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<!DOCTYPE html><html lang="ru-ru"><head><meta charset="UTF-8" /><title>Как искусство перестало быть прекрасным? Лондонская школа в ГМИИ (18+) • Arzamas</title><meta content="IE=edge,chrome=1" http-equiv="X-UA-Compatible" /><meta content="width=device-width, initial-scale=1.0" name="viewport" /><meta content="yes" name="apple-mobile-web-app-capable" /><meta content="black" name="apple-mobile-web-app-status-bar-style" /><meta content="" name="keywords" /><meta content="ru-ru" http-equiv="content-language" /><link href="/apple-touch-icon.png" rel="apple-touch-icon" sizes="180x180" /><link href="/favicon-32x32.png" rel="icon" sizes="32x32" type="image/png" /><link href="/favicon-16x16.png" rel="icon" sizes="16x16" type="image/png" /><link href="/manifest.json" rel="manifest" /><meta content="#ffffff" name="theme-color" /><script> // simple method to get cookie by name not to wait for jquery to load function getCookie(cname) { let name = cname + "="; let decodedCookie = decodeURIComponent(document.cookie); let ca = decodedCookie.split(';'); for (let i = 0; i < ca.length; i++) { let c = ca[i]; while 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Она стоит <b>299 ₽</b> в месяц или <b>1999 ₽</b> в год</span></h2><div class="product-notice__buttons"><button class="product-notice__button button--buy" type="button">Купить</button></div><p class="product-notice__caption">Если у вас уже есть подписка, нажмите <button class="product-notice__faq-btn" type="button">сюда</button></p></div><div class="product-notice__faq hidden"><button class="product-notice__back"></button><ul class="product-notice__faq-list--unlogged"><li>Если вы <b>покупали подписку на сайте</b>, войдите, пожалуйста, в свой аккаунт <a href="/account">здесь</a>.</li><li>Если вы <b>покупали подписку в приложении «Радио Arzamas»</b>, то проверьте, пожалуйста, есть ли у вас там аккаунт (в разделе «Подписка и профиль»):<br>• если <b>есть</b>, войдите в него <a href="/account">здесь</a>;<br>• если <b>нет</b>, зарегистрируйтесь, пожалуйста, там, а потом войдите в тот же аккаунт <a href="/account">здесь</a>.</li><li>Вы всегда можете написать нам на почту radio@arzamas.academy, если у вас возникнут <nobr>какие-то</nobr> трудности.</li></ul><ul class="product-notice__faq-list--logged"><li>Если вы <b>покупали подписку в приложении «Радио Arzamas»</b>, то проверьте, пожалуйста, есть ли у вас там аккаунт (в разделе «Подписка и профиль»): <br>• если <b>есть</b>, то войдите в него же на сайте;<br>• если <b>нет</b>, то войдите в приложении в тот же аккаунт, в который вошли на сайте, а потом обновите эту страницу.</li><li>Вы всегда можете написать нам на почту radio@arzamas.academy, если у вас возникнут <nobr>какие-то</nobr> трудности.</li></ul></div></div><div class="simple-share simple-share--rounded"><div class="simple-share__item simple-share__item--vk"><a class="simple-share__link" data-track-social="vk" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%3Fapp%3Ddirect" href="https://vk.com/share.php?url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%3Fapp%3Ddirect" title="Поделиться в VK"></a><div class="simple-share__icon simple-share__icon--vk"></div></div><div class="simple-share__item simple-share__item--ok"><a class="simple-share__link" data-track-social="ok" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%3Fapp%3Ddirect" href="https://connect.ok.ru/offer?url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%3Fapp%3Ddirect&title=%D0%97%D0%B0%D1%87%D0%B5%D0%BC%20%D1%8F%C2%A0%D1%8D%D1%82%D0%BE%20%D1%83%D0%B2%D0%B8%D0%B4%D0%B5%D0%BB%3F&imageUrl=https%3A%2F%2Fcdn-s-static.arzamas.academy%2Fstorage%2Flecture%2F2772%2Fshare_preview_picture-68322437-9a01-4d58-b18f-f7692c7feea7.jpg%3Fv%3D10" title="Поделиться в Одноклассниках"></a><div class="simple-share__icon simple-share__icon--ok"></div></div><div class="simple-share__item simple-share__item--tw"><a class="simple-share__link" data-track-social="twitter" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%3Fapp%3Ddirect" href="https://twitter.com/intent/tweet?text=%D0%97%D0%B0%D1%87%D0%B5%D0%BC%20%D1%8F%C2%A0%D1%8D%D1%82%D0%BE%20%D1%83%D0%B2%D0%B8%D0%B4%D0%B5%D0%BB%3F&original_referer=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%3Fapp%3Ddirect&url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%3Fapp%3Ddirect" title="Поделиться в Twitter"></a><div class="simple-share__icon simple-share__icon--tw"></div></div></div><script type="text/javascript">$(document).ready(function () { waitFor('initShareButtons', function () { initShareButtons("https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%3Fapp%3Ddirect", false ) } ) });</script><div class="popup-payment hidden" data-popup="true"><button class="popup-payment__close" height="20" type="button" width="20"><img alt="Закрыть" src="https://cdn-s-assets.arzamas.academy/assets/course/close-dba618d66e8ec5ef5474acdf7a9d88de06f88000265c4036eeb124466b3890b2.svg" /></button><div class="popup-payment__auth hidden"><p class="popup-payment__auth__buying_info">Прежде чем купить подписку, пожалуйста, войдите или зарегистрируйтесь: так мы узнаем вас в следующий раз, когда вы зайдете на сайт или в мобильное приложение. А если вы уже покупали подписку раньше, то она заработает автоматически, когда вы войдете</p><div class="az-auth az-auth--popup-mode"></div></div><div class="popup-payment__subscriptions hidden"><p class="popup-payment__title">Купить подписку</p><div class="popup-payment__buttons"><button class="popup-payment__buy" data-subscription-product-id="monthly" type="button"><b>299 ₽ </b>в месяц</button><button class="popup-payment__buy" data-subscription-product-id="yearly" type="button"><b>1999 ₽ </b>в год<span class="popup-payment__discount">Выгоднее на <span class="popup-payment__discount-percent"><span>-</span>44%</span></span></button><button class="popup-payment__buy" data-subscription-product-id="triennial" type="button"><b>4499 ₽ </b>за 3 года</button><button class="popup-payment__buy" data-subscription-product-id="lifetime" type="button"><b>9999 ₽ </b> навсегда</button></div><p>Если у вас есть промокод или вы хотите купить единую подписку и на Arzamas, и на наше детское приложение «Гусьгусь», перейдите, пожалуйста, в <a href="/account">личный кабинет</a>.</p><p class="popup-payment__caption">Особенности подписки</p><ul class="popup-payment__list"><li>Подписка продлевается автоматически, если она не была отменена самим пользователем</li><li>После отмены подписки она продолжает действовать до конца оплаченного срока</li><li>Поменять вариант подписки можно в любой момент, изменения вступят в силу после уже оплаченного периода</li></ul></div></div></article><div class="course-gallery course-gallery--audio course-gallery--rounded"><div class="course-gallery__cover"></div><div class="course-gallery__mask"></div><div class="course-gallery__nav"><div class="course-gallery__nav__title">Содержание</div><div class="course-gallery__nav__items"></div><div class="course-gallery__nav__close" tabindex="0"></div></div><div class="course-gallery__title">Подкаст<div class="course-gallery__nav-btn" tabindex="0"></div><div class="course-gallery__podcast-btn" tabindex="0">i</div></div><div class="course-gallery__items" dir="rtl"><div class="course-gallery__item js__episode-item-container" data-course-ga-label="/courses/299" data-ga-label="/podcasts/299/1" data-requires-age-verification="" dir="ltr"><div class="course-gallery__item__embed course-gallery__item__embed--audio js__episode-audio-item" data-embed="https://cdn-s-video.arzamas.academy/audio/radio/podcast/unicredit/london-school'.mp3?secure=lXuoDQXoIwrngVklI8M4Pg==,1733691600&md5=SpUJiaGyZSLbgX9bxhyzEw&expires=1733691600&source=site" style="background: radial-gradient(ellipse at center, rgba(26,26,26,0) 0%, #1a1a1a 92%, #1a1a1a 100%), url(https://cdn-s-static.arzamas.academy/storage/lecture/1139/player_preview_16_9_preview_picture-647bde53-e238-432a-99b5-7fbdd999c32a.jpg) 50% 50% no-repeat; 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Лондонская школа в ГМИИ (18+)</div><div class="course-gallery__item__lead">Почему Люсьен Фрейд рисовал голых людей, которые не похожи на спасателей Малибу? Почему у Фрэнсиса Бэкона все какие-то увечные? Когда в искусство пришло уродство — и кто сделал для этого больше: Караваджо или Гойя? Почему обнаженные Дега такие грустные? 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Выставки да Винчи в Италии и Париже</div><div class="course-gallery__item__lead">Почему мы уверены, что Леонардо да Винчи — гений? Зачем его «Даме с горностаем» огромный горностай? Как на месте главного художника в мире менялись Микеланджело и Рафаэль и кто поместил туда Леонардо? И если теперь кто-то его там заменит — то кто это может быть? Обсуждаем в связи с выставками Леонардо да Винчи в Риме, Турине и Париже.</div><div class="course-gallery__item__meta course-gallery__item__meta-mobile"><div class="course-gallery__item__meta__length">37 минут</div></div><div class="course-gallery__item__action"><div class="course-gallery__item__share"><div class="share-info">Поделиться:</div><ul class="share-list"><li class="social social-vk"><a class="share-button" data-track-social="vk" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F2%3Fapp%3Ddirect" href="https://vk.com/share.php?url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F2%3Fapp%3Ddirect" title="Поделиться в VK"></a></li><li class="social social-od"><a class="share-button" data-track-social="ok" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F2%3Fapp%3Ddirect" href="https://connect.ok.ru/offer?url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F2%3Fapp%3Ddirect&title=%D0%9A%D0%B0%D0%BA%20%D0%9B%D0%B5%D0%BE%D0%BD%D0%B0%D1%80%D0%B4%D0%BE%20%D1%81%D1%82%D0%B0%D0%BB%20%D0%B3%D0%B5%D0%BD%D0%B8%D0%B5%D0%BC%3F%20%D0%92%D1%8B%D1%81%D1%82%D0%B0%D0%B2%D0%BA%D0%B8%20%D0%B4%D0%B0%C2%A0%D0%92%D0%B8%D0%BD%D1%87%D0%B8%20%D0%B2%C2%A0%D0%98%D1%82%D0%B0%D0%BB%D0%B8%D0%B8%20%D0%B8%C2%A0%D0%9F%D0%B0%D1%80%D0%B8%D0%B6%D0%B5&imageUrl=https%3A%2F%2Fcdn-s-static.arzamas.academy%2Fstorage%2Flecture%2F1139%2Fshare_preview_picture-647bde53-e238-432a-99b5-7fbdd999c32a.jpg%3Fv%3D10" title="Поделиться в Одноклассниках"></a></li><li class="social social-tw"><a class="share-button" data-track-social="twitter" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F2%3Fapp%3Ddirect" href="https://twitter.com/intent/tweet?text=%D0%9A%D0%B0%D0%BA%20%D0%9B%D0%B5%D0%BE%D0%BD%D0%B0%D1%80%D0%B4%D0%BE%20%D1%81%D1%82%D0%B0%D0%BB%20%D0%B3%D0%B5%D0%BD%D0%B8%D0%B5%D0%BC%3F%20%D0%92%D1%8B%D1%81%D1%82%D0%B0%D0%B2%D0%BA%D0%B8%20%D0%B4%D0%B0%C2%A0%D0%92%D0%B8%D0%BD%D1%87%D0%B8%20%D0%B2%C2%A0%D0%98%D1%82%D0%B0%D0%BB%D0%B8%D0%B8%20%D0%B8%C2%A0%D0%9F%D0%B0%D1%80%D0%B8%D0%B6%D0%B5&original_referer=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F2%3Fapp%3Ddirect&url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F2%3Fapp%3Ddirect" title="Поделиться в Twitter"></a></li></ul></div></div></div><div class="course-gallery__item js__episode-item-container" data-course-ga-label="/courses/299" data-ga-label="/podcasts/299/3" dir="ltr"><div class="course-gallery__item__embed course-gallery__item__embed--audio js__episode-audio-item" data-embed="https://cdn-s-video.arzamas.academy/audio/radio/podcast/unicredit/tintoretto'.mp3?secure=2uWx6dXwzQpvM9Lrqaqqew==,1733691600&md5=VIwHb5Wq5N9wfamGAifVBA&expires=1733691600&source=site" style="background: radial-gradient(ellipse at center, rgba(26,26,26,0) 0%, #1a1a1a 92%, #1a1a1a 100%), url(https://cdn-s-static.arzamas.academy/storage/lecture/1141/player_preview_16_9_preview_picture-655b21fd-ff06-4b3b-aeb4-54167a8b3a27.jpg) 50% 50% no-repeat; 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Тинторетто и проект Пушкинского музея на биеннале</div><div class="course-gallery__item__lead">Какой спектакль ставит перед нами Венеция? Как она победила Флоренцию (по части живописи)? В чем Тинторетто лучше Микеланджело и зачем, глядя на его шедевры, снимать очки? Почему Тинторетто — современный художник (и что с ним могут сделать художники XXI века)? Обсуждаем в связи со спецпроектом Пушкинского музея на Венецианской биеннале; специальный гость — сокуратор этого проекта Ольга Шишко</div><div class="course-gallery__item__meta course-gallery__item__meta-mobile"><div class="course-gallery__item__meta__length">40 минут</div></div><div class="course-gallery__item__action"><div class="course-gallery__item__share"><div class="share-info">Поделиться:</div><ul class="share-list"><li class="social social-vk"><a class="share-button" data-track-social="vk" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F3%3Fapp%3Ddirect" href="https://vk.com/share.php?url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F3%3Fapp%3Ddirect" title="Поделиться в VK"></a></li><li class="social social-od"><a class="share-button" data-track-social="ok" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F3%3Fapp%3Ddirect" href="https://connect.ok.ru/offer?url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F3%3Fapp%3Ddirect&title=%D0%92%C2%A0%D1%87%D0%B5%D0%BC%20%D1%81%D0%B5%D0%BA%D1%80%D0%B5%D1%82%20%D0%92%D0%B5%D0%BD%D0%B5%D1%86%D0%B8%D0%B8%3F%20%D0%A2%D0%B8%D0%BD%D1%82%D0%BE%D1%80%D0%B5%D1%82%D1%82%D0%BE%20%D0%B8%C2%A0%D0%BF%D1%80%D0%BE%D0%B5%D0%BA%D1%82%20%D0%9F%D1%83%D1%88%D0%BA%D0%B8%D0%BD%D1%81%D0%BA%D0%BE%D0%B3%D0%BE%20%D0%BC%D1%83%D0%B7%D0%B5%D1%8F%20%D0%BD%D0%B0%C2%A0%D0%B1%D0%B8%D0%B5%D0%BD%D0%BD%D0%B0%D0%BB%D0%B5&imageUrl=https%3A%2F%2Fcdn-s-static.arzamas.academy%2Fstorage%2Flecture%2F1139%2Fshare_preview_picture-647bde53-e238-432a-99b5-7fbdd999c32a.jpg%3Fv%3D10" title="Поделиться в Одноклассниках"></a></li><li class="social social-tw"><a class="share-button" data-track-social="twitter" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F3%3Fapp%3Ddirect" href="https://twitter.com/intent/tweet?text=%D0%92%C2%A0%D1%87%D0%B5%D0%BC%20%D1%81%D0%B5%D0%BA%D1%80%D0%B5%D1%82%20%D0%92%D0%B5%D0%BD%D0%B5%D1%86%D0%B8%D0%B8%3F%20%D0%A2%D0%B8%D0%BD%D1%82%D0%BE%D1%80%D0%B5%D1%82%D1%82%D0%BE%20%D0%B8%C2%A0%D0%BF%D1%80%D0%BE%D0%B5%D0%BA%D1%82%20%D0%9F%D1%83%D1%88%D0%BA%D0%B8%D0%BD%D1%81%D0%BA%D0%BE%D0%B3%D0%BE%20%D0%BC%D1%83%D0%B7%D0%B5%D1%8F%20%D0%BD%D0%B0%C2%A0%D0%B1%D0%B8%D0%B5%D0%BD%D0%BD%D0%B0%D0%BB%D0%B5&original_referer=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F3%3Fapp%3Ddirect&url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F3%3Fapp%3Ddirect" title="Поделиться в Twitter"></a></li></ul></div></div></div><div class="course-gallery__item js__episode-item-container" data-course-ga-label="/courses/299" data-ga-label="/podcasts/299/4" dir="ltr"><div class="course-gallery__item__embed course-gallery__item__embed--audio js__episode-audio-item" data-embed="https://cdn-s-video.arzamas.academy/audio/radio/podcast/unicredit/schukin.mp3?secure=vC-57hQE1W2mehBHKKYaLw==,1733691600&md5=voiyW1rwRKNI5U-2K99Dig&expires=1733691600&source=site" style="background: radial-gradient(ellipse at center, rgba(26,26,26,0) 0%, #1a1a1a 92%, #1a1a1a 100%), url(https://cdn-s-static.arzamas.academy/storage/lecture/1142/player_preview_16_9_preview_picture-d8bc9d9e-f3b0-43ec-a5c8-962829913e8b.jpg) 50% 50% no-repeat; 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Собрание Сергея Щукина в Пушкинском музее</div><div class="course-gallery__item__lead">Почему собирать импрессионистов — это почти измена родине? Как Сергей Щукин помогал Матиссу — и чем Матисс помогал ему? В чем живопись постимпрессионистов похожа на иконостас или барочный собор? И можно ли сейчас стать таким же великим коллекционером, как Щукин и Морозов? Разбираемся в связи с выставкой «Щукин. 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Фонд Louis Vuitton в Пушкинском музее (18+)</div><div class="course-gallery__item__lead">С кого началось современное искусство? Должно ли оно нравиться — или шокировать? Изменится ли выставка, если мы поменяем местами этикетки к экспонатам? Что значит подвешенное чучело лошади? И можно ли писать картины обнаженными девушками? 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А академизм? Энгр и Делакруа в Салоне 1824 года (18+)</div><div class="course-gallery__item__lead">Когда появились выставки в современном смысле слова? Когда зрители впервые увидели раскол в искусстве? Как умер классицизм и сколько новых стилей выросло на его могиле? Об этом — в новом проекте подкаста: путешествуем во времени и обсуждаем величайшие выставки прошлых эпох. <br> <br>Бонус: отвечаем на вопросы слушателей. Почему подкаст делают одни мужчины? Спойлер: это уже не так! 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Курбе в 1855 году (18+)</div><div class="course-gallery__item__lead">Как реализм скандализировал французскую публику? Чем Гюстав Курбе похож на Маяковского и почему он называл себя самым гордым человеком во Франции? Удалось ли ему заработать на провокации? Что провокативного вообще может быть в картинах с похоронами или мастерской художника? <br> <br>Бонус: отвечаем на вопросы слушателей. 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И еще три вопроса от слушателей в бонусном выпуске</div><div class="course-gallery__item__lead">Отвечаем на ваши вопросы, которые не уместились в обычные выпуски! Что будет с живописью в XXI веке, не умрет ли она? Какие картины испугали Илью Доронченкова и Кирилла Головастикова? Что нужно, чтобы твой город на задворках Европы стал культурным центром? 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Эдуард Мане на «Салоне отверженных» (18+)</div><div class="course-gallery__item__lead">Кто придумал устроить отдельную выставку для «плохих» картин? И что такого плохого увидела Академия искусств в «Завтраке на траве» Эдуарда Мане? Как Мане разрушал разом и художественный канон, и общественный? И с каких пор публика получила право на собственное суждение? <br> <br>Бонус: отвечаем на вопросы слушателей. Как не обмануться, доверившись художественным критикам? 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Как голые женщины стали главными героинями живописи? 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И другие ауттейки в бонусном выпуске (18+)</div><div class="course-gallery__item__lead">Как на Парижском салоне развешивали картины и почему за развеску отвечал не какой-то прораб, а гениальный художник? Как простые посетители могли понять, где какая картина висит и что на них изображено, если табличек с экспликациями не было? Как на салоне объективировали женское тело? Как ритмы овуляции и роль мужчины в зачатии ребенка связаны с колоритом и рисунком в живописи? 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Клод Моне на первой выставке импрессионистов</div><div class="course-gallery__item__lead">Откуда взялось слово «импрессионисты»? Почему мирных художников сравнивали с бомбометателями? Зачем импрессионистам понадобилась собственная выставка — и почему на ней оказались «случайные» персонажи? И как разглядеть в восходе солнца патриотизм и экономику? <br> <br>Бонус: отвечаем на вопросы слушателей. 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Выставка «На телеге в XXI век»</div><div class="course-gallery__item__lead">Кто создал идеальную выставку авангарда в 1921 году? Почему работы Кандинского, Машкова, Родченко и Степановой решили показать в небольших городах Вятской губернии? Как выставка пропала и кто нашел ее в XXI веке? И наконец, что выставка столетней давности может рассказать нам об авангарде сейчас? <br> <br>Бонус: отвечаем на вопросы слушателей. На этот раз вопрос такой: «Как обойти за один раз огромный музей — вроде Прадо или Третьяковки — и не умереть?».</div><div class="course-gallery__item__meta course-gallery__item__meta-mobile"><div class="course-gallery__item__meta__length">49 минут</div></div><div class="course-gallery__item__action"><div class="course-gallery__item__share"><div class="share-info">Поделиться:</div><ul class="share-list"><li class="social social-vk"><a class="share-button" data-track-social="vk" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F22%3Fapp%3Ddirect" href="https://vk.com/share.php?url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F22%3Fapp%3Ddirect" title="Поделиться в VK"></a></li><li class="social social-od"><a class="share-button" data-track-social="ok" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F22%3Fapp%3Ddirect" href="https://connect.ok.ru/offer?url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F22%3Fapp%3Ddirect&title=%D0%93%D0%B4%D0%B5%20%D0%BF%D1%80%D0%BE%D0%BF%D0%B0%D0%BB%20%D0%B8%C2%A0%D0%BA%D0%B0%D0%BA%20%D0%BD%D0%B0%D1%88%D0%B5%D0%BB%D1%81%D1%8F%20%C2%AB%D0%BA%D0%BB%D0%B0%D0%B4%C2%BB%20%D0%BA%D0%B0%D1%80%D1%82%D0%B8%D0%BD%20%D0%B0%D0%B2%D0%B0%D0%BD%D0%B3%D0%B0%D1%80%D0%B4%D0%B8%D1%81%D1%82%D0%BE%D0%B2%3F%20%D0%92%D1%8B%D1%81%D1%82%D0%B0%D0%B2%D0%BA%D0%B0%20%C2%AB%D0%9D%D0%B0%C2%A0%D1%82%D0%B5%D0%BB%D0%B5%D0%B3%D0%B5%20%D0%B2%C2%A0XXI%C2%A0%D0%B2%D0%B5%D0%BA%C2%BB&imageUrl=https%3A%2F%2Fcdn-s-static.arzamas.academy%2Fstorage%2Flecture%2F1139%2Fshare_preview_picture-647bde53-e238-432a-99b5-7fbdd999c32a.jpg%3Fv%3D10" title="Поделиться в Одноклассниках"></a></li><li class="social social-tw"><a class="share-button" data-track-social="twitter" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F22%3Fapp%3Ddirect" href="https://twitter.com/intent/tweet?text=%D0%93%D0%B4%D0%B5%20%D0%BF%D1%80%D0%BE%D0%BF%D0%B0%D0%BB%20%D0%B8%C2%A0%D0%BA%D0%B0%D0%BA%20%D0%BD%D0%B0%D1%88%D0%B5%D0%BB%D1%81%D1%8F%20%C2%AB%D0%BA%D0%BB%D0%B0%D0%B4%C2%BB%20%D0%BA%D0%B0%D1%80%D1%82%D0%B8%D0%BD%20%D0%B0%D0%B2%D0%B0%D0%BD%D0%B3%D0%B0%D1%80%D0%B4%D0%B8%D1%81%D1%82%D0%BE%D0%B2%3F%20%D0%92%D1%8B%D1%81%D1%82%D0%B0%D0%B2%D0%BA%D0%B0%20%C2%AB%D0%9D%D0%B0%C2%A0%D1%82%D0%B5%D0%BB%D0%B5%D0%B3%D0%B5%20%D0%B2%C2%A0XXI%C2%A0%D0%B2%D0%B5%D0%BA%C2%BB&original_referer=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F22%3Fapp%3Ddirect&url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F22%3Fapp%3Ddirect" title="Поделиться в Twitter"></a></li></ul></div></div></div><div class="course-gallery__item js__episode-item-container" data-course-ga-label="/courses/299" data-ga-label="/podcasts/299/23" dir="ltr"><div class="course-gallery__item__embed course-gallery__item__embed--audio js__episode-audio-item" data-embed="https://cdn-s-video.arzamas.academy/audio/radio/podcast/unicredit/23_ceramics.mp3?secure=hRT9MBk2bnhyX_lyZlI4KA==,1733691600&md5=8yTSbht3A4HWfyoMO8nDsA&expires=1733691600&source=site" style="background: radial-gradient(ellipse at center, rgba(26,26,26,0) 0%, #1a1a1a 92%, #1a1a1a 100%), url(https://cdn-s-static.arzamas.academy/storage/lecture/1161/player_preview_16_9_preview_picture-f6e77657-4a31-4cdf-929c-f9b570bcb737.jpg) 50% 50% no-repeat; 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Керамика в Музее Востока</div><div class="course-gallery__item__lead">С каких пор декоративно-прикладное искусство стали считать «вторым сортом»? И какие в нем на самом деле могут быть смыслы — кроме красоты и практичности? Как нелепые и кривоватые японские горшки стали национальной гордостью и символом страны? И какие идеи за ними стоят? Обсуждаем все это с куратором выставки в Музее Востока Анной Егоровой. <br> <br>Бонус: отвечаем на вопросы слушателей. 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Выставка «Вхутемас 100» в Музее Москвы</div><div class="course-gallery__item__lead">Что такое Вхутемас — и почему это революция в художественном образовании? Чему учили своих студентов Родченко, Лисицкий, Машков и Фаворский? Что такое проектное мышление и как оно помогало создавать табуретки, лампы, книги и летающие города? Почему во Вхутемасе учились 500 художников, но почти никто не прославился? За что Вхутемас разогнали — и кем он в итоге оказался, победителем или побежденным? Обсуждаем с куратором выставки в Музее Москвы Александрой Селивановой. <br> <br>Бонус: подводим итоги очень странного года и отвечаем на вопросы слушателей. 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Бонус! Готика — самое романтическое искусство? 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Готика — самое романтическое искусство? И другие вещи, которые мы утаили в 2020 году</div><div class="course-gallery__item__lead">Как сюрреализм имени Сальвадора Дали стал попсой? Был ли у Яна ван Эйка загадочный — и даже более талантливый — старший брат? Как конфискация японских клинков спасла керамику? Врубель — бездарный художник-монументалист?! И за что Европа заново полюбила готику? 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И другие ответы на ваши вопросы в бонусном выпуске</div><div class="course-gallery__item__lead">Наука ли искусствоведение и кто такой искусствовед — художник или ученый? Японцы повлияли на европейское искусство — но было ли и обратное влияние? И на какую выставку Ван Гога водил девушку Серега из песни «Ленинграда»? В бонусном выпуске — отвечаем на вопросы наших слушателей. 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Билл Виола в Пушкинском музее (18+)</div><div class="course-gallery__item__lead">Как видеохудожник подключает к нам электроды и стимулирует сильные эмоции? Почему, глядя на современные инсталляции, мы думаем о Караваджо? Зачем Виола говорит о христианских страстях, но без библейских сюжетов? Как нам мешает нарратив, но помогает время? И при чем тут Муму? <br> <br>Кроме того, в конце выпуска отвечаем на один из вопросов, которые вы нам прислали: нормально ли, что мы вчитываем в старые произведения те смыслы, которые автор в них не закладывал?</div><div class="course-gallery__item__meta course-gallery__item__meta-mobile"><div class="course-gallery__item__meta__length">46 минут</div></div><div class="course-gallery__item__action"><div class="course-gallery__item__share"><div class="share-info">Поделиться:</div><ul class="share-list"><li class="social social-vk"><a class="share-button" data-track-social="vk" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F28%3Fapp%3Ddirect" href="https://vk.com/share.php?url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F28%3Fapp%3Ddirect" title="Поделиться в VK"></a></li><li class="social social-od"><a class="share-button" data-track-social="ok" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F28%3Fapp%3Ddirect" href="https://connect.ok.ru/offer?url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F28%3Fapp%3Ddirect&title=%C2%AB%D0%97%D0%B0%D1%87%D0%B5%D0%BC%20%D1%8F%C2%A0%D1%8D%D1%82%D0%BE%20%D1%83%D0%B2%D0%B8%D0%B4%D0%B5%D0%BB%3F%C2%BB%3A%20%D0%BF%D0%BE%D0%B4%D0%BA%D0%B0%D1%81%D1%82%20%D0%BE%D0%B1%C2%A0%D0%B8%D1%81%D0%BA%D1%83%D1%81%D1%81%D1%82%D0%B2%D0%B5%20%D0%B8%C2%A0%D0%B2%D1%8B%D1%81%D1%82%D0%B0%D0%B2%D0%BA%D0%B0%D1%85&imageUrl=https%3A%2F%2Fcdn-s-static.arzamas.academy%2Fstorage%2Flecture%2F1139%2Fshare_preview_picture-647bde53-e238-432a-99b5-7fbdd999c32a.jpg%3Fv%3D10" title="Поделиться в Одноклассниках"></a></li><li class="social social-tw"><a class="share-button" data-track-social="twitter" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F28%3Fapp%3Ddirect" href="https://twitter.com/intent/tweet?text=%C2%AB%D0%97%D0%B0%D1%87%D0%B5%D0%BC%20%D1%8F%C2%A0%D1%8D%D1%82%D0%BE%20%D1%83%D0%B2%D0%B8%D0%B4%D0%B5%D0%BB%3F%C2%BB%3A%20%D0%BF%D0%BE%D0%B4%D0%BA%D0%B0%D1%81%D1%82%20%D0%BE%D0%B1%C2%A0%D0%B8%D1%81%D0%BA%D1%83%D1%81%D1%81%D1%82%D0%B2%D0%B5%20%D0%B8%C2%A0%D0%B2%D1%8B%D1%81%D1%82%D0%B0%D0%B2%D0%BA%D0%B0%D1%85&original_referer=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F28%3Fapp%3Ddirect&url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F28%3Fapp%3Ddirect" title="Поделиться в Twitter"></a></li></ul></div></div></div><div class="course-gallery__item js__episode-item-container course-gallery__item--paid" data-course-ga-label="/courses/299" data-ga-label="/podcasts/299/29" data-paid-episode="" dir="ltr"><div class="course-gallery__item__embed course-gallery__item__embed--audio js__episode-audio-item" data-ga-eec-list="Пейвол (лекция) / Зачем я это увидел? / 29. 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Нескучная выставка в петербургском Манеже</div><div class="course-gallery__item__lead">Почему в музеях мы редко обращаем внимание на статуи? Есть ли великие русские скульпторы? Чем музей отличается от кладбища? Почему у некоторых скульптур смешные названия? Что медведь забыл на корабле? 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Выставка «Мечты о свободе» в Новой Третьяковке</div><div class="course-gallery__item__lead">Как изобразить свободу на картине? Почему «Анкор, еще анкор» — это шедевр, а «Явление Христа народу» — почти концептуализм? Эскиз к какой картине написал Николай I? Зачем в Третьяковке построили лабиринт? И почему на выставке о свободе совсем нет революции? <br> <br>В конце выпуска отвечаем на вопрос, присланный по почте: когда и почему вдруг Франция перестала быть культурным гегемоном?! 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И почему футуризм подружился с фашизмом в Италии и с большевизмом — в СССР? <br> <br>Кроме того, отвечаем на вопрос: как быть современному живописцу, если зрителям интересны либо старые художники, либо актуальные перформансы?</div><div class="course-gallery__item__meta course-gallery__item__meta-mobile"><div class="course-gallery__item__meta__length">70 минут</div></div><div class="course-gallery__item__action"><div class="course-gallery__item__share"><div class="share-info">Поделиться:</div><ul class="share-list"><li class="social social-vk"><a class="share-button" data-track-social="vk" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F33%3Fapp%3Ddirect" href="https://vk.com/share.php?url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F33%3Fapp%3Ddirect" title="Поделиться в VK"></a></li><li class="social social-od"><a class="share-button" data-track-social="ok" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F33%3Fapp%3Ddirect" href="https://connect.ok.ru/offer?url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F33%3Fapp%3Ddirect&title=%D0%A4%D1%83%D1%82%D1%83%D1%80%D0%B8%D0%B7%D0%BC%20%D0%B2%C2%A0%D0%A0%D0%BE%D1%81%D1%81%D0%B8%D0%B8%20%D0%B8%C2%A0%D0%98%D1%82%D0%B0%D0%BB%D0%B8%D0%B8%3A%20%D0%BA%D0%B0%D0%BA%D0%BE%D0%B9%20%D0%BB%D1%83%D1%87%D1%88%D0%B5%3F%20%D0%92%D1%8B%D1%81%D1%82%D0%B0%D0%B2%D0%BA%D0%B0%20%D0%B2%C2%A0%D0%A0%D1%83%D1%81%D1%81%D0%BA%D0%BE%D0%BC%20%D0%BC%D1%83%D0%B7%D0%B5%D0%B5&imageUrl=https%3A%2F%2Fcdn-s-static.arzamas.academy%2Fstorage%2Flecture%2F1139%2Fshare_preview_picture-647bde53-e238-432a-99b5-7fbdd999c32a.jpg%3Fv%3D10" title="Поделиться в Одноклассниках"></a></li><li class="social social-tw"><a class="share-button" data-track-social="twitter" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F33%3Fapp%3Ddirect" href="https://twitter.com/intent/tweet?text=%D0%A4%D1%83%D1%82%D1%83%D1%80%D0%B8%D0%B7%D0%BC%20%D0%B2%C2%A0%D0%A0%D0%BE%D1%81%D1%81%D0%B8%D0%B8%20%D0%B8%C2%A0%D0%98%D1%82%D0%B0%D0%BB%D0%B8%D0%B8%3A%20%D0%BA%D0%B0%D0%BA%D0%BE%D0%B9%20%D0%BB%D1%83%D1%87%D1%88%D0%B5%3F%20%D0%92%D1%8B%D1%81%D1%82%D0%B0%D0%B2%D0%BA%D0%B0%20%D0%B2%C2%A0%D0%A0%D1%83%D1%81%D1%81%D0%BA%D0%BE%D0%BC%20%D0%BC%D1%83%D0%B7%D0%B5%D0%B5&original_referer=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F33%3Fapp%3Ddirect&url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F33%3Fapp%3Ddirect" title="Поделиться в Twitter"></a></li></ul></div></div></div><div class="course-gallery__item js__episode-item-container" data-course-ga-label="/courses/299" data-ga-label="/podcasts/299/34" dir="ltr"><div class="course-gallery__item__embed course-gallery__item__embed--audio js__episode-audio-item" data-embed="https://cdn-s-video.arzamas.academy/audio/radio/podcast/unicredit/34_pimenov_new.mp3?secure=7Mv2EcaU7ZZKDT5dsducfw==,1733691600&md5=IRKvH9dxj1qZ2026zbA5BQ&expires=1733691600&source=site" style="background: radial-gradient(ellipse at center, rgba(26,26,26,0) 0%, #1a1a1a 92%, #1a1a1a 100%), url(https://cdn-s-static.arzamas.academy/storage/lecture/1172/player_preview_16_9_preview_picture-2bbf0992-bcbb-4cc7-89e9-4234e92978d8.jpg) 50% 50% no-repeat; 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Юрий Пименов в Новой Третьяковке</div><div class="course-gallery__item__lead">Почему Общество станковистов можно назвать советскими хипстерами? Отчего ОСТ прекратил существование и как его создатели стали соцреалистами? Как в СССР возродился импрессионизм? Чем Юрий Пименов похож на Ренуара, а чем — нет? <br> <br>А в рубрике ответов на вопросы Илья Доронченков советует лучшие книги по истории искусства.</div><div class="course-gallery__item__meta course-gallery__item__meta-mobile"><div class="course-gallery__item__meta__length">57 минут</div></div><div class="course-gallery__item__action"><div class="course-gallery__item__share"><div class="share-info">Поделиться:</div><ul class="share-list"><li class="social social-vk"><a class="share-button" data-track-social="vk" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F34%3Fapp%3Ddirect" href="https://vk.com/share.php?url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F34%3Fapp%3Ddirect" title="Поделиться в VK"></a></li><li class="social social-od"><a class="share-button" data-track-social="ok" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F34%3Fapp%3Ddirect" href="https://connect.ok.ru/offer?url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F34%3Fapp%3Ddirect&title=%D0%91%D1%8B%D0%B2%D0%B0%D0%B5%D1%82%C2%A0%D0%BB%D0%B8%20%D1%81%D0%BE%D1%86%D1%80%D0%B5%D0%B0%D0%BB%D0%B8%D0%B7%D0%BC%20%D1%81%C2%A0%D1%87%D0%B5%D0%BB%D0%BE%D0%B2%D0%B5%D1%87%D0%B5%D1%81%D0%BA%D0%B8%D0%BC%20%D0%BB%D0%B8%D1%86%D0%BE%D0%BC%3F%20%D0%AE%D1%80%D0%B8%D0%B9%20%D0%9F%D0%B8%D0%BC%D0%B5%D0%BD%D0%BE%D0%B2%20%D0%B2%C2%A0%D0%9D%D0%BE%D0%B2%D0%BE%D0%B9%20%D0%A2%D1%80%D0%B5%D1%82%D1%8C%D1%8F%D0%BA%D0%BE%D0%B2%D0%BA%D0%B5&imageUrl=https%3A%2F%2Fcdn-s-static.arzamas.academy%2Fstorage%2Flecture%2F1139%2Fshare_preview_picture-647bde53-e238-432a-99b5-7fbdd999c32a.jpg%3Fv%3D10" title="Поделиться в Одноклассниках"></a></li><li class="social social-tw"><a class="share-button" data-track-social="twitter" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F34%3Fapp%3Ddirect" href="https://twitter.com/intent/tweet?text=%D0%91%D1%8B%D0%B2%D0%B0%D0%B5%D1%82%C2%A0%D0%BB%D0%B8%20%D1%81%D0%BE%D1%86%D1%80%D0%B5%D0%B0%D0%BB%D0%B8%D0%B7%D0%BC%20%D1%81%C2%A0%D1%87%D0%B5%D0%BB%D0%BE%D0%B2%D0%B5%D1%87%D0%B5%D1%81%D0%BA%D0%B8%D0%BC%20%D0%BB%D0%B8%D1%86%D0%BE%D0%BC%3F%20%D0%AE%D1%80%D0%B8%D0%B9%20%D0%9F%D0%B8%D0%BC%D0%B5%D0%BD%D0%BE%D0%B2%20%D0%B2%C2%A0%D0%9D%D0%BE%D0%B2%D0%BE%D0%B9%20%D0%A2%D1%80%D0%B5%D1%82%D1%8C%D1%8F%D0%BA%D0%BE%D0%B2%D0%BA%D0%B5&original_referer=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F34%3Fapp%3Ddirect&url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F34%3Fapp%3Ddirect" title="Поделиться в Twitter"></a></li></ul></div></div></div><div class="course-gallery__item js__episode-item-container" data-course-ga-label="/courses/299" data-ga-label="/podcasts/299/35" dir="ltr"><div class="course-gallery__item__embed course-gallery__item__embed--audio js__episode-audio-item" data-embed="https://cdn-s-video.arzamas.academy/audio/radio/podcast/unicredit/35_berega.mp3?secure=c2DrAxdFA9eA_uxXqbZOwg==,1733691600&md5=FGd7eRvoo7uIVAFjUhzUbA&expires=1733691600&source=site" style="background: radial-gradient(ellipse at center, rgba(26,26,26,0) 0%, #1a1a1a 92%, #1a1a1a 100%), url(https://cdn-s-static.arzamas.academy/storage/lecture/1173/player_preview_16_9_preview_picture-c6c27600-fc37-48b2-8415-4a7195293d95.jpg) 50% 50% no-repeat; 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Какой образ русского искусства они повезли в Америку — и что они думали об американцах? Почему в США не взяли авангардистов? И удалось ли организаторам хоть что-то продать? 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Врубель в Новой Третьяковке</div><div class="course-gallery__item__lead">Почему русский народ так любит Врубеля? Кто больше похож на «Властелина колец» — Врубель или Васнецов? Был ли в живописи свой Серебряный век? Врубель — это русский Климт или нет? И как на картинах русского художника найти Киев и Венецию? Говорим об этом в связи с выставкой Михаиля Врубеля в Новой Третьяковке в Москве. <br> <br>А в рубрике ответов на вопросы обсуждаем, может ли авторитет великого коллекционера сделать из средненькой картины шедевр? 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Выставки Венецианова и Левицкого</div><div class="course-gallery__item__lead">Почему до Брюллова у нас были художники, но не было искусства? Почему портреты смолянок Дмитрия Левицкого — это на самом деле манифест? Почему крестьяне на картинах Алексея Венецианова не работают? Что общего у героев Венецианова и героинь Левицкого — а чем они различаются? И какое место у этих художников в русской национальной школе? <br> <br>А в рубрике ответов на ваши вопросы обсуждаем Жана Огюста Доминика Энгра: он был чинным академистом или все-таки немного безумным?</div><div class="course-gallery__item__meta course-gallery__item__meta-mobile"><div class="course-gallery__item__meta__length">55 минут</div></div><div class="course-gallery__item__action"><div class="course-gallery__item__share"><div class="share-info">Поделиться:</div><ul class="share-list"><li class="social social-vk"><a class="share-button" data-track-social="vk" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F37%3Fapp%3Ddirect" href="https://vk.com/share.php?url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F37%3Fapp%3Ddirect" title="Поделиться в VK"></a></li><li class="social social-od"><a class="share-button" data-track-social="ok" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F37%3Fapp%3Ddirect" href="https://connect.ok.ru/offer?url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F37%3Fapp%3Ddirect&title=%D0%91%D1%8B%D0%BB%D0%BE%C2%A0%D0%BB%D0%B8%20%D0%B2%C2%A0%D0%A0%D0%BE%D1%81%D1%81%D0%B8%D0%B8%20%D0%B8%D1%81%D0%BA%D1%83%D1%81%D1%81%D1%82%D0%B2%D0%BE%20%D0%B4%D0%BE%C2%A0%C2%AB%D0%9F%D0%BE%D1%81%D0%BB%D0%B5%D0%B4%D0%BD%D0%B5%D0%B3%D0%BE%20%D0%B4%D0%BD%D1%8F%20%D0%9F%D0%BE%D0%BC%D0%BF%D0%B5%D0%B8%C2%BB%3F%20%D0%92%D1%8B%D1%81%D1%82%D0%B0%D0%B2%D0%BA%D0%B8%20%D0%92%D0%B5%D0%BD%D0%B5%D1%86%D0%B8%D0%B0%D0%BD%D0%BE%D0%B2%D0%B0%20%D0%B8%C2%A0%D0%9B%D0%B5%D0%B2%D0%B8%D1%86%D0%BA%D0%BE%D0%B3%D0%BE&imageUrl=https%3A%2F%2Fcdn-s-static.arzamas.academy%2Fstorage%2Flecture%2F1139%2Fshare_preview_picture-647bde53-e238-432a-99b5-7fbdd999c32a.jpg%3Fv%3D10" title="Поделиться в Одноклассниках"></a></li><li class="social social-tw"><a class="share-button" data-track-social="twitter" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F37%3Fapp%3Ddirect" href="https://twitter.com/intent/tweet?text=%D0%91%D1%8B%D0%BB%D0%BE%C2%A0%D0%BB%D0%B8%20%D0%B2%C2%A0%D0%A0%D0%BE%D1%81%D1%81%D0%B8%D0%B8%20%D0%B8%D1%81%D0%BA%D1%83%D1%81%D1%81%D1%82%D0%B2%D0%BE%20%D0%B4%D0%BE%C2%A0%C2%AB%D0%9F%D0%BE%D1%81%D0%BB%D0%B5%D0%B4%D0%BD%D0%B5%D0%B3%D0%BE%20%D0%B4%D0%BD%D1%8F%20%D0%9F%D0%BE%D0%BC%D0%BF%D0%B5%D0%B8%C2%BB%3F%20%D0%92%D1%8B%D1%81%D1%82%D0%B0%D0%B2%D0%BA%D0%B8%20%D0%92%D0%B5%D0%BD%D0%B5%D1%86%D0%B8%D0%B0%D0%BD%D0%BE%D0%B2%D0%B0%20%D0%B8%C2%A0%D0%9B%D0%B5%D0%B2%D0%B8%D1%86%D0%BA%D0%BE%D0%B3%D0%BE&original_referer=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F37%3Fapp%3Ddirect&url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F37%3Fapp%3Ddirect" title="Поделиться в Twitter"></a></li></ul></div></div></div><div class="course-gallery__item js__episode-item-container course-gallery__item--paid" data-course-ga-label="/courses/299" data-ga-label="/podcasts/299/38" data-paid-episode="" data-requires-age-verification="" dir="ltr"><div class="course-gallery__item__embed course-gallery__item__embed--audio js__episode-audio-item" data-ga-eec-list="Пейвол (лекция) / Зачем я это увидел? / 38. 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Провинциальный портрет в петербургском Манеже</div><div class="course-gallery__item__lead">Когда простой русский человек понял, что он имеет право на лицо? Был ли у купцов богатый внутренний мир? Почему сто похожих картин могут быть интереснее ста уникальных? Почему после Ван Гога мы перестали заботиться о качестве живописи и выучке художника? 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И что не так с «Явлением Христа народу»? Бонусный выпуск с ответами на ваши вопросы</div><div class="course-gallery__item__lead">Почему Илье Доронченкову не нравится главная картина Александра Иванова? Что важнее — школа и твердая рука или порыв и бурлящее воображение? За что любить безумные картины Фюсли? Романтизм порывает с классицизмом или все-таки продолжает его? Кто назначает картины в шедевры? 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Музеи — это про искусство или про власть? 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Были ли у русского авангарда свои идейные дилеры вроде знаменитых парижских маршанов?</div><div class="course-gallery__item__meta course-gallery__item__meta-mobile"><div class="course-gallery__item__meta__length">75 минут</div></div><div class="course-gallery__item__action"><div class="course-gallery__item__share"><div class="share-info">Поделиться:</div><ul class="share-list"><li class="social social-vk"><a class="share-button" data-track-social="vk" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F58%3Fapp%3Ddirect" href="https://vk.com/share.php?url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F58%3Fapp%3Ddirect" title="Поделиться в VK"></a></li><li class="social social-od"><a class="share-button" data-track-social="ok" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F58%3Fapp%3Ddirect" href="https://connect.ok.ru/offer?url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F58%3Fapp%3Ddirect&title=%D0%97%D0%B0%D1%87%D0%B5%D0%BC%20%D1%8F%C2%A0%D1%8D%D1%82%D0%BE%20%D1%83%D0%B2%D0%B8%D0%B4%D0%B5%D0%BB%3F&imageUrl=https%3A%2F%2Fcdn-s-static.arzamas.academy%2Fstorage%2Flecture%2F1139%2Fshare_preview_picture-647bde53-e238-432a-99b5-7fbdd999c32a.jpg%3Fv%3D10" title="Поделиться в Одноклассниках"></a></li><li class="social social-tw"><a class="share-button" data-track-social="twitter" data-url="https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F58%3Fapp%3Ddirect" href="https://twitter.com/intent/tweet?text=%D0%97%D0%B0%D1%87%D0%B5%D0%BC%20%D1%8F%C2%A0%D1%8D%D1%82%D0%BE%20%D1%83%D0%B2%D0%B8%D0%B4%D0%B5%D0%BB%3F&original_referer=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F58%3Fapp%3Ddirect&url=https%3A%2F%2Farzamas.academy%2Fpodcasts%2F299%2F58%3Fapp%3Ddirect" title="Поделиться в Twitter"></a></li></ul></div></div></div><div class="course-gallery__item js__episode-item-container" data-course-ga-label="/courses/299" data-ga-label="/podcasts/299/59" dir="ltr"><div class="course-gallery__item__embed course-gallery__item__embed--audio js__episode-audio-item" data-embed="https://cdn-s-video.arzamas.academy/audio/radio/podcast/unicredit/59_surikov_new.mp3?secure=EZPNulMAfUf2nOp9E1P54g==,1733691600&md5=YwZXXcD7PdC2QrlFtBOC6w&expires=1733691600&source=site" style="background: radial-gradient(ellipse at center, rgba(26,26,26,0) 0%, #1a1a1a 92%, #1a1a1a 100%), url(https://cdn-s-static.arzamas.academy/storage/lecture/2934/player_preview_16_9_preview_picture-bac597c4-d069-4d2f-9ece-d6fdc7decb2d.jpg) 50% 50% no-repeat; 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