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href="/w/index.php?title=Special:%E5%88%9B%E5%BB%BA%E8%B4%A6%E6%88%B7&returnto=%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29" title="我们推荐您创建账号并登录，但这不是强制性的"> 创建账号</a></li><li id="pt-login" class="user-links-collapsible-item mw-list-item"><a href="/w/index.php?title=Special:%E7%94%A8%E6%88%B7%E7%99%BB%E5%BD%95&returnto=%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29" title="建议你登录，尽管并非必须。[o]" accesskey="o"> 登录</a></li> </ul> </div> </div> <div id="p-user-menu-anon-editor" class="vector-menu mw-portlet mw-portlet-user-menu-anon-editor" > <div class="vector-menu-heading"> 未登录编辑者的页面 <a href="/wiki/Help:%E6%96%B0%E6%89%8B%E5%85%A5%E9%97%A8" aria-label="了解有关编辑的更多信息">了解详情</a> </div> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li id="pt-anoncontribs" class="mw-list-item"><a href="/wiki/Special:%E6%88%91%E7%9A%84%E8%B4%A1%E7%8C%AE" title="来自此IP地址的编辑列表[y]" accesskey="y">贡献</a></li><li id="pt-anontalk" 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vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#制作"> <div class="vector-toc-text"> 2 制作 </div> </a> <button aria-controls="toc-制作-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> 开关制作子章节 </button> <ul id="toc-制作-sublist" class="vector-toc-list"> <li id="toc-构想和改编" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#构想和改编"> <div class="vector-toc-text"> 2.1 构想和改编 </div> </a> <ul id="toc-构想和改编-sublist" class="vector-toc-list"> <li id="toc-李安加入" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#李安加入"> <div class="vector-toc-text"> 2.1.1 李安加入 </div> </a> <ul id="toc-李安加入-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-演员选择" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#演员选择"> <div class="vector-toc-text"> 2.2 演员选择 </div> </a> <ul id="toc-演员选择-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-服装设计" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#服装设计"> <div class="vector-toc-text"> 2.3 服装设计 </div> </a> <ul id="toc-服装设计-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-拍摄" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#拍摄"> <div class="vector-toc-text"> 2.4 拍摄 </div> </a> <ul id="toc-拍摄-sublist" class="vector-toc-list"> <li id="toc-拍摄地点" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#拍摄地点"> <div class="vector-toc-text"> 2.4.1 拍摄地点 </div> </a> <ul id="toc-拍摄地点-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-音乐" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#音乐"> <div class="vector-toc-text"> 2.5 音乐 </div> </a> <ul id="toc-音乐-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-剪辑" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#剪辑"> <div class="vector-toc-text"> 2.6 剪辑 </div> </a> <ul id="toc-剪辑-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-主题与分析" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#主题与分析"> <div class="vector-toc-text"> 3 主题与分析 </div> </a> <button aria-controls="toc-主题与分析-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> 开关主题与分析子章节 </button> <ul id="toc-主题与分析-sublist" class="vector-toc-list"> <li id="toc-来源素材的更改" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#来源素材的更改"> <div class="vector-toc-text"> 3.1 来源素材的更改 </div> </a> <ul id="toc-来源素材的更改-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-阶级主题" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#阶级主题"> <div class="vector-toc-text"> 3.2 阶级主题 </div> </a> <ul id="toc-阶级主题-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-性别主题" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#性别主题"> <div class="vector-toc-text"> 3.3 性别主题 </div> </a> <ul id="toc-性别主题-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-营销和发行" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#营销和发行"> <div class="vector-toc-text"> 4 营销和发行 </div> </a> <ul id="toc-营销和发行-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-反响" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#反响"> <div class="vector-toc-text"> 5 反响 </div> </a> <button aria-controls="toc-反响-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> 开关反响子章节 </button> <ul id="toc-反响-sublist" class="vector-toc-list"> <li id="toc-获奖和提名" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#获奖和提名"> <div class="vector-toc-text"> 5.1 获奖和提名 </div> </a> <ul id="toc-获奖和提名-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-影响" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#影响"> <div class="vector-toc-text"> 6 影响 </div> </a> <ul id="toc-影响-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-参考资料" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#参考资料"> <div class="vector-toc-text"> 7 参考资料 </div> </a> <ul id="toc-参考资料-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-外部链接" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#外部链接"> <div class="vector-toc-text"> 8 外部链接 </div> </a> <ul id="toc-外部链接-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="目录" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" title="目录" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="开关目录" > <label id="vector-page-titlebar-toc-label" for="vector-page-titlebar-toc-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" > 开关目录 </label> <div class="vector-dropdown-content"> <div id="vector-page-titlebar-toc-unpinned-container" class="vector-unpinned-container"> </div> </div> </div> </nav> <h1 id="firstHeading" class="firstHeading mw-first-heading">理性與感性 (電影)</h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="前往另一种语言写成的文章。43种语言可用" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-43" aria-hidden="true" > 43种语言 </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D8%A7%D9%84%D8%B9%D9%82%D9%84_%D9%88%D8%A7%D9%84%D8%B9%D8%A7%D8%B7%D9%81%D8%A9_(%D9%81%D9%8A%D9%84%D9%85)" title="العقل والعاطفة (فيلم) – 阿拉伯语" lang="ar" hreflang="ar" data-title="العقل والعاطفة (فيلم)" data-language-autonym="العربية" data-language-local-name="阿拉伯语" class="interlanguage-link-target">العربية</a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D8%A7%D9%84%D8%B9%D9%82%D9%84_%D9%88%D8%A7%D9%84%D8%B9%D8%A7%D8%B7%D9%81%D9%87" title="العقل والعاطفه – 埃及阿拉伯文" lang="arz" hreflang="arz" data-title="العقل والعاطفه" data-language-autonym="مصرى" data-language-local-name="埃及阿拉伯文" class="interlanguage-link-target">مصرى</a></li><li class="interlanguage-link interwiki-azb mw-list-item"><a href="https://azb.wikipedia.org/wiki/%D8%B3%D8%A6%D9%88%DA%AF%DB%8C_%D9%88_%D8%AD%DB%8C%D8%A7%D8%AA" title="سئوگی و حیات – South Azerbaijani" lang="azb" hreflang="azb" data-title="سئوگی و حیات" data-language-autonym="تۆرکجه" data-language-local-name="South Azerbaijani" class="interlanguage-link-target">تۆرکجه</a></li><li class="interlanguage-link interwiki-be mw-list-item"><a href="https://be.wikipedia.org/wiki/%D0%A0%D0%BE%D0%B7%D1%83%D0%BC_%D1%96_%D0%BF%D0%B0%D1%87%D1%83%D1%86%D1%86%D1%96_(%D1%84%D1%96%D0%BB%D1%8C%D0%BC,_1995)" title="Розум і пачуцці (фільм, 1995) – 白俄罗斯语" lang="be" hreflang="be" data-title="Розум і пачуцці (фільм, 1995)" data-language-autonym="Беларуская" data-language-local-name="白俄罗斯语" class="interlanguage-link-target">Беларуская</a></li><li class="interlanguage-link interwiki-be-x-old mw-list-item"><a href="https://be-tarask.wikipedia.org/wiki/%D0%A0%D0%BE%D0%B7%D1%83%D0%BC_%D1%96_%D0%BF%D0%B0%D1%87%D1%83%D1%86%D1%8C%D1%86%D1%96_(%D1%84%D1%96%D0%BB%D1%8C%D0%BC)" title="Розум і пачуцьці (фільм) – Belarusian (Taraškievica orthography)" lang="be-tarask" hreflang="be-tarask" data-title="Розум і пачуцьці (фільм)" data-language-autonym="Беларуская (тарашкевіца)" data-language-local-name="Belarusian (Taraškievica orthography)" class="interlanguage-link-target">Беларуская (тарашкевіца)</a></li><li class="interlanguage-link interwiki-bg mw-list-item"><a href="https://bg.wikipedia.org/wiki/%D0%A0%D0%B0%D0%B7%D1%83%D0%BC_%D0%B8_%D1%87%D1%83%D0%B2%D1%81%D1%82%D0%B2%D0%B0_(%D1%84%D0%B8%D0%BB%D0%BC)" title="Разум и чувства (филм) – 保加利亚语" lang="bg" hreflang="bg" data-title="Разум и чувства (филм)" data-language-autonym="Български" data-language-local-name="保加利亚语" class="interlanguage-link-target">Български</a></li><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/Sentit_i_sensibilitat_(pel%C2%B7l%C3%ADcula)" title="Sentit i sensibilitat (pel·lícula) – 加泰罗尼亚语" lang="ca" hreflang="ca" data-title="Sentit i sensibilitat (pel·lícula)" data-language-autonym="Català" data-language-local-name="加泰罗尼亚语" class="interlanguage-link-target">Català</a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Rozum_a_cit_(film)" title="Rozum a cit (film) – 捷克语" lang="cs" hreflang="cs" data-title="Rozum a cit (film)" data-language-autonym="Čeština" data-language-local-name="捷克语" class="interlanguage-link-target">Čeština</a></li><li class="interlanguage-link interwiki-cy mw-list-item"><a href="https://cy.wikipedia.org/wiki/Sense_and_Sensibility_(ffilm_1995)" title="Sense and Sensibility (ffilm 1995) – 威尔士语" lang="cy" hreflang="cy" data-title="Sense and Sensibility (ffilm 1995)" data-language-autonym="Cymraeg" data-language-local-name="威尔士语" class="interlanguage-link-target">Cymraeg</a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Sinn_und_Sinnlichkeit_(1995)" title="Sinn und Sinnlichkeit (1995) – 德语" lang="de" hreflang="de" data-title="Sinn und Sinnlichkeit (1995)" data-language-autonym="Deutsch" data-language-local-name="德语" class="interlanguage-link-target">Deutsch</a></li><li class="interlanguage-link interwiki-el mw-list-item"><a href="https://el.wikipedia.org/wiki/%CE%9B%CE%BF%CE%B3%CE%B9%CE%BA%CE%AE_%CE%BA%CE%B1%CE%B9_%CE%B5%CF%85%CE%B1%CE%B9%CF%83%CE%B8%CE%B7%CF%83%CE%AF%CE%B1_(%CF%84%CE%B1%CE%B9%CE%BD%CE%AF%CE%B1)" title="Λογική και ευαισθησία (ταινία) – 希腊语" lang="el" hreflang="el" data-title="Λογική και ευαισθησία (ταινία)" data-language-autonym="Ελληνικά" data-language-local-name="希腊语" class="interlanguage-link-target">Ελληνικά</a></li><li class="interlanguage-link interwiki-en badge-Q17437796 badge-featuredarticle mw-list-item" title="典范条目"><a href="https://en.wikipedia.org/wiki/Sense_and_Sensibility_(film)" title="Sense and Sensibility (film) – 英语" lang="en" hreflang="en" data-title="Sense and Sensibility (film)" data-language-autonym="English" data-language-local-name="英语" class="interlanguage-link-target">English</a></li><li class="interlanguage-link interwiki-eo mw-list-item"><a href="https://eo.wikipedia.org/wiki/Sense_and_Sensibility_(filmo)" title="Sense and Sensibility (filmo) – 世界语" lang="eo" hreflang="eo" data-title="Sense and Sensibility (filmo)" data-language-autonym="Esperanto" data-language-local-name="世界语" class="interlanguage-link-target">Esperanto</a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Sense_and_Sensibility_(pel%C3%ADcula)" title="Sense and Sensibility (película) – 西班牙语" lang="es" hreflang="es" data-title="Sense and Sensibility (película)" data-language-autonym="Español" data-language-local-name="西班牙语" class="interlanguage-link-target">Español</a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Sense_and_Sensibility_(filma)" title="Sense and Sensibility (filma) – 巴斯克语" lang="eu" hreflang="eu" data-title="Sense and Sensibility (filma)" data-language-autonym="Euskara" data-language-local-name="巴斯克语" class="interlanguage-link-target">Euskara</a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D8%B9%D9%82%D9%84_%D9%88_%D8%A7%D8%AD%D8%B3%D8%A7%D8%B3_(%D9%81%DB%8C%D9%84%D9%85)" title="عقل و احساس (فیلم) – 波斯语" lang="fa" hreflang="fa" data-title="عقل و احساس (فیلم)" data-language-autonym="فارسی" data-language-local-name="波斯语" class="interlanguage-link-target">فارسی</a></li><li class="interlanguage-link interwiki-fi mw-list-item"><a href="https://fi.wikipedia.org/wiki/J%C3%A4rki_ja_tunteet_(elokuva)" title="Järki ja tunteet (elokuva) – 芬兰语" lang="fi" hreflang="fi" data-title="Järki ja tunteet (elokuva)" data-language-autonym="Suomi" data-language-local-name="芬兰语" class="interlanguage-link-target">Suomi</a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Raison_et_Sentiments_(film,_1995)" title="Raison et Sentiments (film, 1995) – 法语" lang="fr" hreflang="fr" data-title="Raison et Sentiments (film, 1995)" data-language-autonym="Français" data-language-local-name="法语" class="interlanguage-link-target">Français</a></li><li class="interlanguage-link interwiki-gl mw-list-item"><a href="https://gl.wikipedia.org/wiki/Sense_and_Sensibility_(filme)" title="Sense and Sensibility (filme) – 加利西亚语" lang="gl" hreflang="gl" data-title="Sense and Sensibility (filme)" data-language-autonym="Galego" data-language-local-name="加利西亚语" class="interlanguage-link-target">Galego</a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%A2%D7%9C_%D7%AA%D7%91%D7%95%D7%A0%D7%94_%D7%95%D7%A8%D7%92%D7%99%D7%A9%D7%95%D7%AA" title="על תבונה ורגישות – 希伯来语" lang="he" hreflang="he" data-title="על תבונה ורגישות" data-language-autonym="עברית" data-language-local-name="希伯来语" class="interlanguage-link-target">עברית</a></li><li class="interlanguage-link interwiki-hr mw-list-item"><a href="https://hr.wikipedia.org/wiki/Razum_i_osje%C4%87aji_(1995.)" title="Razum i osjećaji (1995.) – 克罗地亚语" lang="hr" hreflang="hr" data-title="Razum i osjećaji (1995.)" data-language-autonym="Hrvatski" data-language-local-name="克罗地亚语" class="interlanguage-link-target">Hrvatski</a></li><li class="interlanguage-link interwiki-hu mw-list-item"><a href="https://hu.wikipedia.org/wiki/%C3%89rtelem_%C3%A9s_%C3%A9rzelem_(film,_1995)" title="Értelem és érzelem (film, 1995) – 匈牙利语" lang="hu" hreflang="hu" data-title="Értelem és érzelem (film, 1995)" data-language-autonym="Magyar" data-language-local-name="匈牙利语" class="interlanguage-link-target">Magyar</a></li><li class="interlanguage-link interwiki-id mw-list-item"><a href="https://id.wikipedia.org/wiki/Sense_and_Sensibility_(film)" title="Sense and Sensibility (film) – 印度尼西亚语" lang="id" hreflang="id" data-title="Sense and Sensibility (film)" data-language-autonym="Bahasa Indonesia" data-language-local-name="印度尼西亚语" class="interlanguage-link-target">Bahasa Indonesia</a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Ragione_e_sentimento_(film)" title="Ragione e sentimento (film) – 意大利语" lang="it" hreflang="it" data-title="Ragione e sentimento (film)" data-language-autonym="Italiano" data-language-local-name="意大利语" class="interlanguage-link-target">Italiano</a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%81%84%E3%81%A4%E3%81%8B%E6%99%B4%E3%82%8C%E3%81%9F%E6%97%A5%E3%81%AB" title="いつか晴れた日に – 日语" lang="ja" hreflang="ja" data-title="いつか晴れた日に" data-language-autonym="日本語" data-language-local-name="日语" class="interlanguage-link-target">日本語</a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%EC%84%BC%EC%8A%A4_%EC%95%A4_%EC%84%BC%EC%84%9C%EB%B9%8C%EB%A6%AC%ED%8B%B0" title="센스 앤 센서빌리티 – 韩语" lang="ko" hreflang="ko" data-title="센스 앤 센서빌리티" data-language-autonym="한국어" data-language-local-name="韩语" class="interlanguage-link-target">한국어</a></li><li class="interlanguage-link interwiki-ky mw-list-item"><a href="https://ky.wikipedia.org/wiki/%D0%A1%D0%B5%D0%B7%D0%B8%D0%BC_%D0%B6%D0%B0%D0%BD%D0%B0_%D1%81%D0%B5%D0%B7%D0%B8%D0%BC%D1%82%D0%B0%D0%BB%D0%B4%D1%83%D1%83%D0%BB%D1%83%D0%BA" title="Сезим жана сезимталдуулук – 柯尔克孜语" lang="ky" hreflang="ky" data-title="Сезим жана сезимталдуулук" data-language-autonym="Кыргызча" data-language-local-name="柯尔克孜语" class="interlanguage-link-target">Кыргызча</a></li><li class="interlanguage-link interwiki-lv mw-list-item"><a href="https://lv.wikipedia.org/wiki/Pr%C4%81ts_un_j%C5%ABt%C4%ABgums" title="Prāts un jūtīgums – 拉脱维亚语" lang="lv" hreflang="lv" data-title="Prāts un jūtīgums" data-language-autonym="Latviešu" data-language-local-name="拉脱维亚语" class="interlanguage-link-target">Latviešu</a></li><li class="interlanguage-link interwiki-ms mw-list-item"><a href="https://ms.wikipedia.org/wiki/Sense_and_Sensibility_(filem)" title="Sense and Sensibility (filem) – 马来语" lang="ms" hreflang="ms" data-title="Sense and Sensibility (filem)" data-language-autonym="Bahasa Melayu" data-language-local-name="马来语" class="interlanguage-link-target">Bahasa Melayu</a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Sense_and_Sensibility_(film)" title="Sense and Sensibility (film) – 荷兰语" lang="nl" hreflang="nl" data-title="Sense and Sensibility (film)" data-language-autonym="Nederlands" data-language-local-name="荷兰语" class="interlanguage-link-target">Nederlands</a></li><li class="interlanguage-link interwiki-no mw-list-item"><a href="https://no.wikipedia.org/wiki/Fornuft_og_f%C3%B8lelser_(film)" title="Fornuft og følelser (film) – 书面挪威语" lang="nb" hreflang="nb" data-title="Fornuft og følelser (film)" data-language-autonym="Norsk bokmål" data-language-local-name="书面挪威语" class="interlanguage-link-target">Norsk bokmål</a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Rozwa%C5%BCna_i_romantyczna_(film)" title="Rozważna i romantyczna (film) – 波兰语" lang="pl" hreflang="pl" data-title="Rozważna i romantyczna (film)" data-language-autonym="Polski" data-language-local-name="波兰语" class="interlanguage-link-target">Polski</a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/Sense_and_Sensibility_(filme)" title="Sense and Sensibility (filme) – 葡萄牙语" lang="pt" hreflang="pt" data-title="Sense and Sensibility (filme)" data-language-autonym="Português" data-language-local-name="葡萄牙语" class="interlanguage-link-target">Português</a></li><li class="interlanguage-link interwiki-ro mw-list-item"><a href="https://ro.wikipedia.org/wiki/Ra%C8%9Biune_%C8%99i_sim%C8%9Bire_(film)" title="Rațiune și simțire (film) – 罗马尼亚语" lang="ro" hreflang="ro" data-title="Rațiune și simțire (film)" data-language-autonym="Română" data-language-local-name="罗马尼亚语" class="interlanguage-link-target">Română</a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%A0%D0%B0%D0%B7%D1%83%D0%BC_%D0%B8_%D1%87%D1%83%D0%B2%D1%81%D1%82%D0%B2%D0%B0_(%D1%84%D0%B8%D0%BB%D1%8C%D0%BC,_1995)" title="Разум и чувства (фильм, 1995) – 俄语" lang="ru" hreflang="ru" data-title="Разум и чувства (фильм, 1995)" data-language-autonym="Русский" data-language-local-name="俄语" class="interlanguage-link-target">Русский</a></li><li class="interlanguage-link interwiki-sh mw-list-item"><a href="https://sh.wikipedia.org/wiki/Sense_and_Sensibility_(film)" title="Sense and Sensibility (film) – 塞尔维亚-克罗地亚语" lang="sh" hreflang="sh" data-title="Sense and Sensibility (film)" data-language-autonym="Srpskohrvatski / српскохрватски" data-language-local-name="塞尔维亚-克罗地亚语" class="interlanguage-link-target">Srpskohrvatski / српскохрватски</a></li><li class="interlanguage-link interwiki-simple mw-list-item"><a href="https://simple.wikipedia.org/wiki/Sense_and_Sensibility_(movie)" title="Sense and Sensibility (movie) – Simple English" lang="en-simple" hreflang="en-simple" data-title="Sense and Sensibility (movie)" data-language-autonym="Simple English" data-language-local-name="Simple English" class="interlanguage-link-target">Simple English</a></li><li class="interlanguage-link interwiki-sl mw-list-item"><a href="https://sl.wikipedia.org/wiki/Razsodnost_in_rahlo%C4%8Dutnost_(film)" title="Razsodnost in rahločutnost (film) – 斯洛文尼亚语" lang="sl" hreflang="sl" data-title="Razsodnost in rahločutnost (film)" data-language-autonym="Slovenščina" data-language-local-name="斯洛文尼亚语" class="interlanguage-link-target">Slovenščina</a></li><li class="interlanguage-link interwiki-sr mw-list-item"><a href="https://sr.wikipedia.org/wiki/%D0%A0%D0%B0%D0%B7%D1%83%D0%BC_%D0%B8_%D0%BE%D1%81%D0%B5%D1%9B%D0%B0%D1%98%D0%BD%D0%BE%D1%81%D1%82_(%D1%84%D0%B8%D0%BB%D0%BC)" title="Разум и осећајност (филм) – 塞尔维亚语" lang="sr" hreflang="sr" data-title="Разум и осећајност (филм)" data-language-autonym="Српски / srpski" data-language-local-name="塞尔维亚语" class="interlanguage-link-target">Српски / srpski</a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/F%C3%B6rnuft_och_k%C3%A4nsla_(film)" title="Förnuft och känsla (film) – 瑞典语" lang="sv" hreflang="sv" data-title="Förnuft och känsla (film)" data-language-autonym="Svenska" data-language-local-name="瑞典语" class="interlanguage-link-target">Svenska</a></li><li class="interlanguage-link interwiki-tr mw-list-item"><a href="https://tr.wikipedia.org/wiki/A%C5%9Fk_ve_Ya%C5%9Fam" title="Aşk ve Yaşam – 土耳其语" lang="tr" hreflang="tr" data-title="Aşk ve Yaşam" data-language-autonym="Türkçe" data-language-local-name="土耳其语" class="interlanguage-link-target">Türkçe</a></li><li class="interlanguage-link interwiki-uk mw-list-item"><a href="https://uk.wikipedia.org/wiki/%D0%A0%D0%BE%D0%B7%D1%83%D0%BC_%D1%96_%D0%BF%D0%BE%D1%87%D1%83%D1%82%D1%82%D1%8F_(%D1%84%D1%96%D0%BB%D1%8C%D0%BC)" title="Розум і почуття (фільм) – 乌克兰语" lang="uk" hreflang="uk" data-title="Розум і почуття (фільм)" data-language-autonym="Українська" data-language-local-name="乌克兰语" class="interlanguage-link-target">Українська</a></li><li class="interlanguage-link interwiki-vi mw-list-item"><a href="https://vi.wikipedia.org/wiki/Sense_and_Sensibility_(phim)" title="Sense and Sensibility (phim) – 越南语" lang="vi" hreflang="vi" data-title="Sense and Sensibility (phim)" data-language-autonym="Tiếng Việt" data-language-local-name="越南语" class="interlanguage-link-target">Tiếng Việt</a></li> </ul> <div class="after-portlet after-portlet-lang"><a href="https://www.wikidata.org/wiki/Special:EntityPage/Q643263#sitelinks-wikipedia" title="编辑跨语言链接" class="wbc-editpage">编辑链接</a></div> </div> </div> </div> </header> <div class="vector-page-toolbar"> <div class="vector-page-toolbar-container"> <div id="left-navigation"> <nav aria-label="命名空间"> <div id="p-associated-pages" class="vector-menu vector-menu-tabs mw-portlet mw-portlet-associated-pages" > <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li id="ca-nstab-main" class="selected vector-tab-noicon mw-list-item"><a href="/wiki/%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7_(%E9%9B%BB%E5%BD%B1)" title="浏览条目正文[c]" accesskey="c">条目</a></li><li id="ca-talk" class="vector-tab-noicon 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div.hatnote{padding-left:2em;margin-bottom:0.8em;margin-top:0.8em}.mw-parser-output .hatnote-notice-img::after{content:"\202f \202f \202f \202f "}.mw-parser-output .hatnote-notice-img-small::after{content:"\202f \202f "}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}body.skin-minerva .mw-parser-output .hatnote-notice-img,body.skin-minerva .mw-parser-output .hatnote-notice-img-small{display:none}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable"><a href="/wiki/Wikipedia:%E6%B6%88%E6%AD%A7%E4%B9%89" title="Wikipedia:消歧义"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Disambig_gray.svg/25px-Disambig_gray.svg.png" decoding="async" width="25" height="19" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Disambig_gray.svg/38px-Disambig_gray.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Disambig_gray.svg/50px-Disambig_gray.svg.png 2x" data-file-width="220" data-file-height="168" /></a>此条目的主題是1995年的电影。关于<a href="/wiki/%E7%AE%80%C2%B7%E5%A5%A5%E6%96%AF%E6%B1%80" title="简·奥斯汀">简·奥斯汀</a>的同名小说，請見「<a href="/wiki/%E7%90%86%E6%99%BA%E4%B8%8E%E6%83%85%E6%84%9F" title="理智与情感">理智与情感</a>」。</div> <style data-mw-deduplicate="TemplateStyles:r83732082">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}body.skin-minerva .mw-parser-output .infobox-header,body.skin-minerva .mw-parser-output .infobox-subheader,body.skin-minerva .mw-parser-output .infobox-above,body.skin-minerva .mw-parser-output .infobox-title,body.skin-minerva .mw-parser-output .infobox-image,body.skin-minerva .mw-parser-output .infobox-full-data,body.skin-minerva .mw-parser-output .infobox-below{text-align:center}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}html.skin-theme-clientpref-night .mw-parser-output .infobox td div:not(.notheme)[style]{background:transparent!important;color:var(--color-base,#202122)}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox td div:not(.notheme)[style]{background:transparent!important;color:var(--color-base,#202122)}}html.skin-theme-clientpref-night .mw-parser-output .infobox td div.NavHead:not(.notheme)[style]{background:transparent!important}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox td div.NavHead:not(.notheme)[style]{background:transparent!important}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vevent" style="border-spacing: 2px;"><tbody><tr><th colspan="2" class="infobox-above" style="font-size: 110%; background: #C6C9FF;color: #000000;"><big>理智与情感 Sense and Sensibility</big></th></tr><tr><td colspan="2" class="infobox-image"><a href="/wiki/File:Sense_and_sensibility.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/zh/thumb/6/69/Sense_and_sensibility.jpg/215px-Sense_and_sensibility.jpg" decoding="async" width="215" height="323" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/zh/6/69/Sense_and_sensibility.jpg 1.5x" data-file-width="260" data-file-height="391" /></a><div class="infobox-caption" style="padding:0.35em 0.35em 0.25em;line-height:1.25em;">电影海报</div></td></tr><tr><th colspan="2" class="infobox-header" style="background: #C6C9FF;color: #000000;;">基本资料</th></tr><tr><th scope="row" class="infobox-label" style="white-space:nowrap;padding-right:0.35em;">导演</th><td class="infobox-data" style=""><a href="/wiki/%E6%9D%8E%E5%AE%89" title="李安">李安</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space:nowrap;padding-right:0.35em;">监制</th><td class="infobox-data" style=""><a href="/w/index.php?title=%E6%9E%97%E8%B5%9B%C2%B7%E5%A4%9A%E5%85%B0&action=edit&redlink=1" class="new" title="林赛·多兰（页面不存在）">林赛·多兰</a>（Lindsay Doran）</td></tr><tr><th scope="row" class="infobox-label" style="white-space:nowrap;padding-right:0.35em;">编剧</th><td class="infobox-data" style=""><a href="/wiki/%E8%89%BE%E7%91%AA%C2%B7%E6%B9%AF%E6%99%AE%E9%81%9C" title="艾瑪·湯普遜">愛瑪·湯普森</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space:nowrap;padding-right:0.35em;">剧本</th><td class="infobox-data" style=""><a href="/wiki/%E8%89%BE%E7%8E%9B%C2%B7%E6%B1%A4%E6%99%AE%E6%A3%AE" class="mw-redirect" title="艾玛·汤普森">艾玛·汤普森</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space:nowrap;padding-right:0.35em;">原著</th><td class="infobox-data" style="">《<a href="/wiki/%E7%90%86%E6%99%BA%E4%B8%8E%E6%83%85%E6%84%9F" title="理智与情感">理智与情感</a>》 <a href="/wiki/%E7%AE%80%C2%B7%E5%A5%A5%E6%96%AF%E6%B1%80" title="简·奥斯汀">简·奥斯汀</a>作品</td></tr><tr><th scope="row" class="infobox-label" style="white-space:nowrap;padding-right:0.35em;">主演</th><td class="infobox-data" style=""><style data-mw-deduplicate="TemplateStyles:r82655520">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><div class="plainlist"> <ul><li>艾玛·汤普森</li> <li><a href="/wiki/%E8%89%BE%E4%BC%A6%C2%B7%E7%91%9E%E5%85%8B%E6%9B%BC" class="mw-redirect" title="艾伦·瑞克曼">艾伦·瑞克曼</a></li> <li><a href="/wiki/%E5%87%AF%E7%89%B9%C2%B7%E6%B8%A9%E4%B8%9D%E8%8E%B1%E7%89%B9" class="mw-redirect" title="凯特·温丝莱特">凯特·温丝莱特</a></li> <li><a href="/wiki/%E4%BC%91%C2%B7%E6%A0%BC%E5%85%B0%E7%89%B9" class="mw-redirect" title="休·格兰特">休·格兰特</a></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space:nowrap;padding-right:0.35em;">配乐</th><td class="infobox-data" style=""><a href="/wiki/%E5%B8%95%E7%89%B9%E9%87%8C%E5%85%8B%C2%B7%E6%9D%9C%E5%B0%94" class="mw-redirect" title="帕特里克·杜尔">帕特里克·杜尔</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space:nowrap;padding-right:0.35em;">摄影</th><td class="infobox-data" style="">迈克尔·库尔特（Michael Coulter）</td></tr><tr><th scope="row" class="infobox-label" style="white-space:nowrap;padding-right:0.35em;">剪辑</th><td class="infobox-data" style="">蒂姆·斯奎尔斯（Tim Squyres）</td></tr><tr><th scope="row" class="infobox-label" style="white-space:nowrap;padding-right:0.35em;">制片商</th><td class="infobox-data" style=""><a href="/wiki/%E5%93%A5%E5%80%AB%E6%AF%94%E4%BA%9E%E5%BD%B1%E6%A5%AD" title="哥倫比亞影業">哥倫比亞電影公司</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space:nowrap;padding-right:0.35em;">片长</th><td class="infobox-data" style="">136分钟<a href="#cite_note-1">[1]</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space:nowrap;padding-right:0.35em;">产地</th><td class="infobox-data" style="">英国 美国</td></tr><tr><th scope="row" class="infobox-label" style="white-space:nowrap;padding-right:0.35em;">语言</th><td class="infobox-data" style="">英语 法语</td></tr><tr><th colspan="2" class="infobox-header" style="background: #C6C9FF;color: #000000;;">上映及发行</th></tr><tr><th scope="row" class="infobox-label" style="white-space:nowrap;padding-right:0.35em;">上映日期</th><td class="infobox-data" style=""><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r82655520"><div class="plainlist"> <ul><li>1995年12月13日 (1995-12-13)（美国）</li> <li>1996年2月23日 (1996-02-23)（英国）</li> <li class="mw-empty-elt"></li> <li class="mw-empty-elt"></li> <li class="mw-empty-elt"></li> <li class="mw-empty-elt"></li> <li class="mw-empty-elt"></li> <li class="mw-empty-elt"></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space:nowrap;padding-right:0.35em;">发行商</th><td class="infobox-data" style=""><a href="/wiki/%E5%93%A5%E5%80%AB%E6%AF%94%E4%BA%9E%E9%9B%BB%E5%BD%B1%E5%85%AC%E5%8F%B8" class="mw-redirect" title="哥倫比亞電影公司">哥伦比亚电影公司</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space:nowrap;padding-right:0.35em;">预算</th><td class="infobox-data" style="">1600万美元</td></tr><tr><th scope="row" class="infobox-label" style="white-space:nowrap;padding-right:0.35em;">票房</th><td class="infobox-data price" style="">1亿3499万3774美元</td></tr><tr><th colspan="2" class="infobox-header" style="background: #C6C9FF;color: #000000;;">各地片名</th></tr><tr><th scope="row" class="infobox-label" style="white-space:nowrap;padding-right:0.35em;">中国大陆</th><td class="infobox-data" style="">理智与情感</td></tr><tr><th scope="row" class="infobox-label" style="white-space:nowrap;padding-right:0.35em;">香港</th><td class="infobox-data" style="">理智與感情</td></tr><tr><th scope="row" class="infobox-label" style="white-space:nowrap;padding-right:0.35em;">臺灣</th><td class="infobox-data" style="">理性與感性</td></tr><tr><th scope="row" class="infobox-label" style="white-space:nowrap;padding-right:0.35em;">新加坡</th><td class="infobox-data" style="">理性與感性 知性与感性</td></tr></tbody></table> 《理智与情感》（英語：Sense and Sensibility）是一部由<a href="/wiki/%E8%8B%B1%E5%9B%BD%E7%94%B5%E5%BD%B1" title="英国电影">英</a><a href="/wiki/%E7%BE%8E%E5%9B%BD%E7%94%B5%E5%BD%B1" title="美国电影">美</a>合拍的<a href="/wiki/1995%E5%B9%B4%E7%94%B5%E5%BD%B1" title="1995年电影">1995年电影</a>，由<a href="/wiki/%E6%9D%8E%E5%AE%89" title="李安">李安</a>执导，根据<a href="/wiki/%E7%AE%80%C2%B7%E5%A5%A5%E6%96%AF%E6%B1%80" title="简·奥斯汀">简·奥斯汀</a>1811年的<a href="/wiki/%E7%90%86%E6%99%BA%E4%B8%8E%E6%83%85%E6%84%9F" title="理智与情感">同名小说</a>改编。<a href="/wiki/%E5%A5%B3%E6%BC%94%E5%91%98" class="mw-redirect" title="女演员">女演员</a><a href="/wiki/%E8%89%BE%E7%8E%9B%C2%B7%E6%B1%A4%E6%99%AE%E6%A3%AE" class="mw-redirect" title="艾玛·汤普森">艾玛·汤普森</a>编写了剧本并饰演埃莉诺·达什伍德一角，<a href="/wiki/%E5%87%AF%E7%89%B9%C2%B7%E6%B8%A9%E4%B8%9D%E8%8E%B1%E7%89%B9" class="mw-redirect" title="凯特·温丝莱特">凯特·温丝莱特</a>扮演埃莉诺的妹妹玛丽安。电影剧情围绕达什伍德姐妹展开，虽然她们来自一个富裕的英国乡绅家庭，但却因故陷入贫困，迫使她们通过<a href="/wiki/%E5%A9%9A%E5%A7%BB" title="婚姻">婚姻</a>来获取财政上的保障。男演员<a href="/wiki/%E4%BC%91%C2%B7%E6%A0%BC%E5%85%B0%E7%89%B9" class="mw-redirect" title="休·格兰特">休·格兰特</a>和<a href="/wiki/%E8%89%BE%E4%BC%A6%C2%B7%E7%91%9E%E5%85%8B%E6%9B%BC" class="mw-redirect" title="艾伦·瑞克曼">艾伦·瑞克曼</a>分别出演两姐妹的追求者。影片于1995年12月13日在美国上映，次年2月23日在英国发行。 制片人林赛·多兰是奥斯汀小说长时间的粉丝，她聘请了汤普森来编写剧本。后者前后花了5年时间执笔编撰了多个版本，这期间她除本片外还参加了其它电影的制作。由于这是汤普森首次创作的电影剧本，多家制片公司不是很愿意接手，但最终<a href="/wiki/%E5%93%A5%E5%80%AB%E6%AF%94%E4%BA%9E%E9%9B%BB%E5%BD%B1%E5%85%AC%E5%8F%B8" class="mw-redirect" title="哥倫比亞電影公司">哥伦比亚电影公司</a>同意发行本片。汤普森与埃莉诺一角年纪上有很大差距，她本打算找另一位女演员，但之后导演说服了她亲自出演。 汤普森的剧本夸大了达什伍德家族的富裕程度，并且让其之后陷入贫困的场景对现代观众来说更能接受。她还改变了男主角的性格特点，让他们对于新时代观众来说更有吸引力。此外，片中还通过意象和场景来强调两位女主角的性格差异。李安获选担任本片的<a href="/wiki/%E5%AF%BC%E6%BC%94" title="导演">导演</a>，这部分是因为他1993年的作品《<a href="/wiki/%E5%96%9C%E5%AE%B4_(%E9%9B%BB%E5%BD%B1)" class="mw-redirect" title="喜宴 (電影)">喜宴</a>》获得了成功，并且多兰还认为请他来执导有助于让电影获得更广阔的观众群。影片的拍摄获得了1600万<a href="/wiki/%E7%BE%8E%E5%85%83" title="美元">美元</a>的预算，李安倾向于通过不同角度拍摄，之后众演员也开始相信他的直觉。 《理智与情感》上映后获得了<a href="/wiki/%E7%A5%A8%E6%88%BF" title="票房">票房</a>上的成功，专业评价方面更是得到了压倒性的好评，并获得了多项荣誉，其中包括1995年<a href="/wiki/%E8%8B%B1%E5%9B%BD%E7%94%B5%E5%BD%B1%E5%AD%A6%E9%99%A2%E5%A5%96" title="英国电影学院奖">英国电影学院奖</a>的11项提名以及最终的3项获奖。影片还得到了包括<a href="/wiki/%E5%A5%A5%E6%96%AF%E5%8D%A1%E6%9C%80%E4%BD%B3%E5%BD%B1%E7%89%87%E5%A5%96" title="奥斯卡最佳影片奖">奥斯卡最佳影片</a>、<a href="/wiki/%E5%A5%A5%E6%96%AF%E5%8D%A1%E6%9C%80%E4%BD%B3%E5%A5%B3%E4%B8%BB%E8%A7%92%E5%A5%96" title="奥斯卡最佳女主角奖">女主角</a>、<a href="/wiki/%E5%A5%A5%E6%96%AF%E5%8D%A1%E6%9C%80%E4%BD%B3%E5%8E%9F%E8%91%97%E6%94%B9%E7%BC%96%E5%A5%96" class="mw-redirect" title="奥斯卡最佳原著改编奖">原著改编</a>在内的7项提名，最终为汤普森拿下了原著改编奖，她也因此成为历史上唯一一位获得过奥斯卡金像奖编剧和表演类奖项的电影人。本片的成功重新引起了人们对奥斯汀作品的兴趣，许多类似体裁的作品因此诞生。《理智与情感》被认为是历史上最成功的奥斯汀作品改编电影。 <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="剧情">剧情</h2>[<a href="/w/index.php?title=%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7_(%E9%9B%BB%E5%BD%B1)&action=edit&section=1" title="编辑章节：剧情">编辑</a>]</div> 达什伍德老爷（<a href="/wiki/%E6%B9%AF%E5%A7%86%C2%B7%E5%A8%81%E7%88%BE%E9%87%91%E6%A3%AE" title="湯姆·威爾金森">汤姆·威尔金森</a>饰）去世后，他的<a href="/wiki/%E5%A6%BB%E5%AD%90" title="妻子">妻子</a>（<a href="/w/index.php?title=%E7%9B%96%E7%8E%9B%C2%B7%E7%90%BC%E6%96%AF&action=edit&redlink=1" class="new" title="盖玛·琼斯（页面不存在）">盖玛·琼斯</a>饰）和三个女儿——埃莉诺（Elinor Dashwood，<a href="/wiki/%E8%89%BE%E7%8E%9B%C2%B7%E6%B1%A4%E6%99%AE%E6%A3%AE" class="mw-redirect" title="艾玛·汤普森">艾瑪·湯普森</a>飾）、玛丽安（Marianne Dashwood，<a href="/wiki/%E7%90%A6%C2%B7%E6%BA%AB%E6%96%AF%E8%8E%89" class="mw-redirect" title="琦·溫斯莉">琦·溫斯莉</a>飾）和玛格丽特（Margaret Dashwood，埃米莉·弗朗索瓦饰）——所继承的遗产仅为每年500<a href="/wiki/%E8%8B%B1%E9%95%91" title="英镑">英镑</a>，而他的大部分财产都留给了自己上一次婚姻中生下的儿子约翰（<a href="/w/index.php?title=%E8%A9%B9%E5%A7%86%E6%96%AF%C2%B7%E5%BC%97%E9%9B%B7%E7%89%B9&action=edit&redlink=1" class="new" title="詹姆斯·弗雷特（页面不存在）">詹姆斯·弗雷特</a>饰）。约翰和他那贪婪而势利的妻子芬妮（<a href="/w/index.php?title=%E5%93%88%E4%B8%BD%E7%89%B9%C2%B7%E7%93%A6%E5%B0%94%E7%89%B9&action=edit&redlink=1" class="new" title="哈丽特·瓦尔特（页面不存在）">哈丽特·瓦尔特</a>饰）立即就搬进了达什伍德家族的大宅诺兰庄园（Norland Park），芬妮还邀请自己的弟弟爱德华·费拉尔（Edward Ferrars，<a href="/wiki/%E4%BC%91%C2%B7%E6%A0%BC%E5%85%B0%E7%89%B9" class="mw-redirect" title="休·格兰特">休·格兰特</a>饰）前来同住。爱德华和埃莉诺之间的友谊开始萌芽，这让芬妮感到担忧，认为后者配不上自己的弟弟，因此尽一切可能阻止两人交往。 约翰·米德尔顿爵士（Sir John Middleton，<a href="/wiki/%E7%BD%97%E4%BC%AF%E7%89%B9%C2%B7%E5%93%88%E8%BF%AA" class="mw-redirect" title="罗伯特·哈迪">罗伯特·哈迪</a>饰）是达什伍德夫人的堂兄，他给堂妹提供了一套位于<a href="/wiki/%E5%BE%B7%E6%96%87%E9%83%A1" title="德文郡">德文郡</a>的小平房暂住，达什伍德夫人带着女儿们搬了进去，并且经常前往堂兄的巴顿庄园（Barton Park）拜访。玛丽安认识了年长的布兰登<a href="/wiki/%E4%B8%8A%E6%A0%A1" title="上校">上校</a>（Colonel Brandon，<a href="/wiki/%E8%89%BE%E4%BC%A6%C2%B7%E7%91%9E%E5%85%8B%E6%9B%BC" class="mw-redirect" title="艾伦·瑞克曼">艾伦·瑞克曼</a>饰），后者对她一见钟情。不过他需要面对来自约翰·威洛比（John Willoughby，格雷·怀斯饰）的竞争，这个小伙子虽然外表潇洒，但却是一肚子坏水，玛丽安当时爱上了他。这天早上，她本以为威洛比会向她求婚，但他却急匆匆地离开前往<a href="/wiki/%E4%BC%A6%E6%95%A6" title="伦敦">伦敦</a>。达什伍德一家人不知道的是，布兰登年輕時的情人伊丽莎（Eliza），在臨終前將自己的私生女贝丝託付給上校，而上校最近才得知，貝絲（Beth）怀上了威洛比的孩子，而威洛比的阿姨艾伦夫人在发现这点后剥夺了他的继承权。 约翰爵士的岳母詹宁斯夫人（Mrs. Jennings，<a href="/w/index.php?title=%E4%BC%8A%E4%B8%BD%E8%8E%8E%E7%99%BD%C2%B7%E6%96%AF%E6%99%AE%E9%87%8C%E6%A0%BC%E6%96%AF&action=edit&redlink=1" class="new" title="伊丽莎白·斯普里格斯（页面不存在）">伊丽莎白·斯普里格斯</a>饰）邀请自己的女儿和<a href="/wiki/%E5%A5%B3%E5%A9%BF" class="mw-redirect" title="女婿">女婿</a>帕尔默（Palmer）夫妇（<a href="/wiki/%E4%BC%91%C2%B7%E5%8A%B3%E7%91%9E" title="休·劳瑞">休·劳瑞</a>和<a href="/w/index.php?title=%E4%BC%8A%E6%A2%85%E5%B0%94%E8%BE%BE%C2%B7%E6%96%AF%E6%B1%A4%E9%A1%BF&action=edit&redlink=1" class="new" title="伊梅尔达·斯汤顿（页面不存在）">伊梅尔达·斯汤顿</a>饰）前来做客，与夫妇来一同前来的还有出身贫寒的露西·斯蒂尔（Lucy Steele，<a href="/w/index.php?title=%E4%BC%8A%E8%8E%AB%E9%87%91%C2%B7%E6%96%AF%E5%A1%94%E5%B8%83%E6%96%AF&action=edit&redlink=1" class="new" title="伊莫金·斯塔布斯（页面不存在）">伊莫金·斯塔布斯</a>饰）。后者告诉埃莉诺自己早在五年前就已经与爱德华私订终身，埃莉诺和他将来长相廝守的期望也因此化为泡影。詹宁斯夫人带着露西、埃莉诺和玛丽安前往伦敦，并在一个舞会上遇到了威洛比。他勉强承认与这几个女人相识，并告诉她们自己已与非常富有的格蕾小姐订婚，玛丽安因此伤心欲绝。爱德华和露西私订终身之举也终被曝光，他的母亲命令儿子必须解除婚约，爱德华对此严辞拒绝，结果他的财产也被剥夺，交到了弟弟罗伯特（Robert，<a href="/w/index.php?title=%E7%90%86%E6%9F%A5%E5%BE%B7%C2%B7%E6%8B%89%E5%A7%86%E6%96%AF%E7%99%BB&action=edit&redlink=1" class="new" title="理查德·拉姆斯登（页面不存在）">理查德·拉姆斯登</a>饰）的手上。 返回德文郡的途中，埃莉诺和玛丽安在帕尔默夫妇的乡间庄园停留过夜，这里距威洛比的家很近。玛丽安情难自已，前去威洛比的房子那里看了一眼，然后又顶着倾盆大雨走了好长一段路才返回庄园。结果她得了重病，幸好为布兰登上校所救，然后在姐姐的照顾下逐渐康复，然后一起回家。回到家后，她们得知斯蒂尔小姐已经成为费拉尔夫人，以为爱德华已经成婚，然而他却亲自前来告知，斯蒂尔竟然选择嫁给了罗伯特，所以她与爱德华的婚约也因此失效。爱德华向埃莉诺求婚，并成为一名<a href="/wiki/%E7%89%A7%E5%B8%88" title="牧师">牧师</a>，而玛丽安则爱上了布兰登上校，两人也很快成婚。 <div class="mw-heading mw-heading2"><h2 id="制作">制作</h2>[<a href="/w/index.php?title=%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7_(%E9%9B%BB%E5%BD%B1)&action=edit&section=2" title="编辑章节：制作">编辑</a>]</div> <div class="mw-heading mw-heading3"><h3 id="构想和改编">构想和改编</h3>[<a href="/w/index.php?title=%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7_(%E9%9B%BB%E5%BD%B1)&action=edit&section=3" title="编辑章节：构想和改编">编辑</a>]</div> 1989年，幻影企业（Mirage Enterprises）新任制片公司总裁林赛·多兰在与公司的同事一起对有潜质电影题材集思广益时提议，把简·奥斯汀的《理智与情感》改编成电影<a href="#cite_note-ctdoran-2">[2]</a>。该书之前已经三次改编成影视作品，其中年代上最接近的是1981年的同名电视剧<a href="#cite_note-Parrill-3">[3]</a>:21, 24。多兰很长时间以来都是这部小说的粉丝<a href="#cite_note-Dole-4">[4]</a>:63，还曾在年轻时立誓若自己有朝一日进入电影业，就要将其改编成电影<a href="#cite_note-Stempel-5">[5]</a>:249<a href="#cite_note-Doran-6">[6]</a>:11。她是因书中展现的两位女主角而特别选中了奥斯汀的这部作品<a href="#cite_note-Dobie-7">[7]</a>。多兰表示，奥斯汀的“所有作品都既有趣，又很有感情，但《理智与情感》最适合拍成电影，因为其中的故事情节千回百转。正当你满以为自己能够预料下一步发展时，一些又都不一样了。它有真正的悬念，但又不是部惊悚片。（让人）无法抗拒”<a href="#cite_note-ctdoran-2">[2]</a>。她还称赞了小说中“精彩的人物（刻画）……‘三个’精彩的爱情故事，令人意外的曲折情节，精彩的笑点，相互关联的主题，以及一个让人屏息的结局”<a href="#cite_note-Doran-6">[6]</a>:11。 获聘为幻影企业总裁前，多兰花了数年时间来物色一位合适的<a href="/wiki/%E5%89%A7%E4%BD%9C%E5%AE%B6" title="剧作家">剧作家</a><a href="#cite_note-Stempel-5">[5]</a>:249，她希望找到一个“在讽刺和浪漫文学领域同样擅长”，并且几乎可以“像使用20世纪的语言辞汇那样”使用奥斯汀的遣辞用句<a href="#cite_note-Doran-6">[6]</a>:11。她看过多位英国美作家的剧本<a href="#cite_note-Doran-6">[6]</a>:12，直到看到女演员艾玛·汤普森主持并部分编剧的电视<a href="/wiki/%E5%96%9C%E5%89%A7%E5%B0%8F%E5%93%81" title="喜剧小品">喜剧小品</a>后<a href="#cite_note-dailybeastlunch-8">[8]</a><a href="#cite_note-chicagotribune1-9">[9]</a>，多兰相信自己找到了搜寻已久的<a href="/wiki/%E5%B9%BD%E9%BB%98" title="幽默">幽默</a>和写作风格<a href="#cite_note-Doran-6">[6]</a>:13。汤普森曾与多兰在1991年幻影企业出品的电影《<a href="/w/index.php?title=%E5%86%8D%E7%BB%AD%E5%89%8D%E4%B8%96%E6%83%85&action=edit&redlink=1" class="new" title="再续前世情（页面不存在）">再续前世情</a>》（Dead Again）中合作过，该片拍摄完成一星期后，多兰就选中了汤普森来将《理智与情感》改编成电影剧本<a href="#cite_note-ctdoran-2">[2]</a>，在此以前，这位女演员还从没完成过一个剧本<a href="#cite_note-Doran-6">[6]</a>:13。汤普森也是奥斯汀的粉丝，她起初提议先改编《<a href="/wiki/%E5%8B%B8%E5%B0%8E_(%E5%B0%8F%E8%AA%AA)" title="勸導 (小說)">劝导</a>》或《<a href="/wiki/%E7%88%B1%E7%8E%9B" class="mw-redirect mw-disambig" title="爱玛">爱玛</a>》后再朝《理智与情感》下手<a href="#cite_note-Doran-6">[6]</a>:12-13<a href="#cite_note-HuffPostNannyMcPhee-10">[10]</a>，但她发现后者比自己印象中更加精彩，于是决定先将其改编完成，相信这部作品会有更好的表现<a href="#cite_note-Thompson-1995-11">[11]</a>:209。 <figure typeof="mw:File/Thumb"><a href="/wiki/File:Emma_Thompson_C%C3%A9sars_2009.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/34/Emma_Thompson_C%C3%A9sars_2009.jpg/180px-Emma_Thompson_C%C3%A9sars_2009.jpg" decoding="async" width="180" height="235" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/34/Emma_Thompson_C%C3%A9sars_2009.jpg/270px-Emma_Thompson_C%C3%A9sars_2009.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/34/Emma_Thompson_C%C3%A9sars_2009.jpg/360px-Emma_Thompson_C%C3%A9sars_2009.jpg 2x" data-file-width="463" data-file-height="604" /></a><figcaption><a href="/wiki/%E8%89%BE%E7%8E%9B%C2%B7%E6%B1%A4%E6%99%AE%E6%A3%AE" class="mw-redirect" title="艾玛·汤普森">艾玛·汤普森</a>前后花了五年时间创作本片的剧本。</figcaption></figure> 汤普森花了五年的时间创作和改写剧本，这一期间她还参加了其他电影的制作<a href="#cite_note-Stempel-5">[5]</a>:249<a href="#cite_note-Thompson-1995-11">[11]</a>:208<a href="#cite_note-Parrill-3">[3]</a>:6。汤普森感觉原著的用词“远比（奥斯汀）之后的小说更晦涩难懂”，因此希望可以在简化其中对白的同时保持“原作中的优雅和机智”<a href="#cite_note-Thompson-1995-11">[11]</a>:252。她发现在创作剧本的过程中，第一稿通常“有许多好素材”，但还需加以剪辑，而第二稿则“几乎可以肯定是垃圾……因为你会变得惊惶失措”<a href="#cite_note-Thompson-Doran-1995-12">[12]</a>:01:33:00-01:33:25。汤普森把自己能够完成这个剧本部分归功于多兰，称她“在那个过程中帮助我，让我成长并加以指导……我是跟在她的脚步后面学会了剧本创作”<a href="#cite_note-13">[13]</a>。 汤普森的第一稿剧本均为手写，长度超过300页，需要缩减<a href="#cite_note-14">[14]</a><a href="#cite_note-EWinterview-15">[15]</a>。她发现有关浪漫情感的内容是最难“兼顾”的<a href="#cite_note-EWinterview-15">[15]</a>，稿件中对威洛比和爱德华两角的描写受到了一些批评，多兰之后回忆称，这些批评主要是指在威洛比出场前，整个故事并没有真正开始，而爱德华的情节则成了侧面描写的背景故事。汤普森和多兰很快意识到，要想让这个剧本得到认可，必须要先花上20分钟的时间让包括爱德华在内于前期就开始出现的人物变得鲜明起来<a href="#cite_note-FOOTNOTEThompsonDoran199501:33:25-01:33:49-16">[16]</a>。于此同时，汤普森也希望避免描绘出“两个女人坐等男人上门”的效果<a href="#cite_note-Gay-17">[17]</a>:92，她逐渐将剧本中达什伍德姐妹间的关系和彼此的爱情故事尽可能放到同等位置上<a href="#cite_note-tcmfmiller-18">[18]</a>。 多兰带着完成的剧本草案向多家制片公司推销以求获得资金，但许多公司都对汤普森作为剧作家的能力持有警惕，当时她还是一位没有什么名气的女演员，之前从未创作过电影剧本。不过，哥伦比亚电影公司高管艾米·帕斯卡（Amy Pascal）对汤普森的参与表示支持，并签约同意担任<a href="/wiki/%E5%88%B6%E7%89%87%E4%BA%BA" class="mw-redirect" title="制片人">制片人</a>和发行商。<a href="#cite_note-ctdoran-2">[2]</a><a href="#cite_note-HuffPostNannyMcPhee-10">[10]</a> <div class="mw-heading mw-heading4"><h4 id="李安加入">李安加入</h4>[<a href="/w/index.php?title=%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7_(%E9%9B%BB%E5%BD%B1)&action=edit&section=4" title="编辑章节：李安加入">编辑</a>]</div> <a href="/wiki/%E5%8F%B0%E6%B9%BE" class="mw-redirect" title="台湾">台湾</a>导演李安1993年推出的家庭<a href="/wiki/%E5%96%9C%E5%8A%87%E7%89%87" class="mw-redirect" title="喜劇片">喜剧片</a>《喜宴》获得了成功，该片由他亲自编剧、执导并担任制片人。在此以前，他从未参与过奥斯汀小说改编影视作品的制作<a href="#cite_note-Mills-2009-19">[19]</a>:67，但多兰从《喜宴》中看到了李安在社会喜剧背景下驾御家庭复杂关系的能力，觉得这也是奥斯汀小说故事情节所需要的特质<a href="#cite_note-tcmfmiller-18">[18]</a>。回忆起这个决定她表示，虽然<a href="/wiki/%E8%8B%B1%E8%AF%AD" title="英语">英语</a>不是李安的第一<a href="/wiki/%E8%AF%AD%E8%A8%80" class="mw-redirect" title="语言">语言</a>，但外国导演会给人一种更知性的吸引力<a href="#cite_note-dailybeastlunch-8">[8]</a>。多兰给李安寄了一份汤普森剧本的副本，他对此表示有兴趣，但对自己是否应该接拍也持谨慎态度<a href="#cite_note-Kerr-20">[20]</a>。多兰一共面试了15位导演，但她表示，李安是其中为数不多的几位能够理解奥斯汀幽默感的<a href="/wiki/%E5%80%99%E9%81%B8%E4%BA%BA" class="mw-redirect" title="候選人">候选人</a>之一，他表示自己想要拍一部“让人们心碎到两个月后还没有完全恢复”的电影<a href="#cite_note-Kerr-20">[20]</a>。 <style data-mw-deduplicate="TemplateStyles:r64637320">.mw-parser-output .quotebox{background-color:#F9F9F9;border:1px solid #aaa;box-sizing:border-box;padding:.25em .5em;font-size:88%;max-width:100%}.mw-parser-output .quotebox.floatleft{margin:.5em 1.4em .8em 0}.mw-parser-output .quotebox.floatright{margin:.5em 0 .8em 1.4em}.mw-parser-output .quotebox.centered{margin:.5em auto .8em auto}.mw-parser-output .quotebox p{font-style:inherit;margin-bottom:0}.mw-parser-output .quotebox-title{background-color:#F9F9F9;text-align:center;font-size:larger;font-weight:bold;margin-bottom:0}.mw-parser-output .quotebox-quote.quoted:before{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" “ ";vertical-align:-45%;line-height:0}.mw-parser-output .quotebox-quote.quoted:after{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" ” ";line-height:0}.mw-parser-output .quotebox .left-aligned{text-align:left}.mw-parser-output .quotebox .right-aligned{text-align:right}.mw-parser-output .quotebox .center-aligned{text-align:center}.mw-parser-output .quotebox cite{display:block;font-style:normal}@media all and (max-width:720px){.mw-parser-output .quotebox{width:100%!important;margin:0 0 .8em!important;float:none!important}}</style><div class="quotebox" style="float: left; clear: left; margin: 0.5em 1.4em 0.8em 0;width:23em; padding: 6px; border: 1px solid #aaa; font-size: 88%; background-color: #FFFFF0;"><div class="" style="position: relative; text-align: left;">“我可能在一定程度上知道，19世纪的英国人比起今天来要更好，因为我成长的环境仍然四处可以见到那个<a href="/wiki/%E5%B0%81%E5%BB%BA%E7%A4%BE%E4%BC%9A" title="封建社会">封建社会</a>的影子。当然，那种已经凋零的幽默感、礼仪感和社会准则是不同的。但伴我成长的社会仍然有着压迫自由意志的本质。”</div><cite style="display: block;text-align: right;">李安<a href="#cite_note-Kerr-20">[20]</a></cite></div> 多兰从一开始就希望《理智与情感》既能获得奥斯汀核心读者粉丝的支持，又能吸引到喜欢<a href="/wiki/%E6%B5%AA%E6%BC%AB%E5%96%9C%E5%89%A7" title="浪漫喜剧">浪漫喜剧片</a>的年轻观众<a href="#cite_note-Higson-2011-21">[21]</a>:155。她觉得李安的加入让这部作品免于成为一部“英国小众电影”，而是可以面向全世界发行<a href="#cite_note-Higson-2004-22">[22]</a>:46。对此李安表示：“我觉得他们都疯了。我在台湾长大，对19世纪的<a href="/wiki/%E8%8B%B1%E6%A0%BC%E5%85%B0" title="英格兰">英格兰</a>能知道什么？大约把剧本看了一半的时候，我开始明白他们这样选择的原因。我在自己的电影中试图把社会讽刺和家庭伦理剧混合起来。我意识到自己试着要做出的正是简·奥斯汀那样的作品，只是我还不知道而已。简·奥斯汀是我的使命，我要做的只是克服文化上的障碍”<a href="#cite_note-dailybeastlunch-8">[8]</a>。汤普森和多兰之前已在剧本创作上合作了很长时间，所以李安一开始对自己的地位和角色不是很有把握，觉得自己是个“租来的导演”<a href="#cite_note-HarpersBazaar-23">[23]</a>。他花了六个月时间到英格兰“了解如何拍摄这部电影，怎样制作一部古装片，表现其文化……怎么把原著改编成主流电影业能够接受的作品”<a href="#cite_note-HarpersBazaar-23">[23]</a>。 1995年1月，汤普森向李安、多兰和助理制片人劳瑞·博格（Laurie Borg）等主创人员递交了自己完成的剧本，并根据众人反馈在之后两个月修改<a href="#cite_note-Thompson-1995-11">[11]</a>:207-210。汤普森之后还会在电影拍摄期间对剧本作多处改动，其中还包括为节省预算而做的更改，她还改善了一些台词，做出一些灵活的调整来让角色和演员更相符<a href="#cite_note-Stempel-5">[5]</a>:249。例如布兰登一角表露心意的场景原本包含对之前镜头的闪回，之后汤普森决定还是让角色亲自把这个故事讲出来，这样在可以体现出感情上的困难之处，在情感上更加有趣<a href="#cite_note-Thompson-1995-11">[11]</a>:251。 <div class="mw-heading mw-heading3"><h3 id="演员选择">演员选择</h3>[<a href="/w/index.php?title=%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7_(%E9%9B%BB%E5%BD%B1)&action=edit&section=5" title="编辑章节：演员选择">编辑</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r85100532"><div role="note" class="hatnote navigation-not-searchable">参见：<a href="/wiki/%E7%90%86%E6%99%BA%E4%B8%8E%E6%83%85%E6%84%9F#主要角色" title="理智与情感">《理智与情感》的主要角色</a></div> <figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Hugh_Grant_Cannes.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/b/b3/Hugh_Grant_Cannes.jpg/170px-Hugh_Grant_Cannes.jpg" decoding="async" width="170" height="248" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/b3/Hugh_Grant_Cannes.jpg/255px-Hugh_Grant_Cannes.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/b3/Hugh_Grant_Cannes.jpg/340px-Hugh_Grant_Cannes.jpg 2x" data-file-width="412" data-file-height="601" /></a><figcaption>曾与汤普森在多部电影中合作过的<a href="/wiki/%E4%BC%91%C2%B7%E6%A0%BC%E5%85%B0%E7%89%B9" class="mw-redirect" title="休·格兰特">休·格兰特</a>是爱德华·费拉尔一角的第一人选。<a href="#cite_note-EWinterview-15">[15]</a></figcaption></figure> 汤普森起初希望多兰选择<a href="/wiki/%E5%A8%9C%E5%A1%94%E8%8E%8E%C2%B7%E7%90%86%E6%9F%A5%E5%BE%B7%E6%A3%AE" class="mw-redirect" title="娜塔莎·理查德森">娜塔莎·理查德森</a>和<a href="/w/index.php?title=%E4%B9%94%E8%8E%89%C2%B7%E7%90%86%E6%9F%A5%E5%BE%B7%E6%A3%AE&action=edit&redlink=1" class="new" title="乔莉·理查德森（页面不存在）">乔莉·理查德森</a>（Joely Richardson）两姐妹分别饰演埃莉诺和玛丽安，而李安和哥伦比亚公司则希望由汤普森亲自出演埃莉诺，因为她在<a href="/wiki/1992%E5%B9%B4%E7%94%B5%E5%BD%B1" title="1992年电影">1992年电影</a>《<a href="/wiki/%E9%9C%8D%E5%8D%8E%E5%BE%B7%E5%BA%84%E5%9B%AD" class="mw-redirect" title="霍华德庄园">霍华德庄园</a>》中的表现广受好评，还赢得了<a href="/wiki/%E7%AC%AC65%E5%B1%8A%E5%A5%A5%E6%96%AF%E5%8D%A1%E9%87%91%E5%83%8F%E5%A5%96" title="第65届奥斯卡金像奖">第65届奥斯卡</a>女主角奖肯定<a href="#cite_note-Oscars1993-24">[24]</a>，当时已经成为一位“大牌电影明星”<a href="#cite_note-HuffPostNannyMcPhee-10">[10]</a><a href="#cite_note-EWinterview-15">[15]</a>。但汤普森答复称自己已经35岁，扮演一个19岁的角色未免有些太老，李安于是建议把埃莉诺的年龄改为27，这样还可以更方便现代观众理解该角色<a href="/wiki/%E5%A4%A7%E9%BD%A1%E5%96%AE%E8%BA%AB%E5%A5%B3%E6%80%A7" title="大齡單身女性">大龄单身女性</a>的现实困境<a href="#cite_note-tcmfmiller-18">[18]</a><a href="#cite_note-telegraph1-25">[25]</a>。汤普森同意了，之后还表示自己“不顾一切地想要穿上紧身胸衣表演，让剧情不再停留在剧本上”<a href="#cite_note-EWinterview-15">[15]</a>。 1995年2月，剧组开始正式为电影挑选演员<a href="#cite_note-Thompson-1995-11">[11]</a>:210，不过之前一年时就有几位演员和汤普森会面帮她构思剧本<a href="#cite_note-Thompson-Doran-1995-12">[12]</a>:9:45-9:53。最后李安在这六位演员中选中了五位参加演出，分别是休·格兰特、<a href="/wiki/%E7%BD%97%E4%BC%AF%E7%89%B9%C2%B7%E5%93%88%E8%BF%AA" class="mw-redirect" title="罗伯特·哈迪">罗伯特·哈迪</a>（Robert Hardy）、<a href="/w/index.php?title=%E5%93%88%E4%B8%BD%E7%89%B9%C2%B7%E7%93%A6%E5%B0%94%E7%89%B9&action=edit&redlink=1" class="new" title="哈丽特·瓦尔特（页面不存在）">哈丽特·瓦尔特</a>（Harriet Walter）、伊梅尔达·斯汤顿和休·劳瑞<a href="#cite_note-Thompson-1995-11">[11]</a>:210，只有<a href="/w/index.php?title=%E9%98%BF%E6%9B%BC%E8%BE%BE%C2%B7%E9%B2%81%E7%89%B9&action=edit&redlink=1" class="new" title="阿曼达·鲁特（页面不存在）">阿曼达·鲁特</a>（Amanda Root）当时已答应出演1995年的另一部电影《<a href="/wiki/%E5%8A%9D%E5%AF%BC_(1995%E5%B9%B4%E7%94%B5%E5%BD%B1)" title="劝导 (1995年电影)">劝导</a>》<a href="#cite_note-EWinterview-15">[15]</a>。汤普森和劳瑞在多年前就已相识<a href="#cite_note-26">[26]</a>，她表示：“这个星球没有（别的）任何一个人能够那么完美地捕捉到帕尔默先生的幻灭和救赎，同时又让情节看起来很有趣。”<a href="#cite_note-Thompson-1995-11">[11]</a>:251-252 早在创作爱德华·费拉尔这个角色时，格兰特就是汤普森心中诠释这一角色的完美人选<a href="#cite_note-Thompson-Doran-1995-12">[12]</a>:9:15-9:30，他也自愿降低片酬来避免影片预算超支<a href="#cite_note-tcmfmiller-18">[18]</a>。格兰特称她的剧本为“天才之作”，表示自己也一直喜欢简·奥斯汀的作品，而且觉得艾玛的剧本与原著相比更出彩，更有趣<a href="#cite_note-27">[27]</a>。北美地区简·奥斯汀协会（Jane Austen Society of North America，简称JASNA）对选择格兰特来饰演爱德华一角提出了批评，认为他有些过于英俊<a href="#cite_note-dailybeastlunch-8">[8]</a>。女演员凯特·温丝莱特原本就想参加玛丽安一角的试镜，但李安不喜欢她在1994年<a href="/wiki/%E5%89%A7%E6%83%85%E7%89%87" class="mw-redirect" title="剧情片">剧情片</a>《<a href="/w/index.php?title=%E7%BD%AA%E5%AD%BD%E5%A4%A9%E4%BD%BF&action=edit&redlink=1" class="new" title="罪孽天使（页面不存在）">罪孽天使</a>》（Heavenly Creatures）中的表现，所以只打算让她试演露西·斯蒂尔一角。然而温丝莱特假装不知道这一安排，试镜时表演的仍然是玛丽安的段落，并在念出一句台词后成功入选<a href="#cite_note-tcmfmiller-18">[18]</a>。汤普森之后指出，温丝莱特虽然当时还只有19岁，但完全符合这个角色“充满活力、开放、现实、聪明”的特点，而且“非常有趣”<a href="#cite_note-Thompson-1995-11">[11]</a>:216。这一角色也帮助温丝莱特成为有相当知名度的电影明星<a href="#cite_note-tcmfmiller-18">[18]</a>。 艾伦·瑞克曼在片中出演布兰登上校。汤普森对瑞克曼在本片中展现出“他本性中那非凡的温柔”感到满意，特别是考虑到他在其他多部电影中出演的都是些让人印象深刻的<a href="/wiki/%E6%9D%83%E6%9C%AF" title="权术">权术</a>人物<a href="#cite_note-Thompson-1995-11">[11]</a>:269。格雷·怀斯（John Willoughby）获选出演约翰·威洛比，这也是他截止2013年最具知名度的角色<a href="#cite_note-28">[28]</a><a href="#cite_note-29">[29]</a>。年仅12岁，之前没有任何专业表演经验的埃米莉·弗朗索瓦（Emilie François）是最后确定的几位演员人选之一，她诠释的是玛格丽特·达什伍德<a href="#cite_note-Thompson-Doran-1995-12">[12]</a>:5:13-5:20。汤普森在日记中称赞了这位小演员的表现：“埃米莉天生就能快速而聪明地掌握每一个动作——她只是待在那里就能让我们所有人都有了即兴演出的能力。”<a href="#cite_note-Thompson-1995-11">[11]</a>:246-247参加演出的其他演员还包括扮演达什伍德夫人的盖玛·琼斯（Gemma Jones），饰演约翰·达什伍德的詹姆斯·弗雷特（James Fleet），出演詹宁斯夫人的伊丽莎白·斯普里格斯（Elizabeth Spriggs），诠释露西·斯蒂尔的伊莫金·斯塔布斯（Imogen Stubbs），饰演罗伯特·费拉尔的理查德·拉姆斯登（Richard Lumsden），扮演达什伍德老爷的汤姆·威尔金森（Tom Wilkinson）和出演格蕾小姐的隆·维达尔（Lone Vidahl）<a href="#cite_note-30">[30]</a>。 <div class="mw-heading mw-heading3"><h3 id="服装设计">服装设计</h3>[<a href="/w/index.php?title=%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7_(%E9%9B%BB%E5%BD%B1)&action=edit&section=6" title="编辑章节：服装设计">编辑</a>]</div> <figure class="mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Sense_and_Sensibility_Thompson_dress.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/0/0c/Sense_and_Sensibility_Thompson_dress.jpg/190px-Sense_and_Sensibility_Thompson_dress.jpg" decoding="async" width="190" height="253" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/0c/Sense_and_Sensibility_Thompson_dress.jpg/285px-Sense_and_Sensibility_Thompson_dress.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/0c/Sense_and_Sensibility_Thompson_dress.jpg/380px-Sense_and_Sensibility_Thompson_dress.jpg 2x" data-file-width="480" data-file-height="640" /></a><figcaption><a href="/wiki/%E8%89%BE%E7%8E%9B%C2%B7%E6%B1%A4%E6%99%AE%E6%A3%AE" class="mw-redirect" title="艾玛·汤普森">艾玛·汤普森</a>在《理智与情感》的其中一件戲服。</figcaption></figure> 简斯汀学者琳达·特罗斯特（Linda Troost）表示，《理智与情感》中使用的服装有助于强调各个人物的阶层和地位，特别是达什伍德家族成员<a href="#cite_note-Troost-2007-31">[31]</a>:83。这些服装由珍妮·碧万（Jenny Beavan）和约翰·布莱特（John Bright）设计，两人早在1984年就已开始合作，之前最有知名度的是<a href="/wiki/%E5%A2%A8%E8%87%A3%E8%89%BE%E7%A6%BE%E9%87%8C%E8%A3%BD%E7%89%87" title="墨臣艾禾里製片">墨臣艾禾里製片</a>公司出品的作品<a href="#cite_note-Nadoolman_Landis-2012-32">[32]</a><a href="#cite_note-33">[33]</a>。两位设计师打算创作出与那个时代完全相符的衣服<a href="#cite_note-Troost-2007-31">[31]</a>:83，并融入18世纪末丰满而古典的外观和色彩<a href="#cite_note-34">[34]</a>。他们从英国<a href="/wiki/%E8%89%BA%E6%9C%AF%E5%AE%B6" title="艺术家">艺术家</a><a href="/wiki/%E6%89%98%E9%A9%AC%E6%96%AF%C2%B7%E7%BD%97%E5%85%B0%E6%A3%AE" title="托马斯·罗兰森">托马斯·罗兰森</a>（Thomas Rowlandson）、约翰·霍珀（John Hopper）和<a href="/wiki/%E5%96%AC%E6%B2%BB%C2%B7%E7%BE%85%E5%A7%86%E5%B0%BC_(%E7%95%AB%E5%AE%B6)" title="喬治·羅姆尼 (畫家)">乔治·罗姆尼</a>的作品中汲取灵感，还检阅了储存在<a href="/wiki/%E7%BB%B4%E5%A4%9A%E5%88%A9%E4%BA%9A%E5%92%8C%E9%98%BF%E5%B0%94%E4%BC%AF%E7%89%B9%E5%8D%9A%E7%89%A9%E9%A6%86" title="维多利亚和阿尔伯特博物馆">维多利亚和阿尔伯特博物馆</a>的时尚画板<a href="#cite_note-LATimesFashion-35">[35]</a>。大部分衣装和帽子都是在伦敦一家名为“Cosprop”的服装公司制作的<a href="#cite_note-LATimesFashion-35">[35]</a>。 为了达成受希腊艺术影响的紧密缠绕卷发效果，一些女演员选择佩戴<a href="/wiki/%E5%81%87%E9%AB%AE" title="假髮">假发</a>，还有一些则会通过加热来给卷起的头发定型，或是睡觉时仍然戴着固定卷发的引脚。片中势利眼芬妮一角的卷发最为紧密，但减少了希腊风格的轮廓，反映出她愚蠢爆发户的特点<a href="#cite_note-LATimesFashion-35">[35]</a>。碧万表示，芬妮和詹宁斯夫人都“不能完全放弃（那些）多余的装饰”，所以都披上了自己的蕾丝，皮草，羽毛，珠宝和华美的织品<a href="#cite_note-LATimesFashion-35">[35]</a>。与之相反，理智的埃莉诺选择采用简单的配饰，例如草帽和长长的金链<a href="#cite_note-LATimesFashion-35">[35]</a>。芬妮的浅薄个性也表现在“浮华多彩”的裙装上<a href="#cite_note-Troost-2007-31">[31]</a>:83，而爱德华出场时身着正装，全身都裹得严严实实，代表他“受到压抑”的个性<a href="#cite_note-Gay-17">[17]</a>:97-98。片中伦敦舞厅一场戏一共动用了100名临时演员，其中有<a href="/wiki/%E5%86%9B%E4%BA%BA" title="军人">军人</a>、<a href="/wiki/%E5%BE%8B%E5%B8%88" class="mw-redirect" title="律师">律师</a>，还有纨绔子弟和贵妇，他们都穿上了不同视觉风格的服饰<a href="#cite_note-Troost-2007-31">[31]</a>:83<a href="#cite_note-Thompson-1995-11">[11]</a>:258。 碧万和布莱特征询了汤普森和李安的意见来为布兰登设计服装，决定把他塑造成一个“经验丰富，阳刚可靠”的形象<a href="#cite_note-Gay-17">[17]</a>:97-98。布兰登首次出场时穿着黑色服装，之后换了灯芯绒夹克配衬衫作为其运动装束。在暴雨中救起玛丽安后，他又转变成“浪漫的<a href="/wiki/%E6%8B%9C%E5%80%AB%E5%BC%8F%E8%8B%B1%E9%9B%84" title="拜倫式英雄">拜伦式英雄</a>”，身上的衬衫敞开，领结也适度宽松。同时他谦逊得体的服饰配合<a href="/wiki/%E6%82%B2%E5%89%A7" class="mw-redirect" title="悲剧">悲剧</a>性的故事背景，也有助于让观众喜欢这个人物<a href="#cite_note-Gay-17">[17]</a>:98。碧万和布莱特因本片获得了<a href="/wiki/%E7%AC%AC68%E5%B1%8A%E5%A5%A5%E6%96%AF%E5%8D%A1%E9%87%91%E5%83%8F%E5%A5%96" title="第68届奥斯卡金像奖">第68届奥斯卡金像奖</a><a href="/wiki/%E5%A5%A5%E6%96%AF%E5%8D%A1%E6%9C%80%E4%BD%B3%E6%9C%8D%E8%A3%85%E8%AE%BE%E8%AE%A1%E5%A5%96" title="奥斯卡最佳服装设计奖">服装设计奖</a>提名<a href="#cite_note-36">[36]</a><a href="#cite_note-Oscars1996-37">[37]</a>。 <div class="mw-heading mw-heading3"><h3 id="拍摄">拍摄</h3>[<a href="/w/index.php?title=%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7_(%E9%9B%BB%E5%BD%B1)&action=edit&section=7" title="编辑章节：拍摄">编辑</a>]</div> <figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Ang_Lee_Venice09.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/1/17/Ang_Lee_Venice09.jpg/190px-Ang_Lee_Venice09.jpg" decoding="async" width="190" height="285" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/17/Ang_Lee_Venice09.jpg/285px-Ang_Lee_Venice09.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/17/Ang_Lee_Venice09.jpg/380px-Ang_Lee_Venice09.jpg 2x" data-file-width="999" data-file-height="1500" /></a><figcaption>《理智与情感》是李安第一部不是在<a href="/wiki/%E4%BA%9A%E6%B4%B2" title="亚洲">亚洲</a>拍摄的长片电影。</figcaption></figure> 本片的拍摄预算为1600万美元<a href="#cite_note-Mills-2009-19">[19]</a>:68<a href="#cite_note-AsianWeek-38">[38]</a>，这既是李安当时接到的最高预算金额，又是1990年代奥斯汀小说改编电影所付出的最大成本<a href="#cite_note-Higson-2004-22">[22]</a>:44。哥伦比亚电影公司1994年推出的《<a href="/wiki/%E5%B0%8F%E5%A9%A6%E4%BA%BA_(1994%E5%B9%B4%E9%9B%BB%E5%BD%B1)" title="小婦人 (1994年電影)">小妇人</a>》大获成功，因此授权李安使用这笔“相对较高的预算”，希望影片能够吸引到多个观众群，从而产生高票房回报<a href="#cite_note-Higson-2011-21">[21]</a>:155<a href="#cite_note-Higson-2004-22">[22]</a>:45。不过多兰仍然认为这是一部“小成本电影”<a href="#cite_note-Thompson-Doran-1995-12">[12]</a>:20:00-20:20，许多汤普森和李安所做的构想——例如描绘达什伍德老爷从马上重重跌落的镜头——都因成本问题无法拍摄<a href="#cite_note-Thompson-1995-11">[11]</a>:207-209<a href="#cite_note-Thompson-Doran-1995-12">[12]</a>:1:11-2:25。 汤普森表示，李安“到达片场时已是胸有成竹”<a href="#cite_note-Thompson-Doran-1995-12">[12]</a>:01:02:00-01:03:45。他希望在电影中专心讲述一个引人入胜的故事，而不是过分关注时代性的细节。他向众演员展示了自己精心挑选的一些经典小说改编电影，其中包括《<a href="/wiki/%E5%B7%B4%E9%87%8C%C2%B7%E6%9E%97%E7%99%BB_(1975%E5%B9%B4%E7%94%B5%E5%BD%B1)" class="mw-redirect" title="巴里·林登 (1975年电影)">巴里·林登</a>》和《<a href="/wiki/%E7%BA%AF%E7%9C%9F%E5%B9%B4%E4%BB%A3_(%E7%94%B5%E5%BD%B1)" title="纯真年代 (电影)">纯真年代</a>》，他认为这些都是“伟大的电影，每个人都会崇拜的艺术作品，（但）这不是我们想要达成的形式”<a href="#cite_note-AsianWeek-38">[38]</a>。李安批评《纯真年代》缺少激情，和《理智与情感》这样的“激情童话”完全相反<a href="#cite_note-AsianWeek-38">[38]</a>。 剧组人员同李安之间经历了多次“轻微的<a href="/wiki/%E6%96%87%E5%8C%96%E5%86%B2%E5%87%BB" title="文化冲击">文化冲击</a>”。他期望<a href="/wiki/%E5%8A%A9%E7%90%86%E5%B0%8E%E6%BC%94" class="mw-redirect" title="助理導演">助理导演</a>扮黑脸并保持电影制作跟上日程，而助理导演们也期望他如此，这导致影片的前期制作过程进度缓慢<a href="#cite_note-Thompson-1995-11">[11]</a>:220-221。此外据汤普森表示，她和格兰特对一些特定场景提出建议时，李安变得“深感受伤和困惑”，因为他在台湾拍片时，演员是不会对导演指手划脚的<a href="#cite_note-dailybeastlunch-8">[8]</a><a href="#cite_note-tcmfmiller-18">[18]</a>。李安以为自己的权威正在削弱并因此<a href="/wiki/%E5%A4%B1%E7%9C%A0" title="失眠">失眠</a><a href="#cite_note-Mills-2009-19">[19]</a>:70，不过在接受了演员的建议后，这个问题也逐渐得到了解决<a href="#cite_note-Thompson-1995-11">[11]</a>:220, 240<a href="#cite_note-Thompson-Doran-1995-12">[12]</a>:17:00–17:20。众演员之后逐渐“成长到完全信任他的直觉”，所给出的建议也越来越少<a href="#cite_note-Thompson-Doran-1995-12">[12]</a>:01:02:00-01:03:45。助理制片人詹姆斯·谢玛斯（James Schamus）表示，李安也变得更加愿意向大家表达自己的意见<a href="#cite_note-Mills-2009-19">[19]</a>:72。 李安曾以不“委婉”到“吓人”而出名<a href="#cite_note-LADNyinyang-39">[39]</a>，他还经常让演员多次重拍以求获得最完美的效果<a href="#cite_note-dailybeastlunch-8">[8]</a><a href="#cite_note-Kerr-20">[20]</a>，并且对于自己不喜欢的部分敢于直接说出“无聊”这样的评价<a href="#cite_note-LADNyinyang-39">[39]</a>。汤普森之后回忆这段经历时表示，导演“经常会提出一些让人大跌眼镜的要求”，比如要求她不要再“看起来那么老”之类<a href="#cite_note-Mills-2009-19">[19]</a>:70<a href="#cite_note-Thompson-Doran-1995-12">[12]</a>:4:20-4:40。不过她也称，李安在众人没能达到要求时总还是能够保持和蔼和宽容<a href="#cite_note-Thompson-Doran-1995-12">[12]</a>:227-228。汤普森已经有了丰富的表演经验，所以导演鼓励她学习<a href="/wiki/%E5%A4%AA%E6%9E%81%E6%8B%B3" title="太极拳">太极拳</a>，“帮她放松，让她能够以更简单的方式来完成工作”<a href="#cite_note-AsianWeek-38">[38]</a>。其他演员也很快加入到他们的打坐中，多兰表示这“真是很有趣。地上有一大堆的枕头，而这些面色苍白的演员们都在说，‘我们都给自己找来了什么麻烦？’在我所见或听说过的导演中，李安是最注重肢体语言的一个”<a href="#cite_note-AsianWeek-38">[38]</a>。他建议温丝莱特阅读诗篇然后向他汇报，认为这样最有利于她理解自己的角色。他还让汤普森和温丝莱特住到一块来发展出角色间的姐妹情谊<a href="#cite_note-tcmfmiller-18">[18]</a>。许多演员都学习了礼仪和<a href="/wiki/%E6%A9%AB%E9%9E%8D%E9%A8%8E%E4%B9%98" class="mw-redirect" title="橫鞍騎乘">橫鞍騎乘</a>课程<a href="#cite_note-Thompson-1995-11">[11]</a>:212-213。 李安发现，与自己在台湾拍片时相比<a href="#cite_note-Mills-2009-19">[19]</a>:70，他不得不劝阻许多演员以“非常做作，非常英式传统的”方式表演，“他们总认为自己必须得做点什么，必须挑起电影的大梁，而不是像一个活生生的人那样注意观察和获取同情”<a href="#cite_note-AsianWeek-38">[38]</a>。特别是格兰特就因一心想要给出“超凡绝伦”的演出而显得过分内敛，李安之后回忆称，该男演员是个“抢戏的。你没法阻止这点，所以我由他去，我得说，这种休·格兰特式的‘明星’气质最好少一些……（他应该服务于电影，）而不是电影来给他服务，或者他已经习惯了如此吧” <a href="#cite_note-AsianWeek-38">[38]</a>。对于片中埃莉诺得知爱德华并没有结婚时的反应，汤普森是从自己得知<a href="/wiki/%E7%88%B6%E4%BA%B2" class="mw-redirect" title="父亲">父亲</a>去世时的反应获取灵感<a href="#cite_note-Thompson-1995-11">[11]</a>:266-267。格兰特在这场戏中讲出大部分台词的时段里汤普森都在大哭，后者也试图要安抚他：“没有别的办法，我向你保证这样的效果会很好，会既好笑又感人。”格兰特则回答：“噢，那好吧，”并且他的表现可谓驾轻就熟<a href="#cite_note-40">[40]</a>。李安对这个镜头提出了一项要求，即汤普森不要把面部转到正对着<a href="/wiki/%E6%91%84%E5%BD%B1%E6%9C%BA" class="mw-redirect" title="摄影机">摄影机</a><a href="#cite_note-Kerr-20">[20]</a>。 <div class="mw-heading mw-heading4"><h4 id="拍摄地点">拍摄地点</h4>[<a href="/w/index.php?title=%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7_(%E9%9B%BB%E5%BD%B1)&action=edit&section=8" title="编辑章节：拍摄地点">编辑</a>]</div> <style data-mw-deduplicate="TemplateStyles:r70089473/mw-parser-output/.tmulti">.mw-parser-output .tmulti .thumbinner{display:flex;flex-direction:column}.mw-parser-output .tmulti .trow{display:flex;flex-direction:row;clear:left;flex-wrap:wrap;width:100%;box-sizing:border-box}.mw-parser-output .tmulti .tsingle{margin:1px;float:left}.mw-parser-output .tmulti .theader{clear:both;font-weight:bold;text-align:center;align-self:center;background-color:transparent;width:100%}.mw-parser-output .tmulti .thumbcaption{background-color:transparent}.mw-parser-output .tmulti .text-align-left{text-align:left}.mw-parser-output .tmulti .text-align-right{text-align:right}.mw-parser-output .tmulti .text-align-center{text-align:center}@media all and (max-width:720px){.mw-parser-output .tmulti .thumbinner{width:100%!important;box-sizing:border-box;max-width:none!important;align-items:center}.mw-parser-output .tmulti .trow{justify-content:center}.mw-parser-output .tmulti .tsingle{float:none!important;max-width:100%!important;box-sizing:border-box;text-align:center}.mw-parser-output .tmulti .tsingle .thumbcaption{text-align:left}.mw-parser-output .tmulti .trow>.thumbcaption{text-align:center}}</style><div class="thumb tmulti tright"><div class="thumbinner" style="width:254px;max-width:254px"><div class="trow"><div class="tsingle" style="width:252px;max-width:252px"><div class="thumbimage"><a href="/wiki/File:Saltram_House_2008.jpg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/0/02/Saltram_House_2008.jpg/250px-Saltram_House_2008.jpg" decoding="async" width="250" height="167" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/02/Saltram_House_2008.jpg/375px-Saltram_House_2008.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/02/Saltram_House_2008.jpg/500px-Saltram_House_2008.jpg 2x" data-file-width="3888" data-file-height="2592" /></a></div></div></div><div class="trow"><div class="tsingle" style="width:252px;max-width:252px"><div class="thumbimage"><a href="/wiki/File:Montacute_House_East_Front_-_geograph.org.uk_-_851610.jpg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/1/19/Montacute_House_East_Front_-_geograph.org.uk_-_851610.jpg/250px-Montacute_House_East_Front_-_geograph.org.uk_-_851610.jpg" decoding="async" width="250" height="175" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/19/Montacute_House_East_Front_-_geograph.org.uk_-_851610.jpg/375px-Montacute_House_East_Front_-_geograph.org.uk_-_851610.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/19/Montacute_House_East_Front_-_geograph.org.uk_-_851610.jpg/500px-Montacute_House_East_Front_-_geograph.org.uk_-_851610.jpg 2x" data-file-width="587" data-file-height="411" /></a></div><div class="thumbcaption">上方：<a href="/wiki/%E5%9C%8B%E5%AE%B6%E5%90%8D%E5%8B%9D%E5%8F%A4%E8%B9%9F%E4%BF%A1%E8%A8%97" class="mw-redirect" title="國家名勝古蹟信託">国家信托</a>所有的<a href="/w/index.php?title=%E8%90%A8%E5%B0%94%E7%89%B9%E4%BC%A6%E5%AE%85%E7%AC%AC&action=edit&redlink=1" class="new" title="萨尔特伦宅第（页面不存在）">萨尔特伦宅第</a>是片中诺兰庄园的拍摄原型； 下方：<a href="/w/index.php?title=%E8%92%99%E5%A1%94%E4%B8%98%E7%89%B9%E6%A5%BC&action=edit&redlink=1" class="new" title="蒙塔丘特楼（页面不存在）">蒙塔丘特楼</a>，<a href="/w/index.php?title=%E8%8B%B1%E5%9B%BD%E9%81%97%E4%BA%A7&action=edit&redlink=1" class="new" title="英国遗产（页面不存在）">英国遗产</a>A级保护建筑，代表了片中的克利夫兰大宅</div></div></div></div></div> 《理智与情感》的原定制作周期为58天，最后延长到65天<a href="#cite_note-Thompson-1995-11">[11]</a>:209。电影于1995年4月中旬在德文郡多个地点开拍，首先是在萨尔特伦宅第拍摄片中诺兰庄园的镜头<a href="#cite_note-41">[41]</a><a href="#cite_note-Higson-2011-21">[21]</a>:149，温丝莱特和琼斯在这里拍摄了第一组镜头，即她们的角色首次得知巴顿庄园<a href="#cite_note-Thompson-1995-11">[11]</a>:215, 217-219。由于萨尔特伦宅第属<a href="/wiki/%E5%9C%8B%E5%AE%B6%E5%90%8D%E5%8B%9D%E5%8F%A4%E8%B9%9F%E4%BF%A1%E8%A8%97" class="mw-redirect" title="國家名勝古蹟信託">国家信托</a>所有，因此谢玛斯必须在开拍前签署协议，该组织成员也留在片场对拍摄过程仔细加以监督。剧组之后还返回拍摄了多个镜头直到4月29日结束<a href="#cite_note-Thompson-1995-11">[11]</a>:215, 217, 222, 226-227。第二个拍摄地点是弗里特大宅（Flete House），这是片中詹宁斯夫人位于伦敦的房产，爱德华和露西首次在这里见到埃莉诺<a href="#cite_note-Voigts-Virchow-2004-42">[42]</a><a href="#cite_note-Thompson-1995-11">[11]</a>:224。达什伍德夫人和三个女儿搬进的平房则是弗里特大宅的一套石制平房，汤普森称其为“我们所见过的最漂亮景点之一”<a href="#cite_note-Thompson-1995-11">[11]</a>:233。 5月份，剧组在<a href="/w/index.php?title=%E8%B4%9D%E7%91%9E%E6%B3%A2%E9%BB%98%E7%BD%97%E4%BC%8A&action=edit&redlink=1" class="new" title="贝瑞波默罗伊（页面不存在）">贝瑞波默罗伊</a>（Berry Pomeroy）一间精美的乡间<a href="/wiki/%E6%95%99%E5%A0%82" title="教堂">教堂</a>拍摄片尾的婚礼镜头<a href="#cite_note-43">[43]</a><a href="#cite_note-Thompson-1995-11">[11]</a>:230。5月10日到12日期间拍摄完成了玛丽安初遇威洛比的镜头，由于需要在下雨天到山上拍摄，因此给物流运输上带来了困难<a href="#cite_note-Thompson-1995-11">[11]</a>:235-237。李安把这段镜头拍了约50次，众演员都在造雨机器下湿透了，这导致温丝莱特最终因<a href="/wiki/%E9%81%8E%E5%BA%A6%E6%8F%9B%E6%B0%A3%E7%97%87%E5%80%99%E7%BE%A4" title="過度換氣症候群">过度换气</a>而晕倒<a href="#cite_note-Mills-2009-19">[19]</a>:70<a href="#cite_note-Thompson-Doran-1995-12">[12]</a>:6:15-6:25。拍摄中途还遇到了其它麻烦，例如温丝莱特就因腿上感染静脉炎而不得不跛行，还有一次从楼梯上摔下而扭伤了手腕<a href="#cite_note-Thompson-1995-11">[11]</a>:261-262。 5至7月，剧组在英格兰其它多处国家信托的房产取景。<a href="/wiki/%E5%A8%81%E7%88%BE%E7%89%B9%E9%83%A1" title="威爾特郡">威尔特郡</a><a href="/wiki/%E7%B4%A2%E5%B0%94%E5%85%B9%E4%BC%AF%E9%87%8C" class="mw-redirect" title="索尔兹伯里">索尔兹伯里</a>的<a href="/w/index.php?title=%E7%89%B9%E6%8B%89%E6%B3%95%E5%8A%A0%E5%88%AB%E5%A2%85&action=edit&redlink=1" class="new" title="特拉法加别墅（页面不存在）">特拉法加别墅</a>（Trafalgar House）和<a href="/w/index.php?title=%E5%A8%81%E5%B0%94%E9%A1%BF%E5%88%AB%E5%A2%85&action=edit&redlink=1" class="new" title="威尔顿别墅（页面不存在）">威尔顿别墅</a>（Wilton House）分别给片中的巴顿庄园和伦敦舞厅取景。同样位于索尔兹伯里，建于18世纪的蒙佩森宅邸（Mompesson House则成了詹宁斯夫人豪华的<a href="/wiki/%E8%81%94%E6%8E%92%E5%88%AB%E5%A2%85" class="mw-redirect" title="联排别墅">联排别墅</a>。位于南萨默塞特（South Somerset），建于16世纪的蒙塔丘特楼在片中作为帕尔默夫妇的克利夫兰大宅<a href="#cite_note-Thompson-1995-11">[11]</a>:286-287。还有一些镜头是在德文郡的康普顿城堡<a href="#cite_note-44">[44]</a>和<a href="/wiki/%E6%A0%BC%E6%9E%97%E5%B0%BC%E6%B2%BB" title="格林尼治">格林尼治</a>的<a href="/w/index.php?title=%E8%8B%B1%E5%9B%BD%E5%9B%BD%E5%AE%B6%E6%B5%B7%E4%BA%8B%E5%8D%9A%E7%89%A9%E9%A6%86&action=edit&redlink=1" class="new" title="英国国家海事博物馆（页面不存在）">英国国家海事博物馆</a>取景<a href="#cite_note-45">[45]</a>。 <div class="mw-heading mw-heading3"><h3 id="音乐">音乐</h3>[<a href="/w/index.php?title=%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7_(%E9%9B%BB%E5%BD%B1)&action=edit&section=9" title="编辑章节：音乐">编辑</a>]</div> <style data-mw-deduplicate="TemplateStyles:r67735281">body.skin-minerva .mw-parser-output .infobox table{display:table}body.skin-minerva .mw-parser-output .infobox caption{display:table-caption}</style><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r83732082"><table class="infobox vevent haudio"><tbody><tr><th colspan="2" class="infobox-above summary album" style="background-color: gainsboro">理智与情感</th></tr><tr><th colspan="2" class="infobox-header description" style="background-color: gainsboro;"><a href="/wiki/%E5%B8%95%E7%89%B9%E9%87%8C%E5%85%8B%C2%B7%E9%81%93%E5%B0%94" title="帕特里克·道尔">帕特里克·道尔</a>的<a href="/wiki/%E7%94%B5%E5%BD%B1%E9%85%8D%E4%B9%90" class="mw-redirect" title="电影配乐">电影配乐</a></th></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap;;">发行日期</th><td class="infobox-data published" style="">1995</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap;;">时长</th><td class="infobox-data" style="">42:41</td></tr></tbody></table> 艾玛·汤普森的朋友，曾与她在《<a href="/wiki/%E4%BA%A8%E5%88%A9%E4%BA%94%E4%B8%96_(1989%E5%B9%B4%E9%9B%BB%E5%BD%B1)" title="亨利五世 (1989年電影)">亨利五世</a>》（Henry V）、《<a href="/wiki/%E6%97%A0%E4%BA%8B%E7%94%9F%E9%9D%9E_(%E7%94%B5%E5%BD%B1)" class="mw-redirect" title="无事生非 (电影)">无事生非</a>》和《再续前世情》中合作过的<a href="/wiki/%E4%BD%9C%E6%9B%B2%E5%AE%B6" title="作曲家">作曲家</a><a href="/wiki/%E5%B8%95%E7%89%B9%E9%87%8C%E5%85%8B%C2%B7%E9%81%93%E5%B0%94" title="帕特里克·道尔">帕特里克·道尔</a>获聘为《理智与情感》谱写音乐<a href="#cite_note-chicagotimessense-46">[46]</a>。导演要求他从已有的音乐作品中加以挑选，或是创作新的“温柔”旋律，多尔于是根据电影的情节谱写了一段曲目<a href="#cite_note-Parrill-3">[3]</a>:43<a href="#cite_note-RockyMtNews-47">[47]</a>。他表示，在这种英国中产阶级的音乐主题下，必须时而出现一次感情上的爆发<a href="#cite_note-chicagotimessense-46">[46]</a>。道尔还称，随着剧情推进到一个更成熟，并带有情感上宣泻的意味时，相应的配乐也变得更加成熟<a href="#cite_note-RockyMtNews-47">[47]</a>。影片的音乐中包含浪漫元素<a href="#cite_note-allmusic-48">[48]</a><a href="#cite_note-DenofGeekMusic-49">[49]</a>，<a href="/wiki/%E5%85%A8%E5%9B%BD%E5%85%AC%E5%85%B1%E5%B9%BF%E6%92%AD%E7%94%B5%E5%8F%B0" title="全国公共广播电台">全国公共广播电台</a>形容乐曲为“感情……受限的指南针”，“乐器以轻柔的方式排列交融在一起”<a href="#cite_note-NPRmusic-50">[50]</a>。评论中还指出，作为对故事情节的一种反射，这些配乐“有些怅惘……和感伤”<a href="#cite_note-NPRmusic-50">[50]</a>。 片中玛丽安演唱了两首<a href="/wiki/%E6%AD%8C%E6%9B%B2" title="歌曲">歌曲</a>，歌词均改编自17世纪的诗作。李安觉得这两首歌曲传达出小说和剧本中的“双重愿景”<a href="#cite_note-Parrill-3">[3]</a>:43。他认为第二首歌表现了玛丽安“成熟的接纳”与“忧郁的理智”相交织的情感<a href="#cite_note-Parrill-3">[3]</a>:43。玛丽安所唱第一首歌“Weep You No More Sad Fountains”的旋律于电影开场字幕时首次出现，而第二首歌的旋律则在片尾字幕时再度响起，并改由戏剧<a href="/wiki/%E5%A5%B3%E9%AB%98%E9%9F%B3" title="女高音">女高音</a><a href="/w/index.php?title=%E7%8F%8D%C2%B7%E4%BE%9D%E6%A0%BC%E4%BC%A6&action=edit&redlink=1" class="new" title="珍·依格伦（页面不存在）">珍·依格伦</a>（Jane Eaglen）演唱<a href="#cite_note-Parrill-3">[3]</a>:43。这两首歌都是影片开拍前由道尔创作的<a href="#cite_note-51">[51]</a>，他也因本片的配乐而首次得到<a href="/wiki/%E5%A5%A7%E6%96%AF%E5%8D%A1%E6%9C%80%E4%BD%B3%E5%8E%9F%E5%89%B5%E9%85%8D%E6%A8%82%E7%8D%8E" class="mw-redirect" title="奧斯卡最佳原創配樂獎">奥斯卡最佳原创配乐奖</a>提名<a href="#cite_note-DenofGeekMusic-49">[49]</a>。 <dl><dt>曲目列表：<a href="#cite_note-allmusic-48">[48]</a></dt></dl> <style data-mw-deduplicate="TemplateStyles:r83732098">.mw-parser-output .tracklist{border-spacing:0}.mw-parser-output .tracklist tbody{color:#333}.mw-parser-output .tracklist tr{background-color:#f7f7f7}.mw-parser-output .tracklist tr:nth-child(2n-1){background-color:#fff}.mw-parser-output .tracklist tr.tlheadline{background-color:transparent}.mw-parser-output .tracklist caption{text-align:left;font-weight:bold}.mw-parser-output .tracklist td,.mw-parser-output .tracklist th[scope="row"]{vertical-align:top}.mw-parser-output .tracklist th[scope="col"]{text-align:left;background-color:#eee}.mw-parser-output .tracklist th.tlheader,.mw-parser-output .tracklist th[scope="row"],.mw-parser-output .tracklist-length,.mw-parser-output .tracklist-total-length td{padding-right:10px;text-align:left}.mw-parser-output .tracklist 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th>span{background-color:#27292d}html.skin-theme-clientpref-night .mw-parser-output .tracklist tbody{color:#ccc}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .tracklist tr{background-color:#202122}html.skin-theme-clientpref-os .mw-parser-output .tracklist tr:nth-child(2n-1){background-color:#000}html.skin-theme-clientpref-os .mw-parser-output .tracklist tr.tlheadline{background-color:transparent}html.skin-theme-clientpref-os .mw-parser-output .tracklist th[scope="col"],html.skin-theme-clientpref-os .mw-parser-output .tracklist-total-length td,html.skin-theme-clientpref-os .mw-parser-output .tracklist-total-length th>span{background-color:#27292d}html.skin-theme-clientpref-os .mw-parser-output .tracklist tbody{color:#ccc}}</style><table class="tracklist" style="display:block;border-spacing:0px;border-collapse:collapse;font-size:100%;padding:4px"><tbody><tr><th class="tlheader" scope="col" style="width:2em;padding-left:10px;padding-right:10px;text-align:right;white-space:nowrap">曲序</th><th class="tlheader" scope="col" style="width:60%;white-space:nowrap">曲目</th><th class="tlheader" scope="col" style="width:40%;white-space:nowrap">作曲</th><th class="tlheader" scope="col" style="width:4em;text-align:right;white-space:nowrap">时长</th></tr><tr><td style="padding-right:10px;text-align:right;vertical-align:top">1.</td><td style="vertical-align:top">Weep You No More Sad Fountains</td><td style="vertical-align:top">帕特里克·道尔</td><td class="tracklist-length">3:05</td></tr><tr><td style="padding-right:10px;text-align:right;vertical-align:top">2.</td><td style="vertical-align:top">A Particular Sum</td><td style="vertical-align:top">道尔</td><td class="tracklist-length">1:15</td></tr><tr><td style="padding-right:10px;text-align:right;vertical-align:top">3.</td><td style="vertical-align:top">My Father's Favorite</td><td style="vertical-align:top">道尔</td><td class="tracklist-length">5:27</td></tr><tr><td style="padding-right:10px;text-align:right;vertical-align:top">4.</td><td style="vertical-align:top">Preying Penniless Woman</td><td style="vertical-align:top">道尔</td><td class="tracklist-length">1:32</td></tr><tr><td style="padding-right:10px;text-align:right;vertical-align:top">5.</td><td style="vertical-align:top">Devonshire</td><td style="vertical-align:top">道尔</td><td class="tracklist-length">1:04</td></tr><tr><td style="padding-right:10px;text-align:right;vertical-align:top">6.</td><td style="vertical-align:top">Not A Beau For Miles</td><td style="vertical-align:top">道尔</td><td class="tracklist-length">1:57</td></tr><tr><td style="padding-right:10px;text-align:right;vertical-align:top">7.</td><td style="vertical-align:top">All The Better For Her</td><td style="vertical-align:top">道尔</td><td class="tracklist-length">1:17</td></tr><tr><td style="padding-right:10px;text-align:right;vertical-align:top">8.</td><td style="vertical-align:top">Felicity</td><td style="vertical-align:top">道尔</td><td class="tracklist-length">1:22</td></tr><tr><td style="padding-right:10px;text-align:right;vertical-align:top">9.</td><td style="vertical-align:top">Patience</td><td style="vertical-align:top">道尔</td><td class="tracklist-length">1:42</td></tr><tr><td style="padding-right:10px;text-align:right;vertical-align:top">10.</td><td style="vertical-align:top">Grant Me An Interview</td><td style="vertical-align:top">道尔</td><td class="tracklist-length">1:05</td></tr><tr><td style="padding-right:10px;text-align:right;vertical-align:top">11.</td><td style="vertical-align:top">All The Delights Of The Season</td><td style="vertical-align:top">道尔</td><td class="tracklist-length">1:14</td></tr><tr><td style="padding-right:10px;text-align:right;vertical-align:top">12.</td><td style="vertical-align:top">Steam Engine</td><td style="vertical-align:top">道尔</td><td class="tracklist-length">1:19</td></tr><tr><td style="padding-right:10px;text-align:right;vertical-align:top">13.</td><td style="vertical-align:top">Willoughby</td><td style="vertical-align:top">道尔</td><td class="tracklist-length">1:39</td></tr><tr><td style="padding-right:10px;text-align:right;vertical-align:top">14.</td><td style="vertical-align:top">Miss Grey</td><td style="vertical-align:top">道尔</td><td class="tracklist-length">2:21</td></tr><tr><td style="padding-right:10px;text-align:right;vertical-align:top">15.</td><td style="vertical-align:top">Excellent Notion</td><td style="vertical-align:top">道尔</td><td class="tracklist-length">1:39</td></tr><tr><td style="padding-right:10px;text-align:right;vertical-align:top">16.</td><td style="vertical-align:top">Leaving London</td><td style="vertical-align:top">道尔</td><td class="tracklist-length">2:12</td></tr><tr><td style="padding-right:10px;text-align:right;vertical-align:top">17.</td><td style="vertical-align:top">Combe Magna</td><td style="vertical-align:top">道尔</td><td class="tracklist-length">2:59</td></tr><tr><td style="padding-right:10px;text-align:right;vertical-align:top">18.</td><td style="vertical-align:top">To Die For Love</td><td style="vertical-align:top">道尔</td><td class="tracklist-length">2:55</td></tr><tr><td style="padding-right:10px;text-align:right;vertical-align:top">19.</td><td style="vertical-align:top">There Is Nothing Lost</td><td style="vertical-align:top">道尔</td><td class="tracklist-length">0:59</td></tr><tr><td style="padding-right:10px;text-align:right;vertical-align:top">20.</td><td style="vertical-align:top">Throw The Coins</td><td style="vertical-align:top">道尔</td><td class="tracklist-length">3:08</td></tr><tr><td style="padding-right:10px;text-align:right;vertical-align:top">21.</td><td style="vertical-align:top">The Dreame</td><td style="vertical-align:top">道尔和珍·依格伦</td><td class="tracklist-length">2:30</td></tr></tbody></table> <div class="mw-heading mw-heading3"><h3 id="剪辑">剪辑</h3>[<a href="/w/index.php?title=%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7_(%E9%9B%BB%E5%BD%B1)&action=edit&section=10" title="编辑章节：剪辑">编辑</a>]</div> 汤普森和多兰探讨片中需要用多少篇幅描写爱情故事，因为原著小说中的男人大部分篇幅里都没有陪在达什伍德姐妹身边。编剧必须在给予男主角多少出场时间这个问题上小心地保持平衡，她在自己的电影拍摄日记中表示，这样的决定“很大程度上依赖于剪辑（的配合）”<a href="#cite_note-Thompson-1995-11">[11]</a>:272。汤普森撰写了“数百个不同版本”的爱情故事线索，她曾打算让爱德华在影片中场时再度出现，但还是改变了主意，因为这样“他也无事可做”，所以没有意义<a href="#cite_note-Thompson-1995-11">[11]</a>:272。汤普森还选择去除了小说中写到的布兰登与威洛比决斗场面，因为这“似乎只能起到减轻神秘感的作用”<a href="#cite_note-Thompson-1995-11">[11]</a>:272。为了避免观众感到无聊，她与多兰苦苦思索应该何时插入布兰登的背景故事，又应该如何插入。汤普森形容，这些用来提醒观众爱德华与布兰登存在的部分就像是“保持轮子转动”（keeping plates spinning）<a href="#cite_note-Thompson-Doran-1995-12">[12]</a>:9:30-9:50。 影片拍摄过程中原本有个布兰登在伦敦贫困区域找到自己病重私生女的镜头，但之后剪掉了<a href="#cite_note-Thompson-Doran-1995-12">[12]</a>:01:29:10-01:29:50。汤普森的剧本中包含有一段埃莉诺与爱德华亲吻的场景，因为制片公司觉得这么一路下来始终关注着的两个人要是连<a href="/wiki/%E6%8E%A5%E5%90%BB" class="mw-redirect" title="接吻">接吻</a>都没有过，那也未免太让人难受了<a href="#cite_note-Thompson-Doran-1995-12">[12]</a>:01:30:00-01:30:35，然而这却成为后期剪辑过程中首批被剪除的段落之一：最初完成的版本长度超过三<a href="/wiki/%E5%B0%8F%E6%97%B6" title="小时">小时</a>，李安希望减少剧情中爱情故事的份量，汤普森也觉得这个镜头有些不妥，不过这部分内容还是包含在电影的宣传资料和<a href="/wiki/%E9%A2%84%E5%91%8A%E7%89%87" title="预告片">预告片</a>中<a href="#cite_note-Thompson-Doran-1995-12">[12]</a>:01:30:00-01:30:35<a href="#cite_note-Higson-2011-21">[21]</a>:141<a href="#cite_note-Stovel-2011-52">[52]</a>。汤普森和多兰还决定剪掉玛丽安生病期间威洛比表现出悔恨的镜头，多兰对此表示，虽然这“是小说历史上最伟大的场景之一”，但与本片放在一块就是显得不搭<a href="#cite_note-Thompson-Doran-1995-12">[12]</a>:01:59:00-01:59:15。 蒂姆·斯奎尔斯（Tim Squyres）是本片的剪辑师，这已是他与李安的第四次合作。他于2013年接受媒体采访时表示：“那是我与李安合作过的第一部全英语电影，还是和艾玛·汤普森、凯特·温丝莱特、艾伦·瑞克曼和休·格兰特——这些伟大的、了不起的演员（合作）。当你拿到这样的素材时就会明白，自己的工作不仅仅是技术活。我有责任要找到艾玛·汤普森想要的东西，‘啊，那个感觉不大好，我看还是用另一段吧。’我并不仅仅是得到允许来对这些大牌演员的表现作出评判，而且必须要做到这一点。”<a href="#cite_note-53">[53]</a> <div class="mw-heading mw-heading2"><h2 id="主题与分析">主题与分析</h2>[<a href="/w/index.php?title=%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7_(%E9%9B%BB%E5%BD%B1)&action=edit&section=11" title="编辑章节：主题与分析">编辑</a>]</div> <div class="mw-heading mw-heading3"><h3 id="来源素材的更改">来源素材的更改</h3>[<a href="/w/index.php?title=%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7_(%E9%9B%BB%E5%BD%B1)&action=edit&section=12" title="编辑章节：来源素材的更改">编辑</a>]</div> 学者路易丝·弗莱文（Louise Flavin）曾指出，汤普森的剧本与原著相比在埃莉诺和玛丽安两个角色上作出了很大的改动，小说中的前者体现出“理智”，后者代表着“情感”，但李安的电影中恰恰相反。观众会将自我克制的埃莉诺而非热情洋溢的玛丽安视为需要改变的那个人。<a href="#cite_note-Flavin-2004-54">[54]</a>:42-3, 46<a href="#cite_note-Dole-4">[4]</a>:51-53为了让两者间的反差变得更明显，玛丽安和威洛比的关系桥段包含有一个“情色”场景，威洛比请求她送给自己一绺头发，这和埃莉诺与爱德华之间那“保守的关系”形成了直接对比<a href="#cite_note-Stovel-2011-52">[52]</a>。李安还通过画面对两人加以区分，玛丽安经常站在<a href="/wiki/%E4%B9%90%E5%99%A8" title="乐器">乐器</a>和打开的窗户旁，或者是身处户外，而埃莉诺的形象往往禁锢在门框中<a href="#cite_note-Kohler-Ryan-Palmer-2013-55">[55]</a>:56。 玛格丽特·达什伍德是片中另一个针对现代观众而加以改变的角色，她传达出了那种“我们这个时代的女孩如果身处19世纪，面对那些因为她是女性而存在的限制时所体会到的挫折感”<a href="#cite_note-Parrill-3">[3]</a>:11。汤普森通过玛格丽特来详细表现出不同时代观念和习俗上的巨大差异。例如埃莉诺向好奇的玛格丽特解释为什么她们那个同父异母的哥哥能够继承达什伍德家族的财产，这实际上也是在向观众加以解释<a href="#cite_note-Parrill-3">[3]</a>:11。玛格丽特的故事情节中增加了对击剑和<a href="/wiki/%E5%9C%B0%E7%90%86" class="mw-redirect" title="地理">地理</a>的兴趣，观众还可以从中看到爱德华和布兰登成为她父亲或兄长般角色同时表现出“女性化”的一面<a href="#cite_note-Stovel-2011-52">[52]</a><a href="#cite_note-Flavin-2004-54">[54]</a>:44<a href="#cite_note-Nixon-2001-56">[56]</a>:36-37。此外，电影中还省略了多个人物，例如米德尔顿爵士夫人（Lady Middleton）和她的孩子们，以及露西的姐妹安·斯蒂尔（Ann Steele）等<a href="#cite_note-Flavin-2004-54">[54]</a>:44-45。 <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r64637320"><div class="quotebox" style="float: right; clear: right; margin: 0.5em 0 0.8em 1.4em;width:27em; padding: 6px; border: 1px solid #aaa; font-size: 88%; background-color: #FFFFF0;"><div class="" style="position: relative; text-align: left;">“如果一定要找出艾玛·汤普森剧本中对男性角色所做的改变，那就是她让他们都变得少一些罪责，多一分可爱，而且无疑减轻他们<a href="/wiki/%E6%80%A7%E5%88%AB%E6%AD%A7%E8%A7%86" class="mw-redirect" title="性别歧视">性别歧视</a>和<a href="/wiki/%E9%87%8D%E7%94%B7%E8%BD%BB%E5%A5%B3" title="重男轻女">重男轻女</a>的程度。”</div><cite style="display: block;text-align: right;">——奥斯汀学者德凡尼·卢瑟（Devoney Looser）<a href="#cite_note-Looser-1996-57">[57]</a></cite></div> 汤普森在为影片调整人物期间发现，原著小说中“爱德华和布兰登的形象都很模糊，而且很长时间里都没有出现”，因此“让这些男性角色变得生动成为最大的挑战之一，威洛比是仅有的一位在三个阶段都有出场的男性”<a href="#cite_note-Thompson-1995-11">[11]</a>:269。《理智与情感》中的多位男性主角都因此在原著基础上大幅调整，来让增强其对现代观众的吸引力<a href="#cite_note-Parrill-3">[3]</a>:7。格兰特饰演的爱德华和瑞克曼诠释的布兰登都是“理想的”现代男性，他们显然都喜欢孩子，“行为举止（令人）赏心悦目”，特别是在和帕尔默形成对比的时候<a href="#cite_note-Looser-1996-57">[57]</a>。与原著相比，汤普森的剧本中对爱德华的故事情节既有扩充，又含删减。例如小说中埃莉诺在爱德华的物品中找到一绺头发，并臆断这是自己的头发，然而实际上这却是露西的，电影中就不存在这一情节。学者认为，这样的改变是为了让爱德华变得更可敬，更实际，增加观众对他的好感<a href="#cite_note-Stovel-2011-52">[52]</a><a href="#cite_note-Flavin-2004-54">[54]</a>:43。布兰登一角也有所变化，来逐渐让观众理解为什么他是一个值得玛丽安去爱的男人，汤普森在剧本上将他的故事情节直接和威洛比相映衬，两人出场时间接近，都喜欢音乐和诗歌，都曾救过玛丽安<a href="#cite_note-Stovel-2011-52">[52]</a><a href="#cite_note-Jones-2005-58">[58]</a><a href="#cite_note-Nixon-2001-56">[56]</a>:35-36。 <div class="mw-heading mw-heading3"><h3 id="阶级主题">阶级主题</h3>[<a href="/w/index.php?title=%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7_(%E9%9B%BB%E5%BD%B1)&action=edit&section=13" title="编辑章节：阶级主题">编辑</a>]</div> 汤普森认为小说中讲述的是一个“爱情和金钱”的故事，并指出对于有些人来说，其中一个要比另一个更重要<a href="#cite_note-Thompson-1995-11">[11]</a>:255。<a href="/wiki/%E6%89%A7%E8%A1%8C%E5%88%B6%E7%89%87%E4%BA%BA" class="mw-redirect" title="执行制片人">执行制片人</a><a href="/wiki/%E8%A5%BF%E5%BE%B7%E5%B0%BC%C2%B7%E6%B3%A2%E6%8B%89%E5%85%8B" class="mw-redirect" title="西德尼·波拉克">西德尼·波拉克</a>在剧本创作期间强调，必须要让现代观众也能理解这部电影，这正是达什伍德姐妹不能找到一份工作的原因<a href="#cite_note-Stempel-5">[5]</a>:249。波拉克说：“我来自<a href="/wiki/%E5%8D%B0%E7%AC%AC%E5%AE%89%E7%BA%B3%E5%B7%9E" title="印第安纳州">印第安纳州</a>，要是我都能看懂，大家就都明白了。”<a href="#cite_note-Thompson-1995-11">[11]</a>:265汤普森相信，要理解身处另一个世纪的奥斯汀并不十分困难，“你（难道）不觉得人们仍然会关心婚姻、金钱、浪漫，以及寻找一个伴侣吗？”<a href="#cite_note-dailybeastlunch-8">[8]</a><a href="#cite_note-59">[59]</a>。她热衷于在剧本中强调达什伍德一家面临困境的现实<a href="#cite_note-60">[60]</a>，还在其中插入场景来让贫富差距对于现代观众来说更加明显。汤普森让电影开头的达什伍德家族比小说中更富裕，并增加一些内容来让其之后的财务困境反差更大，例如现代观众可能会对一个贫困家庭竟然还能请佣人感到不解，所以影片开场不久，埃莉诺就在诺兰庄园对着一大群仆人讲话，这样观众之后看到她们搬进平房后身边所剩无几的帮工时，就会想到之前所看到的情景<a href="#cite_note-Thompson-Doran-1995-12">[12]</a>:5:40-6:25。李安还力图强调几位主角的社会阶层和局限性<a href="#cite_note-Kohler-Ryan-Palmer-2013-55">[55]</a>:41，例如片中威洛比公开拒绝玛丽安后回到一间装饰更加奢华的房间，这代表她失去的财富<a href="#cite_note-Scholz-2013-61">[61]</a><a href="#cite_note-McRae-2013-62">[62]</a>:35。李安表示，“家庭剧”“都是关于冲突，关于家庭责任和自由意志的对抗”<a href="#cite_note-McRae-2013-62">[62]</a>:36。 电影的阶级主题引起学术关注。卡罗·多尔（Carole Dole）指出，阶级构成是奥斯汀小说中的一项重要元素，因此对其加以改编时“不可能”避免。根据多尔的看法，本片对“阶级价值观的处理模棱两可”，既强调社会差异，又“对小说中着重描述的阶级差别所造成的后果轻描淡写”<a href="#cite_note-Dole-4">[4]</a>:59-63。例如，爱德华的故事以他向埃莉诺求婚而结束，完全没有提及两人将如何依靠牧师的微薄收入度日<a href="#cite_note-Dole-4">[4]</a>:63。路易丝·弗莱文认为，李安用住房来代表不同角色的阶级和个性。达什伍德姐妹起初住在诺兰庄园的宽敞卧室，之后搬进孤立而拥挤的巴顿平房<a href="#cite_note-Flavin-2004-54">[54]</a>:49。詹姆斯·汤普森（James Thompson）表示，《理智与情感》描绘富足生活中的各种享受和一旦失去感到的反差，这些财富与提供财富的人之间没有什么联系<a href="#cite_note-Thompson-2003-63">[63]</a>:24-25。安德鲁·希格森（Andrew Higson）认为，尽管《理智与情感》中包含有对性和性别的评论，但其中并未对阶级问题加以追究。他在著作中写道，汤普森的剧本虽体现出达什伍德家族的贫困，但其局限在于，她们不过是被剥夺继承权，所以无法继续享受原本优越的生活方式。更大范围内的阶级制度仍被视为理所当然<a href="#cite_note-Higson-2011-21">[21]</a>:150。片尾玛丽安的婚礼上出现金币飞舞的视觉效果，对此玛莎·麦克里迪（Marsha McCreadie）指出，这代表着“金钱和婚姻合而为一”<a href="#cite_note-McCreadie-2006-64">[64]</a>。 <div class="mw-heading mw-heading3"><h3 id="性别主题">性别主题</h3>[<a href="/w/index.php?title=%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7_(%E9%9B%BB%E5%BD%B1)&action=edit&section=14" title="编辑章节：性别主题">编辑</a>]</div> 一些学者认为性别是本片的另一个重大主题，并且经常与阶级相交汇。潘尼·盖伊（Penny Gay）发现埃莉诺与爱德华间起初有关“感觉自己无所事事……没有从事任何职业的希望”的对话反映出汤普森作为一位“<a href="/wiki/%E4%B8%AD%E4%BA%A7%E9%98%B6%E7%BA%A7" class="mw-redirect" title="中产阶级">中产阶级</a>，受过<a href="/wiki/%E5%89%91%E6%A1%A5%E5%A4%A7%E5%AD%A6" title="剑桥大学">剑桥</a>教育女权主义者”的身份背景<a href="#cite_note-Gay-17">[17]</a>:92-93。然而，多尔的看法完全相反，他觉得汤普森笔下的埃莉诺“让人意外地拥有反女权主义元素”，因为与原著相比，她对男性有更强的依赖，片中她在情感上受到的压抑也导致她在爱德华面前情绪崩溃<a href="#cite_note-Dole-4">[4]</a>:55-56。琳达·特罗斯特认为，李安的这部作品凸显“激进女权主义和经济问题”的同时，又“矛盾地赞同婚姻是女人一生目标的保守观念”<a href="#cite_note-Troost-2007-31">[31]</a>:82-83。虽然片中多种政治理念相互关织，但特罗斯特相信影片仍然忠实于传统的遗产电影类型，电影的拍摄选址，服装设计和对细节的关注都强调阶级和地位<a href="#cite_note-Troost-2007-31">[31]</a>:83。盖伊和朱丽安·皮达克（Julianne Pidduck）表示，片中通过让女性角色逗留在室内，而对应的男性人物则在乡间信心十足地四处走动这样的方式，表现性别差异<a href="#cite_note-Gay-17">[17]</a>:93<a href="#cite_note-Pidduck-2000-65">[65]</a>。诺拉·斯托维尔（Nora Stovel）则指出，汤普森强调奥斯汀从女权主义角度对性别经济学的嘲讽，提醒人们应该注意的不仅是达什伍德一家，还包括18世纪女性所普遍面临的财务困境<a href="#cite_note-Stovel-2011-52">[52]</a>。 <div class="mw-heading mw-heading2"><h2 id="营销和发行">营销和发行</h2>[<a href="/w/index.php?title=%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7_(%E9%9B%BB%E5%BD%B1)&action=edit&section=15" title="编辑章节：营销和发行">编辑</a>]</div> 《理智与情感》于1995年12月13日在美国首映，与主流电流相比，<a href="/wiki/%E7%B4%A2%E5%B0%BC" title="索尼">索尼</a>和哥伦比亚电影公司发行本片的进程较为缓慢<a href="#cite_note-Higson-2011-21">[21]</a>:155。哥伦比亚相信限量公映既能表现出影片的“独有品质”，又可以增大其赢得<a href="/wiki/%E5%A5%A5%E6%96%AF%E5%8D%A1%E9%87%91%E5%83%8F%E5%A5%96" title="奥斯卡金像奖">奥斯卡金像奖</a>肯定的机会，因此第一个周末只在全美的11个地区的70家电影院上映，票房收入为72万1341美元<a href="#cite_note-Mills-2009-19">[19]</a>:72<a href="#cite_note-Higson-2011-21">[21]</a>:157<a href="#cite_note-boxofficemojooverview-66">[66]</a>。为从奥斯卡奖潜力电影媒体宣传受益，增大获提名的希望，影片在“奥斯卡季”上映<a href="#cite_note-Higson-2011-21">[21]</a>:155。放映《理智与情感》的<a href="/wiki/%E7%94%B5%E5%BD%B1%E9%99%A2" class="mw-redirect" title="电影院">电影院</a>数目缓慢增加，并在<a href="/wiki/%E7%BE%8E%E5%9B%BD%E7%94%B5%E5%BD%B1%E8%89%BA%E6%9C%AF%E4%B8%8E%E7%A7%91%E5%AD%A6%E5%AD%A6%E9%99%A2" class="mw-redirect" title="美国电影艺术与科学学院">美国电影艺术与科学学院</a>宣布其得到7项提名以及<a href="/wiki/%E7%AC%AC68%E5%B1%8A%E5%A5%A5%E6%96%AF%E5%8D%A1%E9%87%91%E5%83%8F%E5%A5%96" title="第68届奥斯卡金像奖">3月下旬举行的颁奖典礼</a>当天激增，最后共计在全美上千家院线公映<a href="#cite_note-Higson-2011-21">[21]</a>:157。到美国放映周期结束时，《理智与情感》的观众人数已经突破800万<a href="#cite_note-Higson-2004-22">[22]</a>:65，国内票房成绩达到“有声有色”的4318万2776美元<a href="#cite_note-Higson-2011-21">[21]</a>:157<a href="#cite_note-67">[67]</a><a href="#cite_note-boxofficemojooverview-66">[66]</a>。 奥斯汀有着严肃作家的声誉，因此制片人就可以通过声誉更好的严肃媒体来推销他们的电影。《理智与情感》在美国发行前不久，包括《<a href="/wiki/%E7%BA%BD%E7%BA%A6%E4%B9%A6%E8%AF%84" title="纽约书评">纽约书评</a>》、《<a href="/wiki/%E5%90%8D%E5%88%A9%E5%9C%BA_(%E6%9D%82%E5%BF%97)" title="名利场 (杂志)">名利场</a>》、《<a href="/w/index.php?title=%E9%9B%BB%E5%BD%B1%E8%A9%95%E8%AB%96_(%E9%9B%9C%E8%AA%8C)&action=edit&redlink=1" class="new" title="電影評論 (雜誌)（页面不存在）">电影评论</a>》（Film Comment）在内的媒体出版物都出现评述李安这部作品的栏目<a href="#cite_note-Higson-2011-21">[21]</a>:156。12月下旬，《<a href="/wiki/%E6%97%B6%E4%BB%A3_(%E6%9D%82%E5%BF%97)" class="mw-redirect" title="时代 (杂志)">时代</a>》杂志宣布本片和《劝导》并列为1995年最佳电影<a href="#cite_note-68">[68]</a>。安德鲁·希格森将这些媒体曝光称为“营销妙招”，因为这意味着影片已经引起目标观众注意<a href="#cite_note-Higson-2011-21">[21]</a>:156。与此同时，大部分的宣传图片都显示影片是一部注重时代装束的女性题材电影<a href="#cite_note-Higson-2011-21">[21]</a>:156。新市场出版社发行汤普森的剧本和电影日记<a href="#cite_note-69">[69]</a><a href="#cite_note-Brownstein-2001-70">[70]</a>，其首版印刷的精装版在美国售出2.85万份<a href="#cite_note-Higson-2011-21">[21]</a>:129-130。英国出版商<a href="/wiki/%E5%B8%83%E5%8D%A2%E5%A7%86%E8%8C%A8%E4%BC%AF%E9%87%8C" title="布卢姆茨伯里">布卢姆茨伯里</a>出版原著小说平装版，其中包括电影剧照，封面的标题设计也与电影相同，而且还印有演员的名字，通常每年印刷一万本的美国出版商西格奈（Signet）这次也印了25万本，女演员<a href="/wiki/%E6%9C%B1%E8%8E%89%C2%B7%E5%85%8B%E9%87%8C%E6%96%AF%E8%92%82" class="mw-redirect" title="朱莉·克里斯蒂">朱莉·克里斯蒂</a>则通过企鹅有声读物发行的<a href="/wiki/%E6%9C%89%E8%81%B2%E6%9B%B8" title="有聲書">有声书</a>看到了这部小说<a href="#cite_note-Higson-2004-22">[22]</a>:40-41<a href="#cite_note-Higson-2011-21">[21]</a>:129。《理智与情感》令原著小说的销量急剧增加，最终在1996年2月<a href="/wiki/%E7%BA%BD%E7%BA%A6%E6%97%B6%E6%8A%A5%E7%95%85%E9%94%80%E4%B9%A6%E6%A6%9C" class="mw-redirect" title="纽约时报畅销书榜">《纽约时报》最畅销平装本排行榜</a>中名列第十位<a href="#cite_note-Thompson-2003-63">[63]</a>:13。 《理智与情感》于1996年2月23日在英国上映，因为另一部很受欢迎的奥斯汀小说改编作品《<a href="/wiki/%E5%82%B2%E6%85%A2%E8%88%87%E5%81%8F%E8%A6%8B_(%E9%9B%BB%E8%A6%96%E7%9F%AD%E5%8A%87)" title="傲慢與偏見 (電視短劇)">傲慢与偏见</a>》刚刚在该国播映，其炒作也有望让本片占到便宜。<a href="/wiki/%E4%B8%89%E6%98%9F%E7%94%B5%E5%BD%B1%E5%85%AC%E5%8F%B8" class="mw-redirect" title="三星电影公司">哥伦比亚三星公司</a>的英国营销总裁表示，“如果一定要找出一个这部电影能够成功的国家，那一定会是英国。”<a href="#cite_note-Higson-2011-21">[21]</a>:157预映获得正面反响后，影片开始以古装剧和主流电影两方面并行的营销策略加以宣传<a href="#cite_note-Higson-2011-21">[21]</a>:157-158。制片商还力图将本片推向国际市场。由于电影整个制作周期都一直在强调其与普通的英国古装文艺片相比受众面“更广”，因此发行商也力图避免将《理智与情感》定性为“只不过又一部英国的古装片”<a href="#cite_note-Higson-2011-21">[21]</a>:158。宣传材料上引用了《每日邮报》之类报纸上将本片与1994年的《<a href="/wiki/%E5%9B%9B%E5%80%8B%E5%A9%9A%E7%A6%AE%E4%B8%80%E5%80%8B%E8%91%AC%E7%A6%AE" title="四個婚禮一個葬禮">四个婚礼一个葬礼</a>》相比较的评价<a href="#cite_note-Higson-2011-21">[21]</a>:158。最终整个<a href="/wiki/%E6%AC%A7%E6%B4%B2" title="欧洲">欧洲</a>有上千万人观看了这部电影<a href="#cite_note-Higson-2004-22">[22]</a>:65。影片的全球总票房达到1亿3458万2776美元<a href="#cite_note-boxofficemojooverview-66">[66]</a>，对于一部成本仅为1600万美元的古装片来说无疑获得了商业上的成功<a href="#cite_note-Mills-2009-19">[19]</a>:72<a href="#cite_note-Higson-2004-22">[22]</a>:35，也是1990年代所有奥斯汀作品改编电影中的票房<a href="/wiki/%E5%86%A0%E8%BB%8D" title="冠軍">冠军</a><a href="#cite_note-Higson-2004-22">[22]</a>:44。 <div class="mw-heading mw-heading2"><h2 id="反响">反响</h2>[<a href="/w/index.php?title=%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7_(%E9%9B%BB%E5%BD%B1)&action=edit&section=16" title="编辑章节：反响">编辑</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r64637320"><div class="quotebox" style="float: right; clear: right; margin: 0.5em 0 0.8em 1.4em;width:30em; padding: 6px; border: 1px solid #aaa; font-size: 88%; background-color: #FFFFF0;"><div class="" style="position: relative; text-align: left;">“这部《理智与情感》已经盖上了李安典型的内敛导演风格不可磨灭的印章……虽然这个埃莉诺比人们期待的要老一些，但艾玛·汤普森还是成功发掘出了这个角色感人的脆弱性，而在去年的处女作《罪孽天使》有过如此抢眼表现的凯特·温丝莱特，也完美在捕捉到了玛丽安理想化的浪漫受到背叛时的困惑。”</div><cite style="display: block;text-align: right;">——迈克尔·德怀尔（Michael Dwyer），《<a href="/wiki/%E7%88%B1%E5%B0%94%E5%85%B0%E6%97%B6%E6%8A%A5" title="爱尔兰时报">爱尔兰时报</a>》<a href="#cite_note-71">[71]</a></cite></div> 《理智与情感》获得了影评人压倒性的好评。根据<a href="/wiki/%E7%83%82%E8%95%83%E8%8C%84" class="mw-redirect" title="烂蕃茄">烂蕃茄</a>上收集的52篇专业评论文章，其中有51篇给出了“新鲜”的正面评价，“新鲜度”98%，平均得分7.9（最高10分）<a href="#cite_note-tomatoes-72">[72]</a>；而在<a href="/wiki/Metacritic" title="Metacritic">Metacritic</a>上收集的21篇评论文章则全部给出好评，综合评分84（最高100）<a href="#cite_note-73">[73]</a>。影片还登上了超过100个影评人或媒体评选的年度十大佳片榜单<a href="#cite_note-tcmfmiller-18">[18]</a>。《<a href="/wiki/%E7%BB%BC%E8%89%BA" class="mw-redirect" title="综艺">综艺</a>》杂志的托德·麦卡锡（Todd McCarthy）认为，影片的成功与“众演员的纯熟演技”，以及选择李安作为导演的决定密不可分。他在评论中指出，虽然李安之前在社会和世代性传统的戏剧化冲突方面表现出的才能不容质疑，但他在本片中的表现已经远远超出了任何人的预期，而且很可能可以与<a href="/wiki/%E7%9F%B3%E9%BB%91%E4%B8%80%E9%9B%84" title="石黑一雄">石黑一雄</a>写作《<a href="/wiki/%E9%95%BF%E6%97%A5%E5%B0%86%E5%B0%BD" class="mw-redirect" title="长日将尽">长日将尽</a>》相提并论。<a href="#cite_note-74">[74]</a> 《<a href="/wiki/%E6%97%A7%E9%87%91%E5%B1%B1%E7%BA%AA%E4%BA%8B%E6%8A%A5" title="旧金山纪事报">旧金山纪事报</a>》的米克·拉萨尔（Mick LaSalle）称赞了影片中的紧迫感，“让一个不起眼的18世纪家庭面临的问题显得既直接又私人”<a href="#cite_note-sfgate-75">[75]</a>。拉萨尔总结认为，这部改编作品在“讽刺和温馨中找到了恰当的平衡”，影片在理解和情感上都非常清晰，镜头中带着一种从未被要求过需要做到的优雅<a href="#cite_note-sfgate-75">[75]</a>。影评人约翰·西蒙（John Simon）对本片推崇倍至，并特别注重于汤普森的表演，不过他批评了格兰特的表现有些“太装可爱……他在银幕上的人物形象急需管教，别再老像头<a href="/wiki/%E5%96%AE%E5%B3%B0%E9%A7%B1%E9%A7%9D" title="單峰駱駝">单峰骆驼</a>那样拱起肩膀了”<a href="#cite_note-Simon-2005-76">[76]</a>。 《<a href="/wiki/%E5%91%A8%E6%97%A5%E9%83%B5%E5%A0%B1" class="mw-redirect" title="周日郵報">周日邮报</a>》的威廉·利思（William Leith）称赞《理智与情感》是“一部极其尖锐、含蓄、巧妙、迷人的电影”，比电视短剧《傲慢与偏见》更加优秀。他还特别表扬了演员们的表现，称格兰特“纯熟”地扮演了自己的角色，哈丽特·瓦尔特也成功传达出了那种出人意料的尖酸刻薄<a href="#cite_note-77">[77]</a>。加尔·卡尔（Jarr Carr）在《<a href="/wiki/%E6%B3%A2%E5%A3%AB%E9%A0%93%E7%92%B0%E7%90%83%E5%A0%B1" title="波士頓環球報">波士顿环球报</a>》（The Boston Globe）上发表的文章中称，李安“精确地把握住了奥斯汀尖锐的社会观察和浓郁的讽刺意味”，他还认为汤普森和温丝莱特在年龄方面与原著人物的出入是表现理智与情感分别的一个积极因素<a href="#cite_note-78">[78]</a>。《<a href="/wiki/%E5%B9%BF%E6%92%AD%E6%97%B6%E6%8A%A5" title="广播时报">广播时报</a>》的大卫·帕金森（David Parkinson）也同样欣赏李安的导演能力，称赞他避免了把许多英国古装片变得低俗的巧克力盒式视觉效果，“给这个两姐妹的故事带来令人耳目一新的真实感，让艾玛·汤普森赢得奥斯卡奖肯定的剧本得到充分的发挥”<a href="#cite_note-RadioTimesreview-79">[79]</a>。 <div class="mw-heading mw-heading3"><h3 id="获奖和提名">获奖和提名</h3>[<a href="/w/index.php?title=%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7_(%E9%9B%BB%E5%BD%B1)&action=edit&section=17" title="编辑章节：获奖和提名">编辑</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r85100532"><div role="note" class="hatnote navigation-not-searchable">主条目：<a href="/wiki/%E7%90%86%E6%99%BA%E4%B8%8E%E6%83%85%E6%84%9F%E8%8E%B7%E5%A5%96%E5%88%97%E8%A1%A8" class="mw-redirect" title="理智与情感获奖列表">理智与情感获奖列表</a></div> 在1990年代出品的所有奥斯汀小说改编作品中，《理智与情感》得到了好莱坞最大程度的肯定<a href="#cite_note-Parrill-3">[3]</a>:4。影片在第68届奥斯卡金像奖角逐中获得了最佳影片、女主角（艾玛·汤普森）、<a href="/wiki/%E5%A5%A5%E6%96%AF%E5%8D%A1%E6%9C%80%E4%BD%B3%E5%A5%B3%E9%85%8D%E8%A7%92%E5%A5%96" title="奥斯卡最佳女配角奖">女配角</a>（凯特·温丝莱特）、原著改编、<a href="/wiki/%E5%A5%A7%E6%96%AF%E5%8D%A1%E6%9C%80%E4%BD%B3%E5%8E%9F%E5%89%B5%E9%85%8D%E6%A8%82%E7%8D%8E" class="mw-redirect" title="奧斯卡最佳原創配樂獎">原创配乐（正剧类）</a>、<a href="/wiki/%E5%A5%A7%E6%96%AF%E5%8D%A1%E6%9C%80%E4%BD%B3%E6%94%9D%E5%BD%B1%E7%8D%8E" title="奧斯卡最佳攝影獎">摄影</a>、服装设计共7项提名，最终为汤普森赢得了原著改编奖<a href="#cite_note-80">[80]</a>，之前还因《霍华德庄园》获女主角奖的汤普森因此成为截止<a href="/wiki/%E7%AC%AC86%E5%B1%86%E5%A5%A7%E6%96%AF%E5%8D%A1%E9%87%91%E5%83%8F%E7%8D%8E" title="第86屆奧斯卡金像獎">2014年</a>唯一一位获得过奥斯卡表演和编剧类奖项的电影人<a href="#cite_note-81">[81]</a><a href="#cite_note-82">[82]</a>。影片还在第49届英国电影学院奖角逐中赢得了11项提名，最终获得了<a href="/wiki/%E8%8B%B1%E5%9B%BD%E7%94%B5%E5%BD%B1%E5%AD%A6%E9%99%A2%E5%A5%96%E6%9C%80%E4%BD%B3%E5%BD%B1%E7%89%87" class="mw-redirect" title="英国电影学院奖最佳影片">最佳影片</a>、<a href="/wiki/%E8%8B%B1%E5%9C%8B%E9%9B%BB%E5%BD%B1%E5%AD%B8%E9%99%A2%E7%8D%8E%E6%9C%80%E4%BD%B3%E5%A5%B3%E4%B8%BB%E8%A7%92" title="英國電影學院獎最佳女主角">女主角</a>（汤普森）和女配角（温丝莱特）三项大奖<a href="#cite_note-83">[83]</a>，并在<a href="/wiki/%E7%AC%AC46%E5%B1%8A%E6%9F%8F%E6%9E%97%E7%94%B5%E5%BD%B1%E8%8A%82" class="mw-redirect" title="第46届柏林电影节">第46届柏林电影节</a>上夺得<a href="/wiki/%E9%87%91%E7%86%8A%E5%A5%96" title="金熊奖">金熊奖</a><a href="#cite_note-Berlinale-84">[84]</a>，李安因此成为首位两次获金熊奖的导演<a href="#cite_note-RadioTimesreview-79">[79]</a>。 虽然本片在多个国际大奖上有所斩获，但李安却没能得到<a href="/wiki/%E5%A5%A5%E6%96%AF%E5%8D%A1%E6%9C%80%E4%BD%B3%E5%AF%BC%E6%BC%94%E5%A5%96" title="奥斯卡最佳导演奖">奥斯卡最佳导演奖</a>和<a href="/wiki/%E9%87%91%E7%90%83%E7%8D%8E%E6%9C%80%E4%BD%B3%E5%B0%8E%E6%BC%94%E7%8D%8E" class="mw-redirect" title="金球獎最佳導演獎">金球奖最佳导演奖</a>提名。學者<a href="/wiki/%E5%8F%B2%E6%9B%B8%E7%BE%8E" title="史書美">史書美</a>和<a href="/wiki/%E8%AE%B0%E8%80%85" class="mw-redirect" title="记者">记者</a>克拉伦斯·佩奇（Clarence Page）都将这一怠慢归咎于好莱坞针对李安和所有<a href="/wiki/%E5%8D%8E%E8%AF%AD%E7%94%B5%E5%BD%B1" class="mw-redirect" title="华语电影">华語电影</a>存在的<a href="/wiki/%E7%A7%8D%E6%97%8F%E6%AD%A7%E8%A7%86" class="mw-redirect" title="种族歧视">种族歧视</a><a href="#cite_note-Shih-2007-85">[85]</a>:57<a href="#cite_note-86">[86]</a>。李安本人则希望事情低调过去，不要将自己被疏漏一事发展成丑闻，并特别要求台湾媒体不要将其上升为“国家级课题”，表示自己在被迫当成国家的代表时需要承受更大的压力<a href="#cite_note-Shih-2007-85">[85]</a>:59。 <div class="mw-heading mw-heading2"><h2 id="影响">影响</h2>[<a href="/w/index.php?title=%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7_(%E9%9B%BB%E5%BD%B1)&action=edit&section=18" title="编辑章节：影响">编辑</a>]</div> 《理智与情感》是继1940年的《<a href="/wiki/%E5%82%B2%E6%85%A2%E4%B8%8E%E5%81%8F%E8%A7%81_(1940%E5%B9%B4%E7%94%B5%E5%BD%B1)" title="傲慢与偏见 (1940年电影)">傲慢与偏见</a>》以来第一部根据奥斯汀小说改编的英语古装电影，两者相隔了超过50年时间<a href="#cite_note-Higson-2011-21">[21]</a>:125<a href="#cite_note-Parrill-3">[3]</a>:5。1995年也成为奥斯汀作品人气复苏的一年，《理智与情感》和《傲慢与偏见》两部影视改编作品都获得了评论和商业上的成功<a href="#cite_note-Higson-2004-22">[22]</a>:38<a href="#cite_note-87">[87]</a>。与1995年鲜为人知的<a href="/wiki/%E7%94%B5%E8%A7%86%E7%94%B5%E5%BD%B1" class="mw-redirect" title="电视电影">电视电影</a>《劝导》相比，本片和《傲慢与偏见》的关注度要高得多，之后两年里也有了更多的奥斯汀小说改编作品问世<a href="#cite_note-Greenfield-2001-88">[88]</a>:1。从1995到1996年共计诞生了6部奥斯汀原著改编的影视作品<a href="#cite_note-Parrill-3">[3]</a>:5。这些作品的拍摄又令其中描绘的许多标志性建筑和地点人气急升<a href="#cite_note-Parrill-3">[3]</a>:43，对此学者苏·帕瑞尔（Sue Parrill）称，这部地方立即就成为了观众渴望的目标<a href="#cite_note-Parrill-3">[3]</a>:6。 《理智与情感》在美国院线上映时，《<a href="/w/index.php?title=%E5%9F%8E%E5%B8%82%E4%B8%8E%E4%B9%A1%E6%9D%91&action=edit&redlink=1" class="new" title="城市与乡村（页面不存在）">城市与乡村</a>》（Town & Country）发表了一篇题为《简·奥斯汀的英格兰》（Jane Austen's England）的文章，其中专门对片中出现的景点和遗址加以介绍。制片公司发布的新闻书籍和汤普森发表的剧本和拍摄日记中都列出了影片所有拍摄地点，对<a href="/wiki/%E6%97%85%E6%B8%B8%E4%B8%9A" class="mw-redirect" title="旅游业">旅游业</a>产生了积极作用。例如萨尔特伦宅第在影片上映期间游客人数上涨了57个百分点<a href="#cite_note-Higson-2004-22">[22]</a>:42<a href="#cite_note-Higson-2011-21">[21]</a>:149-150。1996年，北美地区简·奥斯汀协会的会员人数激增了50%<a href="#cite_note-Greenfield-2001-88">[88]</a>:2。《理智与情感》和《傲慢与偏见》的人气令<a href="/wiki/%E8%8B%B1%E5%9B%BD%E5%B9%BF%E6%92%AD%E5%85%AC%E5%8F%B8" title="英国广播公司">英国广播公司</a>与<a href="/wiki/%E7%8D%A8%E7%AB%8B%E9%9B%BB%E8%A6%96%E5%8F%B0" class="mw-disambig" title="獨立電視台">独立电视台</a>将其1970年代到1980年代摄制的奥斯汀作品改编电视节目制作成<a href="/wiki/DVD" title="DVD">DVD</a>重新发行<a href="#cite_note-Troost-2007-31">[31]</a>:75。 1990年代中期已有四部奥斯汀的小说改编成了影视节目，所以这位作家的其他作品也就没有恰当的机遇获得这样的待遇。安德鲁·希格森认为，这些改编作品给浪漫喜剧和古装片带来了“各种各样的接班人”，其中都有着强势的女性角色，这其中的范例包括<a href="/wiki/1997%E5%B9%B4%E7%94%B5%E5%BD%B1" title="1997年电影">1997年</a>的《黛洛维夫人》（Mrs Dalloway）和《<a href="/wiki/%E5%B8%83%E6%9C%97%E5%A4%AB%E4%BA%BA" title="布朗夫人">布朗夫人</a>》（Mrs. Brown），<a href="/wiki/1998%E5%B9%B4%E7%94%B5%E5%BD%B1" title="1998年电影">1998年</a>的《<a href="/wiki/%E6%81%8B%E7%88%B1%E4%B8%AD%E7%9A%84%E8%8E%8E%E5%A3%AB%E6%AF%94%E4%BA%9A" class="mw-redirect" title="恋爱中的莎士比亚">恋爱中的莎士比亚</a>》以及<a href="/wiki/2001%E5%B9%B4%E7%94%B5%E5%BD%B1" title="2001年电影">2001年</a>的《<a href="/wiki/BJ%E5%96%AE%E8%BA%AB%E6%97%A5%E8%A8%98" class="mw-redirect" title="BJ單身日記">BJ单身日记</a>》<a href="#cite_note-Higson-2011-21">[21]</a>:158-159。2008年，《傲慢与偏见》的编剧<a href="/wiki/%E5%AE%89%E5%BE%B7%E9%B2%81%C2%B7%E6%88%B4%E7%BB%B4%E6%96%AF" class="mw-disambig" title="安德鲁·戴维斯">安德鲁·戴维斯</a>将《理智与情感》改编为同名电视迷你剧。与李安的作品相比，该剧包含有原著小说中存在，但汤普森剧本中去除的情节，如威洛比勾引伊丽莎以及他和布兰登的决斗。其中的演员也与原著中角色的年龄更为接近。<a href="#cite_note-89">[89]</a> 本片的人气一直保持到了21世纪。2004年，路易丝·弗莱文称赞这部1995年的电影是“最受欢迎的奥斯汀作品改编电影”<a href="#cite_note-Flavin-2004-54">[54]</a>:42；2008年，《<a href="/wiki/%E7%8D%A8%E7%AB%8B%E5%A0%B1_(%E8%8B%B1%E5%9C%8B)" title="獨立報 (英國)">独立报</a>》将影片在史上所有奥斯汀改编作品排名第三，称赞李安这部引人注目的电影提供了一个局外人尖锐的洞察力，而且艾玛·汤普森也给予埃莉诺一个迷人的转变，成为一个更老练、更懂事的达什伍德家姐字辈<a href="#cite_note-90">[90]</a>。记者佐伊·威廉姆斯（Zoe Williams）称赞李安是奥斯汀知名度的最大功臣，她在2007年的一篇文章中表示，《理智与情感》是奥斯汀电影中的权威<a href="#cite_note-91">[91]</a>。2011年，《<a href="/wiki/%E5%8D%AB%E6%8A%A5" class="mw-redirect" title="卫报">卫报</a>》影评人保罗·莱蒂（Paul Laity）将本片列为他最喜欢的电影，称赞了其“卓越的剧本”和“干净利落的”表现<a href="#cite_note-92">[92]</a>。 <div class="mw-heading mw-heading2"><h2 id="参考资料">参考资料</h2>[<a href="/w/index.php?title=%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7_(%E9%9B%BB%E5%BD%B1)&action=edit&section=19" title="编辑章节：参考资料">编辑</a>]</div> <div class="reflist references-column-width" style="-moz-column-width: 30em; -webkit-column-width: 30em; column-width: 30em; list-style-type: decimal;"> <ol class="references"> <li id="cite_note-1"><a href="#cite_ref-1">^</a> <cite class="citation web"><a rel="nofollow" class="external text" href="http://www.bbfc.co.uk/releases/sense-and-sensibility-1970-7">'Sense and Sensibility' (PG)</a>. British Board of Film Classification. 1995-12-15 [2014-01-21]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20131029215052/http://www.bbfc.co.uk/releases/sense-and-sensibility-1970-7">存档</a>于2013-10-29）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.btitle=%27Sense+and+Sensibility%27+%28PG%29&rft.date=1995-12-15&rft.genre=unknown&rft.pub=British+Board+of+Film+Classification&rft_id=http%3A%2F%2Fwww.bbfc.co.uk%2Freleases%2Fsense-and-sensibility-1970-7&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-ctdoran-2">^ <a href="#cite_ref-ctdoran_2-0">2.0</a> <a href="#cite_ref-ctdoran_2-1">2.1</a> <a href="#cite_ref-ctdoran_2-2">2.2</a> <a href="#cite_ref-ctdoran_2-3">2.3</a> <cite class="citation news">Mills, Nancy. <a rel="nofollow" class="external text" href="http://articles.chicagotribune.com/1996-03-17/features/9603170023_1_sense-and-sensibility-jane-austen-lindsay-doran">Book sense; Lindsay Doran kept her sites on bringing 'Sense And Sensibility' to the screen</a>. Chicago Tribune. 1996-03-17 [2014-01-25]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20131017135511/http://articles.chicagotribune.com/1996-03-17/features/9603170023_1_sense-and-sensibility-jane-austen-lindsay-doran">存档</a>于2013-10-17）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Book+sense%3B+Lindsay+Doran+kept+her+sites+on+bringing+%27Sense+And+Sensibility%27+to+the+screen&rft.aufirst=Nancy&rft.aulast=Mills&rft.date=1996-03-17&rft.genre=article&rft.jtitle=Chicago+Tribune&rft_id=http%3A%2F%2Farticles.chicagotribune.com%2F1996-03-17%2Ffeatures%2F9603170023_1_sense-and-sensibility-jane-austen-lindsay-doran&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-Parrill-3">^ <a href="#cite_ref-Parrill_3-0">3.00</a> <a href="#cite_ref-Parrill_3-1">3.01</a> <a href="#cite_ref-Parrill_3-2">3.02</a> <a href="#cite_ref-Parrill_3-3">3.03</a> <a href="#cite_ref-Parrill_3-4">3.04</a> <a href="#cite_ref-Parrill_3-5">3.05</a> <a href="#cite_ref-Parrill_3-6">3.06</a> <a href="#cite_ref-Parrill_3-7">3.07</a> <a href="#cite_ref-Parrill_3-8">3.08</a> <a href="#cite_ref-Parrill_3-9">3.09</a> <a href="#cite_ref-Parrill_3-10">3.10</a> <a href="#cite_ref-Parrill_3-11">3.11</a> <a href="#cite_ref-Parrill_3-12">3.12</a> <a href="#cite_ref-Parrill_3-13">3.13</a> <cite id="CITEREFParrill2002" class="citation book">Parrill, Sue. <a rel="nofollow" class="external text" href="http://books.google.com/books/about/Jane_Austen_on_Film_and_Television.html?id=l6dsN6KfXUkC">Jane Austen on Film and Television: A Critical Study of the Adaptations</a>. McFarland & Company, Inc., Publishers. 2002 [2014-01-25]. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/0-7864-1349-2" title="Special:网络书源/0-7864-1349-2">ISBN 0-7864-1349-2</a>. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20200817142149/https://books.google.com/books/about/Jane_Austen_on_Film_and_Television.html?id=l6dsN6KfXUkC">存档</a>于2020-08-17）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.aufirst=Sue&rft.aulast=Parrill&rft.btitle=Jane+Austen+on+Film+and+Television%3A+A+Critical+Study+of+the+Adaptations&rft.date=2002&rft.genre=book&rft.isbn=0-7864-1349-2&rft.pub=McFarland+%26+Company%2C+Inc.%2C+Publishers&rft_id=http%3A%2F%2Fbooks.google.com%2Fbooks%2Fabout%2FJane_Austen_on_Film_and_Television.html%3Fid%3Dl6dsN6KfXUkC&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-Dole-4">^ <a href="#cite_ref-Dole_4-0">4.0</a> <a href="#cite_ref-Dole_4-1">4.1</a> <a href="#cite_ref-Dole_4-2">4.2</a> <a href="#cite_ref-Dole_4-3">4.3</a> <a href="#cite_ref-Dole_4-4">4.4</a> <cite class="citation book">Dole, Carole M. Austen, Class, and the American Market. Troost, Linda; Greenfield, Sayre N (编). <a rel="nofollow" class="external text" href="http://books.google.com/books?id=nqf_Wj2Wwx4C&pg=PA58&lpg=PA58&dq=Jane+Austen+in+Hollywood+%22film+reviewers+have+struggled%22&source=bl&ots=XKT6y0BfT_&sig=Dt3eBlit6iwUF7UgizTGS6a0zGI&hl=en&sa=X&ei=tHZHUq3yC7CWyAGK9IGIBQ&ved=0CC4Q6AEwAA#v=onepage&q=Jane%20Austen%20in%20Hollywood%20%22film%20reviewers%20have%20struggled%22&f=false">Jane Austen in Hollywood</a>. University Press of Kentucky. 2001 [2014-01-26]. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/978-0-8131-9006-8" title="Special:网络书源/978-0-8131-9006-8">ISBN 978-0-8131-9006-8</a>. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20140627014530/http://books.google.com/books?id=nqf_Wj2Wwx4C&pg=PA58&lpg=PA58&dq=Jane+Austen+in+Hollywood+%22film+reviewers+have+struggled%22&source=bl&ots=XKT6y0BfT_&sig=Dt3eBlit6iwUF7UgizTGS6a0zGI&hl=en&sa=X&ei=tHZHUq3yC7CWyAGK9IGIBQ&ved=0CC4Q6AEwAA#v=onepage&q=Jane%20Austen%20in%20Hollywood%20%22film%20reviewers%20have%20struggled%22&f=false">存档</a>于2014-06-27）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Austen%2C+Class%2C+and+the+American+Market&rft.aufirst=Carole+M&rft.aulast=Dole&rft.btitle=Jane+Austen+in+Hollywood&rft.date=2001&rft.genre=bookitem&rft.isbn=978-0-8131-9006-8&rft.pub=University+Press+of+Kentucky&rft_id=http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dnqf_Wj2Wwx4C%26pg%3DPA58%26lpg%3DPA58%26dq%3DJane%2BAusten%2Bin%2BHollywood%2B%2522film%2Breviewers%2Bhave%2Bstruggled%2522%26source%3Dbl%26ots%3DXKT6y0BfT_%26sig%3DDt3eBlit6iwUF7UgizTGS6a0zGI%26hl%3Den%26sa%3DX%26ei%3DtHZHUq3yC7CWyAGK9IGIBQ%26ved%3D0CC4Q6AEwAA%23v%3Donepage%26q%3DJane%2520Austen%2520in%2520Hollywood%2520%2522film%2520reviewers%2520have%2520struggled%2522%26f%3Dfalse&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-Stempel-5">^ <a href="#cite_ref-Stempel_5-0">5.0</a> <a href="#cite_ref-Stempel_5-1">5.1</a> <a href="#cite_ref-Stempel_5-2">5.2</a> <a href="#cite_ref-Stempel_5-3">5.3</a> <a href="#cite_ref-Stempel_5-4">5.4</a> <cite class="citation book">Stempel, Tom. <a rel="nofollow" class="external text" href="http://books.google.com/books/about/Framework.html?id=mqrS414JAK4C">Framework: A History of Screenwriting in the American Film</a>. Syracuse University Press. 2000 [2014-01-26]. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/0-8156-0654-0" title="Special:网络书源/0-8156-0654-0">ISBN 0-8156-0654-0</a>. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20200817135215/https://books.google.com/books/about/Framework.html?id=mqrS414JAK4C">存档</a>于2020-08-17）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.aufirst=Tom&rft.aulast=Stempel&rft.btitle=Framework%3A+A+History+of+Screenwriting+in+the+American+Film&rft.date=2000&rft.genre=book&rft.isbn=0-8156-0654-0&rft.pub=Syracuse+University+Press&rft_id=http%3A%2F%2Fbooks.google.com%2Fbooks%2Fabout%2FFramework.html%3Fid%3DmqrS414JAK4C&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-Doran-6">^ <a href="#cite_ref-Doran_6-0">6.0</a> <a href="#cite_ref-Doran_6-1">6.1</a> <a href="#cite_ref-Doran_6-2">6.2</a> <a href="#cite_ref-Doran_6-3">6.3</a> <a href="#cite_ref-Doran_6-4">6.4</a> <a href="#cite_ref-Doran_6-5">6.5</a> <a href="#cite_ref-Doran_6-6">6.6</a> <cite class="citation book">Doran, Lindsay. Introduction. Doran, Lindsay; Thompson, Emma (编). <a rel="nofollow" class="external text" href="https://archive.org/details/sensesensibility0000thom_h5o4">Sense and Sensibility: The Screenplay and Diaries</a>. Bloomsbury. 1995. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/1-55704-782-0" title="Special:网络书源/1-55704-782-0">ISBN 1-55704-782-0</a>.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Introduction&rft.aufirst=Lindsay&rft.aulast=Doran&rft.btitle=Sense+and+Sensibility%3A+The+Screenplay+and+Diaries&rft.date=1995&rft.genre=bookitem&rft.isbn=1-55704-782-0&rft.pub=Bloomsbury&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fsensesensibility0000thom_h5o4&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-Dobie-7"><a href="#cite_ref-Dobie_7-0">^</a> <cite class="citation book">Dobie, Madeleine. Gender and the Heritage Film: Popular Feminism Turns to History. Suzanne Rodin Pucci, James Thompson (编). <a rel="nofollow" class="external text" href="http://books.google.com/books?id=nl67fAANN_4C&pg=PA247&lpg=PA247&dq=Jane+Austen+and+Co.:+Remaking+the+Past+in+Contemporary+Culture+%22over+the+past+decade+or+so%22&source=bl&ots=5s3BKtBGdu&sig=kmtm6-gWQWXVH6FOLG7vUARANHo&hl=en&sa=X&ei=y3RHUqDeA6GbygHYwIDICw&ved=0CDoQ6AEwAQ#v=onepage&q=Jane%20Austen%20and%20Co.%3A%20Remaking%20the%20Past%20in%20Contemporary%20Culture%20%22over%20the%20past%20decade%20or%20so%22&f=false">Jane Austen and Co: Remaking the Past in Contemporary Culture</a>. State University of New York Press. 2003: 249 [2014-01-26]. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/0-7914-5616-1" title="Special:网络书源/0-7914-5616-1">ISBN 0-7914-5616-1</a>. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20140627021417/http://books.google.com/books?id=nl67fAANN_4C&pg=PA247&lpg=PA247&dq=Jane+Austen+and+Co.:+Remaking+the+Past+in+Contemporary+Culture+%22over+the+past+decade+or+so%22&source=bl&ots=5s3BKtBGdu&sig=kmtm6-gWQWXVH6FOLG7vUARANHo&hl=en&sa=X&ei=y3RHUqDeA6GbygHYwIDICw&ved=0CDoQ6AEwAQ#v=onepage&q=Jane%20Austen%20and%20Co.%3A%20Remaking%20the%20Past%20in%20Contemporary%20Culture%20%22over%20the%20past%20decade%20or%20so%22&f=false">存档</a>于2014-06-27）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Gender+and+the+Heritage+Film%3A+Popular+Feminism+Turns+to+History&rft.aufirst=Madeleine&rft.aulast=Dobie&rft.btitle=Jane+Austen+and+Co%3A+Remaking+the+Past+in+Contemporary+Culture&rft.date=2003&rft.genre=bookitem&rft.isbn=0-7914-5616-1&rft.pages=249&rft.pub=State+University+of+New+York+Press&rft_id=http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dnl67fAANN_4C%26pg%3DPA247%26lpg%3DPA247%26dq%3DJane%2BAusten%2Band%2BCo.%3A%2BRemaking%2Bthe%2BPast%2Bin%2BContemporary%2BCulture%2B%2522over%2Bthe%2Bpast%2Bdecade%2Bor%2Bso%2522%26source%3Dbl%26ots%3D5s3BKtBGdu%26sig%3Dkmtm6-gWQWXVH6FOLG7vUARANHo%26hl%3Den%26sa%3DX%26ei%3Dy3RHUqDeA6GbygHYwIDICw%26ved%3D0CDoQ6AEwAQ%23v%3Donepage%26q%3DJane%2520Austen%2520and%2520Co.%253A%2520Remaking%2520the%2520Past%2520in%2520Contemporary%2520Culture%2520%2522over%2520the%2520past%2520decade%2520or%2520so%2522%26f%3Dfalse&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-dailybeastlunch-8">^ <a href="#cite_ref-dailybeastlunch_8-0">8.0</a> <a href="#cite_ref-dailybeastlunch_8-1">8.1</a> <a href="#cite_ref-dailybeastlunch_8-2">8.2</a> <a href="#cite_ref-dailybeastlunch_8-3">8.3</a> <a href="#cite_ref-dailybeastlunch_8-4">8.4</a> <a href="#cite_ref-dailybeastlunch_8-5">8.5</a> <a href="#cite_ref-dailybeastlunch_8-6">8.6</a> <cite class="citation news"><a rel="nofollow" class="external text" href="http://www.newsweek.com/jane-austen-does-lunch-180432">Jane Austen does lunch</a>. The Daily Beast. 1995-12-17 [2014-01-26]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20140121125526/http://www.newsweek.com/jane-austen-does-lunch-180432">存档</a>于2014-01-21）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Jane+Austen+does+lunch&rft.date=1995-12-17&rft.genre=article&rft.jtitle=The+Daily+Beast&rft_id=http%3A%2F%2Fwww.newsweek.com%2Fjane-austen-does-lunch-180432&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-chicagotribune1-9"><a href="#cite_ref-chicagotribune1_9-0">^</a> <cite class="citation news">Leydon, Joe. <a rel="nofollow" class="external text" href="http://articles.chicagotribune.com/1996-01-05/entertainment/9601050033_1_sensibility-interviews-journalists">Thompson sees a lot of sense in Jane Austen's sensibilities</a>. Chicago Tribune. 1996-01-05 [2014-01-26]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20131017231940/http://articles.chicagotribune.com/1996-01-05/entertainment/9601050033_1_sensibility-interviews-journalists">存档</a>于2013-10-17）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Thompson+sees+a+lot+of+sense+in+Jane+Austen%27s+sensibilities&rft.aufirst=Joe&rft.aulast=Leydon&rft.date=1996-01-05&rft.genre=article&rft.jtitle=Chicago+Tribune&rft_id=http%3A%2F%2Farticles.chicagotribune.com%2F1996-01-05%2Fentertainment%2F9601050033_1_sensibility-interviews-journalists&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-HuffPostNannyMcPhee-10">^ <a href="#cite_ref-HuffPostNannyMcPhee_10-0">10.0</a> <a href="#cite_ref-HuffPostNannyMcPhee_10-1">10.1</a> <a href="#cite_ref-HuffPostNannyMcPhee_10-2">10.2</a> <cite class="citation news">Silverstein, Melissa. <a rel="nofollow" class="external text" href="http://www.huffingtonpost.com/melissa-silverstein/interview-with-lindsay-do_b_692344.html">Interview with Lindsay Doran: Producer Nanny McPhee returns</a>. The Huffington Post. 2010-08-24 [2014-01-26]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20131026044651/http://www.huffingtonpost.com/melissa-silverstein/interview-with-lindsay-do_b_692344.html">存档</a>于2013-10-26）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Interview+with+Lindsay+Doran%3A+Producer+Nanny+McPhee+returns&rft.aufirst=Melissa&rft.aulast=Silverstein&rft.date=2010-08-24&rft.genre=article&rft.jtitle=The+Huffington+Post&rft_id=http%3A%2F%2Fwww.huffingtonpost.com%2Fmelissa-silverstein%2Finterview-with-lindsay-do_b_692344.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-Thompson-1995-11">^ <a href="#cite_ref-Thompson-1995_11-0">11.00</a> <a href="#cite_ref-Thompson-1995_11-1">11.01</a> <a href="#cite_ref-Thompson-1995_11-2">11.02</a> <a href="#cite_ref-Thompson-1995_11-3">11.03</a> <a href="#cite_ref-Thompson-1995_11-4">11.04</a> <a href="#cite_ref-Thompson-1995_11-5">11.05</a> <a href="#cite_ref-Thompson-1995_11-6">11.06</a> <a href="#cite_ref-Thompson-1995_11-7">11.07</a> <a href="#cite_ref-Thompson-1995_11-8">11.08</a> <a href="#cite_ref-Thompson-1995_11-9">11.09</a> <a href="#cite_ref-Thompson-1995_11-10">11.10</a> <a href="#cite_ref-Thompson-1995_11-11">11.11</a> <a href="#cite_ref-Thompson-1995_11-12">11.12</a> <a href="#cite_ref-Thompson-1995_11-13">11.13</a> <a href="#cite_ref-Thompson-1995_11-14">11.14</a> <a href="#cite_ref-Thompson-1995_11-15">11.15</a> <a href="#cite_ref-Thompson-1995_11-16">11.16</a> <a href="#cite_ref-Thompson-1995_11-17">11.17</a> <a href="#cite_ref-Thompson-1995_11-18">11.18</a> <a href="#cite_ref-Thompson-1995_11-19">11.19</a> <a href="#cite_ref-Thompson-1995_11-20">11.20</a> <a href="#cite_ref-Thompson-1995_11-21">11.21</a> <a href="#cite_ref-Thompson-1995_11-22">11.22</a> <a href="#cite_ref-Thompson-1995_11-23">11.23</a> <a href="#cite_ref-Thompson-1995_11-24">11.24</a> <a href="#cite_ref-Thompson-1995_11-25">11.25</a> <a href="#cite_ref-Thompson-1995_11-26">11.26</a> <a href="#cite_ref-Thompson-1995_11-27">11.27</a> <a href="#cite_ref-Thompson-1995_11-28">11.28</a> <a href="#cite_ref-Thompson-1995_11-29">11.29</a> <a href="#cite_ref-Thompson-1995_11-30">11.30</a> <a href="#cite_ref-Thompson-1995_11-31">11.31</a> <cite class="citation book">Thompson, Emma. The Diaries. Doran, Lindsay; Thompson, Emma (编). <a rel="nofollow" class="external text" href="https://archive.org/details/sensesensibility0000thom_h5o4">Sense and Sensibility: The Screenplay and Diaries</a>. Bloomsbury. 1995. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/1-55704-782-0" title="Special:网络书源/1-55704-782-0">ISBN 1-55704-782-0</a>.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=The+Diaries&rft.aufirst=Emma&rft.aulast=Thompson&rft.btitle=Sense+and+Sensibility%3A+The+Screenplay+and+Diaries&rft.date=1995&rft.genre=bookitem&rft.isbn=1-55704-782-0&rft.pub=Bloomsbury&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fsensesensibility0000thom_h5o4&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-Thompson-Doran-1995-12">^ <a href="#cite_ref-Thompson-Doran-1995_12-0">12.00</a> <a href="#cite_ref-Thompson-Doran-1995_12-1">12.01</a> <a href="#cite_ref-Thompson-Doran-1995_12-2">12.02</a> <a href="#cite_ref-Thompson-Doran-1995_12-3">12.03</a> <a href="#cite_ref-Thompson-Doran-1995_12-4">12.04</a> <a href="#cite_ref-Thompson-Doran-1995_12-5">12.05</a> <a href="#cite_ref-Thompson-Doran-1995_12-6">12.06</a> <a href="#cite_ref-Thompson-Doran-1995_12-7">12.07</a> <a href="#cite_ref-Thompson-Doran-1995_12-8">12.08</a> <a href="#cite_ref-Thompson-Doran-1995_12-9">12.09</a> <a href="#cite_ref-Thompson-Doran-1995_12-10">12.10</a> <a href="#cite_ref-Thompson-Doran-1995_12-11">12.11</a> <a href="#cite_ref-Thompson-Doran-1995_12-12">12.12</a> <a href="#cite_ref-Thompson-Doran-1995_12-13">12.13</a> <a href="#cite_ref-Thompson-Doran-1995_12-14">12.14</a> <a href="#cite_ref-Thompson-Doran-1995_12-15">12.15</a> <a href="#cite_ref-Thompson-Doran-1995_12-16">12.16</a> <a href="#cite_ref-Thompson-Doran-1995_12-17">12.17</a> <cite class="citation AV media">Thompson, Emma; Lindsay Doran. Audio commentary for Sense and Sensibility (DVD). Special Features: Columbia Pictures. 1995.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.btitle=Audio+commentary+for+Sense+and+Sensibility&rft.date=1995&rft.genre=unknown&rft.place=Special+Features&rft.pub=Columbia+Pictures&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-13"><a href="#cite_ref-13">^</a> <cite class="citation news">Rickey, Carrie. <a rel="nofollow" class="external text" href="http://www.post-gazette.com/stories/ae/movies/emma-thompson-on-child-rearing-screenwriting-and-acting-260719/">Emma Thompson on child rearing, screenwriting and acting</a>. The Philadelphia Inquirer. 2010-08-23 [2014-01-27]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20130921053831/http://www.post-gazette.com/stories/ae/movies/emma-thompson-on-child-rearing-screenwriting-and-acting-260719/">存档</a>于2013-09-21）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Emma+Thompson+on+child+rearing%2C+screenwriting+and+acting&rft.aufirst=Carrie&rft.aulast=Rickey&rft.date=2010-08-23&rft.genre=article&rft.jtitle=The+Philadelphia+Inquirer&rft_id=http%3A%2F%2Fwww.post-gazette.com%2Fstories%2Fae%2Fmovies%2Femma-thompson-on-child-rearing-screenwriting-and-acting-260719%2F&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-14"><a href="#cite_ref-14">^</a> <cite class="citation news">Welsh, Jim. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140611025654/http://www.highbeam.com/doc/1P3-1308993761.html">A sensible screenplay</a>. Literature/Film Quarterly. 1996-01-01 [2014-01-27]. （<a rel="nofollow" class="external text" href="http://www.highbeam.com/doc/1P3-1308993761.html">原始内容</a>存档于2014-06-11） –通过HighBeam Research.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=A+sensible+screenplay&rft.aufirst=Jim&rft.aulast=Welsh&rft.date=1996-01-01&rft.genre=article&rft.jtitle=Literature%2FFilm+Quarterly&rft_id=http%3A%2F%2Fwww.highbeam.com%2Fdoc%2F1P3-1308993761.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988"> <img alt="需付费查阅" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/9px-Lock-red-alt.svg.png" decoding="async" width="9" height="14" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/14px-Lock-red-alt.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/18px-Lock-red-alt.svg.png 2x" data-file-width="512" data-file-height="813" /> </li> <li id="cite_note-EWinterview-15">^ <a href="#cite_ref-EWinterview_15-0">15.0</a> <a href="#cite_ref-EWinterview_15-1">15.1</a> <a href="#cite_ref-EWinterview_15-2">15.2</a> <a href="#cite_ref-EWinterview_15-3">15.3</a> <a href="#cite_ref-EWinterview_15-4">15.4</a> <a href="#cite_ref-EWinterview_15-5">15.5</a> <cite class="citation news">Thompson, Anne. <a rel="nofollow" class="external text" href="http://www.ew.com/ew/article/0,,299930,00.html">Emma Thompson: Write for the part</a>. Entertainment Weekly. 1995-12-15 [2014-01-27]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20130925121715/http://www.ew.com/ew/article/0%2C%2C299930%2C00.html">存档</a>于2013-09-25）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Emma+Thompson%3A+Write+for+the+part&rft.aufirst=Anne&rft.aulast=Thompson&rft.date=1995-12-15&rft.genre=article&rft.jtitle=Entertainment+Weekly&rft_id=http%3A%2F%2Fwww.ew.com%2Few%2Farticle%2F0%2C%2C299930%2C00.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-FOOTNOTEThompsonDoran199501:33:25-01:33:49-16"><a href="#cite_ref-FOOTNOTEThompsonDoran199501:33:25-01:33:49_16-0">^</a> <a href="#CITEREFThompsonDoran1995">Thompson & Doran 1995</a>，01:33:25-01:33:49. sfn模板錯誤: 無指向目標: CITEREFThompsonDoran1995 (<a href="/wiki/Category:%E5%90%AB%E6%9C%89%E5%93%88%E4%BD%9B%E5%8F%82%E8%80%83%E6%96%87%E7%8C%AE%E6%A0%BC%E5%BC%8F%E7%B3%BB%E5%88%97%E6%A8%A1%E6%9D%BF%E9%93%BE%E6%8E%A5%E6%8C%87%E5%90%91%E9%94%99%E8%AF%AF%E7%9A%84%E9%A1%B5%E9%9D%A2" title="Category:含有哈佛参考文献格式系列模板链接指向错误的页面">幫助</a>) </li> <li id="cite_note-Gay-17">^ <a href="#cite_ref-Gay_17-0">17.0</a> <a href="#cite_ref-Gay_17-1">17.1</a> <a href="#cite_ref-Gay_17-2">17.2</a> <a href="#cite_ref-Gay_17-3">17.3</a> <a href="#cite_ref-Gay_17-4">17.4</a> <a href="#cite_ref-Gay_17-5">17.5</a> <cite class="citation book">Gay, Penny. Sense and Sensibility in a Post-Feminist world: Sisterhood is Still Powerful. MacDonald, Gina; MacDonald, Andrew (编). <a rel="nofollow" class="external text" href="http://books.google.com/books?id=JYkMbaYAKMoC&pg=PA90&lpg=PA90&dq=Jane+Austen+on+Screen+penny+gay&source=bl&ots=5ZQ_VwxCFw&sig=lD6h3BkH_5ync7tbeHgos7QIU70&hl=en&sa=X&ei=dHdHUrimBLOLyQH_s4CQBA&ved=0CEgQ6AEwAw#v=onepage&q=Jane%20Austen%20on%20Screen%20penny%20gay&f=false">Jane Austen on Screen</a>. Cambridge University Press. 2003 [2014-01-27]. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/0-521-79325-4" title="Special:网络书源/0-521-79325-4">ISBN 0-521-79325-4</a>. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20140627022808/http://books.google.com/books?id=JYkMbaYAKMoC&pg=PA90&lpg=PA90&dq=Jane+Austen+on+Screen+penny+gay&source=bl&ots=5ZQ_VwxCFw&sig=lD6h3BkH_5ync7tbeHgos7QIU70&hl=en&sa=X&ei=dHdHUrimBLOLyQH_s4CQBA&ved=0CEgQ6AEwAw#v=onepage&q=Jane%20Austen%20on%20Screen%20penny%20gay&f=false">存档</a>于2014-06-27）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Sense+and+Sensibility+in+a+Post-Feminist+world%3A+Sisterhood+is+Still+Powerful&rft.aufirst=Penny&rft.aulast=Gay&rft.btitle=Jane+Austen+on+Screen&rft.date=2003&rft.genre=bookitem&rft.isbn=0-521-79325-4&rft.pub=Cambridge+University+Press&rft_id=http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DJYkMbaYAKMoC%26pg%3DPA90%26lpg%3DPA90%26dq%3DJane%2BAusten%2Bon%2BScreen%2Bpenny%2Bgay%26source%3Dbl%26ots%3D5ZQ_VwxCFw%26sig%3DlD6h3BkH_5ync7tbeHgos7QIU70%26hl%3Den%26sa%3DX%26ei%3DdHdHUrimBLOLyQH_s4CQBA%26ved%3D0CEgQ6AEwAw%23v%3Donepage%26q%3DJane%2520Austen%2520on%2520Screen%2520penny%2520gay%26f%3Dfalse&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-tcmfmiller-18">^ <a href="#cite_ref-tcmfmiller_18-0">18.0</a> <a href="#cite_ref-tcmfmiller_18-1">18.1</a> <a href="#cite_ref-tcmfmiller_18-2">18.2</a> <a href="#cite_ref-tcmfmiller_18-3">18.3</a> <a href="#cite_ref-tcmfmiller_18-4">18.4</a> <a href="#cite_ref-tcmfmiller_18-5">18.5</a> <a href="#cite_ref-tcmfmiller_18-6">18.6</a> <a href="#cite_ref-tcmfmiller_18-7">18.7</a> <a href="#cite_ref-tcmfmiller_18-8">18.8</a> <cite class="citation web">Miller, Frank. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130701174531/http://www.tcm.com/this-month/article/62625%7C0/Sense-and-Sensibility.html">Sense and Sensibility</a>. Turner Classic Movies. [2014-01-27]. （<a rel="nofollow" class="external text" href="http://www.tcm.com/this-month/article/62625%7C0/Sense-and-Sensibility.html">原始内容</a>存档于2013-07-01）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.aufirst=Frank&rft.aulast=Miller&rft.btitle=Sense+and+Sensibility&rft.genre=unknown&rft.pub=Turner+Classic+Movies&rft_id=http%3A%2F%2Fwww.tcm.com%2Fthis-month%2Farticle%2F62625%257C0%2FSense-and-Sensibility.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-Mills-2009-19">^ <a href="#cite_ref-Mills-2009_19-0">19.0</a> <a href="#cite_ref-Mills-2009_19-1">19.1</a> <a href="#cite_ref-Mills-2009_19-2">19.2</a> <a href="#cite_ref-Mills-2009_19-3">19.3</a> <a href="#cite_ref-Mills-2009_19-4">19.4</a> <a href="#cite_ref-Mills-2009_19-5">19.5</a> <a href="#cite_ref-Mills-2009_19-6">19.6</a> <a href="#cite_ref-Mills-2009_19-7">19.7</a> <a href="#cite_ref-Mills-2009_19-8">19.8</a> <cite class="citation book">Mills, Clifford W. <a rel="nofollow" class="external text" href="http://books.google.com/books/about/Ang_Lee.html?id=jOZB0khbgY4C">Ang Lee</a>. Chelsea House Publishers. 2009 [2014-01-27]. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/1-60413-566-2" title="Special:网络书源/1-60413-566-2">ISBN 1-60413-566-2</a>. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20200817125056/https://books.google.com/books/about/Ang_Lee.html?id=jOZB0khbgY4C">存档</a>于2020-08-17）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.aufirst=Clifford+W.&rft.aulast=Mills&rft.btitle=Ang+Lee&rft.date=2009&rft.genre=book&rft.isbn=1-60413-566-2&rft.pub=Chelsea+House+Publishers&rft_id=http%3A%2F%2Fbooks.google.com%2Fbooks%2Fabout%2FAng_Lee.html%3Fid%3DjOZB0khbgY4C&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-Kerr-20">^ <a href="#cite_ref-Kerr_20-0">20.0</a> <a href="#cite_ref-Kerr_20-1">20.1</a> <a href="#cite_ref-Kerr_20-2">20.2</a> <a href="#cite_ref-Kerr_20-3">20.3</a> <a href="#cite_ref-Kerr_20-4">20.4</a> <cite class="citation news">Kerr, Sarah. <a rel="nofollow" class="external text" href="http://books.google.com/books?id=MuECAAAAMBAJ&pg=PA44&dq=sense+and+sensibility+emma+thompson#v=onepage&q=sense%20and%20sensibility&f=false">Sense and sensitivity</a>. New York. 1996-04-01 [2014-01-27]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20140627022735/http://books.google.com/books?id=MuECAAAAMBAJ&pg=PA44&dq=sense+and+sensibility+emma+thompson#v=onepage&q=sense%20and%20sensibility&f=false">存档</a>于2014-06-27）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Sense+and+sensitivity&rft.aufirst=Sarah&rft.aulast=Kerr&rft.date=1996-04-01&rft.genre=article&rft.jtitle=New+York&rft_id=http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DMuECAAAAMBAJ%26pg%3DPA44%26dq%3Dsense%2Band%2Bsensibility%2Bemma%2Bthompson%23v%3Donepage%26q%3Dsense%2520and%2520sensibility%26f%3Dfalse&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-Higson-2011-21">^ <a href="#cite_ref-Higson-2011_21-0">21.00</a> <a href="#cite_ref-Higson-2011_21-1">21.01</a> <a href="#cite_ref-Higson-2011_21-2">21.02</a> <a href="#cite_ref-Higson-2011_21-3">21.03</a> <a href="#cite_ref-Higson-2011_21-4">21.04</a> <a href="#cite_ref-Higson-2011_21-5">21.05</a> <a href="#cite_ref-Higson-2011_21-6">21.06</a> <a href="#cite_ref-Higson-2011_21-7">21.07</a> <a href="#cite_ref-Higson-2011_21-8">21.08</a> <a href="#cite_ref-Higson-2011_21-9">21.09</a> <a href="#cite_ref-Higson-2011_21-10">21.10</a> <a href="#cite_ref-Higson-2011_21-11">21.11</a> <a href="#cite_ref-Higson-2011_21-12">21.12</a> <a href="#cite_ref-Higson-2011_21-13">21.13</a> <a href="#cite_ref-Higson-2011_21-14">21.14</a> <a href="#cite_ref-Higson-2011_21-15">21.15</a> <a href="#cite_ref-Higson-2011_21-16">21.16</a> <a href="#cite_ref-Higson-2011_21-17">21.17</a> <a href="#cite_ref-Higson-2011_21-18">21.18</a> <a href="#cite_ref-Higson-2011_21-19">21.19</a> <a href="#cite_ref-Higson-2011_21-20">21.20</a> <a href="#cite_ref-Higson-2011_21-21">21.21</a> <cite class="citation book">Higson, Andrew. <a rel="nofollow" class="external text" href="https://archive.org/details/filmenglandcultu0000higs">Film England: Culturally English Filmmaking Since the 1990s</a>. I.B. Tauris. 2011. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/1-84885-454-4" title="Special:网络书源/1-84885-454-4">ISBN 1-84885-454-4</a>.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.aufirst=Andrew&rft.aulast=Higson&rft.btitle=Film+England%3A+Culturally+English+Filmmaking+Since+the+1990s&rft.date=2011&rft.genre=book&rft.isbn=1-84885-454-4&rft.pub=I.B.+Tauris&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Ffilmenglandcultu0000higs&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-Higson-2004-22">^ <a href="#cite_ref-Higson-2004_22-0">22.00</a> <a href="#cite_ref-Higson-2004_22-1">22.01</a> <a href="#cite_ref-Higson-2004_22-2">22.02</a> <a href="#cite_ref-Higson-2004_22-3">22.03</a> <a href="#cite_ref-Higson-2004_22-4">22.04</a> <a href="#cite_ref-Higson-2004_22-5">22.05</a> <a href="#cite_ref-Higson-2004_22-6">22.06</a> <a href="#cite_ref-Higson-2004_22-7">22.07</a> <a href="#cite_ref-Higson-2004_22-8">22.08</a> <a href="#cite_ref-Higson-2004_22-9">22.09</a> <cite class="citation book">Higson, Andrew. English Heritage, English Literature, English Cinema: Selling Jane Austen to Movie Audiences in the 1990s. Voigts-Virchow, Eckart (编). <a rel="nofollow" class="external text" href="http://books.google.com/books?id=DwMSx3q9Z4gC&pg=PA35&lpg=PA35&dq=Janespotting+and+Beyond:+British+Heritage+%22easy+game+to+play%22&source=bl&ots=uVTuJWCMOL&sig=_ZVeAWj0g3kT7FPHyxq_k0pxkDY&hl=en&sa=X&ei=fX1HUojsI_GgyQGo3oGYCA&ved=0CDAQ6AEwAA#v=onepage&q=Janespotting%20and%20Beyond%3A%20British%20Heritage%20%22easy%20game%20to%20play%22&f=false">Janespotting and Beyond: British Heritage Retrovisions Since the Mid-1990s</a>. Gunter Narr Verlag Tubingen. 2004: 35–50 [2014-01-27]. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/3-8233-6096-5" title="Special:网络书源/3-8233-6096-5">ISBN 3-8233-6096-5</a>. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20131104035326/http://books.google.com/books?id=DwMSx3q9Z4gC&pg=PA35&lpg=PA35&dq=Janespotting+and+Beyond:+British+Heritage+%22easy+game+to+play%22&source=bl&ots=uVTuJWCMOL&sig=_ZVeAWj0g3kT7FPHyxq_k0pxkDY&hl=en&sa=X&ei=fX1HUojsI_GgyQGo3oGYCA&ved=0CDAQ6AEwAA#v=onepage&q=Janespotting%20and%20Beyond%3A%20British%20Heritage%20%22easy%20game%20to%20play%22&f=false">存档</a>于2013-11-04）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=English+Heritage%2C+English+Literature%2C+English+Cinema%3A+Selling+Jane+Austen+to+Movie+Audiences+in+the+1990s&rft.aufirst=Andrew&rft.aulast=Higson&rft.btitle=Janespotting+and+Beyond%3A+British+Heritage+Retrovisions+Since+the+Mid-1990s&rft.date=2004&rft.genre=bookitem&rft.isbn=3-8233-6096-5&rft.pages=35-50&rft.pub=Gunter+Narr+Verlag+Tubingen&rft_id=http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DDwMSx3q9Z4gC%26pg%3DPA35%26lpg%3DPA35%26dq%3DJanespotting%2Band%2BBeyond%3A%2BBritish%2BHeritage%2B%2522easy%2Bgame%2Bto%2Bplay%2522%26source%3Dbl%26ots%3DuVTuJWCMOL%26sig%3D_ZVeAWj0g3kT7FPHyxq_k0pxkDY%26hl%3Den%26sa%3DX%26ei%3DfX1HUojsI_GgyQGo3oGYCA%26ved%3D0CDAQ6AEwAA%23v%3Donepage%26q%3DJanespotting%2520and%2520Beyond%253A%2520British%2520Heritage%2520%2522easy%2520game%2520to%2520play%2522%26f%3Dfalse&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-HarpersBazaar-23">^ <a href="#cite_ref-HarpersBazaar_23-0">23.0</a> <a href="#cite_ref-HarpersBazaar_23-1">23.1</a> <cite class="citation news">Stock, Francine. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130317183313/http://www.harpersbazaar.co.uk/going-out/who-what-where/in-conversation-with-ang-lee">In conversation with Ang Lee</a>. Harper's Bazaar. 2013-01-21 [2014-01-27]. （<a rel="nofollow" class="external text" href="http://www.harpersbazaar.co.uk/going-out/who-what-where/in-conversation-with-ang-lee">原始内容</a>存档于2013-03-17）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=In+conversation+with+Ang+Lee&rft.aufirst=Francine&rft.aulast=Stock&rft.date=2013-01-21&rft.genre=article&rft.jtitle=Harper%27s+Bazaar&rft_id=http%3A%2F%2Fwww.harpersbazaar.co.uk%2Fgoing-out%2Fwho-what-where%2Fin-conversation-with-ang-lee&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-Oscars1993-24"><a href="#cite_ref-Oscars1993_24-0">^</a> <cite class="citation news"><a rel="nofollow" class="external text" href="http://www.oscars.org/awards/academyawards/legacy/ceremony/65th-winners.html">The 65th Academy Awards (1993) Nominees and Winners</a>. Academy of Motion Picture Arts and Sciences (AMPAS). [2013-12-24]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20131224030023/http://www.oscars.org/awards/academyawards/legacy/ceremony/65th-winners.html">存档</a>于2013-12-24）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=The+65th+Academy+Awards+%281993%29+Nominees+and+Winners&rft.genre=article&rft.jtitle=%27%27Academy+of+Motion+Picture+Arts+and+Sciences%27%27&rft_id=http%3A%2F%2Fwww.oscars.org%2Fawards%2Facademyawards%2Flegacy%2Fceremony%2F65th-winners.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-telegraph1-25"><a href="#cite_ref-telegraph1_25-0">^</a> <cite class="citation news">Roberts, Laura. <a rel="nofollow" class="external text" href="http://www.telegraph.co.uk/culture/culturenews/8205611/British-actresses-who-made-their-name-starring-in-Jane-Austen-adaptations.html">British actresses who made their name starring in Jane Austen adaptations</a>. The Daily Telegraph. 2010-12-16 [2014-01-27]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20110124034755/http://www.telegraph.co.uk/culture/culturenews/8205611/British-actresses-who-made-their-name-starring-in-Jane-Austen-adaptations.html">存档</a>于2011-01-24）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=British+actresses+who+made+their+name+starring+in+Jane+Austen+adaptations&rft.aufirst=Laura&rft.aulast=Roberts&rft.date=2010-12-16&rft.genre=article&rft.jtitle=The+Daily+Telegraph&rft_id=http%3A%2F%2Fwww.telegraph.co.uk%2Fculture%2Fculturenews%2F8205611%2FBritish-actresses-who-made-their-name-starring-in-Jane-Austen-adaptations.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-26"><a href="#cite_ref-26">^</a> <cite class="citation news">Gerrard, Nicci. <a rel="nofollow" class="external text" href="https://www.theguardian.com/theobserver/2000/may/07/features.magazine37">Going straight</a>. The Guardian. 2000-05-06 [2014-01-27]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20131219135814/http://www.theguardian.com/theobserver/2000/may/07/features.magazine37">存档</a>于2013-12-19）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Going+straight&rft.aufirst=Nicci&rft.aulast=Gerrard&rft.date=2000-05-06&rft.genre=article&rft.jtitle=The+Guardian&rft_id=http%3A%2F%2Fwww.theguardian.com%2Ftheobserver%2F2000%2Fmay%2F07%2Ffeatures.magazine37&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-27"><a href="#cite_ref-27">^</a> <cite class="citation news">Gilbert, Matthew. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140611025913/http://www.highbeam.com/doc/1P2-8326853.html">Hugh Grant: The Englishman who went up the Hollywood mountain and came down a star</a>. The Boston Globe. 1995-05-07 [2014-01-28]. （<a rel="nofollow" class="external text" href="http://www.highbeam.com/doc/1P2-8326853.html">原始内容</a>存档于2014-06-11） –通过HighBeam Research.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Hugh+Grant%3A+The+Englishman+who+went+up+the+Hollywood+mountain+and+came+down+a+star&rft.aufirst=Matthew&rft.aulast=Gilbert&rft.date=1995-05-07&rft.genre=article&rft.jtitle=The+Boston+Globe&rft_id=http%3A%2F%2Fwww.highbeam.com%2Fdoc%2F1P2-8326853.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988"> <img alt="需付费查阅" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/9px-Lock-red-alt.svg.png" decoding="async" width="9" height="14" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/14px-Lock-red-alt.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/18px-Lock-red-alt.svg.png 2x" data-file-width="512" data-file-height="813" /> </li> <li id="cite_note-28"><a href="#cite_ref-28">^</a> <cite class="citation news">Henley, Jon. <a rel="nofollow" class="external text" href="https://www.theguardian.com/film/2008/sep/15/television.celebrity">Less is more</a>. The Guardian. 2008-09-14 [2014-01-28]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20140128101325/http://www.theguardian.com/film/2008/sep/15/television.celebrity">存档</a>于2014-01-28）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Less+is+more&rft.aufirst=Jon&rft.aulast=Henley&rft.date=2008-09-14&rft.genre=article&rft.jtitle=The+Guardian&rft_id=http%3A%2F%2Fwww.theguardian.com%2Ffilm%2F2008%2Fsep%2F15%2Ftelevision.celebrity&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-29"><a href="#cite_ref-29">^</a> <cite class="citation news">Tweedie, Neil. <a rel="nofollow" class="external text" href="http://www.telegraph.co.uk/news/features/3638019/Greg-Wise-talks-about-acting-and-life-with-Emma-Thompson.html">Greg Wise talks about acting and life with Emma Thompson</a>. The Daily Telegraph. 2008-09-20 [2014-01-28]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20111231164411/http://www.telegraph.co.uk/news/features/3638019/Greg-Wise-talks-about-acting-and-life-with-Emma-Thompson.html">存档</a>于2013-12-31）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Greg+Wise+talks+about+acting+and+life+with+Emma+Thompson&rft.aufirst=Neil&rft.aulast=Tweedie&rft.date=2008-09-20&rft.genre=article&rft.jtitle=The+Daily+Telegraph&rft_id=http%3A%2F%2Fwww.telegraph.co.uk%2Fnews%2Ffeatures%2F3638019%2FGreg-Wise-talks-about-acting-and-life-with-Emma-Thompson.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-30"><a href="#cite_ref-30">^</a> <cite class="citation web"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20140128102818/http://ftvdb.bfi.org.uk/sift/title/512957?view=cast">Sense and Sensibility (1995)</a>. British Film Institute. [2014-01-28]. （<a rel="nofollow" class="external text" href="http://ftvdb.bfi.org.uk/sift/title/512957?view=cast">原始内容</a>存档于2014-01-28）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.btitle=Sense+and+Sensibility+%281995%29&rft.genre=unknown&rft.pub=British+Film+Institute&rft_id=http%3A%2F%2Fftvdb.bfi.org.uk%2Fsift%2Ftitle%2F512957%3Fview%3Dcast&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-Troost-2007-31">^ <a href="#cite_ref-Troost-2007_31-0">31.0</a> <a href="#cite_ref-Troost-2007_31-1">31.1</a> <a href="#cite_ref-Troost-2007_31-2">31.2</a> <a href="#cite_ref-Troost-2007_31-3">31.3</a> <a href="#cite_ref-Troost-2007_31-4">31.4</a> <a href="#cite_ref-Troost-2007_31-5">31.5</a> <a href="#cite_ref-Troost-2007_31-6">31.6</a> <cite class="citation book">Troost, Linda V. The Nineteenth-century Novel on Film: Jane Austen. Cartmell, Deborah; Whelehan, Imelda (编). <a rel="nofollow" class="external text" href="https://archive.org/details/cambridgecompani00cart">The Cambridge Companion to Literature on Screen</a>. Cambridge University Press. 2007: <a rel="nofollow" class="external text" href="https://archive.org/details/cambridgecompani00cart/page/75">75</a>-89. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/978-0-521-61486-3" title="Special:网络书源/978-0-521-61486-3">ISBN 978-0-521-61486-3</a>.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=The+Nineteenth-century+Novel+on+Film%3A+Jane+Austen&rft.aufirst=Linda+V&rft.aulast=Troost&rft.btitle=The+Cambridge+Companion+to+Literature+on+Screen&rft.date=2007&rft.genre=bookitem&rft.isbn=978-0-521-61486-3&rft.pages=75-89&rft.pub=Cambridge+University+Press&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fcambridgecompani00cart&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-Nadoolman_Landis-2012-32"><a href="#cite_ref-Nadoolman_Landis-2012_32-0">^</a> <cite class="citation book">Nadoolman Landis, Deborah. Filmcraft: Costume Design: Costume Design. Focal Press. 2012. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/978-0-240-81867-2" title="Special:网络书源/978-0-240-81867-2">ISBN 978-0-240-81867-2</a>.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.aufirst=Deborah&rft.aulast=Nadoolman+Landis&rft.btitle=Filmcraft%3A+Costume+Design%3A+Costume+Design&rft.date=2012&rft.genre=book&rft.isbn=978-0-240-81867-2&rft.pub=Focal+Press&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-33"><a href="#cite_ref-33">^</a> <cite class="citation news">Gritten, David. <a rel="nofollow" class="external text" href="http://search.proquest.com/docview/321309053?accountid=14756">Why we should love and leave the world of Merchant Ivory</a>. The Daily Telegraph. 2006-03-25 [2014-01-28].</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Why+we+should+love+and+leave+the+world+of+Merchant+Ivory&rft.aufirst=David&rft.aulast=Gritten&rft.date=2006-03-25&rft.genre=article&rft.jtitle=The+Daily+Telegraph&rft_id=http%3A%2F%2Fsearch.proquest.com%2Fdocview%2F321309053%3Faccountid%3D14756&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988"> <img alt="需付费查阅" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/9px-Lock-red-alt.svg.png" decoding="async" width="9" height="14" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/14px-Lock-red-alt.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/18px-Lock-red-alt.svg.png 2x" data-file-width="512" data-file-height="813" /> </li> <li id="cite_note-34"><a href="#cite_ref-34">^</a> <cite class="citation news">Roberts, Kathaleen. <a rel="nofollow" class="external text" href="http://search.proquest.com/docview/324476672?accountid=14756">Clothes make the movies: 'Fashion in Film' showcases outstanding period costumes</a>. Albuquerque Journal. 2008-10-12 [2014-01-28].</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Clothes+make+the+movies%3A+%27Fashion+in+Film%27+showcases+outstanding+period+costumes&rft.aufirst=Kathaleen&rft.aulast=Roberts&rft.date=2008-10-12&rft.genre=article&rft.jtitle=Albuquerque+Journal&rft_id=http%3A%2F%2Fsearch.proquest.com%2Fdocview%2F324476672%3Faccountid%3D14756&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988"> <img alt="需付费查阅" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/9px-Lock-red-alt.svg.png" decoding="async" width="9" height="14" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/14px-Lock-red-alt.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/18px-Lock-red-alt.svg.png 2x" data-file-width="512" data-file-height="813" /> </li> <li id="cite_note-LATimesFashion-35">^ <a href="#cite_ref-LATimesFashion_35-0">35.0</a> <a href="#cite_ref-LATimesFashion_35-1">35.1</a> <a href="#cite_ref-LATimesFashion_35-2">35.2</a> <a href="#cite_ref-LATimesFashion_35-3">35.3</a> <a href="#cite_ref-LATimesFashion_35-4">35.4</a> <cite class="citation news">Goodwin, Betty. <a rel="nofollow" class="external text" href="http://search.proquest.com/docview/293222193?accountid=14756">Fashion / Screen style</a>. Los Angeles Times. 1995-12-15 [2014-01-28].</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Fashion+%2F+Screen+style&rft.aufirst=Betty&rft.aulast=Goodwin&rft.date=1995-12-15&rft.genre=article&rft.jtitle=Los+Angeles+Times&rft_id=http%3A%2F%2Fsearch.proquest.com%2Fdocview%2F293222193%3Faccountid%3D14756&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988"> <img alt="需付费查阅" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/9px-Lock-red-alt.svg.png" decoding="async" width="9" height="14" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/14px-Lock-red-alt.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/18px-Lock-red-alt.svg.png 2x" data-file-width="512" data-file-height="813" /> </li> <li id="cite_note-36"><a href="#cite_ref-36">^</a> <cite class="citation web"><a rel="nofollow" class="external text" href="http://search.proquest.com/docview/293206028?accountid=14756">The 68th Academy Award nominations</a>. Los Angeles Times. 1996-02-14 [2014-01-28].</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=The+68th+Academy+Award+nominations&rft.date=1996-02-14&rft.genre=unknown&rft.jtitle=Los+Angeles+Times&rft_id=http%3A%2F%2Fsearch.proquest.com%2Fdocview%2F293206028%3Faccountid%3D14756&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988"> <img alt="需付费查阅" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/9px-Lock-red-alt.svg.png" decoding="async" width="9" height="14" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/14px-Lock-red-alt.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/18px-Lock-red-alt.svg.png 2x" data-file-width="512" data-file-height="813" /> </li> <li id="cite_note-Oscars1996-37"><a href="#cite_ref-Oscars1996_37-0">^</a> <cite class="citation web"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20131014180250/http://www.oscars.org/awards/academyawards/legacy/ceremony/68th-winners.html">The 68th Academy Awards (1996) Nominees and Winners</a>. Academy of Motion Picture Arts and Sciences. AMPAS. [2013-10-17]. （<a rel="nofollow" class="external text" href="http://www.oscars.org/awards/academyawards/legacy/ceremony/68th-winners.html">原始内容</a>存档于2013-10-14）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=The+68th+Academy+Awards+%281996%29+Nominees+and+Winners&rft.genre=unknown&rft.jtitle=%27%27Academy+of+Motion+Picture+Arts+and+Sciences%27%27&rft_id=http%3A%2F%2Fwww.oscars.org%2Fawards%2Facademyawards%2Flegacy%2Fceremony%2F68th-winners.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-AsianWeek-38">^ <a href="#cite_ref-AsianWeek_38-0">38.0</a> <a href="#cite_ref-AsianWeek_38-1">38.1</a> <a href="#cite_ref-AsianWeek_38-2">38.2</a> <a href="#cite_ref-AsianWeek_38-3">38.3</a> <a href="#cite_ref-AsianWeek_38-4">38.4</a> <a href="#cite_ref-AsianWeek_38-5">38.5</a> <a href="#cite_ref-AsianWeek_38-6">38.6</a> <cite class="citation news">Warren, Michael. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140611025759/http://www.highbeam.com/doc/1P1-2359450.html">Ang Lee on a roll: The director of The Wedding Banquet and Eat Drink</a>. AsianWeek. 1995-09-22 [2014-01-28]. （<a rel="nofollow" class="external text" href="http://www.highbeam.com/doc/1P1-2359450.html">原始内容</a>存档于2014-06-11） –通过HighBeam Research.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Ang+Lee+on+a+roll%3A+The+director+of+The+Wedding+Banquet+and+Eat+Drink&rft.aufirst=Michael&rft.aulast=Warren&rft.date=1995-09-22&rft.genre=article&rft.jtitle=AsianWeek&rft_id=http%3A%2F%2Fwww.highbeam.com%2Fdoc%2F1P1-2359450.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988"> <img alt="需付费查阅" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/9px-Lock-red-alt.svg.png" decoding="async" width="9" height="14" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/14px-Lock-red-alt.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/18px-Lock-red-alt.svg.png 2x" data-file-width="512" data-file-height="813" /> </li> <li id="cite_note-LADNyinyang-39">^ <a href="#cite_ref-LADNyinyang_39-0">39.0</a> <a href="#cite_ref-LADNyinyang_39-1">39.1</a> <cite class="citation news">Dawes, Amy. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140611025849/http://www.highbeam.com/doc/1P2-25029678.html">Remaking the classics director, cast find yin, yang in Austen tale</a>. Los Angeles Daily News. 1995-12-13 [2014-01-28]. （<a rel="nofollow" class="external text" href="http://www.highbeam.com/doc/1P2-25029678.html">原始内容</a>存档于2014-06-11） –通过HighBeam Research.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Remaking+the+classics+director%2C+cast+find+yin%2C+yang+in+Austen+tale&rft.aufirst=Amy&rft.aulast=Dawes&rft.date=1995-12-13&rft.genre=article&rft.jtitle=Los+Angeles+Daily+News&rft_id=http%3A%2F%2Fwww.highbeam.com%2Fdoc%2F1P2-25029678.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-40"><a href="#cite_ref-40">^</a> <cite class="citation news">Lyall, Sarah. <a rel="nofollow" class="external text" href="http://www.nytimes.com/2006/11/05/movies/moviesspecial/05lyal.html?_r=0">Beauty is much less than skin deep</a>. The New York Times. 2006-11-05 [2014-01-28]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20140128140048/http://www.nytimes.com/2006/11/05/movies/moviesspecial/05lyal.html?_r=0">存档</a>于2014-01-28）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Beauty+is+much+less+than+skin+deep&rft.aufirst=Sarah&rft.aulast=Lyall&rft.date=2006-11-05&rft.genre=article&rft.jtitle=The+New+York+Times&rft_id=http%3A%2F%2Fwww.nytimes.com%2F2006%2F11%2F05%2Fmovies%2Fmoviesspecial%2F05lyal.html%3F_r%3D0&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-41"><a href="#cite_ref-41">^</a> <cite class="citation news"><a rel="nofollow" class="external text" href="https://www.theguardian.com/travel/2009/jun/07/sense-sensibility-saltram-walking-guide">The Sense and Sensibility estate, Saltram House, Devon</a>. The Guardian. 2009-06-07 [2014-01-28]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20140203163838/http://www.theguardian.com/travel/2009/jun/07/sense-sensibility-saltram-walking-guide">存档</a>于2014-02-03）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=The+Sense+and+Sensibility+estate%2C+Saltram+House%2C+Devon&rft.date=2009-06-07&rft.genre=article&rft.jtitle=The+Guardian&rft_id=http%3A%2F%2Fwww.theguardian.com%2Ftravel%2F2009%2Fjun%2F07%2Fsense-sensibility-saltram-walking-guide&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-Voigts-Virchow-2004-42"><a href="#cite_ref-Voigts-Virchow-2004_42-0">^</a> <cite class="citation book">Voigts-Virchow, Eckart. "Corset Wars": An Introduction to Syncretic Heritage Film Culture Since the Mid-1990s. Voigts-Virchow, Eckart (编). <a rel="nofollow" class="external text" href="http://books.google.com/books?id=DwMSx3q9Z4gC&pg=PA9&lpg=PA9&dq=janespotting+and+beyond+syncretic+heritage+film&source=bl&ots=uVTuJXwLMM&sig=t3DOddCEr6KcuRVHlh5BkPj28xE&hl=en&sa=X&ei=pYxHUuq8NuTYyAHQg4GAAQ&ved=0CC4Q6AEwAA#v=onepage&q=janespotting%20and%20beyond%20syncretic%20heritage%20film&f=false">Janespotting and Beyond: British Heritage Retrovisions Since the Mid-1990s</a>. Gunter Narr Verlag Tubingen. 2004: 11 [2014-01-28]. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/3-8233-6096-5" title="Special:网络书源/3-8233-6096-5">ISBN 3-8233-6096-5</a>. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20140102062553/http://books.google.com/books?id=DwMSx3q9Z4gC&pg=PA9&lpg=PA9&dq=janespotting+and+beyond+syncretic+heritage+film&source=bl&ots=uVTuJXwLMM&sig=t3DOddCEr6KcuRVHlh5BkPj28xE&hl=en&sa=X&ei=pYxHUuq8NuTYyAHQg4GAAQ&ved=0CC4Q6AEwAA#v=onepage&q=janespotting%20and%20beyond%20syncretic%20heritage%20film&f=false">存档</a>于2014-01-02）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=%22Corset+Wars%22%3A+An+Introduction+to+Syncretic+Heritage+Film+Culture+Since+the+Mid-1990s&rft.aufirst=Eckart&rft.aulast=Voigts-Virchow&rft.btitle=Janespotting+and+Beyond%3A+British+Heritage+Retrovisions+Since+the+Mid-1990s&rft.date=2004&rft.genre=bookitem&rft.isbn=3-8233-6096-5&rft.pages=11&rft.pub=Gunter+Narr+Verlag+Tubingen&rft_id=http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DDwMSx3q9Z4gC%26pg%3DPA9%26lpg%3DPA9%26dq%3Djanespotting%2Band%2Bbeyond%2Bsyncretic%2Bheritage%2Bfilm%26source%3Dbl%26ots%3DuVTuJXwLMM%26sig%3Dt3DOddCEr6KcuRVHlh5BkPj28xE%26hl%3Den%26sa%3DX%26ei%3DpYxHUuq8NuTYyAHQg4GAAQ%26ved%3D0CC4Q6AEwAA%23v%3Donepage%26q%3Djanespotting%2520and%2520beyond%2520syncretic%2520heritage%2520film%26f%3Dfalse&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-43"><a href="#cite_ref-43">^</a> <cite class="citation news">Britten, Nick. <a rel="nofollow" class="external text" href="http://www.telegraph.co.uk/news/uknews/2433499/Weddings-fall-at-Sense-and-Sensibility-church-after-bells-break.html">Weddings fall at Sense and Sensibility church after bells break</a>. The Daily Telegraph. 2010-07-18 [2014-01-28]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20140128152230/http://www.telegraph.co.uk/news/uknews/2433499/Weddings-fall-at-Sense-and-Sensibility-church-after-bells-break.html">存档</a>于2014-01-28）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Weddings+fall+at+Sense+and+Sensibility+church+after+bells+break&rft.aufirst=Nick&rft.aulast=Britten&rft.date=2010-07-18&rft.genre=article&rft.jtitle=The+Daily+Telegraph&rft_id=http%3A%2F%2Fwww.telegraph.co.uk%2Fnews%2Fuknews%2F2433499%2FWeddings-fall-at-Sense-and-Sensibility-church-after-bells-break.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-44"><a href="#cite_ref-44">^</a> <cite class="citation web"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20111226181442/http://www.nationaltrust.org.uk/main/w-global/w-localtoyou/w-devoncornwall/w-devoncornwall-places/w-devoncornwall-places-otherspecialplaces.htm">Other special places to visit</a>. National Trust for Places of Historic Interest or Natural Beauty. [2011-12-26]. （<a rel="nofollow" class="external text" href="http://www.nationaltrust.org.uk/main/w-global/w-localtoyou/w-devoncornwall/w-devoncornwall-places/w-devoncornwall-places-otherspecialplaces.htm">原始内容</a>存档于2011-12-26）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.btitle=Other+special+places+to+visit&rft.genre=unknown&rft.pub=National+Trust+for+Places+of+Historic+Interest+or+Natural+Beauty&rft_id=http%3A%2F%2Fwww.nationaltrust.org.uk%2Fmain%2Fw-global%2Fw-localtoyou%2Fw-devoncornwall%2Fw-devoncornwall-places%2Fw-devoncornwall-places-otherspecialplaces.htm&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-45"><a href="#cite_ref-45">^</a> <cite class="citation news">Rose, Steve. <a rel="nofollow" class="external text" href="https://www.theguardian.com/film/2010/jul/10/3d-film-festival-greenwich-indian">This week's new film events</a>. The Guardian. 2010-07-10 [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20140128161508/http://www.theguardian.com/film/2010/jul/10/3d-film-festival-greenwich-indian">存档</a>于2014-01-28）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=This+week%27s+new+film+events&rft.aufirst=Steve&rft.aulast=Rose&rft.date=2010-07-10&rft.genre=article&rft.jtitle=The+Guardian&rft_id=http%3A%2F%2Fwww.theguardian.com%2Ffilm%2F2010%2Fjul%2F10%2F3d-film-festival-greenwich-indian&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-chicagotimessense-46">^ <a href="#cite_ref-chicagotimessense_46-0">46.0</a> <a href="#cite_ref-chicagotimessense_46-1">46.1</a> <cite class="citation news">Webber, Brad. <a rel="nofollow" class="external text" href="http://articles.chicagotribune.com/1996-03-01/entertainment/9603010027_1_sense-and-sensibility-classical-music-patrick-doyle">Composer's classical music makes 'Sense' in movies</a>. Chicago Tribune. 1996-03-01 [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20121006054839/http://articles.chicagotribune.com/1996-03-01/entertainment/9603010027_1_sense-and-sensibility-classical-music-patrick-doyle">存档</a>于2012-10-06）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Composer%27s+classical+music+makes+%27Sense%27+in+movies&rft.aufirst=Brad&rft.aulast=Webber&rft.date=1996-03-01&rft.genre=article&rft.jtitle=Chicago+Tribune&rft_id=http%3A%2F%2Farticles.chicagotribune.com%2F1996-03-01%2Fentertainment%2F9603010027_1_sense-and-sensibility-classical-music-patrick-doyle&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-RockyMtNews-47">^ <a href="#cite_ref-RockyMtNews_47-0">47.0</a> <a href="#cite_ref-RockyMtNews_47-1">47.1</a> <cite class="citation news">Horn, John. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140611025851/http://www.highbeam.com/doc/1G1-67774405.html">Score one for the movies: composers translate plot, character and setting into Oscar-nominated music</a>. Rocky Mountain News. 1996-03-13 [2014-01-29]. （<a rel="nofollow" class="external text" href="http://www.highbeam.com/doc/1G1-67774405.html">原始内容</a>存档于2014-06-11） –通过HighBeam Research.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Score+one+for+the+movies%3A+composers+translate+plot%2C+character+and+setting+into+Oscar-nominated+music&rft.aufirst=John&rft.aulast=Horn&rft.date=1996-03-13&rft.genre=article&rft.jtitle=Rocky+Mountain+News&rft_id=http%3A%2F%2Fwww.highbeam.com%2Fdoc%2F1G1-67774405.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988"> <img alt="需付费查阅" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/9px-Lock-red-alt.svg.png" decoding="async" width="9" height="14" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/14px-Lock-red-alt.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/18px-Lock-red-alt.svg.png 2x" data-file-width="512" data-file-height="813" /> </li> <li id="cite_note-allmusic-48">^ <a href="#cite_ref-allmusic_48-0">48.0</a> <a href="#cite_ref-allmusic_48-1">48.1</a> <cite class="citation web">Carter, Darryl. <a rel="nofollow" class="external text" href="http://www.allmusic.com/album/sense-and-sensibility-mw0000646538">Sense and Sensibility – Patrick Doyle</a>. Allmusic. [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20130624014459/http://www.allmusic.com/album/sense-and-sensibility-mw0000646538">存档</a>于2013-06-13）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Sense+and+Sensibility+%E2%80%93+Patrick+Doyle&rft.aufirst=Darryl&rft.aulast=Carter&rft.genre=unknown&rft.jtitle=Allmusic&rft_id=http%3A%2F%2Fwww.allmusic.com%2Falbum%2Fsense-and-sensibility-mw0000646538&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-DenofGeekMusic-49">^ <a href="#cite_ref-DenofGeekMusic_49-0">49.0</a> <a href="#cite_ref-DenofGeekMusic_49-1">49.1</a> <cite class="citation news">Chapman, Glen. <a rel="nofollow" class="external text" href="http://www.denofgeek.us/movies/17369/music-in-the-movies-patrick-doyle">Music in the movies: Patrick Doyle</a>. Den of Geek. 2011-04-21 [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20140129030727/http://www.denofgeek.us/movies/17369/music-in-the-movies-patrick-doyle">存档</a>于2014-01-29）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Music+in+the+movies%3A+Patrick+Doyle&rft.aufirst=Glen&rft.aulast=Chapman&rft.date=2011-04-21&rft.genre=article&rft_id=http%3A%2F%2Fwww.denofgeek.us%2Fmovies%2F17369%2Fmusic-in-the-movies-patrick-doyle&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-NPRmusic-50">^ <a href="#cite_ref-NPRmusic_50-0">50.0</a> <a href="#cite_ref-NPRmusic_50-1">50.1</a> <cite class="citation news">Hansen, Liane. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140611025948/http://www.highbeam.com/doc/1P1-28473770.html">Film scores – The men who make the music – Part 2</a>. National Public Radio. 1996-03-10 [2013-04-14]. （<a rel="nofollow" class="external text" href="http://www.highbeam.com/doc/1P1-28473770.html">原始内容</a>存档于2014-06-11） –通过HighBeam Research.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Film+scores+%E2%80%93+The+men+who+make+the+music+%E2%80%93+Part+2&rft.aufirst=Liane&rft.aulast=Hansen&rft.date=1996-03-10&rft.genre=article&rft_id=http%3A%2F%2Fwww.highbeam.com%2Fdoc%2F1P1-28473770.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988"> <img alt="需付费查阅" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/9px-Lock-red-alt.svg.png" decoding="async" width="9" height="14" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/14px-Lock-red-alt.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/18px-Lock-red-alt.svg.png 2x" data-file-width="512" data-file-height="813" /> </li> <li id="cite_note-51"><a href="#cite_ref-51">^</a> <cite class="citation news">Cripps, Charlotte. <a rel="nofollow" class="external text" href="https://archive.today/20130629103713/http://www.highbeam.com/doc/1P2-8896491.html">Classical composer aims to score for charity</a>. The Independent. 2007-10-15 [14 April 2013]. （<a rel="nofollow" class="external text" href="http://www.highbeam.com/doc/1P2-8896491.html">原始内容</a>存档于2013-06-29） –通过HighBeam Research.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Classical+composer+aims+to+score+for+charity&rft.aufirst=Charlotte&rft.aulast=Cripps&rft.date=2007-10-15&rft.genre=article&rft.jtitle=The+Independent&rft_id=http%3A%2F%2Fwww.highbeam.com%2Fdoc%2F1P2-8896491.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-Stovel-2011-52">^ <a href="#cite_ref-Stovel-2011_52-0">52.0</a> <a href="#cite_ref-Stovel-2011_52-1">52.1</a> <a href="#cite_ref-Stovel-2011_52-2">52.2</a> <a href="#cite_ref-Stovel-2011_52-3">52.3</a> <a href="#cite_ref-Stovel-2011_52-4">52.4</a> <a href="#cite_ref-Stovel-2011_52-5">52.5</a> <cite class="citation journal">Stovel, Nora. <a rel="nofollow" class="external text" href="http://www.jasna.org/persuasions/on-line/vol32no1/stovel.html">From Page to Screen: Emma Thompson's Film Adaptation of Sense and Sensibility</a>. Persuasions On-Line. 2011, 32 (1) [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20130913134214/http://jasna.org/persuasions/on-line/vol32no1/stovel.html">存档</a>于2013-09-13）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=From+Page+to+Screen%3A+Emma+Thompson%27s+Film+Adaptation+of+Sense+and+Sensibility&rft.aufirst=Nora&rft.aulast=Stovel&rft.date=2011&rft.genre=article&rft.issue=1&rft.jtitle=Persuasions+On-Line&rft.volume=32&rft_id=http%3A%2F%2Fwww.jasna.org%2Fpersuasions%2Fon-line%2Fvol32no1%2Fstovel.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-53"><a href="#cite_ref-53">^</a> <cite class="citation news">Bierly, Mandi. <a rel="nofollow" class="external text" href="http://edition.cnn.com/2013/02/22/showbiz/movies/oscar-nominated-editors-ew">Oscar-nominated editors clear up the biggest category misconception</a>. Entertainment Weekly (CNN). 2013-02-22 [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20140129064547/http://edition.cnn.com/2013/02/22/showbiz/movies/oscar-nominated-editors-ew">存档</a>于2014-01-29）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Oscar-nominated+editors+clear+up+the+biggest+category+misconception&rft.aufirst=Mandi&rft.aulast=Bierly&rft.date=2013-02-22&rft.genre=article&rft.jtitle=Entertainment+Weekly&rft_id=http%3A%2F%2Fedition.cnn.com%2F2013%2F02%2F22%2Fshowbiz%2Fmovies%2Foscar-nominated-editors-ew&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-Flavin-2004-54">^ <a href="#cite_ref-Flavin-2004_54-0">54.0</a> <a href="#cite_ref-Flavin-2004_54-1">54.1</a> <a href="#cite_ref-Flavin-2004_54-2">54.2</a> <a href="#cite_ref-Flavin-2004_54-3">54.3</a> <a href="#cite_ref-Flavin-2004_54-4">54.4</a> <a href="#cite_ref-Flavin-2004_54-5">54.5</a> <cite class="citation book">Flavin, Louise. <a rel="nofollow" class="external text" href="http://books.google.com/books/about/Jane_Austen_in_the_classroom.html?id=N7JlAAAAMAAJ">Jane Austen in the Classroom: Viewing the Novel/reading the Film</a>. Peter Lang Publishing. 2004 [2014-01-29]. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/0-8204-6811-8" title="Special:网络书源/0-8204-6811-8">ISBN 0-8204-6811-8</a>. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20200817142146/https://books.google.com/books/about/Jane_Austen_in_the_classroom.html?id=N7JlAAAAMAAJ">存档</a>于2020-08-17）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.aufirst=Louise&rft.aulast=Flavin&rft.btitle=Jane+Austen+in+the+Classroom%3A+Viewing+the+Novel%2Freading+the+Film&rft.date=2004&rft.genre=book&rft.isbn=0-8204-6811-8&rft.pub=Peter+Lang+Publishing&rft_id=http%3A%2F%2Fbooks.google.com%2Fbooks%2Fabout%2FJane_Austen_in_the_classroom.html%3Fid%3DN7JlAAAAMAAJ&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-Kohler-Ryan-Palmer-2013-55">^ <a href="#cite_ref-Kohler-Ryan-Palmer-2013_55-0">55.0</a> <a href="#cite_ref-Kohler-Ryan-Palmer-2013_55-1">55.1</a> <cite class="citation book">Kohler-Ryan, Renee; Palmer, Sydney. What Do You Know of My Heart?: The Role of Sense and Sensibility in Ang Lee's Sense and Sensibility and Crouching Tiger Hidden Dragon. Arp, Robert; Barkman, Adam; McRae, James (编). <a rel="nofollow" class="external text" href="http://books.google.com/books?id=FUGX9eyt4OsC&pg=PA41&lpg=PA41&dq=The+Philosophy+of+Ang+Lee+%22glibly+states%22&source=bl&ots=2XCeNNjcbV&sig=8L9pQCbzfKfMf29LY5wNAmz9fR0&hl=en&sa=X&ei=s3VHUsqrHMecyQHzq4G4Ag&ved=0CDUQ6AEwAQ#v=onepage&q=The%20Philosophy%20of%20Ang%20Lee%20%22glibly%20states%22&f=false">The Philosophy of Ang Lee</a>. University Press of Kentucky. 2013: 41–63 [2014-01-29]. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/978-0-8131-4166-4" title="Special:网络书源/978-0-8131-4166-4">ISBN 978-0-8131-4166-4</a>. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20140413225710/http://books.google.com/books?id=FUGX9eyt4OsC&pg=PA41&lpg=PA41&dq=The+Philosophy+of+Ang+Lee+%22glibly+states%22&source=bl&ots=2XCeNNjcbV&sig=8L9pQCbzfKfMf29LY5wNAmz9fR0&hl=en&sa=X&ei=s3VHUsqrHMecyQHzq4G4Ag&ved=0CDUQ6AEwAQ#v=onepage&q=The%20Philosophy%20of%20Ang%20Lee%20%22glibly%20states%22&f=false">存档</a>于2014-04-13）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=What+Do+You+Know+of+My+Heart%3F%3A+The+Role+of+Sense+and+Sensibility+in+Ang+Lee%27s+Sense+and+Sensibility+and+Crouching+Tiger+Hidden+Dragon&rft.au=Palmer%2C+Sydney&rft.aufirst=Renee&rft.aulast=Kohler-Ryan&rft.btitle=The+Philosophy+of+Ang+Lee&rft.date=2013&rft.genre=bookitem&rft.isbn=978-0-8131-4166-4&rft.pages=41-63&rft.pub=University+Press+of+Kentucky&rft_id=http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DFUGX9eyt4OsC%26pg%3DPA41%26lpg%3DPA41%26dq%3DThe%2BPhilosophy%2Bof%2BAng%2BLee%2B%2522glibly%2Bstates%2522%26source%3Dbl%26ots%3D2XCeNNjcbV%26sig%3D8L9pQCbzfKfMf29LY5wNAmz9fR0%26hl%3Den%26sa%3DX%26ei%3Ds3VHUsqrHMecyQHzq4G4Ag%26ved%3D0CDUQ6AEwAQ%23v%3Donepage%26q%3DThe%2520Philosophy%2520of%2520Ang%2520Lee%2520%2522glibly%2520states%2522%26f%3Dfalse&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-Nixon-2001-56">^ <a href="#cite_ref-Nixon-2001_56-0">56.0</a> <a href="#cite_ref-Nixon-2001_56-1">56.1</a> <cite class="citation book">Nixon, Cheryl L. Balancing the Courtship Hero: Masculine Emotional Display in Film Adaptations of Austen's Novels. Troost, Linda; Greenfield, Sayre N (编). <a rel="nofollow" class="external text" href="http://books.google.com/books?id=nqf_Wj2Wwx4C&pg=PA22&lpg=PA22&dq=jane+austen+in+hollywood+%22Darcy+stripped+off%22&source=bl&ots=XKT6y0DePW&sig=zOOA6z_vWlmk2AsToff_pq2027k&hl=en&sa=X&ei=9H1HUt29EYWyygGFroDwDg&ved=0CD0Q6AEwAQ#v=onepage&q=jane%20austen%20in%20hollywood%20%22Darcy%20stripped%20off%22&f=false">Jane Austen in Hollywood</a>. University Press of Kentucky. 2001: 22–43 [2014-01-29]. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/978-0-8131-9006-8" title="Special:网络书源/978-0-8131-9006-8">ISBN 978-0-8131-9006-8</a>. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20140627033802/http://books.google.com/books?id=nqf_Wj2Wwx4C&pg=PA22&lpg=PA22&dq=jane+austen+in+hollywood+%22Darcy+stripped+off%22&source=bl&ots=XKT6y0DePW&sig=zOOA6z_vWlmk2AsToff_pq2027k&hl=en&sa=X&ei=9H1HUt29EYWyygGFroDwDg&ved=0CD0Q6AEwAQ#v=onepage&q=jane%20austen%20in%20hollywood%20%22Darcy%20stripped%20off%22&f=false">存档</a>于2014-06-27）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Balancing+the+Courtship+Hero%3A+Masculine+Emotional+Display+in+Film+Adaptations+of+Austen%27s+Novels&rft.aufirst=Cheryl+L&rft.aulast=Nixon&rft.btitle=Jane+Austen+in+Hollywood&rft.date=2001&rft.genre=bookitem&rft.isbn=978-0-8131-9006-8&rft.pages=22-43&rft.pub=University+Press+of+Kentucky&rft_id=http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dnqf_Wj2Wwx4C%26pg%3DPA22%26lpg%3DPA22%26dq%3Djane%2Bausten%2Bin%2Bhollywood%2B%2522Darcy%2Bstripped%2Boff%2522%26source%3Dbl%26ots%3DXKT6y0DePW%26sig%3DzOOA6z_vWlmk2AsToff_pq2027k%26hl%3Den%26sa%3DX%26ei%3D9H1HUt29EYWyygGFroDwDg%26ved%3D0CD0Q6AEwAQ%23v%3Donepage%26q%3Djane%2520austen%2520in%2520hollywood%2520%2522Darcy%2520stripped%2520off%2522%26f%3Dfalse&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-Looser-1996-57">^ <a href="#cite_ref-Looser-1996_57-0">57.0</a> <a href="#cite_ref-Looser-1996_57-1">57.1</a> <cite class="citation journal">Looser, Devoney. <a rel="nofollow" class="external text" href="http://www.jasna.org/persuasions/printed/number18/looser.htm">Jane Austen 'Responds' to the Men's Movement</a>. Persuasions On-Line. 1996, 18: 150–170 [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20130913155813/http://jasna.org/persuasions/printed/number18/looser.htm">存档</a>于2013-09-13）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Jane+Austen+%27Responds%27+to+the+Men%27s+Movement&rft.aufirst=Devoney&rft.aulast=Looser&rft.date=1996&rft.genre=article&rft.jtitle=Persuasions+On-Line&rft.pages=150-170&rft.volume=18&rft_id=http%3A%2F%2Fwww.jasna.org%2Fpersuasions%2Fprinted%2Fnumber18%2Flooser.htm&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-Jones-2005-58"><a href="#cite_ref-Jones-2005_58-0">^</a> <cite class="citation book">Jones, Wendy S. <a rel="nofollow" class="external text" href="https://archive.org/details/consensualfictio0000jone">Consensual Fictions: Women, Liberalism, And The English Novel</a>. University of Toronto Press. 2005: <a rel="nofollow" class="external text" href="https://archive.org/details/consensualfictio0000jone/page/102">102</a>. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/0-8020-8717-5" title="Special:网络书源/0-8020-8717-5">ISBN 0-8020-8717-5</a>.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.aufirst=Wendy+S.&rft.aulast=Jones&rft.btitle=Consensual+Fictions%3A+Women%2C+Liberalism%2C+And+The+English+Novel&rft.date=2005&rft.genre=book&rft.isbn=0-8020-8717-5&rft.pages=102&rft.pub=University+of+Toronto+Press&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fconsensualfictio0000jone&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-59"><a href="#cite_ref-59">^</a> <cite class="citation news">Kroll, Jack. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130921054108/http://www.highbeam.com/doc/1P2-25029680.html">Hollywood reeling over Jane Austen's novels</a>. Los Angeles Daily News. 1995-12-13 [2014-01-29]. （<a rel="nofollow" class="external text" href="http://www.highbeam.com/doc/1P2-25029680.html">原始内容</a>存档于2013-09-21） –通过HighBeam Research.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Hollywood+reeling+over+Jane+Austen%27s+novels&rft.aufirst=Jack&rft.aulast=Kroll&rft.date=1995-12-13&rft.genre=article&rft.jtitle=Los+Angeles+Daily+News&rft_id=http%3A%2F%2Fwww.highbeam.com%2Fdoc%2F1P2-25029680.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-60"><a href="#cite_ref-60">^</a> <cite class="citation news">Stuart, Jon. <a rel="nofollow" class="external text" href="http://articles.latimes.com/1995-12-10/entertainment/ca-12297_1_emma-thompson">Emma Thompson, sensibly: The levelheaded actress turns screenwriter with her adaptation of Jane Austen's 'Sense and Sensibility.'</a>. Los Angeles Times. 1995-12-10 [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20131022123637/http://articles.latimes.com/1995-12-10/entertainment/ca-12297_1_emma-thompson">存档</a>于2013-10-22）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Emma+Thompson%2C+sensibly%3A+The+levelheaded+actress+turns+screenwriter+with+her+adaptation+of+Jane+Austen%27s+%27Sense+and+Sensibility.%27&rft.aufirst=Jon&rft.aulast=Stuart&rft.date=1995-12-10&rft.genre=article&rft.jtitle=Los+Angeles+Times&rft_id=http%3A%2F%2Farticles.latimes.com%2F1995-12-10%2Fentertainment%2Fca-12297_1_emma-thompson&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-Scholz-2013-61"><a href="#cite_ref-Scholz-2013_61-0">^</a> <cite class="citation book">Scholz, Anne-Marie. <a rel="nofollow" class="external text" href="http://books.google.com/books?id=1VRFAAAAQBAJ&printsec=frontcover&dq=Film+Adaptations+as+Cultural+Events+in+the+twentieth+century&hl=en&sa=X&ei=qX5HUszUB4blyQGe6IDQBw&ved=0CC0Q6AEwAA#v=onepage&q=Film%20Adaptations%20as%20Cultural%20Events%20in%20the%20twentieth%20century&f=false">From Fidelity to History: Film Adaptations as Cultural Events in the Twentieth Century</a>. Berghahn Books. 2013: 133 [2014-01-29]. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/978-0-85745-731-8" title="Special:网络书源/978-0-85745-731-8">ISBN 978-0-85745-731-8</a>. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20140627033844/http://books.google.com/books?id=1VRFAAAAQBAJ&printsec=frontcover&dq=Film+Adaptations+as+Cultural+Events+in+the+twentieth+century&hl=en&sa=X&ei=qX5HUszUB4blyQGe6IDQBw&ved=0CC0Q6AEwAA#v=onepage&q=Film%20Adaptations%20as%20Cultural%20Events%20in%20the%20twentieth%20century&f=false">存档</a>于2014-06-27）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.aufirst=Anne-Marie&rft.aulast=Scholz&rft.btitle=From+Fidelity+to+History%3A+Film+Adaptations+as+Cultural+Events+in+the+Twentieth+Century&rft.date=2013&rft.genre=book&rft.isbn=978-0-85745-731-8&rft.pages=133&rft.pub=Berghahn+Books&rft_id=http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D1VRFAAAAQBAJ%26printsec%3Dfrontcover%26dq%3DFilm%2BAdaptations%2Bas%2BCultural%2BEvents%2Bin%2Bthe%2Btwentieth%2Bcentury%26hl%3Den%26sa%3DX%26ei%3DqX5HUszUB4blyQGe6IDQBw%26ved%3D0CC0Q6AEwAA%23v%3Donepage%26q%3DFilm%2520Adaptations%2520as%2520Cultural%2520Events%2520in%2520the%2520twentieth%2520century%26f%3Dfalse&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-McRae-2013-62">^ <a href="#cite_ref-McRae-2013_62-0">62.0</a> <a href="#cite_ref-McRae-2013_62-1">62.1</a> <cite id="CITEREFMcRae2013" class="citation book">McRae, James. Conquering the Self: Daoism, Confucianism, and the Price of Freedom in Crouching Tiger, Hidden Dragon. Arp, Robert; Barkman, Adam; McRae, James (编). <a rel="nofollow" class="external text" href="http://books.google.com/books?id=tNZNq4ondFgC&pg=PA19&lpg=PA19&dq=The+Philosophy+of+Ang+Lee+%22famous+Chinese+painting%22:&source=bl&ots=HNozZSV9Xk&sig=WEWFJbow2L12A3DiB0Y2cCQK0yY&hl=en&sa=X&ei=IHZHUtfuB-GkyQGQyoHwAg&ved=0CDcQ6AEwAQ#v=onepage&q=The%20Philosophy%20of%20Ang%20Lee%20%22famous%20Chinese%20painting%22%3A&f=false">The Philosophy of Ang Lee</a>. University Press of Kentucky. 2013: 19–40 [2014-01-29]. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/978-0-8131-4166-4" title="Special:网络书源/978-0-8131-4166-4">ISBN 978-0-8131-4166-4</a>. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20140916052414/http://books.google.com/books?id=tNZNq4ondFgC&pg=PA19&lpg=PA19&dq=The+Philosophy+of+Ang+Lee+%22famous+Chinese+painting%22:&source=bl&ots=HNozZSV9Xk&sig=WEWFJbow2L12A3DiB0Y2cCQK0yY&hl=en&sa=X&ei=IHZHUtfuB-GkyQGQyoHwAg&ved=0CDcQ6AEwAQ#v=onepage&q=The%20Philosophy%20of%20Ang%20Lee%20%22famous%20Chinese%20painting%22%3A&f=false">存档</a>于2014-09-16）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Conquering+the+Self%3A+Daoism%2C+Confucianism%2C+and+the+Price+of+Freedom+in+Crouching+Tiger%2C+Hidden+Dragon&rft.aufirst=James&rft.aulast=McRae&rft.btitle=The+Philosophy+of+Ang+Lee&rft.date=2013&rft.genre=bookitem&rft.isbn=978-0-8131-4166-4&rft.pages=19-40&rft.pub=University+Press+of+Kentucky&rft_id=http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DtNZNq4ondFgC%26pg%3DPA19%26lpg%3DPA19%26dq%3DThe%2BPhilosophy%2Bof%2BAng%2BLee%2B%2522famous%2BChinese%2Bpainting%2522%3A%26source%3Dbl%26ots%3DHNozZSV9Xk%26sig%3DWEWFJbow2L12A3DiB0Y2cCQK0yY%26hl%3Den%26sa%3DX%26ei%3DIHZHUtfuB-GkyQGQyoHwAg%26ved%3D0CDcQ6AEwAQ%23v%3Donepage%26q%3DThe%2520Philosophy%2520of%2520Ang%2520Lee%2520%2522famous%2520Chinese%2520painting%2522%253A%26f%3Dfalse&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-Thompson-2003-63">^ <a href="#cite_ref-Thompson-2003_63-0">63.0</a> <a href="#cite_ref-Thompson-2003_63-1">63.1</a> <cite class="citation book">Thompson, James. How to Do Things with Austen. Suzanne Rodin Pucci, James Thompson (编). <a rel="nofollow" class="external text" href="http://books.google.com/books?id=nl67fAANN_4C&pg=PA13&lpg=PA13&dq=Jane+Austen+and+Co.:+Remaking+the+Past+in+Contemporary+Culture+%22professional+literary+criticism%22&source=bl&ots=5s3BKtBHfp&sig=izqH5HFHqIRIh9RcKc4q_ob8V2E&hl=en&sa=X&ei=PnVHUqqCGdLeyAGO24CoAQ&ved=0CDoQ6AEwAQ#v=onepage&q=Jane%20Austen%20and%20Co.%3A%20Remaking%20the%20Past%20in%20Contemporary%20Culture%20%22professional%20literary%20criticism%22&f=false">Jane Austen and Co: Remaking the Past in Contemporary Culture</a>. State University of New York Press. 2003: 13–33 [2014-01-29]. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/0-7914-5616-1" title="Special:网络书源/0-7914-5616-1">ISBN 0-7914-5616-1</a>. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20140627034636/http://books.google.com/books?id=nl67fAANN_4C&pg=PA13&lpg=PA13&dq=Jane+Austen+and+Co.:+Remaking+the+Past+in+Contemporary+Culture+%22professional+literary+criticism%22&source=bl&ots=5s3BKtBHfp&sig=izqH5HFHqIRIh9RcKc4q_ob8V2E&hl=en&sa=X&ei=PnVHUqqCGdLeyAGO24CoAQ&ved=0CDoQ6AEwAQ#v=onepage&q=Jane%20Austen%20and%20Co.%3A%20Remaking%20the%20Past%20in%20Contemporary%20Culture%20%22professional%20literary%20criticism%22&f=false">存档</a>于2014-06-27）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=How+to+Do+Things+with+Austen&rft.aufirst=James&rft.aulast=Thompson&rft.btitle=Jane+Austen+and+Co%3A+Remaking+the+Past+in+Contemporary+Culture&rft.date=2003&rft.genre=bookitem&rft.isbn=0-7914-5616-1&rft.pages=13-33&rft.pub=State+University+of+New+York+Press&rft_id=http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dnl67fAANN_4C%26pg%3DPA13%26lpg%3DPA13%26dq%3DJane%2BAusten%2Band%2BCo.%3A%2BRemaking%2Bthe%2BPast%2Bin%2BContemporary%2BCulture%2B%2522professional%2Bliterary%2Bcriticism%2522%26source%3Dbl%26ots%3D5s3BKtBHfp%26sig%3DizqH5HFHqIRIh9RcKc4q_ob8V2E%26hl%3Den%26sa%3DX%26ei%3DPnVHUqqCGdLeyAGO24CoAQ%26ved%3D0CDoQ6AEwAQ%23v%3Donepage%26q%3DJane%2520Austen%2520and%2520Co.%253A%2520Remaking%2520the%2520Past%2520in%2520Contemporary%2520Culture%2520%2522professional%2520literary%2520criticism%2522%26f%3Dfalse&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-McCreadie-2006-64"><a href="#cite_ref-McCreadie-2006_64-0">^</a> <cite class="citation book">McCreadie, Marsha. <a rel="nofollow" class="external text" href="http://books.google.com/books/about/Women_Screenwriters_Today.html?id=VPVkAAAAMAAJ">Women Screenwriters Today: Their Lives and Words</a>. Praeger Publishers. 2006: 75 [2014-01-29]. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/0-275-98542-3" title="Special:网络书源/0-275-98542-3">ISBN 0-275-98542-3</a>. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20200818122904/https://books.google.com/books/about/Women_Screenwriters_Today.html?id=VPVkAAAAMAAJ">存档</a>于2020-08-18）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.aufirst=Marsha&rft.aulast=McCreadie&rft.btitle=Women+Screenwriters+Today%3A+Their+Lives+and+Words&rft.date=2006&rft.genre=book&rft.isbn=0-275-98542-3&rft.pages=75&rft.pub=Praeger+Publishers&rft_id=http%3A%2F%2Fbooks.google.com%2Fbooks%2Fabout%2FWomen_Screenwriters_Today.html%3Fid%3DVPVkAAAAMAAJ&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-Pidduck-2000-65"><a href="#cite_ref-Pidduck-2000_65-0">^</a> <cite class="citation book">Pidduck, Julianne. Of Windows and Country Walks: Frames of Space and Movement in 1990s Austen Adaptations. You-Me Park, Rajeswari Sunder Rajan (编). <a rel="nofollow" class="external text" href="http://books.google.com/books?id=x3Kcm-AK_5wC&pg=PA123&lpg=PA123&dq=The+Postcolonial+Jane+Austen+%22recurring+moment+of+the+woman%22&source=bl&ots=lJg5gAYnob&sig=oUnOkAU19HbrFXZ3GAZl3yPI2Mk&hl=en&sa=X&ei=On5HUsfqPJDeyQHstICIBg&ved=0CC4Q6AEwAA#v=onepage&q=The%20Postcolonial%20Jane%20Austen%20%22recurring%20moment%20of%20the%20woman%22&f=false">The Postcolonial Jane Austen</a>. Routledge. 2000: 123 [2014-01-29]. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/0-415-23290-2" title="Special:网络书源/0-415-23290-2">ISBN 0-415-23290-2</a>. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20140627035145/http://books.google.com/books?id=x3Kcm-AK_5wC&pg=PA123&lpg=PA123&dq=The+Postcolonial+Jane+Austen+%22recurring+moment+of+the+woman%22&source=bl&ots=lJg5gAYnob&sig=oUnOkAU19HbrFXZ3GAZl3yPI2Mk&hl=en&sa=X&ei=On5HUsfqPJDeyQHstICIBg&ved=0CC4Q6AEwAA#v=onepage&q=The%20Postcolonial%20Jane%20Austen%20%22recurring%20moment%20of%20the%20woman%22&f=false">存档</a>于2014-06-27）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Of+Windows+and+Country+Walks%3A+Frames+of+Space+and+Movement+in+1990s+Austen+Adaptations&rft.aufirst=Julianne&rft.aulast=Pidduck&rft.btitle=The+Postcolonial+Jane+Austen&rft.date=2000&rft.genre=bookitem&rft.isbn=0-415-23290-2&rft.pages=123&rft.pub=Routledge&rft_id=http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dx3Kcm-AK_5wC%26pg%3DPA123%26lpg%3DPA123%26dq%3DThe%2BPostcolonial%2BJane%2BAusten%2B%2522recurring%2Bmoment%2Bof%2Bthe%2Bwoman%2522%26source%3Dbl%26ots%3DlJg5gAYnob%26sig%3DoUnOkAU19HbrFXZ3GAZl3yPI2Mk%26hl%3Den%26sa%3DX%26ei%3DOn5HUsfqPJDeyQHstICIBg%26ved%3D0CC4Q6AEwAA%23v%3Donepage%26q%3DThe%2520Postcolonial%2520Jane%2520Austen%2520%2522recurring%2520moment%2520of%2520the%2520woman%2522%26f%3Dfalse&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-boxofficemojooverview-66">^ <a href="#cite_ref-boxofficemojooverview_66-0">66.0</a> <a href="#cite_ref-boxofficemojooverview_66-1">66.1</a> <a href="#cite_ref-boxofficemojooverview_66-2">66.2</a> <cite class="citation web"><a rel="nofollow" class="external text" href="http://boxofficemojo.com/movies/?id=senseandsensibility.htm">Sense and Sensibility (1995)</a>. <a href="/wiki/Box_Office_Mojo" title="Box Office Mojo">Box Office Mojo</a>. [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20131103231419/http://boxofficemojo.com/movies/?id=senseandsensibility.htm">存档</a>于2013-11-03）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.btitle=Sense+and+Sensibility+%281995%29&rft.genre=unknown&rft.pub=Box+Office+Mojo&rft_id=http%3A%2F%2Fboxofficemojo.com%2Fmovies%2F%3Fid%3Dsenseandsensibility.htm&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-67"><a href="#cite_ref-67">^</a> <cite class="citation web"><a rel="nofollow" class="external text" href="http://boxofficemojo.com/weekend/chart/?view=&yr=1996&wknd=04&p=.htm">Weekend Box Office Results for January 26-28, 1996</a>. Box Office Mojo. [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20130921054518/http://boxofficemojo.com/weekend/chart/?view=&yr=1996&wknd=04&p=.htm">存档</a>于2013-09-21）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.btitle=Weekend+Box+Office+Results+for+January+26-28%2C+1996&rft.genre=unknown&rft.pub=Box+Office+Mojo&rft_id=http%3A%2F%2Fboxofficemojo.com%2Fweekend%2Fchart%2F%3Fview%3D%26yr%3D1996%26wknd%3D04%26p%3D.htm&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-68"><a href="#cite_ref-68">^</a> <cite class="citation news"><a rel="nofollow" class="external text" href="http://content.time.com/time/magazine/article/0,9171,983896,00.html">The best of 1995: Cinema</a>. Time. 1995-12-25 [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20131228092442/http://content.time.com/time/magazine/article/0%2C9171%2C983896%2C00.html">存档</a>于2013-12-28）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=The+best+of+1995%3A+Cinema&rft.date=1995-12-25&rft.genre=article&rft.jtitle=Time&rft_id=http%3A%2F%2Fcontent.time.com%2Ftime%2Fmagazine%2Farticle%2F0%2C9171%2C983896%2C00.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-69"><a href="#cite_ref-69">^</a> <cite class="citation news">Lauerman, Connie. <a rel="nofollow" class="external text" href="http://articles.chicagotribune.com/1995-12-15/features/9512150025_1_jane-austen-society-sense-and-sensibility-sensibility-screenplay">Happy ending</a>. Chicago Tribune. 1995-12-15 [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20131002143730/http://articles.chicagotribune.com/1995-12-15/features/9512150025_1_jane-austen-society-sense-and-sensibility-sensibility-screenplay">存档</a>于2013-10-02）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Happy+ending&rft.aufirst=Connie&rft.aulast=Lauerman&rft.date=1995-12-15&rft.genre=article&rft.jtitle=Chicago+Tribune&rft_id=http%3A%2F%2Farticles.chicagotribune.com%2F1995-12-15%2Ffeatures%2F9512150025_1_jane-austen-society-sense-and-sensibility-sensibility-screenplay&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-Brownstein-2001-70"><a href="#cite_ref-Brownstein-2001_70-0">^</a> <cite class="citation book">Brownstein, Rachel M. Out of the Drawing Room, Into the Lawn. Troost, Linda; Greenfield, Sayre N (编). <a rel="nofollow" class="external text" href="http://books.google.com/books?id=nqf_Wj2Wwx4C&pg=PA13&lpg=PA13&dq=Jane+Austen+in+Hollywood+%22harpo+marx%22&source=bl&ots=XKT6y0BnP_&sig=ehbO-VrJDgh4PPDJjjY6KjGy1Vg&hl=en&sa=X&ei=rHlHUryuAez_yQHOo4DwCg&ved=0CC4Q6AEwAA#v=onepage&q=Jane%20Austen%20in%20Hollywood%20%22harpo%20marx%22&f=false">Jane Austen in Hollywood</a>. University Press of Kentucky. 2001: 17 [2014-01-29]. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/978-0-8131-9006-8" title="Special:网络书源/978-0-8131-9006-8">ISBN 978-0-8131-9006-8</a>. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20140627035956/http://books.google.com/books?id=nqf_Wj2Wwx4C&pg=PA13&lpg=PA13&dq=Jane+Austen+in+Hollywood+%22harpo+marx%22&source=bl&ots=XKT6y0BnP_&sig=ehbO-VrJDgh4PPDJjjY6KjGy1Vg&hl=en&sa=X&ei=rHlHUryuAez_yQHOo4DwCg&ved=0CC4Q6AEwAA#v=onepage&q=Jane%20Austen%20in%20Hollywood%20%22harpo%20marx%22&f=false">存档</a>于2014-06-27）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Out+of+the+Drawing+Room%2C+Into+the+Lawn&rft.aufirst=Rachel+M&rft.aulast=Brownstein&rft.btitle=Jane+Austen+in+Hollywood&rft.date=2001&rft.genre=bookitem&rft.isbn=978-0-8131-9006-8&rft.pages=17&rft.pub=University+Press+of+Kentucky&rft_id=http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dnqf_Wj2Wwx4C%26pg%3DPA13%26lpg%3DPA13%26dq%3DJane%2BAusten%2Bin%2BHollywood%2B%2522harpo%2Bmarx%2522%26source%3Dbl%26ots%3DXKT6y0BnP_%26sig%3DehbO-VrJDgh4PPDJjjY6KjGy1Vg%26hl%3Den%26sa%3DX%26ei%3DrHlHUryuAez_yQHOo4DwCg%26ved%3D0CC4Q6AEwAA%23v%3Donepage%26q%3DJane%2520Austen%2520in%2520Hollywood%2520%2522harpo%2520marx%2522%26f%3Dfalse&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-71"><a href="#cite_ref-71">^</a> <cite class="citation news">Dwyer, Michael. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140611030004/http://www.highbeam.com/doc/1P2-24942856.html">Tea, tears and sympathy "Sense And Sensibility" (PG) Savoy, Virgin, Omniplex, UCIs, Dublin</a>. The Irish Times. 1996-03-08 [2014-01-29]. （<a rel="nofollow" class="external text" href="http://www.highbeam.com/doc/1P2-24942856.html">原始内容</a>存档于2014-06-11） –通过HighBeam Research.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Tea%2C+tears+and+sympathy+%22Sense+And+Sensibility%22+%28PG%29+Savoy%2C+Virgin%2C+Omniplex%2C+UCIs%2C+Dublin&rft.aufirst=Michael&rft.aulast=Dwyer&rft.date=1996-03-08&rft.genre=article&rft.jtitle=The+Irish+Times&rft_id=http%3A%2F%2Fwww.highbeam.com%2Fdoc%2F1P2-24942856.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988"> <img alt="需付费查阅" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/9px-Lock-red-alt.svg.png" decoding="async" width="9" height="14" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/14px-Lock-red-alt.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/18px-Lock-red-alt.svg.png 2x" data-file-width="512" data-file-height="813" /> </li> <li id="cite_note-tomatoes-72"><a href="#cite_ref-tomatoes_72-0">^</a> <cite class="citation web"><a rel="nofollow" class="external text" href="http://www.rottentomatoes.com/m/1068832-sense_and_sensibility/">Sense and Sensibility (1995)</a>. Rotten Tomatoes. Flixster. [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20131024160823/http://www.rottentomatoes.com/m/1068832-sense_and_sensibility/">存档</a>于2013-10-24）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Sense+and+Sensibility+%281995%29&rft.genre=unknown&rft.jtitle=Rotten+Tomatoes&rft_id=http%3A%2F%2Fwww.rottentomatoes.com%2Fm%2F1068832-sense_and_sensibility%2F&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-73"><a href="#cite_ref-73">^</a> <cite class="citation web"><a rel="nofollow" class="external text" href="https://www.metacritic.com/movie/sense-and-sensibility">Sense and Sensibility</a>. Metacritic. CBS. [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20120419045119/http://www.metacritic.com/movie/sense-and-sensibility">存档</a>于2012-04-19）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Sense+and+Sensibility&rft.genre=unknown&rft.jtitle=Metacritic&rft_id=http%3A%2F%2Fwww.metacritic.com%2Fmovie%2Fsense-and-sensibility&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-74"><a href="#cite_ref-74">^</a> <cite class="citation news">McCarthy, Todd. <a rel="nofollow" class="external text" href="http://variety.com/1995/film/reviews/sense-and-sensibility-3-1200444193/">Sense and Sensibility</a>. Variety. 1995-12-03 [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20131111085331/http://variety.com/1995/film/reviews/sense-and-sensibility-3-1200444193/">存档</a>于2013-11-11）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Sense+and+Sensibility&rft.aufirst=Todd&rft.aulast=McCarthy&rft.date=1995-12-03&rft.genre=article&rft.jtitle=Variety&rft_id=http%3A%2F%2Fvariety.com%2F1995%2Ffilm%2Freviews%2Fsense-and-sensibility-3-1200444193%2F&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-sfgate-75">^ <a href="#cite_ref-sfgate_75-0">75.0</a> <a href="#cite_ref-sfgate_75-1">75.1</a> <cite class="citation news">LaSalle, Mick. <a rel="nofollow" class="external text" href="http://www.sfgate.com/movies/article/A-Fine-Sensibility-Emma-Thompson-adapts-Jane-3018044.php">A fine 'Sensibility', Emma Thompson adapts Jane Austen's classic story</a>. San Francisco Chronicle. 1995-12-13 [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20131104095404/http://www.sfgate.com/movies/article/A-Fine-Sensibility-Emma-Thompson-adapts-Jane-3018044.php">存档</a>于2013-11-04）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=A+fine+%27Sensibility%27%2C+Emma+Thompson+adapts+Jane+Austen%27s+classic+story&rft.aufirst=Mick&rft.aulast=LaSalle&rft.date=1995-12-13&rft.genre=article&rft.jtitle=San+Francisco+Chronicle&rft_id=http%3A%2F%2Fwww.sfgate.com%2Fmovies%2Farticle%2FA-Fine-Sensibility-Emma-Thompson-adapts-Jane-3018044.php&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-Simon-2005-76"><a href="#cite_ref-Simon-2005_76-0">^</a> <cite class="citation book">Simon, John Ivan. <a rel="nofollow" class="external text" href="https://archive.org/details/johnsimononfilmc0000simo">John Simon On Film: Criticism, 1982–2001</a>. Applause Books. 2005: <a rel="nofollow" class="external text" href="https://archive.org/details/johnsimononfilmc0000simo/page/484">484</a>. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/978-1-55783-507-9" title="Special:网络书源/978-1-55783-507-9">ISBN 978-1-55783-507-9</a>.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.aufirst=John+Ivan&rft.aulast=Simon&rft.btitle=John+Simon+On+Film%3A+Criticism%2C+1982%E2%80%932001&rft.date=2005&rft.genre=book&rft.isbn=978-1-55783-507-9&rft.pages=484&rft.pub=Applause+Books&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fjohnsimononfilmc0000simo&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-77"><a href="#cite_ref-77">^</a> <cite class="citation news">Leith, William. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20131111044908/http://www.highbeam.com/doc/1G1-110854966.html">Needle work</a>. The Mail on Sunday. 1996-02-25 [2014-01-29]. （<a rel="nofollow" class="external text" href="http://www.highbeam.com/doc/1G1-110854966.html">原始内容</a>存档于2013-11-11） –通过HighBeam Research.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Needle+work&rft.aufirst=William&rft.aulast=Leith&rft.date=1996-02-25&rft.genre=article&rft.jtitle=The+Mail+on+Sunday&rft_id=http%3A%2F%2Fwww.highbeam.com%2Fdoc%2F1G1-110854966.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988"> <img alt="需付费查阅" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/9px-Lock-red-alt.svg.png" decoding="async" width="9" height="14" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/14px-Lock-red-alt.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/18px-Lock-red-alt.svg.png 2x" data-file-width="512" data-file-height="813" /> </li> <li id="cite_note-78"><a href="#cite_ref-78">^</a> <cite class="citation news">Carr, Jay. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20131111044859/http://www.highbeam.com/doc/1P2-8355832.html">Thompson makes glorious 'Sense'</a>. The Boston Globe. 1995-12-13 [2014-01-29]. （<a rel="nofollow" class="external text" href="http://www.highbeam.com/doc/1P2-8355832.html">原始内容</a>存档于2013-11-11） –通过HighBeam Research.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Thompson+makes+glorious+%27Sense%27&rft.aufirst=Jay&rft.aulast=Carr&rft.date=1995-12-13&rft.genre=article&rft.jtitle=The+Boston+Globe&rft_id=http%3A%2F%2Fwww.highbeam.com%2Fdoc%2F1P2-8355832.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988"> <img alt="需付费查阅" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/9px-Lock-red-alt.svg.png" decoding="async" width="9" height="14" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/14px-Lock-red-alt.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/18px-Lock-red-alt.svg.png 2x" data-file-width="512" data-file-height="813" /> </li> <li id="cite_note-RadioTimesreview-79">^ <a href="#cite_ref-RadioTimesreview_79-0">79.0</a> <a href="#cite_ref-RadioTimesreview_79-1">79.1</a> <cite class="citation news">Parkinson, David. <a rel="nofollow" class="external text" href="http://www.radiotimes.com/film/8hfz/sense-and-sensibility">Sense and Sensibility</a>. Radio Times. [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20130928003525/http://www.radiotimes.com/film/8hfz/sense-and-sensibility">存档</a>于2013-09-28）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Sense+and+Sensibility&rft.aufirst=David&rft.aulast=Parkinson&rft.genre=article&rft.jtitle=Radio+Times&rft_id=http%3A%2F%2Fwww.radiotimes.com%2Ffilm%2F8hfz%2Fsense-and-sensibility&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-80"><a href="#cite_ref-80">^</a> <cite class="citation web"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20130927005125/http://www.oscars.org/awards/academyawards/oscarlegacy/1990-1999/68nominees.html">Nominees & winners for the 68th Academy Awards</a>. Academy of Motion Picture Arts and Sciences. [2014-01-29]. （<a rel="nofollow" class="external text" href="http://www.oscars.org/awards/academyawards/oscarlegacy/1990-1999/68nominees.html">原始内容</a>存档于2013-09-27）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.btitle=Nominees+%26+winners+for+the+68th+Academy+Awards&rft.genre=unknown&rft.pub=Academy+of+Motion+Picture+Arts+and+Sciences&rft_id=http%3A%2F%2Fwww.oscars.org%2Fawards%2Facademyawards%2Foscarlegacy%2F1990-1999%2F68nominees.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-81"><a href="#cite_ref-81">^</a> <cite class="citation news">Welkos, Robert W. <a rel="nofollow" class="external text" href="http://articles.latimes.com/1996-03-26/news/mn-51422_1_sarandon-win">'Braveheart' is top film; Cage, Sarandon win</a>. Los Angeles Times. 1996-03-26 [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20131023035359/http://articles.latimes.com/1996-03-26/news/mn-51422_1_sarandon-win">存档</a>于2013-12-23）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=%27Braveheart%27+is+top+film%3B+Cage%2C+Sarandon+win&rft.aufirst=Robert+W.&rft.aulast=Welkos&rft.date=1996-03-26&rft.genre=article&rft.jtitle=Los+Angeles+Times&rft_id=http%3A%2F%2Farticles.latimes.com%2F1996-03-26%2Fnews%2Fmn-51422_1_sarandon-win&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-82"><a href="#cite_ref-82">^</a> <cite class="citation news">Johnson, Andrew. <a rel="nofollow" class="external text" href="http://www.independent.co.uk/news/people/news/emma-thompson-how-jane-austen-saved-me-from-going-under-1929510.html">Emma Thompson: How Jane Austen saved me from going under</a>. The Independent. 2010-03-28 [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20121211171616/http://www.independent.co.uk/news/people/news/emma-thompson-how-jane-austen-saved-me-from-going-under-1929510.html">存档</a>于2012-12-11）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Emma+Thompson%3A+How+Jane+Austen+saved+me+from+going+under&rft.aufirst=Andrew&rft.aulast=Johnson&rft.date=2010-03-28&rft.genre=article&rft.jtitle=The+Independent&rft_id=http%3A%2F%2Fwww.independent.co.uk%2Fnews%2Fpeople%2Fnews%2Femma-thompson-how-jane-austen-saved-me-from-going-under-1929510.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-83"><a href="#cite_ref-83">^</a> <cite class="citation web"><a rel="nofollow" class="external text" href="http://awards.bafta.org/keyword-search?keywords=sense+and+sensibility">BAFTA Awards Search</a>. British Academy of Film and Television Arts. [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20140129025510/http://awards.bafta.org/keyword-search?keywords=sense%20and%20sensibility">存档</a>于2014-01-29）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.btitle=BAFTA+Awards+Search&rft.genre=unknown&rft.pub=British+Academy+of+Film+and+Television+Arts&rft_id=http%3A%2F%2Fawards.bafta.org%2Fkeyword-search%3Fkeywords%3Dsense%2Band%2Bsensibility&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-Berlinale-84"><a href="#cite_ref-Berlinale_84-0">^</a> <cite class="citation web"><a rel="nofollow" class="external text" href="http://www.berlinale.de/en/archiv/jahresarchive/1996/03_preistr_ger_1996/03_Preistraeger_1996.html">Berlinale: 1996 prize winners</a>. berlinale.de. [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20131015121315/http://www.berlinale.de/en/archiv/jahresarchive/1996/03_preistr_ger_1996/03_Preistraeger_1996.html">存档</a>于2013-10-15）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Berlinale%3A+1996+prize+winners&rft.genre=unknown&rft.jtitle=berlinale.de&rft_id=http%3A%2F%2Fwww.berlinale.de%2Fen%2Farchiv%2Fjahresarchive%2F1996%2F03_preistr_ger_1996%2F03_Preistraeger_1996.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-Shih-2007-85">^ <a href="#cite_ref-Shih-2007_85-0">85.0</a> <a href="#cite_ref-Shih-2007_85-1">85.1</a> <cite class="citation book">Shih, Shu-mei. <a rel="nofollow" class="external text" href="http://books.google.com/books/about/Visuality_and_Identity.html?id=HoZX3XSgm-0C">Visuality and Identity: Sinophone Articulations Across the Pacific</a>. University of California Press. 2007 [2014-01-29]. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/978-0-520-22451-3" title="Special:网络书源/978-0-520-22451-3">ISBN 978-0-520-22451-3</a>. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20200818122634/https://books.google.com/books/about/Visuality_and_Identity.html?id=HoZX3XSgm-0C">存档</a>于2020-08-18）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.aufirst=Shu-mei&rft.aulast=Shih&rft.btitle=Visuality+and+Identity%3A+Sinophone+Articulations+Across+the+Pacific&rft.date=2007&rft.genre=book&rft.isbn=978-0-520-22451-3&rft.pub=University+of+California+Press&rft_id=http%3A%2F%2Fbooks.google.com%2Fbooks%2Fabout%2FVisuality_and_Identity.html%3Fid%3DHoZX3XSgm-0C&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  </li> <li id="cite_note-86"><a href="#cite_ref-86">^</a> <cite class="citation news">Page, Clarence. <a rel="nofollow" class="external text" href="http://articles.baltimoresun.com/1996-03-12/news/1996072023_1_ang-lee-oscar-academy-award">Edited out of the Oscars</a>. Baltimore Sun. 1996-03-12 [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20131014172856/http://articles.baltimoresun.com/1996-03-12/news/1996072023_1_ang-lee-oscar-academy-award">存档</a>于2013-10-14）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Edited+out+of+the+Oscars&rft.aufirst=Clarence&rft.aulast=Page&rft.date=1996-03-12&rft.genre=article&rft.jtitle=Baltimore+Sun&rft_id=http%3A%2F%2Farticles.baltimoresun.com%2F1996-03-12%2Fnews%2F1996072023_1_ang-lee-oscar-academy-award&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-87"><a href="#cite_ref-87">^</a> <cite class="citation news">Dale, Arden; Pilon, Mary. <a rel="nofollow" class="external text" href="http://online.wsj.com/news/articles/SB10001424052748704594804575649041609261602?mg=reno64-wsj&url=http%3A%2F%2Fonline.wsj.com%2Farticle%2FSB10001424052748704594804575649041609261602.html">In Jane Austen 2.0, the heroines and heroes friend each other</a>. The Wall Street Journal. 2010-12-06 [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20121111221043/http://online.wsj.com/article/SB10001424052748704594804575649041609261602.html">存档</a>于2012-11-11）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=In+Jane+Austen+2.0%2C+the+heroines+and+heroes+friend+each+other&rft.au=Pilon%2C+Mary&rft.aufirst=Arden&rft.aulast=Dale&rft.date=2010-12-06&rft.genre=article&rft.jtitle=The+Wall+Street+Journal&rft_id=http%3A%2F%2Fonline.wsj.com%2Fnews%2Farticles%2FSB10001424052748704594804575649041609261602%3Fmg%3Dreno64-wsj%26url%3Dhttp%253A%252F%252Fonline.wsj.com%252Farticle%252FSB10001424052748704594804575649041609261602.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-Greenfield-2001-88">^ <a href="#cite_ref-Greenfield-2001_88-0">88.0</a> <a href="#cite_ref-Greenfield-2001_88-1">88.1</a> <cite class="citation book">Greenfield, Sayre N.; Linda V. Troost. Watching Ourselves Watching. Troost, Linda; Greenfield, Sayre N (编). <a rel="nofollow" class="external text" href="http://books.google.com/books?id=nqf_Wj2Wwx4C&pg=PA1&lpg=PA1&dq=Jane+Austen+in+Hollywood+%22boom+started+in+the+United+Kingdom:%22&source=bl&ots=XKT6y0CmPY&sig=MgcwN9HXr0AqcjydufP8mU6RnsY&hl=en&sa=X&ei=LX1HUqqOOPPlyAGe14HYCg&ved=0CC4Q6AEwAA#v=onepage&q=Jane%20Austen%20in%20Hollywood%20%22boom%20started%20in%20the%20United%20Kingdom%3A%22&f=false">Jane Austen in Hollywood</a>. University Press of Kentucky. 2001: 1–12 [2014-01-29]. <a href="/wiki/Special:%E7%BD%91%E7%BB%9C%E4%B9%A6%E6%BA%90/978-0-8131-9006-8" title="Special:网络书源/978-0-8131-9006-8">ISBN 978-0-8131-9006-8</a>. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20140102062444/http://books.google.com/books?id=nqf_Wj2Wwx4C&pg=PA1&lpg=PA1&dq=Jane+Austen+in+Hollywood+%22boom+started+in+the+United+Kingdom:%22&source=bl&ots=XKT6y0CmPY&sig=MgcwN9HXr0AqcjydufP8mU6RnsY&hl=en&sa=X&ei=LX1HUqqOOPPlyAGe14HYCg&ved=0CC4Q6AEwAA#v=onepage&q=Jane%20Austen%20in%20Hollywood%20%22boom%20started%20in%20the%20United%20Kingdom%3A%22&f=false">存档</a>于2014-01-02）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Watching+Ourselves+Watching&rft.aufirst=Sayre+N.&rft.aulast=Greenfield&rft.btitle=Jane+Austen+in+Hollywood&rft.date=2001&rft.genre=bookitem&rft.isbn=978-0-8131-9006-8&rft.pages=1-12&rft.pub=University+Press+of+Kentucky&rft_id=http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dnqf_Wj2Wwx4C%26pg%3DPA1%26lpg%3DPA1%26dq%3DJane%2BAusten%2Bin%2BHollywood%2B%2522boom%2Bstarted%2Bin%2Bthe%2BUnited%2BKingdom%3A%2522%26source%3Dbl%26ots%3DXKT6y0CmPY%26sig%3DMgcwN9HXr0AqcjydufP8mU6RnsY%26hl%3Den%26sa%3DX%26ei%3DLX1HUqqOOPPlyAGe14HYCg%26ved%3D0CC4Q6AEwAA%23v%3Donepage%26q%3DJane%2520Austen%2520in%2520Hollywood%2520%2522boom%2520started%2520in%2520the%2520United%2520Kingdom%253A%2522%26f%3Dfalse&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook" class="Z3988">  引文使用过时参数<code style="color:inherit; border:inherit; padding:inherit;">coauthors</code> (<a href="/wiki/Help:%E5%BC%95%E6%96%87%E6%A0%BC%E5%BC%8F1%E9%94%99%E8%AF%AF#deprecated_params" title="Help:引文格式1错误">帮助</a>) </li> <li id="cite_note-89"><a href="#cite_ref-89">^</a> <cite class="citation news">Conland, Tara. <a rel="nofollow" class="external text" href="https://www.theguardian.com/media/2007/jan/19/broadcasting.bbc1">Davies turns up heat on Austen</a>. The Guardian. 2007-01-19 [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20131204022031/http://www.theguardian.com/media/2007/jan/19/broadcasting.bbc1">存档</a>于2014-12-04）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Davies+turns+up+heat+on+Austen&rft.aufirst=Tara&rft.aulast=Conland&rft.date=2007-01-19&rft.genre=article&rft.jtitle=The+Guardian&rft_id=http%3A%2F%2Fwww.theguardian.com%2Fmedia%2F2007%2Fjan%2F19%2Fbroadcasting.bbc1&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-90"><a href="#cite_ref-90">^</a> <cite class="citation news">Hoggard, Liz. <a rel="nofollow" class="external text" href="https://archive.today/20130125173516/http://www.highbeam.com/doc/1P2-16902121.html">Senseless sensibility</a>. The Independent. 2008-07-24 [2014-01-29]. （<a rel="nofollow" class="external text" href="http://www.highbeam.com/doc/1P2-16902121.html">原始内容</a>存档于2013-01-25） –通过HighBeam Research.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Senseless+sensibility&rft.aufirst=Liz&rft.aulast=Hoggard&rft.date=2008-07-24&rft.genre=article&rft.jtitle=The+Independent&rft_id=http%3A%2F%2Fwww.highbeam.com%2Fdoc%2F1P2-16902121.html&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988"> <img alt="需付费查阅" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/9px-Lock-red-alt.svg.png" decoding="async" width="9" height="14" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/14px-Lock-red-alt.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Lock-red-alt.svg/18px-Lock-red-alt.svg.png 2x" data-file-width="512" data-file-height="813" /> </li> <li id="cite_note-91"><a href="#cite_ref-91">^</a> <cite class="citation news">Winterman, Denise. <a rel="nofollow" class="external text" href="http://news.bbc.co.uk/2/hi/uk_news/magazine/6426195.stm">Jane Austen – why the fuss?</a>. BBC News. 2007-03-09 [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20131006143553/http://news.bbc.co.uk/2/hi/uk_news/magazine/6426195.stm">存档</a>于2013-10-06）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=Jane+Austen+%E2%80%93+why+the+fuss%3F&rft.aufirst=Denise&rft.aulast=Winterman&rft.date=2007-03-09&rft.genre=article&rft_id=http%3A%2F%2Fnews.bbc.co.uk%2F2%2Fhi%2Fuk_news%2Fmagazine%2F6426195.stm&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> <li id="cite_note-92"><a href="#cite_ref-92">^</a> <cite class="citation news">Laity, Paul. <a rel="nofollow" class="external text" href="https://www.theguardian.com/film/2011/dec/26/favourite-film-sense-and-sensibility">My favourite film: Sense and Sensibility</a>. The Guardian. 2011-12-25 [2014-01-29]. （原始内容<a rel="nofollow" class="external text" href="https://web.archive.org/web/20140129155012/http://www.theguardian.com/film/2011/dec/26/favourite-film-sense-and-sensibility">存档</a>于2014-01-29）.</cite><span title="ctx_ver=Z39.88-2004&rfr_id=info%3Asid%2Fzh.wikipedia.org%3A%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7+%28%E9%9B%BB%E5%BD%B1%29&rft.atitle=My+favourite+film%3A+Sense+and+Sensibility&rft.aufirst=Paul&rft.aulast=Laity&rft.date=2011-12-25&rft.genre=article&rft.jtitle=The+Guardian&rft_id=http%3A%2F%2Fwww.theguardian.com%2Ffilm%2F2011%2Fdec%2F26%2Ffavourite-film-sense-and-sensibility&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal" class="Z3988">  </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="外部链接">外部链接</h2>[<a href="/w/index.php?title=%E7%90%86%E6%80%A7%E8%88%87%E6%84%9F%E6%80%A7_(%E9%9B%BB%E5%BD%B1)&action=edit&section=20" title="编辑章节：外部链接">编辑</a>]</div> <style 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href="https://www.wikidata.org/wiki/Q643263#P1258" title="編輯維基數據鏈接"><img alt="編輯維基數據鏈接" src="//upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></li> <li><a href="/wiki/%E4%BA%92%E8%81%94%E7%BD%91%E7%94%B5%E5%BD%B1%E6%95%B0%E6%8D%AE%E5%BA%93" title="互联网电影数据库">互联网电影数据库</a>（IMDb）上《<a rel="nofollow" class="external text" href="https://www.imdb.com/title/tt0114388/">理智与情感</a>》的资料（英文）</li> <li><a href="/wiki/%E8%B1%86%E7%93%A3" title="豆瓣">豆瓣电影</a>上《<a rel="nofollow" class="external text" href="https://movie.douban.com/subject/1299193/">理智与情感</a>》的資料 （简体中文）</li> <li><a href="/wiki/AllMovie" title="AllMovie">AllMovie</a>上《<a rel="nofollow" class="external text" href="https://www.allmovie.com/movie/v135551">理智与情感</a>》的资料（英文）</li> <li><a href="/wiki/Metacritic" title="Metacritic">Metacritic</a>上《<a rel="nofollow" class="external text" href="https://www.metacritic.com/movie/sense-and-sensibility">理智与情感</a>》的資料（英文）</li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r84265675">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol 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title="Special:编辑页面/Template:李安"><abbr title="编辑该模板">编</abbr></a></li></ul></div><div id="李安" style="font-size:110%;margin:0 5em"><a href="/wiki/%E6%9D%8E%E5%AE%89" title="李安">李安</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">1990年代</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0px"><div style="padding:0em 0.25em"> <ul><li>《<a href="/wiki/%E6%8E%A8%E6%89%8B_(%E9%9B%BB%E5%BD%B1)" title="推手 (電影)">推手</a>》（1991）</li> <li>《<a href="/wiki/%E5%9B%8D%E5%AE%B4_(%E9%9B%BB%E5%BD%B1)" title="囍宴 (電影)">囍宴</a>》（1993）</li> <li>《<a href="/wiki/%E9%A5%AE%E9%A3%9F%E7%94%B7%E5%A5%B3_(%E7%94%B5%E5%BD%B1)" title="饮食男女 (电影)">飲食男女</a>》（1994）</li> <li>《<a class="mw-selflink selflink">理智与情感</a>》（1995 · <a href="/wiki/%E7%90%86%E6%99%BA%E4%B8%8E%E6%83%85%E6%84%9F%E8%8E%B7%E5%A5%96%E5%90%8D%E5%8D%95" title="理智与情感获奖名单">荣誉</a>）</li> <li>《<a href="/wiki/%E5%86%B0%E9%A2%A8%E6%9A%B4" title="冰風暴">冰風暴</a>》（1997）</li> <li>《<a href="/wiki/%E8%88%87%E9%AD%94%E9%AC%BC%E5%85%B1%E9%A8%8E" title="與魔鬼共騎">與魔鬼共騎</a>》（1999）</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">2000年代</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0px"><div style="padding:0em 0.25em"> <ul><li>《<a href="/wiki/%E8%87%A5%E8%99%8E%E8%97%8F%E9%BE%8D_(%E9%9B%BB%E5%BD%B1)" title="臥虎藏龍 (電影)">臥虎藏龍</a>》（2000）</li> <li>《<a href="/wiki/%E7%BB%BF%E5%B7%A8%E4%BA%BA_(%E7%94%B5%E5%BD%B1)" title="绿巨人 (电影)">浩克</a>》（2003）</li> <li>《<a href="/wiki/%E6%96%B7%E8%83%8C%E5%B1%B1" title="斷背山">斷背山</a>》（2005）</li> <li>《<a href="/wiki/%E8%89%B2%EF%BC%8C%E6%88%92_(%E9%9B%BB%E5%BD%B1)" title="色，戒 (電影)">色，戒</a>》（2007）</li> <li>《<a href="/wiki/%E8%83%A1%E5%A3%AB%E6%89%98%E9%A2%A8%E6%B3%A2" title="胡士托風波">制造伍德斯托克音乐节</a>》（2009）</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">2010年代</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0px"><div style="padding:0em 0.25em"> <ul><li>《<a href="/wiki/%E5%B0%91%E5%B9%B4Pi%E7%9A%84%E5%A5%87%E5%B9%BB%E6%BC%82%E6%B5%81_(%E9%9B%BB%E5%BD%B1)" title="少年Pi的奇幻漂流 (電影)">少年Pi的奇幻漂流</a>》（2012）</li> <li>《<a href="/wiki/%E6%AF%94%E5%88%A9%C2%B7%E6%9E%97%E6%81%A9%E7%9A%84%E4%B8%AD%E5%A0%B4%E6%88%B0%E4%BA%8B" title="比利·林恩的中場戰事">比利·林恩的中場戰事</a>》（2016）</li> <li>《<a href="/wiki/%E9%9B%99%E5%AD%90%E6%AE%BA%E6%89%8B" title="雙子殺手">双子杀手</a>》（2019）</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">相關</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0px"><div style="padding:0em 0.25em"><a href="/wiki/%E6%9D%8E%E5%AE%89%E7%8D%B2%E7%8D%8E%E8%88%87%E6%8F%90%E5%90%8D%E5%88%97%E8%A1%A8" title="李安獲獎與提名列表">獲獎與提名</a></div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r84265675"><link rel="mw-deduplicated-inline-style" 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title="讨论该模板">论</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:%E7%BC%96%E8%BE%91%E9%A1%B5%E9%9D%A2/Template:%E9%87%91%E7%90%83%E7%8D%8E%E6%9C%80%E4%BD%B3%E5%8A%87%E6%83%85%E7%89%87" title="Special:编辑页面/Template:金球獎最佳劇情片"><abbr title="编辑该模板">编</abbr></a></li></ul></div><div id="金球獎最佳劇情片" style="font-size:110%;margin:0 5em"><a href="/wiki/%E9%87%91%E7%90%83%E7%8D%8E%E6%9C%80%E4%BD%B3%E6%88%B2%E5%8A%87%E9%A1%9E%E5%BD%B1%E7%89%87" title="金球獎最佳戲劇類影片">金球獎最佳劇情片</a></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0px"><div style="padding:0em 0.25em"> <ul><li>《<a href="/w/index.php?title=%E5%9C%A3%E5%A5%B3%E4%B9%8B%E6%AD%8C_(%E7%94%B5%E5%BD%B1)&action=edit&redlink=1" class="new" title="圣女之歌 (电影)（页面不存在）">圣女之歌</a>（英语：<a href="https://en.wikipedia.org/wiki/The_Song_of_Bernadette_(film)" class="extiw" title="en:The Song of Bernadette (film)">The Song of Bernadette (film)</a>）》 (1943)</li> <li>《<a href="/wiki/%E4%B8%8E%E6%88%91%E5%90%8C%E8%A1%8C" title="与我同行">与我同行</a>》 (1944)</li> <li>《<a href="/wiki/%E5%A4%B1%E5%8E%BB%E7%9A%84%E9%80%B1%E6%9C%AB" title="失去的週末">失去的週末</a>》 (1945)</li> <li>《<a href="/wiki/%E9%BB%84%E9%87%91%E6%97%B6%E4%BB%A3_(1946%E5%B9%B4%E7%94%B5%E5%BD%B1)" title="黄金时代 (1946年电影)">黄金时代</a>》 (1946)</li> <li>《<a href="/wiki/%E5%90%9B%E5%AD%90%E5%8D%94%E5%AE%9A_(%E9%9B%BB%E5%BD%B1)" title="君子協定 (電影)">君子協定</a>》 (1947)</li> <li>《<a href="/w/index.php?title=%E5%BF%83%E5%A3%B0%E6%B3%AA%E5%BD%B1&action=edit&redlink=1" class="new" title="心声泪影（页面不存在）">心声泪影</a>（英语：<a href="https://en.wikipedia.org/wiki/Johnny_Belinda_(1948_film)" class="extiw" title="en:Johnny Belinda (1948 film)">Johnny Belinda (1948 film)</a>）》 / 《<a href="/wiki/%E7%A2%A7%E8%A1%80%E9%87%91%E6%B2%99" title="碧血金沙">碧血金沙</a>》 (1948)</li> <li>《<a href="/wiki/%E5%BD%93%E4%BB%A3%E5%A5%B8%E9%9B%84" title="当代奸雄">当代奸雄</a>》 (1949)</li> <li>《<a href="/wiki/%E6%97%A5%E8%90%BD%E5%A4%A7%E9%81%93_(%E9%9B%BB%E5%BD%B1)" title="日落大道 (電影)">日落大道</a>》 (1950)</li> <li>《<a href="/w/index.php?title=%E9%83%8E%E5%BF%83%E5%A6%82%E9%93%81_(1951%E5%B9%B4%E7%94%B5%E5%BD%B1)&action=edit&redlink=1" class="new" title="郎心如铁 (1951年电影)（页面不存在）">郎心如铁</a>（英语：<a href="https://en.wikipedia.org/wiki/A_Place_in_the_Sun_(film)" class="extiw" title="en:A Place in the Sun (film)">A Place in the Sun (film)</a>）》 (1951)</li> <li>《<a href="/wiki/%E6%88%B2%E4%B8%AD%E4%B9%8B%E7%8E%8B" title="戲中之王">戲中之王</a>》 (1952)</li> <li>《<a href="/w/index.php?title=%E5%9C%A3%E8%A2%8D&action=edit&redlink=1" class="new" title="圣袍（页面不存在）">圣袍</a>（英语：<a href="https://en.wikipedia.org/wiki/The_Robe_(film)" class="extiw" title="en:The Robe (film)">The Robe (film)</a>）》 (1953)</li> <li>《<a href="/wiki/%E7%A0%81%E5%A4%B4%E9%A3%8E%E4%BA%91" title="码头风云">码头风云</a>》 (1954)</li> <li>《<a href="/w/index.php?title=%E4%BC%8A%E7%94%B8%E5%9B%AD%E4%B9%8B%E4%B8%9C_(%E7%94%B5%E5%BD%B1)&action=edit&redlink=1" class="new" title="伊甸园之东 (电影)（页面不存在）">伊甸园之东</a>（英语：<a href="https://en.wikipedia.org/wiki/East_of_Eden_(film)" class="extiw" title="en:East of Eden (film)">East of Eden (film)</a>）》 (1955)</li> <li>《<a href="/wiki/%E7%8E%AF%E6%B8%B8%E4%B8%96%E7%95%8C%E5%85%AB%E5%8D%81%E5%A4%A9_(1956%E5%B9%B4%E7%94%B5%E5%BD%B1)" title="环游世界八十天 (1956年电影)">环游世界八十天</a>》 (1956)</li> <li>《<a href="/wiki/%E6%A1%82%E6%B2%B3%E5%A4%A7%E6%A1%A5" title="桂河大桥">桂河大桥</a>》 (1957)</li> <li>《<a href="/w/index.php?title=%E6%8C%A3%E8%84%B1%E9%94%81%E9%93%BE&action=edit&redlink=1" class="new" title="挣脱锁链（页面不存在）">挣脱锁链</a>（英语：<a href="https://en.wikipedia.org/wiki/The_Defiant_Ones" class="extiw" title="en:The Defiant Ones">The Defiant Ones</a>）》 (1958)</li> <li>《<a href="/wiki/%E8%B3%93%E6%BC%A2" title="賓漢">宾虚</a>》 (1959)</li> <li>《<a href="/wiki/%E9%A2%A8%E9%9B%B2%E7%BE%A3%E8%8B%B1%E6%9C%83" title="風雲羣英會">斯巴达克斯</a>》 (1960)</li> <li>《<a href="/w/index.php?title=%E7%BA%B3%E7%93%A6%E9%9A%86%E5%A4%A7%E7%82%AE&action=edit&redlink=1" class="new" title="纳瓦隆大炮（页面不存在）">纳瓦隆大炮</a>（英语：<a href="https://en.wikipedia.org/wiki/The_Guns_of_Navarone_(film)" class="extiw" title="en:The Guns of Navarone (film)">The Guns of Navarone (film)</a>）》 (1961)</li> <li>《<a href="/wiki/%E9%98%BF%E6%8B%89%E4%BC%AF%E7%9A%84%E5%8A%B3%E4%BC%A6%E6%96%AF_(%E7%94%B5%E5%BD%B1)" title="阿拉伯的劳伦斯 (电影)">阿拉伯的劳伦斯</a>》 (1962)</li> <li>《<a href="/w/index.php?title=%E7%BA%A2%E8%A1%A3%E4%B8%BB%E6%95%99_(%E7%94%B5%E5%BD%B1)&action=edit&redlink=1" class="new" title="红衣主教 (电影)（页面不存在）">红衣主教</a>（英语：<a href="https://en.wikipedia.org/wiki/The_Cardinal" class="extiw" title="en:The Cardinal">The Cardinal</a>）》 (1963)</li> <li>《<a href="/w/index.php?title=%E9%9B%84%E9%9C%B8%E5%A4%A9%E4%B8%8B_(%E7%94%B5%E5%BD%B1)&action=edit&redlink=1" class="new" title="雄霸天下 (电影)（页面不存在）">雄霸天下</a>（英语：<a href="https://en.wikipedia.org/wiki/Becket_(1964_film)" class="extiw" title="en:Becket (1964 film)">Becket (1964 film)</a>）》 (1964)</li> <li>《<a href="/wiki/%E6%97%A5%E7%93%A6%E6%88%88%E5%8C%BB%E7%94%9F_(%E7%94%B5%E5%BD%B1)" title="日瓦戈医生 (电影)">日瓦戈医生</a>》 (1965)</li> <li>《<a href="/wiki/%E8%89%AF%E7%9B%B8%E4%BD%90%E5%9C%8B" title="良相佐國">四季之人</a>》 (1966)</li> <li>《<a href="/wiki/%E6%9C%88%E9%BB%91%E9%A2%A8%E9%AB%98%E6%AE%BA%E4%BA%BA%E5%A4%9C" title="月黑風高殺人夜">炎热的夜晚</a>》 (1967)</li> <li>《<a href="/wiki/%E5%86%AC%E7%8D%85" title="冬獅">冬獅</a>》 (1968)</li> <li>《<a href="/w/index.php?title=%E5%AE%89%E5%A6%AE%E7%9A%84%E5%8D%83%E6%97%A5&action=edit&redlink=1" class="new" title="安妮的千日（页面不存在）">安妮的千日</a>（英语：<a href="https://en.wikipedia.org/wiki/Anne_of_the_Thousand_Days" class="extiw" title="en:Anne of the Thousand Days">Anne of the Thousand Days</a>）》 (1969)</li> <li>《<a href="/wiki/%E6%84%9B%E7%9A%84%E6%95%85%E4%BA%8B" title="愛的故事">爱情故事</a>》 (1970)</li> <li>《<a href="/wiki/%E9%9C%B9%E9%9D%82%E7%A5%9E%E6%8E%A2" title="霹靂神探">法国贩毒网</a>》 (1971)</li> <li>《<a href="/wiki/%E6%95%99%E7%88%B6_(%E9%9B%BB%E5%BD%B1)" title="教父 (電影)">教父</a>》 (1972)</li> <li>《<a href="/wiki/%E5%A4%A7%E6%B3%95%E5%B8%AB" title="大法師">驱魔人</a>》 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href="https://en.wikipedia.org/wiki/The_Sound_Barrier" class="extiw" title="en:The Sound Barrier">The Sound Barrier</a>）》 (1952)</li> <li>《<a href="/wiki/%E7%A6%81%E5%BF%8C%E7%9A%84%E9%81%8A%E6%88%B2" title="禁忌的遊戲">禁忌游戏</a>》 (1953)</li> <li>《<a href="/wiki/%E6%81%90%E6%83%A7%E7%9A%84%E4%BB%A3%E4%BB%B7" title="恐惧的代价">恐惧的代价</a>》 (1954)</li> <li>《<a href="/w/index.php?title=%E7%90%86%E6%9F%A5%E4%B8%89%E4%B8%96_(1955%E5%B9%B4%E9%9B%BB%E5%BD%B1)&action=edit&redlink=1" class="new" title="理查三世 (1955年電影)（页面不存在）">理查三世 (1955年電影)</a>（英语：<a href="https://en.wikipedia.org/wiki/Richard_III_(1955_film)" class="extiw" title="en:Richard III (1955 film)">Richard III (1955 film)</a>）》 (1955)</li> <li>《<a href="/wiki/%E4%B8%8D%E5%A0%AA%E5%9B%9E%E9%A6%96%E8%A9%B1%E7%95%B6%E5%B9%B4" title="不堪回首話當年">酒店</a>》 (1956)</li> <li>《<a href="/wiki/%E6%A1%82%E6%B2%B3%E5%A4%A7%E6%A1%A5" title="桂河大桥">桂河大桥</a>》 (1957)</li> <li>《<a href="/w/index.php?title=%E9%87%91%E5%B1%8B%E6%B7%9A&action=edit&redlink=1" class="new" title="金屋淚（页面不存在）">金屋淚</a>（英语：<a href="https://en.wikipedia.org/wiki/Room_at_the_Top_(1959_film)" class="extiw" title="en:Room at the Top (1959 film)">Room at the Top (1959 film)</a>）》 (1958)</li> <li>《<a href="/wiki/%E8%B3%93%E6%BC%A2" title="賓漢">宾虚</a>》 (1959)</li> <li>《<a href="/wiki/%E5%85%AC%E5%AF%93%E6%98%A5%E5%85%89" title="公寓春光">公寓春光</a>》 (1960)</li> <li>《<a href="/wiki/%E5%A3%AB%E5%85%B5%E4%B9%8B%E6%AD%8C" title="士兵之歌">士兵之歌</a>》 (1961)</li> <li>《<a href="/wiki/%E6%B1%9F%E6%B9%96%E6%B5%AA%E5%AD%90_(%E9%9B%BB%E5%BD%B1)" title="江湖浪子 (電影)">江湖浪子</a>》 (1961)</li> <li>《<a href="/wiki/%E9%98%BF%E6%8B%89%E4%BC%AF%E7%9A%84%E5%8A%B3%E4%BC%A6%E6%96%AF_(%E7%94%B5%E5%BD%B1)" title="阿拉伯的劳伦斯 (电影)">阿拉伯的劳伦斯</a>》 (1962)</li> <li>《<a href="/wiki/%E9%A2%A8%E6%B5%81%E5%8A%8D%E5%AE%A2%E8%B5%B0%E5%A4%A9%E6%B6%AF" title="風流劍客走天涯">風流劍客走天涯</a>》 (1963)</li> <li>《<a href="/wiki/%E5%A5%87%E7%88%B1%E5%8D%9A%E5%A3%AB" title="奇爱博士">奇爱博士</a>》 (1964)</li> <li>《<a href="/wiki/%E7%AA%88%E7%AA%95%E6%B7%91%E5%A5%B3_(%E9%9B%BB%E5%BD%B1)" title="窈窕淑女 (電影)">窈窕淑女</a>》 (1965)</li> <li>《<a href="/wiki/%E9%9D%88%E6%85%BE%E6%98%A5%E5%AE%B5" title="靈慾春宵">靈慾春宵</a>》 (1966)</li> <li>《<a href="/wiki/%E8%89%AF%E7%9B%B8%E4%BD%90%E5%9C%8B" title="良相佐國">四季之人</a>》 (1967)</li> <li>《<a href="/wiki/%E6%AF%95%E4%B8%9A%E7%94%9F_(%E7%94%B5%E5%BD%B1)" title="毕业生 (电影)">毕业生</a>》 (1968)</li> <li>《<a href="/wiki/%E5%8D%88%E5%A4%9C%E7%89%9B%E9%83%8E" title="午夜牛郎">午夜牛郎</a>》 (1969)</li> <li>《<a href="/wiki/%E8%99%8E%E8%B1%B9%E5%B0%8F%E9%9C%B8%E7%8E%8B" title="虎豹小霸王">虎豹小霸王</a>》 (1970)</li> <li>《<a href="/w/index.php?title=%E8%A1%80%E8%85%A5%E7%9A%84%E6%98%9F%E6%9C%9F%E5%A4%A9&action=edit&redlink=1" class="new" title="血腥的星期天（页面不存在）">血腥的星期天</a>（英语：<a href="https://en.wikipedia.org/wiki/Sunday_Bloody_Sunday_(film)" class="extiw" title="en:Sunday Bloody Sunday (film)">Sunday Bloody Sunday (film)</a>）》 (1971)</li> <li>《<a href="/wiki/%E6%AD%8C%E5%BB%B3_(%E9%9B%BB%E5%BD%B1)" title="歌廳 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(電影)">象人</a>》 (1980)</li> <li>《<a href="/wiki/%E7%83%88%E7%81%AB%E6%88%B0%E8%BB%8A_(1981%E5%B9%B4%E9%9B%BB%E5%BD%B1)" title="烈火戰車 (1981年電影)">烈火战车</a>》 (1981)</li> <li>《<a href="/wiki/%E7%94%98%E5%9C%B0%E5%82%B3" title="甘地傳">甘地传</a>》 (1982)</li> <li>《<a href="/w/index.php?title=%E5%87%A1%E5%A4%AB%E4%BF%97%E5%A5%B3&action=edit&redlink=1" class="new" title="凡夫俗女（页面不存在）">凡夫俗女</a>（英语：<a href="https://en.wikipedia.org/wiki/Educating_Rita_(film)" class="extiw" title="en:Educating Rita (film)">Educating Rita (film)</a>）》 (1983)</li> <li>《<a href="/wiki/%E6%9D%80%E6%88%AE%E6%88%98%E5%9C%BA" title="杀戮战场">杀戮战场</a>》 (1984)</li> <li>《<a href="/wiki/%E5%BC%80%E7%BD%97%E7%B4%AB%E7%8E%AB%E7%91%B0" title="开罗紫玫瑰">开罗紫玫瑰</a>》 (1985)</li> <li>《<a href="/wiki/%E7%9C%8B%E5%BE%97%E8%A7%81%E9%A3%8E%E6%99%AF%E7%9A%84%E6%88%BF%E9%97%B4_(%E7%94%B5%E5%BD%B1)" title="看得见风景的房间 (电影)">看得见风景的房间</a>》 (1986)</li> <li>《<a href="/wiki/%E7%94%B7%E4%BA%BA%E7%9A%84%E9%87%8E%E5%BF%83" title="男人的野心">男人的野心</a>》 (1987)</li> <li>《<a href="/wiki/%E6%9C%AB%E4%BB%A3%E7%9A%87%E5%B8%9D_(%E7%94%B5%E5%BD%B1)" title="末代皇帝 (电影)">末代皇帝</a>》 (1988)</li> <li>《<a href="/wiki/%E6%AD%BB%E4%BA%A1%E8%AF%97%E7%A4%BE" title="死亡诗社">死亡诗社</a>》 (1989)</li> <li>《<a href="/wiki/%E7%9B%9C%E4%BA%A6%E6%9C%89%E9%81%93" title="盜亦有道">好家伙</a>》 (1990)</li> <li>《<a href="/w/index.php?title=%E8%BF%BD%E6%A2%A6%E8%80%85&action=edit&redlink=1" class="new" title="追梦者（页面不存在）">追梦者</a>（英语：<a href="https://en.wikipedia.org/wiki/The_Commitments_(film)" class="extiw" title="en:The Commitments (film)">The Commitments (film)</a>）》 (1991)</li> <li>《<a href="/wiki/%E6%AD%A4%E6%83%85%E5%8F%AF%E5%95%8F%E5%A4%A9" title="此情可問天">霍华德庄园</a>》 (1992)</li> <li>《<a href="/wiki/%E8%BE%9B%E5%BE%B7%E5%8B%92%E7%9A%84%E5%90%8D%E5%8D%95" title="辛德勒的名单">辛德勒的名单</a>》 (1993)</li> <li>《<a href="/wiki/%E5%9B%9B%E5%80%8B%E5%A9%9A%E7%A6%AE%E4%B8%80%E5%80%8B%E8%91%AC%E7%A6%AE" title="四個婚禮一個葬禮">四个婚礼和一个葬礼</a>》 (1994)</li> <li>《<a class="mw-selflink selflink">理智与情感</a>》 (1995)</li> <li>《<a href="/wiki/%E8%8B%B1%E5%80%AB%E6%83%85%E4%BA%BA" title="英倫情人">英倫情人</a>》 (1996)</li> <li>《<a href="/wiki/%E5%85%89%E8%B1%AC%E5%85%AD%E5%A3%AF%E5%A3%AB" title="光豬六壯士">一脱到底</a>》 (1997)</li> <li>《<a href="/wiki/%E8%8E%8E%E7%BF%81%E6%83%85%E5%8F%B2" title="莎翁情史">莎翁情史</a>》 (1998)</li> <li>《<a href="/wiki/%E7%BE%8E%E5%9C%8B%E5%BF%83%E7%8E%AB%E7%91%B0%E6%83%85" title="美國心玫瑰情">美國心玫瑰情</a>》 (1999)</li> <li>《<a href="/wiki/%E8%A7%92%E6%96%97%E5%A3%AB_(%E7%94%B5%E5%BD%B1)" title="角斗士 (电影)">角斗士</a>》 (2000)</li> <li>《<a href="/wiki/%E6%8C%87%E7%8E%AF%E7%8E%8B%EF%BC%9A%E6%8A%A4%E6%88%92%E4%BD%BF%E8%80%85" title="指环王：护戒使者">指环王：护戒使者</a>》 (2001)</li> <li>《<a href="/wiki/%E9%92%A2%E7%90%B4%E5%AE%B6_(%E7%94%B5%E5%BD%B1)" title="钢琴家 (电影)">钢琴家</a>》 (2002)</li> <li>《<a href="/wiki/%E9%AD%94%E6%88%92%E4%B8%89%E9%83%A8%E6%9B%B2%EF%BC%9A%E7%8E%8B%E8%80%85%E5%86%8D%E8%87%A8" title="魔戒三部曲：王者再臨">指环王：王者归来</a>》 (2003)</li> <li>《<a href="/wiki/%E9%A3%9E%E8%A1%8C%E8%80%85" title="飞行者">飞行家</a>》 (2004)</li> 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title="查看该模板">查</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:%E9%87%91%E7%86%8A%E7%8D%8E%E5%BE%97%E7%8D%8E%E4%BD%9C%E5%93%81" title="Template talk:金熊獎得獎作品"><abbr title="讨论该模板">论</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:%E7%BC%96%E8%BE%91%E9%A1%B5%E9%9D%A2/Template:%E9%87%91%E7%86%8A%E7%8D%8E%E5%BE%97%E7%8D%8E%E4%BD%9C%E5%93%81" title="Special:编辑页面/Template:金熊獎得獎作品"><abbr title="编辑该模板">编</abbr></a></li></ul></div><div id="金熊獎得獎作品" style="font-size:110%;margin:0 5em"><a href="/wiki/%E9%87%91%E7%86%8A%E5%A5%96" title="金熊奖">金熊獎得獎作品</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">1951–1959</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0px"><div style="padding:0em 0.25em"> <ul><li>《<a href="/w/index.php?title=%E5%9B%9B%E4%BA%BA%E5%90%89%E6%99%AE&action=edit&redlink=1" class="new" title="四人吉普（页面不存在）">四人吉普</a>（英语：<a href="https://en.wikipedia.org/wiki/Four_in_a_Jeep" class="extiw" title="en:Four in a Jeep">Four in a Jeep</a>）》 / 《<a href="/w/index.php?title=%E6%B2%92%E6%9C%89%E7%95%99%E4%B8%8B%E7%9A%84%E5%9C%B0%E5%9D%80&action=edit&redlink=1" class="new" title="沒有留下的地址（页面不存在）">沒有留下的地址</a>（英语：<a href="https://en.wikipedia.org/wiki/...Sans_laisser_d%27adresse" class="extiw" title="en:...Sans laisser d'adresse">...Sans laisser d'adresse</a>）》 / 《<a href="/w/index.php?title=%E6%B5%B7%E7%8B%B8%E8%B0%B7&action=edit&redlink=1" class="new" title="海狸谷（页面不存在）">海狸谷</a>（英语：<a href="https://en.wikipedia.org/wiki/In_Beaver_Valley" class="extiw" title="en:In Beaver Valley">In Beaver Valley</a>）》 / 《<a href="/w/index.php?title=%E5%88%91%E4%BA%8B%E6%B3%95%E5%BA%AD&action=edit&redlink=1" class="new" title="刑事法庭（页面不存在）">刑事法庭</a>（英语：<a href="https://en.wikipedia.org/wiki/Justice_Is_Done" class="extiw" title="en:Justice Is Done">Justice Is Done</a>）》 / 《<a href="/wiki/%E4%BB%99%E5%B1%A5%E5%A5%87%E7%BC%98" title="仙履奇缘">仙履奇缘</a>》（1951年）</li> <li>《<a href="/w/index.php?title=%E5%B9%B8%E7%A6%8F%E7%9A%84%E5%A4%8F%E5%A4%A9&action=edit&redlink=1" class="new" title="幸福的夏天（页面不存在）">幸福的夏天</a>（英语：<a href="https://en.wikipedia.org/wiki/One_Summer_of_Happiness" class="extiw" title="en:One Summer of Happiness">One Summer of Happiness</a>）》（1952年）</li> <li>《<a href="/wiki/%E6%81%90%E6%83%A7%E7%9A%84%E4%BB%A3%E4%BB%B7" title="恐惧的代价">恐懼的代價</a>》（1953年）</li> <li>《<a href="/w/index.php?title=%E5%A5%B3%E5%A4%A7%E4%B8%8D%E4%B8%AD%E7%95%99&action=edit&redlink=1" class="new" title="女大不中留（页面不存在）">女大不中留</a>（英语：<a href="https://en.wikipedia.org/wiki/Hobson%27s_Choice_(1954_film)" class="extiw" title="en:Hobson's Choice (1954 film)">Hobson's Choice (1954 film)</a>）》（1954年）</li> <li>《<a href="/w/index.php?title=%E9%BC%A0_(%E7%94%B5%E5%BD%B1)&action=edit&redlink=1" class="new" title="鼠 (电影)（页面不存在）">鼠</a>（英语：<a href="https://en.wikipedia.org/wiki/Die_Ratten" class="extiw" title="en:Die Ratten">Die Ratten</a>）》（1955年）</li> <li>《<a href="/w/index.php?title=%E5%BF%83%E8%81%B2%E5%B9%BB%E5%BD%B1&action=edit&redlink=1" class="new" title="心聲幻影（页面不存在）">心聲幻影</a>（英语：<a href="https://en.wikipedia.org/wiki/Invitation_to_the_Dance_(film)" class="extiw" title="en:Invitation to the Dance (film)">Invitation to the Dance (film)</a>）》（1956年）</li> <li>《<a href="/wiki/%E5%8D%81%E4%BA%8C%E6%80%92%E6%BC%A2_(%E9%9B%BB%E5%BD%B1)" title="十二怒漢 (電影)">十二怒漢</a>》（1957年）</li> <li>《<a href="/wiki/%E9%87%8E%E8%8D%89%E8%8E%93_(%E7%94%B5%E5%BD%B1)" title="野草莓 (电影)">野草莓</a>》（1958年）</li> <li>《<a href="/wiki/%E8%A1%A8%E5%85%84%E5%BC%9F_(%E9%9B%BB%E5%BD%B1)" title="表兄弟 (電影)">表兄弟</a>》（1959年）</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">1960–1979</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0px"><div style="padding:0em 0.25em"> <ul><li>《<a href="/wiki/%E5%B0%8F%E7%99%9E%E5%AD%90_(1959%E5%B9%B4%E7%94%B5%E5%BD%B1)" title="小癞子 (1959年电影)">托美斯河上的小癞子</a>》（1960年）</li> <li>《<a href="/wiki/%E5%A4%9C_(%E9%9B%BB%E5%BD%B1)" title="夜 (電影)">夜</a>》（1961年）</li> <li>《<a href="/w/index.php?title=%E4%B8%80%E5%A4%95%E9%A2%A8%E6%B5%81%E6%81%A8%E4%BA%8B%E5%A4%9A&action=edit&redlink=1" class="new" title="一夕風流恨事多（页面不存在）">一夕風流恨事多</a>（英语：<a href="https://en.wikipedia.org/wiki/A_Kind_of_Loving_(film)" class="extiw" title="en:A Kind of Loving (film)">A Kind of Loving (film)</a>）》（1962年）</li> <li>《<a href="/w/index.php?title=%E6%AD%A6%E5%A3%AB%E9%81%93%E6%AE%98%E9%85%B7%E7%89%A9%E8%AA%9E&action=edit&redlink=1" class="new" title="武士道殘酷物語（页面不存在）">武士道殘酷物語</a>（英语：<a href="https://en.wikipedia.org/wiki/Bushido,_Samurai_Saga" class="extiw" title="en:Bushido, Samurai Saga">Bushido, Samurai Saga</a>）》 / 《<a href="/w/index.php?title=%E6%83%A1%E9%AD%94_(%E7%94%B5%E5%BD%B1)&action=edit&redlink=1" class="new" title="惡魔 (电影)（页面不存在）">恶魔</a>（英语：<a href="https://en.wikipedia.org/wiki/To_Bed_or_Not_to_Bed" class="extiw" title="en:To Bed or Not to Bed">To Bed or Not to Bed</a>）》（1963年）</li> <li>《<a href="/w/index.php?title=%E9%87%8E%E6%80%A7%E7%9A%84%E8%8B%A6%E6%82%B6&action=edit&redlink=1" class="new" title="野性的苦悶（页面不存在）">野性的苦悶</a>（英语：<a href="https://en.wikipedia.org/wiki/Dry_Summer" class="extiw" title="en:Dry Summer">Dry Summer</a>）》（1964年）</li> <li>《<a href="/wiki/%E9%98%BF%E7%88%BE%E7%99%BC%E5%9F%8E_(%E9%9B%BB%E5%BD%B1)" title="阿爾發城 (電影)">阿爾發城</a>》（1965年）</li> <li>《<a href="/w/index.php?title=%E8%8D%92%E5%B3%B6%E9%A9%9A%E9%AD%82&action=edit&redlink=1" class="new" title="荒島驚魂（页面不存在）">荒島驚魂</a>（英语：<a href="https://en.wikipedia.org/wiki/Cul-de-sac_(1966_film)" class="extiw" title="en:Cul-de-sac (1966 film)">Cul-de-sac (1966 film)</a>）》（1966年）</li> <li>《<a href="/w/index.php?title=%E5%87%BA%E7%99%BC%E5%90%A7%EF%BC%81%E6%88%80%E4%BA%BA%E5%80%91&action=edit&redlink=1" class="new" title="出發吧！戀人們（页面不存在）">出發吧！戀人們</a>（英语：<a href="https://en.wikipedia.org/wiki/The_Departure_(film)" class="extiw" title="en:The Departure (film)">The Departure (film)</a>）》（1967年）</li> <li>《<a href="/w/index.php?title=%E6%95%99%E5%B8%AB%E4%B9%8B%E6%AD%BB&action=edit&redlink=1" class="new" title="教師之死（页面不存在）">教師之死</a>（英语：<a href="https://en.wikipedia.org/wiki/Who_Saw_Him_Die%3F" class="extiw" title="en:Who Saw Him Die?">Who Saw Him Die?</a>）》（1968年）</li> <li>《<a href="/w/index.php?title=%E7%AC%AC%E4%B8%80%E4%BB%BD%E5%B7%A5%E4%BD%9C&action=edit&redlink=1" class="new" title="第一份工作（页面不存在）">第一份工作</a>（英语：<a href="https://en.wikipedia.org/wiki/Early_Works_(film)" class="extiw" title="en:Early Works (film)">Early Works (film)</a>）》（1969年）</li> <li>《<a href="/w/index.php?title=%E8%B2%BB%E5%B0%BC%E8%8C%B2%E8%8A%B1%E5%9C%92&action=edit&redlink=1" class="new" title="費尼茲花園（页面不存在）">費尼茲花園</a>（英语：<a href="https://en.wikipedia.org/wiki/The_Garden_of_the_Finzi-Continis_(film)" class="extiw" title="en:The Garden of the Finzi-Continis (film)">The Garden of the Finzi-Continis (film)</a>）》（1971年）</li> <li>《<a href="/wiki/%E5%9D%8E%E7%89%B9%E4%BC%AF%E9%9B%B7%E6%95%85%E4%BA%8B%E9%9B%86_(1972%E5%B9%B4%E7%94%B5%E5%BD%B1)" title="坎特伯雷故事集 (1972年电影)">坎特伯雷故事集</a>》（1972年）</li> <li>《<a href="/wiki/%E9%81%99%E9%81%A0%E7%9A%84%E9%9B%B7%E8%81%B2" title="遙遠的雷聲">遙遠的雷聲</a>》（1973年）</li> <li>《<a href="/w/index.php?title=%E5%AD%B8%E5%BE%92_(1974%E5%B9%B4%E9%9B%BB%E5%BD%B1)&action=edit&redlink=1" class="new" title="學徒 (1974年電影)（页面不存在）">學徒</a>（英语：<a href="https://en.wikipedia.org/wiki/The_Apprenticeship_of_Duddy_Kravitz" class="extiw" title="en:The Apprenticeship of Duddy Kravitz">The Apprenticeship of Duddy Kravitz</a>）》（1974年）</li> <li>《<a href="/w/index.php?title=%E9%A0%98%E9%A4%8A_(%E9%9B%BB%E5%BD%B1)&action=edit&redlink=1" class="new" title="領養 (電影)（页面不存在）">領養</a>（英语：<a href="https://en.wikipedia.org/wiki/Adoption_(film)" class="extiw" title="en:Adoption (film)">Adoption (film)</a>）》（1975年）</li> <li>《<a href="/wiki/%E8%A5%BF%E5%A1%9E%E8%8B%B1%E9%9B%84%E8%B0%B1" title="西塞英雄谱">西塞英雄譜</a>》（1976年）</li> <li>《<a href="/w/index.php?title=%E4%B8%8A%E5%8D%87&action=edit&redlink=1" class="new" title="上升（页面不存在）">上升</a>（英语：<a href="https://en.wikipedia.org/wiki/The_Ascent" class="extiw" title="en:The Ascent">The Ascent</a>）》（1977年）</li> <li>《<a href="/w/index.php?title=%E9%AE%AD%E9%AD%9A_(%E7%94%B5%E5%BD%B1)&action=edit&redlink=1" class="new" title="鮭魚 (电影)（页面不存在）">鲑鱼</a>（英语：<a href="https://en.wikipedia.org/wiki/Las_truchas" class="extiw" title="en:Las truchas">Las truchas</a>）》 / 《<a href="/wiki/%E7%94%B5%E6%A2%AF_(%E7%9F%AD%E7%89%87)" title="电梯 (短片)">電梯</a>》 / 《<a href="/w/index.php?title=%E9%A6%AC%E5%85%8B%E6%80%9D%E8%AA%AA%E4%BA%86%E4%BB%80%E9%BA%BC&action=edit&redlink=1" class="new" title="馬克思說了什麼（页面不存在）">馬克思說了什麼</a>（英语：<a href="https://en.wikipedia.org/wiki/What_Max_Said" class="extiw" title="en:What Max Said">What Max Said</a>）》（1978年）</li> <li>《<a href="/w/index.php?title=%E5%A4%A7%E8%A1%9B_(1979%E5%B9%B4%E9%9B%BB%E5%BD%B1)&action=edit&redlink=1" class="new" title="大衛 (1979年電影)（页面不存在）">大衛</a>（英语：<a href="https://en.wikipedia.org/wiki/David_(1979_film)" class="extiw" title="en:David (1979 film)">David (1979 film)</a>）》（1979年）</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">1980–1999</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0px"><div style="padding:0em 0.25em"> <ul><li>《<a href="/w/index.php?title=%E6%8B%93%E8%8D%92%E8%80%85_(%E7%94%B5%E5%BD%B1)&action=edit&redlink=1" class="new" title="拓荒者 (电影)（页面不存在）">拓荒者</a>（英语：<a href="https://en.wikipedia.org/wiki/Heartland_(film)" class="extiw" title="en:Heartland (film)">Heartland (film)</a>）》 / 《<a href="/w/index.php?title=%E5%B7%B4%E5%8B%92%E6%91%A9%E6%88%96%E6%B2%83%E5%A4%AB%E6%96%AF%E5%A0%A1&action=edit&redlink=1" class="new" title="巴勒摩或沃夫斯堡（页面不存在）">巴勒摩或沃夫斯堡</a>（英语：<a href="https://en.wikipedia.org/wiki/Palermo_or_Wolfsburg" class="extiw" title="en:Palermo or Wolfsburg">Palermo or Wolfsburg</a>）》（1980年）</li> <li>《<a href="/w/index.php?title=%E5%BF%AB%EF%BC%8C%E5%BF%AB&action=edit&redlink=1" class="new" title="快，快（页面不存在）">快，快</a>（英语：<a href="https://en.wikipedia.org/wiki/Deprisa,_Deprisa" class="extiw" title="en:Deprisa, Deprisa">Deprisa, Deprisa</a>）》（1981年）</li> <li>《<a href="/w/index.php?title=%E7%B6%AD%E6%B4%9B%E5%A6%AE%E5%8D%A1%E4%BD%9B%E6%96%AF%E7%9A%84%E6%85%BE%E6%9C%9B&action=edit&redlink=1" class="new" title="維洛妮卡佛斯的慾望（页面不存在）">維洛妮卡佛斯的慾望</a>（英语：<a href="https://en.wikipedia.org/wiki/Veronika_Voss" class="extiw" title="en:Veronika Voss">Veronika Voss</a>）》（1982年）</li> <li>《<a href="/w/index.php?title=%E5%AF%8C%E8%B2%B4%E4%B9%8B%E5%AE%B6&action=edit&redlink=1" class="new" title="富貴之家（页面不存在）">富貴之家</a>（英语：<a href="https://en.wikipedia.org/wiki/Ascendancy_(film)" class="extiw" title="en:Ascendancy (film)">Ascendancy (film)</a>）》 / 《<a href="/w/index.php?title=%E8%9C%82%E5%B7%A2_(%E7%94%B5%E5%BD%B1)&action=edit&redlink=1" class="new" title="蜂巢 (电影)（页面不存在）">蜂巢</a>（英语：<a href="https://en.wikipedia.org/wiki/La_colmena_(film)" class="extiw" title="en:La colmena (film)">La colmena (film)</a>）》（1983年）</li> <li>《<a href="/wiki/%E7%88%B1%E7%9A%84%E6%BF%80%E6%B5%81" title="爱的激流">愛的激流</a>》（1984年）</li> <li>《<a href="/w/index.php?title=%E4%B8%8D%E9%80%9F%E4%B9%8B%E5%AE%A2_(1985%E5%B9%B4%E7%94%B5%E5%BD%B1)&action=edit&redlink=1" class="new" title="不速之客 (1985年电影)（页面不存在）">不速之客</a>（英语：<a href="https://en.wikipedia.org/wiki/Wetherby_(film)" class="extiw" title="en:Wetherby (film)">Wetherby (film)</a>）》 / 《<a href="/w/index.php?title=%E5%A5%B3%E4%BA%BA%E4%B8%AD%E7%9A%84%E9%99%8C%E7%94%9F%E4%BA%BA&action=edit&redlink=1" class="new" title="女人中的陌生人（页面不存在）">女人中的陌生人</a>（英语：<a href="https://en.wikipedia.org/wiki/The_Woman_and_the_Stranger" class="extiw" title="en:The Woman and the Stranger">The Woman and the Stranger</a>）》（1985年）</li> <li>《<a href="/wiki/%E5%A4%A7%E5%AE%A1%E5%88%A4_(%E7%94%B5%E5%BD%B1)" class="mw-redirect" title="大审判 (电影)">大审判</a>》（1986年）</li> <li>《<a href="/w/index.php?title=%E4%B8%BB%E9%A1%8C_(1987%E5%B9%B4%E9%9B%BB%E5%BD%B1)&action=edit&redlink=1" class="new" title="主題 (1987年電影)（页面不存在）">主題</a>（英语：<a href="https://en.wikipedia.org/wiki/The_Theme" class="extiw" title="en:The Theme">The Theme</a>）》（1987年）</li> <li>《<a href="/wiki/%E7%BA%A2%E9%AB%98%E7%B2%B1_(%E7%94%B5%E5%BD%B1)" title="红高粱 (电影)">紅高粱</a>》（1988年）</li> <li>《<a href="/wiki/%E9%9B%A8%E4%BA%BA" title="雨人">雨人</a>》（1989年）</li> <li>《<a href="/w/index.php?title=%E5%A9%A6%E5%A5%B3%E6%83%85&action=edit&redlink=1" class="new" title="婦女情（页面不存在）">婦女情</a>（英语：<a href="https://en.wikipedia.org/wiki/Music_Box_(film)" class="extiw" title="en:Music Box (film)">Music Box (film)</a>）》 / 《<a href="/w/index.php?title=%E5%A4%B1%E7%BF%BC%E9%9D%88%E9%9B%80&action=edit&redlink=1" class="new" title="失翼靈雀（页面不存在）">失翼靈雀</a>（英语：<a href="https://en.wikipedia.org/wiki/Larks_on_a_String" class="extiw" title="en:Larks on a String">Larks on a String</a>）》（1990年）</li> <li>《<a href="/w/index.php?title=%E5%BE%AE%E7%AC%91%E4%B9%8B%E5%B1%8B&action=edit&redlink=1" class="new" title="微笑之屋（页面不存在）">微笑之屋</a>（英语：<a href="https://en.wikipedia.org/wiki/The_House_of_Smiles" class="extiw" title="en:The House of Smiles">The House of Smiles</a>）》（1991年）</li> <li>《<a href="/w/index.php?title=%E5%A4%A7%E5%B3%BD%E8%B0%B7_(1991%E5%B9%B4%E7%94%B5%E5%BD%B1)&action=edit&redlink=1" class="new" title="大峽谷 (1991年电影)（页面不存在）">大峡谷</a>（英语：<a href="https://en.wikipedia.org/wiki/Grand_Canyon_(1991_film)" class="extiw" title="en:Grand Canyon (1991 film)">Grand Canyon (1991 film)</a>）》（1992年）</li> <li>《<a href="/wiki/%E9%A6%99%E9%AD%82%E5%A5%B3_(%E7%94%B5%E5%BD%B1)" title="香魂女 (电影)">香魂女</a>》 / 《<a href="/wiki/%E5%9B%8D%E5%AE%B4_(%E9%9B%BB%E5%BD%B1)" title="囍宴 (電影)">囍宴</a>》（1993年）</li> <li>《<a href="/wiki/%E4%BB%A5%E7%88%B6%E4%B9%8B%E5%90%8D" title="以父之名">因父之名</a>》（1994年）</li> <li>《<a href="/w/index.php?title=%E6%89%8B%E5%88%B0%E6%93%92%E4%BE%86&action=edit&redlink=1" class="new" title="手到擒來（页面不存在）">手到擒來</a>（英语：<a href="https://en.wikipedia.org/wiki/The_Bait_(1995_film)" class="extiw" title="en:The Bait (1995 film)">The Bait (1995 film)</a>）》（1995年）</li> <li>《<a class="mw-selflink selflink">理智与情感</a>》（1996年）</li> <li>《<a href="/wiki/%E6%80%A7%E4%B9%A6%E5%A4%A7%E4%BA%A8" title="性书大亨">性书大亨</a>》（1997年）</li> <li>《<a href="/wiki/%E4%B8%AD%E5%A4%AE%E8%BB%8A%E7%AB%99_(%E9%9B%BB%E5%BD%B1)" title="中央車站 (電影)">中央車站</a>》（1998年）</li> <li>《<a href="/wiki/%E7%B4%85%E8%89%B2%E8%AD%A6%E6%88%92_(%E9%9B%BB%E5%BD%B1)" title="紅色警戒 (電影)">细细的红线</a>》（1999年）</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">2000–2019</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0px"><div style="padding:0em 0.25em"> <ul><li>《<a href="/wiki/%E6%9C%A8%E5%85%B0%E8%8A%B1_(%E7%94%B5%E5%BD%B1)" title="木兰花 (电影)">木兰花</a>》（2000年）</li> <li>《<a href="/w/index.php?title=%E8%A6%AA%E5%AF%86%E9%97%9C%E4%BF%82_(2001%E5%B9%B4%E9%9B%BB%E5%BD%B1)&action=edit&redlink=1" class="new" title="親密關係 (2001年電影)（页面不存在）">親密關係</a>（英语：<a href="https://en.wikipedia.org/wiki/Intimacy_(2001_film)" class="extiw" title="en:Intimacy (2001 film)">Intimacy (2001 film)</a>）》（2001年）</li> <li>《<a href="/wiki/%E5%8D%83%E4%B8%8E%E5%8D%83%E5%AF%BB" title="千与千寻">千与千寻</a>》 / 《<a href="/w/index.php?title=%E8%A1%80%E8%85%A5%E6%98%9F%E6%9C%9F%E6%97%A5_(2002%E5%B9%B4%E7%94%B5%E5%BD%B1)&action=edit&redlink=1" class="new" title="血腥星期日 (2002年电影)（页面不存在）">血腥星期日</a>（英语：<a href="https://en.wikipedia.org/wiki/Bloody_Sunday_(film)" class="extiw" title="en:Bloody Sunday (film)">Bloody Sunday (film)</a>）》（2002年）</li> <li>《<a href="/w/index.php?title=%E7%BE%8E%E9%BA%97%E6%96%B0%E4%B8%96%E7%95%8C_(2002%E5%B9%B4%E7%94%B5%E5%BD%B1)&action=edit&redlink=1" class="new" title="美麗新世界 (2002年电影)（页面不存在）">美丽新世界</a>（英语：<a href="https://en.wikipedia.org/wiki/In_This_World" class="extiw" title="en:In This World">In This World</a>）》（2003年）</li> <li>《<a href="/wiki/%E6%84%9B%E7%84%A1%E6%AD%A2%E7%9B%A1" title="愛無止盡">愛無止盡</a>》（2004年）</li> <li>《<a href="/w/index.php?title=%E5%8D%A1%E9%9B%85%E5%88%A9%E6%B2%99%E7%9A%84%E5%8D%A1%E9%96%80&action=edit&redlink=1" class="new" title="卡雅利沙的卡門（页面不存在）">卡雅利沙的卡門</a>（英语：<a href="https://en.wikipedia.org/wiki/U-Carmen_eKhayelitsha" class="extiw" title="en:U-Carmen eKhayelitsha">U-Carmen eKhayelitsha</a>）》（2005年）</li> <li>《<a href="/wiki/%E6%97%85%E8%A1%8C%E4%B9%8B%E6%AD%8C" title="旅行之歌">旅行之歌</a>》（2006年）</li> <li>《<a href="/wiki/%E5%9B%BE%E9%9B%85%E7%9A%84%E5%A9%9A%E4%BA%8B" title="图雅的婚事">圖雅的婚事</a>》（2007年）</li> <li>《<a href="/wiki/%E7%B2%BE%E9%8A%B3%E9%83%A8%E9%9A%8A" title="精銳部隊">精銳部隊</a>》（2008年）</li> <li>《<a href="/wiki/%E6%87%BC%E4%B9%B3%EF%BC%9A%E5%82%B7%E5%BF%83%E7%9A%84%E5%A5%B6%E6%B0%B4" title="懼乳：傷心的奶水">懼乳：傷心的奶水</a>》（2009年）</li> <li>《<a href="/wiki/%E8%9C%9C_(%E9%9B%BB%E5%BD%B1)" title="蜜 (電影)">蜜</a>》（2010年）</li> <li>《<a href="/wiki/%E4%BC%8A%E6%9C%97%E5%BC%8F%E5%88%86%E5%B1%85" title="伊朗式分居">一次别离</a>》（2011年）</li> <li>《<a href="/wiki/%E5%87%B1%E6%92%92%E5%BF%85%E9%A0%88%E6%AD%BB%EF%BC%9A%E8%88%9E%E5%8F%B0%E9%87%8D%E7%94%9F" title="凱撒必須死：舞台重生">凱撒必須死：舞台重生</a>》（2012年）</li> <li>《<a href="/wiki/%E5%AD%A9%E7%AB%A5%E4%B9%8B%E5%A7%BF" title="孩童之姿">愛的佔有慾</a>》（2013年）</li> <li>《<a href="/wiki/%E7%99%BD%E6%97%A5%E7%84%B0%E7%81%AB" title="白日焰火">白日焰火</a>》（2014年）</li> <li>《<a href="/wiki/%E8%A8%88%E7%A8%8B%E4%BA%BA%E7%94%9F" title="計程人生">計程人生</a>》（2015年）</li> <li>《<a href="/wiki/%E6%B5%B7%E4%B8%8A%E7%84%B0%E7%81%AB" title="海上焰火">海上焰火</a>》（2016年）</li> <li>《<a href="/wiki/%E5%A4%A2%E9%B9%BF%E6%83%85%E8%AC%8E" title="夢鹿情謎">肉与灵</a>》（2017年）</li> <li>《<a href="/wiki/%E7%A6%81%E8%BA%AB%E6%8E%A5%E8%A7%B8" title="禁身接觸">禁身接觸</a>》（2018年）</li> <li>《<a href="/wiki/%E5%87%BA%E8%B5%B0%E5%B7%B4%E9%BB%8E" title="出走巴黎">同义词</a>》（2019年）</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">2020–至今</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0px"><div style="padding:0em 0.25em"> <ul><li>《<a href="/wiki/%E7%84%A1%E9%82%AA" title="無邪">无邪</a>》（2020年）</li> <li>《<a href="/wiki/%E5%80%92%E9%9C%89%E6%80%A7%E7%88%B1%EF%BC%8C%E5%8F%91%E7%8B%82%E9%BB%84%E7%89%87" title="倒霉性爱，发狂黄片">倒霉性爱，发狂黄片</a>》（2021年）</li> <li>《<a href="/wiki/%E6%A1%83%E5%AD%90%E6%A8%B9%E7%9A%84%E6%9C%80%E5%BE%8C%E8%B1%90%E6%94%B6" title="桃子樹的最後豐收">桃子樹的最後豐收</a>》（2022年）</li> <li>《<a href="/wiki/%E5%A1%9E%E7%B4%8D%E6%B2%B3%E4%B8%8A%E7%9A%84%E8%88%B9%E5%B1%8B" title="塞納河上的船屋">塞納河上的船屋</a>》（2023年）</li> <li>《<a href="/wiki/%E8%BE%BE%E8%8D%B7%E7%BE%8E_(%E7%94%B5%E5%BD%B1)" title="达荷美 (电影)">达荷美</a>》（2024年）</li> <li>《<a href="/wiki/%E6%80%A7%E6%A2%A6%E7%88%B1%E4%B8%89%E9%83%A8%E6%9B%B2%EF%BC%9A%E6%A2%A6" title="性梦爱三部曲：梦">性梦爱三部曲：梦</a>》（2025年）</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r84265675"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r84261037"></div><div role="navigation" class="navbox" aria-labelledby="评论家选择电影奖最佳影片" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="collapsible-title navbox-title" colspan="2" style="background:#C0C0C0"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r84265675"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r84244141"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:%E8%A9%95%E8%AB%96%E5%AE%B6%E9%81%B8%E6%93%87%E9%9B%BB%E5%BD%B1%E7%8D%8E%E6%9C%80%E4%BD%B3%E5%BD%B1%E7%89%87" title="Template:評論家選擇電影獎最佳影片"><abbr title="查看该模板">查</abbr></a></li><li class="nv-talk"><a href="/w/index.php?title=Template_talk:%E8%A9%95%E8%AB%96%E5%AE%B6%E9%81%B8%E6%93%87%E9%9B%BB%E5%BD%B1%E7%8D%8E%E6%9C%80%E4%BD%B3%E5%BD%B1%E7%89%87&action=edit&redlink=1" class="new" title="Template talk:評論家選擇電影獎最佳影片（页面不存在）"><abbr title="讨论该模板">论</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:%E7%BC%96%E8%BE%91%E9%A1%B5%E9%9D%A2/Template:%E8%A9%95%E8%AB%96%E5%AE%B6%E9%81%B8%E6%93%87%E9%9B%BB%E5%BD%B1%E7%8D%8E%E6%9C%80%E4%BD%B3%E5%BD%B1%E7%89%87" title="Special:编辑页面/Template:評論家選擇電影獎最佳影片"><abbr title="编辑该模板">编</abbr></a></li></ul></div><div id="评论家选择电影奖最佳影片" style="font-size:110%;margin:0 5em"><a href="/wiki/%E8%AF%84%E8%AE%BA%E5%AE%B6%E9%80%89%E6%8B%A9%E7%94%B5%E5%BD%B1%E5%A5%96" title="评论家选择电影奖">评论家选择电影奖</a><a href="/wiki/%E8%A9%95%E8%AB%96%E5%AE%B6%E9%81%B8%E6%93%87%E9%9B%BB%E5%BD%B1%E7%8D%8E%E6%9C%80%E4%BD%B3%E9%9B%BB%E5%BD%B1" title="評論家選擇電影獎最佳電影">最佳影片</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%;background:#C0C0C0">1990年代</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0px"><div style="padding:0em 0.25em"> <ul><li>1995 <a class="mw-selflink selflink">理性與感性</a></li> <li>1996 <a href="/wiki/%E5%86%B0%E8%A1%80%E6%9A%B4" title="冰血暴">冰血暴</a></li> <li>1997 <a href="/wiki/%E9%90%B5%E9%9D%A2%E7%89%B9%E8%AD%A6%E9%9A%8A" title="鐵面特警隊">鐵面特警隊</a></li> <li>1998 <a href="/wiki/%E6%90%B6%E6%95%91%E9%9B%B7%E6%81%A9%E5%A4%A7%E5%85%B5" title="搶救雷恩大兵">搶救雷恩大兵</a></li> <li>1999 <a href="/wiki/%E7%BE%8E%E5%9C%8B%E5%BF%83%E7%8E%AB%E7%91%B0%E6%83%85" title="美國心玫瑰情">美國心玫瑰情</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background:#C0C0C0">2000年代</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0px"><div style="padding:0em 0.25em"> <ul><li>2000 <a href="/wiki/%E8%A7%92%E6%96%97%E5%A3%AB_(%E7%94%B5%E5%BD%B1)" title="角斗士 (电影)">神鬼戰士</a></li> <li>2001 <a href="/wiki/%E7%BE%8E%E4%B8%BD%E5%BF%83%E7%81%B5" title="美丽心灵">美麗境界</a></li> <li>2002 <a href="/wiki/%E8%8A%9D%E5%8A%A0%E5%93%A5_(%E9%9B%BB%E5%BD%B1)" title="芝加哥 (電影)">芝加哥</a></li> <li>2003 <a href="/wiki/%E9%AD%94%E6%88%92%E4%B8%89%E9%83%A8%E6%9B%B2%EF%BC%9A%E7%8E%8B%E8%80%85%E5%86%8D%E8%87%A8" title="魔戒三部曲：王者再臨">魔戒三部曲：王者再臨</a></li> <li>2004 <a href="/wiki/%E9%85%92%E4%BD%AC%E6%97%A5%E8%A8%98" title="酒佬日記">尋找新方向</a></li> <li>2005 <a href="/wiki/%E6%96%B7%E8%83%8C%E5%B1%B1" title="斷背山">斷背山</a></li> <li>2006 <a href="/wiki/%E7%84%A1%E9%96%93%E9%81%93%E9%A2%A8%E9%9B%B2" title="無間道風雲">神鬼無間</a></li> <li>2007 <a href="/wiki/%E9%9A%AA%E8%B7%AF%E5%8B%BF%E8%BF%91" title="險路勿近">險路勿近</a></li> <li>2008 <a href="/wiki/%E8%B2%A7%E6%B0%91%E7%99%BE%E8%90%AC%E5%AF%8C%E7%BF%81" title="貧民百萬富翁">貧民百萬富翁</a></li> <li>2009 <a href="/wiki/%E5%8D%B1%E6%A9%9F%E5%80%92%E6%95%B8" title="危機倒數">危機倒數</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background:#C0C0C0">2010年代</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0px"><div style="padding:0em 0.25em"> <ul><li>2010 <a href="/wiki/%E7%A4%BE%E7%BE%A4%E7%B6%B2%E6%88%B0" title="社群網戰">社群網戰</a></li> <li>2011 <a href="/wiki/%E8%89%BA%E6%9C%AF%E5%AE%B6_(%E7%94%B5%E5%BD%B1)" title="艺术家 (电影)">大藝術家</a></li> <li>2012 <a href="/wiki/%E9%80%83%E7%A6%BB%E5%BE%B7%E9%BB%91%E5%85%B0" title="逃离德黑兰">亞果出任務</a></li> <li>2013 <a href="/wiki/%E4%B8%BA%E5%A5%B4%E5%8D%81%E4%BA%8C%E5%B9%B4" title="为奴十二年">自由之心</a></li> <li>2014 <a href="/wiki/%E5%B0%91%E5%B9%B4%E6%97%B6%E4%BB%A3" title="少年时代">年少時代</a></li> <li>2015 <a href="/wiki/%E9%A9%9A%E7%88%86%E7%84%A6%E9%BB%9E" title="驚爆焦點">驚爆焦點</a></li> <li>2016 <a href="/wiki/%E6%A8%82%E4%BE%86%E8%B6%8A%E6%84%9B%E4%BD%A0" title="樂來越愛你">樂來越愛你</a></li> <li>2017 <a href="/wiki/%E6%B0%B4%E5%BA%95%E6%83%85%E6%B7%B1" title="水底情深">水底情深</a></li> <li>2018 <a href="/wiki/%E7%BE%85%E9%A6%AC_(2018%E5%B9%B4%E9%9B%BB%E5%BD%B1)" title="羅馬 (2018年電影)">羅馬</a></li> <li>2019 <a href="/wiki/%E5%BE%9E%E5%89%8D%EF%BC%8C%E6%9C%89%E5%80%8B%E5%A5%BD%E8%90%8A%E5%A1%A2" title="從前，有個好萊塢">從前，有個好萊塢</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background:#C0C0C0">2020年代</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0px"><div style="padding:0em 0.25em"> <ul><li>2020 <a href="/wiki/%E6%97%A0%E4%BE%9D%E4%B9%8B%E5%9C%B0" title="无依之地">无依之地</a></li> <li>2021 <a href="/wiki/%E7%8A%AC%E5%B1%B1%E8%A8%98" title="犬山記">犬山記</a></li> <li>2022 <a href="/wiki/%E5%AA%BD%E7%9A%84%E5%A4%9A%E9%87%8D%E5%AE%87%E5%AE%99" title="媽的多重宇宙">媽的多重宇宙</a></li> <li>2023 <a href="/wiki/%E5%A5%A7%E6%9C%AC%E6%B5%B7%E9%BB%98_(%E9%9B%BB%E5%BD%B1)" title="奧本海默 (電影)">奧本海默</a></li> <li>2024 <a href="/wiki/%E9%98%BF%E8%AF%BA%E6%8B%89" title="阿诺拉">阿诺拉</a></li></ul> </div></td></tr><tr><td class="navbox-abovebelow" colspan="2" style="background:#E5E5E5; text-align: 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data-event-name="addsection-sticky-header"> 添加话题 </a> </div> <div class="vector-sticky-header-icon-end"> <div class="vector-user-links"> </div> </div> </div> </div> </div> <div class="vector-settings" id="p-dock-bottom"> <ul></ul> </div><script>(RLQ=window.RLQ||[]).push(function(){mw.config.set({"wgHostname":"mw-web.codfw.main-78657f6676-2mxzf","wgBackendResponseTime":2674,"wgPageParseReport":{"limitreport":{"cputime":"2.201","walltime":"2.502","ppvisitednodes":{"value":24363,"limit":1000000},"postexpandincludesize":{"value":1950129,"limit":2097152},"templateargumentsize":{"value":14460,"limit":2097152},"expansiondepth":{"value":25,"limit":100},"expensivefunctioncount":{"value":3,"limit":500},"unstrip-depth":{"value":0,"limit":20},"unstrip-size":{"value":262337,"limit":5000000},"entityaccesscount":{"value":1,"limit":400},"timingprofile":["100.00% 1763.647 1 -total"," 26.58% 468.791 1 Template:Reflist"," 14.69% 259.111 5 Template:Navbox"," 12.90% 227.449 2 Template:Infobox"," 11.67% 205.834 1 Template:Infobox_film"," 9.77% 172.275 109 Template:Lang"," 9.43% 166.373 48 Template:Cite_news"," 7.63% 134.555 1 Template:金熊獎得獎作品"," 6.86% 121.054 1 Template:NoteTA"," 6.72% 118.602 111 Template:Category_handler"]},"scribunto":{"limitreport-timeusage":{"value":"0.950","limit":"10.000"},"limitreport-memusage":{"value":35859319,"limit":52428800},"limitreport-logs":"anchor_id_list = table#1 {\n [\"CITEREFBierly2013\"] = 1,\n [\"CITEREFBritten2010\"] = 1,\n [\"CITEREFBrownstein2001\"] = 1,\n [\"CITEREFCarr1995\"] = 1,\n [\"CITEREFCarter\"] = 1,\n [\"CITEREFChapman2011\"] = 1,\n [\"CITEREFConland2007\"] = 1,\n [\"CITEREFCripps2007\"] = 1,\n [\"CITEREFDalePilon2010\"] = 1,\n [\"CITEREFDawes1995\"] = 1,\n [\"CITEREFDobie2003\"] = 1,\n [\"CITEREFDole2001\"] = 1,\n [\"CITEREFDoran1995\"] = 1,\n [\"CITEREFDwyer1996\"] = 1,\n [\"CITEREFFlavin2004\"] = 1,\n [\"CITEREFGay2003\"] = 1,\n [\"CITEREFGerrard2000\"] = 1,\n [\"CITEREFGilbert1995\"] = 1,\n [\"CITEREFGoodwin1995\"] = 1,\n [\"CITEREFGreenfield2001\"] = 1,\n [\"CITEREFGritten2006\"] = 1,\n [\"CITEREFHansen1996\"] = 1,\n [\"CITEREFHenley2008\"] = 1,\n [\"CITEREFHigson2004\"] = 1,\n [\"CITEREFHigson2011\"] = 1,\n [\"CITEREFHoggard2008\"] = 1,\n [\"CITEREFHorn1996\"] = 1,\n [\"CITEREFJohnson2010\"] = 1,\n [\"CITEREFJones2005\"] = 1,\n [\"CITEREFKerr1996\"] = 1,\n [\"CITEREFKohler-RyanPalmer2013\"] = 1,\n [\"CITEREFKroll1995\"] = 1,\n [\"CITEREFLaSalle1995\"] = 1,\n [\"CITEREFLaity2011\"] = 1,\n [\"CITEREFLauerman1995\"] = 1,\n [\"CITEREFLeith1996\"] = 1,\n [\"CITEREFLeydon1996\"] = 1,\n [\"CITEREFLooser1996\"] = 1,\n [\"CITEREFLyall2006\"] = 1,\n [\"CITEREFMcCarthy1995\"] = 1,\n [\"CITEREFMcCreadie2006\"] = 1,\n [\"CITEREFMcRae2013\"] = 1,\n [\"CITEREFMiller\"] = 1,\n [\"CITEREFMills1996\"] = 1,\n [\"CITEREFMills2009\"] = 1,\n [\"CITEREFNadoolman_Landis2012\"] = 1,\n [\"CITEREFNixon2001\"] = 1,\n [\"CITEREFPage1996\"] = 1,\n [\"CITEREFParkinson\"] = 1,\n [\"CITEREFParrill2002\"] = 1,\n [\"CITEREFPidduck2000\"] = 1,\n [\"CITEREFRickey2010\"] = 1,\n [\"CITEREFRoberts2008\"] = 1,\n [\"CITEREFRoberts2010\"] = 1,\n [\"CITEREFRose2010\"] = 1,\n [\"CITEREFScholz2013\"] = 1,\n [\"CITEREFShih2007\"] = 1,\n [\"CITEREFSilverstein2010\"] = 1,\n [\"CITEREFSimon2005\"] = 1,\n [\"CITEREFStempel2000\"] = 1,\n [\"CITEREFStock2013\"] = 1,\n [\"CITEREFStovel2011\"] = 1,\n [\"CITEREFStuart1995\"] = 1,\n [\"CITEREFThompson1995\"] = 2,\n [\"CITEREFThompson2003\"] = 1,\n [\"CITEREFTroost2007\"] = 1,\n [\"CITEREFTweedie2008\"] = 1,\n [\"CITEREFVoigts-Virchow2004\"] = 1,\n [\"CITEREFWarren1995\"] = 1,\n [\"CITEREFWebber1996\"] = 1,\n [\"CITEREFWelkos1996\"] = 1,\n [\"CITEREFWelsh1996\"] = 1,\n [\"CITEREFWinterman2007\"] = 1,\n}\ntemplate_list = table#1 {\n [\"Allrovi movie\"] = 1,\n [\"Based on\"] = 1,\n [\"Cite book\"] = 26,\n [\"Cite journal\"] = 2,\n [\"Cite news\"] = 48,\n [\"Cite video\"] = 1,\n [\"Cite web\"] = 14,\n [\"Commons Category\"] = 1,\n [\"DEFAULTSORT:Sense and Sensibility\"] = 1,\n [\"Douban\"] = 1,\n [\"Featured article\"] = 1,\n [\"Film date\"] = 1,\n [\"IMDb title\"] = 1,\n [\"Infobox Album\"] = 1,\n [\"Infobox film\"] = 1,\n [\"Lang\"] = 109,\n [\"Lang-en\"] = 1,\n [\"Main\"] = 1,\n [\"Metacritic film\"] = 1,\n [\"Multiple image\"] = 1,\n [\"NoteTA\"] = 1,\n [\"Otheruses\"] = 1,\n [\"Plainlist\"] = 1,\n [\"Portal bar\"] = 1,\n [\"Quote box\"] = 3,\n [\"Reflist\"] = 1,\n [\"Rotten-tomatoes\"] = 1,\n [\"Rp\"] = 153,\n [\"See also\"] = 1,\n [\"Sfn\"] = 1,\n [\"Subscription required\"] = 13,\n [\"Track listing\"] = 1,\n [\"李安\"] = 1,\n [\"英国电影学院奖最佳影片\"] = 1,\n [\"評論家選擇電影獎最佳影片\"] = 1,\n [\"金熊獎得獎作品\"] = 1,\n [\"金球奖最佳剧情片\"] = 1,\n}\narticle_whitelist = table#1 {\n}\n"},"cachereport":{"origin":"mw-web.codfw.main-78657f6676-2mxzf","timestamp":"20250226191329","ttl":3600,"transientcontent":true}}});});</script> <script type="application/ld+json">{"@context":"https:\/\/schema.org","@type":"Article","name":"\u7406\u6027\u8207\u611f\u6027 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