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(PDF) Echoes of Fellowship: William Morris and J. R. R. Tolkien
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Our modernist privileging of the creative power of the virtuoso individual -&quot;the lone genius&quot;is not upheld by concrete evidence. In both" /> <meta property="article:author" content="https://snu.academia.edu/PamBracken" /> <meta name="description" content="The rich --and enriching --quality of collaboration needs no defense, theological or historical. Our modernist privileging of the creative power of the virtuoso individual -&quot;the lone genius&quot;is not upheld by concrete evidence. In both" /> <title>(PDF) Echoes of Fellowship: William Morris and J. R. R. 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window.loswp.shouldDetectTimezone = true; window.loswp.shouldShowBulkDownload = true; window.loswp.showSignupCaptcha = false window.loswp.willEdgeCache = false; window.loswp.work = {"work":{"id":5890655,"created_at":"2014-01-30T03:10:32.018-08:00","from_world_paper_id":null,"updated_at":"2024-11-17T12:48:24.777-08:00","_data":{"grobid_abstract":"The rich --and enriching --quality of collaboration needs no defense, theological or historical. Our modernist privileging of the creative power of the virtuoso individual -\"the lone genius\"is not upheld by concrete evidence. In both artistic and literary terms ingenuity isand has always been --communal. Two communities in particular draw attention to the creative energies of male friendship: the 19 th century Pre-Raphaelite Brotherhood and the 20 th century brotherhood we refer to as the Inklings. The parallels between these biographical and historical friendships are obvious but not coincidental. In fact, they are linked through the acknowledged influence of one of the most prominent members of the PRB, William Morris. During the 1840s and 50s, Morris's narrative (as well as visual) powers were incubated by his collaboration with the PRB. In the early decades of the 20 th century, J. R. R. Tolkien's and C. S. Lewis's imaginative lives were energized by Morris's narratives during their childhood and youth. For Morris, Lewis, and Tolkien, male friendship was (in the words of Tolkien's biographer Humphrey Carpenter) \"associated…with much that was good in life\" (45). The streams of influence, laterally from the PRB to Morris and his final collaborative work with painter Edward Burne-Jones and vertically from the PRB and Morris to Lewis, Tolkien and the Inklings, are worthy of a study not only in coincidental sensibility but in their echoing patterns of male fellowship. These patterns begin their resonance from two geographical locations: one the Debating Hall of the Oxford Union where a group of young and relatively amateur artists took up the task of decorating the walls with Arthurian narrative murals and the second from the interior of \"the Bracken 2 Bird and Baby\" where Tolkien, Williams, Barfield, and Lewis swapped narrative and theological ideas swaddled in pipe smoke and beer. For Morris, a collegiate friendship with the shy, gaunt and small Edward Jones (later Burne-Jones) would lead to one of the most significant personal relationships (and artistic collaborations) of his life-time. In Jones, Morris found a soul-mate as well as social compliment.","grobid_abstract_attachment_id":"32878389"},"document_type":"paper","pre_hit_view_count_baseline":null,"quality":"high","language":"en","title":"Echoes of Fellowship: William Morris and J. R. R. Tolkien","broadcastable":true,"draft":null,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [8698667]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "control"; window.loswp.useOptimizedScribd4genScript = false; window.loginModal = {}; window.loginModal.appleClientId = 'edu.academia.applesignon'; window.userInChina = "false";</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card ds-work-card--no-bottom-spacing"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":32878389,"attachmentType":"pdf"}"><img alt="First page of “Echoes of Fellowship: William Morris and J. R. R. Tolkien”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/32878389/mini_magick20180819-14446-16pucjx.png?1534683800" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/images/single_work_splash/adobe_icon.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">Echoes of Fellowship: William Morris and J. R. R. Tolkien</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="8698667" href="https://snu.academia.edu/PamBracken"><img alt="Profile image of Pam Bracken" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/8698667/2887740/30771116/s65_pam.bracken.jpg" />Pam Bracken</a></div><div class="ds-work-card--detail"><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">9 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 5890655; const worksViewsPath = "/v0/works/views?subdomain_param=api&work_ids%5B%5D=5890655"; const getWorkViews = async (workId) => { const response = await fetch(worksViewsPath); if (!response.ok) { throw new Error('Failed to load work views'); } const data = await response.json(); return data.views[workId]; }; // Get the view count for the work - we send this immediately rather than waiting for // the DOM to load, so it can be available as soon as possible (but without holding up // the backend or other resource requests, because it's a bit expensive and not critical). const viewCount = await getWorkViews(workId); const updateViewCount = (viewCount) => { try { const viewCountNumber = parseInt(viewCount, 10); if (viewCountNumber === 0) { // Remove the whole views element if there are zero views. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); return; } const commaizedViewCount = viewCountNumber.toLocaleString(); const viewCountBody = document.getElementById('work-metadata-view-count'); if (!viewCountBody) { throw new Error('Failed to find work views element'); } viewCountBody.textContent = `${commaizedViewCount} views`; } catch (error) { // Remove the whole views element if there was some issue parsing. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); throw new Error(`Failed to parse view count: ${viewCount}`, error); } }; // If the DOM is still loading, wait for it to be ready before updating the view count. if (document.readyState === "loading") { document.addEventListener('DOMContentLoaded', () => { updateViewCount(viewCount); }); // Otherwise, just update it immediately. } else { updateViewCount(viewCount); } })();</script></div><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">The rich --and enriching --quality of collaboration needs no defense, theological or historical. Our modernist privileging of the creative power of the virtuoso individual -"the lone genius"is not upheld by concrete evidence. In both artistic and literary terms ingenuity isand has always been --communal. Two communities in particular draw attention to the creative energies of male friendship: the 19 th century Pre-Raphaelite Brotherhood and the 20 th century brotherhood we refer to as the Inklings. The parallels between these biographical and historical friendships are obvious but not coincidental. In fact, they are linked through the acknowledged influence of one of the most prominent members of the PRB, William Morris. During the 1840s and 50s, Morris's narrative (as well as visual) powers were incubated by his collaboration with the PRB. In the early decades of the 20 th century, J. R. R. Tolkien's and C. S. Lewis's imaginative lives were energized by Morris's narratives during their childhood and youth. For Morris, Lewis, and Tolkien, male friendship was (in the words of Tolkien's biographer Humphrey Carpenter) "associated…with much that was good in life" (45). The streams of influence, laterally from the PRB to Morris and his final collaborative work with painter Edward Burne-Jones and vertically from the PRB and Morris to Lewis, Tolkien and the Inklings, are worthy of a study not only in coincidental sensibility but in their echoing patterns of male fellowship. These patterns begin their resonance from two geographical locations: one the Debating Hall of the Oxford Union where a group of young and relatively amateur artists took up the task of decorating the walls with Arthurian narrative murals and the second from the interior of "the Bracken 2 Bird and Baby" where Tolkien, Williams, Barfield, and Lewis swapped narrative and theological ideas swaddled in pipe smoke and beer. For Morris, a collegiate friendship with the shy, gaunt and small Edward Jones (later Burne-Jones) would lead to one of the most significant personal relationships (and artistic collaborations) of his life-time. 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Lewis, Colin Hardie, Charles Williams, and J.R.R. Tolkien’s Participation in the Oxford Dante Society</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="163686387" href="https://independent.academia.edu/stocktonjim">jim stockton</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2020</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Inklings and Danteans Alike: C.S. Lewis, Colin Hardie, Charles Williams, and J.R.R. 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data-collection-position="13" data-entity-id="13674006" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/13674006/_not_only_a_genius_he_was_a_man_William_Morris_and_Manliness">“ … not only a genius, he was a man” : William Morris and Manliness</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="10778745" href="https://unimelb.academia.edu/SueMooney">Susan J Mooney</a></div><p class="ds-related-work--metadata ds2-5-body-xs">ERAS Journal Edition 15, 2014</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"“ … not only a genius, he was a man” : William Morris and 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href="https://www.academia.edu/21037405/Tolkien_David_Jones_and_the_God_Nodens"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="15" data-entity-id="125766197" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/125766197/The_Last_Pre_Raphaelite_Edward_Burne_Jones_and_the_Victorian_Imagination_by_Fiona_MacCarthy">The Last Pre-Raphaelite: Edward Burne-Jones and the Victorian Imagination by Fiona MacCarthy</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="66778272" href="https://independent.academia.edu/RuthYeazell">Ruth Yeazell</a></div><p class="ds-related-work--metadata ds2-5-body-xs">London Review of Books, 2012</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"The Last Pre-Raphaelite: Edward Burne-Jones and the Victorian Imagination by Fiona MacCarthy","attachmentId":119749717,"attachmentType":"pdf","work_url":"https://www.academia.edu/125766197/The_Last_Pre_Raphaelite_Edward_Burne_Jones_and_the_Victorian_Imagination_by_Fiona_MacCarthy","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/125766197/The_Last_Pre_Raphaelite_Edward_Burne_Jones_and_the_Victorian_Imagination_by_Fiona_MacCarthy"><span class="ds2-5-text-link__content">View PDF</span><span 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