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Louis B. Mayer - Wikipedia
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id="toc-Early_career-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Heading_new_Metro-Goldwyn-Mayer_(MGM)_studios" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Heading_new_Metro-Goldwyn-Mayer_(MGM)_studios"> <div class="vector-toc-text"> <span class="vector-toc-numb">3</span> <span>Heading new Metro-Goldwyn-Mayer (MGM) studios</span> </div> </a> <button aria-controls="toc-Heading_new_Metro-Goldwyn-Mayer_(MGM)_studios-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Heading new Metro-Goldwyn-Mayer (MGM) studios subsection</span> </button> <ul id="toc-Heading_new_Metro-Goldwyn-Mayer_(MGM)_studios-sublist" class="vector-toc-list"> <li id="toc-Working_with_Irving_Thalberg" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Working_with_Irving_Thalberg"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.1</span> <span>Working with Irving Thalberg</span> </div> </a> <ul id="toc-Working_with_Irving_Thalberg-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Continued_success_after_Thalberg's_death" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Continued_success_after_Thalberg's_death"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.2</span> <span>Continued success after Thalberg's death</span> </div> </a> <ul id="toc-Continued_success_after_Thalberg's_death-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Managing_MGM" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Managing_MGM"> <div class="vector-toc-text"> <span class="vector-toc-numb">4</span> <span>Managing MGM</span> </div> </a> <button aria-controls="toc-Managing_MGM-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Managing MGM subsection</span> </button> <ul id="toc-Managing_MGM-sublist" class="vector-toc-list"> <li id="toc-Management_style" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Management_style"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.1</span> <span>Management style</span> </div> </a> <ul id="toc-Management_style-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Growth_of_the_studio" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Growth_of_the_studio"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.2</span> <span>Growth of the studio</span> </div> </a> <ul id="toc-Growth_of_the_studio-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Creating_a_"star_system"" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Creating_a_"star_system""> <div class="vector-toc-text"> <span class="vector-toc-numb">4.3</span> <span>Creating a "star system"</span> </div> </a> <ul id="toc-Creating_a_"star_system"-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Hiring_actors_and_staff" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Hiring_actors_and_staff"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.4</span> <span>Hiring actors and staff</span> </div> </a> <ul id="toc-Hiring_actors_and_staff-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Working_with_studio_people" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Working_with_studio_people"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.5</span> <span>Working with studio people</span> </div> </a> <ul id="toc-Working_with_studio_people-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Response_to_technical_innovations" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Response_to_technical_innovations"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.6</span> <span>Response to technical innovations</span> </div> </a> <ul id="toc-Response_to_technical_innovations-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Being_a_father_figure" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Being_a_father_figure"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.7</span> <span>Being a father figure</span> </div> </a> <ul id="toc-Being_a_father_figure-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Developing_child_stars" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Developing_child_stars"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.8</span> <span>Developing child stars</span> </div> </a> <ul id="toc-Developing_child_stars-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Themes,_musicals_and_formula" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Themes,_musicals_and_formula"> <div class="vector-toc-text"> <span class="vector-toc-numb">5</span> <span>Themes, musicals and formula</span> </div> </a> <ul id="toc-Themes,_musicals_and_formula-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-World_War_II_issues" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#World_War_II_issues"> <div class="vector-toc-text"> <span class="vector-toc-numb">6</span> <span>World War II issues</span> </div> </a> <ul id="toc-World_War_II_issues-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Declining_years_at_MGM" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Declining_years_at_MGM"> <div class="vector-toc-text"> <span class="vector-toc-numb">7</span> <span>Declining years at MGM</span> </div> </a> <ul id="toc-Declining_years_at_MGM-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Personal_life" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Personal_life"> <div class="vector-toc-text"> <span class="vector-toc-numb">8</span> <span>Personal life</span> </div> </a> <button aria-controls="toc-Personal_life-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Personal life subsection</span> </button> <ul id="toc-Personal_life-sublist" class="vector-toc-list"> <li id="toc-Accusations_of_sexual_abuse" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Accusations_of_sexual_abuse"> <div class="vector-toc-text"> <span class="vector-toc-numb">8.1</span> <span>Accusations of sexual abuse</span> </div> </a> <ul id="toc-Accusations_of_sexual_abuse-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Family" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Family"> <div class="vector-toc-text"> <span class="vector-toc-numb">8.2</span> <span>Family</span> </div> </a> <ul id="toc-Family-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Entertainment_and_leisure" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Entertainment_and_leisure"> <div class="vector-toc-text"> <span class="vector-toc-numb">8.3</span> <span>Entertainment and leisure</span> </div> </a> <ul id="toc-Entertainment_and_leisure-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Politics" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Politics"> <div class="vector-toc-text"> <span class="vector-toc-numb">8.4</span> <span>Politics</span> </div> </a> <ul id="toc-Politics-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Horse_racing_hobby" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Horse_racing_hobby"> <div class="vector-toc-text"> <span class="vector-toc-numb">8.5</span> <span>Horse racing hobby</span> </div> </a> <ul id="toc-Horse_racing_hobby-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Death" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Death"> <div class="vector-toc-text"> <span class="vector-toc-numb">9</span> <span>Death</span> </div> </a> <ul id="toc-Death-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Legacy" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Legacy"> <div class="vector-toc-text"> <span class="vector-toc-numb">10</span> <span>Legacy</span> </div> </a> <ul id="toc-Legacy-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Honors_and_recognition" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Honors_and_recognition"> <div class="vector-toc-text"> <span class="vector-toc-numb">11</span> <span>Honors and recognition</span> </div> </a> <ul id="toc-Honors_and_recognition-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Filmography" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Filmography"> <div class="vector-toc-text"> <span class="vector-toc-numb">12</span> <span>Filmography</span> </div> </a> <button aria-controls="toc-Filmography-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Filmography subsection</span> </button> <ul id="toc-Filmography-sublist" class="vector-toc-list"> <li id="toc-Producer" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Producer"> <div class="vector-toc-text"> <span class="vector-toc-numb">12.1</span> <span>Producer</span> </div> </a> <ul id="toc-Producer-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Portrayals_in_popular_culture" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Portrayals_in_popular_culture"> <div class="vector-toc-text"> <span class="vector-toc-numb">13</span> <span>Portrayals in popular culture</span> </div> </a> <button aria-controls="toc-Portrayals_in_popular_culture-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Portrayals in popular culture subsection</span> </button> <ul id="toc-Portrayals_in_popular_culture-sublist" class="vector-toc-list"> <li id="toc-Characters_based_on_Mayer" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Characters_based_on_Mayer"> <div class="vector-toc-text"> <span class="vector-toc-numb">13.1</span> <span>Characters based on Mayer</span> </div> </a> <ul id="toc-Characters_based_on_Mayer-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-See_also" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#See_also"> <div class="vector-toc-text"> <span class="vector-toc-numb">14</span> <span>See also</span> </div> </a> <ul id="toc-See_also-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Notes" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Notes"> <div class="vector-toc-text"> <span class="vector-toc-numb">15</span> <span>Notes</span> </div> </a> <ul id="toc-Notes-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> <span class="vector-toc-numb">16</span> <span>References</span> </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Further_reading" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Further_reading"> <div class="vector-toc-text"> <span class="vector-toc-numb">17</span> <span>Further reading</span> </div> </a> <ul id="toc-Further_reading-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> <span class="vector-toc-numb">18</span> <span>External links</span> </div> </a> <ul id="toc-External_links-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="Toggle the table of contents" > <label id="vector-page-titlebar-toc-label" for="vector-page-titlebar-toc-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" ><span class="vector-icon mw-ui-icon-listBullet mw-ui-icon-wikimedia-listBullet"></span> <span class="vector-dropdown-label-text">Toggle the table of contents</span> </label> <div class="vector-dropdown-content"> <div id="vector-page-titlebar-toc-unpinned-container" class="vector-unpinned-container"> </div> </div> </div> </nav> <h1 id="firstHeading" class="firstHeading mw-first-heading"><span class="mw-page-title-main">Louis B. Mayer</span></h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. Available in 38 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-38" aria-hidden="true" ><span class="vector-icon mw-ui-icon-language-progressive mw-ui-icon-wikimedia-language-progressive"></span> <span class="vector-dropdown-label-text">38 languages</span> </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D9%84%D9%88%D9%8A%D8%B3_%D8%A8%D9%8A._%D9%85%D8%A7%D9%8A%D8%B1" title="لويس بي. ماير – Arabic" lang="ar" hreflang="ar" data-title="لويس بي. ماير" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target"><span>العربية</span></a></li><li class="interlanguage-link interwiki-ast mw-list-item"><a href="https://ast.wikipedia.org/wiki/Louis_B._Mayer" title="Louis B. Mayer – Asturian" lang="ast" hreflang="ast" data-title="Louis B. Mayer" data-language-autonym="Asturianu" data-language-local-name="Asturian" class="interlanguage-link-target"><span>Asturianu</span></a></li><li class="interlanguage-link interwiki-be mw-list-item"><a href="https://be.wikipedia.org/wiki/%D0%9B%D1%83%D1%96%D1%81_%D0%91%D0%B0%D1%80%D1%82_%D0%9C%D0%B0%D0%B5%D1%80" title="Луіс Барт Маер – Belarusian" lang="be" hreflang="be" data-title="Луіс Барт Маер" data-language-autonym="Беларуская" data-language-local-name="Belarusian" class="interlanguage-link-target"><span>Беларуская</span></a></li><li class="interlanguage-link interwiki-bg mw-list-item"><a href="https://bg.wikipedia.org/wiki/%D0%9B%D1%83%D0%B8%D1%81_%D0%9C%D0%B0%D0%B9%D0%B5%D1%80" title="Луис Майер – Bulgarian" lang="bg" hreflang="bg" data-title="Луис Майер" data-language-autonym="Български" data-language-local-name="Bulgarian" class="interlanguage-link-target"><span>Български</span></a></li><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/Louis_B._Mayer" title="Louis B. Mayer – Catalan" lang="ca" hreflang="ca" data-title="Louis B. Mayer" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target"><span>Català</span></a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Louis_B._Mayer" title="Louis B. Mayer – Czech" lang="cs" hreflang="cs" data-title="Louis B. Mayer" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target"><span>Čeština</span></a></li><li class="interlanguage-link interwiki-da mw-list-item"><a href="https://da.wikipedia.org/wiki/Louis_B._Mayer" title="Louis B. Mayer – Danish" lang="da" hreflang="da" data-title="Louis B. Mayer" data-language-autonym="Dansk" data-language-local-name="Danish" class="interlanguage-link-target"><span>Dansk</span></a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Louis_B._Mayer" title="Louis B. Mayer – German" lang="de" hreflang="de" data-title="Louis B. Mayer" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target"><span>Deutsch</span></a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Louis_B._Mayer" title="Louis B. Mayer – Spanish" lang="es" hreflang="es" data-title="Louis B. Mayer" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Louis_B._Mayer" title="Louis B. Mayer – Basque" lang="eu" hreflang="eu" data-title="Louis B. Mayer" data-language-autonym="Euskara" data-language-local-name="Basque" class="interlanguage-link-target"><span>Euskara</span></a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D9%84%D9%88%DB%8C%DB%8C_%D8%A8%DB%8C._%D9%85%DB%8C%D8%B1" title="لویی بی. میر – Persian" lang="fa" hreflang="fa" data-title="لویی بی. میر" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target"><span>فارسی</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Louis_B._Mayer" title="Louis B. Mayer – French" lang="fr" hreflang="fr" data-title="Louis B. Mayer" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%EB%A3%A8%EC%9D%B4_B._%EB%A9%94%EC%9D%B4%EC%96%B4" title="루이 B. 메이어 – Korean" lang="ko" hreflang="ko" data-title="루이 B. 메이어" data-language-autonym="한국어" data-language-local-name="Korean" class="interlanguage-link-target"><span>한국어</span></a></li><li class="interlanguage-link interwiki-hr mw-list-item"><a href="https://hr.wikipedia.org/wiki/Louis_B._Mayer" title="Louis B. Mayer – Croatian" lang="hr" hreflang="hr" data-title="Louis B. Mayer" data-language-autonym="Hrvatski" data-language-local-name="Croatian" class="interlanguage-link-target"><span>Hrvatski</span></a></li><li class="interlanguage-link interwiki-id mw-list-item"><a href="https://id.wikipedia.org/wiki/Louis_B._Mayer" title="Louis B. Mayer – Indonesian" lang="id" hreflang="id" data-title="Louis B. Mayer" data-language-autonym="Bahasa Indonesia" data-language-local-name="Indonesian" class="interlanguage-link-target"><span>Bahasa Indonesia</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Louis_B._Mayer" title="Louis B. Mayer – Italian" lang="it" hreflang="it" data-title="Louis B. Mayer" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%9C%D7%95%D7%90%D7%99_%D7%91._%D7%9E%D7%90%D7%99%D7%99%D7%A8" title="לואי ב. מאייר – Hebrew" lang="he" hreflang="he" data-title="לואי ב. מאייר" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target"><span>עברית</span></a></li><li class="interlanguage-link interwiki-ka mw-list-item"><a href="https://ka.wikipedia.org/wiki/%E1%83%9A%E1%83%A3%E1%83%98_%E1%83%9B%E1%83%90%E1%83%98%E1%83%94%E1%83%A0%E1%83%98" title="ლუი მაიერი – Georgian" lang="ka" hreflang="ka" data-title="ლუი მაიერი" data-language-autonym="ქართული" data-language-local-name="Georgian" class="interlanguage-link-target"><span>ქართული</span></a></li><li class="interlanguage-link interwiki-kk mw-list-item"><a href="https://kk.wikipedia.org/wiki/%D0%9B%D1%83%D0%B8%D1%81_%D0%91%D0%B0%D1%80%D1%82_%D0%9C%D0%B0%D0%B9%D0%B5%D1%80" title="Луис Барт Майер – Kazakh" lang="kk" hreflang="kk" data-title="Луис Барт Майер" data-language-autonym="Қазақша" data-language-local-name="Kazakh" class="interlanguage-link-target"><span>Қазақша</span></a></li><li class="interlanguage-link interwiki-lv mw-list-item"><a href="https://lv.wikipedia.org/wiki/Luijs_B._Meiers" title="Luijs B. Meiers – Latvian" lang="lv" hreflang="lv" data-title="Luijs B. Meiers" data-language-autonym="Latviešu" data-language-local-name="Latvian" class="interlanguage-link-target"><span>Latviešu</span></a></li><li class="interlanguage-link interwiki-mk mw-list-item"><a href="https://mk.wikipedia.org/wiki/%D0%9B%D1%83%D0%B8%D1%81_%D0%91._%D0%9C%D0%B0%D1%98%D0%B5%D1%80" title="Луис Б. Мајер – Macedonian" lang="mk" hreflang="mk" data-title="Луис Б. Мајер" data-language-autonym="Македонски" data-language-local-name="Macedonian" class="interlanguage-link-target"><span>Македонски</span></a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Louis_B._Mayer" title="Louis B. Mayer – Dutch" lang="nl" hreflang="nl" data-title="Louis B. Mayer" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target"><span>Nederlands</span></a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%83%AB%E3%82%A4%E3%82%B9%E3%83%BBB%E3%83%BB%E3%83%A1%E3%82%A4%E3%83%A4%E3%83%BC" title="ルイス・B・メイヤー – Japanese" lang="ja" hreflang="ja" data-title="ルイス・B・メイヤー" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target"><span>日本語</span></a></li><li class="interlanguage-link interwiki-no mw-list-item"><a href="https://no.wikipedia.org/wiki/Louis_B._Mayer" title="Louis B. Mayer – Norwegian Bokmål" lang="nb" hreflang="nb" data-title="Louis B. Mayer" data-language-autonym="Norsk bokmål" data-language-local-name="Norwegian Bokmål" class="interlanguage-link-target"><span>Norsk bokmål</span></a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Louis_B._Mayer" title="Louis B. Mayer – Polish" lang="pl" hreflang="pl" data-title="Louis B. Mayer" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target"><span>Polski</span></a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/Louis_B._Mayer" title="Louis B. Mayer – Portuguese" lang="pt" hreflang="pt" data-title="Louis B. Mayer" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target"><span>Português</span></a></li><li class="interlanguage-link interwiki-ro mw-list-item"><a href="https://ro.wikipedia.org/wiki/Louis_B._Mayer" title="Louis B. Mayer – Romanian" lang="ro" hreflang="ro" data-title="Louis B. Mayer" data-language-autonym="Română" data-language-local-name="Romanian" class="interlanguage-link-target"><span>Română</span></a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%9C%D0%B0%D0%B9%D0%B5%D1%80,_%D0%9B%D1%83%D0%B8%D1%81_%D0%91%D0%B0%D1%80%D1%82" title="Майер, Луис Барт – Russian" lang="ru" hreflang="ru" data-title="Майер, Луис Барт" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target"><span>Русский</span></a></li><li class="interlanguage-link interwiki-simple mw-list-item"><a href="https://simple.wikipedia.org/wiki/Louis_B._Mayer" title="Louis B. Mayer – Simple English" lang="en-simple" hreflang="en-simple" data-title="Louis B. Mayer" data-language-autonym="Simple English" data-language-local-name="Simple English" class="interlanguage-link-target"><span>Simple English</span></a></li><li class="interlanguage-link interwiki-sh mw-list-item"><a href="https://sh.wikipedia.org/wiki/Louis_B._Mayer" title="Louis B. Mayer – Serbo-Croatian" lang="sh" hreflang="sh" data-title="Louis B. Mayer" data-language-autonym="Srpskohrvatski / српскохрватски" data-language-local-name="Serbo-Croatian" class="interlanguage-link-target"><span>Srpskohrvatski / српскохрватски</span></a></li><li class="interlanguage-link interwiki-fi mw-list-item"><a href="https://fi.wikipedia.org/wiki/Louis_B._Mayer" title="Louis B. Mayer – Finnish" lang="fi" hreflang="fi" data-title="Louis B. Mayer" data-language-autonym="Suomi" data-language-local-name="Finnish" class="interlanguage-link-target"><span>Suomi</span></a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Louis_B._Mayer" title="Louis B. Mayer – Swedish" lang="sv" hreflang="sv" data-title="Louis B. Mayer" data-language-autonym="Svenska" data-language-local-name="Swedish" class="interlanguage-link-target"><span>Svenska</span></a></li><li class="interlanguage-link interwiki-th mw-list-item"><a href="https://th.wikipedia.org/wiki/%E0%B8%AB%E0%B8%A5%E0%B8%B8%E0%B8%A2%E0%B8%AA%E0%B9%8C_%E0%B8%9A%E0%B8%B5._%E0%B9%80%E0%B8%A1%E0%B9%80%E0%B8%A2%E0%B8%AD%E0%B8%A3%E0%B9%8C" title="หลุยส์ บี. เมเยอร์ – Thai" lang="th" hreflang="th" data-title="หลุยส์ บี. เมเยอร์" data-language-autonym="ไทย" data-language-local-name="Thai" class="interlanguage-link-target"><span>ไทย</span></a></li><li class="interlanguage-link interwiki-tr mw-list-item"><a href="https://tr.wikipedia.org/wiki/Louis_B._Mayer" title="Louis B. Mayer – Turkish" lang="tr" hreflang="tr" data-title="Louis B. Mayer" data-language-autonym="Türkçe" data-language-local-name="Turkish" class="interlanguage-link-target"><span>Türkçe</span></a></li><li class="interlanguage-link interwiki-uk mw-list-item"><a href="https://uk.wikipedia.org/wiki/%D0%9B%D1%83%D1%97%D1%81_%D0%91%D0%B0%D1%80%D1%82_%D0%9C%D0%B0%D1%94%D1%80" title="Луїс Барт Маєр – Ukrainian" lang="uk" hreflang="uk" data-title="Луїс Барт Маєр" data-language-autonym="Українська" data-language-local-name="Ukrainian" class="interlanguage-link-target"><span>Українська</span></a></li><li class="interlanguage-link interwiki-vi mw-list-item"><a href="https://vi.wikipedia.org/wiki/Louis_B._Mayer" title="Louis B. Mayer – Vietnamese" lang="vi" hreflang="vi" data-title="Louis B. Mayer" data-language-autonym="Tiếng Việt" data-language-local-name="Vietnamese" class="interlanguage-link-target"><span>Tiếng Việt</span></a></li><li class="interlanguage-link interwiki-war mw-list-item"><a href="https://war.wikipedia.org/wiki/Louis_B._Mayer" title="Louis B. Mayer – Waray" lang="war" hreflang="war" data-title="Louis B. 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searchaux" style="display:none">Canadian-American film producer (1884–1957)</div> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">Not to be confused with the jurist <a href="/wiki/Louis_B._Meyer" title="Louis B. Meyer">Louis B. Meyer</a>.</div> <p class="mw-empty-elt"> </p> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox biography vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div class="fn">Louis B. Mayer</div></th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:Louis_B_Mayer_cropped.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d4/Louis_B_Mayer_cropped.jpg/220px-Louis_B_Mayer_cropped.jpg" decoding="async" width="220" height="258" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d4/Louis_B_Mayer_cropped.jpg/330px-Louis_B_Mayer_cropped.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d4/Louis_B_Mayer_cropped.jpg/440px-Louis_B_Mayer_cropped.jpg 2x" data-file-width="1296" data-file-height="1518" /></a></span><div class="infobox-caption">Mayer in 1953</div></td></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data"><div style="display:inline" class="nickname">Lazar Meir</div><br />July 12, 1884<br /><div style="display:inline" class="birthplace"><a href="/wiki/Russian_Empire" title="Russian Empire">Russian Empire</a></div></td></tr><tr><th scope="row" class="infobox-label">Died</th><td class="infobox-data">October 29, 1957<span style="display:none">(1957-10-29)</span> (aged 73)<br /><div style="display:inline" class="deathplace"><a href="/wiki/Los_Angeles,_California" class="mw-redirect" title="Los Angeles, California">Los Angeles, California</a>, U.S.</div></td></tr><tr><th scope="row" class="infobox-label">Resting place</th><td class="infobox-data label"><a href="/wiki/Home_of_Peace_Cemetery_(East_Los_Angeles)" class="mw-redirect" title="Home of Peace Cemetery (East Los Angeles)">Home of Peace Cemetery (East Los Angeles)</a></td></tr><tr><th scope="row" class="infobox-label">Nationality</th><td class="infobox-data category">Russian-Canadian-American<sup id="cite_ref-thecanadianencyclopedia.ca_1-0" class="reference"><a href="#cite_note-thecanadianencyclopedia.ca-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup></td></tr><tr><th scope="row" class="infobox-label">Other names</th><td class="infobox-data nickname"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist li::after{content:" · ";font-weight:bold}.mw-parser-output .hlist dd:last-child::after,.mw-parser-output .hlist dt:last-child::after,.mw-parser-output .hlist li:last-child::after{content:none}.mw-parser-output .hlist dd dd:first-child::before,.mw-parser-output .hlist dd dt:first-child::before,.mw-parser-output .hlist dd li:first-child::before,.mw-parser-output .hlist dt dd:first-child::before,.mw-parser-output .hlist dt dt:first-child::before,.mw-parser-output .hlist dt li:first-child::before,.mw-parser-output .hlist li dd:first-child::before,.mw-parser-output .hlist li dt:first-child::before,.mw-parser-output .hlist li li:first-child::before{content:" (";font-weight:normal}.mw-parser-output .hlist dd dd:last-child::after,.mw-parser-output .hlist dd dt:last-child::after,.mw-parser-output .hlist dd li:last-child::after,.mw-parser-output .hlist dt dd:last-child::after,.mw-parser-output .hlist dt dt:last-child::after,.mw-parser-output .hlist dt li:last-child::after,.mw-parser-output .hlist li dd:last-child::after,.mw-parser-output .hlist li dt:last-child::after,.mw-parser-output .hlist li li:last-child::after{content:")";font-weight:normal}.mw-parser-output .hlist ol{counter-reset:listitem}.mw-parser-output .hlist ol>li{counter-increment:listitem}.mw-parser-output .hlist ol>li::before{content:" "counter(listitem)"\a0 "}.mw-parser-output .hlist dd ol>li:first-child::before,.mw-parser-output .hlist dt ol>li:first-child::before,.mw-parser-output .hlist li ol>li:first-child::before{content:" ("counter(listitem)"\a0 "}</style><div class="hlist"><ul><li>Louis Burt Mayer</li><li>Ezemiel Mayer</li><li>Louis Burton Mayer</li><li>Lazar Mayer,</li><li>Lazar Meir</li></ul></div><sup id="cite_ref-LoC_2-0" class="reference"><a href="#cite_note-LoC-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup></td></tr><tr><th scope="row" class="infobox-label">Occupations</th><td class="infobox-data role"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"><ul><li>Film producer</li><li>Studio executive</li></ul></div></td></tr><tr><th scope="row" class="infobox-label">Years active</th><td class="infobox-data">1915–1951</td></tr><tr><th scope="row" class="infobox-label">Political party</th><td class="infobox-data org"><a href="/wiki/Republican_Party_(United_States)" title="Republican Party (United States)">Republican</a></td></tr><tr><th scope="row" class="infobox-label">Board member of</th><td class="infobox-data"><a href="/wiki/Metro-Goldwyn-Mayer" title="Metro-Goldwyn-Mayer">Metro-Goldwyn-Mayer</a></td></tr><tr><th scope="row" class="infobox-label">Spouses</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><div class="plainlist"><ul><li><style data-mw-deduplicate="TemplateStyles:r1151524712">.mw-parser-output .marriage-line-margin2px{line-height:0;margin-bottom:-2px}.mw-parser-output .marriage-line-margin3px{line-height:0;margin-bottom:-3px}.mw-parser-output .marriage-display-ws{display:inline;white-space:nowrap}</style> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;margin-top:1px;white-space:normal;">Margaret Shenberg<br /></div> <div class="marriage-line-margin2px">​</div> <div style="display:inline-block;margin-bottom:1px;">​</div>(<abbr title="married">m.</abbr> 1904; <abbr title="divorced">div.</abbr> 1947)<wbr />​</div></li><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1151524712"> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;">Lorena Layson</div> <div style="display:inline-block;">​</div>(<abbr title="married">m.</abbr> 1948)<wbr />​</div></li></ul></div></td></tr><tr><th scope="row" class="infobox-label">Children</th><td class="infobox-data">2, including <a href="/wiki/Irene_Mayer_Selznick" title="Irene Mayer Selznick">Irene Mayer Selznick</a></td></tr></tbody></table> <p><b>Louis Burt Mayer</b> (<span class="rt-commentedText nowrap"><span class="IPA nopopups noexcerpt" lang="en-fonipa"><a href="/wiki/Help:IPA/English" title="Help:IPA/English">/<span style="border-bottom:1px dotted"><span title="/ˈ/: primary stress follows">ˈ</span><span title="'m' in 'my'">m</span><span title="/eɪ/: 'a' in 'face'">eɪ</span><span title="/./: syllable break">.</span><span title="/ər/: 'er' in 'letter'">ər</span></span>/</a></span></span>; born <b>Lazar Meir</b>; July 12, 1884<sup id="cite_ref-note_3-0" class="reference"><a href="#cite_note-note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> – October 29, 1957) was a Canadian-American<sup id="cite_ref-thecanadianencyclopedia.ca_1-1" class="reference"><a href="#cite_note-thecanadianencyclopedia.ca-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> film producer and co-founder of <a href="/wiki/Metro-Goldwyn-Mayer" title="Metro-Goldwyn-Mayer">Metro-Goldwyn-Mayer</a> studios (MGM) in 1924. Under Mayer's management, MGM became the film industry's most prestigious movie studio, accumulating the largest concentration of leading writers, directors, and stars in Hollywood. </p><p>Mayer was born in the <a href="/wiki/Russian_Empire" title="Russian Empire">Russian Empire</a> and grew up poor in <a href="/wiki/Saint_John,_New_Brunswick" title="Saint John, New Brunswick">Saint John, New Brunswick</a>. He quit school at 12 to support his family and later moved to <a href="/wiki/Boston" title="Boston">Boston</a> and purchased and renovated a small vaudeville theatre in <a href="/wiki/Haverhill,_Massachusetts" title="Haverhill, Massachusetts">Haverhill, Massachusetts</a>. He renovated and expanded several other theatres in the Boston area catering to audiences of higher social classes. After expanding and moving to <a href="/wiki/Los_Angeles" title="Los Angeles">Los Angeles</a>, he teamed with film producer <a href="/wiki/Irving_Thalberg" title="Irving Thalberg">Irving Thalberg</a> and they developed hundreds of films. Mayer handled the business of running the studio, such as setting budgets and approving new productions, while Thalberg, still in his twenties, supervised all MGM productions. </p><p>Mayer claimed to believe in "wholesome entertainment" and went to great lengths to discover new actors and develop them into major stars.<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> During his long reign at MGM, Mayer acquired many critics and supporters. Some stars did not appreciate his attempts to control their private lives, while others saw him as a concerned father figure. He was controversial for his treatment of the actors under his management, demanding compliance from female stars by threatening their livelihoods, such as in the case of <a href="/wiki/Judy_Garland" title="Judy Garland">Judy Garland</a>, whom he forced to go on diets, take drugs, and work punishing schedules.<sup id="cite_ref-castingcouch_5-0" class="reference"><a href="#cite_note-castingcouch-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p><p>Mayer was forced to resign as MGM's vice president in 1951, when the studio's parent company, Loew's, Inc., wanted to improve declining profits. A staunch conservative, Mayer at one time was the chairman of the <a href="/wiki/California_Republican_Party" title="California Republican Party">California Republican Party</a>.<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> In 1927, he was one of the founders of <a href="/wiki/Academy_of_Motion_Picture_Arts_and_Sciences" title="Academy of Motion Picture Arts and Sciences">AMPAS</a>, famous for its annual <a href="/wiki/Academy_Awards" title="Academy Awards">Academy Awards</a>.<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Early_life">Early life</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=1" title="Edit section: Early life"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Mayer preferred to say that he was born in <a href="/wiki/Minsk" title="Minsk">Minsk</a>. <a href="/wiki/Bosley_Crowther" title="Bosley Crowther">Bosley Crowther</a>, in an early biography, gave his birthplace as "a little town near Minsk".<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> Other sources cite such places as Demre <sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> and Dmra, "a village between <a href="/wiki/Minsk" title="Minsk">Minsk</a> and <a href="/wiki/Vilnius" title="Vilnius">Vilnius</a>".<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Charles_Higham_(biographer)" title="Charles Higham (biographer)">Charles Higham</a> and <a href="/wiki/Scott_Eyman" title="Scott Eyman">Scott Eyman</a> state that Mayer was born in <a href="/wiki/Dymer,_Kyiv_Oblast" title="Dymer, Kyiv Oblast">Dymer</a> near <a href="/wiki/Kyiv" title="Kyiv">Kyiv</a> in Ukraine;<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:0_13-0" class="reference"><a href="#cite_note-:0-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> this accords with what Mayer himself stated in his naturalization filing in 1912, where he gave his birthplace as Dumier, Russia. <a href="/wiki/Andrzej_Krakowski" title="Andrzej Krakowski">Andrzej Krakowski</a> has suggested that the birthplace has been misinterpreted and Mayer was in fact from the town of <a href="/wiki/Mi%C5%84sk_Mazowiecki" title="Mińsk Mazowiecki">Mińsk Mazowiecki</a> in eastern Poland, which at the time was subjugated by the <a href="/wiki/Russian_Empire" title="Russian Empire">Russian Empire</a>.<sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> </p><p>According to his personal details in the U.S. immigration documents,<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> the date was July 4, 1885.<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>a<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:0_13-1" class="reference"><a href="#cite_note-:0-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> In addition he gave his birth year as 1882 in his marriage certificate<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> while the April 1910 census states his age as 26<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> (b.1883). His parents were Jacob and Sarah (née Meltzer) Meir (both <a href="/wiki/Jewish" class="mw-redirect" title="Jewish">Jewish</a>) and he had two sisters — Yetta, born ca. 1878 and Ida, born ca. 1883. Mayer first moved with his family to <a href="/wiki/Long_Island" title="Long Island">Long Island</a>, where they lived from 1887 to 1892 and where his two brothers were born—Rubin, in April 1888<sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> and Jeremiah, in April 1891.<sup id="cite_ref-21" class="reference"><a href="#cite_note-21"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> Then, they moved to <a href="/wiki/Saint_John,_New_Brunswick" title="Saint John, New Brunswick">Saint John, New Brunswick</a>, where Mayer attended school.<sup id="cite_ref-Eyman22_22-0" class="reference"><a href="#cite_note-Eyman22-22"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> </p><p>His father started a <a href="/wiki/Scrap_metal" class="mw-redirect" title="Scrap metal">scrap metal</a> business, J. Mayer & Son. An immigrant unskilled in any trade, he struggled to earn a living. Young Louis quit school at age twelve to work with his father and help support his family.<sup id="cite_ref-Eyman22_22-1" class="reference"><a href="#cite_note-Eyman22-22"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> He roamed the streets with a cart that said "Junk Dealer" and collected any scrap metal he came across. When the owner of a tin business, John Wilson, saw him with his cart, he began giving him copper trimmings which were of no use and Mayer considered Wilson to be his first partner and his best friend. Wilson remembered that he was impressed with the boy's good manners and bright personality.<sup id="cite_ref-Eyman,_p._23_23-0" class="reference"><a href="#cite_note-Eyman,_p._23-23"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> Whenever Mayer visited Saint John in later years, he placed flowers on Wilson's grave, just as he did on his mother's.<sup id="cite_ref-Eyman,_p._23_23-1" class="reference"><a href="#cite_note-Eyman,_p._23-23"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> </p> <style data-mw-deduplicate="TemplateStyles:r1224211176">.mw-parser-output .quotebox{background-color:#F9F9F9;border:1px solid #aaa;box-sizing:border-box;padding:10px;font-size:88%;max-width:100%}.mw-parser-output .quotebox.floatleft{margin:.5em 1.4em .8em 0}.mw-parser-output .quotebox.floatright{margin:.5em 0 .8em 1.4em}.mw-parser-output .quotebox.centered{overflow:hidden;position:relative;margin:.5em auto .8em auto}.mw-parser-output .quotebox.floatleft span,.mw-parser-output .quotebox.floatright span{font-style:inherit}.mw-parser-output .quotebox>blockquote{margin:0;padding:0;border-left:0;font-family:inherit;font-size:inherit}.mw-parser-output .quotebox-title{text-align:center;font-size:110%;font-weight:bold}.mw-parser-output .quotebox-quote>:first-child{margin-top:0}.mw-parser-output .quotebox-quote:last-child>:last-child{margin-bottom:0}.mw-parser-output .quotebox-quote.quoted:before{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" “ ";vertical-align:-45%;line-height:0}.mw-parser-output .quotebox-quote.quoted:after{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" ” ";line-height:0}.mw-parser-output .quotebox .left-aligned{text-align:left}.mw-parser-output .quotebox .right-aligned{text-align:right}.mw-parser-output .quotebox .center-aligned{text-align:center}.mw-parser-output .quotebox .quote-title,.mw-parser-output .quotebox .quotebox-quote{display:block}.mw-parser-output .quotebox cite{display:block;font-style:normal}@media screen and (max-width:640px){.mw-parser-output .quotebox{width:100%!important;margin:0 0 .8em!important;float:none!important}}</style><div class="quotebox pullquote floatright" style="width:25em; ; color: #202122;background-color: Cornsilk;"> <blockquote class="quotebox-quote left-aligned" style=""> <p>I had been to his hometown. I knew from whence he sprang. He taught himself grammar. He taught himself manners. If anybody on earth ever created himself, Louis B. Mayer did. </p> </blockquote> <p style="padding-bottom: 0;"><cite class="left-aligned" style="">—actress <a href="/wiki/Ann_Rutherford" title="Ann Rutherford">Ann Rutherford</a><sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup></cite></p> </div> <p>"It was a crappy childhood", said Mayer's nephew Gerald. His family was poor and Mayer's father spoke little English and had no valuable skills. It thus became young Mayer's ambition and drive that supported the family.<sup id="cite_ref-Eyman,_p._25_25-0" class="reference"><a href="#cite_note-Eyman,_p._25-25"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> With his family speaking mostly <a href="/wiki/Yiddish" title="Yiddish">Yiddish</a> at home, his goal of self-education when he quit school was made more difficult.<sup id="cite_ref-Eyman,_p._25_25-1" class="reference"><a href="#cite_note-Eyman,_p._25-25"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> </p><p>In his spare time, he hung around the York Theatre, sometimes paying to watch the live vaudeville shows. He became enamored of the entertainment business. Then in 1904 the 20-year-old Mayer left Saint John for <a href="/wiki/Boston" title="Boston">Boston</a>, where he continued for a time in the scrap metal business, got married and took a variety of odd jobs to support his new family when his junk business lagged. </p> <div class="mw-heading mw-heading2"><h2 id="Early_career">Early career</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=2" title="Edit section: Early career"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Mayer renovated the Gem Theater, a rundown, 600 seat <a href="/wiki/Burlesque_house" class="mw-redirect" title="Burlesque house">burlesque house</a> in <a href="/wiki/Haverhill,_Massachusetts" title="Haverhill, Massachusetts">Haverhill, Massachusetts</a>,<sup id="cite_ref-26" class="reference"><a href="#cite_note-26"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> which he reopened on November 28, 1907, as the Orpheum, his first movie theater. To overcome an unfavorable reputation that the building had, Mayer opened with a religious film at his new Orpheum, <i><a href="/wiki/From_the_Manger_to_the_Cross" title="From the Manger to the Cross">From the Manger to the Cross</a></i>, in 1912.<sup id="cite_ref-27" class="reference"><a href="#cite_note-27"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> Within a few years, he owned all five of Haverhill's theaters, and, with <a href="/wiki/Nathan_H._Gordon" title="Nathan H. Gordon">Nathan H. Gordon</a>, created the Gordon-Mayer partnership that controlled the largest theater chain in <a href="/wiki/New_England" title="New England">New England</a>.<sup id="cite_ref-current_28-0" class="reference"><a href="#cite_note-current-28"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> During his years in Haverhill, Mayer lived at 16 Middlesex St. in the city's Bradford section, closer to city center at Temple Street and at 2 1/2 Merrimac St. Mayer also lived in a house he built at 27 Hamilton Ave.<sup id="cite_ref-29" class="reference"><a href="#cite_note-29"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-30" class="reference"><a href="#cite_note-30"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> </p><p>In 1914, the partners organized their own film distribution agency in Boston. Mayer paid <a href="/wiki/D.W._Griffith" class="mw-redirect" title="D.W. Griffith">D.W. Griffith</a> $25,000 for the exclusive rights to show <i><a href="/wiki/The_Birth_of_a_Nation" title="The Birth of a Nation">The Birth of a Nation</a></i> (1915) in New England. Mayer made the bid on a film that one of his scouts had seen, but he had not, although he was well aware of the plot surrounding the <a href="/wiki/Ku_Klux_Klan" title="Ku Klux Klan">Ku Klux Klan</a>; his decision netted him over $100,000.<sup id="cite_ref-31" class="reference"><a href="#cite_note-31"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> Using earnings from the popularity of <i>The Birth of a Nation</i>, Mayer partnered with <a href="/wiki/Richard_A._Rowland" title="Richard A. Rowland">Richard A. Rowland</a> in 1916 to create <a href="/wiki/Metro_Pictures_Corporation" class="mw-redirect" title="Metro Pictures Corporation">Metro Pictures Corporation</a>, a talent booking agency, in New York City. </p><p>Two years later, Mayer moved to Los Angeles and formed his own production company, <a href="/wiki/Louis_B._Mayer_Pictures" title="Louis B. Mayer Pictures">Louis B. Mayer Pictures Corporation</a>. The first production was 1918's <i>Virtuous Wives</i>. A partnership was set up with <a href="/wiki/B._P._Schulberg" title="B. P. Schulberg">B. P. Schulberg</a> to make the Mayer-Schulberg Studio </p><p>In late 1922, Mayer was introduced to <a href="/wiki/Irving_Thalberg" title="Irving Thalberg">Irving Thalberg</a>, then working for <a href="/wiki/Universal_Pictures" title="Universal Pictures">Universal Pictures</a>. Mayer was searching for someone to help him manage his small, but dynamic and fast-growing studio. At that first meeting, Thalberg made an immediate positive impression on Mayer, writes biographer Roland Flamini. Later that evening, after Thalberg had left, Mayer told the studio's attorney, Edwin Loeb, to let Thalberg know that if he wanted to work for Mayer, he would be treated like a son.<sup id="cite_ref-Flamini_32-0" class="reference"><a href="#cite_note-Flamini-32"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page / location: 46">: 46 </span></sup> </p><p>Although their personalities were in many ways opposite, Mayer being more outspoken and nearly twice the younger man's age, Thalberg was hired as vice president in charge of production at <a href="/wiki/Louis_B._Mayer_Productions" class="mw-redirect" title="Louis B. Mayer Productions">Louis B. Mayer Productions</a>. Years later, Mayer's daughter, <a href="/wiki/Irene_Mayer_Selznick" title="Irene Mayer Selznick">Irene Mayer Selznick</a>, found it hard to believe that anyone "so boyish could be so important".<sup id="cite_ref-Flamini_32-1" class="reference"><a href="#cite_note-Flamini-32"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page / location: 47">: 47 </span></sup> According to Flamini, Thalberg was hired because, although Mayer was an astute businessman, he lacked Thalberg's strong ability to combine making films of quality with gaining commercial success.<sup id="cite_ref-Flamini_32-2" class="reference"><a href="#cite_note-Flamini-32"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page / location: 47">: 47 </span></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Heading_new_Metro-Goldwyn-Mayer_(MGM)_studios"><span id="Heading_new_Metro-Goldwyn-Mayer_.28MGM.29_studios"></span>Heading new Metro-Goldwyn-Mayer (MGM) studios</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=3" title="Edit section: Heading new Metro-Goldwyn-Mayer (MGM) studios"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Mayer's big breakthrough was in April 1924 when his company subsequently merged with two others to become <a href="/wiki/Metro-Goldwyn-Mayer" title="Metro-Goldwyn-Mayer">Metro-Goldwyn-Mayer</a> (MGM). The 24-year-old Thalberg was made part-owner and accorded the same position as vice president in charge of production. </p><p><a href="/wiki/Marcus_Loew" title="Marcus Loew">Marcus Loew</a>, owner of the <a href="/wiki/Loews_Theatres" class="mw-redirect" title="Loews Theatres">Loew's</a> chain, merged Metro Pictures, <a href="/wiki/Samuel_Goldwyn" title="Samuel Goldwyn">Samuel Goldwyn</a>'s <a href="/wiki/Goldwyn_Pictures_Corporation" class="mw-redirect" title="Goldwyn Pictures Corporation">Goldwyn Pictures Corporation</a>, and Mayer Pictures into Metro-Goldwyn. Loew had bought Metro and Goldwyn some months before, but could not find anyone to oversee his new holdings on the West Coast. Mayer, with his proven success as a producer, was an obvious choice. He was named head of studio operations and a Loew's vice president, based in Los Angeles, reporting to Loew's longtime right-hand man <a href="/wiki/Nicholas_Schenck" title="Nicholas Schenck">Nicholas Schenck</a>. He would hold this post for the next 27 years. Before the year was out, Mayer added his name to the studio with Loew's blessing, renaming it Metro-Goldwyn-Mayer. Three years after the merger, MGM became the most successful studio in Hollywood. </p><p>Loew died in 1927, and Schenck became president of Loew's. Mayer and Schenck hated each other intensely; Mayer reportedly referred to his boss, whose name was pronounced "Skenk", as "Mr. Skunk" in private.<sup id="cite_ref-33" class="reference"><a href="#cite_note-33"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> Two years later, Schenck agreed to sell Loew's – and MGM – to <a href="/wiki/William_Fox_(producer)" title="William Fox (producer)">William Fox</a>, which angered Mayer. But despite his important role in MGM, Mayer was not a shareholder, and had no standing to challenge the sale. So he instead used his Washington connections to persuade the <a href="/wiki/United_States_Department_of_Justice" title="United States Department of Justice">Justice Department</a> to delay the merger on <a href="/wiki/Antitrust" class="mw-redirect" title="Antitrust">antitrust</a> grounds. During the summer of 1929, Fox was severely injured in an auto accident. By the time he recovered, the <a href="/wiki/Stock_market_crash_of_1929" class="mw-redirect" title="Stock market crash of 1929">stock market crash</a> had wiped out his fortune, destroying any chance of the deal going through even if the Justice Department had lifted its objections. Nonetheless, Schenck believed Mayer had cost him a fortune and never forgave him, causing an already frigid relationship to become even worse. </p> <div class="mw-heading mw-heading3"><h3 id="Working_with_Irving_Thalberg">Working with Irving Thalberg</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=4" title="Edit section: Working with Irving Thalberg"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Mayer and Thalberg were a brilliant team that worked well together. They relied on each other, and neither operated unilaterally.<sup id="cite_ref-34" class="reference"><a href="#cite_note-34"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup> Mayer took charge of the business part of running the studio, such as setting budgets and approving new productions. Thalberg, eventually called the "boy wonder", took charge of all MGM productions. Director <a href="/wiki/Joseph_M._Newman" title="Joseph M. Newman">Joseph M. Newman</a> said that their skills complemented each other well, with Thalberg having a great story mind, and Mayer having superior business acumen. </p><p>They shared a guiding philosophy, to make the best motion pictures they could at any cost, even if it meant reshooting the entire picture.<sup id="cite_ref-Eyman,_p._120_35-0" class="reference"><a href="#cite_note-Eyman,_p._120-35"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> More important than showing a consistent profit with their films was, for them, to see MGM become a high-quality studio. That goal began with their early silent films, when stars such as <a href="/wiki/Greta_Garbo" title="Greta Garbo">Greta Garbo</a>, Mayer's discovery, acted in lush settings with spectacular camera work.<sup id="cite_ref-Eyman,_p._120_35-1" class="reference"><a href="#cite_note-Eyman,_p._120-35"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> </p><p>Although they initially got along well, their relationship frayed over philosophical differences. Thalberg preferred literary works over the crowd-pleasers Mayer wanted. He ousted Thalberg as production chief in 1932, while Thalberg was recovering from a heart attack, and replaced him with producer <a href="/wiki/David_O._Selznick" title="David O. Selznick">David O. Selznick</a>. </p><p>But MGM received a serious blow when Thalberg died suddenly on September 14, 1936, at age 37. His death came as a shock to Mayer and everyone at MGM and the other studios.<sup id="cite_ref-Eyman,_p._231_36-0" class="reference"><a href="#cite_note-Eyman,_p._231-36"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> Mayer issued statements to the press, calling Thalberg "the finest friend a man could ever have ... the guiding inspiration behind the artistic progress on the screen." His funeral was a major news event in Los Angeles. All the studios observed five minutes of silence, while MGM closed its studio for the entire day.<sup id="cite_ref-Eyman,_p._231_36-1" class="reference"><a href="#cite_note-Eyman,_p._231-36"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> </p><p>Mayer dedicated MGM's front office building and christened it the Thalberg Building.<sup id="cite_ref-37" class="reference"><a href="#cite_note-37"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup> He had the <a href="/wiki/Academy_of_Motion_Picture_Arts_and_Sciences" title="Academy of Motion Picture Arts and Sciences">Academy of Motion Picture Arts and Sciences</a> establish the <a href="/wiki/Irving_G._Thalberg_Memorial_Award" title="Irving G. Thalberg Memorial Award">Irving G. Thalberg Memorial Award</a>, given to producers to recognize their exceptional careers, now considered one of the most prestigious awards in the Hollywood film industry.<sup id="cite_ref-38" class="reference"><a href="#cite_note-38"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Continued_success_after_Thalberg's_death"><span id="Continued_success_after_Thalberg.27s_death"></span>Continued success after Thalberg's death</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=5" title="Edit section: Continued success after Thalberg's death"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>After Thalberg died, many in Hollywood expected Mayer to "stumble and fall".<sup id="cite_ref-Eyman,_p._12_39-0" class="reference"><a href="#cite_note-Eyman,_p._12-39"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> Director Joseph M. Newman saw the studio start to change for the worse.<sup id="cite_ref-40" class="reference"><a href="#cite_note-40"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> Some actors were affected, such as <a href="/wiki/Luise_Rainer" title="Luise Rainer">Luise Rainer</a>, winner of Hollywood's first back-to-back Oscars, who felt that the death of Thalberg marked the death of her career: "Had it not been that he died, I think I may have stayed much longer in films."<sup id="cite_ref-41" class="reference"><a href="#cite_note-41"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Joan_Crawford" title="Joan Crawford">Joan Crawford</a> was also concerned, feeling that with Thalberg gone, the concept of the quality "big" picture "pretty much went out the window".<sup id="cite_ref-42" class="reference"><a href="#cite_note-42"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> </p><p>However, MGM under Mayer's leadership continued to produce successful movies. Mayer made himself head of production as well as studio chief. For the next ten years, MGM grew and thrived.<sup id="cite_ref-Eyman,_p._12_39-1" class="reference"><a href="#cite_note-Eyman,_p._12-39"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> 1939 was an especially "golden" year: besides distributing <i><a href="/wiki/Gone_with_the_Wind_(film)" title="Gone with the Wind (film)">Gone with the Wind</a>,</i> MGM released <i><a href="/wiki/The_Wizard_of_Oz_(1939_film)" class="mw-redirect" title="The Wizard of Oz (1939 film)">The Wizard of Oz</a>,</i> <i><a href="/wiki/Babes_in_Arms_(film)" title="Babes in Arms (film)">Babes in Arms</a>,</i> <i><a href="/wiki/At_the_Circus" title="At the Circus">At the Circus</a>,</i> and <i><a href="/wiki/The_Women_(1939_film)" title="The Women (1939 film)">The Women</a></i>. Garbo laughed in <i><a href="/wiki/Ninotchka" title="Ninotchka">Ninotchka</a>;</i> <i><a href="/wiki/Goodbye,_Mr._Chips_(1939_film)" title="Goodbye, Mr. Chips (1939 film)">Goodbye, Mr. Chips</a></i> won an Oscar (it was nominated for seven); and <a href="/wiki/Hedy_Lamarr" title="Hedy Lamarr">Hedy Lamarr</a>, another of Mayer's personal discoveries, made her film debut. </p><p>Mayer became the first person in American history to earn a million-dollar salary. For nine years from 1937, when he earned $1,300,000 (equivalent to $27,552,778 today<sup id="cite_ref-inflation-US_43-0" class="reference"><a href="#cite_note-inflation-US-43"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup>) Mayer was the highest-paid man in the United States.<sup id="cite_ref-friedrich1986_44-0" class="reference"><a href="#cite_note-friedrich1986-44"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Managing_MGM">Managing MGM</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=6" title="Edit section: Managing MGM"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Management_style">Management style</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=7" title="Edit section: Management style"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In his overall management skills, Mayer was considered a great executive, someone who could have run <a href="/wiki/General_Motors" title="General Motors">General Motors</a> equally as well as a large studio like MGM, said producer <a href="/wiki/Joseph_L._Mankiewicz" title="Joseph L. Mankiewicz">Joseph L. Mankiewicz</a>.<sup id="cite_ref-Eyman7_45-0" class="reference"><a href="#cite_note-Eyman7-45"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup> He worked at the studio all the time, and decisively, without any fixed schedule, but disliked paperwork.<sup id="cite_ref-Eyman284_46-0" class="reference"><a href="#cite_note-Eyman284-46"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> Some said Mayer had a lot in common with newspaper magnate <a href="/wiki/William_Randolph_Hearst" title="William Randolph Hearst">William Randolph Hearst</a>. Hearst had financed multiple MGM pictures, while MGM benefited by having film reviews included nationwide in the Hearst newspapers. </p><p>Hearst, 20 years Mayer's senior, affectionately referred to Mayer as "son" and they became good friends.<sup id="cite_ref-Eyman,_p._115_47-0" class="reference"><a href="#cite_note-Eyman,_p._115-47"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> Mayer took Hearst's suggestion to build himself an office bungalow on the MGM lot, something Hearst said was appropriate for a studio head: "Everybody of distinction from all over the world comes to Los Angeles and everybody who comes wants to see your studio and they all want to meet you and do meet you, so put on a few airs son, and provide the atmosphere."<sup id="cite_ref-Eyman,_p._115_47-1" class="reference"><a href="#cite_note-Eyman,_p._115-47"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> Director <a href="/wiki/Clarence_Brown" title="Clarence Brown">Clarence Brown</a> pointed out that overall, Mayer's skill was similar to Hearst's in that they both learned by doing. What Mayer couldn't do on his own, he hired the best talent he could find to do for him. "Like Hearst and <a href="/wiki/Henry_Ford" title="Henry Ford">Henry Ford</a>," said Brown, "he was an executive genius".<sup id="cite_ref-Eyman,_p._115_47-2" class="reference"><a href="#cite_note-Eyman,_p._115-47"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> </p><p>Mayer's temper was widely known, but most people knew that his sudden bursts of anger faded quickly. With those working underneath him, he was usually patient and preferred to leave department heads alone, and would fire executives if they failed to produce successful films over a long period.<sup id="cite_ref-Eyman284_46-1" class="reference"><a href="#cite_note-Eyman284-46"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Growth_of_the_studio">Growth of the studio</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=8" title="Edit section: Growth of the studio"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>At its peak in the 1940s, MGM employed six thousand people, had three entrances, and covered 185 acres in <a href="/wiki/Culver_City" class="mw-redirect" title="Culver City">Culver City</a>, California, outside of <a href="/wiki/Los_Angeles" title="Los Angeles">Los Angeles</a>.<sup id="cite_ref-Hogan_48-0" class="reference"><a href="#cite_note-Hogan-48"><span class="cite-bracket">[</span>47<span class="cite-bracket">]</span></a></sup> It had forty cameras and sixty sound machines, used on its six separate lots, and connected with its own rail line.<sup id="cite_ref-Hogan_48-1" class="reference"><a href="#cite_note-Hogan-48"><span class="cite-bracket">[</span>47<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Eyman,_p._1_49-0" class="reference"><a href="#cite_note-Eyman,_p._1-49"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> About 2,700 people ate in the commissary every day. Power was supplied by an in-house electrical plant which could light a town of 25,000.<sup id="cite_ref-Eyman,_p._1_49-1" class="reference"><a href="#cite_note-Eyman,_p._1-49"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> In addition, MGM maintained a police force of fifty officers—larger than that of Culver City itself.<sup id="cite_ref-Eyman2_50-0" class="reference"><a href="#cite_note-Eyman2-50"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> "Anywhere from sixteen to eighteen pictures were being shot at one time", remembers actress <a href="/wiki/Ann_Rutherford" title="Ann Rutherford">Ann Rutherford</a>. "They were either shooting or preparing to shoot on every sound stage."<sup id="cite_ref-Eyman,_p._1_49-2" class="reference"><a href="#cite_note-Eyman,_p._1-49"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Creating_a_"star_system""><span id="Creating_a_.22star_system.22"></span>Creating a "star system"</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=9" title="Edit section: Creating a "star system""><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Mayer helped create what is termed the <a href="/wiki/Star_system_(filmmaking)" title="Star system (filmmaking)">"star system"</a>. At one point he explained the process he went through in creating a star: </p> <style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style><blockquote class="templatequote"><p>The idea of a star being born is bush-wah. A star is made, created; carefully and cold-bloodedly built up from nothing, from nobody. All I ever looked for was a face. If someone looked good to me, I'd have him tested. If a person looked good on film, if he photographed well, we could do the rest. ... We hired geniuses at make-up, hair dressing, surgeons to slice away a bulge here and there, rubbers to rub away the blubber, clothes designers, lighting experts, coaches for everything—fencing, dancing, walking, talking, sitting and spitting.<sup id="cite_ref-51" class="reference"><a href="#cite_note-51"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup></p></blockquote> <div class="mw-heading mw-heading3"><h3 id="Hiring_actors_and_staff">Hiring actors and staff</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=10" title="Edit section: Hiring actors and staff"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Lionel_Barrymore_61st_birthday_1939.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/6/6a/Lionel_Barrymore_61st_birthday_1939.jpg/220px-Lionel_Barrymore_61st_birthday_1939.jpg" decoding="async" width="220" height="148" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/6a/Lionel_Barrymore_61st_birthday_1939.jpg/330px-Lionel_Barrymore_61st_birthday_1939.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/6a/Lionel_Barrymore_61st_birthday_1939.jpg/440px-Lionel_Barrymore_61st_birthday_1939.jpg 2x" data-file-width="1600" data-file-height="1076" /></a><figcaption>Lionel Barrymore's 61st birthday in 1939, standing: <a href="/wiki/Mickey_Rooney" title="Mickey Rooney">Mickey Rooney</a>, <a href="/wiki/Robert_Montgomery_(actor)" title="Robert Montgomery (actor)">Robert Montgomery</a>, <a href="/wiki/Clark_Gable" title="Clark Gable">Clark Gable</a>, Louis B. Mayer, <a href="/wiki/William_Powell" title="William Powell">William Powell</a>, <a href="/wiki/Robert_Taylor_(American_actor)" title="Robert Taylor (American actor)">Robert Taylor</a>, seated: <a href="/wiki/Norma_Shearer" title="Norma Shearer">Norma Shearer</a>, <a href="/wiki/Lionel_Barrymore" title="Lionel Barrymore">Lionel Barrymore</a>, and <a href="/wiki/Rosalind_Russell" title="Rosalind Russell">Rosalind Russell</a></figcaption></figure> <p>During MGM's growth period, Mayer traveled often, and among his personal discoveries were <a href="/wiki/Greta_Garbo" title="Greta Garbo">Greta Garbo</a>, <a href="/wiki/Hedy_Lamarr" title="Hedy Lamarr">Hedy Lamarr</a>, <a href="/wiki/Norma_Shearer" title="Norma Shearer">Norma Shearer</a> and <a href="/wiki/Greer_Garson" title="Greer Garson">Greer Garson</a>.<sup id="cite_ref-Eyman8_52-0" class="reference"><a href="#cite_note-Eyman8-52"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup> He also signed up dancing team <a href="/wiki/Marge_Champion" title="Marge Champion">Marge</a> and <a href="/wiki/Gower_Champion" title="Gower Champion">Gower Champion</a> and discovered <a href="/wiki/Mario_Lanza" title="Mario Lanza">Mario Lanza</a>, then a young tenor from Philadelphia, who Mayer hoped to turn into a "singing <a href="/wiki/Clark_Gable" title="Clark Gable">Clark Gable</a>".<sup id="cite_ref-53" class="reference"><a href="#cite_note-53"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup> </p><p>When hiring new actors, he typically wanted them to agree to stay with the studio for either three or seven years, during which time they would become one of the MGM "family". The studio usually succeeded in hiring those it wanted since they offered the highest salaries.<sup id="cite_ref-Eyman,_p._288_54-0" class="reference"><a href="#cite_note-Eyman,_p._288-54"><span class="cite-bracket">[</span>53<span class="cite-bracket">]</span></a></sup> With executives, Mayer took more time before taking them, wanting to know them first on a personal level. He respected intelligence and talent overall, said manager Joe Cohn: "One time he said to me, 'Never be afraid of hiring a fellow smarter than you are. You'll only learn from them.'"<sup id="cite_ref-Eyman,_p._288_54-1" class="reference"><a href="#cite_note-Eyman,_p._288-54"><span class="cite-bracket">[</span>53<span class="cite-bracket">]</span></a></sup> </p><p>Mayer took pride in his ability to hire good people, and once hired, he left them alone to do their job without interference. That policy held true whether the person was a producer, a department head or simply a janitor.<sup id="cite_ref-Eyman,_p._289_55-0" class="reference"><a href="#cite_note-Eyman,_p._289-55"><span class="cite-bracket">[</span>54<span class="cite-bracket">]</span></a></sup> As a result, while other studios went through continuous upheavals or reorganizations, Mayer's hands-off policy kept MGM stable and sound, where employees felt their jobs were secure."<sup id="cite_ref-Eyman,_p._287_56-0" class="reference"><a href="#cite_note-Eyman,_p._287-56"><span class="cite-bracket">[</span>55<span class="cite-bracket">]</span></a></sup> </p><p>When meeting a new employee, he always told them to come to him personally for help with any problems. Some, like <a href="/wiki/Barbara_Stanwyck" title="Barbara Stanwyck">Barbara Stanwyck</a>, considered this attitude to be "pompous" however, since he used his position to meddle in people's lives. Others, such as actor <a href="/wiki/Edward_G._Robinson" title="Edward G. Robinson">Edward G. Robinson</a>, after his first meeting Mayer, said "I found him to be a man of truth ... Behind his gutta-percha face and roly-poly figure, it was evident there was a man of steel—but well-mannered steel."<sup id="cite_ref-57" class="reference"><a href="#cite_note-57"><span class="cite-bracket">[</span>56<span class="cite-bracket">]</span></a></sup> British director <a href="/wiki/Victor_Saville" title="Victor Saville">Victor Saville</a> remembered him as being "the best listener. He wanted to know. He was the devil's advocate. He would prod you and question you and suck you dry of any knowledge."<sup id="cite_ref-58" class="reference"><a href="#cite_note-58"><span class="cite-bracket">[</span>57<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Working_with_studio_people">Working with studio people</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=11" title="Edit section: Working with studio people"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatright" style="width:25em; ; color: #202122;background-color: Cornsilk;"> <blockquote class="quotebox-quote left-aligned" style=""> <p>L.B. wasn't crude at all. Super-intelligent people might have found him common or crass. He may have been an immigrant with a good suit of clothes, but never forget that this was a man working hard to be an American. </p> </blockquote> <p style="padding-bottom: 0;"><cite class="left-aligned" style="">—actress <a href="/wiki/Esther_Williams" title="Esther Williams">Esther Williams</a><sup id="cite_ref-Eyman,_p._287_56-1" class="reference"><a href="#cite_note-Eyman,_p._287-56"><span class="cite-bracket">[</span>55<span class="cite-bracket">]</span></a></sup></cite></p> </div> <p>His attitude and conversational style were both professional and animated, sometimes "theatrical", observed June Caldwell, secretary to <a href="/wiki/Eddie_Mannix" title="Eddie Mannix">Eddie Mannix</a>, Mayer's assistant. "Bombastic and colorful, but I never heard him use nasty language ... he had a great loyalty to everybody, and everybody respected him. And he would listen ... You could work with him."<sup id="cite_ref-59" class="reference"><a href="#cite_note-59"><span class="cite-bracket">[</span>58<span class="cite-bracket">]</span></a></sup> His manners were considered "impeccable". </p><p>With MGM's film output as high as one film each week, he never panicked over a bad picture. If somebody suggested canceling a movie and cutting the studio's losses, when a film had consistent production problems, Mayer would typically refuse.<sup id="cite_ref-Eyman284_46-2" class="reference"><a href="#cite_note-Eyman284-46"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> He relied on his instinct and intuition, said actress <a href="/wiki/Esther_Williams" title="Esther Williams">Esther Williams</a>. Although he did not read full scripts, if he was given the framework of a story, he could assemble the pieces needed to see if it could be a successful film.<sup id="cite_ref-Eyman,_p._300_60-0" class="reference"><a href="#cite_note-Eyman,_p._300-60"><span class="cite-bracket">[</span>59<span class="cite-bracket">]</span></a></sup> </p><p>Occasionally, when producers, directors, writers or actors were deadlocked over how to handle a problem in a film, he would mediate. On <a href="/wiki/Rosalie_(1937_film)" title="Rosalie (1937 film)"><i>Rosalie</i></a>, for instance, when <a href="/wiki/Nelson_Eddy" title="Nelson Eddy">Nelson Eddy</a> refused to sing a song he thought was too melodramatic, its songwriter, <a href="/wiki/Cole_Porter" title="Cole Porter">Cole Porter</a>, went to Mayer and played it for him. Mayer was moved to tears by the song, and told Eddy to sing it. "Imagine making Louis B. Mayer cry," Porter later told friends.<sup id="cite_ref-61" class="reference"><a href="#cite_note-61"><span class="cite-bracket">[</span>60<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Response_to_technical_innovations">Response to technical innovations</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=12" title="Edit section: Response to technical innovations"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>With regard to any technical issues with productions, Mayer left the details and solutions to MGM's engineers. He, though, like other top film executives and Hollywood stars in the 1920s and early 1930s, was often too quick to dismiss news of inventions and major innovations on the horizon that might profoundly change the movie industry or possibly challenge in the future the growing dominance of films in the realm of American entertainment.<sup id="cite_ref-FilmDaily32_62-0" class="reference"><a href="#cite_note-FilmDaily32-62"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> Beyond the well-entrenched aspect of sound by 1932, other technologies being discussed at that time in newspapers and on studio lots included color features, widescreen formatting, and even early television.<sup id="cite_ref-FilmDaily32_62-1" class="reference"><a href="#cite_note-FilmDaily32-62"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> In August 1932, after an "exclusive" interview with Mayer in New York, <i><a href="/wiki/The_Film_Daily" title="The Film Daily">The Film Daily</a></i> reported the movie mogul's assertions that such potential developments would never impact motion pictures in substantial, meaningful ways: </p> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote"><p>Peering into the industry's future, Louis B. Mayer ... sees no great production development or invention which will again revolutionize the business, as in the instance of sound. Television, color, and wide film he dismissed as promising no important influence on motion pictures. Television, according to the M-G-M chieftain, is impractical from the standpoint of any association with motion pictures. In taking this attitude he stressed the rapidity at which images must be transmitted in television and pointed out that satisfactory results cannot be obtained with this requirement. Except in some short subjects, such as educationals, <a href="/wiki/Travel_documentary" title="Travel documentary">travelogues</a>, and novelties, color has no place on the screen, Mayer asserted. It has the effect of detracting interest from the story being told. In addition the cost must be considered. Examining the possibility of the wide screen, Mayer said that it eliminates the intimacy allowed by the standard-sized screen. It might be effectively used in mob scenes, he observed, but pointed out the impracticability of switching back and forth between projectors capable of projecting both sizes of pictures.<sup id="cite_ref-FilmDaily32_62-2" class="reference"><a href="#cite_note-FilmDaily32-62"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup></p></blockquote> <div class="mw-heading mw-heading3"><h3 id="Being_a_father_figure">Being a father figure</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=13" title="Edit section: Being a father figure"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>With many of his actors, Mayer was like an overprotective father. In some cases, especially with child actors, he could become closely involved in managing their everyday lives, telling them where to shop, where to dine, or what doctor to visit. He liked giving suggestions about how they could take better care of themselves.<sup id="cite_ref-63" class="reference"><a href="#cite_note-63"><span class="cite-bracket">[</span>62<span class="cite-bracket">]</span></a></sup> He sometimes arranged marriages, and coping with occupational hazards such as alcoholism, suicide, and eccentric sexual habits were as much a part of his job as negotiating contracts with stars and directors.<sup id="cite_ref-64" class="reference"><a href="#cite_note-64"><span class="cite-bracket">[</span>63<span class="cite-bracket">]</span></a></sup> When he learned that <a href="/wiki/June_Allyson" title="June Allyson">June Allyson</a> was dating David Rose, for instance, he told her to stop seeing him: "If you care about your reputation, you cannot be seen with a married man."<sup id="cite_ref-65" class="reference"><a href="#cite_note-65"><span class="cite-bracket">[</span>64<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Louis_B_Mayer_and_Joan_Crawford.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/3c/Louis_B_Mayer_and_Joan_Crawford.jpg/220px-Louis_B_Mayer_and_Joan_Crawford.jpg" decoding="async" width="220" height="236" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/3c/Louis_B_Mayer_and_Joan_Crawford.jpg/330px-Louis_B_Mayer_and_Joan_Crawford.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/3c/Louis_B_Mayer_and_Joan_Crawford.jpg/440px-Louis_B_Mayer_and_Joan_Crawford.jpg 2x" data-file-width="3360" data-file-height="3598" /></a><figcaption>Mayer with <a href="/wiki/Joan_Crawford" title="Joan Crawford">Joan Crawford</a> at the premiere of <i><a href="/wiki/Torch_Song_(1953_film)" title="Torch Song (1953 film)">Torch Song</a></i>, 1953.<br />"To me," she once stated, "L.B. Mayer was my father, my father confessor, the best friend I ever had."<sup id="cite_ref-Hay,_22_66-0" class="reference"><a href="#cite_note-Hay,_22-66"><span class="cite-bracket">[</span>65<span class="cite-bracket">]</span></a></sup></figcaption></figure> <p>Stories about his sobbing or rages have often been repeated in books, but few employees ever saw that part of him. "Mr. Mayer was to me like a father", said <a href="/wiki/Ricardo_Montalb%C3%A1n" title="Ricardo Montalbán">Ricardo Montalbán</a>. "He really thought of the people under contract as his boys and girls."<sup id="cite_ref-Eyman,_p._289_55-1" class="reference"><a href="#cite_note-Eyman,_p._289-55"><span class="cite-bracket">[</span>54<span class="cite-bracket">]</span></a></sup> Mayer's paternalism could extend to productions; for example, he revised the <i>Dr. Kildare</i> stories in order to keep an ailing <a href="/wiki/Lionel_Barrymore" title="Lionel Barrymore">Lionel Barrymore</a>, who required the use of a wheelchair due to <a href="/wiki/Arthritis" title="Arthritis">arthritis</a>, on the job.<sup id="cite_ref-Eyman,_p._289_55-2" class="reference"><a href="#cite_note-Eyman,_p._289-55"><span class="cite-bracket">[</span>54<span class="cite-bracket">]</span></a></sup> </p><p>Some, such as young starlet <a href="/wiki/Elizabeth_Taylor" title="Elizabeth Taylor">Elizabeth Taylor</a>, disliked Mayer overseeing their lives; Taylor called him a "monster",<sup id="cite_ref-67" class="reference"><a href="#cite_note-67"><span class="cite-bracket">[</span>66<span class="cite-bracket">]</span></a></sup> while <a href="/wiki/Mickey_Rooney" title="Mickey Rooney">Mickey Rooney</a>, another young actor who co-starred with Taylor when she was 12, formed the opposite impression: "He was the daddy of everybody and vitally interested in everybody. They always talk badly about Mayer, but he was really a wonderful guy ... he listened and you listened."<sup id="cite_ref-68" class="reference"><a href="#cite_note-68"><span class="cite-bracket">[</span>67<span class="cite-bracket">]</span></a></sup> Rooney spoke from experience, as he himself had some confrontations with Mayer, observed film historian Jane Ellen Wayne: </p> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote"><p>Mayer naturally tried to keep all his child actors in line, like any father figure. After one such episode, Mickey Rooney replied, "I won't do it. You're asking the impossible." Mayer then grabbed young Rooney by his lapels and said, "Listen to me! I don't care what you do in private. Just don't do it in public. In public, behave. Your fans expect it. You're Andy Hardy! You're the United States! You're the Stars and Stripes. Behave yourself! You're a symbol!" Mickey nodded. "I'll be good, Mr. Mayer. I promise you that." Mayer let go of his lapels. "All right", he said.<sup id="cite_ref-Wayne_69-0" class="reference"><a href="#cite_note-Wayne-69"><span class="cite-bracket">[</span>68<span class="cite-bracket">]</span></a></sup></p></blockquote> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Rooney-Garland-ebay-1938.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/c/ca/Rooney-Garland-ebay-1938.jpg/220px-Rooney-Garland-ebay-1938.jpg" decoding="async" width="220" height="257" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/ca/Rooney-Garland-ebay-1938.jpg/330px-Rooney-Garland-ebay-1938.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/ca/Rooney-Garland-ebay-1938.jpg/440px-Rooney-Garland-ebay-1938.jpg 2x" data-file-width="591" data-file-height="690" /></a><figcaption><a href="/wiki/Mickey_Rooney" title="Mickey Rooney">Mickey Rooney</a> and <a href="/wiki/Judy_Garland" title="Judy Garland">Judy Garland</a> in <i><a href="/wiki/Love_Finds_Andy_Hardy" title="Love Finds Andy Hardy">Love Finds Andy Hardy</a></i>, 1938</figcaption></figure> <p>One of Rooney's repeat costars in <i>Andy Hardy</i> and other films was <a href="/wiki/Judy_Garland" title="Judy Garland">Judy Garland</a>, with whom he made nine films. Garland stated in her unfinished autobiography that Mayer molested her.<sup id="cite_ref-70" class="reference"><a href="#cite_note-70"><span class="cite-bracket">[</span>69<span class="cite-bracket">]</span></a></sup> In the late 1940s, she began having personal problems, which affected her acting, and Mayer tried his best to protect her star reputation while keeping her overworked and making money for MGM. She suffered from addictions to prescription drugs, severe eating disorders and domestic strains, as well as a multitude of issues with her mental health. This was largely the result of Metro-Goldwyn-Mayer, her mother, and the era's ignorance of diet and drugs.<sup id="cite_ref-Hay,_275_71-0" class="reference"><a href="#cite_note-Hay,_275-71"><span class="cite-bracket">[</span>70<span class="cite-bracket">]</span></a></sup> When her absences caused the production of <i><a href="/wiki/Summer_Stock" title="Summer Stock">Summer Stock</a></i> to go far over budget, producer <a href="/wiki/Joe_Pasternak" title="Joe Pasternak">Joe Pasternak</a> suggested that Mayer cut his losses and cancel the picture. Mayer refused, telling him, "Judy Garland has made this studio a fortune in the good days, and the least we can do is to give her one more chance. If you stop production now, it'll finish her",<sup id="cite_ref-72" class="reference"><a href="#cite_note-72"><span class="cite-bracket">[</span>71<span class="cite-bracket">]</span></a></sup> in what some consider to be his last attempt at holding on to her fame for the benefit of the studio. She completed the film, but during her next picture, <a href="/wiki/Annie_Get_Your_Gun_(film)" title="Annie Get Your Gun (film)"><i>Annie Get Your Gun</i></a>, the studio finally ran out of patience. Costar <a href="/wiki/Howard_Keel" title="Howard Keel">Howard Keel</a> recalls that "she began to fall apart". After the studio fired her, she attempted suicide.<sup id="cite_ref-Hay,_275_71-1" class="reference"><a href="#cite_note-Hay,_275-71"><span class="cite-bracket">[</span>70<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Developing_child_stars">Developing child stars</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=14" title="Edit section: Developing child stars"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Mayer wanted the studio to nurture child stars for MGM's family-oriented productions. The studio provided all the essential services, such as formal education and medical care. They were given acting or dancing tutors. Mayer loved children, wrote biographer <a href="/wiki/Kitty_Kelley" title="Kitty Kelley">Kitty Kelley</a>: "They provided the magic that brought millions of people stampeding into theaters every week ... They were the good, clean, wholesome elements of the folksy entertainment that was MGM's specialty."<sup id="cite_ref-73" class="reference"><a href="#cite_note-73"><span class="cite-bracket">[</span>72<span class="cite-bracket">]</span></a></sup> </p><p><a href="/wiki/Jackie_Coogan" title="Jackie Coogan">Jackie Coogan</a>, then 11, marked the studio's debut using child stars with his role in <i>The Rag Man</i> in 1925. During Hollywood's golden age, MGM had more child actors than any other studio, including <a href="/wiki/Jackie_Cooper" title="Jackie Cooper">Jackie Cooper</a>, <a href="/wiki/Mickey_Rooney" title="Mickey Rooney">Mickey Rooney</a>, <a href="/wiki/Judy_Garland" title="Judy Garland">Judy Garland</a>, <a href="/wiki/Freddie_Bartholomew" title="Freddie Bartholomew">Freddie Bartholomew</a>, <a href="/wiki/Margaret_O%27Brien" title="Margaret O'Brien">Margaret O'Brien</a>, <a href="/wiki/Elizabeth_Taylor" title="Elizabeth Taylor">Elizabeth Taylor</a>, and <a href="/wiki/Roddy_McDowall" title="Roddy McDowall">Roddy McDowall</a>.<sup id="cite_ref-74" class="reference"><a href="#cite_note-74"><span class="cite-bracket">[</span>73<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Themes,_musicals_and_formula"><span id="Themes.2C_musicals_and_formula"></span>Themes, musicals and formula</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=15" title="Edit section: Themes, musicals and formula"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>While MGM's films during the 1920s and 1930s were often known for containing adult themes and strong female stars, such as Greta Garbo, after Thalberg's early death in 1936, Mayer promoted a change in emphasis to more male leads, family themes, and child stars.<sup id="cite_ref-75" class="reference"><a href="#cite_note-75"><span class="cite-bracket">[</span>74<span class="cite-bracket">]</span></a></sup> And unusual for a movie mogul, he took moral positions in his movies, especially when it came to portraying family values—as in the <i>Andy Hardy</i> series.<sup id="cite_ref-Eyman8_52-1" class="reference"><a href="#cite_note-Eyman8-52"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup> One of Mayer's proudest moments came when Mickey Rooney, who starred as Andy Hardy, was given a special award by the Academy in 1942 for "furthering the American way of life."<sup id="cite_ref-76" class="reference"><a href="#cite_note-76"><span class="cite-bracket">[</span>75<span class="cite-bracket">]</span></a></sup> </p> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatright" style="width:25em; ; color: #202122;background-color: Cornsilk;"> <blockquote class="quotebox-quote left-aligned" style=""> <p>I am going to make pictures you can take your mother and your children to see. I am not going to make pictures for the sake of awards or for the critics. I want to make pictures for Americans and for all people to enjoy. When I send my pictures abroad, I want them to show America in the right light—and not that we are a nation chiefly of drunks, gangsters and prostitutes. </p> </blockquote> <p style="padding-bottom: 0;"><cite class="left-aligned" style="">—Louis B. Mayer<sup id="cite_ref-Eyman,_p._450_77-0" class="reference"><a href="#cite_note-Eyman,_p._450-77"><span class="cite-bracket">[</span>76<span class="cite-bracket">]</span></a></sup></cite></p> </div> <p>Mayer tried to express an idealized vision of men, women, and families in the real world they lived in. He also believed in beauty, glamour, and the "star system".<sup id="cite_ref-Eyman8_52-2" class="reference"><a href="#cite_note-Eyman8-52"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup> In MGM films, "marriage was sacrosanct and mothers were objects of veneration".<sup id="cite_ref-78" class="reference"><a href="#cite_note-78"><span class="cite-bracket">[</span>77<span class="cite-bracket">]</span></a></sup> Author Peter Hay states that Mayer "cherished the Puritan values of family and hard work."<sup id="cite_ref-Hay,_22_66-1" class="reference"><a href="#cite_note-Hay,_22-66"><span class="cite-bracket">[</span>65<span class="cite-bracket">]</span></a></sup> When he hired writers, he made those objectives clear at the outset, once telling screenwriter Frances Marion that he never wanted his own daughters or his wife to be embarrassed when watching an MGM movie. "I worship good women, honorable men, and saintly mothers", he told her.<sup id="cite_ref-Hay,_22_66-2" class="reference"><a href="#cite_note-Hay,_22-66"><span class="cite-bracket">[</span>65<span class="cite-bracket">]</span></a></sup> Mayer was serious about that, once coming from behind his desk and knocking director <a href="/wiki/Erich_von_Stroheim" title="Erich von Stroheim">Erich von Stroheim</a> to the floor when he said that all women were whores.<sup id="cite_ref-Hay,_22_66-3" class="reference"><a href="#cite_note-Hay,_22-66"><span class="cite-bracket">[</span>65<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-79" class="reference"><a href="#cite_note-79"><span class="cite-bracket">[</span>78<span class="cite-bracket">]</span></a></sup> </p><p>Mayer knew that formula in his themes and stories usually works. He felt that the general public, especially Americans, like to see stars, spectacle, and optimism on screen, and if possible, with a little sentiment attached. They don't like to be challenged or instructed, but comforted and entertained.<sup id="cite_ref-Eyman,_p._9_80-0" class="reference"><a href="#cite_note-Eyman,_p._9-80"><span class="cite-bracket">[</span>79<span class="cite-bracket">]</span></a></sup> </p><p>Therefore, having messages was less important to Mayer than giving his audience pure entertainment and escapism. In his screen dramas, he wanted them to be melodramatic, whereas in comedies, he often laced them with strong doses of sentimentality. "He loved swaggering, charismatic hams like <a href="/wiki/Lionel_Barrymore" title="Lionel Barrymore">Lionel Barrymore</a> and <a href="/wiki/Marie_Dressler" title="Marie Dressler">Marie Dressler</a>", wrote Eyman.<sup id="cite_ref-Eyman,_p._9_80-1" class="reference"><a href="#cite_note-Eyman,_p._9-80"><span class="cite-bracket">[</span>79<span class="cite-bracket">]</span></a></sup> </p><p><a href="/wiki/Musical_film" title="Musical film">Musicals</a> were high on his list of preferred genres. Anxious to make more of them, on a hunch, he asked songwriter <a href="/wiki/Arthur_Freed" title="Arthur Freed">Arthur Freed</a> to be associate producer for <a href="/wiki/The_Wizard_of_Oz_(1939_film)" class="mw-redirect" title="The Wizard of Oz (1939 film)"><i>The Wizard of Oz</i></a>. As Mayer hoped, Freed's unit at MGM produced many films considered among the best musicals ever made: <i><a href="/wiki/For_Me_and_My_Gal_(film)" title="For Me and My Gal (film)">For Me and My Gal</a></i>, <i><a href="/wiki/Girl_Crazy_(1943_film)" title="Girl Crazy (1943 film)">Girl Crazy</a></i>, <i><a href="/wiki/Meet_Me_in_St._Louis_(film)" class="mw-redirect" title="Meet Me in St. Louis (film)">Meet Me in St. Louis</a></i>, <i><a href="/wiki/The_Harvey_Girls_(film)" class="mw-redirect" title="The Harvey Girls (film)">The Harvey Girls</a></i>, <i><a href="/wiki/The_Pirate_(1948_film)" title="The Pirate (1948 film)">The Pirate</a></i>, <i><a href="/wiki/Easter_Parade_(film)" title="Easter Parade (film)">Easter Parade</a></i>, <i><a href="/wiki/The_Barkleys_of_Broadway" title="The Barkleys of Broadway">The Barkleys of Broadway</a></i>, <i><a href="/wiki/On_the_Town_(film)" title="On the Town (film)">On the Town</a></i>, <i><a href="/wiki/An_American_in_Paris_(film)" title="An American in Paris (film)">An American in Paris</a></i>, <i><a href="/wiki/Singin%27_in_the_Rain_(film)" class="mw-redirect" title="Singin' in the Rain (film)">Singin' in the Rain</a></i>, <i>The Band Wagon</i>, and <i><a href="/wiki/Gigi_(1958_film)" title="Gigi (1958 film)">Gigi</a></i>. Mayer's greatest contributions to posterity are said to be his musicals.<sup id="cite_ref-81" class="reference"><a href="#cite_note-81"><span class="cite-bracket">[</span>80<span class="cite-bracket">]</span></a></sup> Both <i>An American in Paris</i> and <i>Gigi</i> won the <a href="/wiki/Academy_Award_for_Best_Picture" title="Academy Award for Best Picture">Academy Award for Best Picture</a>. </p> <div class="mw-heading mw-heading2"><h2 id="World_War_II_issues">World War II issues</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=16" title="Edit section: World War II issues"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Unlike <a href="/wiki/Charlie_Chaplin" title="Charlie Chaplin">Charlie Chaplin</a>, who produced <i><a href="/wiki/The_Great_Dictator" title="The Great Dictator">The Great Dictator</a></i>, the other, much larger Hollywood studios lacked the freedom to make such independent films. Mayer understood that the Germans could ban or boycott Hollywood films throughout much of Europe, with serious economic implications, since 30 to 40 percent of Hollywood's income came from European audiences.<sup id="cite_ref-Eyman,_p._276_82-0" class="reference"><a href="#cite_note-Eyman,_p._276-82"><span class="cite-bracket">[</span>81<span class="cite-bracket">]</span></a></sup> Nevertheless, MGM produced <i><a href="/wiki/Three_Comrades_(1938_film)" title="Three Comrades (1938 film)">Three Comrades</a></i> in 1938, despite movie censor <a href="/wiki/Joseph_Breen" title="Joseph Breen">Joseph Breen</a> warning Mayer that the film was "a serious indictment of the German nation and people and is certain to be violently resented by the present government in that country."<sup id="cite_ref-Eyman,_p._276_82-1" class="reference"><a href="#cite_note-Eyman,_p._276-82"><span class="cite-bracket">[</span>81<span class="cite-bracket">]</span></a></sup> </p><p>After the Second World War began in Europe in September 1939, Mayer authorized the production of two anti-Nazi films, <i><a href="/wiki/The_Mortal_Storm" title="The Mortal Storm">The Mortal Storm</a></i> and <i>Escape.</i> At the same time, Warner Brothers produced <i><a href="/wiki/Confessions_of_a_Nazi_Spy" title="Confessions of a Nazi Spy">Confessions of a Nazi Spy</a>.</i> The German government informed the studios that "those films would be remembered by Germany <i>when</i> — not <i>if</i> — they won the war", writes Eyman.<sup id="cite_ref-Eyman,_p._278_83-0" class="reference"><a href="#cite_note-Eyman,_p._278-83"><span class="cite-bracket">[</span>82<span class="cite-bracket">]</span></a></sup> Warners had to post guards to protect the family of actor <a href="/wiki/Edward_G._Robinson" title="Edward G. Robinson">Edward G. Robinson</a>, and the Germans threatened Mayer with a boycott of all MGM films.<sup id="cite_ref-Eyman,_p._278_83-1" class="reference"><a href="#cite_note-Eyman,_p._278-83"><span class="cite-bracket">[</span>82<span class="cite-bracket">]</span></a></sup> </p><p>From September 1939 until January 1940, all films that could be considered anti-Nazi were banned by the <a href="/wiki/Hays_Office" class="mw-redirect" title="Hays Office">Hays Office</a>.<sup id="cite_ref-Eyman,_p._277_84-0" class="reference"><a href="#cite_note-Eyman,_p._277-84"><span class="cite-bracket">[</span>83<span class="cite-bracket">]</span></a></sup> The U.S. ambassador to England, <a href="/wiki/Joseph_Kennedy" class="mw-redirect" title="Joseph Kennedy">Joseph Kennedy</a>, told the studios to stop making pro-British and anti-German films.<sup id="cite_ref-Wapshott_85-0" class="reference"><a href="#cite_note-Wapshott-85"><span class="cite-bracket">[</span>84<span class="cite-bracket">]</span></a></sup> Kennedy felt that "British defeat was imminent and there was no point in America holding out alone: 'With England licked, the party's over,' said Kennedy."<sup id="cite_ref-Wapshott_85-1" class="reference"><a href="#cite_note-Wapshott-85"><span class="cite-bracket">[</span>84<span class="cite-bracket">]</span></a></sup> </p><p>Defying those pleadings, MGM produced <i><a href="/wiki/Mrs._Miniver" title="Mrs. Miniver">Mrs. Miniver</a></i>, a simple story about a family in rural England trying to get by during the early years of the war.<sup id="cite_ref-86" class="reference"><a href="#cite_note-86"><span class="cite-bracket">[</span>85<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Eddie_Mannix" title="Eddie Mannix">Eddie Mannix</a> agreed that "someone should salute England. And even if we lose $100,000, that'll be okay."<sup id="cite_ref-87" class="reference"><a href="#cite_note-87"><span class="cite-bracket">[</span>86<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Greer_Garson-publicity.JPG" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/78/Greer_Garson-publicity.JPG/220px-Greer_Garson-publicity.JPG" decoding="async" width="220" height="276" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/78/Greer_Garson-publicity.JPG/330px-Greer_Garson-publicity.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/78/Greer_Garson-publicity.JPG/440px-Greer_Garson-publicity.JPG 2x" data-file-width="1040" data-file-height="1306" /></a><figcaption>Greer Garson, 1940s</figcaption></figure> <p>Mayer wanted British actress <a href="/wiki/Greer_Garson" title="Greer Garson">Greer Garson</a>, his personal discovery, to star, but she refused to play a matronly role.<sup id="cite_ref-88" class="reference"><a href="#cite_note-88"><span class="cite-bracket">[</span>87<span class="cite-bracket">]</span></a></sup> Mayer implored her "to have the same faith in me" that he had in her.<sup id="cite_ref-Eyman,_p._345_89-0" class="reference"><a href="#cite_note-Eyman,_p._345-89"><span class="cite-bracket">[</span>88<span class="cite-bracket">]</span></a></sup> He read from the script, having her visualize the image she would present to the world, "a woman who survives and endures. She was London. No, more than that, she was ... England!"<sup id="cite_ref-Eyman,_p._345_89-1" class="reference"><a href="#cite_note-Eyman,_p._345-89"><span class="cite-bracket">[</span>88<span class="cite-bracket">]</span></a></sup> Garson accepted the role, winning the <a href="/wiki/Academy_Award_for_Best_Actress" title="Academy Award for Best Actress">Academy Award for Best Actress</a>. <i>Mrs. Miniver</i> won six Academy Awards and became the top box office hit of 1942. </p><p><a href="/wiki/Franklin_Delano_Roosevelt" class="mw-redirect" title="Franklin Delano Roosevelt">President Franklin D. Roosevelt</a> and British Prime Minister <a href="/wiki/Winston_Churchill" title="Winston Churchill">Winston Churchill</a> both loved the film, said historian Emily Yellin, and Roosevelt wanted prints rushed to theaters nationwide. The <a href="/wiki/Voice_of_America" title="Voice of America">Voice of America</a> radio network broadcast the minister's speech from the film, magazines reprinted it, and it was copied onto leaflets and dropped over German-occupied countries. Churchill sent Mayer a telegram claiming that "<i>Mrs. Miniver</i> is propaganda worth 100 battleships."<sup id="cite_ref-90" class="reference"><a href="#cite_note-90"><span class="cite-bracket">[</span>89<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Bosley_Crowther" title="Bosley Crowther">Bosley Crowther</a> (1960 biographer of Mayer, <a href="#Further_reading">below</a>), wrote in his <i>New York Times</i> review that <i>Mrs. Miniver</i> was the finest film yet made about the war, "and a most exalting tribute to the British."<sup id="cite_ref-91" class="reference"><a href="#cite_note-91"><span class="cite-bracket">[</span>90<span class="cite-bracket">]</span></a></sup> </p><p>The following year, 1943, saw the release of another Oscar-winning film, this one aimed at supporting the home front, titled <a href="/wiki/The_Human_Comedy_(film)" title="The Human Comedy (film)"><i>The Human Comedy.</i></a> It was Mayer's personal favorite and the favorite of its director, <a href="/wiki/Clarence_Brown" title="Clarence Brown">Clarence Brown</a>. Mayer assisted the U.S. government by producing a number of short films related to the war, and helped produce pro-American films such as <i><a href="/wiki/Joe_Smith,_American" title="Joe Smith, American">Joe Smith, American</a>,</i> in 1942.<sup id="cite_ref-Eyman,_p._277_84-1" class="reference"><a href="#cite_note-Eyman,_p._277-84"><span class="cite-bracket">[</span>83<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Declining_years_at_MGM">Declining years at MGM</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=17" title="Edit section: Declining years at MGM"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The post-war years saw a gradual decline in profits for MGM and the other studios. The number of high-grossing films in 1947 dwindled to six, compared to twenty-two a year earlier. MGM had to let go many of its top producers and other executives. Mayer was pressured to tighten expenses by the studio's parent company, although Mayer's reputation as a "big-picture man" would make that difficult. They began looking for someone, another Thalberg, to redo the studio system. </p><p>In the interim, Mayer kept making "big pictures".<sup id="cite_ref-Eyman,_p._408_92-0" class="reference"><a href="#cite_note-Eyman,_p._408-92"><span class="cite-bracket">[</span>91<span class="cite-bracket">]</span></a></sup> When <a href="/wiki/RKO" class="mw-redirect" title="RKO">RKO</a> turned down financing of <a href="/wiki/Frank_Capra" title="Frank Capra">Frank Capra</a>'s <a href="/wiki/State_of_the_Union_(film)" title="State of the Union (film)"><i>State of the Union</i></a> in 1948 because of its expensive budget, Mayer took on the project. He filled the cast with MGM stars including <a href="/wiki/Katharine_Hepburn" title="Katharine Hepburn">Katharine Hepburn</a>, <a href="/wiki/Spencer_Tracy" title="Spencer Tracy">Spencer Tracy</a>, <a href="/wiki/Van_Johnson" title="Van Johnson">Van Johnson</a>, <a href="/wiki/Adolphe_Menjou" title="Adolphe Menjou">Adolphe Menjou</a> and <a href="/wiki/Angela_Lansbury" title="Angela Lansbury">Angela Lansbury</a>, but the film only broke even. Nicholas Schenck called Mayer and insisted that he "cut, cut", recalls director <a href="/wiki/George_Sidney" title="George Sidney">George Sidney</a>. Mayer replied, "A studio isn't salami, Nick."<sup id="cite_ref-Eyman,_p._408_92-1" class="reference"><a href="#cite_note-Eyman,_p._408-92"><span class="cite-bracket">[</span>91<span class="cite-bracket">]</span></a></sup> "L.B. would ask only one question: 'Can you make it better?' It was all he cared about", said Sidney.<sup id="cite_ref-Eyman,_p._408_92-2" class="reference"><a href="#cite_note-Eyman,_p._408-92"><span class="cite-bracket">[</span>91<span class="cite-bracket">]</span></a></sup> </p><p>As pressure built to find a new Thalberg-style manager to handle production, <a href="/wiki/Dore_Schary" title="Dore Schary">Dore Schary</a> was brought in from RKO, and began work on July 14, 1948, as vice president in charge of production, working under Mayer's direction. </p><p>Some long-time studio executives saw this change as a sign of the eventual downfall of MGM. When she heard the news, Lillian Burns Sidney, George Sidney's wife, marched into Mayer's office and announced, "Now you've done it. You've ruined everything." She told Mayer that she was afraid Schary would eliminate all future musicals, comedies and adventure movies, and replace them with the "message" movies that he preferred. She expressed her fear: "They won't have need for anybody around here. Even you! You'll see."<sup id="cite_ref-93" class="reference"><a href="#cite_note-93"><span class="cite-bracket">[</span>92<span class="cite-bracket">]</span></a></sup> </p><p>By mutual consent with Loew's, Mayer resigned from MGM in August 1951. On his final day, as he walked down a red carpet laid out in front of the Thalberg Building, executives, actors and staff lined the path and applauded him for his contributions. "He was so respected," said June Caldwell, Eddie Mannix's secretary.<sup id="cite_ref-94" class="reference"><a href="#cite_note-94"><span class="cite-bracket">[</span>93<span class="cite-bracket">]</span></a></sup> Many assumed that his leaving meant the end of an era. Actor <a href="/wiki/Turhan_Bey" title="Turhan Bey">Turhan Bey</a> said, "In every meaningful way, it was the end of Hollywood."<sup id="cite_ref-95" class="reference"><a href="#cite_note-95"><span class="cite-bracket">[</span>94<span class="cite-bracket">]</span></a></sup> </p><p>Mayer, for a period after he left MGM, tried to finance and assemble a new group of film stars and directors to produce his own films as an independent. He told the press that his films would carry on in the tradition of MGM's previous style of film subjects.<sup id="cite_ref-Eyman,_p._450_77-1" class="reference"><a href="#cite_note-Eyman,_p._450-77"><span class="cite-bracket">[</span>76<span class="cite-bracket">]</span></a></sup> In 1952, he became chairman of the board and the single largest shareholder in <a href="/wiki/Cinerama" title="Cinerama">Cinerama</a>, and had hoped to produce a property he owned, <i><a href="/wiki/Paint_Your_Wagon_(musical)" title="Paint Your Wagon (musical)">Paint Your Wagon</a></i>, in the widescreen process, but without success. He left Cinerama in 1954 when the company was sold. </p> <div class="mw-heading mw-heading2"><h2 id="Personal_life">Personal life</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=18" title="Edit section: Personal life"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Accusations_of_sexual_abuse">Accusations of sexual abuse</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=19" title="Edit section: Accusations of sexual abuse"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Louis B. Mayer has been accused of sexual abuse, including having groped a then-teenage Judy Garland. According to Gerald Clarke's book <i><a href="/wiki/Get_Happy:_The_Life_of_Judy_Garland" title="Get Happy: The Life of Judy Garland">Get Happy: The Life of Judy Garland</a></i>, Mayer "held meetings with the young woman seated on his lap, his hands on her chest".<sup id="cite_ref-castingcouch_5-1" class="reference"><a href="#cite_note-castingcouch-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> In an interview with Larry King, Shirley Temple claimed that Mayer "came on to" her mother while at the same time, Temple was in the adjacent office of <a href="/wiki/Arthur_Freed" title="Arthur Freed">Arthur Freed</a>, who, she claimed, disrobed before her; she proceeded to laugh until he threw her out. At the time Temple was 12 years old. </p><p>Mayer reportedly pursued <a href="/wiki/Jean_Howard" title="Jean Howard">Jean Howard</a> in hopes of establishing a sexual relationship, but without success.<sup id="cite_ref-96" class="reference"><a href="#cite_note-96"><span class="cite-bracket">[</span>95<span class="cite-bracket">]</span></a></sup> Cari Beauchamp, author of <i>Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood</i>, observed: "Mayer chased actress Jean Howard around the room. When she said, 'No way', and went off and married Charles K. Feldman, the agent, Mayer banned Charlie from the lot. For a long time after, he wouldn't allow any of Feldman's clients to work at MGM."<sup id="cite_ref-castingcouch_5-2" class="reference"><a href="#cite_note-castingcouch-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> In her autobiography, <a href="/wiki/Esther_Ralston" title="Esther Ralston">Esther Ralston</a> recorded that her career was sabotaged by Mayer when she refused to sleep with him.<sup id="cite_ref-97" class="reference"><a href="#cite_note-97"><span class="cite-bracket">[</span>96<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Family">Family</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=20" title="Edit section: Family"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Mayer had two daughters from his first marriage to Margaret Shenberg (1883–1955), which ended in divorce in 1947.<sup id="cite_ref-98" class="reference"><a href="#cite_note-98"><span class="cite-bracket">[</span>97<span class="cite-bracket">]</span></a></sup> The elder of these, Edith (Edie) Mayer (1905–1988), whom he would later become estranged from and disinherit, married producer <a href="/wiki/William_Goetz" title="William Goetz">William Goetz</a> (who served as vice president for Twentieth-Century Fox and later became president of <a href="/wiki/Universal_Pictures" title="Universal Pictures">Universal-International</a>). The younger, <a href="/wiki/Irene_Mayer_Selznick" title="Irene Mayer Selznick">Irene</a> (1907–1990), was the first wife of producer <a href="/wiki/David_O._Selznick" title="David O. Selznick">David O. Selznick</a> and became a successful theatrical producer. In 1948, Mayer married former actress Lorena Layson Danker (1907–1985). </p><p>At home, Mayer was boss. "In our family, all the basic decisions were made by him", remembers his nephew, Gerald Mayer. "He was a giant. ... Were we afraid of him? Jesus Christ, yes!"<sup id="cite_ref-99" class="reference"><a href="#cite_note-99"><span class="cite-bracket">[</span>98<span class="cite-bracket">]</span></a></sup> And although he never spoke Yiddish at the office, he sometimes spoke Yiddish with "some of the relatives", said his daughter Irene.<sup id="cite_ref-Eyman,_p._287_56-2" class="reference"><a href="#cite_note-Eyman,_p._287-56"><span class="cite-bracket">[</span>55<span class="cite-bracket">]</span></a></sup> </p><p>Mayer's activities for the Jewish Home for the Aged led to a strong friendship with <a href="/wiki/Edgar_Magnin" title="Edgar Magnin">Edgar Magnin</a>, the rabbi at the Wilshire Temple in Los Angeles. "Edgar and Louis B. virtually built that temple", said Herbert Brin.<sup id="cite_ref-Eyman,_p._297_100-0" class="reference"><a href="#cite_note-Eyman,_p._297-100"><span class="cite-bracket">[</span>99<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Entertainment_and_leisure">Entertainment and leisure</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=21" title="Edit section: Entertainment and leisure"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>At his home on Saint Cloud Road in the <a href="/wiki/East_Gate_Bel_Air,_Los_Angeles" title="East Gate Bel Air, Los Angeles">East Gate Bel Air</a> neighborhood, Sundays were reserved for brunches in what was an open house, which often included visiting statesmen or former U.S. presidents, along with various producers, directors or stars.<sup id="cite_ref-Eyman,_p._289_55-3" class="reference"><a href="#cite_note-Eyman,_p._289-55"><span class="cite-bracket">[</span>54<span class="cite-bracket">]</span></a></sup> There would be a buffet supper, drinks, and later a movie.<sup id="cite_ref-101" class="reference"><a href="#cite_note-101"><span class="cite-bracket">[</span>100<span class="cite-bracket">]</span></a></sup> Mayer drank almost no alcohol, cared nothing for fine cuisine, and did not gamble, but might play penny-ante card games for fun.<sup id="cite_ref-Eyman,_p._300_60-1" class="reference"><a href="#cite_note-Eyman,_p._300-60"><span class="cite-bracket">[</span>59<span class="cite-bracket">]</span></a></sup> </p><p>For leisure activities, he liked going to the <a href="/wiki/Hollywood_Bowl" title="Hollywood Bowl">Hollywood Bowl</a>, especially the annual <a href="/wiki/John_Philip_Sousa" title="John Philip Sousa">John Philip Sousa</a> concert. Sousa's patriotic-style music built up his pride in America, and he "would be stoked with extra exuberance for days afterward", states Eyman.<sup id="cite_ref-Eyman,_p._297_100-1" class="reference"><a href="#cite_note-Eyman,_p._297-100"><span class="cite-bracket">[</span>99<span class="cite-bracket">]</span></a></sup> Mayer also enjoyed ballet and opera, and concerts where violinist <a href="/wiki/Jascha_Heifetz" title="Jascha Heifetz">Jascha Heifetz</a> or pianist <a href="/wiki/Arthur_Rubinstein" title="Arthur Rubinstein">Arthur Rubinstein</a> performed.<sup id="cite_ref-102" class="reference"><a href="#cite_note-102"><span class="cite-bracket">[</span>101<span class="cite-bracket">]</span></a></sup> </p><p>While Mayer seldom discussed his early life, his partiality towards Canada would sometimes be revealed, especially after Canada entered World War II in September 1939 and the United States followed more than two years later in December 1941. On one occasion in 1943, <a href="/wiki/Mary_Pickford" title="Mary Pickford">Mary Pickford</a> called to tell him she met a movie-struck <a href="/wiki/Royal_Canadian_Air_Force" title="Royal Canadian Air Force">Royal Canadian Air Force</a> pilot from New Brunswick, where Mayer grew up. Mayer asked her to have him drop by the studio. The pilot, <a href="/wiki/Charles_Foster_(writer)" title="Charles Foster (writer)">Charles Foster</a>, recalled his visit: "Mary's driver took me through the gates, and I saw this little man come running down the steps of the Thalberg Building. I thought, 'Oh, he's sent a man to greet me.' And I got out of the car, and this man threw his arms around me and said, 'Welcome to my studio.' "<sup id="cite_ref-Eyman,_p._310_103-0" class="reference"><a href="#cite_note-Eyman,_p._310-103"><span class="cite-bracket">[</span>102<span class="cite-bracket">]</span></a></sup> </p><p>Mayer took him on a personal tour of the studio, and Foster remembers that "everybody waved to him and he waved back. He spoke to people and knew them by name. I was shocked."<sup id="cite_ref-Eyman,_p._310_103-1" class="reference"><a href="#cite_note-Eyman,_p._310-103"><span class="cite-bracket">[</span>102<span class="cite-bracket">]</span></a></sup> Mayer invited him back for lunch the next day. But before Foster arrived, Mayer had invited every Canadian in Hollywood to meet the flier, including <a href="/wiki/Fay_Wray" title="Fay Wray">Fay Wray</a>, <a href="/wiki/Walter_Pidgeon" title="Walter Pidgeon">Walter Pidgeon</a>, <a href="/wiki/Raymond_Massey" title="Raymond Massey">Raymond Massey</a>, <a href="/wiki/Jack_Carson" title="Jack Carson">Jack Carson</a>, <a href="/wiki/Rod_Cameron_(actor)" title="Rod Cameron (actor)">Rod Cameron</a>, <a href="/wiki/Deanna_Durbin" title="Deanna Durbin">Deanna Durbin</a>, <a href="/wiki/Walter_Huston" title="Walter Huston">Walter Huston</a>, <a href="/wiki/Ann_Rutherford" title="Ann Rutherford">Ann Rutherford</a>, and even his main competitor, <a href="/wiki/Jack_L._Warner" title="Jack L. Warner">Jack Warner</a>. Mayer told him, "When this war is over, if you want to come back here, I'll find a job for you."<sup id="cite_ref-104" class="reference"><a href="#cite_note-104"><span class="cite-bracket">[</span>103<span class="cite-bracket">]</span></a></sup> Foster said "It was like he was the father I never knew."<sup id="cite_ref-Eyman,_p._310_103-2" class="reference"><a href="#cite_note-Eyman,_p._310-103"><span class="cite-bracket">[</span>102<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Politics">Politics</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=22" title="Edit section: Politics"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Active in Republican Party politics, Mayer served as the vice chairman of the <a href="/wiki/California_Republican_Party" title="California Republican Party">California Republican Party</a> in 1931 and 1932, and as its state chairman in 1932 and 1933.<sup id="cite_ref-105" class="reference"><a href="#cite_note-105"><span class="cite-bracket">[</span>104<span class="cite-bracket">]</span></a></sup> As a delegate to the <a href="/wiki/1928_Republican_National_Convention" title="1928 Republican National Convention">1928 Republican National Convention</a> in Kansas City, Mayer supported Secretary of Commerce <a href="/wiki/Herbert_Hoover" title="Herbert Hoover">Herbert Hoover</a> of California.<sup id="cite_ref-106" class="reference"><a href="#cite_note-106"><span class="cite-bracket">[</span>105<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-107" class="reference"><a href="#cite_note-107"><span class="cite-bracket">[</span>106<span class="cite-bracket">]</span></a></sup> Mayer became friends with California Governor <a href="/wiki/James_Rolph" title="James Rolph">James Rolph</a> Jr., <i><a href="/wiki/Oakland_Tribune" title="Oakland Tribune">Oakland Tribune</a></i> publisher <a href="/wiki/Joseph_R._Knowland" title="Joseph R. Knowland">Joseph R. Knowland</a>, and Marshall Hale. <a href="/wiki/Joseph_M._Schenck" title="Joseph M. Schenck">Joseph M. Schenck</a> was an alternate delegate at the convention. Mayer was a delegate to the <a href="/wiki/1932_Republican_National_Convention" title="1932 Republican National Convention">1932 Republican National Convention</a> with fellow Californians Knowland, Rolph, and <a href="/wiki/Earl_Warren" title="Earl Warren">Earl Warren</a>. Mayer endorsed President <a href="/wiki/Herbert_Hoover" title="Herbert Hoover">Herbert Hoover</a>'s failed reelection bid.<sup id="cite_ref-108" class="reference"><a href="#cite_note-108"><span class="cite-bracket">[</span>107<span class="cite-bracket">]</span></a></sup> </p><p>During the <a href="/wiki/1934_California_gubernatorial_election" title="1934 California gubernatorial election">1934 California gubernatorial election</a> Mayer was strongly opposed to the Democratic candidate <a href="/wiki/Upton_Sinclair" title="Upton Sinclair">Upton Sinclair</a>, instead preferring the Republican <a href="/wiki/Frank_Merriam" title="Frank Merriam">Frank Merriam</a>. Mayer's MGM and other film studios deducted a days pay from their employees to raise an anti-Sinclair fund that amounted to $500,000. Irving Thalberg was to lead MGM's anti-Sinclair campaign and the studio recruited <a href="/wiki/Carey_Wilson_(writer)" title="Carey Wilson (writer)">Carey Wilson</a> to create a series of anti-Sinclair propaganda films. These films, directed by <a href="/wiki/Felix_E._Feist" title="Felix E. Feist">Felix E. Feist</a>, included fake newsreels of Sinclair supporters who were portrayed as bums and criminals. They were shown in Californian movie theaters, with one episode featuring hired actors as Sinclair supporters speaking with foreign accents.<sup id="cite_ref-109" class="reference"><a href="#cite_note-109"><span class="cite-bracket">[</span>108<span class="cite-bracket">]</span></a></sup> </p><p>Mayer was a <a href="/wiki/Freemasonry" title="Freemasonry">Freemason</a>.<sup id="cite_ref-110" class="reference"><a href="#cite_note-110"><span class="cite-bracket">[</span>109<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-111" class="reference"><a href="#cite_note-111"><span class="cite-bracket">[</span>110<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Horse_racing_hobby">Horse racing hobby</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=23" title="Edit section: Horse racing hobby"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Mayer owned or bred a number of successful <a href="/wiki/Thoroughbred" title="Thoroughbred">thoroughbred</a> <a href="/wiki/Horse_racing" title="Horse racing">racehorses</a> at his ranch in <a href="/wiki/Perris,_California" title="Perris, California">Perris, California</a>, near Los Angeles. It was considered one of the finest racing stables in the United States and raised the standards of the California racing business. Among his horses were <a href="/wiki/Your_Host_(horse)" class="mw-redirect" title="Your Host (horse)">Your Host</a>, sire of <a href="/wiki/Kelso_(horse)" title="Kelso (horse)">Kelso</a>; the 1945 <a href="/wiki/Eclipse_Award_for_Horse_of_the_Year" class="mw-redirect" title="Eclipse Award for Horse of the Year">U.S. Horse of the Year</a>, <a href="/wiki/Busher_(horse)" title="Busher (horse)">Busher</a>; and the 1959 <a href="/wiki/Preakness_Stakes" title="Preakness Stakes">Preakness Stakes</a> winner, <a href="/wiki/Royal_Orbit" title="Royal Orbit">Royal Orbit</a>. Eventually Mayer sold off the stable, partly to finance his divorce in 1947. His 248 horses brought more than $4.4 million. In 1976, <i>Thoroughbred of California</i> magazine named him "California Breeder of the Century".<sup class="noprint Inline-Template Template-Fact" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed"><span title="This claim needs references to reliable sources. (July 2024)">citation needed</span></a></i>]</sup> </p> <div class="mw-heading mw-heading2"><h2 id="Death">Death</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=24" title="Edit section: Death"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Mayer died of <a href="/wiki/Leukemia" title="Leukemia">leukemia</a> on October 29, 1957.<sup id="cite_ref-WVobit_112-0" class="reference"><a href="#cite_note-WVobit-112"><span class="cite-bracket">[</span>111<span class="cite-bracket">]</span></a></sup> He was buried in the <a href="/wiki/Home_of_Peace_Cemetery_(East_Los_Angeles)" class="mw-redirect" title="Home of Peace Cemetery (East Los Angeles)">Home of Peace Cemetery</a> in <a href="/wiki/East_Los_Angeles,_California" title="East Los Angeles, California">East Los Angeles, California</a>. His sister, Ida Mayer Cummings, and brothers Jerry and Rubin also are buried there.<sup class="noprint Inline-Template Template-Fact" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed"><span title="This claim needs references to reliable sources. (July 2024)">citation needed</span></a></i>]</sup> </p> <div class="mw-heading mw-heading2"><h2 id="Legacy">Legacy</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=25" title="Edit section: Legacy"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Mayer and his lieutenants built a company that was regarded by the public and his peers alike as the pinnacle of the movie industry.<sup id="cite_ref-Eyman2_50-1" class="reference"><a href="#cite_note-Eyman2-50"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> "Louis B. Mayer defined MGM, just as MGM defined Hollywood, and Hollywood defined America", writes biographer Scott Eyman.<sup id="cite_ref-Eyman,_p._12_39-2" class="reference"><a href="#cite_note-Eyman,_p._12-39"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> </p> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatright" style="width:25em; ; color: #202122;background-color: Cornsilk;"> <blockquote class="quotebox-quote left-aligned" style=""> <p>Placed in his proper perspective, he was probably the greatest single force in the development of the motion picture industry who brought it to the heights of prosperity and influence it finally attained. </p> </blockquote> <p style="padding-bottom: 0;"><cite class="left-aligned" style="">—<i>Variety</i> magazine<sup id="cite_ref-113" class="reference"><a href="#cite_note-113"><span class="cite-bracket">[</span>112<span class="cite-bracket">]</span></a></sup></cite></p> </div> <p>In 1951, he was given an honorary Oscar for heading MGM for over 25 years. At the event, screenwriter <a href="/wiki/Charles_Brackett" title="Charles Brackett">Charles Brackett</a> presented the award and thanked him for guiding MGM's "production policy with foresight, aggressiveness and with a real desire for taste and quality". Mayer was also thanked for founding and developing new personalities and for bringing the Hollywood "star system into full flower".<sup id="cite_ref-114" class="reference"><a href="#cite_note-114"><span class="cite-bracket">[</span>113<span class="cite-bracket">]</span></a></sup> </p><p>Although Mayer was often disliked and even feared by many in the studio, editor Sam Marx explains that "his reputation is far worse than it should be. He had to be strong to do his job, and he couldn't do that without making enemies."<sup id="cite_ref-Eyman7_45-1" class="reference"><a href="#cite_note-Eyman7-45"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup> Director <a href="/wiki/Clarence_Brown" title="Clarence Brown">Clarence Brown</a> compared him to newspaper magnate <a href="/wiki/William_Randolph_Hearst" title="William Randolph Hearst">William Randolph Hearst</a>: </p> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote"><p>Louis B. Mayer ... made more stars than all the rest of the producers in Hollywood put together. ... He knew how to handle talent; he knew that to be successful, he had to have the most successful people in the business working for him. He was like Hearst in the newspaper business. ... He made an empire out of the thing.<sup id="cite_ref-Eyman7_45-2" class="reference"><a href="#cite_note-Eyman7-45"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>Mayer never wrote or directed movies, and never pretended to tell writers what to write or art directors what to design.<sup id="cite_ref-Eyman,_p._11_115-0" class="reference"><a href="#cite_note-Eyman,_p._11-115"><span class="cite-bracket">[</span>114<span class="cite-bracket">]</span></a></sup> But he understood movies and their audience.<sup id="cite_ref-Eyman,_p._11_115-1" class="reference"><a href="#cite_note-Eyman,_p._11-115"><span class="cite-bracket">[</span>114<span class="cite-bracket">]</span></a></sup> According to Eyman, "Mayer's view of America became America's view of itself."<sup id="cite_ref-116" class="reference"><a href="#cite_note-116"><span class="cite-bracket">[</span>115<span class="cite-bracket">]</span></a></sup> Because of the stars, the stories, the glamour, the music, and the way they were presented, audiences the world over would often applaud the moment they saw the MGM lion. Mayer was the constant at MGM who set the tone.<sup id="cite_ref-Eyman,_p._13_117-0" class="reference"><a href="#cite_note-Eyman,_p._13-117"><span class="cite-bracket">[</span>116<span class="cite-bracket">]</span></a></sup> At Mayer's funeral in 1957, <a href="/wiki/Spencer_Tracy" title="Spencer Tracy">Spencer Tracy</a> expressed Mayer's ambitions: </p> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote"><p>The story he wanted to tell was the story of America, the land for which he had an almost furious love, born of gratitude—and of contrast with the hatred in the dark land of his boyhood across the seas. It was this love of America that made him an authority on America.<sup id="cite_ref-Hay,_22_66-4" class="reference"><a href="#cite_note-Hay,_22-66"><span class="cite-bracket">[</span>65<span class="cite-bracket">]</span></a></sup></p></blockquote> <div class="mw-heading mw-heading2"><h2 id="Honors_and_recognition">Honors and recognition</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=26" title="Edit section: Honors and recognition"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Revered in his home country, Mayer has a star on <a href="/wiki/Canada%27s_Walk_of_Fame" title="Canada's Walk of Fame">Canada's Walk of Fame</a>.<sup id="cite_ref-118" class="reference"><a href="#cite_note-118"><span class="cite-bracket">[</span>117<span class="cite-bracket">]</span></a></sup></li> <li>A street in the Canadian city of <a href="/wiki/Laval,_Quebec" title="Laval, Quebec">Laval, Quebec</a> a suburb of <a href="/wiki/Montreal" title="Montreal">Montreal</a>, is named Rue Louis-B-Mayer.</li> <li>The primary screening facility for <a href="/wiki/Loyola_Marymount_University" title="Loyola Marymount University">Loyola Marymount University</a>'s School of Film and Television—the Mayer Theatre—is named after him. Mayer permitted the university's <a href="/wiki/Loyola_Marymount_Lions" title="Loyola Marymount Lions">sports teams</a> to use the <a href="/wiki/Leo_the_Lion_(MGM)" title="Leo the Lion (MGM)">MGM lion</a> as their mascot.<sup id="cite_ref-119" class="reference"><a href="#cite_note-119"><span class="cite-bracket">[</span>118<span class="cite-bracket">]</span></a></sup></li> <li>The main theatre at <a href="/wiki/Santa_Clara_University" title="Santa Clara University">Santa Clara University</a> bears his name.</li> <li>Mayer was inducted into the Junior Achievement <a href="/wiki/U.S._Business_Hall_of_Fame" title="U.S. Business Hall of Fame">U.S. Business Hall of Fame</a> in 1990.</li> <li>The Louis B. Mayer Research Laboratories building at the <a href="/wiki/Dana%E2%80%93Farber_Cancer_Institute" title="Dana–Farber Cancer Institute">Dana–Farber Cancer Institute</a> in Boston opened in 1988.</li> <li>Mayer is enshrined in the Citizens Hall of Fame in Haverhill, Massachusetts.</li></ul> <div class="mw-heading mw-heading2"><h2 id="Filmography">Filmography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=27" title="Edit section: Filmography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Producer">Producer</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=28" title="Edit section: Producer"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <table class="wikitable"> <tbody><tr> <th>Year </th> <th>Title </th> <th>Director </th></tr> <tr> <td>1915 </td> <td><i><a href="/wiki/Always_in_the_Way" title="Always in the Way">Always in the Way</a></i> </td> <td><a href="/wiki/J._Searle_Dawley" title="J. Searle Dawley">J. Searle Dawley</a> </td></tr> <tr> <td>1919 </td> <td><i><a href="/wiki/Human_Desire_(1919_film)" title="Human Desire (1919 film)">Human Desire</a></i> </td> <td><a href="/wiki/Wilfrid_North" title="Wilfrid North">Wilfrid North</a> </td></tr> <tr> <td>1921 </td> <td><i><a href="/wiki/Sowing_the_Wind_(1921_film)" title="Sowing the Wind (1921 film)">Sowing the Wind</a></i> </td> <td><a href="/wiki/John_M._Stahl" title="John M. Stahl">John M. Stahl</a> </td></tr> <tr> <td rowspan="2">1924 </td> <td><i><a href="/wiki/Wine_of_Youth" title="Wine of Youth">Wine of Youth</a></i> </td> <td><a href="/wiki/King_Vidor" title="King Vidor">King Vidor</a> </td></tr> <tr> <td><i><a href="/wiki/Greed_(1924_film)" title="Greed (1924 film)">Greed</a></i> </td> <td><a href="/wiki/Erich_von_Stroheim" title="Erich von Stroheim">Erich von Stroheim</a> </td></tr> <tr> <td rowspan="2">1925 </td> <td><i><a href="/wiki/Lady_of_the_Night_(1925_film)" title="Lady of the Night (1925 film)">Lady of the Night</a></i> </td> <td><a href="/wiki/Monta_Bell" title="Monta Bell">Monta Bell</a> </td></tr> <tr> <td><i><a href="/wiki/Ben-Hur:_A_Tale_of_the_Christ_(1925_film)" title="Ben-Hur: A Tale of the Christ (1925 film)">Ben-Hur</a></i> </td> <td><a href="/wiki/Fred_Niblo" title="Fred Niblo">Fred Niblo</a> </td></tr> <tr> <td>1940 </td> <td><i><a href="/wiki/I_Take_This_Woman_(1940_film)" title="I Take This Woman (1940 film)">I Take This Woman</a></i> </td> <td><a href="/wiki/W.S._Van_Dyke" class="mw-redirect" title="W.S. Van Dyke">W.S. Van Dyke</a> </td></tr> </tbody></table> <div class="mw-heading mw-heading2"><h2 id="Portrayals_in_popular_culture">Portrayals in popular culture</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=29" title="Edit section: Portrayals in popular culture"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Mayer has been portrayed numerous times in film and television including: </p> <ul><li><i><a href="/wiki/Harlow_(Magna_film)" title="Harlow (Magna film)">Harlow</a></i> (1965) (by <a href="/wiki/Jack_Kruschen" title="Jack Kruschen">Jack Kruschen</a>)</li> <li><i><a href="/wiki/Gable_and_Lombard" title="Gable and Lombard">Gable and Lombard</a></i> (1976) (by <a href="/wiki/Allen_Garfield" title="Allen Garfield">Allen Garfield</a>)</li> <li><i><a href="/wiki/Rainbow_(1978_film)" title="Rainbow (1978 film)">Rainbow</a></i> (1978) (by <a href="/wiki/Martin_Balsam" title="Martin Balsam">Martin Balsam</a>)</li> <li><i><a href="/wiki/The_Scarlett_O%27Hara_War" title="The Scarlett O'Hara War">The Scarlett O'Hara War</a></i> (1980) (by <a href="/wiki/Harold_Gould" title="Harold Gould">Harold Gould</a>)</li> <li><i><a href="/wiki/Mommie_Dearest_(film)" title="Mommie Dearest (film)">Mommie Dearest</a></i> (1981) (by <a href="/wiki/Howard_Da_Silva" class="mw-redirect" title="Howard Da Silva">Howard Da Silva</a>)</li> <li><i><a href="/wiki/Malice_in_Wonderland_(1985_film)" title="Malice in Wonderland (1985 film)">Malice in Wonderland</a></i> (1985) (by <a href="/wiki/Richard_Dysart" title="Richard Dysart">Richard Dysart</a>)</li> <li><i><a href="/wiki/RKO_281" title="RKO 281">RKO 281</a></i> (1999) (by <a href="/wiki/David_Suchet" title="David Suchet">David Suchet</a>)</li> <li><i><a href="/wiki/The_Three_Stooges_(2000_film)" title="The Three Stooges (2000 film)">The Three Stooges</a></i> (2000) (by David Baldwin)</li> <li><i><a href="/wiki/Life_with_Judy_Garland:_Me_and_My_Shadows" title="Life with Judy Garland: Me and My Shadows">Life with Judy Garland: Me and My Shadows</a></i> (2001) (by <a href="/wiki/Al_Waxman" title="Al Waxman">Al Waxman</a>)</li> <li><i><a href="/wiki/De-Lovely" title="De-Lovely">De-Lovely</a></i> (2004) (by <a href="/wiki/Peter_Polycarpou" title="Peter Polycarpou">Peter Polycarpou</a>)</li> <li><i><a href="/wiki/The_Aviator_(2004_film)" title="The Aviator (2004 film)">The Aviator</a></i> (2004) (by <a href="/wiki/Stanley_DeSantis" title="Stanley DeSantis">Stanley DeSantis</a>)</li> <li><i><a href="/wiki/Trumbo_(2015_film)" title="Trumbo (2015 film)">Trumbo</a></i> (2015) (by <a href="/wiki/Richard_Portnow" title="Richard Portnow">Richard Portnow</a>)</li> <li><i><a href="/wiki/The_Last_Tycoon_(TV_series)" title="The Last Tycoon (TV series)">The Last Tycoon</a></i> (2016) (by <a href="/wiki/Saul_Rubinek" title="Saul Rubinek">Saul Rubinek</a>)</li> <li><i><a href="/wiki/Feud_(TV_series)" title="Feud (TV series)">Feud</a></i> (2017) (by Kerry Stein)</li> <li><i><a href="/wiki/Judy_(film)" class="mw-redirect" title="Judy (film)">Judy</a></i> (2019) (by <a href="/wiki/Richard_Cordery" title="Richard Cordery">Richard Cordery</a>)</li> <li><i><a href="/wiki/Mank" title="Mank">Mank</a></i> (2020) (by <a href="/wiki/Arliss_Howard" title="Arliss Howard">Arliss Howard</a>)</li></ul> <p><a href="/wiki/William_Saroyan" title="William Saroyan">William Saroyan</a> wrote a short story about L. B. Mayer in his 1971 book, <i><a href="/wiki/Letters_from_74_rue_Taitbout" title="Letters from 74 rue Taitbout">Letters from 74 rue Taitbout</a> or Don't Go But If You Must Say Hello To Everybody</i>. </p> <div class="mw-heading mw-heading3"><h3 id="Characters_based_on_Mayer">Characters based on Mayer</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=30" title="Edit section: Characters based on Mayer"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Pat Brady in the 1941 <a href="/wiki/F._Scott_Fitzgerald" title="F. Scott Fitzgerald">F. Scott Fitzgerald</a> novel <i><a href="/wiki/The_Last_Tycoon" title="The Last Tycoon">The Last Tycoon</a></i>. He was played by <a href="/wiki/Robert_Mitchum" title="Robert Mitchum">Robert Mitchum</a> in <a href="/wiki/The_Last_Tycoon_(1976_film)" title="The Last Tycoon (1976 film)">the 1976 film adaptation</a>, and <a href="/wiki/Kelsey_Grammer" title="Kelsey Grammer">Kelsey Grammer</a> in <a href="/wiki/The_Last_Tycoon_(TV_series)" title="The Last Tycoon (TV series)">the 2016 TV series</a>.</li> <li>Stanley Shriner Hoff in <i><a href="/wiki/The_Big_Knife" title="The Big Knife">The Big Knife</a></i> (1955) (by <a href="/wiki/Rod_Steiger" title="Rod Steiger">Rod Steiger</a>) was based in part on Mayer.<sup id="cite_ref-120" class="reference"><a href="#cite_note-120"><span class="cite-bracket">[</span>119<span class="cite-bracket">]</span></a></sup></li> <li>Cyril H. Bean, referred to by his employees as "The Head", in the 1966 <a href="/wiki/Jacqueline_Susann" title="Jacqueline Susann">Jacqueline Susann</a> novel <i><a href="/wiki/Valley_of_the_Dolls_(novel)" title="Valley of the Dolls (novel)">Valley of the Dolls</a></i></li> <li>Jack Lipnick in <i><a href="/wiki/Barton_Fink" title="Barton Fink">Barton Fink</a></i> (1991) (by <a href="/wiki/Michael_Lerner_(actor)" title="Michael Lerner (actor)">Michael Lerner</a>, who earned an Oscar nomination for <a href="/wiki/Academy_Award_for_Best_Supporting_Actor#1990s" title="Academy Award for Best Supporting Actor">Best Supporting Actor</a>)</li> <li>L.B. Mammoth in the animated film <i><a href="/wiki/Cats_Don%27t_Dance" title="Cats Don't Dance">Cats Don't Dance</a></i> (1997) (voice-acted by <a href="/wiki/George_Kennedy_(actor)" class="mw-redirect" title="George Kennedy (actor)">George Kennedy</a>)</li></ul> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=31" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/Canadian_pioneers_in_early_Hollywood" title="Canadian pioneers in early Hollywood">Canadian pioneers in early Hollywood</a></li> <li><a href="/wiki/Selig_Polyscope_Company" title="Selig Polyscope Company">Selig Polyscope Company</a></li> <li><a href="/wiki/List_of_Freemasons" title="List of Freemasons">List of Freemasons</a></li> <li><a href="/wiki/List_of_people_from_Belarus" title="List of people from Belarus">List of people from Belarus</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="Notes">Notes</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=32" title="Edit section: Notes"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> </div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist reflist-lower-alpha"> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text">Mayer maintained that he was born in Minsk on July 4, 1885. July 12, 1884 was the date of birth that was given in the 1901 Canadian Census. According to <a href="/wiki/Scott_Eyman" title="Scott Eyman">Scott Eyman</a>, the reasons may have been: <ul><li>Mayer's father gave different dates for his birthplace at different times, so Mayer was not comfortable specifying a date;</li> <li>It was part of Mayer's sense of showmanship and being born on July 4 seemed to stand for patriotism and had a certain ring to it;</li> <li>"He needed to believe in a myth of self-creation which, in his case, was not far off the mark";</li> <li>When Mayer was young, his family constantly moved around in the general area of Minsk, <a href="/wiki/Vilnius" title="Vilnius">Vilnius</a> and <a href="/wiki/Kyiv" title="Kyiv">Kyiv</a>;</li> <li>As Jews, they felt insecure and therefore were reluctant to be specific.</li></ul> </span></li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=33" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist reflist-columns references-column-width" style="column-width: 30em;"> <ol class="references"> <li id="cite_note-thecanadianencyclopedia.ca-1"><span class="mw-cite-backlink">^ <a href="#cite_ref-thecanadianencyclopedia.ca_1-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-thecanadianencyclopedia.ca_1-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.thecanadianencyclopedia.ca/en/article/louis-b-mayer">"Louis B. Mayer | The Canadian Encyclopedia"</a>. <i>www.thecanadianencyclopedia.ca</i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=www.thecanadianencyclopedia.ca&rft.atitle=Louis+B.+Mayer+%26%23124%3B+The+Canadian+Encyclopedia&rft_id=https%3A%2F%2Fwww.thecanadianencyclopedia.ca%2Fen%2Farticle%2Flouis-b-mayer&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-LoC-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-LoC_2-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://id.loc.gov/authorities/names/n81018659.html">"Mayer, Louis B. (Louis Burt), 1885-1957"</a>. <i>LC Linked Data Service: Authorities and Vocabularies</i>. Library of Congress. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180926052209/http://id.loc.gov/authorities/names/n81018659.html">Archived</a> from the original on September 26, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">September 26,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=LC+Linked+Data+Service%3A+Authorities+and+Vocabularies&rft.atitle=Mayer%2C+Louis+B.+%28Louis+Burt%29%2C+1885-1957&rft_id=http%3A%2F%2Fid.loc.gov%2Fauthorities%2Fnames%2Fn81018659.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-note_3-0">^</a></b></span> <span class="reference-text">Mayer maintained that he was born in Minsk on July 4, 1885. According to <a href="/wiki/Scott_Eyman" title="Scott Eyman">Scott Eyman</a>, the reasons may have been: <ul><li>Mayer's father gave different dates for his birthplace at different times, so Mayer was not comfortable specifying a date;</li> <li>It was part of Mayer's sense of showmanship and being born on July 4 seemed to stand for patriotism and had a certain ring to it;</li> <li>"He needed to believe in a myth of self-creation which, in his case, was not far off the mark";</li> <li>When Mayer was young, his family constantly moved around in the general area of Minsk, <a href="/wiki/Vilnius" title="Vilnius">Vilnius</a> and <a href="/wiki/Kyiv" title="Kyiv">Kyiv</a>;</li> <li>As Jews, they felt insecure and therefore were reluctant to be specific.</li></ul> </span></li> <li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text">McLean, Adrienne L. (ed.), <i>Glamour in a Golden Age: Movie Stars of the Nineteen Hundred and Thirties</i>. Rutgers University Press, 2011, p. 6.</span> </li> <li id="cite_note-castingcouch-5"><span class="mw-cite-backlink">^ <a href="#cite_ref-castingcouch_5-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-castingcouch_5-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-castingcouch_5-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAdams2017" class="citation web cs1">Adams, Thelma (October 17, 2017). <a rel="nofollow" class="external text" href="https://variety.com/2017/film/features/casting-couch-hollywood-sexual-harassment-harvey-weinstein-1202589895/">"Casting-Couch Tactics Plagued Hollywood Long Before Harvey Weinstein"</a>. <i><a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190107012133/https://variety.com/">Archived</a> from the original on January 7, 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">August 12,</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Variety&rft.atitle=Casting-Couch+Tactics+Plagued+Hollywood+Long+Before+Harvey+Weinstein&rft.date=2017-10-17&rft.aulast=Adams&rft.aufirst=Thelma&rft_id=https%3A%2F%2Fvariety.com%2F2017%2Ffilm%2Ffeatures%2Fcasting-couch-hollywood-sexual-harassment-harvey-weinstein-1202589895%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHollitz2016" class="citation book cs1">Hollitz, John (2016). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=4MYaCgAAQBAJ&pg=PA147"><i>Contending Voices, Volume II: Since 1865</i></a>. <a href="/wiki/Cengage" class="mw-redirect" title="Cengage">Cengage</a>. p. 147. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781305888074" title="Special:BookSources/9781305888074"><bdi>9781305888074</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20201205170238/https://books.google.com/books?id=4MYaCgAAQBAJ&pg=PA147">Archived</a> from the original on December 5, 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">April 1,</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Contending+Voices%2C+Volume+II%3A+Since+1865&rft.pages=147&rft.pub=Cengage&rft.date=2016&rft.isbn=9781305888074&rft.aulast=Hollitz&rft.aufirst=John&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D4MYaCgAAQBAJ%26pg%3DPA147&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTravers2014" class="citation book cs1">Travers, Steven (2014). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=KTxOAwAAQBAJ&pg=PA103"><i>The Duke, the Longhorns, and Chairman Mao: John Wayne's Political Odyssey</i></a>. <a href="/wiki/Rowman_%26_Littlefield" title="Rowman & Littlefield">Rowman & Littlefield</a>. p. 103. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781589798984" title="Special:BookSources/9781589798984"><bdi>9781589798984</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20201205170304/https://books.google.com/books?id=KTxOAwAAQBAJ&pg=PA103">Archived</a> from the original on December 5, 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">April 1,</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Duke%2C+the+Longhorns%2C+and+Chairman+Mao%3A+John+Wayne%27s+Political+Odyssey&rft.pages=103&rft.pub=Rowman+%26+Littlefield&rft.date=2014&rft.isbn=9781589798984&rft.aulast=Travers&rft.aufirst=Steven&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DKTxOAwAAQBAJ%26pg%3DPA103&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://landofancestors.com/famous/businessmen/13-louis-burt-mayer.html">Land of Ancestors: Louis Burt Mayer</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20131202231909/http://landofancestors.com/famous/businessmen/13-louis-burt-mayer.html">Archived</a> December 2, 2013, at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a>.</span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCrowther2017" class="citation book cs1">Crowther, Bosley (July 31, 2017). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=GNwuDwAAQBAJ&q=Hollywood+Rajah%3A+The+Life+and+Times+of+Louis+B.+Mayer+Bosley+Crowther"><i>Hollywood Rajah :The Life and Times of Louis B Mayer</i></a>. Pickle Partners. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781787207899" title="Special:BookSources/9781787207899"><bdi>9781787207899</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Hollywood+Rajah+%3AThe+Life+and+Times+of+Louis+B+Mayer&rft.pub=Pickle+Partners&rft.date=2017-07-31&rft.isbn=9781787207899&rft.aulast=Crowther&rft.aufirst=Bosley&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DGNwuDwAAQBAJ%26q%3DHollywood%2BRajah%253A%2BThe%2BLife%2Band%2BTimes%2Bof%2BLouis%2BB.%2BMayer%2BBosley%2BCrowther&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMarx1975" class="citation book cs1">Marx, Samuel (1975). <i>Mayer and Thalberg : The Make believe Saints</i>. Random House. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0394488423" title="Special:BookSources/0394488423"><bdi>0394488423</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Mayer+and+Thalberg+%3A+The+Make+believe+Saints&rft.pub=Random+House&rft.date=1975&rft.isbn=0394488423&rft.aulast=Marx&rft.aufirst=Samuel&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCarey1981" class="citation book cs1">Carey, Gary (1981). <i>All the Stars in Heaven: Louis B. Mayer's MGM</i>. Dutton. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0525052453" title="Special:BookSources/0525052453"><bdi>0525052453</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=All+the+Stars+in+Heaven%3A+Louis+B.+Mayer%27s+MGM&rft.pub=Dutton&rft.date=1981&rft.isbn=0525052453&rft.aulast=Carey&rft.aufirst=Gary&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHigham1993" class="citation book cs1">Higham, Charles (1993). <i>Merchant of Dreams: Louis B. Mayer, M.G.M., and the Secret Hollywood</i>. D.I. Fine. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1556113455" title="Special:BookSources/1556113455"><bdi>1556113455</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Merchant+of+Dreams%3A+Louis+B.+Mayer%2C+M.G.M.%2C+and+the+Secret+Hollywood&rft.pub=D.I.+Fine&rft.date=1993&rft.isbn=1556113455&rft.aulast=Higham&rft.aufirst=Charles&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-:0-13"><span class="mw-cite-backlink">^ <a href="#cite_ref-:0_13-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:0_13-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Eyman, pp. 18–19.</span> </li> <li id="cite_note-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-14">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKrakowski2011" class="citation book cs1">Krakowski, Andrzej (2011). <i>Pollywood</i>. Wydawnictwo Naukowe PWN SA. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9788301167851" title="Special:BookSources/9788301167851"><bdi>9788301167851</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Pollywood&rft.pub=Wydawnictwo+Naukowe+PWN+SA&rft.date=2011&rft.isbn=9788301167851&rft.aulast=Krakowski&rft.aufirst=Andrzej&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.ancestry.com/search/categories/img_citizenship/?name=Louis_Mayer&birth=1885-7-4&birth_x=0-0-0&count=50&name_x=1_1">"Naturalization details about Louis B Mayer"</a>. <i><a href="/wiki/Ancestry.com" title="Ancestry.com">Ancestry.com</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20181211120905/https://www.ancestry.com/search/collections/manaturalizations/?name=Louis_Mayer&birth=1885-7-4&birth_x=0-0-0&count=50&name_x=1_1&pcat=img_citizenship&qh=rCfIB39jjyxHP4y76e7Q8Q%3D%3D">Archived</a> from the original on December 11, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">September 2,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Ancestry.com&rft.atitle=Naturalization+details+about+Louis+B+Mayer&rft_id=https%3A%2F%2Fwww.ancestry.com%2Fsearch%2Fcategories%2Fimg_citizenship%2F%3Fname%3DLouis_Mayer%26birth%3D1885-7-4%26birth_x%3D0-0-0%26count%3D50%26name_x%3D1_1&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.britannica.com/biography/Louis-B-Mayer">Louis B. Mayer</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180208065011/https://www.britannica.com/biography/Louis-B-Mayer">Archived</a> February 8, 2018, at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> <a href="/wiki/Britannica" class="mw-redirect" title="Britannica">Britannica</a></span> </li> <li id="cite_note-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-18">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMarriage_details" class="citation web cs1">Marriage details. <a rel="nofollow" class="external text" href="https://search.ancestry.com/cgi-bin/sse.dll?dbid=2511&gsfn=Louis+b&gsln=Mayer&gsfn_x=1&gsln_x=1&msbdy=1883&pcat=bmd_marriage&new=1&rank=1&redir=false">"Ancestry.com"</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180612141100/https://search.ancestry.com/cgi-bin/sse.dll?dbid=2511&gsfn=Louis+b&gsln=Mayer&gsfn_x=1&gsln_x=1&msbdy=1883&pcat=bmd_marriage&new=1&rank=1&redir=false">Archived</a> from the original on June 12, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">June 12,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Ancestry.com&rft.au=Marriage+details&rft_id=https%3A%2F%2Fsearch.ancestry.com%2Fcgi-bin%2Fsse.dll%3Fdbid%3D2511%26gsfn%3DLouis%2Bb%26gsln%3DMayer%26gsfn_x%3D1%26gsln_x%3D1%26msbdy%3D1883%26pcat%3Dbmd_marriage%26new%3D1%26rank%3D1%26redir%3Dfalse&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREF1910_census_for_Louis_B_Mayer" class="citation web cs1">1910 census for Louis B Mayer. <a rel="nofollow" class="external text" href="https://search.ancestry.com/cgi-bin/sse.dll?dbid=7884&gsfn=Louis+b&gsln=Mayer&gsfn_x=1&gsln_x=1&msbdy=1883&pcat=cen_1910&new=1&rank=1&redir=false">"Ancestry.com"</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180612162159/https://search.ancestry.com/cgi-bin/sse.dll?dbid=7884&gsfn=Louis+b&gsln=Mayer&gsfn_x=1&gsln_x=1&msbdy=1883&pcat=cen_1910&new=1&rank=1&redir=false">Archived</a> from the original on June 12, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">June 12,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Ancestry.com&rft.au=1910+census+for+Louis+B+Mayer&rft_id=https%3A%2F%2Fsearch.ancestry.com%2Fcgi-bin%2Fsse.dll%3Fdbid%3D7884%26gsfn%3DLouis%2Bb%26gsln%3DMayer%26gsfn_x%3D1%26gsln_x%3D1%26msbdy%3D1883%26pcat%3Dcen_1910%26new%3D1%26rank%3D1%26redir%3Dfalse&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span><span class="cs1-maint citation-comment"><code class="cs1-code">{{<a href="/wiki/Template:Cite_web" title="Template:Cite web">cite web</a>}}</code>: CS1 maint: numeric names: authors list (<a href="/wiki/Category:CS1_maint:_numeric_names:_authors_list" title="Category:CS1 maint: numeric names: authors list">link</a>)</span></span> </li> <li id="cite_note-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-20">^</a></b></span> <span class="reference-text">According to Eyman the year is 1889, but according to the <a rel="nofollow" class="external text" href="http://automatedgenealogy.com/census/View.jsp?id=6582&highlight=7&desc=1901+Census+of+Canada+page+containing+Rubin+Myers">Saint John District Census 1901 Index</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110727072431/http://automatedgenealogy.com/census/View.jsp?id=6582&highlight=7&desc=1901+Census+of+Canada+page+containing+Rubin+Myers">Archived</a> July 27, 2011, at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> the year is 1888.</span> </li> <li id="cite_note-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-21">^</a></b></span> <span class="reference-text">Eyman, p. 19.</span> </li> <li id="cite_note-Eyman22-22"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman22_22-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman22_22-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Eyman, p. 22.</span> </li> <li id="cite_note-Eyman,_p._23-23"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman,_p._23_23-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman,_p._23_23-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Eyman, p. 23.</span> </li> <li id="cite_note-24"><span class="mw-cite-backlink"><b><a href="#cite_ref-24">^</a></b></span> <span class="reference-text">Eyman, p. 322.</span> </li> <li id="cite_note-Eyman,_p._25-25"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman,_p._25_25-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman,_p._25_25-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Eyman, p. 25.</span> </li> <li id="cite_note-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-26">^</a></b></span> <span class="reference-text">Rosenberg, Chaim M. <i>The Great Workshop: Boston's Victorian Age</i>. Arcadia Publishing (2004), p. 60.</span> </li> <li id="cite_note-27"><span class="mw-cite-backlink"><b><a href="#cite_ref-27">^</a></b></span> <span class="reference-text">"Mr. Motion Picture", <i>TIME</i>, November 11, 1957.</span> </li> <li id="cite_note-current-28"><span class="mw-cite-backlink"><b><a href="#cite_ref-current_28-0">^</a></b></span> <span class="reference-text"><i>Current Biography 1943</i>. pp. 521–24.</span> </li> <li id="cite_note-29"><span class="mw-cite-backlink"><b><a href="#cite_ref-29">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLaBella2007" class="citation web cs1">LaBella, Mike (November 29, 2007). <a rel="nofollow" class="external text" href="http://www.eagletribune.com/news/local_news/mogul-opened-first-theater-here-years-ago/article_6fcdba11-d375-5ddb-a9eb-4bd1f10c64ba.html">"Mogul opened first theater here 100 years ago"</a>. <i>Eagle Tribune</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180115172647/http://www.eagletribune.com/news/local_news/mogul-opened-first-theater-here-years-ago/article_6fcdba11-d375-5ddb-a9eb-4bd1f10c64ba.html">Archived</a> from the original on January 15, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">May 20,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Eagle+Tribune&rft.atitle=Mogul+opened+first+theater+here+100+years+ago&rft.date=2007-11-29&rft.aulast=LaBella&rft.aufirst=Mike&rft_id=http%3A%2F%2Fwww.eagletribune.com%2Fnews%2Flocal_news%2Fmogul-opened-first-theater-here-years-ago%2Farticle_6fcdba11-d375-5ddb-a9eb-4bd1f10c64ba.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-30"><span class="mw-cite-backlink"><b><a href="#cite_ref-30">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEyman2005" class="citation book cs1">Eyman, Scott (2005). <a rel="nofollow" class="external text" href="https://archive.org/details/lionofhollywoodl00eyma/page/30"><i>Lion of Hollywood: The Life and Legend of Louis B. Mayer</i></a>. Simon and Schuster. pp. <a rel="nofollow" class="external text" href="https://archive.org/details/lionofhollywoodl00eyma/page/30">30–42</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-7432-0481-6" title="Special:BookSources/0-7432-0481-6"><bdi>0-7432-0481-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Lion+of+Hollywood%3A+The+Life+and+Legend+of+Louis+B.+Mayer&rft.pages=30-42&rft.pub=Simon+and+Schuster&rft.date=2005&rft.isbn=0-7432-0481-6&rft.aulast=Eyman&rft.aufirst=Scott&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Flionofhollywoodl00eyma%2Fpage%2F30&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-31"><span class="mw-cite-backlink"><b><a href="#cite_ref-31">^</a></b></span> <span class="reference-text">Id. <sup class="noprint Inline-Template Template-Fact" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed"><span title="This claim needs references to reliable sources. (December 2015)">citation needed</span></a></i>]</sup></span> </li> <li id="cite_note-Flamini-32"><span class="mw-cite-backlink">^ <a href="#cite_ref-Flamini_32-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Flamini_32-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Flamini_32-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Flamini, Roland. <i>Thalberg: The Last Tycoon and the World of M-G-M</i>, Crown (1994).</span> </li> <li id="cite_note-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-33">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHáy1991" class="citation book cs1"><a href="/wiki/Peter_H%C3%A1y_(Canadian_author,_publisher_and_bookseller)" class="mw-redirect" title="Peter Háy (Canadian author, publisher and bookseller)">Háy, Peter</a> (1991). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/mgmwhenlionroars0000hayp"><i>MGM: When the Lion Roars</i></a></span>. Turner Publications. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-878685-04-9" title="Special:BookSources/978-1-878685-04-9"><bdi>978-1-878685-04-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=MGM%3A+When+the+Lion+Roars&rft.pub=Turner+Publications&rft.date=1991&rft.isbn=978-1-878685-04-9&rft.aulast=H%C3%A1y&rft.aufirst=Peter&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fmgmwhenlionroars0000hayp&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-34"><span class="mw-cite-backlink"><b><a href="#cite_ref-34">^</a></b></span> <span class="reference-text">Eyman, p. 111.</span> </li> <li id="cite_note-Eyman,_p._120-35"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman,_p._120_35-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman,_p._120_35-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Eyman, p. 120.</span> </li> <li id="cite_note-Eyman,_p._231-36"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman,_p._231_36-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman,_p._231_36-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Eyman, p. 231.</span> </li> <li id="cite_note-37"><span class="mw-cite-backlink"><b><a href="#cite_ref-37">^</a></b></span> <span class="reference-text">Eyman, p. 232.</span> </li> <li id="cite_note-38"><span class="mw-cite-backlink"><b><a href="#cite_ref-38">^</a></b></span> <span class="reference-text">Hay, p. 145.</span> </li> <li id="cite_note-Eyman,_p._12-39"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman,_p._12_39-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman,_p._12_39-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Eyman,_p._12_39-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Eyman, p. 12.</span> </li> <li id="cite_note-40"><span class="mw-cite-backlink"><b><a href="#cite_ref-40">^</a></b></span> <span class="reference-text">Eyman, p. 233.</span> </li> <li id="cite_note-41"><span class="mw-cite-backlink"><b><a href="#cite_ref-41">^</a></b></span> <span class="reference-text">Verswijver, Leo. <i>Movies Were Always Magical</i>, McFarland Publ. (2003), e-book.</span> </li> <li id="cite_note-42"><span class="mw-cite-backlink"><b><a href="#cite_ref-42">^</a></b></span> <span class="reference-text">Leider, Emily W. <i>Myrna Loy: The Only Good Girl in Hollywood</i>, Univ. of California Press (2011), p. 184.</span> </li> <li id="cite_note-inflation-US-43"><span class="mw-cite-backlink"><b><a href="#cite_ref-inflation-US_43-0">^</a></b></span> <span class="reference-text">1634–1699: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcCusker1997" class="citation book cs1"><a href="/wiki/John_J._McCusker" title="John J. McCusker">McCusker, J. J.</a> (1997). <a rel="nofollow" class="external text" href="https://www.americanantiquarian.org/proceedings/44525121.pdf"><i>How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda</i></a> <span class="cs1-format">(PDF)</span>. <a href="/wiki/American_Antiquarian_Society" title="American Antiquarian Society">American Antiquarian Society</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=How+Much+Is+That+in+Real+Money%3F+A+Historical+Price+Index+for+Use+as+a+Deflator+of+Money+Values+in+the+Economy+of+the+United+States%3A+Addenda+et+Corrigenda&rft.pub=American+Antiquarian+Society&rft.date=1997&rft.aulast=McCusker&rft.aufirst=J.+J.&rft_id=https%3A%2F%2Fwww.americanantiquarian.org%2Fproceedings%2F44525121.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span> 1700–1799: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcCusker1992" class="citation book cs1"><a href="/wiki/John_J._McCusker" title="John J. McCusker">McCusker, J. J.</a> (1992). <a rel="nofollow" class="external text" href="https://www.americanantiquarian.org/proceedings/44517778.pdf"><i>How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States</i></a> <span class="cs1-format">(PDF)</span>. <a href="/wiki/American_Antiquarian_Society" title="American Antiquarian Society">American Antiquarian Society</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=How+Much+Is+That+in+Real+Money%3F+A+Historical+Price+Index+for+Use+as+a+Deflator+of+Money+Values+in+the+Economy+of+the+United+States&rft.pub=American+Antiquarian+Society&rft.date=1992&rft.aulast=McCusker&rft.aufirst=J.+J.&rft_id=https%3A%2F%2Fwww.americanantiquarian.org%2Fproceedings%2F44517778.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span> 1800–present: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFederal_Reserve_Bank_of_Minneapolis" class="citation web cs1">Federal Reserve Bank of Minneapolis. <a rel="nofollow" class="external text" href="https://www.minneapolisfed.org/about-us/monetary-policy/inflation-calculator/consumer-price-index-1800-">"Consumer Price Index (estimate) 1800–"</a><span class="reference-accessdate">. Retrieved <span class="nowrap">February 29,</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Consumer+Price+Index+%28estimate%29+1800%E2%80%93&rft.au=Federal+Reserve+Bank+of+Minneapolis&rft_id=https%3A%2F%2Fwww.minneapolisfed.org%2Fabout-us%2Fmonetary-policy%2Finflation-calculator%2Fconsumer-price-index-1800-&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-friedrich1986-44"><span class="mw-cite-backlink"><b><a href="#cite_ref-friedrich1986_44-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFriedrich1986" class="citation book cs1">Friedrich, Otto (1986). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=0x8AFchW4JsC&q=city%20of%20nets&pg=PA6"><i>City of Nets: A Portrait of Hollywood in 1940s</i></a>. Berkeley and Los Angeles: University of California Press. p. 15. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-520-20949-4" title="Special:BookSources/0-520-20949-4"><bdi>0-520-20949-4</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20201205170244/https://books.google.com/books?id=0x8AFchW4JsC&q=city+of+nets&pg=PA6">Archived</a> from the original on December 5, 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">October 18,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=City+of+Nets%3A+A+Portrait+of+Hollywood+in+1940s&rft.place=Berkeley+and+Los+Angeles&rft.pages=15&rft.pub=University+of+California+Press&rft.date=1986&rft.isbn=0-520-20949-4&rft.aulast=Friedrich&rft.aufirst=Otto&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D0x8AFchW4JsC%26q%3Dcity%2520of%2520nets%26pg%3DPA6&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-Eyman7-45"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman7_45-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman7_45-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Eyman7_45-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Eyman, p. 7.</span> </li> <li id="cite_note-Eyman284-46"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman284_46-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman284_46-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Eyman284_46-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Eyman, p. 284.</span> </li> <li id="cite_note-Eyman,_p._115-47"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman,_p._115_47-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman,_p._115_47-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Eyman,_p._115_47-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Eyman, p. 115.</span> </li> <li id="cite_note-Hogan-48"><span class="mw-cite-backlink">^ <a href="#cite_ref-Hogan_48-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Hogan_48-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Hogan, David J. <i>The Wizard of Oz FAQ: All That's Left to Know About Life, According to Oz</i>, Hal Leonard Corp. (2014), e-book.</span> </li> <li id="cite_note-Eyman,_p._1-49"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman,_p._1_49-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman,_p._1_49-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Eyman,_p._1_49-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Eyman, p. 1.</span> </li> <li id="cite_note-Eyman2-50"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman2_50-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman2_50-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Eyman, p. 2.</span> </li> <li id="cite_note-51"><span class="mw-cite-backlink"><b><a href="#cite_ref-51">^</a></b></span> <span class="reference-text">Eyman, p. 266.</span> </li> <li id="cite_note-Eyman8-52"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman8_52-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman8_52-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Eyman8_52-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Eyman, p. 8.</span> </li> <li id="cite_note-53"><span class="mw-cite-backlink"><b><a href="#cite_ref-53">^</a></b></span> <span class="reference-text">Eyman, p. 377.</span> </li> <li id="cite_note-Eyman,_p._288-54"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman,_p._288_54-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman,_p._288_54-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Eyman, p. 288.</span> </li> <li id="cite_note-Eyman,_p._289-55"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman,_p._289_55-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman,_p._289_55-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Eyman,_p._289_55-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Eyman,_p._289_55-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text">Eyman, p. 289.</span> </li> <li id="cite_note-Eyman,_p._287-56"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman,_p._287_56-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman,_p._287_56-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Eyman,_p._287_56-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Eyman, p. 287.</span> </li> <li id="cite_note-57"><span class="mw-cite-backlink"><b><a href="#cite_ref-57">^</a></b></span> <span class="reference-text">Eyman, p. 295.</span> </li> <li id="cite_note-58"><span class="mw-cite-backlink"><b><a href="#cite_ref-58">^</a></b></span> <span class="reference-text">Eyman, p. 301.</span> </li> <li id="cite_note-59"><span class="mw-cite-backlink"><b><a href="#cite_ref-59">^</a></b></span> <span class="reference-text">Eyman, p. 315.</span> </li> <li id="cite_note-Eyman,_p._300-60"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman,_p._300_60-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman,_p._300_60-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Eyman, p. 300.</span> </li> <li id="cite_note-61"><span class="mw-cite-backlink"><b><a href="#cite_ref-61">^</a></b></span> <span class="reference-text">Furia, Michael L. <i>America's Songs: The Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley</i>, Routledge (2008), p. 143.</span> </li> <li id="cite_note-FilmDaily32-62"><span class="mw-cite-backlink">^ <a href="#cite_ref-FilmDaily32_62-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FilmDaily32_62-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FilmDaily32_62-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://archive.org/stream/filmdailyvolume660newy#page/252">"Television, Wide Screen, Color Dismissed by Louis B. Mayer"</a>, <i>The Film Daily</i> (New York, N.Y.), August 17, 1932, pp. 1, 6. <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>, San Francisco, California. Retrieved August 20, 2018.</span> </li> <li id="cite_note-63"><span class="mw-cite-backlink"><b><a href="#cite_ref-63">^</a></b></span> <span class="reference-text">Eyman, p. 285.</span> </li> <li id="cite_note-64"><span class="mw-cite-backlink"><b><a href="#cite_ref-64">^</a></b></span> <span class="reference-text">Eyman, p. 6.</span> </li> <li id="cite_note-65"><span class="mw-cite-backlink"><b><a href="#cite_ref-65">^</a></b></span> <span class="reference-text">Eyman, p. 290.</span> </li> <li id="cite_note-Hay,_22-66"><span class="mw-cite-backlink">^ <a href="#cite_ref-Hay,_22_66-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Hay,_22_66-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Hay,_22_66-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Hay,_22_66-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-Hay,_22_66-4"><sup><i><b>e</b></i></sup></a></span> <span class="reference-text">Hay, p. 22.</span> </li> <li id="cite_note-67"><span class="mw-cite-backlink"><b><a href="#cite_ref-67">^</a></b></span> <span class="reference-text">Eyman, p. 294.</span> </li> <li id="cite_note-68"><span class="mw-cite-backlink"><b><a href="#cite_ref-68">^</a></b></span> <span class="reference-text">Eyman, p. 323.</span> </li> <li id="cite_note-Wayne-69"><span class="mw-cite-backlink"><b><a href="#cite_ref-Wayne_69-0">^</a></b></span> <span class="reference-text">Wayne, Jane Ellen. <i>The Leading Men of MGM</i>, Carroll & Graf (2005) p. 246.</span> </li> <li id="cite_note-70"><span class="mw-cite-backlink"><b><a href="#cite_ref-70">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://www.washingtonpost.com/news/retropolis/wp/2017/11/14/ill-ruin-you-judy-garland-on-being-groped-and-harassed-by-powerful-hollywood-men/">"Hollywood's sexual harassment history: How Judy Garland was groped by Louis B. Mayer and other men - the Washington Post"</a>. <i><a href="/wiki/The_Washington_Post" title="The Washington Post">The Washington Post</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20200617102640/https://www.washingtonpost.com/news/retropolis/wp/2017/11/14/ill-ruin-you-judy-garland-on-being-groped-and-harassed-by-powerful-hollywood-men/">Archived</a> from the original on June 17, 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">August 3,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Washington+Post&rft.atitle=Hollywood%27s+sexual+harassment+history%3A+How+Judy+Garland+was+groped+by+Louis+B.+Mayer+and+other+men+-+the+Washington+Post&rft_id=https%3A%2F%2Fwww.washingtonpost.com%2Fnews%2Fretropolis%2Fwp%2F2017%2F11%2F14%2Fill-ruin-you-judy-garland-on-being-groped-and-harassed-by-powerful-hollywood-men%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-Hay,_275-71"><span class="mw-cite-backlink">^ <a href="#cite_ref-Hay,_275_71-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Hay,_275_71-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Hay, p. 275.</span> </li> <li id="cite_note-72"><span class="mw-cite-backlink"><b><a href="#cite_ref-72">^</a></b></span> <span class="reference-text">Eyman, p. 406.</span> </li> <li id="cite_note-73"><span class="mw-cite-backlink"><b><a href="#cite_ref-73">^</a></b></span> <span class="reference-text">Kelley, Kitty. <i>Elizabeth Taylor: The Last Star</i>, Simon & Schuster (1981), ch. 1.</span> </li> <li id="cite_note-74"><span class="mw-cite-backlink"><b><a href="#cite_ref-74">^</a></b></span> <span class="reference-text">Hay, p. 137.</span> </li> <li id="cite_note-75"><span class="mw-cite-backlink"><b><a href="#cite_ref-75">^</a></b></span> <span class="reference-text">Hay, p. 161.</span> </li> <li id="cite_note-76"><span class="mw-cite-backlink"><b><a href="#cite_ref-76">^</a></b></span> <span class="reference-text">Hay, p. 165.</span> </li> <li id="cite_note-Eyman,_p._450-77"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman,_p._450_77-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman,_p._450_77-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Eyman, p. 450.</span> </li> <li id="cite_note-78"><span class="mw-cite-backlink"><b><a href="#cite_ref-78">^</a></b></span> <span class="reference-text">Eyman, p. 3.</span> </li> <li id="cite_note-79"><span class="mw-cite-backlink"><b><a href="#cite_ref-79">^</a></b></span> <span class="reference-text">Thomson, David. <i>Have You Seen ... ?</i>, Knopf Doubleday (2008), p. 544.</span> </li> <li id="cite_note-Eyman,_p._9-80"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman,_p._9_80-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman,_p._9_80-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Eyman, p. 9.</span> </li> <li id="cite_note-81"><span class="mw-cite-backlink"><b><a href="#cite_ref-81">^</a></b></span> <span class="reference-text">Eyman, p. 10.</span> </li> <li id="cite_note-Eyman,_p._276-82"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman,_p._276_82-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman,_p._276_82-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Eyman, p. 276.</span> </li> <li id="cite_note-Eyman,_p._278-83"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman,_p._278_83-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman,_p._278_83-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Eyman, p. 278.</span> </li> <li id="cite_note-Eyman,_p._277-84"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman,_p._277_84-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman,_p._277_84-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Eyman, p. 277.</span> </li> <li id="cite_note-Wapshott-85"><span class="mw-cite-backlink">^ <a href="#cite_ref-Wapshott_85-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Wapshott_85-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Wapshott, Nicholas. <i>The Sphinx: Franklin Roosevelt, the Isolationists, and the Road to World War II</i>, W.W. Norton & Co. (2015), e-book. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0393088885" title="Special:BookSources/978-0393088885">978-0393088885</a>.</span> </li> <li id="cite_note-86"><span class="mw-cite-backlink"><b><a href="#cite_ref-86">^</a></b></span> <span class="reference-text">Hay, p. 191.</span> </li> <li id="cite_note-87"><span class="mw-cite-backlink"><b><a href="#cite_ref-87">^</a></b></span> <span class="reference-text">Eyman, p. 344.</span> </li> <li id="cite_note-88"><span class="mw-cite-backlink"><b><a href="#cite_ref-88">^</a></b></span> <span class="reference-text">Eyman, p. 354.</span> </li> <li id="cite_note-Eyman,_p._345-89"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman,_p._345_89-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman,_p._345_89-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Eyman, p. 345.</span> </li> <li id="cite_note-90"><span class="mw-cite-backlink"><b><a href="#cite_ref-90">^</a></b></span> <span class="reference-text">Yellin, Emily. <i>Our Mother's War: American Women at Home and at the Front During World War II</i>, Simon & Schuster (2004), p. 100.</span> </li> <li id="cite_note-91"><span class="mw-cite-backlink"><b><a href="#cite_ref-91">^</a></b></span> <span class="reference-text">Troyan, Michael. <i>A Rose for Mrs. Miniver: The Life of Greer Garson</i>, Univ. of Kentucky Press (1999), e-book. ASIN: B00A6IOY1W.</span> </li> <li id="cite_note-Eyman,_p._408-92"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman,_p._408_92-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman,_p._408_92-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Eyman,_p._408_92-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Eyman, p. 408.</span> </li> <li id="cite_note-93"><span class="mw-cite-backlink"><b><a href="#cite_ref-93">^</a></b></span> <span class="reference-text">Eyman, p. 411.</span> </li> <li id="cite_note-94"><span class="mw-cite-backlink"><b><a href="#cite_ref-94">^</a></b></span> <span class="reference-text">Eyman, p. 444.</span> </li> <li id="cite_note-95"><span class="mw-cite-backlink"><b><a href="#cite_ref-95">^</a></b></span> <span class="reference-text">Eyman, p. 445.</span> </li> <li id="cite_note-96"><span class="mw-cite-backlink"><b><a href="#cite_ref-96">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFStaggs2006" class="citation book cs1">Staggs, Sam (July 25, 2006). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=Vbs2JeSNOUEC&q=louis+b.+mayer+charlie+feldman+jean+howard&pg=PA134"><i>When Blanche Met Brando: The Scandalous Story of "A Streetcar Named Desire"</i></a>. Macmillan. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780312321666" title="Special:BookSources/9780312321666"><bdi>9780312321666</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20201205170240/https://books.google.com/books?id=Vbs2JeSNOUEC&q=louis+b.+mayer+charlie+feldman+jean+howard&pg=PA134">Archived</a> from the original on December 5, 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">October 18,</span> 2020</span> – via Google Books.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=When+Blanche+Met+Brando%3A+The+Scandalous+Story+of+%22A+Streetcar+Named+Desire%22&rft.pub=Macmillan&rft.date=2006-07-25&rft.isbn=9780312321666&rft.aulast=Staggs&rft.aufirst=Sam&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DVbs2JeSNOUEC%26q%3Dlouis%2Bb.%2Bmayer%2Bcharlie%2Bfeldman%2Bjean%2Bhoward%26pg%3DPA134&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-97"><span class="mw-cite-backlink"><b><a href="#cite_ref-97">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRalston1985" class="citation book cs1">Ralston, Esther (1985). <i>Some Day We'll Laugh: An Autobiography</i>. Scarecrow Press. pp. 147–8.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Some+Day+We%27ll+Laugh%3A+An+Autobiography&rft.pages=147-8&rft.pub=Scarecrow+Press&rft.date=1985&rft.aulast=Ralston&rft.aufirst=Esther&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-98"><span class="mw-cite-backlink"><b><a href="#cite_ref-98">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.ancestry.com/search/?name=Margaret_Shenberg&birth=1883&birth_x=0-0-0&name_x=1_1">"Ancestry.com"</a>. <i><a href="/wiki/Ancestry.com" title="Ancestry.com">Ancestry.com</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20181211123222/https://www.ancestry.com/search/?name=Margaret_Shenberg&birth=1883&birth_x=0-0-0&name_x=1_1">Archived</a> from the original on December 11, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">June 12,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Ancestry.com&rft.atitle=Ancestry.com&rft_id=https%3A%2F%2Fwww.ancestry.com%2Fsearch%2F%3Fname%3DMargaret_Shenberg%26birth%3D1883%26birth_x%3D0-0-0%26name_x%3D1_1&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-99"><span class="mw-cite-backlink"><b><a href="#cite_ref-99">^</a></b></span> <span class="reference-text">Eyman, p. 296.</span> </li> <li id="cite_note-Eyman,_p._297-100"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman,_p._297_100-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman,_p._297_100-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Eyman, p. 297.</span> </li> <li id="cite_note-101"><span class="mw-cite-backlink"><b><a href="#cite_ref-101">^</a></b></span> <span class="reference-text">Eyman, p. 135.</span> </li> <li id="cite_note-102"><span class="mw-cite-backlink"><b><a href="#cite_ref-102">^</a></b></span> <span class="reference-text">Eyman, p. 299.</span> </li> <li id="cite_note-Eyman,_p._310-103"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman,_p._310_103-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman,_p._310_103-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Eyman,_p._310_103-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Eyman, p. 310.</span> </li> <li id="cite_note-104"><span class="mw-cite-backlink"><b><a href="#cite_ref-104">^</a></b></span> <span class="reference-text">Eyman, p. 311.</span> </li> <li id="cite_note-105"><span class="mw-cite-backlink"><b><a href="#cite_ref-105">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRoss2011" class="citation book cs1">Ross, Steven J. (2011). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=JNma11zsi6MC&pg=PA67"><i>Hollywood Left and Right: How Movie Stars Shaped American Politics</i></a>. <a href="/wiki/Oxford_University_Press" title="Oxford University Press">Oxford University Press</a>. pp. 67–71. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780195181722" title="Special:BookSources/9780195181722"><bdi>9780195181722</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20201205170259/https://books.google.com/books?id=JNma11zsi6MC&pg=PA67">Archived</a> from the original on December 5, 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">April 1,</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Hollywood+Left+and+Right%3A+How+Movie+Stars+Shaped+American+Politics&rft.pages=67-71&rft.pub=Oxford+University+Press&rft.date=2011&rft.isbn=9780195181722&rft.aulast=Ross&rft.aufirst=Steven+J.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DJNma11zsi6MC%26pg%3DPA67&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-106"><span class="mw-cite-backlink"><b><a href="#cite_ref-106">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRoss2011" class="citation book cs1">Ross, Steven J. (2011). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=JNma11zsi6MC&pg=PA62"><i>Hollywood Left and Right: How Movie Stars Shaped American Politics</i></a>. <a href="/wiki/Oxford_University_Press" title="Oxford University Press">Oxford University Press</a>. pp. 62–63. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780195181722" title="Special:BookSources/9780195181722"><bdi>9780195181722</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20201205170246/https://books.google.com/books?id=JNma11zsi6MC&pg=PA62">Archived</a> from the original on December 5, 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">April 1,</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Hollywood+Left+and+Right%3A+How+Movie+Stars+Shaped+American+Politics&rft.pages=62-63&rft.pub=Oxford+University+Press&rft.date=2011&rft.isbn=9780195181722&rft.aulast=Ross&rft.aufirst=Steven+J.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DJNma11zsi6MC%26pg%3DPA62&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-107"><span class="mw-cite-backlink"><b><a href="#cite_ref-107">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSchulberg1998" class="citation news cs1"><a href="/wiki/Budd_Schulberg" title="Budd Schulberg">Schulberg, Budd</a> (December 7, 1998). <a rel="nofollow" class="external text" href="https://content.time.com/time/subscriber/article/0,33009,989771-2,00.html">"Louis B. Mayer: Lion Of Hollywood"</a>. <i><a href="/wiki/Time_(magazine)" title="Time (magazine)">TIME</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190401004448/http://content.time.com/time/subscriber/article/0,33009,989771-2,00.html">Archived</a> from the original on April 1, 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">April 1,</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=TIME&rft.atitle=Louis+B.+Mayer%3A+Lion+Of+Hollywood&rft.date=1998-12-07&rft.aulast=Schulberg&rft.aufirst=Budd&rft_id=https%3A%2F%2Fcontent.time.com%2Ftime%2Fsubscriber%2Farticle%2F0%2C33009%2C989771-2%2C00.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-108"><span class="mw-cite-backlink"><b><a href="#cite_ref-108">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRoss2011" class="citation book cs1">Ross, Steven J. (2011). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=JNma11zsi6MC&pg=PA68"><i>Hollywood Left and Right: How Movie Stars Shaped American Politics</i></a>. <a href="/wiki/Oxford_University_Press" title="Oxford University Press">Oxford University Press</a>. pp. 68–71. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780195181722" title="Special:BookSources/9780195181722"><bdi>9780195181722</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20201205170259/https://books.google.com/books?id=JNma11zsi6MC&pg=PA68">Archived</a> from the original on December 5, 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">April 1,</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Hollywood+Left+and+Right%3A+How+Movie+Stars+Shaped+American+Politics&rft.pages=68-71&rft.pub=Oxford+University+Press&rft.date=2011&rft.isbn=9780195181722&rft.aulast=Ross&rft.aufirst=Steven+J.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DJNma11zsi6MC%26pg%3DPA68&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-109"><span class="mw-cite-backlink"><b><a href="#cite_ref-109">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCritchlow2013" class="citation book cs1">Critchlow, Donald T. (2013). <i>When Hollywood Was Right How Movie Stars, Studio Moguls, and Big Business Remade American Politics</i>. Cambridge University Press. pp. 26–27.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=When+Hollywood+Was+Right+How+Movie+Stars%2C+Studio+Moguls%2C+and+Big+Business+Remade+American+Politics&rft.pages=26-27&rft.pub=Cambridge+University+Press&rft.date=2013&rft.aulast=Critchlow&rft.aufirst=Donald+T.&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-110"><span class="mw-cite-backlink"><b><a href="#cite_ref-110">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://masonrytoday.com/index.php?new_month=7&new_day=12&new_year=2020">"Today in Masonic History - Louis Burt Mayer is Born"</a>. <i>masonrytoday.com</i><span class="reference-accessdate">. Retrieved <span class="nowrap">March 14,</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=masonrytoday.com&rft.atitle=Today+in+Masonic+History+-+Louis+Burt+Mayer+is+Born&rft_id=https%3A%2F%2Fmasonrytoday.com%2Findex.php%3Fnew_month%3D7%26new_day%3D12%26new_year%3D2020&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-111"><span class="mw-cite-backlink"><b><a href="#cite_ref-111">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://freemasoninformation.com/masonic-education/famous/famous-freemasons-in-history/">"Famous Freemasons in History | Freemason Information"</a>. February 20, 2009<span class="reference-accessdate">. Retrieved <span class="nowrap">March 14,</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Famous+Freemasons+in+History+%7C+Freemason+Information&rft.date=2009-02-20&rft_id=https%3A%2F%2Ffreemasoninformation.com%2Fmasonic-education%2Ffamous%2Ffamous-freemasons-in-history%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-WVobit-112"><span class="mw-cite-backlink"><b><a href="#cite_ref-WVobit_112-0">^</a></b></span> <span class="reference-text">Obituary, <i><a href="/wiki/Variety_Obituaries" title="Variety Obituaries">Variety</a></i>, October 30, 1957, p. 87.</span> </li> <li id="cite_note-113"><span class="mw-cite-backlink"><b><a href="#cite_ref-113">^</a></b></span> <span class="reference-text">Eyman, p. 9</span> </li> <li id="cite_note-114"><span class="mw-cite-backlink"><b><a href="#cite_ref-114">^</a></b></span> <span class="reference-text">Eyman, p. 439.</span> </li> <li id="cite_note-Eyman,_p._11-115"><span class="mw-cite-backlink">^ <a href="#cite_ref-Eyman,_p._11_115-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Eyman,_p._11_115-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Eyman, p. 11.</span> </li> <li id="cite_note-116"><span class="mw-cite-backlink"><b><a href="#cite_ref-116">^</a></b></span> <span class="reference-text">Eyman, p. 516.</span> </li> <li id="cite_note-Eyman,_p._13-117"><span class="mw-cite-backlink"><b><a href="#cite_ref-Eyman,_p._13_117-0">^</a></b></span> <span class="reference-text">Eyman, p. 13.</span> </li> <li id="cite_note-118"><span class="mw-cite-backlink"><b><a href="#cite_ref-118">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.canadaswalkoffame.com/inductees/04_louis_b_mayer.xml.htm"><i>Canada's Walk of Fame</i></a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20061030074416/http://www.canadaswalkoffame.com/inductees/04_louis_b_mayer.xml.htm">Archived</a> October 30, 2006, at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-119"><span class="mw-cite-backlink"><b><a href="#cite_ref-119">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJohnson2005" class="citation news cs1">Johnson, Ross (May 22, 2005). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2005/05/22/movies/22john.html">"To Be as a City Upon a (Hollywood) Hill"</a>. <i>The New York Times</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20131113075618/http://www.nytimes.com/2005/05/22/movies/22john.html">Archived</a> from the original on November 13, 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">May 11,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=To+Be+as+a+City+Upon+a+%28Hollywood%29+Hill&rft.date=2005-05-22&rft.aulast=Johnson&rft.aufirst=Ross&rft_id=https%3A%2F%2Fwww.nytimes.com%2F2005%2F05%2F22%2Fmovies%2F22john.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></span> </li> <li id="cite_note-120"><span class="mw-cite-backlink"><b><a href="#cite_ref-120">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.dvdtalk.com/dvdsavant/s640knife.html">The Big Knife review</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170518163456/http://www.dvdtalk.com/dvdsavant/s640knife.html">Archived</a> May 18, 2017, at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a>, <i>DVDtalk</i></span> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="Further_reading">Further reading</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=34" title="Edit section: Further reading"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKrakowski2011" class="citation book cs1"><a href="/wiki/Andrzej_Krakowski" title="Andrzej Krakowski">Krakowski, Andrzej</a> (2011). <i>Pollywood: jak stworzyliśmy Hollywood (Pollywood. How we created Hollywood)</i>. <a href="/wiki/Wydawnictwo_Naukowe_PWN" class="mw-redirect" title="Wydawnictwo Naukowe PWN">Wydawnictwo Naukowe PWN</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7432-0481-1" title="Special:BookSources/978-0-7432-0481-1"><bdi>978-0-7432-0481-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Pollywood%3A+jak+stworzyli%C5%9Bmy+Hollywood+%28Pollywood.+How+we+created+Hollywood%29&rft.pub=Wydawnictwo+Naukowe+PWN&rft.date=2011&rft.isbn=978-0-7432-0481-1&rft.aulast=Krakowski&rft.aufirst=Andrzej&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEyman2005" class="citation book cs1"><a href="/wiki/Scott_Eyman" title="Scott Eyman">Eyman, Scott</a> (2005). <a rel="nofollow" class="external text" href="https://archive.org/details/lionofhollywoodl00eyma"><i>Lion of Hollywood: The Life and Legend of Louis B. Mayer</i></a>. <a href="/wiki/Simon_%26_Schuster" title="Simon & Schuster">Simon & Schuster</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-7432-0481-6" title="Special:BookSources/0-7432-0481-6"><bdi>0-7432-0481-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Lion+of+Hollywood%3A+The+Life+and+Legend+of+Louis+B.+Mayer&rft.pub=Simon+%26+Schuster&rft.date=2005&rft.isbn=0-7432-0481-6&rft.aulast=Eyman&rft.aufirst=Scott&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Flionofhollywoodl00eyma&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHigham1993" class="citation book cs1"><a href="/wiki/Charles_Higham_(biographer)" title="Charles Higham (biographer)">Higham, Charles</a> (March 1993). <i>Merchant of Dreams: Louis B. Mayer, MGM, and the Secret Hollywood</i>. <a href="/wiki/Pan_Books" title="Pan Books">Pan Books</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-330-33314-3" title="Special:BookSources/0-330-33314-3"><bdi>0-330-33314-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Merchant+of+Dreams%3A+Louis+B.+Mayer%2C+MGM%2C+and+the+Secret+Hollywood&rft.pub=Pan+Books&rft.date=1993-03&rft.isbn=0-330-33314-3&rft.aulast=Higham&rft.aufirst=Charles&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></li> <li>Hay, Peter. (1991). <i>MGM: When the Lion Roars</i> Turner Publishing. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/187868504X" title="Special:BookSources/187868504X">187868504X</a></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGabler1988" class="citation book cs1"><a href="/wiki/Neal_Gabler" title="Neal Gabler">Gabler, Neal</a> (September 1988). <i><a href="/wiki/An_Empire_of_Their_Own:_How_the_Jews_Invented_Hollywood" class="mw-redirect" title="An Empire of Their Own: How the Jews Invented Hollywood">An Empire of Their Own: How the Jews Invented Hollywood</a></i>. Crown. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-385-26557-3" title="Special:BookSources/0-385-26557-3"><bdi>0-385-26557-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=An+Empire+of+Their+Own%3A+How+the+Jews+Invented+Hollywood&rft.pub=Crown&rft.date=1988-09&rft.isbn=0-385-26557-3&rft.aulast=Gabler&rft.aufirst=Neal&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+B.+Mayer" class="Z3988"></span></li> <li>Selznick, Irene Mayer (May 1983). A Private View. New York: Alfred A. Knopf. ISBN 0-394-40192-1.</li> <li>Gary Carey, (September 1981), <i>All the Stars in Heaven: Louis B Mayer's MGM</i>. Dutton ISBN 0525052453</li> <li><a href="/wiki/Samuel_Marx" title="Samuel Marx">Samuel Marx</a>, (June 1975), <i>Mayer and Thalberg: The Make-believe Saints</i>, Random House, ISBN 0394488423</li> <li><a href="/wiki/Bosley_Crowther" title="Bosley Crowther">Bosley Crowther</a> (March 1960). <i>Hollywood Rajah: The Life and Times of Louis B. Mayer</i>. Holt, Rinehart and Winston. (Reviewed by John K. Hutchens, <i>New York Herald Tribune</i>, March 21, 1960, p. 15.)</li></ul> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_B._Mayer&action=edit&section=35" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 0;text-align:center}@media(min-width:500px){.mw-parser-output .side-box-flex{display:flex;align-items:center}.mw-parser-output .side-box-text{flex:1;min-width:0}}@media(min-width:720px){.mw-parser-output .side-box{width:238px}.mw-parser-output .side-box-right{clear:right;float:right;margin-left:1em}.mw-parser-output .side-box-left{margin-right:1em}}</style><style data-mw-deduplicate="TemplateStyles:r1237033735">@media print{body.ns-0 .mw-parser-output .sistersitebox{display:none!important}}@media screen{html.skin-theme-clientpref-night .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-en-v2.svg"]{background-color:white}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-en-v2.svg"]{background-color:white}}</style><div class="side-box side-box-right plainlinks sistersitebox"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><span class="noviewer" typeof="mw:File"><span><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/34px-Wikiquote-logo.svg.png" decoding="async" width="34" height="40" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/51px-Wikiquote-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/68px-Wikiquote-logo.svg.png 2x" data-file-width="300" data-file-height="355" /></span></span></div> <div class="side-box-text plainlist">Wikiquote has quotations related to <i><b><a href="https://en.wikiquote.org/wiki/Special:Search/Louis_B._Mayer" class="extiw" title="q:Special:Search/Louis B. 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navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Academy_Honorary_Award" title="Template:Academy Honorary Award"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Academy_Honorary_Award" title="Template talk:Academy Honorary Award"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Academy_Honorary_Award" title="Special:EditPage/Template:Academy Honorary Award"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Academy_Honorary_Award" style="font-size:114%;margin:0 4em"><a href="/wiki/Academy_Honorary_Award" title="Academy Honorary Award">Academy Honorary Award</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background: #EEDD82;width:1%">1928–1950</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Warner_Bros." title="Warner Bros.">Warner Bros.</a> / <a href="/wiki/Charlie_Chaplin" title="Charlie Chaplin">Charlie Chaplin</a> (1928)</li> <li><a href="/wiki/Walt_Disney" title="Walt Disney">Walt Disney</a> (1932)</li> <li><a href="/wiki/Shirley_Temple" title="Shirley Temple">Shirley Temple</a> (1934)</li> <li><a href="/wiki/D._W._Griffith" title="D. W. Griffith">D. W. Griffith</a> (1935)</li> <li><i><a href="/wiki/The_March_of_Time" title="The March of Time">The March of Time</a></i> / <a href="/wiki/W._Howard_Greene" title="W. Howard Greene">W. Howard Greene</a> and <a href="/wiki/Harold_Rosson" title="Harold Rosson">Harold Rosson</a> (1936)</li> <li><a href="/wiki/Edgar_Bergen" title="Edgar Bergen">Edgar Bergen</a> / <a href="/wiki/W._Howard_Greene" title="W. Howard Greene">W. Howard Greene</a> / <a href="/wiki/Museum_of_Modern_Art_Department_of_Film" title="Museum of Modern Art Department of Film">Museum of Modern Art Film Library</a> / <a href="/wiki/Mack_Sennett" title="Mack Sennett">Mack Sennett</a> (1937)</li> <li><a href="/wiki/Joseph_A._Ball_(inventor)" title="Joseph A. Ball (inventor)">J. Arthur Ball</a> / <a href="/wiki/Walt_Disney" title="Walt Disney">Walt Disney</a> / <a href="/wiki/Deanna_Durbin" title="Deanna Durbin">Deanna Durbin</a> and <a href="/wiki/Mickey_Rooney" title="Mickey Rooney">Mickey Rooney</a> / <a href="/wiki/Gordon_Jennings" title="Gordon Jennings">Gordon Jennings</a>, <a href="/wiki/Jan_Domela" title="Jan Domela">Jan Domela</a>, Devereaux Jennings, Irmin Roberts, Art Smith, <a href="/wiki/Farciot_Edouart" title="Farciot Edouart">Farciot Edouart</a>, <a href="/wiki/Loyal_Griggs" title="Loyal Griggs">Loyal Griggs</a>, <a href="/wiki/Loren_L._Ryder" title="Loren L. Ryder">Loren L. Ryder</a>, Harry D. Mills, <a href="/wiki/Louis_Mesenkop" title="Louis Mesenkop">Louis Mesenkop</a>, Walter Oberst / <a href="/wiki/Oliver_T._Marsh" title="Oliver T. Marsh">Oliver T. Marsh</a> and Allen Davey / <a href="/wiki/Harry_Warner" title="Harry Warner">Harry Warner</a> (1938)</li> <li><a href="/wiki/Douglas_Fairbanks" title="Douglas Fairbanks">Douglas Fairbanks</a> / <a href="/wiki/Judy_Garland" title="Judy Garland">Judy Garland</a> / <a href="/wiki/William_Cameron_Menzies" title="William Cameron Menzies">William Cameron Menzies</a> / <a href="/wiki/Motion_Picture_%26_Television_Fund" title="Motion Picture & Television Fund">Motion Picture Relief Fund</a> (<a href="/wiki/Jean_Hersholt" title="Jean Hersholt">Jean Hersholt</a>, <a href="/wiki/Ralph_Morgan" title="Ralph Morgan">Ralph Morgan</a>, <a href="/wiki/Ralph_Block" title="Ralph Block">Ralph Block</a>, <a href="/wiki/Conrad_Nagel" title="Conrad Nagel">Conrad Nagel</a>) / <a href="/wiki/Vantiva" title="Vantiva">Technicolor SA</a> (1939)</li> <li><a href="/wiki/Bob_Hope" title="Bob Hope">Bob Hope</a> / <a href="/wiki/Nathan_Levinson" title="Nathan Levinson">Nathan Levinson</a> (1940)</li> <li><a href="/wiki/Walt_Disney" title="Walt Disney">Walt Disney</a>, <a href="/wiki/William_Garity" title="William Garity">William Garity</a>, John N. A. Hawkins, and the <a href="/wiki/RCA" title="RCA">RCA Manufacturing Company</a> / <a href="/wiki/Leopold_Stokowski" title="Leopold Stokowski">Leopold Stokowski</a> and his associates / Rey Scott / <a href="/wiki/Ministry_of_Information_(United_Kingdom)" title="Ministry of Information (United Kingdom)">British Ministry of Information</a> (1941)</li> <li><a href="/wiki/Charles_Boyer" title="Charles Boyer">Charles Boyer</a> / <a href="/wiki/No%C3%ABl_Coward" title="Noël Coward">Noël Coward</a> / <a href="/wiki/Metro-Goldwyn-Mayer" title="Metro-Goldwyn-Mayer">Metro-Goldwyn-Mayer</a> (1942)</li> <li><a href="/wiki/George_Pal" title="George Pal">George Pal</a> (1943)</li> <li><a href="/wiki/Bob_Hope" title="Bob Hope">Bob Hope</a> / <a href="/wiki/Margaret_O%27Brien" title="Margaret O'Brien">Margaret O'Brien</a> (1944)</li> <li>Republic Studio, <a href="/wiki/Daniel_J._Bloomberg" title="Daniel J. Bloomberg">Daniel J. Bloomberg</a>, and the Republic Studio Sound Department / <a href="/wiki/Walter_Wanger" title="Walter Wanger">Walter Wanger</a> / <i><a href="/wiki/The_House_I_Live_In_(1945_film)" title="The House I Live In (1945 film)">The House I Live In</a></i> / <a href="/wiki/Peggy_Ann_Garner" title="Peggy Ann Garner">Peggy Ann Garner</a> (1945)</li> <li><a href="/wiki/Harold_Russell" title="Harold Russell">Harold Russell</a> / <a href="/wiki/Laurence_Olivier" title="Laurence Olivier">Laurence Olivier</a> / <a href="/wiki/Ernst_Lubitsch" title="Ernst Lubitsch">Ernst Lubitsch</a> / <a href="/wiki/Claude_Jarman_Jr." title="Claude Jarman Jr.">Claude Jarman Jr.</a> (1946)</li> <li><a href="/wiki/James_Baskett" title="James Baskett">James Baskett</a> / <a href="/wiki/Thomas_Armat" title="Thomas Armat">Thomas Armat</a>, <a href="/wiki/William_Selig" title="William Selig">William Nicholas Selig</a>, <a href="/wiki/Albert_E._Smith_(producer)" title="Albert E. Smith (producer)">Albert E. Smith</a>, and <a href="/wiki/George_Kirke_Spoor" title="George Kirke Spoor">George Kirke Spoor</a> / <i><a href="/wiki/Bill_and_Coo" title="Bill and Coo">Bill and Coo</a></i> / <i><a href="/wiki/Shoeshine_(film)" title="Shoeshine (film)">Shoeshine</a></i> (1947)</li> <li><a href="/wiki/Walter_Wanger" title="Walter Wanger">Walter Wanger</a> / <i><a href="/wiki/Monsieur_Vincent" title="Monsieur Vincent">Monsieur Vincent</a></i> / <a href="/wiki/Sid_Grauman" title="Sid Grauman">Sid Grauman</a> / <a href="/wiki/Adolph_Zukor" title="Adolph Zukor">Adolph Zukor</a> (1948)</li> <li><a href="/wiki/Jean_Hersholt" title="Jean Hersholt">Jean Hersholt</a> / <a href="/wiki/Fred_Astaire" title="Fred Astaire">Fred Astaire</a> / <a href="/wiki/Cecil_B._DeMille" title="Cecil B. DeMille">Cecil B. DeMille</a> / <i><a href="/wiki/Bicycle_Thieves" title="Bicycle Thieves">The Bicycle Thief</a></i> (1949)</li> <li><a class="mw-selflink selflink">Louis B. Mayer</a> / <a href="/wiki/George_Murphy" title="George Murphy">George Murphy</a> / <i><a href="/wiki/The_Walls_of_Malapaga" title="The Walls of Malapaga">The Walls of Malapaga</a></i> (1950)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #EEDD82;width:1%">1951–1975</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Gene_Kelly" title="Gene Kelly">Gene Kelly</a> / <i><a href="/wiki/Rashomon" title="Rashomon">Rashomon</a></i> (1951)</li> <li><a href="/wiki/Merian_C._Cooper" title="Merian C. Cooper">Merian C. Cooper</a> / <a href="/wiki/Bob_Hope" title="Bob Hope">Bob Hope</a> / <a href="/wiki/Harold_Lloyd" title="Harold Lloyd">Harold Lloyd</a> / George Mitchell / <a href="/wiki/Joseph_M._Schenck" title="Joseph M. Schenck">Joseph M. Schenck</a> / <i><a href="/wiki/Forbidden_Games" title="Forbidden Games">Forbidden Games</a></i> (1952)</li> <li><a href="/wiki/20th_Century_Studios" title="20th Century Studios">20th Century-Fox Film Corporation</a> / <a href="/wiki/Bell_%26_Howell" title="Bell & Howell">Bell & Howell Company</a> / <a href="/wiki/Joseph_Breen" title="Joseph Breen">Joseph Breen</a> / <a href="/wiki/Pete_Smith_(film_producer)" title="Pete Smith (film producer)">Pete Smith</a> (1953)</li> <li><a href="/wiki/Bausch_%26_Lomb" title="Bausch & Lomb">Bausch & Lomb Optical Company</a> / <a href="/wiki/Danny_Kaye" title="Danny Kaye">Danny Kaye</a> / Kemp Niver / <a href="/wiki/Greta_Garbo" title="Greta Garbo">Greta Garbo</a> / <a href="/wiki/Jon_Whiteley" title="Jon Whiteley">Jon Whiteley</a> / <a href="/wiki/Vincent_Winter" title="Vincent Winter">Vincent Winter</a> / <a href="/wiki/Gate_of_Hell_(film)" title="Gate of Hell (film)"><i>Gate of Hell</i></a> (1954)</li> <li><i><a href="/wiki/Samurai_I:_Musashi_Miyamoto" title="Samurai I: Musashi Miyamoto">Samurai I: Musashi Miyamoto</a></i> (1955)</li> <li><a href="/wiki/Eddie_Cantor" title="Eddie Cantor">Eddie Cantor</a> (1956)</li> <li><a href="/wiki/Society_of_Motion_Picture_and_Television_Engineers" title="Society of Motion Picture and Television Engineers">Society of Motion Picture and Television Engineers</a> / <a href="/wiki/Broncho_Billy_Anderson" title="Broncho Billy Anderson">Gilbert M. "Broncho Billy" Anderson</a> / <a href="/wiki/Charles_Brackett" title="Charles Brackett">Charles Brackett</a> / <a href="/wiki/B._B._Kahane" title="B. B. Kahane">B. B. Kahane</a> (1957)</li> <li><a href="/wiki/Maurice_Chevalier" title="Maurice Chevalier">Maurice Chevalier</a> (1958)</li> <li><a href="/wiki/Buster_Keaton" title="Buster Keaton">Buster Keaton</a> / <a href="/wiki/Lee_de_Forest" title="Lee de Forest">Lee de Forest</a> (1959)</li> <li><a href="/wiki/Gary_Cooper" title="Gary Cooper">Gary Cooper</a> / <a href="/wiki/Stan_Laurel" title="Stan Laurel">Stan Laurel</a> / <a href="/wiki/Hayley_Mills" title="Hayley Mills">Hayley Mills</a> (1960)</li> <li><a href="/wiki/William_L._Hendricks" title="William L. Hendricks">William L. Hendricks</a> / Fred L. Metzler / <a href="/wiki/Jerome_Robbins" title="Jerome Robbins">Jerome Robbins</a> (1961)</li> <li><a href="/wiki/William_J._Tuttle" title="William J. Tuttle">William J. Tuttle</a> (1964)</li> <li><a href="/wiki/Bob_Hope" title="Bob Hope">Bob Hope</a> (1965)</li> <li><a href="/wiki/Yakima_Canutt" title="Yakima Canutt">Yakima Canutt</a> / <a href="/wiki/Y._Frank_Freeman" title="Y. Frank Freeman">Y. Frank Freeman</a> (1966)</li> <li><a href="/wiki/Arthur_Freed" title="Arthur Freed">Arthur Freed</a> (1967)</li> <li><a href="/wiki/John_Chambers_(make-up_artist)" title="John Chambers (make-up artist)">John Chambers</a> / <a href="/wiki/Onna_White" title="Onna White">Onna White</a> (1968)</li> <li><a href="/wiki/Cary_Grant" title="Cary Grant">Cary Grant</a> (1969)</li> <li><a href="/wiki/Lillian_Gish" title="Lillian Gish">Lillian Gish</a> / <a href="/wiki/Orson_Welles" title="Orson Welles">Orson Welles</a> (1970)</li> <li><a href="/wiki/Charlie_Chaplin" title="Charlie Chaplin">Charlie Chaplin</a> (1971)</li> <li>Charles S. Boren / <a href="/wiki/Edward_G._Robinson" title="Edward G. Robinson">Edward G. Robinson</a> (1972)</li> <li><a href="/wiki/Henri_Langlois" title="Henri Langlois">Henri Langlois</a> / <a href="/wiki/Groucho_Marx" title="Groucho Marx">Groucho Marx</a> (1973)</li> <li><a href="/wiki/Howard_Hawks" title="Howard Hawks">Howard Hawks</a> / <a href="/wiki/Jean_Renoir" title="Jean Renoir">Jean Renoir</a> (1974)</li> <li><a href="/wiki/Mary_Pickford" title="Mary Pickford">Mary Pickford</a> (1975)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #EEDD82;width:1%">1976–2000</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Margaret_Booth" title="Margaret Booth">Margaret Booth</a> (1977)</li> <li><a href="/wiki/Walter_Lantz" title="Walter Lantz">Walter Lantz</a> / <a href="/wiki/Laurence_Olivier" title="Laurence Olivier">Laurence Olivier</a> / <a href="/wiki/King_Vidor" title="King Vidor">King Vidor</a> / <a href="/wiki/Museum_of_Modern_Art" title="Museum of Modern Art">Museum of Modern Art Department of Film</a> (1978)</li> <li>Hal Elias / <a href="/wiki/Alec_Guinness" title="Alec Guinness">Alec Guinness</a> (1979)</li> <li><a href="/wiki/Henry_Fonda" title="Henry Fonda">Henry Fonda</a> (1980)</li> <li><a href="/wiki/Barbara_Stanwyck" title="Barbara Stanwyck">Barbara Stanwyck</a> (1981)</li> <li><a href="/wiki/Mickey_Rooney" title="Mickey Rooney">Mickey Rooney</a> (1982)</li> <li><a href="/wiki/Hal_Roach" title="Hal Roach">Hal Roach</a> (1983)</li> <li><a href="/wiki/James_Stewart" title="James Stewart">James Stewart</a> / <a href="/wiki/National_Endowment_for_the_Arts" title="National Endowment for the Arts">National Endowment for the Arts</a> (1984)</li> <li><a href="/wiki/Paul_Newman" title="Paul Newman">Paul Newman</a> / <a href="/wiki/Alex_North" title="Alex North">Alex North</a> (1985)</li> <li><a href="/wiki/Ralph_Bellamy" title="Ralph Bellamy">Ralph Bellamy</a> (1986)</li> <li><a href="/wiki/Kodak" title="Kodak">Eastman Kodak Company</a> / <a href="/wiki/National_Film_Board_of_Canada" title="National Film Board of Canada">National Film Board of Canada</a> (1988)</li> <li><a href="/wiki/Akira_Kurosawa" title="Akira Kurosawa">Akira Kurosawa</a> (1989)</li> <li><a href="/wiki/Sophia_Loren" title="Sophia Loren">Sophia Loren</a> / <a href="/wiki/Myrna_Loy" title="Myrna Loy">Myrna Loy</a> (1990)</li> <li><a href="/wiki/Satyajit_Ray" title="Satyajit Ray">Satyajit Ray</a> (1991)</li> <li><a href="/wiki/Federico_Fellini" title="Federico Fellini">Federico Fellini</a> (1992)</li> <li><a href="/wiki/Deborah_Kerr" title="Deborah Kerr">Deborah Kerr</a> (1993)</li> <li><a href="/wiki/Michelangelo_Antonioni" title="Michelangelo Antonioni">Michelangelo Antonioni</a> (1994)</li> <li><a href="/wiki/Kirk_Douglas" title="Kirk Douglas">Kirk Douglas</a> / <a href="/wiki/Chuck_Jones" title="Chuck Jones">Chuck Jones</a> (1995)</li> <li><a href="/wiki/Michael_Kidd" title="Michael Kidd">Michael Kidd</a> (1996)</li> <li><a href="/wiki/Stanley_Donen" title="Stanley Donen">Stanley Donen</a> (1997)</li> <li><a href="/wiki/Elia_Kazan" title="Elia Kazan">Elia Kazan</a> (1998)</li> <li><a href="/wiki/Andrzej_Wajda" title="Andrzej Wajda">Andrzej Wajda</a> (1999)</li> <li><a href="/wiki/Jack_Cardiff" title="Jack Cardiff">Jack Cardiff</a> / <a href="/wiki/Ernest_Lehman" title="Ernest Lehman">Ernest Lehman</a> (2000)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #EEDD82;width:1%">2001–present</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Sidney_Poitier" title="Sidney Poitier">Sidney Poitier</a> / <a href="/wiki/Robert_Redford" title="Robert Redford">Robert Redford</a> (2001)</li> <li><a href="/wiki/Peter_O%27Toole" title="Peter O'Toole">Peter O'Toole</a> (2002)</li> <li><a href="/wiki/Blake_Edwards" title="Blake Edwards">Blake Edwards</a> (2003)</li> <li><a href="/wiki/Sidney_Lumet" title="Sidney Lumet">Sidney Lumet</a> (2004)</li> <li><a href="/wiki/Robert_Altman" title="Robert Altman">Robert Altman</a> (2005)</li> <li><a href="/wiki/Ennio_Morricone" title="Ennio Morricone">Ennio Morricone</a> (2006)</li> <li><a href="/wiki/Robert_F._Boyle" title="Robert F. Boyle">Robert F. Boyle</a> (2007)</li> <li><a href="/wiki/Lauren_Bacall" title="Lauren Bacall">Lauren Bacall</a> / <a href="/wiki/Roger_Corman" title="Roger Corman">Roger Corman</a> / <a href="/wiki/Gordon_Willis" title="Gordon Willis">Gordon Willis</a> (2009)</li> <li><a href="/wiki/Kevin_Brownlow" title="Kevin Brownlow">Kevin Brownlow</a> / <a href="/wiki/Jean-Luc_Godard" title="Jean-Luc Godard">Jean-Luc Godard</a> / <a href="/wiki/Eli_Wallach" title="Eli Wallach">Eli Wallach</a> (2010)</li> <li><a href="/wiki/James_Earl_Jones" title="James Earl Jones">James Earl Jones</a> / <a href="/wiki/Dick_Smith_(make-up_artist)" title="Dick Smith (make-up artist)">Dick Smith</a> (2011)</li> <li><a href="/wiki/D._A._Pennebaker" title="D. A. Pennebaker">D. A. Pennebaker</a> / <a href="/wiki/Hal_Needham" title="Hal Needham">Hal Needham</a> / <a href="/wiki/George_Stevens_Jr." title="George Stevens Jr.">George Stevens Jr.</a> (2012)</li> <li><a href="/wiki/Angela_Lansbury" title="Angela Lansbury">Angela Lansbury</a> / <a href="/wiki/Steve_Martin" title="Steve Martin">Steve Martin</a> / <a href="/wiki/Piero_Tosi" title="Piero Tosi">Piero Tosi</a> (2013)</li> <li><a href="/wiki/Jean-Claude_Carri%C3%A8re" title="Jean-Claude Carrière">Jean-Claude Carrière</a> / <a href="/wiki/Hayao_Miyazaki" title="Hayao Miyazaki">Hayao Miyazaki</a> / <a href="/wiki/Maureen_O%27Hara" title="Maureen O'Hara">Maureen O'Hara</a> (2014)</li> <li><a href="/wiki/Spike_Lee" title="Spike Lee">Spike Lee</a> / <a href="/wiki/Gena_Rowlands" title="Gena Rowlands">Gena Rowlands</a> (2015)</li> <li><a href="/wiki/Jackie_Chan" title="Jackie Chan">Jackie Chan</a> / <a href="/wiki/Lynn_Stalmaster" title="Lynn Stalmaster">Lynn Stalmaster</a> / <a href="/wiki/Anne_V._Coates" title="Anne V. Coates">Anne V. Coates</a> / <a href="/wiki/Frederick_Wiseman" title="Frederick Wiseman">Frederick Wiseman</a> (2016)</li> <li><a href="/wiki/Charles_Burnett_(director)" title="Charles Burnett (director)">Charles Burnett</a> / <a href="/wiki/Owen_Roizman" title="Owen Roizman">Owen Roizman</a> / <a href="/wiki/Donald_Sutherland" title="Donald Sutherland">Donald Sutherland</a> / <a href="/wiki/Agn%C3%A8s_Varda" title="Agnès Varda">Agnès Varda</a> (2017)</li> <li><a href="/wiki/Marvin_Levy_(publicist)" title="Marvin Levy (publicist)">Marvin Levy</a> / <a href="/wiki/Lalo_Schifrin" title="Lalo Schifrin">Lalo Schifrin</a> / <a href="/wiki/Cicely_Tyson" title="Cicely Tyson">Cicely Tyson</a> (2018)</li> <li><a href="/wiki/David_Lynch" title="David Lynch">David Lynch</a> / <a href="/wiki/Wes_Studi" title="Wes Studi">Wes Studi</a> / <a href="/wiki/Lina_Wertm%C3%BCller" title="Lina Wertmüller">Lina Wertmüller</a> (2019)</li> <li><a href="/wiki/Samuel_L._Jackson" title="Samuel L. Jackson">Samuel L. Jackson</a> / <a href="/wiki/Elaine_May" title="Elaine May">Elaine May</a> / <a href="/wiki/Liv_Ullmann" title="Liv Ullmann">Liv Ullmann</a> (2021)</li> <li><a href="/wiki/Euzhan_Palcy" title="Euzhan Palcy">Euzhan Palcy</a> / <a href="/wiki/Diane_Warren" title="Diane Warren">Diane Warren</a> / <a href="/wiki/Peter_Weir" title="Peter Weir">Peter Weir</a> (2022)</li> <li><a href="/wiki/Angela_Bassett" title="Angela Bassett">Angela Bassett</a> / <a href="/wiki/Mel_Brooks" title="Mel Brooks">Mel Brooks</a> / <a href="/wiki/Carol_Littleton" title="Carol Littleton">Carol Littleton</a> (2023)</li> <li><a href="/wiki/Quincy_Jones" title="Quincy Jones">Quincy Jones</a> / <a href="/wiki/Juliet_Taylor" title="Juliet Taylor">Juliet Taylor</a> (2024)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Time_100:_The_Most_Important_People_of_the_20th_Century" style="padding:3px"><table class="nowraplinks mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Time_100:_The_Most_Important_People_of_the_Century" title="Template:Time 100: The Most Important People of the Century"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Time_100:_The_Most_Important_People_of_the_Century" title="Template talk:Time 100: The Most Important People of the Century"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Time_100:_The_Most_Important_People_of_the_Century" title="Special:EditPage/Template:Time 100: The Most Important People of the Century"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Time_100:_The_Most_Important_People_of_the_20th_Century" style="font-size:114%;margin:0 4em"><a href="/wiki/Time_100:_The_Most_Important_People_of_the_Century" title="Time 100: The Most Important People of the Century"><i>Time</i> 100: The Most Important People of the 20th Century</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Leaders & revolutionaries</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><a href="/wiki/David_Ben-Gurion" title="David Ben-Gurion">David Ben-Gurion</a></span></li> <li><span class="nowrap"><a href="/wiki/Winston_Churchill" title="Winston Churchill">Winston Churchill</a></span></li> <li><span class="nowrap"><a href="/wiki/Mahatma_Gandhi" title="Mahatma Gandhi">Mahatma Gandhi</a></span></li> <li><span class="nowrap"><a href="/wiki/Mikhail_Gorbachev" title="Mikhail Gorbachev">Mikhail Gorbachev</a></span></li> <li><span class="nowrap"><a href="/wiki/Adolf_Hitler" title="Adolf Hitler">Adolf Hitler</a></span></li> <li><span class="nowrap"><a href="/wiki/Ho_Chi_Minh" title="Ho Chi Minh">Ho Chi Minh</a></span></li> <li><span class="nowrap"><a href="/wiki/Pope_John_Paul_II" title="Pope John Paul II">Pope John Paul II</a></span></li> <li><span class="nowrap"><a href="/wiki/Ruhollah_Khomeini" title="Ruhollah Khomeini">Ruhollah Khomeini</a></span></li> <li><span class="nowrap"><a href="/wiki/Martin_Luther_King_Jr." title="Martin Luther King Jr.">Martin Luther King Jr.</a></span></li> <li><span class="nowrap"><a href="/wiki/Vladimir_Lenin" title="Vladimir Lenin">Vladimir Lenin</a></span></li> <li><span class="nowrap"><a href="/wiki/Nelson_Mandela" title="Nelson Mandela">Nelson Mandela</a></span></li> <li><span class="nowrap"><a href="/wiki/Mao_Zedong" title="Mao Zedong">Mao Zedong</a></span></li> <li><span class="nowrap"><a href="/wiki/Ronald_Reagan" title="Ronald Reagan">Ronald Reagan</a></span></li> <li><span class="nowrap"><a href="/wiki/Eleanor_Roosevelt" title="Eleanor Roosevelt">Eleanor Roosevelt</a></span></li> <li><span class="nowrap"><a href="/wiki/Franklin_D._Roosevelt" title="Franklin D. Roosevelt">Franklin D. Roosevelt</a></span></li> <li><span class="nowrap"><a href="/wiki/Theodore_Roosevelt" title="Theodore Roosevelt">Theodore Roosevelt</a></span></li> <li><span class="nowrap"><a href="/wiki/Margaret_Sanger" title="Margaret Sanger">Margaret Sanger</a></span></li> <li><span class="nowrap"><a href="/wiki/Margaret_Thatcher" title="Margaret Thatcher">Margaret Thatcher</a></span></li> <li><span class="nowrap"><a href="/wiki/Tank_Man" title="Tank Man">Unknown Tiananmen Square rebel</a></span></li> <li><span class="nowrap"><a href="/wiki/Lech_Wa%C5%82%C4%99sa" title="Lech Wałęsa">Lech Wałęsa</a></span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Artists & entertainers</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><a href="/wiki/Louis_Armstrong" title="Louis Armstrong">Louis Armstrong</a></span></li> <li><span class="nowrap"><a href="/wiki/Lucille_Ball" title="Lucille Ball">Lucille Ball</a></span></li> <li><span class="nowrap"><a href="/wiki/The_Beatles" title="The Beatles">The Beatles</a></span></li> <li><span class="nowrap"><a href="/wiki/Marlon_Brando" title="Marlon Brando">Marlon Brando</a></span></li> <li><span class="nowrap"><a href="/wiki/Coco_Chanel" title="Coco Chanel">Coco Chanel</a></span></li> <li><span class="nowrap"><a href="/wiki/Charlie_Chaplin" title="Charlie Chaplin">Charlie Chaplin</a></span></li> <li><span class="nowrap"><a href="/wiki/Le_Corbusier" title="Le Corbusier">Le Corbusier</a></span></li> <li><span class="nowrap"><a href="/wiki/Bob_Dylan" title="Bob Dylan">Bob Dylan</a></span></li> <li><span class="nowrap"><a href="/wiki/T._S._Eliot" title="T. S. Eliot">T. S. Eliot</a></span></li> <li><span class="nowrap"><a href="/wiki/Aretha_Franklin" title="Aretha Franklin">Aretha Franklin</a></span></li> <li><span class="nowrap"><a href="/wiki/Martha_Graham" title="Martha Graham">Martha Graham</a></span></li> <li><span class="nowrap"><a href="/wiki/Jim_Henson" title="Jim Henson">Jim Henson</a></span></li> <li><span class="nowrap"><a href="/wiki/James_Joyce" title="James Joyce">James Joyce</a></span></li> <li><span class="nowrap"><a href="/wiki/Pablo_Picasso" title="Pablo Picasso">Pablo Picasso</a></span></li> <li><span class="nowrap"><a href="/wiki/Richard_Rodgers_and_Oscar_Hammerstein" class="mw-redirect" title="Richard Rodgers and Oscar Hammerstein">Richard Rodgers and Oscar Hammerstein</a></span></li> <li><span class="nowrap"><a href="/wiki/Bart_Simpson" title="Bart Simpson">Bart Simpson</a></span></li> <li><span class="nowrap"><a href="/wiki/Frank_Sinatra" title="Frank Sinatra">Frank Sinatra</a></span></li> <li><span class="nowrap"><a href="/wiki/Steven_Spielberg" title="Steven Spielberg">Steven Spielberg</a></span></li> <li><span class="nowrap"><a href="/wiki/Igor_Stravinsky" title="Igor Stravinsky">Igor Stravinsky</a></span></li> <li><span class="nowrap"><a href="/wiki/Oprah_Winfrey" title="Oprah Winfrey">Oprah Winfrey</a></span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Builders & titans</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><a href="/wiki/Stephen_Bechtel_Sr." title="Stephen Bechtel Sr.">Stephen Bechtel Sr.</a></span></li> <li><span class="nowrap"><a href="/wiki/Leo_Burnett" title="Leo Burnett">Leo Burnett</a></span></li> <li><span class="nowrap"><a href="/wiki/Willis_Carrier" title="Willis Carrier">Willis Carrier</a></span></li> <li><span class="nowrap"><a href="/wiki/Walt_Disney" title="Walt Disney">Walt Disney</a></span></li> <li><span class="nowrap"><a href="/wiki/Henry_Ford" title="Henry Ford">Henry Ford</a></span></li> <li><span class="nowrap"><a href="/wiki/Bill_Gates" title="Bill Gates">Bill Gates</a></span></li> <li><span class="nowrap"><a href="/wiki/Amadeo_Giannini" title="Amadeo Giannini">Amadeo Giannini</a></span></li> <li><span class="nowrap"><a href="/wiki/Ray_Kroc" title="Ray Kroc">Ray Kroc</a></span></li> <li><span class="nowrap"><a href="/wiki/Est%C3%A9e_Lauder_(businesswoman)" title="Estée Lauder (businesswoman)">Estée Lauder</a></span></li> <li><span class="nowrap"><a href="/wiki/William_Levitt" title="William Levitt">William Levitt</a></span></li> <li><span class="nowrap"><a href="/wiki/Lucky_Luciano" title="Lucky Luciano">Lucky Luciano</a></span></li> <li><span class="nowrap"><a class="mw-selflink selflink">Louis B. Mayer</a></span></li> <li><span class="nowrap"><a href="/wiki/Charles_E._Merrill" title="Charles E. Merrill">Charles E. Merrill</a></span></li> <li><span class="nowrap"><a href="/wiki/Akio_Morita" title="Akio Morita">Akio Morita</a></span></li> <li><span class="nowrap"><a href="/wiki/Walter_Reuther" title="Walter Reuther">Walter Reuther</a></span></li> <li><span class="nowrap"><a href="/wiki/Pete_Rozelle" title="Pete Rozelle">Pete Rozelle</a></span></li> <li><span class="nowrap"><a href="/wiki/David_Sarnoff" title="David Sarnoff">David Sarnoff</a></span></li> <li><span class="nowrap"><a href="/wiki/Juan_Trippe" title="Juan Trippe">Juan Trippe</a></span></li> <li><span class="nowrap"><a href="/wiki/Sam_Walton" title="Sam Walton">Sam Walton</a></span></li> <li><span class="nowrap"><a href="/wiki/Thomas_J._Watson_Jr." title="Thomas J. Watson Jr.">Thomas J. Watson Jr.</a></span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Scientists & thinkers</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><a href="/wiki/Leo_Baekeland" title="Leo Baekeland">Leo Baekeland</a></span></li> <li><span class="nowrap"><a href="/wiki/Tim_Berners-Lee" title="Tim Berners-Lee">Tim Berners-Lee</a></span></li> <li><span class="nowrap"><a href="/wiki/Rachel_Carson" title="Rachel Carson">Rachel Carson</a></span></li> <li><span class="nowrap"><a href="/wiki/Albert_Einstein" title="Albert Einstein">Albert Einstein</a></span></li> <li><span class="nowrap"><a href="/wiki/Philo_Farnsworth" title="Philo Farnsworth">Philo Farnsworth</a></span></li> <li><span class="nowrap"><a href="/wiki/Enrico_Fermi" title="Enrico Fermi">Enrico Fermi</a></span></li> <li><span class="nowrap"><a href="/wiki/Alexander_Fleming" title="Alexander Fleming">Alexander Fleming</a></span></li> <li><span class="nowrap"><a href="/wiki/Sigmund_Freud" title="Sigmund Freud">Sigmund Freud</a></span></li> <li><span class="nowrap"><a href="/wiki/Robert_H._Goddard" title="Robert H. Goddard">Robert H. Goddard</a></span></li> <li><span class="nowrap"><a href="/wiki/Kurt_G%C3%B6del" title="Kurt Gödel">Kurt Gödel</a></span></li> <li><span class="nowrap"><a href="/wiki/Edwin_Hubble" title="Edwin Hubble">Edwin Hubble</a></span></li> <li><span class="nowrap"><a href="/wiki/John_Maynard_Keynes" title="John Maynard Keynes">John Maynard Keynes</a></span></li> <li><span class="nowrap"><a href="/wiki/Leakey_family" title="Leakey family">Leakey family</a></span></li> <li><span class="nowrap"><a href="/wiki/Jean_Piaget" title="Jean Piaget">Jean Piaget</a></span></li> <li><span class="nowrap"><a href="/wiki/Jonas_Salk" title="Jonas Salk">Jonas Salk</a></span></li> <li><span class="nowrap"><a href="/wiki/William_Shockley" title="William Shockley">William Shockley</a></span></li> <li><span class="nowrap"><a href="/wiki/Alan_Turing" title="Alan Turing">Alan Turing</a></span></li> <li><span class="nowrap"><a href="/wiki/Francis_Crick" title="Francis Crick">Francis Crick</a> & <a 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class="navbox authority-control" aria-labelledby="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q319682#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><div id="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q319682#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata" style="font-size:114%;margin:0 4em"><a href="/wiki/Help:Authority_control" title="Help:Authority control">Authority control databases</a> <span class="mw-valign-text-top noprint" typeof="mw:File/Frameless"><a href="https://www.wikidata.org/wiki/Q319682#identifiers" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></span></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">International</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://isni.org/isni/0000000066746033">ISNI</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://viaf.org/viaf/3273574">VIAF</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://id.worldcat.org/fast/68117/">FAST</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.oclc.org/worldcat/entity/E39PBJxRwDHgmgDYP3DrxHwXBP">WorldCat</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/119113236">Germany</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/n81018659">United States</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://catalogue.bnf.fr/ark:/12148/cb131955633">France</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://data.bnf.fr/ark:/12148/cb131955633">BnF data</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://aleph.nkp.cz/F/?func=find-c&local_base=aut&ccl_term=ica=jx20070126003&CON_LNG=ENG">Czech Republic</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX4683035">Spain</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://data.bibliotheken.nl/id/thes/p112954499">Netherlands</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://olduli.nli.org.il/F/?func=find-b&local_base=NLX10&find_code=UID&request=987007272304805171">Israel</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Artists</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://musicbrainz.org/artist/d64f0589-d05e-438a-b870-88e282dcf39f">MusicBrainz</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">People</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.deutsche-biographie.de/pnd119113236.html?language=en">Deutsche Biographie</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.idref.fr/232932360">IdRef</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://catalog.archives.gov/id/23807012">NARA</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://snaccooperative.org/ark:/99166/w6vx1d07">SNAC</a></span></li></ul></div></td></tr></tbody></table></div> <!-- NewPP limit report Parsed by mw‐web.codfw.main‐f69cdc8f6‐598ft Cached time: 20241122141219 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 1.562 seconds Real time usage: 1.850 seconds Preprocessor visited node count: 10759/1000000 Post‐expand include size: 163171/2097152 bytes Template argument size: 15226/2097152 bytes Highest expansion depth: 24/100 Expensive parser function count: 9/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 217938/5000000 bytes Lua time usage: 0.716/10.000 seconds Lua memory usage: 11827786/52428800 bytes Number of Wikibase entities loaded: 1/400 --> <!-- Transclusion expansion time report (%,ms,calls,template) 100.00% 1517.167 1 -total 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