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height: 11px;" /></a></li> </ul> </nav> </div> </div> </div> </div> </div> </div> </header> <div class="wrapper" id="page-wrapper"> <div id="content" class="container"> <div id="primary" class="col-md-12 content-area"> <main id="main" class="site-main" role="main"> <article id="post-11041" class="post-11041 page type-page status-publish hentry"> <div class="entry-content"> <section class="wpb-content-wrapper"><div data-vc-full-width="true" data-vc-full-width-init="false" class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="ult-spacer spacer-67440aa12f91a" data-id="67440aa12f91a" data-height="200" data-height-mobile="200" data-height-tab="200" data-height-tab-portrait="" data-height-mobile-landscape="" style="clear:both;display:block;"></div><h1 style="color: #ffffff;text-align: center;font-family:Abril Fatface;font-weight:400;font-style:normal" class="vc_custom_heading wpb_animate_when_almost_visible wpb_top-to-bottom top-to-bottom" >Codzienność Warszawy 1915-1918.<br /> Szklane negatywy ze zbiorów Pracowni Historycznej Tchorek-Bentall</h1><div class="ult-spacer spacer-67440aa12faf2" data-id="67440aa12faf2" data-height="20" data-height-mobile="20" data-height-tab="20" data-height-tab-portrait="" data-height-mobile-landscape="" style="clear:both;display:block;"></div><div class="vc_separator wpb_content_element vc_separator_align_center vc_sep_width_10 vc_sep_border_width_5 vc_sep_pos_align_center vc_separator_no_text vc_sep_color_white" ><span class="vc_sep_holder vc_sep_holder_l"><span class="vc_sep_line"></span></span><span class="vc_sep_holder vc_sep_holder_r"><span class="vc_sep_line"></span></span> </div> <div class="wpb_text_column wpb_content_element " > <div class="wpb_wrapper"> <h4 style="text-align: center;"><span style="color: #ffffff;">8.06-30.10.2020</span></h4> </div> </div> <div class="ult-spacer spacer-67440aa12ffac" data-id="67440aa12ffac" data-height="200" data-height-mobile="200" data-height-tab="200" data-height-tab-portrait="" data-height-mobile-landscape="" style="clear:both;display:block;"></div></div></div></div></div><div class="vc_row-full-width vc_clearfix"></div><div class="upb_bg_img" data-ultimate-bg="url(https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/numer-7.jpg)" data-image-id="id^11127|url^https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/numer-7.jpg|caption^null|alt^Pałac Staszica 1916|title^Pałac Staszica 1916|description^Pałac Staszica 1916" data-ultimate-bg-style="vcpb-default" data-bg-img-repeat="no-repeat" data-bg-img-size="cover" data-bg-img-position="" data-parallx_sense="30" data-bg-override="ex-full" data-bg_img_attach="fixed" data-upb-overlay-color="" data-upb-bg-animation="" data-fadeout="" data-bg-animation="left-animation" data-bg-animation-type="h" data-animation-repeat="repeat" data-fadeout-percentage="30" data-parallax-content="" data-parallax-content-sense="30" data-row-effect-mobile-disable="true" data-img-parallax-mobile-disable="true" data-rtl="false" data-custom-vc-row="" data-vc="17.0" data-is_old_vc="" data-theme-support="" data-overlay="false" data-overlay-color="" data-overlay-pattern="" data-overlay-pattern-opacity="" data-overlay-pattern-size="" ></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="ult-spacer spacer-67440aa13042c" data-id="67440aa13042c" data-height="50" data-height-mobile="50" data-height-tab="50" data-height-tab-portrait="" data-height-mobile-landscape="" style="clear:both;display:block;"></div> <div class="wpb_text_column wpb_content_element " > <div class="wpb_wrapper"> <p><strong><em>Projekt wyróżniony II nagrodą (ex aequo) przez jury XV edycji „Mazowieckiego Zdarzenia Muzealnego – Wierzba”, reprezentował Muzeum UW w konkursie UMAC Award 2021.</em></strong></p> <p class="lead">Historia 23 nieznanych szklanych negatywów jest nieco zagadkowa, gdyż nie wiemy dokładnie, kto i kiedy je wykonał.</p> <p>Te niezwykłe dokumenty życia codziennego dawnej Warszawy – jej architektury i mieszkańców – przechowywane były w Pracowni Historycznej Tchorek-Bentall i pierwszy raz zostaną udostępnione w postaci wystawy. Zdjęcia pokazują Warszawę w czasie I wojny światowej, gdy znajdowała się pod okupacją niemiecką. Szklane negatywy pozwalają na uzyskanie bardzo dobrej jakości powiększeń, przybliżając fascynujące szczegóły życia warszawskiej ulicy: napisy na szyldach i słupach reklamowych, elementy dawnego ubioru czy detale architektoniczne. Fotografie mają jednak wciąż wiele tajemnic, dlatego liczymy na uważne oko i wiedzę miłośników dawnej Warszawy, którzy pomogą wzbogacić opisy zdjęć o nowe spostrzeżenia. Czy autor chciał udokumentować najbardziej charakterystyczne miejsca stolicy Królestwa Polskiego, czy też może wykonywał fotografie z innym zamiarem? Czy był Niemcem, czy Polakiem, a może przedstawicielem innej narodowości? Najprawdopodobniej zbiór negatywów był większy – szklane płytki są jednak bardzo kruche. Mimo to do dziś – dzięki opiece Katy Bentall – udało się ocalić 23 unikalne obrazy dawnego miasta.</p> <p>W pierwotnym zamyśle wystawa miała być prezentowana w przestrzeni zabytkowego założenia Uniwersytetu Warszawskiego. Taki plan powstał już 8 lat temu, jednak ze względów organizacyjnych nie można było go urzeczywistnić. Dziś projekt ten realizujemy w świecie cyfrowym, łatwiej osiągalnym w warunkach ograniczonej możliwości poruszania się podczas warunków epidemii.</p> </div> </div> <div class="ult-spacer spacer-67440aa13047b" data-id="67440aa13047b" data-height="50" data-height-mobile="50" data-height-tab="50" data-height-tab-portrait="" data-height-mobile-landscape="" style="clear:both;display:block;"></div></div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="vc_separator wpb_content_element vc_separator_align_center vc_sep_width_50 vc_sep_border_width_5 vc_sep_pos_align_left vc_separator_no_text vc_sep_color_grey" ><span class="vc_sep_holder vc_sep_holder_l"><span class="vc_sep_line"></span></span><span class="vc_sep_holder vc_sep_holder_r"><span class="vc_sep_line"></span></span> </div> <div class="wpb_text_column wpb_content_element " > <div class="wpb_wrapper"> <h3>Interaktywna mapa wystawy „Codzienność Warszawy 1915-1918. Szklane negatywy ze zbiorów Pracowni Historycznej Tchorek-Bentall”</h3> <p>Najedź na wybrany punkt i dowiedz się więcej. Co tydzień odkrywać będziemy kolejne zdjęcie przedwojennej Warszawy.</p> </div> </div> <div class="wpb_text_column wpb_content_element " > <div class="wpb_wrapper"> <p>[mapsvg id=”11047″]</p> </div> </div> <div class="ult-spacer spacer-67440aa1305f0" data-id="67440aa1305f0" data-height="100" data-height-mobile="100" data-height-tab="100" data-height-tab-portrait="" data-height-mobile-landscape="" style="clear:both;display:block;"></div></div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="vc_separator wpb_content_element vc_separator_align_center vc_sep_width_50 vc_sep_border_width_5 vc_sep_pos_align_left vc_separator_no_text vc_sep_color_grey" ><span class="vc_sep_holder vc_sep_holder_l"><span class="vc_sep_line"></span></span><span class="vc_sep_holder vc_sep_holder_r"><span class="vc_sep_line"></span></span> </div> <div class="wpb_text_column wpb_content_element " > <div class="wpb_wrapper"> <h4>Szczegółowy plan wystawy „Codzienność Warszawy 1915-1918. Szklane negatywy ze zbiorów Pracowni Historycznej Tchorek-Bentall”</h4> </div> </div> </div></div></div></div><div class="vc_row wpb_row vc_row-fluid vc_row-o-content-middle vc_row-flex"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-8"><div class="vc_column-inner"><div class="wpb_wrapper"> <div class="wpb_single_image wpb_content_element vc_align_center"> <figure class="wpb_wrapper vc_figure"> <div class="vc_single_image-wrapper vc_box_border_grey"><img fetchpriority="high" decoding="async" width="850" height="950" src="https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/plan-uw-2.png" class="vc_single_image-img attachment-full" alt="" title="plan-uw-2" srcset="https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/plan-uw-2.png 850w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/plan-uw-2-600x671.png 600w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/plan-uw-2-268x300.png 268w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/plan-uw-2-768x858.png 768w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/plan-uw-2-179x200.png 179w" sizes="(max-width: 850px) 100vw, 850px" /></div> </figure> </div> </div></div></div><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="ult-spacer spacer-67440aa130c4b" data-id="67440aa130c4b" data-height="50" data-height-mobile="50" data-height-tab="50" data-height-tab-portrait="" data-height-mobile-landscape="" style="clear:both;display:block;"></div></div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="vc_separator wpb_content_element vc_separator_align_center vc_sep_width_50 vc_sep_border_width_5 vc_sep_pos_align_left vc_separator_no_text vc_sep_color_grey" ><span class="vc_sep_holder vc_sep_holder_l"><span class="vc_sep_line"></span></span><span class="vc_sep_holder vc_sep_holder_r"><span class="vc_sep_line"></span></span> </div> <div class="wpb_text_column wpb_content_element " > <div class="wpb_wrapper"> <h3>Smolna 36 – Pracownia Historyczna Tchorek-Bentall</h3> </div> </div> </div></div></div></div><div class="vc_row wpb_row vc_row-fluid vc_column-gap-30"><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper"> <div class="wpb_single_image wpb_content_element vc_align_left"> <figure class="wpb_wrapper vc_figure"> <div class="vc_single_image-wrapper vc_box_border_grey"><img decoding="async" width="2451" height="1623" src="https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/pracownia-tchorek-bentall.jpg" class="vc_single_image-img attachment-full" alt="" title="pracownia tchorek-bentall" srcset="https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/pracownia-tchorek-bentall.jpg 2451w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/pracownia-tchorek-bentall-600x397.jpg 600w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/pracownia-tchorek-bentall-300x200.jpg 300w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/pracownia-tchorek-bentall-1024x678.jpg 1024w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/pracownia-tchorek-bentall-768x509.jpg 768w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/pracownia-tchorek-bentall-1536x1017.jpg 1536w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/pracownia-tchorek-bentall-2048x1356.jpg 2048w" sizes="(max-width: 2451px) 100vw, 2451px" /></div> </figure> </div> </div></div></div><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper"> <div class="wpb_text_column wpb_content_element " > <div class="wpb_wrapper"> <p>Pracownia przy Smolnej 36 została założona w 1951 roku przez rzeźbiarza i kolekcjonera Karola Tchorka (1904-1985) jako przestrzeń pracy, ale i miejsce przechowywania gromadzonych przez niego artystycznych i historycznych artefaktów (pochodzących m.in. z okresu, gdy był kuratorem Salonu Sztuki „Nike”). Dziś interpretować ją można jako współczesną <em>kunstkamerę</em>, w której zbiegają się trzy narracje: zbiory Karola Tchorka, archiwum jego syna, teoretyka sztuki, Mariusza (1939-2004) oraz wizja artystki Katy Bentall – żony Mariusza i obecnej opiekunki Pracowni, która w swoich działaniach artystycznych interpretuje i komentuje historyczną przestrzeń.</p> </div> </div> </div></div></div></div><div class="vc_row wpb_row vc_row-fluid vc_column-gap-30"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper"> <div class="wpb_text_column wpb_content_element " > <div class="wpb_wrapper"> <p>W 2004 roku, po śmierci męża, Katy Bentall odziedziczyła zawartość pracowni rzeźbiarskiej jego ojca. Znajdowały się w niej pozostałości kolekcji sztuki i antyków, jak również „Kolekcja Karola Tchorka” – dorobek artysty: rzeźby, rysunki, fotografie, zinwentaryzowane w 1985 roku po jego śmierci przez syna, samo wnętrze pracowni zostało zinwentaryzowane 6 lat później.</p> <p>W 2004 roku studio było w tak złym stanie, że w kolejnym roku Bentall, traktując je jako „znaleziony przedmiot” i element praktyki artystycznej, podjęła pełną i pieczołowitą rekonstrukcję wnętrza pracowni z pomocą warszawskiej architekt, Małgorzaty Wagner. Starannie uporządkowała, a w zasadzie odtworzyła jej przestrzeń tak by zachować ducha starego studia jako swoistej wunderkammery. Nadal regularnie interweniuje w tę przestrzeń, zmienia położenie wyeksponowanych obiektów, czasem dodaje nowe, często swoje własne prace, aranżując i rearanżując je tak, by tworzyć nowe zestawienia.</p> <p>Celem tych wszystkich działań było tchnięcie nowego życia w stare studio i wykreowanie czegoś co można by nazwać „żyjącym muzeum”. W efekcie powstało miejsce czy też przestrzeń, w której wiele przedmiotów i archiwaliów zgromadzonych w niej przez lata może kontynuować (ko-)egzystencję w intymnej bliskości. Przekrój przez kolejne epoki, który Bentall była w stanie zachować w pracowni jest szczególnie wartościowy w perspektywie przyszłych badań nad kulturą, sztuką i dziedzictwem Warszawy.</p> <p>W ciągu ostatnich 14 lat, jej praca przyniosła owoce w postaci dużego zainteresowania wśród zwiedzających oraz licznych polskich i zagranicznych badaczy przeprowadzających rozmaite kwerendy i studia.</p> <p>W listopadzie 2019 roku Pracownia została wpisana na listę Warszawskich Pracowni Historycznych. Jej funkcjonowanie wspomaga Stowarzyszenie Przyjaciół Pracowni Tchorek-Bentall, którym zarządza Małgorzata Wagner – odpowiedzialna także za architektoniczną renowację miejsca.</p> <p>Kontakt:</p> <p>Małgorzata Wagner – <a href="mailto:malgorzatawagner@wp.pl">malgorzatawagner@wp.pl</a></p> <p> </p> <p><strong>Zbiory pracowni były wykorzystane przy wielu pracach badawczych, wystawach, warsztatach, projektach artystycznych i opracowaniach upowszechniających kulturę, m. in.:</strong></p> <p><strong>Publikacje:</strong></p> <p>Mark Dorrian, Ella Chmielewska. <em>Warszawa. Divisible City. </em>Edinburgh 2018</p> <p>Ella Chmielewska, Agnieszka Chmielewska, Mariusz Tchorek, Paul Carter, <a href="https://www.tandfonline.com/doi/full/10.1080/13602360903570169" target="_blank" rel="noopener"><em>A Warsaw address: a dossier on 35, Smolna Street</em></a>, „The Journal of Architecture” 2010, nr 15, s. 7-38.</p> <p>Ella Chmielewska, <em>Warsaw Afterimages. Of Walls and Memories w:</em> red. Andrea Mubi Brighenti i Mattias Kärrholm, <a href="https://books.google.pl/books?id=txBqDwAAQBAJ&pg=PT207&dq=Figury+retoryczne.+Warszawska+rze%C5%BAba+architektoniczna,+1918-1970&hl=pl&sa=X&ved=2ahUKEwing6CQ-v36AhXQ-yoKHdzyA8IQ6AF6BAgJEAI#v=onepage&q=Figury%20retoryczne.%20Warszawska%20rze%C5%BAba%20architektoniczna%2C%201918-1970&f=false" target="_blank" rel="noopener"><em>Urban Walls. Political and Cultural Meanings of Vertical Structures and Surfaces</em></a>, London – New York 2018</p> <p>Ella Chmielewska, <em>Pamięć miejsca. Tablice. Archiwum. Pracownia,</em> w: red. Agnieszka Tarasiuk, Alicja Gzowska, <em>Figury retoryczne. Warszawska rzeźba architektoniczna, 1918-1970</em>, Warszawa 2015, s. 81-108</p> <p>Mikaela Gallinger, Jerzy Elżanowski, <em>Studio 10a / 36 Smolna Street. Statements of Cultural Heritage Value</em>, 2018</p> <p>Katarzyna Kucharska-Hornung, <a href="http://docplayer.pl/185418996-Pomocnik-konserwatorski-wskazowki-do-pielegnacji-domowych-zbiorow-sztuki-opracowala-katarzyna-kucharska-hornung.html" target="_blank" rel="noopener"><em>Pomocnik konserwatorski. Wskazówki do pielęgnacji domowych zbiorów sztuki opracowała Katarzyna Kucharska-Hornung</em></a>, Warszawa 2019</p> <p><em>Obraz opowieść. Archiwum K. i M. Tchorka</em>, „<a href="http://www.konteksty.pl/numery/85,323" target="_blank" rel="noopener">Konteksty. Polska Sztuka Ludowa</a>”, 2018, nr 4</p> <p> </p> <p><strong>Referaty na konferenacjach:</strong></p> <p>Agnieszka Chmielewska (CE UW, Warszawa), <em>Karol Tchorek, czyli o pożytkach płynących z uprawiania biografistyki</em>; referat na konferencji naukowej p.t. ‘Rzeźba w Polsce (1945-2008)’, Centrum Rzeźby Polskiej w Orońsku oraz Instytut Historii Sztuki UKSW, październik 2008r.</p> <p>Ella Chmielewska, <em>Surface memories: Warsaw’s places of remembering, commemorating and forgetting</em>. <em>Sites of Memory: Objects, Places, Traces</em>, referat podczas konferencji organizowanej przez School of History of Art., Film and Visual Media, Birkbeck College, University of London, luty 2009.</p> <p>Sebastian Schmidt-Tomczak, <em>War alles nur Schau. Die Inszenierung von Warschaus Stadtlandschaft, Gewalt und Theatraliät</em>, Internationales wissenschaftliches Symposium am 15-17 kwietnia 2010.</p> <p>Ella Chmielewska i Sebastian Schmidt Tomczak, <em>The critical where of collaborative research,</em> Referat na 6 Międzynarodowej Konferencji AHRA, Uniwersytet w Edynburgu, Wydział Sztuki, listopad 2009.</p> <p><strong> </strong></p> <p><strong>Wystawy:</strong></p> <p><em>OKNA</em>, wystawa prac fotograficznych Katy Bentall, 23 październik – 6 grudzień, 2016.</p> <p>Wystawa<em> Curating Heritage /Kuratorstwo Dziedzictwo. Ku Warszawie Przyszłości / Towards Warsaw od the Future</em>. Piotr Leśniak, kurator. Matthew Architecture Gallery, Edynburg, 9 -23 wrzesień 2017r.</p> <p>Wystawa <em>Warszawa – projects for the postsocialist city</em>, Matthew Architecture Gallery, Edinburgh, lipiec-sierpień 2009.</p> <p><strong> </strong></p> <p><strong>Warsztaty:</strong></p> <p><em>Seminarium na miejscu</em>, 10.10.2013, ul. Smolna 36, Muzeum Narodowe/Królikarnia, Warszawa</p> <p>Dr Jerzy Elżanowski, Carlton University, Ottawa. <em>Building into Ruins. The Heritage of Displacement. Masterclasses for Architectural Conservation Programme</em>, University of Edinburgh School of Architecture, 17 marzec 2016r.</p> <p><em>Dreaming Objects</em>, Warsztaty projektowe, prowadzone przez prof. Mark Dorrian, ze studentami (magistrantami i doktorantami) następujacych instytucji: University of Newcastle, University of Edinburgh, Bauhaus-Universitüt Wemair, Urban Heritage Programme i Politechnika Warszawska, Wydział Architektury.</p> <p><strong> </strong></p> <p><strong>Prace dyplomowe:</strong></p> <p>Piotr Leśniak,<em> Towards Warsaw od the Future. Exhibiting, Archiving and Moving Through Architectural Imaginaries</em>, PhD Architecture by Design, The University of Edinburgh, 2017r.</p> <p>Meaghan Thurston.<em> The Art Of Placing: Visualizing Home and Memory</em>,The University of Edinburgh. MSc in Cultural Studies, 2010r.</p> <p>Meaghan Thurston, <em>The art. Of Katy Bentall, onsite review</em> /Canada/ no. 26, 2011, pp.12-14</p> <p><strong> </strong></p> <p><strong>Spotkania i odczyty w Pracowni:</strong></p> <p><em>Karol Tchorek’s studio</em>, spotkanie w ramach projektu <em>Confrontations: sessions in East European art history, </em>marzec 2020</p> <p><em>Dreaming objects</em>, Warsztaty projektowe o pamięci miejsca pod kierunkiem Prof. Marka Dorriana z udziałem Dr Elli Chmielewskiej i Suzanne Ewing ze studentami The University of Edinburgh, Jerzego Elżanowskiego ze studentami Ubran Heritage Bauhaus-Weimar, z udziałem studentów Architektury Politechniki Warszawskiej pod kierunkiem Prof. Ewy Kuryłowicz, listopad 2009.</p> <p><em>Place and material transformation, s</em>potkanie ze studentami z Uniwersytetu z Edynburga, School of Arts Culture & Environment w ramach projektu „ Tracking the city … Warszawa Objects…”, październik 2007r.</p> <p><em>Scratching the surface</em>, odczyt prof. Pauli Carter (University of Melbourne), październik 2007r.</p> </div> </div> </div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="ult-spacer spacer-67440aa1313cf" data-id="67440aa1313cf" data-height="50" data-height-mobile="50" data-height-tab="50" data-height-tab-portrait="" data-height-mobile-landscape="" style="clear:both;display:block;"></div></div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="vc_separator wpb_content_element vc_separator_align_center vc_sep_width_50 vc_sep_border_width_5 vc_sep_pos_align_left vc_separator_no_text vc_sep_color_grey" ><span class="vc_sep_holder vc_sep_holder_l"><span class="vc_sep_line"></span></span><span class="vc_sep_holder vc_sep_holder_r"><span class="vc_sep_line"></span></span> </div> <div class="wpb_text_column wpb_content_element " > <div class="wpb_wrapper"> <h3>Karol Tchorek</h3> </div> </div> </div></div></div></div><div class="vc_row wpb_row vc_row-fluid vc_column-gap-30"><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper"> <div class="wpb_single_image wpb_content_element vc_align_left"> <figure class="wpb_wrapper vc_figure"> <div class="vc_single_image-wrapper vc_box_border_grey"><img decoding="async" width="2560" height="1764" src="https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/karol-na-Buwie-2-scaled.jpg" class="vc_single_image-img attachment-full" alt="" title="karol na Buwie (2)" srcset="https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/karol-na-Buwie-2-scaled.jpg 2560w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/karol-na-Buwie-2-scaled-600x413.jpg 600w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/karol-na-Buwie-2-300x207.jpg 300w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/karol-na-Buwie-2-1024x706.jpg 1024w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/karol-na-Buwie-2-768x529.jpg 768w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/karol-na-Buwie-2-1536x1059.jpg 1536w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/karol-na-Buwie-2-2048x1412.jpg 2048w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/karol-na-Buwie-2-290x200.jpg 290w" sizes="(max-width: 2560px) 100vw, 2560px" /></div> </figure> </div> </div></div></div><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper"> <div class="wpb_text_column wpb_content_element " > <div class="wpb_wrapper"> <p>Urodził się 30 października 1904 roku w Serocku. Od wczesnych lat wykazywał talent plastyczny, jednak to wojna stanowiła najważniejsze ramy dla jego młodości. W 1920 roku, na wezwanie Józefa Piłsudskiego, zaciągnął się do wojska. W tym samym roku po raz pierwszy trafił do Warszawy, która wywarła na nim ogromne wrażenie. Jak wspominał: „Przyszedłem z karabinem w 1920 roku jako 15-letni żołnierz. Nasz oddział maszerował wtedy przez Stare Miasto, Krakowskie Przedmieście i Nowy Świat. Cywile obsypywali nas kwiatami, śpiewaliśmy razem <i>Jeszcze Polska nie zginęła..</i>. Wtedy po raz pierwszy zobaczyłem Warszawę. Od tej chwili nieprawdopodobieństwem było, żebym mógł żyć bez tego miasta, które nauczyło mnie entuzjazmu”.</p> </div> </div> </div></div></div></div><div class="vc_row wpb_row vc_row-fluid vc_column-gap-30"><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper"> <div class="wpb_text_column wpb_content_element " > <div class="wpb_wrapper"> <p>Nic więc dziwnego, że po zakończeniu działań wojennych Tchorek powrócił do Warszawy. Na początku zarabiał jako piaskarz. Dopiero z czasem wstąpił do Miejskiej Szkoły Sztuk Zdobniczych i Malarstwa, w której natknął się na Jana Szczepkowskiego. Od 1926 roku uczęszczał do Szkoły Sztuk Pięknych, w której kształcił się m.in. pod okiem Tadeusza Breyera. W międzyczasie pełnił rolę asystenta Karola Stryjeńskiego. Już od końca lat 20. XX wieku udzielał się społecznie, m.in. sprawując funkcję pełnomocnika Towarzystwa Popierania Przemysłu Ludowego ds. zakupów sztuki ludowej. Wielokrotnie brał udział w konkursach artystycznych. Jego talent potwierdzały chociażby drugie miejsce w konkursie na projekt pomnika Wojciecha Bogusławskiego czy też pierwsza nagroda w konkursie na dekorację rzeźbiarską gmachu przy ul. Moniuszki. W 1934 roku otrzymał nagrodę Funduszu Kultury Narodowej za rzeźbę Kolędnicy, a trzy lata później kolejną – za Głowę Chopina. W tym samym roku na wystawie w Paryżu zdobył srebrny medal za Głowę z granitu oraz drugą nagrodę w konkursie na wawelski sarkofag Piłsudskiego. Projekt sarkofagu zamykał klamrą spory fragment jego życia – były legionista Marszałka, przez lata projektujący na zlecenie prezydenta Warszawy pomniki na szlaku legionowym, stworzył rzeźbiarską oprawę dla miejsca spoczynku jednego z ojców polskiej niepodległości.</p> </div> </div> </div></div></div><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper"> <div class="wpb_single_image wpb_content_element vc_align_center"> <figure class="wpb_wrapper vc_figure"> <div class="vc_single_image-wrapper vc_box_border_grey"><img loading="lazy" decoding="async" width="1777" height="2560" src="https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/karol-na-Buwie-scaled.jpg" class="vc_single_image-img attachment-full" alt="" title="karol na Buwie" srcset="https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/karol-na-Buwie-scaled.jpg 1777w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/karol-na-Buwie-scaled-600x864.jpg 600w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/karol-na-Buwie-208x300.jpg 208w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/karol-na-Buwie-711x1024.jpg 711w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/karol-na-Buwie-768x1107.jpg 768w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/karol-na-Buwie-1066x1536.jpg 1066w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/karol-na-Buwie-1421x2048.jpg 1421w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/karol-na-Buwie-139x200.jpg 139w" sizes="(max-width: 1777px) 100vw, 1777px" /></div> </figure> </div> </div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper"> <div class="wpb_text_column wpb_content_element " > <div class="wpb_wrapper"> <p>W latach 50-tych Tchorek przekazał część swoich zbiorów, w tym 23 szklane negatywy z widokami Warszawy, prezentowane na naszej wystawie, stołecznej Akademii Sztuk Pięknych oraz Archiwum Akt Dawnych. Pozostałą część kolekcji przeniósł do nowej pracowni rzeźbiarskiej przy ul. Smolnej 36, która zaczęła pełnić rolę miejsca, gdzie kreuje się nie tylko formy artystyczne, ale – poprzez zebrane i zestawione przedmioty – utrwala także historię czy pamięć miasta. Porzucając handel sztuką, Tchorek znów skupił się przede wszystkim na rzeźbiarstwie. W tym czasie powstały m.in. <em>Żołnierz Polski</em>, <em>Warszawska Jesień</em>, <em>Miron Białoszewski</em> czy też <em>Matka z dzieckiem</em> z MDM. Jego dzieła stały się integralnym elementem krajobrazu Warszawy. W latach 1955-1980 Tchorek opracował blisko 40 monolitów upamiętniających miejsca straceń Polaków oraz charakterystyczne tablice z inskrypcją „miejsce uświęcone męczeńską krwią Polaków, walczących o wolność ojczyzny”. Do dziś zachowało się około 160 z nich, rozsianych po całym mieście.</p> <p>Karol Tchorek zmarł w 1985 roku. Pochowany jest na warszawskich Powązkach.</p> </div> </div> <div class="ult-spacer spacer-67440aa131d0e" data-id="67440aa131d0e" data-height="50" data-height-mobile="50" data-height-tab="50" data-height-tab-portrait="" data-height-mobile-landscape="" style="clear:both;display:block;"></div></div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="ult-spacer spacer-67440aa131e02" data-id="67440aa131e02" data-height="50" data-height-mobile="50" data-height-tab="50" data-height-tab-portrait="" data-height-mobile-landscape="" style="clear:both;display:block;"></div><div class="vc_separator wpb_content_element vc_separator_align_center vc_sep_width_50 vc_sep_border_width_5 vc_sep_pos_align_left vc_separator_no_text vc_sep_color_grey" ><span class="vc_sep_holder vc_sep_holder_l"><span class="vc_sep_line"></span></span><span class="vc_sep_holder vc_sep_holder_r"><span class="vc_sep_line"></span></span> </div> <div class="wpb_text_column wpb_content_element " > <div class="wpb_wrapper"> <p>Wystawa w ramach projektu „Wirtualny Kampus Uniwersytetu Warszawskiego” dofinansowanego ze środków Narodowego Centrum Kultury w ramach Programu Kultura w sieci.</p> </div> </div> <div class="vc_row wpb_row vc_inner vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-4"><div class="vc_column-inner"><div class="wpb_wrapper"> <div class="wpb_single_image wpb_content_element vc_align_left"> <figure class="wpb_wrapper vc_figure"> <div class="vc_single_image-wrapper vc_box_border_grey"><img loading="lazy" decoding="async" width="1000" height="200" src="https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/MKiDN_NCK-2.png" class="vc_single_image-img attachment-full" alt="" title="MKiDN_NCK-2" srcset="https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/MKiDN_NCK-2.png 1000w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/MKiDN_NCK-2-600x120.png 600w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/MKiDN_NCK-2-300x60.png 300w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/MKiDN_NCK-2-768x154.png 768w" sizes="(max-width: 1000px) 100vw, 1000px" /></div> </figure> </div> </div></div></div><div class="wpb_column vc_column_container vc_col-sm-4"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-4"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div></div> <div class="wpb_text_column wpb_content_element " > <div class="wpb_wrapper"> <p><strong>Organizatorzy:</strong> „Varia” Fundacja Wydziału Historycznego Uniwersytetu Warszawskiego</p> </div> </div> <div class="vc_row wpb_row vc_inner vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-3"><div class="vc_column-inner"><div class="wpb_wrapper"> <div class="wpb_single_image wpb_content_element vc_align_left"> <figure class="wpb_wrapper vc_figure"> <div class="vc_single_image-wrapper vc_box_border_grey"><img loading="lazy" decoding="async" width="307" height="100" src="https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/Varia.png" class="vc_single_image-img attachment-full" alt="" title="Varia" srcset="https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/Varia.png 307w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/Varia-300x98.png 300w" sizes="(max-width: 307px) 100vw, 307px" /></div> </figure> </div> </div></div></div><div class="wpb_column vc_column_container vc_col-sm-3"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-3"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-3"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div></div> <div class="wpb_text_column wpb_content_element " > <div class="wpb_wrapper"> <p><strong>Partnerzy:</strong> Muzeum UW, Uniwersytet Warszawski, Biuro Promocji UW, Katy Bentall – Pracownia Historyczna Tchorek-Bentall, Stowarzyszenie Przyjaciół Tchorek-Bentall Studio, Biuro Programu „Niepodległa”</p> </div> </div> <div class="vc_row wpb_row vc_inner vc_row-fluid vc_row-o-content-middle vc_row-flex"><div class="wpb_column vc_column_container vc_col-sm-1/5"><div class="vc_column-inner"><div class="wpb_wrapper"> <div class="wpb_single_image wpb_content_element vc_align_center"> <figure class="wpb_wrapper vc_figure"> <div class="vc_single_image-wrapper vc_box_border_grey"><img loading="lazy" decoding="async" width="327" height="120" src="https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/MUW-40_MUW-1.png" class="vc_single_image-img attachment-full" alt="" title="MUW 40_MUW-1" srcset="https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/MUW-40_MUW-1.png 327w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/MUW-40_MUW-1-300x110.png 300w" sizes="(max-width: 327px) 100vw, 327px" /></div> </figure> </div> </div></div></div><div class="wpb_column vc_column_container vc_col-sm-2/5"><div class="vc_column-inner"><div class="wpb_wrapper"> <div class="wpb_single_image wpb_content_element vc_align_center"> <figure class="wpb_wrapper vc_figure"> <div class="vc_single_image-wrapper vc_box_border_grey"><img loading="lazy" decoding="async" width="293" height="120" src="https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/Uniwersytet-Warszawski.png" class="vc_single_image-img attachment-full" alt="" title="Uniwersytet Warszawski" /></div> </figure> </div> </div></div></div><div class="wpb_column vc_column_container vc_col-sm-2/5"><div class="vc_column-inner"><div class="wpb_wrapper"> <div class="wpb_single_image wpb_content_element vc_align_center"> <figure class="wpb_wrapper vc_figure"> <div class="vc_single_image-wrapper vc_box_border_grey"><img loading="lazy" decoding="async" width="1068" height="200" src="https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/logo_pl.png" class="vc_single_image-img attachment-full" alt="" title="logo_pl" srcset="https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/logo_pl.png 1068w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/logo_pl-600x112.png 600w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/logo_pl-300x56.png 300w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/logo_pl-1024x192.png 1024w, https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/logo_pl-768x144.png 768w" sizes="(max-width: 1068px) 100vw, 1068px" /></div> </figure> </div> </div></div></div></div> <div class="wpb_text_column wpb_content_element " > <div class="wpb_wrapper"> <p><strong>Patronat honorowy:</strong> JM Rektor Uniwersytetu Warszawskiego</p> <p><strong>Patronat medialny:</strong> Radio Kampus, Spotkania z Zabytkami, Skarpa Warszawska</p> </div> </div> <div class="vc_row wpb_row vc_inner vc_row-fluid vc_row-o-content-middle vc_row-flex"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"> <div class="wpb_single_image wpb_content_element vc_align_left"> <figure class="wpb_wrapper vc_figure"> <div class="vc_single_image-wrapper vc_box_border_grey"><img loading="lazy" decoding="async" width="224" height="200" src="https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/Radio-Kampus.png" class="vc_single_image-img attachment-full" alt="" title="Radio Kampus" /></div> </figure> </div> </div></div></div><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"> <div class="wpb_single_image wpb_content_element vc_align_left"> <figure class="wpb_wrapper vc_figure"> <div class="vc_single_image-wrapper vc_box_border_grey"><img loading="lazy" decoding="async" width="306" height="118" src="https://muzeum.uw.edu.pl/wp-content/uploads/2020/06/Spotkania-z-Zabytkami.png" class="vc_single_image-img attachment-full" alt="" title="Spotkania z Zabytkami" 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