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</a> <ul id="toc-1944–1949:_The_Queen_of_Technicolor-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-1950–1957:_Work_with_John_Ford,_Westerns_and_adventure_films" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1950–1957:_Work_with_John_Ford,_Westerns_and_adventure_films"> <div class="vector-toc-text"> 2.4 1950–1957: Work with John Ford, Westerns and adventure films </div> </a> <ul id="toc-1950–1957:_Work_with_John_Ford,_Westerns_and_adventure_films-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-1959–1991:_Later_career" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1959–1991:_Later_career"> <div class="vector-toc-text"> 2.5 1959–1991: Later career </div> </a> <ul id="toc-1959–1991:_Later_career-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Reception_and_character" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Reception_and_character"> <div class="vector-toc-text"> 3 Reception and character </div> </a> <ul id="toc-Reception_and_character-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Personal_life_and_death" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Personal_life_and_death"> <div class="vector-toc-text"> 4 Personal life and death </div> </a> <ul id="toc-Personal_life_and_death-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Honors" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Honors"> <div class="vector-toc-text"> 5 Honors </div> </a> <ul id="toc-Honors-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> 6 References </div> </a> <button aria-controls="toc-References-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle References subsection </button> <ul id="toc-References-sublist" class="vector-toc-list"> <li id="toc-Citations" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Citations"> <div class="vector-toc-text"> 6.1 Citations </div> </a> <ul id="toc-Citations-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Bibliography" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Bibliography"> <div class="vector-toc-text"> 6.2 Bibliography </div> </a> <ul id="toc-Bibliography-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> 7 External links </div> </a> <ul id="toc-External_links-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="Toggle the table of contents" > <label id="vector-page-titlebar-toc-label" for="vector-page-titlebar-toc-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" > Toggle the table of contents </label> <div class="vector-dropdown-content"> <div id="vector-page-titlebar-toc-unpinned-container" class="vector-unpinned-container"> </div> </div> </div> </nav> <h1 id="firstHeading" class="firstHeading mw-first-heading">Maureen O'Hara</h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. Available in 54 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-54" aria-hidden="true" > 54 languages </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-af mw-list-item"><a href="https://af.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – Afrikaans" lang="af" hreflang="af" data-title="Maureen O'Hara" data-language-autonym="Afrikaans" data-language-local-name="Afrikaans" class="interlanguage-link-target">Afrikaans</a></li><li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D9%85%D9%88%D8%B1%D9%8A%D9%86_%D8%A3%D9%88%D9%87%D8%A7%D8%B1%D8%A7" title="مورين أوهارا – Arabic" lang="ar" hreflang="ar" data-title="مورين أوهارا" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target">العربية</a></li><li class="interlanguage-link interwiki-ast badge-Q17437796 badge-featuredarticle mw-list-item" title="featured article badge"><a href="https://ast.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – Asturian" lang="ast" hreflang="ast" data-title="Maureen O'Hara" data-language-autonym="Asturianu" data-language-local-name="Asturian" class="interlanguage-link-target">Asturianu</a></li><li class="interlanguage-link interwiki-azb mw-list-item"><a href="https://azb.wikipedia.org/wiki/%D9%85%D9%88%D8%B1%DB%8C%D9%86_%D8%A7%D9%88%D9%87%D8%A7%D8%B1%D8%A7" title="مورین اوهارا – South Azerbaijani" lang="azb" hreflang="azb" data-title="مورین اوهارا" data-language-autonym="تۆرکجه" data-language-local-name="South Azerbaijani" class="interlanguage-link-target">تۆرکجه</a></li><li class="interlanguage-link interwiki-bn mw-list-item"><a href="https://bn.wikipedia.org/wiki/%E0%A6%AE%E0%A6%B0%E0%A6%BF%E0%A6%A8_%E0%A6%93%E0%A6%B9%E0%A6%BE%E0%A6%B0%E0%A6%BE" title="মরিন ওহারা – Bangla" lang="bn" hreflang="bn" data-title="মরিন ওহারা" data-language-autonym="বাংলা" data-language-local-name="Bangla" class="interlanguage-link-target">বাংলা</a></li><li class="interlanguage-link interwiki-be mw-list-item"><a href="https://be.wikipedia.org/wiki/%D0%9C%D0%BE%D1%80%D1%8B%D0%BD_%D0%9E%E2%80%99%D0%A5%D0%B0%D1%80%D0%B0" title="Морын О’Хара – Belarusian" lang="be" hreflang="be" data-title="Морын О’Хара" data-language-autonym="Беларуская" data-language-local-name="Belarusian" class="interlanguage-link-target">Беларуская</a></li><li class="interlanguage-link interwiki-bg mw-list-item"><a href="https://bg.wikipedia.org/wiki/%D0%9C%D0%BE%D1%80%D0%B8%D0%B9%D0%BD_%D0%9E%27%D0%A5%D0%B0%D1%80%D0%B0" title="Морийн О'Хара – Bulgarian" lang="bg" hreflang="bg" data-title="Морийн О'Хара" data-language-autonym="Български" data-language-local-name="Bulgarian" class="interlanguage-link-target">Български</a></li><li class="interlanguage-link interwiki-br mw-list-item"><a href="https://br.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – Breton" lang="br" hreflang="br" data-title="Maureen O'Hara" data-language-autonym="Brezhoneg" data-language-local-name="Breton" class="interlanguage-link-target">Brezhoneg</a></li><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – Catalan" lang="ca" hreflang="ca" data-title="Maureen O'Hara" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target">Català</a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Maureen_O%27Harov%C3%A1" title="Maureen O'Harová – Czech" lang="cs" hreflang="cs" data-title="Maureen O'Harová" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target">Čeština</a></li><li class="interlanguage-link interwiki-cy mw-list-item"><a href="https://cy.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – Welsh" lang="cy" hreflang="cy" data-title="Maureen O'Hara" data-language-autonym="Cymraeg" data-language-local-name="Welsh" class="interlanguage-link-target">Cymraeg</a></li><li class="interlanguage-link interwiki-da mw-list-item"><a href="https://da.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – Danish" lang="da" hreflang="da" data-title="Maureen O'Hara" data-language-autonym="Dansk" data-language-local-name="Danish" class="interlanguage-link-target">Dansk</a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Maureen_O%E2%80%99Hara" title="Maureen O’Hara – German" lang="de" hreflang="de" data-title="Maureen O’Hara" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target">Deutsch</a></li><li class="interlanguage-link interwiki-el mw-list-item"><a href="https://el.wikipedia.org/wiki/%CE%9C%CE%BF%CF%81%CE%AF%CE%BD_%CE%9F%27%CE%A7%CE%AC%CF%81%CE%B1" title="Μορίν Ο'Χάρα – Greek" lang="el" hreflang="el" data-title="Μορίν Ο'Χάρα" data-language-autonym="Ελληνικά" data-language-local-name="Greek" class="interlanguage-link-target">Ελληνικά</a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – Spanish" lang="es" hreflang="es" data-title="Maureen O'Hara" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target">Español</a></li><li class="interlanguage-link interwiki-eo mw-list-item"><a href="https://eo.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – Esperanto" lang="eo" hreflang="eo" data-title="Maureen O'Hara" data-language-autonym="Esperanto" data-language-local-name="Esperanto" class="interlanguage-link-target">Esperanto</a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – Basque" lang="eu" hreflang="eu" data-title="Maureen O'Hara" data-language-autonym="Euskara" data-language-local-name="Basque" class="interlanguage-link-target">Euskara</a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D9%85%D9%88%D8%B1%DB%8C%D9%86_%D8%A7%D9%88%D9%87%D8%A7%D8%B1%D8%A7" title="مورین اوهارا – Persian" lang="fa" hreflang="fa" data-title="مورین اوهارا" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target">فارسی</a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – French" lang="fr" hreflang="fr" data-title="Maureen O'Hara" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target">Français</a></li><li class="interlanguage-link interwiki-fy mw-list-item"><a href="https://fy.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – Western Frisian" lang="fy" hreflang="fy" data-title="Maureen O'Hara" data-language-autonym="Frysk" data-language-local-name="Western Frisian" class="interlanguage-link-target">Frysk</a></li><li class="interlanguage-link interwiki-ga mw-list-item"><a href="https://ga.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – Irish" lang="ga" hreflang="ga" data-title="Maureen O'Hara" data-language-autonym="Gaeilge" data-language-local-name="Irish" class="interlanguage-link-target">Gaeilge</a></li><li class="interlanguage-link interwiki-gl mw-list-item"><a href="https://gl.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – Galician" lang="gl" hreflang="gl" data-title="Maureen O'Hara" data-language-autonym="Galego" data-language-local-name="Galician" class="interlanguage-link-target">Galego</a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%EB%AA%A8%EB%A6%B0_%EC%98%A4%ED%95%98%EB%9D%BC" title="모린 오하라 – Korean" lang="ko" hreflang="ko" data-title="모린 오하라" data-language-autonym="한국어" data-language-local-name="Korean" class="interlanguage-link-target">한국어</a></li><li class="interlanguage-link interwiki-hy mw-list-item"><a href="https://hy.wikipedia.org/wiki/%D5%84%D5%B8%D6%80%D5%AB%D5%B6_%D5%95%E2%80%99%D5%80%D5%A1%D6%80%D5%A1" title="Մորին Օ’Հարա – Armenian" lang="hy" hreflang="hy" data-title="Մորին Օ’Հարա" data-language-autonym="Հայերեն" data-language-local-name="Armenian" class="interlanguage-link-target">Հայերեն</a></li><li class="interlanguage-link interwiki-hr mw-list-item"><a href="https://hr.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – Croatian" lang="hr" hreflang="hr" data-title="Maureen O'Hara" data-language-autonym="Hrvatski" data-language-local-name="Croatian" class="interlanguage-link-target">Hrvatski</a></li><li class="interlanguage-link interwiki-io mw-list-item"><a href="https://io.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – Ido" lang="io" hreflang="io" data-title="Maureen O'Hara" data-language-autonym="Ido" data-language-local-name="Ido" class="interlanguage-link-target">Ido</a></li><li class="interlanguage-link interwiki-id mw-list-item"><a href="https://id.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – Indonesian" lang="id" hreflang="id" data-title="Maureen O'Hara" data-language-autonym="Bahasa Indonesia" data-language-local-name="Indonesian" class="interlanguage-link-target">Bahasa Indonesia</a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – Italian" lang="it" hreflang="it" data-title="Maureen O'Hara" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target">Italiano</a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%9E%D7%95%D7%A8%D7%99%D7%9F_%D7%90%D7%95%27%D7%94%D7%A8%D7%94" title="מורין או'הרה – Hebrew" lang="he" hreflang="he" data-title="מורין או'הרה" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target">עברית</a></li><li class="interlanguage-link interwiki-ka mw-list-item"><a href="https://ka.wikipedia.org/wiki/%E1%83%9B%E1%83%9D%E1%83%A0%E1%83%98%E1%83%9C_%E1%83%9D%E2%80%99%E1%83%B0%E1%83%90%E1%83%A0%E1%83%90" title="მორინ ო’ჰარა – Georgian" lang="ka" hreflang="ka" data-title="მორინ ო’ჰარა" data-language-autonym="ქართული" data-language-local-name="Georgian" class="interlanguage-link-target">ქართული</a></li><li class="interlanguage-link interwiki-kw mw-list-item"><a href="https://kw.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – Cornish" lang="kw" hreflang="kw" data-title="Maureen O'Hara" data-language-autonym="Kernowek" data-language-local-name="Cornish" class="interlanguage-link-target">Kernowek</a></li><li class="interlanguage-link interwiki-lv mw-list-item"><a href="https://lv.wikipedia.org/wiki/Mor%C4%ABna_O%27H%C4%81ra" title="Morīna O'Hāra – Latvian" lang="lv" hreflang="lv" data-title="Morīna O'Hāra" data-language-autonym="Latviešu" data-language-local-name="Latvian" class="interlanguage-link-target">Latviešu</a></li><li class="interlanguage-link interwiki-lb mw-list-item"><a href="https://lb.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – Luxembourgish" lang="lb" hreflang="lb" data-title="Maureen O'Hara" data-language-autonym="Lëtzebuergesch" data-language-local-name="Luxembourgish" class="interlanguage-link-target">Lëtzebuergesch</a></li><li class="interlanguage-link interwiki-hu mw-list-item"><a href="https://hu.wikipedia.org/wiki/Maureen_O%E2%80%99Hara" title="Maureen O’Hara – Hungarian" lang="hu" hreflang="hu" data-title="Maureen O’Hara" data-language-autonym="Magyar" data-language-local-name="Hungarian" class="interlanguage-link-target">Magyar</a></li><li class="interlanguage-link interwiki-mg mw-list-item"><a href="https://mg.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – Malagasy" lang="mg" hreflang="mg" data-title="Maureen O'Hara" data-language-autonym="Malagasy" data-language-local-name="Malagasy" class="interlanguage-link-target">Malagasy</a></li><li class="interlanguage-link interwiki-ml mw-list-item"><a href="https://ml.wikipedia.org/wiki/%E0%B4%AE%E0%B5%97%E0%B4%B1%E0%B5%80%E0%B5%BB_%E0%B4%92%27%E0%B4%B9%E0%B4%B0" title="മൗറീൻ ഒ'ഹര – Malayalam" lang="ml" hreflang="ml" data-title="മൗറീൻ ഒ'ഹര" data-language-autonym="മലയാളം" data-language-local-name="Malayalam" class="interlanguage-link-target">മലയാളം</a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D9%85%D9%88%D8%B1%D9%8A%D9%86_%D8%A7%D9%88%D9%87%D8%A7%D8%B1%D8%A7" title="مورين اوهارا – Egyptian Arabic" lang="arz" hreflang="arz" data-title="مورين اوهارا" data-language-autonym="مصرى" data-language-local-name="Egyptian Arabic" class="interlanguage-link-target">مصرى</a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – Dutch" lang="nl" hreflang="nl" data-title="Maureen O'Hara" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target">Nederlands</a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%83%A2%E3%83%BC%E3%83%AA%E3%83%B3%E3%83%BB%E3%82%AA%E3%83%8F%E3%83%A9" title="モーリン・オハラ – Japanese" lang="ja" hreflang="ja" data-title="モーリン・オハラ" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target">日本語</a></li><li class="interlanguage-link interwiki-no mw-list-item"><a href="https://no.wikipedia.org/wiki/Maureen_O%E2%80%99Hara" title="Maureen O’Hara – Norwegian Bokmål" lang="nb" hreflang="nb" data-title="Maureen O’Hara" data-language-autonym="Norsk bokmål" data-language-local-name="Norwegian Bokmål" class="interlanguage-link-target">Norsk bokmål</a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Maureen_O%E2%80%99Hara" title="Maureen O’Hara – Polish" lang="pl" hreflang="pl" data-title="Maureen O’Hara" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target">Polski</a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – Portuguese" lang="pt" hreflang="pt" data-title="Maureen O'Hara" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target">Português</a></li><li class="interlanguage-link interwiki-ro mw-list-item"><a href="https://ro.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – Romanian" lang="ro" hreflang="ro" data-title="Maureen O'Hara" data-language-autonym="Română" data-language-local-name="Romanian" class="interlanguage-link-target">Română</a></li><li class="interlanguage-link interwiki-qu mw-list-item"><a href="https://qu.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – Quechua" lang="qu" hreflang="qu" data-title="Maureen O'Hara" data-language-autonym="Runa Simi" data-language-local-name="Quechua" class="interlanguage-link-target">Runa Simi</a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%9E%E2%80%99%D0%A5%D0%B0%D1%80%D0%B0,_%D0%9C%D0%BE%D1%80%D0%B8%D0%BD" title="О’Хара, Морин – Russian" lang="ru" hreflang="ru" data-title="О’Хара, Морин" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target">Русский</a></li><li class="interlanguage-link interwiki-simple mw-list-item"><a href="https://simple.wikipedia.org/wiki/Maureen_O%27Hara" title="Maureen O'Hara – Simple English" lang="en-simple" 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Click here for more information." src="//upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/19px-Symbol_support_vote.svg.png" decoding="async" width="19" height="20" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/29px-Symbol_support_vote.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/39px-Symbol_support_vote.svg.png 2x" data-file-width="180" data-file-height="185" /></a></div></div> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">Irish-American actress (1920–2015)</div> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">This article is about the actress and singer. For the financial economist, see <a href="/wiki/Maureen_O%27Hara_(financial_economist)" title="Maureen O'Hara (financial economist)">Maureen O'Hara (financial economist)</a>.</div> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox biography vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div class="fn">Maureen O'Hara</div></th></tr><tr><td colspan="2" class="infobox-image"><a href="/wiki/File:Maureen_O%27Hara_1947_2.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/6/66/Maureen_O%27Hara_1947_2.jpg/220px-Maureen_O%27Hara_1947_2.jpg" decoding="async" width="220" height="295" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/66/Maureen_O%27Hara_1947_2.jpg/330px-Maureen_O%27Hara_1947_2.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/66/Maureen_O%27Hara_1947_2.jpg/440px-Maureen_O%27Hara_1947_2.jpg 2x" data-file-width="1123" data-file-height="1505" /></a><div class="infobox-caption">O'Hara in 1947</div></td></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data"><div style="display:inline" class="nickname">Maureen FitzSimons</div> (1920-08-17)17 August 1920 <div style="display:inline" class="birthplace"><a href="/wiki/Dublin" title="Dublin">Dublin</a>, Ireland</div></td></tr><tr><th scope="row" class="infobox-label">Died</th><td class="infobox-data">24 October 2015(2015-10-24) (aged 95) <div style="display:inline" class="deathplace"><a href="/wiki/Boise,_Idaho" title="Boise, Idaho">Boise, Idaho</a>, US</div></td></tr><tr><th scope="row" class="infobox-label">Resting place</th><td class="infobox-data label"><a href="/wiki/Arlington_National_Cemetery" title="Arlington National Cemetery">Arlington National Cemetery</a></td></tr><tr><th scope="row" class="infobox-label">Citizenship</th><td class="infobox-data category"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><div class="plainlist"> <ul><li>Ireland</li> <li>United States (from 1946)</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label">Alma mater</th><td class="infobox-data"><a href="/wiki/Guildhall_School_of_Music" class="mw-redirect" title="Guildhall School of Music">Guildhall School of Music</a></td></tr><tr><th scope="row" class="infobox-label">Occupations</th><td class="infobox-data role"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist li::after{content:" · ";font-weight:bold}.mw-parser-output .hlist dd:last-child::after,.mw-parser-output .hlist dt:last-child::after,.mw-parser-output .hlist li:last-child::after{content:none}.mw-parser-output .hlist dd dd:first-child::before,.mw-parser-output .hlist dd dt:first-child::before,.mw-parser-output .hlist dd li:first-child::before,.mw-parser-output .hlist dt dd:first-child::before,.mw-parser-output .hlist dt dt:first-child::before,.mw-parser-output .hlist dt li:first-child::before,.mw-parser-output .hlist li dd:first-child::before,.mw-parser-output .hlist li dt:first-child::before,.mw-parser-output .hlist li li:first-child::before{content:" (";font-weight:normal}.mw-parser-output .hlist dd dd:last-child::after,.mw-parser-output .hlist dd dt:last-child::after,.mw-parser-output .hlist dd li:last-child::after,.mw-parser-output .hlist dt dd:last-child::after,.mw-parser-output .hlist dt dt:last-child::after,.mw-parser-output .hlist dt li:last-child::after,.mw-parser-output .hlist li dd:last-child::after,.mw-parser-output .hlist li dt:last-child::after,.mw-parser-output .hlist li li:last-child::after{content:")";font-weight:normal}.mw-parser-output .hlist ol{counter-reset:listitem}.mw-parser-output .hlist ol>li{counter-increment:listitem}.mw-parser-output .hlist ol>li::before{content:" "counter(listitem)"\a0 "}.mw-parser-output .hlist dd ol>li:first-child::before,.mw-parser-output .hlist dt ol>li:first-child::before,.mw-parser-output .hlist li ol>li:first-child::before{content:" ("counter(listitem)"\a0 "}</style><div class="hlist"><ul><li>Actress</li><li>singer</li></ul></div></td></tr><tr><th scope="row" class="infobox-label">Years active</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"><ul><li>1938–1971</li><li>1991–2000</li></ul></div></td></tr><tr><th scope="row" class="infobox-label">Spouses</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist"> <ul><li><style data-mw-deduplicate="TemplateStyles:r1151524712">.mw-parser-output .marriage-line-margin2px{line-height:0;margin-bottom:-2px}.mw-parser-output .marriage-line-margin3px{line-height:0;margin-bottom:-3px}.mw-parser-output .marriage-display-ws{display:inline;white-space:nowrap}</style></li></ul> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;margin-top:1px;white-space:normal;">George H. Brown</div> <div class="marriage-line-margin2px"></div> <div style="display:inline-block;margin-bottom:1px;"></div>(<abbr title="married">m.</abbr> 1939; <a href="/wiki/Annulled" class="mw-redirect" title="Annulled"><abbr title="annulled">annul.</abbr></a><span class="sr-only" style="border: 0; clip: rect(0, 0, 0, 0); clip-path: polygon(0px 0px, 0px 0px, 0px 0px); height: 1px; margin: -1px; overflow: hidden; padding: 0; position: absolute; width: 1px; white-space: nowrap;">Tooltip annulled 1941)</div> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1151524712"></li></ul> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;margin-top:1px;white-space:normal;">Will Price</div> <div class="marriage-line-margin2px"></div> <div style="display:inline-block;margin-bottom:1px;"></div>(<abbr title="married">m.</abbr> 1941; <abbr title="divorced">div.</abbr> 1953)</div> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1151524712"></li></ul> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;margin-top:1px;white-space:normal;"><a href="/wiki/Charles_F._Blair_Jr." title="Charles F. Blair Jr.">Charles F. Blair Jr.</a></div> <div class="marriage-line-margin2px"></div> <div style="display:inline-block;margin-bottom:1px;"></div>(<abbr title="married">m.</abbr> 1968; died 1978)</div> </div></td></tr><tr><th scope="row" class="infobox-label">Children</th><td class="infobox-data">1</td></tr></tbody></table> Maureen O'Hara (<a href="/wiki/Birth_name#Maiden_and_married_names" title="Birth name">née</a> FitzSimons; 17 August 1920 – 24 October 2015) was an Irish-born naturalized American actress who became successful in <a href="/wiki/Cinema_of_the_United_States" title="Cinema of the United States">Hollywood</a> from the 1940s through to the 1960s.<a href="#cite_note-1">[1]</a> She was a natural redhead who was known for playing passionate but sensible heroines, often in <a href="/wiki/Western_(genre)#Film" title="Western (genre)">Westerns</a> and adventure films. She worked with director <a href="/wiki/John_Ford" title="John Ford">John Ford</a> and long-time friend <a href="/wiki/John_Wayne" title="John Wayne">John Wayne</a> on numerous projects. O'Hara was born into a Catholic family and raised in <a href="/wiki/Dublin" title="Dublin">Dublin</a>, Ireland. She aspired to become an actress from a very young age. She trained with the Rathmines Theatre Company from the age of 10 and at the <a href="/wiki/Abbey_Theatre" title="Abbey Theatre">Abbey Theatre</a> from the age of 14. She was given a screen test, which was deemed unsatisfactory, but <a href="/wiki/Charles_Laughton" title="Charles Laughton">Charles Laughton</a> saw potential in her, and arranged for her to co-star with him in <a href="/wiki/Alfred_Hitchcock" title="Alfred Hitchcock">Alfred Hitchcock</a>'s <a href="/wiki/Jamaica_Inn_(film)" title="Jamaica Inn (film)">Jamaica Inn</a> in 1939. She moved to Hollywood the same year to appear with him in the production of <a href="/wiki/The_Hunchback_of_Notre_Dame_(1939_film)" title="The Hunchback of Notre Dame (1939 film)">The Hunchback of Notre Dame</a>, and was given a contract by <a href="/wiki/RKO_Pictures" title="RKO Pictures">RKO Pictures</a>. From there, she went on to enjoy a long and highly successful career, and acquired the nickname "the Queen of Technicolor". O'Hara appeared in films such as <a href="/wiki/How_Green_Was_My_Valley_(film)" title="How Green Was My Valley (film)">How Green Was My Valley</a> (1941) (her first collaboration with John Ford), <a href="/wiki/The_Black_Swan_(film)" title="The Black Swan (film)">The Black Swan</a> with <a href="/wiki/Tyrone_Power" title="Tyrone Power">Tyrone Power</a> (1942), <a href="/wiki/The_Spanish_Main" title="The Spanish Main">The Spanish Main</a> (1945), <a href="/wiki/Sinbad_the_Sailor_(1947_film)" title="Sinbad the Sailor (1947 film)">Sinbad the Sailor</a> (1947), the Christmas classic <a href="/wiki/Miracle_on_34th_Street" title="Miracle on 34th Street">Miracle on 34th Street</a> (1947) with <a href="/wiki/John_Payne_(actor)" title="John Payne (actor)">John Payne</a> and <a href="/wiki/Natalie_Wood" title="Natalie Wood">Natalie Wood</a>, and <a href="/wiki/Comanche_Territory_(1950_film)" title="Comanche Territory (1950 film)">Comanche Territory</a> (1950). O'Hara made her first film with John Wayne, the actor with whom she is most closely associated, in <a href="/wiki/Rio_Grande_(1950_film)" title="Rio Grande (1950 film)">Rio Grande</a> (1950); this was followed by <a href="/wiki/The_Quiet_Man" title="The Quiet Man">The Quiet Man</a> (1952), <a href="/wiki/The_Wings_of_Eagles" title="The Wings of Eagles">The Wings of Eagles</a> (1957), <a href="/wiki/McLintock!" title="McLintock!">McLintock!</a> (1963), and <a href="/wiki/Big_Jake" title="Big Jake">Big Jake</a> (1971). Such was her strong chemistry with Wayne that many assumed they were married or in a relationship. In the 1960s, O'Hara increasingly turned to more motherly roles as she aged, appearing in films such as <a href="/wiki/The_Deadly_Companions" title="The Deadly Companions">The Deadly Companions</a> (1961), <a href="/wiki/The_Parent_Trap_(1961_film)" title="The Parent Trap (1961 film)">The Parent Trap</a> (1961), and <a href="/wiki/The_Rare_Breed" title="The Rare Breed">The Rare Breed</a> (1966). She retired from the industry in 1971, but returned 20 years later to appear with <a href="/wiki/John_Candy" title="John Candy">John Candy</a> in <a href="/wiki/Only_the_Lonely_(film)" title="Only the Lonely (film)">Only the Lonely</a> (1991). In the late 1970s, O'Hara helped run her third husband <a href="/wiki/Charles_F._Blair_Jr." title="Charles F. Blair Jr.">Charles F. Blair Jr.</a>'s flying business in <a href="/wiki/Saint_Croix" title="Saint Croix">Saint Croix</a> in the <a href="/wiki/United_States_Virgin_Islands" title="United States Virgin Islands">United States Virgin Islands</a>, and edited a magazine, but later sold them to spend more time in <a href="/wiki/Glengarriff" title="Glengarriff">Glengarriff</a> in Ireland. She was married three times, and had one daughter, Bronwyn, with her second husband. Her autobiography, 'Tis Herself, published in 2004, became a <a href="/wiki/New_York_Times_Bestseller" class="mw-redirect" title="New York Times Bestseller">New York Times bestseller</a>. In 2009, <a href="/wiki/The_Guardian" title="The Guardian">The Guardian</a> named her one of the best actors never to have received an <a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> nomination.<a href="#cite_note-2">[2]</a> In November 2014, she was presented with an <a href="/wiki/Academy_Honorary_Award" title="Academy Honorary Award">Honorary Academy Award</a> with the inscription "To Maureen O'Hara, one of Hollywood's brightest stars, whose inspiring performances glowed with passion, warmth and strength". In 2020, she was ranked number one on <a href="/wiki/The_Irish_Times" title="The Irish Times">The Irish Times</a> list of Ireland's greatest film actors.<a href="#cite_note-3">[3]</a> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Early_life_and_education">Early life and education</h2>[<a href="/w/index.php?title=Maureen_O%27Hara&action=edit&section=1" title="Edit section: Early life and education">edit</a>]</div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Maureen_O%27Hara_and_mother_1948.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/0/07/Maureen_O%27Hara_and_mother_1948.jpg/220px-Maureen_O%27Hara_and_mother_1948.jpg" decoding="async" width="220" height="203" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/07/Maureen_O%27Hara_and_mother_1948.jpg/330px-Maureen_O%27Hara_and_mother_1948.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/07/Maureen_O%27Hara_and_mother_1948.jpg/440px-Maureen_O%27Hara_and_mother_1948.jpg 2x" data-file-width="2048" data-file-height="1887" /></a><figcaption>O'Hara with her mother, Marguerite FitzSimons, in 1948</figcaption></figure> Born on 17 August 1920,<a href="#cite_note-FOOTNOTEMalone20137-4">[4]</a> O'Hara began life as Maureen FitzSimons on Beechwood Avenue in the <a href="/wiki/Dublin" title="Dublin">Dublin</a> suburb of <a href="/wiki/Ranelagh" title="Ranelagh">Ranelagh</a>.<a href="#cite_note-FOOTNOTEO'HaraNicoletti200512-5">[5]</a> She stated that she was "born into the most remarkable and eccentric family I could have possibly hoped for".<a href="#cite_note-FOOTNOTEO'HaraNicoletti200510-6">[6]</a> She was the second-eldest of six children of Charles and Marguerite (née Lilburn) FitzSimons, and the only red-headed child in the family.<a href="#cite_note-TISL-7">[7]</a> Her father was in the clothing business and bought into <a href="/wiki/Shamrock_Rovers_F.C." title="Shamrock Rovers F.C.">Shamrock Rovers Football Club</a>,<a href="#cite_note-8">[8]</a> a team O'Hara supported from childhood.<a href="#cite_note-FOOTNOTERice200521–22-9">[9]</a> O'Hara inherited her singing voice from her mother,<a href="#cite_note-TISL-7">[7]</a> a former operatic <a href="/wiki/Contralto" title="Contralto">contralto</a> and successful women's clothier, who in her younger years was widely considered to have been one of Ireland's most beautiful women. She noted that whenever her mother left the house, men would leave their houses just so they could catch a glimpse of her in the street.<a href="#cite_note-FOOTNOTEMalone20137-4">[4]</a> O'Hara's siblings were Peggy, the eldest, and younger Charles, Florrie, Margot, and Jimmy. Peggy dedicated her life to a religious order, becoming a <a href="/wiki/Religious_Sisters_of_Charity" title="Religious Sisters of Charity">Sister of Charity</a>.<a href="#cite_note-FOOTNOTEMalone20137-4">[4]</a> <style data-mw-deduplicate="TemplateStyles:r1224211176">.mw-parser-output .quotebox{background-color:#F9F9F9;border:1px solid #aaa;box-sizing:border-box;padding:10px;font-size:88%;max-width:100%}.mw-parser-output .quotebox.floatleft{margin:.5em 1.4em .8em 0}.mw-parser-output .quotebox.floatright{margin:.5em 0 .8em 1.4em}.mw-parser-output .quotebox.centered{overflow:hidden;position:relative;margin:.5em auto .8em auto}.mw-parser-output .quotebox.floatleft span,.mw-parser-output .quotebox.floatright span{font-style:inherit}.mw-parser-output .quotebox>blockquote{margin:0;padding:0;border-left:0;font-family:inherit;font-size:inherit}.mw-parser-output .quotebox-title{text-align:center;font-size:110%;font-weight:bold}.mw-parser-output .quotebox-quote>:first-child{margin-top:0}.mw-parser-output .quotebox-quote:last-child>:last-child{margin-bottom:0}.mw-parser-output .quotebox-quote.quoted:before{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" “ ";vertical-align:-45%;line-height:0}.mw-parser-output .quotebox-quote.quoted:after{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" ” ";line-height:0}.mw-parser-output .quotebox .left-aligned{text-align:left}.mw-parser-output .quotebox .right-aligned{text-align:right}.mw-parser-output .quotebox .center-aligned{text-align:center}.mw-parser-output .quotebox .quote-title,.mw-parser-output .quotebox .quotebox-quote{display:block}.mw-parser-output .quotebox cite{display:block;font-style:normal}@media screen and (max-width:640px){.mw-parser-output .quotebox{width:100%!important;margin:0 0 .8em!important;float:none!important}}</style><div class="quotebox pullquote floatleft" style="width:30em; ; color: #202122;background-color: #c6dbf7;"> <blockquote class="quotebox-quote left-aligned" style=""> "I was a blunt child—blunt almost to the point of rudeness. I told the truth and shamed all the devils. I didn't take discipline very well. I would never be slapped in school. If a teacher had slapped me I would have bitten her. I guess I was a bold, bad child, but it was exciting. When I went to the Dominican College later on I did not have beaux as the other girls did. There was one lad who followed me around for two years. He told me at last that he never once dared to speak to me because I looked as though I would bite his head off if I did". </blockquote> <cite class="left-aligned" style="">—O'Hara on her childhood personality.<a href="#cite_note-FOOTNOTEMalone20139-10">[10]</a></cite> </div> O'Hara earned the nickname "Baby Elephant" for being a pudgy infant.<a href="#cite_note-FOOTNOTEMalone20137-4">[4]</a> A tomboy, she enjoyed fishing in the <a href="/wiki/River_Dodder" title="River Dodder">River Dodder</a>, riding horses, swimming, and soccer,<a href="#cite_note-FOOTNOTEMalone201310-11">[11]</a> and would play boys' games and climb trees.<a href="#cite_note-TISL-7">[7]</a> O'Hara was so keen on soccer that at one point, she pressed her father to found a women's team, and professed that <a href="/wiki/Glenmalure_Park" title="Glenmalure Park">Glenmalure Park</a>, the home ground of <a href="/wiki/Shamrock_Rovers_F.C." title="Shamrock Rovers F.C.">Shamrock Rovers F.C.</a>, became "like a second home".<a href="#cite_note-FOOTNOTEMalone201310-11">[11]</a> She enjoyed fighting, and trained in <a href="/wiki/Judo" title="Judo">judo</a> as a teenager.<a href="#cite_note-FOOTNOTEMalone201381-12">[12]</a> She later admitted that she was jealous of boys in her youth and the freedom they had, and that they could steal apples from orchards and not get into trouble.<a href="#cite_note-FOOTNOTEMalone201317-13">[13]</a> O'Hara first attended the John Street West Girls' School near <a href="/wiki/Thomas_Street,_Dublin" title="Thomas Street, Dublin">Thomas Street</a> in Dublin's <a href="/wiki/The_Liberties,_Dublin" title="The Liberties, Dublin">Liberties Area</a>.<a href="#cite_note-FOOTNOTEO'HaraNicoletti200513-14">[14]</a> She began dancing at the age of 5,<a href="#cite_note-FOOTNOTEMalone20137-4">[4]</a> when a fortune teller predicted that she would become rich and famous, and she would boast to friends as they sat in her back garden that she would "become the most famous actress in the world". Her enthusiastic family fully supported the idea.<a href="#cite_note-FOOTNOTEMalone20138–9-15">[15]</a> When she recited a poem on stage in school at the age of six, O'Hara immediately felt an attraction to performing in front of an audience. From that age she trained in drama, music, and dance along with her siblings at the Ena Mary Burke School of Drama and Elocution in Dublin.<a href="#cite_note-FOOTNOTEMalone20139-10">[10]</a> Their affinity with the arts prompted O'Hara to refer to the family as the "Irish von Trapp family".<a href="#cite_note-FOOTNOTEMalone20137-4">[4]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Maureen_O%27Hara_with_sisters_Margot_and_Florrie_1947.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d7/Maureen_O%27Hara_with_sisters_Margot_and_Florrie_1947.jpg/170px-Maureen_O%27Hara_with_sisters_Margot_and_Florrie_1947.jpg" decoding="async" width="170" height="232" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d7/Maureen_O%27Hara_with_sisters_Margot_and_Florrie_1947.jpg/255px-Maureen_O%27Hara_with_sisters_Margot_and_Florrie_1947.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d7/Maureen_O%27Hara_with_sisters_Margot_and_Florrie_1947.jpg/340px-Maureen_O%27Hara_with_sisters_Margot_and_Florrie_1947.jpg 2x" data-file-width="1445" data-file-height="1970" /></a><figcaption>O'Hara (right) with sisters Margot and Florrie in 1947</figcaption></figure> At the age of 10, O'Hara joined the <a href="/wiki/Rathmines" title="Rathmines">Rathmines</a> Theatre Company and began working in amateur theatre in the evenings after her lessons.<a href="#cite_note-FOOTNOTEO'HaraNicoletti200517-16">[16]</a> One of her earliest roles was <a href="/wiki/Robin_Hood" title="Robin Hood">Robin Hood</a> in a Christmas pantomime.<a href="#cite_note-FOOTNOTEMalone20139-10">[10]</a> O'Hara's dream at this time was to be a stage actress. By the age of 12, O'Hara had reached the height of 5 feet 6 inches (1.68 m), and it worried her mother for a while that she would become "the tallest girl" in Ireland as Maureen's father was 6 feet 4 inches (1.93 m). She expressed relief when O'Hara only grew another two inches.<a href="#cite_note-FOOTNOTEMalone201311-17">[17]</a> At the age of 14, O'Hara joined the <a href="/wiki/Abbey_Theatre" title="Abbey Theatre">Abbey Theatre</a>. Though she was mentored by playwright <a href="/wiki/Lennox_Robinson" title="Lennox Robinson">Lennox Robinson</a>, she found her time at the theatre disappointing.<a href="#cite_note-FOOTNOTEMalone201311-17">[17]</a> In 1934, at the age of 15, she won the first Dramatic Prize of the national competition of the performing arts,<a href="#cite_note-TISL-7">[7]</a> the Dublin Feis Award, for her performance as Portia in <a href="/wiki/The_Merchant_of_Venice" title="The Merchant of Venice">The Merchant of Venice</a>.<a href="#cite_note-FOOTNOTEMalone201311-17">[17]</a> She trained as a shorthand typist, working for Crumlin Laundry before joining Eveready Battery Company, where she worked as a typist and bookkeeper.<a href="#cite_note-FOOTNOTEO'HaraNicoletti200522-18">[18]</a> She later put her skills to use when she typed the script of The Quiet Man for John Ford.<a href="#cite_note-TISL-7">[7]</a> In 1936, she became the youngest pupil to graduate from the <a href="/wiki/Guildhall_School_of_Music" class="mw-redirect" title="Guildhall School of Music">Guildhall School of Music</a> at the time, and the following year, she won the Dawn Beauty Competition, winning £50.<a href="#cite_note-FOOTNOTEMalone201311-17">[17]</a> As she matured into a young woman, O'Hara, like many actresses, became increasingly self-conscious, which affected her for a while. In one performance, which was watched by her father from the back of the theatre, O'Hara "sensed there was someone out front watching me, perhaps critically. My arms felt like lead. I gave a rotten show that night. I grew up with the terrible feeling that I was being laughed at".<a href="#cite_note-FOOTNOTEMalone201312-19">[19]</a> <div class="mw-heading mw-heading2"><h2 id="Film_career">Film career</h2>[<a href="/w/index.php?title=Maureen_O%27Hara&action=edit&section=2" title="Edit section: Film career">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Maureen_O%27Hara_filmography" title="Maureen O'Hara filmography">Maureen O'Hara filmography</a></div> <div class="mw-heading mw-heading3"><h3 id="1937–1940:_Early_career">1937–1940: Early career</h3>[<a href="/w/index.php?title=Maureen_O%27Hara&action=edit&section=3" title="Edit section: 1937–1940: Early career">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatright" style="width:30em; ; color: #202122;background-color: #c6dbf7;"> <blockquote class="quotebox-quote left-aligned" style=""> "On the screen was a girl. She looked at least 35, she was over done up ... very made up face, and her hair in an over-grand style, but just for a split perfect second light was on her face and you could see as the girl turned her head around your extraordinarily beautiful profile, which was absolutely invisible among all your makeup. Well Mr. Pommer and I sent for you and you came and blew into the office like a hurricane. You had a tweed suit on with hair sticking out and coming from Ireland. You blew into the office and said [in Irish accent] 'Watchya want with me'. I took you out for lunch and I never forgot when I asked you why you wanted to be an actress. I'll never forget your reply. You said 'When I was a child I used to go down the garden, talk to the flowers and pretend I was the flower talking back to myself.' And you had to be a pretty nice girl and had to be a pretty good actress too. And heavens knows you're both". </blockquote> <cite class="left-aligned" style="">—Charles Laughton addressing O'Hara with his fond memories of spotting her at the age of 17.<a href="#cite_note-TISL-7">[7]</a></cite> </div> At the age of 17, O'Hara was offered her first major role at the Abbey Theatre, but was distracted by the attentions of actor-singer <a href="/wiki/Harry_Richman" title="Harry Richman">Harry Richman</a>. Richman arranged with the manager of the <a href="/wiki/Gresham_Hotel" title="Gresham Hotel">Gresham Hotel</a> in Dublin to meet her at the hotel while she was dining with her family. He proposed that she go to Elstree Studios for a <a href="/wiki/Screen_test" title="Screen test">screen test</a> and become a film actress. O'Hara arrived in London shortly afterwards with her mother.<a href="#cite_note-FOOTNOTEMalone201312-19">[19]</a> During the screen test, the studio adorned her in a "gold lamé dress with flapping sleeves like wings"<a href="#cite_note-FOOTNOTESigillito2007206–07-20">[20]</a> and heavy makeup with an ornate hair style, which was deemed to be far from satisfactory. O'Hara detested the audition, during which she had to walk in and pick up a telephone. She recalled thinking to herself, "My God, get me back to the Abbey".<a href="#cite_note-FOOTNOTEMalone201312-19">[19]</a> <a href="/wiki/Charles_Laughton" title="Charles Laughton">Charles Laughton</a> later saw the test and, despite the overdone makeup and costume, was intrigued, paying particular notice to her large and expressive eyes.<a href="#cite_note-TISL-7">[7]</a> After seeking the approval of his business partner <a href="/wiki/Erich_Pommer" title="Erich Pommer">Erich Pommer</a>,<a href="#cite_note-FOOTNOTESigillito2007207-21">[21]</a> they arranged to meet O'Hara through a talent agency run by Connie Chapman and Vere Barker.<a href="#cite_note-FOOTNOTEMalone201313-22">[22]</a> Laughton was impressed with O'Hara, particularly by her lack of nerves and refusal to read an extract upon his request unprepared, during which she said: "I am very sorry but absolutely no".<a href="#cite_note-FOOTNOTEMalone201313-22">[22]</a> She was offered an initial seven-year contract with their new company, Mayflower Pictures.<a href="#cite_note-FOOTNOTESigillito2007207-21">[21]</a> Though her family were shocked at her being given a contract so young, they accepted, and O'Hara traveled across Ireland in celebration before arriving back in London to commence her film career.<a href="#cite_note-FOOTNOTEMalone201314-23">[23]</a> O'Hara later stated that "I owe my whole career to Mr. Pommer".<a href="#cite_note-TISL-7">[7]</a> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Maureen_O%27Hara_and_brothers_James_and_Charles_1954.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Maureen_O%27Hara_and_brothers_James_and_Charles_1954.jpg/220px-Maureen_O%27Hara_and_brothers_James_and_Charles_1954.jpg" decoding="async" width="220" height="218" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Maureen_O%27Hara_and_brothers_James_and_Charles_1954.jpg/330px-Maureen_O%27Hara_and_brothers_James_and_Charles_1954.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Maureen_O%27Hara_and_brothers_James_and_Charles_1954.jpg/440px-Maureen_O%27Hara_and_brothers_James_and_Charles_1954.jpg 2x" data-file-width="516" data-file-height="512" /></a><figcaption>O'Hara with brothers <a href="/wiki/James_O%27Hara_(actor)" title="James O'Hara (actor)">James O'Hara</a> (left) and <a href="/wiki/Charles_B._FitzSimons" class="mw-redirect" title="Charles B. FitzSimons">Charles B. FitzSimons</a> (right) in 1954</figcaption></figure> O'Hara made her screen debut in <a href="/wiki/Walter_Forde" title="Walter Forde">Walter Forde</a>'s <a href="/wiki/Kicking_the_Moon_Around" title="Kicking the Moon Around">Kicking the Moon Around</a> (1938), although she did not consider it a part of her filmography. Richman had introduced her to Forde at Elstree Studios, but as she was not cast in the film in a notable role, she agreed to deliver one line in it as a favor to Richman for helping with her screen test.<a href="#cite_note-FOOTNOTEO'HaraNicoletti200524-24">[24]</a> Laughton arranged for her to appear in the low-budget musical <a href="/wiki/My_Irish_Molly" title="My Irish Molly">My Irish Molly</a> (1938), the only film she made under her real name, Maureen FitzSimons. In the film, she plays a woman named Eiléen O'Shea, who rescues an orphan girl named Molly.<a href="#cite_note-FOOTNOTEO'HaraNicoletti200524-24">[24]</a> Biographer Aubrey Malone stated of it: "One could argue that O'Hara never looked as enticing as she does in Little Miss Molly, even if she isn't 'Maureen O'Hara' quite yet. She wears no makeup, and there's no Hollywood glamour, but despite (or because of?) that, she is rapturously beautiful. Her accent is thick, which is perhaps why she didn't mention the film much. It also looks as if it were made in the 1920s rather than the 1930s, so primitive are the sets and characters". Malone added that though the lot was "ham-fisted", it is a "quaint film which O'Hara scholars should view if only to see early evidence of her natural instinct for dramatic timing and scene interpretation".<a href="#cite_note-FOOTNOTEMalone201314-23">[23]</a> O'Hara's first major film role was that of Mary Yellen in <a href="/wiki/Jamaica_Inn_(film)" title="Jamaica Inn (film)">Jamaica Inn</a> (1939), directed by <a href="/wiki/Alfred_Hitchcock" title="Alfred Hitchcock">Alfred Hitchcock</a> and co-starring Laughton.<a href="#cite_note-BFI-25">[25]</a> O'Hara portrayed the innkeeper's niece, an orphan who goes to live with her aunt and uncle at a Cornish tavern,<a href="#cite_note-FOOTNOTEMalone201315-26">[26]</a> a heroine which she describes as "torn between the love of her family and her love for a lawman in disguise". Laughton insisted that she change her name to the shorter "O'Mara" or "O'Hara", and she eventually decided on the latter after expressing contempt at both. <a href="#cite_note-FOOTNOTEO'HaraNicoletti200530-27">[27]</a> When she said "I like Maureen FitzSimons and I want to keep it", Laughton replied with, "Very well, you're Maureen O'Hara." (O'Hara would later say that "nobody would ever get [FitzSimons] straight.") <a href="#cite_note-Dunham2015-28">[28]</a> O'Hara noted that Laughton had always wanted a daughter of his own, and treated her as such,<a href="#cite_note-FOOTNOTEMalone201314–15-29">[29]</a> and she later stated that Laughton's death in 1962 was like losing a parent. She worked well under Hitchcock, professing to have "never experienced the strange feeling of detachment with Hitchcock that many other actors claimed to have felt while working with him."<a href="#cite_note-FOOTNOTEO'HaraNicoletti200530-27">[27]</a> On the contrary, Laughton was engaged in a bitter battle with Hitchcock throughout the production and resented many of Hitchcock's ideas, including changing the nature of the villain from the novel.<a href="#cite_note-FOOTNOTEMalone201316-30">[30]</a> Though Jamaica Inn is generally seen by critics and the director himself as one of his weakest films,<a href="#cite_note-FOOTNOTEMcDevittJuan2009113–14-31">[31]</a> O'Hara was praised, with one critic stating "the newcomer, Maureen O'Hara is charming to look at and distinct promise as an actress". Seeing the film was an eyeopener for O'Hara and change in self-perception, having always seen herself as a tomboy and realizing that on screen she was a woman of great beauty to others. When she returned to Ireland briefly after the film was completed it dawned on her that life would never be the same again, and she was hurt when she attempted to make pleasant conversation to some local girls and they rejected her advances, considering her to be very arrogant. <a href="#cite_note-FOOTNOTEMalone201317–18-32">[32]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Maureen_O%27Hara_as_Esmerelda_2.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f5/Maureen_O%27Hara_as_Esmerelda_2.jpg/220px-Maureen_O%27Hara_as_Esmerelda_2.jpg" decoding="async" width="220" height="283" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f5/Maureen_O%27Hara_as_Esmerelda_2.jpg/330px-Maureen_O%27Hara_as_Esmerelda_2.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f5/Maureen_O%27Hara_as_Esmerelda_2.jpg/440px-Maureen_O%27Hara_as_Esmerelda_2.jpg 2x" data-file-width="1147" data-file-height="1476" /></a><figcaption>O'Hara in <a href="/wiki/The_Hunchback_of_Notre_Dame_(1939_film)" title="The Hunchback of Notre Dame (1939 film)">The Hunchback of Notre Dame</a> (1939)</figcaption></figure> Laughton was so pleased with O'Hara's performance in Jamaica Inn that she was cast opposite him in <a href="/wiki/The_Hunchback_of_Notre_Dame_(1939_film)" title="The Hunchback of Notre Dame (1939 film)">The Hunchback of Notre Dame</a> (1939) for <a href="/wiki/RKO_Pictures" title="RKO Pictures">RKO</a> in Hollywood. She boarded the <a href="/wiki/RMS_Queen_Mary" title="RMS Queen Mary">RMS Queen Mary</a> with he and her mother to New York, and then traveled by train to Hollywood.<a href="#cite_note-FOOTNOTEO'HaraNicoletti200544Malone201319-33">[33]</a> O'Hara's agent, <a href="/wiki/Lew_Wasserman" title="Lew Wasserman">Lew Wasserman</a>, arranged for a pay increase from $80 a week to $700 a week.<a href="#cite_note-FOOTNOTEO'HaraNicoletti200557-34">[34]</a> As the new face of RKO, she garnered much attention from the Hollywood press and society before the film was even released, something that made her uncomfortable, as she felt that she was being viewed as a "novelty" and "people were making a fuss over me because of something I hadn't yet done, something they just thought I might do".<a href="#cite_note-FOOTNOTEMalone201322-35">[35]</a> O'Hara portrayed <a href="/wiki/Esmeralda_(The_Hunchback_of_Notre-Dame)" title="Esmeralda (The Hunchback of Notre-Dame)">Esmeralda</a>,<a href="#cite_note-36">[36]</a> a gypsy dancer who is imprisoned and later sentenced to death by the Parisian authorities.<a href="#cite_note-FOOTNOTEDruxman197581-37">[37]</a> Director <a href="/wiki/William_Dieterle" title="William Dieterle">William Dieterle</a> initially showed concern that O'Hara was too tall and disliked her wavy hair, asking for her to step under a shower to straighten it out.<a href="#cite_note-FOOTNOTEMalone201322-35">[35]</a> Filming commenced in the <a href="/wiki/San_Fernando_Valley" title="San Fernando Valley">San Fernando Valley</a>, at a time when it was experiencing its hottest summer in its history. O'Hara described it as a "physically demanding shoot", due to the heavy makeup and costume requirements, and recalls that she gasped at Laughton in makeup as Quasimodo, remarking, "Good God, Charles. Is that really you?"<a href="#cite_note-FOOTNOTEO'HaraNicoletti200548-38">[38]</a> O'Hara insisted on doing her own stunts from the outset, and for the scene in which the hangman places a noose around her neck, no safety nets were used. The film was a commercial success, taking $3 million at the box office. O'Hara was generally praised for her performance though some critics thought that Laughton stole the show. One critic thought that was the strength of the film, writing: "The contrast between Laughton as the pathetic hunchback and O'Hara as the fresh-faced, tenderly solicitous gypsy girl is Hollywood teaming at its most inspired".<a href="#cite_note-FOOTNOTEMalone201324–25-39">[39]</a> After the completion of The Hunchback of Notre Dame, <a href="/wiki/World_War_II" title="World War II">World War II</a> began, and Laughton, realizing his company could no longer film in London, sold O'Hara's contract to RKO.<a href="#cite_note-40">[40]</a><a href="#cite_note-FOOTNOTEMalone201325-41">[41]</a> O'Hara later professed that this "broke my heart, I felt completely abandoned in a strange and faraway place".<a href="#cite_note-FOOTNOTEO'HaraNicoletti200556-42">[42]</a> She next featured in <a href="/wiki/John_Farrow" title="John Farrow">John Farrow</a>'s <a href="/wiki/A_Bill_of_Divorcement_(1940_film)" title="A Bill of Divorcement (1940 film)">A Bill of Divorcement</a> (1940), a remake of <a href="/wiki/George_Cukor" title="George Cukor">George Cukor</a>'s <a href="/wiki/A_Bill_of_Divorcement_(1932_film)" title="A Bill of Divorcement (1932 film)">1932 film</a>. O'Hara portrayed Sydney Fairchild, who was played by <a href="/wiki/Katharine_Hepburn" title="Katharine Hepburn">Katharine Hepburn</a> in the original, in a film which she considered to have had a "screenplay [which] was mediocre at best".<a href="#cite_note-FOOTNOTEO'HaraNicoletti200559-43">[43]</a> The production became difficult for O'Hara after Farrow reportedly made "suggestive comments" to her and began stalking her at home; once he realized that O'Hara was not interested in him sexually, he began bullying her on set. O'Hara punched him in the jaw one day, which put an end to the mistreatment.<a href="#cite_note-FOOTNOTEMalone201326-44">[44]</a> O'Hara's performance was criticized by reviewers, with the critic from <a href="/wiki/The_New_York_Sun" title="The New York Sun">The New York Sun</a> writing that she "lacked the intensity and desperation it must have; nor does she seem to have a sparkle of humor".<a href="#cite_note-FOOTNOTEMalone201325-41">[41]</a> She next found a role as an aspiring ballerina who performs with a dance troupe in <a href="/wiki/Dance,_Girl,_Dance" title="Dance, Girl, Dance">Dance, Girl, Dance</a> (1940). She considered it to have been a physically demanding film, and felt intimidated by <a href="/wiki/Lucille_Ball" title="Lucille Ball">Lucille Ball</a> during the production as she had been a former <a href="/wiki/Ziegfeld_girl" title="Ziegfeld girl">Ziegfeld</a> and <a href="/wiki/Goldwyn_Girls" title="Goldwyn Girls">Goldwyn girl</a> and was a superior dancer.<a href="#cite_note-FOOTNOTEO'HaraNicoletti200562-45">[45]</a> The two remained friends for many years after the film was completed.<a href="#cite_note-FOOTNOTEO'HaraNicoletti200565-46">[46]</a> <div class="mw-heading mw-heading3"><h3 id="1941–1943:_Hollywood_breakthrough">1941–1943: Hollywood breakthrough</h3>[<a href="/w/index.php?title=Maureen_O%27Hara&action=edit&section=4" title="Edit section: 1941–1943: Hollywood breakthrough">edit</a>]</div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:How_Green_Was_My_Valley_1.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/80/How_Green_Was_My_Valley_1.jpg/220px-How_Green_Was_My_Valley_1.jpg" decoding="async" width="220" height="271" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/80/How_Green_Was_My_Valley_1.jpg/330px-How_Green_Was_My_Valley_1.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/80/How_Green_Was_My_Valley_1.jpg/440px-How_Green_Was_My_Valley_1.jpg 2x" data-file-width="896" data-file-height="1104" /></a><figcaption>O'Hara in <a href="/wiki/How_Green_Was_My_Valley_(film)" title="How Green Was My Valley (film)">How Green Was My Valley</a> (1941)</figcaption></figure> O'Hara began 1941 by appearing in <a href="/wiki/They_Met_in_Argentina" title="They Met in Argentina">They Met in Argentina</a>, RKO's answer to <a href="/wiki/Down_Argentine_Way" title="Down Argentine Way">Down Argentine Way</a> (1940). O'Hara later declared that she "knew it was going to be a stinker; terrible script, bad director, preposterous plot, forgettable music".<a href="#cite_note-FOOTNOTEO'HaraNicoletti200571-47">[47]</a> She grew increasingly frustrated with the direction of her career at this time. <a href="/w/index.php?title=Ida_Zeitlin&action=edit&redlink=1" class="new" title="Ida Zeitlin (page does not exist)">Ida Zeitlin</a> wrote that O'Hara had "reached a pitch of despair where she was about ready to throw in the towel, to break her contract, to collapse against the stone wall of indifference and howl like a baby wolf".<a href="#cite_note-FOOTNOTEMalone201329-48">[48]</a> She pleaded with her agent for a role, however small, in <a href="/wiki/John_Ford" title="John Ford">John Ford</a>'s upcoming film <a href="/wiki/How_Green_Was_My_Valley_(film)" title="How Green Was My Valley (film)">How Green Was My Valley</a> (1941), at <a href="/wiki/20th_Century_Fox" class="mw-redirect" title="20th Century Fox">20th Century Fox</a>,<a href="#cite_note-FOOTNOTEMalone201330-49">[49]</a> a film about a close, hard-working <a href="/wiki/Wales" title="Wales">Welsh</a> mining family living in the heart of the <a href="/wiki/South_Wales_Valleys" title="South Wales Valleys">South Wales Valleys</a> in the 19th century.<a href="#cite_note-FOOTNOTEBaskin1996138-50">[50]</a> The film, which won the <a href="/wiki/Academy_Award_for_Best_Picture" title="Academy Award for Best Picture">Academy Award for Best Picture</a>,<a href="#cite_note-data-51">[51]</a> began an artistic collaboration with Ford that would span 20 years and five feature films.<a href="#cite_note-FOOTNOTEO'HaraNicoletti200575-52">[52]</a> Her substantial role as Angharad, which she was given without a full-screen test,<a href="#cite_note-FOOTNOTEMalone201330-49">[49]</a> beating <a href="/wiki/Katharine_Hepburn" title="Katharine Hepburn">Katharine Hepburn</a> and <a href="/wiki/Gene_Tierney" title="Gene Tierney">Gene Tierney</a> to the part,<a href="#cite_note-FOOTNOTEMalone201333-53">[53]</a> proved to be her breakthrough role.<a href="#cite_note-data-51">[51]</a> It was made possible by a change to her contract with RKO, in which Fox bought the rights to feature O'Hara in one film each year.<a href="#cite_note-FOOTNOTEMalone201331-54">[54]</a> Ford developed a nickname for her, "Rosebud",<a href="#cite_note-TISL-7">[7]</a> and the two developed a long but turbulent friendship, with O'Hara often visiting Ford and his wife Mary in social visits and spending time aboard his yacht <a href="/wiki/USS_Araner_(IX-57)" title="USS Araner (IX-57)">Araner</a>.<a href="#cite_note-FOOTNOTEMalone201331,_56–57-55">[55]</a> Despite this, Ford was an unpredictable character with a mean streak, and in one instance he punched O'Hara in the jaw for some unknown reason, and she only took it from him because she wanted to show him she could take a punch like a man.<a href="#cite_note-FOOTNOTEMalone201357-56">[56]</a> The production of How Green Was My Valley was originally intended to be shot in the <a href="/wiki/Rhondda" title="Rhondda">Rhondda Valley</a>, but due to the war it had to be filmed in the San Fernando Valley, on a $1.25 million set, which took 150 builders six months to complete.<a href="#cite_note-FOOTNOTEMalone201333-53">[53]</a> O'Hara recalled that Ford would allow her to improvise extensively during the filming, but was very much the boss, commenting that "nobody dared step out of line, which gave the performers a sense of security".<a href="#cite_note-FOOTNOTEMalone201335-57">[57]</a> O'Hara became such good friends with <a href="/wiki/Anna_Lee" title="Anna Lee">Anna Lee</a> during the shooting that she later named her daughter Bronwyn after Lee's character.<a href="#cite_note-FOOTNOTELeeCooper20071-58">[58]</a> The film was lauded by the critics, and was nominated for 10 Academy Awards, winning three, including Best Picture.<a href="#cite_note-FOOTNOTEMalone201336-59">[59]</a> Both O'Hara and co-star <a href="/wiki/Walter_Pidgeon" title="Walter Pidgeon">Walter Pidgeon</a>, who played the minister, were praised for their performances, with Variety writing that "Maureen O'Hara splendid as the object of his unrequited love, who marries the mine owner's son out of pique".<a href="#cite_note-60">[60]</a> Film historian <a href="/wiki/Joseph_McBride_(writer)" title="Joseph McBride (writer)">Joseph McBride</a> considered O'Hara's performance to have been the most emotionally powerful he'd seen since Katharine Hepburn in <a href="/wiki/Mary_of_Scotland_(film)" title="Mary of Scotland (film)">Mary of Scotland</a> (1936).<a href="#cite_note-FOOTNOTEMalone201336-59">[59]</a> O'Hara stated that her favorite scene in the film took place outside the church after her character gets married, remarking, "I make my way down the steps to the carriage waiting below, the wind catches my veil and fans it out in a perfect circle all the way around my face. Then it floats straight up above my head and points to the heavens. It's breathtaking."<a href="#cite_note-FOOTNOTEO'HaraNicoletti200583-61">[61]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Tyrone_Power_Maureen_O%27Hara_Black_Swan_6.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/78/Tyrone_Power_Maureen_O%27Hara_Black_Swan_6.jpg/230px-Tyrone_Power_Maureen_O%27Hara_Black_Swan_6.jpg" decoding="async" width="230" height="177" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/78/Tyrone_Power_Maureen_O%27Hara_Black_Swan_6.jpg/345px-Tyrone_Power_Maureen_O%27Hara_Black_Swan_6.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/78/Tyrone_Power_Maureen_O%27Hara_Black_Swan_6.jpg/460px-Tyrone_Power_Maureen_O%27Hara_Black_Swan_6.jpg 2x" data-file-width="702" data-file-height="540" /></a><figcaption><a href="/wiki/Tyrone_Power" title="Tyrone Power">Tyrone Power</a> and O'Hara in the trailer for <a href="/wiki/The_Black_Swan_(film)" title="The Black Swan (film)">The Black Swan</a> (1942)</figcaption></figure> Malone notes that when the United States entered World War II in 1941, many of the better actors became involved in the war effort and O'Hara struggled to find good co-stars. He points out that she increasingly starred in adventure pictures, which allowed her to develop her acting and keep her profile high in Hollywood.<a href="#cite_note-FOOTNOTEMalone201347-62">[62]</a> O'Hara had next intended appearing opposite <a href="/wiki/Tyrone_Power" title="Tyrone Power">Tyrone Power</a> in <a href="/wiki/Son_of_Fury:_The_Story_of_Benjamin_Blake" title="Son of Fury: The Story of Benjamin Blake">Son of Fury: The Story of Benjamin Blake</a>, but was hospitalized in early 1942, during which she had her appendix and two ovarian cysts removed at <a href="/w/index.php?title=Reno_Hospital&action=edit&redlink=1" class="new" title="Reno Hospital (page does not exist)">Reno Hospital</a>. Producer Zanuck scoffed at the operation, thinking it was an excuse for a break. He passed it off as "probably a fragment left over from an abortion", which deeply offended her, as a devout Catholic.<a href="#cite_note-FOOTNOTEMalone201337-63">[63]</a> O'Hara instead starred in the <a href="/wiki/Technicolor" title="Technicolor">Technicolor</a> war picture, <a href="/wiki/To_the_Shores_of_Tripoli" title="To the Shores of Tripoli">To the Shores of Tripoli</a>, her first Technicolor picture and first on-screen partnership with <a href="/wiki/John_Payne_(actor)" title="John Payne (actor)">John Payne</a>, in which she portrayed Navy nurse Lieutenant Mary Carter.<a href="#cite_note-FOOTNOTEO'HaraNicoletti200592-64">[64]</a> Though the film was a considerable commercial success, becoming a benchmark for "service pictures" of the era, O'Hara later commented that she "couldn't understand why the quality of his (<a href="/wiki/H._Bruce_Humberstone" title="H. Bruce Humberstone">Bruce Humberstone</a>'s) pictures never seemed to match their impressive box-office receipts".<a href="#cite_note-FOOTNOTEO'HaraNicoletti200592-64">[64]</a> Malone wrote that "nobody in the film seemed to have lived life. The character's emotions, like their uniforms, seem too streamlined".<a href="#cite_note-FOOTNOTEMalone201339-65">[65]</a> O'Hara next played an unconventional role as a timid socialite who joins the army as a cook in <a href="/wiki/Henry_Hathaway" title="Henry Hathaway">Henry Hathaway</a>'s <a href="/wiki/Ten_Gentlemen_from_West_Point" title="Ten Gentlemen from West Point">Ten Gentlemen from West Point</a> (1942), which tells the fictional story of the first class of the <a href="/wiki/United_States_Military_Academy" title="United States Military Academy">United States Military Academy</a> in the early 19th century. The film was disagreeable to O'Hara because Payne dropped out and was replaced by <a href="/wiki/George_Montgomery_(actor)" title="George Montgomery (actor)">George Montgomery</a>, whom she found "positively loathsome".<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005101-66">[66]</a> Montgomery attempted to make a pass at her during the production, prolonging his kiss with her after the director had yelled "cut".<a href="#cite_note-FOOTNOTEMalone201340-67">[67]</a> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Ten_Gentlemen_from_West_Point_1942.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/a/ab/Ten_Gentlemen_from_West_Point_1942.jpg/220px-Ten_Gentlemen_from_West_Point_1942.jpg" decoding="async" width="220" height="162" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/ab/Ten_Gentlemen_from_West_Point_1942.jpg/330px-Ten_Gentlemen_from_West_Point_1942.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/ab/Ten_Gentlemen_from_West_Point_1942.jpg/440px-Ten_Gentlemen_from_West_Point_1942.jpg 2x" data-file-width="869" data-file-height="640" /></a><figcaption>O'Hara in <a href="/wiki/Ten_Gentlemen_from_West_Point" title="Ten Gentlemen from West Point">Ten Gentlemen from West Point</a> (1942)</figcaption></figure> Later that year, O'Hara starred opposite <a href="/wiki/Tyrone_Power" title="Tyrone Power">Tyrone Power</a>, <a href="/wiki/George_Sanders" title="George Sanders">George Sanders</a>, <a href="/wiki/Laird_Cregar" title="Laird Cregar">Laird Cregar</a> and <a href="/wiki/Anthony_Quinn" title="Anthony Quinn">Anthony Quinn</a> in <a href="/wiki/Henry_King_(director)" title="Henry King (director)">Henry King</a>'s swashbuckler <a href="/wiki/The_Black_Swan_(film)" title="The Black Swan (film)">The Black Swan</a>. O'Hara recalled that it was "everything you could want in a lavish pirate picture: a magnificent ship with thundering cannons; a dashing hero battling menacing villains ... sword fights; fabulous costumes ...". She found it exhilarating working with Power, who was renowned for his "wicked sense of humor".<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005106-68">[68]</a> O'Hara grew very concerned about one scene in the picture in which she is thrown overboard in her underwear by Power, and sent a warning letter home to Ireland in advance.<a href="#cite_note-FOOTNOTEMalone201343-69">[69]</a> She refused to take her wedding ring off in one scene which resulted in screen adjustments to make it look like a dinner ring.<a href="#cite_note-FOOTNOTEMalone201344-70">[70]</a> Though the film was praised by critics and is seen as one of the period's most enjoyable adventure films, the critic from The New York Times thought O'Hara's character lacked depth, commenting that "Maureen O'Hara is brunette and beautiful—which is all the part requires".<a href="#cite_note-71">[71]</a> O'Hara played the love interest of <a href="/wiki/Henry_Fonda" title="Henry Fonda">Henry Fonda</a> in the 1943 war picture <a href="/wiki/Immortal_Sergeant" title="Immortal Sergeant">Immortal Sergeant</a>. O'Hara noted that Fonda was studying for his service entry exams at the time and had his head in books between takes, and that 20th Century Fox publicized one of the last love scenes between them in the film as Fonda's last screen kiss before entering the war.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005108-72">[72]</a> She next portrayed a European school teacher opposite <a href="/wiki/George_Sanders" title="George Sanders">George Sanders</a> and Charles Laughton, in their last film together, in <a href="/wiki/Jean_Renoir" title="Jean Renoir">Jean Renoir</a>'s <a href="/wiki/This_Land_Is_Mine_(film)" title="This Land Is Mine (film)">This Land Is Mine</a> for RKO.<a href="#cite_note-73">[73]</a> At the end of a court case in the film, during a hearty speech by Laughton, O'Hara is shown teary-eyed on screen for a prolonged period.<a href="#cite_note-74">[74]</a> Malone thought her performance was effective, both crying and smiling, though considered Renoir to have overdone the film and confused the audience as a result.<a href="#cite_note-FOOTNOTEMalone201348–49-75">[75]</a> Later, she had a role in <a href="/wiki/Richard_Wallace_(director)" title="Richard Wallace (director)">Richard Wallace</a>'s <a href="/wiki/The_Fallen_Sparrow" title="The Fallen Sparrow">The Fallen Sparrow</a> opposite <a href="/wiki/John_Garfield" title="John Garfield">John Garfield</a>,<a href="#cite_note-FOOTNOTEGoble1999232-76">[76]</a> whom she described as "my shortest leading man, an outspoken Communist and a real sweetheart".<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005108-72">[72]</a> Malone notes though that despite them getting on very well, Garfield did not rate her as an actress. He considers This Land is Mine and The Fallen Sparrow to have been two important pictures in O'Hara's career, "adding to her growing prestige in the film industry", helping her "crawl out from the gimcrack melodrama of adventure films".<a href="#cite_note-FOOTNOTEMalone201350-77">[77]</a> <div class="mw-heading mw-heading3"><h3 id="1944–1949:_The_Queen_of_Technicolor">1944–1949: The Queen of Technicolor</h3>[<a href="/w/index.php?title=Maureen_O%27Hara&action=edit&section=5" title="Edit section: 1944–1949: The Queen of Technicolor">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatleft" style="width:30em; ; color: #202122;background-color: #c6dbf7;"> <blockquote class="quotebox-quote left-aligned" style=""> "Ms. O'Hara was called the Queen of Technicolor, because when that film process first came into use, nothing seemed to show off its splendor better than her rich red hair, bright green eyes and flawless peaches-and-cream complexion. One critic praised her in an otherwise negative review of the 1950 film "Comanche Territory" with the sentiment "Framed in Technicolor, Miss O'Hara somehow seems more significant than a setting sun." Even the creators of the process claimed her as its best advertisement." </blockquote> <cite class="left-aligned" style="">—Anita Gates of <a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a> on O'Hara as "The Queen of Technicolor".<a href="#cite_note-78">[78]</a></cite> </div> Although O'Hara became known as the "Queen of Technicolor" (like <a href="/wiki/Rhonda_Fleming" title="Rhonda Fleming">Rhonda Fleming</a>), she professed to dislike the process because it required special cameras and intense light that burned her eyes and gave her <a href="/wiki/Actinic_conjunctivitis" title="Actinic conjunctivitis">klieg eye</a>.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005114-79">[79]</a> She believed that the term negatively affected her career, as most people viewed her solely as a beauty who looked good on film, rather than as a talented actress.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005129-80">[80]</a> In 1944 O'Hara was cast opposite <a href="/wiki/Joel_McCrea" title="Joel McCrea">Joel McCrea</a> in <a href="/wiki/William_A._Wellman" title="William A. Wellman">William A. Wellman</a>'s biographical western <a href="/wiki/Buffalo_Bill_(1944_film)" title="Buffalo Bill (1944 film)">Buffalo Bill</a>.<a href="#cite_note-FOOTNOTEMalone201354-81">[81]</a> Though O'Hara did not think that McCrea was rugged enough for the part of <a href="/wiki/Buffalo_Bill" title="Buffalo Bill">William F. "Buffalo Bill" Cody</a>, and according to Malone gave her "little to work off", it did well at the box office.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005113–4Malone201354-82">[82]</a> Contrary to O'Hara's opinion,<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005113–14-83">[83]</a> Variety was highly praising of the film, describing it as a "super-western and often a tear-jerker", and thought that McCrea was convincing in the part and that O'Hara's own performance was "satisfactory".<a href="#cite_note-84">[84]</a> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:The_Spanish_Main_1945.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/ff/The_Spanish_Main_1945.jpg/220px-The_Spanish_Main_1945.jpg" decoding="async" width="220" height="148" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/ff/The_Spanish_Main_1945.jpg/330px-The_Spanish_Main_1945.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/ff/The_Spanish_Main_1945.jpg/440px-The_Spanish_Main_1945.jpg 2x" data-file-width="879" data-file-height="592" /></a><figcaption>O'Hara with <a href="/wiki/Paul_Henreid" title="Paul Henreid">Paul Henreid</a> in <a href="/wiki/The_Spanish_Main" title="The Spanish Main">The Spanish Main</a> (1945)</figcaption></figure> In 1945, O'Hara starred opposite <a href="/wiki/Paul_Henreid" title="Paul Henreid">Paul Henreid</a> in <a href="/wiki/The_Spanish_Main" title="The Spanish Main">The Spanish Main</a> as feisty noblewoman Contessa Francesca, the daughter of a Mexican viceroy.<a href="#cite_note-FOOTNOTEMalone201355-85">[85]</a> O'Hara described it as "one of my more decorative roles",<a href="#cite_note-FOOTNOTEO'HaraNicoletti200582-86">[86]</a> as her character is a particularly aggressive one among the men on a ship, and during the course of the film her face is smothered in chimney soot.<a href="#cite_note-87">[87]</a> O'Hara almost did not win the role when another actress falsely told RKO executive Joe Nolan that she was "as big as a horse" after giving birth to a daughter in 1944.<a href="#cite_note-FOOTNOTEMalone201350–51-88">[88]</a> Around this time "an actress named Kathryn" also falsely accused O'Hara of making sexual advances towards her in an elevator, which she believed was a way for the actress to gain attention at the start of her career.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005121-89">[89]</a> During the production of The Spanish Main, O'Hara was visited by John Ford, who was initially turned away for being shabbily dressed, but was later admitted. He informed her about the project that would become <a href="/wiki/The_Quiet_Man" title="The Quiet Man">The Quiet Man</a> (1952). Malone notes that in the film O'Hara "shows her determination not to leave her sexuality at the birthing stool", commenting that she looks "deliciously fragrant in the splashy histrionics on view here, in RKO's first film in the three-color Technicolor process" <a href="#cite_note-FOOTNOTEMalone201350–51-88">[88]</a> O'Hara became a <a href="/wiki/Naturalized" class="mw-redirect" title="Naturalized">naturalized</a> citizen of the United States on 24 January 1946,<a href="#cite_note-TISL-7">[7]</a> and held dual citizenship with the United States and her native Ireland.<a href="#cite_note-90">[90]</a> In the same year, she portrayed an actress with a fatal heart condition in <a href="/wiki/Walter_Lang" title="Walter Lang">Walter Lang</a>'s <a href="/wiki/Sentimental_Journey_(film)" title="Sentimental Journey (film)">Sentimental Journey</a>. A commercially successful production, O'Hara described it as a "rip-your-heart-out tearjerker that reduced my agents and the toughest brass at Fox to mush when they saw it".<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005129-80">[80]</a> It was poorly received by critics, and was later declared by Harvard as the worst film of all time. One critic attacked O'Hara as "just another one of those precious Hollywood juvenile products who in workday life would benefit from a good hiding", while Bosley Crowther dismissed the film as a "compound of hackneyed situations, maudlin dialogue and preposterously bad acting".<a href="#cite_note-FOOTNOTEMalone201358-91">[91]</a> In <a href="/wiki/Gregory_Ratoff" title="Gregory Ratoff">Gregory Ratoff</a>'s musical <a href="/wiki/Do_You_Love_Me_(film)" title="Do You Love Me (film)">Do You Love Me</a>, O'Hara portrayed a prim, bespectacled music school dean who transforms herself into a desirable, sophisticated lady in the big city. She commented that it was "one of the worst pictures I ever made".<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005126-92">[92]</a> It frustrated her that she could not put her talents to good use, to not even sing in it.<a href="#cite_note-FOOTNOTEMalone201359-93">[93]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Sinbad_the_Sailor_(1947)_trailer_1.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/e/ed/Sinbad_the_Sailor_%281947%29_trailer_1.jpg/220px-Sinbad_the_Sailor_%281947%29_trailer_1.jpg" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/ed/Sinbad_the_Sailor_%281947%29_trailer_1.jpg/330px-Sinbad_the_Sailor_%281947%29_trailer_1.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/ed/Sinbad_the_Sailor_%281947%29_trailer_1.jpg/440px-Sinbad_the_Sailor_%281947%29_trailer_1.jpg 2x" data-file-width="475" data-file-height="357" /></a><figcaption><a href="/wiki/Douglas_Fairbanks_Jr." title="Douglas Fairbanks Jr.">Douglas Fairbanks Jr.</a> and O'Hara in the trailer for <a href="/wiki/Sinbad_the_Sailor_(1947_film)" title="Sinbad the Sailor (1947 film)">Sinbad the Sailor</a> (1947)</figcaption></figure> O'Hara was offered roles in <a href="/wiki/The_Razor%27s_Edge_(1946_film)" title="The Razor's Edge (1946 film)">The Razor's Edge</a> (1946), which went to Tierney, John Wayne's film <a href="/wiki/Tycoon_(1947_film)" title="Tycoon (1947 film)">Tycoon</a> (1947), which went to <a href="/wiki/Laraine_Day" title="Laraine Day">Laraine Day</a>,<a href="#cite_note-FOOTNOTEMalone201389-94">[94]</a> and <a href="/wiki/Bob_Hope" title="Bob Hope">Bob Hope</a>'s <a href="/wiki/The_Paleface_(1948_film)" title="The Paleface (1948 film)">The Paleface</a>, which went to <a href="/wiki/Jane_Russell" title="Jane Russell">Jane Russell</a>. She turned down the role in The Paleface as she was going through a turbulent period in her personal life and "didn't think I would be able to laugh every day and have fun". She later deeply regretted turning it down and confessed that she'd made a "terrible mistake".<a href="#cite_note-FOOTNOTEMalone201360-95">[95]</a> In 1947, O'Hara starred opposite <a href="/wiki/Douglas_Fairbanks_Jr." title="Douglas Fairbanks Jr.">Douglas Fairbanks Jr.</a> as Shireen in the adventure film <a href="/wiki/Sinbad_the_Sailor_(1947_film)" title="Sinbad the Sailor (1947 film)">Sinbad the Sailor</a>. O'Hara plays a glamorous adventuress who assists Sinbad (Fairbanks) locate the hidden treasure of <a href="/wiki/Alexander_the_Great" title="Alexander the Great">Alexander the Great</a>. She found the scenario to be "ridiculous", but stated that it made a "pot of money for RKO — action-adventures almost always did".<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005130-96">[96]</a> Malone wrote: "O'Hara looks splendid and gets to wear some of the most stunning costumes of her career — a different one in almost every scene — but her dialogue is floridly empty. She exudes potential in early scenes, where her air of sybaritic slyness seems promise she'll be something more than window dressing", but thought the film "totally lacked drama". The critic from The New York Times thought that O'Hara excessive costume changes made watching her an "exhausting" experience".<a href="#cite_note-FOOTNOTEMalone201361–62-97">[97]</a> After a role as the Bostonian love interest of <a href="/wiki/Cornel_Wilde" title="Cornel Wilde">Cornel Wilde</a> in Humberstone's <a href="/wiki/The_Homestretch" title="The Homestretch">The Homestretch</a> (1947),<a href="#cite_note-FOOTNOTEMalone201364-98">[98]</a> O'Hara had grown frustrated with Hollywood and took a considerable break to return to her native Ireland, where people thought she did not look well, having lost a lot of weight.<a href="#cite_note-FOOTNOTEMalone201366-99">[99]</a> While there she received a call from 20th Century Fox to portray the role of Doris Walker, the mother of Susan Walker (played by a young <a href="/wiki/Natalie_Wood" title="Natalie Wood">Natalie Wood</a>) in the <a href="/wiki/Christmas_film" class="mw-redirect" title="Christmas film">Christmas film</a>, <a href="/wiki/Miracle_on_34th_Street" title="Miracle on 34th Street">Miracle on 34th Street</a> (1947). It became a perennial Christmas classic, with a traditional network television airing every <a href="/wiki/Thanksgiving_(United_States)" title="Thanksgiving (United States)">Thanksgiving Day</a> on <a href="/wiki/NBC" title="NBC">NBC</a>.<a href="#cite_note-100">[100]</a> On Natalie Wood, O'Hara said: "I have been mother to almost forty children in movies, but I always had a special place in my heart for little Natalie. She always called me Mamma Maureen and I called her Natasha ... when Natalie and I shot the scenes in <a href="/wiki/Macy%27s" title="Macy's">Macy's</a>, we had to do them at night because the store was full of people doing their Christmas shopping during the day. Natalie loved this because it meant she was allowed to stay up late. I really enjoyed this time with Natalie. We loved to walk through the quiet, closed store and look at all the toys and girls' dresses and shoes. The day she died, I cried shamelessly".<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005141-101">[101]</a> The film garnered several awards, including an Academy Award nomination for Best Picture.<a href="#cite_note-data-51">[51]</a> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Fred_MacMurray_Maureen_O%27Hara_Father_was_a_fullback_1949.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/7c/Fred_MacMurray_Maureen_O%27Hara_Father_was_a_fullback_1949.jpg/170px-Fred_MacMurray_Maureen_O%27Hara_Father_was_a_fullback_1949.jpg" decoding="async" width="170" height="219" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/7c/Fred_MacMurray_Maureen_O%27Hara_Father_was_a_fullback_1949.jpg/255px-Fred_MacMurray_Maureen_O%27Hara_Father_was_a_fullback_1949.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/7c/Fred_MacMurray_Maureen_O%27Hara_Father_was_a_fullback_1949.jpg/340px-Fred_MacMurray_Maureen_O%27Hara_Father_was_a_fullback_1949.jpg 2x" data-file-width="685" data-file-height="882" /></a><figcaption> Fred MacMurray and O'Hara in <a href="/wiki/Father_Was_a_Fullback" title="Father Was a Fullback">Father Was a Fullback</a> (1949)</figcaption></figure> In O'Hara's last film of 1947, she played a Creole woman opposite <a href="/wiki/Rex_Harrison" title="Rex Harrison">Rex Harrison</a> in <a href="/wiki/John_M._Stahl" title="John M. Stahl">John M. Stahl</a>'s <a href="/wiki/The_Foxes_of_Harrow" title="The Foxes of Harrow">The Foxes of Harrow</a>;<a href="#cite_note-102">[102]</a> the film was set in pre-Civil War <a href="/wiki/New_Orleans" title="New Orleans">New Orleans</a>.<a href="#cite_note-103">[103]</a> TCM state that O'Hara had been "angling" to star in <a href="/wiki/Forever_Amber_(film)" title="Forever Amber (film)">Forever Amber</a> (1947), Fox's big historical romance at the time, but believe that due to a contractual clause, neither of her joint contract owners, Fox and RKO, would accept her appearing in a "major star vehicle" at the time.<a href="#cite_note-TCM_foxes-104">[104]</a> During the production O'Hara and Harrison intensely disliked each other from the outset, and she found him to be "rude, vulgar, and arrogant".<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005147-105">[105]</a> Harrison had thought that she disliked him simply because he was English. He reportedly belched in her face during dance sequences and accused her of anti-Semitism, being married to a Jewish woman (<a href="/wiki/Lilli_Palmer" title="Lilli Palmer">Lilli Palmer</a>) at the time, which she vehemently denied.<a href="#cite_note-FOOTNOTEMalone201373-106">[106]</a> Variety, while acknowledging the length, thought that O'Hara and Harrison carried off their dramatic scenes with "surprising skill".<a href="#cite_note-TCM_foxes-104">[104]</a> The following year, O'Hara starred opposite <a href="/wiki/Robert_Young_(actor)" title="Robert Young (actor)">Robert Young</a> in the commercially successful <a href="/wiki/Comedy_film" title="Comedy film">comedy film</a>, <a href="/wiki/Sitting_Pretty_(1948_film)" title="Sitting Pretty (1948 film)">Sitting Pretty</a>.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005150-107">[107]</a> <a href="/wiki/Bosley_Crowther" title="Bosley Crowther">Bosley Crowther</a> of The New York Times praised O'Hara and Young as husband and wife, remarking that they were "delightfully clever", acting with "elaborate indignation, alternating with good-natured despair".<a href="#cite_note-108">[108]</a> In 1949, O'Hara played what she described as a "frustrated talent manager who shoots her star client in a jealous rage" opposite <a href="/wiki/Melvyn_Douglas" title="Melvyn Douglas">Melvyn Douglas</a> in <a href="/wiki/A_Woman%27s_Secret" title="A Woman's Secret">A Woman's Secret</a>. She only agreed to appear in the production to meet the one-picture-a-year contractual obligation to RKO.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005151-109">[109]</a> It was a box office flop and at the time not well received critically—director <a href="/wiki/Nicholas_Ray" title="Nicholas Ray">Nicholas Ray</a> himself was dissatisfied with it.<a href="#cite_note-FOOTNOTEMalone201377–78-110">[110]</a> She next had a role as a wealthy widow who falls in love with an alcoholic artist (<a href="/wiki/Dana_Andrews" title="Dana Andrews">Dana Andrews</a>) in the Victorian melodrama <a href="/wiki/The_Forbidden_Street" title="The Forbidden Street">The Forbidden Street</a>,<a href="#cite_note-TFSTCM-111">[111]</a> which was shot at <a href="/wiki/Shepperton_Studios" title="Shepperton Studios">Shepperton Studios</a> in London.<a href="#cite_note-TFSTCM-111">[111]</a> O'Hara felt that her performance was poor and admitted that she did not have her heart set on the film.<a href="#cite_note-FOOTNOTEMalone201377-112">[112]</a> After the poorly received comedy <a href="/wiki/Father_Was_a_Fullback" title="Father Was a Fullback">Father Was a Fullback</a>, <a href="#cite_note-FOOTNOTEO'HaraNicoletti2005155-113">[113]</a> dismissed by Picturegoer magazine as an "unhappy mixture of Freud and football",<a href="#cite_note-FOOTNOTEMalone201379-114">[114]</a> she starred in her first film with <a href="/wiki/Universal_Pictures" title="Universal Pictures">Universal Pictures</a>,<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005157-115">[115]</a> the escapist adventure, <a href="/wiki/Bagdad_(film)" title="Bagdad (film)">Bagdad</a>, portraying Princess Marjan.<a href="#cite_note-BTCM-116">[116]</a> The film was shot on location in the <a href="/wiki/Alabama_Hills" title="Alabama Hills">Alabama Hills</a> of <a href="/wiki/Lone_Pine,_California" title="Lone Pine, California">Lone Pine, California</a>.<a href="#cite_note-BTCM-116">[116]</a> O'Hara noted that the film earned a tremendous amount of money for Universal, and its success led to Universal buying into her RKO contract.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005157-115">[115]</a> Malone wrote that she sings, dances, fights, and loves in a tale of derring-do that ticks all the requisite boxes for an opulent history lesson", adding that "when it came to dexterity in action, O'Hara was a nonpareil".<a href="#cite_note-FOOTNOTEMalone201380-81-117">[117]</a> <div class="mw-heading mw-heading3"><h3 id="1950–1957:_Work_with_John_Ford,_Westerns_and_adventure_films">1950–1957: Work with John Ford, Westerns and adventure films</h3>[<a href="/w/index.php?title=Maureen_O%27Hara&action=edit&section=6" title="Edit section: 1950–1957: Work with John Ford, Westerns and adventure films">edit</a>]</div> <figure typeof="mw:File/Thumb"><a href="/wiki/File:Maureen_O%27Hara_John_Wayne_from_lobby_card.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/7e/Maureen_O%27Hara_John_Wayne_from_lobby_card.jpg/250px-Maureen_O%27Hara_John_Wayne_from_lobby_card.jpg" decoding="async" width="250" height="149" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/7e/Maureen_O%27Hara_John_Wayne_from_lobby_card.jpg/375px-Maureen_O%27Hara_John_Wayne_from_lobby_card.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/7e/Maureen_O%27Hara_John_Wayne_from_lobby_card.jpg/500px-Maureen_O%27Hara_John_Wayne_from_lobby_card.jpg 2x" data-file-width="1254" data-file-height="746" /></a><figcaption>John Wayne, O'Hara, and Victor McLaglen in <a href="/wiki/Rio_Grande_(1950_film)" title="Rio Grande (1950 film)">Rio Grande</a> (1950)</figcaption></figure> In the 1950 Technicolor Western, <a href="/wiki/Comanche_Territory_(1950_film)" title="Comanche Territory (1950 film)">Comanche Territory</a>, O'Hara played an unusual role as the lead character of Katie Howards, a fiery saloon owner who dresses, behaves, and fights like a man, with hair tied back.<a href="#cite_note-118">[118]</a> She "mastered the American bullwhip" during the filming, <a href="#cite_note-FOOTNOTEO'HaraNicoletti2005157-115">[115]</a> in a role which Crowther believed was "more significant than a setting sun" in that she "tackles her assignment with so much relish that the rest of the cast, even the Indians, are completely subdued."<a href="#cite_note-119">[119]</a> She received first billing above co-star <a href="/wiki/Macdonald_Carey" title="Macdonald Carey">Macdonald Carey</a>.<a href="#cite_note-FOOTNOTEMalone201385-120">[120]</a> O'Hara then appeared as Countess D'Arneau opposite John Payne in <a href="/wiki/Tripoli_(film)" title="Tripoli (film)">Tripoli</a>, directed by O'Hara's second husband, William Houston Price.<a href="#cite_note-121">[121]</a> She was next cast by John Ford in the Western <a href="/wiki/Rio_Grande_(1950_film)" title="Rio Grande (1950 film)">Rio Grande</a>, the final installment of his cavalry trilogy. It was the first of five films to be made over 22 years with John Wayne, including The Quiet Man (1952), The Wings of Eagles (1957), McLintock! (1963), and Big Jake (1971), the first three of which were directed by Ford.<a href="#cite_note-nyt-122">[122]</a> O'Hara declared that "from our very first scenes together, working with John Wayne was comfortable for me".<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005165-123">[123]</a> Her chemistry with Wayne was so powerful that over the years many people assumed that they were married, and newspapers occasionally published sensationalist stories from people claiming to be their love child.<a href="#cite_note-FOOTNOTEMalone2013173-124">[124]</a> In April 1951, she received a call from Universal Pictures that she was cast as a Tunisian princess named Tanya in the swashbuckler film, <a href="/wiki/Flame_of_Araby" title="Flame of Araby">Flame of Araby</a> (1951).<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005156-125">[125]</a><a href="#cite_note-126">[126]</a> O'Hara "despised" the film and everything it stood for,<a href="#cite_note-FOOTNOTEMalone201387-127">[127]</a> but had no choice but to make the film or be suspended. By that time, she began to grow tired of the roles she was offered and wanted to perform roles that had more depth than the ones she had done thus far.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005188–89-128">[128]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Maureen_O%27Hara_1950.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/32/Maureen_O%27Hara_1950.jpg/170px-Maureen_O%27Hara_1950.jpg" decoding="async" width="170" height="229" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/32/Maureen_O%27Hara_1950.jpg/255px-Maureen_O%27Hara_1950.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/32/Maureen_O%27Hara_1950.jpg/340px-Maureen_O%27Hara_1950.jpg 2x" data-file-width="1470" data-file-height="1982" /></a><figcaption>O'Hara in 1950</figcaption></figure> In 1952, O'Hara played Claire, the daughter of the <a href="/wiki/Musketeer" title="Musketeer">musketeer</a>, <a href="/wiki/Athos_(character)" title="Athos (character)">Athos</a>, in <a href="/wiki/At_Sword%27s_Point" title="At Sword's Point">At Sword's Point</a>, which according to her showed the "new Maureen O'Hara".<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005159-129">[129]</a> The film had actually been made in 1949 but was not released until 1952.<a href="#cite_note-FOOTNOTEMalone201381-12">[12]</a> The role was the most physically demanding of her career, doing her own stunts and training in the art of <a href="/wiki/Fencing" title="Fencing">fencing</a> for six weeks under Belgian-born fencing master <a href="/wiki/Fred_Cavens" title="Fred Cavens">Fred Cavens</a>. <a href="#cite_note-FOOTNOTEO'HaraNicoletti2005159–60-130">[130]</a> She disliked director <a href="/wiki/Lewis_Allen_(director)" title="Lewis Allen (director)">Lewis Allen</a> and producer <a href="/wiki/Howard_Hughes" title="Howard Hughes">Howard Hughes</a>, whom she thought was "cold as ice".<a href="#cite_note-FOOTNOTEMalone201381,_83-131">[131]</a> The critic from The New York Times appreciated O'Hara's swordsmanship in the film, stating that she was "snarling like a Fury, impales her opponents as though she were threading a needle."<a href="#cite_note-132">[132]</a> O'Hara next played Irish immigrant Australian-based cowgirl, Dell McGuire, in <a href="/wiki/Lewis_Milestone" title="Lewis Milestone">Lewis Milestone</a>'s drama <a href="/wiki/Kangaroo_(1952_film)" title="Kangaroo (1952 film)">Kangaroo</a> (1952), set during the drought of 1900. Kangaroo is noted for being the first Technicolor film to be shot on location in Australia,<a href="#cite_note-133">[133]</a> mostly shot in the desert near <a href="/wiki/Port_Augusta,_South_Australia" class="mw-redirect" title="Port Augusta, South Australia">Port Augusta</a>. Although O'Hara disliked the production, she found the Australians extremely welcoming.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005177-134">[134]</a> The Australian government offered her a plot of land during the production to own permanently, but she turned it down for political reasons, only to later discover that significant oil reserves were on the land.<a href="#cite_note-FOOTNOTEMalone201388-135">[135]</a> In 1952, O'Hara starred opposite John Wayne again in Ford's romantic <a href="/wiki/Comedy_drama" title="Comedy drama">comedy drama</a>, The Quiet Man. Shot on location in <a href="/wiki/Cong,_County_Mayo" title="Cong, County Mayo">Cong, County Mayo</a>, Ireland,<a href="#cite_note-FOOTNOTEMalone201396-136">[136]</a> O'Hara described the film as her "personal favourite of all the pictures I have made. It is the one I am most proud of, and I tend to be very protective of it. I loved Mary Kate Danaher. I loved the hell and fire in her."<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005185-137">[137]</a> Malone notes that she rarely appeared in an interview without mentioning this fact.<a href="#cite_note-FOOTNOTEMalone2013109-138">[138]</a> O'Hara was disconcerted with Ford's harsh treatment of Wayne during the production and constant ribbing.<a href="#cite_note-FOOTNOTEMalone201391-139">[139]</a> Though Ford generally treated her very well, on one occasion when filming a cart scene in which the wind in her eyes made it difficult to see, Ford yelled "Open your damn eyes" and O'Hara flipped, responding with "What would a bald-headed son of a bitch like you know about hair lashing across his eyeballs?"<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005204Malone2013100-140">[140]</a> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Maureen_O%27Hara_John_Wayne_from_lobby_card_4.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/5/52/Maureen_O%27Hara_John_Wayne_from_lobby_card_4.jpg/220px-Maureen_O%27Hara_John_Wayne_from_lobby_card_4.jpg" decoding="async" width="220" height="239" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/52/Maureen_O%27Hara_John_Wayne_from_lobby_card_4.jpg/330px-Maureen_O%27Hara_John_Wayne_from_lobby_card_4.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/52/Maureen_O%27Hara_John_Wayne_from_lobby_card_4.jpg/440px-Maureen_O%27Hara_John_Wayne_from_lobby_card_4.jpg 2x" data-file-width="1283" data-file-height="1395" /></a><figcaption>O'Hara and John Wayne in <a href="/wiki/The_Quiet_Man" title="The Quiet Man">The Quiet Man</a> (1952)</figcaption></figure> The Quiet Man was both a critical and commercial success, grossing $3.8 million domestically in its first year of release against a budget of $1.75 million.<a href="#cite_note-FOOTNOTEGallagher1988499-141">[141]</a><a href="#cite_note-142">[142]</a> Film critic <a href="/wiki/James_Berardinelli" title="James Berardinelli">James Berardinelli</a> called O'Hara "the perfect match for Wayne" and that "she never allows him to steal a scene without a fight, and occasionally snatches one away from him on her own",<a href="#cite_note-143">[143]</a> while film critic and <a href="/wiki/Sports_journalism" title="Sports journalism">sports writer</a> <a href="/wiki/Danny_Peary" title="Danny Peary">Danny Peary</a> praised their chemistry, "exhibiting strength" through "love, vulnerability and tenderness".<a href="#cite_note-TQMTCM-144">[144]</a> According to <a href="/wiki/Harry_Carey_Jr." title="Harry Carey Jr.">Harry Carey Jr.</a>, who noted that O'Hara held a strong gaze with Wayne in all of the films they made together, director Ford was uncomfortable with the romantic scenes in the film and refused to shoot the scene until the last day.<a href="#cite_note-FOOTNOTEMalone201389–90-145">[145]</a> The film was nominated for six Academy Awards including Best Picture,<a href="#cite_note-data-51">[51]</a><a href="#cite_note-146">[146]</a> though O'Hara was devastated at not even being nominated for an award.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005225-147">[147]</a> Film director <a href="/wiki/Martin_Scorsese" title="Martin Scorsese">Martin Scorsese</a> called The Quiet Man "one of the greatest movies of all time",<a href="#cite_note-148">[148]</a> and in 1996 it topped a poll of the greatest films in the Irish Times.<a href="#cite_note-FOOTNOTEMalone2013109-138">[138]</a> O'Hara's last release of 1952 was <a href="/wiki/Against_All_Flags" title="Against All Flags">Against All Flags</a> opposite <a href="/wiki/Errol_Flynn" title="Errol Flynn">Errol Flynn</a>, marking her only collaboration with the actor.<a href="#cite_note-149">[149]</a> O'Hara, knowing Flynn's reputation as a womanizer, was on close guard during the production.<a href="#cite_note-FOOTNOTEMalone2013113-150">[150]</a> Though she "respected him professionally and was quite fond of him personally" she found Flynn's alcoholism a problem and remarked that "if the director prohibited alcohol on the set, then Errol would inject oranges with booze and eat them during breaks".<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005214-151">[151]</a> According to <a href="/w/index.php?title=Steve_Jacques&action=edit&redlink=1" class="new" title="Steve Jacques (page does not exist)">Steve Jacques</a>, O'Hara outdid Flynn in the combat scenes, many of which had to be cut from the final version to protect Flynn's heroic image.<a href="#cite_note-FOOTNOTEMalone2013113-150">[150]</a> The film was a commercially successful venture.<a href="#cite_note-FOOTNOTEReid20057–8-152">[152]</a><a href="#cite_note-153">[153]</a> The following year she appeared in <a href="/wiki/The_Redhead_from_Wyoming" title="The Redhead from Wyoming">The Redhead from Wyoming</a>, which she dismissed as "another western stinkeroo for Universal",<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005216-154">[154]</a> and appeared in another western with Jeff Chandler, <a href="/wiki/War_Arrow" title="War Arrow">War Arrow</a>. O'Hara noted that "Jeff was a real sweetheart, but acting with him was like acting with a broomstick".<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005224-155">[155]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Maureen_O%27Hara_and_Errol_Flynn.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f6/Maureen_O%27Hara_and_Errol_Flynn.jpg/220px-Maureen_O%27Hara_and_Errol_Flynn.jpg" decoding="async" width="220" height="149" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f6/Maureen_O%27Hara_and_Errol_Flynn.jpg/330px-Maureen_O%27Hara_and_Errol_Flynn.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f6/Maureen_O%27Hara_and_Errol_Flynn.jpg/440px-Maureen_O%27Hara_and_Errol_Flynn.jpg 2x" data-file-width="740" data-file-height="500" /></a><figcaption>O'Hara with Errol Flynn in <a href="/wiki/Against_All_Flags" title="Against All Flags">Against All Flags</a> (1952)</figcaption></figure> In 1954, O'Hara starred in <a href="/wiki/Malaga_(1954_film)" title="Malaga (1954 film)">Malaga</a>, also known as Fire over Africa, which was shot on location in Spain. O'Hara played a <a href="/wiki/Mata_Hari" title="Mata Hari">Mata Hari</a>-like character, a secret agent who attempts to find the ringleader of a smuggling ring in <a href="/wiki/Tangiers" class="mw-redirect" title="Tangiers">Tangiers</a>.<a href="#cite_note-FOOTNOTEMalone2013119-156">[156]</a> Malone compares the relationship in the film between O'Hara as Joanne and Macdonald Carey as agent Van Logan to that of <a href="/wiki/Humphrey_Bogart" title="Humphrey Bogart">Bogart</a> and <a href="/wiki/Lauren_Bacall" title="Lauren Bacall">Bacall</a>, with frequent verbal sparring. The <a href="/wiki/Monthly_Film_Bulletin" class="mw-redirect" title="Monthly Film Bulletin">Monthly Film Bulletin</a> wrote: "Maureen O'Hara looks very handsome in Technicolor but her expressions are limited—mostly to disgust at shooting smugglers or pulling knives from dying men".<a href="#cite_note-FOOTNOTEMalone2013120-157">[157]</a> In 1955, O'Hara made her fourth picture with Ford, <a href="/wiki/The_Long_Gray_Line" title="The Long Gray Line">The Long Gray Line</a>, which she considered being "by far the most difficult" due to declining relations with John Ford.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005230–33-158">[158]</a> John Wayne had originally intended co-starring, but due to a conflicting schedule O'Hara recommended Tyrone Power in replacement.<a href="#cite_note-FOOTNOTEMalone2013120-157">[157]</a> Malone notes that the Irish accents by O'Hara and Power are overdone, and that there is little trace of a <a href="/wiki/Donegal_(town)" title="Donegal (town)">Donegal</a> accent in it.<a href="#cite_note-FOOTNOTEMalone2013121-159">[159]</a> The film production marked the lowest point of O'Hara's relationship with Ford, and each day he would greet her with "Well, did Herself have a good shit this morning?". He would ask the crew if she was in a good mood, and if that was the case, he would say "then we're going to have a horrible day" and vice versa. He would provoke her by telling her to "move her fat Irish ass". Their relationship deteriorated further when O'Hara reportedly saw him kissing an actor on set; Ford knew that she thought he was a closeted homosexual.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005231Malone2013122-160">[160]</a> In <a href="/wiki/The_Magnificent_Matador" title="The Magnificent Matador">The Magnificent Matador</a>, O'Hara played a spoiled, wealthy American who falls in love with a brooding, tormented, about-to-retire matador (Anthony Quinn) in Mexico.<a href="#cite_note-FOOTNOTEMalone2013125-161">[161]</a> <a href="/wiki/Ava_Gardner" title="Ava Gardner">Ava Gardner</a>, who was dating a bullfighter in real life, <a href="/wiki/Luis_Miguel_Domingu%C3%ADn" title="Luis Miguel Dominguín">Luis Miguel Dominguín</a>,<a href="#cite_note-FOOTNOTEWayne200615-162">[162]</a> and <a href="/wiki/Lana_Turner" title="Lana Turner">Lana Turner</a> were considered for O'Hara's part of Karen Harrison.<a href="#cite_note-FOOTNOTEParish1978158-163">[163]</a> The film was panned by the critics.<a href="#cite_note-FOOTNOTEMalone2013128-164">[164]</a> One of her best-known roles came later year, playing <a href="/wiki/Lady_Godiva" title="Lady Godiva">Lady Godiva</a> in <a href="/wiki/Lady_Godiva_of_Coventry" title="Lady Godiva of Coventry">Lady Godiva of Coventry</a>. Contrary to what Universal claimed to the press, O'Hara was not nude in the film, wearing a "full-length body leotard and underwear that was concealed by my long tresses".<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005234-165">[165]</a> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Maureen_O%27Hara_Claude_Rains_from_Lisbon_lobby_card.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Maureen_O%27Hara_Claude_Rains_from_Lisbon_lobby_card.jpg/220px-Maureen_O%27Hara_Claude_Rains_from_Lisbon_lobby_card.jpg" decoding="async" width="220" height="149" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Maureen_O%27Hara_Claude_Rains_from_Lisbon_lobby_card.jpg/330px-Maureen_O%27Hara_Claude_Rains_from_Lisbon_lobby_card.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Maureen_O%27Hara_Claude_Rains_from_Lisbon_lobby_card.jpg/440px-Maureen_O%27Hara_Claude_Rains_from_Lisbon_lobby_card.jpg 2x" data-file-width="777" data-file-height="528" /></a><figcaption>O'Hara and Claude Rains in <a href="/wiki/Lisbon_(1956_film)" title="Lisbon (1956 film)">Lisbon</a> (1956)</figcaption></figure> In December 1955, O'Hara negotiated a new five-picture contract with Columbia Pictures boss <a href="/wiki/Harry_Cohn" title="Harry Cohn">Harry Cohn</a>, with $85,000 per picture.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005234-165">[165]</a> The following year, she starred in the Portuguese-set melodramatic mystery film <a href="/wiki/Lisbon_(1956_film)" title="Lisbon (1956 film)">Lisbon</a> for <a href="/wiki/Republic_Pictures" title="Republic Pictures">Republic Pictures</a>. For the first time in her career she played a villain, and remarked that "<a href="/wiki/Bette_Davis" title="Bette Davis">Bette Davis</a> was right – bitches are fun to play".<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005241Malone2013129-166">[166]</a> In the film, the first Hollywood production to be shot in Portugal,<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005241-167">[167]</a> she is caught in a love triangle with <a href="/wiki/Ray_Milland" title="Ray Milland">Ray Milland</a> and <a href="/wiki/Claude_Rains" title="Claude Rains">Claude Rains</a>, who according to Malone both attempted to "outsuave each other" during the whole production.<a href="#cite_note-FOOTNOTEMalone2013128–29-168">[168]</a> Later that year she made <a href="/wiki/Everything_But_the_Truth" class="mw-redirect" title="Everything But the Truth">Everything But the Truth</a> for Universal, at a time in her career when she was trying to distance herself from adventure films.<a href="#cite_note-FOOTNOTEMalone2013129-169">[169]</a> O'Hara thought the film was so bad that neither she nor her family saw it, though she enjoyed working with <a href="/wiki/John_Forsythe" title="John Forsythe">John Forsythe</a>.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005242–43-170">[170]</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatleft" style="width:30em; ; color: #202122;background-color: #c6dbf7;"> <blockquote class="quotebox-quote left-aligned" style=""> "For years I wondered why John Ford grew to hate me so much. I couldn't understand what made him say and do so many terrible things to me. I realize now that he didn't hate me at all. He loved me very much and even thought that he was in love with me". </blockquote> <cite class="left-aligned" style="">—O'Hara on John Ford.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005315-171">[171]</a></cite> </div> In 1957, O'Hara marked the end of her collaboration with John Ford with <a href="/wiki/The_Wings_of_Eagles" title="The Wings of Eagles">The Wings of Eagles</a>, which was based on the true story of an old friend of Ford's, <a href="/wiki/Frank_Wead" title="Frank Wead">Frank "Spig" Wead</a>, a naval aviator who became a screenwriter in Hollywood. Malone wrote that "Wayne and O'Hara interact well in these early scenes, giving effortless performances and exhibiting a strong chemistry. One can sense the offscreen friendship in little nuances between them".<a href="#cite_note-FOOTNOTEMalone2013130-172">[172]</a> Though not a major commercial success, it fared better in the eyes of the critics.<a href="#cite_note-FOOTNOTEMalone2013132-173">[173]</a> The relationship between O'Hara and Ford grew increasingly bitter, and that year he referred to her as a "greedy bitch" to director <a href="/w/index.php?title=Joseph_McBride_(director)&action=edit&redlink=1" class="new" title="Joseph McBride (director) (page does not exist)">Joseph McBride</a>, who had shown an interest in casting her for <a href="/wiki/The_Rising_of_the_Moon_(film)" title="The Rising of the Moon (film)">The Rising of the Moon</a>. O'Hara later referred to him as an "instant conman" who would say the opposite of what he felt and said of his bitterness: "He wanted to be born in Ireland and he wanted to be an Irish rebel. The fact that he wasn't left him very bitter".<a href="#cite_note-FOOTNOTEMalone2013178-174">[174]</a> <div class="mw-heading mw-heading3"><h3 id="1959–1991:_Later_career">1959–1991: Later career</h3>[<a href="/w/index.php?title=Maureen_O%27Hara&action=edit&section=7" title="Edit section: 1959–1991: Later career">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatright" style="width:30em; ; color: #202122;background-color: #c6dbf7;"> <blockquote class="quotebox-quote left-aligned" style=""> "When we arrived in <a href="/wiki/Havana" title="Havana">Havana</a> on April 15, 1959, Cuba was a country experiencing revolutionary change. Only four months before, <a href="/wiki/Fidel_Castro" title="Fidel Castro">Fidel Castro</a> and his supporters had toppled <a href="/wiki/Fulgencio_Batista" title="Fulgencio Batista">Fulgencio Batista</a> ... <a href="/wiki/Che_Guevara" title="Che Guevara">Che Guevara</a> was often at the Capri Hotel. Che would talk about Ireland and all the guerilla warfare that had taken place there. He knew every battle in Ireland and all of its history. And I finally asked, "Che, you know so much about Ireland and talk constantly about it. How do you know so much?" He said, "Well, my grandmother's name was Lynch and I learned everything I know about Ireland at her knee." He was Che Guevara Lynch! That famous cap he wore was an Irish rebel's cap. I spent a great deal of time with Che Guevara while I was in Havana. Today he is a symbol for freedom fighters wherever they are in the world and I think he is a good one". </blockquote> <cite class="left-aligned" style="">—O'Hara on filming <a href="/wiki/Our_Man_in_Havana_(film)" title="Our Man in Havana (film)">Our Man in Havana</a> in Havana and meeting Che Guevara.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005254-175">[175]</a></cite> </div> Although O'Hara was consciously moving away from adventure films, an ongoing court case against <a href="/wiki/Confidential_(magazine)" title="Confidential (magazine)">Confidential</a> magazine in 1957 and 1958 and an operation for a slipped disk, after which she had to wear a full body brace for four months, effectively ruled out any further action films for her.<a href="#cite_note-FOOTNOTEMalone2013141–44-176">[176]</a> During this period away from film she took lessons in singing to improve her abilities.<a href="#cite_note-FOOTNOTEMalone2013144-177">[177]</a> O'Hara had a <a href="/wiki/Soprano" title="Soprano">soprano</a> voice and described singing as her first love, which she was able to channel through television. In the late 1950s and early 1960s, she was a guest on musical variety shows with <a href="/wiki/Perry_Como" title="Perry Como">Perry Como</a>, <a href="/wiki/Andy_Williams" title="Andy Williams">Andy Williams</a>, <a href="/wiki/Betty_Grable" title="Betty Grable">Betty Grable</a> and <a href="/wiki/Tennessee_Ernie_Ford" title="Tennessee Ernie Ford">Tennessee Ernie Ford</a>. In 1960, O'Hara starred on <a href="/wiki/Broadway_theatre" title="Broadway theatre">Broadway</a> in the musical Christine which ran for 12 performances. It was a problematic production, and the director, <a href="/wiki/Jerome_Chodorov" title="Jerome Chodorov">Jerome Chodorov</a>, was so displeased with it that he requested that his name be removed from the credits.<a href="#cite_note-FOOTNOTEMalone2013149-178">[178]</a> She found her Broadway failure to be a "major disappointment" and returned to Hollywood.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005259-179">[179]</a> That year she released two recordings, Love Letters from Maureen O'Hara and Maureen O'Hara Sings her Favorite Irish Songs.<a href="#cite_note-180">[180]</a><a href="#cite_note-181">[181]</a> She described Love Letters from Maureen O'Hara, a moderate success, as an act of revenge, given that Hollywood would not let her appear in a musical.<a href="#cite_note-FOOTNOTEMalone2013146-182">[182]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Brian_Keith_Maureen_O%27Hara_from_Deadly_Companions_lobby_card_6.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/31/Brian_Keith_Maureen_O%27Hara_from_Deadly_Companions_lobby_card_6.jpg/220px-Brian_Keith_Maureen_O%27Hara_from_Deadly_Companions_lobby_card_6.jpg" decoding="async" width="220" height="179" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/31/Brian_Keith_Maureen_O%27Hara_from_Deadly_Companions_lobby_card_6.jpg/330px-Brian_Keith_Maureen_O%27Hara_from_Deadly_Companions_lobby_card_6.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/31/Brian_Keith_Maureen_O%27Hara_from_Deadly_Companions_lobby_card_6.jpg/440px-Brian_Keith_Maureen_O%27Hara_from_Deadly_Companions_lobby_card_6.jpg 2x" data-file-width="652" data-file-height="531" /></a><figcaption>O'Hara with Brian Keith in <a href="/wiki/The_Deadly_Companions" title="The Deadly Companions">The Deadly Companions</a> (1961)</figcaption></figure> In 1959, O'Hara returned to film, starring as a secretary who is sent from London to <a href="/wiki/Havana" title="Havana">Havana</a> to assist a British secret agent (<a href="/wiki/Alec_Guinness" title="Alec Guinness">Alec Guinness</a>) in the commercially successful <a href="/wiki/Our_Man_in_Havana_(film)" title="Our Man in Havana (film)">Our Man in Havana</a>.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005256-183">[183]</a> O'Hara beat Lauren Bacall to the role as she was busy with other engagements.<a href="#cite_note-FOOTNOTEMalone2013147-184">[184]</a> Though the film was critically acclaimed, Crowther of The New York Times felt that the characters of O'Hara and the daughter could have been made "more humorous and spirited than they are".<a href="#cite_note-185">[185]</a> The following year, O'Hara appeared in the CBS television film, Mrs. Miniver, but despite some critics approving her performance, most thought that the remake was ill-timed and that she could not top <a href="/wiki/Greer_Garson" title="Greer Garson">Greer Garson</a>'s performance in the 1942 Oscar-winning film.<a href="#cite_note-FOOTNOTEMalone2013148–49-186">[186]</a> In 1961, O'Hara portrayed Kit Tilden in the western <a href="/wiki/The_Deadly_Companions" title="The Deadly Companions">The Deadly Companions</a>, <a href="/wiki/Sam_Peckinpah" title="Sam Peckinpah">Sam Peckinpah</a>'s feature-film debut. Playing against stereotype as the strong, aggressive redhead, she plays a character who is vulnerable to rape and violence from men. The plot involves her traveling across <a href="/wiki/Apache" title="Apache">Apache</a> territory with an ex-Sergeant to bury her young son next to his father in the desert.<a href="#cite_note-187">[187]</a> Malone considered her character in the film to be "radically underdeveloped".<a href="#cite_note-FOOTNOTEMalone2013154-188">[188]</a> While O'Hara acknowledged that Peckinpah later "reached icon status as a great director of westerns", she thought he was "just awful" and "one of the strangest and most objectionable people I had ever worked with".<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005270-189">[189]</a> Later that year she starred in <a href="/wiki/The_Parent_Trap_(1961_film)" title="The Parent Trap (1961 film)">The Parent Trap</a>, one of her most popular films, opposite a young <a href="/wiki/Hayley_Mills" title="Hayley Mills">Hayley Mills</a>. Filmed just before The Deadly Companions (but released just after), she co-starred with <a href="/wiki/Brian_Keith" title="Brian Keith">Brian Keith</a> in both films. O'Hara credits Mills for the success of the film, remarking that "she really did bring two different girls to life in the movie" and wrote that "Sharon and Susan were so believable that I'd sometimes forget myself and look for the other one when Hayley and I were standing around the set".<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005263–65-190">[190]</a> Malone notes that this was the film that she "made a transition from comely maiden to trendy mother",<a href="#cite_note-FOOTNOTEMalone2013138-191">[191]</a> one which received some of the best critical plaudits of her career.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005269-192">[192]</a> O'Hara was subsequently involved in a legal dispute with <a href="/wiki/Walt_Disney" title="Walt Disney">Walt Disney</a>, backed by the <a href="/wiki/Screen_Actors_Guild" title="Screen Actors Guild">Screen Actors Guild</a>, over billing for the film. She never worked for Disney again.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005268-193">[193]</a> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Maureen_O%27Hara_bust.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f3/Maureen_O%27Hara_bust.jpg/220px-Maureen_O%27Hara_bust.jpg" decoding="async" width="220" height="293" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f3/Maureen_O%27Hara_bust.jpg/330px-Maureen_O%27Hara_bust.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f3/Maureen_O%27Hara_bust.jpg/440px-Maureen_O%27Hara_bust.jpg 2x" data-file-width="3240" data-file-height="4320" /></a><figcaption>Bust of O'Hara in <a href="/wiki/Kells,_County_Meath" title="Kells, County Meath">Kells</a>, Ireland</figcaption></figure> The following year, O'Hara appeared opposite <a href="/wiki/James_Stewart" title="James Stewart">James Stewart</a> in <a href="/wiki/Mr._Hobbs_Takes_a_Vacation" title="Mr. Hobbs Takes a Vacation">Mr. Hobbs Takes a Vacation</a>, about a family vacation in a dilapidated house on the beach. She played Peggy, the wife of Hobbs (Stewart), a character who is very family-oriented and talkative.<a href="#cite_note-194">[194]</a> Though the two became friends, O'Hara confessed that she was not happy with the dynamic between her and Stewart onscreen, commenting that "every scene revolves around Jimmy Stewart. I was never allowed to really play out a single scene in the picture. He was a remarkable actor, but not a generous one".<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005274-195">[195]</a> With the success of The Parent Trap and Mr. Hobbs Takes a Vacation, O'Hara felt that her career had been given a new lease of life.<a href="#cite_note-FOOTNOTEMalone2013159-196">[196]</a> She united with Henry Fonda after 20 years to appear in <a href="/wiki/Spencer%27s_Mountain" title="Spencer's Mountain">Spencer's Mountain</a> (1963), roughly based on the novel by <a href="/wiki/Earl_Hamner_Jr." title="Earl Hamner Jr.">Earl Hamner Jr.</a> The film was shot on location in <a href="/wiki/Jackson_Hole" title="Jackson Hole">Jackson Hole</a>, <a href="/wiki/Wyoming" title="Wyoming">Wyoming</a>, the same place that the classic 1953 western <a href="/wiki/Shane_(film)" title="Shane (film)">Shane</a> was shot.<a href="#cite_note-FOOTNOTEMalone2013159-196">[196]</a> O'Hara played Olivia Spencer, the devout Christian wife of Fonda's atheist character, who during the course of the film sings a hymn at an outdoor funeral.<a href="#cite_note-197">[197]</a> Though Malone considers her to have given a "commendable performance", he thought she lacked chemistry with Fonda and notes that the film came at a difficult period in his life, with the breakdown of his third marriage. It was poorly received by the critics at the time, but fared well at the box office.<a href="#cite_note-FOOTNOTEMalone2013160–61-198">[198]</a> Later in 1963 she starred with John Wayne in <a href="/wiki/Andrew_V._McLaglen" title="Andrew V. McLaglen">Andrew V. McLaglen</a>'s Technicolor comedic western, <a href="/wiki/McLintock!" title="McLintock!">McLintock!</a>. O'Hara performed many of her own stunts in the film, including one scene where she falls backwards off a ladder into a trough.<a href="#cite_note-FOOTNOTEMalone2013163-199">[199]</a> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Bill_Dana_Maureen_O%27Hara_Andy_Willians_1965.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/1/12/Bill_Dana_Maureen_O%27Hara_Andy_Willians_1965.jpg/220px-Bill_Dana_Maureen_O%27Hara_Andy_Willians_1965.jpg" decoding="async" width="220" height="290" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/12/Bill_Dana_Maureen_O%27Hara_Andy_Willians_1965.jpg/330px-Bill_Dana_Maureen_O%27Hara_Andy_Willians_1965.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/12/Bill_Dana_Maureen_O%27Hara_Andy_Willians_1965.jpg/440px-Bill_Dana_Maureen_O%27Hara_Andy_Willians_1965.jpg 2x" data-file-width="1198" data-file-height="1578" /></a><figcaption>O'Hara on <a href="/wiki/The_Andy_Williams_Show" title="The Andy Williams Show">The Andy Williams Show</a> in 1965</figcaption></figure> In late 1964, O'Hara went to Italy to shoot <a href="/wiki/The_Battle_of_the_Villa_Fiorita" title="The Battle of the Villa Fiorita">The Battle of the Villa Fiorita</a> (1965) with <a href="/wiki/Rossano_Brazzi" title="Rossano Brazzi">Rossano Brazzi</a>. O'Hara played a British woman who leaves her diplomat husband in England for an Italian pianist (Brazzi).<a href="#cite_note-FOOTNOTEMalone2013165-200">[200]</a> She had high expectations for the film but soon realized that Brazzi was miscast.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005291-201">[201]</a> She was so frustrated with the finished film, which was a box office flop, that she cried.<a href="#cite_note-FOOTNOTEMalone2013166-202">[202]</a> O'Hara made her last picture with James Stewart the following year in the comedic western, <a href="/wiki/The_Rare_Breed" title="The Rare Breed">The Rare Breed</a>. Malone thought that she modeled her performance on <a href="/wiki/Julie_Andrews" title="Julie Andrews">Julie Andrews</a>, "adopting a schoolmarmish voice and demeanor that ill befit her", and coming out with pious statements like "cleanliness is next to godliness".<a href="#cite_note-FOOTNOTEMalone2013167-203">[203]</a> In 1970, O'Hara starred opposite <a href="/wiki/Jackie_Gleason" title="Jackie Gleason">Jackie Gleason</a> in <a href="/wiki/How_Do_I_Love_Thee%3F" title="How Do I Love Thee?">How Do I Love Thee?</a>. During filming in the summer of 1969, O'Hara was involved in an accident on set with Gleason when he tripped on a Cyclone wire fence, falling heavily on her hand which was resting on it. She later required orthopedic surgery to correct the injury.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005306-204">[204]</a> Though she got on well with Gleason, O'Hara remarked that it was a "terrible film. The script was awful, and the director couldn't fix it".<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005305-205">[205]</a> The film was poorly received critically, with The Guardian calling it "the most mawkish film of the year/decade/era".<a href="#cite_note-FOOTNOTEMalone2013170-206">[206]</a> In October of that year she made her last film with Wayne in <a href="/wiki/Big_Jake_(film)" class="mw-redirect" title="Big Jake (film)">Big Jake</a> (1971), shot on location in <a href="/wiki/Durango" title="Durango">Durango</a>, Mexico. Director Budd Boetticher cast O'Hara as he believed that she and Wayne had chemistry which was "head and shoulders" over those of other leading actresses at the time.<a href="#cite_note-FOOTNOTEMalone2013172-207">[207]</a> After Big Jake, O'Hara retired from the industry. In 1972 she professed to strongly disapprove of the way Hollywood was going, "making dirty pictures", and she wanted no part of it.<a href="#cite_note-FOOTNOTEMalone2013176-208">[208]</a> That year she was asked to give a speech at the Lifetime Achievement Award ceremony for John Ford, which was the last occasion she saw him before his death on 31 August 1973.<a href="#cite_note-FOOTNOTEMalone2013177-209">[209]</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatleft" style="width:30em; ; color: #202122;background-color: #c6dbf7;"> <blockquote class="quotebox-quote left-aligned" style=""> "There's only one woman who has been my friend over the years, and by that I mean a real friend, like a man would be. That woman is Maureen O'Hara. She's big, lusty, absolutely marvelous—definitely my kind of woman. She's a great guy. I've had many friends, and I prefer the company of men. Except for Maureen O'Hara". </blockquote> <cite class="left-aligned" style="">—John Wayne on O'Hara.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005337-210">[210]</a></cite> </div> After a 20-year retirement from the film industry, O'Hara returned to the screen in 1991 to star opposite <a href="/wiki/John_Candy" title="John Candy">John Candy</a> in the romantic comedy drama <a href="/wiki/Only_the_Lonely_(film)" title="Only the Lonely (film)">Only the Lonely</a>.<a href="#cite_note-FOOTNOTEBlum199355-211">[211]</a> She played Rose Muldoon, the domineering Irish mother of a <a href="/wiki/Chicago" title="Chicago">Chicago</a> cop (Candy), who has an indifference to Sicilians. The film reunited her with Anthony Quinn who plays her brief love interest, Nick the Greek.<a href="#cite_note-212">[212]</a> O'Hara stated of her return: "Twenty years is a long time, but it was surprising how little changed. The equipment is lighter now, and they work a bit faster, but I hardly felt like I'd been away".<a href="#cite_note-FOOTNOTEMalone2013189-213">[213]</a> She described Candy as "one of my all-time favorite leading men", and was surprised by the extent of his talent, remarking that he was a "comedic genius but an actor with an extraordinary dramatic talent" who very much reminded her of Charles Laughton.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005363-214">[214]</a> In the following years, she continued to work, starring in several made-for-TV films, including <a href="/wiki/The_Christmas_Box" title="The Christmas Box">The Christmas Box</a>, Cab for Canada and The Last Dance, the latter her last film in which she played a retired teacher who suffers a heart attack,<a href="#cite_note-FOOTNOTEMalone2013195-215">[215]</a> released on television in 2000.<a href="#cite_note-216">[216]</a> <div class="mw-heading mw-heading2"><h2 id="Reception_and_character">Reception and character</h2>[<a href="/w/index.php?title=Maureen_O%27Hara&action=edit&section=8" title="Edit section: Reception and character">edit</a>]</div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Maureen_O%27Hara_Anthony_Quinn.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/b/b8/Maureen_O%27Hara_Anthony_Quinn.jpg/220px-Maureen_O%27Hara_Anthony_Quinn.jpg" decoding="async" width="220" height="170" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/b8/Maureen_O%27Hara_Anthony_Quinn.jpg/330px-Maureen_O%27Hara_Anthony_Quinn.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/b8/Maureen_O%27Hara_Anthony_Quinn.jpg/440px-Maureen_O%27Hara_Anthony_Quinn.jpg 2x" data-file-width="846" data-file-height="653" /></a><figcaption>O'Hara having lunch with <a href="/wiki/Anthony_Quinn" title="Anthony Quinn">Anthony Quinn</a> behind the scenes of the film <a href="/wiki/Sinbad_the_Sailor_(1947_film)" title="Sinbad the Sailor (1947 film)">Sinbad the Sailor</a> (1947)</figcaption></figure> Malone states that as "Ireland's first Hollywood superstar", O'Hara "paved the way for a future generation of actresses seeking their own voice ... With her mahogany hair, her hoydenish ways, and her whip-smart delivery of lines, she created a character prototype that seemed to define her country of origin as much as Ireland defined her".<a href="#cite_note-FOOTNOTEMalone20136-217">[217]</a> He notes though that O'Hara was "loved for her naturalness" and her "lack of a diva quality". She dismissed <a href="/wiki/Method_acting" title="Method acting">method acting</a> as "tommyrot", believing that acting should be acting, and placed great emphasis on work ethic and punctuality.<a href="#cite_note-FOOTNOTEMalone20132-218">[218]</a> Insisting on doing her own stunts, O'Hara became so prone to injuries during her productions that her colleagues remarked that she "should have been awarded a Purple Heart".<a href="#cite_note-FOOTNOTEMalone20131-219">[219]</a> Her closest rival in the 1950s was <a href="/wiki/Rhonda_Fleming" title="Rhonda Fleming">Rhonda Fleming</a>, the two both being prolific in westerns and action films.<a href="#cite_note-FOOTNOTEMalone2013115-220">[220]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Maureen_O%27Hara_in_April_1942.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/9/92/Maureen_O%27Hara_in_April_1942.jpg/170px-Maureen_O%27Hara_in_April_1942.jpg" decoding="async" width="170" height="254" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/92/Maureen_O%27Hara_in_April_1942.jpg/255px-Maureen_O%27Hara_in_April_1942.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/92/Maureen_O%27Hara_in_April_1942.jpg/340px-Maureen_O%27Hara_in_April_1942.jpg 2x" data-file-width="1340" data-file-height="2000" /></a><figcaption>O'Hara in April 1942</figcaption></figure> John Ford reportedly once commented in a letter that O'Hara was the finest actress in Hollywood, but he rarely praised her in person. In an interview with <a href="/wiki/Bertrand_Tavernier" title="Bertrand Tavernier">Bertrand Tavernier</a>, on the other hand, Ford professed that O'Hara was one of the actresses he most detested. <a href="#cite_note-FOOTNOTEMalone2013178-174">[174]</a> Though she was quite proud of her own versatility as an actress, saying "I played every kind of role. I was never petite or cute so there was never anything about me which would go out of style",<a href="#cite_note-FOOTNOTEMalone20132-218">[218]</a> critics found fault with her range. Malone wrote that she "seemed to struggle in comedic roles but proved her mettle in films that called on her to take charge of situations or find courage in the face of adversity". One 2013 critic asserted that it took a director like John Ford to bring out a good performance from her. <a href="#cite_note-FOOTNOTEMalone20132-218">[218]</a> The Irish critic <a href="/w/index.php?title=Philip_Moloy&action=edit&redlink=1" class="new" title="Philip Moloy (page does not exist)">Philip Moloy</a> thought the opposite, saying "It is not something that she would accept herself, but Maureen O'Hara's career probably suffered from its long-term association with John Ford. John Ford's view of Ireland, and things Irish, tended to be broad, sentimental and sociologically distorted, and his characters were often clichéd representatives of their nationality".<a href="#cite_note-FOOTNOTEMalone2013123-221">[221]</a> In the 1960s, O'Hara ventured into maturer roles as she aged.<a href="#cite_note-FOOTNOTEMalone20132-218">[218]</a> O'Hara had a reputation in Hollywood for bossiness, and John Wayne once referred to her as "the greatest guy I ever met".<a href="#cite_note-FOOTNOTEMalone20133–5-222">[222]</a> Rick Kogan of <a href="/wiki/The_Chicago_Tribune" class="mw-redirect" title="The Chicago Tribune">The Chicago Tribune</a> quotes her in saying that she and Wayne shared many similarities, and took "no nonsense from anybody".<a href="#cite_note-CTtribute-223">[223]</a> She was friends with Zanuck and Harry Cohn, the boss of Columbia Pictures, who was notorious for being the "nastiest man in Hollywood",<a href="#cite_note-FOOTNOTEKelley1986207-224">[224]</a> Film executives respected the fact that she was bold and completely honest towards them. O'Hara declared that she had "never had a temperamental fit in my life",<a href="#cite_note-FOOTNOTEMalone20133-225">[225]</a> but did admit to walking off the set in disgust at George Montgomery nearly choking her to death with a kiss during the filming of Ten Gentleman from West Point.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005101-66">[66]</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatright" style="width:30em; ; color: #202122;background-color: #c6dbf7;"> <blockquote class="quotebox-quote left-aligned" style=""> "It's been a good life ... I've had a wonderful career and enjoyed making movies. I was fortunate to have made pictures with many of the greats, both actors and directors. I've no regrets ... Some people see me as a former screen siren while others remember me as the dame who gave as good as she got in movies with John Wayne, for example. Many women have written to me over the years and said I've been an inspiration to them, a woman who could hold her own against the world." The final thing she said, "Above all else, deep in my soul, I'm a tough Irish Woman." </blockquote> <cite class="left-aligned" style="">—O'Hara reflecting on her long life and career, on her 95th birthday in August 2015, at the home of her grandson, Conor, in Idaho. <a href="#cite_note-226">[226]</a></cite> </div> Teetotaler and non-smoker, O'Hara rejected the Hollywood party lifestyle, and was relatively moderate in her personal grooming.<a href="#cite_note-FOOTNOTEMalone20134-227">[227]</a> In her earlier career she refused to appear to smoke and drink on screen, and it was only later that she relented to avoid being out of a job.<a href="#cite_note-FOOTNOTEMalone201344-70">[70]</a> O'Hara was considered to be prudish in Hollywood. Malone wrote that "her attitude towards sex bordered on puritanical at times, which wasn't what one expected from a sex symbol".<a href="#cite_note-FOOTNOTEMalone2013200-228">[228]</a> When asked why she would not pose for scantily clad photographs O'Hara remarked: "I come from a very strict family, and I can't do some of the things other actresses can because my folks in Dublin would think I turned out bad", and in 1948 she stated that she wouldn't be photographed in a bathing suit "Because I don't think I looked like <a href="/wiki/Lana_Turner" title="Lana Turner">Lana Turner</a> in a bathing suit, frankly.<a href="#cite_note-FOOTNOTEMalone201327-229">[229]</a> O'Hara later commented that "I'm not prudish but my training was strict".<a href="#cite_note-FOOTNOTEMalone201343-69">[69]</a> She believed that her fastidious lifestyle took its toll on her career.<a href="#cite_note-FOOTNOTEMalone201360-95">[95]</a> She once said, "I'm a helpless victim of a Hollywood whispering campaign. Because I don't let the producer and director kiss me every morning or let them paw me they have spread around town that I am not a woman, that I am a cold piece of marble statuary" and "I wouldn't throw myself on the casting couch, and I know that cost me parts. I wasn't going to play the whore. That wasn't me".<a href="#cite_note-230">[230]</a><a href="#cite_note-231">[231]</a> She vented her frustration on not being given edgier roles in an interview with the Los Angeles Times, saying "Producers look at a pretty face and think: 'She must have got this far on her looks'. Then comes along a girl with a plain face and they think, 'She must be a great actress, she isn't pretty'. So they give her the glamour treatment and the pretty girl gets left behind". O'Hara believed that she missed out on a number of roles in some of the classic black-and-white films, because her looks were shown to great advantage in Technicolor productions.<a href="#cite_note-FOOTNOTEMalone201361-232">[232]</a> Such was her natural beauty that she was one of the few actresses in Hollywood during her career to not undergo cosmetic surgery, though she had one crooked tooth with which she refused to part.<a href="#cite_note-FOOTNOTEMalone2013137-233">[233]</a> <div class="mw-heading mw-heading2"><h2 id="Personal_life_and_death">Personal life and death</h2>[<a href="/w/index.php?title=Maureen_O%27Hara&action=edit&section=9" title="Edit section: Personal life and death">edit</a>]</div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Maureen_O%27Hara_husband_Will_Price_and_daughter_Bronwyn.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/a/a1/Maureen_O%27Hara_husband_Will_Price_and_daughter_Bronwyn.jpg/220px-Maureen_O%27Hara_husband_Will_Price_and_daughter_Bronwyn.jpg" decoding="async" width="220" height="298" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a1/Maureen_O%27Hara_husband_Will_Price_and_daughter_Bronwyn.jpg/330px-Maureen_O%27Hara_husband_Will_Price_and_daughter_Bronwyn.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a1/Maureen_O%27Hara_husband_Will_Price_and_daughter_Bronwyn.jpg/440px-Maureen_O%27Hara_husband_Will_Price_and_daughter_Bronwyn.jpg 2x" data-file-width="1500" data-file-height="2033" /></a><figcaption>O'Hara and her husband director Will Price and baby Bronwyn in 1944</figcaption></figure> In 1939, at the age of 19, O'Hara secretly married Englishman George H. Brown, a film producer, production assistant and occasional scriptwriter whom she had met on the set of Jamaica Inn.<a href="#cite_note-234">[234]</a> They married at St Paul's Church in Station Road, <a href="/wiki/Harrow,_London" title="Harrow, London">Harrow</a>, on 13 June, shortly before she left for Hollywood. Brown stayed behind in England to shoot a film with <a href="/wiki/Paul_Robeson" title="Paul Robeson">Paul Robeson</a>. Brown announced that he and O'Hara had kept the marriage a secret and that they would have a full marriage ceremony in October 1939, but O'Hara never returned.<a href="#cite_note-FOOTNOTEMalone201320-235">[235]</a> The marriage was annulled in 1941. O'Hara became a naturalised American citizen on 25 January 1946.<a href="#cite_note-236">[236]</a> In December 1941,<a href="#cite_note-FOOTNOTEMalone2013112-237">[237]</a> O'Hara married American film director William Houston Price, who was the dialogue director in The Hunchback of Notre Dame.<a href="#cite_note-FOOTNOTEMalone201337-63">[63]</a> She lost her virginity to Price on her wedding night and immediately regretted it, recalling thinking to herself, "What the hell have I done now". Soon after the honeymoon, O'Hara realized Price was an <a href="/wiki/Alcoholism" title="Alcoholism">alcoholic</a>.<a href="#cite_note-FOOTNOTEMalone201338-238">[238]</a> The couple had one child, a daughter, Bronwyn Bridget Price, born 30 June 1944.<a href="#cite_note-FOOTNOTEParish1974657O'HaraNicoletti2005119-239">[239]</a> O'Hara's marriage to Price steadily declined throughout the 1940s due to his alcohol abuse, and she often wanted to file for divorce but felt guilty due to her Catholic beliefs.<a href="#cite_note-FOOTNOTEMalone2013118-240">[240]</a> Price eventually realized the marriage was over and filed for divorce in July 1951 on the grounds of "incompatibility".<a href="#cite_note-FOOTNOTEMalone2013112,_118-241">[241]</a> Price left the house they shared in <a href="/wiki/Bel_Air,_Los_Angeles" title="Bel Air, Los Angeles">Bel Air, Los Angeles</a>, on 29 December 1951, on their 10th wedding anniversary.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005225,_212-242">[242]</a> O'Hara always denied having any extramarital affairs, but in his autobiography, frequent collaborator <a href="/wiki/Anthony_Quinn" title="Anthony Quinn">Anthony Quinn</a> claimed to have fallen in love with her on the set of Sinbad the Sailor. He commented that she was "dazzling, and the most understanding woman on this earth" who "brought out the Gaelic in him", being half Irish. Quinn implied that they had been involved in an affair, adding that "after a while we both tired of the deceit".<a href="#cite_note-FOOTNOTEMalone2013125–6-243">[243]</a> From 1953 to 1967, O'Hara had a relationship with Enrique Parra, a wealthy Mexican politician and banker. She met him at a restaurant during a trip to Mexico in 1951.<a href="#cite_note-FOOTNOTEMalone2013111–12-244">[244]</a> O'Hara stated that Parra "saved me from the darkness of an abusive marriage and brought me back into the warm light of life again. Leaving him was one of the most painful things I have ever had to do."<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005302-245">[245]</a> As her relationship with Parra progressed, she began to learn Spanish and even enrolled her daughter in a Mexican school.<a href="#cite_note-FOOTNOTEMalone2013117–18-246">[246]</a> She moved in 1953 to a smaller property at 10677 Somma Way in Bel Air,<a href="#cite_note-247">[247]</a> amid frequent visits to Mexico City, where she and Parra were very well-known celebrities.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005222–25-248">[248]</a> She hired a detective to follow Parra in Mexico and found that he was being fully honest about the relationship with his ex-wife and that she could trust him.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005220–21-249">[249]</a> John Ford intensely disliked Parra, and it affected her relationship with Ford in the 1950s as he often interfered in her affairs and frowned upon the demise of her marriage to Price, being a devout Catholic like O'Hara. Price also continued to harass O'Hara for dating Parra and filed a case against her on 20 June 1955, seeking custody of Bronwyn and accusing her of immorality.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005239Malone2013118-250">[250]</a> O'Hara filed a countersuit, charging him with contempt of court for refusing to pay $50 a month in child support and a $7-a-month alimony.<a href="#cite_note-FOOTNOTEMalone2013128-164">[164]</a> During the publicity stage of The Long Gray Line in 1955, Ford insulted O'Hara and her brother Charles when he remarked to Charles: "if that whore sister of yours can pull herself away from that Mexican long enough to do a little publicity for us, the film might have a chance at some decent returns".<a href="#cite_note-FOOTNOTEMalone2013123-221">[221]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Liberace_and_O%27hara_-_1957.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/c/ce/Liberace_and_O%27hara_-_1957.jpg/170px-Liberace_and_O%27hara_-_1957.jpg" decoding="async" width="170" height="221" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/ce/Liberace_and_O%27hara_-_1957.jpg/255px-Liberace_and_O%27hara_-_1957.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/ce/Liberace_and_O%27hara_-_1957.jpg/340px-Liberace_and_O%27hara_-_1957.jpg 2x" data-file-width="621" data-file-height="808" /></a><figcaption>O'Hara with <a href="/wiki/Liberace" title="Liberace">Liberace</a> in 1957</figcaption></figure> On 9 July 1957,<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005246-251">[251]</a> O'Hara filed a $5 million lawsuit against <a href="/wiki/Confidential_(magazine)" title="Confidential (magazine)">Confidential</a> magazine over allegations it made over her being engaged in sexual activity with Parra during a screening of a film at the <a href="/wiki/TCL_Chinese_Theatre" class="mw-redirect" title="TCL Chinese Theatre">Grauman's Chinese Theatre</a> in Hollywood.<a href="#cite_note-FOOTNOTEMalone2013138-191">[191]</a> One of the allegations was "Maureen had entered Grauman's wearing a white silk blouse neatly buttoned. Now it wasn't", and that when the usher shone a flashlight towards them she was forced to sit up and play innocent.<a href="#cite_note-252">[252]</a><a href="#cite_note-253">[253]</a> O'Hara proved her innocence by presenting a passport showing that she was in Spain shooting Fire Over Africa at the time.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005248-254">[254]</a><a href="#cite_note-255">[255]</a> She claimed in her autobiography that she became the first actress to win a case against an industry tabloid when Confidential were apparently found guilty of libel and conspiring to publish obscenity, but Malone notes that the trial dragged on for six weeks and the case was actually eventually settled out of court in July 1958.<a href="#cite_note-FOOTNOTEMalone2013141–43-256">[256]</a> O'Hara married her third husband, <a href="/wiki/Charles_F._Blair_Jr." title="Charles F. Blair Jr.">Charles F. Blair Jr.</a>, 11 years her senior,<a href="#cite_note-FOOTNOTEMalone2013168-257">[257]</a> on 12 March 1968. Blair, an immensely popular figure,<a href="#cite_note-FOOTNOTEMalone2013168-257">[257]</a> was a pioneer of transatlantic aviation, a former brigadier general of the <a href="/wiki/United_States_Air_Force" title="United States Air Force">United States Air Force</a>, a former chief pilot at <a href="/wiki/Pan_American_World_Airways" class="mw-redirect" title="Pan American World Airways">Pan Am</a>, and founder and head of the United States Virgin Islands airline Antilles Air Boats. A few years after her marriage to Blair, O'Hara, for the most part, retired from acting.<a href="#cite_note-FOOTNOTEMalone2013169-258">[258]</a> In the <a href="/wiki/Special_features" class="mw-redirect" title="Special features">special features</a> section to the DVD release of The Quiet Man, a story is recounted that O'Hara retired after longtime collaborators John Wayne and John Ford teased her about being married but not being a good, stay-at-home housewife,<a href="#cite_note-259">[259]</a> though Blair himself wanted her to retire from acting and help run his business.<a href="#cite_note-FOOTNOTEMalone2013169-258">[258]</a> Blair died in 1978 while flying a <a href="/wiki/Grumman_Goose" class="mw-redirect" title="Grumman Goose">Grumman Goose</a> for his airline from Saint Croix to <a href="/wiki/Saint_Thomas,_U.S._Virgin_Islands" title="Saint Thomas, U.S. Virgin Islands">St. Thomas</a>, crashing after an engine failure.<a href="#cite_note-FOOTNOTEMalone2013179-260">[260]</a> O'Hara was elected CEO and president of the airline, with the added distinction of becoming the first woman president of a scheduled airline in the United States.<a href="#cite_note-latimes-261">[261]</a> In 1978, O'Hara was diagnosed with uterine cancer, which had to be removed with an operation. She was greatly affected by John Wayne's cancer during this period, and Wayne reportedly wept on the phone when she informed him that her own cancer had been given the all clear. O'Hara was instrumental in Wayne being given <a href="/wiki/Congressional_Gold_Medal" title="Congressional Gold Medal">a special medal</a> shortly before his death the following year. She argued that "John Wayne is not just an actor. John Wayne is the United States of America" and personally selected the portrait of him to go on it.<a href="#cite_note-FOOTNOTEMalone2013183-262">[262]</a> After Wayne's death in June 1979, she fell into deep depression and took several years to recover.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005335-263">[263]</a> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Dress_Shop_of_Maureen_O%27Hara_1947.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/a/ab/Dress_Shop_of_Maureen_O%27Hara_1947.jpg/220px-Dress_Shop_of_Maureen_O%27Hara_1947.jpg" decoding="async" width="220" height="167" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/ab/Dress_Shop_of_Maureen_O%27Hara_1947.jpg/330px-Dress_Shop_of_Maureen_O%27Hara_1947.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/ab/Dress_Shop_of_Maureen_O%27Hara_1947.jpg/440px-Dress_Shop_of_Maureen_O%27Hara_1947.jpg 2x" data-file-width="2048" data-file-height="1552" /></a><figcaption>O'Hara's boutique in Tarzana, Los Angeles in 1947</figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:ANCExplorer_Charles_F._Blair_Jr._grave.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/b/bb/ANCExplorer_Charles_F._Blair_Jr._grave.jpg/220px-ANCExplorer_Charles_F._Blair_Jr._grave.jpg" decoding="async" width="220" height="164" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/bb/ANCExplorer_Charles_F._Blair_Jr._grave.jpg/330px-ANCExplorer_Charles_F._Blair_Jr._grave.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/bb/ANCExplorer_Charles_F._Blair_Jr._grave.jpg/440px-ANCExplorer_Charles_F._Blair_Jr._grave.jpg 2x" data-file-width="1280" data-file-height="956" /></a><figcaption>Grave at <a href="/wiki/Arlington_National_Cemetery" title="Arlington National Cemetery">Arlington National Cemetery</a></figcaption></figure> In 1976, Blair had bought O'Hara a travel magazine, the Virgin Islander, which she began to edit from their home for many years in Saint Croix.<a href="#cite_note-FOOTNOTEMalone2013179-260">[260]</a> She sold it in 1980 to <a href="/wiki/USA_Today" title="USA Today">USA Today</a> to spend more time with her daughter and grandson Conor (born 1970<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005307-264">[264]</a>). She passed on the airline business the following year, which by this time was chartering 120 flights a day with a fleet of 27 planes.<a href="#cite_note-FOOTNOTEMalone2013185-265">[265]</a> O'Hara had had considerable prior experience with business as from the 1940s she ran a clothing store in <a href="/wiki/Tarzana,_Los_Angeles" title="Tarzana, Los Angeles">Tarzana, Los Angeles</a>, operating under her name, specializing in dresses for women.<a href="#cite_note-266">[266]</a> O'Hara increasingly spent time in <a href="/wiki/Glengarriff" title="Glengarriff">Glengarriff</a> on the southwest coast of Ireland, and established a golf tournament there in 1984 in her husband's memory.<a href="#cite_note-FOOTNOTEMalone2013186-267">[267]</a> A hurricane in 1989 destroyed her home in Saint Croix. While in New York, inquiring about the costs of rebuilding, she suffered six successive heart attacks and underwent an <a href="/wiki/Angioplasty" title="Angioplasty">angioplasty</a>.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005357–60Malone2013187–88-268">[268]</a> She moved permanently to Glengariff after suffering a stroke in 2005.<a href="#cite_note-irishexaminer1-269">[269]</a> In May 2012, O'Hara's family contacted <a href="/wiki/Social_work" title="Social work">social workers</a> regarding claims that O'Hara, who had short-term memory loss, was a victim of <a href="/wiki/Elder_abuse" title="Elder abuse">elder abuse</a>.<a href="#cite_note-270">[270]</a> In September 2012, O'Hara flew to the United States after receiving doctor's permission to fly, and moved in with her grandson in Idaho.<a href="#cite_note-irishexaminer1-269">[269]</a> In her last years she suffered from <a href="/wiki/Type_2_diabetes" title="Type 2 diabetes">type 2 diabetes</a> and short-term memory loss.<a href="#cite_note-FOOTNOTEMalone2013209-271">[271]</a> On 24–25 May 2013, O'Hara made a public appearance at the 2013 John Wayne Birthday "Tribute to Maureen O'Hara" celebration in <a href="/wiki/Winterset,_Iowa" title="Winterset, Iowa">Winterset, Iowa</a>. The occasion was groundbreaking for the new John Wayne Birthplace Museum; the festivities included an official proclamation from Iowa Governor <a href="/wiki/Terry_Branstad" title="Terry Branstad">Terry Branstad</a> declaring 25 May 2013, as "Maureen O'Hara Day" in Iowa. The appearance included a performance by the <a href="/wiki/Shannon_Rovers_Irish_Pipe_Band" title="Shannon Rovers Irish Pipe Band">Shannon Rovers Irish Pipe Band</a>, who travelled from <a href="/wiki/Chicago" title="Chicago">Chicago</a> for the event.<a href="#cite_note-CTtribute-223">[223]</a> On 24 October 2015, O'Hara died in her sleep at her home in <a href="/wiki/Boise,_Idaho" title="Boise, Idaho">Boise, Idaho</a>, from natural causes.<a href="#cite_note-Tribute-272">[272]</a> She was 95 years old. O'Hara's remains were buried at <a href="/wiki/Arlington_National_Cemetery" title="Arlington National Cemetery">Arlington National Cemetery</a> in Virginia next to her late husband Charles Blair.<a href="#cite_note-273">[273]</a> As a "staunch <a href="/wiki/Conservatism" title="Conservatism">conservative</a> <a href="/wiki/Republican_Party_(United_States)" title="Republican Party (United States)">Republican</a>, O'Hara supported the presidencies elections of <a href="/wiki/Dwight_D._Eisenhower" title="Dwight D. Eisenhower">Dwight D. Eisenhower</a>, <a href="/wiki/Richard_Nixon" title="Richard Nixon">Richard Nixon</a>, <a href="/wiki/Gerald_Ford" title="Gerald Ford">Gerald Ford</a>, <a href="/wiki/Ronald_Reagan" title="Ronald Reagan">Ronald Reagan</a>, <a href="/wiki/George_H._W._Bush" title="George H. W. Bush">George H. W. Bush</a> and <a href="/wiki/George_W._Bush" title="George W. Bush">George W. Bush</a>".<a href="#cite_note-274">[274]</a> <div class="mw-heading mw-heading2"><h2 id="Honors">Honors</h2>[<a href="/w/index.php?title=Maureen_O%27Hara&action=edit&section=10" title="Edit section: Honors">edit</a>]</div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Maureen_O%27Hara_receives_Oscar_for_Lifetime_Achievement_-_2014.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d8/Maureen_O%27Hara_receives_Oscar_for_Lifetime_Achievement_-_2014.jpg/220px-Maureen_O%27Hara_receives_Oscar_for_Lifetime_Achievement_-_2014.jpg" decoding="async" width="220" height="293" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d8/Maureen_O%27Hara_receives_Oscar_for_Lifetime_Achievement_-_2014.jpg/330px-Maureen_O%27Hara_receives_Oscar_for_Lifetime_Achievement_-_2014.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d8/Maureen_O%27Hara_receives_Oscar_for_Lifetime_Achievement_-_2014.jpg/440px-Maureen_O%27Hara_receives_Oscar_for_Lifetime_Achievement_-_2014.jpg 2x" data-file-width="464" data-file-height="619" /></a><figcaption>O'Hara receiving Oscar for Lifetime Achievement – 2014</figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Maureen_o%27hara_street_furniture.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/6/62/Maureen_o%27hara_street_furniture.jpg/220px-Maureen_o%27hara_street_furniture.jpg" decoding="async" width="220" height="293" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/62/Maureen_o%27hara_street_furniture.jpg/330px-Maureen_o%27hara_street_furniture.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/62/Maureen_o%27hara_street_furniture.jpg/440px-Maureen_o%27hara_street_furniture.jpg 2x" data-file-width="2448" data-file-height="3264" /></a><figcaption>Maureen O'Hara themed street furniture in Ranelagh, Dublin 6, her native village</figcaption></figure> O'Hara was honored on <a href="/wiki/This_Is_Your_Life_(American_franchise)" title="This Is Your Life (American franchise)">This Is Your Life</a>, which was aired on 27 March 1957.<a href="#cite_note-TISL-7">[7]</a> In 1982 she was the first person to receive the American Ireland Fund Lifetime Achievement Award in Los Angeles.<a href="#cite_note-FOOTNOTEMalone2013185-265">[265]</a> In 1988 she was awarded an honorary degree by the <a href="/wiki/NUI_Galway" class="mw-redirect" title="NUI Galway">National University of Ireland, Galway</a>.<a href="#cite_note-275">[275]</a> She further received the Heritage Award from the Ireland-American Fund in 1991.<a href="#cite_note-276">[276]</a> In 1985 she was awarded the Career Achievement Award from the American Cinema Foundation.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005356-277">[277]</a> O'Hara also became the first woman to win the John F. Kennedy Memorial Award for "Outstanding American of Irish Descent for Service to God and Country".<a href="#cite_note-FOOTNOTEMalone2013185-265">[265]</a> For her contributions to the motion picture industry, O'Hara has a star on the <a href="/wiki/Hollywood_Walk_of_Fame" title="Hollywood Walk of Fame">Hollywood Walk of Fame</a> at 7004 Hollywood Blvd. In 1993, she was inducted into the <a href="/wiki/Western_Performers_Hall_of_Fame" class="mw-redirect" title="Western Performers Hall of Fame">Western Performers Hall of Fame</a> at the <a href="/wiki/National_Cowboy_%26_Western_Heritage_Museum" title="National Cowboy & Western Heritage Museum">National Cowboy & Western Heritage Museum</a> in <a href="/wiki/Oklahoma_City" title="Oklahoma City">Oklahoma City</a>, <a href="/wiki/Oklahoma" title="Oklahoma">Oklahoma</a>.<a href="#cite_note-FOOTNOTEMalone2013191-278">[278]</a> She was awarded the <a href="/wiki/Golden_Boot_Awards" title="Golden Boot Awards">Golden Boot Award</a>.<a href="#cite_note-279">[279]</a> In March 1999, O'Hara was selected to be <a href="/wiki/Grand_Marshal" class="mw-redirect" title="Grand Marshal">Grand Marshal</a> of <a href="/wiki/New_York_City" title="New York City">New York City</a>'s <a href="/wiki/St._Patrick%27s_Day" class="mw-redirect" title="St. Patrick's Day">St. Patrick's Day</a> Parade.<a href="#cite_note-FOOTNOTEMalone2013194-280">[280]</a> In 2004, she was honored with a Lifetime Achievement Award from the <a href="/wiki/Irish_Film_and_Television_Academy" class="mw-redirect" title="Irish Film and Television Academy">Irish Film and Television Academy</a> in her native Dublin.<a href="#cite_note-FOOTNOTEMalone2013199-281">[281]</a> The same year, O'Hara released her autobiography 'Tis Herself, co-authored with Johnny Nicoletti and published by <a href="/wiki/Simon_%26_Schuster" title="Simon & Schuster">Simon & Schuster</a>.<a href="#cite_note-FOOTNOTEO'HaraNicoletti2005-282">[282]</a> She wrote the foreword for the cookbook At Home in Ireland,<a href="#cite_note-283">[283]</a> and in 2007 she penned the foreword to the biography of her friend and film co-star, the late actress Anna Lee.<a href="#cite_note-284">[284]</a> O'Hara was named <a href="/wiki/Irish_America_(magazine)" title="Irish America (magazine)">Irish America</a>'s "Irish American of the Year" in 2005, with festivities held at the Plaza Hotel in New York.<a href="#cite_note-285">[285]</a> In 2006, O'Hara attended the Grand Reopening and Expansion of the Flying Boats Museum in <a href="/wiki/Foynes" title="Foynes">Foynes, County Limerick</a> as a patron of the museum. A significant portion of the museum is dedicated to her late husband Charles. O'Hara donated her late husband's seaplane, the Excambian (a <a href="/wiki/Sikorsky_VS-44" title="Sikorsky VS-44">Sikorsky VS-44</a>A), to the <a href="/wiki/New_England_Air_Museum" title="New England Air Museum">New England Air Museum</a>. The restoration of the plane took eight years and time was donated by former pilots and mechanics in honor of Charles Blair. It is the only surviving example of this type of early trans-Atlantic plane.<a href="#cite_note-286">[286]</a> In 2011, O'Hara was formally inducted into the Irish America Hall of Fame at an event in <a href="/wiki/New_Ross" title="New Ross">New Ross</a>, <a href="/wiki/County_Wexford" title="County Wexford">County Wexford</a>.<a href="#cite_note-287">[287]</a> She was also named the president of the Universal Film & Festival Organization (UFFO), which promotes a code of conduct for film festivals and the film industry.<a href="#cite_note-288">[288]</a> In 2012, O'Hara received the <a href="/wiki/Freedom_of_the_City" title="Freedom of the City">Freedom of the Town</a> of <a href="/wiki/Kells,_County_Meath" title="Kells, County Meath">Kells, County Meath</a>, Ireland, her father's home, and a sculpture in her honour was unveiled.<a href="#cite_note-289">[289]</a><a href="#cite_note-290">[290]</a> In 2014, the <a href="/wiki/Academy_of_Motion_Picture_Arts_and_Sciences" title="Academy of Motion Picture Arts and Sciences">Academy of Motion Picture Arts and Sciences</a> selected O'Hara to receive the academy's <a href="/wiki/Honorary_Academy_Award" class="mw-redirect" title="Honorary Academy Award">Honorary Oscar</a>, which was presented at the annual Governor's Awards in November that year. O'Hara became only the second actress, after <a href="/wiki/Myrna_Loy" title="Myrna Loy">Myrna Loy</a> in 1991, to receive an Honorary Oscar without having previously been nominated for an Oscar in a competitive category.<a href="#cite_note-lamag-291">[291]</a><div style="clear:both;" class=""></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2>[<a href="/w/index.php?title=Maureen_O%27Hara&action=edit&section=11" title="Edit section: References">edit</a>]</div> <div class="mw-heading mw-heading3"><h3 id="Citations">Citations</h3>[<a href="/w/index.php?title=Maureen_O%27Hara&action=edit&section=12" title="Edit section: Citations">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-1"><a href="#cite_ref-1">^</a> <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFBeresford" class="citation web cs1">Beresford, Jack. <a rel="nofollow" class="external text" href="https://www.irishpost.com/news/maureen-ohara-7-things-you-never-knew-about-the-irish-hollywood-icon-191111">"Maureen O'Hara: 7 things you never knew about the Irish Hollywood Icon"</a>. 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Retrieved 30 October 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Foxes+of+Harrow&rft.pub=Turner+Classic+Movies&rft.aulast=Miller&rft.aufirst=Frank&rft_id=http%3A%2F%2Fwww.tcm.com%2Fthis-month%2Farticle.html%3FisPreview%3D%26id%3D628649%257C637940%26name%3DThe-Foxes-of-Harrow&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMaureen+O%27Hara" class="Z3988"> </li> <li id="cite_note-FOOTNOTEO'HaraNicoletti2005147-105"><a href="#cite_ref-FOOTNOTEO'HaraNicoletti2005147_105-0">^</a> <a href="#CITEREFO'HaraNicoletti2005">O'Hara & Nicoletti 2005</a>, p. 147. </li> <li id="cite_note-FOOTNOTEMalone201373-106"><a href="#cite_ref-FOOTNOTEMalone201373_106-0">^</a> <a href="#CITEREFMalone2013">Malone 2013</a>, p. 73. </li> <li id="cite_note-FOOTNOTEO'HaraNicoletti2005150-107"><a href="#cite_ref-FOOTNOTEO'HaraNicoletti2005150_107-0">^</a> <a href="#CITEREFO'HaraNicoletti2005">O'Hara & Nicoletti 2005</a>, p. 150. </li> <li id="cite_note-108"><a href="#cite_ref-108">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCrowther,_Bosley1948" class="citation news cs1">Crowther, Bosley (11 March 1948). <a rel="nofollow" class="external text" href="https://www.nytimes.com/movie/review?res=950CE1DF143DE03ABC4952DFB5668383659EDE">"Sitting Pretty (1948)"</a>. The New York Times. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20151031001708/http://www.nytimes.com/movie/review?res=950CE1DF143DE03ABC4952DFB5668383659EDE">Archived</a> from the original on 31 October 2015. 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Turner Classic Movies. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20151031003754/http://www.tcm.com/tcmdb/title/510534/The-Forbidden-Street/articles.html">Archived</a> from the original on 31 October 2015. 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Turner Classic Movies. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20151031002709/http://www.tcm.com/tcmdb/title/68005/Bagdad/articles.html">Archived</a> from the original on 31 October 2015. Retrieved 31 October 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=TCM%27s+Article+On+Bagdad&rft.pub=Turner+Classic+Movies&rft.aulast=Arnold&rft.aufirst=Jeremy&rft_id=http%3A%2F%2Fwww.tcm.com%2Ftcmdb%2Ftitle%2F68005%2FBagdad%2Farticles.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMaureen+O%27Hara" class="Z3988"> </li> <li id="cite_note-FOOTNOTEMalone201380-81-117"><a href="#cite_ref-FOOTNOTEMalone201380-81_117-0">^</a> <a href="#CITEREFMalone2013">Malone 2013</a>, p. 80-81. </li> <li id="cite_note-118"><a href="#cite_ref-118">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation audio-visual cs1">Comanche Territory (DVD). 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Retrieved 31 October 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Love+Happy+%281949%29&rft.date=1950-04-08&rft.aulast=Crowther&rft.aufirst=Bosley&rft_id=https%3A%2F%2Fwww.nytimes.com%2Fmovie%2Freview%3Fres%3D9A04EFDB133BE13BBC4053DFB266838B649EDE&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMaureen+O%27Hara" class="Z3988"> </li> <li id="cite_note-FOOTNOTEMalone201385-120"><a href="#cite_ref-FOOTNOTEMalone201385_120-0">^</a> <a href="#CITEREFMalone2013">Malone 2013</a>, p. 85. </li> <li id="cite_note-121"><a href="#cite_ref-121">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCrowther1950" class="citation news cs1">Crowther, Bosley (10 November 1950). <a rel="nofollow" class="external text" href="https://www.nytimes.com/movie/review?res=9501E7DF1E39E23ABC4852DFB767838B649EDE">"King Solomon s Mines (1950)"</a>. The New York Times. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20151031014303/http://www.nytimes.com/movie/review?res=9501E7DF1E39E23ABC4852DFB767838B649EDE">Archived</a> from the original on 31 October 2015. Retrieved 31 October 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=King+Solomon+s+Mines+%281950%29&rft.date=1950-11-10&rft.aulast=Crowther&rft.aufirst=Bosley&rft_id=https%3A%2F%2Fwww.nytimes.com%2Fmovie%2Freview%3Fres%3D9501E7DF1E39E23ABC4852DFB767838B649EDE&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMaureen+O%27Hara" class="Z3988"> </li> <li id="cite_note-nyt-122"><a href="#cite_ref-nyt_122-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGates2015" class="citation news cs1">Gates, Anita (25 October 2015). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2015/10/25/movies/maureen-ohara-irish-born-actress-known-as-queen-of-technicolor-dies-at-95.html">"Maureen O'Hara, Irish-Born Actress Known as Queen of Technicolor, Dies at 95"</a>. The New York Times. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20151026220239/http://www.nytimes.com/2015/10/25/movies/maureen-ohara-irish-born-actress-known-as-queen-of-technicolor-dies-at-95.html?_r=0">Archived</a> from the original on 26 October 2015. 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Retrieved 28 October 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Maureen+O%27Hara+honoured+in+New+Ross&rft.pub=Raidi%C3%B3+Teilif%C3%ADs+%C3%89ireann&rft.date=2011-07-29&rft_id=http%3A%2F%2Fwww.rte.ie%2Ften%2Fnews%2F2011%2F0729%2F431199-maureenohara%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMaureen+O%27Hara" class="Z3988"> </li> <li id="cite_note-288"><a href="#cite_ref-288">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.uffo.org">"Universal Film & Festival Organization – Home"</a>. Uffo.org. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160410045705/http://www.uffo.org/">Archived</a> from the original on 10 April 2016. 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Meath Chronicle. 24 October 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Meath+Chronicle&rft.atitle=Meath+Chronicle+%E2%80%93+Death+of+actress+maureen+ohara&rft.date=2015-10-24&rft_id=https%3A%2F%2Fwww.meathchronicle.ie%2Fnews%2Froundup%2Farticles%2F2015%2F10%2F24%2F4108138-death-of-actress-maureen-ohara%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMaureen+O%27Hara" class="Z3988"> </li> <li id="cite_note-lamag-291"><a href="#cite_ref-lamag_291-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFByrd2014" class="citation web cs1">Byrd, Craig (5 November 2014). <a rel="nofollow" class="external text" href="http://www.lamag.com/culturefiles/curtain-call-actress-maureen-ohara-finally-oscar">"Curtain Call: Actress Maureen O'Hara Finally Has an Oscar"</a>. <a href="/wiki/Los_Angeles_(magazine)" title="Los Angeles (magazine)">Los Angeles</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20141117091809/http://www.lamag.com/culturefiles/curtain-call-actress-maureen-ohara-finally-oscar">Archived</a> from the original on 17 November 2014. Retrieved 29 November 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Los+Angeles&rft.atitle=Curtain+Call%3A+Actress+Maureen+O%27Hara+Finally+Has+an+Oscar&rft.date=2014-11-05&rft.aulast=Byrd&rft.aufirst=Craig&rft_id=http%3A%2F%2Fwww.lamag.com%2Fculturefiles%2Fcurtain-call-actress-maureen-ohara-finally-oscar&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMaureen+O%27Hara" class="Z3988"> </li> </ol></div></div> <div class="mw-heading mw-heading3"><h3 id="Bibliography">Bibliography</h3>[<a href="/w/index.php?title=Maureen_O%27Hara&action=edit&section=13" title="Edit section: Bibliography">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1239549316">.mw-parser-output .refbegin{margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}@media screen{.mw-parser-output .refbegin{font-size:90%}}</style><div class="refbegin refbegin-columns references-column-width" style="column-width: 30em"> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBarton2006" class="citation book cs1">Barton, Ruth (2006). "Maureen O'Hara, Pirate Queen, Feminist Icon?". <a rel="nofollow" class="external text" href="https://books.google.com/books?id=TelkAAAAMAAJ&q=acting+irish+in+hollywood">Acting Irish in Hollywood</a>. Irish Academic Press. pp. 83–106. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780716533436" title="Special:BookSources/9780716533436"><bdi>9780716533436</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Maureen+O%27Hara%2C+Pirate+Queen%2C+Feminist+Icon%3F&rft.btitle=Acting+Irish+in+Hollywood&rft.pages=83-106&rft.pub=Irish+Academic+Press&rft.date=2006&rft.isbn=9780716533436&rft.aulast=Barton&rft.aufirst=Ruth&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DTelkAAAAMAAJ%26q%3Dacting%2Birish%2Bin%2Bhollywood&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMaureen+O%27Hara" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBaskin1996" class="citation book cs1">Baskin, Ellen (1996). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=zjMbAQAAIAAJ">Serials on British Television, 1950–1994</a>. 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Barnes. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-498-01470-3" title="Special:BookSources/978-0-498-01470-3"><bdi>978-0-498-01470-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Make+it+again%2C+Sam%3A+a+survey+of+movie+remakes&rft.pub=A.+S.+Barnes&rft.date=1975-11&rft.isbn=978-0-498-01470-3&rft.aulast=Druxman&rft.aufirst=Michael+B.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DlGVZAAAAMAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMaureen+O%27Hara" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGallagher1988" class="citation book cs1">Gallagher, Tag (1988). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=aSzmWVnKc-QC">John Ford: The Man and His Films</a>. University of California Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-520-06334-1" title="Special:BookSources/978-0-520-06334-1"><bdi>978-0-520-06334-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=John+Ford%3A+The+Man+and+His+Films&rft.pub=University+of+California+Press&rft.date=1988&rft.isbn=978-0-520-06334-1&rft.aulast=Gallagher&rft.aufirst=Tag&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DaSzmWVnKc-QC&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMaureen+O%27Hara" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGoble1999" class="citation book cs1">Goble, Alan (1 January 1999). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=Yyqc0Qa6b60C&pg=PA232">The Complete Index to Literary Sources in Film</a>. Walter de Gruyter. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-3-11-095194-3" title="Special:BookSources/978-3-11-095194-3"><bdi>978-3-11-095194-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Complete+Index+to+Literary+Sources+in+Film&rft.pub=Walter+de+Gruyter&rft.date=1999-01-01&rft.isbn=978-3-11-095194-3&rft.aulast=Goble&rft.aufirst=Alan&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DYyqc0Qa6b60C%26pg%3DPA232&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMaureen+O%27Hara" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKelley1986" class="citation book cs1">Kelley, Kitty (1986). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=EnbzfyWuuL0C">His Way: The Unauthorized Biography of Frank Sinatra</a>. Bantam Books Trade Paperbacks. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-553-38618-9" title="Special:BookSources/978-0-553-38618-9"><bdi>978-0-553-38618-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=His+Way%3A+The+Unauthorized+Biography+of+Frank+Sinatra&rft.pub=Bantam+Books+Trade+Paperbacks&rft.date=1986&rft.isbn=978-0-553-38618-9&rft.aulast=Kelley&rft.aufirst=Kitty&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DEnbzfyWuuL0C&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMaureen+O%27Hara" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLeeCooper2007" class="citation book cs1">Lee, Anna; Cooper, Barbara Roisman (30 May 2007). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=Bi1SHH3X1JUC&pg=PA1">Anna Lee: Memoir of a Career on General Hospital and in Film</a>. McFarland. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4766-0359-9" title="Special:BookSources/978-1-4766-0359-9"><bdi>978-1-4766-0359-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Anna+Lee%3A+Memoir+of+a+Career+on+General+Hospital+and+in+Film&rft.pub=McFarland&rft.date=2007-05-30&rft.isbn=978-1-4766-0359-9&rft.aulast=Lee&rft.aufirst=Anna&rft.au=Cooper%2C+Barbara+Roisman&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DBi1SHH3X1JUC%26pg%3DPA1&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMaureen+O%27Hara" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMalone2013" class="citation book cs1">Malone, Aubrey (12 September 2013). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=Cbi3AAAAQBAJ">Maureen O'Hara: The Biography</a>. University Press of Kentucky. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8131-4240-1" title="Special:BookSources/978-0-8131-4240-1"><bdi>978-0-8131-4240-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Maureen+O%27Hara%3A+The+Biography&rft.pub=University+Press+of+Kentucky&rft.date=2013-09-12&rft.isbn=978-0-8131-4240-1&rft.aulast=Malone&rft.aufirst=Aubrey&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DCbi3AAAAQBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMaureen+O%27Hara" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcDevittJuan2009" class="citation book cs1">McDevitt, Jim; Juan, Eric San (1 April 2009). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=VP_DGfInVBcC&pg=PA114">A Year of Hitchcock: 52 Weeks with the Master of Suspense</a>. Scarecrow Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8108-6389-7" title="Special:BookSources/978-0-8108-6389-7"><bdi>978-0-8108-6389-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=A+Year+of+Hitchcock%3A+52+Weeks+with+the+Master+of+Suspense&rft.pub=Scarecrow+Press&rft.date=2009-04-01&rft.isbn=978-0-8108-6389-7&rft.aulast=McDevitt&rft.aufirst=Jim&rft.au=Juan%2C+Eric+San&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DVP_DGfInVBcC%26pg%3DPA114&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMaureen+O%27Hara" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFO'HaraNicoletti2005" class="citation book cs1">O'Hara, Maureen; Nicoletti, John (2005). 'Tis Herself: An Autobiography. Simon and Schuster. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7434-9535-6" title="Special:BookSources/978-0-7434-9535-6"><bdi>978-0-7434-9535-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=%27Tis+Herself%3A+An+Autobiography&rft.pub=Simon+and+Schuster&rft.date=2005&rft.isbn=978-0-7434-9535-6&rft.aulast=O%27Hara&rft.aufirst=Maureen&rft.au=Nicoletti%2C+John&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMaureen+O%27Hara" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFParish1978" class="citation book cs1">Parish, James Robert (1978). <a rel="nofollow" class="external text" href="https://archive.org/details/hollywoodbeautie00pari">The Hollywood beauties</a>. Arlington House. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-87000-412-4" title="Special:BookSources/978-0-87000-412-4"><bdi>978-0-87000-412-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Hollywood+beauties&rft.pub=Arlington+House&rft.date=1978&rft.isbn=978-0-87000-412-4&rft.aulast=Parish&rft.aufirst=James+Robert&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fhollywoodbeautie00pari&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMaureen+O%27Hara" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFReid2005" class="citation book cs1">Reid, John Howard (2005). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=YdFd2yqpxYUC">Hollywood's Miracles of Entertainment</a>. Lulu Press, Inc. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4116-3522-7" title="Special:BookSources/978-1-4116-3522-7"><bdi>978-1-4116-3522-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Hollywood%27s+Miracles+of+Entertainment&rft.pub=Lulu+Press%2C+Inc.&rft.date=2005&rft.isbn=978-1-4116-3522-7&rft.aulast=Reid&rft.aufirst=John+Howard&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DYdFd2yqpxYUC&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMaureen+O%27Hara" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRice2005" class="citation book cs1">Rice, Eoghan (2005). "The Converted". We Are Rovers. Nonsuch. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-84588-510-4" title="Special:BookSources/1-84588-510-4"><bdi>1-84588-510-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=The+Converted&rft.btitle=We+Are+Rovers&rft.pub=Nonsuch&rft.date=2005&rft.isbn=1-84588-510-4&rft.aulast=Rice&rft.aufirst=Eoghan&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMaureen+O%27Hara" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFParish1974" class="citation book cs1">Parish, James Robert (1974). <a rel="nofollow" class="external text" href="https://archive.org/details/rkogals00pari">The RKO gals</a>. Arlington House. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-87000-246-5" title="Special:BookSources/978-0-87000-246-5"><bdi>978-0-87000-246-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+RKO+gals&rft.pub=Arlington+House&rft.date=1974&rft.isbn=978-0-87000-246-5&rft.aulast=Parish&rft.aufirst=James+Robert&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Frkogals00pari&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMaureen+O%27Hara" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSigillito2007" class="citation book cs1">Sigillito, Gina (2007). "Maureen FitzSimons O'Hara". <a rel="nofollow" class="external text" href="https://archive.org/details/daughtersofmaeve0000sigi">Daughters of Maeve: 50 Irish Women Who Changed the World</a>. Citadel. p. 206/207. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84588-510-6" title="Special:BookSources/978-1-84588-510-6"><bdi>978-1-84588-510-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Maureen+FitzSimons+O%27Hara&rft.btitle=Daughters+of+Maeve%3A+50+Irish+Women+Who+Changed+the+World&rft.pages=206%2F207&rft.pub=Citadel&rft.date=2007&rft.isbn=978-1-84588-510-6&rft.aulast=Sigillito&rft.aufirst=Gina&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fdaughtersofmaeve0000sigi&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMaureen+O%27Hara" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWayne2006" class="citation book cs1">Wayne, Jane (16 April 2006). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=YqfsLfqfLmYC&pg=PA360">The Leading Men of MGM</a>. Da Capo Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7867-1768-2" title="Special:BookSources/978-0-7867-1768-2"><bdi>978-0-7867-1768-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Leading+Men+of+MGM&rft.pub=Da+Capo+Press&rft.date=2006-04-16&rft.isbn=978-0-7867-1768-2&rft.aulast=Wayne&rft.aufirst=Jane&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DYqfsLfqfLmYC%26pg%3DPA360&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMaureen+O%27Hara" class="Z3988"></li></ul> </div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2>[<a href="/w/index.php?title=Maureen_O%27Hara&action=edit&section=14" title="Edit section: External links">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 0;text-align:center}@media(min-width:500px){.mw-parser-output .side-box-flex{display:flex;align-items:center}.mw-parser-output .side-box-text{flex:1;min-width:0}}@media(min-width:720px){.mw-parser-output .side-box{width:238px}.mw-parser-output .side-box-right{clear:right;float:right;margin-left:1em}.mw-parser-output .side-box-left{margin-right:1em}}</style><style data-mw-deduplicate="TemplateStyles:r1250146164">.mw-parser-output .sister-box .side-box-abovebelow{padding:0.75em 0;text-align:center}.mw-parser-output .sister-box .side-box-abovebelow>b{display:block}.mw-parser-output .sister-box .side-box-text>ul{border-top:1px solid #aaa;padding:0.75em 0;width:217px;margin:0 auto}.mw-parser-output .sister-box .side-box-text>ul>li{min-height:31px}.mw-parser-output .sister-logo{display:inline-block;width:31px;line-height:31px;vertical-align:middle;text-align:center}.mw-parser-output .sister-link{display:inline-block;margin-left:4px;width:182px;vertical-align:middle}@media print{body.ns-0 .mw-parser-output .sistersitebox{display:none!important}}@media screen{html.skin-theme-clientpref-night .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-v2.svg"]{background-color:white}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-v2.svg"]{background-color:white}}</style><div role="navigation" aria-labelledby="sister-projects" class="side-box metadata side-box-right sister-box sistersitebox plainlinks"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-abovebelow"> Maureen O'Hara at Wikipedia's <a href="/wiki/Wikipedia:Wikimedia_sister_projects" title="Wikipedia:Wikimedia sister projects">sister projects</a></div> <div class="side-box-flex"> <div class="side-box-text plainlist"><ul><li><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/20px-Commons-logo.svg.png" decoding="async" width="20" height="27" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/40px-Commons-logo.svg.png 2x" data-file-width="1024" data-file-height="1376" /><a href="https://commons.wikimedia.org/wiki/Maureen_O%27Hara" class="extiw" title="c:Maureen O'Hara">Media</a> from Commons</li><li><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/23px-Wikiquote-logo.svg.png" decoding="async" width="23" height="27" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/35px-Wikiquote-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/46px-Wikiquote-logo.svg.png 2x" data-file-width="300" data-file-height="355" /><a href="https://en.wikiquote.org/wiki/Maureen_O%27Hara" class="extiw" title="q:Maureen O'Hara">Quotations</a> from Wikiquote</li><li><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Wikidata-logo.svg/27px-Wikidata-logo.svg.png" decoding="async" width="27" height="15" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Wikidata-logo.svg/41px-Wikidata-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Wikidata-logo.svg/54px-Wikidata-logo.svg.png 2x" data-file-width="1050" data-file-height="590" /><a href="https://www.wikidata.org/wiki/Q229276" class="extiw" title="d:Q229276">Data</a> from Wikidata</li></ul></div></div> </div> <ul><li><a rel="nofollow" class="external text" href="http://www.irishcentral.com/culture/entertainment/Oscar-winning-Maureen-OHara-speaks-about-her-life-as-a-Hollywood-legend.html#">Interview November, 2014, about Oscar Award and career</a> at Irish Central</li> <li><a rel="nofollow" class="external text" href="https://www.imdb.com/name/nm0000058/">Maureen O'Hara</a> at <a href="/wiki/IMDb_(identifier)" class="mw-redirect" title="IMDb (identifier)">IMDb</a></li> <li><a rel="nofollow" class="external text" href="https://www.tcm.com/tcmdb/person/143374%7C109634/wp">Maureen O'Hara</a> at the <a href="/wiki/Turner_Classic_Movies" title="Turner Classic Movies">TCM Movie Database</a> <a href="https://www.wikidata.org/wiki/Q229276#P3056" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></li></ul> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1236075235">.mw-parser-output .navbox{box-sizing:border-box;border:1px solid #a2a9b1;width:100%;clear:both;font-size:88%;text-align:center;padding:1px;margin:1em auto 0}.mw-parser-output .navbox .navbox{margin-top:0}.mw-parser-output .navbox+.navbox,.mw-parser-output .navbox+.navbox-styles+.navbox{margin-top:-1px}.mw-parser-output .navbox-inner,.mw-parser-output .navbox-subgroup{width:100%}.mw-parser-output .navbox-group,.mw-parser-output .navbox-title,.mw-parser-output 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Award</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background: #EEDD82;width:1%">1928–1950</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Warner_Bros." title="Warner Bros.">Warner Bros.</a> / <a href="/wiki/Charlie_Chaplin" title="Charlie Chaplin">Charlie Chaplin</a> (1928)</li> <li><a href="/wiki/Walt_Disney" title="Walt Disney">Walt Disney</a> (1932)</li> <li><a href="/wiki/Shirley_Temple" title="Shirley Temple">Shirley Temple</a> (1934)</li> <li><a href="/wiki/D._W._Griffith" title="D. W. Griffith">D. W. Griffith</a> (1935)</li> <li><a href="/wiki/The_March_of_Time" title="The March of Time">The March of Time</a> / <a href="/wiki/W._Howard_Greene" title="W. Howard Greene">W. Howard Greene</a> and <a href="/wiki/Harold_Rosson" title="Harold Rosson">Harold Rosson</a> (1936)</li> <li><a href="/wiki/Edgar_Bergen" title="Edgar Bergen">Edgar Bergen</a> / <a href="/wiki/W._Howard_Greene" title="W. Howard Greene">W. Howard Greene</a> / <a href="/wiki/Museum_of_Modern_Art_Department_of_Film" title="Museum of Modern Art Department of Film">Museum of Modern Art Film Library</a> / <a href="/wiki/Mack_Sennett" title="Mack Sennett">Mack Sennett</a> (1937)</li> <li><a href="/wiki/Joseph_A._Ball_(inventor)" title="Joseph A. Ball (inventor)">J. Arthur Ball</a> / <a href="/wiki/Walt_Disney" title="Walt Disney">Walt Disney</a> / <a href="/wiki/Deanna_Durbin" title="Deanna Durbin">Deanna Durbin</a> and <a href="/wiki/Mickey_Rooney" title="Mickey Rooney">Mickey Rooney</a> / <a href="/wiki/Gordon_Jennings" title="Gordon Jennings">Gordon Jennings</a>, <a href="/wiki/Jan_Domela" title="Jan Domela">Jan Domela</a>, Devereaux Jennings, Irmin Roberts, Art Smith, <a href="/wiki/Farciot_Edouart" title="Farciot Edouart">Farciot Edouart</a>, <a href="/wiki/Loyal_Griggs" title="Loyal Griggs">Loyal Griggs</a>, <a href="/wiki/Loren_L._Ryder" title="Loren L. Ryder">Loren L. Ryder</a>, Harry D. Mills, <a href="/wiki/Louis_Mesenkop" title="Louis Mesenkop">Louis Mesenkop</a>, Walter Oberst / <a href="/wiki/Oliver_T._Marsh" title="Oliver T. Marsh">Oliver T. Marsh</a> and Allen Davey / <a href="/wiki/Harry_Warner" title="Harry Warner">Harry Warner</a> (1938)</li> <li><a href="/wiki/Douglas_Fairbanks" title="Douglas Fairbanks">Douglas Fairbanks</a> / <a href="/wiki/Judy_Garland" title="Judy Garland">Judy Garland</a> / <a href="/wiki/William_Cameron_Menzies" title="William Cameron Menzies">William Cameron Menzies</a> / <a href="/wiki/Motion_Picture_%26_Television_Fund" title="Motion Picture & Television Fund">Motion Picture Relief Fund</a> (<a href="/wiki/Jean_Hersholt" title="Jean Hersholt">Jean Hersholt</a>, <a href="/wiki/Ralph_Morgan" title="Ralph Morgan">Ralph Morgan</a>, <a href="/wiki/Ralph_Block" title="Ralph Block">Ralph Block</a>, <a href="/wiki/Conrad_Nagel" title="Conrad Nagel">Conrad Nagel</a>) / <a href="/wiki/Vantiva" title="Vantiva">Technicolor SA</a> (1939)</li> <li><a href="/wiki/Bob_Hope" title="Bob Hope">Bob Hope</a> / <a href="/wiki/Nathan_Levinson" title="Nathan Levinson">Nathan Levinson</a> (1940)</li> <li><a href="/wiki/Walt_Disney" title="Walt Disney">Walt Disney</a>, <a href="/wiki/William_Garity" title="William Garity">William Garity</a>, John N. A. Hawkins, and the <a href="/wiki/RCA" title="RCA">RCA Manufacturing Company</a> / <a href="/wiki/Leopold_Stokowski" title="Leopold Stokowski">Leopold Stokowski</a> and his associates / Rey Scott / <a href="/wiki/Ministry_of_Information_(United_Kingdom)" title="Ministry of Information (United Kingdom)">British Ministry of Information</a> (1941)</li> <li><a href="/wiki/Charles_Boyer" title="Charles Boyer">Charles Boyer</a> / <a href="/wiki/No%C3%ABl_Coward" title="Noël Coward">Noël Coward</a> / <a href="/wiki/Metro-Goldwyn-Mayer" title="Metro-Goldwyn-Mayer">Metro-Goldwyn-Mayer</a> (1942)</li> <li><a href="/wiki/George_Pal" title="George Pal">George Pal</a> (1943)</li> <li><a href="/wiki/Bob_Hope" title="Bob Hope">Bob Hope</a> / <a href="/wiki/Margaret_O%27Brien" title="Margaret O'Brien">Margaret O'Brien</a> (1944)</li> <li>Republic Studio, <a href="/wiki/Daniel_J._Bloomberg" title="Daniel J. Bloomberg">Daniel J. Bloomberg</a>, and the Republic Studio Sound Department / <a href="/wiki/Walter_Wanger" title="Walter Wanger">Walter Wanger</a> / <a href="/wiki/The_House_I_Live_In_(1945_film)" title="The House I Live In (1945 film)">The House I Live In</a> / <a href="/wiki/Peggy_Ann_Garner" title="Peggy Ann Garner">Peggy Ann Garner</a> (1945)</li> <li><a href="/wiki/Harold_Russell" title="Harold Russell">Harold Russell</a> / <a href="/wiki/Laurence_Olivier" title="Laurence Olivier">Laurence Olivier</a> / <a href="/wiki/Ernst_Lubitsch" title="Ernst Lubitsch">Ernst Lubitsch</a> / <a href="/wiki/Claude_Jarman_Jr." title="Claude Jarman Jr.">Claude Jarman Jr.</a> (1946)</li> <li><a href="/wiki/James_Baskett" title="James Baskett">James Baskett</a> / <a href="/wiki/Thomas_Armat" title="Thomas Armat">Thomas Armat</a>, <a href="/wiki/William_Selig" title="William Selig">William Nicholas Selig</a>, <a href="/wiki/Albert_E._Smith_(producer)" title="Albert E. Smith (producer)">Albert E. Smith</a>, and <a href="/wiki/George_Kirke_Spoor" title="George Kirke Spoor">George Kirke Spoor</a> / <a href="/wiki/Bill_and_Coo" title="Bill and Coo">Bill and Coo</a> / <a href="/wiki/Shoeshine_(film)" title="Shoeshine (film)">Shoeshine</a> (1947)</li> <li><a href="/wiki/Walter_Wanger" title="Walter Wanger">Walter Wanger</a> / <a href="/wiki/Monsieur_Vincent" title="Monsieur Vincent">Monsieur Vincent</a> / <a href="/wiki/Sid_Grauman" title="Sid Grauman">Sid Grauman</a> / <a href="/wiki/Adolph_Zukor" title="Adolph Zukor">Adolph Zukor</a> (1948)</li> <li><a href="/wiki/Jean_Hersholt" title="Jean Hersholt">Jean Hersholt</a> / <a href="/wiki/Fred_Astaire" title="Fred Astaire">Fred Astaire</a> / <a href="/wiki/Cecil_B._DeMille" title="Cecil B. DeMille">Cecil B. DeMille</a> / <a href="/wiki/Bicycle_Thieves" title="Bicycle Thieves">The Bicycle Thief</a> (1949)</li> <li><a href="/wiki/Louis_B._Mayer" title="Louis B. Mayer">Louis B. Mayer</a> / <a href="/wiki/George_Murphy" title="George Murphy">George Murphy</a> / <a href="/wiki/The_Walls_of_Malapaga" title="The Walls of Malapaga">The Walls of Malapaga</a> (1950)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #EEDD82;width:1%">1951–1975</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Gene_Kelly" title="Gene Kelly">Gene Kelly</a> / <a href="/wiki/Rashomon" title="Rashomon">Rashomon</a> (1951)</li> <li><a href="/wiki/Merian_C._Cooper" title="Merian C. Cooper">Merian C. Cooper</a> / <a href="/wiki/Bob_Hope" title="Bob Hope">Bob Hope</a> / <a href="/wiki/Harold_Lloyd" title="Harold Lloyd">Harold Lloyd</a> / George Mitchell / <a href="/wiki/Joseph_M._Schenck" title="Joseph M. Schenck">Joseph M. Schenck</a> / <a href="/wiki/Forbidden_Games" title="Forbidden Games">Forbidden Games</a> (1952)</li> <li><a href="/wiki/20th_Century_Studios" title="20th Century Studios">20th Century-Fox Film Corporation</a> / <a href="/wiki/Bell_%26_Howell" title="Bell & Howell">Bell & Howell Company</a> / <a href="/wiki/Joseph_Breen" title="Joseph Breen">Joseph Breen</a> / <a href="/wiki/Pete_Smith_(film_producer)" title="Pete Smith (film producer)">Pete Smith</a> (1953)</li> <li><a href="/wiki/Bausch_%26_Lomb" title="Bausch & Lomb">Bausch & Lomb Optical Company</a> / <a href="/wiki/Danny_Kaye" title="Danny Kaye">Danny Kaye</a> / Kemp Niver / <a href="/wiki/Greta_Garbo" title="Greta Garbo">Greta Garbo</a> / <a href="/wiki/Jon_Whiteley" title="Jon Whiteley">Jon Whiteley</a> / <a href="/wiki/Vincent_Winter" title="Vincent Winter">Vincent Winter</a> / <a href="/wiki/Gate_of_Hell_(film)" title="Gate of Hell (film)">Gate of Hell</a> (1954)</li> <li><a href="/wiki/Samurai_I:_Musashi_Miyamoto" title="Samurai I: Musashi Miyamoto">Samurai I: Musashi Miyamoto</a> (1955)</li> <li><a href="/wiki/Eddie_Cantor" title="Eddie Cantor">Eddie Cantor</a> (1956)</li> <li><a href="/wiki/Society_of_Motion_Picture_and_Television_Engineers" title="Society of Motion Picture and Television Engineers">Society of Motion Picture and Television Engineers</a> / <a href="/wiki/Broncho_Billy_Anderson" title="Broncho Billy Anderson">Gilbert M. "Broncho Billy" Anderson</a> / <a href="/wiki/Charles_Brackett" title="Charles Brackett">Charles Brackett</a> / <a href="/wiki/B._B._Kahane" title="B. B. Kahane">B. B. Kahane</a> (1957)</li> <li><a href="/wiki/Maurice_Chevalier" title="Maurice Chevalier">Maurice Chevalier</a> (1958)</li> <li><a href="/wiki/Buster_Keaton" title="Buster Keaton">Buster Keaton</a> / <a href="/wiki/Lee_de_Forest" title="Lee de Forest">Lee de Forest</a> (1959)</li> <li><a href="/wiki/Gary_Cooper" title="Gary Cooper">Gary Cooper</a> / <a href="/wiki/Stan_Laurel" title="Stan Laurel">Stan Laurel</a> / <a href="/wiki/Hayley_Mills" title="Hayley Mills">Hayley Mills</a> (1960)</li> <li><a href="/wiki/William_L._Hendricks" title="William L. Hendricks">William L. Hendricks</a> / Fred L. Metzler / <a href="/wiki/Jerome_Robbins" title="Jerome Robbins">Jerome Robbins</a> (1961)</li> <li><a href="/wiki/William_J._Tuttle" title="William J. Tuttle">William J. Tuttle</a> (1964)</li> <li><a href="/wiki/Bob_Hope" title="Bob Hope">Bob Hope</a> (1965)</li> <li><a href="/wiki/Yakima_Canutt" title="Yakima Canutt">Yakima Canutt</a> / <a href="/wiki/Y._Frank_Freeman" title="Y. Frank Freeman">Y. Frank Freeman</a> (1966)</li> <li><a href="/wiki/Arthur_Freed" title="Arthur Freed">Arthur Freed</a> (1967)</li> <li><a href="/wiki/John_Chambers_(make-up_artist)" title="John Chambers (make-up artist)">John Chambers</a> / <a href="/wiki/Onna_White" title="Onna White">Onna White</a> (1968)</li> <li><a href="/wiki/Cary_Grant" title="Cary Grant">Cary Grant</a> (1969)</li> <li><a href="/wiki/Lillian_Gish" title="Lillian Gish">Lillian Gish</a> / <a href="/wiki/Orson_Welles" title="Orson Welles">Orson Welles</a> (1970)</li> <li><a href="/wiki/Charlie_Chaplin" title="Charlie Chaplin">Charlie Chaplin</a> (1971)</li> <li>Charles S. Boren / <a href="/wiki/Edward_G._Robinson" title="Edward G. Robinson">Edward G. Robinson</a> (1972)</li> <li><a href="/wiki/Henri_Langlois" title="Henri Langlois">Henri Langlois</a> / <a href="/wiki/Groucho_Marx" title="Groucho Marx">Groucho Marx</a> (1973)</li> <li><a href="/wiki/Howard_Hawks" title="Howard Hawks">Howard Hawks</a> / <a href="/wiki/Jean_Renoir" title="Jean Renoir">Jean Renoir</a> (1974)</li> <li><a href="/wiki/Mary_Pickford" title="Mary Pickford">Mary Pickford</a> (1975)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #EEDD82;width:1%">1976–2000</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Margaret_Booth" title="Margaret Booth">Margaret Booth</a> (1977)</li> <li><a href="/wiki/Walter_Lantz" title="Walter Lantz">Walter Lantz</a> / <a href="/wiki/Laurence_Olivier" title="Laurence Olivier">Laurence Olivier</a> / <a href="/wiki/King_Vidor" title="King Vidor">King Vidor</a> / <a href="/wiki/Museum_of_Modern_Art" title="Museum of Modern Art">Museum of Modern Art Department of Film</a> (1978)</li> <li>Hal Elias / <a href="/wiki/Alec_Guinness" title="Alec Guinness">Alec Guinness</a> (1979)</li> <li><a href="/wiki/Henry_Fonda" title="Henry Fonda">Henry Fonda</a> (1980)</li> <li><a href="/wiki/Barbara_Stanwyck" title="Barbara Stanwyck">Barbara Stanwyck</a> (1981)</li> <li><a href="/wiki/Mickey_Rooney" title="Mickey Rooney">Mickey Rooney</a> (1982)</li> <li><a href="/wiki/Hal_Roach" title="Hal Roach">Hal Roach</a> (1983)</li> <li><a href="/wiki/James_Stewart" title="James Stewart">James Stewart</a> / <a href="/wiki/National_Endowment_for_the_Arts" title="National Endowment for the Arts">National Endowment for the Arts</a> (1984)</li> <li><a href="/wiki/Paul_Newman" title="Paul Newman">Paul Newman</a> / <a href="/wiki/Alex_North" title="Alex North">Alex North</a> (1985)</li> <li><a href="/wiki/Ralph_Bellamy" title="Ralph Bellamy">Ralph Bellamy</a> (1986)</li> <li><a href="/wiki/Kodak" title="Kodak">Eastman Kodak Company</a> / <a href="/wiki/National_Film_Board_of_Canada" title="National Film Board of Canada">National Film Board of Canada</a> (1988)</li> <li><a href="/wiki/Akira_Kurosawa" title="Akira Kurosawa">Akira Kurosawa</a> (1989)</li> <li><a href="/wiki/Sophia_Loren" title="Sophia Loren">Sophia Loren</a> / <a href="/wiki/Myrna_Loy" title="Myrna Loy">Myrna Loy</a> (1990)</li> <li><a href="/wiki/Satyajit_Ray" title="Satyajit Ray">Satyajit Ray</a> (1991)</li> <li><a href="/wiki/Federico_Fellini" title="Federico Fellini">Federico Fellini</a> (1992)</li> <li><a href="/wiki/Deborah_Kerr" title="Deborah Kerr">Deborah Kerr</a> (1993)</li> <li><a href="/wiki/Michelangelo_Antonioni" title="Michelangelo Antonioni">Michelangelo Antonioni</a> (1994)</li> <li><a href="/wiki/Kirk_Douglas" title="Kirk Douglas">Kirk Douglas</a> / <a href="/wiki/Chuck_Jones" title="Chuck Jones">Chuck Jones</a> (1995)</li> <li><a href="/wiki/Michael_Kidd" title="Michael Kidd">Michael Kidd</a> (1996)</li> <li><a href="/wiki/Stanley_Donen" title="Stanley Donen">Stanley Donen</a> (1997)</li> <li><a href="/wiki/Elia_Kazan" title="Elia Kazan">Elia Kazan</a> (1998)</li> <li><a href="/wiki/Andrzej_Wajda" title="Andrzej Wajda">Andrzej Wajda</a> (1999)</li> <li><a href="/wiki/Jack_Cardiff" title="Jack Cardiff">Jack Cardiff</a> / <a href="/wiki/Ernest_Lehman" title="Ernest Lehman">Ernest Lehman</a> (2000)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #EEDD82;width:1%">2001–present</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Sidney_Poitier" title="Sidney Poitier">Sidney Poitier</a> / <a href="/wiki/Robert_Redford" title="Robert Redford">Robert Redford</a> (2001)</li> <li><a href="/wiki/Peter_O%27Toole" title="Peter O'Toole">Peter O'Toole</a> (2002)</li> <li><a href="/wiki/Blake_Edwards" title="Blake Edwards">Blake Edwards</a> (2003)</li> <li><a href="/wiki/Sidney_Lumet" title="Sidney Lumet">Sidney Lumet</a> (2004)</li> <li><a href="/wiki/Robert_Altman" title="Robert Altman">Robert Altman</a> (2005)</li> <li><a href="/wiki/Ennio_Morricone" title="Ennio Morricone">Ennio Morricone</a> (2006)</li> <li><a href="/wiki/Robert_F._Boyle" title="Robert F. Boyle">Robert F. Boyle</a> (2007)</li> <li><a href="/wiki/Lauren_Bacall" title="Lauren Bacall">Lauren Bacall</a> / <a href="/wiki/Roger_Corman" title="Roger Corman">Roger Corman</a> / <a href="/wiki/Gordon_Willis" title="Gordon Willis">Gordon Willis</a> (2009)</li> <li><a href="/wiki/Kevin_Brownlow" title="Kevin Brownlow">Kevin Brownlow</a> / <a href="/wiki/Jean-Luc_Godard" title="Jean-Luc Godard">Jean-Luc Godard</a> / <a href="/wiki/Eli_Wallach" title="Eli Wallach">Eli Wallach</a> (2010)</li> <li><a href="/wiki/James_Earl_Jones" title="James Earl Jones">James Earl Jones</a> / <a href="/wiki/Dick_Smith_(make-up_artist)" title="Dick Smith (make-up artist)">Dick Smith</a> (2011)</li> <li><a href="/wiki/D._A._Pennebaker" title="D. A. Pennebaker">D. A. Pennebaker</a> / <a href="/wiki/Hal_Needham" title="Hal Needham">Hal Needham</a> / <a href="/wiki/George_Stevens_Jr." title="George Stevens Jr.">George Stevens Jr.</a> (2012)</li> <li><a href="/wiki/Angela_Lansbury" title="Angela Lansbury">Angela Lansbury</a> / <a href="/wiki/Steve_Martin" title="Steve Martin">Steve Martin</a> / <a href="/wiki/Piero_Tosi" title="Piero Tosi">Piero Tosi</a> (2013)</li> <li><a href="/wiki/Jean-Claude_Carri%C3%A8re" title="Jean-Claude Carrière">Jean-Claude Carrière</a> / <a href="/wiki/Hayao_Miyazaki" title="Hayao Miyazaki">Hayao Miyazaki</a> / <a class="mw-selflink selflink">Maureen O'Hara</a> (2014)</li> <li><a href="/wiki/Spike_Lee" title="Spike Lee">Spike Lee</a> / <a href="/wiki/Gena_Rowlands" title="Gena Rowlands">Gena Rowlands</a> (2015)</li> <li><a href="/wiki/Jackie_Chan" title="Jackie Chan">Jackie Chan</a> / <a href="/wiki/Lynn_Stalmaster" title="Lynn Stalmaster">Lynn Stalmaster</a> / <a href="/wiki/Anne_V._Coates" title="Anne V. Coates">Anne V. Coates</a> / <a href="/wiki/Frederick_Wiseman" title="Frederick Wiseman">Frederick Wiseman</a> (2016)</li> <li><a href="/wiki/Charles_Burnett_(director)" title="Charles Burnett (director)">Charles Burnett</a> / <a href="/wiki/Owen_Roizman" title="Owen Roizman">Owen Roizman</a> / <a href="/wiki/Donald_Sutherland" title="Donald Sutherland">Donald Sutherland</a> / <a href="/wiki/Agn%C3%A8s_Varda" title="Agnès Varda">Agnès Varda</a> (2017)</li> <li><a href="/wiki/Marvin_Levy_(publicist)" title="Marvin Levy (publicist)">Marvin Levy</a> / <a href="/wiki/Lalo_Schifrin" title="Lalo Schifrin">Lalo Schifrin</a> / <a href="/wiki/Cicely_Tyson" title="Cicely Tyson">Cicely Tyson</a> (2018)</li> <li><a href="/wiki/David_Lynch" title="David Lynch">David Lynch</a> / <a href="/wiki/Wes_Studi" title="Wes Studi">Wes Studi</a> / <a href="/wiki/Lina_Wertm%C3%BCller" title="Lina Wertmüller">Lina Wertmüller</a> (2019)</li> <li><a href="/wiki/Samuel_L._Jackson" title="Samuel L. Jackson">Samuel L. Jackson</a> / <a href="/wiki/Elaine_May" title="Elaine May">Elaine May</a> / <a href="/wiki/Liv_Ullmann" title="Liv Ullmann">Liv Ullmann</a> (2021)</li> <li><a href="/wiki/Euzhan_Palcy" title="Euzhan Palcy">Euzhan Palcy</a> / <a href="/wiki/Diane_Warren" title="Diane Warren">Diane Warren</a> / <a href="/wiki/Peter_Weir" title="Peter Weir">Peter Weir</a> (2022)</li> <li><a href="/wiki/Angela_Bassett" title="Angela Bassett">Angela Bassett</a> / <a href="/wiki/Mel_Brooks" title="Mel Brooks">Mel Brooks</a> / <a href="/wiki/Carol_Littleton" title="Carol Littleton">Carol Littleton</a> (2023)</li> <li><a href="/wiki/Quincy_Jones" title="Quincy Jones">Quincy Jones</a> / <a href="/wiki/Juliet_Taylor" title="Juliet Taylor">Juliet Taylor</a> (2024)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="BFI_Fellowship_recipients" style="padding:3px"><table class="nowraplinks mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:British_Film_Institute_Fellowship" title="Template:British Film Institute Fellowship"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:British_Film_Institute_Fellowship" title="Template talk:British Film Institute Fellowship"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:British_Film_Institute_Fellowship" title="Special:EditPage/Template:British Film Institute Fellowship"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="BFI_Fellowship_recipients" style="font-size:114%;margin:0 4em"><a href="/wiki/British_Film_Institute_Fellowship" title="British Film Institute Fellowship">BFI Fellowship recipients</a></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Marcel_Carn%C3%A9" title="Marcel Carné">Marcel Carné</a> / <a href="/wiki/David_Lean" title="David Lean">David Lean</a> / <a href="/wiki/Michael_Powell" title="Michael Powell">Michael Powell</a> / <a href="/wiki/Emeric_Pressburger" title="Emeric Pressburger">Emeric Pressburger</a> / <a href="/wiki/Satyajit_Ray" title="Satyajit Ray">Satyajit Ray</a> / <a href="/wiki/Orson_Welles" title="Orson Welles">Orson Welles</a> (1983)</li> <li><a href="/wiki/Sidney_Bernstein,_Baron_Bernstein" title="Sidney Bernstein, Baron Bernstein">Sidney Bernstein</a> (1984)</li> <li><a href="/wiki/John_Knatchbull,_7th_Baron_Brabourne" title="John Knatchbull, 7th Baron Brabourne">John Brabourne</a> / <a href="/wiki/Laurence_Olivier" title="Laurence Olivier">Laurence Olivier</a> (1985)</li> <li><a href="/wiki/Jeremy_Isaacs" title="Jeremy Isaacs">Jeremy Isaacs</a> / <a href="/wiki/Deborah_Kerr" title="Deborah Kerr">Deborah Kerr</a> / <a href="/wiki/Akira_Kurosawa" title="Akira Kurosawa">Akira Kurosawa</a> / <a href="/wiki/Dilys_Powell" title="Dilys Powell">Dilys Powell</a> (1986)</li> <li><a href="/wiki/Dirk_Bogarde" title="Dirk Bogarde">Dirk Bogarde</a> / <a href="/wiki/Bette_Davis" title="Bette Davis">Bette Davis</a> / <a href="/wiki/Elem_Klimov" title="Elem Klimov">Elem Klimov</a> (1987)</li> <li><a href="/wiki/Graham_Greene" title="Graham Greene">Graham Greene</a> / <a href="/wiki/Vanessa_Redgrave" title="Vanessa Redgrave">Vanessa Redgrave</a> / <a href="/wiki/Anthony_Smith_(producer)" title="Anthony Smith (producer)">Anthony Smith</a> (1988)</li> <li><a href="/wiki/Peggy_Ashcroft" title="Peggy Ashcroft">Peggy Ashcroft</a> / <a href="/wiki/G%C3%A9rard_Depardieu" title="Gérard Depardieu">Gérard Depardieu</a> / <a href="/wiki/David_Francis_(film_archivist)" title="David Francis (film archivist)">David Francis</a> (1989)</li> <li><a href="/wiki/Derek_Jarman" title="Derek Jarman">Derek Jarman</a> / <a href="/wiki/Krzysztof_Kie%C5%9Blowski" title="Krzysztof Kieślowski">Krzysztof Kieślowski</a> / <a href="/wiki/Jeanne_Moreau" title="Jeanne Moreau">Jeanne Moreau</a> / <a href="/wiki/Fred_Zinnemann" title="Fred Zinnemann">Fred Zinnemann</a> (1990)</li> <li><a href="/wiki/Alec_Guinness" title="Alec Guinness">Alec Guinness</a> / <a href="/wiki/Leslie_Hardcastle" title="Leslie Hardcastle">Leslie Hardcastle</a> (1991)</li> <li><a href="/wiki/Richard_Attenborough" title="Richard Attenborough">Richard Attenborough</a> / <a href="/wiki/Maggie_Smith" title="Maggie Smith">Maggie Smith</a> (1992)</li> <li><a href="/wiki/Clint_Eastwood" title="Clint Eastwood">Clint Eastwood</a> / <a href="/wiki/Denis_Forman" title="Denis Forman">Denis Forman</a> / <a class="mw-selflink selflink">Maureen O'Hara</a> (1993)</li> <li><a href="/wiki/Nicolas_Roeg" title="Nicolas Roeg">Nicolas Roeg</a> / <a href="/wiki/Jean_Simmons" title="Jean Simmons">Jean Simmons</a> (1994)</li> <li><a href="/wiki/Michelangelo_Antonioni" title="Michelangelo Antonioni">Michelangelo Antonioni</a> / <a href="/wiki/John_Mills" title="John Mills">John Mills</a> / <a href="/wiki/Martin_Scorsese" title="Martin Scorsese">Martin Scorsese</a> / <a href="/wiki/Robert_Wise" title="Robert Wise">Robert Wise</a> (1995)</li> <li><a href="/wiki/Michael_Caine" title="Michael Caine">Michael Caine</a> / <a href="/wiki/Ken_Loach" title="Ken Loach">Ken Loach</a> (1996)</li> <li><a href="/wiki/Michael_Parkinson" title="Michael Parkinson">Michael Parkinson</a> / <a href="/wiki/Lynda_La_Plante" title="Lynda La Plante">Lynda La Plante</a> / <a href="/wiki/Verity_Lambert" title="Verity Lambert">Verity Lambert</a> / <a href="/wiki/David_Puttnam" title="David Puttnam">David Puttnam</a> / <a href="/wiki/Sydney_Samuelson" title="Sydney Samuelson">Sydney Samuelson</a> / <a href="/wiki/Thelma_Schoonmaker" title="Thelma Schoonmaker">Thelma Schoonmaker</a> / <a href="/wiki/Alan_Yentob" title="Alan Yentob">Alan Yentob</a> (1997)</li> <li><a href="/wiki/Bernardo_Bertolucci" title="Bernardo Bertolucci">Bernardo Bertolucci</a> / <a href="/wiki/Jeremy_Thomas" title="Jeremy Thomas">Jeremy Thomas</a> (1998)</li> <li><a href="/wiki/John_Paul_Getty_Jr." title="John Paul Getty Jr.">John Paul Getty Jr.</a> (1999)</li> <li><a href="/wiki/Elizabeth_Taylor" title="Elizabeth Taylor">Elizabeth Taylor</a> (2000)</li> <li><a href="/wiki/Robert_Altman" title="Robert Altman">Robert Altman</a> / <a href="/wiki/Lewis_Gilbert" title="Lewis Gilbert">Lewis Gilbert</a> (2001)</li> <li><a href="/wiki/Jack_Cardiff" title="Jack Cardiff">Jack Cardiff</a> / <a href="/wiki/Bob_Weinstein" title="Bob Weinstein">Bob Weinstein</a> (2002)</li> <li><a href="/wiki/Abbas_Kiarostami" title="Abbas Kiarostami">Abbas Kiarostami</a> / <a href="/wiki/Mike_Leigh" title="Mike Leigh">Mike Leigh</a> / <a href="/wiki/Ousmane_Semb%C3%A8ne" title="Ousmane Sembène">Ousmane Sembène</a> (2005)</li> <li><a href="/wiki/Terence_Davies" title="Terence Davies">Terence Davies</a> (2007)</li> <li><a href="/wiki/Souleymane_Ciss%C3%A9_(film_director)" title="Souleymane Cissé (film director)">Souleymane Cissé</a> / <a href="/wiki/John_Hurt" title="John Hurt">John Hurt</a> / <a href="/wiki/Ridley_Scott" title="Ridley Scott">Ridley Scott</a> (2009)</li> <li><a href="/wiki/Danny_Boyle" title="Danny Boyle">Danny Boyle</a> / <a href="/wiki/David_Rose_(producer)" title="David Rose (producer)">David Rose</a> (2010)</li> <li><a href="/wiki/Isabelle_Huppert" title="Isabelle Huppert">Isabelle Huppert</a> / <a href="/wiki/Judi_Dench" title="Judi Dench">Judi Dench</a> / <a href="/wiki/Ralph_Fiennes" title="Ralph Fiennes">Ralph Fiennes</a> / <a href="/wiki/David_Cronenberg" title="David Cronenberg">David Cronenberg</a> (2011)</li> <li><a href="/wiki/Bryan_Forbes" title="Bryan Forbes">Bryan Forbes</a> / <a href="/wiki/Helena_Bonham_Carter" title="Helena Bonham Carter">Helena Bonham Carter</a> / <a href="/wiki/Tim_Burton" title="Tim Burton">Tim Burton</a> / <a href="/wiki/Richard_Lester" title="Richard Lester">Richard Lester</a> (2012)</li> <li><a href="/wiki/Philip_French" title="Philip French">Philip French</a> / <a href="/wiki/Christopher_Lee" title="Christopher Lee">Christopher Lee</a> / <a href="/wiki/John_Boorman" title="John Boorman">John Boorman</a> (2013)</li> <li><a href="/wiki/Al_Pacino" title="Al Pacino">Al Pacino</a> / <a href="/wiki/Stephen_Frears" title="Stephen Frears">Stephen Frears</a> (2014)</li> <li><a href="/wiki/Mel_Brooks" title="Mel Brooks">Mel Brooks</a> / <a href="/wiki/Cate_Blanchett" title="Cate Blanchett">Cate Blanchett</a> (2015)</li> <li><a href="/wiki/Hugh_Grant" title="Hugh Grant">Hugh Grant</a> / <a href="/wiki/Greg_Dyke" title="Greg Dyke">Greg Dyke</a> / <a href="/wiki/Steve_McQueen_(director)" title="Steve McQueen (director)">Steve McQueen</a> (2016)</li> <li><a href="/wiki/Peter_Morgan" title="Peter Morgan">Peter Morgan</a> / <a href="/wiki/Paul_Greengrass" title="Paul Greengrass">Paul Greengrass</a> (2017)</li> <li><a href="/wiki/Olivia_Colman" title="Olivia Colman">Olivia Colman</a> (2019)</li> <li><a href="/wiki/Amanda_Nevill" title="Amanda Nevill">Amanda Nevill</a> / <a href="/wiki/Tilda_Swinton" title="Tilda Swinton">Tilda Swinton</a> (2020)</li> <li><a href="/wiki/Michael_G._Wilson" title="Michael G. Wilson">Michael G. Wilson</a> / <a href="/wiki/Barbara_Broccoli" title="Barbara Broccoli">Barbara Broccoli</a> (2022)</li> <li><a href="/wiki/Spike_Lee" title="Spike Lee">Spike Lee</a> (2023)</li></ul> </div></td></tr></tbody></table></div> <style data-mw-deduplicate="TemplateStyles:r1130092004">.mw-parser-output .portal-bar{font-size:88%;font-weight:bold;display:flex;justify-content:center;align-items:baseline}.mw-parser-output .portal-bar-bordered{padding:0 2em;background-color:#fdfdfd;border:1px solid #a2a9b1;clear:both;margin:1em auto 0}.mw-parser-output .portal-bar-related{font-size:100%;justify-content:flex-start}.mw-parser-output .portal-bar-unbordered{padding:0 1.7em;margin-left:0}.mw-parser-output .portal-bar-header{margin:0 1em 0 0.5em;flex:0 0 auto;min-height:24px}.mw-parser-output .portal-bar-content{display:flex;flex-flow:row wrap;flex:0 1 auto;padding:0.15em 0;column-gap:1em;align-items:baseline;margin:0;list-style:none}.mw-parser-output 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.sister-bar+style+.portal-bar,.mw-parser-output .portal-bar+.navbox-styles+.navbox,.mw-parser-output .portal-bar+.navbox-styles+.sister-bar{margin-top:-1px}</style><div class="portal-bar noprint metadata noviewer portal-bar-bordered" role="navigation" aria-label="Portals"><a href="/wiki/Wikipedia:Contents/Portals" title="Wikipedia:Contents/Portals">Portals</a>:<ul class="portal-bar-content"><li class="portal-bar-item"><a href="/wiki/File:Nuvola_apps_package_graphics.png" class="mw-file-description"><img alt="icon" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/22/Nuvola_apps_package_graphics.png/19px-Nuvola_apps_package_graphics.png" decoding="async" width="19" height="19" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/22/Nuvola_apps_package_graphics.png/29px-Nuvola_apps_package_graphics.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/22/Nuvola_apps_package_graphics.png/38px-Nuvola_apps_package_graphics.png 2x" data-file-width="128" data-file-height="128" /></a> <a href="/wiki/Portal:Arts" class="mw-redirect" title="Portal:Arts">Arts</a></li><li class="portal-bar-item"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/6/69/P_vip.svg/19px-P_vip.svg.png" decoding="async" width="19" height="19" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/6/69/P_vip.svg/28px-P_vip.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/6/69/P_vip.svg/37px-P_vip.svg.png 2x" data-file-width="1911" data-file-height="1944" /> <a href="/wiki/Portal:Biography" title="Portal:Biography">Biography</a></li><li class="portal-bar-item"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Video-x-generic.svg/19px-Video-x-generic.svg.png" decoding="async" width="19" height="19" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Video-x-generic.svg/29px-Video-x-generic.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/e/e7/Video-x-generic.svg/38px-Video-x-generic.svg.png 2x" data-file-width="48" data-file-height="48" /> <a href="/wiki/Portal:Film" title="Portal:Film">Film</a></li><li class="portal-bar-item"><a href="/wiki/File:Blank_television_set.svg" class="mw-file-description"><img alt="icon" src="//upload.wikimedia.org/wikipedia/commons/thumb/8/8c/Blank_television_set.svg/21px-Blank_television_set.svg.png" decoding="async" width="21" height="14" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/8c/Blank_television_set.svg/32px-Blank_television_set.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/8c/Blank_television_set.svg/42px-Blank_television_set.svg.png 2x" data-file-width="138" data-file-height="92" /></a> <a href="/wiki/Portal:Television" title="Portal:Television">Television</a></li></ul></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"><style data-mw-deduplicate="TemplateStyles:r1038841319">.mw-parser-output .tooltip-dotted{border-bottom:1px dotted;cursor:help}</style></div><div role="navigation" class="navbox authority-control" aria-labelledby="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q229276#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><div id="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q229276#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata" style="font-size:114%;margin:0 4em"><a href="/wiki/Help:Authority_control" title="Help:Authority control">Authority control databases</a> <a href="https://www.wikidata.org/wiki/Q229276#identifiers" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">International</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://isni.org/isni/0000000084145274">ISNI</a></li><li><a rel="nofollow" class="external text" href="https://viaf.org/viaf/118152679">VIAF</a></li><li><a rel="nofollow" class="external text" href="http://id.worldcat.org/fast/238722/">FAST</a></li><li><a rel="nofollow" class="external text" href="https://id.oclc.org/worldcat/entity/E39PBJkpbCFPvmHyGgw3JFv4MP">WorldCat</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/11943055X">Germany</a></li><li><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/n88100653">United States</a></li><li><a rel="nofollow" class="external text" href="https://catalogue.bnf.fr/ark:/12148/cb13949681m">France</a></li><li><a rel="nofollow" class="external text" href="https://data.bnf.fr/ark:/12148/cb13949681m">BnF data</a></li><li>"><a rel="nofollow" class="external text" href="https://opac.sbn.it/nome/RAVV088971">Italy</a></li><li><a rel="nofollow" class="external text" href="https://nla.gov.au/anbd.aut-an35513148">Australia</a></li><li><a rel="nofollow" class="external text" href="https://aleph.nkp.cz/F/?func=find-c&local_base=aut&ccl_term=ica=xx0180074&CON_LNG=ENG">Czech Republic</a></li><li><a rel="nofollow" class="external text" href="http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX1061110">Spain</a></li><li><a rel="nofollow" class="external text" href="http://data.bibliotheken.nl/id/thes/p143107666">Netherlands</a></li><li><a rel="nofollow" class="external text" href="https://authority.bibsys.no/authority/rest/authorities/html/90808405">Norway</a></li><li><a rel="nofollow" class="external text" href="https://dbn.bn.org.pl/descriptor-details/9810692780705606">Poland</a></li><li><a rel="nofollow" class="external text" href="https://cantic.bnc.cat/registre/981058518860506706">Catalonia</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Artists</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://musicbrainz.org/artist/db23909e-7c44-4232-b8fc-a2261cf16a33">MusicBrainz</a></li><li><a rel="nofollow" class="external text" href="https://www.emmys.com/bios/maureen-o’hara">Emmy Awards</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">People</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://trove.nla.gov.au/people/980310">Trove</a></li><li><a rel="nofollow" class="external text" href="https://www.deutsche-biographie.de/pnd11943055X.html?language=en">Deutsche Biographie</a></li><li><a rel="nofollow" class="external text" href="https://www.synchronkartei.de/person/t24KnNufZ">Deutsche Synchronkartei</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://www.idref.fr/061554308">IdRef</a></li><li><a rel="nofollow" class="external text" href="https://snaccooperative.org/ark:/99166/w6251n7j">SNAC</a></li></ul></div></td></tr></tbody></table></div>    </div><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" 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