 2003 c, S. 142, Abb. 97 S. 278-279","2604"],["Leshko 1977, S. 41, 42, 108, S. 110-115, 117 und 118, Abb. 46 ","2659"],["Tietze-Conrat/Krapf-Weiler 2007, Abb. 1, S. 265 und farb. Umschlagabb.","2663"],["Tietze/Krapf-Weiler 2007, farb. Umschlagabb.","2702"],["Haftmann 1965 b, Abb. 147 ","2732"],["Westheim 1918 a, S. 52 ","2738"],["Schmalenbach F. 1970, S. 395 ","2769"],["Arnason 1983, Farbtaf. 102 ","2787"],["Rosasco 2014, S. 257 mit Farbabb. 170","2800"],["Strobl/Weidinger 1998, S. 9, Farbabb. 4","2803"],["Gombrich 1986, S. 26 mit Abb. ","2916"],["Smith 1982, S. 259--288","2939"],["Asendorf 1989, S. 148 mit Abb. ","2948"],["Windisch 2013, S. 94-95, Abb. 73","3001"],["New York 1942, Nr. 324 mit Abb.","3028"],["New York 1984 b, Nr. 60 mit Farbabb.","3089"],["Selz 1974, S. 167, Farbabb. 159","3116"],["Krapf-Weiler 2006, S. 48-52, Farbtaf. 4","3137"],["Cernuschi 2011, S. 209, Abb. 13 (Detail) S. 219","3154"],["Hodin 1968 a, S. 180 und 182 ","3213"],["Goldberg 1998, S. 16, Farbabb. S. 17","3217"],["Spielmann 2003 a, S. 89--90, Farbtaf. S. 122","3309"],["Röske 2007, S. 240, Farbabb. 4","3322"],["Tietze-Conrat 1963, Abb. S. 71","3375"],["Comini 1974, S. 121-122, Taf. 113 ","3390"],["Palkovsky 1958, Abb. 7 ","3411"],["New York 1973, S. 62 mit Farbabb.","3465"],["Kandel 2014, S. 192-193 mit Farbabb. 9-21 u. S. 394, Farbabb. 20-10 S. 395","3467"],["Hodin 1966, S. 120 und 121, Abb. 11 ","3490"],["Frodl/Natter 1997, Farbtaf. S. 66","3638"],["Leshko 1969, S.31--32, Abb. 7 (Detail) ","3660"],["Petheo 1991, S. 15, Abb. 2 (S. 14) ","3725"],["Frodl Kraft 1980, Abb.","3787"],["Elger 2007, S. 245, Farbabb. S. [242]","3791"],["Keegan 1999, S. 43","3854"],["Tolnay 1980, Abb.","3906"],["Schweiger 1983, Abb. S. 188 ","3945"],["Bisanz 1963, S. 95--97 und 143, Abb. S. 95 ","3999"],["Strobl/Weidinger 2000, S. 407, 412, Farbabb. 13","4070"],["Krapf-Weiler 2013, Abb. S. 192","13174"],["New York 2004, S.? mit Farbabb.","23193"],["New York 2014, S. 105–106, Farbtaf. S. 142","23194"],["Badura-Triska 2016","32168"],["Paris 2022, Farbtaf. S. 68-69","43164"]],[["Doppelbildnis"],["Männliches Bildnis"],["Weibliches Bildnis"]]]},{"id":1273,"img":{"extraLarge":"AP_100042279_extraLarge.jpg","medium":"AP_100042279_medium.jpg"},"arr":["1909.26","Dame mit Federhut","Dame in Rot\nDame mit Federhut (unvollendet)","[1909]","Öl/Lwd.","105 x 69.5 cm ","Bez. unten rechts: OK ","95","35","36","Staatliche Museen Preußischer Kulturbesitz, Neue Nationalgalerie, Berlin","15.8.1935; bis 1992 in der Alten Nationalgalerie, Berlin, ehemals DDR ","A III 466",""],"mul":[[["Winter, Wien] [Frau","[Frau Winter, Wien]",""],["Zitzmann Karl Wilhelm","Karl Wilhelm Zitzmann, Erlangen (um 1922)",""],["Galerie Georg Caspari","Galerie Georg Caspari, München (1925)",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (3./4.3.1925, Nr. 80 u. d. T. \"Damenbildnis\", Taf. 31, zurückgezogen)",""],["Dresdner Bank","Dresdner Bank, Filiale München (vor 1934, durch Schuldverschreibung von Caspari. 15.8.1935 nach Kaufvertrag zwischen der Dresdner Bank und dem Land Preußen an die Nationalgalerie überwiesen, 1936 formell übereignet)",""]],[["1927 Zürich, Kunsthaus","8209","Nr. 37 "],["1966 Karlsruhe","8284","Nr. 8 mit Abb. "],["1983 Berlin","8356","Faltblatteinlage Nr. II "],["1922 Caspari, München","8440"," "],["1924 Stuttgart","8479","Nr. 99 "],["1932 Bremen","8480"," "],["1986 Dresden","8672","Nr. I "],["1932 Kunstverein, Köln","8735"," "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 20 "],["1927 Cassirer, Berlin","8968","Nr. 23 "],["1929 Abels, Köln","9030","Nr. 17 "]],[["Westheim 1925 a, Abb. 71 u. d. T. \"Dame in Rot\" ","2027"],["Janda 1986, S. 37 und 48 ","2030"],["Lowitzer-Hönig 2008, S. 33, Abb. 77","2124"],["Berlin 1976, S. 44 mit Abb.","2198"],["Cassirer 1925, Nr. 80 u. d. T. \"Damenbildnis\", Taf. 31","2271"],["Stöbe 1997, S. 102, Abb. 98","2538"]],[["Weibliches Bildnis"]]]},{"id":1208,"img":{"extraLarge":"AP_100042214_extraLarge.jpg","medium":"AP_100042214_medium.jpg"},"arr":["1909.27","\"Dent du Midi\"","","1909/10","Öl/Lwd.","80 x 116 cm ","Bez. unten rechts: OK ","26","30, Taf. 16","37","Privatbesitz, Schweiz ","1949","","Privatbesitz"],"mul":[[["Loos Adolf","Adolf Loos, Wien",""],["Flechtheim Alfred","Alfred Flechtheim, Düsseldorf",""],["Wallraf-Richartz-Museum","Wallraf-Richartz-Museum, Köln (1912)",""],["1937 beschlagnahmt","1937 beschlagnahmt (3.11.1937)",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin (3.11.1937)",""],["Fohn Emanuel","Emanuel Fohn, Bozen (1938 im Tauschverfahren-1949)",""],["Feilchenfeldt Walter und Marianne","Walter und Marianne Feilchenfeldt, Zürich (1949)",""]],[["1957 New York, Museum of Modern Art,","8040","Nr. 97, Abb. S. 76 "],["1911 Karlsbad","8044","Nr. 7 "],["1974 Luzern","8167","Nr. 115 "],["1962 Wallraf-Richartz-Museum, Köln","8190","G 92 "],["1927 Zürich, Kunsthaus","8209","Nr. 4, Taf. XVI "],["1966 Zürich","8225","Nr. 7, Abb. 2 "],["1916 München, Neue Secession","8277"," "],["1959 Paris","8375","Nr. 23 "],["1976/77 New York","8380","S. 128, Farbtaf. S. [129] "],["1922 Köln","8399","Nr. 84 "],["1964 Lausanne","8416","Nr. 190 mit Abb. "],["1962/1963 Hamburg","8422","Nr. 7 mit Farbabb. "],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 16 u. d. T. \"Eislandschaft\" "],["1960 Salzburg","8477","Nr. 122 "],["1912 Köln","8524","Nr. 363, Abb. 37 "],["1957 Bern","8617","Nr. 59 "],["2008 Wien, Belvedere","8619","S. 182, Farbtaf. 91 S. 185"],["1957 St. Gallen","8764","Nr. 51 "],["1918 Cassirer, Berlin","8777","Nr. 3 "],["1958 Brüssel","8780","Nr. 160, Abb. S. 23 "],["1956 London","8785","Nr. 97 "],["1960/61 Paris","8787","Nr. 330 "],["1975 Winterthur","8817","Nr. 225, Farbtaf. 32 "],["1971 Wien","8820","Nr. 10, Abb. 7 "],["1953 Luzern","8831","Nr. 189, Abb. 28 "],["[1910 Hagen]","8871"," "],["2005/06 Pfäffikon","8898","S. 17, 19, 67, Farbtaf. 8"],["1911 Wien","8994","Nr. 44 "],["1962 Aarau","9001","Nr. 62 mit Abb. "],["1929 Abels, Köln","9030","Nr. 2 "],["2008 Linz","9042","S. 57 mit Farbtaf."],["2018/2019 Zürich","21106","Nr. 12, Farbtaf. S. 91"]],[["Westheim 1925 a, S. 36--37, Abb. 61 ","2027"],["Lévêque 2005, Farbabb. S. 191","2028"],["Schmidt P. F. 1922, Abb. 1 ","2050"],["Faistauer 1923, Abb. 31 ","2071"],["Schmidt Georg 1959, S. 10, Farbtaf. S. 12 ","2082"],["Bisanz 2005, Farbabb. S. 144","2094"],["Monsel 1995, S. 5, Farbabb. 10","2144"],["Roşu 1976, Farbabb. S. 12 ","2148"],["Santini 1971, Abb. 54 ","2174"],["Calvocoressi 1992, Farbabb. 12 ","2193"],["Schmalenbach F. 1967, S. 5 und 17, Farbabb. S. 38 ","2199"],["Stefan 1913, S. 8 ","2232"],["Westheim 1917 a, S. 319 ","2244"],["Schaukal 1912, S. 811-812, Abb. vor S. 793 ","2307"],["Biermann 1929, Abb. 5 ","2394"],["Secker 1927, S. 47-48, Farbabb. S. 47","2425"],["Nebehay 1983 a, Farbabb. S. III/18 ","2462"],["Echte/Feilchenfeldt 2013, S. 463, Farbtaf. S. 464","2467"],["Hoffmann 1947, S. 60--61, Abb. XIII ","2499"],["Grote 1954, Abb. 18 ","2504"],["Pfäfflin 2006, S. 171-172, Farbabb. 75","2526"],["Roh 1957, Abb. 7 ","2530"],["Hodin 1971, S. 238, Abb. S. [239] ","2585"],["Ragon 1967, Farbabb. S. 52 ","2592"],["Leshko 1977, S. 43-46, Abb. 23 ","2659"],["Dalbajewa 1999, S. 58-59, 120","2681"],["Tietze/Krapf-Weiler 2007, S. 36 mit Abb. 6","2702"],["Langfeld 2004, S. 347--348","2708"],["Hausenstein 1926, Abb. S. 159 ","2724"],["Kokoschka 1974 b, S. 84-85 ","2729"],["Haftmann 1965 b, Abb. 150 ","2732"],["Westheim 1918 a, S. 25 und 52, Abb. 14 ","2738"],["Smith 1986, S. 54 ","2773"],["Poindront 2005, S. 68, 72, Farbabb. S. 69","2847"],["Goldscheider 1963, S. 75 (Anm. 3), Farbtaf. 3 ","2855"],["Roh 1962, S. 210 ","2860"],["Vom jüngsten Tag 1917, Abb. nach S. 136 ","2871"],["Kokoschka 1971, S. 95--96 ","2894"],["Du 1981, Farbabb. S. [42--43] und Abb. S. 44 (Detail)","2998"],["Vergo 1975, Farbabb. 156","3050"],["Selz 1974, S. 168, Abb. 62b ","3116"],["Hodin 1968 a, S. 149-150, 165 und 256 ","3213"],["Sármány-Parsons 1991, Nr. 35 mit Farbabb. ","3233"],["Spielmann 2003 a, S. 141, Farbtaf. S. 130","3309"],["Lüthgen 1924, Taf. 64","3367"],["Hodin 1946 a, Abb.","3406"],["Palkovsky 1958, Abb. 8 ","3411"],["Gatt 1972, Farbtaf. 2 ","3468"],["Read 1959, Farbabb. S. 239 ","3478"],["Hodin 1966, S. 94--95, 108 und 173, Abb. 10 ","3490"],["Vergo 2015, S. 219, Farbabb. 175","3593"],["Köln 1927, S. 124-126, Abb. 142","3648"],["Mahlberg 1912, Abb. S. 511 ","3658"],["Westheim 1932, Abb. S. 47 ","3706"],["Wild 1950, S. 162 ","3761"],["Schmalenbach F. 1947, S. 8 ","3824"],["Smola 2012, S. 179 mit Farbabb.","3844"],["Keegan 1999, S. 45","3854"],["Masciotta 1949, S. 27 ","3880"],["Neumeyer 1945, S. 263 ","3895"],["Hofmann 1967, Farbabb. S. 56 ","3918"],["Schweiger 1983, Farbtaf. S. 173 ","3945"],["Zauner/Köstler 1996, Farbabb. S. 175","3956"],["Kokoschka 1913, Abb. ","4130"],["Radrizzani 2013, S. 91, Farbabb. S. 92, Nr. 63","22164"]],[["Schweiz"]]]},{"id":1132,"img":{"extraLarge":"AP_100042138_extraLarge.jpg","medium":"AP_100042138_medium.jpg"},"arr":["1910.01","Bessie Bruce","Bessie Loos\nFrau Bessie Loos","1910","Öl/Lwd.","72 x 91 cm ","Bez. unten rechts: OK ","24","31","38","Staatliche Museen Preußischer Kulturbesitz, Neue Nationalgalerie, Berlin","1926, nach Auslagerung im Krieg verschollen, 1971 Rückkauf ","A II 527 NG 22/71",""],"mul":[[["Loos Adolf","Adolf Loos, Wien",""],["Neue Galerie, Otto Kallir-Nirenstein, Wien","Neue Galerie, Otto Kallir-Nirenstein, Wien (8.1.1925)",""],["Nationalgalerie","Nationalgalerie, Berlin (6.1926)","im März 1943 im Tiefenkeller des neuen Reichsbankgebäudes, Kurstr. 36/51, ausgelagert, 1944 in den Flakturm von Berlin-Friedrichshain gebracht; nach 1946 verschollen"],["Privatbesitz","Privatbesitz, New York",""]],[["1989/90 Wien, Graphische Sammlung Albertina","8036"," "],["1911 Karlsbad","8044","Nr. 16 "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 5 "],["1937 Paris","8318","Nr. 529 mit Abb. "],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 12 "],["[1915 New York]","8449"," "],["2002 Hamburg","8474","S. 124, 244, Farbtaf. S. 125"],["2006 Klosterneuburg","8515","S. 467, Farbtaf. S. 162"],["2001/02 Madrid","8525","S. 64, Nr. 3 mit Farbtaf."],["2008 Wien, Belvedere","8619","S. 180, Farbtaf. 90 S. 183"],["1926 Köln","8627"," "],["1925 Zürich","8635","Nr. 227 "],["2005/06 Paris","8637","S. 274, Farbtaf. S. 275 (in dt. Ausg.)"],["1986 London","8643","Nr. 11 mit Farbtaf. "],["1984 Brüssel","8705","Nr. 102 mit Abb. "],["1915 San Francisco","8772","Nr. 318 "],["1986 Zürich","8836","Nr. 11 mit Farbtaf. "],["[1910 Hagen]","8871"," "],["1913 Zürich","8966","Nr. 129 "],["1927 Cassirer, Berlin","8968","Nr. 8 "],["1911 Wien","8994","Nr. 55 "],["1937 Bern","9000","Nr. 79 "],["1986/87 Guggenheim, New York","9072","Nr. 11 mit Farbtaf. (nicht ausgestellt) "],["1927 Chemnitz","9076"," "],["1924 Neue Galerie, Wien","9081"," "],["2006 Belvedere, Wien","9094","S. 227, Farbtaf. S. 160"],["2018/2019 Zürich","21106","Nr. 13, Farbtaf. S. 64-65"]],[["Westheim 1925 a, Abb. 8 ","2027"],["Lévêque 2005, Farbabb. S. 186","2028"],["Janda 1986, S. 44 und 48, Abb. S. 23 ","2030"],["Altmann-Loos 1968, S. 41-55","2081"],["Berlin 1931, S. 140, Abb. 68 ","2185"],["Krieger/Heidecker 1982, S. 106 mit Abb. ","2190"],["Calvocoressi 1992, Farbtaf. 13 ","2193"],["Berlin 1979, S. 359, Abb. 187","2196"],["Westheim 1917 a, S. 319 u. d. T. \"Porträt der Frau Bessie Loos\" ","2244"],["Haftmann 1972 a, S. 32 mit Abb.","2251"],["Bischoff 1997, S. 95, Abb. 89","2282"],["Echte/Feilchenfeldt 2013, S. 469 mit Farbabb.","2467"],["Hoffmann 1947, S. 96--97 ","2499"],["Berlin 1928, ","2510"],["Meier-Graefe 1927 b","2568"],["Leshko 1977, S. 147-150, Abb. 69 ","2659"],["Hausenstein 1926, Abb. S. 154 ","2724"],["Kokoschka 1974 b, S. 85-86 (zur Person Bessie Bruce) ","2729"],["Westheim 1918 a, S. 52 ","2738"],["Hentzen 1972 a, S. 68, Anm. 48 ","2809"],["Kokoschka 1971, S. 94--95 ","2894"],["Du 1981, Farbabb. S. 45","2998"],["Rohr 1972","3043"],["Rogner/Bernhard 1965, S. 41, Abb. 57 ","3133"],["Hodin 1968 a, S. 169 ","3213"],["Spielmann 2003 a, Farbtaf. S. 126","3309"],["Hodin 1946 a","3406"],["Hodin 1966, S. 111 ","3490"],["Haftmann 1972 b, S. 267--268, Farbabb. 71","3743"],["Rukschcio/Schachel 1982, Abb. 122 (Farbtaf.) ","3815"],["Schweiger 1983, S. 118 ","3945"],["Natter 2003, S. 249, Farbtaf. S.[248]","4056"],["Monnin 2005, S. 60, Farbabb. S. 57","4073"],["Berlin 2001, Abb. S. 171","20170"],["Berlin 1996, Abb. S. 35","20171"],["Haftmann 1972 c, S. 23","27164"]],[["Weibliches Bildnis"]]]},{"id":1255,"img":{"extraLarge":"AP_100042261_extraLarge.jpg","medium":"AP_100042261_medium.jpg"},"arr":["1910.02","Bertha Eckstein-Diener (Skizze)","","[1910]","Öl/Lwd.","77.5 x 88 cm ","Unbez. ",""," ","39","mumok, Museum moderner Kunst Stiftung Ludwig Wien","1962 ","B 58/0 ",""],"mul":[[["Künstler Vita Maria","Vita Maria Künstler, Wien (bis 1962)",""],["Dorotheum","Dorotheum, Wien (14.3.1962, Nr. 318 u. d. T. \"Sitzendes Mädchen\", Abb. Taf. 76 und Farbtaf. VI)",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 13 "],["1989 Tokio","8126","Nr. 123 mit Farbabb. "],["1966 Karlsruhe","8284","Nr. 2a mit Abb. "],["2001 Paris","8333","S. 201, Nr. 12 mit Farbtaf."],["1991 Stockholm","8501","Nr. 29, S. 219"],["2001/02 Madrid","8525","S. 73, Nr. 7 mit Farbtaf."],["1976 Bregenz","8605","Nr. 2 "],["2008 Wien, Belvedere","8619","S. 180, Farbtaf. 89 S. 181"],["2005/06 Paris","8637","S. 276, Farbtaf. S. 277 (in dt. Ausg.)"],["1988 Barcelona","8659","Nr. 2, Farbtaf. S. 36 "],["1971 Wien","8820","Nr. 3, Abb. 1 "],["1984 Venedig","8824","Nr. 649, Abb. S. 198 "],["2008 Linz","9042","S. 56 mit Farbtaf."],["1985 Künstlerhaus, Wien","9048","Nr. 15/6/2, Abb. S. 504 "],["1962 Wien","9060","Nr. 37 mit Abb. "],["1981 Hamburg","9082","Nr. 58, Abb. S. 74 "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 7, Farbtaf. S. 72"]],[["Dorotheum 1962, Nr. 318 u. d. T. \"Sitzendes Mädchen\", Abb. Taf. 76 und Farbtaf. VI","2073"],["Mayer 2015, S. 230, Farbabb. S. 228","2125"],["Weidinger/Strobl 2008, S. 231, Abb. V.319","2435"],["Kokoschka 1974 b, S. 86-88 ","2729"],["Hentzen 1972 a, S. 68, Anm. 48 ","2809"],["Kokoschka 1971, S. 98-99 ","2894"],["Wien 1968 a, Farbabb. S. 21","2928"],["Hofmann 1965, S. 118, Farbtaf. 29 ","3038"],["Hodin 1968 a, S. 150-151 ","3213"],["Spielmann 2003 a, S. 94 mit Abb.","3309"],["Hodin 1946 a","3406"],["Wien 1984 a, S. 18, Farbtaf. 13","3695"],["Badura-Triska 2016","32168"],["Görner 2018, S. 43","41167"],["Paris 2022, Farbtaf. S. 72","43164"]],[["Weibliches Bildnis"]]]},{"id":1386,"img":{"extraLarge":"AP_100042393_extraLarge.jpg","medium":"AP_100042393_medium.jpg"},"arr":["1910.03","Auguste Forel","","1910","Öl/Lwd.","70 x 58 cm ","Bez. unten rechts: OK ","33","36, Taf. 17 ","40","Städtische Kunsthalle, Mannheim","8.5.1913, am 28.8.1937 beschlagnahmt, nach 1945 rückgeführt","321","Kunsthalle Mannheim"],"mul":[[["Loos Adolf","Adolf Loos, Wien",""],["Galerie M. Goldschmidt & Co.","Galerie M. Goldschmidt & Co., Frankfurt a. M.",""],["Kunsthalle Mannheim","Kunsthalle Mannheim, Mannheim (8.5.1913)",""],["1937 beschlagnahmt","1937 beschlagnahmt, aus dem Depot der Kunsthalle Mannheim zunächst im Schloß in Schwetzingen, ab 1944 in einem Salzwerk in Heilbronn ausgelagert, nach 1945 rückgeführt (28.8.1937)",""]],[["1911 Karlsbad","8044","Nr. 25 "],["1921 Dresden","8064","Nr. 134 "],["1962 Tate Gallery, London","8075","Nr. 14, Abb. 6 "],["1950 München","8139","Nr. 11, Abb. S. 9 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 5 "],["1927 Zürich, Kunsthaus","8209","Nr. 8, Taf. V "],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 9 "],["2013/14 Rotterdam","8478","S. 16, 43, 78, Nr. 28 mit Farbtaf."],["1918 Mannheim","8568","Nr. 44 "],["1918 Cassirer, Berlin","8777","Nr. 5 "],["[1910 Hagen]","8871"," "],["2005/06 Pfäffikon","8898","S. 21, Farbtaf. 9"],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 5 "],["1924 Neue Staatsgalerie, München","9032","Nr. 110 "],["2012 Wuppertal","9047","Farbtaf. S. 85"],["1923 Cassirer, Berlin","9051"," "],["1981 Hamburg","9082","Nr. 62, S. 78, Farbtaf. XII "],["2020 Lausanne","26106","Nr. 74, Farbtaf. S. 151"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 8, Farbtaf. S. 73"]],[["Novotny 1949, S. 123, Abb. 6 ","2005"],["Strobach 1957, S. 56, Farbtaf. 21","2013"],["Mannheim 1987, Nr. 65, Abb. S. 133","2023"],["Westheim 1925 a, S. 39, Abb. 58 ","2027"],["Forel 1935, S. 239","2065"],["Pillep 1965, Abb. 13 ","2069"],["Faistauer 1923, Abb. 32 ","2071"],["Schmidt Georg 1959, S. 10, Farbtaf. S. 14 ","2082"],["Karpfen 1923, Abb. S. 174 ","2107"],["Roşu 1976, Farbabb. S. [15] ","2148"],["Meyer 2013, S. 202, Farbabb. 66 S. 400","2165"],["Schmalenbach F. 1967, S. 5 und 22, Farbtaf. S. 39 ","2199"],["Moeller 2005, S. 145, Farbtaf. S. [144]","2215"],["Myers 1957, S. 60, Farbtaf. S. [61] ","2233"],["Westheim 1917 a, S. 294 und 319, Abb. S. 293 ","2244"],["Trummer 2002, S. 40 mit Abb.","2337"],["Gruber 1949","2338"],["Schvey 1982, S. 43, Abb. 17 ","2375"],["Biermann 1929, Abb. 3 ","2394"],["Echte/Feilchenfeldt 2013, S. 460, Farbabb. S. 459","2467"],["Hodin 1947 b","2498"],["Hoffmann 1947, S. 52, 61--62 und 100 ","2499"],["Grote 1954, Abb. 19 ","2504"],["Hiller 1910, S. 151 ","2520"],["Stöbe 1997, S. 103, Abb. 99","2538"],["Borchert 1959, Farbtaf. 1 ","2562"],["Hodin 1971, Abb. S. [109] ","2585"],["Ragon 1967, S. 58--59, Farbabb. S. 49 ","2592"],["Manheim 2001, S. 24, Abb. 9","2633"],["Leshko 1977, S. 108, S. 118-123, Abb. 49 ","2659"],["Hausenstein 1926, Abb. S. 161 ","2724"],["Kokoschka 1974 b, S. 88 ","2729"],["Haftmann 1965 b, Abb. 145 ","2732"],["Mannheim 1977, S. 281, Abb. S. 119","2737"],["Westheim 1918 a, S. 26, Abb. 13 ","2738"],["Roempler 1957, S. 39-40, Abb. 21 ","2745"],["Schmalenbach F. 1970, S. 395 und 396 ","2769"],["Smith 1986, S. 48, Abb. 13 nach S. 112 ","2773"],["Simon 1967, Abb. S. 100 ","2795"],["Deri 1921, Abb. 94 ","2840"],["Goldscheider 1963, S. 75 (Anm. 6), Farbtaf. 6 ","2855"],["Waldmann 1921, S. 278, Abb. 128 [S. 277] ","2858"],["Mannheim 1984, Farbabb. auf Umschlagrückseite","2872"],["Heilmaier 1929, S. 8, Abb. 4 ","2885"],["Cheney 1941, Abb. S. 402 ","2893"],["Kokoschka 1971, S. 97--98 ","2894"],["Mannheim 1926, Nr. 127, Abb. S. 63 ","2915"],["Gombrich 1986, Abb. S. 21 ","2916"],["Asendorf 1989, S. 148 mit Abb. ","2948"],["Sydow 1920, Abb. gegenüber S. 64 ","2959"],["Schug 1994, S. 202, Farbtaf. S. 203","2999"],["Windisch 2013, S. 195-196, Abb. 78","3001"],["Vergo 1975, Farbtaf. 155","3050"],["Gravenkamp 1930, S. 212-214, Abb. S. [213]","3069"],["Seckel 1967, S. 144, Abb. 18 nach S. 104 ","3076"],["Selz 1974, S. 168-169, Abb. 63 ","3116"],["Ohlsen 2001, Farbabb. 2","3131"],["Ruhrberg 1987, S. 107 ","3194"],["Hodin 1968 a, S. 151-152, 256 und 343-344 (Anm. 1 und 5) ","3213"],["Husslein-Arco/Weidinger 2008, S. 180, Farbabb. 98","3215"],["Sármány-Parsons 1991, Nr. 36 mit Farbtaf. ","3233"],["Spielmann 2003 a, S. 94, Farbtaf. S. 129","3309"],["Zahn 1948, S. [30]-31, Farbtaf. S. [27] ","3312"],["Fischer 1982, S. 7-9, Abb. 9 ","3317"],["Dube 1973, Abb. 141 ","3325"],["Werkner 1986, Abb. 45 ","3369"],["Birthälmer 2012 b, S. 41, Farbabb. 5","3380"],["Frank 1966, S. 608-613, Abb. S. 609","3389"],["Roh 1958, Abb. S. 156 ","3408"],["Palkovsky 1958, Abb. 9 ","3411"],["Kandel 2014, S. 182-183, Farbabb. 9-12 S. 182","3467"],["Hodin 1966, S. 96--97, 173 und 224, Abb. 13 ","3490"],["Platschek 1946, Abb. 8 ","3496"],["Mannheim 1953, Nr. 78, Abb. 40 ","3502"],["Grote 1964, Abb. 77 ","3550"],["Hoffmann 1967, Farbtaf. III ","3588"],["Vergo 2015, S. 220, Farbtaf. 176","3593"],["Huf/O'Neill 2005, S. 2037-2040 mit Abb. ","3622"],["Birthälmer 2012 a, Farbtaf. S. 85","3635"],["Natter 1996 a, S. 37 mit Abb.","3646"],["Wingler 1956, S. 37 ","3708"],["Wild 1950, S. 160, Abb. 57 ","3761"],["Storck 1919, S. 384, Abb. S. 393","3764"],["Masciotta 1966, Farbtaf. III ","3808"],["George 1963, S. 46, Abb. 13 ","3814"],["Schmalenbach F. 1947, S. 8 ","3824"],["Moeller 2000, S. 116, Farbtaf. S. [114]","3873"],["Wettley 1953, farb. Umschlagabb.","3883"],["Neumeyer 1945, S. 262, Abb. S. 263 ","3895"],["Schweiger 1983, S. 144, Abb. S. 167 ","3945"],["Schreyer 1954, S. 474, Abb. S. [475] ","4026"],["Primack 1961, S. 10-11 ","4107"],["Höver 1948, Abb. 52 ","4118"],["Kokoschka 1913, Abb. ","4130"],["Mannheim 1957, Nr. 91, Abb. 53","16170"],["Mannheim 1995, S. 76–77, Farbabb.","23184"],["Mannheim 2013, S. 176, 461, Farbtaf. 102, S. 177 ","23185"],["Rieger 2018, S. 41","41166"],["Paris 2022, Farbtaf. S. 73","43164"]],[["Männliches Bildnis"]]]},{"id":1400,"img":{"extraLarge":"AP_100042407_extraLarge.jpg","medium":"AP_100042407_medium.jpg"},"arr":["1910.04","Conte Verona","","1910","Öl/Lwd","70.6 x 58.7 cm ","Bez. unten rechts: OK. Auf der Rückseite beschriftet (von fremder Hand?): Signor Verona ","39","32 ","41","Privatbesitz, Courtesy Richard Nagy Ltd. London"," ","","Privatbesitz, Courtesy Richard Nagy Ltd. London"],"mul":[[["Loos Adolf","Adolf Loos, Wien",""],["Neue Galerie, Otto Kallir-Nirenstein, Wien","Neue Galerie, Otto Kallir-Nirenstein, Wien (8.1.1925)",""],["Wolff Fritz","Fritz Wolff, Wien/ab 1940 New York (um 1927)",""],["Knize Annie","Annie Knize, New York (1949)",""],["Knize Peter A.","Peter A. Knize, Newtown, CO. (1979)",""],["Marlborough Fine Art","Marlborough Fine Art, London",""]],[["2001 New York","8011","Nr. 2, Farbtaf. S. 9"],["1911 Karlsbad","8044","Nr. 12 "],["1956 Chicago","8045","Nr. 3 "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 2 "],["1948 Boston","8222","Nr. 12 mit Abb. "],["1972 New York","8275","Nr. 42 mit Farbabb. "],["2001 London","8278","S. 289 mit Farbabb. S. 238"],["2013/14 London","8388","S. 163, 213, Farbabb. 53"],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 8 "],["[1915 New York]","8449"," "],["2002 Hamburg","8474","S. 126, 245, Farbtaf. S. 127"],["2001/02 Madrid","8525","S. 70, Nr. 6 mit Farbtaf."],["1981 New York, Marlborough","8535","Nr. 7, Abb. S. 30 "],["1966 New York","8544","Nr. 9, Abb. S. 29 "],["1987 Gent","8571","Nr. 7, Farbtaf. S. 81 (Detail S. [80]) "],["1925 Zürich","8635","Nr. 226 "],["1986 London","8643","Nr. 14 mit Farbtaf. "],["1959 Bayer, New York","8649","Nr. 5 "],["1988 Barcelona","8659","Nr. 7, Farbtaf. S. 41 "],["2010/11 Riehen","8760","S. 264, Farbtaf. S. 162"],["1915 San Francisco","8772","Nr. 315 "],["1954 Santa Barbara","8806","Nr. 4 "],["1986 Zürich","8836","Nr. 14 mit Farbtaf. "],["1987 Florenz","8852","Nr. 3 mit Farbtaf. "],["[1910 Hagen]","8871"," "],["1928 Prag","8927","Nr. 175"],["1981/82 Rom","8934","Farbabb. S. 17 "],["1913 Zürich","8966","Nr. 136 "],["1927 Cassirer, Berlin","8968","Nr. 10 "],["1911 Wien","8994","Nr. 49 "],["1991 Wien","9033","Nr. 9 mit Farbtaf. "],["1986/87 Guggenheim, New York","9072","Nr. 14 mit Farbtaf. "],["1924 Neue Galerie, Wien","9081"," "]],[["Westheim 1925 a, Abb. 55 ","2027"],["Lowitzer-Hönig 2008, S. 57, Abb. 81","2124"],["Monsel 1995, S. 5, Farbtaf. 9","2144"],["Calvocoressi 1992, Farbtaf. 16 ","2193"],["Bonnefoit 2013, S. 43, Farbabb. 5","2194"],["Westheim 1917 a, S. 319 ","2244"],["Calvocoressi/Hartley 2001, Farbabb. S. 238","2389"],["Echte/Feilchenfeldt 2013, S. 460 mit Farbabb.","2467"],["Hoffmann 1947, S. 97 ","2499"],["Hiller 1910, S. 151 ","2520"],["Feilchenfeldt 2009 a, S. 263, Farbabb. 86","2599"],["Leshko 1977, S. 155-157, Abb. 74 ","2659"],["Kokoschka 1974 b, S. 85","2729"],["Westheim 1918 a, S. 52 ","2738"],["Kokoschka 1971, S. 96 ","2894"],["Spielmann 2003 a, S. 95, Abb. S. 96","3309"],["Fischer 1982, S. 11, Abb. 15 ","3317"],["Hodin 1946 a","3406"],["Masciotta 1949, Taf. IV ","3880"]],[["Männliches Bildnis"]]]},{"id":1241,"img":{"extraLarge":"AP_100042247_extraLarge.jpg","medium":"AP_100042247_medium.jpg"},"arr":["1910.05","Victoire de Montesquiou - Fezensac","Herzogin de Rohan-Montesquieu","1910","Öl/Lwd.","94.6 x 48.9 cm ","Bez. unten Mitte: OK ","38","33, Taf. 13 ","42","Cincinnati Art Museum, Cincinnati, OH, Vermächtnis Paul E. Geier ","16.5.1983 ","1983.64","Vermächtnis Paul E. Geier"],"mul":[[["Folkwang Museum Osthaus Karl Ernst","Folkwang Museum Karl Ernst Osthaus, Hagen/seit 1921 Essen (1910)",""],["1937 beschlagnahmt","1937 beschlagnahmt (am 7. Juli 1937 von Essen nach München zur Ausstellung \"Entartete Kunst\" gesandt)",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin",""],["Galerie Fischer","Galerie Fischer, Luzern (30.6.1939, Nr. 65)",""],["Geier Paul Esselborn","Paul Esselborn Geier, Cincinnati (30.6.1939)","als Leihgabe im Art Museum, Princeton University, Princeton (NJ), Inv. Nr. 0854"]],[["1921 Dresden","8064","Nr. 127 "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 6 "],["1962 Tate Gallery, London","8075","Nr. 12 "],["1937 Hofgarten-Arkaden, München","8108","Raum 4 "],["1948 Boston","8222","Nr. 11, S. 21, Abb. "],["1966 Zürich","8225","Nr. 8 "],["1912 Hagen","8256","Nr. 143 "],["1966 Karlsruhe","8284","Nr. 7, Abb. "],["1939 Grand Hôtel National, Luzern","8353","Nr. 65"],["1962/1963 Hamburg","8422","Nr. 8, Abb. "],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 14 "],["2001/02 Madrid","8525","S. 66, Nr. 4 mit Farbtaf."],["1981 New York, Marlborough","8535","Nr. 8, Abb. S. 31 "],["1992 Altes Museum, Berlin","8573","S. 143, Farbabb. 128 (nicht ausgestelllt)"],["2007 Madrid","8595","S. 63, 322, Farbtaf. 17"],["1986 London","8643","Nr. 12 mit Farbtaf. "],["1955 Buffalo","8677","Nr. 26, Abb. S. 48 "],["1956 Cincinnati","8686","Nr. 27 "],["1918 Cassirer, Berlin","8777","Nr. 4 "],["1986 Zürich","8836","Nr. 12 mit Farbtaf. "],["[1910 Hagen]","8871"," "],["2014 New York","8903","S. 38, 302,246, Abb. 5 S. 40, Abb. 119 S. 238, Farbtaf. 6 S. 57"],["1927 Cassirer, Berlin","8968","Nr. 2 "],["1939 Zürich","9061"," "],["1986/87 Guggenheim, New York","9072","Nr. 12 mit Farbtaf. "]],[["Westheim 1925 a, S. 39, Abb. 54 ","2027"],["Lévêque 2005, Farbtaf. S. 73","2028"],["Schmidt P. F. 1922, Abb. 162 ","2050"],["Cincinnati 1984, S. 126 mit Abb.","2054"],["Hamann 1933, Abb. 1094 ","2100"],["Calvocoressi 1992, Farbtaf. 15 ","2193"],["Schmalenbach F. 1967, S. 8, Farbabb. S. 36 (Detail) und S. 37 ","2199"],["Dittmann 2013, S. 279, Abb. 34 S. 281","2216"],["Westheim 1917 a, S. 319 u. d. T. \"Porträt der Herzogin R.\" ","2244"],["Schweiger 1986 a, S. 43 (Brief an H. W[alden], Poststempel 6. V. 1910) ","2265"],["Lüttichau 1988, S. 142 (Nr. 16033) ","2290"],["Hagen 1912, Nr. 143","2401"],["Echte/Feilchenfeldt 2013, S. 457 mit Farbabb.","2467"],["Hoffmann 1947, S. 100--101, Abb. XVIII ","2499"],["Hesse-Frielinghaus 1971, S. 200, Abb. S. 198","2501"],["Duchesne 2014, Nr. 65, S. 171--172 mit Farbabb.","2583"],["Feilchenfeldt 2009 a, S. 263, Farbabb. 85","2599"],["Leshko 1977, S. 149-151, Abb. 70 ","2659"],["Dalbajewa 1999, S. 120","2681"],["Kokoschka Briefe 1 1984, S. 325-328 (Anm. zu S. 12, 14) ","2710"],["Kokoschka 1974 b, S. 85","2729"],["Westheim 1918 a, S. 52, Abb. 11 ","2738"],["Goldscheider 1963, Farbtaf. 5 ","2855"],["Stamm 1998, S. 791, Farbabb. 7","2857"],["Roh 1962, S. 160 ","2860"],["Heilmaier 1929, S. 8, Abb. 2 ","2885"],["Kokoschka 1971, S. 96--97 ","2894"],["Essen 1929, Nr. 194 ","2946"],["Vallier 1963, Abb. S. 258 ","3020"],["Vergo 1975, Abb. S. 195 ","3050"],["Barron 1992 b, S. 159 mit Abb.","3051"],["Grohmann 1953, Abb. 5 ","3155"],["Galerie Fischer Luzern 1939 a, Nr. 65 ","3165"],["Gerold 1957, S. 103, Abb. 50 ","3198"],["Husslein-Arco/Weidinger 2008, S. 184, Farbabb. 100","3215"],["Essen 1965, Abb. 52","3296"],["Spielmann 2003 a, S. 95, Farbtaf. S. 128","3309"],["Fischer 1982, S. 11-12, Abb. 16 ","3317"],["Hodin 1946 a","3406"],["Hodin 1966, Abb. 12 ","3490"],["Natter 1996 b, S. 12 mit Abb.","3532"],["Vergo 2015, S. 219--220, Farbabb. 174","3593"],["Roessler 1947, Abb. 20 ","3595"],["Luckow 1987, S. 35, Abb. 4 S. 34","3630"],["Leshko 1969, S. 33, Abb. 16 (Detail) ","3660"],["Hildebrandt 1924, Abb. 404 ","3727"],["George 1963, S. 46 ","3814"],["Schweiger 1983, S. 161--163, 263 (Anm. 18--25 zum Kapitel \"Wovon man nicht spricht\"), Abb. S. 161 ","3945"],["Natter 2003, S. 287--288, Farbtaf. S. [289]","4056"],["Kokoschka 1913, Abb. ","4130"]],[["Weibliches Bildnis"]]]},{"id":1062,"img":{"extraLarge":"AP_100042067_extraLarge.jpg","medium":"AP_100042067_medium.jpg"},"arr":["1910.06","Joseph de Montesquiou-Fezensac","\"Portrait of a Marquis\"\n\"Marquis de Montesquieu\"","1910","Öl/Lwd.","80 x 63 cm ","Bez. unten links: OK ","37","34","43","Privatbesitz, U.S.A.","2018","",""],"mul":[[["Flechtheim Alfred","Alfred Flechtheim, Düsseldorf",""],["Kunstsalon Hermann Abels","Kunstsalon Hermann Abels, Köln (1929)",""],["Günther Franke","Günther Franke, München (1931)","gemeinsam mit J. B. Neumann"],["Galerie Alex Vömel","Galerie Alex Vömel, Düsseldorf (1931-34)",""],["Moderna Museet, Stockholm","Moderna Museet, Stockholm (30.11.1934-2018)","NM 3044"]],[["1911 Karlsbad","8044","Nr. 24 "],["1962 Tate Gallery, London","8075","Nr. 13, Abb. Nr. 9 "],["1930 Prag","8153","Nr. 43"],["1966 Zürich","8225","Nr. 9 "],["1963/64 Stockholm","8271","Nr. 13 mit Abb. "],["1931 Bonjean, Paris","8429"," "],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 7 "],["2002 Hamburg","8474","S. 130, 245, Farbtaf. S. 131"],["1991 Stockholm","8501","Nr. 31, S. 219"],["1931 Neumann/Franke, München","8521","Nr. 47 mit Abb. "],["2001/02 Madrid","8525","S. 70, Nr. 5 mit Farbtaf."],["1986 London","8643","Nr. 13 mit Farbtaf. "],["1988 Barcelona","8659","Nr. 8, Farbtaf. S. 42 "],["1986 Paris","8762","Farbabb. S. 497 "],["1971 Wien","8820","Nr. 11 "],["1986 Zürich","8836","Nr. 13 mit Farbtaf. "],["[1910 Hagen]","8871"," "],["1995 Madrid","8965","S. 72, 110, Nr. 16 mit Farbtaf."],["1960 Kopenhagen","9011","Nr. 5 "],["1983 Bordeaux","9016","Nr. 2, Abb. S. 72, Farbabb. S. 50 "],["1929 Abels, Köln","9030","Nr. 5 "],["1927 Flechtheim, Berlin","9052","Nr. 105 "],["1986/87 Guggenheim, New York","9072","Nr. 13 mit Farbtaf. "],["1981/82 Hamburg","9101","S. 102 "]],[["Lévêque 2005, S. 188 mit Farbabb.","2028"],["Lowitzer-Hönig 2008, S. 61, Abb. 82","2124"],["Monsel 1995, S. [10], Farbtaf. 7","2144"],["Calvocoressi 1992, Farbtaf. 14 ","2193"],["Schmalenbach F. 1967, S. 8, Farbtaf. S. 35 ","2199"],["Tietze 1934, Abb. S. 450","2353"],["Echte/Feilchenfeldt 2013, S. 465 mit Farbabb.","2467"],["Hoffmann 1947, Abb. XVII ","2499"],["Leshko 1977, S. 152-155, Abb. 72 ","2659"],["Kokoschka 1974 b, S. 85","2729"],["Westheim 1918 a, S. 52 ","2738"],["Stockholm 1950, S. 121 ","2765"],["Goldscheider 1963, S. 75 (Anm. 4), Farbtaf. 4 ","2855"],["Kokoschka 1971, S. 97 ","2894"],["Crepaldi 2005, S. 42 mit Farbtaf.","2937"],["Husslein-Arco/Weidinger 2008, Farbabb. 101","3215"],["Spielmann 2003 a, Abb. S. 95","3309"],["Fischer 1982, S. 11-12, Abb. 17 ","3317"],["Cahiers de Belgique 1931, Abb.","3353"],["Hodin 1946 a","3406"],["Magazine of art 1935, Abb. S. 229","3479"],["Stockholm 1976, Nr. 2707 mit Abb.","3652"],["Hamilton 1967, Abb. 182 B","3667"],["Cicerone 1928, Abb. S. 568","3792"],["Leppien 1981, S.102, Abb. S. 103","3794"],["Schweiger 1983, Farbtaf. S. 176 ","3945"],["Berthelot 1931 b, Abb. S. 7 ","4069"],["Stockholm 1997, S. 46, Farbtaf. S. 47 ","23208"],["Stockholm 2004","23209"]],[["Männliches Bildnis"]]]},{"id":1365,"img":{"extraLarge":"AP_100042372_extraLarge.jpg","medium":"AP_100042372_medium.jpg"},"arr":["1910.07","Hans Reichel","Portrait of a boy\nKnabe mit erhobener Hand","[1910]","Öl/Lwd.","69.9 x 65.1 cm ","Bez. unten rechts: OK ","9","20, Taf. 6 ","44","Privatbesitz, U.S.A. ","1974 ","",""],"mul":[[["Reichel Oskar","Oskar Reichel, Wien",""],["Reichel Hans","Hans Reichel, Wien (1937)",""],["Galerie St. Etienne, Otto Kallir, Paris und New York","Galerie St. Etienne, Otto Kallir, Paris und New York (1939)",""],["Blodgett Platt Sarah R.","Sarah R. Blodgett Platt, Portland, OR/später Santa Barbara, CA (1948)",""]],[["1961 Berlin","8021","Nr. 4 "],["1942 Saint Louis","8134"," "],["1943 Galerie St. Etienne, New York","8196"," "],["1948 Boston","8222","Nr. 4 mit Abb. "],["1941 Chicago","8292","Nr. 10 "],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 26 "],["1986 London","8643","Nr. 15 mit Farbtaf. "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 11, Nr. 4 "],["1940 Galerie St. Etienne, New York","8726","Nr. 10 u. d. T. \"Blue Boy\" "],["1975/76 New Orleans","8801","Nr. 48, Farbtaf. S. 64 "],["1986 Zürich","8836","Nr. 15 mit Farbtaf. "],["[1910 Hagen]","8871"," "],["1913 Wien, Galerie Miethke","8923"," "],["1939 Paris","8964"," "],["1911 Wien","8994","Nr. 59 "],["1933 Wien","9009"," "],["1986/87 Guggenheim, New York","9072","Nr. 15 mit Farbtaf. "],["1924 Neue Galerie, Wien","9081"," "]],[["Westheim 1925 a, Abb. 56 ","2027"],["Westheim 1917 a, S. 319 u. d. T. \"Porträt eines Knaben\", Abb. S. 292 ","2244"],["Hoffmann 1947, S. 98 ","2499"],["Leshko 1977, S. 137-139, Abb. 61 ","2659"],["Westheim 1918 a, S. 52, Abb. 12 ","2738"],["Plaut 1948, S. 21 ","2891"],["Kokoschka 1971, S. 86 und 89 ","2894"],["Roessler 1918 b, Abb. S. 99 ","2945"],["Benesch 1951, ","3040"],["Selz 1974, S. 166 und 340 (Anm. 22--24), Abb. 61b ","3116"],["Spielmann 2003 a, S. 96, Abb. S. 97","3309"],["Werkner 2002, Abb. S. 33","3381"],["Comini 1974, S. 74-75, 76, 212 (Anm. 68), Abb. 52","3390"],["Lillie 2003, S. 943 mit Abb.","3666"],["Natter 2003, S. 251--252, Farbabb. S. 252","4056"]],[["Kinder"]]]},{"id":1411,"img":{"extraLarge":"AP_100042418_extraLarge.jpg","medium":"AP_100042418_medium.jpg"},"arr":["1910.08","Stillleben mit Hammel und Hyazinthe","","[1910]","Öl/Lwd.","87 x 114 cm ","Bez. unten rechts: OK ","4","21, Farbtaf. III ","45","Oberes Belvedere, Wien","Oktober 1922 ","2358","Belvedere, Wien"],"mul":[[["Reichel Oskar","Oskar Reichel, Wien ",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 15 mit Abb. "],["1971 Prag","8014","Nr. 1 mit Abb. "],["1921 Dresden","8064","Nr. 126 "],["1962 Tate Gallery, London","8075","Nr. 9, Abb. Nr. 8 "],["1996/97 Wien","8103","S. 50, Farbtaf. S. 51"],["1950 München","8139","Nr. 7, Abb. S. 10 "],["1948 Wien","8202"," "],["1927 Zürich, Kunsthaus","8209","Nr. 15 "],["1948 Boston","8222","Nr. 2 mit Abb. "],["1966 Zürich","8225","Nr. 5, Abb. 2 "],["1956 Amsterdam","8297","Nr. 131 mit Abb. "],["1947 Basel, Kunsthalle","8376","Nr. 120 "],["1947 Zürich, Kunsthaus","8415","Nr. 1 "],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 27 "],["1912 Köln","8524","Nr. 361 "],["1958 Wien","8541","Nr. 7, Abb. 26 "],["1964 Secession, Wien","8590","Nr. 62 "],["1957 Bern","8617","Nr. 57 "],["2008 Wien, Belvedere","8619","S. 190, Farbtaf. 93 S. 191"],["2010 Kunstforum, Wien","8630","Nr. 16, S. 98, 232, Farbtaf. S. 111"],["1912 Berlin, Galerie Der Sturm","8645","Nr. 54 "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 12, Nr. 15 "],["1957 St. Gallen","8764","Nr. 49 mit Abb. "],["1960/61 Paris","8787","Nr. 328 "],["1980 Österreichische Galerie, Wien","8804","Nr. 72 "],["1971 Wien","8820","Nr. 5, Farbabb. 8 "],["1947 Amsterdam","8829","Nr. 1 "],["[1910 Hagen]","8871"," "],["1913 Wien, Galerie Miethke","8923"," "],["1955 Wien, Secession","8960","Nr. 44 "],["1951 Linz","8989","Nr. 2 "],["1948 Venedig","8991","Nr. 1 "],["1911 Wien","8994","Nr. 52 "],["1991 Wien","9033","Nr. 7 mit Farbtaf. und Detail "],["2008 Linz","9042","S. 59 mit Farbtaf."],["1985 Künstlerhaus, Wien","9048","Nr. 15/6/4 "],["1923 Cassirer, Berlin","9051"," "],["1987 Wien","9066","S. 308, Farbtaf. S. 309 "],["1927 Chemnitz","9076"," "],["1924 Neue Galerie, Wien","9081"," "],["1981 Hamburg","9082","Nr. 60, S. 76 mit Abb., Farbtaf. XI "],["2006 Belvedere, Wien","9094","S. 227, Farbtaf. S. 119"],["2018/2019 Zürich","21106","Nr. 16, Farbtaf. S. 90"]],[["Berger 1999, Farbabb. 2","2025"],["Westheim 1925 a, S. 57--59, Abb. 16 ","2027"],["Serner 1981, S. 77--78 ","2055"],["Faistauer 1923, Abb. 30 ","2071"],["Schmidt Georg 1959, S. 10, Farbtaf. S. 13 ","2082"],["Bisanz 2005, S. 139, Farbabb. S. 137","2094"],["Enderes 1911, S. 8-9","2114"],["Erling 2013, S. 31, Farbabb. 3","2156"],["Serner 1911 d","2159"],["Meyer 2013, S. 246, Farbabb. 87 S. 407","2165"],["Schmalenbach F. 1967, S. 30--31, Farbtaf. S. 34 ","2199"],["Moeller 2005, S. 149, Farbtaf. S. [151]","2215"],["Westheim 1917 a, S. 319, Abb. S. 305 ","2244"],["Schaukal 1912, S. 811 ","2307"],["Steingräber 1980, S. 531, Abb. S. 530 ","2318"],["Wien 1935, Nr. 78","2405"],["Nebehay 1983 a, Farbabb. S. III/18 ","2462"],["Hofmann 1986 b, S. 89-90 ","2463"],["Echte/Feilchenfeldt 2013, S. 472 mit Farbabb.","2467"],["Fliedl 1986, Farbtaf. S. 333 ","2469"],["Natter 1997, S. 45, Abb. 46, Farbtaf. S. 67","2488"],["Hoffmann 1947, S. 48--49 ","2499"],["Hofmann 1981 b, S. 66 und 71, Farbtaf. XI S. [70] ","2515"],["Bisanz 1984, Abb. 188 (Farbtaf.) S. [159] ","2554"],["Borchert 1959, S. 8, Farbtaf. 3 ","2562"],["Hodin 1971, Abb. S. [119] ","2585"],["Sotriffer 1982, Farbtaf. S. 232 ","2629"],["Manheim 2001, S. 20, Abb. 8","2633"],["Giese 1985, S. 71--72, Abb. S. 72 ","2647"],["Leshko 1977, S. 315-320, Abb. 162 ","2659"],["Willett 1978, S. 62 ","2685"],["Tietze/Krapf-Weiler 2007, S. 35 mit Abb. 5","2702"],["Haftmann 1965 b, Abb. 149 ","2732"],["Westheim 1918 a, S. 37--38 und 52, Abb. 36 ","2738"],["Smith 1986, S. 54 ","2773"],["Krüger 1972, S. 98 (Abb. 72) ","2846"],["Wild 1966 b, ","2850"],["Kokoschka 1971, S. 89--91 ","2894"],["Hodin 1950, S. 655 ","2901"],["Swoboda 1984, Farbtaf. XIV S. 211 ","2929"],["Asendorf 1989, S. 147-148, Abb. S. 147 ","2948"],["Wien 1987, S. 75, Farbabb. S. 31","2955"],["Hofmann 1965, S. 114-116, Farbabb. Taf. 28 ","3038"],["Benesch 1951, ","3040"],["Selz 1974, S. 165-166 und 340 (Anm. 22) ","3116"],["Grimschitz 1929, S. 484 ","3178"],["Hodin 1968 a, S. 129-130 ","3213"],["Sármány-Parsons 1991, Nr. 33 mit Farbabb. ","3233"],["Serati 2008, S. 269 mit Farbabb.","3304"],["Spielmann 2003 a, S. 96, Farbtaf. S. 131","3309"],["Fischer 1982, S. 12, Farbabb. I ","3317"],["Schmidt Gerhard 1956, Farbtaf. 15","3352"],["Weigert 1956, S. 40-41, Abb. 4 ","3357"],["Werkner 1986, S. 104, Farbtaf. XI ","3369"],["Apfelthaler 1984, S. 208, Farbtaf. VII S. 47 ","3373"],["Bultmann 1959, S. 25 und 52, Farbtaf. 4 ","3434"],["Neumayer 1956, S. 34, Farbtaf. 10 ","3454"],["Erling 2014, S. 52, Farbabb. 4","3463"],["Wien 1976, Farbabb. Taf. 40","3475"],["Whitford 1986, S. 47-49, Abb. 8 ","3477"],["Hodin 1966, S. 81--82 und 84, Abb. 6 ","3490"],["Wien 1955, S. 82, Abb. 44 ","3527"],["Glück 1923, S. 391","3585"],["Frodl/Natter 1997, Farbtaf. S. 67","3638"],["Evers 1967, S. 193--195, Farbabb. S. 194 ","3651"],["Sedlmayr 1955, S. 163 ","3654"],["Leshko 1980 a, S. 84--87 ","3688"],["Wingler 1956, S. 38 ","3708"],["Demus 1967, Farbaf. S. [67]","3733"],["Wild 1950, S. 160 ","3761"],["Haftmann 1965 a, S. 170--171 ","3777"],["Schmalenbach F. 1947, S. 8 ","3824"],["Tietze 1918, S. 86-87 ","3833"],["Smola 2012, S. 179 mit Farbabb.","3844"],["Keegan 1999, S. 48","3854"],["Maas 1965, S. 206, Abb. S. 147 ","3857"],["Moeller 2000, S. 118, Farbtaf. S. [119]","3873"],["Masciotta 1949, S. 24--27, Farbtaf. [VIII]","3880"],["Sotriffer 1985, Farbtaf. 137 ","3916"],["Hofmann 1967, Farbabb. S. 56 ","3918"],["Hofmann 1981 a, S. 66 und 71, Farbtaf. XI ","3938"],["Schweiger 1983, S. 152, Farbtaf. S. 172 ","3945"],["Natter 2003, S. 252--254, Farbtaf. S. [253]","4056"],["Kokoschka 1913, Abb. ","4130"],["Wien 1929, Nr. 78, Taf. 24","16175"],["Wien 1962, Farbabb. Taf. 28","16176"],["Wien 1995, S. 150 mit Farbabb","23216"]],[["Stillleben"]]]},{"id":1465,"img":{"extraLarge":"AP_100042474_extraLarge.jpg","medium":"AP_100042474_medium.jpg"},"arr":["1910.09","Der Rentmeister","Dr. Julius Szeps\nDer Schätzmeister\nDer Rentmeister (fälschlich \"Dr. Szeps\")","[1910]","Öl/Lwd.","74 x 59 cm ","Bez. oben rechts: OK ","65","51, Taf. 15 ","46","Oberes Belvedere, Wien","1923","2448","Belvedere, Wien"],"mul":[[["Nebehay Gustav","Gustav Nebehay, Wien",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (29.9.1921)",""],["Galerie M. Goldschmidt & Co.","Galerie M. Goldschmidt & Co., Frankfurt a. M. (2.5.1922)",""],["Galerie Georg Caspari","Galerie Georg Caspari, München (1923)",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 17 "],["1957 Recklinghausen","8056","Nr. 84 mit Abb. "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 17 "],["1962 Tate Gallery, London","8075","Nr. 24 "],["1996/97 Wien","8103","S. 52, Farbtaf. S. 53"],["1950 München","8139","Nr. 23 "],["1948 Wien","8202","mit Abb. "],["1927 Zürich, Kunsthaus","8209","Nr. 29, Taf. IX "],["1948 Boston","8222","Nr. 18 mit Abb. "],["1953/54 Sao Paulo","8265","Nr. 5 "],["1966 Karlsruhe","8284","Nr. 13 mit Abb. "],["1956 Amsterdam","8297","Nr. 132 "],["1958 Den Haag","8309","Nr. 13 "],["2006/07 Rovereto","8360","Farbtaf. 54"],["1947 Basel, Kunsthalle","8376","Nr. 112 mit Abb. "],["1947 Zürich, Kunsthaus","8415","Nr. 9 "],["1922 Stockholm","8418","Nr. 114 "],["1959 Luxemburg","8439","Nr. 33 mit Abb. "],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 22 "],["1954 Rio de Janeiro","8534","Nr. 5 "],["1958 Wien","8541","Nr. 19 "],["1964 Secession, Wien","8590","Nr. 63, Farbabb. 5 "],["1957 Bern","8617","Nr. 60 "],["2008 Wien, Belvedere","8619","S. 190, Farbtaf. 94 S. 193"],["1959 Düsseldorf","8710","Nr. 89 "],["1986 Paris","8762","Farbabb. S. 502 "],["1957 St. Gallen","8764","Nr. 53 "],["1980 Österreichische Galerie, Wien","8804","Nr. 75 "],["1971 Wien","8820","Nr. 16, Abb. 6 "],["1984 Venedig","8824","Abb. S. 198 "],["1947 Amsterdam","8829","Nr. 9 "],["1958 München, Haus der Kunst","8914","Nr. 19 "],["2001/02 Rom","8918","S. 102, Nr. 60 mit Farbtaf."],["1986 Museum of Modern Art, New York","8925","Nr. (69) "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 6 "],["1955 Wien, Secession","8960","Nr. 45a "],["1995 Madrid","8965","S. 74, 110, Nr. 17 mit Farbtaf."],["1951 Linz","8989","Nr. 7 "],["1948 Venedig","8991","Nr. 6 "],["2008 Linz","9042","S. 61 mit Farbtaf."],["1987 Wien","9066","S. 312, Farbtaf. S. 313 "],["2020 Lausanne","26106","Nr. 73, Farbtaf. S. 150"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 9, Farbtaf. S. 75"]],[["Wien 1935, Nr. 79","2405"],["Nebehay 1983 a, Farbabb. S. III/14 ","2462"],["Echte/Feilchenfeldt 2013, S. 460, Farbabb. S. 458","2467"],["Amicis 1927, Abb. gegenüber S. 96 ","2631"],["Giese 1985, S. 71, Abb. S. 142 ","2647"],["Breicha/Fritsch 1964, Farbtaf. S. 225 ","2960"],["Benesch 1951, ","3040"],["Auböck/Marchetti 1985, Abb. S. 141","3045"],["Waissenberger 1965, S. 12, Farbabb. S. 75 ","3247"],["Spielmann 2003 a, Abb. S. 99","3309"],["Wien 1955, S. 82, Abb. 41 ","3527"],["Schmalenbach F. 1947, S. 10 ","3824"],["Sterk 1982 b, Farbtaf. 22 ","3840"],["Masciotta 1949, Taf. X ","3880"],["Schweiger 1983, Farbtaf. S. 177 ","3945"],["Wien 1929, Nr. 79, Abb. 25","16175"],["Wien 1962, Abb. 62","16176"],["Wien 1995, S. 151 mit Farbabb. ","23216"],["Paris 2022, Farbtaf. S. 75","43164"]],[["Männliches Bildnis"]]]},{"id":1056,"img":{"extraLarge":"AP_100042061_extraLarge.jpg","medium":"AP_100042061_medium.jpg"},"arr":["1910.1","Emma Veronika Sanders","Doctor Emma Veronika Sanders","[1910]","Öl/Lwd.","82.7 x 56.7 cm ","Bez. oben rechts: OK ","54","26 ","47","The Museum of Modern Art, New York ","13.12.1967, Schenkung Mr. und Mrs. William Mazer ","2414.67","Schenkung Mr. and Mrs. William Mazer"],"mul":[[["Loos Adolf","Adolf Loos, Wien",""],["Neue Galerie, Otto Kallir-Nirenstein, Wien","Neue Galerie, Otto Kallir-Nirenstein, Wien (1925-1927)",""],["Bonestell Gallery","Bonestell Gallery, New York",""],["Buchholz Gallery Curt Valentin","Buchholz Gallery Curt Valentin, New York (um 1949)",""],["Pearlman Henry und Rose","Henry und Rose Pearlman, New York (1949-53)",""],["Silberman Galleries E. & A. ","E. & A. Silberman Galleries, New York (1953)",""],["Rubin William S.","William S. Rubin, New York (um 1957)",""],["Mazer William","William Mazer, New York (um 1966)",""]],[["1911 Karlsbad","8044","Nr. 19 "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 15 "],["1985/86 New York","8137","Nr. 3, Farbabb. S. 11 "],["1982 Atlanta","8142"," "],["1957 Silberman, New York","8264","Nr. 29 mit Abb. "],["1951 Valentin, New York","8287","Nr. 26 mit Abb. "],["1958 Den Haag","8309","Nr. 7 "],["1970 Museum of Modern Art, New York","8369"," "],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 15 "],["[1915 New York]","8449"," "],["2002 Hamburg","8474","S. 132, 245, Farbtaf. S. 133"],["2015/16 Wien","8486","S. 64, Farbtaf. 19"],["2011 Neue Galerie, New York","8499","S. 279, Farbtaf. 56"],["1981 New York, Marlborough","8535","Nr. 4, Abb. S. 27 "],["1958 Wien","8541","Nr. 11, Abb. S. 9 "],["1966 New York","8544","Nr. 6, Farbabb. S. 27 "],["1986 Tokyo","8703","Nr. 105 mit Farbtaf. "],["1915 San Francisco","8772","Nr. 311 "],["1958 München, Haus der Kunst","8914","Nr. 9, Abb. S. 9 "],["1913 Zürich","8966","Nr. 137 "],["1986/87 Guggenheim, New York","9072","Nr. 8 mit Farbtaf. "],["1924 Neue Galerie, Wien","9081"," "],["1925 Chemnitz","9086"," "]],[["Cernuschi 1999, S. 355, Farbabb. 1","2332"],["New York 1977 b, S. 51","2424"],["Echte/Feilchenfeldt 2013, S. 457 mit Farbabb.","2467"],["Hiller 1910, S. 150 ","2520"],["Westheim 1918 a, S. 52 u. d. T. \"Porträt einer Holländerin\" ","2738"],["Kokoschka 1971, S. 84 ","2894"],["Schweiger 1983, S. 237, 262 (Anm. 6 zum Kapitel \"Wie der Geisterkönig ...\") ","3945"],["Michaelis 1918, ","4102"],["The Art Quarterly 1969, S. 78, Abb. S. 84","4149"]],[["Weibliches Bildnis"]]]},{"id":1413,"img":{"extraLarge":"AP_100042420_extraLarge.jpg","medium":"AP_100042420_medium.jpg"},"arr":["1910.11","Herwarth Walden","","1910","Öl/Lwd.","100 x 69.3 cm ","Bez. unten rechts: OK ","40","38, Taf. 21 ","49","Staatsgalerie Stuttgart ","1966 ","2749",""],"mul":[[["Walden Herwarth","Herwarth Walden, Berlin",""],["Walden Nell","Nell Walden, Berlin/ab 1944 Bad Schinznach (um 1924)",""],["Stuttgarter Kunsthandel","Stuttgarter Kunsthandel, Stuttgart (25./26.11.1954, Nr. 1426, Farbabb. Taf. 1)",""],["Maslon Samuel H.","Samuel H. Maslon, Wayzata (1954)",""],["Sotheby & Co.","Sotheby & Co., London (6.12.1961, Nr. 49 mit Farbtaf.)",""],["Clore Charles","Charles Clore, London (6.12.1961)",""],["Marlborough Fine Art","Marlborough Fine Art, London",""]],[["1961 Berlin","8021","Nr. 2, Farbabb. S. 11 "],["1957 New York, Museum of Modern Art,","8040","Nr. 96, Farbabb. S. 77 "],["1962 Tate Gallery, London","8075","Nr. 15, Abb. 7 "],["2014 Wolfsburg","8102","S. 26, 34, 111, 301, Farbtaf. S. 115"],["1996/97 Wien","8103","S. 40, Farbtaf. S. 41"],["1971 München","8125","Nr. 6 mit Abb. "],["1930 Pittsburgh","8132","Nr. 343 "],["1950 München","8139","Nr. 14 "],["1927 Zürich, Kunsthaus","8209","Nr. 17 "],["1948 Boston","8222","Nr. 13 "],["1966 Zürich","8225","Nr. 10, Farbabb. II "],["1933 Basel","8263","Nr. 106 "],["1966 Karlsruhe","8284","Nr. 9 mit Farbabb. "],["1961 Pasadena","8308","Nr. 57 "],["1958 Den Haag","8309","Nr. 8 mit Abb. "],["1944/45 Bern","8334","Nr. 313 "],["1973/74 Hamburg","8350","mit Abb "],["1947 Basel, Kunsthalle","8376","Nr. 114 "],["1986 Berlin-DDR","8385","Farbtaf. S. 39"],["1947 Zürich, Kunsthaus","8415","Nr. 4 "],["1938 London","8417","Nr. 104 "],["1962/1963 Hamburg","8422","Nr. 9 mit Abb. "],["1910 Berlin, Galerie Paul Cassirer","8444","Nr. 24 "],["2002 Hamburg","8474","S. 138, 245, Farbtaf. S.139"],["1954 Stockholm","8510","Nr. 42 "],["2001/02 Madrid","8525","S. 77, Nr. 8 mit Farbtaf."],["1958 Wien","8541","Nr. 12, Abb. S. 11 "],["1928 Nationalgalerie, Berlin","8558","Nr. 79 mit Abb. "],["2013/14 Wien","8589","S. [82]-86, 338, Farbtaf. S. 85"],["1927 Flechtheim, Berlin","8596","Nr. 84 "],["2008 Wien, Belvedere","8619","Farbtaf. 96 S. 195"],["1928 London","8640","Nr. 13 "],["1986 London","8643","Nr. 16 mit Farbtaf. "],["1912 Berlin, Galerie Der Sturm","8645","Nr. 55 "],["1985 London","8722","Farbtaf. 77 "],["1912 Berlin, Galerie Der Sturm","8734","Nr. 64 "],["1951 Berlin","8741","Nr. 8 "],["1945 Zürich","8770","Nr. 72 "],["1978 Centre Pompidou, Paris","8775","Nr. 230, Abb. S. 102 "],["1946 Basel","8778","Nr. 208 "],["1960/61 Paris","8787","Nr. 332 mit Abb. "],["1971 Wien","8820","Nr. 12, Abb. 10 "],["1947 Amsterdam","8829","Nr. 4 "],["1986 Zürich","8836","Nr. 16 mit Farbabb. "],["[1910 Hagen]","8871"," "],["1980/81 New York","8897","Nr. 277, Abb. S. 255 (engl. Original des Kataloges: Nr. 277, Farbabb. S. 267)"],["1958 München, Haus der Kunst","8914","Nr. 10, Abb. S. 11 "],["1966 London","8938","Nr. 2, Farbabb. Frontispiz "],["1927 Cassirer, Berlin","8968","Nr. 4 "],["1951 Linz","8989","Nr. 5, Abb. S. 10 "],["1929 Abels, Köln","9030","Nr. 6 "],["2012 Wuppertal","9047","Farbtaf. S. 87"],["1986/87 Guggenheim, New York","9072","Nr. 16 mit Farbtaf. "],["2006 Belvedere, Wien","9094","S. 227, Farbtaf. S. 161"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 10, Farbtaf. S. 79"]],[["Westheim 1925 a, Abb. 9 ","2027"],["Lévêque 2005, Farbtaf. S. 187","2028"],["Ketterer 1988, [Bd. 2], S. 238, Farbtaf. S. [239]","2092"],["Bisanz 2005, Farbtaf. S. 141","2094"],["Roters 1971, S. 108, Farbtaf. 67 ","2096"],["Boudaille 1981, Farbtaf. S. 147 ","2119"],["Lowitzer-Hönig 2008, S. 35, 62, Abb. 87","2124"],["Monsel 1995, S. [10], Farbtaf. 8","2144"],["Roşu 1976, Farbabb. S. 17 ","2148"],["Bonnefoit 2012, S. 274, Farbabb. 2","2182"],["Calvocoressi 1992, Farbtaf. 17 ","2193"],["Moeller 2005, S. 146, Farbtaf. S. [147]","2215"],["Myers 1957, S. 62, Abb. 100 ","2233"],["Westheim 1917 a, S. 319 ","2244"],["Schweiger 1986 a, S. 8--14 (zur Person und Tätigkeit sowie zur Sammlung Walden), Farbtaf. auf Rückumschlagseite ","2265"],["Bronner/Kellner 1983, Abb. S. 114 ","2279"],["Stuttgarter Kunstkabinett 1954, Nr. 1426, Farbabb. Taf. 1 ","2312"],["Weidinger/Strobl 2008, S. 223","2435"],["Alms/Steinmetz 2000, Farbtaf. S. [6]","2448"],["Echte/Feilchenfeldt 2013, S. 455, Farbabb. S. 456","2467"],["Hoffmann 1947, S. 73--76 (zur Person Herwarth Walden) und S. 84 ","2499"],["Schorske 1980, Farbtaf. XIV ","2507"],["Ragon 1967, Farbabb. S. 51 ","2592"],["Manheim 2001, S. 20, Abb. 7","2633"],["Leshko 1977, S. 158-161, Abb. 75 ","2659"],["Walden N. 1963, S. [74] ","2664"],["Langfeld 2004, S. 202","2708"],["Westheim 1918 a, S. 52 ","2738"],["Stuttgart 1968, S. 100--101, Abb. 91","2744"],["Kroh 1997, S. 232, 238, Farbtaf. S. 239","2835"],["Stamm 1998, S. 792, Farbabb. 6","2857"],["Kokoschka 1971, S. 14, 107--115 und 119--120 (zur Person Herwarth Walden und über die Verbindung mit dem \"Sturm\") ","2894"],["Roters 1983, S. 76, Farbabb. S. 75 ","2968"],["Stuttgart 1984, Nr. 41, S. 146, Farbtaf. S. 147","3072"],["Raynal 1950, [Bd. 2], Farbabb. S. 119 ","3101"],["Cernuschi 2011, S. 209, Abb. 12 (Detail) S. 218","3154"],["Kanz 2008, S. 82 mit Farbabb. S. 82","3176"],["Specovius 1968, [zur Person H. Walden]","3199"],["Spielmann 1984, S. 361, 363, Farbabb. 677","3229"],["Stuttgart 1982, S. 182--183, Abb. S. 183 ","3244"],["Sammlung Walden 1919, Nr. 192 ","3245"],["Mikš 2013, S. 156-157, 357, Abb. 3.6","3257"],["Walden N./Schreyer 1954, Farbtaf. als Frontispiz ","3298"],["Spielmann 2003 a, S. 99, Farbtaf. S. 133","3309"],["Dube 1973, Farbabb. 142","3325"],["Cassou/Langui/Pevsner 1962, Farbtaf. XXXVII ","3368"],["Birthälmer 2012 b, S. 40, Farbabb. 4","3380"],["Comini 1974, S. 74, Abb. 53","3390"],["Gatt 1972, Farbtaf. 4 ","3468"],["Whitford 1986, S. 68-71 und 199 ","3477"],["Brühl 1983, Farbtaf. Abb. 3 ","3557"],["Harrison 1996, S. 168-173, Abb. S. 171","3559"],["Sammlung Walden 1917 a, Nr. 155","3576"],["Birthälmer 2012 a, S. 19, 81-82, Farbtaf. S. 87","3635"],["Sotheby's London 1961, Nr. 49 mit Farbtaf. ","3673"],["Wingler 1956, S. 37 ","3708"],["Giebe 2010, S. 98","3717"],["George 1963, S. 46 und 48, Abb. 12 ","3814"],["Muller 1982, Farbabb. S. 77 ","3821"],["Jahrbuch Staatliche Kunstsammlungen Baden-Württemberg 1967, S. 183--186, Abb. S. 185 ","3872"],["Moeller 2000, S. 116, 118, Farbtaf. S. [115]","3873"],["Arntz 1962 b, Abb. S. 34","3878"],["Masciotta 1949, Taf. V ","3880"],["Leinz 1990, S. 87, Farbtaf. S. 86 ","3943"],["Schweiger 1983, S. 124--141, 159, Farbtaf. S. 179 ","3945"],["Argan 1977, S. 164--165, Farbtaf. XX ","3962"],["Hoffmann 1964, Farbtaf. 1 ","3973"],["Vogt 1972, Abb. 113 ","4019"],["Der Sammler 1928, Abb. S. 365","4037"],["Natter 2003, S. 274--282, Farbtaf. S. [277]","4056"],["Dube 1983, Farbtaf. S. 65 ","4116"],["Sammlung Walden 1917 b, Nr. 155","16171"],["Stuttgart 2008, Kat. Nr. 137, S. 202 mit Farbabb. ","23211"],["Paris 2022, Farbtaf. S. 79","43164"]],[["Männliches Bildnis"]]]},{"id":1223,"img":{"extraLarge":"AP_100042229_extraLarge.jpg","medium":"AP_100042229_medium.jpg"},"arr":["1910.12","William Wauer","","1910","Öl/Lwd.","94 x 53.5 cm ","Unbez. ","41","40, Taf. 34 ","50","Stedelijk Museum, Amsterdam ","1952 ","A 3371",""],"mul":[[["Galerie Hans Goltz","Galerie Hans Goltz, München (1913) ",""],["Prager Ludwig","Ludwig Prager, München (1918-36)",""],["Privatbesitz","Privatbesitz, London",""],["Sotheby's","Sotheby's, London (9.3.1949, Nr. 137, S. 13, u.d.T.: “ Portrait fo a Gentleman”)",""],["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich (um 1950)",""]],[["2014 Wolfsburg","8102","S. 112, 301, Farbtaf. S. 128"],["1971 München","8125","Nr. 7 mit Abb. "],["1950 München","8139","Nr. 3, Abb. S. 12 "],["1955 Oss","8159","Nr. 8 "],["2000 London","8163","S. 73, Farbtaf. S. [72]"],["1927 Zürich, Kunsthaus","8209","Nr. 14, Taf. VII "],["1958 Den Haag","8309","Nr. 9 "],["1913 München, Galerie Hans Goltz","8330","Nr. 93a "],["1953 Amsterdam","8390","Nr. 41 "],["1954 Groningen","8457","Nr. 12 "],["2002 Hamburg","8474","S. 140, 245, Farbtaf. S. 141"],["2013/14 Rotterdam","8478","S. 21, Nr. 45 mit Farbtaf."],["1962 Willemstad","8533","Nr. 27 "],["1958 Wien","8541","Nr. 13, Abb. S. 10 "],["2005/06 Paris","8637","S. 272, Farbtaf. S. 273 (in dt. Ausg.)"],["1912 Berlin, Galerie Der Sturm","8645","Nr. 56 "],["1959 Amsterdam","8688","Nr. 79 "],["1912 Berlin, Galerie Der Sturm","8734","Nr. 65 "],["2010/11 Riehen","8760","S. 264, Farbtaf. S. 163"],["1958 München, Haus der Kunst","8914","Nr. 11, Abb. S. 10 "],["1964/65 Leeuwarden","8928","Nr. 17 "],["1968/69 Lausanne","8952","Nr. 63 mit Abb. "],["1955 Wien, Secession","8960","Nr. 5 "],["1991 Wien","9033","Nr. 12 mit Farbtaf. "]],[["Amsterdam 1970 a, Nr. 332 mit Abb. ","2354"],["Amsterdam 1954, Abb. 20 ","2545"],["Amsterdam 1962, Nr. 311 mit Abb.","2582"],["Walden N. 1963, S. [74] ","2664"],["Langfeld 2004, S. 202, 300, 348, Farbabb. 293 S. 301","2708"],["Westheim 1918 a, S. 52 ","2738"],["Kokoschka 1971, S. 112 ","2894"],["Hodin 1966, S. 106 ","3490"],["Laszlo 1979, S. 3--4, Abb. S. 2","3774"],["Monnin 2005, S. 60, Farbabb. S. 56","4073"],["Amsterdam 2012 a, S. ?","20165"],["Amsterdam 2012 b, S. 73, Nr. 2","20166"],["Sotheby's London 1949","26165"]],[["Männliches Bildnis"]]]},{"id":1213,"img":{"extraLarge":"AP_100042219_extraLarge.jpg","medium":"AP_100042219_medium.jpg"},"arr":["1910.13","Rudolf Blümner","","1910","Öl/Lwd.","80 x 57.5 cm ","Bez. oben rechts: OK ","28","45, Taf. 20 ","51","Privatbesitz, New York ","1990 ","",""],"mul":[[["Walden Herwarth","Herwarth Walden, Berlin",""],["Walden Nell","Sammlung Nell Walden, Berlin/ab 1944 Bad Schinznach (Schweiz) (um 1924)",""],["Stuttgarter Kunstkabinett","Stuttgarter Kunstkabinett, Stuttgart (25./26.11.1954, Nr. 1427, Taf. 26)",""],["Hänggi Paul","Paul Hänggi , Basel (1954 -1990)",""],["Sotheby's","Sotheby's, London (3.12.1990, Nr. 27 mit Farbtaf.)",""]],[["1961 Berlin","8021","Nr. 3 "],["1957 Basel","8027","Nr. 211 mit Abb. "],["1962 Tate Gallery, London","8075","Nr. 19 "],["1931 Bad Homburg","8087","Nr. 45 mit Abb."],["2014 Wolfsburg","8102","S. 112, 301, Farbtaf. S. 127"],["1950 München","8139","Nr. 8 "],["1974 Luzern","8167","Nr. 118 "],["1927 Zürich, Kunsthaus","8209","Nr. 16 "],["1948 Boston","8222","Nr. 9 "],["1933 Basel","8263","Nr. 105 "],["1966 Karlsruhe","8284","Nr. 10 mit Abb. "],["1997 Krumau","8285","S. [52], Farbtaf. S. [53]"],["1958 Den Haag","8309","Nr. 11 "],["1944/45 Bern","8334","Nr. 314 "],["2006/07 Amsterdam","8340","S. 109, 154, Farbtaf. S. 113"],["1947 Basel, Kunsthalle","8376","Nr. 110 "],["1947 Zürich, Kunsthaus","8415","Nr. 3 "],["1964 Lausanne","8416","Nr. 191 mit Abb. "],["2002 Hamburg","8474","S. 142, 245, Farbtaf. S. 143"],["1954 Stockholm","8510","Nr. 43 "],["1928 San Francisco","8540","Nr. 116 "],["1958 Wien","8541","Nr. 16 "],["1928 New York","8600"," "],["1912 Berlin, Galerie Der Sturm","8645","Nr. 57 "],["1912 Berlin, Galerie Der Sturm","8734","Nr. 66 "],["1951 Berlin","8741","Nr. 5 "],["1945 Zürich","8770","Nr. 73 "],["1947 Amsterdam","8829","Nr. 3 "],["1986 Zürich","8836","Nr. 20 mit Farbtaf. "],["1958 München, Haus der Kunst","8914","Nr. 15 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 8 "],["1913 Zürich","8966","Nr. 134 "],["1927 Cassirer, Berlin","8968","Nr. 5 "],["2001/02 Neue Galerie, New York","8978","Nr. I.48, S. 132, Farbtaf. S. 120"],["1927 Carnegie Institute, Pittsburgh","8980","Nr. 194 "],["1951 Linz","8989","Nr. 3 "],["1916 Berlin, Galerie Der Sturm","8990","Nr. 3 "],["1929 Abels, Köln","9030","Nr. 13 "],["1991 Wien","9033","Nr. 11 mit Farbtaf. (nicht ausgestellt) "]],[["Lowitzer-Hönig 2008, S. 63, Abb. 89","2124"],["Schmalenbach F. 1967, Farbtaf. S. 41 ","2199"],["Westheim 1917 a, S. 319 ","2244"],["Stuttgarter Kunstkabinett 1954, Nr. 1427, Taf. 26","2312"],["Leshko 1977, S. 165-167, Abb. 81 ","2659"],["Walden N. 1963, S. [74] ","2664"],["Langfeld 2004, S. 202","2708"],["Westheim 1918 a, S. 52 ","2738"],["Kokoschka 1971, S. 111-112 ","2894"],["Bahr 1919, Abb. gegenüber S. 136 ","2995"],["Sammlung Walden 1919, Nr 191 ","3245"],["Burger 1918, Abb. 178 ","3295"],["Spielmann 2003 a, Abb. S. 101","3309"],["Schreyer 1956, S. [78]-87 [zur Person Rudolf Blümner] ","3323"],["Christie's London 1990, Nr. 27 mit Farbtaf. ","3440"],["Kandel 2014, S. 180-181, Farbabb. 9-11 S. 181 u. Farbabb. 18-12 S. 371","3467"],["Sammlung Walden 1917 a, Nr. 154","3576"],["Wingler 1956, S. 40 ","3708"],["Schmalenbach F. 1947, S. 10 ","3824"],["Natter 2003, S. 280, Farbtaf. S. [283]","4056"],["Kokoschka 1974 c","4067"],["Sammlung Walden 1917 b, Nr. 154","16171"],["Sotheby's London 1990 c, Nr. 27 mit Farbtaf.","16172"]],[["Männliches Bildnis"]]]},{"id":1346,"img":{"extraLarge":"AP_100042353_extraLarge.jpg","medium":"AP_100042353_medium.jpg"},"arr":["1910.14","Paul Scheerbart","","1910","Öl/Lwd.","70 x 47 cm ","Bez. oben rechts: OK ","47","41, Taf. 18 ","52","Privatbesitz, U.S.A. "," ","",""],"mul":[[["Loos Adolf","Adolf Loos, Wien",""],["Neue Galerie, Otto Kallir-Nirenstein, Wien","Neue Galerie, Otto Kallir-Nirenstein, Wien (8.1.1925)",""],["Wolff Fritz","Fritz Wolff, Wien, ab 1940 New York (um 1930)",""],["Knize Annie","Annie Knize, New York (1949)",""],["Knize Peter A.","Peter A. Knize, Newtown, CO. (1979)",""],["Sabarsky Serge","Serge Sabarsky, New York",""]],[["1994 Krakau","8013","S. 130, Farbtaf. 2"],["1911 Karlsbad","8044","Nr. 9 "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 19 "],["1985/86 New York","8137","Nr. 5, Farbabb. S. 15 "],["1948 Boston","8222","Nr. 14 mit Abb. "],["1997 Krumau","8285","S. [54], Farbtaf. S. [55]"],["1989 Düren","8442"," "],["[1915 New York]","8449"," "],["2002 Hamburg","8474","S. 144, 246, Farbtaf. S. 145"],["1927 Stadtmuseum, Danzig","8500"," "],["1966 New York","8544","Nr. 10, Abb. S. 30 "],["1987 Gent","8571","Nr. 8, Farbtaf. S. 79 "],["2008 Wien, Belvedere","8619","Farbtaf. 101 S. 203"],["1959 Bayer, New York","8649","Nr. 6 "],["1988 Barcelona","8659","Nr. 9, Farbtaf. S. 43 "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 11, Nr. 1 "],["1964 Guggenheim, New York","8695","Nr. 6 "],["1915 San Francisco","8772","Nr. 314 "],["1987 Florenz","8852","Nr. 4 mit Farbabb. "],["1986 Museum of Modern Art, New York","8925","(Nr. 68), Abb. S. 168 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 12 "],["2001/02 Neue Galerie, New York","8978","Nr. I.47, S. 132, Farbtaf. S. 121"],["1929 Abels, Köln","9030","Nr. 12 "],["1991 Wien","9033","Nr. 10 mit Farbtaf. "],["1986/87 Guggenheim, New York","9072","Nr. 17 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 17, Farbtaf. S. 82"]],[["Westheim 1925 a, Abb. 59 ","2027"],["Calvocoressi 1992, Farbtaf. 18 ","2193"],["Hoffmann 1947, S. 101 ","2499"],["Leshko 1977, S. 162-164, Abb. 77 und 78 (Detail) ","2659"],["Westheim 1918 a, S. 52 ","2738"],["Plaut 1948, S. 21 ","2891"],["Hodin 1963 b, Abb. 5 ","3282"],["Palkovsky 1958, Abb. 10 ","3411"],["Leshko 1969, S. 35, Abb. 13 (Detail) ","3660"],["Wingler 1956, S. 40 ","3708"],["Masciotta 1949, Taf. VI ","3880"],["Kokoschka 1913, Abb. ","4130"]],[["Männliches Bildnis"]]]},{"id":1151,"img":{"extraLarge":"AP_100042157_extraLarge.jpg","medium":"AP_100042157_medium.jpg"},"arr":["1910.15","Peter Baum","Porträt Lenin","1910","Öl/Lwd.","65.5 x 47 cm ","Bez. oben links: OK. Auf der Rückseitevon fremder Hand beschriftet: Certifique avoir vue ce portrait de LENJNE paint par artiste russe en 1910 Kamifof M Ortiz Paris 1924 OSKAR KokoschkA VieNNA","27, Abb. XIV","43, Taf. 19 ","53","Museum Ludwig, Köln ","7.11.1958","ML 76/3048",""],"mul":[[["Galerie Tanner","[Galerie Tanner, Zürich]",""],["Galerie Georg Caspari","[Galerie Georg Caspari, München (1921)]",""],["Galerie Van Leer","Galerie Van Leer, Paris (1924)",""],["Strecker Willi","Willi Strecker, Wiesbaden (1929)",""],["Wallraf-Richartz-Museum & Fondation Corboud","Wallraf-Richartz-Museum & Fondation Corboud, Köln (1958-76) (Inv. Nr. WRM 3048)","gemäss Angaben in ZB, Ordner Fotografien 1910-14, Nr. 53, Peter Baum, 7.11.1958"]],[["1911 Karlsbad","8044","Nr. 2 "],["1957 Recklinghausen","8056","Nr. 86 mit Abb. "],["1962 Tate Gallery, London","8075","Nr. 17 "],["2014 Wolfsburg","8102","S. 21, 34, 112, 301, Farbtaf. S. 129"],["1950 München","8139","Nr. 6 "],["1962 Verkehrsamt, Köln","8143","Nr. 36 mit Farbabb. "],["1966 Zürich","8225","Nr. 12 "],["1959 Kassel","8267","Nr. 14 mit Abb. "],["1958 Den Haag","8309","Nr. 10 "],["1962/1963 Hamburg","8422","Nr. 10 mit Abb. "],["1931 Bonjean, Paris","8429","Nr. 72 "],["2013/14 Rotterdam","8478","S. 21, Nr. 54 mit Farbtaf."],["1958 Wien","8541","Nr. 15, Farbabb. S. 13 "],["1912 Berlin, Galerie Der Sturm","8645","Nr. 52 "],["1912 Berlin, Galerie Der Sturm","8734","Nr. 62 "],["1951 Berlin","8741","Nr. 10 "],["1931 Brüssel","8821","Nr. 121 u. d. T. \"Portrait de Lenine\" "],["1958 München, Haus der Kunst","8914","Nr. 13, Farbabb. S. 13 "],["1930 Wiesbaden","8969","Nr. 72 "],["[1911 Wien]","8994"," "],["2012 Wuppertal","9047","Fatbtaf. S. 86"]],[["Köln 1974, Nr. 3048, Abb. 174","2112"],["Lowitzer-Hönig 2008, S. 48, Abb. 179","2124"],["Berichte 1959, Abb. 167 S. 253","2168"],["Köln 1986 a, Bd. 1, Farbtaf. 24; Bd. 2, S. 127--128","2363"],["Wingler 1957, S. 102, Farbabb. S. 103 ","2423"],["Read 1950, Abb. 3 ","2686"],["Kokoschka 1971, S. 113 ","2894"],["Zahar 1931, Abb. S. 63 ","2963"],["Westheim 1930 a","3091"],["Platte 1965, Farbtaf. S. [13]","3129"],["Köln 1979, S. [385]--389, Farbtaf. S. [387]","3236"],["Köln 1959, S. 87 ","3297"],["Birthälmer 2012 b, S. 44, Farbabb. 10","3380"],["Bultmann 1959, Farbabb. S. 11 ","3434"],["Gatt 1972, Abb. 10 ","3468"],["Platschek 1946, Abb. 21 ","3496"],["Birthälmer 2012 a, S. 82, Farbtaf. S. 86","3635"],["Schweiger 1983, S. 136 mit Abb. ","3945"],["Köln 1965, Nr. 3048","16167"]],[["Männliches Bildnis"]]]},{"id":1137,"img":{"extraLarge":"AP_100042143_extraLarge.jpg","medium":"AP_100042143_medium.jpg"},"arr":["1910.16","Tilla Durieux","","1910","Öl/Lwd.","56 x 65 cm ","Unbez. ","32","46, Taf. 24","54","Erben Alfred Flechtheim","2013","",""],"mul":[[["Durieux Tilla (1880-1971)","Tilla Durieux, Berlin",""],["Galerie Alfred Flechtheim","Galerie Alfred Flechtheim, Düsseldorf (1918)",""],["Lange Hermann","Hermann Lange, Krefeld (1927)",""],["Flechtheim Alfred","Alfred Flechtheim, Düsseldorf (1929)",""],["Galerie Alex Vömel","Galerie Alex Vömel, Düsseldorf (1933)",""],["Haubrich Josef","Josef Haubrich, Köln (1934-46)",""],["Wallraf-Richartz-Museum & Fondation Corboud","Wallraf-Richartz-Museum & Fondation Corboud, Köln (1946-76)","Inv.Nr. WRM 2753"],["Museum Ludwig","Museum Ludwig (1976-2013)","erworben am 23.2.1976, Inv. Nr. ML 76/2753); am 18.6.2013 restituiert an die Erben nach Alfred Flechtheim"]],[["1919 Düsseldorf","8012","Nr. 76 "],["1962 Tate Gallery, London","8075","Nr. 20 "],["1929 Düsseldorf","8086","Nr. 25 "],["1955 Liège","8106","Nr. 41, Taf. VIII "],["1950 München","8139","Nr. 10 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 4 "],["1920 Düsseldorf","8179","Nr. 719 "],["1927 Zürich, Kunsthaus","8209","Nr. 19 "],["1966 Zürich","8225","Nr. 14 "],["1958 Den Haag","8309","Nr. 12 "],["1946/47 Köln","8313","Nr. 53, Abb. S. 23 "],["1952 Brüssel","8321","Nr. 117 mit Abb. "],["1962/1963 Hamburg","8422","Nr. 11 mit Abb. "],["1955 Recklinghausen","8430","Nr. 76 mit Abb. "],["1955 Kunsthalle, Basel","8434","Nr. 58 "],["1950 Recklinghausen","8451","Nr. 126 "],["2002 Hamburg","8474","S. 146, 246, Farbtaf. S. 147"],["1948 Wiesbaden","8518","Nr. 59 mit Abb. "],["1958 Wien","8541","Nr. 17 "],["1964 Florenz","8683","Nr. 308, Abb. S. 132 "],["1951 Berlin","8741","Nr. 6 "],["1921 Hannover","8765",""],["1921 Hannover","8773",""],["1952 Bielefeld","8830","Nr. 28 "],["1953 Luzern","8831","Nr. 191 "],["1980/81 New York","8897","Nr. 276, Abb. 254 "],["1947 Stuttgart","8913","Nr. 22 "],["1958 München, Haus der Kunst","8914","Nr. 16 "],["1955 Haus am Waldsee, Berlin","8940","Nr. 48 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 9 "],["1987 Martin-Gropius-Bau, Berlin","8957","Nr. 27/4, Farbabb. S. 435 "],["1951 Amsterdam","8959","Nr. 144 mit Abb. "],["1951 Linz","8989","Nr. 4 "],["1954 Turin","9002","Nr. 127 mit Abb. "],["1929 Abels, Köln","9030","Nr. 11 "]],[["Köln 1974, Nr. 2753, Abb. 173 ","2112"],["Der Querschnitt 1922, Abb. S. 178 ","2167"],["Schmalenbach F. 1967, S. 4, Abb. S. 13 ","2199"],["Köln 1986 a, Bd. 1, Farbtaf. 23; Bd. 2, S. 127","2363"],["Whitford 1987, S. 118, Farbtaf. S. 119 ","2396"],["Köln 1949, Nr. 141 mit Abb.","2434"],["Masciotta 1967, Farbtaf. II ","2447"],["Köln 1966, S. 29, Abb. S. 84","2609"],["Lützeler 1963, Farbabb. 26 ","2625"],["Westheim 1918 a, S. 52 ","2738"],["Händler 1956, Farbabb. 32","2767"],["Vogelberg 2005, S. 291-293, Abb. 78 S. 434","2843"],["Kokoschka 1971, S. 115--116 ","2894"],["Kennert 1996, S. 118-119","3032"],["Haubrich 2012, S. 130-132, 224, Abb. S. 133","3057"],["Köln 1979, S. [385]--388, Farbabb. S. [386]","3236"],["Serati 2008, S. 283 mit Farbabb.","3304"],["Spielmann 2003 a, S. 102, Abb. S. 103, Farbtaf. S. 132","3309"],["Fuchs 1959, S. [53], Farbtaf. S. [49] ","3338"],["Palkovsky 1958, Abb. 13 ","3411"],["Doede 1961, Abb. S. [107] ","3461"],["Whitford 1986, S. 67 ","3477"],["Hoffmann 1967, Farbtaf. II ","3588"],["Köln 1986 b, S. 72, Abb. S. 73","3597"],["Selz 1981, Farbabb. 314 S. 136 ","3621"],["Neu-Kock 2015, Farbabb. 9 S. 243","3707"],["Wingler 1956, S. 40 ","3708"],["Schweiger 1983, Abb. S. 136 ","3945"],["Scher 1951","4135"],["Köln 1965, Nr. 2753, Abb. 179","16167"],["Köln 2012, S. 130, 224, Farbtaf. S. 133","23171"]],[["Weibliches Bildnis"]]]},{"id":1350,"img":{"extraLarge":"AP_100042357_extraLarge.jpg","medium":"AP_100042357_medium.jpg"},"arr":["1910.17","Katze","","[1910]","Öl/Lwd.","46 x 69 cm ","Bez. oben links: OK ","30, Abb. IX","42, Farbtaf. V ","55","Privatbesitz","","",""],"mul":[[["Loos Adolf","Adolf Loos, Wien",""],["Neue Galerie, Otto Kallir-Nirenstein, Wien","Neue Galerie, Otto Kallir-Nirenstein, Wien (8.1.1925)",""],["Bienert Ida","Ida Bienert, Dresden/ab 1945 München (11.3.1925)",""],["Marlborough Fine Art","Marlborough Fine Art, London (11.1963-28.4.1965)",""],["Reinold Wilhelm","Wilhelm Reinold, Hamburg (28.4.1965)",""],["Reinold Fine","Fine Reinold (1979)",""],["Christie's","Christie's, London (27.2.2018, Nr. 56 mit Farbtaf.)",""]],[["1911 Karlsbad","8044","Nr. 21 "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 20 "],["1962 Tate Gallery, London","8075","Nr. 16 "],["2014 Wolfsburg","8102","S. 54, 211, 304, Farbtaf. S. 224"],["1950 München","8139","Nr. 22 "],["1929 Dresden","8155","Nr. 63 mit Abb. "],["1966 Kunstverein, Hamburg","8162","Nr. 36 mit Abb. "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 7 "],["1927 Zürich, Kunsthaus","8209","Nr. 31 "],["1966 Zürich","8225","Nr. 11 "],["1962/1963 Hamburg","8422","Nr. 14 mit Abb. "],["[1915 New York]","8449"," "],["2013/14 Rotterdam","8478","Nr. 111 mit Farbtaf."],["1981 London, Marlborough","8496"," "],["1966 Frankfurt/Main","8507","Nr. 36 mit Abb. (nicht ausgestellt) "],["1981 New York, Marlborough","8535","Nr. 9, Abb. S. 32 "],["1958 Wien","8541","Nr. 14, Abb. S. 12 "],["1986 London","8643","Nr. 18 mit Farbtaf. "],["1951 Berlin","8741","Nr. 11 "],["1915 San Francisco","8772","Nr. 313 u. d. T. \"Angora Cat\" "],["1996 Dresden","8815","S. 88, Farbtaf. S. [89]"],["1971 Wien","8820","Nr. 13, Farbtaf. Abb. 14 "],["1986 Zürich","8836","Nr. 18 mit Farbtaf. "],["2005/06 Pfäffikon","8898","Farbtaf. 25"],["1958 München, Haus der Kunst","8914","Nr. 12, Abb. S. 12 "],["1955 Wien, Secession","8960","Nr. 9 "],["1913 Zürich","8966","Nr. 133 "],["1927 Cassirer, Berlin","8968","Nr. 18 "],["1991 Wien","9033","Nr. 13 mit Farbtaf. "],["1963 New York","9074","Nr. 242 mit Abb. "],["2006/07 Dresden","9079","S. 77, Farbabb. 45 S. 179"],["1924 Neue Galerie, Wien","9081"," "],["2018/2019 Zürich","21106","Nr. 15, Farbtaf. S. 74"]],[["Westheim 1925 a, Abb. 14 ","2027"],["Wingler 1951 a, Mappe I, S. [5], Farbtaf. 3 ","2406"],["Wingler 1957, S. 104, Farbabb. S. 105 ","2423"],["Ruhmer 1959, S. 407, Abb. S. 406 ","2502"],["Grohmann 1933, S. 12 und 22, Abb. 30","2730"],["Serati 2008, S. 283 mit Farbabb.","3304"],["Spielmann 2003 a, Abb. S. 103","3309"],["Grohmann 1932, S. 63","3379"],["Palkovsky 1958, Abb. 11 ","3411"],["Bultmann 1959, S. 54, Farbtaf. 5 ","3434"],["Erling 2014, S. 54, Farbabb. 6","3463"],["Natter 1996 b, S. 28 mit Farbabb.","3532"],["Wingler 1956, S. 40 ","3708"],["Christie's London 2018 a, Nr. 56 mit Farbtaf.","29164"]],[["Tiere"]]]},{"id":1127,"img":{"extraLarge":"AP_100042133_extraLarge.jpg","medium":"AP_100042133_medium.jpg"},"arr":["1910.18","Hugo Caro","","[1910]","Öl/Lwd.","89.5 x 55 cm ","Bez. unten rechts: OK ","29","44, Farbtaf. IV ","56","Kunst Museum Winterthur","1952 ","844","Kunst Museum Winterthur"],"mul":[[["Caro Hugo","Hugo Caro, Berlin",""],["Simon Hugo","Hugo Simon, Berlin/später Paris und Rio de Janeiro (1918-50)",""],["Galerie Fischer","Galerie Fischer, Luzern (26.8.1939, Nr. 1674, nicht verkauft)",""],["Galerie Beyeler","Galerie Beyeler, Basel (um 1950)",""],["Bernoulli Christoph","Christoph Bernoulli",""]],[["1957 Recklinghausen","8056","Nr. 85 mit Abb. "],["1962 Tate Gallery, London","8075","Nr. 18 "],["1950 München","8139","Nr. 9 "],["1959/60 Rom","8164","Nr. 367 "],["1927 Zürich, Kunsthaus","8209","Nr. 18 "],["1948 Boston","8222","Nr. 10 "],["1947 Basel, Kunsthalle","8376","Nr. 113 "],["1992/93 Bielefeld","8407","Nr. 91, Farbtaf. S. 203 "],["1947 Zürich, Kunsthaus","8415","Nr. 5 "],["1928 Nationalgalerie, Berlin","8558","Nr. 80 "],["1986 London","8643","Nr. 19 mit Farbtaf. "],["1912 Berlin, Galerie Der Sturm","8645","Nr. 67 "],["1957 Stuttgart","8716","Nr. 46 "],["1918 Cassirer, Berlin","8777","Nr. 8 "],["1952 Basel","8779","Nr. 19 mit Abb. "],["1947 Amsterdam","8829","Nr. 5 "],["1986 Zürich","8836","Nr. 19 mit Farbtaf. "],["1958 München, Haus der Kunst","8914","Nr. 14 "],["1968/69 Lausanne","8952","Nr. 64 "],["1955 Wien, Secession","8960","Nr. 4 "],["1948 Venedig","8991","Nr. 3 "],["2018/2019 Zürich","21106","Nr. 14, Farbtaf. S. 68"]],[["Lowitzer-Hönig 2008, S. 48, Abb. 93","2124"],["Schmalenbach F. 1967, Abb. S. 7 ","2199"],["Winterthur 1991, S. 97 mit Farbabb.","2372"],["Wingler 1951 a, Mappe I, S. [4-5], Farbtaf. 2 ","2406"],["Leshko 1977, S. 167-168, Abb. 82 ","2659"],["Kokoschka Briefe 1 1984, S. 156 ([2. Hälfte März 1914) ","2710"],["Westheim 1918 a, S. 52 ","2738"],["Keller 1957, S. 34, Abb. 5","2822"],["Kokoschka 1971, S. 113 ","2894"],["Vergo 1975, Abb. 167 ","3050"],["Winterthur 2009, S. 11, Farbtaf. 4","3118"],["Galerie Fischer Luzern 1939 b, Nr. 1674","3239"],["Bultmann 1959, S. 56, Farbtaf. 6 ","3434"],["Winterthur 1976, Nr. 481, Farbabb. 14","3522"],["Vergo 2015, S. 222, Farbabb. 177","3593"],["Schmalenbach F. 1947, S. 10 ","3824"],["Winterthur 1958, Nr. 295, Taf. XXIV","3904"],["Winterthur 2011, S. 113-116, Farbabb. S. 113","14164"],["Winterthur 2011, S. 113–116, Farbabb. S. 113","23214"]],[["Männliches Bildnis"]]]},{"id":1359,"img":{},"arr":["1910.19","Hans Schlieper","","1910","Öl/Lwd."," x "," ","","47 ","57","Verbleib unbekannt"," ","",""],"mul":[[],[["1912 Berlin, Galerie Der Sturm","8645","Nr. 53 "],["1912 Berlin, Galerie Der Sturm","8734","Nr. 63 "]],[],[["Männliches Bildnis"]]]},{"id":1455,"img":{"extraLarge":"AP_100042464_extraLarge.jpg","medium":"AP_100042464_medium.jpg"},"arr":["1911.01","Else Kupfer","","[1911]","Öl/Lwd.","90 x 71.5 cm ","Bez. oben rechts: OK ","36","49, Taf. 14 ","58","Kunsthaus Zürich ","8.1.1931 von Neue Galerie, Otto Nirenstein, Wien","2161","Kunsthaus Zürich"],"mul":[[["Galerie Alfred Flechtheim","[Galerie Alfred Flechtheim, Düsseldorf (1913)]",""],["Falk Adele und Henri","Adele und Henri Falk, Mannheim (1913)",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (1918)","über Hugo Helbing, München"],["Gurlitt Fritz","Fritz Gurlitt, Berlin (17.4.1918)",""],["Staatliche Kunstsammlungen, Museum der Bildenden Künste","Staatliche Kunstsammlungen, Museum der Bildenden Künste, Stuttgart (1927)","der Kauf wurde anschließend wieder rückgängig gemacht "],["Neue Galerie, Otto Kallir-Nirenstein, Wien","Neue Galerie, Otto Kallir-Nirenstein, Wien (1928-31)",""]],[["1935 Zürich, Kunsthaus","8020","Nr. 508 "],["1911 Karlsbad","8044","Nr. 22 "],["1921 Dresden","8064","Nr. 135 "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 13 "],["1962 Tate Gallery, London","8075","Nr. 22 "],["1930 Neue Galerie, Wien","8092"," "],["1996/97 Wien","8103","S. 42, Farbtaf. S. 43"],["1971 München","8125","Nr. 8 mit Abb. "],["1950 München","8139","Nr. 13 "],["1913 Berlin, Ausstellungshaus am Kurfürstendamm","8177","Nr. 107 "],["1955 Zürich","8200"," "],["1919 Sezession, Dresden","8220"," "],["1966 Zürich","8225","Nr. 16, Abb. 4 "],["1966 Karlsruhe","8284","Nr. 11 mit Abb. "],["1937 Paris","8318","Nr. 530 "],["1947 Basel, Kunsthalle","8376","Nr. 111 "],["1943 Zürich","8383","Nr. 337 "],["1947 Zürich, Kunsthaus","8415","Nr. 6, Abb. I "],["1957 Salzburg","8468","Abb. 26 "],["1928 London","8640","Nr. 16 "],["1986 London","8643","Nr. 21 mit Farbtaf. "],["1964 Florenz","8683","Nr. 307, Abb. S. 131 "],["1986 Paris","8762","Farbabb. S. 504 "],["1957 St. Gallen","8764","Nr. 52 "],["1918 Cassirer, Berlin","8777","Nr. 9 mit Abb. "],["1960/61 Paris","8787","Nr. 331 "],["1971 Wien","8820","Nr. 15, Abb. 5 "],["1986 Zürich","8836","Nr. 21 mit Farbtaf. "],["1961 Turin","8870","Nr. 18 mit Abb. "],["1931 Paris, Galeries Georges Petit","8875","Nr. 4 mit Abb. "],["1929 Neue Galerie, Wien","8880"," "],["1913 Düsseldorf","8895","Abb. S. 104 "],["1986 Museum of Modern Art, New York","8925","Nr. 19 mit Farbtaf. "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 267 "],["1955 Wien, Secession","8960","Nr. 8 "],["1927 Cassirer, Berlin","8968","Nr. 13 "],["1937 Bern","9000","Nr. 81 "],["1950 Zürich","9088","S. 35 "],["2018/2019 Zürich","21106","Nr. 19, Farbtaf. S. 73"]],[["Zürich 1976, Abb. S. 134","2016"],["Westheim 1925 a, S. 50, Abb. 65 ","2027"],["Der blaue Reiter 1979, Abb. S. [184]","2037"],["Roşu 1976, Abb. S. 18 ","2148"],["Russell 1957 a, Farbtaf. S. [165] ","2158"],["Calvocoressi 1992, Farbtaf. 20 ","2193"],["Schmalenbach F. 1967, S. 3, 4, 18, 19 und 31, Farbtaf. S. 43 ","2199"],["Westheim 1917 a, S. 319 ","2244"],["Erling 2000 b, S. 256, Abb. 1","2399"],["Hoffmann 1947, S. 99 und 101, Abb. XV ","2499"],["Leshko 1977, S. 168-170, Abb. 83 ","2659"],["Westheim 1918 a, S. 32--33 und 52, Abb. 16 ","2738"],["Wild 1966 b, Bl. 4 ","2850"],["Goldscheider 1963, S. 75 (Anm. 7), Farbtaf. 7 ","2855"],["Vom jüngsten Tag 1917, Abb. gegenüber S. 160 ","2871"],["Heilmaier 1929, Abb. 5 ","2885"],["Vergo 1975, Abb. 166 ","3050"],["Mannheim 1994, Nr. 141, S. 168, Farbabb. S. 116. (Kunst und Dokumentation; 11)","3152"],["Natter 2002 b, S. 93 mit Abb.","3335"],["Zürich 2007, S. 634 mit Abb.","3336"],["Palkovsky 1958, Abb. 14 ","3411"],["Kuhn 1927, Abb. S. 124 ","3445"],["Gatt 1972, Farbtaf. 5 ","3468"],["Platschek 1946, Abb. 9 ","3496"],["Hoffmann 1967, farb. Umschlagabb. ","3588"],["Vergo 2015, Farbabb. 178 S. 226","3593"],["Wingler 1956, S. 40 ","3708"],["Wartmann 1933, Abb. S. 64","3753"],["Masciotta 1966, Nr. XVII, farb. Umschlagabb. ","3808"],["Muller 1982, Farbabb. S. 81 ","3821"],["Westheim 1918 b, S. 240, Abb. S. 248 ","3846"],["Schweiger 1983, S. 147--148, Abb. S. 201 ","3945"],["Kokoschka 1913, Abb. ","4130"],["Zürich 1959, Abb. S. 111","16178"],["Mannheim 1994, Nr. 141, S. 168, Abb. S. 116","23190"]],[["Weibliches Bildnis"]]]},{"id":1410,"img":{"extraLarge":"AP_100042417_extraLarge.jpg","medium":"AP_100042417_medium.jpg"},"arr":["1911.02","Hermann Schwarzwald I","","1911","Öl/Lwd.","90 x 65 cm ","Bez. oben links: OK. Auf der Rückseite datiert und beschriftet: ETATIS SUAE/40. A. D. 1911 ","56","50, Taf. 26 ","59","Staatsgalerie Stuttgart ","1951, Stiftung des Galerievereins mit Werbefunkmitteln des Süddeutschen Rundfunks ","2389",""],"mul":[[["Städtische Galerie","Städtische Galerie, Frankfurt a. M. (1917)",""],["1937 beschlagnahmt","1937 beschlagnahmt, im Schloß Schönhausen in Berlin eingelagert",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin",""],["Galerie Fischer","Galerie Fischer, Luzern (30.6.1939, Nr. 66)",""],["Meister Frieda","Frieda Meister, Basel (30.6.1939-1947 )",""],["Galerie Beyeler","Galerie Beyeler, Basel (1947)",""]],[["[1911 Barmen]","8038"," "],["1911 Karlsbad","8044","Nr. 23 "],["1962 Tate Gallery, London","8075","Nr. 23 "],["1950 München","8139","Nr. 18 "],["1966 Zürich","8225","Nr. 17 "],["2001 London","8278","S. 289"],["1966 Karlsruhe","8284","Nr. 12 mit Abb. "],["1939 Grand Hôtel National, Luzern","8353","Nr. 66"],["1947 Basel, Kunsthalle","8376","Nr. 119 mit Abb. "],["1947 Zürich, Kunsthaus","8415","Nr. 7 "],["1931 Frankfurt/Main","8487","Nr. 125, Abb. 7 "],["1988 Barcelona","8659","Nr. 10, Farbtaf. S. 44 "],["1918 Cassirer, Berlin","8777","Nr. 6 mit Abb. "],["1947 Amsterdam","8829","Nr. 7 "],["1958 München, Haus der Kunst","8914","Nr. 18 "],["1991 Wien","9033","Nr. 14 mit Farbtaf. "],["1939 Zürich","9061",""]],[["Westheim 1925 a, Abb. 67 ","2027"],["Schmalenbach F. 1967, S. 4, Farbtaf. S. 42 ","2199"],["Westheim 1917 a, S. 319, Abb. S. [295] ","2244"],["Frankfurt 1924, Inv. Nr. S. G. 270","2410"],["Duchesne 2014, Nr. 66, S. 172--173 mit Farbabb.","2583"],["Deichmann 1988, S. 205--213 (zur Person Hermann Schwarzwald), Abb. S. 209 ","2614"],["Leshko 1977, S. 170-171, Abb. 84 ","2659"],["Dalbajewa 1999, S. 121","2681"],["Westheim 1918 a, S. 52, Abb. 22 ","2738"],["Stuttgart 1968, S. 101--102, Abb. 90","2744"],["Deusch 1961, S. 72, Farbabb. S. 73","2805"],["Roh 1962, S. 185 ","2860"],["Kokoschka 1971, S. 121 ","2894"],["Wilckens 1950, S. 60 ","2934"],["Hildebrandt 1955","3019"],["Barron 1992 b, S. 159 mit Abb.","3051"],["Galerie Fischer Luzern 1939 a, Nr. 66 ","3165"],["Bushart 1956, Nr. 100, Taf. 95","3166"],["Stuttgart 1982, S. 183--185, Abb. S. 184 ","3244"],["Einstein 1926, Abb. S. 442 ","3305"],["Platschek 1946, Abb. 7 ","3496"],["Swarzenski 1921, Abb. S. 34","3701"],["Wingler 1956, S. 40 ","3708"],["Schmalenbach F. 1947, S. 11--12 ","3824"],["Tietze 1918, Abb. S. 86 ","3833"],["Schwabacher 1923, Abb. S. 1119","3858"],["Schweiger 1983, S. 164, 235, 236, Abb. S. 236 ","3945"],["Frankfurt 1998, S. 181–182, Abb. S. 181","21174"]],[["Männliches Bildnis"]]]},{"id":1027,"img":{"extraLarge":"AP_100042031_extraLarge.jpg","medium":"AP_100042031_medium.jpg"},"arr":["1911.03","Carl Leo Schmidt","Brüder Schmidt (Skizze. 1911. 1914)\" [rechte Figur]","1911","Öl/Lwd.","98 x 68 cm ","Bez., datiert und beschriftet unten Mitte: 1911 OK Vormittag ","","94 ","60","Museo Thyssen-Bornemisza, Madrid","2.7.1998","Inv. Nr. CTB.1998.27","Carmen Thyssen-Bornemisza Collection, Leihgabe an das Museo Thyssen-Bornemisza, Madrid"],"mul":[[["Schmidt Max","Max Schmidt, Wien/Budapest (bis etwa 1935)",""],["Neményi Bertalan ","Bertalan Neményi, Budapest",""],["Neményi Paul Felix ","Paul Felix Neményi, Washington (1947-1952)",""],["Neményi Peter Björn ","Peter Björn Neményi, Washington (1952)",""],["F. Kleinberger Galleries","F. Kleinberger Galleries, New York (24.1.1955)",""],["Sotheby & Co.","Sotheby & Co., London (6.5.1959, Nr. 130 u. d. T. \"Portrait of Leopold Schmidt\")",""],["Marlborough Fine Art","Marlborough Fine Art, London (1959)",""],["Miller William","William Miller, London",""],["Stephen Hahn Gallery","Stephen Hahn Gallery, New York",""],["Privatbesitz","Privatbesitz (1973)",""],["Sotheby's","Sotheby's, London (2.7.1998, Nr. 16 mit Farbtaf.)",""]],[["2013/14 London","8388","S. 31, 212, Farbtaf. 7"],["2002 Hamburg","8474","S. 148, 246, Farbtaf. S. 149"],["2001/02 Madrid","8525","S. 84, Nr. 9 mit Farbtaf."],["1959 London","8797","Nr. 34 u. d. T. \"Leopold Schmidt\", Abb. S. 68 "],["1954 Santa Barbara","8806","Nr. 5 u. d. T. \"Ernest-, Gino-, and Leopold Schmidt\" (ursprüngliche Fassung vor der Zerschneidung in drei Teile)"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 11, Farbtaf. S. 77"]],[["Westheim 1917 a, S. 319 u. d. T. \"Porträt der drei Brüder\" ","2244"],["Sotheby's London 1998 a, Nr. 16 mit Farbtaf.","2417"],["Westheim 1918 a, S. 53 ","2738"],["Sotheby's London 1959, Nr. 130 u. d. T. \"Portrait of Leopold Schmidt\"","3902"],["Paris 2022, Farbtaf. S. 77","43164"]],[["Männliches Bildnis"]]]},{"id":1117,"img":{"extraLarge":"AP_100042123_extraLarge.jpg","medium":"AP_100042123_medium.jpg"},"arr":["1911.04","Hugo Schmidt","\"Brüder Schmidt (Skizze. 1911. 1914)\" [linke Figur]","1911","Öl/Lwd.","71.5 x 53.5 cm ","Bez., datiert und beschriftet unten links: Nachmittag 1911 OK ","","94","61","Privatbesitz","2009","",""],"mul":[[["Schmidt Max","Max Schmidt, Wien und Budapest (bis etwa 1935)",""],["Neményi Bertalan ","Bertalan Neményi, Budapest",""],["Neményi Paul Felix ","Paul Felix Neményi, Washington (1947-1952)",""],["Neményi Peter Björn ","Peter Björn Neményi, Washington (1952)",""],["F. Kleinberger Galleries","F. Kleinberger Galleries, New York (24.1.1955)",""],["Sotheby's","Sotheby's, London (6.5.1959, Nr. 131 u. d. T. \"Portrait of Ernest Schmidt\" )",""],["Marlborough Fine Art","Marlborough Fine Art, London (1959 - 6.1964)",""],["Sotheby's","Sotheby's, New York (5.11.2009, Nr.120 mit Farbtaf.)",""]],[["1961 Brüssel","8031","Nr. 107a "],["2013/14 London","8388","S. 31, 212, Farbabb. 5"],["1959 London","8797","Nr. 35, Abb. S. 68 "],["1954 Santa Barbara","8806","Nr. 5 u. d. T. \"Ernest-, Gino-, and Leopold Schmidt\" (ursprüngliche Fassung vor der Zerschneidung in drei Teile)"],["1960 Kopenhagen","9011","Nr. 20 "]],[["Westheim 1917 a, S. 319 u. d. T. \"Porträt der drei Brüder\" ","2244"],["Westheim 1918 a, S. 53 ","2738"],["Sotheby's New York 2009 b, Nr.120 mit Farbtaf. ","3005"],["Sotheby's London 1959, Nr. 131 u. d. T. \"Portrait of Ernest Schmidt\"","3902"]],[["Männliches Bildnis"]]]},{"id":1390,"img":{"extraLarge":"AP_100042397_extraLarge.jpg","medium":"AP_100042397_medium.jpg"},"arr":["1911.05","Heiliger Sebastian mit Engel","","[1911]","Öl/Lwd.","70.5 x 51.5 cm ","Bez. unten links: OK ","","61 (ohne Abb.) ","62","Museum Niederösterreich","1992 ","","Landessammlungen Niederösterreich"],"mul":[[["Harta Felix Albrecht","Felix Albrecht Harta, Wien",""],["Lányi Richard","Richard Lányi, Wien (vor 1917)",""],["Privatbesitz","Privatbesitz, Wien (1932)","als Leihgabe im Niederösterreichischen Landesmuseum, Wien (1982-1992)"]],[["1995 Frankfurt/Main","8110","Nr. 175, S. 310, Farbtaf. S. 311"],["1980 Pöchlarn","8237","Nr. II, Abb. S. 26 "],["2001 Paris","8333","S. 201, Nr. 13 mit Farbtaf."],["1987 Grafenegg","8379"," "],["1991 Wien","9033","Nr. 16 mit Farbtaf. "],["2009 Bleiburg","9083","S. 112, Farbtaf. S. [113]"],["2018/2019 Zürich","21106","Nr. 21, Farbtaf. S. 93"]],[["Długosz 2014, S. 81 mit Farbabb. 12","2033"],["Meyer 2013, S. 181, Farbabb. 54 S. 396","2165"],["Westheim 1917 a, S. 319 u. d. T. \"Heiliger Sebastian, Skizze\" ","2244"],["Bauer 2012, S. 66, Farbabb. 74","2541"],["Westheim 1918 a, S. 52 ","2738"],["Cernuschi 2011, S. 198, 207, Abb. 5 S. 217","3154"],["St. Pölten 2002, S. 192, Farbtaf. S. 193","23204"]],[["Religiöse Bilder"]]]},{"id":1315,"img":{"extraLarge":"AP_100042322_extraLarge.jpg","medium":"AP_100042322_medium.jpg"},"arr":["1911.06","Ritter, Tod und Engel I","Ritter, Tod und Engel II (1910)","[1911]","Öl/Lwd.","86 x 75.5 cm ","Bez. und (nachträglich?) datiert unten links: OK 1910 ","50","48 ","63","Kunsthaus Zürich","1987 Schenkung Elisabeth und Hans C. Bechtler an die Vereinigung Zürcher Kunstfreunde","1987/16","Kunsthaus Zürich, Vereinigung Zürcher Kunstfreunde, Geschenk Elisabeth und Hans C. Bechtler"],"mul":[[["Kriser Stephan","Stephan Kriser, Wien ",""],["Simon Hugo","Hugo Simon, Berlin/späterParis und Rio de Janeiro ",""],["Galerie Fischer","Galerie Fischer, Luzern (26.8.1939, Nr. 1675, nicht verkauft)",""],["Bernoulli Christoph","Christoph Bernoulli, Basel",""],["Fetscherin Hans","Hans Fetscherin, Salzburg ",""],["Bechtler Hans C.","Hans C. Bechtler, Zürich (1952-87)",""]],[["1984 Vevey","8050","Nr. 1, Farbabb. S. 30 "],["1962 Tate Gallery, London","8075","Nr. 21 "],["1950 München","8139","Nr. 15, Abb. S. 11 "],["1974 Luzern","8167","Nr. 117 "],["1927 Zürich, Kunsthaus","8209","Nr. 26 "],["1966 Zürich","8225","Nr. 15, Abb. 3 "],["1947 Basel, Kunsthalle","8376","Nr. 115 mit Abb. "],["2014 Tokyo","8494","Nr. 35, S. 107, Farbtaf. S. 102"],["1958 Wien","8541","Nr. 18, Abb. S. 14 "],["1956 Winterthur","8592","Nr. 59, Abb. 12 "],["1976 Bregenz","8605","Nr. 4, Abb. XX "],["1986 London","8643","Nr. 20 mit Farbabb. "],["1951 Berlin","8741","Nr. 9, Abb. S. 13 "],["1971 Wien","8820","Nr. 14, Abb. 11 "],["1947 Amsterdam","8829","Nr. 6 "],["1986 Zürich","8836","Nr. 24 mit Farbabb. "],["2012 Düsseldorf","8873","S. 405, Farbabb. S. 272"],["1982 Zürich","8896","Nr. 99 mit Farbabb. "],["1958 München, Haus der Kunst","8914","Nr. 17, Abb. S. 14 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 18 u. d. T. \"Ritter, Tod und Engel II\" "],["1948 Venedig","8991","Nr. 4 "],["1960 Kopenhagen","9011","Nr. 6 "],["2018/2019 Zürich","21106","Nr. 23, Farbtaf. S. 94"]],[["Westheim 1925 a, Abb. 60 ","2027"],["Długosz 2014, S. 81, Farbabb. 13 S. 82","2033"],["Erling 1997, S. 55, Abb. 57","2046"],["Schmalenbach F. 1967, S. 19, Farbtaf. S. 44 ","2199"],["Westheim 1917 a, S. 319 u. d. T. \"Ritter und Engel (erste Fassung)\" ","2244"],["Schvey 1982, S. 60 ","2375"],["Erling 2000 b, S. 259, Abb. 5","2399"],["Weidinger/Strobl 2008, S.255-256, Abb. V.351a","2435"],["Hoffmann 1947, S. 102 ","2499"],["Bauer 2012, S. 65, Farbabb. 72","2541"],["Hodin 1971, Abb. S. [73] ","2585"],["Leshko 1977, S. 341, Abb. 183 ","2659"],["Westheim 1918 a, S. 52 u. d. T. \"Ritter, Tod und Engel (erste Fassung)\", Abb. 18 ","2738"],["Goldscheider 1963, S. 75 (Anm. 8), Farbtaf. 8 ","2855"],["Kokoschka 1971, S. 125 ","2894"],["Windisch 2013, S. 167, Abb. 38","3001"],["Benesch 1951, ","3040"],["Hodin 1968 a, S. 165 ","3213"],["Galerie Fischer Luzern 1939 b, Nr. 1675","3239"],["Zürich 2007, S. 634 mit Abb.","3336"],["Hodin 1966, S. 108, Abb. 14 ","3490"],["Wingler 1956, S. 38 und 40 ","3708"],["Schmalenbach F. 1947, S. 11 ","3824"]],[["Religiöse Bilder"]]]},{"id":1419,"img":{"extraLarge":"AP_100042427_extraLarge.jpg","medium":"AP_100042427_medium.jpg"},"arr":["1911.07","Frau Karpeles","Frau Dr. K.\nFrau Karpeles (\"Frau Dr. K.\")","[1911]","Öl/Lwd.","100.3 x 73.9 cm ","Bez. unten links: OK ","43","65 ","64","Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC","17.5.1966, Schenkung der Joseph H. Hirshhorn Foundation","66.2775","Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966"],"mul":[[["Reichel Oskar","Oskar Reichel, Wien ",""],["Nassauisches Landesmuseum","Nassauisches Landesmuseum, Wiesbaden (1918) ",""],["1937 beschlagnahmt","1937 beschlagnahmt, vermutlich im Schloß Schönhausen in Berlin eingelagert",""],["Buchholz Gallery Curt Valentin","Buchholz Gallery Curt Valentin, New York (1941)",""],["Joseph H. Hirshhorn Foundation","Joseph H. Hirshhorn Foundation, New York (16.9.1954)",""]],[["1962 Tate Gallery, London","8075","Nr. 33 "],["2014 Wolfsburg","8102","S. 91, 301, Farbtaf. S. 97"],["1946 Oberlin","8219"," "],["1948 Boston","8222","Nr. 17 mit Abb. "],["1951 Valentin, New York","8287","Nr. 27 "],["1961 Pasadena","8308","Nr. 58 "],["1974/75 Washington","8352"," "],["1962/1963 Hamburg","8422","Nr. 17 mit Abb. "],["1955 Waltham","8437","Nr. 22 "],["1984/85 New York","8441","Nr. 17 "],["1941 New York","8466","Nr. 9 mit Abb. "],["2013/14 Rotterdam","8478","S. 78, Nr. 26 mit Farbtaf."],["2011 Neue Galerie, New York","8499","S. 279, Farbtaf. 57"],["1966 New York","8544","Nr. 12, Abb. S. 32 "],["1965 Brooklyn Museum, New York","8680","Nr. 82 "],["1964 Guggenheim, New York","8695"," "],["1954 Valentin, New York","8704","Nr. 14 "],["1922 Caspari, München","8893","Abb. S. 13 "],["2001/02 Rom","8918","S. 102, Nr. 62 mit Farbtaf."],["1986 Museum of Modern Art, New York","8925","(Nr. 71) "],["1956 Duluth, Minn.","8953"," "],["1930 Wiesbaden","8969","Saal 7 "],["1933 Wien","9009"," "],["1963 New York","9074","Nr. 243 mit Abb. "]],[["Westheim 1925 a, S. 50, Abb. 66 ","2027"],["Westheim 1917 a, S. 319, Abb. S. [291] ","2244"],["Kallir 1984, Farbtaf. 21 ","2350"],["Hoffmann 1947, S. 99 ","2499"],["Dalbajewa 1999, S. 121","2681"],["Westheim 1918 a, S. 32 und 53, Abb. 17 ","2738"],["Selz 1974, S. 169, Abb. 64 ","3116"],["Hodin 1968 a, S. 92 und 174 ","3213"],["Washington 1974, S. 707--708, Abb. 184","3275"],["Hoffmann 1917, Abb. S. 6 ","3473"],["Hodin 1966, S. 55 und 114 ","3490"],["Puma 1947, S. 12, Abb.","3693"],["Westheim 1918 c, Abb. S. [125] ","3728"]],[["Weibliches Bildnis"]]]},{"id":1396,"img":{"extraLarge":"AP_100042403_extraLarge.jpg","medium":"AP_100042403_medium.jpg"},"arr":["1911.08","Egon Wellesz","","[1911]","Öl/Lwd.","75.5 x 68.9 cm ","Bez. oben links: OK ","53","64 ","65","Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC","17.5.1966, Schenkung der Joseph H. Hirshhorn Foundation","66.2776","Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966"],"mul":[[["Wellesz Egon","Egon Wellesz, Wien",""],["Kunstausstellung Kühl","Kunstausstellung Kühl, Dresden (bis 1929)",""],["Staatliche Gemäldegalerie","Staatliche Gemäldegalerie, Dresden (1929)",""],["1937 beschlagnahmt","1937 beschlagnahmt",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin (1937)",""],["Buchholz Gallery Curt Valentin","Buchholz Gallery Curt Valentin, New York ([1941])",""],["Hirshhorn Joseph H.","Joseph H. Hirshhorn, New York (18.1.1947)",""]],[["1911 Karlsbad","8044","Nr. 27 "],["1956 Chicago","8045","Nr. 5 "],["1962 Tate Gallery, London","8075","Nr. 32 "],["2014 Wolfsburg","8102","S. 23, 150, 302, Farbtaf. S. 157"],["1996/97 Wien","8103","S. 44, Farbtaf. S. 45"],["1948 Boston","8222","Nr. 16 mit Abb. "],["1947 New York","8228","Nr. 10 mit Abb. "],["1979 Portland","8248"," "],["2001 London","8278","S. 289"],["1942/43 Museum of Modern Art, New York","8312","Abb. S. 63 "],["1974/75 Washington","8352"," "],["1962/1963 Hamburg","8422","Nr. 16 mit Farbabb. "],["1987 Düsseldorf","8435","Nr. 33, Farbabb. S. 82 "],["[1915 New York]","8449"," "],["1941 New York","8466","Nr. 8 "],["2002 Hamburg","8474","S. 150, 246, Farbtaf. S. 151"],["2013/14 Rotterdam","8478","S. 19, 46, 79, Nr. 30 mit Farbtaf."],["1931 Frankfurt/Main","8487","Nr. 126 "],["1966 New York","8544","Nr. 11, Abb. S. 31 "],["1965 Los Angeles","8601","Nr. 105, Abb. S. 77 "],["2008 Wien, Belvedere","8619","S. 206, 210, Farbtaf. 107 S. 213"],["1986 London","8643","Nr. 22 mit Farbabb. "],["1915 San Francisco","8772","Nr. 308 "],["1996 Dresden","8815","S. 90, Farbtaf. S. [91]"],["1986 Zürich","8836","Nr. 22 mit Farbabb. "],["1986 Museum of Modern Art, New York","8925","Nr. 20 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 13 "],["1927 Cassirer, Berlin","8968","Nr. 14 "],["1983 Bordeaux","9016","Nr. 5, Abb. S. 76 "],["1991 Wien","9033","Nr. 15 mit Farbtaf. "],["2008 Linz","9042","S. 63 mit Farbtaf."],["2018/2019 Zürich","21106","Nr. 18, Farbtaf. S. 72"]],[["Lowitzer-Hönig 2008, S. 64, Abb. 99","2124"],["Calvocoressi 1992, Farbtaf. 19 ","2193"],["Westheim 1917 a, S. 319 ","2244"],["Forni 1984, S. 38 ","2260"],["Natter 1997, S. 46, Abb. 48","2488"],["Hoffmann 1947, S. 112 ","2499"],["Göpfert 1987, S. 181 ","2573"],["Museum der Gegenwart 1930, Abb. S. 81","2590"],["Leshko 1977, S. 171-172, Abb. 86 ","2659"],["Dalbajewa 1999, S. 150 Anm. 81","2681"],["Westheim 1918 a, S. 53 ","2738"],["Roh 1962, S. 150 ","2860"],["Wellesz 1981, S. 81-82, Abb. S. [129]","2950"],["Hodin 1968 a, S. 166 ","3213"],["Washington 1974, S. 707, Farbabb. 225","3275"],["Spielmann 2003 a, S. 111--112 mit Abb.","3309"],["Werkner 1986, S. 128, Abb. S. 129 ","3369"],["Hodin 1966, S. 108 ","3490"],["Mrazek/Köller 1969, Abb. Nr. 24 ","3546"],["Sotriffer 1963, Farbtaf. IX ","3721"],["Schweiger 1983, Farbtaf. S. 174 ","3945"],["Dresden 1930, Nr. 2594C","4011"],["Benser 1985, Taf. I","4145"],["Washington 1996, S. 24 mit Farbabb.","23213"]],[["Männliches Bildnis"]]]},{"id":1275,"img":{"extraLarge":"AP_100042281_extraLarge.jpg","medium":"AP_100042281_medium.jpg"},"arr":["1911.09","Karl Etlinger","Karl Ettlinger\nThe Actor Ettlinger","1911","Öl/Lwd.","69 x 56 cm ","Bez. unten links: OK ","59","63, Taf. 35 ","66","Staatliche Kunsthalle Karlsruhe ","1956 ","2401",""],"mul":[[["Schiele Egon","Egon Schiele, Wien ",""],["Neue Galerie, Otto Kallir-Nirenstein, Wien","Neue Galerie, Otto Kallir-Nirenstein, Wien",""],["Multhaupt Paul","Paul Multhaupt, Düsseldorf (um 1921)",""],["Wallraf-Richartz-Museum","Wallraf-Richartz-Museum, Köln (1929)",""],["1937 beschlagnahmt","1937 beschlagnahmt (Beschlagnahmeinventar: Nr. 16136)",""],["Böhmer Bernhard A.","Bernhard A. Böhmer, Güstrow (22.1.1940 verkauft)",""],["Horstmann Edgar","Edgar Horstmann, Hamburg ",""],["Galerie Wilhelm Grosshennig","Galerie Wilhelm Grosshennig, Düsseldorf (1955)",""],["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich",""]],[["1911 Karlsbad","8044","Nr. 28 "],["1962 Tate Gallery, London","8075","Nr. 31 "],["2014 Wolfsburg","8102","S. 301, Farbtaf. S. 96"],["1937 Hofgarten-Arkaden, München","8108","Raum 6 "],["1971 München","8125","Nr. 11 mit Abb. "],["1950 München","8139","Nr. 21 "],["1913 Berlin, Ausstellungshaus am Kurfürstendamm","8177","Nr. 106 "],["1966 Zürich","8225","Nr. 23 "],["1966 Karlsruhe","8284","Nr. 16 mit Abb. "],["1921 Basel","8302","Nr. 35 "],["2006/07 Rovereto","8360","Farbtaf. 55"],["2002 Hamburg","8474","S. 152, 246, Farbtaf. S. 153 (nur in Hamburg ausgestellt)"],["2013/14 Rotterdam","8478","S. 19, 77--78, Nr. 27 mit Farbtaf."],["2012 Köln","8520","Kat. 55, S. 412, 582, Farbtaf. S. 413"],["1912 Köln","8524","Nr. 360 "],["1958 Wien","8541","Nr. 27 "],["1992 Altes Museum, Berlin","8573","S. 287, Farbabb. 282 (nicht ausgestellt)"],["1971 Wien","8820","Nr. 22, Abb. 12 "],["1958 München, Haus der Kunst","8914","Nr. 27 "],["1960 Kopenhagen","9011","Nr. 12 "],["2008 Linz","9042","S. 62 mit Farbtaf."]],[["Westheim 1925 a, Abb. 73 ","2027"],["Karlsruhe 1957, Nr. 108, Taf. 114","2136"],["Stöbe 1997, S. 105, Abb. 100","2538"],["Haftmann 1965 b, Abb. 146 ","2732"],["Westheim 1918 a, S. 53, Abb. 19 ","2738"],["Roh 1962, S. 210 ","2860"],["Karlsruhe 1971, Nr. 2401","3117"],["Husslein-Arco/Weidinger 2008, S. 186, Farbabb. 102","3215"],["Lauts 1964, S. 15, S. 36 (Anm. 8)","3231"],["George 1963, S. 48 ","3814"],["Karlsruhe 1965, Nr. 33 mit Abb.","4004"],["Erling 2000 a, S. 220 mit Farbabb.","4062"],["Karlsruhe 2011, S. 213","23169"]],[["Männliches Bildnis"]]]},{"id":1304,"img":{"extraLarge":"AP_100042311_extraLarge.jpg","medium":"AP_100042311_medium.jpg"},"arr":["1911.1","Alexis af Ennehjelm","Hjalmar Ennehjelm\nThe singer Ennehjlem","1911","Öl/Lwd.","60 x 50 cm ","Bez. oben links: OK ","58","68","67","Hamburger Kunsthalle ","1954 als Jubiläumsspende der Hamburgischen Electricitäts-Werke","2965",""],"mul":[[["Alexis af Enehjelm Ennehjelm Hjalmar","Alexis af Enehjelm Hjalmar Ennehjelm, Wien, Helsinki (1911 - um 1936)",""],["Privatbesitz","[Privatbesitz Wien]",""],["von Berchtold Graf Sigismund","Graf Sigismund von Berchtold, Freilassing (um 1949 - 51)",""],["Weinmüller Adolf","Adolf Weinmüller, München (1951)",""],["Hahn Willy","Willy Hahn, Grassau, Stuttgart (um 1951-1953)",""],["Galerie Wilhelm Grosshennig","Galerie Wilhelm Grosshennig, Düsseldorf (mind. 8.1953 - 5.1954)",""]],[["1911 Karlsbad","8044","Nr. 26 "],["2014 Wolfsburg","8102","S. 302, Farbtaf. S. 153"],["1966 Karlsruhe","8284","Nr. 19 mit Abb. "],["1958 Den Haag","8309","Nr. 20 mit Abb. "],["1962/1963 Hamburg","8422","Nr. 18 mit Abb. "],["2002 Hamburg","8474","S. 154, 246, Farbtaf. S. 155"],["2013/14 Rotterdam","8478","Nr. 29 mit Farbtaf."],["1958 Wien","8541","Nr. 29, Abb. S. 23 "],["1955 Hamburg","8768","Nr. 72 "],["1958 München, Haus der Kunst","8914","Nr. 29, Abb. S. 23 "],["1960 Kopenhagen","9011","Nr. 13 "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 12, Farbtaf. S. 82"]],[["Forni 1984, S. 41 ","2260"],["Schaukal 1912, Abb. vor S. 793 ","2307"],["Grosshennig 1961, Abb. o. S. ","2356"],["Hoffmann 1947, S. 112 ","2499"],["Westheim 1918 a, S. 53 ","2738"],["Hamburg 1969 a, Nr. 2965 mit Abb. ","3114"],["Loitfellner 2005, S. 118","3349"],["Werkner 1986, S. 128 ","3369"],["Hamburg 1960, Nr. 42, Abb. S. 82","3801"],["Hamburg 1969 b, S. 448, Abb. 364","4018"],["Hamburg 1958, Nr. 107, Taf. 99","4061"],["Kokoschka 1913, Abb. ","4130"],["Hentzen 1958, S. 176, Abb. 35","4144"],["Hamburg 2010","23165"],["Paris 2022, Farbtaf. S. 82","43164"]],[["Männliches Bildnis"]]]},{"id":1313,"img":{"extraLarge":"AP_100042320_extraLarge.jpg","medium":"AP_100042320_medium.jpg"},"arr":["1911.11","Verkündigung","The Visitation\nMaria Heimsuchung","1911","Öl/Lwd.","83 x 122.5 cm ","Bez. unten links: Ok","52","59, Taf. 30 ","68","Museum am Ostwall, Dortmund ","1957 ","Sammlung Gröppel Nr. 92",""],"mul":[[["Hauer Franz","Franz Hauer, Wien (bis 1914)",""],["Meyer Heinrich","Heinrich Meyer, Wien",""],["Neffen von Heinrich Meyer","Neffen von Heinrich Meyer, Wien",""],["Galerie Welz","Galerie Welz, Salzburg (1948)",""],["Gröppel Karl","Karl Gröppel, Bochum (1952)",""]],[["1961 Brüssel","8031","Nr. 105 "],["1911 Karlsbad","8044","Nr. 29 "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 16 "],["1962 Tate Gallery, London","8075","Nr. 29 "],["1968 Gent","8133","Nr. 70 "],["1950 München","8139","Nr. 20 "],["1948 Wien","8202"," "],["1927 Zürich, Kunsthaus","8209","Nr. 22 u. d. T. \"Mariae Heimsuchung\" "],["1966 Zürich","8225","Nr. 21 "],["2000/01 Mailand","8305","Farbtaf. S. 157"],["1958 Den Haag","8309","Nr. 18 "],["1959/60 Recklinghausen","8469","Nr. 342 mit Abb. "],["1998 Melbourne","8485","S. 46, Farbtaf. S. 47"],["2012 Köln","8520","Kat. 54, S. 410, 583, Farbtaf. S. 411"],["1912 Köln","8524","Nr. 358 "],["1958 Wien","8541","Nr. 25 "],["1913 Ausstellungshaus am Kurfürstendamm, Secession, Berlin","8547","Saal III A, Nr. 64 "],["1917 Stockholm","8618","Nr. 115 "],["1971 Mechelen","8625","Nr. 66 "],["1986 London","8643","Nr. 23 mit Farbabb. "],["1964 Florenz","8683","Nr. 309, Abb. S. 133 "],["2010/11 Riehen","8760","S. 264, Farbtaf. S. 164/165"],["1953 Luzern","8831","Nr. 190 "],["1982 New Delhi","8834","Nr. 62, Abb. S. 116 "],["1986 Zürich","8836","Nr. 23 mit Farbabb. "],["1932 Venedig, Biennale, Padiglione dell'Austria","8842","Nr. 21 "],["2012 Düsseldorf","8873","S. 404, Farbtaf. S. 273"],["1980/81 New York","8897","Nr. 277, Abb. S. 265 (engl. Katalog: Nr. 278, Abb. S. 265)"],["1958 München, Haus der Kunst","8914","Nr. 25 "],["1986 Museum of Modern Art, New York","8925","Nr. 21 mit Farbabb. "],["1955 Wien, Secession","8960","Nr. 10 "],["1918 Zürich","8961","Nr. 69 "],["1995 Madrid","8965","S. 76, 111, Nr. 18 mit Farbtaf."],["1948 Venedig","8991","Nr. 5 "],["1983 Bordeaux","9016","Nr. 3, Abb. S. 73, Farbabb. S. 51 "],["1991 Wien","9033","Nr. 18 mit Farbtaf. und Detail "],["2008 Linz","9042","SS. 68 mit Farbtaf."],["1970 Haus der Kunst, München","9063","Nr. 108 mit Abb. "],["1989 Sydney","9080","Nr. 26 mit Farbabb. "],["1922 Venedig","9087","Nr. 34 "],["1970 Paris","9106","Nr. 99 mit Abb."],["2018/2019 Zürich","21106","Nr. 20, Farbtaf. S. 92"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 13, Farbtaf. S. 83"]],[["Westheim 1925 a, Abb. 63 ","2027"],["Erling 1997, S. 59-60, Abb. 61","2046"],["Meyer 2013, S. 186, Farbabb. 56 S. 397","2165"],["Lawson/Wainwright 1998, S. 30 mit Farbabb.","2186"],["Calvocoressi 1992, Farbabb. 23 ","2193"],["Westheim 1917 a, S. 319 ","2244"],["Schvey 1982, S. 61, Abb. 29 ","2375"],["Elger 1988, S. 246, Farbabb. S. 243 ","2452"],["Hoffmann 1947, S. 101--102 ","2499"],["Bauer 2012, S. 63, Farbabb. 68","2541"],["Dortmund 1984, S. 108--109 mit Farbabb.","2648"],["Leshko 1977, S. 60-61, Abb. 27 ","2659"],["Westheim 1918 a, S. 53 u. d. T. \"Maria Heimsuchung\", Abb. 20 ","2738"],["Kokoschka 1971, S. 125 ","2894"],["Windisch 2013, S. 220, Abb. 105","3001"],["Becker/Lagler 1995, S. 118-119 mit Abb. 6","3092"],["Hodin 1968 a, S. 182 ","3213"],["Dortmund 1958, Nr. 92, Abb. 23","3271"],["Zink 1983, S. 75-81","3287"],["Henze 1963, Abb. S. 139 ","3302"],["Serati 2008, S. 266 mit Farbabb.","3304"],["Einstein 1926, Abb. S. 447 ","3305"],["Spielmann 2003 a, S. 112, Farbtaf. S. 134","3309"],["Werkner 2002, Abb. S. 34","3381"],["Pereña 2015, S. 98","3430"],["Gatt 1972, Farbtaf. 6/7 ","3468"],["Hodin 1966, S. 121 ","3490"],["Wingler 1956, S. 40 ","3708"],["Elger 2007, S. 246, Farbabb. S. 243","3791"],["Aigner/Bartsch 2001, S. 217, Farbtaf. S. 56","3965"],["Dube 1983, Farbabb. S. 70 ","4116"],["Kokoschka 1913, Abb. ","4130"],["Schroeder 2012, S. 237-238, Farbtaf. S. 273","13172"],["Dortmund 1995, S. 82–83, Farbabb.","21165"],["Paris 2022, Farbtaf. S. 83","43164"]],[["Religiöse Bilder"],["Figuren in Landschaft"],["Biblische Figuren"]]]},{"id":1422,"img":{"extraLarge":"AP_100042430_extraLarge.jpg","medium":"AP_100042430_medium.jpg"},"arr":["1911.12","Baron Viktor von Dirsztay","","[1911]","Öl/Lwd.","98.5 x 73 cm ","Bez. unten links: OK ","83, mit Daten des Portraits Richard Stein (1909/7)","56, Taf. 23","69","Sprengel Museum Hannover ","übernommen 1979","Sammlung Sprengel I/144",""],"mul":[[["von Dirsztay Viktor","Viktor von Dirsztay, Wien",""],["Galerie Ernst Arnold","Galerie Ernst Arnold, Dresden (4.1925)",""],["Kuhn Max","Max Kuhn, Leipzig",""],["Kuhn Luise","Luise Kuhn, Berlin (1947)",""],["Sprengel Bernhard","Bernhard Sprengel, Hannover (1949-1969)","1969 Schenkung an die Stadt Hannover"]],[["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 24 "],["1962 Tate Gallery, London","8075","Nr. 27 "],["1984 Wuppertal","8121","Nr. 139, Abb. S. 189 "],["1971 München","8125","Nr. 9 mit Abb. "],["1950 München","8139","Nr. 17 "],["1965 Hannover","8224","Nr. 144, Abb. S. 115 "],["1966 Zürich","8225","Nr. 20 "],["1933 Basel","8263","Nr. 108 "],["2001 London","8278","S. 289"],["1966 Karlsruhe","8284","Nr. 14 mit Abb. "],["1958 Den Haag","8309","Nr. 15 mit Abb. "],["1962/1963 Hamburg","8422","Nr. 12 mit Abb. "],["2002 Hamburg","8474","S. 156, 246, Farbtaf. S. 157 (nur in Hamburg ausgestellt)"],["1958 Wien","8541","Nr. 22, Abb. S. 19 "],["2008 Wien, Belvedere","8619","S. 206, 270, Farbtaf. 106 S. 211"],["1986 London","8643","Nr. 24 mit Farbabb. "],["1956 Wolfsburg","8749","Nr. 86 "],["1976/77 Darmstadt","8809","Bd. 3, Nr. 81, Farbabb. S. 89 "],["1971 Wien","8820","Nr. 20, Abb. 9 "],["1972 Venedig","8833","Nr. 122, Farbabb. S. 123 "],["1986 Zürich","8836","Nr. 25 mit Farbabb. "],["1957 Rom","8857","Nr. 144 mit Abb. "],["1958 München, Haus der Kunst","8914","Nr. 22, Abb. S. 19 "],["1954 Hannover","8916","Nr. 84 mit Abb. "],["1960 Braunschweig","8933","Nr. 1 mit Abb. "],["1968/69 Lausanne","8952","Nr. 65 mit Farbabb. "],["1955 Wien, Secession","8960","Nr. 7 mit Abb. "],["1913 Zürich","8966","Nr. 140 "],["1927 Cassirer, Berlin","8968","Nr. 24"],["1960 Kopenhagen","9011","Nr. 9 mit Abb. "],["1970 Haus der Kunst, München","9063","Nr. 107 mit Abb. "],["1967 Salzburg","9070","Nr. 46, Abb. 38 "],["1981 Hamburg","9082","Nr. 63, Abb. S. 79 "],["1957 Hannover","9092","Nr. 103, Abb. 8 "],["1970 Paris","9106","Nr. 107 mit Abb."]],[["Calvocoressi 1992, Farbtaf. 21 ","2193"],["Goldberg 2005, S. 78 mit Farbabb. 2","2345"],["Hannover 2007, S. 40-41 mit Farbtaf. ","2428"],["Händler 1956, Abb. 29 ","2767"],["Goldscheider 1963, S. 76 (Anm. 10), Farbtaf. 10 ","2855"],["Kokoschka 1971, S. 91--92 ","2894"],["Benesch 1951, ","3040"],["Timms 1990, S. 6--7, Abb. 2 ","3159"],["Spielmann 2003 a, S. 111--112 mit Abb.","3309"],["Stuttmann 1953, S. 108, Abb. S. 109","3351"],["Werkner 1986, Farbtaf. XII ","3369"],["Palkovsky 1958, Abb. 15 ","3411"],["Hannover 1985, Nr. 282, Farbabb. S. 373","3661"],["Kriesel 2010, S. 56, Farbtaf. S. [57] und Farbabb. S. [170]","3715"],["Dirsztay 1935","3746"],["Schweiger 1983, S. 229 mit Abb. ","3945"],["Hannover 1979, Nr. 412, Abb. S. 221","3961"],["Wingler/Welz 1975, S. 108--109 (zur Person Viktor von Dirsztay) ","4090"],["Hannover 2010, S. 56, Farbtaf. S. 55","23166"],["Hannover 2010, S. 223–224, Nr. 580 mit Abb.","23167"]],[["Männliches Bildnis"]]]},{"id":1067,"img":{"extraLarge":"AP_100042072_extraLarge.jpg","medium":"AP_100042072_medium.jpg"},"arr":["1911.13","Jacques de Menasce","\"Knabenbildnis Jacques de Menasse\" ","[1911]","Öl/Lwd.","95 x 47 cm ","Bez. oben rechts: OK ","","57, Taf. 22","70","Staatliche Museen Preußischer Kulturbesitz, Neue Nationalgalerie, Berlin","15.8.1935 aus Depotbeständen der Dresdner Bank Nr. 61, im März 1943 wegen der Luftangriffe im Tiefenkeller des neuen Reichsbankgebäudes Kurstr. 36/51 ausgelagert, 1944 in den Flakturm am Zoo gebracht, 1945 Übersiedlung in die Grube Kaiseroda bei Merkens, Treuhandverwaltung Kultusministerium Hessen, Wiesbaden, um 1957 Rückführung aus Wiesbaden ","NG 5023",""],"mul":[[["Menasce Baron Henri und Charlotte (Gerson) ","Baron Henri und Charlotte (Gerson) de Menasce, Wien",""],["Galerie Georg Caspari","Galerie Georg Caspari, München (um 1927)",""],["Dresdner Bank","Dresdner Bank, Filiale München (1932, durch Schuldverschreibung von Caspari. 15.8.1935 nach Kaufvertrag zwischen der Dresdner Bank und dem Land Preußen an die Nationalgalerie überwiesen, 1936 formell übereignet)",""]],[["1961 Berlin","8021","Nr. 4 "],["1921 Dresden","8064","Nr. 132 "],["1962 Tate Gallery, London","8075","Nr. 28 "],["1971 München","8125","Nr. 10 mit Abb. "],["1930 Pittsburgh","8132","Nr. 344 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 6 "],["1927 Zürich, Kunsthaus","8209","Nr. 25 "],["1966 Karlsruhe","8284","Nr. 15 mit Abb. "],["1958 Den Haag","8309","Nr. 16 "],["2003/04 Verona","8348","S. 235, Farbtaf. 50"],["2006/07 Rovereto","8360","Farbtaf. 56"],["1962/1963 Hamburg","8422","Nr. 13 mit Abb. "],["2013/14 Rotterdam","8478","Nr. 69 mit Farbtaf."],["2011 Neue Galerie, New York","8499","S. 280, Farbtaf. 70"],["2006 Klosterneuburg","8515","S. 467, Farbtaf. S. 165"],["1958 Wien","8541","Nr. 23, Abb. S. 15 "],["1986 London","8643","Nr. 25 mit Farbabb. "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 11, Nr. 9 u. d. T. \"Knabenbildnis\" "],["1984 Brüssel","8705","Nr. 103 mit Abb. "],["1959 Düsseldorf","8710","Nr. 87 "],["1951 Berlin","8741","Nr. 28 "],["1986 Zürich","8836","Nr. 26 mit Farbabb. "],["1958 München, Haus der Kunst","8914","Nr. 23, Abb. S. 15 "],["1960 Braunschweig","8933","Nr. 2 "],["1927 Cassirer, Berlin","8968","Nr. 15 "],["1960 Kopenhagen","9011","Nr. 10 "],["1929 Abels, Köln","9030","Nr. 10 "],["2006 Belvedere, Wien","9094","S. 227, Farbtaf. S. 162"]],[["Janda 1986, S. 37 und 48 ","2030"],["Calvocoressi 1992, Farbabb. 22 ","2193"],["Berlin 1979, S. 203, 359, Abb. 189","2196"],["Westheim 1917 a, S. 319 ","2244"],["Westheim 1918 a, S. 52 ","2738"],["Kokoschka 1971, S. 91 ","2894"],["Palkovsky 1958, Abb. 16 ","3411"],["Berlin 1968, S. 121, Abb. 79","4021"]],[["Kinder"]]]},{"id":1335,"img":{"extraLarge":"AP_100042342_extraLarge.jpg","medium":"AP_100042342_medium.jpg"},"arr":["1911.14","Dame in Rot","","[1911]","Öl/Lwd.","55 x 41 cm ","Bez. nahe der Mitte links: OK","","58 ","71","Milwaukee Art Museum, Collection of Mrs. Harry Lyndon Bradley ","30.12.1963, Schenkung Mrs. Harry Lynde Bradley","M 1963.136","Milwaukee Art Museum, Collection of Mrs. Harry Lynde Bradley "],"mul":[[["Krebs Otto","Otto Krebs, Rittergut Holzdorf bei Weimar",""],["Privatbesitz","Privatbesitz München",""],["Simon Hugo","Hugo Simon, Berlin/später Paris und Rio de Janeiro (um 1927)",""],["Galerie Fischer","Galerie Fischer, Luzern (26.8.1939, Nr. 1676a, nicht verkauft)",""],["Bernoulli Christoph","Christoph Bernoulli, Basel",""],["Wüster Nadine","Nadine Wüster, München (nach 1950)",""],["Stuttgarter Kunstkabinett","Stuttgarter Kunstkabinett, Stuttgart (3./4.5.1961, Nr. 259, Farbabb. S. 73)",""],["Bradley Mrs. Harry Lynde","Mrs. Harry Lynde Bradley, New Orleans (3./4.5.1961)",""]],[["1921 Dresden","8064","Nr. 77 "],["1950 München","8139","Nr. 19 "],["1917 Basel","8183","Nr. 54, Abb. auf Titelseite "],["1932 Kopenhagen","8207","Nr. 106 "],["1927 Zürich, Kunsthaus","8209","Nr. 27 "],["1933 Basel","8263","Nr. 107 "],["1958 Den Haag","8309","Nr. 17 "],["[1917 Dada, Zürich]","8331"," "],["1947 Basel, Kunsthalle","8376","Nr. 116 "],["1947 Zürich, Kunsthaus","8415","Nr. 8 "],["[1922 Caspari, München]","8440"," "],["1927 Kunsthaus Schaller, Stuttgart","8460","Nr. 1 "],["1958 Wien","8541","Nr. 24, Abb. S. 18 "],["1928 Nationalgalerie, Berlin","8558","Nr. 81 "],["1970 Madison","8759","Nr. 47 mit Abb. "],["1947 Amsterdam","8829","Nr. 8 "],["1958 München, Haus der Kunst","8914","Nr. 24, Abb. S. 18 "],["1975 New Orleans","8926","S. 36 mit Farbabb. "],["1959 Recklinghausen","8979","Nr. 168 mit Abb. "],["1948 Venedig","8991","Nr. 29 "]],[["Ketterer 1988, [Bd. 1], S. 392, Farbtaf. S. [393]","2092"],["The Art Quarterly 1964, S. 212, Abb. S. 219","3085"],["Galerie Fischer Luzern 1939 b, Nr. 1676a","3239"],["Milwaukee 1986, S. 128 mit Abb.","3679"],["Milwaukee 1975, S. 36 mit Farbabb.","3782"],["Schmalenbach F. 1947, S. 11 ","3824"],["Stuttgarter Kunstkabinett 1961, Nr. 259, Farbabb. S. 73 ","3859"],["Masciotta 1949, Taf. VII ","3880"]],[["Weibliches Bildnis"]]]},{"id":1084,"img":{"extraLarge":"AP_100042089_extraLarge.jpg","medium":"AP_100042089_medium.jpg"},"arr":["1911.15","Ritter, Tod und Engel II","Ritter, Tod und Engel I","[1911]","Öl/Lwd.","60 x 76 cm ","Bez. unten links: OK ","35","22 ","72","R2G Art Foundation, Prag"," ","",""],"mul":[[["Siller Joseph","Joseph Siller, Wien (1918)",""],["Spitzer Alfred","Alfred Spitzer, Wien",""],["Neue Galerie, Otto Kallir-Nirenstein, Wien","Neue Galerie, Otto Kallir-Nirenstein, Wien (7.1.1925 bis 1931)",""],["Thorsch Benno B.","Benno B. Thorsch, Dresden/später Kalifornien (23.2.1938)",""],["Thorsch Bernward","Bernward Thorsch, Kalifornien (1962)",""],["Privatbesitz","Privatbesitz",""],["Sotheby's","Sotheby's, London (22.6.2017, Nr. 362 u.d.T.: \"RITTER, TOD UND ENGEL II (KNIGHT, DEATH AND ANGEL II)\")",""]],[["[1921 Dresden]","8064","Nr. 129 "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 11 "],["1962 Tate Gallery, London","8075","Nr. 10 "],["[1930 Neue Galerie, Wien]","8092"," "],["1930 Prag","8153","Nr. 44"],["1927 Zürich, Kunsthaus","8209","Nr. 20 "],["1981 London, Marlborough","8496","Nr. 3 "],["1981 New York, Marlborough","8535","Nr. 3, Abb. S. 26 "],["1966 New York","8544","Nr. 5, Abb. S. 25 "],["1925 Zürich","8635","Nr. 224 "],["2018/2019 Zürich","21106","Nr. 24, Farbtaf. S. 94"]],[["Meyer 2013, S. 182, Farbabb. 55 S. 397","2165"],["Westheim 1917 a, S. 319 u. d. T. \"Ritter und Engel (zweite Fassung)\" ","2244"],["Hoffmann 1947, S. 101-102 ","2499"],["Westheim 1918 a, S. 53 u. d. T. \"Ritter, Tod und Engel (zweite Fassung)\" ","2738"],["Kokoschka 1971, S. 125 ","2894"],["Windisch 2013, S. 167, Abb. 39","3001"],["Benesch 1951","3040"],["Serati 2008, S. 264 mit Abb.","3304"],["Sotheby's London 2017 b","26164"]],[["Religiöse Bilder"]]]},{"id":1195,"img":{"extraLarge":"AP_100042201_extraLarge.jpg","medium":"AP_100042201_medium.jpg"},"arr":["1911.16","Flucht nach Ägypten","","1911","Öl/Lwd.","55 x 68 cm ","Bez. unten links: OK. Auf dem Keilrahmen von fremder Hand beschriftet: Oskar Kokoschka pinxit October 1911 ","49 u. 63","52, Taf. 28 ","73","Privatbesitz, Schweiz ","März 1953 ","",""],"mul":[[["Halle Fanina und Georg","Fanina und Georg Halle, Wien/später New York",""],["Neumann J. B.","J. B. Neumann, New York",""],["Fetscherin Hans","Hans Fetscherin, Salzburg (bis März 1953)",""]],[["1984 Vevey","8050","Nr. 4, Abb. S. 29 "],["1976 Villingen-Schwenningen","8054","Nr. 2, Farbabb S. 16 "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 14 u. d. T. \"Ruhe auf der Flucht\" "],["1962 Tate Gallery, London","8075","Nr. 25 "],["1974 Luzern","8167","Nr. 119 "],["1971 Bregenz","8185","Nr. 86 "],["1927 Zürich, Kunsthaus","8209","Nr. 21 u. d. T. \"Die heilige Familie auf der Flucht\" "],["1966 Zürich","8225","Nr. 18 "],["1958 Den Haag","8309","Nr. 14 "],["1912 Dresden","8322"," "],["1958 Wien","8541","Nr. 20, Abb. S. 16 "],["1956 Winterthur","8592","Nr. 60 "],["1976 Bregenz","8605","Nr. 5, Farbtaf. II "],["1986 London","8643","Nr. 26 mit Farbtaf. "],["1971 Wien","8820","Nr. 17, Abb. S. 16 "],["1986 Zürich","8836","Nr. 27 mit Farbtaf. "],["2005/06 Pfäffikon","8898","Farbtaf. 38 und 39"],["1958 München, Haus der Kunst","8914","Nr. 20, Abb. S. 16 "],["1955 Wien, Secession","8960","Nr. 11 "],["1960 Kopenhagen","9011","Nr. 7 mit Farbabb. "],["2018/2019 Zürich","21106","Nr. 22, Farbtaf. S. 95"]],[["Glück 1924, Abb. 4 S. [223] ","2010"],["Roşu 1976, Abb. S. 19 ","2148"],["Schmalenbach F. 1967, S. 19, Farbtaf. S. 45 ","2199"],["Westheim 1917 a, S. 319 u. d. T. \"Die hl. Familie auf der Flucht\" ","2244"],["Schvey 1982, S. 60--61, Abb. 27 ","2375"],["Weidinger/Strobl 2008, S. 266, Abb. V.368","2435"],["Stöbe 1997, S. 106, Abb. 101","2538"],["Leshko 1977, S. 58-59, Abb. 26 ","2659"],["Westheim 1918 a, S. 52 ","2738"],["Kokoschka 1971, S. 125 ","2894"],["Windisch 2013, S. 170, Abb. 46","3001"],["Benesch 1951","3040"],["Serati 2008, S. 264 mit Abb.","3304"],["Werkner 1986, S. 130, Abb. 58 ","3369"],["Bultmann 1959, S. 58, Farbtaf. 7 ","3434"],["Gatt 1972, Abb. 11 ","3468"],["Tietze 1920, Abb. S. 66 ","3896"],["Zauner/Köstler 1996, Farbabb. S. 176","3956"]],[["Religiöse Bilder"],["Biblische Figuren"]]]},{"id":1398,"img":{"extraLarge":"AP_100042405_extraLarge.jpg","medium":"AP_100042405_medium.jpg"},"arr":["1911.17","Kreuzigung","","[1911]","Öl/Lwd.","55 x 68 cm ","Bez. unten links: OK ","","53, Taf. 29 ","74","Musée Jenisch, Fondation Oskar Kokoschka, Vevey","2004","FOK 471","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Moll Carl","Carl Moll, Wien (1912)",""],["Fetscherin Hans","Hans Fetscherin, Salzburg",""],["Bechtler Hans C.","Hans C. Bechtler, Zürich (um 1956)","Dauerleihgabe Kunsthaus Zürich bis 2004"]],[["1984 Vevey","8050","Nr. 3, Farbabb. S. 31 "],["1962 Tate Gallery, London","8075","Nr. 26 "],["1971 Bregenz","8185","Nr. 87 "],["1927 Zürich, Kunsthaus","8209","Nr. 23 "],["1966 Zürich","8225","Nr. 19 "],["1958 Wien","8541","Nr. 21, Abb. S. 17 "],["1956 Winterthur","8592","Nr. 58 "],["1976 Bregenz","8605","Nr. 6 "],["1986 London","8643","Nr. 27 mit Farbabb. "],["1971 Wien","8820","Nr. 18, Abb. 15 "],["1986 Zürich","8836","Nr. 28 mit Farbabb. "],["2012 Düsseldorf","8873","S. 404, Farbabb. S. 272"],["1982 Zürich","8896","Nr. 98 mit Farbabb. "],["2005/06 Pfäffikon","8898","o. Farbtaf. (außer Kat.)"],["1958 München, Haus der Kunst","8914","Nr. 21, Abb. S. 17 "],["1960 Kopenhagen","9011","Nr. 8 "],["1991 Wien","9033","Nr. 17 mit Farbtaf. "],["2017 Davos","20106","Farbtaf. S. 120"]],[["Długosz 2014, S. 91, Farbabb. 17 S. 92","2033"],["Erling 1997, S. 57-58, Abb. 59","2046"],["Westheim 1917 a, S. 319 ","2244"],["Bauer 2012, S. 65, Farbabb. 73","2541"],["Borchert 1959, S. 6, Farbtaf. 2 ","2562"],["Dube 1980, Abb. S. 108 ","2718"],["Westheim 1918 a, S. 53 ","2738"],["Poindront 2005, S. 70 mit Farbabb.","2847"],["Goldscheider 1963, S. 75 (Anm. 9), Farbtaf. 9 ","2855"],["Kokoschka 1971, S. 125 ","2894"],["Windisch 2013, S. 220, Abb. 104","3001"],["Benesch 1951, ","3040"],["Spielmann 2003 a, S. 113 mit Abb.","3309"],["Scotti 2010, S. 190, Farbabb. 3","3503"],["Moll 1947, S. 48 ","3831"],["Dube 1983, Farbabb. S. 69 ","4116"]],[["Religiöse Bilder"],["Biblische Figuren"]]]},{"id":1299,"img":{"extraLarge":"AP_100042306_extraLarge.jpg","medium":"AP_100042306_medium.jpg"},"arr":["1911.18","Venezianische Szene","","[1911]","Öl/Lwd.","60 x 76 cm ","Bez. unten rechts: OK ","67","70 ","75","Museum Kunstpalast Düsseldorf"," 8.4.1953 ","O/1952.5016",""],"mul":[[["Moser Koloman","Koloman Moser, Wien",""],["Moll Carl","Carl Moll, Wien",""],["Fetscherin Hans","Hans Fetscherin, München",""],["Galerie Aenne Abels","Galerie Aenne Abels, Köln",""],["Kunstmuseum Düsseldorf","Kunstmuseum, Düsseldorf",""]],[["1962 Tate Gallery, London","8075","Nr. 35 "],["1971 Bregenz","8185","Nr. 88 mit Farbabb. "],["1958 Den Haag","8309","Nr. 22 "],["1958 Wien","8541","Nr. 30, Abb. S. 20 "],["1959 Düsseldorf","8710","Nr. 90 "],["1971 Wien","8820","Nr. 24 "],["1958 München, Haus der Kunst","8914","Nr. 30, Abb. S. 20 "],["1983 Bordeaux","9016","Nr. 4, Abb. S. 75 "],["1989 Sydney","9080","Nr. 27 mit Farbabb. "]],[["Westheim 1925 a, Abb. 64 ","2027"],["Westheim 1918 a, S. 52, Abb. 21 ","2738"],["Düsseldorf 1953, Nr. 32 mit Abb.","3476"],["Düsseldorf 1977, Nr. 306, Abb. 300","3762"]],[["Literarische Figuren"]]]},{"id":1477,"img":{"extraLarge":"AP_100042486_extraLarge.jpg","medium":"AP_100042486_medium.jpg"},"arr":["1911.19","Stillleben mit Katze, Hammel und Fisch","","[1911/12]","Öl/Lwd."," x ","Bez. oben rechts: OK ","","75 ","76","Im Zweiten Weltkrieg in Düsseldorf verbrannt "," ","",""],"mul":[[["Walden Herwarth","Herwarth Walden, Berlin (bis Anfang April 1912)",""],["Hauer Franz","Franz Hauer, Wien (4.1912)",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (30.6.1917)","über Carl Moll, Wien"],["Galerie Georg Caspari","Galerie Georg Caspari, München (26.11.1918)",""],["Suermondt Carl Friedrich Edwin","Carl Friedrich Edwin Suermondt, Aachen (1918)",""],["Suermondt-Vömel Martha","Martha Suermondt-Vömel, Düsseldorf (1927, im 2. Weltkrieg im Keller der Staatlichen Kunstakademie Düsseldorf ausgelagert, dort nach einem Bombenangriff verbrannt (frdl. Mitteilung von Alex Vömel, 5.10.1984))",""]],[["1927 Matthiesen, Berlin","8254","Nr. 21 "],["1913 Budapest, Künstlerhaus","8314","Nr. 96 "],["1912 Berlin, Galerie Der Sturm","8645","Nr. 54 "],["1931 Brüssel","8821","Nr. 118 "],["1927 Flechtheim, Berlin","9052","Nr. 103 "]],[["Schweiger 1986 a, S. 52-53 (Kartenbrief von O.K. an H. Walden vom 6. 3. 1912 und Postkarte vom 10. 4. 1912) ","2265"],["Natter 1997, S. 45, Abb. 47","2488"],["Leshko 1977, S. 320-322, Abb. 163 ","2659"],["Westheim 1918 a, S. 53 ","2738"],["Einstein 1926, Abb. S. 446 ","3305"],["Spielmann 2003 a, S. 140, Abb. S. 137","3309"],["Leshko 1980 a, S. 84--87 ","3688"]],[["Stillleben"]]]},{"id":1146,"img":{"extraLarge":"AP_100042152_extraLarge.jpg","medium":"AP_100042152_medium.jpg"},"arr":["1912.01","Heimsuchung","The Annunciation\nVerkündigung","1912","Öl/Lwd.","80 x 127 cm ","Bez. unten links: OK ","48","60, Taf. 31 ","77","Belvedere Wien ","1945 Legat Carl Moll ","4008","Belvedere, Wien"],"mul":[[["Galerie Miethke Moll Carl","Galerie Miethke, Wien (1912)",""],["Hauer Franz","Franz Hauer, Wien (bis 1914)",""],["Moll Carl","Carl Moll, Wien [1918]",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 20 "],["1961 Brüssel","8031","Nr. 106 "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 12 "],["1962 Tate Gallery, London","8075","Nr. 30, Abb. Nr. 13 "],["1996/97 Wien","8103","S. 54, Farbtaf. S. 55"],["1963 Akademie, Berlin","8109","Nr. 15 "],["1948 Wien","8202","ohne Nr. "],["1927 Zürich, Kunsthaus","8209","Nr. 24 u. d. T. \"Verkündigung\" "],["1948 Boston","8222","Nr. 15 mit Abb. "],["1966 Zürich","8225","Nr. 22 "],["1953/54 Sao Paulo","8265","Nr. 2 "],["1958 Den Haag","8309","Nr. 19 mit Abb. "],["1912 Dresden","8322"," "],["2001 Paris","8333","S. 201, Nr. 16 mit doppelseitiger Farbtaf. (Detail)"],["1947 Basel, Kunsthalle","8376","Nr. 117 u. d. T. \"Verkündigung\" "],["1947 Zürich, Kunsthaus","8415","Nr. 10 "],["1962/1963 Hamburg","8422","Nr. 15 mit Abb. "],["1959 Luxemburg","8439","Nr. 35 "],["2015/16 Wien","8486","S. 178, Farbtaf. 140"],["1954 Rio de Janeiro","8534","Nr. 2 mit Abb. "],["1958 Wien","8541","Nr. 26 "],["2004 Pöchlarn","8550","Farb. Umschlagabb. [Faltblatt]"],["1964 Secession, Wien","8590","Nr. 64 "],["1917 Stockholm","8618","Nr. 113 "],["2008 Wien, Belvedere","8619","S. 214, Farbtaf. 108 S. 215"],["1982 Mechelen","8647","Nr. 147 "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 12, Nr. 13 u. d. T. \"Weiblicher Akt\" "],["1959 Düsseldorf","8710","Nr. 88 "],["1916 Berlin, Berliner Secession","8736","Nr. 50 mit Abb. "],["1986 Paris","8762","Farbabb. S. 503 "],["1980 Österreichische Galerie, Wien","8804","Nr. 73 "],["1930 Künstlerhaus, Wien","8811","Nr. 38 u. d. T. \"Empfängnis\" "],["1971 Wien","8820","Nr. 21, Abb. 13 "],["1947 Amsterdam","8829","Nr. 10 "],["1958 München, Haus der Kunst","8914","Nr. 26, Abb. S. 21 "],["1986 Museum of Modern Art, New York","8925","(Nr. 70) "],["1928 Prag","8927","Nr. 171"],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 16 u. d. T. \"Verkündigung\" "],["[1913 Wien, Galerie Miethke]","8958"," "],["1955 Wien, Secession","8960","Nr. 45 "],["1918 Zürich","8961","Nr. 69 "],["1995 Madrid","8965","S. 78, 111, Nr. 19 mit Farbtaf."],["1924 Künstlerhaus, Wien","8983","Nr. 165 u. d. T. \"Kauernder Akt\" "],["1951 Linz","8989","Nr. 6 "],["1960 Kopenhagen","9011","Nr. 11 mit Abb. "],["2008 Linz","9042","S. 69 mit Farbtaf."],["2013/14 Berlin","9045","S. 374, Farbtaf. 113"],["1985 Künstlerhaus, Wien","9048","Nr. 15/6/6, Farbabb. S. 490 "],["1987 Wien","9066","S. 314, Farbtaf. S. 315 "],["1981 Hamburg","9082","Nr. 64, Abb. S. 80 "]],[["Westheim 1925 a, Abb. 15 ","2027"],["Schmalenbach F. 1967, Abb. S. 15 ","2199"],["Westheim 1917 a, S. 319 irrtümlich zweifach u. d. T. \"Verkündigung\" und \"Kauernde, weiblicher Akt\" genannt ","2244"],["Schvey 1982, S. 61, Abb. 28 ","2375"],["Weidinger/Strobl 2008, S. 256, Abb. V.351b","2435"],["Weidinger 1996, S. 9--10, Farbabb. S. 11","2485"],["Bauer 2012, S. 64, Farbabb. 70","2541"],["Leshko 1977, S. 60-61, Abb. 28 ","2659"],["Dube 1980, Abb. S. 108 ","2718"],["Westheim 1918 a, S. 53 ","2738"],["Strobl/Weidinger 1998, S. 10, Farbabb. 6","2803"],["Kokoschka 1971, S. 125 ","2894"],["Zaunschirm 1982, Abb. S. 197 ","2977"],["Windisch 2013, S. 153, Abb. 24","3001"],["Hodin 1968 a, S. 182 ","3213"],["Serati 2008, S. 266 mit Abb.","3304"],["Spielmann 2003 a, S. 140, Abb. S. 141","3309"],["Dube 1973, Abb. 143 ","3325"],["Pereña 2015, S. 98, 105, Abb. 22 S. 163","3430"],["Boeckl 2009, S. 20 mit Farbabb.","3442"],["Wien 1955, S. 82 ","3527"],["Wingler 1956, S. 40 ","3708"],["Schmalenbach F. 1947, S. 12 ","3824"],["Moll 1947, S. 48 ","3831"],["Tietze 1918, S. 87-88, Abb. S. 91 ","3833"],["Keegan 1999, S. 63","3854"],["Schweiger 1983, Farbtaf. S. 182 ","3945"],["Monnin 2005, Farbabb. S. 58","4073"],["Schroeder 2012, S. 238","13172"]],[["Figuren in Landschaft"],["Religiöse Bilder"]]]},{"id":1075,"img":{"extraLarge":"AP_100042080_extraLarge.jpg","medium":"AP_100042080_medium.jpg"},"arr":["1912.02","Selbstbildnis als 26jähriger","","[1912]","Öl/Lwd.","51 x 40 cm ","Bez. unten links: OK ","64","62, Taf. 32 ","78","Verbleib unbekannt"," ","",""],"mul":[[["Mahler Alma","Alma Mahler, Wien",""],["Moll Carl","Carl Moll, Wien",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (5.3.1927)",""],["Katzenellenbogen Estella","Estella Katzenellenbogen, Berlin (12.4.1927)",""]],[["1917 Zürich, Kunsthaus","8181","Nr. 35 (?) "],["1927 Zürich, Kunsthaus","8209","Nr. 13 "],["1927 Cassirer, Berlin","8968","Nr. 9 "],["1929 Abels, Köln","9030","Nr. 15 "],["[1923 Cassirer, Berlin]","9051"," "],["1924 Neue Galerie, Wien","9081"," "],["1922 Venedig","9087"," "]],[["Westheim 1917 a, S. 319 ","2244"],["Hoffmann 1947, Abb. XX ","2499"],["Vollert 1913, Abb. S. 246 ","2649"],["Leshko 1977, S. 187-188, Abb. 94 ","2659"],["Kokoschka Briefe 1 1984, S. 95, 125 (Juli 1913, VIII), Anm. S. 342, 344 ","2710"],["Westheim 1918 a, S. 52 ","2738"],["Vom jüngsten Tag 1917, Abb. Frontispiz ","2871"],["Hodurek 1976, S. 209-210, 304, Abb. 64","2884"],["Mahler-Werfel 1960, S. 61--62 ","3010"],["Sármány-Parsons 1992, S. 84, Abb. 52 S. 83 ","3164"],["Spielmann 2003 a, S. 143--144, Abb. S. 136","3309"],["Das bunte Buch 1914, Abb. gegenüber S. 72 ","3334"],["Palkovsky 1958, Abb. 17 ","3411"],["Tietze 1918, S. 87, Abb. S. 85 ","3833"],["Masciotta 1949, Taf. IX ","3880"],["Schweiger 1983, Abb. S. 243 ","3945"],["Kokoschka 1913, Abb. ","4130"]],[["Selbstbildnis"],["Männliches Bildnis"]]]},{"id":1088,"img":{"extraLarge":"AP_100042093_extraLarge.jpg","medium":"AP_100042093_medium.jpg"},"arr":["1912.03","Sposalizio","","1912","Öl/Lwd.","140.5 x 62.9 cm ","Bez. unten links: OK ","71","67 ","79","Allen Memorial Art Museum, Oberlin, OH ","Februar 1958, Nachlaß Lotte Franzos ","58.51","Allen Memorial Art Museum, Oberlin College, Ohio. Elisabeth Lotte Franzos Bequest"],"mul":[[["Franzos Lotte","Lotte Franzos, Wien/ab 1934 Washington D. C.",""]],[["1956 Chicago","8045","Nr. 6 "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 10 "],["1962 Tate Gallery, London","8075","Nr. 34 "],["1971 München","8125","Nr. 13 mit Abb. "],["1927 Zürich, Kunsthaus","8209","Nr. 28, Taf. VIII "],["1977 Bloomington","8213","Nr. 58 "],["1948 Boston","8222","Nr. 20, S. 23 mit Abb. "],["1966 Zürich","8225","Nr. 24 "],["1966 Karlsruhe","8284","Nr. 18 mit Abb. "],["1941 Chicago","8292","Nr. 2 "],["1958 Den Haag","8309","Nr. 21 "],["1927 Gemeentemuseum, Den Haag","8370","Nr. 65 mit Abb. "],["1941 New York","8466","Nr. 10 "],["1912 Köln","8524","Nr. 359 "],["1959 Dallas","8527","Abb. S. 16 "],["1958 Wien","8541","Nr. 28, Abb. S. 22 "],["1948 Minneapolis","8732","Nr. 24 "],["1971 Wien","8820","Nr. 23 "],["1981 St. Etienne, New York","8882","Nr. 31 "],["1958 München, Haus der Kunst","8914","Nr. 28, Abb. S. 22 "]],[["Oberlin 1967, S. 95--96, Abb. 123 S. [284]","2384"],["Oberlin 1958, S. 116-117 und 127 mit Abb.","2392"],["The Art Quarterly 1958 a, S. 227, Abb. S. 229","2430"],["Weidinger/Strobl 2008, S. 283, Abb.V.392/393","2435"],["Hoffmann 1947, S. 113, Abb. XVI ","2499"],["Leshko 1977, S. 177-178, Abb. 89 ","2659"],["Westheim 1918 a, S. 53 ","2738"],["Plaut 1948, S. 23 ","2891"],["Kallir 1981, S. 34--35, Abb. 31 ","2980"],["Eckel 1989, S. XIV","3090"],["Hodin 1968 a, S. 181 ","3213"],["Spielmann 2003 a, S. 143 mit Abb.","3309"],["Smola 2012, S. 179 mit Farbabb.","3844"],["Masciotta 1949, S. 29 ","3880"],["Kokoschka 1913, Abb. ","4130"]],[["Doppelbildnis"],["Männliches Bildnis"],["Weibliches Bildnis"]]]},{"id":1369,"img":{"extraLarge":"AP_100042376_extraLarge.jpg","medium":"AP_100042376_medium.jpg"},"arr":["1912.04","Doppelakt: Zwei Frauen","Two nudes; Pink version\nDoppelakt: Zwei Frauen (Skizze)","1912","Öl/Lwd.","146.5 x 82.5 cm ","Bez. im unteren Viertel links: OK. Auf der Rückseite beschriftet: Isabelle Meineritz III, [unleserlich] ... dorferg. 6","70","76","80","Davis Museum at Wellesley College, Wellesley MA ","1957, Schenkung Mr. and Mrs. John McAndrew","1957.58","Gift of Professor and Mrs. John McAndrew"],"mul":[[["Hauer Franz","Franz Hauer, Wien (um 1912)",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (30.6.1917)","über Carl Moll, Wien"],["Galerie Georg Caspari","Galerie Georg Caspari, München (3.8.1917)",""],["Kirchhoff Heinrich","Heinrich Kirchhoff, Wiesbaden (bis mind. 1918)",""],["Gurlitt Fritz","Fritz Gurlitt, Berlin (um 1927)",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (5.1.-2.1927)","in Kommission von Fritz Gurlitt, Berlin"],["Glaser Curt","Curt Glaser, Berlin",""],["Neue Galerie, Otto Kallir-Nirenstein, Wien/Galerie St. Etienne, Otto Kallir, New York","Neue Galerie, Otto Kallir-Nirenstein, Wien/Galerie St. Etienne, Otto Kallir, New York (1929-31 und 1939)",""],["Granville","Granville, New York",""],["Curt Valentin Gallery","Curt Valentin Gallery, New York (um 1954)",""],["McAndrew Mr. and Mrs. John","Mr. and Mrs. John McAndrew, Wellesley, Mass. (1955)",""]],[["1956 Chicago","8045","Nr. 7 "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 22 "],["1995 Frankfurt/Main","8110","Nr. 176, S. 312, Farbtaf. S. 313"],["1913 Budapest, Künstlerhaus","8314","Nr. 97 "],["1931/32 Hagenbund, Wien","8433","Nr. 66 "],["1941 New York","8466","vermutlich außer Katalog "],["1964 Middletown","8626"," "],["1986 London","8643","Nr. 28 mit Farbtaf. "],["1931 Neue Galerie, Wien","8702"," "],["1954 Santa Barbara","8806","Nr. 6"],["1986 Zürich","8836","Nr. 29 mit Farbtaf. "],["1929 Neue Galerie, Wien","8880","Nr. 15"],["1930 Wiesbaden","8969","Nr. 71 "],["1991 Wien","9033","Nr. 20 mit Farbtaf. "],["1923 Cassirer, Berlin","9051"," "],["1986/87 Guggenheim, New York","9072","Nr. 23 mit Farbtaf. "]],[["Westheim 1925 a, S. 43--46, Abb. 75 ","2027"],["Westheim 1917 a, S. 319 ","2244"],["Erling 2000 b, S. 257, Abb. 3","2399"],["Weidinger 1996, Farbtaf. S. [14]","2485"],["Natter 1997, S. 49, Abb. 52","2488"],["Hoffmann 1947, S. 113 ","2499"],["Bauer 2012, S. 64, Farbabb. 71","2541"],["Wellesley 1964, S. 71--72, Abb. S. [73]","2579"],["Kokoschka Briefe 1 1984, S. 55, Anm. S. 337 ","2710"],["Westheim 1918 a, S. 28--30 und 53, Abb. 25 ","2738"],["Spielmann 2003 a, S. 140 mit Abb.","3309"],["Keegan 1999, S. 64","3854"],["Schweiger 1983, S. 154 mit Abb. ","3945"],["The Art Quarterly 1958 b, S. 437, Abb. S. 439","18166"]],[["Akte"],["Figuren in Landschaft"]]]},{"id":1253,"img":{"extraLarge":"AP_100042259_extraLarge.jpg","medium":"AP_100042259_medium.jpg"},"arr":["1912.05","Franz Anton Leopold Alfred von Sommaruga","The Actor Sommaruga\nDer Schauspieler Sommaruga","[1912]","Öl/Lwd.","100 x 60 cm ","Bez. unten rechts: OK. Auf der Rückseite mit Blaustift (nachträglich) beschriftet: Gemalt/Jahr 1910 ","66","66 ","81","Osthaus-Museum Hagen ","1964, Stiftung des Nordwestdeutschen Rundfunks","K 2394",""],"mul":[[["von Sommaruga Franz Anton Leopold Alfred","Franz Anton Leopold Alfred von Sommaruga, Berlin",""],["Galerie Carl Nicolai","Galerie Carl Nicolai, Berlin",""],["Albrecht Erich","Erich Albrecht, New York (um 1947–1962)",""],["Kornfeld und Klipstein","Kornfeld und Klipstein, Bern (25./26.5.1962, Nr. 558, Taf. 115)",""],["Hahn Willy","Willy Hahn, Berlin",""],["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich (1964)",""],["Galerie Aenne Abels","Galerie Aenne Abels, Köln (1964)",""]],[["1931 Bad Homburg","8087","Nr. 43 mit Abb."],["1971 München","8125","Nr. 12 mit Abb. "],["1966 Karlsruhe","8284","Nr. 17 mit Abb. "],["2001 Bonn","8409","Nr. 50, S. 171, Farbabb. S. 101"],["2002 Hamburg","8474","S. 158, 246, Farbtaf. S. 159 (nur in New York ausgestellt)"],["1986 Stuttgart","8523","Farbtaf. S. 117 "],["1982 New Delhi","8834","Nr. 63, Farbabb. S. 117 "],["2012 Düsseldorf","8873","S. 405, Farbtaf. S. 277"],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 10 "],["1929 Abels, Köln","9030","Nr. 8 "],["1991 Wien","9033","Nr. 19 mit Farbtaf. "],["2008 Linz","9042","S. 66, Farbtaf. S. 67"]],[["Schweiger 1986 a, S. 54 (Kokoschka an Herwarth Walden, Jan. 1913) ","2265"],["Kornfeld & Klipstein 1962, Nr. 558, Taf. 115 ","2597"],["Müller 1978, Nr. 47 mit Farbtaf.","3189"],["Hagen 1974, Abb. S. 141 ","3212"],["Tietze 1918, S. 87 mit Abb. ","3833"],["Kokoschka 1913, Abb. ","4130"],["Hagen 2006, Nr. 36 mit Farbabb. ","21177"],["Hagen 2015","23164"]],[["Männliches Bildnis"]]]},{"id":1399,"img":{"extraLarge":"AP_100042406_extraLarge.jpg","medium":"AP_100042406_medium.jpg"},"arr":["1912.06","Alfred Adler","","[1912]","Öl/Lwd."," x ","Unbez. ","73 [die Angaben beziehen sich auf das Portrait \"Ludwig Adler\"(1913/8)","85 [die Angaben beziehen sich auf das Portrait \"Ludwig Adler\"(1913/8)","82","Nur durch Photo bekannt; zerstört"," ","",""],"mul":[[["Siller Joseph","Joseph Siller, Wien",""]],[],[["Westheim 1917 a, S. [320] u. d. T. \"Porträt eines Arztes\" ","2244"],["Westheim 1918 a, S. 53 ","2738"],["Schiferer 1995, Abb. S. 118","3506"]],[["Männliches Bildnis"]]]},{"id":1107,"img":{},"arr":["1912.07","Valentin Rosenfeld","","[1912]","Öl/Lwd."," x ","unbekannt","","","83","Verbleib unbekannt"," ","",""],"mul":[[["[Privatbesitz Wien]","[Privatbesitz Wien]",""]],[],[],[["Männliches Bildnis"]]]},{"id":1458,"img":{"extraLarge":"AP_100042467_extraLarge.jpg","medium":"AP_100042467_medium.jpg"},"arr":["1912.08","Sonia Dungyersky I (Skizze)","Girl seated\nSitzendes Mädchen (Skizze)","1912","Öl/Lwd.","91 x 67 cm ","Bez. unten rechts: OK ","77","73 ","84","Verbleib unbekannt"," ","",""],"mul":[[["Loos Adolf","Adolf Loos, Wien",""],["Neue Galerie, Otto Kallir-Nirenstein, Wien","Neue Galerie, Otto Kallir-Nirenstein, Wien (8.1.1925)",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (um 1931)",""],["Rathenau Ernest","Ernest Rathenau, Berlin","nach Mittlg. von Ernst Rathenau an den Künstler vom 4.10.1947 sei das Bild während des Krieges in einem Safe des Bankhauses Merk, Fink & Co. in Berlin ausgelagert gewesen und seitdem verschollen"]],[["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 25 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 17"],["1927 Cassirer, Berlin","8968","Nr. 16 mit Abb. "],["1929 Abels, Köln","9030","Nr. 7 "]],[["Westheim 1925 a, Abb. 39 ","2027"],["Neue Bücherschau 1926, Abb. S. 19","2240"],["Weidinger/Strobl 2008, S. 290","2435"],["Heilmaier 1929, Abb. 6 ","2885"]],[["Kinder"]]]},{"id":1046,"img":{"extraLarge":"AP_100042050_extraLarge.jpg","medium":"AP_100042050_medium.jpg"},"arr":["1912.09","Sonia Dungyersky II","","1912","Öl/Lwd.","94.6 x 72.5 cm ","Bez. oben links: OK ","","74 ","85","Kunsthalle Mannheim ","1951 ","1084",""],"mul":[[["Horner Andreas","Andreas Horner, Berlin (20.11.1925-17.2.1926)",""],["Kunsthandlung Victor Rheins","Otto Feindt Kunsthandlung Victor Rheins, Berlin",""],["Hahn Willy","Willy Hahn, Berlin/Bad Aussee/Grassau (1940/42-1951)",""]],[["1962 Tate Gallery, London","8075","Nr. 37, Abb. Nr. 11 "],["2014 Wolfsburg","8102","S. 165, 303, Farbtaf. S. 169"],["1971 München","8125","Nr. 15 mit Abb. "],["1966 Zürich","8225","Nr. 26 "],["1966 Karlsruhe","8284","Nr. 22 mit Abb. "],["1962/1963 Hamburg","8422","Nr. 19 mit Abb. "],["2002 Hamburg","8474","S. 160, 246, Farbtaf. S. 161 (nur in Hamburg ausgestellt)"],["2013/14 Rotterdam","8478","Nr. 70 mit Farbtaf."],["1971 Wien","8820","Nr. 25 "],["1951 Linz","8989","Nr. 8 "],["1960 Kopenhagen","9011","Nr. 15 "],["2018/2019 Zürich","21106","Nr. 25, Farbtaf. S. 76"]],[["Roşu 1976, Farbabb. S. 61 ","2148"],["Schmalenbach F. 1967, S. 22 ","2199"],["Weidinger/Strobl 2008, S. 290, Abb. V.406","2435"],["Nemitz 1948, Farbtaf. gegenüber S. 64 ","2540"],["Leshko 1977, S. 143-144, Abb. 67 ","2659"],["Mannheim 1977, S. 281","2737"],["Goldscheider 1963, S. 76 (Anm. 12), Farbtaf. 12 ","2855"],["Altenberg 1919, S. 141-142","3097"],["Mannheim 1953, Nr. 79 ","3502"],["Mannheim 1957, Nr. 92","16170"],["Mannheim 2013, S. 176, 461, Farbtaf. 104, S. 179 ","23185"]],[["Kinder"]]]},{"id":1148,"img":{"extraLarge":"AP_100042154_extraLarge.jpg","medium":"AP_100042154_medium.jpg"},"arr":["1912.1","Alpenlandschaft bei Mürren","","1912","Öl/Lwd.","70 x 95 cm ","Bez. unten links: OK ","74","79 ","87","Franz Marc Museum, Kochel am See","","","Privatbesitz"],"mul":[[["Hauer Franz","Franz Hauer, Wien",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (30.6.1917)","über Carl Moll, Wien"],["Galerie Georg Caspari","Galerie Georg Caspari, München (30.8.1917)",""],["Kirchhoff Heinrich","Heinrich Kirchhoff, Wiesbaden (1917 bis mind. 1918)",""],["Goldschmidt Fritz","Fritz Goldschmidt, Berlin (mind. 1921-23)","am 23.4.1923 als Leihgabe im Kunstsalon Paul Cassirer, Berlin"],["Wallerstein Victor","Victor Wallerstein, Berlin (bis mind. 1931)",""],["Lange Hermann","Hermann Lange, Krefeld",""]],[["1962 Tate Gallery, London","8075","Nr. 27 "],["1917 Zürich, Kunsthaus","8181","Nr. 36 "],["1927 Zürich, Kunsthaus","8209","Nr. 34 "],["1966 Zürich","8225","Nr. 27 "],["1921 Basel","8302","Nr. 37 "],["1913 Budapest, Künstlerhaus","8314","Nr. 98 "],["1946/47 Krefeld","8620","Nr. 87 "],["1986 London","8643","Nr. 29 mit Farbabb. "],["1916 Berlin, Berliner Secession","8736","Nr. 52 "],["1959 London","8797","Nr. 38, Abb. S. 71 "],["1986 Zürich","8836","Nr. 30 mit Farbabb. "],["1980/81 New York","8897","Nr. 280, Abb. S. 268 (engl. Original des Kataloges: Nr. 279, Abb. S. 257)"],["2005/06 Pfäffikon","8898","S. 57, Farbtaf. 43"],["1918 Zürich","8961","Nr. 70 "],["1923 Cassirer, Berlin","9051"," "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 14, Farbtaf. S. 80"]],[["Monsel 1995, S. 6, Farbabb. 11","2144"],["Calvocoressi 1992, Farbabb. 24 ","2193"],["Westheim 1917 a, S. 320 ","2244"],["Weidinger 1996, Farbabb. S. 19 (Detail)","2485"],["Westheim 1918 a, S. 53 u. d. T. \"Landschaft mit Kühen im Vordergrund. Mürren (Skizze)\" ","2738"],["Poindront 2005, S. 71, Farbabb. S. 72","2847"],["Mahler-Werfel 1960, S. 60 ","3010"],["Spielmann 2003 a, S. 141, Abb. S. 142","3309"],["Hannover 2010, S. 224, Nr. 581 mit Abb.","23167"],["München 2002, S. 192 mit Farbabb.","23187"],["Paris 2022, Farbtaf. S. 80","43164"]],[["Schweiz"]]]},{"id":1448,"img":{"extraLarge":"AP_100042457_extraLarge.jpg","medium":"AP_100042457_medium.jpg"},"arr":["1912.11","Alma Mahler","\"Portrait of a Woman\"\nBildnis Frau M. ","1912","Öl/Lwd.","62 x 56 cm ","Bez. unten links: OK","78","78","88","The National Museum of Modern Art, Tokyo","1987","",""],"mul":[[["Mahler Alma","Alma Mahler, Wien",""],["Museum Folkwang","Museum Folkwang, Hagen (1916 bis mind. 1920) (Geschenk von Alma Mahler) ",""],["Mahler-Werfel Alma","Alma Mahler-Werfel, Wien/später New York (zurück erbeten 1920 - mind. 1947)",""],["Adler Siegfried","Siegfried Adler, Hinterzarten/Schwarzwald (bis 1969)",""],["Roman Norbert Ketterer","Roman Norbert Ketterer (1969, Nr. 55, Farbabb. S. 98 )",""],["Simon Norton","Norton Simon, Los Angeles (1969)",""],["Sotheby Parke Bernet","Sotheby Parke Bernet, New York (2.-4.5.1973, Nr. 47 mit Farbtaf.)",""],["Marlborough Fine Art","Marlborough Fine Art, London (2./4.5.1973 -1987)",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 22 mit Abb. "],["1984 Vevey","8050","Nr. 5, Farbabb. S. 35 "],["[1926 New York]","8148","Nr. 330 "],["1920 Düsseldorf","8179","Nr. 718 "],["1989 Tokyo","8337","Nr. 160 mit Farbabb. "],["1947 Basel, Kunsthalle","8376","Nr. 118 "],["1992/93 Bielefeld","8407","Nr. 94, Farbtaf. S. 207 "],["1947 Zürich, Kunsthaus","8415","Nr. 11 "],["2002 Hamburg","8474","S. 162, 246, Farbtaf. S. 163"],["[1926 Philadelphia]","8489","Nr. 3 "],["1981 London, Marlborough","8496","Nr. 11 "],["1981 New York, Marlborough","8535","Nr. 11, Farbabb. S. 34 "],["1966 New York","8544","Nr. 13, Abb. S. 33 "],["1975 Madrid","8555","Nr. 1, Abb. 36, S. 39 "],["2000 Tokyo","8567","Nr. 10, S. [46], Farbtaf. S. 47"],["1987 Gent","8571","Nr. 9, Farbtaf. S. 82 "],["1986 London","8643","Nr. 30 mit Farbabb. "],["[1937 Wien, Österreichisches Museum für Kunst und Industrie]","8665","S. 11, Nr. 10 u. d. T. \"Damenbildnis\" "],["1986 Paris","8762","Farbabb. S. 513 "],["1918 Cassirer, Berlin","8777","Nr. 10 "],["1986 Zürich","8836","Nr. 31 mit Farbabb. "],["1978 Kamakura","8846","Nr. 1, Farbabb. 1 "],["1981/82 Rom","8934","Farbabb. S. 29 "],["1983 Bordeaux","9016","Nr. 7, Abb. S. 79, Farbabb. S. 52 "],["2005 Frankfurt/Main","9044","S. 155, 281, Farbabb. S. 155"],["1986/87 Guggenheim, New York","9072","Nr. 24 mit Farbtaf. "]],[["Westheim 1925 a, S. 42, Abb. 12 ","2027"],["Lévêque 2005, S. 189 mit Farbabb.","2028"],["Ketterer 1969, Nr. 55, Farbabb. S. 98 ","2088"],["Lowitzer-Hönig 2008, S. 32, 52, Abb. 109","2124"],["Monsel 1995, S. 5, Farbtaf, 13","2144"],["Calvocoressi 1992, Farbtaf. 26 ","2193"],["Westheim 1917 a, S. 319 u. d. T. \"Frauenbildnis\" ","2244"],["Apke 2005 a, S. 155 mit Farbabb.","2391"],["Weidinger/Strobl 2008, S. 292, Abb. V.407","2435"],["Spielmann 1969, Farbabb. 10","2453"],["Weidinger 1996, S. 18, Farbtaf. S. 21","2485"],["Hoffmann 1947, S. 116--117 ","2499"],["Hesse-Frielinghaus 1971, S. 200","2501"],["Nemitz 1948, Abb. S. 61 ","2540"],["Leshko 1977, S. 174-176, Abb. 87 ","2659"],["Dalbajewa 1999, S. 121","2681"],["Westheim 1918 a, S. 28 und 53, Abb. 28 ","2738"],["Poindront 2005, S. 71 mit Farbabb.","2847"],["Vom jüngsten Tag 1917, Abb. gegenüber S. 64 ","2871"],["Kokoschka 1971, S. 128--137 (über die Beziehung zu Alma Mahler) ","2894"],["Reinhold/Werkner 2013, S. [110]-111, Foto S. 111","2988"],["Windisch 2013, S. 244, Abb. 144","3001"],["Mahler-Werfel 1960, S. 60 ","3010"],["Hoffmann-Curtius 1987, S. 159--160 ","3108"],["Krapf-Weiler 2006, S. 59-61, Farbabb. 11","3137"],["Calvocoressi 1985, Farbtaf. S. 37 ","3171"],["Husslein-Arco/Weidinger 2008, S. 221, Farbabb. 120","3215"],["Spielmann 2003 a, S. 138--139, 158, Farbtaf. S. 183","3309"],["Spielmann 1985 a, S. 35, Farbabb. S. 33 ","3319"],["Platschek 1946, Abb. 10 ","3496"],["Benincasa 1981, S. XIX--XXI ","3554"],["Schmalenbach F. 1947, S. 12 ","3824"],["Mizue 1978, Farbtaf. S. 7","3934"],["Sotheby Parke Bernet New York 1973, Nr. 47 mit Farbtaf. ","3944"],["Schweiger 1983, Farbtaf. S. 180 ","3945"],["Shearman 2007, S. 8, Farbabb. 3","4103"],["Kokoschka 1913, Abb. ","4130"],["Kallir 2015, S. 66, Farbabb. S. 67","8163"],["Tokyo 2004, Kat. Nr. 1100 mit Abb. ","23212"]],[["Weibliches Bildnis"]]]},{"id":1297,"img":{"extraLarge":"AP_100042304_extraLarge.jpg","medium":"AP_100042304_medium.jpg"},"arr":["1912.12","Doppelbildnis Oskar Kokoschka und Alma Mahler","","1912/13","Öl/Lwd.","100 x 90 cm ","Bez. unten links: OK","76","71, Taf. 33","89","Essen, Museum Folkwang","August 1976, mit Unterstützung der Eugen-und-Agnes-von-Waldthausen-Platzhoff-Museums-Stiftung","416",""],"mul":[[["Caspari Georg","Georg Caspari, München ",""],["von Garvens-Garvensburg Herbert","Herbert von Garvens-Garvensburg, Hannover (1916)",""],["Staatliche Gemäldegalerie","Staatliche Gemäldegalerie, Dresden (1925)",""],["1937 beschlagnahmt","1937 beschlagnahmt",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin",""],["Böhmer Bernhard A.","Bernhard A. Böhmer, Güstrow (22.1.1940)","Kauf vom Deutschen Reich"],["Nachlass Bernhard A. Böhmer","Nachlass Bernhard A. Böhmer, Güstrow (1945-50)",""],["Horstmann Edgar","Edgar Horstmann, Hamburg (1950-76)",""]],[["1961 Berlin","8021","Nr. 5 "],["1921 Dresden","8064","Nr. 83 "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 26 "],["1962 Tate Gallery, London","8075","Nr. 36, Abb. Nr. 14 "],["2014 Wolfsburg","8102","S. 24, 131, 279, 302, Farbtaf. S. 133"],["1971 München","8125","Nr. 14 mit Abb. "],["1920 Kestner-Gesellschaft, Hannover","8187","Nr. 44 "],["1927 Zürich, Kunsthaus","8209","Nr. 38 "],["1966 Zürich","8225","Nr. 25, Abb. 5 "],["1966 Karlsruhe","8284","Nr. 20 mit Abb. "],["2013/14 Rotterdam","8478","S. 20, Nr. 56 mit Farbtaf."],["1913 Ausstellungshaus am Kurfürstendamm, Secession, Berlin","8547","Saal III A, Nr. 66 "],["2005/06 Paris","8637","S. 278, Farbtaf. S. 279 (in dt. Ausg.)"],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 11, Nr. 8 u. d. T. \"Sposalizio\" "],["1964 Florenz","8683","Nr. 310, Abb. S. 134 "],["1921 Hannover","8765","mit Abb. "],["1921 Hannover","8773"," "],["1918 Cassirer, Berlin","8777","Nr. 17 "],["1986 Zürich","8836","Nr. 32 mit Farbabb. "],["2012 Düsseldorf","8873","S. 405, Farbtaf. S. 276"],["1960 Kopenhagen","9011","Nr. 14 mit Abb. "],["1923 Cassirer, Berlin","9051"," "],["1970 Haus der Kunst, München","9063","Nr. 109, Farbtaf. Frontispiz "],["1922 Venedig","9087","Nr. 31 "],["2018/2019 Zürich","21106","Nr. 26, Farbtaf. S. 112-113"]],[["Westheim 1925 a, S. 42, Abb. 13 ","2027"],["Lévêque 2005, S. 197 mit Farbabb.","2028"],["Moll 1920, S. 158-160; Abb. gegenüber S. 154","2047"],["Monsel 1995, S. 5, Farbtaf. 12","2144"],["Meyer 2013, S. 163, Farbabb. 45 S. 393","2165"],["Calvocoressi 1992, Farbtaf. 25 ","2193"],["Schmalenbach F. 1967, S. 22, Farbtaf. S. 46 ","2199"],["Westheim 1917 a, S. 319 ","2244"],["Grohmann 1928, S. 166, Abb. S. 164","2295"],["Cheney 1937, Abb. S. 884 ","2300"],["Apke 2005 a, S. 149 mit Abb.","2391"],["Spielmann 1969, S. 21, Farbabb. 7 ","2453"],["Weidinger 1996, S. 28, Farbtaf. S. 29","2485"],["Hoffmann 1947, S. 115--116 ","2499"],["Hoffmann 2010, S. 120, 409 (II.190), Farbtaf. XXVII","2560"],["Göpfert 1987, S. 181 ","2573"],["Leshko 1977, S. 176, S. 178-181, Abb. 88 ","2659"],["Sultano 2005, S. 52 mit Abb. 2","2661"],["Küppers 1917, S. 264-266, Abb. S. 261","2673"],["Dalbajewa 1999, S. 150 Anm. 81","2681"],["Wessling 1983, Abb.-Teil S. [6] nach S. 128 ","2725"],["Westheim 1918 a, S. 28, Abb. 29 ","2738"],["Essen 1977, S. 278 mit Abb.","2784"],["Dovey 1982, S. 22--26 mit Abb.","2790"],["Kroh 1997, S. 241, Farbabb. 68","2835"],["Poindront 2005, S. 72, Farbtaf. S. 65","2847"],["Goldscheider 1963, S. 76 (Anm. 11), Farbtaf. 11 und I (Detail) ","2855"],["Roh 1962, S. 150 ","2860"],["Cheney 1958, Abb. S. 29 ","2866"],["Kokoschka 1919, Abb. S. 43 (Detail) ","2868"],["Piper 1916, S. 154, Abb. 128","2875"],["Hodurek 1976, S. 212-213, 304, Abb. 66","2884"],["Eschenburg 1996, S. 47, Farbabb. S. 57","2890"],["Kokoschka 1971, S. 136 ","2894"],["Windisch 2013, S. 194, Abb. 75","3001"],["Bowness 1972, Abb. 100 ","3041"],["Langui 1959, Farbtaf. S. 23 ","3153"],["Hodin 1968 a, S. 190 ","3213"],["Essen 1983, S. 184, Farbtaf. S. [93]","3224"],["Spielmann 2003 a, S. 143, Farbtaf. S. 185","3309"],["Spielmann 1985 a, S. 35-36, Farbabb. als Frontispiz und S. 34 ","3319"],["Ganymed 1920, S. 154","3347"],["Essen 1981, Nr. 416, Farbabb. Taf. IX","3370"],["Arz 1981, S. 22, Abb. S. [23] und Farbtaf. ","3409"],["Palkovsky 1958, Abb. 18 ","3411"],["Sauermann 1987, S. 30--31 ","3435"],["Die Kunst 1913, Abb. S. 464","3441"],["Gatt 1972, Abb. 43 ","3468"],["Whitford 1986, S. 136-137 ","3477"],["Hodin 1966, S. 126, Abb. 17 ","3490"],["Platschek 1946, Abb. 13 ","3496"],["Hoffmann 1967, Farbtaf. IV ","3588"],["Vergo 2015, S. 223, Farbabb. 179","3593"],["Bender 1913, S. 299, Abb. S. 291 ","3680"],["Wingler 1956, S. 40 ","3708"],["Kuchler Poulsen 2010, S. 104-108, Abb. S. 106","3780"],["Masciotta 1949, S. 29--30 ","3880"],["Hofmann 1967, Farbabb. S. 58 ","3918"],["Dresden 1930, Nr. 2594A mit Abb.","4011"],["Natter 2003, Farbabb. S. 287","4056"],["Essen 1976, S. 7, Abb. S. 6","4065"],["Monnin 2005, S. 60, Farbtaf. S. 61","4073"],["Shearman 2007, S. 8, Farbabb. 6","4103"],["Kokoschka 1913, Abb. ","4130"],["Essen 2015, S. 150–151, Farbabb, S. 151","21171"],["Essen 1994, S. 95, Farbabb.","21172"],["Essen 2002, S. 150–151 mit Farbabb.","21173"]],[["Doppelbildnis"],["Selbstbildnis"],["Weibliches Bildnis"]]]},{"id":1381,"img":{"extraLarge":"AP_100042388_extraLarge.jpg","medium":"AP_100042388_medium.jpg"},"arr":["1913.01","Selbstbildnis (Hand auf der Brust)","","[1913]","Öl/Lwd.","79.1 x 49.5 cm ","Bez. unten rechts: OK ","80","72 ","90","The Museum of Modern Art, New York ","5.4.1940 ","26.40",""],"mul":[[["Fischer Rosy und Ludwig","Rosy und Ludwig Fischer, Frankfurt a. M. (vor 1917-12.1924)",""],["Städtisches Museum für Kunst und Gewerbe","Städtisches Museum für Kunst und Gewerbe, Halle (12.1924)",""],["1937 beschlagnahmt","1937 beschlagnahmt, in Kommission von Karl Buchholz, Berlin",""],["Buchholz Gallery Curt Valentin","Buchholz Gallery Curt Valentin, New York (3.1939)",""]],[["1956 Chicago","8045"," "],["1921 Dresden","8064","Nr. 80 mit Abb. "],["2014 Wolfsburg","8102","S. 305, Farbtaf. S. 283"],["1942 Saint Louis","8134","Nr. 7 "],["1985/86 New York","8137","Nr. 6, Farbabb. S. 17 "],["1946 Baltimore","8212","Nr. 24 "],["1948 Boston","8222","Nr. 21, Farbtaf. als Frontispiz und Umschlagabb. "],["1941 Detroit","8240"," "],["2001 London","8278","S. 290"],["1957 Institute of Contemporary Art, Boston","8282"," "],["1966 Karlsruhe","8284","Nr. 21 mit Abb. "],["1958 Den Haag","8309","Nr. 23 mit Abb. "],["1984/85 New York","8441","Nr. 18 "],["1955 Vassar College, New York","8459"," "],["1941 New York","8466","Nr. 11 mit Abb. "],["2002 Hamburg","8474","S. 164, 247, Farbtaf. S. 165"],["2013/14 Rotterdam","8478","Nr. 55 mit Farbtaf."],["1958 Wien","8541","Nr. 31, Abb. S. 24 "],["1913 Ausstellungshaus am Kurfürstendamm, Secession, Berlin","8547","Saal III A, Nr. 63 "],["1941 Williamstown, Mass.","8560"," "],["1990 Frankfurt/Main","8579","Nr. 233, S. 164, Farbtaf. 16"],["1940 Buchholz, New York","8584","Nr. 13 "],["1960 Museum of Modern Art, New York","8621"," "],["1964 Middletown","8626"," "],["2005/06 Paris","8637","S. 282, Farbtaf. S. 283 (in dt. Ausg.)"],["1985 Lausanne","8696","Nr. 633 d, Abb. S. 368 "],["1970 Museum of Modern Art, New York","8699"," "],["1986 Tokyo","8703","Nr. 106 mit Farbtaf. "],["1948 Minneapolis","8732","Nr. 25 "],["1918 Cassirer, Berlin","8777","Nr. 15 "],["1942 Demotte, New York","8837","Abb. S. 62 "],["1958 München, Haus der Kunst","8914","Nr. 31, Abb. S. 24 "],["1986 Museum of Modern Art, New York","8925","(Nr. 73) "],["1979 Houston","9019"," "],["1924 Neue Staatsgalerie, München","9032","Nr. 114 "],["1986/87 Guggenheim, New York","9072","Nr. 25 mit Farbtaf. "],["1935 Nürnberg","9103",""]],[["Westheim 1925 a, Abb. 69 ","2027"],["Lévêque 2005, S. 204, Farbtaf. S. 205","2028"],["Kaiser 1913, S. 144","2111"],["Boudaille 1981, Abb. S. 146 ","2119"],["Meyer 2013, S. 215, Farbabb. 70 S. 402","2165"],["Calvocoressi 1992, Farbtaf. 27 ","2193"],["Myers 1957, S. 63, Abb. 102 ","2233"],["Tiedemann 2013, Abb. S. 149, S. 228","2249"],["Sauerlandt 1948, Abb. 50 ","2323"],["Kallir 1984, Farbtaf. 9 ","2350"],["Biermann 1929, Abb. 7 ","2394"],["Miskin 1958, S. 29, Abb. S. 28 ","2411"],["Weidinger 1996, S. 28 mit Farbabb.","2485"],["Hoffmann 1947, S. 114--115, Abb. XXI ","2499"],["Hodin 1971, S. 183--187, Abb. S. [185] ","2585"],["Holz 2012, Abb. 3","2650"],["Leshko 1977, S. 191-193, Abb. 100 ","2659"],["Grohmann 1925 b, S. 983","2705"],["Westheim 1918 a, S. 53, Abb. 31 ","2738"],["Smith 1986, Abb. 12 nach S. 112 ","2773"],["Poindront 2005, Farbabb. S. 71","2847"],["Goldscheider 1963, S. 76 (Anm. 13), Farbtaf. 13 ","2855"],["Kokoschka 1919, Abb. S. 40 ","2868"],["Hodurek 1976, S. 223, 306, Abb. 75","2884"],["Plaut 1948, S. 23 ","2891"],["Werner 1959, Abb. S. 44 ","2925"],["Crepaldi 2005, S. 33 mit Farbabb. [Abb. stimmt mit Bildangaben nicht überein]","2937"],["Mahler-Werfel 1960, Abb. nach S. 64 ","3010"],["New York 1942, Nr. 325","3028"],["Romanus 1985, S. 37, Abb. S. 38 ","3042"],["New York 1984 b, Nr. 59 mit Abb.","3089"],["Cernuschi 2011, S. 198, Abb. 1 S. 216","3154"],["Hodin 1968 a, S. 318 ","3213"],["Sármány-Parsons 1991, Nr. 37 mit Farbtaf. ","3233"],["Petropoulos 2014, S. 295-296, Abb. 10","3237"],["Barr 1945, S. 212-213 mit Abb.","3254"],["Spielmann 2003 a, S. 146, Abb. S. 143","3309"],["Keller 1968, S. 479, Farbtaf. S. [478]","3387"],["Gatt 1972, S. 22 ","3468"],["Platschek 1946, Abb. 11 ","3496"],["Selz 1981, Farbabb. 302","3621"],["Sauerlandt 1971, S. 17, Abb. 4 ","3750"],["Hoffmann 1964, S. 7, Abb. S. 4 ","3973"],["Natter 2003, S. 291, Anm. 80, Farbabb. S. 290","4056"],["Shearman 2007, Farbabb. 18","4103"],["Hüneke 1990","7163"],["New York 1948, Nr. 382, Abb. S. 81","20195"],["New York 1993, S. 92, Farbtaf. S. 93","23192"]],[["Selbstbildnis"],["Männliches Bildnis"]]]},{"id":1268,"img":{"extraLarge":"AP_100042274_extraLarge.jpg","medium":"AP_100042274_medium.jpg"},"arr":["1913.02","Doppelakt: Liebespaar","","[1913]","Öl/Lwd.","163 x 97.5 cm ","Bez. unten Mitte: OK ","69","77 ","91","Museum of Fine Arts, Boston ","11.4.1973, Vermächtnis von Sarah Reed Platt ","1973.196","Bequest of Sarah Reed Platt"],"mul":[[["Hauer Franz","Franz Hauer, Wien (bis 1914)",""],["Reichel Oskar","Oskar Reichel, Wien",""],["Reichel Hans","Hans Reichel, Wien",""],["Galerie St. Etienne, Otto Kallir, Paris und New York","Galerie St. Etienne, Otto Kallir, Paris und New York (1.2.1939)",""],["Nierendorf Gallery","Nierendorf Gallery, New York (1945)",""],[" Elkan & Abris Silberman Galleries","Elkan & Abris Silberman Galleries, New York (1945)",""],["Reed Platt Sarah","Sarah Reed Platt, Portland, OR/späterSanta Barbara, CA (1947/48)",""]],[["1999/2000 New York, Galerie St. Etienne","8085","Farbtaf. 37"],["1978 Tokyo","8130"," "],["1943 Galerie St. Etienne, New York","8196"," "],["1948 Boston","8222","Nr. 19 mit Abb. "],["1941 Chicago","8292","Nr. 21 "],["1965 Portland","8359","Nr. 42 "],["2002 Hamburg","8474","S. 166, 247, Farbtaf. S. 167"],["2015/16 Wien","8486","Farbtaf. (Detail) S. [18]"],["[1924 Goltz, München]","8599"," "],["1986 London","8643","Nr. 31 mit Farbtaf. "],["1977 Birmingham, AL","8657"," "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 12, Nr. 12 "],["1940 Galerie St. Etienne, New York","8726","Nr. 8 "],["1975/76 New Orleans","8801","Nr. 49, Abb. S. 65 "],["1981 St. Etienne, New York","8882","Nr. 32 "],["1941 Kalamazoo","8962"," "],["1939 Paris","8964"," "],["1933 Wien","9009"," "],["1983 Bordeaux","9016","Nr. 8, Abb. S. 80 "],["1991 Wien","9033","Nr. 21 mit Farbtaf. und Detail "],["1986/87 Guggenheim, New York","9072","Nr. 26 mit Farbtaf. "],["1924 Neue Galerie, Wien","9081","u. d. T. \"Tanzpaar\" "]],[["Lévêque 2005, S. 197, Farbtaf. S. 196","2028"],["Calvocoressi 1992, Farbtaf. 28 ","2193"],["Moeller 2005, S. 150, Farbtaf. S. [154]","2215"],["Westheim 1917 a, S. 319 u. d. T. \"Skizze (Doppelakt)\" ","2244"],["Cernuschi 1999, S. 367-369, Farbabb. 7","2332"],["Miskin 1958, S. 29 ","2411"],["Schultze-Naumburg 1932, Abb. S. 13 [in Gegenüberstellung mit dem \"Bamberger Reiter\"] ","2420"],["Weidinger/Strobl 2008, S. 328, Abb. V.467a","2435"],["Weidinger 1996, Farb. Umschlagabb., S. 24, Farbtaf. S. 6","2485"],["Boston 1985, S. 157 mit Abb.","2652"],["Leshko 1977, S. 264, Abb. 139 ","2659"],["Westheim 1918 a, S. 53 ","2738"],["Strobl/Weidinger 1998, S. 10, Farbabb. 7","2803"],["Gombrich 1986, Abb. S. 24 ","2916"],["Roessler 1918 b, Abb. S. 103 ","2945"],["Kallir 1981, S. 34--35, Farbtaf. 25 ","2980"],["Giese 1975, S. 41--42, Abb. S. [40]","3061"],["Husslein-Arco/Weidinger 2008, S. 222, Farbabb. 122","3215"],["Boston 1986, S. 134 mit Farbabb.","3301"],["Einstein 1926, Abb. S. 448 ","3305"],["Vogelsberger 2006, S. 31, Farbabb. 22","3306"],["Spielmann 2003 a, S. 143, Farbtaf. S. 189","3309"],["Spielmann 1985 a, S. 37, Farbabb. S. [45] ","3319"],["Lillie 2003, S. 941 mit Abb.","3666"],["Moeller 2000, S. 120, Farbtaf. S. [123]","3873"],["Natter 2003, S. 254, Farbtaf. S. [269]","4056"],["Monnin 2005, S. 58, Farbtaf. S. 59","4073"],["Shearman 2007, S. 8, Farbabb. 5","4103"],["Boston 1973, S. 22, Abb. S. 23","4106"],["Schroeder 2012, S. 238","13172"]],[["Doppelbildnis"],["Selbstbildnis"],["Weibliches Bildnis"],["Akte"],["Figuren in Landschaft"]]]},{"id":1219,"img":{"extraLarge":"AP_100042225_extraLarge.jpg","medium":"AP_100042225_medium.jpg"},"arr":["1913.03","Neapel bei Sturm","","1913","Öl/Lwd."," x ","Bez. unten links: OK ","79","80 ","92","Beim Brand des Glaspalastes in München 1931 zerstört "," ","",""],"mul":[[["Hauer Franz","Franz Hauer, Wien",""],["Falk Adele und Henri","Adele und Henri Falk, Mannheim",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (1918)",""],["Moll Fritz","Fritz Moll, Brieg (30.4.1918)",""],["Schlesisches Museum der Bildenden Künste","Schlesisches Museum der Bildenden Künste, Breslau",""],["1931 beim Brand des Glaspalastes in München zerstört","1931 beim Brand des Glaspalastes in München zerstört",""]],[["1931 Glaspalast, München","8624","Nr. 2152 a "],["1916 Berlin, Berliner Secession","8736","Nr. 51 u. d. T. \"Landschaft aus Italien\" "],["1918 Cassirer, Berlin","8777","Nr. 12 "]],[["Westheim 1925 a, Abb. 18 ","2027"],["Westheim 1917 a, S. 319 ","2244"],["Weidinger/Strobl 2008, S. 346, Abb. V.508","2435"],["Weidinger 1996, S. 32 mit Abb.","2485"],["Hoffmann 1947, S. 117 ","2499"],["Leshko 1977, S. 220-221, Abb. 113 ","2659"],["Westheim 1918 a, S. 53, Abb. 15 ","2738"],["Kokoschka 1971, S. 130 ","2894"],["Mannheim 1994, Nr. 139, S. 168, Farbabb. S. 117","3152"],["Einstein 1926, Abb. S. 445 ","3305"],["Spielmann 2003 a, Abb. S. 149","3309"],["Spielmann 1985 a, S. 51 und 57 ","3319"],["Platschek 1946, Abb. 17 ","3496"],["Scheffler 1919, Abb. S. 124 ","3534"],["Tietze 1918, Abb. S. [90] ","3833"],["Westheim 1918 b, S. 240, Abb. S. 249 ","3846"],["Mannheim 1994, Nr. 139, S. 168, Abb. S. 117","23190"],["Rieger 2018, S. 186-187","41166"]],[["Italien"],["Neapel"]]]},{"id":1035,"img":{"extraLarge":"AP_100042039_extraLarge.jpg","medium":"AP_100042039_medium.jpg"},"arr":["1913.04","Dolomitenlandschaft Tre Croci","","1913","Öl/Lwd.","79.5 x 120.3 cm ","Bez. unten links: OK ","90","81, Farbtaf. VI ","93","Leopold Museum, Wien ","1994","","Leopold Museum, Wien, Inv. 624"],"mul":[[["Prager Ludwig","Ludwig Prager, München",""],["Neue Staatsgalerie","Neue Staatsgalerie, München (1918)",""],["1937 beschlagnahmt","1937 beschlagnahmt",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin (1937-1941)",""],["Böhmer Bernhard A.","Bernhard A. Böhmer, Güstrow (8./9.1940 im Tauschverfahren erworben)",""],["Horstmann Edgar","Edgar Horstmann, Hamburg",""],["Leopold Rudolf","Rudolf Leopold, Wien",""]],[["1988/89 Berlin, Berlinische Galerie","8003","S. 311 (Raumphoto der Ausstellung \"Entartete Kunst\", München 1937)"],["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 31 "],["1921 Dresden","8064","Nr. 82 "],["1962 Tate Gallery, London","8075","Nr. 39 "],["1937 Hofgarten-Arkaden, München","8108","Raum 6 "],["1950 München","8139","Nr. 27, Abb. S. 15 "],["1927 Zürich, Kunsthaus","8209","Nr. 33, Taf. XVII "],["1949 Amsterdam","8218","Nr. 62 "],["1966 Zürich","8225","Nr. 28, Abb. 6 "],["1990 Innsbruck","8252","Nr. 84, Farbabb. S. 59, Farbabb. Katalogumschlag (Detail) "],["1921 Basel","8302","Nr. 38 "],["1925 Cassirer, Berlin","8326","Nr. 2 "],["1988/89 Zürich","8363","Nr. 117 mit Farbtaf. "],["1966 New York","8544","Nr. 14, Abb. S. 34 "],["1992 Altes Museum, Berlin","8573","S. 287, Farbabb. 283 (nicht ausgestellt)"],["2013/14 Wien","8589","S. [100], 338, Farbtaf. S. 107"],["1976 Bregenz","8605","Nr. 7 "],["1964 Florenz","8683","Nr. 311, Abb. S. 135 "],["1986 Tokyo","8703","Nr. 107 mit Farbabb. "],["1918 Cassirer, Berlin","8777","Nr. 11 "],["1956 London","8785","Nr. 99 mit Abb. "],["1957 Rom","8857","Nr. 145 "],["1958 München, Haus der Kunst","8914","Nr. 32, Farbabb. S. 27 "],["1981/82 Rom","8934","Farbabb. S. 27 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 19 "],["1955 Wien, Secession","8960","Nr. 13 "],["1960 Kopenhagen","9011","Nr. 16 mit Abb. "],["1924 Neue Staatsgalerie, München","9032","Nr. 113 "],["1991 Wien","9033","außer Katalog "],["1985 Künstlerhaus, Wien","9048","Nr. 15/6/7, Farbabb. S. 505 "],["1970 Haus der Kunst, München","9063","Nr. 110 mit Abb. "],["2018/2019 Zürich","21106","Nr. 28, Farbtaf. S. 106-107"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 15, Farbtaf. S. 81"]],[["Novotny 1971, S. 27 ","2024"],["Westheim 1925 a, S. 47, Abb. 10 ","2027"],["Bisanz 2005, Farbabb. S. 144","2094"],["Roşu 1976, Abb. S. 22 ","2148"],["Schmalenbach F. 1967, S. 23, Farbabb. S. 47 ","2199"],["Westheim 1917 a, S. 319 ","2244"],["München 1922, Abb. S. 223","2289"],["Wien 2008, S. 33 mit Farbabb.","2314"],["Wingler 1951 a, Mappe I, S. [5-6], Farbtaf. 4 ","2406"],["Wingler 1957, S. 106, Farbabb. S. 107 ","2423"],["Weidinger/Strobl 2008, S. 382, Abb. V.573","2435"],["Elger 1988, Farbabb. S. 244 ","2452"],["Spielmann 1969, S. 22, Farbabb. 13","2453"],["Leopold 2003, S. 291, Farbtaf. S. [178]","2482"],["Weidinger 1996, S. 55, Farbabb. S. 57","2485"],["Wagner 1970, Abb.","2493"],["Hoffmann 1947, S. 117--118 ","2499"],["Knöller 1936, S. 645-647, Abb. nach S. 672","2509"],["Hoffmann 2010, S. 121, 409 (II.191)","2560"],["Leshko 1977, S. 62, Abb. 29 ","2659"],["Dalbajewa 1999, S. 121","2681"],["Westheim 1918 a, S. 30 und 53, Abb. 26 ","2738"],["Händler 1956, Abb. 31 ","2767"],["Leopold 2009, S. 152, 175, Farbabb. S. 176","2777"],["Goldscheider 1963, S. 76 (Anm. 14), Farbtaf. 14 und 15 (Detail) ","2855"],["Heilmaier 1929, S. 11, Abb. 7 ","2885"],["Kokoschka 1971, S. 130 ","2894"],["Crisanti 2003, S. 26, 55, Farbabb. 5","2953"],["Windisch 2013, S. 248, Abb. 152","3001"],["Mahler-Werfel 1960, S. 63 ","3010"],["Westheim 1952, S. [4--5], Farbtaf. I ","3173"],["Worringer 1919, Abb. S. [227] ","3250"],["Mackowitz 1964, Abb. S. [397]","3286"],["Spielmann 2003 a, S. 152, Farbtaf. S. 188","3309"],["Spielmann 1985 a, S. 70, Farbabb. S. [68-69] ","3319"],["Dube 1973, Abb. 144 ","3325"],["Palkovsky 1958, Farbabb. gegenüber S. 16 u. Abb. 20 ","3411"],["Moser 1993, S. 206, Abb. 185 ","3418"],["Bultmann 1959, S. 30 und 60, Farbtaf. 8 ","3434"],["München 1925, Nr. 8985, Abb.","3542"],["Wild 1950, S. 162 ","3761"],["Strobel 1971, S. 15 mit Abb. ","3775"],["Elger 2007, Farbabb. S. 244","3791"],["Tietze 1918, Abb. S. 90 ","3833"],["Neumeyer 1945, Abb. S. 262 ","3895"],["Hofmann 1967, Farbabb. S. 61 ","3918"],["Vogt 1972, S. 194, Abb. 111 ","4019"],["Wingler 1951 b, S. 176 ","4123"],["Wien 2001, Kat. Nr. 148 mit Farbtaf.","23217"],["Paris 2022, Farbtaf. S. 81","43164"]],[["Italien"]]]},{"id":1138,"img":{"extraLarge":"AP_100042144_extraLarge.jpg","medium":"AP_100042144_medium.jpg"},"arr":["1913.05","Mädchenbildnis","","[1913]","Öl/Lwd.","67.7 x 54 cm ","Bez. im unteren Viertel links: OK ","","82 ","94","Museum der Moderne Salzburg","Juni 1975 ","1307","Museum der Moderne Salzburg"],"mul":[[["Benesch Heinrich","Heinrich Benesch, Wien",""],["Museum Behnhaus","Museum Behnhaus, Lübeck (1930)",""],["1937 beschlagnahmt","1937 beschlagnahmt",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin",""],["Böhmer Bernhard A.","Bernhard A. Böhmer, Güstrow",""],["Bauer Walter","Walter Bauer, Fulda (22.1.1940 - mind. 1958)",""],["Stuttgarter Kunstkabinett","Stuttgarter Kunstkabinett, Stuttgart (29./30.5.1959, Nr. 439, Farbtaf. 1)",""],["Horstmann Edgar","Edgar Horstmann, Hamburg (1959)",""],["Kornfeld und Klipstein","Kornfeld und Klipstein, Bern (11.-13.6.1975, Nr. 529 mit Farbabb. als Frontispiz)",""],["Galerie Welz","Galerie Welz, Salzburg (1975)",""]],[["2014 Wolfsburg","8102","S. 165, 303, Farbtaf. S. 171"],["1971 München","8125","Nr. 16 mit Abb. "],["1950 München","8139","Nr. 24, Abb. S. 13 "],["1927 Wien","8197","Abt. XVIII, Nr. 2 "],["1980/81 Salzburg","8208"," "],["1962 Haus der Kunst, München","8465","Nr. 78 mit Abb. "],["2013/14 Rotterdam","8478","Nr. 72 mit Farbtaf."],["2015/16 Wien","8486","(ausser Katalog)"],["2006 Klosterneuburg","8515","S. 467, Farbtaf. S. 164"],["1976 Bregenz","8605","Nr. 8, Farbabb. III "],["2008 Wien, Belvedere","8619","S. 234, Farbtaf. 122 S. 236"],["2005/06 Paris","8637","S. 280, Farbtaf. S. 281 (in dt. Ausg.)"],["1986 London","8643","Nr. 32 mit Farbabb. "],["1975 Salzburg","8673","Nr. 17 mit Farbtaf. "],["1964 Florenz","8683","Nr. 312, Abb. S. 136 "],["1986 Paris","8762","Farbabb. S. 505 "],["1987/88 Lübeck","8835","Nr. 13 mit Abb. "],["1986 Zürich","8836","Nr. 33 mit Farbabb. "],["1978 Kamakura","8846","Nr. 2, Farbabb. 2 "],["1958 München, Haus der Kunst","8914","Nr. 33, Abb. S. 25 "],["1988 Graz","8946"," "],["1960 Kopenhagen","9011","Nr. 17 "],["1991 Wien","9033","Nr. 23 mit Farbtaf. "],["2008 Linz","9042","S. 76 mit Farbtaf."],["1981 Hamburg","9082","Nr. 65, Abb. S. 81, Farbabb. X "],["2018/2019 Zürich","21106","Nr. 29, Farbtaf. S. 77"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 16, Farbtaf. S. 85"]],[["Weidinger/Strobl 2008, S. 395-396, Abb. V.610","2435"],["Howoldt 1987, S. [2] und [9], Kat.-Nr. 13 mit Abb.","2577"],["Museum der Gegenwart 1932, Abb. S. 176","2865"],["Windisch 2013, S. 247, Abb. 145","3001"],["Stuttgarter Kunstkabinett 1959 a, Nr. 439, Farbtaf. 1 ","3074"],["Kornfeld & Klipstein 1975, Nr. 529 mit Farbabb. als Frontispiz","3175"],["Spielmann 2003 a, S. 154 mit Abb.","3309"],["Salzburg 1988, Farbtaf. S. 51 ","3329"],["Welz 1976, Friedrich Welz: \"Bedeutende Neuerwerbung der Salzburger Residenz-Galerie - Oskar Kokoschka, Mädchenbildnis 1913.\" In: <Salzburger Museumsblätter,< Jg. 37, 1976, Nr. 1, S. 2-3 mit Abb.","3384"],["Rave 1933, S. 164","3568"],["Heise 1934, Abb. 163","3598"],["The Malahat Review 1976, farb. Umschlagabb.","3602"],["Salzburg 2004, Farbtaf. S. 27","3769"],["Mizue 1978, Farbtaf. S. 6","3934"],["Paris 2022, Farbtaf. S. 85","43164"]],[["Kinder"],["Mädchen"]]]},{"id":1170,"img":{"extraLarge":"AP_100042176_extraLarge.jpg","medium":"AP_100042176_medium.jpg"},"arr":["1913.06","Selbstbildnis (mit emporgehaltenem Pinsel)","","[1913]","Öl/Lwd.","108.5 x 70.5 cm ","Bez. oben links: OK ","89","87 ","95","Kunstsammlung Nordrhein-Westfalen, Düsseldorf ","1.7.1966 aus einer Spende des Westdeutschen Rundfunks","1037",""],"mul":[[["Mendelssohn-Bartholdy Giulietta von","Giulietta von Mendelssohn-Bartholdy, Berlin",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (28.2.1922)",""],["Galerie Georg Caspari","Galerie Georg Caspari, München (28.3.1922)",""],["Hess Fritz","Fritz Hess, Berlin",""],["Paul Cassirer/Galerie Fischer","Paul Cassirer/Galerie Fischer, Berlin/Luzern (1.9.1931, Nr. 32, Taf. XXVIII)",""],["Gurlitt Wolfgang","Wolfgang Gurlitt, München",""],["Stein Gustav","Gustav Stein, Köln",""],["Marlborough Fine Art","Marlborough Fine Art, London",""]],[["1951 Köln, Kunstverein","8055"," "],["1962 Tate Gallery, London","8075","Nr. 40 "],["1971 München","8125","Nr. 18 mit Abb. "],["1950 München","8139","Nr. 26 "],["1927 Zürich, Kunsthaus","8209","Nr. 32, Taf. I "],["1966 Karlsruhe","8284","Nr. 23 mit Abb. "],["1947 Basel, Kunsthalle","8376","Nr. 130 "],["1947 Zürich, Kunsthaus","8415","Nr. 14 "],["1938 London","8417","Nr. 105 "],["1962/1963 Hamburg","8422","Nr. 20 mit Abb. "],["1958 Wien","8541","Nr. 32 "],["1928 Nationalgalerie, Berlin","8558","Nr. 82 "],["1976 Bregenz","8605","Nr. 9, Abb. XXI "],["1965 Bonn","8674","Nr. 17, Abb. S. 43 "],["1968 Düsseldorf","8687","Nr. 43 mit Abb. "],["1974 London","8707","Nr. 69 "],["1951 Berlin","8741","Nr. 12 "],["1947 Amsterdam","8829","Nr. 13 "],["2012 Düsseldorf","8873","S. 405, Farbtaf. S. 278"],["1922 Caspari, München","8893","Abb. S. 15 "],["1970 Zürich","8910","Nr. 43, Abb. 43 "],["1966 London","8938","Nr. 3, Abb. S. 20 "],["1955 Wien, Secession","8960","Nr. 12 "],["1927 Cassirer, Berlin","8968","Nr. 17 "],["1951 Linz","8989","Nr. 10 "],["1960 Kopenhagen","9011","Nr. 18 "],["1957 Kunstverein, Köln","9025","Nr. 64 mit Abb. "],["1929 Abels, Köln","9030","Nr. 16 "],["1991 Wien","9033","Nr. 22 mit Farbtaf. und Detail "]],[["Luzzatto 1931, Abb. S. 149 ","2003"],["Cheney 1934, Abb. S. 2 ","2019"],["Westheim 1925 a, Abb. 57 ","2027"],["Meyer 2013, S. 216, Farbabb. 72 S. 402","2165"],["Schmalenbach F. 1967, S. 22 und 24, Farbabb. S. 49 ","2199"],["Leshko 1977, S. 186-190, Abb. 95 ","2659"],["Kokoschka Briefe 1 1984, S. 167 (30. V. 1914), Anm. S. 350 ","2710"],["Feldenkirchen 1973, Abb.","2812"],["Kroh 1997, S. 241, Farbabb. 69","2835"],["Windisch 2013, S. 215, Abb. 97","3001"],["Düsseldorf 1986, S. 84, 384-385, Farbtaf. 36","3078"],["Hodin 1968 a, S. 318-319 ","3213"],["Hodin 1966, S. 212 ","3490"],["Thoene 1938, Abb. 47 ","3806"],["George 1963, S. 48, Abb. 2 S. [15]","3814"],["Schmalenbach F. 1947, S. 13 ","3824"],["Düsseldorf 1968, S. 14, Nr. 43 mit Farbtaf.","3929"],["Galerie Fischer Luzern 1931 b, Nr. 32, Taf. XXVIII ","4079"],["Tietze 1929 b, Abb. S. 363 ","4159"],["Galerie Caspari 1922, S. 14, Abb. S. 15","7164"],["Düsseldorf 1975, S. 30, Farbtaf. S. 31","20196"],["Düsseldorf 2000, S. 545–547. Farbtaf. S. 49","21168"],["Düsseldorf 2009, S. 12","21169"]],[["Selbstbildnis"],["Männliches Bildnis"]]]},{"id":1162,"img":{"extraLarge":"AP_100042168_extraLarge.jpg","medium":"AP_100042168_medium.jpg"},"arr":["1913.07","Carl Moll","","1913","Öl/Lwd.","128 x 95 cm ","Bez. unten rechts: OK ","88","88, Taf. 37 ","96","Belvedere Wien ","1945, Legat Carl Moll ","4009","Belvedere, Wien"],"mul":[[["Moll Carl","Carl Moll, Wien",""],["Österreichische Galerie","Österreichische Galerie, Wien (1955)",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 32 "],["1971 London, Royal Academy","8059","Nr. 162 mit Farbtaf. "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 23 "],["1996/97 Wien","8103","S. 56, Farbtaf. S. 57"],["1950 München","8139","Nr. 25 "],["1948 Wien","8202"," "],["1927 Zürich, Kunsthaus","8209","Nr. 35 "],["1948 Boston","8222","Nr. 22 mit Abb. "],["1966 Zürich","8225","Nr. 29 "],["1953/54 Sao Paulo","8265","Nr. 3 "],["1966 Karlsruhe","8284","Nr. 24 mit Abb. "],["1937 Paris","8318","Nr. 531 "],["1998 Secession, Wien","8368","Farbtaf. S. 64"],["1947 Basel, Kunsthalle","8376","Nr. 129 "],["1947 Zürich, Kunsthaus","8415","Nr. 12 "],["1959 Luxemburg","8439","Nr. 34 "],["2002 Hamburg","8474","S. 168, 247, Farbtaf. S. 169 (nur in Hamburg ausgestellt)"],["1954 Rio de Janeiro","8534","Nr. 3 "],["1958 Wien","8541","Nr. 33 "],["1949 Innsbruck","8551","Nr. 17 mit Abb. "],["1964 Secession, Wien","8590","Nr. 65 "],["2008 Wien, Belvedere","8619","S. 234, Farbtaf. 121 S. 235"],["2005/06 Paris","8637","S. 284, Farbtaf. S. 285 (in dt. Ausg.)"],["1959 Düsseldorf","8710","Nr. 91 mit Abb. "],["1916 Berlin, Berliner Secession","8736","Nr. 48 "],["1986 Paris","8762","Farbabb. S. 447 "],["1980 Österreichische Galerie, Wien","8804","Nr. 77 "],["1971 Wien","8820","Nr. 26, Abb. 17 "],["1984 Venedig","8824","Nr. 654, Farbabb. S. 197 "],["1947 Amsterdam","8829","Nr. 11 "],["1932 Venedig, Biennale, Padiglione dell'Austria","8842","Nr. 23 "],["2001/02 Rom","8918","S. 104, Nr. 65 mit Farbtaf."],["1986 Museum of Modern Art, New York","8925","Nr. 72 "],["1928 Prag","8927","Nr. 172"],["1981/82 Rom","8934","Farbabb. S. 28 "],["1955 Wien, Secession","8960","Nr. 45b "],["1918 Zürich","8961","Nr. 68, Abb. XVIII "],["1995 Madrid","8965","S. 80, 111, Nr. 20 mit Farbtaf."],["1927 Cassirer, Berlin","8968","Nr. 21 "],["1924 Künstlerhaus, Wien","8983","Nr. 172 mit Abb. "],["1951 Linz","8989","Nr. 9 "],["1948 Venedig","8991","Nr. 7 "],["1937 Bern","9000","Nr. 82 "],["1991 Wien","9033","Nr. 24 mit Farbtaf. "],["2008 Linz","9042","S. 78, Farbtaf. S. 79"],["2013/14 Berlin","9045","S. 374, Farbtaf. 91"],["1985 Künstlerhaus, Wien","9048","Nr. 15/6/8, Farbabb. S. 506 "],["2006 Belvedere, Wien","9094","S. 227, Farbtaf. S. 167"],["2018/2019 Zürich","21106","Nr. 27, Farbtaf. S. 108"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 17, Farbtaf. S. 84"]],[["Tietze 1929 a, Abb. S. 477 ","2070"],["Lowitzer-Hönig 2008, S. 48, Abb. 111","2124"],["Schmalenbach F. 1967, S. 24--25, Farbabb. S. 48 ","2199"],["Moeller 2005, S. 153, Farbtaf. S. [159]","2215"],["Moll 1943, S. 41","2225"],["Benesch 1973, S. 177 ff.","2330"],["Nebehay 1983 a, Farbabb. S. III/20 ","2462"],["Dichand/Gmeiner 1985, Farbtaf. als Frontispiz","2512"],["Waissenberger 1971, Farbtaf. S. [203] ","2534"],["Sultano 2003 a, S. 47, Abb. 12","2542"],["Meier-Graefe 1927 b","2568"],["Leshko 1977, S. 181-183, Abb. 90 ","2659"],["Westheim 1918 a, S. 53 ","2738"],["Poindront 2005, S. 72, Farbabb. S. 73","2847"],["Cheney 1958, Abb. S. 190 ","2866"],["Plaut 1948, S. 23 ","2891"],["Kokoschka 1971, S. 128 ","2894"],["Frodl 2006, S. 55 mit Farbabb.","2990"],["Windisch 2013, S. 247, Abb. 150","3001"],["Auböck/Marchetti 1985, Farbtaf. S. 141","3045"],["Vergo 1975, Abb. 163 ","3050"],["Sármány-Parsons 1992, S. 78 und 81, Abb. 49 S. 80 ","3164"],["Apollonio 1963, Abb. 17 (S. [57]) ","3255"],["Spielmann 2003 a, S. 154, Abb. S. 153","3309"],["Palkovsky 1958, Abb. 21 ","3411"],["Neumayer 1956, S. 28, Farbtaf. 7 ","3454"],["Wien 1955, S. 82 ","3527"],["Vergo 2015, S. 219, Farbtaf. 172","3593"],["Hoffmann 1956, S. 28 mit Abb.","3615"],["Wingler 1956, S. 41 ","3708"],["Sotriffer 1963, S. 54, Abb. 38 ","3721"],["Kuchler Poulsen 2010, S. 58-60, 104, Farbabb. S. 59 (Abb. \"Vater Hirsch\")","3780"],["Schmalenbach F. 1947, S. 13 ","3824"],["Moll 1947, S. 48, Farbtaf. S. 42 ","3831"],["Moeller 2000, S. 122, Farbtaf. S. [124]","3873"],["Masciotta 1949, Taf. XII ","3880"],["Schweiger 1983, Farbtaf. S. 181 ","3945"],["Schroeder 2012, S. 238, Farbabb. S. 240","13172"],["Wien 1929, Nr. 80, Taf. 26","16175"],["St. Pölten 2002, S. 227 mit Abb. (Detail)","23204"],["Paris 2022, Farbtaf. S. 84","43164"]],[["Männliches Bildnis"]]]},{"id":1449,"img":{"extraLarge":"AP_100042458_extraLarge.jpg","medium":"AP_100042458_medium.jpg"},"arr":["1913.08","Ludwig Adler","Alfred Adler\nLesender Herr (nach rechts gewandt)","[1913]","Öl/Lwd.","100.2 x 71.5 cm ","Bez. unten links: OK ","73","93 ","97","Museum voor Schone Kunsten Gent ","1988 ","1988-B",""],"mul":[[["Adler Ludwig","Ludwig Adler, Wien",""],["Kunstausstellung Kühl","Kunstausstellung Kühl, Dresden (1931/32)",""],["von Klemperer Viktor","Viktor von Klemperer, Dresden",""],["Kurz Herbert E.","Herbert E. Kurz, Wolframs-Eschenbach (um 1938)",""],["Hanka Annemarie","Annemarie Hanka, München (1968)",""],["Galerie Peter Griebert","Galerie Peter Griebert, München (1970)",""],["Museum Folkwang","Museum Folkwang, Essen (7.1971)",""],["Horstmann Edgar","Edgar Horstmann, Hamburg (1976)",""],["Galerie Hans Strelow","Galerie Hans Strelow, Düsseldorf (4.1978)",""],["Heller Ben","Ben Heller, New York",""],["Loria Jeffrey H.","Jeffrey H. Loria, New York",""],["Steinberg Saul P.","Saul P. Steinberg, New York",""],["Christie, Manson & Woods","Christie, Manson & Woods, New York (18.5.1981, Nr. 23 mit Abb.)",""],["Marlborough Fine Art","Marlborough Fine Art, London (4.6.1981)",""]],[["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 30 "],["1968 Gent","8133","Nr. 69 "],["1986/87 Kruishoutem","8189","Nr. 1 mit Farbtaf. "],["1983 New York","8229","Nr. 24 mit Farbtaf. "],["2013/14 Rotterdam","8478","S. 79, Nr. 38 mit Farbtaf."],["1981 London, Marlborough","8496","außer Katalog "],["1987 Gent","8571","Nr. 10, Farbtaf. S. 83 "],["2008 Wien, Belvedere","8619","S. 234, Farbtaf. 123 S. 237"],["1988 Barcelona","8659","Nr. 11, Farbtaf. S. 45 "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 11, Nr. 7 "],["1929 Neue Galerie, Wien","8880"," "],["1995 Madrid","8965","S. 82, 111, Nr. 21 mit Farbtaf."],["1927 Cassirer, Berlin","8968","Nr. 19 "],["1985 Künstlerhaus, Wien","9048","Nr. 15/6/9, Abb. S. 505 "]],[["Hoozee 1988, S. 113, Abb. S. 114","2341"],["Die Welt 1971 b, \"Neuer Kokoschka im Museum Folkwang\". In: <Die Welt,< Hamburg, Jg. 1971, Nr. 168, 23. Juli","2734"],["Westheim 1918 a, S. 53 u. d. T. \"Porträt des Chirurgen Dr. Adler\" ","2738"],["Christie's New York 1981 a, Nr. 23 mit Abb. ","3320"],["Gatt 1972, Farbtaf. 10 ","3468"],["Weltkunst 1970, farb. Umschlagabb.","3803"],["Gent 2000, S. 115, Farbtaf. S. 116 ","21176"]],[["Männliches Bildnis"]]]},{"id":1309,"img":{"extraLarge":"AP_100042316_extraLarge.jpg","medium":"AP_100042316_medium.jpg"},"arr":["1913.09","Franz Hauer","Josef Hauer\nPortrait of a bearded man (Herr J.P.)\nHerr Hauer\" -","1913","Öl/Lwd.","120 x 106 cm ","Bez. im oberen Drittel rechts: OK","72, 87","92","98","Museum Rhode Island School of Design Museum, Providence, RI","10.2.1953, Georgianna Sayles Aldrich Fund and Museum Works of Art Fund","53.121","Georgianna Sayles Aldrich Fund and Museum Works of Art Fund 53.121 "],"mul":[[["Hauer Franz","Franz Hauer, Wien",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (7.1.1919)",""],["Galerie Georg Caspari","Galerie Georg Caspari, München (12.7.1919)",""],["Kirchhoff Heinrich","Heinrich Kirchhoff, Wiesbaden (um 1921)",""],["Strecker","Strecker, Düsseldorf (1922)",""],["Galerie Alfred Flechtheim","Galerie Alfred Flechtheim, Düsseldorf",""],["Kunstmuseum","Kunstmuseum, Düsseldorf (1924)",""],["1937 beschlagnahmt","1937 beschlagnahmt",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin",""],["Böhmer Bernhard A.","Bernhard A. Böhmer, Güstrow (16.7.1940 im Tauschverfahren erworben)",""],["Kellen Konrad","Konrad Kellen, Kalifornien",""],["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich (um 1952)",""]],[["1962 Tate Gallery, London","8075","Nr. 42 "],["1919 Sezession, Dresden","8220"," "],["1921 Basel","8302","Nr. 33 "],["1958 Den Haag","8309","Nr. 25 "],["1962/1963 Hamburg","8422","Nr. 21 mit Abb. "],["1967 Waltham, Mass.","8431","mit Abb. "],["1922 Caspari, München","8440"," "],["2002 Hamburg","8474","S. 170, 247, Farbtaf. S. 171 (nur in New York ausgestellt)"],["2013/14 Rotterdam","8478","S. 19, 78, Nr. 37 mit Farbtaf."],["1958 Wien","8541","Nr. 36 "],["1966 New York","8544","Nr. 15, Abb. S. 35 "],["1964 Baltimore","8604","Nr. 111, Abb. S. 46 "],["1964 Middletown","8626"," "],["1986 London","8643","Nr. 33 mit Farbabb. "],["1916 Berlin, Berliner Secession","8736","Nr. 47 "],["1918 Cassirer, Berlin","8777","Nr. 18 u. d. T. \"Bildnis J. H.\" "],["1986 Zürich","8836","Nr. 34 mit Farbabb. "],["1958 München, Haus der Kunst","8914","Nr. 36 "],["1991 Wien","9033","Nr. 25 mit Farbtaf. (nicht ausgestellt) "],["1986/87 Guggenheim, New York","9072","Nr. 28 mit Farbtaf. "]],[["Museum Notes 1955, Abb. 12","2083"],["Lowitzer-Hönig 2008, S. 67, Abb. 113","2124"],["Calvocoressi 1992, Farbtaf. 29 ","2193"],["Zeitschrift für bildende Kunst 1924 a","2219"],["Westheim 1917 a, S. [320] u. d. T. \"Porträt des Herrn J. H.\" ","2244"],["Weidinger/Strobl 2008, S. 410, Abb. V.639","2435"],["Schwarz 1961, S. 53-54, Abb. 10","2437"],["Leshko 1977, S. 183-186, Abb. 92 ","2659"],["Hausenstein 1926, Abb. S. 156 ","2724"],["Westheim 1918 a, S. 53 ","2738"],["Werner 1959, Abb. S. 42 ","2925"],["Haftmann 1955, Abb. S. 104","2979"],["Hodin 1968 a, S. 166 ","3213"],["Husslein-Arco/Weidinger 2008, S. 234, Farbabb. 126","3215"],["Spielmann 2003 a, S. 154 mit Abb.","3309"],["Comini 1974, S. 123-126, Abb. 114","3390"],["The Art Quarterly 1953, S. 257","3472"],["Hodin 1966, S. 109 ","3490"],["Wingler 1956, S. 41 ","3708"],["Moll 1947, S. 48 ","3831"],["Tietze 1918, S. 88, Abb. S. 92 ","3833"],["Schweiger 1983, S. 153--155 ","3945"],["Natter 2003, S. 263--272, Farbtaf. S. [267]","4056"]],[["Männliches Bildnis"]]]},{"id":1244,"img":{"extraLarge":"AP_100042250_extraLarge.jpg","medium":"AP_100042250_medium.jpg"},"arr":["1913.1","Die Windsbraut","The Wind's Bride (The Tempest)\nLa Fiancée du vent","1913","Öl/Lwd.","181 x 221 cm ","Unbez. ","98","96, Farbtaf. VII ","99","Kunstmuseum Basel ","12.6.1939, mit Sonderkredit der Basler Regierung","1745",""],"mul":[[["Winter Otto","Otto Winter, Groß-Flottbeck bei Hamburg (12.1914)",""],["Hamburger Kunsthalle","Hamburger Kunsthalle (1924)",""],["1937 beschlagnahmt","1937 beschlagnahmt",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin",""],["Buchholz Karl","Karl Buchholz, Berlin (nach 1937)",""]],[["1937 Hofgarten-Arkaden, München","8108","Raum 4 "],["1950 München","8139","Nr. 30, Abb. S. 14 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 9 "],["1927 Zürich, Kunsthaus","8209","Nr. 40, Taf. XVIII "],["1948 Boston","8222","Nr. 23, Farbabb. gegenüber S. 11 "],["1914 München","8231","Nr. 79 mit Abb. "],["1917 Hamburg","8260","Nr. 62 "],["1927 Gemeentemuseum, Den Haag","8370","Nr. 67 "],["1947 Basel, Kunsthalle","8376","Nr. 127 "],["1947 Zürich, Kunsthaus","8415","Nr. 15 "],["1922 Stockholm","8418","Nr. 115 mit Abb. "],["1992 Altes Museum, Berlin","8573","S. 287, Farbabb. 37 S. 42 (nicht ausgestellt)"],["1951 Berlin","8741","Nr. 14, Abb. S. 14 "],["1920 Hamburg","8774"," "],["1918 Cassirer, Berlin","8777","Nr. 16 "],["1947 Amsterdam","8829","Nr. 14 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 22 "],["1951 Linz","8989","Nr. 11 "],["1916 Berlin, Galerie Der Sturm","8990","Nr. 1 "],["1948 Venedig","8991","Nr. 8 "]],[["Berger 1999, Farbabb. 19","2025"],["Westheim 1925 a, S. 48, Abb. 79 ","2027"],["Lévêque 2005, S. 50 mit Farbabb.","2028"],["Scheffler 1921, Abb. S. [189] ","2039"],["Schmidt Georg 1959, S. 52, Farbabb. S. 55 ","2082"],["Bisanz 2005, Farbabb. S. 146","2094"],["Cork 1983, S. 135-142, Farbabb. S. 134, 140 (Detail)","2105"],["Kreis 1978, S. 184, Abb. [16] nach S. 176","2115"],["Monsel 1995, S. 6, [10], Farbabb. 14","2144"],["Russell 1957 a, S. 163, Farbtaf. S. 166-167 ","2158"],["Meyer 2013, S. 169, Farbabb. 50 S. 395","2165"],["Requadt 1985, S. 50 ","2191"],["Calvocoressi 1992, Farbtaf. 30 ","2193"],["Schmalenbach F. 1967, S. 23--25, Farbabb. S. 50 ","2199"],["Moeller 2005, S. 150, 153, 156, Farbtaf. S. [155]","2215"],["Dittmann 2013, S. 280, Abb. 35 S. 282","2216"],["Myers 1957, S. 63, Taf. 16 ","2233"],["Westheim 1917 a, S. 319 u. d. T. \"Das große Boot\" ","2244"],["Leshko 1978, S. 95-105, Abb. 1 und 2 (Detail) S. 95","2245"],["Lüttichau 1988, S. 140, Abb. S. 141 (Raumfoto aus der Ausstellung 1937 München, Hofgartenarkaden) ","2290"],["Sauerlandt 1948, Abb. 51 ","2323"],["Zaunschirm 1985, S. 293-294 ","2359"],["Hinze 1971, S. 73-74 ","2367"],["Schvey 1982, S. 112--113, Farbabb. 5 S. 16","2375"],["Wingler 1951 a, Mappe I, S. [7-8], Farbtaf. 5 ","2406"],["Miskin 1958, S. 29 ","2411"],["Gordon 1981, S. [23]-27 und 48-52, Taf. XV ","2414"],["Wingler 1957, S. 110, Farbabb. S. 111 ","2423"],["Weidinger/Strobl 2008, S. 334-335, Abb. 2","2435"],["Spielmann 1969, S. 22, Farbabb. 17","2453"],["Weidinger 1996, S. 34--39, Farbabb. S. 35","2485"],["Hoffmann 1947, S. 118--119, Abb. XXVI und XXVII (Detail) ","2499"],["Schorske 1980, S. 342, Farbtaf. XVI ","2507"],["Basel 1970, S. 230, Abb. S. 231","2537"],["Stöbe 1997, S. 107, Abb. 102","2538"],["Canaday 1959, S. 439, Abb. 532 ","2584"],["Westheim 1963","2615"],["Deutsche Kunst und Dekoration 1914, Abb. S. 342","2630"],["Leshko 1977, S. 64-66, 181, 217, S. 256-311, Abb. 136 und 137 (Detail) ","2659"],["Sultano 2005, S. 51, Abb. 3 S. 53","2661"],["Schubert 2013, S. 389","2662"],["Dalbajewa 1999, S. 82, 97","2681"],["Ring 2010, Bd. 2, S. 253-255 mit Abb. 69","2683"],["Bormann 2013, S. 19-20, Farbabb. 11","2688"],["Langfeld 2004, S. 58","2708"],["Kokoschka Briefe 1 1984, S. 105, Anm. S. 342; S. 134; S. 141 (3. 1. 14); S. 184 (Okt. 1914); S. 185, 187, 189 (4. XII. 14), Anm. S. 353-354","2710"],["Sultano 2003 b, S. 112, Abb. 9 S.43","2720"],["Olbrich 1988, S. 176, Abb. 108 ","2723"],["Hausenstein 1926, Abb. S. 157 ","2724"],["Haftmann 1965 b, Abb. 151 ","2732"],["Westheim 1918 a, S. 30--31 und 53, Abb. 27 ","2738"],["Smith 1986, S. 55 ","2773"],["Arnason 1983, Farbtaf. 103 ","2787"],["Dovey 1982, S. 22--26 mit Abb.","2790"],["Hausenstein 1914, Sp. 603-606 ","2799"],["Basel 1946, S. 160","2804"],["Holz 2001 a, S. 105 mit Abb., S. 108--109","2821"],["Konstani 1998, S. 58, Farbabb. Im Anhang","2829"],["Kranz 1975, Abb. S. 56","2837"],["Goldscheider 1963, S. 76 (Anm. 16), Farbtaf. 16 ","2855"],["Roh 1962, S. 189 ","2860"],["Kokoschka 1919, Abb. S. 45 (Detail) ","2868"],["Powell 1974, Abb. S. 172 ","2880"],["Hodurek 1976, S. 223-224, 306, Abb. 76","2884"],["Plaut 1948, S. 23 ","2891"],["Kokoschka 1971, S. 137 ","2894"],["Crepaldi 2005, S. 43 mit Farbtaf.","2937"],["Schmidt Georg 1963, Abb. 47","2975"],["Schug 1994, S. 159 mit Farbabb.","2999"],["Mahler-Werfel 1960, S. 64--65 ","3010"],["Vogt 1978, S. 116, Nr. 33 mit Farbtaf. ","3015"],["Bormann 2014 c, S. 165, Farbabb. 1","3016"],["Benton/Sharp 1983, S. 11, Abb. 3 ","3026"],["Vergo 1975, Abb. 169 ","3050"],["Waissenberger 1984, Abb. 189 (Farbtaf.) ","3056"],["Bormann 2014 a, S. 24, Farbabb. 11","3067"],["Leshko 1980 b, Farbabb. S. 50--51","3070"],["Raynal 1950, Bd. [2], Farbabb. S. 120 ","3101"],["Dichand 1986, S. 46, Farbtaf. S. 47 ","3104"],["Hoffmann-Curtius 1987, S. 161--163, Abb. S. 162 ","3108"],["Selz 1974, S. 310, Farbabb. 179","3116"],["Woermann 1923, S. 132, Abb. 40 ","3130"],["Cernuschi 2011, S. 198, 206-207, Abb. 6 S. 217","3154"],["Timms 1990, S. 16, Abb. 12 ","3159"],["Meyer 2010, S. 156, Farbabb. 42","3160"],["Westheim 1952, S. [5], Farbtaf. ","3173"],["Abraham 2006, S. 222","3179"],["Kelm 1973, S. 34, 35 und 36-39 ","3187"],["Ruhrberg 1987, S. 108-109, Farbabb. nach S. 192 ","3194"],["Schauder 2015, Farbabb. 11","3209"],["Hodin 1968 a, S. 190-191 ","3213"],["Husslein-Arco/Weidinger 2008, S. 232--233, Farbabb. 124","3215"],["Cork 1994, S. 34, Abb. 23","3232"],["Sármány-Parsons 1991, Nr. 37 mit Farbabb. ","3233"],["Mikš 2013, S. 162, 358, Farbabb. III","3257"],["Serati 2008, S. 310 mit Farbabb.","3304"],["Spielmann 2003 a, S. 146, 148, Farbtaf. S. 190 und S. [191] (Detail)","3309"],["Fischer 1982, S. 7, Farbabb. III ","3317"],["Spielmann 1985 a, S. 57-62, Farbabb. S. [60/61] ","3319"],["Dube 1973, Farbabb. 145 ","3325"],["Negendanck 1998, S. 154","3332"],["Natter 2002 b, Abb. S. 94","3335"],["Cassou/Langui/Pevsner 1962, Abb. 200 ","3368"],["Comini 1974, S. 139, 141, Abb. 127","3390"],["Palkovsky 1958, Abb. 19 (Detail) ","3411"],["Rudloff 1982, Nr. 63, S. 76 mit Abb. ","3413"],["Bultmann 1959, S. 32 und 62, Farbtaf. 9 ","3434"],["Sauermann 1987, S. 29-33","3435"],["Gordon 1987, S. 47--48, Abb. 30, Farbtaf. 7 ","3453"],["Kandel 2014, S. 189, Farbabb. 9-17 S. 187 u. S. 373, Farbabb. 18-14 S. 372","3467"],["Gatt 1972, S. 27, Farbtaf. 8/9 ","3468"],["Whitford 1986, S. 92 und 95-96, Abb. 15 ","3477"],["Hodin 1966, S. 126--127, Abb. 20 ","3490"],["Platschek 1946, Farbtaf. III ","3496"],["Rumold 2010, S. 170","3517"],["Natter 1996 b, Farbabb. S. 18","3532"],["Scheffler 1919, Abb. S. 129","3534"],["Basel 1973, S. [160], Farbabb. S. 161","3553"],["Reinhold 2013, Farbabb.","3582"],["Allmayer-Beck 1980, Farbabb. S. 11 ","3583"],["Vergo 2015, S. 223, Farbabb. 180","3593"],["Selz 1981, Farbabb. 351","3621"],["Evers 1967, S. 195--197, Farbabb. S. 196 ","3651"],["Monson 1984, S. 155--158, Abb. nach S. 188 ","3664"],["Hamilton 1967, Abb. 183 A ","3667"],["Hofmann 1986 a, S. 17, Abb. S. 23 ","3698"],["Lüthy 1990, S. 123--126, Farbabb. S. 125","3702"],["Wingler 1956, S. 41 ","3708"],["Hütt 1986, S. 302 und 304, Abb. 420 ","3755"],["Kuchler Poulsen 2010, S. 60, 104-108, Abb. S. 107","3780"],["Schmalenbach F. 1947, S. 13--14 ","3824"],["Horstmann 1965 a, S. 6, 40--41 und 43, Farbtaf. S. [7] ","3828"],["Tietze 1918, Abb. S. 91 ","3833"],["Keegan 1999, S. 69, 71, 77","3854"],["Moeller 2000, S. 120, 122, 126, Farbtaf. S. [125]","3873"],["Masciotta 1949, S. 30, Taf. XIII ","3880"],["Hoffmann 1986, S. 78--79 ","3886"],["Hofmann 1967, Farbabb. S. 59 ","3918"],["Loubet 2013, S. 73, Farbabb. S. [57]","3939"],["Schweiger 1983, Farbtaf. S. 183 ","3945"],["Argan 1977, S. 164, Abb. 66 ","3962"],["Hamburg 1924, S. 209--211, Abb. gegenüber S. 210","3980"],["Hughes 1981, S. 288, Farbabb. 197","3982"],["Goldscheider 1937, Abb. 476 ","3998"],["Vogt 1972, S. 194, Farbtaf. S. [193] ","4019"],["Holz 2015, S. 103","4043"],["Shearman 2007, S. 3, Farbabb. 1","4103"],["Dube 1983, Farbabb. S. 71 ","4116"],["Kandel 2015, S. 20, 144, Farbabb. S. 21","8162"],["Schroeder 2012, S. 238, Farbabb. S. 239","13172"],["Basel 1997, Abb. S. 141","20167"],["Basel 2004, S. 78, 79, Nr. 101, Farbabb. S. 79","20168"],["Basel 2011, S. 210, Nr. 101, Farbabb. S. 211","20169"]],[["Doppelbildnis"],["Selbstbildnis"],["Weibliches Bildnis"],["Figuren in Landschaft"]]]},{"id":1327,"img":{"extraLarge":"AP_100042334_extraLarge.jpg","medium":"AP_100042334_medium.jpg"},"arr":["1913.11","Stillleben mit Putto und Kaninchen","Still-Life with Cat","1913/14","Öl/Lwd.","90 x 120 cm ","Bez. unten rechts: OK ","96","93, Taf. 40 ","100","Kunsthaus Zürich, Vereinigung Zürcher Kunstfreunde ","1987","1987/17","Kunsthaus Zürich"],"mul":[[["Walden Herwarth","Herwarth Walden, Berlin (1914)",""],["Kluxen Franz","Franz Kluxen, Münster/später Boldixum/Föhr",""],["Bienert Ida","Ida Bienert, Dresden/nach 1945 München (1919)",""],["Marlborough Fine Art","Marlborough Fine Art, London (1965)",""]],[["1988/89 Berlin, Berlinische Galerie","8003","Nr. 12/22 mit Abb. "],["1964 London, Marlborough","8051","Nr. 15 "],["1921 Dresden","8064","Nr. 130 u. d. T. \"Stilleben mit Katze\" "],["1962 Tate Gallery, London","8075","Nr. 44 "],["2014 Wolfsburg","8102","S. 132, Farbtaf. S. 143"],["1946 Dresden","8156","Abb. 28 "],["1966 Zürich","8225","Nr. 32, Abb. 8 "],["1962/1963 Hamburg","8422","Nr. 22 mit Abb. "],["2013/14 Rotterdam","8478","Nr. 64 mit Farbtaf."],["2014 Tokyo","8494","Nr. 36, S. 107, Farbtaf. S. 103"],["1981 London, Marlborough","8496","Nr. 12 "],["1968 New York, Marlborough-Gerson","8505","Nr. 27 mit Farbabb. "],["1981 New York, Marlborough","8535","Nr. 12, Farbabb. S. 35 "],["1958 Wien","8541","Nr. 37, Abb. S. 30 "],["1966 New York","8544","Nr. 16, Farbabb. S. 2 "],["1975 Madrid","8555","Nr. 2, Farbabb. 13, S. 14 "],["1917 Sturm, Berlin","8556","Nr. 29 "],["1987 Gent","8571","Nr. 11, Farbabb. S. 85 (Detail S. [84]) "],["1964 Baltimore","8604","Nr. 111a "],["2008 Wien, Belvedere","8619","S. 242, Farbtaf. 127 S. 243"],["1986 London","8643","Nr. 34 mit Farbtaf. "],["1996 Museum für angewandte Kunst, Wien","8661","Anhangliste o.S."],["1969 London, Marlborough","8755","Nr. 16, Farbabb. S. 45 "],["1986 Paris","8762","Farbabb. S. 481 "],["1953 Luzern","8831","Nr. 192, Abb. 30 "],["1986 Zürich","8836","Nr. 35 mit Farbtaf. "],["1978 Kamakura","8846","Nr. 3, Farbabb. 3 "],["2012 Düsseldorf","8873","S. 406, Farbabb. S. 275"],["1958 München, Haus der Kunst","8914","Nr. 37, Abb. S. 30 "],["1981/82 Rom","8934","Farbabb. S. 31 "],["1966 London","8938","Nr. 4, Abb. S. 21 "],["1951 Linz","8989","Nr. 12 "],["1983 Bordeaux","9016","Nr. 11, Abb. S. 84 "],["1991 Wien","9033","Nr. 26 mit Farbtaf. und Detail "],["2008 Linz","9042","S. 71 mit Farbtaf."],["1923 Cassirer, Berlin","9051"," "],["1986/87 Guggenheim, New York","9072","Nr. 27 mit Farbtaf. "],["2006/07 Dresden","9079","S. 77, Farbabb. 46 S. 178"],["2018/2019 Zürich","21106","Nr. 30, Farbtaf. S. 109"]],[["Westheim 1925 a, Abb. 17 ","2027"],["Schmidt Georg 1959, S. 52, Farbabb. S. 56 ","2082"],["Monsel 1995, S. [10], Farbabb. 15","2144"],["Roşu 1976, Farbabb. S. 21 ","2148"],["Meyer 2013, S. 247, Farbabb. 88 S. 408","2165"],["Calvocoressi 1992, Farbabb. 31 ","2193"],["Biedermann 1996, S. 80, Abb. S. 81, Farbabb. S. 82","2204"],["Moeller 2005, S. 150, Farbtaf. S. [157]","2215"],["Westheim 1917 a, S. [320] u. d. T. \"Stilleben mit der Katze\" ","2244"],["Schweiger 1986 a, S. 58--60 [Briefe an Herwarth Walden vom Dezember 1913, 3. 1. (19)14 und 9. 3. (19)14] und S. 61--62 [Briefe an Herwarth Walden (um den 20. April 1914) und vom 30. VI. (19)14, beide nicht in Kokoschka Briefe 1 1984] ","2265"],["Erling 2000 b, S. 260, Abb. 10","2399"],["Gordon 1981, S. 28 mit Abb. ","2414"],["Weidinger 1996, S. 59, Farbabb. S. 58","2485"],["Hoffmann 1947, S. 119 ","2499"],["Grote 1954, Abb. 20 ","2504"],["Manheim 2001, S. 45, Abb. 30","2633"],["Leshko 1977, S. 311-314, S. 322-328, S. 330, Abb. 156 und 157 (Detail) ","2659"],["Kokoschka Briefe 1 1984, S. 139-140 (Dez. 1913), Anm. S. 346; S. 141 (3. 1. 14), Anm. S. 347; S. 142 (27. 1. 14]), Anm. S. 347; S. 145 (9. 3. 14)","2710"],["Grohmann 1933, S. 12 und 22, Abb. 31","2730"],["Westheim 1918 a, S. 53, Abb. 37 ","2738"],["Windisch 2013, S. 247, Abb. 147","3001"],["Schröder 1995, S. 250, Abb. 27","3128"],["Hodin 1968 a, S. 145-146 ","3213"],["Steinkamp 2008, S. 116, 369 mit Anm. 547, Farbabb. 27","3265"],["Serati 2008, S. 284-285 mit Farbabb.","3304"],["Spielmann 2003 a, S. 146, 153, Farbtaf. S. 193","3309"],["Spielmann 1985 a, S. 81 und 84, Farbabb. S. [82/83] [seitenverkehrt] ","3319"],["Zürich 2007, S. 634 mit Abb.","3336"],["Grohmann 1932, S. 63, Abb. S. 62","3379"],["Erling 2014, S. 56, Farbabb. 9","3463"],["Gatt 1972, Abb. 16 ","3468"],["Hodin 1966, S. 92 ","3490"],["Däubler 1919, S. 167","3645"],["Leshko 1980 a, Abb. S. 84","3688"],["Keegan 1999, S. 69-70","3854"],["Moeller 2000, S. 126, Farbtaf. S. [127]","3873"],["Mizue 1978, Farbabb. S. 8","3934"],["Shearman 2007, S. 12, Farbabb. 11","4103"],["Schroeder 2012, S. 238, Farbabb. S. 275","13172"],["Zürich 2000, S. 56, Farbtaf. S. 57 ","23222"]],[["Figuren in Landschaft"]]]},{"id":1182,"img":{"extraLarge":"AP_100042188_extraLarge.jpg","medium":"AP_100042188_medium.jpg"},"arr":["1914.01","Max Schmidt","\"Brüder Schmidt (Skizze. 1911. 1914)\" [mittlere Figur]","1914","Öl/Lwd.","90 x 57.5 cm ","Bez. und datiert unten links (1959 - nach Abtrennung der beiden seitlichen Portraits - vom Künstler erneuert?): 20. III. 14 OK ","","94 ","102","Museo Thyssen-Bornemisza, Madrid","5.6.1982","Nr. 629 (1982.29)","Museo Nacional Thyssen-Bornemisza, Madrid"],"mul":[[["Schmidt Max","Max Schmidt, Wien und Budapest (bis etwa 1935)",""],["Neményi Bertalan ","Bertalan Neményi, Budapest",""],["Neményi Paul Felix ","Paul Felix Neményi, Washington (1947-1952)",""],["Neményi Peter Björn ","Peter Björn Neményi, Washington (1952)",""],["F. Kleinberger Galleries","F. Kleinberger Galleries, New York (24.1.1955)",""],["Sotheby & Co.","Sotheby & Co., London (6.5.1959, Nr. 132 u.d.T. \"Portrait of Gino Schmidt\")",""],["Marlborough Fine Art","Marlborough Fine Art, London (1959)",""],["Horstmann Edgar","Edgar Horstmann, Hamburg",""],["Galerie Beyeler","Galerie Beyeler, Basel",""],["Kornfeld und Klipstein","Kornfeld und Klipstein, Bern (9.-12.6.1976, Nr. 542, Farbtaf. 13)",""],["Hauswedell & Nolte","Hauswedell & Nolte, Hamburg (8. Juni 1979, Nr. 664 mit Farbtaf.)",""],["Thyssen Bornemisza Hans Heinrich ","Hans Heinrich Thyssen Bornemisza, Lugano-Castagnola (1979)",""]],[["1961 Brüssel","8031","Nr. 107 a (Ernest Schmidt), Nr. 107 b (Gino Schmidt) "],["1962 Tate Gallery, London","8075","Nr. 43 "],["1971 München","8125","Nr. 19 mit Abb. "],["1966 Zürich","8225","Nr. 31 "],["1966 Karlsruhe","8284","Nr. 26 mit Abb. "],["2003/04 Verona","8348","S. 235, Farbtaf. 49"],["1990 Essen","8364","Nr. 195 mit Farbabb. "],["2013/14 London","8388","S. 31, 212, Farbabb. 6"],["2002 Hamburg","8474","S. 172, 247, Farbtaf. S. 173"],["2001/02 Madrid","8525","S. 85, Nr. 10 mit Farbtaf."],["1982 Basel","8557","Nr. 58, Farbabb. S. 23 "],["1985 Nürnberg","8570","Nr. 40, Farbabb. S. 58 "],["2007 Madrid","8595","S. 64, 322, Farbtaf. 18"],["1981 Zürich","8638"," "],["1964 Florenz","8683","Nr. 313, Abb. S. 137 "],["1959 London","8797","Nr. 36, Abb. S. 69 "],["1954 Santa Barbara","8806","Nr. 5 u. d. T. \"Ernest-, Gino-, and Leopold Schmidt\" (ursprüngliche Fassung vor der Zerschneidung in drei Teile)"],["1960 Kopenhagen","9011","Nr. 21 (Ernest Schmidt, Gino Schmidt) "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 18, Farbtaf. S. 76"]],[["Westheim 1917 a, S. 319 u. d. T. \"Porträt der drei Brüder\" ","2244"],["Kinkel 1976, Abb.","2292"],["Thyssen-Bornemisza 1989, Nr. 40 S. 102, Farbtaf. S. 103","2627"],["Westheim 1918 a, S. 53 ","2738"],["Horstmann 1965 b, Farbabb.","3029"],["Hauswedell 1979, Nr. 664 mit Farbtaf. ","3563"],["Pury 1983, S. 70, Farbabb. S. 68","3812"],["Sotheby's London 1959, Nr. 132 u. d. T. \"Portrait of Gino Schmidt\"","3902"],["Kornfeld und Klipstein 1976, Nr. 542, Farbtaf. 13 ","4078"],["Madrid 1994, S. 192, Farbtaf. S. 193","23183"],["Paris 2022, Farbtaf. S. 76","43164"]],[["Männliches Bildnis"]]]},{"id":1364,"img":{"extraLarge":"AP_100042371_extraLarge.jpg","medium":"AP_100042371_medium.jpg"},"arr":["1914.02","Blinde Mutter mit Kind","","1914","Öl/Lwd.","95 x 65 cm ","Unbez. ","75","84 ","103","Verbleib unbekannt"," ","",""],"mul":[[["Reichel Oskar","Oskar Reichel, Wien",""],["Galerie Georg Caspari","Galerie Georg Caspari, München (1922)",""],["Gersdorff H. v.","H. v. Gersdorff, Berlin",""]],[["1921 Dresden","8064","Nr. 81 "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 21, Abb. S. [12] "],["[1922 Caspari, München]","8440"," "],["1925 Hannover","8456"," "],["1931 Berlin","8742"," "],["[1923 Cassirer, Berlin]","9051"," "]],[["Westheim 1925 a, S. 50, Abb. 70 ","2027"],["Westheim 1917 a, S. 319, Abb. S. [299] ","2244"],["Schweiger 1986 a, S. 60-61 (an Herwarth Walden, 1. IV. und 7. IV. 1914) ","2265"],["Baum 1971, S. 183, Abb. 75 ","2409"],["Hoffmann 1947, S. 113--114 ","2499"],["Kokoschka Briefe 1 1984, S. 157 (7. IV. 1914), Anm. S. 348 ","2710"],["Westheim 1918 a, S. 33 und 53, Abb. 32 ","2738"],["Schmidt 1976, S. 127--128, Abb. S. 128 ","2747"],["Neumeyer 1946, Abb. S. 37","2778"],["Roessler 1918 b, Abb. S. 105 ","2945"],["Benesch 1951, ","3040"],["Hodin 1968 a, S. 181 ","3213"],["Hodin 1966, S. 120--121 ","3490"],["Natter 1996 a, S. 132, Abb. S. 132","3646"],["Westheim 1918 c, Abb. S. [109] ","3728"],["Schweiger 1983, S. 152 ","3945"],["Westheim 1930 b, S. 154","4092"]],[["Weibliches Bildnis"],["Mutter und Kind"]]]},{"id":1265,"img":{"extraLarge":"AP_100042271_extraLarge.jpg","medium":"AP_100042271_medium.jpg"},"arr":["1914.03","Albert Ehrenstein","","1914","Öl/Lwd.","120 x 80 cm ","Bez. unten links: OK ","84","90 ","104","Národni Galerie, Prag ","1931 ","O 4405",""],"mul":[[["Hauer Franz","Franz Hauer, Wien (5.1914)",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (30.6.1917)","über Carl Moll, Wien"],["Stenzel E.","E. Stenzel, Wiesbaden (13.10.1917)",""],["Suermondt Carl Friedrich Edwin","Carl Friedrich Edwin Suermondt, Aachen",""],["Suermondt-Vömel Martha","Martha Suermondt-Vömel, Düsseldorf",""]],[["1971 Prag","8014","Nr. 2 mit Abb. "],["1962 Tate Gallery, London","8075","Nr. 41, Abb. 15 "],["1981 Florenz","8131","Nr. 30 "],["1930 Prag","8153","Nr. 42"],["1962 Pilsen","8174","Nr. 1 "],["1961 Prag","8186","Nr. 9 "],["1966 Zürich","8225","Nr. 30, Abb. 7 "],["1966 Karlsruhe","8284","Nr. 25 mit Abb. "],["1963 Brünn","8324","Nr. 22 "],["1947 Basel, Kunsthalle","8376","Nr. 128 "],["1986 Berlin-DDR","8385","Nr. 239, Abb. S. 336 "],["1992/93 Bielefeld","8407","Nr. 96, Farbtaf. S. 209 "],["1947 Zürich, Kunsthaus","8415","Nr. 13 "],["1928 San Francisco","8540","Nr. 117 (lent by Galerie Alfred Flechtheim) mit Abb. "],["1958 Wien","8541","Nr. 35, Farbabb. S. 27 "],["1928 New York","8600"," "],["1917 Stockholm","8618","Nr. 122 "],["1956 Prag","8648","Nr. 1 "],["1982 Tokyo","8663","Nr. 41 "],["1916 Berlin, Berliner Secession","8736","Nr. 49 u. d. T. \"Bildnis eines Schriftstellers\" "],["1918 Cassirer, Berlin","8777","Nr. 13 "],["1971 Wien","8820","Nr. 27 "],["1984 Venedig","8824","Nr. 652 u. d. T. \"Bildnis Ebenstein\" "],["1947 Amsterdam","8829","Nr. 12 "],["1956 Salzburg","8854","Nr. 1 "],["1958 München, Haus der Kunst","8914","Nr. 35 "],["1927 Carnegie Institute, Pittsburgh","8980","Nr. 196 "],["1983 Bordeaux","9016","Nr. 10, Abb. S. 83 "],["1929 Abels, Köln","9030","Nr. 18 "],["1991 Wien","9033","Nr. 27 mit Farbtaf. "],["1927 Flechtheim, Berlin","9052","Nr. 104 "]],[["Westheim 1925 a, Abb. 74 ","2027"],["Lowitzer-Hönig 2008, S. 68, Abb. 116","2124"],["Westheim 1917 a, S. [320] ","2244"],["Wingler 1957, S. 108, Farbabb. S. 109 ","2423"],["Hoffmann 1947, S. 120, Abb. XXVIII ","2499"],["Leshko 1977, S. 283-284, Abb. 149 ","2659"],["Walden N. 1963, Abb. 26 S. [77] ","2664"],["Westheim 1918 a, S. 53, Abb. 24 ","2738"],["Plaut 1948, S. 23 ","2891"],["Kokoschka 1971, S. 122 und 125 ","2894"],["Windisch 2013, S. 247, Abb. 151","3001"],["Wallas 1987, Abb. S. 18 ","3096"],["Hodin 1968 a, S. 166 ","3213"],["Palkovsky 1958, Abb. 22 ","3411"],["Bultmann 1959, Farbabb. S. 19 ","3434"],["Hodin 1966, S. 109 ","3490"],["Schmalenbach F. 1947, S. 13 ","3824"],["Schweiger 1983, S. 155, Farbtaf. S. 184 ","3945"],["Basil 1974","4027"],["Natter 2003, S. 270, Farbabb. S. 272","4056"],["Prag 2006","23197"],["Prag 2011, S. 23 mit Farbabb. ","23198"],["Prag 2009, S. 64, Farbtaf. S. 65 ","23199"]],[["Männliches Bildnis"]]]},{"id":1165,"img":{"extraLarge":"AP_100042171_extraLarge.jpg","medium":"AP_100042171_medium.jpg"},"arr":["1914.04","Der Gefangene","Albert Ehrenstein or The Prisoner","1914","Öl/Lwd.","99 x 73 cm ","Bez. oben links: OK ","84 ","91","105","National Heritage Institute, Zámek Hradec nad Moravicí, bei Opava (Troppau)"," ","",""],"mul":[[["Walden Herwarth","Herwarth Walden, Berlin (1914)",""],["von Lichnowsky Mechtilde","Mechtilde von Lichnowsky, Berlin/Schloß Grätz bei Troppau",""]],[["1917 Sturm, Berlin","8138","Nr. 39 "],["2013/14 Rotterdam","8478","Nr. 35 mit Farbtaf."],["1917 Stockholm","8618","Nr. 125 "],["2008 Wien, Belvedere","8619","S. 242, Farbtaf. 128 S. 245"],["1918 Cassirer, Berlin","8777","Nr. 19 "],["1927 Cassirer, Berlin","8968","Nr. 22 "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 19, Farbtaf. S. 87"]],[["Westheim 1917 a, S. [320] ","2244"],["Westheim 1918 a, S. 53 ","2738"],["Paris 2022, Farbtaf. S. 87","43164"]],[["Männliches Bildnis"]]]},{"id":1108,"img":{"extraLarge":"AP_100042114_extraLarge.jpg","medium":"AP_100042114_medium.jpg"},"arr":["1914.05","Wandbild für Alma Mahler","","1914","Tempera und Öl auf trockenem Kalkputz (`al secco')","68 x 403 cm ","Unbez. ",""," ","106","Privatbesitz, Breitenstein am Semmering ","1987 ","",""],"mul":[[["Mahler Alma","Alma Mahler, Wien/Breitenstein ",""]],[["2008 Wien, Belvedere","8619","S. 242, 244, Farbtaf. 129 S. 246--247"]],[["Meyer 2013, S. 187, Farbabb. 57 S. 398","2165"],["Basta 1991","2263"],["Weidinger/Strobl 2008, S. 418, Abb. V.647","2435"],["Weidinger 1996, S. 62--63, Farbabb. S. 62","2485"],["Jungk 1987, S. 107, 125","2869"],["Mahler-Werfel 1960, S. 66 ","3010"],["Wiener Zeitung 1991, S. 5 mit Abb. ","3288"],["Spielmann 2003 a, S. 156 mit Abb.","3309"],["Gorsen 1995, S. 41 mit Abb.","4009"]],[["Figuren in Landschaft"],["Wandgemälde"],["Selbstbildnis"],["Weibliches Bildnis"]]]},{"id":1351,"img":{"extraLarge":"AP_100042358_extraLarge.jpg","medium":"AP_100042358_medium.jpg"},"arr":["1914.06","Proletarierkinder","Brother and Sister\nBild mit zwei Kindern\nBruder und Schwester oder Die Geschwister\nDoppelbildnis","1914","Öl/Lwd.","79.5 x 120 cm ","Bez. unten rechts: OK ","94 ","98 ","107","Leopold-Hoesch-Museum, Düren ","1951 ","1951/862",""],"mul":[[["Hauer Franz","Franz Hauer, Wien (bis 1914)",""],["Moll Carl","Carl Moll, Wien",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (30.6.1917)",""],["Galerie Georg Caspari","Galerie Georg Caspari, München (26.9.1917)",""],["Kirchhoff Heinrich","Heinrich Kirchhoff, Wiesbaden (1917/18)",""],["Moeller Ferdinand","Ferdinand Moeller, Berlin (Dez. 1934)",""],["Galerie Werner Rusche","Galerie Werner Rusche, Köln ",""],["Frankfurter Kunstkabinett, Hanna Becker vom Rath","Frankfurter Kunstkabinett, Hanna Becker vom Rath, Frankfurt (um 1949)",""],["Moog Karl","Karl Moog, Kelsterbach (1950)",""]],[["1962 Tate Gallery, London","8075","Nr. 45 "],["1924 Neues Museum, Wiesbaden","8098","Nr. 18 u. d. T. \"Die Kinder\" "],["2014 Wolfsburg","8102","S. 165, 303, Farbtaf. S. 174-175"],["1971 München","8125","Nr. 20 mit Abb. "],["1950 München","8139","Nr. 28 u. d. T. \"Bruder und Schwester\" "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 8 "],["1958 Den Haag","8309","Nr. 26 mit Abb. "],["1962/1963 Hamburg","8422","Nr. 23 mit Abb. "],["1958 Wien","8541","Nr. 38, Abb. S. 31 "],["1916 Berlin, Berliner Secession","8736","Nr. 53 u. d. T. \"Arme Kinder\" "],["1951 Berlin","8741","Nr. 13 "],["1918 Cassirer, Berlin","8777","Nr. 14 u. d. T. \"Zwei Kinder\" "],["2005/06 Pfäffikon","8898","Farbtaf. 59"],["1958 München, Haus der Kunst","8914","Nr. 38, Abb. S. 31 "],["1930 Wiesbaden","8969","Nr. 46 u. d. T. \"Zwei Kinder\" "],["1929 Wiesbaden","11107",""]],[["Scheffler 1921, Abb. S. 190 ","2039"],["Düren 1955, S. 25, Nr. 113, Abb. 17","2079"],["Düren 1959, S. 241, Abb. S. 239","2137"],["Westheim 1917 a, S. [320] u. d. T. \"Bild mit zwei Kindern\" ","2244"],["Friedeberger 1916, S. 70","2304"],["Weidinger/Strobl 2008, S. 411, Abb. V.461","2435"],["Leshko 1977, S. 142-143, Abb. 66 ","2659"],["Westheim 1918 a, S. 53 ","2738"],["Heilmaier 1929, Abb. 8 ","2885"],["Selz 1974, S. 309, Abb. 142a ","3116"],["Scheffler 1919, Abb. S. 126 ","3534"],["Wingler 1950 a, Abb. S. [47] (Gesamt und Details) ","3626"],["Düren 1965, S. 39, Nr. 172, Abb. 19","16165"],["Düren 2012, S. 105, 293, Farbabb. S. 105 ","21167"]],[["Kinder"]]]},{"id":1362,"img":{"extraLarge":"AP_100042369_extraLarge.jpg","medium":"AP_100042369_medium.jpg"},"arr":["1914.07","Emil Löwenbach","E. Ludwig (`Der Blinde')","[1914]","Öl/Lwd.","125 x 79 cm ","Bez. oben links: OK ","","100 ","108","Neue Galerie, New York","2000","","Neue Galerie, New York"],"mul":[[["Löwenbach Emil","Emil Löwenbach, Wien",""],["Löwenbach Babette","Babette Löwenbach, Wien",""],["Pick Francis M.","Francis M. Pick, Wien",""],["Kay Steven","Steven Kay, Wien",""],["Kunsthaus Lempertz","Kunsthaus Lempertz, Köln (20./21.5.1965, Nr. 483 mit Faksimile der handschr. Bestätigung des Künstlers \"Dieses Ölportrait des Herrn E. L. ist authentisch / wurde von mir 1914 gemalt, ich glaube in Wien / Oskar )",""],["Marlborough Fine Art","Marlborough Fine Art, London (21.5.1965)",""],["Jentsch Ralph","Ralph Jentsch, Esslingen",""],["Sotheby Parke Bernet","Sotheby Parke Bernet, London (5.12.1973, Nr. 83 mit Farbtaf.)",""],["The Robert Gore Rifkind Foundation, Los Angeles","The Robert Gore Rifkind Foundation, Los Angeles (10.1979)",""]],[["2014 Wolfsburg","8102","S. 24, 91, 301, Farbtaf. S. 109"],["1950 München","8139","Nr. 31 "],["1966 Zürich","8225","Nr. 33 u. d. T. \"Emil Ludwig (Der Blinde)\" "],["2002 Hamburg","8474","S. 174, 247, Farbtaf. S. 175"],["1966 New York","8544","Nr. 18, Abb. S. 39 "],["1975 Madrid","8555","Nr. 3 "],["1951 Berlin","8741","Nr. 15 "],["1966 London","8938","Nr. 5, Abb. S. 22 "],["2001/02 Neue Galerie, New York","8978","Nr. I.51, S. 132, Farbtaf. S. 124"],["1951 Linz","8989","Nr. 13 "],["1986/87 Guggenheim, New York","9072","Nr. 29 mit Farbtaf. "]],[["Sotheby Parke Bernet 1973, Nr. 83 mit Farbtaf. ","2600"],["Alte und moderne Kunst 1967, Abb. S. 47","2978"],["Lempertz 1965, Nr. 483, Abb. Taf. 1","3184"],["Lantern 1975, Abb. S. 20 ","4088"]],[["Männliches Bildnis"]]]},{"id":1284,"img":{"extraLarge":"AP_100042290_extraLarge.jpg","medium":"AP_100042290_medium.jpg"},"arr":["1914.08","Herr E. Löwenstamm","Porträt eines Herrn (Brustbild)\nPorträt eines Kaufmannes","[1914]","Öl/Lwd.","70 x 50 cm ","Unbez. ","","83 ","109","Privatbesitz"," ","",""],"mul":[[["Reichel Oskar","Oskar Reichel, Wien",""],["Reichel Hans","Hans Reichel, Wien",""],["Galerie St. Etienne, Otto Kallir","Galerie St. Etienne, Otto Kallir, New York (1939)",""],["Marlborough Fine Art","Marlborough Fine Art, London (7.1958)",""],["Jeanneret Marie-Louise","Galerie des Arts Anciens et Modernes, Marie-Louise Jeanneret, Genf",""],["Fridart Foundation Josefowitz David","Fridart Foundation David Josefowitz, Genf (1962)",""],["Sotheby Parke Bernet","Sotheby Parke Bernet, London (28.3.1973, Nr. 69 mit Farbtaf.)",""],["Galerie Kornfeld","Galerie Kornfeld, Bern (13.9.2024) (Kat. Nr. 178 mit Farbtaf., nicht verkauft)",""]],[["1984 Vevey","8050","Nr. 6, Abb. S. 33 "],["1971 München","8125","Nr. 17 mit Abb. "],["1949 St. Etienne, New York","8184"," "],["[1941 Chicago]","8292","Nr. 17 "],["1974 Paris","8531","Nr. 618 "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","I. Stock, Saal, Nr. 2 "],["1940 Galerie St. Etienne, New York","8726","Nr. 13 "],["1959 London","8797","Nr. 37, Abb. S. 70 "],["1961 Glasgow","8944","Nr. 126, Abb. 42 "],["1933 Wien","9009"," "],["1983 Bordeaux","9016","Nr. 9, Abb. S. 81 "],["1924 Neue Galerie, Wien","9081"," "]],[["Westheim 1917 a, S. 319 ","2244"],["Westheim 1918 a, S. 52 ","2738"],["Sotheby Park Bernet 1973 a, Nr. 69 mit Farbtaf. ","4095"],["Weltkunst 1955 c, Abb.","16174"],["Galerie Kornfeld, Bern, 2024 2024, Kat. Nr. 178 mit Farbtaf.","46164"]],[["Männliches Bildnis"]]]},{"id":1404,"img":{"extraLarge":"AP_100042411_extraLarge.jpg","medium":"AP_100042411_medium.jpg"},"arr":["1914.09","Victor Ritter von Bauer","Herr Bauer","[1914]","Öl/Lwd.","69 x 56 cm ","Bez. oben rechts: OK ","93","101 ","110","Leopold Museum Wien","(7.12.2023)","","Broere Charitable Foundation"],"mul":[[["Bauer Viktor","Viktor Bauer, Wien",""],["Nebehay Gustav","Gustav Nebehay, Wien ",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin, (7.3.1922)","gemeinsamer Besitz mit Galerie Georg Caspari, München "],["Privatbesitz","Privatbesitz, Berlin (8.11.1923)",""],["Gottschalk","Gottschalk, Düsseldorf-Oberkassel",""],["Galerie Maier-Hahn","Galerie Maier-Hahn, Düsseldorf",""],["Galerie Roswitha Haftmann","Galerie Roswitha Haftmann, Zürich",""],["Christie, Manson & Woods","Christie, Manson & Woods, New York (3.11.1981, Nr. 41 mit Farbtaf. )",""],["Solley Thomas T.","Thomas T. Solley, Bloomington, IN","ab 1983 als Leihgabe im Indiana University Art Museum, Bloomington"],["Galerie und Antiquariat Hassfurther","Galerie und Antiquariat Hassfurther, Wien (6.12.1988, Nr. 28, Farbtaf. Nr. 16)",""],["Galerie und Antiquariat Hassfurther","Galerie und Antiquariat Hassfurther, Wien (14.12.1990, Farbtaf.)",""],["Sabarsky Serge","Serge Sabarsky, New York (1991)",""],["Privatbesitz","Privatbesitz, New York (1991)",""],["Wally Sabarsky Trust","Wally Sabarsky Trust, New York",""],["Karl & Faber","Karl & Faber, München (7.12.2023, Kat. Nr. 409 mit Frabtaf.)",""]],[["1994 Krakau","8013","S. 130, Farbtaf. 4"],["1927 Zürich, Kunsthaus","8209","Nr. 36 "],["1997 Krumau","8285","S. [56], Farbtaf. S. [57]"],["1967 Düsseldorf","8472","Nr. 186, Abb. 45 "],["2002 Hamburg","8474","S. 176, 247, Farbtaf. S. 177"],["1932 Düsseldorf","8664","Nr. 66 "],["1956 Düsseldorf","8798","Nr. 182 "],["2001/02 Neue Galerie, New York","8978","Nr. I.52, S. 132, Farbtaf. S. 125"],["1929 Abels, Köln","9030","Nr. 23 "],["2018/2019 Zürich","21106","Nr. 32, Farbtaf. S. 80"]],[["Amsterdam 1970 b, Farbabb.","2775"],["Hassfurther 1990, Farbtaf. ","3300"],["Christie's New York 1981 b, Nr. 41 mit Farbtaf. ","3993"],["Hassfurther 1988, Nr. 28, Farbtaf. Nr. 16","11164"],["","44164"]],[["Männliches Bildnis"]]]},{"id":1025,"img":{"extraLarge":"AP_100042029_extraLarge.jpg","medium":"AP_100042029_medium.jpg"},"arr":["1914.1","Anton von Webern","","[1914]","Öl/Lwd.","63.3 x 48.2 cm ","Unbez. ","97","99 ","111","Privatbesitz, Courtesy Marlborough Fine Art"," ","","Privatbesitz, Courtesy Marlborough Fine Art"],"mul":[[["Loos Adolf","Adolf Loos, Wien",""],["Neue Galerie, Otto Kallir-Nirenstein, Wien","Neue Galerie, Otto Kallir-Nirenstein, Wien (8.1.1925)",""],["Wolff Fritz","Fritz Wolff, Wien/ab 1940 New York (1927)",""],["Knize Annie","Annie Knize, New York (1949)",""],["Knize Peter A.","Peter A. Knize, Newton, Co. (1979)",""],["Marlborough Fine Art","Marlborough Fine Art, London",""]],[["2001 New York","8011","Nr. 3, Farbtaf. S. 10"],["2006 New York, Galerie St. Etienne","8062","Nr. 33"],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 28 "],["1985/86 New York","8137","Nr. 7, Farbabb. S. 19 "],["1915 New York","8449"," "],["2002 Hamburg","8474","S. 178, 247, Farbtaf. S. 179"],["2001/02 Madrid","8525","S. 85, Nr. 11 mit Farbtaf."],["1958 Wien","8541","Nr. 39 "],["1966 New York","8544","Nr. 17, Abb. S. 36 "],["1987 Gent","8571","Nr. 12, Farbtaf. S. 86 "],["2008 Wien, Belvedere","8619","S. 250, Farbtaf. 131 S. 251"],["1959 Bayer, New York","8649","Nr. 8 "],["1988 Barcelona","8659","Nr. 12, Farbtaf. S. 46 "],["1986 Tokyo","8703","Nr. 108 mit Farbabb. "],["2010/11 Riehen","8760","S. 264, Farbtaf. S. 166"],["1915 San Francisco","8772","Nr. 312 "],["1987 Florenz","8852","Nr. 5 mit Farbabb. "],["2012 Düsseldorf","8873","S. 406, Farbtaf. S. 279"],["1958 München, Haus der Kunst","8914","Nr. 39 "],["1992 New York","8930","Nr. 44 "],["1991 Wien","9033","Nr. 28 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 31, Farbtaf. S. 70"]],[["Bonnefoit 2013, S. 47, Farbabb. 10","2194"],["Forni 1984, S. 37--38 ","2260"],["Schroeder 2015, S. 95, Farbabb. IV S.173","2261"],["Anton Webern 1961, Abb. 8 (Detail)","2262"],["Weidinger/Strobl 2008, S. 273","2435"],["Moldenhauer 1980, Abb. S. 484","2807"],["Kokoschka 1971, S. 283 ","2894"],["Breicha/Fritsch 1964, Farbtaf. S. 164 ","2960"],["Windisch 2013, S. 247, Abb. 148","3001"],["Hilmar 1974, S. 217","3036"],["Spielmann 2003 a, S. 154 mit Abb.","3309"],["Moldenhauer 1970, Abb. als Frontispiz","3519"],["Kallir 1992, Taf. 34 ","3647"],["Wien 1969, Farbabb. S. 31","3705"],["Masciotta 1949, Taf. XIV ","3880"],["Schweiger 1983, S. 222 ","3945"],["Rexroth 1983, Abb. S. 66","4057"]],[["Männliches Bildnis"]]]},{"id":1040,"img":{"extraLarge":"AP_100042044_extraLarge.jpg","medium":"AP_100042044_medium.jpg"},"arr":["1914.11","Selbstbildnis mit Pinsel","","1914","Öl/Lwd.","82.3 x 66 cm ","Bez. oben links: OK. Auf der Rückseite datiert und beschriftet: 24. dez. 1914 DER AUS DEM BILD SIEHT / BIN ICH / WER AUF MICH SCHAUT / BIST DU ","","102, Taf. 36 ","112","Toyota Municipal Museum of Art"," ","","Toyota Municipal Museum of Art"],"mul":[[["Loos Adolf","Adolf Loos, Wien",""],["Neue Galerie, Otto Kallir-Nirenstein, Wien","Neue Galerie, Otto Kallir-Nirenstein, Wien (8.1.1925)",""],["Wolff Fritz","Fritz Wolff, Wien/ab 1940 New York (1927)",""],["Knize Annie","Annie Knize, New York (1949)",""],["Knize Peter A.","Peter A. Knize, Newton, Co. (1979)",""],["Sabarsky Serge","Serge Sabarsky, New York (1995)",""],["Privatbesitz","Privatbesitz, Japan",""]],[["1956 Chicago","8045","Nr. 8 "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 27 "],["1947 Basel, Kunsthalle","8376","Nr. 130 "],["1915 New York","8449"," "],["1981 New York, Marlborough","8535","Nr. 13, Abb. S. 36 "],["1966 New York","8544","Nr. 19, Abb. S. 38 "],["2000 Tokyo","8567","Nr. 23, S. [60], Farbtaf. S. 61"],["1987 Gent","8571","Nr. 13, Farbtaf. S. 87 "],["1976 Bregenz","8605","Nr. 10, Abb. XXII "],["1926 Köln","8627"," "],["1925 Zürich","8635","Nr. 228 "],["1986 London","8643","Nr. 36 mit Farbtaf. "],["1959 Bayer, New York","8649","Nr. 7 mit Abb. "],["1988 Barcelona","8659","Nr. 13, Farbtaf. S. 47 "],["1986 Paris","8762","Farbtaf. [S. 512] "],["1915 San Francisco","8772","Nr. 310 "],["1986 Zürich","8836","Nr. 37 mit Farbtaf. "],["1987 Florenz","8852","Nr. 6 mit Farbtaf. "],["1980/81 New York","8897","Nr. 278, Abb. S. 266 (engl. Original des Kataloges: Nr. 280, Abb. S. 258)"],["1992 New York","8930","Nr. 45 "],["1981/82 Rom","8934","Farbabb. S. 30 (nicht ausgestellt) "],["1923 Cassirer, Berlin","9051"," "],["1989 Wien","9096","Nr. 112, Farbabb. S. 532 "]],[["Rieger 1928, Abb. gegenüber S. 160 ","2093"],["Roşu 1976, Abb. S. 26 ","2148"],["Weidinger/Strobl 2008, S. 415, Abb. V.642","2435"],["Weidinger 1996, S. 79 mit Farbabb.","2485"],["Leshko 1977, S. 189-191, Abb. 97 ","2659"],["Westheim 1918 a, S. 53 ","2738"],["Breicha/Fritsch 1964, Farbtaf. S. 124 ","2960"],["Windisch 2013, S. 221, Abb. 107","3001"],["Düsseldorf 1986, Abb. S. 84","3078"],["Hodin 1968 a, S. 318 ","3213"],["Husslein-Arco/Weidinger 2008, S. 242, Farbabb. 128","3215"],["Gatt 1972, Abb. 15 ","3468"],["Hodin 1966, S. 212 ","3490"],["Kallir 1992, Taf. 5 ","3647"],["Masciotta 1949, Taf. XI ","3880"],["Knize 2002, S. 68 mit Abb.","3891"],["Shearman 2007, Farbabb. 19","4103"]],[["Selbstbildnis"],["Männliches Bildnis"]]]},{"id":1047,"img":{"extraLarge":"AP_100042051_extraLarge.jpg","medium":"AP_100042051_medium.jpg"},"arr":["1914.12","Fortuna","Frauenakt (Fortuna)\nAllegorie","[1914/15]","Öl/Lwd.","55.5 x 69 ","Bez. unten links: OK; datiert oben rechts: 1915 ","100","103 ","113","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Neufeld Adolf","Adolf Neufeld, Wien",""],["von Garvens-Garvensburg Herbert","Herbert von Garvens-Garvensburg, Hannover (um 1921)",""],["Kahnheimer Willi","Willi Kahnheimer, Berlin, ab 1935 London (vor 1931)",""],["Privatbesitz","Privatbesitz",""],["Christie's","Christie's, London (8.2.2012, Nr. 448 mit Farbtaf.)",""]],[["[1921 Dresden]","8064"," "],["1921 Hannover","8296","mit Abb. "],["1922 Akademie, Berlin","8373"," "],["2014 Wien","8519","S. 248, Farbtaf. S. 169"],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 26 "],["2018/2019 Zürich","21106","Nr. 33, Farbtaf. S. 120"]],[["Weidinger/Strobl 2008, S. 426, Abb. V.600a","2435"],["Scheffler 1922, S. 359--360, Abb. S. 361","2715"],["Christie's London 2012, Nr. 448 mit Farbtaf.","3188"],["Der Querschnitt 1921, Abb. S. 174. Hinweis auf die Ausstellung 1921 Dresden [außer Katalog]","3246"],["Einstein 1926, Abb. S. 449 u. d. T. \"Allegorie\"; 2. Aufl. 1928, Abb. S. 433 ","3305"]],[["Figuren in Landschaft"],["Akte"],["Mythologie"]]]},{"id":1261,"img":{"extraLarge":"AP_100042267_extraLarge.jpg","medium":"AP_100042267_medium.jpg"},"arr":["1915.01","Ludwig von Ficker","Herr von Ficker","1915","Öl/Lwd.","100 x 74 cm ","Bez. oben links: OK. Auf der Rückseite datiert: J. 1915; auf dem Keilrahmen von fremder Hand beschriftet: Porträt Ludwig von Ficker Innsbruck / gemalt von Oskar Kokoschka in Wien / Januar 1915 ","46","104, Taf. 39 ","114","Tiroler Landesmuseum Ferdinandeum, Innsbruck ","7. März 1969, Stiftung Landes Tirol mit Unterstützung des Bundesministeriums für Unterricht, Wien","Gem 564","Innsbruck, Tiroler Landemuseum Ferdinandeum, Moderne Galerie"],"mul":[[["von Ficker Ludwig","Ludwig von Ficker, Innsbruck",""],["Land Tirol","Land Tirol (1968)",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 38 "],["1971 München","8125","Nr. 21 mit Abb. "],["1950 München","8139","Nr. 32 "],["2000/01 Mailand","8305","Farbtaf. S. 164"],["2006 Klosterneuburg","8515","S. 467, Farbtaf. S. 163"],["1958 Wien","8541","Nr. 40, Abb. S. 29 "],["1968 Salzburg","8598","Nr. 39, Farbabb. S. 5 "],["2008 Wien, Belvedere","8619","S. 252, Farbtaf. 132 S. 253"],["1951 Berlin","8741","Nr. 16 "],["1971 Wien","8820","Nr. 28, Abb. 18 "],["1984 Venedig","8824","Nr. 653, Abb. S. 138 "],["1976 Innsbruck","8853","Nr. 20 mit Abb. "],["1958 München, Haus der Kunst","8914","Nr. 40, Abb. S. 29 "],["1981/82 Rom","8934","Farbabb. S. 35 "],["1995 Madrid","8965","S. 84, 111, Nr. 22 mit Farbtaf."],["1951 Linz","8989","Nr. 14 "],["1983 Bordeaux","9016","Nr. 12, Abb. S. 85 "],["1991 Wien","9033","Nr. 29 mit Farbtaf. und Detail "],["2008 Linz","9042","S. 77 mit Farbtaf."],["1985 Künstlerhaus, Wien","9048","Nr. 15/6/10, Abb. S. 491 "],["2018/2019 Zürich","21106","Nr. 34, Farbtaf. S. 81"],["2011 Bozen","23106",""]],[["Innsbruck 1980, S. 68, Farbtaf. S. 69","2075"],["Ficker 1988, S. 84, Anm. \"Übersendung des Betrages\" S. 475 und S. 93 (Cissi von Ficker am 19. III. [19]15 an ihren Vater über den Empfang des Portraits)","2209"],["Ficker 1986, farb. Umschlagabb. (Detail)","2459"],["Beispiele neuerer österreichischer Kunst 1976, o. Nr. mit Abb. ","2522"],["Windisch 2013, S. 247, Abb. 149","3001"],["Nedo/Ranchetti 1983, Nr. 242, Abb. S. 172","3017"],["Auböck/Marchetti 1985, Abb. S. 142","3045"],["Innsbruck 1979, S. 64 mit Abb.","3132"],["Das Fenster 1967, Farbtaf. S. [103]","3140"],["Spielmann 2003 a, S. 158--159 mit Abb.","3309"],["Hörmann 1969, S. 6","3340"],["Zangerle 1955, Abb. als Frontispiz","3365"],["Das Fenster 1977, Abb. S. 2081","3495"],["Strobel 1971, S. 15 ","3775"]],[["Männliches Bildnis"]]]},{"id":1375,"img":{"extraLarge":"AP_100042382_extraLarge.jpg","medium":"AP_100042382_medium.jpg"},"arr":["1915.02","Der irrende Ritter","","[1915]","Öl/Lwd.","89.5 x 180.1 cm ","Bez. unten rechts: OK. Auf der Rückseite beschriftet: OKOXOK ","105","105, Taf. 44 ","115","Solomon R. Guggenheim Museum, New York ","1948 ","48.1172x380","Solomon R. Guggenheim Museum, New York, Estate of Karl Nierendorf, By purchase"],"mul":[[["Reichel Oskar","Oskar Reichel, Wien (um 1916)",""],["Neue Galerie, Otto Kallir-Nirenstein, Wien/Galerie St. Etienne, Otto Kallir, New York","Neue Galerie, Otto Kallir-Nirenstein, Wien/Galerie St. Etienne, Otto Kallir, New York (1934-1945)",""],["Nierendorf Gallery","Nierendorf Gallery, New York (um 1946)",""]],[["1943 New Orleans","8017","Nr. 5 "],["1962 Tate Gallery, London","8075","Nr. 46, Abb. 15 "],["1958 Paris","8123","Nr. 43 mit Abb. "],["1942 Saint Louis","8134","Nr. 10 "],["1943 Galerie St. Etienne, New York","8196"," "],["1927 Zürich, Kunsthaus","8209","Nr. 41 "],["1946 Oberlin","8219"," "],["1948 Boston","8222","Nr. 24 mit Abb. "],["1966 Zürich","8225","Nr. 34, Abb. 9 "],["1966 Karlsruhe","8284","Nr. 27 mit Abb. "],["1941 Chicago","8292","Nr. 9 "],["1968 Guggenheim, New York","8365","mit Farbabb. "],["1976 New York","8400","Nr. 58, Abb. S. 80 "],["1962/1963 Hamburg","8422","Nr. 24 mit Abb. "],["2011 Guggenheim, New York","8436","S. 210--211, Farbtaf. S. 185"],["1941 New York","8466","Nr. 12 "],["2002 Hamburg","8474","S. 180, 247, Farbtaf. S. 181 (nur in New York ausgestellt)"],["2015/16 Wien","8486","S. 144"],["2007 Madrid","8595","S. 65, 322, Farbtaf. 20"],["1986 London","8643","Nr. 35 mit Farbtaf. "],["1957 Tate, London","8669","Nr. 38 "],["1964 Guggenheim, New York","8695","mit Abb. "],["1940 Galerie St. Etienne, New York","8726","Nr. 14 "],["2010/11 Riehen","8760","S. 264, Farbtaf. S. 168/169"],["1990 Venedig","8784","Nr. 34 mit Farbabb. "],["1957/58 Valle Giulia, Rom","8790","Nr. 40 mit Abb. "],["1986 Zürich","8836","Nr. 36 mit Farbtaf. "],["1967 New York","8887","mit Farbabb. "],["1980/81 New York","8897","Nr. 281, Abb. S. 269 (engl. Original des Kataloges: Nr. 281, Abb. S. 259)"],["1939 Paris","8964"," "],["1965 Guggenheim, New York","8974","Nr. 40, Abb. S. 41 "],["1933 Wien","9009"," "],["1970 Guggenheim, New York","9018","Abb. S. 251 "],["1933/34 Prag","9035","Nr. 4 "],["1986/87 Guggenheim, New York","9072","Nr. 30 mit Farbtaf. "],["1924 Neue Galerie, Wien","9081"," "]],[["Westheim 1925 a, S. 54--55, Abb. 80 ","2027"],["Długosz 2014, S. 119, Farbabb. 30 S. 121","2033"],["Zivel'cinskaja 1931, Abb. S. 103 ","2034"],["Faistauer 1923, S. 80, Abb. 34 ","2071"],["Cioran 2011, S. 9-12","2099"],["Karpfen 1923, Abb. S. 173 ","2107"],["Roşu 1976, Abb. S. 28 ","2148"],["Meyer 2013, S. 218, Farbabb. 74 S. 403","2165"],["Calvocoressi 1992, Farbabb. 32 ","2193"],["Myers 1957, S. 63 ","2233"],["Westheim 1917 a, S. 319, Abb. S. [304] ","2244"],["Bertsch 1993, S. 38 ","2361"],["Miskin 1958, S. 29 ","2411"],["Gordon 1981, S. 27-32, 44-45 und 48-52, Farbtaf. als Frontispiz ","2414"],["Ruhrberg 1965, Abb. nach S. 128 ","2443"],["Weidinger 1996, S.80--81, Farbabb. S. 80","2485"],["Schmidt D. 1986 a, S. 125 ","2486"],["Hoffmann 1947, S. 153--154, Abb. XXIX ","2499"],["Bauer 2012, S. 70, Farbabb. 79","2541"],["New York 1959, S. 95, Abb. 77 ","2547"],["Hodin 1971, Abb. S. [75] ","2585"],["Leshko 1977, S. 330-359, S. 361, Abb. 172 und 173 (Detail) ","2659"],["Westheim 1918 a, S. 36 und 53, Abb. 38 ","2738"],["Schmidt 1976, S. 128, Abb. S. 129 ","2747"],["Konstani 1998, Abb. im Anhang","2829"],["Kokoschka 1919, Abb. S. 42 ","2868"],["Hodurek 1976, S. 235, 308, Abb. 86","2884"],["Plaut 1948, S. 23--24 ","2891"],["Krapf-Weiler 1997, S. 116, Abb. 106, Farbtaf. S. 69","2917"],["Roessler 1918 b, Abb. S. 111 ","2945"],["Kallir 1981, Farbtaf. 31 ","2980"],["Windisch 2013, S. 247, Abb. 146","3001"],["Bormann 2014 c, S. 167, Farbabb. 2","3016"],["Hoffmann-Curtius 1987, S. 164--165, Abb. S. 164 ","3108"],["New York 1984 a, Nr. 34 mit Farbabb.","3111"],["Selz 1974, S. 310, Abb. 142b ","3116"],["Kelm 1973, S. 35 und 39-43 ","3187"],["Adolphs 1992, S. 88--89, Abb. 18 ","3191"],["Hodin 1968 a, S. 96 und 202 ","3213"],["Husslein-Arco/Weidinger 2008, S. 250, Farbabb. 130","3215"],["Cork 1994, S. 83, Farbabb. 96","3232"],["Mikš 2013, S. 163, 357, Abb. 3.13","3257"],["Kallir 1999, S. 19, Abb. 6 S. 20","3267"],["Serati 2008, S. 316 mit Farbabb.","3304"],["Einstein 1926, Abb. S. 452 ","3305"],["Giebe 2002, S. 8","3308"],["Spielmann 2003 a, S. 161, 167, Farbtaf. S. 195","3309"],["Mönig 1997, S. 104-105","3313"],["Fischer 1982, S. 7, Abb. 7 ","3317"],["Spielmann 1985 a, S. 94, Abb. S. 92/93 ","3319"],["New York 1970, S. 250--251 mit Farbabb. ","3324"],["New York 2011, S. 210-211, Farbtaf. S. 185","3326"],["Bonnefoit/Held 2013, S. 248-249, Farbabb. 3","3358"],["Bultmann 1959, S. 32 ","3434"],["Gordon 1987, S. 144, Abb. 143 ","3453"],["Gatt 1972, Abb. 17 ","3468"],["Whitford 1986, S. 100, Abb. 16 ","3477"],["Hodin 1966, S. 58 und 134, Abb. 21 ","3490"],["Platschek 1946, Abb. 22 ","3496"],["Messer 1986, Abb. S. 182","3513"],["Rumold 2010, S. 171-172, Farbabb. 1","3517"],["New York 1980, Nr. 52 mit Farbabb.","3561"],["Hofmann 1986 c, S. 265 ","3592"],["Vergo 2015, S. 13--14 mit Farbabb. 4","3593"],["Frodl/Natter 1997, Farbtaf. S. 69","3638"],["Hofmann 1986 a, S. 25, Abb. S. 16 ","3698"],["Wingler 1956, S. 43 ","3708"],["Giebe 2010, S. 98","3717"],["Westheim 1918 c, S. 109--110, Abb. S. 110 ","3728"],["Hofmann 1986 d","3742"],["Masciotta 1949, S. 30 und 33 ","3880"],["Hofmann 1967, S. 60, Farbabb. S. 57 ","3918"],["Wilckens 1951, S. 46 ","3953"],["Zauner/Köstler 1996, Farbabb. S. 180","3956"],["Simmen 1990, S. 115--136, Farbabb. 53 S. 118","3992"],["Brenner 1976, Abb. S. 80","4053"],["Natter 2003, S. 254 mit Farbabb.","4056"],["Shearman 2007, S. 3, Farbabb. 2","4103"],["New York 1976, Nr. 157 (S. 426--431), Farbabb. S. 426","4148"],["Schroeder 2012, S. 238, Farbabb. S. 274","13172"],["Leshko 1982, Abb. 1 und 3 (Detail)","20197"],["New York 2006, Kat. Nr. 6 mit Farbtaf. S. 42","23191"]],[["Selbstbildnis"],["Figuren in Landschaft"]]]},{"id":1110,"img":{"extraLarge":"AP_100042116_extraLarge.jpg","medium":"AP_100042116_medium.jpg"},"arr":["1916.01","Heinrich Neumann","","1916","Öl/Lwd.","90.1 x 59.9 cm ","Unbez. ","","106, Taf. 38 ","116","Busch-Reisinger Museum of Central and Northern European Art, Cambridge, Mass.","1952 ","BR 1952.21","Harvard Art Museums/Busch-Reisinger Museum, Association Fund"],"mul":[[["Neumann Heinrich","Heinrich Neumann, Wien/ab 1938 New York",""],["Neumann Melitta","Melitta Neumann, New York (1939)",""],["Glückselig & Son M.","M. Glückselig & Son, New York",""]],[["1999 Tokyo","8046","S. 163--164, 219, Farbtaf. 35"],["1980 Washington","8204"," "],["1992/93 Bielefeld","8407","Nr. 97, Farbtaf. S. 211 "],["1980 Wildenstein, New York","8633"," "],["1986 London","8643","Nr. 37 mit Farbtaf. "],["1982/83 Frankfurt/Main","8757","Nr. II, 6, Abb. S. 64 "],["1986 Zürich","8836","Nr. 38 mit Farbtaf. "],["1958 München, Haus der Kunst","8914","Nr. 41 "],["1986/87 Guggenheim, New York","9072","Nr. 31 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 35, Farbtaf. S. 110"]],[["Lowitzer-Hönig 2008, S. 69, Abb. 123","2124"],["Maier 1974, S. 499--500","2436"],["Cambridge 1980 b, S. 29 mit Abb.","2533"],["Cork 1994, S. 116, 118, Farbtaf. 149","3232"],["Arzt 1946","3802"],["Harvard Universtiy 1985, S. 314, Abb. 376","3827"],["Kuhn 1957, S. 55 mit Abb.","3871"],["Cambridge 1980 a, S. 29, Abb.","20180"],["Cambridge 1991, S. 57, Farbabb. S. 64","20181"],["Cambridge 2007, S. 147","20182"]],[["Männliches Bildnis"]]]},{"id":1340,"img":{"extraLarge":"AP_100042347_extraLarge.jpg","medium":"AP_100042347_medium.jpg"},"arr":["1916.02","Hermann Schwarzwald II","Dr. Schwarzwald, with book\nHerrenporträt mit Kneifer und Buch\nDr. S.","1916","Öl/Lwd.","79 x 62 cm ","Bez. und datiert unten links: 1916 OK ","107","107 ","117","Museum Boymans-van Beuningen, Rotterdam"," ","","Leihgabe, Sammlung Broere Foundation 2014\n"],"mul":[[["Galerie Georg Caspari","Galerie Georg Caspari, München (1916)",""],["Falk Henri und Adele","Henri und Adele Falk, Mannheim (1917)",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (11.4.1918)","über Hugo Helbing, München"],["de Garvens-Garvensburg Eugène","Eugène de Garvens-Garvensburg, Hannover (1.10.1918)",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (5.2.1926)","mit Galerie M. Goldschmidt & Co., Frankfurt"],["Lange Hermann","Hermann Lange, Krefeld (16.12.1926-42)",""],["Lange Maria","Maria Lange, Krefeld (1942-58)",""],["Marlborough Fine Art","Marlborough Fine Art, London",""],["Altamirano Mario","Mario Altamirano, Caracas (1969) ",""],["Christie's","Christie's, London (9.2.2011, Nr. 41 mit Fabtaf.)",""]],[["1921 Dresden","8064","Nr. 85 "],["2014 Wolfsburg","8102","S. 26, 91, 301, Farbtaf. S. 105"],["1920 Kestner-Gesellschaft, Hannover","8187","Nr. 45 "],["1927 Zürich, Kunsthaus","8209","Nr. 44 "],["1966 Karlsruhe","8284","Nr. 28 mit Abb. "],["1955 Recklinghausen","8430","Nr. 77 "],["2013/14 Rotterdam","8478","Nr. 36 mit Farbtaf."],["1916 München, Galerie Caspari","8656","mit Abb. "],["1969 London, Marlborough","8755","Nr. 17, Farbabb. S. 46 "],["1921 Hannover","8765"," "],["1921 Hannover","8773"," "],["1918 Cassirer, Berlin","8777","Nr. 20 "],["1931 Paris, Galeries Georges Petit","8875","Nr. 5 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 28 "],["1927 Cassirer, Berlin","8968","Nr. 26 "],["1979 Caracas","11106",""],["2018/2019 Zürich","21106","Nr. 36, Farbtaf. S. 111"]],[["Westheim 1917 b, Abb. S. [4]","2002"],["Westheim 1925 a, Abb. 68 ","2027"],["Faistauer 1923, Abb. 33 ","2071"],["Karpfen 1923, Abb. S. 175 ","2107"],["Westheim 1917 a, S. 319 u. d. T. \"Porträt des Dr. S. (zweite Fassung)\" ","2244"],["Westheim 1918 a, S. 53, Abb. 23 ","2738"],["Heilmaier 1929, Abb. 9 ","2885"],["Mannheim 1994, Nr. 140, S. 168","3152"],["Einstein 1926, Abb. S. 443 ","3305"],["Scheffler 1919, S. 127","3534"],["Salvini 1949, Fig. 20 ","3668"],["Westheim 1918 b, S. 240 ","3846"],["Neumeyer 1945, S. 263 ","3895"],["Waldmann 1930, Abb. 37 ","3927"],["Christie's London 2011 a, Nr. 41 mit Fabtaf. ","4030"],["Steinitz 1920, Abb. S. 73","12164"],["Das Kunstblatt 1925 b, Abb. S. 98","16168"],["Mannheim 1994, Nr. 140, S. 168","23190"]],[["Männliches Bildnis"]]]},{"id":1280,"img":{"extraLarge":"AP_100042286_extraLarge.jpg","medium":"AP_100042286_medium.jpg"},"arr":["1916.03","Dame mit Papagei (Maria Lazar)","Woman with Parrot","[1916]","Öl/Lwd.","84.5 x 50.5 cm ","Bez. unten links: OK ","103","108, Farbtaf. VIII ","118","Staatsgalerie Stuttgart ","1971, Schenkung Elly Koehler, Gauting ","3067",""],"mul":[[["Neufeld Adolf","Adolf Neufeld, Wien",""],["Köhler Bernhard","Bernhard Köhler, Berlin (1919, zeitweise als Leihgabe im Städelschen Kunstinstitut, Frankfurt am Main)",""],["Koehler jun. Bernhard","Bernhard Koehler jun., Gauting (1927-1964)",""],["Koehler Elly","Elly Koehler, Gauting (1964-1971)",""]],[["1957 Recklinghausen","8056","Nr. 87 mit Abb. "],["1921 Dresden","8064","Nr. 71 mit Abb. "],["1962 Tate Gallery, London","8075","Nr. 47, Abb. 17 "],["1950 München","8139","Nr. 34 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 10 "],["1943 Galerie St. Etienne, New York","8196"," "],["1932 Kopenhagen","8207","Nr. 105 "],["1927 Zürich, Kunsthaus","8209","Nr. 42 "],["1926 Glaspalast, München","8307","Nr. 2170 "],["1962/1963 Hamburg","8422","Nr. 25 mit Abb. "],["1927 Kunstverein, Hamburg","8476","Nr. 295 "],["1924 Stuttgart","8479","Nr. 97 mit Abb. "],["1928 Nationalgalerie, Berlin","8558","Nr. 83 "],["1988 Barcelona","8659","Nr. 14, Farbtaf. S. 48 "],["1951 Berlin","8741","Nr. 17 "],["1956 Wolfsburg","8749","Nr. 87, Abb. 58 "],["1953 Luzern","8831","Nr. 193 "],["2001/02 Rom","8918","Nr. 66 mit Farbtaf."],["1931 New York","8921","Nr. 51 "],["1960 Braunschweig","8933","Nr. 3 mit Abb. "],["1951 Linz","8989","Nr. 15, Abb. S. 11 "],["1960 Kopenhagen","9011","Nr. 22 "],["1991 Wien","9033","Nr. 31 mit Farbtaf. "],["1919 München","9091","Nr. 39 "]],[["Westheim 1925 a, Abb. 76 ","2027"],["Schmidt 1988, S. 85 und 89","2153"],["Eßlinger 1971, Abb.","2176"],["Calvocoressi 1992, Farbtaf. 33 ","2193"],["Hausenstein 1923, Abb. gegenüber S. 304 ","2253"],["Brugger 1991, S. 21 ","2382"],["Wingler 1951 a, Mappe I, S. [8-9], Farbtaf. 6 ","2406"],["Weidinger/Strobl 2008, S. 515, Abb. V.838a","2435"],["Tietze 1921, Abb. S. 223 ","2470"],["Schmidt D. 1986 a, S. 127 ","2486"],["Strohdach 1988, S. 44, Fabrabb. 10 S. 43 [zur Person der Dargestellten Maria Lazar]","2666"],["Jahrbuch 1972, S. 301--302, Abb. 7","3087"],["Stuttgart 1982, S. 185--186, Abb. S. 185 ","3244"],["Der Ararat 1920 a, S. 3-4, Abb. S. 9","3262"],["Palkovsky 1958, Abb. 23 ","3411"],["Bultmann 1959, S. 34 und 64, Farbtaf. 10 ","3434"],["Platschek 1946, Abb. 12 ","3496"],["Bulliet 1936, Abb. 232","4048"]],[["Weibliches Bildnis"]]]},{"id":1098,"img":{"extraLarge":"AP_100042104_extraLarge.jpg","medium":"AP_100042104_medium.jpg"},"arr":["1916.04","Dame mit Stuartkragen","Dame in Rot","[1916]","Öl/Lwd.","86 x 62 cm "," ","","97 ","101","Durch Photo von Hugo Erfurth aus dem Jahr 1920 bekannt "," ","",""],"mul":[[["von Nemes Marczell","Marczell von Nemes, München (1922)",""],["Rathenau Ernest","Ernest Rathenau, Berlin","Depot im Safe der Privatbank Merck Finck & Co, Berlin"],["seit 1945 verschollen","seit 1945 verschollen",""]],[["[1927 Kunsthaus Schaller, Stuttgart]","8460","Nr. 1 u. d. T. \"Dame in Rot\" "],["[1917 Sturm, Berlin]","8556","Nr. 28 u. d. T. \"Bildnis\" "],["[1927 Cassirer, Berlin]","8968","Nr. 20 u. d. T. \"Dame in Rot\""],["1922 Venedig","9087","Nr. 33 u. d. T. \"Ritratto di donna 1912\" "]],[["Weidinger/Strobl 2008, S. 433, Abb. V.673","2435"]],[["Weibliches Bildnis"]]]},{"id":1226,"img":{"extraLarge":"AP_100042232_extraLarge.jpg","medium":"AP_100042232_medium.jpg"},"arr":["1916.05","Fürst Dietrichstein und Geschwister","","1916","Öl/Lwd.","180.9 x 197 cm ","Unbez. ","","109 ","119","The Chrysler Museum, Norfolk, Virginia ","1971 Schenkung von Walter P. Chrysler, Jun. ","71.667",""],"mul":[[["Familie Gräfin Alexandrine von Mensdorff-Dietrichstein","Familie Gräfin Alexandrine von Mensdorff-Dietrichstein, Wien (1916)",""],["von Berchtold Graf Sigismund","Graf Sigismund von Berchtold, Wien (bis. mind. 1950)",""],["Galerie Wimmer","Galerie Wimmer, München",""],["Dorotheum","Dorotheum, Wien (9.-13.6.1952, Nr. 61, nicht verkauft)",""],["Stuttgarter Kunstkabinett","Stuttgarter Kunstkabinett, Stuttgart (25./26.11.1954, Nr. 1428, Taf. 27)",""],["Silberman Galleries E. & A. ","E. & A. Silberman Galleries, New York",""],["Chrysler Jr. Walter P.","Walter P. Chrysler Jr. , Provincetown, MA (1959)",""]],[["1962 Provincetown","8016","mit Abb. "],["1955 Wien, Secession","8960","Nr. 14 "],["1959 Silberman, New York","9043","Nr. 16 mit Abb. "]],[["Norfolk 1982, S. 72 mit Abb.","2283"],["Stuttgarter Kunstkabinett 1954, Nr. 1428, Taf. 27","2312"],["Weidinger/Strobl 2008, S. 511","2435"],["Weltkunst 1953, Abb.","2532"],["Dorotheum 1952, Nr. 61 [laut Ergebnisliste entfallen] ","4147"],["Norfolk 1991, S. 176, Abb. S. 133","12166"]],[["Gruppenbildnis"],["Selbstbildnis"],["Figuren in Landschaft"],["Weibliches Bildnis"]]]},{"id":1382,"img":{"extraLarge":"AP_100042389_extraLarge.jpg","medium":"AP_100042389_medium.jpg"},"arr":["1916.06","Susanne","Susanna und die beiden Alten\nFrau mit Turban","1916","Öl/Lwd.","109 x 83 cm ","Unbez. ","102","110, Taf. 43 ","120","Verbleib unbekannt"," ","",""],"mul":[[["Reichel Oskar","Oskar Reichel, Wien ",""],["Galerie Georg Caspari","Galerie Georg Caspari, München (1922)","später gemeinsamer Besitz mit Kunsthandlung Hugo Perls, Berlin"],["Dresdner Bank","Dresdner Bank, Filiale München (um 1932, durch Schuldverschreibung von Caspari. 15.8.1935 nach Kaufvertrag zwischen der Dresdner Bank und dem Land Preußen an die Nationalgalerie überwiesen, 1936 formell übereignet)",""],["Nationalgalerie","Nationalgalerie, Berlin (15.8.1935, 1945 im Flakturm Berlin Friedrichshain ausgelagert, seit 1945 verschollen)",""]],[["1921 Dresden","8064","Nr. 128 "],["1930 München","8090","Nr. 1295, Abb. S. 88 "],["1927 Zürich, Kunsthaus","8209","Nr. 43 u. d. T. \"Susanna und die beiden Alten\", Taf. X "],["1932 Bremen","8480"," "],["1920 Wien","8693","Nr. 36 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 24 "],["1922 Venedig","9087","Nr. 30 "]],[["Westheim 1925 a, S. 50, Abb. 78 ","2027"],["Janda 1986, S. 37 und 48 ","2030"],["Westheim 1917 a, S. 300, Abb. S. [301] ","2244"],["Schmidt D. 1986 a, S. 132 ","2486"],["Westheim 1918 a, S. 32, Abb. 33 ","2738"],["Roessler 1918 b, Abb. S. 109 ","2945"],["Rogner/Bernhard 1965, S. 41 [mit den Maßangaben 100 x 83 cm] ","3133"],["Einstein 1926, Abb. S. 451 ","3305"],["Palkovsky 1958, Abb. 24 ","3411"],["Hoffmann 1917, Abb. S. 6 ","3473"],["Platschek 1946, Abb. 15 ","3496"],["Berlin 2001, S. 64","8164"]],[["Biblische Figuren"]]]},{"id":1324,"img":{"extraLarge":"AP_100042331_extraLarge.jpg","medium":"AP_100042331_medium.jpg"},"arr":["1916.07","Fürstin Mechtilde Lichnowsky","","1916","Öl/Lwd.","110 x 85 cm ","Bez. im unteren Viertel links: OK ","101","111","121","National Heritage Institute, Zámek Hradec nad Moravicí, bei Opava (Troppau) ","1958 ","",""],"mul":[[["Fürstin Lichnowsky Mechtilde","Mechtilde Fürstin Lichnowsky, Berlin, und Schloß Grätz bei Troppau ",""]],[["1971 Prag","8014","Nr. 3 "],["1995 Frankfurt/Main","8110","Nr. 162, S. 291, Farbabb. S. 291"],["1920 Krefeld","8403","Nr. 19 "],["2013/14 Rotterdam","8478","S. 21, Nr. 53 mit Farbtaf."],["2008 Wien, Belvedere","8619","S. 256, Farbtaf. 138 S. 261"],["1918 Cassirer, Berlin","8777","Nr. 21 "],["1931 Brüssel","8821","Nr. 119 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 25 "],["1927 Cassirer, Berlin","8968","Nr. 25 "],["1991 Wien","9033","Nr. 30 mit Farbtaf. und Detail "],["2018/2019 Zürich","21106","Nr. 37, Farbtaf. S. 110"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 20, Farbtaf. S. 88"]],[["Westheim 1925 a, Abb. 77 ","2027"],["Lowitzer-Hönig 2008, S. 41, Abb. 127","2124"],["Westheim 1917 a, S. 296 u. 320, Abb. S. [297] ","2244"],["Brugger 1991, S. 21 ","2382"],["Schmidt D. 1986 a, S. 127 ","2486"],["Westheim 1918 a, S. 53, Abb. 30 ","2738"],["Kokoschka 1971, S. 166 ","2894"],["Bormann 2014 a, S. 27, Farbabb. 14","3067"],["Einstein 1926, Abb. S. 450 ","3305"],["Hoffmann 1917, S. 7, Abb. S. 6 ","3473"],["Platschek 1946, Abb. 14 ","3496"],["Paris 2022, Farbtaf. S. 88","43164"]],[["Weibliches Bildnis"]]]},{"id":1459,"img":{"extraLarge":"AP_100042468_extraLarge.jpg","medium":"AP_100042468_medium.jpg"},"arr":["1916.08","Nell Walden","","1916","Öl/Lwd.","100 x 80 cm ","Bez. unten links: OK ","","112 ","122","Berlinische Galerie, Landesmuseum für Moderne Kunst, Fotografie und Architektur"," ","","Privatbesitz"],"mul":[[["Walden Herwarth und Nell","Herwarth und Nell Walden, Berlin",""],["Lange Hermann","Hermann Lange, Krefeld",""]],[["1950 München","8139","Nr. 35 "],["1966 Karlsruhe","8284","Nr. 29 mit Abb. "],["1927 Kunstverein, Hamburg","8476","Nr. 295a "],["1958 Wien","8541","Nr. 41 "],["2007 Madrid","8595","S. 64, 322, Farbtaf. 19"],["1921 Berlin","8679","Nr. 63 "],["1959 London","8797","Nr. 39, Abb. S. 72 "],["1958 München, Haus der Kunst","8914","Nr. 42 "],["1974 Krefeld","9015","Nr. 72 "],["2013/14 Berlin","9045","S. 374, Farbtaf. 95"],["2012 Wuppertal","9047","Farbtaf. S. 88"],["1923 Cassirer, Berlin","9051"," "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 21, Farbtaf. S. 89"]],[["Lowitzer-Hönig 2008, S. 35, Abb. 128","2124"],["Schmalenbach F. 1967, Farbabb. S. 51 ","2199"],["Westheim 1917 a, S. 319 ","2244"],["Schmidt D. 1986 a, S. 127 ","2486"],["Walden N. 1963, S. 79, Abb. 25 ","2664"],["Westheim 1918 a, S. 54 ","2738"],["Gerhardus 1979, S. 95, Farbabb. 60","2788"],["Kokoschka 1971, S. 166 ","2894"],["Weltkunst 1959, Umschlagabb.","3006"],["Sammlung Walden 1919, Nr. 193 ","3245"],["Schreyer 1956, S. 99-100 ","3323"],["Sammlung Walden 1917 a, Nr. 156","3576"],["Birthälmer 2012 a, S. 82, Farbtaf. S. 88","3635"],["Leinz 1990, S. 87 mit Farbabb. ","3943"],["Natter 2003, S. 280, 282, Farbtaf. S. [284]","4056"],["Sammlung Walden 1917 b, Nr. 156","16171"],["Paris 2022, Farbtaf. S. 89","43164"]],[["Weibliches Bildnis"]]]},{"id":1314,"img":{"extraLarge":"AP_100042321_extraLarge.jpg","medium":"AP_100042321_medium.jpg"},"arr":["1916.09","Die Auswanderer","Exiles","1916/17","Öl/Lwd.","95 x 146 cm ","Bez. unten links: OK. Auf der Rückseite datiert: 14. II. 17","109","113, Taf. 45","123","Bayerische Staatsgemäldesammlungen / Staatsgalerie moderner Kunst, München","1964 Schenkung Sofie und Emanuel Fohn","13465",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin",""],["Lewin [Alexander]","[Alexander] Lewin, Berlin (8.3.1918)",""],["Markus Bernhard","Bernhard Markus, Berlin",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (30.6.1926)",""],["Städtisches Museum Moritzburg","Städtisches Museum Moritzburg, Halle (28.9.1926)",""],["1937 beschlagnahmt","1937 beschlagnahmt",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin",""],["Buchholz Karl","Karl Buchholz, Berlin (um 1938)",""],["Fohn Sofie und Emanuel","Sofie und Emanuel Fohn, Bozen (im Tauschverfahren 8.12.1939 )",""]],[["1937 Hofgarten-Arkaden, München","8108","Raum 4 "],["1920 Berlin","8266"," "],["1962 Haus der Kunst, München","8465","Nr. 80 mit Abb. "],["1992 Altes Museum, Berlin","8573","S. 285, 287, Farbabb. 284"],["1985/86 München","8585","Nr. 35 mit Abb., Farbtaf. 16 "],["1991 Los Angeles","8697","S. 287, Farbabb. 284 (nicht ausgestellt)"],["1918 Cassirer, Berlin","8777","Nr. 23 mit Abb. "],["1921 Potsdam","8942","Nr. 62 "],["1955 Wien, Secession","8960","Nr. 15 "],["1987/88 München","9040","Saal 16 "],["1923 Cassirer, Berlin","9051"," "],["1962 Wien","9060","Nr. 150 mit Abb. "],["1922 Venedig","9087","Nr. 26 "]],[["Westheim 1925 a, S. 55, Abb. 83 ","2027"],["Scheffler 1921, S. 188, Abb. S. [187] ","2039"],["Faistauer 1923, Abb. 35 ","2071"],["Roşu 1976, Abb. S. 29 ","2148"],["Meyer 2013, S. 210, Farbabb. 68 S. 401","2165"],["Martin 1965, S. 163, Abb. 163","2195"],["Westheim 1917 a, S. [320], Abb. S. 300 ","2244"],["Bischoff 1997, S. 96, Abb. 90","2282"],["Schvey 1982, S. 85 und 153 (Anm. 26), Abb. 42 ","2375"],["Brugger 1991, S. 22-23, Abb. 7 ","2382"],["Biermann 1929, Abb. 10 ","2394"],["Schulz-Hoffmann 1990, S. 28 und 140 (Nr. A I 120), Farbtaf. 16. ","2418"],["Palmier 1992, S. 85, Farbtaf. S. [86--87]","2432"],["Schmidt D. 1986 a, S. 130 ","2486"],["Hoffmann 1947, S. 155--157 ","2499"],["Wallerstein 1921, S. 44 ","2549"],["Spörr 2001, S. 24","2642"],["Sultano 2005, S. 54, Abb. 5 S. 56","2661"],["Dalbajewa 1999, S. 122 Anm. 12","2681"],["Hüneke 1987, S. 10, Abb. S. 8 ","2691"],["Tietze/Krapf-Weiler 2007, S. 72 mit Abb. 1","2702"],["Langfeld 2004, S. 126","2708"],["Meier-Graefe 1927 a, Abb. 559 ","2727"],["Westheim 1918 a, S. 36 und 54, Abb. 39 ","2738"],["Bushart 1996, S. 44, Farbabb. S. 45","2740"],["Händler 1956, Abb. 28 ","2767"],["Schmidt D. 1986 b, S. 207-208 ","2796"],["Deri 1921, Abb. 93 ","2840"],["Kokoschka 1919, Abb. S. 42 und 43 (Detail) ","2868"],["Hodurek 1976, S. 243-244, 310, Abb. 95","2884"],["Heilmaier 1929, S. 11, Abb. 10 ","2885"],["Kokoschka 1971, S. 169--170 ","2894"],["Dagen 1996, S. 132","2969"],["Martin/Dube 1965, S. 31, Farbtaf. IV","3080"],["Schuster 1987, S. 162, Abb. S. 163 ","3196"],["Hodin 1968 a, S. 223 ","3213"],["Husslein-Arco/Weidinger 2008, S. 260, Farbabb. 133","3215"],["Cork 1994, S. 118, Abb. 152","3232"],["München 1987, S. 112--113, Farbabb. S. 113 ","3253"],["Allesch 1921, S. 155-156, Abb. 20 ","3279"],["Serati 2008, S. 306 mit Farbabb.","3304"],["Einstein 1926, Abb. S. 453 ","3305"],["Spielmann 2003 a, S. 168, Farbabb. S. 197","3309"],["Dube 1973, Farbabb. 146","3325"],["München 1966, Farbtaf. XVI und Abb. 126 ","3426"],["Gatt 1972, Farbtaf. 12/13 ","3468"],["Hoffmann 1917, S. 7 mit Abb. ","3473"],["Hodin 1966, S. 151--152 ","3490"],["Platschek 1946, Abb. 23 ","3496"],["Natter 1996 b, Farbabb. S. 15","3532"],["Scheffler 1919, Abb. S. 130 ","3534"],["Schuster 1988, S. [7] mit Abb., 112 und 142 ","3565"],["Hofmann 1986 c, S. 271--272 ","3592"],["Schulz-Hoffmann 2005, S. 258","3623"],["Tietze 1919, S. 252, Abb. S. 249 ","3634"],["Hofmann 1986 a, S. 26, Abb. S. 25 ","3698"],["Wingler 1956, S. 44 und 49 ","3708"],["Masciotta 1949, S. 33 ","3880"],["Epoca 1965, Farbabb. S. 50","3882"],["Schvey 1977, S. 89 ","4068"],["Wingler/Welz 1975, Nr. 111, S. 111--112 (zur Person Fritz Neuberger) ","4090"],["Dube 1983, S. 104 mit Farbtaf. ","4116"],["Halle 2005","21179"],["München 1995, S. 186 mit Farbabb","23186"],["München 2002, S. 193 mit Farbabb.","23187"],["München 2002, S. 100, Farbtaf. S. 101 ","23188"]],[["Gruppenbildnis"],["Männliches Bildnis"],["Weibliches Bildnis"],["Figuren in Landschaft"]]]},{"id":1429,"img":{"extraLarge":"AP_100042437_extraLarge.jpg","medium":"AP_100042437_medium.jpg"},"arr":["1916.1","Sächsische Landschaft","Villages in Saxony","1916/17","Öl/Lwd.","93.5 x 130 cm ","Bez. unten rechts: OK ","108 ","114, Taf. 41 ","124","Privatbesitz, Schweiz "," ","","Privatbesitz, Courtesy Galerie Kornfeld"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (23.12.1917)",""],["Galerie Georg Caspari","Galerie Georg Caspari, München (23.12.1917)",""],["von Simolin Freiherr Rudolf","Freiherr Rudolf von Simolin, Berlin (1918)",""],["Saint-Paul (geb. v. Simolin) Baronin Rudi","Baronin Rudi Saint-Paul (geb. v. Simolin), Seeseiten am Starnberger See (1945)",""],["Saint-Paul Baron Louis Francois","Baron Louis Francois Saint-Paul, Seeseiten am Starnberger See",""],["Galerie Kornfeld","Galerie Kornfeld, Bern (um 1985)",""]],[["1921 Dresden","8064","Nr. 133 u. d. T. \"Weißer Hirsch\" "],["1950 München","8139","Nr. 38, Abb. S. 15 "],["1918 Caspari, München","8144","S. 6 u. d . T. \"Blick vom Weißen Hirsch\", Abb. S. 7 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 12 "],["1924 Stuttgart","8479","Nr. 98 "],["1928 Nationalgalerie, Berlin","8558","Nr. 84 "],["1951 Berlin","8741","Nr. 20, Abb. S. 19 "],["1918 Cassirer, Berlin","8777","Nr. 22 "],["1996 Dresden","8815","S. 92, Farbtaf. S. [93]"],["2005/06 Pfäffikon","8898","Farbtaf. 60"],["1951 Linz","8989","Nr. 17 "]],[["Westheim 1925 a, Abb. 81 ","2027"],["Westheim 1917 a, S. 320 ","2244"],["Bischoff 1997, S. 96, Abb. 91","2282"],["Westheim 1918 a, S. 54, Abb. 34 ","2738"],["Platschek 1946, Abb. 19 ","3496"]],[["Deutschland"]]]},{"id":1470,"img":{"extraLarge":"AP_100042479_extraLarge.jpg","medium":"AP_100042479_medium.jpg"},"arr":["1917.01","Selbstbildnis 1917","","1917","Öl/Lwd.","79 x 63 cm ","Bez. und datiert Mitte rechts: OK 1917 ","110 ","115, Taf. 42 ","125","Von der Heydt-Museum Wuppertal ","1952, Schenkung Dr. Eduard Freiherr von der Heydt ","G 682",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (20.7.1917)",""],["von der Heydt August Freiherr","August Freiherr von der Heydt, Elberfeld (20.2.1918)",""],["von der Heydt Eduard Freiherr","Eduard Freiherr von der Heydt, Bad Godesberg/später Ascona",""]],[["1962 Tate Gallery, London","8075","Nr. 48 "],["1950 München","8139","Nr. 39, Abb. S. 20 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 14 "],["1949 Amsterdam","8218","Nr. 63 "],["1958 Den Haag","8309","Nr. 27 mit Abb. "],["2013/14 Rotterdam","8478","S. 22, Nr. 87 mit Farbtaf."],["1958 Wien","8541","Nr. 42, Abb. S. 36 "],["1920 Elberfeld","8561"," "],["2007 Madrid","8595","S. 65, 322, Farbtaf. 21"],["2009/10 Paris","8607","Nr. 35"],["2008 Wien, Belvedere","8619","S. 264, Farbtaf. 140 S. 265"],["1985 Lausanne","8696","Nr. 634d, Abb. S. 368 "],["1986 Ascona","8698","Nr. 39, Farbtaf. S. 215 "],["1951 Berlin","8741","Nr. 21, Abb. S. 16 "],["2010/11 Riehen","8760","S. 264, Farbtaf. S. 171"],["1918 Cassirer, Berlin","8777","Nr. 25 mit Abb. "],["1996 Dresden","8815","S. 94, Farbtaf. S. [95]"],["1931 Paris, Galeries Georges Petit","8875","Nr. 6 "],["1958 München, Haus der Kunst","8914","Nr. 43, Abb. S. 36 "],["2001/02 Rom","8918","S. 104, Nr. 69 mit Farbtaf."],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 30 "],["1960 Kopenhagen","9011","Nr. 23 mit Farbabb. "],["1947 Wuppertal","9012","Nr. 64 mit Abb. "],["1964 Wuppertal","9021","Nr. 39 "],["1929 Abels, Köln","9030","Nr. 19 "],["2008 Linz","9042","S. 81 mit Farbtaf."],["2012 Wuppertal","9047","Farbtaf. S. 89"],["1987 Wien","9066","S. 316, Farbtaf. S. 317 "],["2020 Lausanne","26106","Nr. 68, Farbtaf. S. 143"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 22, Farbtaf. S. 123"]],[["Roşu 1976, Farbabb. als Frontispiz ","2148"],["Meyer 2013, S. 215, Farbabb. 71 S. 402","2165"],["Westheim 1917 a, S. 320 ","2244"],["Bischoff 1997, S. 97, Abb. 93","2282"],["Werner 1966, S. 46 ","2310"],["Wien 2008, S. 34 mit Farbabb.","2314"],["Das Tribunal 1920, Abb. S. 17","2351"],["Herberts 1966, Farbabb. S. 239 ","2355"],["Schvey 1982, Abb. 41 ","2375"],["Whitford 1987, S. 42, Farbabb. S. [43] ","2396"],["Brandt 1929, S. 371, Abb. 669 ","2460"],["Das Schönste 1958 a, S. [31] mit Abb.","2468"],["Gasser 1961, S. 280, 283, Farbtaf. S. [281] ","2479"],["Hoffmann 1947, S. 155, Abb. XXX ","2499"],["Borchert 1959, S. 10, Farbtaf. 4 ","2562"],["Hodin 1971, S. 191--195, Abb. S. [193] ","2585"],["Mehring 1958, Abb. S. 17 ","2610"],["Schubert 2013, S. 391","2662"],["Garnier/Le Bon 2012, S. 178 mit Farbabb.","2694"],["Haftmann 1965 b, S. 296, Abb. 736 ","2732"],["Westheim 1918 a, S. 54, Abb. 1 ","2738"],["Gatt 1970, Farbtaf. 11 ","2746"],["Thwaites 1960, Farbtaf. gegenüber S. 56 ","2754"],["Aust 1977, S. 153, Abb. 353","2756"],["Arnason 1983, S. 263, Abb. 436 ","2787"],["Heise 1918, Nr. 125b, Taf. XXI","2806"],["Kroh 1997, S. 244, Farbabb. 70","2835"],["Cheney 1958, Abb. S. 3 ","2866"],["Kokoschka 1919, Abb. S. 44 ","2868"],["Hodurek 1976, S. 244, 310, Abb. 96","2884"],["Cheney 1941, Abb. S. 404 ","2893"],["Sydow 1920, Abb. gegenüber S. 76 ","2959"],["Bormann 2014 c, S. 169, Farbabb. 3","3016"],["Raynal 1953, Farbabb. S. 206 ","3073"],["Raynal 1950, Bd. [2], Abb. S. 121 ","3101"],["Aust 1966, Abb. 3","3102"],["Schröder 1995, S. 237, Abb. 5","3128"],["Schmidt Georg 1950, Abb. S. 121 ","3144"],["Hodin 1968 a, S. 319 ","3213"],["Szittya 1925, Abb. S. [34] ","3248"],["Einstein 1926, Taf. XXX ","3305"],["Birthälmer 2012 b, S. 44, Farbabb. 11","3380"],["Comini 1974, S. 181, Abb. 194 ","3390"],["Bultmann 1959, S. 36 und 66, Farbtaf. 11 ","3434"],["Wuppertal 1981, S. 118 mit Abb.","3449"],["Kandel 2014, S. 189, Farbabb. 9-18 S. 188","3467"],["Whitford 1986, farb. Umschlagabb.","3477"],["Hodin 1966, Abb. 24 ","3490"],["Platschek 1946, Abb. 16 ","3496"],["Grote 1964, Abb. ","3550"],["Werner 1991, S. 47-[49], farb. Umschlagabb., Farbtaf. 1 und Abb. S. [48]","3555"],["Tietze 1919, S. 255, Abb. S. 256 ","3634"],["Birthälmer 2012 a, S. 82, Farbtaf. S. 89","3635"],["Delfs 2015, S. 26, Farbabb. 7 S. 27","3700"],["Maerker 1920, Abb. 36","3722"],["Haack 1925, Abb. S. 386 ","3759"],["Landau 1925, Abb. nach S. 64 ","3813"],["George 1963, S. 48 ","3814"],["Fehlemann 1988, Farbtaf. S. 13 ","3847"],["Wingler 1956 b, Abb. zweier verschiedener Fassungen S. [73] ","3865"],["Wuppertal 1968, Abb.","4064"],["Shearman 2007, Farbabb. 20","4103"],["Wuppertal 2003, S. 487, Farbtaf. S. 291","23219"],["Wuppertal 2010, S. 224, Farbtaf. S. 225","23220"],["Paris 2022, Farbtaf. S. 123","43164"]],[["Selbstbildnis"],["Männliches Bildnis"]]]},{"id":1163,"img":{"extraLarge":"AP_100042169_extraLarge.jpg","medium":"AP_100042169_medium.jpg"},"arr":["1917.02","Liebespaar mit Katze","","1917","Öl/Lwd.","93.5 x 130.5 cm ","Bez. unten links: OK ","118","116, Taf. 46 ","126","Kunsthaus Zürich ","1933 ","2287",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (24.8.1917)",""],["Galerie Georg Caspari","Galerie Georg Caspari, München (5.3.1918) ",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (26.11.1918)",""],["Benario Hugo","Hugo Benario, Berlin (14.12.1918 - mind. 1933)",""]],[["1935 Zürich, Kunsthaus","8020","Nr. 509 "],["1921 Dresden","8064","Nr. 86 "],["1955 Zürich","8200"," "],["1927 Zürich, Kunsthaus","8209","Nr. 45, Taf. XIX "],["1948 Boston","8222","Nr. 25 "],["1966 Zürich","8225","Nr. 35, Abb. 10 "],["1918 Neue Secession, München","8290","Nr. 91 mit Abb. u. d. T. \"Die weiße Katze\" "],["1958 Den Haag","8309","Nr. 28 mit Abb. "],["1922 Akademie, Berlin","8373"," "],["1947 Basel, Kunsthalle","8376","Nr. 131 mit Abb. "],["1943 Zürich","8383","Nr. 338 "],["1947 Zürich, Kunsthaus","8415","Nr. 16, Abb. II "],["2014 Tokyo","8494","Nr. 37, S. 108, Farbtaf. S. 104"],["1986 London","8643","Nr. 38 mit Farbtaf. "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 6, Nr. 11 "],["1985 Lausanne","8696","Nr. 632 d, Abb. S. 368 "],["1918 Cassirer, Berlin","8777","Nr. 24 "],["1996 Dresden","8815","S. 96, Farbtaf. S. [97]"],["1986 Zürich","8836","Nr. 39 mit Farbtaf. "],["1928 Hannover","8889","Nr. 201 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 29 "],["1937 Bern","9000","Nr. 80 "],["1929 Abels, Köln","9030","Nr. 20 "],["1991 Wien","9033","Nr. 32 mit Farbtaf. "],["2008 Linz","9042","S. 82, Farbtaf. S. 83"],["1986/87 Guggenheim, New York","9072","Nr. 32 mit Farbtaf. "],["1927 Chemnitz","9076"," "],["1950 Zürich","9088"," "],["2018/2019 Zürich","21106","Nr. 39, Farbtaf. S. 130-131"]],[["Zürich 1976, Abb. S. 135","2016"],["Baumann 1969, S. 72 mit Farbabb.","2120"],["Roşu 1976, Abb. S. 27 ","2148"],["Calvocoressi 1992, Farbabb. 34 ","2193"],["Schmalenbach F. 1967, Farbtaf. S. 53 und 52 (Detail) ","2199"],["Westheim 1917 a, S. 320 ","2244"],["Schvey 1982, S. 84--85, Farbabb. 3 ","2375"],["Brugger 1991, S. 24-25 ","2382"],["Wingler 1957, S. 112, Farbabb. S. 113 ","2423"],["Elger 1988, S. 247 mit Farbabb. ","2452"],["Schmidt D. 1986 a, S. 128, Abb. 6 ","2486"],["Hoffmann 1947, S. 159--160, Abb. XXXI ","2499"],["Stöbe 1997, S. 107, Abb. 103","2538"],["Zürich 1983, Farbabb. 157","2679"],["Dalbajewa 1999, S. 122 Anm. 12","2681"],["Westheim 1918 a, S. 54 ","2738"],["Schmidt D. 1986 b, S. 207 ","2796"],["Brugger 1992, S. 72 ","2819"],["Poindront 2005, S. 73 mit Farbabb.","2847"],["Goldscheider 1963, S. 76 (Anm. 17), Farbtaf. 17 ","2855"],["Hodin 1968 a, S. 181 ","3213"],["Serati 2008, S. 305 mit Farbabb.","3304"],["Spielmann 2003 a, Abb. S. 173","3309"],["Zürich 2007, S. 635 mit Abb.","3336"],["Bultmann 1959, Farbabb. S. 23 ","3434"],["Gatt 1972, Farbtaf. 14/15 ","3468"],["Hoffmann 1967, Farbtaf. VI/VII ","3588"],["Wingler 1966 b","3662"],["Wingler 1956, S. 44 und 46 ","3708"],["Wild 1950, S. 161, Abb. 58 ","3761"],["Elger 2007, S. 247 mit Farbabb.","3791"],["Masciotta 1966, Farbtaf. VI/VII ","3808"],["Muller 1982, Farbabb. S. 80 ","3821"],["Schmalenbach F. 1947, S. 14 ","3824"],["Keegan 1999, S. 98","3854"],["Wingler 1956 b, S. 71--72, Abb. S. 74 ","3865"],["Vogt 1972, S. 194, Abb. 112 ","4019"],["Schvey 1977, S. 88 ","4068"],["Milano 1972, S. 324, Taf. 24","4146"],["Zürich 1959, Abb. S. 112","16178"]],[["Doppelbildnis"],["Männliches Bildnis"],["Weibliches Bildnis"]]]},{"id":1437,"img":{"extraLarge":"AP_100042445_extraLarge.jpg","medium":"AP_100042445_medium.jpg"},"arr":["1917.03","Orpheus und Eurydike","","1917","Öl/Lwd.","70 x 50 cm ","Bez. oben links: OK ","122","117, Taf. 48 ","127","Privatbesitz","","",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin",""],["Simon Hugo","Hugo Simon, Berlin (30.10.1917)",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (1.2.1927)",""],["Neue Galerie, Otto Kallir-Nirenstein, Wien/Galerie St. Etienne, Otto Kallir, New York","Neue Galerie, Otto Kallir-Nirenstein, Wien/Galerie St. Etienne, Otto Kallir, New York (16.3.1927-1938 und 1939-1950)",""],["Kende Herbert","Herbert Kende, New York (um 1950)",""],["Brown Himan","Himan Brown, New York (1954)",""],["Sotheby's","Sotheby's, New York (2.11.2010, Nr. 61 mit Farbtaf.)",""],["Sotheby's","Sotheby's, London (1.3.2017, Nr. 30 mit Farbtaf.)",""]],[["1999/2000 New York, Galerie St. Etienne","8085","Abb. 40"],["1995 Frankfurt/Main","8110","Nr. 177, S. 314, Farbtaf. S. 315"],["1949 St. Etienne, New York","8184"," "],["1943 Galerie St. Etienne, New York","8196"," "],["1935 Salzburg","8273"," "],["1932 Neue Galerie, Wien","8295",""],["1937 Paris","8318","Nr. 533 "],["1931/32 Hagenbund, Wien","8433","Nr. 67 "],["1941 New York","8466","Nr. 13 "],["1981 New York, Marlborough","8535","Nr. 14, Abb. S. 37 "],["1966 New York","8544","Nr. 20, Abb. S. 40 "],["1959 Bayer, New York","8649","Nr. 9 "],["1931 Neue Galerie, Wien","8702"," "],["1940 Galerie St. Etienne, New York","8726","Nr. 7 "],["1918 Cassirer, Berlin","8777","Nr. 28 "],["1996 Dresden","8815","S. 98, Farbtaf. S. [99]"],["2001/02 Rom","8918","S. 104, Nr. 68 mit Farbtaf."],["1992 New York","8930","Nr. 48 "],["1930 Wiesbaden","8969","Nr. 69 "],["1937 Bern","9000","Nr. 84 "],["1933 Wien","9009"," "],["1991 Wien","9033","Nr. 33 mit Farbtaf. "],["1933/34 Prag","9035","Nr. 5 mit Abb. "],["1932 Neue Galerie, Wien","9065"," "]],[["Meyer 2013, S. 244, Farbabb. 86 S. 407","2165"],["Maurer Zenck 2004, S. 256-257, Farbabb. 9.","2217"],["Schvey 1982, S. 109--110, Abb. 48 ","2375"],["Brugger 1991, S. 24 ","2382"],["Sultano 2005, S. 57, 68, Abb. 7 S. 59","2661"],["Sotheby's New York 2010, Nr. 61 mit Farbtaf.","2892"],["Feuchtmüller 1973, Bd. 2, S. 240 ","3086"],["Orpheus und Eurydike 1961, Abb. ","3228"],["Einstein 1926, Abb. S. 456 u. d. T. \"Mann und Frau\" ","3305"],["Spielmann 2003 a, S. 172 mit Abb.","3309"],["Gatt 1972, Abb. 19 ","3468"],["Kallir 1992, Taf. 38 ","3647"],["Pesce 2009","3754"],["Keegan 1999, S. 97, 124","3854"],["Blázquez 1982, S. 269 ","3884"],["Schvey 1977, S. 131-132 ","4068"],["Sotheby's London 2017 a, Nr. 30 mit Farbtaf. S. 203","12169"]],[["Figuren in Landschaft"],["Mythologie"]]]},{"id":1166,"img":{"extraLarge":"AP_100042172_extraLarge.jpg","medium":"AP_100042172_medium.jpg"},"arr":["1917.04","Romana Kokoschka","The Artist's Mother\nBildnis der Mutter des Künstlers","1917","Öl/Lwd.","112 x 75 cm ","Bez. unten links: OK","114 ","121","128","Belvedere, Wien ","28. März 1968","5840",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (12.10.1917)",""],["Galerie Georg Caspari","Galerie Georg Caspari, München (18.6.1919)",""],["Zitzmann Karl Wilhelm","Karl Wilhelm Zitzmann, Erlangen",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (Versteigerung, 3./4.3.1925, Nr. 81, Taf. 32, nicht verkauft)",""],["Kunstausstellung Kühl","Kunstausstellung Kühl, Dresden (20.3.1925)",""],["Hasse Otto und Maria Carlota","Otto und Maria Carlota Hasse, Bremen",""],["Privatbesitz","Privatbesitz, New York (bis 1967)",""],["Marlborough Fine Art","Marlborough Fine Art, London (1967)",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 45 "],["1971 Prag","8014","Nr. 5 mit Abb. "],["1962 Tate Gallery, London","8075","Nr. 52 "],["1967 London","8080","Nr. 13 mit Abb. "],["1996/97 Wien","8103","S. 58, Farbtaf. S. 59"],["1950 München","8139"," "],["1966 Zürich","8225","Nr. 38 "],["1966 Karlsruhe","8284","Nr. 31 mit Abb. "],["1962/1963 Hamburg","8422","Nr. 27 mit Abb. "],["1922 Caspari, München","8440"," "],["2013/14 Rotterdam","8478","S. 22, Nr. 88 mit Farbtaf."],["2015/16 Wien","8486","Farbtaf. 44"],["1987 Gent","8571","Nr. 14, Farbtaf. S. 88 "],["2006 Wien, Leopold","8577","S. [96] mit Farbtaf."],["2008 Wien, Belvedere","8619","S.262, Farbtaf. 139 S. 263"],["1986 London","8643","Nr. 39 mit Farbtaf. "],["1951 Berlin","8741","Nr. 22 "],["2000 Pöchlarn","8766","S. 28, Farbtaf. S. 16"],["1918 Cassirer, Berlin","8777","Nr. 27 "],["1980 Österreichische Galerie, Wien","8804","Nr. 76 "],["1996 Dresden","8815","S. 100, Farbtaf. S. [101]"],["1971 Wien","8820","Nr. 31, Farbabb. 22 "],["1986 Zürich","8836","Nr. 40 mit Farbtaf. "],["1995 Madrid","8965","S. 86, 111, Nr. 23 mit Farbtaf."],["2008 Linz","9042","S. 80 mit Farbtaf."]],[["Lowitzer-Hönig 2008, S. 69, Abb. 129","2124"],["Schmalenbach F. 1967, Farbtaf. S. 54 ","2199"],["Cassirer 1925, Nr. 81 u. d. T. \"Die Mutter des Künstlers\", Taf. 32","2271"],["Hodin 1976, Farbabb. S. 44 ","2440"],["Schmidt D. 1986 a, S. 127, Abb. 5 ","2486"],["Weltkunst 1968, Abb. S. 613","2511"],["Tietze/Krapf-Weiler 2007, S. 74 mit Abb. 4","2702"],["Bauer 2008 a, S. 126 mit Farbabb.","2762"],["Simon 1967, Abb. S. 100 ","2795"],["Schmidt D. 1986 b, S. 205 ","2796"],["Chronique des arts 1969","3330"],["Reinhold 2013, Farbabb.","3582"],["Tietze 1919, S. 255 mit Abb. ","3634"],["Wien 1968 b, S. 13, Farbabb. 48 und farb. Umschlagabb.","4094"],["Wien 1995, S. 150 mit Farbabb","23216"]],[["Weibliches Bildnis"]]]},{"id":1277,"img":{"extraLarge":"AP_100042283_extraLarge.jpg","medium":"AP_100042283_medium.jpg"},"arr":["1917.05","Stockholm, Hafen","","1917","Öl/Lwd.","85 x 125 cm ","Bez. unten links: OK ","111","118, Taf. 49 ","129","Privatbesitz, Deutschland ","1972","",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (5.2.1918)",""],["Benario Hugo","Hugo Benario, Berlin (20.2.1918 - mind. 1933)",""],["Nimptsch Uli","Uli Nimptsch, Berlin/später London (1947)",""],["Horstmann Edgar","Edgar Horstmann, Hamburg (1958)",""]],[["1921 Dresden","8064","Nr. 84 "],["1962 Tate Gallery, London","8075","Nr. 49 "],["1966 Zürich","8225","Nr. 36 "],["1925 Cassirer, Berlin","8326","Nr. 3 "],["1947 Basel, Kunsthalle","8376","Nr. 122 "],["1947 Zürich, Kunsthaus","8415","Nr. 17 "],["1924 Stuttgart","8479","Nr. 95 "],["1925 Zürich","8635","Nr. 229 "],["1964 Florenz","8683","Nr. 314 "],["1918 Cassirer, Berlin","8777","Nr. 26 mit Abb. u. d. T. \"Stockholmer Landschaft\" "],["1947 Amsterdam","8829","Nr. 15 "],["1958 München, Haus der Kunst","8914","Nr. 44, Abb. S. 35 "],["1960 Kopenhagen","9011","Nr. 24 "],["1991 Wien","9033","Nr. 34 mit Farbtaf. "],["1922 Venedig","9087","Nr. 32 "]],[["Westheim 1925 a, Abb. 82 ","2027"],["Moll 1920, S. 158-160; Abb. gegenüber S. 158","2047"],["Schmalenbach F. 1967, Farbtaf. S. 55 ","2199"],["Das Tribunal 1920, Abb. S. 21","2351"],["Biermann 1929, Abb. 12 ","2394"],["Schmidt D. 1986 a, S. 129 ","2486"],["Schmidt D. 1996, S. 29, Farbabb. S. 25","2618"],["Dalbajewa 1999, S. 130","2681"],["Langfeld 2004, S. 202, Anm. 112","2708"],["Hausenstein 1926, Abb. S. 160 ","2724"],["Meier-Graefe 1927 a, Abb. 558 ","2727"],["Westheim 1918 a, Abb. 35 ","2738"],["Schmidt D. 1986 b, S. 209 ","2796"],["Goldscheider 1963, S. 76 (Anm. 18), Farbtaf. 18 ","2855"],["Cheney 1958, Abb. S. 88 ","2866"],["Heilmaier 1929, Abb. 11 ","2885"],["Kokoschka 1971, S. 177 ","2894"],["Sydow 1920, Abb. gegenüber S. 78 ","2959"],["Hodin 1968 a, S. 221 ","3213"],["Einstein 1926, Abb. S. 454 ","3305"],["Spielmann 2003 a, S. 173, Farbtaf. S. 196","3309"],["Platschek 1946, Abb. 18 ","3496"],["Scheffler 1919, Abb. S. 125 ","3534"],["Spielmann 1985 b, S. 86 ","3600"],["Tietze 1919, Abb. S. 253 ","3634"],["Schmalenbach F. 1947, S. 14 ","3824"]],[["Stockholm"],["Schweden"]]]},{"id":1205,"img":{"extraLarge":"AP_100042211_extraLarge.jpg","medium":"AP_100042211_medium.jpg"},"arr":["1917.06","Die Freunde","","1917/18","Öl/Lwd.","102 x 151 cm ","Bez. oben links: OK","113","119, Farbtaf. IX","130","LENTOS Kunstmuseum, Linz","Januar 1953","76","LENTOS Kunstmuseum"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (23.9.1918)",""],["Nationalgalerie","Nationalgalerie, Berlin (19.12.1918)","Inv.Nr. A II 282, ausgestellt im Kronprinzen-Palais bis 1933, seitdem \"aus der Schausammlung entfernt\" "],["1937 beschlagnahmt","1937 beschlagnahmt, nach München gebracht (7.7.1937)",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin (1938)",""],["Galerie Fischer","Galerie Fischer, Luzern (vor 1941)",""],["Gurlitt Wolfgang","Wolfgang Gurlitt, Bad Aussee/später Linz",""],["Neue Galerie der Stadt Linz/ Wolfgang Gurlitt Museum","Neue Galerie der Stadt Linz/ Wolfgang Gurlitt Museum, Linz",""]],[["1988/89 Berlin, Berlinische Galerie","8003","Nr. 9/8 mit Farbabb. "],["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 46 mit Abb. "],["1966 Graz","8058","Nr. 71 mit Abb. "],["1962 Tate Gallery, London","8075","Nr. 50 "],["1937 Hofgarten-Arkaden, München","8108","Raum 2/Erdgeschoß "],["1956 Recklinghausen","8122","Nr. 141 mit Abb. "],["1971 München","8125","Nr. 22 mit Abb. "],["1950 München","8139","Nr. 37, Abb. S. 18 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 13 "],["1927 Zürich, Kunsthaus","8209","Nr. 46 "],["1966 Zürich","8225","Nr. 37, Abb. 11 "],["1953/54 Sao Paulo","8265","Nr. 4 "],["1966 Karlsruhe","8284","Nr. 30 mit Farbabb. "],["1956 Amsterdam","8297","Nr. 133 mit Abb. "],["1962/1963 Hamburg","8422","Nr. 26 mit Abb. "],["1987 Düsseldorf","8435","Nr. 34, Farbabb. S. 90 "],["1961 Amsterdam","8493","Nr. 69 mit Abb. "],["1968 Strasbourg","8495","Nr. 119, Abb. 75 "],["1954 Rio de Janeiro","8534","Nr. 4 "],["1995 Venedig","8545","Nr. I,8 mit Farbtaf. S. 92"],["1992 Altes Museum, Berlin","8573","S. 285, 287, Farbabb. 285"],["2013/14 Wien","8589","S. 114, 338, Farbtaf. S. 115"],["1957 Bern","8617","Nr. 61 "],["2008 Wien, Belvedere","8619","S. 268, Farbtaf. 141 S. 266"],["1988 Barcelona","8659","Nr. 15, Farbtaf. S. 49 "],["1991 Los Angeles","8697","S. 287, Farbabb. 285"],["1957 Stuttgart","8716","Nr. 47 mit Abb. "],["1985 London","8722","Farbtaf. 79 "],["1963 Darmstadt","8731","Abb. S. 141 "],["1992 Frankfurt/Main","8733","Nr. 4 mit Farbtaf. "],["1951 Berlin","8741","Nr. 19, Abb. S. 18 "],["1957 St. Gallen","8764","Nr. 54 mit Abb. "],["1978 Centre Pompidou, Paris","8775","Farbabb. S. 101 "],["1918 Cassirer, Berlin","8777","Nr. 29 mit Abb. "],["1996 Dresden","8815","S. 102, Farbtaf. S. [103]"],["1971 Wien","8820","Nr. 29, Farbabb. 21 "],["1980/81 New York","8897","Nr. 282, Farbabb. S. 260 (erw. dt. Ausg. des Kataloges, München, Prestel, 1981, Nr. 283, Farbabb. S. 271)"],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 31 "],["1955 Wien, Secession","8960","Nr. 16 mit Abb. "],["1995 Madrid","8965","S. 88, 111, Nr. 24 mit Farbtaf."],["1951 Linz","8989","Nr. 16 "],["1924 Neue Staatsgalerie, München","9032","Nr. 112 "],["2008 Linz","9042","S. 166, 168--169, 235, Farbtaf. S. 167 und farb. Umschlagabb. (Detail)"],["1923 Cassirer, Berlin","9051"," "],["2018/2019 Zürich","21106","Nr. 38, Farbtaf. S. 134-135"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 23, Farbtaf. S. 124-125"]],[["Westheim 1925 a, S. 55--56, Abb. 84 ","2027"],["Janda 1986, S. 15, 35 und 40, Abb. S. 14 ","2030"],["Kestenberg 1963, S. [111], Abb. 41 ","2032"],["Zivel'cinskaja 1931, Abb. S. 110 ","2034"],["Hamann 1925, Abb. S. 464 ","2043"],["Janda/Grabowski 1992, Nr. 241, Abb. S. 138 ","2095"],["Monsel 1995, S. [22], Farbabb. 16","2144"],["Schmidt D. 1968, S. 29, Abb. 10 ","2149"],["Justi 1921 b, Abb. gegenüber S. 192","2154"],["Meyer 2013, S. 213, Farbabb. 69 S. 401","2165"],["Berlin 1931, S. 140--141, Abb. 69 ","2185"],["Requadt 1985, S. 44, Farbabb. 16","2191"],["Calvocoressi 1992, Farbabb. 35 ","2193"],["Kasten 1967, S. 153-154, Abb. S. [152]","2205"],["Werkner 2001, S. 24 mit Abb.","2214"],["Bischoff 1997, S. 97, Abb. 92","2282"],["Spielmann 2009, S. 245, Farbabb. 1b","2299"],["Das Tribunal 1920, Abb. S. 25","2351"],["Brugger 1991, S. 23-24, Abb. 8 ","2382"],["Wingler 1957, S. 114, Farbabb. S. 115 ","2423"],["Palmier 1992, S. 85, Farbtaf. S. 6","2432"],["Schwalm 1990, S. 180-182, Abb. 30 ","2472"],["Schmidt D. 1986 a, S. 129, Abb. 8 ","2486"],["Grynsztejn 1984","2492"],["Hoffmann 1947, S. 157--159 ","2499"],["Dalbajewa 1999, S. 71, 76, 126-130","2681"],["Willett 1978, Farbabb. S. [139] ","2685"],["Bormann 2013, Farbabb. 14","2688"],["Tietze/Krapf-Weiler 2007, S. 73 mit Abb. 2","2702"],["Langfeld 2004, S. 58","2708"],["Westheim 1918 a, S. 36--37, Abb. 40 ","2738"],["Wacha 1986 a, S. 8, Farbabb. S. 7 ","2742"],["Roh 1962, S. 134 ","2860"],["Nowak-Thaller 2008 a, S. 23, Farbabb. 20","2870"],["Kokoschka 1971, S. 177 ","2894"],["Windisch 2013, S. 191, Abb. 68","3001"],["Plank 1981, Farbabb. S. 36 ","3060"],["Bormann 2014 a, S. 27, Farbabb. 16","3067"],["Strobl 2010, S. 171 mit Farbabb. 2","3120"],["Bisanz 2000, S. 37 mit Farbabb.","3146"],["Schug 1969, Farbabb. S. 56 ","3151"],["Hodin 1968 a, S. 223 ","3213"],["Sotriffer/Fasching 1978, Farbabb. S. 207 ","3292"],["Giebe 2002, S. 8","3308"],["Spielmann 2003 a, S. 172--173, Farbabb. S. 197","3309"],["Zahn 1948, S. 32, Abb. S. 29 ","3312"],["Natter 1998, Abb. S. 24","3360"],["Bultmann 1959, S. 68, Farbtaf. 12 ","3434"],["Bärnighausen/Wuchrer 2006, S. 414, Farbabb. 11","3447"],["Das Kunstblatt 1918, Abb. S. 364","3450"],["Kasten 1980, Abb. S. 59","3458"],["Gatt 1972, Abb. 18 ","3468"],["Hodin 1966, S. 152, Abb. 22 ","3490"],["Platschek 1946, Abb. 20 ","3496"],["Justi 1920, S. 332-338 und 393-394, Abb. 14 ","3529"],["Scheffler 1919, Abb. S. 128 ","3534"],["Mrazek/Köller 1969, Abb. Nr. 25 ","3546"],["Werner 1991, S. 50-52, Abb. S. [51] ","3555"],["Werkner 2003 b, S. 243, Abb. 32 S.100","3571"],["Reinhold 2013, Farbabb. (Doppelseite, Detail)","3582"],["Hofmann 1986 c, S. 271--272 ","3592"],["Tietze 1919, S. 252--253 (mit Auszug aus einem Brief von Kokoschka an Tietze und Abb. auf S. 251) ","3634"],["Linz 2003, S. 200, 457, Farbtaf. S. 201","3640"],["Hofmann 1986 a, S. 26 ","3698"],["Wingler 1956, S. 44, 49 und 67 ","3708"],["Linz aktiv 1967, Farbabb. S. 30","3714"],["Giebe 2010, S. 98","3717"],["Westheim 1918 c, Abb. S. [12] ","3728"],["Haack 1925, Abb. S. 386 ","3759"],["Dresler 1938, S. 54 mit Abb.","3807"],["Landau 1925, Abb. nach S. 64 ","3813"],["Keegan 1999, S. 94","3854"],["Kokoschka 1952 b, Abb. S. 149 ","3911"],["Linz 1979, S. 191-192 mit Farbabb.","3990"],["Shearman 2007, S. 12, Farbabb. 12","4103"],["Dalbajewa 2006, S. 133-135, Farbabb. 1","4121"],["Linz 1958, Nr. 73, Farbtaf. VII","4140"],["Bormann 2014 b, S. 208 mit Farbabb.","4156"],["Frommhold 1991, S. 6--7, Abb. S. 7","4160"],["Justi 1921 a, S. 22--28, Abb. 5","16166"],["Linz 2002, S. 200, Farbtaf. S. 201","23181"],["Paris 2022, Farbtaf. S. 124-125","43164"]],[["Gruppenbildnis"],["Männliches Bildnis"],["Weibliches Bildnis"],["Selbstbildnis"]]]},{"id":1302,"img":{"extraLarge":"AP_100042309_extraLarge.jpg","medium":"AP_100042309_medium.jpg"},"arr":["1918.01","Die Jagd","","1918","Öl/Lwd.","100 x 150.5 cm ","Bez. unten rechts: OK ","155","120 ","131","Staatliche Museen Preußischer Kulturbesitz, Neue Nationalgalerie, Berlin","15.8.1935; bis 1992 in der Alten Nationalgalerie, Berlin, ehemals DDR ","A III 467",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (23.9.1918)",""],["Galerie Georg Caspari","Galerie Georg Caspari, München (26.11.1918)",""],["Kunsthandlung Nebehay","Kunsthandlung Nebehay, Wien (1920)",""],["Kunsthalle Bremen","Kunsthalle Bremen, Bremen (1921)",""],["Galerie Georg Caspari","Galerie Georg Caspari, München (1927 im Tauschverfahren )",""],["Dresdner Bank","Dresdner Bank, Filiale München (vor 1934, durch Schuldverschreibung von Caspari. 15.8.1935 nach Kaufvertrag zwischen der Dresdner Bank und dem Land Preußen an die Nationalgalerie überwiesen, 1936 formell übereignet)",""]],[["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 31 "],["1927 Zürich, Kunsthaus","8209","Nr. 47 "],["1937 Paris","8318","Nr. 532 "],["1966 Berlin-DDR","8335"," "],["1983 Berlin-DDR","8366","Farbabb. III und Faltblatt-Einlage Nr. III "],["1986 Berlin-DDR","8385","Nr. 242, Farbtaf. S. 213 "],["1925 Hannover","8456"," "],["1958 Wien","8541","Nr. 43, Abb. S. 34 u. d. T. \"Die wilde Jagd\" "],["1992 Altes Museum, Berlin","8573","Nr. 61 mit Farbabb. "],["1928 London","8640","Nr. 17 "],["1920 Wien","8693","Nr. 35 mit Abb. "],["1918 Cassirer, Berlin","8777","Nr. 30 "],["1996 Dresden","8815","S. 104, Farbtaf. S. [105]"],["1971 Wien","8820","Nr. 30, Abb. 20 "],["1958 München, Haus der Kunst","8914","Nr. 45, Abb. S. 34 u. d. T. \"Die wilde Jagd\" "],["1960 Braunschweig","8933","Nr. 4 mit Abb. "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 32 "],["1937 Bern","9000","Nr. 83 "],["1920 Winterthur","9054","Nr. 32 "]],[["Westheim 1925 a, S. 53--54 und 88, Abb. 85 ","2027"],["Janda 1986, S. 37 und 48 ","2030"],["Berlin 1976, S. 44 mit Abb.","2198"],["Berlin 1980, S. 207 ","2294"],["Spielmann 2009, S. 246, Farbabb. 2b","2299"],["Bremen 1925, Nr. 379","2476"],["Schmidt D. 1986 a, S. 128, Abb. 7 ","2486"],["Hoffmann 1947, S. 160 ","2499"],["Dalbajewa 1999, S. 122","2681"],["Westheim 1918 a, S. 34--35 und 54, Abb. 41 ","2738"],["Steinkamp 2008, S. 75, 321, 360 mit Anm. 366, Farbabb. 16","3265"],["Das Kunstblatt 1918, Abb. S. 366","3450"],["Alten 1924, S. 130, Abb. S. [132]","3692"]],[["Deutschland"]]]},{"id":1051,"img":{"extraLarge":"AP_100042055_extraLarge.jpg","medium":"AP_100042055_medium.jpg"},"arr":["1918.02","Stehender weiblicher Akt, Alma Mahler (Skizze)","Stehender weiblicher Akt (Skizze)","1918","Öl/Papier, auf Lwd. aufgezogen","180 x 85 cm ","Bez. unten rechts: Dem lieben / Waltherchen / Sein Rittmeister ","","122 ","132","Privatbesitz, Courtesy Caroline Schmidt Fine Art LLC"," ","","Privatbesitz, Courtesy Caroline Schmidt Fine Art LLC"],"mul":[[["Hasenclever Walter","Walter Hasenclever, Berlin",""],["Müller Eduard","Eduard Müller, Dresden (1924)",""],["The Lefevre Gallery Reed Alex","The Lefevre Gallery, London (1957)",""],["Kodicek Illa","Illa Kodicek, London",""],["Privatbesitz","Privatbesitz, La Paz, Bolivien (1959)",""]],[["1995 Frankfurt/Main","8110","Nr. 178, S. 316, Farbtaf. S. 317"],["1958 Den Haag","8309","Nr. 29 mit Abb. "],["2015/16 Wien","8486","S. 179, Farbtaf. 143"],["1958 Wien","8541","Nr. 44, Abb. S. 33 "],["2008 Wien, Belvedere","8619","S. 270, Farbtaf. 144 S. 271"],["2005/06 Paris","8637","S. 288, Farbtaf. S. 289 (in dt. Ausg.)"],["1957 Lefevre Gallery, London","8675","Nr. 12 (fälschlich dat. c. 1914), Abb. S. 19 "],["1992 Frankfurt/Main","8733","Nr. 5 mit Farbtaf. "],["1960 Caracas","8769","u. d. T. \"Desnudo\" (fälschlich dat. 1928) mit Abb. "],["1996 Dresden","8815","S. 106, Farbtaf. S. [107]"],["1958 München, Haus der Kunst","8914","Nr. 46, Abb. S. 33 "],["1961 Cincinnati","9023","Nr. 7, Abb. 7 "],["2003/04 Frankfurt/Main","9058","S. 186 mit Farbtaf. 44"],["1959 Caracas","12106",""]],[["Kokoschka 1925, S. 243-254 ","2052"],["Mayer 2015, S. 236","2125"],["Smith 2013, Farbtaf. S. 113","2130"],["Meyer 2013, S. 175, Farbabb. 51 S. 396","2165"],["Gorsen 1986 b, S. 190, Abb. S. 189 ","2386"],["Weidinger 1996, S. 90, Farbabb. S. 92","2485"],["Gorsen 1994, S. 149 -157 mit Abb. 20","2570"],["Street 1993","2703"],["Kokoschka Briefe 1 1984, S. 293 ","2710"],["Jamain 2006","2780"],["Brugger 1992, S. 69--77 ","2819"],["Frédérick 2010","2914"],["Windisch 2013, S. 195, Abb. 77","3001"],["Mann 1992 a, S. 43-44","3094"],["Spielmann 2003 a, S. 177, 180, Abb.S. 177","3309"],["Kokoschka 1988, Abb. S. [11] ","3482"],["Wimmer 2006","3549"],["Metken 1992, S. 15--17 ","3599"]],[["Akte"],["Weibliches Bildnis"]]]},{"id":1345,"img":{"extraLarge":"AP_100042352_extraLarge.jpg","medium":"AP_100042352_medium.jpg"},"arr":["1918.03","Katja","","1918/19","Öl/Lwd.","75.5 x 100.5 cm ","Bez. unten links: OK ","116","123, Taf. 47 ","133","Von der Heydt-Museum, Wuppertal ","1976, Vermächtnis Klaus Gebhard, München","","Von der Heydt-Museum Wuppertal "],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (25.2.1919)",""],["Gebhard Eduard","Eduard Gebhard, Elberfeld (9.3.1919)",""],["Gebhard Klaus","Klaus Gebhard, Wuppertal/später München",""]],[["1962 Tate Gallery, London","8075","Nr. 53 "],["2014 Wolfsburg","8102","S. 189, 280, 303, Farbtaf. S. 203"],["1971 München","8125","Nr. 23 mit Abb. "],["1950 München","8139","Nr. 41, Abb. S. 16 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 15 "],["2000/01 Mailand","8305","Farbtaf. S. 165"],["1920 Krefeld","8403","Nr. 20 "],["2013/14 Rotterdam","8478","S. 22, Nr. 89 mit Farbtaf."],["2009/10 Paris","8607","Nr. 34"],["2008 Wien, Belvedere","8619","S. 268, Farbtaf. 142 S. 267"],["1986 Ascona","8698","Nr. 40, Farbabb. S. 217 "],["1984 Brüssel","8705","Nr. 104 mit Farbabb. "],["1996 Dresden","8815","S. 108, Farbtaf. S. [109]"],["1919 Künstlervereinigung, Dresden","8848","Nr. 30 "],["1929 Abels, Köln","9030","Nr. 22 "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 24, Farbtaf. S. 127"]],[["Erling 1997, S. 63, Abb. 66","2046"],["Tietze/Krapf-Weiler 2007, S. 73, Abb. 3 S. 74","2702"],["Aust 1977, S. 154, Abb. 354","2756"],["Schmidt D. 1986 b, S. 208, Abb. 83 ","2796"],["Windisch 2013, S. 259, Abb. 161","3001"],["Wuppertal 1976, Abb. ","3258"],["Wuppertal 1981, S. 119 mit Abb.","3449"],["Tietze 1919, Abb. S. 252 ","3634"],["Wuppertal 1977, Abb. S. 294","3822"],["Fehlemann 1988, Farbabb. S. 15 ","3847"],["Rieger 2018, S. 247-248","41166"],["Paris 2022, Farbtaf. S. 127","43164"]],[["Weibliches Bildnis"],["Selbstbildnis"],["Doppelbildnis"]]]},{"id":1212,"img":{"extraLarge":"AP_100042218_extraLarge.jpg","medium":"AP_100042218_medium.jpg"},"arr":["1918.04","Selbstbildnis (Hand an den Mund gelegt)","","[1918/19]","Öl/Lwd.","83.6 x 62.8 cm ","Bez. oben links: OK ","","125 ","134","Leopold Museum, Wien ","1994","","Leopold Museum, Wien, Inv. 623"],"mul":[[["Sotheby's","Sotheby's, London (28.6.1978, Nr. 46 mit Farbabb., u.d.T: \"Self Portrait (hand raised to lips)\")",""],["Leopold Rudolf","Rudolf Leopold, Wien (28.6.1978)",""]],[["2007/08 Wien, Leopold Museum","8072","S. 254, Farbtaf. S. 89"],["1988/89 Zürich","8363","Nr. 120 mit Farbtaf. "],["2014 Wien","8519","S. 248, Farbtaf. S. 177"],["1987 Gent","8571","Nr. 15, Farbabb. S. 89 "],["2013/14 Wien","8589","S. 98, 338, Farbtaf. S. [99]"],["2008 Wien, Belvedere","8619","S. 268, Farbtaf. 143 S. 269"],["2005/06 Paris","8637","S. 286, Farbtaf. S. 287 (in dt. Ausg.)"],["1988 Barcelona","8659","Nr. 16, Farbtaf. S. 50 "],["1986 Tokyo","8703","Nr. 109 mit Farbabb. "],["1992 Frankfurt/Main","8733","Nr. 6 mit Farbtaf. "],["1920 Darmstadt","8746","Nr. 376 mit Abb."],["1996 Dresden","8815","S. 110, Farbtaf. S. [111]"],["1981/82 Rom","8934","Farbabb. S. 43 "],["1991 Wien","9033","Nr. 35 mit Farbtaf. "],["2008 Linz","9042","S. 84, Farbtaf. S. 85"],["1985 Künstlerhaus, Wien","9048","Nr. 15/6/11 "],["2010 Palazzo Reale, Mailand","9084","S. 163, Farbtaf. 69"],["2018/2019 Zürich","21106","Nr. 40, Farbtaf. S. 133"]],[["Sotheby Parke Bernet 1978 a, Nr. 46 mit Farbabb.","2064"],["Bisanz 2005, Farbtaf. S. 130","2094"],["Wacker 1993, S. 56, Farbabb. 44","2173"],["Calvocoressi 1992, Farbabb. 36 ","2193"],["Bischoff 1997, S. 97, Abb. 94","2282"],["Brugger 1991, S. 25-26 ","2382"],["Leopold 2003, S. 291, Farbtaf. S. [130]","2482"],["Sultano 2005, Abb. 6 S. 58","2661"],["Tietze/Krapf-Weiler 2007, S. 74, Abb. 5 S. 75","2702"],["Leopold 2009, S. 151-154, Farbabb. S. 150","2777"],["Brugger 1992, S. 74 ","2819"],["Schmidt P. F. 1920, Abb. S. 794 ","2839"],["Strobl 2010, S. 171, Farbtaf. 1","3120"],["Kandel 2014, S. 189, Farbabb. 9-15 S. 186 u. Farbabb. 18-11 S. 371 u.S. 385, Farbabb. 20-1 S. 384","3467"],["Monnin 2005, S. 57, Farbtaf. S. 54/55","4073"],["Wien 2001, Kat. Nr. 149 mit Farbtaf. ","23217"]],[["Selbstbildnis"],["Männliches Bildnis"]]]},{"id":1167,"img":{"extraLarge":"AP_100042173_extraLarge.jpg","medium":"AP_100042173_medium.jpg"},"arr":["1919.01","Die Heiden","","1919","Öl/Lwd.","75.5 x 126 cm ","Bez. unten rechts: OK. Auf der Rückseite beschriftet: Ardinghello: Es ist wahr, daß eine Rose mehrere Düfte verraucht, wenn sie am Stocke verwelkt ","117","124, Taf. 50 ","135","Museum Ludwig, Stiftung Dr. Haubrich, Köln ","1950 ","ML 76/2820",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (7.5.1919)",""],["Stadtmuseum","Stadtmuseum, Dresden (25.11.1919)",""],["1937 beschlagnahmt","1937 beschlagnahmt",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin",""],["Moeller Ferdinand","Ferdinand Moeller, Köln (12.3.1941 im Tauschverfahren)",""],["Haubrich Josef","Josef Haubrich, Köln",""]],[["1921 Dresden","8064","Nr. 76 "],["1955 Liège","8106","Nr. 42 "],["1953 Luxemburg","8107","Nr. 42 "],["1937 Hofgarten-Arkaden, München","8108","Raum 4 "],["1950 München","8139","Nr. 42, Abb. S. 19 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 16 "],["1927 Zürich, Kunsthaus","8209","Nr. 48 "],["1919 Berlin","8210","Nr. 1018 "],["1952 Brüssel","8321","Nr. 127 "],["1955 Kunsthalle, Basel","8434","Nr. 59 "],["1924 Stuttgart","8479","Nr. 96 "],["1992 Altes Museum, Berlin","8573","S. 288, Farbabb. 286 (nicht ausgestellt)"],["1991 Los Angeles","8697","S. 288, Farbabb. 286 (nicht ausgestellt)"],["1951 Amsterdam","8959","Nr. 124 "],["1954 Turin","9002","Nr. 128 "],["1953 Trier","9037"," "],["1933 Dresden","9056"," "]],[["Westheim 1925 a, Abb. 31 ","2027"],["Köln 1974, S. 108, Abb. 175","2112"],["Das Schönste 1958 b, Abb. S. [39]","2170"],["Köln 1986 a, Bd. 1, Farbtaf. 26; Bd. 2, S.128","2363"],["Schultze-Naumburg 1932, Abb. S. 44 [gemeinsam mit einer Zeichnung von Marc Chagall] ","2420"],["Schmidt D. 1986 a, S. 130 ","2486"],["Hoffmann 1947, S. 160 ","2499"],["Köln 1966, S. 29, Abb. S. 84","2609"],["Schmidt D. 1996, S. 29, Farbabb. S. 28","2618"],["Schmidt D. 1986 b, S. 208-209, Abb. 84 ","2796"],["Krapf-Weiler 1997, S. 116, Abb. 108","2917"],["Schug 1994, S. 28 mit Farbabb.","2999"],["Windisch 2013, S. 168, Abb. 41","3001"],["Dorazio 1955, Abb. zwischen S. 64 und 65 ","3021"],["Haubrich 2012, S. 130-132, 224, Abb. 134-135","3057"],["Pijoan 1970, T. 9, S. 277, Farbtaf. S. 276","3149"],["Köln 1979, S. 390, Farbabb. S. [385]","3236"],["Köln 1959, S. 87, Abb. 178 ","3297"],["Einstein 1926, Abb. S. 455 ","3305"],["Röske 2007, S. 237, Farbabb. 3","3322"],["Fuchs 1959, S. 113","3338"],["Willrich 1937, Abb. S. 59 ","3345"],["Schmidt Gerhard 1956, Abb. 23 ","3352"],["Gatt 1972, S. 29, Abb. 20 S. 25 ","3468"],["Platschek 1946, Abb. 24 ","3496"],["Hofmann 1986 c, S. 271--272 ","3592"],["Köln 1986 b, Farbabb. S. 74","3597"],["Tietze 1919, Abb. S. 250 ","3634"],["Hofmann 1986 a, S. 26 ","3698"],["Hofmann 1967, Farbabb. S. 60 ","3918"],["Wilckens 1951, S. 45, Abb. S. 47 ","3953"],["Dalbajewa 2006, S. 137, 141, Farbabb. 2","4121"],["Köln 1965, Nr. 2820, Abb. 178","16167"],["Köln 2006, S. 50 mit Farbabb.","23170"],["Köln 2012, S. 130–131, 224, Farbtaf. S. 134–135","23171"]],[["Doppelbildnis"],["Männliches Bildnis"],["Akte"]]]},{"id":1267,"img":{"extraLarge":"AP_100042273_extraLarge.jpg","medium":"AP_100042273_medium.jpg"},"arr":["1919.02","Frau in Blau","","1919","Öl/Lwd.","78 x 103 cm ","Bez. oben rechts: OK. Auf der Rückseite datiert: VI. 1919 ","123","126, Farbtaf. X","136","Staatsgalerie Stuttgart ","1952 mit Mitteln des Süddeutschen Rundfunks ","2401",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (1919)",""],["Staatliche Gemäldegalerie","Staatliche Gemäldegalerie, Dresden (4.8.1919)","Erwerbung des Patronatsvereins der Staatlichen Gemäldegalerie; 1931 Geschenk des Patronatsvereins an die Staatliche Gemäldegalerie zu Dresden, Nr. 2594D "],["1937 beschlagnahmt","1937 beschlagnahmt",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin (21.12.1937)",""],["Galerie Fischer","Galerie Fischer, Luzern (30.6.1939, Nr. 68)",""],["Meister Jean","Jean Meister, Basel (30.6.1939-1946)",""],["Meister B.","B. Meister, Luzern (um 1947)",""],["Galerie Beyeler","Galerie Beyeler, Basel",""]],[["1921 Dresden","8064","Nr. 74 "],["1950 München","8139","Nr. 43 "],["1927 Zürich, Kunsthaus","8209","Nr. 49 "],["1939 Grand Hôtel National, Luzern","8353","Nr. 68"],["1947 Basel, Kunsthalle","8376","Nr. 123 "],["1947 Zürich, Kunsthaus","8415","Nr. 18 "],["1992 Frankfurt/Main","8733","Nr. 7 mit Farbtaf. (nicht ausgestellt) "],["1951 Berlin","8741","Nr. 23 "],["1947 Amsterdam","8829","Nr. 16 "],["1986 Zürich","8836","Nr. 42 mit Farbabb. "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 33 "],["1920 Chemnitz","8967","Nr. 157 mit Abb. "],["1923 Cassirer, Berlin","9051"," "],["1939 Zürich","9061",""],["1922 Venedig","9087","Nr. 28 "]],[["Westheim 1925 a, S. 83 und 87, Abb. 87 ","2027"],["Kokoschka 1925, S. 243-254, Taf. gegenüber S. 248 ","2052"],["Smith 2013, S. 120, Farbabb. S. 121","2130"],["Monsel 1995, S. [22], Farbabb. 19","2144"],["Roos 2005, S. 292, 301-302, 305, Farbabb. 4 ","2151"],["Karasek 2012, S. 75, Farbtaf. S. 74","2169"],["Calvocoressi 1992, Farbabb. 38 ","2193"],["Mann 1992 b, Abb. 1","2266"],["Bischoff 1997, S. 98, Abb. 95","2282"],["Schvey 1982, S. 30, 85 und 114, Abb. 43 ","2375"],["Brugger 1991, S. 25, Abb. 10 ","2382"],["Gorsen 1986 b, S. 187-188, 199, Abb. S. 198 ","2386"],["Baum 1971, S. 176 ","2409"],["Wingler 1957, S. 116, Farbabb. S. 117 ","2423"],["Weidinger 1996, S. 93, Farbabb. S. 90","2485"],["Schmidt D. 1986 a, S. 131--132, Abb. 11 ","2486"],["Dalbajewa 1998, Abb. S. 30","2487"],["Wallerstein 1921, S. 43-44, Abb. S. 44 ","2549"],["Göpfert 1987, S. 181 ","2573"],["Duchesne 2014, Nr. 68, S. 174 mit Farbabb.","2583"],["Metken 1991, S. 32 und Kat.-Nr. 420 (S. 336-337): Die stille Frau [Drei Photos der \"Puppe\"] ","2598"],["Stuttgart 1964, S. 81, 99","2660"],["Dalbajewa 1999, S. 149-150, 155-156","2681"],["Bormann 2013, S. 22, Farbabb. 16","2688"],["Langfeld 2004, S. 348","2708"],["Sultano 2003 b, S. 114, Abb. 38","2720"],["Hausenstein 1926, Abb. S. 158 ","2724"],["Stuttgart 1968, S. 102, Abb. 92","2744"],["Schmidt D. 1986 b, S. 207 und 215 ","2796"],["Deusch 1961, S. 84, Farbabb. S. 85","2805"],["Roh 1962, S. 150 ","2860"],["Praz 1972, ","2882"],["Kokoschka 1971, S. 191 ","2894"],["Wilckens 1950, S. 60 ","2934"],["Bormann 2014 c, S. 170, Farbabb. 4","3016"],["Hildebrandt 1955","3019"],["Barron 1992 b, S. 159 mit Abb.","3051"],["Bormann 2014 a, S. 29, Farbabb. 19","3067"],["Becker/Lagler 1995, S. 116-117 mit Abb. 4","3092"],["Hoffmann-Curtius 1987, S. 166--168 ","3108"],["Schug 1969, Farbabb. S. 182 ","3151"],["Galerie Fischer Luzern 1939 a, Nr. 68 ","3165"],["Kokoschka 1974 a, S. 196--199 [über die \"Puppe\"] ","3172"],["Kelm 1973, S. 43-45 ","3187"],["Husslein-Arco/Weidinger 2008, S. 272, Farbabb. 137","3215"],["Stuttgart 1982, S. 186, Abb. S. 185 ","3244"],["Spielmann 2003 a, S. 181, 208, Farbtaf. S. 198","3309"],["Dube 1973, Abb. 147 ","3325"],["Negendanck 1998, S. 202","3332"],["Palkovsky 1958, Farbabb. gegenüber S. 24 ","3411"],["Bultmann 1959, S. 36 und 70, Farbtaf. 13 ","3434"],["Gatt 1972, Farbtaf. 16 ","3468"],["Bischoff: 1996, S. 77 mit Farbabb.","3469"],["Read 1959, S. 238-240, Farbabb. S. 242 ","3478"],["Werner 1991, S. 53-55, Farbtaf. 2 und Abb. S. [54] ","3555"],["Hoffmann 1967, Farbtaf. V ","3588"],["Tietze 1919, Abb. S. 254 ","3634"],["Wingler 1956, S. 49 ","3708"],["Pesce 2009, farb. Umschlagabb.","3754"],["Masciotta 1966, Farbtaf. IV ","3808"],["Schmalenbach F. 1947, S. 14--15 ","3824"],["Muller 1960, Farbabb. S. 123 ","3838"],["Masciotta 1949, S. 34 ","3880"],["Schmied 1979, Farbabb. S. 56 ","3913"],["Gorsen 1986 a","3983"],["Dresden 1930, S. 99","4011"],["Dalbajewa 2006, S. 140-142, Farbabb. 4","4121"]],[["Weibliches Bildnis"]]]},{"id":1150,"img":{"extraLarge":"AP_100042156_extraLarge.jpg","medium":"AP_100042156_medium.jpg"},"arr":["1919.03","Carl Georg Heise und Hans Mardersteig","","1919","Öl/Lwd.","74 x 100 cm ","Bez. unten links: OK ","","127 ","137","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Mardersteig Hans","Hans Mardersteig, Verona",""]],[["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 25, Farbtaf. S. 130-131"]],[["Bonnefoit 2013, S. 44, Farbabb. 6","2194"],["Bischoff 1997, S. 98, Abb. 96","2282"],["Langfeld 2004, S. 241--242, 369, Farbabb. 214 S. 241","2708"],["Heise 1960, S. 133","3068"],["Heise 1956 a, S. 39, Abb. S. 38","3147"],["Spielmann 2003 a, S. 207 mit Abb.","3309"],["Röske 2007, S. 235-254, Farbabb. 1","3322"],["Heise 1962","3684"],["Paris 2022, Farbtaf. S. 130-131","43164"]],[["Doppelbildnis"],["Männliches Bildnis"]]]},{"id":1330,"img":{"extraLarge":"AP_100042337_extraLarge.jpg","medium":"AP_100042337_medium.jpg"},"arr":["1919.04","Carl Georg Heise","Portrait of two men","1919","Öl/Lwd.","100.8 x 72.3 cm ","Unbez. ","141 ","129, Taf. 52 ","138","Museum Boymans-van Beuningen, Rotterdam ","1956, Fonds Willem van Rede ","2420",""],"mul":[[["Heise Carl Georg","Carl Georg Heise, Hamburg, zeitweise als Leihgabe in der Hamburger Kunsthalle und im Dienst voor's Rijks Verspreide Kunstvoorwerpen, Den Haag ","zeitweise als Leihgabe in der Hamburger Kunsthalle und im Dienst voor's Rijks Verspreide Kunstvoorwerpen, Den Haag "]],[["1921 Dresden","8064","Nr. 72 "],["1962 Tate Gallery, London","8075","Nr. 54, Abb. 18 "],["2014 Wolfsburg","8102","S. 190, 303, Farbtaf. S. 194"],["1950 München","8139","Nr. 44 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 17 "],["1980/81 Rotterdam","8216","S. 5 ff., Abb. S. 5 und Farbabb. auf der Rückumschlagseite "],["1949 Amsterdam","8218","Nr. 64 mit Abb. "],["1966 Zürich","8225","Nr. 40 "],["1966 Karlsruhe","8284","Nr. 33 mit Farbabb. "],["1962/1963 Hamburg","8422","Nr. 28 mit Farbabb. "],["1985 London","8722","Farbtaf. 82 "],["1996 Dresden","8815","S. 112, Farbtaf. S. [113]"],["1971 Wien","8820","Nr. 33, Abb. 19 "]],[["Lowitzer-Hönig 2008, S. 44, Abb. 132","2124"],["Bischoff 1997, S. 98, Abb. 97","2282"],["Bonnefoit 2014 a, S. 37, Farbabb. 9","2634"],["Langfeld 2004, S. 241--242, 369, Farbabb. 214 S. 241 ","2708"],["Hentzen 1970, Abb. S. 25","2878"],["Hoffmann 1949, S. 344-348 mit Abb.","2930"],["Windisch 2013, S. 99-102, Abb. 2","3001"],["Heise 1960, S. 132--136","3068"],["Rotterdam 1978, S. 45 ","3121"],["Heise 1956 a, Abb. S. 37","3147"],["Spielmann 2003 a, S. 207--208, Farbabb. S. 220","3309"],["Röske 2007, S. 235-254, Farbabb. 2","3322"],["Hentzen 1962 a, o. S.","3363"],["Rotterdam 1972, Nr. 172, Abb. 26","3574"],["Rotterdam 1963, S. 73","3773"],["Horstmann 1965 a, S. 18 und 43 (Zitat aus Heise 1960) ","3828"],["Hofmann 1980","3967"],["Petzet 1966","4097"]],[["Männliches Bildnis"]]]},{"id":1193,"img":{"extraLarge":"AP_100042199_extraLarge.jpg","medium":"AP_100042199_medium.jpg"},"arr":["1919.05","Hans Mardersteig","Portrait of two men","1919","Öl/Lwd.","100.7 x 71.8 cm ","Bez. oben links: OK ","141 ","128, Taf. 52 ","139","Museum Boymans-van Beuningen, Rotterdam ","1956, Fonds Willem van Rede","2419",""],"mul":[[["Heise Carl Georg","Carl Georg Heise, Hamburg, zeitweise als Leihgabe in der Hamburger Kunsthalle und im Dienst voor's Rijks Verspreide Kunstvoorwerpen, Den Haag ","zeitweise als Leihgabe in der Hamburger Kunsthalle und im Dienst voor's Rijks Verspreide Kunstvoorwerpen, Den Haag "]],[["1921 Dresden","8064","Nr. 72 "],["1962 Tate Gallery, London","8075","Nr. 54, Abb. 18 "],["2014 Wolfsburg","8102","S. 190, 303, Farbtaf. S. 195"],["1950 München","8139","Nr. 44 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 17 "],["1980/81 Rotterdam","8216","S. 5 ff., Abb. S. 5 und Farbabb. auf der Rückumschlagseite "],["1949 Amsterdam","8218","Nr. 64 "],["1966 Zürich","8225","Nr. 39 "],["1966 Karlsruhe","8284","Nr. 32 mit Farbabb. "],["1962/1963 Hamburg","8422","Nr. 28 mit Farbabb. "],["1985 London","8722","Farbtaf. 82 "],["1996 Dresden","8815","S. 112, Farbtaf. S. [113]"],["1971 Wien","8820","Nr. 32, Abb. 19 "]],[["Lowitzer-Hönig 2008, S. 44, Abb. 131","2124"],["Bischoff 1997, S. 98, Abb. 97","2282"],["Bonnefoit 2014 a, S. 37, Farbabb. 10","2634"],["Hentzen 1970, Abb. S. 25","2878"],["Schmoller 1962","2889"],["Windisch 2013, S. 99-102, Abb. 2","3001"],["Bormann 2014 a, S. 29, Farbabb. 20 (Detail)","3067"],["Heise 1960, S. 132--136","3068"],["Rotterdam 1978, S. 45 ","3121"],["Heise 1956 a, Abb. S. 36","3147"],["Spielmann 2003 a, S. 207--208, Farbabb. S. 220","3309"],["Röske 2007, S. 235-254, Farbabb. 2","3322"],["Hentzen 1962 a, o. S.","3363"],["Neue Blätter für Kunst und Dichtung 1921, Abb. S. 15","3492"],["Rotterdam 1972, Nr. 172, Abb. 26","3574"],["Heise 1962","3684"],["Rotterdam 1963, S. 73","3773"],["Horstmann 1965 a, S. 43 (Zitat aus Heise 1960) ","3828"],["Antwerpen 2005, S. 173 mit Farbabb.","20164"]],[["Männliches Bildnis"]]]},{"id":1291,"img":{"extraLarge":"AP_100042298_extraLarge.jpg","medium":"AP_100042298_medium.jpg"},"arr":["1919.06","Dresden, Neustadt I","Elbe Bridge, Dresden II","1919/20","Öl/Lwd.","81.4 x 112.2 cm ","Bez. unten rechts: OK ","126","131 ","140","Privatbesitz ","1989 ","","Privatbesitz"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin",""],["Staatliche Gemäldegalerie","Staatliche Gemäldegalerie, Dresden (1920)","erworben aus den Zinsen der Pröll-Heuer-Stiftung, Nr. 2594 "],["1937 beschlagnahmt","1937 beschlagnahmt (21.12.1937, Beschlagnahmeinventar: Nr. 13668)",""],["Buchholz Gallery Curt Valentin","Buchholz Gallery Curt Valentin, New York",""],["Winterbotham Joseph","Joseph Winterbotham, Chicago (1939)",""],["The Art Institute of Chicago, Joseph Winterbotham Collection","The Art Institute of Chicago, Joseph Winterbotham Collection (1939–1989)","Inv.Nr. 1939.2244 "],["Sotheby's","Sotheby's, New York (9.5.1989, Nr. 34 mit Farbtaf.)",""]],[["1956 Chicago","8045","Nr. 10 "],["1962 Tate Gallery, London","8075","Nr. 56 "],["1942 Saint Louis","8134"," "],["1948 Boston","8222","Nr. 27 mit Abb. "],["1966 Zürich","8225","Nr. 42 "],["1941 Chicago","8292","Nr. 23 "],["1958 Den Haag","8309","Nr. 30 mit Abb. "],["1939 Boston","8419"," "],["1958 Wien","8541","Nr. 45, Abb. S. 38 "],["1920 Dresden","8793","Nr. 122 "],["1954 Santa Barbara","8806","Nr. 7"],["1946 Boston","8823"," "],["1926 Dresden","8856","Nr. 533 "],["1980/81 New York","8897","Nr. 282, Abb. S. 270 (engl. Original des Kataloges: Nr. 283, Abb. S. 261)"],["1958 München, Haus der Kunst","8914","Nr. 47, Abb. S. 38 "],["1924 Neue Staatsgalerie, München","9032","Nr. 111 u. d. T. \"Elbbrücke in Dresden\" "],["1991 Wien","9033","außer Katalog "]],[["Hentzen 1966, S. 172-173, Abb. 10","2021"],["Geller/Bunkowsky 1951, Abb. S. 228","2132"],["Schmalenbach F. 1967, Abb. S. 17 ","2199"],["Neidhardt 1983, S. 159, Farbabb. 143","2218"],["Zeitschrift für bildende Kunst 1924 b, Abb. S. 47","2255"],["Richter 1930, Abb. S. 101","2383"],["Dalbajewa 1998, Abb. S. 32","2487"],["Hoffmann 1947, S. 165--166 ","2499"],["Wallerstein 1921, S. 43 ","2549"],["Göpfert 1987, S. 181 ","2573"],["Schmidt W. 1991, Abb. S. 124","2613"],["Chicago 1947, S. 26 mit Abb. ","2621"],["Dalbajewa 1999, S. 150","2681"],["Kunstchronik und Kunstmarkt 1920 a, S. 848","2873"],["Plaut 1948, S. 24--25 ","2891"],["Chicago 1980, Nr. 2D4, S. 50","2974"],["Vogt 1978, S. 118 mit Farbtaf. ","3015"],["Gotsch 1963, Abb. 34 ","3022"],["Dresden 1921, S. 67, Farbtaf. [50]","3027"],["Hodin 1968 a, S. 229 ","3213"],["Spielmann 2003 a, S. 208, Farbtaf. S. 221","3309"],["Neue Blätter für Kunst und Dichtung 1921, Abb. S. [20]","3492"],["Natter 1996 a, S. 40, Farbabb. S. 39","3646"],["Koja 2014, S. 88 mit Farbabb. 122","3685"],["Sotheby's New York 1989 a, Nr. 34 mit Farbtaf.","3933"],["Dresden 1930, S. 40, Nr. 2594","4011"],["Chicago 1961, S. 253","4076"],["Dalbajewa 2006, S. 140, Farbabb. 3","4121"]],[["Dresden"],["Deutschland"]]]},{"id":1237,"img":{"extraLarge":"AP_100042243_extraLarge.jpg","medium":"AP_100042243_medium.jpg"},"arr":["1920.01","Die Macht der Musik","","1918-20","Öl/Lwd.","100 x 151.5 cm ","Unbez. ","119","130, Taf. 51 ","141","Stedelijk Van Abbe Museum, Eindhoven ","1954 ","1.0194","Stedelijk Van Abbe Museum, Eindhoven"],"mul":[[["Gorny Hein","",""],["Kunstsalon Paul Cassirer","Galerie Paul Cassirer, Berlin (25.9.1920)",""],["Staatliche Gemäldegalerie","Staatliche Gemäldegalerie, Dresden (1.10.1920)","Erwerbung des Patronatsvereins; 1931 Geschenk des Patronatsvereins an die Staatliche Gemäldegalerie "],["1937 beschlagnahmt","1937 beschlagnahmt",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin (21.12.1937)",""],["Böhmer Bernhard A.","Bernhard A. Böhmer (8./9.1940)",""],["Nachlass Bernhard A. Böhmer","Nachlass Bernhard A. Böhmer",""],["Gorny Hein","Hein Gorny, Berlin",""],["Kellen Konrad","Konrad Kellen, Santa Monica",""],["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich (1953)",""]],[["1985 Stuttgart","8025","Nr. 61 mit Farbtaf. "],["1961 Brüssel","8031","Nr. 108 "],["1957 New York, Museum of Modern Art,","8040","Nr. 101, Abb. S. 79 "],["1921 Dresden","8064","Nr. 75 "],["1962 Tate Gallery, London","8075","Nr. 55, Abb. Nr. 23 "],["2014 Wolfsburg","8102","S. 28-29, 150, 191, 302, Farbtaf. S. 158-159"],["1966 Zürich","8225","Nr. 41, Abb. 12 "],["1959 Kassel","8267","außer Katalog "],["1976 Galerie Nicoline Pon, Zürich","8268","S. 78, Farbtaf. S. 79 "],["1960 Amsterdam","8303"," "],["1977 Bern","8323"," "],["1980/81 Wien","8408","Nr. 24 "],["1968 Duisburg","8559","Nr. 43 mit Farbabb. "],["1987 Gent","8571","Nr. 16, Farbabb. S. 90 "],["1976 Hannover","8582"," "],["1986 London","8643","Nr. 40 mit Farbtaf. (nicht ausgestellt) "],["1974 Eindhoven","8655","Nr. 3 "],["1988 Barcelona","8659","Nr. 17, Farbtaf. S. 51 "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 7, Nr. 22 u. d. T. \"Dreiklang\" "],["1985 London","8722","Farbtaf. 81 "],["1958 Brüssel","8780","Nr. 162, Abb. S. 83 "],["2007 Vevey","8807","S. 12, 34, 39, Abb. S. [10-11], Farbtaf. 3"],["1996 Dresden","8815","S. 114, Farbtaf. S. [115]"],["1986 Zürich","8836","Nr. 41 mit Farbtaf. (nicht ausgestellt) "],["1983/84 Bonn","8917"," "],["1991 Wien","9033","Nr. 36 mit Farbtaf. "],["1923 Cassirer, Berlin","9051"," "],["1987 Wien","9066","S. 318, Farbtaf. S. 319 (nicht ausgestellt) "],["1986/87 Guggenheim, New York","9072","Nr. 33 mit Farbtaf. "],["1922 Venedig","9087","Nr. 37 u. d. T. \"Consonanza verde-rosso\" "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 16, Farbtaf. S. 128-129"]],[["Westheim 1925 a, S. 83--91 und 97, Abb. 86 ","2027"],["Erling 1997, S. 62, Abb. 64, Farbtaf. S. 70","2046"],["Eindhoven 1986, S. 362 mit Abb. ","2066"],["Lowitzer-Hönig 2008, S. 29, 70, Abb. 42","2124"],["Monsel 1995, S. [22], Farbabb. 17","2144"],["Meyer 2013, S. 249, Farbabb. 89 S. 408","2165"],["Calvocoressi 1992, Farbabb. 37 ","2193"],["Kuhn 1923, S. 600 ","2252"],["Forni 1984, S. 11--14 und 16 ","2260"],["Spielmann 2009, S. 246-247, Farbabb. 3b","2299"],["Leering-van Moorsel 1969, S. 31--32, Farbtaf. 12 ","2368"],["Brugger 1991, S. 24, Farbtaf. zu Kat.-Nr. 36 ","2382"],["Erling 2000 b, S. 261, Abb. 11","2399"],["Baum 1971, S. 178-180, Abb. 70 ","2409"],["Elger 1988, Farbabb. S. 245 ","2452"],["Schmidt D. 1986 a, S. 130, Abb. 9 ","2486"],["Hoffmann 1947, S. 160--162 ","2499"],["Erling 2008, Farbabb. S. 40","2525"],["Sultano 2003 a, S. 38, 44, 46, Abb. 7","2542"],["Wallerstein 1921, S. 44 ","2549"],["Hoffmann 2010, S. 119, 409 (II.192)","2560"],["Borchert 1959, S. 12, Farbtaf. 5 ","2562"],["Altner/Bächler 1990, Farbabb. S. [265] ","2566"],["Göpfert 1987, S. 181 ","2573"],["Hodin 1971, Abb. S. [77] ","2585"],["Schmidt Georg 1960, Farbabb. S. 10 ","2591"],["Kunstchronik und Kunstmarkt 1920 b, S. 32","2628"],["Bonnefoit 2014 a, S. 39, Farbabb. 14","2634"],["Sultano 2005, S. 61, Abb. 11 S. 63","2661"],["Dalbajewa 1999, S. 71, 151-152 mit Anm. 83, 154-155","2681"],["Langfeld 2004, S. 321, 348, 349, 370, Farbabb. 360 S. 347","2708"],["Haftmann 1965 b, Abb. 738 ","2732"],["Hannesen 1982, S. 20 ","2758"],["Gerhardus 1979, S. 94, Farbabb. 61","2788"],["Dovey 1982, S. 22--26 mit Abb.","2790"],["Schmidt D. 1986 b, S. 212-213 ","2796"],["Poindront 2005, S. 73, Farbabb. S. 74","2847"],["Goldscheider 1963, S. 76 (Anm. 19), Farbtaf. 19 ","2855"],["Heilmaier 1929, S. 12, Abb. 12 ","2885"],["Kokoschka 1971, S. 196, Farbabb. (Detail) als Frontispiz ","2894"],["Krapf-Weiler 1987, S. 197--199 ","2944"],["Eindhoven 1956, Nr. 5 mit Farbabb. ","2962"],["Hodin 1958 b, Abb. S. 75","2993"],["Windisch 2013, S. 188-189, Abb. 59","3001"],["Hofmann 1965, S. 162-164, Farbtaf. 59 ","3038"],["Wilde 1956, S. 194 mit Abb.","3084"],["Hoffmann-Curtius 1987, S. 168 ","3108"],["Langui 1959, Abb. 161 ","3153"],["Spielmann 1986 b, S. 32 ","3210"],["Hodin 1968 a, S. 226 und 244-248 ","3213"],["Mikš 2013, S. 167, 358, Farbabb. IV","3257"],["Serati 2008, S. 323, Farbabb. S. 324","3304"],["Spielmann 2003 a, S. 209--210, Farbtaf. S. 222 und S. [223] (Detail)","3309"],["Westheim 1921 a, S. 174","3446"],["Kokoschka 1955, S. 29-30, Abb. S. 38","3459"],["Hodin 1966, Abb. 23 ","3490"],["Neue Blätter für Kunst und Dichtung 1921, Abb. S. 15","3492"],["Jewanski / Düchting 2009, S. 353-355","3515"],["Reinhold 2013, Farbabb. (Doppelseite, Detail)","3582"],["Allmayer-Beck 1980, Farbabb. (Detail) S. [1] ","3583"],["Hofmann 1986 c, S. 272--273 ","3592"],["Lachnit 1991 b, S. 42 ","3619"],["Eindhoven 1962, S. 7, Farbabb. S. [13] Kat.-Nr. 5 ","3636"],["Hodin 1963 a, S. 19, Abb. 6 ","3637"],["Frodl/Natter 1997, Farbtaf. S. 70","3638"],["Hofmann 1986 a, S. 25--27, Abb. S. 22 ","3698"],["Delfs 2015, S. 26, Farabb. 8 S. 28","3700"],["Wingler 1956, S. 49-50 ","3708"],["Elger 2007, Farbabb. S. 245","3791"],["Spielmann 1996, Abb. S. 10","3805"],["Keegan 1999, S. 113, 141","3854"],["Masciotta 1949, S. 34 ","3880"],["Tietze 1920, Abb. S. [65] ","3896"],["Leinz 1990, S. 88 mit Farbabb. ","3943"],["Lachnit 1993, S. 179, Farbtaf. Abb. 127 ","3947"],["Winkler 1991, S. 49, Farbtaf. zu Kat.-Nr. 36 ","3958"],["Österreichische Musikzeitschrift 1970, farb. Umschlagabb.","3969"],["Dresden 1930, S. 99","4011"],["Dalbajewa 2006, S. 140-142, Farbabb. 5","4121"],["Beckstette 2009, S. 101, Farbabb. 42","4124"],["Rieger 2018, S. 295-296","41166"],["Görner 2018, S. 99","41167"],["Paris 2022, Farbtaf. S. 128-129","43164"]],[["Figuren in Landschaft"]]]},{"id":1102,"img":{"extraLarge":"AP_100042108_extraLarge.jpg","medium":"AP_100042108_medium.jpg"},"arr":["1920.02","Frau mit dem Sklaven","","1920","Öl/Lwd.","92.5 x 109.5 cm ","Bez. unten links: OK. Auf der Rückseite beschriftet: Wenn das letzte Licht / mich streift, werde ich lebendig / OK ","134","132 ","142","Galerie Zlatá Husa, Prag"," ","",""],"mul":[[["Lányi Richard","Richard Lányi, Wien (bis mind. 1925)",""],["Galerie Ernst Arnold","Galerie Ernst Arnold, Dresden",""],["Salo Glaser Fritz","Fritz Salo Glaser, Dresden (vor 1929)",""],["Dittmayer Hans","Hans Dittmayer, Dresden (1942)","die Sammlung wurde nach Peterswald, Böhmen und 1945 nach Prag ausgelagert"],["Galerie Horejs","[Galerie Horejs, Prag]",""],["Privatbesitz","Privatbesitz, Prag",""]],[["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 35, Abb. S. [14] "],["1925 Düsseldorf","8116","Nr. 1187 "],["1929 Dresden","8155","Nr. 162 "],["2015/16 Wien","8486","Farbtaf. 108"],["1923 Cassirer, Berlin","9051"," "],["1924 Secession, Wien","9073","Nr. 72 "],["1922 Venedig","9087","Nr. 27 "]],[["Westheim 1925 a, S. 90--91, Abb. 89 ","2027"],["Faistauer 1923, Abb. 36 ","2071"],["Tietze 1921, S. 223, Abb. S. 221 ","2470"],["Wallerstein 1921, S. 45 mit Abb. ","2549"],["Wagner 2006, S. 136, 137, Anm. 35","13164"]],[["Doppelbildnis"],["Figuren in Landschaft"]]]},{"id":1173,"img":{"extraLarge":"AP_100042179_extraLarge.jpg","medium":"AP_100042179_medium.jpg"},"arr":["1920.03","Kind mit Blumen und Katze","Girl with flowers and bird cage","1920","Öl/Lwd.","127.6 x 81 cm ","Bez. und datiert oben rechts: OK 20 ","128","133 ","143","Bayerische Staatsgemäldesammlungen / Staatsgalerie moderner Kunst, München","11. Oktober 1960 ","13091",""],"mul":[[["Lányi Richard","Richard Lányi, Wien",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (29.9.1925 bis mind. 1931)",""],["Buchholz Gallery Curt Valentin","Buchholz Gallery Curt Valentin, New York",""],["Mack Charlotte S.","Charlotte S. Mack, San Francisco",""],["Galerie des Arts Anciens et Modernes","Galerie des Arts Anciens et Modernes, Schaan (Liechtenstein) ",""]],[["1939 New York, Buchholz","8039","Nr. 11 "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 33 "],["1962 Tate Gallery, London","8075","Nr. 57 "],["1927 Zürich, Kunsthaus","8209","Nr. 51 "],["1948 Boston","8222","Nr. 28 mit Abb. "],["1941 Chicago","8292","Nr. 5 "],["1962/1963 Hamburg","8422","Nr. 29 "],["1940 Buchholz, New York","8584","Nr. 1 "],["1947 Amsterdam","8829","Nr. 17 "],["1960 London, Marlborough","8905","Nr. 78, Farbabb. S. 80 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 35 "],["1960 Kopenhagen","9011","Nr. 25 "],["1923 Cassirer, Berlin","9051"," "]],[["Westheim 1925 a, S. 90--91, Abb. 34 ","2027"],["Lowitzer-Hönig 2008, S. 70, Abb. 133","2124"],["Brugger 1991, S. 22, Abb. 5 ","2382"],["Tietze 1921, S. 223, Abb. S. 219 ","2470"],["Hoffmann 1947, S. 162 ","2499"],["Wallerstein 1921, S. 45-46 ","2549"],["Schmidt D. 1996, Farbabb. S. 30","2618"],["München 1966, S. 56, Abb. 125","3426"],["Gatt 1972, Farbtaf. 17 ","3468"],["Martin 1961, Abb. 10","4081"],["München 1995, S. 187 mit Farbabb.","23186"]],[["Kinder"],["Mädchen"]]]},{"id":1013,"img":{"extraLarge":"AP_100042017_extraLarge.jpg","medium":"AP_100042017_medium.jpg"},"arr":["1921.01","Stillleben mit Maske","Maskenstillleben","[1921]","Öl/Lwd.","49 x 59.5 cm ","Bez. unten links: OK ","133","134 ","144","LWL-Museum für Kunst und Kultur, Westfälisches Landesmuseum, Münster","16.1.1962 ","1070 LM 62-05","LWL-Museum für Kunst und Kultur, Westfälisches Landesmuseum, Münster"],"mul":[[["Erfurth Hugo","Hugo Erfurth, Dresden",""],["Erfurth Helene","Helene Erfurth, Gaienhofen (bis mind. 1950)",""],["Probst Rudolf","Rudolf Probst, Mannheim (1951)",""],["Stuttgarter Kunstkabinett","Stuttgarter Kunstkabinett, Stuttgart (3./4.5.1961, Nr. 260, Farbtaf. 72)",""],["Galerie Wilhelm Grosshennig","Galerie Wilhelm Grosshennig, Düsseldorf",""],["Westfälisches Landesmuseum für Kunst und Kulturgeschichte","Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster",""]],[["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 32 "],["2014 Wolfsburg","8102","S. 190, 303, Farbtaf. S. 207"],["1968 Gent","8133","Nr. 71 "],["1950 München","8139","Nr. 46, Abb. S. 22 "],["1974 Münster","8230","Nr. 12 mit Abb. "],["2003 Münster","8391","Nr. 60, S. 107, Farbtaf. S. 101"],["1951 Berlin","8741","Nr. 24, Abb. S. 12 "],["1996 Dresden","8815","S. 116, Farbtaf. S. [117]"],["1983 Bordeaux","9016","Nr. 13, Abb. S. 87, Farbabb. S. 53 "],["1929 Abels, Köln","9030","Nr. 21 "],["1954 Mannheim","9049"," "],["1927 Chemnitz","9076"," "],["[1925 Chemnitz]","9086"," "]],[["Grosshennig 1961, Abb. o. S. ","2356"],["Münster 1999, S. 76, 92, Farbtaf. S. [93]","2478"],["Schmidt D. 1986 b, S. 215, Abb. S. 214 ","2796"],["Münster 1968, S. 280, Abb. S. 281 ","2976"],["Stuttgarter Kunstkabinett 1961, Nr. 260, Farbtaf. 72 ","3859"],["Münster 1999, S. 76–78, 92, Farbtaf. S. 93 ","23189"]],[["Stillleben"]]]},{"id":1015,"img":{"extraLarge":"AP_100042019_extraLarge.jpg","medium":"AP_100042019_medium.jpg"},"arr":["1921.02","Dresden, Neustadt II","\"Elbe Bridge, Dresden I\"\n","[1921]","Öl/Lwd.","59.7 x 80 cm ","Bez. unten links: OK ","125 ","135 ","145","The Detroit Institute of Arts, Detroit, MI","1921 ","21.203","Ankauf der Stadt Detroit"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (6.6.1921)",""],["Galerie Fritz Goldschmidt und Victor Wallerstein","Galerie Fritz Goldschmidt und Victor Wallerstein, Berlin (18.7.1921)",""]],[["1962 Tate Gallery, London","8075","Nr. 58, Abb. 19 "],["1948 Boston","8222","Nr. 26 mit Abb. "],["1958 Den Haag","8309","Nr. 31 "],["1952 New York","8514"," "],["1958 Wien","8541","Nr. 46 "],["1966 New York","8544","Nr. 21, Abb. S. 41 "],["1986 London","8643","Nr. 42 mit Farbtaf. "],["1961 Columbus, OH","8670","Nr. 43 "],["1985 London","8722","Farbtaf. 80 "],["1948 Minneapolis","8732","Nr. 27 "],["1978 San Jose, Costa Rica","8786","S. 24 und 51 "],["1996 Dresden","8815","S. 118, Farbtaf. S. [119]"],["1986 Zürich","8836","Nr. 45 mit Farbtaf. "],["1958 München, Haus der Kunst","8914","Nr. 48 "],["1931 New York","8921","Nr. 52 "],["1952 Providence, RI","9003"," "],["1991 Wien","9033","Nr. 37 mit Farbtaf. (nicht ausgestellt) "],["1939 Museum of Modern Art, New York","9068","Nr. 106 mit Abb. "],["1986/87 Guggenheim, New York","9072","Nr. 35 mit Farbtaf. "]],[["Hentzen 1966, S. 173, Abb. 11","2021"],["Lévêque 2005, S. 192 mit Farbabb.","2028"],["Heiden 1931, S. 18, Abb. S. 15","2051"],["Monsel 1995, S. [22], Farbabb. 20","2144"],["Calvocoressi 1992, Farbabb. 40 ","2193"],["Neidhardt 1983, S. 158, Farbabb. 142","2218"],["Langfeld 2011, S. 59, 229, Farbtaf. 31 S. 55","2397"],["Dalbajewa 1999, S. 122","2681"],["Bartolini 2011, S. 46-47, 219, Farbabb. 38","2774"],["Strobl/Weidinger 1998, S. 10, Farbabb. 9","2803"],["Lachnit 1991 a, S. 30, Farbtaf. zu Kat.-Nr. 37 ","2887"],["Plaut 1948, S. 24--25 ","2891"],["Natter 2002 a, S. 73, Abb. S. 73","2924"],["Detroit 1930, Nr. 119 mit Abb.","3099"],["Der Querschnitt 1921, S. 173 [Mitteilung des Ankaufs durch das Detroit Institute of Arts]","3246"],["Detroit 1944, S. 75","3290"],["Bultmann 1959, S. 37 und 72, Farbtaf. 14 ","3434"],["Kopenhagen 1960, ","3486"],["Koja 2014, S. 89 mit Farbabb. 123","3685"],["Sotriffer 1963, Farbabb. I ","3721"],["Uhr 1982, S. 122, Farbtaf. S. [123]","3809"],["Richardson 1947, S. 22, Abb. S. 17","3908"]],[["Dresden"],["Deutschland"]]]},{"id":1030,"img":{"extraLarge":"AP_100042034_extraLarge.jpg","medium":"AP_100042034_medium.jpg"},"arr":["1921.03","Dresden, Neustadt III","","1921","Öl/Lwd.","70 x 99 cm ","Bez. unten links: OK ","","136 ","146","Museum Ludwig, Schenkung Josef Haubrich, Köln ","1946, Schenkung Josef Haubrich, Köln","ML 76/2754",""],"mul":[[["Privatbesitz","Privatbesitz, Berlin",""],["Kunstsalon Hermann Abels","Kunstsalon Hermann Abels, Köln",""],["Haubrich Josef","Josef Haubrich, Köln (1927)",""]],[["1947/48 Oldenburg","8084","Nr. 60 "],["1955 Liège","8106","Nr. 43, Abb. IX "],["1953 Luxemburg","8107","Nr. 43 mit Farbabb. "],["1949 Düsseldorf","8127","Nr. 142 mit Farbabb. "],["1950 München","8139","Nr. 47, Abb. S. 23 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 18 "],["1947 Mannheim","8168","Nr. 21 "],["1952 Brüssel","8321","Nr. 118 mit Farbabb. "],["1929 Kunstverein, Köln","8387"," "],["1955 Kunsthalle, Basel","8434","Nr. 60 mit Abb. "],["1950 Recklinghausen","8451","Nr. 128 "],["1948 Wiesbaden","8518","Nr. 60 "],["1951 Berlin","8741","Nr. 25, Abb. S. 21 "],["1996 Dresden","8815","S. 120, Farbtaf. S. [121]"],["1947 Stuttgart","8913","Nr. 23, Abb. S. 31 "],["1955 Haus am Waldsee, Berlin","8940","Nr. 49 mit Abb. "],["1951 Amsterdam","8959","Nr. 115 mit Farbabb. "],["1951 Linz","8989","Nr. 18 "],["1954 Turin","9002","Nr. 129 mit Farbabb. "],["1953 Trier","9037"," "]],[["Hentzen 1966, S. 173, Abb. 12","2021"],["Köln 1974, S. 108--109, Abb. 176","2112"],["Myers 1957, S. 66, Abb. S. 65 ","2233"],["Köln 1986 a, Bd. 1, Farbtaf. 25; Bd. 2; S. 128","2363"],["Köln 1949, Nr. 142 mit Farbabb.","2434"],["Kühn 1948, S. 15, Abb. S. 20","2458"],["Varpel 1969, Farbabb. S. 169","2602"],["Köln 1966, S. 29 und 192, Farbtaf. S. [193]","2609"],["Braunfels 1962","2951"],["Haubrich 2012, S. 130-132, 225, Abb. S. 136-137","3057"],["Köln 1979, S. 390, Farbabb. S. 388","3236"],["Köln 1959, S. 87 ","3297"],["Spielmann 2003 a, S. 211, Farbtaf. S. 224","3309"],["Fuchs 1959, S. 52-[53], 92, Farbabb. S. 55 ","3338"],["Köln 1986 b, Farbabb. S. 75","3597"],["Koja 2014, S. 89 mit Farbabb. 124","3685"],["Köln 1965, Nr. 2754","16167"],["Köln 2012, S. 132, 225, Farbtaf. S. 136–137 ","23171"]],[["Dresden"],["Deutschland"]]]},{"id":1372,"img":{"extraLarge":"AP_100042379_extraLarge.jpg","medium":"AP_100042379_medium.jpg"},"arr":["1921.04","Dresden, Neustadt IV","","[1921]","Öl/Lwd.","68.5 x 109.2 cm ","Bez. unten links: OK ",""," ","147","Privatbesitz "," ","","Privatbesitz"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (6.6.1921)",""],["Stein","Stein, Berlin (?) (14.7.1921)",""],["Bondi Felix","Felix Bondi, Dresden (1925-1934)",""],["Bondi Werner","Werner Bondi, Cambridge",""]],[["1929 Dresden","8155","Nr. 70 "],["1925 Cassirer, Berlin","8326","Nr. 6 u. d. T. \"Elblandschaft\" "],["1986 London","8643","Nr. 46 mit Farbtaf. "],["1986 Zürich","8836","Nr. 46 mit Farbtaf. "],["1986/87 Guggenheim, New York","9072","Nr. 38 mit Farbtaf. "]],[["Brugger 1991, Abb. 3 ","2382"],["Dalbajewa 1999, S. 195","2681"],["Natter 1996 a, S. 33, 40, Farbabb. S. 41","3646"]],[["Dresden"],["Deutschland"]]]},{"id":1392,"img":{"extraLarge":"AP_100042399_extraLarge.jpg","medium":"AP_100042399_medium.jpg"},"arr":["1921.05","Mutter und Kind","Mutter und Kind (Kopf und Schultern)","1921","Öl/Lwd.","51 x 60 cm ","Bez. oben links: OK ","129","137 ","148","Musée Jenisch, Vevey ","1988, Schenkung von Maria Wallerstein, Locarno","P 575/Inv. 1988-032","Musée Jenisch, Vevey"],"mul":[[["Wallerstein Victor","Victor Wallerstein, Berlin/ab 1935 Florenz",""],["Wallerstein Lothar","Lothar Wallerstein, Locarno (um 1934)",""],["Wallerstein Maria","Maria Wallerstein, Locarno (um 1950)",""]],[["1984 Vevey","8050","Nr. 7 "],["1923 Nationalgalerie, Berlin","8074"," "],["1962 Tate Gallery, London","8075","Nr. 59 "],["1927 Zürich, Kunsthaus","8209","Nr. 50 "],["1992 Cismar","8291","S. 173, Farbtaf. 2"],["1927 Gemeentemuseum, Den Haag","8370","Nr. 68 "],["2003 Apolda","8411","Nr. 27, S. 95, Farbtaf. S. 43"],["1989 Pöchlarn","8428","Farb. Umschlagabb. (Detail) [Faltblatt]"],["2001/02 Emden","8542","S. 93, Farbtaf. S. 43"],["1996 Dresden","8815","S. 122, Farbtaf. S. [123]"],["1995 Bellinzona","8872","S. 48, Farbtaf. S. 49"],["2005/06 Pfäffikon","8898","Farbtaf. 61"],["1998 Brüssel","8943","Farbtaf. S. 23"],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 34 "],["1991 Wien","9033","Nr. 40 mit Farbtaf. "],["1922 Venedig","9087","Nr. 29 "],["2018/2019 Zürich","21106","Nr. 41, Farbtaf. S. 136"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 27, Farbtaf. S. 132"]],[["Westheim 1925 a, S. 91, Abb. 88 ","2027"],["Faistauer 1923, Abb. 37 ","2071"],["Baum 1971, S. 183, Abb. 74 ","2409"],["Wallerstein 1921, S. 48, Abb. S. 50 ","2549"],["Langfeld 2004, S. 125, Anm. 25, 164, 263, Anm. 327","2708"],["Windisch 2013, S. 260, Abb. 164","3001"],["Spielmann 2003 a, S. 212, Farbtaf. 226","3309"],["Vevey 1994, S. 58 mit Farbtaf. S. 59","3718"],["Paris 2022, Farbtaf. S. 132","43164"]],[["Mutter und Kind"]]]},{"id":1420,"img":{"extraLarge":"AP_100042428_extraLarge.jpg","medium":"AP_100042428_medium.jpg"},"arr":["1921.06","Gitta Wallerstein","","1921","Öl/Lwd.","85 x 60 cm ","Bez. oben links: OK ","142 ","139, Taf. 55 ","149","Staatliche Kunstsammlungen Dresden, Albertinum, Galerie Neue Meister","","2014/4",""],"mul":[[["Wallerstein Victor","Victor Wallerstein, Berlin/1935-1944 Florenz (1921-1953)",""],["Wallerstein Vera","Vera Wallerstein, Los Angeles und New York (1944)",""],["Frankfurter Kunstkabinett, Hanna Becker vom Rath","Frankfurter Kunstkabinett, Hanna Becker vom Rath, Frankfurt (1953)",""],["Hahn Willy","Willy Hahn, Stuttgar und Tutzing (1953-1988)",""],["Hahn Peter","Peter Hahn, Berlin (1988-2014)","2000-2005 als Dauerleihgabe Nationalgalerie Berlin; 2005-2014 als Dauerleihgabe Galerie Neue Meister, Staatliche Kunstsammlungen Dresden"]],[["1962 Tate Gallery, London","8075","Nr. 60 "],["1971 München","8125","Nr. 24 mit Abb. "],["1927 Zürich, Kunsthaus","8209","Nr. 53 "],["1966 Zürich","8225","Nr. 43 "],["1966 Karlsruhe","8284","Nr. 34 mit Abb. "],["1927 Gemeentemuseum, Den Haag","8370","Nr. 69 "],["1958 Wien","8541","Nr. 47, Abb. S. 41 "],["1976 München","8639"," "],["1986 London","8643","Nr. 43 mit Farbtaf. "],["1933 Pittsburgh","8676","mit Abb. "],["1957 Stuttgart","8716","Nr. 48 mit Abb. "],["2011 Dresden","8800","S. 7, 13, Farbabb. 2 (außer Kat.)"],["1996 Dresden","8815","S. 124, Farbtaf. S. [125]"],["1971 Wien","8820","Nr. 34, Abb. 25 "],["1986 Zürich","8836","Nr. 44 mit Farbtaf. "],["1958 München, Haus der Kunst","8914","Nr. 49, Abb. S. 41 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 36 "],["1953 Frankfurt/Main","9007"," Nachtrag im Katalog o. S."],["1960 Kopenhagen","9011","Nr. 26 "],["1991 Wien","9033","Nr. 41 mit Farbtaf. "],["1923 Cassirer, Berlin","9051"," "],["1986/87 Guggenheim, New York","9072","Nr. 36 mit Farbtaf. "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 28, Farbtaf. S. 133"]],[["Westheim 1925 a, S. 91, Abb. 90 ","2027"],["Dalbajewa 2005 a, S. 117-119 mit Farbabb.","2045"],["Lowitzer-Hönig 2008, S. 70, Abb. 134","2124"],["Wallerstein 1921, S. 48, Abb. S. 47 ","2549"],["Goldscheider 1963, S. 76 (Anm. 20), Farbtaf. 20 ","2855"],["Hodin 1968 a, S. 232-233 ","3213"],["Spielmann 2003 a, S. 212, Farbtaf. S. 227","3309"],["Zajonz 2014, Farbtaf. S. 42","3391"],["Hodin 1966, S. 156--157 ","3490"],["Delfs 2015, S. 77--79, Farbabb. S. 79","3700"],["George 1963, S. 48--49 ","3814"],["Gorgas 1996","13165"],["Gorgas 2005a","13166"],["Gorgas 2005b","13167"],["Gorgas 2008","13168"],["Sommerschuh 2005","13169"],["Dalbajewa 2015","13170"],["Dresden 2010, S. 377","21164"],["Paris 2022, Farbtaf. S. 133","43164"]],[["Kinder"]]]},{"id":1122,"img":{"extraLarge":"AP_100042128_extraLarge.jpg","medium":"AP_100042128_medium.jpg"},"arr":["1921.07","Dresden, Neustadt V","\"The River Elbe, Dresden V\" ","[1921]","Öl/Lwd.","69 x 108 cm ","Bez. unten links: OK ","154 ","150 ","150","The Israel Museum, Jerusalem ","übernommen 1993, Schenkung aus dem Nachlaß von Sam Spiegel, New York","B97.0068","The Sam Spiegel Collection bequeathed to American Friends of the Israel Museum"],"mul":[[["Nothmann Berthold","Berthold Nothmann, Düsseldorf/London",""],["Sarachi M.","M. Sarachi, London",""],["King Diana","Diana King, London",""],["Curt Valentin Gallery","Curt Valentin Gallery, New York",""],["Thompson George David","George David Thompson, Pittsburgh",""],["Galerie des Arts Anciens et Modernes","Galerie des Arts Anciens et Modernes, Schaan (Liechtenstein)",""],["Spiegel Sam","Sam Spiegel, London und New York (1.9.1958)",""]],[["1962 Tate Gallery, London","8075","Nr. 66 "],["1941 London","8195","Nr. 9 "],["1981 New York, Marlborough","8535","Nr. 16, Farbabb. S. 39 "],["1966 New York","8544","Nr. 25, Farbabb. S. 45 "],["1925 Zürich","8635","Nr. 230 u. d. T. \"Elblandschaft\" "],["1996 Dresden","8815","S. 126, Farbtaf. S. [127]"],["1931 Brüssel","8821","Nr. 120 "],["1993 Jerusalem","12108",""],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 29, Farbtaf. S. 138"]],[["Du 1981, Farbabb. S. 50 ","2998"],["Spielmann 2003 a, S. 211, Farbtaf. S. 225","3309"],["Bosman 1964, S. 82, Farbabb. S. 33 ","4028"],["Kamien-Kazhdan 2010","13171"],["Jerusalem 2010, S. 114","23168"],["Paris 2022, Farbtaf. S. 138","43164"]],[["Dresden"],["Deutschland"]]]},{"id":1045,"img":{"extraLarge":"AP_100042049_extraLarge.jpg","medium":"AP_100042049_medium.jpg"},"arr":["1921.08","Dresden, Neustadt VI","\"The River Elbe, Dresden IV\"","[1921]","Öl/Lwd.","65 x 95 cm ","Bez. unten rechts: OK ","151","153 ","151","Privatbesitz"," ","",""],"mul":[[["Zitzmann Karl Wilhelm","Karl Wilhelm Zitzmann, Erlangen",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (3./4. 3. 1925, Nr. 79 u. d. T. \"Elblandschaft\", Taf. 30, nicht verkauft)",""],["Galerie Ernst Arnold","Galerie Ernst Arnold, Dresden (20.3.1925)",""],["Arnhold Adolf","Adolf Arnhold, Dresden (1925)",""],["Arnhold Heinrich","Heinrich Arnhold, Dresden (mind. 1929)",""]],[["1929 Dresden","8155","Nr. 16 "],["1927 Zürich, Kunsthaus","8209","Nr. 55 "],["1958 Den Haag","8309","Nr. 36 mit Abb. "],["1925 Cassirer, Berlin","8326","Nr. 7 u. d. T. \"Elblandschaft\" "],["1927 Gemeentemuseum, Den Haag","8370","Nr. 70 "],["1958 Wien","8541","Nr. 51, Abb. S. 39 "],["1958 München, Haus der Kunst","8914","Nr. 53, Abb. S. 39 u. d. T. \"Die Elbe bei Dresden\" "],["1929 Abels, Köln","9030","Nr. 25 "]],[["Westheim 1925 a, Abb. 93 ","2027"],["Biedermann 1996, S. 83","2204"],["Cassirer 1925, Nr. 79 u. d. T. \"Elblandschaft\", Taf. 30","2271"],["Dalbajewa 1999, S. 195","2681"],["Koja 2014, S. 89 mit Farbabb. 125","3685"],["Biedermann 2006 b, S. 107","21170"]],[["Dresden"],["Deutschland"]]]},{"id":1074,"img":{"extraLarge":"AP_100042079_extraLarge.jpg","medium":"AP_100042079_medium.jpg"},"arr":["1921.09","Der Perser","\"The Persian (Wolfgang Gurlitt)\"","1921","Öl/Lwd.","95.5 x 62.5 cm ","Bez. oben rechts: OK ","161","160 ","152","Leopold-Hoesch-Museum, Düren ","1964 ","1964/3947",""],"mul":[[["Kokoschka Oskar","Oskar Kokoschka, Dresden",""],["Holzmann Wilhelm","Wilhelm Holzmann, Berlin (um 1922)",""],["Troch Paul","Paul Troch, Hildesheim (1950)",""]],[["2014 Wolfsburg","8102","S. 191, 303, Farbtaf. S. 206"],["1971 München","8125","Nr. 27 "],["1927 Zürich, Kunsthaus","8209","Nr. 59 "],["1922 Caspari, München","8440","u. d. T. \"Persischer Prinz\" "],["1976 Bregenz","8605","Nr. 11, Farbtaf. IV "],["2008 Wien, Belvedere","8619","S. 282, Farbtaf. 154 S. 283"],["1996 Dresden","8815","S. 128, Farbtaf. S. [129]"],["1976 Mechelen","8865","Nr. 83 "],["1927 Cassirer, Berlin","8968","Nr. 27 "],["1929 Abels, Köln","9030","Nr. 27 "],["2008 Linz","9042","S. 86, Farbtaf. S. 87"],["2005 Frankfurt/Main","9044","S. 264, 281, Farbtaf. S. 265"],["1923 Cassirer, Berlin","9051"," "],["1980/81 Düren","12109","Nr. 129 mit Abb."]],[["Düren 1955, S. 25, Abb. 16 [Dauerleihgabe aus Privatbesitz]","2079"],["Kuntz 1963","2994"],["Windisch 2013, S. 193, Abb. 72","3001"],["Spielmann 2003 a, S. 212, Farbtaf. S. 228","3309"],["Grote 1964, Abb. 1 ","3550"],["Düren 1965, S. 39, Nr. 173, Abb. 18 und farb. Umschlagabb.","16165"],["Düren 2012, S. 104, 294, Farbabb. S. 104","21167"]],[["Männliches Bildnis"]]]},{"id":1481,"img":{"extraLarge":"AP_100042490_extraLarge.jpg","medium":"AP_100042490_medium.jpg"},"arr":["1921.1","Die Sklavin","","1921","Öl/Lwd.","110.5 x 80 cm ","Bez. unten links: OK ","162","161 ","153","Saint Louis Art Museum, Saint Louis, MO ","1983","909:1983","Vermächtnis Morton D. May"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (6.1.1922)",""],["Lányi Richard","Richard Lányi, Wien (1923)",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (1927)",""],["von Sternberg Josef","Josef von Sternberg, Los Angeles, CA ([23.10.1935])",""],["Stendahl Galleries (Alfred E. Stendhal)","Stendahl Galleries (Alfred E. Stendhal), Los Angeles, CA",""],["May Morton D.","Morton D. May, Saint Louis, MO (2.12.1952-1983)",""]],[["1962 Tate Gallery, London","8075","Nr. 71, Abb. 22 "],["1925 Düsseldorf","8116","Nr. 1189 "],["1969 Wien","8191","Nr. 70, Farbabb. S. 41 "],["1927 Zürich, Kunsthaus","8209","Nr. 61 "],["1958 Den Haag","8309","Nr. 38 "],["1924 Köln","8341","Nr. 27 "],["1968 Bielefeld","8354","Nr. 56, Farbabb. S. 84 "],["1970 New York, Marlborough-Gerson","8374","Nr. 91, Farbtaf. S. 127 "],["1922 Caspari, München","8440"," "],["2015/16 Wien","8486","S. 179, Farbtaf. 110"],["1958 Wien","8541","Nr. 54, Abb. S. 42 "],["1966 New York","8544","Nr. 27, Abb. S. 46 "],["1986 London","8643","Nr. 49 mit Farbtaf. "],["1967 Portland, OR","8662","Nr. 72 "],["1958 Pomona, CA","8706","Nr. 27 "],["1958 Brüssel","8780","Nr. 161, Farbabb. XI "],["1923 Künstlervereinigung, Dresden","8782"," "],["1954 Santa Barbara","8806","Nr. 8"],["1956/57 Minneapolis","8814","mit Abb. "],["1996 Dresden","8815","S. 130, Farbtaf. S. [131]"],["1986 Zürich","8836","Nr. 51 mit Farbtaf. "],["1960 Cleveland","8855","Nr. 16 mit Abb. "],["1960 Saint Louis","8876","Nr. 33 mit Abb. "],["1960 Denver","8904","Nr. 37 mit Abb. "],["1958 München, Haus der Kunst","8914","Nr. 56, Abb. S. 42 "],["1943 Los Angeles","8948","Nr. 19 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 42 "],["1924 Neues Museum, Wiesbaden","9022","Nr. 44 "],["1923 Cassirer, Berlin","9051"," "],["1986/87 Guggenheim, New York","9072","Nr. 40 mit Farbtaf. "],["1954/55 Milwaukee","9077","Nr. 25 "],["1922 Venedig","9087","Nr. 35 "],["2001 New York","17106","Nr. 56"]],[["Mayer 2015, S. 236","2125"],["Calvocoressi 1992, Farbtaf. 47 ","2193"],["Schvey 1982, S. 85, Farbabb. 4 ","2375"],["Brugger 1991, S. 24-25, Abb. 9 ","2382"],["Windisch 2013, S. 190, Abb. 62","3001"],["Selz 1974, S. 310-311, Farbabb. 180; Erstausg. 1957 mit farb. Umschlagabb.","3116"],["Strobl 2010, S. 183, Farbtaf. 12","3120"],["Hodin 1968 a, S. 174, 181 und 240","3213"],["Serati 2008, S. 307 mit Abb.","3304"],["Spielmann 2003 a, S. 211--212, Farbtaf. S. 229","3309"],["Hodin 1966, S. 114, 120, 161, Farbtaf. als Frontispiz ","3490"],["Nordland 1961, Abb.","3544"],["Sotriffer 1963, S. 54, Abb. 47 ","3721"],["Winkler 1991, S. 48, Abb. 9 auf S. 25 ","3958"],["Schvey 1977, S. 90 ","4068"],["Essen 1969, Nr. 56, S. 84","23203"]],[["Selbstbildnis"],["Doppelbildnis"],["Akte"]]]},{"id":1238,"img":{"extraLarge":"AP_100042244_extraLarge.jpg","medium":"AP_100042244_medium.jpg"},"arr":["1921.11","Zwei Mädchen","Two women","[1921/22]","Öl/Lwd.","120.5 x 80 cm ","Bez. unten links: OK ","149","140, Taf. 54 ","154","Privatbesitz "," ","",""],"mul":[[["Neue Galerie, Otto Kallir-Nirenstein, Wien","Neue Galerie, Otto Kallir-Nirenstein, Wien",""],["Gurlitt Wolfgang","Wolfgang Gurlitt, Berlin (1927)","vom 5. Jan. bis Sept. 1927 gemeinsam mit Galerie Paul Cassirer, Berlin"],["Wolff Fritz","Fritz Wolff, Wien/ab 1940 New York (1932)",""],["Knize Annie","Annie Knize, New York (1949)",""],["Knize Peter A.","Peter A. Knize, Newton (1979)",""],["Serge Sabarsky Gallery","Serge Sabarsky Gallery, New York",""],["Sotheby's","Sotheby's, London (19.6.2012, Nr. 39 mit Farbtaf.)",""]],[["1994 Krakau","8013","S. 130, Farbtaf. 5"],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 37, Abb. S. [20] "],["1962 Tate Gallery, London","8075","Nr. 61 "],["1948 Boston","8222","Nr. 29 mit Abb. [mit falschen Maßangaben und der irrtümlichen Nennung von Benno Elkan, London, als Leihgeber]"],["1997 Krumau","8285","S. [58], Farbtaf. S. [59]"],["1962/1963 Hamburg","8422","Nr. 30 mit Abb. "],["1931/32 Hagenbund, Wien","8433","Nr. 68 "],["2015/16 Wien","8486","Farbtaf. 77"],["1981 New York, Marlborough","8535","Nr. 15, Abb. S. 38 "],["1966 New York","8544","Nr. 22, Abb. S. 42 "],["1987 Gent","8571","Nr. 17, Farbtaf. S. 91 "],["1924 Goltz, München","8599"," "],["1959 Bayer, New York","8649","Nr. 10 "],["1988 Barcelona","8659","Nr. 18, Farbtaf. S. 52 "],["1986 Tokyo","8703","Nr. 110 mit Farbtaf. "],["1987 Florenz","8852","Nr. 7 mit Farbtaf. "],["1936 Secession, Wien","8859","Nr. 184 "],["[1929 Neue Galerie, Wien]","8880"," "],["1992 New York","8930","Nr. 56 "],["1930 Wiesbaden","8969","Nr. 70 mit Abb. u. d. T. \"Biblische Szene\" "],["1991 Wien","9033","Nr. 39 mit Farbtaf. "],["1963 New York","9074","Nr. 244 mit Abb. "],["1924 Neue Galerie, Wien","9081"," "],["2009/10 New York","12110","Nr. 55 mit Farbtaf."]],[["Calvocoressi 1992, Farbtaf. 41 ","2193"],["Baum 1971, S. 186, Abb. 76 ","2409"],["Schmidt D. 1996, Farbabb. S. 33","2618"],["Bormann 2014 a, S. 30, Farbabb. 22","3067"],["Goldberg 1998, Farbtaf. S. 19","3217"],["Sotheby's London 2012 b, Nr. 39 mit Farbtaf.","3350"],["Gatt 1972, Abb. 22 ","3468"],["Kallir 1992, Taf. 50","3647"],["Landau 1925, Abb. nach S. 64 ","3813"],["Masciotta 1949, Taf. XXI ","3880"],["Knize 2002, S. 69, Abb. S. 70","3891"]],[["Mutter und Kind"]]]},{"id":1065,"img":{"extraLarge":"AP_100042070_extraLarge.jpg","medium":"AP_100042070_medium.jpg"},"arr":["1921.12","Frau Reuther","\"Die Mutter des Photographen Hugo Erfurth\"\nBildnis einer alten Dame","[1921/22]","Öl/Lwd.","94.9 x 64.4 cm ","Bez. oben links: OK ","","141","155","The Norton Simon Foundation, Pasadena, CA ","1967","F.1967.4.P","The Norton Simon Foundation"],"mul":[[["Erfurth Hugo","Hugo Erfurth, Dresden",""],["Erfurth Helene","Helene Erfurth, Gaienhofen (bis mind. 1950)",""],["Galerie Probst","[Galerie Probst, Mannheim]",""],["Daniels David","David Daniels, New York (mind. 1955-62)",""],["Jane Wade Ltd.","Jane Wade Ltd., New York",""],["Simon Norton","Norton Simon, Los Angeles, CA","Jan. 1968 - Jan. 1969 als Leihgabe im Minneapolis Institute of Arts; Jan. 1969 - Mai 1971 im Los Angeles County Museum of Art; Mai 1971 - Sept. 1972 als Leihgabe in der William Rockhill Nelson Gallery, Kansas City"]],[["1962 Tate Gallery, London","8075","Nr. 62 "],["1950 München","8139","Nr. 48 u. d. T. \"Bildnis einer alten Dame\" "],["1973/74 Princeton","8243","(außer Kat.)"],["1958 Den Haag","8309","Nr. 32 "],["1928 Künstler-Vereinigung, Dresden","8413","Nr. 55 u. d. T. \"Frau L. M.\" mit Abb. "],["1958 Wien","8541","Nr. 48, Abb. S. 40 "],["1966 New York","8544","Nr. 23, Abb. S. 43 "],["1951 Berlin","8741","Nr. 26 "],["1956/57 Minneapolis","8814","mit Abb. "],["1972 Houston","8874"," "],["1958 München, Haus der Kunst","8914","Nr. 50, Abb. S. 40 "],["1927 Chemnitz","9076","u. d. T. \"Bildnis einer alten Dame\" "]],[["Herrmann 1980, Abb. S. 139 u. d. T. \"Portrait of Frau Erfurth\"","2062"],["Brommer 1981, Abb. S. 399","3025"]],[["Weibliches Bildnis"]]]},{"id":1023,"img":{"extraLarge":"AP_100042027_extraLarge.jpg","medium":"AP_100042027_medium.jpg"},"arr":["1922.01","Mutter und Kind einander umarmend","","1921/22","Öl/Lwd.","121 x 81 cm ","Bez. unten links: OK ","163","142","156","Belvedere, Wien ","9.1.1965 ","5713","Belvedere, Wien"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (6.10.1922)",""],["Valentiner Wiliam","Wilhelm R. Valentiner, Berlin (12.6.1924)",""],["Benario Hugo","Hugo Benario, Berlin",""],["Valentiner Wiliam","Wilhelm R. Valentiner, Berlin/Detroit/Raleigh, NC","zeitweise als Leihgabe im Detroit Institute of Arts"],["Kantor Paul","Paul Kantor, Los Angeles",""],["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich (1963)",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 57 "],["1996/97 Wien","8103","S. 60, Farbtaf. S. 61"],["1989 Tokio","8126","Nr. 124 mit Farbabb. "],["1966 Karlsruhe","8284","Nr. 35 mit Abb. "],["1958 Den Haag","8309","Nr. 33 "],["2001 Paris","8333","S. 202, Nr. 23 mit Farbtaf."],["2015/16 Wien","8486","Farbtaf. 81"],["2006 Pöchlarn","8498","Farb. Umschlagabb. [Faltblatt]"],["1959 Raleigh, NC","8511","Nr. 153, Abb. S. 226 "],["1963/64 Detroit","8530","Nr. 25, Abb. "],["1958 Wien","8541","Nr. 49 "],["1928 Nationalgalerie, Berlin","8558","Nr. 87 u. d. T. \"Mutter und Knabe\" "],["1987 Gent","8571","Nr. 18, Farbtaf. S. 92 "],["2008 Wien, Belvedere","8619","S. 276, 282, Farbtaf. 155 S. 285"],["1986 London","8643","Nr. 44 mit Farbtaf. "],["1988 Barcelona","8659","Nr. 19, Farbtaf. S. 53 "],["1996 Dresden","8815","S. 132, Farbtaf. S. [133]"],["1971 Wien","8820","Nr. 35, Abb. 26 "],["1986 Zürich","8836","Nr. 47 mit Farbtaf. "],["1980 Prag","8858","Nr. 45 mit Abb. "],["1958 München, Haus der Kunst","8914","Nr. 51 "],["2008 Linz","9042","Farbtaf. S. 89"],["1923 Cassirer, Berlin","9051"," "],["1984 Halbturn","9055","Nr. 100 "],["1986/87 Guggenheim, New York","9072","Nr. 37 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 42, Farbtaf. S. 137"]],[["Lévêque 2005, S. 192, Farbtaf. S. 193","2028"],["Salzburger Nachrichten 1965, S. 6","2044"],["Calvocoressi 1992, Farbtaf. 42 ","2193"],["Baum 1971, S. 180-186, Farbtaf. IV ","2409"],["Schmidt D. 1986 a, S. 132 ","2486"],["Hoffmann 1947, S. 166 ","2499"],["Swoboda 1984, S. 212, Abb. 133 ","2929"],["Bonnefoit 2011, S. 24, 218, Farbabb. 4","3289"],["Feuerstein/Hutter 1965, farb. Umschlagabb.","3578"],["Wien 1968 b, S. 13--14, Farbabb. 49 ","4094"]],[["Mutter und Kind"]]]},{"id":1355,"img":{"extraLarge":"AP_100042362_extraLarge.jpg","medium":"AP_100042362_medium.jpg"},"arr":["1922.02","Mädchen mit Puppe","","[1921/22]","Öl/Lwd.","91 x 81 cm ","Bez. oben rechts: OK ","127","143","157","The Detroit Institute of Arts, Detroit, MI, Vermächtnis Dr. Wiliam R. Valentiner","übernommen 1963 ","63.133","Vermächtnis Dr. William R. Valentiner"],"mul":[[["Valentiner Wiliam","Wiliam Valentiner, Berlin/später Detroit und Raleigh, NC",""]],[["1952/53 Seattle, WA","8032"," "],["1956 Chicago","8045","Nr. 11 "],["2014 Wolfsburg","8102","S. 166, 303, Farbtaf. S. 179"],["1964/65 Detroit","8215","S. 14 "],["1958 Den Haag","8309","Nr. 34 mit Abb. "],["2015/16 Wien","8486","Farbtaf. 79"],["1933 Chicago","8502","Nr. 756 "],["1959 Raleigh, NC","8511","Nr. 155, Abb. S. 227 "],["1963/64 Detroit","8530","Nr. 24 "],["1958 Wien","8541","Nr. 50, Abb. S. 37 "],["1955 San Francisco","8642"," "],["1986 London","8643","Nr. 45 mit Farbtaf. "],["1948 Minneapolis","8732","Nr. 26 "],["1992 Frankfurt/Main","8733","Nr. 9 mit Farbtaf. "],["1954 Santa Barbara","8806","Nr. 9"],["1996 Dresden","8815","S. 134, Farbtaf. S. [135]"],["1986 Zürich","8836","Nr. 48 mit Farbtaf. "],["1958 München, Haus der Kunst","8914","Nr. 52, Abb. S. 37 "],["1931 New York","8921","Nr. 53 "],["1938 New York","9038","Nr. 1 "],["1923 Cassirer, Berlin","9051"," "],["1986/87 Guggenheim, New York","9072","Nr. 39 mit Farbtaf. "]],[["Lowitzer-Hönig 2008, S. 41, Abb. 138","2124"],["Monsel 1995, S. [22], Farbtaf. 21","2144"],["Detroit News 1982, S. 24 mit Abb.","2187"],["Calvocoressi 1992, Farbtaf. 43 ","2193"],["Henshaw 1985, S. 220, Farbtaf. S. 221","2490"],["Hoffmann 1947, S. 166 ","2499"],["Bartolini 2011, S. 47-48, 219, Farbabb. 40","2774"],["Windisch 2013, S. 191, Abb. 67","3001"],["Platschek 1946, Abb. 26 ","3496"],["Uhr 1982, S. 124, Farbtaf. S. [125] und farb. Umschlagabb.","3809"],["Neumeyer 1945, Abb. S. 263 ","3895"]],[["Mädchen"]]]},{"id":1066,"img":{"extraLarge":"AP_100042071_extraLarge.jpg","medium":"AP_100042071_medium.jpg"},"arr":["1922.03","Maler mit Puppe","","[1922]","Öl/Lwd.","85 x 120 cm ","Bez. unten links: OK ","","144, Taf. 56","158","Staatliche Museen Preußischer Kulturbesitz, Neue Nationalgalerie, Berlin","1974 ","NG B 1058",""],"mul":[[["Kreis Wilhelm","Wilhelm Kreis, Dresden (1928)",""],["Kurz Herbert E.","Herbert E. Kurz, Wolframs-Eschenbach",""],["Kunsthandlung P. Rusch","Kunsthandlung P. Rusch, Dresden (21.10.1935)",""],["Stuttgarter Kunstkabinett","Stuttgarter Kunstkabinett, Stuttgart (10./12.5.1950, Nr. 1499 u. d. T. \"Selbstbildnis mit liegendem Akt\" mit Abb., nicht verkauft)",""],["Galerie Wilhelm Grosshennig","Galerie Wilhelm Grosshennig, Düsseldorf",""],["Galerie Chichio Haller","Galerie Chichio Haller, Zürich (1955)",""],["Thannhauser Justin K.","Justin K. Thannhauser, New York",""],["Feigen Richard","Richard Lee Feigen, Chicago Illinois (1956)",""],["Hazen Joseph H.","Joseph H. Hazen, New York (1962)",""],["Galerie Beyeler","Galerie Beyeler, Basel (1974)",""]],[["1956 Chicago","8045","Nr. 9 "],["1977 Berlin","8052","Nr. 4/89 mit Abb. "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 40 "],["1962 Tate Gallery, London","8075","Nr. 63 "],["1971 München","8125","Nr. 25 mit Abb. "],["1957 London, Marlborough","8128","Nr. 26, Abb. S. 39 "],["2003 Graz","8192","Bd. 2, S. 273 mit Farbabb."],["1968 Buenos Aires","8317","Nr. 45 mit Abb. "],["1966 New York","8544","Nr. 24, Abb. S. 44 "],["1995 Venedig","8545","Nr. IV, 13 mit Farbtaf. S. 255"],["1992 Altes Museum, Berlin","8573","Nr. 60 mit Farbabb. "],["2013/14 Wien","8589","S. 105, 338, Farbtaf. S. 105"],["1928 Kunstverein, Dresden","8608","Nr. 114 mit Abb. "],["1986 London","8643","Nr. 41 mit Farbtaf. "],["1964 Guggenheim, New York","8695"," "],["1992 Frankfurt/Main","8733","Nr. 8 mit Farbtaf. "],["1927 München","8767","Nr. 463, Abb. 5 "],["1978 Centre Pompidou, Paris","8775"," "],["1996 Dresden","8815","S. 136, Farbtaf. S. [137]"],["1986 Zürich","8836","Nr. 43 mit Farbtaf. "],["1966 Washington, DC","8935","Nr. 120 mit Farbabb. "],["1955 Wien, Secession","8960","Nr. 27 u. d. T. \"Künstler und Puppe\" "],["1980 Nationalgalerie, Berlin","8988","Nr. 8/10 mit Abb., Farbtaf. 41 "],["1965 Dallas","9014","Nr. 6 "],["1983 Bordeaux","9016","Nr. 14, Abb. S. 89 "],["1999 Düsseldorf","9026","S. 130--134, 481, Farbtaf. S. 381"],["2005 Frankfurt/Main","9044","S. 157, 281, Farbabb. S. 157"],["1986/87 Guggenheim, New York","9072","Nr. 34 mit Farbtaf. "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 30, Farbtaf. S. 136"]],[["Lévêque 2005, S. 195 mit Farbabb.","2028"],["Stuttgarter Kunstkabinett 1950 a, Nr. 1499 u. d. T. \"Selbstbildnis mit liegendem Akt\" mit Abb. ","2072"],["Smith 2013, S. 120, Farbabb. S. 121","2130"],["Monsel 1995, S. [22], Farbabb. 18","2144"],["Roos 2005, S. 292, 303-304, Farbabb. 5 ","2151"],["Meyer 2013, S. 175, Farbabb. 52 S. 396","2165"],["Calvocoressi 1992, Farbabb. 39 ","2193"],["Berlin 1979, S. 203, 359, Abb. 188","2196"],["Bertsch 1993, S. 34-35, Farbtaf. Abb. 36 ","2361"],["Brugger 1991, S. 25, Abb. 11 ","2382"],["Gorsen 1986 b, S. 187 und 199, Abb. S. 200 ","2386"],["Apke 2005 a, S. 157 mit Farbabb.","2391"],["Hodin 1976, Farbabb. S. 45 ","2440"],["Weidinger 1996, S. 91, Farbabb. S. 93","2485"],["Altner/Bächler 1990, Farbabb. S. [264] ","2566"],["Metken 1991, S. 32, Farbabb. 9","2598"],["Sultano 2005, Abb. 10 S. 62","2661"],["Borel 1994, Farbabb. S. 59 ","2903"],["Dufrêne 2014, S. 78-81","3011"],["Haftmann 1975, S. 33 ff., Farbabb. S. 49","3031"],["Hoffmann-Curtius 1987, S. 168 ","3108"],["Comini 1978, S. 20, Farbabb. S. 45 ","3274"],["Giebe 2002, S. 8","3308"],["Spielmann 2003 a, Abb. S. 181","3309"],["Gordon 1987, S. 150-151, Abb. 152 ","3453"],["Kokoschka 1988, Abb. S. [67] ","3482"],["Wimmer 2006, S. 238","3549"],["Delfs 2015, S. 91-92, Farbabb. S. 92","3700"],["Giebe 2010, S. 98","3717"],["Sagmeister 1993, Farbabb. 298","3745"],["Kallir 2001, S. 104, Farbabb. 5","3768"],["George 1963, S. 49, Abb. 14 ","3814"],["Oskar Kokoschka 1983, Abb. S. 77","3837"],["Schmied 1979, S. 55 und 57, Farbabb. S. 54 ","3913"],["Dube 1983, Farbabb. S. 124 ","4116"],["Berlin 2013, S. 165 mit Farbabb.","20172"],["Paris 2022, Farbtaf. S. 136","43164"]],[["Doppelbildnis"],["Selbstbildnis"],["Männliches Bildnis"],["Weibliches Bildnis"],["Akte"]]]},{"id":1360,"img":{"extraLarge":"AP_100042367_extraLarge.jpg","medium":"AP_100042367_medium.jpg"},"arr":["1922.04","Selbstbildnis an der Staffelei","","[1922]","Öl/Lwd.","180.5 x 110.3 cm ","Bez. unten rechts (von fremder Hand ?): OK ","","145","159","Sammlung Leopold II, Wien"," ","","Sammlung Leopold II, Wien"],"mul":[[["Kokoschka Bohuslav","Bohuslav Kokoschka, Wien","vom Künstler 1923 übernommen"],["Kokoschka Roman","Roman Kokoschka (1976)",""]],[["2014/15 Cambridge","8053","Nr. 133, S. 257, Farbabb. S. 231"],["1980 Pöchlarn","8237","Nr. III "],["1922 Dresden","8445","Nr. 9 "],["2015 Bregenz","8454","S. 250, Farbtaf. S. 251"],["2013/14 Wien","8589","S. 105, 338, Farbtaf. S. 109"],["1970 Wien","8691","Nr. 59, Farbabb. 19 "],["1992 Frankfurt/Main","8733","Nr. 10 mit Farbtaf. "],["1996 Dresden","8815","S. 138, Farbtaf. S. [139] (nicht ausgestellt)"],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 34 und 36, Farbabb. S. 35 "],["1991 Wien","9033","Nr. 42 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 45, Farbtaf. S. 148"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 31, Farbtaf. S. 137"]],[["Roos 2005, S. 292, 305, Farbabb. 6 ","2151"],["Bertsch 1993, S. 35-36, Abb. 21 ","2361"],["Brugger 1991, S. 25 ","2382"],["Gorsen 1986 b, S. 199-200 ","2386"],["Hodin 1976, S. 44-45 ","2440"],["Schmidt D. 1986 a, S. 132 ","2486"],["Metken 1991, S. 32 ","2598"],["Koller-Glück 1970, S. 12 mit Abb. (Detail)","2645"],["Feuchtmüller 1980, S. 12-13 mit Farbabb.","2682"],["Hilger 1986, S. 290 ","2741"],["Hoffmann 1991, Farbabb. S. 13","3081"],["Dichand 1986, Farbtaf. S. 54 ","3104"],["Hoffmann-Curtius 1987, S. 166--168, Abb. S. 167 ","3108"],["Kokoschka B. 1970, S. 10 mit Farbtaf.","3136"],["Hodin 1968 a, S. 240 ","3213"],["Hodin 1966, S. 161 ","3490"],["Wimmer 2006, S. 238","3549"],["Allmayer-Beck 1980, Farbabb. (Detail) S. [5] ","3583"],["Dalbajewa 1996, S. 63, Farbtaf. 28 S. 138","3590"],["Delfs 2015, S. 91--92, Farbabb. S. 92","3700"],["Santner 1970, Abb.","3724"],["Oskar Kokoschka Symposion 1986, farb. Umschlagabb.","3919"],["Paris 2022, Farbtaf. S. 137","43164"]],[["Männliches Bildnis"],["Selbstbildnis"]]]},{"id":1418,"img":{"extraLarge":"AP_100042426_extraLarge.jpg","medium":"AP_100042426_medium.jpg"},"arr":["1922.05","Mädchen mit Tonpuppe","Mutter mit Kind auf den Armen","[1922]","Öl/Lwd.","110.2 x 70.4 cm ","Bez. unten links: OK ","","146","160","Hamburger Kunsthalle ","1958, Stiftung der British American Tobacco","5025","Hamburger Kunsthalle. Geschenk der British American Tobacco"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (12.7.1922)",""],["Kunsthandlung Sir Joseph Duveen","Kunsthandlung Sir Joseph Duveen,, London (1.8.1922)",""],["Galerie M. Goldschmidt & Co.","Galerie M. Goldschmidt & Co., Frankfurt a. M. (bis mind. 1931)",""],["Elkan Benno","Benno Elkan, Frankfurt/ab 1935 London",""],["Marlborough Fine Art","Marlborough Fine Art, London",""]],[["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 41 u. d. T. \"Mutter und Kind\" (?) "],["1962 Tate Gallery, London","8075","Nr. 64 "],["1958 London","8149","Nr. 33, Abb. S. 58 "],["1966 Zürich","8225","Nr. 44 "],["1938 London","8417","(außer Kat.) (Nennung nach Foto des Ausstellungsraumes)"],["1962/1963 Hamburg","8422","Nr. 31 mit Abb. "],["1941 New York","8466","Nr. 14 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 37 "]],[["Hentzen 1966, S. 174","2021"],["Baum 1971, S. 187, Abb. 77 ","2409"],["Schmidt D. 1986 a, S. 132 ","2486"],["Metken 1991, S. 32-33 ","2598"],["Schmidt D. 1996, S. 33, Farbabb. S. 27","2618"],["Schmidt D. 1986 b, S. 217 ","2796"],["Seyfarth 1981, S. 66--67 mit Abb.","2825"],["Hamburg 1969 a, S. 74 (Nr. 5025) mit Abb. ","3114"],["Hodin 1968 a, S. 240 ","3213"],["Hentzen 1962 a, o. S.","3363"],["Grote 1964, Abb. 6 ","3550"],["Wingler 1956, S. 50 ","3708"],["Hamburg 1960, Nr. 43, Abb. S. 83","3801"],["Roskamp 1959, S. 150, 152, Abb. S. [151]","3823"],["Zauner/Köstler 1996, Farbtaf. S. 179","3956"],["Hamburg 1969 b, S. 448, Abb. 366","4018"],["Hamburg 1985 b, Nr. 250, Farbabb. S. 124","4075"],["Hamburg 2010","23165"]],[["Mädchen"]]]},{"id":1485,"img":{"extraLarge":"AP_100042495_extraLarge.jpg","medium":"AP_100042495_medium.jpg"},"arr":["1922.06","Mania","","1922","Öl/Lwd."," x ","","","","","Vom Künstler zerstört ","","",""],"mul":[[],[["1922 Venedig","9087",""]],[["Dalbajewa 1996, Abb. S. 62","3590"],["Posse 1922","4161"]],[]]},{"id":1202,"img":{"extraLarge":"AP_100042208_extraLarge.jpg","medium":"AP_100042208_medium.jpg"},"arr":["1922.07","Saul und David","Saul und David (Fragment)","1920-22","Öl/Lwd.","166 x 105 cm ","Unbez. ","146","138 ","161","Vom Künstler zerstört "," ","",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (23.4.1923)",""],["Kokoschka Oskar","Oskar Kokoschka (27.1.1926)",""]],[["1921 Dresden","8064","Nr. 79 u. d. T. \"Saul\" "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 36, Abb. S. [16] "],["1925 Düsseldorf","8116","Nr. 1188, Abb. S. 245 "],["1923 Cassirer, Berlin","9051"," "],["1922 Venedig","9087","Nr. 39 "]],[["Westheim 1925 a, S. 92--93, Abb. 91 ","2027"],["Kuhn 1923, S. 601 ","2252"],["Schmidt D. 1986 a, S. 132 ","2486"],["Hoffmann 1947, S. 162 ","2499"],["Bauer 2012, S. 55, Abb. 56","2541"],["Wallerstein 1921, S. 48 (Anm.) ","2549"],["Kokoschka Briefe 2 1985, S. 13, 18 (Ende Februar 1921) ","2863"],["Windisch 2013, S. 259, Abb. 162","3001"],["Hodin 1968 a, S. 229 [Hodin zitiert S. 225-231 die 1963 von Hans Meyboden niedergeschriebenen Erinnerungen an Oskar Kokoschka] ","3213"],["Einstein 1926, Abb. S. 458 ","3305"],["Spielmann 2003 a, S. 213 mit Abb.","3309"],["Hodin 1966, S. 154--155 ","3490"],["Dalbajewa 1996, S. 63, Abb. S. 66, 61","3590"],["Delfs 2015, S. 91--92, Abb. S. 92","3700"],["Landau 1925, Abb. nach S. 64 ","3813"]],[["Biblische Figuren"]]]},{"id":1082,"img":{"extraLarge":"AP_100042087_extraLarge.jpg","medium":"AP_100042087_medium.jpg"},"arr":["1922.08","Lot und seine Töchter","","1922","Öl/Lwd.","175 x 110 cm ","Bez. unten links: OK ","159","147 ","162","Beim Brand des Glaspalastes1931 in München zerstört "," ","",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (23.4.1923)",""],["Benario Hugo","Hugo Benario, Berlin",""],["Galerie Fritz Goldschmidt und Victor Wallerstein","Galerie Fritz Goldschmidt und Victor Wallerstein, Berlin",""]],[["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 44 "],["1927 Zürich, Kunsthaus","8209","Nr. 60 "],["1927 Gemeentemuseum, Den Haag","8370","Nr. 71 mit Abb. "],["1925 Hannover","8456"," "],["1931 Glaspalast, München","8624","Nr. 2152 b "],["1925 Zürich","8635","Nr. 231 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 41 "],["1929 Abels, Köln","9030","Nr. 26 "],["1923 Cassirer, Berlin","9051"," "],["1922 Venedig","9087","Nr. 38 mit Abb. "]],[["Westheim 1925 a, S. 92 und 94, Abb. 92 ","2027"],["Zivel'cinskaja 1931, Abb. S. 105 ","2034"],["Baum 1971, Abb. 73 ","2409"],["Natter 1997, S. 51, Abb. 55","2488"],["Hoffmann 1947, S. 163--164, Abb. XXXII ","2499"],["Hausenstein 1926, Abb. S. 155 ","2724"],["Bauer 2008 a, S. 45 mit Farbabb.","2762"],["Kokoschka Briefe 2 1985, S. 42 (an Anna Kallin, (5. 5. 1922), Anm. S. 292 ","2863"],["Gotsch 1963, S. 103 ","3022"],["Hodin 1968 a, S. 228 [Hodin zitiert S. 225-231 die 1963 von Hans Meyboden niedergeschriebenen Erinnerungen an Oskar Kokoschka] und S. 320 ","3213"],["Grohmann 1927, S. 221 mit Farbtaf.","3299"],["Einstein 1926, Abb. S. 459 ","3305"],["Spielmann 2003 a, S. 212, Abb. S. 213","3309"],["Hodin 1966, S. 154 und 213 ","3490"],["Platschek 1946, Farbtaf. I als Frontispiz ","3496"],["Dalbajewa 1996, S. 63, Abb. S. 64, 61, 62","3590"],["Delfs 2015, S. 91-92, Farbabb. S. 92","3700"],["Wingler 1956, S. 50 ","3708"],["Masciotta 1949, S. 34 und 37, Taf. XXIII ","3880"],["Micha 1980","4066"]],[["Selbstbildnis"],["Gruppenbildnis"],["Männliches Bildnis"],["Weibliches Bildnis"],["Biblische Figuren"]]]},{"id":1216,"img":{"extraLarge":"AP_100042222_extraLarge.jpg","medium":"AP_100042222_medium.jpg"},"arr":["1922.09","Sommer I","\"Summer - Woman recumbent\"","1922","Öl/Lwd.","110 x 140 cm ","Bez. unten links: OK ","120","148 ","163","Staatliche Kunstsammlung Dresden, Albertinum, Galerie Neue Meister"," ","",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (6.10.1922)",""],["Güttler Fritz","Fritz Güttler, Schloß Deschkendorf (13.12.1922)",""],["Zitzmann Karl Wilhelm","Karl Wilhelm Zitzmann, Erlangen",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (28.9.1923)","gemeinsamer Besitz mit Galerie Georg Caspari, München "],["Benkenkamp","Benkenkamp (10.1.1925)",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (3./4. 3. 1925, Nr. 82, Taf. 33, nicht verkauft)",""],["Lange Hermann","Hermann Lange, Krefeld (2.11.1925-1942)",""],["Lange Maria","Maria Lange, Krefeld (1942-1958)",""],["Krech Lilo","Lilo Krech, Krefeld","1980-1995 als Leihgabe in Berlin, Neue Nationalgalerie, 1995-2022 als Leihgabe in Dresden, Galerie Neue Meister, Albertinum, 2022-2023 als Leihgabe in Kochel am See, Franz Marc Museum"],["Christie's","Christie's, London (7.3.2024)",""]],[["1962 Tate Gallery, London","8075","Nr. 65 "],["1950 München","8139","Nr. 45, Abb. S. 21 "],["1924 Goldschmidt-Wallerstein, Berlin","8170","Nr. 110 mit Abb. "],["1927 Zürich, Kunsthaus","8209","Nr. 54 "],["1966 Zürich","8225","Nr. 45 "],["1962/1963 Hamburg","8422","Nr. 32 mit Abb. "],["1950 Recklinghausen","8451","Nr. 127 mit Abb. "],["1927 Kunstverein, Hamburg","8476","Nr. 293 "],["1959 London","8797","Nr. 40, Abb. S. 73 "],["1996 Dresden","8815","S. 140, Farbtaf. S. [141]"],["1963 Recklinghausen","8827","Nr. 136 mit Abb. "],["1929 Abels, Köln","9030","Nr. 24 "],["1923 Cassirer, Berlin","9051"," "],["2018/2019 Zürich","21106","Nr. 46, Farbtaf. S. 152-153"]],[["Westheim 1925 a, Abb. 95 ","2027"],["Schmalenbach F. 1967, Farbtaf. S. 56 ","2199"],["Cassirer 1925, Nr. 82, Taf. 33 ","2271"],["Baum 1971, Abb. 72 ","2409"],["Schmidt D. 1986 a, S. 132, Abb. 12 ","2486"],["Windisch 2013, S. 249, Abb. 153","3001"],["Einstein 1926, Abb. S. 457 ","3305"],["Spielmann 2003 a, S. 213, Farbtaf. S. 231","3309"],["Platschek 1946, Abb. 27 ","3496"],["Delfs 2015, S. 21, Farbabb. 5 S. 20; S. 77, Farbabb. S. 78","3700"],["Schmalenbach F. 1947, S. 15 ","3824"],["Cohen 1931, Abb. S. 162","4038"],["Dresden 2010, S. 375–76","21164"],["Dalbajewa 1995","45164"],["Christie's London 2024","45165"]],[["Figuren in Landschaft"]]]},{"id":1249,"img":{"extraLarge":"AP_100042255_extraLarge.jpg","medium":"AP_100042255_medium.jpg"},"arr":["1922.1","Dresden, Neustadt VII","The River Elbe, Dresden III\nDresden, Neustadt IV (vom Atelierfenster)","[1922]","Öl/Lwd.","80.8 x 120.8 cm ","Bez. unten links: OK ","150","149","164","Hamburger Kunsthalle ","1965, Stiftung der Firma H. F. und Ph. F. Reemtsma, Hamburg","5100",""],"mul":[[["Galerie Ernst Arnold","[Galerie Ernst Arnold, Dresden]",""],["Heinemann Salomon","Salomon Heinemann, Essen",""],["Museum Folkwang","Museum Folkwang, Essen","Schenkung Justizrat Dr. Salomon Heinemann"],["1937 beschlagnahmt","1937 beschlagnahmt",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin (24./25.8.1937)",""],["Buchholz Karl","Karl Buchholz, Berlin",""],["Röwde Peter Mathias","Peter Mathias Röwde, Oslo (9.2.1939)",""]],[["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 39, Abb. S. [18] "],["1966 Zürich","8225","Nr. 46, Abb. 13 "],["1980/81 Dresden","8426","Nr. 312, Farbabb. S. 208 "],["1986 London","8643","Nr. 47 mit Farbtaf. "],["1996 Dresden","8815","S. 142, Farbtaf. S. [143]"],["1971 Wien","8820","Nr. 36, Abb. 27 "],["1986 Zürich","8836","Nr. 49 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 44, Farbtaf. S. 146-147"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 32, Farbtaf. S. 139"]],[["Hentzen 1966, Farbabb. S. 173","2021"],["Grohn 1968, S. 20, Farbabb. S. [21]","2113"],["Boudaille 1981, S. 146 ","2119"],["Santini 1971, Abb. 186 ","2174"],["Schmalenbach F. 1967, Farbabb. S. 57 ","2199"],["Dittmann 2013, S. 278, Abb. 33 S. 280","2216"],["Neidhardt 1983, S. 156, Farbabb. 141","2218"],["Holzinger 1932, S. 16","2308"],["Masciotta 1967, Farbtaf. V ","2447"],["Kinkel 1980, S. 729 ","2449"],["Schmidt D. 1986 a, S. 132, Abb. 13 ","2486"],["Hamburg 1965, S. [1] mit Farbabb. ","2500"],["Dalbajewa 1999, S. 195","2681"],["Bartolini 2011, S. 47-48, 219, Farbabb. 39","2774"],["Schmidt D. 1986 b, S. 217, Abb. S. 216 ","2796"],["Poindront 2005, S. 74, Farbabb. S. 75","2847"],["Essen 1929, Nr. 195 ","2946"],["Hamburg 1969 a, S. 73 (Nr. 5100) mit Abb. ","3114"],["Spielmann 1974, Farbabb. S. 70/71 ","3218"],["Essen 1965, Abb. 54","3296"],["Dube 1973, Abb. 148 ","3325"],["Hoffmann 1967, Farbtaf. VIII ","3588"],["Kinkel 1965 b, Abb.","3608"],["Kinkel 1965 a, S. 763 mit Abb.","3642"],["Koja 2014, S. 89-90, Farbabb. 126","3685"],["Delfs 2015, S. 26, Farbabb. 9 S. 29","3700"],["Dresden 1967, Farbabb. S. [59] ","3719"],["Landau 1925, Abb. nach S. 64 ","3813"],["Hofmann 1967, Farbabb. S. 61 ","3918"],["Kruszynski 1987, S. 51, Abb. 10","3979"],["Hamburg 1969 b, S. 448 und Bildtext gegenüber Abb. 366, Farbtaf. 365","4018"],["Vogt 1972, S. 223, Farbtaf. S. [224] ","4019"],["Hamburg 2010","23165"],["Paris 2022, Farbtaf. S. 139","43164"]],[["Dresden"],["Deutschland"]]]},{"id":1466,"img":{"extraLarge":"AP_100042475_extraLarge.jpg","medium":"AP_100042475_medium.jpg"},"arr":["1922.11","Der Maler I (Maler und Modell I)","","[1922/23]","Öl/Lwd.","85 x 130 cm ","Unbez. ","160","151 ","165","Standort unbekannt "," ","","Standort unbekannt"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (23.4.1923)",""],["von Kühlmann Richard","Richard von Kühlmann, Berlin",""],["Richards Dr.","Dr. Richards, Amsterdam","von diesem 1953 dem Stedelijk Museum Amsterdam angeboten; seither verschollen"]],[["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 42 u. d. T. \"Der Maler\" "],["1927 Zürich, Kunsthaus","8209","Nr. 57 "],["1927 Gemeentemuseum, Den Haag","8370","Nr. 72 "],["1927 Kunstverein, Hamburg","8476","Nr. 294 "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 6, Nr. 1 "],["1996 Dresden","8815","S. 152, Abb. S. 152"],["1931 Paris, Galeries Georges Petit","8875","Nr. 7 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 38 "],["1923 Cassirer, Berlin","9051"," "]],[["Westheim 1925 a, S. 92, 94 und 97, Abb. 96 ","2027"],["Biermann 1929, Abb. 11 ","2394"],["Hoffmann 1947, S. 164, Abb. XXXIII ","2499"],["Dalbajewa 1999, S. 88","2681"],["Hausenstein 1926, Abb. S. 153 ","2724"],["Kokoschka Briefe 2 1985, S. 45 (Ende Mai/Anfang Juni 1922), Anm. S. 292 ","2863"],["Heilmaier 1929, Abb. 14 ","2885"],["Hodin 1968 a, S. 228 [Hodin zitiert S. 225-231 die 1963 von Hans Meyboden niedergeschriebenen Erinnerungen an Oskar Kokoschka] ","3213"],["Mikš 2013, S. 151, 357, Abb. 3.2","3257"],["Hodin 1966, S. 154, Abb. 28 ","3490"],["Delfs 2015, S. 91--92, Abb. S. 92","3700"],["Wingler 1956, S. 50 ","3708"],["Das Kunstblatt 1923, Abb. S. 130","3735"],["Waldmann 1930, Umschlagabb. ","3927"]],[["Gruppenbildnis"],["Männliches Bildnis"],["Selbstbildnis"],["Weibliches Bildnis"]]]},{"id":1222,"img":{"extraLarge":"AP_100042228_extraLarge.jpg","medium":"AP_100042228_medium.jpg"},"arr":["1922.12","Jakob, Rachel und Lea","Jacob, Leah and Rachel","1922/23","Öl/Lwd.","149 x 165 cm ","Unbez. ","147 ","152 ","166","Vom Künstler übermalt (s. cat. rais.1938/2)"," ","",""],"mul":[[],[["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 34 "],["1923 Cassirer, Berlin","9051"," "],["1925 Chemnitz","9086"," "]],[["Westheim 1925 a, S. 92, 94 und [97], Abb. 36 ","2027"],["Kuhn 1923, S. 600 ","2252"],["Cicerone 1925, S. 660","2324"],["Kokoschka Briefe 3 1986, S. 58--59 (24. 11. 37); S. 61; S. 76; S. 81--83 (Mitte Okt. und 20. Okt. 1938)","2381"],["Hoffmann 1947, S. 162--163 ","2499"],["Sultano 2003 a, S. 66, Abb. 18","2542"],["Kokoschka Briefe 2 1985, S. 50 (Juli oder Anfang Aug. 1922, I); S. 54 ( Anfang Sept. 1922, I); S. 58 (Ende Sept. 1922, II); S. 71, 75 ( 2. Hälfte März 1923, II), S. 79 ","2863"],["Hodin 1968 a, S. 202, 240 und 320 sowie Anm. 12 S. 349-350 [Entwicklung des Gemäldes vom Zustand 1922/23 über die nur durch eine Photographie von Brassai belegte Pariser Fassung 1931/33 zur Endfassung von 1935/36] ","3213"],["Hodin 1966, S. 135 und 213 ","3490"],["Delfs 2015, S. 91-92, Abb. S. 92","3700"],["Wingler 1956, S. 49 ","3708"],["Das Kunstblatt 1923, Abb. S. 132","3735"],["Masciotta 1949, S. 34 ","3880"]],[["Gruppenbildnis"],["Selbstbildnis"],["Männliches Bildnis"],["Weibliches Bildnis"]]]},{"id":1116,"img":{"extraLarge":"AP_100042122_extraLarge.jpg","medium":"AP_100042122_medium.jpg"},"arr":["1923.01","Selbstbildnis mit gekreuzten Armen","\"Self-Portrait with brush\"","1923","Öl/Lwd.","110 x 70 cm ","Bez. unten links: OK ","152","156 ","167","Kunstsammlungen Chemnitz","2005","L 174",""],"mul":[[["Galerie Ernst Arnold","Galerie Ernst Arnold, Dresden",""],["Kunsthütte und Städtische Kunstsammlung im Städtischen Museum","Kunsthütte und Städtische Kunstsammlung im Städtischen Museum, Chemnitz (1925)",""],["Kunstsalon Gerstenberger","Kunstsalon Gerstenberger, Chemnitz (zwischen 1.4.1934 und 31.3. 1935)",""],["Lange Hermann","Hermann Lange, Krefeld (bis 1942)",""],["Lange Maria","Maria Lange, Krefeld (1942-1958)",""],["Krech Lilo","Lilo Krech, Krefeld (1958)",""],["Privatbesitz","Privatbesitz, Frankreich (2003)",""]],[["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 38, Abb. als Frontispiz "],["1962 Tate Gallery, London","8075","Nr. 68, Abb. 38 "],["1971 München","8125","Nr. 26 mit Abb. "],["1927 Zürich, Kunsthaus","8209","Nr. 58, Taf. XI "],["1966 Zürich","8225","Nr. 47 "],["1966 Karlsruhe","8284","Nr. 36 mit Abb. "],["1958 Den Haag","8309","Nr. 37 "],["1933 Breslau","8386",""],["1962/1963 Hamburg","8422","Nr. 34 mit Abb. "],["1987 Düsseldorf","8435","Nr. 35, Abb. S. 137 "],["1924 Stuttgart","8479","Nr. 100 "],["1981 London, Marlborough","8496","Nr. 17, Abb. S. 40 "],["1981 New York, Marlborough","8535","Nr. 17, Abb. S. 40 "],["1958 Wien","8541","Nr. 52 "],["1986 London","8643","Nr. 50 mit Farbtaf. "],["1933 Chemnitz","8789"," "],["1959 London","8797","Nr. 41, Abb. S. 74 "],["1996 Dresden","8815","S. 144, Farbtaf. S. [145]"],["1954 Recklinghausen","8861","mit Abb. "],["1958 München, Haus der Kunst","8914","Nr. 54 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 39 mit Abb. "],["1960 Kopenhagen","9011","Nr. 28 "],["1991 Wien","9033","Nr. 43 mit Farbtaf. und Detail "],["1923 Cassirer, Berlin","9051"," "],["2018/2019 Zürich","21106","Nr. 49, Farbtaf. S. 151"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 33, Farbtaf. S. 143"]],[["Westheim 1925 a, Abb. 30 ","2027"],["Monsel 1995, S. [22], Farbtaf. 24","2144"],["Calvocoressi 1992, Farbtaf. 48 ","2193"],["Schmalenbach F. 1967, Farbtaf. S. 58 ","2199"],["Brugger 1991, S. 25-26 ","2382"],["Biermann 1929, Abb. 9 ","2394"],["Baum 1971, Abb. 71 ","2409"],["Schmidt D. 1986 a, S. 134, Abb. 16 ","2486"],["Hoffmann 1947, S. 164 ","2499"],["Dalbajewa 1999, S. 122 Anm. 12, S. 194","2681"],["Soergel 1925, Abb. S. [739] ","2709"],["Schmidt D. 1986 b, S. 217, Abb. S. 218 ","2796"],["Hodurek 1976, S. 263, 314, Abb. 115","2884"],["Heilmaier 1929, Abb. 15 ","2885"],["Hodin 1968 a, S. 319 ","3213"],["Burmester/Ihle 2006, S. 4-7, Abb. S. 5","3235"],["Spielmann 2003 a, S. 214, Farbtaf. S. 230","3309"],["Hodin 1966, S. 212 ","3490"],["Werner 1991, S. 57, Abb. S. [56] ","3555"],["Möbius 1925, S. 841, Abb. S. [839] ","3558"],["Delfs 2015, Farbtaf. 2 S. 13, Abb. 12 S. 45 (Röntgenmontage) Farbabb. S. 76, 93","3700"],["Schmidt W. 1996, farb. Umschlagabb.","3704"],["Das Kunstblatt 1923, Abb. S. 128","3735"],["Art 1980, Farbtaf. S. 50 ","3975"],["Paris 2022, Farbtaf. S. 143","43164"]],[["Selbstbildnis"],["Männliches Bildnis"]]]},{"id":1158,"img":{"extraLarge":"AP_100042164_extraLarge.jpg","medium":"AP_100042164_medium.jpg"},"arr":["1923.02","Dresden, Augustusbrücke mit Dampfboot I","The River Elbe, Dresden VII (with a steamer in the foreground)","1923","Öl/Lwd.","65 x 96 cm ","Bez. unten links: OK ","158 ","154 ","168","Albertina, Wien","2016","GE44DL","Albertina, Wien. Privatsammlung, courtesy Peter Eltz GmbH"],"mul":[[["Galerie Ernst Arnold","Galerie Ernst Arnold, Dresden",""],["von Klemperer Viktor","Viktor von Klemperer, Dresden (1925)",""],["1938 beschlagnahmt","1938 beschlagnahmt, Dresden (24.11.1938)",""],["Böhmer Bernhard A.","Bernhard A. Böhmer, Güstrow",""],["Böhm Kurt Rudi","Kurt Rudi Böhm, Klingenthal (18.5.1943-1978)",""],["Böhm Eberhard","Eberhard Böhm, Pfaffenhofen (nach 1978)",""],["Galerie Hell & Hell","Galerie Hell & Hell, München (1989)",""],["Marlborough Fine Art","Marlborough Fine Art, London (23.1.1990)",""],["Kirch Leo und Ruth","Leo und Ruth Kirch, München (1991)",""]],[["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 43 u. d. T. \"Dresden\" "],["1925 Cassirer, Berlin","8326","Nr. 4 "],["1996 Dresden","8815","S. 146, Farbtaf. S. [147]"],["1991 Wien","9033","Nr. 38 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 48, Farbtaf. S. 150"]],[["Westheim 1925 a, Abb. 94 ","2027"],["Biedermann 1996, S. 83 mit Abb. Farbtaf. 32 S. 146","2204"],["Die Kunst 1924, Abb. S. 302","2362"],["Platschek 1946, Abb. 28 ","3496"],["Koja 2014, S. 89-90, Farbabb. 127","3685"]],[["Dresden"],["Deutschland"]]]},{"id":1379,"img":{"extraLarge":"AP_100042386_extraLarge.jpg","medium":"AP_100042386_medium.jpg"},"arr":["1923.03","Dresden, Augustusbrücke mit Dampfboot II","\"The River Elbe, Dresden VI: Augustusbrücke\" ","1923","Öl/Lwd.","65 x 95.5 cm ","Bez. unten links: OK ","157","155, Taf. 58 ","169","Stedelijk Van Abbe Museum, Eindhoven ","1951","1.0195",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin",""],["Galerie M. Goldschmidt & Co.","Galerie M. Goldschmidt & Co., Frankfurt a. M., ",""],["Kunsthaus Lempertz","Kunsthaus Lempertz, Köln (24.4.1928, Nr. 13 u. d. T. \"Die Augustusbrücke in Dresden\", Taf. 5)",""],["Kaden","Kaden, Gloucestershire, England",""],["Rusche Werner","Werner Rusche, Köln",""]],[["1984 Madrid","8034"," "],["1962 Tate Gallery, London","8075","Nr. 67 "],["1974 Nürnberg","8135"," "],["1954 Liège","8188"," "],["1927 Zürich, Kunsthaus","8209","Nr. 56, Taf. XX "],["1979 Recklinghausen","8288"," "],["1925 Cassirer, Berlin","8326","Nr. 5 "],["1976 London","8338","Nr. 1 mit Abb. "],["1927 Thannhauser, Berlin","8351","Nr. 108 "],["1962/1963 Hamburg","8422","Nr. 33 mit Abb. "],["1968 Duisburg","8559","Nr. 44 "],["1987 Gent","8571","Nr. 19, Farbabb. S. 93 "],["1970 Amsterdam","8611"," "],["1959 Hasselt","8628"," "],["1988 Barcelona","8659","Nr. 20, Farbtaf. S. 54 "],["1969 Mechelen","8783"," "],["1996 Dresden","8815","S. 148, Farbtaf. S. [149]"],["1971 Wien","8820","Nr. 37, Abb. 23 "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 38, Farbabb. S. 39 "],["1983/84 Bonn","8917"," "],["1960 Braunschweig","8933","Nr. 5 mit Abb. "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 40 "],["1960 Kopenhagen","9011","Nr. 27 mit Abb. "],["1983 Bordeaux","9016","Nr. 15, Abb. S. 90 "],["1929 Abels, Köln","9030","Nr. 29 "],["1973/74 Eindhoven","9036"," "],["2008 Linz","9042","S. 92 mit Farbtaf."],["1987 Wien","9066","S. 320, Farbtaf. S. 321 (nicht ausgestellt) "]],[["Lévêque 2005, S. 200 mit Farbabb.","2028"],["Eindhoven 1986, S. 362 mit Abb. ","2066"],["Monsel 1995, S. [28], Farbabb. 22","2144"],["Calvocoressi 1992, Farbabb. 45 ","2193"],["Neidhardt 1983, S. 160, Farbabb. 144","2218"],["Stöbe 1997, S. 110, Abb. 104","2538"],["Altner/Bächler 1990, Abb. S. 263 ","2566"],["Langfeld 2004, S. 201, 343, 348, 369, Farbabb. 359 S. 346","2708"],["Goldscheider 1963, S. 76 (Anm. 22), Farbtaf. 22 ","2855"],["Heilmaier 1929, Abb. 13 ","2885"],["Lachnit 1991 a, S. 30, Abb. 1 ","2887"],["Lempertz 1928, Nr. 13 u. d. T. \"Die Augustusbrücke in Dresden\", Taf. 5 ","2900"],["Eindhoven 1956, Nr. 23 mit Abb. ","2962"],["Lachnit 2008, Farbabb. S. 32","3270"],["Palkovsky 1958, Abb. 26 ","3411"],["Hodin 1966, Abb. 25 ","3490"],["Köser 1999, S. 97, Farbabb. S. 96","3629"],["Eindhoven 1962, S. 35, Abb. S. [37] Kat.-Nr. 27 ","3636"],["Koja 2014, S. 89-90, Farbabb. 128","3685"],["Zimmering 1973, Farbtaf. ","4023"]],[["Dresden"],["Deutschland"]]]},{"id":1033,"img":{"extraLarge":"AP_100042037_extraLarge.jpg","medium":"AP_100042037_medium.jpg"},"arr":["1923.04","Dresden, Augustusbrücke mit Rückenfigur","\"Dresden, Elbebrücken (mit Rückenfigur)\"","1923","Öl/Lwd.","65.5 x 95.7 cm ","Bez. unten rechts: OK. Auf dem Keilrahmen datiert: Juni/Juli 1923 ","","157, Taf. 57 ","170","Essen, Museum Folkwang","1951 ","G 230",""],"mul":[[["Galerie Hugo Erfurth","Graphisches Kabinett [Hugo] Erfurth, Dresden",""],["Hahn Willy","Willy Hahn, Berlin (1923-1928)",""],["Galerie Ernst Arnold","Galerie Ernst Arnold, Dresden (1928)",""],["Schlesisches Museum der Bildenden Künste","Schlesisches Museum der Bildenden Künste, Breslau (1929)",""],["1937 beschlagnahmt","1937 beschlagnahmt, Deutsches Reich, Reichsministerium für Volksaufklärung und Propaganda, Berlin (1937-1941)",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berliin (1938-1941)",""],["Gurlitt Hildebrand","Hildebrand Gurlitt, Hamburg (1941-42)","durch Tausch vom Deutschen Reich, Reichsministerium für Volksaufklärung und Propaganda, Berlin "],["Hopmann Karl","Karl Hopmann, Köln (1942–1950)",""],["Kunstsalon Hermann Abels","Kunstsalon Hermann Abels, Köln (1950)",""]],[["1962 Tate Gallery, London","8075","Nr. 69, Abb. 21 "],["1925 Köln","8096","Nr. 48, Taf. 21 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 19 "],["1949 Amsterdam","8218","Nr. 65 "],["1966 Zürich","8225","Nr. 48 "],["1962/1963 Hamburg","8422","Nr. 35 mit Farbabb. "],["1980/81 Dresden","8426","Nr. 314, Farbabb. S. 209 "],["1926 Venedig","8503","15. Esposizione internazionale d'arte della Città di Venezia (Biennale), Germania, Nr. 23, S. 217"],["1986 London","8643","Nr. 48 mit Farbtaf. "],["1956 Wolfsburg","8749","Nr. 88, Farbabb. 59 (Detail) "],["1978 Centre Pompidou, Paris","8775","Farbabb. S. 101 "],["1996 Dresden","8815","S. 150, Farbtaf. S. [151]"],["1971 Wien","8820","Nr. 38, Abb. 24 "],["1986 Zürich","8836","Nr. 50 mit Farbtaf. "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 40 und 42-43, Farbabb. S. 41 "],["2018/2019 Zürich","21106","Nr. 47, Farbtaf. S. 149"]],[["Monsel 1995, S. [28], Farbabb. 23","2144"],["Roşu 1976, Farbabb. S. 33 und [34] (Detail) ","2148"],["Calvocoressi 1992, Farbabb. 46 ","2193"],["Schmalenbach F. 1967, Farbtaf. S. 59 ","2199"],["Neidhardt 1983, S. 161, Farbabb. 145","2218"],["Becker 1997, S. 228-229, Farbabb. 65","2316"],["Brugger 1991, Abb. 6 ","2382"],["Wingler 1957, S. 118, Farbabb. S. 119 ","2423"],["Westermanns Monatshefte 1953, Farbabb. ","2632"],["Dalbajewa 1999, S. 122 Anm. 12, S. 195","2681"],["Haftmann 1965 b, Abb. 739 ","2732"],["Köln 1953, S. 240","2736"],["Händler 1956, Abb. 30 ","2767"],["Sello 1973, Farbabb.","2802"],["Essen 1960, Nr. 83, Farbabb. 14","2877"],["Netzer 1967, Farbabb. S. 48","2936"],["Hütt 1969, S. 319, Abb. 237 ","3238"],["Mikš 2013, S. 167, 358, Farbabb. VII","3257"],["Essen 1965, S. 182, Farbtaf. gegenüber S. 142","3296"],["Essen 1981, S. 82, Nr. 230, Taf. 28","3370"],["Richter 1969, S. 68, Farbabb. S. [69]","3372"],["Bultmann 1959, Farbabb. S. 35 ","3434"],["Bärnighausen/Wuchrer 2006, S. 141, Farbabb. 10","3447"],["Gatt 1972, Farbtaf. 18/19 ","3468"],["Gotsch 2005, S. 34-37 mit Farbabb.","3548"],["Grote 1964, Abb. 5 ","3550"],["Werner 1991, S. 58, Farbtaf. 3 und Abb. S. [59] ","3555"],["Reinhold 2013, Farbabb.","3582"],["Allmayer-Beck 1980, Farbabb. S. 10 ","3583"],["Schremmer 1971, Abb. S. 110 ","3641"],["Hütt 1986, Abb. 475 ","3755"],["Muller 1982, Farbabb. S. 81 ","3821"],["Zauner/Köstler 1996, Farbabb. S. 172","3956"],["Wolf 1982, Farbabb. S. 6/7 ","3972"],["Art 1980, Farbtaf. S. 40/41 ","3975"],["Vogt 1972, Farbabb. 21 ","4019"],["Bormann 2014 b, S. 208-209, 89, Farbabb. S. 208","4156"],["Essen 2015, S. 152","21171"],["Essen 2002, S. 152","21173"]],[["Dresden"],["Deutschland"]]]},{"id":1197,"img":{"extraLarge":"AP_100042203_extraLarge.jpg","medium":"AP_100042203_medium.jpg"},"arr":["1923.05","Damenbildnis (Fragment)","","[1923]","Öl und Tempera/Lwd.","103 x 64.5 cm ","Unbez. ",""," ","172","Privatbesitz "," ","","Privatbesitz"],"mul":[[],[["1986 Würthle, Wien","8394","Nr. 4"]],[],[["Weibliches Bildnis"]]]},{"id":1397,"img":{"extraLarge":"AP_100042404_extraLarge.jpg","medium":"AP_100042404_medium.jpg"},"arr":["1923.06","Vierwaldstätter See","Lake Lucerne","1923","Öl/Lwd.","64.5 x 80.6 cm ","Bez. unten links: OK ","225","166 ","173","Cincinnati Art Museum, Cincinnati, OH ","Vermächtnis Paul Esselborn Geier, übernommen am 16.5.1983 ","1983.65","Vermächtnis Paul E. Geier"],"mul":[[["Galerie M. Goldschmidt & Co.","Galerie M. Goldschmidt & Co., Frankfurt a. M.",""],["Privatbesitz","Privatbesitz, Mainz (Sammlung Dr. N) (1927)",""],["Daberkow Albert","Albert Daberkow, Bad Homburg",""],["Buchholz Gallery Curt Valentin","Buchholz Gallery Curt Valentin, New York (1941)",""],["Weinberg Carlos","[Carlos Weinberg, Washington]",""],["Geier Paul Esselborn","Paul Esselborn Geier, Cincinnati und Rom (1960)",""]],[["1925 Cassirer, Berlin","8326","Nr. 10 "],["1941 New York","8466","Nr. 19 "],["1927 Mainz","8512","Nr. 163 "],["1981 New York, Marlborough","8535","Nr. 20, Abb. S. 43 "],["1925 Frankfurt/Main","8546"," "]],[["Kokoschka 1971, S. 198 ","2894"]],[["Schweiz"]]]},{"id":1177,"img":{"extraLarge":"AP_100042183_extraLarge.jpg","medium":"AP_100042183_medium.jpg"},"arr":["1923.07","Genfer See I","Lake Leman II\nGenfer See II (im Regen)","1923","Öl/Lwd.","80.5 x 120.5 cm ","Unbez. ","169","164 ","174","Museum der Bildenden Künste, Leipzig ","März 1993 ","",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin",""],["Österreichische Galerie","Österreichische Galerie, Wien (1923)",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (1925)",""],["Kunstausstellung Kühl","Kunstausstellung Kühl, Dresden",""],["Museum der Bildenden Künste","Museum der Bildenden Künste, Leipzig (1930)",""],["1937 beschlagnahmt","1937 beschlagnahmt, der Verwendung des Präsidenten der Reichskunstkammer vorbehalten",""],["Buchholz Karl","Karl Buchholz, Berlin",""],["Röwde Peter Mathias","Peter Mathias Röwde, Oslo (um 1939)",""],["Brodersen Arvid","Arvid Brodersen, New York",""],["Sotheby's","Sotheby's, London (29.11.1972, Nr. 76 mit Farbtaf.)",""],["Marlborough Fine Art","Marlborough Fine Art, London (1972)",""],["Privatbesitz","Privatbesitz, Schweiz (2.1984)",""],["Nathan Peter","Peter Nathan, Zürich",""]],[["1984 Vevey","8050","Nr. 8, Farbabb. S. 47 "],["1928 Düsseldorf","8079","Nr. 418 "],["1924 Goldschmidt-Wallerstein, Berlin","8170","Nr. 111 "],["1927 Zürich, Kunsthaus","8209","Nr. 63 "],["1925 Cassirer, Berlin","8326","Nr. 9 "],["1976 London","8338","Nr. 2 mit Farbabb. "],["1981 New York, Marlborough","8535","Nr. 19, Farbabb. S. 42 "],["1925 Frankfurt/Main","8546"," "],["1975 Madrid","8555","Nr. 5 "],["1976 Bregenz","8605","Nr. 12, Farbtaf. V "],["1986 London","8643","Nr. 52 mit Farbtaf. "],["1973 London, Marlborough","8763","Nr. 36, Farbabb. S. 73 "],["1986 Zürich","8836","Nr. 53 mit Farbtaf. "],["1978 Kamakura","8846","Nr. 7 mit Farbtaf. (im Kat. Irrtümlich mit dem Bildtitel \"Amsterdam, Kloveniersburgwal\")"],["2005/06 Pfäffikon","8898","Farbtaf. 69 u. d. T.: \"Genfer See-Landschaft II\""],["1981/82 Rom","8934","Farbabb. S 54 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 44 "],["1983 Bordeaux","9016","Nr. 17, Abb. S. 93 "],["2008 Linz","9042","S. 93 mit Farbtaf."],["1927 Flechtheim, Berlin","9052","Nr. 7 "],["1986/87 Guggenheim, New York","9072","Nr. 42 mit Farbtaf. "],["1924 Secession, Wien","9073","Nr. 73 "]],[["Westheim 1925 a, Abb. 97 ","2027"],["Spielmann 1993, Farbabb. S. 6","2117"],["Sotheby Parke Bernet 1972 b, Nr. 76 mit Farbtaf.","2181"],["Gleisberg 1987, S. 144","2272"],["Die Kunst 1924, Abb. S. 303","2362"],["Reaktionen 1931","2408"],["Hodin 1976, Abb. S. 43 ","2440"],["Hoffmann 1947, Taf. XXXIV ","2499"],["Dalbajewa 1999, S. 122 Anm. 12","2681"],["Art 1993, S. 137 mit Abb.","2757"],["Museum der Gegenwart 1932, Abb. S. 173","2865"],["Kokoschka 1971, S. 198 ","2894"],["Du 1981, Farbabb. S. 40 ","2998"],["Deutsche Kunst und Dekoration 1924, Abb. S. 265","3251"],["Spielmann 2003 a, S. 236, Farbtaf. S. 273","3309"],["Guratzsch 1993 b, S. 16--20","3416"],["Mihan 1944, S. 81, Abb. 32 ","3528"],["Natter 1996 b, S. 13 mit Farbabb.","3532"],["Allmayer-Beck 1980, Farbabb. S. 10 ","3583"],["Masciotta 1949, Taf. XXVII ","3880"],["Wolf 1982, Farbtaf. S. 10/11 ","3972"],["Radrizzani 2013, Farbtaf. S. 111, Nr. 80","22164"],["Leipzig 1995, S.103, Abb. S. 342 Nr. 341","23178"]],[["Schweiz"]]]},{"id":1006,"img":{"extraLarge":"AP_100042010_extraLarge.jpg","medium":"AP_100042010_medium.jpg"},"arr":["1923.08","Genfer See II","\"Lake Leman I\"\n\"Vierwaldstätter See I\"","1923","Öl/Lwd.","65 x 92 cm ","Bez. unten rechts: OK ","168","165, Taf. 57","175","Museum Ulm","2014, Schenkung von Gabriele B. Geier","","Schenkung zum Andenken an Paul E. und Gabriele B. Geier"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin",""],["Hess Fritz","Fritz Hess, Berlin (11.2.1924) ",""],["Kunsthaus Schaller","Kunsthaus Schaller, Stuttgart (um 1930)",""],["Museum der Stadt Ulm","Museum der Stadt Ulm, Ulm (1931)",""],["1937 beschlagnahmt","1937 beschlagnahmt (26.8.1937)",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, 26.8.1937 (Berlin)",""],["Galerie Fischer","Galerie Fischer, Luzern (30.6.1939, Nr. 69, Abb. S. 39)",""],["Geier Paul Esselborn","Paul Esselborn Geier, Rom/Cincinnati, OH (30.6.1939-1981)",""],["Geier Gabriele B.","Gabriele B. Geier, Rom (1981-2013)",""]],[["1962 Tate Gallery, London","8075","Nr. 72 "],["1959/60 Rom","8164","(außer Kat.)"],["1927 Zürich, Kunsthaus","8209","Nr. 62, Taf. XXI "],["1948 Boston","8222","Nr. 30 "],["1966 Zürich","8225","Nr. 49 "],["1925 Cassirer, Berlin","8326","Nr. 8 "],["1933 Ulm","8327"," "],["1939 Grand Hôtel National, Luzern","8353","Nr. 69, Abb. S. 39"],["1962/1963 Hamburg","8422","Nr. 36 mit Abb. "],["1927 Kunsthaus Schaller, Stuttgart","8460","Nr. 3 "],["1928 Nationalgalerie, Berlin","8558","Nr. 85 "],["1928 London","8640","Nr. 26 (?) "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 43 mit Abb. "],["1929 Abels, Köln","9030","Nr. 30 "],["1939 Zürich","9061",""],["1939 Cincinnati","9062"," "],["2018/2019 Zürich","21106","Nr. 51, Farbtaf. S. 164-165"]],[["Westheim 1925 a, Abb. 37 ","2027"],["Schmalenbach F. 1967, Farbtaf. S. 60 ","2199"],["Biermann 1929, Abb. 13 ","2394"],["Die Kunst 1926 a, Farbtaf. S. [152]","2427"],["Duchesne 2014, Nr. 69, S. 174--175 mit Farbabb.","2583"],["Reinhardt 1993, Nr. 108 mit Abb.","2733"],["Barron 1992 b, S. 160 mit Abb.","3051"],["Galerie Fischer Luzern 1939 a, Nr. 69, Abb. S. 39 ","3165"],["Kunst und Künstler 1924, Abb. S. 283","3276"],["Spielmann 2003 a, S. 237 mit Abb.","3309"],["Myers 1953, Abb. 90","3362"],["Einstein/Westheim 1984, Abb. S. [11] ","3423"],["Das Kunstblatt 1924, Abb. (Beilage)","3432"],["Hodin 1966, Abb. 26 ","3490"],["Ulm 1930, S. 95, Abb. 35 ","3587"],["Guratzsch 1993 a","3632"],["Radrizzani 2013, Farbtaf. S. 110, Nr. 79","22164"]],[["Schweiz"]]]},{"id":1394,"img":{"extraLarge":"AP_100042401_extraLarge.jpg","medium":"AP_100042401_medium.jpg"},"arr":["1923.09","Der Maler II (Maler und Modell II)","","[1923]","Öl/Lwd., auf Hartfaserplatte aufgezogen","85.5 x 130.5 cm ","Bez. Mitte links (auf dem auf der Staffelei stehenden Selbstbildnis): OK ","164","169","176","Saint Louis Art Museum, Saint Louis, MO ","1983 ","910:1983","Vermächtnis Morton D. May"],"mul":[[["Lányi Richard","Richard Lányi, Wien (1924)",""],["Simon Hans","Hans Simon, Berlin/später New York (1928)",""],["Graupe Paul","Paul Graupe, Berlin (13.11.1930, Nr. 12 mit Abb., nicht verkauft)",""],["Buchholz Gallery Curt Valentin","Buchholz Gallery Curt Valentin, New York",""],["May Morton D.","Morton D. May, Saint Louis, MO (1951)",""]],[["1962 Tate Gallery, London","8075","Nr. 73, Abb. 20 "],["1951 Chicago","8129","Nr. 21 "],["1969 Wien","8191","Nr. 71, Farbabb. S. 40 "],["1958 Den Haag","8309","Nr. 40 mit Abb. "],["1968 Bielefeld","8354","Nr. 57, Farbabb. S. 85 "],["1970 New York, Marlborough-Gerson","8374","Nr. 92, Farbtaf. S. 128 "],["1958 Wien","8541","Nr. 57, Abb. S. 43 "],["1966 New York","8544","Nr. 20, Abb. S. 48 "],["1928 Nationalgalerie, Berlin","8558","Nr. 86 "],["2013/14 Wien","8589","S. 118, 338, Farbtaf. S. 120--121"],["1928 London","8640","Nr. 30 "],["1967 Portland, OR","8662","Nr. 73 "],["1996 Dresden","8815","S. 152, Farbtaf. S. [153]"],["1960 Saint Louis","8876","Nr. 34 mit Abb. "],["1960 Denver","8904","Nr. 38 "],["1958 München, Haus der Kunst","8914","Nr. 59, Abb. S. 43 "],["2008 Linz","9042","S. 90 mit Farbabb."],["2005 Frankfurt/Main","9044","S. 125, 281, Farbabb. S. 125"],["1924 Secession, Wien","9073","Nr. 74 mit Abb. "],["2001 New York","17106","Nr. 57"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 34, Farbtaf. S. 140-141"]],[["Westheim 1925 a, Abb. 3 ","2027"],["Paul Graupe 1930, Nr. 12 mit Abb. ","2150"],["Hodin 1976, S. 45 ","2440"],["Natter 1997, S. 52, Abb. 56","2488"],["Hoffmann 1947, S. 164--165 ","2499"],["Moderne Welt 1924, Abb. S. 19 ","2658"],["Willett 1978, S. 187 ","2685"],["Simmons 1992, S. 166, Abb. S. 166","2687"],["Bartolini 2011, S. 45-46, 219, Farbabb. 37","2774"],["Haxthausen 1985, S. 50--51 mit Abb.","2965"],["Zaunschirm 1982, Abb. S. 195 ","2977"],["Kokoschka 1953, Bd. 13, 1953/54, Nr. 1, S. 15--18, Abb. S. 18","2986"],["Held 2011, S. 93-95, 101, 106, Farbabb. 5","3054"],["Hodin 1968 a, S. 257, 319-320 und 349-350 (Anm. 12) ","3213"],["Roh 1958, Abb. S. 157 ","3408"],["Hodin 1966, S. 174 und 213 ","3490"],["Apke 2005 b, S. 125 mit Farbabb.","3575"],["Delfs 2015, S. 91--92, Farbabb. S. 92","3700"],["Winkler 1991, S. 48, Abb. 5 ","3958"],["Essen 1969, Nr. 57, S. 85","23203"],["Paris 2022, Farbtaf. S. 140-141","43164"]],[["Selbstbildnis"],["Doppelbildnis"],["Weibliches Bildnis"]]]},{"id":1037,"img":{"extraLarge":"AP_100042041_extraLarge.jpg","medium":"AP_100042041_medium.jpg"},"arr":["1924.01","Wien, Liebhartstal","Vienna, Cottage","1924","Öl/Lwd.","66 x 90 cm ","Bez. unten links: OK ","175","170, Taf. 61 ","177","Staatliche Museen Preußischer Kulturbesitz, Neue Nationalgalerie, Berlin","15.8.1935; 1944 im Flakturm Friedrichshain ausgelagert, bis 1992 in der Alten Nationalgalerie, Berlin, ehemals DDR ","A III 447",""],"mul":[[["Galerie Georg Caspari","Galerie Georg Caspari, München",""],["Dresdner Bank","Dresdner Bank, Filiale München (vor 1934, durch Schuldverschreibung von Caspari. 15.8.1935 nach Kaufvertrag zwischen der Dresdner Bank und dem Land Preußen an die Nationalgalerie überwiesen, 1936 formell übereignet)",""]],[["1925 München","8019","Nr. 111 u. d. T. \"Wiener Landschaft\" "],["1927 Zürich, Kunsthaus","8209","Nr. 64 u. d. T. \"Wien, Cottage\" "],["1925 Cassirer, Berlin","8326","Nr. 15 u. d. T. \"Wien, Cottage\" "],["1986 Würthle, Wien","8394","Nr. 5 mit Farbtaf. "],["1932 Bremen","8480","u. d. T. \"Wiener Cottage\" "],["1958 Leningrad","8538","(in der Abteilung Malerei/Österreich) "],["1925 Frankfurt/Main","8546"," "],["1986 Dresden","8672","Nr. II "]],[["Janda 1986, S. 37 und 48 ","2030"],["Berlin 1976, S. 44 mit Abb.","2198"],["Kokoschka Briefe 3 1986, S. 128 (Elrig, April 1944) ","2381"],["Spielmann 2003 a, Abb. S. 239","3309"]],[["Wien"],["Österreich"]]]},{"id":1264,"img":{"extraLarge":"AP_100042270_extraLarge.jpg","medium":"AP_100042270_medium.jpg"},"arr":["1924.02","Arnold Schönberg","","1924","Öl/Lwd.","99.5 x 75.8 cm ","Bez. oben links: OK ","172","171, Taf. 63","178","Privatbesitz, Courtesy Caroline Schmidt Fine Art LLC"," ","","Privatbesitz, Courtesy Caroline Schmidt Fine Art LLC"],"mul":[[["Wolff Fritz","Fritz Wolff, Wien (1926)/New York (ab 1940) (1926)",""],["Knize Annie","Annie Knize, New York (1949)",""],["Knize Peter A.","Peter A. Knize, Newton, CO. (1979)",""],["Caroline Schmidt Fine Art LLC","Caroline Schmidt Fine Art LLC, New York",""]],[["2001 New York","8011","Nr. 4, Farbtaf. S.11"],["2006 New York, Galerie St. Etienne","8062","Nr. 36"],["1962 Tate Gallery, London","8075","Nr. 74, Abb. 24 "],["2005 Wien","8118","Farbabb. S. 21"],["1985/86 New York","8137","Nr. 8, Farbabb. S. 21 "],["1927 Zürich, Kunsthaus","8209","Nr. 67 "],["1948 Boston","8222","Nr. 32 mit Abb. "],["1966 Karlsruhe","8284","Nr. 37 mit Abb. "],["1962/1963 Hamburg","8422","Nr. 38 mit Abb. "],["1981 New York, Marlborough","8535","Nr. 21, Abb. S. 44 "],["1958 Wien","8541","Nr. 58 "],["1966 New York","8544","Nr. 30, Abb. S. 50 "],["1987 Gent","8571","Nr. 21, Farbtaf. S. 96 "],["1974 Wien","8610","Nr. 361 "],["1959 Bayer, New York","8649","Nr. 11 "],["1988 Barcelona","8659","Nr. 22, Farbtaf. S. 56 "],["1926 Wien","8694","Nr. 440 mit Abb. "],["2010/11 Riehen","8760","S. 154, 264, Farbtaf. S. 167"],["1986 Paris","8762"," "],["1954 Santa Barbara","8806","Nr. 10"],["1987 Florenz","8852","Nr. 8 mit Farbtaf. "],["1958 München, Haus der Kunst","8914","Nr. 60 "],["2001/02 Rom","8918","Nr. 74 mit Farbtaf."],["1992 New York","8930","Nr. 64 "],["1981/82 Rom","8934","Farbabb. S. 53 "],["1927 Cassirer, Berlin","8968","Nr. 29 "],["1991 Wien","9033","(außer Kat.)"],["1986/87 Guggenheim, New York","9072","Nr. 43 mit Farbtaf. "],["1924 Secession, Wien","9073","\"Ernste Musik von Anton Bruckner bis zur jüngsten Gegenwart\", Museum der Stadt Wien zum \"Wiener Musik- und Theaterfest\" 1924"],["1963 New York","9074","Nr. 245 mit Abb. "],["2018/2019 Zürich","21106","Nr. 50, Farbtaf. S. 71"]],[["Lowitzer-Hönig 2008, S. 33, 71, Abb. 140","2124"],["Mersmann 1927, Farbtaf. VIII nach S. 136 ","2192"],["Calvocoressi 1992, Farbtaf. 49 ","2193"],["Bonnefoit 2013, S. 46, Farbabb. 9","2194"],["Schmalenbach F. 1967, Farbtaf. S. 62 ","2199"],["Forni 1984, S. 122 und 139--144 ","2260"],["Kallir 1984, Abb. 49 ","2350"],["Roessler 1926, Abb. S. 4","2446"],["Nono-Schönberg 1992, S. 243 mit Farbabb.","2514"],["Smith 1986, Abb. nach S. 112 ","2773"],["Simon 1967, Abb. S. 101 ","2795"],["Kokoschka 1971, S. 199 ","2894"],["Hilmar 1974, Nr. 369 (Raumfoto aus der musikhist. Ausstellung 1924 in Wien mit Blick auf Kokoschkas Schönberg-Portrait im Saal der modernen Musik)","3036"],["Hodin 1968 a, S. 172-173 ","3213"],["Spielmann 2003 a, S. 239, Farbtaf. S. 274","3309"],["Comini 1974, S. 158-159, Abb. 120 ","3390"],["Palkovsky 1958, Abb. 25 ","3411"],["Gatt 1972, Abb. 23 ","3468"],["Hodin 1966, S. 113 ","3490"],["Swarowsky 1979, S. 234","3573"],["Kallir 1992, Taf. 51 ","3647"],["Wien 1969, Farbabb. S. 49","3705"],["Masciotta 1949, Taf. XXVI ","3880"],["Stuckenschmidt 1974, S. 273-274","3881"],["Knize 2002, S. 68, Abb. S. 69","3891"],["Art 1980, Farbabb. S. 45 ","3975"]],[["Männliches Bildnis"]]]},{"id":1445,"img":{"extraLarge":"AP_100042454_extraLarge.jpg","medium":"AP_100042454_medium.jpg"},"arr":["1924.03","Venedig, Boote an der Dogana","","1924","Öl/Lwd.","75 x 95 cm ","Bez. unten rechts: OK ","174","167, Farbtaf. XI ","179","Bayerische Staatsgemäldesammlungen München, Pinakothek der Moderne","10.11.1925 ","9328",""],"mul":[[["Galerie Georg Caspari","Galerie Georg Caspari, München",""]],[["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 45 "],["1950 München","8139","Nr. 52, Abb. S. 35 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 21 "],["1925 Cassirer, Berlin","8326","Nr. 13 "],["1926 Venedig","8503","o. S."],["1958 Wien","8541","Nr. 55 "],["1925 Frankfurt/Main","8546"," "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 6, Nr. 2 "],["1951 Berlin","8741","Nr. 30, Abb. S. 24 "],["1931 Paris, Galeries Georges Petit","8875","Nr. 9 "],["1958 München, Haus der Kunst","8914","Nr. 57 "],["1951 Linz","8989","Nr. 19, Abb. S. 13 "],["1987/88 München","9040","Saal 2 "]],[["Westheim 1925 a, Abb. 99 ","2027"],["Netzer 1966, S. 164--169 mit Abb.","2059"],["Baumgart 1953, S. 34, Abb. 6","2121"],["Hildebrandt 1948, Farbtaf. gegenüber S. 80","2147"],["Roşu 1976, Abb. S. 35 ","2148"],["Schmalenbach F. 1967, Farbtaf. S. 61 ","2199"],["Biermann 1929, Abb. 15 ","2394"],["Wingler 1951 a, Mappe I, S. [9-10], Farbtaf. 7 ","2406"],["Röthel 1957, Farbabb. S. 50 ","2407"],["Wingler 1957, S. 120, Farbabb. S. 121 ","2423"],["Hoffmann 1947, S. 182--183 ","2499"],["Haftmann 1965 b, S. 297, Abb. 744 ","2732"],["Kokoschka 1971, S. 198 ","2894"],["Wingler 1950 d, S. 41, Farbabb. S. 40 ","2911"],["Crisanti 2003, S. 59, Farbabb. 14","2953"],["Becker/Lagler 1995, S. 124 mit Abb. 5","3092"],["Wolf 1929, S. 5, Farbtaf. vor S. 1","3126"],["Weigert 1925, Abb. S. 130 ","3167"],["Westheim 1952, S. [5--6], Farbtaf. ","3173"],["Schuster 1987, Abb. S. 31 ","3196"],["München 1987, S. 25 mit Farbabb. ","3253"],["Spielmann 2003 a, Farbtaf. S. 275","3309"],["Roh 1958, Farbtaf. XVI ","3408"],["München 1966, S. 56--57, Abb. 127","3426"],["Bultmann 1959, S. 74, Farbtaf. 15 ","3434"],["Gatt 1972, Farbtaf. 20/21 ","3468"],["Platschek 1946, Farbtaf. IV ","3496"],["Grote 1964, Abb. 82 ","3550"],["Werner 1991, S. 60, Abb. S. [61] ","3555"],["Hoffmann 1967, Farbtaf. IX ","3588"],["Kessler 1930, S. 214-216, Abb. S. [215]","3683"],["Masciotta 1966, Farbtaf. VIII ","3808"],["München 1953, S. 61 ","3849"],["Schmidt P. F. 1952, Farbtaf. S. [189] ","3861"],["Masciotta 1949, Taf. XXIV ","3880"],["Netzer 1960, S. 5--[6] mit Farbtaf.","3925"],["Donath 1925, Abb. S. 191 ","3977"],["Siemer 1954, Abb. S. 8 ","4039"],["München 2002, S. 194 mit Farbabb. ","23187"]],[["Italien"],["Venedig"]]]},{"id":1295,"img":{"extraLarge":"AP_100042302_extraLarge.jpg","medium":"AP_100042302_medium.jpg"},"arr":["1924.04","Florenz, Arno-Ufer","","1924","Öl/Lwd.","69.5 x 99 cm ","Bez. unten rechts: OK ","167","168 ","180","Sprengel Museum Hannover ","übernommen 1979 ","Sammlung Sprengel /145",""],"mul":[[["Hamburger Kunsthalle","Hamburger Kunsthalle, Hamburg (1924)",""],["Gurlitt Hildebrand","Hildebrand Gurlitt, Berlin (1941)","durch Tausch von der Hamburger Kunsthalle"],["Praesent Hans Rudolf und Lisa","Hans Rudolf und Lisa Praesent, Hamburg (1941-1946)",""],["Martin Schneider Georg Hoffmann und","Georg Hoffmann und Martin Schneider, München (1946)","am 1.10.1946 Collecting Point München"],["Hoffmann Georg","Georg Hoffmann, München (6.7.1948 Rückgabe aus dem Collecting Point)",""],["Hahn Willy","Willy Hahn, Grassau (1948-1949)",""],["Sprengel Bernhard","Bernhard Sprengel, Hannover (1949-1969, 1969 Schenkung an die Stadt Hannover)"," "]],[["1957 Recklinghausen","8056","Nr. 88 mit Abb. "],["1950 München","8139","Nr. 51 "],["1966 Kunstverein, Hamburg","8162","Nr. 37 mit Farbabb. "],["1965 Hannover","8224","Nr. 145, Farbabb. S. 113 "],["1958 Den Haag","8309","Nr. 39 "],["1925 Cassirer, Berlin","8326","Nr. 14 "],["1962/1963 Hamburg","8422","Nr. 37 mit Farbabb. "],["1983 Hamburg","8427","Nr. 37, Abb. 25 "],["1962 Haus der Kunst, München","8465","Nr. 82 mit Abb. "],["1966 Frankfurt/Main","8507","Nr. 37 mit Farbtaf. "],["1958 Wien","8541","Nr. 56, Abb. S. 45 "],["1966 New York","8544","Nr. 28, Farbabb. S. 49 "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 6, Nr. 5 u. d. T. \"Am Arno\" "],["1956 London","8785","Nr. 100 "],["1971 Wien","8820","Nr. 39 "],["1958 München, Haus der Kunst","8914","Nr. 58, Abb. S. 45 "],["2001/02 Rom","8918","Nr. 73 mit Farbtaf."],["1955 Wien, Secession","8960","Nr. 18 "],["1955 Kassel","8996","Nr. 296 "],["1960 Kopenhagen","9011","Nr. 29 mit Abb. "],["1967 Salzburg","9070","Nr. 48, Farbtaf. 36 "],["1957 Hannover","9092","Nr. 104, Abb. 7 "]],[["Westheim 1925 a, Abb. 98 ","2027"],["Biermann 1929, Abb. 14 ","2394"],["Ring 2010, Bd. 2, S. 255, Anm. 961","2683"],["Goldscheider 1963, S. 76 (Anm. 23), Farbtaf. 23 ","2855"],["Roh 1962, S. 326, Abb. S. [266] (für die angeführte Beschlagnahme im Juli 1937 in der Kunsthalle Hamburg gibt es in den erhaltenen Akten zur Aktion \"Entartete Kunst\" im ehemaligen Zentralen Staatsachiv Potsdam keinen Nachweis; das Bild fehlt auch auf der von Roh au","2860"],["Kokoschka 1971, S. 198 ","2894"],["Weltkunst 1965, Abb. S. 1025","2921"],["Crisanti 2003, S. 60, Farbabb. 14bis","2953"],["Hodin 1968 a, S. 257 ","3213"],["Spielmann 2003 a, Abb. S. 239","3309"],["Hentzen 1962 a, o. S.","3363"],["Hannover 1985, Nr. 285, Farbabb. S. 374","3661"],["Hannover 1979, S. 220 (Nr. 414), Farbabb. S. 59","3961"],["Hannover 2010, S. 224–225, Nr. 582 mit Abb.","23167"]],[["Florenz"],["Italien"]]]},{"id":1191,"img":{"extraLarge":"AP_100042197_extraLarge.jpg","medium":"AP_100042197_medium.jpg"},"arr":["1924.05","Hermann Schwarzwald III","","1924","Öl/Lwd.","100 x 74 cm ","Bez. unten links: OK; beschriftet oben links: seulement la paix! ","173","172","181","Verbleib unbekannt"," ","",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (21.2.1925)",""],["Nachtlicht Leo","Leo Nachtlicht, Berlin (9.6.1925)",""],["Gerson Martin","Martin Gerson (1930)",""]],[["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 46 "],["1925 Düsseldorf","8116","Nr. 1190 "],["1930 Pittsburgh","8132","Nr. 342, Taf. 110 "],["1927 Zürich, Kunsthaus","8209","Nr. 69 "],["1927 Cassirer, Berlin","8968","Nr. 28 "]],[["Luzzatto 1931, Abb. S. 149 ","2003"],["Myers 1950, S. 335, Abb. 172 ","2325"],["Kokoschka 1971, S. 199 ","2894"],["Gasch 1955, Abb. 26 ","3749"],["Schneider 1935, ","4032"],["Bulliet 1936, Abb. 235","4048"],["Kunst und Künstler 1925, Abb. S. 249","4132"]],[["Männliches Bildnis"]]]},{"id":1081,"img":{"extraLarge":"AP_100042086_extraLarge.jpg","medium":"AP_100042086_medium.jpg"},"arr":["1924.06","Paris, Oper","","1924","Öl/Lwd.","77.5 x 116.3 cm ","Bez. oben rechts: OK ","170","173, Taf. 65 ","182","M. H. de Young Memorial Museum (Fine Arts Museums of San Francisco), San Francisco, CA","Vermächtnis Ruth Haas Lilienthal, übernommen Jan. 1975 ","1975.3.5","Bequest of Mrs. Ruth Haas Lilienthal"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin",""],["Krebs Otto","Otto Krebs, Rittergut Holzdorf bei Weimar (28.10.1925)",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (8.3.1927)",""],["Galerie Thannhauser","Galerie Thannhauser, Berlin (1935)",""],["Thannhauser Justin K.","Justin K. Thannhauser, New York",""],["Lilienthal Philip N.","Philip N. Lilienthal, Burlingame/später Atherton, CA (um 1950)",""]],[["1928 Berlin, Secession","8005","Nr. 80, Abb. S. 28 "],["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 48, Abb. S. [22] "],["1927 Zürich, Kunsthaus","8209","Nr. 65 "],["1948 Boston","8222","Nr. 31 mit Abb. "],["1932 Neue Galerie, Wien","8295"," "],["1958 Den Haag","8309","Nr. 41 "],["1925 Cassirer, Berlin","8326","Nr. 11 mit Abb. "],["1965 San Francisco","8423","Nr. 61 "],["1931/32 Hagenbund, Wien","8433"," "],["1927 Kunsthaus Schaller, Stuttgart","8460","Nr. 4 "],["1941 New York","8466","Nr. 15 "],["1958 Wien","8541","Nr. 59, Abb. S. 44 "],["1966 New York","8544","Nr. 31, Abb. S. 51 "],["1925 Frankfurt/Main","8546"," "],["1928 London","8640","Nr. 5 "],["1954 Santa Barbara","8806","Nr. 12"],["1958 München, Haus der Kunst","8914","Nr. 61, Abb. S. 44 "],["1963 Berkeley","8922","Nr. 100 mit Abb. "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 45 "],["1955 San Francisco, San Francisco Museum of Art","25106",""],["1974 Pasadena, Pasadena Museum of Modern Art","25107","Nr. 27"],["1975 San Francisco, California Palace of the Legion of Honor","25108",""]],[["Westheim 1925 a, Abb. 38 ","2027"],["Hoffmann 1947, S. 183, Abb. XXXV ","2499"],["Kuehlmann 1926, S. 2 ","2675"],["Kokoschka Briefe 2 1985, S. 97 (4. 11. 1924]), Anm. S. 296 ","2863"],["Kokoschka 1971, S. 201 ","2894"],["Das Kunstblatt 1925 a, Abb. S. 31","2899"],["Weidinger 1998 b, S. 27","3186"],["Spielmann 2003 a, S. 241 mit Abb.","3309"],["Gatt 1972, Abb. 24 ","3468"],["Landau 1925, Abb. nach S. 64 ","3813"]],[["Paris"]]]},{"id":1407,"img":{"extraLarge":"AP_100042414_extraLarge.jpg","medium":"AP_100042414_medium.jpg"},"arr":["1924.07","Skulpturengruppe auf dem Dach der Pariser Oper","Paris, Dach der Oper","1924","Öl/Lwd.","65.2 x 50.5 cm ","Bez. oben links: OK ","171","174","183","Kunsthalle Bremen – Der Kunstverein in Bremen","zurückerworben mit Hilfe der KulturStiftung der Länder, Berlin, 1991/92 ","379-1927/7","Kunsthalle Bremen – Der Kunstverein in Bremen"],"mul":[[["Galerie Georg Caspari","Galerie Georg Caspari, München",""],["Kunsthalle Bremen","Kunsthalle, Bremen (8.9.1927)","erworben aus Mitteln der Freien Hansestadt Bremen (Stadtgemeinde) 1927 von der Galerie Georg Caspari im Tausch gegen die \"Jagd\", s. 1918.01"],["1937 beschlagnahmt","1937 beschlagnahmt (21.8.1937)",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin",""],["Böhmer Bernhard A.","Bernhard A. Böhmer, Güstrow",""],["Nachlass Bernhard A. Böhmer","Nachlass Bernhard A. Böhmer, Güstrow (5.1945)",""],["Horstmann Edgar","Edgar Horstmann, Hamburg",""],["Horstmann Greta","Greta Horstmann, Hamburg",""],["Galerie Linssen","Galerie Linssen, Köln (1990)",""],["Galerie Thomas","Galerie Thomas, München (1991)",""]],[["1927 Zürich, Kunsthaus","8209","Nr. 66 "],["1958 Den Haag","8309","Nr. 42 "],["1925 Cassirer, Berlin","8326","Nr. 12 "],["1962 Haus der Kunst, München","8465","Nr. 81 mit Abb. "],["1963 Wargin, Berlin","8513","Abb. S. 27 "],["1958 Wien","8541","Nr. 60 "],["1925 Frankfurt/Main","8546"," "],["1992 Bremen","8564","S. 6--11, S.47, Farbtaf. S. [7]"],["2013/14 Wien","8589","S. 338, Farbtaf. S. 128"],["1988 Barcelona","8659","Nr. 23, Farbtaf. 57 "],["1958 München, Haus der Kunst","8914","Nr. 62 "],["1955 Wien, Secession","8960","Nr. 17 u. d. T. \"Dächer von Paris\" "],["1960 Kopenhagen","9011","Nr. 30 "],["2008 Linz","9042","S. 96 mit Farbtaf."]],[["Hoffmann 2010, S. 120, 409 (II.193), Farbtaf. XXVI","2560"],["Goldscheider 1963, S. 76 (Anm. 21), Farbtaf. 21 ","2855"],["Roh 1962, S. 145 ","2860"],["Weidinger 1998 b, S. 27, Farbabb. S. 29","3186"],["Spielmann 2003 a, S. 242 mit Abb.","3309"],["Kreul 1992, S. 6--11, S. 47, Farbtaf. S. [7]","4007"],["Bremen 1993, Bd. 2, S. 26, Farbtaf. S. 27","13175"]],[["Paris"]]]},{"id":1408,"img":{"extraLarge":"AP_100042415_extraLarge.jpg","medium":"AP_100042415_medium.jpg"},"arr":["1924.08","Nancy Cunard","","1924","Öl/Lwd.","116 x 73 cm ","Bez. unten rechts: OK ","166","175, Taf. 62","184","Sprengel Museum Hannover ","übernommen 1979 ","Sammlung Sprengel I/146",""],"mul":[[["Bienert Ida","Ida Bienert, Dresden/nach 1945 München (- mind. 1950)",""],["Galerie Otto Stangl","Galerie Otto Stangl, München",""],["Sprengel Bernhard","Bernhard Sprengel, Hannover (1957)",""]],[["1925 Dresden, Galerie Ernst Arnold","8073","Nr. 47 "],["1962 Tate Gallery, London","8075","Nr. 75 "],["1971 München","8125","Nr. 28 mit Farbabb. "],["1950 München","8139","Nr. 50, Abb. S. 34 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 20 "],["1927 Zürich, Kunsthaus","8209","Nr. 68, Taf. XII "],["1965 Hannover","8224","Nr. 146, Farbabb. S. 114 "],["1966 Zürich","8225","Nr. 50 "],["1966 Karlsruhe","8284","Nr. 38 mit Farbabb. "],["1958 Den Haag","8309","Nr. 43 "],["1992/93 Bielefeld","8407","Nr. 101, Farbtaf. S. 213 "],["1962/1963 Hamburg","8422","Nr. 39 mit Abb. "],["1958 Wien","8541","Nr. 61, Abb. 46 "],["1966 New York","8544","Nr. 32, Farbabb. S. 53 "],["1986 London","8643","Nr. 53 mit Farbtaf. "],["1951 Berlin","8741","Nr. 29, Abb. S. 23 "],["1971 Wien","8820","Nr. 40, Abb. 29 "],["1953 Luzern","8831","Nr. 194 "],["1986 Zürich","8836","Nr. 54 mit Farbtaf. "],["1931 Paris, Galeries Georges Petit","8875","Nr. 8 "],["1958 München, Haus der Kunst","8914","Nr. 63, Abb. S. 46 "],["2001/02 Rom","8918","Nr. 72 mit Farbtaf."],["1927 Cassirer, Berlin","8968","Nr. 30 "],["1960 London, Marlborough","9029","Nr. 1 mit Abb. "],["1967 Salzburg","9070","Nr. 47, Farbtaf. 37 "],["1986/87 Guggenheim, New York","9072","Nr. 44 mit Farbtaf. "],["2006/07 Dresden","9079","S. 77, Farbabb. 47 S. 179"]],[["Monsel 1995, S. [28], Farbtaf. 26","2144"],["Calvocoressi 1992, Farbtaf. 50 ","2193"],["Biedermann 1996, S. 81 mit Abb.","2204"],["Bienert 1963, S. 110, Abb. 37","2274"],["Röthel 1957, Farbtaf. S. [51] ","2407"],["Hoffmann 1947, S. 193 ","2499"],["Psychiatric Progress 1968, Abb.","2619"],["Grohmann 1933, S. 12 und 22, Abb. 32 ","2730"],["Chisholm 1979, S. [90]-101 [zu Nancy Cunards Pariser Jahre 1923-25]","2735"],["Kokoschka Briefe 2 1985, S. 100 (18. Nov. 1924) ","2863"],["Heilmaier 1929, Abb. 16 ","2885"],["Kokoschka 1971, S. 199 ","2894"],["Weidinger 1998 b, S. 28","3186"],["Hodin 1968 a, S. 257 ","3213"],["Spielmann 2003 a, S. 242--243, Abb. S. 242","3309"],["Fielding 1963, Abb. 7a","3586"],["Hannover 1985, Nr. 284 mit Farbabb.","3661"],["Driberg 1968, Abb. S. 11","3841"],["Hannover 1979, S. 221 (Nr. 415), Farbabb. S. 58","3961"],["Hannover 2010, S. 225–226, Nr. 583 mit Abb.","23167"]],[["Weibliches Bildnis"]]]},{"id":1022,"img":{"extraLarge":"AP_100042026_extraLarge.jpg","medium":"AP_100042026_medium.jpg"},"arr":["1925.01","Karl Kraus II","","1925","Öl/Lwd.","65 x 100 cm ","Bez. und beschriftet auf der Rückseite: pro domo / et mundo / Der Sessel auf dem / Karl Kraus für / dieses Bild gesessen, / ist nach der letzten / Sitzung auseinander/gefallen. am 7. Feb. 25 / und musste der / Tischler gerufen / werden. / Aus dem Schiffbruch / der Welt jener, / die mit Brettern / oder Barrikaden / vor der Stirn geboren sind / hast Du eine Planke / zu einem Schreib/tisch geborgen. OK","180","180","185","mumok, Museum moderner Kunst Stiftung Ludwig Wien","15.11.1960 ","B 101/0",""],"mul":[[["Kraus Karl","Karl Kraus, Wien",""],["Kann Helene","Helene Kann, Wien/Lugano ",""],["Röder Eva Maria","Eva Maria Röder, Zürich",""],["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich (1959)",""],["Marlborough Fine Art","Marlborough Fine Art, London (1960)",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 74 mit Abb. "],["1961 Brüssel","8031","Nr. 110, Abb. 6 "],["2014 Wolfsburg","8102","S. 90, 301, Farbtaf. S. 98-99"],["2001 Paris","8333","S. 202, Nr. 26 mit Farbtaf."],["1947 Basel, Kunsthalle","8376","Nr. 124 "],["1947 Zürich, Kunsthaus","8415","Nr. 21 "],["1991 Stockholm","8501","Nr. 32, S. 219"],["1958 Wien","8541","Nr. 62 "],["1987 Gent","8571","Nr. 22, Farbabb. S. 97 "],["2007 Madrid","8595","S. 64, 322, Farbtaf. 22"],["1986 London","8643","Nr. 54 mit Farbtaf. "],["1988 Barcelona","8659","Nr. 24, Farbtaf. S. 58 "],["1985 Österreichische Nationalbibliothek, Wien","8681","Nr. 57 "],["1986 Paris","8762","Farbabb. S. 517 "],["1971 Wien","8820","Nr. 41 "],["1986 Zürich","8836","Nr. 55 mit Farbtaf. "],["1980 Prag","8858","Nr. 47 mit Abb. "],["1958 München, Haus der Kunst","8914","Nr. 64 "],["1960 Braunschweig","8933","Nr. 6 mit Abb. "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 2 "],["1927 Cassirer, Berlin","8968","Nr. 31 mit Abb. "],["1960 Kopenhagen","9011","Nr. 31 "],["1991 Wien","9033","Nr. 44 mit Farbtaf. und Detail "],["1962 Wien","9060","Nr. 151 mit Farbtaf. "],["1986/87 Guggenheim, New York","9072","Nr. 45 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 56, Farbtaf. S. 83"]],[["Lowitzer-Hönig 2008, S. 33, 72, Abb. 142","2124"],["Monsel 1995, Farbabb. 28","2144"],["Calvocoressi 1992, Farbabb. 52 ","2193"],["Stengel/Eisenreich 1964, Farbabb. S. 21","2376"],["Boettcher 1980, S. 258, Abb. 348 ","2445"],["Hoffmann 1947, S. 175, Abb. XLI ","2499"],["Schmidt Georg 1960, S. 4, Farbabb. S. 11 ","2591"],["Kohn 1966, Umschlagabb.","2601"],["Bonnefoit 2014 a, S. 34, Farbabb. 1","2634"],["Smith 1986, S. 49, Abb. nach S. 112 ","2773"],["Goldscheider 1963, S. 77 (Anm. 25), Farbtaf. 25 ","2855"],["Kokoschka 1971, S. 81 ","2894"],["Wien 1968 a, Farbabb. S. 29","2928"],["Hofmann 1965, S. 128, 166 und 168, Farbtaf. 60 ","3038"],["Krapf-Weiler 2006, Farbabb. 12","3137"],["Timms 1990, S. 4--6, Abb. 1 ","3159"],["Hodin 1968 a, S. 170-171 ","3213"],["Hodin 1966, S. 112, Abb. 27 ","3490"],["Kaufholz 1975, Abb. 16","3510"],["Natter 1996 b, S. 26, Farbabb. S. 27","3532"],["Lensing 1986, S. 147 ","3591"],["Bueno de Mesquita 2009, S. 446, Farbabb. 4","3609"],["Wien 1984 a, Farbtaf. 14","3695"],["Schmalenbach F. 1947, S. 16 ","3824"],["Sterk 1982 a, Farbabb. S. 71","3868"],["Lensing 1988, S. 7--8 ","3981"],["Alarcó 2001, S. 55, Abb. S. 56","4105"]],[["Männliches Bildnis"]]]},{"id":1391,"img":{"extraLarge":"AP_100042398_extraLarge.jpg","medium":"AP_100042398_medium.jpg"},"arr":["1925.02","Monte Carlo","","1925","Öl/Lwd.","73 x 100 cm ","Bez. unten rechts: OK ","181","191, Taf. 71 ","186","Musée des beaux-arts de Liège","30.6.1939 ","AM 398/73.100/148",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (5.8.1925)","gemeinsamer Besitz mit Galerie M. Goldschmidt & Co., Frankfurt a. M."],["Städtische Galerie","Städtische Galerie, Frankfurt a. M. (1926)",""],["1937 beschlagnahmt","1937 beschlagnahmt, im Schloß Schönhausen in Berlin eingelagert",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin",""],["Galerie Fischer","Galerie Fischer, Luzern (30.6.1939, Nr. 70)",""],["Musée d'art moderne de Liège","Musée d'art moderne de Liège (30.6.1939-2011)",""]],[["1961 Brüssel","8031","Nr. 112 "],["1962 Tate Gallery, London","8075","Nr. 83 "],["1951 Rotterdam","8094","Nr. 20 mit Abb. "],["1937 Hofgarten-Arkaden, München","8108","Raum 5 "],["1954 Eindhoven","8239","mit Abb. "],["1990 Heidelberg","8257","S. 432 mit Farbabb."],["1925 Cassirer, Berlin","8326","Nr. 27 "],["1939 Grand Hôtel National, Luzern","8353","Nr. 70"],["1931 Frankfurt/Main","8487","Nr. 129 "],["1925 Frankfurt/Main","8546"," "],["1987 Gent","8571","Nr. 24, Farbabb. S. 98 "],["1991 Los Angeles","8697","S. 288, Farbabb. 287"],["1984 Brüssel","8705"," "],["1971 Wien","8820","Nr. 44, Abb. 30 "],["1983 Bordeaux","9016","Nr. 18, Abb. S. 94 "],["2008 Linz","9042","S. 95 mit Farbtaf."],["1939 Zürich","9061",""]],[["Westheim 1925 a, Abb. im Anhang \"Reise nach Südfrankreich und Spanien 1925\" ","2027"],["Lüttichau 1988, S. 150 (Nr. 16125), Abb. S. 151 (Raumfoto aus der Ausstellung 1937 München, Hofgartenarkaden)","2290"],["Hoffmann 1947, S. 185 ","2499"],["Duchesne 2014, Nr. 70, S. 175--176, Farbabb. S. 175, Farbtaf. S. [114]","2583"],["Schmidt Georg 1960, S. 14, Farbabb. S. 23 ","2591"],["Roh 1962, S. 186 ","2860"],["Kokoschka 1971, S. 203 ","2894"],["Frankfurt 1926, Inv. Nr. S.G. 388","2997"],["Barron 1992 b, S. 160 mit Abb.","3051"],["Galerie Fischer Luzern 1939 a, Nr. 70 ","3165"],["Spielmann 2003 a, Farbtaf. S. 276","3309"],["Palkovsky 1958, Abb. 29 ","3411"],["Liege 1954, Nr. 215, Abb. XXI ","3678"],["Arntz 1962 a, Abb. S. [41] ","3793"],["ReVision 1991, S. 124 mit Farbtaf., S. 165","4031"],["Schwabacher 1926, S. 743","4139"],["Peters 2014, S. 246, Abb. 131","17164"],["Frankfurt 1998, S. 182 mit Abb.","21174"],["Liège 2002, Nr. 28, S. 72 mit Farbabb., S. 142 ","23179"]],[["Monte Carlo"],["Monaco"]]]},{"id":1334,"img":{"extraLarge":"AP_100042341_extraLarge.jpg","medium":"AP_100042341_medium.jpg"},"arr":["1925.03","Das Zimmermädchen","","1925","Öl/Lwd.","76 x 56 cm ","Bez. unten links: OK ","189","192","187","Staatsgalerie Stuttgart"," ","Inv. Nr. L 1452","Staatsgalerie Stuttgart"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin, (15.8.1925)",""],["Kunsthaus Schaller","Kunsthaus Schaller, Stuttgart (3.12.1927)",""],["Fischer Max","Max Fischer, Stuttgart (3.12.1927)",""]],[["1962 Tate Gallery, London","8075","Nr. 84 "],["1950 München","8139","Nr. 56 "],["1927 Zürich, Kunsthaus","8209","Nr. 71 u. d. T. \"Die Zofe\" "],["1962/1963 Hamburg","8422","Nr. 42 mit Abb. "],["1927 Kunsthaus Schaller, Stuttgart","8460","Nr. 9 u. d. T. \"Die Zofe\" "],["1958 Wien","8541","Nr. 69 "],["1951 Berlin","8741","Nr. 31 "],["1958 München, Haus der Kunst","8914","Nr. 71 "],["1951 Linz","8989","Nr. 22 "],["2010 Stuttgart","14106","Nr. 117, Farbabb. S. 11"]],[["Bosman 1964, Abb. S. 37 ","4028"],["Conzen 2010, S. 11 mit Farbabb.","17165"]],[["Interieur"]]]},{"id":1204,"img":{"extraLarge":"AP_100042210_extraLarge.jpg","medium":"AP_100042210_medium.jpg"},"arr":["1925.04","Marseille, Hafen I","","1925","Öl/Lwd.","73 x 100 cm ","Bez. unten links: OK ","193","188, Taf. 70","188","Musée Cantini, Marseille","Ankauf mit der Unterstützung des Fonds Régional d’Acquisition des Musées, 2005","",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin, (15.8.1925)",""],["Galerie M. Goldschmidt & Co.","Galerie M. Goldschmidt & Co., Frankfurt a. M. (17.9.1925)",""],["Simon Hugo","Hugo Simon, Berlin/Paris und Rio de Janeiro (bis 1950)",""],["Galerie Fischer","Galerie Fischer, Luzern (26.8.1939, Nr. 1676, nicht verkauft)",""],["Galerie Beyeler","Galerie Beyeler, Basel",""],["Kocher Silvan","Silvan Kocher, Solothurn (1952)",""],["Christie's","Christie's, London (23.6.1986, Nr. 54 mit Farbtaf. nicht verkauft)",""],["Fischer Fine Art Ltd.","Fischer Fine Art Ltd., London (1986)",""],["Privatbesitz","Privatbesitz, Sidney (10.1986)",""],["Sotheby's","Sotheby's, London (10.10.2001, Nr. 48 mit Farbtaf.)",""],["Adolf Loos Apartment and Gallery","Adolf Loos Apartment and Gallery, Prag (10.10.2001)",""]],[["1950 München","8139","Nr. 58 "],["1927 Zürich, Kunsthaus","8209","Nr. 76 "],["1925 Cassirer, Berlin","8326","Nr. 25 "],["1976 London","8338","Nr. 5 mit Farbabb. "],["1947 Basel, Kunsthalle","8376","Nr. 147 "],["1938 London","8417","Nr. 107 "],["1928 Nationalgalerie, Berlin","8558","Nr. 88 "],["1952 Basel","8779","Nr. 21 mit Abb. "],["1947 Amsterdam","8829","Nr. 22 "],["1986/87 New York, Galerie St. Etienne","8900","Nr. 14"],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 110, Farbabb. S. 111 "],["1948 Venedig","8991","Nr. 28 "],["1983 Bordeaux","9016","Nr. 19, Abb. S. 95 "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 35, Farbtaf. S. 165"]],[["Westheim 1925 a, Abb. im Anhang \"Reise nach Südfrankreich und Spanien 1925\" ","2027"],["Sotheby's London 2001, Nr. 48 mit Farbtaf.","2335"],["Dichand 1986, Farbtaf. S. 53 ","3104"],["Marseille 2013, S. 152, Farbtaf. S. 153","3145"],["Galerie Fischer Luzern 1939 b, Nr. 1676, nicht verkauft","3239"],["Einstein 1926, Abb. S. 460 ","3305"],["Spielmann 2003 a, S. 244 mit Abb.","3309"],["Gatt 1972, Abb. 25 ","3468"],["Platschek 1946, Abb. 34 ","3496"],["Christie's London 1986 a, Nr. 54 mit Farbtaf.","3744"],["Das Kunstblatt 1925 d, Abb. S. 254","16169"],["Paris 2022, Farbtaf. S. 165","43164"]],[["Marseille"],["Frankreich"]]]},{"id":1231,"img":{"extraLarge":"AP_100042237_extraLarge.jpg","medium":"AP_100042237_medium.jpg"},"arr":["1925.05","Marseille, Hafen II","","1925","Öl/Lwd.","71 x 98.4 cm ","Bez. unten links: OK ","194","189 ","189","Saint Louis Art Museum, Saint Louis, MO","1942 ","7:1942","Museum Purchase"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (15.8.1925)",""],["Krebs Otto","Otto Krebs, Rittergut Holzdorf bei Weimar (22.9.1925)",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (7.10.1930)",""],["Rossdeutscher Lasi","Lasi Rossdeutscher, Berlin-Breslau (2.9.1932)",""],["Buchholz Gallery Curt Valentin","Buchholz Gallery Curt Valentin, New York (um 1941-42)",""]],[["1962 Tate Gallery, London","8075","Nr. 82 "],["1942 Saint Louis","8134"," "],["1948 Boston","8222","Nr. 35, Farbabb. gegenüber S. 14 "],["1941 Chicago","8292","Nr. 4 "],["1958 Den Haag","8309","Nr. 47 "],["1925 Cassirer, Berlin","8326","Nr. 26 "],["1961 San Francisco","8332"," "],["1955 Saint Louis","8463","Nr. 38 "],["1941 New York","8466","Nr. 16 mit Abb. "],["1958 Wien","8541","Nr. 68, Abb. S. 51 "],["1966 New York","8544","Nr. 35, Abb. S. 55 "],["1925 Frankfurt/Main","8546"," "],["1972 Austin","8554","S. 54 mit Abb. "],["1992 Altes Museum, Berlin","8573","S. 288, Farbabb. 287 (nicht ausgestellt)"],["1944 New York","8709","Abb. S. 49 "],["1948 Minneapolis","8732","Nr. 28 "],["1954 Santa Barbara","8806","Nr. 14"],["1971 Wien","8820","Nr. 43 "],["1931 Paris, Galeries Georges Petit","8875","Nr. 10 "],["1958 München, Haus der Kunst","8914","Nr. 70, Abb. S. 51 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 47 "],["1957 Kansas City","9071","Nr. 19 "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 36, Farbtaf. S. 164"]],[["Westheim 1925 a, Abb. im Anhang \"Reise nach Südfrankreich und Spanien 1925\" ","2027"],["Stockho 1942, S. 30-31, Abb. S. 33","2200"],["Hoffmann 1947, S. 184-185, Abb. XXXVI ","2499"],["Plaut 1948, Farbabb. gegenüber S. 14 ","2891"],["Dorival 1953, Abb. S. 125","2918"],["Spielmann 2003 a, S. 244 mit Abb.","3309"],["Born 1942, S. 32-34 mit Abb.","3682"],["Myers 1964, Taf. 17","4098"],["Paris 2022, Farbtaf. S. 164","43164"]],[["Marseille"],["Frankreich"]]]},{"id":1083,"img":{"extraLarge":"AP_100042088_extraLarge.jpg","medium":"AP_100042088_medium.jpg"},"arr":["1925.06","Avignon","","1925","Öl/Lwd.","62 x 81 cm ","Bez. unten rechts: OK ","185","185, Taf. 69 ","190","Kunst Museum Winterthur","1966, Depositum Volkart Stiftung","1027","Kunst Museum Winterthur"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin, (15.8.1925)",""],["Galerie Georg Caspari","Galerie Georg Caspari, München (25.8.1925)",""],["Reinhart Oskar","Oskar Reinhart, Winterthur (1925)",""],["Erben Oskar Reinhart","Erben Oskar Reinhart, Winterthur (1965)",""],["Volkart Stiftung ","Volkart Stiftung, Winterthur (1966)",""]],[["1976 Villingen-Schwenningen","8054","Nr. 3, Abb. S. 17 "],["1949 Winterthur","8114","Nr. 125 "],["1931 Winterthur","8194","Nr. 36 "],["1927 Zürich, Kunsthaus","8209","Nr. 78 "],["1966 Zürich","8225","Nr. 53, Abb. 14 "],["1925 Cassirer, Berlin","8326","Nr. 24 "],["1947 Basel, Kunsthalle","8376","Nr. 145 "],["1947 Zürich, Kunsthaus","8415","Nr. 24 "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 6, Nr. 7 "],["1932 Venedig, Biennale, Padiglione dell'Austria","8842","Nr. 26 (1. Ausgabe des Kat.)"],["2005/06 Pfäffikon","8898","Farbtaf. 72"],["2008 Linz","9042","S. 94 mit Farbtaf."],["2018/2019 Zürich","21106","Nr. 55, Farbtaf. S. 171"]],[["Westheim 1925 a, Abb. im Anhang \"Reise nach Südfrankreich und Spanien 1925\" ","2027"],["Winterthur 1991, S. 97 mit Abb.","2372"],["Biermann 1929, Abb. 16 ","2394"],["Keller 1966, S. 9, Abb. S. 26","2516"],["Spielmann 2003 a, Farbtaf. S. 277","3309"],["Palkovsky 1958, Abb. 28 ","3411"],["Winterthur 1976, Nr. 482","3522"],["Masciotta 1949, Taf. XXX ","3880"],["Scheffler 1926 b, S. 10","3903"],["Winterthur 2011, S. 117-119, Farbabb. S. 118","14164"],["Winterthur 2011, S. 117–119, Farbabb. S. 118","23214"]],[["Avignon"],["Frankreich"]]]},{"id":1460,"img":{"extraLarge":"AP_100042469_extraLarge.jpg","medium":"AP_100042469_medium.jpg"},"arr":["1925.07","Akt vor Landschaft bei Avignon","","1925","Öl/Lwd.","38 x 45 cm ","Bez. unten rechts: OK ","186","186","191","Privatbesitz","24.4.2013","",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin",""],["Neue Galerie, Otto Kallir-Nirenstein, Wien","Neue Galerie, Otto Kallir-Nirenstein, Wien",""],["Valentiner Wiliam","Wilhelm R. Valentiner, Detroit und Raleigh, NC",""],["Valentiner-Bertoia Brigitta","Brigitta Valentiner-Bertoia, Barto, CA",""],["Luntz Irwin","Irwin Luntz, Palm Beach, FL",""],["Sabarsky Serge","Serge Sabarsky, New York",""],["Adler Siegfried","Siegfried Adler, Montagnola (Lugano)/Hinterzarten",""],["Galerie Thomas","Galerie Thomas, München",""],["Galerie Bellman","Galerie Bellman, New York",""],["Beck & Eggeling, International Fine Art","Beck & Eggeling, International Fine Art, Düsseldorf",""],["Adolf Loos Apartment and Gallery","Adolf Loos Apartment and Gallery, Prag (2012-24.4.2013)",""]],[["1948 Boston","8222","Nr. 34 mit Abb. "],["1950 Minneapolis","8249","Nr. 66 "],["1932 Neue Galerie, Wien","8295"," "],["1958 Den Haag","8309","Nr. 45 mit Abb. "],["1959 Raleigh, NC","8511","Nr. 154, Abb. S. 226 "],["1958 Wien","8541","Nr. 66, Abb. S. 47 "],["1980 Nierendorf, Berlin","8740","Nr. 13 mit Abb. "],["1931 Paris, Galeries Georges Petit","8875","Nr. 11 "],["1958 München, Haus der Kunst","8914","Nr. 68, Abb. S. 47 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 49 "]],[["Adolf Loos Apartment and Gallery 2013, Nr. 79 mit Farbabb. und farbiger Umschlagabb.","2056"],["Spielmann 2003 a, S. 244--245 mit Abb.","3309"],["Bosman 1964, S. 56 ","4028"]],[["Akte"],["Figuren in Landschaft"]]]},{"id":1125,"img":{"extraLarge":"AP_100042131_extraLarge.jpg","medium":"AP_100042131_medium.jpg"},"arr":["1925.08","Aigues-Mortes","","1925","Öl/Lwd.","73 x 101 cm ","Bez. unten rechts: OK ","182","187 ","192","Musée Jenisch, Fondation Oskar Kokoschka, Vevey","1988 ","FOK 52","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (15.8.1925)",""],["Mack Charlotte S.","Charlotte S. Mack, San Francisco (1.2.1929)",""],["San Francisco Museum of Modern Art","San Francisco Museum of Modern Art, San Francisco (22.12.1952)","Schenkung von Charlotte Mack"],["Christie's","Christie's, New York (16.5.1984, Nr. 40 mit Farbabb. nicht verkauft)",""],["Christie's","Christie's, New York (14.11.1984, Nr. 573)",""],["BreraArte","BreraArte, Mailand (12.3.1985, Nr. 299 mit Abb.)",""],["Sotheby's","Sotheby's, London (25.6.1985, Nr. 45 mit Farbabb. )",""],["Kokoschka Olda","Olda Kokoschka, Villeneuve (25.6.1985)",""]],[["1956 Chicago","8045","Nr. 14 "],["1962 Tate Gallery, London","8075","Nr. 81 "],["1943 Galerie St. Etienne, New York","8196","Nr. 33 "],["1927 Zürich, Kunsthaus","8209","Nr. 77 "],["1948 Boston","8222","Nr. 33 mit Abb. "],["1992 Cismar","8291","S. 173, Farbtaf. 3"],["1958 Den Haag","8309","Nr. 46 "],["1925 Cassirer, Berlin","8326","Nr. 23 "],["2003 Apolda","8411","Nr. 40, S. 98, Farbtaf. S. 57"],["1927 Kunsthaus Schaller, Stuttgart","8460","Nr. 5 "],["1958 Wien","8541","Nr. 67 "],["2001/02 Emden","8542","S. 93"],["1928 London","8640","Nr. 20 "],["1988 Barcelona","8659","Nr. 25, Farbtaf. S. 59 "],["1937 San Francisco","8748"," "],["1954 Santa Barbara","8806","Nr. 13"],["1998/99 Seita","8819","Nr. 6\n"],["1986 Zürich","8836","Nr. 59 mit Farbtaf. "],["1987 Florenz","8852","Nr. 9 mit Farbtaf. "],["2005/06 Pfäffikon","8898","Farbtaf. 71"],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 114 und 116-117, Farbabb. S. 115 "],["1958 München, Haus der Kunst","8914","Nr. 69 "],["1940 Museum of Art, San Francisco","9031","Nr. 161 "],["2018/2019 Zürich","21106","Nr. 52, Farbtaf. S. 167"]],[["Westheim 1925 a, Abb. im Anhang \"Reise nach Südfrankreich und Spanien 1925\" ","2027"],["Kokoschka Briefe 3 1986, S. 40 ","2381"],["Biermann 1929, Abb. 19 ","2394"],["Christie's New York 1984 a, Nr. 40 mit Farbabb.","2491"],["Spielmann 2003 a, S. 245, farbtaf. S. 278","3309"],["Sotheby's London 1985 b, Nr. 45 mit Farbabb.","3371"],["Vevey 1994, S. 78 mit Farbtaf. S.79","3718"],["BreraArte 1985, Nr. 299 mit Abb.","3763"],["Christie's New York 1984 b, Nr. 573 mit Farbabb.","14165"]],[["Aigues-Mortes"],["Frankreich"]]]},{"id":1432,"img":{"extraLarge":"AP_100042440_extraLarge.jpg","medium":"AP_100042440_medium.jpg"},"arr":["1925.09","Vernet-les-Bains","","1925","Öl/Lwd.","82 x 116 cm ","Bez. unten rechts: OK ","199","193 ","193","Albertina, Wien","","GE61DL","Albertina, Wien. Sammlung Batliner "],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (15.8.1925)",""],["Galerie Georg Caspari","Galerie Georg Caspari, München (25.8.1925)",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (20.11.1928)",""],["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam (10.4.1931)",""],["Rice Elmer","Elmer Rice, New York/Stamford, CT (1932)",""],["Parke-Bernet Galleries","Parke-Bernet Galleries, New York (3.4.1968, Nr. 38 mit Farbtaf.)",""],["Marlborough Fine Art","Marlborough Fine Art, London (1968)",""],["Kirch Leo","Leo Kirch, München (1970)",""],["Villa Grisebach","Villa Grisebach, Berlin (9.11.1991, Nr. 28 mit Farbabb.)",""],["Batliner Herbert","Herbert Batliner, Vaduz (1991)",""]],[["1927 Zürich, Kunsthaus","8209","Nr. 75 "],["1925 Cassirer, Berlin","8326","Nr. 28 "],["1936 Buffalo, NY","8414"," "],["1927 Kunsthaus Schaller, Stuttgart","8460","Nr. 7 "],["1925 Frankfurt/Main","8546"," "],["1928 London","8640","Nr. 27 "],["1926 Wien","8694","Nr. 441 "],["1969 London, Marlborough","8755","Nr. 18, Farbabb. S. 47 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 48 "],["1934/35 New York","8982","Nr. 95 mit Abb. "],["1938 New York","9038","Nr. 2 "],["2018/2019 Zürich","21106","Nr. 57, Farbtaf. S. 170"]],[["Westheim 1925 a, Abb. im Anhang \"Reise nach Südfrankreich und Spanien 1925\" ","2027"],["Batliner 2005, S. 154, 462, Nr. 107, Farbtaf. S. 155","2276"],["Sammlung Batliner 2007, S. [322]-323, Farbtaf. 213","3747"],["Villa Grisebach 1991, Nr. 28 mit Farbabb. ","4006"],["Parke-Bernet Galleries 1968 a, Nr. 38 mit Farbtaf. ","11167"],["Wien 2009, S. 118, Farbtaf.","23215"]],[["Frankreich"],["Frankreich"]]]},{"id":1308,"img":{"extraLarge":"AP_100042315_extraLarge.jpg","medium":"AP_100042315_medium.jpg"},"arr":["1925.1","Jacob Goldschmidt","Jakob Goldschmidt\nPorträt of P. G.","1925","Öl/Lwd.","65 x 50 cm ","Bez. oben links: OK ","195","184 ","194","Privatbesitz "," ","",""],"mul":[[["Goldschmidt Jacob M.","Jacob Goldschmidt, Frankfurt a. M.",""],["Doebbeke Conrad","[Conrad Doebbeke, Berlin]",""],["Landesmuseum Hannover","Landesmuseum Hannover, Inv. Nr. Städt. Gal. K. M. 1949, Nr. 154 (1949)","1956 Rückgabe an Jacob M. Goldschmidt, New York\n"],["Goldschmidt Jacob M.","Jacob Goldschmidt, New York",""]],[["1950 München","8139","Nr. 59 "],["1951 Berlin","8741","Nr. 32 "],["1931 Paris, Galeries Georges Petit","8875","Nr. 18 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 27 "],["1951 Linz","8989","Nr. 23 "]],[["Hannover 1950, S. 38 mit Abb. ","3875"]],[["Männliches Bildnis"]]]},{"id":1164,"img":{"extraLarge":"AP_100042170_extraLarge.jpg","medium":"AP_100042170_medium.jpg"},"arr":["1925.11","L'Eglise Notre-Dame à Bordeaux","Bordeaux Cathedral\nBordeaux, Kathedrale","1925","Öl/Lwd.","80 x 60 cm ","Bez. unten links: OK ","165","176 ","195","Musée des Beaux-Arts, Bordeaux ","1983 ","1983.3.1",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin, (20.10.1925)",""],["Nationalgalerie","Nationalgalerie, Berlin (20.11.1926)","Schenkung von Paul Cassirer, Max Goldschmidt und Fraz Zatzenstein-Matthiese zum 50-jährigen Bestehen der Nationalgalerie"],["1937 beschlagnahmt","1937 beschlagnahmt",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin",""],["Galerie Fischer","Galerie Fischer, Luzern (30.6.1939, Nr. 64, Abb. S. 37)",""],["Buchholz Karl","Karl Buchholz, Berlin (15.2.1941) ",""],["Lichtenhan Lucas","Lucas Lichtenhan, Basel (um 1952)",""],["Ingledow Thomas","Thomas Ingledow, Vancouver",""],["Marlborough Fine Art","Marlborough Fine Art, London ",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 72 "],["1962 Bordeaux","8029"," "],["1962 Tate Gallery, London","8075","Nr. 76 "],["1925 Cassirer, Berlin","8326","Nr. 17 u. d. T. \"Bordeaux, Architektur\" "],["1976 London","8338","Nr. 3 mit Farbabb. "],["1939 Grand Hôtel National, Luzern","8353","Nr. 64, Abb. S. 37"],["1981 London, Marlborough","8496","Nr. 22, Farbtaf. S. 45 "],["1981 New York, Marlborough","8535","Nr. 22, Farbtaf. S. 45 "],["1966 New York","8544","Nr. 33, Abb. S. 52 "],["1975 Madrid","8555","Nr. 6, Abb. 35 "],["1962 Ottawa","8574","Nr. 82 mit Abb. "],["1976 Bregenz","8605","Nr. 13, Farbtaf. VI "],["1986 London","8643","Nr. 55 mit Farbtaf. "],["1986 Zürich","8836","Nr. 56 mit Farbtaf. "],["1978 Kamakura","8846","Nr. 6, mit Farbabb. "],["1981/82 Rom","8934","Farbabb. S. 55 "],["1983 Bordeaux","9016","Nr. 21, Abb. S. 97 "],["1939 Zürich","9061",""]],[["Westheim 1925 a, Abb. im Anhang \"Reise nach Südfrankreich und Spanien 1925\" ","2027"],["Janda 1986, S. 41 und 44 ","2030"],["Janda/Grabowski 1992, Nr. 243, Abb. S. 139 ","2095"],["Roşu 1976, Farbabb. S. 36 ","2148"],["Biedermann 1996, S. 82, Farbabb. S. 81","2204"],["Tiedemann 2013, S. 153, Abb. 49, S.154","2249"],["Hoffmann 1947, S. 184 ","2499"],["Duchesne 2014, Nr. 64, S. 171 mit Farbabb.","2583"],["Roh 1962, S. 134 ","2860"],["Du 1981, Farbtaf. S. 51 ","2998"],["Barron 1992 b, S. 160 mit Abb.","3051"],["Galerie Fischer Luzern 1939 a, Nr. 64, Abb. S. 37 ","3165"],["Spielmann 2003 a, S. 246 mit Abb.","3309"],["Gatt 1972, Farbtaf. 22 ","3468"],["Hubbard 1962, S. 114, Abb. LV ","3734"],["Bordeaux 2005, S. 163, Farbtaf. 5","4071"],["Das Kunstblatt 1925 d, Abb. S. 255","16169"],["Bordeaux 2010 a, S. 178, Farbabb. S. 179","20173"],["Bordeaux 1995, Nr. 10","33164"],["Sargos 2006, S. 335, Farbabb. S. 334","33165"]],[["Bordeaux"]]]},{"id":1087,"img":{"extraLarge":"AP_100042092_extraLarge.jpg","medium":"AP_100042092_medium.jpg"},"arr":["1925.12","Bordeaux, Le Grand-Theatre","Bordeaux, die Börse\nBordeaux, Theater","1925","Öl/Lwd.","81 x 116.5 cm ","Bez. unten rechts: OK ","176","177, Taf. 69 ","196","Museum Ludwig, Köln ","","ML 76/2840",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (15.8.1925)",""],["Nationalgalerie","Nationalgalerie, Berlin (29.8.1925)",""],["1937 beschlagnahmt","1937 beschlagnahmt",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin (1938-1941)",""],["Böhmer Bernhard A.","Bernhard A. Böhmer, Güstrow (1941-1943)",""],["Hahn Willy","Willy Hahn, Berlin/Bad Aussee/Grassau (1943-1948)",""],["Wallraf-Richartz-Museum","Wallraf-Richartz-Museum, Köln (1950-76)","erworben 1950 durch Werner Rusche, Köln, mit Unterstützung von Josef Haubrich "]],[["1961 Brüssel","8031","Nr. 109 "],["1962 Tate Gallery, London","8075","Nr. 77 "],["1955 Liège","8106","Nr. 44 "],["1953 Luxemburg","8107","Nr. 44 "],["1950 München","8139","Nr. 53, Abb. S. 43 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 22 "],["1966 Zürich","8225","Nr. 51 "],["1952 Brüssel","8321","Nr. 128 "],["1925 Cassirer, Berlin","8326","Nr. 16 u. d. T. \"Bordeaux, Börse\" "],["1962/1963 Hamburg","8422","Nr. 40 mit Abb. "],["1955 Kunsthalle, Basel","8434","Nr. 61 "],["1988 Barcelona","8659","Nr. 26, Farbtaf. S. 60 "],["1937 Bibliotheksbau des Deutschen Museums, München","8685"," "],["1971 Bordeaux","8752","Nr. 141 mit Abb. "],["1952 Bielefeld","8830","Nr. 29 "],["1951 Amsterdam","8959","Nr. 125 "],["1951 Linz","8989","Nr. 20 "],["1954 Turin","9002","Nr. 130 "],["1983 Bordeaux","9016","Nr. 22, Abb. S. 99, Farbabb. S. 54 "],["1953 Trier","9037"," "]],[["Westheim 1925 a, Abb. im Anhang \"Reise nach Südfrankreich und Spanien 1925\" ","2027"],["Janda 1986, S. 35 und 41 ","2030"],["Janda/Grabowski 1992, Nr. 242 mit Abb. ","2095"],["Köln 1974, S. 109--110, Abb. 178","2112"],["Born 1930, Abb. nach S. 84 ","2164"],["Berlin 1931, S. 142, Abb. 70 ","2185"],["Köln 1986 a, Bd. 2, S. 129, Abb. S. 128","2363"],["Hoffmann 1947, S. 184 ","2499"],["Köln 1966, S. 29, Abb. S. 87","2609"],["Hentzen 1972 b, S. 44","2690"],["Roh 1962, S. 134 ","2860"],["Heilmaier 1929, Abb. 21 ","2885"],["Sarfatti 1930, Abb. ","3035"],["Kuhn 1926, Abb. S. 746 ","3181"],["Hodin 1968 a, S. 257-258 ","3213"],["Werner 1926, S. 36 mit Abb.","3220"],["Köln 1979, S. 391, Farbabb. S. 389","3236"],["Köln 1959, S. 88 ","3297"],["Einstein 1926, Abb. S. 461 ","3305"],["Spielmann 2003 a, S. 246 mit Abb.","3309"],["Palkovsky 1958, Abb. 27 ","3411"],["Platschek 1946, Abb. 35 ","3496"],["Rothkirch 1934, Abb. S. 405 ","3770"],["Köln 1965, Nr. 2840","16167"],["Köln 2012, S. 225 mit Abb.","23171"]],[["Bordeaux"]]]},{"id":1317,"img":{"extraLarge":"AP_100042324_extraLarge.jpg","medium":"AP_100042324_medium.jpg"},"arr":["1925.13","Biarritz, Felsen","","1925","Öl/Lwd.","80 x 117 cm ","Bez. unten rechts: OK ","178","178","197","Staatsgalerie Stuttgart ","1968 ","3051",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (1925)",""],["Witt Emma","Emma Witt, Berlin",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (1925)",""],["von Mendelssohn Marie","Marie von Mendelssohn, Berlin (8.6.1926)",""],["von Mendelssohn Robert ","Robert von Mendelssohn, St. Georgenhof",""],["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich (1968)",""]],[["1927 Zürich, Kunsthaus","8209","Nr. 81 "],["1966 Zürich","8225","Nr. 52 "],["1925 Cassirer, Berlin","8326","Nr. 21 u. d. T. \"Biarritz, Felsen im Meer\" "],["1986 Stuttgart","8523","Farbtaf. S. 119 "],["1928 London","8640","Nr. 24 "],["1972 Bukarest","9093"," "]],[],[["Frankreich"]]]},{"id":1353,"img":{"extraLarge":"AP_100042360_extraLarge.jpg","medium":"AP_100042360_medium.jpg"},"arr":["1925.14","Biarritz, Strand","","1925","Öl/Lwd.","73 x 106 cm ","Bez. unten rechts: OK ","177","179, Taf. 72 ","198","Fogg Art Museum, Harvard University, Cambridge, MA","1955 ","1955.172","Harvard Art Museums/Fogg Museum, Gift of Mr. and Mrs. Joseph Pulitzer, Jr."],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (20.10.1925)","gemeinsamer Besitz mit Galerie M. Goldschmidt & Co., Frankfurt a. M. (15.4.1926)"],["Katzenellenbogen Ludwig","Ludwig Katzenellenbogen, Berlin (15.4.1926) ",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (22.7.1926)",""],["Buchholz Gallery Curt Valentin","Buchholz Gallery Curt Valentin, New York",""],["Pulitzer Jr. Joseph","Joseph Pulitzer Jr., Saint Louis, MO (4.1951)",""]],[["1956 Chicago","8045","Nr. 12 "],["1962 Tate Gallery, London","8075","Nr. 78, Abb. 28 "],["1957 Knoedler, New York","8097","Nr. 35 mit Abb. "],["1927 Zürich, Kunsthaus","8209","Nr. 82, Taf. XXIII "],["1932 Hagenbund, Wien","8232"," "],["1946/47 Rotterdam","8279","Nr. 28 "],["1952 Saint Louis","8280","Nr. 42 "],["1925 Cassirer, Berlin","8326","Nr. 22 mit Abb. "],["1956 Cambridge, MA","8339"," "],["1947 Basel, Kunsthalle","8376","Nr. 144 "],["1947 Zürich, Kunsthaus","8415","Nr. 23 "],["1927 Kunsthaus Schaller, Stuttgart","8460","Nr. 6 mit Abb. "],["1925 Frankfurt/Main","8546"," "],["1928 London","8640","Nr. 10 "],["1982/83 Frankfurt/Main","8757","Nr. II, 5, Abb. S. 63 "],["1954 Santa Barbara","8806","Nr. 11"],["1947 Amsterdam","8829","Nr. 20 "],["1931 Paris, Galeries Georges Petit","8875","ausser Katalog, handschriftlich eingetragen"],["1955 Des Moines, IA","8936"," "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 53 "],["1948 Venedig","8991","Nr. 10 "]],[["Hoffmann 1947, S. 185 ","2499"],["Kuehlmann 1926, S. 2 ","2675"],["Holz 2001 a, S. 107 mit Abb.","2821"],["Spielmann 2003 a, S. 246, Abb. S. 247","3309"],["Kuhn 1957, Abb. 56","3871"],["Bosman 1964, Abb. S. 64 ","4028"]],[["Biarritz"],["Frankreich"]]]},{"id":1129,"img":{"extraLarge":"AP_100042135_extraLarge.jpg","medium":"AP_100042135_medium.jpg"},"arr":["1925.15","Selbstbildnis am Meer (\"Himself\")","","1925","Öl/Lwd.","116 x 81 cm ","Bez. unten links: OK ","156","205 ","199","Verbleib unbekannt"," ","",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (30.6.1925)",""],["Kokoschka Oskar","Oskar Kokoschka (27.1.1926)",""]],[["1925 Cassirer, Berlin","8326","Nr. 35 u. d. T. \"Selbstporträt am Meer\" "],["1926 Dresden","8856","Nr. 537 u. d. T. \"Himself\" "]],[["Bonnefoit 2014 a, S. 36, Abb. 4","2634"],["Der Querschnitt 1926, Abb. nach S. 512","3399"]],[["Selbstbildnis"],["Männliches Bildnis"]]]},{"id":1478,"img":{},"arr":["1925.16","\"Sie\" (\"Herself\")","","1925","Öl/Lwd.","116 x 81 cm "," ","155","206 (ohne Abb.) ","200","Verbleib unbekannt"," ","",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (8.11.1926)",""],["Kokoschka Oskar","Oskar Kokoschka (13.5.1927)",""]],[["1926 Dresden","8856","Nr. 536 "]],[],[["Weibliches Bildnis"]]]},{"id":1473,"img":{"extraLarge":"AP_100042482_extraLarge.jpg","medium":"AP_100042482_medium.jpg"},"arr":["1925.17","Lissabon, Strassenszene","","1925","Öl/Lwd.","38 x 49 cm ","Bez. unten links: OK ","190","196 ","201","Privatbesitz","2001 ","",""],"mul":[[["Galerie M. Goldschmidt & Co.","Galerie M. Goldschmidt & Co., Frankfurt a. M. ",""],["Galerie Probst","Galerie Probst, Mannheim (bis 1953/54)",""],["Hahn Willy","Willy Hahn, Stuttgart (1953/54)",""],["Goldschmidt Jacob M.","Jacob Goldschmidt, New York (1958, restituiert)",""],["Hahn Willy","Willy Hahn, Stuttgart (1958)",""],["Horstmann Edgar","Edgar Horstmann, Hamburg (1962)",""],["Galerie Thomas","Galerie Thomas, München (1989) ",""],["Privatbesitz","Privatbesitz Japan (1990)",""],["Christie's","Christie's, London (26.6.2001, Nr. 238 mit Farbtaf.)",""]],[["1962 Tate Gallery, London","8075","Nr. 86 "],["1927 Zürich, Kunsthaus","8209","Nr. 70 "],["1958 Wien","8541","Nr. 71 "],["1976 Bregenz","8605","Nr. 14, Taf. XXIII "],["1988 Barcelona","8659","Nr. 27, Farbtaf. S. 61 "],["1990 München","8711","Nr. 49 mit Farbtaf. "],["1931 Paris, Galeries Georges Petit","8875","Nr. 14 "],["1958 München, Haus der Kunst","8914","Nr. 73 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 50 "],["1960 Kopenhagen","9011","Nr. 32 "]],[["Christie's London 2001 b, Nr. 238 mit Farbtaf.","3046"]],[["Figuren in Landschaft"]]]},{"id":1094,"img":{},"arr":["1925.18","Lissabon, Blick über die Dächer (Fragment)","","1925","Öl/Lwd."," x "," ","","197 (ohne Abb.) ","202","Zerstört "," ","",""],"mul":[[],[],[],[["Lissabon"]]]},{"id":1019,"img":{"extraLarge":"AP_100042023_extraLarge.jpg","medium":"AP_100042023_medium.jpg"},"arr":["1925.19","Madrid, Plaza Cánovas del Castillo","\"Madrid, Puerta del Sol\"","1925","Öl/Lwd.","67 x 100.3 cm ","Bez. unten links: OK ","192, Taf. 75","","203","Privatbesitz "," ","","Privatbesitz"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (15.8.1925)",""],["Galerie Georg Caspari","Galerie Georg Caspari, München (25.8.1925)",""],["Glaeser Max","Max Glaeser, Eselsfürth/Bayern",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (3.3.1931)",""],["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam (10.4.1931)",""],["Galerie Fischer","Galerie Fischer, Luzern (19.8.1931, Nr. 310, Taf. XXVII)",""],["Fischer Paul","Paul Fischer, Luzern",""]],[["2001 New York","8011","Nr. 5, Farbtaf. S. 12"],["1962 Tate Gallery, London","8075","Nr. 85 "],["1927 Zürich, Kunsthaus","8209","Nr. 80 "],["1966 Zürich","8225","Nr. 54 "],["2001/02 Turin","8234","Farbtaf. S. 106"],["1958 Den Haag","8309","Nr. 48 "],["1925 Cassirer, Berlin","8326","Nr. 30 u. d. T. \"Madrid\" "],["1947 Basel, Kunsthalle","8376","Nr. 143 "],["2002 Lodève","8412","Nr. 42, S. 158, 259, Farbtaf. S. 159"],["1947 Zürich, Kunsthaus","8415","Nr. 25 "],["1938 London","8417","Nr. 106 "],["1962/1963 Hamburg","8422","Nr. 43 mit Abb. "],["1958 Wien","8541","Nr. 70, Abb. S. 50 "],["1925 Frankfurt/Main","8546"," "],["1947 Amsterdam","8829","Nr. 21 "],["1953 Luzern","8831","Nr. 195 "],["1931 Paris, Galeries Georges Petit","8875","Nr. 12 u. d. T. \"Madrid, Puerta del Sol\" "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 118 und 120, Farbtaf. S. 119 "],["1958 München, Haus der Kunst","8914","Nr. 72, Abb. S. 50 "],["1973 Zürich","8950","Nr. 83 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 52 "]],[["Westheim 1925 a, Abb. Taf. 54 im Anhang \"Reise nach Südfrankreich und Spanien 1925\" ","2027"],["Born 1930, Abb. S. 83 ","2164"],["Hoffmann 1947, S. 185 ","2499"],["Heilmaier 1929, Abb. 18 ","2885"],["Lachnit 1991 a, S. 33, Abb. 4 ","2887"],["Kokoschka 1971, S. 203 ","2894"],["Netzer 1967, Abb. S. 49","2936"],["Spielmann 2003 a, S. 247 mit Abb.","3309"],["Bultmann 1959, S. 76, Farbtaf. 16 ","3434"],["Kopenhagen 1960, ","3486"],["Galerie Fischer Luzern 1931 a, Nr. 310, Taf. XXVII","12171"],["Galerie Fischer Luzern 1935, Nr. 2339","12172"]],[["Madrid"]]]},{"id":1385,"img":{"extraLarge":"AP_100042392_extraLarge.jpg","medium":"AP_100042392_medium.jpg"},"arr":["1925.2","Toledo","","1925","Öl/Lwd.","67 x 101 cm ","Bez. unten links: OK ","197","195","204","Musée Jenisch, Fondation Oskar Kokoschka, Vevey","1989 ","FOK 53","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (30.6.1925)","gemeinsamer Besitz mit Galerie M. Goldschmidt & Co., Frankfurt a. M."],["Oppenheim Margarete","Margarete Oppenheim, Berlin (1.7.1925)",""],["Lilienfeld Galleries","Lilienfeld Galleries, New York",""],["Buchholz Gallery Curt Valentin","Buchholz Gallery Curt Valentin, New York",""],["Stern Eva Susan","Eva Susan Stern, London",""],["Haudek William E.","William E. Haudek, New York",""],["Haudek Roger W.","Roger W. Haudek , Bronxville, NY (1981)",""],["Christie's","Christie's, New York (15.11.1989, Nr. 444 mit Farbtaf.)",""],["Kokoschka Olda","Olda Kokoschka, Villeneuve (15.11.1989)",""]],[["1942 Saint Louis","8134","[Nr. 2] "],["1943 Galerie St. Etienne, New York","8196"," "],["1927 Zürich, Kunsthaus","8209","Nr. 79 "],["1992 Cismar","8291","S. 173, Farbtaf. 4"],["1925 Cassirer, Berlin","8326","Nr. 29 "],["1976 London","8338","Nr. 6 mit Farbabb. "],["2003 Apolda","8411","Nr. 41, S. 98, Farbtaf. S. 56"],["1941 New York","8466","Nr. 17 "],["1981 New York, Marlborough","8535","Nr. 23, Abb. S. 46 "],["2001/02 Emden","8542","S. 93, Farbtaf. S. 52"],["1928 Nationalgalerie, Berlin","8558","Nr. 89 "],["1928 London","8640","Nr. 22 "],["1998/99 Seita","8819","Nr. 5\n"],["1932 Venedig, Biennale, Padiglione dell'Austria","8842","Nr. 24 "],["1995 Bellinzona","8872","S. 50, Farbtaf. S. 51"],["1931 Paris, Galeries Georges Petit","8875","Nr. 13 "],["2005/06 Pfäffikon","8898","Farbtaf. 70"],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 51 "],["1991 Wien","9033","Nr. 46 mit Farbtaf. und Detail "]],[["Westheim 1925 a, Abb. im Anhang \"Reise nach Südfrankreich und Spanien 1925\" ","2027"],["Biermann 1929, Abb. 17 ","2394"],["Strobl/Weidinger 1998, S. 10, Farbabb. 10","2803"],["Christie's New York 1989, Nr. 444 mit Farbtaf.","3197"],["Spielmann 2003 a, S. 248, Farbtaf. S. 279","3309"],["Vevey 1994, S. 80 mit Farbtaf. S. 81","3718"]],[["Toledo"],["Spanien"]]]},{"id":1341,"img":{"extraLarge":"AP_100042348_extraLarge.jpg","medium":"AP_100042348_medium.jpg"},"arr":["1925.21","Paris, Tuilerien I (mit Louvre)","","1925","Öl/Lwd.","81 x 117 cm ","Bez. unten links: OK ","198","181","205","Privatbesitz","ca. 1943 ","",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (20.10.1925)",""],["Galerie Georg Caspari","Galerie Georg Caspari, München (23.10.1925)",""],["Kunstsalon Hermann Abels","Kunstsalon Hermann Abels, Köln (1929)",""],["Krawinkel Hermann","Hermann Krawinkel, Bonn Bad-Godesberg ",""]],[["1927 Zürich, Kunsthaus","8209","Nr. 74, Taf. XXII "],["1925 Cassirer, Berlin","8326","Nr. 18 "],["1947 Basel, Kunsthalle","8376","Nr. 136 "],["1943 Zürich","8383","Nr. 336 "],["1947 Zürich, Kunsthaus","8415","Nr. 26 "],["1931 Bonjean, Paris","8429","u. d. T. \"Vue de la Cour du Carrousel\" "],["1931/32 Hagenbund, Wien","8433","Nr. 69 (?) "],["1958 Wien","8541","Nr. 63 "],["1925 Frankfurt/Main","8546"," "],["1928 Chemnitz","8597","mit Abb. "],["1958 München, Haus der Kunst","8914","Nr. 65 "],["1929 Abels, Köln","9030","Nr. 32 "]],[["Westheim 1925 a, Abb. im Anhang \"Reise nach Südfrankreich und Spanien 1925\" ","2027"],["Hoffmann 1947, S. 183--184 ","2499"],["Panorama des arts 1948, Abb. S. 183","2594"],["Kuehlmann 1926, S. 2 ","2675"],["Westheim 1959, S. 10-11 und Farbtaf. ","3183"]],[["Paris"],["Frankreich"]]]},{"id":1020,"img":{"extraLarge":"AP_100042024_extraLarge.jpg","medium":"AP_100042024_medium.jpg"},"arr":["1925.22","Paris, Tuilerien II","Paris, Louvre","1925","Öl/Lwd.","73 x 100.4 cm ","Bez. unten links: OK ","191","182, Taf. 64 ","206","Portland Art Museum, Portland, OR, Helen Thurston Ayer Fund ","August 1946, Helen Thurston Ayer Fund","46.36","Portland Art Museum, Portland, Oregon. Museum Purchase: Helen Thurston Ayer Fund, 46.36"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin, (29.6.1925)",""],["Buchholz Gallery Curt Valentin","Buchholz Gallery Curt Valentin, New York",""]],[["1960 San Francisco","8010"," "],["1962 Tate Gallery, London","8075","Nr. 79 "],["1948 Boston","8222","Nr. 36 mit Abb. "],["1958 Den Haag","8309","Nr. 44 "],["1925 Cassirer, Berlin","8326","Nr. 19 u. d. T. \"Paris, Tuilerien mit Eiffelturm\" "],["1941 New York","8466","Nr. 18 "],["1958 Wien","8541","Nr. 64, Abb. S. 49 "],["1966 New York","8544","Nr. 34, Abb. S. 54 "],["1954 Santa Barbara","8806","Nr. 16"],["1971 Wien","8820","Nr. 42, Abb. 28 "],["1958 München, Haus der Kunst","8914","Nr. 66, Abb. S. 49 "],["1992 New York","8930","Nr. 65 "],["1965 Dallas","9014","Nr. 7 "]],[["Architect and engineer 1946, S. 9","2239"],["Spielmann 2003 a, S. 249 mit Abb.","3309"],["Portland 1971, S. 62 mit Farbabb.","3355"],["Kallir 1992, Farbtaf. 53","3647"],["Portland 1946","4049"]],[["Paris"],["Frankreich"]]]},{"id":1119,"img":{"extraLarge":"AP_100042125_extraLarge.jpg","medium":"AP_100042125_medium.jpg"},"arr":["1925.23","Paris, Louvre","","1925","Öl/Lwd.","73 x 100 cm ","Bez. unten links: OK ","","183 ","207","Susan Lloyd, Nassau, Bahamas "," ","",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (29.6.1925)",""],["Galerie M. Goldschmidt & Co.","Galerie M. Goldschmidt & Co., Frankfurt (verkauft 15.3.1930)",""],["Galerie Commeter","Galerie Commeter, Hamburg",""],["Hamburger Kunsthalle","Hamburger Kunsthalle (1949)",""],["Roman Norbert Ketterer","Roman Norbert Ketterer, Campione d‘Italia (1966-1968)",""],["Marlborough Fine Art","Marlborough Fine Art, London (1968)",""]],[["1961 Brüssel","8031","Nr. 111 "],["1974 Toronto","8069","Nr. 9 "],["1962 Tate Gallery, London","8075","Nr. 80 "],["1950 München","8139","Nr. 57 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 26 "],["1927 Zürich, Kunsthaus","8209","Nr. 73 "],["1925 Cassirer, Berlin","8326","Nr. 20 "],["1976 London","8338","Nr. 4 mit Farbabb. "],["1962/1963 Hamburg","8422","Nr. 41 mit Abb. "],["1958 Wien","8541","Nr. 65, Abb. S. 48 "],["1975 Madrid","8555","Nr. 7 "],["1987 Gent","8571","Nr. 23 "],["1928 London","8640","Nr. 3 "],["1986 London","8643","Nr. 56 mit Farbtaf. "],["1988 Barcelona","8659","Nr. 28, Farbtaf. S. 62 "],["1973 London, Marlborough","8763","Nr. 37, Farbabb. S. 74 "],["1955 Hamburg","8768","Nr. 73 mit Abb. "],["1986 Zürich","8836","Nr. 57 mit Farbtaf. "],["1958 München, Haus der Kunst","8914","Nr. 67, Abb. S. 48 "],["1960 Braunschweig","8933","Nr. 7 "],["1955 Wien, Secession","8960","Nr. 20 "]],[["Geller/Bunkowsky 1951, Abb. S. 229","2132"],["Ketterer 1967, Nr. 90 mit Farbabb.","2139"],["Roskamp 1952, S. 22 mit Abb.","2146"],["Kuehlmann 1926, S. 2 ","2675"],["Ketterer 1968, Nr. 87 mit Farbabb.","2895"],["Holst 1954, S. 417, Abb. S. 416 ","2898"],["Weidinger 1998 b, S. 27, Farbabb. S. 26","3186"],["Spielmann 2003 a, S. 249 mit Abb.","3309"],["Hentzen 1962 a, o. S.","3363"],["Roh 1958, Abb. S. [158] ","3408"],["Richard 1978, Farbabb. S. 73","3663"],["Ketterer 1966, Nr. 111 mit Farbabb.","12170"]],[["Paris"],["Frankreich"]]]},{"id":1233,"img":{"extraLarge":"AP_100042239_extraLarge.jpg","medium":"AP_100042239_medium.jpg"},"arr":["1925.24","Rosen I","Rosen II","1925","Öl/Lwd.","116 x 81 cm ","Bez. oben rechts: OK ","210","219","208","Privatbesitz"," ","",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (29.6.1925)",""],["Hess Fritz","Fritz Hess, Berlin (7.7.1925)",""],["Täubler Helcia","Helcia Täubler, Berlin/New York",""],["Curt Valentin Gallery","Curt Valentin Gallery, New York",""],["Schönemann Martin","Martin Schönemann, Lugano (1956) ",""],["Blaffer Hudson Cecil","Cecil Blaffer Hudson, Houston, TX",""]],[["1964 New York, Marlborough-Gerson","8035","Nr. 21 mit Abb. "],["1927 Zürich, Kunsthaus","8209","Nr. 97, Taf. XIII "],["1927 Matthiesen, Berlin","8254","Nr. 22 "],["1933 Pittsburgh","8676",""],["1951/52 New York","8753","Nr. 15 "],["1929 Abels, Köln","9030","Nr. 35 "]],[["Scheffler 1927, Abb. S. 272","3082"]],[["Stillleben"]]]},{"id":1383,"img":{"extraLarge":"AP_100042390_extraLarge.jpg","medium":"AP_100042390_medium.jpg"},"arr":["1925.25","Blumen in einer Vase","","1925","Öl/Lwd.","75 x 50 cm ","Bez. unten rechts: OK ","203","213 (ohne Abb.)","209","Kunsthaus Zürich, Geschenk von Frau Irene Margot Lilly Benda aus dem Nachlaß der Familie Prof. Dr. L. Benda","1986, Schenkung Irene Margot Lilly Benda aus dem Nachlaß der Familie Prof. Dr. L. Benda","1986/3","Kunsthaus Zürich, Geschenk Irene Margot Lilly Benda aus dem Nachlass der Familie Prof. Dr. L. Benda, 1986"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (1.2.1926)",""],["Galerie M. Goldschmidt & Co.","Galerie M. Goldschmidt & Co., Frankfurt a. M. (10.8.1926)",""],["[Privatbesitz, Frankfurt a. M.]","[Privatbesitz, Frankfurt a. M.]",""],["Benda Louis","Louis Benda, Zürich",""]],[["1927 Zürich, Kunsthaus","8209","Nr. 90 "],["1986 Zürich","8836","Nr. 62 mit Farbtaf. "],["2005/06 Pfäffikon","8898","o. Farbtaf. (außer Kat.)"],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 57 u. d. T. \"Blumenstrauß\" (?) "]],[["Zürich 2007, S. 635 mit Abb.","3336"]],[["Stillleben"]]]},{"id":1270,"img":{"extraLarge":"AP_100042276_extraLarge.jpg","medium":"AP_100042276_medium.jpg"},"arr":["1925.26","Blumen am offenen Fenster","Stilleben vor Strand","1925","Öl/Lwd.","73 x 100 cm ","Bez. unten links: OK ","204","204 ","210","Sammlung Leopold II, Wien","7.12.1996","","Sammlung Leopold II, Wien"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (6.7.1925)","gemeinsamer Besitz mit Galerie M. Goldschmidt & Co., Frankfurt a. M. "],["Hirsch Otto","Otto Hirsch, Frankfurt a. M. (3.2.1927)",""],["Pulvermacher Edith und Erhard","Edith und Erhard Pulvermacher, Berlin (1935)",""],["Cohen Max","Max Cohen, New York (12.1953)",""],["Parke-Bernet Galleries","Parke-Bernet Galleries, New York (27.3.1963, Nr. 93 mit Farbtaf.)",""],["Schoneman Galleries","Schoneman Galleries, New York (27.3.1963)",""],["Lowy Margaret und Sydney","Margaret und Sydney Lowy, New York (1963)",""],["Sotheby's","Sotheby's, New York (10.5.1989, Nr. 370 mit Farbabb.)",""],["Kunsthaus Lempertz","Kunsthaus Lempertz, Köln (7.12.1996, Nr. 867 mit Farbabb.)",""]],[["1927 Zürich, Kunsthaus","8209","Nr. 91 "],["2002 Lodève","8412","Nr. 43, S. 160, 259, Farbtaf. S. 161"],["1931 Frankfurt/Main","8487","Nr. 128 "],["1928 Chemnitz","8597","u. d. T. \"Stilleben\" (?) "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 58 "]],[["Parke-Bernet Galleries 1963, Nr. 93 mit Farbtaf. ","2020"],["Lempertz 1996, Nr. 867 mit Farbabb. ","2206"],["Sotheby's New York 1989 b, Nr. 370 mit Farbabb. ","2235"],["Moderne Malerei 1933, Farbabb. ","2348"],["Deutsche Kunst und Dekoration 1931, Abb. S. 73","3125"],["Hartlaub 1927, Farbabb. S. 287","3974"]],[["Stillleben"]]]},{"id":1356,"img":{"extraLarge":"AP_100042363_extraLarge.jpg","medium":"AP_100042363_medium.jpg"},"arr":["1925.27","Blumenstillleben","\"Blumen am Fenster (mit Vorhang)\" \n\"Flowers in a window\" ","1925","Öl/Lwd.","70 x 100 cm ","Bez. unten links: OK ","188","203","211","Privatbesitz","26.5.1976","","Privatbesitz"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (11.8.1925)",""],["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam (18.9.1925)",""],["Nothmann Berthold","Berthold Nothmann, Düsseldorf/später London",""],["Sarachi Chatin","Chatin Sarachi, London",""],["Strafford Lady Claire","Lady Claire Strafford, London ",""],["Goulding Basil","Basil Goulding, Dublin",""],["Kean Mrs. Beverly W.","Mrs. Beverly W. Kean, New York",""],["Sotheby's","Sotheby's, New York (26.5.1976, Nr. 64 mit Farbtaf.)",""]],[["1954 München","8173","Nr. 792 "],["1927 Zürich, Kunsthaus","8209","Nr. 89 "],["1947 Zürich, Kunsthaus","8415","Nr. 22 "],["1966 New York","8544","Nr. 36, Abb. S. 56 "],["1947 Amsterdam","8829","Nr. 19 "],["1978 Kamakura","8846","Nr. 8 mit Farbtaf. "],["1960 London, Marlborough","9029","Nr. 2 mit Abb. "],["1929 Abels, Köln","9030","Nr. 34 "]],[["Kokoschka 1971, S. 20 und 204 ","2894"],["Spielmann 2003 a, S. 250, Abb. S. 251","3309"],["Sotheby's New York 1976, Nr. 64 mit Farbtaf. ","3853"],["Mizue 1978, Farbtaf. S. 9","3934"]],[["Stillleben"]]]},{"id":1259,"img":{"extraLarge":"AP_100042265_extraLarge.jpg","medium":"AP_100042265_medium.jpg"},"arr":["1925.28","London, Tower Bridge I","","1925","Öl/Lwd.","76.2 x 132.3 cm ","Bez., datiert und beschriftet auf der Rückseite : OK London Juli 25 ","200","198, Taf. 77","213","The Minneapolis Institute of Arts, Bequest of Putnam Dana McMillan ","15.11.1961 ","61.36.5","Vermächtnis Putnam Dana McMillan"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (15.8.1925)",""],["Galerie M. Goldschmidt & Co.","Galerie M. Goldschmidt & Co., Frankfurt",""],["Krebs Otto","Otto Krebs, Rittergut Holzdorf bei Weimar (19.10.1925)",""],["von Gemmingen Freiherr","Freiherr von Gemmingen, Berlin",""],["Hamburger Kunsthalle","Hamburger Kunsthalle, Hamburg (1929)",""],["1937 beschlagnahmt","1937 beschlagnahmt",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin (21.8.1937)",""],["Galerie Fischer","Galerie Fischer, Luzern (30.6.1939, Nr. 677, Abb. S. 39)",""],["von Sternberg Josef","Josef von Sternberg, Hollywood (1939)",""],["Parke-Bernet Galleries","Parke-Bernet Galleries, New York (22.11.1949, Nr. 90 mit Abb.)",""],["McMillan Putnam Dana","Putnam Dana McMillan, Minneapolis (23.11.1949)",""]],[["1956 Chicago","8045","Nr. 13 "],["1962 Tate Gallery, London","8075","Nr. 87, Abb. 26 "],["1927 Zürich, Kunsthaus","8209","Nr. 84 "],["1948 Boston","8222","Nr. 37 mit Abb. "],["1994/95 Bielefeld","8301","Nr. 24, S. 279, Farbtaf. S. 101"],["1925 Cassirer, Berlin","8326","Nr. 31 mit Abb. "],["1939 Grand Hôtel National, Luzern","8353","Nr. 67, Abb. S. 39"],["1962/1963 Hamburg","8422","Nr. 44 mit Farbabb. "],["1927 Kunsthaus Schaller, Stuttgart","8460","Nr. 8 mit Abb. "],["1925 Frankfurt/Main","8546"," "],["2013/14 Wien","8589","S. 124, 338, Farbabb. S. 131"],["1986 London","8643","Nr. 57 mit Farbtaf. "],["1954 Santa Barbara","8806","Nr. 15"],["1971 Wien","8820","Nr. 45, Abb. 33 "],["1986 Zürich","8836","Nr. 58 mit Farbtaf. "],["1930 Stuttgart","8841","Nr. 177 "],["1931 Paris, Galeries Georges Petit","8875","Nr. 15 "],["1981 St. Etienne, New York","8882","Nr. 33 "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 86 und 88, Farbabb. S. 87 "],["1943 Los Angeles","8948","Nr. 18 mit Abb. "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 54 "],["1965 Dallas","9014","Nr. 8 mit Abb. "],["1939 Zürich","9061",""]],[["Roşu 1976, Farbabb. S. [37] ","2148"],["Born 1930, Abb. nach S. 84 ","2164"],["Dorr 1961, Nr. 7, S. 22-23, Abb. S. 23","2234"],["Scheffler 1926 a, Abb. S. 166 ","2247"],["Tiedemann 2013, S. 224","2249"],["Becker 1997, S. 229-231, Farbabb. 66","2316"],["Biermann 1929, Abb. 18 ","2394"],["Hoffmann 1947, S. 186, Abb. XLII ","2499"],["Borchert 1959, S. 14, Farbtaf. 6 und farb. Umschlagabb.","2562"],["Duchesne 2014, Nr. 67, S. 173--174, Farbabb. S. 173, Farbtaf. S. [39]","2583"],["Kuehlmann 1926, S. 2, Farbtaf. I gegenüber S. 1 ","2675"],["Ring 2010, Bd. 1, S. 392, Anm. 179, S. 725 mit Abb. 57","2683"],["Sultano 2003 b, S. 115, Abb. 39","2720"],["Tomes 1972, S. 23-24, Farbtaf. S. [25] ","2739"],["Roh 1962, S. 189 ","2860"],["Cheney 1958, Abb. S. 16 ","2866"],["Heilmaier 1929, Abb. 17 ","2885"],["Plaut 1948, S. 25 und 85 ","2891"],["Kokoschka 1971, S. 204 ","2894"],["Kallir 1981, Abb. 48 ","2980"],["Sarfatti 1930, Abb. ","3035"],["Barron 1992 b, S. 160 mit Abb.","3051"],["Urbanek 1990, S. 49-50, Farbtaf. 6 ","3062"],["Dichand 1986, Farbtaf. S. 52 ","3104"],["Galerie Fischer Luzern 1939 a, Nr. 67, Abb. S. 39 ","3165"],["Petropoulos 2014, S. 294","3237"],["Spielmann 2003 a, S. 250, Farbtaf. S. 280","3309"],["Hentzen 1962 a, o. S.","3363"],["Petheo 1991, S. 37--38, Abb. 19 (S. 38) ","3725"],["Hildebrandt 1924, Farbtaf. XVII ","3727"],["Muller 1982, Farbabb. S. 77 ","3821"],["Horstmann 1965 a, S. 8--9, Abb. S. 9 ","3828"],["Minneapolis 1963, Abb.","3897"],["Hoffmann 1964, Farbtaf. 2 ","3973"],["Parke-Bernet Galleries 1949, Nr. 90 mit Abb.","14166"],["Peters 2014, S. 246, Abb.131","17164"],["Lowengrund 1949, S. 9","20198"],["Reed 1949, S. 9","20199"]],[["London"],["England"]]]},{"id":1453,"img":{"extraLarge":"AP_100042462_extraLarge.jpg","medium":"AP_100042462_medium.jpg"},"arr":["1925.29","Amsterdam, Nieuwe Markt","","1925","Öl/Lwd.","61.5 x 84 cm ","Bez. unten rechts: OK ","184","199 ","214","Staatsgalerie Stuttgart ","1947 ","2187","Staatsgalerie Stuttgart"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (15.8.1925)",""],["Kaiser-Wilhelm-Museum","Kaiser-Wilhelm-Museum, Krefeld (16.11.1925)",""],["1937 beschlagnahmt","1937 beschlagnahmt",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin",""],["Böhmer Bernhard A.","Bernhard A. Böhmer, Güstrow",""],["Galerie Fischer","Galerie Fischer, Luzern (28.6.1941)",""],["Stuttgarter Kunsthandel","Stuttgarter Kunsthandel",""]],[["1962 Tate Gallery, London","8075","Nr. 88 "],["1991 Hausen ob Verena","8083","Nr. 13 mit Farbtaf. S. 33 "],["1927 Zürich, Kunsthaus","8209","Nr. 83, Taf. XXIV "],["1925 Cassirer, Berlin","8326","Nr. 32 "],["1927 Gemeentemuseum, Den Haag","8370","Nr. 73 "],["1927 Kunstverein, Hamburg","8476","Nr. 292 u. d. T. \"Mantelbaans Toren\" "],["1958 Wien","8541","Nr. 72 "],["1958 München, Haus der Kunst","8914","Nr. 74 "],["1960 Kopenhagen","9011","Nr. 33 "],["1929 Abels, Köln","9030","Nr. 31 "],["2018/2019 Zürich","21106","Nr. 54, Farbtaf. S. 175"]],[["Hoffmann 2010, S. 410 (II.194)","2560"],["Stuttgart 1964, S. 99","2660"],["Stuttgart 1968, S. 103","2744"],["Hildebrandt 1955","3019"],["Hodin 1968 a, S. 258 ","3213"],["Spielmann 2003 a, S. 251, Farbtaf. S. 281","3309"],["Hodin 1966, S. 175 ","3490"],["Stuttgart 1957, S. 143 ","3952"]],[["Amsterdam"]]]},{"id":1424,"img":{"extraLarge":"AP_100042432_extraLarge.jpg","medium":"AP_100042432_medium.jpg"},"arr":["1925.3","Amsterdam, Kloveniersburgwal I","","1925","Öl/Lwd.","61 x 85 cm ","Bez. unten links: OK ","183","200, Farbtaf. XIII ","215","Städtische Kunsthalle Mannheim ","16.11.1925, nach 1945 rückgeführt","619",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (15.8.1925)",""],["Kunsthalle Mannheim","Kunsthalle Mannheim (16.11.1925)",""],["1937 beschlagnahmt","1937 beschlagnahmt, aus dem Depot der Kunsthalle Mannheim zunächst im Schloß in Schwetzingen, ab 1944 in einem Salzwerk in Heilbronn ausgelager, nach 1945 rückgeführt (28.8.1937)",""]],[["1950 München","8139","Nr. 55, Abb. S. 36 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 24 "],["1949 Amsterdam","8218","Nr. 66 "],["1925 Cassirer, Berlin","8326","Nr. 33, Abb. auf dem Umschlag "],["1927 Gemeentemuseum, Den Haag","8370","Nr. 75a mit Abb. "],["1962/1963 Hamburg","8422","Nr. 45 mit Abb. "],["1978 Kamakura","8846","Nr. 7 "],["1931 Paris, Galeries Georges Petit","8875","Nr. 16 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 56 "],["1951 Linz","8989","Nr. 21 "],["1991 Wien","9033","Nr. 45 mit Farbtaf. "]],[["Mannheim 1987, Nr. 66, Abb. S. 134","2023"],["Schmalenbach F. 1967, Abb. S. 19 ","2199"],["Moderne Malerei 1933, Farbabb. ","2348"],["Biermann 1929, Abb. 20 ","2394"],["Wingler 1951 a, Mappe I, S. [10-11], Farbtaf. 8 ","2406"],["Wingler 1957, S. 122, Farbabb. S. 123 ","2423"],["Zahn 1958, Farbtaf. gegenüber S. 69 ","2646"],["Krieger 1966, S. 22, Farbtaf. S. [23]","2698"],["Haftmann 1965 b, S. 297, Abb. 740 ","2732"],["Mannheim 1977, Farbabb. S. 121","2737"],["Heilmaier 1929, Abb. 20 ","2885"],["Kokoschka 1971, S. 204 ","2894"],["Mannheim 1926, Nr. 128, Abb. S. 61 ","2915"],["Du 1981, Abb. S. 52","2998"],["Westheim 1952, S. [5--6], Farbtaf. ","3173"],["Gerold 1957, Abb. 51 ","3198"],["Spielmann 2003 a, S. 251, Abb. S. 250","3309"],["Zahn 1948, Farbtaf. S. [34] ","3312"],["Weigert 1956, Abb. 28 ","3357"],["Palkovsky 1958, Abb. 30 ","3411"],["Bultmann 1959, S. 78, Farbtaf. 17 ","3434"],["Mannheim 1953, Nr. 80, Abb. 41 ","3502"],["Grote 1964, Farbabb. 80 ","3550"],["Hütt 1986, Abb. 476 ","3755"],["Hartlaub 1931, S. 116, Abb. S. 113","4041"],["Schürer 1927, S. 414, Abb. S. 413","4129"],["Mannheim 1957, Nr. 93, Farbabb. 54","16170"],["Mannheim 2013, S. 176, 461, Farbtaf. 103, S. 178 ","23185"]],[["Amsterdam"],["Holland"]]]},{"id":1001,"img":{"extraLarge":"AP_100042005_extraLarge.jpg","medium":"AP_100042005_medium.jpg"},"arr":["1925.31","Amsterdam, Kloveniersburgwal II","","1925","Öl/Lwd.","65 x 74 cm ","Bez. unten rechts: OK ",""," ","216","Sammlung Leopold II, Wien","","","Sammlung Leopold II, Wien"],"mul":[[["Galerie M. Goldschmidt & Co.","Galerie M. Goldschmidt & Co., Frankfurt a. M.",""],["Levine Alexander","Alexander Levine, Guben (um 1930)",""],["Kurz Alix","Alix Kurz, New York",""],["Christie's","Christie's, London (17.10.2000, Nr. 47 mit Farbtaf., nicht verkauft)",""],["Christie's","Christie's, London (26.6.2001, Nr. 239 mit Farbtaf.)",""]],[["2007/08 Wien, Leopold Museum","8072","S. 254, Farbtaf. S. 143"],["2013/14 Wien","8589","S. 338, Farbtaf. S. 129"],["2018/2019 Zürich","21106","Nr. 53, Farbtaf. S. 174"]],[["Christie's London 2000, Nr. 47 mit Farbtaf., nicht verkauft","2766"],["Christie's London 2001 b, Nr. 239 mit Farbtaf. ","3046"]],[["Amsterdam"],["Holland"]]]},{"id":1152,"img":{"extraLarge":"AP_100042158_extraLarge.jpg","medium":"AP_100042158_medium.jpg"},"arr":["1925.32","Amsterdam, Partie an der Amstel","","1925","Öl/Lwd.","64.5 x 75 cm ","Bez. unten links: OK ","","201, Taf. 73 ","217","Privatbesitz","1990 ","",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin, (10.7.1926)",""],["Galerie M. Goldschmidt & Co.","Galerie M. Goldschmidt & Co., Frankfurt a. M. (8.10.1926)",""],["Hess Alfred","Alfred Hess, Erfurt",""],["Vorster Alfred","Alfred Vorster, Köln",""],["Fischer Fine Art Ltd.","Fischer Fine Art Ltd., London (1988)",""],["Galerie Thomas","Galerie Thomas, München (1989)",""]],[["1962 Tate Gallery, London","8075","Nr. 89 "],["1989 Tokio","8126","Nr. 125 mit Farbabb. "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 25 "],["1957 Kunstverein, Köln","9025","Nr. 65 mit Abb. "]],[["Kokoschka Briefe 2 1985, S. 141 (30. Juli 1925), Anm. S. 303 ","2863"],["Gatt 1972, Abb. 26 ","3468"]],[["Amsterdam"],["Holland"]]]},{"id":1123,"img":{"extraLarge":"AP_100042129_extraLarge.jpg","medium":"AP_100042129_medium.jpg"},"arr":["1925.33","Amsterdam, Montelbaanstoren","\"Amsterdam, Nieuwe Markt (or Montalbaanstoren)\"","1925","Öl/Lwd.","62 x 84.5 cm ","Bez. unten links: OK ","184","202","218","Privatbesitz ","1930 ","","Privatbesitz"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (15.8.1925)",""],["Bauer Rudolf","Rudolf Bauer, Frankfurt a. M. (21.12.1925-29)",""],["Simon Frederick H.","Frederick H. Simon, Frankfurt/Merstham (1930)",""]],[["1962 Tate Gallery, London","8075","Nr. 90 "],["1949 Amsterdam","8218","Nr. 67 "],["1925 Cassirer, Berlin","8326","Nr. 34 "],["1976 London","8338","Nr. 7 mit Abb. "],["1957/58 Amsterdam","8822"," "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 122 und 124-125, Farbabb. S. 123 "]],[["Kokoschka 1971, S. 204 ","2894"],["Hodin 1968 a, S. 258 ","3213"],["Spielmann 2003 a, S. 251, Abb. S. 250","3309"],["Hodin 1966, S. 175 ","3490"]],[["Amsterdam"],["Holland"]]]},{"id":1336,"img":{"extraLarge":"AP_100042343_extraLarge.jpg","medium":"AP_100042343_medium.jpg"},"arr":["1926.01","Ernst Blass","Bildnis des Dichters Ernst Blass","[1926]","Öl/Lwd.","80 x 120 cm ","Bez. unten links: OK ","179","207, Taf. 67 ","219","Kunsthalle Bremen – Der Kunstverein in Bremen","27.1.1957 ","740-1957/7","Kunsthalle Bremen – Der Kunstverein in Bremen"],"mul":[[["Blass Ernst","Ernst Blass, Berlin",""],["Feilchenfeldt Walter","Walter Feilchenfeldt, Berlin/Zürich (1927-57)",""]],[["1962 Tate Gallery, London","8075","Nr. 91 "],["1950 München","8139","Nr. 54 "],["1927 Zürich, Kunsthaus","8209","Nr. 88 "],["1966 Karlsruhe","8284","Nr. 39 mit Abb. "],["1958 Den Haag","8309","Nr. 49 "],["1947 Basel, Kunsthalle","8376","Nr. 126 "],["1947 Zürich, Kunsthaus","8415","Nr. 20 "],["1962/1963 Hamburg","8422","Nr. 46 mit Abb. "],["1958 Wien","8541","Nr. 73 "],["1992 Bremen","8564","Abb. S. 10"],["1957 Bern","8617","Nr. 62 "],["1985 London","8722","Farbtaf. 83 "],["1971 Wien","8820","Nr. 46, Abb. 31 "],["1947 Amsterdam","8829","Nr. 18 "],["1926 Dresden","8856","Nr. 534 "],["1931 Paris, Galeries Georges Petit","8875","Nr. 17 mit Abb. "],["1958 München, Haus der Kunst","8914","Nr. 75 "],["1960 Braunschweig","8933","Nr. 8 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 55 "],["1955 Wien, Secession","8960","Nr. 19 "],["1927 Cassirer, Berlin","8968","Nr. 32 "],["1948 Venedig","8991","Nr. 9 "],["1960 Kopenhagen","9011","Nr. 34 "],["1997/98 Bonn","13106","S. 105, Farbabb. S. 106"]],[["Picasso 1966, S. 35, Abb. S. 26 ","2026"],["Requadt 1985, S. 50 und 52, Farbabb. 19","2191"],["Goldscheider 1963, S. 76--77, (Anm. 24), Farbtaf. 24 ","2855"],["Heilmaier 1929, Abb. 19 ","2885"],["Kunstwanderer 1926, Abb. S. 334","2907"],["Blass 1980, S. 163--182 (zur Person Ernst Blass)","3055"],["Hodin 1968 a, S. 258 ","3213"],["Spielmann 2003 a, Abb. S. 253","3309"],["Hodin 1966, S. 175 ","3490"],["Platschek 1946, Abb. 25 ","3496"],["Grote 1964, Abb. 79 ","3550"],["Bremen 1984, S. 95, Abb. S. 224","3789"],["George 1963, S. 49--50 ","3814"],["Bremen 1959, Taf. 138","3839"],["Masciotta 1949, Taf. XXIX ","3880"],["Bremen 1973 b, Nr. 208 mit Abb. ","3915"],["Bremen 1973 a, S. 167, Abb. 439","4045"],["Feilchenfeldt 2009 b, S. 73","14167"],["Bremen 1998, S. 270- 271, Abb. S. 271 ","14168"],["Bremen 1997, Farbabb. S. 106","20174"]],[["Männliches Bildnis"]]]},{"id":1338,"img":{"extraLarge":"AP_100042345_extraLarge.jpg","medium":"AP_100042345_medium.jpg"},"arr":["1926.02","Berlin, Pariser Platz (Brandenburger Tor)","Berlin, Brandenburger Tor","1926","Öl/Lwd.","77 x 110 cm ","Bez. unten links: OK ","187","220, Taf. 61 ","220","Staatliche Museen Preußischer Kulturbesitz, Neue Nationalgalerie, Berlin","15.8.1935; 1944 Auslagerung in den Flakturm Friedrichshain, nach 1945 rückgeführt; bis 1992 in der Alten Nationalgalerie, Berlin, ehemals DDR","A III 465",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (1.2.1926)","gemeinsamer Besitz mit Galerie M. Goldschmidt & Co., Frankfurt a. M. "],["Lange Hermann","Hermann Lange, Krefeld (16.2.1926)",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (16.6.1928)",""],["Galerie Georg Caspari","Galerie Georg Caspari, München (um 1928)",""],["Dresdner Bank","Dresdner Bank, München (um 1932, durch Schuldverschreibung von Caspari. 15.8.1935 nach Kaufvertrag zwischen der Dresdner Bank und dem Land Preußen an die Nationalgalerie überwiesen, 1936 formell übereignet.)",""]],[["1964/65 Dresden","8146","Nr. 150, Abb. 51 "],["1927 Zürich, Kunsthaus","8209","Nr. 72 "],["1928 Akademie, Berlin","8217","Nr. 124 mit Abb. "],["1986 Würthle, Wien","8394","Nr. 6 mit Farbtaf. "],["1932 Bremen","8480"," "],["1987 Berlin-DDR","8532","H 116, Farbabb. S. 348 "],["1992 Altes Museum, Berlin","8573","Nr. 62 mit Farbabb. "],["1985 Turin","8613","S. 15, Farbabb. S. 59 (seitenverkehrt) "],["1986 Dresden","8672","Nr. III "],["1979 Rom","8725","Nr. 244, Abb. 69 "],["[1932 Kunstverein, Köln]","8735"," "],["1984 Rostock","8828"," "],["1929 Abels, Köln","9030","Nr. 33 "]],[["Janda 1986, S. 37 und 48, Abb. S. 36 ","2030"],["Berlin-DDR 1963, S. 37, Taf. 17","2036"],["Berlin 1976, S. 44 mit Abb.","2198"],["Berlin 1961, Abb. 59 ","2593"],["Scheffler 1928, S. 400","2606"],["Kokoschka Briefe 2 1985, S. 149 (27. I. 26), Anm. S. 304 ","2863"],["Hütt 1969, Farbtaf. 20 ","3238"],["Spielmann 2003 a, Abb. S. 253","3309"],["Doede 1961, Farbabb. S. 159 ","3461"],["Ludwig 1975, S. 181, Abb. 109","3614"],["Berlin 1996, Abb. S. 35","20171"],["Berlin 2013, S. 167 mit Farbabb.","20172"]],[["Berlin"],["Deutschland"]]]},{"id":1446,"img":{"extraLarge":"AP_100042455_extraLarge.jpg","medium":"AP_100042455_medium.jpg"},"arr":["1926.03","Hamburg, Binnenalster/Jungfernstieg","","1926","Öl/Lwd.","70 x 95 cm ","Bez. unten links: OK ",""," ","221","Privatbesitz","März 1985 ","","Privatbesitz"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (10.5.1926)",""],["Privatbesitz","Privatbesitz, Schweiz (31.5.1926)",""],["Nimptsch Uli","Uli Nimptsch, London",""],["Karl & Faber","Karl & Faber, München (5./6.6.1984, Nr. 936, Farbabb. Taf. 37)",""],["Jäger Frank","Frank Jäger, München (1984)",""],["Sotheby Parke Bernet","Sotheby Parke Bernet, London (26.3.1985, Nr. 37 mit Farbabb.)",""],["Galerie Klauspeter Westenhoff","Galerie Klauspeter Westenhoff, Hamburg (26.3.1985)",""]],[["1986 Hochschule für angewandte Kunst, Wien","8911","S. 126 und 128-129, Farbabb. S. 127 "]],[["Sotheby's London 1985 a, Nr. 37 mit Farbabb. ","2864"],["Berlin 1986, Nr. 91/2, Farbabb. S. 181 ","3100"],["Karl & Faber 1984, Nr. 936, Farbabb. Taf. 37 ","3193"],["Spielmann 2003 a, Abb. S. 253","3309"]],[["Hamburg"],["Deutschland"]]]},{"id":1154,"img":{"extraLarge":"AP_100042160_extraLarge.jpg","medium":"AP_100042160_medium.jpg"},"arr":["1926.04","Dover, Hafen","","1926","Öl/Lwd.","76.5 x 127.5 cm ","Bez. unten rechts: OK ","202","212, Taf. 76","222","Kunstmuseum Basel ","26.1.1960, Vermächtnis Richard Doetsch-Benziger, Basel ","G 1960.34",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (11.7.1926)",""],["Katzenellenbogen Estella","Estella Katzenellenbogen, Berlin/Santa Monica, CA (22.7.1926)",""],["Reinhardt Galleries","Reinhardt Galleries, New York",""],["Doetsch-Benziger Richard","Richard Doetsch-Benziger, Basel (vor 1947)",""]],[["1984 Vevey","8050","Nr. 9, Farbabb. S. 39 "],["1956 Kunstmuseum, Basel","8071","Nr. 100 mit Abb. "],["1927 Zürich, Kunsthaus","8209","Nr. 87 u. d. T. \"Küste bei Dover\", Taf. XXVI "],["1933 Basel","8263","Nr. 109 "],["1947 Basel, Kunsthalle","8376","Nr. 132 mit Abb. "],["1947 Zürich, Kunsthaus","8415","Nr. 27 "],["1964 Lausanne","8416","Nr. 192 mit Abb. "],["1928 London","8640","Nr. 29 "],["1986 London","8643","Nr. 58 mit Farbtaf. "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 130 und 132-133, Farbabb. S. 131 "],["1931 New York","8921","Nr. 54 "],["1986/87 Guggenheim, New York","9072","Nr. 46 mit Farbtaf. "]],[["Roşu 1976, Abb. S. 40 ","2148"],["Born 1930, Abb. nach S. 84 ","2164"],["Biermann 1929, Abb. 25 ","2394"],["Basel 1970, S. 232 mit Abb.","2537"],["Tomes 1972, S. 35 und 39-40, Farbtaf. S. [41] ","2739"],["Heilmaier 1929, Abb. 22 ","2885"],["Kokoschka 1971, S. 205 ","2894"],["Urbanek 1990, S. 51-52, Farbtaf. 8 ","3062"],["Einstein 1926, 2. Aufl. 1928, Abb. S. 443 ","3305"],["Spielmann 2003 a, S. 254, Abb. S. 255","3309"],["Gatt 1972, Farbtaf. 24/25 ","3468"],["Platschek 1946, Abb. 29 ","3496"],["Basel 1973, S. [162], Farbabb. S. 163","3553"],["Wild 1950, S. 162, Abb. 59 ","3761"],["Scheffler 1931, Abb. S. 190 ","3781"],["Masciotta 1949, Taf. XXXIII ","3880"],["Basel 1997, Abb. S. 140","20167"]],[["Dover"],["England"]]]},{"id":1091,"img":{"extraLarge":"AP_100042096_extraLarge.jpg","medium":"AP_100042096_medium.jpg"},"arr":["1926.05","London, Grosse Themse-Landschaft I","","1926","Öl/Lwd.","90 x 130 cm ","Bez. unten links: OK ","205","208 ","223","Albright-Knox Art Gallery, Buffalo, NY","24.6.1941 ","RCA 1941:7","Collection Albright-Knox Art Gallery, Buffalo, New York"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (10.7.1926)",""],["Katzenellenbogen Ludwig","Ludwig Katzenellenbogen, Berlin (22.7.1926)",""],["Neue Galerie, Otto Kallir-Nirenstein, Wien/Galerie St. Etienne, Otto Kallir, New York","Neue Galerie, Otto Kallir-Nirenstein, Wien/Galerie St. Etienne, Otto Kallir, New York (um 1932-24.6.1941)",""]],[["2001 New York","8011","Nr. 6, Farbtaf. S. 13"],["1957 New York, Museum of Modern Art,","8040","Nr. 103, Farbabb. S. 81 "],["1962 Tate Gallery, London","8075","Nr. 92 "],["1999/2000 New York, Galerie St. Etienne","8085","S. 24, Farbabb. 43"],["1942 Saint Louis","8134","[Nr. 5] "],["1950 Cambridge, MA","8150","mit Abb. "],["1969 Buenos Aires","8180","Nr. 38 mit Abb. "],["1927 Zürich, Kunsthaus","8209","Nr. 85 "],["1948 Boston","8222","Nr. 39 mit Abb. "],["1966 Zürich","8225","Nr. 55 "],["1935 Salzburg","8273"," "],["[1941 Chicago]","8292","Nr. 16 "],["[1932 Neue Galerie, Wien]","8295"," "],["1994/95 Bielefeld","8301","Nr. 25, S. 279, Farbtaf. S. 102"],["1958 Den Haag","8309","Nr. 50 mit Abb. "],["1937 Paris","8318","Nr. 536 mit Abb. "],["1958 Wien","8541","Nr. 74 u. d. T. \"Blick auf die Themse\", Abb. S. 53 "],["1966 New York","8544","Nr. 37, Abb. S. 57 "],["1928 London","8640","Nr. 8 "],["1986 London","8643","Nr. 59 mit Farbtaf. "],["1940 Galerie St. Etienne, New York","8726","Nr. 15 "],["1986 Zürich","8836","Nr. 60 mit Farbtaf. "],["1973 Hayward Gallery, London","8907","Nr. 58, Abb. S. 75 "],["1958 München, Haus der Kunst","8914","Nr. 76 u. d. T. \"Blick auf die Themse\", Abb. S. 53 "],["1931 New York","8921","außer Katalog"],["1992 New York","8930","Nr. 66 "],["1939 Paris","8964"," "],["1968 National Gallery, Washington, DC","8995","Abb. S. 41 "],["1937 Bern","9000","Nr. 86 "],["[1933 Wien]","9009"," "],["1960 London, Marlborough","9029","Nr. 3 mit Abb. "],["1933/34 Prag","9035","Nr. 7 mit Abb. "],["1986/87 Guggenheim, New York","9072","Nr. 47 mit Farbtaf. "]],[["Buffalo 1979, S. 384-385, Abb. S. 385","2041"],["Monsel 1995, s. [28], Farbabb. 29","2144"],["Calvocoressi 1992, Farbabb. 53 ","2193"],["Schmalenbach F. 1967, Farbtaf. S. 63 ","2199"],["Becker 1997, S. 227-228, Farbabb. 64","2316"],["Biermann 1929, Abb. 27 ","2394"],["Hoffmann 1947, S. 186--187 ","2499"],["Canaday 1959, S. 439, Abb. 533 ","2584"],["Hodin 1971, Abb. S. [235] ","2585"],["Schmidt Georg 1960, Farbabb. S. 22 ","2591"],["Tomes 1972, S. 27-28, Farbtaf. S. [29] ","2739"],["Arnason 1983, Farbtaf. 104 ","2787"],["Goldscheider 1963, S. 77 (Anm. 29), Farbtaf. 29 ","2855"],["Kokoschka Briefe 2 1985, S. 152 (Mitte März 1926), Anm. S. 305 ","2863"],["Heilmaier 1929, Abb. 25 ","2885"],["Kokoschka 1971, S. 206 ","2894"],["Windisch 2013, S. 212, Abb. 93","3001"],["Bühne 1934, S. 18","3030"],["Hofmann 1965, S. 166 und 168, Farbabb. Taf. 61 ","3038"],["Seckel 1967, S. 91, Abb. 8 nach S. 72 ","3076"],["Hodin 1949 a, Abb. nach S. 44 ","3135"],["Mikš 2013, S.168, 358, Farbabb. VIII","3257"],["Piper 1982, S. 120-122, Abb. S. 124 ","3303"],["Spielmann 2003 a, S. 254--255, Farbtaf. S. 283","3309"],["Buffalo 1949, S. 60--61 [Ill.], 202, Nr. 51","3376"],["Bultmann 1959, S. 80, Farbtaf. 18 ","3434"],["Hodin 1966, Abb. 31 ","3490"],["Platschek 1946, Abb. 30 ","3496"],["Pecirka 1934, Abb.","3540"],["Werner 1991, S. 62, Abb. S. [63] ","3555"],["Reinhold 2013, Farbabb.","3582"],["Selz 1981, Abb. 663 ","3621"],["Kallir 1992, Taf. 59 ","3647"],["Buffalo 1987, S. 128, Farbabb. S. [129]","3691"],["Neumeyer 1945, S. 265 mit Abb. ","3895"],["Hoffmann 1964, S. 11, Abb. 6 und farb. Umschlag","3973"],["Buffalo 1968, S. 41, Abb. ","20178"],["Buffalo 2011, Nr. 10, S. 80–81 mit Farbab","20179"]],[["London"],["England"]]]},{"id":1142,"img":{"extraLarge":"AP_100042148_extraLarge.jpg","medium":"AP_100042148_medium.jpg"},"arr":["1926.06","London, Waterloo Bridge","","1926","Öl/Lwd.","89 x 130 cm ","Bez. unten rechts: OK ","213","209 ","224","National Museum of Wales, Cardiff ","1982","NMW A 2162",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (6.7.1926)",""],["Loeb Rudolf","Rudolf Loeb, Berlin/Boston (7.2.1927)",""],["Parke-Bernet Galleries","Parke-Bernet Galleries, New York (21.10.1971, Nr. 108 mit Farbtaf.)",""],["Fischer Fine Art Ltd.","Fischer Fine Art Ltd., London",""],["Grothe Hans","Hans Grothe, München",""],["Fischer Fine Art Ltd.","Fischer Fine Art Ltd., London",""]],[["1927 Zürich, Kunsthaus","8209","Nr. 86 u. d. T. \"London, London Bridge\", Taf. XXV "],["1973 München","8377","Nr. 791 mit Abb. "],["2013/14 Wien","8589","S. 125, 338, Farbabb. S. 131"],["1928 London","8640","Nr. 6 "],["1986 London","8643","Nr. 60 mit Farbtaf. "],["1986 Zürich","8836","Nr. 61 mit Farbtaf. "],["1926 Dresden","8856","Nr. 538 mit Abb. u. d. T. \"Themselandschaft\" "],["1931 Paris, Galeries Georges Petit","8875","Nr. 24 mit Abb. "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 65 "],["1986/87 Guggenheim, New York","9072","Nr. 78 mit Farbtaf. "],["1972 London","15106","Farbtaf. gegenüber S. 41\n"]],[["Lévêque 2005, S. 199 mit Farbabb.","2028"],["Monsel 1995, S. [28], Farbabb. 25","2144"],["Roşu 1976, Abb. S. 41 ","2148"],["Calvocoressi 1992, Farbabb. 51 ","2193"],["Biermann 1929, Abb. 26 ","2394"],["Die Kunst 1926 b, Farbtaf. gegenüber S. 137","2400"],["Hoffmann 1947, S. 186 ","2499"],["Tomes 1972, S. 31-35, Farbtaf. S. [33] ","2739"],["Du 1981, Farbabb. S. 53 ","2998"],["Urbanek 1990, S. 50-51, Farbtaf. 7 ","3062"],["Parke-Bernet Galleries 1971, Nr. 108 mit Farbtaf. ","3208"],["Hodin 1968 a, S. 258-259 ","3213"],["London 1976, Abb. S. 53 [Gemälde nicht ausgestellt] ","3263"],["Spielmann 2003 a, S. 254-255, Farbtaf. S. 282","3309"],["Hodin 1966, S. 175-176 ","3490"],["Platschek 1946, Abb. 32 ","3496"],["Arti plastiche 1928, Abb.","3710"],["Barringer/Fairclough 2014, S. 160-161","36178"]],[["London"],["England"]]]},{"id":1447,"img":{"extraLarge":"AP_100042456_extraLarge.jpg","medium":"AP_100042456_medium.jpg"},"arr":["1926.07","London, Kleine Themse-Landschaft","","1926","Öl/Lwd.","60.5 x 91 cm ","Bez. unten links: OK ","206 ","210 ","225","Albertina, Wien","","GE62DL","Albertina, Wien. Sammlung Batliner"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (10.7.1926)",""],["Galerie M. Goldschmidt & Co.","Galerie M. Goldschmidt & Co., Frankfurt (29.10.1926)",""],["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam (1930)",""],["Hériot-Auersperg Gräfin Hilda","Gräfin Hilda Hériot-Auersperg, Wien/Paris (1936)",""],["Sotheby Parke Bernet","Sotheby Parke Bernet, London (29.6.1983, Nr. 50 mit Farbtaf.)",""],["Galerie Beyeler","Galerie Beyeler, Basel (18.7.1983)",""],["Galerie Würthle","Galerie Würthle, Wien",""],["Batliner Herbert","Herbert Batliner, Vaduz (8.4.1986)",""]],[["1998 Wien, Kunstforum","8009","Nr. 60, Farbtaf. S. 182--183 "],["1984 Vevey","8050","Nr. 10, Abb. S. 37 "],["1932 Neue Galerie, Wien","8295"," "],["1986 Würthle, Wien","8394","Nr. 7 mit Farbtaf. "],["1926 Dresden","8856","Nr. 535 "],["1931 Paris, Galeries Georges Petit","8875","Nr. 26 u. d. T. \"Londres, vue le soir\" "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 74 u. d. T. \"London bei Abend\" "],["2018/2019 Zürich","21106","Nr. 59, Farbtaf. S. 173"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 37, Farbtaf. S. 160-161"]],[["Sotheby Parke Bernet 1983 a, Nr. 50 mit Farbtaf. ","2259"],["Batliner 2005, S. 156, 462, Nr. 108, Farbtaf. S. 157","2276"],["Tomes 1972, S. 31 ","2739"],["Grohmann 1926 b, Abb. S. [375]","3168"],["Platschek 1946, Farbtaf. II ","3496"],["Sele arte 1953, Farbtaf. nach S. 16","3570"],["Sammlung Batliner 2007, S. [322]-323, Farbtaf. 214","3747"],["Scheffler 1931, Abb. S. [191] ","3781"],["Wien 1986, S. 82, Farbabb. S. 83 [Gemälde nicht ausgestellt]","3879"],["Wien 2009, S. 117, Farbtaf. S. 119","23215"],["Paris 2022, Farbtaf. S. 160-161","43164"]],[["London"],["England"]]]},{"id":1426,"img":{"extraLarge":"AP_100042434_extraLarge.jpg","medium":"AP_100042434_medium.jpg"},"arr":["1926.08","Adèle Astaire","","1926","Öl/Lwd.","97 x 130.5 cm ","Bez. und datiert oben links: OK LONDON 26 ","201","214, Taf. 66 ","226","Kunsthaus Zürich ","1947 ","1947/8","Kunsthaus Zürich"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin/Amsterdam (18.12.1926)",""],["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich",""]],[["1939 Utrecht","8026","Nr. 3 "],["1962 Tate Gallery, London","8075","Nr. 93, Abb. 25 "],["1950 München","8139","Nr. 60, Abb. S. 41 "],["1955 Zürich","8200"," "],["1932 Kopenhagen","8207","Nr. 109 "],["1927 Zürich, Kunsthaus","8209","Nr. 96 "],["1948 Boston","8222","Nr. 38 mit Abb. "],["1966 Zürich","8225","Nr. 56, Abb. 15 "],["1932 Oslo","8242","Nr. 93 "],["1966 Karlsruhe","8284","Nr. 40 mit Abb. "],["1958 Den Haag","8309","Nr. 52 mit Abb. "],["1927 Gemeentemuseum, Den Haag","8370","Nr. 74 mit Abb. "],["1947 Basel, Kunsthalle","8376","Nr. 146 "],["1947 Zürich, Kunsthaus","8415","Nr. 30 "],["1927 Kunstverein, Hamburg","8476","Nr. 296 "],["2014 Tokyo","8494","Nr. 38, S. 108, Farbtaf. S. 105"],["1976 Bregenz","8605","Nr. 15, Farbtaf. VII "],["1928 London","8640","Nr. 33 "],["1986 London","8643","Nr. 61 mit Farbtaf. "],["1971 Wien","8820","Nr. 47, Abb. 32 "],["1947 Amsterdam","8829","Nr. 25 "],["1986 Zürich","8836","Nr. 63 mit Farbtaf. "],["1984 Wien","8850","Nr. 153 mit Abb. "],["1931 Paris, Galeries Georges Petit","8875","Nr. 22 mit Abb. "],["1958 München, Haus der Kunst","8914","Nr. 78 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 63 mit Abb. "],["1955 Wien, Secession","8960","Nr. 21 "],["1927 Cassirer, Berlin","8968","Nr. 33 "],["1959 Recklinghausen","8979","Nr. 169 mit Abb. "],["1960 London, Marlborough","9029","Nr. 4 "],["1986/87 Guggenheim, New York","9072","Nr. 49 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 58, Farbtaf. S. 176"]],[["Monsel 1995, Farbabb. 27","2144"],["Calvocoressi 1992, Farbabb. 55 ","2193"],["Myers 1957, S. 68, Abb. 104 ","2233"],["Kokoschka Briefe 3 1986, S. 128 (Elrig, April 1944), Anm. S. 308 ","2381"],["Hoffmann 1947, S. 192 und 193 ","2499"],["Zürich 1983, Abb. 156","2679"],["Zürich 1968, Farbtaf. XXV ","2813"],["Kokoschka 1971, S. 207 ","2894"],["Mikš 2013, S. 170, 358, Farbabb. VI","3257"],["Spielmann 2003 a, S. 256, Abb. S. 255","3309"],["Zürich 2007, S. 635 mit Abb.","3336"],["Schmidt Gerhard 1956, S. 24, Taf. 39 ","3352"],["Kuhn 1927, Abb. S. 125 ","3445"],["Gatt 1972, Farbtaf. 26 ","3468"],["Whitford 1986, S. 148-149 ","3477"],["Hodin 1966, Abb. 33 ","3490"],["George 1963, S. 49--50 ","3814"]],[["Weibliches Bildnis"]]]},{"id":1101,"img":{"extraLarge":"AP_100042107_extraLarge.jpg","medium":"AP_100042107_medium.jpg"},"arr":["1926.09","Mandrill","","1926","Öl/Lwd.","127.5 x 102.3 cm ","Unbez. ","207 ","215, Taf. 82 ","227","Museum Boymans-van Beuningen, Rotterdam ","1950","2338",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (14.9.1926)",""],["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam (10.4.1931)",""]],[["1939 Utrecht","8026","Nr. 1 "],["1962 Tate Gallery, London","8075","Nr. 94 "],["1951 Delft","8099"," "],["2014 Wolfsburg","8102","S. 30, 57-58, 211-212, 304, Farbtaf. S. 217"],["1932 Kopenhagen","8207","Nr. 107 "],["1927 Zürich, Kunsthaus","8209","Nr. 93 "],["1948 Boston","8222","Nr. 40, Farbabb. gegenüber S. 16 "],["1966 Zürich","8225","Nr. 57, Abb. 16 "],["1932 Oslo","8242","Nr. 91 mit Abb. "],["1932 Neue Galerie, Wien","8295"," "],["1947 Basel, Kunsthalle","8376","Nr. 152 mit Abb. "],["1947 Zürich, Kunsthaus","8415","Nr. 29, Abb. III "],["1962/1963 Hamburg","8422","Nr. 47 mit Abb. "],["1963 Wien","8576","Nr. 39 mit Abb. "],["1980 Amsterdam","8602"," "],["1928 London","8640","Nr. 21, Abb. als Frontispiz "],["1986 London","8643","Nr. 62 mit Farbtaf. "],["1971 Wien","8820","Nr. 48, Abb. 36 "],["1947 Amsterdam","8829","Nr. 24 "],["1986 Zürich","8836","Nr. 64 mit Farbtaf. "],["1931 Paris, Galeries Georges Petit","8875","Nr. 19 mit Abb. "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 60 "],["1927 Cassirer, Berlin","8968","Nr. 34 mit Abb. "],["1948 Venedig","8991","Nr. 11 "],["1960 London, Marlborough","9029","Nr. 5 "],["1991 Wien","9033","Nr. 48 mit Farbtaf. "],["1960 Essen","9064"," "],["1986/87 Guggenheim, New York","9072","Nr. 50 mit Farbtaf. "]],[["Luzzatto 1931, S. 146, 151, Abb. S. 147 ","2003"],["Calvocoressi 1992, Farbtaf. 56 ","2193"],["Wentinck 1962, S. 67-68 mit Abb.","2303"],["Tietze 1934, S. 451-452, Abb. S. 450","2353"],["Biermann 1929, Abb. 21 ","2394"],["Hoffmann 1947, Abb. XLIII ","2499"],["Meier-Graefe 1927 b","2568"],["Schmidt Georg 1960, Farbabb. S. 24 ","2591"],["Oxenaar 1958, S. 72 mit Abb.","2603"],["Rotterdam 1951, Nr. 778 (S. 242), Abb. 62 ","2640"],["Langfeld 2004, S. 125, Anm. 25, 200, 240, Anm. 213, 241, 369","2708"],["Goldscheider 1963, S. 77 (Anm. 27), Farbtaf. 27 ","2855"],["Plaut 1948, S. 25 ","2891"],["Kokoschka 1971, S. 207 ","2894"],["Ebbinge Wubben 1950, S. 54-57 mit Abb.","3039"],["Rotterdam 1978, S. 37 mit Abb. ","3121"],["Richter 1971, S. 130-131 mit Abb.","3122"],["Spielmann 2003 a, S. 255--256 mit Abb.","3309"],["Kuhn 1927, S. 125 ","3445"],["Gatt 1972, Abb. 28 ","3468"],["Hodin 1966, Abb. 34 ","3490"],["Sharp 2013, S. 278 mit Farbtaf. S. 279","3498"],["Rotterdam 1972, Nr. 173, Farbtaf. Abb. 27","3574"],["Reinhold 2013, Farbabb.","3582"],["Salvini 1949, S. 67, Abb. 21 ","3668"],["Rotterdam 1963, S. 73","3773"],["Masciotta 1949, Taf. XXXII ","3880"],["Feilchenfeldt C. 2005, S. 108, Farbabb. 79","3888"],["Hammacher-van den Brande 1967, S. 56--60 mit Abb.","3940"],["Hoffmann 1964, Farbtaf. 4 ","3973"],["Vogt 1972, S. 223, Abb. 141 ","4019"],["Wellershoff 2013, Farbtaf. S. 229","4044"],["Clark 1977, S. 131, Farbabb. 90","4089"]],[["Tiere"]]]},{"id":1278,"img":{"extraLarge":"AP_100042284_extraLarge.jpg","medium":"AP_100042284_medium.jpg"},"arr":["1926.1","Tigerlöwe","","1926","Öl/Lwd.","96 x 129 cm ","Bez. unten links: OK ","211","216 ","228","Oberes Belvedere, Wien","März 1980 ","6323","Belvedere, Wien"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (14.9.1926)",""],["Blitz Hugo und Malvine","Hugo und Malvine Blitz, Wien","um 1941 beschlagnahmt durch die Gestapo"],["Vugesta","Vugesta, Wien (1941)",""],["Dorotheum","Dorotheum, Wien (30.6.1942, Nr. 105)","Siehe Weltkunst, Jg. XVI, Nr. 31/32, 2. August 1942, S. 3"],["Eroes de Bethlenfalva Hugo","Hugo Eroes de Bethlenfalva, Wien",""],["Privatbesitz","Privatbesitz, New York (um 1951)",""],["Museum of Modern Art","Museum of Modern Art, New York (1956)",""],["Fischer Fine Art Ltd.","Fischer Fine Art Ltd., London",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 75 "],["1962 Tate Gallery, London","8075","Nr. 95, Abb. 27 "],["1996/97 Wien","8103","S. 64, Farbtaf. S. 65"],["1927 Zürich, Kunsthaus","8209","Nr. 94, Taf. XXVIII "],["1966 Zürich","8225","Nr. 58, Abb. 17 "],["1958 Den Haag","8309","Nr. 53 "],["2006/07 Rovereto","8360","Farbtaf. 95"],["1958 Wien","8541","Nr. 75 "],["2002 Pöchlarn","8563","Farb. Umschlagabb. (Detail) [Faltblatt]"],["1987 Gent","8571","Nr. 25, Farbtaf. S. 95 "],["1928 London","8640","Nr. 34 "],["1986 London","8643","Nr. 63 mit Farbtaf. "],["1980 Österreichische Galerie, Wien","8804","Nr. 78, Abb. S. 127 "],["1986 Zürich","8836","Nr. 65 mit Farbtaf. "],["1980 Österreichische Galerie, Wien","8862","Präsentation der Neuerwerbung im Rahmen der Gedächtnisausstellung für Oskar Kokoschka"],["1931 Paris, Galeries Georges Petit","8875","Nr. 20 "],["1958 München, Haus der Kunst","8914","Nr. 79 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 61 "],["1927 Cassirer, Berlin","8968","Nr. 35 "],["1960 London, Marlborough","9029","Nr. 6 mit Abb. "],["1984 Halbturn","9055","Nr. 101, Farbabb. 13 "],["2006 Belvedere, Wien","9094","S. 227, Farbtaf. S. 204"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 38, Farbtaf. S. 174-175"]],[["Monsel 1995, Farbabb. 30","2144"],["Erling 2013, S. 35, Farbabb. 9","2156"],["Calvocoressi 1992, Farbabb. 57 ","2193"],["Schmalenbach F. 1967, Abb. S. 21 ","2199"],["Weidinger 1996, Farbabb. S. 95","2485"],["Hoffmann 1947, Abb. XLIV ","2499"],["Ruhmer 1959, S. 406, Abb. S. 407 ","2502"],["Meier-Graefe 1927 b","2568"],["Sternath 1982, ","2801"],["Goldscheider 1963, S. 77 (Anm. 26), Farbtaf. 26 ","2855"],["Kokoschka 1971, S. 207--208 ","2894"],["Hodin 1968 a, S. 113-114 und 259 ","3213"],["Spielmann 2003 a, S. 255--256 mit Abb.","3309"],["Bultmann 1959, S. 82, Farbtaf. 19 ","3434"],["Erling 2014, S. 58, Farbabb. 15","3463"],["Whitford 1986, S. 149 und 200 ","3477"],["Hodin 1966, S. 72--73, Farbtaf. gegenüber S. 2 ","3490"],["Lillie 2003, S. 188 mit Abb.","3666"],["Feilchenfeldt C. 2005, S. 108, Farbabb. 80","3888"],["Schneider 1935, ","4032"],["Löffler 1980, S. 60-61, Farbabb. S. 60","4080"],["Dorotheum 1942, Nr. 105","12173"],["The Art Quarterly 1956 b, S. 426, Abb. S. 428","18165"],["Wien 1995, S. 162–63 mit Farbabb. ","23216"],["Paris 2022, Farbtaf. S. 174-175","43164"]],[["Tiere"]]]},{"id":1416,"img":{"extraLarge":"AP_100042424_extraLarge.jpg","medium":"AP_100042424_medium.jpg"},"arr":["1926.11","\"Rehe\"","Dammwild\nRoes","1926","Öl/Lwd.","130 x 89 cm ","Bez. unten links (nachträglich am 6.5.1966): OK. Auf der Rückseite bez., datiert und beschriftet: OK 1926 / LONDON ","209","217, Taf. 83 ","229","Staatliche Kunstsammlungen Dresden, Albertinum, Galerie Neue Meister","","","Privatbesitz"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (14.9.1926)",""],["Katzenellenbogen Ludwig","Ludwig Katzenellenbogen, Berlin (10.1.1927)",""],["Katzenellenbogen Estella","Estella Katzenellenbogen, Berlin/Santa Monica, CA",""],["Parke-Bernet Galleries","Parke-Bernet Galleries, New York (15.12.1949, Nr. 82, mit Abb., nicht verkauft)",""],["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich",""],["Hahn Willy","Willy Hahn, Tutzing/Grassau (1960)",""]],[["1980 München, Haus der Kunst","8007","Nr. 179"],["1939 Utrecht","8026","Nr. 2 "],["2014 Wolfsburg","8102","S. 30, 57-58, 211, 304, Farbtaf. S. 237"],["1927 Zürich, Kunsthaus","8209","Nr. 92 "],["1948 Boston","8222","Nr. 41 mit Abb. "],["1966 Zürich","8225","Nr. 59 "],["1956 München","8244","Nr. 264 "],["1932 Neue Galerie, Wien","8295"," "],["1958 Den Haag","8309","Nr. 54 "],["1947 Basel, Kunsthalle","8376","Nr. 154 "],["1947 Zürich, Kunsthaus","8415","Nr. 28 "],["1958 Wien","8541","Nr. 76 "],["1928 Nationalgalerie, Berlin","8558","Nr. 90 "],["1957 Bern","8617","Nr. 63 "],["1976 München","8639"," "],["1986 London","8643","Nr. 64 mit Farbtaf. "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 6, Nr. 6 u. d. T. \"Damwild\" "],["1971 Wien","8820","Nr. 49, Abb. 35 "],["1947 Amsterdam","8829","Nr. 23 "],["1986 Zürich","8836","Nr. 66 mit Farbtaf. "],["1957 Rom","8857","Nr. 146 "],["2005/06 Pfäffikon","8898","Farbtaf. 81"],["1958 München, Haus der Kunst","8914","Nr. 80 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 59 mit Abb. "],["1927 Cassirer, Berlin","8968","Nr. 36 mit Abb. "],["1960 London, Marlborough","9029","Nr. 7 "],["1991 Wien","9033","Nr. 49 mit Farbtaf. "],["1986/87 Guggenheim, New York","9072","Nr. 51 mit Farbtaf. "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 39, Farbtaf. S. 173"]],[["Biermann 1929, Abb. 23 ","2394"],["Ruhmer 1959, S. 405-406, Farbabb. S. 404 ","2502"],["Plaut 1948, S. 25 ","2891"],["Gatt 1972, Farbtaf. 23 ","3468"],["Masciotta 1949, Taf. XXXI ","3880"],["Hoffmann 1964, Farbtaf. 3 ","3973"],["Parke-Bernet Galleries 1950, Nr. 82 mit Abb.","16164"],["Paris 2022, Farbtaf. S. 173","43164"]],[["Tiere"]]]},{"id":1371,"img":{"extraLarge":"AP_100042378_extraLarge.jpg","medium":"AP_100042378_medium.jpg"},"arr":["1926.12","London, Richmond Terrace","","1926","Öl/Lwd.","89 x 129.5 cm ","Bez. unten links: OK ","208","218, Farbtaf. XII ","230","Privatbesitz ","","","Privatbesitz"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (10.8.1926)","gemeinsamer Besitz mit Galerie M. Goldschmidt & Co., Frankfurt a. M. "],["von Klemperer Viktor","Viktor von Klemperer, Dresden (23.11.1926)",""],["Gysin Hanspeter","Hanspeter Gysin, Kirchdorf (1940)",""],["Christie's","Christie's, London (24.6.1991, Nr. 22 mit Farbtaf.)",""],["Privatbesitz","Privatbesitz",""],["Sotheby's","Sotheby's, New York (5.11.2003, Nr. 21 mit Farbtaf.)",""]],[["1962 Tate Gallery, London","8075","Nr. 96 "],["1950 München","8139","Nr. 61, Abb. S. 39 "],["1953 Bern","8198","Nr. 69 "],["1966 Zürich","8225","Nr. 60 "],["1947 Basel, Kunsthalle","8376","Nr. 141 "],["1958 Wien","8541","Nr. 77, Abb. S. 52 "],["1928 London","8640","Nr. 1 "],["1986 London","8643","Nr. 65 mit Farbtaf. "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 7, Nr. 18 "],["1927 Akademie, Dresden","8761","Nr. 152 "],["1986 Zürich","8836","Nr. 67 mit Farbtaf. "],["1931 Paris, Galeries Georges Petit","8875","Nr. 25 mit Abb. "],["1958 München, Haus der Kunst","8914","Nr. 81, Abb. S. 52 "],["1960 Essen","9064"," "],["2018/2019 Zürich","21106","Nr. 60, Farbtaf. S. 172"]],[["Roşu 1976, Farbabb. S. 38/39 ","2148"],["Biedermann 1996, S. 83 mit Abb.","2204"],["Schumann 1927, S. 358, Abb. S. [355]","2224"],["Moderne Malerei 1933, Farbabb. ","2348"],["Biermann 1929, Abb. 24 ","2394"],["Wingler 1951 a, Mappe I, S. [11], Farbtaf. 9 ","2406"],["Wingler 1957, S. 124, Farbabb. S. 125 ","2423"],["Hoffmann 1947, S. 187 ","2499"],["Tomes 1972, S. 35-36, Farbtaf. S. [37] ","2739"],["Das Kunstblatt 1928, Abb. S. 195","2761"],["Goldscheider 1963, S. 77 (Anm. 28), Farbtaf. 28 ","2855"],["Sotheby's New York 2003 b, Nr. 21 mit Farbtaf.","2981"],["Du 1981, S. 57 mit Abb. und Farbtaf. S. [56] (Detail) ","2998"],["Christie's London 1991 a, Nr. 22 mit Farbtaf.","3033"],["Urbanek 1990, S. 52-53, Farbtaf. 9 ","3062"],["Hodin 1968 a, S. 259 ","3213"],["Bultmann 1959, S. 84, Farbtaf. 20 ","3434"],["Gatt 1972, Abb. 27 ","3468"],["Hodin 1966, S. 176 ","3490"],["Wingler 1956, S. 55 ","3708"],["Masciotta 1949, Farbtaf. [XX]","3880"],["Westheim 1948, S. [9] und Farbtaf. [1] ","4138"]],[["London"],["England"]]]},{"id":1211,"img":{"extraLarge":"AP_100042217_extraLarge.jpg","medium":"AP_100042217_medium.jpg"},"arr":["1926.13","Der Kater","","1926","Öl/Lwd.","90.8 x 125.7 cm ","Unbez. ","212 ","221, Taf. 78 ","231","The Detroit Institute of Arts, Detroit, MI","1953, Schenkung Robert H. Tannahill","53.470","Schenkung Robert H. Tannahill"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (18.12.1926)",""],["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam (10.4.1931)",""],["Tannahill Robert H.","Robert H. Tannahill, Detroit (1936)",""]],[["2014 Wolfsburg","8102","S. 30, 60, 211, 213, 304, Farbtaf. S. 221"],["1932 Kopenhagen","8207","Nr. 108 "],["1927 Zürich, Kunsthaus","8209","Nr. 95 "],["1932 Oslo","8242","Nr. 92 "],["1932 Neue Galerie, Wien","8295"," "],["1958 Den Haag","8309","Nr. 55 mit Abb. "],["1927 Kunsthaus Schaller, Stuttgart","8460","Nr. 12 mit Abb. "],["1969 Detroit","8473","mit Abb. "],["1958 Wien","8541","Nr. 78 "],["1928 London","8640","Nr. 31 u. d. T. \"Tom-cat\" "],["1988 Barcelona","8659","Nr. 29, Farbtaf. S. 63 "],["1948 Minneapolis","8732","(außer Kat.)"],["1931 Paris, Galeries Georges Petit","8875","Nr. 21 "],["1958 München, Haus der Kunst","8914","Nr. 82, Abb. S. 54 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 62 "],["1927 Cassirer, Berlin","8968","Nr. 37 "]],[["Detroit 1953, S. 82 mit Abb.","2365"],["Hoffmann 1947, Abb. XLV ","2499"],["Ruhmer 1959, S. 406-407, Abb. S. 406 ","2502"],["Meier-Graefe 1927 b","2568"],["Detroit 1969, S. 17 mit Abb.","2595"],["The Art Quarterly 1954","2654"],["Heilmaier 1929, Abb. 23 ","2885"],["Plaut 1948, S. 25 ","2891"],["Gatt 1972, Abb. 29 ","3468"],["Das Kunstblatt 1931, Abb. S. 37","4128"]],[["Tiere"]]]},{"id":1443,"img":{"extraLarge":"AP_100042452_extraLarge.jpg","medium":"AP_100042452_medium.jpg"},"arr":["1926.14","Elza Temary","","1926/27","Öl/Lwd.","96 x 130 cm ","Unbez. ","215","222, Taf. 81 ","232","Privatbesitz ","","","Privatbesitz"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (27.1.1927)",""],["Lange Hermann","Hermann Lange, Krefeld (16.6.1928-1942)",""],["Lange Maria","Maria Lange, Krefeld (1942)",""],["Crous Mildred","Mildred Crous, Walchwil",""],["Christie's","Christie's, London (25.6.2014, Nr. 359 mit Farbtaf.)",""],["Galerie Michael Haas","Galerie Michael Haas, Berlin (25.6.2014)",""]],[["1950 München","8139","Nr. 62, Abb. S. 38 "],["1927 Zürich, Kunsthaus","8209","Nr. 98, Taf. XXVII "],["1966 Zürich","8225","Nr. 61, Abb. 18 "],["1966 Karlsruhe","8284","Nr. 41 mit Abb. "],["1958 Den Haag","8309","Nr. 56 "],["1927 Kunsthaus Schaller, Stuttgart","8460","Nr. 11 mit Abb. "],["1958 Wien","8541","Nr. 79 "],["1986 London","8643","Nr. 66 mit Farbtaf. "],["1986 Zürich","8836","Nr. 68 mit Farbtaf. "],["1958 München, Haus der Kunst","8914","Nr. 83 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 64 mit Abb. "],["1927 Cassirer, Berlin","8968","Nr. 38 mit Abb. "],["1960 Kopenhagen","9011","Nr. 35 mit Abb. "],["1986/87 Guggenheim, New York","9072","Nr. 52 mit Farbtaf. "]],[["Hoffmann 1947, S. 192--193 ","2499"],["Dalbajewa 1999, S. 115","2681"],["Heilmaier 1929, Abb. 26 ","2885"],["Hodin 1968 a, S. 234 ","3213"],["Mikš 2013, S. 170, 358, Abb. 3.18","3257"],["Palkovsky 1958, Abb. 31 ","3411"],["Hodin 1966, S. 157 ","3490"],["Wingler 1956, S. 55 ","3708"],["Relouge 1966, S. 262 mit Farbabb.","3736"],["Christie's London 2014 b, Nr. 359 mit Farbtaf.","3756"]],[["Weibliches Bildnis"],["Akte"]]]},{"id":1281,"img":{"extraLarge":"AP_100042287_extraLarge.jpg","medium":"AP_100042287_medium.jpg"},"arr":["1926.15","Bildnis einer jungen Frau","","[1926/27]","Öl/Lwd."," x ","Bez. unten rechts: OK ",""," ","233","Verbleib unbekannt"," ","",""],"mul":[[],[["2001/02 Rom","8918","S. 104, Nr. 75 mit Farbtaf."]],[["Dalbajewa 1999, S. 115","2681"]],[["Weibliches Bildnis"]]]},{"id":1451,"img":{"extraLarge":"AP_100042460_extraLarge.jpg","medium":"AP_100042460_medium.jpg"},"arr":["1926.16","Leo Kestenberg","","1926/27","Öl/Lwd.","127 x 102 cm ","Bez. unten links: OK. Auf der Rückseite bez. und datiert: 1926--1927 OK","214","223, Taf. 96","234","Staatliche Museen Preußischer Kulturbesitz, Neue Nationalgalerie, Berlin","2008","","Staatliche Museen Preußischer Kulturbesitz, Neue Nationalgalerie, Berlin"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (4.4.1927)",""],["Kestenberg Leo","Leo Kestenberg, Berlin/Tel Aviv (1927)",""],["Gladstein Kestenberg Ruth","Ruth Gladstein Kestenberg, Haifa (1962)","seit 1965 Leihgabe im Israel Museum Jerusalem"],["Epstein Rachel","Rachel Epstein, Haifa",""],["Sotheby's","Sotheby's, London (9.10.2002, Nr. 24 mit Farbtaf. nicht verkauft)",""],["Galerie St. Etienne, Otto Kallir","Galerie St. Etienne, New York (2002)",""],["Galerie Michael Haas","Galerie Michael Haas, Berlin (2005)",""]],[["1962 Tate Gallery, London","8075","Nr. 97 "],["1927 Akademie, Berlin","8172","Nr. 179 mit Abb. "],["1927 Zürich, Kunsthaus","8209","Nr. 100, Taf. XIV "],["1966 Zürich","8225","Nr. 62, Abb. 19 "],["1966 Karlsruhe","8284","Nr. 42 mit Abb. "],["1927 Kunsthaus Schaller, Stuttgart","8460","Nr. 10 "],["1987 Gent","8571","Nr. 26, Farbtaf. S. 99 "],["2004/05 New York, Galerie St. Etienne","8594","Nr. 28"],["1928 London","8640","Nr. 7 "],["1988 Barcelona","8659","Nr. 30, Farbtaf. S. 64 "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 6, Nr. 9 "],["1934 Prag","8818"," "],["1932 Venedig, Biennale, Padiglione dell'Austria","8842","Nr. 22 "],["2005 New York, Galerie St. Etienne","8851","Nr. 46"],["1931 Paris, Galeries Georges Petit","8875","Nr. 23 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 67 "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 40, Farbtaf. S. 169"]],[["Kestenberg 1963, S. [111]-115, Abb. 40","2032"],["Lowitzer-Hönig 2008, S. 28, Abb. 35","2124"],["Monsel 1995, S. [28], Farbtaf. 34","2144"],["Calvocoressi 1992, Farbtaf. 54 ","2193"],["Schmalenbach F. 1967, Farbtaf. S. 64 ","2199"],["Forni 1984, S. 42--43 ","2260"],["Biermann 1929, Abb. 22 ","2394"],["Hoffmann 1947, S. 193 ","2499"],["Gatza 2006, S. 268-270, Farbtaf. 112 S. [269]","2764"],["Das Kunstblatt 1927, S. 238, Abb. (Beilage)","2792"],["Scheffler 1927, S. 350","2854"],["Heilmaier 1929, Abb. 24 ","2885"],["Kestenberg 1961, S. 73-75 [zur Entstehung des Gemäldes]","3024"],["Hodin 1968 a, S. 167 und 250-251 [S. 251 zit. Kestenberg zur Entstehung des Bildnisses] ","3213"],["Spielmann 2003 a, S. 257 mit Abb.","3309"],["Sotheby's London 2002 b, Nr. 24 mit Farbtaf.","3343"],["Hodin 1966, S. 109 und 169--170 ","3490"],["Salmen 1984, S. 98, Abb. S. [99]","3656"],["Scheffler 1931, Abb. S. 193 ","3781"],["George 1963, S. 50 ","3814"],["Daemgen 2008","4002"],["Holz 2015, S. 97, Abb. 22 S. 96","4043"],["Brühl 1991, Abb. S. 355 ","4125"],["Paris 2022, Farbtaf. S. 169","43164"]],[["Männliches Bildnis"]]]},{"id":1311,"img":{"extraLarge":"AP_100042318_extraLarge.jpg","medium":"AP_100042318_medium.jpg"},"arr":["1927.01","Riesenschildkröten","","1927","Öl/Lwd.","91 x 121 cm ","Bez. unten rechts: OK ","220","224, Taf. 79","235","Haags Gemeentemuseum, Den Haag ","1953 ","10-1953",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (16.6.1928)",""],["Rothmann Fritz","Fritz Rothmann, Berlin/London (16.6.1928 - mind. 1947)",""],["Meissner Kurt","Kurt Meissner, Zürich",""]],[["1961 Brüssel","8031","Nr. 113 "],["2014 Wolfsburg","8102","S. 30, 211-212, 304, Farbtaf. S. 230-231"],["1927 Zürich, Kunsthaus","8209","Nr. 101 "],["1948 Boston","8222","Nr. 45 "],["1966 Zürich","8225","Nr. 63, Abb. 20 "],["1958 Den Haag","8309","Nr. 57 mit Abb. "],["1947 Basel, Kunsthalle","8376","Nr. 153 "],["1947 Zürich, Kunsthaus","8415","Nr. 35, Abb. IV "],["1986 Stuttgart","8523","Abb. S. 118 "],["1958 Wien","8541","Nr. 80, Abb. S. 55 "],["1958 München, Haus der Kunst","8914","Nr. 84, Abb. S. 55 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 66 "],["1955 Wien, Secession","8960","Nr. 22 "],["1960 Kopenhagen","9011","Nr. 36 "],["1960 Arts Council, London","9013","Nr. 76 "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 41, Farbtaf. S. 176"]],[["Hoffmann 1947, Abb. XLVI ","2499"],["Ruhmer 1959, S. 407 mit Abb. ","2502"],["Mededelingen 1953, Abb.","2616"],["Langfeld 2004, S. 193, 200, Farbabb. 162 S. 201","2708"],["Erling 2014, S. 60, Farbabb. 18","3463"],["Gatt 1972, Abb. 30 ","3468"],["Mededelingen 1955, Abb.","3485"],["Den Haag 1962, Nr. 719 mit Abb. ","3538"],["Masciotta 1949, Taf. XXXIV ","3880"],["Paris 2022, Farbtaf. S. 176","43164"]],[["Tiere"]]]},{"id":1156,"img":{"extraLarge":"AP_100042162_extraLarge.jpg","medium":"AP_100042162_medium.jpg"},"arr":["1927.02","Daisy Spies (Fragment)","","1927","Öl/Lwd."," x "," ","","226 mit Abb. eines Ausschnitts der Atelieraufnahme aus dem Ullstein-Archiv ohne das links vom Künstler sitzende Modell ","236","Verbleib unbekannt"," ","",""],"mul":[[],[],[["Werner 1962, Abb. S. [139]","2793"]],[["Weibliches Bildnis"]]]},{"id":1028,"img":{"extraLarge":"AP_100042032_extraLarge.jpg","medium":"AP_100042032_medium.jpg"},"arr":["1927.03","Fritz Wolff","","1927","Öl/Lwd.","110 x 88 cm ","Bez. und dat. unten links: OK 27 ","81 und 221 ","225 ","237","Kai Feng Foundation China","Juni 2013","","Kai Feng Foundation, China"],"mul":[[["Wolff Fritz","Fritz Wolff, Wien/ab 1940 New York",""],["Knize Annie","Annie Knize, New York (1949)",""],["Knize Peter A.","Peter A. Knize, New York (1979)",""],["Galerie St. Etienne, Otto Kallir","Galerie St. Etienne, Otto Kallir, New York (2013)",""]],[["2001 New York","8011","Nr. 7, Farbtaf. S. 14"],["1927 Zürich, Kunsthaus","8209","Nr. 99 "],["1927 Gemeentemuseum, Den Haag","8370","Nr. 75 "],["2002 Lodève","8412","Nr. 44, S. 162, 259, Farbtaf. S. 163"],["1981 New York, Marlborough","8535","Nr. 24, Abb. S. 47 "],["1966 New York","8544","Nr. 38, Abb. S. 58 "],["1987 Gent","8571","Nr. 27, Farbtaf. S. 100 "],["1986 London","8643","Nr. 67 mit Farbtaf. "],["1959 Bayer, New York","8649","Nr. 12 u. d. T. \"Frederick Knize\" "],["1988 Barcelona","8659","Nr. 31, Farbtaf. S. 65 "],["1929 Secession, Wien","8771","Nr. 12 mit Abb. u.d.T. \"Bildnis Fritz Wolf\" "],["1986 Zürich","8836","Nr. 69 mit Farbtaf. "],["1987 Florenz","8852","Nr. 10 mit Farbtaf. "],["1928 Prag","8927","Nr. 173"],["1986/87 Guggenheim, New York","9072","Nr. 53 mit Farbtaf. "]],[["Mayer 2005, S. 68, 71 mit Anm. 17, 65","2042"],["Prominentenalmanach 1930, [zur Person Fritz Wolff]","2131"],["London 1986 a, S. 314 [zur Person Fritz Wolff] ","3594"],["Gasch 1955, Abb. 25","3749"],["Knize 2002, S. 68 mit Abb.","3891"]],[["Männliches Bildnis"]]]},{"id":1215,"img":{"extraLarge":"AP_100042221_extraLarge.jpg","medium":"AP_100042221_medium.jpg"},"arr":["1927.04","Venedig, Santa Maria della Salute I","Venice, Santa Maria della Salute II","1927","Öl/Lwd.","73 x 101 cm ","Bez. unten links: OK ","229","227, Taf. 85","238","Privatbesitz","1982 ","","Privatbesitz"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (16.6.1928)",""],["Paret Suse","Suse Paret, Berlin",""],["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam (1935)",""],["Lütjens Hermann","Hermann Lütjens, Küsnacht",""],["Lütjens Gabi","Gabi Lütjens, Küsnacht",""]],[["1984 Vevey","8050","Nr. 11 "],["1950 München","8139","Nr. 65, Abb. S. 21 "],["1966 Zürich","8225","Nr. 64 "],["1937 Paris","8318","Nr. 534 "],["1935 Zürich, Kunsthaus","8349","Nr. 83 "],["1947 Basel, Kunsthalle","8376","Nr. 137 "],["1947 Zürich, Kunsthaus","8415","Nr. 34 "],["1970 Straßburg","8484","Nr. 96, Abb. 9 "],["1958 Wien","8541","Nr. 81 "],["1928 London","8640","Nr. 12 "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 7, Nr. 21 "],["1971 Wien","8820","Nr. 50, Abb. 34 "],["1932 Venedig, Biennale, Padiglione dell'Austria","8842","Nr. 25 "],["2005/06 Pfäffikon","8898","S. 185, Farbtaf. 74"],["1958 München, Haus der Kunst","8914","Nr. 85 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 71 "],["1929 Berlin","8999","Nr. 119 "],["1960 Kopenhagen","9011","Nr. 37 "]],[["Kokoschka 1971, S. 212 ","2894"],["Crisanti 2003, S. 61, Abb. 15","2953"],["Sarfatti 1930, Abb. ","3035"],["Spielmann 2003 a, S. 257--258 mit Abb.","3309"],["Benesch 1937, Abb. gegenüber S. 489 ","3385"],["Wingler 1956, S. 56 ","3708"]],[["Venedig"],["Italien"]]]},{"id":1143,"img":{"extraLarge":"AP_100042149_extraLarge.jpg","medium":"AP_100042149_medium.jpg"},"arr":["1927.05","Venedig, Santa Maria della Salute II","\"Venice, Santa Maria della Salute with roofs in the foreground\"","1927","Öl/Lwd.","90 x 116 cm ","Bez. und datiert unten links (nachträglich): OK 28 ","228","228 ","239","Verbleib unbekannt"," ","",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (16.6.1928)",""],["Lindauer Madeleine","Madeleine Lindauer, Paris (23.11.1929)",""]],[["1937 Paris","8318","Nr. 534 "],["1928 London","8640","Nr. 25 "],["1931 Paris, Galeries Georges Petit","8875","Nr. 27 mit Abb. "],["1929 Berlin","8999","Nr. 120 u. d. T. \"Venedig, Dächer\" "]],[["Biermann 1929, Abb. 28 ","2394"],["Hoffmann 1947, S. 189, Abb. LIII ","2499"],["Heilmaier 1929, Abb. 228 ","2885"],["Crisanti 2003, S. 62, Abb. 16","2953"],["Hodin 1968 a, S. 273-274 ","3213"],["Read 1934, Abb. 24","3414"],["Hodin 1966, Abb. 32 ","3490"],["Die Kunst 1929, Taf. S. 351","3514"],["Kunst und Künstler 1930/31, Abb. S. 183","3526"],["Scheffler 1931, Abb. S. 183","3781"],["Masciotta 1949, Taf. XXXVI ","3880"]],[["Venedig"],["Italien"]]]},{"id":1377,"img":{"extraLarge":"AP_100042384_extraLarge.jpg","medium":"AP_100042384_medium.jpg"},"arr":["1927.06","Courmayeur et Les Dents des Geants","","1927","Öl/Lwd.","89 x 130 cm ","Bez. unten rechts: OK ","217","229, Taf. 84 ","240","The Phillips Collection, Washington, D.C.","Februar 1941 ","1059","The Phillips Collection, Washington, D.C."],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (16.6.1928)",""],["von Nemes Marczell","Marczell von Nemes, München (20.11.1928)",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (31.12.1930)",""],["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam (10.4.1931)",""],["S. Steglitz","S. Steglitz (20.2.1933)",""],["Buchholz Gallery Curt Valentin","Buchholz Gallery Curt Valentin, New York (1938)",""]],[["1962 Tate Gallery, London","8075","Nr. 98 "],["1930 München","8090","Nr. 1296 "],["1952 London","8211","Nr. 43 "],["1948 Boston","8222","Nr. 43, Farbtaf. gegenüber S. 20 "],["1952 Paris","8258","Nr. 51 "],["1941 Chicago","8292","Nr. 3 "],["1932 Neue Galerie, Wien","8295"," "],["1958 Den Haag","8309","Nr. 58 "],["1967 Washington, DC","8310","Nr. 2 "],["1957 Museum of Fine Arts, Boston","8316","Nr. 60, Farbabb. 91 "],["1984/85 New York","8441","Nr. 19 "],["1931 Frankfurt/Main","8487","Nr. 130 "],["1981 New York, Marlborough","8535","Nr. 25, Abb. S. 48 "],["1958 Wien","8541","Nr. 82 "],["1966 New York","8544","Nr. 39, Abb. S. 59 "],["1928 London","8640","Nr. 14 "],["1974 Allentown, PA","8860","Nr. 61 mit Abb. "],["1931 Paris, Galeries Georges Petit","8875","Nr. 29 "],["1958 München, Haus der Kunst","8914","Nr. 86 "],["2001/02 Rom","8918","S. 104, Nr. 76 mit Farbtaf."],["1992 New York","8930","Nr. 67 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 70 "]],[["Born 1930, Farbtaf. gegenüber S. 83 ","2164"],["Kallir 1984, Farbtaf. 19 ","2350"],["Hoffmann 1947, S. 188, Abb. XLVII ","2499"],["Washington 1952, S. 57, Abb. 202","2571"],["Westheim 1955, Farbabb. Twin Print Nr. 59","2657"],["Washington 1976, S. 42--43, Farbabb. Microfiche 3, E8","2719"],["Washington 1985, Nr. 979 mit Abb.","2779"],["Kokoschka 1971, S. 212 ","2894"],["Crisanti 2003, S. 63, Farbabb. 18","2953"],["Phillips 1970, Abb. S. 230","3113"],["Hodin 1968 a, S. 274-275 [zit. die Reiseerinnerungen von Helmuth Lütjens] ","3213"],["Spielmann 2003 a, S. 258, Farbtaf. S. 284","3309"],["Hodin 1966, Abb. 35 ","3490"],["Kunst und Künstler 1930/31, Abb. S. 185","3526"],["Kallir 1992, Farbtaf. 54","3647"],["Scheffler 1931, Abb. S. 185","3781"],["Keegan 1999, S. 152 mit Farbabb. Nach S. 144","3854"],["Berlin 1933, Nr. 43","31168"]],[["Italien"]]]},{"id":1078,"img":{"extraLarge":"AP_100042083_extraLarge.jpg","medium":"AP_100042083_medium.jpg"},"arr":["1927.07","Chamonix - Montblanc","","1927","Öl/Lwd.","90 x 130 cm ","Bez. unten links: OK. Auf der Rückseite datiert und beschriftet: Nov. 1927 Chamonix ","219","230, Farbtaf. XIV ","241","Staatliche Kunsthalle Karlsruhe ","1963 ","2490",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (16.6.1928)",""],["von Nemes Marczell","Marczell von Nemes, München (20.11.1928)",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (31.12.1930)",""],["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam (10.4.1931)",""],["Lütjens Helmut","Helmut Lütjens, Amsterdam",""],["Feilchenfeldt Walter","Walter Feilchenfeldt, 1963",""]],[["1962 Tate Gallery, London","8075","Nr. 99 "],["1930 München","8090","Nr. 1297 "],["1950 München","8139","Nr. 63, Abb. S. 42 "],["1966 Zürich","8225","Nr. 65, Abb. 21 "],["1935 Zürich, Kunsthaus","8349","Nr. 84 "],["1947 Basel, Kunsthalle","8376","Nr. 135 mit Abb. "],["1943 Zürich","8383","Nr. 335, Abb. 41 "],["1947 Zürich, Kunsthaus","8415","Nr. 33, Abb. V "],["1962/1963 Hamburg","8422","Nr. 48 mit Abb. "],["1960 Salzburg","8477","Nr. 123 "],["1957 Bern","8617","Nr. 64 "],["1928 London","8640","Nr. 11, Abb. S. [11] "],["1957 St. Gallen","8764","Nr. 55 mit Abb. "],["1958 Brüssel","8780","Nr. 163, Abb. S. 99 "],["1947 Amsterdam","8829","Nr. 28 "],["1957 Rom","8857","Nr. 147 "],["1931 Paris, Galeries Georges Petit","8875","Nr. 28 mit Abb. "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 69 "],["1955 Kassel","8996","Nr. 297, Taf. 16 "],["1960 Kopenhagen","9011","Nr. 38 "]],[["Luzzatto 1931, Abb. S. 157 ","2003"],["Lauts 1968, S. 64, S. 89, Nr. 133 mit Farbabb. S. 63 (XXV) (Detail)","2126"],["Thwaites 1951, S. 34 ","2127"],["Schmalenbach F. 1967, Farbtaf. S. 65 ","2199"],["Biermann 1929, Abb. 29 ","2394"],["Wingler 1951 a, Mappe II, S. [4], Farbtaf. 2 ","2406"],["Hoffmann 1947, S. 188, Abb. XLVIII ","2499"],["Hodin 1971, Abb. S. [91] ","2585"],["Leshko 1977, S. 46 ","2659"],["Haftmann 1965 b, S. 297, Abb. 742 ","2732"],["Das Kunstblatt 1928, Abb. S. 198","2761"],["Goldscheider 1963, S. 77 (Anm. 30), Farbtaf. 30 u. 31 (Detail) ","2855"],["Heilmaier 1929, Abb. 29 ","2885"],["Kokoschka 1971, S. 212 ","2894"],["Urbanek 1990, S. 53, Farbtaf. 10 ","3062"],["Karlsruhe 1971, Nr. 2490","3117"],["Langui 1959, Abb. 162 ","3153"],["Hodin 1968 a, S. 259 und 274-276 [zit. die Reiseerinnerungen von Helmuth Lütjens] ","3213"],["Lauts 1964, S. 15 mit Abb., S. 36 (Anm. 8)","3231"],["Spielmann 2003 a, S. 258 mit Abb.","3309"],["Bultmann 1959, S. 86, Farbtaf. 21 ","3434"],["Gatt 1972, Farbabb. 27 ","3468"],["Hodin 1966, S. 176, Abb. 36 ","3490"],["Grote 1964, Abb. 81 ","3550"],["Cicerone 1928, Abb. S. 543","3792"],["Masciotta 1949, Taf. XXXV ","3880"],["Paris 1931, Abb. S. 307 ","3894"],["Argan 1977, Abb. 68 ","3962"],["Karlsruhe 1965, Nr. 34 mit Abb. und farb. Umschlagabb. (Detail)","4004"],["Wingler 1951 b, S. 176, Abb. ","4123"],["Westheim 1948, S. [10] und Farbtaf. [3] ","4138"],["Karlsruhe 2011, S. 214–216, Farbabb. S. 215","23169"]],[["Frankreich"]]]},{"id":1042,"img":{"extraLarge":"AP_100042046_extraLarge.jpg","medium":"AP_100042046_medium.jpg"},"arr":["1927.08","Lac d'Annecy I","Anecy\nAnnecy","1927","Öl/Lwd.","70 x 91 cm ","Bez. unten links: OK ","216 ","231, Taf. 80 ","242","Musée Jenisch, Fondation Oskar Kokoschka, Vevey","","FOK 54","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (16.6.1928)",""],["Strebilwerk","Strebilwerk, Mannheim",""],["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam",""],["Maas Lili","Lili Maas, Santa Monica",""],["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich (1947)",""],["Buchholz Gallery Curt Valentin","Buchholz Gallery Curt Valentin, New York (1949)",""],["Ludington Wright S.","Wright S. Ludington , Santa Barbara, CA ",""],["Santa Barbara Museum of Art","Santa Barbara Museum of Art, Santa Barbara, CA","Vermächtnis Wright S. Ludington"],["Kokoschka Olda","Olda Kokoschka (29.5.1992)",""],["Sotheby's","Sotheby's, Berlin (29.5.1992, Nr. 58 mit Farbtaf.)",""]],[["1939 Utrecht","8026","Nr. 4 "],["1962 Tate Gallery, London","8075","Nr. 100 "],["1948 Boston","8222","Nr. 4 mit Abb. "],["1946/47 Rotterdam","8279","Nr. 29 "],["1932 Neue Galerie, Wien","8295",""],["1958 Den Haag","8309","Nr. 59 "],["1935 Zürich, Kunsthaus","8349","Nr. 86 "],["1947 Basel, Kunsthalle","8376","Nr. 139 "],["2003 Apolda","8411","Nr. 42, S. 98, Farbtaf. S. 59"],["1947 Zürich, Kunsthaus","8415","Nr. 32 "],["1958 Wien","8541","Nr. 83, Abb. S. 56 "],["2001/02 Emden","8542","S. 93"],["1954 Santa Barbara","8806","Nr. 17"],["1998/99 Seita","8819","Nr. 7"],["1947 Amsterdam","8829","Nr. 27 "],["1995 Bellinzona","8872","S. 52, Farbtaf. S. 53"],["1931 Paris, Galeries Georges Petit","8875","Nr. 30 "],["2005/06 Pfäffikon","8898","S. 187, Farbtaf. 73"],["1958 München, Haus der Kunst","8914","Nr. 87, Abb. S. 56 "],["1998 Brüssel","8943","Farbtaf. S. 18--19"],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 73 "],["1948 Venedig","8991","Nr. 12 "],["2017 Davos","20106","Farbtaf. S. 202"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 42, Farbtaf. S. 163"]],[["Hoffmann 1947, S. 189 ","2499"],["Borchert 1959, S. 18, Farbtaf. 8 ","2562"],["Kokoschka 1971, S. 213 ","2894"],["Hodin 1968 a, S. 276 ","3213"],["Spielmann 2003 a, S. 259, Farbtaf. S. 285","3309"],["Bultmann 1959, S. 88, Farbtaf. 22 ","3434"],["Sotheby's Berlin 1992, Nr. 58 mit Farbabb.","3689"],["Vevey 1994, S. 82 mit Farbtaf. S. 83","3718"],["Hoffmann 1964, Farbtaf. 5 ","3973"],["Westheim 1948, S. [10], farb. Umschlagabb.","4138"],["Erling 2005, S. 94","19164"],["Paris 2022, Farbtaf. S. 163","43164"]],[["Frankreich"]]]},{"id":1198,"img":{"extraLarge":"AP_100042204_extraLarge.jpg","medium":"AP_100042204_medium.jpg"},"arr":["1927.09","Lyon","","1927","Öl/Lwd.","97.4 x 130.4 cm ","Bez. unten links: OK ","218","232, Farbtaf. XVI","243","The Phillips Collection, Washington, D.C.","1949 ","1061","The Phillips Collection, Washington, D.C."],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (1.2.1928)",""],["Katzenellenbogen Estella","Estella Katzenellenbogen, Berlin/Santa Monica, CA (24.10.1928-1949)",""]],[["2001 New York","8011","Nr. 8, Farbtaf. S. 15"],["1939 Utrecht","8026","Nr. 5 "],["1962 Tate Gallery, London","8075","Nr. 101 "],["1948 Boston","8222","Nr. 44 mit Abb. "],["1932 Neue Galerie, Wien","8295"," "],["1958 Den Haag","8309","Nr. 60 "],["1935 Zürich, Kunsthaus","8349","Nr. 85 "],["1947 Basel, Kunsthalle","8376","Nr. 138 mit Abb. "],["1947 Zürich, Kunsthaus","8415","Nr. 31 "],["1958 Wien","8541","Nr. 84, Abb. S. 57 "],["1966 New York","8544","Nr. 40, Abb. S. 60 "],["1928 London","8640","Nr. 4 "],["1986 London","8643","Nr. 68 mit Farbtaf. "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 7, Nr. 16 mit Abb. "],["1947 Amsterdam","8829","Nr. 26 "],["1986 Zürich","8836","Nr. 71 mit Farbtaf. "],["1981 San Francisco","8866","Nr. 34, Farbtaf. S. 103 "],["1931 Paris, Galeries Georges Petit","8875","Nr. 31 "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 134 und 136, Farbabb. S. 135 "],["1958 München, Haus der Kunst","8914","Nr. 88, Abb. S. 57 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 68 "],["1983 Bordeaux","9016","Nr. 23, Abb. S. 101 "],["1991 Wien","9033","Nr. 47 mit Farbtaf. "],["1986/87 Guggenheim, New York","9072","Nr. 54 mit Farbtaf. "]],[["Lévêque 2005, S. 201 mit Farbabb.","2028"],["Sontag 1971, Abb. 40 ","2049"],["Monsel 1995, S. [28], Farbabb. 32","2144"],["Born 1930, Abb. nach S. 84 ","2164"],["Santini 1971, Abb. 185 ","2174"],["Calvocoressi 1992, Farbabb. 58 ","2193"],["Schmalenbach F. 1967, Farbabb. S. 66 ","2199"],["Myers 1957, S. 68 ","2233"],["Biermann 1929, Abb. 30 ","2394"],["Wingler 1951 a, Mappe II, S. [3], Farbtaf. 1 ","2406"],["Wingler 1957, S. 126, Farbabb. S. 127 ","2423"],["Hoffmann 1947, S. 187, Abb. XLIX ","2499"],["Borchert 1959, S. 16, Farbtaf. 7 ","2562"],["Wichmann 1964, Farbabb. S. 170 ","2565"],["Washington 1952, S. 57, Abb. 203","2571"],["Hodin 1971, Abb. S. [79] ","2585"],["Langfeld 2004, S. 125, Anm. 28","2708"],["Washington 1976, S. 43, Farbabb. Microfiche 3, E10","2719"],["Bedenig Stein 2001, S. 296-297","2721"],["Haftmann 1965 b, S. 297, Abb. 741 ","2732"],["Das Kunstblatt 1928, Abb. S. 193 (Beilage)","2761"],["Washington 1985, Nr. 981 mit Abb.","2779"],["Kokoschka Briefe 2 1985, S. 169 ( 23. Nov. 1927); S. 170-171 (25. Nov., 28.Nov. und 1. Dez. 1927); S.172 (8. Dez. 1927), Anm. S. 307 ","2863"],["Heilmaier 1929, Abb. 28 ","2885"],["Lachnit 1991 a, S. 32, Farbtaf. zu Kat.-Nr. 47 ","2887"],["Phillips 1970, Farbtaf. gegenüber S. 231","3113"],["Hodin 1968 a, S. 276-277 ","3213"],["Spielmann 2003 a, S. 259 mit Abb.","3309"],["Zahn 1948, Abb. S. 31 ","3312"],["Washington 1988, S. 102, Farbabb. S. 103","3328"],["Palkovsky 1958, Abb. 32 und Farbabb. gegenüber S. 32 ","3411"],["Bultmann 1959, S. 39--40 und 90, Farbtaf. 23 ","3434"],["Platschek 1946, Abb. 31 ","3496"],["Natter 1996 b, S. 15, Farbabb. S. 16","3532"],["Werner 1991, S. 64, Abb. S. [65] ","3555"],["Wingler 1956, S. 56 ","3708"],["Der Wiener Kunstwanderer 1933, Abb. S. 6","3779"],["Waldmann 1930, Abb. 38 ","3927"],["Westheim 1948, S. [9--10] und Farbtaf. [2] ","4138"],["Erling 2005, S. 94","19164"],["Berlin 1933, Nr. 44","31168"]],[["Lyon"],["Frankreich"]]]},{"id":1342,"img":{"extraLarge":"AP_100042349_extraLarge.jpg","medium":"AP_100042349_medium.jpg"},"arr":["1928.01","Markt in Tunis","","1928/29","Öl/Lwd.","86 x 128 cm ","Unbez.","227","233, Taf. 89","244","The Courtauld Gallery, London","1978, Vermächtnis Antoine Graf Seilern","P.1978.PG.207 ","The Samuel Courtauld Trust, The Courtauld Gallery, London: Princes Gate Bequest 1978"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (19.12.1929)",""],["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam (10.4.1931)",""],["Buchholz Gallery Curt Valentin","Buchholz Gallery Curt Valentin, New York (1938)",""],["Seilern Count Antoine","Count Antoine Seilern, London (1939/45)",""]],[["1938 Toledo, OH","8008","Nr. 53 "],["2006 London","8111"," S. 4--5, 24, Farbabb. 4"],["1932 Kopenhagen","8207","Nr. 111 "],["1932 Oslo","8242","Nr. 95 "],["1932 Neue Galerie, Wien","8295"," "],["1981 Courtauld, London","8299","Nr. 34 mit Abb. und Farbtaf. XIX "],["1935 Zürich, Kunsthaus","8349","Nr. 89 "],["1947 Basel, Kunsthalle","8376","Nr. 134 "],["1984 Canberra","8378","Nr. 44, S. 91 mit Abb. "],["1947 Zürich, Kunsthaus","8415","Nr. 37 "],["2013/14 Wien","8589","S. 126--127, 339, Farbtaf. S. 127"],["1971 Wien","8820","Nr. 51, Abb. 39 "],["1931 Paris, Galeries Georges Petit","8875","Nr. 35 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 78 "],["1960 Arts Council, London","9013","Nr. 75 "],["1991 Wien","9033","Nr. 51 mit Farbtaf. und Detail "],["1938 New York","9038","Nr. 4 "],["1939 Springfield, MA","9097","Nr. 42 "]],[["Bauer 2010, S. 65-66, Farbabb. 1","2670"],["Bauer 2008 a, S. 59, 87-88 mit Farbabb.","2762"],["Goldscheider 1963, S. 74 (Anm. 34), Farbtaf. 34 ","2855"],["Kokoschka Briefe 2 1985, S. 176--177 (6. I. und 10. I. 28); S. 180 (18. Jan. 1928 und 29. 1. 28) ","2863"],["Kokoschka 1971, S. 216 ","2894"],["Spielmann 2003 a, S. 260, Abb. S. 262","3309"],["Princes Gate Collection 1992, Nr. 18, S. 58, Abb. S. 59","3577"],["Wingler 1956, S. 56 ","3708"],["Seilern 1961, Nr. 257, Taf. LXXXIII","3737"],["Der Wiener Kunstwanderer 1933, Abb. S. 7","3779"],["Masciotta 1949, Taf. XXXVIII ","3880"],["Novotny 1968, Taf. 5 nach S. 84 ","4017"],["Das Kunstblatt 1931, Abb. nach S. 39","4128"],["Erling 2005, S. 95-97","19164"]],[["Tunis"],["Tunesien"]]]},{"id":1321,"img":{"extraLarge":"AP_100042328_extraLarge.jpg","medium":"AP_100042328_medium.jpg"},"arr":["1928.02","Araberinnen","Afrikannerinnen","1928","Öl/Lwd.","89 x 130 cm ","Bez. unten links: OK ","222","234, Farbtaf. XVII ","245","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (16.6.1928)",""],["von Nemes Marczell","Marczell von Nemes, München (20.11.1928)",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (31.12.1930)",""],["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam (10.4.1931)",""],["Mohrenwitz Lothar","Lothar Mohrenwitz, Zürich (1947)",""],["Galerie Fischer","Galerie Fischer, Luzern (22.-28.11.1960. [Nachlaß Dr. Lothar Mohrenwitz, Zürich, u.a. Schweizer und ausländische Privatsammlungen], Nr. 1901 mit Farbtaf. als Frontispiz)",""],["Jackson Derek","Derek Jackson, Paris/Lausanne (1960)",""]],[["1938 Toledo, OH","8008","Nr. 52 mit Abb. "],["1984 Vevey","8050","Nr. 13 "],["1962 Tate Gallery, London","8075","Nr. 102, Abb. 30 "],["1930 München","8090","Nr. 1298 "],["1971 München","8125","Nr. 29 mit Farbabb. "],["1950 München","8139","Nr. 64, Abb. S. 40 "],["1932 Kopenhagen","8207","Nr. 110 "],["1966 Zürich","8225","Nr. 66 "],["1932 Oslo","8242","Nr. 94 "],["1966 Karlsruhe","8284","Nr. 43 mit Abb. "],["1932 Neue Galerie, Wien","8295","u. d. T. \"Die Orientalinnen\" "],["1935 Zürich, Kunsthaus","8349","Nr. 87 "],["1947 Basel, Kunsthalle","8376","Nr. 133 "],["1947 Zürich, Kunsthaus","8415","Nr. 36 "],["1958 Wien","8541","Nr. 85 "],["1928 London","8640","Nr. 15 "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 7, Nr. 17 "],["1971 Wien","8820","Nr. 52, Farbabb. 38 "],["1931 Paris, Galeries Georges Petit","8875","Nr. 33 mit Abb. "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 76 mit Abb. "],["1938 New York","9038","Nr. 3 "]],[["Born 1930, Abb. S. 84 ","2164"],["Biermann 1929, Farbabb. als Frontispiz ","2394"],["Wingler 1951 a, Mappe II, S. [5-6], Farbtaf. 3 ","2406"],["Wingler 1957, S. 128, Farbabb. S.129 ","2423"],["Galerie Fischer Luzern 1960, Nr. 1901 mit Farbtaf. als Frontispiz ","2496"],["Hoffmann 1947, S. 180 und 194, Abb. LI ","2499"],["Bauer 2008 a, S. 93-94 mit Farbabb.","2762"],["Kokoschka Briefe 2 1985, S. 183 (26. I. 28 und 29. 1. 28); S. 184 (29. 1. 28), Anm. S. 309 ","2863"],["Heilmaier 1929, Abb. 32 ","2885"],["Kokoschka 1971, S. 216--217 ","2894"],["Sarfatti 1930, Abb. ","3035"],["Westheim 1952, S. [6], Farbtaf. ","3173"],["Hodin 1968 a, S. 279 ","3213"],["Stadler 1964, Abb. S. 156 ","3230"],["Palkovsky 1958, Abb. 33 ","3411"],["Bultmann 1959, S. 92, Farbtaf. 24 ","3434"],["Gatt 1972, Farbtaf. 28 ","3468"],["Hodin 1966, Abb. 39 ","3490"],["Kunst und Künstler 1930/31, Abb. S. 179","3526"],["Waldmann 1930, Abb. 39 ","3927"],["Kraus 1937, S. 104 ","3986"],["Novotny 1968, S. 85, Farbtaf. 4 nach S. 84","4017"],["Erling 2005, S. 97","19164"]],[["Figuren in Landschaft"]]]},{"id":1316,"img":{"extraLarge":"AP_100042323_extraLarge.jpg","medium":"AP_100042323_medium.jpg"},"arr":["1928.03","El Kantara","","1928","Öl/Lwd.","89 x 130 cm ","Unbez. ","223","235 ","246","Verbleib unbekannt"," ","",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (16.6.1928)",""],["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam (10.4.1931)",""]],[["1935 Zürich, Kunsthaus","8349","Nr. 88 "],["1928 London","8640","Nr. 23 "],["1931 Paris, Galeries Georges Petit","8875","ausser Katalog, handschriftlich eingetragen"],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 77 "]],[["Bauer 2008 a, S. 96-97 mit Abb.","2762"],["Kokoschka Briefe 2 1985, S. 186 (10. 2. 28); S. 187 (11. 2. 28); S. 188 (16. II. 28), Anm. S. 310 ","2863"],["Kokoschka 1971, S. 218 ","2894"],["Hodin 1968 a, S. 280-281 ","3213"],["Erling 2005, S. 98","19164"]],[["Algerien"]]]},{"id":1236,"img":{"extraLarge":"AP_100042242_extraLarge.jpg","medium":"AP_100042242_medium.jpg"},"arr":["1928.04","Exodus (Col de Sfa bei Biskra)","","1928","Öl/Lwd.","89 x 130 cm ","Bez. unten links: OK","224","236","247","Deutsche Bank, Frankfurt/Main","1983","","Deutsche Bank, Frankfurt/Main"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (16.6.1928)",""],["Warburg Max und Alice","Max und Alice Warburg, Hamburg/später New York (29.10.1928)",""],["Warburg Eric M.","Eric M. Warburg, Hamburg",""],["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich (1974)",""]],[["1984 Vevey","8050","Nr. 12, Abb. S. 41 "],["1943 Galerie St. Etienne, New York","8196"," "],["1948 Boston","8222","Nr. 46 mit Abb. "],["1966 Zürich","8225","Nr. 67 "],["1980 Pöchlarn","8237","Nr. 4 "],["1980/81 Wien","8408","Nr. 9 "],["1962/1963 Hamburg","8422","Nr. 49 mit Abb. "],["2013/14 Wien","8589","S. 128, 338, Farbtaf. S. 124"],["1976 Bregenz","8605","Nr. 16, Abb. XXIV "],["1928 London","8640","Nr. 19 "],["1986 Zürich","8836","Nr. 72 mit Farbtaf. "],["1931 Paris, Galeries Georges Petit","8875","Nr. 34 u. d. T. \"Biskra, caravane\" "],["2005/06 Pfäffikon","8898","S. 100, 193, Farbtaf. 75"],["1983 Bordeaux","9016","Nr. 24, Abb. S. 102 "],["1991 Wien","9033","Nr. 50 mit Farbtaf. "],["2008 Linz","9042","S. 98, Farbtaf. S. 99"],["2018/2019 Zürich","21106","Nr. 62, Farbtaf. S. 169"]],[["Born 1930, Abb. nach S. 84 ","2164"],["Biermann 1929, Abb. 31 ","2394"],["Hoffmann 1947, S. 190--191, Abb. L ","2499"],["Dalbajewa 2014, S. 32","2558"],["Bauer 2010, S. 67, 69, Farbabb. 4","2670"],["Das Kunstblatt 1928, Abb. S. 197","2761"],["Bauer 2008 a, S. 68, 98-101 mit Farbabb.","2762"],["Kokoschka Briefe 2 1985, S. 189 (22. 2. 28); S. 190 (23. 2. 28); S. 190--191 (27. 2. 28); S. 191 (29. 2. 28); S. 191--192 ","2863"],["Heilmaier 1929, Abb. 30 ","2885"],["Kokoschka 1971, S. 217 ","2894"],["Windisch 2013, S. 164, Abb. 30","3001"],["Hodin 1968 a, S. 281-282 [zit. die Reiseerinnerungen von Helmuth Lütjens] ","3213"],["Spielmann 2003 a, S. 261, Farbtaf. S. 286","3309"],["Bauer 2008 b, S. 47, Farbabb. S. 49","3341"],["Platschek 1946, Abb. 33 ","3496"],["Cicerone 1928, Abb. S. 542","3792"],["Erling 2005, S. 98-100","19164"]],[["Algerien"]]]},{"id":1007,"img":{"extraLarge":"AP_100042011_extraLarge.jpg","medium":"AP_100042011_medium.jpg"},"arr":["1928.05","Der Marabout von Temacin (Sidi Ahmet Ben Tidjani)","","1928","Öl/Lwd.","98.5 x 130.5 cm ","Bez. oben links: OK","226","237, Taf. 88","248","Musée Jenisch, Fondation Oskar Kokoschka, Vevey","1993","FOK 55","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (16.6.1928)",""],["von Nemes Marczell","Marczell von Nemes, München (20.11.1928)",""],["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (31.12.1930)",""],["Städtisches Museum für Kunst und Kunstgewerbe","Städtisches Museum für Kunst und Kunstgewerbe, Halle a. S. (20.4.1931)",""],["1937 beschlagnahmt","1937 beschlagnahmt, zur Ausstellung \"Entartete Kunst\" nach München gebracht, dort aber nicht gezeigt (Beschl.Inv.Nr. 14191)",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin (1937-40)",""],["Böhmer Bernhard A.","Bernhard A. Böhmer, Güstrow (1939 in Kommision, 1940-45 durch Tausch vom Deutschen Reich)",""],["Körtzinger Hugo","Hugo Körtzinger, Schnega (vor 1945, erworben bei Bernhard A. Böhmer, Güstrow, Gemälde bei Bernhard A. Böhmer, Güstrow verblieben)",""],["Nachlass Bernhard A. Böhmer","Nachlass Bernhard A. Böhmer, Güstrow (5.1945, bis 1950 bei Sybille Rienäcker, Güstrow/Bad Aibling)",""],["Roman Norbert Ketterer","Roman Norbert Ketterer, Stuttgart (1950)",""],["Hahn Willy","Willy Hahn, Grassau/Stuttgart (10.1950-55/56)",""],["Horstmann Edgar","Edgar Horstmann, Hamburg (1958)",""],["Horstmann Rainer","Rainer Horstmann, Köln (1965)",""],["Hauswedell & Nolte","Hauswedell & Nolte, Hamburg (11./12.6.1982, Nr. 755 mit Farbtaf. 9 [vor der Auktion zurückgezogen])",""],["Kokoschka Olda","Olda Kokoschka, Villeneuve (1985)",""]],[["1962 Tate Gallery, London","8075","Nr. 103 "],["1930 München","8090","Nr. 1299 "],["1971 München","8125","Nr. 30 mit Abb. "],["1966 Zürich","8225","Nr. 68, Abb. 22 "],["1966 Karlsruhe","8284","Nr. 44 mit Abb. "],["1992 Cismar","8291","S. 173-174, Farbtaf. 5"],["1958 Den Haag","8309","Nr. 61 "],["2003 Apolda","8411","Nr. 43, S. 98, Farbtaf. S. 61"],["1972 München","8425","Nr. 12 "],["1958 Wien","8541","Nr. 86, Abb. S. 58 "],["2001/02 Emden","8542","S. 93"],["1987 Gent","8571","Nr. 28, Farbabb. S. 102 "],["1928 London","8640","Nr. 28, Abb. S. [13] "],["1986 London","8643","Nr. 69 mit Farbtaf. "],["1988 Barcelona","8659","Nr. 32, Farbtaf. S. 66 "],["2010/11 Appenzell","8684","S. 96, 165, Farbtaf. S. 155"],["1971 Wien","8820","Nr. 53, Abb. 37 "],["1986 Zürich","8836","Nr. 73 mit Farbtaf. "],["1995 Bellinzona","8872","S. 54, Farbtaf. S. 55"],["1931 Paris, Galeries Georges Petit","8875","Nr. 32 mit Abb. "],["2005/06 Pfäffikon","8898","S. 100--101, 193, Farbtaf. 76"],["1958 München, Haus der Kunst","8914","Nr. 89, Abb. S. 58 "],["1960 Braunschweig","8933","Nr. 9 mit Abb. "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 75 "],["1960 Kopenhagen","9011","Nr. 39 "],["1991 Wien","9033","Nr. 53 mit Farbtaf. "],["1986/87 Guggenheim, New York","9072","Nr. 55 mit Farbtaf. "],["1998 Bruxelles, Hôtel de ville","19106",""],["2018/2019 Zürich","21106","Nr. 61, Farbtaf. S. 166"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 43, Farbtaf. S. 166-167"]],[["Monsel 1995, S. [28], Farbabb. 35","2144"],["Born 1930, Abb. nach S. 84 ","2164"],["Calvocoressi 1992, Farbabb. 60 ","2193"],["Biermann 1929, Abb. 32 ","2394"],["Hoffmann 1947, S. 180 und 193--194, Taf. LII ","2499"],["Dalbajewa 2014, S. 32","2558"],["Bauer 2010, S. 69, Farbabb. 9","2670"],["Das Kunstblatt 1928, Abb. S. 196","2761"],["Bauer 2008 a, S. 71-72, 102-104, 124 mit Farbabb.","2762"],["Hauswedell 1982, Nr. 755, Farbtaf. 9 [vor der Auktion zurückgezogen]) ","2789"],["Goldscheider 1963, S. 77 (Anm. 32), Farbtaf. 32 ","2855"],["Kokoschka Briefe 2 1985, S. 191(3. 3. 28); S. 192, [4. März 1928]); S. 192--193 ( 5. 3. 28 und 7. 3. 28); S. 193 (an Anna Kallin 7. 3. 28); S. 194 (14. 3. 28), S. 195 16. [März 1928]","2863"],["Heilmaier 1929, Abb. 31 ","2885"],["Kokoschka 1971, S. 218, 219 und 220 ","2894"],["Krapf-Weiler 1997, S. 120, Abb. 113","2917"],["Windisch 2013, S. 173, Abb. 57","3001"],["Kokoschka 1935 a","3002"],["Horstmann 1965 b, Farbabb. ","3029"],["Hodin 1968 a, S. 266-268 und 282-283 ","3213"],["Spielmann 2003 a, S. 261--262, Farbtaf. S. 287","3309"],["Hodin 1966, Abb. 38 ","3490"],["Vevey 1994, S. 84 mit Farbtaf. S. 85","3718"],["Keegan 1999, S. 158 mit Farbabb. Nach S. 144","3854"],["Paris 1931, Abb. S. 308 ","3894"],["Novotny 1968, S. 85, Taf. 3 nach S. 84 ","4017"],["Bosman 1964, Farbabb. S. 60 ","4028"],["Erling 2005, S. 100-102","19164"],["Paris 2022, Farbtaf. S. 166-167","43164"]],[["Männliches Bildnis"]]]},{"id":1427,"img":{"extraLarge":"AP_100042435_extraLarge.jpg","medium":"AP_100042435_medium.jpg"},"arr":["1928.06","Marczell von Nemes","","1928","Öl/Lwd.","135 x 96 cm ","Unbez. ","234","245, Farbtaf. XVIII","249","LENTOS Kunstmuseum, Linz","1953 ","5","LENTOS Kunstmuseum"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (7.9.1929)",""],["Städtisches Museum für Kunst und Kunstgewerbe","Städtisches Museum für Kunst und Kunstgewerbe, Halle a. S. (22.10.1930)",""],["1937 beschlagnahmt","1937 beschlagnahmt (Beschl.Inv.Nr. 7365)",""],["Depot Schloss Schönhausen","Depot Schloss Schönhausen, Berlin",""],["Böhmer Bernhard A.","Bernhard A. Böhmer, Güstrow",""],["Gurlitt Wolfgang","Wolfgang Gurlitt, Bad Aussee/später Linz",""],["Neue Galerie der Stadt Linz/ Wolfgang Gurlitt Museum","Neue Galerie der Stadt Linz/ Wolfgang Gurlitt Museum, Linz (1953)",""]],[["1966 Graz","8058","Nr. 72 mit Abb. "],["1962 Tate Gallery, London","8075","Nr. 106 "],["1971 München","8125","Nr. 31 mit Abb. "],["1950 München","8139","Nr. 66 "],["1959/60 Rom","8164","(außer Kat.)"],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 27 "],["1974 Luzern","8167","Nr. 120 mit Abb. "],["2009 Pöchlarn","8182","Farb. Umschlagabb. (Detail) [Faltblatt]"],["1966 Zürich","8225","Nr. 68, Abb. 23 "],["1953/54 Sao Paulo","8265","Nr. 6 "],["1966 Karlsruhe","8284","Nr. 45 mit Abb. "],["1956 Amsterdam","8297","Nr. 134 "],["1965 Rom","8395","Nr. 9 mit Abb. "],["1962/1963 Hamburg","8422","Nr. 51 mit Abb. "],["1991 Stockholm","8501","Nr. 33, S. 219, Farbtaf. S. 46"],["2006 Klosterneuburg","8515","S. 467, Farbtaf. S. 164"],["1954 Rio de Janeiro","8534","Nr. 6 "],["1958 Wien","8541","Nr. 91, Abb. S. 63 "],["1987 Gent","8571","Nr. 29, Farbtaf. S. 101 "],["1976 Bregenz","8605","Nr. 17, Farbtaf. VIII "],["1957 Bern","8617","Nr. 66 "],["1986 London","8643","Nr. 70 mit Farbtaf. "],["1988 Barcelona","8659","Nr. 33, Farbtaf. S. 67 "],["1959 Düsseldorf","8710","Nr. 92 "],["1957 Stuttgart","8716","Nr. 49 "],["1951 Berlin","8741","Nr. 33 "],["1957 St. Gallen","8764","Nr. 56 "],["1971 Wien","8820","Nr. 56 "],["1986 Zürich","8836","Nr. 74 mit Farbtaf. "],["1978 Kamakura","8846","Nr. 9 "],["1984 Wien","8850","Nr. 154 mit Abb. "],["1931 Paris, Galeries Georges Petit","8875","Nr. 36 mit Abb. "],["1958 München, Haus der Kunst","8914","Nr. 93, Abb. S. 63 "],["1955 Wien, Secession","8960","Nr. 23 mit Abb. "],["1951 Linz","8989","Nr. 24, Abb. S. 14 "],["1929 Berlin","8999","Nr. 118 "],["1960 Kopenhagen","9011","Nr. 40 "],["1960 Arts Council, London","9013","Nr. 74 mit Abb. "],["1991 Wien","9033","Nr. 55 mit Farbtaf. "],["2008 Linz","9042","S. 170, 235, Farbtaf. S. 171"],["1986/87 Guggenheim, New York","9072","Nr. 56 mit Farbtaf. "]],[["Monsel 1995, S. [28], Farbtaf. 31","2144"],["Calvocoressi 1992, Farbtaf. 59 ","2193"],["Hoffmann 1947, Abb. LXI ","2499"],["Bauer 2008 a, S. 125 mit Farbabb.","2762"],["Rosenthal 1930","2816"],["Goldscheider 1963, S. 77 (Anm. 33), Farbtaf. 33 ","2855"],["Kokoschka Briefe 2 1985, S. 212--214 (29. Mai 1929), Anm. S. 314 ","2863"],["Nowak-Thaller 2008 a, S. 24, Farbabb. 19","2870"],["Hodin 1968 a, S. 259 ","3213"],["Das Kunstblatt 1929, S. 219","3241"],["Spielmann 2003 a, S. 262--263 mit Abb.","3309"],["Bultmann 1959, S. 96, Farbtaf. 26 ","3434"],["Gatt 1972, Farbabb. 29 ","3468"],["Hodin 1966, S. 176 ","3490"],["Linz 2003, S. 202, 457, Farbtaf. S. 203","3640"],["Simpson 1979, Abb. S. 70 ","3677"],["Grossmann 1929, S. 15-18 [zur Person Marczell von Nemes]","3772"],["George 1963, S. 50 ","3814"],["Linz 1979, S. 193 mit Farbabb.","3990"],["Linz 2002, Marcel von Nemes): S. 202, Farbtaf. S. 203 ","23181"]],[["Männliches Bildnis"]]]},{"id":1207,"img":{"extraLarge":"AP_100042213_extraLarge.jpg","medium":"AP_100042213_medium.jpg"},"arr":["1928.07","Herbstblumenstrauss","","[1928]","Öl/Lwd.","100 x 80 cm ","Bez. unten links: OK ","","238, Farbtaf. XV ","250","The Toledo Museum of Art, Toledo, OH ","1971, Stiftung Edward Drummond Libbey","1971.1","Purchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey"],"mul":[[["Ganter Professor","Sammlung Professor Ganter, Karlsruhe ",""],["Stuttgarter Kunstkabinett","Stuttgarter Kunstkabinett, Stuttgart (8./20.10.1950, Nr. 2197 mit Abb.)",""],["Schönemann Martin","Martin Schönemann, Lugano",""],["Roman Norbert Ketterer","Roman Norbert Ketterer, Campione d'Italia (1967)",""],["Sotheby Parke Bernet","Sotheby Parke Bernet, London (1.7.1970, Nr. 99 mit Farbtaf.)",""],["Marlborough Fine Art","Marlborough Fine Art, London (1970)",""]],[["1955 Haus am Waldsee, Berlin","8447","mit Abb. "],["1958 Wien","8541","Nr. 87 "],["[1928 London]","8640","Nr. 32 "],["[1955 Wien, Secession]","8960","Nr. 24 "],["1951 Linz","8989","Nr. 27 "]],[["Ketterer 1967, Nr. 86 mit Farbtaf. ","2139"],["Mitchell 1973, S. 154, Abb. S. 157","2250"],["Hodin 1976, Farbabb. S. 48 ","2440"],["Toledo 1976, S. 89, Taf. 73","2546"],["Gerhardus 1979, Farbabb. 62 ","2788"],["Sotheby Parke Bernet 1970, Nr. 99 mit Farbtaf. ","3047"],["Palkovsky 1958, Farbabb. gegenüber S. 40 ","3411"],["Bultmann 1959, S. 94, Farbtaf. 25 ","3434"],["Stuttgarter Kunstkabinett 1950 b, Nr. 2197 mit Abb. ","3922"]],[["Stillleben"]]]},{"id":1063,"img":{"extraLarge":"AP_100042068_extraLarge.jpg","medium":"AP_100042068_medium.jpg"},"arr":["1929.01","Die Pyramiden von Gizeh","","1929","Öl/Lwd.","87 x 128.2 cm ","Unbez. ","235","242, Taf. 87 ","251","Nelson-Atkins Museum of Art, Kansas City, MO ","1954, Stiftung der \"Friends of Art\" ","54-89","Schenkung der \"Friends of Art\""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (19.12.1929)",""],["Glaeser Max","Max Glaeser, Eselsfürth (3.3.1931)",""],["Glaeser Anna","Anna Glaeser, Eselsfürth (1932)",""],["Curt Valentin Gallery","Curt Valentin Gallery, New York",""]],[["1956 Chicago","8045","Nr. 15 "],["1962 Tate Gallery, London","8075","Nr. 104 "],["1958 Den Haag","8309","Nr. 62 "],["1962/1963 Hamburg","8422","Nr. 50 mit Abb. "],["1958 Wien","8541","Nr. 90, Abb. S. 59 "],["1961 Columbus, OH","8670"," "],["1966 Cleveland","8750","Nr. 48A mit Abb. "],["1971 Wien","8820","Nr. 55, Abb. 40 "],["1958 München, Haus der Kunst","8914","Nr. 92, Abb. S. 59 "],["1992 New York","8930","Nr. 68 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 82 mit Abb. "],["1965 Dallas","9014","Nr. 11 mit Abb. "]],[["Look Again 1968, Farbabb. S. 82--83","2038"],["Santini 1971, Abb. 187 ","2174"],["Weltkunst 1956 c, Abb. S. 4","2179"],["Hoffmann 1947, S. 181 ","2499"],["Dalbajewa 2014, S. 32 mit Farbabb. 3","2558"],["Bauer 2010, S. 69, Farbabb. 6","2670"],["Bauer 2008 a, S. 76-77, 105-107 mit Farbabb.","2762"],["Kokoschka Briefe 2 1985, S. 208 (4. 3. 1929), Anm. S.313 ","2863"],["Kokoschka 1971, S. 225 ","2894"],["Westheim 1959, S. 11 und Farbtaf. ","3183"],["Mikš 2013, S. 168, 359, Farbabb. IX","3257"],["Spielmann 2003 a, S. 265 mit Abb.","3309"],["Goheen 1972, S. 79, Abb. 10","3456"],["Kallir 1992, Farbtaf. 57","3647"],["Scheffler 1931, Abb. S. 192 ","3781"],["Novotny 1968, Taf. 6 gegenüber S. 85 ","4017"],["Das Kunstblatt 1931, Abb. S. 35","4128"],["New York 1993, S. 221","23195"]],[["Ägypten"]]]},{"id":1068,"img":{"extraLarge":"AP_100042073_extraLarge.jpg","medium":"AP_100042073_medium.jpg"},"arr":["1929.02","Araberinnen mit Kind","","1929","Öl/Lwd.","88.5 x 127.5 cm ","Bez. unten rechts: OK. Auf der Rückseite von fremder Hand beschriftet: Kokohka / Lucy Krohg ","","246 ","252","Musée Jenisch, Fondation Oskar Kokoschka, Vevey","1990","FOK 56","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Kokoschka Oskar","Oskar Kokoschka, Paris",""],["Krohg Lucy","Lucy Krohg, Paris (1933-77)",""],["Galerie Wolfgang Ketterer","Galerie Wolfgang Ketterer, München (22.-24.5.1978, Nr. 1194 und farb. Umschlagabb.)",""],["Kokoschka Olda","Olda Kokoschka, Villeneuve (1978)",""]],[["1984 Vevey","8050","Nr. 14, Farbabb. S. 43 "],["2014 Wolfsburg","8102","S. 40-41, 304, Farbtaf. S. 247"],["2003 Apolda","8411","Nr. 44, S. 99, Farbtaf. S. 60"],["1981 London, Marlborough","8496","Nr. 26, Abb. S. 49 "],["1981 New York, Marlborough","8535","Nr. 26, Abb. S. 49 "],["2001/02 Emden","8542","S. 93, Farbtaf. S. 53"],["1987 Gent","8571","Nr. 30, Farbabb. S. 103 "],["1986 London","8643","Nr. 71 mit Farbtaf. "],["1988 Barcelona","8659","Nr. 35, Farbtaf. S. 69 "],["1986 Zürich","8836","Nr. 75 mit Farbtaf. "],["2005/06 Pfäffikon","8898","Farbtaf. 77"],["1983 Bordeaux","9016","Nr. 25, Abb. S. 103 "],["1991 Wien","9033","Nr. 54 mit Farbtaf. "],["1986/87 Guggenheim, New York","9072","Nr. 57 mit Farbtaf. "],["2017 Davos","20106","Farbtaf. S. 115"]],[["Monsel 1995, S. [28], Farbabb. 36","2144"],["Calvocoressi 1992, Farbabb. 62 ","2193"],["Galerie Wolfgang Ketterer München 1978, Nr. 1194 und farb. Umschlagabb.","2413"],["Dalbajewa 2014, S. 32","2558"],["Bonnefoit 2014 a, S. 41, Farbabb. 17","2634"],["Bauer 2010, S. 72, Farbabb. 11","2670"],["Dalbajewa 1999, S. 115","2681"],["Bauer 2008 a, S. 108-110 mit Farbabb.","2762"],["Kokoschka Briefe 2 1985, S. 209 (18. 3. 29 und 21. 3. 29), Anm. S. 313; S. 270 (31. XII. 33), Anm. S. 324 ","2863"],["Mikš 2013, S. 169, 358, Abb. 3.17","3257"],["Spielmann 2003 a, Abb. S. 264","3309"],["Rainbird 1990, S. [1-2], Farbabb. S. [2] ","3562"],["Vevey 1994, S. 86 mit Farbtaf. S.87","3718"],["Bonnefoit 2010 b, S. 96, 152, 169, Farbabb. 7","3771"],["Der Wiener Kunstwanderer 1933, Abb. S. 8","3779"]],[["Doppelbildnis"],["Weibliches Bildnis"],["Mutter und Kind"],["Mädchen"]]]},{"id":1389,"img":{"extraLarge":"AP_100042396_extraLarge.jpg","medium":"AP_100042396_medium.jpg"},"arr":["1929.03","Jerusalem","","1929","Öl/Lwd.","80 x 128.3 cm ","Unbez. ","233","244, Taf. 86","253","The Detroit Institute of Arts, Detroit, MI ","1935, Stiftung der \"Founders Society, Membership and Donations Fund\" ","35.110","Founders Society Purchase, General Membership Fund"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (11.2.1930)",""],["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam (10.4.1931-35)",""]],[["1952/53 Seattle, WA","8032"," "],["1962 Tate Gallery, London","8075","Nr. 105, Abb. 29 "],["1942 Saint Louis","8134"," "],["1932 Kopenhagen","8207","Nr. 113 "],["1932 Oslo","8242","Nr. 97 "],["1941 Chicago","8292","Nr. 7 "],["1932 Neue Galerie, Wien","8295"," "],["1935 Zürich, Kunsthaus","8349","Nr. 90 "],["1939 San Francisco","8443"," "],["1931 Frankfurt/Main","8487","Nr. 131 "],["1988 Barcelona","8659","Nr. 34, Farbtaf. S. 68 "],["1931 Paris, Galeries Georges Petit","8875","Nr. 41 mit Abb. "],["1978 Chicago","8886"," "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 84 "],["1965 Dallas","9014","Nr. 10 mit Abb. "],["1960 Toledo, OH","9095"," "]],[["American Artist 1952, Abb. S. 47","2142"],["Monsel 1995, S. [28], Farbabb. 33","2144"],["Calvocoressi 1992, Farbabb. 61 ","2193"],["Myers 1957, S. 68, Abb. 103 ","2233"],["Myers 1950, S. 337, Abb. 173 auf S. 338 ","2325"],["Detroit 1937, Abb. S. 135","2444"],["Hoffmann 1947, S. 191, Abb. LIV ","2499"],["Kotker 1965, Farbabb. S. 19","2612"],["Bauer 2010, S. 69, Farbabb. 7","2670"],["Detroit 1949, Abb. S. 141","2689"],["Bauer 2008 a, S. 111-113 mit Farbabb.","2762"],["Goldscheider 1963, S. 77 (Anm. 35), Farbtaf. 35 ","2855"],["Kokoschka Briefe 2 1985, S. 210 (13. IV. 29), Anm. S. 314 ","2863"],["Lachnit 1991 a, S. 33, Abb. 5 ","2887"],["Kokoschka 1971, S. 227 ","2894"],["Natter 2002 a, S. 73 mit Abb.","2924"],["Windisch 2013, S. 164, Abb. 28","3001"],["Mikš 2013, S. 168, 359, Farbabb. X","3257"],["Detroit 1944, S. 75, Nr. 608","3290"],["Spielmann 2003 a, S. 266 mit Abb.","3309"],["Sterne 1980, S. 234, Abb. S. [385] ","3346"],["Werner 1991, S. 66, Abb. S. [67] ","3555"],["Cohen 1969, S. 50, Abb. S. 52","3612"],["Detroit 1960, S. 173 mit Abb.","3653"],["Hamilton 1967, Taf. 183","3667"],["Wingler 1956, S. 56 ","3708"],["Uhr 1982, S. 126, Farbtaf. S.[127]","3809"],["Paris 1931, Abb. S. 308 ","3894"],["Richardson 1947, S. 32, Abb. S. 33","3908"],["Bosman 1964, Farbabb. S. 66 ","4028"],["Eisler 1932, S. 456","4047"],["Das Kunstblatt 1931, Abb. S. 40","4128"],["Berlin 1933, Nr. 47","31168"]],[["Jerusalem"],["Israel"]]]},{"id":1414,"img":{"extraLarge":"AP_100042422_extraLarge.jpg","medium":"AP_100042422_medium.jpg"},"arr":["1929.04","Istanbul I","","1929","Öl/Lwd.","80.3 x 110.8 cm ","Unbez. ","232","243, Taf. 90 ","254","Standort unbekannt","","","Standort unbekannt"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (11.2.1930)",""],["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam (10.4.1931)",""],["Neue Galerie, Otto Kallir-Nirenstein, Wien","Neue Galerie, Wien (1933)",""],["Federer Oskar","Oskar Federer, Witkowitz, Mährisch-Ostrau (1933)",""],["1943 beschlagnahmt","1943 beschlagnahmt, Galerie der Bildenden Künste Ostrava (11.1953)",""],["Erben Oskar Federer","Erben Oskar Federer, Toronto (Restitution 2007)",""],["Sotheby's","Sotheby's, London (3.2.2009, Nr. 4 mit Farbtaf)",""],["Lusail Museum, Doha, Qatar Museums","Lusail Museum, Doha, Qatar Museums",""]],[["1971 Prag","8014","Nr. 7 mit Abb. "],["1932 Kopenhagen","8207","Nr. 112 "],["1932 Oslo","8242","Nr. 96 "],["1932 Neue Galerie, Wien","8295","u. d. T. \"Konstantinopel\" "],["1937 Paris","8318","Nr. 537 "],["1931 Bonjean, Paris","8429"," "],["1956 Prag","8648","Nr. 2 "],["1966 Brünn","8689"," "],["1931 Paris, Galeries Georges Petit","8875","Nr. 40 mit Abb. u. d. T. \"Constantinople\" "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 83 u. d. T. \"Konstantinopel\" "],["1937 Bern","9000","Nr. 87 "],["1933 Wien","9009"," "],["1991 Wien","9033","Nr. 52 mit Farbtaf. "],["1933/34 Prag","9035","Nr. 6 "]],[["Luzzatto 1931, Abb. S. 155 ","2003"],["Hoffmann 1947, S. 191 ","2499"],["Bauer 2010, S. 69, Farbabb. 8","2670"],["Bauer 2008 a, S. 80, 114-116 mit Farbabb.","2762"],["Kokoschka 1971, S. 227 ","2894"],["Windisch 2013, S. 164, Abb. 29","3001"],["Juza 1970","3044"],["Spielmann 2003 a, Farbtaf. S. 288","3309"],["Palkovsky 1958, Abb. 34 ","3411"],["Kunst und Künstler 1930/31, Abb. S. 181","3526"],["Sotheby's London 2009 a, Nr. 4 mit Farbtaf","3624"],["Salvini 1949, S. 68, Abb. 22 ","3668"],["Der Wiener Kunstwanderer 1933, Abb. S. 18","3779"],["Scheffler 1931, Abb. S. 181","3781"],["Paris 1931, Abb. S. 307 ","3894"],["Novotny 1968, Taf. 2 nach S. 84 ","4017"],["Das Kunstblatt 1931, Abb. S. 34","4128"]],[["Istanbul"],["Türkei"]]]},{"id":1293,"img":{"extraLarge":"AP_100042300_extraLarge.jpg","medium":"AP_100042300_medium.jpg"},"arr":["1929.05","Dulsie Bridge, Findhorn River (Schottland)","","1929","Öl/Lwd.","71 x 91 cm ","Bez. und datiert auf der Rückseite: O Kokoschka 1929","230","239","255","Belvedere, Wien","1960","5384","Belvedere, Wien"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (11.2.1930)",""],["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam (10.4.1931)",""],["Maas Lili","Lili Maas, Santa Monica",""],["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich",""],["Simon Enrique und Susana","Enrique und Susana Simon, Erlenbach/Chateau de Maule (Frankreich) (1950/51-60)",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 76 "],["1971 Prag","8014","Nr. 15 mit Abb. "],["1939 Utrecht","8026","Nr. 6 "],["1996/97 Wien","8103","S. 66, Farbtaf. S. 67"],["1948 Boston","8222","Nr. 47 mit Abb. "],["1932 Neue Galerie, Wien","8295","u. d. T. \"Schottische Landschaft\" "],["1935 Zürich, Kunsthaus","8349","Nr. 91 u. d. T. \"Dolcebridge in Schottland\" "],["1947 Basel, Kunsthalle","8376","Nr. 155 "],["1947 Zürich, Kunsthaus","8415","Nr. 38 "],["1958 Wien","8541","Nr. 88 u. d. T. \"Dolce-Bridge\" "],["1950 London","8575","Nr. 34 "],["1986 London","8643","Nr. 72 mit Farbtaf. "],["1980 Österreichische Galerie, Wien","8804","Nr. 79 "],["2011 Pöchlarn","8812","Farb. Umschlagabb. (Detail) [Faltblatt]"],["1971 Wien","8820","Nr. 54 u. d. T. \"Dolce-Bridge\" "],["1947 Amsterdam","8829","Nr. 29 "],["1931 Paris, Galeries Georges Petit","8875","Nr. 37 u. d. T. \"Dolcebridge en Ecosse\" "],["2005/06 Pfäffikon","8898","S. 109--110, Farbtaf. 78"],["1958 München, Haus der Kunst","8914","Nr. 90 u. d. T. \"Dolce-Bridge\" "],["1981/82 Rom","8934","Farbabb. S. 57 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 79 u. d. T. \"Dolcebridge in Schottland\" "],["1990 Edinburgh","9006"," Farbtaf. 1"],["1984 Halbturn","9055","Nr. 102 "]],[["Calvocoressi 1987, S. 220-221, Abb. 2 und Abb. 1 [Ansichtskarte vom 24. August 1929] auf S. 221 ","2129"],["Speculum Artis 1962, Abb. S. 51","2140"],["Calvocoressi 1986, S. 221-225, Abb. 95 auf S. 222; Abb. 94 auf S. 222 zeigt die Postkartenansicht der Dulsie Bridge (Karte mit Datum vom 24. August 1929 im Archiv Olda Kokoschka, Villeneuve); s. auch Abb. 101 auf S. 230","2433"],["Tomes 1972, S. 39, 43 und 52, Farbtaf. S. [53] ","2739"],["Kokoschka Briefe 2 1985, S. 218 (2. Sept. 1929), Anm. S. 315 ","2863"],["Feilchenfeldt 2015, S. 131","2966"],["Calvocoressi 1990, S. 10, Farbabb. 1","3177"],["Mitteilungen der Österreichischen Galerie 1961, Abb. 3","3455"],["Calvocoressi 1994, S. 156, Abb. S. 156","3788"],["Wien 1968 b, Abb. 45 ","4094"],["Berlin 1933, Nr. 45","31168"]],[["Schottland"]]]},{"id":1016,"img":{"extraLarge":"AP_100042020_extraLarge.jpg","medium":"AP_100042020_medium.jpg"},"arr":["1929.06","Einmündung des Divie in den Findhorn River (Schottland)","","1929","Öl/Lwd.","71 x 91 cm ","Unbez. ","231","240 ","256","The Courtauld Gallery, London","1978, Vermächtnis Antoine Graf Seilern ","P.1978.PG.208 ","The Samuel Courtauld Trust, The Courtauld Gallery, London: Princes Gate Bequest 1978"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (19.12.1929)",""],["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam (10.4.1931)",""],["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam",""],["Seilern Count Antoine","Count Antoine Seilern, London (1941)","The Princes Gate Collection"]],[["1932 Neue Galerie, Wien","8295","u. d. T. \"Schottische Landschaft\" "],["1981 Courtauld, London","8299","Nr. 35 mit Abb. "],["1935 Zürich, Kunsthaus","8349","Nr. 93 u. d. T. \"Finthornriver in Schottland\" "],["1984 Canberra","8378","Nr. 45 mit Abb. "],["1950 Edinburgh","8398","Nr. 174 "],["1931 Paris, Galeries Georges Petit","8875","Nr. 39 u. d. T. \"Finthornriver, Ecosse\" "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 80 u. d. T. \"Fluß in Schottland\" "],["1990 Edinburgh","9006","Farbtaf. 2"]],[["Calvocoressi 1987, S. 222, Abb. 4 und Abb. 3 [Ansichtskarte vom 25. August 1929] ","2129"],["Calvocoressi 1986, S. 225-226, Abb. 97 auf S. 224 ","2433"],["Tomes 1972, S. 30 und 43 ","2739"],["Kokoschka Briefe 2 1985, S. 219 (9. 9. [1929]), Anm. S. 315 ","2863"],["Feilchenfeldt 2015, S. 131","2966"],["Calvocoressi 1990, S. 11, Farbabb. 2","3177"],["Princes Gate Collection 1992, Nr. 19, S. 60, Abb. S. 61","3577"],["Seilern 1961, Nr. 258, Taf. LXXXIV","3737"],["Calvocoressi 1994, S. 157, Abb. S. 156","3788"]],[["Schottland"]]]},{"id":1069,"img":{"extraLarge":"AP_100042074_extraLarge.jpg","medium":"AP_100042074_medium.jpg"},"arr":["1929.07","Schottischer Wasserfall (Plodda Falls)","","1929","Öl/Lwd.","71 x 91 cm ","Bez. unten links (1956, nachträglich): OK. Auf der Rückseite bez., beschriftet und datiert: O Kokoschka/Scotland 1929 ","","241 ","257","Standort unbekannt"," ","","Standort unbekannt"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (11.2.1930)",""],["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam (10.4.1931)",""],["Maas Lili","Lili Maas, Santa Monica",""],["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich",""],["Stuttgarter Kunstkabinett","Stuttgarter Kunstkabinett, Stuttgart (20./21.11.1959, Nr. 390 u. d. T. \"Finthorn River (Schottland)\", Taf. 33)",""],["Marlborough Fine Art","Marlborough Fine Art, London (1959)",""],["Cooper Herman","Herman Cooper, New York ",""],["Christie, Manson & Woods","Christie, Manson & Woods, London (30.11.1976, Nr. 62 mit Abb.)",""],["Batliner Herbert","Herbert Batliner, Vaduz (11.7.1980)",""],["Maguy Alex","Alex Maguy, Paris (um 1984)",""],["Christie's","Christie's, London (22.6.2005, Nr. 235 mit Farbabb.)",""]],[["1939 Utrecht","8026","Nr. 7 "],["1984 Vevey","8050","Nr. 15 "],["1932 Neue Galerie, Wien","8295","u. d. T. \"Schottische Landschaft\" "],["1947 Zürich, Kunsthaus","8415","(außer Kat.)"],["1958 Wien","8541","Nr. 89, Abb. S. 60 "],["1957 Bern","8617","Nr. 65 "],["1986 London","8643","Nr. 73 mit Farbtaf. "],["1931 Paris, Galeries Georges Petit","8875","Nr. 38 "],["1960 London, Marlborough","8905","Nr. 79 u. d. T. \"Finthorn River, Scotland\", Abb. S. 80 "],["1958 München, Haus der Kunst","8914","Nr. 91, Abb. S. 60 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 81 "],["1990 Edinburgh","9006","Farbtaf. 3"],["1960 London, Marlborough","9029","Nr. 8 u. d. T. \"Waterfall in Scotland - Findhorn River\" mit Abb. "]],[["Calvocoressi 1987, S. 223-224, Abb. 6 und Abb. 8 [Ansichtskarte vom 10. September 1929] auf S. 223 ","2129"],["Calvocoressi 1986, S. 227-229, Abb. 100 auf S. 229; Abb. 99 auf S. 228 zeigt die Postkartenansicht der Plodda-Fälle (Karte mit Datum vom 10. September 1929 im Archiv Olda Kokoschka, Villeneuve) ","2433"],["Tomes 1972, S. 39 und 43 ","2739"],["Feilchenfeldt 2015, S. 131","2966"],["Christie's London 1976, Nr. 62 mit Abb. ","2983"],["Calvocoressi 1990, S. 11, Farbabb. 3","3177"],["Stuttgarter Kunstkabinett 1959 b, Nr. 390 u. d. T. \"Finthorn River (Schottland)\", Taf. 33 ","3681"],["Christie's London 2005, Nr. 235 mit Farbabb. ","3862"],["Das Kunstblatt 1931, Abb. S. 36","4128"],["Berlin 1933, Nr. 46","31168"]],[["Schottland"]]]},{"id":1228,"img":{"extraLarge":"AP_100042234_extraLarge.jpg","medium":"AP_100042234_medium.jpg"},"arr":["1930.01","Fische am Strand von Djerba","","1930","Öl/Lwd.","70 x 101 cm ","Unbez.","237","247 ","258","Stedelijk Museum, Amsterdam","","B 401",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (25.8.193)",""],["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam",""],["Martin Kurt","Kurt Martin, Karlsruhe (25.6.1943, ausgelagert in der Saline Heilbronn, 1945 in den Central Collecting Point Wiesbaden und anschließend in den CCP München überführt)",""],["Stichting Nederlands Kunstbezit","Stichting Nederlands Kunstbezit, Den Haag (9.10.1945, auf der Grundlage der Londoner Erklärung vom 5.1.1943 übernommen)",""],["Amt für Kunst- und Kulturgut in Staatsbesitz","Amt für Kunst- und Kulturgut in Staatsbesitz, Den Haag (Dienst voor's Rijks Verspreide Kunstvoorwerpen) (1952)",""]],[["1939 Utrecht","8026","Nr. 8 "],["1961 Brüssel","8031","Nr. 114 "],["1962 Tate Gallery, London","8075","Nr. 107 "],["2014 Wolfsburg","8102","S. 30, 61, 304, Farbtaf. S. 234-235"],["1955 Oss","8159","Nr. 7 "],["1949 Amsterdam","8218","Nr. 68 "],["1958 Den Haag","8309","(außer Kat.)"],["1935 Zürich, Kunsthaus","8349","Nr. 95 "],["1962/1963 Hamburg","8422","Nr. 52 mit Abb. "],["1977 München","8455","Nr. 35, Abb. 20 "],["1954 Groningen","8457","Nr. 11 "],["1958 Wien","8541","Nr. 92 "],["1970 Amsterdam","8611"," "],["[1947/48 Eindhoven]","8654","Nr. 34 "],["1971 Wien","8820","Nr. 57 "],["1931 Paris, Galeries Georges Petit","8875","Nr. 42 "],["1958 München, Haus der Kunst","8914","Nr. 94 "],["1964/65 Leeuwarden","8928","Nr. 16 "],["1960 Braunschweig","8933","Nr. 10 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 85 "],["1955 Wien, Secession","8960","Nr. 26 "],["1960 Kopenhagen","9011","Nr. 41 "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 44, Farbtaf. S. 177"]],[["Amsterdam 1970 a, Nr. 333 ","2354"],["Langfeld 2004, S.125, Anm. 24, 263, 300, Farbabb. 239 S. 264","2708"],["Bauer 2008 a, S. 118-120 mit Farbabb.","2762"],["Kokoschka Briefe 2 1985, S. 222--223, Anm. S. 316 ","2863"],["Spielmann 2003 a, S. 270, Abb. S. 271","3309"],["Bauer 2008 b, S. 82--83, 118--120, 149--151, Farbabb. S. 118 und 149","3341"],["Das Kunstblatt 1931, Abb. S. 38","4128"],["Paris 2022, Farbtaf. S. 177","43164"]],[["Tiere"]]]},{"id":1251,"img":{"extraLarge":"AP_100042257_extraLarge.jpg","medium":"AP_100042257_medium.jpg"},"arr":["1930.02","Anticoli, Ernte in den Sabiner Bergen","","1930","Öl/Lwd.","81 x 116 cm ","Bez. unten links: OK ","238 ","249, Taf. 91 ","259","Privatbesitz","","","Privatbesitz"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (25.8.1930)",""],["Visser Bob Gesinus","Bob Gesinus Visser, Rapallo (28.1.1933)",""],["Fleischmann Marcel","Marcel Fleischmann, Zürich",""],["Fleischmann Carlo","Carlo Fleischmann, Küsnacht",""],["Galerie Chichio Haller","Galerie Chichio Haller, Zürich ",""],["Aebi Willi","Willi Aebi, Burgdorf, Schweiz (30.1.1955)",""],["Privatbesitz","durch Erbschaft in Privatbesitz Schweiz",""],["Privatbesitz","Privatbesitz Schweiz (18.9.2020)",""],["Galerie Kornfeld","Galerie Kornfeld, Bern (18.9.2020)","Nr. 93 mit Farbtaf."]],[["1988/89 Berlin, Berlinische Galerie","8003","Abb. 10/10 S. 318"],["1984 Vevey","8050","Nr. 16 "],["1962 Tate Gallery, London","8075","Nr. 108 "],["1948 Boston","8222","Nr. 49 mit Abb. "],["1966 Zürich","8225","Nr. 70, Farbabb. III "],["1938 London","8417","Nr. 108 "],["1962/1963 Hamburg","8422","Nr. 53 mit Abb. "],["1941 New York","8466","Nr. 21 "],["1957 Bern","8617","Nr. 67 "],["1976 Zürich","8754",""],["1953 Luzern","8831","Nr. 197 "],["1931 Paris, Galeries Georges Petit","8875","Nr. 43 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 72 "]],[["Schmalenbach F. 1967, Farbabb. S. 67 ","2199"],["Masciotta 1963, S. 140 ","2442"],["Hoffmann 1947, S. 191--192, Abb. LV ","2499"],["Parricchi 1984, S. 292, Farbabb. 283 ","2713"],["Kokoschka Briefe 2 1985, S. 226 (2. Aug. 30), Anm. S. 316 ","2863"],["Hodin 1968 a, S. 236 (Zitat aus den Erinnerungen von Gitta Perl geb. Wallerstein), S. 285 (Zitat aus den Erinnerungen von Helmuth Lütjens)","3213"],["Spielmann 2003 a, S. 270--271, Abb. S. 271","3309"],["Hodin 1966, S. 158 ","3490"],["Kunst und Künstler 1930/31, Abb. S. 187","3526"],["Scheffler 1931, Abb. S. 187","3781"],["Das Kunstblatt 1931, Abb. S. [32]","4128"],["Berlin 1933, Nr. 49","31168"],["Kornfeld 2020","41164"]],[["Italien"]]]},{"id":1185,"img":{"extraLarge":"AP_100042191_extraLarge.jpg","medium":"AP_100042191_medium.jpg"},"arr":["1930.03","Bauernmädchen mit Korb und Hund","","[1930]","Öl/Lwd.","90 x 70 cm ","Bez. unten rechts: OK "," "," ","260","Privatbesitz "," ","","Privatbesitz"],"mul":[[["Vitelli","Sammlung Vitelli, Italien",""],["Boschetti Serafino","Serafino Boschetti, Bergamo",""],["Zucchelli Nino","Nino Zucchelli, Genua ",""],["Galleria Chiurazzi","Galleria Chiurazzi, Rom",""],["Privatbesitz","Privatbesitz, Rom (1965)",""],["Sotheby Parke Bernet","Sotheby Parke Bernet, London (30.6.1976, Nr. 75 mit Farbtaf.)",""],["Annina Nosei Gallery","Annina Nosei Gallery, New York (1984)",""],["Farsetti Arte","Farsetti Arte, Prato",""],["Privatbesitz","Privatbesitz, Prato (1989)",""],["Farsetti Arte","Farsetti Arte, Prato (25.11.1989, Nr. 186, mit Farbabb.)",""],["Farsetti Arte","Farsetti Arte, Prato (30.11.1991, Nr. 232 mit Farbabb., nicht verkauft)",""],["Christie's","Christie's, London (15.10.1995, Nr. 166, Farbtaf. S. 185)",""],["Galerie und Antiquariat Hassfurther","Galerie und Antiquariat Hassfurther, Wien (6.12.2010, Nr. 13 mit Farbabb.)",""]],[["1958 Wien","8541","Nr. 94 "],["1986 Welz, Salzburg","8929","Nr. 1, Farbtaf. S. 2 "]],[["Farsettiarte 1991, Nr. 232 mit Farbabb.","2077"],["Kokoschka Briefe 2 1985, S. 226 ( 2. Aug. 1930), Anm. S. 316 ","2863"],["Christie's London 1995, Nr. 166, Farbtaf. S. 185","3148"],["Hassfurther 2010, Nr. 13 mit Farbabb.","3206"],["Sotheby Parke Bernet 1976, Nr. 75 mit Farbtaf.","3261"],["Farsettiarte 1989, Nr. 186, mit Farbabb. ","4158"]],[["Figuren in Landschaft"]]]},{"id":1243,"img":{"extraLarge":"AP_100042249_extraLarge.jpg","medium":"AP_100042249_medium.jpg"},"arr":["1930.04","Mädchen mit Gans im Korb","","[1930]","Öl/Lwd.","99.5 x 73 ","Bez. unten rechts: OK "," ","254 B","261","Marlborough Fine Art"," ","33730.1",""],"mul":[[["Leicester Gallery","Leicester Gallery, London",""],["Silberman Galleries E. & A. ","E. & A. Silberman Galleries, New York",""],["Galerie St. Etienne, Otto Kallir","Galerie St. Etienne, Otto Kallir, New York (1958)",""],["Marlborough Fine Art","Marlborough Fine Art, London (1961)",""],["Marlborough Fine Art","Marlborough Fine Art, London (1972)",""],["Schwarzkopf Kurt und Ilse","Kurt und Ilse Schwarzkopf, Innsbruck (bis 1972)",""],["Kornfeld und Klipstein","Kornfeld und Klipstein, Bern (8.-9.6.1977, Nr. 459, Farbtaf. 4)",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 77 "],["2001 New York","8011","Nr. 9, Farbtaf. S. 16 "],["2012 Stade","8057","S. 64, Nr. 71 mit Farbabb."],["1962 Tate Gallery, London","8075","Nr. 113 "],["2014 Wolfsburg","8102","S. 166, 243, 303, Farbtaf. S. 181"],["1994/95 Bielefeld","8301","Nr. 1, S. 275, Farbtaf. S. 48"],["1962/1963 Hamburg","8422","Nr. 56 mit Abb. "],["1981 London, Marlborough","8496","Nr. 27, Farbtaf. S. 50 "],["1961 Guild Hall, New York","8526","Nr. 36, Umschlagabb."],["1981 New York, Marlborough","8535","Nr. 27, Farbtaf. S. 50 "],["1966 New York","8544","Nr. 42, Farbabb. S. 61 "],["1987 Gent","8571","Nr. 31 "],["1975 München","8578","Nr. 1000 mit Abb. "],["1976 Bregenz","8605","Nr. 18, Farbtaf. IX "],["1988 Barcelona","8659","Nr. 36, Farbtaf. S. 70 "],["1976 Zürich","8754","mit Abb."],["1978 Kamakura","8846","Nr. 10 mit Farbabb. "],["1981/82 Rom","8934","S. 129 u. d. T. \"Ragazza con oca nella cesta\", Farbabb. S. 58 "],["1966 London","8938","Nr. 7, Abb. S. 24 "],["1983 Bordeaux","9016","Nr. 26, Abb. S. 104 "],["1991 Wien","9033","Nr. 56 mit Farbtaf. "]],[["Kornfeld & Klipstein 1977, Nr. 459, Farbtaf. 4","2040"],["Stankiewitz 2013, S. 137","2992"],["Hodin 1968 a, S. 236 ","3213"],["Spielmann 2003 a, S. 270","3309"]],[["Figuren in Landschaft"],["Mädchen"]]]},{"id":1178,"img":{"extraLarge":"AP_100042184_extraLarge.jpg","medium":"AP_100042184_medium.jpg"},"arr":["1930.05","Lac d'Annecy II","","1930","Öl/Lwd.","75.5 x 100.6 cm ","Unbez. ","240 ","250 ","262","The Phillips Collection, Washington, D.C.","Ankauf Duncan Phillips 29.1.1944, Acc.No. 1060","","The Phillips Collection, Washington, D.C."],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (7.10.1930)",""],["Neue Galerie, Otto Kallir-Nirenstein, Wien/Galerie St. Etienne, Otto Kallir, New York","Neue Galerie, Otto Kallir-Nirenstein, Wien/Galerie St. Etienne, Otto Kallir, New York (um 1938)",""],["Buchholz Gallery Curt Valentin","Buchholz Gallery Curt Valentin, New York (April 1943)",""]],[["1983 Tokyo","8023","Nr. 73 "],["1962 Tate Gallery, London","8075","Nr. 109 "],["1942 Saint Louis","8134","[Nr. 11] "],["1943 Galerie St. Etienne, New York","8196"," "],["1983/84 New York","8214","Nr. 58 "],["1950 Minneapolis","8249","Nr. 65 "],["1941 Chicago","8292","Nr. 20 "],["1935 Zürich, Kunsthaus","8349","Nr. 94 "],["[1935 Pittsburgh]","8543","Nr. 297 "],["1964 World's Fair, New York","8719","Nr. 18 mit Abb. "],["1940 Galerie St. Etienne, New York","8726","Nr. 4 "],["1948 Minneapolis","8732","Nr. 29 "],["1931 Paris, Galeries Georges Petit","8875","außer Katalog"],["1981 St. Etienne, New York","8882","Nr. 30, Farbtaf. 17 (s. Kallir 1981)"],["1992 New York","8930","Nr. 69 "],["1931 Mannheim, Städtische Kunsthalle","8955","Nr. 86 u. d. T. \"Anecy\" "],["1939 Paris","8964"," "]],[["Washington 1952, S. 57","2571"],["Washington 1976, S. 43, Farbabb. Microfiche 3, E9","2719"],["Washington 1985, Nr. 980 mit Abb.","2779"],["Kokoschka Briefe 2 1985, S. 226 (Anfang Sept. 1930), Anm. S. 316","2863"],["Kallir 1981, S. 35, Farbtaf. 17 ","2980"],["Phillips 1970, S. 231, 330","3113"],["Kallir 1992, Farbtaf. 58","3647"],["Berlin 1933, Nr. 48","31168"]],[["Frankreich"]]]},{"id":1376,"img":{"extraLarge":"AP_100042383_extraLarge.jpg","medium":"AP_100042383_medium.jpg"},"arr":["1930.06","Mädchen mit Halskette","","1930","Öl/Lwd.","55.5 x 39 cm ","Bez. unten links: OK. Auf der Rückseite bez. (von fremder Hand?): OK "," ","252 ","265","Albertina, Wien","","GE63DL","Albertina, Wien. Sammlung Batliner"],"mul":[[["Galerie M. Goldschmidt & Co.","Galerie M. Goldschmidt & Co., Frankfurt a. M.",""],["Wolf Max","Max Wolf, Steinau an der Straße/seit 1936 Manchester (12.1931)",""],["Wolf Frau Max","Frau Max Wolf, Zürich",""],["Wolf Gerald und Jean","Gerald und Jean Wolf, Manchester",""],["Leinster Fine Art","Leinster Fine Art, London (2.1984)",""],["Galerie Albert Haas","Galerie Albert Haas, Vaduz (2.1984)",""],["Galerie am Lindenplatz AG","Galerie am Lindenplatz AG, Schaan, Liechtenstein",""],["Batliner Herbert","Herbert Batliner, Vaduz",""]],[["1998 Wien, Kunstforum","8009","Nr. 61, S. 184, Farbtaf. S. 186"],["2006 Wien, Leopold","8577","S. [108] mit Farbabb."],["1984 Wien","8850","(nicht ausgestellt; außer Kat. Nur auf der zweiten Station der Ausstellung in Bregenz gezeigt)"],["1984 London","9020","Nr. 2 "]],[["Billeter 1998, S. 184","2223"],["Batliner 2005, S. 158, 462, Nr. 109, Farbtaf. S. 159","2276"],["Bauer 2008 a, S. 117 mit Abb.","2762"],["Liechtensteiner Volksblatt 1984, 1.8.1984, Abb.","3471"],["Sammlung Batliner 2007, S. [322]-323, Farbtaf. 217","3747"]],[["Figuren in Landschaft"]]]},{"id":1021,"img":{"extraLarge":"AP_100042025_extraLarge.jpg","medium":"AP_100042025_medium.jpg"},"arr":["1930.07","Die Schwedin","","1930/31","Öl/Lwd.","82 x 117 cm ","Bez. unten links ( nachträglich im Mai 1960 lt. Mitteilung von Willy Hahn an Hans M. Wingler vom 4.6.1960): OK ","239 ","251 ","263","Privatbesitz, über Galerie Osper","","",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (8.1931)",""],["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam",""],["Hahn Willy","Willy Hahn, Stuttgart (1953 - mind. 11.1966)",""],["Adler Siegfried","Siegfried Adler, Montagnola/später Hinterzarten (1969)",""],["Roman Norbert Ketterer","Roman Norbert Ketterer, Campione d'Italia (1971)",""],["Galerie Thomas","Galerie Thomas, München (2.1980)",""],["Galerie Osper","Galerie Osper, Köln (1989)",""]],[["1939 Utrecht","8026","Nr. 9 "],["1962 Tate Gallery, London","8075","Nr. 110 "],["1966 Zürich","8225","Nr. 71 "],["1966 Karlsruhe","8284","Nr. 46 mit Abb. "],["1963 Straßburg","8344","Nr. 135 "],["1935 Zürich, Kunsthaus","8349","Nr. 96 "],["1958 Wien","8541","Nr. 93, Abb. S. 61 "],["[1947 Amsterdam]","8829"," "],["1931 Paris, Galeries Georges Petit","8875","Nr. 44 "],["1958 München, Haus der Kunst","8914","Nr. 95, Abb. S. 61 "],["1948 Venedig","8991","Nr. 13 "],["1960 Kopenhagen","9011","Nr. 42 mit Abb. "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 45, Farbtaf. S. 195"]],[["Ketterer 1972, S. 44, Farbabb. S. 45 ","2237"],["Kokoschka Briefe 2 1985, S. 174--175 (27. 12. 27), Anm. S. 308","2863"],["Berthelot 1931 a, S. 7 mit Abb.","2867"],["Spielmann 2003 a, S. 290, Farbtaf. S. 333","3309"],["Ketterer 1971, Nr. 68 mit Farbabb.","4136"],["Berlin 1933, Nr. 50","31168"],["Paris 2022, Farbtaf. S. 195","43164"]],[["Figuren in Landschaft"]]]},{"id":1333,"img":{"extraLarge":"AP_100042340_extraLarge.jpg","medium":"AP_100042340_medium.jpg"},"arr":["1930.08","Algérienne au Tonneau","","1930","Öl/Lwd.","80 x 99 cm ","Bez. unten rechts: OK ","236 ","248 ","264","Ikeda Museum of 20th Century Art, Shizuoka, Japan "," 5.1974 ","11",""],"mul":[[["Kofler Wanda","Wanda Kofler, Paris",""],["Fleischmann Marcel","Marcel Fleischmann, Zürich (mind. 1938–mind. 1953)",""],["World House Galleries","World House Galleries, New York",""],["Sotheby & Co.","Sotheby & Co., London (6.7.1960)",""],["Marlborough Fine Art","Marlborough Fine Art, London (7.7.1960)",""],["Fridart Foundation Josefowitz David","David Josefowitz, Genf (29.1.1962)",""],["Parke-Bernet Galleries","Parke-Bernet Galleries, New York (19.11.1969, Nr. 74 mit Farbtaf.)",""],["Marlborough Fine Art","Marlborough Fine Art, London (21.3.1972)",""],["Fuji Television Gallery","Fuji Television Gallery, Tokyo (1.12.1972)",""],["Paul Haim & Cie.","Paul Haim & Cie., Paris",""]],[["1961 Brüssel","8031","Nr. 115 "],["1971 München","8125","Nr. 32 mit Abb. "],["1948 Boston","8222","Nr. 48 mit Abb. "],["1975 Shizuoka","8315","Nr. 34, Farbabb. 34 "],["1938 London","8417","Nr. 109 "],["1941 New York","8466","Nr. 20 "],["1958 World House, New York","8587","Nr. 45 mit Abb. "],["1959 Bayer, New York","8649","Nr. 13 "],["1953 Luzern","8831","Nr. 196, Abb. 31 "],["1955 Wien, Secession","8960","Nr. 25 "],["1958 World House, New York","9034","Nr. 30 mit Abb. "]],[["Sotheby's London 1960, Nr. 123, u. d. T. \"Algérienne au tonneau\"","2084"],["Ito 1975, Nr. 34 mit Farbtaf. ","2481"],["Hoffmann 1947, S. 181 ","2499"],["Bauer 2008 a, S. 117 mit Abb.","2762"],["Kokoschka Briefe 2 1985, Anm. S. 316 (zu S. 226) ","2863"],["Hodin 1968 a, S. 174 ","3213"],["Spielmann 2003 a, S. 270-271, Abb. S. 271","3309"],["Bauer 2008 b, S. 117 mit Abb., S. 129 (Abb.)- 130","3341"],["Parke-Bernet Galleries 1969, Nr. 74 mit Farbtaf.","3344"],["Hodin 1966, S. 114 ","3490"],["Fuji Television Gallery 1990, Nr. 26 mit Farbtaf.","3581"]],[["Figuren in Landschaft"]]]},{"id":1274,"img":{"extraLarge":"AP_100042280_extraLarge.jpg","medium":"AP_100042280_medium.jpg"},"arr":["1931.01","Egon und Greta Wissing","","1931","Öl/Lwd.","91 x 60 cm ","Bez. unten links: OK "," ","267 ","269","Privatbesitz","","","Privatbesitz"],"mul":[[["Čečil Jiři","Jiři Čečil, Prag","vor 1948"],["","1957 beschlagnahmt",""],["Nationalgalerie","Nationalgalerie, Prag (1959)","erworben 1959, Inv. Nr. 0 7692"],["Erben Jiři Čečil","Erben Jiři Čečil (Restitution 1997)",""]],[["1971 Prag","8014","Nr. 8 mit Abb. "],["1984 Tokyo, Takashimaya","8063","Nr. 44 "],["1964/65 Dresden","8146","Nr. 151 "],["1962 Pilsen","8174","Nr. 4 "],["1961 Prag","8186","Nr. 12 "],["1963 Brünn","8324","Nr. 25 "],["1966/67 Prag","8588","Nr. 26 "],["1966 Brünn","8689","Nr. 34 "],["1956 Salzburg","8854","Nr. 2 "],["1980 Prag","8858","Nr. 40 "],["1983 Bordeaux","9016","Nr. 28, Abb. S. 106 "]],[["Kokoschka Briefe 2 1985, S. 237, Anm. S. 318 ","2863"]],[["Doppelbildnis"],["Männliches Bildnis"],["Weibliches Bildnis"]]]},{"id":1026,"img":{"extraLarge":"AP_100042030_extraLarge.jpg","medium":"AP_100042030_medium.jpg"},"arr":["1931.02","Seine-Landschaft bei Bougival","","1931","Öl/Lwd.","65 x 80.5 cm ","Bez. unten links: OK ",""," ","271","Privatbesitz "," ","","Privatbesitz"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (12.5.1931)",""],["Galerie M. Goldschmidt & Co.","Galerie M. Goldschmidt & Co., Frankfurt a. M. (9.7.1931)",""],["Heine Max Hermann","Max Hermann Heine, Leipzig",""],["1938 beschlagnahmt","1938 beschlagnahmt, durch die SA Leipzig am 9.11.1938 (24.1.1941 Versteigerung)",""],["Buchhandlung-Kunsthandlung-Antiquariat","Buchhandlung-Kunsthandlung-Antiquariat Georg Kurt Engewald, Leipzig (1941 bis mind. 1957)",""]],[],[["Spielmann 1982, Nr. 150 u.d. Titel „Prag, Laurenziberg“ mit Abb.","2347"]],[["Frankreich"]]]},{"id":1349,"img":{"extraLarge":"AP_100042356_extraLarge.jpg","medium":"AP_100042356_medium.jpg"},"arr":["1931.03","Marne-Landschaft bei Nogent mit Badender","Marne mit Badendem","1931","Öl/Lwd.","66 x 83 cm ","Bez. unten links: OK "," "," ","272","Privatbesitz ","","","Privatbesitz"],"mul":[[["Galerie M. Goldschmidt & Co.","Galerie M. Goldschmidt & Co., Frankfurt a. M.",""],["Fuld Harry","Harry Fuld, Frankfurt a. M./später London (12.1936)",""],["Fuld Peter","Peter Fuld, London",""],["Kauffmann Arthur","Arthur Kauffmann, London ",""],["Galerie Fischer","Galerie Fischer, Luzern",""],["Roman Norbert Ketterer","Roman Norbert Ketterer, Campione d'Italia (1967, Nr. 88 mit Farbabb.)",""]],[],[["Ketterer 1967, Nr. 88 mit Farbabb. ","2139"]],[["Frankreich"]]]},{"id":1071,"img":{"extraLarge":"AP_100042076_extraLarge.jpg","medium":"AP_100042076_medium.jpg"},"arr":["1931.04","Nogent-sur-Marne, Viadukt","","1931","Öl/Lwd.","60.3 x 92.1 cm ","Bez. unten rechts: OK ","250 ","264 ","273","The Speed Art Museum, Louisville, Kentucky","1960 Stiftung Frau Blakemore Wheeler","60.23","Stiftung Frau Blakemore Wheeler 1960.23"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (4.6.1931)",""],["Galerie M. Goldschmidt & Co.","Galerie M. Goldschmidt & Co., Frankfurt a. M. (9. 7.1931)",""],["Buchholz Gallery Curt Valentin","Buchholz Gallery Curt Valentin, New York",""],["French Art Galleries","French Art Galleries, New York",""],["Paul Drey Gallery","Paul Drey Gallery, New York (1958)",""],["Elisabeth Drey","Elisabeth Drey, New York",""]],[["1962 Tate Gallery, London","8075","Nr. 116 "],["1958 Den Haag","8309","Nr. 64 "],["1941 New York","8466","Nr. 22 "],["1958 Wien","8541","Nr. 99, Abb. S. 67 "],["1958 München, Haus der Kunst","8914","Nr. 100, Abb. S. 67 "]],[["Bulletin J. B. Speed Art Museum 1964","2484"],["Hoffmann 1947, S. 194 ","2499"],["Spielmann 2003 a, Abb. S. 300","3309"],["Bultmann 1959, S. 102, Farbtaf. 29 ","3434"]],[["Frankreich"]]]},{"id":1034,"img":{"extraLarge":"AP_100042038_extraLarge.jpg","medium":"AP_100042038_medium.jpg"},"arr":["1931.05","Korb mit Früchten auf einer Tonne","","1931","Öl/Lwd.","60.4 x 91.5 cm ","Bez. unten rechts: OK "," "," ","275","Privatbesitz","Courtesy Galerie St. Etienne, New York","","Courtesy Galerie St. Etienne, New York"],"mul":[[["Galerie M. Goldschmidt & Co.","Galerie M. Goldschmidt & Co., Frankfurt a. M.",""],["Galerie Thannhauser","Galerie Thannhauser, Berlin",""],["Panofsky Alfred","Alfred Panofsky, Berlin (5.6.1935)",""],["Otten Mrs. Albert","Mrs. Albert Otten (1986)",""]],[["1933 Rotterdam","8081","Nr. 51 "],["1933 Amsterdam","8120","Nr. 186, Abb. 91 "],["1986 Galerie St. Etienne, New York","8300","Nr. 13"]],[],[["Stillleben"]]]},{"id":1225,"img":{"extraLarge":"AP_100042231_extraLarge.jpg","medium":"AP_100042231_medium.jpg"},"arr":["1931.06","Atelierstillleben mit Hocker, Früchten und Vase","","[1931]","Öl/Lwd.","60 x 91.5 cm ","Bez. unten rechts: OK. Auf der Rückseite von Lucy Krohg beschriftet: Kokoska à Lucy Krohg "," "," ","274","Privatbesitz","1994","","Privatbesitz"],"mul":[[["Krohg Lucy","Lucy Krohg, Paris (1933-1977)",""],["Galerie Wolfgang Ketterer","Galerie Wolfgang Ketterer, München (28./29.5.1979, Nr. 655 mit Farbtaf. )",""],["Hahn Willy","Willy Hahn, Tutzing (1979–1994)",""],["Villa Grisebach","Villa Grisebach, Berlin (25.11.1988, Nr. 88 mit Farbtaf., nicht verkauft)",""]],[],[["Kokoschka Briefe 2 1985, S. 234","2863"],["Galerie Wolfgang Ketterer München 1979, Nr. 655 mit Farbtaf. ","2874"],["Villa Grisebach 1988, Nr. 88 mit Farbtaf. ","2932"],["Wittrock 1987, Nr. 13 mit Farbabb.","4072"]],[["Stillleben"]]]},{"id":1289,"img":{"extraLarge":"AP_100042296_extraLarge.jpg","medium":"AP_100042296_medium.jpg"},"arr":["1931.07","Mädchen mit Blumen im Haar","","[1931]","Öl/Lwd.","72 x 60 cm ","Bez. unten links: OK "," ","158 ","268","Privatbesitz","","","Privatbesitz"],"mul":[[["Čečil Jiři","Jiři Čečil, Prag",""],["1957 beschlagnahmt","1957 beschlagnahmt",""],["Nationalgalerie","Nationalgalerie, Prag (1959)","erworben 1959, Inv. Nr. 07693, 1975 bis 1986 als Leihgabe in den Staatlichen Kunstsammlungen, Dresden, Gemäldegalerie Neue Meister (DDR), restituiert"],["Erben Jiři Čečil","Erben Jiři Čečil",""]],[["1971 Prag","8014","Nr. 6 "],["1962 Pilsen","8174","Nr. 5 "],["1961 Prag","8186","Nr. 13 "],["1976 Dresden","8281","Abb. 25 "],["1963 Brünn","8324","Nr. 26 "],["1980/81 Dresden","8426","Nr. 313, Farbabb. S. 209 "],["1966/67 Prag","8588","Nr. 27 "],["1978 Sofia","8632","Nr. 11/II "],["1986 Prag","8650"," "],["1966 Brünn","8689","Nr. 35 "],["1956 Salzburg","8854","Nr. 9 mit Abb. "]],[["Wingler 1957, S. 130, Farbabb. S. 131 ","2423"],["Bultmann 1959, Farbabb. S. 37 ","3434"]],[["Weibliches Bildnis"],["Mädchen"]]]},{"id":1287,"img":{"extraLarge":"AP_100042293_extraLarge.jpg","medium":"AP_100042293_medium.jpg"},"arr":["1931.08","Zwei liegende Frauen","","[1931]","Öl/Lwd.","89 x 117 cm ","Unbez. ","253 ","269 ","270","Verbleib unbekannt"," ","",""],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin (6.3.1933)",""],["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam (28.3.1933)",""]],[["1935 Zürich, Kunsthaus","8349","Nr. 97 u. d. T. \"Zwei Mädchen in Landschaft\" "],["1932 Venedig, Biennale, Padiglione dell'Austria","8842","Nr. 19 u. d. T. \"Due ragazze con anitre\" "]],[["Hodin 1968 a, S. 181 ","3213"],["Der Wiener Kunstwanderer 1933, Abb. S. 17","3779"]],[["Figuren in Landschaft"]]]},{"id":1131,"img":{"extraLarge":"AP_100042137_extraLarge.jpg","medium":"AP_100042137_medium.jpg"},"arr":["1931.09","Rachel Bondy","Rachel Bondi","[1931]","Öl/Lwd.","93 x 74 cm ","Bez. unten links: OK ","","253","266","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Praesent Hans Rudolf und Lisa","Hans Rudolf und Lisa Praesent, Hamburg (1931/32 )",""],["Martin Schneider Georg Hoffmann und","Georg Hoffmann und Martin Schneider, München (2.7.1946)",""],["","Central Collecting Point, München (1.10.1946)","MCCP Nr. 38112 u. d. Titel „Junges Mädchen im Grünen“"],["Hoffmann Georg","Georg Hoffmann (6.7.1948)","zurück an Georg Hoffmann"],["Hahn Willy","Willy Hahn, Stuttgart (1949)",""],["Valentien Fritz C.","Fritz C. Valentien, Stuttgart (um 1957-2011)",""],["Galerie Kornfeld","Galerie Kornfeld, Bern (25.6.1999, Nr. 90 mit Farbtaf.)",""],["Christie's","Christie's, London (21.6.2011, Nr. 92 mit Farbtaf. )",""]],[["1962 Tate Gallery, London","8075","Nr. 111 "],["1971 München","8125","Nr. 33 mit Abb. "],["1966 Karlsruhe","8284","Nr. 47 mit Abb. "],["1962/1963 Hamburg","8422","Nr. 54 mit Abb. "],["1958 Wien","8541","Nr. 95, Abb. S. 62 "],["1958 München, Haus der Kunst","8914","Nr. 96, Abb. S. 62 "],["1960 Braunschweig","8933","Nr. 11 "],["1960 Kopenhagen","9011","Nr. 43 "]],[["Melchart 1976, S. 41, Abb.","2097"],["Schmalenbach F. 1967, Farbtaf. S. 68 ","2199"],["Weltkunst 1957, Abb. S. 9","2587"],["Kornfeld 1999, Nr. 90 mit Farbtaf. ","3052"],["Christie's London 2011 b, Nr. 92 mit Farbabb. ","3539"],["Brühl 1991, S. 38-40 und 464 (zur Familie Bondy als Zweig der Familie Cassirer) ","4125"]],[["Weibliches Bildnis"]]]},{"id":1004,"img":{"extraLarge":"AP_100042008_extraLarge.jpg","medium":"AP_100042008_medium.jpg"},"arr":["1931.1","Stillleben mit Sommerblumen und Farnkraut","","[1931]","Öl/Lwd.","69.8 x 93.2 cm ","Bez. unten links: OK ","243 ","255 ","276","Privatbesitz","","","Privatbesitz"],"mul":[[["Wolff Fritz","Fritz Wolff, Wien/ab 1940 New York",""],["Knize Annie","Annie Knize, New York ",""],["Galerie Ehrenzweig","Galerie Ehrenzweig, New York (1965) ",""],["Rockefeller III John D.","John D. Rockefeller III, New York",""],["Privatbesitz","Privatbesitz, Schweiz",""],["Sotheby's","Sotheby's, New York (16.11.1989, Nr. 358 mit Farbtaf.)",""],["Marlborough Fine Art","Marlborough Fine Art, London (16.11.1989–22.3.2010)",""]],[["2001 New York","8011","Nr. 10, Farbtaf. S. 17 "],["1973 New York","8293",""],["1961 Guild Hall, New York","8526",""],["1959 Bayer, New York","8649","Nr. 14 "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 7, Nr. 19 "],["1936 Secession, Wien","8859","Nr. 175 "],["1991 Wien","9033","Nr. 61 mit Farbtaf. (nicht ausgestellt) "],["[1933/34 Prag]","9035","Nr. 14"]],[["Sotheby's New York 1989 d, Nr. 358 mit Farbtaf. ","2596"]],[["Stillleben"]]]},{"id":1003,"img":{"extraLarge":"AP_100042007_extraLarge.jpg","medium":"AP_100042007_medium.jpg"},"arr":["1931.11","Stillleben mit Obst und Krug","","[1931]","Öl/Lwd.","60.5 x 92.5 cm ","Bez. unten rechts: OK "," ","257 ","277","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Neue Galerie, Otto Kallir-Nirenstein, Wien","[Neue Galerie, Wien (1931)]",""],["Wolf Simon","Simon Wolf, New York (1943)",""],["Privatbesitz","Privatbesitz, Rovereto ",""],["Sotheby's","Sotheby's, London (25.6.2002, Nr.137 mit Farbabb., nicht verkauft)",""],["Sotheby's","Sotheby's, New York (9.10.2002, Nr. 137, nicht verkauft)",""],["Sotheby's","Sotheby's, New York (6.11.2003, Nr. 231 mit Farbabb.)",""],["Von Zezschwitz Kunst und Design","Von Zezschwitz Kunst und Design, München (25.6.2004, Nr. 306 mit Farbabb., nicht verkauft)",""]],[["[1943 Galerie St. Etienne, New York]","8196"," "],["1931/32 Hagenbund, Wien","8433","Nr. 70 "]],[["Von Zezschwitz 2004, Nr. 306 mit Farbabb., nicht verkauft","2461"],["Sotheby's London 2002 a, Nr.137 mit Farbabb. ","3124"],["Sotheby's New York 2003 c, Nr. 231 mit Farbabb. ","3204"],["Sotheby's London 2002 b, Nr. 28 mit Farbabb.","3343"]],[["Stillleben"]]]},{"id":1095,"img":{"extraLarge":"AP_100042101_extraLarge.jpg","medium":"AP_100042101_medium.jpg"},"arr":["1931.12","Pan (Trudl mit Ziege)","","1931","Öl/Lwd.","87 x 130 cm ","Bez. unten rechts: OK ","244","258 ","279","Sprengel Museum Hannover ","1979 aus dem Bestand der Niedersächsischen Landesgalerie Hannover übernommen ","Städt. Galerie KM 88/1955",""],"mul":[[["Galerie Neue Kunst Fides","Galerie Neue Kunst Fides, Dresden (3.1932)",""],["Kochmann Franz","Franz Kochmann, Dresden (3.1932)","ab 1940 Utrecht; am 4. April 1941 von Kochmann im Gemeentemuseum Den Haag eingelagert, Rückgabe am 2. Mai 1946"],["Kunstzaal van Lier N.V. Oude en moderne kunst","Kunstzaal van Lier N.V. Oude en moderne kunst, Amsterdam (mind. bis 22.10.1951)",""],["Galerie Aenne Abels","Galerie Aenne Abels, Köln",""],["Niedersächsische Landesgalerie","Niedersächsische Landesgalerie, Hannover, (Geschenk der Kabel- und Metallwerke, Gutehoffnungshütte AG, Hannover) (1955)","(Geschenk der Kabel- und Metallwerke, Gutehoffnungshütte AG, Hannover)"]],[["1962 Tate Gallery, London","8075","Nr. 112 "],["2014 Wolfsburg","8102","S. 30, 62, 305, Farbtaf. S. 250--251"],["1955 Beyeler, Basel","8152","Nr. 32 "],["1935 Zürich, Kunsthaus","8349","Nr. 100 u. d. T. \"Mädchen mit Ziegenbock\" "],["1962/1963 Hamburg","8422","Nr. 55 mit Abb. "],["1986 London","8643","Nr. 74 mit Farbtaf. "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 7, Nr. 12 "],["1932 Dresden","8729","Brief Rudolf Probst an OK\nvom 16.2.1949, ZBB Nachl. O. Kokoschka 362.43"],["1986 Zürich","8836","Nr. 76 mit Farbtaf. "],["1932 Venedig, Biennale, Padiglione dell'Austria","8842","Nr. 18 "],["1962 Hannover","8878","Nr. 82 "],["1960 Braunschweig","8933","Nr. 12 mit Farbabb. "],["1986/87 Guggenheim, New York","9072","Nr. 58 mit Farbtaf. "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 46, Farbtaf. S. 196-197"]],[["Monsel 1995, S. [36], Farbabb. 38","2144"],["Seiler 1969, S. 255, Abb. 213","2184"],["Curti 2001, S. 21 mit Farbabb.","2298"],["Hoffmann 1947, S. 217 ","2499"],["Stuttmann 1960, Kat. Nr. 98, Abb. Taf. 89","2569"],["Hannover 1973, Nr. 549, S. 261--262","2699"],["Langfeld 2004, S. 140","2708"],["Nemitz 1954, Farbabb. S. 59","3095"],["Hodin 1968 a, S. 174 ","3213"],["Hodin 1966, S. 114 ","3490"],["Osten 1956, Abb. 14","3518"],["Grote 1964, Abb. 78 ","3550"],["Hannover 1985, Nr. 286 mit Farbabb.","3661"],["Hannover 1979, Nr. 416 mit Abb.","3961"],["Melchart 1986","4058"],["Paris 2022, Farbtaf. S. 196-197","43164"]],[["Tiere"],["Mädchen"],["Kinder"]]]},{"id":1331,"img":{"extraLarge":"AP_100042338_extraLarge.jpg","medium":"AP_100042338_medium.jpg"},"arr":["1931.13","Schloss Wilhelminenberg mit Blick auf Wien","Wien, vom Wilhelminenberg gesehen","1931","Öl/Lwd.","92.5 x 136.2 cm ","Bez. und datiert unten links: OKokoschka / 31. Auf der Rückseite datiert und beschriftet: 31 WIEN ","248","260, Farbtaf. XIX ","280","Wien Museum","26.10.1931, aus dem Kredit zur Förderung der Gegenwartskunst für 1930 ","52300","Wien Museum"],"mul":[[["Historisches Museum der Stadt Wien","Historisches Museum der Stadt Wien , Wien (26.10.1931)",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 81 "],["1962 Tate Gallery, London","8075","Nr. 114 "],["1946/47 Zürich","8124","Nr. 471 "],["1950 München","8139","Nr. 67 "],["1966 Zürich","8225","Nr. 72 "],["1997 Krumau","8285","S. [60], Farbtaf. S. [61]"],["1932/33 Künstlerhaus, Wien","8406","Nr. 441 mit Abb. "],["1947 Zürich, Kunsthaus","8415","Nr. 41 "],["1957 Salzburg","8468"," "],["1958 Wien","8541","Nr. 96 "],["1987 Gent","8571","Nr. 32, Farbabb. S. 104 "],["1986 London","8643","Nr. 76 mit Farbtaf. "],["1951 Berlin","8741","Nr. 34 "],["1961 Historisches Museum der Stadt Wien, Wien","8756","Nr. 28 "],["1980 Österreichische Galerie, Wien","8804","Nr. 80 "],["1971 Wien","8820","Nr. 58, Farbabb. 42 "],["1986 Zürich","8836","Nr. 78 mit Farbtaf. "],["1955 Österreichisches Museum für angewandte Kunst, Wien","8909","Nr. 53 "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 44 und 46, Farbabb. S. 45, S. 47 Fotos des Parks von Schloß Wilhelminenberg mit Blick auf Wien und auf das Schloß"],["1958 München, Haus der Kunst","8914","Nr. 97 "],["1985 Künstlerhaus, Wien","9048","Nr. 20/4/3, Farbabb. S. 493 "],["1986/87 Guggenheim, New York","9072","Nr. 59 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 63, Farbtaf. S. 180"],["2017 Wien, WIen Museum","24106","Nr. 2.1.4., Farbtaf. S. 79"],["2009 Wien","24107",""]],[["Lévêque 2005, S. 182 mit Farbabb.","2028"],["Sterk 1980, Farbabb. S. 76--77","2074"],["Monsel 1995, Farbabb. 37","2144"],["Schmalenbach F. 1967, Farbtaf. S. 69 ","2199"],["Österreichische Kunst 1932, Abb. S. [15]","2208"],["Curti 2001, S. [19] mit Farbabb.","2298"],["Kokoschka Briefe 3 1986, S. 44, Anm. S. 285 ","2381"],["Wingler 1951 a, Mappe II, S. [6-8], Farbtaf. 4 ","2406"],["Nebehay 1983 a, Farbabb. S. III/23 ","2462"],["Hoffmann 1947, S. 196--197 ","2499"],["Sultano 2003 a, S. 24, 33-34 ,Farbtaf. 2 S. 162","2542"],["Meier-Graefe 1946, Farbabb.","2622"],["Schmidt 1976, S. 129, Abb. S. 128 ","2747"],["Hofmann 2008, Farbabb. S. 25","2750"],["Poindront 2005, S. 75, Farbabb. S. 74","2847"],["Goldscheider 1963, S. 77 (Anm. 36), Farbtaf. 36 ","2855"],["Kokoschka Briefe 2 1985, S. 237; S. 238--239 (18. Sept. 31); S. 244--245 (9. I. 32), Anm. S. 318 ","2863"],["Lachnit 1991 a, S. 34, Abb. 7 ","2887"],["Waissenberger 1979, S. 179, Farbabb. 147","2906"],["Bisanz 1981, Abb. S. 365 ","2923"],["Windisch 2013, S. 214, Abb. 94","3001"],["Calvocoressi 2006, Farbtaf. S. [219]","3037"],["Meier-Graefe 1931","3049"],["Waissenberger 1984, Farbtaf. 71 ","3056"],["Künstler-Zednik 1932, S. 105-108, Abb. 60-62","3163"],["Hodin 1968 a, S. 95 ","3213"],["Spielmann 2003 a, S. 296--297, Abb. S. 297 und Farbtaf. S. 334","3309"],["Bultmann 1959, S. 98 und Farbtaf. 27 ","3434"],["Gatt 1972, Farbtaf. 31 ","3468"],["Whitford 1986, S. 154 ","3477"],["Hodin 1966, S. 57 ","3490"],["Werner 1991, S. 68, Farbtaf. 4 und Abb. S. [69] ","3555"],["Reinhold 2013, Farbabb.","3582"],["Rosenthaler 1988","3657"],["Wien 1984 b, Nr. 3/240, Farbabb. gegenüber S. 289","3675"],["Natter 1996 c, Abb. S. 80","3696"],["Wingler 1956, S. 67 ","3708"],["Ankwicz-Kleehoven 1932","3852"],["Keegan 1999, S. 169","3854"],["Lachnit 1993, S. 181--182, Abb. 169 und 170 ","3947"],["Bortolon 1984, S. 16 mit Farbtaf. ","4003"],["Westheim 1948, S. [11] und Farbtaf. [5] ","4138"]],[["Österreich"],["Wien"],["Figuren in Landschaft"]]]},{"id":1474,"img":{"extraLarge":"AP_100042483_extraLarge.jpg","medium":"AP_100042483_medium.jpg"},"arr":["1931.14","Trudl mit Kopf der Athena","\"Trudl II (mit Skulptur im Hintergrund)\"\n\"Trudl I (mit Vase im Hintergrund)\" ","1931","Öl/Lwd.","90 x 61 ","Bez. unten links: OK ","245, Taf. LXIV ","259; 261","281","Privatbesitz ","","","Privatbesitz"],"mul":[[["Neue Galerie, Otto Kallir-Nirenstein, Wien","Neue Galerie, Otto Kallir-Nirenstein, Wien (12.1933)",""],["Fürst Bruno und Erna","Bruno und Erna Fürst, Wien, Paris, Oxford","(lt. Erna Fürst wurde das Bild 1940--45 aus ihrer Pariser Wohnung entwendet)"],["Boldini","Sammlung Boldini, Ferrara",""],["Cardona-Boldini Emilia","Emilia Cardona-Boldini, Ferrara",""],["Farina Franco","Franco Farina, Ferrara",""],["Doria Vito","Vito Doria, Bologna",""]],[["1935 Salzburg","8273"," "],["[1947 Zürich, Kunsthaus]","8415","Nr. 40 "],["1986 London","8643","Nr. 75 mit Farbtaf. "],["2010/11 Appenzell","8684","S. 43, Farbtaf. S. 35, farb. Umschlagabb."],["1986 Zürich","8836","Nr. 77 mit Farbtaf. "],["1981/82 Rom","8934","Farbabb. S. 59 "],["1991 Wien","9033","Nr. 59 mit Farbtaf. (nicht ausgestellt) "]],[["Meier-Graefe 1931","3049"],["Der Wiener Kunstwanderer 1933, farb. Umschlagabb.","3779"],["Keegan 1999, S. 169","3854"]],[["Kinder"],["Mädchen"]]]},{"id":1339,"img":{"extraLarge":"AP_100042346_extraLarge.jpg","medium":"AP_100042346_medium.jpg"},"arr":["1931.15","Doppelbildnis Trudl und Hanni","Mädchen Doppelbild\nDouble-Portrait: Trudl the amazon and Trudl, motherly\n\"Trudl - Doppelbildnis (1931)\" ","1931","Öl/Lwd.","101 x 71.5 cm ","Bez. und datiert oben links: OK 1931 ","246, Taf. LXIII","262","282","Museum of Fine Arts, Boston ","8.11.1961, Seth K. Sweetser Fund","61.1138","Seth K. Sweetser Fund"],"mul":[[["Kochmann Franz","Franz Kochmann, Dresden (3.1932)","ab 1940 Utrecht; am 4. April 1940 von Kochmann im Gemeentemuseum Den Haag eingelagert, Rückgabe am 2. Mai 1946"],["Galerie Neue Kunst Fides","Galerie Neue Kunst Fides, Dresden (3.1932)",""],["Hahn Willy","Willy Hahn, Stuttgart (1953-1957)",""],["Lock Galleries","Lock Galleries, New York",""]],[["1935 Zürich, Kunsthaus","8349","Nr. 99 "],["1958 Wien","8541","Nr. 97, Abb. S. 64 "],["1962 Boston","8700"," "],["1932 Dresden","8729","Brief Rudolf Probst an OK\nvom 16.2.1949, ZBB Nachl. O. Kokoschka 362.43"],["1932 Venedig, Biennale, Padiglione dell'Austria","8842","1. Ausg. des Kat., Nr. 20 u. d. T. \"Stelle marine\" mit Abb.; 2. Ausg. Nr. 19 u. d. T. \"Due ragazze\" mit Abb."],["1958 München, Haus der Kunst","8914","Nr. 98, Abb. S. 64 "]],[["Hoffmann 1947, S. 216--217 ","2499"],["Boston 1976, S. 306, Abb. S. 307 ","2617"],["Boston 1985, S. 157 mit Abb.","2652"],["Langfeld 2004, S. 140, 202, Anm. 115","2708"],["Kokoschka Briefe 2 1985, S. 240 (Ende 1931 Sonntag); S. 244--245 (9. I. 32), Anm. S. 318, 319; S. 247 (5. März 32), Anm. S. 319; S. 248; S. 250, Anm. S. 322; S. 252, Anm. S. 320","2863"],["Spielmann 2003 a, S. 297","3309"],["The Art Quarterly 1962, S. 94","3398"],["Boston 1961, S. 70, Abb. S. 62","3427"],["Der Wiener Kunstwanderer 1933, Abb. S. 15","3779"],["Holz 2015, S. 101","4043"]],[["Doppelbildnis"],["Kinder"],["Mädchen"]]]},{"id":1380,"img":{"extraLarge":"AP_100042387_extraLarge.jpg","medium":"AP_100042387_medium.jpg"},"arr":["1932.01","Robert Freund II","Dr. Robert Freund II","[1932]","Öl/Lwd.","73.5 x 52.7 cm ","Bez. unten links: OK "," ","254 (ohne Abb.) ","267","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Westheim Paul","Paul Westheim, Berlin (1931)","vor seiner Flucht aus Deutschland 1933 an Frau Dr. Charlotte Weidler zu treuen Händen übergeben, die das Bild im August 1971 verkaufte"],["Serge Sabarsky Gallery","Serge Sabarsky Gallery, New York und Margarethe Schultz, Great Neck, N.Y. (8.1971)",""],["Georg Waechter Memorial Foundation","Georg Waechter Memorial Foundation, Genf (21.5.1975)",""],["Sotheby's","Sotheby's, New York (1.5.1996, Nr. 8 mit Farbabb.)",""]],[["1984 Vevey","8050","Nr. 17 "],["1987 Gent","8571","Nr. 33, Farbtaf. S. 105 "],["1983 Bordeaux","9016","Nr. 27, Abb. S. 105 "]],[["Koldehoff 2009, S. 42, 52","2238"],["Tatzkow 2009, S. 31, 36, 42, 43, Farbtaf. S. 35","2544"],["Feilchenfeldt 2009 a, S. 260-262 (zur Person Robert Freund)","2599"],["Rotermund-Reynard 2010","2826"],["Sotheby's New York 1996, Nr. 8 mit Farbabb.","3481"]],[["Männliches Bildnis"]]]},{"id":1486,"img":{"extraLarge":"AP_100042497_extraLarge.jpg","medium":"AP_100042497_medium.jpg"},"arr":["1932.02","Constantin Brancusi","","[1932]","Öl/Lwd.","100 x 81 ","Unbez.","","","284a","Centre Georges-Pompidou Paris","1957 mit dem Nachlass des Künstlers","AM 5025 P ",""],"mul":[[["Brancusi Constantin","Constantin Brancusi, Paris",""]],[["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 47, Farbtaf. S. 171"]],[["Gatt 1972, Farbtaf. S. 42","3468"],["Jianou 1963, S. 77","18168"],["Brezianu 1974, S. 27, Abb. S. 35","20185"],["Bach/Rowell/Temkin 1995, S. 379","20186"],["Lemma/Tabart 1997, S. 272","20188"],["Paris 2022, Farbtaf. S. 171","43164"]],[["Männliches Bildnis"]]]},{"id":1002,"img":{"extraLarge":"AP_100042006_extraLarge.jpg","medium":"AP_100042006_medium.jpg"},"arr":["1932.03","Mädchen mit Blumen","","[1932]","Öl/Lwd.","73 x 60 cm ","Bez. unten links: OK"," ","159 ","283","Privatbesitz","","","Privatbesitz"],"mul":[[["Kunsthandel Paris [Galerie Bernier, Paris?]","Kunsthandel Paris [Galerie Bernier, Paris?]",""],["Neue Galerie, Otto Kallir-Nirenstein, Wien","Neue Galerie, Otto Kallir-Nirenstein, Wien (7.1934-1937)",""],["Meister K.","K. Meister, Basel",""],["Galerie Beyeler","Galerie Beyeler, Basel (um 1952–31.7.1956)",""],["Galerie Aenne Abels","Galerie Aenne Abels, Köln (31.7.1956)",""],["Green Jerome","Jerome Green, New York",""],["Sotheby Parke Bernet","Sotheby Parke Bernet, London (29. Nov. 1972, Nr. 48 mit Farbtaf.)",""],["Marlborough Fine Art","Marlborough Fine Art, London (29.11.1972)",""],["Christie's","Christie's, New York (9.11.2006, Nr. 406 mit Farbabb.)",""],["Salis & Vertes","Salis & Vertes, Salzburg (9.11.2006)",""]],[["2001 New York","8011","Nr. 11, Farbtaf. S. 18"],["1962 Tate Gallery, London","8075","Nr. 70 "],["1950 München","8139","Nr. 49 "],["1955 Beyeler, Basel","8152","Nr. 30 mit Abb. "],["1956 Zürich","8201","Nr. 124 "],["1935 Salzburg","8273",""],["1994/95 Bielefeld","8301","Nr. 2, S. 275, Farbtaf. S. 49"],["1937 Paris","8318","Nr. 535 "],["1957 Abels, Köln","8367","Nr. 8 mit Abb."],["1947 Basel, Kunsthalle","8376","Nr. 140 "],["1947 Zürich, Kunsthaus","8415","Nr. 19 "],["1981 London, Marlborough","8496","Nr. 18, Farbtaf. S. 41 "],["1968 New York, Marlborough-Gerson","8505","Nr. 28 mit Farbabb. "],["1981 New York, Marlborough","8535","Nr. 18, Farbtaf. S. 41 "],["1958 Wien","8541","Nr. 53 "],["1966 New York","8544","Nr. 26, Farbabb. S. 47 "],["1975 Madrid","8555","Nr. 4, Farbabb. 12 S. 13 "],["1987 Gent","8571","Nr. 20, Farbtaf. S. 94 "],["1986 London","8643","Nr. 51 mit Farbtaf. "],["1988 Barcelona","8659","Nr. 21, Farbtaf. S. 55 "],["1951 Berlin","8741","Nr. 27 "],["1952 Basel","8779","Nr. 20 "],["1986 Zürich","8836","Nr. 52 mit Farbtaf. "],["1978 Kamakura","8846","Nr. 5, Abb. 5 "],["1958 München, Haus der Kunst","8914","Nr. 55 "],["1981/82 Rom","8934","Farbabb. S. 52 "],["1966 London","8938","Nr. 6, Abb. S. 23 "],["1937 Bern","9000","Nr. 85 "],["1983 Bordeaux","9016","Nr. 16, Abb. S. 91 "],["1991 Wien","9033","Nr. 57 mit Farbtaf. "],["1986/87 Guggenheim, New York","9072","Nr. 41 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 64, Farbtaf. S. 177"]],[["Sotheby Parke Bernet 1972 b, Nr. 48 mit Farbtaf.","2181"],["Christie's New York 2006, Nr. 406 mit Farbabb.","3066"],["Spielmann 2003 a, S. 298","3309"],["Gurdjian 1991, Farbtaf. S. 182","3711"]],[["Figuren in Landschaft"],["Mädchen"]]]},{"id":1044,"img":{"extraLarge":"AP_100042048_extraLarge.jpg","medium":"AP_100042048_medium.jpg"},"arr":["1932.04","Selbstbildnis mit Mütze","","1932","Öl/Lwd.","98 x 71 cm ","Bez. unten rechts: OK ","254","263, Farbtaf. XXI ","284","Piano Nobile Fine Paintings, London","","",""],"mul":[[["Eisler O.","O. Eisler, Brünn (bis mind. 1944)",""],["Löw-Beer Alice Bettina","Alice Bettina Löw-Beer, Epsom (1945/46–1991)",""],["Low-Beer Thomas Stephen","Thomas Stephen Low-Beer, Birmingham",""],["Low-Beer Ann","Ann Low-Beer, Birmingham (2004–2008)","1994-2008 als Leihgabe im Birmingham Museum and Art Gallery, Birmingham und in The Barber Institute of Fine Arts, Birmingham"],["Marlborough Fine Art","Marlborough Fine Art, London (2008–24.6.2010)",""]],[["1962 Tate Gallery, London","8075","Nr. 115, Abb. 31 "],["1944 Belfast","8100","Nr. 34 mit Abb. "],["1971 München","8125","Nr. 34 mit Abb. "],["1950 München","8139","Nr. 69 "],["1966 Zürich","8225","Nr. 73 "],["1941 Edinburgh","8276","Nr. 81 mit Abb. "],["1966 Karlsruhe","8284","Nr. 48 "],["1994/95 Bielefeld","8301","Nr. 77, S. 288, Farbtaf. S. 194"],["1958 Den Haag","8309","Nr. 63 Abb. "],["1947 Basel, Kunsthalle","8376","Nr. 125 "],["1947 Zürich, Kunsthaus","8415","Nr. 39 "],["1977 München","8455","Nr. 36, Abb. 10 "],["1981 London, Marlborough","8496","Nr. 28 "],["[1942 Royal Society of British Artists Galleries, London]","8528",""],["1981 New York, Marlborough","8535","Nr. 28, Abb. S. 51 "],["1958 Wien","8541","Nr. 98, Abb. S. 65 "],["1986 London","8643","Nr. 77 mit Farbtaf. "],["1951 Berlin","8741","Nr. 35 "],["1947 Amsterdam","8829","Nr. 30 "],["1958 München, Haus der Kunst","8914","Nr. 99, Abb. S. 65 "],["1966 London","8938","Nr. 8, Abb. S. 25 "],["1986/87 Guggenheim, New York","9072","Nr. 60 mit Farbtaf. (nicht ausgestellt) "]],[["Curti 2001, S. 20 mit Farbabb.","2298"],["Wingler 1951 a, Mappe II, S. [8-9], Farbtaf. 5 ","2406"],["Wingler 1957, S. 132, Farbabb. S. 133 ","2423"],["Teufelberger 1994, Abb. 25","2557"],["Du 1981, S. 27, Farbbb. 5","2998"],["Hodin 1968 a, S. 320 ","3213"],["Palkovsky 1958, Abb. 35 ","3411"],["Bultmann 1959, S. 40, 100, Farbtaf. 28 ","3434"],["Gatt 1972, Farbabb. 30 ","3468"],["Hodin 1966, Abb. 40 ","3490"],["Bosman 1964, Abb. S. 50 ","4028"]],[["Selbstbildnis"],["Männliches Bildnis"]]]},{"id":1160,"img":{"extraLarge":"AP_100042166_extraLarge.jpg","medium":"AP_100042166_medium.jpg"},"arr":["1932.05","Stillleben mit Krug, Schale und Früchten","","[1932]","Öl/Lwd.","59.5 x 73 cm ","Bez. unten links: OK","","","278","Privatbesitz","","","Privatbesitz"],"mul":[[["Privatbesitz","Privatbesitz, Mährisch Ostrau",""],["Privatbesitz","Privatbesitz, Pressburg (Bratislava)",""],["Galerie bei der Albertina Zetter Christa","Galerie bei der Albertina, Christa Zetter, Wien (29.10.1990)",""],["Privatbesitz","Privatbesitz, Salzburg (1992)",""],["Galerie Wienerroither & Kohlbacher","Galerie Wienerroither & Kohlbacher, Wien",""]],[],[],[["Stillleben"]]]},{"id":1456,"img":{"extraLarge":"AP_100042465_extraLarge.jpg","medium":"AP_100042465_medium.jpg"},"arr":["1933.01","Bob Gésinus-Visser I (als Bacchus)","","1933","Öl/Lwd.","98.1 x 115.6 cm ","Bez. und datiert unten links: OK 1933","256 ","274","285","Minneapolis Institute of Art","1961, Schenkung David Daniels","61.48","Schenkung David Daniels"],"mul":[[["Gésinus-Visser Bob","Bob und Elizabeth Gésinus-Visser, Rapallo/ab 1937-1958 Südamerika (Valparadiso, La Paz, Lima)",""],["Feigl Gallery","Feigl Gallery, New York",""],["Daniels David","David Daniels, New York (bis 1961)",""]],[["1958 Den Haag","8309","Nr. 65 "],["1958 Wien","8541","Nr. 100, Abb. S. 68 "],["1948 Buchholz, New York","8885","Nr. 11 "],["1958 München, Haus der Kunst","8914","Nr. 101, Abb. S. 68 "],["1983 Bordeaux","9016","Nr. 29, Abb. S. 107 "]],[["Clark 1962, S. 104, Abb. S. 105","2513"],["Linnenkamp 1984, Abb. S. 17 und Foto S. 59","2881"],["Kokoschka 1971, S. 229 ","2894"],["Sabato 1949, Abb. als Frontispiz","3221"],["Spielmann 2003 a, S. 300-301, Abb. S. 301","3309"],["The Art Quarterly 1962, S. 94","3398"],["Platschek 1946, Abb. 36 ","3496"]],[["Männliches Bildnis"]]]},{"id":1220,"img":{"extraLarge":"AP_100042226_extraLarge.jpg","medium":"AP_100042226_medium.jpg"},"arr":["1933.02","Bob Gésinus-Visser II (mit Hund)","","1933","Öl/Lwd.","91.5 x 73 cm ","Bez. Mitte links: OK ","255 ","275 ","286","Privatbesitz","","","Privatbesitz"],"mul":[[["Gésinus-Visser Bob","Bob und Elizabeth Gésinus-Visser, Rapallo/ab 1937-1958 Südamerika (Valparadiso, La Paz, Lima)",""],["Sotheby Parke Bernet","Sotheby Parke Bernet, New York (7.11.1979)",""],["Privatbesitz","Privatbesitz, Brüssel (7.11.1979–17.9.2015)",""]],[["2015 New York","8516",""],["1987 Gent","8571","Nr. 34 "]],[["Linnenkamp 1984, Abb. S. 62 (früher Zustand ohne Hund), Foto S. 59","2881"],["Der Wiener Kunstwanderer 1933, Abb. S. 26","3779"],["Sotheby Parke Bernet New York 1979 b, Nr. 585 mit Farbabb","35164"]],[["Männliches Bildnis"]]]},{"id":1454,"img":{"extraLarge":"AP_100042463_extraLarge.jpg","medium":"AP_100042463_medium.jpg"},"arr":["1933.03","Elizabeth Gésinus-Visser I (mit Hut)","","1933","Öl/Lwd.","65 x 80 cm ","Bez. unten links: OK ","257 ","276 ","287","Privatbesitz, London","","","Privatbesitz, London"],"mul":[[["Gésinus-Visser Bob","Bob und Elizabeth Gésinus-Visser, Rapallo/ab 1937-1958 Südamerika (Valparadiso, La Paz, Lima)",""],["Harat Caroline","Caroline Harat, Monte Carlo",""],["Sotheby Parke Bernet","Sotheby Parke Bernet, London (3.12.1975, Nr. 76 mit Farbtaf.)",""],["Galerie Nicoline Pon","Galerie Nicoline Pon, Zürich (1976)",""],["Steinfels Zürich, Kunstauktion Dr. Erich Steinfels","Steinfels Zürich, Kunstauktion Dr. Erich Steinfels, Zürich (20./21.2.1981, S. 36, Nr. 1531 mit Abb.und Farbabb. Auf dem Titelblatt)",""],["Artus-Club San Francisco-Zürich","Artus-Club San Francisco-Zürich (2./3.1981–1983)","durch Galerie Max G. Bollag, Zürich"],["Christie's","Christie's, London (21.6.2018, Nr. 398 mit Farbtaf.)",""]],[["1976 Galerie Nicoline Pon, Zürich","8268","Nr. 100"]],[["Schweizerische Gesellschaft 1983, <Schweizerische Gesellschaft der Freunde von Kunstauktionen,< Zürich, 19. Okt. 1983, Nr. 16","2539"],["Sotheby Parke Bernet 1975 b, Nr. 76 mit Farbtaf.","2771"],["Linnenkamp 1984, Abb. S. 51, Foto S. 59","2881"],["Steinfels Zürich 1981, Nr. 1531 mit Abb.und Farbabb. auf dem Titelblatt","4104"],["Christie's London 2018 b, Nr. 398 mit Farbtaf.","39164"]],[["Weibliches Bildnis"]]]},{"id":1256,"img":{"extraLarge":"AP_100042262_extraLarge.jpg","medium":"AP_100042262_medium.jpg"},"arr":["1933.04","Elizabeth Gésinus-Visser II (mit Vase)","","1933","Öl/Lwd.","101.6 x 78.1 cm ","Bez. unten rechts: OK ","258 ","277 ","288","Schütz Fine Art, Wien"," ","","Schütz Fine Art, Wien"],"mul":[[["Gésinus-Visser Bob","Bob und Elizabeth Gésinus-Visser, Rapallo/ab 1937-1958 Südamerika (Valparadiso, La Paz, Lima)",""],["Kleeman Galleries","Kleeman Galleries, New York",""],["The Art Institute of Chicago","The Art Institute of Chicago (3.2.1948 – 24.1.1955)",""],[" Elkan & Abris Silberman Galleries","E. & Abris Silberman Galleries, New York (24.1.1955– mind. 1959)",""],["Blutman Harry Austin","Harry Austin Blutman, New York",""],["Josephine Trauner Grace Gabe und","Grace Gabe und Josephine Trauner, New York",""],["James Goodman Gallery","James Goodman Gallery, New York (1997) (in Kommission)","(in Kommission)"],["Brenner Bernhard","Bernhard Brenner, Anif bei Salzburg (8.1997)",""],["Christie's","Christie's, London (7.10.1999, Nr.75 mit Farbabb.)",""],["Hascoe Norman und Suzanne","Norman und Suzanne Hascoe, Greenwich, Conn. (7.10.1999–13.6.2011)",""],["Sotheby's","Sotheby's, London (13.6.2011, Nr. 60 u.d.T.: \"LILY GESINUS-VISSER II (LILY GESINUS VISSER II)\" mit Farbabb.)",""]],[["1958 Den Haag","8309","Nr. 66 "],["1958 Wien","8541","Nr. 101, Abb. S. 69 "],["1958 München, Haus der Kunst","8914","Nr. 102, Abb. S. 69 "],["1959 Silberman, New York","9043","Nr. 15 "]],[["Linnenkamp 1984, S. 59, Abb. S. [19], Photo S. 25 ","2881"],["Kokoschka 1971, S. 229 ","2894"],["Bulletin Art Institute Chicago 1949","3383"],["Platschek 1946, Abb. 37 ","3496"],["Grote 1964, Abb. 78 ","3550"],["Sotheby's London 2011 a, Nr. 60 mit Farbabb.","3920"],["Christie's London 1999, Nr.75 mit Farbabb.","3946"]],[["Weibliches Bildnis"]]]},{"id":1329,"img":{"extraLarge":"AP_100042336_extraLarge.jpg","medium":"AP_100042336_medium.jpg"},"arr":["1933.05","Ligurische Landschaft bei Rapallo","Ligurische Landschaft","1933","Öl/Lwd.","70.3 x 90.8 cm ","Bez. unten links: OK ","242 ","271 ","291","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Kunstsalon Paul Cassirer","Kunstsalon Paul Cassirer, Berlin",""],["Bankhaus Delbrück - Schickler","Bankhaus Delbrück - Schickler, Berlin",""],["Graupe Paul","Paul Graupe, Berlin (27.5.1935, Nr. 70 (Einlieferer: Bankhaus D. - Sch., Berlin))",""],["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam (9.5.1935–30.5.1942)",""],["Graphisches Kabinett der Bücherstube am Dom","Graphisches Kabinett der Bücherstube am Dom, Köln (30.5.1942)",""],["Galerie Günter Franke","Galerie Günter Franke, München",""],["Domizlaff Hans","Hans Domizlaff, Hamburg (Sommer 1943)",""],["Domizlaff Dora","Dora Domizlaff, Hamburg (bis 1984)",""],["Kunsthandel Giese und Schweiger","Kunsthandel Giese und Schweiger, Wien",""],["Kunsthaus Lempertz","Kunsthaus Lempertz, Köln (24.-25.11.1972, Nr. 496, Farbtaf. II)",""],["Galerie Utermann","Galerie Utermann, Dortmund (1980)",""],["Hauswedell & Nolte","Hauswedell & Nolte, Hamburg (9.6.1983, Nr. 811 mit Farbtaf. 11)",""],["Trauttmannsdorff Ferdinand Graf","Ferdinand Graf Trauttmannsdorff, Wien (7.1984)",""],["Privatbesitz","Privatbesitz, Wien",""],["Im Kinsky","Im Kinsky, Wien (10.5.2011, Nr. 51 mit Farbabb. )",""],["Galerie bei der Albertina Zetter Christa","Galerie bei der Albertina Christa Zetter, Wien (2011)",""],["Sotheby's","Sotheby's, New York (7.11.2012, Nr. 224 mit Farbabb., nicht verkauft)",""]],[["1939 Utrecht","8026","Nr. 10 "],["1951 Köln, Kunstverein","8055","Nr. 23"],["2006/07 Rovereto","8360","Farbtaf. 93"],["1986 Hochschule für angewandte Kunst, Wien","8911","Nr. 142, Farbabb. S. 143 "],["1933/34 Prag","9035","Nr. 12 "]],[["Kovacek 2011, Kat. Nr. 26 mit Farbabb.","2006"],["Hauswedell 1983, Nr. 811 mit Farbtaf. 11","2678"],["Spielmann 2003 a, S. 301, Anm. 70, S. 501","3309"],["Sotheby's New York 2012 d, Nr. 224 mit Farbabb. ","3396"],["Lempertz 1972, Nr. 496, Farbtaf. II ","3650"],["Wingler 1956, S. 59 ","3708"],["Im Kinsky Wien 2011, Nr. 51 mit Farbabb. ","3970"]],[["Italien"]]]},{"id":1279,"img":{"extraLarge":"AP_100042285_extraLarge.jpg","medium":"AP_100042285_medium.jpg"},"arr":["1933.06","Rapallo, Blick auf die Bucht","","1933","Öl/Lwd.","81 x 100 cm ","Bez. unten links: OK "," ","272, Taf. 92","292","Privatbesitz","","","Privatbesitz"],"mul":[[["Neue Galerie, Otto Kallir-Nirenstein, Wien","Neue Galerie, Otto Kallir-Nirenstein, Wien (22.7.1933)",""],["Mandl Otto","Otto Mandl, Wien [1934]",""],["Diamond Harold","Harold Diamond, New York","zeitweise als Leihgabe im Guggenheim Museum, New York"],["Parke-Bernet Galleries","Parke-Bernet Galleries, New York (11.11.1970, Nr. 51, u.d.Titel: \"Tal bei Rapallo\" )",""],["Fischer Fine Art Ltd.","Fischer Fine Art Ltd., London (1970)",""],["Galerie Kunstsalon Wolfsberg","Galerie Kunstsalon Wolfsberg, Zürich (1976)",""],["Koradi Heinrich","Heinrich Koradi, Zürich (1976)",""],["Berger Arnold","Arnold Berger, Zürich (22.6.1984)",""],["Sotheby's","Sotheby's, London (3.4.1990, Nr. 35 mit Farbabb., nicht verkauft)",""],["Galerie Art Focus","Galerie Art Focus, Zürich (1997)",""]],[["1973 Fischer, London","8104","Nr. 33 "],["1935 Salzburg","8273",""],["1935 Zürich, Kunsthaus","8349","Nr. 102 u. d. T. \"Landschaft Rapallo, gross\""],["1976 Zürich","8754","mit Farbabb. "],["1973 London, Marlborough","8763","Nr. 33 "],["1934 Neue Galerie, Wien","8864","Nr. 12"],["1933/34 Prag","9035","Nr. 9 "]],[["Crisanti 2003, S. 65, Farbabb. 20","2953"],["Sotheby's London 1990 a, Nr. 35 mit Farbabb. ","2956"],["Spielmann 2003 a, S. 301, Anm. 70, S. 501","3309"],["Der Wiener Kunstwanderer 1933, Abb. S. 19 (u.d.T.: \"Ligurische Küste\")","3779"],["Parke Bernet Galleries New York 1970, Nr. 51","26166"]],[["Italien"]]]},{"id":1248,"img":{"extraLarge":"AP_100042254_extraLarge.jpg","medium":"AP_100042254_medium.jpg"},"arr":["1933.07","Rapallo bei Sturm","","1933","Öl/Lwd.","73 x 92.5 cm ","Bez. unten links: OK "," ","278 ","293","Privatbesitz","","","Privatbesitz"],"mul":[[["Neue Galerie, Otto Kallir-Nirenstein, Wien","Neue Galerie, Otto Kallir-Nirenstein, Wien (1933)",""],["Mandl Otto","Otto Mandl, Mostek/Wien/später New York (1934/35)",""],["","als Depositum in Schloss Sychrov bei Turnov (Nordböhmen) gefunden (1959)",""],["Nationalgalerie","Nationalgalerie, Prag (1961–68)","verkauft"],["Kunsthandlung Silvano Lodi","Kunsthandlung Silvano Lodi, München (1968)",""],["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich (1968)",""],["Roman Norbert Ketterer","Roman Norbert Ketterer, Campione d'Italia (1969–1972)",""],["Privatbesitz","Privatbesitz, Zürich (1972–1988)",""],["Privatbesitz","Privatbesitz, Schweiz (1988–2014)",""],["Villa Grisebach","Villa Grisebach, Berlin (27.11.2014, Nr. 46 mit Farbabb.)",""]],[["1934 Neue Galerie, Wien","8864","Nr. 18"],["1933/34 Prag","9035","Nr. 10 mit Abb. "]],[["Ketterer 1969, Nr. 56, Farbtaf. S. 101 ","2088"],["Spielmann 2003 a, S. 301 und Anm. 70, S. 501","3309"],["Villa Grisebach 2014, Nr. 46 mit Farbabb. S. 89","3690"],["Ketterer 1971, Nr. 69 mit Farbtaf. ","4136"]],[["Rapallo"],["Italien"]]]},{"id":1260,"img":{"extraLarge":"AP_100042266_extraLarge.jpg","medium":"AP_100042266_medium.jpg"},"arr":["1933.08","Weiblicher Akt in Ligurischer Landschaft","","1933","Öl/Lwd.","60 x 72.5 cm ","Bez. unten rechts: OK "," "," ","294","unbekannt","","","Privatbesitz"],"mul":[[["Bonafous-Murat Arsène","Arsène Bonafous-Murat, Paris (1969)",""]],[["1983 Bordeaux","9016","Nr. 20, Abb. S. 96 "]],[],[["Figuren in Landschaft"],["Akte"]]]},{"id":1217,"img":{"extraLarge":"AP_100042223_extraLarge.jpg","medium":"AP_100042223_medium.jpg"},"arr":["1933.09","Signora della Ragione","","1933","Öl/Lwd.","65.1 x 85.1 cm ","Bez. unten links: OK"," "," ","289","Stiftung Schleswig-Holsteinische Landesmuseen Schloss Gottorf, Landesmuseum für Kunst und Kulturgeschichte, Schleswig","11.6.1996 mit Unterstützung des Freundeskreises Schloss Gottorf","1996/306","Stiftung Schleswig-Holsteinische Landesmuseen Schloss Gottorf, Landesmuseum für Kunst und Kulturgeschichte, Schleswig"],"mul":[[["Feigl Gallery","Feigl Gallery, New York",""],["Privatbesitz","Privatbesitz, New York (um 1957)",""],["Christie's","Christie's, New York (15.11.1990, Nr. 255 mit Farbabb., nicht verkauft)",""],["Christie's","Christie's, New York (9.5.1991, Nr. 246 mit Farbabb.)",""],["Loudmer Paris (Commissaire Priseur S.C.P.)","Loudmer Paris (Commissaire Priseur S.C.P.), Paris (13.6.1994, Nr. 86 mit Farbabb.)",""],["Galerie Fischer","Galerie Fischer, Luzern (24.11.1995, Nr. 2084 mit Farbabb., nicht verkauft)",""],["Wiener Kunst Auktionen","Wiener Kunst Auktionen, Wien (11.6.1996, Nr. 223 mit Farbabb.)",""]],[],[["Christie's New York 1991, Nr. 246 mit Farbabb. ","2175"],["Christie's New York 1990 b, Nr. 255 mit Farbabb. ","2912"],["Galerie Fischer Luzern 1995, Nr. 2084 mit Farbabb. ","2964"],["Loudmer Paris 1994, Nr. 86 mit Farbabb. ","3285"],["Spielmann 2003 a, S. 301 mit Abb.","3309"],["Jahrbuch des Schleswig-Holsteinischen Landesmuseums Schloß Gottorf 1999, S. 271","3799"],["Wiener Kunst Auktionen 1996, Nr. 223 mit Farbabb. ","3935"]],[["Weibliches Bildnis"]]]},{"id":1401,"img":{"extraLarge":"AP_100042408_extraLarge.jpg","medium":"AP_100042408_medium.jpg"},"arr":["1933.1","Die Spitzenklöpplerin","Italienische Bauersfrau","[1933]","Öl/Lwd.","65.5 x 80 cm ","Bez. unten links: OK ",""," ","290","Sammlung Leopold II","22. Mai 2014","","Leopold Museum, Wien, Inv. 6025"],"mul":[[["Leicester Gallery","Leicester Gallery, London",""],["Silberman Galleries E. & A. ","E. & A. Silberman Galleries, New York",""],["Parke-Bernet Galleries","Parke-Bernet Galleries, New York (20.11.1968, Nr. 48 mit Farbtaf., u.d.T.: \"Italienische Bauersfrau\")",""],["Cantor B. Gerald","B. Gerald Cantor, Beverly Hills, Calif./später New York (20.11.1968)",""],["Sotheby's","Sotheby's, New York (3.11.2011, Nr. 388 mit Farbabb.)",""],["Dorotheum","Dorotheum, Wien (22.5.2014, Nr. 1136 mit Farbabb.)",""]],[["1970/71 Des Moines","8552","Nr. 9 mit Farbtaf. u. d. T. „Italian Peasant Woman“"],["2018/2019 Zürich","21106","Nr. 65, Farbtaf. S. 189"]],[["Sotheby's New York 2011 b, Nr. 388 mit Farbabb.","2676"],["Parke-Bernet Galleries 1968 b, Nr. 48 mit Farbtaf. ","3064"],["Dorotheum 2014, Nr. 1136 mit Farbabb. ","3364"]],[["Weibliches Bildnis"]]]},{"id":1105,"img":{"extraLarge":"AP_100042111_extraLarge.jpg","medium":"AP_100042111_medium.jpg"},"arr":["1933.11","Antike Statue (Genua)","\"Herkules (bei Rapallo)\"","1933","Öl/Lwd.","66 x 58.4 cm ","Bez. unten links: OK "," ","273 ","295","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Neue Galerie, Otto Kallir-Nirenstein, Wien/Galerie St. Etienne, Otto Kallir, New York","Neue Galerie, Otto Kallir-Nirenstein, Wien/Galerie St. Etienne, Otto Kallir, New York (22.7.1933-1938 und 1939-1957)",""],["Blutman Harry Austin","Harry Austin Blutman, New York (15.1.1958)",""],["Josephine Trauner Grace Gabe und","Grace Gabe und Josephine Trauner, New York",""],["James Goodman Gallery","James Goodman Gallery, New York (1997)",""],["Kunsthandel Hieke","Kunsthandel Hieke, Wien (2007–2008)",""]],[["1955 Beyeler, Basel","8152","Nr. 31 "],["1949 St. Etienne, New York","8184"," "],["1935 Salzburg","8273"," "],["1940 Galerie St. Etienne, New York","8726","Nr. 9 "],["1953 Galerie St. Etienne, New York","8945",""],["1933/34 Prag","9035","Nr. 8 "],["2008 Linz","9042","Farbtaf. S. 97"]],[],[]]},{"id":1367,"img":{"extraLarge":"AP_100042374_extraLarge.jpg","medium":"AP_100042374_medium.jpg"},"arr":["1933.12","Genua, Hafen","","1933","Öl/Lwd.","80 x 100 cm ","Bez. unten links: OK "," ","266, Taf. 93 ","296","Privatbesitz","2014","","Privatbesitz"],"mul":[[["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam",""],["Hoenigsberg Irma","Irma Hoenigsberg, Paris",""],["Bührle Emil Georg","Emil Georg Bührle, Zürich (erworben von P. Hoenigsberg 27.3.1953)",""],["Hortense Anda-Bührle, Zürich (1967-2014)","Hortense Anda-Bührle, Zürich (1967-2014)",""]],[["1962 Tate Gallery, London","8075","Nr. 117 "],["1966 Zürich","8225","Nr. 74 "],["1955 München","8328","Nr. 773 "],["1972 Genua","8393"," "],["1962/1963 Hamburg","8422","Nr. 57 mit Abb. "],["1971 Wien","8820","Nr. 60, Abb. 41 "],["1958 Zürich","8826","Nr. 292 "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 138, Farbabb. S. 139 "],["1955 Wien, Secession","8960","Nr. 35 "]],[["Schmalenbach F. 1967, Farbtaf. S. 70 ","2199"],["Wingler 1957, S. 134, Farbabb. S. 135 ","2423"],["Crisanti 2003, S. 64, Farbabb. 19","2953"],["Westheim 1959, S. 10, farb. Titelbild ","3183"],["Spielmann 2003 a, S. 301, Farbtaf. S. 335","3309"],["Bultmann 1959, Farbabb. S. 38","3434"],["Wingler 1956, S. 56 ","3708"],["Bührle 1958, Nr. 292","3739"]],[["Genua"],["Italien"]]]},{"id":1468,"img":{"extraLarge":"AP_100042477_extraLarge.jpg","medium":"AP_100042477_medium.jpg"},"arr":["1933.13","Santa Margherita, Hafen","Santa Margherita, Boote","1933","Öl/Lwd. ","74.3 x 92.1 cm ","Bez. unten links: OK ","241 ","268 ","297","Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC","17. Mai 1966, Schenkung Joseph H. Hirshhorn Foundation","1966.2778","Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966"],"mul":[[["Kunsthandel Paul Cassirer & Co.","Kunsthandel Paul Cassirer & Co., Amsterdam",""],["Neue Galerie, Otto Kallir-Nirenstein, Wien/Galerie St. Etienne, Otto Kallir, New York","Neue Galerie, Otto Kallir-Nirenstein, Wien/Galerie St. Etienne, Otto Kallir, New York (1938-1949)",""],["Kende Galleries at Gimbel Brothers","Kende Galleries at Gimbel Brothers, New York (4.2.1949)",""],["Leonard Hutton Galleries","Leonard Hutton Galleries, New York (4.2.1949)",""],["Hirshhorn Joseph","Joseph Hirshhorn, Washington (1.4.1959)",""]],[["1943 New Orleans","8017"," "],["1965 New Jersey","8077"," Nr. 47 mit Abb."],["1942 Saint Louis","8134"," "],["1941 Chicago","8292","Nr. 19 "],["1968 New York, Marlborough-Gerson","8505","Nr. 29 mit Abb. "],["1988 Barcelona","8659","Nr. 37, Farbtaf. S. 71 "],["1965 Brooklyn Museum, New York","8680","Nr. 83 "],["1940 Galerie St. Etienne, New York","8726","Nr. 2 "],["1941 Kalamazoo","8962"," "],["1939 Paris","8964"," "],["1991 Wien","9033","Nr. 60 mit Farbtaf. "],["1933/34 Prag","9035","Nr. 11 "]],[["Rose 1978, Abb.","2527"],["Weisenborn 1941","2910"],["Crisanti 2003, S. 65--66, Abb. 21","2953"],["Spielmann 2003 a, S. 301, Farbtaf. S. 336","3309"],["Lerner 1974, S. 708, Farbtaf. 490","3731"],["Kende Galleries 1949","4091"],["Bier 1945, S. 9 mit Abb.","4120"]],[["Santa Margherita"],["Italien"]]]},{"id":1452,"img":{"extraLarge":"AP_100042461_extraLarge.jpg","medium":"AP_100042461_medium.jpg"},"arr":["1933.14","Miss Betty","","1933","Öl/Lwd."," x "," ","259 ","270","298","Verbleib unbekannt"," ","",""],"mul":[[["Mandl Otto","Otto Mandl, Wien (mind. 4.1935)",""]],[],[["Der Wiener Kunstwanderer 1934, Abb. S. 29","2454"]],[["Weibliches Bildnis"]]]},{"id":1171,"img":{"extraLarge":"AP_100042177_extraLarge.jpg","medium":"AP_100042177_medium.jpg"},"arr":["1933.15","Stillleben mit Sonnenblumen und Kopf der Athena","Stilleben mit Blumen\nStilleben mit Sonnenblumen und antikem Kopf\nFlower Still-Life with Antique Head","1933","Öl/Lwd.","80 x 65 cm ","Bez. unten links: OK ","260 ","256 ","299","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Neue Galerie, Otto Kallir-Nirenstein, Wien/Galerie St. Etienne, Otto Kallir, New York","Neue Galerie, Otto Kallir-Nirenstein, Wien/Galerie St. Etienne, Otto Kallir, New York (22.10.1933-1938 und 1939-1954)",""],["Galerie Beyeler","Galerie Beyeler, Basel (28.8.1954)",""],["Rusche Werner","Werner Rusche, Köln (1.1956)",""],["Murdoch William Robert","William Robert Murdoch, Houtebad, Schoten (Belgien)",""],["Marlborough Fine Art","Marlborough Fine Art, London (1960)",""],["Otten Alfred","Alfred Otten, Mönchengladbach (1961)",""],["Marlborough Fine Art","Marlborough Fine Art, London",""],["Mosler John","John Mosler, New York",""],["Diamond Harold","Harold Diamond, New York",""],["Galerie Osper","Galerie Osper, Köln",""]],[["2001 New York","8011","Nr. 12, Farbtaf. S. 19"],["1955 Beyeler, Basel","8152","Nr. 33 mit Abb. "],["1949 St. Etienne, New York","8184"," "],["1943 Galerie St. Etienne, New York","8196"," "],["1935 Salzburg","8273"," "],["1941 Chicago","8292","Nr. 12 "],["1966 New York","8544","Nr. 41, Abb. S. 62 "],["1940 Galerie St. Etienne, New York","8726","Nr. 6 "],["1934 Neue Galerie, Wien","8864","Nr. 15 u. d. T.: \"Herbstblumen\""],["1953 Galerie St. Etienne, New York","8945",""],["[1939 Paris]","8964"," "],["1960 London, Marlborough","9029","(außer Kat.)"],["1961 London","9046","Nr. 40, mit Abb. "]],[["Hodin 1975, S. 8 mit Abb. ","3443"]],[["Stillleben"]]]},{"id":1059,"img":{"extraLarge":"AP_100042064_extraLarge.jpg","medium":"AP_100042064_medium.jpg"},"arr":["1933.16","Wien, Blick vom Liebhartstal I","","[1933]","Öl/Lwd.","71 x 95.5 cm ","Bez. unten links: OK "," "," ","300","Grand Rapids Art Museum ","Januar 1955 Stiftung Marguerite Inslee","55.1.4","Grand Rapids Art Museum, Gift of Marguerite Inslee, 1955.1.4"],"mul":[[["Neue Galerie, Otto Kallir-Nirenstein, Wien/Galerie St. Etienne, Otto Kallir, New York","Neue Galerie, Otto Kallir-Nirenstein, Wien/Galerie St. Etienne, Otto Kallir, New York (um 1933-1938 und 1939-12.1954)",""]],[["1942 Saint Louis","8134","[Nr. 12] "],["1950 München","8139","Nr. 68 "],["1949 St. Etienne, New York","8184"," "],["1979 Kalamazoo","8247","Nr. 38 mit Abb."],["[1935 Salzburg]","8273"," "],["1941 Chicago","8292","Nr. 11 "],["1935 Zürich, Kunsthaus","8349","Nr. 106 u. d. T. \"Landschaft Wien\" "],["1981 New York, Marlborough","8535","Nr. 29, Abb. S. 52 "],["1940 Galerie St. Etienne, New York","8726","Nr. 3 "],["1954 Santa Barbara","8806","Nr. 18"],["1992 New York","8930","Nr. 73 "],["1939 Paris","8964"," "],["1933/34 Prag","9035","Nr. 13 u.d. Titel: \"Wien, Blick vom Atelier des Künstlers\""]],[["Kallir 1992, Farbtaf. 61","3647"],["Kalamazoo 1979, Nr. 38","31164"],["Grand Rapids 2010, S. 110-111","31165"]],[["Wien"],["Österreich"]]]},{"id":1039,"img":{"extraLarge":"AP_100042043_extraLarge.jpg","medium":"AP_100042043_medium.jpg"},"arr":["1933.17","Wien, Blick vom Liebhartstal II","","1933","Öl/Lwd.","71 x 95.5 cm ","Bez. unten links: OK "," "," ","301","Bank Austria Kunstsammlung","21.2.1972","Inv. Nr. 48","Bank Austria Kunstsammlung, Wien"],"mul":[[["Weinmüller Adolf","Adolf Weinmüller, München (22./23.6.1960, Nr. 967, Farbtafel 2, u.d. Titel \"Landschaft bei Grinzing mit dem Blick auf Wien\")",""],["Schebesta","Schebesta (Kunsthandlung Schebesta Wien? 22./23.6.1960)",""],["Piering Hans","Hans Piering, Waidhofen/Thaya (Nö)",""],["Creditanstalt-Bankverein","Creditanstalt-Bankverein, Wien",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 84 "],["1966 Graz","8058","Nr. 73 "],["1980 Pöchlarn","8237","Nr. 5 "],["1997 Krumau","8285","S. [62], Farbtaf. S. [63]"],["2013/14 Wien","8589","S. 339, Farbtaf. S. 134"],["1976 Bregenz","8605","Nr. 19, Taf. XXV "],["1971 Wien","8820","Nr. 59 "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 52, Farbabb. S. 53 u. d. T. \"Wien, Blick vom Liebhartstal III\" "]],[["Spielmann 2003 a, S. 305, Abb. S. 303","3309"],["Weinmüller 1960 a, Nr. 967 u.d. Titel \"Landschaft bei Grinzing mit dem Blick auf Wien\", Farbtaf. 2","3703"],["Christie's London 2020","40164"]],[["Wien"],["Österreich"]]]},{"id":1192,"img":{"extraLarge":"AP_100042198_extraLarge.jpg","medium":"AP_100042198_medium.jpg"},"arr":["1933.18","Wien, Blick vom Liebhartstal III (mit Trudl im Vordergrund)","Wiener Landschaft mit Mädchenfigur","1933","Öl/Lwd.","73 x 100 cm ","Bez. unten links: OK ","252","297 ","302","mumok, Museum moderner Kunst Stiftung Ludwig Wien","1981","ÖL-Stg 158/0","Leihgabe der Österreichischen Ludwig-Stiftung, seit 1981 "],"mul":[[["Galerie Welz","Galerie Welz, Salzburg (1934)",""],["Galerie St. Etienne, Otto Kallir","Galerie St. Etienne, Otto Kallir, New York (1950)",""],["Dupre Catherine","Catherine Dupre, London (1965)",""],["Weinmüller Adolf","Adolf Weinmüller, München (5.11.1965, Nr. 154, Tafel 8, u.d.T.: \"Wiener Landschaft mit Mächenfigur\")",""],["Marlborough Fine Art","Marlborough Fine Art, London",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 83 "],["1994/95 Bielefeld","8301","Nr. 3, S. 275, Farbtaf. S. 50"],["1976 London","8338","Nr. 8 mit Farbabb. "],["1981 London, Marlborough","8496","Nr. 30 "],["1981 New York, Marlborough","8535","Nr. 30, Farbabb. S. 53 "],["1975 Madrid","8555","Nr. 8, Abb. 39 "],["1985 Mailand","8566","Abb. S. 40 und 41 (Detail) "],["1987 Gent","8571","Nr. 35, Farbabb. S. 106 "],["2013/14 Wien","8589","S. 135, 339, Farbtaf. S. 139"],["1988 Barcelona","8659","Nr. 38, Farbtaf. S. 72 "],["1978 Kamakura","8846","Nr. 11, Abb. 11 "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 48, Farbabb. S. 49 "],["1981/82 Rom","8934","S. 129, Abb. S. 62 "],["1966 London","8938","Nr. 9, Farbabb. S. 26 "],["1986 Kleines Festspielhaus, Salzburg","8954","S. 24, Farbtaf. S. 25 "],["1984 Rosenheim","8976","Nr. 6 "],["1934 Salzburg","8992"," "]],[["Weinmüller 1965, Nr. 154, Tafel 8","2483"],["Spielmann 2003 a, S. 297, 305, Farbtaf. S. 337","3309"],["Sotriffer 1981","3618"],["Profil 1981, S. 65-66","3892"]],[["Wien"],["Österreich"],["Kinder"],["Mädchen"]]]},{"id":4913,"img":{"extraLarge":"AP_100049497_extraLarge.jpg","medium":"AP_100049497_medium.jpg"},"arr":["1933.19","Elizabeth Gésinus-Visser III (Skizze)","","1933","Öl/Lwd.","45.7 x 54.8 ","Unbez. ","","","","Privatbesitz","","","Privatbesitz"],"mul":[[["Gésinus-Visser Bob","Bob und Elizabeth Gésinus-Visser, Rapallo/ab 1937-1958 Südamerika (Valparadiso, La Paz, Lima)",""],["Wildenstein Gallery, Lima","Wildenstein Gallery (Bob Gésinus-Visser), Lima",""],["Privatbesitz","Privatbesitz, Lima (um 1954)",""],["Christie's","Christie's, London (6.2.2020), Nr. 410 mit Farbabb.",""]],[],[["Christie's London 2020, Nr. 410 mit Farbabb.","40164"]],[["Weibliches Bildnis"]]]},{"id":1269,"img":{"extraLarge":"AP_100042275_extraLarge.jpg","medium":"AP_100042275_medium.jpg"},"arr":["1934.01","Stillleben mit Amaryllis","","1933/34","Öl/Lwd.","73 x 60 cm ","Bez. unten links: OK "," ","280 ","303","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Galerie Welz","Galerie Welz, Salzburg",""],["Graf Ledebur Karl und Beatrice","Karl und Beatrice Graf Ledebur, Alkoven bei Linz (1934)",""],["Graf Ledebur Christoph","Christoph Graf Ledebur, Alkoven",""],["Sotheby's","Sotheby's, London (20.6.2012, Nr. 365 mit Farbabb.)",""]],[["1935 Salzburg","8273"," "],["1950 Salzburg","8289","Nr. 53 "],["1976 Bregenz","8605","Nr. 21 "],["1991 Wien","9033","Nr. 62 mit Farbtaf. "],["1967 Salzburg","9070","Nr. 49 "]],[["Sotheby's London 2012 c, Nr. 365 mit Farbabb.","3898"]],[["Stillleben"]]]},{"id":1227,"img":{"extraLarge":"AP_100042233_extraLarge.jpg","medium":"AP_100042233_medium.jpg"},"arr":["1934.02","Mutter und Kind (Trudl mit 'No'-Maske)","\"Mutter und Kind (im Garten)\"\n\"Mother and Child\"","1934","Öl/Lwd.","56.5 x 77 cm ","Bez. unten rechts: OK ","261 ","281, Taf. 95","304","Privatbesitz","","","Privatbesitz"],"mul":[[["Galerie Welz","Galerie Welz, Salzburg (1934)",""],["Galerie Würthle","Galerie Würthle, Lea Bondi-Jaray, Wien",""],["Schlesinger Emanuel","Emanuel Schlesinger, Wien (bis 1939)",""],["Schlesinger Nelly","Nelly Schlesinger, Wien/ab 1939 Manchester","ab 1939 Manchester"],["Sarachi Chatin","Chatin Sarachi, London",""],["Countess of Strafford Claire","Claire Countess of Strafford, London",""],["Sotheby & Co.","Sotheby & Co., London (6.12.1961, Nr. 48 mit Abb, u. d. Titel: \"Mutter und Kind)",""],["Marlborough Fine Art","Marlborough Fine Art, London (6.12.1961)",""],["Christie's","Christie's, London (2.7.1974, Nr. 129)","Anon. Auktion"],["Marlborough Fine Art","Marlborough Fine Art, London (2.7.1974)",""],["Galerie Würthle","Galerie Würthle, Wien (3.1986–6.1991)",""]],[["1994/95 Bielefeld","8301","Nr. 6, S. 276, Farbtaf. S. 53"],["1947 Basel, Kunsthalle","8376","Nr. 142 "],["1986 Würthle, Wien","8394","(außer Kat.)"],["1947 Zürich, Kunsthaus","8415","Nr. 42 "],["1962/1963 Hamburg","8422","Nr. 58 mit Abb. "],["1981 London, Marlborough","8496","Nr. 31 "],["1981 New York, Marlborough","8535","Nr. 31, Farbabb. S. 54 "],["1958 Wien","8541","Nr. 102 "],["1966 New York","8544","Nr. 43, Farbabb. S. 63 "],["1975 Madrid","8555","Nr. 9, Farbabb. 14 "],["1987 Gent","8571","Nr. 37, Farbabb. S. 108, (Detail [S. 109]) "],["1963 Rom","8580","Nr. 19, Taf. 95 "],["1986 London","8643","Nr. 78 mit Farbtaf. "],["1988 Barcelona","8659","Nr. 39, Farbtaf. S. 73 "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 7, Nr. 20 u. d. T. \"Jugend\" (?) "],["2010/11 Appenzell","8684","S. 92,109, Farbtaf. S. 93"],["1947 Amsterdam","8829","Nr. 32 "],["1986 Zürich","8836","Nr. 79 mit Farbtaf. "],["2004 Chemnitz","8844","S. 30, Farbtaf. 6"],["1978 Kamakura","8846","Nr. 12, Farbabb. 12 "],["1958 München, Haus der Kunst","8914","Nr. 103 "],["1981/82 Rom","8934","Abb. S. 63 "],["1966 London","8938","Nr. 10, Abb. S. 27 "],["1934 Salzburg","8992"," u. d. Titel: \"Mutter und Kind\""],["1983 Bordeaux","9016","Nr. 30, Abb. S. 108 "],["1960 London, Marlborough","9029","Nr. 9 mit Abb. "],["1991 Wien","9033","Nr. 58 mit Farbtaf. "],["1986/87 Guggenheim, New York","9072","Nr. 61 mit Farbtaf. "],["1963 New York","9074","Nr. 246"]],[["Neue Kronen Zeitung 1989","2369"],["Baum 1971, S. 187, Abb. 78 ","2409"],["Masciotta 1967, Taf. XXXIII und XXXIV ","2447"],["Hoffmann 1947, S. 217 ","2499"],["Goldscheider 1963, S. 77 (Anm. 38), Farbtaf. 38 ","2855"],["Christie's London 1974, Nr. 129","2888"],["Dichand 1986, Farbtaf. S. 49 ","3104"],["Spielmann 2003 a, S. 297, Abb. S. 298","3309"],["Sotheby's London 1961, Nr. 48 mit Abb. ","3673"],["Wingler 1956, S. 59 ","3708"],["Mizue 1978, Farbabb. S. 10","3934"],["Melchart 1986","4058"]],[["Mutter und Kind"]]]},{"id":1109,"img":{"extraLarge":"AP_100042115_extraLarge.jpg","medium":"AP_100042115_medium.jpg"},"arr":["1934.03","Zwei Mädchen","","1934","Öl/Lwd.","50.6 x 60.5 cm ","Bez. unten links: OK. Auf der Rückseite mit schwarzer Kreide bez., datiert und beschriftet: Dieses (durchgestrichen) This painting is my own work O. Kokoschka 1934"," "," ","305","Oesterreichische Nationalbank","1994","220002484","Sammlung Oesterreichische Nationalbank"],"mul":[[["Galerie Würthle","Galerie Würthle, Lea Bondi-Jaray, Wien (1936)",""],["Schlesinger Emanuel","Emanuel Schlesinger Wien (bis 1939)",""],["Schlesinger Nelly","Nelly Schlesinger, Wien/ab 1939 Manchester",""],["Strauss Robert","Robert Strauss, Sussex",""],["Christie's","Christie's, London (2.12.1986, Nr. 355 mit Farbabb)",""],["Efrat Rafael","Rafael Efrat, München (1986)",""],["Christie's","Christie's, London (4.12.1990, Nr. 335 mit Farbabb, nicht verkauft)",""],["Villa Grisebach","Villa Grisebach, Berlin (4.6.1993, Nr. 42 mit Farbabb.)",""],["Galerie Welz","Galerie Welz, Salzburg (1993–1994)",""]],[["2007 Athen","8028","Nr. 70, S. 155, Farbtaf. S. 149"],["2006 Wien, Leopold","8577","S. 43 mit Farbtaf."],["2018/2019 Zürich","21106","Nr. 67, Farbtaf. S. 188"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 48, Farbtaf. S. 198"]],[["Wien 2005, S. 22, 176, Farbtaf. S. 23","2018"],["Christie's London 1990, Nr. 335 mit Farbabb (nicht verkauft) ","2080"],["Christie's London 1986 b, Nr. 355 mit Farbabb. ","2329"],["Villa Grisebach 1993, Nr. 42 mit Farbabb. ","4046"],["Paris 2022, Farbtaf. S. 198","43164"]],[["Mädchen"]]]},{"id":1055,"img":{"extraLarge":"AP_100042060_extraLarge.jpg","medium":"AP_100042060_medium.jpg"},"arr":["1934.04","Im Garten I ","Im Garten I (Der Besuch)","1934/35","Öl/Lwd.","74 x 92 cm ","Bez. unten rechts: OK. Auf der Rückseite von fremder Hand beschriftet: 1935 O. Kokoschka","266","282 ","306","Kunsthalle Emden, Stiftung Henri Nannen","Oktober 1982","1",""],"mul":[[["Lida Palkovsky Karel Bretislav und","Karel Bretislav und Lida Palkovsky, Prag (1935)",""],["Kokoschka Olda","Olda Kokoschka, Villeneuve",""],["Marlborough Fine Art","Marlborough Fine Art, London",""],["Nannen Henri","Henri Nannen, Emden (1982)",""]],[["1966 Zürich","8225","Nr. 75 "],["1966 Karlsruhe","8284","Nr. 49 mit Abb. "],["1994/95 Bielefeld","8301","Nr. 4, S. 275, Farbtaf. S. 51"],["1972 London","8342","Nr. 35, Farbabb. S. 71 "],["1947 Basel, Kunsthalle","8376","Nr. 149 u. d. Titel: \"Im Park\""],["1947 Zürich, Kunsthaus","8415","Nr. 45 u. d. Titel: \"Im Park\""],["1981 London, Marlborough","8496","Nr. 32 "],["1981 New York, Marlborough","8535","Nr. 32, Farbabb. S. 55 "],["1958 Wien","8541","Nr. 103 "],["2001/02 Emden","8542","S. 93, Farbtaf. S. 59"],["1976 Bregenz","8605","Nr. 20, Taf. XXVI "],["1956 Prag","8648","Nr. 3 "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 6, Nr. 3 "],["1971 Wien","8820","Nr. 60 a "],["1947 Amsterdam","8829","Nr. 35 u. d. Titel: \"in het park\""],["1978 Kamakura","8846","Nr. 13, Abb. 13 "],["1956 Salzburg","8854","Nr. 3, Abb. S. 21 "],["1937 Prag","9004","Nr. 104 mit Abb. "],["1983 Bordeaux","9016","Nr. 31, Abb. S. 109 "],["2008 Linz","9042","S. 102, Farbtaf. S. 103"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 49, Farbtaf. S. 201"]],[["Wingler 1957, S. 136, Farbabb. S. 137 ","2423"],["Weltkunst 1982, Farbabb. S. 2845","2844"],["Emden 2000, Bd. 1, S. 178 mit Farbtaf. S. [179], S. 301-302 ","3260"],["Palkovsky 1958, Abb. 36 ","3411"],["Bultmann 1959, Farbabb. S. 39 ","3434"],["Hodin 1980, S. 34 ","3758"],["Mizue 1978, Farbabb. S. 11","3934"],["Hodin 1968 b, S. 1420","4127"],["Wien 2009, S. 117, Farbtaf. S. 120","23215"],["Paris 2022, Farbtaf. S. 201","43164"]],[["Mutter und Kind"],["Mädchen"]]]},{"id":1210,"img":{"extraLarge":"AP_100042216_extraLarge.jpg","medium":"AP_100042216_medium.jpg"},"arr":["1934.05","Im Garten II ","Im Garten II (Kinder mit Ziege)","1934","Öl/Lwd.","96.5 x 103.5 cm ","Bez. unten links: OK","267 ","283 ","307","Albertina, Wien","","GE64DL","Albertina, Wien. Sammlung Batliner"],"mul":[[["Zadra Josef","Josef Zadra, Krivinná bei Mährisch-Ostrau",""],["Dr. Vondraček","[Dr. Vondraček, Mährisch-Ostrau]",""],["Privatbesitz","Privatbesitz, Mährisch-Ostrau","seit 1948 BRD"],["Christie's","Christie's, London (15.10.1995, Nr.162 mit Farbabb.)",""],["Kunsthandel Martin Suppan","Kunsthandel Martin Suppan, Wien (2004)",""],["Batliner Herbert","Herbert Batliner, Vaduz",""]],[["2008 Warwickshire, Compton Verney","8253","o. Abb."],["2004 Wien","8325","S. 102, Farbabb. S. 147 "],["2006 Wien, Leopold","8577","S. [42] mit Farbtaf."],["2008 Wien, Albertina","8744","Nr. 6 mit Farbtaf."],["2018/2019 Zürich","21106","Nr. 66, Farbtaf. S. 184-185"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 50, Farbtaf. S. 199"]],[["Batliner 2005, S. 160, 462, Nr. 110, Farbtaf. S. 161","2276"],["Christie's London 1995, Nr. 162 mit Farbabb.","3148"],["Sammlung Batliner 2007, S. [322]-323, Farbtaf. 216","3747"],["Hodin 1968 b, S. 1420","4127"],["Paris 2022, Farbtaf. S. 199","43164"]],[["Figuren in Landschaft"]]]},{"id":1048,"img":{"extraLarge":"AP_100042052_extraLarge.jpg","medium":"AP_100042052_medium.jpg"},"arr":["1934.06","Selbstbildnis mit Hut","","1934","Öl/Lwd.","48 x 35 cm ","Bez. unten links: OK ","278, Taf. LXV","284 ","308","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Pisk Ernst","Ernst Pisk, Wien/seit 1935 Prag",""],["White Julie","Julie White, New York",""],["Galerie St. Etienne, Otto Kallir","Galerie St. Etienne, Otto Kallir, New York (1943–1953)",""],["Pisk Ernst","Ernst Pisk, Sydney (1953)",""]],[["1950 München","8139","Nr. 71 "],["1943 Galerie St. Etienne, New York","8196"," "],["1948 Boston","8222","Nr. 54 mit Abb. "]],[["Hoffmann 1947, Abb. LXV ","2499"],["Teufelberger 1994, Abb. 26","2557"],["Hodin 1971, S. 205--206, Abb. S. [204] ","2585"],["Art News 1948, Abb. S. 40","2783"],["Hodin 1980, S. 34 ","3758"],["Keegan 1999, S. 171","3854"],["Hodin 1968 b, S. 1420","4127"]],[["Selbstbildnis"],["Männliches Bildnis"]]]},{"id":1189,"img":{"extraLarge":"AP_100042195_extraLarge.jpg","medium":"AP_100042195_medium.jpg"},"arr":["1934.07","Annie Wolff-Knize","","1931-35","Öl/Lwd.","80 x 60.2 cm ","Unbez. ","268 ","285 ","309","Kai Feng Foundation China","Juni 2013","","Kai Feng Foundation, China"],"mul":[[["Jerie Ladislav","Ladislav Jerie, Mährisch-Ostrau",""],["Jerie Friedrich (Bedřich)","Friedrich Jerie, Prag",""],["Ritz Peter","Peter Ritz, Schweiz (bis mind. 1985)",""],["Sotheby's","Sotheby's, London (3.12.1985, Nr. 46 mit Fartaf., nicht verkauft )",""],["Christie's","Christie's, New York (19.11.1986, Nr. 50 mit Farbabb.)",""],["Sabarsky Serge","Serge Sabarsky, New York",""],["Wally Sabarsky Trust","Wally Sabarsky Trust, New York",""],["Galerie St. Etienne, Otto Kallir","Galerie St. Etienne, Otto Kallir, New York (2013)",""]],[["1994 Krakau","8013","S. 130, Farbtaf. 6"],["1997 Krumau","8285","S. [68], Farbtaf. S. [69]"],["1935 Zürich, Kunsthaus","8349","Nr. 98 u. d. T. \"Annerl\" "],["1995 Rouen","8358","Nr. 91"],["1947 Basel, Kunsthalle","8376","Nr. 156 u. d. T. \"Mädchenbildnis\" "],["1947 Zürich, Kunsthaus","8415","Nr. 40 u. d. T. \"Annerl\" "],["1987 Gent","8571","Nr. 36, Farbtaf. S. 107 "],["1956 Prag","8648","Nr. 8 "],["1988 Barcelona","8659","Nr. 40, Farbtaf. S. 74 "],["1988 Bottrop","8713",""],["1947 Amsterdam","8829","Nr. 31 "],["1987 Florenz","8852","Nr. 11 mit Farbtaf. "],["[1937 Prag]","9004","Nr. 103 u. d. T. \"Podobizna dámy\" "]],[["Kokoschka Briefe 2 1985, S. 237, Anm. S. 318","2863"],["Hodin 1968 a, S. 297 ","3213"],["Christie's New York 1986 b, Nr. 50 mit Farbabb. ","3225"],["Sotheby's London 1985 c, Nr. 46 mit Fartaf. ","3572"],["Wingler 1956, S. 48 ","3708"],["Hodin 1980, S. 34 ","3758"],["Hodin 1968 b, S. 1420","4127"]],[["Weibliches Bildnis"]]]},{"id":1318,"img":{"extraLarge":"AP_100042325_extraLarge.jpg","medium":"AP_100042325_medium.jpg"},"arr":["1934.08","Prag, Blick vom Strahov","\"Prague IV: View from Strahov\"","1934","Öl/Lwd.","76 x 108 cm ","Bez. unten rechts: OK ","271, Taf. LIX","286","311","Musée Jenisch, Fondation Oskar Kokoschka, Vevey","1994","FOK 65","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Neue Galerie, Otto Kallir-Nirenstein, Wien","[Neue Galerie, Otto Kallir-Nirenstein, Wien]",""],["Pisk Ernst","Ernst Pisk, Wien/seit 1935 Prag ",""],["White Julie","Julie White, New York",""],["Galerie St. Etienne, Otto Kallir","Galerie St. Etienne, Otto Kallir, New York (1945)",""],["Brown Himan","Himan Brown, New York (1950)",""],["Christie's","Christie's, New York (16.5.1990, Nr. 413 mit Farbabb.)",""],["Marlborough Fine Art","Marlborough Fine Art, London (16.5.1990–1994)",""]],[["1949 St. Etienne, New York","8184"," "],["1943 Galerie St. Etienne, New York","8196"," "],["1997 Krumau","8285","S. [64], Farbtaf. S. [65]"],["1994/95 Bielefeld","8301","Nr. 10, S. 28, 277, Farbtaf. S. 60"],["2003 Apolda","8411","Nr. 51, S. 100, Farbtaf. S. 65"],["1981 New York, Marlborough","8535","Nr. 33, Abb. S. 56 "],["2001/02 Emden","8542","S. 93, Farbtaf. S. 61"],["1966 New York","8544","Nr. 44, Abb. S. 64 "],["1954 Santa Barbara","8806","Nr. 19"],["2014/15 Regensburg","8869","S. 26, Kat. Nr. 1 mit Farbtaf. "],["1995 Bellinzona","8872","S. 56, Farbtaf. S. 57"],["2005/06 Pfäffikon","8898","S. 167--168, Farbtaf. 82"]],[["Tomes 1988, Nr. 1, S. 13,22, Farbtaf. S. [23] ","2091"],["Kokoschka Briefe 3 1986, S. 9 (Herbst 1934), Anm. S. 280","2381"],["Hoffmann 1947, Abb. LXX ","2499"],["Christie's New York 1990 a, Nr. 413 mit Farbabb. ","3142"],["Spielmann 2003 a, S. 309, Farbtaf. S. 338","3309"],["Vevey 1994, S. 102 mit Farbtaf. S. 103","3718"],["Tomes 1967, Nr. 1, S. 13, 22, Farbtaf. S. [23] ","3797"],["Keegan 1999, S. 184 mit Farbabb. Nach S. 144","3854"]],[["Prag"],["Tschechien"]]]},{"id":1184,"img":{"extraLarge":"AP_100042190_extraLarge.jpg","medium":"AP_100042190_medium.jpg"},"arr":["1934.09","Prag, Blick vom Garten des Kreuzherrenkonvents","","1934","Öl/Lwd.","87 x 118 cm ","Bez. unten rechts: OK "," ","287 ","312","Privatbesitz. Standort: Leopold Museum, Wien. Leihgabe: Dauerleihgabe aus Privatbesitz, Courtesy Adolf Loos Apartment and Gallery, Prag"," 20.10.2019","",""],"mul":[[["Galerie Hugo Feigl","Galerie Hugo Feigl, Prag",""],["Jerie Ladislav","Ladislav Jerie, Mährisch-Ostrau (1935)",""],["Jerie Friedrich (Bedřich)","Friedrich (Bedřich) Jerie, Prag (1969)",""],["Jerie Alexander","Alexander Jerie, Prag (1983)",""],["Galerie Zlatá Husa","Galerie Zlatá Husa, Prag (um 1990)",""],["Adolf Loos Apartment and Gallery","Adolf Loos Apartment and Gallery, Prag (Auction 20.10.2019, Nr. 6 mit Farbtaf. und farbiger Umschlagabb.)",""]],[["1980 Pöchlarn","8237","Nr. 6 "],["1994/95 Bielefeld","8301","Nr. 15, S. 277, Farbtaf. S. 65"],["1947 Basel, Kunsthalle","8376","Nr. 151 "],["1947 Zürich, Kunsthaus","8415","Nr. 43 "],["1956 Prag","8648","Nr. 5 "],["1986 Prag","8650"," "],["1934 Prag","8818"," "],["[1947 Amsterdam]","8829"," "],["1956 Salzburg","8854","Nr. 6 "],["2014/15 Regensburg","8869","S. 28, Kat. Nr. 2 mit Farbtaf. "]],[["Tomes 1988, Nr. 2, S. 13, 24, Farbtaf. S. [25] ","2091"],["Schremmer 1961, S. 12","2172"],["Spielmann 2003 a, S. 308--309 mit Abb.","3309"],["Hodin 1980, S. 33 ","3758"],["Masciotta 1949, Taf. XLII ","3880"],["Hodin 1968 b, S. 1419","4127"],["Adolf Loos Apartment and Gallery 2019, Nr. 6 mit Farbtaf. und farbiger Umschlagabb.","37164"]],[["Prag"],["Tschechien"]]]},{"id":1011,"img":{"extraLarge":"AP_100042015_extraLarge.jpg","medium":"AP_100042015_medium.jpg"},"arr":["1934.1","Prag, Blick über die Karlsbrücke zum Hradschin","","1934","Öl/Lwd.","90 x 116 cm ","Bez. unten links: OK "," ","292","313","Národni Galerie, Prag","1959 ","O 11285","Národni Galerie, Prag"],"mul":[[["Mandl Otto","Otto Mandl, Mostek/Wien (1934/35)",""],["","als Depositum in Schloss Sychrov bei Turnov (Nordböhmen) gefunden (1959)",""]],[["1971 Prag","8014","Nr. 12 mit Abb. "],["1984 Tokyo, Takashimaya","8063","Nr. 45 "],["1981 Florenz","8131","Nr. 31 "],["1962 Pilsen","8174","Nr. 7 "],["1961 Prag","8186","Nr. 15 "],["1997 Paris","8199","VIII - S. 529, Farbabb. S. 462 "],["1994/95 Bielefeld","8301","Nr. 8, S. 28, 276, Farbtaf. S. 58"],["1963 Brünn","8324","Nr. 28 "],["1985 Malmö","8522","Nr. 93, Farbabb. S. 61 "],["1966/67 Prag","8588","Nr. 28 "],["1966 Brünn","8689","Nr. 37 "],["1988 New York","8714","Nr. 26, Farbtaf. S. 43 "],["1980 Prag","8858","Nr. 43 "],["2014/15 Regensburg","8869","S. 28, Kat. Nr. 4 mit Farbtaf."],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 64, Farbabb. S. 65 "],["1991 Wien","9033","Nr. 64 mit Farbtaf. "]],[["Tomes 1988, Nr. 4, S. 14, 28, Abb. S. [29] ","2091"],["Roşu 1976, Farbabb. S. [42-43] ","2148"],["Volné Sméry 1935, Abb. S. 95 ","2641"],["Windisch 2013, S. 164, Abb. 26","3001"],["Spielmann 2003 a, S. 310, Farbtaf. S. 340","3309"],["Palkovsky 1958, Abb. 39 ","3411"],["Allmayer-Beck 1980, Farbabb. S. 10 ","3583"],["Hodin 1980","3758"],["Holz 2004, S. 73, Abb. 2.10.","3842"]],[["Prag"],["Tschechien"]]]},{"id":1430,"img":{"extraLarge":"AP_100042438_extraLarge.jpg","medium":"AP_100042438_medium.jpg"},"arr":["1934.11","Prag, Karlsbrücke ","","1934","Öl/Lwd.","85 x 120.5 cm ","Bez. unten links: OK ","277 ","289, Farbtaf. XX ","314","Národni Galerie, Prag","1934 ","O 4459",""],"mul":[[["Galerie Hugo Feigl","Galerie Hugo Feigl, Prag",""]],[["1971 Prag","8014","Nr. 9 mit Abb. "],["1962 Tate Gallery, London","8075","Nr. 118 "],["1967 Montreal","8141","mit Abb. "],["1964/65 Dresden","8146","Nr. 152 "],["1962 Pilsen","8174","Nr. 2 "],["1961 Prag","8186","Nr. 10 "],["1948 Boston","8222","Nr. 55 mit Abb. "],["1997 Krumau","8285","S. [66], Farbtaf. S. [67]"],["1994/95 Bielefeld","8301","Nr. 9, S. 28, 81, 276, Farbtaf. S. 59"],["1963 Brünn","8324","Nr. 23 "],["1935 Zürich, Kunsthaus","8349","Nr. 104 "],["[1947 Basel, Kunsthalle]","8376","Nr. 150 "],["1947 Zürich, Kunsthaus","8415","Nr. 44 "],["1958 Wien","8541","Nr. 104, Farbabb. S. 73 "],["1956 Prag","8648","Nr. 4 mit Abb. "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 6, Nr. 8 mit Abb. "],["1966 Brünn","8689","Nr. 33 "],["1988 New York","8714","Nr. 25, Farbtaf. S. 42 "],["1937 Pittsburgh","8727","Nr. 346, Abb. 5 "],["2008 Wien, Albertina","8744","Nr. 2 mit Farbtaf."],["1934 Prag","8818"," "],["1971 Wien","8820","Nr. 61, Farbabb. 45 "],["1947 Amsterdam","8829","Nr. 34 "],["1956 Salzburg","8854","Nr. 5 "],["1980 Prag","8858","Nr. 41 "],["2014/15 Regensburg","8869","S. 24, 30, Kat. Nr. 3 mit Farbtaf. "],["1986 Hochschule für angewandte Kunst, Wien","8911","S, 60, 62, Farbabb. S. 61 "],["1958 München, Haus der Kunst","8914","Nr. 104, Farbabb. S. 73 "],["1948 Venedig","8991","Nr. 15, Abb. 87 "],["1983 Bordeaux","9016","Nr. 32, Abb. S. 111, Farbabb. S. 55 "]],[["Tomes 1988, Nr. 3, S. 19, 27, Farbtaf. S. [27] ","2091"],["Curti 2001, S. 15 mit Farbtaf.","2298"],["Delogu 1937, S. 445","2378"],["Wingler 1951 a, Mappe II, S. [9-10], Farbtaf. 6 ","2406"],["Wingler 1957, S. 138, Farbabb. S. 139 ","2423"],["Boettcher 1980, S. 260, Abb. 351 ","2445"],["Hoffmann 1947, S. 218 ","2499"],["Novotny 1959, Abb. 92","2503"],["Hodin 1940, Abb. S. 11","2838"],["Goldscheider 1963, S. 77 (Anm. 77), Farbtaf. 37 ","2855"],["Gombrich 1986, Abb. S. [27] ","2916"],["Urbanek 1990, S. 54-55, Farbtaf. 11 ","3062"],["Lachnit 2008, Farbabb. S. 32","3270"],["Spielmann 2003 a, S. 308--310 mit Abb.","3309"],["Benesch 1937, Abb. gegenüber S. 488 ","3385"],["Palkovsky 1958, Abb. 37 ","3411"],["Bultmann 1959, S. 104, Farbtaf. 30 ","3434"],["Gatt 1972, Farbtaf. 32 ","3468"],["Werner 1991, S. 70, Abb. S. [71] ","3555"],["Köser 1999, S. 98 mit Farbabb.","3629"],["Schremmer 1971, Nr. 3, Abb. S. 111 ","3641"],["Hodin 1980, ","3758"],["Kraus 1937, Abb. S. 102 ","3986"],["Bosman 1964, Farbabb. S. 67 ","4028"],["Westheim 1948, S. [11] und Farbtaf. [6] ","4138"]],[["Prag"],["Tschechien"]]]},{"id":1347,"img":{"extraLarge":"AP_100042354_extraLarge.jpg","medium":"AP_100042354_medium.jpg"},"arr":["1934.12","Prag, Blick von der Gloriette des Schönborn-Palais","\"Prague V: View from the Schoenborn Gardens\"\nPrag, vom Schönborn-Garten gesehen","1934","Öl/Lwd.","81 x 100 ","Bez. unten links: OK ","272, Taf. LXX","293, Taf. 99 ","315","Privatbesitz","","","Privatbesitz"],"mul":[[["Galerie Hugo Feigl","Galerie Hugo Feigl, Prag",""],["Smolka Paul","Paul Smolka, Prag/später Larchmont N.Y. (1936)",""],["Privatbesitz","Privatbesitz (1971)",""]],[["1981 New York, Marlborough","8535","Nr. 34, Abb. S. 57 "],["1966 New York","8544","Nr. 46, Abb. S. 66 "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 6, Nr. 10 mit Abb. "],["1934 Prag","8818"," "],["1942 Demotte, New York","8837","Nr. 13 "]],[["Kokoschka Briefe 3 1986, S. 55 (28. X. [1937), Anm. S. 286","2381"],["Haftmann 1986, Farbabb. S. 71 ","2390"],["Hoffmann 1947, Abb. LXIX ","2499"],["Hodin 1940, Abb. S. 11 ","2838"],["Hodin 1963 b, Abb. 7 ","3282"],["Spielmann 2003 a, S. 311, Farbtaf. S. 341","3309"],["Hodin 1966, Abb. 41 ","3490"],["Tomes 1967, Nr. 7, S. 14, 34, Farbtaf. S. [35] ","3797"],["Masciotta 1949, Taf. XL ","3880"],["Hodin 1968 b, S. 1418","4127"]],[["Prag"],["Tschechien"]]]},{"id":1444,"img":{"extraLarge":"AP_100042453_extraLarge.jpg","medium":"AP_100042453_medium.jpg"},"arr":["1935.01","Prag, Blick von der Villa Kramár","\"Prague VI: Malá Strana from the Villa Kramar\"","1934/35","Öl/Lwd.","90 x 121 cm ","Bez. unten links: OK ","273"," 290, Taf. 98 ","316","Národni Galerie, Prag","1969 ","O 12271",""],"mul":[[["Müller František","František Müller, Prag",""],["Müllerová Milada","Milada Müllerová, Prag (1951–1968)",""]],[["1971 Prag","8014","Nr. 10 "],["1962 Tate Gallery, London","8075","Nr. 119 "],["1966 Zürich","8225","Nr. 76 "],["1994/95 Bielefeld","8301","Nr. 11, S. 14--15, 28, 277, Farbtaf. S. 61"],["1935 Zürich, Kunsthaus","8349","Nr. 105 u. d. Titel: Prag, Blick auf die Kleinseite und die Moldau"],["1962/1963 Hamburg","8422","Nr. 59 mit Abb. "],["1958 Wien","8541","Nr. 105 "],["1986 London","8643","Nr. 79 mit Farbtaf. "],["1956 Prag","8648","Nr. 6 "],["1988 Barcelona","8659","Nr. 44 mit Farbtaf. u. d. T. \"Praga, ribes del Moldau I\" "],["1982 Tokyo","8663","Nr. 42 "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 7, Nr. 13 "],["1986 Zürich","8836","Nr. 81 mit Farbtaf. "],["1956 Salzburg","8854","Nr. 7, Abb. S. 23 "],["1980 Prag","8858","Nr. 42 "],["2014/15 Regensburg","8869","S. 24, 34, Kat. Nr. 5 mit Farbtaf. "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 66, Farbabb. S. 67 "],["1991 Wien","9033","Nr. 63 mit Farbtaf. "],["1986/87 Guggenheim, New York","9072","Nr. 62 mit Farbtaf. "]],[["Schremmer 1961, S. 12 ","2172"],["Schmalenbach F. 1967, Farbtaf. S. 71 ","2199"],["Hodin 1940, Abb. S. 12 ","2838"],["Windisch 2013, S. 165, Abb. 31","3001"],["Stefano 1997, S. 41 mit Farbabb.","3071"],["Hodin 1968 a, S. 297 ","3213"],["Mikš 2013, S. 172, 359, Farbabb. XI","3257"],["Vogelsberger 2006, S. 36--37, Farbabb. 27","3306"],["Spielmann 2003 a, S. 310, Farbtaf. S. 339","3309"],["Palkovsky 1958, Abb. 38 ","3411"],["Gatt 1972, Abb. 31 ","3468"],["Wingler 1956, S. 60 ","3708"],["Hodin 1980, S. 33 ","3758"],["Tomes 1967, Nr. 5, S. 14, 30, Farbtaf. S. [31] ","3797"],["Thoene 1938, Abb. 46 ","3806"],["Holz 2015, S. 101--102, Farbtaf. V","4043"],["Hodin 1968 b, S. 1418--1419, Abb. O. S.","4127"]],[["Prag"],["Tschechien"]]]},{"id":1194,"img":{"extraLarge":"AP_100042200_extraLarge.jpg","medium":"AP_100042200_medium.jpg"},"arr":["1935.02","Prag, Blick vom Ruzicka-Haus über die Insel Kampa","\"Prague I: View of Island in the Vltava\"","1935","Öl/Lwd.","79.5 x 100 cm ","Bez. unten links: OK ","262","288 ","317","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Taussig Max E.","Max E. Taussig, Prag",""],["Privatbesitz","Privatbesitz, New York",""],["Marlborough Fine Art","Marlborough Fine Art, London",""],["McConnell John G.","John G. McConnell, Montreal",""],["Sotheby Parke Bernet","Sotheby Parke Bernet, London (16.4.1975, Nr. 42 mit Farbtaf.)",""],["Theo Waddington Fine Art Ltd.","Theo Waddington Fine Art Ltd., London (1975)",""],["Wilkinson Alan","Alan Wilkinson, West Coast, USA",""]],[["1968 New York, Marlborough-Gerson","8505","Nr. 30 mit Abb. "],["1966 New York","8544","Nr. 45, Abb. S. 65 "],["1969 London, Marlborough","8755","Nr. 19, Farbabb. S. 48 "]],[["Sotheby Parke Bernet 1975 a, Nr. 42 mit Farbtaf. ","2104"],["Hodin 1976, Farbabb. S. 41 ","2440"],["Presse 1975, Abb. ","3633"],["Hodin 1980, ","3758"],["Tomes 1967, Nr. 6, S. 13, 32, Farbtaf. S. [33] ","3797"],["Hodin 1968 b, S. 1419","4127"]],[["Prag"],["Tschechien"]]]},{"id":1070,"img":{"extraLarge":"AP_100042075_extraLarge.jpg","medium":"AP_100042075_medium.jpg"},"arr":["1935.03","Prag, Blick über die Moldau auf die Kleinseiter Schwemme","\"Prag, Moldauhafen I (kleine Fassung)\"","1935","Öl/Lwd.","89.4 x 115.5 cm ","Bez. unten links: OK ","","300","318","Oberes Belvedere, Wien","Juli 1937","3378","Belvedere, Wien"],"mul":[[["Österreichische Galerie","Österreichische Galerie, Wien (1937)",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 90 "],["1971 Prag","8014","Nr. 11 mit Abb. "],["1996/97 Wien","8103","S. 68, Farbtaf. S. 69"],["1950 München","8139","Nr. 70, Abb. S. 44 "],["1948 Wien","8202"," "],["1948 Boston","8222","Nr. 52 "],["1953/54 Sao Paulo","8265","Nr. 8 "],["1950 Salzburg","8289","Nr. 51 u. d. T. \"Prager Hafen\""],["1956 Amsterdam","8297","Nr. 136 "],["1994/95 Bielefeld","8301","Nr. 7, S. 28, 276, Farbtaf. S. 57"],["1958 Den Haag","8309","Nr. 67 a "],["1947 Basel, Kunsthalle","8376","Nr. 157 "],["1947 Zürich, Kunsthaus","8415","Nr. 48 "],["1954 Rio de Janeiro","8534","Nr. 7 "],["1958 Wien","8541","Nr. 108 u. d. T. \"Prag, Moldauhafen I\" "],["1957 Bern","8617","Nr. 68 "],["2008 Wien, Albertina","8744","Nr. 4 mit Farbtaf."],["1957 St. Gallen","8764","Nr. 57 "],["1971 Wien","8820","Nr. 62, Abb. 44 "],["1947 Amsterdam","8829","Nr. 37 "],["1980 Prag","8858","Nr. 46, farb. Umschlagabb."],["2014/15 Regensburg","8869","S. 37,Kat. Nr. 7 mit Farbtaf. (nur in Prag ausgestellt)"],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 70, Farbabb. S. 71 "],["1958 München, Haus der Kunst","8914","Nr. 106 u. d. T. \"Prag, Moldauhafen I\" "],["1955 Wien, Secession","8960","Nr. 45 c u. d. T. \"Prager Hafen\" "],["1951 Linz","8989","Nr. 26 "],["1948 Venedig","8991","Nr. 14 "],["1971 Regensburg","8998","S. 37,Kat. Nr. 7 mit Farbtaf. (nur in Prag ausgestellt)"],["1984 Halbturn","9055","Nr. 103, Farbabb. 14 "],["2006 Belvedere, Wien","9094","S. 227, Farbtaf. S. 205"]],[["Sotriffer 1984, Abb. 37 auf S. 75 ","2103"],["Wien 2006, S. 70, Farbabb. S. 39","2145"],["Dittmann 2013, S. 277, Abb. 31 S. 278","2216"],["Masciotta 1967, Farbtaf. IX ","2447"],["Wien heute und gestern 1975, Abb. S. 31","2669"],["Prager Presse 1936, Abb.","2794"],["Strobl/Weidinger 1998, S. 11, Farbabb. 12","2803"],["Wien 1954, S. 82","3203"],["Schmidt Gerhard 1956, Farbtaf. 40 ","3352"],["Hoffmann 1967, Farbtaf. 10 ","3588"],["Natter 1996 c, S. 80-81 mit Abb. S. 80","3696"],["Wingler 1956, S. 60 ","3708"],["Tomes 1967, Nr. 10, S. 14, 44, Farbtaf. S. 45 ","3797"],["Schmidt Gerhard 1957, Farbabb. S. 13","3834"],["Masciotta 1949, Taf. XLI ","3880"],["Lachnit 1993, S. 180, Abb. 166 ","3947"],["Vogt 1972, S. 370, Abb. 224 ","4019"],["Hodin 1968 b, S. 1418","4127"],["Bormann 2014 b, S. 209 mit Farbabb.","4156"]],[["Prag"],["Tschechien"]]]},{"id":1186,"img":{"extraLarge":"AP_100042192_extraLarge.jpg","medium":"AP_100042192_medium.jpg"},"arr":["1935.04","Selbstbildnis mit Stock","","1935","Öl/Lwd.","95 x 75 cm ","Bez. unten links: OK","280 ","295 ","320","Museum Niederösterreich","31.10.1990","","Landessammlungen Niederösterreich"],"mul":[[["Jerie Ladislav","Ladislav Jerie, Mährisch-Ostrau",""],["Jerie Friedrich (Bedřich)","Friedrich Jerie, Prag",""],["Jerie Familie","Familie Jerie, Schweiz",""],["Fischer Fine Art Ltd.","Fischer Fine Art Ltd., London (1988-1990)",""],["Niederösterreichisches Landesmuseum, St. Pölten","Niederösterreichisches Landesmuseum, St. Pölten, St. Pölten (1990)",""]],[["2014 Wolfsburg","8102","S. 243, 280, 305, Farbtaf. S. 291"],["1997 Paris","8199","VIII - S. 529, Farbtaf. S. 463 "],["1956 Amsterdam","8297","Nr. 135 "],["2013/14 Wien","8589","S. 339, Farbtaf. S. 155"],["2001 Pöchlarn","8636","Farb. Umschlagabb. (Detail) [Faltblatt]"],["[1956 Prag]","8648","Nr. 9 "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 6, Nr. 4 "],["2008 Wien, Albertina","8744","Nr. 1 mit Farbtaf."],["1986 Zürich","8836","Nr. 80 mit Farbtaf. "],["1956 Salzburg","8854","Nr. 4, Abb. S. 17 "],["2014/15 Regensburg","8869","S. 78, Kat. Nr. 32 mit Farbtaf. "],["1991 Wien","9033","Nr. 66 mit Farbtaf. "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 51, Farbtaf. S. 202"]],[["Schremmer 1961, S. 12 ","2172"],["Teufelberger 1994, Abb. 27","2557"],["Presse 1990, Abb.","2782"],["Hodin 1968 a, S. 320 ","3213"],["Palkovsky 1958, Abb. 40 ","3411"],["Hodin 1980, S. 34 ","3758"],["Neumayer 1957, S. 56, Farbtaf. 21","4014"],["Hodin 1968 b, S. 1420","4127"],["St. Pölten 2002, S. 194, Farbtaf. S. 195","23204"],["Paris 2022, Farbtaf. S. 202","43164"]],[["Selbstbildnis"],["Männliches Bildnis"]]]},{"id":1118,"img":{"extraLarge":"AP_100042124_extraLarge.jpg","medium":"AP_100042124_medium.jpg"},"arr":["1935.05","Prag, Blick vom Moldauufer auf die Kleinseite und den Hradschin I","","[1935]","Öl/Lwd.","84.5 x 108 cm ","Bez. unten rechts: OK"," "," ","321","Staatliche Museen Preußischer Kulturbesitz, Nationalgalerie Berlin","1965 für die Galerie des 20. Jahrhunderts in Berlin, seit 1968 verwahrt in der Sammlung der Nationalgalerie, Staatliche Museen zu Berlin","Inv. Nr. 745",""],"mul":[[["Daberkow Albert F.","Albert F. Daberkow, Bad Homburg (mind. 1957–1961)",""],["Kornfeld und Klipstein","Kornfeld und Klipstein, Bern (8.6.1961, Nr. 59, Farbtaf. S. 116. In: Das Schönste. Jg. 7, 1961, Nr. 7, S. 10)",""],["Marlborough Fine Art","Marlborough Fine Art, London (6.1961–26.3.1965)",""]],[["1962 Tate Gallery, London","8075","Nr. 122, Abb. 34 "],["1994/95 Bielefeld","8301","Nr. 16, S. 14--15, 277--278, Abb. S. 14, Farbtaf. S. 66"],["1962/1963 Hamburg","8422","Nr. 61 mit Abb. "],["1977 München","8455","Nr. 37 "],["1976 Bregenz","8605","Nr. 23, Farbtaf. X "],["1988 Barcelona","8659","Nr. 45, Farbtaf. S. 78 "],["2014/15 Regensburg","8869","S. 36, Kat. Nr. 9 mit Farbtaf."],["1963 New York","9074","Nr. 247 mit Abb. "]],[["Kornfeld und Klipstein 1961, Nr. 7, S. 10 ","3499"],["Tomes 1967, Nr. 11, S. 46, Farbtaf. S. [47] ","3797"],["Berlin 1968, S. 121","4021"]],[["Prag"],["Tschechien"]]]},{"id":1111,"img":{"extraLarge":"AP_100042117_extraLarge.jpg","medium":"AP_100042117_medium.jpg"},"arr":["1936.01","Karel B. Palkovsky","K. B. Palkovsky (Skizze.1936)","1936","Öl/Lwd.","45.2 x 33.3 cm ","Bez. oben links: OK. Auf der Rückseite von fremder Hand beschriftet: Karel B. Palkovsky 1936 Oskar Kokoschka pinxit"," ","297 ","323","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Palkovský Lida und Karel Bretislav","Lida und Karel Bretislav Palkovský, Prag",""],["Kokoschka Olda","Olda Kokoschka, Villeneuve",""]],[["1947 Basel, Kunsthalle","8376","Nr. 91 "],["1947 Zürich, Kunsthaus","8415","Nr. 47 "],["1958 Wien","8541","Nr. 106 "],["1956 Prag","8648","Nr. 7 mit Abb. "],["1947 Amsterdam","8829","Nr. 36 "],["1956 Salzburg","8854","Nr. 8 "],["2014/15 Regensburg","8869","S. 20--21, 80, Kat. Nr. 33 mit Farbtaf. "]],[["Hodin 1980, S. 34 ","3758"],["Hodin 1968 b, S. 1420","4127"]],[["Männliches Bildnis"]]]},{"id":1221,"img":{"extraLarge":"AP_100042227_extraLarge.jpg","medium":"AP_100042227_medium.jpg"},"arr":["1936.02","Tomas Garrigue Masaryk","","1935/36","Öl/Lwd.","97.5 x 130.8 cm ","Bez. unten links: OK; Mitte links beschriftet: J. Amos Komensky VIA LUCIS ","263, Taf. LXVII","298, Taf. 97 ","325","Carnegie Museum of Art, Pittsburgh","24.10.1956, Patrons Art Fund","56.46","Carnegie Museum of Art, Pittsburgh: Patrons Art Fund, 56.46"],"mul":[[["Galerie Hugo Feigl","Galerie Hugo Feigl, Prag",""],["Feigl Gallery","Feigl Gallery, New York (1939)",""],["Eisner Paul V.","Paul V. Eisner, New York (12.3.1945) ",""]],[["1956 Chicago","8045","Nr. 16 mit Abb. "],["1962 Tate Gallery, London","8075","Nr. 120, Abb. 33 "],["2014 Wolfsburg","8102","S. 43, 255, 305, Farbtaf. S. 264-265"],["1948 Boston","8222","Nr. 51 "],["1941 Chicago","8292","Nr. 8 "],["1957 Museum of Fine Arts, Boston","8316","Nr. 61 "],["1962/1963 Hamburg","8422","Nr. 60 "],["1997/98 Neue Nationalgalerie, Berlin","8438","Nr. 82, S. 87, 406, Farbabb. 76"],["1939 San Francisco","8443"," "],["1958 Wien","8541","Nr. 107, Abb. S. 72 "],["1966 New York","8544","Nr. 47, Abb. S. 67 "],["1986 London","8643","Nr. 80 mit Farbtaf. "],["1936 Pittsburgh","8712","Nr. 223, Abb. 120 "],["1940 Galerie St. Etienne, New York","8726","Nr. 5 "],["1986 Zürich","8836","Nr. 82 mit Farbtaf. "],["1942 Demotte, New York","8837","Nr. 12 mit Abb. "],["2014/15 Regensburg","8869","S. 9 -11, 17, 52, Kat. Nr. 13 mit Farbtaf. "],["1944/45 Chicago","8884","mit Abb. "],["1958 München, Haus der Kunst","8914","Nr. 105, Abb. S. 72 "],["1958/59 Carnegie Institute, Pittsburgh","8937","Nr. 69 mit Abb. "],["1961 Boston","8997","Nr. 25 mit Abb. "],["1997 Los Angeles","9010","Nr. 82, S. 87, 406, Farbabb. 76"],["1965 Dallas","9014","Nr. 13 mit Abb. "],["1983 Bordeaux","9016","Nr. 33, Abb. S. 113 "],["1938 New York","9038","Nr. 5 "],["1986/87 Guggenheim, New York","9072","Nr. 63 mit Farbtaf. "],["1939 Springfield, MA","9097","Nr. 41 "]],[["Becher/Canz 1989, S. 132, Abb. S. 134","2138"],["Monsel 1995, S. [36], Farbabb. 39","2144"],["Schremmer 1961, S. 12--13 ","2172"],["Hodin 1946 b, S. 28-29","2207"],["Myers 1957, S. 59 ","2233"],["Schvey 1982, S. 119, 122, 123, Abb. 51 ","2375"],["Haftmann 1986, S. 70-73, Farbabb. S. 72 ","2390"],["Langfeld 2011, S. 143, 231, Abb. 91 S. 143","2397"],["Hoffmann 1978, S. 142-143, Abb. S. 142","2466"],["Hoffmann 1947, S. 207, 208, 210, 211--214, Abb. LXVII","2499"],["Canz 1989, S. 132, 229, Abb. 386","2553"],["Sultano 2003 c, S. 123-126, 130, Farbtaf. 6 S.166","2604"],["Morgenpost 1935","2620"],["Bonnefoit 2014 a, S. 43, Farbabb. 20","2634"],["Holz 1997 b, Farbabb. 76","2671"],["Hodin 1945 a, S. 210 ","2791"],["Simon 1967, Abb. S. 101","2795"],["Rosasco 2014, S. 256 mit Farbabb. 169","2800"],["Holz 2001 a, S. 106, 107, 110, Abb. S. 109","2821"],["Hodin 1940, Abb. S. 9 ","2838"],["Kokoschka Briefe 2 1985, S. 272 ( 11. III. 34), Anm. S. 325 ","2863"],["Plaut 1948, S. 26 ","2891"],["Kokoschka 1971, S.242, 245 ","2894"],["Spielmann 2008, Farbabb. S. 57","2897"],["Spielmann 1992, S. 90-91 ","2984"],["Art News 1938, S. 13 mit Abb.","3161"],["Munzar 1984, S. 60-61 ","3200"],["Washburn 1959, S. 113--118, Abb. S. 115","3205"],["Hodin 1968 a, S. 299-302 ","3213"],["Mikš 2013, S. 172, 358, Abb. 3.21","3257"],["Spielmann 2003 a, S. 308, 311, 313-315, Abb. S. 315 (Detail) , Farbtaf. S. 343","3309"],["Holz 2010, S. 78, Farbabb. 1","3402"],["Kandel 2014, S. 522, Farbabb. 28-1 S. 523","3467"],["Gatt 1972, Abb. 32 ","3468"],["Whitford 1986, S. 160-161 ","3477"],["Hodin 1966, Abb. 42 ","3490"],["Platschek 1946, Abb. 39 ","3496"],["Werner 1991, S. 72, Abb. S. [73] ","3555"],["Köser 1999, S. 99-101, Farbabb.S. 99","3629"],["Schremmer 1971, S. 109 ","3641"],["Haftmann 1997, S. 36-37, 42-43, Abb. S. 37","3643"],["Gombrich 1982, S. 132, 133, Abb. 115","3659"],["Wingler 1956, S. 62, 67 ","3708"],["Hodin 1980, S. 35-38, Abb. S. 38 ","3758"],["Tomes 1967, S. 40, Farbtaf. S. [41] und S. [43] (Detail)","3797"],["Thoene 1938, Abb. 45 ","3806"],["Pittsburgh 1985, S. 150","3816"],["Bonnefoit 2014 b, S. 9-110, Farbtaf. 1 (Detail)","3835"],["Bonnefoit 2007, S. 604-610, 619, Farbabb. 1","3836"],["Holz 2004, S. 73-75, Abb. 2.11.","3842"],["Keegan 1999, S. 185-189","3854"],["Masciotta 1949, S. 41 ","3880"],["Janištinová 2009, S. 38-39","3989"],["Bortolon 1984, S. 30 mit Abb. ","4003"],["Vogt 1972, S. 327 ","4019"],["Bosman 1964, S. 7--8, Abb. S. 47","4028"],["Holz 2015, S. 97","4043"],["Schvey 1977, S. 149-150 ","4068"],["Carnegie 1973, S. 98, Abb. Taf. 78","4077"],["Beckstette 2009, S. 103, Farbabb. 44","4124"],["Hodin 1968 b, S. 1423-1428, Abb. O. S.","4127"]],[["Männliches Bildnis"]]]},{"id":1229,"img":{"extraLarge":"AP_100042235_extraLarge.jpg","medium":"AP_100042235_medium.jpg"},"arr":["1936.03","Ferdinand Bloch-Bauer","","1936","Öl/Lwd.","137.5 x 107 cm ","Bez. unten rechts: OK ","279 ","296 ","326","Kunsthaus Zürich ","1942, Schenkung Ferdinand Bloch-Bauer","2592","Kunsthaus Zürich, Geschenk Ferdinand Bloch-Bauer, 1942"],"mul":[[["Bloch-Bauer Ferdinand","Ferdinand Bloch-Bauer, Prag und Wien",""]],[["1976 Villingen-Schwenningen","8054","Nr. 4, Abb. S. 18 "],["1966 Zürich","8225","Nr. 77 "],["1966 Karlsruhe","8284","Nr. 50 mit Abb. "],["1943 Zürich","8383","Nr. 339 "],["1947 Zürich, Kunsthaus","8415","Nr. 46 "],["2013/14 Wien","8589","S. [166]-170, 339, Farbtaf. S. 169"],["1976 Bregenz","8605","Nr. 22, Taf. LXXVII "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 7, Nr. 14 mit Abb. "],["1937 Pittsburgh","8727","Nr. 344 "],["2014/15 Regensburg","8869","S. 24, 50, Kat. Nr. 12 mit Farbtaf. "],["2005/06 Pfäffikon","8898","o. Farbtaf. (außer Kat.)"],["1984 Rosenheim","8976","Nr. 2 "],["2018/2019 Zürich","21106","Nr. 68, Farbtaf. S. 190"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 52, Farbtaf. S. 203"]],[["Kokoschka Briefe 3 1986, S. 35, Anm. S. 284 ","2381"],["Hoffmann 1947, S. 214 ","2499"],["Sultano 2003 a, S. 54-56, 123, Farbtaf. 3 S. 163","2542"],["Stargardt 1985","2707"],["Spielmann 2008, Farbabb. S. 59","2897"],["Nebehay 1990","2905"],["Zürich 2007, S. 635 mit Abb.","3336"],["Wild 1947","3464"],["Müller/Tatzkow 2014, S. 160, 163, 165, Farbabb. S. 162","3579"],["Natter 1996 c, Abb. S. 81","3696"],["Hodin 1980, S. 34 ","3758"],["Paris 2022, Farbtaf. S. 203","43164"]],[["Männliches Bildnis"]]]},{"id":4932,"img":{"extraLarge":"AP_100051497_extraLarge.jpg","medium":"AP_100051497_medium.jpg"},"arr":["1936.04","Nymphe","","1936","Öl/Lwd.","95 x 76 cm ","Bez. unten links: OK","","299 ","324","Privatbesitz","","","Privatbesitz"],"mul":[[["Čečil Jiři","Jiři Čečil, Prag (vor 1948)",""],["1957 beschlagnahmt","1957 beschlagnahmt",""],["Nationalgalerie","Nationalgalerie, Prag (erworben 1959, Inv. Nr. 0 7694)",""],["Erben Jiři Čečil","Erben Jiři Čečil (Restitution 1997)",""]],[["1971 Prag","8014","Nr. 13 mit Abb."],["1981 Florenz","8131","Nr. 32"],["1962 Pilsen","8174","Nr. 6"],["1961 Prag","8186","Nr. 14"],["1956 Amsterdam","8297","Nr. 137"],["1994/95 Bielefeld","8301","Nr. 19, S. 278, Farbtaf. S. 69"],["1963 Brünn","8324","Nr. 27"],["1978 Sofia","8632","Nr. 12/III"],["1956 Prag","8648","Nr. 10"],["1988 Barcelona","8659","Nr. 43, Farbtaf. S. 76"],["1966 Brünn","8689","Nr. 36"],["2008 Wien, Albertina","8744","Nr. 7 mit Farbtaf."],["1956 Salzburg","8854","Nr. 10"],["1980 Prag","8858","Nr. 44"],["1983 Bordeaux","9016","Nr. 34, Abb. S. 114"]],[["Monsel 1995, Farbtaf. 40","2144"],["Spielmann 2003 a, Farbtaf. S. 342","3309"],["Palkovsky 1958, Abb. 41","3411"],["Wingler 1956, S. 62","3708"],["Hodin 1980, S. 34","3758"],["Bonnefoit 2014 b, S. 14","3835"],["Hodin 1968 b, S. 1420","4127"]],[["Akte"],["Weibliches Bildnis"],["Mythologie"]]]},{"id":1343,"img":{"extraLarge":"AP_100042350_extraLarge.jpg","medium":"AP_100042350_medium.jpg"},"arr":["1936.05","Prag, Blick vom Moldauufer auf die Kleinseite und den Laurenziberg I","","[1936]","Öl/Lwd.","55 x 76 cm ","Bez. unten rechts: OK ","","","331","Kunstforum Ostdeutsche Galerie Regensburg","1978, gemeinschaftliches Eigentum der Bundesrepublik Deutschland und der Stiftung Kunstforum Ostdeutsche Galerie","9466",""],"mul":[[["Teltsch E.","E. Teltsch, London",""],["Shelness R. H.","R. H. Shelness, Lewisboro, N. Y.",""],["Galerie St. Etienne, Otto Kallir","Galerie St. Etienne, Otto Kallir, New York (1965–1978)",""],["Hauswedell & Nolte","Hauswedell & Nolte, Hamburg (1.6.1978, Nr. 694, Farbtaf. S. 249)",""]],[["1989 München","8221","S. 229, Nr. 387"],["1994/95 Bielefeld","8301","Nr. 12, S. 277, Farbtaf. S. 62"],["2008 Wien, Albertina","8744","Nr. 3 mit Farbtaf."],["2014/15 Regensburg","8869","S. 36-37, Kat. Nr. 6 mit Farbtaf. "],["1965 Dallas","9014","Nr. 12 "]],[["Hauswedell 1978, Nr. 694, Farbtaf. S. 249 ","2370"],["Lachnit 2008, Farbabb. S. 32","3270"],["Tomes 1967, Nr. 16, S. 58, Farbtaf. S. [59] ","3797"],["Regensburg 1982, Abb. S. 41 ","4093"],["Regensburg 1997, Abb. S. 85","23201"],["Regensburg 2005, S. 73 mit Farbabb.","23202"]],[["Prag"],["Tschechien"]]]},{"id":1323,"img":{"extraLarge":"AP_100042330_extraLarge.jpg","medium":"AP_100042330_medium.jpg"},"arr":["1936.06","Prag, Blick vom Moldauufer auf die Kleinseite und den Laurenziberg II","\"Prag, Partie beim Nationaltheater\" \n\"Prague VII: Near the National Theatre\"","[1936]","Öl/Lwd.","55 x 75.5 cm ","Bez. unten links: OK ","274 ","302","332","Privatbesitz","","","Privatbesitz"],"mul":[[["Galerie Würthle","Galerie Würthle, Lea Bondi-Jaray, Wien (1936)",""],["Schlesinger Emanuel","Emanuel Schlesinger, Wien (bis 1939)",""],["Greenwood K.","K. Greenwood, GB",""],["Sotheby's","Sotheby's, London (23.6.1972, Nr. 68 mit Farbabb.)",""],["Marlborough Fine Art","Marlborough Fine Art, London (28.6.1972–2003)",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 91 "],["2001 New York","8011","Nr. 13, Farbtaf. S. 20"],["1994/95 Bielefeld","8301","Nr. 13, S. 277, Farbtaf. S. 63"],["1976 London","8338","Nr. 9 mit Farbabb. "],["1981 London, Marlborough","8496","Nr. 36 "],["1981 New York, Marlborough","8535","Nr. 36, Farbtaf. S. 59 "],["1975 Madrid","8555","Nr. 10, Abb. 40 "],["1987 Gent","8571","Nr. 39, Farbabb. S. 111 "],["1988 Barcelona","8659","Nr. 46, Farbtaf. S. 79 "],["1986 New York, Marlborough","8743","Nr. 21 mit Farbtaf. "],["1978 Kamakura","8846","Nr. 14, Abb. 14 "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 74, Farbabb. S. 75 "],["1981/82 Rom","8934","S. 129, Farbabb. S. 68 "],["1983 Bordeaux","9016","Nr. 36, Abb. S. 116 "]],[["Sotheby Parke Bernet 1972 a, Nr. 68 mit Farbabb.","2985"]],[["Prag"],["Tschechien"]]]},{"id":1064,"img":{"extraLarge":"AP_100042069_extraLarge.jpg","medium":"AP_100042069_medium.jpg"},"arr":["1936.07","Prag, Blick vom Moldauufer auf die Kleinseite und den Hradschin II","\"Prag, Blick von der Moldaulände IV\"","[1936]","Öl/Lwd.","90 x 120 cm ","Bez. unten links: OK "," ","306","322","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Galerie Würthle","Galerie Würthle, Wien",""],["Zadra Josef","Josef Zadra, Krivinná bei Mährisch-Ostrau",""],["Schmied B.","B. Schmied (vor 1960)",""],["Weinmüller Adolf","Adolf Weinmüller, München (22./23.6.1960, Nr. 968, u.d.T.: \"Ansicht von Prag\")",""],["Schröder Hans","Hans Schröder, Garmisch-Partenkirchen (1960)",""],["Sotheby Parke Bernet","Sotheby Parke Bernet, London (6.12.1978, Nr. 8 mit Farbabb.)",""]],[["1967 Frankfurt/Main","8047","Nr. 45, Abb. 49 "],["1960 Kopenhagen","9011","Nr. 61 "],["1966 München","9027","Nr. 731 "]],[["Sotheby Parke Bernet 1978 b, Nr. 8 mit Farbabb. ","3321"],["Weinmüller 1960 a, Nr. 968, Farbtaf. 3","3703"],["Tomes 1967, Nr. 8, S. 36, Farbtaf. S. [37], Abb. S. [39] ","3797"],["Hodin 1968 b, S. 1418","4127"]],[["Prag"],["Tschechien"]]]},{"id":1234,"img":{"extraLarge":"AP_100042240_extraLarge.jpg","medium":"AP_100042240_medium.jpg"},"arr":["1936.08","Prag, Blick vom Moldau-Ufer auf die Kleinseite und den Hradschin III","\"Prague IX: View over the Vltava River with Charles Bridge and Hradsany\"\n\"Prag, Blick von der Moldaulände II\"","[1936]","Öl/Lwd.","85 x 115 cm ","Bez. unten rechts: OK ","276","304","327","Kunstforum Ostdeutsche Galerie Regensburg","","18713",""],"mul":[[["Zadra Josef","Josef Zadra, Krivinná bei Mährisch-Ostrau",""],["Till Christine","Christine Till, Colmar (1946)",""],["Privatbesitz","Privatbesitz, USA (1970)",""],["Acquavella Galleries","Acquavella Galleries, New York",""],["Achim Moeller Fine Art","Achim Moeller Fine Art, New York (1988)",""],["Sotheby's","Sotheby's, New York (15.11.1989, Nr. 65 mit Farbabb. (alter Titel))",""],["Marlborough Fine Art","Marlborough Fine Art, London (15.11.1989–9.12.1991)",""]],[["1989 New York","8666","Nr. 11 mit Farbtaf. "],["2014/15 Regensburg","8869","S. 36, Kat. Nr. 8 mit Farbtaf. und farb. Umschlagabb. (Detail)"],["1991 Wien","9033","Nr. 65 mit Farbtaf. "]],[["Cheney 1941, Abb. S. 403 ","2893"],["Sotheby's New York 1989 c, Nr. 65 mit Farbabb. (u. d. Wingler Titel) ","2982"],["Palkovsky 1958, Abb. 42 ","3411"],["Tomes 1967, Nr. 12, S. 48, Abb. S. [49] ","3797"],["Hodin 1968 b, S. 1418","4127"],["Regensburg 1993, S. 150, Farbtaf. S. 151 ","23200"],["Regensburg 1997, S. 84–85, Farbabb. S. 85","23201"]],[["Prag"],["Tschechien"]]]},{"id":1014,"img":{"extraLarge":"AP_100042018_extraLarge.jpg","medium":"AP_100042018_medium.jpg"},"arr":["1936.09","Prag, Blick vom Moldauufer auf die Kleinseite und den Hradschin IV","Prag, Blick von der Moldaulände I\n\"Prague II: View of Strahov\"","[1936]","Öl/Lwd.","98.1 x 130.5 cm ","Bez. unten rechts: OK ","269","303","328","The Phillips Collection, Washington, D.C.","1938","","The Phillips Collection, Washington, D.C."],"mul":[[["Palkovský Lida und Karel Bretislav","Lida und Karel Bretislav Palkovský, Prag (1936–1938)",""]],[["1948 Charlottesville","8065","Nr. 8 "],["1962 Tate Gallery, London","8075","Nr. 121 "],["1985/86 Boston","8089"," "],["1942 Saint Louis","8134","Nr. 4 "],["1966 Zürich","8225","Nr. 78, Abb. 24 "],["1994/95 Bielefeld","8301","Nr. 14, S. 277, Farbtaf. S. 64"],["1958 Den Haag","8309","Nr. 67 "],["1953 Washington","8452"," "],["1958 Wien","8541","Nr. 109, Abb. S. 66 u. d. T. \"Prag, Blick von der Moldaulände I\" "],["1966 New York","8544","Nr. 48, Abb. S. 68 "],["2013/14 Wien","8589","S.152, 339, Farbtaf. S. 152"],["1968 Smithsonian Institution, Washington, DC","8606","Nr. 1 "],["1963 Utica, N.Y.","8634","Nr. 62 "],["1937 Wien, Österreichisches Museum für Kunst und Industrie","8665","S. 7, Nr. 15 "],["1941 Washington","8788","Nr. 72 "],["1938 Washington","8796"," "],["1940 Baltimore","8805"," "],["1951 Dayton","8877","Nr. 23 "],["1958 München, Haus der Kunst","8914","Nr. 107, Abb. S. 66 u. d. T. \"Prag, Blick von der Moldaulände I\" "],["2001/02 Rom","8918","S. 104, Nr. 77 mit Farbtaf."],["1992 New York","8930","Nr. 74 "],["1955 Syracuse","8947","Nr. 9 "],["1938 Pittsburgh","9050","Nr. 342, Abb. 26 "]],[["Lévêque 2005, S. 203 mit Farbabb.","2028"],["Monsel 1995, S. [36], Farbabb. 42","2144"],["Washington 1952, S. 58","2571"],["Washington 1976, S. 43, Farbabb. Microfiche 3, F1","2719"],["Washington 1985, Nr. 983 mit Abb.","2779"],["Spielmann 2003 a, S. 311--312 mit Abb.","3309"],["Selz 1981, Farbabb. 878 ","3621"],["Kallir 1992, Farbtaf. 62","3647"],["Tomes 1967, Nr. 14, S. 52, Farbtaf. S. [53] und S. [55] (Detail)","3797"],["Hodin 1968 b, S. 1418","4127"]],[["Prag"],["Tschechien"]]]},{"id":1433,"img":{"extraLarge":"AP_100042441_extraLarge.jpg","medium":"AP_100042441_medium.jpg"},"arr":["1937.01","Prag, Blick vom Moldauufer auf die Kleinseite und den Hradschin V","\"Prag, Blick von der Moldaulände III\" \n\"Prague III: Another View from the Studio\"","[1936/37]","Öl/Lwd.","45 x 70 cm ","Bez. unten rechts: OK ","270 ","305","329","R2G Art Foundation, Prag","","","R2G Art Foundation, Prag"],"mul":[[["Galerie Hugo Feigl","Galerie Hugo Feigl, Prag",""],["Taussig Max E.","Max E. Taussig, Prag, New York",""],["Taussig Irene","Irene Taussig, New York",""]],[["1981 New York, Marlborough","8535","Nr. 35, Abb. S. 58 "],["1966 New York","8544","Nr. 49, Abb. S. 69 "],["1942 Demotte, New York","8837","Nr. 14 "],["2018/2019 Zürich","21106","Nr. 69, Farbtaf. S. 181"]],[["Hoffmann 1947, S. 219 ","2499"],["Hodin 1940, Abb. S. 13 ","2838"],["Tomes 1967, Nr. 15, S. 56, Farbtaf. S. [57] ","3797"],["Hodin 1968 b, S. 1418","4127"]],[["Prag"],["Tschechien"]]]},{"id":1187,"img":{"extraLarge":"AP_100042193_extraLarge.jpg","medium":"AP_100042193_medium.jpg"},"arr":["1937.02","Prag, Blick vom Moldauufer auf die Kleinseite und den Hradschin VI","\"Prag, Blick von der Moldaulände V\"","[1937]","Öl/Lwd.","94 x 125 cm ","Bez. unten links: OK "," ","307 ","330","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Galerie Hugo Feigl","Galerie Hugo Feigl, Prag",""],["Tomanová Zdenka","Zdenka Tomanová, Prag",""],["Galerie Petra Brandla","Galerie Petra Brandla, Prag",""],["Galerie Zlatá Husa","Galerie Zlatá Husa, Prag",""],["Bednarik Miroslav","Miroslav Bednarik, Prag",""],["Arthouse Hejtmanek","Arthouse Hejtmanek, Prag (1.6.2017, Nr. 120, Abb. S. 135)",""]],[["1956 Prag","8648","(außer Kat.)"],["2014/15 Regensburg","8869","S. 36, Kat. Nr. 10 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 70, Farbtaf. S. 182"]],[["Vytvarné umení 1956, Abb. S. 305","2913"],["Tomes 1967, Nr. 13, S. 50, Farbtaf. S. [51] ","3797"],["Arthouse Hejtmanek 2017, Kat. Nr. 120, Abb. S. 135 ","14169"]],[["Prag"],["Tschechien"]]]},{"id":1245,"img":{"extraLarge":"AP_100042251_extraLarge.jpg","medium":"AP_100042251_medium.jpg"},"arr":["1937.03","Olda Palkovská","","1937","Öl/Lwd.","90 x 67 cm ","Unbez. "," "," ","333","Musée Jenisch, Fondation Oskar Kokoschka, Vevey","1988 ","FOK 70","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Palkovský Lida und Karel Bretislav","Lida und Karel Bretislav Palkovský, Prag",""],["Kokoschka Olda","Olda Kokoschka, Villeneuve",""]],[["1984 Vevey","8050","Nr. 19 "],["1997 Krumau","8285","S. [70], Farbtaf. S. [71]"],["1992 Cismar","8291","S. 174, Farbtaf. 6"],["1994/95 Bielefeld","8301","Nr. 79, S. 23, 289, Farbtaf. S. 196"],["2003 Apolda","8411","Nr. 55, S. 102, Farbtaf. S. 67"],["1981 London, Marlborough","8496","Nr. 37 "],["1981 New York, Marlborough","8535","Nr. 37, Farbtaf. S. 60 "],["2001/02 Emden","8542","S. 93, Farbtaf. S. 65"],["1987 Gent","8571","Nr. 38, Farbtaf. S. 110 "],["1986 London","8643","Nr. 81 mit Farbtaf. "],["1988 Barcelona","8659","Nr. 42, Farbtaf. S. 75 "],["1986 Zürich","8836","Nr. 83 mit Farbtaf. "],["2014/15 Regensburg","8869","S. 84, Kat. Nr. 35 mit Farbtaf. "],["1995 Bellinzona","8872","S. 58, Farbtaf. S. [59]"],["2005/06 Pfäffikon","8898","Farbtaf. 84"],["1983 Bordeaux","9016","Nr. 35, Abb. S. 115 "],["1991 Wien","9033","Nr. 67 mit Farbtaf. "],["1986/87 Guggenheim, New York","9072","Nr. 64 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 71, Farbtaf. S. 191"]],[["Monsel 1995, Farbtaf. 41","2144"],["Teufelberger 1994, Abb. 28","2557"],["Spielmann 1992, S. 90 ","2984"],["Stefano 1997, Farbabb. S. 42","3071"],["Mikš 2013, S. 171, 358, Abb. 3.19","3257"],["Spielmann 2003 a, S. 323, Farbtaf. S. 344","3309"],["Werner 1991, S. 74, Farbtaf. 6 und Abb. S. [75] ","3555"],["Vevey 1994, S. 108 mit Farbtaf. S. 109","3718"]],[["Weibliches Bildnis"]]]},{"id":1303,"img":{"extraLarge":"AP_100042310_extraLarge.jpg","medium":"AP_100042310_medium.jpg"},"arr":["1937.04","Die Agave","","1932-37","Öl/Lwd.","60 x 73 cm ","Bez. unten rechts: OK. Auf der Rückseite bez. und datiert: OK 32 "," ","308 ","310","Sammlung Würth Künzelsau","","",""],"mul":[[["Patocková Berta","Berta Patocková, Prag",""],["Kokoschka Bohuslav","Bohuslav Kokoschka, Wien",""],["Kokoschka Roman","Roman Kokoschka, Wien",""],["Galerie Wolfgang Ketterer","Galerie Wolfgang Ketterer, München (26.-28.11.1979, Nr. 951, nicht verkauft)",""],["Galerie Wolfgang Ketterer","Galerie Wolfgang Ketterer, München (6.1980, Nr. 732 mit Farbtaf. )",""],["Brabant Frank","Frank Brabant, Wiesbaden (6.1980)",""],["Kunsthandel Martin Suppan","Kunsthandel Martin Suppan, Wien (6.1989)",""],["Brinkel Adolf","Adolf Brinkel, Mülheim, Ruhr (1989)",""],["Privatbesitz","Privatbesitz, Saarlouis (1992)",""],["Villa Grisebach","Villa Grisebach, Berlin (29.5.1992, Nr. 61 mit Farbabb., nicht verkauft)",""]],[["1983 München","8112","Nr. 109, Farbtaf. 19 "],["2013/14 Künzelsau","8206","S. 177, Farbtaf. S. 72"],["2014/15 Regensburg","8869","S. 100, Kat. Nr. 45 mit Farbtaf. "],["1999/00 Künzelsau","9078","S. 106, 108, Farbtaf. S. 107"]],[["Würth 1999, S. 106, Farbtaf. 107","2495"],["Galerie Wolfgang Ketterer München 1979, Nr. 951 ","3394"],["Villa Grisebach 1992, Nr. 61 mit Farbabb.","3437"],["Galerie Wolfgang Ketterer München 1980, Nr. 732 mit Farbtaf. ","3687"],["Künzelsau 2001","23173"],["Künzelsau 1999, S. 106, S. 197, Farbtaf. S. 107","23174"],["Künzelsau 1998, S. 253, Farbtaf. S. 27","23175"],["Künzelsau 2006, S. 95, 96, Farbtaf. S. 97","23176"]],[["Figuren in Landschaft"],["Mädchen"]]]},{"id":1054,"img":{"extraLarge":"AP_100042059_extraLarge.jpg","medium":"AP_100042059_medium.jpg"},"arr":["1937.05","Martha Hirsch II (mit Ballon)","","1937","Öl/Lwd.","84 x 103 cm ","Bez. unten links: OK "," ","294 ","319","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Hirsch Martha","Martha Hirsch, Sydney",""],["Christie, Manson & Woods","Christie, Manson & Woods, London (12.12.1969, Nr. 16A mit Abb.)",""],["Kende Herbert","Herbert Kende, New York (1969)",""]],[],[["Christie's London 1969, Nr. 16A mit Abb.","3107"],["Hodin 1980, S. 34 ","3758"],["Domanický/Jindra 2011, S. 267-271, 302, Anm. 147, S. 317","4096"],["Hodin 1968 b, S. 1420","4127"]],[["Weibliches Bildnis"]]]},{"id":1337,"img":{"extraLarge":"AP_100042344_extraLarge.jpg","medium":"AP_100042344_medium.jpg"},"arr":["1937.06","Mährisch-Ostrau I","Mährisch-Ostrau I (mit Bäumen)","1937","Öl/Lwd.","89 x 115 cm ","Bez. unten links: OK.\nRückseitig gestempelt: 1937 Manes (unleserlich) ","256","309 ","334","Privatbesitz"," ","",""],"mul":[[["Jerie Ladislav","Ladislav Jerie, Mährisch-Ostrau",""],["Privatbesitz"," Privatbesitz Karvina ČSSR (um 1948 - 1990)",""]],[["1937 Prag","9004","Nr. 105 "],["[1939 Wertheim Gallery, London]","9057","Nr. 39 "]],[["Kokoschka 1971, S. 247 ","2894"],["Spielmann 2003 a, S. 323","3309"],["Hodin 1980, S. 34 ","3758"],["Holz 2014, S. 19, Abb. 2","3874"],["Hodin 1968 b, S. 1420","4127"]],[["Mährisch-Ostrau"],["Tschechien"]]]},{"id":1252,"img":{"extraLarge":"AP_100042258_extraLarge.jpg","medium":"AP_100042258_medium.jpg"},"arr":["1937.07","Mährisch-Ostrau II","","1937","Öl/Lwd.","80.5 x 120 cm ","Bez. unten links: OK "," ","310 ","335","Privatbesitz, Courtesy Adolf Loos Apartment and Gallery"," ","","Privatbesitz, Courtesy Adolf Loos Apartment and Gallery, Prag"],"mul":[[["Jerie Ladislav","Ladislav Jerie, Mährisch-Ostrau",""],["Ritter Wolfgang","Wolfgang Ritter, Bremen",""],["Ritter Gertrud","Gertrud Ritter, Baar, Schweiz",""],["von Fürstenberg Titi","Titi von Fürstenberg, Neuilly",""]],[["2008 Wien, Albertina","8744","Nr. 5 mit Farbtaf."],["2014/15 Regensburg","8869","S. 82, Kat. Nr. 34 mit Farbtaf. "]],[["Kokoschka 1971, S. 247 ","2894"],["Spielmann 2003 a","3309"],["Hodin 1968 b, S. 1420","4127"]],[["Mährisch-Ostrau"],["Tschechien"]]]},{"id":1258,"img":{"extraLarge":"AP_100042264_extraLarge.jpg","medium":"AP_100042264_medium.jpg"},"arr":["1937.08","Selbstbildnis eines 'Entarteten Künstlers'","","1937","Öl/Lwd.","110 x 85 cm ","Bez. unterhalb der Mitte links: OK ","282, Farbtaf. 1 ","311, Taf. 104 ","336","Scottish National Gallery of Modern Art, Edinburgh","","GML 285","On loan from a private collection"],"mul":[[["Korner Emil","Emil Korner, Witkowitz bei Mährisch Ostrau/seit 1938 Portwilliam, Schottland (1937)",""]],[["2013 Ascona","8066","S. 20, Farbabb. 9"],["1962 Tate Gallery, London","8075","Nr. 123, Farbabb. 1 "],["1948 Boston","8222","Nr. 56, Farbabb. gegenüber S. 28 "],["1966 Karlsruhe","8284","Nr. 51 mit Abb. "],["1994/95 Bielefeld","8301","Kat. Nr. 75, S. 23, 288, Abb. S. 31, Farbtaf. S. [192]"],["1947 Basel, Kunsthalle","8376","Nr. 84 "],["1981 Köln","8405","Abb. S. 66 "],["1947 Zürich, Kunsthaus","8415","Nr. 49 "],["1938 London","8417","Nr. 110 "],["1981 London, Marlborough","8496","Nr. 38 "],["1981 New York, Marlborough","8535","Nr. 38, Farbtaf. S. 61 "],["1995 Venedig","8545","V,6 mit Farbabb. S. 312 "],["1992 Bremen","8564","S. 9--10, Farbabb. Auf Umschlagrückseite"],["1986 London","8643","Nr. 82 mit Farbtaf. "],["1995/96 London","8715","S. 350, Nr. 4.71, Farbtaf. S. 303"],["1947 Amsterdam","8829","Nr. 38 "],["2014 New York","8903","S. 306, Farbtaf. 61 S. 157"],["2018/2019 Zürich","21106","Nr. 72, Farbtaf. S. 199"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 53, Farbtaf. S. 205"]],[["Becher/Canz 1989, S. 136, Abb. S. 135","2138"],["Monsel 1995, S. [36], Farbtaf. 44","2144"],["Schmidt D. 1968, Abb. Taf. 87 ","2149"],["Schremmer 1961, S. 13 ","2172"],["Schmidt D. 1986 c, S. 189, Abb. S. 190 ","2320"],["Bertsch 1993, S. 30 ","2361"],["Kokoschka Briefe 3 1986, S. 60 (23. XII. 37); S. 118 (15. April 1943), Anm. S. 302 ","2381"],["Haftmann 1986, S. 73, Abb. S. 68 ","2390"],["Hoffmann 1947, S. 214--215, Farbtaf. Frontispiz","2499"],["Sultano 2003 a, S. 11, 123, Farbtaf. 1 S. 161","2542"],["Canz 1989, S. 136, 229--230, Abb. 388","2553"],["Teufelberger 1994, Abb. 29","2557"],["Hodin 1971, S. 206--209, Abb. S. [207] ","2585"],["Feilchenfeldt 2009 a, S. 269-270, Farbabb. 89","2599"],["Bertsch 2015, S. 29, Farbabb. S. 30","2624"],["Holz 1997 b, S. 86, Abb. 75","2671"],["Haftmann 1965 b, S. 296, Abb. 737 ","2732"],["Schmidt 1976, S. 130, Abb. S. 127 ","2747"],["Hofmann 2008, Farbabb. S. 22","2750"],["Thwaites 1960, S. 61 ","2754"],["Pross 2000, S. 33","2883"],["Hodurek 1976, S. 263, 314, Abb. 116","2884"],["Plaut 1948, S. 26 ","2891"],["Kokoschka 1971, S. 247 ","2894"],["Spielmann 1992, S. 92 ","2984"],["Du 1981, Farbabb. 4","2998"],["Hoge 2004, S. 176-180, Abb. 112","3063"],["Stefano 1997, S. 41, Farbabb. S. 43","3071"],["Dichand 1986, Farbtaf. S. 43 ","3104"],["Hodin 1949 a, Abb. S. [44] (Detail)","3135"],["Calvocoressi 1990, S. 6 mit Abb. ","3177"],["Hodin 1968 a, S. 298, 321 ","3213"],["Mikš 2013, S. 174, 359, Farbabb. XII","3257"],["Spielmann 2003 a, S. 322, 327, Farbtaf. S. 345","3309"],["Holz 2010, S. 82, Farbabb. 5","3402"],["Palkovsky 1958, Abb. Frontispiz (Detail) ","3411"],["Gordon 1987, S. 184, Abb. S. 174 ","3453"],["Gatt 1972, S. 35 ","3468"],["Hodin 1966, Abb. 46 (Detail), S. 214","3490"],["Smola 2013, S. 174, Farbtaf. S. 175","3500"],["Stone 1995, S. 87, 90","3531"],["Natter 1996 b, Abb. S. 19","3532"],["Werner 1991, S. 76, Farbtaf. 7 und Abb. S. [77] ","3555"],["Köser 1999, Abb. S. 104","3629"],["Haftmann 1997, S. 38, 44, Abb. S. 45","3643"],["Frommhold 1968, Abb. 108 ","3670"],["Wingler 1956, S. 59 ","3708"],["Hodin 1948, Abb. S. 215","3741"],["Hütt 1986, Abb. 604 ","3755"],["Hodin 1980, S. 34 ","3758"],["Pearson 1985, S. 2--3","3776"],["Keegan 1999, S. 196","3854"],["Holz 2014, S. 19, Farbtaf. 1 (Detail)","3874"],["Bortolon 1984, S. 36 mit Farbtaf. ","4003"],["Bosman 1964, S. 85, 86, Farbabb. S. 19","4028"],["Hofmann, K.L. 1980, S. 121 mit Abb.","4034"],["Holz 2015, S. 98--101, Farbtaf. IV","4043"],["Hiepe 1978, Abb. S. 84","4122"],["Hodin 1968 b, S. 1420, Abb. o. S.","4127"],["Bonnefoit 2015, Farbabb. S. 106","5161"],["Paris 2022, Farbtaf. S. 205","43164"]],[["Selbstbildnis"],["Männliches Bildnis"]]]},{"id":1168,"img":{"extraLarge":"AP_100042174_extraLarge.jpg","medium":"AP_100042174_medium.jpg"},"arr":["1938.01","Sitzender Akt","","1938","Öl/Lwd.","110 x 65 cm ","Bez. unten links: OK ","283","312 ","337","Privatbesitz","","","Privatbesitz"],"mul":[[["Zadra Josef","Josef Zadra, Krivinná bei Mährisch-Ostrau",""],["Wydler Max","Max Wydler, Zürich",""],["Schäfer Georg","Georg Schäfer, Schweinfurt (6.1968)","seit 1978 als Dauerleihgabe in der Kunsthalle Kiel (Inv. Nr. 5312)"],["Christie, Manson & Woods","Christie, Manson & Woods, London (27.6.1978, Nr. 12 mit Farbtaf. )",""],["Privatbesitz","Privatbesitz, Schweiz",""],["Villa Grisebach","Villa Grisebach, Berlin (26.11.2010, Nr. 57 mit Farbabb.)",""]],[["2014 Wolfsburg","8102","S. 243, 305, Farbtaf. S. 245"],["1994/95 Bielefeld","8301","Nr. 18, S. 278, Farbtaf. S.[ 68]"],["2008 Wien, Albertina","8744","Nr. 11 mit Farbtaf."],["2014/15 Regensburg","8869","S. 96,Kat. Nr. 43 mit Farbtaf. "]],[["Villa Grisebach 2010, Nr. 57 mit Farbabb.","2309"],["Christie's London 1978, Nr. 12 mit Farbtaf.","2973"],["Spielmann 2003 a, S. 323, Farbtaf. S. 346","3309"],["Hodin 1980, S. 34 ","3758"],["Bonnefoit 2014 b, S. 14, Farbtaf. 4 (Detail)","3835"]],[["Figuren in Landschaft"],["Akte"]]]},{"id":1235,"img":{"extraLarge":"AP_100042241_extraLarge.jpg","medium":"AP_100042241_medium.jpg"},"arr":["1938.02","Die Quelle","Fountain\nThe Fountain\nDie Quelle (The Fountain)","1932-38","Öl/Lwd.","149 x 165 cm ","Unbez. ","281 ","313 ","338","Kunsthaus Zürich","1988 Schenkung Olda Kokoschka","1988/29","Kunsthaus Zürich, Geschenk Olda Kokoschka, 1988"],"mul":[[["Kokoschka Olda","Olda Kokoschka",""]],[["1939 Pittsburgh","8203","Nr. 325, Taf. 92 "],["1948 Boston","8222","Nr. 55 mit Abb. "],["1941 Chicago","8292","Nr. 6 "],["1935 Zürich, Kunsthaus","8349","Nr. 107 u. d. T. \"Entwurf Figurenbild\" "],["1941 New York","8466","Nr. 25 mit Abb. "],["2013/14 Wien","8589","S. 155, 339, Farbtaf. S. 157"],["1986 Zürich","8836","Nr. 84 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 43, Farbtaf. S. 186-187"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 54, Farbtaf. S. 207"]],[["Sultano 2003 a, S. 66, Farbtaf. 5 S. 165","2542"],["Teufelberger 1994, Abb. 30","2557"],["Plaut 1948, S. 26 ","2891"],["Hoffmann-Curtius 1987, S. 168--169, Abb. S. 169 ","3108"],["Hodin 1968 a, S. 261, 349-350 (Anm. 12) ","3213"],["Spielmann 2003 a, S. 321--322, Farbtaf. S. 347","3309"],["Zürich 2007, S. 636 mit Abb.","3336"],["Wingler 1956, S. 49, 62 ","3708"],["Hodin 1980, S. 34 ","3758"],["Holz 2014, S. 23, Farbabb. 9","3874"],["Holz 2015, S. 92--96, Abb. 20 und 21 S. 93","4043"],["Hodin 1968 b, S. 1420","4127"],["Rieger 2018, S. 275-276","41166"],["Paris 2022, Farbtaf. S. 207","43164"]],[["Gruppenbildnis"],["Selbstbildnis"],["Weibliches Bildnis"],["Akte"],["Figuren in Landschaft"]]]},{"id":1475,"img":{"extraLarge":"AP_100042484_extraLarge.jpg","medium":"AP_100042484_medium.jpg"},"arr":["1938.03","Prague - Nostalgia","\"Prague XI: Nostalgia\" ","1938","Öl/Lwd.","56 x 76 cm ","Bez. unten links: OK ","285","314 ","339","Scottish National Gallery of Modern Art, Edinburgh","2000","GMA 4322","Accepted by HM Government in lieu of inheritance tax and allocated to the Scottish National Gallery of Modern Art 2000"],"mul":[[["Wertheim Gallery","Wertheim Gallery, London (1939)",""],["Croft Michael","Michael Croft, London/seit 1947 Lord Croft, Croft Castle, Leominster, Hereford (1939–1997)",""],["Christie's","Christie's, London (15.10.1995, Nr.183 mit Farbabb., nicht verkauft)",""]],[["1997 Paris","8199","VIII - S. 529, Farbabb. S. 462 "],["1966 Zürich","8225","Nr. 79 "],["2008 Warwickshire, Compton Verney","8253","o. Abb."],["1994/95 Bielefeld","8301","Nr. 17, S. 37, 278, Farbtaf. S. 67"],["1976 London","8338","Nr. 10 mit Abb. "],["1958 Wien","8541","Nr. 110, Abb. S. 71 "],["1986 London","8643","Nr. 83 mit Farbtaf. "],["2008 Wien, Albertina","8744","S. 32, Nr. 14 mit Farbtaf."],["1986 Zürich","8836","Nr. 85 mit Farbtaf. "],["2014/15 Regensburg","8869","S. 48, Kat. Nr. 11 mit Farbtaf. "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 78, Farbabb. S. 79 "],["1958 München, Haus der Kunst","8914","Nr. 108, Abb. S. 71 "],["1991 Wien","9033","Nr. 68 mit Farbtaf. "],["1939 Wertheim Gallery, London","9057","Nr. 19 "],["1986/87 Guggenheim, New York","9072","Nr. 65 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 73, Farbtaf. S. 183"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 55, Farbtaf. S. 208"]],[["Tomes 1988, Nr. 17, S. 60, Farbtaf. S. [61] und S. [63] (Detail)","2091"],["Monsel 1995, S. [36], Farbabb. 43","2144"],["Schremmer 1961, S. 13 ","2172"],["Haftmann 1986, S. 78-79, Farbabb. S. 79 ","2390"],["Hoffmann 1947, S. 230--231 ","2499"],["Pross 2000, S. 30","2883"],["Spielmann 1992, S. 93 ","2984"],["Christie's London 1995, Nr.183 mit Farbabb.","3148"],["Spielmann 2003 a, S. 312, 351, Farbtaf. S. 348","3309"],["Stone 1995, S. 91","3531"],["Köser 1999, S. 103 mit Farbabb.","3629"],["Schremmer 1971, S. 110--111 ","3641"],["Keegan 1999, S. 199--201","3854"],["Masciotta 1949, Nr. 3 ","3880"],["Holz 1997 a, S. 52-53, Abb. 30","4085"],["Hodin 1968 b, S. 1418","4127"],["Paris 2022, Farbtaf. S. 208","43164"]],[["Prag"],["Tschechien"]]]},{"id":1435,"img":{"extraLarge":"AP_100042443_extraLarge.jpg","medium":"AP_100042443_medium.jpg"},"arr":["1939.01","Michael Croft","\"Portrait of a young Englishman\"\nThe Honourable Michael Croft","1938/39","Öl/Lwd.","76.2 x 63.7 cm ","Bez. unten rechts: OK. Auf der Rückseite datiert und beschriftet: 1939 IN DIRTY EXILE, ILL AND POOR NOBODY COULD PANT (sic) THIS WORK, BUT NOBODY COULD VALUE IT TOO, AT THIS DIRTY TIME WHEN THEY ALL, EVERYWHERE, ARE HUNTING THE ARTIST AND BECOME SLAVES THEMSELVES ","291, Taf. LXXVI","315 ","340","Privatbesitz","","","Privatbesitz"],"mul":[[["Croft Michael","Michael Croft (1940)",""]],[["1971 München","8125","Nr. 35 mit Abb. "],["1959 Wakefield","8205"," "],["1966 Karlsruhe","8284","Nr. 52 mit Abb. "],["1994/95 Bielefeld","8301","Nr. 90, S. 23--24, 291, Farbtaf. S. 204"],["1958 Wien","8541","Nr. 111, Abb. S. 74 "],["1986 London","8643","Nr. 84 mit Farbtaf. "],["1986 Zürich","8836","Nr. 86 mit Farbtaf. "],["1958 München, Haus der Kunst","8914","Nr. 109, Abb. S. 74 "],["1960 London, Marlborough","9029","Nr. 10 "],["1939 Wertheim Gallery, London","9057","Nr. 17 "],["1986/87 Guggenheim, New York","9072","Nr. 66 mit Farbtaf. "]],[["Müller-Härlin 2006, S. [45]-54, Farbabb. 1 S. 46.","2067"],["Monsel 1995, Farbtaf. 46","2144"],["Schmalenbach F. 1967, Farbtaf. S. 72 ","2199"],["Curti 2001, S. 17 mit Farbabb.","2298"],["Hoffmann 1947, Abb. LXXVI ","2499"],["Sultano 2003 c, S. 147, Abb. 47 S. 148","2604"],["Kokoschka 1971, S. 251 ","2894"],["Hodin 1968 a, S. 168 ","3213"],["Spielmann 2003 a, S. 352, Abb. S. 353","3309"],["Stone 1995, S. 97","3531"],["Masciotta 1949, Nr. 1 ","3880"]],[["Männliches Bildnis"]]]},{"id":1050,"img":{"extraLarge":"AP_100042054_extraLarge.jpg","medium":"AP_100042054_medium.jpg"},"arr":["1939.02","Posy Croft","\"Portrait of an english girl\" ","1939","Öl/Lwd.","76 x 64 cm ","Unbez. ","292","316","341","Scottish National Gallery of Modern Art, Edinburgh\nh","2018","","Accepted by HM Government in Lieu of Inheritance Tax from the estate of the sitter and allocated to the Scottish National Gallery of Modern Art, 2018"],"mul":[[["Croft Rosemary","Rosemary Croft (1939)",""],["Nachlass Rosemary Pool","Nachlass Rosemary Pool",""]],[["1971 München","8125","Nr. 36 mit Abb. "],["1959 Wakefield","8205"," "],["1966 Karlsruhe","8284","Nr. 53 mit Abb. "],["1994/95 Bielefeld","8301","Nr. 91, S. 23, 291, Farbtaf. S. 205"],["1958 Wien","8541","Nr. 112, Abb. S. 75 "],["1986 London","8643","Nr. 85 mit Farbtaf. "],["1986 Zürich","8836","Nr. 87 mit Farbtaf. "],["1958 München, Haus der Kunst","8914","Nr. 110, Abb. S. 75 "],["1960 London, Marlborough","9029","Nr. 11 "],["1986/87 Guggenheim, New York","9072","Nr. 67 mit Farbtaf. "]],[["Müller-Härlin 2006, S. [45]-54, Farbabb. 3 S. 49","2067"],["Curti 2001, S. [19] mit Farbabb.","2298"],["Kokoschka 1971, S. 251 ","2894"],["Spielmann 2003 a, S. 352, Abb. S. 353","3309"],["Masciotta 1949, Nr. 2 ","3880"]],[["Weibliches Bildnis"]]]},{"id":1450,"img":{"extraLarge":"AP_100042459_extraLarge.jpg","medium":"AP_100042459_medium.jpg"},"arr":["1939.03","Polperro I","\"Polperro-II\"","1939/40","Öl/Lwd.","61.2 x 81.3 cm ","Bez. unten rechts: OK ","287","317 ","342","The Courtauld Gallery, London","1978 Vermächtnis Graf Seilern","259 P.1978.PG.209","The Samuel Courtauld Trust, The Courtauld Gallery, London: Princes Gate Bequest 1978"],"mul":[[["Seilern Count Antoine","Count Antoine Seilern, London (1940/46)",""]],[["2006 London","8111","S. 5, 24, Farbabb. 5"],["1981 Courtauld, London","8299","Nr. 36 mit Abb. "],["1984 Canberra","8378"," "],["1984 Takashimaya, Tokyo","8581","Nr. 46 "],["2013/14 Wien","8589","S. 188, 339, Farbtaf. S. 190"],["2008 Wien, Albertina","8744","Nr. 24 mit Farbtaf."]],[["Princes Gate Collection 1981, Nr. 36, S. 24 mit Abb.","2772"],["Kokoschka 1971, S. 252 ","2894"],["Hodin 1966, S. 174, 178, 199 ","3490"],["Princes Gate Collection 1992, Nr. 20, S. 62, Abb. S. 63","3577"],["Wingler 1956, S. 60 ","3708"],["Keegan 1999, S. 202","3854"],["Masciotta 1949, Nr. 5 ","3880"],["London 2002","23182"]],[["England"],["Polperro"]]]},{"id":1425,"img":{"extraLarge":"AP_100042433_extraLarge.jpg","medium":"AP_100042433_medium.jpg"},"arr":["1939.04","Polperro II","\"Polperro-I\"","1939","Öl/Lwd.","60.6 x 86.4 cm ","Bez. unten links: OK. Auf der Rückseite beschriftet: 30 years of an / emigrant's / artistic wisdom / an artist's signature / remains - but leaders / of states bloom and fall. / all? Why?- / How an artist lives! / gives! ","286 ","318 ","343","Tate, London","1941, Schenkung Edvard Beneš, London","N05251","Tate, London"],"mul":[[["Beneš Edvard","Edvard Beneš, London (1941)",""]],[["1950 München","8139","Nr. 72 "],["1994/95 Bielefeld","8301","Nr. 29, S. 38, 280, Farbtaf. S. 106"],["1958 Den Haag","8309","Nr. 68 "],["1976 London","8338","Nr. 11 mit Abb. "],["1997/98 Neue Nationalgalerie, Berlin","8438","Nr. 83, S. 406, Farbabb. 78"],["1942 Royal Society of British Artists Galleries, London","8528","Nr. 68 "],["1958 Wien","8541","Nr. 113, Abb. S. 70 "],["1986 London","8643","Nr. 86 mit Farbtaf. "],["1951 Berlin","8741","Nr. 36 "],["1971 Wien","8820","Nr. 63, Abb. 46 "],["1986 Zürich","8836","Nr. 88 mit Farbtaf. "],["1958 München, Haus der Kunst","8914","Nr. 111, Abb. S. 70 "],["1997 Los Angeles","9010","Nr. 83, S. 406, Farbabb. 78"],["1983 Bordeaux","9016","Nr. 38, Abb. S. 119 "],["1960 London, Marlborough","9029","Nr. 13 "],["1991 Wien","9033","Nr. 70 mit Farbtaf. "],["2008 Linz","9042","S. 104--105, Farbtaf. S. 105"]],[["Roşu 1976, Abb. S. 44 ","2148"],["Schmalenbach F. 1967, Farbtaf. S. 73 ","2199"],["Masciotta 1967, Farbtaf. 10 ","2447"],["Hoffmann 1947, S. 232, Abb. LXXII ","2499"],["Westermanns Monatshefte 1961, S. 63 mit Farbabb.","2567"],["Holz 1997 b, Nr. 83 mit Farbtaf., S. 88, Farbabb. 78","2671"],["Tomes 1972, S. 46, 49, Fartaf. S. [47] ","2739"],["Plaut 1948, S. 19-20 ","2891"],["Urbanek 1990, S. 55, Farbtaf. 12 ","3062"],["Spielmann 2003 a, S. 354, Abb. S. 355","3309"],["Holme 1941, S. 130","3316"],["Bultmann 1959, S. 106, Farbtaf. 31 ","3434"],["Gatt 1972, Farbtaf. 33--34 ","3468"],["Hodin 1966, S. 24, 199 ","3490"],["Stone 1995, S. 92","3531"],["London 1981, S. 392 mit Abb.","3545"],["Werner 1991, S. 78, Abb. S. [79] ","3555"],["Hoffmann 1967, Farbtaf. XI ","3588"],["Wingler 1956, S. 60 ","3708"],["Keegan 1999, S. 202","3854"],["Masciotta 1949, Nr. 6, Taf. XLIV ","3880"],["Reinhold 2008, Farbtaf.","3910"],["Kokoschka 1952 b, Abb. S. 141 ","3911"],["Museum Journal 1941, S. 15","3928"],["London 1942, S. 6, Nr. 68","3937"],["Bortolon 1984, S. 42 mit Farbtaf. ","4003"],["Hoffmann 1941, S. 335","20200"]],[["Polperro"],["England"]]]},{"id":1092,"img":{"extraLarge":"AP_100042097_extraLarge.jpg","medium":"AP_100042097_medium.jpg"},"arr":["1939.05","Polperro III","","1939","Öl/Holz","50.5 x 60.5 cm ","Bez. unten links: OK","","","344","Privatbesitz","","","Privatbesitz"],"mul":[[["Christie's","Christie's, London (25.6.1991, Nr.161 mit Farbabb.)",""],["Farsetti Arte","Farsetti Arte, Prato (1991)",""],["Johnson Frederick Roberts","Frederick Roberts Johnson (1940)","Geschenk des Künstlers"],["Johnson Mimosa","Mimosa Johnson, South Devon, England (bis 1991)",""]],[["2008 Warwickshire, Compton Verney","8253","o. Abb."],["2008 Wien, Albertina","8744","Nr. 23 mit Farbtaf."]],[["Christie's London 1991 b, Nr. 161 mit Farbabb.","2656"]],[["Polperro"],["England"]]]},{"id":1144,"img":{"extraLarge":"AP_100042150_extraLarge.jpg","medium":"AP_100042150_medium.jpg"},"arr":["1939.06","Private Property","","1939/40","Öl/Lwd.","63 x 76 cm ","Bez. unten rechts: OK. Auf der Rückseite bez., datiert und beschriftet: PRIVATE PROPERTY by OK 1939 ","290, Taf. LXXV ","320, Taf. 100 ","346","Privatbesitz","1953 erworben auf der Auktion Kunstenaars helpen zugunsten der Opfer der Flutkatastrophe 1953 in Holland","","Privatbesitz"],"mul":[[["Kokoschka Oskar","Oskar Kokoschka (1953, gestiftet für Auktion Kunstenaars helpen zugunsten der Opfer der Flutkatastrophe 1953 in Holland)",""]],[["2014 Wolfsburg","8102","S. 256, 305, Farbtaf. S. 268-269"],["1946/47 Zürich","8124","Nr. 473 "],["1941 London","8195","Nr. 24 "],["1947 Zürich, Kunsthaus","8415","Nr. 52 "],["1948 Venedig","8991","Nr. 16 "],["1953 Amsterdam","10106",""]],[["Schmidt D. 1986 c, S. 192 ","2320"],["Masciotta 1947","2360"],["Hoffmann 1947, S. 233--234, Abb. LXXV ","2499"],["Schmidt 1976, S. 130, Abb. 6 ","2747"],["Kokoschka 1971, S. 252, 253 ","2894"],["Hodin 1968 a, S. 56 ","3213"],["Spielmann 2003 a, S. 355--356, Abb. S. 356","3309"],["Whitford 1986, S. 177 ","3477"],["Radford 1986, S. 3","3494"],["Stone 1995, S. 93","3531"],["Wingler 1956, S. 62 ","3708"],["Keegan 1999, S. 202--203, 205","3854"],["Seeger 1980, S. 278 ","3976"],["Bortolon 1984, S. 44 mit Abb. ","4003"]],[["Tiere"],["Politische Bilder"]]]},{"id":1135,"img":{"extraLarge":"AP_100042141_extraLarge.jpg","medium":"AP_100042141_medium.jpg"},"arr":["1940.01","Sommer II (Zráni)","","1938-40","Öl/Lwd.","68.3 x 89.2 cm ","Bez. unten links: ZRÁNÍ/OK","284, Taf. LXXI ","321, Taf. 101 ","347","Scottish National Gallery of Modern Art, Edinburgh","1942, Schenkung Edvard Beneš, London","GMA 21","Geschenk der tschechischen Regierung im Exil 1942"],"mul":[[],[["1962 Tate Gallery, London","8075","Nr. 125 "],["1959 Wakefield","8205"," "],["2008 Warwickshire, Compton Verney","8253","o. Abb."],["1994/95 Bielefeld","8301","Nr. 20, S. 278, Farbtaf. S. 70"],["1947 Basel, Kunsthalle","8376","Nr. 88 "],["1939 London Gallery, London","8392","Nr. 22 mit Abb. u. d. T. \"Composition\" "],["1947 Zürich, Kunsthaus","8415","Nr. 50 "],["1986 London","8643","Nr. 88 mit Farbtaf. "],["2008 Wien, Albertina","8744","Nr. 12 mit Farbtaf."],["1947 Amsterdam","8829","Nr. 39 "],["1986 Zürich","8836","Nr. 90 mit Farbtaf. "],["2014/15 Regensburg","8869","S. 98, Kat. Nr. 44 mit Farbtaf. "],["1983 Bordeaux","9016","Nr. 37, Abb. S. 117 "],["1939 Wertheim Gallery, London","9057","Nr. 18 u. d. T. \"Bathing Girls\" "],["1986/87 Guggenheim, New York","9072","Nr. 68 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 74, Farbtaf. S. 207"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 56, Farbtaf. S. 209"]],[["Monsel 1995, S. 6, 7, [42], Farbabb. 48","2144"],["Masciotta 1947","2360"],["Kokoschka Briefe 3 1986, S. 76, Anm. S. 290; S. 81 (Miitte Oktober 1938); S. 82 (20. Okt. 1938); S. 112 (March 5th 42), Anm. S.299","2381"],["Hoffmann 1947, S. 230, Abb. LXXI ","2499"],["Kokoschka 1971, S. 249 ","2894"],["Edinburgh 1993, S. 175, Abb. S. 373","3134"],["Calvocoressi 1990, S. 13--14, Abb. S. 13 ","3177"],["Hodin 1968 a, S. 51, 315 ","3213"],["Spielmann 2003 a, S. 323, Farbtaf. S. 385","3309"],["Gatt 1972, Abb. 33 ","3468"],["Stone 1995, S. 89","3531"],["Edinburgh 1945, S. 27 ","3611"],["Pearson 1985, S. 4--8","3776"],["Keegan 1999, S. 197--[198]","3854"],["Masciotta 1949, Nr. 4 ","3880"],["Seeger 1980, S. 277 ","3976"],["Paris 2022, Farbtaf. S. 209","43164"]],[["Figuren in Landschaft"]]]},{"id":1099,"img":{"extraLarge":"AP_100042105_extraLarge.jpg","medium":"AP_100042105_medium.jpg"},"arr":["1940.02","Die Krabbe","","1939/40","Öl/Lwd.","63.4 x 76.2 cm ","Bez. unten links: OK ","294, Farbtaf. 2","319, Taf. 102 ","345","Tate, London","1984 ","T03834","Tate, London"],"mul":[[["Knott Lady","Lady Knott (1941)",""],["Beddington-Behrens Edward","Edward Beddington-Behrens, London (1946)",""]],[["1962 Tate Gallery, London","8075","Nr. 124 "],["2014 Wolfsburg","8102","S. 213, 281, 305, Farbtaf. S. 267"],["1966 Zürich","8225","Nr. 80 "],["1994/95 Bielefeld","8301","Nr. 30, S. 38, 281, Farbtaf. S. 107"],["1976 London","8338","Nr. 12 mit Farbabb. "],["1947 Basel, Kunsthalle","8376","Nr. 83 "],["1947 Zürich, Kunsthaus","8415","Nr. 54 "],["1962/1963 Hamburg","8422","Nr. 62 mit Abb. "],["1981 London, Marlborough","8496","Nr. 39 "],["1981 New York, Marlborough","8535","Nr. 39, Abb. S. 62 "],["1958 Wien","8541","Nr. 114, Abb. S. 76 "],["2013 Nottingham","8603","S. 333, 338, Farbtaf. S. 279--280"],["1986 London","8643","Nr. 87 mit Farbtaf. "],["2008 Wien, Albertina","8744","Nr. 25 mit Farbtaf."],["1946 Paris","8791","Nr. 10 "],["1986 Zürich","8836","Nr. 89 mit Farbtaf. "],["1958 München, Haus der Kunst","8914","Nr. 112, Abb. S. 76 "],["1948 Venedig","8991","Nr. 17 "],["1983 Bordeaux","9016","Nr. 39, Abb. S. 121, Farbabb. S. 56 "],["1960 London, Marlborough","9029","Nr. 14 "],["1991 Wien","9033","Nr. 71 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 75, Farbtaf. S. 226-227"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 57, Farbtaf. S. 229"]],[["London 1986 b, S. 217-218, Abb. S. 218","2007"],["Monsel 1995, S. 6, 7, [42], Farbabb. 47","2144"],["Erling 2013, S. 34, Farbabb. 6","2156"],["Schmidt D. 1986 c, S. 191-192, Abb. S. 192 ","2320"],["Haftmann 1986, S. 80, Farbabb. S. 81 ","2390"],["Beddington-Behrens 1963, S. 168-169","2431"],["Hoffmann 1947, S. 232-233, Farbtaf. 2 ","2499"],["Hodin 1945 a, S. 212 [u.d.T.: \"Hospitality\"]","2791"],["Kokoschka 1971, S. 252 ","2894"],["Maxted 2008, S. 89-91, 94-95, Farbabb. 1","2931"],["Werkner 2003 a, S. 150, 180-181, Farbtaf. 8 S. 168","3012"],["Hodin 1968 a, S. 52-53 ","3213"],["Spielmann 2003 a, S. 355, Farbtaf. S. 386","3309"],["Rainbird/Kokoschka 1990, S. [8] mit Farbabb. ","3448"],["Erling 2014, S. 57, Farbabb. 11","3463"],["Whitford 1986, S. 176 ","3477"],["Radford 1986, S. 3-4","3494"],["Platschek 1946, Abb. 40 ","3496"],["Stone 1995, S. 93","3531"],["Werner 1991, S. 80, Farbtaf. 5 und Abb. S. [81] ","3555"],["Lachnit 1991 b, S. 39, Farbtaf. zu Kat.-Nr. 71 ","3619"],["Frommhold 1968, S. 94, Abb. 107 ","3670"],["Wingler 1956, S. 62 ","3708"],["London 1984, S. 51 mit Farbabb., S. 114 ","3778"],["Keegan 1999, S. 202 mit Farbabb. Nach S. 144","3854"],["Masciotta 1949, S. 42-43 und 49 (Nr. 7) ","3880"],["Bortolon 1984, S. 46 mit Farbtaf. ","4003"],["Bosman 1964, Farbb. S. 69 ","4028"],["Beckstette 2009, Farbabb. 45","4124"],["Worner 1948, S. 14, Abb. S. 15","16177"],["Paris 2022, Farbtaf. S. 229","43164"]],[["Tiere"],["Politische Bilder"]]]},{"id":1282,"img":{"extraLarge":"AP_100042288_extraLarge.jpg","medium":"AP_100042288_medium.jpg"},"arr":["1941.01","Das rote Ei ","","1940/41","Öl/Lwd.","61 x 76 cm ","Bez. unten rechts: OK. Auf der Rückseite bez., datiert und beschriftet: a red Egg for / Manchester - Christianity wishes kindly / OK, London, 1939, Easter/time ","293, Taf. LXXVII","322, Taf. 106 ","348","Národni Galerie, Prag ","1958 ","O 7242",""],"mul":[[["Beneš Edvard","Edvard Beneš, London/später Prag",""]],[["1971 Prag","8014","Nr. 14 mit Abb. "],["1962 Tate Gallery, London","8075","Nr. 126 "],["1964/65 Dresden","8146","Nr. 153 "],["1962 Pilsen","8174","Nr. 3 "],["1961 Prag","8186","Nr. 11 "],["1941 London","8195","u. d. T. \"Caricature\" "],["1966 Zürich","8225","Nr. 81 "],["2008 Warwickshire, Compton Verney","8253","o. Abb."],["1994/95 Bielefeld","8301","Nr. 62, S. 17--18, 39, 155, 284, Farbtaf. S. 163"],["1963 Brünn","8324","Nr. 24 "],["1947 Basel, Kunsthalle","8376","Nr. 79 mit Abb. "],["1972 Genua","8393","Abb."],["1965 Bologna","8397","Abb."],["1981 Köln","8405","Nr. 3, Farbabb. S. 65 "],["1947 Zürich, Kunsthaus","8415","Nr. 53 "],["1958 Wien","8541","Nr. 115 "],["1966/67 Prag","8588","Nr. 28 "],["1986 London","8643","Nr. 90 mit Farbtaf. "],["2008 Wien, Albertina","8744","S. 26, Nr. 26 mit Farbtaf."],["1988 Ingelheim am Rhein","8758","Nr. 60, Farbabb. S. 62 "],["1964 Berlin (DDR)","8816"," "],["1971 Wien","8820","Nr. 64, Abb. 47 "],["1947 Amsterdam","8829","Nr. 40 "],["1986 Zürich","8836","Nr. 92 mit Farbtaf. "],["1983 Bordeaux","9016","Nr. 40, Abb. S. 122, Farbabb. S. 57 "],["1991 Wien","9033","Nr. 72 mit Farbtaf. "],["1986/87 Guggenheim, New York","9072","Nr. 69 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 76, Farbtaf. S. 228-229"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 58, Farbtaf. S. 232-233"]],[["Monsel 1995, S. [42], Farbabb. 45","2144"],["Curti 2001, S. [19] mit Farbabb.","2298"],["Schmidt D. 1986 c, S. 192, Abb. S. 193 ","2320"],["Masciotta 1947","2360"],["Kokoschka Briefe 3 1986, S. 118 (15. April 194]), Anm. S. 302; S. 122 (Aug. 1943), Anm. S.305; Abb. nach S. 192 ","2381"],["Haftmann 1986, S. 80-82, Abb. S. 82 ","2390"],["Hoffmann 1947, S.234--235, Abb. LXXVII ","2499"],["Sello 1981, Abb.","2528"],["Schmidt Georg 1960, S. 45, Farbabb. S. 49 ","2591"],["Radford 1987, S. 143--145 mit Abb. 24","2644"],["Schmidt 1976, S. 130, Farbtaf. gegenüber S. 128 ","2747"],["Hodin 1945 a, Abb. S. 212 ","2791"],["Jähner 1956, S. 142, Abb. S. [141]","2833"],["Kokoschka 1971, S. 257 ","2894"],["Maxted 2008, S. 91-92, Farbabb. 2","2931"],["Spielmann 1992, S. 94 ","2984"],["Windisch 2013, S. 218, Abb. 103","3001"],["Werkner 2003 a, S. 152, 182-184, 201, Farbtaf. 9 S. 169","3012"],["Stefano 1997, S. 43, Farbabb. S. 42","3071"],["Hodin 1968 a, S. 56-57 ","3213"],["Worner 1961, S. 610","3249"],["Mikš 2013, S. 175, 358, Abb. 3.23","3257"],["Vogelsberger 2006, S. 38--39, Farbabb. (Detail)","3306"],["Giebe 2002, S. 9, 14","3308"],["Spielmann 2003 a, S. 361--362, Farbtaf. S. 387","3309"],["Palkovsky 1958, S. 28 ","3411"],["Waechter-Böhm 1985, S. 130-131, Abb. S. 130","3419"],["Hodin 1947 a, Abb. ","3428"],["Erling 2014, S. 56, Farbabb. 10","3463"],["Whitford 1986, S. 179-180 ","3477"],["Radford 1986, S. 4","3494"],["Platschek 1946, Abb. 41 ","3496"],["Stone 1995, S. 94","3531"],["Gordon 1942, S. 21 mit Abb. ","3543"],["Werner 1991, S. 82, Abb. S. [83] ","3555"],["Reinhold 2013, Farbabb. (Doppelseite, Detail)","3582"],["Lachnit 1991 b, S. 39, Farbtaf. zu Kat.-Nr. 72 ","3619"],["Köser 1999, S. 102 mit Farbabb.","3629"],["Frommhold 1968, S. 94, Farbabb. 195 ","3670"],["Wingler 1956, S. 63 ","3708"],["Giebe 2010, S. 99","3717"],["Hütt 1986, S. 410, Farbabb. 603","3755"],["Schmidt D. 1961, Abb. S. 613","3810"],["Holz 2004, farb. Umschlagabb. (Detail)","3842"],["Kerschbaumer/Müller 1992, S. 235--237","3851"],["Keegan 1999, S. 205","3854"],["Masciotta 1949, Nr. 8, S. 42, Taf. XLIII ","3880"],["Seeger 1980, S. 235, 278, Abb. 50","3976"],["Bortolon 1984, S. 49 mit Farbabb. ","4003"],["Holz 1997 a, S. 51-53, Abb. 28","4085"],["Beckstette 2009, S. 103, 106, Farbabb. 46","4124"],["Hiepe 1960, S. 38--39, Abb. 34","4126"],["Hodin 1968 b, Abb. o. S.","4127"],["Worner 1948, S. 14 mit Abb.","16177"],["Paris 2022, Farbtaf. S. 232-233","43164"]],[["Tiere"],["Politische Bilder"]]]},{"id":1438,"img":{"extraLarge":"AP_100042446_extraLarge.jpg","medium":"AP_100042446_medium.jpg"},"arr":["1941.02","Schottische Küste","","1941/42","Öl/Lwd.","63.5 x 76.3 cm ","Bez. unten rechts: OK. Auf der Rückseite: kleine Skizze, unleserlich bez. und datiert: OK 1946","298","324 ","350","Privatbesitz","","","Privatbesitz"],"mul":[[["Beddington-Behrens Edward","Edward Beddington-Behrens, London",""],["Countess of Drogheda Cathleen","Cathleen Countess of Drogheda, London",""],["Sarachi Chatin","Chatin Sarachi, London",""],["Georg Waechter Memorial Foundation","Georg Waechter Memorial Foundation, Genf (1960–1962)",""],["Stuttgarter Kunstkabinett","Stuttgarter Kunstkabinett, Stuttgart (3.5.1962, Nr. 232, u.d.T.: \"schottische Küste\", Abb. mit Farbtafel 88)",""]],[["1950 Edinburgh","8398"," "],["1942 Oxford","8401"," "],["1947 Zürich, Kunsthaus","8415","Nr. 55 "],["1958 Wien","8541","Nr. 117 "],["1986 London","8643","Nr. 89 mit Farbtaf. "],["1947 Amsterdam","8829","Nr. 41 "],["1986 Zürich","8836","Nr. 91 mit Farbtaf. "],["1958 München, Haus der Kunst","8914","Nr. 113 "],["1960 Braunschweig","8933","Nr. 14 mit Farbabb. "],["1948 Venedig","8991","Nr. 22 "],["1990 Edinburgh","9006"," Farbabb. 4"],["1960 London, Marlborough","9029","Nr. 16 "]],[["Roşu 1976, Abb. S. 46 ","2148"],["Tomes 1972, S. 51, 56, Fartaf. S. [57] ","2739"],["Spielmann 2003 a, Spielmann 2003, S. 360, Anm. 45","3309"],["Stuttgarter Kunstkabinett 1962, Nr. 232, Farbtaf. 88","3405"],["Platschek 1946, Abb. 38 ","3496"],["Stone 1995, S. 99","3531"],["Masciotta 1949, Nr. 10 ","3880"]],[["Schottland"]]]},{"id":1133,"img":{"extraLarge":"AP_100042139_extraLarge.jpg","medium":"AP_100042139_medium.jpg"},"arr":["1942.01","Loreley","","1941/42","Öl/Lwd.","63.5 x 76.2 cm ","Bez. unten rechts: OK. Auf der Rückseite bez., datiert und beschriftet: OK `LORELEY - by O.K. 1942`","296, Taf. LXXIX","325, Taf. 107 ","351","Tate, London","1988 Schenkung Olda Kokoschka","T05486","Tate, London"],"mul":[[["Kokoschka Olda","Olda Kokoschka, Villeneuve",""]],[["1984 Vevey","8050","Nr. 20, Abb. S. 49 "],["2014 Wolfsburg","8102","S. 257, 305, Farbtaf. S. 270-271"],["1946/47 Zürich","8124","Nr. 474 "],["1966 Zürich","8225","Nr. 82, Abb. 25 "],["1994/95 Bielefeld","8301","Nr. 63, S. 17--18, 155, 284, Farbtaf. S. 164"],["1947 Zürich, Kunsthaus","8415","Nr. 57 "],["1997/98 Neue Nationalgalerie, Berlin","8438","Nr. 84, S. 89, 406, Farbabb. 79"],["1981 London, Marlborough","8496","Nr. 41 "],["1981 New York, Marlborough","8535","Nr. 41, Abb. S. 64 "],["1987 Gent","8571","Nr. 41, Farbabb. S. 113 "],["1976 Bregenz","8605","Nr. 24, Taf. LXXVI "],["1986 London","8643","Nr. 92 mit Farbtaf. "],["1988 Barcelona","8659","Nr. 47, Farbtaf. S. 80 "],["2008 Wien, Albertina","8744","S. 26, Nr. 27 mit Farbtaf."],["1986 Zürich","8836","Nr. 94 mit Farbtaf. "],["1948 Venedig","8991","Nr. 19 "],["1997 Los Angeles","9010","Nr. 84, S. 89, 406, Farbabb. 79"],["1960 Kopenhagen","9011","Nr. 44 "],["1986/87 Guggenheim, New York","9072","Nr. 71 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 78, Farbtaf. S. 233"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 59, Farbtaf. S. 228"]],[["Schmidt D. 1986 c, S. 193, Farbtaf. S. 13 [mit Bildlegende von Nr. 349] ","2320"],["Haftmann 1986, S. 83 ","2390"],["Hoffmann 1947, S. 236, Abb. LXXIX ","2499"],["Holz 1997 b, Nr. 84 mit Farbtaf. S. 89, Farbabb. 79","2671"],["Hodin 1945 a, S. 213, Abb. S. 209 ","2791"],["Kokoschka 1971, S. 257 ","2894"],["Du 1981, Farbabb. S. 67","2998"],["Windisch 2013, S. 217, Abb. 101","3001"],["Werkner 2003 a, S. 177-179, Farbtaf. 7 S. 167","3012"],["Calvocoressi 1990, S. 7--8, Abb. S. 7","3177"],["Hodin 1968 a, S. 50 ","3213"],["Spielmann 2003 a, S. 363--364, Farbtaf. S. 388","3309"],["Rainbird/Kokoschka 1990, S. [5--6] mit Farbabb. ","3448"],["Whitford 1986, S. 179-180 ","3477"],["Radford 1986, S. 4","3494"],["Wingler 1956, S. 63 ","3708"],["Keegan 1999, S. 206--207","3854"],["Masciotta 1949, Nr. 9 ","3880"],["Mizue 1978, Farbtaf. S. 17","3934"],["Seeger 1980, S. 279 ","3976"],["Bortolon 1984, S. 54 mit Abb. ","4003"],["Görner 2018, S. 186","41167"],["Paris 2022, Farbtaf. S. 228","43164"]],[["Politische Bilder"],["Tiere"]]]},{"id":1461,"img":{"extraLarge":"AP_100042470_extraLarge.jpg","medium":"AP_100042470_medium.jpg"},"arr":["1942.02","\"Anschluss\" - Alice im Wunderland","","1941/42","Öl/Lwd.","63.5 x 76.3 cm ","Bez. unten rechts: OK; unten Mitte beschriftet: INRI; darüber: OUR TIMES 1934; oben Mitte: WIEN. Auf der Rückseite bez., datiert und beschriftet: THE `ansluss` by OK/1939","295, Taf. LXXVIII ","323 ","349","Wien Museum, Wien","1985","","Dauerleihgabe der WIENER STÄDTISCHE Versicherung AG – Vienna Insurance Group"],"mul":[[["Kokoschka Olda","Olda Kokoschka (bis 1985)","bis 1985 als Leihgabe in der Tate Gallery, London"]],[["1946/47 Zürich","8124","Nr. 472 "],["1994/95 Bielefeld","8301","Nr. 65, S. 17--20, 40, 285, Farbtaf. S. 166, farb. Umschlagabb.(Detail)"],["1983 Berlin","8356","Nr. 49 mit Farbtaf. "],["2012 Hamburg","8402","S. 180, Farbtaf. S. 103"],["1947 Zürich, Kunsthaus","8415","Nr. 51 "],["1997/98 Neue Nationalgalerie, Berlin","8438","Nr. 85, S. 90--91, 406, Farbabb. 81"],["2015 Bregenz","8454","S. 252, Farbtaf. S. 253"],["1981 London, Marlborough","8496","Nr. 40 "],["1981 New York, Marlborough","8535","Nr. 40, Abb. S. 63 "],["1958 Wien","8541","Nr. 116 "],["1987 Gent","8571","Nr. 40, Farbabb. S. 112 "],["2013/14 Wien","8589","S. 190, 339, Farbtaf. S. 187 mit Werkfotografie S. 186"],["[1942 Berkeley Galleries, London]","8591"," "],["1986 London","8643","Nr. 91 mit Farbtaf. "],["2010/11 Appenzell","8684","S. 150, Farbtaf. S. 149"],["[1945 London]","8692"," "],["1995/96 London","8715","S. 350, Nr. 4.72, Farbtaf. S. 302"],["1988 BAWAG, Wien","8738"," "],["2008 Wien, Albertina","8744","S. 26, Nr. 28 mit Farbtaf."],["1986 Paris","8762","Farbabb. S. 685 "],["1986 Zürich","8836","Nr. 93 mit Farbtaf. "],["1978 Kamakura","8846","Nr. 16 "],["1987 Florenz","8852","Nr. 12 mit Farbtaf. "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 30, Farbabb. S. 31 "],["1948 Venedig","8991","Nr. 18 "],["1997 Los Angeles","9010","Nr. 85, S. 90--91, 406, Farbabb. 81"],["1960 London, Marlborough","9029","Nr. 12 mit Abb. "],["1991 Wien","9033","Nr. 69 mit Farbtaf. "],["1986/87 Guggenheim, New York","9072","Nr. 70 mit Farbtaf. "],["2010 Palazzo Reale, Mailand","9084","S. 229, Farbtaf. 157"],["2018/2019 Zürich","21106","Nr. 77, Farbtaf. S. 230"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 60, Farbtaf. S. 231"]],[["Hofmann 1955, Abb. S. 236 [ früher Zustand des Bildes]","2009"],["Lévêque 2005, S. 207 mit Farbabb.","2028"],["Monsel 1995, S. 6, 7, [42], Farbtaf. 49","2144"],["Haftmann 1986, S. 82-83, Abb. S. 82 ","2390"],["Hoffmann 1947, S. 235, Abb. LXXVIII ","2499"],["Muchitsch 1992, S. 372, 474","2572"],["Radford 1987, S. 143, Abb. 22 S. 142","2644"],["Holz 1997 b, Nr. 85 mit Farbtaf. S. 90-91, Farbabb. 81","2671"],["Birke 1999","2731"],["Hodin 1945 a, S. 212--213, Abb. S. 213 ","2791"],["Pross 2000, S. 30","2883"],["Kokoschka 1971, S. 257 ","2894"],["Maxted 2008, S. 92-93, Farbabb. 3","2931"],["Reinhold/Werkner 2013, S. 139 mit Foto","2988"],["Du 1981, Farbabb. S. 66","2998"],["Windisch 2013, S. 264, Abb. 169","3001"],["Werkner 2003 a, S. 188-191, Farbtaf. 11 S. 171","3012"],["Stefano 1997, S. 43 mit Farbabb.","3071"],["Hodin 1968 a, S. 43 ","3213"],["Worner 1961, S. 611 mit Abb.","3249"],["Mikš 2013, S. 176, 359, Farbabb. XIII","3257"],["Giebe 2002, S. 9","3308"],["Spielmann 2003 a, S. 362--363, Abb. S. 363","3309"],["Hodin 1947 a, Abb. ","3428"],["Whitford 1986, S. 179-180 ","3477"],["Radford 1986, S. 4--5","3494"],["Stone 1995, S. 95","3531"],["Lachnit 1991 b, S. 39--40, Farbtaf. zu Kat.-Nr. 69 ","3619"],["Frommhold 1968, o. S. Abb. 194","3670"],["Wingler 1956, S. 63 ","3708"],["Giebe 2010, S. 99","3717"],["Mitteilungen Wiener Städtische 1986, farb. Umschlagabb.","3830"],["Bonnefoit 2007, S. 612-613, Farbabb. 2","3836"],["Keegan 1999, S. 206, 211","3854"],["Masciotta 1949, Nr. 13 ","3880"],["Mizue 1978, Farbtaf. S. 15","3934"],["Seeger 1980, S. 279 ","3976"],["Bortolon 1984, S. 52 mit Abb. ","4003"],["Bosman 1964, S. 12, Abb. S. 70 ","4028"],["Beckstette 2009, S. 103, Farbabb. 47","4124"],["Spiel 1946, S. 6 mit Abb. ","4141"],["Worner 1948, S.14","16177"],["Paris 2022, Farbtaf. S. 231","43164"]],[["Politische Bilder"]]]},{"id":1196,"img":{"extraLarge":"AP_100042202_extraLarge.jpg","medium":"AP_100042202_medium.jpg"},"arr":["1942.03","Marianne - Maquis - \"die zweite Front\"","Die zweite Front\nMarianne","1942","Öl/Lwd.","63.5 x 76.2 cm ","Bez. unten links: OK; oben Mitte beschriftet: SECOND FRONT!; oben links (in Spiegelschrift): Café de PARIS. Auf der Rückseite bez., datiert und beschriftet: Maquis by O.K. 1942 Maquis by O.K./1942; auf dem Keilrahmen: Second Front","297, Taf. LXXX ","326 ","352","Tate, London","1988, Schenkung Olda Kokoschka","T05485","Tate, London"],"mul":[[["Kokoschka Olda","Olda Kokoschka, Villeneuve",""]],[["1984 Vevey","8050","Nr. 21 "],["1994/95 Bielefeld","8301","Nr. 64, S. 41, 284--285, Farbtaf. S. 165"],["1947 Basel, Kunsthalle","8376","Nr. 81 "],["1947 Zürich, Kunsthaus","8415","Nr. 58 "],["1997/98 Neue Nationalgalerie, Berlin","8438","Nr. 86, S. 89, 406, Farbabb. 80"],["1981 London, Marlborough","8496","Nr. 42 "],["1981 New York, Marlborough","8535","Nr. 42, Abb. S. 65 "],["1987 Gent","8571","Nr. 42, Farbabb. S. 113 "],["1986 London","8643","Nr. 93 mit Farbtaf. "],["1988 Barcelona","8659","Nr. 48, Farbtaf. S. 81 "],["1986 Zürich","8836","Nr. 95 mit Farbtaf. "],["1978 Kamakura","8846","Nr. 17 "],["1948 Venedig","8991","Nr. 25 "],["1997 Los Angeles","9010","Nr. 86, S. 89, 406, Farbabb. 80"],["1960 London, Marlborough","9029","Nr. 15 mit Abb. "],["2008 Linz","9042","S. 106, 108, Farbtaf. S. 107"],["1986/87 Guggenheim, New York","9072","Nr. 72 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 79, Farbtaf. S. 231"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 61, Farbtaf. S. 230"]],[["Monsel 1995, S. 6, 7, [42], Farbabb. 51","2144"],["Schmidt D. 1986 c, S. 193, Farbtaf. S. 12 [mit Bildlegende von Nr. 348] ","2320"],["Masciotta 1947","2360"],["Hoffmann 1947, Abb. LXXX ","2499"],["Radford 1987, S. 143, Abb. 23 S. 144","2644"],["Holz 1997 b, Nr. 86 mit Farbtaf. S. 89, Farbabb. 80","2671"],["Werkner 2008 a, Farbtaf. S. 107","2692"],["Kokoschka 1971, S. 257 ","2894"],["Werkner 2003 a, S. 185-187 mit Abb. 58, Farbtaf. 10 S. 170","3012"],["Hodin 1968 a, S. 55-56 ","3213"],["Hodin 1947 a, Abb. ","3428"],["Rainbird/Kokoschka 1990, S. [5] mit Farbabb. ","3448"],["Whitford 1986, S. 179-180 ","3477"],["Hodin 1966, Abb. 45 ","3490"],["Radford 1986, S. 5","3494"],["Platschek 1946, Abb. 44 ","3496"],["Stone 1995, S. 95","3531"],["Frommhold 1968, S. 94, Abb. 251 ","3670"],["Keegan 1999, S. 211","3854"],["Masciotta 1949, Nr. 12, Taf. XLVIII ","3880"],["Mizue 1978, Farbtaf. S. 14","3934"],["Seeger 1980, S. 279 ","3976"],["Bortolon 1984, S. 56 mit Abb. ","4003"],["Paris 2022, Farbtaf. S. 230","43164"]],[["Politische Bilder"]]]},{"id":1283,"img":{"extraLarge":"AP_100042289_extraLarge.jpg","medium":"AP_100042289_medium.jpg"},"arr":["1943.01","Wildentenjagd","","1942/43","Öl/Lwd.","61 x 75.9 cm ","Bez. unten links: OK ","299, Farbtaf. 3 ","327 ","353","The University of Iowa Museum of Art, Iowa","1968 Gift of Owen and Leone Elliott Trust","1968.58",""],"mul":[[["Beddington-Behrens Edward","Edward Beddington-Behrens, London",""],["Georg Waechter Memorial Foundation","Georg Waechter Memorial Foundation, Genf",""],["Weinmüller Adolf","Adolf Weinmüller, München (5.-6.10.1960, Nr. 1270, u. d. Titel: Entenjagd, Farbabb. Taf. 124 )",""],["Crane Kalman Gallery","Crane Kalman Gallery, London (1964)",""]],[["1973 Chicago","8022"," "],["1984 Vevey","8050","Nr. 22 "],["1950 München","8139","Nr. 73 "],["1947 Basel, Kunsthalle","8376","Nr. 87 "],["1947 Zürich, Kunsthaus","8415","Nr. 56 "],["1964 Lausanne","8416","Nr. 193 mit Abb. "],["1958 Wien","8541","Nr. 118 "],["1951 Berlin","8741","Nr. 37 "],["1960 Genf","8832","Nr. 35 mit Farbabb. "],["1969 Iowa City, IA","8879","Nr. 31 "],["1958 München, Haus der Kunst","8914","Nr. 114 "],["1960 Braunschweig","8933","Nr. 14 mit Farbabb. "],["1942 Doncaster","8972",""],["1990 Edinburgh","9006","Farbabb. 5"],["1960 London, Marlborough","9029","Nr. 17 mit Abb. "]],[["Hoffmann 1947, Farbabb. 3 ","2499"],["Tomes 1972, S. 55 ","2739"],["Calvocoressi 1990, S. 12, Farbabb. 5","3177"],["Hodin 1968 a, S. 316 ","3213"],["Hodin 1966, Abb. 58 ","3490"],["Masciotta 1949, Nr. 15 ","3880"],["Weltkunst 1960, S. 7","3926"],["Weinmüller 1960 b, Nr. 1270, u. d. Titel: Entenjagd, Farbabb. Taf. 124","28164"]],[["Schottland"]]]},{"id":1232,"img":{"extraLarge":"AP_100042238_extraLarge.jpg","medium":"AP_100042238_medium.jpg"},"arr":["1943.02","Ivan Maisky","Ambassador Ivan Maisky\nBotschafter Ivan Maisky","1942/43","Öl/Lwd.","102 x 77 cm ","Bez. unten rechts: OK. Auf der Rückseite datiert und beschriftet: Mr. Maisky / London 1942/ for Red Cross unit Stalingrad / spend by OK","300, Farbtaf. 4 ","328, Taf. 105 ","354","Tate, London","16.9.1943 Schenkung Henry Dreyfus","N05432","Tate, London"],"mul":[[["Dreyfus Henry","Henry Dreyfus (1943)",""]],[["2014 Wolfsburg","8102","S. 46, 305, Farbtaf. S. 275"],["1950 München","8139","Nr. 74 "],["1966 Karlsruhe","8284","Nr. 54 mit Abb. "],["1994/95 Bielefeld","8301","Nr. 92, S. 291--292, Farbtaf. S. 206"],["1958 Den Haag","8309","Nr. 69 mit Abb. "],["1958 Wien","8541","Nr. 119, Abb. S. 80 "],["1986 London","8643","Nr. 94 mit Farbtaf. "],["1995/96 London","8715","S. 350, Nr. 4.73"],["1951 Berlin","8741","Nr. 38 "],["1971 Wien","8820","Nr. 65, Abb. 48 "],["1986 Zürich","8836","Nr. 96 mit Farbtaf. "],["1943 National Gallery, London","8863"," "],["1958 München, Haus der Kunst","8914","Nr. 115, Abb. S. 80 "],["1983 Bordeaux","9016","Nr. 41, Abb. S. 123 "],["1960 London, Marlborough","9029","Nr. 18 "],["1986/87 Guggenheim, New York","9072","Nr. 73 mit Farbtaf. "]],[["Gordon 1943, S. 196 mit Abb.","2031"],["Myers 1957, Abb. 61 ","2233"],["Curti 2001, S. 7 mit Farbabb.","2298"],["Schmidt D. 1986 c, S. 192-193 ","2320"],["Beddington-Behrens 1963, S. 165-166","2431"],["Hoffmann 1947, S. 238--239, Farbtaf. 4 ","2499"],["Muchitsch 1992, S. 474, 475","2572"],["Bonnefoit 2014 a, S. 46, Farbabb. 25","2634"],["Simon 1967, Abb. S. 101 ","2795"],["Goldscheider 1963, S. 78 (Anm. 39), Farbtaf. 39 ","2855"],["Kokoschka 1971, S. 74, 251 ","2894"],["Schmidt D. 1964, S. 190-191, Abb. nach S. 96","2949"],["Hodin 1968 a, S. 168, 180 ","3213"],["Spielmann 2003 a, S. 365--366, Farbtaf. S. 389","3309"],["Holz 2010, S. 78, Farbabb. 4","3402"],["Rainbird/Kokoschka 1990, S. [6--7], Farbabb. S. [6] ","3448"],["Whitford 1986, S. 180 ","3477"],["Radford 1986, S. 5 mit Abb.","3494"],["Platschek 1946, Abb. 43 ","3496"],["Stone 1995, S. 97--98","3531"],["London 1981, S. 393--394 mit Abb.","3545"],["Werner 1991, S. 84, Abb. S. [85] ","3555"],["Werkner 2003 b, S. 201-204, Farbtaf. 13 S. 173","3571"],["Hoffmann 1967, Farbtaf. XII ","3588"],["Masciotta 1966, Farbtaf. XI ","3808"],["Masciotta 1949, Nr. 11, Taf. XLVII (Detail) ","3880"],["Seeger 1980, S. 280, Abb. 48 ","3976"],["Bortolon 1984, S. 58 mit Abb. ","4003"]],[["Männliches Bildnis"]]]},{"id":1332,"img":{"extraLarge":"AP_100042339_extraLarge.jpg","medium":"AP_100042339_medium.jpg"},"arr":["1943.03","What we are fighting for","","1943","Öl/Lwd.","116.5 x 152 cm ","Bez., datiert und beschriftet unten links: OK London 43; unten rechts: Candide; an gleicher Stelle und weiter nach rechts, lasierend übermalt: Candide: the best of; oben, links der Mitte: P.J. ","301, Taf. LXXXI ","329","355","Kunsthaus Zürich","1950, Schenkung Wilhelm Wartmann, Zürich","1947/17","Kunsthaus Zürich, Geschenk Wilhelm Wartmann, Direktor des Kunsthauses 1908-1950, 1950"],"mul":[[["Wartmann Wilhelm","Wilhelm Wartmann, Zürich",""]],[["1977 Zürich, Kunsthaus","8060","(außer Kat.)"],["1950 München","8139","Nr. 75 "],["1948 Boston","8222","Nr. 57 mit Abb. "],["1966 Zürich","8225","Nr. 83, Abb. 26 "],["1958 Den Haag","8309","Nr. 70 mit Abb. "],["1947 Basel, Kunsthalle","8376","Nr. 80 "],["1972 Genua","8393","mit Abb. "],["1965 Bologna","8397","mit Abb. "],["1947 Zürich, Kunsthaus","8415","Nr. 61, Abb. VI "],["1958 Wien","8541","Nr. 120, Abb. S. 78 "],["1980 Karlsruhe","8616"," "],["1986 London","8643","Nr. 95 mit Farbtaf. "],["1946 Paris","8791","Nr. 12 "],["1944 London","8795","Nr. 9 "],["1986 Zürich","8836","Nr. 97 mit Farbtaf. "],["2005/06 Pfäffikon","8898","Farbtaf. 96"],["1958 München, Haus der Kunst","8914","Nr. 116, Abb. S. 78 "],["1943 Oxford Street, London","8949"," "],["1960 London, Marlborough","9029","Nr. 19 "],["1986/87 Guggenheim, New York","9072","Nr. 74 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 80, Farbtaf. S. 232"]],[["Art and artists 1969, Farbabb. S. 50","2012"],["Monsel 1995, S. 6, 7, [42], Farbabb. 50","2144"],["Myers 1957, S. 70, Abb. 105 ","2233"],["Curti 2001, S. 36--37 mit Farbtaf.","2298"],["Schmidt D. 1986 c, S. 193, Abb. S. 194 ","2320"],["Masciotta 1947","2360"],["Kokoschka Briefe 3 1986, S. 182 (31. März 47); S. 188 (31. 7. 47)","2381"],["Haftmann 1986, S. 85-87, Abb. 85 ","2390"],["Steiner 1946, Abb.","2451"],["Hoffmann 1947, S. 236--238, Abb. LXXXI","2499"],["Muchitsch 1992, S. 372, 476","2572"],["Radford 1987, S. 140--141 mit Abb. 21","2644"],["Holz 1997 b, S. 90, 92-93, Abb. 83","2671"],["Hofmann 2008, S. 26-27, Farbabb. S. 28","2750"],["Hodin 1945 a, S. 210--212 ","2791"],["Jähner 1956, S. 142--143, Abb. S. [141]","2833"],["Pross 2000, S. 32, Abb eines Fotos: Kokoschka vor dem Gemälde S. 33","2883"],["Kokoschka 1971, S. 257, 258 ","2894"],["Maxted 2008, S. 95-97, Farbabb. 4","2931"],["Windisch 2013, S. 263-264, Abb. 168","3001"],["Werkner 2003 a, S. 155, 192-197, Farbtaf. 12 S. 172","3012"],["Hofmann 1965, S. 170, 172, Farbabb. 62 ","3038"],["Zürich 1992, S. 87, Farbabb. S. 86","3158"],["Hodin 1968 a, S. 39-42 ","3213"],["Hütt 1969, Abb. 317 ","3238"],["Worner 1961, S. 609-610 , Abb. S. 610","3249"],["Mikš 2013, S. 178, 358, Abb. 3.25","3257"],["Spielmann 2003 a, S. 366--368, Abb. S. 367","3309"],["Zahn 1948, Abb. S. [30] u. d. T. \"Candide\" ","3312"],["Zürich 2007, S. 636 mit Abb.","3336"],["Holz 2010, S. 78, Farbabb. 3","3402"],["Whitford 1986, S. 179-180 ","3477"],["Radford 1986, S. 5--6","3494"],["Platschek 1946, Abb. 42 ","3496"],["Scotti 2010, S. 186, Farbabb. 9","3503"],["Stone 1995, S. 96","3531"],["Bueno de Mesquita 2009, S. 447, Farbabb. 5","3609"],["Lachnit 1991 b, S. 40, Abb. 4 ","3619"],["Bruckner 1984, Farbabb. S. 94","3729"],["Hütt 1986, S. 410, Abb. 595 ","3755"],["Kerschbaumer/Müller 1992, S. 235--237","3851"],["Keegan 1999, S. 212, 216","3854"],["Masciotta 1949, Nr. 14, S. 42, Taf. XLIX ","3880"],["Seeger 1980, S. 235, 236, 279--280","3976"],["Bortolon 1984, S. 60 mit Abb. ","4003"],["Vogt 1972, S. 372, Abb. 225 ","4019"],["Beckstette 2009, S. 103, 108, 110, Farbabb. 48","4124"],["Hiepe 1960, S. 39--40, Abb. 35","4126"],["Spiel 1946, S. 6 ","4141"],["Worner 1948, S. 15-16, Abb. S. 16","16177"]],[["Politische Bilder"]]]},{"id":1090,"img":{"extraLarge":"AP_100042095_extraLarge.jpg","medium":"AP_100042095_medium.jpg"},"arr":["1943.04","Capriccio","","1943","Öl/Lwd.","65 x 76 cm ","Bez. unten rechts: OK ","303, Farbtaf. 5 ","330 ","356","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Beddington-Behrens Edward","Edward Beddington-Behrens, London",""],["Galerie St. Etienne, Otto Kallir","Galerie St. Etienne, Otto Kallir, New York (1955-56)",""],["Markson Yoland D.","Yoland D. Markson, Beverly Hills, Calif. (1956)",""],["Sotheby Parke Bernet","Sotheby Parke Bernet, London (28.6.1972, Nr. 72 mit Farbtaf. )",""],["Galerie Wolfgang Ketterer","Galerie Wolfgang Ketterer, München (29./30.11.1976, Nr. 1230 mit Farbtaf. )",""],["Sotheby Parke Bernet","Sotheby Parke Bernet, New York (16.5.1979, Nr. 120 mit Farbtaf. )",""],["Estorick Erick und Salome","Erick und Salome Estorick, London",""],["Christie's","Christie's, London (3.12.1996, Nr. 223 mit Farbabb.)",""]],[["1956 Chicago","8045","Nr. 17 "],["1950 München","8139","Nr. 39 "],["1947 Basel, Kunsthalle","8376","Nr. 85 "],["1947 Zürich, Kunsthaus","8415","Nr. 60 "],["1951 Berlin","8741","Nr. 39 "],["[1946 Paris]","8791","Nr. 11 "],["1948 Venedig","8991","Nr. 20 "]],[["Christie's London 1996, Nr. 223 mit Farbabb. ","2014"],["Sotheby Parke Bernet New York 1979 a, Nr. 120 mit Farbtaf. ","2068"],["Hoffmann 1947, Farbtaf. 5 ","2499"],["Tomes 1972, S. 55 ","2739"],["Sotheby Parke Bernet 1972 a, Nr. 72 mit Farbtaf.","2985"],["Hodin 1968 a, S. 203, 315 ","3213"],["Spielmann 2003 a, S. 360, Anm. 46","3309"],["Galerie Wolfgang Ketterer München 1976, Nr. 1230 mit Farbtaf. ","3785"],["Masciotta 1949, Nr. 16 ","3880"]],[["Figuren in Landschaft"],["Tiere"]]]},{"id":1305,"img":{"extraLarge":"AP_100042312_extraLarge.jpg","medium":"AP_100042312_medium.jpg"},"arr":["1944.01","Die Jäger","The Hunters (Die Jäger)","1944","Öl/Lwd.","63.5 x 76.5 cm ","Bez. unten links: OK ","304","331 ","357","Privatbesitz","","","Privatbesitz"],"mul":[[["Robinson","Robinson, New York",""],["Parke-Bernet Galleries","Parke-Bernet Galleries, New York (20.4.1950, Nr. 99 mit Abb.)",""],["Rudick Harry J.","Harry J. Rudick, New York (1958–1988)",""],["Sotheby's","Sotheby's, New York (12.11.1988, Nr. 459 mit Farbabb.)",""],["Farsetti Arte","Farsetti Arte, Prato (1988)",""]],[["1990 Edinburgh","9006","Farbabb. 6"]],[["Hodin 1945 a, S. 210 ","2791"],["Parke-Bernet Galleries 1950, Nr. 99 mit Abb. ","3139"],["Calvocoressi 1990, S. 12, Farbabb. 6 und Abb. 7 (Farbstiftzeichnung zum Gemälde)","3177"],["Sotheby's New York 1988, Nr. 459 mit Farbabb. ","3180"],["Hodin 1968 a, S. 315 ","3213"],["Spielmann 2003 a, S. 360 mit Abb.","3309"],["Stone 1995, S. 99","3531"],["Masciotta 1949, Nr. 18 ","3880"]],[["Interieur"]]]},{"id":1387,"img":{"extraLarge":"AP_100042394_extraLarge.jpg","medium":"AP_100042394_medium.jpg"},"arr":["1944.02","Schottische Landschaft mit Schafen","","1944/45","Öl/Lwd.","61.6 x 86.4 cm ","Bez. unten links: OK. Auf der Rückseite datiert und beschriftet in roter Farbe: quo VAdis? / London, 1944; später mit schwarzem Stift die Jahreszahl überschrieben: 1945","305 ","332, Taf. 103 ","358","The Smith College Museum of Art, Northampton, Mass","2009 Schenkung Frances Proctor Wilkinson, Washington","SC 2009:38","Gift of Frances Proctor Wilkinson (Frances Proctor, class of 1937), Smith College Museum of Art, Northampton, MA. "],"mul":[[["Feigl Gallery","Feigl Gallery, New York",""],["Wilkinson J. Burke und Frances","J. Burke und Frances Wilkinson, Washington (1947–2009)",""],["Sotheby's","Sotheby's, New York (16.11.1989, Nr. 358 mit Farbabb.)",""]],[["[1954 München]","8173","Nr. 791 "],["1947 Basel, Kunsthalle","8376","Nr. 86 "],["1966 New York","8544","Nr. 50, Abb. S. 70 "],["1986 London","8643","Nr. 96 mit Farbtaf. "],["1986 Zürich","8836","Nr. 98 mit Farbtaf. "],["1990 Edinburgh","9006","Farbabb. 9"]],[["Erling 2013, S. 38, Farbb. 13","2156"],["Kokoschka Briefe 3 1986, S. 132, S. 311(Übersetzung)","2381"],["Sotheby's New York 1989 d, Nr. 358 mit Farbabb. ","2596"],["Calvocoressi 1990, S. 12--13, Farbabb. 9, Abb. 10","3177"],["Hodin 1968 a, S. 314-315 ","3213"],["Spielmann 2003 a, S. 360, Abb. S. 359","3309"],["Erling 2014, S. 62, Farbabb. 20","3463"],["Dorotheum 2008, Nr. 89 mit Farbabb.","3551"],["Keegan 1999, S. 216","3854"],["Masciotta 1949, Nr. 19 ","3880"]],[["Schottland"],["Tiere"]]]},{"id":1373,"img":{"extraLarge":"AP_100042380_extraLarge.jpg","medium":"AP_100042380_medium.jpg"},"arr":["1945.01","Minona","","1944/45","Öl/Lwd.","51 x 61.5 cm ","Bez. unten rechts: OK ","306 ","333 ","359","Musée Jenisch, Fondation Oskar Kokoschka, Vevey","1988","FOK 117","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Palkovska Lida","Lida Palkovska, London",""],["Kokoschka Olda","Olda Kokoschka, Villeneuve (1966)",""]],[["1984 Vevey","8050","Nr. 23, Farbabb. S. 51 "],["1966 Zürich","8225","Nr. 84 "],["1992 Cismar","8291","S. 174, Farbtaf. 7"],["1994/95 Bielefeld","8301","Nr. 98, S. 293, Farbtaf. S. 212"],["1972 London","8342","Nr. 36, Farbabb. S. 72 "],["1947 Basel, Kunsthalle","8376","Nr. 89 "],["1947 Zürich, Kunsthaus","8415","Nr. 63 "],["1981 London, Marlborough","8496","Nr. 43 "],["1981 New York, Marlborough","8535","Nr. 43, Farbabb. S. 66 "],["1958 Wien","8541","Nr. 121 "],["2001/02 Emden","8542","S. 93, Farbtaf. S. 72"],["1987 Gent","8571","Nr. 43, Farbabb. S. 115, Detail S. [114] "],["1976 Bregenz","8605","Nr. 25, Taf. XXVII "],["1956 Prag","8648","Nr. 11 "],["1988 Barcelona","8659","Nr. 49, Farbtaf. S. 82 "],["1971 Wien","8820","Nr. 65 a "],["1947 Amsterdam","8829","Nr. 42 "],["1978 Kamakura","8846","Nr. 18 "],["1987 Florenz","8852","Nr. 13 mit Farbtaf. "],["1956 Salzburg","8854","Nr. 11 "],["1995 Bellinzona","8872","S. 60, Farbtaf. S. 61"],["2005/06 Pfäffikon","8898","Farbtaf. 93"],["1990 Edinburgh","9006","Farbtaf. 8"],["1983 Bordeaux","9016","Nr. 42, Abb. S. 124, Farbabb. S. 58 "]],[["Hodin 1968 a, S. 174, 176-177","3213"],["Palkovsky 1958, Abb. 43 ","3411"],["Hodin 1966, Abb. 47 ","3490"],["Platschek 1946, Abb. 45 ","3496"],["Vevey 1994, S. 138 mit Farbtaf. S. 139","3718"],["Masciotta 1949, Nr. 17 ","3880"]],[["Weibliches Bildnis"]]]},{"id":1000,"img":{"extraLarge":"AP_100042004_extraLarge.jpg","medium":"AP_100042004_medium.jpg"},"arr":["1945.02","Evelyn (Threnody)","","1942-45","Öl/Lwd.","91.5 x 71 cm ","Bez. unten links: OK ","302","334 ","360","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Beddington-Behrens Edward","Edward Beddington-Behrens, London",""],["Christie, Manson & Woods","Christie, Manson & Woods, London (11.4.1972, Nr. 42 [u. d. T. \"Mutter und Kind\"] mit Farbabb.)",""],["Christie's","Christie's, Düsseldorf (20.6.1973, Nr. 70 mit Farbtaf.)",""],["Schröder Hans","Hans Schröder, Garmisch-Partenkirchen/Saarbrücken (1973–2005)",""],["Kunsthaus Lempertz","Kunsthaus Lempertz, Köln (Sammlung Hans Schröder, 10.12.1986, Nr. 25 mit Farbtaf.)",""],["Kunsthaus Lempertz","Kunsthaus Lempertz, Köln (3.1.2.2005, Nr. 798 mit Farbabb.)",""]],[["1962 Tate Gallery, London","8075","Nr. 127 "],["[1954 München]","8173","Nr. 796 u. d. T. \"Mutter und Kind\" "],["1947 Basel, Kunsthalle","8376","Nr. 75 "],["1947 Zürich, Kunsthaus","8415","Nr. 62 "],["1958 Wien","8541","Nr. 122 u. d. T. \"Mutter und Kind\" "],["1946 Paris","8791","Nr. 9 "],["1958 München, Haus der Kunst","8914","Nr. 117 u. d. T. \"Mutter und Kind\" "]],[["Beddington-Behrens 1963, S. 169 mit Farbabb.","2431"],["Christie's Düsseldorf 1973, Nr. 70 mit Farbraf.","2798"],["Christie's London 1972, Nr. 42 [u. d. T. Mutter und Kind] mit Farbabb.","3077"],["Lempertz 1986, Nr. 25 mit Farbtaf.","3088"],["Hodin 1968 a, S. 174-176 ","3213"],["Lempertz 2005, Nr. 798 mit Farbabb.","3403"],["Masciotta 1949, Nr. 20, Taf. LIV ","3880"],["Spiel 1946, S. 6 ","4141"]],[["Weibliches Bildnis"]]]},{"id":1072,"img":{"extraLarge":"AP_100042077_extraLarge.jpg","medium":"AP_100042077_medium.jpg"},"arr":["1945.03","Ullapool-Landschaft","","1945","Öl/Lwd.","61.5 x 91.5 cm ","Bez. unten links: OK "," ","335 ","361","Privatbesitz","","","Privatbesitz"],"mul":[[["Goulding Basil","Basil Goulding, Dublin",""],["Strafford Lady Claire","Lady Claire Strafford, London",""],["Sotheby Parke Bernet","Sotheby Parke Bernet, London (27.6.1984, Nr. 203 mit Farbabb.)",""]],[["1947 Basel, Kunsthalle","8376","Nr. 90 "],["1947 Zürich, Kunsthaus","8415","Nr. 64 "],["1958 Wien","8541","Nr. 123 "],["1986 London","8643","Nr. 97 mit Farbtaf. "],["1947 Amsterdam","8829","Nr. 43 "],["1986 Zürich","8836","Nr. 99 mit Farbtaf. "],["1958 München, Haus der Kunst","8914","Nr. 118 "],["1990 Edinburgh","9006","Farbabb. 11"],["1960 London, Marlborough","9029","Nr. 20 "],["1986/87 Guggenheim, New York","9072","Nr. 75 mit Farbtaf. "]],[["Sotheby's London 1984 b, Nr. 203 mit Farbabb. ","2134"],["Roşu 1976, Farbabb. S. 47 ","2148"],["Tomes 1972, S. 59, 60, Farbtaf. S. [61] ","2739"],["Calvocoressi 1990, S. 13, Farbabb. 11, Abb. 12 (Farbstiftzeichnung zum Gemälde)","3177"],["Hodin 1968 a, S. 315 ","3213"],["Spielmann 2003 a, S. 360, Abb. S. 359","3309"],["Masciotta 1949, Nr. 21 ","3880"]],[["Schottland"]]]},{"id":1301,"img":{"extraLarge":"AP_100042308_extraLarge.jpg","medium":"AP_100042308_medium.jpg"},"arr":["1946.01","Gauklerfamilie","\"Armenviertel\" ","1946/47","Öl/Lwd.","50.5 x 60.8 cm ","Bez. unten rechts: OK; oben links beschriftet: Eros ","","337 ","363","Staatliche Kunstsammlungen Dresden","","",""],"mul":[[["Heise Carl Georg","Carl Georg Heise, Hamburg","Geschenk des Künstlers"],["Hauswedell & Nolte","Hauswedell & Nolte, Hamburg (5./7.6.1975, Nr. 990 mit Farbabb.)",""],["Hahn Willy","Willy Hahn, Stuttgart/Tutzing (1976 -1978)",""]],[["1980 München, Haus der Kunst","8007","Nr. 178 (?) "],["1950 München","8139","Nr. 77 fälschlich u. d. T. \"Prometheus-Sage\" "],["1994/95 Bielefeld","8301","Nr. 66, S. 285--286, Farbtaf. S. 167"],["1947 Basel, Kunsthalle","8376","Nr. 82 "],["1947 Zürich, Kunsthaus","8415","Nr. 59 "],["1997/98 Neue Nationalgalerie, Berlin","8438","Nr. 87, S. 406, Farbabb. 84"],["1986 London","8643","Nr. 99 mit Farbtaf. "],["1986 Zürich","8836","Nr. 101 mit Farbtaf. "],["1960 Braunschweig","8933","Nr. 16 "],["[1948 Venedig]","8991","Nr. 24 u. d. T. \"Cortile\" "],["1997 Los Angeles","9010","Nr. 87, S. 406, Farbabb. 84"],["1986/87 Guggenheim, New York","9072","Nr. 77 mit Farbtaf. "]],[["Thomas 1988, Farbabb.","2339"],["Holz 1997 b, Nr. 87 mit Farbtaf., Farbabb. 84","2671"],["Spielmann 2003 a, S. 403, Abb. 404","3309"],["Hauswedell 1975, Nr. 990 mit Farbabb. ","3818"],["Masciotta 1949, Nr. 23 ","3880"]],[["Figuren in Landschaft"]]]},{"id":1134,"img":{"extraLarge":"AP_100042140_extraLarge.jpg","medium":"AP_100042140_medium.jpg"},"arr":["1946.02","Cathleen Countess of Drogheda","","1944-47","Öl/Lwd.","102 x 76 cm ","Bez. unten links: OK ","307 ","336 ","362","Privatbesitz","","","Privatbesitz"],"mul":[[["Sarachi Chatin","Chatin Sarachi, London (1958)",""],["Sarachi Elizabeth","Elisabeth Sarachi, London (1959/60)",""],["Parke-Bernet Galleries","Parke-Bernet Galleries, New York (26.10.1967)",""],["Madry","Madry, Montreux (1971)",""],["Richard Salmon Ltd.","Richard Salmon Ltd., London",""],["Galerie Beyeler","Galerie Beyeler, Basel (1989–2011)",""],["Christie's","Christie's, London (21.6.2011, Nr. 32 mit Farbabb.)",""]],[["1989/90 Basel, Galerie Beyeler","8002","Nr. 30 mit Farbtaf. "],["2001 New York","8011","Nr. 14, Farbtaf. S. 21"],["1984 Vevey","8050","Nr. 24 "],["2005 Sintra","8078",""],["1971 München","8125","Nr. 37 mit Farbabb. "],["[1950 München]","8139","Nr. 78 "],["1948 Boston","8222","Nr. 58 mit Abb. "],["1994/95 Bielefeld","8301","Nr. 95, S. 23, 292, Farbtaf. S. 209"],["1947 Basel, Kunsthalle","8376","Nr. 76 mit Abb. "],["1947 Zürich, Kunsthaus","8415","Nr. 65 "],["1981 London, Marlborough","8496","Nr. 44 "],["1981 New York, Marlborough","8535","Nr. 44, Abb. S. 67 "],["1986 London","8643","Nr. 98 mit Farbtaf. "],["[1951 Berlin]","8741","Nr. 40 "],["1986 Zürich","8836","Nr. 100 mit Farbtaf. "],["1958 München, Haus der Kunst","8914","Nr. 119, Farbabb. S. 81 "],["1960 Braunschweig","8933","Nr. 15 "],["1996 Sapporo","8971","Kat. Nr. 40, S. 96, Abb. S. 97"],["1948 Venedig","8991","Nr. 21 "],["1960 London, Marlborough","9029","Nr. 21 "],["1986/87 Guggenheim, New York","9072","Nr. 76 mit Farbtaf. "]],[["Monsel 1995, Farbtaf. 52","2144"],["Wingler 1955, S. 34, Abb. S. 34 und 35 ","2285"],["Wingler 1957, Farb. Umschlagabb.","2423"],["Hoffmann 1947, Abb. LXXXII ","2499"],["Nemitz 1963, Farbtaf. S. 150 ","2722"],["Parke-Bernet New York 1967","2818"],["Kokoschka 1971, S. 259--260 ","2894"],["Hodin 1950, S. 656, Abb. o.S.","2901"],["Hodin 1968 a, S. 167-168 ","3213"],["Spielmann 2003 a, S. 369, Farbtaf. S. 393","3309"],["Zahn 1948, Abb. S. [33] ","3312"],["Palkovsky 1958, Abb. 44 [endgültige Fassung]","3411"],["Bultmann 1959, Farbabb. 44 ","3434"],["Whitford 1986, S. 182 ","3477"],["Hodin 1966, Abb. 49 ","3490"],["Christie's London 2011 b, Nr. 32 mit Farbabb. ","3539"],["Wingler 1956, S. 48 ","3708"],["Eisler 1986, S. 43","3723"],["Masciotta 1949, Nr. 22, Taf. L ","3880"],["Drogheda 1978, S. 83","4008"],["Hodin 1986, S. 238","4099"]],[["Weibliches Bildnis"]]]},{"id":1357,"img":{"extraLarge":"AP_100042364_extraLarge.jpg","medium":"AP_100042364_medium.jpg"},"arr":["1947.01","Entfesselung der Atom-Energie","Entfesselung der atomischen Energie","1946/47","Öl/Lwd.","61 x 91.5 cm ","Bez. unten links: OK; Mitte rechts beschriftet: PEACE ","","338","364","The Israel Museum, Jerusalem ","1952, Schenkung des Künstlers","M 2090-11-52",""],"mul":[[],[["1994/95 Bielefeld","8301","Nr. 67, S. 286, Farbtaf. S. 168"],["1947 Basel, Kunsthalle","8376","Nr. 78 "],["1947 Zürich, Kunsthaus","8415","Nr. 66 "],["1978 Des Moines","8458","Nr. 25 mit Abb. "],["1958/59 Jerusalem","8868","Nr. 24 u. d. T. \"Circus\" "],["1957 Jerusalem","8986","Nr. 87 "],["1948 Venedig","8991","Nr. 26 "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 62, Farbtaf. S. 234-235"]],[["Hodin 1968 a, S. 178 ","3213"],["Spielmann 2003 a, S. 403, Abb. S. 404","3309"],["Bueno de Mesquita 2009, S. 448, Farbabb. 6","3609"],["Lachnit 1991 b, S. 41 ","3619"],["Masciotta 1949, Nr. 24 ","3880"],["Paris 2022, Farbtaf. S. 234-235","43164"]],[["Politische Bilder"]]]},{"id":1038,"img":{"extraLarge":"AP_100042042_extraLarge.jpg","medium":"AP_100042042_medium.jpg"},"arr":["1947.02","Flüchtende Göttin","","1947","Öl/Lwd."," x "," "," ","339 ","365","Zerstört "," ","",""],"mul":[[],[["1947 Basel, Kunsthalle","8376","Nr. 77 "],["1947 Zürich, Kunsthaus","8415","Nr. 67, Abb. VII "],["1948 Venedig","8991","Nr. 23 "]],[["Hodin 1968 a, S. 15-16, 29-30 ","3213"]],[]]},{"id":1409,"img":{"extraLarge":"AP_100042416_extraLarge.jpg","medium":"AP_100042416_medium.jpg"},"arr":["1947.03","Weinberge bei Sion","","1947","Öl/Lwd.","65 x 100 cm ","Bez. unten links: OK "," ","340 ","366","Musée d'art du Valais, Sion\nKunstmuseum Wallis, Sitten","2004","GKS1291","Musée d'art du Valais, Sion\nKunstmuseum Wallis, Sitten \nachat en 2004 avec l’aide de la Fondation Gottfried Keller, de la Loterie Romande et de la commune de Sion"],"mul":[[["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich (1947)",""],["von Wyss Walter und Gertrud","Walter und Gertrud von Wyss, Basel, (1947-1989)","1989 Schenkung an das Kunsthaus Zürich"],["Privatbesitz","Privatbesitz, Zürich (1990)",""],["Privatbesitz","Privatbesitz, Deutschland/Spanien/Schweiz (1994–2004)",""]],[["1984 Vevey","8050","Nr. 28 "],["1950 München","8139","Nr. 80 "],["1966 Zürich","8225","Nr. 85 "],["1947 Zürich, Kunsthaus","8415","Nr. 69 "],["1958 Wien","8541","Nr. 128 "],["2005/06 Sion","8956","Nr. 92, S. 204--205, Farbtaf. S. 206--207"],["1960 Kopenhagen","9011","Nr. 45 "]],[["Jean-Petit-Matile 1985, S. 44, Farbtaf. S. 45","2258"],["Kokoschka Briefe 3 1986, S. 187 (16. V. 47), Anm. S. 329","2381"],["Ruedin 2004","3606"],["Masciotta 1949, Nr. 25 ","3880"],["Morand/Ruedin 2005, S. 204-207, Nr. 92","31166"],["Sion 2007, S. 86-87, Nr. 27","31167"]],[["Schweiz"]]]},{"id":1257,"img":{"extraLarge":"AP_100042263_extraLarge.jpg","medium":"AP_100042263_medium.jpg"},"arr":["1947.04","Tourbillon de Sion","","1947","Öl/Lwd.","75 x 105 cm ","Bez. unten rechts: OK "," ","341, Farbtaf. XXIII ","367","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich (1947)",""],["Angehrn Hans","Hans Angehrn, Thalwil (1947)",""]],[["1984 Vevey","8050","Nr. 27 "],["1962 Tate Gallery, London","8075","Nr. 128 "],["1950 München","8139","Nr. 79, Abb. S. 45 "],["1966 Zürich","8225","Nr. 86, Abb. 27 "],["1958 Den Haag","8309","Nr. 71 "],["1947 Zürich, Kunsthaus","8415","Nr. 68, Abb. VIII "],["1962/1963 Hamburg","8422","Nr. 63 mit Abb. "],["1958 Wien","8541","Nr. 124, Abb. S. 79 "],["1956 Winterthur","8592","Nr. 61, Farbabb. 2 "],["1976 Bregenz","8605","Nr. 26, Farbtaf. XI "],["1951 Berlin","8741","Nr. 41, Abb. S. 25 "],["2008 Wien, Albertina","8744","S. 33, Nr. 55 mit Farbtaf."],["1971 Wien","8820","Nr. 66, Farbabb. 50 "],["2005/06 Pfäffikon","8898","Farbtaf. 98"],["1958 München, Haus der Kunst","8914","Nr. 120, Abb. S. 79 "],["1955 Wien, Secession","8960","Nr. 28 "],["2018/2019 Zürich","21106","Nr. 83, Farbtaf. S. 247"]],[["Thwaites 1951, Farbtaf. S.34 ","2127"],["Wingler 1951 a, Mappe II, S. [10-11], Farbtaf. 7 ","2406"],["Spielmann 2003 a, S. 374, Abb. S. 375","3309"],["Palkovsky 1958, Abb. 45 ","3411"],["Bultmann 1959, S. 108, Farbtaf. 32 ","3434"],["Werner 1991, S. 86, Abb. S. [87] ","3555"],["Werkner 2003 b, S. 253, Farbtaf. 16 S. 176","3571"],["Wingler 1956, S. 59 ","3708"],["Keegan 1999, S. 227","3854"],["Masciotta 1949, Nr. 26, Farbtaf. [XXVIII]","3880"],["Westheim 1948, S. [10--11], Farbtaf. [4]","4138"]],[["Schweiz"]]]},{"id":1288,"img":{"extraLarge":"AP_100042294_extraLarge.jpg","medium":"AP_100042294_medium.jpg"},"arr":["1947.05","Montana","","1947","Öl/Lwd.","90 x 120 cm ","Bez. unten rechts: OK "," ","342, Taf. 110 ","368","Kunsthaus Zürich","","1947/9","Kunsthaus Zürich"],"mul":[[["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich (1947)",""]],[["1984 Vevey","8050","Nr. 25, Farbabb. S. 54 "],["1950 München","8139","Nr. 81 "],["1955 Zürich","8200"," "],["1948 Boston","8222","Nr. 60 mit Abb. \"Leuk und das Rhonetal\""],["1966 Zürich","8225","Nr. 87, Abb. 28 "],["2014 Tokyo","8494","Nr. 39, S. 109, Farbtaf. S. 106"],["1971 Wien","8820","Nr. 67, Abb. 52 "],["1986 Zürich","8836","Nr. 103 mit Farbtaf. "],["2005/06 Pfäffikon","8898","S. 109, Farbtaf. 102"],["1960 Braunschweig","8933","Nr. 17 mit Abb. "],["1955 Wien, Secession","8960","Nr. 30 "],["2018/2019 Zürich","21106","Nr. 82, Farbtaf. S. 246"]],[["Myers 1957, S. 70, Abb. S. 67 ","2233"],["Masciotta 1967, Farbtaf. XII ","2447"],["Kokoschka 1971, S. 271 ","2894"],["Wingler 1950 d, S. 43, Abb. S. 42","2911"],["Seckel 1960, Farbtaf. S. [465]","2933"],["Platte 1957, S. 190, Abb. S. 191 ","2991"],["Zürich 2007, S. 636 mit Abb.","3336"],["Lehner 1990, S. [59] mit Farbtaf. S. [60]","3462"],["Gatt 1972, Farbtaf. 35--36 ","3468"],["Weber 1981, S. 191, Farbtaf. 139","3580"],["Hoffmann 1967, Farbtaf. XIII ","3588"],["Ruedin 2004","3606"],["Jahresbericht 1947, Taf. 3","3674"],["Masciotta 1949, Nr. 27, Farbtaf. [XXV]","3880"]],[["Schweiz"]]]},{"id":1479,"img":{"extraLarge":"AP_100042488_extraLarge.jpg","medium":"AP_100042488_medium.jpg"},"arr":["1947.06","Matterhorn I","","1947","Öl/Lwd.","76.2 x 100.4 cm ","Bez. unten links: OK "," ","343 ","369","Privatbesitz ","","","Privatbesitz"],"mul":[[["Beddington-Behrens Edward","Edward Beddington-Behrens, London und Abinger (1947–1983)",""]],[["1962 Tate Gallery, London","8075","Nr. 129 "],["2008 Warwickshire, Compton Verney","8253","o. Abb."],["1976 London","8338","Nr. 13 mit Farbabb. "],["1981 London, Marlborough","8496","Nr. 45 "],["1981 New York, Marlborough","8535","Nr. 45, Abb. S. 68 "],["1986 London","8643","Nr. 100 mit Farbtaf. "],["2008 Wien, Albertina","8744","Nr. 53 mit Farbtaf."],["1986 Zürich","8836","Nr. 102 mit Farbtaf. "],["1958 München, Haus der Kunst","8914","Nr. 121 "],["1991 Wien","9033","Nr. 73 mit Farbtaf. "],["1986/87 Guggenheim, New York","9072","Nr. 78 mit Farbtaf. "]],[["Kokoschka Briefe 3 1986, S. 190; S. 191, Anm. S. 329 ","2381"],["Beddington-Behrens 1963, S. 169, Abb. S. 165","2431"],["Winny 1947, S. 39-40","2655"],["Hodin 1968 a, S. 287-288 ","3213"],["Spielmann 2003 a, S. 374, Farbtaf. S. 394","3309"],["Roh 1958, Abb. S. 159 ","3408"],["Reinhold 2013, Farbabb.","3582"],["Keegan 1999, S. 227--228","3854"],["Masciotta 1949, Nr. 28 ","3880"]],[["Schweiz"]]]},{"id":1103,"img":{"extraLarge":"AP_100042109_extraLarge.jpg","medium":"AP_100042109_medium.jpg"},"arr":["1947.07","Matterhorn II","","1947","Öl/Lwd.","90 x 120 cm ","Bez., datiert und beschriftet auf der Rückseite: Mont Cervin from Riffelalp OK 1947 "," ","344, Taf. 111 ","370","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Lütjens Hermann","Hermann Lütjens, Küsnacht",""],["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich (1947)",""]],[["1984 Vevey","8050","Nr. 29 "],["1950 München","8139","Nr. 82 "],["1948 Boston","8222","Nr. 59, Farbabb. gegenüber S. 33 "],["1966 Zürich","8225","Nr. 88, Abb. 29 "],["1958 Wien","8541","Nr. 125, Abb. S. 82 "],["1971 Wien","8820","Nr. 68, Abb. 51 "],["1978 Kamakura","8846","Nr. 19, Abb. 19 "],["2005/06 Pfäffikon","8898","S. 167, Farbtaf. 100"],["1958 München, Haus der Kunst","8914","Nr. 122, Abb. S. 82 "],["1960 Braunschweig","8933","Nr. 18 "],["1962 Aarau","9001","Nr. 63 "],["1960 Kopenhagen","9011","Nr. 46 "],["2017 Davos","20106","Farbtaf. S. 204"],["2018/2019 Zürich","21106","Nr. 81, Farbtaf. S. 245"]],[["Kokoschka Briefe 3 1986, S. 190, S. 191, Anm. S. 329","2381"],["Christoffel 1963, S. 129, Farbtaf. 56","2886"],["Wingler 1950 d, S. 43 mit Abb. ","2911"],["Westheim 1959, S. 11, Farbtaf.","3183"],["Palkovsky 1958, Abb. 47 ","3411"],["Masciotta 1949, Nr. 29 ","3880"]],[["Schweiz"]]]},{"id":1155,"img":{"extraLarge":"AP_100042161_extraLarge.jpg","medium":"AP_100042161_medium.jpg"},"arr":["1947.08","Leuk und das Rhone-Tal","","1947","Öl/Lwd.","75 x 100 cm ","Bez. unten links: OK "," ","345, Farbtaf. XXII ","371","Privatbesitz","","","Privatbesitz"],"mul":[[["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich (1947)",""]],[["1984 Vevey","8050"," "],["1962 Tate Gallery, London","8075","Nr. 130 "],["1950 München","8139","Nr. 83, Abb. S. 47 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 28 "],["1966 Zürich","8225","Nr. 89 "],["1958 Wien","8541","Nr. 126, Farbabb. S. 81 "],["1976 Bregenz","8605","Nr. 27, Taf. XXVIII "],["1956 London","8785","Nr. 101 "],["1953 Luzern","8831","Nr. 198 "],["1958 München, Haus der Kunst","8914","Nr. 123 "],["1960 Braunschweig","8933","Nr. 19 "]],[["Kokoschka Briefe 3 1986, S. 191 (11. Sept. 1947) ","2381"],["Wingler 1951 a, Mappe II, S. [10-11], Farbtaf. 8 ","2406"],["Wingler 1957, S. 140, Farbabb. S. 141 ","2423"],["Westheim 1952, Farbtaf. S. [7]","3173"],["Stadler 1964, Abb. S. 156","3230"],["Palkovsky 1958, Abb. 46 ","3411"],["Bultmann 1959, S. 110, Farbtaf. 33 S. 111","3434"],["Sayn-Wittgenstein 1981, S. 288--289, Farbtaf. 7","3535"],["Wingler 1956, S. 59 ","3708"],["Schmalenbach W. 1957, Farbabb. S. 45","3845"],["Masciotta 1949, Nr. 30 ","3880"],["Wingler 1951 b, S. 176-177 mit Abb. ","4123"],["Du 1948, Abb. S. 37-38","4133"]],[["Schweiz"]]]},{"id":1180,"img":{"extraLarge":"AP_100042186_extraLarge.jpg","medium":"AP_100042186_medium.jpg"},"arr":["1947.09","Werner Reinhart","","1947","Öl/Lwd.","80 x 120 cm ","Bez. unten links: OK. Auf der Rückseite bez.: OK "," ","346, Taf. 112 ","372","Kunst Museum Winterthur","1955, Schenkung Peter Reinhart, Winterthur","866","Kunst Museum Winterthur"],"mul":[[["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich",""],["Reinhart Peter","Peter Reinhart, Winterthur (1951)",""]],[["1984 Vevey","8050","Nr. 26 "],["1976 Villingen-Schwenningen","8054","Nr. 5, Abb. S. 19 "],["1971 München","8125","Nr. 38 mit Abb. "],["1950 München","8139","Nr. 84, Abb. S. 46 "],["1959/60 Rom","8164","Nr. 368 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 29 "],["1948 Boston","8222","Nr. 61 "],["1966 Zürich","8225","Nr. 90 "],["1976 Bregenz","8605","Nr. 28, Taf. XXIX "],["1986 London","8643","Nr. 101 mit Farbtaf. "],["1951 Berlin","8741","Nr. 42 "],["2008 Wien, Albertina","8744","Nr. 51 mit Farbtaf."],["1971 Wien","8820","Nr. 69, Abb. 49 "],["2005/06 Pfäffikon","8898","S. 129--135, Farbtaf. 103"],["1958 München, Haus der Kunst","8914","Nr. 124 "],["1955 Wien, Secession","8960","Nr. 29 "],["1948 Venedig","8991","Nr. 27 "],["1983 Bordeaux","9016","Nr. 43, Abb. S. 125 "],["1986/87 Guggenheim, New York","9072","Nr. 79 mit Farbtaf. "],["1950 Zürich","9088"," "]],[["Wild 1966 a","2011"],["Petzet 1963, S. 270, Abb. gegenüber S. 272","2465"],["Duplin 1988, S. 159-164","2556"],["Frehner 2001, S. 137-146","2636"],["Keller 1957, S. 34 ","2822"],["Kokoschka 1971, S. 268--271 ","2894"],["Wingler 1950 d, S. 43-44, Abb. S. 44","2911"],["Hodin 1968 a, S. 178-179 ","3213"],["Duplain 1985, Farbabb.","3256"],["Spielmann 2003 a, S. 375-376 mit Abb.","3309"],["Winterthur 1976, Nr. 483","3522"],["Die Kunst 1950, Abb. S. 44","3541"],["Masciotta 1966, Farbtaf. XIII ","3808"],["George 1963, S. 50 ","3814"],["Masciotta 1949, Nr. 31 ","3880"],["Jahresring 1963, Taf. S. [273]","4142"],["Winterthur 2011, S. 120-123, Farbabb. S- 121","14164"],["Frehner 2005, Farbtaf. 103","20192"],["Winterthur 2011, S. 120–123, Farbabb. S. 121 ","23214"]],[["Männliches Bildnis"]]]},{"id":1139,"img":{"extraLarge":"AP_100042145_extraLarge.jpg","medium":"AP_100042145_medium.jpg"},"arr":["1948.01","Valerie Goulding","","1948","Öl/Lwd.","102 x 71 cm ","Bez. Mitte links: OK "," ","347, Taf. 124 ","373","Musée Jenisch, Fondation Oskar Kokoschka, Vevey","1988","FOK 128","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Kokoschka Olda","Olda Kokoschka, Villeneuve",""],["Goulding Basil","Basil Goulding, Dublin",""],["Stuttgarter Kunstkabinett","Stuttgarter Kunstkabinett, Stuttgart (1.12.1955, Nr. 1431, Farbtaf. 47, S. 129, u.d.T.: „Bildnis der Lady Valerie Goulding“)",""],["Hahn Willy","Willy Hahn, Stuttgart (1955–1984)",""],["Roman Norbert Ketterer","Roman Norbert Ketterer, Campione d'Italia (1968)",""],["Schiele Gus","Gus Schiele, Stuttgart (5.3.1984, Faltblatt mit Abb)",""]],[["1984 Vevey","8050"," "],["2014 Wolfsburg","8102","S. 44-45, 244, 305, Farbtaf. S. 248"],["1956 Recklinghausen","8122","Nr. 142 "],["1971 München","8125","Nr. 39 "],["1954 München","8173","Nr. 794, Abb. S. 153 "],["1966 Karlsruhe","8284","Nr. 55 mit Abb. "],["1992 Cismar","8291","S. 174, Farbtaf. 8"],["1994/95 Bielefeld","8301","Nr. 97, S. 293, Farbtaf. S. 211"],["1958 Wien","8541","Nr. 127, Abb. S. 84 "],["2001/02 Emden","8542","S. 93"],["1987 Gent","8571","Nr. 44, Farbtaf. S. 116 "],["1976 München","8639"," "],["1988 Barcelona","8659","Nr. 50, Farbtaf. S. 83 "],["2005/06 Pfäffikon","8898","o. Farbtaf. (außer Kat.)"],["1983 Rosenbach, Hannover","8899","Nr. 1, Farbabb. S. 15 "],["1958 München, Haus der Kunst","8914","Nr. 125, Abb. S. 84 "],["1960 Braunschweig","8933","Nr. 20 mit Abb. "],["1961/62 Düsseldorf","9008","mit Farbabb. "],["1960 London, Marlborough","9029","Nr. 22 mit Abb. "]],[["Ketterer 1969, Nr. 57, Farbabb. S. 102 ","2088"],["Bonnefoit 2014 a, S. 45, Farbabb. 23","2634"],["Ketterer 1968, Nr. 91 mit Farbabb. ","2895"],["Das Kunstwerk 1954, Abb. S. 23","3007"],["Hodin 1968 a, S. 177 ","3213"],["Stuttgarter Kunstkabinett 1955 b, Nr. 1431, Farbtaf. 47","3421"],["Schiele 1984, Abb. ","3516"],["Weltkunst 1984, S. 1142","3564"],["Vevey 1994, S. 150 mit Farbtaf. S. [151]","3718"],["Masciotta 1949, Nr. 32 ","3880"]],[["Weibliches Bildnis"]]]},{"id":1476,"img":{"extraLarge":"AP_100042485_extraLarge.jpg","medium":"AP_100042485_medium.jpg"},"arr":["1948.02","Henry Pearlman","","1948","Öl/Lwd.","101.6 x 76.2 cm ","Bez. unten rechts: OK"," ","348 ","374","Princeton University Art Museum","","L.1988.62.30","The Henry and Rose Pearlman Foundation, on long-term loan to the Princeton University Art Museum"],"mul":[[["Feigl Gallery","Feigl Gallery, New York (29.9.1948)",""],["Pearlman Henry und Rose","Henry und Rose Pearlman, New York (1948)",""],["Henry and Rose Pearlman Foundation","Henry and Rose Pearlman Foundation, New York (1959)",""]],[["1956 Chicago","8045","Nr. 18 "],["1974 New York","8117","Nr. 30 mit Abb. "],["1948 Boston","8222","Nr. 62 "],["1966 Karlsruhe","8284","Nr. 56 mit Abb. "],["1994/95 Bielefeld","8301","Nr. 93, S. 292, Farbtaf. S. 207"],["1958 Den Haag","8309","Nr. 72 "],["1958 Wien","8541","Nr. 129 "],["1959 Knoedler, New York","8586","Nr. 20 mit Abb. "],["2014 Oxford","8808","Nr. 30, S. 278, 258--259, Farbtaf. 168 S. [254]"],["1958 München, Haus der Kunst","8914","Nr. 126 "],["1948 Feigl, New York","8919","Nr. 2 mit Abb. "],["1967 Detroit","9085","Nr. 31 "]],[["Rosasco 2014, S. 255--261, 278, Farbtaf. S. [254]","2800"],["Pearlman 1959, Nr. 20 mit Abb. gegenüber S. 48","2958"],["Masciotta 1949, S. 50, Nr. 33 ","3880"],["Time 1948, Abb. S. 40","4110"]],[["Männliches Bildnis"]]]},{"id":1224,"img":{"extraLarge":"AP_100042230_extraLarge.jpg","medium":"AP_100042230_medium.jpg"},"arr":["1948.03","Clown mit Hund","The Clown (Clown mit Hund)","1948","Öl/Lwd.","91.5 x 60.5 cm ","Bez. unten rechts: OK. Auf der Rückseite bez. und beschriftet: In honour of the Clown \"Cookie\" President of the Circus Clowns Club Los Angeles, which aims at \"FRIENDLY INTERNATIONAL RELATIONS BETWEEN CLOWNS\" Fools of the world UNITE! ever yours OK "," ","349","375","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Feigl Gallery","Feigl Gallery, New York (1948)",""],["Pearlman Henry und Rose","Henry und Rose Pearlman (1948)",""],["Stuttgarter Kunstkabinett","Stuttgarter Kunstkabinett, Stuttgart (24.- 27.5.1955, Kat. Nr. 1438, S. 120, farb. Umschlagabb., u.d.T. : \"Clown mit Hund\")",""],["Galerie St. Etienne, Otto Kallir","Galerie St. Etienne, Otto Kallir, New York (26.5.1955)",""],["Story Ala","Ala Story, Santa Barbara Calif (1955)",""],["Sotheby & Co.","Sotheby & Co., London (24.4.1963, Nr. 70, Farbtaf. S. 49)",""]],[["1962 Tate Gallery, London","8075","Nr. 131 "],["1958 Den Haag","8309","Nr. 73 "],["1958 Wien","8541","Nr. 130 "],["1958 München, Haus der Kunst","8914","Nr. 127 "],["1948 Feigl, New York","8919","Nr. 1 mit Abb. "]],[["Hodin 1971, Abb. S. [245] ","2585"],["Art Digest 1948, Abb.","2651"],["Stuttgarter Kunstkabinett 1955 a, Nr. 1438 und farb. Umschlagabb. ","3103"],["Sotheby's London 1963, Nr. 70, Farbtaf. S. 49 ","3726"],["Masciotta 1949, Nr. 34 ","3880"],["Hoffmann 1964, Farbtaf. 6 ","3973"]],[["Männliches Bildnis"]]]},{"id":1462,"img":{"extraLarge":"AP_100042471_extraLarge.jpg","medium":"AP_100042471_medium.jpg"},"arr":["1948.04","Venedig, Bacino di San Marco","","1948","Öl/Lwd.","65 x 90 cm ","Bez. unten links: OK "," ","350","376","Sammlung Heinz Winzenried","","","Sammlung Heinz Winzenried"],"mul":[[["Deana Arturo","Arturo Deana, Venedig (7.1948)",""],["Deana Giovanni","Giovanni Deana, Venedig (1966)",""],["Privatbesitz","Privatbesitz, Italien (um 1980–1990)",""],["Sotheby's","Sotheby's, London (19.6.2013, Nr. 57 mit Farbabb., nicht verkauft)",""],["Im Kinsky","Im Kinsky, Wien (26.11.2013, Nr. 539 mit Farbabb.)",""]],[["1962 Tate Gallery, London","8075","Nr. 132 "],["1950 München","8139"," (außer Kat.)"],["1959/60 Rom","8164","Nr. 369 "],["1966 Zürich","8225","Nr. 91 "],["1962/1963 Hamburg","8422","Nr. 64 mit Abb. "],["1954 Mailand","8658"," "],["2006/07 Treviso","8737","Nr. 7.9, S. 355--356, Farbtaf. S.167"],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 144, Farbabb. S. 145 "],["1948 Venedig","8991","(außer Kat.)"],["1991 Wien","9033","Nr. 74 mit Farbtaf. (nicht ausgestellt) "],["2018/2019 Zürich","21106","Nr. 84, Farbtaf. S. 252"]],[["Sotheby's London 2013, Nr. 57 mit Farbabb. ","2422"],["Crisanti 2003, S. 67, Farbabb. 22","2953"],["Lachnit 2008, Farbabb. S. 34","3270"],["Brunetti 1956, Farbabb. S. 128","3378"],["Wingler 1956, S. 61 ","3708"],["Masciotta 1949, Nr. 35, Farbtaf. [XXXVII]","3880"],["Im Kinsky 2013, Nr. 539 mit Farbabb. ","4150"]],[["Venedig"],["Italien"]]]},{"id":1100,"img":{"extraLarge":"AP_100042106_extraLarge.jpg","medium":"AP_100042106_medium.jpg"},"arr":["1948.05","Venedig, Santa Maria della Salute III","","1948","Öl/Lwd.","85 x 110 cm ","Bez. unten links: OK "," ","351 ","377","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Stramezzi Paolo","Paolo Stramezzi, Crema",""],["Galleria d'Arte Sacerdoti","Galleria d'Arte Sacerdoti, Mailand",""],["Sotheby Parke Bernet","Sotheby Parke Bernet, London (28.3.1984, Nr. 259 mit Farbabb.)",""]],[["1986 London","8643","Nr. 107 mit Farbtaf."],["1954 Mailand","8658","S. 194 "],["1986 Zürich","8836","Nr. 107 mit Farbtaf. "],["1948 Venedig","8991","(außer Kat.)"],["1986/87 Guggenheim, New York","9072","Nr. 80 "]],[["Kokoschka Briefe 3 1986, S.207--208 (25. 9. 48); S. 208 (6. X. 48), Anm. S. 333; S. 209","2381"],["Kokoschka 1971, S. 310 ","2894"],["Crisanti 2003, S. 62, Abb. 17","2953"],["Lachnit 2008, Farbabb. S. 34","3270"],["Spielmann 2003 a, Spielmann 2003a, S. 376","3309"],["Brunetti 1956, Farbabb. S. 129","3378"],["Gatt 1972, Abb. 36 ","3468"],["Masciotta 1949, Nr. 36 ","3880"],["Sotheby's London 1984 a, Nr. 259 mit Farbabb. ","4143"]],[["Venedig"],["Italien"]]]},{"id":1121,"img":{"extraLarge":"AP_100042127_extraLarge.jpg","medium":"AP_100042127_medium.jpg"},"arr":["1948.06","Der Dom von Florenz","","1948","Öl/Lwd.","96 x 126 cm ","Bez. unten links: OK "," ","352","378","Minneapolis Institute of Art","Schenkung Mr. und Mrs. Donald Winston","64.44.3","Schenkung Mr. and Mrs. Donald Winston"],"mul":[[["Feigl Gallery","Feigl Gallery, New York (1949)",""],["Winston Donald","Donald Winston, Los Angeles",""]],[["1962 Tate Gallery, London","8075","Nr. 133 "],["1950 München","8139"," "],["1958 Den Haag","8309","Nr. 74 mit Abb. "],["1978 Des Moines","8458","Nr. 26 mit Abb. "],["1958 Wien","8541","Nr. 131, Abb. S. 83 "],["1966 New York","8544","Nr. 51, Abb. S. 71 "],["2013/14 Wien","8589","S. 202, 339, Farbtaf. S. 201"],["1954 Santa Barbara","8806","Nr. 20"],["1971 Wien","8820","Nr. 70 "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 148, Farbabb. S. 149 "],["1958 München, Haus der Kunst","8914","Nr. 128, Abb. S. 83 "],["1950 Pittsburgh","9017","Nr. 226, Abb. 19 "]],[["Masciotta 1963, S. 139 ","2442"],["Minneapolis Institute of Arts Bulletin 1964, Abb. S. 10","2714"],["Goldscheider 1963, S. 78 (Anm. 40), Farbtaf. 40 ","2855"],["Lachnit 1991 a, S. 34--35, Abb. 8 ","2887"],["Natter 2002 a, S. 79 mit Abb.","2924"],["Crisanti 2003, S. 74, Farbabb. 26","2953"],["Urbanek 1990, S. 56, Farbtaf. 13 ","3062"],["Westheim 1959, S. 11, Farbtaf. ","3183"],["Lachnit 2008, Farbabb. S. 378","3270"],["Spielmann 2003 a, S. 376, Farbtaf. S. 396","3309"],["Palkovsky 1958, Abb. 50 ","3411"],["The Burlington Magazine 1965, S. 167, Abb. S. 166","3547"],["Masciotta 1949, Nr. 37, Farbb. S. [55] ","3880"],["Petheo 1987, S. 16, Farbtaf. S. 15","4115"]],[["Florenz"],["Italien"]]]},{"id":1436,"img":{"extraLarge":"AP_100042444_extraLarge.jpg","medium":"AP_100042444_medium.jpg"},"arr":["1948.07","Selbstbildnis (Fiesole)","","1948","Öl/Lwd.","65.5 x 55 cm ","Bez. oben links: OK "," ","353 ","379","Musée Jenisch, Fondation Oskar Kokoschka, Vevey","1988","FOK 130","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Kokoschka Olda","Olda Kokoschka, Villeneuve",""]],[["1961 Brüssel","8031","Nr. 116 "],["1984 Vevey","8050","Nr. 30, Farbabb. S. 50 "],["1992 Cismar","8291","S. 174, Farbtaf. 9"],["1994/95 Bielefeld","8301","Nr. 76, S. 288, Farbtaf. S. 193"],["1995/96 Genua","8329"," "],["2003 Apolda","8411","Nr. 84, S. 106, Farbtaf. S. 81"],["1981 London, Marlborough","8496","Nr. 46 "],["1981 New York, Marlborough","8535","Nr. 46, Farbtaf. S. 69 "],["2001/02 Emden","8542","S. 93, Farbtaf. S. 81"],["1987 Gent","8571","Nr. 45, Farbtaf. S. 117 "],["1986 London","8643","Nr. 103 mit Farbtaf. "],["1988 Barcelona","8659","Nr. 51, Farbtaf. S. 84 "],["2010/11 Appenzell","8684","S. 188, Farbtaf. S. 185"],["1985 Lausanne","8696","Nr. 637, Farbtaf. S. 371 "],["1986 Zürich","8836","Nr. 105 mit Farbtaf. "],["1978 Kamakura","8846","Nr. 20 "],["1995 Bellinzona","8872","S. 62, Farbtaf. S. [63]"],["2005/06 Pfäffikon","8898","Farbtaf. 97"],["1998 Brüssel","8943","S. 22, Farbtaf. S. 8"],["1983 Bordeaux","9016","Nr. 44, Abb. S. 127 "],["1991 Wien","9033","Nr. 75 mit Farbtaf. "],["1986/87 Guggenheim, New York","9072","Nr. 81 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 85, Farbtaf. S. 253"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 63, Farbtaf. S. 255"]],[["Monsel 1995, S. 5, Farbtaf. S. [4]","2144"],["Lucie-Smith 1988, Farbtaf. S. [88]]","2352"],["Teufelberger 1994, Abb. 31","2557"],["Crisanti 2003, S. 73, Farbabb. 25","2953"],["Du 1981, Farbabb. 1","2998"],["Hodin 1968 a, S. 322 ","3213"],["Mikš 2013, S. 151, 357, Abb. 3.1","3257"],["Spielmann 2003 a, S. 376, Farbtaf. S. 395","3309"],["Palkovsky 1958, Abb. 49 ","3411"],["Vevey 1994, S. 154 mit Farbtaf. S.[155]","3718"],["Keegan 1999, S. 230 mit Fababb. Nach S. 144","3854"],["Masciotta 1949, Nr. 38, Farbtaf. [XLVI]","3880"],["Mizue 1978, Farbtaf. S. 12","3934"],["Görner 2018, S. 215, 216","41167"],["Paris 2022, Farbtaf. S. 255","43164"]],[["Selbstbildnis"],["Männliches Bildnis"]]]},{"id":1174,"img":{"extraLarge":"AP_100042180_extraLarge.jpg","medium":"AP_100042180_medium.jpg"},"arr":["1948.08","Florenz, Blick vom Torre Antinori"," \"Florenz, vom Mannelli-Turm gesehen\"","1948","Öl/Lwd.","85 x 110 cm ","Bez. unten links: OK "," ","354 ","380","Privatbesitz","","",""],"mul":[[["Beddington-Behrens Edward","Edward Beddington-Behrens, London",""],["Morton Irina","Irina Morton, London",""],["Christie, Manson & Woods","Christie, Manson & Woods, New York (16.5.1977, Nr. 48 mit Farbtaf.)",""],["Christie's","Christie's, New York (21.10.1980, Nr. 251 mit Farbabb.)",""],["Georges Marci und Luigi Alberto Bianchi","Georges Marci und Luigi Alberto Bianchi, Gstaad (21.10.1980–1981)",""],["Sotheby Parke Bernet","Sotheby Parke Bernet, London (6.12.1983, Nr. 58 mit Farbtaf.)",""]],[["1984 Vevey","8050","Nr. 31, Farbabb. S. 55 "],["1962 Tate Gallery, London","8075","Nr. 134 "],["1962/1963 Hamburg","8422","Nr. 65 "],["2006 Zürich","8482","Nr. 54, S. 343, Farbtaf. S. 140--141"],["1988 Barcelona","8659","Nr. 52, Farbtaf. S. 85 "],["1949 Feigl, New York","8668","mit Abb. "],["2008 Wien, Albertina","8744","S. 33, Nr. 63 mit Farbtaf."],["1986 Zürich","8836","Nr. 104 mit Farbtaf. "],["1987 Florenz","8852","Nr. 14 mit Farbtaf. "],["1998/99 Jerusalem","8908","Nr. 78, S. 214, 368, Farbtaf. S. 215"],["1958 München, Haus der Kunst","8914","Nr. 129 "],["2017 Davos","20106","Farbtaf. S. 205"]],[["Masciotta 1963, S. 139 ","2442"],["Christie's New York 1977, Nr. 48 mit Farbtaf. ","2497"],["Werner 1959, Abb. S. [46] ","2925"],["Crisanti 2003, S. 75, Farbabb. 28","2953"],["Christie's New York 1980, Nr. 251 mit Farbabb. ","3240"],["Spielmann 2003 a, S. 376, Farbtaf. S. 397","3309"],["Sotheby Parke Bernet 1983 b, Nr. 58 mit Farbtaf. ","3392"],["Hodin 1966, Abb. 54 ","3490"],["Masciotta 1949, Nr. 39, Taf. LVI ","3880"],["Küsnacht 2006, Nr. 78, S. 214, mit Farbabb.","23177"]],[["Florenz"]]]},{"id":1439,"img":{"extraLarge":"AP_100042447_extraLarge.jpg","medium":"AP_100042447_medium.jpg"},"arr":["1948.09","Kardinal dalla Costa","","1948","Öl/Lwd.","98 x cm ","Unbez. "," ","355, Taf. 108 ","381","The Phillips Collection, Washington, D.C.","1949 ","","The Phillips Collection, Washington, D.C."],"mul":[[["Feigl Gallery","Feigl Gallery, New York",""]],[["1962 Tate Gallery, London","8075","Nr. 135 "],["1966 Karlsruhe","8284","Nr. 57 mit Abb. "],["1958 Den Haag","8309","Nr. 75 "],["1958 Wien","8541","Nr. 132, Abb. S. 85 "],["1986 London","8643","Nr. 104 mit Farbtaf. "],["1986 Zürich","8836","Nr. 106 mit Farbtaf. "],["1958 München, Haus der Kunst","8914","Nr. 130, Abb. S. 85 "],["1983 Bordeaux","9016","Nr. 45, Abb. S. 128 "],["1986/87 Guggenheim, New York","9072","Nr. 82 mit Farbtaf. "]],[["Kokoschka Briefe 3 1986, S. 208 (6. X. 48), Anm. S. 333; S. 214 (31. XII. 48)","2381"],["Masciotta 1963, S. 139 ","2442"],["Masciotta 1967, Farbtaf. XV ","2447"],["Washington 1952, S. 58, Abb. 200","2571"],["Washington 1976, S. 43, Farbabb. Microfiche 3, E11","2719"],["Washington 1985, Nr. 978 mit Abb.","2779"],["Simon 1967, Abb. S. 102 ","2795"],["Rosenauer 2008, Farbabb. S. 18","2947"],["Crisanti 2003, S. 77, Abb. 27","2953"],["Spielmann 2003 a, S. 376, Abb. S. 377","3309"],["Palkovsky 1958, Abb. 48 ","3411"],["Gatt 1972, Abb. 35 ","3468"],["Hoffmann 1967, Farbtaf. XIV ","3588"],["Masciotta 1949, Nr. 40 ","3880"]],[["Männliches Bildnis"]]]},{"id":1032,"img":{"extraLarge":"AP_100042036_extraLarge.jpg","medium":"AP_100042036_medium.jpg"},"arr":["1949.01","Stillleben mit Zentaur","Il ratto della bella Elena","1949","Öl/Lwd.","51 x 61 cm ","Bez. und datiert auf der Rückseite: OK 1948"," ","356 ","382","Privatbesitz","","","Privatbesitz"],"mul":[[["Zorzi Elena und Leopoldo","Elena und Leopoldo Zorzi (1952)","Geschenk des Künstlers"],["Dorotheum","Dorotheum, Wien (26.11.2019, Nr. 16, nicht verkauft)",""]],[["1959/60 Rom","8164","(außer Kat.)"],["1981/82 Rom","8934","Farbabb. S. 72 "]],[["Hodin 1975, S. 58-60, Farbabb. S. [57] ","3443"],["Masciotta 1949, Nr. 41 ","3880"],["Dorotheum 2019, 26.11.2019, Nr. 16, nicht verkauft","38164"]],[["Stillleben"]]]},{"id":1442,"img":{},"arr":["1949.02","Androklus und der Löwe ","","1949","Öl/Lwd., auf Hartfaserplatte aufgezogen","55 x 82 cm ","Bez. unten links: OK"," ","357 ","383","Vom Künstler übermalt"," ","",""],"mul":[[],[["1958 Wien","8541","Nr. 133 "]],[["Masciotta 1949, Nr. 42 ","3880"]],[]]},{"id":1415,"img":{"extraLarge":"AP_100042423_extraLarge.jpg","medium":"AP_100042423_medium.jpg"},"arr":["1949.03","Theodor Körner","Bundespräsident Theodor Körner\nPortrait Bundespräsident Dr. Theodor Körner","1949","Öl/Lwd.","100 x 81 cm ","Bez. unten links: OK "," ","358, Taf. 114 ","384","LENTOS Kunstmuseum, Linz","1955 ","106","LENTOS Kunstmuseum"],"mul":[[["Neue Galerie der Stadt Linz/ Wolfgang Gurlitt Museum","Neue Galerie der Stadt Linz/ Wolfgang Gurlitt Museum, Linz",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 97 "],["1971 London, Royal Academy","8059","Nr. 162 a "],["2014 Wolfsburg","8102","S. 47, 257, 305, Farbtaf. S. 272"],["1971 München","8125","Nr. 40 mit Abb. "],["1959/60 Rom","8164","(außer Kat.)"],["1995 Linz","8250","S. 117--122, 255, 258, Farbabb. S. 115"],["1953/54 Sao Paulo","8265","Nr. 9 "],["1966 Karlsruhe","8284","Nr. 58 mit Abb. "],["1970 Recklinghausen","8404","Nr. 117 "],["1980 Pottenbrunn","8448"," "],["1994/95 Wien","8483","S. 56, 274, Farbtaf. S. 57"],["2006 Pöchlarn","8498","S. 8--9, Farbabb. 5"],["1954 Rio de Janeiro","8534","Nr. 8 mit Abb. "],["1958 Wien","8541","Nr. 134 "],["1987 Gent","8571","Nr. 46, Farbtaf. S. 118 "],["2013/14 Wien","8589","S. [210]-214, 339, Farbtaf. S. 213"],["1971 Mechelen","8625"," "],["1988 Barcelona","8659","Nr. 53, Farbtaf. S. 86 "],["1971 Wien","8820","Nr. 71, Abb. 53 "],["1985 Museum des 20. Jahrhunderts, Wien","8825"," "],["1978 Kamakura","8846","Nr. 21 "],["1987 Florenz","8852","Nr. 15 mit Farbtaf. "],["1981/82 Rom","8934","Farbabb. S. 75 "],["1955 Wien, Secession","8960","Nr. 31 "],["1951 Linz","8989","Nr. 28 "],["1983 Bordeaux","9016","Nr. 46, S. 129 "],["2008 Linz","9042","S. 172, 174--175, 235, Farbtaf. S.173"],["1965 Wien","9089","Nr. 94 mit Abb. "],["2018/2019 Zürich","21106","Nr. 86, Farbtaf. S. 251"]],[["Nowak-Thaller 1995, Farbabb. S. 115","2015"],["Monsel 1995, S. [48], Farbtaf. 54","2144"],["Matejka 1961","2210"],["Wingler 1956 a, Abb. S. 41 ","2256"],["Kokoschka Briefe 3 1986, S. 219 (12. IV. 49), Anm. S. 337","2381"],["Bonnefoit 2014 a, S. 47, Farbabb. 26","2634"],["Hilger 1986, S. 283--286 ","2741"],["Simon 1967, Abb. S. 102 ","2795"],["Nowak-Thaller 2008 a, S. 27 mit Farbabb. 24","2870"],["Kokoschka 1971, S. 267 ","2894"],["Wiener Kurier 1949, Abb.","3211"],["British Newspaper 1949, Abb.","3278"],["Vogelsberger 2006, S. 8--9, Farbabb. 5","3306"],["Spielmann 2003 a, S. 379, Abb. S. 374","3309"],["Roh 1955, S. 130, Farbtaf. S. 131","3310"],["Wiener Zeitung 1949","3331"],["Kunst ins Volk 1949, Abb. S. [269]","3436"],["Kasten 1980, S. 57--58, Abb. S. 62","3458"],["Natter 1996 b, S. 24 mit Farbabb.","3532"],["Werkner 2003 b, S. 229-234, Farbtaf. 15 S. 175","3571"],["Linz 2003, S. 457, 204 mit Farbabb.","3640"],["Tassié 1949","3864"],["Masciotta 1949, Nr. 43 ","3880"],["Mizue 1978, Farbabb. S. 13","3934"],["Werkner 2008 b, Farbtaf. S. 173","3948"],["Wacha 1986 c, Abb. S. 12","3963"],["Linz 1979, S. 194","3990"],["Arbeiterzeitung 1949, Abb.","4134"],["Linz 2002, S. 204 mit Farbabb.","23181"]],[["Männliches Bildnis"]]]},{"id":1115,"img":{"extraLarge":"AP_100042121_extraLarge.jpg","medium":"AP_100042121_medium.jpg"},"arr":["1949.04","Rom, Forum Romanum","","1949","Öl/Lwd.","75 x 105 cm ","Bez. unten links: OK "," ","359, Taf. 117 ","385","Privatbesitz","1949","","Privatbesitz"],"mul":[[],[["1959/60 Rom","8164","(außer Kat.)"],["2008 Wien, Albertina","8744","S. 34, Nr. 66 mit Farbtaf."],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 152, Farbabb. S. 153 "],["1981/82 Rom","8934","Farbabb. S. 74 "]],[["Masciotta 1963, S. 139 ","2442"],["Crisanti 2003, S. 78, Farbabb. 30","2953"],["Spielmann 2010, S. 13, Farbabb. 1","3110"],["Palkovsky 1958, Abb. 51 ","3411"],["George 1963, S. 52 ","3814"],["Masciotta 1949, Nr. 44, S. 43, Taf. LVII ","3880"],["Blázquez 1982, S. 269 ","3884"]],[["Rom"],["Italien"]]]},{"id":1230,"img":{"extraLarge":"AP_100042236_extraLarge.jpg","medium":"AP_100042236_medium.jpg"},"arr":["1949.05","Rom, Kolosseum","","1949","Öl/Lwd.","81.2 x 110.3 cm ","Bez. unten links: OK "," ","360, Taf. 116 ","386","Privatbesitz","1950","","Privatbesitz"],"mul":[[],[["1950 München","8139","Nr. 85 "],["1966 Zürich","8225","Nr. 92 "],["1952 Venedig","8421","Nr. 1, Abb. 56 "],["2008 Wien, Albertina","8744","Nr. 64 mit Farbtaf."],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 156, Farbabb. S. 157 "],["1960 London, Marlborough","9029","Nr. 23 "]],[["Masciotta 1963, S. 139, Abb. S. 136 ","2442"],["Wingler 1950 d, S. 44, Abb. S. 41 ","2911"],["Crisanti 2003, S. 78, Farbabb. 29","2953"],["Spielmann 2010, S. 13, Farbabb. 2","3110"],["Spielmann 2003 a, S. 377 mit Abb.","3309"],["Palkovsky 1958, Abb. 52 ","3411"],["Gatt 1972, Abb. 37 ","3468"],["George 1963, S. 52, Abb. 50","3814"],["Masciotta 1949, Nr. 45, Taf. LVIII ","3880"],["Blázquez 1982, S. 269 ","3884"]],[["Rom"],["Italien"]]]},{"id":1306,"img":{"extraLarge":"AP_100042313_extraLarge.jpg","medium":"AP_100042313_medium.jpg"},"arr":["1949.06","John und Betty Cowles","Ehepaar Cowles","1949","Öl/Lwd.","113.7 x 152.4 cm ","Bez. unten links: OK. Auf der Rückseite bez., datiert und beschriftet: My friends Betty and John Cowles 1949 Minneapolis OK"," ","361, Taf. 113 ","387","Des Moines Art Center, Iowa","1963 Gift of John and Elizabeth Bates Cowles","1963.3","Des Moines Art Center Permanent Collections; Gift of John and Elizabeth Bates Cowles, 1963.3"],"mul":[[["John und Betty Cowles","John und Betty Cowles, Iowa",""]],[["1962 Tate Gallery, London","8075","Nr. 136 "],["1958 Den Haag","8309","Nr. 76 "],["1978 Des Moines","8458","Nr. 27 mit Farbtaf. "],["1958 Wien","8541","Nr. 135, Abb. S. 87 "],["1966 New York","8544","Nr. 52, Abb. S. 72 "],["1956 Birmingham, Alabama","8623","Nr. 53 "],["1979 Minneapolis","8745"," "],["1954 Santa Barbara","8806","Nr. 21"],["1958 München, Haus der Kunst","8914","Nr. 131, Abb. S. 87 "]],[["The Art Quarterly 1963, S. 271","2160"],["Kokoschka Briefe 3 1986, S. 228--234 (15. Sept.- 6. Okt. 1949 [8 Briefe]; S. 234--235; (11. 10. 49), Anm. S. 338--339, Abb. nach S. 192","2381"],["Natter 2002 a, S. 80 mit Abb.","2924"],["Spielmann 2003 a, S. 378, Abb. S. 379","3309"]],[["Doppelbildnis"],["Männliches Bildnis"],["Weibliches Bildnis"]]]},{"id":1366,"img":{"extraLarge":"AP_100042373_extraLarge.jpg","medium":"AP_100042373_medium.jpg"},"arr":["1950.01","Prometheus","","1950","Tempera/Lwd.","239 x 233.6 cm "," ","","362, Taf. 123 ","388","The Courtauld Gallery, London","1978 Vermächtnis Graf Antoine Seilern","P.1978.PG.210.3","The Samuel Courtauld Trust, The Courtauld Gallery, London: Princes Gate Bequest 1978"],"mul":[[["Seilern Count Antoine","Count Antoine Seilern",""]],[["1962 Tate Gallery, London","8075","Nr. 137, Abb. 32 "],["2006 London","8111","S. 8--23, Abb. 10, 13, re. Farbabb. und farb. Deckblatt des Faltblattes"],["1952 Venedig","8421","Raum XLVI, Nr. 2 "],["2018/2019 Zürich","21106","Nr. 87, Farbtaf. S. 254-255"]],[["Monsel 1995, S. [53], Farbabb. 63","2144"],["Mühringer 2004, S. 32-33, 35-58 mit Farbabb. Anhang I","2177"],["Curti 2001, S. [22]-27 mit Farbabb. S. [22]","2298"],["Godeau 2004, S. 239-240, Abb. S. 241","2379"],["Kokoschka Briefe 3 1986, S. 231--232 (20.9.49 und 25.9.49); S. 239-240 (14.I. 50 und 8.2.50); S. 240-241 (15.7.50), Anm. S. 338","2381"],["Hodin 1963 c, S. 143-152, Abb. 56 ","2385"],["Wright 2009, Abb.","2477"],["Erling 2008, Farbabb. S. 39","2525"],["Princes Gate Collection 1961, Nr. 260 c, S. 144-145 mit Farbtaf.","2701"],["Kokoschka 1952 c, S. 232-236 ","2861"],["Wingler 1950 d, S. 41-45 ","2911"],["Maxted 2008, S. 97-100, Farbabb. 5","2931"],["Kokoschka 1975, S. 313-319, Abb. S. 35","2943"],["Krapf-Weiler 1987, S. 203-204","2944"],["Windisch 2013, S. 155, Abb. 87","3001"],["Spielmann 2010, S. 16-17, Farbabb. 9","3110"],["Bonnefoit 2010 a, S. 70-80 mit Abb.","3143"],["Vergo 1997, Abb. 125","3182"],["Hodin 1968 a, S. 289, 292-294 ","3213"],["Mikš 2013, S. 180, 359, Farbabb. XIV.3","3257"],["Spielmann 2003 a, S. 380-383, Farbtaf. S. 398 und Farbtaf. S. 400 (Detail)","3309"],["Brabam 1981, S. 135","3420"],["Gasser 1950","3424"],["Hodin 1972, S. 48-49","3429"],["Hodin 1975, S. 14-20, 22-32, Abb. S. [25] ","3443"],["Whitford 1986, S. 192-193 ","3477"],["Vinci-Orlando 1971, S. 559--561 ","3521"],["Werner 1991, S. 88-91 ","3555"],["Princes Gate Collection 1992, Nr. 21, S. 64-67, Abb. S. 66","3577"],["Hofmann 1986 c, S. 265-268, 270-271,273, Abb. S. 268 ","3592"],["Bueno de Mesquita 2009, S. 444, 442, 452, Farbabb. 1c, Abb. 10 (Foto des unfertigen Gemäldes, 1950)","3609"],["Lachnit 1991 b, S. 41, Abb. 5 ","3619"],["Wingler 1950 a, S. 49 ","3626"],["Spielmann 1990, S. 12, Farbabb. S. 11 ","3697"],["Wingler 1956, S. 63 ","3708"],["Blázquez 1982, S. 269 ","3884"],["Krell 2011, S. 67-68, Farbtaf. 31 S. [69]","3923"],["Ranta 2007, S. 14-15, Farbabb. 6 und 7.","3941"],["Nebehay 1983 b, S. 163-164","4050"],["Hodin 1986, S. 244-245","4099"],["Christie's London 1981, Nr. 40 mit Farbtaf.","4117"],["London 2002","23182"]],[["Mythologie"]]]},{"id":1057,"img":{"extraLarge":"AP_100042062_extraLarge.jpg","medium":"AP_100042062_medium.jpg"},"arr":["1950.02","Apokalypse","","1950","Tempera/Lwd.","239 x 347.2 cm "," "," ","363, Taf. 122 ","389","The Courtauld Gallery, London","1978, Vermächtnis Graf Antoine Seilern","P.1978.PG.210.2","The Samuel Courtauld Trust, The Courtauld Gallery, London: Princes Gate Bequest 1978"],"mul":[[["Seilern Count Antoine","Count Antoine Seilern",""]],[["1962 Tate Gallery, London","8075","Nr. 137, Abb. 32 "],["2006 London","8111","S. 8--23, Abb. 10, Farbabb. 15 (Detail), Farbabb. Mitte im Faltblatt"],["1952 Venedig","8421","Raum XLVI, Nr. 2 "],["2018/2019 Zürich","21106","Nr. 87, Farbtaf. S. 254-255"]],[["Monsel 1995, S. [53], Farbabb. 63","2144"],["Mühringer 2004, S. 32--33, 35--58 mit Farbabb. Anhang I","2177"],["Curti 2001, S. [22]--27 mit Farbabb. S. 23","2298"],["Wright 2009, Abb.","2477"],["Erling 2008, Farbabb. S. 39","2525"],["Maxted 2008, S. 97-100, Farbabb. 5","2931"],["Windisch 2013, S. 155, Abb. 88","3001"],["Spielmann 2010, S. 16--17, Farbabb. 9","3110"],["Bonnefoit 2010 a, S. 70-80 mit Abb.","3143"],["Vergo 1997, Abb. 124","3182"],["Mikš 2013, S. 180, 359, Farbabb. XIV.2","3257"],["Spielmann 2003 a, S. 380--383, Farbtaf. S. 398--399","3309"],["Werner 1991, S. 88-91, Abb. S. [89] ","3555"],["Princes Gate Collection 1992, Nr. 21, S. 64--67, Abb. S. 66/67","3577"],["Bueno de Mesquita 2009, S. 444, 447-448, Farbabb. 1a","3609"],["Spielmann 1990, S. 12, Farbabb. S. 10 ","3697"],["Krell 2011, S. 67-68","3923"],["Ranta 2007, S. 16, Farbabb. 6 und 9","3941"]],[["Biblische Figuren"],["Mythologie"]]]},{"id":1285,"img":{"extraLarge":"AP_100042291_extraLarge.jpg","medium":"AP_100042291_medium.jpg"},"arr":["1950.03","Hades und Persephone","","1950","Tempera/Lwd.","238 x 233.8 cm "," "," ","364, Taf. 121 ","390","The Courtauld Gallery, London","1978 Vermächtnis Graf Antoine Seilern","P.1978.PG.210.1","The Samuel Courtauld Trust, The Courtauld Gallery, London: Princes Gate Bequest 1978"],"mul":[[["Seilern Count Antoine","Count Antoine Seilern",""]],[["1962 Tate Gallery, London","8075","Nr. 137, Abb. 32 "],["2006 London","8111","s. 8--23, Abb. 9 (Detail), Farbabb. 14 (Detail), li. Farbabb. im Faltblatt"],["1952 Venedig","8421","Raum XLVI, Nr. 2 "],["2018/2019 Zürich","21106","Nr. 87, Farbtaf. S. 254-255"]],[["Monsel 1995, S. [53], Farbabb. 63","2144"],["Mühringer 2004, S. 32-33, 35--58 mit Farbabb. Anhang I","2177"],["Curti 2001, S. [22]-27 mit Farbabb. S. 23","2298"],["Wright 2009, Abb.","2477"],["Erling 2008, Farbabb. S. 39","2525"],["Maxted 2008, S. 97-100, Farbabb. 5","2931"],["Reinhold/Werkner 2013, S. 138 mit Foto (Detail)","2988"],["Windisch 2013, S. 137, Abb. 89","3001"],["Spielmann 2010, S. 16-17, Farbabb. 9","3110"],["Bonnefoit 2010 a, S. 70-80 mit Abb.","3143"],["Vergo 1997, Abb. 122","3182"],["Mikš 2013, S. 180, 359, Farbabb. XIV.1","3257"],["Spielmann 2003 a, S. 380-383, Farbtaf. S. 399","3309"],["Werner 1991, S. 88-91 ","3555"],["Princes Gate Collection 1992, Nr. 21, S. 64-67, Abb. S. 67","3577"],["Bueno de Mesquita 2009, S. 444, 452, Farbabb. 1b","3609"],["Lachnit 1991 b, S. 41, Abb. 5 ","3619"],["Spielmann 1990, S. 12, Farbabb. S. 10 ","3697"],["Krell 2011, S. 67-68","3923"],["Ranta 2007, S. 15, Farbabb. 6 und 8. ","3941"]],[["Mythologie"]]]},{"id":1096,"img":{"extraLarge":"AP_100042102_extraLarge.jpg","medium":"AP_100042102_medium.jpg"},"arr":["1950.04","Louis Krohnberg","","1950","Öl/Lwd.","101 x 76 cm ","Bez. oben links: OK "," ","365, Taf. 118","391","Privatbesitz","","","Privatbesitz"],"mul":[[["Krohnberg Louis","Louis Krohnberg, London",""],["Craps Harry","Harry Craps, London",""],["The Israel Museum","The Israel Museum, Jerusalem (1967)","verkauft"],["Hauswedell & Nolte","Hauswedell & Nolte, Hamburg (9.6.1983, Nr. 812 mit Farbtaf. 10)",""],["Sotheby's","Sotheby's, München (28.10.1987, Nr. 124, Farbtaf. S. 153)",""]],[["1994 Krakau","8013","S. 130, Farbtaf. 7"],["1953 Hamburg","8076","Nr. 99 b "],["1987 Gent","8571","Nr. 47 (nicht ausgestellt) "],["1988 Barcelona","8659","Nr. 54, Farbtaf. S. 87"],["1962 Ben Uri Art Gallery, London","8730","Nr. 63 "],["1951 Berlin","8741","Nr. 43 "],["1952 Pittsburgh","8993","Nr. 137 mit Abb. "],["1960 London, Marlborough","9029","Nr. 24 "]],[["Monsel 1995, Farbtaf. 55","2144"],["Sotheby's München 1987, Nr. 124, Farbtaf. S. 153 ","2438"],["Hauswedell 1983, Nr. 812 mit Farbtaf. 10 ","2678"]],[["Männliches Bildnis"]]]},{"id":1272,"img":{"extraLarge":"AP_100042278_extraLarge.jpg","medium":"AP_100042278_medium.jpg"},"arr":["1950.05","Salzburg, Blick vom Kapuzinerberg","Salzburg","1950","Öl/Lwd.","85.6 x 120 cm ","Bez. unten links: OK "," ","366, Farbtaf. XXIV ","392","Bayerische Staatsgemäldesammlungen München, Pinakothek der Moderne","1950","11 241",""],"mul":[[],[["1980 München, Haus der Kunst","8007"," "],["1980/81 Salzburg","8208"," "],["1966 Zürich","8225","Nr. 93 "],["1958 Wien","8541","Nr. 136, Abb. S. 86 "],["2013/14 Wien","8589","S. 339, Farbtaf. S. 229"],["1952 Salzburg","8690","Nr. 42 "],["2008 Wien, Albertina","8744","Nr. 76 mit Farbtaf."],["1971 Wien","8820","Nr. 74 "],["1958 München, Haus der Kunst","8914","Nr. 132, Abb. S. 86 "],["1955 Wien, Secession","8960","Nr. 32 "],["1983 Bordeaux","9016","Nr. 47, Abb. S. 130 "]],[["Santini 1971, Abb. 233 ","2174"],["Dittmann 2013, S. 278, Abb. 32 S. 279","2216"],["Sterk 1981, S. 84 mit Abb.","2227"],["Münchner Jahrbuch der Bildenden Kunst. 1953, Abb. S. 346","2321"],["Wally 2003, Farbtaf. S. 169 und Abb. S. 127","2340"],["Wingler 1957, S. 142, Farbabb. S. 143 ","2423"],["Stegen 1978, S. 13 mit Farbabb.","2473"],["Haftmann 1965 b, S. 297, Abb. 743 ","2732"],["Jähner 1956, Farbtaf. gegenüber S. 142","2833"],["Urbanek 1990, S. 56-57, Farbtaf. 14 ","3062"],["Wingler 1954, Farbabb. gegenüber S. 30","3169"],["Palkovsky 1958, Abb. 53 ","3411"],["München 1966, S. 57, Abb. 128","3426"],["Bultmann 1959, S. 112, Farbtaf. 34 ","3434"],["Gatt 1972, Farbtaf. 37-38 ","3468"],["Grote 1964, Abb. 2 ","3550"],["Röthel 1951, Nr. 51, Abb. 16","3566"],["Hoffmann 1967, Farbtaf. XV ","3588"],["Masciotta 1966, Farbtaf. XIV ","3808"],["Südwestfunk 1960","3863"],["Grote 1951, S. 627-628, Farbabb. als Frontispiz","4020"],["Welz 1961, Abb.","4035"],["Salzburger Nachrichten 1950, S. 13-14 mit Abb.","18164"]],[["Salzburg"],["Österreich"]]]},{"id":1242,"img":{"extraLarge":"AP_100042248_extraLarge.jpg","medium":"AP_100042248_medium.jpg"},"arr":["1950.06","Theodor Heuss","Bundespräsident Theodor Heuss","1950","Öl/Lwd.","105 x 80 cm ","Bez. unten links: OK. Auf der Rückseite datiert und beschriftet: Dez. 50 Bonn "," ","367, Taf. 115 ","393","Museum Ludwig, Köln","1976","ML 76/2862, Zugang 1976.02.23","Museum Ludwig, Köln"],"mul":[[["Wallraf-Richartz-Museum","Wallraf-Richartz-Museum, Köln (1950–1976)","1950 Geschenk der Firma Otto Wolff AG Köln Inv.-Nr. WRM 2862"]],[["1955 Liège","8106","Nr. 45 "],["1956 Recklinghausen","8122","S. 58, Abb. 128 "],["1952 Hamburg","8165","Nr. 44, Abb. 21 "],["1951 Wallraf-Richartz-Museum, Köln","8166","Nr. 30 "],["1966 Zürich","8225","Nr. 94 "],["1964 Venedig","8262","Abb. XXVII "],["1966 Karlsruhe","8284","Nr. 59 mit Abb. "],["1957 Amsterdam","8311","Nr. 126 a "],["1970 Recklinghausen","8404","Nr. 118 "],["1955 Kunsthalle, Basel","8434","Nr. 66 "],["1974 Kaiserslautern","8622","S. 41, Abb. 217 "],["1951 München","8678","Nr. 740, Abb. S. 143 "],["1953 Luzern","8831","Nr. 199 mit Abb. "],["1978 Kamakura","8846","Nr. 22, Abb. 22 "],["1960 Braunschweig","8933","Nr. 21 mit Abb. "],["1955 Haus am Waldsee, Berlin","8940","Nr. 50 "],["1951 Amsterdam","8959","Nr. 126 a "],["1954 Turin","9002","Nr. 131 "],["1960 Kopenhagen","9011","Nr. 47 mit Abb. "],["1983 Bordeaux","9016","Nr. 48, Abb. S. 131, Farbabb. S. 59 "]],[["Spiegel 1951 b, Abb. S. 29","2022"],["Köln 1974, S. 110, Abb. 179","2112"],["Köln 1957","2328"],["Köln 1986 a, Bd. 2, S. 129 mit Abb.","2363"],["Kokoschka Briefe 3 1986, S. 245 (10. XII. 50), Anm. S. 343; S. 246 (15. XII. 50)","2381"],["Lufft 1960, o. S.","2611"],["Köln 1953, S. 245","2736"],["Simon 1967, ","2795"],["Kokoschka 1971, S. 290-293 ","2894"],["Reidemeister 1952, Abb. S. 85","2961"],["Reinhold/Werkner 2013, S. 150 mit Foto","2988"],["Stankiewitz 2013, Anm. 16 S. 32","2992"],["Hamm-Brücher 1983, Abb. S. 173","3059"],["Köln 1979, S. 389-390, Farbabb. S. 390","3236"],["Bonnefoit/Häusler 2010 b, S. 105-107, Farbabb. 8","3268"],["Paulus 2010, S. 805-806 mit Farbabb. 2","3294"],["Köln 1959, S. 88 ","3297"],["Spielmann 2003 a, S. 379 mit Abb.","3309"],["Kasten 1980, S. 58","3458"],["Gatt 1972, Farbtaf. 39 ","3468"],["Kokoschka 1954, S. 347-349","3843"],["Köln 1965, Nr. 2862","16167"],["Köln 2008","23172"]],[["Männliches Bildnis"]]]},{"id":1402,"img":{"extraLarge":"AP_100042409_extraLarge.jpg","medium":"AP_100042409_medium.jpg"},"arr":["1951.01","Sebastian Isepp","","1951","Öl/Lwd.","91.5 x 61 cm ","Bez. unten links: OK "," ","368 ","394","Germanisches Nationalmuseum, Nürnberg","29.11.1982","",""],"mul":[[["Isepp Konstanze","Konstanze Isepp, London",""],["Sarachi Chatin","Chatin Sarachi, London (3.1955)",""],["Goulding Basil","Basil Goulding, Dublin",""],["Christie's","Christie's, London (29.11.1982, Nr. 51, Farbtaf. S. 96)",""]],[["2006 London","8111","S. 23, Farbabb. 17"],["1966 Zürich","8225","Nr. 95 "],["1966 Karlsruhe","8284","Nr. 60 mit Abb. "],["1958 Den Haag","8309","Nr. 77 "],["1952 Venedig","8421","Nr. 3 "],["1958 Wien","8541","Nr. 137 "],["1986 London","8643","Nr. 105 mit Farbtaf. "],["2008 Wien, Albertina","8744","Nr. 75 mit Farbtaf."],["1986 Zürich","8836","Nr. 109 mit Farbtaf. "],["1961 Dublin","8890","Nr. 31 "],["1958 München, Haus der Kunst","8914","Nr. 133 "],["1960 London, Marlborough","9029","Nr. 25 mit Abb. "]],[["Schmalenbach F. 1967, Farbtaf. S. 75 ","2199"],["Nürnberg 1985, Nr. 587, S. 243 mit Abb.","2941"],["Anzeiger des Germanischen Nationalmuseums Nürnberg 1984, Abb.","3138"],["Prause 1980, S. 92, Abb. 39","3533"],["Christie's London 1982, Nr. 51, Farbtaf. S. 96 ","3628"],["White 1961, S. 8 mit Abb.","4087"]],[["Männliches Bildnis"]]]},{"id":1188,"img":{"extraLarge":"AP_100042194_extraLarge.jpg","medium":"AP_100042194_medium.jpg"},"arr":["1951.02","Max Brauer","Max Brauer als Bürgermeister von Hamburg","1951","Öl/Lwd.","125 x 90 cm ","Bez. unterhalb der Mitte links: OK "," ","369, Taf. 119 ","395","Hamburger Kunsthalle ","1951, Stiftung der Firma H.F. und Ph. F. Reemtsma, Hamburg","2922",""],"mul":[[],[["1962 Tate Gallery, London","8075","Nr. 138 "],["2014 Wolfsburg","8102","S. 257, 305, Farbtaf. S. 273"],["1973 Hamburg","8105"," "],["1971 München","8125","Nr. 41 mit Abb. "],["1952 Hamburg","8165","Nr. 45 "],["1970 Recklinghausen","8404","Nr. 119 "],["1962/1963 Hamburg","8422","Nr. 66 mit Abb. "],["1958 Wien","8541","Nr. 138 "],["2013/14 Wien","8589","S. [296], 339, Farbtaf. S. 303"],["1955 Hamburg","8768","Nr. 74 "],["1956 London","8785","Nr. 102 "],["1980 Hamburg","8984"," "],["1960 Kopenhagen","9011","Nr. 48 mit Abb. "],["1964 Wuppertal","9021","Nr. 40 "]],[["Hamburg 1985 a, Nr. 252, Abb. S. 125","2213"],["Urbach 1951, Ilse Urbach:[\"Bürgermeister Brauer, gemalt von Oskar Kokoschka.\"] In: <Die Welt,< Hamburg, Nr. 168, 21. Juli 1951, S. 3","2743"],["Spiegel 1951 a","2834"],["Hamburg 1969 a, S. 74 (Nr. 2922) mit Abb. ","3114"],["Sethe 1965, Paul Sethe: \"Max Brauers letzter Kampf.\" In: <Die Zeit,< Hamburg, Nr. 11, 12. März 1965, S. 9","3243"],["Hentzen 1962 a, o. S.","3363"],["Heise 1951","3439"],["Whitford 1986, S. 195 ","3477"],["Tank 1951","3501"],["Hamburg 1960, Nr. 44, Abb. S. 84","3801"],["George 1963, S. 40 ","3814"],["Horstmann 1965 a, S. 10, Farbtaf. S. 11 ","3828"],["Hamburg 1969 b, S. 448, Abb. 367","4018"],["Hentzen 1958, S. 176, Abb. S. 177","4144"],["Hamburg 2010","23165"]],[["Männliches Bildnis"]]]},{"id":1097,"img":{"extraLarge":"AP_100042103_extraLarge.jpg","medium":"AP_100042103_medium.jpg"},"arr":["1951.03","Die magische Form","Die magische Form (Skizze)","1951","Öl/Lwd., auf Hartfaserplatte aufgezogen","100 x 75 cm ","Bez. oben rechts: OK; am unteren Rand beschriftet: Dr. BASSA'S \"MAGISCHE FORM\" "," ","370 ","396","Belvedere, Wien","Oktober 1986 durch das Bundesministerium für Wissenschaft und Forschung","7421",""],"mul":[[["Heise Carl Georg","Carl Georg Heise, Hamburg (1951)",""],["Hahn Willy","Willy Hahn, Tutzing (nach 1966-1978)",""],["Fischer Fine Art Ltd.","Fischer Fine Art Ltd., London",""]],[["1980 München, Haus der Kunst","8007","Nr. 176 "],["2014 Wolfsburg","8102","S. 281, 305, Farbtaf. S. 289"],["1996/97 Wien","8103","S. 70, Farbtaf. S. 71"],["1966 Zürich","8225","Nr. 96 "],["1990 Halbturn","8274","Nr. 11 mit Abb. "],["1966 Karlsruhe","8284","Nr. 61 mit Abb. "],["2002 Pöchlarn","8563","Farb. Umschlagabb. (Detail) [Faltblatt]"],["1960 Braunschweig","8933","Nr. 22 mit Abb. "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 64, Farbtaf. S. 253"]],[["Teufelberger 1994, Abb. 32","2557"],["Bonnefoit 2014 a, S. 38, Farbabb. 6","2634"],["Langfeld 2004, S. 242-243, Abb. 215 S. 242","2708"],["Heise 1960","3068"],["Heise 1956 a, Abb. S. 37","3147"],["Röske 2007, S. 248-249, Farbabb. 9","3322"],["Profil 1986, Farbabb. ","3826"],["Horstmann 1965 a, S. 18, 43, Farbtaf. S. 19 ","3828"],["Paris 2022, Farbtaf. S. 253","43164"]],[["Selbstbildnis"]]]},{"id":1431,"img":{"extraLarge":"AP_100042439_extraLarge.jpg","medium":"AP_100042439_medium.jpg"},"arr":["1951.04","Hamburg, Hafen I","Hamburg, Hafenansicht","1951","Öl/Lwd.","90.8 x 120.5 cm ","Bez. unten rechts: OK "," ","371, Taf. 126 ","397","The Museum of Modern Art, New York","19.3.1956, Rose Gershwin Fund","14.1956","Rose Gershwin Fund"],"mul":[[["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich",""]],[["1962 Tate Gallery, London","8075","Nr. 139, Abb. 36 "],["1975 New York","8093","Abb. S. 133 "],["1963/64 Raleigh","8161"," "],["1955 Zürich","8200"," "],["1954 Darmstadt","8227","Nr. 102 mit Abb. "],["1958 Den Haag","8309","Nr. 78 "],["1962/1963 Hamburg","8422","Nr. 67 mit Abb. "],["1971 Museum of Modern Art, New York","8432"," "],["1958 Wien","8541","Nr. 139, Abb. S. 88 "],["1967 New York","8887","Nr. 11, Abb. 31 "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 160, Farbabb. S. 161 "],["1958 München, Haus der Kunst","8914","Nr. 134, Abb. S. 88 "],["1992 New York","8930","Nr. 75 "],["1955 Wien, Secession","8960","Nr. 33 "],["1955 Kassel","8996","Nr. 298 "]],[["Santini 1971, Abb. 234 ","2174"],["Schmalenbach F. 1967, Farbtaf. S. 74 ","2199"],["New York 1958, S. 34 ","2293"],["New York 1977 a, S. 555, Nr. 75","2315"],["Kokoschka Briefe 3 1986, S. 254 (Mitte Augsut 1951)","2381"],["New York 1977 b, S. 51, Nr. 75","2424"],["Borchert 1959, S. 20, Farbtaf. 9 ","2562"],["Westheim 1959, S. 12 mit Farbtaf.","3183"],["Hentzen 1962 a, o. S.","3363"],["Palkovsky 1958, Abb. 54 ","3411"],["Bultmann 1959, S. 114, Farbtaf. 35 ","3434"],["Hodin 1966, Abb. 55 ","3490"],["Lober 1952, S. 6","3523"],["Werner 1991, S. 94, Abb. S. [95] ","3555"],["Weltkunst 1955 a, S. 4","3625"],["Kallir 1992, Taf. 60 ","3647"],["Hamburger Morgenpost 1952","3665"],["Wingler 1956, S. 61 ","3708"],["Horstmann 1965 a, S. 12-14, Farbtaf. S. 15 ","3828"],["New York 1956, Nr. 1280","4005"],["The Art Quarterly 1956 a, S. 312","4029"]],[["Hamburg"],["Deutschland"]]]},{"id":1363,"img":{"extraLarge":"AP_100042370_extraLarge.jpg","medium":"AP_100042370_medium.jpg"},"arr":["1951.05","Maloja","","1951","Öl/Lwd.","65 x 80 cm ","Bez. unten rechts: OK "," ","372 ","398","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich (1951)",""],["Galerie Wilhelm Grosshennig","Galerie Wilhelm Grosshennig, Düsseldorf (1952)",""]],[["1966 Zürich","8225","Nr. 97 "],["1973 München","8377","Nr. 792 "],["1958 Wien","8541","Nr. 140, Abb. S. 90 "],["1976 München","8639"," "],["2008 Wien, Albertina","8744","Nr. 73 mit Farbtaf."],["1971 Wien","8820","Nr. 75, Abb. 55 "],["2005/06 Pfäffikon","8898","Farbtaf. 105"],["1958 München, Haus der Kunst","8914","Nr. 135, Abb. S. 90 "],["1967 München","8975","Nr. 832 "],["1960 Kopenhagen","9011","Nr. 49 "]],[["Matthias 2011, Farbtaf. S. 183","2152"],["Kokoschka Briefe 3 1986, S. 256 (3.9.51.)","2381"],["Goldscheider 1963, S. 78 (Anm. 41), Farbtaf. 41 ","2855"],["Stankiewitz 2013, S. 128","2992"]],[["Schweiz"]]]},{"id":1130,"img":{"extraLarge":"AP_100042136_extraLarge.jpg","medium":"AP_100042136_medium.jpg"},"arr":["1951.06","Venedig, Santa Maria della Salute IV","","1951","Öl/Lwd.","83 x 105 cm ","Bez. unten links: OK "," ","373","399","Privatbesitz","","","Privatbesitz"],"mul":[[["Pospissl Francesco","Francesco Pospissl, Venedig",""],["Galerie Beyeler","Galerie Beyeler, Basel",""],["Wassermann Heinrich","Heinrich Wassermann, Riehen (5.1955)",""]],[["1962 Tate Gallery, London","8075","Nr. 140 "],["1955 Beyeler, Basel","8152","Nr. 28 mit Farbabb. "],["1954 München","8173","Nr. 790 "],["1952 Venedig","8421","Raum 46, Nr. 4 "],["1958 Wien","8541","Nr. 141, Abb. S. 89 "],["1958 München, Haus der Kunst","8914","Nr. 136, Abb. S. 89 "]],[["Masciotta 1963, S. 140 ","2442"],["Weltkunst 1955 d, S. 4","16173"]],[["Venedig"],["Italien"]]]},{"id":1246,"img":{"extraLarge":"AP_100042252_extraLarge.jpg","medium":"AP_100042252_medium.jpg"},"arr":["1952.01","Emil Bührle","","1951/52","Öl/Lwd.","125 x 90 cm ","Bez. unten links: OK "," ","374, Taf. 129 ","400","Stiftung Sammlung E.G. Bührle","2012","179","Stiftung Sammlung E.G. Bührle, Zürich, Vermächtnis Dr. Dieter Bührle (2012)"],"mul":[[["Bührle Emil","Emil Bührle, Zürich (1.5.1952-28.11.1956)",""],["Nachlass Emil Bührle","Nachlass Emil Bührle, Zürich (1956-67)",""],["Bührle Dieter","Dieter Bührle, Zürich (1967-2012)",""]],[["1984 Vevey","8050","Nr. 32, Abb. S. 53 "],["1971 München","8125","Nr. 42 mit Abb. "],["1966 Zürich","8225","Nr. 98 "],["1990 Washington, DC","8246","Nr. 85 mit Farbtaf. "],["1966 Karlsruhe","8284","Nr. 62 mit Abb. "],["1955 München","8328","Nr. 774, Abb. S. 149 "],["1964 Lausanne","8416","Nr. 194 mit Abb. "],["1952 Venedig","8421","Nr. 5 "],["2005/06 Pfäffikon","8898","Farbtaf. 112"],["1960 Braunschweig","8933","Nr. 23 "],["1955 Wien, Secession","8960","Nr. 36 "]],[["Atlantis 1955, Abb. S. 117","2122"],["Kokoschka Briefe 3 1986, S.258--261 (13. XI. 51 / 20. XII. 51 / 23. Dez. 1951), Anm. S. 344","2381"],["Bührle 1990, Nr. 85 mit Farbtaf.","2752"],["Wild 1953, Abb. S. 18","2836"],["Bonnefoit/Häusler 2010 b, S. 96-99, Farbabb. 1","3268"],["Roh 1958, Abb. 19 ","3408"],["Gatt 1972, Farbtaf. 40 ","3468"],["Zürich 2017, Nr. 53, Farbabb. S. 147 ","23221"],["Görner 2018, S. 219-220","41167"]],[["Männliches Bildnis"]]]},{"id":1354,"img":{"extraLarge":"AP_100042361_extraLarge.jpg","medium":"AP_100042361_medium.jpg"},"arr":["1952.02","Die Brüder Feilchenfeldt","Geschwister Feilchenfeldt","1952","Öl/Lwd.","90 x 135 cm ","Bez. unten rechts: OK "," ","375 ","401","Privatbesitz","","","Privatbesitz"],"mul":[[["Feilchenfeldt Walter und Marianne","Walter und Marianne Feilchenfeldt, Zürich",""]],[["1984 Vevey","8050","Nr. 34, Abb. S. 57 "],["1976 Villingen-Schwenningen","8054","Nr. 6, Abb. S. 20 "],["1962 Tate Gallery, London","8075","Nr. 141 "],["2014 Wolfsburg","8102","S. 166, 303, Farbtaf. S. 184-185"],["1971 München","8125","Nr. 43 mit Abb. "],["1966 Zürich","8225","Nr. 99 "],["1966 Karlsruhe","8284","Nr. 63 mit Abb. "],["1971 Zürich","8346","Nr. 41 "],["1964 Gent","8396","Nr. 144, Abb. S. 37 "],["1958 Wien","8541","Nr. 142, Abb. S. 93 "],["1976 Bregenz","8605","Nr. 29, Taf. XXX "],["1986 London","8643","Nr. 106 mit Farbtaf. "],["2008 Wien, Albertina","8744","Nr. 74 mit Farbtaf."],["1971 Wien","8820","Nr. 76, Abb. 54 "],["1986 Zürich","8836","Nr. 108 mit Farbtaf. "],["2005/06 Pfäffikon","8898","S. 139--145, Farbtaf. 106"],["1958 München, Haus der Kunst","8914","Nr. 137, Abb. S. 93 "],["1960 Braunschweig","8933","Nr. 24 mit Abb. "],["1960 Kopenhagen","9011","Nr. 50 "],["1983 Bordeaux","9016","Nr. 49, Abb. S. 132 "],["1986/87 Guggenheim, New York","9072","Nr. 83 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 89, Farbtaf. S. 248"]],[["Kokoschka Briefe 3 1986, S. 261 ","2381"],["Bonnefoit 2014 a, S. 49, Farbabb. 28","2634"],["Feilchenfeldt 1986, S. 17-19, Farbabb. S. 3","2665"],["Feilchenfeldt 1981, S. 58-59, Farbabb. S. 59","2848"],["Gatt 1972, Farbtaf. 41 ","3468"],["Schweizer Familie 1986, Farbabb. S. 13","3505"],["Feilchenfeldt 2005, S. 139-145, Farbtaf. 106","3936"]],[["Doppelbildnis"],["Kinder"]]]},{"id":1352,"img":{"extraLarge":"AP_100042359_extraLarge.jpg","medium":"AP_100042359_medium.jpg"},"arr":["1952.03","Bettina Angehrn","","1952","Öl/Lwd.","100 x 73 cm ","Bez. unten rechts: OK. Auf der Rückseite: Skizze eines weinenden Selbstportraits, datiert und beschriftet: Tina adieu 6. Okt. 1952"," ","376, Taf. 128 ","403","Privatbesitz"," ","","Privatbesitz"],"mul":[[],[["1984 Vevey","8050","Nr. 33 "],["1976 Villingen-Schwenningen","8054","Nr. 7, Farbabb. S. 21 "],["1962 Tate Gallery, London","8075","Nr. 142 "],["1953 Hamburg","8076","Nr. 99 a mit Abb. "],["2014 Wolfsburg","8102","S. 30, 244, 305, Farbtaf. S. 253"],["1971 München","8125","Nr. 44 mit Abb. "],["1966 Zürich","8225","Nr. 100 "],["1966 Karlsruhe","8284","Nr. 64 mit Abb. "],["1958 Den Haag","8309","Nr. 79 "],["1958 Wien","8541","Nr. 143 "],["1956 Winterthur","8592","Nr. 62 "],["1976 Bregenz","8605","Nr. 30, Farbtaf. XII "],["1971 Wien","8820","Nr. 77, Abb. 58 "],["2005/06 Pfäffikon","8898","S. 162, Farbtaf. 113"],["1958 München, Haus der Kunst","8914","Nr. 138 "],["1960 Braunschweig","8933","Nr. 25 mit Abb. "],["1955 Salzburg","8941","Nr. 3 "],["1955 Wien, Secession","8960","Nr. 34 "],["1960 Kopenhagen","9011","Nr. 51 mit Abb. "],["2018/2019 Zürich","21106","Nr. 88, Farbtaf. S. 249"]],[["Bonnefoit 2014 a, S. 45, Farbabb. 24","2634"],["Bonnefoit/Häusler 2010 b, S. 99-100, Farbabb. 3","3268"]],[["Weibliches Bildnis"]]]},{"id":1358,"img":{"extraLarge":"AP_100042365_extraLarge.jpg","medium":"AP_100042365_medium.jpg"},"arr":["1952.04","Pontresina","Engadin","1952","Öl/Lwd.","91 x 130 cm ","Bez. unten rechts: OK "," ","377 ","402","Privatsammlung","28.12.1970","184613","Privatsammlung"],"mul":[[["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich",""],["Hahn Willy","Willy Hahn, Stuttgart",""],["Hildebrand Senta","Senta Hildebrand, München (1958)",""],["Roman Norbert Ketterer","Roman Norbert Ketterer, Campione d‘Italia (1967–1970)",""]],[["1976 Villingen-Schwenningen","8054","Nr. 8, Farbabb. S. 22 "],["1978 Musée d'Art moderne, Paris","8151","Nr. 47 "],["1955 Beyeler, Basel","8152","Nr. 34 "],["1954 Darmstadt","8227","Nr. 101 "],["1956 München","8244","Nr. 377, Abb. S. 85 "],["1958 Wien","8541","Nr. 144, Abb. S. 91 "],["1955 Pittsburgh","8843","Nr. 158 mit Abb. "],["1958 München, Haus der Kunst","8914","Nr. 139, Abb. S. 91 "],["1960 Braunschweig","8933","Nr. 26 "],["1975 Bremen","8973","Nr. 40 mit Farbabb. "],["1975 Lugano","8987","Nr. 150 "],["1966 München","9027","Nr. 730 "],["1978 Lugano","9090","Nr. 56 "]],[["Ketterer 1969, Nr. 58, Farbtaf. S. 105","2088"],["Ketterer 1967, Nr. 89 mit Farbabb.","2139"],["Ketterer 1968, Nr. 92 mit Farbtaf.","2895"],["Castagnola 1974, S. 82, Taf. S. 83","3738"]],[["Schweiz"]]]},{"id":1041,"img":{"extraLarge":"AP_100042045_extraLarge.jpg","medium":"AP_100042045_medium.jpg"},"arr":["1952.05","Pete Gale","","1952","Öl/Lwd.","75 x 100 cm ","Bez. unten links: OK "," ","378 ","404","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Gale Isobel","Isobel Gale, Mound, Minnesota",""],["Gale Alfred","Alfred Gale, Minnesota","zeitweise als Leihgabe im Minneapolis Institute of Arts, Minn."]],[["1962 Tate Gallery, London","8075","Nr. 143 "],["1958 Den Haag","8309","Nr. 80 "],["1958 Wien","8541","Nr. 145, Abb. S. 92 "],["1966 New York","8544","Nr. 53, Abb. S. 73 "],["1954 Santa Barbara","8806","Nr. 22"],["1958 München, Haus der Kunst","8914","Nr. 140, Abb. S. 92 "]],[["Kokoschka Briefe 3 1986, S. 266 (27. XI. 52)","2381"]],[["Weibliches Bildnis"]]]},{"id":1060,"img":{"extraLarge":"AP_100042065_extraLarge.jpg","medium":"AP_100042065_medium.jpg"},"arr":["1953.01","Galatea (Lady Claire Countess of Strafford) ","","1953","Öl/Lwd.","91 x 71 cm ","Bez. unten links: OK "," ","379 ","405","Privatbesitz, courtesy Galerie St. Etienne, New York"," ","","Privatbesitz, courtesy Galerie St. Etienne, New York"],"mul":[[["Strafford Claire","Claire Strafford, London",""],["Sotheby Parke Bernet","Sotheby Parke Bernet, New York (23.10.1974, Nr. 259 mit Farbabb.)",""],["Privatbesitz","Privatbesitz, Newark, New Jersey (23.10.1974)",""],["Graham Gallery","Graham Gallery, New York",""],["Sabarsky Serge","Serge Sabarsky, New York (Mai 1986)",""],["Nachlass Serge Sabarsky","Nachlass Serge Sabarsky, New York (1996)",""]],[["1994 Krakau","8013","S. 130, Farbtaf. 8"],["1954 München","8173","Nr. 793 "],["1987 Gent","8571","Nr. 48, Farbtaf. S. 119 "],["1988 Barcelona","8659","Nr. 55, Farbtaf. S. 88 "],["1987 Florenz","8852","Nr. 17 mit Farbtaf. "],["1955 Salzburg","8941","Nr. 6 "],["1955 Wien, Secession","8960","Nr. 43 u. d. T. \"Lady Clare Countess of Strafford\" "],["1960 London, Marlborough","9029","Nr. 26 "]],[["Muschik 1958, S. 20-22, Farbtaf. S. 21","2278"],["Sotheby Parke Bernet New York 1974, Nr. 259 mit Farbb","3109"],["Palkovsky 1958, Abb. 57 ","3411"],["Bultmann 1959, S. 116, Farbtaf. 36 ","3434"],["Hodin 1966, Abb. 56 ","3490"],["Werner 1991, S. 96, Abb. S. [97] ","3555"]],[["Weibliches Bildnis"]]]},{"id":1080,"img":{"extraLarge":"AP_100042085_extraLarge.jpg","medium":"AP_100042085_medium.jpg"},"arr":["1953.02","Friedrich T. Gubler","","1953","Öl/Lwd.","86 x 71 ","Bez. oben rechts: OK. Auf der Rückseite von fremder Hand beschriftet: Bildnis Dr. Gubler "," ","380 ","406","Fondation Oskar Kokoschka, Vevey","2023","","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Privatbesitz","Privatbesitz",""]],[["1984 Vevey","8050","Nr. 35 "],["1976 Villingen-Schwenningen","8054","Nr. 9, Abb. S. 23 "],["1971 München","8125","Nr. 45 mit Abb. "],["1954 München","8173","Nr. 795 "],["1966 Zürich","8225","Nr. 101 "],["1966 Karlsruhe","8284","Nr. 65 mit Abb. "],["1958 Wien","8541","Nr. 146 "],["1960 Braunschweig","8933","Nr. 27 "],["1955 Salzburg","8941","Nr. 5 "],["1955 Wien, Secession","8960","Nr. 37 "]],[["Maurer-Zenck 1989, Abb. [239]","3914"]],[["Männliches Bildnis"]]]},{"id":1149,"img":{"extraLarge":"AP_100042155_extraLarge.jpg","medium":"AP_100042155_medium.jpg"},"arr":["1954.01","London, Grosse Themse-Landschaft II","","1954","Öl/Lwd.","86 x 112 cm ","Bez. unten rechts: OK "," ","381, Taf. 126 ","407","Privatbesitz","","","Privatbesitz"],"mul":[[["Strafford Claire","Claire Strafford, London (1954)",""]],[["1961 Brüssel","8031","Nr. 118 "],["1966 Zürich","8225","Nr. 102, irrtümlich Farbtaf. IV zugeordnet "],["1983 New York","8229","Nr. 25 "],["1976 London","8338","Nr. 14 mit Abb. "],["1958 Wien","8541","Nr. 147 "],["1955 Salzburg","8941","Nr. 7 "],["1960 London, Marlborough","9029","Nr. 27 mit Abb. "]],[["Tomes 1972, S. 64, 67, Farbtaf. S. [65] ","2739"],["Stone 2000, S. 99-100 ","3185"],["Spielmann 1974, Abb. S. 78--79","3218"],["Palkovsky 1958, Abb. 55 ","3411"]],[["London"],["England"]]]},{"id":1344,"img":{"extraLarge":"AP_100042351_extraLarge.jpg","medium":"AP_100042351_medium.jpg"},"arr":["1954.02","London, The New Waterloo-Bridge","","1954","Öl/Lwd.","75.5 x 101.5 cm ","Bez. unten links: OK "," ","382 ","408","Privatbesitz","","","Privatbesitz"],"mul":[[["Beddington-Behrens Edward","Edward Beddington-Behrens, London",""]],[["1994/95 Bielefeld","8301","Nr. 26, S. 280, Farbtaf. S. 103"],["1976 London","8338","Nr. 15 mit Farbabb. "],["1981 London, Marlborough","8496","Nr. 47 "],["1981 New York, Marlborough","8535","Nr. 47, Abb. S. 70 "],["1958 Wien","8541","Nr. 148 u. d. T. \"Blick auf die Themse vom Dach des Hotels Savoy\" "],["1967 Henley","8593","Nr. 54 "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 90, Farbabb. S. 91 "],["1958 München, Haus der Kunst","8914","Nr. 141 u. d. T. \"Blick auf die Themse vom Dach des Hotels Savoy\" "]],[["Mühringer 2004, S. 112--113, Farbabb. Anhang XVI","2177"],["Tomes 1972, S. 67 ","2739"]],[["London"],["England"]]]},{"id":1029,"img":{"extraLarge":"AP_100042033_extraLarge.jpg","medium":"AP_100042033_medium.jpg"},"arr":["1954.03","Pablo Casals I","","1954","Öl/Lwd.","82 x 65.5 cm ","Bez. unten rechts: OK "," ","383, Farbtaf. XXVI ","409","Jombihis Corporation ","","",""],"mul":[[["Galerie Welz","Galerie Welz, Salzburg",""],["M. Knoedler & Company","M. Knoedler & Company, New York (1958)",""],["Field Sampson R.","Sampson R. Field, New York",""],["Christie's","Christie's, New York (17.5.1983, Nr. 85 mit Farbabb.)",""],["Jombihis Corporation (Jose Mugrabi)","Jombihis Corporation (Jose Mugrabi), New York (17.5. 1983–1986)",""],["Christie's","Christie's, New York (14.5.1986, Nr. 56 mit Farbabb.)",""]],[["1962 Tate Gallery, London","8075","Nr. 144, Abb. 37 "],["2014 Wolfsburg","8102","S. 151, 303, Farbtaf. S. 163"],["1956 Amsterdam","8297","Nr. 138 "],["1981 New York, Marlborough","8535","Nr. 48, Abb. S. 71 "],["1966 New York","8544","Nr. 54, Abb. S. 74 "],["1957 Bern","8617","Nr. 69 "],["1988 Barcelona","8659","Nr. 56, Farbtaf. S. 89 "],["1957 St. Gallen","8764","Nr. 58 "],["2007 Vevey","8807","S. 52-57, Farbtaf. S. 71"],["1955 Salzburg","8941","Nr. 4 "],["1955 Wien, Secession","8960","Nr. 38 mit Abb. "]],[["Monsel 1995, S. [48], Farbtaf. 56","2144"],["Mühringer 2004, S. 101--102, Farbabb. Anhang XIII","2177"],["Forni 1984, S. 120--122 ","2260"],["Illustrated London News 1962, S. 451 mit Abb.","2268"],["Russel 1957 b","2421"],["Wingler 1957, S. 144, Farbabb. S. 145 ","2423"],["Bonnefoit 2014 a, S. 40, Farbabb. 16","2634"],["Kokoschka 1971, S. 284 ","2894"],["Gasser 1956","3079"],["Tagebuch 1955, S. 1 mit Abb.","3106"],["Christie's New York 1983, Nr. 85 mit Farbabb.","3112"],["Bonnefoit/Häusler 2010 b, S. 102-104","3268"],["Spielmann 2003 a, S. 430","3309"],["Kaindl-Hönig 1955","3318"],["Bultmann 1959, S. 118, Farbtaf. 37 ","3434"],["Werner 1991, S. 98, Abb. S. [99] ","3555"],["Christie's New York 1986 a, Nr. 56 mit Farbabb.","3804"],["Spielmann 1996, S. 18","3805"],["Weltkunst 1956 a, farb. Umschlagabb.","3957"],["Weltkunst 1956 b, S. 10","4012"]],[["Männliches Bildnis"]]]},{"id":1145,"img":{"extraLarge":"AP_100042151_extraLarge.jpg","medium":"AP_100042151_medium.jpg"},"arr":["1954.04","Pablo Casals II","","1954","Öl/Lwd.","92 x 71 cm ","Bez. oben links: OK "," "," ","410","Musée Jenisch, Fondation Oskar Kokoschka, Vevey","1988","FOK 136","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Kokoschka Oskar","Oskar Kokoschka, Villeneuve",""],["Kokoschka Olda","Olda Kokoschka, Villeneuve",""]],[["1984 Vevey","8050","Nr. 36 "],["1971 München","8125","Nr. 47 mit Abb. "],["1966 Zürich","8225","Nr. 103, Abb. 30 "],["1966 Karlsruhe","8284","Nr. 67 mit Abb. "],["1992 Cismar","8291","S. 174, Farbtaf. 10"],["2003 Apolda","8411","Nr. 90, S. 107, Farbtaf. S. 80"],["2001/02 Emden","8542","S. 93, Farbtaf. S. 84"],["1987 Gent","8571","Nr. 49, Farbtaf. S. 120 "],["2007 Vevey","8807","S. 52-57, Farbtaf. S. 70"],["1978 Kamakura","8846","Nr. 24, Abb. 24 "],["1987 Florenz","8852","Nr. 18 mit Farbtaf. "],["2005/06 Pfäffikon","8898","Farbtaf. 104"],["1998 Brüssel","8943","S. 22, farb. Umschlagabb."],["1960 Kopenhagen","9011","Nr. 52 "],["1983 Bordeaux","9016","Nr. 50, Abb. S. 134 "],["2018/2019 Zürich","21106","Nr. 90, Farbtaf. S. 250"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 65, Farbtaf. S. 267"]],[["Forni 1984, S. 120-122 ","2260"],["Brunner 1965, Abb. S. 105","2306"],["Russel 1957 b","2421"],["Bonnefoit 2014 a, S. 41, Farbabb. 15","2634"],["Kokoschka 1971, S. 284 ","2894"],["Gasser 1956","3079"],["Bonnefoit/Häusler 2010 b, S. 102-104, Farbbb. 5","3268"],["Spielmann 2003 a, S. 430, Farbtaf. S. 470","3309"],["Vevey 1994, S. 160 mit Farbtaf. S. [161]","3718"],["Spielmann 1996, S. 18-19 mit Abb.","3805"],["Mizue 1978, Farbtaf. S. 22","3934"],["Görner 2018, S. 227","41167"],["Paris 2022, Farbtaf. S. 267","43164"]],[["Männliches Bildnis"]]]},{"id":1153,"img":{"extraLarge":"AP_100042159_extraLarge.jpg","medium":"AP_100042159_medium.jpg"},"arr":["1954.05","Thermopylae: Abschied des Leonidas","","1954","Tempera/Lwd.","225 x 250 cm "," "," ","384, Farbtaf. XXVIII ","411","Universität Hamburg, Philosophenturm, Hörsaal D","1962 Stiftung Philipp Fürchtegott Reemtsma und Frau, Hamburg","",""],"mul":[[],[["1962 Tate Gallery, London","8075","Nr. 145 "],["1955 Zürich","8200"," "],["1998 Wien, Albertina","8233","S. 56, Farbtaf. 14"],["1960 Rio de Janeiro","8361","Nr. 148, Abb. 6 "],["1962/1963 Hamburg","8422","Nr. 68 mit Abb. "],["1958 Wien","8541","Nr. 150, Abb. S. 96 "],["2009 Stuttgart","8906","S. 112-113, Farbtaf. S. 110"],["1958 München, Haus der Kunst","8914","Nr. 142, Abb. S. 96 "],["1955 Salzburg","8941","Nr. 1 mit Abb. "],["1955 Wien, Secession","8960","Nr. 39 mit Abb. "],["2018/2019 Zürich","21106","Nr. 91, Farbtaf. S. 258-259"]],[["Hofmann 1955, S. 235","2009"],["Wingler 1976, S. 317, Farbtaf. S. 318--319 ","2116"],["Mühringer 2004, S. 32--33, 35--58 mit Farbabb. Anhang II","2177"],["Schmalenbach F. 1967, Abb. S. 23 ","2199"],["Dittmann 2013, S. 283--284, Farbtaf. 12,1","2216"],["Dannecker 1958","2264"],["Weltkunst 1955 b, S. 6","2270"],["Schön 1956","2281"],["Muschik 1955, S. 3, 6 mit 3 Abb.","2286"],["Curti 2001, S. 39 mit Abb.","2298"],["Hodin 1963 c, S.152-161, Abb. 57 ","2385"],["Lankheit 1959, S. 74-77, Farbtaf. IV","2426"],["Kern 1981, S. 69 mit Farbtaf.","2456"],["Fitzbauer 1963","2578"],["Hofmann 2008, S. 28, Farbabb. S. 24","2750"],["Schönfeld 1958","2815"],["Neue Zeitung 1953, mit Abb. einer Skizze","2832"],["Jähner 1956, S. 144","2833"],["Thermopylen-Triptychon 1982","2851"],["Goldscheider 1963, S. 78 (Anm. 42--44), Farbtaf. 42 ","2855"],["Kokoschka 1971, S. 278 ","2894"],["Sele Arte 1955, Abb. S. 16","2909"],["Maxted 2008, S. 100-101, Farbabb. 6","2931"],["Netzer 1967","2936"],["Reinhold/Werkner 2013, Foto S. 173","2988"],["Stankiewitz 2013, S. 30-32","2992"],["Du 1981, Farbabb. S. 69","2998"],["Gasser 1956","3079"],["Kokoschka SW 3 1975, S. 321-325, Abb. 31 ","3083"],["Hodin 1968 a, S. 289-292 ","3213"],["Mikš 2013, S. 182--183, 358, Abb. 3.27","3257"],["Gasser 1955","3266"],["Spielmann 2003 a, S. 402--404, Farbtaf. S. 468","3309"],["Kaindl-Hönig 1955","3318"],["Hentzen 1962 a, o. S.","3363"],["Hodin 1975, S.33-50, Farbabb. S. [37] ","3443"],["Heise 1961, S. 5-6, Abb. 1-3 (Detail)","3552"],["Werner 1991, S. 100-105, Abb. S. [102] ","3555"],["Spielmann 1990, S. 12 mit Farbabb. ","3697"],["Hofmann 1986 a, S.28--29 mit Abb. ","3698"],["Wingler 1956, S. 45, 59, 63","3708"],["Horstmann 1965 a, S. 20--22, Farbtaf. S. 22--23","3828"],["Blázquez 1982, S. 269--270, 271, Abb. 1","3884"],["H. M. 1955","4015"],["Schade 1956, S. 427--433","4024"],["Kern 1955, mit Farbabb.","4051"],["Weidinger 1998 a, S. 29-35","20189"]],[["Historische Figuren"]]]},{"id":1089,"img":{"extraLarge":"AP_100042094_extraLarge.jpg","medium":"AP_100042094_medium.jpg"},"arr":["1954.06","Thermopylae: Der Kampf","","1954","Tempera/Lwd.","225 x 300 cm "," "," ","385, Farbtaf. XXIX ","412","Universität Hamburg, Philosophenturm, Hörsaal D","1962 Stiftung Philipp Fürchtegott Reemtsma und Frau, Hamburg","",""],"mul":[[],[["1962 Tate Gallery, London","8075","Nr. 145 "],["1955 Zürich","8200"," "],["1998 Wien, Albertina","8233","S. 56, Farbtaf. 15, farb. Umschlagabb. (Detail)"],["1960 Rio de Janeiro","8361","Nr. 148 "],["1962/1963 Hamburg","8422","Nr. 68 mit Abb. "],["1958 Wien","8541","Nr. 151, Abb. S. 97 "],["2009 Stuttgart","8906","S. 112-113, Farbtaf. S. 111"],["1958 München, Haus der Kunst","8914","Nr. 143, Abb. S. 97 "],["1955 Salzburg","8941","Nr. 1 mit Abb. "],["1955 Wien, Secession","8960","Nr. 40 mit Abb. "],["2018/2019 Zürich","21106","Nr. 91, Farbtaf. S. 258-259"]],[["Hofmann 1955, S. 235","2009"],["Wingler 1976, S. 317, Farbtaf. S. 320--321 ","2116"],["Mühringer 2004, S. 32--33, 35--58 mit Farbabb. Anhang II","2177"],["Schmalenbach F. 1967, Abb. S. 25 ","2199"],["Dittmann 2013, S. 283--284, Farbtaf. 12,2","2216"],["Dannecker 1958","2264"],["Weltkunst 1955 b, S. 6","2270"],["Schön 1956","2281"],["Muschik 1955, S.[3] mit Abb.","2286"],["Curti 2001, S. 39 mit Abb.","2298"],["Hodin 1963 c, S. 155-158, Abb. 58","2385"],["Fitzbauer 1963","2578"],["Kokoschka SW 2 1974, S. 321-325 ","2580"],["Hofmann 2008, S. 28, Farbabb. S. 24","2750"],["Schönfeld 1958","2815"],["Neue Zeitung 1953","2832"],["Jähner 1956, S. 144, Abb. S. 143","2833"],["Thermopylen-Triptychon 1982","2851"],["Goldscheider 1963, S. 78 (Anm. 42--44), Farbtaf. 44 ","2855"],["Kokoschka 1971, S. 278","2894"],["Maxted 2008, S. 100-101, Farbabb. 6","2931"],["Netzer 1967","2936"],["Reinhold/Werkner 2013, Foto S. 173","2988"],["Stankiewitz 2013, S. 30-32","2992"],["Du 1981, Farbabb. S. 69","2998"],["Gasser 1956","3079"],["Hodin 1968 a, S. 289-292 ","3213"],["Mikš 2013, S. 182--183, 358, Abb. S. 182","3257"],["Spielmann 2003 a, S. 402--404, Farbtaf. S. 468--469 und Farbtaf. S. 467 (Detail)","3309"],["Kaindl-Hönig 1955","3318"],["Schmidt Gerhard 1956, Abb. 65 ","3352"],["Hentzen 1962 a, o. S.","3363"],["Palkovsky 1958, Abb. 58 ","3411"],["Hodin 1975, S. 33-50, Farbabb. S. [39] ","3443"],["Hodin 1966, Abb. 64 ","3490"],["Heise 1961, S. 6-7, Abb. 5-7 (Detail), Abb. 8","3552"],["Werner 1991, S. 100-105, Abb. S. [104] ","3555"],["Lachnit 1991 b, S. 42--43, Abb. 6 ","3619"],["Spielmann 1990, S. 12 mit Farbabb. ","3697"],["Hofmann 1986 a, S. 28--29 mit Abb. ","3698"],["Wingler 1956, S. 45, 59, 63 ","3708"],["Horstmann 1965 a, S. 20--22, Farbtaf. S. 21--21","3828"],["Blázquez 1982, S. 269--270 ","3884"],["H. M. 1955","4015"],["Schade 1956, S. 427--432 mit Abb. S. [433]","4024"],["Bosman 1964, Abb. S. 49 ","4028"],["Kern 1955, S. 33","4051"],["Weidinger 1998 a, S. 29-35","20189"]],[["Historische Figuren"],["Mythologie"]]]},{"id":1247,"img":{"extraLarge":"AP_100042253_extraLarge.jpg","medium":"AP_100042253_medium.jpg"},"arr":["1954.07","Thermopylae: Die Barbaren ","","1954","Tempera/Lwd.","225 x 250 cm "," "," ","386, Farbtaf. XXX ","413","Universität Hamburg, Philosophenturm, Hörsaal D","1962 Stiftung Philipp Fürchtegott Reemtsma und Frau, Hamburg","",""],"mul":[[],[["1962 Tate Gallery, London","8075","Nr. 145 "],["1955 Zürich","8200"," "],["1998 Wien, Albertina","8233","S. 56, Farbtaf. 16"],["1960 Rio de Janeiro","8361","Nr. 148 "],["1962/1963 Hamburg","8422","Nr. 68 mit Abb. "],["1958 Wien","8541","Nr. 152, Abb. S. 98 "],["2009 Stuttgart","8906","S. 112-113, Farbtaf. S. 111"],["1958 München, Haus der Kunst","8914","Nr. 144, Abb. S. 98 "],["1955 Salzburg","8941","Nr. 1 mit Abb. "],["1955 Wien, Secession","8960","Nr. 41 mit Abb. "],["2018/2019 Zürich","21106","Nr. 91, Farbtaf. S. 258-259"]],[["Hofmann 1955, S. 235","2009"],["Wingler 1976, S. 317, Fartaf. S. 322--323 ","2116"],["Mühringer 2004, S. 32--33, 35--58 mit Farbabb. Anhang II","2177"],["Schmalenbach F. 1967, Abb. S. 27 ","2199"],["Dittmann 2013, S. 283--284, Farbtaf. 12,3","2216"],["Dannecker 1958","2264"],["Weltkunst 1955 b, S. 6","2270"],["Schön 1956","2281"],["Muschik 1955, S. [3]","2286"],["Curti 2001, S. 39 mit Abb.","2298"],["Hodin 1963 c, S. 159, Abb. 59","2385"],["Fitzbauer 1963","2578"],["Hofmann 2008, S. 28, Farbabb. S. 24","2750"],["Schönfeld 1958","2815"],["Neue Zeitung 1953","2832"],["Jähner 1956, S. 144","2833"],["Thermopylen-Triptychon 1982","2851"],["Goldscheider 1963, S. 78 (Anm. 42--44), Farbtaf. 43 ","2855"],["Kokoschka 1971, S. 278 ","2894"],["Maxted 2008, S. 100-101, Farbabb. 6","2931"],["Netzer 1967","2936"],["Stankiewitz 2013, S. 30-32","2992"],["Du 1981, Farbabb. S. 69","2998"],["Gasser 1956","3079"],["Kokoschka SW 3 1975, S. 321-325 ","3083"],["Hodin 1968 a, S. 289-292 ","3213"],["Mikš 2013, S.182--183, 358, Abb. S. 183","3257"],["Spielmann 2003 a, S. 402--404, Farbtaf. S. 469","3309"],["Kaindl-Hönig 1955","3318"],["Hodin 1975, S. 33-50, Farbabb. S. [41] ","3443"],["Heise 1961, S. 7-9, Abb. 10, Abb. 11-14 (Detail)","3552"],["Werner 1991, S. 100-105, Abb. S. [103] ","3555"],["Spielmann 1990, S. 12, Farbabb. S. 13 ","3697"],["Hofmann 1986 a, S. 28--29 mit Abb. ","3698"],["Wingler 1956, S. 45, 59, 63 ","3708"],["Horstmann 1965 a, S. 20--22, Farbtaf. S. 20--21","3828"],["Blázquez 1982, S. 269--270 ","3884"],["H. M. 1955","4015"],["Schade 1956, S. 427--433","4024"],["Kern 1955, S. 33","4051"],["Weidinger 1998 a, S. 29-35","20189"]],[["Historische Figuren"],["Mythologie"]]]},{"id":1086,"img":{"extraLarge":"AP_100042091_extraLarge.jpg","medium":"AP_100042091_medium.jpg"},"arr":["1955.01","Linz, Blick vom Pfenningberg","Linz","1955","Öl/Lwd.","88 x 116 cm ","Bez. unten links: OK ","","387, Farbtaf. XXVII","414","LENTOS Kunstmuseum, Linz","5.1955","110","LENTOS Kunstmuseum"],"mul":[[["Neue Galerie der Stadt Linz/ Wolfgang Gurlitt Museum","Neue Galerie der Stadt Linz/ Wolfgang Gurlitt Museum, Linz (5.1955)",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 108 "],["1959/60 Rom","8164","(außer Kat.)"],["1966 Zürich","8225","Nr. 104 "],["1998 Wien, Albertina","8233","S. 68, Farbtaf. 24"],["1980 Pöchlarn","8237","Nr. 6 "],["1995 Linz","8250","S. 117--122, 255, 258, Farbabb. S. 116"],["1998 Berlin, Kunstforum der GKB","8298","Nr. 8, S. 22, Farbtaf. S. 23"],["1957 Salzburg","8468"," "],["1964 Kassel","8492","Nr. 2, Abb. S. 60 "],["1979 St. Pölten","8539","Farbabb. S. 57 "],["1958 Wien","8541","Nr. 154, Abb. S. 95 "],["1987 Gent","8571","Nr. 50, Farbtaf. S. 121 "],["1988 Barcelona","8659","Nr. 57, Farbtaf. S. 90 "],["1957 Stuttgart","8716","Nr. 50 "],["1971 Wien","8820","Nr. 78, Farbabb. 56 "],["1972 Menton","8838"," "],["1987 Florenz","8852","Nr. 16 mit Farbtaf. "],["1976 Mechelen","8865"," "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 164, Farbabb. S. 165 "],["1958 München, Haus der Kunst","8914","Nr. 145, Abb. S. 95 "],["1981/82 Rom","8934","Farbabb. S. 80 "],["1955 Salzburg","8941","Nr. 2 "],["1955 Wien, Secession","8960","Nr. 42 "],["1984 Rosenheim","8976","Nr. 5 "],["1971 Regensburg","8998","Nr. 60 mit Farbabb. "],["2008 Linz","9042","S. 177--181, 235, Farbtaf. S. 176"]],[["Nowak-Thaller 1995, S. 111-122, 255, 258, Farbabb. S. 116","2015"],["Mühringer 2004, S. 109, Farbabb. Anhang XIV","2177"],["Linzer Donaubrücken 1972, S. 22 mit Farbtaf. 4","2336"],["Wingler 1957, S. 146, Farbabb. S. 147 ","2423"],["Pollak 1974, Farbtaf. S. 325","2667"],["Hilger 1986, S. 288 ","2741"],["Nowak-Thaller 2008 b, Farbtaf. S. 176 und Farbabb. S. 181","2862"],["Lachnit 1991 a, S. 33, Abb. 6 ","2887"],["Windisch 2013, S. 215-216, Abb. 98","3001"],["Umwelt Design 1974, Abb.","3048"],["Feuchtmüller 1973, Farbtaf. 212","3086"],["Wacha 1986 b, farb. Umschlagabb.","3119"],["Platte 1965, Farbabb. S. [15] (Detail)","3129"],["Bultmann 1959, S. 120, Farbtaf. 38 ","3434"],["Kasten 1980, Abb. S. 57","3458"],["Werner 1991, S. 106, Abb. S. [107] ","3555"],["Hoffmann 1967, Farbtaf. XVI ","3588"],["Linz 2003, S. 204, 457, Farbtaf. S. 205","3640"],["Sterk 1982 b, Farbabb. S. 86 ","3840"],["Schindler 1982, Farbabb. S. 128--129","3860"],["Linz 1979, S. 195 mit Farbabb.","3990"],["Fillitz 1964, Taf. 32","4086"],["Linz 2002, S. 204, Farbtaf. S. 205","23181"]],[["Linz"],["Österreich"]]]},{"id":1200,"img":{"extraLarge":"AP_100042206_extraLarge.jpg","medium":"AP_100042206_medium.jpg"},"arr":["1955.02","Villeneuve","","1955","Öl/Lwd.","80 x 105 cm ","Bez. unten links: OK. Auf der Rückseite bez., datiert und beschriftet: VILLENEUVE GRAMMONT 1955 O KOKOSCHKA "," ","388 ","415","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Meyer Leo","Leo Meyer, Zürich",""]],[["1962 Tate Gallery, London","8075","Nr. 146 "],["1966 Zürich","8225","Nr. 105 "],["1956 München","8244","Nr. 263 "],["1962/1963 Hamburg","8422","Nr. 69 mit Abb. "],["1964 Kassel","8492","Nr. 4, Abb. S. 58 "],["1958 Wien","8541","Nr. 155 "],["1971 Wien","8820","Nr. 79 "]],[],[["Schweiz"]]]},{"id":1159,"img":{"extraLarge":"AP_100042165_extraLarge.jpg","medium":"AP_100042165_medium.jpg"},"arr":["1955.03","Amor und Psyche","","1955","Tempera/Lwd.","238 x 233 cm "," "," ","389, Taf. 125 ","416","Bank Austria Kunstforum","1980","","Bank Austria Kunstsammlung, Wien"],"mul":[[["Kokoschka Bohuslav","Bohuslav Kokoschka","Leihgabe in der Österreichischen Galerie, Belvedere (Lg 335) seit März 1961"]],[["1998 Wien, Albertina","8233","S. 64, Farbtaf. 20"],["2008 Warwickshire, Compton Verney","8253","o. Abb."],["1980/81 Wien","8408","Nr. 29 "],["1958 Wien","8541","Nr. 153 "],["2013/14 Wien","8589","S. 293--294, 339, Farbtaf. S. 295"],["2006/07 Riehen","8652","S. 214"],["1970 Wien","8691","Nr. 60 "],["2012 Pöchlarn","8708","Farb. Umschlagabb. (Detail) [Faltblatt]"],["2008 Wien, Albertina","8744","S. 41, Nr. 94 mit Farbtaf."],["1971 Wien","8820","Nr. 72, Abb. 57 "],["1991 Wien","9033","Nr. 76 mit Farbtaf. (nicht ausgestellt) "],["2018/2019 Zürich","21106","Nr. 92, Farbtaf. S. 262"]],[["Lehmann 2010, S. 36, Farbabb. 5","2817"],["Hodin 1968 a, S. 289 ","3213"],["Spielmann 2003 a, S. 382, Abb. S. 381","3309"],["Hodin 1975, S. 51-58, Farbabb. S. [53] und [55] (Detail)","3443"],["Gatt 1972, Abb. 38 ","3468"],["Hodin 1966, Abb. 57","3490"],["Natter 1996 b, Farbabb. S. 30","3532"],["Werner 1991, S. 92, Abb. S. [93] ","3555"],["Bueno de Mesquita 2009, S. 452, Farbabb. 6","3609"],["Demus 1961, S. 39-40, Abb. 1 und 2","3819"],["Blázquez 1982, S. 270, Abb. 2 ","3884"]],[["Mythologie"]]]},{"id":1487,"img":{},"arr":["1955.04","Bordürenentwurf (oben) zu \"Amor und Psyche\": Männliche Chimäre mit Sonne, weibliche Chimäre mit Mond","","1955","Tempera und Pastell auf Papier, auf Lwd. aufgezogen","294 x 129 ","Bez. am linken Rand: Obere Bordüre zu \"Amor und Psyche\" OKokoschka 55 Villeneuve","","D 16","","Verein der Freunde der Salzburger Festspiele, Salzburg","","Inv. D 57","Verein der Freunde der Salzburger Festspiele, Salzburg"],"mul":[[],[["1986 Würthle, Wien","8394","Nr. 10 mit Farbtaf. (Detail)"]],[],[]]},{"id":1388,"img":{"extraLarge":"AP_100042395_extraLarge.jpg","medium":"AP_100042395_medium.jpg"},"arr":["1955.05","Bordürenentwurf (links) zu \"Amor und Psyche\": Dekorative Motive","","1955","Tempera auf Karton"," x ","mittlerer Teil: Bez., datiert und beschriftet unten Mitte: Villeneuve 1955 linke Bordüre zu \"Amor und Psyche\""," ","","417","Standort unbekannt "," ","",""],"mul":[[["Sotheby's","Sotheby's, London (26.3.1986, Nr. 427, 428, 429 mit Farbabbildungen)",""],["Sotheby's","Sotheby's, London (23.5.1990 Kat. Nr. 26 mit Farbabb. nicht verkauft)",""],["Kunsthandel Martin Suppan","Mittlerer Teil: Kunsthandel Martin Suppan, Wien (1991)",""]],[["1970 Wien","8691","Kat. Nr. 60"],["1983 Bordeaux","9016","Kat. Nr. 112"],["1967 Pöchlarn","16106",""]],[["Sotheby's London 1986 b, Nr. 427, 428, 429 mit Farbabb.","2755"],["Sotheby's London 1990 b, Kat. Nr. 26 mit Farbabb.","20190"]],[]]},{"id":1488,"img":{"extraLarge":"AP_100045498_extraLarge.jpg","medium":"AP_100045498_medium.jpg"},"arr":["1955.06","Bordürenentwurf (rechts) zu \"Amor und Psyche\"","","1955","Tempera auf Papier, auf Karton aufgezogen","92 x 35.3 ","Bez. und datiert auf der Rückseite: OKokoschka, Villeneuve 1955","","","","Privatbesitz Schweiz","","",""],"mul":[[["Privatbesitz","Privatbesitz, Schweiz",""],["Galerie am Lindenplatz AG","Galerie am Lindenplatz AG, Vaduz (Juni 1990)",""],["Galerie und Auktionshaus Hassfurther","Galerie und Auktionshaus Hassfurther, Wien (27.5.2004, Nr. 6 mit Farbabb.)",""],["Karl & Faber","Karl & Faber, München (10.6.2015, Kat. Nr. 544 mit Farbabb. nicht verkauft)",""]],[],[["Hassfurther 2004, Nr. 6 mit Farbabb.","2241"],["Karl & Faber 2015, Kat. Nr. 544 mit Farbabb. (nicht verkauft)","20191"]],[]]},{"id":1298,"img":{"extraLarge":"AP_100042305_extraLarge.jpg","medium":"AP_100042305_medium.jpg"},"arr":["1955.07","Topazia Markevitch","","1955","Öl/Lwd.","105 x 80 cm ","Bez. unten links: OK "," ","390, Taf. 130 ","418","Privatbesitz"," ","","Privatbesitz"],"mul":[[],[["1984 Vevey","8050","Nr. 37 "],["1971 München","8125","Nr. 46 mit Abb. "],["1956 München","8244","Nr. 265 "],["1966 Karlsruhe","8284","Nr. 66 mit Abb. "],["1960 Kopenhagen","9011","Nr. 53 "],["1983 Bordeaux","9016","Nr. 51 "]],[["Palkovsky 1958, Abb. 56 ","3411"]],[["Weibliches Bildnis"]]]},{"id":1031,"img":{"extraLarge":"AP_100042035_extraLarge.jpg","medium":"AP_100042035_medium.jpg"},"arr":["1956.01","Glion, Blick auf den Genfer See","","1956","Öl/Lwd.","81 x 114 cm ","Bez., datiert und beschriftet auf der Rückseite: Glion O.K. 1956"," ","391 ","419","Lausanne, Musée Cantonal des Beaux-Arts","2010 Stiftung eines anonymen Mäzens","2010-008","Musée cantonal des Beaux-Arts de Lausanne. Acquisition grâce à une contribution importante d'un mécène anonyme, 2010. Inv. 2010-008"],"mul":[[["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich",""],["Galerie Wilhelm Grosshennig","Galerie Wilhelm Grosshennig, Düsseldorf (1959)",""],["Reinold Wilhelm","Wilhelm Reinold, Hamburg (1959)",""]],[["1967 Frankfurt/Main","8047","Abb. 50 "],["1956 Kunstmuseum, Basel","8071","Nr. 61 "],["1962 Tate Gallery, London","8075","Nr. 147 "],["1975 Hamburg","8362","Nr. 10 "],["1968 Lübeck","8384","Nr. 22, Abb. S. 19 "],["1962/1963 Hamburg","8422","Nr. 70 mit Abb. "],["1964 Kassel","8492","Nr. 6, Abb. S. 58 "],["1958 Wien","8541","Nr. 156, Abb. s. 94 "],["1975 Madrid","8555","Nr. 11 "],["1960 Genf","8832","Nr. 36 "],["1958 München, Haus der Kunst","8914","Nr. 146, Abb. S. 94 "]],[["Mühringer 2004, S. 115, Farbabb. Anhang XIV","2177"],["Grosshennig 1961, Abb. o. S.","2356"],["Bartolini 2011, S. 85, 220, Farbabb. 127","2774"],["Westheim 1959, S. 12 mit Farbtaf.","3183"],["Wingler 1956, S. 62 ","3708"],["Radrizzani 2013, Farbtaf. S. 113, Nr. 82","22164"]],[["Schweiz"]]]},{"id":1008,"img":{"extraLarge":"AP_100042012_extraLarge.jpg","medium":"AP_100042012_medium.jpg"},"arr":["1956.02","Delphi","","1956","Öl/Lwd.","81 x 116 cm ","Bez. unten rechts: OK. Auf der Rückseite bez., datiert und beschriftet: Delphi OK 1956"," ","393 ","420","Sprengel Museum, Hannover","1979 Übernahme aus dem Bestand der Niedersächsischen Landesgalerie","PNM 758",""],"mul":[[["Feilchenfeldt Walter","Walter Feilchenfeldt, Zürich (1958)",""],["Niedersächsische Landesgalerie","Niedersächsische Landesgalerie, Hannover (1961)",""]],[["1962 Tate Gallery, London","8075","Nr. 148 "],["1958 Den Haag","8309","Nr. 81 "],["1962/1963 Hamburg","8422","Nr. 71 "],["1964 Kassel","8492","Nr. 5, Abb. S. 61 "],["1958 Wien","8541","Nr. 158 "],["2008 Wien, Albertina","8744","Nr. 157 mit Farbtaf."],["1962 Hannover","8878","Nr. 83 "],["1958 München, Haus der Kunst","8914","Nr. 147 "],["1960 Braunschweig","8933","Nr. 28 "],["1959 Recklinghausen","8979","Nr. 170 "],["1960 Kopenhagen","9011","Nr. 55 mit Abb. "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 66, Farbtaf. S. 259"]],[["Weltkunst 1961, S. 12","2322"],["Hannover 1973, Nr. 550, S. 262","2699"],["Goldscheider 1963, S. 78 (Anm. 45), Farbtaf. 45 ","2855"],["Urbanek 1990, S. 57, Farbtaf. 15 ","3062"],["Spielmann 2010, S. 19, Farbtaf. S. 81","3110"],["Spielmann 1984, S. 14, Farbabb. 1","3229"],["Spielmann 2003 a, S. 420 mit Abb.","3309"],["Bultmann 1959, S. 122, Farbtaf. 39 ","3434"],["Hodin 1975, S. 70-72, Farbabb. S. [61] ","3443"],["Hodin 1966, S. 177 ","3490"],["Werner 1991, S. 108, Farbtaf. 8 und Abb. S. [109] ","3555"],["Hannover 1985, Nr. 287 mit Farbabb.","3661"],["Blázquez 1982, S. 270 ","3884"],["Huyghe 1966, S. 382, Abb. 1060","3949"],["Hannover 1979, S. 221 (Nr. 417)","3961"],["K.L. 1971, S. 17","3988"],["Hannover 2010, S. 226–227, Nr. 585 mit Abb.","23167"],["Paris 2022, Farbtaf. S. 259","43164"]],[["Griechenland"]]]},{"id":1441,"img":{"extraLarge":"AP_100042449_extraLarge.jpg","medium":"AP_100042449_medium.jpg"},"arr":["1956.03","Wien, Staatsoper","","1956","Öl/Lwd.","82 x 115 cm ","Bez. unten links: OK "," ","394, Taf. 131 ","421","Belvedere, Wien","Mai 1957 Übernahme vom Bundesministerium für Unterricht","5213","Belvedere, Wien"],"mul":[[["Kokoschka Oskar","Oskar Kokoschka, im Auftrag des Bundesministerium für Unterricht gemalt",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 109 mit Abb. "],["1961 Brüssel","8031","Nr. 117 "],["1996/97 Wien","8103","S. 72, Farbtaf. S. 73"],["1966 Zürich","8225","Nr. 106 "],["1958/59 Carnegie Institute, Pittsburgh","8241","Nr. 246, Abb.44"],["1956 Amsterdam","8297","Nr. 139 "],["1957 Salzburg","8468","(außer Kat.)"],["1958 Wien","8541","Nr. 159 "],["1985 Mailand","8566","Farbtaf. S. 43 "],["2013/14 Wien","8589","S. [250], 339, Farbtaf. S. 253"],["1957 Bern","8617","Nr. 70 "],["1957 Stuttgart","8716","Nr. 51 "],["2008 Wien, Albertina","8744","S. 34, Nr. 92 mit Farbtaf."],["1957 St. Gallen","8764","Nr. 59 "],["1971 Wien","8820","Nr. 80, Farbabb. 60 "],["1980 Österreichische Galerie, Wien","8862"," "],["1959 Wien","8883","Nr. 114 "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 56, Farbabb. S. 57 "],["1958 München, Haus der Kunst","8914","Nr. 148 "],["1981/82 Rom","8934","Farbabb. S. 81 "],["1960 Kopenhagen","9011","Nr. 56 "],["1983 Bordeaux","9016","Nr. 53, Abb. S. 137 "],["1979 Wien","9024"," "],["1965 Wien","9089","Nr. 95 "]],[["Mühringer 2004, S. 115, Farbabb. Anhang XIV","2177"],["Austria Profil 1960, mit Abb.","2212"],["Nebehay 1983 a, Farbabb. S. III/123 ","2462"],["Sotriffer 1982, Abb. S. 426 ","2629"],["Hilger 1986, S. 289 ","2741"],["Goldscheider 1963, S. 78 (Anm. 46), Farbtaf. 46 und Taf. II (Detail in Originalgröße) ","2855"],["Lachnit 1991 a, S. 35, Abb. 9 ","2887"],["Reinhold/Werkner 2013, S. 152 mit Foto","2988"],["Hofmann 1965, Farbabb. 63, S. 135 ","3038"],["Spielmann 2003 a, S. 444, Abb. S. 445","3309"],["Reinhold 2013, Farbabb.","3582"],["Allmayer-Beck 1980, Farbabb. S. [92]","3583"],["Festschrift Angerer & Göschl 1956, Farbabb. ","3850"],["Matejka 1956","3954"]],[["Wien"],["Österreich"]]]},{"id":1482,"img":{"extraLarge":"AP_100042491_extraLarge.jpg","medium":"AP_100042491_medium.jpg"},"arr":["1956.04","Der Kölner Dom (Innenansicht)","","1956","Öl/Lwd.","132 x 91.4 cm ","Bez. unten links: OK "," ","","422","Minneapolis Institute of Art","1972 Schenkung Bruce B. Dayton","72.77","Schenkung Bruce B. Dayton"],"mul":[[["Dayton Bruce B.","Bruce B. Dayton, Wayzata, Minneapolis (7.4.1958, vom Künstler erworben)",""]],[["1957 München","8270","Nr. 975, Abb. S. 261 "],["1975 Hamburg","8362","Nr. 11 "],["1990 London","8481","Nr. 1 mit Farbtaf. "],["1966 New York","8544","Nr. 55, Abb. S. 75 "],["2013/14 Wien","8589","S. [244]--248, 339, Farbtaf. S. 249"],["1959 Houston","8723"," "],["1959 Northampton, Mass.","8891","Nr. 36 mit Abb. "],["1983 Bordeaux","9016","Nr. 54, Abb. S. 138 "]],[["The Art Quarterly 1973, S. 273","2954"],["Die Kunst 1957, Abb. S. 447","3004"],["Feldenkirchen 1975, S. 20--21, Farbabb. S. 21","3157"],["Spielmann 2003 a, S. 444, Farbtaf. S. 472","3309"]],[["Köln"]]]},{"id":1405,"img":{"extraLarge":"AP_100042412_extraLarge.jpg","medium":"AP_100042412_medium.jpg"},"arr":["1956.05","Köln, Blick vom Messeturm","","1956","Öl/Lwd.","85 x 130 cm ","Bez. unten rechts: OK "," "," ","423","Museum Ludwig, Köln","1956, Stiftung des Kulturkreises im Bundesverband der deutschen Industrie","ML 76/3000, Zugang 1976.02.23","Museum Ludwig, Köln"],"mul":[[["Wallraf-Richartz-Museum","Wallraf-Richartz-Museum, Köln (1956–1976)","Inv.-Nr. WRM 3000"]],[["1980 Köln","8041","Bd. 3, Abb. S. 12 "],["1958 Haus der Kunst, München","8651","Nr. 1291, Abb. S. 381 "],["1971 Wien","8820","Nr. 81, Abb. 59 "],["1960 Kopenhagen","9011","Nr. 57 "]],[["Köln 1974, S. 110--111, Abb. 177","2112"],["Köln 1957, S. 112","2328"],["Köln 1986 a, Bd. 2, S. 129, Abb. S. 128","2363"],["Wiese/Zils 1987, S. 168, Farbtaf. 23","2377"],["Ladendorf 1962, S. 386, Abb. S. 385","2588"],["Keller 1973, Farbabb. S. 47-48","2608"],["Reidemeister 1968, Farbtaf. S. [481]","2635"],["Borger 1982, Farbb. S. 306","2852"],["Fuchs 1968, Farbabb. S. 261","2853"],["Becker 1969, Farbabb. o. S.","2938"],["Urbanek 1990, S. 57-58, Farbtaf. 16 ","3062"],["Ruhrberg 1987, Farbabb. S. 74 ","3194"],["Jahresring 1958, Farbabb. S. [267]","3234"],["Köln 1979, S. 391 mit Farbabb.","3236"],["Friedländer 1974","3273"],["Köln 1959, S. 88, Abb. 180 ","3297"],["Spielmann 2003 a, S. 443, Abb. S. 444","3309"],["Paris 1963, Abb. S. 240","3311"],["Propyläen Kunstgeschichte 1978, S. 139, Abb. 5","3374"],["Trier 1961, Abb. S. 64","3401"],["Köln 1986 b, S. 72, Farbabb. S. 74","3597"],["Köln 1980, Bd. 2, S. 218 mit Abb.","3639"],["Lüddeckens 1960, S. 230 ff.","3820"],["Lützeler 1971, S. 21, Abb. 42","3924"],["Vogt 1972, S. 457, Abb. 250 ","4019"],["Köln 1965, Nr. 3000, Abb. 180","16167"],["Köln 2008","23172"]],[["Köln"],["Deutschland"]]]},{"id":1085,"img":{"extraLarge":"AP_100042090_extraLarge.jpg","medium":"AP_100042090_medium.jpg"},"arr":["1957.01","London, Chelsea Reach","","1957","Öl/Lwd.","76 x 101.5 cm ","Bez. unten links: OK "," "," ","424","Privatbesitz ","","","Privatbesitz"],"mul":[[["Goulding Basil","Basil Goulding, Dublin",""],["Christie's","Christie's, London (29.11.1982, Nr. 50 mit Farbtaf. )",""],["Marlborough Fine Art","Marlborough Fine Art, London (29.11.1982–16.10.1990)",""],["Privatbesitz","Privatbesitz, Schweiz",""],["Bonhams","Bonhams, London (23.11.2009, Nr. 42 mit Farbabb., nicht verkauft)",""]],[["2001 New York","8011","Nr. 16, Farbtaf. S. 23"],["1958 Den Haag","8309","(außer Kat.)"],["1976 London","8338","Nr. 16 mit Abb. "],["1988 Nagoya","8470","Nr. 11, Farbabb. S. 41 "],["1977 London","8475","Nr. 112 mit Abb. "],["1990 London","8481","Nr. 2 mit Farbtaf. "],["1981 London, Marlborough","8496","Nr. 50 "],["1981 New York, Marlborough","8535","Nr. 50, Abb. S. 73 "],["1958 Wien","8541","(außer Kat.)"],["1987 Gent","8571","Nr. 51, Farbabb. S. 122 "],["1988 Barcelona","8659","Nr. 58, Farbtaf. S. 91 "],["2008 Wien, Albertina","8744","Nr. 161 mit Farbtaf."],["1986 Zürich","8836","Nr. 110 mit Farbtaf. "],["1961 Dublin","8890","Nr. 27 mit Abb. "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 94, Farbabb. S. 95 "],["1958 München, Haus der Kunst","8914","[Nr. 149 a],(außer Kat.)"],["2001 San Francisco","8932","Nr. 1, S. 61, Farbtaf. S. 17 und Farbabb. Auf Umschlag"],["1983 Bordeaux","9016","Nr. 55, Abb. S. 139 "],["1960 London, Marlborough","9029","Nr. 28 "]],[["Monsel 1995, Farbabb. 53","2144"],["Tomes 1972, S. 67- 68, 71, Farbtaf. S. [69]","2739"],["Stone 2000, S. 100 ","3185"],["Mikš 2013, S. 168, 359, Farbabb. XV","3257"],["Christie's London 1982, Nr. 50 mit Farbtaf. ","3628"],["Bonhams London 2009, Nr. 42 mit Farbabb. ","4042"]],[["London"],["England"]]]},{"id":1320,"img":{"extraLarge":"AP_100042327_extraLarge.jpg","medium":"AP_100042327_medium.jpg"},"arr":["1957.02","Genfer See mit Dampfer","Lac Léman","1957","Öl/Lwd.","81 x 116 cm ","Bez. unten rechts: OK "," ","","425","Musée Jenisch, Fondation Oskar Kokoschka, Vevey","1988","FOK 137","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Kokoschka Oskar","Oskar Kokoschka, Villeneuve",""],["Kokoschka Olda","Olda Kokoschka, Villeneuve (1980)",""]],[["1984 Vevey","8050","Nr. 39, Farbabb. S. 59 "],["1966 Zürich","8225","Nr. 109 "],["1980 Pöchlarn","8237","Nr. VII "],["1992 Cismar","8291","S. 174, Farbtaf. 11"],["1958 Den Haag","8309","Nr. 82 "],["1960 München","8320","Nr. 696 "],["2003 Apolda","8411","Nr. 95, S. 107--108, Farbtaf. S. 58"],["1990 London","8481","Nr. 3 mit Farbtaf. "],["1981 London, Marlborough","8496","Nr. 51 "],["1981 New York, Marlborough","8535","Nr. 51, Abb. S. 74 "],["1958 Wien","8541","Nr. 160 u. d. T. \"Genfer See im Sommer\" "],["2001/02 Emden","8542","S. 93, Farbtaf. S. 85"],["1987 Gent","8571","Nr. 52, Farbabb. S. 123 "],["1976 Bregenz","8605","Nr. 33, Taf. XXXI "],["1988 Barcelona","8659","Nr. 59, Farbtaf. S. 92 "],["2010/11 Appenzell","8684","Farbtaf. S. 6"],["1987 Florenz","8852","Nr. 19 mit Farbtaf. "],["1995 Bellinzona","8872","S. 64, Farbtaf. S. 65"],["2005/06 Pfäffikon","8898","Farbtaf. 121"],["1958 München, Haus der Kunst","8914","Nr. 149 u. d. T. \"Genfer See im Sommer\" "],["1960 Braunschweig","8933","Nr. 33 "],["1960 Kopenhagen","9011","Nr. 54 "],["1983 Bordeaux","9016","Nr. 56, Abb. S. 140 "]],[["Monsel 1995, S. [48], Farbabb. 60","2144"],["Bartolini 2011, S. 85, 220, Farbabb. 128","2774"],["Du 1981, Abb. S. 41","2998"],["Spielmann 2003 a, S. 440 mit Abb.","3309"],["Sayn-Wittgenstein 1981, farb. Umschlagabb.","3535"],["Vevey 1994, S. 162 mit Farbtaf. S. 163","3718"],["Jean-Petit-Matile 1983, S. 106, Farbtaf. S. 107","4153"],["Radrizzani 2013, Farbabb S. 112, Nr. 81","22164"]],[["Schweiz"]]]},{"id":1061,"img":{"extraLarge":"AP_100042066_extraLarge.jpg","medium":"AP_100042066_medium.jpg"},"arr":["1957.03","Uli Nimptsch","","1957","Öl/Lwd.","92 x 73 cm ","Bez. unten rechts: OK. Auf der Rückseite datiert und beschriftet: Uli NIMPTSCH 9. Spt. 57 "," "," ","426","Royal Academy of Arts","24.1.1977 Vermächtnis Uli Nimptsch","",""],"mul":[[["Nimptsch Uli","Uli Nimptsch, London (1957)",""]],[["1958 Den Haag","8309","Nr. 84 "],["1958 Wien","8541","Nr. 162 "],["1980 Padiham","8667","Nr. 1 "],["1958 München, Haus der Kunst","8914","Nr. 151 "],["1960 London, Marlborough","9029","Nr. 29 "]],[["Die Kunst 1965, Abb. S. 141","2506"],["Goldscheider 1965, Abb. 5 ","3417"]],[["Männliches Bildnis"]]]},{"id":1018,"img":{"extraLarge":"AP_100042022_extraLarge.jpg","medium":"AP_100042022_medium.jpg"},"arr":["1957.04","Putnam Dana McMillan","","1957","Öl/Lwd.","91.4 x 121.9 cm ","Bez. unten rechts: OK "," ","","427","Minneapolis Institute of Art","1957 ","57.60","The Miscellaneous Works of Art Purchase Fund"],"mul":[[],[["1961/62 Minneapolis","8037"," "],["1962 Tate Gallery, London","8075","Nr. 149 "],["1958 Den Haag","8309","Nr. 83 "],["1958 Wien","8541","Nr. 161, Abb. S. 99 "],["1966 New York","8544","Nr. 56, Abb. S. 76 "],["1958 München, Haus der Kunst","8914","Nr. 150, Abb. S. 99 "]],[["Sherman 1961, Abb. S. 7 (Detail)","2342"],["Minneapolis Institute of Arts Bulletin 1961, farb. Umschlagabb. ","3433"],["Lucas 1962, S. 58 mit Abb.","3605"]],[["Männliches Bildnis"]]]},{"id":1471,"img":{"extraLarge":"AP_100042480_extraLarge.jpg","medium":"AP_100042480_medium.jpg"},"arr":["1957.05","Richard P. Gale","","1957","Öl/Lwd.","122 x 91.5 cm ","Bez. unten links: OK "," "," ","428","","","","Privatbesitz"],"mul":[[["Gale Richard P.","Richard P. Gale, Mound, Minnesota (1957-73)",""]],[["1962 Tate Gallery, London","8075","Nr. 150 "],["1958 Den Haag","8309","Nr. 85 "],["1958 Wien","8541","Nr. 163, Abb. S. 100 "],["1966 New York","8544","Nr. 57, Abb. S. 77 "],["1958 München, Haus der Kunst","8914","Nr. 152, Abb. S. 100 "]],[],[["Männliches Bildnis"]]]},{"id":1395,"img":{"extraLarge":"AP_100042402_extraLarge.jpg","medium":"AP_100042402_medium.jpg"},"arr":["1958.01","Die Kinder Richard, Margery und John Davis","","1958","Öl/Lwd.","90 x 120 cm ","Bez. unten links: OK. Auf der Rückseite bez., datiert und beschriftet: DAVIS children / RICHARD S. 6 years / Margery B. 4 years / JOHN M. 3 months / finished 22.I.1958 OK"," "," ","429","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Davis Richard und Phyllis","Richard und Phyllis Davis, New York",""],["Privatbesitz","Privatbesitz, Schweiz",""],["Dorotheum","Dorotheum, Wien (25.11.2008, Nr. 89 mit Farbabb.)",""]],[["1966 Karlsruhe","8284","Nr. 68 mit Abb. "],["1958 Den Haag","8309","Nr. 86 "],["1975 Hamburg","8362","Nr. 13 "],["1958 Wien","8541","Nr. 164, Abb. S. 101 "],["1975 Madrid","8555","Nr. 13 "],["1960 Guggenheim, New York","8701"," "],["1958 München, Haus der Kunst","8914","Nr. 153, Abb. S. 101 "]],[["Borchert 1959, S. 22, Farbtaf. 10 ","2562"],["Goldscheider 1965, S. 143, Abb. 7 ","3417"],["Bultmann 1959, S. 124, Farbtaf. 40 ","3434"]],[["Gruppenbildnis"],["Kinder"]]]},{"id":1128,"img":{"extraLarge":"AP_100042134_extraLarge.jpg","medium":"AP_100042134_medium.jpg"},"arr":["1958.02","Blanka Waechter","","1958","Öl/Lwd.","99 x 75 cm ","Bez. oben links: OK "," "," ","430","Sammlung Elka Gouzer-Waechter, Schweiz","","",""],"mul":[[["Georg Waechter Memorial Foundation","Georg Waechter Memorial Foundation, Genf",""]],[["1984 Vevey","8050","Nr. 41 "],["1961 München","8095","Nr. 189, Abb. S. 30 "],["1971 München","8125","Nr. 48 mit Farbabb. "],["1987 Gent","8571","Nr. 53, Farbtaf. S. 124 "],["1988 Barcelona","8659","Nr. 60, Farbtaf. S. 93 "],["1971 Wien","8820","Nr. 85, Abb. 61 "],["1986 Zürich","8836","Nr. 113 mit Farbtaf. "],["1960 Braunschweig","8933","Nr. 34 mit Farbabb. "],["1983 Bordeaux","9016","Nr. 57, Abb. S. 141 "]],[],[["Weibliches Bildnis"]]]},{"id":1073,"img":{"extraLarge":"AP_100042078_extraLarge.jpg","medium":"AP_100042078_medium.jpg"},"arr":["1958.03","Die Jakobi-Kirche in Lübeck ","","1958","Öl/Lwd.","80 x 110 cm ","Bez. unten links: OK "," "," ","431","Museum für Kunst und Kulturgeschichte der Hansestadt Lübeck ","Oktober 1958 ","1958/27",""],"mul":[[],[["1998 Wien, Albertina","8233","S. 94, Farbtaf. 43"],["1998 Berlin, Kunstforum der GKB","8298","Nr. 29, S. 50, Farbtaf. S. 51"],["1962/1963 Hamburg","8422","Nr. 72 mit Abb. "],["1978 Kamakura","8846","Nr. 25 "],["1960 Braunschweig","8933","Nr. 29 "],["1960 Kopenhagen","9011","Nr. 59 "]],[["Mühringer 2004, S. 110, Farbabb. Anhang XV","2177"],["Lübeck 1976, Nr. 95, Abb. S. 77","2178"],["Schmalenbach F. 1967, Farbtaf. S. 76 ","2199"],["Goldscheider 1963, S. 78 (Anm. 47), Farbtaf. 47 ","2855"],["Lindtke 1958, Beilage mit Abb.","3327"],["Gatt 1972, Abb. 39 ","3468"],["Die Welt 1958 a, S. 5 mit Abb.","3885"],["Merian 1964, Farbabb. S. [12]","3901"],["Die Waage 1959, Abb. 1, S. 74","3997"]],[["Lübeck"],["Deutschland"]]]},{"id":1206,"img":{"extraLarge":"AP_100042212_extraLarge.jpg","medium":"AP_100042212_medium.jpg"},"arr":["1958.04","Hamburg, Blick vom Axel-Springer-Haus","","1958","Öl/Lwd.","84 x 131 cm ","Bez. unten rechts: OK "," "," ","432","Axel Springer SE"," ","00953100",""],"mul":[[["Kokoschka Oskar","Oskar Kokoschka",""]],[["1962 Tate Gallery, London","8075","Nr. 152 "],["1966 Zürich","8225","Nr. 107 "],["1984 Hamburg","8236","Nr. 13 "],["1966 Karstadt, Hamburg","8355"," "],["1975 Hamburg","8362","Nr. 15, Farbabb. S. 18 "],["1962/1963 Hamburg","8422","Nr. 73 mit Abb. "],["1964 Kassel","8492","Nr. 3, Abb. S. 58 "],["1975 Madrid","8555","Nr. 15, Farbabb. S. 18 "],["2013/14 Wien","8589","S. 252, 339, Farbtaf. S. 255"],["1971 Wien","8820","Nr. 83 "],["1978 Kamakura","8846","Nr. 26 "],["1967 New York","8887","Nr. 12, Farbabb. S. 32 "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 168, Farbabb. S. 169 "],["1960 Braunschweig","8933","Nr. 30 "],["1960 Kopenhagen","9011","Nr. 60 "]],[["Mühringer 2004, S. 110--111, Farbabb. Anhang XV","2177"],["Schmalenbach F. 1967, Farbtaf. S. 77 ","2199"],["Hamburger Abendblatt 1971","2561"],["Hamburg 1986, Farbtaf.","2638"],["Spielmann 2003 a, S. 444, 446 mit Abb.","3309"],["Die Welt 1958 b, Abb.","3359"],["Horstmann 1965 a, S. 22, 24, 92, Farbtaf. S. 23","3828"]],[["Hamburg"],["Deutschland"]]]},{"id":1199,"img":{"extraLarge":"AP_100042205_extraLarge.jpg","medium":"AP_100042205_medium.jpg"},"arr":["1958.05","Die Zeder","","1958","Öl/Lwd.","81 x 115 cm ","Bez. unten links: OK "," "," ","433","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Horstmann Edgar","Edgar Horstmann, Hamburg",""],["Jackson Derek","Derek Jackson, Lausanne",""],["","Christie's, London (8.3.2024)",""]],[["1984 Vevey","8050","Nr. 40 "],["1962 Tate Gallery, London","8075","Nr. 151 "],["1975 Hamburg","8362","Nr. 14 "],["1990 London","8481","Nr. 4 mit Farbtaf. "],["1981 London, Marlborough","8496","Nr. 52 "],["1981 New York, Marlborough","8535","Nr. 52, Abb. S. 75 "],["1975 Madrid","8555","Nr. 14 "],["1971 Wien","8820","Nr. 82 "],["1960 Braunschweig","8933","Nr. 31 mit Abb. "],["1960 Kopenhagen","9011","Nr. 62 "]],[["Lufft 1960, o. S.","2611"],["Christie's 2024","44165"]],[["Schweiz"]]]},{"id":1463,"img":{"extraLarge":"AP_100042472_extraLarge.jpg","medium":"AP_100042472_medium.jpg"},"arr":["1959.01","Chatin Sarachi","","1959","Öl/Lwd.","92 x 65 cm ","Bez. unten rechts: OK "," "," ","434","Privatbesitz","","","Privatbesitz"],"mul":[[["Sarachi Chatin","Chatin Sarachi, London (1959)",""],["Sarachi Elizabeth","Elizabeth Sarachi, London (1974)",""]],[["1960 Braunschweig","8933","Nr. 35 "],["1960 London, Marlborough","9029","Nr. 32 mit Abb. "]],[["Hodin 1959, S. 116-117 mit Farbabb. und Foto","2048"],["Die Kunst 1965, Abb. S. 140","2506"],["Goldscheider 1965, Abb. 3 ","3417"],["Hodin 1966, Abb. 61 ","3490"],["Hodin 1986, S. 242","4099"]],[["Männliches Bildnis"]]]},{"id":1457,"img":{"extraLarge":"AP_100042466_extraLarge.jpg","medium":"AP_100042466_medium.jpg"},"arr":["1959.02","Ludwig Erhard","","1959","Öl/Lwd.","120 x 85 cm ","Bez. unten links: OK "," "," ","435","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Erhard Ludwig","Ludwig Erhard, Bonn",""],["Klotz-Erhard Elisabeth","Elisabeth Klotz-Erhard, Gmünd a. Tegernsee (1977)",""]],[["1971 München","8125","Nr. 50 mit Abb. "],["1966 Karlsruhe","8284","Nr. 71 mit Abb. "],["1960 München","8320","Nr. 695, Abb. S. 117 "],["1979 Kassel","8357","Nr. 28, Abb. S. 80 "],["1990 London","8481","Nr. 5 mit Farbtaf. "]],[["Kokoschka 1971, S. 277--278","2894"],["Erhard 1972, S. 624, Farbtaf. S. [625]","3444"],["Buschkiel 1959","3869"]],[["Männliches Bildnis"]]]},{"id":1136,"img":{"extraLarge":"AP_100042142_extraLarge.jpg","medium":"AP_100042142_medium.jpg"},"arr":["1959.03","Pamela Hodin","","1959","Öl/Lwd.","73.5 x 66 cm ","Bez. unten links: OK "," "," ","436","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Hodin Josef P. ","Josef P. Hodin",""],["Sotheby's","Sotheby's, London (5.2.2003, Nr. 237 mit Farbabb., nicht verkauft)",""]],[["1966 Karlsruhe","8284","Nr. 70 mit Abb. "],["1960 München","8320","Nr. 697 "],["1971 Wien","8820","Nr. 84 "],["1960 Braunschweig","8933","Nr. 32 "],["1960 London, Marlborough","9029","Nr. 30 "]],[["Schmalenbach F. 1967, Farbtaf. S. 79 ","2199"],["Sotheby's London 2003 a, Nr. 237 mit Farbabb. ","2786"],["Hodin 1968 a, S. 174 ","3213"],["Hodin 1966, S. 114, Abb. 48 ","3490"]],[["Weibliches Bildnis"]]]},{"id":1271,"img":{"extraLarge":"AP_100042277_extraLarge.jpg","medium":"AP_100042277_medium.jpg"},"arr":["1959.04","Blumenstillleben","Blumen in einer Vase\nFleurs dans un vase","1959","Öl/Lwd.","89 x 70 cm ","Bez. unten rechts: OK "," "," ","437","Musée Jenisch, Fondation Oskar Kokoschka, Vevey","","FOK 2293","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Stuttgarter Kunstkabinett","Stuttgarter Kunstkabinett, Stuttgart (3./4.5.1962, Nr. 233, Farbtaf. 89, u.d.T.: „Grosser Blumenstrauss\", nicht verkauft)",""],["Schwarzkopf Kurt und Ilse","Kurt und Ilse Schwarzkopf, Innsbruck (1962)",""],["Marlborough Fine Art","Marlborough Fine Art, London (24.4.1990)",""],["Im Kinsky","Im Kinsky, Wien (23.4.2013, Nr. 6 mit Farbtaf.)",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 110 "],["2001 New York","8011","Nr. 17, Farbtaf. S. 24"],["1961 München","8095","Nr. 190 "],["1998 Wien, Albertina","8233","S. 98, Farbtaf. 46"],["1998 Berlin, Kunstforum der GKB","8298","Nr. 33, S. 58, Farbtaf. S. 59"],["1990 London","8481","Nr. 6 mit Farbtaf. "],["1961 Secession, Wien","8646","Nr. 22 mit Abb. "],["2008 Wien, Albertina","8744","Nr. 106 mit Farbtaf."],["1971 Wien","8820","Nr. 73 "]],[["Stuttgarter Kunstkabinett 1962, Nr. 233, Farbtaf. 89 ","3405"]],[["Stillleben"]]]},{"id":1254,"img":{"extraLarge":"AP_100042260_extraLarge.jpg","medium":"AP_100042260_medium.jpg"},"arr":["1959.05","London, Blick auf die Themse vom Shell-Mex Building","","1959","Öl/Lwd.","91.5 x 123 cm ","Bez. unten links: OK "," "," ","438","Tate, London","Schenkung David Hellings, 1970 ","T01252","Tate, London; Schenkung David Hellings, 1970"],"mul":[[["Marlborough Fine Art","Marlborough Fine Art, London",""],["Hellings David","David Hellings, London (1960-1970)",""]],[["1984 Sheffield","8178","Nr. 37 "],["1994/95 Bielefeld","8301","Nr. 28, S. 280, Farbtaf. S. 105"],["1976 London","8338","Nr. 17 mit Farbabb. "],["1963 London","8548","mit Abb. "],["2013/14 Wien","8589","S. 255, 339, Farbtaf. S. 255"],["1986 Zürich","8836","Nr. 111 mit Farbtaf. "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 98, Farbabb. S. 99 "],["1960 Braunschweig","8933","Nr. 36 "],["1966 London","8938","Nr. 11, Abb. S. 28 "],["1960 London, Marlborough","9029","Nr. 34 "],["1991 Wien","9033","Nr. 78 mit Farbtaf. "]],[["Monsel 1995, S. [48], Farbabb. 57","2144"],["Mühringer 2004, S. 112--115, Farbabb. Anhang XVI","2177"],["Köller 1961, S. 23ff.","2457"],["Tomes 1972, S. 71-72, Farbtaf. S. [73]","2739"],["Stone 2000, S. 100-101 ","3185"],["London 1972, S. 132--133, Abb. S. 133 ","3202"],["Spielmann 2003 a, S. 442 mit Abb.","3309"],["London 1981, S. 394 mit Abb.","3545"],["Rainbird 1990, S. [2--3] mit Farbabb. ","3562"],["Bultmann 1961, S. 124, Farbtaf. S. 125 ","3893"],["Weltkunst 1960, S. 7","3926"],["Cabanne 1964","4112"]],[["London"],["England"]]]},{"id":1009,"img":{"extraLarge":"AP_100042013_extraLarge.jpg","medium":"AP_100042013_medium.jpg"},"arr":["1959.06","Sir Stanley Unwin ","","1959","Öl/Lwd.","122 x 93 cm ","Bez. unten links: OK "," "," ","439","Privatbesitz","","","Privatbesitz"],"mul":[[["George Allen & Unwin Ltd.","George Allen & Unwin Ltd., London (1959)",""],["Sotheby's","Sotheby's, London (9.2.2012, Nr. 325 mit Farbabb.)",""]],[["1962 Tate Gallery, London","8075","Nr. 153, Abb. 35 "],["1971 München","8125","Nr. 49 mit Abb. "],["1984 Sheffield","8178"," "],["1966 Zürich","8225","Nr. 108 "],["1966 Karlsruhe","8284","Nr. 69 mit Abb. "],["1990 London","8481","Nr. 7 mit Farbtaf. "],["1968 Darmstadt","8901","Nr. 2, Farbtaf. S. 53 "],["1960 London, Marlborough","9029","Nr. 31 mit Abb. "]],[["Schmalenbach F. 1967, Farbtaf. S. 78 ","2199"],["Das Schönste 1960, Abb.","2277"],["Sotheby's London 2012 a, Nr. 325 mit Farbabb. ","2770"],["Die Welt 1965, Abb.","2830"],["Goldscheider 1965, S. 141, Abb. 6 ","3417"],["Hodin 1966, Abb. 60 ","3490"],["Unwin 1960, farb. Umschlagabb.","4154"]],[["Männliches Bildnis"]]]},{"id":1183,"img":{"extraLarge":"AP_100042189_extraLarge.jpg","medium":"AP_100042189_medium.jpg"},"arr":["1960.01","Ann Windfohr","","1960","Öl/Lwd.","91 x 70 cm ","Bez. unten links: OK "," "," ","440","Privatbesitz","","","Privatbesitz"],"mul":[[["Burnett Tandy Anne","Anne Burnett Tandy, Fort Worth, Texas",""],["Dvio Gallery","Dvio Gallery, Tel Aviv",""],["Sotheby Parke Bernet","Sotheby Parke Bernet, New York (6.11.1981, Nr. 365 mit Farbabb.)",""],["Galerie Bargera","Galerie Bargera, Köln (1982–1985)",""],["Christie's","Christie's, London (26.3.1984, Nr. 29 mit Farbabb.)",""],["Galerie Koller","Galerie Koller, Zürich (29./30.11.1985, Nr. 5152, Farbtaf. 16)",""],["Privatbesitz","Privatbesitz Schweiz",""],["Galerie Koller","Galerie Koller, Zürich (28.6.2019, Nr. 3224 mit Farbtaf.)",""]],[["1966 New York","8544","Nr. 58, Abb. S. 78 "]],[["Galerie Koller 1985, Nr. 5152, Farbtaf. 16","2109"],["Goldscheider 1965, Abb. 1 ","3417"],["Sotheby Parke Bernet New York 1981, Nr. 365 mit Farbabb.","3686"],["Christie's London 1984, Nr. 29 mit Farbabb.","3994"],["Koller 2019, Nr. 3224 mit Abbildung","41168"]],[["Weibliches Bildnis"]]]},{"id":1348,"img":{"extraLarge":"AP_100042355_extraLarge.jpg","medium":"AP_100042355_medium.jpg"},"arr":["1960.02","Derek Jackson","","1960","Öl/Lwd.","89 x 44 cm ","Bez. unten links: OK "," "," ","441","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Jackson Derek","Derek Jackson, London (1960)",""]],[["1962 Tate Gallery, London","8075","Nr. 154 "],["1966 Zürich","8225","Nr. 111 "],["1966 Karlsruhe","8284","Nr. 72 mit Abb. "],["1971 Wien","8820","Nr. 89, Abb. 62 "],["1960 London, Marlborough","9029","Nr. 35 "]],[],[["Männliches Bildnis"]]]},{"id":1328,"img":{"extraLarge":"AP_100042335_extraLarge.jpg","medium":"AP_100042335_medium.jpg"},"arr":["1960.03","Stuttgart","","1960","Öl/Lwd.","95 x 120 cm ","Bez. unten links: OK "," "," ","442","Kunstmuseum Stuttgart","15.7.1960","0-1472",""],"mul":[[],[["1976 Villingen-Schwenningen","8054","Nr. 10, Farbabb. S. 24 "],["1998 Wien, Albertina","8233","S. 104, Farbtaf. 50"],["1998 Berlin, Kunstforum der GKB","8298","Nr. 37, S. 64, Farbtaf. S. 65"],["1976 Bregenz","8605","Nr. 34, Taf. XXXII "],["2008 Wien, Albertina","8744","Nr. 163 mit Farbtaf."],["1971 Wien","8820","Nr. 86 "],["1978 Kamakura","8846","Nr. 27 "],["1964 München","8915","Nr. 749 a u. d. T. \"Heidelberg\" "]],[["Stuttgart 1961, Farbtaf. als Frontispiz","3631"],["Stuttgart 2005, S. 78, Farbtaf. S. 79","23210"]],[["Stuttgart"],["Deutschland"]]]},{"id":1240,"img":{"extraLarge":"AP_100042246_extraLarge.jpg","medium":"AP_100042246_medium.jpg"},"arr":["1960.04","Joshua Logan","","1960","Öl/Lwd.","99 x 80.5 cm ","Bez. unten links: OK "," "," ","443","Princeton University Art Museum","Vermächtnis Joshua Logan","y1991-17",""],"mul":[[["Logan Joshua","Joshua Logan, New York (1960–1990)",""]],[["1981 New York, Marlborough","8535","Nr. 53, Abb. S. 76 "],["1966 New York","8544","Nr. 59, Abb. S. 79 "],["1965 Dallas","9014","Nr. 14 "],["1960 London, Marlborough","9029","Nr. 36 mit Abb. "]],[["Art News Magazine 1960, S. 45","2273"],["Alte und moderne Kunst 1961, Abb. S. 25","2922"],["Goldscheider 1965, S. 141, Abb. 4 ","3417"],["Bultmann 1961, S. 126, Farbtaf. S. 127 ","3893"]],[["Männliches Bildnis"]]]},{"id":1428,"img":{"extraLarge":"AP_100042436_extraLarge.jpg","medium":"AP_100042436_medium.jpg"},"arr":["1960.05","Israel Sieff","","1960","Öl/Lwd.","111.5 x 86.5 cm ","Bez. unten rechts: OK. Auf der Rückseite datiert: 18/XI/19/XII/60"," "," ","444","Privatbesitz","","","Privatbesitz"],"mul":[[["Sieff of Brimpton Lord Israel","Lord Israel Sieff of Brimpton, London (1960)",""],["Hadow Lady Daphne","Lady Daphne Hadow, Kintbury (1972)",""]],[["1961 Brüssel","8031","Nr. 118 a, Abb. 8 "],["1962 Tate Gallery, London","8075","Nr. 155 "],["1971 München","8125","Nr. 51 mit Abb. "],["1966 Zürich","8225","Nr. 110 "],["1990 London","8481","Nr. 8 mit Farbtaf. "],["1966 London","8938","Nr. 12, Abb. S. 29 "]],[["Goldscheider 1965, S. 141, Abb. 2 ","3417"]],[["Männliches Bildnis"]]]},{"id":1469,"img":{"extraLarge":"AP_100042478_extraLarge.jpg","medium":"AP_100042478_medium.jpg"},"arr":["1961.01","Hamburg, Hafen II","","1961","Öl/Lwd.","90.2 x 120.3 cm ","Bez. unten links: OK "," "," ","445","Privatbesitz","4.2.2016","","Privatbesitz"],"mul":[[["Reinold Wilhelm","Wilhelm Reinold, Hamburg",""],["Reinold Fine","Fine Reinold, Hamburg",""],["Privatbesitz","Privatbesitz, Hamburg",""],["Christie's","Christie's, London (2.2.2010, Nr. 47 mit Farbabb.)",""],["Privatbesitz","Privatbesitz, München (2010)",""],["Christie's","Christie's, London (24.6.2014, Nr. 35 mit Farbabb. bei Nolde, nicht verkauft)",""],["Sotheby's","Sotheby's, London (4.2.2016, Nr. 327 mit Farbabb.)",""]],[["1962 Tate Gallery, London","8075","Nr. 156 "],["1975 Hamburg","8362","Nr. 16, Farbabb. 15 "],["1962/1963 Hamburg","8422","Nr. 74 mit Abb. "],["1964 Kassel","8492","Nr. 1, Farbabb. S. 59 "],["1975 Madrid","8555","Nr. 16, Farbabb. 18 "],["1971 Wien","8820","Nr. 88 "],["1967 New York","8887","Nr. 13, Farbabb. 34 "]],[["Sotheby's London 2016, Nr. 327 mit Farbabb.","2231"],["Christie's London 2010, Nr. 47 mit Farbabb.","2474"],["Sello 1961 a","2552"],["Christie's London 2014 a, Nr. 35 mit Farbabb.","3314"],["Hentzen 1962 a, o. S.","3363"],["Galerie Albertina 2014, Farb. Umschlagabb. (Detail)","3451"],["Horstmann 1965 a, S. 24, Farbtaf. S. 25 ","3828"],["Sello 1961 b, Farbabb. S. 134","3900"]],[["Hamburg"],["Deutschland"]]]},{"id":1370,"img":{"extraLarge":"AP_100042377_extraLarge.jpg","medium":"AP_100042377_medium.jpg"},"arr":["1961.02","Hamburg, Hafen III","","1961","Öl/Lwd.","50 x 60 cm ","Bez. unten rechts: OK "," "," ","446","Privatbesitz"," ","",""],"mul":[[["Horstmann Edgar","Edgar Horstmann, Hamburg (1961)",""],["Erben Edgar Horstmann","Erben Edgar Horstmann",""],["Ketterer Kunst","Ketterer Kunst, München (9.12.2017, Nr. 675)",""]],[["1966 Zürich","8225","Nr. 112, Farbtaf. V "],["1962 Haus der Kunst, München","9099","Nr. 196 "]],[["Hentzen 1962 a, o. S.","3363"],["Horstmann 1965 a, S. 26, Farbtaf. S. 27 ","3828"],["Oppen 1981, farb. Umschlagabb.","3971"],["Ketterer Kunst 2017, Nr. 675 ","29165"]],[["Hamburg"],["Deutschland"]]]},{"id":1036,"img":{"extraLarge":"AP_100042040_extraLarge.jpg","medium":"AP_100042040_medium.jpg"},"arr":["1961.03","Der Marktplatz zu Bremen ","","1961","Öl/Lwd.","96 x 126 cm ","Bez. unten links: OK. Auf der Rückseite datiert und beschriftet: Start / 23.6.61"," "," ","447","Kunsthalle Bremen – Der Kunstverein in Bremen","1963, Stiftung der Firma Brinkmann AG, Bremen, anlässlich ihres 150-jährigen Geschäftsjubiläums","873-1963/1","Kunsthalle Bremen – Der Kunstverein in Bremen"],"mul":[[],[["1962 Tate Gallery, London","8075","Nr. 157 "],["1966 Zürich","8225","Nr. 113 "],["1962/1963 Hamburg","8422","Nr. 75 "],["1971 Wien","8820","Nr. 87 "],["1978 Kamakura","8846","Nr. 28 "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 172, Farbabb. S. 173 "]],[["Bremen 1965, Nr. 27, Farbabb. S. 90","2089"],["Spielmann 2003 a, S. 443, Abb. S. 444","3309"],["Jahresring 1966, Abb. S. 3","3560"],["Bremen 2000, S. 52 mit Farbabb. S. [10]","3610"],["Bremen 1984, Abb. S. 9","3789"],["Bremen 1973 a, S. 167-168, Abb. 443","4045"]],[["Bremen"],["Deutschland"]]]},{"id":1157,"img":{"extraLarge":"AP_100042163_extraLarge.jpg","medium":"AP_100042163_medium.jpg"},"arr":["1962.01","St. Vinzenz Pallotti","","1962","Öl/Lwd.","115 x 80 cm ","Bez., datiert und beschriftet auf der Rückseite: St. Vinzenz Pallotti / I. 1962 OK "," "," ","448","Süddeutsche Herz-Jesu-Provinz der Pallottiner, Friedberg bei Augsburg","","",""],"mul":[[],[["1983 Wien","8006","Farbabb. S. 158 "],["1962 Tate Gallery, London","8075","Nr. 159 "],["1966 Zürich","8225","Nr. 114 "],["1998 Wien, Albertina","8233","S. 134, Farbtaf. 67"],["1998 Berlin, Kunstforum der GKB","8298","Nr. 56, S. 94, Farbtaf. S. 95"],["1975 Hamburg","8362","Nr. 17, Abb. 29 "],["2007 Pöchlarn","8382","Farb. Umschlagabb. (Detail) [Faltblatt]"],["1975 Madrid","8555","Nr. 17, Abb. 34 "],["1962 Haus der Kunst, München","9099","Nr. 194, Abb. S. 29 "]],[["Kirchenzeitung für das Bistum Aachen 1963, Farbabb. auf der Titelseite","2672"],["Kokoschka SW 3 1975, S. 285-286, Anm. S. 344, Abb. 33","3083"],["Bergmann 1984, Farbabb. S. 53","3150"],["Spielmann 2003 a, S. 434, Abb. S. 436","3309"]],[["Männliches Bildnis"]]]},{"id":1266,"img":{"extraLarge":"AP_100042272_extraLarge.jpg","medium":"AP_100042272_medium.jpg"},"arr":["1962.02","Sturmflut in Hamburg","","1962","Öl/Lwd.","90 x 118 cm ","Bez. unten links: OK. Auf der Rückseite datiert und beschriftet: Sturmflut Hamburg 16.-17.2.62"," "," ","449","Hamburger Kunsthalle ","1963, Schenkung Wilhelm Reinold zum 60. Geburtstag des Direktors Alfred Hentzen","5079",""],"mul":[[["Reinold Wilhelm","Wilhelm Reinold, Hamburg (1962)",""]],[["1962 Tate Gallery, London","8075","Nr. 158 "],["1998 Wien, Albertina","8233","S. 120, Farbtaf. 59"],["1964 Venedig","8262"," "],["1962/1963 Hamburg","8422","Nr. 76 mit Abb. "],["1990 London","8481","Nr. 9 mit Farbtaf. "],["2008 Wien, Albertina","8744","S. 34, Nr. 168 mit Farbtaf."],["1991 Wien","9033","Nr. 77 mit Farbtaf. "],["1962 Haus der Kunst, München","9099","Nr. 195 "]],[["Erling 2013, S. 37, Farbabb. 12","2156"],["Gramberg 1962, S. 26","2267"],["Bauer 2008 a, S. 149-150 mit Farbabb.","2762"],["Hentzen 1964, S. 171--173, Farbabb. S. 173","2820"],["Stefano 1997, S. 47 mit Farbabb.","3071"],["Hamburg 1969 a, S. 75 mit Abb. ","3114"],["Hentzen 1962 b, Farbabb. S. 25","3252"],["Spielmann 2003 a, S. 447, Farbtaf. S. 473","3309"],["Erling 2014, S. 61, Farbabb. 19","3463"],["Gatt 1972, Farbtaf. 43 ","3468"],["Reinhold 2013, Farbabb. (Doppelseite, Detail)","3582"],["Horstmann 1965 a, S. 28--32, Farbtaf. S. 31 ","3828"],["Hamburg 1969 b, S. 448, Abb. 368","4018"],["Bosman 1964, Farbabb. S. 71 ","4028"],["Hamburg 2010","23165"]],[["Tiere"],["Stillleben"]]]},{"id":1147,"img":{"extraLarge":"AP_100042153_extraLarge.jpg","medium":"AP_100042153_medium.jpg"},"arr":["1962.03","London, Themselandschaft vom Vickers Tower, Millbank","","1962","Öl/Lwd.","91.5 x 127 cm ","Bez. unten links: OK "," "," ","450","Privatbesitz"," ","",""],"mul":[[],[["2001 New York","8011","Nr. 18, Farbtaf. S. 25"],["1962 Tate Gallery, London","8075","Nr. 160 mit Farbabb. "],["1964/65 Pittsburgh","8223","Nr. 250 "],["1966 New York","8544","Nr. 60, Abb. S. 80 "]],[["Tomes 1972, S. 75-76, 79, Farbtaf. S. [77]","2739"],["Bosman 1964, Farbabb. S. 72","4028"]],[["London"],["England"]]]},{"id":1322,"img":{"extraLarge":"AP_100042329_extraLarge.jpg","medium":"AP_100042329_medium.jpg"},"arr":["1962.04","Rudolph Palumbo","","1962","Öl/Lwd.","81 x 100 cm ","Bez. unten rechts: OK. Auf der Rückseite datiert: 16.6.62"," "," ","451","The Walbrook Club London","","","Privatbesitz"],"mul":[[["Palumbo Rudolph","Rudolph Palumbo, London (1962-87)",""]],[["1962 Tate Gallery, London","8075","Nr. 161 "],["1966 London","8938","Nr. 13, Abb. S. 30 "],["1966 München","9027","Nr. 729, Abb. S. 127 "]],[],[["Männliches Bildnis"]]]},{"id":1169,"img":{"extraLarge":"AP_100042175_extraLarge.jpg","medium":"AP_100042175_medium.jpg"},"arr":["1963.01","Doppelbildnis Oskar und Olda Kokoschka","","1963","Öl/Lwd.","89 x 115.5 cm ","Bez. unten links: OK. Auf der Rückseite bez. und datiert: OK 1.1.63"," "," ","452","Museum der Moderne, Salzburg","","FOK 2291","Fondation Oskar Kokoschka, Vevey"],"mul":[[],[["1971 München","8125","Nr. 52, farb. Umschlagabb."],["1980/81 Salzburg","8208"," "],["1966 Zürich","8225","Nr. 116 "],["1998 Wien, Albertina","8233","Farbtaf. 76"],["1980 Pöchlarn","8237","Nr. VIII "],["1966 Karlsruhe","8284","Nr. 74 mit Abb. "],["1998 Berlin, Kunstforum der GKB","8298","Nr. 65, S. 108, Farbtaf. S. 109"],["1994/95 Bielefeld","8301","Nr. 87, S. 290, Farbtaf. S. 201"],["1975 Hamburg","8362","Nr. 18, Farbabb. 19 "],["1986 Würthle, Wien","8394","Nr. 8 mit Farbtaf. "],["1975 Madrid","8555","Nr. 18, Farbabb. 22 "],["1987 Gent","8571","Nr. 54, Farbabb. S. 125 "],["2013/14 Wien","8589","S. 340, Farbtaf. S. 329"],["1976 Bregenz","8605","Nr. 35, Taf. XXXIII "],["1988 Barcelona","8659","Nr. 61, Farbabb. S. 94 "],["2008 Wien, Albertina","8744","Nr. 100 mit Farbtaf."],["2000 Pöchlarn","8766","S. 28, Farbtaf. S. 27"],["1963 München","8810","Nr. 717 "],["1971 Wien","8820","Nr. 91, Farbabb. 64 "],["1978 Kamakura","8846","Nr. 29, Farbabb. 29 "],["1987 Florenz","8852","Nr. 20 mit Farbtaf. "],["2010 Pöchlarn","8963","Farb. Umschlagabb. (Detail) [Faltblatt]"],["1984 Rosenheim","8976","Nr. 3 "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 67, Farbtaf. S. 265"]],[["Monsel 1995, S. [48], Farbabb. 59","2144"],["Teufelberger 1994, Abb. 33","2557"],["Hodin 1971, Abb. S. [258/259] ","2585"],["Goldscheider 1963, Abb. des noch unvollendeten Zustandes S. [74] ","2855"],["Spielmann 2003 a, S. 451 mit Abb.","3309"],["Hodin 1966, Abb. 69 ","3490"],["Mizue 1978, Farbtaf. S. 18","3934"],["Paris 2022, Farbtaf. S. 265","43164"]],[["Doppelbildnis"],["Männliches Bildnis"],["Selbstbildnis"],["Weibliches Bildnis"]]]},{"id":1106,"img":{"extraLarge":"AP_100042112_extraLarge.jpg","medium":"AP_100042112_medium.jpg"},"arr":["1963.02","Ralda Nash I (Skizze)","","1963","Öl/Lwd.","100.5 x 73.3 cm ","Bez. oben links: OK "," "," ","453","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Nash Ralda","Ralda Nash, London",""],["Privatbesitz","Privatbesitz, Sydney",""],["Sotheby's","Sotheby's, New York (5.11.2008, Nr. 460 mit Farbabb. nicht verkauft)",""],["Salis & Vertes","Salis & Vertes, Salzburg (2008)",""]],[["1975 Hamburg","8362","Nr. 19, Abb. 31 "],["1975 Madrid","8555","Nr. 19, Abb. 37 "]],[["Sotheby's New York 2008, Nr. 460 mit Farbabb. ","2346"],["Spielmann 2003 a, S. 431 mit Abb.","3309"]],[["Weibliches Bildnis"]]]},{"id":1423,"img":{"extraLarge":"AP_100042431_extraLarge.jpg","medium":"AP_100042431_medium.jpg"},"arr":["1963.03","Ralda Nash II","","1963","Öl/Lwd.","100 x 73 cm ","Bez. unten rechts: OK "," "," ","454","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Nash Ralda","Ralda Nash, London",""],["Privatbesitz","Privatbesitz, Sydney",""],["Sotheby's","Sotheby's, London (20.6.2007, Nr. 373 mit Farbabb.)",""]],[["1966 Zürich","8225","Nr. 227 "],["1975 Hamburg","8362","Nr. 20, Abb. 32 "],["1975 Madrid","8555","Nr. 20 "],["1966 London","8938","Nr. 15, Abb. S. 32 "]],[["Spira 1966, Abb. ","2902"],["Spielmann 2003 a, S. 431 mit Abb.","3309"],["Sotheby's London 2007, Nr. 373 mit Farbabb.","3870"]],[["Weibliches Bildnis"]]]},{"id":1263,"img":{"extraLarge":"AP_100042269_extraLarge.jpg","medium":"AP_100042269_medium.jpg"},"arr":["1963.04","Im Weingarten","","1963","Öl/Lwd.","81.5 x 100 cm ","Bez. unten links: OK "," "," ","455","Privatbesitz","","","Privatbesitz"],"mul":[[["Markus Henry A.","Henry A. Markus, Chicago/später Palm Beach, Florida (16.12.1963)",""],["Sotheby's","Sotheby's, London (25.3.1986, Nr. 52 mit Farbtaf.)",""],["Kunsthandlung Kurt Kalb","Kunsthandlung Kurt Kalb, Wien (25.3.1986)",""]],[["1965 Palm Beach","8304"," "],["1966 New York","8544","Nr. 61, Farbabb. S. 81 "],["1964 World's Fair, New York","8719"," "]],[["Sotheby's London 1986 a, Nr. 52 mit Farbtaf. ","2017"]],[["Schweiz"],["Figuren in Landschaft"]]]},{"id":1300,"img":{"extraLarge":"AP_100042307_extraLarge.jpg","medium":"AP_100042307_medium.jpg"},"arr":["1963.05","London, Tower Bridge II ","","1963","Öl/Lwd.","91 x 125.3 cm ","Bez. unten rechts: OK "," ","","456","Privatbesitz","","","Privatbesitz"],"mul":[[["Marlborough Fine Art","Marlborough Fine Art, London (1963-66)",""],["Schwarzkopf Kurt und Ilse","Kurt und Ilse Schwarzkopf, Innsbruck (1966)",""],["Marlborough Fine Art","Marlborough Fine Art, London (24.4.1990–9.3.2009)",""],["Helge Achenbach Kunstberatung GmbH","Helge Achenbach Kunstberatung GmbH, Düsseldorf (9.3.2009 )",""]],[["2001 New York","8011","Nr. 19, Farbtaf. S. 26"],["1998 Wien, Albertina","8233","S. 162, Farbtaf. 86"],["2008 Warwickshire, Compton Verney","8253","o. Abb."],["1998 Berlin, Kunstforum der GKB","8298","Nr. 75, S. 124, Farbtaf. S. 125"],["1994/95 Bielefeld","8301","Nr. 27, S. 280, Farbtaf. S. 104"],["1990 London","8481","Nr. 10 mit Farbtaf. "],["2008 Wien, Albertina","8744","Nr. 170 mit Farbtaf."],["1971 Wien","8820","Nr. 90, Farbabb. 66 "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 102, Farbabb. S. 103 "],["1983 Bordeaux","9016","Nr. 58, Abb. S. 142, Farbabb. S. 60 "],["1991 Wien","9033","Nr. 79 mit Farbtaf. "]],[["Roşu 1976, Farbabb. S. 51 ","2148"],["Mühringer 2004, S. 112-113, Farbabb. Anhang XVI","2177"],["Schmalenbach F. 1967, Abb. S. 29 ","2199"],["Tomes 1972, S. 79, 80, Farbtaf. S. [81] ","2739"],["Stone 2000, S. 101 ","3185"]],[["London"],["England"]]]},{"id":1378,"img":{"extraLarge":"AP_100042385_extraLarge.jpg","medium":"AP_100042385_medium.jpg"},"arr":["1963.06","Gräfin Margarita Thurn-Valsassina","","1963","Öl/Lwd.","100 x 80 cm ","Bez. unten links: OK "," "," ","457","Privatbesitz","","","Privatbesitz"],"mul":[[["Graf Thurn-Valsassina Max","Max Graf Thurn-Valsassina, Wien",""],["Im Kinsky","Im Kinsky, Wien (2.3.2010, Nr. 55 mit Farbabb.)",""]],[["1971 München","8125","Nr. 54 mit Abb. "],["1968 Wien","8259","Nr. 39 mit Abb. "],["1966 Karlsruhe","8284","Nr. 73 mit Abb. "],["1976 Bregenz","8605","Nr. 36, Taf. XXXIV "],["1971 Wien","8820","Nr. 94, Abb. 63 "],["1964 München","8915","Nr. 749, Abb. S. 113 "]],[["Im Kinsky 2010, Nr. 55 mit Farbabb.","12167"]],[["Weibliches Bildnis"]]]},{"id":1140,"img":{"extraLarge":"AP_100042146_extraLarge.jpg","medium":"AP_100042146_medium.jpg"},"arr":["1964.01","Herodot","","1964","Öl/Lwd.","180 x 120 cm ","Bez., datiert und beschriftet auf der Rückseite: OK 25.12.1963 So treibt's die Menschheit sagt Herodot ich auch! "," "," ","458","Belvedere, Wien","März 1981, Schenkung Olda Kokoschka","6517","1981 Widmung Olda Kokoschka, Villeneuve (Schweiz)"],"mul":[[["Kokoschka Oskar","Oskar Kokoschka",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 115 "],["1996/97 Wien","8103","S. 74, Farbtaf. S. 75"],["1964 Tate, London","8641","Nr. 7 mit Abb. "],["1963 München","8810","Nr. 718, Abb. S. 121 "],["1986/87 Guggenheim, New York","9072","Nr. 84 mit Farbtaf. "]],[["Monsel 1995, Farbtaf. 62","2144"],["Mühringer 2004, S. 105, 107, Farbabb. Anhang XIII","2177"],["Krapf 1981, Beilage S. II","2403"],["Blázquez 2009, S. 189-196, Abb. S. [193]","2524"],["Goldscheider 1963, S. 78 (Anm. 48), Farbtaf. 48 ","2855"],["Pictures and Prints 1962","2896"],["Natter 2002 a, S. 81 mit Abb.","2924"],["Windisch 2013, S. 242-243, Abb. 139","3001"],["Hodin 1968 a, S. 289-290 (zur Person)","3213"],["Hodin 1975, Abb. S. [47] ","3443"],["Hodin 1966, Abb. 51 ","3490"],["Gazette des Beaux Arts 1982, S. 29, Abb. 150","3569"],["Reinhold 2013, Farbabb. (Detail)","3582"],["Kinkel 1961, S. 8","3855"],["Blázquez 1982, Abb. S. [193]","3884"],["Bormann 2014 b, S. 210 mit Farbabb.","4156"]],[["Historische Figuren"]]]},{"id":1010,"img":{"extraLarge":"AP_100042014_extraLarge.jpg","medium":"AP_100042014_medium.jpg"},"arr":["1964.02","Zwei Mädchen mit Taube","","1948, 1955-64","Öl/Lwd.","90 x 65 cm ","Bez. unten links: OK. Auf der Rückseite bez., datiert und beschriftet: OK 55-64 Villeneuve "," ","392","459","Musée Jenisch, Fondation Oskar Kokoschka, Vevey"," ","FOK 2297","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Kokoschka Oskar","Oskar Kokoschka",""]],[["2001 New York","8011","Nr. 15, Farbtaf. S. 22"],["1984 Vevey","8050","Nr. 38, Farbabb. S. 58 "],["1965 München","8070","Nr. 194, Farbabb. S. 34 a "],["1966 Zürich","8225","Nr. 117, Farbtaf. VI "],["1957 München","8270","Nr. 976 "],["1994/95 Bielefeld","8301","Nr. 73, S. 287, Farbtaf. S. 174"],["1975 Hamburg","8362","Nr. 12, Farbabb. S. 25 "],["1990 London","8481","Nr. 11 mit Farbtaf. "],["1981 London, Marlborough","8496","Nr. 49 "],["1981 New York, Marlborough","8535","Nr. 49, Abb. S. 72 "],["1958 Wien","8541","Nr. 157 "],["1966 New York","8544","Nr. 63, Farbabb. S. 85 "],["1975 Madrid","8555","Nr. 12, Farbabb. S. 25 "],["1986 New York, Marlborough","8743","Nr. 22 mit Farbtaf. "],["1969 London, Marlborough","8755","Nr. 20, Farbabb. S. 49 "],["1978 Kamakura","8846","Nr. 23, Abb. 23 "],["1983 Bordeaux","9016","Nr. 52, Abb. S. 136 "],["1991 Wien","9033","Nr. 80 mit Farbtaf. "]],[["Erling 2008, S. 38, Farbabb. S. 39","2525"],["Stefano 1997, S. [45] mit Farbabb.","3071"],["Hodin 1975, S. 58 ","3443"],["Mizue 1978, Farbtaf. S. 16","3934"],["Zauner/Köstler 1996, Farbtaf. S. 183","3956"],["Winkler 1991, S. 48, Farbtaf. Zu Kat.-Nr. 80","3958"]],[["Doppelbildnis"],["Kinder"],["Mädchen"]]]},{"id":1181,"img":{"extraLarge":"AP_100042187_extraLarge.jpg","medium":"AP_100042187_medium.jpg"},"arr":["1964.03","Freiburg im Breisgau","","1964","Öl/Lwd.","91 x 120.5 cm ","Bez. unten links: OK "," "," ","460","Museum für Neue Kunst, Städtische Museen Freiburg","","","Privatbesitz"],"mul":[[["Hahn Willy","Willy Hahn, Stuttgart/Tutzing (1965)",""]],[["1966 Zürich","8225","Nr. 115 "],["1998 Wien, Albertina","8233","S. 166, Farbtaf. 88"],["1998 Berlin, Kunstforum der GKB","8298","Nr. 77, S. 128, Farbtaf. S. 129"],["1976 München","8639"," "],["2008 Wien, Albertina","8744","S. 34, Nr. 162 mit Farbtaf."],["1971 Wien","8820","Nr. 92, Abb. 65 "],["1978 Kamakura","8846","Nr. 30 "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 176, Farbabb. S. 177 "],["1964 München","8915","Nr. 749 b "]],[["Saß 2010, S. 90 mit Farbtaf. S. 91","2085"],["Heckle 1999","3098"],["Freiburger Zeitung 1966","4052"],["Freiburger Zeitung 1964, S. 11 mit Abb.","4109"],["Freiburg 2009, S. 124, S. 226–227, Farbtaf. S. 125","21175"]],[["Freiburg"],["Deutschland"]]]},{"id":1005,"img":{"extraLarge":"AP_100042009_extraLarge.jpg","medium":"AP_100042009_medium.jpg"},"arr":["1964.04","Stillleben mit Sonnenblumen und Faunskopf","","1964","Öl/Lwd.","64 x 78 cm ","Bez. unten links: OK ","","","461","Privatbesitz","","","Privatbesitz"],"mul":[[["Marlborough Fine Art","Marlborough Fine Art, London",""],["Markus","Markus, Chicago (17.3.1965)",""],["Sotheby Parke Bernet","Sotheby Parke Bernet, London (3.12.1980, Nr. 61 mit Farbabb.)",""],["Leggatt Brothers","Leggatt Brothers, London (3.12.1980)",""]],[["1966 New York","8544","Nr. 62, Farbabb. S. 83 "],["2010/11 Appenzell","8684","S. 46, Farbtaf. S. 77"]],[["Sotheby Parke Bernet 1980, Nr. 61 mit Farbabb. ","3170"]],[["Stillleben"]]]},{"id":1326,"img":{"extraLarge":"AP_100042333_extraLarge.jpg","medium":"AP_100042333_medium.jpg"},"arr":["1964.05","Stillleben mit Früchten und Vogel","","1964","Öl/Lwd.","65 x 73 cm ","Bez. unten rechts: OK "," "," ","462","Albertina, Wien","","GE65DL","Albertina, Wien, Sammlung Batliner "],"mul":[[["Galerie Beyeler","Galerie Beyeler, Basel",""],["Batliner Herbert","Herbert Batliner, Vaduz (30.1.1979)",""]],[["1998 Wien, Kunstforum","8009","Nr. 62, S. 185, Farbtaf. S. 187"],["1984 Vevey","8050","Nr. 42 "],["1966 Zürich","8225","Nr. 118 "],["2008 Warwickshire, Compton Verney","8253","o. Abb."],["1975 Hamburg","8362","Nr. 21 "],["1978/79 Basel","8410","Nr. 44 mit Farbabb. "],["1990 London","8481","Nr. 12 mit Farbtaf. "],["1975 Madrid","8555","Nr. 21 "],["2010/11 Appenzell","8684","S. 66, Farbtaf. S. 81"],["2008 Wien, Albertina","8744","Nr. 107 mit Farbtaf."],["1976 Zürich","8754","mit Farbabb."]],[["Batliner 2005, S. 162, 462, Nr. 111, Farbtaf. S. 163","2276"],["Sammlung Batliner 2007, S. [322]-323, Farbtaf. 218","3747"],["Wien 2009, S. 121, Farbtaf.","23215"]],[["Stillleben"]]]},{"id":1141,"img":{"extraLarge":"AP_100042147_extraLarge.jpg","medium":"AP_100042147_medium.jpg"},"arr":["1965.01","Stillleben mit Katze","","1965","Öl/Lwd.","81 x 65 cm ","Bez. unten rechts: OK "," "," ","463","Privatbesitz","","","Privatbesitz"],"mul":[[["Marlborough Fine Art","Marlborough Fine Art, London (14.8.1968)",""],["Privatbesitz","Privatbesitz, Washington (1968–1973)",""]],[["2001 New York","8011","Nr. 20, Farbtaf. S. 27"],["1965 München","8070","Nr. 193 "],["2014 Wolfsburg","8102","S. 57, Farbtaf. S. 225"],["1966 Zürich","8225","(außer Kat.)"],["1966 New York","8544","Nr. 65, Abb. S. 82 "]],[["Windisch 2013, S. 201, Abb. 85","3001"],["Spielmann 2003 a, S. 416","3309"]],[["Stillleben"],["Tiere"]]]},{"id":1113,"img":{"extraLarge":"AP_100042119_extraLarge.jpg","medium":"AP_100042119_medium.jpg"},"arr":["1966.01","Saul und David","","1966","Öl/Lwd.","100 x 130 cm ","Bez. unten links: OK "," "," ","464","The Tel Aviv Museum of Art, Tel Aviv","1971, Schenkung des Künstlers zur Eröffnung des Museums","","Tel Aviv Museum of Art, Gift of the artist, 1971"],"mul":[[["Kokoschka Oskar","Oskar Kokoschka",""]],[["1969 München","8043","Nr. 821, Abb. S. 133 "],["1966 Zürich","8225","Nr. 119, Farbtaf. VII "],["1975 Hamburg","8362","Nr. 22, Farbabb. 27 "],["1990 London","8481","Nr. 13 mit Farbtaf. "],["1966 New York","8544","Nr. 64, Farbabb. S. 87 "],["1975 Madrid","8555","Nr. 22, Farbabb. 30 "],["1987 Gent","8571","Nr. 55, Farbabb. S. 128 "],["1969 London, Marlborough","8755","Nr. 21, Farbabb. S. 7 "],["1982 Tel Aviv","8847","Nr. 75 mit Abb. "],["1966 London","8938","Nr. 16, Farbabb. S. 33 "],["1967 München","8975","Nr. 834, Abb. S. 129 "]],[["Monsel 1995, S. [53], Farbabb. 61","2144"],["Erling 2008, S. 39--40, Farbabb. S. 39","2525"],["Windisch 2013, S. 243, Abb. 141","3001"],["Spielmann 2003 a, S. 451, Farbtaf. S. 477","3309"],["Die Welt 1971 a","3366"],["Spielmann 1996, Abb. S. 12","3805"],["Hoffmann 1986, S. 79, Abb. 31 ","3886"]],[["Biblische Figuren"]]]},{"id":1483,"img":{"extraLarge":"AP_100042492_extraLarge.jpg","medium":"AP_100042492_medium.jpg"},"arr":["1966.02","Konrad Adenauer","","1966","Öl/Lwd.","132 x 102 cm ","Bez. unten links: OK "," "," ","465","Deutscher Bundestag Berlin","17.5.1966, Stiftung der Illustrierten Quick","126",""],"mul":[[],[["1971 München","8125","Nr. 53 mit Abb. "],["1983 St. Augustin bei Bonn","8147"," "],["1966 Zürich","8225","Nr. 120 "],["1966 Karlsruhe","8284","Nr. 75 mit Abb. "],["1975 Hamburg","8362","Nr. 23, Abb. 28 "],["1970 Recklinghausen","8404","Nr. 120 "],["1966 New York","8544","Nr. 66, Abb. S. 84 "],["1975 Madrid","8555","Nr. 23, Abb. 33 "],["1976 Köln","8728"," "],["1978 Kamakura","8846","Nr. 31, Abb. 31 "],["1968 Darmstadt","8901","Nr. 1, Farbtaf. S. 51 "]],[["Simon/Fischer 1966 a","2086"],["Bonnefoit 2013, S. 48-49, Farbabb. 11","2194"],["Simon/Fischer 1966 b","2226"],["Drathen 1997, S. 40 mit Farbtaf. S. 41","2334"],["Masciotta 1967, Farb. Umschlagabb., Farbtaf. XVII (Detail)","2447"],["Die Welt 1966 a, S. 5","2674"],["Hagen 1992, S. 32 mit Farbabb.","2680"],["Grunenberg 1966, S. 14","2684"],["Simon 1967, Farbtaf. S. 65, 67, 68 (Detail)","2795"],["Kokoschka 1971, S. 295--302 ","2894"],["Reinhold/Werkner 2013, S. 56-57, 164-165 mit Fotos S. 56, 165","2988"],["Stankiewitz 2013, Anm. 16 S. 32","2992"],["Du 1981, S. 60, Abb. 4","2998"],["Bonnefoit/Häusler 2010 b, S. 107-111, Farbabb. 9","3268"],["Poppinga 1970","3284"],["Paulus 2010, S. 803-822 mit Farbtaf.","3294"],["Spielmann 2003 a, S. 434","3309"],["Quick 1966, Farbabb. S. 61-62","3400"],["Adam 1977","4054"]],[["Männliches Bildnis"]]]},{"id":1472,"img":{"extraLarge":"AP_100042481_extraLarge.jpg","medium":"AP_100042481_medium.jpg"},"arr":["1966.03","Der verschmähte Liebhaber","Der abgewiesene Liebhaber","1966","Öl/Lwd.","81 x 115.5 cm ","Bez. unten rechts: OK "," "," ","466","Sammlung Spielmann, Hamburg/Aumühle","","","Sammlung Spielmann Hamburg/Aumühle"],"mul":[[["Kokoschka Olda","Olda Kokoschka, Villeneuve",""]],[["1984 Vevey","8050","Nr. 43 "],["2012 Stade","8057","S. 33, Nr. 25 mit Farbabb."],["1966 Zürich","8225","(außer Kat.)"],["1998 Wien, Albertina","8233","S. 182, Farbtaf. 98"],["1998 Berlin, Kunstforum der GKB","8298","Nr. 91, S. 148, Farbtaf. S. 149"],["1975 Hamburg","8362","Nr. 26, Abb. 22 "],["1981 London, Marlborough","8496","Nr. 55 "],["1981 New York, Marlborough","8535","Nr. 55, Abb. S. 78 "],["1966 New York","8544","Nr. 67, Abb. S. 86 "],["1975 Madrid","8555","Nr. 26, Abb. 25 "],["1968 Smithsonian Institution, Washington, DC","8606","Nr. 6 "],["1986 London","8643","Nr. 107 mit Farbtaf. "],["2008 Wien, Albertina","8744","S. 41, Nr. 102 mit Farbtaf."],["1969 London, Marlborough","8755","Nr. 22, Abb. S. 50 "],["1986 Zürich","8836","Nr. 115 mit Farbtaf. "],["1978 Kamakura","8846","Nr. 34 "],["2005/06 Pfäffikon","8898","Farbtaf. 127"],["1981/82 Rom","8934","Farbabb. S. 91 "],["1967 München","8975","Nr. 833 "],["1983 Bordeaux","9016","Nr. 61, Abb. S. 145 "],["1991 Wien","9033","Nr. 81 mit Farbtaf. "],["1986/87 Guggenheim, New York","9072","Nr. 85 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 95, Farbtaf. S. 260"]],[["Alte und moderne Kunst 1967, Abb. S. 46","2978"],["Serati 2008, S. 307 mit Farbabb.","3304"],["Spielmann 2003 a, S. 452, Farbtaf. S. 476","3309"],["Mizue 1978, Farbabb. S. 17","3934"],["Winkler 1991, S. 48, Farbtaf. zu Kat.-Nr. 81 ","3958"]],[["Akte"],["Interieur"]]]},{"id":1175,"img":{"extraLarge":"AP_100042181_extraLarge.jpg","medium":"AP_100042181_medium.jpg"},"arr":["1966.04","Berlin - 13. August 1966","","1966","Öl/Lwd.","105.5 x 140 cm ","Bez. unten links: OK "," ","","467","Axel Springer SE"," ","10771600",""],"mul":[[["Springer Axel","Axel Springer, Berlin",""]],[["1967 London","8080","Nr. 1 mit Abb. "],["1998 Wien, Albertina","8233","S. 184, Farbtaf. 99"],["1984 Hamburg","8236","Nr. 15, Farbabb. S. 23 "],["1998 Berlin, Kunstforum der GKB","8298","Nr. 97, S. 150, Farbtaf. S. 151, farb. Abb. auf Umschlag"],["1975 Hamburg","8362","Nr. 24, Farbabb. 17 "],["1990 London","8481","Nr. 14 mit Farbtaf. "],["1989 Berlin","8508","S. 4, 24, Farbtaf. S. 25"],["1968 München","8537","Nr. 316, Abb. S. 77 u. d. T. \"London\" "],["1966 New York","8544","Nr. 68, Abb. S. 88 "],["1975 Madrid","8555","Nr. 24, Farbabb. 20 "],["2013/14 Wien","8589","S. 252-253, 340, Farbtaf. S. 257"],["1986 London","8643","Nr. 108 mit Farbtaf. "],["2008 Wien, Albertina","8744","Nr. 171 mit Farbtaf."],["1996 Dresden","8815","S. 154, Farbtaf. S. [155]"],["1971 Wien","8820","Nr. 93, Farbabb. 67 "],["1978 Kamakura","8846","Nr. 32, Farbabb. 32 "],["1987 Martin-Gropius-Bau, Berlin","8957","Nr. 254, Farbabb. S. 432 "],["1983 Bordeaux","9016","Nr. 60, Abb. S. 144 "],["2018/2019 Zürich","21106","Nr. 94, Farbtaf. S. 266"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 68, Farbtaf. S. 260-261"]],[["Henseleit 1966, farb. Umschlagabb.","2078"],["Kunst und Unterricht 1983, Farbabb. S. 39","2180"],["Schärer 1966","2464"],["Springer-Post 1966","2908"],["Reinhold/Werkner 2013, S. 57-58, Foto S. 59","2988"],["Menschen und Ereignisse 1967, S. VI mit Farbabb.","3034"],["Spielmann 1974, Farbabb. S. 74--75","3218"],["Spielmann 2003 a, S. 449, Farbtaf. S. 478","3309"],["Reinhold 2013, Farbabb. (Detail)","3582"],["Mizue 1978, Farbabb. S. 20","3934"],["Spiegel 1967","3955"],["Lesebuch für Schulen 1969, Farbabb. S. 182--183 ","3964"],["Paris 2022, Farbtaf. S. 260-261","43164"]],[["Berlin"],["Deutschland"]]]},{"id":1406,"img":{"extraLarge":"AP_100042413_extraLarge.jpg","medium":"AP_100042413_medium.jpg"},"arr":["1966.05","New York, Manhattan mit dem Empire State Building","","1966","Öl/Lwd.","101.5 x 137 cm ","Bez. unten links: OK "," "," ","468","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Marlborough Fine Art","Marlborough Fine Art, London",""],["Mosler John","John Mosler, New York (1976)",""],["Marlborough Fine Art","Marlborough Fine Art, London",""],["Privatbesitz","Privatbesitz, New York",""]],[["2001 New York","8011","Nr. 21, Farbtaf. S. 28"],["1967 London","8080","Nr. 2 mit Farbabb. "],["1981 London, Marlborough","8496","Nr. 56 "],["1981 New York, Marlborough","8535","Nr. 56, Farbabb. S. 79 "],["1986 London","8643","Nr. 109 mit Farbtaf. "],["1986/87 Guggenheim, New York","9072","Nr. 86 mit Farbtaf. "]],[["Monsel 1995, S. [48], Farbabb. 58","2144"],["Schmalenbach F. 1967, Farbtaf. S. 80 ","2199"],["Die Welt 1966 b, Abb.","2751"],["Mikš 2013, S. 185, 359, Farbabb. XVI","3257"],["Lachnit 2008, Farbabb. S. 31","3270"],["Spielmann 2003 a, S. 449, Farbtaf. S. 479","3309"],["Gatt 1972, Abb. 40 ","3468"]],[["New York"],["Amerika"]]]},{"id":1076,"img":{"extraLarge":"AP_100042081_extraLarge.jpg","medium":"AP_100042081_medium.jpg"},"arr":["1966.06","Morgen und Abend (Die Macht der Musik II)","","1966","Öl/Lwd.","100 x 130 cm ","Bez. in der unteren Hälfte links: OK "," "," ","469","Kunsthaus Zürich ","1990 Legat Walter und Gertrud von Wyss-Ehinger","1990/8","Kunsthaus Zürich, Legat Gertrud von Wyss-Ehinger, 1990"],"mul":[[["Kokoschka Olda","Olda Kokoschka, Villeneuve",""],["Marlborough Fine Art","Marlborough Fine Art, London (1990)",""]],[["1984 Vevey","8050","Nr. 44, Abb. S. 60 "],["2012 Stade","8057","S. 51, Nr. 50 mit Farbabb."],["1975 Hamburg","8362","Nr. 25, Abb. 26 "],["1972 München","8425","Nr. 225 "],["1990 London","8481","Nr. 15 mit Farbtaf. "],["1981 London, Marlborough","8496","Nr. 54 "],["1981 New York, Marlborough","8535","Nr. 54, Abb. S. 77 "],["1975 Madrid","8555","Nr. 25, Abb. 29 "],["1987 Gent","8571","Nr. 56, Farbabb. S. 126, (Detail) S. [127]"],["1986 London","8643","Nr. 110 mit Farbtaf. "],["1988 Barcelona","8659","Nr. 62, Farbabb. S. 95 "],["2008 Wien, Albertina","8744","S. 40, Nr. 186 mit Farbtaf."],["2007 Vevey","8807","S. 40, 43, Farbtaf. 4"],["1986 Zürich","8836","Nr. 116 mit Farbtaf. "],["1978 Kamakura","8846","Nr. 33, Abb. 33 "],["1983 Bordeaux","9016","Nr. 59, Abb. S. 143, Farbabb. S. 61 "],["1991 Wien","9033","Nr. 82 mit Farbtaf. (Detail)"],["1986/87 Guggenheim, New York","9072","Nr. 87 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 96, Farbtaf. S. 264-265"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 69, Farbtaf. S. 262-263"]],[["Monsel 1995, Farbabb. 64","2144"],["Forni 1984, S. 14-15 ","2260"],["Spielmann 2009, Farbabb. 3c","2299"],["Stefano 1997, S. 46 mit Farbabb.","3071"],["Zürich 1992, S. 87, Farbabb. S. 86","3158"],["Spielmann 2003 a, S. 452, Abb. S. 456 (Detail), Farbtaf. S. 482","3309"],["Zürich 2007, S. 636 mit Abb.","3336"],["Jewanski / Düchting 2009, S. 354-355","3515"],["Spielmann 1996, Abb. S. 11","3805"],["Zauner/Köstler 1996, Farbabb. S. 181","3956"],["Winkler 1991, S. 49--50, Abb. 7 (Lithographie 1966, Wingler/Welz 1975, Nr. 366) und Farbtaf. zu Kat.-Nr. 82 ","3958"],["James 1990, mit Farbabb.","4137"],["Paris 2022, Farbtaf. S. 262-263","43164"]],[["Akte"],["Figuren in Landschaft"]]]},{"id":1052,"img":{"extraLarge":"AP_100042056_extraLarge.jpg","medium":"AP_100042056_medium.jpg"},"arr":["1967.01","London mit den Houses of Parliament","","1967","Öl/Lwd.","91.5 x 136.5 cm ","Bez. unten links: OK "," "," ","470","Heinz Winzenried","","","Heinz Winzenried"],"mul":[[["Marlborough Fine Art","Marlborough Fine Art, London",""],["Lang René","René Lang, Zollikon (1981)",""],["Privatbesitz","Privatbesitz, Norddeutschland",""],["Christie's","Christie's, London (17.10.2000, Nr. 25 mit Farbabb.)",""],["Christie's","Christie's, London (22.6.2004, Nr. 47 mit Farbabb. nicht verkauft)",""],["Villa Grisebach","Villa Grisebach, Berlin (24.11.2011, Nr. 46 mit Farbabb.)",""]],[["1984 Vevey","8050","Nr. 45, Farbabb. S. 67 "],["1967 London","8080","Nr. 3, farb. Umschlagabb."],["1969 London, Cunard Marlborough","8160","farb. Umschlagabb."],["1976 London","8338","Nr. 19 mit Farbabb. "],["1975 Hamburg","8362","Nr. 28, Abb. 30 "],["1977 London","8475","Nr. 113 mit Farbtaf. "],["1990 London","8481","Nr. 16 mit Farbtaf. "],["1981 London, Marlborough","8496","Nr. 57 "],["1981 New York, Marlborough","8535","Nr. 57, Farbabb. S. 80 "],["1968 München","8537","Nr. 317 "],["1975 Madrid","8555","Nr. 28 "],["1969 London, Marlborough","8755","Nr. 22 mit Farbabb. "],["1986 Zürich","8836","Nr. 112 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 97, Farbtaf. S. 267"]],[["Schultz-Dieckmann 1967, Abb.","2333"],["Erling 2008, S. 43--44, Farbabb. S. 43","2525"],["Tomes 1972, S. 84, 87, Farbtaf. S.[85] ","2739"],["Christie's London 2000, Nr. 25 mit Farbabb.","2766"],["Villa Grisebach 2011, Nr. 46 mit Farbabb.","2768"],["Du 1981, Farbabb. S. 53","2998"],["Stone 2000, S. 102 ","3185"],["Piper 1982, S. 120-122, Abb. S. 151 ","3303"],["Spielmann 2003 a, S. 442 mit Abb.","3309"],["Fischer 1982, S. 153-154 ","3317"],["Gatt 1972, Abb. 41 ","3468"],["Christie's London 2004, Nr. 47 mit Farbabb.","3876"],["James 1990, mit Farbabb.","4137"]],[["London"],["England"]]]},{"id":1294,"img":{"extraLarge":"AP_100042301_extraLarge.jpg","medium":"AP_100042301_medium.jpg"},"arr":["1967.02","Gstaad","","1967","Öl/Lwd.","90 x 110 cm ","Bez. unten rechts: OK "," "," ","471","Privatbesitz","","","Privatbesitz"],"mul":[[["May Morton D.","Morton D. May, St. Louis (bis 3.7.1973)",""],["Marlborough Fine Art","Marlborough Fine Art, London (3.7.1973–2.12.1983)",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 121 "],["2001 New York","8011","Nr. 22, Farbtaf. S. 29"],["1968 London","8169","Nr. 21 mit Farbabb. "],["1976 London","8338","Nr. 18 mit Farbabb. "],["1970 New York, Marlborough-Gerson","8374","Nr. 93, Farbtaf. S. 129 "],["1990 London","8481","Nr. 17 mit Farbtaf. "],["1981 London, Marlborough","8496","Nr. 58 "],["1981 New York, Marlborough","8535","Nr. 58, Farbabb. S. 81 "],["1975 Madrid","8555","Nr. 33 "],["1981/82 Rom","8934","Farbabb. S. 98 "],["1983 Bordeaux","9016","Nr. 62, Abb. S. 146, Farbabb. S. 62 "]],[["Werner 1991, S. 110, Abb. S. [111] ","3555"]],[["Schweiz"]]]},{"id":1218,"img":{"extraLarge":"AP_100042224_extraLarge.jpg","medium":"AP_100042224_medium.jpg"},"arr":["1968.01","Istanbul II","","1968","Öl/Lwd.","89 x 128 cm ","Bez. unten rechts: OK "," "," ","473","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Marlborough Fine Art","Marlborough Fine Art, New York (11.3.1986–25.4.1986)",""]],[["1971 London, Marlborough","8049","Nr. 27, Farbabb. S. 57 "],["1984 Vevey","8050","Nr. 47, Farbabb. S. 63 "],["1969 London, Cunard Marlborough","8160","mit Farbabb. "],["1968 London","8169","Nr. 22 mit Farbabb. "],["1976 London","8338","Nr. 20 mit Farbabb. "],["1975 Hamburg","8362","Nr. 31, Farbabb. 16 "],["1981 London, Marlborough","8496","Nr. 59 "],["1981 New York, Marlborough","8535","Nr. 59, Farbabb. S. 82 "],["1975 Madrid","8555","Nr. 34, Farbabb. 19 "],["1971 Wien","8820","Nr. 96 "],["1978 Kamakura","8846","Nr. 36, Farbabb. 36 "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 180, Farbabb. S. 181 "],["1983 Bordeaux","9016","Nr. 64, Abb. S. 148, Farbabb. S. 63 "]],[["Bauer 2008 a, S. 149 mit Farbabb.","2762"],["Spielmann 1974, Abb. S. 77 ","3218"],["Spielmann 2003 a, S. 450, Abb. S. 447","3309"],["Mizue 1978, Farbabb. S. 21","3934"],["Novotny 1968, Farbtaf. 1 nach S. 84","4017"]],[["Istanbul"],["Türkei"]]]},{"id":1286,"img":{"extraLarge":"AP_100042292_extraLarge.jpg","medium":"AP_100042292_medium.jpg"},"arr":["1968.02","Die Frösche","","1968","Öl/Lwd.","61 x 91.5 ","Bez. unten rechts: OK. Auf der Rückseite datiert und beschriftet: Europa's Sunset 1968 Prague 23 8 68 "," ","","474","Privatbesitz","","","Privatbesitz"],"mul":[[["Marlborough Fine Art","Marlborough Fine Art, London",""],["Schwarzkopf Kurt und Ilse","Kurt und Ilse Schwarzkopf, Innsbruck",""],["Adolf Loos Apartment and Gallery","Adolf Loos Apartment and Gallery, Prag (26.11.2016, Nr. 148, Abb. S. 135, nicht verkauft)",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 120 "],["1998 Wien, Albertina","8233","S. 192, Farbtaf. 106"],["1994/95 Bielefeld","8301","Nr. 74, S. 287, Farbtaf. S. 175"],["1975 Hamburg","8362","Nr. 30, Farbabb. 25 "],["1990 London","8481","Nr. 19 mit Farbtaf. "],["1975 Madrid","8555","Nr. 32, Farbabb. 28 "],["2008 Wien, Albertina","8744","S. 43, Nr. 136 mit Farbtaf."],["1969 London, Marlborough","8755","Nr. 24, Farbabb. S. 26 "],["1971 Wien","8820","Nr. 97 "],["1991 Wien","9033","Nr. 85 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 98, Farbtaf. S. 225"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 70, Farbtaf. S. 258"]],[["Roşu 1976, Farbabb. 55 ","2148"],["Spielmann 1992, S. 94 ","2984"],["Spielmann 2010, S. 21, Farbabb. 17","3110"],["Hodin 1975, S. 66, Farbabb. S. [81] ","3443"],["Geiger-Gierke 1973, S. 141","3796"],["Adolf Loos Apartment and Gallery 2106, Nr. 148, Abb. S. 135","14170"],["Paris 2022, Farbtaf. S. 258","43164"]],[["Tiere"],["Politische Bilder"]]]},{"id":1417,"img":{"extraLarge":"AP_100042425_extraLarge.jpg","medium":"AP_100042425_medium.jpg"},"arr":["1969.01","Selbstbildnis 1969","Selbstbildnis","1969","Öl/Lwd.","90.5 x 70.4 cm ","Bez. oben links: OK "," "," ","475","Musée Jenisch, Fondation Oskar Kokoschka, Vevey","1990","FOK 200","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Kokoschka Oskar","Oskar Kokoschka, Villeneuve",""],["Kokoschka Olda","Olda Kokoschka, Villeneuve",""]],[["1984 Vevey","8050","Nr. 48, Farbabb. S. 62 "],["2014 Wolfsburg","8102","S. 281, 305, Farbtaf. S. 293"],["1971 München","8125","Nr. 55 mit Abb. "],["1972 London","8342","Nr. 37, Farbabb. S. 75 "],["1975 Hamburg","8362","Nr. 32, Farbabb. 13 "],["2003 Apolda","8411","Nr. 110, S. 110, Farbtaf. S. 88"],["1990 London","8481","Nr. 20 mit Farbtaf. "],["1981 London, Marlborough","8496","Nr. 61 "],["1981 New York, Marlborough","8535","Nr. 61, Farbabb. S. 84 "],["2001/02 Emden","8542","S. 93, Farbtaf. S. 91"],["1975 Madrid","8555","Nr. 35, Farbabb. 16 "],["1987 Gent","8571","Nr. 57, Farbtaf. S. 129 "],["1986 London","8643","Nr. 111 mit Farbtaf. "],["1988 Barcelona","8659","Nr. 63, Farbtaf. S. 96 "],["2010/11 Appenzell","8684","S. 188, Farbtaf. S. 184"],["1985 Lausanne","8696","Nr. 635, Abb. S. 369 "],["1969 London, Marlborough","8755","Nr. 25, Farbabb. Frontispiz "],["1971 Wien","8820","Nr. 98 "],["1986 Zürich","8836","Nr. 114 mit Farbtaf. "],["1978 Kamakura","8846","Nr. 37 "],["1995 Bellinzona","8872","S. 66, Farbtaf. S. [67]"],["2005/06 Pfäffikon","8898","Farbtaf. 122"],["1981/82 Rom","8934","Farbabb. S. 99 "],["1991 Wien","9033","Nr. 83 mit Farbtaf. "],["1986/87 Guggenheim, New York","9072","Nr. 88 mit Farbtaf. "],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 71, Farbtaf. S. 266"]],[["Monsel 1995, Farbtaf. 68","2144"],["Bonnefoit 2013, S. 45, Farbabb. 8","2194"],["Erling 2008, S. 42, Farbabb. S. 42","2525"],["Teufelberger 1994, Abb. 34","2557"],["Bonnefoit 2014 a, S. 44, Farbabb. 21","2634"],["Kokoschka 1971, Farbabb. (Detail) S. [315]","2894"],["Du 1981, farb. Umschlagabb.","2998"],["Stefano 1997, S. 44 mit Farbabb. (Detail)","3071"],["Bonnefoit/Reinhold 2010, S. 54, Farbtaf. 11","3214"],["Spielmann 1984, Farbabb. S. 11","3229"],["Spielmann 2003 a, S. 452, 454, Abb. S. 453","3309"],["Werner 1991, S. 112, Abb. S. [113] ","3555"],["Rainbird 1990, S. [3], Farbabb. S. [1] ","3562"],["Vevey 1994, S. 204 mit Farbtaf. S.[205]","3718"],["Mizue 1978, Farbabb. S. 19","3934"],["Zauner/Köstler 1996, Farbabb. S. 182","3956"],["Winkler 1991, S. 50, Farbtaf. zu Kat.-Nr. 83 ","3958"],["Paris 2022, Farbtaf. S. 266","43164"]],[["Selbstbildnis"],["Männliches Bildnis"]]]},{"id":1307,"img":{"extraLarge":"AP_100042314_extraLarge.jpg","medium":"AP_100042314_medium.jpg"},"arr":["1969.02","Agatha Christie","","1969","Öl/Lwd.","81 x 112 cm ","Bez. oben rechts: OK "," "," ","476","Privatbesitz","","","Privatbesitz"],"mul":[[["Christie Agatha","Agatha Christie",""]],[["1971 München","8125","Nr. 56 mit Abb. "],["1975 Hamburg","8362","Nr. 33, Abb. 18 "],["1975 Madrid","8555","Nr. 36, Abb. 21 "],["1986 London","8643","Nr. 112 mit Farbtaf. "],["1971 Wien","8820","Nr. 99 "],["1986 Zürich","8836","Nr. 117 mit Farbtaf. "],["1986/87 Guggenheim, New York","9072","Nr. 89 mit Farbtaf. "]],[["Morgan 1984, S. 347-348","2728"],["Christie 1973, S. 26--29 mit Abb.","2970"],["Spielmann 2003 a, S. 432-433 mit Abb.","3309"],["Fischer 1982, S. 132-133 ","3317"]],[["Weibliches Bildnis"]]]},{"id":1368,"img":{"extraLarge":"AP_100042375_extraLarge.jpg","medium":"AP_100042375_medium.jpg"},"arr":["1969.03","The Duke and Duchess of Hamilton","","1969","Öl/Lwd.","89.8 x 129.8 cm ","Bez. unten links: OK "," "," ","477","Scottish National Portrait Gallery, Edinburgh ","Oktober 1987","Inv. Nr. PG 2723","Purchased with the aid of the Art Fund, the National Heritage Memorial Fund and the Pilgrims Trust 1987"],"mul":[[["14th Duke of Hamilton Sir Douglas Douglas-Hamilton","Sir Douglas Douglas-Hamilton, 14th Duke of Hamilton, Lennoxlove House",""]],[["1971 München","8125","Nr. 57 mit Abb. "],["1986 London","8643","Nr. 113 mit Farbtaf. "],["1990 Edinburgh","9006","Farbabb. 13"],["1986/87 Guggenheim, New York","9072","Nr. 90 mit Farbtaf. "]],[["Calvocoressi 1990, S. 14, Farbabb. 13","3177"],["Spielmann 2003 a, S. 439, Abb. S. 438","3309"],["National Galleries of Scotland 1987, Farbabb.","3356"],["The Independent 1987","3431"],["Thoma 1993, S. 122-125, Farbab","3525"]],[["Doppelbildnis"],["Weibliches Bildnis"],["Männliches Bildnis"]]]},{"id":1480,"img":{"extraLarge":"AP_100042489_extraLarge.jpg","medium":"AP_100042489_medium.jpg"},"arr":["1970.01","Die Frau des Matrosen (Die Seemannsbraut)","","1967/68, 1970","Öl/Lwd.","100 x 81.5 cm ","Bez. unten rechts: OK "," ","","472","Musée Jenisch, Fondation Oskar Kokoschka, Vevey","1999","FOK 444","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Kokoschka Oskar","Oskar Kokoschka, Villeneuve",""],["Kokoschka Olda","Olda Kokoschka, Villeneuve",""]],[["1984 Vevey","8050","Nr. 46 "],["2014 Wolfsburg","8102","S. 244, Farbtaf. S. 249"],["1998 Wien, Albertina","8233","S. 210, Farbtaf. 116"],["1998 Berlin, Kunstforum der GKB","8298","Nr. 118, S. 186, Farbtaf. S. 187"],["1975 Hamburg","8362","Nr. 27, Farbabb. 73 "],["2003 Apolda","8411","Nr. 107, S. 108, Farbtaf. S. 87"],["1990 London","8481","Nr. 18 mit Farbtaf. "],["1981 London, Marlborough","8496","Nr. 60 "],["1981 New York, Marlborough","8535","Nr. 60, Abb. S. 83 "],["1968 München","8537","Nr. 315 "],["2001/02 Emden","8542","S. 93, Farbtaf. S. 87"],["1975 Madrid","8555","Nr. 27, Farbabb. 26 "],["1969 London, Marlborough","8755","Nr. 23, Farbabb. S. 51 "],["1968/69 Berlin","8781","Nr. 3, Abb. S. 65 "],["1971 Wien","8820","Nr. 96, Abb. 71 "],["1978 Kamakura","8846","Nr. 35, Abb. 35 "],["2005/06 Pfäffikon","8898","o. Farbtaf. (außer Kat.)"],["1983 Bordeaux","9016","Nr. 63, Abb. S. 147 "],["1991 Wien","9033","Nr. 84 mit Farbtaf. "]],[["Erling 2008, S. 42, Farbabb. S. 41","2525"],["Spielmann 2003 a, S. 452, Farbtaf. S. 471","3309"],["Winkler 1991, S. 48, Farbtaf. zu Kat.-Nr. 84 ","3958"]],[["Akte"],["Figuren in Landschaft"]]]},{"id":1276,"img":{"extraLarge":"AP_100042282_extraLarge.jpg","medium":"AP_100042282_medium.jpg"},"arr":["1970.02","London, Blick auf die City mit St. Paul's Cathedral","","1970","Öl/Lwd.","101 x 136.5 cm ","Bez. unten links: Ok","","","479","Privatbesitz","","","Privatbesitz"],"mul":[[["Marlborough Fine Art","Marlborough Fine Art, London",""],["March Severa Bartolomé","Bartolomé March Severa, Palma de Mallorca (1972-1998)",""],["Christie's","Christie's, London (6.2.2001, Nr. 31 mit Farbabb.)",""]],[["1971 London, Royal Academy","8059","Nr. 163 "],["1975 Hamburg","8362","Nr. 34 "],["1977 London","8475","Nr. 114 mit Abb. "],["1975 Madrid","8555","Nr. 37 "],["1988 Barcelona","8659","Nr. 64, Farbtaf. S. 97 "],["1971 Wien","8820","Nr. 100, Farbabb. 68 "],["1986 Hochschule für angewandte Kunst, Wien","8911","S. 106, Farbabb. S. 107 "]],[["Roşu 1976, Farbabb. S. [57] ","2148"],["Christie's London 2001 a, Nr. 31 mit Farbabb. ","2521"],["Connaisseur des Arts 1971, Abb. S. 39","2668"],["Tomes 1972, S. 88, 91-92, Farbtaf. S. 89","2739"],["Reinhold/Werkner 2013, S. 172","2988"],["Stone 2000, S. 103-104 ","3185"],["Spielmann 1974, S. 72 ","3218"],["Spielmann 2003 a, S. 442, Abb. S. 443","3309"]],[["London"],["England"]]]},{"id":1124,"img":{"extraLarge":"AP_100042130_extraLarge.jpg","medium":"AP_100042130_medium.jpg"},"arr":["1970.03","Carletto Ponti","","1970","Öl/Lwd.","114 x cm ","Bez. in der unteren Hälfte links: OK "," "," ","478","Privatbesitz","","","Privatbesitz"],"mul":[[["Allgäuer Alpenmilch AG München, Inv. Nr. L 1273","Allgäuer Alpenmilch AG München, Inv. Nr. 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S. 264"]],[["Hassfurther 1984, Nr. 66 mit Farbtaf.","2269"],["Bonnefoit 2014 a, S. 49, Farbabb. 29","2634"],["Diezemann 1970, S. 107--109","2942"],["Wiener Kunst Auktionen 1994, Nr. 716 mit Farbabb. ","3596"],["Paris 2022, Farbtaf. S. 264","43164"]],[["Kinder"]]]},{"id":1053,"img":{"extraLarge":"AP_100042057_extraLarge.jpg","medium":"AP_100042057_medium.jpg"},"arr":["1971.01","Elisabeth Furtwängler","","1970/71","Öl/Lwd.","97 x 73.5 cm ","Unbez. "," "," ","480","Privatbesitz"," ","","Privatbesitz"],"mul":[[["Furtwängler Elisabeth","Elisabeth Furtwängler",""],["Kokoschka Olda","Olda Kokoschka, Villeneuve",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 122 "],["1984 Vevey","8050","Nr. 49, Abb. S. 61 "],["1998 Wien, Albertina","8233","S. 214, Farbtaf. 118"],["1975 Hamburg","8362","Nr. 37, Abb. 38 "],["1981 London, Marlborough","8496","Nr. 62 "],["1981 New York, Marlborough","8535","Nr. 62, Abb. S. 85 "],["1975 Madrid","8555","Nr. 40, Abb. 38 "],["1978 Kamakura","8846","Nr. 39 "],["1981/82 Rom","8934","Farbabb. S. 103 "],["1983 Bordeaux","9016","Nr. 65, Abb. S. 150 "]],[["Anna Bella 1971, mit Farbabb.","2230"],["Mizue 1978, Farbtaf. S. 23","3934"]],[["Weibliches Bildnis"]]]},{"id":1440,"img":{"extraLarge":"AP_100042448_extraLarge.jpg","medium":"AP_100042448_medium.jpg"},"arr":["1972.01","Time, Gentlemen please","","1971/72","Öl/Lwd.","130 x 100 cm ","Bez. unten links: OK; oben links beschriftet: TIME, gentlemen please "," "," ","481","Tate, London","1986","T04876","Tate, London"],"mul":[[["Kokoschka Olda","Olda Kokoschka, Villeneuve",""]],[["1984 Vevey","8050","Nr. 50 "],["2014 Wolfsburg","8102","S. 281, 305, Farbtaf. S. 297"],["1975 Hamburg","8362","Nr. 36, Abb. 12 "],["1972 München","8425","Nr. 226, Abb. S. 65 "],["1990 London","8481","Nr. 21 mit Farbtaf. "],["1981 London, Marlborough","8496","Nr. 63 "],["1981 New York, Marlborough","8535","Nr. 63, Abb. S. 86 "],["1975 Madrid","8555","Nr. 39, Abb. 15 "],["1976 Bregenz","8605","Nr. 37, farb. Umschlagabb."],["1986 London","8643","Nr. 114 mit Farbtaf. "],["1985 Lausanne","8696","Nr. 636, Abb. S. 370 "],["2008 Wien, Albertina","8744","S. 43, Nr. 187 mit Farbtaf."],["1986 Zürich","8836","Nr. 118 mit Farbtaf. "],["1978 Kamakura","8846","Nr. 38, Farbabb. 38 "],["1991 Wien","9033","Nr. 87 mit Farbtaf. "],["1986/87 Guggenheim, New York","9072","Nr. 91 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 99, Farbtaf. S. 285"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 73, Farbtaf. S. 277"]],[["Spielmann 1994 a, S. 546, Abb. 10 S. 543 ","2102"],["Beaumont 1990, S. 69","2133"],["Monsel 1995, S. [53], Farbtaf. 67","2144"],["Curti 2001, S. 20 mit Farbabb.","2298"],["London 1991, S. 208 mit Farbabb.","2327"],["Teufelberger 1994, Abb. 35","2557"],["Bonnefoit 2014 a, S. 45, Farbabb. S. 43","2634"],["London 1988, S. 82 mit Farbabb., S. 138 ","2841"],["Gombrich 1986, Farb. Umschlagabb.","2916"],["Stefano 1997, S. 46, Farbabb. S. 47","3071"],["Dichand 1986, S. 50, Farbtaf. S. 55 ","3104"],["Mikš 2013, S. 186, 358, Abb. 3.29","3257"],["Spielmann 2003 a, S. 454--456, Farbtaf. S. 480","3309"],["Rainbird/Kokoschka 1990, S. [7] mit Farbabb. ","3448"],["Spielmann 1975, Abb. S. 16 zu Kat.-Nr. 36","3460"],["Whitford 1986, S. 199 ","3477"],["Scotti 2010, S. 189, Farbabb. 10","3503"],["London 1996, S. 398--403, Abb. S. 399","3616"],["Keegan 1999, S. 266 mit Farbabb. Vor S. 145","3854"],["Winkler 1991, S. 47--48, Farbtaf. zu Kat.-Nr. 87 ","3958"],["Tate London 2015","4074"],["James 1990, S. 592","4137"],["Paris 2022, Farbtaf. S. 277","43164"]],[["Selbstbildnis"],["Figuren in Landschaft"]]]},{"id":1172,"img":{"extraLarge":"AP_100042178_extraLarge.jpg","medium":"AP_100042178_medium.jpg"},"arr":["1972.02","Ecce Homines","","1972","Tempera, Öl und Kreide/Papier, auf Karton aufgezogen","222 x 150 cm ","Bez. unten rechts: OK "," "," ","482","Kunststiftung Spielmann-Hoppe, Hamburg","","","Kunststiftung Spielann-Hoppe, Hamburg"],"mul":[[["Spielmann Heinz","Heinz Spielmann, Hamburg",""]],[["1979 Albstadt","8251","Nr. 122, Farbtaf. 48 "],["2005/06 Hamburg","8306","S. 170--171, Farbtaf. S. 173"],["1975 Hamburg","8362","Nr. 152, Abb. 56 "],["1975 Madrid","8555","Nr. 160, Abb. 56 "],["1986 London","8643","Nr. 115 mit Farbtaf. "],["2008 Wien, Albertina","8744","S. 42, Nr. 188 mit Farbtaf."],["1978 Kamakura","8846","Nr. 40 "],["1981 Linz","9028","Nr. 68, Farbtaf. S. 109 "],["1974 Hamburg","9098","Abb. Frontispiz "],["2018/2019 Zürich","21106","Nr. 100, Farbtaf. S. 263"]],[["Spielmann 1994 a, S. 546-548, Abb. 13 S. 546 ","2102"],["St. Nikolai 1987, Abb. und Farbtaf. S. [10--11]","2357"],["Bauer 2012, S. 68--69, Farbabb. 78","2541"],["Wölber 1986 b","2548"],["Spielmann 2007, S. 164, Farbtaf. 87 S. 36","2696"],["Ecce Homines 1974, Abb.","2717"],["Wölber 1986 a","2776"],["Windisch 2013, S. 262-263, Abb. 166","3001"],["Gewalt 1981, Abb. S. 31","3075"],["Bonnefoit 2011, S. 29, 218, Farbabb. 7","3289"],["Spielmann 2003 a, S. 455--456, Farbtaf. S. 481","3309"],["Wölber 1986 c","3484"],["Bonnefoit 2007, S. 618-619, Farbabb. 5","3836"],["Keegan 1999, S. 267","3854"],["Schleswig 1996, S. 101–102, Farbabb. S. 103 ","23205"]],[["Biblische Figuren"],["Religiöse Bilder"]]]},{"id":1250,"img":{"extraLarge":"AP_100042256_extraLarge.jpg","medium":"AP_100042256_medium.jpg"},"arr":["1973.01","Peer Gynt","","1973","Öl/Lwd.","115 x 89 cm ","Bez. unten rechts: OK "," "," ","483","Musée Jenisch, Fondation Oskar Kokoschka, Vevey"," ","FOK 1464","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Kokoschka Olda","Olda Kokoschka",""]],[["1984 Vevey","8050","Nr. 53 "],["1998 Wien, Albertina","8233","S. 224, Farbtaf. 124"],["1975 Hamburg","8362","Nr. 38, Abb. 37 "],["1981 London, Marlborough","8496","Nr. 64 "],["1981 New York, Marlborough","8535","Nr. 64, Abb. S. 87 "],["1975 Madrid","8555","Nr. 41, Abb. 32 "],["1987 Gent","8571","Nr. 59, Farbtaf. S. 131 "],["1976 München","8639"," "],["1986 London","8643","Nr. 116 mit Farbtaf. "],["1988 Barcelona","8659","Nr. 66, Farbtaf. S. 99 "],["1986 Zürich","8836","Nr. 119 mit Farbtaf. "],["1978 Kamakura","8846","Nr. 41, Abb. 41 "],["1983 Bordeaux","9016","Nr. 68, Abb. S. 152 "],["1991 Wien","9033","Nr. 86 mit Farbtaf. "],["1986/87 Guggenheim, New York","9072","Nr. 92 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 101, Farbtaf. S. 284"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 74, Farbtaf. S. 269"]],[["Monsel 1995, S. [53], Farbtaf. 65","2144"],["Erling 2008, S. 44, Farbabb. S. 43","2525"],["Spielmann 1986 a, S. 21-22, Abb. S. 20 ","2845"],["Du 1981, Farbtaf. S. 64","2998"],["Spielmann 2003 a, S. 464, Farbtaf. S. 57","3309"],["Spielmann 1985 b, S. 93--95, Abb. S. 160 ","3600"],["Winkler 1991, S. 50, Abb. 8 (Vorzeichnung) und Farbtaf. zu Kat.-Nr. 86 ","3958"],["Paris 2022, Farbtaf. S. 269","43164"]],[["Literarische Figuren"]]]},{"id":1203,"img":{"extraLarge":"AP_100042209_extraLarge.jpg","medium":"AP_100042209_medium.jpg"},"arr":["1973.02","Mal'occhio","","1972/73","Öl/Lwd.","116.5 x 89 cm ","Bez. oben links: OK (zweimal)"," "," ","485","Musée Jenisch, Fondation Oskar Kokoschka, Vevey","1988","FOK 206","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Kokoschka Olda","Olda Kokoschka",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 124 "],["1984 Vevey","8050","Nr. 52 "],["1992 Cismar","8291","S. 175, Farbtaf. 14"],["1975 Hamburg","8362","Nr. 39, Abb. 39 "],["2003 Apolda","8411","Nr. 114, S. 110, Farbabb. S. 86"],["1990 London","8481","Nr. 22 mit Farbtaf. "],["2001/02 Emden","8542","Nr. 20"],["1975 Madrid","8555","Nr. 42 "],["1987 Gent","8571","Nr. 58, Farbtaf. S. 130 "],["1976 München","8639"," "],["1988 Barcelona","8659","Nr. 65, Farbtaf. S. 98 "],["1978 Kamakura","8846","Nr. 42, Abb. 42 "],["1987 Florenz","8852","Nr. 21 mit Farbtaf. "],["1995 Bellinzona","8872","S. 70, Farbtaf. S. [71]"],["2005/06 Pfäffikon","8898","Farbtaf. 129"],["1981/82 Rom","8934","Farbabb. S. 106 "],["1983 Bordeaux","9016","Nr. 67, Abb. S. 151 "]],[["Erling 2008, S. 40, Farbabb. S. 41","2525"],["Spielmann 2003 a, S. 464","3309"],["Vevey 1994, S. 212 mit Farbtaf. S. [213]","3718"],["Keegan 1999, S. 267","3854"]],[["Figuren in Landschaft"]]]},{"id":1290,"img":{"extraLarge":"AP_100042297_extraLarge.jpg","medium":"AP_100042297_medium.jpg"},"arr":["1973.03","John G. McConnell","","1973","Öl/Lwd.","116.2 x 89.5 cm ","Bez. oben links: OK "," "," ","484","National Gallery of Canada, Ottawa","1976, Schenkung Elspeth B. McConnell, Montreal","18,664","Geschenk von Elspeth B. McConnell, Montreal, 1976"],"mul":[[["McConnell John G.","John G. McConnell, Montreal",""]],[["1980 Ottawa","8467"," "]],[["Galerie nationale du Canada 1980, Abb. 5","3141"]],[]]},{"id":1077,"img":{"extraLarge":"AP_100042082_extraLarge.jpg","medium":"AP_100042082_medium.jpg"},"arr":["1973.04","Lady Mary Dunn","","1973","Öl/Lwd.","100 x 81 cm ","Bez. unten links: OK "," "," ","486","Musée Jenisch, Fondation Oskar Kokoschka, Vevey","1988","FOK 202","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Kokoschka Olda","Olda Kokoschka",""]],[["1982 Wien, Museum des 20. Jahrhunderts","8004","Nr. 123 "],["1984 Vevey","8050","Nr. 51 "],["1992 Cismar","8291","S. 175, Farbtaf. 13"],["1975 Hamburg","8362","Nr. 40, Abb. 35 "],["2001/02 Emden","8542","S. 93"],["1975 Madrid","8555","Nr. 43, Abb. 31 "],["1976 München","8639"," "],["2010/11 Appenzell","8684","Farbtaf. S. 88"],["1978 Kamakura","8846","Nr. 43 "],["1981/82 Rom","8934","Farbabb. S. 105 "],["1983 Bordeaux","9016","Nr. 66, Abb. S. 149 "]],[["Vevey 1994, S. 208 mit Farbtaf. S. [209]","3718"]],[["Weibliches Bildnis"]]]},{"id":1292,"img":{"extraLarge":"AP_100042299_extraLarge.jpg","medium":"AP_100042299_medium.jpg"},"arr":["1975.01","Theseus und Antiope (Raub der Antiope)","","1958-75","Öl/Lwd.","195 x 165 cm ","Unbez."," "," ","487","Musée Jenisch, Fondation Oskar Kokoschka, Vevey","1988","FOK 201","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Kokoschka Olda","Olda Kokoschka",""]],[["1966 Zürich","8225","Nr. 121 u. d. T. \"Penthesilea\" "],["1992 Cismar","8291","S. 175, Farbtaf. 12"],["1986 London","8643","Nr. 117 mit Farbtaf. "],["2010/11 Appenzell","8684","Farbtaf. S. 71"],["1986 Zürich","8836","Nr. 120 mit Farbtaf. "],["1995 Bellinzona","8872","S. 68, Farbtaf. S. [69]"],["2005/06 Pfäffikon","8898","Farbtaf. 128"],["1960 London, Marlborough","9029","Nr. 83 mit Abb. "],["1986/87 Guggenheim, New York","9072","Nr. 93 mit Farbtaf. "],["2018/2019 Zürich","21106","Nr. 93, Farbtaf. S. 261"],["2022/2023 Paris, Musée d'Art moderne de Paris","27106","Nr. 75, Farbtaf. S. 275"]],[["Monsel 1995, S. [53], Farbtaf. 66","2144"],["Lehmann 2010, S. 30, 33-34, Farbabb. 4","2817"],["Kokoschka 1971, S. 262 ","2894"],["Reinhold/Werkner 2013, Foto S. 167","2988"],["Hodin 1975, S. 62-64, Abb. S. [59] ","3443"],["Laufer 1959, S. 16--17, Abb. u. d. T. \"Achill und Penthesilea\" S. 16","3520"],["Vevey 1994, S. 206 mit Farbtaf. S. [207]","3718"],["Paris 2022, Farbtaf. S. 275","43164"]],[["Mythologie"]]]},{"id":1384,"img":{"extraLarge":"AP_100042391_extraLarge.jpg","medium":"AP_100042391_medium.jpg"},"arr":["1975.02","Mädchen mit Katze","","1973-76","Öl/Lwd.","100 x 81 cm ","Unbez. "," "," ","488","Musée Jenisch, Fondation Oskar Kokoschka, Vevey","1988","FOK 116","Fondation Oskar Kokoschka, Vevey"],"mul":[[["Kokoschka Olda","Olda Kokoschka",""]],[["2014 Wolfsburg","8102","S. 167, 303, Farbtaf. S. 183"],["1992 Cismar","8291","S. 175, Farbtaf. 15"],["1975 Hamburg","8362","Nr. 41, Abb. 36 "],["2003 Apolda","8411","Nr. 115, S. 110, Farbabb. S. 86"],["1990 London","8481","Nr. 23 mit Farbtaf. "],["2001/02 Emden","8542","S. 93"],["1975 Madrid","8555","Nr. 44, Abb. 41 "],["2010/11 Appenzell","8684","Farbtaf. S. 163"],["1976 Zürich","8754",""],["2005/06 Pfäffikon","8898","Farbtaf. 130"]],[["Vevey 1994, S. 136 mit Farbtaf. S. [137]","3718"]],[["Mädchen"],["Tiere"]]]}],"exhibition":{"8002":"BASEL, Galerie Beyeler, Nov. 1989 - Jan. 1990. L'éternel féminin. Hrsg. von Urs Albrecht","8003":"BERLIN, Berlinische Galerie, Museum für moderne Kunst, Photographie und Architektur im Martin-Gropius-Bau, 25. Sept. 1988 - 8. Jan. 1989. Stationen der Moderne. Die bedeutenden Kunstausstellungen des 20. Jhs. in Deutschland","8004":"WIEN, Museum des 20. Jahrhunderts, 19. März - 13. April 1982. Oskar Kokoschka 1886-1980. Plakatfolder als Katalog. Rez.: Hermann Sternath: Kokoschka in Wien. In:Weltkunst, München, Jg. 52, 1982, S. 928","8005":"BERLIN, Secession, Feb. - April 1928. Die Berliner Secession im neuen Hause. (53. Ausstellung)","8006":"WIEN, Rathaus, 9. Sept. - 16. Okt. 1983. Ars sacra Austriae. Veranst. von der Österreichischen Gesellchaft für Christliche Kunst zum Katholikentag 1983","8007":"MÜNCHEN, Haus der Kunst, [Juni - Okt.] 1980. Große Kunstausstellung München 1980","8008":"TOLEDO//OH, Museum of Art, 6. Nov. - 11. Dez. 1938. Contemporary movements in European painting. Surrealism, Abstract Art, Futurism, Expressionism, Cubism, Dadaism, Fauves","8009":"WIEN, Kunstforum Wien, 13. März - 28. Juni 1998. Monet bis Picasso. Das Auge des Sammlers. Hrsg. von Klaus Albrecht Schröder","8010":"SAN FRANCISCO/CA, Museum of Art, 18. Okt. - 27. Nov. 1960. Modern masters in West Coast collections. An exhibition selected in celebration of the 25th anniversary of the San Francisco Museum of Art, 1935--1960","8011":"NEW YORK, Marlborough Gallery, 15. Feb. -17. März 2001. Oskar Kokoschka. Memorial exhibition. ","8012":"DÜSSELDORF, Galerie Alfred Flechtheim, 27. Juli - 16. Aug. 1919. Auf dem Wege zur Kunst unserer Zeit. Vorkriegsbilder und Bildwerke","8013":"KRAKAU, Miedzynarodowe Centrum Kultury, 6. Okt. - 27. Nov. 1994.Oskar Kokoschka. Wczesne lata. Bearb. von Serge Sabarsky. [Weitere Station der Ausstellung, KATOWICE, Gornoslasla Macierz Kultury, 19. Dez. 1994 - 29. Jan. 1995]","8014":"PRAG, Národní Galerie, 1971. Oskar Kokoschka. Ölbilder und Graphiken. Bearb. von Fritz Novotny","8015":"OTTAWA, National Gallery of Canada, 28. Okt. - 28. Nov. 1943. Czechoslovakian art","8016":"PROVINCETOWN/MA, Chrysler Art Museum, 16. Juni - 3. Sept. 1962. The controversial century: 1850--1950. Paintings from the collection of Walter P. Chrysler, Jr. [Weitere Station der Ausstellung, OTTAWA, The National Gallery of Canada, 29. Sept. - 4. Nov. 1962]","8017":"NEW ORLEANS, Isaac Delgado-Museum, 2. - 24. Okt. 1943. Oskar Kokoschka. [3 Gemälde, Katalog nicht nachgewiesen, Quelle: Hirshhorn Museum and Sculpture Garden, Washington/DC]. [Wanderausstellung durch die USA, Bloomington/IN, Indiana Univ.; Eugene/OR, Univ. of Oregon; San Francisco/CA, San Francisco Museum of Art; Syracuse/NY, Syracuse Univ.; Terre Haute/IN; Iowa City/IA, State Univ. of Iowa; Williamstown/MASS.; Saint Paul/MN; Northfield/MN; Swarthmore/PA, Swarthmore College; Louisville/KY, Univ. of Louisville; Springfield/MASS.; Greensboro/NC; Grinnell/IA; Evansville/ IN; Pullman/WA; Moscow/ID und Spokane/WA]","8018":"CAMBRIDGE/MASS., Harvard Society for Contemporary Art, 18. April - 10. Mai 1930. Modern German Art. [Quelle: (s. Hagemann 1985)]","8019":"MÜNCHEN, Münchener Neue Secession, Glaspalast (Westflügel), 1925. Münchener Neue Secession. 11. Ausstellung","8020":"ZÜRICH, Kunsthaus, 26. Mai - 11. Aug. 1935. Sammlung 1910 - 1935. Einf. von W[ilhelm] Wartmann","8021":"BERLIN, Orangerie des Schlosses Charlottenburg, 24. Sept. - 19. Nov. 1961. Der Sturm. Herwarth Walden und die europäische Avantgarde: Berlin 1912-1932. Einf. von Leopold Reidemeister","8022":"CHICAGO, The Arts Club of Chicago, 21. Feb. - 28. März 1973. 1 Gemälde","8023":"TOKYO, The Nihonbashi Takashimaya Art Galleries, 25. Aug. - 4. Okt. 1983. Impressionism and the modern vision: master paintings from the Phillips Collection. Hrsg. von Denys Sutton. [Weitere Station der Ausstellung; NARA, Prefectural Museum of Art, 9. Okt. - 13. Nov. 1983]","8024":"ZÜRICH, Galerie Dada, Bahnhofstraße 19, 9. - 30. April 1917. Sturm-Ausstellung (II. Serie). [Übernahme der Ausstellung (s. 1917 Basel), nicht nachweisen, mit welchen Werken Kokoschka vertreten war]","8025":"STUTTGART, Staatsgalerie Stuttgart, 6. Juli - 22. Sept. 1985. Vom Klang der Bilder. Die Musik in der Kunst des 20. Jahrhunderts. Hrsg. und bearb. von Karin von Maur [u.a.]","8026":"UTRECHT, Genootschap Kunstliefde, 18. Feb. - 12. März 1939. Oskar Kokoschka. Verkaufsausstellung","8027":"BASEL, Kunsthalle, 4. Juli - 29. Sept. 1957. Basler Privatbesitz","8028":"ATHEN, Megaro Musikēs, 23. Okt. - 30. Dez. 2007. Klimt, Sēle, Kokoska kai ē epochē tus. Aristurgēmata apo to Museio Leopolnt tēs Biennēs. / Klimt, Schiele, Kokoschka and their time. Masterpieces from the Leopold Museum, Vienna. Hrsg. von Efi Andreadis. [Text in engl. U. Neugriechisch]","8029":"BORDEAUX, Galerie des Beaux-Arts, 11. Mai - 31. Juli 1962. L'art au Canada. Hrsg. von Gilberte Martin-Méry","8031":"BRÜSSEL, Palais des Beaux-Arts, April - Mai 1961. Art autrichien du vingtième siècle. Hrsg. von Werner Hofmann. [Weitere Station der Ausstellung EINDHOVEN]","8032":"SEATTLE/WA, Seattle Art Museum, 1952/1953. Expressionism. [2 Gemälde, kein Katalog]","8033":"LEIPZIG, Kunstverein (im Museum am Augustusplatz), 28. April - 5. Juni 1928. Das Künstler-Selbstbildnis der Gegenwart von Max Liebermann bis Otto Dix. [Katalog nicht nachgewiesen, Quelle: Der Cicerone, Leipzig, Jg. 20, 1928, H. 9, S. 314-315]","8034":"MADRID, Fundacion Juan March, 30. Jan. - 25. März 1984. El arte del siglo XX en un museo holandés. Obras del Museo Municipal de Eindhoven. [Weitere Station der Ausstellung, LISSABON, Museo de Albacete, April-Mai 1984]","8035":"NEW YORK, Marlborough-Gerson Gallery, [19.] Nov. - [18.] Dez. 1964. Important European paintings from Texas private collections","8036":"WIEN, Graphische Sammlung Albertina, Historisches Museum der Stadt Wien, Looshaus am Michaelerplatz, 2. Dez. 1989 - 25. Feb. 1990. Adolf Loos. Hrsg. von Burkhardt Rukschcio","8037":"MINNEAPOLIS/MN, Minneapolis Institute of Arts, 13. Dez. 1961 - 21. Jan. 1962. The Putnam Dana McMillan Collection","8038":"BARMEN, Kunstverein Barmen (Ruhmeshalle), November 1911. Oskar Kokoschka. [19 Arbeiten, Katalog nicht nachgewiesen, Quellen: Barmer Zeitung,18. u. 25. 11. u. 4. 12. 1911; Ulrike Becks-Malorny: Der Kunstverein in Barmen 1866-1946. Diss. Bochum [1990], S. 172; (s. Schweiger 1986a, S. 49)]","8039":"NEW YORK, Buchholz Gallery (Curt Valentin), 9. - 27. Mai 1939. Contemporary European painters & sculptors exhibition","8040":"NEW YORK, Museum of Modern Art, 1. Okt. - 8. Dez. 1957. German art of the twentieth century. Bearb. von Werner Haftmann, Alfred Hentzen [u.a.]. [Weitere Station der Ausstellung SAINT LOUIS/MO, City Art Museum of Saint Louis, 8. Jan.-24. Feb. 1958]. Rez.: Alfred Hentzen, in :Jahresring 58/59, Stuttgart, 1958, S. 387-390; William S. Lieberman: Homage to the Art that Hitler hated. In: The New York Times, 29. Sept. 1957","8041":"KÖLN, Kunstverein, Museum Ludwig, 1980. Mein Kölner Dom. Zeitgenössische Künstler sehen den Kölner Dom. Hrsg. von Dirk Teuber","8042":"GÖTEBORG, Konstmuseet, Juni - Juli 1949. Hjalmar Gabrielson Samling","8043":"MÜNCHEN, Haus der Kunst, 13. Juni - 28. Sept. 1969. Große Kunstausstellung München 1969","8044":"KARLSBAD, Café Park Schönbrunn, 1. Juli - 15. Aug. 1911. Kollektiv-Ausstellung Oskar Kokoschka. [Katalogfaltblatt]. Rez.: Zur Oskar Kokoschka-Ausstellung. In: Karlsbader Zeitung, Jg. 25, 1911, Nr. 27, 2. Juli 1911, S. 4-5; Nr. 28, 9. Juli 1911, S. 5; Nr. 29, 16. Juli 1911, S. 1-3; Nr. 30, 23. Juli 1911, S. 12-14. (s. Serner 1911a; Serner 1911b; Serner 1911c; Schweiger 1983, S. [197]-201; Havelk 2007, S. 329-336)","8045":"CHICAGO/ILL, The Arts Club, 1. - 31. Okt. 1956. Oskar Kokoschka. Paintings, drawings and prints","8046":"TOKYO, Bunkamura Museum of Art, 31. Juli – 26. Sept. 1999. Modern Art at Harvard Hrsg. von Shunsuke Kijima und James Cuno. [Weitere Staionen der Ausstellung, KAGAWA, Takamatsu City Museum of Art, 9. Okt. – 14. Nov. 1999; NAGOYA, Matsuzakaya Art Museum, 2. Dez. - 27. Dez. 1999; OITA, Oita City Museum, 6. Jan. – 6. Feb. 2000; IBARAKI, Museum of Modern Art, 11. Feb. – 26. März 2000]. (Text in engl. U. jap.)","8047":"FRANKFURT/MAIN, Frankfurter Kunstverein, 22. Juli - 10. Sept. 1967. Vom Bauhaus bis zur Gegenwart. Meisterwerke aus deutschem Privatbesitz","8048":"SAN FRANCISCO/CA, San Francisco Museum of Art, 1940. 20th century German art","8049":"LONDON, Marlborough Fine Art, 1971. Masters of the 20th century","8050":"VEVEY, Musée Jenisch, 1. April - 17. Juni 1984. Hommage à Oskar Kokoschka 1886-1980. Bearb. von Werner Hofmann, Olda Kokoschka und André Kuenzi","8051":"LONDON, Marlborough Fine Art, 16. Juli - 31. Aug. 1964. Aspects of twentieth century art","8052":"BERLIN, Neue Nationalgalerie, Akademie der Künste, Große Orangerie des Schlosses Charlottenburg, 14. Aug. - 16. Okt. 1977. Tendenzen der Zwanziger Jahre. 15. Europäische Kunstausstellung. Hrsg. von Stephan Waetzoldt und Verena Haas. Rez.: Ekkhard Mai:Tendenzen der Zwanziger Jahre. In:Das Kunstwerk, Stuttgart, Nr. 30, 1977, H. 5, S. 77--79; Drs. In: Pantheon,München, Nr. 36, 1978, S. 66--71; Wolfgang Pehnt:Tendenzen der Zwanziger Jahre.In:''Kunstchronik,Nürnberg, Nr. 30, 1977, S. 518--533","8053":"CAMBRIDGE, The Fitzwilliam Museum, 14. Okt. 2014-25. Jan. 2015.Silent Partners. Artist and Mannequin from function to fetish. Bearb. von Jane Munro. [Weitere Station der Ausstellung, PARIS, Musée Bourdelle, 31. März-12. Juli 2015]","8054":"VILLINGEN-SCHWENNINGEN, Beethovenhaus, 8.-30. Mai 1976. Oskar Kokoschka zum 90. Geburtstag. Gemälde, Aquarelle, Zeichnungen, Graphik. Bearb. von Heinz Spielmann","8055":"KÖLN, Kunstverein, 24. Juni - 26. Aug. 1951.Bildnisse und Selbstbildnisse deutscher Maler und Bildhauer in unserer Zeit. Gemälde, Zeichnungen, Graphikl, Skulpturen","8056":"RECKLINGHAUSEN, Kunsthalle, 16. Juni - 31. Juli 1957. Verkannte Kunst. Einf. von Franz Roh und Dokumentation von Anneliese Schröder","8057":"STADE, Kunsthaus Stade, 12. Feb. - 28. Mai 2012.Oskar Kokoschka-Capriccio.Faszination des Augenblicks.Gemälde, Aquarelle, Zeichnungen und druckgrafische Arbeiten. Leihgaben aus Wien, Zürich, London und Hamburg. Hrsg. von Sebastian Möllers [u.a.]","8058":"GRAZ, Künstlerhaus, 14. Jan. - 13. Feb. 1966. Österreichische Malerei 1908-1938. Bearb. von Ernst Köller","8059":"LONDON, Royal Academy of Arts, 9. Jan. - 7. März 1971. Vienna Secession. Art nouveau to 1970. Bearb. von Georg Eisler","8060":"ZÜRICH, Kunsthaus, 12. Aug. - 2. Okt. 1977. Deutschland 1930-1939. Verbot, Anpassung, Exil. Hrsg. von Erika Billeter. [1 Gemälde, außer Katalog]","8061":"HAMBURG, Kunstverein, 1947. Sammlung Haubrich, Köln. Bearb. von Leopold Reidemeister. [Weitere Stationen der Ausstellung z.T. mit eigenen Katalogen, (s. 1947 Mannheim; 1947 Stuttgart; 1947/48 Oldenburg; 1948 Wiesbaden)]","8062":"NEW YORK, Galerie St. Etienne, 19. Sept. - 25. Nov. 2006.More than coffee was served. Café Culture in Fin-de-Siècle Vienna and Weimar Germany. [Faltblatt]","8063":"TOKYO, Takashimaya Gallery, 1984. Exhibition of European art from the collection of the National Gallery in Prague III. [Weitere Stationen der Ausstellung YAMAGUCHI, Museum of Art; NAGOYA, The Aichi Prefectural Art Gallery; OSAKA, Takashimaya Gallery und UTSUNOMIYA, Tochigi Prefectural Museum of Fine Arts]","8064":"DRESDEN, Künstlervereinigung, Sommer 1921. Künstlervereinigung Dresden. Sommer-Ausstellung. Rez.: Paul Westheim in: Das Kunstblatt, Potsdam, Berlin, Jg. 5, 1921, H. 8, S. 254; ZM [d.i. K. Zoege von Manteuffel]: Sommer-Ausstellung der Künstlervereinigung in Dresden. In: Kunstchronik und Kunstmarkt, Leipzig, Jg. 56 = N. F., 32, 1920/21, H. 47, 19. Aug. 1921, S. 851--852","8065":"CHARLOTTESVILLE/VA, University of Virginia Museum of Fine Arts, 7. Aug. - 4. Okt. 1948. Modern European masters. Lent by the Phillips Memorial Gallery, [Washington/DC]","8066":"ASCONA, Fondazione Rolf Gérard, 4. Mai--29. Sept. 2013.Oskar Kokoschka in visita da Rolf Gérard. Bearb. von Régine Bonnefoit [Katalogheft in dt. und it. Sprache]","8067":"ZÜRICH, Kunsthaus, 21. Mai - 28. Okt. 1977. Vollendet - unvollendet. 13 Werke aus der Sammlung des Kunsthauses. Bearb. von Dagmar Hnikova und Felix Baumann","8068":"LEIPZIG, Kunstverein, Feb. - März 1927. Neuere österreichische Kunst von Klimt bis Kokoschka. [Katalog nicht nachgewiesen, Quellen: Der Cicerone, Leipzig, Jg. 19, 1927, H. 6, S. 194-196; Leipziger Konzert-, Theater- und Verkehrsblatt, Jg. 1927, S. 354-357]","8069":"TORONTO, Marlborough - Godard Gallery, 1974. Masters of the 19th and 20th centuries","8070":"MÜNCHEN, Haus der Kunst, 24. Juni - 3. Okt. 1965. Grosse Kunstausstellung München 1965","8071":"BASEL, Kunstmuseum, 9. Juni - 8. Juli 1956. Die Sammlung Richard Doetsch-Benziger. Malerei, Zeichnung und Plastik des 19. und 20. Jahrhunderts. Bearb. von Margrit Bosshard-Rebmann","8072":"WIEN, Leopold Museum, 21. Sept. 2007-28. Jan. 2008.Zwischen den Kriegen.Österreichische Künstler 1918--1938. Hrsg. von Rudolf Leopold","8073":"DRESDEN, Galerie Ernst Arnold, 18. Jan. - Ende Feb. 1925. Oskar Kokoschka. Gemälde, Handzeichnungen, Aquarelle, Drucke. Einf. von V. Chelius-Zitzewitz. Rez.: (s. Donath 1925; Grohmann 1925; Michalski 1925; Weigert 1925); Hildebrand Gurlitt in: Das Kunstblatt, Potsdam, Jg. 9, 1925, H. 2, S. 62; Fritz Stahl: Kokoschka. Galerie Arnold in Dresden. In: Berliner Tageblatt,25. 1. 1925; Negendanck 1998, S. 154-155, 499-500","8074":"BERLIN, Nationalgalerie, [Frühjahr 1923]. Sammlung Kirchhoff. [Katalog nicht nachgewiesen, Quelle: Der Cicerone, Leipzig, Jg. 15, 1923, H. 7, S. 359]","8075":"LONDON, Tate Gallery, 14. Sept. - 11. Nov. 1962. Kokoschka. A retrospective exhibition of paintings, drawings, lithographs, stage designs and books. Hrsg. von Ernst H. Gombrich. Rez.: Nikolaus Pevsner: Die Kokoschka-Ausstellung in London. In: Schweizer Monatshefte, Jg. 42, H. 8, Nov. 1962, S. 873-876; Teutone in der Malerei. In: Der Spiegel, Nr. 41, 1962, S. 101-102; Wilhelm F. Arntz: Ruhm an der Themse für Oskar Kokoschka. Zur Gesamtausstellung in der Londoner Tate-Gallery. In: Das Schönste, Jg. 8, 1962, Nr. 11, S. [38-43] und 112-113","8076":"HAMBURG, Kunsthalle, 9. Mai - 12. Juli 1953. Deutscher Künstlerbund 1950. Dritte Ausstellung. Bearb. von Friedrich Ahlers-Hestermann","8077":"NEW JERSEY, The Rotunda, Asbury Park, 2. - 31. Mai 1965. The spell of the sea","8078":"SINTRA, Portugal, Museu de Arte Moderna/Colecção Berardo, 5. Mai - 9. Okt. 2005.Erich Kahn - Forgotten Generation, Jewish Survivor, German Expressionist.","8079":"DÜSSELDORF, Kunstpalast, Mai - Okt. 1928. Deutsche Kunst","8080":"LONDON, Marlborough Gallery, Juli - Sept. 1967. Oskar Kokoschka 1966-67","8081":"ROTTERDAM, Museum Boymans, 1. - 23. April 1933. Tentoonstelling van 115 stillevens 1480--1933","8082":"WIEN, Ausstellungsgebäude Schwarzenbergplatz-Lothringerstraße, Mai - Sept. 1909. Internationale Kunstschau 1909. (s. Schweiger 1983, S. [83]-115)","8083":"HAUSEN OB VERENA, Kunststiftung Hohenkarpfen (Kunstverein Schwarzwald-Baar-Heuberg), Hofgut Hohenkarpfen, 1. Sept. - 20. Nov. 1991. Malerei der zwanziger und dreißiger Jahre in Sachsen. Hrsg. von Andreas Zoller mit Dieter Hoffmann","8084":"OLDENBURG, Landesmuseum (Schloß) Oldenburg, 1947/48. Sammlung Haubrich. Meisterwerke der Malerei und Plastik des 20. Jahrhunderts. [Übernahme der Ausstellung z. T. mit eigenen Katalogen, (s. 1947 Hamburg; 1947 Mannheim; 1947 Stuttgart und 1948 Wiesbaden)]","8085":"NEW YORK, Galerie St. Etienne, 16. Nov. 1999 - 8. Jan. 2000. Saved from Europe.Otto Kallir and the History of the Galerie St. Etienne. In Commemoration of the Gallery's 60th Anniversary. Hrsg. von Jane Kallir","8086":"DÜSSELDORF, Galerie Alfred Flechtheim, 1929. Lebende deutsche Kunst aus rheinischem Privatbesitz","8087":"BAD HOMBURG, Kurhaus, 13. Juni - 26. Juli 1931. Deutsche Bildniskunst von Cranach bis Dix, 1530-1930 ","8088":"NEW YORK, Curt Valentin Gallery, 5. - 30. Okt. 1954. In memory of Curt Valentin. An exhibition of modern masterpieces lent by American museums","8089":"BOSTON, The Institute of Contemporary Art, 5. Dez. 1985 - 9. Feb. 1986. The Expressionist challenge","8090":"MÜNCHEN, Glaspalast, 30. Mai - Anfang Okt. 1930. Deutsche Kunstausstellung München 1930 im Glaspalast. Rez.: Franz Roh in: Der Cicerone, Leipzig, Jg. 22, 1930, H. 13/14, S. 389-395","8091":"NEW YORK, Museum of Modern Art, 23. Okt. 1940 - 12. Jan. 1941 Painting and sculpture from the museum collection","8092":"WIEN, Neue Galerie, [ab 10. Juni] 1930. Meister österreichischer Malerei im 19. und 20. Jahrhundert. 63. Ausstellung","8093":"NEW YORK, The Museum of Modern Art, 4. Aug. - 1. Sept. 1975. Modern masters. Manet to Matisse. Hrsg. von William S. Lieberman. [Übernahme der Ausstellung von SYDNEY, Art Gallery of New South Wales, 10. April - 11. Mai 1975 und MELBOURNE, National Gallery of Victoria, 28. Mai - 22. Juni 1975]","8094":"ROTTERDAM, Museum Boymans-van Beuningen, 1951. 19e eeuwse en moderne schilderkunst uit het Museum van Schone Kunsten te Luik. Bearb. von Johan Conrad","8095":"MÜNCHEN, Haus der Kunst, 6. Juni - 1. Okt. 1961. Große Kunstausstellung München 1961","8096":"KÖLN, Kölnischer Kunstverein, Mai - Juni 1925. Malerei von etwa 1860 bis zur Gegenwart aus Kölner Privatbesitz. Einf. von Hans F. Secker. Rez.: Der Cicerone, Leipzig, Jg. 17, 1925, H. 12, S. 609-610","8097":"NEW YORK, Knoedler and Company, 9. April - 4. Mai 1957. Modern painting, drawing & sculpture. Collected by Louise and Joseph Pulitzer, Jr. [Weitere Station der Ausstellung, CAMBRIDGE/MASS, Fogg Art Museum, 16. Mai - 15. Sept. 1957]","8098":"WIESBADEN, Nassauischer Kunstverein, Neues Museum, Okt. - Nov. 1924. Von Emil Nolde bis George Grosz. Sammlung Kirchhoff. Oktober-November-Ausstellung 1924. Veranst. von der Wiesbadener Gesellschaft für Bildende Kunst","8099":"DELFT, Museum Het Prinsenhof, Feb. - März 1951. De schilderkunst.Educatieve tentoonstelling moderne schilderkunst","8100":"BELFAST, Municipal Museum and Art Gallery Stranmillis, 1944. Exhibition of works by allied artists. Veranst. Vom British Council , dem C.E.M.A.und Art for the People Committee of Queen's University","8101":"DRESDEN, Galerie Ernst Arnold, Jan. 1914. Die neue Malerei. (Expressionistenausstellung)","8102":"WOLFSBURG, Kunstmuseum Wolfsburg, 26. April-17. Aug. 2014.Oskar Kokoschka. Humanist und Rebell. Hrsg. von Markus Brüderlin. [Erweiterte Übernahme der Ausstellung aus ROTTERDAM, Museum Boijmans van Beuningen mit anderem Titel (s. 2013 Rotterdam)]","8103":"WIEN, Österreichische Galerie Belvedere, 18. Dez 1996 -2. März 1997. Kokoschka und Wien. Bearb. von Tobias G. Natter. [Der Katalog erscheint als Wiener Begleitband zur Ausstellung Kokoschka und Dresden, (s. 1996 Dresden)]","8104":"LONDON, Fischer Fine Art, Juni - Juli 1973. Universe of art III. Important 19th and 20th century paintings, drawings and sculpture","8105":"HAMBURG, Westbank, [15. März - 3. Mai 1973]. Gedenkausstellung Max Brauer","8106":"LIEGE (LÜTTICH), Musée des Beaux-Arts, 12. Feb. - 12. März 1955. Collection Wallraf-Richartz Museum de Cologne et Dr. Josef Haubrich","8107":"LUXEMBURG, Musée de l'Etat, 16. Mai - 14. Juni 1953. Peintres expressionistes du Musée Wallraf-Richartz de Cologne.Collection Haubich","8108":"MÜNCHEN, Hofgarten-Arkaden, Galeriestraße 4, 19. Juli - 30. Nov. 1937. Entartete Kunst. Veranst. von der Reichspropagandaleitung, Amtsleitung Kultur. Bearb. von Fritz Kaiser. [Weitere Stationen der Ausstellung in wechselnder Zusammensetzung, BERLIN, Haus der Kunst, 26. Feb. - 8. Mai 1938; LEIPZIG, Grassi-Museum, Mai 1938; DÜSSELDORF, Ausstellungshalle am Ehrenhof, Juli 1938; WIEN, Künstlerhaus, 7. Mai - 18. Juni 1939]. Rez.: Bruno E. Werner: Gang durch die Ausstellung `Entartete Kunst'. In: Deutsche Allgemeine Zeitung, Ausg. Groß-Berlin, 24.7.1937, S. 1-2; Carl Linfert: Rückblick auf 'entartete Kunst'. In: Frankfurter Zeitung, 14.11.1937; (s. Lüttichau 1988; Zuschlag 1992; Sultano 2003b)","8109":"BERLIN, Akademie der Künste, 21. April - 19. Mai 1963. Symbol und Mythos in der zeitgenössischen Kunst. Bearb. Von Adolf Jannasch","8110":"FRANKFURT/MAIN, Schirn Kunsthalle, 23. Sept. - 3. Dez. 1995. Sehnsucht nach Glück. Wiens Aufbruch in die Moderne. Klimt, Kokoschka, Schiele. Hrsg. und bearb. von Sabine Schulze","8111":"LONDON, Courtauld Institute of Art Gallery, 29. Juni – 17. Sept. 2006. Oskar Kokoschka. The Prometheus Triptych. Hrsg. von Barnaby Wright. [Begleitheft mit Faltblatt]","8112":"MÜNCHEN, Museum Villa Stuck, 1. Juli - 28. Sept. 1983. Hommage à Günther Franke. Barlach, Baumeister, Beckmann…Hrsg. von Jochen Poetter","8113":"BERLIN, Akademie der Künste, [1960]. Die Mitglieder und ihr Werk","8114":"WINTERTHUR, Kunstmuseum, 28. Aug. - 20. Nov. 1949. Winterthurer Privatbesitz. Werke des 20 Jahrhunderts. Veranst. vom Kunstverein Winterthur","8115":"LINZ, Neue Galerie - Wolfgang Gurlitt-Museum, 19. Juli - 31. Aug. 1955. Oskar Kokoschka. Thermopylae. Entwürfe zur Zauberflöte und andere neue Werke. [Kein Katalog, Faltblatt]","8116":"DÜSSELDORF, Kunstpalast, 30. Mai - 4. Okt. 1925. Grosse Kunstausstellung Düsseldorf 1925. Veranst. von der Stadt Düsseldorf. Katalog, Abt. II und III: Modernes deutsches und Düsseldorfer Kunstschaffen","8117":"NEW YORK, The Brooklyn Museum, 22. Mai - 29. Sept. 1974. An exhibition of paintings, watercolors, sculpture and drawings from the collection of Mr. and Mrs. Henry Pearlman and Henry and Rose Pearlman Foundation. Hrsg. von John Rewald","8118":"WIEN, Arnold Schönberg Center Privatstiftung, 3. März - 5. Juni 2005.Der Maler Arnold Schönberg. Hrsg. von Christian Meyer. [Newletter, Nr. 14, März-Juni 2005 ist der Katalog]","8119":"LINZ, Neue Galerie, 19. Feb. - 27. März 1976.Oskar Kokoschka. Vom Erlebnis im Leben. Hrsg. von Otto Breicha","8120":"AMSTERDAM, Kunsthandel J. Goudstikker, 18. Feb. - 19. März 1933. Het stilleven. Veranst. von der Vereinigung Rembrandt","8121":"WUPPERTAL, Von der Heydt-Museum, 23. März - 20. Mai 1984. Der westdeutsche Impuls 1900-1914. Kunst und Umweltgestaltung im Industriegebiet. Bd. 6: Stadtentwicklung, Sammlungen, Ausstellungen","8122":"RECKLINGHAUSEN, Kunsthalle, 16. Juni - 30. Juli 1956. Beginn und Reife","8123":"PARIS, Palais du Louvre, Musée des Arts Décoratifs, 23. April - 1. Juni 1958. Collection Solomon R. Guggenheim.Bearb. von Francois Mathey","8124":"ZÜRICH, Kunsthaus, Nov. 1946 - Feb. 1947. Meisterwerke aus Oesterreich. Zeichnungen, Gemälde, Plastik. Einf. von W. Wartmann","8125":"MÜNCHEN, Haus der Kunst, 3. Juli - 26. Sept. 1971. Oskar Kokoschka. Bildnisse von 1907-1970. Bearb. von Remigius Netzer","8126":"TOKYO, Sezon Museum of Art, 7. Okt. - 5. Dez. 1989. Wien um 1900. Klimt, Schiele und ihre Zeit. Bearb. von Günter Düriegl, Peter Haiko [u.a.]","8127":"DÜSSELDORF, Städtische Kunstsammlungen, 1949. Wallraf-Richartz-Museum Köln, Moderne Abteilung (Sammlung Haubrich).Bearb. von Wolfgang Braunfels","8128":"LONDON, Marlborough Fine Art, Juni - Juli 1957. 19th and 20th century European masters","8129":"CHICAGO/ILL., The Arts Club of Chicago, 20. Nov. - 15. Dez. 1951. German expressionists and Max Beckmann from the collection of Mr. and Mrs. Morton D. May","8130":"TOKYO, National Museum of Western Art, 1978. Citizens of the world. A loan exhibition from the Museum of Fine Arts, Boston. [Weitere Stationen der Ausstellung, KYOTO und NAGOYA]","8131":"FLORENZ, Palazzo Pitti, 27. Juni - 20. Sept. 1981. Da Monet a Picasso. Cento capolavori della Galleria Nazionale di Praga. Hrsg. von Achille Bonito Oliva und Jirí Kotalík","8132":"PITTSBURGH/PA, Carnegie Institute, 16. Okt. - 7. Dez. 1930. Twenty-ninth annual international exhibition of paintings","8133":"GENT, Museum voor Schone Kunsten, 13. Sept. - 3. Nov. 1968. Duits Expressionisme / L'expressionisme allemand. [Weitere Station der Ausstellung CHARLEROI, Palais des Beaux-Arts, 9. Nov. - 8. Dez. 1968]","8134":"SAINT LOUIS/MO, City Art Museum, 1. - 31. Okt. 1942. Paintings, watercolors, drawings and lithographs by Oskar Kokoschka. Rez.: Wolfgang Born: Exhibition of the work of Oskar Kokoschka. In: Bulletin of the City Art Museum of St. Louis, Saint Louis, Bd. 27, 1942, Nr. 3/4, Dez., S. 32--34 mit Abb.","8135":"NÜRNBERG, Kunsthalle Nürnberg am Marientor, 10. April - 3. Juni 1974. Zeitgenössische Kunst aus den Niederlanden: Aus der Sammlung des Van Abbemuseum Eindhoven. Bearb. von Curt Heigl","8136":"SAN FRANCISCO/CA, San Francisco Museum of Art, 1948. Exhibition Wright Ludington collection","8137":"NEW YORK, Serge Sabarsky Gallery, Dez. 1985 - Jan. 1986. Oskar Kokoschka: The early years 1907-1924. An exhibition of paintings, watercolors and drawings honoring the forthcoming centennial of the artist. Rez.: John Russell: Kokoschka's early portraits sum up a whole society. In: The New York Times, 22. Dez. 1985, S. 33","8138":"BERLIN, Galerie Der Sturm, Juni 1917. Sturm-Gesamtschau. Gemälde und Aquarelle, Zeichnungen. (53. Ausstellung)","8139":"MÜNCHEN, Haus der Kunst, Sept. - Okt. 1950.Oskar Kokoschka. Aus seinem Schaffen 1907-1950. [Weitere Stationen der Ausstellung, HAMBURG, Kunsthalle, Nov. - Dez. 1950; MANNHEIM, Kunsthalle, Jan. 1951 und mit eigenem Katalog (s. 1951 Berlin, Schloß Charlottenburg)]. Rez.: Werner Haftmann, in: Die Zeit, Hamburg, 28. 9. 1950, S. 4","8140":"MÜNCHEN, Galerie Caspari, Dez. 1920. Oskar Kokoschka. [Katalog nicht nachgewiesen, Quellen: Der Cicerone, Leipzig, Jg. 12, 1920, H. 24, S. 892; Das Kunstblatt, Potsdam, Berlin, Jg. 5, 1921, H. 2, S. 64; Kunstchronik und Kunstmarkt, Leipzig, Jg. 55 = N. F., 32, 1920/21, H. 9, 26. Nov. 1920, S. 181 und H. 14, 31. Dez. 1920","8141":"MONTREAL, Expo 67, 28. April - 27. Okt. 1967. Terre des hommes. Man and his world. Exposition international des beaux-arts. Bearb. von Jean S. Boggs","8142":"ATLANTA/GA, High Art Museum, 13. Feb. - 11. April 1982. Twentieth century paintings from the collection of the Museum of Modern Art. [Weitere Stationen der Ausstellung, SEATTLE/WA, Seattle Art Museum, 27. April - 4. Juli 1982; SAN DIEGO/CA, San Diego Museum of Art, 23. Juli - 26. Sept. 1982; KANSAS CITY/MO, Nelson Art Gallery, 21. Okt. 1982 - 2. Jan. 1983]","8143":"KÖLN, Verkehrsamt der Stadt Köln, 1962. Moderne Kunst in Köln.Hrsg. von Toni Feldenkirchen","8144":"MÜNCHEN, Galerie Caspari, Feb. 1918. [Ausstellung aus eigenen Beständen]","8145":"BONN, 1920. Christliches Motiv und künstlerisches Zeitgewand. Veranst. von dem Katholischen-Akademiker-Ausschuß an den Hochschulen in Bonn. Einf. von August Hoff","8146":"DRESDEN, Albertinum, 7. Sept. 1964 - 28. Feb. 1965. Zweihundert Jahre Hochschule für Bildende Künste Dresden 1764-1964. Werke der Lehrer: Malerei, Plastik, Graphik. Hrsg. von Hans Joachim Neidhardt","8147":"SANKT AUGUSTIN (BONN), Konrad Adenauer-Stiftung, 17. Mai - 30. Juni 1983. Adenauer-Portraits","8148":"NEW YORK, Grand Central Art Galleries, 6. März - 20. April 1926. Carnegie international exhibition","8149":"LONDON, Marlborough Fine Art, Sommer 1958. 19th and 20th century European masters. Paintings, drawings, sculpture","8150":"CAMBRIDGE/MASS., New Gallery of the Charles Hayden Memorial Library, 8. Mai - 15. Juni 1950. The painter and the city.Veranst. vom Massachusetts Institute of Technology","8151":"PARIS, Musée d'Art Moderne, 21. Feb. - 20. Mai 1978. La Collection Thyssen-Bornemisza. Tableaux modernes. Bearb. von A. Stefano Berkes. [Weitere Station der Ausstellung (s. 1978 Lugano)]. Rez.: Jacques Lassaigne: La Collection Thyssen-Bornemisza. In: l'oeil, Paris, Nr. 273, 1978, S. 44-49","8152":"BASEL, Galerie Beyeler, 28. März - 30. April 1955. Expressionisten","8153":"PRAG, Kunstverein für Böhmen, 16. Nov. - 7. Dez. 1930. 2. Ausstellung der Vereinigung Bildender Künstler Prager Secession","8154":"BERLIN, Akademie, Frühjahr 1923. Frühjahrsausstellung der Akademie der Künste. [Katalog nicht nachgewiesen, Quellen: Der Cicerone, Leipzig, Jg. 15, 1923, H. 10, S. 483; Das Kunstblatt, Potsdam, Jg. 7, 1923, H. 6, S. 188]","8155":"DRESDEN, Sächsischer Kunstverein, 11. April - Mitte Mai 1929. Neuere Kunstwerke aus Dresdner Privatbesitz. III. Jubiläumsausstellung. Rez.: Will Grohmann: Dresden. Neue Kunstwerke aus Dresdener Privatbesitz. In: Der Cicerone, Leipzig, Jg. 21, 1929, H. 9, S. 268-270","8156":"DRESDEN, Stadthalle Nordplatz, Aug. - Okt. 1946. Allgemeine Deutsche Kunstausstellung. Veranst. von der Landesverwaltung Sachsen, dem Kulturbund zur Demokratischen Erneuerung Deutschlands und der Stadt Dresden. Rez.: Will Grohmann in: Die neue Zeitung, 13.9.1946","8157":"NEW YORK, Galerie St. Etienne, 25. März - 10. Mai 1986. Expressionist painters.[Faltblatt]","8158":"RECKLINGHAUSEN, Städtische Kunsthalle, 12. Juni - 25. Juli 1965. Signale, Manifeste, Proteste im 20. Jahrhundert. Bearb. von Werner Hofmann","8159":"OSS, Noord-Brabant, Jan Cunenmuseum, 5. - 31. März 1955. Expressionisten. (Collectie Stedelijk Museum)","8160":"LONDON, Cunard Marlborough London Gallery on board Queen Elizabeth 2, 1969. A selection of 20th century British art","8161":"RALEIGH/NC, North Carolina Museum of Art, 15. Nov. 1963 - 31. März 1964. Expressionism","8162":"HAMBURG, Kunstverein, 27. Aug. - 16. Okt. 1966. Vom Impressionismus zum Bauhaus. Meisterwerke aus deutschem Privatbesitz. Bearb. von Ewald Rathke. [Übernahme der Ausstellung (s. 1966 Frankfurt)]","8163":"LONDON, National Portrait Gallery, August 2000. Painting the Century. 101 Portrait Masterpieces 1900-2000. Hrsg. von Robin Gibson","8164":"ROM, Palazzo Barberini, 3. Dez. 1959 - Ende Jan. 1960. Oskar Kokoschka. Bearb. von Michelangelo Masciotta. [4 Gemäde außer Katalog]. Rez.: Francesca Pardi: Mostre romane: Oskar Kokoschka. In: Nuova antologia, 95, 1960, Bd. 478, S. 138-141","8165":"HAMBURG, Kunsthalle, 6. Mai - 8. Juni 1952. Die Industrie als Kunstmäzen. Gemälde, Plastik, Kunstgewerbe, gestiftet in die deutschen Museen. Hrsg. von Ewald Rathke","8166":"KÖLN, Wallraf-Richartz-Museum, März - April 1951. Oskar Kokoschka-Ausstellung","8167":"LUZERN, Kunstmuseum, 14. Juli - 8. Sept. 1974. Kunst in Österreich 1900-1930. Hrsg. von Wilfried Skreiner","8168":"MANNHEIM, Städtische Kunsthalle, 1947. Sammlung Haubrich, Köln.Bearb. von Leopold Reidemeister. [Weitere Stationen der Ausstellung z.T. mit eigenen Katalogen, (s. 1947 Hamburg; 1947 Stuttgart; 1947/48 Oldenburg; 1948 Wiesbaden)]","8169":"LONDON, Marlborough Gallery, Juli - Aug. 1968. Recent acquisitions","8170":"BERLIN, Galerie Goldschmidt-Wallerstein, Schöneberger Ufer 36a, 16. März - 11. April 1924. Oskar Kokoschka. [Kein Katalog, Faltblatt]","8171":"HAMBURG, Kunsthalle, 1. März - 26. April 1986. Oskar Kokoschka. Die frühen Jahre: 1906-1926. Aquarelle und Zeichnungen. Hrsg. von Serge Sabarsky mit Beitr. von Werner Hofmann und Willi Hahn","8172":"BERLIN, Preussische Akademie der Künste zu Berlin, April - Mai 1927. Frühjahrsausstellung. Rez.: Das Kunstblatt, Potsdam, Jg. 11, 1927, H. 6, S. 238; Karl Scheffler: Die Frühjahrsausstellung der Akademie der Künste. In: Kunst und Künstler, Berlin, Jg. 25, 1926/27, H. 9, Juni 1927, S. 349-350","8173":"MÜNCHEN, Haus der Kunst, 4. Juni - 3. Okt. 1954. Große Kunstausstellung München 1954","8174":"PILSEN, Západoceská Galerie, 1962. Oskar Kokoschka a rakouské umeni XX. stoleti. [Übernahme der Ausstellung (s. 1961 Prag) mit 7 Gemälde]","8175":"KÖLN, Wallraf-Richartz-Museum, Dez. 1921. Vergleichsausstellung Wallraf-Richartz-Museum","8176":"HALLE (Saale), Staatliche Galerie Moritzburg, 20. Nov. 1960 - 22. Jan. 1961. Deutsche Malerei und Grafik in der ersten Hälfte des 20. Jahrhunderts. Bearb. von Elisabeth Speer","8177":"BERLIN, Ausstellungshaus am Kurfürstendamm 208/209, [Herbst] 1913. Herbstausstellung [der im Sommer 1913 aus der Berliner Secession ausgetretenen Mitglieder]","8178":"SHEFFIELD, Graves Art Gallery, 31. März - 13. Mai 1984. The forgotten fifties. [Weitere Stationen der Ausstellung; NORWICH, Castle Museum, 26. Mai - 24. Juni 1984; COVENTRY, Herbert Art Gallery and Museum, 7. Juli - 5. August 1984; LONDON, Camden Arts Centre, 15. Aug. - 23. Sept. 1984]","8179":"DÜSSELDORF, Städtischer Kunstpalast, 15. Mai - 3. Okt. 1920. Grosse Kunstausstellung Düsseldorf 1920. Veranst. vom Verein zur Veranstaltung von Kunstausstellungen e. V. in Düsseldorf in Verbindung mit der Arbeitsgemeinschaft der Bildenden Künstler Düsseldorfs","8180":"BUENOS AIRES, Museo Nacional de Bellas Artes, 23. Okt. - 23. Nov. 1969. 109 obras de Albright-Knox Art Gallery.Hrsg. von Samuel F. Oliver","8181":"ZÜRICH, Kunsthaus, 19. Aug. - 23. Sept. 1917. Ausstellung deutscher Malerei XIX. & XX. Jahrhundert. Einf. von Emil Waldmann","8182":"PÖCHLARN, Oskar-Kokoschka-Dokumentation, 9. Mai – 26. Okt. 2009. Oskar Kokoschka. Begegnungen. Freunde, Gönner, Auftraggeber. Bearb. von Bernadette Reinhold und Gertrud Held. [Kein Katalog, Faltblatt]","8183":"BASEL, Galerie Corray, 7. Feb. - 7. März 1917. Sturm-Ausstellung. Bearb. von L. H. Neitzel und H. Walden. [Weitere Stationen der Ausstellung (s. Zürich, Galerie Dada (März/April); 1917 Zürich, Dada Galerie (April)]","8184":"NEW YORK, Galerie St. Etienne, [April] 1949. Oskar Kokoschka. Rez.: Early Kokoschka. In: Art Digest, New York, Bd. 23, 15. April 1949, S. 37; Oskar Kokoschka's (St. Etienne). In: Art News, New York, Bd. 48, Mai 1949, S. 46","8185":"BREGENZ, Künstlerhaus Palais Thurn und Taxis, 23. Juli - 30. Sept. 1971. Jugendstil. Wiener Secession. Hrsg. von Oscar Sander","8186":"PRAG, Nationalgalerie, Juli 1961. Österreichische Kunst des 20. Jahrhunderts. [Weitere Stationen der Ausstellung in wechselnder Zusammensetzung nach OLMÜTZ, LEITMERITZ, (s. 1963 Brünn, 1962 Pilsen)]. Rez.: Jaromir Zemina: Österreichische Kunst des 20. Jahrhunderts in der CSSR. In: Alte und moderne Kunst, Wien, Jg. 8, 1963, H. 67, S. [48]","8187":"HANNOVER, Kestner-Gesellschaft, 8. Jan. - 4. Feb. 1920. Neue Kunst aus Hannoverschem Privatbesitz. Architekturen von E. Mendelsohn. Rez.: [Georg] Biermann: Neue Kunst aus Hannoverschem Privatbesitz. In: Der Cicerone, Leipzig, Jg. 12, 1920, H. 2, S. 83-84","8188":"LIEGE (LÜTTICH), Musée des Beaux-Arts, 20. Feb. - 3. April 1954. Oeuvres modernes du Musée d'Eindhoven","8189":"KRUISHOUTEM, Belgien, Foundation Veranneman, 29. Nov. 1986 - 31. Jan. 1987. The Foundation Veranneman invites Marlborough","8190":"KÖLN, Wallraf-Richartz-Museum, 12. Sept. - 9. Dez. 1962. Europäische Kunst 1912. Zum 50. Jahrestag der Ausstellung des Sonderbundes westdeutscher Kunstfreunde und Künstler in Köln. Hrsg. von Helmut R. Leppien","8191":"WIEN, Museum des 20. Jahrhunderts, 2. Aug. - 14. Sept. 1969. Expressionisten. Sammlung Morton D. May. Bearb. von Otto A. Graf","8192":"GRAZ, Neue Galerie Graz am Landesmuseum Joanneum, 26. April - 24. Aug. 2003.Phantom der Lust.Visionen des Masochismus. 2 Bde. Hrsg. von Peter Weibel","8193":"WIEN, Zentralsparkasse und Kommerzialbank, Jan. - Feb. 1985. Die Vertreibung des Geistigen aus Österreich. Zur Kulturpolitik des Nationalsozialismus. Bearb. von Joana Radzyner, Elisabeth Freundlich. [1 Gemälde, nicht ausgestellt]","8194":"WINTERTHUR, Kunstverein, 18. Okt. - 22. Nov. 1931. Gemälde- und Plastikausstellung österreichischer Künstler","8195":"LONDON, J. Leger Gallery, 3. Juli - 2. Aug. 1941. Exhibition of contemporary Continental art. Paintings, water-colours, sculptures, including a monumental work by Henryk Gotlib Warsaw, Sept. 1939","8196":"NEW YORK, Galerie St. Etienne, 31. März - 24. April 1943. Oskar Kokoschka. Aspects of his art. Rez.: Verboten Kokoschka at Galerie St. Etienne. In: Art Digest, New York, Bd. 17, 15. April 1943, S. 16; Kokoschka: new view of a visionary. In: Art News, New York, Bd. 42, 15. April 1943, S. 23","8197":"WIEN, Österreichisches Museum für Kunst und Industrie, Okt. - Nov. 1927. Das Werden eines Kunstwerkes. Veranst. von der Gesellschaft zur Förderung Moderner Kunst in Wien","8198":"BERN, Kunsthalle, 31. Juli - 20. Sept. 1953. Europäische Kunst aus Berner Privatbesitz","8199":"PARIS, Musée d'Art moderne de la Ville de Paris, 20. Feb. - 25. Mai 1997. Années 30 en Europe. Le temps menacant 1929-1939. Hrsg. und bearb. von Suzanne Pagé, Aline Vidal [u.a.]","8200":"ZÜRICH, Kunsthaus, Jan. - Feb. 1955. Oskar Kokoschka. [6 Gemälde, kein Katalog, Quelle: Liste der ausgestellten Werke im Archiv des Kunsthauses Zürich]","8201":"ZÜRICH, Galerie Neupert, 28. Jan. - 19. März 1956. 50 Jahre Galerie Neupert Zürich. 1. Jubiläums-Ausstellung. Die Frau in der Kunst. Werke aus dem 16.-20. Jahrhundert","8202":"WIEN, Akademie der bildenden Künste, März - April 1948. Entwicklung der österreichischen Kunst von 1897 bis 1938. Malerei, Plastik, Zeichnungen. Einf. von Alfred Stix","8203":"PITTSBURGH/PA, Carnegie Institute, 19. Okt. - 10. Dez. 1939. The 1939 international exhibition of paintings","8204":"WASHINGTON/DC, National Gallery of Art, 15. Juni - 1. Sept. 1980. 1 Gemälde","8205":"WAKEFIELD, Yorkshire, City Art Gallery, 1959. The continental British school of painting. [1 Gemälde, Katalog nicht nachgewiesen, Quelle: Helen Kapp: The continental British school of painting. In: The Studio, London, Bd. 157, Nr. 794, Mai 1959, S. 129-134]","8206":"KÜNZELSAU, Museum Würth, 3. Mai 2013-30. März 2014. Gruppenausstellung A.E.I.O.U. - Österreichische Aspekte in der Sammlung Würth.Hrsg. von Sylvia Weber","8207":"KOPENHAGEN, Den Frie Udstilling, Mai 1932. Nyere tysk kunst. Einf. von Ludwig Thormaehlen","8208":"SALZBURG, Residenzgalerie, 6. Dez. 1980 - 30. April 1981. Oskar Kokoschka. Bilder zum Leben. [Gemälde und Graphik]","8209":"ZÜRICH, Kunsthaus, 6. Juni - 17. Juli 1927. Ausstellung Oskar Kokoschka. Bearb. von W. Wartmann. Rez.: Siegfried Giedion: Kokoschka in Zürich. In: Der Cicerone, Leipzig, Jg. 19, 1927, H. 18, S. 578-580; W. W[artmann]: Oskar Kokoschka. In: Neue Zürcher Zeitung, 9.5.1927; Kokoschka in Zürich. Zur Ausstellung im Kunsthaus. [Teil] I - III. In: Neue Zürcher Zeitung,15. 6., 19.6. u. 22 6.1927","8210":"BERLIN, Landesausstellungsgebäude am Lehrter Bahnhof, 24. Juli - 30. Sept. 1919. Kunstausstellung Berlin 1919. Berliner Künstler, Berliner Secession, Freie Secession, Novembergruppe","8211":"LONDON, Tate Gallery, 15. Juli - 17. Aug. 1952. Twentieth century masterpieces. An exhibition of paintings and sculpture. Einf. von James J. Sweeney. [Übernahme der Ausstellung (s. 1952 Paris)]","8212":"BALTIMORE/MD, Museum of Art, 15. März - 15. April 1946. Paintings from the permanent collection of the Museum of Modern Art. Hrsg. von Adelyn D. Breeskin","8213":"BLOOMINGTON/IN, Indiana University Art Museum, 23. Okt. - 3. Dez. 1977. German and Austrian Expressionism 1900--1920. Hrsg. von Janice Tollhurst Driesbach","8214":"NEW YORK, IBM Gallery of Science and Art, 9. Dez. 1983 - 21. Jan. 1984. Paintings and drawings from the Phillips Collection","8215":"DETROIT/MI, Detroit Institute of Arts, 8. Dez. 1964 - 3. Jan. 1965. The Institute collects. A selective survey of the additions to the collection 1959 - 1964. Bearb. von Willis F. Woods","8216":"ROTTERDAM, Museum Boymans-van Beuningen, 4. Okt. 1980 - 4. Jan. 1981. Dubbelportret.Bearb. von Jeroen Giltay und Hanneke de Man","8217":"BERLIN, Preussische Akademie der Künste, Mai - Juni 1928. Frühjahrsausstellung. Rez.: Willi Wolfradt in: Der Cicerone, Leipzig, Jg. 20, 1928, H. 12, S. 407-408","8218":"AMSTERDAM, Stedelijk Museum, 15. Juli - 15. Sept. 1949. Expressionisme. Van Gogh tot Picasso","8219":"OBERLIN/OH, Allen Memorial Art Museum, Oberlin College, April 1946. Five Expressionists: Hofer, Munch, Hartley, Kokoschka, Schmidt-Rottluff","8220":"DRESDEN, Galerie Emil Richter, Sommer 1919. Sezession Gruppe 1919, Dresden. 2. Schau. Rez.: Carl Puetzfeld: Neue Kunst in Dresden. In: Das Kunstblatt, Potsdam, Berlin, Jg. 3, 1919, H. 9, S. 287-288","8221":"MÜNCHEN, Sudetendeutsches Haus, 27. Jan. -15. März 1989. Drehscheibe Prag Deutsche Emigranten 1933-1939. Bearb. von Peter Becher, Sigrid Canz. [Weitere Station der Ausstellung REGENSBURG, Museum Ostdeutsche Galerie, 22. Sept.-5. Nov. 1989]. München: Adalbert-Stifter-Verein 1989","8222":"BOSTON/MASS., Institute of Contemporary Art, Okt. - Nov. 1948. Oskar Kokoschka. A retrospective exhibition. Hrsg. von James S. Plaut (s. Plaut 1948). [Weitere Stationen der Ausstellung, WASHINGTON/DC, Phillips Memorial Gallery, 1. Dez. 1948 - 15. Jan. 1949; ST. LOUIS/MO, City Art Museum, 21. Feb. - 21. März 1949; SAN FRANCISCO/CA, M. H. de Young Memorial Museum, 10. April - 15. Mai 1949; WILMINGTON/DE, Delaware Art Center, 5. Juni - 3. Juli 1949; NEW YORK, Museum of Modern Art, 19. Juli - 4. Okt. 1949]","8223":"PITTSBURGH,/PA, Museum of Art, Carnegie Institute, 30. Okt. 1964 - 10. Jan. 1965. The 1964 Pittsburgh International. Exhibition of contemporary painting and sculpture. Einf. von Gustave von Groschwitz","8224":"HANNOVER, Kunstverein, Kestner-Gesellschaft, Niedersächsisches Landesmuseum, 10. Okt. - 28. Nov. 1965. Sammlung Sprengel. Hrsg. von Barbara Mundt","8225":"ZÜRICH, Kunsthaus, 1. Juni - 24. Juli 1966. Oskar Kokoschka. Vorw. von R. Wehrli. Rez.: (s. Kern 1966); Herbert Schade: Oskar Kokoschka - ein `unzeitgemäßer' Künstler. In: Stimmen der Zeit, Freiburg/Br., Bd. 178 = Jg. 91, 1965/66, H. 7, S. 58-65","8226":"RICHMOND/VA, Virginia Museum of Fine Arts, 10. Sept. - 12. Okt. 1947. Portrait Panorama. An exhibition of portraits by artists of six centuries","8227":"DARMSTADT, Mathildenhöhe, 27. Juni - 15. August 1954. Das Bild der Landschaft 1945-1954.Einf. von Erich Wiese","8228":"NEW YORK, Buchholz Gallery (Curt Valentin), 2. - 28. Jan. 1947. Painting and sculpture from Europe","8229":"NEW YORK, Marlborough Gallery, 7. Mai - 11. Juni 1983. Masters of the 19th and 20th centuries","8230":"MÜNSTER, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, 1974. Maler des Expressionismus. Bearb. von Jürgen Wißmann","8231":"MÜNCHEN, Neue Münchener Secession, Galeriestr. 26, 30. Mai - 1. Okt. 1914. Neue Muenchener Secession. 1. Ausstellung. Rez.: Wilhelm Hausenstein: Ausstellungen - München. In: Kunstchronik, Leipzig, N. F., 25 = Jg. 49, 1913/14, Nr. 41, 21.8.1914, Sp. 603-606","8232":"WIEN, Hagenbund, [ab 18. Feb.] 1932. Malende Dichter und dichtende Maler. Einf. von Fritz Grossmann. [2 Gemälde, Quelle: Preisliste im Archiv der Neuen Galerie Wien in der Österreichischen Galerie in Wien]","8233":"WIEN, Albertina, 22. Juli - 26. Sept. 1998. Die Thermopylen. Oskar Kokoschka – ein großer Europäer. Hrsg. von Alfred Weidinger","8234":"TURIN, Fondazione Palazzo Bricherasio, 25. Okt. 2001 - 27 Jan. 2002. L’espressionismo. Presenza della pittura in Germania 1900-2000. Bearb. Von Helmut Friedel [u.a.]","8235":"WIEN, Kammersaal des Musikvereins, 13. Okt. - 11. Nov. 1956. Prager Bilder.Bearb. von Jan Tomes und Friedrich Welz. [Kein Katalog, weitere Stationen (s. 1956 Linz und 1956 Salzburg)].","8236":"HAMBURG, Firma BATIG, 20. Sept. - 23. Nov. 1984. Europäische Ansichten. Städte und Landschaften in Bildern von 1945 bis heute aus den Ländern der EG. Hrsg. von Günter Hartmann","8237":"PÖCHLARN, Oskar Kokoschka-Dokumentation, Ausstellung im Geburtshaus des Künstlers und in der Raiffeisenbank Pöchlarn, 21. Juni - 14. Sept. 1980. Oskar Kokoschka. Gemälde und Graphik 1908--1976. Hrsg. von Johann Winkler","8238":"BREMEN, Kunsthalle Bremen, 25. März - 12. Juni 2000. Der Blaue Reiter. Hrsg. von Christine Hopfengart","8239":"EINDHOVEN, Stedelijk Van Abbe Museum, 20. Feb. - 31. März 1954. Collectie Graindorge - Collectie Musée des Beaux Arts Liège. Luik verzamelt kunst. [Übernahme von BRÜSSEL]","8240":"DETROIT/MI, Detroit Institute of Arts, Jan. 1941. Refugee art","8241":"PITTSBURGH,/PA, Carnegie Institute, 5. Dez. 1958 - 8. Feb. 1959. The 1958 Pittsburgh bicentennial international exhibition of contemporary painting and sculpture. Bearb. von Gordon Bailay Washburn","8242":"OSLO, Kunsternes Hus, Jan. 1932. Nyere tysk kunst. Einf. von Ludwig Thormaehlen. Rez.: Neuere deutsche Kunst in Oslo. In: Museum der Gegenwart, Berlin, Jg. 2, 1931/32, H. 4, 1. Vierteljahr 1932, S. 161-172","8243":"PRINCETON/NJ, The Art Museum, Princeton University, Nov. 1973 - Juni 1974. Selections from the Norton Simon Museum of Art. [1 Gemälde, außer Katalog]","8244":"MÜNCHEN, Haus der Kunst, 23. Juni - 7. Okt. 1956. Große Kunstausstellung München 1956","8245":"BUDAPEST, Müvészház (Künstlerhaus), Jan. 1912. A Neukunst Wien 1912. Einf. von Paris von Gütersloh. [3 Gemälde außer Katalog]. Rez.: Eugen Lazar: Drei Künstler. In: Budapester Presse, Jg. 2, 1912, Nr. 21, 25. Jan., S. 1-4","8246":"WASHINGTON/DC, National Gallery of Art, 6. Mai - 15. Juli 1990. Meisterwerke der Sammlung Emil G. Bührle, Zürich. Ausstellung zum Gedenken des 100. Geburtstages des Sammlers Emil G. Bührle. Bearb. von Christian Bührle. [Weitere Stationen der Ausstellung MONTREAL, Montreal Museum of Fine Arts, 3. Aug.--14. Okt. 1990; YOKOHAMA, Yokohama, Museum of Art, 2. Nov. 1990--13. Jan. 1991; LONDON, Royal Academy of Arts, 1. Feb.--9. April 1991]","8247":"KALAMAZOO/MI, Kalamazoo Institute of Arts, 1. März - 8. April 1979. German expressionist art in Western Michigan collections. Hrsg. von Susan M. Marshall. [Weitere Stationen der Ausstellung, GRAND RAPIDS/MI, Grand Rapids Art Museum, 15. April - 15. Mai 1979; MUSKEGON/MI, Hackley Art Museum, 24. Mai - 1. Juli 1979]","8248":"PORTLAND/OR, Portland Art Museum, 7. Juni - 15. Juli 1979. Vienne moderne: 1898--1918.An early eencounter between taste and utility. Bearb. von Jan Ernst Adlmann. [Übernahme der Ausstellung von NEW YORK, Cooper-Hewitt Museum, 27. Nov. 1978 - 4. Feb. 1979 und (s. 1979 Houston)]","8249":"MINNEAPOLIS/MN, University of Minnesota, University Gallery, 23. Okt. - 27. Nov. 1950. German Expressionism in art. Painting, sculpture, prints 1905-1935","8250":"LINZ, Schloßmuseum Linz, 31. Mai – 29. Okt. 1995.Oberösterreich. Bildende Kunst 1945--1955. Katalogbuch, hrsg. von Martin Hochleitner","8251":"ALBSTADT, Städtische Galerie, 23. Sept. - 18. Nov. 1979. Oskar Kokoschka. Themen 1906–1976. Handzeichnungen, Druckgraphik, Buchkunst, Bildwerke, Leihgaben aus Privatbesitz. Bearb. von Heinz Spielmann","8252":"INNSBRUCK, Tiroler Landesmuseum Ferdinandeum, 11. Juli - 2. Sept. 1990. Tirol von außen. Il Tirolo visto degli altri. [Weitere Station der Ausstellung BOZEN, Museo d'Arte Moderna, 14. Sept. - 21. Okt. 1990]","8253":"WARWICKSHIRE (UK), Compton Verney, 27. Sept. - 14. Dez. 2008. Oskar Kokoschka. Exile and New Home 1938-1980. Jack B. Yeats. Masquerade & Spectacle, the circus and the travelling fair. [Übernahme der Ausstellung von Wien, Albertina. 9 Gemälde, kein Katalog, Begleitheft o. S u. Abb. Quelle: Robin Blake: Kokoschka and Yeats at Compton Verney. In: Financial Times/life&arts (www.ft.com/life&arts/arts, 22. Nov. 2008] (1.7.2015)","8254":"BERLIN, Galerie Matthiesen, Mitte Feb. - Mitte März 1927. Das Stilleben in der deutschen und französischen Malerei von 1850 bis zur Gegenwart","8255":"MÜNCHEN, Haus der Kunst, 1970. Große Kunstausstellung","8256":"HAGEN, Museum Folkwang, 1912. Moderne Kunst.","8257":"HEIDELBERG, Heidelberger Kunstverein, 2. März - 13. Mai 1990. Blau. Farbe der Ferne. Ausstellung aus Anlaß der Eröffnung des Kunstvereinsneubaus und des Museumserweiterungsbaus. Hrsg. von Hans Gercke","8258":"PARIS, Musée National d'Art Moderne, Mai - Juni 1952. L'Oeuvre du 20e siècle.Einf. von James J. Sweeney. [Weitere Station der Ausstellung (s. 1952 London)]","8259":"WIEN, Secession, 9. - 28. April 1968. Secession '68","8260":"HAMBURG, Kunsthalle, 11. Nov. - 2. Dez. 1917. Ausstellung von Werken neuerer Kunst aus Hamburger Privatbesitz in der Hamburger Kunsthalle","8261":"BERLIN-DDR, Staatliche Museen, Pergamon-Museum und Nationalgalerie, 1958. Schätze der Weltkultur von der Sowjetunion gerettet. Hrsg. von Martin Ohlsberg","8262":"VENEDIG, 32. Biennale, 20. Juni - 18. Okt. 1964. XXXII. Biennale internazionale d'arte di Venezia.Hrsg. von Umbro Apollonio","8263":"BASEL, Kunsthalle, 7. - 29. Okt. 1933. Moderne deutsche Malerei aus Privatbesitz","8264":"NEW YORK, E. & A. Silberman Galleries, 10. - 28. Dez. 1957. Art unites nations. An exhibition of paintings","8265":"SAO PAULO, Museu de Arte Moderna, Dez. 1953 - Feb. 1954. Il Bienal. Hrsg. von Ruy Bloem","8266":"BERLIN, Freie Secession, [Ausstellungshaus am Kurfürstendamm], 1920. [Ausstellung der Freien Secession]","8267":"KASSEL, 11. Juli - 11. Okt. 1959. Documenta II. Kunst nach 1945","8268":"ZÜRICH, Galerie Nicoline Pon, März 1976.Oskar Kokoschka.","8269":"BERLIN, Staatliche Kunsthalle, 16. Dez. 1979 - 10. Feb. 1980. Die Gesellschaftliche Wirklichkeit der Kinder in der bildenden Kunst. Hrsg. von Jürgen Hoffmann","8270":"MÜNCHEN, Haus der Kunst, 7. Juni - 15. Sept. 1957. Große Kunstausstellung München 1957","8271":"STOCKHOLM, Moderna Museet, 26. Dez. 1963 - 16. Feb. 1964. Önskemuseet. The museum of our wishes. Notre musée tel qu'il devrait etre. Museum unserer Wünsche. Bearb. von Olle Granath und K. G. Hultén","8272":"MÜNCHEN, Galerie Caspari, [1921]. [Oskar Kokoschka.] [Katalog nicht nachgewiesen, Quelle: Das Kunstblatt, Potsdam, Berlin, Jg. 5, 1921, H. 5, S. 156]","8273":"SALZBURG, Kunsthandlung Friedrich Welz, 25. Aug. - 15. Sept. 1935. [Werke von Oskar Kokoschka, Hans Pilhs und Anton Steinhart.] Rez.: Salzburger Chronik, 7. September 1935; Salzburger Volksblatt, 4. September 1935; Hans Ankwicz-Kleehoven: Kokoschka-Ausstellung in Salzburg. In: Wiener Zeitung, 7. September 1935","8274":"HALBTURN, Schloß Halbturn, 9. Mai - 28. Oktober 1990. Narziss - Selbst-Bildnisse. Bilder und Plastiken des 19. und 20. Jahrhunderts aus der Österreichischen Galerie. Hrsg. von Gerbert Frodl","8275":"NEW YORK, Serge Sabarsky Gallery, [1972]. Expressionisten. Bedeutende Gemälde, Aquarelle, Zeichnungen und Skulpturen 17 deutscher Expressionisten. In Zusammenarbeit mit Galerie Aenne Abels, Köln","8276":"EDINBURGH, National Gallery of Scotland, Mai 1941. Exhibition of works by artists of our allies Belgium, Czechoslovakia, France, Greece, Jugoslavia, Nederlands, Norway, Poland under the auspices of the British Council","8277":"MÜNCHEN, Münchener Neue Secession, 1916. Muenchener Neue Secession. 2. Ausstellung","8278":"LONDON, Tate Gallery, 1. Feb. - 29.April 2001. Century City. Art and culture in the modern metropolis. Hrsg. von Iwona Blazwick","8279":"ROTTERDAM, Museum Boymans-van Beuningen, 21. Dez. 1946 - 26. Jan. 1947. Kersttentoonstelling. Moderne buitenlandsche kunst uit nederlandsch bezit","8280":"SAINT LOUIS/MO, City Art Museum, 7. April - 5. Mai 1952. St. Louis collects. An exhibition selected from private collections","8281":"DRESDEN, Staatliche Kunstsammlungen, Albertinum, Gemäldegalerie Neue Meister, 8. Juni - 29. Aug. 1976. 200 Jahre Malerei in Dresden. Hrsg. von Waltraut Schumann","8282":"BOSTON/MASS., Institute of Contemporary Art, 8. Jan. - 10. Feb. 1957. Twentieth anniversary exhibition","8283":"WIEN, Neue Galerie, [Juni] 1936. Moderne österreichische Malerei. 115. Ausstellung. [Katalog nicht nachgewiesen. Kokoschkas Beteiligung ist durch die Einladungskarte dokumentiert]","8284":"KARLSRUHE, Badischer Kunstverein, 21. Aug. - 20. Nov. 1966. Oskar Kokoschka. Das Portrait. Gemälde, Aquarelle, Zeichnungen 1907-1966. Hrsg. von Klaus Gallwitz","8285":"KRUMAU (ČESKY KRUMLOV), Egon Schiele Centrum, 23. Mai - 28. Okt. 1997. Oskar Kokoschka Wien – Praha. Hrsg. von Gerwald Sonnberger. [Text in dt. u. tschech.]","8286":"JENA, Kunstverein, Nov. - Dez. 1928. Sammlung moderner Kunst.[kein Katalog]","8287":"NEW YORK, Curt Valentin Gallery, 24. Sept. - 13. Okt. 1951. Lehmbruck and his contemporaries","8288":"RECKLINGHAUSEN, Städtische Kunsthalle, 1979. 33. Ruhrfestspiele","8289":"SALZBURG, Künstlerhaus, Juli 1950. Meisterwerke österreichischer Kunst des 20. Jahrhunderts. Kunstverein Salzburg - Galerie Welz Salzburg","8290":"MÜNCHEN, Münchener Neue Secession, Galeriestr. 26, 1918. Muenchener Neue Secession. 4. Ausstellung","8291":"CISMAR, Schleswig-Holsteinisches Landesmuseum, Kloster Cismar, 28. Juni - 25.Okt. 1992. Oskar Kokoschka. Lebensspuren.Ausgewählte Gemälde, Aquarelle, Zeichnungen der Kokoschka-Stiftung Vevey aus den Jahren 1906 bis 1976 mit unveröff. Gesprächen d. Künstlers aus d. Jahre 1966. Katalogbuch bearb. von Heinz Spielmann. [Weitere Station der Ausstellung, MAINZ, Landesmuseum Mainz, 15. Nov. 1992 - 17. Jan. 1993]","8292":"CHICAGO/ILL., The Arts Club, 3. - 27. Jan. 1941. Oskar Kokoschka. Einf. von C. J. Bulliet","8293":"NEW YORK, Wildenstein & Co., 1973. Masterpieces in bloom","8294":"BERLIN, Galerie der Sturm, Juli 1916. Expressionisten, Futuristen, Kubisten. (43. Ausstellung)","8295":"WIEN, Neue Galerie, Okt. 1932. Oskar Kokoschka. Gemälde, Aquarelle und Zeichnungen 1927–1932. ","8296":"HANNOVER, Galerie von Garvens, 5. Mai - 15. Juni 1921. Neuerwerbungen 1920/21. (7. Ausstellung.). Rez.: Kunstchronik und Kunstmarkt, Leipzig, Jg. 55 = N. F., 32, 1920/21, H. 34, 20. 5. 1921, S. 652","8297":"AMSTERDAM, Stedelijk Museum, 16. Nov. - 16. Dez. 1956. Kunst uit Oostenrijk. Bearb. von Werner Hofmann. [Weitere Station der Ausstellung, EINDHOVEN, Stedelijk Van Abbe Museum, 22. Dez. 1956 - 26. Jan. 1957]","8298":"BERLIN, Kunstforum der GKB, 3. April - 21. Juni 1998.Oskar Kokoschka. Spuren eines irrenden Ritters. Eine Werkauswahl aus den Jahren 1953–1973. Hrsg. von Alfred Weidinger. [Eine Ausstellung der Graphischen Sammlung Albertina, Wien und der Grundkreditbank eG - Köpenicker Bank]","8299":"LONDON, Courtauld Institute Galleries, ab 17. Juli 1981. The Princes Gate Collection. Hrsg. von Helen Braham","8300":"NEW YORK, Galerie St. Etienne, 27. Mai - 13. Sept. 1986. Gustav Klimt - Egon Schiele - Oskar Kokoschka.[Ausstellungsliste]","8301":"BIELEFELD, Kunsthalle Bielefeld, 20. Nov. 1994–19. Feb. 1995. Oskar Kokoschka. Emigrantenleben - Prag und London 1934–1953. Hrsg. von Jutta Hülsewig-Johnen. [Katalog und Kurzführer]","8302":"BASEL, Kunsthalle, 11. Sept. - 2. Okt. 1921. Moderne deutsche Malerei. Graphik von Max Klinger. Deutsche neuzeitliche Ausstellung in Basel. Einf. von Alexander Zschokke","8303":"AMSTERDAM, Stedelijk Museum, 1. - 24. April 1960. De verzameling","8304":"PALM BEACH, FL, Palm Beach Art Institute, Norton Gallery and School of Art, 1965. Brandeis at the Palm Beaches","8305":"MAILAND, Fondazione Antonio Mazzotta, 24. Sept. 2000–14. Jan. 2001. Egon Schiele e l’espressionismo in Austria, 1908–1925. Hrsg. von Antonia Hoerschelmann. Rez.: Berna Nicastro, in: Critica d’arte, 8. Ser., Nr. 64, 2001/2002, S. 12, 21","8306":"HAMBURG, Bucerius Kunst-Forum, 26. Nov. 2005–5. Feb. 2006.Oskar Kokoschka. Erlebnis des Augen-Blicks. Aquarelle und Zeichnungen. Hrsg. von Heinz Spielmann und Ortrud Westheider","8307":"MÜNCHEN, Glaspalast, 1. Juni - Anfang Okt. 1926. 1. Allgemeine Kunst-Ausstellung München 1926. Veranst. von der Münchener Neue Künstler-Genossenschaft; Verein Bildender Künstler Münchener Secession e. V.","8308":"PASADENA/CA, Art Museum, 23. April - 4. Juni 1961. German Expressionism","8309":"DEN HAAG, Gemeentemuseum 's-Gravenhage, 31. Juli - 1. Okt. 1958. Oskar Kokoschka","8310":"WASHINGTON/DC, The Phillips Collection, 1.-28. Feb. 1967. Kokoschka. Gemälde aus der Sammlung","8311":"AMSTERDAM, Stedelijk Museum, 6. Juli - 30. Sept. 1957. Europa 1907. Belgie, Duitsland, Engeland, Frankrijk, Nederland, Noorwegen, Oostenrijk, Rusland, Spanje, Tschechoslowakije, Zwitserland","8312":"NEW YORK, Museum of Modern Art, 9. Dez. 1942 - 24. Jan. 1943. 20th century portraits by Monroe Wheeler","8313":"KÖLN, Alte Universität, 19. Okt. - 15. Dez. 1946. Sammlung Haubrich. Malerei und Plastik des 20. Jahrhunderts. Bearb. von Leopold Reidemeister. [Weitere Stationen der Ausstellung z.T. mit eigenen Katalogen, (s. 1947 Stuttgart; 1947 Mannheim; 1947 Hamburg; 1947/48 Oldenburg; 1948 Wiesbaden)]","8314":"BUDAPEST, Künstlerhaus, 8. März- 16. April 1913. Bund Österreichischer Künstler és Gustav Klimt","8315":"SHIZUOKA, Ikeda Museum of 20th Century Art, 1975. Masters of 20th century art","8316":"BOSTON/MASS., Museum of Fine Arts, 10. Okt. - 17. Nov. 1957. European masters of our time. Einf. von Perry T. Rathbone","8317":"BUENOS AIRES, Museo Nacional de Bellas Artes, 15. Mai - 5. Juni 1968. De Cézanne à Miró. Bearb. von Monroe Wheeler und Donald B. Strauss. [Weitere Stationen der Ausstellung, SANTIAGO DE CHILE, Museo de Arte Contemporáno, 26. Juni - 17. Juli; CARACAS, Museo de Bellas Artes, 4. -25. Aug. 1968]","8318":"PARIS, Musée du Jeu de Paume des Tuileries, 30. April - 30. Juni 1937. Exposition d'art autrichien. Einf. von Alfred Stix. Rez.: Österreichische Kunst im Musée du Jeu de Paume, Paris. In: Österreichische Kunst, Wien, Jg. 8, 1937, H. 5, S. 6-12","8319":"DRESDEN, Galerie Ernst Arnold, Jan. 1923. Kunst der Gegenwart. Jubiläumsausstellung der Galerie Arnold. Veranst. von Ludwig Gutbier. [2 Gemälde, Katalog nicht nachgewiesen, Quelle: Kunstchronik und Kunstmarkt, Leipzig, Jg. 58 = N. F., 34, 1923, H. 47/48, 7. /21. 9. 1923, S. 799]","8320":"MÜNCHEN, Haus der Kunst, 25. Juni - 9. Okt. 1960. Große Kunstausstellung München 1960","8321":"BRÜSSEL, Palais des Beaux-Arts, 1952. L'Expressionisme dans le Musée Wallraf-Richartz de Cologne","8322":"DRESDEN, Städtischer Ausstellungspalast, 1. Mai - 15. Okt. 1912. Grosse Kunstausstellung.","8323":"BERN, Kunsthalle, 4. März - 11. April 1977. Zeitgenössische Kunst aus der Sammlung des Stedelijk van Abbemuseum Eindhoven. Hrsg. von Marianne Schmidt","8324":"BRÜNN, Dum umení mesta Brna, 1963. Rakouské umení XX. století. [Übernahme der Ausstellung (s. 1961 Prag) mit 7 Gemälde]","8325":"WIEN, Galerie Martin Suppan, Jubiläumsausstellung 22. Okt. - 22. Nov. 2004. Vom Biedermeier zur Moderne IV","8326":"BERLIN, Galerie Paul Cassirer, Nov. 1925. Landschaften von Oskar Kokoschka. Sonderausstellung. [Weitere Station der Ausstellung, FRANKFURT/MAIN, Kunsthandlung M. Goldschmidt, Dez. 1925]. Rez.: (s. Meier-Graefe 1925; Kuehlmann 1926; Scheffler 1926); Emil Szittya: Die neuen Bilder Kokoschkas bei Cassirer. In: Der Querschnitt, Berlin, Jg. 5, 1925, Nr. 12; Willi Wolfradt in: Der Cicerone, Leipzig, Jg. 17, 1925, H. 23, S. 1138; Das Kunstblatt, Potsdam, Jg. 10, 1926, H. 1, S. 41-42","8327":"ULM, Städtisches Museum, Moderne Galerie und Kupferstichkabinett, 4. August - ca. 8. Sept. 1933. Zehn Jahre Ulmer Kunstpolitik. [Quelle: (s. Zuschlag 1992, S. 100 und Sultano 2003b, S. 75)]","8328":"MÜNCHEN, Haus der Kunst, 13. Mai - 11. Sept. 1955. Große Kunstausstellung München 1955","8329":"GENUA, Palazzo Ducale Genova, 16. Nov. 1995–18. Feb. 1996. Arte della Libertà. Antifascismo, guerra e liberazione in Europa 1925–1945. Hrsg. von Franco Sborgi","8330":"MÜNCHEN, Galerie Hans Goltz, Aug. - Sept. 1913. Neue Kunst. (II. Gesamtausstellung). Einf. von André Salmon","8331":"ZÜRICH, Galerie Dada, Bahnhofstraße 19, 17. März - 7. April 1917. Sturm-Ausstellung, (I. Serie). [Übernahme der Ausstellung (s. 1917 Basel)]","8332":"SAN FRANCISCO/CA, California Palace of the Legion of Honor, 1. - 30. Juli 1961. Painters by the sea. [Weitere Station der Ausstellung SANTA BARBARA/CA, Museum of Art, 8. Aug. - 3. Sept. 1961]","8333":"PARIS, Fondation Dina Vierny - Musée Maillol, 19. Jan. - 23. April 2001.La vérité nue. Gerstl, Kokoschka, Schiele, Boeckl. Hrsg. und bearb. von Caroline Messensee [u.a.]","8334":"BERN, Kunstmuseum, Okt. 1944 - März 1945. Gemälde und Zeichnungen alter Meister. Kunsthandwerk aus Privatbesitz. Der Sturm: Sammlung Nell Walden aus den Jahren 1912–1920. Einf. von Max Huggler","8335":"BERLIN-DDR, Staatliche Museen zu Berlin, Nationalgalerie, [1966]. Deutsche Kunst. 19./20. Jahrhundert. Hrsg. von Willi Geismeier","8337":"TOKYO, Suntory Museum of Art, 4. April - 14. Mai 1989. Gustav Mahler","8338":"LONDON, Marlborough Gallery, März - April 1976. Oskar Kokoschka. Cityscapes and landscapes. A 90th birthday tribute. Katalog mit Einf. von Oskar Kokoschka","8339":"CAMBRIDGE/Mass., Fogg Art Museum, 1956. Recent acquisitions","8340":"AMSTERDAM, Van Gogh Museum, 24. Nov. 2006–4. März 2007. Vincent van Gogh and Expressionism. Hrsg. von Jill Lloyd. [Weitere Station der Ausstellung, NEW YORK, Neue Galerie, 23. März - 2. Juli 2007]","8341":"KÖLN, Kunstverein, Mai - Juni 1924. Kunst der Gegenwart. Frühjahrs-Ausstellung","8342":"LONDON, Marlborough Gallery, Sommer 1972. Masters of the 19th and 20th centuries","8343":"HALLE/Saale, Museum Moritzburg, 27. Nov. 1935–25. Juli 1937. Schreckenskammer. (Quelle: s. Zuschlag 1992, S. 83–105 und Sultano 2003b, S. 75)","8344":"STRASBOURG, Chateau de Rohan, 8. Juni - 15. Sept. 1963. La grande aventure de l'art du XXe siècle. Bearb. von Hans Haug","8345":"PÖCHLARN, Oskar Kokoschka-Dokumentation, Ausstellung im Geburtshaus des Künstlers, 3. Juni - 17. Sept. 1978. Erinnerung an Bohuslav Kokoschka. Bearb. von Johann Winkler","8346":"ZÜRICH, Kunsthaus, 22. Okt. - 7. Nov. 1971. Vereinigung Zürcher Kunstfreunde. Mitglieder zeigen ihr meistdiskutiertes Kunstwerk aus eigenem Besitz. Hrsg. von René Wehrli","8347":"BERLIN, Schloß Charlottenburg, Orangerie, 11. - 28. Sept. 1986. Deutscher Kunsthandel im Schloß Charlottenburg. Orangerie '86","8348":"VERONA, Galleria d’Arte Moderna e Contemporanea, Palazzo Forti, 13. Sept. 2003 - 11. Jan. 2004. La creazione ansiosa. De Picasso a Bacon. Hrsg. von Giorgio Cortenova","8349":"ZÜRICH, Kunsthaus, 18. April - 15. Mai 1935. Ausstellung. Rez.: Volksrecht, Zürich, 4. Mai 1935; Zürcher Post,10. Mai 1935; Neue Züricher Nachrichten, Mai 1935","8350":"HAMBURG, Kunsthalle, 10. Nov. 1973 - 6. Jan. 1974. Kunst in Deutschland 1898--1973. Hrsg. von Werner Hofmann. [Weitere Station der Ausstellung, MÜNCHEN, Städtische Galerie, Lenbachhaus, 1. Feb. - 11. März 1974]. Rez.: Peter Sager: Kunst in Deutschland. In: Das Kunstwerk,Stuttgart, Nr. 27, 1974, H. 1, S. 52-53","8351":"BERLIN, Galerie Thannhauser, Juni 1927. Eröffnungs-Ausstellung unseres neuen Berliner Hauses Bellevuestraße 13. Galerien Thannhauser, Berlin - Luzern - München","8352":"WASHINGTON/DC, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1. Okt. 1974–15. Sept. 1975. Inaugural exhibition","8353":"LUZERN, Grand Hôtel National, 30. Mai - 29. Juni 1939.Gemälde und Plastiken moderner Meister aus deutschen Museen.Veranst. von der Galerie Fischer, Luzern. [Übernahme der Ausstellung (s. 1939 Zürich). Katalog ist gleichzeitig Auktionskatalog vom 30. Juni 1939 (s. Luzern 1939a)]","8354":"BIELEFELD, Richard Kaselowsky-Haus, Kunsthalle der Stadt Bielefeld, 29. Sept. - 8. Dez. 1968. Deutsche Expressionisten aus der Sammlung Morton D. May, St. Louis, USA. Bearb. von Georg Syamken. [Weitere Station der Ausstellung, KÖLN, Wallraf-Richartz-Museum; ESSEN, Museum Folkwang; BREMEN, Kunsthalle; KARLSRUHE, Badischer Kunstverein und WIEN, Museum des 20. Jahrhunderts (eigener Katalog)]","8355":"HAMBURG, Kaufhaus Karstadt, 7. - 15. Okt. 1966. 1 Gemälde","8356":"BERLIN, Staatliche Kunsthalle, Berlin, West, 9. Jan. - 10. Feb. 1983. 1933 - Wege zur Diktatur. Hrsg. von Dieter Ruckhaberle","8357":"KASSEL, Kunstverein, 22. April - 27. Mai 1979. Bonner Politiker-Porträts. Bearb. von Karl Oskar Blase und Joachim Heusinger von Waldegg","8358":"ROUEN, Musée des Beaux-Arts, 20. Mai - 14. Aug. 1995. ''Klimt - Schiele - Kokoschka. Hrsg. von Serge Sabarsky","8359":"PORTLAND/OR, Museum of Art, 22. Sept. - 17. Okt. 1965. The collection of Sarah Reed Blodgett of Portland","8360":"ROVERETO, Museo di Arte Moderna e Contemporanea di Trento e Rovereto, 7. Okt. 2006–8. Jan. 2007.Schiele, Klimt, Kokoschka e gli amici viennesi. Hrsg. und bearb. von Tobias G. Natter und Tomas Sharman [u.a.].","8361":"RIO DE JANEIRO, Museu de Arte Moderna, Sept. 1960. [Deutsche Kunst seit 1945]","8362":"HAMBURG, B.A.T.-Haus, Esplanade 39 und Kunsthaus Hamburg, 20. Feb. - 4. Mai 1975. Oskar Kokoschka. Gemälde und Aquarelle seit 1953, Zeichnungen, Druckgrafik, Mosaiken seit 1971. Das schriftliche Werk. Hrsg. von Heinz Spielmann. [Weitere Station der Ausstellung (s. 1975 Madrid)]","8363":"ZÜRICH, Kunsthaus, 25. Nov. 1988 - 19. Feb. 1989. Egon Schiele und seine Zeit. Österreichische Malerei und Zeichnung von 1900 bis 1930 aus der Sammlung Leopold. Hrsg. von Klaus Albrecht Schröder und Harald Szeemann. [Weitere Stationen der Ausstellung, WIEN, Kunstforum Länderbank, 14. März - 18. Juni 1989; MÜNCHEN, Hypo-Kulturstiftung, 29. Sept. 1989 - 7. Jan. 1990 und WUPPERTAL, Von-der-Heydt-Museum, 21.Jan. - 31. März 1990]","8364":"ESSEN, Museum Folkwang, 11. August - 4. Nov. 1990. Vincent van Gogh und die Moderne 1890 - 1914. Hrsg. von Georg-W. Költzsch und Ronald de Leeuw. [Weitere Station der Ausstellung, AMSTERDAM, Van Gogh Museum, 16. Nov. 1990 - 18. Feb. 1991]","8365":"NEW YORK, The Solomon R. Guggenheim Museum, April - Mai 1968. Acquisitions of the 1930's and 1940's. A selection of paintings, watercolors and drawings in tribute to Baroness Hilla von Rebay 1890–1967. Hrsg. von Thomas M. Messer","8366":"BERLIN-DDR, Nationalgalerie, 23. März - 29. Mai 1983. Oskar Kokoschka: Graphik und Zeichnungen. Kupferstichkabinett und Sammlung der Zeichnungen der Staatl. Museen zu Berlin / Kulturbund der DDR: Stiftung Olda Kokoschka. Bearb. von Anita Kühnel, Diether Schmidt und Werner Schade","8367":"KÖLN, Galerie Anne Abels, 2. Mai - 8. Juni 1957. Expressionisten","8368":"WIEN, Secession, 3. April - 21. Juni 1998. Secession. Das Jahrhundert der künstlerischen Freiheit. Hrsg. von Robert Fleck. [Weitere Station der Ausstellung PRAG, Rudolfinum 19. Nov. 1998–31. Jan. 1999]","8369":"NEW YORK, Museum of Modern Art, 5. Juni - 17. Sept. 1970. Recent acquisitions","8370":"DEN HAAG, Gemeentemuseum voor Moderne Kunst, 15. Okt. - 13. Nov. 1927. Oostenrijksche schilderijen en kunstnijverheid 1900–1927. Einf. von Hans Tietze. [Weitere Stationen der Ausstellung ROTTERDAM und AMSTERDAM]","8371":"MONS, Musée des Beaux-Arts de Mons, 19. Dez.1980 - 15. Feb. 1981. Mons - Wien 1980–1981. Oskar Kokoschka, Herbert Boeckl, Alfred Kubin [u.a.] Gemälde und druckgraphische Werke. Bearb. von Hertha Firnberg und Philippe Busquin. [Weitere Station der Ausstellung, WIEN, Akademie der Bildenden Künste, 1981]","8372":"PÖCHLARN, Oskar-Kokoschka-Dokumentation, 8. Mai - 26. Okt. 2015. Oskar Kokoschka. Ich und meine Welt - ich und meine Zeit. Hrsg. von Anna Stuhlpfarrer. [Kein Katalog, Faltblatt]","8373":"BERLIN, Akademie der Künste, [Frühjahr] 1922. Frühjahrsausstellung. [Katalog nicht nachgewiesen, Quellen: Karl Scheffler: Die Akademie der Künste, die Berliner Sezession und anderes. In: Kunst und Künstler, Berlin, Jg. 20, 1921/22, H. 10, Juli 1922, S. 356–362; Der Cicerone, Leipzig, Jg. 14, 1922, H. 10, S. 441–442]","8374":"NEW YORK, Marlborough-Gerson Gallery, Jan. - Feb. 1970. The Morton D. May Collection of 20th century German masters. Hrsg. von Charles E. Buckley. [Weitere Station der Ausstellung SAINT LOUIS/MO, City Art Museum of St. Louis, Juli - Aug. 1970]","8375":"PARIS, Musée d'Art Moderne, 2.–25. Okt. 1959. Première Biennale de Paris. Manifestation biennale et internationale des jeunes artistes. Hrsg. von H. Gowa","8376":"BASEL, Kunsthalle, 22. März - 27. April 1947. Oskar Kokoschka. Einf. von Fritz Schmalenbach (s. Schmalenbach F. 1947)","8377":"MÜNCHEN, Haus der Kunst, 16. Juni - 9. Sept. 1973. Große Kunstausstellung 1973","8378":"CANBERRA, Australian National Gallery, 1. Juni - 6. Aug. 1984. Great Impressionists. Masterpieces from the Courtauld Collection of Impressionist and Post-Impressionist paintings and drawings. Hrsg. von Helen Braham. [Weitere Station der Ausstellung mit eigenem Katalog, (s. 1984 Tokyo, Takashimaya Gallery)]","8379":"GRAFENEGG, Schloß Grafenegg, 9. Mai - 26. Okt. 1987. Das Zeitalter Kaiser Franz Josephs. 2. Teil: 1880–1916: Glanz und Elend. Bearb. von Harry Kühnel [u.a.]","8380":"NEW YORK, Museum of Modern Art, 17. Dez. 1976 - 1. März 1977. European master paintings from Swiss collections. Post-Impressionism to World War II. Hrsg. von John Elderfield","8381":"BERLIN, Berlin-Museum, 19. Sept. - 1. Nov. 1987. Stadtbilder. Berlin in der Malerei vom 17. Jahrhundert bis zur Gegenwart. Hrsg. von Dominik Bartmann","8382":"PÖCHLARN, Oskar-Kokoschka-Dokumentation, 5. Mai - 28. Okt. 2007.Oskar Kokoschka. Passion. Spiritualität in Bildern. Bearb. von Vera Vogelsberger. [Kein Katalog, Faltblatt]","8383":"ZÜRICH, Kunsthaus, 25. Juli - 26. Sept. 1943. Ausländische Kunst in Zürich. Einf. von W. Wartmann","8384":"LÜBECK, Overbeck-Gesellschaft, 1968. Kleine Documenta. Kunst nach 1950. Ausstellung zum 50. Jubiläum der Overbeck-Gesellschaft Lübeck 1918–1968","8385":"BERLIN-DDR, Staatl. Museen zu Berlin, Nationalgalerie und Kupferstichkabinett, 3. Sept. - 16. Nov. 1986. Expressionisten: Die Avantgarde in Deutschland 1905–1920. 125 Jahre Sammlungen der Nationalgalerie 1861–1986; Ausstellung im Stammhaus der Nationalgalerie. Hrsg. von Roland März und Anita Kühnel","8386":"BRESLAU, Schlesisches Museum der bildenden Künste, ab 17. Dez. 1933. Kunst der Geistesrichtung 1918–1933. Organisiert von Wolf Marx. [Quelle: (s. Zuschlag 1992, S. 102 und Sultano 2003b, S. 75)]","8387":"KÖLN, Kölnischer Kunstverein, 1929. Kunst aus rheinischem Privatbesitz. Rez.: Das Kunstblatt, Berlin, Jg. 13, 1929, S. 95","8388":"LONDON, The National Gallery, 9. Okt. 2013–12. Jan. 2014. Facing the Modern. The Portrait in Vienna 1900. Bearb. von Gemma Blackshaw [u.a.]","8389":"OAKLAND/CA, Art Gallery, Jan. - Feb. 1928. Exhibition of paintings, drawings & prints by 30 European modernists. Hrsg. von Galka E. Scheyer. [Quelle: (s. Hagemann 1985)]","8390":"AMSTERDAM, 7. März - 13. April 1953. De onafhankelijken. Vereniging van Beeldenden Kunstenaars Amsterdam","8391":"MÜNSTER, Westfälisches Landesmuseum für Kunst und Kulturgeschichte Münster, 23. Feb. - 25. Mai 2003.Gesicht - Maske - Farbe. Frauenbilder des frühen zwanzigsten Jahrhunderts. Hrsg. von Katharina Ferus","8392":"LONDON, The London Gallery, 18. Jan. - 11. Feb. 1939. Living art in England. [1 Gemälde, Quelle: London Bulletin, London, Nr. 8/9, Jan./Feb. 1939, S. 9–44]","8393":"GENUA, Palazzo dell' Accademia, Palazzo Reale, 8. April - 11. Juni 1972. Immagine per la città.Hrsg. von Bruno Gianfranco","8394":"WIEN, Galerie Würthle, 1. März - 19. April 1986. Oskar Kokoschka. Hrsg. und bearb. von Rupert Feuchtmüller mit Hans Jürgen Papies","8395":"ROM, La Medusa, Studio d'arte contemporanea, [ab] 5. Nov. 1965. Sulle orme della Wiener Secession. Bearb. von Walter Zettl","8396":"GENT, Museum voor Schone Kunsten, 10. Juli - 4. Okt. 1964. Figuratie en defiguratie. De menselijke figuur sedert Picasso","8397":"BOLOGNA, Museo Civico, 26. April - 30. Mai 1965. Arte e resistenza in Europa. 20 Anniversario della Resistenza. [Weitere Station der Ausstellung,TURIN, Galleria Civica d'Arte Moderna, 8. Juni - 18. Juli 1965]","8398":"EDINBURGH, Royal Scottish Academy Galleries, The Mound, 1950. 56th Exhibition. Veranst. von der Society of Scottish Artists","8399":"KÖLN, Kölnischer Kunstverein, März - April 1922. Eröffnungsausstellung. Einf. von K. Schaefer","8400":"NEW YORK, Galerie Wildenstein, 20. Okt. - 28. Nov. 1976. Modern portraits. The self & others. Bearb. von Kirk T. Varnedoe","8401":"OXFORD, Ashmolean Museum, März - April 1942. Exhibition of works of Polish & Czechoslovak artists. Under the auspices of the Masaryk Society and the Polish Club in Oxford. [6 Werke, 5 davon nicht identifiziert]. [Übernahme der Ausstellung (s. 1942 Doncaster)]","8402":"HAMBURG, Kunsthalle, Galerie der Gegenwart, 22. Juni - 30. Sept. 2012. Alice im Wunderland der Kunst. Hrsg. von Hubertus Gaßner und Annabelle Görgen. [Übernahme der Ausstellung mit eigenem Katalog von LIVERPOOL, Tate Liverpool, 4. Nov. 2011 - 25. Jan. 2012; ROVERETO, Museo di arte moderna e contemporanea di Trento e Rovereto, 25. Feb.- 3. Juni 2012]","8403":"KREFELD, Kaiser-Wilhelm-Museum, Mitte Mai - Mitte Juni 1920. Erste Ausstellung zeitgenössischer deutscher Kunst. Veranst. vom Crefelder Museumsverein","8404":"RECKLINGHAUSEN, Städtische Kunsthalle, 6. Mai - 16. Juli 1970. Zeitgenossen. Das Gesicht unserer Gesellschaft im Spiegel der heutigen Kunst. Bearb. von Thomas Grochowiak","8405":"KÖLN, Rheinhallen der Kölner Messe, Mai - 16. Aug. 1981. Westkunst. Zeitgenössische Kunst seit 1939. Bearb. von Lazlo Glozer. Rez.: Gottfried Sello: Politik produziert selten Bilder. Anmerkungen zum Thema 'Kunst im Exil'. In: Die Zeit, Hamburg, Jg. 1981, Nr. 28, 3. Juli, S. 35","8406":"WIEN, Künstlerhaus, Nov. 1932 - Jan. 1933. Herbstausstellung","8407":"BIELEFELD, Kunsthalle Bielefeld, 29. Nov. 1992 - 14. Feb. 1993. O Mensch! Das Bildnis des Expressionismus. Hrsg. von Jutta Hülsewig-Johnen","8408":"WIEN, Österreichische Länderbank, 9. Sept. 1980 - 1. Feb. 1981. Aufbruch in die Moderne, 1880–1980. Ausstellung anläßlich des 100jährigen Bestehens der Österreichischen Länderbank. Begleitbuch von Rupert Feuchtmüller u. d. T.: Österreichs Aufbruch in die Moderne","8409":"BONN, Verein August-Macke-Haus, 25. Feb. - 22. April 2001.Heinrich Campendonk Das Kokoschka-Erlebnis und die Folgen. Bearb. von Ron Manheim und Elisatbeth Wynhoff [u.a.]","8410":"BASEL, Galerie Beyeler, Okt. 1978 - Feb. 1979. Der stille Dialog. Das Stilleben im 20. Jahrhundert. Bearb. von Reinhold Hohl","8411":"APOLDA, Kunsthaus Apolda Avantgarde, 7. Juni - 7. Sept. 2003. Alles oK – Oskar Kokoschka.Schule des Sehens 1906 –1976. Stiftung Oskar Kokoschka, Musée Jenisch Vevey [zu Gast im] Kunsthaus Apolda Avantgarde. Katalogbuch, hrsg. von Hans-Dieter Mück. Rez.: in: Weimar-Kultur-Journal. Zeitschrift für Erfurt, Jena, Apolda, Bd. 12, Nr. 4, 2003, S. 24–25","8412":"LODÈVE, Musée de Lodève, 13. Juli - 3. Nov. 2002. Peintres de Vienne. De la Sécession à l'expressionnisme. Klimt, Kokoschka, Schiele, Gerstl, Boeckl… Hrsg. von Maithé Vallès-Bled [Text in frz. und engl.]","8413":"DRESDEN, Künstler-Vereinigung Dresden, Sommer 1928. Sommer-Ausstellung 1928. Einf. von Georg Paech","8414":"BUFFALO/NY, Albright Art Gallery, 3. - 31. Jan. 1936. The art of today. Veranst. vom Women's Advisory Committee. [Weitere Station der Ausstellung, NEW YORK, Quelle: (s. Hagemann 1985)]","8415":"ZÜRICH, Kunsthaus, 3. Juli - 31. Aug. 1947. Oskar Kokoschka. Bearb. von W[ilhelm] Wartmann und René Wehrli. Rez.: Jacques Lassaigne: Kokoschka au Musée de Zurich. In: Arts, Paris, 26. September 1947, S. 8","8416":"LAUSANNE, Palais de Beaulieu, 1964. Chefs-d'oeuvre des collections suisses de Manet à Picasso. Bearb. von Max Huggler","8417":"LONDON, New Burlington Galleries, Juli 1938. Twentieth Century Ggerman Art Exhibition. Hrsg. von Herbert Read und Kenneth Clark, (s. Frowein 1984 und Sultano 2003c)","8418":"STOCKHOLM, Liljevalchs Konsthall, 18. Feb. - 12. März 1922. Nyare tysk konst. 35. Katalog. Hrsg. von Gustav Pauli","8419":"BOSTON/MASS., Institute of Modern Art, 2. Nov. - 9. Dez. 1939. Contemporary German art. [2 Gemälde, Quelle: (s. Hagemann 1985)]","8420":"MÜNCHEN, Glaspalast (Westflügel), 1920. Muenchener Neue Secession. 6. Ausstellung","8421":"VENEDIG, [Sommer] 1952. XXVI. Biennale di Venezia","8422":"HAMBURG, Kunstverein, 8. Dez. 1962 - 27. Jan. 1963. Oskar Kokoschka. Einf. von Alfred Hentzen","8423":"SAN FRANCISCO/CA, M. H. de Young Memorial Museum, 21. Sept. - 17. Okt. 1965. The San Francisco collector","8424":"WIEN, Ingenieur- und Architekten-Verein, Wien I., Eschenbachgasse 9, 26. Jan. 1912. [Oskar Kokoschka: Portraits.] [Kein Katalog, Quelle: Vortrag und Ausstellung Kokoschkas im Ingenieur- und Architekten-Vereine. In: Österreichs illustrierte Zeitung, Wien, H. 21, Feb. 1912, S. 525]","8425":"MÜNCHEN, Haus der Kunst, 10. Juni - 10. Sept. 1972. Große Kunstausstellung München '72","8426":"DRESDEN, Albertinum, 30. Sept. 1980 - 25. Feb. 1981. Kunst im Aufbruch. Dresden 1918--1933. Hrsg. von Joachim Uhlitzsch. Rez.: Werner Ballarin: Kunst im Aufbruch. In: Bildende Kunst,DDR, 1981, S. 142–145; Joachim Uhlitzsch: Zur Ausstellung 'Kunst im Aufbruch'. In: Dresdener Kunstblätter,München, Nr. 24, 1980, S. 130–133","8427":"HAMBURG, Kunsthalle, 12. Mai - 3. Juli 1983. Verfolgt und verführt. Kunst unterm Hakenkreuz in Hamburg 1933–1945. Bearb. von Sigrun Paas, Hans Werner Schmidt [u.a.]","8428":"PÖCHLARN, Oskar Kokoschka-Dokumentation im Geburtshaus des Künstlers, 16. Juni - 17. Sept. 1989. Meisterwerke aus der Fondation Oskar Kokoschka, Vevey. [Faltblatt, kein Katalog]","8429":"PARIS, Galerie Jacques Bonjean, Feb. 1931. Peintres allemands contemporains. Rez.: Pierre Berthelot in: Beaux-Arts, 1931, Nr. 1, S. 7; Paul Fierens in: Art News, Bd. 29, 21.Februar 1931, S. 20; Claude Roger-Marx in: L'Europe nouvelle, o.D., 1931; Das Kunstblatt, Berlin, Jg. 15, 1931, S. 96; L'Art vivant, Nr. 146, März 1931, S. 120","8430":"RECKLINGHAUSEN, Städtische Kunsthalle, 12. Juni - 26. Juli 1955. Das Bild des Menschen in Meisterwerken europäischer Kunst. Hrsg. von Thomas Groschowiak","8431":"WALTHAM/MASS, Rose Art Museum, Brandeis University, 15. Feb. - 31. März 1967. Exchange exhibition - exhibition exchange. From the collection of the Museum of Art, Rhode Island School of Design, Providence. Bearb. von Daniel Robbins","8432":"NEW YORK, Museum of Modern Art, 28. Juli - 1. Nov. 1971. Ways of looking","8433":"WIEN, Hagenbund, Dez. 1931 - Jan. 1932. Moderne österreichische Malerei. Veranst. von der Neuen Galerie im Hagenbund. 78. Ausstellung","8434":"BASEL, Kunsthalle, 5. April - 15. Mai 1955. Moderne Sammlung des Wallraf-Richartz-Museums Köln. Sammlung Dr. J. Haubrich. [Weitere Station der Ausstellung (s. 1955 Berlin-Zehlendorf, Sept./Okt.)]","8435":"DÜSSELDORF, Kunstsammlung Nordrhein-Westfalen, 11. Sept. - 15. Nov. 1987. Museum der Gegenwart. Kunst in öffentlichen Sammlungen bis 1937. Bearb. von Anette Kruszynski, Dirk Luckow und Freya Mülhaupt","8436":"NEW YORK, Solomon R. Guggenheim Museum, 4. Feb.- 1. Juni 2011. The Great Upheaval. Modern Art from the Guggenheim Collection 1910–1918. Katalog- und Sammlungsbuch hrsg. und bearb. von Tracey Bashkoff und Megan M. Fontanella","8437":"WALTHAM/MASS., Brandeis University, 1. - 17. Juni 1955. Three collections","8438":"BERLIN, Neue Nationalgalerie, 9. Okt. 1997–4. Jan 1998. Exil. Flucht und Emigration Europäischer Künstler 1933–1945. Hrsg. von Stephanie Barron mit Sabine Eckmann. [Übernahme der Ausstellung von MONTREAL, The Montreal Museum of Fine Arts, 19. Juni - 7. Sept. 1997 und (s. 1997 Los Angeles)]","8439":"LUXEMBURG, Musée de l'Etat, 21. Nov. - 13. Dez. 1959. Un siècle de peinture autrichienne 1830–1930. Tableaux de la Österreichische Galerie de Vienne. Bearb. von Fritz Novotny. [Weitere Station der Ausstellung, MECHELEN, Belgien, Dez. 1959 - Jan. 1960]","8440":"MÜNCHEN, Galerie Caspari, Jan. - März 1922. Oskar Kokoschka. [12 Gemälde, Katalog nicht nachgewiesen, Quellen: Leopold Zahn: O. Kokoschka bei Caspari in München. In: Der Cicerone, Leipzig, Jg. 14, 1922, H. 6, S. 252; Kunstchronik und Kunstmarkt, Jg. 57 = N. F., 33, 1921/22, H. 17, 20. Januar 1922, S. 287]","8441":"NEW YORK, Galerie St. Etienne, 13. Nov. 1984 - 5. Jan. 1985. Arnold Schoenberg's Vienna. Hrsg. von Jane Kallir (s. Kallir 1984)","8442":"DÜREN, Leopold-Hoesch-Museum Düren, 12. März - 16. April 1989. Oskar Kokoschka. Frühe Jahre. Gemälde, Aquarelle, Zeichnungen. Bearb. von Serge Sabarsky","8443":"SAN FRANCISCO/CA, 18. Feb. - 2. Dez. 1939. Golden Gate International Exposition. (The World's Fair.) [2 Gemälde, Quelle: (s. Hagemann 1985)]","8444":"BERLIN, Galerie Paul Cassirer, 21. Juni - 10. Juli 1910. X. Ausstellung Paul Cassirer. [Werke von Oskar Kokoschka und Hans Hofmann]. Katalogfaltblatt. [Weitere Station der Ausstellung (s. 1910 Hagen)]","8445":"DRESDEN, Künstlervereinigung, [Sommer] 1922. Sommer-Ausstellung","8446":"WIEN, Künstlerhaus, 28. März - 15. Aug.1994. Kunst und Diktatur. Architektur, Bildhauerei und Malerei in Österreich, Deutschland, Italien und der Sowjetunion 1922–1956 [Eine Ausstellung des Österreichischen Bundesministeriums für Wissenschaft und Forschung]. Hrsg. von Jan Tabor, 2 Bde., (s. Fischer W. 1994b)","8447":"BERLIN-ZEHLENDORF, Haus am Waldsee, 2. April - 8. Mai 1955. Deutsche Stilleben seit 1900. Bearb. von K. L. Skutsch","8448":"POTTENBRUNN, Schloß Pottenbrunn, 1980. Österreich - Die Zweite Republik. Veranst. von der Stadt St. Pölten","8449":"NEW YORK, Bruno's Garret, Washington Square, Greenwich Village, 9. - 23. Okt. 1915. Oskar Kokoschka. Jacoba van Heemskerck. Veranst. von Guido Bruno. [Katalog nicht nachgewiesen, möglicherweise Übernahme der 15 Gemälde aus (s. 1915 San Francisco), Quelle: (s. Hagemann 1985 und Holz 2001, Anm. 15)]","8450":"MAILAND, Palazzo Reale, 16. Nov. 1974 - 15. Jan. 1975. La ricerca dell'identità. Hrsg. von Gianfranco Bruno","8451":"RECKLINGHAUSEN, Kunsthalle, 21. Juni - 30. Juli 1950. Deutsche und französische Kunst der Gegenwart. Eine Begegnung. Bearb. von Fr. Grosse Perdekamp","8452":"WASHINGTON/DC, Watkins Gallery, The American University, 1. März - 3. April 1953. Color. [1 Gemälde, kein Katalog]","8453":"FRANKFURT/MAIN, Kunstverein, 23. Mai - 15. Juni 1917. Die neue Kunst. Veranst. von der Vereinigung für Neue Kunst. [Katalog nicht nachgewiesen, Quellen: W. Müller-Wulckow: Die Ausstellung der `Vereinigung für Neue Kunst' in Frankfurt a. M. In: Das Kunstblatt, Weimar, Jg. 1, 1917, H. 8, S. 241–245; Sascha Schwabacher: Die erste Ausstellung der Vereinigung für Neue Kunst in Frankfurt a. M. In: Der Cicerone, Leipzig, Jg. 9, 1917, H. 15/16, S. 288–289]","8454":"BREGENZ, vorarlberg museum, 20. Juni - 11. Okt. 2015. Das ist Österrreich! Bildstrategien und Raumkonzepte 1914–1938. Hrsg. von Chrsitoph Bertsch. [In Kooperation mit der Universität Innsbruck, Institut für Kunstgeschichte]","8455":"MÜNCHEN, Haus der Kunst, 11. Feb. - 17. April 1977. Die dreissiger Jahre. Schauplatz Deutschland. Bearb. von Günter Aust. [Weitere Stationen der Ausstellung, ESSEN, Museum Folkwang, 30. April - 3. Juli 1977; ZÜRICH, Kunsthaus, 15. Juli - 18. Sept. 1977]. Rez.: Hans Eckstein: Die dreissiger Jahre. Schauplatz Deutschland. In: Pantheon, München, Nr. 35, 1977; S. 258–260; Hubertus Günther:Die Dreissiger Jahre. Schauplatz Deutschland. In:Weltkunst, München, Nr. 47, 1977, S. 398–399","8456":"HANNOVER, Kestner-Gesellschaft, [Frühjahr 1925]. Oskar Kokoschka. [Katalog nicht nachgewiesen, Quellen: F. Stuttmann in: Der Cicerone, Leipzig, Jg. 17, 1925, H. 10, S. 523–524; Frank Wedekind in: Kunstchronik und Kunstmarkt, Leipzig, Jg. 59 = N. F., 35, 1925/26, H. 10, 6. Juni 1925, S. 180; Henning Rischbieter: Die zwanziger Jahre in Hannover, Kat. Ausst. Kunstverein Hannover, 12. Aug. - 30. Sept. 1962]","8457":"GRONINGEN, Kunstlievend Genootschap Pictura, 10. Feb. - 10. März 1954. Expressionisme","8458":"DES MOINES/IA, Des Moines Art Center, 19. Sept. - 29. Okt. 1978. Art in western Europe. The postwar years 1945–1955. Hrsg. von Lawrence Alloway","8459":"NEW YORK, Vassar College, 20. Mai - 20. Juni 1955. Exhibition of modern paintings lent by the Museum of Modern Art","8460":"STUTTGART, Kunsthaus Schaller, 14. Okt. - 15. Nov. 1927. Oskar Kokoschka. Landschaften und Bildnisse. Einf. von Otto Fischer","8461":"BRÜNN, Künstlerhaus, 1. - 23. April 1933. Ausstellung mährischer Künstler sowie österreichischer und deutscher Meister.[Katalog nicht nachgewiesen, Quelle: Rez.:Österreichische Kunst, Wien, Jg. 4, 1933, H. 3, März, S. 20]","8462":"FRANKFURT/MAIN, Städtische Galerie im Städelschen Kunstinstitut, 26. Sept. 1991–12. Jan. 1992. ReVision. Die Moderne im Städel 1906–1937. Hrsg. von Klaus Gallwitz","8463":"SAINT LOUIS/MO, City Art Museum, 14. Jan. - 14. Feb. 1955. A tribute to Curt Valentin. An exhibition of twentieth century art selected from St. Louis collections. Bearb. von Perry T. Rathbone","8464":"BEVERLY HILLS/CA, Modern Institute of Art, 22. April - 30. Mai 1948. Schools of twentieth century art. [1 Gemälde, Quelle: s. Hagemann 1985]","8465":"MÜNCHEN, Haus der Kunst, 25. Okt. - 16. Dez. 1962. Entartete Kunst. Bildersturm vor 25 Jahren. Bearb. von Jürgen Claus","8466":"NEW YORK, Buchholz Gallery (Curt Valentin), 27. Okt. - 15. Nov. 1941. Kokoschka. Rez.: Art Digest, New York, Bd. 15, 1. Nov. 1941, S. 18; Art News, New York, Bd. 40, 15. Nov. 1941, S. 25","8467":"OTTAWA, National Gallery of Canada, 1980. Canadian generosity: Gifts of European and American art to the National Gallery. [1 Gemälde, kein Katalog]","8468":"SALZBURG, Residenzgalerie, Juni - Sept. 1957. Expressionismus. Malerei in Österreich, Deutschland, Schweiz. Bearb. von Hans Ankwicz-Kleehoven","8469":"RECKLINGHAUSEN, Kunsthalle, 12. Dez. 1959 - 31. Jan. 1960. Engel- Darstellungen aus zwei Jahrtausenden.Hrsg. von Wolfgang Krönig","8470":"NAGOYA, Nagoya City Art Museum, 23. April - 19. Juni 1988. Perspective of 20th century paintings","8471":"LONDON, Marlborough Fine Art, 19. April - 31. Mai 1991. The Marlborough Gallery re-opening exhibition","8472":"DÜSSELDORF, Kunsthalle, 30. April - 18. Juni 1967. Kunst des 20. Jahrhunderts aus rheinisch-westfälischem Privatbesitz. Malerei, Plastik, Handzeichnung. Hrsg. von Uwe M. Schneede","8473":"DETROIT/ MI, Detroit Institute of Arts, 13. Mai - 13. August 1969. The Robert Hudson Tannahill bequest to the Detroit Institute of Arts. Hrsg. von Graham Hood","8474":"HAMBURG, Hamburger Kunsthalle, 5. Juli - 29. Sept. 2002. Oskar Kokoschka. Das moderne Bildnis 1909 bis 1914. Hrsg. von Tobias G. Natter. [Übernahme der Ausstellung aus NEW YORK, The Neue Galerie, 15. März - 10. Juni 2002, (engl. Ausgabe u. d. T.: Oskar Kokoschka. Early portriats from Vienna and Berlin 1909–1914)]. Rez.: Hanns Theodor Flemming: Kokoschkas 'Röntgenporträts'. In: Weltkunst, Nr. 72, Sept. 2002, S. 1277; Christopher Short. In: The Burlington Magazine, Bd. 145, Nr. 1208, Nov. 2003, S. 803–805; Gemma Blackshaw: The eye of God? In: Art history, Bd. 26, 2003, S. 127–129","8475":"LONDON, Somerset House, 6. Juli - 9. Okt. 1977. London and the Thames. Paintings of three centuries. Hrsg. von Hartley Preston. Rez.: Denis Thomas: London and the Thames. In: The connoisseur,London, Nr. 196, 1977, S. 72","8476":"HAMBURG, Kunstverein, [Okt.] 1927. Europäische Kunst der Gegenwart. Zentenar-Ausstellung des Kunstvereins Hamburg. Hrsg. von R. J. Meyer. Rez.: Will Grohmann: Das neue Europa auf der Zentenar-Ausstellung in Hamburg. In: Der Cicerone, Leipzig, Jg. 19, 1927, H. 16, S. 503–509","8477":"SALZBURG, Residenzgalerie, Juni - Sept. 1960. Die Alpen. Malerei und Graphik aus 7 Jahrhunderten. Hrsg. von Ernst H. Buschbeck","8478":"ROTTERDAM, Museum Boijmans Van Beuningen, 21. Sept. 2013 - 19. Jan. 2014. Oskar Kokoschka. Portraits of People and Animals. Hrsg. und bearb. von Beatrice von Bormann [u.a.]","8479":"STUTTGART, Kunstgebäude am Schlossplatz, Ende Mai - Ende August 1924. Ausstellung neuer deutscher Kunst. Rez.: W. Boll: Stuttgarter Kunstsommer. In: Der Cicerone, Leipzig, Jg. 16, 1924, H. 18, S. 869–871","8480":"BREMEN, Graphisches Kabinett, [Jan. 1932]. [6 Gemälde, Katalog nicht nachgewiesen, Quellen: W. Augustiny in: Weserzeitung, Bremen, 8. 1. 1932; Robert Kain in:Bremer Nachrichten, Bremen, 10. Januar 1932]","8481":"LONDON, Marlborough Fine Art, 8. Juni - 21. Juli 1990. Oskar Kokoschka (1886–1980). The late work 1953–1980. Bearb. von Heinz Spielmann, Katharina Schulz und Johann Winkler. [Text in eng. u. dt.]. Rez.: Merlin Ingli James: London. Kokoschka and Hofmann. In:The Burglington Magazine, Bd. 132, 1990, S. 592–593 mit Farbabb.","8482":"ZÜRICH, Kunsthaus Zürich, 10. Februar - 14. Mai 2006. Fest der Farbe. Die Sammlung Merzbacher-Meyer. Hrsg. von Tobia Bezzola","8483":"WIEN, Österreichische Galerie Belvdere, 26. Okt. 1994–26. Feb. 1995. Aufbrüche.Österreichische Malerei und Plastik der 50er Jahre. Hrsg. von Tobias G. Natter","8484":"STRASBOURG, Musée d'art moderne, 14. Mai - 15. Sept. 1970. L'art en Europe autour de 1925. À l'Ancienne Douane. Hrsg. von Victor Beyer","8485":"MELBOURNE, National Gallery of Victoria, 24. April - 26. Juli 1998. Beyond belief. Modern art and the religious imagination. Hrsg. von Rosemary Crumlin","8486":"WIEN, Unteres Belvedere, 22. Okt. 2015–28. Feb. 2016. Klimt/Schiele/Kokoschka und die Frauen. Hrsg. von Agnes Husslein-Arco, Jane Kallir und Alfred Weidinger.","8487":"FRANKFURT/MAIN, Städelsches Kunstinstitut, 3. Juni - 3. Juli 1931. Vom Abbild zum Sinnbild. Einf. von Fritz Wichert. Rez.: H. K. Zimmermann in: Deutsche Kunst und Dekoration, Darmstadt, Jg. 35, H. 2, Nov. 1931, S. 73–80","8488":"KÖLN, Kunstverein, 1932. [Deutsche Meisterwerke moderner Kunst]","8489":"PHILADELPHIA/PA, Art Club, 10. - 23. Februar 1926. Twenty-fourth international exhibition of paintings from the Carnegie Institute Pittsburgh","8490":"BERLIN, Alte Nationalgalerie, Museumsinsel, März - Dez. 1992. Kunst in Deutschland 1905--1937. Gemälde und Skulpturen aus der Sammlung der Nationalgalerie. Hrsg. von Roland März. (Bilderheft der Staatlichen Museen zu Berlin, Nr. 67/69); (s. Janda/Grabowski 1992)","8491":"CHAPEL HILL/NC, University of North Carolina, 1. Juni - 1. Okt. 1951. 20th century painting","8492":"KASSEL, Alte Galerie, Museum Fridericianum, Orangerie, 27. Juni - 5. Okt. 1964. Documenta III. Bearb. von Werner Haftmann und Arnold Bode","8493":"AMSTERDAM, Stedelijk Museum, 22. Juli - 18. Sept. 1961. Polariteit. Het appolinische en het dionysische in de kunst. Bearb. von Thomas Grochowiak","8494":"TOKYO, The National Art Center, 25 Sept. - 15. Dez. 2014. Masterpieces from the Kunsthaus Zürich. [Weitere Station der Ausstellung, KOBE, Kobe City Museum, 31. Jan. - 10. Mai 2015; Ausst. Kat. In jap. Sprache]","8495":"STRASBOURG, L'Ancienne Douane, 8. Mai - 15. Sept. 1968. L'art en Europe autour de 1918. Hrsg. von Victor Beyer","8496":"LONDON, Marlborough Fine Art, 26. Juni - 31. Juli 1981. Oskar Kokoschka (1886–1980). Memorial exhibition. Bearb. von Heinz Spielmann und Olda Kokoschka. [Übernahme der Ausstellung (s. 1981 New York Malborough Gallery)]. Rez.: René Micha: Kokoschka à Londres. In: Critique, Paris, Bd. 37, Nr. 418, März 1982, S. [265]–267; Ders.: Trois maitres. Dufy et De Stael à Paris, Kokoschka à Londres. In: Art International, Lugano, XXIV, 9/10, Aug./Sept. 1981, S. 151–168","8497":"HANNOVER, Galerie von Garvens, Dezember 1920. Oskar Kokoschka; Österreichische Graphik; Keramische Werkstätte; L. Spannring, Salzburg. [Katalog nicht nachgewiesen, Quelle: Der Cicerone, Leipzig, Jg. 12, 1920, H. 22, S. 828]","8498":"PÖCHLARN, Oskar-Kokoschka-Dokumentation, 6. Mai - 29. Okt. 2006. Ich war bei Kokoschka... und Kokoschka bei mir. Gemälde und Grafiken von Oskar Kokoschka und seinen Weggefährten. Dokumentation der humanitären Aktion Kokoschkas zugunsten der Hochwasseropfer 1954. Bearb. von Vera Vogelsberger [Faltblatt und Katalogheft (s. Vogelsberger 2006)]","8499":"NEW YORK, Neue Galerie, 24. Feb. – 27. Juni 2011.\nBirth of the Modern. Style and Identity in Vienna 1900. Hrsg. von Jill Lloyd und Christian Witt-Dörring","8500":"DANZIG, Stadtmuseum, [Nov.] 1927. Deutsche Bildniskunst unserer Zeit. [1 Gemälde, Katalog nicht nachgewiesen, Quelle: Der Cicerone, Leipzig, Jg. 19, 1927, H. 23, S. 742–743]","8501":"STOCKHOLM, Liljevalchs Konsthall, 13. Sept. - 10. Nov.1991.Wien 1900.Hrsg. von Louise Robbert","8502":"CHICAGO/ILL., The Art Institute, 1. Juni - 1. Nov. 1933. A century of progress. Exhibition of paintings and sculpture lent from American collections","8503":"VENEDIG, [Sommer 1926]. XV. Esposizione internazionale d'arte della Città di Venezia (Biennale). Deutsche Kommission: Richard Graul, Giovanni Bordiga","8504":"LONDON, Cooling Galleries, [The War as seen by children]. Einf. von J. G. Siebert. Veranst. von The Refugee Children's Evacuation Fund London","8505":"NEW YORK, Marlborough - Gerson Gallery, April - Mai 1968. International Expressionism. Bearb. von William C. Seitz","8506":"BERLIN, Galerie Paul Cassirer, Dezember 1922. Winterausstellung. [Katalog nicht nachgewiesen, Quellen: Der Cicerone, Leipzig, Jg. 14, 1922, H. 24, S. 984; Kunstchronik und Kunstmarkt, Leipzig, Jg. 58 = N. F., 34, H. 11, 15. Dezember 1922, S. 208]","8507":"FRANKFURT/MAIN, Frankfurter Kunstverein, 25. Juni - 7. Aug. 1966. Vom Impressionismus zum Bauhaus. Meisterwerke aus deutschem Privatbesitz. Bearb. von Ewald Rathke. [Weitere Station der Ausstellung (s. 1966 Hamburg, Kunstverein)]","8508":"BERLIN, Obere Galerie/Haus am Lützoplatz, 22. Jan. - 5. März 1989.Kokoschka in Berlin.Eine Ausstellung in Zusammenarbeit mit der Oskar-Kokoschka-Dokumentation Pöchlarn. Hrsg. von Paul Corazolla","8509":"NEW YORK, Galerie St. Etienne, 14. März - 8. April 1961. Klimt, Schiele, Kokoschka, Kubin","8510":"STOCKHOLM, Riksförbundet för Bildande Kunst, 1954. Der Sturm. Samling Nell Walden. Expressionister, futurister, kubister. Bearb. von Fritz H. Eriksson","8511":"RALEIGH/NC, North Carolina Museum of Art, 6. April - 17. Mai 1959. Masterpieces of art. In memory of William R. Valentiner, 1880–1958. Einf. von James B. Byrnes","8512":"MAINZ, Stadthalle Mainz, 23. Juli - 25. Aug. 1927. Moderne Malerei aus Mainzer Familienbesitz. Veranst. vom Verein für Kunst u. Literatur","8513":"BERLIN, Galerie S, Ben Wargin, 16. Juni - 10. Juli 1963. Kunstdiktatur gestern und heute","8514":"NEW YORK, Museum of Modern Art, Juni 1952. The city. [Wanderausstellung bis Juni 1954 zu 24 Orte in den USA]","8515":"KLOSTERNEUBURG, Sammlung Essl Privatstiftung, 17. Feb. - 21. Mai 2006. Österreich 1900–2000. Konfrontationen und Kontinuitäten. Hrsg. und bearb. von Wieland Schmied und Silvie Aigner. [Text in dt. u. engl.]","8516":"NEW YORK, Galerie St. Etienne, 21. Juli - 16. Okt. 2015. Recent Acquisitions (And Some Thoughts on the Current Art Market).","8517":"NEW YORK, Nierendorf Gallery, Sommer 1939, Modern art","8518":"WIESBADEN, Landesmuseum, Feb. 1948. Sammlung Haubrich.Hrsg. von Ernst Holzinger. [Übernahme der Ausstellung z. T. mit eigenen Katalogen (s. 1947 Hamburg; 1947 Mannheim; 1947 Stuttgart und 1947/48 Oldenburg)]","8519":"WIEN, Leopold Museum, 9. Mai - 15. Sept. 2014.Trotzdem Kunst! Österreich 1914–1918.Hrsg. von Elisabeth Leopold [u.a.]","8520":"KÖLN, Wallraf-Richartz-Museum & Fondation Corboud, 31. Aug. - 30. Dez. 2012. 1912 – Mission Moderne. Die Jahrhundertschau des Sonderbundes. Hrsg. von Barbara Schaefer","8521":"MÜNCHEN, Galerie J. B. Neumann und Guenther Franke, [Sommer] 1931. Sommer-Ausstellung in München. 75. Ausstellung des Graphischen Kabinetts","8522":"MALMÖ, Kunsthalle, 1985. Från verklighet till dröm. 20- och 30- talskonst ur samlingar i Prag. [Czech art of the twenties and thirties]. Einf. von Jiri Kotalík","8523":"STUTTGART, Württembergischer Kunstverein, 18. Sept. - 9. Nov. 1986. 1900--1945. Künstler in Deutschland. Individualismus und Tradition. Bearb. von Tilman Osterwold, Jens Christian Jensen und Andreas Vowinckel","8524":"KÖLN, Städtische Ausstellungshalle am Aachener Tor, 25. Mai - 30. Sept. 1912. Internationale Kunstausstellung des Sonderbundes Westdeutscher Kunstfreunde und Künstler zu Cöln 1912. Einf. von R. Reiche. Rez.: Paul F. Schmidt in: Zeitschrift für bildende Kunst, Leipzig, Jg. 47 = N. F., 23, 1911/12, H. 10, S. 229–238","8525":"MADRID, Museo Thyssen-Bornemisza, 6. Nov. 2001–17. Feb. 2002. Kokoschka, Max Schmidt, Adolf Loos y sus amigos. Hrsg. und bearb. von Johann Winkler und Paloma Alarcó","8526":"NEW YORK, Guild Hall, East Hampton, 1961. Of art and nature","8527":"DALLAS/TX, Museum for Contemporary Arts, 28. Okt. - 7. Dez. 1959. Signposts of 20th century art","8528":"LONDON, Royal Society of British Artists Galleries, 6. - 30. Mai 1942. Exhibition of Works by Allied Artists. Under the auspices of the British Council. Die Ausstellung geht weiter nach England, Schottland und Nordirland (Dublin).","8529":"MAILAND, Palazzo Reale, 17. März - 27. Juni 2010. Goya e il mondo moderno. Hrsg. von Valeriano Bozal und Concha Lomba. [Übernahme der Ausstellung von SARAGOZA, Museo de Zaragoza, 18. Dez. 2008–8. März 2009]","8530":"DETROIT/MI, J. L. Hudson Gallery, 18. Nov. 1963–2. Jan. 1964. The W. R. Valentiner memorial exhibition","8531":"PARIS, Grand Palais, 1974. Jean Paulhan à travers ses peintres. Hrsg. von André Berne-Joffroy","8532":"BERLIN-DDR, Altes Museum, 10. Juni - 25. Okt. 1987. Kunst in Berlin 1648–1987. Hrsg. von Rosemarie Radeke und Ruth Strohschein","8533":"WILLEMSTAD, Niederlande, Curacao's Museum, April 1962. Pioniers. 50 meesterwerken/masterpieces uit het/from the Stedelijk Museum [Sammlungs- u. Ausstellungskatalog]","8534":"RIO DE JANEIRO, Museu de Arte Moderna, April 1954. Kokoschka. Einf. von Antonio Bento","8535":"NEW YORK, Marlborough Gallery, 9. Mai - 13. Juni 1981. Oskar Kokoschka (1886--1980). Memorial exhibition. Bearb. von Heinz Spielmann und Olda Kokoschka. [Weitere Station der Ausstellung, (s. 1981 London Marlborough Fine Art)]","8536":"WITTENBERG, Hans-Heinrich-Franck-Klub Wittenberg, 1. Juli - 25. Juli 1985. Kulturbundarbeit im antifaschistischen Exil. Ausstellung, Kulturbund der DDR. Katalog mit einem Beitr. von Gerd Gruber","8537":"MÜNCHEN, Haus der Kunst, 13. Juni - 29. Sept. 1968. Große Kunstausstellung München 1968","8538":"LENINGRAD, Ermitage, 1958. Ausstellung der Kunstwerke aus Museen der Deutschen Demokratischen Republik","8539":"SANKT PÖLTEN, NÖ Dokumentationszentrum für Moderne Kunst - Stadtmuseum, 11. Sept. - 30. Nov. 1979. Österreichische Malerei nach 1945","8540":"SAN FRANCISCO/CA, California Palace of the Legion of Honor, 2. April - 13. Mai 1928. Foreign section of the twenty-sixth annual international exhibition of paintings from the Carnegie Institute","8541":"WIEN, Künstlerhaus, 19. Mai - 13. Juli 1958. Oskar Kokoschka. Hrsg. von Friedrich Welz. Rez.: Ulrich Baumgartner: Der späte Kokoschka. In: Forum, Wien, Jg. 5, 1958, H. 54, S. 231–233 und (s. Hodin 1958)","8542":"EMDEN, Kunsthalle, 20. Okt. 2001–20. Jan 2002. Kokoschka.Werke der Stiftung Oskar Kokoschka, Musée Jenisch, Vevey. Hrsg. von Achim Sommer","8543":"PITTSBURGH/PA, Carnegie Institute, 17. Okt. - 8. Dez. 1935. The 1935 international exhibition of paintings","8544":"NEW YORK, Marlborough-Gerson Gallery, Okt. - Nov. 1966. Oskar Kokoschka. Einf. von Ernst H. Gombrich","8545":"VENEDIG, La Biennale di Venezia, 1895/1995 Centenario. 46. Esposizione internazionale d'arte. Identity and alterity. Figures of the body 1895–1995. Hrsg. und bearb. von Manlio Brusatin und Jean Clair","8546":"FRANKFURT/MAIN, Kunsthandlung M. Goldschmidt & Co., [Dezember] 1925. [Oskar Kokoschka. Neue Gemälde.] [Katalog nicht nachgewiesen, Quellen: Geschäftsarchiv Paul Cassirer, Zürich; S. Schwabacher in: Der Cicerone, Leipzig, Jg. 18, 1926, H. 1, S. 33–34; Kunstchronik und Kunstmarkt, Leipzig, Jg. 59 = N. F., 35, 1925/26, H. 48/49, 6./13. März 1926, S. 734–735]. Weitere Station der Ausstellung (s. 1926 München, Caspari)","8547":"BERLIN, Secession, Ausstellungshaus am Kurfürstendamm 208/209, Frühjahr 1913. 26. Ausstellung der Berliner Secession. Rez.: (s. Bender 1913; Vollert 1913)","8548":"LONDON, The Tate Gallery, 15. Nov. - 22. Dez. 1963. Dunn International. An exhibition of contemporary paintings sponsored by the Sir James Dunn Foundation. Bearb. von John Richardson","8549":"WASHINGTON/DC, National Gallery of Art, 16. Dez. 1963–22. März 1964. Paintings from the Museum of Modern Art","8550":"PÖCHLARN, Oskar-Kokoschka-Dokumentation, 1. Mai - 26. Okt. 2004. Kokoschka und seine Studienzeit an der Wiener Kunstgewerbeschule. Bearb. von Gerd Pichler. [Kein Katalog, Faltblatt]","8551":"INNSBRUCK, Tiroler Landesmuseum Ferdinandeum, April - Mai 1949. Österreichische Malerei aus der Zeit zwischen den beiden Kriegen.Mit Leihgaben der Österreichischen Galerie in Wien","8552":"DES MOINES/IA, Des Moines Art Center, 9. Dez. 1970 - 10. Jan. 1971. Selections from the B. Gerald Cantor Collection. [Weitere Stationen der Ausstellung; INDIANAPOLIS/IN, Indianapolis Museum of Art, 25. Jan. - 28. Feb. 1971; ALBUQUERQUE/NM, University of New Mexico Art Museum, 15. März - 18. April 1971; SANTA BARBARA/CA, Santa Barbara Museum of Art, 6. Mai - 3. Juni 1971; FORT WORTH/TX, Fort Worth Art Center Museum, 2.–29. Aug. 1971]","8553":"BERLIN, Freie Secession, Ausstellungshaus am Kurfürstendamm, Mai - Juli 1918. Ausstellung 1918","8554":"AUSTIN/TX, The University of Texas at Austin Art Museum, 15. Okt. - 17. Dez. 1972. Not so long ago. Art of the 1920's in Europe and America. Hrsg. von George S. Heyer","8555":"MADRID, Fundacion Juan March, 22. Mai - 5. Juli 1975. Oskar Kokoschka. Oleos y acuarelas dibujos, grabados, mosaicos. Obra literaria. Hrsg. von Heinz Spielmann. [Weitere Station der Ausstellung (s. 1975 Hamburg)]","8556":"BERLIN, Galerie Der Sturm, Aug. 1917. Sammlung Kluxen. Gemälde und Aquarelle, Zeichnungen. (54. Ausstellung)","8557":"BASEL, Galerie Beyeler, Feb. - April 1982. Portraits et figures. Faces and figures/Gesichter und Gestalten. [Text in engl., frz. und dt.]","8558":"BERLIN, Nationalgalerie, April 1928. Ausstellung neuerer deutscher Kunst aus Berliner Privatbesitz. Einf. von Ludwig Justi. Rez.: Adolf Behne: Kronprinzenpalais. In: Die Welt am Abend, 20. April 1928; Ludwig Thormaehlen in: Das Kunstblatt, Berlin, Jg. 12, 1928, H. 4, S. 131–136","8559":"DUISBURG, Wilhelm-Lehmbruck-Museum, 27. Jan. - 17. März 1968. Meisterwerke aus dem Besitz des Van Abbe Museums Eindhoven. Einf. von L. Leering-van Moorsel","8560":"WILLIAMSTOWN/MASS., Lawrence Art Museum, Williams College, 8. - 30. April 1941. Paintings expelled from German museums","8561":"ELBERFELD, Lohmannhaus, [November 1920]. [Gemälde aus Elberfelder Privatbesitz.] [1 Gemälde, Katalog nicht nachgewiesen, Quelle: Der Cicerone, Leipzig, Jg. 12, 1920, H. 22, S. 828]","8562":"MÜNCHEN, Der neue Kunstsalon, Max Dietzel, [Nov. 1913]. Kokoschka. [Katalog nicht nachgewiesen, Quelle: M.K.R.: Von Ausstellungen und Sammlungen. In: Die Kunst, Jg. 15, 1913/14, Beilage zu H. 4, Jan. 1914, S. VII]","8563":"PÖCHLARN, Oskar-Kokoschka-Dokumentation, 10. Mai - 26. Okt. 2002. 30 Jahre Oskar Kokoschka Dokumentation. Grafische Zyklen aus eigenen Beständen. Bearb. von Gerd Pichler. [Kein Katalog, Faltblatt]","8564":"BREMEN, Kunsthalle Bremen, 30. Juni - 30. Aug. 1992. Sonderausstellung anläßlich der Rückerwerbung des Gemäldes Skulpturengruppe auf dem Dach der Pariser Oper von Oskar Kokoschka. Dokumentation der 1937 als entartet beschlagnahmten Kunstwerke der Kunsthalle Bremen. Hrsg. u. bearb. von Andreas Kreul","8565":"PÖCHLARN, Oskar Kokoschka-Dokumentation, Ausstellung im Geburtshaus des Künstlers, 12. Juni - 14. Sept. 1981. Oskar Kokoschka. Handzeichnungen und Aquarelle, Leihgaben aus Privatbesitz. Katalog mit Einf. von Johann Winkler und einem Text von Werner Hofmann","8566":"MAILAND, 1985. Le avanguardie in Austria. Pittura del dopoguerra da Kokoschka a Schmalix. Avantgarden in Österreich. Malerei nach dem Zweiten Weltkrieg von Kokoschka bis Schmalix. Hrsg. und bearb. von Gianfranco Bruno und Dieter Ronte. [Text in dt. u. ital.]. [Weitere Stationen der Ausstellung TODI, GENUA, BOZEN, TRIEST]","8567":"TOKYO, The National Museum of Western Art, 12. Jan. - 13. Feb. 2000. Visage. Painting and the human face in 20th-century art. [Weitere Station der Ausstellung, KYOTO, The National Museum of Modern Art, 22. Feb. - 20. März 2000; Ausst. Kat. in jap. mit engl. Zfg.]","8568":"MANNHEIM, Städtische Kunsthalle, Jan. - Feb. 1918. Ausstellung Neue religiöse Kunst. Malerei, Graphik, Zeichnung. Einf. von Gustav Hartlaub. [Weitere Station der Ausstellung DRESDEN, Galerie Arnold (Mai 1918)] Rez.: G. Hartlaub in: Das Kunstblatt, Weimar, Jg. 2, 1918, H. 6, S. 190; Hans Kauders: Das Religiöse in der Kunst der Gegenwart. In: Das Kunstblatt, Weimar, Jg. 2, 1918, H. 6, S. 180–183; Der Cicerone, Leipzig, Jg. 10, 1918, H. 5/6, S. 84","8569":"BRÜSSEL, Koninklijke Musea voor Schoone Kunsten van Belgie, Jan. - März 1965. Doorheen de buitenlandse scholen in de verzameling der Koninklijke Musea. Bearb. von Francine-Claire Legrand","8570":"NÜRNBERG, Germanisches Nationalmuseum, 27. Jan. - 24. März 1985. Moderne Malerei aus der Sammlung Thyssen-Bornemisza. Bearb. von Gabriella Borsano. [Weitere Station der Ausstellung, DÜSSELDORF, Städt. Kunsthalle, 20. April - 16. Juni 1985]","8571":"GENT, Museum voor Schone Kunsten, 17. Sept. - 8. Nov. 1987. Oskar Kokoschka. Bearb. von Serge Sabarsky [u.a.]. [Weitere Station der Ausstellung LIÈGE, Salle Saint-Georges, 14. Nov. - 31. Dez. 1987]","8572":"WIEN, Neue Galerie, 29. Nov. - Dez. 1937. Bedeutende Gemälde [Nicht identifiziert]","8573":"BERLIN, Altes Museum, 4. März –31. Mai 1992. 'Entartete Kunst'. Das Schicksal der Avantgarde im Nazi-Deutschland. Hrsg. von Stephanie Barron. [Übernahme der Ausstellung (s. 1991 Los Angeles)]","8574":"OTTAWA, The National Gallery of Canada, 9. Feb. - 4. März 1962. European paintings in Canadian collections. Corot to Picasso. Bearb. von Robert Hamilton Hubbard","8575":"LONDON, St. George's Gallery, [ab] 16. Feb. 1950. Expressionist exhibition. Paintings, watercolours, drawings. [Faltblatt, bearb. Von Edith Hoffmann]","8576":"WIEN, Museum des 20. Jahrhunderts, 5. Juli - 1. Sept. 1963. Idole und Dämonen. Einf. von Werner Hofmann","8577":"WIEN, Leopold Museum, 9. Juni - 2.Okt. 2006. Körper, Gesicht, Seele. Frauenbilder vom 16. bis ins 21. Jahrhundert. Hrsg. von Elisabeth Leopold","8578":"MÜNCHEN, Haus der Kunst, 14. Juni - 28. Sept. 1975. Große Kunstausstellung München 1975","8579":"FRANKFURT/MAIN, Jüdisches Museum, 29. Aug. - 28. Okt. 1990. Expressionismus und Exil. Die Sammlung Ludwig und Rosy Fischer. Hrsg. von Georg Heuberger","8580":"ROM, Marlborough Roma, 1963. Maestri del 19e e 20e secolo","8581":"TOKYO, Takashimaya Gallery, 12. Jan. - 28. Feb. 1984. The Impressionists and the Post-Impressionists from the Courtauld Collection, University of London. [Weitere Stationen der Ausstellung, KYOTO, Takashimaya Gallery, März - 3. April 1984; OSAKA, Takashimaya Gallery, 12. April - 8. Mai 1984]","8582":"HANNOVER, Kestner-Gesellschaft, 5. März - 25. April 1976. Kunst des XX. Jahrhunderts aus dem Van Abbemuseum Eindhoven. Hrsg. von Antje von Graevenitz","8583":"LONDON, Goethe Institute London, 20. Nov. 1981 - 9. Jan. 1982. Oskar Kokoschka. Memorial exhibition of drawings, watercolours, graphics from British collections. [1 Gemälde, außer Katalog]. Katalog mit einem Beitr. von Joseph P. Hodin. [Weitere Stationen der Ausstellung, DUBLIN, European Fine Art Gallery, 26. Jan. - 17. Feb. 1982; SHEFFIELD, Graven Art Gallery, 3. April - 2. Mai 1982; GLASGOW, Collins Exhibition Hall, 10. - 30. Juni 1982]","8584":"NEW YORK, Buchholz Gallery (Curt Valentin), 2. - 27. April [1940]. Landmarks in modern German art","8585":"MÜNCHEN, Staatsgalerie moderner Kunst im Haus der Kunst, 4. Okt. 1985 - 6. Jan. 1986. Delaunay und Deutschland. Hrsg. von Peter-Klaus Schuster","8586":"NEW YORK, M. Knoedler & Company, 27. Jan. - 21. Feb. 1959. A loan exhibition of paintings, watercolors and sculpture from the collection of Mr. and Mrs. Henry Pearlman","8587":"NEW YORK, World House Galleries, 29. Okt. - 10. Dez. 1958. Modern German art. Bearb. von J. B. Neumann","8588":"PRAG, Spálova Galerie, 1966/67. Mistri 20. století","8589":"WIEN, Leopold Museum, 4. Okt. 2013–27. Jan. 2014. Kokoschka -- Das Ich im Brennpunkt. Eine Ausstellung in Zusammenarbeit mit dem Oskar Kokoschka-Zentrum der Universität für angewandte Kunst Wien. Hrsg. von Tobias G. Natter und Franz Smola","8590":"WIEN, Secession, Künstlerhaus, Historisches Museum der Stadt Wien, 5. Juni - 30. Aug. 1964. Wien um 1900. Bearb. von Franz Glück und Fritz Novotny","8591":"LONDON, Berkeley Galleries, 1942. [Titel u. Daten der Ausstellung nicht nachweisbar. 1 Gemälde, Quelle: (s. Hoffmann 1947, Nr. 295)].","8592":"WINTERTHUR, Kunstmuseum, 19. Aug. - 30. Sept. 1956. Sammlung Geschwister Bechtler. Einf. von Heinz Keller","8593":"HENLEY-ON-THAMES, 19. Juni - 1. Juli 1967. The Thames in art. A collection of Thames landscapes in oils, watercolours, prints and drawings, from the 17th to the 20th century. Bearb. von Katharine Kinnear. [Weitere Station der Ausstellung CHELTENHAM, Gloucestershire, 8. - 29. Juli 1967]","8594":"NEW YORK, Galerie St. Etienne, 28. Okt. 2004 - 8. Jan. 2005. 65th Anniversary Exhibition, Teil I. Austrian and German Expressionism. [Faltblatt]","8595":"MADRID, Museo Thyssen-Bornemisza, 6. Feb. - 20. Mai 2007. The Mirror & the Mask. Portraiture in the age of Picasso. Hrsg. von Paloma Alarcó und Malcolm Warner. [Weitere Station der Ausstellung, FORT WORTH/TX, Kimbell Art Museum, 17. Juni - 16. Sept. 2007]","8596":"BERLIN, Galerie Alfred Flechtheim, Sept. 1927. Nell Walden-Heimann und ihre Sammlungen","8597":"CHEMNITZ, Ausstellung Gerstenberger, 1. - 31. Okt. 1928. Meisterwerke deutscher Kunst des 19. Jahrhunderts und der neueren Zeit","8598":"SALZBURG, Galerie Welz, Sommer 1968. Meister des 20. Jahrhunderts. Gemälde, Plastik, Aquarelle, Zeichnungen. Bearb. von Friedrich Welz","8599":"MÜNCHEN, Galerie Hans Goltz, März 1924. Kokoschka. 88. Ausstellung. Rez.: F. Roh in: Der Cicerone, Leipzig, Jg. 16, 1924, H. 8, S. 380","8600":"NEW YORK, Brooklyn Museum, [8.] Jan. - 19. Feb. 1928. Selection from 26th Carnegie Exhibition. [Katalog nicht nachgewiesen, Quelle: (s. Hagemann 1985)]","8601":"LOS ANGELES/CA, UCLA Art Galleries, 1965. Years of ferment. The birth of 20th century art 1886–1914. Bearb. von Henri Dorra","8602":"AMSTERDAM, Stedelijk Museum, 12. Sept. - 26. Okt. 1980. Oskar Kokoschka: Grafiek 1906–1973","8603":"NOTTINGHAM, Nottingham Contemporary, 20 Juli - 22 Sept. 2013. Aquatopia. The imaginary of the ocean deep. Hrsg. von Alex Farquharson und Martin Clark. [Weitere Station der Ausstellung, ST. IVES/CORNWELL, Tate Gallery, 12 Okt. 2013 –18 Jan. 2014]","8604":"BALTIMORE/MD, Museum of Art, 6. Okt. - 15. Nov. 1964. 1914. An exhibition of paintings, drawings and sculpture. In celebration of the 50th anniversary of the Baltimore Museum of Art","8605":"BREGENZ, Künstlerhaus Palais Thurn und Taxis, 23. Juli - 23. Sept. 1976. Oskar Kokoschka. Ölbilder, Aquarelle, Zeichnungen, Druckgraphik. Hrsg. von Oscar Sandner","8606":"WASHINGTON/DC, Smithsonian Institution, Arts and Industries Building, 26. Aug. - 16. Sept. 1968. Koloman Sokol, Oskar Kokoschka. Veranst. von der Czechoslovak Society of Arts and Sciences in America","8607":"PARIS, Musée Marmottan Monet, 28. Okt. 2009–20. Feb, 2010. Fauves et expressionistes. De van Dongen à Otto Dix, chefs-d’oeuvre du Musée Von der Heydt. Bearb. von Christine Poullain","8608":"DRESDEN, Sächsischer Kunstverein, 21. Juli - 31. Okt. 1928. Sächsische Kunst unserer Zeit. 2. Jubiläumsausstellung","8609":"LONDON, National Gallery, April - Mai 1942. The Tate Gallery's wartime acquisitions","8610":"WIEN, Secession, 10. Mai - 30. Juni 1974. Arnold Schönberg. Gedenkausstellung 1974. Hrsg. von Ernst Hilmar","8611":"AMSTERDAM, Joods Historisch Museum, 16. April - 15. Juni 1970. De verboden muze.Onderdrukking van kunst en kultuur 1933–1945","8612":"LEIPZIG, Kunstverein im Museum am Augustusplatz, 19. April - 10. Mai 1922. Moderne Kunst aus Privatbesitz. Einf. von Erich Wiese","8613":"TURIN, Associazione Italia - Repubblica Democratica Tedesca, 1985. Momenti dell'arte tedesca. Capolavori dai musei della Repubblica Democratica Tedesca","8614":"KÖLN, Kölnischer Kunstverein, Ende April - Ende Mai 1919. Der Strom. [Katalog nicht nachgewiesen, Quelle: Max Ernst in Köln Die rheinische Kunstszene bis 1922. Katalogbuch bearb. von Dirk Backes, Köln 1980, S. 32, 153]","8615":"BRESLAU, Ausstellungsgebäude Scheitnig, Juni - Aug. 1920. Kunstausstellung Breslau 1920. [Katalog nicht nachgewiesen, Quelle: Paul F. Schmidt: Kunstausstellung Breslau 1920. In: Der Cicerone, Leipzig, Jg. 12, 1920, H. 14, S. 554]","8616":"KARLSRUHE, Badischer Kunstverein, 27. Jan. - 9. März 1980. Widerstand statt Anpassung. Deutsche Kunst im Widerstand gegen den Faschismus 1933–1945. Bearb. von Richard Hiepe, Karl-Ludwig Hofmann [u.a.]. [Weitere Stationen der Ausstellung, FRANKFURT/MAIN, Frankfurter Kunstverein, 18. März - 27. April; MÜNCHEN, Kunstverein, 9. Mai - 22. Juni]","8617":"BERN, Kunsthalle, 16. Feb. - 24. März 1957. Kunst aus Österreich. Von Klimt, Schiele, Kokoschka bis zur jungen Kunst der Nachkriegszeit. Bearb. von Franz Meyer und Klaus Demus. [Ausstellung geht teilweise weiter, (s. 1957 Sankt Gallen)]","8618":"STOCKHOLM, Liljevalchs Konsthall, Sept. 1917. Österrikiska konstutställningen. Rez.: Der Cicerone, Leipzig, Jg. 9, 1917, H. 21/22, S. 384","8619":"WIEN, Belvedere, 24. Jan. - 12. Mai 2008. Oskar Kokoschka. Träumender Knabe - Enfant terrible, 1906--1922. Hrsg. von Agnes Husslein-Arco und Alfred Weidinger","8620":"KREFELD, Kaiser-Wilhelm-Museum, 15. Dez. 1946–15. Jan. 1947. Expressionismus in Malerei und Plastik. Veranst. vom Krefelder Museums-Verein","8621":"NEW YORK, Museum of Modern Art, Nov. 1960. Portraits from the Museum of Modern Art. Circulating exhibition 60–3. [Ausstellung geht als Wanderausstellung zw. 1960–1964 durch die USA]","8622":"KAISERSLAUTERN, Pfalzgalerie, 1974. Theodor Heuss, Freund und Förderer der Kunst und der Künstler. Zum 90. Geburtstag","8623":"BIRMINGHAM/ALA, Birmingham Museum of Art, 15. Jan. - 10. Feb. 1956. The archaic smile. [Katalog ist das Bulletin, Bd. 5, Nr. 2, Jan. 1956]","8624":"MÜNCHEN, Glaspalast, 1. Juni - Anfang Okt. 1931. Münchner Kunstausstellung 1931 im Glaspalast","8625":"MECHELEN, Stedelijk Cultuur Centrum, 19. Sept. - 21. Nov. 1971. De menselijke figuur in de kunst 1910–1960","8626":"MIDDLETOWN/CT, Davison Art Center, Wesleyan University, 1. - 23. April 1964. Oskar Kokoschka. Paintings, drawings, lithographs","8627":"KÖLN, Kunstverein, April 1926. Ausstellung moderner Wiener Malerei im Rheinland. Veranst. von der Gesellschaft zur Förderung Moderner Kunst in Wien. [4 Gemälde, Katalog nicht nachgewiesen]. [Weitere Stationen der Ausstellung, KREFELD, DUISBURG, MÜLHEIM a.d. RUHR]. Rez.: A. Salmony in: Der Cicerone, Leipzig, Jg. 18, 1926, H. 8, S. 267–268","8628":"HASSELT, Niederlande, Museum Stadhuis, 11. April - 3. Mai 1959. Openingstentoonstelling","8629":"MÜNCHEN, Galerie Caspari, [Februar] 1926. Oskar Kokoschka: Landschaften. [Vermutlich 17 Gemälde, Katalog nicht nachgewiesen, Quellen: A. L. Mayer in: Kunst und Künstler, Berlin, Jg. 24, 1924/25, H. 6, März, S. 251; F. Roh in: Der Cicerone, Leipzig, Jg. 18, 1926, H. 6, S. 204; Das Kunstblatt, Potsdam, Jg. 10, 1926, H. 3, S. 172]","8630":"WIEN, Bank-Austria-Kunstforum, 10. Feb. - 30. Mai 2010. Augenschmaus. Vom Essen im Stillleben. Hrsg. von Ingried Brugger und Heike Eipeldauer","8631":"DUISBURG, Wilhelm Lehmbruck-Museum, 10. April - 23. Mai 1983. Verboten - verfolgt. Kunstdiktatur im Dritten Reich. Bearb. von Johannes Halder. [Weitere Stationen der Ausstellung, HANNOVER, Kunstverein, 5. Juni - 14. Aug. 1983; WILHELMSHAVEN, Kunsthalle, 23. Sept. - 31. Okt. 1983]","8632":"SOFIA, Nacionalna Chudozestvena Galerija, 1978. Zapadnoevropejska i ceska zivopis vt XX vek","8633":"NEW YORK, Galerie Wildenstein, 23. Sept. - 24. Okt. 1980. [1 Gemälde]","8634":"UTICA//NY, Museum of Art, Munson-Williams-Proctor Institute, 15. Sept. - 15. Okt. 1963. Masters of landscape: East and West.[Weitere Station der Ausstellung ROCHESTER/NY, Memorial Art Gallery of the University of Rochester, 1. Nov. - 1. Dez. 1963]","8635":"ZÜRICH, Kunsthaus, 8. Aug. - 23. Sept. 1925. Internationale Kunstausstellung. Rez.: S. Giedion in: Der Cicerone, Leipzig, Jg. 17, 1925, H. 17, S. 865–867","8636":"PÖCHLARN, Oskar-Kokoschka-Dokumentation, 12. Mai - 30. Sept. 2001. Oskar Kokoschka. So treibt's die Menschheit - sagt Herodot - ich auch! Gemälde, Grafik, Fotos. Bearb. von Gloria Sultano. [Kein Katalog, Faltblatt]","8637":"PARIS, Galeries Nationales d’Exposition du Grand Palais, 5. Okt. 2005–23. Jan. 2006. Vienne 1900.Klimt, Schiele, Moser, Kokoschka. Hrsg. von Serge Lemoine und Marie-Amélie zu Salm-Salm. [Gleichnamige Begleithefte zur Ausstellung: Le petit journal des grandes expositions, Nr. 385, 2005; Beaux-arts magazine, Hors-série, Okt. 2005; Connaissance des Arts, Hors-série, Nr. 259, 2005 (s. Monnin 2005, S. 54–62); Dossier de l'art, Nr. 123, 2005, (s. Poindront 2005, S. 64–75). Dt. Ausgabe des Ausst. Kat. u. d. T.: Wien um 1900.Klimt, Schiele, Moser, Kokoschka.- Stuttgart: Belser 2005]","8638":"ZÜRICH, Roswitha Haftmann Modern Art, [ab 30. April 1981]. Kunst des 20. Jahrhunderts","8639":"MÜNCHEN, Residenz, Bayerische Akademie der Schönen Künste, 18. Feb. - 11. April 1976. Oskar Kokoschka. Zeichnungen, Aquarelle, Gemälde. Ausstellung zum 90. Geburtstag","8640":"LONDON, Leicester Galleries, 8. Juni - Ende Juni 1928. Oskar Kokoschka. Einf. von G. Konody. Rez.: Der Cicerone, Leipzig, Jg. 20, 1928, H. 14, S. 488; Internationale Sammler-Zeitung, Wien, Nr. 12, 15. Juni 1928, S. 129; Das Kunstblatt, Berlin, Jg. 12, 1928, H. 6, S. 199 mit Abb. zw. S. 193 u.198; P[aul] O[rtwin] Rave: Kokoschka in London. In: Der Kunstwanderer, Berlin, 1./2. Juliheft 1928, S. 496","8641":"LONDON, The Tate Gallery, 22. April - 28. Juni 1964. Painting and sculpture of a decade: 1954--1964","8642":"SAN FRANCISCO/CA, Museum of Art, War Memorial - Civic Center, 17. Juni - 10. Juli 1955. Art in the 20th century. Commemorating the 10th anniversary of the signing of the United Nations Charter. Einf. von E. Morris Cox","8643":"LONDON, Tate Gallery, 11. Juni - 10. Aug. 1986. Oskar Kokoschka 1886–1980. Bearb. von Richard Calvocoressi und Werner Hofmann [u.a.]. [Weitere Stationen der Ausstellung mit eigenen Katalogen (s. 1986 Zürich und 1986/87 New York, Guggenheim Museum)]. Rez.: Carl E. Schorske: Artist of Angst. In: The New York review of books,15. Jan. 1987, S. 20–22","8644":"BERLIN-DDR, Altes Museum, 13. März - 23. Mai 1985. Weltschätze der Kunst - der Menschheit bewahrt. Ausstellung anläßlich des 40. Jahrestages des Sieges über den Hitlerfaschismus und der Befreiung des deutschen Volkes. Bearb. von Günter Schade und Michael Artamonow. [Von den drei im Katalog verzeichneten Gemälden war nur eines ausgestellt]","8645":"BERLIN, Galerie Der Sturm, 12. März - Anfang April 1912. Der Blaue Reiter, Franz Flaum, Oskar Kokoschka, Expressionisten. (1. Ausstellung)","8646":"WIEN, Secession, 16. Okt. - 19. Nov. 1961. Der Gegenstand in der österreichischen Malerei und Plastik.Herbstausstellung der Wiener Secession","8647":"MECHELEN, Cultureel Centrum, 26. Sept. - 21. Nov. 1982. Sociaal engagement in de kunst 1850–1950. Bearb. von A. Spinoy","8648":"PRAG, Nationalgalerie, 4. April - 20. Mai 1956. Oskar Kokoschka. Gemälde, Aquarelle, Zeichnungen und Lithographien. Einf. von Jan Tomes. [Weitere Stationen der Ausstellung: Brünn, Kunsthaus, Juni 1956, Salzburg mit eigenem Katalog (s. 1956 Salzburg), Linz und Wien (s. 1956 Wien)]","8649":"NEW YORK, The Bayer Gallery, 19. Jan. - 21. Feb. 1959. Oskar Kokoschka. Loan Exhibition. Oils, water-colors, drawings, sculpture to benefit the National Cystic Fibrosis Research Foundation and inaugurate the Bayer Gallery. Einf. von Erica Tietze-Conrat","8650":"PRAG, Nov. - Dez. 1986. Oskar Kokoschka: Die frühen Jahre. 2 Gemälde aus der Sammlung der Prager Nationalgalerie, Zeichnungen und Aquarelle. [2 Gemälde, kein Katalog]","8651":"MÜNCHEN, Haus der Kunst, 21. Juni - 5. Okt. 1958. München 1869–1958. Aufbruch zur modernen Kunst. Bearb. von Siegfried Wichmann","8652":"RIEHEN, Fondation Beyeler, 8. Okt. 2006–18. Feb. 2007. EROS in der Kunst der Moderne. Hrsg. von Ernst Beyeler. [Weitere Station der Ausstellung, WIEN, Kunstforum, 1. März - 22. Juli 2007]","8653":"HALLE (Saale), Stiftung Moritzburg - Kunstmuseum des Landes Sachsen-Anhalt, 28. März - 20. Juni 2010. Oskar Kokoschkas Antike. Eine europäische Vision der Moderne. Hrsg. von Katja Schneider und Stephan Lehmann","8654":"EINDHOVEN, Stedelijk van Abbe Museum, 10. Dez. 1947 - 9. Feb. 1948. Moderne meesters. Hrsg. von A. M. Hammacher","8655":"EINDHOVEN, Van Abbemuseum, 2. Feb. - 31. März 1974. Winkelen met kunst","8656":"MÜNCHEN, Galerie Caspari, Aug. 1916. [Ausstellung aus eigenen Beständen]","8657":"BIRMINGHAM/AL, Museum of Art, 16. April - 22. Mai 1977. Austrian art from 1890 to 1918. Four exhibitions held at the Birmingham Museum of Art during the 1977 Festival of Art. Bearb. von John D. Farmer","8658":"MAILAND, Palazzo Sociale, März- Juni 1954. Il paesaggio italiano - artisti italiani e stranieri.Bearb. von Ugo Nebbia","8659":"BARCELONA, Museu Picasso, 9. Feb. - 10. April 1988. Oskar Kokoschka 1886–1980. Hrsg. und bearb. von Serge Sabarsky, Maria Teresa Ocana [u.a.]","8660":"BREMEN, Graphisches Kabinett, Juni 1928. Malerei der Gegenwart. [1 Gemälde (nicht identifiziert), Katalog nicht nachgewiesen, Quelle: Rez.: [Robert] Kain in: Bremer Nachrichten, Nr. 160, 10. Juni 1928, Bl. 4]","8661":"WIEN, Österreichisches Museum für Angewandte Kunst, 11. Sept. -10. Nov. 1996. Wunderkammer Österreich. Eine Ausstellung von Harald Szeemann. Hrsg. von Peter Noever. [Weitere Station der Ausstellung, ZÜRICH, Kunsthaus, 6. Dez. 1996 - 23. Feb. 1997]","8662":"PORTLAND/OR, Portland Art Museum, Sept. - Okt. 1967. German Expressionist paintings from the collection of Morton D. May. Bearb. von D. E. Gordon","8663":"TOKYO, Takashimaya Gallery, 1982. Exhibition of European art from the collection of the National Gallery in Prague II.[Weitere Stationen der Ausstellung, UTSUNOMIYA, Tochigi Prefectural Museum of Fine Arts; NARA, Museum of Art; KITAKYUSHU, City Museum of Art; NAGOYA, The Aichi Prefectural Art Gallery]","8664":"DÜSSELDORF, Kunstverein für die Rheinlande und Westfalen, 12. Mai - 5. Juni 1932. Kunst der Gegenwart aus Düsseldorfer Privatbesitz. Veranst. von der Vereinigung für Junge Kunst","8665":"WIEN, Österreichisches Museum für Kunst und Industrie, Mai - Juni 1937. Oskar Kokoschka. Einf. von Carl Moll. Rez.: Ausstellung Kokoschka im Österreichischen Museum. In: Neue Freie Presse, 20. Juni 1937, S. 26.140; Hans Ankwicz-Kleehoven: Die Oskar Kokoschka-Ausstellung im Österreichischen Museum. In:Wiener Zeitung, 2. Juni 1937, Nr. 150; D.: Betrachtungen in der Kokoschka-Ausstellung. In: Neue Freie Presse, 1. Juli 1937, Nr. 26.151; W. D.: Die Kokoschka-Ausstellung. In: Neue Freie Presse, 21. Mai 1937, Nr. 26.110 [Quelle: Tagblattarchiv Wien Mappe Kokoschka, Oskar [bis 1945] und s. Sultano/Werkner 2003, S. 343--346]; Otto Demus: Kokoschka Ausstellung im Österreichischen Museum. In: Die Pause, Wien, 1937, Jg.2, H. 8, S. 47; Carl Moll: Der Fall Kokoschka. In: Neue Freie Presse,12. Juni 1937, Nr. 26.132, S. 11; (s. Benesch 1937)","8666":"NEW YORK, Achim Moeller Fine Art, New York, Spring 1989. Private views. 19th and 20th century European and American masters. 5th anniversary exhibition","8667":"PADIHAM, Nr. Burnley, Lancashire, Gawthorpe Hall, 2. April - 14. Mai 1980. Kokoschka - Sutherland. A memorial exhibition to celebrate the lives and works of Oskar Kokoschka and Graham Sutherland","8668":"NEW YORK, Feigl Gallery, 9. Feb. - 5. März 1949. Oskar Kokoschka. Recent watercolors. Rez.: Three at Feigl. In: Art Digest, New York, Bd. 23, Sept. 1949, S. 23; Exhibition at Feigl. In: Art News, New York, Bd. 47, Feb. 1949, S. 46","8669":"LONDON, The Tate Gallery, 16. April - 26. Mai 1957. An exhibition of paintings from the Solomon R. Guggenheim Museum, New York. Einf. von James J. Sweeney","8670":"COLUMBUS/OH, Gallery of Fine Arts, 10. Feb. - 9. März 1961. German Expressionism","8671":"HANNOVER, Kestner-Gesellschaft, 4. Feb. - 4. April 1983. Oskar Kokoschka. Die frühen Jahre. Aquarelle und Zeichnungen (1906–1924). Bearb. von Carl Haenlein, Serge Sabarsky [u.a.]","8672":"DRESDEN, Staatliche Kunstsammlungen, Kupferstichkabinett, Gemäldegalerie Neue Meister, Zentrum für Kunstausstellungen der DDR, Galerie Rähnitzgasse 8, 25. Okt. - 7. Dez. 1986. Oskar Kokoschka zum 100. Geburtstag. Zeichnungen, Graphik und Gemälde aus den Museen der DDR. Hrsg. von Hans-Ulrich Lehmann","8673":"SALZBURG, Galerie Welz, 23. Juli - 21. Sept. 1975. Kunst des 20. Jahrhunderts. Gemälde, Aquarelle, Zeichnungen, Druckgraphik von Max Ernst, Ernst Ludwig Kirchner, Oskar Kokoschka [u.a.]","8674":"BONN, Rheinisches Landesmuseum, 1965. Expressionismus aus rheinischem Privatbesitz","8675":"LONDON, Lefevre Gallery, März - April 1957. XIX and XX century French paintings","8676":"PITTSBURGH/PA, Carnegie Institute, 19. Okt. - 10. Dez. 1933. Thirty-first international exhibition of paintings. [Quelle: (s. Hagemann 1985)]","8677":"BUFFALO/NY, Albright Art Gallery, 14. Mai - 12. Juni 1955. Fifty paintings 1905–1913. The 50th anniversary exhibition. Einf. von Robert Goldwater","8678":"MÜNCHEN, Haus der Kunst, 13. Juli - 7. Okt. 1951. Grosse Kunstausstellung München 1951","8679":"BERLIN, Galerie Der Sturm, Sept. 1921. 10 Jahre Sturm. Gesamtschau. (100. Ausstellung.) Einf. von Rudolf Blümner","8680":"NEW YORK, The Brooklyn Museum, 8. Feb. - 5. April 1965. Paintings from the Joseph H. Hirshhorn Foundation Collection. A view of the Protean century","8681":"WIEN, Österreichische Nationalbibliothek, 23. Mai - 20. Okt. 1985. Alban Berg. 1885–1935. Hrsg. und bearb. von Günter Brosche und Rosemary Hilmar","8682":"NEW YORK, Marlborough Gallery, 1971. Masters of the 20th century","8683":"FLORENZ, Palazzo Strozzi, Mai - Juni 1964. L'Espressionismo. Pittura, scultura, architettura. 27. Maggio musicale fiorentino. Bearb. von Marisa Volpi und Giovanni Klaus","8684":"APPENZELL, Stiftung Liner Appenzell, 11. Juli 2010–9. Jan. 2011. Oskar Kokoschka: Wunderkammer/ Cabinet de curiosités. Hrsg. und bearb. von Roland Scotti und Régine Bonnefoit. [Text in dt. und frz.]","8685":"MÜNCHEN, Bibliotheksbau des Deutschen Museums, ab 8. Nov. 1937. Der ewige Jude. Große politische Schau. Hrsg. von Hans Diebow. [1 Gemälde, Quelle: Archiv der Nationalgalerie Berlin: Akten Entartete Kunst (s. Schuster 1988, S. 51)]","8686":"CINCINNATI/OH, Cincinnati Art Museum, The Contemporary Arts Center, 19. Mai - 17. Juni 1956. Modern art in evolution 1900–1956. Einf. von Allon T. Schoener","8687":"DÜSSELDORF, kunstsammlung Nordrhein-Westfalen, Schloß Jägerhof, 26. Mai - 7. Juli 1968. Malerei des 20. Jahrhunderts. Gesamtverzeichnis 1968. Einf. von Werner Schmalenbach","8688":"AMSTERDAM, Stedelijk Museum, 4. Juli - 28. Sept. 1959. 50 jaar verkenningen in de beeldende kunst uit de eigen verzameling en uit bevriende particuliere collecties in Nederland","8689":"BRÜNN, Dum uméni mésta Brna, 1966. Evropské uméni 20. stoleti ze sbirek Národni Galerie v Praze. Bearb. von Marie Hovorková","8690":"SALZBURG, Künstlerhaus, 1952. Österreichische Kunst der Gegenwart","8691":"WIEN, Akademie der bildenden Künste, 10. Juli - 6. Sept. 1970. Barock bis heute. Aus dem Besitz des Landes Niederösterreichisch. Bearb. von Rupert Feuchtmüller","8692":"LONDON, St. George's Galleries, 1945. [Titel u. Daten der Ausstellung nicht nachweisbar. 1 Gemälde, Quelle: (s. Hoffmann 1947, Nr. 295)]","8693":"WIEN, Österreichisches Museum für Kunst und Industrie, Juni - Sept. 1920. Kunstschau 1920. Rez.: Die Wiener Kunstschau 1920. In: Der Cicerone, Leipzig, Jg. 12, 1920, H. 15, S. 587–588","8694":"WIEN, Künstlerhaus, April - Juni 1926 (bis 4. Juli verlängert). 47. Jahresausstellung der Genossenschaft der Bildenden Künstler Wiens. Rez.: St. Poglayen-Neuwall in: Der Cicerone, Leipzig, Jg. 18, 1926, H. 11, S. 360","8695":"NEW YORK, Solomon R. Guggenheim Museum, 1. Juli - 13. Sept. 1964. Van Gogh and Expressionism in modern art. Hrsg. von Maurice Tuchman","8696":"LAUSANNE, Musée Cantonal des Beaux-Arts, 18. Jan. - 24. März 1985. L'autoportrait à l'age de la photographie. Das Selbstportrait im Zeitalter der Photographie. Peintres et photographes en dialogue avec leur propre image. Maler und Photographen im Dialog mit sich selbst. Hrsg. von Erika Billeter. [Weitere Station der Ausstellung, STUTTGART, Württembergischer Kunstverein, 11. April - 9. Juni 1985]","8697":"LOS ANGELES/CA, Los Angeles County Museum of Art, 17. Feb. - 12. Mai 1991. Degenerate Art. The fate of the avant-garde in Nazi Germany. Hrsg. von Stephanie Barron. [Weitere Stationen der Ausstellung, CHICAGO/ILL., Art Institute of Chicago, 22. Juni - 8. Sept. 1991; WASHINGTON/DC, International Gallery, Smithsonian Institution, 8. Okt. 1991 - 12. Jan. 1992 und (s. 1992 Berlin, Altes Museum)]","8698":"ASCONA, Albergo Monte Verità, Museo Communale di Arte Moderna, 7. Juni - 17. Aug. 1986. Von Marées bis Picasso. Meisterwerke aus dem Von der Heydt-Museum Wuppertal. Hrsg. von Harald Szeemann. [Weitere Station der Ausstellung, BERN, Kunstmuseum, 4. Sept. - 2. Nov. 1986]","8699":"NEW YORK, Museum of Modern Art, März 1970. The passionate years: Expressionism in Germany 1905–1930","8700":"BOSTON, Museum of Fine Arts, März - April 1962. Recent accessions","8701":"NEW YORK, The Solomon R. Guggenheim Museum, 1960. Guggenheim International Award 1960","8702":"WIEN, Neue Galerie, [ab 20. Juli] 1931. Oesterreichische und deutsche Gegenwartskunst. 74. Ausstellung","8703":"TOKYO, Isetan Museum, Shinjuku, 1. März - 1. April 1986. Egon Schiele und Wien zur Jahrhundertwende. Hrg. von Robert Waissenberger und Rudolf Leopold. [Weitere Stationen der Ausstellung Präfektur AICHI, Kunstmuseum; Präfektur NARA, Kunstmuseum; Präfektur YAMANASHI, Kunstmuseum; KAMAKURA, Museum für Moderne Kunst]","8704":"NEW YORK, Curt Valentin Gallery, Sept. 1954. Contemporary paintings and sculpture","8705":"BRÜSSEL, Palais des Beaux-Arts, 22. Sept. - 4. Nov. 1984. Expressionisme à Berlin. 1910–1920","8706":"POMONA/CA, Pomona College, Okt. - Nov. 1958. [Ausstellung mit Werken aus der Sammlung des Saint Louis Art Museums.] [Weitere Stationen der Ausstellung, LOS ANGELES/CA; BERKELEY/CA, University of California, und SANTA BARBARA/CA, Santa Barbara Museum of Art]","8707":"LONDON, The Tate Gallery, 2. Okt. -24. Nov. 1974. Picasso to Lichtenstein. Bearb. von Werner Schmalenbach","8708":"PÖCHLARN, Oskar-Kokoschka-Dokumentation, 5. Mai –26. Okt. 2012. Oskar Kokoschka. Amor und Eros.Bearb. von Bernadette Reinhold. [Kein Katalog, Faltblatt]","8709":"NEW YORK, Museum of Modern Art, 1944. Art in progress. A survey prepared for the 15th anniversary of the Museum of Modern Art. Rez.: Else Hofmann: Österreich als stiller Teilhaber. Zur fünfzehnten Anniversary Ausstellung 'Art in Progress' des Museums of Modern Art. In: Austro-American Tribune (NY), Anti-Nazi Monthly, Nr. 1, August 1944. [Quelle: Tagblattarchiv Wien, Mappe Kokoschka, Oskar [1946–1980] und s. Sultano/Werkner 2003, S. 343–346]","8710":"DÜSSELDORF, Kunsthalle, 16. Mai - 28. Juni 1959. Meisterwerke österreichischer Malerei 1800–1930. Hrsg. von Karl-Heinz Hering","8711":"MÜNCHEN, Galerie Thomas, 17. Feb. - 28. April 1990. Galerie Thomas: 25 Jahre danach. Bearb. von Gabriele Karpf. (Galerie Thomas. Katalog; 44)","8712":"PITTSBURGH/PA, Carnegie Institute, 13. Okt. - 4. Dez. 1936. The 1936 international exhibition of paintings","8713":"BOTTROP, Josef Albers Museum Quadrat, 21. Aug. - 9. Okt. 1988. Oskar Kokoschka.Die frühen Jahre.[1 Gemälde, außer Katalog]","8714":"NEW YORK, The Solomon R. Guggenheim Museum, 3. Juni - 11. Sept. 1988. Sixty paintings from the Národní Galerie, Prague. Hrsg. von Thomas M. Messer und Jirí Kotalík","8715":"LONDON, Hayward Gallery, 26. Okt. 1995–21. Jan. 1996. Art and power. Europe under the dictators 1930–45. Hrsg. von David Britt. [Weitere Stationen der Ausstellung, BARCELONA, Centre de Cultura Contemporànea de Barcelona, 26. Feb. - 6. Mai 1996 und BERLIN, Deutsches Historisches Museum, 7. Juni - 20. Aug. 1996 mit dt. Ausg. des Katalogs u. d. T.: Kunst und Macht im Europa der Diktatoren 1930 bis 1945]. (Council of Europe, Kunstausstellung des Europarates; 23 )","8716":"STUTTGART, Württembergischer Kunstverein, Nov. 1957. Die Klassiker der österreichischen Moderne. Von Klimt bis Wotruba. Einf. von Alfred Schmeller und Text von Friedrich Welz","8717":"SAN FRANCISCO/CA, California Palace of the Legion of Honor and M. H. de Young Memorial Museum, 29. Dez. 1939–28. Jan. 1940. Seven centuries of painting","8718":"WINNIPEG, Manitoba, Winnipeg Art Gallery, 11. - 30. Okt. 1955. Modern European art since Manet. Einf. von Ferdinand Eckhardt","8719":"NEW YORK, Florida Pavilion, New York World's Fair 1964. Work of art from Florida public and private collections","8720":"WIESBADEN, Nassauischer Kunstverein, Neues Museum, Okt. - Nov. 1918. Oktober-November-Ausstellung 1918. Veranst. von der Wiesbadener Gesellschaft für bildende Kunst","8721":"DARMSTADT, Mathildenhöhe, Mai - Okt. 1922. Deutsche Kunst Darmstadt.[Katalog nicht nachgewiesen, Quelle: Kunstchronik und Kunstmarkt, Leipzig, Jg. 57 = N. F. 33, 1921/22, H. 39, 23. Juni 1922, S. 640–641]","8722":"LONDON, Royal Academy of Arts, 11. Okt. - 22. Dez. 1985. German art in the twentieth century. Painting and sculpture 1905--1985. Hrsg. von Christos M. Joachimides, Norman Rosenthal und Wieland Schmied. [Weitere Station der Ausstellung, STUTTGART, Staatsgalerie, 8. Feb. - 27. April 1986]","8723":"HOUSTON/TX, Museum of Fine Arts, 1959. [Oskar Kokoschka.] [1 Gemälde, Katalog nicht nachgewiesen, Quelle: Ausstellungsliste des Minneapolis Institute of Arts zum Gemälde Nr. 419]","8724":"NEW YORK, Galerie St. Etienne, 17. Okt. - 14. Nov. 1964. Twenty-fifth anniversary exhibition","8725":"ROM, Palazzo delle Esposizioni, 25. Sept. - 10. Nov. 1979. Tesori d'arte dai musei di stato di Berlino/Repubblica Democratica Tedesca. Bearb. von Eberhard Bartke","8726":"NEW YORK, Galerie St. Etienne; Buchholz Gallery, [9. Jan. - 2. Feb. 1940]. Oskar Kokoschka. Rez.: Art Digest, New York, Bd. 14, 1. Feb. 1940, S. 13; Art News, New York, Bd. 38, 20. Jan. 1940, S. 11","8727":"PITTSBURGH/PA, Carnegie Institute, 14. Okt. - 5. Dez. 1937. The 1937 international exhibition of paintings (s. Sultano 2003a, S. 72)","8728":"KÖLN, Kunstverein, 19. - 29. Feb. 1976. Adenauer-Portraits","8729":"DRESDEN, Galerie Rudolf Probst, [Februar oder März 1932]. [Ausstellung mit Werken Oskar Kokoschkas.] [Mindestens 2 Gemälde, Katalog nicht nachgewiesen, Quelle: Brief Oskar Kokoschkas an Rudolf Probst vom 5. März 1932 (s. Kokoschka Briefe 2 1985, S. 247 und Anm. S. 319)]","8730":"LONDON, Ben Uri Art Gallery, 1962. Exhibition of acquisitions from Friends of The Art Museum of Israel","8731":"DARMSTADT, Mathildenhöhe, 29. Juni - 1. Sept. 1963. Zeugnisse der Angst in der modernen Kunst. Hrsg. von Hans-Gerhard Evers","8732":"MINNEAPOLIS/MN, Minneapolis Institute of Arts, 9. April - 9. Mai 1948. Displaced paintings. Refugees from Nazi Germany. Loan exhibition","8733":"FRANKFURT/MAIN, Städtische Galerie im Städel, 6. August - 18. Okt. 1992. Oskar Kokoschka und Alma Mahler. Die Puppe: Epilog einer Passion. Hrsg. von Klaus Gallwitz","8734":"BERLIN, Galerie Der Sturm, 12. April - Anfang Mai 1912. Fortsetzung des Hauptkatalogs Die Futuristen. (2. Ausstellung)","8735":"KÖLN, Kunstverein, April 1932. Neue Kunst aus rheinischem Privatbesitz (Malerei, Plastik). [Katalog nicht nachgewiesen, Quelle: Rez.: Kölner Stadtanzeiger, Nr. 194, 16. April 1932 und Nr. 207, 23. April 1932]","8736":"BERLIN, Berliner Secession, Kurfürstendamm 232, 8. Jan. - 20. Feb. 1916. Wiener Kunstschau in der Berliner Secession. Rez.: H[ans] Fr[iedeberger]: Ausstellungen - Berlin. In: Der Cicerone, Leipzig, Jg. 8, 1916, H. 3/4, S. 70; 'Wiener Kunstschau' in Berlin, in: Neue Freie Presse,Wien, Nr. 18, 9. Januar 1916, S. 1","8737":"TREVISO, Casa dei Carraresi, 27. Okt. 2006–8. April 2007. Venezia '900. Da Boccioni a Vedova. Hrsg. von Nico Stringa","8738":"WIEN, BAWAG-Fondation, 8. März - 2. April 1988. Verboten, vertrieben, vernichtet","8739":"BUDAPEST, Szépmüvészeti Múzeum, 4. Jan. - 10. Feb. 1980. Expreszionizmus németországban. Festmények, szobrok, grafikák","8740":"BERLIN, Galerie Nierendorf, 13. Juni - 18. Nov. 1980. 1920–1980. 60 Jahre Galerie Nierendorf 1920 - 1980. Jubiläum, Rückblick, Dokumentation","8741":"BERLIN, Schloß Charlottenburg, Feb. - März 1951. Oskar Kokoschka. Aus seinem Schaffen 1907-1950. Hrsg. von Ludwig Grote. [Übernahme eines Teiles der Ausstellung (s. 1950 München)]","8742":"BERLIN, [Nov.] 1931. Frauen in Not. Einf. von Fritz Schiff. Rez.: Das Kunstblatt, Berlin, Jg. 15, 1931, H. 11, S. 321","8743":"NEW YORK, Marlborough Gallery, 5. Nov. - 2. Dez. 1986. Masters of the 19th and 20th centuries","8744":"WIEN, Albertina, 11. April - 13. Juli 2008. Oskar Kokoschka. Exil und neue Heimat 1934--1980. Hrsg. von Antonia Hoerschelmann","8745":"MINNEAPOLIS/MN, University of Minnesota, University Gallery, 1979. Homage to Kokoschka. [1 Gemälde, kein Katalog]","8746":"DARMSTADT, Städt. Ausstellungsgebäude Mathildenhöhe, 10. Juni - 30. Sept. 1920. Deutscher Expressionismus - Darmstadt 1920. Unter künstler. Leitung der Darmstädter Sezession","8747":"WIEN, Ausstellungsgebäude Schwarzenbergplatz-Lothringerstraße, Mai - Sept. 1908. Kunstschau Wien 1908. Einf. von Gustav Klimt. (s. Schweiger 1983, S. [63]–77)","8748":"SAN FRANCISCO/CA, Museum of Art, 3. Sept. - 13. Okt. 1937. Modern German paintings. [1 Gemälde, kein Katalog]","8749":"WOLFSBURG, 15. April - 13. Mai 1956. Deutsche Malerei. Ausgewählte Meister seit Caspar David Friedrich. Einf. von Fritz Nemitz","8750":"CLEVELAND/OH, Museum of Art, Mai 1966. Fifty years of modern art: 1916–1966. Bearb. von Edward B. Henning","8751":"LONDON, National Portrait Gallery, 9. Juni - 17. Sept. 1978. 20th century portraits. Hrsg. von Robin Gibson","8752":"BORDEAUX, Musée d'Aquitaine, 1971. 2000 ans d'histoire.Bearb. von Alain Roussot","8753":"NEW YORK, Curt Valentin Gallery, 18. Dez. 1951–12. Jan. 1952. Contemporary paintings and sculpture","8754":"ZÜRICH, Kunstsalon Wolfsberg, 6. Feb. - 7. März 1976. Oskar Kokoschka zum 90. Geburtstag","8755":"LONDON, Marlborough Gallery, März - Mai 1969. Kokoschka.Saul and David 1969 and other Graphics including Le Bal Masque 1967, The Fogs 1968, with a selection of Oils, Watercolors and Drawings 1907–1969. Bearb. von Oskar Kokoschka","8756":"WIEN, Historisches Museum der Stadt Wien, März - April 1961. Oskar Kokoschka. Kleine Ausstellung anläßlich des 75. Geburtstages und der Ernennung zum Ehrenbürger der Stadt Wien. Einf. von Franz Glück","8757":"FRANKFURT/MAIN, Städtische Galerie im Städelschen Kunstinstitut, 23. Okt. 1982–16. Jan. 1983. Deutsche Kunst des 20. Jahrhunderts. Aus dem Busch-Reisinger Museum, Harvard University, Cambridge, USA. Hrsg. von Seymour Slive. [Weitere Stationen der Ausstellung, BERLIN, Bauhaus-Archiv, Museum für Gestaltung, 10. Feb. - 17. April 1983; DÜSSELDORF, Kunstmuseum, 8. Mai - 26. Juni 1983]","8758":"INGELHEIM AM RHEIN, 1. Mai - 14. Juni 1988. Prag. Nationalgalerie Prag. Die Geschichte einer Sammlung: Von der Gotik zur klassischen Moderne. Bearb. von Milena Bartlová","8759":"MADISON/WI, Elvehjem Art Center, University of Wisconsin, 1970. Inaugural exhibition: 19th and 20th century art from the collection of alumni and friends","8760":"RIEHEN, Fondation Beyeler, 26. Sept. 2010–16. Jan. 2011. Wien 1900. Klimt, Schiele und ihre Zeit. Ein Gesamtkunstwerk. Hrsg. Barbara Steffen","8761":"DRESDEN, Staatliche Gemäldegalerie, Mai - Juli 1927. Werke deutscher Künstler. Malerei - Plastik. Ausstellung der Akademie Dresden 1927","8762":"PARIS, Centre National d'Art et de Culture Georges Pompidou, 13. Feb. - 5. Mai 1986. Vienne 1880–1938. L'apocalypse joyeuse. Hrsg. von Jean Clair","8763":"LONDON, Marlborough Gallery, Sommer 1973. Selected European masters of the 19th and 20th centuries","8764":"SANKT GALLEN, Kunstmuseum, 6. April - 12. Mai 1957. Kunst aus Österreich. Von Klimt, Schiele, Kokoschka bis zur jungen Kunst der Nachkriegszeit. Bearb. von Franz Meyer und Klaus Demus. [Übernahme (s. 1957 Bern)]","8765":"HANNOVER, Galerie von Garvens, Jan. 1921. Oskar Kokoschka, Luise Spannring, Albert Schulze. (4. Ausstellung)","8766":"PÖCHLARN, Oskar-Kokoschka-Dokumentation, 16. Juni - 31. Aug. 2000.Oskar Kokoschka – Von Pöchlarn in die Welt.Hrsg. von Patrick Werkner. [Zum 20. Todestag Oskar Kokoschkas. Eröffnungsausstellung in den neu adaptierten Ausstellungsräumen des Geburtshauses]. [Katalogheft]","8767":"MÜNCHEN, Glaspalast, 1. Juni - 3. Okt. 1927. Münchener Kunstausstellung 1927","8768":"HAMBURG, Kunsthalle, [Juli 1955]. Neue Erwerbungen der Hamburger Kunsthalle 1945–1955","8769":"CARACAS, Museo de Bellas Artes, Okt. 1960. 20 obras de la Coleccion Hans Neumann. Einf. von Hans Neumann","8770":"ZÜRICH, Kunsthaus, 19. Mai - 17. Juni 1945. Expressionisten, Kubisten, Futuristen. Sammlung Nell Walden und Dr. Othmar Huber. Einf. von W. Wartmann","8771":"WIEN, Secession, 23. Feb. - 1. April 1929. 104. Ausstellung der Vereinigung Bildender Künstler Wiener Secession. Rez.: Der Cicerone, Leipzig, Jg. 21, 1929, H. 7, S. 206–207; Kunst und Künstler, Berlin, Jg. 27, 1928/29, H. 6, S. 287","8772":"SAN FRANCISCO/CA, Palace of Fine Arts, Aug. 1915. Panama-Pacific International Exposition. Department of Fine Arts. Hrsg. von John E. D. Trask. [Werke Kokokschkas vermutlich auch ausgestellt in: (s. 1915 New York)]","8773":"HANNOVER, Galerie von Garvens, 6. – 26. Feb. 1921. Oskar Kokoschka. Die Sonnenuhr. Graphik aus dem Gefangenenlager Fort Barraux. Chinesische Jade-, Nephrit- und Specksteinschnitzereien. Werkstätten Flügel-Schmidt, Hannover. Wiener Werkstätte, Wien. (5. Ausstellung)","8774":"HAMBURG, Kunsthalle, [Januar 1920]. [Kunst aus Hamburger Privatbesitz.] [1 Gemälde, Katalog nicht nachgewiesen, Quelle: Rosa Schapire: Hamburger Ausstellungen. In: Der Cicerone, Leipzig, Jg. 12, 1920, H. 2, S. 82–83]","8775":"PARIS, Centre National d'Art et de Culture Georges Pompidou, 12. Juli - 6. Nov. 1978. Paris - Berlin 1900--1933. Übereinstimmungen und Gegensätze Frankreich - Deutschland. Kunst, Architektur, Graphik, Literatur, Industriedesign, Film, Theater, Musik. Hrsg. von Werner Spies und Pontus Hultén. [Erw. dt. Ausg. von Ingo F. Walther]","8776":"SAN FRANCISCO/CA, Palace of Fine Arts, 25. Mai - 29. Sept. 1940. Golden Gate International Exposition","8777":"BERLIN, Galerie Paul Cassirer, Nov. - Dez. 1918. Oskar Kokoschka. Rez.: Lothar Brieger: Oskar Kokoschka. In: B. Z. am Mittag, 23. November 1918; Walter Hasenclever: Oskar Kokoschka. [Quelle: Kopie aus dem Archiv der NG Berlin]; Paul Westheim: Oskar Kokoschka. In: Frankfurter Zeitung, 26. November 1918; Das Kunstblatt, Potsdam, Berlin, Jg. 3, 1919, H. 1, S. 32; Fritz Stahl: Kokoschka. Im Salon Cassirer. In: Berliner Tageblatt, 30. November 1918","8778":"BASEL, Kunsthalle, 12. Jan. - 3. Feb. 1946. Francis Picabia. Sammlung Nell Walden","8779":"BASEL, Galerie Château d'Art, E. Beyeler, April - Mai 1952. Bilder des 20. Jahrhunderts. Beckmann, Jawlensky, Kandinsky, Kirchner, Klee, Kokoschka, Modersohn, Munch, Lehmbruck","8780":"BRÜSSEL, Palais International des Beaux-Arts, 17. April - 21. Juli 1958. 50 ans d'art moderne. Hrsg. von Emile Langui","8781":"BERLIN, Akademie der Künste, 8. Dez. 1968 - 12. Jan. 1969. Die Mitglieder der Abteilung Bildende Kunst und ihre Gäste zeigen Arbeiten aus den Jahren 1958–1968","8782":"DRESDEN, Künstlervereinigung, [Sept.] 1923. Sommerausstellung der Künstlervereinigung Dresden und der Dresdner Sezession Gruppe 19","8783":"MECHELEN, Stedelijk Cultuur Centrum, 1969. Het Fauvisme in de kunst van de 20e eeuw","8784":"VENEDIG, Palazzo Grassi, Sept. - 9. Dez. 1990. From van Gogh to Picasso : From Kandinsky to Pollock : Masterpieces of modern art. Solomon R. Guggenheim Museum New York, Thannhauser Collection. Hrsg. und bearb.von Thomas Krens mit Germano Celant und Lisa Dennison","8785":"LONDON, The Tate Gallery, 20. April - 10. Juni 1956. A hundred years of German painting. Bearb. von Peter A. Riedl","8786":"SAN JOSE, Costa Rica, Museo de Jade, 6. Mai - 30. Juni 1978. Cinco siglos de obras maestras de la pintura en colecciones norteamericanas en préstamo a Costa Rica. Hrsg. von Dewey F. Mosby","8787":"PARIS, Musée National d'Art Moderne, 4. Nov.1960–23. Jan. 1961. The sources of the twentieth century. The arts in Europe from 1884–1914. Hrsg. von Jean Cassou","8788":"WASHINGTON/DC, Phillips Memorial Gallery, 16. Feb. - 23. März 1941. The functions of color in painting. Bearb. von Charles L. Watkins","8789":"CHEMNITZ, Städtisches Museum, 14. Mai - Juni 1993. Kunst, die nicht aus unserer Seele kam. Organisiert von Wilhelm Rüdiger. [Quelle: (s. Zuschlag 1992, S. 100)]","8790":"ROM, Valle Giulia, 5. Dez. 1957 - 8. Jan. 1958. Capolavori del Museo Guggenheim di New York. Bearb. von Giovanni Carandente","8791":"PARIS, Musée d'Art Moderne, 18. Nov. - 28. Dez. 1946. Exposition internationale d'art moderne. Peinture, art graphique et décoratif, architecture. Hrsg. von Jean Cassou","8792":"NEW YORK, Metropolitan Museum of Art, 5. Juni - 21. Sept. 1980. Modern masters: European paintings from the Museum of Modern Art, New York. Hrsg. von William S. Lieberman","8793":"DRESDEN, Künstlervereinigung Dresden, [Sommer] 1920. Künstlervereinigung Dresden. Sommerausstellung. Rez.: Paul F. Schmidt: Ausstellung der Künstlervereinigung in Dresden. In: Der Cicerone, Leipzig, Jg. 12, 1920, H. 15, S. 589–590; ZM [d.i. K. Zoege v. Manteuffel]: Sommer-Ausstellung der Künstlervereinigung Dresden. In: Kunstchronik und Kunstmarkt, Leipzig, Jg. 55 = N.F., 31, 1919/20; Nr. 43/44, 23./30. Juli 1920, S. 847–848","8794":"RECKLINGHAUSEN, Städtische Kunsthalle, 22. Mai - 10. Juli 1975. Der Einzelne und die Masse. Kunstwerke des 19. und 20. Jahrhunderts. Bearb. von Thomas Grochowiak","8795":"LONDON, Charlotte Street Centre, 8. - 28. Juni 1944. Exhibition of drawings, paintings and sculptures by free German artists. Under the patronage of the A.I.A. Veranst. vom Free German League of Culture","8796":"WASHINGTON/DC, Phillips Memorial Gallery, [15.] Dez. 1938 - 15. Jan. 1939. [Works by living artists of twelve nations with some loans from the 1938 Carnegie International Exhibition]","8797":"LONDON, Marlborough Fine Art, Okt. - Nov. 1959. Art in revolt. Germany 1905–25. Einf. von Will Grohmann","8798":"DÜSSELDORF, Kunsthalle, 25. Mai - 15. Juli 1956. Düsseldorfer Kaufleute sammeln moderne Kunst. Ausstellung zum 125jährigen Bestehen der Industrie- und Handelskammer zu Düsseldorf im Kunstverein für die Rheinlande und Westfalen. Bearb. von Rolf Bongs","8799":"WIEN, Akademie der bildenden Künste, 3. Mai - 2. Juni 1988. Jugendwerke vom Schillerplatz. Hrsg. von Gustav Peichl","8800":"DRESDEN, Staatliche Kunstsammlungen, Kupferstich-Kabinett, 9. Juli – 3. Okt. 2011. Kokoschka als Zeichner. Die Sammlung Willy Hahn. Hrsg. von Birgit Dalbajewa, Peter Hahn und Agnes Matthias. [Weitere Station der Ausstellung, SALZBURG, Museum der Moderne, 22. Okt. 2011 – 29. Jan. 2012]","8801":"NEW ORLEANS, LA, New Orleans Museum of Art, 22. Nov. 1975 - 18. Jan. 1976. German and Austrian Expressionism. Hrsg. von Sarah Blodgett Dunbar","8802":"WIEN, Österreichische Galerie Belvedere, Untere Belvedere, 20. Juni - 13. Okt. 2013. Dekadenz. Positionen des Österreichischen Symbolismus. Hrsg. Agnes Husslein-Arco","8803":"BUDAPEST, Nemzeti Salon, Jan. - Feb. 1913. A futuristak es expreszionistak. Sturm- Ausstellung","8804":"WIEN, Österreichische Galerie im Oberen Belvedere, 28. Mai - 27. Juli 1980. Die uns verliessen. Österreichische Maler und Bildhauer der Emigration und Verfolgung. Bearb. von Hans Bisanz und Almut Krapf-Weiler","8805":"BALTIMORE/MD, Museum of Art, 12. Jan. - 11. Feb. 1940. Modern paintings and how they grew","8806":"SANTA BARBARA/CA, Museum of Art, 9. Feb. - 7. März 1954. Paintings by Oskar Kokoschka.Einf. von Ala Story. [Weitere Station der Ausstellung, SAN FRANCISCO/CA, The California Palace of the Legion of Honor, 20. März - 30. April 1954]","8807":"VEVEY, Fondation à la Mémoire d’Oskar Kokoschka et le Musée Jenisch Vevey, 7. Juli – 9. Sept. 2007. Kokoschka et la musique/and music. Katalogbuch hrsg. von Régine Bonnefoit. [Text in frz. u.engl.]","8808":"OXFORD, Ashmolean Museum of Art and Archaeology, University of Oxford, 13. März – 22. Juni 2014. Cézanne and the modern. Masterpieces of European art from the Pearlman Collection. Hrsg. von Scott C. Allan. [Weitere Stationen der Ausstellung, AIX-EN-PROVENCE, Musée Granet, 11. Juli – 5. Okt. 2014; ATLANTA/GA, High Museum of Art, Atlanta, 25 Okt. 2014 - 11 Jan. 2015; VANCOUVER, Vancouver Art Gallery, 7. Feb. – 18. Mai 2015; PRINCETON/NJ, Princeton University Art Museum, 12. Sept. 2015 – 3. Jan. 2016]","8809":"DARMSTADT, Mathildenhöhe, Hessisches Landesmuseum, Kunsthalle, 22. Okt. 1976 - 30. Jan. 1977. Ein Dokument deutscher Kunst - Darmstadt 1901–1976. Rez.: Hanno-Walter Kruft:Ein Dokument deutscher Kunst. In: The Burglington Magazine, Nr. 119, 1977, S. 69–73; Ekkhard Mai:Ein Dokument deutscher Kunst. In: Das Kunstwerk, Stuttgart, Nr. 30, 1977, H. 1, S. 83–84; Drs. In: Pantheon,München, Nr. 35, 1977, S. 153–155; Carl Benno Heller: Ein Dokument deutscher Kunst. In: Die Kunst und das schöne Heim, München, Nr. 88, 1976, S. 675–677; Drs. In: ''Weltkunst, München, Nr. 46, 1976, S. 2422–2423","8810":"MÜNCHEN, Haus der Kunst, 12. Juni - 6. Okt. 1963. Große Kunstausstellung München 1963","8811":"WIEN, Künstlerhaus, März - Mai 1930. Die Kunst in unserer Zeit. Bearb. Von Hans Tietze. Veranst. Von der Gesellschaft zur Förderung moderner Kunst in Wien. Rez.: Dieter Bogner in: Wiener Jahrbuch für Kunstgeschichte, [N. F.], Bd. 33, 1980, S. [13]–15; Fritz Großmann in: Österreichische Kunst, Wien, Jg. 1, 1929/30, H. 6, April 1930, S. 31–33","8812":"PÖCHLARN, Oskar-Kokoschka-Dokumentation, 7. Mai –26. Okt. 2011.Oskar Kokoschka. Naturbilder. Blumen, Tiere, Landschaften. Bearb. von Bernadette Reinhold. [Kein Katalog, Faltblatt]","8813":"EDINBURGH, National Museum of Antiquities of Scotland, [1983]. Vienna 1900. Vienna, Scotland and the European avant-garde. Bearb. von George Dalgleish, Jane Kidd [u.a.]","8814":"MINNEAPOLIS/MN, The Walker Art Center, 1956. Expressionism 1900–1955. Hrsg. von James H. Elliott. [Weitere Stationen der Ausstellung BOSTON/MASS., Institute of Contemporary Art; SAN FRANCISCO/CA, San Francisco Museum of Art; CINCINNATI/OH, Cincinnati Art Museum and Contemporary Arts Center; BALTIMORE/MD, Baltimore Museum of Art; BUFFALO/NY, Albright Art Gallery]","8815":"DRESDEN, Staatliche Kunstsammlungen Dresden, Gemäldegalerie Neue Meister, 29. Sept. – 4. Dez. 1996. Kokoschka und Dresden. Bearb. von Werner Schmidt und Birgit Dalbajewa. [Weitere Station der Ausstellung mit eigenem Katalog und Titel Kokoschka und Wien (s. 1996/97 Wien)]. Rez.: Werner Schmidt: Kokoschka und Dresden: zur Ausstellung im Albertinum vom 30. September bis 4. Dezember 1996. In: Dresdener Kunstblätter, Jg. 40, Nr. 5, 1996, S. 138–139","8816":"BERLIN (DDR), National-Galerie, Juni - Aug. 1964. Anklage und Aufruf. Deutsche Kunst zwischen den Kriegen. Malerei, Graphik, Plastik","8817":"WINTERTHUR, Kunstmuseum, 14. Sept. - 9. Nov. 1975. Expressionismus in der Schweiz 1905–1930. Bearb. von Erika Erni","8818":"PRAG, S. V. U. Mánes, [Okt. - Nov. 1934]. Internationale Ausstellung","8819":"SEITA, Musée-galerie de la Seita, 29. Dez. 1998–7. März 1999. Oskar Kokoschka. Peintures et oeuvres sur papier, Vienne 1906 – Paris 1931. [Mit Werken aus der Sammlung von Serge und Vally Sabarsky, New York und der Fondation à la Mémoire de Oskar Kokoschka, Musée Jenisch Vevey]. Hrsg. und bearb. von Serge Sabarsky und Annette Vogel","8820":"WIEN, Österreichische Galerie im Oberen Belvedere, 27. April - 16. Juni 1971. Oskar Kokoschka zum 85. Geburtstag. Bearb. von Fritz Novotny. Rez.: Oskar Kokoschka. Später Triumph in der Heimat. Zum 85. Geburstag würdigte Wien den weltberühmten Maler mit der ersten großen Ausstellung seiner Werke. In: ''Bunte Illustrierte, Nr. 26, Juni 1971, S. 16–17","8821":"BRÜSSEL, Palais des Beaux Arts, 25. April - 24. Mai 1931. L'Art vivant en Europe. Veranst. von `L'Art Vivant', Société de Propagande et d'action pour la peinture et la cculpture contemporaine et la Société auxiliaire des Expositions du Palais des Beaux Arts","8822":"AMSTERDAM, Stedelijk Museum, 23. Dez. 1957 - 2. Feb. 1958. Tussen de schilders van Amsterdam","8823":"BOSTON/MASS., Institute of Contemporary Art. 1936 - 1946. Tenth anniversary retrospective exhibition","8824":"VENEDIG, Palazzo Grassi, 20. März - 16. Sept. 1984. Le arti a Vienna. Dalla Secessione alla caduta dell'impero asburgico. Bearb. von Paolo Portoghesi, Maria Marchetti [u.a.]. [Dt. Ausg. (s. Auböck/Marchetti 1985)]","8825":"WIEN, Museum des 20. Jahrhunderts, 31. Mai - 7. Juli 1985. Wien 1945 - davor/danach. Hrsg. von Liesbeth Waechter-Böhm","8826":"ZÜRICH, Kunsthaus, 8. Juni - Ende Sept. 1958. Sammlung Emil G. Bührle. Festschrift zu Ehren von E. G. Bührle zur Eröffnung des Kunsthaus-Neubaus. Bearb. von Hans Jucker und René Wehrli","8827":"RECKLINGHAUSEN, Kunsthalle, 16. Mai - 16. Juli 1963. Gesammelt im Ruhrgebiet. Kunstwerke aus drei Jahrtausenden. Bearb. von Thomas Grochowiak und Gert von der Osten","8828":"ROSTOCK, Kunsthalle, 12. Mai - 30. Aug. 1984. Künstler sehen Denkmale. Hrsg. von Horst Zimmermann","8829":"AMSTERDAM, Stedelijk Museum, Nov. - Dez. 1947. Oskar Kokoschka in het Stedelijk Museum, Amsterdam","8830":"BIELEFELD, Städtisches Kunsthaus, 6. April - 4. Mai 1952. Sammlung Haubrich. Kunst des 20. Jahrhunderts","8831":"LUZERN, Kunstmuseum, 4. Juli - 2. Okt. 1953. Deutsche Kunst. Meisterwerke des 20. Jahrhunderts. Hrsg. von Ludwig Grote","8832":"GENF, Musée de l'Athénée, 16. Juli - 29. Sept. 1960. De l'impressionisme à l'Ecole de Paris","8833":"VENEDIG, Museo Correr, 11. Juni - 1. Okt. 1972. Capolavori della pittura del 20e secolo 1900--1945. 36. Biennale von Venedig","8834":"NEW DELHI, National Gallery of Modern Art, Jaipur House, India Gate, 11. Feb. - 14. März 1982. German Expressionist paintings. An exhibition from the Federal Republic of Germany. Bearb. von Laxmi P. Sihare","8835":"LÜBECK, Museum für Kunst und Kulturgeschichte, Behnhaus, 29. Okt. 1987 - 14. Feb. 1988. Bildersturm im Behnhaus. Mit einer Dokumentation der 1937 beschlagnahmten Gemälde und Skulpturen. Hrsg. von Jenns E. Howoldt","8836":"ZÜRICH, Kunsthaus, 4. Sept. - 9. Nov. 1986. Oskar Kokoschka 1886-1980. Bearb. von Richard Calvocoressi und Werner Hofmann [u.a.]. [Geringfügig veränderte Übernahme der Ausstellung mit dt. Katalog (s. 1986 London und 1986/87 New York, Guggenheim)]","8837":"NEW YORK, Demotte Galleries, 25. Feb. - 12. März 1942. Czechoslovak contemporary art. (For the benefit of Czechoslovak relief). Hrsg. von Hugo Feigl mit Einf. von Hendrik Willem van Loon","8838":"MENTON, Frankreich, 1972. IX. Biennale internationale d'art","8839":"HUMLEBÆK, Louisiana Museum of Modern Art, 5. Feb.--13. Juni 2010.Colour in Art. Hrsg. von Michael Juul Holm. [In Zusammenarbeit mit Merzbacher Kunststiftung, Werner & Gabrielle Merzbacher, dt. Ausg. u. d. T.: Farbe in der Kunst. Köln: DuMont 2010]","8840":"BRESLAU, Schlesisches Museum der Bildenden Künste, [1923]. Deutsche Malerei der letzten 50 Jahre aus Breslauer Privatbesitz","8841":"STUTTGART, 31. Mai - 21. Sept. 1930. Deutscher Künstlerbund","8842":"VENEDIG, XVIII. Esposizione Biennale internazionale d'arte, [Mai - Okt.] 1932. Katalog des Padiglione dell' Austria mit Einf. von Carl Moll. [11 Gemälde in 1. Aufl.; 7 Gemälde in 2. Aufl. des Katalogs]. Rez.: Fritz Grossmann: Die internationale Kunstausstellung in Venedig. In: Österreichische Kunst, Wien, Jg. 3, 1932, H. 5, S. 5--6","8843":"PITTSBURGH/PA, Carnegie Institute, 13. Okt. - 18. Dez. 1955. The 1955 Pittsburgh international exhibition of contemporary painting","8844":"CHEMNITZ, Kunstsammlungen, 25. Jan.- 29. Feb. 2004. Feminin. Frauenbildnisse aus Privatbesitz. Hrsg. von Ingrid Mössinger und Kerstin Drechsel","8845":"DRESDEN, Jan. 1930. Kunstausstellung Kühl. [Katalog nicht nachgewiesen, Quelle: Der Cicerone, Leipzig, Jg. 22, 1930, H. 1, S. XXXII]","8846":"KAMAKURA, Museum of Modern Art, 4. März - 9. April 1978. Oskar Kokoschka. Bearb. von Heinz Spielmann. [Weitere Station der Ausstellung, KYOTO, National Museum of Modern Art]","8847":"TEL AVIV, Tel Aviv Museum, Mai - Sept. 1982. Masters of modern art","8848":"DRESDEN, Künstlervereinigung Dresden, Herbst 1919. Künstlervereinigung Dresden. Herbst-Ausstellung","8849":"BERLIN, Kunstgemeinschaft, [Okt. 1927]. Deutsch-österreichische Künstler. [1 Gemälde, Katalog nicht nachgewiesen, Quelle: Das Kunstblatt, Potsdam, Jg. 11, 1927 H. 11, S. 411]","8850":"WIEN, Österreichisches Museum für angewandte Kunst, 5. Juni - 8. Juli 1984. Abbild und Emotion. Österreichischer Realismus 1914–1944. Hrsg. von Gabriele Koller. [Weitere Station der Ausstellung BREGENZ, Künstlerhaus Palais Thurn und Taxis, 21. Juli - 9. Sept. 1984]","8851":"NEW YORK, Galerie St. Etienne, 7. Juni - 9. Sept. 2005.Recent Acquisitions. (And some thoughts on the current art market). [Faltblatt]","8852":"FLORENZ, Palazzo Medici-Riccardi, 4. April - 7. Juni 1987. Oskar Kokoschka. Dipinti e disegni. Hrsg. und bearb. von Serge Sabarsky und Werner Hofmann. [Weitere Station der Ausstellung, RICCIONE, Palazzo del Turismo, 20. Juni - 16. Aug. 1987]","8853":"INNSBRUCK, Galerie im Taxispalais, 19. Okt. - 10. Nov. 1976. Beispiele neuerer österreichischer Kunst. Kunstankäufe des Landes Tirol für die Neue Galerie am Landesmuseum. Veranst. von der Kulturabteilung im Amt der Tiroler Landesregierung und dem Tiroler Landesmuseum","8854":"SALZBURG, Galerie Welz, Juli - Aug. 1956. Prager Bilder.Bearb. von Jan Tomes und Friedrich Welz. [Weitere Stationen s. 1956 Linz und 1956 Wien]. Rez.: Thomas Bernhard: Nach langen Jahren der Sonne. O.K.-Ausstellung in der Galerie Welz. In: Die Furche, Wien, Jg. 12, 1956, Nr. 35, S. 7","8855":"CLEVELAND/OH, Cleveland Museum of Art, 1960. Paths of abstract art. Bearb. von Edward B. Henning","8856":"DRESDEN, Juni - Sept. 1926. Internationale Kunstausstellung Dresden 1926. Jahresschau deutscher Arbeit. Rez.: Will Grohmann: Die Kunst der Gegenwart auf der Internationalen Kunstausstellung Dresden 1926. In: Der Cicerone, Leipzig, Jg. 18, 1926, H. 12, S. 377–416; Will Grohmann: Die Internationale Kunstausstellung Dresden 1926. In: Das Kunstblatt, Potsdam, Jg. 10, 1926, H. 7, S. 262–268","8857":"ROM 1957. Arte tedesca dal 1905 ad oggi. A cura della Quadriennale Nazionale d'Arte di Roma e dell'Ente Manifestazioni Milanesi con la collab. della Haus der Kunst di Monaco di Baviera. [Weitere Station der Ausstellung, MAILAND]","8858":"PRAG, Národni Galerie v Praze, 1980. Rakouské malírstvi a socharstvi 1918–1938. Bearb. von Hubert Adolph und Almut Krapf-Weilerová. [Weitere Stationen der Ausstellung, BRATISLAVA, Slovenská nárdoná gáleria, 1980; WIEN, Österreichische Galerie Belvedere]","8859":"WIEN, Secession, Sept. - Okt. 1936. Ausstellung von Erwerbungen und Widmungen zu Gunsten der öffentlichen Sammlungen des Vereines der Museumsfreunde in Wien 1912–1936 sowie von Kunstwerken aus Privatbesitz. Einf. von Carl Moll. Rez.: Österreichische Kunst, Wien, Jg. 7, 1936, H. 10, S. 4–6","8860":"ALLENTOWN/PA, Allentown Art Museum, 10. März - 21. April 1974. The Blue Four and German Expressionism. Bearb. von Richard M. Gregg","8861":"RECKLINGHAUSEN, Städtische Kunsthalle, 18. Juni - 30. Juli 1954. Zeugnisse europäischer Gemeinsamkeit. Meisterwerke der Malerei und Plastik aus europäischen Museen und Privatsammlungen","8862":"WIEN, Österreichische Galerie im Oberen Belvedere, 29. Feb. - 9. März 1980. [Gemälde von Oskar Kokoschka aus dem Besitz der Bundesmuseen.] Sonderschau aus Anlaß des Todes des Künstlers am 22. Februar 1980. [15 Gemälde, kein Katalog]. Rez.: Harald Sterk: Im Mittelpunkt - die Neuerwerbung. Die Oskar Kokoschka-Ausstellung in der Österreichischen Galerie im Belvedere. In: AZ, Wien, 1. März 1980, S. 20","8863":"LONDON, National Gallery, [Herbst] 1943. [War artists exhibition.] Veranst. vom War Artists Committee","8864":"WIEN, Neue Galerie, März - April 1934. Zehn Jahre Neue Galerie","8865":"MECHELEN, Cultureel Centrum Burgemeester Antoon Spinoy, 26. Sept. - 28. Nov. 1976. Kunst in Europa 1920–1960. Bearb. von Walter Volkaert","8866":"SAN FRANCISCO/CA, The Fine Arts Museums of San Francisco, 4. Juli - 1. Nov. 1981. Master paintings from the Phillips Collection. Bearb. von Eleanor Green und Robert Cafritz.[Weitere Stationen der Ausstellung, DALLAS/TX, Museum of Fine Arts, 22. Nov. 1981 - 16. Feb. 1982; MINNEAPOLIS/MN, The Minneapolis Institute of Arts, 14. März - 30. Mai 1982; ATLANTA/GA, The High Museum of Art, 24. Juni - 16. Sept. 1982]","8867":"BERLIN, Akademie der Künste, Mai - Juni 1925. Frühjahrsausstellung. Rez.: Der Cicerone, Leipzig, Jg. 17, 1925, H. 11, S. 564--566","8868":"JERUSALEM, Bezalel National Museum, 17. Dez. 1958 - 15. Feb. 1959. Expressionism. Paintings, drawings, prints and sculptures from the Bezalel National Museum, the Tel Aviv Museum, the Schocken Library and private collections","8869":"REGENSBURG, Kunstforum Ostdeutsche Galerie Regensburg, 27. Sept. 2014-- 11. Jan. 2015.Oskar Kokoschka und die Prager Kulturszene. Hrsg. von Agnes Tieze. [Weitere Station der Ausstellung PRAG, Národní Galerie v Praze, 20. Feb. - 28. Juni 2015]","8870":"TURIN, 1961. Da Boldini a Pollock. Pittura e scultura del 20 secolo. 1 Gemälde. Bearb. von Franco Russoli","8871":"HAGEN, Folkwang-Museum, Aug. 1910. [Oskar Kokoschka.] [Kein Katalog, Quellen: Archiv des Karl Ernst Osthaus-Museums Hagen: Briefe v. Karl E. Osthaus an O.K. vom 8. Juli 1910 (F1/574) und vom 17. September 1910 (F1/574 P 248) und (F1/634); (s. Schweiger 1983, S. 161–163)]. Rez.: Guido E. Neumann in: Hagener Zeitung, 11. August 1910. (s. Stamm 1998, S. 793, Anm. 7)","8872":"BELLINZONA, Civica Galleria d'Arte, Villa die Cedri, 31. März – 2. Juli 1995. Oskar Kokoschka. Viaggi e figure. Voyages et figures. Reisen und Figuren. Scelta di opere dalla Fondazione Oskar Kokoschka, Museo Jenisch. Hrsg. und bearb. von Véronique Mauron","8873":"DÜSSELDORF, Museum Kunstpalast, 28. April – 12. Aug. 2012. El Greco und die Moderne. Hrsg. von Beat Wismer, Michael Scholz-Hänsel","8874":"HOUSTON/TX, The Museum of Fine Arts, 4. Okt. 1972 - Nov. 1972. Masterpieces of five centuries","8875":"PARIS, Galeries Georges Petit, 18. März - 10. April 1931. Oskar Kokoschka. [44 Gemälde, 3 außer Katalog]. Rez.: Adolphe Basler: Deutsche und Schweizer in Paris. In: Kunst und Künstler, Berlin, Jg. 29, 1930/31, H. 9, Juni 1931, S. 360–361; Paul Fierens in: Art News, New York, Bd. 29, 25. 4. 1931, S. 20; Paul Fierens in: Nouvelles littéraires,11. April 1931; Maximilien Gauthier in: L'Art vivant, Paris, 1. April 1931, S. 182; Paris urteilt über Kokoschka in: Der Kunstwanderer, Berlin, Jg. 13, Juni 1931, S. 304, 306; Hans Tietze in: Cahiers d'art, Paris, Jg. 6, 1931, H. 3, S. 168; Weltkunst, 1931, Nr. 13, 29. März, S. 11; (s. Valancay 1931; Westheim 1931)","8876":"SAINT LOUIS/MO, Saint Louis University, Pius XII Memorial Library, 14. Feb. - 4. Juli 1960. Paintings from the collection of Mr. and Mrs. Morton D. May","8877":"DAYTON/OH, The Art Institute, 18. April - 3. Juni 1951. The city by the river and the sea. Five centuries of skylines. Bearb. von Esther I. Seaver","8878":"HANNOVER, Landesgalerie; Städtische Galerie Hannover, [1. Halbjahr] 1962. Kunst des 20. Jahrhunderts. Gemälde, Bildwerke, Aquarelle. Vorw. von Ferdinand Stuttmann","8879":"IOWA CITY/IA, University of Iowa Museum of Art, 5. Mai - 31. Aug. 1969. The Owen and Leone Elliott Collection. Hrsg. von Frank Seiberling","8880":"WIEN, Neue Galerie, [ab 15. Feb.] 1929. III. Verkaufsausstellung. 51. Ausstellung. [Kein Katalog, Faltblatt]","8881":"LINZ, Neue Galerie - Wolfgang Gurlitt Museum, 13. Sept. - 7. Okt. 1956. Prager Bilder.Bearb. von Jan Tomes und Friedrich Welz. [Kein Katalog, weitere Stationen (s. 1956 Salzburg und 1956 Wien)].","8882":"NEW YORK, Galerie St. Etienne, 21. April - 30. Mai 1981. Austria's Expressionism. Hrsg.von Jane Kallir (s. Kallir 1981)","8883":"WIEN, Österreichische Galerie, Okt. - Nov. 1959. Neuerwerbungen 1947–1959","8884":"CHICAGO/ILL., The Art Institute, 16. Nov. 1944 - 1. Jan. 1945. Art of the United Nations","8885":"NEW YORK, Buchholz Gallery (Curt Valentin), 6. - 31. Jan. 1948. Paintings and sculpture from Europe","8886":"CHICAGO, Museum of Contemporary Art, 10. März - 30. April 1978. German and Austrian Expressionism. Art in a turbulent era. Bearb. von Peter Selz","8887":"NEW YORK, Knoedler & Co., 20. Juni - 7. Juli 1967. Views of Hamburg. Bearb. von Alfred Hentzen","8888":"NEW YORK, Curt Valentin Gallery, [ab] 8. Juni 1955. Closing exhibition. Sculpture, paintings and drawings","8889":"HANNOVER, Künstlerhaus, 19. Feb. - 15. April 1928. 96. Große Kunstausstellung des Kunstvereins Hannover e. V. Rez.: Der Cicerone, Leipzig, Jg. 20, 1928, H. 7, S. 244–245","8890":"DUBLIN, Municipal Gallery of Modern Art, [November] 1961. One man's meat. First loan exhibition of private collections of modern painting. (The Sir Basil Goulding Collection)","8891":"NORTHAMPTON/MASS, Smith College, Museum of Art, 14. Okt. - 18. Nov. 1959. Paintings from Smith Alumnae Collections. An exhibition presented in honor of Thomas Corwin Mendenhall on the occasion of his inauguration as 6th President of the College. Bearb. von Thomas Corwin Mendenhall","8892":"PARIS, Maison de la Culture, 4. - 18. Nov. 1938. Freie deutsche Kunst. Rez.: Paul Westheim in: Pariser Tageszeitung,6./7. November 1938, Nr. 835, S. 2; Paul Westheim in: Pariser Tageszeitung, 9. November 1938, Nr. 837, S. 2 (wiederveröffentlicht s. Westheim 1985)","8893":"MÜNCHEN, Galerie Caspari, Juli 1922. [Ausstellung aus eigenen Beständen]","8894":"MINNEAPOLIS, MN/Minneapolis Institute of Arts, 11. Nov. - 25. Dez. [1952]. Great portraits by famous painters","8895":"DÜSSELDORF, Galerie Alfred Flechtheim, [1913]. Beiträge zur Kunst des 19. Jahrhunderts und unserer Zeit. Hrsg. von Paul Mahlberg anläßlich der Eröffnung der Galerie Alfred Flechtheim","8896":"ZÜRICH, Kunsthaus, 20. Aug. - 3. Okt. 1982. Im Kunsthaus Zürich. Sammlungen Hans und Walter Bechtler. Bearb. von Rene Wehrli und Felix Baumann","8897":"NEW YORK, Solomon R. Guggenheim Museum, 14. Nov. 1980–18. Jan. 1981. Expressionism. A German intuition 1905–1920. Hrsg. von Paul Vogt. [Weitere Station der Ausstellung SAN FRANCISCO/CA, Modern Art Museum, 19. Feb. - 26. April 1981]. Erw. dt. Ausgabe des Kataloges u. d. T.: Deutscher Expressionismus: 1905–1920- München: Prestel 1981","8898":"PFÄFFIKON SZ, Seedamm Kulturzentrum, Stiftung Charles und Agnes Vögele, 13. Nov. 2005–5. Feb. 2006. Kokoschka. Beziehungen zur Schweiz. Hrsg. von Andreas Meier","8899":"HANNOVER, Galerie Rosenbach, Mai 1983. Kokoschka bei Rosenbach. Katalog 24 mit Vorw. von Detlev Rosenbach","8900":"NEW YORK, Galerie St. Etienne, 25. Nov. 1986–31. Jan. 1987. Oskar Kokoschka and his time. [Faltblatt]","8901":"DARMSTADT, Kunsthalle, 14. Sept. - 17. Nov. 1968. Menschenbilder. [Ausstellung zum 10. Darmstädter Gespräch]. Hrsg. von Bernd Krimmel","8902":"NEW YORK, Auslander Gallery, 9. März - 3. April 1965. The expressive image","8903":"NEW YORK, Neue Galerie, 13. März –30. Juni 2014. Degenerate Art. The Attack on Modern Art in Nazi Germany, 1937. Hrsg. von Olaf Peters","8904":"DENVER/CO, Denver Art Museum, 1960. German Expressionist paintings from the collection of Mr. and Mrs. Morton D. May. Bearb. von Otto K. Bach. [Ausstellung geht als Wanderausstellung zw. 1960–1962 durch die USA: Los Angeles; San Diego; San Francisco; Chicago; Youngstown; Akron; Pittsburgh; Washington; Baltimore; Kansas City]","8905":"LONDON, Marlborough Fine Art, Juni - Aug. 1960. Masters of modern art. From 1840 to 1960","8906":"STUTTGART, Kunstmuseum Stuttgart, 7. Feb. – 14. Juni 2009. Drei. Das Triptychon in der Moderne. Hrsg. von Marion Ackermann","8907":"LONDON, Hayward Gallery, 3. Jan. - 11. März 1973. The Impressionists in London. Bearb. von Alan Bowness","8908":"JERUSALEM, Israel Museum, Okt. 1998--Feb. 1999. The Joy of Color. The Merzbacher Collection. Hrsg. von Stephanie Rachum. [hier dt. Katalogausgabe u. d. T.: Ein Fest der Farbe. Die Sammlung Merzbacher, Köln: DuMont 1998]","8909":"WIEN, Österreichisches Museum für angewandte Kunst, 6. Juni - 6. Juli 1955. Europäische Kunst gestern und heute. Veranst. vom Amt für Kultur und Volksbildung der Stadt Wien","8910":"ZÜRICH, Kunsthaus, 24. Mai - Mitte Juli 1970. Malerei des 20. Jahrhunderts. Kunstsammlung Nordrhein-Westfalen","8911":"WIEN, Österreichisches Museum für angewandte Kunst, 4. März - 6. April 1986. Oskar Kokoschka - Städteportraits. Hrsg. von Oswald Oberhuber und Gabriele Koller","8912":"BERLIN, Rechendorfhaus, [Ende Juni] 1930. Deutsche Sektion der Internationalen Carnegie-Ausstellung. [Katalog nicht nachgewiesen, Quelle: Das Kunstblatt, Berlin, Jg. 14, 1930, H. 6, S. 189]","8913":"STUTTGART, Württembergischer Kunstverein, Künstlerhaus Sonnenhalde, Juni - Juli 1947. Sammlung Haubrich. Bearb. von Leopold Reidemeister. [Weitere Stationen der Ausstellung z. T. mit eigenen Katalogen, (s. 1947 Hamburg; 1947 Mannheim; 1947/48 Oldenburg; 1948 Wiesbaden)]","8914":"MÜNCHEN, Haus der Kunst, 14. März - 11. Mai 1958. Oskar Kokoschka. Hrsg. von Karin von Etzdorf.","8915":"MÜNCHEN, Haus der Kunst, 5. Juni - 27. Sept. 1964. Große Kunstausstellung München 1964","8916":"HANNOVER, Kestner-Gesellschaft, 9. Mai - 13. Juni 1954. Zeitgenössische Kunst aus hannoverschem Privatbesitz.Bearb. von Gerhard Händler","8917":"BONN, Städtisches Kunstmuseum, 1983 - 1984. Sammlung Städtisches Van Abbemuseum Eindhoven","8918":"ROM, Museo Centrale del Risorgimento, 6. Okt. 2001–3. Feb. 2002. Klimt, Kokoschka, Schiele. Dall’art nouveau all’espressionismo. Hrsg. und bearb. von Jane Kallir mit Claudio Strinati","8919":"NEW YORK, Feigl Gallery, [Juli - August] 1948. Modern European masters. Kokoschka, Rouault, Soutine, Utrillo, Vuillard","8920":"TOKYO, Seibu-Warenhaus, 13. April - 14. Mai 1963. Der deutsche Expressionismus. Veranst. von der Zeitung Asahi. Untersützt von Außenministerium, Kultusministerium, Deutsche Botschaft, Tokyo","8921":"NEW YORK, Museum of Modern Art, 13. März - 26. April 1931. German painting and sculpture. Einf. von Alfred H. Barr, jr. Rez.: Alfred H. Barr: Die Wirkung der deutschen Ausstellung in New York. In: Museum der Gegenwart, Berlin, Jg. 2, 1931/32, H. 2, 3. Vierteljahr 1931, S. 58–75","8922":"BERKELEY/CA, University Art Gallery, 5. Feb. - 10. März 1963. Viennese Expressionism 1910–1924. Bearb. von Herschel B. Chipp. [Weitere Station der Ausstellung PASADENA/CA, Pasadena Art Museum, 19. März - 21. April 1963]","8923":"WIEN, Galerie Miethke, Feb. - März 1913. Privatsammlung Dr. Oskar Reichel","8924":"BASEL, Galerie Beyeler, Aug. - Okt. 1956. Maîtres de l'art moderne","8925":"NEW YORK, Museum of Modern Art, 3. Juli - 21. Okt. 1986. Vienna 1900. Art, architecture & design. Hrsg. von Kirk T. Varnedoe","8926":"NEW ORLEANS, LA, The Bradley Family Foundation, 1975. Personal selections from the collection of Mrs. Harry Lynde Bradley","8927":"PRAG, Spolek Vytvarnych Umelcu Mánes, 8. Sept. - 7. Okt. 1928. Moderní umení rakouské. (Spolek Vytvarnych Umelcu Mánes. 142. Vystava)","8928":"LEEUWARDEN, Stedelijk Museum Het Princessehof, 19. Dez. 1964 - 24. Jan. 1965. Meesterwerken van het Expressionisme. Collectie Stedelijk Museum [Amsterdam]","8929":"SALZBURG, Galerie Welz, 24. Juli - 31. Aug. 1986. Oskar Kokoschka und Maler der klassischen Moderne in Östereich. Einf. von Otto Breicha","8930":"NEW YORK, Galerie St. Etienne, 17. März - 9. Mai 1992. Richard Gerstl - Oskar Kokoschka. Hrsg. von Jane Kallir (s. Kallir 1992)","8931":"COLUMBUS/OH, Gallery of Fine Arts, 8. März - 4. April 1938. Modern German painting. [1 Gemälde, Quelle: (s. Hagemann 1985)]","8932":"SAN FRANCISCO/CA, Museo Italo-Americano, Fort Mason Center, 10. Mai –8. Juli 2001.Il maestro e l'allievo. Master and pupil. Hrsg. von Peter Howard Selz. [Weitere Station der Ausstellung PIETRSANTA, Chiostro di S. Agostino, 22. Feb. –23. März 2003]","8933":"BRAUNSCHWEIG, Haus Salve Hospes, 10. Jan. - 21. Feb. 1960. Der späte Kokoschka. Bearb. von Peter Lufft. [Weitere Stationen der Ausstellung BREMEN, Kunsthalle, 28. Feb. - 10. April 1960; HAMELN, Kunstkreis, 17. April - 15. Mai 1960; PFORZHEIM, Kunst- u. Kunstgewerbeverein, 22. Mai - 19. Juni 1960]","8934":"ROM, Palazzo Venezia, Nov. 1981 - Feb. 1982. Oskar Kokoschka 1886–1980. Bearb. von Carmine Benincasa und Walter Zettl","8935":"WASHINGTON/DC, [veranstaltet von der] Public Education Association, 26. April - 21. Mai 1966. Seven decades : 1895–1965. Crosscurrents in modern art. Bearb. von Peter Selz","8936":"DES MOINES/IA, Art Center, 13. Okt. - 6. Nov. 1955. Midwest Show","8937":"PITTSBURGH/PA, Carnegie Institute, 5. Dez. 1958 - 8. Feb. 1959. 1896–1955. Retrospective exhibition of paintings from previous internationals. Bearb. von Leon Anthony Arkus","8938":"LONDON, Marlborough Gallery, März - April 1966. Homage to Kokoschka. Bearb. von Wolfgang Fischer","8939":"BERLIN, Freie Secession, Ausstellungshaus am Kurfürstendamm, 1. Juli - 30. Sept. 1917. Dritte Ausstellung der Freien Secession Berlin 1917","8940":"BERLIN-ZEHLENDORF, Haus am Waldsee, 18. Sept. - 23. Okt. 1955. Moderne Meister aus dem Wallraf-Richartz-Museum Köln. Sammlung Dr. J. Haubrich. [Übernhame der Ausstellung (s. 1955 Basel)]","8941":"SALZBURG, Residenz, 19. Juli - 31. Aug. 1955. Ausstellung Oskar Kokoschka. Thermopylae- Entwürfe zur Zauberflöte und andere neuere Werke. Rez.: Barbara Vogel in: Die Weltkunst, München, Jg. 25, 1955, Nr. 16, S. 10–11","8942":"POTSDAM, Orangerie des Parkes von Sanssouci, 15. Juni - 15. Sept. 1921. Potsdamer Kunstsommer 1921. Veranst. vom Potsdamer Kunstverein. Rez.: Das Kunstblatt, Potsdam, Berlin, Jg. 5, 1921, H. 8, S. 252","8943":"BRÜSSEL, City Hall, 17. Juni - 30. Sept. 1998.Oskar Kokoschka.Bearb. von Wim Toebosch. [Katalogheft]","8944":"GLASGOW, Royal Glasgow Institute of Fine Art, 1961. Centenary exhibition","8945":"NEW YORK, Galerie St. Etienne, 27. Mai 1953. Lovis Corinth, Oskar Kokoschka and Egon Schiele.","8946":"GRAZ, Kulturhaus, 19. März - 10. April 1988. Alles in allem. 20 Jahre Kulturhaus Graz","8947":"SYRACUSE/NY, Museum of Fine Art, 1. - 27. April 1955. Contemporary painting","8948":"LOS ANGELES/CA, County Museum, Mai 1943. The collection of Josef von Sternberg","8949":"LONDON, Galerie Oxford Street (John Lewis), 13. März - 11. April 1943. For liberty. Veranst. von der Artists' International Association","8950":"ZÜRICH, Kunsthaus, 15. Sept. - 11. Nov. 1973. 50 Jahre Kunsthandelsverband der Schweiz. Jubiläumsausstellung mit Werken des 15.-20. Jahrhunderts aus öffentlichem und privatem Besitz. Hrsg. von René Wehrli","8951":"WIEN, Volksheim, Koflerpark 7, Weihnachten 1912. Portraitausstellung.","8952":"LAUSANNE, Musée Cantonal des Beaux-Arts, 27. Nov. 1968 - 5. Jan. 1969. Berlin 20e siècle. De l'expressionisme à l'art contemporain. Hrsg. von Lyss Decher","8953":"DULUTH/MN, University of Minnesota, Tweed Gallery, April 1956. Collector's choice","8954":"SALZBURG, Kleines Festspielhaus, Pausenfoyer, 28. Juli - 31. Aug. 1986. Standards. Malerei im 20. Jahrhundert. Veranst. von der Österreichischen Ludwig-Stiftung für Kunst und Wissenschaft","8955":"MANNHEIM, Städtische Kunsthalle, 18. Jan. - 1. März 1931. Oskar Kokoschka. Das gesammelte Werk. Hrsg. von Gustav F. Hartlaub. Rez.: Konrad Ott in: Neue Badische Landeszeitung, Mannheim, 19. u. 24. Januar 1931; F. C. Valentien in: Die Weltkunst, Berlin, 8. Februar 1931; Paul Westheim in: Berliner Börsen-Zeitung, Morgenausgabe, 8. März 1931","8956":"SION, Musée cantonal des beaux-arts et le Musée cantonal d’histoire du Valais á l’Ancien Pénitencier de Sion, 13. Mai 2005 - Frühjahr 2006. Montagne, je te hais - montagne, je t'adore. Voyage au coeur des Alpes, du XVIe siècle à nos jours. // Berg, ich hasse dich – Berg, ich liebe dich. Eine Reise mitten durch die Alpen, vom 16. Jahrhundert bis heute. Hrsg. von Pascal Ruedin und Marie Claude Morand. [Text in frz. und dt.]","8957":"BERLIN, Martin-Gropius-Bau, 15. Aug. - 22. Nov. 1987. Berlin, Berlin. Die Ausstellung zur Geschichte der Stadt. Hrsg. von Gottfried Korff und Reinhard Rürup","8958":"WIEN, Galerie Miethke, Jan. - Feb. 1913. Die neue Kunst","8959":"AMSTERDAM, Stedelijk Museum, Okt. - Nov. 1951. Expressionisme. Werken uit de verzameling Haubrich in het Wallraf Richartz Museum te Keulen. Bearb. Von Leopold Reidemeister. [Weitere Station der Ausstellung, EINDHOVEN, Stedelijk Van Abbe Museum]","8960":"WIEN, Wiener Secession, 15. Okt. - 13. Nov. 1955. Kokoschka. Bearb. von Werner Hofmann. Rez.: Hans Ankwicz-Kleehoven: Ein offenes Buch der Zeit. In: Wiener Zeitung, 23. Okt. 1955, S. 6","8961":"ZÜRICH, Kunsthaus, 12. Mai - 16. Juni 1918. Ein Jahrhundert Wiener Malerei. Einf. von Carl Moll","8962":"KALAMAZOO/MI, Institute of Arts, Feb. 1941. Oskar Kokoschka. [2 Gemälde, Katalog nicht nachgewiesen, Quelle: Hirshhorn Museum and Sculpture Garden, Washington/DC. Weitere Stationen der Ausstellung, FLINT/MI, Flint Institute of Arts; GRAND RAPIDS/MI, Grand Rapids Art Museum; EAST LANSING/MI, Michigan State College, März - Mai 1941]","8963":"PÖCHLARN, Oskar-Kokoschka-Dokumentation, 8. Mai –26. Okt. 2010.Oskar Kokoschka. Lebensstationen. Licht und Schatten. Bearb. von Bernadette Reinhold. [Kein Katalog, Faltblatt]","8964":"PARIS, Galerie Saint Etienne, April - [Mai] 1939. Oskar Kokoschka. Rez.: Kokoschka-Ausstellung in Paris. In: Die österreichische Post, Paris, Jg. 1, Nr. 10, 1. Mai 1939, S. 9 (s. Weinzierl 1984); Paul Westheim: Kokoschka-Ausstellung in Paris. In: Pariser Tageszeitung, Paris, [Anfang Mai 1939]; (s. Sultano 2003c, S. 148–149); F. B.: Oskar Kokoschka. Zu einer Ausstellung seiner Bilder. In: Nouvelles d’Autriche, Paris, Juni 1939, Nr. 5 [Quelle: Tagblattarchiv Wien, Mappe Kokoschka, Oskar [1946–1980] und s. Sultano/Werkner 2003, S. 343–346]; Hans Pernter: Die österreichische Kunstausstellung in Paris im Musée du Jeu de Paume 1937. In: Österreichische Kunst, 8. Jg., 1937, H. 5, S. 6–12","8965":"MADRID, Fundación Juan March, 7. Feb. - 21. Mai 1995. Klimt, Kokoschka, Schiele. Un sueño vienés (1898–1918). Hrsg. und bearb. von Stephan Koja","8966":"ZÜRICH, Kunsthaus, 1. Mai - 4. Juni 1913. Mai-Ausstellung. Veranst. von der Zürcher Kunstgesellschaft","8967":"CHEMNITZ, König-Albert-Museum, Mai - Aug. 1920. 15. Ausstellung des Deutschen Künstlerbundes Chemnitz 1920. Veranst. von der Kunsthütte Chemnitz. Rez.: Die Künstlerbund-Ausstellung in Chemnitz. In: Der Cicerone, Leipzig, Jg. 12, 1920, H. 11, S. 450–451","8968":"BERLIN, Galerie Paul Cassirer, Feb. 1927. Bildnisse von Oskar Kokoschka. Menschen und Tiere. Rez.: (s. Kuhn 1927; Meier Graefe 1927; Osborn 1927); Karl Scheffler in: Kunst und Künstler, Berlin, Jg. 25, 1926/27, H. 6, März, S. 236; Paul Westheim in: Das Kunstblatt, Potsdam, Jg. 11, 1927, H. 3, S. 126","8969":"WIESBADEN, Nassauischer Kunstverein, Neues Museum, 6. April - Anfang Juni 1930. 30 deutsche Künstler aus unserer Zeit","8970":"PITTSBURGH/PA, Carnegie Institute, 15. Okt. - 6. Dez. 1925. Twenty-fourth annual international exhibition of paintings","8971":"SAPPORO, Hokkaido Museum of Modern Art, Mai - Juni 1996. Exhibition from Swiss Private Collections. Bearb.von Ernst Beyeler, Basel, May - June 1996. Die Ausstellung geht weiter nach Nagasaki, Huis ten Bosch Museum of Art, Juni - August 1996; Kyoto, Municipal Museum of Art, August - September 1996; und Tokyo, Mitsukoshi Museum of Art, Oktober - November 1996.","8972":"DONCASTER, South Yorkshire, County Borough of Doncaster, Art Gallery and Museum, 11. Juli - 9. Aug. 1942. Exhibition of works by Polish and Czechoslovak artists. [9 Werke, nicht identifiziert]. [Weitere Station der Ausstellung (s. 1942 Oxford)].","8973":"BREMEN, Kunsthalle, 2. Feb. - 30. März 1975. Moderne Kunst aus der Sammlung Thyssen-Bornemisza. Hrsg. von Günter Busch","8974":"NEW YORK, The Solomon R. Guggenheim Museum, April - Sept. 1965. Paintings from the collection of the Solomon R. Guggenheim Museum","8975":"MÜNCHEN, Haus der Kunst, 8. Juni - 24. Sept. 1967. Große Kunstausstellung München 1967","8976":"ROSENHEIM, Städtische Galerie, 26. Okt. - 9. Dez. 1984. Unbekanntes von Kokoschka. Zeichnungen, Aquarelle, Ölbilder","8977":"PÖCHLARN, Oskar-Kokoschka-Dokumentation, 30. Mai – 20. Okt. 2002. Tierlöwe – Rittersporn Oskar Kokoschka.Von Blumen und Tieren. Bearb. von Annette Weihs-Sedivy. [Kein Katalog, Faltblatt]","8978":"NEW YORK, The Neue Galerie New York, 16. Nov. 2001 – 18. Feb. 2002. New worlds.German and Austrian Art, 1890-1940. Hrsg. von Renée Price. [Dt. Ausg. u.d.T.: Neue Welten. Deutsche und österreichische Kunst 1890–1940]. Rez.: Christopher Long: New worlds. German and Austrian Art, 1890–1940. In: Studies in the decorative arts, Bd. 11, Nr. 1, 2003/04, S. 124–127","8979":"RECKLINGHAUSEN, Kunsthalle, 23. Mai - 5. Juli 1959. Die Handschrift des Künstlers. Hrsg. von Hans Jaffé","8980":"PITTSBURGH/PA, Carnegie Institute, 13. Okt. - 4. Dez. 1927. Twenty-sixth annual international exhibition of paintings","8981":"BUDAPEST, Szépművészeti Múzeum, 26 Juni - 29 Sept. 2013. Egon Schiele and his age. Masterpieces from the Leopold Museum Vienna. Hrsg. Kata Bodor","8982":"NEW YORK, Museum of Modern Art, 20. Nov. 1934 - 20. Jan. 1935. Modern works of art. 5th anniversary exhibition","8983":"WIEN, Künstlerhaus, 18. Sept. - 29. Okt. 1924. Österreichische Kunst-Ausstellung 1900–1924. Wien und die Bundesländer. Rez.: Der Cicerone, Leipzig, Jg. 16, 1924, H. 20, S. 980","8984":"HAMBURG, Kunsthaus, 3. Sept. - 27. Okt. 1980. [Stadt-Ausstellung]","8985":"BRAUNSCHWEIG, Herzogliches Museum, 7. - 31. Mai 1916. 1. Ausstellung Braunschweig. Expressionisten. Kubisten","8986":"JERUSALEM, The Bezalel National Museum, Feb. - März 1957. Selected acquisitions 1946–1956","8987":"LUGANO, Villa Malpensata, 1975. Maestri europei dalle collezioni d'arte private ticinesi","8988":"BERLIN, Nationalgalerie, 5. Juli - 28. Sept. 1980. Bilder vom Menschen in der Kunst des Abendlandes. Jubiläumsausstellung der Preußischen Museen Berlin 1830--1980. Bearb. von Birgitte Hüfler. Rez.: Brigitte Hüfler: Die Ausstellung 'Bilder vom Menschen in der Kunst des Abendlandes' im Spiegel der Presse. In: Jahrbuch Preussischer Kulturbesitz, Berlin, 1980, S. 111–118; Lutz Meunier:Bilder vom Menschen in der Kunst des Abendlandes. In: Weltkunst, München, Nr. 50, 1980, S. 2279–2281","8989":"LINZ, Neue Galerie, Wolfgang-Gurlitt-Museum, 28. Juni - Aug. 1951. Oskar Kokoschka. Ölgemälde, Aquarelle, Zeichnungen, Druckgraphik. Bearb. von Wolfgang Gurlitt und Franz Roh","8990":"BERLIN, Galerie Der Sturm, April 1916. Oskar Kokoschka, Otakar Kubin. Gemälde und Zeichnungen. (40. Ausstellung)","8991":"VENEDIG, 6. Juni - 30. Sept. 1948. XXIV. Biennale di Venezia. Oskar Kokoschka: Mostra personale. Hrsg. von Rodolfo Pallucchini. Rez.: Giacomo Etna: Gli espressionisti. In: Risorgimento liberale, Rom, 26. Aug. 1948, S. 3; Italo Faldi: Le personali straniere. In: Ulisse,Rom, Jg. 2, 1948, H. 6, S. [750]–753; V. Guzzi in: Il Tempo, Rom, 30. Aug. 1948, S. 3; Joseph P. Hodin: Kokoschka à la Biennale de Venise. In: Les Arts plastiques, Brüssel, 1948, Nr. 5/6, S. 219–224; Silvio Marini: Braque, Rouault, Kokoschka e Sciagall. Personali straniere a Venezia. In: Il Giornale della sera, Rom, 6. August 1948, S. 3","8992":"SALZBURG, Kunsthandlung Friedrich Welz, [Aug. - Sept.] 1934. [Österreichische Kunst der Gegenwart.] [Katalog nicht nachgewiesen. Quelle: Rez. in: Österreichische Kunst, Wien, Jg. 5, 1934, H. 7/8, S. 10]","8993":"PITTSBURGH/PA, Carnegie Institute, 16. Okt. - 14. Dez. 1952. The 1952 Pittsburgh international exhibition of contemporary painting","8994":"WIEN, Hagenbund, Ausstellung in der Zedlitzhalle, Feb. 1911. Sonderausstellung Malerei und Plastik. Rez.: L. E. Tesar: Der Fall Oskar Kokoschka und die Gesellschaft. In: Die Fackel, Wien /Berlin, 12. Jg., Nr. 319/320, 1. April 1911, S. 31–39; (s. Serner 1911d; Schweiger 1983, S. [165]–196)","8995":"WASHINGTON/DC, National Gallery of Art, 19. Mai - 21. Juli 1968. Paintings from the Albright-Knox Art Gallery, Buffalo, New York. Hrsg. von Gordon M. Smith","8996":"KASSEL, Museum Fridericianum, 15. Juli - 18. Sept. 1955. Documenta. Kunst des 20. Jahrhunderts. Internationale Ausstellung im Museum Fridericianum in Kassel. Hrsg. von Arnold Bode","8997":"BOSTON/MASS., Institute of Contemporary Art, März - Aug. 1961. Famous likeness. Veranst. von Time Inc., New York","8998":"REGENSBURG, Kunst- und Gewerbeverein, 24. Mai - 9. Juni 1971. Linz im Bild von O. Kokoschka bis Arnulf Rainer. Hrsg. von Gertrude Höß","8999":"BERLIN, Preussische Akademie der Künste, Mai - Juni 1929. Frühjahrsausstellung 1929. Rez.: [Paul Westheim] in: Das Kunstblatt, Berlin, Jg. 13, 1929, H. 7, S. 219","9000":"BERN, Kunsthalle, 20. Aug. - 19. Sept. 1937. Österreichische Kunst im 20. Jahrhundert. Einf. von Ernst H. Buschbeck","9001":"AARAU, Aargauer Kunsthaus, 23. Juni - 19. Aug. 1962. Die Entdeckung der Alpen in der Malerei. Gemälde und Graphik vom 18. Jahrhundert bis zur Gegenwart","9002":"TURIN, Museo Civico, Palazzo Maderna, April - Juni 1954. Espressionismo e arte tedesca del 20. secolo. Dipinte, sculture, disegni del Museo Wallraf-Richartz, Collezione Josef Haubrich di Colonia. Bearb. von Leopold Reidemeister","9003":"PROVIDENCE/RI, Museum of Art, Rhode Island School of Design, 9. April - 11. Mai 1952. Kokoschka. [2 Gemälde, Katalog nicht nachgewiesen, Quelle: Museum of Modern Art, New York, Leihliste zum Gemälde Nr. 90]","9004":"PRAG, S. V. U. Mánes, 12. Okt. - 28. Nov. 1937. III. Vystava Dnesní Mánes. III. Ausstellung Mánes heute. Einf. von Jaromír Pecírka","9005":"OBERLIN/OH, Oberlin College, Allen Art Museum, 21. Feb. - 15. März 1959. Kokoschka - exhibition in honor of Franzos Collection gift to Oberlin College","9006":"EDINBURGH, Scottish National Gallery of Modern Art, 24. Juni - 2. Sept. 1990. Kokoschka and Scotland. Bearb. von Richard Calvocoressi.","9007":"FRANKFURT/MAIN, Frankfurter Kunstkabinett Hanna Bekker vom Rath, 21. März - Mitte April 1953. Oskar Kokoschka. Aquarelle, Zeichnungen und Lithographien aus der ehemaligen Sammlung Dr. Victor Wallerstein. Bearb. von Hans M. Wingler","9008":"DÜSSELDORF, Galerie Wilhelm Grosshennig, Nov. 1961 - Jan. 1962. Ausstellung auserlesener Meisterwerke des 19. und 20. Jahrhunderts","9009":"WIEN, Neue Galerie, [Juli] - Anfang September 1933. Meisterwerke moderner österreichischer Malerei. 92. Ausstellung","9010":"LOS ANGELES/CA, Los Angeles County Museum of Art, 23. Feb. - 11. Mai 1997.Exiles and Emigrés. The Flight of European Artists from Hitler. Hrsg. von Stephanie Barron mit Sabine Eckmann. [Weitere Stationen der Ausstellung, MONTREAL, The Montreal Museum of Fine Arts, 19. Juni - 7. Sept. 1997 und mit dt. Ausg. des Katalogs (s. 1997/98 Berlin)]","9011":"KOPENHAGEN, Charlottenborg, 22. Okt. - 13. Nov. 1960. Marc Chagall - Oskar Kokoschka. Hrsg. von Lars Rostrup Boyesen","9012":"WUPPERTAL, Städtisches Museum, 1947. Ausstellung expressionistischer Malerei","9013":"LONDON, Arts Council Gallery, 4. Mai - 4. Juni 1960. Austrian painting and sculpture 1900 to 1960. Einf. von Werner Hofmann","9014":"DALLAS/TX, Pollock Galleries, Owen Fine Arts Center, Southern Methodist University, 3. - 31. Okt. 1965. Works of Oskar Kokoschka","9015":"KREFELD, Kunstverein, 20. Okt. - 20. Nov. 1974. Kunst aus Krefelder Sammlungen in Haus Greiffenhorst 1904–1974. Bearb. von Ewald Rathke","9016":"BORDEAUX, Galerie des Beaux-Arts, 6. Mai - 1. Sept. 1983. Oskar Kokoschka 1886–1980. Hrsg. von Gilberte Martin-Mery. Rez.: Eveline Schlumberger: Vagabond en Europe. In: Connaissance des arts, Paris, Nr. 375, Mai 1983, S. 82–85","9017":"PITTSBURGH/PA, Carnegie Institute, 19. Okt. - 21. Dez. 1950. The Pittsburgh international exhibition of paintings","9018":"NEW YORK, The Solomon R. Guggenheim Museum, 1. Mai - 13. Sept. 1970. Selections from the Guggenheim Museum Collection 1900–1970. Hrsg. von Louise Averill Svendsen","9019":"HOUSTON/TX, Sarah Campbell Blaffer Gallery, 2. März - 22. April 1979. Vienna moderne 1898–1918. An early encounter between taste and utility. Bearb. Von Jan Ernst Adlmann. [Übernahme der Ausstellung von NEW YORK, Cooper-Hewitt Museum, 27. Nov. 1978 - 4. Feb. 1979 und (s. 1979 Portland)]","9020":"LONDON, Leinster Fine Art, 12. März - 28. April 1984. Masterpieces of German Expressionism","9021":"WUPPERTAL, Kunst- und Museumsverein, 8. März - 26. April 1964. Deutsche Bildnisse des 20. Jahrhunderts. Malerei und Plastik","9022":"WIESBADEN, Nassauischer Kunstverein, Neues Museum, [Herbst] 1924. Kunst der Gegenwart. Veranst. von der Wiesbadener Gesellschaft für Bildende Kunst. Rez.: Der Cicerone, Leipzig, Jg. 16, 1924, H. 17, S. 832","9023":"CINCINNATI/OH, Art Museum, 6. April - 7. Mai 1961. Eighteen 20th century paintings from the private collection Hans Neumann, Caracas, Venezuela","9024":"WIEN, Österreichisches Museum für angewandte Kunst, 2. Okt. - 4. Nov. 1979. Die unbekannte Sammlung. Materialien zur Staatlichen Kunstförderung in Österreich. Hrsg. von Georg Eisler","9025":"KÖLN, Kölnischer Kunstverein, 1957. Malerei des 20. Jahrhunderts in Kölner Privatbesitz. Bearb. von Otto H. Förster","9026":"DÜSSELDORF, Stiftung Kunstsammlung Nordrhein-Westfalen, 24. Juli –17. Okt. 1999.Puppen, Körper, Automaten. Phantasmen der Moderne. Hrsg. von Katharina Sykora und Pia Müller-Tamm","9027":"MÜNCHEN, Haus der Kunst, 9. Juni - 25. Sept. 1966. Große Kunstausstellung München 1966","9028":"LINZ, Neue Galerie - Wolfgang Gurlitt-Museum, 12. März - 31. Mai 1981. Christusbild im 20. Jahrhundert. Hrsg. von Peter Baum","9029":"LONDON, Marlborough Fine Art, Nov. - Dez. 1960. Oskar Kokoschka in England and Scotland. Einf. von Joseph P. Hodin. Rez.: Kokoschka, at Marlborough Fine Art. In: The Burlington Magazine, London, Bd. CII, Nr. 682/683, S. 551","9030":"KÖLN, Kunstsalon Hermann Abels, 16. März - 15. April 1929. Kokoschka-Ausstellung. Einf. von Ernst Buchner. Rez.: Ernst Scheyer in: Der Cicerone, Leipzig, Jg. 21, 1929, H. 8, S. 243","9031":"SAN FRANCISCO/CA, San Francisco Museum of Art, 18. Jan. - 5. Feb. 1940. Contemporary art. Paintings, watercolors and sculpture owned in the San Francisco Bay Region","9032":"MÜNCHEN, Neue Staatsgalerie, [Sommer 1924]. Deutsche Malerei in den letzten 50 Jahren. Ausstellung von Meisterwerken aus öffentlichem und privatem Besitz. Einf. von Friedrich Dörnhöffer. Rez.: U. Christoffel: Deutsche Malerei in den letzten fünfzig Jahren. In: Zeitschrift für Bildende Kunst, Leipzig, Monatsrundschau, Jg. 36, H. 5/6, Okt. 1924, S. 41–47; Carl G. Heise: Deutsche Malerei in den letzten fünfzig Jahren. In: Kunst und Künstler, Berlin, Jg. 23, 1924/25, H. 1, Okt. 1924, S. 3–12","9033":"WIEN, Kunstforum Länderbank Wien, 14. März - 23. Juni 1991. Oskar Kokoschka.Hrsg. von Klaus A. Schröder und Johann Winkler. ","9034":"NEW YORK, World House Galleries, 17. Juni - 30. Aug. 1958. Summer International 1958","9035":"PRAG, Galerie Hugo Feigl, Dez. 1933 - Jan. 1934. Oskar Kokoschka. Olejomalby a kresby [Gemälde und Zeichnungen]. 23. [Ausstellung]. Einf. von O[tto] N[irenstein]","9036":"EINDHOVEN, Stadhuis, 22. Nov. 1973 - 7. Jan. 1974. Schilderij van de maand","9037":"TRIER, Simeonsstift Trier, 1953. Sammlung Haubrich. [3 Gemälde, kein Katalog]","9038":"NEW YORK, Buchholz Gallery (Curt Valentin), 22. Sept. - 12. Okt. 1938. Oskar Kokoschka. Rez.: Art Digest, New York, Bd. 13, 1. Okt. 1938, S. 14; Art News, New York, Bd. 36, 1. Okt. 1938, S. 13; (s. Natter 2002a, S. 74–75)","9039":"WIEN, Wien Museum Karlsplatz, 21. Jan. - 2. Mai 2010. Madness & Modernity. Kunst und Wahn in Wien um 1900. Bearb. von Gemma Blackshaw und Leslie Tropp","9040":"MÜNCHEN, Staatsgalerie moderner Kunst, 27. Nov. 1987 - 31. Jan. 1988. Entartete Kunst: Dokumentation zum nationalsozialistischen Bildersturm am Bestand der Staatsgalerie moderner Kunst in München. Hrsg. von Peter-Klaus Schuster mit Karl Arndt. (s. Schuster 1987 und Schuster 1988)","9041":"FREIBURG I. BR. Kunstverein, 2. - 28. Okt. 1954. Oskar Kokoschka. Einf. von Siegfried E. Bröse","9042":"LINZ, Lentos Kunstmuseum, 31. Mai - 5. Okt. 2008. Oskar Kokoschka. Ein Vagabund in Linz – wild, verfemt, gefeiert. Hrsg. von Elisabeth Nowak-Thaller und Nina Kirsch","9043":"NEW YORK, E. & A. Silberman Galleries, 3. - 21. Nov. 1959. Exhibition 1959. Paintings from the Galleries' collection","9044":"FRANKFURT/MAIN, Schirn Kunsthalle Frankfurt, 28. Jan. - 24. April 2005. Die nackte Wahrheit: Klimt, Schiele, Kokoschka und andere Skandale. Hrsg. von Tobias G. Natter und Max Hollein. [Weitere Station der Ausstellung, WIEN, Leopold Museum, 13. Mai - 22. Aug. 2005]. [Engl. Ausg. u. d. T.: The naked truth. Klimt, Schiele, Kokoschka and other scandals]","9045":"BERLIN, Berlinische Galerie, Landesmuseum für Moderne Kunst, Fotografie und Architektur, 24. Okt. 2013 - 27. Jan. 2014. Wien – Berlin. Kunst zweier Metropolen. Hrsg. von Agnes Husslein-Arco und Thomas Köhler. [Weitere Station der Ausstellung, WIEN, Österreichische Galerie Belvedere, 14. Feb. - 15. Juni 2014]","9046":"LONDON, Roland, Browse & Delbanco, April - May 1961. Flowers: Decoration or more? Paintings of the 19th & 20th century","9047":"WUPPERTAL, von der Heydt-Museum, 13. März - 10. Juni 2012.Der Sturm. Zentrum der Avantgarde. 2 Bde. Hrsg. und bearb. von Antje Birthälmer und Gerhard Finckh","9048":"WIEN, Künstlerhaus, 28. März - 6. Okt. 1985. Traum und Wirklichkeit. Wien 1870–1930. Hrsg. und bearb. von Robert Waissenberger [u.a.]","9049":"MANNHEIM, Kunstgalerie Rudolf Probst, 1954. Oskar Kokoschka. [1 Gemälde, Katalog nicht nachgewiesen, Quelle: Stuttgarter Kunstkabinetts R. N. Ketterer, 36. Auktion, 3./4. Mai 1961, Teil 1, Nr. 260 zu Gemälde Nr. 144]","9050":"PITTSBURGH/PA, Carnegie Institute, 13. Okt. - 4. Dez. 1938. The 1938 international exhibition of paintings","9051":"BERLIN, Galerie Paul Cassirer, [März - Juli] 1923. Oskar Kokoschka. [Katalog nicht nachgewiesen, Quellen: (s. Kuhn 1923; Westheim 1923); Paul Landau in: Berliner Börsenzeitung, Nr. 164, 10. April 1923; Roland Schacht: Um Kokoschka. In: Das blaue Heft. Freie deutsche Bühne, Berlin, Jg. 4, 1922/23, S. 322–326; K[arl] Sch[effler] in: Kunst und Künstler, Berlin, Jg. 21, 1922/23, H. 8, Mai 1923, S. 243–245; F. Stahl: Kokoschka. In: Berliner Tageblatt,10. April 1923; Willi Wolfradt in: Der Cicerone, Leipzig, Jg. 15, 1923, H. 8, S. 392]","9052":"BERLIN, Galerie Alfred Flechtheim, 22. Juni - Anfang Aug. 1927. Das Problem der Generation. Die um 1880 geborenen Meister von heute. I. Teil: Die Deutschen. Einf. von Alfred Flechtheim","9053":"BERLIN, Nationalgalerie, [April/Mai] 1930. Neuerwerbungen der Nationalgalerie","9054":"WINTERTHUR, Kunstverein Winterthur, 17. Okt. - 7. Nov. 1920. Gemäldeausstellung von Werken der Künstler des Deutsch- Österreichischen Sonderbundes","9055":"HALBTURN, Schloß Halbturn, 25. Mai - 21. Okt. 1984. Kunst in Österreich 1918–1938. Hrsg. und bearb. von Hubert Adolph, Almut Krapf-Weiler und Regine Schmidt","9056":"DRESDEN, Innenhof des Neuen Rathauses, 23. Sept. - 18. Okt. 1933. Entartete Kunst. Organisiert von Richard Müller, Willy Waldapfel und Walter Gasch. [Ausstellung wurde von 1934 und 1936 in mindestens acht deutschen Städten gezeigt und gilt als Vorläufer und Namensgeber der großen Ausstellung in München (s. 1937 München). Quelle: (s. Zuschlag 1992, S. 101 und Sultano 2003b, S. 73–76)]","9057":"LONDON, Wertheim Gallery, 20. Juni - 3. Juli 1939. German, Austrian, Czechoslovakian painters and sculptors","9058":"FRANKFURT/MAIN, Städelschen Kunstinstitut, 25. Sept. 2003–11. Jan. 2004. Nackt!Frauenansichten, Malerabsichten, Aufbruch zur Moderne. Hrsg. von Sabine Schulze","9059":"BERLIN, Galerie Fritz Gurlitt, 26. Mai - [Juni] 1923. Primavera.[Katalog nicht nachgewiesen, Quelle: Der Cicerone, Leipzig, Jg. 15, 1923, H. 11, S. 540]","9060":"WIEN, Museum des 20. Jahrhunderts, 21. Sept. - 4. Nov. 1962. Kunst von 1900 bis heute. Eröffnungsausstellung. Hrsg. von Werner Hofmann","9061":"ZÜRICH, Zunfthaus zur Meise, 17. Mai - 27. Mai 1939. Gemälde und Plastiken moderner Meister aus deutschen Museen. Veranst. von der Galerie Fischer, Luzern. [Weitere Station der Ausstellung (s. 1939 Luzern, Grand Hôtel National) mit anschließender Auktion (s. Luzern 1939a)]","9062":"CINCINNATI/OH, Art Museum, 10. Nov. - 10. Dez. 1939. Exhibition of modern paintings from Cincinnati collections. [2 Gemälde, Quelle: (s. Hagemann 1985)]","9063":"MÜNCHEN, Haus der Kunst, 7. März - 10. Mai 1970. Europäischer Expressionismus. Hrsg. von Michel Hoog und Ingrid Krause. [Weitere Station der Ausstellung PARIS, Musée National d'art moderne, 26. Mai - 27. Juli 1970. s. 1970 Paris]","9064":"ESSEN, Museum Folkwang, 27. Mai - 3. Juli 1960. Dem wiedereröffneten Museum Folkwang zum Gruß","9065":"WIEN, Neue Galerie, [ab 14. April] 1932. Frühjahrsausstellung. 83. Ausstellung [österreichischer Meister des 19. und 20. Jahrhunderts.] [2 Gemälde, Katalog nicht nachgewiesen, Quelle: Liste der ausgestellten Werke im Archiv der Neuen Galerie Wien in der Österreichischen Galerie in Wien. ","9066":"WIEN, Österreichische Galerie, 8. Sept. - 25. Okt. 1987. Malerei des deutschen Expressionismus. Hrsg. und bearb. von Serge Sabarsky und Ralph Jentsch","9067":"BERLIN, Akademie der Künste, Mai - Juni 1924. Frühjahrsausstellung. Rez.: Der Cicerone, Leipzig, Jg. 16, 1924, H. 11, S. 514","9068":"NEW YORK, Museum of Modern Art, 1939. Art in our time","9069":"MAGDEBURG, Kunstverein, [Nov.] 1921. [Expressionisten.] [Katalog nicht nachgewiesen, Quelle: Kunstchronik und Kunstmarkt, Leipzig, Jg. 57 = N. F., 33, 1921/22, H. 12/13, 16./23. Dez. 1921]","9070":"SALZBURG, Residenzgalerie, 3. Juni - 30. Sept. 1967. Österreichische Meisterwerke aus Privatbesitz. Vom Biedermeier zum Expressionismus. Bearb. von Rupert Feuchtmüller","9071":"KANSAS CITY/MO, William Rockhill Nelson Gallery, 10. Feb. - 10. März 1957. Some points of view in modern painting","9072":"NEW YORK, Solomon R. Guggenheim Museum, 9. Dez. 1986 - 16. Feb. 1987. Oskar Kokoschka 1886–1980. Bearb. von Richard Calvocoressi und Werner Hofmann [u.a.] [Übernahme der Ausstellung (s. 1986 London und 1986 Zürich)] . Rez.: Ruth Bass: A new view of Kokoschka. In: ArtNews, New York, Bd. 86, Nr. 2, Feb. 1987, S. 106–111","9073":"WIEN, Secession, 11. Sept. - 20. Okt. 1924. Internationale Kunstausstellung. Gesellschaft zur Förderung Moderner Kunst in Wien. Rez.: Der Cicerone, Leipzig, Jg. 16, 1924, H. 20, S. 979","9074":"NEW YORK, Marlborough-Gerson Gallery, Nov. - Dez. 1963. Artist and maecenas. A tribute to Curt Valentin. Inaugural exhibition","9075":"NEW YORK, Nierendorf Gallery, [13. Feb. - 15. März] 1937. Contemporary art. [Katalog nicht nachgewiesen, Quelle: (s. Hagemann 1985)]","9076":"CHEMNITZ, Kunsthütte zu Chemnitz, Ausstellung im Städtischen Museum, 8. April - 1. Mai 1927. Österreichische Kunst von Klimt bis Kokoschka. [5 Gemälde, kein Katalog]","9077":"MILWAUKEE/WI, Milwaukee Art Institute, 10. Dez. 1954 - 27. Jan. 1955. Exhibition of German Expressionism","9078":"KÜNZELSAU, Museum Würth, 1.Okt. 1999–23. Jan 2000. Die Inszenierung der Natur. Natur- und Landschaftsdarstellungen des 20. Jahrhunderts in der Sammlung Würth. Hrsg. von C. Sylvia Weber","9079":"DRESDEN, Palais Brühlsche Terasse, 16. Sept. 2006 - 14. Jan. 2007.Von Monet bis Mondrian.Meisterwerke der Moderne aus Dresdner Privatsammlungen der ersten Hälfte des 20. Jahrhunderts. Hrsg. von Heike Biedermann, Ulrich Bischoff und Mathias Wagner","9080":"SYDNEY, Art Gallery of New South Wales, 11. Okt. - 10. Dez. 1989. German Expressionism. The colours of desire. Bearb. von Lorenz Dittmann, Magdalena M. Moeller [u.a.].[Weitere Station der Ausstellung, MELBOURNE, National Gallery of Victoria, 20. Dez. 1989–18. Feb. 1990]","9081":"WIEN, Neue Galerie, 13. Okt. - 25. Okt. 1924 [frühzeitig geschlossen]. Oskar Kokoschka. II. Teil: Gemälde der Zeit 1907–1915. (X. Ausstellung der Neuen Galerie.) [17 Gemälde, kein Katalog, Quellen: Tagespresse im Archiv der Neuen Galerie (Österreichische Galerie, Wien); St. Poglayen-Neuwall: Wiener Ausstellungen. In: Der Cicerone, Leipzig, Jg. 16, 1924, H. 21, S. 1031] (s. Früh 1994)","9082":"HAMBURG, Kunsthalle, 10. April - 31. Mai 1981. Experiment Weltuntergang. Wien um 1900. Hrsg. von Werner Hofmann. Rez.: H. T. Flemming: Experiment Weltuntergang. In: Weltkunst, München, Jg. 51, 1981; S. 1527–1529; Wolf Schön: Experiment Weltuntergang. In: Das Kunstwerk, Jg. 34, 1981, Nr. 4, S. 71–73","9083":"BLEIBURG, Werner Berg Museum, 26. April - 8. Nov. 2009. Macht des Bildes - Visionen des Göttlichen.Kunst und Transzendenz in Österreich im 20. Jahrhundert. Wieland Schmied zum 80. Geburtstag gewidmet. Hrsg. von Harald Scheicher. (Europaausstellung 2009)","9084":"MAILAND, Palazzo Reale, 24. Feb. - 6. Juni 2010. Egon Schiele e il suo tempo.Hrsg. von Rudolf Leopold und Franz Smola","9085":"DETROIT/MI, Detroit Institute of Arts, 14. Juni - 1. Okt. 1967. Cézanne and his contemporaries. The Mr. and Mrs. Henry Pearlman Collection. Einf. von Willis F. Woods","9086":"CHEMNITZ, Kunsthütte, [Sommer 1925]. Sommerausstellung. [2 Gemälde, Katalog nicht nachgewiesen, Quelle: Der Cicerone, Leipzig, Jg. 17, 1925, H. 13, S. 660]","9087":"VENEDIG, Biennale, [Mai - Oktober] 1922. XIII. Esposizione internazionale d'arte della Città di Venezia. Rez.: L. Brosch in: Der Cicerone, Leipzig, Jg. 14, 1922, H. 12, S. 509–510; H[ans] P[osse]: Der deutsche Pavillon auf der XIII. Internationalen Kunstausstellung zu Venedig. In: Kunst und Künstler, Berlin, Jg. 20, 1921/22, H. 11, Juli 1922, S. 396–398 mit Abb. S. 400","9088":"ZÜRICH, Kunsthaus, 6. Juni - 3. Sept. 1950. Europäische Kunst 13.-20. Jahrhundert aus Zürcher Sammlungen","9089":"WIEN, Künstlerhaus, 28. Mai - 27. Juni 1965. Wiener Malerei seit 1945. Wiener Festwochen 1965. Hrsg. von Robert Waissenberger","9090":"LUGANO, Villa Malpensata, 1. Sept. - 5. Nov. 1978. Collezione Thyssen-Bornemisza. Arte moderna.Bearb. von A. Stefano Berkes [Übernahme der Ausstellung (s. 1978 Paris, Musée d'Art Moderne)]","9091":"MÜNCHEN, Galerie Hans Goltz, Sept. - Okt. 1919. Neue Kunst. 54. Ausstellung. (5. Gesamtausstellung)","9092":"HANNOVER, Kunstverein, 17. März - 22. April 1957. 118. Frühjahrsausstellung","9093":"BUKAREST, Nationalgalerie, 24. Okt. - 2. Dez. 1972. Meisterwerke des Expressionismus. Hrsg. von Gunther Thiem","9094":"WIEN, Österreichische Galerie Belvedere, 14. Juni - 24. Sept. 2006. Die Tafelrunde. Egon Schiele und sein Kreis. Katalogbuch hrsg. von Tobias G. Natter und Thomas Trummer","9095":"TOLEDO/OH, Museum of Art, 1960. What is modern art? [1 Gemälde, kein Katalog]","9096":"WIEN, Reithalle in den ehemaligen Hofstallungen, Messepalast, 27. April - 6. Aug. 1989. Wunderblock. Eine Geschichte der modernen Seele. Ausstellung der Wiener Festwochen. Hrsg. von Jean Clair","9097":"SPRINGFIELD/MASS., Museum of Fine Arts, 10. - 30. Jan. 1939. Modern German art","9098":"HAMBURG, BP-Clubheim, 10. April - 18. Mai 1974. Kunst des Mosaiks. Veranst. von der BP anläßlich der Übergabe des Mosaiks Ecce Homines an die Hauptkirche St. Nikolai. Bearb. von Heinz Spielmann","9099":"MÜNCHEN, Haus der Kunst, 9. Juni - 7. Okt. 1962. Große Kunstausstellung München 1962","9100":"LONDON, J. Leger Gallery, [Dez. 1941 - Jan. 1942]. London Group. [1 Gemälde, Quelle: Rez.: Jan Gordon: London commentary. In: The Studio, London, Bd. 123, Nr. 586, Jan. 1942, S. 20–22 mit Abb.]","9101":"HAMBURG, Kunsthalle, 11. Dez. 1981–21. Feb. 1982. Der zerbrochene Kopf. Picasso zum 100. Geburtstag. Hrsg. von Helmut R. Leppien","9102":"PARIS, Musée du Luxemburg, 9. März - 10. Juli 2016. Chefs-d'Oeuvre de Budapest, Dürer, Greco, Tiepolo, Manet, Rippl-Rónai...","9103":"NÜRNBERG, Städtische Galerie, 7. - 21. Sept. 1935. Entartete Kunst.","9104":"LINZ, Neue Galerie, 13. Sept. - 7. Okt. 1956.Prager Bilder. In Zusammenarbeit mit der Galerie Welz, Salzburg und der Prager Nationalgalerie. [Kein Katalog]","9106":"PARIS, Musée National d'Art Moderne, 26. Mai - 27. Juli 1970. L'Expressionisme Européen","10106":"AMSTERDAM, Rijksmuseum, 1953. Kunstenaars helpen. Wanderausstellung","11106":"CARACAS, Museo de Bellas Artes, Juni - Aug. 1979, Arte aleman en Venezuela","11107":"WIESBADEN Nassauischer Kunstverein, Neues Museum Wiesbaden, 6. April - Anfang Juni 1929. 30 deutsche Künstler aus unserer Zeit. ","12106":"CARACAS, Fondacion Eugenio Mendoza, Caracas, Nov. - Dez. 1959.\nExpresionismo en Alemania : Exposición conmemorativa del Décimo aniversario de la fundación de la Asociación Cultural Humboldt. Einf. von Peter Selz \n","12108":"JERUSALEM, Israel Museum, 22. Juni 1993–29. Aug.1993. The Sam Spiegel Collection. Hrsg. von Stephanie Rachum","12109":"DÜREN, Leopold-Hoesch-Museum, 8. Nov. 1980–4. Jan. 198. Stiftungen und Schenkungen an das Leopold-Hoesch-Museum. Eine Ausstellung aus Anlass des 75jährigen Bestehens des Leopold-Hoesch-Museums Düren. Hrsg. von Irmgard Gerhards ","12110":"NEW YORK, Neue Galerie, 15. Okt. 2009–15. Feb. 2010. From Klimt to Klee: Masterworks from the Serge Sabarsky Collection","13106":"BONN, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, 10. Okt. 1997–11. Jan. 1998. Die Kunsthalle Bremen zu Gast in Bonn. Meisterwerke aus sechs Jahrhunderten. ","14106":"STUTTGART,Staatsgalerie, 6. März - 20. Juni 2010. Brücke Bauhaus Blauer Reiter. Schätze der Sammlung Max Fischer. Hrsg. von Ina Conzen mit Beiträgen von Katja Nellmann, Günther Gercken, Sean Rainbird und Ingo Borges","15106":"LONDON, Fischer Fine Art, Juni - Juli 1972. A journey into the Universe of Art from Courbet and Corot to Bacon, Moore and Lindner. Opening Exhibition Nr. 1. London: Fischer Fine Art Limited\n","16106":"PÖCHLARN, Stadtgemeinde Pöchlarn. Ausstellung anlässlich der 700-Jahr-Feier der Stadt Pöchlarn 1967 [Kein Katalog]","17106":"ESSEN, Museum Folkwang Essen, 2. März –13. April 1969. Deutsche Expressionisten aus der Sammlung Morton D. May, St. Louis, USA","19106":"BRUXELLES, Hôtel de ville, 16. Juni - 30. September 1998. Oskar Kokoschka","20106":"DAVOS, Kirchner Museum, 19. Nov. 2017 – 22. April 2018. Ernst Ludwig Kirchner und Oskar Kokoschka. Hrsg. von Régine Bonnefoit und Thorsten Sadowsky.","20107":"VEVEY, Espace Kokoschka, Musée Jenisch, 31. März –1. Oktober 2017 und 27. Oktober 2017–4. Februar 2018. Oskar Kokoschka. Die Gemälde.","21106":"ZÜRICH, Kunsthaus Zürich, 14. Dez. 2018–10. März 2019. Oskar Kokoschka. Expressionist, Migrant, Europäer. Eine Retrospektive. Hrsg. von Cathérine Hug und Heike Eipeldauer. [Weitere Station der Ausstellung WIEN, Leopold Museum, 4. April 2019–8. Juli 2019]","23106":"BOZEN, Südtiroler Landesmuseum Schloss Tirol, 15. März - 22. Mai 2011. \"100 Jahre Brenner\"","24106":"WIEN, Wien Museum, 23. März –17. Sept. 2017. Wien von oben. Die Stadt auf einen Blick. Hrsg. von Sándor Békési und Elke Doppler\n","24107":"WIEN, Wien Museum im Künstlerhaus, 19. Nov. 2009–28. März 2010. Kampf um die Stadt - Politik, Kunst und Alltag um 1930. 361. Sonderausstellung des Wien Museums","25106":"SAN FRANCISCO/CA, San Francisco Museum of Art, 18. Jan. - 13. Feb. 1955. 20th Anniversary Exhibitions: The Museum and its Collections of Modern Art in the Bay Area (kein Katalog)","25107":"PASADENA/CA, Pasadena Museum of Modern Art, 16. Apr. – 2. Juni 1974. German Expressionist Painting and Sculpture in California Collections ","25108":"SAN FRANCISCO/CA, California Palace of the Legion of Honor, 19. Apr. – 8. Juni 1975. The Ruth Haas Lilienthal Bequest ","26106":"LAUSANNE, Musée cantonal des beaux-arts, 14. Feb. 2020-23. Aug. 2020. A fleur de peau. Vienne 1900. De Klimt à Schiele et Kokoschka. Sous la direction de Catherine Lepdor et Camille Lévêque-Claudet.","27106":"PARIS, Musée d'Art moderne de Paris, 23. September 2022 - 12. Februar 2023. Oskar Kokoschka - Un fauve à Vienne. Hrsg. von Dieter Buchhart, Anna Karina Hofbauer und Fanny Schulmann. [Weitere Station der Ausstellung BILBAO, Guggenheim Museum, 17 März-3. September 2023]"},"literature":{"2002":"Paul Westheim: Von den inneren Gesichten. In: Das Kunstblatt, Weimar, Jg. 1, 1917, H.1","2003":"Guido L. Luzzatto: Oskar Kokoschka. In: L'arte, Turin, 34 = N. S., 2, März 1931","2004":"Die Österreichische Galerie im Belvedere in Wien. Bearb. von Hans Aurenhammer und Klaus Demus. Wien 1964","2005":"Fritz Novotny: Zu zwei unbekannten Bildern von Anton Romako. In: Wiener Jahrbuch für Kunstgeschichte, Wien, Bd. 12/13, 1949","2006":"Kovacek, Wien, Österreichische Malerei des 19. und 20. Jahrhunderts, 24. Sept.- 30. Nov. 2011. Wien: Regine und Michael Kovacek GmbH, 2011","2007":"The Tate Gallery 1982-84. Illustrated catalogue of acquisitions. London 1986","2008":"Jutta Vinzent: Emigrantennetzwerke in Großbritannien zwischen international und national definierter Kunst. In: Dogramaci/Wimmer 2011, S.185-200","2009":"Werner Hofmann: Der späte Kokoschka. In: Forum, Wien, Jg. 2, 1955, H. 18","2010":"Heinrich Glück: Die Stellung Wiens in der neueren Kunst. 3.Teil. In: Der Cicerone, Leipzig, Jg. 16, 1924, H. 5","2011":"Doris Wild: Oskar Kokoschka und die Schweiz. In: Neue Zürcher Zeitung, Zürich, Nr. 847, 27. 2. 1966, Bl. 4 (= Fernausgabe Nr. 56, 26.2.1966, Bl. 19)","2012":"Art and artists, London, Bd. 4, 1969, Nr. 5, Aug.","2013":"Wolfgang Strobach: Liebe zum Wissen. Wien: Rosenbaum 1957","2014":"Christie's London, Impressionist and Modern Paintings, Watercolours and Sculpture Part II, 3. Dez. 1996","2015":"Elisabeth Nowak-Thaller: Oskar Kokoschkas 'Linzer Landschaft'. Porträt und Vision einer Stadt. In: Kat. Ausst. 1995 Linz","2016":"Kunsthaus Zürich. 235 Werke aus der Sammlung Kunsthaus Zürich. Hrsg. von Felix A. Baumann. Zürich 1976","2017":"Sotheby's London, Impressionist and modern paintings and sculpture, Part I, 25. März 1986","2018":"Österreichische Malerei der Zwischenkriegszeit. Die Sammlung der Österreichischen Nationalbank. Hrsg. von Elisabeth Olivares Díaz. Wien: Stiepan Druck 2005","2019":"Sheldon Cheney: Expressionism in art. New York 1934 ","2020":"Parke-Bernet Galleries, New York, Modern paintings and drawings, 27. März 1963","2021":"Alfred Hentzen: Hamburger Kunsthalle: Erwerbungen für die Gemälde-Galerie im Jahre 1965. In: Jahrbuch der Hamburger Kunstsammlungen, Hamburg, Jg. 11, 1966","2022":"Heuss-Porträt. Einen deutschen Menschen. In: Der Spiegel, Hamburg, Jg. 5, 27. März 1951","2023":"'Entartete Kunst' - Beschlagnahmeaktionen in der Städtischen Kunsthalle Mannheim 1937. Bearb. von Hans-Jürgen Buderer. Mannheim 1987","2024":"Fritz Novotny: Oskar Kokoschka zum 85. Geburtstag. In: Kat. Ausst. 1971 Wien","2025":"Hilde Berger: Ob es Haß ist, solche Liebe? Oskar Kokoschka und Alma Mahler. Wien [u.a.]: Böhlau 1999","2026":"Pablo Picasso. Druckgraphik aus dem Besitz der Kunsthalle Bremen. Kat. Ausst. Kunsthalle Bremen 1966/67","2027":"Paul Westheim: Oskar Kokoschka. Das Werk Kokoschkas in 135 Abbildungen. Berlin: Paul Cassirer 1925. [Erw. Aufl. von Westheim 1918a]","2028":"Jean-Jacques Lévêque: Gustav Klimt, Oskar Kokoschka, Egon Schiele. Un monde crépusculaire. Courbevoie: ACR Edition 2005 (Poche-couleur; 38)","2029":"Günther Schefbeck: Das Europa der Freiheit. Ein großer Europäer vor dem Hintergrund der Anfänge der europäischen Integration. In: Kat. Ausst. 1998 Wien, Albertina, S. 19-28","2030":"Annegret Janda: Die Gemälde und Bildwerke der Expressionisten im ehemaligen Kronprinzen-Palais. In: Kat. Ausst. 1986 Berlin-DDR","2031":"Jan Gordon: London commentary. In: The Studio, London, Bd. 126, Nr. 609, Dez. 1943","2032":"Leo Kestenberg: Was mir Kokoschka bedeutet. In: Hodin 1963a","2033":"Magdalena Anna Długosz: Oskar Kokoschka. Błędny rycerz. Figury wyobraźni młodego artysty. Lubin: Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej 2014. [Zsfg. in dt. u. d. T.: Oskar Kokoschka - der irrende Ritter. Sinnbilder des jungen Künstlers, S. [143 ]-145]","2034":"L. Ja. Zivel'cinskaja: Ekspressionizm. Moskau, Leningrad: Ogiz - Izogiz 1931. [In kyrill. Schrift]","2035":"Deutsche Kunst und Dekoration, Darmstadt, Jg. 30, 1926/27, Bd. 59, H. 1, Okt. 1926","2036":"Nationalgalerie. Bearb. von Vera Ruthenberg und Walter Heese. Leipzig: Seemann 1963","2037":"Der Blaue Reiter. Hrsg. von Wassily Kandinsky und Franz Marc. Dokumentar. Neuausg. von Klaus Lankheit. München, Zürich: Piper 1979","2038":"Look again. The 1968 childcraft annual. Annual supplement to 'Childcraft - the how and why library'. Chicago: Field Enterprises Educational Corp. 1968","2039":"Karl Scheffler: Talente. Berlin: Bruno Cassirer 1921","2040":"Kornfeld & Klipstein, Bern, Moderne Kunst, Auktion 162, 8.-9. Juni 1977","2041":"Albright-Knox Art Gallery. Painting and sculpture from antiquity to 1942. Bearb. von Steven A. Nash [u. a.]. New York: Rizzoli 1979","2042":"Monika Mayer: Bruno Grimschitz und die Österreichische Galerie 1938-1945. Eine biographische Annäherung im Kontext der aktuellen Provenienzforschung. In: Gabriele Anderl und Alexandra Caruso (Hrsg.): NS-Kunstraub in Österreich und die Folgen. Innsbruck, Wien [u.a.]: Studien-Verlag 2005","2043":"Richard Hamann: Die deutsche Malerei vom 18. bis zum Beginn des 20. Jahrhunderts. Leipzig, Berlin: Teubner 1925","2044":"Ernst Köller: Österreich erwarb Hauptwerk Kokoschkas. In: Salzburger Nachrichten, 22. 3. 1965, S. 6","2045":"Birgit Dalbajewa:Ein Kinderbildnis von Oskar Kokoschka in der Galerie Neue Meister. In: Dresdener Kunstblätter. Zweimonatszeitschrift der Staatlichen Kunstsammlungen Dresden, Jg. 49, H. 2, 2005","2046":"Katharina Erling: 'Das Bekenntnishafte zieht mich an.' Christliche Motive und Inhalte im Frühwerk Oskar Kokoschkas. In: Frodl/Natter 1997","2047":"Carl Moll: Die Möglichkeiten Wiens. In: Ganymed, München, Bd. 2, 1920","2048":"Joseph P. Hodin: Oskar Kokoschka paints Chatin Sarachi. In: The Studio, London, Bd. 158, 1959, Nr. 799","2049":"Raymond J. Sontag: A broken world. 1919-1939. New York: Harper & Row 1971","2050":"Paul F. Schmidt: Die Kunst der Gegenwart. Berlin: Akad. Verl.-Ges. Athenaion 1922. (Die sechs Bücher der Kunst; 6) ","2051":"Margaret Heiden: Neue deutsche Kunst im Detroit Institute of Arts. In: Museum der Gegenwart, Berlin, Jg. 2, 1931/32, H. 1, 2. Vierteljahr 1931","2052":"Oskar Kokoschka: Der Fetisch. In: Paul Westheim (Hrsg.): Künstlerbekenntnisse. Briefe, Tagebuchblätter, Betrachtungen heutiger Künstler. Berlin 1925 [Wiederveröffentlicht in: Kat. Ausst. 1983 Hannover S. 67-79, Abb. S. 77]","2053":"Paul Raabe: Die Autoren und Bücher des literarischen Expressionismus. Ein bibliographisches Handbuch. In Zusammenarbeit mit Ingrid Hanichboden. Stuttgart: Metzler 1985 ","2054":"Masterpieces from the Cincinnati Art Museum. Cincinnati/OH [1984]","2055":"Walter Serner: Über Denkmäler, Weiber und Laternen. Frühe Schriften. Serner: Das gesamte Werk, 1. München: Renner 1981","2056":"Adolf Loos Apartment and Gallery, Auction Catalogue Evening Sale Prague, 24. April 2013","2058":"Oskar Kokoschka: Thomas Paine oder der soziale Staat, 1934. In: Kat. Ausst. 1994/95 Bielefeld, S. 229-232 [Bisher unveröffentliches Typoskript aus dem Jahre 1934]","2059":"Remigius Netzer: Auf dem Weg zur Moderne. München: Lambert Müller 1966","2060":"Eve Kovács: Un chef-d'oeuvre de jeunesse d'Oscar Kokoschka. In: Bulletin du Musée National Hongrois des Beaux-Arts, Budapest, Nr. 18, 1961","2061":"Bruno Grimschitz: Österreichische Maler vom Biedermeier zur Moderne. Wien: Wolfrum 1963 ","2062":"Frank Herrmann: Selected paintings at the Norton Simon Museum, Pasadena, California. London, New York 1980","2064":"Sotheby Parke Bernet & Co., Catalogue of important Impressionist and modern paintings and sculpture, 28. Juni 1978","2065":"August Forel: Rückblick auf mein Leben. Prag, Zürich: Büchergilde Gutenberg 1935","2066":"Ooghoogte. Eye level. Stedelijk Van Abbemuseum 1936-1986. Deel 1. 2. Eindhoven 1986, Deel 2","2067":"Anna Müller-Härlin: Rebellious and supportive. The collector Michael Croft and artists in exile in Great Britain. In: Andew Chandler [u.a.] (Hrsg.): Exile and Patronage.Cross-cultural negotiation beyond the Third Reich. Berlin [u.a.]: LIT-Verlag 2006, (Mittel- und Ostmitteleuropastudien; 3)","2068":"Sotheby Parke Bernet, New York, German Expressionist & related European paintings, drawings, sculptures, prints, 16. Mai 1979","2069":"Rudolf Pillep: Deutsche Bildniskunst des 20. Jahrhunderts. Hrsg. vom Zentralhaus für Kulturarbeit Leipzig. Leipzig 1965 ","2070":"Hans Tietze: Die Moderne Galerie in Wien. In: Kunst und Künstler, Berlin, Jg. 27, 1928/29, H. 12, Sept. 1929","2071":"Anton Faistauer: Neue Malerei in Österreich. Betrachtungen eines Malers. Zürich [u.a.]: Amalthea-Verlag 1923","2072":"Stuttgarter Kunstkabinett, 8. Auktion,10./12. Mai 1950","2073":"Dorotheum, Wien, 555. Kunstauktion, 13.-16. März 1962","2074":"Harald Sterk: Bilder österreichischer Landschaft. Der Wandel unserer Umwelt in der Gegenüberstellung von malerischer und photographischer Interpretation. Wien [u.a.]: Molden 1980","2075":"Erwerbungen 1956-1980. Für Erich Egg zum 60. Geburtstag. Hrsg. von Gert Ammann. Innsbruck: Tiroler Landesmuseum Ferdinandeum, Tiroler Landeskundliches Museum 1980","2076":"Eva Kovács: Ein Hauptwerk aus der Jugendzeit Oskar Kokoschkas im Museum der Bildenden Künste in Budapest. In: Alte und moderne Kunst, Wien, Jg. 9, 1964, H. 74, Mai/Juni","2077":"Galleria d'arte moderna Farsetti, Prato, Auktion, 30. Nov. 1991","2078":"Felix Henseleit (Hrsg.): Schatzkammer Berlin. Blick auf Bauwerke und Denkmäler, Streifzüge durch Museen, Galerien, Sammlungen und Archive. Berlin: A. Springer 1966","2079":"Leopold-Hoesch-Museum der Stadt Düren. Moderne Kunst: Katalog des Eigenbesitzes. Düren 1955","2080":"Christie's London,Impressionist and Modern Paintings and Sculpture, 4. Dez. 1990","2081":"Elsie Altmann-Loos: Adolf Loos - der Mensch. Wien 1968","2082":"Georg Schmidt: Die Malerei in Deutschland 1900--1918. Königstein/Taunus: Langewiesche 1959. (Die blauen Bücher)","2083":"Museum Notes. Rhode Island School of Design, Providence/RI 1955","2084":"Sotheby & Co., London, Catalogue of Important Impressionist and Modern Drawings, Paintings and Sculpture Part II, 6. Juli 1960","2085":"Ursula Saß: Das Freiburger Münster aus der Sicht prominenter Besucher. Lindenberg : Kunstverl. J. Fink 2010","2086":"Sven Simon und Wolfgang Fischer: Der Maler und sein Modell. Im Auftrag von Quick malt Oskar Kokoschka den Alt-Bundeskanzler Konrad Adenauer. In: Quick, München, Jg. 19, Nr. 18, 1. Mai 1966, S. 18-21","2087":"Klaus D. Lehmann und Deutsche Bibliothek Frankfurt/Main (Hrsg.): Deutsches Exil-Archiv 1933-1945. Katalog der Bücher und Broschüren. Stuttgart: Metzler 1989. (Sonderveröffentlichungen der Deutschen Bibliothek; 16)","2088":"R. N. Ketterer, Campione d'Italia, Moderne Kunst, Bd. 6, 1969","2089":"Erwerbungen der Jahre 1961-1965. Bremen: Kunsthalle Bremen 1965","2090":"Ursula von Mangoldt: Auf der Schwelle zwischen Gestern und Morgen: Begegnungen und Erlebnisse. Weilheim: Barth 1963","2091":"Jan M. Tomes: Oskar Kokoschka. Prag: Odeon 1988. (Malá galerie; 40)","2092":"Roman N. Ketterer: Dialoge. [Bd. 1.]: Bildende Kunst, Kunsthandel. [Bd. 2.]: Stuttgarter Kunstkabinett, Moderne Kunst. Stuttgart, Zürich: Belser 1988","2093":"Erwin Rieger (Hrsg.): Ewiges Österreich. Ein Spiegel seiner Kultur. Wien: Manz 1928","2094":"Hans Bisanz: Oskar Kokoschka. In: Christian Brandstätter (Hrsg.): Wien 1900. Kunst und Kultur. Fokus der europäischen Moderne. München: dtv-Verlag 2005","2095":"Annegret Janda und Jörn Grabowski (Hrsg.): Kunst in Deutschland 1905-1937. Die verlorene Sammlung der Nationalgalerie im ehemaligen Kronprinzenpalais. Dokumentation. Katalogbuch zur Ausstellung 1992 Berlin. (Bilderheft der Staatlichen Museen zu Berlin; 70/72)","2096":"Eberhard Roters: Europäische Expressionisten. Gütersloh 1971 ","2097":"Erwin Melchart: Das 'Millionenbild'.In: Neue Kronen-Zeitung, Wien, 22.2.1976","2098":"Ivan Fenjö: OK: Die frühe Graphik. Hrsg. von Reinhold Graf Bethusy-Huc. Wien: Euro Art 1976 ","2099":"E. M. Cioran: Über Deutschland. Aufsätze aus den Jahren 1931-1937. Berlin: Suhrkamp 2011.","2100":"Richard Hamann: Geschichte der Kunst, von der altchristlichen Zeit bis zur Gegenwart. Berlin: Knaur 1933 ","2101":"Eckart von Sydow: Moderne Kunst aus Leipziger Privatbesitz. (Zur Ausstellung im Leipziger Kunstverein). In: Der Cicerone, Leipzig, Jg. 14, 1922, H. 9","2102":"Heinz Spielmann: 'Ecce Homines'. Oskar Kokoschkas Darstellungen des Gekreuzigten. In: Kunstgeschichte und Gegenwart. 23 Beiträge für Georg Kauffmann zum 70. Geburtstag. München [u.a.] 1994 (Zeitschrift für Kunstgeschichte ; Bd. 57 = 1994, H. 3)","2103":"Kristian Sotriffer (Hrsg.): Der Kunst ihre Freiheit. Wege der österreichischen Moderne von 1880 bis zur Gegenwart. Wien: Ed. Tusch 1984","2104":"Sotheby Parke Bernet & Co., Impressionist and modern Paintings and Sculpture, 16. April 1975","2105":"Richard Cork: Kokoschka (1886-1980) - Die Windsbraut (1914). In: Edwin Mullins (Hrsg.): 100 Meisterwerke aus den großen Museen der Welt. Köln 1983","2107":"Fritz Karpfen: Österreichische Kunst. Leipzig, Wien: Literaria-Verlag 1923. (Karpfen: Gegenwartskunst; 3) ","2109":"Galerie Koller, Zürich, Gemälde, Moderne Graphik und Plastiken, Helvetica, Bücher, Alte Graphik, Auktion 57/2, 29./30. Nov. 1985","2110":"Gerd Gruber: Kulturbund und bildende Künstler im Exil. In: Kat. Ausst. 1985 Wittenberg","2111":"Rudolf Kaiser: Kokoschkas Selbstportrait. In: März, München, Jg. 7, H. 30, 26. Juli 1913","2112":"Katalog der Gemälde des 20. Jahrhunderts, die älteren Generationen bis 1915 im Wallraf-Richartz-Museum - mit Teilen der Sammlung Ludwig - und im Kunstgewerbemuseum. Bearb. von Evelyn Weiss. Köln 1974","2113":"Hans W. Grohn: Aus den Galerien: Oskar Kokoschka: Dresden Neustadt, 1922. In: Westermanns Monatshefte, Braunschweig, Jg. 1968, H. 9","2114":"R. von Enderes: Künstlernachwuchs. Zur jüngsten Ausstellung des Hagenbundes. In: Ostdeutsche Rundschau, Wien, Jg. 18, 1911, Nr. 32, 9. Feb.","2115":"Georg Kreis: 'Entartete Kunst' in Basel. Eine Chronik außerordentlicher Ankäufe im Jahre 1939. In: Basler Zeitschrift für Geschichte und Altertumskunde, Bd. 78, 1978","2116":"Hans M. Wingler: Kokoschka. In: Kindlers Malerei-Lexikon im DTV. 15 Bde. München: Dt. Taschenbuch-Verlag 1976; Bd. 7","2117":"Heinz Spielmann: Oskar Kokoschkas Ansicht des Genfer Sees von 1923. In: Guratzsch 1993 a","2118":"Hélène Roussel: Die emigrierten deutschen Künstler in Frankreich und der Freie Künstlerbund. In: Thomas Koebner [u.a.] (Hrsg.):Erinnerungen ans Exil - kritische Lekrüre der Autobiographien nach 1933 und andere Themen. München 1984. (Exilforschung. Ein internationales Jahrbuch; 2)","2119":"Georges Boudaille: Expressionists. Paris, New York: Alpine Fine Arts Collection 1981","2120":"Felix A. Baumann: Oskar Kokoschka. Liebespaar mit Katze. In: Schätze aus Museen und Sammlungen in Zürich. Zürich 1969","2121":"Fritz Baumgart: Die Kunst unserer Zeit. Verständnis und Mißverständnis der modernen Kunst. Das Weltbild der neuen Malerei. Kunst und Lebensform. Düsseldorf: Diederichs 1953","2122":"Atlantis, Zürich, Jg. 27, 1955, H. 3, März","2123":"Rosa J. H. Berland: Expressionist death images and the feminine other: Oskar Kokoschka’s 'Mörder Hoffnung der Frauen' (1907) and Hugo von Hofmannsthal’s 'Elektra' (1903). In: Adriana Teodorescu (Hrsg.): Death Representations in Literature. Forms and Theories. Cambridge: Scholars Publ. 2015","2124":"Else Lowitzer-Hönig: Die frühen Porträts von Oskar Kokoschka. Studien zu den Einzelbildnissen von 1906 bis 1925. Ein bisher unbekanntes Porträt. Wien: Univ. Dipl.-Arb. 2008","2125":"Mateusz Mayer: Oskar Kokoschka - der Oberwildling und das pathetische Faltentheater der Frau. In: Kat. Ausst. 2015/16 Wien","2126":"Jan Lauts: Meisterwerke der Staatlichen Kunsthalle Karlsruhe. Honnef 1968","2127":"John A. Thwaites: Personalismus in der Malerei. Oskar Kokoschka. In: Das Kunstwerk, Baden-Baden, Jg. 5, 1951, H. 3","2128":"Ernest Rathenau (Hrsg.): Der Zeichner Kokoschka. Vorwort von Paul Westheim. New York: Rathenau 1961. [Engl. Ausg. u. d. T.: Kokoschka: Drawings, London: Thames & Hudson 1962]","2129":"Richard Calvocoressi: Kokoschka's Highland journey. In: The Burlington magazine, London, Bd. 129, Nr. 1009, April 1987 (s. Calvocoressi 1986)","2130":"Marquard Smith: The erotic doll. A modern fetish. New Haven [u.a.]: Yale Univ. Press 2013","2131":"Prominentenalmanach. Hrsg. von Oskar Friedmann. Bd. 1. Wien, Leipzig 1930, S. 297 mit Portraitfoto ","2132":"Hans Geller und Erhard Bunkowsky (Hrsg.): 150 Jahre deutsche Landschaftsmalerei. Ihre Entwicklung von 1800 bis zur Gegenwart. Erfurt: Gebr. Richter 1951","2133":"Mary R. Beaumont: Varieties of expressionism. In: Art international, Bd. 29, Nr. 13, Winter 1990","2134":"Sotheby Parke Bernet & Co., Impressionist and modern paintings and sculpture, Part 2, 27. Juni 1984","2135":"Wolfgang Born: Wiedersehen mit Oskar Kokoschka in Wien. In: Neues Wiener Journal, Wien, Nr. 14.319, 1. Oktober1933 [Wiederveröffentlicht in: Eckart Früh: Ich - der bessere Österreicher. Gespräche mit Adolf Loos und Oskar Kokoschka. In: Noch mehr, April 1994, S. 10-11]","2136":"Meisterwerke der Staatlichen Kunsthalle Karlsruhe. Bearb von Jan Lauts. Honnef 1957","2137":"Berichte aus den rheinischen Museen : Leopold-Hoesch-Museum der Stadt Düren. In: Wallraf-Richartz-Jahrbuch, Köln, Bd. 21, 1959","2138":"Peter Becher und Sigrid Canz: Drehscheibe Prag. Deutsche Emigranten 1933-1939. München: Adalbert-Stifter-Verein 1989","2139":"R. N. Ketterer, Campione d'Italia, Moderne Kunst Bd. 4, Ausgewählte Werke aus den Beständen meiner Galerie, 1967","2140":"Speculum Artis, 3, 1962","2142":"American Artist, Bd. 16, Nr. 3, März 1952","2143":"Sotheby & Co., London, Catalogue of Impressionist and Modern Paintings, Drawings and Sculpture, 5. Dez. 1962 ","2144":"Philippe Monsel (Hrsg.): Kokokschka 1886-1980. Paris: Ed. Cercle d'art 1995","2145":"Kunst fürs 20er Haus. Aus der Sammlung des 20. Jahrhunderts der Österreichischen Galerie Belvedere. Hrsg. von Gerbert Frodl und Adolf Kirschanitz. Katalogbuch zur Ausstellung, Wien, 20er Haus, Österreichische Galerie Belvedere, 4. Feb.-21. Mai 2006.","2146":"Diedrich Roskamp: Neuerwerbungen der Kunsthalle. Gemälde. In: Jahrbuch der Hamburger Kunstsammlungen, Bd. 2, 1952","2147":"Hans Hildebrandt: Deutschlands Verlust an künstlerischer Kraft durch Auswanderung. In: Kunst, München, Jg. 1, 1948","2148":"Smaranda Roşu: Kokoschka. Bukarest: Ed. Meridiane 1976. (Maestrii artei universale)","2149":"Diether Schmidt: Ich war, ich bin, ich werde sein! Selbstbildnisse deutscher Künstler des 20. Jahrhunderts. Berlin: Henschel 1968","2150":"Paul Graupe, Berlin. Deutsche und französische Meister des 19. und 20. Jahrhunderts. Gemälde, Handzeichnungen, Plastik aus Berliner und Breslauer Privatbesitz. Ausstellung 5. - 11. Nov. 1930, Versteigerung 13. Nov. 1930","2151":"Bonnie Roos: Oskar Kokoschka's Sex Toy. The Women and the doll who conceived the artist. In: Modernism/modernity,The Johns-Hopkins Univ. Press, Bd. 11, Nr. 2, April 2005","2152":"Agnes Matthias: Landschaften im Spätwerk Kokoschkas. In: Kat. Ausst. 2011 Dresden","2153":"Sylvia Schmidt: Bernhard Koehler - ein Mäzen und Sammler August Mackes und der Künstler des 'Blauen Reiter'. In: Sammler der frühen Moderne in Berlin. Berlin 1988 (Zeitschrift des Deutschen Vereins für Kunstwissenschaft; Bd. 42, H. 3)","2154":"Ludwig Justi: Neue Kunst. In: Mosse-Almanach 1921, Berlin Mosse 1921","2156":"Katharina Erling: Nature expresses itself most clearly and naturally in animals. On the Animals in Kokoschka's Paintings. In: Kat. Ausst. 2013 Rotterdam","2157":"Cordula Frowein: The Exhibition of 20th Century German Art in London 1938 - eine Antwort auf die Ausstellung 'Entartete Kunst' in München 1937. In: Thomas Koebner [u.a.] (Hrsg.): Erinnerungen ans Exil - kritische Lektüre der Autobiographien nach 1933 und andere Themen. München: Ed. Text + Kritik 1984 (Exilforschung. Ein Internationales Jahrbuch; 2)","2158":"John Russell: Oskar Kokoschka. The stormy career of a major expressionist painter of our time. In: Bernier 1957","2159":"Walter Serner: Wiener Kunstbrief: X. In: Karlsbader Zeitung, Karlsbad, Jg. 25, 1911, Nr. 7, 12. Feb., S. 1-4.","2160":"The Art Quarterly, Detroit, Bd. 26, 1963, Nr. 2","2161":"XX. századi müvészet: Szépmüvészeti Múzeum Budapest. Bearb. von Krisztina Passuth und Dénes Pataky. Budapest: Corvina Kiadó 1978; [Engl. Ausg. u. d. T.: Twentieth century art, Budapest 1978]","2162":"Keith Holz: Recasting exiled artists´ groups as transnational diasporic communities. In: Dogramaci/Wimmer 2011","2163":"Oskar Kokoschka: Ansuchen an den Haager Schiedsgerichthof, 1938. In: Kat. Ausst. 1994/95 Bielefeld, S. 239-241 [Bisher unveröffentlichten Typoskript, März 1938]","2164":"Wolfgang Born: Neue Bilder von Oskar Kokoschka. In: Deutsche Kunst und Dekoration,Darmstadt, Bd. 67, 1930/31, H. 2, Nov. 1930","2165":"Dorle Meyer: Doppelbegabung im Expressionismus. Zur Beziehung von Kunst und Literatur bei Oskar Kokoschka und Ludwig Meidner. Göttingen: Uni.-Verlag 2013","2166":"Max Sauerlandt: Die Kunst der letzten 30 Jahre. Hrsg. von Harald Busch. Berlin: Rembrandt-Verlag 1935","2167":"Der Querschnitt, Düsseldorf, Sommerheft 1922","2168":"Berichte aus rheinischen Museen: Wallraf-Richartz-Museum Köln. In: Wallraf-Richartz-Jahrbuch, Bd. 21, 1959","2169":"Hellmuth Karasek: Briefe bewegen die Welt. Kunst und Kultur. Kempen [u.a.]: teNeues 2012","2170":"Das Liebespaar in der Kunst (I). In: Das Schönste, München, 1958, Nr. 6, Juni","2172":"Ernst Schremmer: Kosmos und Humanität. Oskar Kokoschka zum fünfundsiebzigsten Geburtstag und zu seinen böhmischen Bildern. In: Sudetenland, Jg. 3, 1961, H. 1","2173":"Rudolf Wacker und Zeitgenossen. Expressionismus und neue Sachlichkeit. Hrsg. von Rudolf Sagmeister Katalogbuch zur Ausstellung im Kunstverein Bregenz 1993. Bregenz: Bregenzer Kunstverein 1993","2174":"Pier C. Santini (Hrsg.): Il paesaggio nella pittura contemporanea. A cura di Pier C. Santini. - Mailand: Electa Ed. [1971]. [Engl. Ausg. u. d. T.: Modern landscape painting, London: Phaidon Press 1972]","2175":"Christie's New York, Impressionist and Modern Paintings and Sculpture Part II, 9. Mai 1991","2176":"Bedeutende Stiftung für die Stuttgarter Staatsgalerie. In: Eßlinger Zeitung, Eßlingen, Nr. 6, März 1971","2177":"Renate Mühringer: Kokoschkas Oeuvre während der Zeit der 'Schule des Sehens'. Rezeptionsgeschichte von 1953-1963. Salzburg, Univ. Dipl.-Arb. 2004","2178":"Museum Behnhaus. Das Haus und seine Räume. Malerei, Skulptur, Kunsthandwerk. Lübeck 1976","2179":"Weltkunst, München, Jg. 26, 1956, H. 18, 15. Sept.","2180":"Kunst und Unterricht, Berlin, Dez. 1983","2181":"Sotheby Parke Bernet & Co., Impressionist and Modern Paintings and Sculpture, 29. Nov. 1972","2182":"Régine Bonnefoit: Kokoschkas Sturm-Jahre (1910-1916). Vom Wiener 'Oberwildling' zur Berliner 'Primadonna'. In: Kat. Ausst. 2012 Wuppertal, Bd. 2","2183":"John Canney: Kokoschka-Bibliographie. New York: Univ. of NYC, College of Liberal Arts and Science, Mag.-Arb.1971","2184":"Harald Seiler: Niedersächsische Landesgalerie Hannover. Köln 1969","2185":"Ludwig Justi: Von Corinth bis Klee. Deutsche Malkunst im 19. und 20. Jahrhundert. Ein Gang durch die National-Galerie. Berlin: Bard 1931","2186":"Veronica Lawson und Elaine Wainwright: Through feminist biblical eyes. In: Kat. Ausst. 1998 Melbourne","2187":"Family art game. (Detroit Institute of Arts advertising supplement.) In: Detroit News / Detroit Free Press, 18. April 1982","2188":"Oskar Kokoschka: Lebensgeschichte. In: Rathenau 1935","2189":"Oskar Kokoschka: Politische Äußerungen. Hrsg. von Heinz Spielmann. Hamburg: Christians 1976. (Kokoschka: Das schriftliche Werk; 4) ","2190":"Peter Krieger und Gabriele Heidecker (Hrsg.): Meisterwerke des Expressionismus aus Berliner Museen. Berlin: Frölich & Kaufmann 1982","2191":"Paul Requadt: Unbürgerliche Dichterporträts des Expressionismus. Würzburg: Königshausen + Neumann 1985","2192":"Hans Mersmann: Die moderne Musik seit der Romantik. Wildpark-Potsdam: Athenaion 1927. (Handbuch der Musikwissenschaft; 2)","2193":"Richard Calvocoressi: Kokoschka. Paintings. Barcelona: Ed. Polígrafa 1992. [Dt. Ausg. u. d. T.: Kokoschka, Recklinghausen: Bongers 1992]","2194":"Régine Bonnefoit: I paint portraits because I'm good at it. The Human Image in Kokoschka's Work. In: Kat. Ausst. 2013 Rotterdam","2195":"Kurt Martin: Oskar Kokoschka. Die Auswanderer. In: Kunstwerke der Welt aus dem öffentlichen bayerischen Kunstbesitz. Bd.5, München 1965","2196":"Die Nationalgalerie Berlin. Bearb. von Dieter Honisch. Recklinghausen: Bongers 1979","2197":"Paul Westheim: Kokoschka, der Zeichner. Eine Studie. In: Das Kunstblatt, Potsdam, Berlin, Jg. 5, 1921, H. 11, S. 321-337","2198":"Staatliche Museen zu Berlin, National-Galerie: Gemälde des 20. Jahrhunderts. Bearb. von Friedegund Weidemann und Roland März. Berlin: Akademie-Verl. 1976","2199":"Fritz Schmalenbach: Oskar Kokoschka. Königstein/Taunus: Langewiesche 1967. (Die blauen Bücher). [Am. Ausg. Greenwich/CT: NY Graphic Society 1967]","2200":"Thelma Stockho: Recent accessions of modern European art. In: Bulletin of the City Art Museum of Saint Louis, Saint Louis/MO, Bd. 27, 1942, Nr. 3/4, Dez.","2201":"Paul Westheim (Hrsg.): Künstlerbekenntnisse. Briefe, Tagebuchblätter, Betrachtungen heutiger Künstler. Berlin: Propyläen-Verlag [1925]","2203":"Ernest Rathenau (Hrsg.): Oskar Kokoschka. Handzeichnungen 1906-1965. Mit einem Vorwort von Rathenau unter Mitwirkung des Künstlers. New York: Rathenau; Hamburg: Hauswedell [in Komm.] 1966. [Am. Ausg. u. d. T.: Oskar Kokoschka: Drawings 1906-1965, Coral Gables/ FL: Univ. of Miami Press 1970]","2204":"Heike Biedermann: Kokoschka in Dresdner Privatsammlungen. In: Kat. Ausst. 1996 Dresden","2205":"Walter Kasten: Oskar Kokoschka. Freunde (1917-1918). [Beitrag 48]. In: Notring-Jahrbuch / Notring der Wissenschaftlichen Verbände Österreichs, Wien 1967","2206":"Kunsthaus Lempertz, Köln, Auktion 738, Moderne Kunst, 7. Dez. 1996","2207":"Joseph P.Hodin: Kokoschka's reminiscences of Masaryk. In: The Central European Observer, London, 18. Januar 1946","2208":"Aus den Ankäufen der Gemeinde Wien. In: Österreichische Kunst, Wien, Jg. 3, 1932, H. 12, Dez.","2209":"Ludwig von Ficker: Briefwechsel 1914-1925. Hrsg. von Ignaz Zangerle [u.a.]. Innsbruck: Haymon-Verlag 1988","2210":"Viktor Matejka: Geschichten aus Kokoschkanien. Kleiner Beitrag zum Wachstum einer Raufliebe. In: Tagebuch, Wien, April 1961","2212":"Austria Profil, Wien 1960","2213":"Hamburger Kunsthalle. Hrsg. von Werner Hofmann. München 1985","2214":"Patrick Werkner: Die Wiener Moderne und ihre Künstler. In: Kat. Ausst. 2001/02 New York, Neue Galerie","2215":"Magdalena M. Moeller (Hrsg.): Expressionismus. Die große Künstlerbewegung der Moderne. Köln: DuMont 2005","2216":"Lorenz Dittmann: Weltbilder moderner Kunst. Werke von Kandinsky, Klee, Beckmann, Mondrian, Kokoschka im Licht phänomenologischer Philosophien. Köln [u.a.]: Böhlau 2013. (Studien zur Kunst; 26)","2217":"Claudia Maurer Zenck: Maler, Dichter, Komponist: 'Orpheus und Eurydike' von Oskar Kokoschka und Ernst Krenek. In: Claudia Maurer Zenck (Hrsg.): Der Orpheus-Mythos von der Antike bis zur Gegenwart [Vorträge der interdisziplinären Ringvorlesung an der Universität Hamburg, Sommersemester 2003]. Frankfurt/Main, Wien [u.a.]: Lang 2004 (Hamburger Jahrbuch für Musikwissenschaft; 21)","2218":"Hans J. Neidhardt: Dresden wie es Maler sahen. Frankfurt/Main: Weidlich 1983","2219":"Aus rheinischen Museen und Kunstausstellungen. In: Zeitschrift für bildende Kunst, Leipzig, Jg. 58, Monatsrundschau, H. 3/4, August 1924","2220":"Hans Tietze: Lebendige Kunstwissenschaft. Zur Krise der Kunst und der Kunstgeschichte. Wien: Krystall-Verlag 1925 ","2221":"Jill Lloyd: Internationale Trends in der österreichischen Kunst und der Fall Herbert Boeckl. In: Agnes Husslein-Arco (Hrsg.): Herbert Boeckl. Retrospektive. Katalogbuch zur Ausstellung, Wien, Belvedere, 21. Okt. 2009-31. Jan. 2010","2222":"Wieland Schmied: Der Stachel im Fleisch. Konfrontation und Kontinuitäten. In: Kat. Ausst. 2006 Klosterneuburg","2223":"Felix Billeter: Oskar Kokoschka: Mädchen mit Halskette. In: Kat. Ausst. 1998 Wien, Kunstforum","2224":"Paul Schumann: Ausstellung der Akademie zu Dresden 1927. In: Die Kunst, München, Bd. 56, 1927)","2225":"Carl Moll: Mein Leben. Typoskript. Wien 1943, S. 177 (zit. In: Carl Moll. Salzburg: Verlag Galerie Welz 1985)","2226":"Sven Simon und Wolfgang Fischer: Wie finden Sie sich, Herr Adenauer? Oskar Kokoschka vollendete das Bild des Alt- Bundeskanzlers. Er malte Adenauer im Auftrag von Quick für den Bundestag. In: Quick, München, Jg. 19, Nr. 19, 8. Mai 1966, S. 22-28","2227":"Harald Sterk: Bilder österreichischer Städte. Der Wandel unserer Umwelt in der Gegenüberstellung von malerischer und photographischer Interpretation. Wien [u.a]: Molden 1981","2228":"Heinz Spielmann: Die Maler der 'Brücke' und Oskar Kokoschka. In: Frodl/Natter 1997","2229":"Erika Patka: Zur Entstehung des Oskar-Kokoschka-Zentrums. In: Werkner 1998a, S. 6-8","2230":"Anna Bella, Mailand, Jg. 39, 1971, Nr. 10/11, 16. März","2231":"Sotheby's London, Impressionist and Modern Art – Day Sale, 4. Febr. 2016","2232":"Paul Stefan: Oskar Kokoschka. In: Kokoschka 1913","2233":"Bernard S. Myers: Malerei des Expressionismus. Eine Generation im Aufbruch. Köln: DuMont Schauberg 1957. [Am. Originalausg. u. d. T.: The German expressionists. A generation in revolt, New York: Praeger 1957]","2234":"G. H. Dorr: Catalogue [of the Putnam Dana McMillan Collection]. In: The Minneapolis Institute of Arts Bulletin, Bd. 50, Nr. 4, Dez. 1961","2235":"Sotheby's New York, Impressionist and Modern Paintings and Sculpture Part II,10. Mai 1989","2236":"Handbuch des Kunstmarktes. Kunstadressbuch für das Deutsche Reich, Danzig und Deutsch-Österreich. Vorwort von Max Osborn. Berlin: Antiqua 1926","2237":"R. N. Ketterer, Campione d'Italia, Neuerwerbungen und ausgewählte Werke aus Katalog Moderne Kunst, Bd. 8, 1972","2238":"Stephan Koldehoff: Die Bilder sind unter uns. Das Geschäft mit der NS-Raubkunst. Frankfurt/Main: Eichborn 2009.","2239":"Tuileries Gardens, Paris, purchased by Portland Art Museum. In: Architect and engineer, San Francisco/CA, Bd. 167, Okt. 1946","2240":"Die neue Bücherschau, Berlin, 6. Jg., 4. Folge, 1. Schrift, 1926","2241":"Galerie und Auktionshaus Hassfurther, 25 Jahre Hassfurther-Jubiläums-Auktion, 27. Mai 2004","2242":"Joseph P. Hodin: The dilemma of being modern. Essays on art and literature. London: Routledge & Paul 1956 ","2243":"Rainer Fuchs: Apologie und Diffamierung des österreichischen Expressionismus. Begriffs- und Rezeptionsgeschichte der österreichischen Malerei 1908 bis 1938. Wien: Böhlau 1991","2244":"Paul Westheim: Oskar Kokoschka. In: Das Kunstblatt, Weimar, Jg. 1, 1917, H. 10","2245":"Jaroslaw Leshko: Oskar Kokoschka`s 'The Tempest'. In: Arts Magazine, New York, Bd. 52, Nr. 5, Jan. 1978","2246":"Hans Bisanz: Oskar Kokoschka. Från den 'heliga' till den vilda våren. In: Kat. Ausst. 1991 Stockholm, S. 33-38","2247":"Karl Scheffler: Kokoschkas Landschaften. In: Kunst und Künstler, Berlin, Jg. 24, 1925/26, H. 4, Jan. 1926 [Rez. 1925 Berlin, Cassirer]","2248":"Oskar Kokoschka: [Das bin ich]. In: Reinhardt 1970, S. 146-168. [Teilweise nachgedruckt u. d. T. Städte malen, um sie zu retten. In: Art, Hamburg, Jg. 1980, H. 5, Mai, S. 40-51]","2249":"Anja Tiedemann: Die 'entartete' Moderne und ihr amerikanischer Markt. Karl Buchholz und Curt Valentin als Händler verfemter Kunst. Berlin: Akademie-Verl. 2013. (Schriften der Forschungsstelle 'Entartete Kunst'; 8)","2250":"P. Mitchell: European flower painting. London 1973","2251":"Werner Haftmann: Die Verschollene. Kokoschkas Bildnis der Bessie Loos. In: Frankfurter Allgemeine Zeitung, Frankfurt/Main, 1. März 1972","2252":"Alfred Kuhn: Oskar Kokoschka. Anläßlich seiner Ausstellung bei Paul Cassirer in Berlin. In: Kunstchronik und Kunstmarkt, Leipzig, Jg. 58 = N. F., 34, 1923, Nr. 31/32, 4./11. Mai, S. [599]-601. [Rez. 1923 Berlin, Cassirer]","2253":"Wilhelm Hausenstein: Die bildende Kunst der Gegenwart. Malerei, Plastik, Zeichnung. Stuttgart, Berlin [u.a.]: Dt. Verlags-Anstalt 1923","2254":"Olda Kokoschka: Individualismus - das war eigentlich seine Hauptidee. In: Du. Die Kunstzeitschrift, Zürich, Jg. 1981, H. 10, S. 46-47, 49. [Engl. Originalfassung vollständig in: Art world, New York, 5/9, 23. 5. 1981]","2255":"Zeitschrift für bildende Kunst, Leipzig, Jg. 58, 1924, H. 5/6, Oktober","2256":"Hans M. Wingler (Hrsg.): Oskar Kokoschka. Ein Lebensbild in zeitgenössischen Dokumenten. München: Langen-Müller 1956. (Langen-Müller's kleine Geschenkbücher; 56)","2257":"Sotheby Parke Bernet & Co., Impressionist and Modern Paintings, Drawings and Sculpture, 30. März 1966","2258":"Maurice Jean-Petit-Matile: Le Valais vu par les peintres. Lausanne: Edita 1985","2259":"Sotheby Parke Bernet & Co., Impressionist and Modern Paintings and Sculpture, 29. Juni 1983","2260":"Marie-Pierre Forni: Oskar Kokoschka et la musique. Paris: Institut d'Art et Archéologie, Sorbonne, Dipl.-Arb. 1984","2261":"Veronika Schroeder: Schwarz-Weiß in glühenden Farben. El Greco zwischen Avantgarde und Wissenschaft. In: Beat Wismer und Michael Scholz-Hänsel (Hrsg.):El Greco und der Streit der Moderne. Fruchtbare Missverständnisse und Widersprüche in seiner deutschen Rezeption zwischen 1888 und 1939. Berlin, München [u.a.]: De Gruyter 2015. [Sammelband des gleichnamigen internationalen Symposiums vom 21. bis 23. Juni 2012 in Düsseldorf (s. Kat. Ausst. 2012 Düsseldorf)]","2262":"Anton Webern : Weg und Gestalt. Selbstzeugnisse und Worte der Freunde. Zürich: Verlag der Arche 1961","2263":"Andrea Braunsteiner: Kokoschka: das Zwölf Millionen-Ding. In: Basta, Wien, Jg. 1991, Nr. 7/8, Juli/Aug., S. 165-166","2264":"Hermann Dannecker: Kokoschkas reiches Lebenswerk. In: Neue Württenbergische Zeitung, 27.3.1958","2265":"Werner J. Schweiger: Oskar Kokoschka: Der Sturm. Die Berliner Jahre 1910-1916. Eine Dokumentation. Wien, München: Brandstätter 1986. (Schriftenreihe der Oskar Kokoschka-Dokumentation Pöchlarn; 2)","2266":"Stephan Mann: 'Abbild der fernen Geliebten'. Die Zeichnungen der Puppe. In: Kat. Ausst. 1992 Frankfurt/Main, S. 51-54","2267":"Werner Gramberg: Bemerkungen zur Entstehung des Bildes. In: Stiftung zur Förderung der Hamburgischen Kunstsammlungen. Erwerbungen 1962, S. 26","2268":"Illustrated London News, 22. Sept. 1962","2269":"Galerie und Antiquariat für Kunst u. Wissenschaft Wolfdietrich Hassfurther, Wien, Kunst und Autographen des 19. und 20. Jahrhunderts, 31. März 1984","2270":"Weltkunst, München, Jg. 25, 1955, Nr. 4","2271":"Paul Cassirer, Berlin, Die Sammlung eines süddeutschen Kunstfreundes. Gemälde und Zeichnungen deutscher und franz. Meister des XIX. Jahrhunderts. Mit einem Vorw. von Emil Waldmann. Versteigerung, 3./4.3.1925 [= Slg. R. Zitzmann, Erlangen u.a.] \n","2272":"Dieter Gleisberg (Hrsg.): 150 Jahre Museum der Bildenden Künste Leipzig 1837-1987. Kat. Ausst. Leipzig, Museum der Bildenden Künste, 20.11.1987-31.1.1988","2273":"Art News Magazine, Dez. 1960","2274":"Ida Bienert: Kleine Erinnerungen. In: Hodin 1963a","2275":"Walter Kern: Die Intuition im Werke Kokoschkas. In: Neue Zürcher Zeitung, Zürich, Fernausgabe, Nr. 172, 25.6.1966, Bl. 19. [Rez. 1966 Zürich]","2276":"Verborgene Meisterwerke. R. & H. Batliner Art Foundation Vaduz. Hrsg. von Rudolf Koella und Felix Billeter. Wien: Brandstätter Verlag 2005.","2277":"Kokoschka portätiert Sir Stanley Unwin. In: Das Schönste, München, 1960, Nr. 11","2278":"Johann Muschik: Klassiker der modernen österreichischen Malerei. 3. Oskar Kokoschka - Durchleuchter der Seelen - Hymniker der Schönheit, geb. 1886. In: Österreichische Volkshochschule, Wien, Nr. 31, Dez. 1958","2279":"Stephen E. Bronner und Douglas Kellner (Hrsg.): Passion and rebellion. The expressionist heritage. London 1983","2281":"Gerhard Schön: Die Thermopylen Oskar Kokoschkas. Der Weg des Künstlers zu sich selbst. In: Rheinischer Merkur, Jg. 11, 1956 Nr. 9, S. 8","2282":"Ulrich Bischoff: Aus dem Gleichgewicht. Oskar Kokoschka und die zweite Naivität. In: Frodl/Natter 1997","2283":"The Chrysler Museum. Selections from the permanent collection. The Chrysler Museum of Art, Norfolk, VA. 1982","2284":"Jutta Hülsewig-Johnen: Sehen lernen - Bilder und Botschaften. Oskar Kokoschka in Prag und London 1934--1953. In: Kat. Ausst. 1994/95 Bielefeld, S. 13-25","2285":"Hans M. Wingler: Vom Kontinent her gesehen. Kokoschka, England und die englische Kunst. In: Offene Welt - Zeitschrift für Wirtschaft, Politik und Gesellschaft. Frankfurt/Main, Jg. 1955, H. 37","2286":"Johann Muschik: Variationen über Krieg und Frieden. Zu Oskar Kokoschkas 'Thermopylae'-Triptychon. In: Tagebuch, Wien, Jg. 10, 1955, Nr. 17, 27. Aug.","2287":"Inka Graeve: Freie Deutsche Kunst. In: Kat. Ausst. 1988/89 Berlin","2289":"Meisterwerke der Neuen Pinakothek, Staatsgalerie und Schackgalerie in München. Bearb. von Eberhard Hanfstaengl. München 1922","2290":"Mario-Andreas von Lüttichau: Rekonstruktion der Ausstellung 'Entartete Kunst'. München, 19. Juli - 30. Nov. 1937. In: Schuster 1988","2292":"Hans Kinkel: Quartett mit Höhepunkten. Kornfeld-Auktion in Bern. In: Frankfurter Allgemeine Zeitung, Frankfurt/Main, 4.Juni 1976","2293":"Painting and sculpture in the Museum of modern Art. A catalogue. New York 1958","2294":"Staatliche Museen zu Berlin - Hauptstadt der DDR / Berlin-Information. 'Schätze der Weltkultur'. Wegleitung. Berlin 1980","2295":"Will Grohmann: Die moderne Malerei in der Dresdner Gemälde-Galerie. In: Der Cicerone, Leipzig, Jg. 20, 1928, H. 5","2296":"Masters of modern art. Hrsg. von Alfred H. Barr, Jr. New York: The Museum of Modern Art 1954","2297":"Franz Grüner: Oskar Kokoschka. In: Die Fackel, Wien, Berlin, Jg. 12, Nr. 317/318, 28.2.1911","2298":"Federico Curti: Kokoschka. Novara: De Agostino 2001. (Galleria d'arte, 85). [Jap. Ausgabe 1999; engl. Ausgabe 2000]","2299":"Heinz Spielmann: Oskar Kokoschka und die Gemäldegalerie Alte Meister. In: Andreas Henning, Uta Neidhardt und Martin Roth (Hrsg.): Man könnt vom Paradies nicht angenehmer träumen. Festschrift für Prof. Dr. Harald Marx zum 15. Februar 2009. Berlin [u.a.]: Deutscher Kunstverlag [u.a.] 2009, S. 242-249.","2300":"Sheldon Cheney: A world history of art. New York 1937 ","2301":"Gerhard Jelinek: Affären, die die Welt bewegten. Ein Seitensprung durch die Geschichte. Salzburg: Ecowin 2011, S. 171-178","2302":"Hans Tietze: Ausstellung Jung-Wiener Künstler im Hagenbund. In: Fremdenblatt, Wien, Jg. 65, 1911, Nr. 41, 10. Feb., S. 21-22","2303":"Charles Wentinck: Moderne kunst in Noord- en Zuidnederlandse musea. Zeist, Antwerpen 1962","2304":"H[ans] Fr[iedeberger]: Ausstellungen - Berlin [Rez. 1916 Berlin, Secession]. In: Der Cicerone, Leipzig, Jg. 8, 1916, H. 3/4","2305":"Franz Kadrnoska (Hrsg.): Aufbruch und Untergang. Österreichische Kultur zwischen 1918 und 1938. Wien [u.a]: Europa-Verlag 1981","2306":"Klaus Brunner: Oskar Kokoschka 'Bildnis des Cellisten Pablo Casals'. Bildbetrachtung. In: Schweizer Schulfunk, Bern, Jg. 30, 1965, H. 4, 2. Feb.","2307":"Richard Schaukal: Oskar Kokoschka. In: Der Merker, Wien, Jg. 3, 1912, Nr. 21, 1. Novemberheft","2308":"Ernst Holzinger: Neue Erwerbungen des Folkwang-Museums. In: Museum der Gegenwart, Berlin, Jg. 3, 1932/33, H. 1, 2. Vierteljahr 1932","2309":"Villa Grisebach Auktionen, Berlin, Auktion Nr. 179, Ausgewählte Werke, 26. Nov. 2010","2310":"Alfred Werner: Kokoschka: modern old master. In: The Kenyon review, Gambier/OH, Bd. 28, 1966, Nr. 1, Jan.","2311":"Rupert Feuchtmüller: Schon wieder. Zwei unbekannte Kokoschkas. In: Morgen, Klosterneuburg, 1978, H. 4","2312":"Stuttgarter Kunstkabinett, Kunstwerke des 15. - 20. Jahrhunderts, darunter Sammlung Nell Walden (Der Sturm) 20. Auktion, Teil 2, 25./26. Nov. 1954","2314":"Leopold-Museum Wien. Österreichische Kunst des 19. und 20. Jahrhunderts. Hrsg. von Sandra Tretter. München, Berlin [u.a.]: Prestel 2008.","2315":"Painting and sculpture in the Museum of Modern Art: 1929-1967. Bearb. von Alfred H. Barr, Jr. New York: The Museum of Modern Art 1977","2316":"Jörg Becker: Stadt - Land - Brücke: Überlegungen zu einigen Städtebildern Radziwills und Kokoschkas. In: Carolin Bahr und Gora Jain (Hrsg.):Zwischen Askese und Sinnlichkeit. Festschrift für Norbert Werner zum 60. Geburtstag. Giessener Beiträge zur Kunstgeschichte, Bd. 10, 1997","2317":"Berthold Hinz: Die Malerei im deutschen Faschismus. Kunst und Konterrevolution. München: Hanser 1974. (Kunstwissenschaftliche Untersuchungen des Ulmer Vereins für Kunstwissenschaft; 3) ","2318":"Erich Steingräber (Hrsg.): Große Gemäldegalerien. München 1980","2319":"Bernadette Reinhold: Im Kreis der Giganten. Herbert Boeckl und sein kulturpolitisches Engagement nach 1945. In: Agnes Husslein-Arco (Hrsg.): Herbert Boeckl. Retrospektive. Katalogbuch zur Ausstellung, Wien, Belvedere, 21. Okt. 2009-31. Jan. 2010, S. 269-279","2320":"Diether Schmidt: Partisan Oskar Kokoschka. In: Michael Nungesser (Hrsg.): Kunst im Exil in Großbritannien 1933-1945. Katalogbuch zur Ausstellung, Berlin, Orangerie, Schloss Charlottenburg, 10. Jan.-23. Feb. 1986","2321":"Münchner Jahrbuch der Bildenden Kunst, München, 3. Folge, Bd. III/IV, 1952/53, [Erwerbungsbericht der Staatsgemäldesammlungen 1951-1952]","2322":"N. N.: Ein zweiter Kokoschka für die Landesgalerie Hannover. In: Weltkunst, München, Jg. 31, 1961, Nr. 8","2323":"Max Sauerlandt: Die Kunst der letzten 30 Jahre. Eine Vorlesung aus dem Jahre 1933. Hamburg: Laatzen 1948","2324":"Der Cicerone, Leipzig, Jg. 17, 1925, H. 13 [Rez. 1925 Chemnitz]","2325":"Bernard S. Myers: Modern art in the making. New York [u.a.]: McGraw-Hill 1950","2326":"Hilde Zaloscer: Der Schrei. Signum einer Epoche. Das expressionistische Jahrhundert. Bildende Kunst, Lyrik und Prosa, Theater. Wien: Brandstätter 1985 ","2327":"Tate Gallery. An illustrated companion. Bearb. von Simon Wilson. London 1991","2328":"Wallraf-Richartz-Museum Köln. Führer durch die Gemäldegalerie. Köln 1957","2329":"Christie's London, Impressionist and Modern Paintings and Sculpture, 2. Dez. 1986","2330":"Otto Benesch: Collected writings. Bd. IV: German and Austrian Baroque art / Art of the 19th and 20th centuries / Museums and collections / Monument service / Theoretical writings on the history of art / Museology and art education / Musicology. London 1973","2331":"Johann Winkler: '... Ranking in importance with Picasso and Matisse.' The reception of the art of Oskar Kokoschka in the United States. In: Kat. Ausst. 2001 New York, S. 5-7","2332":"Claude Cernuschi: Oskar Kokoschka and Sigmund Freud: parallel logics in the exegetical and rhetorical strategies of expressionism and psychoanalysis. In: Word & Image, Bd. 15, Nr. 4, Okt./Dez. 1999. London: Taylor & Francis Ltd.","2333":"Walter Schultz-Dieckmann: Hoch über der Themse. Oskar Kokoschka malt ein neues großes London-Porträt. In: Hamburger Abendblatt, Jg. 1967, Nr. 121, 27./28. Mai, S. 13 mit Abb.","2334":"Mechtild Drathen: Kunst im Parlament. Ausgewählte Werke aus der Sammlung des Deutschen Bundestages. Köln: Wienand 1997","2335":"Sotheby's London,German and Austrian Art, 10. Okt. 2001","2336":"Die Linzer Donaubrücken. Festschrift zur Fertigstellung und Weihe der zweiten Linzer Donaubrücke im Dezember 1972. Linz: Oberösterreichische Landesverlag 1972","2337":"Thomas Trummer: Horizonte am Meer der Vorstellungen. Zur kryptotheologischen und lebensphilosophischen Konzeption von Kokoschkas frühen Porträts. In: Kat. Ausst. 2002 Hamburg [Text in engl. im Kat. Ausst. 2002 New York, Neue Galerie S. 36-42]","2338":"Karl Gruber: Zur Entstehung von Kokoschkas Forel-Bildnis. In: Mannheim heute, Mannheim, Jg. 1, 1949, H. 3, S. 1-3, Abb. S. 2; auch in: Das Kunstwerk, Jg. 5, 1950/51, H. 3, Nov./Dez. 1950, S. 60-61","2339":"Galerie Thomas, München. Werke aus der Sammlung Rheingarten und anderen Privatsammlungen. München: Galerie Thomas, Februar 1988","2340":"Barbara Wally (Hrsg.): Oskar Kokoschka in Salzburg. Die Gründung der Internationalen Sommerakademie für Bildende Kunst vor fünfzig Jahren. Salzburg: Verl. Galerie Welz 2003. Katalogbuch zur Ausstellung: Oskar Kokoschka und die Schule des Sehens. 50 Jahre Internationale Sommerakademie für Bildende Kunst in Salzburg, Residenzgalerie Salzburg, 9. Aug.-7. Sept. 2003","2341":"Robert Hoozee: Museum voor Schone Kunsten. Gent 1988","2342":"John K. Sherman: McMillan was as canny at purchasing art as wheat. In: Minneapolis Sunday Tribune, 10. Dez. 1961, Beilage: Picture Magazine","2343":"Christoph Zuschlag: 'Entartete Kunst'. Ausstellungsstrategien im Nazi-Deutschland. Worms/Rhein: Wernersche Verlagsgesellschaft 1995. Zzgl.: Heidelberg, Univ. Diss. 1991. (Heidelberger kunstgeschichtliche Abhandlungen, N.F.; 21)","2344":"Almut Krapf-Weiler: Eule und Löwe. Hans Tietze und Erica Tietze-Conrat - eine biographische Skizze. In: Belvedere, Zeitschrift für bildende Kunst, H. 1, 1999","2345":"Itzhak Goldberg: Sprechende Hände. In: Kat. Ausst. 2005/06 Paris (dt. Ausg.)","2346":"Sotheby's New York, Impressionist and Modern Art including Important Russian Paintings – Day Sale, 5. Nov. 2008","2347":"Heinz Spielmann: „Kokoschka-Fälschungen II. Verzeichnis der gefälschten, gefälscht signierten oder falsch zugeschriebenen Gemälde aus dem Archiv des Künstlers“. In: Sonderdruck aus der Weltkunst Nr. 3 vom 1. Februar 1982","2348":"Moderne Malerei vom Impressionismus bis zur Gegenwart. Hrsg. vom Cigaretten-Bilderdienst Altona-Bahrenfeld. [Hamburg] 1933 ","2350":"Jane Kallir: Arnold Schoenberg's Vienna. Katalogbuch zur Ausstellung 1984/85 New York","2351":"Das Tribunal, Darmstadt, Jg. 2, 1920, H. 2","2352":"Edward Lucie-Smith: Die großen Maler des 20. Jahrhunderts. Braunschweig: Westermann 1988 [Engl. Orig. Ausgabe u.d.T. Lives of the great twentieth century artist. London 1986, Farbtaf. S. [88]]","2353":"Hans Tietze: Oskar Kokoschka. Notice biographique et bibliographique. In: L'amour de l'art, Paris, Bd. 15, Okt. 1934","2354":"Keuze uit de verzameling van het Stedelijk Museum. Selection from the Stedelijk Museum Collections. Catalogus deel 1: Schilderijen, tekeningen, assamblages, plastiek. Hrsg. von Stedelijk Museum Amsterdam. Amsterdam 1970","2355":"Kurt Herberts: Offenbarungen in der Malerei des 20. Jahrhunderts. Düsseldorf, Wien: Econ-Verlag 1966","2356":"10 Jahre Kunsthandel in Düsseldorf: Sept. 1951-1961. Galerie Wilhelm Grosshennig, Düsseldorf. Düsseldorf 1961","2357":"'So sind Menschen'. Kokoschkas Kreuzigung in St. Nikolai. Mit Beiträgen von Ivo von Trotha, Wolfgang Weißbach, Hans-Otto Wölber, Axel Hecht. Hamburg 1987 ","2358":"Paul Raabe (Hrsg.): Index Expressionismus. Bibliographie der Beiträge in den Zeitschriften und Jahrbüchern des literarischen Expressionismus. 1910-1925. 18 Bde. Nendeln: Kraus-Thomson 1972","2359":"Thomas Zaunschirm: Oskar Kokoschka. In: Jochen Jung (Hrsg.): Österreichische Porträts. Leben und Werk bedeutender Persönlichkeiten von Maria Theresia bis Ingeborg Bachmann. Bd. 2. Salzburg: Residenz-Verlag 1985","2360":"Michelangelo Masciotta: Le ultime pitture di Kokoschka. In: Il mondo europeo, Rom, Florenz, 1947, Nr. 46, 1. Juli","2361":"Christoph Bertsch: Das Ich ist unrettbar. Selbstbildnisse österreichischer Künstler zwischen den beiden Weltkriegen. In: Bertsch/Neuwirth 1993","2362":"Die Kunst, München, Bd. 49, Jg. 25, 1923/24 = Die Kunst für alle, Bd. 39, 1924","2363":"Museum Ludwig Köln. Gemälde, Skulpturen, Environments vom Expressionismus bis zur Gegenwart. Bd.1 und Bd. 2. Hrsg. von Siegfried Gohr, bearb. von Evelyn Weiss und Gerhard Kolberg. München: Prestel 1986","2364":"Rahel E. Feilchenfeldt und Thomas Raff (Hrsg.): Ein Fest der Künste. Paul Cassirer – der Kunsthändler als Verleger. Katalogbuch zur Ausstellung, Berlin, Max-Liebermann-Haus, 17. Feb.- 21. Mai 2006. München: Beck-Verlag 2006.","2365":"Detroit Institute of Arts Bulletin, Detroit/TX, Bd. 33, 1953/54, Nr. 3/4","2366":"Friedrich Torberg: Die Tante Jolesch oder Der Untergang des Abendlandes in Anekdoten. München: Dtv 1982","2367":"Diana O. Hinze: Trakl, Kokoschka und Kubin. Zur Interdependenz von Wort- und Bildkunst. In: Germanisch-romanische Monatsschrift, 52, 1971 = N. F., 21, H. 1","2368":"Wies Leering-van Moorsel: Malerei des zwanzigsten Jahrhunderts. Das van Abbemuseum in Eindhoven. München [u.a.]: Knorr & Hirth 1969. (Das kleine Kunstbuch)","2369":"Neue Kronen-Zeitung, Wien, 10. Dez. 1989, Abb. S. 34 ","2370":"Hauswedell & Nolte, Hamburg, Moderne Kunst,Auktion 227, 1. Juni 1978","2372":"Kunstmuseum Winterthur. Kunst der Moderne aus der Sammlung des Kunstvereins. Hrsg. von Rudolf Koella und Dieter Schwarz. Frankfurt/Main: Insel-Verlag 1991","2373":"Stephanie Barron: 1937. Moderne Kunst und Politik im Vorkriegsdeutschland. In: Kat. Ausst. 1992 Berlin, Altes Museum, S. 9-23 und engl. Ausgabe (s. Kat. Ausst. 1991 Los Angeles)","2374":"Inge Santner: Auch Kokoschkas erste Liebe kommt zur Jubiläumsschau ins Schloß Belvedere. In: Berliner Morgenpost, Berlin, 13. Jan. 1971","2375":"Henry I. Schvey: Oskar Kokoschka. The painter as playwright. Detroit: Wayne State Univ. Press 1982","2376":"Elisabeth Stengel und Herbert Eisenreich: Die Fackel. Eine Zeitschrift spiegelt Geistesgeschichte. In: Der österreichische Zeitungshändler, Wien, Jg. 7, 1964, Nr. 4","2377":"Bernd Wiese und Norbert Zils: Deutsche Kulturgeographie. Werden, Wandel und Bewahrung deutscher Kulturlandschaften. Herford: Busse Seewald 1987","2378":"Guiseppe Delogu: Esposizione, Kunsthistorisches Museum. In: Emporium,Bd. 36, 1937","2379":"Florence Godeau: Oskar Kokoschka (1886-1980) et l’héritage des 'Jungen'. Donner à voir l’invisible. In: Rolf Wintermeyer und Karl Ziegler (Hrsg.): Les 'Jeunes Viennois' ont pris de l'âge. Les oeuvres tardives des auteurs du groupe 'Jung Wien' et de leurs contemporains autrichiens. Valenciennes [u.a.]: PUV 2004","2380":"Oskar Kokoschka: Comenius – the english revolution and our present plight, 1942. In: Kat. Ausst. 1994/95 Bielefeld, S. 242-247 [Erstveröffentlichung in: Teachers of Nations. Adresses and essays. (Sammelband). Cambridge: Uni. Press 1942, S. 61ff.]","2381":"Oskar Kokoschka: Briefe. Hrsg. von Olda Kokoschka und Heinz Spielmann. [Bd.] 3 = 1934-1953. Düsseldorf: Claassen 1986 ","2382":"Ingried Brugger: Wesen mit Wesen streitend. Die Dresdner Werkgruppe 1916-1923. In: Kat. Ausst. 1991 Wien","2383":"Hellmut Richter: Die neue Malerei und wir. 50 Maler in 50 Bildern. Leipzig: Dürr 1930 ","2384":"Catalogue of European and American paintings and sculpture in the Allen Memorial Art Museum, Oberlin College. Oberlin/OH 1967","2385":"Joseph P. Hodin: Mythos und Schicksal Europas. Zwei Gemälde Oskar Kokoschkas. In: Hodin 1963a","2386":"Peter Gorsen: Kokoschka und die Puppe, pygmalionistische und fetischistische Motive im Frühwerk. In: Oskar Kokoschka Symposium 1986 [Wiederveröffentlicht u. d. T.: Pygmalions stille Frau. In: Peter Gorsen:Sexualästhetik. Grenzformen der Sinnlichkeit im 20. Jahrhundert. Reinbeck b. Hamburg: Rowolth 1987, S. 248-[258]]","2387":"Hans-Dieter Mück: 'Wanderer zwischen Welten' Oskar Kokoschka 1886-1980. Eine Werkbiographie nach Quellen. In: Kat. Ausst. 2003 Apolda, S. 135-220","2389":"Richard Calvocoressi und Keith Hartley: Vienna 1908-1919. In: Kat. Ausst. 2001 London","2390":"Werner Haftmann: Verfemte Kunst. Malerei der inneren und äußeren Emigration. Köln: DuMont 1986","2391":"Bernd Apke: Geschlechterkampf und Liebe. Oskar Kokoschka und Alma Mahler. In: Kat. Ausst. 2005 Frankfurt/Main","2392":"The E. Lotte Franzos Bequest. In: Allen Memorial Art Museum Bulletin, Oberlin/OH, Bd. 15, Nr. 3, Frühjahr 1958","2393":"A[nton] Faistauer: Österreichische Malerei. In: Der Merker, Wien, Jg. 11, H. 10/11, 1. Juni 1920, S. 283-289","2394":"Georg Biermann: Oskar Kokoschka. Leipzig, Berlin: Klinkhardt & Biermann 1929. (Junge Kunst; 52). [Wiederveröffentlicht in: Der Cicerone, Leipzig, Jg. 21, 1929, H. 1, S. 19-24]","2395":"Stephan Koja: Klimt, Kokoschka, Schiele: elementos de una relacion. In: Kat. Ausst. 1995 Madrid, S. 11-35","2396":"Frank Whitford: Das Portrait im Expressionismus. München: Hirmer 1987. [Engl. Originalausg. u. d. T.: Expressionist portraits, London: Thames & Hudson 1987]","2397":"Gregor Langfeld: Deutsche Kunst in New York. Vermittler – Kunstsammler – Ausstellungsmacher 1904-1957. Berlin: Reimer 2011","2398":"Gabriele Kaiser-Mühlecker: Fleisch erkennen. Zur Darstellung des Körperlichen im dramatischen und bildnerischen Frühwerk Oskar Kokoschkas. Wien: Univ. Dipl.-Arb. 1994","2399":"Katharina Erling: Oskar Kokoschka und Der Blaue Reiter. In: Kat. Ausst. 2000 Bremen","2400":"Die Kunst, München, Bd. 55, 1926/27","2401":"Museum Folkwang, Hagen i. W. Moderne Kunst. Plastik, Malerei, Graphik. Bearb. von Kurt Freyer. Hagen 1912","2403":"Almut Krapf: Kokoschkas 'Herodot'. In: Die Presse, Wien, 6./7. Juni 1981","2405":"Österreichische Galerie, Wien. Moderne Galerie in der Orangerie des Belvedere : Verzeichnis der Kunstwerke. Wien: Schroll 1935","2406":"Hans M. Wingler (Hrsg.): Oskar Kokoschka: Orbis pictus. Mappe I und II. Salzburg: Verlag Galerie Welz 1951","2407":"Hans K. Röthel: Moderne deutsche Malerei. - Wiesbaden: Vollmer 1957. [Engl. Ausg. u. d. T.: Modern German painting, London: Eyre & Spottiswoode 1958]","2408":"Reaktionen auf den Erwerb des Kokoschka-Gemäldes im Jahre 1930. In: Spielmann/Guratzsch 1993, S. 21-22","2409":"Elfriede Baum: `Mutter und Kind'. Ein Hauptwerk der Dresdener Zeit Oskar Kokoschkas. In: Mitteilungen der Österreichischen Galerie, Wien, Jg. 15, 1971 = Nr. 59","2410":"Verzeichnis der Gemälde aus dem Besitz des Staedelschen Kunstinstituts und der Stadt Frankfurt. Frankfurt/Main 1924","2411":"Lionel Miskin: The work of Oskar Kokoschka between 1908 and 1915. In: The Painter & Sculptor, Bd. 1, 1958, Nr. 1","2413":"Galerie Wolfgang Ketterer, München, 20. Jahrhundert, 27. Auktion, 22.-24. Mai 1978","2414":"Donald E. Gordon: Oskar Kokoschka and the visionary tradition. In: The turn of the century. German literature and art 1890-1915. Bonn: Bouvier 1981 (The McMaster Colloquium on German Literature; 2)","2415":"Oskar Kokoschka: Handzeichnungen. Berlin [1935] (s. Rathenau 1935)","2416":"Eckart Früh: Kokoschka verzeiht Ihnen, denn Sie wissen nicht, was Sie tun! Rechenschaftsbericht mit zwei unbekannten Briefen von O.K. [an Egon Schiele (16.1.1918) und Otto Nirenstein (25.10.1924)]. In: Forum, Wien, Nr. 481/484, April 1994, S. 46-50","2417":"Sotheby's London, German and Austrian Art, 2. Juli 1998","2418":"Carla Schulz-Hoffmann (Hrsg.): Die Sammlung Sofie und Emanuel Fohn. Eine Dokumentation. München: Hirmer 1990 (Bayerische Staatsgemäldesammlungen. Künstler und Werke; 11)","2419":"Julius Meier-Graefe: Die Landschaften von Kokoschka. In: Frankfurter Zeitung, Frankfurt/Main, Jg. 1925, Nr. 870, 22.11.1925, S. 2. [Rez. 1925 Berlin, Cassirer]","2420":"Paul Schultze-Naumburg: Kampf um die Kunst. München: Eher 1932. (Nationalsozialistische Bibliothek; 36) ","2421":"John Russel:Un maître de l'expressionisme. In: L'Oeil, Revue d'art, Nov. 1957, S. 36-43","2422":"Sotheby's London,Impressionist and Modern Art - Evening Sale, 19. Juni 2013","2423":"Hans M. Wingler: Kokoschka-Fibel. Salzburg: Verlag Galerie Welz 1957. [Engl. Ausg. u. d. T.: Introduction to Kokoschka, London: Thames & Hudson 1958]","2424":"Painting and sculpture in the Museum of Modern Art. With selected works on paper. Catalog of the collection. Hrsg. von Alicia Legg. New York: The Museum of Modern Art 1977","2425":"Hans F. Secker: Das Wallraf-Richartz-Museum in Köln. In: Velhagen & Klasings Monatshefte, Bielefeld, Jg. 42, 1927/28, H. 1, Sept. 1927","2426":"Klaus Lankheit: Das Triptychon als Pathosformel. Heidelberg: Winter 1959 (Abhandlungen der Heidelberger Akademie der Wissenschaften. Phil.-hist.Kl. 1959,4.)","2427":"Die Kunst, München, Bd. 52, Jg. 27, 1925/26, H. 5, Feb. 1926 = Die Kunst für alle, Bd. 41","2428":"1937. Auf Spurensuche. Zur Erinnerung an die Aktion 'Entartete Kunst'. Ein Rundgang in der Sammlung. Hrsg. von Isabel Schulz und Isabelle Schwarz. Katalogbuch zur Ausstellung, Hannover, Sprengel Museum, 20. Juni -30. Dez. 2007, (Beiträge zur Sammlung / Sprengel-Museum Hannover; 3)","2429":"Hans-Dieter Mück: Ausgewählte Werke der Kokoschka-Sammlung im Musée Jenisch in Vevey 1906-1976. Beschreibung und Einordnung in die Werkbiographie. In: Kat. Ausst. 2003 Apolda, S. 91-134","2430":"The Art Quarterly, Detroit, Bd. 21, 1958, Nr. 2","2431":"Edward Beddington-Behrens: Look back, look forward. London: Macmillan 1963","2432":"Jean-Michel Palmier: L’art dégéneré. Une exposition sous la IIIe Reich. Paris: Bertoin 1992","2433":"Richard Calvocoressi: Kokoschkas Reise nach Schottland 1929. In: Oskar Kokoschka Symposion 1986","2434":"Wallraf-Richartz-Museum Köln: Moderne Abteilung - Sammlung Haubrich. Vorwort von Leopold Reidemeister. Köln 1949","2435":"Alfred Weidinger und Alice Strobl: Oskar Kokoschka. Die Zeichnungen und Aquarelle 1897-1916. Salzburg: Verlag Galerie Welz 2008","2436":"E. H. Maier: Zum 100. Geburtstag von Gustav Alexander und Heinrich Neumann. In: Österreichische Ärztezeitung, Wien, Jg. 29, 1974, H. 8, 25. April, S. 497-500","2437":"Heinrich Schwarz: Die graphischen Werke von Egon Schiele.In: Philobiblon, Hamburg, Jg. 5, 1961, H. 1, S. 50-69; S. 53-54, Abb. 10","2438":"Sotheby's München, Deutsche Kunst des 20. Jahrhunderts. Aus der Sammlung von Dr. Ernest Rathenau und aus dem Besitz anderer Sammlungen, 28. Okt. 1987","2439":"Oskar Kokoschka: Dichtungen und Dramen. Hrsg. von Heinz Spielmann. Hamburg: Christians 1973. (Kokoschka: Das schriftliche Werk; 1) ","2440":"Joseph P. Hodin: Oskar Kokoschka - ein Großmeister des Barock. In: Alte und moderne Kunst, Salzburg, Jg. 21, 1976, H. 148/149","2441":"Karl M. Kuzmany: Sonderausstellung von Malerei und Plastik. In: Kunst und Kunsthandwerk, Wien, Jg. 14, 1911, S. 129-130","2442":"Michelangelo Masciotta: Kokoschka und Italien. In: Hodin 1963a","2443":"Karl Ruhrberg: Der Schlüssel zur Malerei von heute. Düsseldorf [u.a.]: Econ- Verlag 1965. [Überarb. u. erw. Ausgabe (s. Ruhrberg 1987)]","2444":"The more important paintings and sculptures of the Detroit Institute of Arts of the City of Detroit. Detroit/TX 1937","2445":"Kurt Boettcher und Johannes Mittenzwei: Dichter als Maler. Stuttgart [u.a.]: Kohlhammer 1980","2446":"Arthur Roessler: Die Jahresausstellung im Künstlerhaus. II. 'Bund österr. Künstler' (Kunstschau). In: Bühne, Welt und Mode. Illustrierte Wochenbeilage der Wiener Neuesten Nachrichten, Wien, Jg. 1926, Nr. 31, 30. Mai","2447":"Michelangelo Masciotta: Oskar Kokoschka. Bergisch Gladbach: Bastei-Verlag 1967. (Galerie der großen Maler; 26). [Ital. Ausg.(s. Masciotta 1966)]","2448":"Barbara Alms und Wiebke Steinmetz (Hrsg.): Der Sturm.Chagall, Feininger, Jawlensky, Kandinsky, Klee, Kokoschka, Macke, Marc, Schwitters, und viele andere im Berlin der zehner Jahre. Katalogbuch zur Ausstellung, Delmenhorst, Städtische Galerie Delmenhorst, Haus Coburg Sammlung Stuckenberg, 18. Juni - 6. Sept. 2000","2449":"Hans Kinkel: Das Auge der Welt. Abschied von Oskar Kokoschka. In: Die Weltkunst, München, Jg. 50, 1980, H. 6, 15. März","2451":"Arthur Steiner: Gespräch mit Oskar Kokoschka. In: Die Neue Zeitung, München, 15. April 1946 mit Abb.","2452":"Dietmar Elger: Expressionismus. Eine deutsche Kunstrevolution. Köln: Taschen 1988","2453":"Heinz Spielmann: Oskar Kokoschka. Die Fächer für Alma Mahler. Hamburg: Christians 1969","2454":"Der Wiener Kunstwanderer, Wien, Jg. 2, 1934, Nr. 3, März","2455":"Walter Serner: Die Eröffnung der Oskar Kokoschka-Ausstellung in Karlsbad. In: Karlsbader Zeitung, Karlsbad, Jg. 25, 1911, Nr. 27, 2. Juli, S. 4.","2456":"Walter Kern: Thermopylae. In: Du. Die Kunstzeitschrift, Zürich, Jg. 1981, H. 10","2457":"Ernst Köller: Kokoschka in England. Zur großen Ausstellung bei Marlborough in London. In: Alte und moderne Kunst, Österreichische Zeitschrift für Kunst, Kunsthandwerk und Wohnkultur, Wien, 6. Jg., 1961, Nr. 42 [Rez. 1960 London, Marlborough]","2458":"H. Kühn: Sammlung Haubrich. In: Der Bogen, Wiesbaden, Jg. 3, 1947/48","2459":"Ludwig von Ficker: Briefwechsel 1909-1914. Hrsg. von Ignaz Zangerle [u.a.]. Salzburg: O. Müller 1986","2460":"Paul Brandt: Sehen und Erkennen. Eine Anleitung zu vergleichender Kunstbetrachtung. Leipzig: Kröner 1929","2461":"Von Zezschwitz Kunst und Design, München, Modernes Design – Moderne Kunst, Auktion 21, 25. Juni 2004","2462":"Christian M. Nebehay: Wien speziell: Architektur und Malerei um 1900. Wien: Brandstätter 1983 ","2463":"Werner Hofmann: La mort dans la peinture autrichienne. In: Kat. Ausst. 1986 Paris, S. 82-97","2464":"Bruno Schärer: Oskar Kokoschka malt Berlin - für Axel Springer. In: Die Weltwoche, Zürich, Jg. 1966, Nr. 1718, 14.10.1966","2465":"Heinrich W. Petzet: Mäzenatentum in der Schweiz. Zur eidgenössischen Kunstpflege. In: Jahresring 63/64. Beiträge zur dt. Literatur und Kunst der Gegenwart, Stuttgart, 1963","2466":"Edith Hoffmann: Ein Brief von Kokoschka. In: Jahrbuch der Hamburger Kunstsammlungen, Jg. 23, 1978","2467":"Bernhard Echte und Walter Feilchenfeldt (Hrsg.): Kunstsalon Paul Cassirer. Die Ausstellungen 1908-1910. 3. Bd.: Ganz eigenartige neue Werte. Wädenswil: Nimbus 2013. (Quellenstudien zur Kunst; 8)","2468":"Der Blick ins eigene Antlitz. Berühmte Maler in ihren Selbstbildnissen (I). In: Das Schönste, München, 1958, Nr. 2, Feb., S. 26-[31]","2469":"Gottfried Fliedl: Kunst und Lehre am Beginn der Moderne. Die Wiener Kunstgewerbeschule 1867--1918. Salzburg: Residenz-Verlag 1986","2470":"Hans Tietze: Oskar Kokoschka 1920. In: Der Ararat, München, Nr. 8/9 = Sonderheft Wien , August/Sept. 1921","2471":"Christine Sutherland: 'Phantasie ist alles'. Ein Gespräch mit Oskar Kokoschka. In: Du. Die Kunstzeitschrift, Zürich, Jg. 1981, H. 10, S. 62, 68, 95","2472":"Hans-Jürgen Schwalm: Individuum und Gruppe. Gruppenbilder des 20. Jahrhunderts. Essen: Verlag Die Blaue Eule 1990. (Kunst - Geschichte und Theorie; 14). Zzgl. Bochum, Univ. Diss. 1989","2473":"Ina Stegen: 'Das schönste Atelier der Welt'. 25 Jahre internationale Sommerakademie für Bildende Kunst. Salzburg. Salzburg: Alfred Winter 1978","2474":"Christie's London, Impressionist and Modern Art – Evening Sale, 2. Feb. 2010","2476":"Katalog der Gemälde und Bildhauerwerke in der Kunsthalle zu Bremen. Bremen: Leuwer 1925","2477":"Barnaby Wright: Oskar Kokoschka at work on 'The Prometheus triptych'. Unseen photographs by Lee Miller. In:The Burlington Magazine, Bd. 151, Nr. 1276, Juli 2009, S. 453-455.","2478":"Werke der Moderne bis 1945 im Westfälischen Landesmuseum für Kunst und Kulturgeschichte Münster. Die Zeit der Betrachtung. [Ein Auswahlkatalog] mit einem Abriss zur Sammlungsgeschichte der Modernen Abteilung von Gisela Weiß und Werkangaben von Patrick Hirt. Hrsg. von Franz Erich. Münster: Das Landesmuseum 1999","2479":"Manuel Gasser: Das Selbstbildnis. Gemälde großer Meister. Zürich: Kindler 1961 ","2480":"Madlyn M.Kahr: Erica Tietze-Conrat (1883-1958). Productive scholar in Renaissance and Baroque art. In: Claire R. Sherman (Hrsg.): Women as interpreters of the visual arts 1820-1979. Westport/ CT: Greenwood Pr. 1981","2481":"Masters of 20th century art. Shizuoka, Japan, Ikeda Museum of Art, [1975]","2482":"Diethard Leopold: Rudolf Leopold. Kunstsammler. Wien: Holzhausen Verlag 2003","2483":"Adolf Weinmüller, München, Auktion, 5. Nov.1965","2484":"Bulletin J. B. Speed Art Museum, Louisville/KT, Okt. 1964","2485":"Alfred Weidinger: Kokoschka und Alma Mahler. Dokumente einer leidenschaftlichen Begegnung. München, Berlin [u.a.]: Prestel 1996. (Pegasus-Bibliothek). [Engl. Ausgabe u.d.T.: Kokoschka and Alma Mahler]","2486":"Diether Schmidt: 'Bitte mit dem Weltkrieg aufzuhören, ich möchte arbeiten'. Oskar Kokoschka in Dresden 1916 bis 1923. In: Pantheon, München, Jg. 44, 1986","2487":"Birgit Dalbajewa: Zur literarischen Rezeption von Kokoschkas Werk der Dresdner Jahre 1916 bis 1923. In: Werkner 1998a","2488":"Tobias G. Natter: 'Kubismus, wenn er richtig verstanden wird.' Über die Verwandtschaft von Rezeption und Eigenwille bei Oskar Kokoschka. In: Frodl/Natter 1997","2489":"Christophe André Koné: Such a doll! Man-made dolls in german modern culture and their afterlife in postmodern visual culture. New Brunswick/NJ: Univ. Diss. 2015, S. 44-90","2490":"Julia P. Henshaw (Hrsg.): 100 Masterworks from the Detroit Institute of Arts. New York 1985","2491":"Christie's New York, Impressionist and Modern Paintings and Sculpture, 16. Mai 1984","2492":"Madeleine Grynsztejn: Egon Schiele's 'The Family' and Oskar Kokoschka's 'The Friends': an analysis of their works in light of the social, political, and artistic climate of 1918 Europe. New York: Columbia Univ., 1984","2493":"A. Wagner: Gebirgsdarstellungen in der Malerei. In: Die Kunst und das schöne Heim, München, April 1970, S. 215-220","2495":"Die Inszenierung der Natur. Natur- und Landschaftsdarstellungen des 20. Jahrhunderts in der Sammlung Würth. Hrsg. von C. Sylvia Weber. Katalogbuch zur Ausstellung, Künzelsau, Museum Würth, 1. Okt. 1999-23. Jan. 2000","2496":"Auktion Galerie Fischer, Luzern, 22.-28. Nov. 1960. [Nachlaß Dr. Lothar Mohrenwitz, Zürich, u.a. Schweizer und ausländische Privatsammlungen]","2497":"Christie, Manson & Woods, New York, Impressionist and Modern Paintings, 16. Mai 1977","2498":"Joseph P. Hodin: Aus Oskar Kokoschkas Schweizer Erinnerungen: August Forel. In: Neue Zürcher Zeitung, Zürich, Nr. 653, 6. April 1947, Bl. 2","2499":"Edith Hoffmann: Kokoschka. Life and work. With 2 essays by Oskar Kokoschka and a foreword by Herbert Read. London: Faber & Faber 1947","2500":"Berichte zur Erwerbung durch die Hamburger Kunsthalle u. a. in : Hamburger Abendblatt, 30. August 1965, S. [1] und vom 31. 8. 1965; Die Welt, Hamburg, 28. 8. 1965","2501":"Herta Hesse-Frielinghaus [u.a.]: Karl Ernst Osthaus. Leben und Werk. Recklinghausen: Bongers 1971","2502":"Eberhard Ruhmer: Tierbilder von Kokoschka. In: Die Kunst und das schöne Heim, München, Jg. 56, 1958/59, H. 11, August 1959","2503":"Vladimir Novotny: Meister der Farbe. Die schönsten Gemälde der Prager Nationlagalerie. Prag 1959","2504":"Ludwig Grote: Deutsche Kunst im 20. Jahrhundert. München: Prestel 1954 ","2505":"Wilhelm Wartmann: [Ausstellung Oskar Kokoschka.] In: Kat. Ausst. 1927 Zürich, S. [III]-VII","2506":"Die Kunst, München, Nr. 4, Jan. 1965","2507":"Carl E. Schorske: Fin-de-siècle Vienna. Politics and culture. New York: Knopf 1980 ","2508":"Cordula Frowein: Die verfemte Kunst im Exil - Kunsthandel und Nationalsozialismus. Das Schicksal der modernen Kunst am Beispiel der Sammlung Ludwig und Rosy Fischer. In: Claus-Dieter Krohn [u.a.] (Hrsg.): Künste im Exil.München: Ed. Text + Kritik 1992, S. 74–83. (Exilforschung. Ein Internationales Jahrbuch; 10)","2509":"Fritz Knöller: Grenzen abendländischer Kunst. In: Deutsches Volkstum, Hamburg, Jg. 18, 1936, H. 9, S. 641-648","2510":"Verzeichnis der Gemälde und Bildwerke in der National-Galerie zu Berlin. Berlin 1928","2511":"Weltkunst, München, Jg. 38, Nr. 13, 1. Juli 1968","2512":"Hans Dichand und Astrid Gmeiner [u.a.] : Carl Moll. Seine Freunde, sein Leben, sein Werk. Salzburg: Verlag Galerie Welz 1985","2513":"A. M. Clark: Recent accessions. In: The Minneapolis Institute of Arts Bulletin, Bd. LI, Sept. 1962","2514":"Nuria Nono-Schönberg (Hrsg.): Arnold Schönberg, 1874-1951. Lebensgeschichte in Begegnungen. Klagenfurt: Ritter 1992","2515":"Werner Hofmann: Oskar Kokoschka. In: Kat. Ausst. 1981 Hamburg","2516":"Heinz Keller: Bericht über die Sammlungen 1966. In: Jahrbücher des Kunstvereins Winterthur, H. 46, 1966","2517":"Diether Schmidt (Hrsg.): Manifeste Manifeste. 1905--1933. Dresden: Verlag d. Kunst [1965]. (Schriften deutscher Künstler des zwanzigsten Jahrhunderts; 1) (Fundus-Bücher; 15/17)","2518":"Ernest Rathenau: Ein Kokoschkabuch. In: Hodin 1963a, S. [116]-121 ","2519":"Elfriede Wiltschnigg: Der 'irrende Ritter'. Oskar Kokoschka, seine Beziehung zu Alma Mahler und der Erste Weltkrieg. In: Helmut Konrad (Hrsg.): Krieg, Medizin und Politik. Der Erste Weltkrieg und die österreichische Moderne. Wien: Passagen-Verl. 2000, S. 373-391. (Studien zur Moderne; 10 )","2520":"Kurt Hiller: Oskar Kokoschka. In: Der Sturm, Berlin, Jg. 1, 1910/11, Nr. 19, 7. Juli 1910","2521":"Christie's London, Impressionist and Modern Art, 6. Feb. 2001","2522":"Beispiele neuerer österreichischer Kunst : Kunstankäufe des Landes Tirol für die Neue Galerie am Landesmuseum. Innsbruck: Galerie im Taxispalais 1976","2523":"Joseph P. Hodin: Oskar Kokoschka. A seer in our time. In: The Studio, London, Bd. 164, 1962, Nr. 834, S. 124-129. [Rez. 1962 London, Tate Gallery]","2524":"José María Blázquez: Cristianismo y mitos clásicos en el arte moderno. Madrid: Editiones Cátedra 2009","2525":"Katharina Erling: Über 'die bezaubernde Realität des Daseins, die alle Märchen - Dichtungen hinter sich läßt.' Die Figurenbilder des letzten Jahrzehnts 1963-1973. In: Kat. Ausst. 2008 Wien, Albertina","2526":"Friedrich Pfäfflin: Herwarth Walden und Karl Kraus, Adolf Loos und Oskar Kokoschka. Die Anfänge im Kunstsalon Paul Cassirer – 1910. In: Feilchenfeldt/Raff 2006","2527":"Barbara Rose: Hans Hofmann. From Expressionism to Abstraction, In: Arts Magazine, Nr. 53/3, Nov. 1978, S. 110 ","2528":"Gottfried Sello: Politik produziert selten Bilder. Anmerkungen zum Thema 'Kunst im Exil'. In: Die Zeit, Hamburg, Jg. 1981, Nr. 28, 3. Juli [Rez. 1981 Köln]","2529":"Donald E. Gordon: Modern art exhibitions 1900--1916. Selected catalogue documentation, 2 Bde. München: Prestel 1974. (Materialien zur Kunst des 19. Jahrhunderts; 14)","2530":"Franz Roh: Deutsche Maler der Gegenwart. 16 Künstler in Foto, Schrift und Bild. München [u.a.]: Knorr & Hirth 1957. (Das kleine Kunstbuch)","2531":"Christoph Zuschlag: Die Ausstellung 'Kulturbolschewistische Bilder' in Mannheim 1933 – Inszenierung und Presseberichterstellung. In: Blume/Scholz 1999, S. 224-236","2532":"Weltkunst, München, Jg. 23, 1953, Nr. 8, 15. April","2533":"The Busch-Reisinger Museum, Harvard University. Hrsg. von Seymour Slive. New York: Abbeville Press 1980","2534":"Robert Waissenberger: Die Wiener Secession. Wien, München: Jugend & Volk 1971","2535":"Wolfgang G. Fischer: Oskar Kokoschka und Adolf Hitler. In: Kat. Ausst. 1994 Wien, Künstlerhaus, Bd. 1, S. 404-411","2537":"Öffentliche Kunstsammlung Kunstmuseum Basel. Katalog 19./20. Jahrhundert. Basel 1970","2538":"Erhard Stöbe: Die Praxis des Koloristen. Oskar Kokoschka. In: Frodl/Natter 1997","2539":"Schweizerische Gesellschaft der Freunde von Kunstauktionen, Zürich, 19. Okt. 1983, Nr. 16","2540":"Fritz Nemitz: Deutsche Malerei der Gegenwart. München: Piper 1948 ","2541":"Nadine Bauer: Die blauen Bibelillustrationen. Das Bibelprojekt des Blauen Reiters unter besonderer Berücksichtigung Oskar Kokoschkas. Berlin: Freie Univ. Mag.-Arb. 2012","2542":"Gloria Sultano: 'Eine Art Schwanengesang.' Die Kokoschka-Ausstellung im Österreichischen Museum für Kunst und Industrie 1937. In: Sultano/Werkner 2003","2544":"Monika Tatzkow: Paul Westheim (1886-1963). In: Melissa Müller und Monika Tatzkow: Verlorene Bilder, Verlorene Leben. Jüdische Sammler und was aus ihren Kunstwerken wurde. Unter Mitarbeit von Thomas Blubacher und Gunnar Schnabel. München: Elisabeth Sandmann Verlag 2009","2545":"9 jaar Stedelijk Museum Amsterdam : 1945-'54. Amsterdam 1954","2546":"The Toledo Museum of Art. European paintings. Toledo/OH 1976","2547":"A handbook to the Solomon R. Guggenheim Museum Collection. New York: The Solomon R. Guggenheim Foundation 1959","2548":"Hans-Otto Wölber: Kokoschkas Kreuzigungsbild. Veranstaltung anläßlich des 100. Geburtstages von Oskar Kokoschka. In: St. Nikolai. Gemeindebrief der Hauptkirche St. Nikolai am Klosterstern, Hamburg, März/April 1986, S. 4-5","2549":"Victor Wallerstein: Die neuen Werke Oskar Kokoschkas. In: Kunst und Künstler, Berlin, Jg. 20, 1921/22, H. 2, Nov. 1921","2550":"Ulrich Weinzierl: Österreicher im Exil. Eine Dokumentation. Frankreich 1938-1945. Wien: Österr. Bundesverl. 1984; hier S. 168-169 (s. 1939 Paris)","2551":"Eva Frodl-Kraft: Gefährdetes Erbe. Österreichs Denkmalschutz und Denkmalpflege 1918–1945 im Prisma der Zeitgeschichte. Wien [u.a.]: Böhlau 1997. (Studien zu Denkmalschutz und Denkmalpflege; 16)","2552":"Gottfried Sello: Hoch über dem Hafen malt Kokoschka sein neues Hamburg-Bild. In: Hamburger Abendblatt, Nr. 144, 24./25. Juni 1961, S. 9 ","2553":"Sigrid Canz: Prague -Nostalgia. In: Kat. Ausst. 1989 München","2554":"Hans Bisanz: Bildende Kunst und Kunsthandwerk. In: Waissenberger 1984","2556":"Georges Duplin: L'homme aux mains d'or. Werner Reinhart, Rilke et les créateurs de Suisse romande. Lausanne: Ed. 24hrs. 1988","2557":"Andrea Teufelberger: Die Selbstbildnisse Oskar Kokoschkas. Wien: Univ. Dipl.-Arb. 1994","2558":"Birgit Dalbajewa: 'Und der Himmel für uns Europäer ganz neuartig gefärbt.' Max Slevogt, Paul Klee, Oskar Kokoschka in Ägypten. In: Andreas Dehmer und Heike Biedermann (Hrsg.): Max Slevogt - die Reise nach Ägypten 1914. Katalogbuch zur Ausstellung: Nach Ägypten! Die Reisen von Max Slevogt und Paul Klee. Dresden, Galerie Neue Meister, Staatliche Kunstsammlungen Dresden, 30. April - 3. Aug. 2014","2559":"Paul Fechter: Der Expressionismus. München: Piper 1914 ","2560":"Meike Hoffmann: Ein Händler 'entarteter' Kunst. Bernhard A. Böhmer und sein Nachlass. Berlin: Akad.-Verl. 2010. (Schriften der Forschungsstelle \"Entartete Kunst\"; 3)","2561":"Hamburger Abendblatt, Hamburg, 5. März 1971","2562":"Bernhard Borchert: Kokoschka. Berlin: Safari-Verlag 1959. [Engl. Ausg. u. d. T.: Oskar Kokoschka, London: Faber & Faber 1960]","2563":"Gabriele Schöne: Rezeption Oskar Kokoschkas in Italien. Anhand der Oskar Kokoschka-Ausstellung in Rom 1981. Wien: Hochschule für Angewandte Kunst, Haus-Arb. 1986","2565":"Siegfried Wichmann: Realismus und Impressionismus in Deutschland. Stuttgart: Schuler 1964 ","2566":"Manfred Altner und Christa Bächler [u.a.]: Dresden. Von der Königlichen Kunstakademie zur Hochschule für Bildende Künste [1764--1989]. Die Geschichte einer Institution. Dresden: VEB Verlag der Kunst 1990","2567":"Westermanns Monatshefte, Braunschweig, Jg. 102, 1961, H. 11","2568":"Julius Meier-Graefe: Kokoschkas Bildnisse. In: Frankfurter Zeitung, Frankfurt/Main, Jg. 1927, Nr. 86, 2.2.1927, S. 1. [Rez. 1927 Berlin, Cassirer]","2569":"Ferdnand Stuttmann: Meisterwerke der Niedersächsischen Landesgalerie Hannover. Honnef [1960]","2570":"Peter Gorsen: Alma Mahler, Oskar Kokoschka und die Puppe. Nachträgliches zur Lösung einer fetischistischen Verstrickung. In: Klaus Amann und Armin A. Wallas (Hrsg.): Expressionismus in Österreich. Die Literatur und die Künste. Wien, Köln [u.a.]: Böhlau Verlag 1994","2571":"The Phillips Collection. A museum of modern art and its sources. Washington/DC 1952","2572":"Wolfgang Muchitsch (Hrsg.):Österreicher im Exil. Großbritannien, 1938–1945. Eine Dokumentation. Hrsg. vom Dokumentationsarchiv des Österreichischen Widerstands. Wien: Deuticke 1992","2573":"Hans-Jörg Göpfert: Verzeichnis der 1937 aus der Gemäldegalerie [Dresden] entfernten Werke. In: resdener Kunstblätter, Dresden, Jg. 31, 1987, H. 6","2575":"Wolfgang Born: Oskar Kokoschka. Ein Porträt. In: Neues Wiener Journal, Wien, Nr. 13.641, 12. 11. 1931, S. 6. [Wiederveröffentlicht in: Eckart Früh: Ich - der bessere Österreicher. Gespräche mit Adolf Loos und Oskar Kokoschka. In: Noch mehr,April 1994, S. 8-9]","2576":"Leo A. Lensing: Scribbling squids and the giant octopus: Oskar Kokoschka's unpublished portrait of Peter Altenberg. In: Jeffrey B. Berlin (Hrsg.): Turn-of-the-century Vienna and ist legacy. Essays in honor of Donald G. Daviau. Wien 1993","2577":"Jenns E. Howoldt: Bildersturm im Behnhaus. Die Aktion 'Entartete Kunst' 1937 und ihre Vorgeschichte. In: Kat. Ausst. 1987/88 Lübeck","2578":"Erich Fitzbauer: Oskar Kokoschka. Ein großer Niederösterreicher. In: Die Niederösterreichische Illustrierte, 10. Jg., Mai 1963, S. 14","2579":"Catalogue of European and American sculpture and paintings at Wellesley College. Bearb. von Curtis H. Shell und John McAndrew. Wellesley/MA 1964","2580":"Oskar Kokoschka: Erzählungen. Hrsg. von Heinz Spielmann. Hamburg: Christians 1974. (Kokoschka: Das schriftliche Werk; 2) ","2581":"Gustav Meyrink: Der Golem. Sofia 1926","2582":"W[illem] Sandberg und H[ans] L. C. Jaffé. Ein Museum für moderne Kunst - Stedelijk, Amsterdam. Köln: DuMont Schauberg 1962 [Holländ. Originalausg. u. d. T.: Kunst van heden in het Stedelijk. Amsterdam: Meulenhoff 1961]","2583":"Jean-Patrick Duchesne: L'art dégénéré selon Hitler. La vente de Lucerne, 1939. Katalogbuch zur Ausstellung, Liège, La Cité Miroir, 16. Okt. 2014-29. März 2015","2584":"John Canaday: Mainstreams of modern art. New York: Simon & Schuster 1959 ","2585":"Joseph P. Hodin: Oskar Kokoschka. Eine Psychographie. Wien [u.a.]: Europa-Verlag 1971","2586":"F. S.: One picture in four parts: Banned German art show in London. In: Daily Herald, [London], 7. Juli 1938","2587":"Weltkunst, München, Jg. 27, 1957, Nr. 1, 1. Jan. [zur Ausstellung der Galerie Großhennig, Düsseldorf]","2588":"Heinz Ladendorf: Georgraphie, Kartographie und neuere Kunst. In: Wallraf-Richartz-Jahrbuch, Köln, Jg. 24, 1962","2589":"Josef Reich: Der Jungen Künstler 'Plastik und Malerei'. In: Reichspost, Wien, Jg. 18, 1911, Nr. 61, Morgenblatt, 7. Feb., S. 7. [Rez. 1911 Wien, zit. in: Schweiger 1983, S. 187]","2590":"Museum der Gegenwart, Berlin, Jg. 1, 1930/31, H. 2, 3. Vierteljahr 1930","2591":"Georg Schmidt: Die Malerei in Deutschland 1918-1955. Königstein/Taunus: Langewiesche 1960. (Die blauen Bücher)","2592":"Michel Ragon: Der Expressionismus. Lausanne: Ed. Rencontre 1967. (Weltgeschichte der Malerei; 17) ","2593":"National-Galerie: Gemälde, Bildwerke, Zeichnungen. (Bildheft). Hrsg. von den Staatlichen Museen zu Berlin. Berlin 1961","2594":"Jacques Lassaigne: Kokoschka au Musée de Zurich. In: Panorama des arts 1947, Paris 1948, S. 183. [Rez. 1947 Zürich]","2595":"The Robert Hudson Tannahill gifts to The Detroit Institute of Arts. Publikation anlässlich der Eröffnung des Robert Hudson Tannahill Wing of American Art am 1. Juni 1969. Detroit/TX 1969","2596":"Sotheby's New York, Impressionist and Modern Paintings and Sculpture Part II,16. Nov. 1989","2597":"Kornfeld & Klipstein, Bern, Auktion 108: Moderne Kunst des 19. und 20. Jahrhunderts, 25./26. Mai 1962","2598":"Sigrid Metken: Kinderglück, Malerblick und verbotene Spiele. Puppen, unsere unheimlichen Freunde, als Thema der modernen Kunst. In: Barbara Krafft (Hrsg.): Traumwelt der Puppen.Katalogbuch zur Ausstellung München, Kunsthalle der Hypo-Kulturstiftung, 6. Dez. 1991 - 1. März 1992, S. 25--46","2599":"Christina Feilchenfeldt: '… meine Bilder zerschneidet man schon in Wien'. Das Porträt des Verlegers Robert Freund von Oskar Kokoschka. In: Uwe Fleckner (Hrsg.): Das verfemte Meisterwerk. Schicksalswege moderner Kunst im \n'Dritten Reich'. Berlin : Akad.-Verl. 2009, S. 259-279. (Schriften der Forschungsstelle Entartete Kunst; 4 )","2600":"Sotheby Parke Bernet & Co., Catalogue of Impressionist and Modern Paintings and Sculpture, 5. Dez. 1973","2601":"Caroline Kohn: Karl Kraus. Stuttgart: Metzler 1966","2602":"K. Varpel: Lesen und Lauschen. Dortmund 1969","2603":"R. W. D. Oxenaar: De schilderkunst van onze tijd. Zeist 1958","2604":"Gloria Sultano: 'Artists in Exile'. Streiflichter aus dem Exil. In: Sultano/Werkner 2003","2605":"Oskar Kokoschka: Handzeichnungen 1906--1969. New York 1971 (s. Rathenau 1971)","2606":"Karl Scheffler: Berliner Frühjahrs-Ausstellungen. In: Kunst und Künstler, Berlin, Jg. 26, 1927/28, H. 10, Juli 1928, [Rez. 1928 Berlin, Akademie]","2607":"Heinz Spielmann: Die Kokoschka-Sammlung im Musée Jenisch in Vevey. In: Kat. Ausst. 2003 Apolda, S. 11-16","2608":"H. Keller: Köln mit K wie Kunst. In: Westermanns Monatshefte, H. 8, 1973","2609":"Wallraf-Richartz-Museum, Köln. Bearb. von Gert von der Osten. Köln: DuMont Schauberg 1966","2610":"Walter Mehring: Verrufene Malerei. Von Malern, Kennern und Sammlern. Berichte aus Paris, Berlin, New York, Florenz. Zürich: Diogenes-Verlag 1958 ","2611":"Peter Lufft: Der späte Kokoschka. In: Kat. Ausst. 1960 Braunschweig","2612":"Norman Kotker: The Holy City. In: Horizon, New York, Bd. 7, Nr. 2, Frühjahr 1965","2613":"Werner Schmidt: Der Verzicht der Dresdener Museen auf das Angebot eines Gemäldes von Kokoschka. In: Dresdener Kunstblätter, Jg. 1991, H. 4, S. 122-125 [Wiederveröffentlicht u. d. T.: Keine Elblandschaft für Dresden. In: Frankfurter Allgemeine Zeitung, Frankfurt/Main, 4. Juni 1991, S. 33 mit Abb.]","2614":"Hans Deichmann: Leben mit provisorischer Genehmigung. Leben, Werk und Exil von Dr. Eugenie Schwarzwald (1872-1940). Berlin [u.a.]: Guthmann-Peterson 1988","2615":"Paul Westheim: Kleine ästhetische Untersuchung . In: Hodin 1963a, S. [129]-132","2616":"R. E. Penning, in: Mededelingen van den Dienst voor Schone Kunsten der gemeente 's-Gravenhage, VIII, 1/2, 1953, S. 98-99","2617":"Museum of Fine Arts, Boston. Illustrated Handbook. Boston 1976","2618":"Diether Schmidt: Dresdner Rot. Oskar Kokoschka 1916 bis 1923 in Dresden. In: Kat. Ausst. 1996 Dresden","2619":"Psychiatric Progress, New York, Jg. 1968, Bd. 3, Nr. 4, Juli/Aug.","2620":"Kokoschka malt einen Präsidenten. Gedanken zu einem repräsentativen Masaryk-Bild. In: Morgenpost, Berlin, 28.9.1935","2621":"The Art Institute of Chicago. The Winterbotham Collection. Chicago 1947","2622":"Julius Meier-Gräfe über Kokoschka in einem Brief aus Wien vom November 1931. In: Die schönen Künste, Wien, 1946, H. 3","2624":"Christoph Bertsch: Das ist Österreich! Die visuelle Kommunikation im politischen Kontext der Ersten Republik. In: Kat. Ausst. 2015 Bregenz, S. 9-53","2625":"H. Lützeler: Oskar Kokoschka. In: Wir sehen Kunst. Recklinghausen 1963 [WDR-Sendereihe], S. 101ff.","2627":"Expressionismus: Meisterwerke aus der Sammlung Thyssen-Bornemisza. Bearb. von Peter Vergo. Mailand: Electa 1989","2628":"Kunstchronik und Kunstmarkt, Leipzig, Jg. 56 = N. F., 32, 1920/21, Nr. 2, 8. Okt. 1920, S. 32 [Erwerbungsbericht von ZM [d. i.] K. Zoege v. Manteuffel]","2629":"Kristian Sotriffer (Hrsg.): Das größere Österreich. Geistiges und soziales Leben von 1880 bis zur Gegenwart. Wien: Ed. Tusch 1982","2630":"Deutsche Kunst und Dekoration, Darmstadt, Bd. 34 = Jg. 17, 1913/14","2631":"Amicis. Jahrbuch der Österreichischen Galerie. Hrsg. von Franz M. Haberditzl. Wien 1927","2632":"Westermanns Monatshefte, Braunschweig, Jg. 1952/53, Nr. 1, Farbabb.","2633":"Ron Manheim: Heinrich Campendonk und seine Begegnung mit den Werken Oskar Kokoschkas im Berliner 'Sturm'. In: Kat. Ausst. 2001 Bonn, S. 11-52","2634":"Régine Bonnefoit: Kokoschkas Aufstieg zum bekanntesten Porträtisten des deutschen Sprachraums. In: Kat. Ausst. 2014 Wolfsburg, S. 34-49","2635":"Leopold Reidemeister: Ansicht der Stadt Köln vom Messeturm aus. In: Die goldene Palette. Tausend Jahre Malerei in Deutschland, Österreich und der Schweiz. Stuttgart, München: Dt. Bücherbund 1968, S. 480-481","2636":"Matthias Frehner: Die Kunst, Menschen zu behandeln: Oskar Kokoschka malt den Winterthurer Musikmäzen Werner Reinhart. In: Matthias Wohlgemuth (Hrsg.): Unser Kopf ist rund, damit das Denken die Richtung wechseln kann. Festschrift für Franz Zelger. Zürich: Verlag Neue Zürcher Zeitung 2001, S. 137-146","2637":"Oskar Kokoschka: The war as seen by children. In: Kat. Ausst. 1994/95 Bielefeld, S. 251--252 [Erstveröffentlichung in: Kat. Ausst. 1943 London, Cooling Galleries, S. 8--18]","2638":"Oskar Kokoschka: Hamburg. Vier Gemälde. Hrsg. zur Feier des 100. Geburtstages von Oskar Kokoschka am 1. März 1986 v. d. Elsbeth Weichmann. Ges. Hamburg: Hartung 1986","2639":"Ernest Rathenau (Hrsg.): Oskar Kokoschka. Handzeichnungen. 5. Bd. [New York]: Rathenau; Hamburg: Hauswedell [in Komm.] 1977","2640":"Museum Boymans. Gids. Schilderkunst & beeldhouwkunst. Rotterdam 1951","2641":"Volné Sméry [Revue des SVV Mánes], Jg. 31, 1935","2642":"Elisabeth Bettina Spörr: Emanuel und Sofie Fohn. Die Sammlung entarteter Kunst aus dem Besitz Fohn. Das künstlerische Werk. Innsbruck: Univ., Dipl.-Arb. 2001","2643":"Gáspár Ferenc: Oskar Kokoschka az olasz fronton – 1916 : újabb adalékok Rippl-Rónai és Kokoschka kapcsolatáról. In: Ars Hungarica, Bd. 27, 1999, S. 431-436","2644":"Robert Radford: Art for a Purpose. In: The Artists’ International Association, 1933—1953. Winchester: Winchester School of Art Press 1987","2645":"Liesl Koller-Glückl: OK's geschliffener Diamant. In: AZ, Wien, 6. März 1970, S. 12 mit Abb. (Detail) [zur Präsentation des Gemäldes im Niederösterreichischen Landesmuseum, s. Vom Leid zum Ruhm. In: Wochenpresse, Wien, Jg. 1970, Nr. 21, 27. Mai, S. 11 mit Abb.]","2646":"Leopold Zahn: Eine Geschichte der modernen Kunst. Malerei, Plastik, Architektur. Berlin: Ullstein 1958 ","2647":"Herbert Giese: Einige Bemerkungen zum Frühwerk Oskar Kokoschkas. In: Auböck/Marchetti 1985, S. 67--72","2648":"Museum am Ostwall Dortmund. Kunst des 20. Jahrhunderts. Die Sammlung. Dortmund 1984","2649":"Konrad Vollert: Die XXVI. Ausstellung der Berliner Sezession. In: Deutsche Kunst und Dekoration, Darmstadt, Bd. 32, April-Sept. 1913, H. 10, Juli, S. 239-245. [Rez. 1913 Berlin, Secession]","2650":"Keith Holz: 'Brushwork thick and easy' or a 'beauty-parlor mask for murder'? Reckoning with the Great German Art Exhibitions in the Western democracies. In: RIHA Journal, 0055, 28. Sept. 2012. [URL: www.riha-journal.org/articles/2012/2012-jul-sep/holz-reckoning (1. 12. 2014)]","2651":"Art Digest, New York, 1. Juli 1948","2652":"European paintings in the Museum of Fine Arts, Boston. An illustrated summary catalogue. Bearb. von Alexandra R. Murphy. Boston 1985","2653":"Christoph Bertsch und Markus Neuwirth (Hrsg.): Die ungewisse Hoffnung. Österreichische Malerei und Graphik zwischen 1918 und 1938. Salzburg, Wien: Residenz-Verlag 1993","2654":"The Art Quarterly, Detroit, Bd. 17, 1954, Nr. 2, S. 189","2655":"James Winny: Meeting at Sierre. In: The Granta, Cambridge, Dez. 1947","2656":"Christie's London, Impressionist and Modern Paintings and Sculpture, 25. Juni 1991","2657":"Paul Westheim: Oskar Kokoschka: Courmayeur. New York: Twin Ed. [um 1955], Faltblatt mit Abb. (The nation's great paintings)","2658":"Moderne Welt, Wien, Jg. 1924, H. 1","2659":"Jaroslaw Leshko: Oskar Kokoschka. Paintings 1907-1915. Ann Arbor/MI, London: Univ. Microfilms International 1982. [Mikrofilmkopie]. New York: Columbia Univ. Diss., 1977","2660":"Jahrbuch der Staatlichen Kunstsammlungen in Baden-Württemberg.Bd. I. München, Berlin 1964","2661":"Gloria Sultano: Orpheus Kokoschka. Schlaglichter auf Leben und Werk 1912 bis 1926. In: Stenzl 2005, S. [49]-69","2662":"Dietrich Schubert: Künstler im Trommelfeuer des Krieges 1914-18. Heidelberg: Wunderhorn 2013.","2663":"Erika Tietze-Conrat: Ein Porträt und nachher. In: Almut Krapf-Weiler (Hrsg.): Erika Tietze-Conrat. Die Frau in der Kunstwissenschaft, Texte 1906-1958. Wien: Schlebrügge 2007; S. 264-267, 281 (Schriften der Akademie der Bildenden Künste Wien; 5)","2664":"Nell Walden: Kokoschka und der 'Sturm'-Kreis. In: Hodin 1963a, S. [74]--85. [Teilweise wiederveröffentlicht (s. Raabe 1965), S. 128-134]","2665":"Konrad Feilchenfeldt: Erinnungen an Kokoschka. In: Pan, Offenbach, Jg. 1986, Nr. 3, März, S. 17-19","2666":"Geflüchtet unter das dänische Strohdach. Heide/i. Holstein 1988, S. 42-52 ","2667":"Walter Pollak (Hrsg.): Tausend Jahre Österreich. Eine biographische Chronik. Bd. 3. Wien: Donauland Kremayr & Scheriau 1974","2668":"Connaisseur des Arts, Aug. 1971","2669":"Wien - heute und gestern. Musik und Oper. Malerei und Plastik. Literatur und Theater. Hrsg. von Sigrid Wiesmann [u.a.]. Wien: Jugend & Volk 1975","2670":"Gunhild Bauer: Kokoschkas Erlebnis des Orients - die Orientbilder der Reisen in den Jahren 1928, 1929 und 1930. In: Bonnefoit/Häusler 2010a, S. 63-75","2671":"Keith Holz: Antifascism or autonomous art? Oskar Kokoschka in London, 1938--45. In: Kat. Ausst. 1997 Los Angeles, S. 86-95 und dt. Ausgabe (s. 1997/98 Berlin)","2672":"Der Heilige des Apostolates. In: Kirchenzeitung für das Bistum Aachen, Aachen, Jg. 18, 1963, Nr. 3, 20. Jan.","2673":"Paul E. Küppers: Sammlung Herbert von Garvens-Garvensburg in Hannover. In: Das Kunstblatt, Weimar, Jg. 1, 1917, H. 9","2674":"Sven Simon: Kokoschka über Adenauer: 'Ich hatte den Eindruck, das ist jemand.' Die Geschichte eines Porträts. In: Die Welt, Hamburg, Nr. 103, 4. Mai 1966","2675":"R. von Kuehlmann: Zu den Landschaften von Oskar Kokoschka. In: Das Kunstblatt, Potsdam, Jg. 10, 1926, H. 1. [Rez. 1925 Berlin, Cassirer]","2676":"Sotheby's New York, Impressionist and Modern Art - Day Sale, 3. Nov. 2011","2677":"Bernadette Reinhold: Kokoschka im Kontext: das Oskar Kokoschka-Zentrum in Wien. In: Egon-Schiele-Jahrbuch, H. 1, 2011, S. 260-264","2678":"Hauswedell & Nolte, Hamburg, Moderne Kunst, Auktion 249, 9. Juni 1983","2679":"Kunsthaus Zürich. 250 Werke aus der Sammlung. Zürich: Zürcher Kunstgesellschaft, 1982 ","2680":"Rainer Hagen: Kanzlerbilder. In: Frankfurter Allgemeine Magazin, Frankfurt/Main, 12.6.1992, S. 32-40","2681":"Birgit Dalbajewa:Kokoschka in der zeitgenössischen Rezeption von 1916 bis 1923. Berlin, Humboldt-Univ. Diss. 1999","2682":"Rupert Feuchtmüller: Das Dresdner Selbstbildnis von Oskar Kokoschka. In: Austria Stil, Wien, 1980, H. 4/5, S. 12-13 ","2683":"Christian Ring: Gustav Pauli und die Hamburger Kunsthalle. 2 Bde. Berlin, München: Dt. Kunstverl. 2010, Bd. 1 (Reisebriefe), Bd. 2 (Biographie und Sammlungspolitik).","2684":"Nina Grunenberg: Der alte Mann und sein Bild. 'Eine sehr geschickte Idee': Kokoschka malte Adenauer. In: Die Zeit, Hamburg, Jg. 21, 13. 5. 1966, Nr. 20, S. 14","2685":"John Willett: Expressionism. New York, Toronto: McGraw Hill 1978. (World university library)","2686":"Herbert Read: The philosophy of modern art. London: Faber & Faber [1950] ","2687":"Sherwin Simmons: 'Kitsch' oder 'Kunst'? Kokoschka's 'Der Sturm' & commerce in art. In: The print collector's newsletter, New York, Bd. 23, Nr. 5, Nov./Dez. 1992, S. [161]--167","2688":"Beatrice von Bormann: Expressionism, on the other hand, depicts life as people experience it. Kokoschka as Rebel and Humanist. In: Kat. Ausst. 2013 Rotterdam","2689":"Masterpieces of painting and sculpture from the Detroit Institute of Arts. Detroit/TX 1949","2690":"Alfred Hentzen: Die neue Abteilung der National-Galerie. In: Jahrbuch Preußischer Kulturbesitz, Berlin: Gebr. Mann, Bd. 10, 1972, S. 44","2691":"Andreas Hüneke: Schund aus dem Moritzburg-Museum? Werke aus der Hallenser Sammlung in der faschistischen Ausstellung 'Entartete Kunst' 1937. In: Galeriespiegel. Staatliche Galerie Moritzburg Halle, Halle, Jg. 1987, H. 2","2692":"Patrick Werkner: Marianne -Maquis. In: Kat. Ausst. 2008 Linz, S. 106-108","2694":"Claire Garnier und Laurent Le Bon (Hrsg.): 1917. Katalogbuch zur Ausstellung, Metz, Centre Pompidou-Metz, Galerie 1 et Grande Nef, 26. Mai – 24. Sept. 2012","2695":"Otto Breicha: Anders als anderswo. Die schönen und bildenden Künste seit der Gründung der Wiener Secession. In: Hannes Androsch und Helmut H. Haschek (Hrsg.): Österreich. Geschichte und Gegenwart. Wien: Brandstätter Verlag 1987, S. 230-307; S. 256ff.","2696":"Heinz Spielmann: Oskar Kokoschka. Bilder zur Weltliteratur. Sammlung Angelika und Heinz Spielmann. Katalogbuch zur Ausstellung, Aschaffenburg, Kunsthalle Jesuitenkirche, 1. Dez. 2007 - 24. Feb. 2008","2697":"Heike Biedermann: Ida Bienert – Avantgarde als Lebensgefühl. In: Kat. Ausst. 2006/07 Dresden, S. 69-80","2698":"Peter Krieger: Oskar Kokoschka: Kloveniersburgval in Amsterdam, 1925. In: Westermanns Monatshefte, Braunschweig, Jg. 107, 1966, H. 1, Jan., S. 22, Farbtaf. S. [23]","2699":"Die Gemälde des neunzehnten und zwanzigsten Jahrhunderts in der Niedersächsischen Landesgalerie Hannover. Textbd., München: Bruckmann 1973","2700":"Oskar Kokoschka: Bittschrift eines ausländischen Künstlers. In: Kat. Ausst. 1994/95 Bielefeld, S. 253--272 [Erstveröffentlichung in: Hoffmann 1947, S. 245--284]","2701":"Paintings and drawings of Continental School other than Flemish and Italian at 56 Princes Gate London SW 7. London 1961","2702":"Hans Tietze und Almut Krapf-Weiler (Hrsg.): Lebendige Kunstwissenschaft. Texte 1910 – 1954. Wien: Schlebrügge 2007. (Schriften der Akademie der Bildenden Künste Wien ; 4)","2703":"Lisa J. Street:Oskar Kokoschka's doll.Symbol of culture. Atlanta/GA: Emory Univ., Diss., 1993. [Verl. UMI Dissertation Services, Ann Arbor/MA 1994]","2704":"Gloria Sultano und Patrick Werkner: Oskar Kokoschka. Kunst und Politik 1937-1950. Wien, Köln [u.a.]: Böhlau 2003","2705":"Will Grohmann: Das Städtische Museum für Kunst und Kunstgewerbe in Halle. In: Der Cicerone, Leipzig, Jg. 17, 1925, H. 20","2706":"Der neue Roman: ein Almanach. Leipzig: Kurt Wolff 1917","2707":"J. A. Stargardt Autographenhandung Marburg, Katalog 634, 1985, Nr. 631 [Brief Oskar Kokoschka an Carl Moll, [Prag,] 6. 8. 1936]","2708":"Gregor Langfeld: Duitse kunst in Nederland. Verzamelen, tentoonstellen, kritieken, 1919 – 1964. Katalogbuch zur Ausstellung: Van de Tentoonstelling Duits Expressionisme. Den Haag, Gemeentemuseum, 9. Okt. 2004- 30 Jan. 2005 und: Duitse Expressionisten uit Nederlandse. Groningen, Musea in Groningen, 26. März – 18. Sept. 2005","2709":"Albert Soergel: Dichtung und Dichter der Zeit. Eine Schilderung der deutschen Literatur der letzten Jahrzehnte. Neue Folge: Im Banne des Expressionismus. Leipzig: Voigtländer 1925","2710":"Oskar Kokoschka: Briefe. Hrsg. von Olda Kokoschka und Heinz Spielmann. [Bd.] 1 = 1905-1919. Düsseldorf: Claassen 1984 ","2711":"Eugen Blume und Dieter Scholz (Hrsg.): Überbrückt. Ästhetische Moderne und Nationalsozialismus. Kunsthistoriker und Künstler 1925-1937. Köln: Walter König 1999","2712":"James Shedel: A Question of Identity. Kokoschka, Austria and the Meaning of the Anschluss. In: Donalds G. Daviau (Hrsg.): Austrian Writers and the Anschluss. Understanding the Past – Overcoming the Past. Riverside/CA: Ariadne Press 1991, S. 38--55","2713":"Umberto Parricchi (Hrsg.): Un paese immaginario: Anticoli Corrado. Rom 1984","2714":"Minneapolis Institute of Arts Bulletin, Minneapolis/MN, Bd. LIII, 1964, Nr. 4, Dez.","2715":"Karl Scheffler: Die Akademie der Künste, die Berliner Sezession und anderes. In: Kunst und Künstler, Berlin, Jg. 20, 1921/22, H. 10, Juli 1922, S. 356-362 [Rez. 1922 Berlin, Akademie]","2716":"Gesa Jeuthe. Die Moderne unter dem Hammer. Zur 'Verwertung' der 'entarteten' Kunst durch die Luzerner Galerie Fischer 1939. In: Uwe Fleckner (Hrsg.): Angriff auf die Avantgarde. Kunst und Kunstpolitik im Nationalsozialismus. Berlin: Akad.-Verlag 2007, S. 189-305. (Schriften der Forschungsstelle Entartete Kunst ; 1)","2717":"Oskar Kokoschkas Mosaik 'Ecce Homines'. Hamburg 1974 [Broschüre, hrsg. anläßlich der Übergabe des Mosaiks]","2718":"Wolf-Dieter Dube: Zeichen des Glaubens - Expressionismus. In: Wieland Schmied (Hrsg.): Zeichen des Glaubens - Geist der Avantgarde. Stuttgart: Electa/Klett-Cotta 1980, S. 101--109","2719":"A collection in the making. Works from the Phillips Collection. Hrsg. von Kevin Grogan. Chicago: Univ. of Chicago Press text/fiche publication 1976","2720":"Gloria Sultano: OK und die Ausstellung 'Entartete Kunst'. In: Sultano/Werkner 2003, S. 73-118","2721":"Katrin Bedenig Stein: Nur ein Ohrenmensch? Thomas Manns Verhältnis zu den bildenden Künsten. Bern [u.a.]: Lang 2001. (Europäische Hochschulschriften. Reihe 1, Deutsche Sprache und Literatur; 1803), S. 296-297","2722":"Fritz Nemitz: Kaleidoskop der Kunst. Aufsätze zur modernen Kunst. München: Berghaus-Verlag 1963 ","2723":"Harald Olbrich (Hrsg.): Geschichte der deutschen Kunst 1890--1918. Leipzig: Seemann 1988","2724":"Wilhelm Hausenstein: Über Kokoschka. In: Die Kunst, München, Bd. 52, Jg. 27, 1925/26, H. 5, Feb. 1926, S. 153-161 = Die Kunst für alle, Bd. 41","2725":"Berndt W. Wessling: Alma. Gefährtin von Gustav Mahler, Oskar Kokoschka, Walter Gropius, Franz Werfel. Düsseldorf: Claassen 1983 ","2726":"Robert Valancay: Kokoschka. In: Revue d'Allemagne, Paris, 15. Mai 1931. [Rez. 1931 Paris, Petit]","2727":"Julius Meier-Graefe: Entwicklungsgeschichte der modernen Kunst. Bd. 3: Die Kunst unserer Tage. Von Cézanne bis heute. München: Piper 1927","2728":"Janet Morgan: Agatha Christie. A biography. London 1984","2729":"Oskar Kokoschka: Erste Reise in die Schweiz. In: Kokoschka SW 2 1974","2730":"Will Grohmann: Die Sammlung Ida Bienert, Dresden. Potsdam: Müller & I. Kiepenheuer 1933","2731":"Wanda Birke: Oskar Kokoschka. Anschluß - Alice im Wunderland (1942). In: Gabriele Saure und Gisela Schirmer (Hrsg.): Kunst gegen Krieg und Faschismus. 37 Werkmonografien. Weimar: VDG 1999. (Schriften der Guernica-Gesellschaft; 11). S. 93–97","2732":"Werner Haftmann: Malerei im 20. Jahrhundert. Eine Bild-Enzyklopädie. München: Prestel 1965","2733":"Brigitte Reinhardt (Hrsg.): Kunst und Kultur in Ulm 1933-1945. Katalogbuch zur Ausstellung, Ulm, Ulmer Museum, 28. 2.-25. 4. 1993","2734":"Neuer Kokoschka im Museum Folkwang. In: Die Welt, Hamburg, Jg. 1971, Nr. 168, 23. Juli 1971","2735":"Anne Chisholm: Nancy Cunard. London: Sidgwick & Jackson 1979","2736":"Berichte aus rheinischen Museen. In: Wallraf-Richartz-Jahrbuch, Köln, Bd. 15, 1953","2737":"Kunsthalle Mannheim. Verzeichnis der Gemäldesammlung. Bearb. von Günther Ladstetter. Mannheim 1977","2738":"Paul Westheim: Oskar Kokoschka. Das Werk Kokoschkas in 62 Abbildungen. Potsdam-Berlin: Kiepenheuer [1918]","2739":"Jan M. Tomes: Oskar Kokoschka. Londoner Ansichten - englische Landschaften. München: Bruckmann 1972. [Engl. Ausg. u. d. T.: Oskar Kokoschka. London views - British landscapes, London 1972]","2740":"Magdalena Bushart: Kokoschkas Dresdner Gruppenbildnisse. In: Kat. Ausst. 1996 Dresden, S. 44--50","2741":"Wolfgang Hilger: Kokoschka und seine Rezeption nach dem Zweiten Weltkrieg in Österreich. In: Oskar Kokoschka Symposion 1986, S. 279--292 ","2742":"Georg Wacha (Hrsg.): Oskar Kokoschka und Linz. Eine Dokumentation. Mit einem beschreibenden Verzeichnis der frühen Kokoschka-Blätter in der Graphischen Sammlung des Stadtmuseums Linz (ausgestellt vom 28. 2. bis 6. 4. 1986). Linz: Stadtmuseum im Nordico 1986","2743":"Ilse Urbach:[Bürgermeister Brauer, gemalt von Oskar Kokoschka.] In: Die Welt, Hamburg, Nr. 168, 21. Juli 1951, S. 3","2744":"Katalog der Staatsgalerie Stuttgart. Neue Meister. Bearb. von Peter Beye und Kurt Löcher. Stuttgart 1968","2745":"Karl Roempler: Das Bildnis in Deutschland von 1800 bis zur Gegenwart. Dresden: Verlag der Kunst 1957 ","2746":"Guiseppe Gatt: Oskar Kokoschka. Florenz: Sansoni 1970 (I maestri del Novecento; 15). [Engl. Ausg. u.d.T.: Kokoschka, London, Hamlyn 1971]","2747":"Diether Schmidt: Oskar Kokoschka zum 90. Geburtstag. In: Bildende Kunst, Berlin (DDR), Jg. 24, 1976, H. 3, S. 127--130","2748":"E. R. Hagemann (Hrsg.): German and Austrian expressionism in the United States, 1900--1939. Chronology and Bibliography. Westport/CT, London: Greenwood Press 1985","2749":"Helen Adkins: Exhibition of 20th Century German Art: Zur Entstehungsgeschichte der Ausstellung. In: Kat. Ausst. 1988/89 Berlin","2750":"Werner Hofmann: Kokoschkas politische Kunst. In: Kat. Ausst. 2008 Wien, Albertina, S. 21-29.","2751":"Oskar Kokoschka. Blick auf Manhattan. In: Die Welt, Hamburg, 16./17. Nov. 1966","2752":"Meisterwerke der Sammlung Emil G. Bührle, Zürich. Katalog der Ausstellung zum Gedenken des 100. Geburtstages des Sammlers Emil G. Bührle. Bearb. von Christian Bührle. Zürich, München 1990","2753":"Oskar Kokoschka: Aus meinem 30jährigen Emigrantenleben als deutscher Maler. In: Kat. Ausst. 1994/95 Bielefeld, S. 225--228. [Erstveröffentlichung in: Freie Kunst und Literatur, Nr. 9, Paris, 1939, S. 2ff.]","2754":"John A. Thwaites: Ich hasse die moderne Kunst. Frankfurt/Main: Ullstein 1960. (Ullstein-Buch; 295)","2755":"Sotheby's London, Impressionist and Modern Drawings and Watercolors Part. II, 26. März 1986 ","2756":"Günter Aust: Das Von der Heydt-Museum in Wuppertal. Recklinghausen: Bongers 1977","2757":"Art, Hamburg, Jg. 1993, Nr. 6","2758":"Hans G. Hannesen: Hans Meyboden. Leben und Werk. - Hamburg 1982. Zzgl. Berlin: Freie Univ. Diss. 1981","2759":"Carte postale 'Oskar Kokoschka: Portrait' Ed. Deutsches Kulturkartell, Paris. Abb. des zerschnittenen Bildes (Foto: Stein, Paris); auf der Rückseite frz., engl. und dt. Text: 'Zerstoert von der Wiener Polizei, Gestapo Abteilung II H, am 5. Mai 1938'","2760":"Verzeichnis der Sammlung des Rechtsanwalts Johannes Geller in Neuß. Privatdruck, [zum 70. Geburtstag von J. Geller zusammengestellt von August Hoff]. München 1943","2761":"Das Kunstblatt, Berlin, Jg. 12, 1928, H. 6","2762":"Gunhild Bauer: Kokoschkas malerisches 'Erlebnis' des Orients - die Orientbilder der Reisen 'zu den Grenzen des Abendlandes' in den Jahren 1928, 1929 und 1930. Wien: Univ. Dipl.-Arb. 2008.","2763":"Keith Holz: The exiled Artists from Nazi Germany and their Art. In: Richard A. Etlin (Hrsg.): Art, culture, and media under the Third Reich. Chicago, London: Univ. of Chicago Press 2002, S. 343-367","2764":"Mathias Gatza: 'Unser Weg' - die Jahrbücher 1919 und 1920. Gedanken über eine Werbemaßnahme in schwieriger Zeit. In: Feichenfeldt/Raff 2006, S. 267-279.","2765":"Nationalmusei samling av moderna malningar och skulpturer. Modern paintings and sculptures, Nationalmuseum. Stockholm 1950","2766":"Christie's London, German and Austrian Art Part II, 17. Okt. 2000","2767":"Gerhard Händler: Deutsche Maler der Gegenwart. Berlin: Rembrandt-Verlag 1956. (Die Kunst unserer Zeit; 11)","2768":"Villa Grisebach Auktionen, Berlin, Auktion Nr. 189 Ausgewählte Werke, 24. Nov. 2011","2769":"Fritz Schmalenbach: Der junge Kokoschka. In: ARGO. Festschrift für Kurt Badt. Köln: DuMont Schauberg 1970","2770":"Sotheby's London,Impressionist and Modern Art - Day Sale, 9. Feb. 2012","2771":"Sotheby Parke Bernet & Co., Impressionist and modern paintings and sculpture, 3. Dez. 1975","2772":"The Princes Gate Collection. Katalogbuch hrsg. von Helen Bonham. London: Courtauld Institute Galleries 1981","2773":"Joan A. Smith: Schoenberg and his circle. A Viennese portrait. New York: Schirmer Books [u.a.] 1986","2774":"Chantal Bartolini: Friedrich Karl Gotsch. La seconde génération expressionniste. Katalogbuch zur Ausstellung, Genf, Galerie Arrvera's, 16. Sept. 2011-18. Feb. 2012. [Text in frz. u. engl.]","2775":"Angebotsblatt der G. I. N. Gallery, Amsterdam, anläßlich der Ausstellung Oskar Kokoschka, Schilderijen, tekeningen, aquarellen, grafiek, 11. sept. - 15. okt. [o. J.]","2776":"Hans-Otto Wöber: Eine nicht sakrale Kreuzigung. In: Lutherische Monatshefte, Hannover, Jg. 25, H. 3, März 1986, S. 100-102","2777":"Wien 1900. Sammlung Leopold, Wien. Hrsg. von Diethard Leopold und Peter Weinhäupl. Wien, München: Brandstätter Verlag 2009.","2778":"Alfred Neumeyer: Oskar Kokoschka. In: Panorama, Buenos Aires, Aug. 1946, S. 36-42","2779":"The Phillips Collection. A summary catalogue. Washington/DC: The Phillips Collection 1985","2780":"Claude Jamain: Le Regard trouble. Essai sur la poupée d’Oscar Kokoschka. Mit Briefen von Oskar Kokoschka an Hermine Moos. Zürich [u.a.]: Éditions L’improviste 2006. (Les boutiques de cannelle)","2781":"Ulla Wagner: Die Bedeutung der Frau in Oskar Kokoschkas Frühwerk. Graz: Univ. Dipl.-Arb. 1991","2782":"Die Presse, Wien, 13. Dezember 1990 [ anläßlich des Ankaufes durch das Niederösterreichische Landesmuseum]","2783":"Art News, New York, Okt. 1948","2784":"Neuerwerbungen der Kunstmuseen in NRW 1976. Essen: Museum Folkwang. In: Wallraf-Richartz-Jahrbuch, Köln, Bd. 39, 1977, S. 278 ","2785":"Beate Söntgen: Täuschungsmanöver. Kunstpuppe - Weiblichkeit - Malerei. In: Kat. Ausst. 1999 Düsseldorf, S. 125-139","2786":"Sotheby's London, Impressionist and Modern Art - Day Sale, 5. Feb. 2003","2787":"H. H. Arnason: History of modern art. Painting, sculpture, architecture. New York: Abrams 1983. [Dt. Ausg. u. d. T.: Geschichte der modernen Kunst,Bremen: Schünemann 1970]","2788":"Maly und Dietfried Gerhardus: Expressionism. From artistic commitment to the beginning of a new era. Oxford: Phaidon Press 1979 [Holländ. Originalausg. u. d. T.: Expressionismus, Weert: Smeets Offset 1976]","2789":"Hauswedell & Nolte, Hamburg. Moderne Kunst, Auktion 243, 11./12. Juni 1982","2790":"Kirsten Dovey: En kvinde og en mand pa et laerred [A woman and a man on a canvas]. In: Hrymfaxe, Kopenhagen, XII/2, Juni 1982, S. 22--26","2791":"Joseph P. Hodin: Oskar Kokoschkas politische Gemälde. In: Werk, Winterthur, Jg. 32, 1945, H. 7, S. 209--213","2792":"Das Kunstblatt, Potsdam, Jg. 11, 1927, H. 6, S. 238 (Beilage). [Rez. 1927 Berlin, Akademie]","2793":"Bruno E. Werner: Die Zwanziger Jahre. München 1962","2794":"Prager Presse, Nr. 46, 1936, Sonntagsbeilage ","2795":"Sven Simon: Adenauer und Kokoschka. Bilder einer Freundschaft. Düsseldorf [u.a.]: Econ-Verlag 1967","2796":"Diether Schmidt: Dresdner Rot. Oskar Kokoschka 1916 bis 1923 in Dresden und seine Beziehungen zur Dresdner Kunst. In: Oskar Kokoschka Symposion 1986","2797":"Christoph Zuschlag: 'Es handelt sich um eine Schulungsausstellung'. Die Vorläufer und die Stationen der Ausstellung 'Entartete Kunst'. Tabelle 1: Vorläufer der Ausstellung 'Entartete Kunst' 1937 in München. In: Kat. Ausst. 1992 Berlin, Altes Museum, S. 83--105 und engl. Ausg. (s. 1991 Los Angeles, S. 83--105)","2798":"Christie's Düsseldorf, Europäische Gemälde, Zeichnungen und Skulpturen des 19. und 20. Jahrhunderts, 20. Juni 1973","2799":"Wilhelm Hausenstein: Ausstellungen - München. In: Kunstchronik, Leipzig, N. F., 25 = Jg. 49, 1913/14, Nr. 41, 21. 8. 1914 ","2800":"Betsy Rosasco: 'Your kind smile.' Oskar Kokoschka's Portrait of Henry Pearlman. In: Kat. Ausst. 2014 Oxford, S. 255-261","2801":"H. Sternath: Kokoschka und Wien. In: Weltkunst, München, Jg. 5, 1982, Nr. 7, S. 928","2802":"Gottfried Sello: Die großen Maler: Oskar Kokoschka. In: Brigitte, Hamburg, Jg. 1973, H. 13, 22. Juni, S. 202-203 ","2803":"Alice Strobl und Alfred Weidinger: Oskar Kokoschka. Die späten schöpferischen Jahre aus der Sicht eines langen Künstlerlebens. In: Kat. Ausst. 1998 Wien, Albertina, S. 9-18","2804":"Öffentliche Kunstsammlung Basel. Katalog 1946. Basel 1946","2805":"Werner R. Deusch: Neuere Malerei in der Staatsgalerie Stuttgart. Stuttgart 1961","2806":"Carl G.Heise: Die Sammlung des Freiherrn August von der Heydt. Leipzig o. J. [1918]","2807":"Hans und Rosaleen Moldenhauer:Anton von Webern. Zürich, Freiburg/Br.: Atlantis 1980","2808":"Danielle Lenhard: Oskar Kokoschka and the Subversive Tradition of Expressionist Portraiture. In: Art criticism, Bd. 22, Nr. 2, 2007, S. 39-49","2809":"Alfred Hentzen: Die Berliner National-Galerie im Bildersturm. Köln, Berlin: Grote 1972. [Erstveröffentlichung u. d. T.: Das Ende der Neuen Abteilung der National-Galerie im ehemaligen Kronprinzenpalais. In: Jahrbuch Preußischer Kulturbesitz, Bd. 8, 1970, S. 24-89]","2811":"Rupert Feuchtmüller und Wilhelm Mrazek: Kunst in Österreich 1860-1918. Wien [u.a]: Forum-Verlag 1964","2812":"Toni Feldenkirchen: Die Ausstellungskataloge des Kölnischen Kunstvereins 1942-1972 und die Schriften 1931-1972. Köln: Kunsthistor. Inst. der Universität 1973","2813":"Kunsthaus Zürich. Aus der Sammlung. Zürich 1968","2814":"Carl G. Heise: Oskar Kokoschka. In: Westermanns Monatshefte, Braunschweig, Jg. 97, 1956, H. 1, S. 67-68","2815":"Herbert M. Schönfeld: Kokoschka in München. In: Aachener Nachrichten, 25. März 1958","2816":"Erwin Rosenthal: Marzell von Nemes. In: Der Cicerone, Leipzig, Jg. 22, 1930, H. 23/24","2817":"Stephan Lehmann: Bekenntnis zu Hellas. Oskar Kokoschka und die griechische Kunst. In: Kat. Ausst. 2010 Halle (Saale), S. 29-43","2818":"Parke-Bernet Galleries, New York, 26. Okt. 1967","2819":"Ingried Brugger: Larve und 'Stille Frau'. Zu Oskar Kokoschkas Vorlage für die Puppe der Alma Mahler. In: Kat. Ausst. 1992 Frankfurt/Main, S. 69--77","2820":"Alfred Hentzen: Erwerbungen für die Gemälde-Galerie im Jahre 1963. In: Jahrbuch der Hamburger Kunstsammlungen, Hamburg, Jg. 9, 1964, S. 163-181","2821":"Keith Holz: Oskar Kokoschka. In: Kat. Ausst. 2001/02 New York, Neue Galerie, S. 104-113","2822":"Heinz Keller: Neuerwerbungen des Kunstmuseums Winterthur 1950-1956. In: Werk, Schweizer Monatszeitschrift für Architektur, Kunst und künstlerisches Gewerbe, Winterthur, Jg. 1957, H. 1, S. 31-36","2823":"Sabine Bayer: Bild und Wirklichkeit - Oskar Kokoschka, der Maler und Dramatiker. Graz: Univ. Dipl.-Arb. 1996","2824":"Roswitha Ries: Das Frauenbild in der österreichischen Kunst zwischen 1900 und 1910 am Beispiel von Gustav Klimt, Oskar Kokoschka, Egon Schiele und Anton Hanak. Wien: Hochschule für angewandte Kunst, Univ. Dipl.-Arb. 1995","2825":"Heinz Seyfarth: Expressionistische und nachexpressionistische Malerei in der Kunsthalle. Unterrichtsmaterialien zu den Lehrplänen Bildende Kunst (Sekundarstufe I und II). Hamburg 1981","2826":"Ines Rotermund-Reynard: Erinnerung an eine Sammlung. Zu Geschichte und Verbleib der Kunstsammlung Paul Westheims. In: Claus-Dieter Krohn [u.a.] (Hrsg.): Gedächtnis des Exils. Formen der Erinnerung. München: Ed. Text + Kritik 2010, S. 151-193. (Exilforschung. Ein internationales Jahrbuch; 28)","2827":"Gerhard Händler: Aufgaben und Ziele des Städtischen Kunstmuseums. In: Duisburger Forschungen I, Duisburg 1957","2828":"Sotheby's London, Impressionist and Modern Art and Ceramics, 21. Okt. 1998","2829":"Katja Konstani: Begegnung der Sinne. Wort und Bild in ausgewählten Werken Oskar Kokoschkas. Köln: Univ. Inst. Für Sprache und Literatur, Haus-Arb. 1998","2830":"Die Welt, Hamburg, 29. Januar 1965 ","2831":"Oskar Kokoschka: Schriften 1907-1955. Hrsg. von Hans M. Wingler. München: Langen, Müller 1956","2832":"C.O.S.: Kokoschkas Geschenk an das Hamburger Studentenheim. In: Die Neue Zeitung, 17. 3. 1953","2833":"Horst Jähner: Kokoschka und die Frage der Opposition. Zum 70. Geb urtstag des Künstlers. In: Bildende Kunst, Dresden, Jg. 4, 1956 , Nr. 3, S. 140-144","2834":"Ich bin der Sauerstoff. Der die Kunst am Leben hält: Oskar Kokoschka. In: Der Spiegel,Hamburg, Nr. 31, Jg. 4, 1951, S. 32-36 mit Fotoaufnahmen von Ingeborg Sello","2835":"Klemens Kroh: Anmerkungen zu Oskar Kokoschkas frühen Porträts. In: Carolin Bahr und Gora Jain (Hrsg.): Zwischen Askese und Sinnlichkeit. Festschrift für Norbert Werner zum 60. Geburtstag. Giessener Beiträge zur Kunstgeschichte, Bd. 10, 1997, S. 232-246","2836":"Doris Wild: Die Sammlung Emil Bührle in Zürich. In: Das Kunstwerk, Baden-Baden, Jg. 7, 1953, H. 6, S. 18-28, Abb. S. 18","2837":"Gisbert Kranz (Hrsg.): Deutsche Bildwerke im deutschen Gedicht. München: Hueber 1975","2838":"Joseph P. Hodin: Kokoschka, malare och humanist. In: Konstrevy, Stockholm, Jg. 16, 1940, Nr. 1, S. 9--15","2839":"Paul F. Schmidt: Kokoschkas neue Werke. In: Feuer, Saarbrücken, Jg. 1, 1919/20, H. 10, Juli 1920, S. 745--748","2840":"Max Deri: Die neue Malerei. Sechs Vorträge. Leipzig: Seemann 1921 ","2841":"The Tate Gallery 1986-88. Illustrated biennial report. London 1988","2842":"Oskar Kokoschka: Briefe. Hrsg. von Olda Kokoschka und Heinz Spielmann. [Bd.] 4 = 1953-1976. Düsseldorf: Claassen 1988 ","2843":"Gabriele Maria Vogelberg: Künstler und Modell. Zwischen Imagination und Wirklichkeit. Untersuchung zum Modellkult zwischen 1860 und 1920. Frankfurt/Main [u.a.]: Peter Lang 2005 (Schriften zur Bildenden Kunst; 13)","2844":"Weltkunst, München, Jg. 52, 1982, Nr. 20, 15. Oktober 1982","2845":"Heinz Spielmann: Kokoschkas Kindheit und früheste Gemälde. In: Oskar Kokoschka Symposion 1986","2846":"Walther Krüger: Das Gorgonenhaupt. Zukunftsvisionen in der modernen bildenden Kunst, Musik, Literatur. Berlin: Mann 1972 ","2847":"Philippe Poindront: Oskar Kokoschka. L'indomptable dissident. In:Dossier de l’art, 2005, Nr. 123, S. 64-75","2848":"Marianne, Walter und Konrad Feilchenfeldt: Rote Socken hab' ich gern. In: Du. Die Kunstzeitschrift, Zürich, Jg. 1981, H. 10, S. 58-59","2849":"[Ernst Rathenau, Hrsg.]: Kokoschka: Handzeichnungen. Berlin: Rathenau [1935]","2850":"Doris Wild: Zu Kokoschkas Frühwerken. In: Neue Zürcher Zeitung, Zürich, Sonntagausgabe Nr. 2811, 73, 26. Juni 1966, Bl. 4 (= Fernausgabe Nr. 172, 25. 6. 1966, Bl. 19-20)","2851":"Das Thermopylen-Triptychon von Oskar Kokoschka im Hörsaal D der Universität Hamburg. Hamburg: Kunstgeschichtliches Seminar der Universität Hamburg Wintersemester 1982/1983. [Typoskript 46 S.]","2852":"Hugo Borger und Frank G. Zehnder: Köln, die Stadt als Kunstwerk. Stadtansichten vom 15. bis 20. Jahrhundert. Köln: Greven 1982","2853":"Peter Fuchs: Köln Wesen. Werden. Wirken. Köln: Greven 1968","2854":"Karl Scheffler: Die Frühjahrsausstellung der Akademie der Künste. In: Kunst und Künstler, Berlin, Jg. 25, 1926/27, H. 9, Juni 1927, S. 349-350 [Rez. 1927 Berlin, Akademie]","2855":"Ludwig Goldscheider: Kokoschka. In Zusammenarbeit mit dem Künstler. Köln: Phaidon-Verlag 1963","2856":"Wolfgang G. Fischer: Das Oskar Kokoschka-Alphabet von Alma bis Zeitzeuge. In: Kat. Ausst. 1994/95 Bielefeld, S. 131--151","2857":"Rainer Stamm: 'Ein alter Meister': Else Lasker-Schüler und Oskar Kokoschka. In:Weltkunst, München, Jg. 68, H. 4, April 1998, S. 790-793","2858":"Emil Waldmann: Das Bildnis im 19. Jahrhundert. Berlin: Propyläen-Verlag 1921 ","2859":"Jan M. Tomes: Kokoschkas Verhalten zu seinen Zeitgenossen und dessen Widerspiegelung in seinen Porträts. In: Oskar Kokoschka Symposion 1986, S. 252-264 ","2860":"Franz Roh: 'Entartete Kunst'. Kunstbarbarei im Dritten Reich. Hannover: Fackelträger-Verlag 1962. Enthält als Faksimile den Führer durch die Ausstellung 'Entartete Kunst' (Kat. Ausst. München 1937, Hofgartenarkaden)","2861":"Oskar Kokoschka: Zu meinen Deckengemälden in London. In: Das Werk, Schweizer Monatszeitschrift für Architektur, Kunst und künstlerisches Gewerbe, Winterthur, Jg. 39, 1952, Nr. 7, Juli, S. 232-236 [zit. In: Hodin 1968, S. 292-294]","2862":"Elisabeth Nowak-Thaller: 'Linzer Landschaften' - Porträt und Vision einer Stadt. In: Kat. Ausst. 2008 Linz, S. 177-182","2863":"Oskar Kokoschka: Briefe. Hrsg. von Olda Kokoschka und Heinz Spielmann. [Bd.] 2 = 1919--1934. Düsseldorf: Claassen 1985 ","2864":"Sotheby's London, Impressionist and Modern Paintings and Sculpture Part I, 26. März 1985","2865":"Museum der Gegenwart, Berlin, Jg. 2, 1931/32, H. 4, 1. Vierteljahr 1932","2866":"Sheldon Cheney: A primer of modern art. New York: Liveright 1958","2867":"Pierre Berthelot: Exposition. In: Beaux Arts, Paris, Jg. 9, 1931, Nr. 3, März, S. 7 [Rez. 1931 Paris, Galeries Georges Petit]","2868":"Oskar Kokoschka: Vom Bewußtsein der Gesichte. In: Genius, München, Jg. 1, 1919, 1. Bd","2869":"Peter S. Jungk: Franz Werfel. Frankfurt/Main: S. Fischer 1987","2870":"Elisabeth Nowak-Thaller: Oskar Kokoschka. Ein Vagabund in Linz. Wild, verfemt, gefeiert. In: Kat. Ausst. 2008 Linz, S. 9-40","2871":"Vom jüngsten Tag. Ein Almanach neuer Dichtung. Leipzig: Kurt Wolff 1917 [1916]","2872":"Manfred Fath: Städtische Kunsthalle Mannheim. München, Zürich: Schnell & Steiner 1984","2873":"Kunstchronik und Kunstmarkt, Leipzig, Jg. 55 = N. F., 31, 1919/20, Nr. 43/44, 23./30. Juli 1920. [Rez. 1920 Dresden durch ZM [d. i.] K. Zoege v. Manteuffel]","2874":"Galerie Wolfgang Ketterer, München, 20. Jahrhundert, 33. Auktion, 28./29. Mai 1979","2875":"Reinhard Piper: Das Liebespaar in der Kunst. München: Piper [1916]","2876":"Oskar Kokoschka: Der Zeichner Kokoschka. New York 1961 (s. Rathenau 1961)","2877":"Museum Folkwang Essen. Gemälde: 19. und 20. Jahrhundert. Bearb. von Paul Vogt. Essen 1960","2878":"Alfred Hentzen: Carl Georg Heise zum 80. Geburtstag. In: Jahrbuch der Hamburger Kunstsammlungen, Hamburg, Jg. 14/15, 1970, S. 21-30","2879":"Birgit Schwarz: Rittmeister und Excellenz. Oskar Kokoschka und Hans Posse 1919 bis 1923. In:Wiener Jahrbuch für Kunstgeschichte, Wien, Bd. 42, 2014, S. 231-254","2880":"Nicolas Powell: The Sacred Spring. The arts in Vienna 1898-1918. London: Studio Vista 1974","2881":"Rolf Linnenkamp: Gésinus. Ein Maler des aufgeklärten Realismus. München: Hirmer 1984","2882":"Mario Praz: La bambola di Kokoschka. In: Mario Praz: Il patto col serpente. Mailand: Mondadori 1972, S. [529]--533. [Wiederveröffentlicht u. d. T. La poupée de Kokoschka und De pop van Kokoschka in: (s. Kat. Ausst. 1987 Gent, S. 49-51)]","2883":"Steffen Pross: 'In London treffen wir uns wieder'. Vier Spaziergänge durch ein vergessenes Kapitel deutscher Kulturgeschichte nach 1933. Frankfurt/Main: Eichborn 2000","2884":"Waltraut Hodurek: Die Selbstbildnisse der nord- und mitteldeutschen Expressionisten. München: Univ. Diss. 1976","2885":"Hans Heilmaier: Kokoschka. Paris: Crès 1929. (Collection les artistes nouveaux)","2886":"Ulrich Christoffel: Der Berg in der Malerei. Der Schweizer Alpen-Club zur Hundertjahrfeier 1963 an seine Mitglieder. Zollikon 1963","2887":"Edwin Lachnit: 'Der Mensch hat zwei Augen'. Die Städtebilder ab 1923. In: Kat. Ausst. 1991 Wien, S. [29]--35","2888":"Christie's, London, Anon. Auktion, 2. Juli 1974","2889":"Hans Schmoller: Giovanni Mardersteig und die Officina Bodoni. In: Imprimatur, Frankfurt/Main, N. F., 3, 1961/62, 1962, S. 29-35","2890":"Barbara Eschenburg: 'Anima, süße Anima!' In: Kat. Ausst. 1996 Dresden, S. 51--60","2891":"James S. Plaut: Kokoschka the man. In: Kat. Ausst. 1948 Boston, S. 9-27","2892":"Sotheby's New York, Impressionist and Modern Art - Evening Sale, 2. Nov. 2010","2893":"Sheldon Cheney: The story of modern art. New York: Viking Press 1941 ","2894":"Oskar Kokoschka: Mein Leben. Vorwort und Mitarbeit von Remigius Netzer. München: Bruckmann 1971. [Engl. Ausg.: My life, London 1974; frz. Ausg.:Ma vie, Paris 1986; ital. Ausg.: La mia vita, Venezia 1982; span. Ausg.:Mi vida, Barcelona 1988; ungar. Ausg.:Eletem, Budapest 1974]","2895":"R.N. Ketterer, Campione d´Italia, Moderne Kunst, Bd. 5, 1968","2896":"A. R.: Tribute to Kokoschka. In:Pictures and Prints,Nr. 82, Herbst 1962, S. 18ff.","2897":"Heinz Spielmann: 1934-1938 Prag. Begegnungen mit Freunden und Weggefährten. In: Kat. Ausst. 2008 Wien, Albertina, S. 55-60","2898":"Niels von Holst: Deutsche Maler sehen Paris. In: Die Kunst und das schöne Heim, München, Jg. 52, 1954, H. 11, Aug., S. 415--417","2899":"Das Kunstblatt, Potsdam, Jg. 9, 1925, H. 1","2900":"Kunsthaus Lempertz, Köln, 265. Kunstversteigerung, 24. April 1928","2901":"Joseph P. Hodin: Oskar Kokoschka. Die Krise der Kunst und der Expressionismus. In: Der Monat, Berlin, Jg. 2, 1949/50, H. 18, März 1950, S. 651-657. [Teilw. wiederabgedruckt u. d. T.: Orbis pictus. In: Wingler 1966, S. 93-96]","2902":"Robert Spira: Londoner Huldigung für Kokoschka. In: Die Weltkunst, München, Jg. 1966, H. 7, 1.4.1966, S. 282 [Rez. 1966 London]","2903":"France Borel: Verführung. Künstler und Modell. Leipzig: Seemann 1994. [Frz. Originalausg. u. d. T.: Le modèle ou l'artiste séduit, Paris: Skira 1990]","2904":"Erika Tietze-Conrat: I then asked myself: What is the 'Wiener Schule'? Erinnerungen an die Studienjahre in Wien. (Hrsg. von Alexandra Caruso). In: Wiener Jahrbuch für Kunstgeschichte, Wien [u.a.], Bd. 59, 2010, S. 207–218.","2905":"Wiener Antiquariat Ingo Nebehay.Autographe, Liste 94, Feb. 1990, Nr. 132 [Brief Oskar Kokoschka an Carl Moll (25. 8. 1936)]","2906":"Robert Waissenberger: Bewahrte Geschichte. Wien, München: Verlag für Jugend & Volk 1979","2907":"Moderne Bilder in den Kunstausstellungen. In: Der Kunstwanderer, Berlin, Jg. 1926, April","2908":"Berlin - 13. August 1966. In: Springer-Post/Ullstein Post, Nr. 10, Okt. 1966, S. 24- 29","2909":"Termopili. In: Sele Arte, Florenz, Jg. 3, 1955, Nr. 17, März/April","2910":"Fritzi Weisenborn: Three men and their work... In: Sunday Times, Chicago/Ill., 19. Januar 1941, S. 11","2911":"Hans M. Wingler: Oskar Kokoschkas neue Bilder 1947-1950. In: Die Kunst und das schöne Heim, München, Jg. 49, 1950/51, Nr. 2, Nov. 1950, S. 41-45","2912":"Christie's New York, Impressionist and Modern Paintings and Sculpture Part II, 15. Nov. 1990","2913":"Vytvarné umení, Jg. 6, 1956, Nr. 7","2914":"Hélène Frédérick: La poupée de Kokoschka. Paris: Gallimard 2010.","2915":"Städtische Kunsthalle Mannheim. Vorläufiges Verzeichnis der Gemälde- und Skulpturen-Sammlung. Vorw. von G. F. Hartlaub. Mannheim [1926]","2916":"Ernst H. Gombrich: Kokoschka in his time. Lecture given at the Tate Gallery on 2 July 1986. London: The Tate Gallery 1986. (Tate modern masters) ","2917":"Almut Krapf-Weiler: 'Ich sah ein, wie wichtig ein Museum für den Einsamen sein kann…' Oskar Kokoschka als Kunsthistoriker. In: Frodl/Natter 1997, S. 112–120","2918":"Bernard Dorival: Fauves: The wild beasts tamed. In: Art news annual, New York, Nr. 22, 1953, S. 125","2919":"Wilhelm-Lehmbruck-Museum. Gemälde: Von der 'Brücke' zum Informel. Bearb. von Renate Heidt Heller [u.a.]. (Bestandskatalog; 3). Duisburg 1989","2920":"Else Lasker-Schüler: Oskar Kokoschka. In: Der Sturm, Berlin, Jg. 1, 1910/11, Nr. 21, 21. Juli 1910, S. 166","2921":"Weltkunst, München, Jg. 1965, 1. Nov.","2922":"Alte und moderne Kunst, Wien, 1961, Nr. 42","2923":"Hans Bisanz: Österreichische Malerei und Graphik der Zwischenkriegszeit. In: Kadrnoska 1981, S. 359--372 ","2924":"Tobias G. Natter: 'Could one paint the President oft he United States?' Kokoschkas Rezeption in den USA. In: Kat. Ausst. 2002 Hamburg, S. 71-85. [Text in engl. Im Kat. Ausst. 2002 New York, Neue Galerie, S. 71-85]","2925":"Alfred Werner: Kokoschka's Baroque expressionism. In: Arts, New York, Bd. 33, Nr. 10, Sept. 1959, S.43--47","2926":"Polychronis K. Enepekides: Elisabeth und die Griechen: der Kaiserin Vorliebe für das zeitgenössische Griechenland und seine Volkssprache. In: Elisabeth von Oesterreich, Kat. Ausst. 1986 Wien, Historisches Museum der Stadt Wien, S. 58-73","2927":"Jan Tabor: ...und sie folgten ihm. Wien 1938. Österreichische Künstler und Architekten nach dem 'Anschluss' 1938. Eine Reportage. In: Siegwald Ganglmair (Hrsg.): Wien 1938. Katalogbuch zur Ausstellung Wien, Rathaus, Volkshalle, 11. März-30. Juni 1988 in Zusammenarbeit mit dem Historischen Museum der Stadt Wien u. Dokumentationsarchiv d. österr. Widerstandes. Wien 1988, S. 398--429","2928":"Museum des 20. Jahrhunderts, Wien: Die Bilder. Hrsg. von Werner Hofmann und Otto Graf. Wien 1968","2929":"Karl M. Swoboda: Von der Romantik bis zur Moderne. Wien, München: Schroll 1984. (Swoboda: Geschichte der bildenden Kunst; 9)","2930":"Edith Hoffmann: Expressionism at the Stedelijk Museum, Amsterdam. In: The Burlington Magazine, London, Bd. 91, Nr. 561, Dez. 1949, S. 344--348","2931":"Melody A. Maxted: Envisioning Kokoschka. Considering the Artist’s political allegories 1936-1954. In: Montage, 2, 2008, S. 87-102. (www.uiowa.edu/~montage issues/2008/05_Maxted.pdf) (3.12.2014)","2932":"Villa Grisebach Auktionen, Berlin, Auktion Nr. 7, Kunst des 19. und 20. Jahrhunderts, 25. Nov. 1988","2933":"Curt Seckel: Raum im Strom der Bewegung. Zu einer Landschaft Kokoschkas. In: Zeitwende. Die neue Furche, Hamburg, Jg. 31, 1960, H. 7, S. 497-499","2934":"Leonie von Wilckens: Über die Farbe bei Kokoschka. In: Das Kunstwerk, Baden-Baden, Jg. 5, 1950/51, H. 3, Nov./Dez. 1950, S. 60","2935":"Paul Westheim: Der Maler Oskar Kokoschka. In: Das junge Deutschland, Berlin, Jg. 2, 1919, H. 6","2936":"Remigius Netzer: Kokoschka. Der Oberwildling von der Donau. In: Epoca, eine europäische Zeitschrift, München, Nr. 9, Sept. 1967, S. 44-53","2937":"Gabriele Crepaldi: Arte moderna. 1900-1945. L'età delle avanguardie. Mailand: Mondadori 2005","2938":"Wolfgang Becker (Hrsg.): Köln und die Dichter. Köln 1969","2939":"David R. Smith: Rembrandt's early double portraits and the Dutch conversation piece. In: The Art Bulletin, New York, Bd. LXIV, Nr. 2, Juni 1982, S. 259-288","2940":"Hans-Otto Hügel (Hrsg.): Deutsche Schriftsteller im Porträt. Bd. 5. München: Beck 1983 (Beck'sche Schwarze Reihe; 265)","2941":"Germanisches Nationalmuseum. Führer durch die Sammlungen. München: Prestel-Verlag 1985","2942":"Holger Diezemann: Carletto und der alte Meister. In: Stern, Nr. 50, 1970, S. 107-109","2943":"Oskar Kokoschka: Die Prometheus-Saga. In: Kokoschka SW 3 (1975), S. 313-319","2944":"Almut Krapf-Weiler: Zur Bedeutung des österreichischen Barock für Oskar Kokoschka. In: Wiener Jahrbuch für Künstgeschichte, Wien, Bd. 40, 1987, S. [195]-208","2945":"Arthur Roessler: Oskar Kokoschka. In: Roessler 1918a","2946":"Museum Folkwang. Band 1: Moderne Kunst. Malerei, Plastik, Grafik. Bearb. von Agnes Waldstein. Essen 1929","2947":"Artur Rosenauer: Gedanken zum Altersstil. In: Kat. Ausst. 2008 Wien, Albertina, S. 13-19.","2948":"Christoph Asendorf: Ströme und Strahlen. Das langsame Verschwinden der Materie um 1900. Gießen: Anabas-Verlag 1989. (Werkbund-Archiv; 18) ","2949":"Diether Schmidt (Hrsg.): In letzter Stunde. 1933--1945. Dresden: Verlag d. Kunst 1964. (Schriften deutscher Künstler des zwanzigsten Jahrhunderts; 2) (Fundus-Bücher; 10/11)","2950":"Egon und Emmy Wellesz: Egon Wellesz. Leben und Werk. Wien, Hamburg: Zsolnay 1981","2951":"Wolfgang Braunfels: Ein Sammler des deutschen Expressionismus - In Memoriam J. Haubrich. In: Wallraf-Richartz-Jahrbuch, Köln, Bd. 24, 1962, S. 378","2953":"Francesco Crisanti: I Luoghi di Kokoschka. Viaggi, opere, relazioni e riflessioni dell'artista austriaco in Italia. Pisa: Univ. Dipl. Arb. 2003","2954":"Accessions of American and Canadian Museums, October - December 1972. In: The Art Quaterly, Detroit, Bd. 36, 1973, Nr. 3, S. 273","2955":"Biedermeier - Historismus - Secession. 1830-1918. Wien 1987 (Führer durch die Österreichische Galerie; 4)","2956":"Sotheby's London, Impressionist and Modern Paintings and Sculpture Part I, 3. April 1990","2957":"Yoshio Dohi: Oskar Kokoschka and Wien. In: Mizue, Tokyo, Nr. 878, 5. Mai 1978, S. 33--39. [Text jap. mit engl. Zfg.]","2958":"A loan exhibition of paintings, watercolors and sculpture from the collection of Mr. and Mrs. Henry Pearlman. New York: M. Knoedler & Comp. 1959","2959":"Eckart v. Sydow: Die deutsche expressionistische Kultur und Malerei. Berlin: Furche-Verlag 1920. (Furche-Kunstgaben; 2) ","2960":"Otto Breicha und Gerhard Fritsch (Hrsg.): Finale und Auftakt. Wien 1898--1914. Literatur, Bildende Kunst, Musik. Salzburg: O. Müller 1964","2961":"Leopold Reidemeister: Museumsarbeit heute. In: Eduard von der Heydt zum 70. Gebrurstag. Zürich 1952","2962":"Stedelijk van Abbe-Museum Eindhoven. Catalogus van de Eindhovense museumscollectie. [Eindhoven 1956]","2963":"Marcel Zahar: Oskar Kokoschka, Sturm und Drang. In: Formes, Paris, Nr. 14, April 1931","2964":"Galerie Fischer, Luzern, Auktionen AG, Gemälde alter und moderner Meister, 24. Nov. 1995","2965":"Charles W. Haxthausen: Modern German masterpieces. In: Saint Louis Art Museum Bulletin, St. Louis/MO, Winter 1985, S. 1-62","2966":"Christina Feilchenfeldt: The Paul Cassirer Gallery (1933-1945): Berlin – Amsterdam – London. In: Rotermund-Reynard 2015, S. [123]-137","2968":"Eberhard Roters (Hrsg.): Berlin 1910--1933. Die visuellen Künste. Berlin: Rembrandt-Kunstbuch 1983","2969":"Philippe Dagen: Le silence des peintres. Les artistes face à la grande guerre. L’Étang-la-Ville : Fayard 1996","2970":"Agatha Christie: My Portrait by O.K. / Mein Portrait von O.K. In: Begegnung mit Kokoschka, Festschrift. Pöchlarn 1973, S. 26-29 mit Abb.","2971":"Alan Levy: Oskar Kokoschka, 'Reality is but an optical illusion'. In: Art news, Bd. 73, Nr. 2, Feb. 1974, S. 28--35","2973":"Christie, Manson & Woods, London, Fifteen Expressionist Paintings from the Georg Schäfer Collection, Schweinfurt, 27. Juni 1978","2974":"A. James Speyer: Twentieth-century European paintings. The Art Institute of Chicago. Chicago, London: Univ. of Chicago Press 1980","2975":"Georg Schmidt: Zu Kokoschkas `Windsbraut'. In: Hodin 1963a, S. [126]-128","2976":"Landesmuseum Münster. Kunst und Kulturgeschichte. Eine Auswahl. Münster 1968","2977":"Thomas Zaunschirm: Der `Oberwildling' Oskar Kokoschka und der österreichische Expressionismus. In: Sotriffer 1982, S. 193--197 ","2978":"Alte und moderne Kunst, Wien, 1967, Nr. 90","2979":"Werner Haftmann: Malerei im 20. Jahrhundert. Tafelband. München: Prestel 1955","2980":"Jane Kallir: Austria's expressionism. Katalogbuch zur Ausstellung 1981 New York, St. Etienne","2981":"Sotheby's New York, Impressionist and Modern Art Part I, 5. Nov. 2003","2982":"Sotheby's New York,Impressionist and Modern Paintings and Sculpture Part I, 15. Nov. 1989","2983":"Christie, Manson & Woods, London, Impressionist, Modern and Contemporary Paintings, Drawings and Sculpture, 30. Nov. 1976","2984":"Heinz Spielmann: Kokoschka in Prag. In: Becher/Heumos 1992, S. [87]--95","2985":"Sotheby Parke Bernet & Co., Impressionist and Modern Paintings and Sculpture, 28. Juni 1972","2986":"Oskar Kokoschka: Edvard Munch's expressionism. In: College art journal, New York, Bd. 12, 1952/53, Nr. 4, S. 312--320 und Bd. 13, 1953/54, Nr. 1, S. 15--18. [Engl. Ausgabe von Kokoschka 1952a]","2987":"Peter Becher und Peter Heumos (Hrsg.): Drehscheibe Prag. Zur deutschen Emigration in der Tschechoslowakei 1933-1939. München: R. Oldenbourg 1992. (Veröffentlichung des Collegium Carolinum; 75)","2988":"Bernadette Reinhold und Patrick Werkner (Hrsg.): Oskar Kokoschka – ein Künstlerleben in Lichtbildern/Oskar Kokoschka - an artist’s life in photographs. Aus dem Oskar Kokoschka-Zentrum der Universität für Angewandte Kunst Wien. Wien: Ambra 2013","2989":"Claude Cernuschi: Re/casting Kokoschka. Ethics and aesthetics, epistemology and politics in fin-de-siècle Vienna. Madison/NJ [u.a.]: Farleigh Dickinson Univ. Press [u.a.] 2002","2990":"Gerbert Frodl: L´espressionismo a Vienna. In: Kat. Ausst. 2006/07 Rovereto, S. 51-55","2991":"Hans Platte: Malerei. München: Piper 1957. (Die Kunst des 20. Jahrhunderts; 1)","2992":"Karl Stankiewitz: Die befreite Muse. Münchner Kunstszenen ab 1945. München: Volk-Verl. 2013","2993":"Joseph P. Hodin: Oskar Kokoschka: La puissance de la musique. In: Quadrum, Brüssel, Nr. 5, Mai 1958, S. 74--75","2994":"Edwin Kuntz: Wolfgang Gurlitt zum 75. Geburtstag. In: Der Kunsthandel, Heidelberg, Feb.-Nr. 1963 ","2995":"Hermann Bahr: Expressionismus. München: Delphin-Verlag 1919","2996":"Notizen. In: Das Kunstblatt, Potsdam, Jg. 9, 1925, H. 5","2997":"Nachtrag zum Verzeichnis der Gemälde aus dem Besitz des Staedelschen Kunstinstituts und der Stadt Frankfurt. Frankfurt/Main 1926","2998":"Du. Die Kunstzeitschrift, Zürich, Jg. 1981, H. 10 ","2999":"Albert Schug: Die Kunst unseres Jahrhunderts. Köln: Naumann & Göbel [1994]","3000":"Walter Serner: Das Schöne und die Malerei. In: Karlsbader Zeitung, Karlsbad, Jg. 25, 1911, Nr. 29, 16. Juli. [Wiederveröffentlicht s. Serner 1981, S. 86-89]","3001":"Annette Windisch: Oskar Kokoschka und die alten Meister. Theoretische und künstlerische Auseinandersetzung mit der europäischen Kunsttradition. Neuchâtel: Univ. Diss. 2013","3002":"Oskar Kokoschka: Erlebnis mit einem Gesalbten. In: Zeit im Bild, Prag, Nr. 13, 17.1.1935. [Aus der Serie 'Berühmte Leute in der Tschechoslowakei berichten ihr spannendstes Erlebnis' von Kurt Juhn]","3003":"Johann Winkler: Das dunkle Brot der Kunst. Oskar Kokoschka zum zwanzigsten Todestag. In:Oskar Kokoschka (1886--1980). Katalogheft hrsg. von Malborough Fine Art, London","3004":"Die Kunst, München, H. 12, Sept. 1957","3005":"Sotheby's New York, Impressionist and Modern Art - Day Sale, 5. Nov. 2009","3006":"Weltkunst, München, Jg. 29, 1959, Nr. 22, 15. Nov.","3007":"Das Kunstwerk, Baden-Baden, Jg. 8, 1954, H. 2","3008":"August L. Mayer: Sommer-Ausstellung der Münchener Neuen Secession. In: Deutsche Kunst und Dekoration, Darmstadt, Jg. 21, 1917/18, Bd. 42, H. 12, Sept. 1918","3009":"(Willi) Wolfradt: Neuerwerbungen des Berliner Kronprinzenpalais In: Der Cicerone, Leipzig, Jg. 22, 1930, H. 10 [Rez. 1930 Berlin, Nationalgalerie]","3010":"Alma Mahler-Werfel: Mein Leben. Frankfurt/Main: Fischer 1960. [Am. Ausg. u. d. T.: And the bridge is love, New York 1958]","3011":"Thierry Dufrêne: La poupée sublimée. Quand Niki de Saint Phalle et les artistes contemporains font des poupées. Paris: Sirka 2014","3012":"Patrick Werkner: In London. Die 'politischen' Bilder Kokoschkas. In: Sultano/Werkner 2003, S. 177-212","3013":"Paul Westheim: Karton mit Säulen. Antifaschistische Kunstkritik. Hrsg. und Nachwort von Tanja Frank. Leipzig, Weimar: Kiepenheuer 1985. (Gustav Kiepenheuer-Bücherei; 59). [Westdt. Lizenzausg. u. d. T.: Kunstkritik aus dem Exil]","3015":"Paul Vogt: Expressionismus. Deutsche Malerei zwischen 1905 und 1920. Köln: DuMont Schauberg 1978. (DuMonts Bibliothek großer Maler) ","3016":"Beatrice von Bormann: Oskar Kokoschka. The Great war and love lost. In: Gordon Hughes und Philipp Blom (Hrsg.): Nothing but the clouds unchanged. Artists in World War I. Los Angeles: The Getty Research Institute Publications Programm 2014, S. 164-171","3017":"Michael Nedo und Michele Ranchetti (Hrsg.):Ludwig Wittgenstein. Sein Leben in Bildern und Texten. Frankfurt/Main: Suhrkamp 1983","3019":"Hans Hildebrandt: Neuerwerbungen der Stuttgarter Staatsgalerie. 2: Werke des 20. Jhs. In: Weltkunst, München, Jg. 25, 1955, Nr. 18, 15. Sept., S. 7","3020":"Dora Vallier: Geschichte der Malerei im 20. Jahrhundert 1870-1940. Die Ursprünge, die Strömungen und die Maler in Frankreich, Deutschland, Italien, Rußland, Belgien, England, Holland, USA. Köln: DuMont Schauberg 1963 ","3021":"P. Dorazio: La fantasia dell' arte nella vita moderna. Rom 1955 ","3022":"Friedrich K. Gotsch: Kokoschka als Lehrer. In: Hodin 1963a, S. [95]-105 ","3023":"Will Grohmann: Die Kunst im 20. Jahrhundert. In: Das Kunstblatt, Potsdam, Jg. 10, 1926, H. 1, S. 6--13","3024":"Leo Kestenberg: Bewegte Zeiten. Musisch-musikantische Lebenserinnerungen. Wolfenbüttel, Zürich: Möseler 1961","3025":"Gerald F. Brommer: Discovering art history.Worcester/MA 1981","3026":"T.und Ch. Benton und D. Sharp: Las raices del Expresionismo. Madrid: Adir 1983","3027":"Die Gemäldegalerie zu Dresden. Hrsg. vom Ministerium des Kultus und Öffentlichen Unterrichts. 2. Teil: Neuere Meister. Dresden, Berlin: Bard 1921 ","3028":"Painting and sculpture in the Museum of Modern Art. Hrsg. von Alfred H. Barr, Jr., New York: The Museum of Modern Art 1942","3029":"Zwei bedeutende Porträts von Oskar Kokoschka. Köln: Kunsthandel Dr. Rainer Horstmann [1965]","3030":"Die Bühne, Wien, Jg. 1934, 2. Okt.-Heft","3031":"Werner Haftmann: Nationalgalerie 1967-1974. Ein Rückblick. In: Jahrbuch Preußischer Kulturbesitz, Berlin: Gebr. Mann, Jg. 12, 1974/75, S. 33 ff.","3032":"Christian Kennert: Paul Cassirer und sein Kreis. Ein Berliner Wegbereiter der Moderne. Frankfurt/Main [u.a.]: Lang 1996. (Gesellschaften und Staaten im Epochenwandel; 4)","3033":"Christie's London, Impressionist and Modern Paintings and Sculpture, 24. Juni 1991","3034":"Menschen und Ereignisse 1967. Eine Sammlung von Artikeln aus der Tageszeitung 'Die Welt' und der Sonntagszeitung 'Welt am Sonntag', (Verlagshaus Die Welt, Hamburg), Oktober 1967","3035":"Margherita G. Sarfatti: Storia della pittura moderna. Rom: Cremonese 1930","3036":"Ernst Hilmar: Arnold Schönberg. Gedenkausstellung 1974. Wien: Universal-Ed. 1974","3037":"Richard Calvocoressi: Oskar Kokoschka, Red Vienna and the Education of the Child. In: Judith Beniston und Robert Vilain (Hrsg).: Culture and Politics in Red Vienna. Leeds : Maney Publishing 2006, S. 215-226 (Austrian Studies; 14)","3038":"Werner Hofmann: Moderne Malerei in Österreich. Wien: Kunstverlag Wolfrum 1965 ","3039":"E[bbinge] W[ubben] und J. C.: Kokoschka's Mandril. In: Bulletin Museum Boymans, Rotterdam, 1, 1937/1950, 4, Nov.","3040":"Otto Benesch: Ein Werk über Oskar Kokoschka. In: Wiener Zeitung, Wien, Jg. 1951, Nr. 50, 2. März 1951, S. 3. [Rez. (s. Hoffmann 1947)]","3041":"Alan Bowness: Modern European art. London: Thames & Hudson 1972 ","3042":"Peter Romanus (Hrsg.): Im Kampf um die moderne Kunst. Das Schicksal einer Sammlung in der 1. Hälfte des 20. Jahrhunderts. Katalogbuch zur Ausstellung, Halle, Staatl. Galerie Moritzburg, 29. März--7. Okt. 1985","3043":"Alheidis von Rohr: Aus der Arbeit der Museen. Berlin, Staatliche Museen Preußischer Kulturbesitz: Neuerwerbungen der Nationalgalerie. In: Pantheon, München, Jg. 30, 1972, H. 2, S. 151","3044":"V. Juza: Evropské malírství ze sbírek GVU v Ostrave. Ostrava 1970","3045":"Maria Auböck und Maria Marchetti (Hrsg.): Wien um 1900. Kunst und Kultur. Wien: Brandstätter 1985","3046":"Christie's London, Impressionist and Modern Art - Day Sale, 26. Juni 2001","3047":"Sotheby Parke Bernet & Co., Impressionist and Modern Paintings and Sculpture,1. Juli 1970","3048":"Umwelt Design,1974, Nr. 44","3049":"Julius Meier-Graefe: Wiener Brief: Velasquez schlecht gehängt - Kokoschka in Form. In: Frankfurter Zeitung, Frankfurt/Main, Jg. 1931, Nr. 843/844, 12.11.1931. [Teilw. wiederveröffentlicht in: Die schönen Künste, Wien, Jg. 1946, H. 3, S. 131 und u. d. T.: Besuch im Wiener Atelier in: Wingler 1956a, S. 50--51]","3050":"Peter Vergo: Art in Vienna 1898--1918. Klimt, Kokoschka, Schiele and their contemporaries. London: Phaidon 1975","3051":"Stephanie Barron: Die Auktion in der Galerie Fischer. In: Kat. Ausst. 1992 Berlin, Altes Museum, S. 135-169; S. 159-160 und engl. Ausgabe (s. Kat. Ausst. 1991 Los Angeles)","3052":"Galerie Kornfeld, Bern, Auktion 222, I. Teil: 150 ausgewählte Kunstwerke des 19. und 20. Jahrhunderts, 25. Juni 1999","3053":"Oskar Kokoschka: Zur Via Lucis des Comenius, 1934. In: Kat. Ausst. 1994/95 Bielefeld, S. 233--238 [Erstveröffentlichung in: Deutsche Studentenzeitung Prag, Mai 1936, S. 2ff.]","3054":"Gertrud Held: 'Messerstecher und Kunstsalon.' Der Anschlag auf ein Kokoschka-Bild im Jahre 1924 in Wien. Mit einem Exkurs zur Ausstellung Entartete 'Kunst' 1937 in München. In: Egon-Schiele-Jahrbuch, Wien, 2011, H. 1, S. 91-107","3055":"Ernst Blass: Die Straßen komme ich entlang geweht. Sämtliche Gedichte. Hrsg. von Thomas B. Schumann. München, Wien: Hanser 1980","3056":"Robert Waissenberger (Hrsg.): Wien 1890--1920. Wien, Heidelberg: Ueberreuter 1984","3057":"Meisterwerke der Moderne. Neupräsentation der Sammlung Haubrich im Museum Ludwig. Hrsg. von Julia Friedrich. Köln, Museum Ludwig: Verlag der Buchhandlung Walther König.","3058":"Daily Express, London, 8. Juli 1938","3059":"Hildegard Hamm-Brücher und Hermann Rudolph: Theodor Heuss. Eine Bildbiographie. Stuttgart: Dt. Verlagsanstalt 1983","3060":"Hans Plank [Hrsg.]:Expressionismus in Österreich. Klimt, Schiele, Kokoschka. Ramerding: Berghaus-Verlag 1981","3061":"Lucretia H. Giese: Oskar Kokoschka, Doppelakt: Liebespaar (Two Nudes: Lovers). In: Boston Museum Bulletin, Boston/MA, Bd. 73, 1975, Nr. 369, S. 41-42, Abb. S. [40]","3062":"Walter Urbanek: Oskar Kokoschka Städtebilder und Landschaften. München, Zürich: Piper 1990. (Serie Piper; 1228: Galerie)","3063":"Kristina Hoge: Selbstbildnisse im Angesicht der Bedrohung durch den Nationalsozialismus. Reaktionen diffamierter Künstler auf die nationalsozialistische Kulturpolitik. Heidelberg: Univ. Diss. 2004","3064":"Parke-Bernet Galleries, New York, Important Impressionist and modern paintings, drawings and sculpture, 20. Nov. 1968","3065":"Joseph P. Hodin: Oskar Kokoschka. Painter and humanist. In: The Studio, London, Bd. 156, 1958, Nr. 785, S. 33-37 und S. 61","3066":"Christie's New York, Impressionist and Modern Art - Day Sale, 9. Nov. 2006","3067":"Beatrice von Bormann: Kokoschka als Humanist und Rebell. In: Kat. Ausst. 2014 Wolfsburg, S. 12-33","3068":"Carl G. Heise: Die Entstehungsgeschichte des `Doppelbildnis' von Oskar Kokoschka, 1956. In: Carl G. Heise: Der gegenwärtige Augenblick. Reden und Aufsätze aus vier Jahrzehnten. Berlin: Mann 1960, S. 132--136","3069":"Curt Gravenkamp: Oskar Kokoschka; Bildnis August Forel (1908). [Beitrag zum Preisausschreiben des 'Kunstblatts' um die beste Kunstkritik.] In: Das Kunstblatt, Berlin, Jg. 1930, H. 7","3070":"Jaroslaw Leshko: Se dipingerai un capolavoro ti sposerò. In: Bolaffiarte, Turin, Jg. XI, Nr. 98, Mai 1980, S. 51--54","3071":"Eva di Stefano: Kokoschka. Florenz: Giunti 1997 (Art e Dossier; 123)","3072":"Staatsgalerie Stuttgart. Bd. 1: Geschichte der Sammlung, Gemälde, Skulpturen. Hrsg. von Peter Beye und Gunther Thiem. Recklinghausen: Bongers 1984","3073":"Maurice Raynal: Peinture moderne. Genf: Skira 1953. [Engl. Ausg. u. d. T.: Modern painting, Genf 1953; dt. Ausg. u. d. T.: Moderne Malerei, Genf 1959]","3074":"Stuttgarter Kunstkabinett, 33. Auktion, 29./30. Mai 1959","3075":"Dietfried Gewalt: Christusbilder unserer Zeit. Ecce hominis. Bemerkungen zu Oskar Kokoschkas Kreuzigungsmosaik. In: Kunst und Kirche H. 1, 1981, S. 30 ff.","3076":"Curt Seckel: Maßstäbe der Kunst im 20. Jahrhundert. Soziologische, ästhetische, psychologische Kriterien der modernen Malerei. Düsseldorf, Wien: Econ 1967 ","3077":"Christie, Manson & Woods, London Impressionist and modern paintings, drawings and sculpture, 11. April 1972","3078":"Die Kunstsammlung Nordrhein-Westfalen, Düsseldorf. Bilder des 20. Jahrhunderts. Bearb. von Werner Schmalenbach. München: Prestel 1986","3079":"Manuel Gasser: Schöpferische Augenblicke. In: Wingler 1956a, S. 60-64","3080":"Schenkung Sofie und Emanuel Fohn. Bearb. von Kurt Martin und Wolf-Dieter Dube. München: Bayer. Staatsgemäldesammlungen 1965","3081":"Dieter Hoffmann: Beiträge zur Malerei der zwanziger und dreißiger Jahre in Sachsen. In: Kat. Ausst. 1991 Hausen ob Verena, S. 8--14","3082":"Karl Scheffler in: Kunst und Künstler, Berlin, Jg. 25, 1926/27, H. 7, April 1927","3083":"Oskar Kokoschka: Aufsätze, Vorträge, Essays zur Kunst. Hrsg. von Heinz Spielmann. Hamburg: Christians 1975. (Kokoschka: Das schriftliche Werk; 3) ","3084":"E. L. L. de Wilde: Les acquisitions du Musée Municipal van Abbe à Eindhoven (depuis 1950). In: Quadrum, Brüssel, Nr. 1, Mai 1956, S. 192-194","3085":"The Art Quarterly, Detroit, Bd. 27, 1964, Nr. 2, S. 212, Abb. S. 219","3086":"Rupert Feuchtmüller: Kunst in Österreich. Vom frühen Mittelalter bis zur Gegenwart. 2 Bde. Wien [u.a.]: Forum-Verlag 1973","3087":"Jahrbuch der Staatlichen Kunstsammlungen in Baden-Württemberg, Bd. IX, München-Berlin 1972, S. 301-302","3088":"Kunsthaus Lempertz, Köln, 618. Lempertz Auktion, Sammlung Hans Schröder, 10. Dez. 1986","3089":"The Museum of Modern Art, New York. The history and the collection. Bearb. von Sam Hunter. New York: Abrams 1984","3090":"Walter Eckel: Rekonstruktion eines tapferen Lebens. In: Süddeutsche Zeitung, München, 24./25. Juni 1989, S. XIV [zur Person Emil A. Rheinhardt]","3091":"P(aul) W(estheim): Bücher. In: Das Kunstblatt, Berlin, Jg. 14, 1930, H. 4, S. 127-128 [Rez. von Heilmaier 1929 mit Schilderung der Auffindung und Identifizierung des Portraits Peter Baum in Paris]","3092":"Christoph Becker und Annette Lagler: Biennale Venedig. Der deutsche Beitrag 1895--1995. Ostfildern: Cantz 1995","3093":"Ernst Michalski: Dresden. Kokoschka-Ausstellung in der Galerie Arnold. In: Kunst und Künstler, Berlin, Jg. 23, 1924/25, H. 7, April 1925, S. 282. [Rez. 1925 Dresden]","3094":"Stephan Mann: 'Es war eine gespenstische Atmosphäre ...'. In: Kat. Ausst. 1992 Frankfurt/Main, S. 43--50","3095":"Fritz Nemitz: Oskar Kokoschka: Pan. In: Westermanns Monatshefte, Braunschweig, Jg. 95, 1954, H. 6","3096":"Armin A. Wallas: Twee 'anatomen van de ziel' of: de reizen van Albert Ehrenstein en Oskar Kokoschka door imaginaire en reele woestijnen. In: Kat. Ausst. 1987 Gent, S. 19--27. [Dt. Fassung u. d. T.: Zwei 'Seelenaufschlitzer' oder: Albert Ehrensteins und Oskar Kokoschkas Reisen durch imaginäre und reale Wüsten. In: Österreichisches Literaturforum, Wien, Jg. 2, Nr. 2, Juni 1988, S. 17--22]","3097":"Peter Altenberg: Semmering 1912. Berlin: S. Fischer 1919","3098":"Gudrun Heckle: Oskar Kokoschka sieht Freiburg. Freiburg 1999: Museum für Neue Kunst","3099":"Catalogue of paintings in the permanent collection of the Detroit Institute of Arts of the City of Detroit. Detroit/TX 1930","3100":"Deutscher Kunsthandel im Schloß Charlottenburg. Katalog zur Ausstellung Orangerie '86 im Schloß Charlottenburg in Berlin, 11. - 28. Sept. 1986","3101":"Maurice Raynal [u.a.]: Histoire de la peinture moderne. 3 Bde. Genf [u.a.]: Skira 1950/51. (Peinture, couleur, histoire; 1-3). [Engl. Ausg. u. d. T.: History of modern painting]","3102":"Günter Aust: Die Sammlung von der Heydt im Wuppertaler Museum. In: Die Kunst, 16/18, 1966 ","3103":"Stuttgarter Kunstkabinett,Kunstwerke des 18. bis 20. Jahrhunderts, 21. Auktion, 24.- 27. Mai 1955","3104":"Hans Dichand: Die Künstler der klassischen Moderne in Österreich. Graz: Akad. Druck- und Verl.-Anstalt 1986 ","3105":"Régine Bonnefoit und Gertrud Held: Oskar Kokoschka 1915–1917. Du peintre de guerre au pacifiste. In: Les Lettres & Les Arts,Cahiers suisses de critique littéraire et artistique, Hors-série Nr. 2, 2014, S. 32-38","3106":"Tagebuch,Wien, Jg. 10, 1955, Nr. 17, 27. Aug.","3107":"Christie, Manson & Woods, London, Impressionist and Modern Drawings, Paintings and Sculpture, 12. Dez. 1969","3108":"Kathrin Hoffmann-Curtius: Frauenbilder Oskar Kokoschkas. In: Ilsebill Barta [u.a.] (Hrsg.): Frauen, Bilder, Männer, Mythen. Berlin: Reimer 1987, S. 148--178","3109":"Sotheby Parke Bernet, New York, Sale 3682, 23. Okt. 1974","3110":"Heinz Spielmann: Leben aus der Freiheit. Oskar Kokoschkas Verständnis der Antike. In: Kat. Ausst. 2010 Halle, S. 13-26","3111":"100 works by modern masters from the Guggenheim Museum. Bearb. von Vivian E. Barnett und Thomas M. Messer. New York: Abrams 1984","3112":"Christie's New York, Impressionist and Modern Paintings and Sculpture, 17. Mai 1983","3113":"Marjorie Phillips: Duncan Phillips and his collection. Boston, Toronto: Little, Brown and Co. 1970","3114":"Katalog der Meister des 20. Jahrhunderts in der Hamburger Kunsthalle. Bearb. von Helga Hofmann und Janni Müller-Hauck. Hamburg: Christians 1969 ","3115":"Susan C. Trauger (Hrsg.): Bibliography of German Expressionism. Catalog of the Library of the Robert Gore Rifkind Center for German Expressionist Studies at the Los Angeles County Museum of Art. Boston/MA: Hall 1990","3116":"Peter Selz: German expressionist painting. Berkeley [u.a.]: Univ. of California Press 1974","3117":"Staatliche Kunsthalle Karlsruhe. Katalog neuere Meister: 19. und 20. Jahrhundert. Bearb. von Jan Lauts und Werner Zimmermann. Karlsruhe 1971","3118":"Gipfeltreffen der Moderne. Das Kunstmuseum Winterthur. Hrsg. von Jutta Frings und Helga Willinghöfer. Katalogbuch zur Ausstellung Bonn, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, 24. April – 23. Aug. 2009.","3119":"Georg Wacha: Oskar Kokoschka und Linz. Die `Linzer Landschaft'. In: Wacha 1986a, S. 13--20","3120":"Alice Strobl: Kokoschka im Spiegel zeitgenössischer Ausstellungsrezensionen und erster Monographien während seiner Dresdener Zeit. In:Artibus et historiae, an art anthology, Krakau, Nr. 61, Bd. 31, 2010, (Konrad Oberhuber in memoriam, Teil I), S. 169-189","3121":"Museum Boymans-van Beuningen, Rotterdam. De collectie moderne kunst. Rotterdam 1978","3122":"Georg Richter: Strom zum Meer. Der Rhein von Bingen bis zur Mündung. Karlsruhe 1971","3124":"Sotheby's London, Impressionist and Modern Art - Day Sale, 25. Juni 2002","3125":"Deutsche Kunst und Dekoration, Darmstadt, Jg. 35, 1931/32, Bd. 69, H. 2, Nov.1931","3126":"G. J. Wolf: Aus der neuen Staatsgalerie München. In: Die Kunst für alle, München, Jg. 45, 1929/30, H. 1, Okt. 1929","3127":"Fritz Schmalenbach: Kokoschkas malerische Entwicklung. In: Fritz Schmalenbach: Neue Studien über Malerei des 19. und 20. Jahrhunderts. Bern: Rota-Verl. 1955, S. 40-45","3128":"Klaus Albrecht Schröder: Zur Typologie des Selbstportraits in Wien zwischen 1900 und 1918. In: Kat. Ausst. 1995 Frankfurt/Main, S. 235--251","3129":"Hans Platte: Oskar Kokoschka - Bildnis und Landschaft. In: Westermanns Monatshefte, Braunschweig, Jg. 106, 1965, H. 4, S. 14","3130":"Karl Woermann: Die Kunst der neuesten Zeit. Auszug aus der Geschichte der Kunst aller Zeiten und Völker. Leipzig: Bibliograph. Institut 1923 ","3131":"Nils Ohlsen: Forels Hände. Bemerkungen zu den Händen im Werk von Oskar Kokoschkas. In: Kat. Ausst. 2001/02 Emden, S. 21-31 ","3132":"Tiroler Landesmuseum Ferdinandeum, Innsbruck. Führer durch die Schausammlungen. Hrsg. von Gert Ammann. Innsbruck 1979","3133":"KLaus Rogner (Hrsg.) und Marianne Bernhard (Bearb.): Verlorene Werke der Malerei. In Deutschland in der Zeit von 1939 bis 1945 zerstörte und verschollene Gemälde aus Museen und Galerien. München: Ackermann 1965","3134":"The concise catalogue of the Scottish National Gallery of Modern Art. Bearb. von Patrick Elliott. Edinburgh 1993","3135":"Joseph P. Hodin: Expressionism. In: Horizon, London, Nr. 109, Jan. 1949 = Bd. 19","3136":"Bohuslav Kokoschka: Dresden. In: Ver Sacrum, Neue Hefte für Kunst und Literatur. Wien, München, Jg. 2, 1970, S. 10","3137":"Almut Krapf-Weiler: Ein Mensch ist kein Stilleben: Oskar Kokoschka portraitiert Karl Kraus. In: Belvedere. Zeitschrift für bildende Kunst, H.1, 2006, S. 46-65, Text in engl. S. 102-112.","3138":"Anzeiger des Germanischen Nationalmuseums Nürnberg, 1985, S. 109-110","3139":"Parke-Bernet Galleries, New York, Sale Nr. 1152, 20. April 1950","3140":"Das Fenster, Innsbruck, H. 2, Herbst 1967","3141":"Galerie national du Canada. Programme aôut 1980 ","3142":"Christie's New York, Impressionist and Modern Paintings and Sculpture, 16. Mai 1990","3143":"Régine Bonnefoit: Der 'apokalyptische' Prometheus: neue Quellen zur Deutung von Kokoschkas Deckengemälde 'Die Prometheus-Saga'. (Ruth Häusler zum 60. Geburtstag). In: Max Beckmann Apokalypse. Vision der Endzeit in Überlieferung und Moderne. Hrsg. und bearb. von Gosbert Schüßler und Brigitte Salmen. Katalogbuch zur Ausstellung Murnau, Schloßmuseum Murnau, 22. Juli - 7. Nov. 2010, S. 70-80.","3144":"Georg Schmidt: Geschichte der modernen Malerei. Genf 1950 ","3145":"Musée Cantini, Musée d'Art Contemporain. Guide des collections. Hrsg. von Séverine Cuzin-Schulte. Paris: Artlys 2013","3146":"Hans Bisanz: Oskar Kokoschka. Poesia e vita allo specchio del disegno. In: Kat. Ausst. 2000/01 Mailand, S. 33--37","3147":"Carl G. Heise: De wordingsgeschiedenis van Oskar Kokoschka's 'Dubbelportret'. In: Bulletin Museum Boymans, Rotterdam, Deel 7, Nr. 2, 1956, S. 35--44","3148":"Christie's London,German and Austrian Art '95: 19th and 20th Century Paintings, Drawings and Prints, 15. Okt. 1995\n","3149":"J. Pijoan: Historia del arte, Barcelona 1970","3150":"Ingrid Bergmann-Ehm: Kokoschka - 'Porträt des Vinzenz Pallotti'. In: Augsburg - Bayerisch Schwaben. Hamburg 1984 (HB-Kunstführer; 11), S. 52-53","3151":"Albert Schug: Erlebnis der Gegenwart. Baden-Baden: Holle 1969. (Kunst im Bild) ","3152":"Städtische Kunsthalle Mannheim.Stiftung und Sammlung Sally Falk. Hrsg. von Roland Dorn. Mannheim: Städt. Kunsthalle 1994. (Kunst und Dokumentation; 11)","3153":"Emile Langui: 50 Jahre moderne Kunst. Köln: DuMont Schauberg 1959. [Frz. Ausgabe s. 1958 Brüssel]","3154":"Claude Cernuschi: Defining Self in Kokoschka's Self-Portraits. In: The German Quarterly, Durham/NC, Bd. 84, Nr. 2, 2011, S. 198–219","3155":"Will Grohmann: Bildende Kunst und Architektur. Frankfurt/Main: Suhrkamp 1953. (Zwischen den Kriegen; 3)","3156":"Klaus Demus: Wien 1900-1918. Die Malerei. In: Du. Die Kunstzeitschrift, Zürich, H. 266 = Jg. 23, 1963, April, S. 41-[50]","3157":"Toni Feldenkirchen: Der Kölner Dom in Minneapolis. In: Köln. Vierteljahresschrift für die Freunde der Stadt, H. 4, Dez. 1975, S. 20-21","3158":"Kunsthaus Zürich. Hrsg. von Christian Klemm. Zürich: Schweizerisches Insitut für Kunstwiss., 1992","3159":"Edward Timms: Kokoschka's pictographs - a contextual reading. In: Word & image, London [u.a.], Bd. 6, Nr. 1, Jan./März 1990, S. 4--17","3160":"Christian Meyer: Die letzte Folgerung des Ästhetischen. Zur Malerei von Oskar Kokoschka, Arnold Schönberg und Richard Gerstl. In: Kat. Ausst. 2010 Riehen, S. 151-[185]","3161":"Art News, New York, 1. Okt. 1938","3163":"Vita Künstler-Zednik: Der Aufbau von Oskar Kokoschkas Bild 'Wien vom Wilhelminenberg'. In: Josef Strzygowski-Festschrift. Zum 70. Geburtstag. Klagenfurt: Kollitsch 1932, S. 105-108, Abb. 60-62","3164":"Ilona Sármány-Parsons: Der Einfluß der französischen Postimpressionisten in Wien und Budapest. In: Mitteilungen der Österreichischen Galerie, Wien, Jg. 34/35, 1990/91 = Nr. 78/79, S. 61--101","3165":"Galerie Fischer, Luzern, Gemälde und Plastiken moderner Meister aus deutschen Museen. Auktion 30. Juni 1939 in Luzern, Grand Hôtel National. Luzern 1939 (s. 1939 Luzern; Weltkunst 1939;Barron 1992b, S. 135--170; Zuschlag 1995, Abb. 52, 53; Jeuthe 2007, S. 189--305; Duchesne 2014). ","3166":"Bruno Bushart: Meisterwerke der Stuttgarter Staatsgalerie. Honnef 1956","3167":"Hans Weigert: Kokoschka-Ausstellung in der Galerie Arnold in Dresden (Januar - Februar). In: Zeitschrift für bildende Kunst, Leipzig, Monatsrundschau, Jg. 36, H. 11/12, März 1925, S. 129-131. [Rez. 1925 Dresden]","3168":"Will Grohmann: Die Kunst der Gegenwart auf der Internationalen Kunstausstellung Dresden 1926. In: Der Cicerone, Leipzig, Jg. 18, 1926, H. 12 [Rez. 1926 Dresden]","3169":"Hans M. Wingler: Kokoschkas Salzburger Akademie. In: Das Kunstwerk, Baden-Baden, Jg. 8, 1954, Nr. 2","3170":"Sotheby Parke Bernet & Co., Important Impressionist and Modern Paintings and Sculpture, Auktion, 3. Dez. 1980 ","3171":"Richard Calvocoressi: Kokoschka & music. In: Mahler, Vienna and the twentieth century. [Broschüre zum Mahler-Festival, London 1985], S. 35--36 ","3172":"Oskar Kokoschka: Briefe aus Dresden. In: Kokoschka SW 2 1974, S. 153--206 ","3173":"Paul Westheim (Hrsg.): Oskar Kokoschka. Gestalten und Landschaften. Zürich: Rascher 1952","3174":"Trust [d. i. Herwarth Walden]: Von der Technik des Totschweigens. In: Der Sturm, Berlin, Jg. 1, 1910/11, H. 52, 25. Feb. 1911, S. 415","3175":"Kornfeld & Klipstein, Bern, Auktion 155: Moderne Kunst, 11.-13. Juni 1975","3176":"Roland Kanz: Portraits. Köln: Taschen Verlag 2008.","3177":"Richard Calvocoressi: Kokoschka and Scotland. In: Kat. Aust. 1990 Edinburgh, S. [5-15]","3178":"Bruno Grimschitz: Die Moderne Galerie in Wien. In: Der Cicerone, Leipzig, Berlin, Jg. 21, 1929, H. 17","3179":"Bénedicte Abraham: La vie d’Alma Mahler-Werfel ou la fascination réciproque du mythe et de l’œuvre d’art. In: Ingrid Haag und Karl Heinz Götze (Hrsg.):L'amour autour de 1900, Aix-en-Provence 2006.(Cahiers d’études germaniques; 2006/1; Nr. 50), S. [213]-226.","3180":"Sotheby's New York, Impressionist and Modern Paintings and Sculpture Part II,12. Nov. 1988","3181":"Alfred Kuhn: 50 Jahre Nationalgalerie. Ludwig Justi zum 50. Geburtstag. In: Kunstchronik und Kunstmarkt, Leipzig, Jg. 59 = N. F., 35, 1925/26, H. 50/52, 20./27. März 1926","3182":"Peter Vergo: Kokoschka and Greece. In: Frodl/Natter 1997, S. 132-140 ","3183":"Paul Westheim (Hrsg.): Oskar Kokoschka. Landschaften II. Zürich, Stuttgart: Rascher 1959","3184":"Kunsthaus Lempertz, Köln, 482. Kunstversteigerung, Moderne Kunst, 20./21. Mai 1965, mit Faksimile der handschr. Bestätigung des Künstlers 'Dieses Ölportrait des Herrn E. L. ist authentisch / wurde von mir 1914 gemalt, ich glaube in Wien / Oskar Kokoschka / Villeneuve, 1954'","3185":"Margaret Stone: Oskar Kokoschka und London. In: Margaret Stone und Gundula Sharman (Hrsg.):Jenseits der Grenzen. Die Auseinandersetzung mit der Fremde in der deutschsprachigen Kultur. Oxford [u.a.]: Lang 2000, S. [87]--105","3186":"Alfred Weidinger: Kokoschka et Paris. In: Kat. Ausst. 1998/99 Seita, S.25-32","3187":"Donald R. Kelm: Abreactionary elements in the plays and selected paintings, prints, and drawings of Oskar Kokoschka as related to the Ego-Anima conflict as discussed in the psychology of Carl Gustav Jung. Ann Arbor/MI, London: Univ. Microfilms International 1982","3188":"Christie's London,Impressionist and Modern Art - Day Sale, 8. Feb. 2012","3189":"Johann H. Müller: Oskar Kokoschka. Der Schauspieler Sommaruga, um 1910. In: Mathias T. Engels (Hrsg.): 100 Meisterwerke neuerer Malerei. Erwerbungen nordrhein-westfäl. Museen 1962-1977. Recklinghausen: Bongers [um 1978]","3190":"Kouichi Tanikawa: Kokoschka - success and failure in its selfness. In: Mizue.A monthly review of the fine arts, Tokyo, Nr. 878, 5. Mai 1978, S. 46--49. [Text jap. mit engl. Zfg.]","3191":"Volker Adolphs: Der irrende Ritter. Zur Ikonographie des Selbstportraits im Expressionismus. In: Kat. Ausst. 1992/93 Bielefeld, S. 76--89","3193":"Karl & Faber, München, Auktion 165, 5./6. Juni 1984","3194":"Karl Ruhrberg: Die Malerei unseres Jahrhunderts. Düsseldorf [u.a.]: Econ-Verlag 1987","3195":"Art News, New York, April 1943","3196":"Peter-Klaus Schuster (Hrsg.): Dokumentation zum nationalsozialistischen Bildersturm am Bestand der Staatsgalerie moderner Kunst in München. Katalogbuch zur Ausstellung Entartete Kunst in München, Staatsgalerie moderner Kunst im Haus der Kunst, 27. Nov. 1987-31. Jan. 1988. München: Klein und Volbert 1987","3197":"Christie's New York, Impressionist and Modern Paintings and Sculpture Part II, 15. Nov. 1989","3198":"Karl G. Gerold: Deutsche Malerei unserer Zeit. Wien: Büchergilde Gutenberg 1957","3199":"Günther Specovius: Herwarth Waldens Ende. In: Frankfurter Allgemeine Zeitung, Frankfurt/Main, 16. 9. 1968, S. 2","3200":"Jiří Munzar: Zum Thema Oskar Kokoschka und Böhmen. In: Wiener slavistisches Jahrbuch, Wien, Bd. 30, 1984, S. [59]--67","3202":"The Tate Gallery 1970-72. London 1972","3203":"Katalog Österreichische Galerie, 19. und 20. Jahrhundert. Wien 1954","3204":"Sotheby's New York, Impressionist and Modern Art Part II, 6. Nov. 2003","3205":"Gordon Bailley Washburn: Portrait of Thomas G. Masaryk by Oskar Kokoschka. In: Carnegie Magazine, Pittsburgh/PA, April 1959, S. 113-118 ","3206":"Galerie und Auktionshaus Hassfurther, Wien, Auktion 51: Alte Meister, Biedermeier, Klassische Moderne, 6. Dez. 2010","3207":"Yoshikuni Iida: Amidst the gleaming depth - internal death of Oscar Kokoschka. In: Mizue, Tokyo, Nr. 878, 5. Mai 1978, S. 40--45. [Text jap. mit engl. Zfg.]","3208":"Parke-Bernet Galleries, New York, 21. Okt. 1971","3209":"Silke Schauder: Un enchantement désenchanté: la poupée d’Oskar Kokoschka (1886-1980). In: Colette Camelin (Hrsg.): 1913 - cent ans après. Enchantements et désenchantements. Paris: Hermann 2015, S. [433]-446 (Colloque de Cerisy: Littérature)","3210":"Heinz Spielmann: Kokoschkas Verhältnis zu Musik und Theater. In: Kat. Ausst. 1986 Zürich, S. 32-39 und engl. Ausg. (s. Kat. Ausst. 1986 London)","3211":"Wiener Kurier, Wien, 30. April 1949 ","3212":"Eigenbesitzkatalog des Karl-Ernst-Osthaus Museums. Bd. 2. Hagen 1974","3213":"Joseph P. Hodin: Oskar Kokoschka. Sein Leben - seine Zeit. Berlin, Mainz: Kupferberg 1968. [Originalausg. s. Hodin 1966]","3214":"Régine Bonnefoit und Bernadette Reinhold: Die Nachlassbibliothek von Oskar Kokoschka. Neue Perspektiven in der Kokoschka-Forschung. In: Bonnefoit/Häusler 2010a, S. 35-61.","3215":"Agnes Husslein-Arco und Alfred Weidinger (Hrsg.): Oskar Kokoschka. Träumender Knabe - Enfant terrible, 1906-1922. (s. Kat. Ausst. 2008 Wien, Belvedere)","3216":"Johann Holzner: Ästhetik als Kundgebung gegen die Drosselung der Humanität. Über Oskar Kokoschka. In: Alexander Stephan (Hrsg.): Exil. Literatur und die Künste nach 1933. Bonn: Bouvier 1990, S. 40 --47. (Studien zur Literatur der Moderne; 17)","3217":"Itzhak Goldberg: Parole d’eros. Le corps féminin dans l’oeuvre graphiques de Kokoschka. In: Kat. Ausst. 1998/99 Seita","3218":"Heinz Spielmann: Kokoschkas Bilder der europäischen Städte. Kokoschka, painter of the major European cities. Kokoschka, peintre des grandes villes d'Europe. In: Europäische Hefte, Hamburg, Jg. 1974, H. 1, Jan., S. 69--72. [Engl. Text S. 73--76; frz. Text S. 76--79]","3219":"Andrew Barker: Telegrams from the soul. Peter Altenberg and the culture of fin-de-siècle Vienna. Columbia/SC: Camden House 1996. (Studies in German literature, linguistics and culture)","3220":"Bruno E.Werner: Neuerwerbungen der Berliner Nationalgalerie. In: Die Kunst, München, Bd. 55 aus Jg. 28, 1926/27 = Die Kunst für alle, Bd. 42, S. 24-36","3221":"Ernesto Xavier Abul Sabato: Gesinus. Buenos Aires 1949","3222":"Carl G. Heise: Die Lust zu leben. [Zum 80. Geburtstag Oskar Kokoschkas]. In Die Zeit, Hamburg, Jg. 21, 1966, Nr. 9, S. 20","3223":"Mitteilungen der Galerie und des Verlages `Neue Kunst' Hans Goltz. In: Der Ararat, München, Nr. 4, Jan. 1920","3224":"Museum Folkwang Essen. Die Geschichte einer Sammlung junger Kunst im Ruhrgebiet. Bearb. von Paul Vogt. Köln: DuMont 1983","3225":"Christie's New York, Impressionist and Modern Paintings and Sculpture Part I, 19. Nov. 1986","3226":"Will Grohmann: Dresdner Ausstellungen. In: Der Cicerone, Leipzig, Jg. 17, 1925, H. 3, S. 149-152. [Rez. 1925 Dresden]","3227":"Patrick Werkner: OK – aktuelle Perspektiven? In: Werkner 1998a, S. 9-16","3228":"O. Kokoschka : Orpheus und Eurydike. Bildmappe zur österreichischen Erstaufführung [Atelier-Theater am Naschmarkt, Wien 1960/61, Salzburg 1961]. Wien [1961]. (Gedanke und Tat; Sonderheft)","3229":"Heinz Spielmann:Spektrum der Kunst. Mit einem einleitenden Essay von Oskar Kokoschka.(Bild, Sprache und Schrift). Gütersloh: Bertelsmann Lexikothek Verlag 1984. (Die Große Bertelsmann Lexikothek)","3230":"Wolfgang Stadler: Was sagt uns die moderne Malerei ? Vom Impressionismus zum Tachismus. - Freiburg/Br. [u.a]: Herder 1964","3231":"Jan Lauts: Staatliche Kunsthalle Karlsruhe. Erwerbungsbericht 1952-1963. In: Jahrbuch der staatlichen Kunstsammlungen in Baden-Württemberg, Bd. 1, 1964, S. 9-33","3232":"Richard Cork: A Bitter Truth. The Avant-Garde and the Great War. New Haven, London: Yale Univ. Press 1994. Katalogbuch zur Ausstellung Berlin, Deutsches Historisches Museum, 9. Juni --28. Aug. 1994 und London, Barbican Art Gallery, 29. Sept.--11. Dez. 1994","3233":"Ilona Sármány-Parsons: Die Malerei Wiens um die Jahrhundertwende. Budapest: Corvina 1991","3234":"Jahresring. Jahrbuch für moderne Kunst, Stuttgart, 1958/59","3235":"Andreas Burmester und Annette Ihle: detective_stories. Jawlensky, Kokoschka, Schmidt-Rottluff, Kirchner. [Belgeitheft zur gleichnamigen Ausstellung, München, Doerner Institut in der Pinakothek der Moderne, 1. Sept.-12. Nov. 2006, Text in dt. u. engl.]","3236":"Handbuch Museum Ludwig. Kunst des 20. Jahrhunderts. Hrsg. von Karl Ruhrberg. Köln 1979","3237":"Jonathan Petropoulos: From Lucerne to Washington, DC. 'Degenerate Art' and the Question of Restitution. In: Peters 2014","3238":"Wolfgang Hütt: Deutsche Malerei und Graphik im 20. Jahrhundert. Berlin: Henschelverlag 1969","3239":"Galerie Fischer, Luzern, Mobiliar des Herrn Reichenbach, St. Gallen, aus Zürcher und Waadtländer Privatbesitz, Gemälde alter und neuer Meister, diverser Privatbesitz. Auktion im Hotel National, am 23., 24., 25. und 26. Aug. 1939, Katalog Nr. 68","3240":"Christie's New York, Impressionist and Modern Paintings and Sculpture, 21. Okt. 1980","3241":"Paul Westheim. In: Das Kunstblatt, Berlin, Jg. 13, 1929, H. 7, Juli [Rez. 1929 Berlin]","3242":"Anna Janistinová: Kokoschka und Prag: nicht nur vier Jahre. In: Kat. Ausst. 1994/95 Bielefeld, S. 77--90","3243":"Paul Sethe: Max Brauers letzter Kampf. In: Die Zeit, Hamburg, Nr. 11, 12. März 1965, S. 9","3244":"Staatsgalerie Stuttgart. Malerei und Plastik des 20. Jahrhunderts. Bearb. von Karin v. Maur und Gudrun Inboden. Stuttgart 1982","3245":"Sammlung Walden, Berlin. 7. Verzeichnis, März 1919. Berlin [1919]","3246":"Der Querschnitt, Düsseldorf, Jg. 1, 1921, H. 4/5, Sept. 1921","3247":"Robert Waissenberger: Wien und die Kunst in unserem Jahrhundert. Wien, München: Jugend & Volk 1965","3248":"Emil Szittya: Malerschicksale. Vierzehn Portraits. Hamburg: Johannes Asmus-Verlag 1925 ","3249":"Heinz Worner: Oskar Kokoschka. Erinnerungen an die Zeit seiner Emigration. In: Bildende Kunst, Dresden, Jg. 1961, H. 9, S. 609-610","3250":"Wilhelm Worringer: Kritische Gedanken zur neuen Kunst. In: Genius, München, Jg. 1, 1919, 2. Buch","3251":"Deutsche Kunst und Dekoration, Darmstadt, H. 11, Aug. 1924, S. 265. [Rez. 1924 Berlin, Akademie]","3252":"Alfred Hentzen: Oskar Kokoschka. Flut in Hamburg, 1962. In: Erwerbungen, Stiftung zur Förderung der Hamburgischen Kunstsammlungen, S. 24-26","3253":"Staatsgalerie Moderner Kunst München. Ein Rundgang durch die Sammlung. Bearb. von Carla Schulz-Hoffmann, Peter-Klaus Schuster [u.a.]. München: Bruckmann 1987","3254":"Alfred H. Barr: Art in the Third Reich - Preview 1933. In: Magazine of Art,Jg. 38, Nr. 6, Okt. 1945","3255":"Umbro Apollonio: Kokoschka und der Expressionismus. In: Hodin 1963a, S. [53]-63 ","3256":"Georges Duplain: Le gai combat des Cahiers vaudois. Une grande aventure de l'esprit en terre romande. Lausanne 1985.","3257":"František Mikš: Jiná modernita. Braque, Beckmann, Kokoschka, Balthus. Brno: Barrister & Principal 2013","3258":"Von der Heydt-Museum Wuppertal. Jahresbericht 1976","3259":"Fritz Novotny: Der Maler Anton Romako: 1832--1889. Wien, München: Schroll 1954 ","3260":"Meisterwerke der Kunsthalle in Emden, Bd. 1 Sammlung Henri Nannen. Hrsg. von Achim Sommer. Kunsthalle Emden. Köln: Wienand 2000","3261":"Sotheby Parke Bernet & Co., Impressionist and Modern Paintings and Sculpture, 30. Juni 1976","3262":"[W. Hausenstein, R. Braungart, anonym]: O. Kokoschka: Das Mädchen mit dem Papagei. Eine Groteske in drei Kritiken. In: Der Ararat, München, Nr. 4, Jan. 1920","3263":"Katalog der Ausstellung 1976 London [Gemälde nicht ausgestellt] ","3264":"Jan M. Tomes: John Heartfield und der Künstlerverein Mánes. In: Becher/Heumos 1992, S. [65]--74; S. 67-70","3265":"Maike Steinkamp:Das unerwünschte Erbe. Die Rezeption entarteter Kunst in Kunstkritik, Ausstellungen und Museen der SBZ und frühen DDR. Berlin: Akad.-Verl. 2008 und Bonn, Univ. Diss. 2007. (Schriften der Forschungsstelle Entartete Kunst; 2)","3266":"Manuel Gasser: Oskar Kokoschka beim Malen. In: Die Weltwoche, Zürich, 4. Feb. 1955","3267":"Jane Kallir: Saved from Europe. Otto Kallir and the History of the Galerie St. Etienne. In Commemoration of the Gallery's 60th Anniversary. Katalogbuch zur Ausstellung 1999/00 New York, Galerie St. Etienne","3268":"Régine Bonnefoit und Ruth Häusler: Zur Genese der späten Porträts von Oskar Kokoschka. In: Bonnefoit/Häusler 2010a, S. 93-119.","3270":"Edwin Lachnit: 'Kein Gesicht, bloß Dynamik.' Die Städtebilder ab 1934. In: Kat. Ausst. 2008 Wien, Albertina, S. 31-35","3271":"Museum am Ostwall Dortmund. Sammlung Gröppel mit Werken expressionistischer Künstler aus dem Museumsbesitz. Dortmund [1958]","3272":"Paul Westheim: Kokoschka, der Zeichner. In: Das Kunstwerk, Baden-Baden, Jg. 5, 1950/51, H. 3, Nov./Dez. 1950, S. 39-45","3273":"Renate Friedländer: Mein Museumsbuch. Kinderkatalog des Wallraf- Richartz-Museums. Köln 1974","3274":"Alessandra Comini: The Fantastic Art of Vienna. New York: Knopf 1978 ","3275":"The Hirshhorn Museum and Sculpture Garden. Hrsg. von Abram Lerner. New York: Abrams 1974","3276":"Kunst und Künstler, Berlin, Jg. 22, 1923/24, H. 10","3278":"British Newspaper Central Europe, Morning News, 30. April 1949","3279":"Gustav J. von Allesch: Wege zur Kunstbetrachtung. Dresden: Sibyllen-Verlag 1921 ","3280":"Joseph P. Hodin: Oskar Kokoschka. In: New writing and daylight, London, 1945 = Bd. VI, S. 154-161. [Wiederveröffentlicht in: The Art Quarterly, Detroit, Bd. 8, 1945, Nr. 4, S. 303--315 und in: Hodin 1956]","3281":"Paul Schick: Karl Kraus. Reinbek bei Hamburg: Rowohlt 1968 ","3282":"Joseph P. Hodin: Larenopfer. In: Hodin 1963a, S. [13]-35 ","3283":"Bohuslav Kokoschka: Mit der Julie in den Aktsaal: Erinnerungen an Oskar Kokoschka. In: Der Spiegel, Hamburg, Jg. 25, 1971, H. 14, 29. 3. 1971, S. 184","3284":"Anneliese Poppinga: Der Künstler und der Kanzler. In: Welt am Sonntag, Nr. 10, 8. 3. 1970, S. 19","3285":"Loudmer Paris (Commissaire Priseur S.C.P.), Importants Tableaux et Sculptures Modernes, 13. Juni 1994","3286":"Heinz Mackowitz: Oskar Kokoschkas Dolomitenlandschaft. In: Jahrbuch des Südtiroler Kulturinstitutes, Bozen, Bd. 3/4, 1963/64, Ladinien, S. 394-399","3287":"Joachim Zink: Christliche Kunst. Betrachtung und Deutung. Eschbach Verlag am Eschbach 1983","3288":"Alma hatte 'Schärfenprobleme'. In: Wiener Zeitung, Jg. 1991, Nr. 158, 10. Juli, S. 5 mit Abb. ","3289":"Régine Bonnefoit : Friedrich Karl Gotsch . 'Aucun vent ne souffle dans nos voiles'. In: Bartolini 2011, S. [16]-31","3290":"The Detroit Institute of Arts. Catalogue of paintings. Detroit/TX 1944","3291":"Hans M. Wingler: O. K. In: Frankfurter Hefte, Frankfurt/Main, Jg. 5, 1950, H. 11, S. 1232-1233 [Rez. 1950 München]","3292":"Kristian Sotriffer und Herbert Fasching: Kunstwerke Österreichs. Innsbruck [u.a.]: Tyrolia 1978","3293":"Georg Streim: Wien – Berlin um 1910. Avantgarde und Metropolenkultur. In: Kat. Ausst. 2002 Hamburg, S. 19-29. [Text in engl. im Kat. Ausst. New York, Neue Galerie, S. 19-29]","3294":"Stefan Paulus: 'Das Bild Adenauers ist eines meiner besten Porträts': Oskar Kokoschka und Konrad Adenauer in Cadenabbia. In: Albert Dietl, Gerald Dobler [u.a.] (Hrsg.): Roma Quanta Fuit. Beiträge zur Architektur-, Kunst- und Kulturgeschichte von der Antike bis zur Gegenwart. Festschrift für Hans-Christoph Dittscheid zum 60. Geburtstag. Augsburg: Wißner 2010, S. 802-822.","3295":"Fritz Burger: Cézanne und Hodler. Einführung in die Probleme der Malerei der Gegenwart. Tafelband. München: Delphin-Verlag 1918","3296":"Das Museum Folkwang Essen. Die Geschichte einer Sammlung junger Kunst im Ruhrgebiet. Bearb. von Paul Vogt. Köln: DuMont Schauberg 1965","3297":"Wallraf-Richartz-Museum der Stadt Köln. Verzeichnis der Gemälde. Köln: Wallraf-Richartz-Museum 1959","3298":"Nell Walden und Lothar Schreyer (Hrsg.): 'Der Sturm'. Ein Erinnerungsbuch an Herwarth Walden und die Künstler aus dem 'Sturm'-Kreis. Baden-Baden: Klein 1954","3299":"Will Grohmann: Oskar Kokoschka: Lot und die Töchter. In: Der Cicerone, Leipzig, Jg. 19, 1927, H. 7","3300":"Auktionshaus, Galerie und Antiquariat für Kunst u. Wissenschaft Wolfdietrich Hassfurther, Wien, Alte und neue Meister, 14. Dez. 1990","3301":"Masterpiece paintings from the Museum of Fine Arts, Boston. Hrsg. von Theodore E. Stebbins, Jr. und Peter C. Sutton. Boston 1986, S. 134 mit Farbabb.","3302":"Anton Henze: Das christliche Thema in der modernen Malerei. Heidelberg 1963 ","3303":"David Piper: Artists London. London: Weidenfeld & Nicolson 1982 ","3304":"Marina Serati: Il doppio talento nell'opera di Alfred Kubin e Oskar Kokoschka. Mailand: Univ. Diss. 2008.","3305":"Carl Einstein: Die Kunst des 20. Jahrhunderts. Berlin: Propyläen-Verlag 1926. (Propyläen-Kunstgeschichte; 16)","3306":"Vera Vogelsberger: Ich war bei Kokoschka... und Kokoschka bei mir. Katalogheft zur Ausstellung in derOskar Kokoschka Dokumentation, Pöchlarn.","3308":"Hubertus Giebe: 'Über Malerei'. Texte zu Beckmann, Hofer, Kokoschka und über Expressionismus. Dresden 2002","3309":"Heinz Spielmann: Oskar Kokoschka. Leben und Werk. Köln: DuMont 2003","3310":"Franz Roh: Das Bildnis bei Kokoschka und die heutige Problematik des Porträts. In: Die Kunst und das schöne Heim, München, Jg. 53, 1955, H. 4, Jan.","3311":"R. Paris: Was ist malbar? Versuch einer Antwort. In: Bildende Kunst, 1963","3312":"Leopold Zahn: Oskar Kokoschka. In: Das Kunstwerk, Baden-Baden, Jg. 2, 1948, H. 1/2","3313":"Roland Mönig: Schwebende Bilder. Schwerkraft und Schwerelosigkeit in der Kunst des 20. Jahrhunderts. In: Werner Scheel und Kunibert Bering (Hrsg.): Kunst und Ästhetik. Erkundungen in Geschichte und Gegenwart. Berlin: Reimer 1997, S. 95-116","3314":"Christie's London, Impressionist and Modern Art – Evening Sale, 24. Juni 2014","3316":"Rathbone Holme: President Benes´ gift to the nation. Kokoschka's Polperro Cornwall. In: London Studio, New York, Jg. 21, April 1941","3317":"Wolfgang G. Fischer: Oskar Kokoschka als Seher des Untergangs oder Die Bühne des Verwesens. In: Alte und moderne Kunst, Salzburg, Jg. 27, 1982, H. 182, S. 1-12. [s. auch Kokoschka als Seher des Untergangs. In: Du. Die Kunstzeitschrift, Zürich, Jg. 1981, H. 10, S. 28--39 und Oskar Kokoschka Symposion 1986, S. 43-71]","3318":"Max Kaindl-Hönig: Kunst über dem Engpass. 'Thermopylae' - Entwürfe zur 'Zauberflöte' und andere neue Werke von Oskar Kokoschka. In: Salzburger Nachrichten, 21. Juli 1955, S. 10","3319":"Heinz Spielmann: Oskar Kokoschka. Die Fächer für Alma Mahler. Dortmund: Harenberg 1985. (Die bibliophilen Taschenbücher; 462) (s. Spielmann 1969)","3320":"Christie, Manson & Woods International, New York, The Saul P. Steinberg collection. Part I: Important Modern Paintings and Sculpture, 18. Mai 1981","3321":"Sotheby Parke Bernet & Co., Catalogue of Important Impressionist and Modern Paintings and Sculpture, 6. Dez. 1978","3322":"Thomas Röske: Freundschaft, deren rätselvollen Urgrund auszuloten nur durch eine künstlerische Metapher möglich ist. Zu einem Doppelportrait von Oskar Kokoschka. In: Karen Buttler und Felix Krämer (Hrsg.):Jacobs-Weg.Auf den Spuren eines Kunsthistorikers. Hommage an den Forscherfreund und Lehrer Fritz Jacobs zum 70. Geburtstag. Weimar: VDG 2007, S. 235-254.","3323":"Lothar Schreyer: Erinnerungen an Sturm und Bauhaus. Was ist des Menschen Bild? München: Langen & Müller 1956","3324":"Selections from the Guggenheim Museum Collection 1900-1970. New York 1970","3325":"Wolf-Dieter Dube: Die Expressionisten. Frankfurt/Main [u.a.]: Ullstein 1973","3326":"The Great Upheaval. Modern Art from the Guggenheim Collection 1910-1918. Hrsg. und bearb. von Tracey Bashkoff und Megan M. Fontanella. New York: Guggenheim Publications 2011. Katalogbuch zur Ausstellung 2011 New York, Guggenheim","3327":"G. Lindtke: Zu Oskar Kokoschkas Lübeck-Bild. In: Lübeckische Blätter, Lübeck, Jg. 118, 1958, Nr. 18, 2. Nov., Beilage [4 unbez. Seiten mit Abb.]","3328":"Master paintings from the Phillips Collection.Bearb. von Eleanor Green und Robert Cafritz. Washington/DC 1988","3329":"Zum Bestand. Aus dem Kunstbesitz der Salzburger Landessammlungen Moderne Galerie und Graphische Sammlung Rupertinum. Salzburg 1988","3330":"Chronique des arts, Nr. 1201, Feb. 1969, Abb. 166 [Meldung der Neuerwerbung]","3331":"Wiener Zeitung, Wien, 7. Mai 1949","3332":"Ruth Negendanck:Die Galerie Ernst Arnold (1893 - 1951). Kunsthandel und Zeitgeschichte. Weimar: VDG 1998. (Galerien und ihre Geschichte; 2). Zzgl. Eichstätt, Kath. Univ. Diss. 1997","3333":"Rupert Feuchtmüller: O.K. zeichnete in Lassing. Ein glücklicher Fund von Jugendzeichnungen des Künstlers. In: Morgen, Wien, 1977, H. 1","3334":"Das bunte Buch. Leipzig: Kurt Wolff 1914","3335":"Tobias G. Natter: 'Charakterbildnisse, nicht Gesichtsbildnisse.' Zu Kokoschkas frühen Porträts. In: Kat. Ausst. 2002 Hamburg, S. 88--97. [Text in engl. Im Kat. Ausst. 2002 New York, Neue Galerie S. 88-97]","3336":"Kunsthaus Zürich. Gesamtkatalog der Gemälde und Skulpturen. Bearb. Von Christian Klemm, Franziska Lentzsch, Gian Casper u.a. Zürich: Zürcher Kunstgesellschaft und Hatje Cantz Verlag Ostfildern 2007","3338":"Peter Fuchs (Hrsg.): Josef Haubrich: Sammler und Stifter. Kunst des 20. Jahrhunderts in Köln. Köln: Greven-Verlag 1959","3339":"Ernest Rathenau (Hrsg.): Oskar Kokoschka. Handzeichnungen 1906-1969. Mit einem Vorwort von Carl Georg Heise unter Mitwirkung des Künstlers.New York: Rathenau; Hamburg: Hauswedell [in Komm.] 1971","3340":"M[agdalena] H[örmann]: Land Tirol erwirbt Ludwig-von-Ficker-Porträt von Kokoschka. In: Kulturberichte aus Tirol, Innsbruck, H. 187/188, März 1969, S. 6","3341":"Gunhild Bauer: Schulung von Auge und Hand. Die Skizzenbücher Oskar Kokoschkas. In: Kat. Ausst. 2008 Wien, S. 47-52.","3343":"Sotheby's London, German and Austrian Art, 9. Okt. 2002","3344":"Parke-Bernet Galleries, New York, Sale Nr. 2935, 19. Nov. 1969","3345":"Wolfgang Willrich: Säuberung des Kunsttempels. Eine kunstpolitische Kampfschrift zur Gesundung dt. Kunst im Geiste nordischer Art. Berlin: Lehmann 1937","3346":"Margaret Sterne: The passionate eye. The life of William R. Valentiner. Detroit: Wayne State Univ. Press 1980 ","3347":"Ganymed. Blätter der Marées-Gesellschaft, Bd. 2. Hrsg. von Julius Meier-Graefe. München: Piper Verlag 1920","3348":"Musées Royaux des Beaux-Arts de Belgique, Département d'Art Moderne. Catalogue inventaire de la peinture moderne. Brüssel 1984","3349":"Sabine Loitfellner: Die Rolle der 'Verwaltungsstelle für jüdisches Umzugsgut der Geheimen Staatspolizei' (Vugesta) im NS- Kunstraub. In: Gabriele Anderl und Alexandra Caruso (Hrsg.): NS-Kunstraub in Österreich und die Folgen. Innsbruck, Wien [u.a.]: Studien-Verlag 2005, S. 110-120","3350":"Sotheby's London, Impressionist and Modern Art - Evening Sale, 19. Juni 2012 ","3351":"Ferdinand Stuttmann: Kunstschätze in Hannover. Hannover: Kunstverein 1953","3352":"Gerhard Schmidt: Neue Malerei in Österreich. Wien: Rosenbaum 1956 ","3353":"Cahiers de Belgique, Brüssel, 1. Mai 1931","3354":"Frans Smit: Gustav Meyrink. München, Wien: Langen Müller 1988","3355":"A handbook of the collections of the Portland Art Museum. Portland/OR 1971","3356":"National Galleries of Scotland, Edinburgh, Okt./Nov. 1987, mit Farbabb. [Erwerbungsbericht]","3357":"Hans Weigert: Die Kunst am Ende der Neuzeit. Tübingen: Wunderlich 1956 ","3358":"Régine Bonnefoit, Gertrud Held: Oskar Kokoschka 1915–1917. Vom Kriegsmaler zum Pazifisten. In: Uwe M. Schneede (Hrsg.): 1914. Die Avantgarden im Kampf. Katalogbuch zur Ausstellung, Bonn, Kunst- und Ausstellungshalle der Bundesrepublik, 8. Nov. 2013-23. Feb. 2014","3359":"Oskar Kokoschkas neues Hamburg-Bild: 'Blick aus dem Springer-Haus'. In: Die Welt, Hamburg, Nr. 296, 20. Dez. 1958, Beilage","3360":"Tobias G. Natter: 'Schnittlauch auf der mageren Suppe.' Anmerkungen zum Verhältnis Kokoschka -- Schiele. In: Werkner 1998a, S. 22-26","3361":"Bruno E. Werner: Die Zwanziger Jahre. Von Morgen bis Mitternachts. München: Bruckmann 1962 ","3362":"Bernard S. Myers: 50 great artists. New York 1953","3363":"Alfred Hentzen: Kokoschka und Hamburg. In: Kat. Ausst. 1962/63 Hamburg","3364":"Dorotheum, Wien, Klassische Moderne, 22. Mai 2014","3365":"Ignaz Zangerle (Hrsg.): Zeit und Stunde. Ludwig von Ficker zum 75. Geburtstag gewidmet. Salzburg: O. Müller 1955","3366":" 'Saul und David' für Tel Aviv. Die Stadt erhält eine Sammlung von Kokoschka-Arbeiten. In: Die Welt, Hamburg, 15. April 1971","3367":"Eugen Lüthgen: Köln als Kunststadt. Bonn, Leipzig: Schroeder 1924","3368":"Jean Cassou, Emil Langui und Nikolaus Pevsner: Durchbruch zum 20. Jahrhundert. Kunst und Kultur der Jahrhundertwende. München: Callwey 1962","3369":"Patrick Werkner: Physis und Psyche. Der österreichische Frühexpressionismus. Wien, München: Herold-Verlag 1986. [Am. Ausg. u. d. T.: Austrian Expressionism. The Formative Years, Palo Alto/CA 1993, S. 63-115]","3370":"Museum Folkwang Essen. Katalog der Gemälde des 20. Jahrhunderts. Bearb. von Ulrike Köcke. Essen 1981","3371":"Sotheby's London, Impressionist and modern Paintings and Sculpture Part I, 25. Juni 1985","3372":"Horst Richter: Malerei unseres Jahrhunderts. Köln: DuMont Schauberg 1969","3373":"Johann Apfelthaler: Das Tauchen ins Dunkel. In: Sotriffer 1984, S. 201--240 ","3374":"Propyläen Kunstgeschichte. Supplementband II, Berlin: Propyläen 1978","3375":"Erika Tietze-Conrat: Ein Porträt und nachher. In: Hodin 1963a, S. [70]-73","3376":"Andrew C. Ritchie (Hrsg.): Catalogue of contemporary paintings and sculpture. Buffalo/NY: Albright Art Gallery 1949","3377":"Burcu Dogramaci und Karin Wimmer (Hrsg.): Netzwerke des Exils. Künstlerische Verflechtungen, Austausch und Patronage nach 1933. Berlin: Mann Verlag 2011","3378":"Mario Brunetti: Le gout de notre temps: Venise. Genf [u.a.]: Skira 1956","3379":"Will Grohmann: Sammlung Ida Bienert - Dresden. In: Museum der Gegenwart, Berlin, Jg. 3, 1932/33, H. 2","3380":"Antje Birthälmer: Ein besonderes Kapitel: Wuppertaler Beziehungen zum Sturm.In: Kat. Ausst. 2012 Wuppertal, Bd. 2, S. 35-62","3381":"Patrick Werkner: Gestik in den frühen Bildnissen Oskar Kokoschkas. In: Kat. Ausst. 2002 Hamburg, S. 30--35. [Text in engl. im Kat. Ausst. 2002 New York, Neue Galerie S. 30--35]","3382":"Galerie Fischer, Luzern, [Kunst und Kunstgewerbe aus Privatbesitz]. [3.] Auktion, 28. Aug. 1941 in Luzern [3 Gemälde, Katalog nicht nachgewiesen, Quelle: (s. Schmidt D. 1964, S. 251 und Luzern 1939a)]","3383":"Bulletin of the Art Institute of Chicago, Bd. XLIII, Nr. 1","3384":"Friedrich Welz: Bedeutende Neuerwerbung der Salzburger Residenz-Galerie - Oskar Kokoschka, Mädchenbildnis 1913. In: Salzburger Museumsblätter, Jg. 37, 1976, Nr. 1, S. 2-3 mit Abb.","3385":"Otto Benesch: Kubin - Kokoschka - Dobrowsky. (Rückblick auf drei Ausstellungen). In: Österreichische Rundschau, Wien, Jg. 3, 1937, H. 10, S. 487-492 [zur Ausstellung 1937 Wien S. 489-491]","3386":"Index of Austrian art in American collections. Minneapolis/ MN: Univ. Gallery and Center for Austrian Studies, Univ. of Minnesota 1981","3387":"Horst Keller: Selbstbildnis 1913. In: Hubert Adolph: Die goldene Palette. Tausend Jahre Malerei in Deutschland, Österreich und der Schweiz. Stuttgart [u. a.]: Dt. Bücherbund 1968, S. 479","3389":"Hans R. Frank: Der Weise von Yvorne und das Auge Gottes. Hintergründe und Hintergründiges von Kokoschkas Forel-Bildnis. In: Deutsches Ärzteblatt, Köln, Jg. 63, Nr. 9, 26. 2. 1966, S. 608-613","3390":"Alessandra Comini: Egon Schiele's portraits. Berkeley [u.a.]: Univ. of California Press 1974. (California studies in the history of art; 17)","3391":"Michael Zajonz: Mädchen in Blau. Oskar Kokoschkas Kinderporträt 'Gitta Wallerstein' kehrt nach Dresden zurück. In: Arsprototo. Das Magazin der Kulturstiftung der Länder, Nr. 3, 2014, S. 43-45 ","3392":"Sotheby Parke Bernet & Co., Impressionist and Modern Paintings and Sculpture Part I, 6. Dez. 1983","3393":"Petr Hlaváček: Die vergessene Karlsbader Ausstellung von Oskar Kokoschka des Jahres 1911. In: Umění, Nr. 55, 2007, S. 329-336.","3394":"Galerie Wolfgang Ketterer München, 36. Auktion, 26.-28. Nov. 1979","3396":"Sotheby's New York, Impressionist and Modern Art - Day Sale, 7. Nov. 2012","3397":"Oskar Kokoschka: Handzeichnungen 1906--1965. New York 1966 (s. Rathenau 1966)","3398":"The Art Quarterly, Detroit, Bd. 25, 1962, Nr. 1","3399":"Der Querschnitt, Berlin, Jg. 6, 1926, H. 7, Juli 1926","3400":" 'Zwei große Männer' - Konrad Adenauer und Oskar Kokoschka, Cadenabbia, April 1966. In: Quick, München, Jg. 19, Nr. 20, 15. Mai 1966, S. 60-62","3401":"Eduard Trier: Die Museumsspende des Kulturkreises. In: Museumskunde, Bd. 30, 1961, H. 1, 2. Bd., 3.Folge, S. 62-65. Abb. S. 64","3402":"Keith Holz: The Politics of Mobility and Mutilation in Kokoschka's exile years (1934-1949). In: Bonnefoit/Häusler 2010a, S. 77-91.","3403":"Kunsthaus Lempertz, Köln, Auktion 882, Moderne Kunst, 3. Dez. 2005","3404":"Paul Westheim: Kokoschka-Ausstellung. In: Frankfurter Zeitung, Frankfurt/Main, Jg. 67, Nr. 490, 6. Juli 1923, S. 2. [Rez. 1923 Berlin, Cassirer]","3405":"Stuttgarter Kunstkabinett. R. N. Ketterer,Moderne Kunst I. Teil.37. Auktion, 3./4. Mai 1962","3406":"Joseph P. Hodin: Oskar Kokoschkas erste Schweizer Erinnerungen. In: Neue Zürcher Zeitung, Zürich, Nr. 65, 13.1.1946, Bl. 5","3407":"Christoph Becker: Die Biennale in Venedig und die deutschen Beiträge von 1895 bis 1942. In: Biennale Venedig 1995, S. 13--34 ","3408":"Franz Roh: Geschichte der deutschen Kunst von 1900 bis zur Gegenwart. München: Bruckmann 1958. (Deutsche Kunstgeschichte; 6) ","3409":"Helmut von Arz: Wie lerne ich ein Bild kennen. Essen 1981. (Museum Folkwang Essen. Kunstpädagogische Schriften; 1)","3410":"Aleksej Leporc: Dva barokko Oskara Kokoschki [The two baroques of Oskar Kokoschka]. In: 20th century art: the end of an epoch? The Glinka Nizhny Novgorod State Conservatoire; The Open Society Institute (Soros Fund). Nizhny Novgorod 1997, Bd. 1, S. 147-164 [Text russ. mit engl. Zfg.]","3411":"Karel B. Palkovsky: Oskar Kokoschka. Praha: Státní nakl. Krásné literatury hudby a umení 1958. (Soudobé svetové umení; 1)","3412":"Kathryn Simpson: I'm ugly because you hate me. Ugliness and negative empathy in Oskar Kokoschka’s early self-portraiture. In: Andrei Pop und Mechtild Widrich (Hrsg.):Ugliness. The non-beautiful in art and theory. London [u.a.]: I.B. Tauris 2013, S. 122-140.","3413":"Diether Rudloff: Unvollendete Schöpfung. Künstler im 20. Jahrhundert. Stuttgart: Urachhaus 1982 ","3414":"Herbert Read: Art now. An introduction to the theory of modern painting and sculpture. London: Faber & Faber 1934 ","3415":"Franz Landsberger: Impressionismus und Expressionismus. Eine Einführung in das Wesen der neuen Kunst. Leipzig: Klinkhardt & Biermann 1919 ","3416":"Herwig Guratzsch: Zur Genesis des zweifachen Erwerbs des Kokoschka-Gemäldes durch das Leipziger Museum 1930 und 1993. In: Guratzsch 1993a, S. 16-20","3417":"Ludwig Goldscheider: Oskar Kokoschkas Bildnismalereien aus den letzten sieben Jahren. In: Die Kunst und das schöne Heim, München, Jg. 63, 1964/65, H. 4, Jan. 1965, S. 139--143","3418":"Sybille-Karin Moser: Empfinden in Form und Farbe. Zum Genre 'Landschaftsmalerei' im Österreich der Zwischenkriegszeit. In: Bertsch/Neuwirth 1993, S. 202--212","3419":"Liesbeth Waechter-Böhm : Die Kunst der einwärts gewendeten Optik. Nach der Gattungsmalerei die retrospektive Entdeckung der Moderne. In: Liesbeth Waechter-Böhm (Hrsg.): Wien 1945 - davor/danach. Katalogbuch zur Ausstellung, Wien, Museum des 20. Jahrhunderts, 31. Mai-7. Juli 1985], S. [127]-135","3420":"Helen Brabam: The Princess Gate Collection. London: Courtauld Institute Galleries 1981, Appendix I","3421":"Stuttgarter Kunstkabinett, 22. Kunstauktion, Kunstliteratur, Kunstwerke des 15.-20. Jh., 1. Dez. 1955","3422":"Franz Servaes: Ein Streifzug durch die Wiener Malerei. In: Wiener Kunst- und Buchschau, Wien, Jg. 5, H. 1, Okt. 1910, S. 8-17. [Wiederveröffentlicht in: Kunst und Künstler, Berlin, Jg. 8, 1910/11, H. 12, Sept. 1911, S. 587-598]","3423":"Carl Einstein und Paul Westheim (Hrsg.): Europa-Almanach 1925. Malerei, Literatur, Musik, Architektur, Plastik, Bühne, Film, Mode. Leipzig, Weimar: Kiepenheuer 1984. [Nachdruck der Ausgabe von 1925]","3424":"Manuel Gasser: Nachricht von Oskar Kokoschka. [s. Brief aus London. Am Rande notiert.] In: Der Monat, Berlin, Jg. 2, 1950, H. 24, Sept., S. 526","3426":"Neue Pinakothek und Staatsgalerie München. Französische Meister des 19. Jahrhunderts. Kunst des 20. Jahrhunderts. Ausgestellte Werke I. München: Hirmer 1966","3427":"Museum of Fine Arts, Boston. Annual report,1961, S. 70","3428":"Joseph P. Hodin: Oskar Kokoschka och hans politiska malerie. In: Paletten, Göteborg, 1947, Nr. 2, o. S.","3429":"Joseph P. Hodin: Modern art and the modern mind. Cleveland, London: Press of the Case Western Reserve Univ. 1972","3430":"Helena Pereña: El Greco und die Wiener um 1910 - Oppenheimer, Kokoschka und Schiele. In: Beat Wismer und Michael Scholz-Hänsel (Hrsg.):El Greco und der Streit der Moderne. Fruchtbare Missverständnisse und Widersprüche in seiner deutschen Rezeption zwischen 1888 und 1939. Berlin, München [u.a.]: De Gruyter 2015. [Sammelband des gleichnamigen internationalen Symposiums vom 21. bis 23. Juni 2012 in Düsseldorf (s. Kat. Ausst. 2012 Düsseldorf)], S. 98-105","3431":"The Independent, London, 20. Okt. 1987 [Bericht über die Erwerbung des Bildes durch die National Galleries of Scotland]","3432":"Das Kunstblatt, Potsdam, Jg. 8, 1924, H. 5","3433":"Minneapolis Institute of Arts Bulletin, Minneapolis/MN, Bd. 50, Nr. 4, Dez. 1961 ","3434":"Bernhard Bultmann: Oskar Kokoschka. Salzburg: Verlag Galerie Welz 1959","3435":"Eberhard Sauermann: Oskar Kokoschka und Georg Trakl. Malerei und Dichtung in mystischer Vereinigung. In: Kunsthistoriker. Mitteilungen des Österreichischen Kunsthistorikerverbandes, Graz, Jg. 4, 1987, Nr. 1/2, S. 29--33","3436":"Kunst ins Volk, Wien, Bregenz, H. 5/6, 1949","3437":"Villa Grisebach Auktionen, Berlin, Auktion Nr. 24, Kunst des 19. und 20. Jahrhunderts, 29. Mai 1992","3438":"Hans H. Aurenhammer: Max Dvorák über Oskar Kokoschka. Eine handschriftliche Fassung des Vorworts zu 'Variationen über ein Thema' (1920/21). In: Werkner 1998a, S. 34-40","3439":"Carl G. Heise: Zwei moderne Porträts. In: Die Zeit, Hamburg, 2. 8. 1951","3440":"Christie's, London, Impressionist and Modern Paintings and Sculpture, 3. Dez. 1990","3441":"Die Kunst, München, Bd. 27, 1913","3442":"Matthias Boeckl: Rekonstruktion einer verlorenen Kultur. In: Matthias Boeckl (Hrsg.): Fritz Schwarz-Waldegg.Maler-Reisen durchs Ich und die Welt. Katalogbuch zur Ausstellung, Wien, Jüdisches Museum, 4. Nov. 2009-25.April 2010, S. 15-31.","3443":"Joseph P. Hodin: Kokoschka und Hellas. Wien: Euro Art/Europa-Verlag 1975","3444":"Ludwig Erhard. Beiträge zu seiner politischen Biographie. Festschrift zum 75. Geburtstag. Hrsg.von Gerhard Schröder [u.a.]. Berlin 1972","3445":"Alfred Kuhn: Oskar Kokoschka: Bildnisse von Menschen und Tieren bei Paul Cassirer. In: Der Cicerone, Leipzig, Jg. 19, 1927, H. 4, S. 125. [Rez. 1927 Berlin, Cassirer]","3446":"Paul Westheim: Brief an Georg Tappert [über Wilhelm Morgner]. In: Das Kunstblatt, Potsdam, Berlin, Jg. 5, 1921, H. 6","3447":"Hendrik Bärnighausen und Viktoria Wuchrer: Der Kunsthändler Herrmann Holst, der Galeriedirektor Hans Posse und der Maler Oskar Kokoschka als Bewohner des 'Pavillons J' im Großen Garten in Dresden. In: Staatliche Schlösser, Burgen und Gärten Sachsen, Jahrbuch, Bd. 14, 2006, S. 129-142","3448":"Sean Rainbird: The shadow of war. An interview with Olda Kokoschka. In: Rainbird 1990, S. [4--8]","3449":"Von der Heydt-Museum Wuppertal. Katalog der Gemälde des 20. Jahrhunderts. Bearb. von Uta Laxner-Gerlach. Wuppertal 1981","3450":"Das Kunstblatt, Potsdam, Berlin, Jg. 2, 1918, H. 12","3451":"Galerie bei der Albertina, Zetter, Wien: Oskar Kokoschka: Hamburg III, 1961.","3453":"Donald E. Gordon: Expressionism: art and idea. New Haven, London: Yale Univ. Press 1987","3454":"Heinrich Neumayer: Expressionismus. Wien: Rosenbaum 1956. (Zeit und Farbe; 3) ","3455":"Mitteilungen der Österreichischen Galerie, Wien, Jg. 5, 1961 = Nr. 49, S. 4","3456":"Ellen Goheen: From Romanticism to Pop. In: Apollo, London, Bd. 96, Nr. 130, Dez. 1972, S. 79","3457":"F. A. Harta: Zum 70. Geburtstag von O.K. In: Das Kunstwerk, Baden-Baden, Jg. 9, 1955/56, H. 4, Jan./Feb. 1956, S. 16","3458":"Walter Kasten: Wie OK die 'Linzer Landschaft' malte. In: Linz aktiv. Kulturelle Viertelsjahresschrift der Stadt Linz, Nr. 76, Herbst 1980, S. 55--64\n","3459":"Oskar Kokoschka: 'Die Macht der Musik'. In: Museumjournaal van het Stedelijk van Abbe Museum te Eindhoven, Rijksmuseum Kröller Müller te Otterlo, Stedelijk Museum te Amsterdam, Ser. 1, Nr. 2, Aug. 1955","3460":"Heinz Spielmann: Ecce homo - ecce homines. In: Kat. Ausst. 1975 Hamburg, S. 76","3461":"Werner Doede: Berlin: Kunst und Künstler seit 1870. Recklinghausen: Bongers 1961 ","3462":"Michel Lehner: Rencontres. Avec les peintures du Grand Lens. Crans 1990","3463":"Katharina Erling: Zu den Tieren in den Gemälden Oskar Kokoschkas. In: Kat. Ausst. 2014 Wolfsburg, S. 50-63","3464":"Doris Wild: Mit Kokoschka durch seine Ausstellung im Züricher Kunsthaus. In: Neue Züricher Zeitung, Zürich, 28. August 1947","3465":"Helen M. Franc: An invitation to see. 125 paintings from the Museum of Modern Art. New York: The Museum of Modern Art 1973","3466":"Keith Holz: Freie Deutsche Kunst (1938). In: Keith Holz und Wolfgang Schopf: Im Auge des Exils. Josef Breitenbach und die Freie Deutsche Kultur in Paris 1933-1941. Berlin: Aufbau-Verl. 2001, S. [147]-169","3467":"Eric R. Kandel: Das Zeitalter der Erkenntnis. Die Erforschung des Unbewussten in Kunst, Geist und Gehirn von der Wiener Moderne bis heute. München: Pantheon 2014. [Am. Originalausg. u.d.T.: The Age of Insight. The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present, New York: Random 2012]","3468":"Giuseppe Gatt: Oskar Kokoschka. Luzern: Kunstkreis Luzern [u.a.] 1972. (Gestalter unserer Zeit). [Ital. Originalausg. s. Gatt 1970]","3469":"Ulrich Bischoff: Hans Posse und Kokoschka. In: Kat. Ausst. 1996 Dresden, S. 76--79","3471":"Abbild und Emotion - Österreichischer Realismus 1914-1944. Kokoschka-Bild als bedeutsame Leihgabe der Galerie Haas, Liechtenstein. In: Liechtensteiner Volksblatt, 1. Aug. 1984 ","3472":"The Art Quarterly, Detroit, Bd. 16, 1953, Nr. 3, S. 257","3473":"Camill Hoffmann: Kokoschkas Bildnisse und Phantasien. In: Die Dame, Berlin, Wien, Jg. 45, 1917/18, H. 3, Nov. 1917, S. 6-7","3474":"Rudolf Bangel: Sammlung A. v. Baviez. Gemälde älterer und neuerer Meister, Katalog, Bd. 1053, Frankfurt/Main 1924. [15. April 1924]\n","3475":"Die Österreichische Galerie Wien - Schloß Belvedere. Ein Führer durch die österr. Malerei und Bildhauerei vom Mittelalter bis zur Gegenwart. Wien, München: Jugend & Volk 1976","3476":"Kunst des zwanzigsten Jahrhunderts. Eine Auswahl aus Museumsbesitz. Kunstsammlungen der Stadt Düsseldorf. Einf. von W. Doede. Düsseldorf 1953","3477":"Frank Whitford: Oskar Kokoschka. A life. London: Weidenfeld & Nicolson 1986 ","3478":"Herbert Read: Geschichte der modernen Malerei. München [u.a.]: Knaur 1959. [Engl. Originalausg. u. d. T. Concise history of modern painting, London 1959]","3479":"Magazine of art, New York, April 1935","3480":"Susana de Andrade: Stadtbild und Reiseerlebnis.Zu Oskar Kokoschkas Stadtansichten zwischen 1924-1930. Münster/Westf.: Univ. Mag.-Arb.1989","3481":"Sotheby's New York,Impressionist and Modern Art Part I, Paintings and drawings from the collection of the Georg Waechter Memorial Foundation 1. Mai 1996","3482":"Oskar Kokoschka: Correspondance--fétiche. Lettres à Hermine Moos 22. 7. 1918 -- 6. 4. 1919. [Übers. von Antoinette Monod und Simon Dakkus]. Genf: Vernay 1988","3483":"Schlesisches Museum der Bildenden Künste, Breslau: Katalog der Gemälde und Skulpturen. Breslau 1926","3484":"Hans-Otto Wölber: Siehe: die Menschen! In: Zeitschrift für Gottesdienst und Predigt, Gütersloh, Jg. 4, H. 2, März/April 1986, S. 2-4","3485":"K. E. Schuurman: Duits expressionisme in het Gemeentemuseum. In: Mededelingen van de Dienst voor Schone Kunsten der gemeente 's-Gravenhage, X, 1, 1955, S. 7 ","3486":"Katalog der Ausstellung 1960 Kopenhagen, Farbtaf. [Gemälde nicht ausgestellt] ","3488":"Gisèle Ollinger-Zinque: Le joueur en transe. In: Peinture vivante, Brüssel, Nr. 7, 1969/70, Nr. 34","3490":"Joseph P. Hodin: Oskar Kokoschka. The artist and his time. Greenwich/CT: New York Graphic Society 1966","3492":"Neue Blätter für Kunst und Dichtung, Dresden, Jg. 3, 1920/21","3493":"Das Wilhelm-Lehmbruck-Museum Duisburg. Bearb. von Siegfried Salzmann. Recklinghausen: Bongers 1981","3494":"Robert Radford: Kokoschka's Political Allegories. In: Art Monthly, London, Nr. 97, Juni 1986","3495":"Zum zehnten Todestag Ludwig von Fickers oder zur Tätigkeit des 'Brenner-Archivs' während der vergangenen zehn Jahre. In: Das Fenster, Innsbruck, H. 20, Sommer 1977, S. 2079-2087, (Ludwig von Ficker auf dem Totenbett, darüber sein Porträt von Oskar Kokoschka)","3496":"Hans Platschek: Oskar Kokoschka. Buenos Aires: Ed. Poseidon 1946. (Biblioteca argentina de arte)","3497":"Oskar Kokoschka: Handzeichnungen. New York 1977 (s. Rathenau 1977)","3498":"Jasper Sharp (Hrsg.): Österreich und die Biennale Venedig 1895-2013. Nürnberg: Verlag für moderne Kunst 2013","3499":"Kornfeld und Klipstein, Bern. Moderne Kunst des 19. und 20. Jahrhunderts, 100. Auktion, 8. Juni 1961, Nr. 59, Farbtaf. S. 116. In: Das Schönste. Jg. 7, 1961, Nr. 7, S. 10\n","3500":"Franz Smola: Fotografien und Gemälde von 1891 bis 1980. In: Kat. Ausst. 2013/14 Wien, Leopold Museum, S. [65]-333.","3501":"Kurt Lothar Tank: Kokoschka malt einen Bürgermeister. In: Sonntagsblatt, Hamburg, Jg. 4, 1951, H. 31, S. 7-15","3502":"Kunsthalle Mannheim. Verzeichnis der Gemälde- und Skulpturensammlung. Bearb. von Heinz Fuchs. Mannheim 1953","3503":"Roland Scotti: Oskar Kokoschka und das Wunder des Todes. In: Kat. Ausst. 2010/11 Appenzell, S. 179-200","3505":"OK. Sein Seherblick ging in die Tiefe. In: Schweizer Familie. Nr. 42, 15. Okt. 1986, S. 12-14, Farbabb. S. 13 [Rez. 1986 Zürich]","3506":"H. Ruediger Schiferer: Alfred Adler. Eine Bildbiographie. Mit bisher unbekannten Original-Dokumenten und zum größten Teil unveröffentlichten Abb. München, Basel: Reinhardt 1995","3508":"Oskar Kokoschka: Die Wahrheit ist unteilbar. Wien 1966. (Schriften des Museums des 20. Jahrhunderts, Wien; 1)","3509":"Almut Krapf-Weiler: The response of early Viennese expressionism to Vincent van Gogh. In: Patrick Werkner (Hrsg.): Egon Schiele. Art, sexuality, and Viennese modernism. Palo Alto/CA 1994, S. [31]-50; 42-47","3510":"Eliane Kaufholz (Hrsg.): Karl Kraus. Paris: Ed. De l'Herne 1975","3511":"Von der Heydt-Museum Wuppertal. Jahresbericht 1987/88. Wuppertal 1988","3513":"Thomas M. Messer:`Der irrende Ritter'. In: Oskar Kokoschka Symposion 1986, S. 183-186","3514":"Die Kunst, München, Bd. 59 = Jg. 30, 1928/29, H. 11, Aug. 1929","3515":"Jörg Jewanski und Hajo Düchting: Musik und Bildende Kunst im 20. Jahrhundert. Begegnungen - Berührungen - Beeinflussungen. Kassel: Kassel Univ. Press 2009","3516":"Gus Schiele, Stuttgart, Auktion, 5. März 1984, Faltblatt mit Abb.","3517":"Rainer Rumold: Corporeal topographies of the image zone. From Oskar Kokoschka’s murder of metaphor to Georges Bataille’s 'acéphale'. In: Markus Hallensleben (Hrsg.): Performative body spaces.Corporeal topographies in literature, theatre, dance, and the visual arts. Amsterdam, New York: Rodopi 2010, S. [169]-184. (Critical studies; 33)","3518":"Gert van der Osten: Die Neuerwerbungen der Städtischen Galerie. In: Hannoversche Geschichtsblätter, Jg. 10, 1956, H. 1/2","3519":"Hans Moldenhauer: Der Tod Anton von Weberns. Ein Drama in Dokumenten. Wiesbaden: Breitkopf & Härtel 1970","3520":"Fritz Laufer: Begegnung mit Oskar Kokoschka. In: Alte und neue Kunst, Zürich, Jg. 10, 1959, H. 4, S. 15-18","3521":"Carla Vinci-Orlando: La poetica di Kokoschka. In: Nuova antologia, Roma, Nr. 2052, Dez. 1971, S. [541]--561","3522":"Kunstmuseum Winterthur. Sammlung der Gemälde und Plastiken des Kunstvereins. Katalog. Hrsg. von Georges Descoeudres und Rudolf Koella. Winterthur 1976","3523":"H. Lober: Kokoschkas 'Hafenbild'. In: Hamburger Echo, 16. 1. 1952, S. 6","3524":"Diether Schmidt: Oskar Kokoschka in Dresden. In: Constanze Peres und Diether Schmidt (Hrsg.):Erneuerung als Tradition. 100 Jahre Dresdner Kunst und Kunstakademie im (inter)nationalen Zusammenhang. Amsterdam, Dresden: Verlag d. Kunst 1997, S. 70-100","3525":"Wolfgang Thoma: Österreichisch-schottische Kulturbeziehungen in der ersten Hälfte des 20. Jahrhunderts. Drei Einzeldarstellungen. Willa und Edwin Muir - Oskar Kokoschka - Charles Rennie Mackintosh. Innsbruck: Univ. Dipl.-Arb. 1993","3526":"Kunst und Künstler, Berlin, Jg. 29, 1930/31","3527":"Österreichische Galerie des 19. und 20. Jahrhunderts im Oberen Belvedere. Katalog der Neuaufstellung 1954. Wien: Verl. der Österr. Galerie [1955]","3528":"George Mihan: Looted treasure. Germany's raid on art. London: Alliance Press [1944]","3529":"Ludwig Justi: Deutsche Malkunst im neunzehnten Jahrhundert. Ein Führer durch die Nationalgalerie. Berlin: Bard 1920","3530":"Paul Fierens: Kokoschkas `Trancespieler'. In: Hodin 1963a , S. [122]-125","3531":"Magarete Stone: Oskar Kokoschka in British Exile. In: Siglinde Bolbecher, Konstantin Kaiser [u.a.] (Hrsg.): Literatur und Kultur des Exils in Großbritannien. Wien: Verl. für Gesellschaftskritik 1995, S. 86–101. (Zwischenwelt; 4)","3532":"Tobias G. Natter: Oskar Kokoschka und das Belvedere oder Wie sammelt man ein 'Genie'? In: Kat. Ausst. 1996/97 Wien, S. 9--31","3533":"Anna-Maria Prause: Sebastian Isepp. Spiritus agens des 'Nötscher Kreises'. Salzburg: Uni., Diss., 1980","3534":"Karl Scheffler: Oskar Kokoschka. In: Kunst und Künstler, Berlin, Jg. 17, 1918/19, H. 4, Jan. 1919, S. 123--130. [Rez. 1918 Berlin, Cassirer]","3535":"Franz Prinz von Sayn-Wittgenstein: Genfersee. München: Prestel 1981","3537":"Astrid Kury: Okkultismus, das moderne Weltbild und die Kunst der Wiener Moderne. Die Transformation des okkulten Gedankenguts in Wien um 1900 im internationalen Vergleich. Graz: Univ. Diss. 1998; S. 107-116","3538":"Gemeentemuseum Den Haag. Catalogus schilderijen / Afdeling Moderne Kunst. 's-Gravenhage 1962","3539":"Christie's London, Impressionist and Modern Art - Evening Sale, 21. Juni 2011","3540":"Jaromir Pecírka: [Über Oskar Kokoschka. Anläßlich der Ausstellung in der Galerie Feigl in Prag = 1933/34 Prag]. In: Umení, Bd. 7, 1934","3541":"Die Kunst,München, H. 2, Nov. 1950","3542":"Katalog der Neuen Staatsgalerie. München 1925","3543":"Jan Gordon: London commentary. In: The Studio, London, Bd. 123, Nr. 586, Jan. 1942, S. 20-22 [Rez. 1941/42 London]","3544":"Gerald Nordland: The May Collection. In: San Diego Magazine, Bd. 13, April 1961, S. 67 ","3545":"Catalogue of the Tate Gallery´s Collection of Modern Art other than Works by British Artists. Bearb. von Ronald Alley. London: The Tate Gallery & Sotheby Parke-Bernet 1981","3546":"Wilhelm Mrazek und Ernst Köller. Kunst aus Österreich. Bad Vöslau 1969","3547":"The Burlington Magazine, Bd. 107, März 1965","3548":"Friedrich Karl Gotsch: Kokoschka als Lehrer. In: Wulf Kirsten und Hans-Peter Lühr (Hrsg.): Künstler in Dresden im 20. Jahrhundert. Literarische Porträts. Dresden: Verlag der Kunst 2005, S. 34-37.","3549":"Katja Wimmer: La poupée d’Oskar Kokoschka. Du simulacre à l’œuvre. In: Ingrid Haag und Karl Heinz Götze (Hrsg.): L'amour autour de 1900. Aix-en-Provence 2006, S. [227]-239 (Cahiers d’études germaniques; 2006/1; Nr. 50)","3550":"Ludwig Grote (Hrsg.): Europäische Malerei in deutschen Galerien. Meister des 20. Jahrhunderts. München: Prestel [1964]","3551":"Dorotheum, Wien, Klassische Moderne, 25. Nov. 2008","3552":"Oskar Kokoschka - Themophylae, 1954. Einf. Carl Georg Heise. Beiträge von Oskar Kokoschka und Bruno Snell. Stuttgart: Reclam 1961","3553":"Kunstmuseum Basel: 150 Gemälde 12.-20. Jahrhundert. Bearb. von Georg Schmidt. Basel 1973","3554":"Carmine Benincasa: La profondità è oltre. In: Kat. Ausst. 1981/82 Rom, S. [XV]--XLI","3555":"Norbert Werner (Hrsg.): Kokoschka. Leben und Werk in Daten und Bildern.Frankfurt a. Main/Leipzig: Insel-Verl. 1991. (Insel-Taschenbuch; 909)","3556":"Georg Swarzenski: Die Sammlung Harry Fuld in Frankfurt. In: Das Kunstblatt, Weimar, Jg. 2, 1918, H. 3","3557":"Georg Brühl: Herwarth Walden und Der Sturm.Leipzig: Ed. Leipzig 1983","3558":"Martin R. Möbius: Die Neuerwerbungen der Städtischen Kunstsammlung in Chemnitz. In: Der Cicerone, Leipzig, Jg. 17, 1925, H. 17","3559":"Thomas Harrison: 1910: the emancipation of dissonance. Berkeley/CA: Univ. of California Press 1996","3560":"Neuerwerbungen deutscher Museen. In: Jahresring. Jahrbuch für moderne Kunst, Stuttgart, 1966/67","3561":"Handbook : The Guggenheim Museum Collection 1900-1980. Bearb. von Vivian E. Barnett. New York 1980","3562":"Sean Rainbird: Oskar Kokoschka 1886--1980. [Broadsheet published to mark a display of his work at the Tate Gallery in October 1990]. London 1990","3563":"Hauswedell & Nolte, Hamburg. Moderne Kunst,Auktion 231, 8. Juni 1979","3564":"Weltkunst, München, Jg. 54, 1984, H. 8, 15. April","3565":"Peter-Klaus Schuster (Hrsg.) Nationalsozialismus und Entartete Kunst. Die Kunststadt München 1937. München: Prestel 1988 ","3566":"Hans Konrad Röthel: Neuerwerbungen zeitgenössischer Malerei und Plastik 1945-50. München: Bayerische Staatsgemäldesammlungen 1951","3567":"Paul Raabe (Hrsg.):Expressionismus. Aufzeichnungen und Erinnerungen der Zeitgenossen. Olten & Freiburg/Br. 1965. (Walter-Texte und Dokumente zur Literatur des Expressionismus)","3568":"Paul O. Rave: Das Behn-Haus in Lübeck. In: Museum der Gegenwart, Berlin, Jg. 3, 1932/33, H. 4, 1. Vierteljahr 1933","3569":"Gazette des Beaux Arts, Nr. 1358, März 1982, Supplement La Chronique des Arts","3570":"Sele arte, Florenz, Jg. 2, Nr. 9, Nov./Dez. 1953","3571":"Patrick Werkner: Kunst im Kalten Krieg. In: Sultano/Werkner 2003, S. 213-260","3572":"Sotheby & Co., London, Impressionist and Modern Paintings and Sculpture Part I, 3. Dez. 1985","3573":"Hans Swarowsky: Wahrung der Gestalt:\nSchriften über Werk, Stil und Interpretation in der Musik. Universal Edition 1979","3574":"Museum Boymans-van Beuningen, Rotterdam. Kunst van de 20e eeuw. Rotterdam 1972","3575":"Bernd Apke: Obrigkeit und Konflikt. Vier Fallbeispiele: Oskar Kokoschka als Enfant terrible. In: Kat. Ausst. 2005 Frankfurt/Main","3576":"Sammlung Walden. Gemälde, Zeichnungen, Plastiken. 5. Verzeichnis, April 1917. Berlin 1917","3577":"Kokoschka. Prints Illustrated books, drawings in the Princes Gate Collection. With notes on the Paintings. Hrsg. von Helen Braham. Katalogbuch zur Ausstellung London, Courtauld Institute Galleries, 9. Sept.-28. Okt. 1992","3578":"Günther Feuerstein, Heribert Hutter [u.a]: Moderne Kunst in Österreich. Wien [u.a]: Forum-Verlag 1965","3579":"Melissa Müller und Monika Tatzkow:Verlorene Bilder, verlorene Leben. Jüdische Sammler und was aus ihren Kunstwerken wurde. München: Sandmann 2009 [Erw. Aufl. mit Kap. Von Kunsthändlern zu Kunsthehlern 2014, am. Ausg. u. d. T.: Lost Lives, lost art.Jewish collectors, Nazi art theft, and the quest for justice, New York: The Vendome Press 2010]","3580":"Bruno Weber (Hrsg.): Die Alpen in der Malerei. Rosenheim: rosenheimer raritäten 1981","3581":"Fuji Television Gallery 1970-1990. The 20th anniversary. Hrsg. von Fuji Television Gallery, Tokyo. Tokyo 1990","3582":"Bernadette Reinhold: Oskar Kokoschka. Leben und Werk. Wien 2014.","3583":"Johann C. Allmayer-Beck: Marksteine der Moderne. Österreichs Beitrag zur Kultur- und Geistesgeschichte des 20. Jahrhunderts. Wien [u.a.]: Molden-Edition 1980","3584":"Claude Cernuschi: Artist as Christ/Artist as Criminal. Oskar Kokoschka's Self-Portrait for Der Sturm, Myth, and the Construction of Identiy in Vienna 1900. In: Religion and the Arts, A Journal from Boston College, Bd. 1, Nr. 2, Frühjahr 1997, S. [93]-127","3585":"H[einrich] G[lück]: Von den Wiener Galerien. Das neue Barockmuseum / Neuordnungen / Neuerwerbungen. In: Der Cicerone, Leipzig, Jg. 15, 1923, H. 8, S. 390-391","3586":"Daphne Fielding: Emerald and Nancy. London 1968","3587":"Führer durch das Museum der Stadt Ulm. Ulm 1930","3588":"Edith Hoffmann: Kokoschka. London 1967. (The masters; 90) ","3589":"Katharina Ferus: Erstarrtes Gesicht - Lebendiges Ding: Maskenmotive im deutschen Stilleben der Zwischenkriegsjahre. In: Katharina Ferus und Dietmar Rübel (Hrsg.): Die Tücke des Objekts. Vom Umgang mit Dingen. Berlin: Reimer 2009, S. 47-71. (Isa Lohmann-Siems Stiftung; 2)","3590":"Birgit Dalbajewa: Kokoschkas verschollenes Gemälde 'Mania'. In: Kat. Ausst. 1996 Dresden, S. 61--66","3591":"Leo A. Lensing: Gesichter und Gesichte: Kokoschka, Kraus und der Expressionismus. In: Oskar Kokoschka Symposion 1986, S. 127--153 ","3592":"Werner Hofmann: Der irrende Ritter. In: Oskar Kokoschka Symposion 1986, S. 265--278 ","3593":"Peter Vergo: Art in Vienna 1898-1918. Klimt, Kokoschka, Schiele and their contemporaries. London, New York: Phaidon Press 2015 (s. Vergo 1975)","3594":"Katalog der Ausstellung 1986 London","3595":"Arthur Roessler: Zur Kunst- und Kulturkrise der Gegenwart. Wien: Rohrer 1947 ","3596":"Wiener Kunst Auktionen, Wien, 4. Kunstauktion, 28. Sept. 1994, Nr. 716 mit Farbabb.","3597":"Kunst im 20. Jahrhundert. Das Museum Ludwig, Köln. Bearb. von Karl Ruhrberg. Stuttgart: Klett-Cotta 1986","3598":"Carl G. Heise: Lübecker Kunstpflege 1920-1933. Lübeck 1934","3599":"Sigrid Metken: Tristan und Isolde. Alma Mahlers Doppelrolle als Geliebte und Puppe. In: Kat. Ausst. 1992 Frankfurt/Main, S. 11--20","3600":"Heinz Spielmann: Oskar Kokoschka und Skandinavien. In: Gerhard Wietek (Hrsg.): Skandinavien und der deutsche Expressionismus. Referate, Diskussionsbeiträge. Schleswig: Schleswig-Holsteinisches Landesmuseum 1985 (Gottorfer Gespräch; 3), S. 79--96","3601":"Wiener Kunstausstellungen. Sturm und Drang. In: Österreichische Volks-Zeitung, Wien, Jg. 57, 1911, Nr. 44, 13. Feb., S. 1-2. [Rez. 1911 Wien]","3602":"The Malahat Review, Victoria, British Columbia, Canada, Nr. 37, Jan. 1976","3603":"Verzeichnis der Gemälde und Bildwerke der Nationalgalerie Berlin in der Orangerie des Schlosses Charlottenburg. [Berlin] 1964","3604":"Patrick Werkner (Hrsg.): Kunst in Österreich 1945--1995. Ein Symposium der Hochschule für angewandte Kunst in Wien im April 1995. Wien: WUV-Univ.-Verl. 1996","3605":"John Lucas: The Wins Come to Age. In: Arts Magazine, Bd. 36, März 1962, S. 58-60","3606":"Pascal Ruedin: Oskar Kokoschka, Weinberge bei Sion. In: Bericht über die Tätigkeit der Eidgenössischen Kommission der Gottfried Keller-Stiftung 2001-2004, S. 45-48","3607":"Berta Zuckerkandl: Junge Künstler. In: Wiener Allgemeine Zeitung, Wien, Jg. 32, 1911, Nr. 9859, 11. Feb., S. 3-4. [Rez. 1911 Wien]","3608":"Hans Kinkel: Dresden für Hamburg. In: Stuttgarter Zeitung, Stuttgart, 27. August 1965 ","3609":"Nicholas Bueno de Mesquita: Karl Kraus, Oskar Kokoschka and 'The Prometheus triptych'. In:The Burlington Magazine, Bd. 151, Nr. 1276, Juli 2009, S. 442-452","3610":"Times are changing - auf dem Wege! Aus dem 20. Jahrhundert! Eine Auswahl von Werken der Kunsthalle Bremen 1950 – 2000. Hrsg. von Andreas Kreul. Katalogbuch zur Ausstellung, Bremen, Kunsthalle Bremen, 1. Sept. - 29. Okt. 2000","3611":"National Gallery of Scotland & Edinburgh. Supplement to the catalogue 1936-1945. Edinburgh 1945","3612":"Elisheva Cohen: The pilgrims artists. In: Ariel. A review of the arts and sciences in Israel. Jerusalem, 23, 1969, S. 50","3614":"Hans Ludwig: Erlebnis Berlin. Dreihundert Jahre Berlin im Spiegel seiner Kunst. Berlin 1975","3615":"Edith Hoffmann: Oskar Kokoschka. Portrait of Carl Moll. In: Edith Hoffmann: Expressionism. London: Methuen [1956], ], S. 28","3616":"Tate Gallery, Illustrated Catalogue of Acquisitions 1986-88. London: Tate Publishing 1996","3617":"Oskar Kokoschka: Die Wahrheit ist unteilbar, 1942 In: Kat. Ausst. 1994/95 Bielefeld, S. 248--250 [Erstveröffentlichung in: Freie Deutsche Kultur. German Anti-Nazi Monthly, Nr. 2, Feb. 1942, S. 1f. und in: Schriften des Museums des 20. Jahrhunderts, Nr. 1, Wien 1966, S. 17ff.]","3618":"Krsitian Sotriffer: Stiftung Ludwig: Kokoschka, Firnberg Vorsitzende auch 82. In: Die Presse, Wien, 20. Nov. 1981, S. 6 [zum Ankauf durch die Ludwig-Stiftung]","3619":"Edwin Lachnit: Die Macht der Bilder. Politisches Engagement 1931--1953. In: Kat. Ausst. 1991 Wien, S. [37]--43","3620":"Alyce Mahon: The Assembly line goddess. Modern art and the Mannequin. In: Kat. Ausst. 2014/15 Cambridge, S. [191]-221","3621":"Peter Selz: Art in our times. A pictorial history 1890--1980. New York: Abrams 1981 ","3622":"Veronika Huf und Desmond O'Neill: Oskar Kokoschka and Auguste Forel. Life imitating art or a stroke of genius? In: Stroke, Sept. 2005, Bd. 36, S. 2037-2040; (http://www.strokeaha.org)","3623":"Carla Schulz-Hoffmann: Gesucht. Die Biographie von Kunstwerken. In: Entehrt. Ausgeplündert. Arisiert. Entrechtung und Enteignung der Juden. Hrsg. von der Koordinierungsstelle für Kulturgutverluste und bearb. von Andrea Baresel-Brand. Magdeburg 2005 (Veröffentlichungen der Koordinierungsstelle für Kulturgutverluste; 3.2005), S. 247-263","3624":"Sotheby's London, Impressionist and Modern Art - Evening Sale, 3. Feb. 2009","3625":"[E.Sch.]: Kokoschkas 'Hamburger Hafen' bei Welz ausgestellt. In: Weltkunst, München, Jg. 25, 1955, Nr. 1","3626":"Hans M. Wingler: Kokoschkas pädagogische Konzeption. In: Das Kunstwerk, Baden-Baden, Jg. 5, 1950/51, H. 3, Nov./Dez. 1950","3627":"Paul Westheim: Die Vandalen. Der zerschnittene Kokoschka - wird er in London ausgestellt? In: Pariser Tageszeitung, Nr. 731, 6. Juli 1938, S. 4; [wiederveröffentlicht in: Westheim 1985, S. 231-233]","3628":"Christie's London, Impressionist and Modern Paintings and Sculpture, 29. Nov. 1982","3629":"Helmut Köser (Hrsg.): Kde domov muj…-- Wo ist meine Heimat…Spuren deutsch-tschechischer Gemeinsamkeiten im 19. und 20. Jahrhundert. Katalogbuch zur Ausstellung, Dresden, Brücke-Most-Stiftung 1999. [Text in dt. und tschech.]","3630":"Dirk Luckow: Museum und Moderne. Polit. und geistesgeschichtl. Voraussetzungen von Museumskonzeptionen in der Weimarer Republik. In: Museum der Gegenwart 1987, S. 33-45","3631":"Galerie der Stadt Stuttgart. Zur Wiedereröffnung im Kunstgebäude am 8. September 1961. Hrsg. vom Kulturamt der Stadt Stuttgart. Text von Hans Schumann. Stuttgart 1961","3632":"Herwig Guratzsch (Hrsg.): Oskar Kokoschka. Genfer Seelandschaft von 1923. [Publikation anläßlich der Rückerwerbung des Gemäldes]. Berlin [u.a.]: Kulturstiftung der Länder [u.a.] 1993. (Patrimonia; 77)","3633":"Die Presse, Wien, 16.4.1975 [mit Hinweis auf die Auktion bei Sotheby's, London, 16. April 1975]","3634":"Hans Tietze: Oskar Kokoschkas neue Werke. In: Die bildenden Künste, Wien, Jg. 2, 1919, H. 11/12","3635":"Antje Birthälmer: Oskar Kokoschka in Berlin, Hagen und Wuppertal. In: Kat. Ausst. 2012 Wuppertal, Bd. 1, S. 81-89","3636":"Stedelijk van Abbe-Museum Eindhoven. De verzameling. Eindhoven [1962]","3637":"Joseph P. Hodin (Hrsg.): Bekenntnis zu Kokoschka. Erinnerungen und Deutungen. Berlin, Mainz: Kupferberg 1963","3638":"Gerbert Frodl und Tobias G. Natter (Hrsg.): Oskar Kokoschka und der frühe Expressionismus.Symposion veranstaltet von der Österreichischen Galerie Belvedere Wien, 19.--21. Feb. 1997, anlässlich der Ausstellung Kokoschka und Dresden. Wien: Eigenverlag der Österreichischen Galerie Belvedere 1997","3639":"Der Kölner Dom im Jahrhundert seiner Vollendung. Hrsg. von Hugo Borger. 3 Bde. [Katalog zur Ausstellung der Historischen Museen in der Josef-Haubrich-Kunsthalle Köln 1980/81]","3640":"Lentos Kunstmuseum Linz. Gemälde - die Sammlung. Hrsg. von Peter Baum und Elisabeth Nowak-Thaller [u.a.]. Linz: Lentos Kunstmuseum Linz 2003","3641":"Ernst Schremmer: Kokoschka's paintings in America. In: Central Europe Journal, Bonn, Bd. 19, 1971, Nr. 3, S. [105]--111","3642":"Hans Kinkel: Die Geschichte eines Gemäldes. Kokoschka: Dresden Neustadt. In: Die Weltkunst, München, Jg. 35, 1965, H. 18","3643":"Werner Haftmann: Exil v Českolovensku / Exil in der Tschechoslowakei. In: Kat. Ausst. 1997 Krumau, S. 33, 39--45","3644":"Jean Revol: Voir l'imaginaire et imaginer le vrai. Vendeuvre-sur-Barse: Epok Éditions 2009, S. 70-73","3645":"Theodor Däubler: Die Sammlung Bienert - Dresden. In: Das Kunstblatt, Potsdam, Berlin, Jg. 3, 1919, H. 6, S. 161-167 [Wiederveröffentlicht in Däubler: Im Kampf um die moderne Kunst, Darmstadt 1988, S. 240-244]","3646":"Tobias G. Natter: Vom Blick nach innen zur Sicht nach außen. Staionen des Themenwandels bei Kokoschka. In: Kat. Ausst. 1996 Dresden, S. 36--43","3647":"Jane Kallir: Richard Gerstl - Oskar Kokoschka. Katalogbuch zur Ausstellung 1992 New York","3648":"Die Galerie der Neuzeit im Museum Wallraf-Richartz. Bearb. von Hans F. Secker. Leipzig: Klinkhardt & Biermann 1927","3650":"Kunsthaus Lempertz, Köln, Auktion 528, Kunst des XX. Jahrhunderts, 24.-25. Nov. 1972","3651":"Hans G. Evers: Vom Historismus zum Funktionalismus. Baden-Baden: Holle 1967. (Kunst der Welt) ","3652":"Katalogen över Moderna Museets samlingar av svensk och internationell 1900-talskonst. Hrsg. von Birgitta Arvas [u.a.]. Stockholm 1976","3653":"Treasures from the Detroit Institute of Arts. Detroit/TX 1960","3654":"Hans Sedlmayr: Verlust der Mitte. Die bildende Kunst des 19. und 20. Jahrhunderts als Symptom und Symbol der Zeit. Lizenzaufl. Berlin: Ullstein 1955. (Ullstein-Buch; 39)","3656":"Gabriele Salmen: Musiker im Porträt. Bd. 5: Das 20. Jahrhundert. München: Beck 1984","3657":"Gerhard Rosenthaler: Ein Schloß wird bürgerlich. In: Arbeiter-Zeitung, Wien, 24. 3. 1988, S. 16-17","3658":"Paul Mahlberg: Die Internationale Sonderbundausstellung in Köln. In: Kunst und Künstler, Berlin, Jg. 10, 1911/12, H. 10, Juli 1912, S. 509-512. [Rez. 1912 Köln]","3659":"Ernst H. Gombrich: The mask and the face. The perception of physiognomic likeness in life and art. In: Ernst H. Gombrich: The Image and the eye.Oxford: Phaidon 1982, S. 132-133","3660":"Jaroslaw Leshko: Klimt, Kokoschka und die mykenischen Funde. In: Mitteilungen der Österreichischen Galerie, Wien, Nr. 57 = Jg. 13, 1969, S. 16--40","3661":"Sprengel-Museum Hannover. Malerei und Plastik des 20. Jahrhunderts. Bearb. von Magdalena M. Moeller. Hannover 1985","3662":"Hans M. Wingler: Die Geschichte eines Bildes. In: Wingler 1966a, S. 59--61","3663":"Lionel Richard (Hrsg.): Lexikon des Expressionismus. Köln: Ed. Berend von Nottbeck [1978]. [Frz. Originalausg. u. d. T.: Encyclopédie de l'expressionisme; engl. Ausg. u. d. T.: Phaidon encyclopedia of expressionism, Oxford 1978]","3664":"Karen Monson: Alma Mahler. Muse to genius. London: Collins 1984 ","3665":"Der neueste Kokoschka. Das Hafenbild erstmals vor der Öffentlichkeit. In: Hamburger Morgenpost, Hamburg, 16. Januar 1952","3666":"Sophie Lillie: Was einmal war. Handbuch der enteigneten Kunstsammlungen Wiens. Wien: Czernin Verlag 2003 (Bibliothek des Raubes; 8)","3667":"George H. Hamilton: Painting and sculpture in Europe 1880 to 1940. Harmondsworth: Penguin Books 1967. (The Pelican history of art) ","3668":"Roberto Salvini: Guida all'arte moderna. Florenz: L'Arco [1949] ","3669":"Museum der Bildenden Künste Budapest. Hrsg. von Agnes Czobor. Budapest: Corvina-Verlag 1971","3670":"Erhard Frommhold (Hrsg.): Kunst im Widerstand. Malerei, Graphik, Plastik 1922 bis 1945. Dresden [u.a.]: Verlag der Kunst 1968","3671":"Werner J. Schweiger: Der junge Kokoschka. In: Waissenberger 1984, S. 157--160","3672":"Guido L. Luzzatto: Oskar Kokoschka. In: La lucerna, Ancona, Jg. 5, Fasc. 25, Jan. 1928, S. [44]-51","3673":"Sotheby & Co., London, Catalogue of Impressionist and Modern Drawings, Paintings and Sculpture, 6. Dez. 1961","3674":"Jahresbericht der Zürcher Kunstgesellschaft, Zürich, 1947","3675":"Historisches Museum der Stadt Wien. Schausammlung. Bearb. von Robert Waissenberger. Wien 1984","3676":"Barbara Wally (Hrsg.): Die Ära Kokoschka. Internationale Sommerakademie für Bildende Kunst Salzburg 1953–1963. Salzburg: Internationale Sommerakademie für Bildende Kunst 1993","3677":"Ian Simpson: Guide to painting and composition. London: Warne 1979 ","3678":"Musée des Beaux-Arts, Liège. Catalogue des peintures. Liège 1954","3679":"Milwaukee Art Museum. Guide to the permanent collection. Hrsg. von Rosalie Goldstein. Milwaukee/WI 1986","3680":"Ewald Bender: Deutsche Kunst um 1913. In: Zeitschrift für bildende Kunst, Leipzig, Jg. 48 = N. F., 24, H. 12, S. 287-304 [Rez. 1913 Berlin, Secession]","3681":"Stuttgarter Kunstkabinett, R. N. Ketterer, 34. Auktion, 20./21. Nov. 1959","3682":"Wolfgang Born: Exhibition of the work of Oskar Kokoschka. In: Bulletin of the City Art Museum of Saint Louis, Saint Louis, Bd. 27, 1942, Nr. 3/4, Dez., S. 32-34 ","3683":"E. Kessler: Oskar Kokoschka. Venedig. In: Das Kunstblatt, Berlin, Jg. 14, 1930, H. 7","3684":"Carl G. Heise: Der junge Hans Mardersteig. In: Imprimatur, Frankfurt/Main, N. F., 3, 1961/62, 1962, S. 24-28","3685":"Stephan Koja: 'Darf mann denn eigentlich so malen?' Das Werk Claude Monets als beständige Quelle der Inspiration. In: Agnes Husslein-Arco und Stephan Koja (Hrsg.): Im Lichte Monets. Österreichische Künstler und das Werk des Großen Impressionisten. Katalogbuch zur Ausstellung, Wien, Unteres Belvedere/Orangerie, 24. Okt. 2014 – 8. Feb. 2015, S. 36-103. [Engl. Ausg. u. d. T.: Looking at Monet. The great impressionist and his influence on Austrian art, München: Hirmer 2014]","3686":"Sotheby Parke Bernet, New York, Modern paintings and sculpture, Auktion, 6. Nov. 1981","3687":"Galerie Wolfgang Ketterer München, 40. Auktion, Juni 1980","3688":"Jaroslaw Leshko: Oskar Kokoschka´s 'Still life with cat, rabbit and child'. In: Arts Magazine, New York, Bd. 54, Nr. 5, Jan. 1980, S. 84--88","3689":"Sotheby's Berlin, Deutsche Kunst des 20. Jahrhunderts, 29. Mai 1992","3690":"Villa Grisebach Auktionen, Berlin, Auktion Nr. 232 Ausgewählte Werke, 27. Nov. 2014","3691":"125 Masterpieces from the collection of the Albright-Knox Art Gallery. Bearb. von Robert Evren, Charlotta Kotik [u. a.]. New York: Rizzoli 1987","3692":"Wilken von Alten: Neuerwerbungen der Bremer Kunsthalle in den Kriegs- und Nachkriegsjahren.In: Der Cicerone, Leipzig, Jg. 16, 1924, H. 3, S. 129-[135]","3693":"Fernando Puma: Modern art looks ahead. New York: Beechhurst Pr. 1947","3694":"Arthur Roessler: Kritische Fragmente. Aufsätze über österreichische Neukünstler. Wien: Lányi 1918 ","3695":"Museum Moderner Kunst, Wien. Salzburg, Wien: Residenz-Verlag 1984","3696":"Tobias G. Natter (Hrsg.): Oskar Kokoschka schreibt an die Österreichische Galerie. Eine kommentierte Edition seiner Briefe. In: Kat. Ausst. 1996/97 Wien, S. 78--89","3697":"Heinz Spielmann: Kokoschkas Spätwerk. In: Kat. Ausst. 1990 London, S. 12--13. [Engl. Text S. 10--11]","3698":"Werner Hofmann: Der irrende Ritter. In: Kat. Ausst. 1986 Hamburg, S. 15-30. [Wiederveröffentlicht in: Kat. Ausst. 1986 London, S. 12-19 und Kat. Ausst. 1986 Zürich, S. 12-19]","3700":"Hans Delfs: Kokoschkas Selbstbildnisse aus dem Jahr 1923. Eine Bildmonographie – und Detektivgeschichte. Dresden: Sandstein 2015.","3701":"Georg Swarzenski in: Deutsche Kunst und Dekoration, Darmstadt, Jg. 25, 1921/22, Bd. 49","3702":"Michael Lüthy: Oskar Kokoschka: Die Windsbraut, 1914. In: Georg Kreis: 'Entartete' Kunst für Basel. Die Herausforderung von 1939. Basel: Wiese-Verlag 1990, S. 123-126","3703":"Adolf Weinmüller, München, Auktion 72, Katalog 79, 22./23. Juni 1960 ","3704":"Werner Schmidt: Kokoschka und Dresden. Zur Ausstellung im Albertinum vom 30. September bis 4. Dezember 1996. In: Dresdener Kunstblätter, Jg. 40, Nr. 5, 1996","3705":"Schönberg - Webern - Berg : Bilder, Partituren, Dokumente, Katalogbuch zur Ausstellung, Wien, Museum des 20. Jahrhunderts, 17. 5. - 20. 7. 1969","3706":"Paul Westheim: Zwanzig Jahre. In: Das Kunstblatt, Berlin, Jg. 1932 [Rückblick auf die Sonderbund-Ausstellung 1912 in Köln; s. 1912 Köln]","3707":"Roswitha Neu-Kock:Oskar Kokoschka: Porträt Tilla Durieux. In: Andrea Bambi und Axel Drecoll (Hrsg.): Alfred Flechtheim. Raubkunst und Resitution, Berlin [u.a.]: De Gruyter Oldenbourg 2015. (Schriftenreihe der Vierteljahrshefte für Zeitgeschichte ; 110), S. 218-221","3708":"Hans M. Wingler: Oskar Kokoschka. Das Werk des Malers. Salzburg: Verlag Galerie Welz 1956. [Am. Ausg. u. d. T.: Oskar Kokoschka. The work of the painter, New York: G. Wittenborn 1957; engl. Ausg. u. d. T.: Oskar Kokoschka. The work of the painter, London: Thames & Hudson 1958; ital. Ausg. u. d. T.: Oskar Kokoschka. La vita e l'opera, Mailand: Il Saggiatore 1961]","3709":"Keith Holz: Responses from Bohemia to 'Entartete Kunst' 1937–1938. In: Claus-Dieter Krohn [u.a.] (Hrsg.): Künste im Exil. München: Ed. Text + Kritik 1992, S. 30--49. (Exilforschung. Ein Internationales Jahrbuch; 10)","3710":"Le arti plastiche, Mailand, Nov. 1928","3711":"Philippe Gurdjian: Femmes chefs-d'oeuvre. Paris: Ed. Vecteurs 1991","3712":"Georges und Rosamond Bernier: Aspects of modern art: An anthology of writings on modern art from L'Oeil, the European art magazine. London: Zwemmer [u.a.] 1957. (The selective eye; 3)","3713":"Marcus G. Patka: Mit Blick auf die Sirk-Ecke. Die 'Buch- und Kunsthandlung Richard Lányi' im Leben von Oskar Kokoschka. In: Werkner 1998a, S. 41-45","3714":"Linz aktiv, Vierteljahresschrift der Stadt Linz, Nr. 23, 1967, S. 30","3715":"Angela Kriesel (Hrsg.): Ein Geschenk ... Die Sammlung Sprengel. Göttingen: Wallstein 2010","3716":"Cordula Frowein: Mit Pinsel und Zeichenstift ins Exil. Schicksale emigrierter bildender Künstler 1933 bis 1945. In: Otto R. Romberg, Martina Sprengel [u.a.] (Hrsg.): Widerstand und Exil 1933 – 1945. Bonn 1985, S. 185-199. (Bundeszentrale für politische Bildung; 223)","3717":"Hubertus Giebe: Der geschliffene Elfenbeinturm. Widerreden und Würdigungen. [Leipzig]: Leipziger Literaturverl. 2010.","3718":"Werke der Oskar Kokoschka-Stiftung. Bearb. von Véronique Mauron. Mainz: von Zabern 1994","3719":"Dresden. In: Merian, Jg. XX, H. 10, Hamburg 1967","3720":"Wilhelm-Lehmbruck-Museum Duisburg. Bd. 2.: Katalog der Sammlungen, ausgenommen Wilhelm Lehmbruck. Bearb. von Siegfried Salzmann. Recklinghausen: Bongers 1964","3721":"Kristian Sotriffer: Malerei und Plastik in Österreich. Von Makart bis Wotruba. Wien, München: Schroll 1963. (Neue Sammlung Schroll)","3722":"Friedrich Maerker: Lebensgefühl und Weltgefühl. Einführung in die Gegenwart und ihre Kunst. München: Delphin-Verlag 1920","3723":"Georg Eisler: Kokoschka as teacher: a personal view. In: Kat. Ausst. 1986 London, S. 43. [dt. Fassung u. d. T.: Von Kokoschka lernen. In: Kat. Ausst. 1986 Zürich, S. 43]","3724":"Inge Santner: OK's lieblos verpacktes Selbstbildnis landete als Wurst auf dem Dachboden. Ein vergessenes Ölbild von Oskar Kokoschka wird jetzt in Niederösterreich ausgestellt. In: Berliner Morgenpost, 9. März 1970","3725":"Bela Petheo: Mission and commissions. Oskar Kokoschka in Minnesota 1949--1957. Collegeville/MN: Saint John's Univ. 1991","3726":"Sotheby & Co., London, Impressionist and Modern Paintings, Drawings and Sculpture, 24. April 1963","3727":"Hans Hildebrandt: Die Kunst des 19. und 20. Jahrhunderts. Wildpark-Potsdam: Akad. Verl.-Ges. Athenaion 1924. (Handbuch der Kunstwissenschaft) ","3728":"Paul Westheim: Die Welt als Vorstellung. Ein Weg zur Kunstanschauung. Potsdam-Berlin: Kiepenheuer 1918 ","3729":"D. J. R. Bruckner [u.a.]: Kunst gegen den Krieg. 400 Jahre Protest in der Kunst. Basel: Birkhäuser 1984","3730":"Oscar Sandner: Sachlichkeit als (österreichische) Möglichkeit. [Zur österreichischen Malerei 1914--1944.] In: Kat. Ausst. 1984 Wien, S. 121--132","3731":"Abram Lerner [u.a.]: The Hirshhorn Museum and Sculpture Garden. New York: Abrams 1974","3732":"Axel und Christa Murken. Von der Avantgarde bis zur Postmoderne. Die Malerei des 20. Jahrhunderts. München: Klinkhardt & Biermann 1991. (ZeitZeugeKunst) ","3733":"Klaus Demus: Oskar Kokoschka. Stilleben mit Totem Hammel (1908/10). In: Schätze aus Museen Österreichs. Notring-Jahrbuch/Notring der Wissenschaftlichen Verbände Österreichs. Wien 1967, S. 65-66","3734":"European paintings in Canadian collections. Bd. 2: Modern schools. Hrsg. von Robert H. Hubbard. Toronto: Oxford Univ. Press 1962","3735":"Das Kunstblatt, Potsdam, Jg. 7, 1923, H. 5","3736":"Josef E. Relouge (Hrsg.):Meisterwerke der Aktmalerei. Stuttgart: Schuler 1966","3737":"Antoine Seilern: Paintings and drawings of continental schools other than Flemish and Italian at 56 Princes Gate London SW7, Bd. III. London: Shenval Press 1961","3738":"Die Sammlung Thyssen-Bornemisza der modernen Bilder. Bearb. von Hanna Kiel. Florenz: Vallecchi 1974","3739":"Sammlung Emil G. Bührle. Festschrift zu Ehren von Emil G. Bührle zur Eröffnung des Kunsthaus-Neubaus und Katalog der Sammlung Emil G. Bührle. Zürich: Kunsthaus Zürich 1958","3740":"Die Museen von Budapest. Budapest: Corvina-Verlag 1969","3741":"Joseph P. Hodin: Style and Personality. A graphological Portrait of Oskar Kokoschka. In: The Journal of aesthetics and art criticism, Cleveland/OH., Jg. 6, 1948, Nr. 3, März","3742":"Werner Hofmann: Der irrende Ritter. In: Die Zeit, Hamburg, Jg. 1986, Nr. 10, 28. Feb., S. 62","3743":"Werner Haftmann: Neuerwerbungen der Nationalgalerie im Jahre 1972. In: Jahrbuch Preußischer Kulturbesitz, Berlin: Gebr. Mann, Jg. 10, 1972, S. 267-268","3744":"Christie's London, Impressionist, Expressionist and Modern Paintings and Sculpture, 29. Nov. 1982","3745":"Rudolf Sagmeister und Kathleen Sagmeister-Fox: Puppen als Statthalterinnen. In: Rudolf Wacker und Zeitgenossen. Expressionismus und neue Sachlichkeit. Hrsg. von Rudolf Sagmeister. Katalogbuch zur Ausstellung 1993 Bregenz, Kunstverein ","3746":"Tragödie des Ehepaares Dirsztay. In: Wiener Zeitung, Wien, Nr. 308, 7. Nov. 1935, S. 9","3747":"Klaus Albrecht Schröder (Hrsg.): Monet bis Picasso. Die Sammlung Batliner. Katalogbuch zur Ausstellung, Wien, Albertina, 14. Sept. 2007-6. April 2008.","3748":"John M. Spalek (Hrsg.): German Expressionism in the fine arts. A bibliography. Los Angeles/CA: Hennessey & Ingalls 1977. (Art and architecture bibliographies; 3)","3749":"Sebastián Gasch: El expresionismo. Barcelona: Ed. Omega 1955 ","3750":"Max Sauerlandt: Ausgewählte Schriften. Hrsg. und kommentiert von Heinz Spielmann. Bd. 1 = Reiseberichte 1925--1932. Hamburg: Christians 1971. (Veröffentlichung der Lichtwark-Stiftung; 12) ","3751":"Gemma Blackshaw: Der moderne Mensch als 'Wahnsinniger'. Darstellung psychischer Krankheit in Wiener Porträts. In: Kat. Ausst. 2010 Wien, Museum Wien, S. 51-69.","3753":"W[ilhelm] Wartmann: Die Sammlungen im Zürcher Kunsthaus. Zürich: Verlag d. Zürcher Kunstgesellschaft 1933","3754":"Serena Pesce: Orfeo ed Euridice di Oskar Kokoschka: riflessi autobiografici e proiezione mitica. In: Saveria Chemotti und Cristina Grazioli [u.a.] (Hrsg.): Il Ritratto dell’amante. L’artista, la musa, il simulacro. Padua: Il Poligrafo 2009, S. 209-217. (Soggetti rivelati; 24)","3755":"Wolfgang Hütt: Deutsche Malerei und Graphik 1750--1945. Berlin: Henschelverlag 1986","3756":"Christie's London, Impressionist and Modern Art - Day Sale, 25. Juni 2014","3757":"Günter Johne: 1937. Faschistische Aktion 'Entartete Kunst' in der Dresdener Gemäldegalerie. In: Dresdener Kunstblätter, Dresden, Jg. 31, 1987, H. 5, S. 166--173","3758":"Joseph P. Hodin: Kokoschka und Prag. In: Prager Nachrichten, Jg. 31, 1980, Nr. 3, Juni, S. 33--38","3759":"Friedrich Haack: Die Kunst der neuesten Zeit. Stuttgart: Neff 1925. (Haack: Die Kunst des 19. Jahrhunderts und der Gegenwart; 2)","3760":"Die Bildenden Künste, Wien, Jg. 3, 1920, H. 5/6","3761":"Doris Wild: Moderne Malerei. Ihre Entwicklung seit dem Impressionismus: 1880--1950. Zürich: Büchergilde Gutenberg 1950 ","3762":"Kunstmuseum Düsseldorf. Die Gemälde des 20. Jahrhunderts. Teil 1. Bearb. von Johannes v. Geymüller. Düsseldorf 1977","3763":"BreraArte, Milano, Auktion, 12. März 1985","3764":"W. F. Storck: Die Kunsthalle zu Mannheim. In: Die Kunst, München, Bd. 39 = Jg. 20, 1918/19, H. 11, Aug. 1919, S. 373-385","3765":"Elisabeth Endhammer: Mythos Frau - das Frauenbild und dessen Ausprägung in den Frauenakten im Wien des Fin de Siècle. Innsbruck: Univ. Diss. 1992","3766":"Karl Scheffler: Neuerwerbungen. In: Kunst und Künstler, Berlin, Jg. 28, 1929/30, H. 8, Mai 1930 [Rez. 1930 Berlin, Nationalgalerie]","3767":"Sabine Forsthuber: Oskar Kokoschka und die Wiener Ausstellungspolitik vor dem Anschluß. In: Kunsthistoriker, Mitteilungen des Österreichischen Kunsthistorikerverbandes, Jg. 5, 1988, Nr. 3/4, S. 33--41","3768":"Jane Kallir: Oskar Kokoschka. In: Kat. Ausst. 2001/02 Rom, S. 99-105","3769":"Vision einer Sammlung. Das Museum der Moderne Salzburg stellt sich vor. Hrsg. von Agnes Husslein-Arco. München: Prestel 2004. Katalogbuch zur Ausstellung, Salzburg, Museum der Moderne, 23. Okt. 2004 - 6. März 2005","3770":"Wolfgang Graf v. Rothkirch: Deutsche Kunst. Eine Auswahl ihrer schönsten Werke. Mit einem Geleitwort von Wilhelm Pinder. Berlin: Propyläen 1934 ","3771":"Régine Bonnefoit: Von der Magna Mater zur schwarzen Madonna - Kokoschkas Mutter-Mythos im Spielgel seiner Sammlung. In: Kat. Ausst. Appenzell 2010/11, S. 145-165.","3772":"Rudolf Grossmann: Der Sammler Marczell von Nemes. In: Das Kunstblatt, Berlin, Jg. 13, 1929, H. 1","3773":"Museum Boymans-van Beuningen, Rotterdam. Catalogus schilderijen na 1800. Rotterdam 1963","3774":"Carl Laszlo (Hrsg.): William Wauer. Basel Editions Panderma 1979","3775":"A. Strobel: Kokoschkas Bilder aus Tirol. In: Tiroler Tageszeitung, Innsbruck, 27. Feb. 1971, S. 15","3776":"Fiona Pearson: Three works by Oskar Kokoschka in the Scottish National Gallery of Modern Art, Edinburgh. [Typoskript für einen Vortrag, dat. Okt. 1985, Archiv SNGMA] 9 S","3777":"Werner Haftmann: Malerei im 20. Jahrhundert. Eine Entwicklungsgeschichte. München: Prestel 1965","3778":"The Tate Gallery 1982-84. Illustrated biennial report. London 1984","3779":"Der Wiener Kunstwanderer, Jg. 1, 1933, Nr. 10, Nov.","3780":"Sven Kuchler Poulsen: Wiens fin de siècle: skueplads for to bemærkelsesværdige kvinder. Alma Mahler-Werfel og Lina Loos. Egå: Forlaget Ådalen 2010","3781":"Karl Scheffler: Kokoschkas Landschaften. In: Kunst und Künstler, Berlin, Jg. 29, 1930/31 [Rez. 1931 Mannheim]","3782":"Personal selections from the collection of Mrs. Harry Lynde Bradley. New Orleans/LA: The Bradley Family Foundation 1975","3783":"Hannes Reinhardt (Hrsg.): Das bin ich. Ernst Deutsch, Tilla Durieux, Willy Haas, D. H. Kahnweiler, Joseph Keilberth, Oskar Kokoschka, Heinz Tietjen, Carl Zuckmayer. München: Piper 1970","3784":"Werner Haftmann: Oskar Kokoschka - Exil in der Tschechoslowakei und in Grossbritannien. In: Kat. Ausst. 1994/95 Bielefeld, S. 27-45","3785":"Galerie Wolfgang Ketterer München, 20. Jahrhundert, 19. Auktion, 29./30. Nov. 1976","3786":"Konstanze Rudert (Hrsg.): Zwischen Institution und Geswissheit. Will Grohmann und die Rezeption der Moderne in Deutschland und Europa 1918-1968. Dresden: Sandstein 2012, S. 40-49.","3787":"Eva Frodl-Kraft: Hans Tietze 1880-1954: ein Kapitel aus der Geschichte der Kunstwissenschaft, der Denkmalpflege und des Musealwesens in Österreich. In: Österreichische Zeitschrift für Kunst und Denkmalpflege, Wien, Jg. 34, 1980, H. 1/2, S. 53-63","3788":"Richard Calvocoressi: Kokoschka und Schottland. In: Kat. Ausst. 1994/95 Bielefeld, S. 153--159","3789":"Die Kunsthalle Bremen in vier Jahrzehnten. Eine hanseatische Bürgerinitiative, 1945-1984. Hrsg. von Günter Busch. Bremen 1984","3790":"Andrew Barker und Leo A. Lensing. Peter Altenberg: Rezept die Welt zu sehen. Kritische Essays, Briefe an Karl Kraus, Dokumente zur Rezeption, Titelregister der Bücher. Wien: Braumüller 1995. (Untersuchungen zur österreichischen Literatur des 20. Jahrhunderts; 11)","3791":"Dietmar Elger: Expressionismus. Eine deutsche Kunstrevolution. Köln: Taschen 2007.","3792":"Der Cicerone, Leipzig, Jg. 20, 1928, H. 16","3793":"Wilhelm F. Arntz: Bildersturm in Deutschland. In: Das Schönste, München, Jg. 8, 1962, Nr. 5, S. 40-47; Nr. 6, S. 30-35; Nr. 7, S. 26-29; Nr. 8, S. 36-39; Nr. 9, S. 42-45; Nr. 10, S. 91-97. I. Der politische Auftakt. Von Kurt Fassmann. II. Die Verhöhnung der Bilder. III. Das Schicksal der Bilder. IV-VI. Das Schicksal der Künstler. Nachtrag zum Bildersturm (Das Schicksal der Berliner Nationalgalerie). Von Alfred Hentzen. Nr. 11, S. 8-[9]","3794":"Helmut R. Leppien (Hrsg.): Der zerbrochene Kopf. Picasso zum 100. Geburtstag. In: Kat. Ausst. 1981/82 Hamburg , S.102","3795":"Lambert Binder: Ein verschollenes Porträt Gustav Meyrinks. In: Esotera, Freiburg/Br., Jg. 22, 1971, T. 9, S. 811 mit Abb.","3796":"Sissy Geiger-Gierke: Aristophanes, Kokoschka und 'Die Frösche'. In: Festschrift Otto R. v. Lutterotti zum 14. Januar 1974. Hrsg. von Verena Grabmayr und Heinz Mackowitz. Innsbruck 1973, S. 137-142","3797":"Jan [M.] Tomes: Oskar Kokoschka - Prag. Prag: Artia [1967]. [Engl. Ausg. u. d. T.: Kokoschka: the artist in Prague. London [1968]]","3798":"Birgit Dalbajewa: Oskar Kokoschka: 'In Dresden hab ich merkwürdig viel Aussichten'. In: Dresdner Hefte, Jg. 23, H. 83, Nr. 3, 2005, S. 73-81","3799":"Jahrbuch des Schleswig-Holsteinischen Landesmuseums Schloß Gottorf, N.F., Bd. VI., Neumünster 1999, S. 271","3800":"Hans M. Wingler (Hrsg.) Oskar Kokoschka. Ein Lebensbild. Frankfurt/Main [u.a.]: Ullstein 1966. (Ullstein-Buch; 549). [Erw. Ausgabe von Wingler 1956a zum 80. Geburtstag des Künstlers]","3801":"Malerei des 20. Jahrhunderts in der Hamburger Kunsthalle. Bearb. von Alfred Hentzen. Hamburg [1960]","3802":"[L. Arzt]: In memoriam [Nachruf auf Heinrich v. Neumann]. In: Wiener klinische Wochenschrift, Wien, Jg. 58 = N. F., 1, Nr. 8, 22. März 1946","3803":"Weltkunst, München, Jg. 40, 1970, Nr. 17, 1. Sept.","3804":"Christie's New York, Impressionist and Modern Paintings and Sculpture Part I, 14. Mai 1986","3805":"Heinz Spielmann: Oskar Kokoschka und die Musik. Mit Texten des Künstlers. Katalogbuch zur Ausstellung, Schleswig, Schleswig-Holsteinisches Landesmuseum, Schloss Gottorf, Sommer 1996, S. 7-28","3806":"Peter Thoene [d. i. Oto Bihalji-Merin]: Modern German art. Harmondsworth: Penguin Books 1938. (Pelican Special)","3807":"Adolf Dresler: Deutsche Kunst und entartete 'Kunst'. Kunstwerk und Zerrbild als Spiegel der Weltanschauung. München: Dt. Volksverlag 1938","3808":"Michelangelo Masciotta: Oscar Kokoschka. Mailand: Fabbri 1966. (I maestri del colore; 150). [Dt. Ausg. (s. Masciotta 1967)]","3809":"Horst Uhr: Masterpieces of German Expressionism at the Detroit Institute of Arts. New York: Hudson Hills Press 1982 ","3810":"Diether Schmidt: Weitsicht einer politischen Allegorie. Zu dem Gemälde Kokoschkas 'Das rote Ei'. In: Bildende Kunst, Dresden, Jg. 1961, H. 9, S. 612-613","3812":"S[imon de] P[ury]: Acquis par Thyssen. In: Connaissance des arts, Paris, Nr. 380, Okt. 1983, S. 66-70","3813":"Rom Landau: Der unbestechliche Minos. Kritik an der Zeitkunst. Hamburg: Harder 1925; S. 63-66","3814":"Waldemar George: Der Maler des Antlitzes und der Städte. In: Hodin 1963a, S. 36--52 ","3815":"Burkhardt Rukschcio und Roland Schachel: Adolf Loos. Leben und Werk. Hrsg. von der Graph. Sammlung Albertina. Salzburg, Wien: Residenz-Verlag 1982. (Veröffentlichung der Albertina; 17)","3816":"Museum of Art, Carnegie Institute Pittsburgh, collection handbook. Bearb. von Karen Pope. Pittsburgh/PA 1985","3817":"Krisztina Passuth: Les avant-gardes de l'Europe Centrale. 1907--1927. Paris: Flammarion 1988","3818":"Hauswedell & Nolte, Hamburg. Moderne Kunst, Auktion 206, 5./7. Juni 1975","3819":"Klaus Demus: Zu Oskar Kokoschkas Komposition 'Amor und Psyche'. In: Mitteilungen der Österreichischen Galerie, Wien, Jg. 5, 1961, Nr. 49, S. 39-40","3820":"E. Lüddeckens: O.K., Rheinansicht von Köln. In: Bausteine, Karlsruhe, Bd. 3, 1960, S. 230 ff.","3821":"Joseph-Emile Muller: DuMont's kleines Lexikon des Expressionismus. Köln: DuMont-Buchverlag 1982. (DuMont-Taschenbücher; 13). [Franz. Originalausg. u. d. T.: L'expressionisme, 1977]","3822":"Neuerwerbungen der Kunstmuseen in Nordrhein-Westfalen 1976. In: Wallraf-Richartz-Jahrbuch, Köln, Bd. XXXIX, 1977, S. 294","3823":"Diedrich Roskamp: Erwerbungen für die Gemäldegalerie im Jahre 1958. In: Jahrbuch der Hamburger Kunstsammlungen, Bd. 4, 1959, S. 141-158","3824":"Fritz Schmalenbach: Zu Kokoschkas malerischer Entwicklung. In: Kat. Ausst. 1947 Basel","3825":"Hans M. Wingler: Oskar Kokoschka. In: Frankfurter Hefte, Frankfurt/Main, Jg. 5, 1950, H. 10, S. 1082-1085","3826":"Profil, Wien, Nr. 44, 27. Okt. 1983, S. 83 [zum Ankauf des Bildes durch die Österreichische Galerie]","3827":"Harvard University Art Museums. A Guide to the Collections. Bearb. von Kristin A. Mortimer. Cambridge/MA: Harvard Uni. Art Museums/Abbeville Press 1985","3828":"Edgar Horstmann: Oskar Kokoschka in Hamburg. Hamburg: Christians 1965","3829":"George H. Hamilton: 19th and 20th century art. Painting, sculpture, architecture. New York: Abrams [um 1970] ","3830":"Mitteilungen Wiener Städtische, Wien, Jg. 61, 1986, Nr. 1, März, S. 7-8","3831":"Carl Moll: Aus den hinterlassenen Schriften des Wiener Malers Carl Moll, 1861--1945. In: Die schönen Künste, Wien, 1947, H. 1, S. 42--48 ","3833":"Hans Tietze: Oskar Kokoschka. In: Zeitschrift für bildende Kunst, Leipzig, N. F., 29 = Jg. 53, 1917/18, H. 4/5, Jan./Feb. 1918","3834":"Gerhard Schmidt: Österreichische Malerei im 20. Jahrhundert. In: Austria Profil, Jg. 1957, H. 1, Frühjahr, S. 16","3835":"Régine Bonnefoit: Oskar Kokoschkas Bekenntnis zur Tschechoslowakai. In: Kat. Ausst. 2014/15 Regensburg, S. 9-15","3836":"Régine Bonnefoit: 'Der Mensch ist das Maß aller Dinge' -- Oskar Kokoschkas 'Humanismus' auf dem Prüfstand. In: Wolfgang Augustyn und Eckhard Leuschner (Hrsg.): Kunst und Humanismus.Festschrift für Gosbert Schüßler zum 60. Geburtstag. Passau: Dietmar Klinger Verlag 2007, S. 599-628","3837":"Oskar Kokoschka: Der Fetisch. Briefe an [Hermine Moos]. In: Kat. Ausst. 1983 Hannover, Kestner-Gesellschaft","3838":"Joseph-Emile Muller: La peinture moderne. De Manet à Mondrian. Paris: Hazan 1960 ","3839":"Meisterwerke der Kunsthalle Bremen. Hrsg. von Günter Busch und Harald Keller. Bremen 1959","3840":"Harald Sterk: Niederösterreich an der Donau. Hrsg. von der Niederösterreich-Ges. für Kunst und Kultur. Wien: Ed. Tusch 1982. (Portrait einer Kulturlandschaft; 5) ","3841":"Tom Driberg: Emerald and Nancy. In: The Observer, London, 5. Mai 1968, S. 8-12 [zur Person Nancy Cunard]","3842":"Keith Holz: Modern German Art for Thirties Paris, Prague, and London. Resistance and Acquiescence in a democratic public sphere. Ann Arbor: The Univ. of Michigan Press 2004.","3843":"Oskar Kokoschka: [Theodor Heuss.] In: Begegnungen mit Theodor Heuss. Hrsg. von Hans Bott und Hermann Leins. Tübingen: Wunderlich 1954","3844":"Franz Smola: Der österreichische Beitrag zur Kölner Sonderbundausstellung 1912. In: Kat. Ausst. 2012 Köln, S. 177-191","3845":"Werner Schmalenbach: Große Meister moderner Malerei. Luzern 1957","3846":"Paul Westheim: Erinnerung an eine Sammlung. In: Das Kunstblatt, Weimar, Jg. 2, 1918, H. 8","3847":"Sabine Fehlemann: Oskar Kokoschkas 'Italienerin' von 1909. In: Von der Heydt-Museum, Oskar Kokoschka Italienerin, 1909. Berlin: Kulturstiftung der Länder 1988 (Patrimonia; 2), S. 9-14","3849":"Alte Pinakothek und Neue Staatsgalerie. Verzeichnis der ausgestellten Werke. München 1953","3850":"Festschrift Angerer & Göschl. Wien 1956","3851":"Gert Kerschbaumer und Karl Müller: Begnadet für das Schöne. Der rot-weiß-rote Kulturkampf gegen die Moderne. Wien: Verl. F. Gesellschaftskritik 1992","3852":"Hans Ankwicz-Kleehoven: Die Herbstausstellung im Künstlerhaus. In: Wiener Zeitung, 28. Dezember 1932. [Rez. 1932/33 Wien]","3853":"Sotheby's New York, Impressionist and Modern Paintings and Sculpture, 26. Mai 1976","3854":"Susanne Keegan: The eye of God. A life of Oskar Kokoschka. London: Bloomsbury 1999","3855":"Hans Kinkel: Ein Mann mit Augen. Begegnung mit Kokoschka. Zum 75. Geburtstag des Künstlers. In: Stuttgarter Zeitung, Stuttgart, Nr. 49, 28. 2. 1961, S. 8","3856":"Ulrike Becks-Malorny: Der Kunstverein in Barmen 1866--1946. Bürgerliches Mäzenatentum zwischen Kaiserreich und Nationalsozialismus. Wuppertal: Born 1992. Zzgl.: Bochum, Univ. Diss. 1990","3857":"Max P. Maas: Das Apokalyptische in der modernen Kunst. Endzeit oder Neuzeit. Versuch einer Deutung. München: Bruckmann 1965 ","3858":"Sascha Schwabacher: Moderne Bilder im Städel-Neubau. In: Der Cicerone, Leipzig, Jg. 15, 1923, H. 24, S. 1117-1118 [Wiederveröffentlicht in: Jahrbuch der jungen Kunst, Leipzig, 1923, S. 360-363, Abb. S. [362]]","3859":"Stuttgarter Kunstkabinett, 36. Auktion, Teil 1, 3./4. Mai 1961","3860":"Herbert Schindler: Kunstreisen in Österreich. München: Prestel- Verlag 1982","3861":"Paul F. Schmidt: Geschichte der modernen Malerei. Stuttgart: Kohlhammer 1952 ","3862":"Christie's London, Impressionist and Modern Art, 22. Juni 2005","3863":"Oskar Kokoschka, Salzburg. In: Südwestfunk. Schulfunk. (= Programm des Winterhalbjahres 1960/61), Nr. 23, 1960, S. 198-200","3864":"Franz Tassié: Oskar Kokoschka, der ewige 'Vagabund'. In: Weltpresse, Wien, 6. Mai 1949 mit Foto Kokoschkas während seiner Arbeit am Portrait des Bürgermeisters Körner","3865":"Hans M. Wingler: Im Mittelpunkt. Der Mensch. Zum 70. Geburtstag von Oskar Kokoschka. In: Quadrum, Brüssel, Nr. 1, Mai 1956, S. 69--76","3867":" 'Zarte Klapse.' Kokoschka-Memoiren. In: Der Spiegel, Hamburg, Jg. 25, 1971, H. 14, 29. 3. 1971, S.182-185","3868":"Harald Sterk: Österreichische Portraits. Das Bildnis in der Gegenüberstellung von malerischer und plastischer Interpretation. Wien: Brandstätter 1982","3869":"L. Buschkiel: Minister Erhard saß Modell. In: Welt am Sonntag, Hamburg, 15. März 1959","3870":"Sotheby's London, Impressionist and Modern Art – Day Sale, 20. Juni 2007 ","3871":"Charles L. Kuhn: German expressionism and abstract art. Cambridge/MA: Harvard Univ. Press 1957","3872":"Jahrbuch der Staatlichen Kunstsammlungen in Baden-Württemberg, Bd. 4. München, Berlin: Dt. Kunstverlag 1967, S. 183-186","3873":"Magdalena M. Moeller (Hrsg.): Die großen Expressionisten. Meisterwerke und Künstlerleben. Köln: DuMont 2000","3874":"Keith Holz: Oskar Kokoschka in der Tschechoslowakei. Das Privatleben eines öffentlichen Künstlers. In: Kat. Ausst. 2014/15 Regensburg, S. 17-25","3875":"Verzeichnis der Kunstwerke nach 1800 im Landesmuseum Hannover. Bearb. von Gert von der Osten. Hannover 1950","3876":"Christie's London, Impressionist and Modern Art – Evening Sale, 22. Juni 2004","3877":"Jürg Stenzl (Hrsg.): Ernst Krenek, Oskar Kokoschka und die Geschichte von Orpheus und Eurydike. Schliengen: Ed. Argus 2005. (Ernst-Krenek-Studien; 1)","3878":"Wilhelm F. Arntz: Kokoschkas Walden-Porträt in der Tate-Gallery. In: Das Schönste, München, Jg. 8, 1962, Nr. 1, S. 34-35, 68","3879":"Katalog der Ausstellung 1986 Wien, Hochschule für angewandte Kunst, [Gemälde nicht ausgestellt]","3880":"Michelangelo Masciotta: Kokoschka. Florenz: Del Turco Ed. 1949. (Maestri moderni). Mit Werkverzeichnis 1939-1949","3881":"Hans H. Stuckenschmidt: Schönberg. Leben, Umwelt, Werk. Zürich: Atlantis 1974","3882":"Das Schönste aus der Fohn-Schenkung an den bayerischen Staat. In: Epoca, München, Jg. 1965, Nr. 7, Juli, S. 42-55","3883":"Annemarie Wettley: August Forel. Salzburg: O. Müller 1953","3884":"J. M. Blázquez: Temas del mundo clásico en la pintura de Kokoschka y Braque. In: E. Bermejo und A. Perez Sanchez (Hrsg.): Miscelanea de arte. Festschrift für Diego Angulo Iniguez. Madrid 1982, S. 269--275","3885":"Oskar Kokoschkas Lübeck-Bild. In: Die Welt, Hamburg, Nr. 256, 3. Nov. 1958","3886":"Edith Hoffmann: Kokoschka - ein später Symbolist. In: Oskar Kokoschka Symposion 1986, S. 72--81 ","3887":"Joseph P. Hodin: Oskar Kokoschka à New York. In: Beaux Arts, Paris, Bd. 229, 1949, S. 6. [Rez. 1948 Boston]","3888":"Christina Feilchenfeldt: Oskar Kokoschka und seine Kunsthändler. Die Firma Paul Cassirer, Berlin, und Walter Feilchenfeldt, Zürich. In: Kat. Ausst. 2005/06 Pfäffikon, S. 105-113","3889":"Paul Eipper: Besuch bei Kokoschka. [Dresden, Februar 1921.] In: Paul Eipper: Ateliergespräche mit Liebermann und Corinth. München, Zürich: Piper 1986, S. 91--99","3890":"Stefan Frey: Die Auktion in der Galerie Fischer in Luzern am 30. Juni 1939 – ein Ausverkauf der Moderne aus Deutschland? In: Blume/Scholz 1999, S. 275-289","3891":"Peter A. Knize: Meine Kokoschka-Geschichte. Aufwachsen mit Kunst. In: Kat. Ausst. Hamburg 2002, S. 67--70. [Text in engl. im. Kat. Ausst. 2002 New York, Neue Galerie, S. 67-70]","3892":"Kokoschka auf Raten? In: Profil, Wien, Jg. 12, Nr. 46, 16. Nov. 1981, S. 65-66 [zum geplanten Ankauf für die Ludwig-Stiftung]","3893":"Bernhard Bultmann: Oskar Kokoschka. London: Thames & Hudson 1961 ","3894":"Paris urteilt über Kokoschka. In: Der Kunstwanderer, Berlin-Schöneberg, Jg. 13, 1931, Juniheft","3895":"Alfred Neumeyer: Oskar Kokoschka. In: Magazine of art, Washington/ DC, Bd. 38, Nr. 7, Nov. 1945, S. 261-265, 279. [Dt. Fassung in: Panorama, Buenos Aires, Aug.1946, S. 36-42]","3896":"Hans Tietze: Jung-Österreichische Maler. In: Genius, München, Jg. 2, 1920, 1. Buch","3897":"European Paintings in The Minneapolis Institute of Arts. Minneapolis/MN 1963","3898":"Sotheby's London, Impressionist and Modern Art - Day Sale, 20. Juni 2012","3899":"Werner J. Schweiger: Zwischen Anerkennung und Verteufelung. Zur Rezeptionsgeschichte von Kokoschkas Frühwerk. In: Oskar Kokoschka Symposion 1986, S. 114--126","3900":"Gottfried Sello: Oskar Kokoschka. In: Brigitte, Jg. 1961, H. 19, 5. Sept., S. 134-135","3901":"Merian, Jg. 17, 1964, H. 6, Juni","3902":"Sotheby & Co. London, Catalogue of highly important Impressionist and modern paintings and drawings, 6. Mai 1959","3903":"Karl Scheffler: Die Sammlung Oskar Reinhart in Winterthur. In: Kunst und Künstler, Berlin, Jg. 25, 1926/27, H. 1, Okt. 1926","3904":"Kunstverein Winterthur. Katalog der Gemälde und Plastiken. Winterthur 1958","3905":"Paul Westheim: Deutsche Kunst in Paris. In: Das Kunstblatt, Potsdam, Jg. 15, 1931, H. 5, S. 171-173. [Rez. 1931 Paris, Petit]","3906":"Charles de Tolnay: Kokoschkas Porträt des Ehepaars Tietze. In: Neue Zürcher Zeitung, Zürich, Fernausgabe Nr. 217, 19. Sept. 1980, S. 35 ","3907":"A[lfred] Werner: OK at ninety. In: Art and artists, Bd. 10, Nr. 11, Feb. 1976, S. 18--21","3908":"E. P. Richardson: Twentieth century painting. Detroit: Detroit Institute of Arts 1947","3909":"Christiane Heuwinkel: Die sichtbare Welt - Oskar Kokoschka und Jan Amos Comenius. In: Kat. Ausst. 1994/95 Bielefeld, S. 91--99","3910":"Bernadette Reinhold: Polperro II. In: Kat. Ausst. 2008 Linz, S. 104-105.","3911":"Oskar Kokoschka: Edvard Munchs ekspresjonisme. In: Kunst Kultur, Oslo, Jg. 35, 1952, Nr. 3, S. 129-150. [Norweg. Ausgabe von Kokoschka 1952a]","3912":"Hans M. Wingler: Künstler sein ist beides: Verstand und Träume haben. In: Die Welt, Hamburg, Essen, Jg. 1956, Nr. 52, 1. März","3913":"Wieland Schmied: Der Fetisch. Oskar Kokoschkas Selbstbildnis mit der Puppe. In: Wieland Schmied: Nach Klimt. Schriften zur Kunst in Österreich. Salzburg: Verlag Galerie Welz 1979, S. 53--57","3914":"Claudia Maurer-Zenck: 'Der hoffnungslose Radikalismus der Mitte'. Briefwechsel Ernst Krenek - Friedrich T. Gubler 1928-1939. Wien, Köln: Böhlau 1989","3915":"Meisterwerke der Kunsthalle Bremen. Hrsg. von Günter Busch und Jürgen Schultze. Bremen 1973","3916":"Kristian Sotriffer: Im Schnittpunkt der Welten. 1000 Jahre Kunst in Österreich. Wien: Kremayr & Scheriau 1985","3917":"Max Osborn: Menschen und Tiere: Kokoschka-Ausstellung bei Paul Cassirer. In: Vossische Zeitung, Berlin, 9. Feb. 1927. [Rez. 1927 Berlin, Cassirer]","3918":"Werner Hofmann: L'espressionismo in Austria. Mailand: Fabbri 1967. (L'arte moderna; 3, N. 20)","3919":"Oskar Kokoschka. Symposion abgehalten von der Hochschule für Angewandte Kunst in Wien vom 3.-- 7. März 1986 anläßlich des 100. Geburtstages des Künstlers. Hrsg. von Erika Patka. Salzburg, Wien: Residenz-Verlag 1986","3920":"Sotheby's London,The Hascoe Family Collection: Important Czech Art, 13. Juni 2011","3922":"Stuttgarter Kunstkabinett, 9. Auktion, 2. Teil, 18./20. Okt. 1950","3923":"Alan Krell: Burning issues. Fire in art and the social imagination. London: Reaktion Books Ltd. 2011.","3924":"Heinrich Lützeler (Hrsg.): Die Eisenbahn in der Malerei. Bonn: Boldt 1971","3925":"Remigius Netzer: Oskar Kokoschka: Venedig, Boote an der Dogana. In: Kunstwerke der Welt aus dem öffentlichen bayerischen Kunstbesitz. München: Lambert Müller 1960, S. 5-[6] mit Farbtaf.","3926":"Weltkunst, München, 1. Feb. 1960","3927":"Emil Waldmann: La peinture allemande contemporaine. Paris: Crès 1930","3928":"Polperro, Cornwall given to Tate Gallery. In: Museum Journal, London, Jg. 41, April 1941","3929":"Kunstsammlung Nordrhein-Westfalen. Malerei des zwanzigsten Jahrhunderts. Katalog der Erwerbungen 1962-1968. Bearb. von Joachim Büchner. Köln: DuMont Schauberg 1968","3930":"Herbert Read: Die Kunst der Kunstkritik und andere Essays zur Philosophie, Literatur und Kunst. Gütersloh 1960, S. 356-358","3931":"Hal Foster, Rosalind Kraus und Yve-Alain Bois [u.a.] (Hrsg.): Art since 1900. Modernism, antimodernism, postmodernism. London: Thames & Hudson 2011.","3932":"P[aul] W[estheim]: Ausstellungen : Leipzig. In: Das Kunstblatt, Potsdam, Jg. 6, 1922, H. 6, S. 269","3933":"Sotheby's New York, Impressionist and Modern Paintings and Sculpture Part I, 9. Mai 1989","3934":"Mizue. A monthly review of the fine arts, Tokyo, Nr. 878, 5.Mai 1978","3935":"Wiener Kunst Auktionen, Wien. Alte Meister: Kunst nach 1945, 11. Juni 1996","3936":"Konrad Feilchenfeldt: Vom Objekt zum Subjekt. Rückblick eines Porträtierten auf ein Stück Kindheit in Oskar Kokoschkas Doppelporträt. 'Die Brüder F.' In: Kat. Ausst. 2005/06 Pfäffikon, S. 139-145","3937":"The Tate Gallery's wartime acquisitions. London 1942","3938":"Werner Hofmann: Das Erwachen zum Tode. Zur Ausstellung 'Experiment Weltuntergang' in der Kunsthalle [Hamburg]. In: Manfred Sack (Hrsg.): Zurück in die Zukunft. Kunst und Gesellschaft 1900 bis 1914. Berlin: Frölich & Kaufmann 1981, S. 68--77","3939":"Christian Loubet: L'Explosion de la figure.Dans la peinture moderne (de Goya à Bacon). Nizza. Editons Ovadia 2013.","3940":"R. Hammacher-van den Brande: A cross-section of modern art. In: Apollo, London, 86, 1967, n.s. 65, Juli, S. 56-60 ","3941":"Michael Ranta: Art, Narratives and Morality. Is Kokoschka's The Prometheus Triptych a 'good' work of art? In: XVII. International Congress of Aesthetic 2007, Aesthetics bridging cultures (www.sanart org.tr/PDFler/91.a.pdf) (30.6.2014)","3942":"Frank Fischer: Hulde aan Oskar Kokoschka. In: Lantern, Pretoria, Bd. 24, 1975, Nr. 3, März, S. 18--23","3943":"Gottlieb Leinz: Die Malerei des 20. Jahrhunderts. Erlangen: Müller 1990 ","3944":"Sotheby Parke Bernet, New York, Important 19th and 20th century paintings, drawings and sculpture, 2.-4. Mai 1973","3945":"Werner J. Schweiger: Der junge Kokoschka. Leben und Werk 1904--1914. Wien, München: Brandstätter 1983. (Schriftenreihe der Oskar Kokoschka-Dokumentation Pöchlarn; 1) ","3946":"Christie's London, German and Austrian Art '99, 7. Okt.1999","3947":"Edwin Lachnit: 'Ausdruck - Leben - Bewegung'. Aspekte des zwischenkriegszeitlichen Expressionismus. In: Bertsch/Neuwirth 1993, S. 177--187","3948":"Patrick Werkner: Das Porträt des Wiener Bürgermeisters und Bundespräsidenten Dr. Theodor Körner. In: Kat. Ausst. 2008 Linz, S. 172-175.","3949":"R. Huyghe: Larousse Encyclopedia of Modern Art. London 1966","3950":"Ernst H. Gombrich: Die Geschichte der Kunst. Gütersloh [u.a.] 1977. [Engl. Originalausg. u. d. T.: The story of art, London 1950]","3951":"Oskar Kokoschka: Edvard Munchs Expressionismus. In: Neue Zürcher Zeitung, Zürich, Nr. 1576, 1581 und 1589 (18., 19. und 20. Juli 1952). [Buchausgabe u. d. T. Der Expressionismus Edvard Munchs, Wien [u.a.]: Gurlitt-Verlag 1953 (Kleine Gurlitt-Reihe; 12)]","3952":"Katalog der Staatsgalerie Stuttgart. Hrsg. vom Stuttgarter Galerieverein. Stuttgart 1957","3953":"Leonie von Wilckens: Oskar Kokoschka. In: L'art allemand contemporain. Offenburg 1951 (Documents; Ed. Spéciale)","3954":"Viktor Matejka: Ein unverwüstlicher Kerl. In: Tagebuch, Wien, Jg. 11, 14. 7. 1956, S. 4","3955":"Begnadeter Pinsel. In: Der Spiegel, Berlin, 17. Juli 1967, S. 96f.","3956":"Anne Zauner und Erwin Köstler (Hrsg.): Die andere Seite. Bild, Klang, Text. Grenzgänge in der österreichischen Kunst des 20. Jahrhunderts. Innsbruck: Haymon 1996","3957":"Weltkunst, München, 1. Aug. 1956","3958":"Johann Winkler: Leben aus dem Feuer der Farbe. Zum späten Werk 1953--1973. In: Kat. Ausst. 1991 Wien, S. [45]--51","3959":"Ines Rotermund-Reynard (Hrsg.): Echoes of Exile.Moscow archives and the arts in Paris 1933--1945. Berlin, München [u.a.]: de Gruyter 2015. (Contact Zones; 2)","3960":"Almut Krapf-Weiler: Zur Wirkungsgeschichte Vincent van Goghs in Wien. In: Kat. Ausst. 1990 Essen, S. 411--416","3961":"Kunstmuseum Hannover mit Sammlung Sprengel. Gemälde, Skulpturen, Aquarelle und Zeichnungen des 20. Jahrhunderts. Hrsg. von Bernd Rau. Hannover 1979","3962":"Giulio C. Argan: Die Kunst des 20. Jahrhunderts 1880--1940. Berlin: Propyläen-Verlag 1977. (Propyläen-Kunstgeschichte; 12)","3963":"Georg Wacha: Oskar Kokoschka und Linz. Das Porträt Theodor Körners und die erste Kokoschka-Ausstellung in Österreich. In: Wacha 1986a, S. 8--13","3964":"Lesebuch für Schulen. Hauptschule 7. Schuljahr. Bochum: Verlag F. Kamp 1969","3965":"Carl Aigner und Ingo Bartsch (Hrsg.): Vom Expressionismus zur Gegenwart. Meisterwerke der Moderne. Katalogbuch zur Ausstellung: Von Macke bis Picasso – Meisterwerke der Moderne, Kunsthalle Krems, 20. Mai – 30. Sept. 2001","3966":"Adolf Behne: Die Wiederkehr der Kunst. Leipzig: Wolff 1919 ","3967":"Werner Hofmann: Carl Georg Heise. In: Jahrbuch der Hamburger Kunstsammlungen, Hamburg, Jg. 25, 1980, S. 7-10 [Wiederabdruck aus: Ein Bekenner. Zum Tode des Kunsthistorikers Carl Georg Heise. In: Die Zeit, Hamburg, 17. 8. 1979]","3968":"Kathrin Heinzel: Männer bilden Frauen. Philosophisch-ästhetische Studien zum Bild der Frau bei Oskar Kokoschka, Hans Bellmer und Marcel Duchamp. Wien: Univ. Dipl.-Arb. 1995","3969":"Österreichische Musikzeitschrift, Wien, Jg. 25, 1970, H. 1","3970":"Im Kinsky, Wien, 84. Auktion, Klassische Moderne, 10. Mai 2011","3971":"Edith Oppen: Hamburg. München: Prestel 1981","3972":"Erich W. Wolf: Oskar Kokoschka. Dichter und Maler aus Österreich. In: Pan, Offenburg, Jg. 1982, Nr. 10, S. 6--23","3973":"Edith Hoffmann: Kokoschka. London: The Medici Society 1964 ","3974":"Gustav F. Hartlaub: Die Blume in der Kunst. In: Velhagen & Klasings Monatshefte, Bielefeld, Jg. 41, 1926/27, S. 287","3975":"Art, Hamburg, Jg. 1980, Nr. 5","3976":"Gisela Seeger (Hrsg.): Exil in der Tschechoslowakei, in Großbritannien, Skandinavien und in Palästina. Leipzig: Reclam 1980. (Kunst und Literatur im antifaschistischen Exil 1933-1945 in sieben Bänden; hier Bd. 5)","3977":"Adolph Donath: Kokoschka in Dresden. In: Der Kunstwanderer, Berlin, Jg. 7, 1924/25, 1./2. Februarheft 1925","3978":"Tobias G. Natter: Wenn Ordnungssysteme kollidieren. Chaim Soutine, Oskar Kokoschka und die Ecole de Paris. In: Tobias G. Natter (Hrsg,): Chaim Soutine. Ein französischer Expressionist.Katalogbuch zur Ausstellung, Wien, Jüdisches Museum, 8. März-4. Juni 2000, S. 65-81","3979":"Anette Kruszynski: Ludwig Justi und Ernst Gosebruch. Erwerbungen und Aufträge in den 20er Jahren. In: Museum der Gegenwart, Berlin, 1987, S. 46-57","3980":"Führer durch die Galerie der Kunsthalle zu Hamburg. Bd. 1: Die neueren Meister. Hrsg. von Gustav Pauli. Hamburg 1924","3981":"Leo A. Lensing: 'Dies unbefugte Doppelleben'. Karl Kraus über die Doppelbegabung von Oskar Kokoschka. In: Kraus-Hefte, München, H. 47, Juli 1988, S. 7--12","3982":"Robert Hughes: Der Schock der Moderne. Kunst im Jahrhundert des Umbruchs. Düsseldorf, Wien: Econ-Verlag 1981.[Engl. Originalausg. u. d. T.: The shock of the new, London 1980]","3983":"Peter Gorsen: Die stille Frau Pygmalions. Die Puppe Oskar Kokoschkas. In: Frankfurter Allgemeine Zeitung, Frankfurt/Main, 3. Mai 1986, Beilage 'Bilder und Zeiten'","3985":"Kristian Sotriffer: Vincent van Gogh und sein Einfluß in Wien. In: Alte und moderne Kunst, Wien, Jg. 9, 1964, H. 74, Mai/Juni, S. 26--27","3986":"Hans F. Kraus: Oskar Kokoschka oder: Das beleidigte Schönheitsideal. In: Büchergilde, Zürich, Jg. 1937, H. 7, Juli","3987":"Weltschätze der Kunst - der Menschheit bewahrt. Katalogbuch zur Ausstellung 1985 Berlin-DDR, (nicht ausgestellt)","3988":"K. L.: Impressionist Kokoschka. In: Westermann. Monatsmagazin, Nr. 7, 1971, S. 17","3989":"Anna Janištinová: Deutsche Künstler im Prager Exil 1933-1938. In: Charmian Brinson und Marian Malet (Hrsg.): Exile in and from Czechoslovakia during the 1930s and 1940s. Amsterdam, New York: Rodopi 2009, S. 27-41(The yearbook of the Research Centre for German and Austrian Exile Studies; 11)","3990":"Neue Galerie der Stadt Linz - Wolfgang Gurlitt-Museum. Sammlungskatalog Malerei, Graphik, Plastik und Objektkunst des 19. und 20. Jahrhunderts. Hrsg. von Peter Baum. Linz 1979","3991":"Marian Malet: Oskar Kokoschka and 'the Freie Deutsche Kulturbund. The 'Friendly Alien' as Propagandist. In: Anthony Grenville und Andrea Reiter (Hrsg.): 'I didn't want to float. I wanted to belong to something.' Refugee organizations in Britain 1933-1945. Amsterdam; New York: Rodopi 2008, S. 49-66. (Yearbook of the Research Centre for German and Austrian Exile Studies; 10)","3992":"Jeannot Simmen: Vertigo. Schwindel der modernen Kunst. München: Klinkhardt & Biermann 1990. (ZeitZeugeKunst) ","3993":"Christie, Manson & Woods New York, Impressionist and Modern Paintings and Sculpture, 3. Nov. 1981","3994":"Christie's London, Impressionist and Modern Paintings and Sculpture, 26. März 1984","3995":"Jiří Munzar: Oskar Kokoschka und die Tschechoslowakei. In: Ingeborg Fialová-Fürstová und Jörg Krappmann (Hrsg.): Deutschböhmische Literatur. Beiträge der internationalen Konferenzen Olmütz, 13.-16. Nov. 2000 und 25.-28. April 2001. Olomouc: Univ. Palackeho 2001, S. 317-326. (Beiträge zur mährischen deutschsprachigen Literatur; 4 )","3996":"Irmgard Feldhaus: Die Gesellschaft zur Förderung Deutscher Kunst des 20. Jahrhunderts. In: Neusser Jahrbuch für Kunst, Kulturgeschichte und Heimatkunde, Jg. 1959, S. 17-23","3997":"Die Waage. Zeitschrift der Chemie Grünenthal, Stolberg/Rhld., Bd. 1, 1959, H. 3, Abb. 1, S. 74","3998":"Ludwig Goldscheider: Five hundred self-portraits from antique times to the present day in sculpture, painting, drawing and engraving. London: Allen & Unwin 1937","3999":"Hans Bisanz: Edvard Munch og portrettkunsten i Wien etter 1900. In: Arbok: Oslo Kommunes Kunstsamlinger, 1963 = Edvard Munch 100 ar. Oslo 1963, S. 68--101. [Dt. Zfg. S. 136--144]","4000":"Walter Serner: Kokoschka und das Publikum. In: Karlsbader Zeitung, Karlsbad, Jg. 25, 1911, Nr. 30, 23. Juli, S. 12-14. [Wiederveröffentlicht s. Serner 1981, S. 90-93]","4002":"Anke Daemgen: Oskar Kokoschka, Leo Kestenberg, 1926/27. Eine Neuerwerbung für die Nationalgalerie. In: Museumsjournal. Berichte aus Museen, Schlössern und Sammlungen in Berlin und Potsdam, Bd. 22, 2008, S. 20-21","4003":"Lucia Bortolon: La cultura politica di Oskar Kokoschka. Analisi della produzione 1934--1946.Mailand: Univ. Fac.di Lingue e Letterature Straniere, Diss. 1984","4004":"Deutsche Meister 1880-1930 aus der Staatlichen Kunsthalle Karlsruhe. Bearb. von Werner Zimmermann. Karlsruhe 1965","4005":"Painting and sculpture in the Museum of Modern Art, Supplement 1957. In: Bulletin, Bd. XXIV, Nr. 4, Juli 1955 - Dez. 1956, S. 15","4006":"Villa Grisebach Auktionen, Berlin, Auktion Nr. 21, Ausgewählte Kunstwerke, 29. Nov. 1991","4007":"Andreas Kreul: Die 'Pariser Oper' von Oskar Kokoschka. In: Kat. Ausst. 1992 Bremen, S. 6-11, S. 47, Farbtaf. S. [7]","4008":"Charles G.P.M Drogheda: Double harness. Memoires by Lord Drogheda. London: Weidenfeld & Nicolson 1978","4009":"Peter Gorsen: Alma, in gespensterhafter Helligkeit zum Himmel weisend. Das Flammenspiel der Liebe lodert über dem Kamin: Basel präsentiert Kokoschkas verloren geglaubte Wandmalerei von 1914. In: Frankfurter Allgemeine Zeitung,Frankfurt/Main, 9. Juni 1995, S. 41","4011":"Die Staatliche Gemäldegalerie zu Dresden. Katalog der modernen Galerie. Bearb. von K[lara] Steinweg und K[arl] W. Jähnig. Dresden, Berlin: Bard 1930","4012":"Weltkunst, München, 15. Aug. 1955","4013":"Susanne Keegan: The Bride of the Wind. The life and times of Alma Mahler-Werfel. London: Secker & Warburg 1991","4014":"Heinrich Neumayer: Erkenne dich selbst. Wien: Rosenbaum 1957","4015":"H. M.: Oskar Kokoschka: Thermopylae. Ein Triptychon. In: Werk, Schweizer Monatszeitschrift für Architektur, Kunst und künstlerisches Gewerbe, Winterthur, Jg. 42, April 1955, Suppl.","4016":"Francois Lehel: Notre art dément. Quatre études sur l'art pathologique. Paris: Jonquières Ed. 1926 ","4017":"Fritz Novotny: Zu Oskar Kokoschkas Bildern aus dem Orient. In: Bustan, Wien, Jg. 9, 1968, H. 3/4, S. 84--85","4018":"Hamburger Kunsthalle. Meisterwerke der Gemälde-Galerie. Hrsg. von Alfred Hentzen. Köln: DuMont Schauberg 1969","4019":"Paul Vogt: Geschichte der deutschen Malerei im 20. Jahrhundert. Köln: DuMont Schauberg 1972 (DuMont-Dokumente)","4020":"Ludwig Grote: Oskar Kokoschkas Salzburger Landschaft. In: Hochland, München, Jg. 43, 1950, Nr. 6, S. 627-628 ","4021":"Verzeichnis der vereinigten Kunstsammlungen Nationalgalerie (Preußischer Kulturbesitz), Galerie des 20. Jahrhunderts (Land Berlin). Bearb. von Heinrich Brauer und Adolf Jannasch. Berlin 1968","4022":"Patrick Werkner: Verwandlung des Sichtbaren - Expression. In: Sotriffer 1984, S. 65--100 ","4023":"Max Zimmering: Dresden - Künstler sehen die Stadt. 21 Bilder mit Begleittext. Dresden: Verlag der Kunst 1973","4024":"Herbert Schade: Guernica und Thermophylae. Zwei Katastrophenbilder von Picasso und Kokoschka. In: Stimmen der Zeit, Freiburg i.Br., Jg. 81, 1955/56, H. 6, März 1956, S. 425-436","4025":"Anna Müller-Härlin: 'It all happened in this street, Downshire Hill.' Fred Uhlman and the Free German League of Culture. In: Shulamith Behr und Marian Malet (Hrsg.): Arts in Exile in Britain 1933–1945. Politics and Cultural Identity. Amsterdam: Rodopi 2005, S. [241]-265. (The yearbook of the Research Centre for German and Austrian Exile Studies ; 6)","4026":"Lothar Schreyer: Ein Jahrtausend deutscher Kunst. Hamburg: Wegner 1954 ","4027":"Otto Basil: Erinnerung an Albert Ehrenstein. In: Ver Sacrum. Neue Hefte für Kunst und Literatur. Jg. 1974 = Bd. 5. Wien, München: Jugend &Volk 1974, S. 160-164","4028":"Anthony Bosman: Oskar Kokoschka. Berlin [u.a.]: Verlag Lebendiges Wissen 1964. (Humboldt-Kunstreihe; 317). [Holländ. Originalausg. u. d. T.: Oskar Kokoschka,Utrecht: Bruna 1964]","4029":"The Art Quarterly, Detroit, Bd. 19, 1956, Nr. 3, S. 312","4030":"Christie's London, Impressionist and Modern Art - Evening Sale, 9. Feb. 2011","4031":"ReVision. Die Moderne im Städel 1906-1937. Hrsg. von Klaus Gallwitz. Katalogbuch zur Ausstellung 1991/92 Frankfurt/Main","4032":"Walther Schneider: Oskar Kokoschka. In: Der Wiener Tag, Jg. 14, 1935, Nr. 4152, 6. Jan., Beilage: Der Sonntag, Nr. 42","4033":"Victor H. Miesel (Hrsg.): Voices of German expressionism. London: Tate Publishing 2003, S. 97-101","4034":"Karl Ludwig Hofmann: Exilland Tschechoslowakei - ein Zentrum der antifaschistischen Satire (1933-1939). In: Kat. Ausst. 1980 Karlsruhe, S. 121 ","4035":"Friedrich Welz: Kokoschka und Salzburg. [Gedanke und Tat]. Wien: Arthur Werner 1961 ","4037":"Der Sammler, Berlin, Jg. 18, 1928","4038":"Walter Cohen: Haus Lange in Krefeld. In: Museum der Gegenwart. Berlin, Jg. 1, 1931, H. 4, S. 160-168, Abb. S. 162","4039":"L. Siemer: Die Landschaft bei Oskar Kokoschka. In: Der Kunsthandel, Heidelberg, Jg. 46, 1954, H. 7","4040":"Peter Mahr: OK o.k.? Philosophische Überlegungen zum Expressionismus Oskar Kokoschkas und seiner Rezeption. In: Werkner 1998a, S. 56-58","4041":"Gustav F. Hartlaub: Das Kraftfeld der Mannheimer Kunsthalle. In: Museum der Gegenwart, Berlin, Jg. 2, 1931/32, H. 3, 4. Vierteljahr 1931","4042":"Bonhams London, Impressionist and Modern Art, 23. Juni 2009","4043":"Keith Holz: '…not my most beautiful but my best paintings…' Oskar Kokoschka’s list for London. In: Rotermund-Reynard 2015, S. [85]-[104]","4044":"Dieter Wellershoff: Was die Bilder erzählen. Ein Rundgang durch mein imaginäres Museum. Köln: Kiepenheuer & Witsch 2013.","4045":"Katalog der Gemälde des 19. und 20. Jahrhunderts in der Kunsthalle Bremen. Bearb. von Gerhard Gerkens und Ursula Heiderich. 2 Bde. Bremen 1973","4046":"Villa Grisebach Auktionen, Berlin, Auktion Nr. 31, Ausgewählte Werke, 4. Juni 1993","4047":"Max Eisler: Oskar Kokoschkas Bild 'Jerusalem'. In: Menorah, Wien, Jg. 10, 1932","4048":"C[larence] J. Bulliet: The significant moderns and their pictures. London: Allen & Unwin 1936 ","4049":"Tuileries Gardens, Paris, acquired by Museum. In: Portland Museum bulletin, Portland/OR, Bd. 8, Sept. 1946, S. [2]","4050":"Christian M. Nebehay: Die goldenenen Sessel meines Vaters. Gustav Nebehay 1881--1935. Antiquar und Kunsthändler in Leipzig, Wien und Berlin. Wien: Brandstätter 1983","4051":"Walter Kern: Zu Oskar Kokoschkas Triptychon 'Thermophylae'. In: Werk, Schweizer Monatszeitschrift für Architektur, Kunst und künstlerisches Gewerbe, Winterthur, Jg. 42, Jan. 1955, H. 1","4052":"Kokoschka ist verärgert. In: Freiburger Zeitung, Freiburg i. Brsg., Jg. 1966, Nr. 11, 15./16. Jan.","4053":"D[ouglas] B[renner]: Oskar Kokoschka, Knight Errant. In: Kat. Ausst. 1976 New York, S. 79-80, 187-188","4054":"Corinna Adam: Adenauer's Picutre. In: New Statesman, 3. Juni 1977, S. 803","4055":"Fritz Stahl: Kokoschka. Im Salon Cassirer. In: Berliner Tagblatt, Berlin, 10. April 1923. [Rez.1923 Berlin, Cassirer]","4056":"Tobias G. Natter:Die Welt von Klimt, Schiele und Kokoschka. Sammler und Mäzene. Köln: DuMont 2003","4057":"Dieter Rexroth (Hrsg.):Opus Anton Webern. Berlin 1983","4058":"Erwin Melchart: Trudl lebt! In: Neue Kronen- Zeitung, Wien, 12. April 1986, S. 26-27","4059":"Anton Unterkircher: Zwischen `Sturm' und `Brenner': Peter Scher und sein wiederaufgefundenes Porträt von Oskar Kokoschka. In: Mitteilungen aus dem Brenner-Archiv, Innsbruck, Nr. 6, 1987, S. 11--21, Abb. S. [20]","4060":"Almut Krapf-Weiler: Oskar Kokoschka. In: Kat. Ausst. 1990 Essen, S. 426--430","4061":"Meisterwerke der Hamburger Kunsthalle. Bearb. von Hans Platte. Honnef: Peters [1958]","4062":"Katharina Erling: Der Almanach 'Der Blaue Reiter'. In: Kat. Ausst. 2000 Bremen, S. 188-239","4063":"Heinz Spielmann: Oskar Kokoschka in Prag und England. In: Kat. Ausst. 1994/95 Bielefeld, S. 177--189","4064":"Von der Heydt-Museum Wuppertal. Verzeichnis der Gemälde und Skulpturen. Bearb. von Hans G. Wachtmann. Wuppertal 1968","4065":"Mitteilungen. Museum Folkwang Essen, Bd. 10/11, 1976/77, S. 7","4066":"René Micha: Loth et ses filles. In: Coloquio. Artes, Lissabon, Nr. 44, März 1980, S. 38-49","4067":"Oskar Kokoschka: Geschichte von der Tochter Virginia. In: Kokoschka SW 2 (1974), S. 95--101 ","4068":"Henry I. Schvey: The visual element in the plays of Oskar Kokoschka. Ann Arbor/MI, London: Univ. Microfilms International 1982. [Mikrofilmkopie]. Indiana: Univ. Diss. 1977","4069":"Pierre Berthelot: Peintres allemands. Galerie Bonjean. In: Beaux-Arts, Paris, Jg. 9, 1931, Nr. 1, S. 7. [Rez. 1931 Paris, Bonjean]","4070":"Alice Strobl und Alfred Weidinger: Oskar Kokoschka. 'Mörder, Hoffnung der Frauen' oder 'Der Todhaß der Geschlechter' . In: Achim Gnann und Heinz Widauer (Hrsg.): Festschrift für Konrad Oberhuber. Mailand: Electa 2000, S. 402-414","4071":"La mirada fauve. En la colección del Musée des Beaux-Arts de Bordeaux. Hrsg. von Caja Duero. Salamanca 2005.","4072":"Kunsthandel Wolfgang Wittrock, Düsseldorf, Gemälde, Aquarelle, Zeichnungen, Graphik, Katalog 6, 1987. Düsseldorf: Selbstverlag 1987","4073":"Françoise Monnin: Oskar Kokoschka, un curieux mélange. In: Connaissance des Arts Hors-série, Nr. 259, 2005, S. 54-62","4074":"http://www.tate.org.uk/art/artworks/kokoschka-time-gentlemen-please-t04876","4075":"Hamburger Kunsthalle. Führer durch die Sammlungen. Hrsg. von Werner Hofmann. München: Prestel 1985","4076":"Paintings in the Art Institute of Chicago. A catalogue of the picture collection. Chicago 1961","4077":"Museum of Art, Carnegie Institute Pittsburgh. Catalogue of painting collection. Pittsburgh 1985","4078":"Kornfeld & Klipstein, Bern, Auktion 157: Moderne Kunst, 9.-12. Juni 1976","4079":"Galerie Fischer, Luzern, Die Sammlung H. [Hess], Berlin, Auktion, 1. Sept. 1931","4080":"Sigrid Löffler: Tigerlöwe eingefangen. In: Profil, Wien, Jg. 11, 1980, Nr. 10, 3. März, S. 60-61 [Rez. 1980 Wien, Österreichische Galerie]","4081":"Kurt Martin: Bericht der Bayerischen Staatsgemäldesammlungen. In: Münchner Jahrbuch der bildenden Kunst, München, 3. Folge, Bd. 12, 1961, S. 251 und 255","4082":"Patrick Werkner (Hrsg.): Oskar Kokoschka – aktuelle Perspektiven. Wien: Oskar-Kokoschka-Zentrum 1998","4084":"Antonia Hoerschelmann: Tendenzen der österreichischen Malerei zwischen 1918--1938 und ihre Relationen zur europäischen Kunst des 20. Jahrhunderts. Wien: VWGÖ 1989. (Dissertationen der Universität Wien; 195) ","4085":"Keith Holz: Scenes from Exile in Western Europe: The Politics of Individual and collective endeavor among German Artists. In: Kat. Ausst. 1997 Los Angeles, S. 43-56 und dt. Ausgabe (s. 1997/98 Berlin)","4086":"Hermann Fillitz: Kunst aus Österreich. Die Landschaft. Bad Vöslau 1964","4087":"James White: A Great Collection Reaches the Public. In: The Irish Times, 23. Nov. 1961, S. 8 mit Abb.","4088":"Lantern, Praetoria, März 1975","4089":"Kenneth Clark: Animals and men. Their relationship as reflected in Western art from prehistory to the present day. London: Thames & Hudson 1977","4090":"Hans M. Wingler und Friedrich Welz: Oskar Kokoschka. Das druckgraphische Werk. Bd. [1.] 2. Salzburg: Verlag Galerie Welz 1975--1981. [Bd 2: Druckgraphik 1975--1980 sowie Nachträge und Berichtigungen]","4091":"Kende Galleries, New York, Auktion 343, 4. Feb.1949","4092":"P(aul) W(estheim): Neuerwerbungen der Nationalgalerie. In: Das Kunstblatt, Berlin, Jg. 14, 1930, H. 5 [Rez. 1930 Berlin, Nationalgalerie]","4093":"Ostdeutsche Galerie Regensburg 1970-1982. Regensburg 1982","4094":"Neuerwerbungen der Österreichischen Galerie 1960-1968. Wien 1968 (Mitteilungen der Österreichischen Galerie; Sonderheft)","4095":"Sotheby Parke Bernet & Co., Catalogue of Impressionist and Modern Paintings and Sculpture, 28. März 1973","4096":"Petr Domanický und Petr Jindra (Hrsg.): Loos – Plzeň – souvislosti / Loos – Pilsen – connections: ...Mit dämonischen Kuhaugen. Katalogbuch zur Ausstellung Pilsen, Západočeská Galerie, 9. Nov. 2011-12. Feb. 2012 (Text in engl.u. tschech.)","4097":"Heinrich W. Petzet: Ein entarteter Künstler. In: Weltkunst, München, Jg. 36, 1966, Nr. 18, 15. Sept., S. 833","4098":"Bernard S. Myers: The German expressionists. New York 1957","4099":"Joseph P. Hodin: Nahbild eines genialen Menschen. Persönliche Erinnerungen an den Künstler Oskar Kokoschka. In: Oskar Kokoschka Symposion 1986, S. 235-251","4100":"Sabine Fehlemann: Die Aktion 'Entartete Kunst'. Ihre Auswirkung auf Wuppertal. In: Klaus Goebel (Hrsg.): Über allem die Partei. Schule, Kunst, Musik in Wuppertal 1933--1945. Oberhausen 1987, S. 65--84","4101":"The New York Times,New York, 31. Jan. 1952, S. 27 [Nachruf auf Robert Freund]","4102":"Karin Michaelis: Der tolle Kokoschka. In: Das Kunstblatt, Potsdam, Berlin, Jg. 2, 1918, H. 12, S. 361-366","4103":"Niccola Shearman: Through hell of high water. Autobiographical myth-making in the work of Oskar Kokoschka 1912-1915. London: Courtauld Institut, Mag.-Arb. 2007","4104":"Steinfels Zürich, Kunstauktion Dr. Erich Steinfels, 20./21. 2.1981","4105":"Paloma Alarcó: Los primeros retratos negros. In: Kat. Ausst. 2001/02 Madrid","4106":"The museum year: 1972-73. The 97th annual report of the Museum of Fine Arts, Boston. Boston [1973], S. 22","4107":"Ted Primack: Oskar Kokoschka's early portraits. In: Bard Papers, Annandale-on-Hudson, New York, Bd. 1, Nr. 6, Juni 1961, S. 5--14","4108":"Elana Shapira: An Early Expressionist Masterpiece: Oskar Kokoschka's Children Playing from 1909. In: Zeitschrift für Kunstgeschichte, Bd. 64, H. 4, 2001, S. 501-536","4109":"Freiburg von Oskar Kokoschka gemalt. In: Freiburger Zeitung, Freiburg i. Brsg., Jg. 1964, Nr. 115, 21. Mai, S. 11 ","4110":"Time, New York, 12. Juli 1948","4111":"Klaus Piper: Mein Leben als Verleger: Vormittag - Nachmittag. München: Piper 1964","4112":"Pierre Cabanne:Kokoschka ou la découverte de l'Expressionisme. In:Lecture Pour Tous, Nr. 128, Aug. 1964, S. 46","4113":"Paul Westheim (Hrsg.): Kokoschka: Städtebilder. Urteile der Presse. In: Das Kunstblatt, Potsdam, Jg. 10, 1926, H. 1, S. 41-42. [Pressestimmen zu 1925 Berlin, Cassirer]","4114":"Alain Vircondelet: Les couples mythiques de l'art. Beaux Arts éditions 2011, S. 202-207","4115":"Bela Petheo: Kokoschka remembered. A Minnesota painter recalls the man behind two of the Institute's most intriguing canvases. In: Arts. Magazine for members of the Minneapolis Society of Fine Arts, Minneapolis, Bd.10, 1987, Nr. 12, Dez., S. 12-16","4116":"Wolf-Dieter Dube: Der Expressionismus in Wort und Bild. Stuttgart: Skira/Klett-Cotta 1983 ","4117":"Christie's London, Impressionist and Modern Paintings and Sculpture, 30. Nov. 1981","4118":"Otto Höver: Abbild und Sinnbild. Das Abstrakte als schöpferische Ausdrucksform in der heutigen Kunst und in anderen Zeitaltern der Kunstentwicklung. Emmendingen: Dehio-Verlag 1948 ","4119":"Andreas Hüneke und Carl Linfert: Entartete Kunst: Kommentar 1989, 1996 zum Kommentar 1937. Köln: AICA 1997 (Schriften zur Kunstkritik; 6 )","4120":"Justus Bier: Art: Exhibit of Czech artist's work operns tomorrow. In: Louisville Courier-Journal, Kentucky, 30. 9. 1945, sec. 2, S. 9 ","4121":"Birgit Dalbajewa: 'Träger bewegteren Lebensgefühls'. Erwerbungen von Oskar Kokoschka durch Ludwig Justi, Hans Posse und Paul Ferdinand Schmidt nach der Novemberrevolution 1918. In: Jahrbuch der Staatlichen Kunstsammlungen Dresden, Berichte, Beiträge 2002/03, Bd. 30, 2006, S. 131-145","4122":"Richard Hiepe: Freie deutsche Kunst. Zur Entstehung und Durchsetzung des antifaschistisch-demokratischen Erbes in der Kunstszene der Bundesrepublik. In: Sammlung, Frankfurt/Main, Jg. 1, 1978, S. 84","4123":"Hans M. Wingler: Oskar Kokoschkas alpine Landschaften. In: Der Bergsteiger, München, Jg. 18, 1951, H. 4, Ausgabe A","4124":"Sven Beckstette: Das Historienbild im 20. Jahrhundert. Künstlerische Strategien zur Darstellung von Geschichte in der Malerei nach dem Ende der klassischen Bildgattungen. Weimar: VDG 2009.","4125":"Georg Brühl: Die Cassirers. Streiter für den Impressionismus. Leipzig: Ed. Leipzig 1991","4126":"Richard Hiepe: Gewissen und Gestaltung. Deutsche Kunst im Widerstand. Frankfurt/Main: Röderberg-Verlag 1960","4127":"Joseph P. Hodin: Oskar Kokoschka and Masaryk. In: Miloslav Rechcigl (Hrsg.): Czechoslovakia Past and Present. Bd. 2. The Hague [u.a.]: de Gruyter Mouton 1968, S. 1416-1428","4128":" 'Wovon man nicht spricht.' Eine Rundfrage über die Wertsteigerung an Werken moderner Kunst. In: Das Kunstblatt, Berlin, Jg. 15, 1931, H. 2","4129":"Oskar Schürer: Neuerwerbungen der Mannheimer Kunsthalle. In: Der Cicerone, Leipzig, Jg. 19, 1927, H. 13","4130":"Oskar Kokoschka: Dramen und Bilder. Mit einer Einleitung von Paul Stefan. Leipzig: Kurt Wolff 1913 ","4131":"Nathan J. Timpano: The dialectis of vision. Oskar Kokoschka and the historiography of expressionistic sight. In: Journal of Art Historiography,Glasgow, Nr. 5, Dez. 2011, S. 1-13.","4132":"Kunst und Künstler, Berlin, Jg. 23, 1924/25","4133":"Du. Die Kunstzeitschrift, Zürich, Nr. 5, Mai 1948","4134":"Arbeiterzeitung, Wien, 22. April 1949","4135":"Peter Scher: Als Kokoschka mich malte. In: Das literarische Deutschland, Heidelberg, Jg. 2, 1951, H. 4, S. 7","4136":"R. N. Ketterer, Campione d'Italia, Moderne Kunst, Bd. 7, 1971","4137":"Merlin Ingli James : London. Kokoschka and Hofmann. In: The Burlington Magazine, London, Bd. 132, Nr. 1049, Aug. 1990, S. 592-593","4138":"Paul Westheim (Hrsg.): Oskar Kokoschka: Landschaften. Zürich: Rascher 1948","4139":"Sascha Schwabacher: Frankfurt a. M.: Neuerwerbungen und Umgruppierung im Städelschen Kunstinstitut. In: Der Cicerone, Leipzig, Jg. 18, 1926, H. 22, S. 743-744","4140":"Neue Galerie der Stadt Linz - Wolfgang-Gurlitt-Museum: Katalog der Schausammlung. Bearb. von Walter Kasten. Linz 1958","4141":"Hilde Spiel: Der politische Maler Oskar Kokoschka. In: Wiener Kurier, 20. Juli 1946","4142":"Jahresring. Jahrbuch für moderne Kunst, Stuttgart, 1963/64","4143":"Sotheby's, Impressionist and Modern Paintings and Sculpture Part I, 28. März 1984","4144":"Alfred Hentzen: Hamburger Kunsthalle. Erwerbungen 1951-1957. In: Jahrbuch der Hamburger Kunstsammlungen, Hamburg, Jg. 3, 1958, S. 176-177","4145":"Caroline C. Benser: Egon Wellesz (1885-1974). Chronicle of a twentieth century musician. New York [u.a]: P. Lang 1985","4146":"Enciclopedia universale. Mailand: Fabbri 1972","4147":"Dorotheum Wien, 516. Kunstauktion, 9.-13. Juni 1952","4148":"The Guggenheim Museum Collection. Paintings 1880-1945, Bd. 2. Hrsg. von Angelica Z. Rudenstine. New York: Solomon R. Guggenheim Museum 1976","4149":"The Art Quarterly, Detroit, Bd. 32, 1969, Nr. 1, S. 78, Abb. S. 84","4150":"Im Kinsky, Wien, 98. Auktion, 20 Jahre Auktionshaus im Kinsky: Klassische Moderne, 26. Nov. 2013","4151":"Alessandra Comini: Toys in Freud’s attic: torment and taboo in the child and adolescent themes of Vienna’s image-makers. In: Marilyn R. Brown (Hrsg.): Picturing children. Constructions of childhood between Rousseau and Freud. Aldershot [u.a.]: Ashgate 2002, S. 167-181","4152":"Rosa J. H. Berland: The radical work of Oskar Kokoschka and the alternative venues of Die Kunstschauen of 1908-1909, Vienna, Austria. In: Andrew Graciano (Hrsg.): Exhibiting outside the academy, salon and biennial, 1775--1999. Alternative venues for display. Farnham: Ashgate 2015, S. [183]-204","4153":"Maurice Jean-Petit-Matile: Le Léman vu par les eontres. Lausanne: Edita 1983","4154":"Sir Stanley Unwin: The truth about a publisher. London: Allen & Unwin 1960","4155":"Stephan Lackner: Exhibition of 20th Century German Art. In: Kat. Ausst. 1988/89 Berlin, S. 315--323","4156":"Beatrice von Bormann: Oskar Kokoschka. In: Agnes Husslein-Arco und Stephan Koja (Hrsg.): Im Lichte Monets. Österreichische Künstler und das Werk des Großen Impressionisten. Katalogbuch zur Ausstellung, Wien, Unteres Belvedere/Orangerie, 24. Okt. 2014 – 8. Feb. 2015, S. 206-210.[ Engl. Ausg. u.d.T.: Looking at Monet. The great impressionist and his influence on Austrian art, München: Hirmer 2014]","4157":"Hellmuth Hecker: Karl Eugen Neumann. Hamburg, Wien 1986","4158":"Galleria d'arte moderna Farsetti, Prato, Opere d'arte moderna, 25. Nov. 1989","4159":"Hans Tietze: Oskar Kokoschka. In: L'amour de l'art, Jg. 1929, H. 10, Paris 1929","4160":"Erhard Frommhold: 'Die Freunde' und das Zimmermädchen mit Kontobuch. In: Art spezial, Hamburg, Nr. 7, Juli 1991, S. 6-7, Abb. S. 7","4161":"Hans Posse in: Kunst und Künstler Berlin, Jg. 22, S. 396 [Besprechung der 23. Biennale Venedig]","5161":"Régine Bonnefoit: Kunststück N° 54. In: Weltkunst, München, Jg. 85, Nr. 103, Juli 2015, S. 106-107","5162":"Margherita Andreotti: “The Joseph Winterbotham Collection at The Art Institute of Chicago”. In: Art Institute of Chicago Museum Studies.Chicago 1994, Bd. 20, Nr. 2, S. 136-137 ","7163":"Andreas Hüneke: Die lange Geschichte der Hallenser Fischer Bilder. In: Georg Heuberger (Hrsg.): Expressionismus und Exil. Die Sammlung Ludwig und Rosy Fischer Frankfurt am Main. Katalog zur Ausstellung im Jüdischen Museum, Frankfurt am Main 29. Aug. bis 28. Okt. 1990, München 1990, S. 81-94","7164":"Galerie Caspari München. Lagerkatalog. Juli 1922","8162":"Eric Kandel: Wie widerstreitende Einflüsse zur modernen Darstellung der Frau führten. In: Kat. Ausst. 2015/16 Wien, S. 19-29","8163":"Jane Kallir: Porträts. In: Kat. Ausst. 2015/16 Wien, S. 61-101.","8164":"Staatliche Museen zu Berlin, Preußischer Kulturbesitz: Dokumentation der Verluste. Vermisste Bestände der Nationalgalerie, Bd. 2, Hrsg. von Staatliche Museen zu Berlin, Preußischer Kulturbesitz. Berlin: Staatliche Museen zu Berlin, Preußischer Kulturbesitz 2001","9164":"Sotheby's, London, Impressionist & Modern Art Day Sale, 6. Feb. 2014","11164":"Auktionshaus, Galerie und Antiquariat für Kunst u. Wissenschaft Wolfdietrich Hassfurther, Wien, Walde, Egger-Lienz, Schiele, 6. Dez. 1988","11165":"Christie's London, Impressionist and Modern Paintings and Sculpture Part II, 27. März 1984","11167":"Parke-Bernet Galleries, New York, Sale Nr. 2678, 3. April 1968","12164":"E. Steinitz: Neue Kunst aus Hannoverschem Privatbesitz. Zur 30. Sonderausstellung der Kestner-Gesellschaft', in Das Kunstblatt, Bd. IV, Weimar, Januar 1920, Nr. 1","12166":"Jefferson C. Harrison: The Chrysler Museum Handbook of the European and American Collections: Selected Paintings, Sculpture and Drawings. The Chrysler Museum of Art, Norfolk, VA. 1991","12167":"Im Kinsky, Wien, 77. Auktion, Klassische Moderne, 2. März 2010","12169":"Sotheby's London, Impressionist and Modern Art - Evening Sale, 1. März 2017","12170":"R.N. Ketterer, Campione d'Italia, Moderne Kunst, Bd. 3, 1966","12171":"Galerie Fischer, Luzern, Grosse Auktion, Französische und schweizerische Möbel, Tapisserien, Stickereien, Brokate, Teppiche, Rüstungen und Waffen, Glasscheiben, Silber, Golddosen, Porzellan, Antiquitäten, 19. Aug. 1931, Nr. 310, Taf. XXVII","12172":"Galerie Fischer, Luzern, St. Galler und Basler Privatbesitz: Sammlung B.; reichsgräflich-Lambergscher Besitz; Ostasiatica Sammlung Kronenbitter, [Auktion 3. - 7. Sept. 1935] Katalog Nr. 48. Luzern 1935","12173":"Dorotheum, Wien, 477. Kunstauktion, 30.6.1942-2.7.1942, Nr. 105 (Siehe Weltkunst, Jg. XVI, Nr. 31/32, 2. August 1942, S. 3)","13164":"Mathias Wagner: Die Sammlung Hans Dittmayer. In: Heike Biedermann, Ulrich Bischoff und Mathias Wagner (Hrsg.): Von Monet bis Mondrian. Meisterwerke der Moderne aus Dresdner Privatsammlungen der ersten Hälfte des 20. Jahrhunderts. Dresden: Galerie Neue Meister, Staatliche Kunstsammlungen Dresden, München, Berlin: Deutscher Kunstverlag 2006, S. 127-137.","13165":"Gabriele Gorgas: 'Ich bin die Frau, das ist das Kind'. Gitta Wallerstein-Perl, einst von Oskar Kokoschka porträtiert, besuchte Kokoschka-Ausstellung in Wien. In: Dresdner Neueste Nachrichten, 19. Dez. 1996, S. 7","13166":"Gabriele Gorgas: 'Gitta Wallerstein' kehrt zurück. 'Great News' für Kokoschkas einstiges Modell - die 94-Jährige lebt heute in New York. In: Dresdner Neueste Nachrichten, 14. April 2005, S. 10.","13167":"Gabriele Gorgas: Mädchen mit den großen Augen. Ein berühmtes Bild von Oskar Kokoschka - Begegnungen mit Gitta Wallerstein zwischen Dresden und New York. In: Lausitzer Rundschau, Elbe-Elster Rundschau, 24. Sept. 2005, S. 25.","13168":"Gabriele Gorgas: '...Nicht traurig sein über das Leben'. Gitta Wallerstein, Oskar Kokoschkas Modell in Dresden, ist mit 97 Jahren in New York gestorben. In: Dresdner Neueste Nachrichten, 21./22.. Junil 2008, S. 9","13169":"Jens-Uwe Sommerschuh: Der Meister wartete geduldig. Als Dauergast in Dresden: Oskar Kokoschka hat hier 1921 Gitta Wallerstein gemalt. In: Sächsische Zeitung, 15. April 2005, S. 8.","13170":"Birgit Dalbajewa [u.a.] : Oskar Kokoschka, Gitta Wallerstein, 1921. Berlin: Kulturstiftung der Länder[u.a.] 2015. (Patrimonia; 380)","13171":"Adina Kamien-Kazhdan (Hrsg.): Modernism in Dialogue: 20th-Century Painting and Sculpture in the Israel Museum, Jerusalem: Israel Museum 2010.","13172":"Veronika Schroeder: 'Wir können Formen nur solange verstehen als wir ihrer bedürfen.' El Greco im Blick junger Expressionisten. In: Kat. Ausst. 2012 Düsseldorf","13173":"Stephanie Auer: Seelenaufschlitzer und Schlitzermorde. Frauenmord bei Kokoschka und Dix. In: Kat. Ausst. 2013/14 Berlin, S. 181-185","13174":"Almut Krapf-Weiler: Zum Einsatz Hans Tietzes und seiner Frau Erica Tietze-Conrat für die moderne, d.h. zeitgenössische Kunst im Wien der Zwischenkriegszeit. In: Kat. Ausst. 2013/14 Berlin, S. 191-195","13175":"Festschrift zum 65. Geburtstag von Siegfried Salzmann. Katalog der Neuerwerbungen und Schenkungen 1985-1993. Bearb. von Heiderose Langer. 2 Bde. Bremen: Der Kunstverein in Bremen 1993","14164":"Kunstmuseum Winterthur. Katalog der Gemälde und Skulpturen, Band 3. Hrsg. von Dieter Schwarz. Bearb. von Astrid Näff. Kunstmuseum Winterthur. Düsseldorf: Richter Verlag 2011.","14165":"Christie's New York, Impressionist and Modern Paintings and Sculpture Part. II, 14. Nov. 1984","14166":"Parke-Bernet Galleries, New York, Josef von Sternberg: Collection of modern paintings, drawings, modern african asiatic Sculptures, 22. Nov. 1949","14167":"Marianne Feilchenfeldt Breslauer: Bilder meines Lebens. Erinnerungen. Wädenswil: Nimbus Verlag 2009","14168":"Kunsthalle Bremen, Meisterwerke: Gemälde, Skulpturen, Neue Medien, Bd. 1. Der Kunstverein in Bremen, Kunsthalle Bremen: H. M. Hauschild o. J. [1998] ","14169":"Arthouse Hejtmanek, Prag, Fine Art - Antiques – Design, 1. Juni 2017","14170":"Adolf Loos Apartment and Gallery, Auction Catalogue Fine Art - Antiques - Design, Prag, 26. Nov. 2016\n","15164":"Joseph P. Hodin: Kokoschka und Schiele. Eine Streitfrage. In: Alte und moderne Kunst, Wien, Innsbruck, Jg. 29,1984, H. 192/193, S. 46-47","16164":"Parke-Bernet Galleries, New York, Modern Paintings: Estate of the late Albert E. Mc Vitty and property of Keith Warner and other owners, 5. Dezember 1949","16165":"Leopold-Hoesch-Museum der Stadt Düren. Moderne Kunst: Katalog des Eigenbesitzes. Bearb. von Heinrich Appel. Düren 1965","16166":"Ludwig Justi: Neue Kunst. Ein Führer zu den Gemälden der sogenannten Expressionisten in der National-Galerie. [Veränderter Sonderdruck s. Justi 1920]. Berlin: Bard 1921","16167":"Wallraf-Richartz-Museum der Stadt Köln. Verzeichnis der Gemälde. Köln: Wallraf-Richartz-Museum 1965","16168":"Das Kunstblatt, Potsdam, Jg. 9, 1925, H. 4","16169":"Das Kunstblatt, Potsdam, Jg. 9, 1925, H. 8","16170":"Kunsthalle Mannheim. Verzeichnis der Gemäldesammlung. Bearb. von Heinz Fuchs. Mannheim 1957","16171":"Sammlung Walden, Berlin. 6. Verzeichnis, Mai 1917. Berlin 1917\n","16172":"Sotheby's London, Impressionist and Modern Paintings and Sculpture, 3. Dez. 1990","16173":"Weltkunst, München, Jg. 25, 1955, Juni [zum Verkauf des Bildes]","16174":"Weltkunst, München, Jg. 25, 1955, Nr. 9, 1. Mai, Abb.","16175":"Österreichische Galerie, Wien. Moderne Galerie in der Orangerie des Belvedere. Wien: Verein der Museumsfreunde 1929","16176":"Die Österreichische Galerie im Belvedere in Wien. Wien 1962","16177":"Heinz Worner: Oskar Kokoschka. In: Bildende Kunst, Berlin, Jg. 2, 1948, H. 2","16178":"Kunsthaus Zürich. Aus der Sammlung. Skulpturen - Gemälde. Zürich: Kunsthaus 1959","17164":"Olaf Peters (Hrsg.): Degenerate Art. The Attack on Modern Art in Nazi Germany, 1937. München: Prestel 2014. Katalogbuch zur Ausstellung 2014 New York.","17165":"Ina Conzen: 'Die andere Seite meines Ichs'. Die Sammlung Max Fischer. In: Kat. Ausst. Stuttgart 2010, S. 9-21","18164":"Oskar Kokoschka malt Salzburg, Salzburger Nachrichten 16.8.1950. In: Wally 1993, S. 13-14 mit Abb.","18165":"The Art Quarterly, Bd. 19, 1956, Nr. 4, S. 426","18166":"The Art Quarterly, Detroit, Bd. 21, 1958, Nr. 4, S. 437","18168":"Ionel Jianou: Brancusi. London: Adam Books 1963","19164":"Katharina Erling: Das eigentliche Thema ist das Erlebnis der Ewigkeit. Reise nach Nordafrika. In: Kat. Ausst. 2005/6 Pfäffikon, S. 93-102","19165":"Johann Winkler und Katharina Erling: Oskar Kokoschka. Die Gemälde 1906-1929. Salzburg: Verlag Galerie Welz 1995","19166":"Weltkunst, Jg. 13, Nr. 26/27, 9. Juli 1939, S. 8","20164":"Museum Boijmans Van Beuningen Rotterdam. La collection: Museum Boijmans Van Beuningen Rotterdam, Pays-Bas. Rotterdam: Musée Boijmans Van Beuningen 2005.","20165":"Stedelijk Museum Amsterdam. Stedelijk collection - Highlights: 150 artists from the collection of the Stedelijk Museum Amsterdam. Hrsg. von Jan van Adrichem/et al. Amsterdam, Rotterdam: Stedelijk Museum Amsterdam 2012","20166":"Stedelijk Museum Amsterdam. Stedelijk collection reflectiion: reflectiions on the Collection of the Stedelijk Museum Amsterdam. Amsterdam: Stedelijk Museum Amsterdam/nai010 publishers 2012.","20167":"Öffentliche Kunstsammlung Basel. Öffentliche Kunstsammlung Basel. 20. Jahrhundert. Basel: Öffentliche Kunstsammlung 1997\n","20168":"Gian Casper Bott: Kunstmuseum Basel (Museen der Schweiz). Genève: Stiftung BNP Paribas Schweiz und Zürich: Schweizerisches Institut für Kunstwissenschaft 2004.","20169":"Kunstmuseum Basel - die Meisterwerke. Gemälde, Skulpturen, Fotografien, Installationen, Videos. Hrsg. von Bernhard Mendes Bürgi und Nina Zimmer. Ostfildern: Hatje Cantz 2011\n","20170":"Die Nationalgalerie. Hrsg. von Peter-Klaus Schuster. Köln: Dumont 2001","20171":"Die Neue Nationalgalerie. München/New York: Prestel 1996","20172":"Nationalgalerie Berlin. Highlights. Hrsg. von Udo Kittelmann. Florenz: Scala 2013","20173":"Musée des Beaux-Arts de Bordeaux, guide des collections XVIe - XXe siècle: = Musée des Beaux-Arts de Bordeaux, collection guide 16th to 20th century. Hrsg. von Guillaume Ambroise. Bordeaux: Le Festin 2010","20174":"Kunsthalle Bremen. Die Kunsthalle Bremen zu Gast in Bonn: Meisterwerke aus sechs Jahrhunderten. Kunst- und Ausstellungshalle der Bundesrepublik Deutschland. Köln: Wienand 1997. Katalogbuch zur Ausstellung 1997 Bonn","20175":"Musée Royaux des Beaux-Arts Brüssel. Chefs-d'oeuvre des Musée Royaux des Beaux-Arts de Belgique. Katalog zur Ausstellung The National Museum of Western Art, Tokyo, 12. September – 10. Dezember 2006; Nagasaki Prefectural Art Museum, 6. Januar – 25. März 2007; The National Museum of Art, Osaka, 7. April –24. Juni 2007. Hrsg. von Akira Kofuku/u.a.. Tokyo: Yomiuri Shimbun, 2006","20176":"Szepmüveszeti Muzeum Budapest. Museum of Fine Arts, Budapest: Masterpieces from the collection: 100 years. Hrsg. von Andrea Czére. Budapest: Museum of Fine Arts, 2006","20177":"Szepmüveszeti Muzeum Budapest. Das Museum der Bildenden Künste in Budapest: Führer. Hrsg. von Szilvia Bodnár. Budapest: Szépművészeti Múzeum, 2002\n","20178":"Albright-Knox Art Galler Buffalo. Paintings from Albright-Knox Gallery, Buffalo, New York. Katalog zur Ausstellung National Gallery of Art, Washington 19. Mai –21. Juli, 1968. Washington, D. C.: National Gallery of Art, 1968","20179":"The long curve: 150 years of visionary collecting at the Albright-Knox Art Gallery. Buffalo, NY: Albright-Knox Art Gallery, 2011. Katalog zur Ausstellung Albright-Knox Art Gallery, 4. November 2011–4. März 2012. Hrsg. von Douglas Dreishpoon. Buffalo 2011","20180":"Charles Werner Haxthausen: The Busch-Reisinger Museum, Harvard University. New York: Abbeville Press, 1980","20181":"Peter Nisbet und Emilie Norris: Busch-Reisinger Museum: History and Holdings. Cambridge, MA: Harvard University Art Museums, 1991","20182":"Peter Nisbet und Joseph Koerner: The Busch-Reisinger Museum, Harvard University Art Museums. Hrsg. von Peter Nisbet. Cambridge, MA/London: Harvard University Art Museums/Scala Publishers Ltd., 2007","20184":"Institute of Arts Detroit. The Detroit Institute of Arts, Detroit: A visitors guide. Hrsg. von Julia P. Henshaw. Detroit: The Detroit Institute of Arts/Wayne State University Press, 1995, S. 270 mit Farbabb.\n","20185":"Barbu Brezianu: Opera lui Constantin Brâncusi in România. Bukarest: Editura Academiei Republichi Socialiste România 1974","20186":"Friedrich Teja Bach, Margit Rowell, Ann Temkin: Constantin Brancusi. Katalogbuch zur Ausstellung im Centre Georges Pompidou, Paris, 14. April - 21. Aug. 1995, Philadelphia Museum of Art, 8. Okt. - 31. Dez. 1995. Paris: Éditions du Centre Pompidou, Éditions Gallimard 1995","20188":"Doina Lemma, Marielle Tabart: L'Atelier Brancusi: La collection. Paris: Centre Georges Pompidou 1997","20189":"Alfred Weidinger: Zu Kokoschkas Triptychon 'Die Thermopylen'. In: Kat. Ausst. 1998 Wien, Albertina, S. 29-35","20190":"Sotheby's London, Impressionist and Modern Paintings, Drawings, Watercolors, Sculpture, 23. Mai 1990","20191":"Karl & Faber, München, Kunst nach 1945 und Zeitgenössische Kunst, 10. Juni 2015","20192":"Matthias Frehner: Die Kunst, Menschen zu behandeln. Oskar Kokoschka malt den Winterthurer Musikmäzen Werner Reinhart. In: Kat. Ausst. 2005/06 Pfäffikon SZ, S. 129-135","20193":"Oskar Schürer: Zwei moderne Porträts. In: Georg Biermann (Hrsg.): Jahrbuch der jungen Kunst, 1923. Leipzig: Klinkhardt & Biermann, S. 269-270, auch in: Der Cicerone, Leipzig, Jg. 15, 1923, H. 16, S. 738-741, Abb. S. [740]","20194":"Magazine of art, New York, Bd. 35, Nr. 5, Mai 1942 ","20195":"Painting and sculpture in the Museum of Modern Art. Hrsg. von Alfred H. Barr, Jr. New York 1948","20196":"Kunstsammlung Nordrhein-Westfalen. Malerei des zwanzigsten Jahrhunderts. Katalog der Erwerbungen 1962--1974. Bearb. von Werner Schmalenbach. Düsseldorf 1975","20197":"Jaroslaw Leshko: Oskar Kokoschka's 'Knight errant' . In: Arts Magazine, New York, Bd. 56, Nr. 5, Jan. 1982, S. 126--133","20198":"Margaret Lowengrund: Oskar Kokoschka. In: Art Digest, New York, Bd. 23, 19. Aug. 1949","20199":"J. K. Reed: Oskar Kokoschka. In: Art Digest, New York, Bd. 2, 1. Aug. 1949","20200":"Edith Hoffmann: Oskar Kokoschka. In: The Listener, London, 6. März 1941","21164":"Staatliche Kunstsammlung Dresden. Galerie Neue Meister. Köln: Walter König, 2010.","21165":"Meisterwerke des Expressionismus und der Klassischen Moderne. Hrsg. von Ingo Bartsch. Dortmund: Museum am Ostwall, 1995","21166":"Christoph Brockhaus (Hrsg.): Gemälde Wilhelm Lehmbruck Museum Duisburg: Bestandskatalog 1999. Duisburg: Wilhelm Lehmbruck Museum, 1999","21167":"Unsere Werte - Sammlungen und Stiftungen: Leopold-Hoesch-Museum & Papiermuseum Düren = Our values - Collections and foundations. Hrsg. von Renate Goldmann. Köln: Wienand 2012","21168":"Kunstsammlung Nordrhein-Westfalen, Düsseldorf (Hrsg.): Einblicke. Das 20. Jahrhundert in der Kunstsammlung Nordrhein-Westfalen, Düsseldorf. Ostfildern-Ruit, 2000","21169":"Eduard Beaucamp: Ein Bilderschatz: Die Kunstsammlung Nordrhein-Westfalen, Katalog zur Ausstellung in Schloss Gottorf, vom 19. Juli bis 25. Oktober 2009, Die Kunstsammlung Nordrhein-Westfalen zu Gast in Gottorf. Picasso, Klee, Beckmann, Matisse und weitere Künstler in Schloß Gottorf. [Gottorf]: Stiftung Schleswig-Holsteinische Landesmuseen Schloss Gottorf 2009","21170":"Heike Biedermann: Die Sammlung Lisa und Heinrich Arnhold. In: Kat. Ausst. 2006/07 Dresden, S.101-111.","21171":"Museum Folkwang Essen. Museum Folkwang: Meisterwerke der Sammlung. München: Sieveking, 2015\n","21172":"Bilder für eine Sammlung: Museum Folkwang, Essen. Hrsg. vom Folkwang-Museumsverein. Köln: DuMont 1994\n","21173":"Georg-W. Költzsch: Phoenix Folkwang: die Meisterwerke. Köln: DuMont, 2002, S. 150–151 mit Farbabb (Doppelport)\nS. 152 (Elbelandschaft)\n","21174":"Das 20. Jahrhundert im Städel. Bestandskatalog. Hrsg. von Sabine Schulze, Stephan Mann. Ostfildern-Ruit: Hatje 1998\n","21175":"Museum für Neue Kunst, Städtische Museen Freiburg: Bilder, Skulpturen, Objekte. Freiburg im Breisgau: Rombach 2009.","21176":"Museum of Fine Arts Ghent. Paintings catalogue. Vol. 2. 19th - 20th century. Hrsg. von Robert Hoozee. Ghent/Amsterdam: Ludion 2000","21177":"Birgit Schulte (Hrsg.): Werke der klassischen Moderne aus dem Karl Ernst Osthaus Museum Hagen. Hagen: Neuer Folkwang Verlag 2006.","21179":"Stiftung Moritzburg Halle. Das schöpferische Museum: eine Dokumentation zur Geschichte der Sammlung moderner Kunst 1908 – 1949. Hrsg. Katja Schneider. Halle (Saale): Stiftung Moritzburg Halle, Kunstmuseum des Landes Sachsen-Anhalt, 2005\n","22164":"Dominique Radrizzani: Lemancolia. Traité artistique du Léman. Vevey: Musée Jenisch Vevey, Lausanne: Les Éditions Noir sur Blanc 2013","23164":"Osthaus Museum Hagen - Die Sammlung: Malerei und Skulptur. Hrsg. von Tayfun Belgin, Vincent Schmidt und Birgit Schulte. Lüdenscheid: Seltmann 2015\n","23165":"Kunsthalle Hamburg. Die Gemälde der Klassischen Moderne. Hrsg. von Marcus Andrew Hurttig. Köln: Wienand 2010.","23166":"Ein Geschenk … Die Sammlung Sprengel. Hrsg. von Angela Kriesel. Göttingen: Wallstein 2010","23167":"Sprengel-Museum Hannover, Malerei und Plastik. Bd.2, Bestandsverzeichnis. Hrsg. von Dietmar Elger und Ulrich Krempel. Hannover: Sprengel-Museum 2003","23168":"Israel Museum. Modernism in dialogue: 20th-century painting and sculpture in the Israel Museum. Hrsg. von Adina Kamien-Kazhdan. Jerusalem: Israel Museum 2010\n","23169":"Malerei des 20. Jahrhunderts: Bestandskatalog Staatliche Kunsthalle Karlsruhe. Bearb. von Siegmar Holsten. Petersberg: Michael Imhof 2011","23170":"Museum Ludwig, Köln. Moderne Kunst: die Kunst des 20. Jahrhunderts und der Gegenwart im Überblick. Hrsg. von Ulrich Wilmes. Köln: Museum Ludwig, 2006","23171":"Meisterwerke der Moderne. Die Sammlung Haubrich im Museum Ludwig. Hrsg. von Julia Friedrich. Köln: Walther König 2012","23172":"Wallraf-Richartz-Museum. Bildgeschichten: Meisterwerke aus dem Wallraf-Richartz-Museum. Hrsg. von Stephanie Sonntag. Köln: DuMont 2008","23173":"Sammlung Würth. Einblick-Ausblick-Überblick. Katalog zur Eröffnung der Kunsthalle Würth im Mai 2001 in Schwäbisch Hall. Hrsg. von C. Sylvia Weber. Künzelsau: Paul Swiridoff 2001","23174":"Die Inszenierung der Natur. Natur- und Landschaaftsdarstellungen des 20. Jahrhunderts in der Sammlung Würth. Hrsg. von C. Sylvia Weber. Künzelsau: Paul Swiridoff 1999. Katalogbuch zur Ausstellung Künzelsau, Museum Würth, 1. Okt. 1999 – 23. Jan. 2000\n","23175":"Schöpferische Dichte – Österreichische Kunst in der Sammlung Würth. Hrsg. von C. Sylvia Weber. Sigmaringen: Thorbecke 1998. Katalogbuch zur Ausstellung Künzelsau, Museum Würth, 1. Juli– 21. Sept. 1998\n","23176":"Farbzauber. Impressionismus in der Sammlung Würth. Hrsg. von C. Sylvia Weber. Künzelsau: Paul Swiridoff 2006. Katalogbuch zur Ausstellung Künzelsau, Kunsthalle Würth, 3. Mai– 24. Sept. 2006","23177":"Fest der Farbe: die Sammlung Merzbacher-Mayer. Hrsg. vom Kunsthaus Zürich. Beitr. von Tobias Bezzola, u.a. Zürich: Kunsthaus Zürich 2006. Katalogbuch zur Ausstellung 2006 Zürich","23178":"Museum der Bildenden Künste Leipzig. Katalog der Gemälde 1995. Hrsg. von Herwig Guratzsch, bearb. von Dietluf Sander. Stuttgart: Hatje 1995\n","23179":"1864–1934. Œuvres maîtresses du Musée d'Art Moderne et d'Art Contemporain de Liège. Katalog zur Ausstellung Centro de Arte de Salamanca, 22. April– 16. Juni 2002. Salamanca: Consorcio Salamanc, 2002\n\n","23181":"Lentos Kunstmuseum Linz: Gemälde - die Sammlung. Bearb. von Peter Baum. Linz: Lentos Kunstmusuem 2003","23182":"The 20th century: at the Courtauld Institute Gallery. London: Paul Holberton 2002\n","23183":"Maestros Modernos del Museo Thyssen-Bornemisza. Hrsg. von José Alvarez Lopera. Barcelona/Madrid: Fundación Colección Thyssen-Bornemisza/ Lunwerg Editores 1994","23184":"Mannheimer Kunsthalle, Meisterwerke der Gemäldesammlung. Heidelberg: Braus 1995","23185":"Meisterwerke. Malerei und Skulptur - Kunsthalle Mannheim. Hrsg. von Inge Herold, Ulrike Lorenz und Stefanie Patruno. Köln: Wienand 2013.","23186":"Staatsgalerie moderner Kunst München. Erläuterungen zu ausgewählten Werken. Bearb. von Carla Schulz-Hoffmann, Peter-Klaus Schuster, u.a.. München: Bruckmann 1995","23187":"Pinakothek der Moderne: Malerei, Skulptur, Neue Medien. Hrsg. von Carla Schulz-Hoffmann. Köln: DuMont 2002","23188":"Pinakothek der Moderne. Das Handbuch. Hrsg. von Reinhold Baumstark, Carla Schulz-Hoffmann [u.a.]. Köln: DuMont 2002\n\n","23189":"Erich Franz: Die Zeit der Betrachtung. Werke der Moderne bis 1945 im Westfälischen Landesmuseum für Kunst und Kulturgeschichte Münster. Hrsg. von Erich Franz. Münster: Das Landesmuseum 1999","23190":"Stiftung und Sammlung Sally Falk. Kunst und Dokumentation 11. Hrsg. von Roland Dorn. Mannheim: Städtische Kunsthalle 1994\n","23191":"The Guggenheim. Die Sammlung. Hrsg. von The Solomon R. Guggenheim Foundation und Ausstellungshalle der Bundesrepublik DeutschlandOstfildern: Hatje Cantz 2006. Katalogbuch zur Ausstellung Bonn, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, 21. Juli 2006 – 7. Jan. 2007.","23192":"The Great Collections 1. The Museum of Modern Art, New York. From Cézanne to Pollock. Hrsg. von Pontus Hulten. Stuttgart: Gerd Hatje 1992. Katalogbuch zur Ausstellung Bonn, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, 17. Okt. 1992 – 10. Jan. 1993","23193":"MoMA Highlights. 350 Works from The Museum of Modern Art New York. Hrsg. von Harriet Schoenholz Bee und Cassandra Heliczer. New York: The Museum of Modern Art 2004","23194":"Modern painting and Sculpture. 1880 to the present. Hrsg. von John Elderfield. New York: The Museum of Modern Art 2014.","23195":"The Nelson-Atkins Museum. A Handbook of the Collection. New York: Hudson Hills Press 1993","23196":"The Nelson-Atkins Museum. A Handbook of the Collection. New York: Hudson Hills Press 1993.","23197":"One Hundred Works of the National Gallery in Prague. Hrsg. von Milan Knižák. Prag: The National Gallery 2006","23198":" International Art. Catalogue oft he Permanent Exhibition oft he Collection of Modern and Contemporary Art oft he National Gallery in Prague. Hrsg. von Milan Knižák und Tomáš Viček. Prag: The National Gallery 2011","23199":"155 Kunstwerke des 20. Jahrhunderts aus der Nationalgalerie in Prag. Hrsg. von Milan Knižák und Tomáš Viček. Prag: The National Gallery 2009","23200":"Gang durch die Sammlung: Gemälde, Skulpturen und Objekte. Museum Ostdeutsche Galerie. Bearb. von Gerhard Leistner, u.a. Regensburg: Museum Ostdeutsche Galerie 1993","23201":"Katalog der Schausammlung: Gemälde, Skulpturen, Plastiken und Objekt. Bearb. von Gerhard Leistner. Regensburg: Museum Ostdeutsche Galerie Regensburg 1997","23202":"Erinnerung & Vision: 100 Meisterwerke der Sammlung. Hrsg. von Ulrike Lorenz und Gerhard Leistner. Regensburg: Kunstforum Ostdeutsche Galerie Regensburg 2005\n","23203":"Deutsche Expressionisten aus der Sammlung Morton D. May, Saint Louis, USA. Katalog zur Ausstellung Museum Folkwang Essen, 2. März –13. April 1969. Essen: Museum Folkwang Essen, 1969\n\n","23204":"Waldmüller bis Schiele: Meisterwerke aus dem Niederösterreichischen Landesmuseum Vom Biedermeier zum Expressionismus. St Pölten: Landesverlag 2002","23205":"Schloss Gottorf und seine Kunstschätze. Kurzführer bearb. von Heinz Spielmann, Paul Zubek und Jan Drees. Schleswig: Freundeskreis Schloß Gottorf 1996\n","23206":"Vom Tafelbild zum Wandobjekt. Zum Sammlungsbestand des Museum der Moderne Salzburg, Bd. 1 (Tafelband). Hrsg. von Agnes Husslein-Arco, Eleonora Louis, Susanne Rolinek, Museum der Moderne Salzburg. Weitra 2005","23207":"Vom Tafelbild zum Wandobjekt. Zum Sammlungsbestand des Museum der Moderne Salzburg, Bd. 2 (Bestandskatalog). Hrsg. von Agnes Husslein-Arco, Eleonora Louis, Susanne Rolinek, Museum der Moderne Salzburg. Weitra 2006","23208":"Moderna Museet Stockholm. Bonn: Kunst- und Ausstellungshalle der BRD. Katalogbuch zur Ausstellung Bonn, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, 4. Juli 1996 – 12. Jan. 1997","23209":"Moderna Museet: The Book. Hrsg. von Sören Engblom, Cecilia Widenheim, Magnus af Petersens. Stockholm 2004.","23210":"Kunstmuseum Stuttgart. Hrsg. von Marion Ackermann, bearb. von Karsten Müller. Ostfildern-Ruit: Hatje Cantz 2005\n","23211":"Staatsgalerie Stuttgart: Die Sammlung. Meisterwerke vom 14. bis zum 21. Jahrhundert. Katalog zur Neueröffnung. MüncHrsg. von Ina Conzen, Corinna Höper und Elsbeth Wiemann. München: Hirmer 2008.","23212":"Catalogue of Collections: The National Museum of Modern Art, Tokyo: Paintings. Tokyo 2004.","23213":"Hirshhorn Museum and Sculpture Garden. 150 Works of Art. Washington: Hirshhorn Museum and Sculpture Garden. New York: Smithsonian Institution in association with Harry N. Abrams, Inc., Publishers 1996","23214":"Kunstmuseum Winterthur. Katalog der Gemälde und Skulpturen, Band 3. Hrsg. von Dieter Schwarz. Düsseldorf: Richter 2011","23215":"Meisterwerke der Moderne aus der Albertina. Hrsg. von Klaus Albrecht Schröder, bearb. von Rainer Metger. Wien: Albertina 2009","23216":"Österreichische Galerie Belvedere. Sammlungskatalog. Hrsg. von Österreichische Galerie Belvedere. München: Prestel 1995","23217":"Leopold. Meisterwerke aus dem Leopold Museum Wien. Katalogbuch zur Eröffungsausstellung Leopold Museum, Wien, 22. September 2001. Hrsg. von Rudolf Leopold und Romana Schuler. Köln: DuMont 2001","23219":"Von der Heydt-Museum: Die Gemälde des 19. und 20. Jahrhunderts. Hrsg. von Sabine Fehlemann. Köln: Wienand 2003","23220":"Meisterwerke: Von der Heydt-Museum Wuppertal.Hrsg. von Gerhard Finckh und Nicole Hartje-Grave. Wuppertal: Von der Heydt-Museum 2010.","23221":"Fondation de l'Hermitage, Lausanne Chefs-d'oeuvre de la collection Bührle - Manet, Cézanne, Monet, van Gogh. Hrsg. von Lukas Gloor und Sylvie Wuhrmann. Katalog zur Ausstellung Fondation de l'Hermitage, Lausanne, 7. April –29. Oktober 2017. Lausanne: La Bibliothèque des Arts/Fondation de l'Hermitage 2017","23222":"Kunsthaus Zürich - 57 Meisterwerke. Liber Amicorum für Felix Baumann. Hrsg. von Christian Klemm und Franziska LentzschZürich: Zürcher Kunstgesellschaft 2000","26164":"Sotheby's London, Impressionist and Modern Art – Day Sale, 22. Juni 2017","26165":"Sotheby & Co, Important modern paintings, London, 9. März 1949","26166":"German Expressionist and other 20th Century drawings, sculptures & paintings. Parke Bernet Galleries New York, Auktion 3113, 11. Nov. 1970","27164":"Werner Haftmann: Die Verschollene. Kokoschkas Bildnis der Bessie Loos. In: Neue Zürcher Zeitung, Zürich, Mittagsausg., Nr. 103, 1. März 1972","28164":"Adolf Weinmüller, München, Auktion 73, Katalog 81, 5.-6. Oktober 1960","29164":"Christie`s London, Impressionist & Modern Art Evening Sale, Auktion 15469, 27. Februar 2018","29165":"Ketterer Kunst München, Auktion 459 Klassische Moderne I, 9. Dezember 2017","30164":"Régine Bonnefoit und Ruth Häusler (Hrsg.): \"Spur im Treibsand\" - Oskar Kokoschka neu gesehen. Briefe und Bilder. Petersberg: Imhof 2010. [Katalogbuch zur gleichnamigen Ausstellung Zürich, Zentralbibliothek, 14. April –2. Okt. 2010]\n","31164":"\"German Expressionist Art in Western Michigan Collections,\" Kalamazoo, MI: Kalamazoo Institute of Arts, 1979","31165":"100 Years / 100 Works of Art: Introduction to the Collection of the Grand Rapids Art Museum. Grand Rapids, MI: Grand Rapids Art Museum, 2010","31166":"Montagne, je te hais - Montagne, je t'adore. Voyage au coeur des Alpes, du XVIe siècle à nos jours/ Berg, ich hasse dich -Berg, ich liebe dich : eine Reise mitten durch die Alpen, vom 16. Jahrhundert bis heute. Hrsg. Marie Claude Morand, Pascal Ruedin. Katalogbuch zur Ausstellung, Sion, Musée cantonal des beaux-arts; Paris, Musée cantonal d'histoire, 13. Mai -Frühling 2006. Sion: Musées cantonaux, Paris: Somogy, Adagp, 2005","31167":"Le Musée d’art du Valais, Sion - Collectionner au cœur des Alpes. Hrsg. von Pascal Ruedin. Sion, Musées cantonaux, Paris, Somogy 2007","31168":"Lebendige deutsche Kunst. Ausstellungsfolge in drei Abteilungen veranstaltet von Paul Cassirer und Alfred Flechtheim, zweite Ausstellung, Katalog zur Ausstellung, Berlin, 14. Januar - 15. Februar 1933\n","32164":"Helen O. Borowitz: „Youth as Metaphor and Image in Wedekind, Kokoschka and Schiele“, in: Art Journal, Jg. 33, Nr. 3, 1974, S. 219–225\n","32165":"Stefan Pucks: „Galerie Goldschmidt-Wallerstein. Eine der renommierten Kunsthandlungen im Berlin der zwanziger Jahre“, in: Gute Geschäfte. Kunsthandel in Berlin 1933-1945, Ausst.-Kat. Centrum Judaicum, Berlin 2011/ Landesarchiv Berlin 2011/12, hrsg. von Christine Fischer-Defoy, Berlin 2011, S. 41-46","32166":"Régine Bonnefoit: „Oskar Kokoschkas pazifistisches und politisches Engagement in Prag“, in: Stifter-Jahrbuch, Neue Folge, Nr. 29, 2015, S. 161–188","32167":"Bernadette Reinhold: „,mein mit blut und farbe erhöhter körper‘. Oskar Kokoschka und die Wiener Aktionisten“. In: Körper, Psyche und Tabu. Wiener Aktionismus und die frühe Wiener Moderne, Kat. Ausst. Museum Moderner Kunst Stiftung Ludwig Wien, hrsg. von Eva Badura-Triska, Köln 2016, S. 116–135","32168":"Eva Badura-Triska: Die Früchte des Verdrängens. Radikale Körperkunst und gesamtkunstwerkhafte Erlösungskonzepte in der frühen Wiener Moderne und im Wiener Aktionismus. In: Körper, Psyche und Tabu. Wiener Aktionismus und die frühe Wiener Moderne. Kat. Ausst. Museum Moderner Kunst Stiftung Ludwig Wien, hrsg. von Eva Badura-Triska, Köln: Verlag der Buchhandlung Walther König 2016, S. 9-23","33164":"Catalogue. Acquisitions 1982-1995. Bordeaux: FRAM Aquitaine 1995, Nr. 10\n","33165":"Jacques Sargos, Bordeaux vu par les peintres, Bordeaux, L'Horizon chimérique 2006, S. 335, Farbabb. S. 334","35164":"Sotheby Park Bernet, New York, Impressionist and Modern Paintings and Sculpture, Sale 4301, 7. November 1979","36164":"Régine Bonnefoit: Ernst Ludwig Kirchner und Oskar Kokoschka im Kirchner Museum Davos. In: Kat. Ausst. 2017 Davos, S. 13-70","36165":"Wolfgang Henze: Kirchners lange Schatten. Der Umgang mit seinem Werk und ein Vergleich mit dem von Oskar Kokoschka. In: Kat. Ausst. 2017 Davos, S. 130-141","36166":"Heinz Spielmann: Kirchner-Kokoschka. Paradigmen, Parallelen, Paradoxien. In: Kat. Ausst. 2017 Davos, S. 206-221","36167":"Cathérine Hug: Kokoschka Revisited. Seine Wirkung als Europäer und Malerei des Figürlichen. In: Kat. Ausst. 2018 Zürich, S. 10-19","36168":"Heike Eipeldauer: 'Ich ringe um die Frau' - Figurationen des Weiblichen im Frühwerk von Oskar Kokoschka. In: Kat. Ausst. 2018 Zürich, S. 22-32","36169":"Patrick Werkner: Wien um 1909 - Kokoschka im Biotop der Avantgarde. In: Kat. Ausst. 2018 Zürich, S. 34-39","36170":"Raimund Meyer: Allianz - Mesalliance. Sturm und Kokoschka und Dada. In: Kat. Ausst. 2018 Zürich, S. 98-104","36171":"Birgit Dalbajewa: Dresdner Jahre - zu Rezeption, Werkprozess und Stiloption. In: Kat. Ausst. 2018 Zürich, S. 154-161","36172":"Bernadette Reinhold: Kokoschka - Homo Austriacus? Überlegungen zu einem schwierigen Verhältnis. In: Kat. Ausst. 2018 Zürich, S. 194-197","36173":"Katharina Erling: Das bedrohte Paradies - Kunst als Gegenentwurf. Zu den figürlichen Bildern der Dreißigerjahre. In: Kat. Ausst. 2018 Zürich, S. 200-206","36174":"Régine Bonnefoit: Kokoschkas Kampf um Anerkennung in England und in den USA nach 1938. In: Kat. Ausst. 2018 Zürich, S. 210-218","36175":"Heinz Spielmann: 'Ein politischer Mensch' - Oskar Kokoschkas Kritik an Staat und Gesellschaft. In: Kat. Ausst. 2018 Zürich, S. 220-224","36176":"Iris Bruderer-Oswald: What We Are Fighting For. Oskar Kokoschka und Wilhelm Wartmann - eine späte Freundschaft. In: Kat. Ausst. 2018 Zürich, S. 238-244","36177":"Aglaja Kempf: Farbige Stenogramme - Oskar Kokoschkas Skizzenbücher. In: Kat. Ausst. 2018 Zürich, S. 276-279","36178":"Tim Barringer und Oliver Fairclough: Pastures green & dark satanic mills: The British passion for landscape. Katalogbuch zur Ausstellung: Norton Museum of Art, West Palm Beach, Florida, 23. Dez. 2014 - 5. April 2015; The Frick Art and Historilcal Center, Pittsburgh, Pennsylvania, 7. Mai - 2. Aug. 2015; Utah Mueseum of Fine Arts, Salt Lake City, Utah, 27. Aug. - 24. April 2015; Princeton University Art Museum, Princeton, New Jersey, 23. Jan. - 24. April 2016. New York: American Federation of Arts 2014","37164":"Adolf Loos Apartment and Gallery: Auction Catalogue, 20. Oktober 2019","38164":"Dorotheum Wien: Modern Art, 26. November 2019","39164":"Christie's London: Christie's London, Impressionist and Modern Art, Day Sale, Auktion 15484, 21. Juni 2018","40164":"Christie's London: Christie's London, Impressionist and Modern Art - Day Sale, Auktion 18342, 6. Feb. 2020","41164":"Galerie Kornfeld, Bern: Auktion 272, Teil I: 175 ausgewählte Kunstwerke des 19. bis 21. Jahrhunderts, 18. Sept. 2020","41165":"Kurt Pinthus: \"Frau in Blau\" - Geschichte eines Bildes oder Oskar Kokoschka und die Puppe oder Magie der Wirklichkeit. Manuskript. Deutsches Literaturarchiv Marbach/Neckar, Zugangs-Nr. 71.5481. In: Rieger 2018, S. 325-338","41166":"Bernd W. Rieger: Inszenierung und Wirklichkeit. Einfluss des Künstlermythos auf die Interpretation des Werkes von Oskar Kokoschka während der expressionistischen Phase von 1906 bis 1923, Tübingen: University Press 2018 (Dissertation der Univ. Tübingen)","41167":"Rüdiger Görner: Oskar Kokoschka. Jahrhundertkünstler, Wien: Paul Zsolnay Verlag 2018","41168":"Koller Zürich: Impressionismus & Moderne, Auktion 189, 28. Juni 2019","42164":"Conceptual Fine Arts (CFA): Scientific analysis of Oscar Kokoschka's portrait of actor Ernst Reinhold reveal a mysterious under-painting. Online Platform 25 November 2020. https://www.conceptualfinearts.com/cfa/2014/11/26/oscar-kokoschkas-double-painting-under-analysis-at-the-royal-museums-of-fine-arts-of-belgium/","43164":"Oskar Kokoschka - Une fauve à Vienne","43165":"Dieter Buchhart: Oskar Kokoschka: rebelle, humaniste et Européen. In: Kat. Ausst. 2022 Paris, S. 19-31","43166":"Maryline Desbiolles: Le mandrill. In: Kat. Ausst. 2022 Paris, S. 33-38","43167":"Jacques Le Rider: Le pinceau et la plume. Kokoschka du côté de chez Adolf Loos et Karl Kraus. In: Kat. Ausst. 2022 Paris, S. 105-113","43168":"Bernadette Reinhold: La poupée de Kokoschka. Femme factice. Fétiche artistique. Projet d'art. In: Kat. Ausst. 2022 Paris, S. 145-151","43169":"Fanny Schulmann: \"L'espace même du monde\", une décennie de voyages. In: Kat. Ausst. 2022 Paris, S. 179-185","43170":"Ines Rotermund-Reynard: L'exil artistique dans le combat contre Hitler - Entre Paris, Prague et Londres. In: Kat. Ausst. 2022 Paris, S. 211-219","43171":"Anna Karina Hofbauer: Sous le signe de la guerre. In: Kat. Ausst. 2022 Paris, S. 237-242","43172":"Régine Bonnefoit: Oskar Kokoschka, précurseur d'une Europe unifiée. In: Kat. Ausst. 2022 Paris, S. 279-284","43173":"Aglaja Kempf: Un brochet dans l'étang des carpes - ou Kokoschka et la construction de sa persona. In: Kat. Ausst. 2022 Paris, S. 285-292","44164":"Karl & Faber, München, Auktion 321, Moderne Kunst, 7. Dezember 2023, Evening Sale","44165":"Christie's, London (8.3.2024)","45164":"Birgit Dalbajewa: Zwei Werke von Oskar Kokoschka in der Gemäldegalerie Neue Meister. In: Dresdener Kunstblätter. Zweimonatsschrift der Staatlichen Kunstsammlungen Dresden, Jg. 39, H. 6, 1995, S. 189-193 mit Abb.","45165":"Christie's London: Christie's London, 20th/21st Century - Evening Sale, 7. März 2024","46164":"Galerie Kornfeld, Bern: Galerie Kornfeld, Bern, Auktion 281, 125 Ausgewählte Kunstwerke, 13. Sept. 2024"},"dico":{"placeholder":"Suche (Titel, Provenienz, Ausstellung, Stadt...)","arr":["","","","Datierung","Mat./Technik","Masse","Sign./Bez.","Hoffmann","Wingler","Winkler/Erling","Standort","Erwerb","Inv.-Nr.","Creditline"],"mul":["Provenienz","Ausstellungen","Literatur","Stichwort"]}}" id="script-inside-1"></div> <script type="text/javascript">(function() { var self=$('div#script-inside-1');if (self && self.length==1) {self.attr('id','');var data=JSON.parse(self.attr('data')||'{}')} else alert('Error script-inside problem: '+((self)?self.length:-1)); (function(){js_catalogue(self.prev(),data)})() })();</script></section><div class="c-next"></div></main><footer class="u-text-s"><div class="t-width"><div class="o-grid-hard-6">Fondation Oskar Kokoschka<br />Musée Jenisch<br />Avenue de la Gare 2<br />CH – 1800 Vevey<br />Tel.: +41 (0)21 925 35 20<br /><a href="mailto:info@oskar-kokoschka.ch">info@oskar-kokoschka.ch</a></div><div class="o-grid-hard-6 u-text-right">© 2020 FONDATION<br /> OSKAR KOKOSCHKA</div></div></footer>  <script type="text/javascript"> var _paq = window._paq || []; /* tracker methods like "setCustomDimension" should be called before "trackPageView" */ _paq.push(['trackPageView']); _paq.push(['enableLinkTracking']); (function() { var u="//ssl.computedby.com/piwik/"; _paq.push(['setTrackerUrl', u+'matomo.php']); _paq.push(['setSiteId', '18']); var d=document, g=d.createElement('script'), s=d.getElementsByTagName('script')[0]; g.type='text/javascript'; g.async=true; g.defer=true; g.src=u+'matomo.js'; s.parentNode.insertBefore(g,s); })(); </script>  </body></html>

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