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Carducci, Giosue - Hrvatska enciklopedija
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VII. 1835.<br />Umr(la)o: Bologna, 16. II. 1907.<br /></div> </div> <div class="ilustracije card bg-light"> <figure clas="figure"><a data-lightbox="galerija" data-title="CARDUCCI, Giosue" href="https://enciklopedija.hr/slike/he/slike/HE2_0690.jpg"><img src="https://enciklopedija.hr/slike/he/slike/HE2_0690.jpg" " class="figure-img img-thumbnail rounded" alt="ilustracija" /></a><figcaption class="figure-caption">CARDUCCI, Giosue<br /></figure> </div> </div> <div class="clanak"> <a name="clanak"></a> <div><p><span style="color: #8b2323"><b>Carducci</b></span> <span style="color: #000000">[kardu'č:i],</span> <span style="color: #8b2323"><b>Giosue,</b></span> <nac>talijanski</nac> <dj>pjesnik i književni kritičar</dj> (<mr>Val di Castello, Versilia</mr>, <dr>27. VII. 1835</dr> – <sm>Bologna</sm>, <ds>16. II. 1907</ds>). Isprva republikanac, polemičan prema monarhističkom ishodu Risorgimenta, nakon 1878. podržava monarhiju i smatra se službenim pjesnikom nove države. Od 1860. stječe katedru za talijansku književnost u Bologni, 1890. imenovan senatorom, a 1906. postaje prvim talijanskim dobitnikom <a href="https://www.enciklopedija.hr/clanak/nobelova-nagrada">Nobelove nagrade</a> za književnost. Protivnik je A. Manzonija i sentimentalnoga kasnog romantizma, zastupa potrebu društveno djelatne uloge književnosti, veliča prošlost nasuprot bolećivom dekadentizmu suvremenosti pa po uzoru na Uga Foscola uzdiže i nasljeduje klasike: Horacija, Petrarcu, Vittorija Alfierija, Vincenza Montija. U ranim zbirkama <djela><span style="color: #000000"><i>Mladenačke pjesme</i></span> (<span style="color: #000000"><i>Juvenilia,</i></span> 1850–60)</djela> i <djela><span style="color: #000000"><i>Lake teške stvari</i></span> (<span style="color: #000000"><i>Levia Gravia,</i></span> 1861–71)</djela> slavi moralni idealizam i potiče antički duh kao zalog obnove. Zbirka se završava znamenitim <span style="color: #000000"><i>Hvalospjevom Sotoni</i></span> (<span style="color: #000000"><i>Inno a Satana,</i></span> 1863). <djela><span style="color: #000000"><i>Jambi i epodi</i></span> (<span style="color: #000000"><i>Giambi ed Epodi,</i></span> 1867–79)</djela> sarkastično se okomljuju na papinsku svjetovnu vlast. U velikoj zbirci <djela><span style="color: #000000"><i>Nove pjesme</i></span> (<span style="color: #000000"><i>Rime nuove,</i></span> 1861–87)</djela> politička žestina smiruje se u vedrijem pogledu na prirodu, sjetu, ljubav i divljenje pjesničkim veličinama antike i renesanse. <djela><span style="color: #000000"><i>Barbarske ode</i></span> (<span style="color: #000000"><i>Odi barbare,</i></span> objavljene 1877., 1882. i 1889)</djela> pjesnikovo su remek-djelo antiromantičnoga nadahnuća, inovativno zbog transpozicije antičke metrike u talijanski stih. Značajke su im doživljaj prirode, divljenje antičkome Rimu i domoljublje. Posljednja zbirka, <djela><span style="color: #000000"><i>Rime i ritmovi</i></span> (<span style="color: #000000"><i>Rime e ritmi,</i></span> 1887–98., objavljena 1899)</djela>, prebire po već poznatim motivima. Polemički, književnokritički i politički spisi okupljeni su u zbirkama <djela><span style="color: #000000"><i>Pepeo i iskre (Ceneri e faville)</i></span></djela> te <djela><span style="color: #000000"><i>Ispovijesti i bitke</i></span> (<span style="color: #000000"><i>Confessioni e battaglie,</i></span> 1861–1901)</djela>. Kao kritičar obogaćuje postupke historicističke kritike u djelu <djela><span style="color: #000000"><i>O razvoju narodne književnosti</i></span> (<span style="color: #000000"><i>Dello svolgimento della letteratura nazionale,</i></span> 1868–71)</djela>.</p> </div> </div> </div> <div class="container citiranje"> Citiranje: <p> Carducci, Giosue. <i>Hrvatska enciklopedija</i>, <i>mrežno izdanje.</i> Leksikografski zavod Miroslav Krleža, 2013. – 2024. 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