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id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by maria mercedes bares</h3></div><div class="js-work-strip profile--work_container" data-work-id="68488889"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/68488889/Giovan_Battista_Vaccarini_e_la_Cava_di_Giallo_sul_monte_di_Castronovo_in_Sicilia_operta_d_ordine_di_Sua_Reale_Maest%C3%A0_pella_formazione_delle_colonne_di_sua_Real_cappella_"><img alt="Research paper thumbnail of Giovan Battista Vaccarini e la «Cava di Giallo sul monte di Castronovo in Sicilia operta d’ordine di Sua Reale Maestà pella formazione delle colonne di sua Real cappella»" class="work-thumbnail" src="https://attachments.academia-assets.com/78945744/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/68488889/Giovan_Battista_Vaccarini_e_la_Cava_di_Giallo_sul_monte_di_Castronovo_in_Sicilia_operta_d_ordine_di_Sua_Reale_Maest%C3%A0_pella_formazione_delle_colonne_di_sua_Real_cappella_">Giovan Battista Vaccarini e la «Cava di Giallo sul monte di Castronovo in Sicilia operta d’ordine di Sua Reale Maestà pella formazione delle colonne di sua Real cappella»</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article investigates one of the less known aspects of the professional career of Abbot-Archi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article investigates one of the less known aspects of the professional career of Abbot-Architect Giovan Battista Vaccarini (1702-1768) which concerns his skills as an expert in the quarrying of ornamental and building stones. Called by the Bourbons monarchs to select some marbles for the Palace of Caserta, Vaccarini proposes the yellow marble of Castronovo in Sicily – until then unknown in peninsular Italy and very similar to the most famous giallo numidico – for the columns that had to sustain the vault of the royal chapel. The Crown decided to finance a mining research campaign to obtain large blocks, that was carried out with praised success and the news spread among intellectuals and specialists. However these will not be the only &quot;promotional&quot; actions that emerged: in the depositories of the Royal Palace of Caserta, an oil painting on canvas has recently been found, which depicts the quarry of Castronovo with the mining and carving work in progress and part of th...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="93df0140bb02a3a71191e942bff4dad1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":78945744,"asset_id":68488889,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/78945744/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="68488889"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="68488889"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 68488889; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=68488889]").text(description); $(".js-view-count[data-work-id=68488889]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 68488889; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='68488889']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "93df0140bb02a3a71191e942bff4dad1" } } $('.js-work-strip[data-work-id=68488889]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":68488889,"title":"Giovan Battista Vaccarini e la «Cava di Giallo sul monte di Castronovo in Sicilia operta d’ordine di Sua Reale Maestà pella formazione delle colonne di sua Real cappella»","translated_title":"","metadata":{"abstract":"This article investigates one of the less known aspects of the professional career of Abbot-Architect Giovan Battista Vaccarini (1702-1768) which concerns his skills as an expert in the quarrying of ornamental and building stones. Called by the Bourbons monarchs to select some marbles for the Palace of Caserta, Vaccarini proposes the yellow marble of Castronovo in Sicily – until then unknown in peninsular Italy and very similar to the most famous giallo numidico – for the columns that had to sustain the vault of the royal chapel. The Crown decided to finance a mining research campaign to obtain large blocks, that was carried out with praised success and the news spread among intellectuals and specialists. 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The Crown decided to finance a mining research campaign to obtain large blocks, that was carried out with praised success and the news spread among intellectuals and specialists. However these will not be the only \u0026quot;promotional\u0026quot; actions that emerged: in the depositories of the Royal Palace of Caserta, an oil painting on canvas has recently been found, which depicts the quarry of Castronovo with the mining and carving work in progress and part of th...","internal_url":"https://www.academia.edu/68488889/Giovan_Battista_Vaccarini_e_la_Cava_di_Giallo_sul_monte_di_Castronovo_in_Sicilia_operta_d_ordine_di_Sua_Reale_Maest%C3%A0_pella_formazione_delle_colonne_di_sua_Real_cappella_","translated_internal_url":"","created_at":"2022-01-17T00:15:01.521-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":10445513,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":78945744,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/78945744/thumbnails/1.jpg","file_name":"Bares-p.-78.pdf","download_url":"https://www.academia.edu/attachments/78945744/download_file","bulk_download_file_name":"Giovan_Battista_Vaccarini_e_la_Cava_di_G.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/78945744/Bares-p.-78-libre.pdf?1642410417=\u0026response-content-disposition=attachment%3B+filename%3DGiovan_Battista_Vaccarini_e_la_Cava_di_G.pdf\u0026Expires=1743327560\u0026Signature=bUwTOujUoie5eklj558zjLHBK7LX~2dKBI9Yb6ULL3KTqcDrImHsR87YS0S1sR94XuMRb8G0QwEF8ZpDiWoIKxEyjHhOBgwFo9~N2dKgRRGdPOFhOAxVuRHYDxWXzes1hXO4zZo53Pa3VGy1q5xIlZ9c3noLaCQiwXlSKms-cDptOjR5X-t0XsQwQm4IRxYxnvZOTqVvp370O21Ew-ATrIXOCqdK1PPWtDPFbKalVgqCUl5LFXxs~yUlAHEF3fHMLmJehpmtILXv0blfJI1X9MFdxiw0z8JVQI0Vz-2FZ7XMg0057qSVefXCsQnDHCU7g7eQS75JZ-6vByeax7Es4g__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Giovan_Battista_Vaccarini_e_la_Cava_di_Giallo_sul_monte_di_Castronovo_in_Sicilia_operta_d_ordine_di_Sua_Reale_Maestà_pella_formazione_delle_colonne_di_sua_Real_cappella_","translated_slug":"","page_count":1,"language":"it","content_type":"Work","summary":"This article investigates one of the less known aspects of the professional career of Abbot-Architect Giovan Battista Vaccarini (1702-1768) which concerns his skills as an expert in the quarrying of ornamental and building stones. Called by the Bourbons monarchs to select some marbles for the Palace of Caserta, Vaccarini proposes the yellow marble of Castronovo in Sicily – until then unknown in peninsular Italy and very similar to the most famous giallo numidico – for the columns that had to sustain the vault of the royal chapel. The Crown decided to finance a mining research campaign to obtain large blocks, that was carried out with praised success and the news spread among intellectuals and specialists. 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href="https://www.academia.edu/32783113/LO_STEMMA_DEL_DUCA_PIETRO_DARAGONA_NELLA_TORRE_MAESTRA_DEL_CASTELLO_REALE_DI_NOTO_ANTICA">LO STEMMA DEL DUCA PIETRO D'ARAGONA NELLA TORRE MAESTRA DEL CASTELLO REALE DI NOTO ANTICA</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/BelfioreVincenzo">Vincenzo Belfiore</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unipa.academia.edu/mariamercedesbares">maria mercedes bares</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ef6a2dca1e096d599ea6c5365572404d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":52935845,"asset_id":32783113,"asset_type":"Work","button_location":"profile"}" 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class="work-thumbnail" src="https://attachments.academia-assets.com/50348337/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/29882413/El_gran_obrador_de_las_fortificaciones_de_Noto_en_Sicilia_durante_los_virreinatos_de_Ferrante_Gonzaga_y_Juan_de_Vega_1542_1552">El gran obrador de las fortificaciones de Noto en Sicilia durante los virreinatos de Ferrante Gonzaga y Juan de Vega (1542-1552</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Las fortalezas solitarias de la antigua ciudad de Noto en Sicilia que fueron ilustres testigos en...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Las fortalezas solitarias de la antigua ciudad de Noto en Sicilia que fueron ilustres testigos en el teatro de operaciones de los invasores bárbaros y otomanos se nos presentan hoy como espectrales vigilantes evocando en el observador lo que podríamos llamar aquel “desierto de los Tártaros” de la edad moderna.<br />Contribuye a la vivencia fantasmática de su presencia el hecho de haber sobrevivido a aquel terremoto que en 1693 arrasó la ciudad y las dejó rodeadas de escombros oteando el horizonte en busca de aquellos invasores. <br />Recientes investigaciones, hasta al momento inéditas, han demostrado que en los tiempos de Gonzaga y De Vega dos destacados ingenieros militares, uno originario de Bérgamo Antonio Ferramolino y el otro de Castilla Pedro Prado (colaborador de Pedro Luis Escrivá), fueron, en episodios diferentes y en constante sincronía con sus virreyes, los autores del proyecto de fortificación que tuvo lugar en el monte Alveria y en sus marinas, en el ámbito de un proyecto global de defensa promovido por la Corona para la costa oriental de la isla.  Junto con estos técnicos emerge toda una serie de canteros – empresarios que materializarán la construcción de los monumentales baluartes poligonales “a la moderna” que conforman la cabecera del sistema, de las interminables cortinas y de las torres costeras. <br />El compromiso entre la estructura topográfica y los elementos geométricos funcionales que fue aplicado en Noto ha sido también característico de otras ciudades cercanas como Carlentini, dedicada al emperador y concebida ex-novo, donde Prado fue protagonista y que parece haber encontrado el germen de su inspiración en la vecchia Noto.<br />La presencia documentada de un palacio real “de bellísima arquitectura” para las estancias del virrey en la zona blindada por los baluartes, en construcción a mediados del siglo XVI, junto con los restos de preciados elementos labrados como bóvedas aristadas y helicoidales que recuerdan experiencias importantes en el campo del corte de piedras, sugieren la posibilidad de un proyecto ambicioso que trascienda los parámetros de la arquitectura defensiva.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f6ecb2987d230710b33e480c6a50edac" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":50348337,"asset_id":29882413,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/50348337/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="29882413"><a 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this, workJSON: {"id":29882413,"title":"El gran obrador de las fortificaciones de Noto en Sicilia durante los virreinatos de Ferrante Gonzaga y Juan de Vega (1542-1552","translated_title":"","metadata":{"abstract":"Las fortalezas solitarias de la antigua ciudad de Noto en Sicilia que fueron ilustres testigos en el teatro de operaciones de los invasores bárbaros y otomanos se nos presentan hoy como espectrales vigilantes evocando en el observador lo que podríamos llamar aquel “desierto de los Tártaros” de la edad moderna.\nContribuye a la vivencia fantasmática de su presencia el hecho de haber sobrevivido a aquel terremoto que en 1693 arrasó la ciudad y las dejó rodeadas de escombros oteando el horizonte en busca de aquellos invasores. \nRecientes investigaciones, hasta al momento inéditas, han demostrado que en los tiempos de Gonzaga y De Vega dos destacados ingenieros militares, uno originario de Bérgamo Antonio Ferramolino y el otro de Castilla Pedro Prado (colaborador de Pedro Luis Escrivá), fueron, en episodios diferentes y en constante sincronía con sus virreyes, los autores del proyecto de fortificación que tuvo lugar en el monte Alveria y en sus marinas, en el ámbito de un proyecto global de defensa promovido por la Corona para la costa oriental de la isla. Junto con estos técnicos emerge toda una serie de canteros – empresarios que materializarán la construcción de los monumentales baluartes poligonales “a la moderna” que conforman la cabecera del sistema, de las interminables cortinas y de las torres costeras. \nEl compromiso entre la estructura topográfica y los elementos geométricos funcionales que fue aplicado en Noto ha sido también característico de otras ciudades cercanas como Carlentini, dedicada al emperador y concebida ex-novo, donde Prado fue protagonista y que parece haber encontrado el germen de su inspiración en la vecchia Noto.\nLa presencia documentada de un palacio real “de bellísima arquitectura” para las estancias del virrey en la zona blindada por los baluartes, en construcción a mediados del siglo XVI, junto con los restos de preciados elementos labrados como bóvedas aristadas y helicoidales que recuerdan experiencias importantes en el campo del corte de piedras, sugieren la posibilidad de un proyecto ambicioso que trascienda los parámetros de la arquitectura defensiva. \n\n"},"translated_abstract":"Las fortalezas solitarias de la antigua ciudad de Noto en Sicilia que fueron ilustres testigos en el teatro de operaciones de los invasores bárbaros y otomanos se nos presentan hoy como espectrales vigilantes evocando en el observador lo que podríamos llamar aquel “desierto de los Tártaros” de la edad moderna.\nContribuye a la vivencia fantasmática de su presencia el hecho de haber sobrevivido a aquel terremoto que en 1693 arrasó la ciudad y las dejó rodeadas de escombros oteando el horizonte en busca de aquellos invasores. \nRecientes investigaciones, hasta al momento inéditas, han demostrado que en los tiempos de Gonzaga y De Vega dos destacados ingenieros militares, uno originario de Bérgamo Antonio Ferramolino y el otro de Castilla Pedro Prado (colaborador de Pedro Luis Escrivá), fueron, en episodios diferentes y en constante sincronía con sus virreyes, los autores del proyecto de fortificación que tuvo lugar en el monte Alveria y en sus marinas, en el ámbito de un proyecto global de defensa promovido por la Corona para la costa oriental de la isla. Junto con estos técnicos emerge toda una serie de canteros – empresarios que materializarán la construcción de los monumentales baluartes poligonales “a la moderna” que conforman la cabecera del sistema, de las interminables cortinas y de las torres costeras. \nEl compromiso entre la estructura topográfica y los elementos geométricos funcionales que fue aplicado en Noto ha sido también característico de otras ciudades cercanas como Carlentini, dedicada al emperador y concebida ex-novo, donde Prado fue protagonista y que parece haber encontrado el germen de su inspiración en la vecchia Noto.\nLa presencia documentada de un palacio real “de bellísima arquitectura” para las estancias del virrey en la zona blindada por los baluartes, en construcción a mediados del siglo XVI, junto con los restos de preciados elementos labrados como bóvedas aristadas y helicoidales que recuerdan experiencias importantes en el campo del corte de piedras, sugieren la posibilidad de un proyecto ambicioso que trascienda los parámetros de la arquitectura defensiva. \n\n","internal_url":"https://www.academia.edu/29882413/El_gran_obrador_de_las_fortificaciones_de_Noto_en_Sicilia_durante_los_virreinatos_de_Ferrante_Gonzaga_y_Juan_de_Vega_1542_1552","translated_internal_url":"","created_at":"2016-11-16T04:32:00.385-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":10445513,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":50348337,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/50348337/thumbnails/1.jpg","file_name":"Bares_2JHACF2016.pdf","download_url":"https://www.academia.edu/attachments/50348337/download_file","bulk_download_file_name":"El_gran_obrador_de_las_fortificaciones_d.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/50348337/Bares_2JHACF2016-libre.pdf?1479298430=\u0026response-content-disposition=attachment%3B+filename%3DEl_gran_obrador_de_las_fortificaciones_d.pdf\u0026Expires=1743327561\u0026Signature=DcyMpmmjtwFaEli1mkm2IVwZ842Gpy-VJfQ-vkHiwRwah-xotFM5x8xKAmRAT3dGBrp3toyPlZV0jlTyDNCoTnnWmHkq33MbZvbvOtmp~fO6lMs~9a5zqWwiMXcm-6YlJSXmDayvT6nob6u1W959PgDpTbS8TWsePUUu2UWSCFHoomTXQlw6jekHL46xjJiSoUQ-czYnU9PuLQz7AORjXa~TTkPiuOuMxEJoKofNGrU4kaOf7TSTmucmiyi9hJoalUZDOLRm2OD-ubNs1fonaL0-1dPGYNsDd8MKnm2uSd4XVkzAgRZgMR11hdSxpKCQQ7hR1UO3mvwqoL33IhETRg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"El_gran_obrador_de_las_fortificaciones_de_Noto_en_Sicilia_durante_los_virreinatos_de_Ferrante_Gonzaga_y_Juan_de_Vega_1542_1552","translated_slug":"","page_count":26,"language":"es","content_type":"Work","summary":"Las fortalezas solitarias de la antigua ciudad de Noto en Sicilia que fueron ilustres testigos en el teatro de operaciones de los invasores bárbaros y otomanos se nos presentan hoy como espectrales vigilantes evocando en el observador lo que podríamos llamar aquel “desierto de los Tártaros” de la edad moderna.\nContribuye a la vivencia fantasmática de su presencia el hecho de haber sobrevivido a aquel terremoto que en 1693 arrasó la ciudad y las dejó rodeadas de escombros oteando el horizonte en busca de aquellos invasores. \nRecientes investigaciones, hasta al momento inéditas, han demostrado que en los tiempos de Gonzaga y De Vega dos destacados ingenieros militares, uno originario de Bérgamo Antonio Ferramolino y el otro de Castilla Pedro Prado (colaborador de Pedro Luis Escrivá), fueron, en episodios diferentes y en constante sincronía con sus virreyes, los autores del proyecto de fortificación que tuvo lugar en el monte Alveria y en sus marinas, en el ámbito de un proyecto global de defensa promovido por la Corona para la costa oriental de la isla. 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Los ingenieros militares al servicio de la Corona española y sus imágenes de los siglos XVI y XVII" class="work-thumbnail" src="https://attachments.academia-assets.com/49136613/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/28727919/Entre_las_costas_mediterr%C3%A1neas_y_la_Patagonia_austral_Los_ingenieros_militares_al_servicio_de_la_Corona_espa%C3%B1ola_y_sus_im%C3%A1genes_de_los_siglos_XVI_y_XVII">Entre las costas mediterráneas y la Patagonia austral. Los ingenieros militares al servicio de la Corona española y sus imágenes de los siglos XVI y XVII</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El Mediterráneo fue, desde temprana edad, lugar de “producción de imágenes” por parte de viajeros...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El Mediterráneo fue, desde temprana edad, lugar de “producción de imágenes” por parte de viajeros, pintores, arquitectos y, especialmente, ingenieros militares que, por encargo de la Corona española, generaron una gran cantidad de piezas cartográficas y de imágenes con información técnica, arquitectónica y paisajística en distintas escalas. Estas constituyen hoy una base de datos suficientemente extensa que supera la temática de las fortificaciones. En lo que respecta en particular a la isla de Sicilia, cabe destacar significativas obras manuscritas, como aquellas primigenias de finales del siglo XVI por Tiburzio Spannocchi y Camillo Camilliani. Algunos de estos técnicos delinearon luego proyectos que atravesaron el océano Atlántico. En ciertos casos, ellos mismos estuvieron en persona en tierras americanas, como Pedro Sarmiento de Gamboa y varios integrantes de la familia de Juan Bautista Antonelli.<br />Las imágenes proveen un inestimable conjunto de datos que, confrontados con documentos de archivo, relaciones técnicas y descripciones de los lugares, constituyen una herramienta indispensable para el estudio de ciudades y fábricas, permitiendo generar nuevas interpretaciones de los espacios y resolver también cuestiones relacionadas con la organización de las obras y la historia de las técnicas constructivas.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f65ef669e62a96678e6a3a024529efae" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":49136613,"asset_id":28727919,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/49136613/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="28727919"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="28727919"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 28727919; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=28727919]").text(description); $(".js-view-count[data-work-id=28727919]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 28727919; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='28727919']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f65ef669e62a96678e6a3a024529efae" } } $('.js-work-strip[data-work-id=28727919]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":28727919,"title":"Entre las costas mediterráneas y la Patagonia austral. 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Recent research and a careful rereading of the documentary “restoration project” after the earthquake of 1693 have offered new tools to understand the construction techniques and building procedures for the entire organism. It has been possible to demonstrate that the different material (white limestone and volcanic stone) used for the vaults is, in fact, a product of reconstruction. The constructive node, which historiography has taken for granted, is now crucial—the documentary evidence of the restoration after the earthquake compared with the materials found in situ provide interpretive keys to decode genesis and procedures of the huge structure built five centuries before.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="43870cd9e5d83babf6d55b3356059898" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":49136286,"asset_id":28727774,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/49136286/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="28727774"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="28727774"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 28727774; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=28727774]").text(description); $(".js-view-count[data-work-id=28727774]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 28727774; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='28727774']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "43870cd9e5d83babf6d55b3356059898" } } $('.js-work-strip[data-work-id=28727774]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":28727774,"title":"International Journal of Architectural Heritage Conservation, Analysis, and Restoration Reconstruction of the Rib Vaults of the Hypostyle Hall in the Maniace Castle of Siracusa After the 1693 Earthquake","translated_title":"","metadata":{"abstract":"Built in the first half of the 13th century on behalf of the Emperor Frederick II, the Maniace Castle of Siracusa focuses its enigma in the hypostyle hall (which was composed of 25 quadripartite rib vaults) and the design criteria adopted for its implementation. Recent research and a careful rereading of the documentary “restoration project” after the earthquake of 1693 have offered new tools to understand the construction techniques and building procedures for the entire organism. It has been possible to demonstrate that the different material (white limestone and volcanic stone) used for the vaults is, in fact, a product of reconstruction. The constructive node, which historiography has taken for granted, is now crucial—the documentary evidence of the restoration after the earthquake compared with the materials found in situ provide interpretive keys to decode genesis and procedures of the huge structure built five centuries before."},"translated_abstract":"Built in the first half of the 13th century on behalf of the Emperor Frederick II, the Maniace Castle of Siracusa focuses its enigma in the hypostyle hall (which was composed of 25 quadripartite rib vaults) and the design criteria adopted for its implementation. Recent research and a careful rereading of the documentary “restoration project” after the earthquake of 1693 have offered new tools to understand the construction techniques and building procedures for the entire organism. It has been possible to demonstrate that the different material (white limestone and volcanic stone) used for the vaults is, in fact, a product of reconstruction. 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El episodio valenciano de la Edad Moderna</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unipa.academia.edu/mariamercedesbares">maria mercedes bares</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/ArturoZaragoza">Arturo Zaragoza</a></span></div><div class="wp-workCard_item"><span>“Las escaleras con bóveda continua de piedra: técnicas y significados. El episodio valenciano de la Edad Moderna”. Le Scale in pietra a vista nel Mediterraneo. Giuseppe Antista y María Mercedes Bares (editores). 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Bares – M.R. Nobile, The use of ‘false vaults’ in 18th century buildings of Sicily in Construction History. International Journal of the Construction History Society, vol. 30 No.1 (2015), pp. 53-70. (ISSN 0267-7768)." class="work-thumbnail" src="https://attachments.academia-assets.com/39293945/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/16988018/M_M_Bares_M_R_Nobile_The_use_of_false_vaults_in_18th_century_buildings_of_Sicily_in_Construction_History_International_Journal_of_the_Construction_History_Society_vol_30_No_1_2015_pp_53_70_ISSN_0267_7768_">M.M. Bares – M.R. Nobile, The use of ‘false vaults’ in 18th century buildings of Sicily in Construction History. International Journal of the Construction History Society, vol. 30 No.1 (2015), pp. 53-70. (ISSN 0267-7768).</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/MarcoRosarioNobile">Marco Rosario Nobile</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unipa.academia.edu/mariamercedesbares">maria mercedes bares</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Between the end of the 17th century and the first decades of the 18th, Sicily was struck by sever...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Between the end of the 17th century and the first decades of the 18th, Sicily was struck by several violent earthquakes. The total and partial collapse of monumental buildings produced a global debate involving various aspects of construction practice. One of the central topics of discussion was the construction of domes and large vaulted structures. Some architects studied the possibility of using so-called 'false vaults', a kind of lightweight structure created with a wooden frame, reed mats, and plaster. The technique was probably known by the 16th century and was used in a few major monuments, such as the dome of the Palermo Cathedral, in the mid-17th century. It was only after the Earthquake of 1726 in Palermo that large vaulted structures were extensively built with this technique in important churches. One of the most significant examples, documented by technical drawings as well as archival records, is the church of Santa Chiara in Noto, designed by the architect Rosario Gagliardi. The use of 'false vaults' as a preventative measure against seismic damage is well documented in many other monuments. The direct analysis of built structures and new documentary evidence allows for the verification of recent theories. The paper focus on the construction techniques used in a few selected cases and takes into consideration the influences of widely available texts on architectural theory and practice as well as local building experiences on the genesis of the building process.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="27fde70de44909b5a481a321b6211dfa" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":39293945,"asset_id":16988018,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/39293945/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="16988018"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="16988018"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 16988018; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=16988018]").text(description); $(".js-view-count[data-work-id=16988018]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 16988018; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='16988018']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "27fde70de44909b5a481a321b6211dfa" } } $('.js-work-strip[data-work-id=16988018]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":16988018,"title":"M.M. 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(ISSN 0267-7768)."}],"downloadable_attachments":[{"id":39293945,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/39293945/thumbnails/1.jpg","file_name":"2013-BARES-NOBILE-CONSTRUCTION-HISTORY.pdf","download_url":"https://www.academia.edu/attachments/39293945/download_file","bulk_download_file_name":"M_M_Bares_M_R_Nobile_The_use_of_false_va.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/39293945/2013-BARES-NOBILE-CONSTRUCTION-HISTORY-libre.pdf?1445250561=\u0026response-content-disposition=attachment%3B+filename%3DM_M_Bares_M_R_Nobile_The_use_of_false_va.pdf\u0026Expires=1743327561\u0026Signature=P1denwZlVO-HRjSrcGIsjDeXzjhe0LRiA~Q1-OHwwn0eyblpVkZv7WrbUEsNHKCiutuiXifHSjW2s8X~oW8zsv~uZJ7boNdlepCbCKm6RZCZ6JJy4ilqiHZZ7Lxw~oMYRONDKafk38E1wZ5FJaOtfn4Rb3WiJwoudprDnzZk5bdphva-4rti5SwHtApEPrXqBuwqFeC7iCak~S2fGyayMdJ-gxfBXMaKvvS64Ik7VGggeSMf4IfyA0znNrrRchRgGHrbukWhkBu0uDOhTsYyKawW7BTO~cW7i~uucAXk8YRPOOo0XwuJ1dIMUwT5ailLdOY8kEg7pSHZNWPjWH3G6w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"M_M_Bares_M_R_Nobile_The_use_of_false_vaults_in_18th_century_buildings_of_Sicily_in_Construction_History_International_Journal_of_the_Construction_History_Society_vol_30_No_1_2015_pp_53_70_ISSN_0267_7768_","translated_slug":"","page_count":24,"language":"en","content_type":"Work","summary":"Between the end of the 17th century and the first decades of the 18th, Sicily was struck by several violent earthquakes. The total and partial collapse of monumental buildings produced a global debate involving various aspects of construction practice. One of the central topics of discussion was the construction of domes and large vaulted structures. Some architects studied the possibility of using so-called 'false vaults', a kind of lightweight structure created with a wooden frame, reed mats, and plaster. The technique was probably known by the 16th century and was used in a few major monuments, such as the dome of the Palermo Cathedral, in the mid-17th century. It was only after the Earthquake of 1726 in Palermo that large vaulted structures were extensively built with this technique in important churches. One of the most significant examples, documented by technical drawings as well as archival records, is the church of Santa Chiara in Noto, designed by the architect Rosario Gagliardi. The use of 'false vaults' as a preventative measure against seismic damage is well documented in many other monuments. The direct analysis of built structures and new documentary evidence allows for the verification of recent theories. The paper focus on the construction techniques used in a few selected cases and takes into consideration the influences of widely available texts on architectural theory and practice as well as local building experiences on the genesis of the building process.","owner":{"id":10445513,"first_name":"maria mercedes","middle_initials":null,"last_name":"bares","page_name":"mariamercedesbares","domain_name":"unipa","created_at":"2014-03-24T07:01:11.499-07:00","display_name":"maria mercedes bares","url":"https://unipa.academia.edu/mariamercedesbares"},"attachments":[{"id":39293945,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/39293945/thumbnails/1.jpg","file_name":"2013-BARES-NOBILE-CONSTRUCTION-HISTORY.pdf","download_url":"https://www.academia.edu/attachments/39293945/download_file","bulk_download_file_name":"M_M_Bares_M_R_Nobile_The_use_of_false_va.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/39293945/2013-BARES-NOBILE-CONSTRUCTION-HISTORY-libre.pdf?1445250561=\u0026response-content-disposition=attachment%3B+filename%3DM_M_Bares_M_R_Nobile_The_use_of_false_va.pdf\u0026Expires=1743327561\u0026Signature=P1denwZlVO-HRjSrcGIsjDeXzjhe0LRiA~Q1-OHwwn0eyblpVkZv7WrbUEsNHKCiutuiXifHSjW2s8X~oW8zsv~uZJ7boNdlepCbCKm6RZCZ6JJy4ilqiHZZ7Lxw~oMYRONDKafk38E1wZ5FJaOtfn4Rb3WiJwoudprDnzZk5bdphva-4rti5SwHtApEPrXqBuwqFeC7iCak~S2fGyayMdJ-gxfBXMaKvvS64Ik7VGggeSMf4IfyA0znNrrRchRgGHrbukWhkBu0uDOhTsYyKawW7BTO~cW7i~uucAXk8YRPOOo0XwuJ1dIMUwT5ailLdOY8kEg7pSHZNWPjWH3G6w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":32248,"name":"History of Construction","url":"https://www.academia.edu/Documents/in/History_of_Construction"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") if (false) { Aedu.setUpFigureCarousel('profile-work-16988018-figures'); } }); </script> <div class="js-work-strip profile--work_container" data-work-id="16987650"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/16987650/La_ricostruzione_delle_crociere_della_sala_colonnare_del_castello_Maniace_di_Siracusa_dopo_il_terremoto_del_1693_AID_Monuments_Conoscere_progettare_costruire_Galeazzo_Alessi_Ingegnere_architetto_a_cura_di_C_Conforti_V_Gusella_ROMA_Aracne_2014_vol_2_pp_ISBN_978_88_548_6506_8_"><img alt="Research paper thumbnail of La ricostruzione delle crociere della sala colonnare del castello Maniace di Siracusa dopo il terremoto del 1693, AID Monuments. Conoscere progettare costruire. Galeazzo Alessi Ingegnere -architetto, a cura di C. Conforti, V. Gusella, ROMA, Aracne, 2014, vol. 2, pp. (ISBN: 978-88-548-6506-8)" class="work-thumbnail" src="https://attachments.academia-assets.com/39292961/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/16987650/La_ricostruzione_delle_crociere_della_sala_colonnare_del_castello_Maniace_di_Siracusa_dopo_il_terremoto_del_1693_AID_Monuments_Conoscere_progettare_costruire_Galeazzo_Alessi_Ingegnere_architetto_a_cura_di_C_Conforti_V_Gusella_ROMA_Aracne_2014_vol_2_pp_ISBN_978_88_548_6506_8_">La ricostruzione delle crociere della sala colonnare del castello Maniace di Siracusa dopo il terremoto del 1693, AID Monuments. Conoscere progettare costruire. Galeazzo Alessi Ingegnere -architetto, a cura di C. 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Gusella, ROMA, Aracne, 2014, vol. 2, pp. (ISBN: 978-88-548-6506-8)</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="91ebe32b40ba78642746b82485891dac" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":39292961,"asset_id":16987650,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/39292961/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="16987650"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="16987650"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 16987650; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=16987650]").text(description); $(".js-view-count[data-work-id=16987650]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 16987650; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='16987650']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "91ebe32b40ba78642746b82485891dac" } } $('.js-work-strip[data-work-id=16987650]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":16987650,"title":"La ricostruzione delle crociere della sala colonnare del castello Maniace di Siracusa dopo il terremoto del 1693, AID Monuments. 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Bares, Il giallo di Castronovo: un marmo per il re, in Lexicon, storie e architettura in Sicilia e nel Mediterraneo. Rivista semestrale di Storia dell’Architettura, N.13/2012, pp. 54-68. (ISSN: 1827-3416)" class="work-thumbnail" src="https://attachments.academia-assets.com/39234605/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/16879812/M_M_Bares_Il_giallo_di_Castronovo_un_marmo_per_il_re_in_Lexicon_storie_e_architettura_in_Sicilia_e_nel_Mediterraneo_Rivista_semestrale_di_Storia_dell_Architettura_N_13_2012_pp_54_68_ISSN_1827_3416_">M.M. Bares, Il giallo di Castronovo: un marmo per il re, in Lexicon, storie e architettura in Sicilia e nel Mediterraneo. Rivista semestrale di Storia dell’Architettura, N.13/2012, pp. 54-68. 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Scaduto, Palermo 2013, pp. 75-92 (ISBN 978-88-89440-90-2).</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="25fbf2d50c69316a164ce6d4f97c8fec" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":39233276,"asset_id":16877876,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/39233276/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="16877876"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="16877876"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 16877876; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=16877876]").text(description); $(".js-view-count[data-work-id=16877876]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 16877876; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='16877876']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "25fbf2d50c69316a164ce6d4f97c8fec" } } $('.js-work-strip[data-work-id=16877876]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":16877876,"title":"M.M. 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Antista e M.M. Bares, Palermo 2013, pp. 73-98" class="work-thumbnail" src="https://attachments.academia-assets.com/38650081/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/15353654/Le_scale_elicoidali_con_vuoto_centrale_Tradizioni_costruttive_nel_val_di_Noto_del_Settecento_in_Le_scale_in_pietra_a_vista_nel_Mediterraneo_a_cura_di_G_Antista_e_M_M_Bares_Palermo_2013_pp_73_98">Le scale elicoidali con vuoto centrale: Tradizioni costruttive nel val di Noto del Settecento in Le scale in pietra a vista nel Mediterraneo a cura di G. Antista e M.M. Bares, Palermo 2013, pp. 73-98</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La messa in luce di una serie di singolari scale in pietra a vista a babalucia 1 (con occhio cent...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La messa in luce di una serie di singolari scale in pietra a vista a babalucia 1 (con occhio centrale), celate all'interno di fabbriche di Noto e di città vicine (si tratta per lo più di edifici religiosi ma esistono anche esempi in architetture civili), consente di aprire una riflessione su un tema, quello della continuità con la tradizione, che più volte appare rievocato nella storia dell'architettura siciliana. La scala coclide detta a "occhio aperto" o "con vuoto centrale" si è rivelata protagonista tra le diverse varianti presenti nelle torri e nei campanili dell'area sud-orientale dell'isola. A tutt'oggi abbiamo documentato infatti numerosi esempi a Siracusa, Noto, Avola, Modica, Sortino, Monterosso, Palazzolo e Catania (l'elenco è certamente incompleto), che sembrano riferibili allo stesso contesto post-terremoto del 1693. Si tratta in effetti di fabbriche databili al Settecento con una maggiore concentrazione di casi all'inizio della seconda metà del secolo. Una tale soluzione, denominata dalla trattatistica spagnola caracol de Mallorca e da quella francese vis a jour o suspendu, non appare, per quei tempi, innovativa o sensazionale, ma si innesta in un panorama di uso e consuetudine che risulta sparso in tutto il territorio.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a651abb64da91a5f6174e2c2f1457c19" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":38650081,"asset_id":15353654,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/38650081/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="15353654"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="15353654"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 15353654; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=15353654]").text(description); $(".js-view-count[data-work-id=15353654]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 15353654; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='15353654']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a651abb64da91a5f6174e2c2f1457c19" } } $('.js-work-strip[data-work-id=15353654]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":15353654,"title":"Le scale elicoidali con vuoto centrale: Tradizioni costruttive nel val di Noto del Settecento in Le scale in pietra a vista nel Mediterraneo a cura di G. 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La scala coclide detta a \"occhio aperto\" o \"con vuoto centrale\" si è rivelata protagonista tra le diverse varianti presenti nelle torri e nei campanili dell'area sud-orientale dell'isola. A tutt'oggi abbiamo documentato infatti numerosi esempi a Siracusa, Noto, Avola, Modica, Sortino, Monterosso, Palazzolo e Catania (l'elenco è certamente incompleto), che sembrano riferibili allo stesso contesto post-terremoto del 1693. Si tratta in effetti di fabbriche databili al Settecento con una maggiore concentrazione di casi all'inizio della seconda metà del secolo. Una tale soluzione, denominata dalla trattatistica spagnola caracol de Mallorca e da quella francese vis a jour o suspendu, non appare, per quei tempi, innovativa o sensazionale, ma si innesta in un panorama di uso e consuetudine che risulta sparso in tutto il territorio.","owner":{"id":10445513,"first_name":"maria mercedes","middle_initials":null,"last_name":"bares","page_name":"mariamercedesbares","domain_name":"unipa","created_at":"2014-03-24T07:01:11.499-07:00","display_name":"maria mercedes bares","url":"https://unipa.academia.edu/mariamercedesbares"},"attachments":[{"id":38650081,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/38650081/thumbnails/1.jpg","file_name":"2013-BARES-SCALE_IN_PIETRA.pdf","download_url":"https://www.academia.edu/attachments/38650081/download_file","bulk_download_file_name":"Le_scale_elicoidali_con_vuoto_centrale_T.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/38650081/2013-BARES-SCALE_IN_PIETRA-libre.pdf?1441231708=\u0026response-content-disposition=attachment%3B+filename%3DLe_scale_elicoidali_con_vuoto_centrale_T.pdf\u0026Expires=1743327562\u0026Signature=UK5P4tT0h0wkYcZRdGDDmUpBM9MO~T~ypVkVHYJcst~YQnRgGpu3dRc7NoBPJvd2-6P49U9n2opoNthE~0LcaxHiZ6AwD~qBggLIswLFa9A7TxFD0flZ5S~w0XFjMo0BfpYCFDDtgzgwWt9RTTURHGNS-oqvpylLe2MSOm~GL8ilHjGGGK-hqQvjOrs8axnDQhW8e70DFOiKa5h-mIWEgzxiQJjhSInMpoIjTjoADc25yd9D1cX6ZlcJj8s0lM4yXYIfWkJl-4M2dRKIkLHtzjH6-jwyD2pir7uYbLSqpoZWSFUKYhjN6FrF-sgxTd3MUPimxM0TjWTJCqWY0tjBLQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":32248,"name":"History of Construction","url":"https://www.academia.edu/Documents/in/History_of_Construction"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") if (false) { Aedu.setUpFigureCarousel('profile-work-15353654-figures'); } }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="books" id="books"><h3 class="profile--tab_heading_container">books by maria mercedes bares</h3></div><div class="js-work-strip profile--work_container" data-work-id="15353766"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/15353766/La_cappella_reale_di_San_Michele_nel_castello_di_Noto_Antica_XII_XVI_secolo_Palermo_2012"><img alt="Research paper thumbnail of La cappella reale di San Michele nel castello di Noto Antica (XII-XVI secolo), Palermo 2012" class="work-thumbnail" src="https://attachments.academia-assets.com/38650158/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/15353766/La_cappella_reale_di_San_Michele_nel_castello_di_Noto_Antica_XII_XVI_secolo_Palermo_2012">La cappella reale di San Michele nel castello di Noto Antica (XII-XVI secolo), Palermo 2012</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In copertina: Noto Antica, cappella di San Michele, particolare del portale (foto dell'autrice). ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In copertina: Noto Antica, cappella di San Michele, particolare del portale (foto dell'autrice). INDICE PRESENTAZIONE 7 Marco Rosario Nobile, Le rovine di Noto antica per la storia dell'architettura PREMESSA 9 ORIGINE 11 Storia e confronti attraverso le fonti 13 IDENTIFICAZIONE Frammenti, tipologia e concordanze con altre opere del contesto STRATIFICAZIONI 17 Cantiere, restauri e maestranze (XV-XVI secolo) REPERTORIO ICONOGRAFICO 23 BIBLIOGRAFIA 45 Antonello da Messina, San Girolamo nello studio (Londra, National Gallery).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8b6c4867b5ea9bcc8bdc4a335fed62b3" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":38650158,"asset_id":15353766,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/38650158/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="15353766"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="15353766"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 15353766; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=15353766]").text(description); $(".js-view-count[data-work-id=15353766]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 15353766; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='15353766']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8b6c4867b5ea9bcc8bdc4a335fed62b3" } } $('.js-work-strip[data-work-id=15353766]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":15353766,"title":"La cappella reale di San Michele nel castello di Noto Antica (XII-XVI secolo), Palermo 2012","translated_title":"","metadata":{"grobid_abstract":"In copertina: Noto Antica, cappella di San Michele, particolare del portale (foto dell'autrice). 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INDICE PRESENTAZIONE 7 Marco Rosario Nobile, Le rovine di Noto antica per la storia dell'architettura PREMESSA 9 ORIGINE 11 Storia e confronti attraverso le fonti 13 IDENTIFICAZIONE Frammenti, tipologia e concordanze con altre opere del contesto STRATIFICAZIONI 17 Cantiere, restauri e maestranze (XV-XVI secolo) REPERTORIO ICONOGRAFICO 23 BIBLIOGRAFIA 45 Antonello da Messina, San Girolamo nello studio (Londra, National Gallery).","owner":{"id":10445513,"first_name":"maria mercedes","middle_initials":null,"last_name":"bares","page_name":"mariamercedesbares","domain_name":"unipa","created_at":"2014-03-24T07:01:11.499-07:00","display_name":"maria mercedes bares","url":"https://unipa.academia.edu/mariamercedesbares"},"attachments":[{"id":38650158,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/38650158/thumbnails/1.jpg","file_name":"2012-BARES-LA_CAPPELLA_DI_SAN_MICHELE.pdf","download_url":"https://www.academia.edu/attachments/38650158/download_file","bulk_download_file_name":"La_cappella_reale_di_San_Michele_nel_cas.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/38650158/2012-BARES-LA_CAPPELLA_DI_SAN_MICHELE-libre.pdf?1441232339=\u0026response-content-disposition=attachment%3B+filename%3DLa_cappella_reale_di_San_Michele_nel_cas.pdf\u0026Expires=1743327562\u0026Signature=NujaBIyg9IB6ZOpHVUf-oIAfSzxN7NB3mM5FfUUouR-VpZNEgs2TS9Qvs238PBPDMw9CxdteQDwbrwCXPgxfRfblOuifCXhxRZFJ9C~CraBdtJy~FBEj~LjBcRH~G5j7evTTsbMvBRNdTPwvemxdTqJcSAuPTLRdHnS9RfLyiKnyYOGZA-Y3w-MRTzifqF~hyV6e4wngH4EfDY6wVy9r5d4wXVOTxgMS2KRirKhbN9dxmIzLi2IWQmo6awy2mBpsdberKi6dxYFGlx9s5hkPEVdiDCs1uvp8M9A2L8vClYC~qDauJzWtBkijfFyCO5oTEMrkmHddHt4lZO7MryfRbg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":7655,"name":"Architectural History","url":"https://www.academia.edu/Documents/in/Architectural_History"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") if (false) { Aedu.setUpFigureCarousel('profile-work-15353766-figures'); } }); </script> <div class="js-work-strip profile--work_container" data-work-id="15353626"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/15353626/Il_Castello_Maniace_di_Siracusa_Stereotomia_e_tecniche_costruttive_nell_architettura_del_Mediterraneo_Siracusa_2011"><img alt="Research paper thumbnail of Il Castello Maniace di Siracusa. Stereotomia e tecniche costruttive nell’architettura del Mediterraneo, Siracusa 2011." class="work-thumbnail" src="https://attachments.academia-assets.com/38650013/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/15353626/Il_Castello_Maniace_di_Siracusa_Stereotomia_e_tecniche_costruttive_nell_architettura_del_Mediterraneo_Siracusa_2011">Il Castello Maniace di Siracusa. Stereotomia e tecniche costruttive nell’architettura del Mediterraneo, Siracusa 2011.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La ricerca affronta uno degli argomenti meno indagati della fabbrica: quello relativo alle novità...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La ricerca affronta uno degli argomenti meno indagati della fabbrica: quello relativo alle novità tecnologiche e alle soluzioni costruttive che la caratterizzano. L’obiettivo della ricerca è stato quindi quello di comprendere fasi, organizzazione e strumenti del cantiere attraverso analisi e confronti con l’architettura del Mediterraneo.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="014a0470bae20fabb5a46e9ff0a83c6a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":38650013,"asset_id":15353626,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/38650013/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="15353626"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="15353626"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 15353626; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=15353626]").text(description); $(".js-view-count[data-work-id=15353626]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 15353626; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='15353626']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "014a0470bae20fabb5a46e9ff0a83c6a" } } $('.js-work-strip[data-work-id=15353626]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":15353626,"title":"Il Castello Maniace di Siracusa. 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Called by the Bourbons monarchs to select some marbles for the Palace of Caserta, Vaccarini proposes the yellow marble of Castronovo in Sicily – until then unknown in peninsular Italy and very similar to the most famous giallo numidico – for the columns that had to sustain the vault of the royal chapel. The Crown decided to finance a mining research campaign to obtain large blocks, that was carried out with praised success and the news spread among intellectuals and specialists. However these will not be the only &quot;promotional&quot; actions that emerged: in the depositories of the Royal Palace of Caserta, an oil painting on canvas has recently been found, which depicts the quarry of Castronovo with the mining and carving work in progress and part of th...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="93df0140bb02a3a71191e942bff4dad1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":78945744,"asset_id":68488889,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/78945744/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="68488889"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="68488889"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 68488889; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=68488889]").text(description); $(".js-view-count[data-work-id=68488889]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 68488889; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='68488889']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "93df0140bb02a3a71191e942bff4dad1" } } $('.js-work-strip[data-work-id=68488889]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":68488889,"title":"Giovan Battista Vaccarini e la «Cava di Giallo sul monte di Castronovo in Sicilia operta d’ordine di Sua Reale Maestà pella formazione delle colonne di sua Real cappella»","translated_title":"","metadata":{"abstract":"This article investigates one of the less known aspects of the professional career of Abbot-Architect Giovan Battista Vaccarini (1702-1768) which concerns his skills as an expert in the quarrying of ornamental and building stones. 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href="https://www.academia.edu/32783113/LO_STEMMA_DEL_DUCA_PIETRO_DARAGONA_NELLA_TORRE_MAESTRA_DEL_CASTELLO_REALE_DI_NOTO_ANTICA">LO STEMMA DEL DUCA PIETRO D'ARAGONA NELLA TORRE MAESTRA DEL CASTELLO REALE DI NOTO ANTICA</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/BelfioreVincenzo">Vincenzo Belfiore</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unipa.academia.edu/mariamercedesbares">maria mercedes bares</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ef6a2dca1e096d599ea6c5365572404d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":52935845,"asset_id":32783113,"asset_type":"Work","button_location":"profile"}" 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class="work-thumbnail" src="https://attachments.academia-assets.com/50348337/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/29882413/El_gran_obrador_de_las_fortificaciones_de_Noto_en_Sicilia_durante_los_virreinatos_de_Ferrante_Gonzaga_y_Juan_de_Vega_1542_1552">El gran obrador de las fortificaciones de Noto en Sicilia durante los virreinatos de Ferrante Gonzaga y Juan de Vega (1542-1552</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Las fortalezas solitarias de la antigua ciudad de Noto en Sicilia que fueron ilustres testigos en...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Las fortalezas solitarias de la antigua ciudad de Noto en Sicilia que fueron ilustres testigos en el teatro de operaciones de los invasores bárbaros y otomanos se nos presentan hoy como espectrales vigilantes evocando en el observador lo que podríamos llamar aquel “desierto de los Tártaros” de la edad moderna.<br />Contribuye a la vivencia fantasmática de su presencia el hecho de haber sobrevivido a aquel terremoto que en 1693 arrasó la ciudad y las dejó rodeadas de escombros oteando el horizonte en busca de aquellos invasores. <br />Recientes investigaciones, hasta al momento inéditas, han demostrado que en los tiempos de Gonzaga y De Vega dos destacados ingenieros militares, uno originario de Bérgamo Antonio Ferramolino y el otro de Castilla Pedro Prado (colaborador de Pedro Luis Escrivá), fueron, en episodios diferentes y en constante sincronía con sus virreyes, los autores del proyecto de fortificación que tuvo lugar en el monte Alveria y en sus marinas, en el ámbito de un proyecto global de defensa promovido por la Corona para la costa oriental de la isla.  Junto con estos técnicos emerge toda una serie de canteros – empresarios que materializarán la construcción de los monumentales baluartes poligonales “a la moderna” que conforman la cabecera del sistema, de las interminables cortinas y de las torres costeras. <br />El compromiso entre la estructura topográfica y los elementos geométricos funcionales que fue aplicado en Noto ha sido también característico de otras ciudades cercanas como Carlentini, dedicada al emperador y concebida ex-novo, donde Prado fue protagonista y que parece haber encontrado el germen de su inspiración en la vecchia Noto.<br />La presencia documentada de un palacio real “de bellísima arquitectura” para las estancias del virrey en la zona blindada por los baluartes, en construcción a mediados del siglo XVI, junto con los restos de preciados elementos labrados como bóvedas aristadas y helicoidales que recuerdan experiencias importantes en el campo del corte de piedras, sugieren la posibilidad de un proyecto ambicioso que trascienda los parámetros de la arquitectura defensiva.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f6ecb2987d230710b33e480c6a50edac" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":50348337,"asset_id":29882413,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/50348337/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="29882413"><a 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this, workJSON: {"id":29882413,"title":"El gran obrador de las fortificaciones de Noto en Sicilia durante los virreinatos de Ferrante Gonzaga y Juan de Vega (1542-1552","translated_title":"","metadata":{"abstract":"Las fortalezas solitarias de la antigua ciudad de Noto en Sicilia que fueron ilustres testigos en el teatro de operaciones de los invasores bárbaros y otomanos se nos presentan hoy como espectrales vigilantes evocando en el observador lo que podríamos llamar aquel “desierto de los Tártaros” de la edad moderna.\nContribuye a la vivencia fantasmática de su presencia el hecho de haber sobrevivido a aquel terremoto que en 1693 arrasó la ciudad y las dejó rodeadas de escombros oteando el horizonte en busca de aquellos invasores. \nRecientes investigaciones, hasta al momento inéditas, han demostrado que en los tiempos de Gonzaga y De Vega dos destacados ingenieros militares, uno originario de Bérgamo Antonio Ferramolino y el otro de Castilla Pedro Prado (colaborador de Pedro Luis Escrivá), fueron, en episodios diferentes y en constante sincronía con sus virreyes, los autores del proyecto de fortificación que tuvo lugar en el monte Alveria y en sus marinas, en el ámbito de un proyecto global de defensa promovido por la Corona para la costa oriental de la isla. Junto con estos técnicos emerge toda una serie de canteros – empresarios que materializarán la construcción de los monumentales baluartes poligonales “a la moderna” que conforman la cabecera del sistema, de las interminables cortinas y de las torres costeras. \nEl compromiso entre la estructura topográfica y los elementos geométricos funcionales que fue aplicado en Noto ha sido también característico de otras ciudades cercanas como Carlentini, dedicada al emperador y concebida ex-novo, donde Prado fue protagonista y que parece haber encontrado el germen de su inspiración en la vecchia Noto.\nLa presencia documentada de un palacio real “de bellísima arquitectura” para las estancias del virrey en la zona blindada por los baluartes, en construcción a mediados del siglo XVI, junto con los restos de preciados elementos labrados como bóvedas aristadas y helicoidales que recuerdan experiencias importantes en el campo del corte de piedras, sugieren la posibilidad de un proyecto ambicioso que trascienda los parámetros de la arquitectura defensiva. \n\n"},"translated_abstract":"Las fortalezas solitarias de la antigua ciudad de Noto en Sicilia que fueron ilustres testigos en el teatro de operaciones de los invasores bárbaros y otomanos se nos presentan hoy como espectrales vigilantes evocando en el observador lo que podríamos llamar aquel “desierto de los Tártaros” de la edad moderna.\nContribuye a la vivencia fantasmática de su presencia el hecho de haber sobrevivido a aquel terremoto que en 1693 arrasó la ciudad y las dejó rodeadas de escombros oteando el horizonte en busca de aquellos invasores. \nRecientes investigaciones, hasta al momento inéditas, han demostrado que en los tiempos de Gonzaga y De Vega dos destacados ingenieros militares, uno originario de Bérgamo Antonio Ferramolino y el otro de Castilla Pedro Prado (colaborador de Pedro Luis Escrivá), fueron, en episodios diferentes y en constante sincronía con sus virreyes, los autores del proyecto de fortificación que tuvo lugar en el monte Alveria y en sus marinas, en el ámbito de un proyecto global de defensa promovido por la Corona para la costa oriental de la isla. Junto con estos técnicos emerge toda una serie de canteros – empresarios que materializarán la construcción de los monumentales baluartes poligonales “a la moderna” que conforman la cabecera del sistema, de las interminables cortinas y de las torres costeras. \nEl compromiso entre la estructura topográfica y los elementos geométricos funcionales que fue aplicado en Noto ha sido también característico de otras ciudades cercanas como Carlentini, dedicada al emperador y concebida ex-novo, donde Prado fue protagonista y que parece haber encontrado el germen de su inspiración en la vecchia Noto.\nLa presencia documentada de un palacio real “de bellísima arquitectura” para las estancias del virrey en la zona blindada por los baluartes, en construcción a mediados del siglo XVI, junto con los restos de preciados elementos labrados como bóvedas aristadas y helicoidales que recuerdan experiencias importantes en el campo del corte de piedras, sugieren la posibilidad de un proyecto ambicioso que trascienda los parámetros de la arquitectura defensiva. \n\n","internal_url":"https://www.academia.edu/29882413/El_gran_obrador_de_las_fortificaciones_de_Noto_en_Sicilia_durante_los_virreinatos_de_Ferrante_Gonzaga_y_Juan_de_Vega_1542_1552","translated_internal_url":"","created_at":"2016-11-16T04:32:00.385-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":10445513,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":50348337,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/50348337/thumbnails/1.jpg","file_name":"Bares_2JHACF2016.pdf","download_url":"https://www.academia.edu/attachments/50348337/download_file","bulk_download_file_name":"El_gran_obrador_de_las_fortificaciones_d.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/50348337/Bares_2JHACF2016-libre.pdf?1479298430=\u0026response-content-disposition=attachment%3B+filename%3DEl_gran_obrador_de_las_fortificaciones_d.pdf\u0026Expires=1743327561\u0026Signature=DcyMpmmjtwFaEli1mkm2IVwZ842Gpy-VJfQ-vkHiwRwah-xotFM5x8xKAmRAT3dGBrp3toyPlZV0jlTyDNCoTnnWmHkq33MbZvbvOtmp~fO6lMs~9a5zqWwiMXcm-6YlJSXmDayvT6nob6u1W959PgDpTbS8TWsePUUu2UWSCFHoomTXQlw6jekHL46xjJiSoUQ-czYnU9PuLQz7AORjXa~TTkPiuOuMxEJoKofNGrU4kaOf7TSTmucmiyi9hJoalUZDOLRm2OD-ubNs1fonaL0-1dPGYNsDd8MKnm2uSd4XVkzAgRZgMR11hdSxpKCQQ7hR1UO3mvwqoL33IhETRg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"El_gran_obrador_de_las_fortificaciones_de_Noto_en_Sicilia_durante_los_virreinatos_de_Ferrante_Gonzaga_y_Juan_de_Vega_1542_1552","translated_slug":"","page_count":26,"language":"es","content_type":"Work","summary":"Las fortalezas solitarias de la antigua ciudad de Noto en Sicilia que fueron ilustres testigos en el teatro de operaciones de los invasores bárbaros y otomanos se nos presentan hoy como espectrales vigilantes evocando en el observador lo que podríamos llamar aquel “desierto de los Tártaros” de la edad moderna.\nContribuye a la vivencia fantasmática de su presencia el hecho de haber sobrevivido a aquel terremoto que en 1693 arrasó la ciudad y las dejó rodeadas de escombros oteando el horizonte en busca de aquellos invasores. \nRecientes investigaciones, hasta al momento inéditas, han demostrado que en los tiempos de Gonzaga y De Vega dos destacados ingenieros militares, uno originario de Bérgamo Antonio Ferramolino y el otro de Castilla Pedro Prado (colaborador de Pedro Luis Escrivá), fueron, en episodios diferentes y en constante sincronía con sus virreyes, los autores del proyecto de fortificación que tuvo lugar en el monte Alveria y en sus marinas, en el ámbito de un proyecto global de defensa promovido por la Corona para la costa oriental de la isla. Junto con estos técnicos emerge toda una serie de canteros – empresarios que materializarán la construcción de los monumentales baluartes poligonales “a la moderna” que conforman la cabecera del sistema, de las interminables cortinas y de las torres costeras. \nEl compromiso entre la estructura topográfica y los elementos geométricos funcionales que fue aplicado en Noto ha sido también característico de otras ciudades cercanas como Carlentini, dedicada al emperador y concebida ex-novo, donde Prado fue protagonista y que parece haber encontrado el germen de su inspiración en la vecchia Noto.\nLa presencia documentada de un palacio real “de bellísima arquitectura” para las estancias del virrey en la zona blindada por los baluartes, en construcción a mediados del siglo XVI, junto con los restos de preciados elementos labrados como bóvedas aristadas y helicoidales que recuerdan experiencias importantes en el campo del corte de piedras, sugieren la posibilidad de un proyecto ambicioso que trascienda los parámetros de la arquitectura defensiva. \n\n","owner":{"id":10445513,"first_name":"maria mercedes","middle_initials":null,"last_name":"bares","page_name":"mariamercedesbares","domain_name":"unipa","created_at":"2014-03-24T07:01:11.499-07:00","display_name":"maria mercedes bares","url":"https://unipa.academia.edu/mariamercedesbares"},"attachments":[{"id":50348337,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/50348337/thumbnails/1.jpg","file_name":"Bares_2JHACF2016.pdf","download_url":"https://www.academia.edu/attachments/50348337/download_file","bulk_download_file_name":"El_gran_obrador_de_las_fortificaciones_d.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/50348337/Bares_2JHACF2016-libre.pdf?1479298430=\u0026response-content-disposition=attachment%3B+filename%3DEl_gran_obrador_de_las_fortificaciones_d.pdf\u0026Expires=1743327561\u0026Signature=DcyMpmmjtwFaEli1mkm2IVwZ842Gpy-VJfQ-vkHiwRwah-xotFM5x8xKAmRAT3dGBrp3toyPlZV0jlTyDNCoTnnWmHkq33MbZvbvOtmp~fO6lMs~9a5zqWwiMXcm-6YlJSXmDayvT6nob6u1W959PgDpTbS8TWsePUUu2UWSCFHoomTXQlw6jekHL46xjJiSoUQ-czYnU9PuLQz7AORjXa~TTkPiuOuMxEJoKofNGrU4kaOf7TSTmucmiyi9hJoalUZDOLRm2OD-ubNs1fonaL0-1dPGYNsDd8MKnm2uSd4XVkzAgRZgMR11hdSxpKCQQ7hR1UO3mvwqoL33IhETRg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":237481,"name":"Castles and Fortifications","url":"https://www.academia.edu/Documents/in/Castles_and_Fortifications"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") if (false) { Aedu.setUpFigureCarousel('profile-work-29882413-figures'); } }); </script> <div class="js-work-strip profile--work_container" data-work-id="28727919"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/28727919/Entre_las_costas_mediterr%C3%A1neas_y_la_Patagonia_austral_Los_ingenieros_militares_al_servicio_de_la_Corona_espa%C3%B1ola_y_sus_im%C3%A1genes_de_los_siglos_XVI_y_XVII"><img alt="Research paper thumbnail of Entre las costas mediterráneas y la Patagonia austral. Los ingenieros militares al servicio de la Corona española y sus imágenes de los siglos XVI y XVII" class="work-thumbnail" src="https://attachments.academia-assets.com/49136613/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/28727919/Entre_las_costas_mediterr%C3%A1neas_y_la_Patagonia_austral_Los_ingenieros_militares_al_servicio_de_la_Corona_espa%C3%B1ola_y_sus_im%C3%A1genes_de_los_siglos_XVI_y_XVII">Entre las costas mediterráneas y la Patagonia austral. Los ingenieros militares al servicio de la Corona española y sus imágenes de los siglos XVI y XVII</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El Mediterráneo fue, desde temprana edad, lugar de “producción de imágenes” por parte de viajeros...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El Mediterráneo fue, desde temprana edad, lugar de “producción de imágenes” por parte de viajeros, pintores, arquitectos y, especialmente, ingenieros militares que, por encargo de la Corona española, generaron una gran cantidad de piezas cartográficas y de imágenes con información técnica, arquitectónica y paisajística en distintas escalas. Estas constituyen hoy una base de datos suficientemente extensa que supera la temática de las fortificaciones. En lo que respecta en particular a la isla de Sicilia, cabe destacar significativas obras manuscritas, como aquellas primigenias de finales del siglo XVI por Tiburzio Spannocchi y Camillo Camilliani. Algunos de estos técnicos delinearon luego proyectos que atravesaron el océano Atlántico. En ciertos casos, ellos mismos estuvieron en persona en tierras americanas, como Pedro Sarmiento de Gamboa y varios integrantes de la familia de Juan Bautista Antonelli.<br />Las imágenes proveen un inestimable conjunto de datos que, confrontados con documentos de archivo, relaciones técnicas y descripciones de los lugares, constituyen una herramienta indispensable para el estudio de ciudades y fábricas, permitiendo generar nuevas interpretaciones de los espacios y resolver también cuestiones relacionadas con la organización de las obras y la historia de las técnicas constructivas.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f65ef669e62a96678e6a3a024529efae" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":49136613,"asset_id":28727919,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/49136613/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="28727919"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="28727919"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 28727919; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=28727919]").text(description); $(".js-view-count[data-work-id=28727919]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 28727919; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='28727919']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f65ef669e62a96678e6a3a024529efae" } } $('.js-work-strip[data-work-id=28727919]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":28727919,"title":"Entre las costas mediterráneas y la Patagonia austral. Los ingenieros militares al servicio de la Corona española y sus imágenes de los siglos XVI y XVII","translated_title":"","metadata":{"abstract":"El Mediterráneo fue, desde temprana edad, lugar de “producción de imágenes” por parte de viajeros, pintores, arquitectos y, especialmente, ingenieros militares que, por encargo de la Corona española, generaron una gran cantidad de piezas cartográficas y de imágenes con información técnica, arquitectónica y paisajística en distintas escalas. Estas constituyen hoy una base de datos suficientemente extensa que supera la temática de las fortificaciones. En lo que respecta en particular a la isla de Sicilia, cabe destacar significativas obras manuscritas, como aquellas primigenias de finales del siglo XVI por Tiburzio Spannocchi y Camillo Camilliani. Algunos de estos técnicos delinearon luego proyectos que atravesaron el océano Atlántico. En ciertos casos, ellos mismos estuvieron en persona en tierras americanas, como Pedro Sarmiento de Gamboa y varios integrantes de la familia de Juan Bautista Antonelli.\nLas imágenes proveen un inestimable conjunto de datos que, confrontados con documentos de archivo, relaciones técnicas y descripciones de los lugares, constituyen una herramienta indispensable para el estudio de ciudades y fábricas, permitiendo generar nuevas interpretaciones de los espacios y resolver también cuestiones relacionadas con la organización de las obras y la historia de las técnicas constructivas."},"translated_abstract":"El Mediterráneo fue, desde temprana edad, lugar de “producción de imágenes” por parte de viajeros, pintores, arquitectos y, especialmente, ingenieros militares que, por encargo de la Corona española, generaron una gran cantidad de piezas cartográficas y de imágenes con información técnica, arquitectónica y paisajística en distintas escalas. Estas constituyen hoy una base de datos suficientemente extensa que supera la temática de las fortificaciones. En lo que respecta en particular a la isla de Sicilia, cabe destacar significativas obras manuscritas, como aquellas primigenias de finales del siglo XVI por Tiburzio Spannocchi y Camillo Camilliani. Algunos de estos técnicos delinearon luego proyectos que atravesaron el océano Atlántico. En ciertos casos, ellos mismos estuvieron en persona en tierras americanas, como Pedro Sarmiento de Gamboa y varios integrantes de la familia de Juan Bautista Antonelli.\nLas imágenes proveen un inestimable conjunto de datos que, confrontados con documentos de archivo, relaciones técnicas y descripciones de los lugares, constituyen una herramienta indispensable para el estudio de ciudades y fábricas, permitiendo generar nuevas interpretaciones de los espacios y resolver también cuestiones relacionadas con la organización de las obras y la historia de las técnicas constructivas.","internal_url":"https://www.academia.edu/28727919/Entre_las_costas_mediterr%C3%A1neas_y_la_Patagonia_austral_Los_ingenieros_militares_al_servicio_de_la_Corona_espa%C3%B1ola_y_sus_im%C3%A1genes_de_los_siglos_XVI_y_XVII","translated_internal_url":"","created_at":"2016-09-26T13:02:28.674-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":10445513,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":49136613,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/49136613/thumbnails/1.jpg","file_name":"Entre_las_costas_mediterraneas_y_la_Patagonia_austral.pdf","download_url":"https://www.academia.edu/attachments/49136613/download_file","bulk_download_file_name":"Entre_las_costas_mediterraneas_y_la_Pata.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/49136613/Entre_las_costas_mediterraneas_y_la_Patagonia_austral-libre.pdf?1474922092=\u0026response-content-disposition=attachment%3B+filename%3DEntre_las_costas_mediterraneas_y_la_Pata.pdf\u0026Expires=1743327561\u0026Signature=fcMFc2chgCn1c47eK-UY8PxmTmtoD2sJ9KpwCNExFPBbA~cnATVRPTBrZl1iYf8nFMeAV1opirLpWkBw9916VUHG1Wvb55QOMfD6nVqWwMYIUk1Qp~CJXmn4D5YTdINa6o4dzjhpfaGzEaHRgFUTD4tFsX~bDHBDnf6kOJI9IShpXmfoS87EKRoZQ6asna1gtU1omtJr8F7ykZzH87atFL2VHlt-hvME~t6b1Toew5wTH2jXymC~f4Y64XaI4R5WETHQgqQtSgo8Ngqh0BBjqwF-Jb~1iJrr~W08UKeAQM5SAM~ZlWUP3XRNfpgK-kvVcYE7HLtvtW-ZYxhQx4~LNw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Entre_las_costas_mediterráneas_y_la_Patagonia_austral_Los_ingenieros_militares_al_servicio_de_la_Corona_española_y_sus_imágenes_de_los_siglos_XVI_y_XVII","translated_slug":"","page_count":19,"language":"es","content_type":"Work","summary":"El Mediterráneo fue, desde temprana edad, lugar de “producción de imágenes” por parte de viajeros, pintores, arquitectos y, especialmente, ingenieros militares que, por encargo de la Corona española, generaron una gran cantidad de piezas cartográficas y de imágenes con información técnica, arquitectónica y paisajística en distintas escalas. 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Recent research and a careful rereading of the documentary “restoration project” after the earthquake of 1693 have offered new tools to understand the construction techniques and building procedures for the entire organism. It has been possible to demonstrate that the different material (white limestone and volcanic stone) used for the vaults is, in fact, a product of reconstruction. The constructive node, which historiography has taken for granted, is now crucial—the documentary evidence of the restoration after the earthquake compared with the materials found in situ provide interpretive keys to decode genesis and procedures of the huge structure built five centuries before.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="43870cd9e5d83babf6d55b3356059898" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":49136286,"asset_id":28727774,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/49136286/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="28727774"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="28727774"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 28727774; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=28727774]").text(description); $(".js-view-count[data-work-id=28727774]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 28727774; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='28727774']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "43870cd9e5d83babf6d55b3356059898" } } $('.js-work-strip[data-work-id=28727774]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":28727774,"title":"International Journal of Architectural Heritage Conservation, Analysis, and Restoration Reconstruction of the Rib Vaults of the Hypostyle Hall in the Maniace Castle of Siracusa After the 1693 Earthquake","translated_title":"","metadata":{"abstract":"Built in the first half of the 13th century on behalf of the Emperor Frederick II, the Maniace Castle of Siracusa focuses its enigma in the hypostyle hall (which was composed of 25 quadripartite rib vaults) and the design criteria adopted for its implementation. Recent research and a careful rereading of the documentary “restoration project” after the earthquake of 1693 have offered new tools to understand the construction techniques and building procedures for the entire organism. It has been possible to demonstrate that the different material (white limestone and volcanic stone) used for the vaults is, in fact, a product of reconstruction. The constructive node, which historiography has taken for granted, is now crucial—the documentary evidence of the restoration after the earthquake compared with the materials found in situ provide interpretive keys to decode genesis and procedures of the huge structure built five centuries before."},"translated_abstract":"Built in the first half of the 13th century on behalf of the Emperor Frederick II, the Maniace Castle of Siracusa focuses its enigma in the hypostyle hall (which was composed of 25 quadripartite rib vaults) and the design criteria adopted for its implementation. Recent research and a careful rereading of the documentary “restoration project” after the earthquake of 1693 have offered new tools to understand the construction techniques and building procedures for the entire organism. It has been possible to demonstrate that the different material (white limestone and volcanic stone) used for the vaults is, in fact, a product of reconstruction. 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Bares – M.R. Nobile, The use of ‘false vaults’ in 18th century buildings of Sicily in Construction History. International Journal of the Construction History Society, vol. 30 No.1 (2015), pp. 53-70. (ISSN 0267-7768)." class="work-thumbnail" src="https://attachments.academia-assets.com/39293945/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/16988018/M_M_Bares_M_R_Nobile_The_use_of_false_vaults_in_18th_century_buildings_of_Sicily_in_Construction_History_International_Journal_of_the_Construction_History_Society_vol_30_No_1_2015_pp_53_70_ISSN_0267_7768_">M.M. Bares – M.R. Nobile, The use of ‘false vaults’ in 18th century buildings of Sicily in Construction History. International Journal of the Construction History Society, vol. 30 No.1 (2015), pp. 53-70. (ISSN 0267-7768).</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/MarcoRosarioNobile">Marco Rosario Nobile</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unipa.academia.edu/mariamercedesbares">maria mercedes bares</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Between the end of the 17th century and the first decades of the 18th, Sicily was struck by sever...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Between the end of the 17th century and the first decades of the 18th, Sicily was struck by several violent earthquakes. The total and partial collapse of monumental buildings produced a global debate involving various aspects of construction practice. One of the central topics of discussion was the construction of domes and large vaulted structures. Some architects studied the possibility of using so-called 'false vaults', a kind of lightweight structure created with a wooden frame, reed mats, and plaster. The technique was probably known by the 16th century and was used in a few major monuments, such as the dome of the Palermo Cathedral, in the mid-17th century. It was only after the Earthquake of 1726 in Palermo that large vaulted structures were extensively built with this technique in important churches. One of the most significant examples, documented by technical drawings as well as archival records, is the church of Santa Chiara in Noto, designed by the architect Rosario Gagliardi. The use of 'false vaults' as a preventative measure against seismic damage is well documented in many other monuments. The direct analysis of built structures and new documentary evidence allows for the verification of recent theories. The paper focus on the construction techniques used in a few selected cases and takes into consideration the influences of widely available texts on architectural theory and practice as well as local building experiences on the genesis of the building process.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="27fde70de44909b5a481a321b6211dfa" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":39293945,"asset_id":16988018,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/39293945/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="16988018"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="16988018"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 16988018; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=16988018]").text(description); $(".js-view-count[data-work-id=16988018]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 16988018; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='16988018']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "27fde70de44909b5a481a321b6211dfa" } } $('.js-work-strip[data-work-id=16988018]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":16988018,"title":"M.M. 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(ISSN 0267-7768)."}],"downloadable_attachments":[{"id":39293945,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/39293945/thumbnails/1.jpg","file_name":"2013-BARES-NOBILE-CONSTRUCTION-HISTORY.pdf","download_url":"https://www.academia.edu/attachments/39293945/download_file","bulk_download_file_name":"M_M_Bares_M_R_Nobile_The_use_of_false_va.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/39293945/2013-BARES-NOBILE-CONSTRUCTION-HISTORY-libre.pdf?1445250561=\u0026response-content-disposition=attachment%3B+filename%3DM_M_Bares_M_R_Nobile_The_use_of_false_va.pdf\u0026Expires=1743327561\u0026Signature=P1denwZlVO-HRjSrcGIsjDeXzjhe0LRiA~Q1-OHwwn0eyblpVkZv7WrbUEsNHKCiutuiXifHSjW2s8X~oW8zsv~uZJ7boNdlepCbCKm6RZCZ6JJy4ilqiHZZ7Lxw~oMYRONDKafk38E1wZ5FJaOtfn4Rb3WiJwoudprDnzZk5bdphva-4rti5SwHtApEPrXqBuwqFeC7iCak~S2fGyayMdJ-gxfBXMaKvvS64Ik7VGggeSMf4IfyA0znNrrRchRgGHrbukWhkBu0uDOhTsYyKawW7BTO~cW7i~uucAXk8YRPOOo0XwuJ1dIMUwT5ailLdOY8kEg7pSHZNWPjWH3G6w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"M_M_Bares_M_R_Nobile_The_use_of_false_vaults_in_18th_century_buildings_of_Sicily_in_Construction_History_International_Journal_of_the_Construction_History_Society_vol_30_No_1_2015_pp_53_70_ISSN_0267_7768_","translated_slug":"","page_count":24,"language":"en","content_type":"Work","summary":"Between the end of the 17th century and the first decades of the 18th, Sicily was struck by several violent earthquakes. The total and partial collapse of monumental buildings produced a global debate involving various aspects of construction practice. One of the central topics of discussion was the construction of domes and large vaulted structures. Some architects studied the possibility of using so-called 'false vaults', a kind of lightweight structure created with a wooden frame, reed mats, and plaster. The technique was probably known by the 16th century and was used in a few major monuments, such as the dome of the Palermo Cathedral, in the mid-17th century. It was only after the Earthquake of 1726 in Palermo that large vaulted structures were extensively built with this technique in important churches. One of the most significant examples, documented by technical drawings as well as archival records, is the church of Santa Chiara in Noto, designed by the architect Rosario Gagliardi. The use of 'false vaults' as a preventative measure against seismic damage is well documented in many other monuments. The direct analysis of built structures and new documentary evidence allows for the verification of recent theories. The paper focus on the construction techniques used in a few selected cases and takes into consideration the influences of widely available texts on architectural theory and practice as well as local building experiences on the genesis of the building process.","owner":{"id":10445513,"first_name":"maria mercedes","middle_initials":null,"last_name":"bares","page_name":"mariamercedesbares","domain_name":"unipa","created_at":"2014-03-24T07:01:11.499-07:00","display_name":"maria mercedes bares","url":"https://unipa.academia.edu/mariamercedesbares"},"attachments":[{"id":39293945,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/39293945/thumbnails/1.jpg","file_name":"2013-BARES-NOBILE-CONSTRUCTION-HISTORY.pdf","download_url":"https://www.academia.edu/attachments/39293945/download_file","bulk_download_file_name":"M_M_Bares_M_R_Nobile_The_use_of_false_va.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/39293945/2013-BARES-NOBILE-CONSTRUCTION-HISTORY-libre.pdf?1445250561=\u0026response-content-disposition=attachment%3B+filename%3DM_M_Bares_M_R_Nobile_The_use_of_false_va.pdf\u0026Expires=1743327561\u0026Signature=P1denwZlVO-HRjSrcGIsjDeXzjhe0LRiA~Q1-OHwwn0eyblpVkZv7WrbUEsNHKCiutuiXifHSjW2s8X~oW8zsv~uZJ7boNdlepCbCKm6RZCZ6JJy4ilqiHZZ7Lxw~oMYRONDKafk38E1wZ5FJaOtfn4Rb3WiJwoudprDnzZk5bdphva-4rti5SwHtApEPrXqBuwqFeC7iCak~S2fGyayMdJ-gxfBXMaKvvS64Ik7VGggeSMf4IfyA0znNrrRchRgGHrbukWhkBu0uDOhTsYyKawW7BTO~cW7i~uucAXk8YRPOOo0XwuJ1dIMUwT5ailLdOY8kEg7pSHZNWPjWH3G6w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":32248,"name":"History of Construction","url":"https://www.academia.edu/Documents/in/History_of_Construction"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") if (false) { Aedu.setUpFigureCarousel('profile-work-16988018-figures'); } }); </script> <div class="js-work-strip profile--work_container" data-work-id="16987650"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/16987650/La_ricostruzione_delle_crociere_della_sala_colonnare_del_castello_Maniace_di_Siracusa_dopo_il_terremoto_del_1693_AID_Monuments_Conoscere_progettare_costruire_Galeazzo_Alessi_Ingegnere_architetto_a_cura_di_C_Conforti_V_Gusella_ROMA_Aracne_2014_vol_2_pp_ISBN_978_88_548_6506_8_"><img alt="Research paper thumbnail of La ricostruzione delle crociere della sala colonnare del castello Maniace di Siracusa dopo il terremoto del 1693, AID Monuments. Conoscere progettare costruire. Galeazzo Alessi Ingegnere -architetto, a cura di C. Conforti, V. Gusella, ROMA, Aracne, 2014, vol. 2, pp. (ISBN: 978-88-548-6506-8)" class="work-thumbnail" src="https://attachments.academia-assets.com/39292961/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/16987650/La_ricostruzione_delle_crociere_della_sala_colonnare_del_castello_Maniace_di_Siracusa_dopo_il_terremoto_del_1693_AID_Monuments_Conoscere_progettare_costruire_Galeazzo_Alessi_Ingegnere_architetto_a_cura_di_C_Conforti_V_Gusella_ROMA_Aracne_2014_vol_2_pp_ISBN_978_88_548_6506_8_">La ricostruzione delle crociere della sala colonnare del castello Maniace di Siracusa dopo il terremoto del 1693, AID Monuments. Conoscere progettare costruire. Galeazzo Alessi Ingegnere -architetto, a cura di C. 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Gusella, ROMA, Aracne, 2014, vol. 2, pp. (ISBN: 978-88-548-6506-8)</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="91ebe32b40ba78642746b82485891dac" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":39292961,"asset_id":16987650,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/39292961/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="16987650"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="16987650"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 16987650; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=16987650]").text(description); $(".js-view-count[data-work-id=16987650]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 16987650; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='16987650']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "91ebe32b40ba78642746b82485891dac" } } $('.js-work-strip[data-work-id=16987650]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":16987650,"title":"La ricostruzione delle crociere della sala colonnare del castello Maniace di Siracusa dopo il terremoto del 1693, AID Monuments. 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Bares, Il giallo di Castronovo: un marmo per il re, in Lexicon, storie e architettura in Sicilia e nel Mediterraneo. Rivista semestrale di Storia dell’Architettura, N.13/2012, pp. 54-68. (ISSN: 1827-3416)" class="work-thumbnail" src="https://attachments.academia-assets.com/39234605/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/16879812/M_M_Bares_Il_giallo_di_Castronovo_un_marmo_per_il_re_in_Lexicon_storie_e_architettura_in_Sicilia_e_nel_Mediterraneo_Rivista_semestrale_di_Storia_dell_Architettura_N_13_2012_pp_54_68_ISSN_1827_3416_">M.M. Bares, Il giallo di Castronovo: un marmo per il re, in Lexicon, storie e architettura in Sicilia e nel Mediterraneo. Rivista semestrale di Storia dell’Architettura, N.13/2012, pp. 54-68. 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Scaduto, Palermo 2013, pp. 75-92 (ISBN 978-88-89440-90-2).</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="25fbf2d50c69316a164ce6d4f97c8fec" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":39233276,"asset_id":16877876,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/39233276/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="16877876"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="16877876"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 16877876; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=16877876]").text(description); $(".js-view-count[data-work-id=16877876]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 16877876; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='16877876']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "25fbf2d50c69316a164ce6d4f97c8fec" } } $('.js-work-strip[data-work-id=16877876]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":16877876,"title":"M.M. 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Antista e M.M. Bares, Palermo 2013, pp. 73-98" class="work-thumbnail" src="https://attachments.academia-assets.com/38650081/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/15353654/Le_scale_elicoidali_con_vuoto_centrale_Tradizioni_costruttive_nel_val_di_Noto_del_Settecento_in_Le_scale_in_pietra_a_vista_nel_Mediterraneo_a_cura_di_G_Antista_e_M_M_Bares_Palermo_2013_pp_73_98">Le scale elicoidali con vuoto centrale: Tradizioni costruttive nel val di Noto del Settecento in Le scale in pietra a vista nel Mediterraneo a cura di G. Antista e M.M. Bares, Palermo 2013, pp. 73-98</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La messa in luce di una serie di singolari scale in pietra a vista a babalucia 1 (con occhio cent...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La messa in luce di una serie di singolari scale in pietra a vista a babalucia 1 (con occhio centrale), celate all'interno di fabbriche di Noto e di città vicine (si tratta per lo più di edifici religiosi ma esistono anche esempi in architetture civili), consente di aprire una riflessione su un tema, quello della continuità con la tradizione, che più volte appare rievocato nella storia dell'architettura siciliana. La scala coclide detta a "occhio aperto" o "con vuoto centrale" si è rivelata protagonista tra le diverse varianti presenti nelle torri e nei campanili dell'area sud-orientale dell'isola. A tutt'oggi abbiamo documentato infatti numerosi esempi a Siracusa, Noto, Avola, Modica, Sortino, Monterosso, Palazzolo e Catania (l'elenco è certamente incompleto), che sembrano riferibili allo stesso contesto post-terremoto del 1693. Si tratta in effetti di fabbriche databili al Settecento con una maggiore concentrazione di casi all'inizio della seconda metà del secolo. Una tale soluzione, denominata dalla trattatistica spagnola caracol de Mallorca e da quella francese vis a jour o suspendu, non appare, per quei tempi, innovativa o sensazionale, ma si innesta in un panorama di uso e consuetudine che risulta sparso in tutto il territorio.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a651abb64da91a5f6174e2c2f1457c19" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":38650081,"asset_id":15353654,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/38650081/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="15353654"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="15353654"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 15353654; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=15353654]").text(description); $(".js-view-count[data-work-id=15353654]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 15353654; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='15353654']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a651abb64da91a5f6174e2c2f1457c19" } } $('.js-work-strip[data-work-id=15353654]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":15353654,"title":"Le scale elicoidali con vuoto centrale: Tradizioni costruttive nel val di Noto del Settecento in Le scale in pietra a vista nel Mediterraneo a cura di G. 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La scala coclide detta a \"occhio aperto\" o \"con vuoto centrale\" si è rivelata protagonista tra le diverse varianti presenti nelle torri e nei campanili dell'area sud-orientale dell'isola. A tutt'oggi abbiamo documentato infatti numerosi esempi a Siracusa, Noto, Avola, Modica, Sortino, Monterosso, Palazzolo e Catania (l'elenco è certamente incompleto), che sembrano riferibili allo stesso contesto post-terremoto del 1693. Si tratta in effetti di fabbriche databili al Settecento con una maggiore concentrazione di casi all'inizio della seconda metà del secolo. 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INDICE PRESENTAZIONE 7 Marco Rosario Nobile, Le rovine di Noto antica per la storia dell'architettura PREMESSA 9 ORIGINE 11 Storia e confronti attraverso le fonti 13 IDENTIFICAZIONE Frammenti, tipologia e concordanze con altre opere del contesto STRATIFICAZIONI 17 Cantiere, restauri e maestranze (XV-XVI secolo) REPERTORIO ICONOGRAFICO 23 BIBLIOGRAFIA 45 Antonello da Messina, San Girolamo nello studio (Londra, National Gallery).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8b6c4867b5ea9bcc8bdc4a335fed62b3" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":38650158,"asset_id":15353766,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/38650158/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="15353766"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="15353766"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 15353766; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=15353766]").text(description); $(".js-view-count[data-work-id=15353766]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 15353766; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='15353766']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8b6c4867b5ea9bcc8bdc4a335fed62b3" } } $('.js-work-strip[data-work-id=15353766]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":15353766,"title":"La cappella reale di San Michele nel castello di Noto Antica (XII-XVI secolo), Palermo 2012","translated_title":"","metadata":{"grobid_abstract":"In copertina: Noto Antica, cappella di San Michele, particolare del portale (foto dell'autrice). 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Stereotomia e tecniche costruttive nell’architettura del Mediterraneo, Siracusa 2011." class="work-thumbnail" src="https://attachments.academia-assets.com/38650013/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/15353626/Il_Castello_Maniace_di_Siracusa_Stereotomia_e_tecniche_costruttive_nell_architettura_del_Mediterraneo_Siracusa_2011">Il Castello Maniace di Siracusa. Stereotomia e tecniche costruttive nell’architettura del Mediterraneo, Siracusa 2011.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La ricerca affronta uno degli argomenti meno indagati della fabbrica: quello relativo alle novità...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La ricerca affronta uno degli argomenti meno indagati della fabbrica: quello relativo alle novità tecnologiche e alle soluzioni costruttive che la caratterizzano. L’obiettivo della ricerca è stato quindi quello di comprendere fasi, organizzazione e strumenti del cantiere attraverso analisi e confronti con l’architettura del Mediterraneo.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="014a0470bae20fabb5a46e9ff0a83c6a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":38650013,"asset_id":15353626,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/38650013/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="15353626"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="15353626"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 15353626; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=15353626]").text(description); $(".js-view-count[data-work-id=15353626]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 15353626; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='15353626']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "014a0470bae20fabb5a46e9ff0a83c6a" } } $('.js-work-strip[data-work-id=15353626]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":15353626,"title":"Il Castello Maniace di Siracusa. 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