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class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-sw mw-list-item"><a href="https://sw.wikipedia.org/wiki/Bronwyn_Oliver" title="Bronwyn Oliver – Swahili" lang="sw" hreflang="sw" data-title="Bronwyn Oliver" data-language-autonym="Kiswahili" data-language-local-name="Swahili" class="interlanguage-link-target"><span>Kiswahili</span></a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Bronwyn_Oliver" title="Bronwyn Oliver – Swedish" lang="sv" hreflang="sv" data-title="Bronwyn Oliver" data-language-autonym="Svenska" data-language-local-name="Swedish" class="interlanguage-link-target"><span>Svenska</span></a></li><li class="interlanguage-link interwiki-uk mw-list-item"><a href="https://uk.wikipedia.org/wiki/%D0%91%D1%80%D0%BE%D0%BD%D0%B2%D1%96%D0%BD_%D0%9E%D0%BB%D1%96%D0%B2%D0%B5%D1%80" title="Бронвін Олівер – Ukrainian" lang="uk" hreflang="uk" data-title="Бронвін Олівер" 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Click here for more information."><img alt="Featured article" src="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Cscr-featured.svg/20px-Cscr-featured.svg.png" decoding="async" width="20" height="19" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Cscr-featured.svg/30px-Cscr-featured.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/e/e7/Cscr-featured.svg/40px-Cscr-featured.svg.png 2x" data-file-width="466" data-file-height="443" /></a></span></div></div> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">Australian sculptor (1959–2006)</div> <p class="mw-empty-elt"> </p> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox biography vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div class="fn">Bronwyn Oliver</div></th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:Bronwyn_Oliver_(2005)_%22Vine%22.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/5/50/Bronwyn_Oliver_%282005%29_%22Vine%22.jpg/220px-Bronwyn_Oliver_%282005%29_%22Vine%22.jpg" decoding="async" width="220" height="293" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/50/Bronwyn_Oliver_%282005%29_%22Vine%22.jpg/330px-Bronwyn_Oliver_%282005%29_%22Vine%22.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/50/Bronwyn_Oliver_%282005%29_%22Vine%22.jpg/440px-Bronwyn_Oliver_%282005%29_%22Vine%22.jpg 2x" data-file-width="3000" data-file-height="4000" /></a></span><div class="infobox-caption">"Vine" sculpture by Bronwyn Oliver</div></td></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data"><div style="display:inline" class="nickname">Bronwyn Joy Gooda</div><br /><span style="display:none">(<span class="bday">1959-02-22</span>)</span>22 February 1959<br /><div style="display:inline" class="birthplace">Gum Flat, <a href="/wiki/New_South_Wales" title="New South Wales">New South Wales</a>, Australia</div></td></tr><tr><th scope="row" class="infobox-label">Died</th><td class="infobox-data">10 July 2006<span style="display:none">(2006-07-10)</span> (aged 47)<br /><div style="display:inline" class="deathplace"><a href="/wiki/Haberfield,_New_South_Wales" title="Haberfield, New South Wales">Haberfield, New South Wales</a>, Australia</div></td></tr><tr><th scope="row" class="infobox-label">Education</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><div class="plainlist"> <ul><li><a href="/wiki/University_of_New_South_Wales_College_of_Fine_Arts" class="mw-redirect" title="University of New South Wales College of Fine Arts">College of Fine Arts (COFA)</a>, Australia</li> <li><a href="/wiki/Chelsea_School_of_Art" class="mw-redirect" title="Chelsea School of Art">Chelsea School of Art</a>, England</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label">Known for</th><td class="infobox-data">Sculpture</td></tr><tr><th scope="row" class="infobox-label"><span style="white-space:nowrap;">Notable work</span></th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist"> <ul><li><i>Big Feathers</i> (1999)</li> <li><i>Palm</i> (1999)</li> <li><i>Globe</i> (2002)</li> <li><i>Vine</i> (2005)</li></ul> </div></td></tr></tbody></table> <p><b>Bronwyn Joy Oliver</b> (née <b>Gooda</b>, 22 February 1959 – 10 July 2006) was an Australian sculptor whose work primarily consisted of metalwork. Her sculptures are admired for their tactile nature, aesthetics, and technical skills demonstrated in their production. </p><p>Oliver was raised in rural <a href="/wiki/New_South_Wales" title="New South Wales">New South Wales</a>. She trained at Sydney's <a href="/wiki/Alexander_Mackie_College_of_Advanced_Education" class="mw-redirect" title="Alexander Mackie College of Advanced Education">Alexander Mackie College of Advanced Education</a> and London's <a href="/wiki/Chelsea_School_of_Art" class="mw-redirect" title="Chelsea School of Art">Chelsea School of Art</a>. She had early success, winning a New South Wales Travelling Art Scholarship in 1981 and the Moet & Chandon Australian Art Fellowship in 1984. Oliver settled in Sydney, where she practised and taught until her death in 2006. </p><p>In her later career, most of her pieces were both public and private commissions. Her major works include <i>Vine</i>, a 16.5-metre-high sculpture in the Sydney Hilton, <i>Magnolia</i> and <i>Palm</i>, in the <a href="/wiki/Sydney_Botanical_Gardens" class="mw-redirect" title="Sydney Botanical Gardens">Sydney Botanical Gardens</a>, and <i>Big Feathers</i> in Brisbane's <a href="/wiki/Queen_Street_Mall" title="Queen Street Mall">Queen Street Mall</a>. </p><p>Recognition of her work included selection as a finalist in the inaugural <a href="/wiki/Helen_Lempriere_National_Sculpture_Award" title="Helen Lempriere National Sculpture Award">Helen Lempriere National Sculpture Award</a> in 2000, inclusion in the <a href="/wiki/National_Gallery_of_Australia" title="National Gallery of Australia">National Gallery of Australia</a>'s 2002 National Sculpture Prize exhibition, and being shortlisted for the 2006 <a href="/wiki/Clemenger_Contemporary_Art_Award" title="Clemenger Contemporary Art Award">Clemenger Contemporary Art Award</a>. Her works are held in major Australian collections, including the National Gallery of Australia, the <a href="/wiki/National_Gallery_of_Victoria" title="National Gallery of Victoria">National Gallery of Victoria</a> and the <a href="/wiki/Art_Gallery_of_New_South_Wales" title="Art Gallery of New South Wales">Art Gallery of New South Wales</a>. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Early_life">Early life</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Bronwyn_Oliver&action=edit&section=1" title="Edit section: Early life"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Chelsea_College_of_Art_and_Design.jpg" class="mw-file-description"><img alt="A four-story building of light grey stone and red brick with a complex facade including two central towers, and pillar and arch verandahs on the face of three of the four storeys" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/2d/Chelsea_College_of_Art_and_Design.jpg/220px-Chelsea_College_of_Art_and_Design.jpg" decoding="async" width="220" height="156" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/2d/Chelsea_College_of_Art_and_Design.jpg/330px-Chelsea_College_of_Art_and_Design.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/2d/Chelsea_College_of_Art_and_Design.jpg/440px-Chelsea_College_of_Art_and_Design.jpg 2x" data-file-width="1000" data-file-height="711" /></a><figcaption>The <a href="/wiki/Chelsea_School_of_Art" class="mw-redirect" title="Chelsea School of Art">Chelsea School of Art</a>, where Oliver completed her Masters</figcaption></figure> <p>Oliver was born Bronwyn Gooda on 22 February 1959,<sup id="cite_ref-FOOTNOTEFenner2006191_1-0" class="reference"><a href="#cite_note-FOOTNOTEFenner2006191-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> in Gum Flat, west of <a href="/wiki/Inverell,_New_South_Wales" class="mw-redirect" title="Inverell, New South Wales">Inverell</a>, in New South Wales. Her parents were Milton, a farmer turned greenkeeper, and Wendy, who worked in a pharmacy.<sup id="cite_ref-FOOTNOTEFink2006_2-0" class="reference"><a href="#cite_note-FOOTNOTEFink2006-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> Her creativity was nurtured from a young age. Aged just eight, Oliver attended weekend art classes in Inverell run by Ian Howard, who went on to become dean of the college in Sydney where she would later study.<sup id="cite_ref-Morgan_3-0" class="reference"><a href="#cite_note-Morgan-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> </p><p>As she was <a href="/wiki/Dux#Post-Roman_uses" title="Dux">dux</a> of her school, her parents expected her to go on to university. However, Oliver wished to pursue a creative career. When she told her parents of her plans, her mother replied, "Darling, your father and I are very pleased you're going to art school, but if you'd been a son, I think we'd be a little disappointed."<sup id="cite_ref-Twister_4-0" class="reference"><a href="#cite_note-Twister-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> A rift subsequently developed between her and her family that resulted in her having no contact with them for 25 years.<sup id="cite_ref-devotion_5-0" class="reference"><a href="#cite_note-devotion-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p><p>After leaving school, Oliver studied and worked in Sydney.<sup id="cite_ref-Creagh_6-0" class="reference"><a href="#cite_note-Creagh-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> She had intended to enrol in painting classes, but a computer error placed her in the sculpture course: she later said "I knew straight away I was in the right place".<sup id="cite_ref-Twister_4-1" class="reference"><a href="#cite_note-Twister-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEFink2002178_7-0" class="reference"><a href="#cite_note-FOOTNOTEFink2002178-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Bush_8-0" class="reference"><a href="#cite_note-Bush-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> </p><p>She graduated from the <a href="/wiki/Alexander_Mackie_College_of_Advanced_Education" class="mw-redirect" title="Alexander Mackie College of Advanced Education">Alexander Mackie College of Advanced Education</a> in 1980.<sup id="cite_ref-FOOTNOTEHoward200619_9-0" class="reference"><a href="#cite_note-FOOTNOTEHoward200619-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> Winning a New South Wales Travelling Art Scholarship in 1983,<sup id="cite_ref-Twister_4-2" class="reference"><a href="#cite_note-Twister-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> she then completed a master's degree at <a href="/wiki/Chelsea_School_of_Art" class="mw-redirect" title="Chelsea School of Art">Chelsea School of Art</a> in 1984. Her work was influenced by <a href="/wiki/Richard_Deacon_(sculptor)" title="Richard Deacon (sculptor)">Richard Deacon</a>, <a href="/wiki/Antony_Gormley" title="Antony Gormley">Antony Gormley</a> and <a href="/wiki/Martin_Puryear" title="Martin Puryear">Martin Puryear</a> under whom she studied while in England.<sup id="cite_ref-NGV_10-0" class="reference"><a href="#cite_note-NGV-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> </p><p>Upon returning from the United Kingdom, she immediately met with further success, when in 1984 she won a Moet & Chandon Australian Art Fellowship.<sup id="cite_ref-Morgan_3-1" class="reference"><a href="#cite_note-Morgan-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> In 1988 she was granted a period as artist-in-residence in the city of <a href="/wiki/Brest,_France" title="Brest, France">Brest</a> on the coast of <a href="/wiki/Brittany" title="Brittany">Brittany</a>, where she studied Celtic metalworking techniques.<sup id="cite_ref-Web_11-0" class="reference"><a href="#cite_note-Web-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> In 1989 she was awarded a <a href="/wiki/Marten_Bequest" title="Marten Bequest">Marten Bequest</a> Travelling Scholarship.<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Personal_life">Personal life</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Bronwyn_Oliver&action=edit&section=2" title="Edit section: Personal life"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In her early twenties, Bronwyn Gooda married Leslie Oliver, taking his surname and later retaining it "despite a distressing divorce".<sup id="cite_ref-FOOTNOTEFink200620_13-0" class="reference"><a href="#cite_note-FOOTNOTEFink200620-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> The artist lived in the <a href="/wiki/Inner_West_(Sydney)" class="mw-redirect" title="Inner West (Sydney)">inner-western Sydney</a> suburb of <a href="/wiki/Haberfield,_New_South_Wales" title="Haberfield, New South Wales">Haberfield</a>, where she also had her studio.<sup id="cite_ref-Twister_4-3" class="reference"><a href="#cite_note-Twister-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> For 19 years up until her death, she taught art to primary school-age children at Sydney's <a href="/wiki/Cranbrook_School,_Sydney" title="Cranbrook School, Sydney">Cranbrook School</a> in <a href="/wiki/Bellevue_Hill,_New_South_Wales" title="Bellevue Hill, New South Wales">Bellevue Hill</a>.<sup id="cite_ref-NGV_10-1" class="reference"><a href="#cite_note-NGV-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> She was a friend of Roslyn Oxley, at whose <a href="/wiki/Roslyn_Oxley9_Gallery" title="Roslyn Oxley9 Gallery">eponymous gallery</a> Oliver exhibited her works.<sup id="cite_ref-Creagh_6-1" class="reference"><a href="#cite_note-Creagh-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> For the last 22 years of her life, her <a href="/wiki/Common-law_marriage" title="Common-law marriage">partner</a> was wine writer <a href="/wiki/Huon_Hooke" title="Huon Hooke">Huon Hooke</a>.<sup id="cite_ref-Fulton_14-0" class="reference"><a href="#cite_note-Fulton-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Works_and_exhibitions">Works and exhibitions</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Bronwyn_Oliver&action=edit&section=3" title="Edit section: Works and exhibitions"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Bronwyn_Oliver_%27Palm%27.JPG" class="mw-file-description"><img alt="a copper sculpture comprising seven segments wrought out of undulating copper wire, standing beneath a cluster of palm trees" src="//upload.wikimedia.org/wikipedia/commons/thumb/1/13/Bronwyn_Oliver_%27Palm%27.JPG/200px-Bronwyn_Oliver_%27Palm%27.JPG" decoding="async" width="200" height="267" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/13/Bronwyn_Oliver_%27Palm%27.JPG/300px-Bronwyn_Oliver_%27Palm%27.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/13/Bronwyn_Oliver_%27Palm%27.JPG/400px-Bronwyn_Oliver_%27Palm%27.JPG 2x" data-file-width="3000" data-file-height="4000" /></a><figcaption><i>Palm</i> (1999), <a href="/wiki/Royal_Botanic_Garden,_Sydney" title="Royal Botanic Garden, Sydney">Royal Botanic Garden, Sydney</a></figcaption></figure> <p>Biographer Hannah Fink estimated that Oliver produced 290 works over a career of 22 years.<sup id="cite_ref-FOOTNOTEFink200618_15-0" class="reference"><a href="#cite_note-FOOTNOTEFink200618-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> Of these, public art works are Oliver's best known sculptures. These include <i>Eyrie</i>, created for Adelaide's Hyatt Hotel in 1993,<sup id="cite_ref-FOOTNOTEFenner199532_16-0" class="reference"><a href="#cite_note-FOOTNOTEFenner199532-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> and <i>Magnolia</i> and <i>Palm</i>, commissioned in 1999 by the <a href="/wiki/Sydney_Botanical_Gardens" class="mw-redirect" title="Sydney Botanical Gardens">Sydney Botanical Gardens</a>,<sup id="cite_ref-Creagh_6-2" class="reference"><a href="#cite_note-Creagh-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> as part of the Sydney Sculpture Walk.<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> That same year, <i>Big Feathers</i> was commissioned for the <a href="/wiki/Queen_Street_Mall" title="Queen Street Mall">Queen Street Mall</a> in Brisbane.<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> It comprises two large feather-shaped forms suspended above the pedestrian precinct, representing "Queen Street's history of parades as well as the mall's connection between earth and sky".<sup id="cite_ref-BCC_19-0" class="reference"><a href="#cite_note-BCC-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> </p><p>In 2000, Oliver's piece <i>Entwine</i> was a finalist in the inaugural <a href="/wiki/Helen_Lempriere_National_Sculpture_Award" title="Helen Lempriere National Sculpture Award">Helen Lempriere National Sculpture Award</a>,<sup id="cite_ref-CT2000_20-0" class="reference"><a href="#cite_note-CT2000-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> while in the following year, Oliver won the <a href="/wiki/University_of_New_South_Wales" title="University of New South Wales">University of New South Wales</a> inaugural sculpture commission competition, with her three-metre-high <i>Globe</i>.<sup id="cite_ref-Beauty_21-0" class="reference"><a href="#cite_note-Beauty-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-22" class="reference"><a href="#cite_note-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> Other success followed, when <i>Trace</i> was selected for the <a href="/wiki/National_Gallery_of_Australia" title="National Gallery of Australia">National Gallery of Australia</a>'s 2002 National Sculpture Prize exhibition.<sup id="cite_ref-NGATrace_23-0" class="reference"><a href="#cite_note-NGATrace-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> </p><p>In August 2002 she was one of five artists shortlisted by the Australian Government for a project to produce a public artwork celebrating the centenary of <a href="/wiki/Women%27s_suffrage" title="Women's suffrage">women's suffrage</a> in Australia.<sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-27" class="reference"><a href="#cite_note-27"><span class="cite-bracket">[</span>notes 1<span class="cite-bracket">]</span></a></sup> </p><p>By the 2000s most of Oliver's output constituted commissioned pieces, whether public or private.<sup id="cite_ref-taylor_28-0" class="reference"><a href="#cite_note-taylor-28"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> The most substantial of these is <i>Vine</i>, a 16.5 metre high sculpture installed as part of the $400 million refurbishment of the Sydney Hilton.<sup id="cite_ref-FOOTNOTEHoward200619_9-1" class="reference"><a href="#cite_note-FOOTNOTEHoward200619-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Vine_29-0" class="reference"><a href="#cite_note-Vine-29"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> Taking twelve months to create and requiring a budget of up to half million dollars,<sup id="cite_ref-30" class="reference"><a href="#cite_note-30"><span class="cite-bracket">[</span>notes 2<span class="cite-bracket">]</span></a></sup> the work was completed in 2005. The sculpture was fabricated from 380 kilograms of aluminium, and assembled by a team of eight Croatian welders.<sup id="cite_ref-Vine_29-2" class="reference"><a href="#cite_note-Vine-29"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> </p><p>By 2006, Oliver had held 18 solo exhibitions of her work, half of them at Roslyn Oxley9 Gallery, which represented her throughout her career as a sculptor.<sup id="cite_ref-ROCV_31-0" class="reference"><a href="#cite_note-ROCV-31"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> Only one of those solo exhibitions was held outside Australia: a 1992 exhibition at <a href="/wiki/Auckland_City_Art_Gallery" class="mw-redirect" title="Auckland City Art Gallery">Auckland City Art Gallery</a> following a residency. However, Oliver was represented in numerous international group shows, including five during the period 1983 to 1984, around the time she completed her master's degree in London. Four of the group shows at that time were in the United Kingdom; the fifth was at the Museum of Traditional Industries in <a href="/wiki/Kyoto" title="Kyoto">Kyoto</a>.<sup id="cite_ref-FOOTNOTEFenner199530_32-0" class="reference"><a href="#cite_note-FOOTNOTEFenner199530-32"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> Subsequent international group shows included 'Five Australian Artists' at <a href="/wiki/Brest,_France" title="Brest, France">Brest</a>'s Centre Culturale in 1988,<sup id="cite_ref-FOOTNOTEFenner199531_33-0" class="reference"><a href="#cite_note-FOOTNOTEFenner199531-33"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> the year she undertook an artist's residency in that city. Later group shows of which Oliver was part included 'Prospect '93' at the <a href="/wiki/Frankfurter_Kunstverein" title="Frankfurter Kunstverein">Frankfurter Kunstverein</a>, 'Systems End: Contemporary Art in Australia', which exhibited in several east Asian galleries in 1996, and the <a href="/w/index.php?title=Beijing_International_Biennale&action=edit&redlink=1" class="new" title="Beijing International Biennale (page does not exist)">Beijing International Biennale</a> in 2003.<sup id="cite_ref-ROCV_31-1" class="reference"><a href="#cite_note-ROCV-31"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Technique">Technique</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Bronwyn_Oliver&action=edit&section=4" title="Edit section: Technique"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Oliver_Big_Feathers.jpg" class="mw-file-description"><img alt="A wire sculpture shaped like a bird feather, silhouetted against the sky" src="//upload.wikimedia.org/wikipedia/commons/thumb/3/3e/Oliver_Big_Feathers.jpg/220px-Oliver_Big_Feathers.jpg" decoding="async" width="220" height="293" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/3e/Oliver_Big_Feathers.jpg/330px-Oliver_Big_Feathers.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/3e/Oliver_Big_Feathers.jpg/440px-Oliver_Big_Feathers.jpg 2x" data-file-width="1536" data-file-height="2048" /></a><figcaption>Oliver's <i>Big Feathers</i> (1999) in Queen Street Mall, Brisbane</figcaption></figure> <p>A sculptor for her entire artistic career, Oliver used paper, cane or fibreglass for her early works.<sup id="cite_ref-Twister_4-5" class="reference"><a href="#cite_note-Twister-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEFink2002179_34-0" class="reference"><a href="#cite_note-FOOTNOTEFink2002179-34"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> However, she found "fibreglass hazardous and paper too impermanent",<sup id="cite_ref-FOOTNOTEFink2002183_35-0" class="reference"><a href="#cite_note-FOOTNOTEFink2002183-35"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup> and for most of her career she worked in metal. The metals used for her creations varied: the monumental <i>Vine</i> was fabricated in aluminium, as was the Brisbane sculpture <i>Big Feathers</i>; however most, such as <i>Palm</i> and the 2002 sculpture <i>Lock</i>, were crafted in copper.<sup id="cite_ref-Morgan_3-2" class="reference"><a href="#cite_note-Morgan-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-BCC_19-1" class="reference"><a href="#cite_note-BCC-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Queen_36-0" class="reference"><a href="#cite_note-Queen-36"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> All 25 works included in the 1995 publication, <i>Bronwyn Oliver: mnemonic chords</i>, were made in copper, though a handful also utilised other materials such as bronze, lead or, in one case, fibreglass.<sup id="cite_ref-FOOTNOTEFenner1995_37-0" class="reference"><a href="#cite_note-FOOTNOTEFenner1995-37"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> </p><p>Oliver was always preoccupied with "what materials will do". Fink observed that "[f]rom the beginning, Oliver has been interested in things that are made from the inside out, and her works often give cryptic evidence of their manufacture".<sup id="cite_ref-FOOTNOTEFink2002180–181_38-0" class="reference"><a href="#cite_note-FOOTNOTEFink2002180–181-38"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup> That evidence of manufacture was not confined to the works themselves: friends and art critics observed the injuries and marks she carried as a result of working with such unforgiving material.<sup id="cite_ref-FOOTNOTEFink2002179_34-1" class="reference"><a href="#cite_note-FOOTNOTEFink2002179-34"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Queen_36-1" class="reference"><a href="#cite_note-Queen-36"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEFink200619_39-0" class="reference"><a href="#cite_note-FOOTNOTEFink200619-39"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> </p><p>Ideas were often first sketched by Oliver, before she moved to construction in three dimensions.<sup id="cite_ref-FOOTNOTEFink2002183_35-1" class="reference"><a href="#cite_note-FOOTNOTEFink2002183-35"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup> When preparing commissions, she would draw on the ideas of clients or the nature of the site.<sup id="cite_ref-taylor_28-1" class="reference"><a href="#cite_note-taylor-28"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> For large works she created <a href="/wiki/Maquette" title="Maquette">maquettes</a> (or models), sometimes in plasticine, on other occasions using copper wire or, in the case of her 2002 sculpture <i>Globe</i>, wood and metal.<sup id="cite_ref-NGV_10-2" class="reference"><a href="#cite_note-NGV-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Twister_4-6" class="reference"><a href="#cite_note-Twister-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-40" class="reference"><a href="#cite_note-40"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> Oliver would produce the more delicate works herself. Many were created by crafting and joining wire to create abstract forms. These were built around moulds, twisting the metal into place with pliers, before severing it with wirecutters. Joins were soldered or brazed (though in some pieces, the wire was woven).<sup id="cite_ref-FOOTNOTEFink2002183–184_41-0" class="reference"><a href="#cite_note-FOOTNOTEFink2002183–184-41"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> In <i>Web</i> (2002), copper pieces were sewn together using wire.<sup id="cite_ref-Web_11-1" class="reference"><a href="#cite_note-Web-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> Her partner Huon Hooke described her at work in the studio: </p> <blockquote><p>She is sitting cross-legged on the floor, on a piece of foam rubber. Her work is on a low bench constructed of timber covered with fireproof bricks...The tiny jeweller's blowtorch is in her right hand, the big bottles of oxygen and acetylene standing behind her. In her left is the brazing rod and she's making one of the thousands of joints that make up a new sculpture, the fire licking at the fireproof cement covering the polystyrene mould as well as curling around the tiny piece of cooper wire which is being joined.<sup id="cite_ref-FOOTNOTEFink20177_42-0" class="reference"><a href="#cite_note-FOOTNOTEFink20177-42"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>Major pieces were created at Crawfords Casting foundry in <a href="/wiki/Enfield,_New_South_Wales" title="Enfield, New South Wales">Enfield</a> in Sydney's inner western suburbs.<sup id="cite_ref-Morgan_3-3" class="reference"><a href="#cite_note-Morgan-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Although the foundry would fabricate the elements of the sculptures, Oliver would still undertake the initial stages, training foundry staff and supervising their activity. Some of the pieces assembled to create the sculptures were made using copper rod, while others were formed using the <a href="/wiki/Lost-wax_casting" title="Lost-wax casting">lost-wax casting</a> technique. Individual pieces would take up to two months to complete.<sup id="cite_ref-Twister_4-7" class="reference"><a href="#cite_note-Twister-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Themes_and_critical_reception">Themes and critical reception</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Bronwyn_Oliver&action=edit&section=5" title="Edit section: Themes and critical reception"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Oliver%27s_Vine_from_upper_level.jpg" class="mw-file-description"><img alt="A sixteen-metre-high sculpture made out of many aluminium wires, brazed together in a structure suggesting the form of a giant, curling vine" src="//upload.wikimedia.org/wikipedia/commons/thumb/4/4e/Oliver%27s_Vine_from_upper_level.jpg/220px-Oliver%27s_Vine_from_upper_level.jpg" decoding="async" width="220" height="293" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/4e/Oliver%27s_Vine_from_upper_level.jpg/330px-Oliver%27s_Vine_from_upper_level.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4e/Oliver%27s_Vine_from_upper_level.jpg/440px-Oliver%27s_Vine_from_upper_level.jpg 2x" data-file-width="3000" data-file-height="4000" /></a><figcaption><i>Vine</i> (2005), in the Sydney <a href="/wiki/Hilton_Hotels_%26_Resorts" title="Hilton Hotels & Resorts">Hilton Hotel</a></figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Globe_UNSW_02.jpg" class="mw-file-description"><img alt="A three-metre-diameter globe-shaped bronze sculpture fabricated out of brazed copper alloy wire" src="//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Globe_UNSW_02.jpg/220px-Globe_UNSW_02.jpg" decoding="async" width="220" height="220" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Globe_UNSW_02.jpg/330px-Globe_UNSW_02.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Globe_UNSW_02.jpg/440px-Globe_UNSW_02.jpg 2x" data-file-width="1500" data-file-height="1500" /></a><figcaption><i>Globe</i> (2002) at the <a href="/wiki/University_of_New_South_Wales" title="University of New South Wales">University of New South Wales</a></figcaption></figure> <p>Oliver was not one to intellectualise her creativity: she preferred to talk about the process of creating her artworks rather than their meanings.<sup id="cite_ref-Morgan_3-4" class="reference"><a href="#cite_note-Morgan-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Asked about how she approached her art, she stated: </p> <style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style><blockquote class="templatequote"><p>My work is about structure and order. It is a pursuit of a kind of logic: a formal, sculptural logic and poetic logic. It is a conceptual and physical process of building and taking away at the same time. I set out to strip the ideas and associations down to (physically and metaphorically) just the bones, exposing the life still held inside.<sup id="cite_ref-FOOTNOTEFink2002180_43-0" class="reference"><a href="#cite_note-FOOTNOTEFink2002180-43"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>While Oliver was reluctant to discuss meaning in her works, critics have identified recurring themes. Hannah Fink, like art critic John McDonald, noted that there is a pattern to the shapes and structures in Oliver's work. Fink described this as "a consistent vocabulary of elemental forms – the spiral, meander, loop and sphere – in a repertoire of signature archetypes".<sup id="cite_ref-FOOTNOTEFink2002178–179_44-0" class="reference"><a href="#cite_note-FOOTNOTEFink2002178–179-44"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup> McDonald said that Nature is "omnipresent" and referred to them as organisms or their remains.<sup id="cite_ref-:0_45-0" class="reference"><a href="#cite_note-:0-45"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-McDonald_46-0" class="reference"><a href="#cite_note-McDonald-46"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup> </p><p>Despite their organic appearance, Oliver's own view was that her work was not grounded in nature's structures.<sup id="cite_ref-FOOTNOTEFink2002179–180_47-0" class="reference"><a href="#cite_note-FOOTNOTEFink2002179–180-47"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> Nevertheless, critics have identified the lifelike qualities of early pieces that resembled shells, claws or tails,<sup id="cite_ref-FOOTNOTEFink2002179_34-2" class="reference"><a href="#cite_note-FOOTNOTEFink2002179-34"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> or noted the apparent similarities to biological forms.<sup id="cite_ref-FOOTNOTEFenner19954_48-0" class="reference"><a href="#cite_note-FOOTNOTEFenner19954-48"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> McDonald commented that "For Oliver to deny nature is akin to <a href="/wiki/Balthus" title="Balthus">Balthus</a> saying there is nothing erotic about his paintings or <a href="/wiki/Mark_Rothko" title="Mark Rothko">Rothko</a> claiming his works aren't abstract."<sup id="cite_ref-:0_45-1" class="reference"><a href="#cite_note-:0-45"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup> Both major reviews of Oliver's work published in her lifetime (Fenner's 1995 essay and Fink's 2002 journal article) draw attention to dualism and contradiction in the sculptures: Fenner describes them as "delicate and ephemeral, [yet] structurally robust and durable"; Fink sees them as "ethereal but solid, fluid yet rigid, open but closed".<sup id="cite_ref-FOOTNOTEFenner19956_49-0" class="reference"><a href="#cite_note-FOOTNOTEFenner19956-49"><span class="cite-bracket">[</span>47<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEFink2002182_50-0" class="reference"><a href="#cite_note-FOOTNOTEFink2002182-50"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> </p><p>Oliver's sculptures are admired for their tactile nature, their aesthetics, and the technical skills demonstrated in their production. Particular works have been singled out for praise. A writer reviewing <i>Vine</i> in the Sydney Hilton admired how it "curls like a fairy tale beanstalk up towards the ceiling as though empowered by the sunlight streaming in from a large open space adjacent".<sup id="cite_ref-Hunter_51-0" class="reference"><a href="#cite_note-Hunter-51"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> Journalist Catherine Keenan's 2005 description of how the towering sculpture demonstrated both aesthetic and production values are typical of comments about Oliver's work: </p> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote"><p>It has the delicate, adamantine beauty that characterises many of her pieces, but is also an engineering marvel: 380 kilograms of metal that was delivered on the back of an oversized truck and now hangs from a single specially manufactured rod fixed to the ceiling.<sup id="cite_ref-Twister_4-8" class="reference"><a href="#cite_note-Twister-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup></p></blockquote> <p><i><a href="/wiki/The_Sydney_Morning_Herald" title="The Sydney Morning Herald">The Sydney Morning Herald</a>'</i>s art writer, John McDonald, said of her work "It often seems to me she's only got one tune, but it's a pretty good tune".<sup id="cite_ref-Twister_4-9" class="reference"><a href="#cite_note-Twister-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> He later elaborated: </p> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote"><p>It is a cliche that every artist keeps making the same work, but in Oliver's case, while some forms resemble sea creatures and others the buds of plants, the family ties between even the most diverse pieces are very strong ... nothing was dashed off or thrown together. Every piece feels as if it has been minutely considered, with each strand of copper wire being brazed into exactly the right spot ... All the things that have recently been said about Oliver – that she was beautiful, intelligent, charming – could also be said about the work.<sup id="cite_ref-McDonald_46-1" class="reference"><a href="#cite_note-McDonald-46"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup></p></blockquote><p> Despite this consistency in her output and the coherent themes of her <a href="/wiki/Work_of_art" title="Work of art">oeuvre</a>, variety was also present. Critic Bruce James considered her 2002 exhibition, and in particular one small work titled <i>Crackled</i>, to demonstrate a broader artistic range: "<i>Crackled</i> is ... formally surprising, evidence that Oliver is not content to rely on a winning recipe of convolution for her concepts. Whole new areas of physical and artistic exploration lay open before her".<sup id="cite_ref-Queen_36-2" class="reference"><a href="#cite_note-Queen-36"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> Hannah Fink, reflecting on Oliver's last sculptures, wrote:<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"></p><blockquote class="templatequote"><p>The mastery of her last works seems to defy imagining – one can only marvel at the ingenuity of their construction and the perfection of their realisation. The utter variety of her posthumous exhibition ... put paid to any suggestion she had reached a natural end to her work: almost every work was different, and full of innovation.<sup id="cite_ref-FOOTNOTEFink200621_52-0" class="reference"><a href="#cite_note-FOOTNOTEFink200621-52"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>In 2000, Oliver was included by <i><a href="/wiki/Australian_Art_Collector" class="mw-redirect" title="Australian Art Collector">Australian Art Collector</a></i> in its list of Australia's 50 "most collectable artists". In 2005, her work was identified by auction dealers as amongst those of greatest interest in the <a href="/wiki/Secondary_market" title="Secondary market">secondary art market</a>.<sup id="cite_ref-ROCV_31-2" class="reference"><a href="#cite_note-ROCV-31"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-53" class="reference"><a href="#cite_note-53"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Death_and_legacy">Death and legacy</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Bronwyn_Oliver&action=edit&section=6" title="Edit section: Death and legacy"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Oliver was sometimes characterised as reclusive in both the artistic and social worlds.<sup id="cite_ref-Morgan_3-5" class="reference"><a href="#cite_note-Morgan-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-McDonald_46-2" class="reference"><a href="#cite_note-McDonald-46"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup> Her teacher and long-time associate Professor Ian Howard described her as having "an underlying and at times painful distrust of the relationships that are part of our everyday lives".<sup id="cite_ref-FOOTNOTEHoward200619_9-2" class="reference"><a href="#cite_note-FOOTNOTEHoward200619-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> Close friend and gallerist, Roslyn Oxley, observed that she was "very private. She stopped people entering her world a lot of the time."<sup id="cite_ref-Morgan_3-6" class="reference"><a href="#cite_note-Morgan-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Oliver's sister, Helen, had described her as a "powerful and fragile person" while biographer Fink observed "[a] deeply asocial person, [who] nonetheless maintained longstanding friendships with a small coterie of people whom she trusted".<sup id="cite_ref-FOOTNOTEFink200620_13-1" class="reference"><a href="#cite_note-FOOTNOTEFink200620-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> The final period of Oliver's personal life was the subject of contradictory accounts. Oxley said that Oliver in 2006 experienced the end of a 20-year-long relationship,<sup id="cite_ref-Creagh_6-3" class="reference"><a href="#cite_note-Creagh-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> and obituarist Joyce Morgan, who spoke to Huon Hooke after Oliver's death, described Hooke as Oliver's "former" partner.<sup id="cite_ref-Morgan_3-7" class="reference"><a href="#cite_note-Morgan-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> though others writing shortly after her death did not indicate that the relationship with Hooke had ended,<sup id="cite_ref-Fulton_14-1" class="reference"><a href="#cite_note-Fulton-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> including an obituary by Howard,<sup id="cite_ref-FOOTNOTEHoward200620_54-0" class="reference"><a href="#cite_note-FOOTNOTEHoward200620-54"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup> one written by art critic John McDonald,<sup id="cite_ref-McDonald_46-3" class="reference"><a href="#cite_note-McDonald-46"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup> and tributes by her two biographers, Felicity Fenner<sup id="cite_ref-FOOTNOTEFenner2006191_1-1" class="reference"><a href="#cite_note-FOOTNOTEFenner2006191-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> and Hannah Fink.<sup id="cite_ref-FOOTNOTEFink200621_52-1" class="reference"><a href="#cite_note-FOOTNOTEFink200621-52"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup> </p><p>Some years later, author Katrina Strickland interviewed people close to Oliver, and reported they had noticed a gradual deterioration in her personality over a period of years; she became "reclusive, obsessive, anxious" as well as "difficult and impatient, and completely obsessed with her diet." Under the circumstances, Hooke had felt he "just wanted to be somewhere else" and left the relationship in late May 2006. At that point, Strickland recounted, "Oliver fell to pieces".<sup id="cite_ref-Strickland2013_55-0" class="reference"><a href="#cite_note-Strickland2013-55"><span class="cite-bracket">[</span>53<span class="cite-bracket">]</span></a></sup> </p><p>Her friend Roslyn Oxley subsequently concluded that, at some point, Oliver made plans to take her own life. Journalist Sunanda Creagh interviewed Oxley, as the gallerist prepared the last exhibition of her friend's work: </p> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote"><p>Oliver made meticulous arrangements for her final show, says Oxley. "She named everything and she wrote a note saying she wanted the show to go ahead. It was very clear. She finished all the work she said she would finish. She never let anyone down, ever. To be under that tension and obviously to have suicide on your mind, but to complete all the obligations before you did it ..." Oxley's sentence trails off.<sup id="cite_ref-Creagh_6-4" class="reference"><a href="#cite_note-Creagh-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>Oliver committed suicide on 10 July 2006.<sup id="cite_ref-FOOTNOTEHoward200619_9-3" class="reference"><a href="#cite_note-FOOTNOTEHoward200619-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Unicorn_56-0" class="reference"><a href="#cite_note-Unicorn-56"><span class="cite-bracket">[</span>54<span class="cite-bracket">]</span></a></sup> McDonald recounts that, some weeks after her death, Hooke indicated in an interview that Oliver was "a very troubled person", but none of the sources offered anything definitive about why she took her own life; McDonald himself concluded "we will never know".<sup id="cite_ref-McDonald_46-4" class="reference"><a href="#cite_note-McDonald-46"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup> In 2013, it was reported that analysis of a sample of Oliver's hair contained a very high level of copper, nearly 8 times normal.<sup id="cite_ref-Strickland2013_55-1" class="reference"><a href="#cite_note-Strickland2013-55"><span class="cite-bracket">[</span>53<span class="cite-bracket">]</span></a></sup> The <a href="/wiki/Copper_toxicity" title="Copper toxicity">debilitating effects</a> of high copper levels, which are associated with some mental illnesses, may have been exacerbated by an <a href="/wiki/Zinc#Other_proteins" title="Zinc">imbalance</a> created by <a href="/wiki/Zinc_deficiency" title="Zinc deficiency">low zinc levels</a> in her diet, which was devoid of red meat.<sup id="cite_ref-Strickland2013_55-2" class="reference"><a href="#cite_note-Strickland2013-55"><span class="cite-bracket">[</span>53<span class="cite-bracket">]</span></a></sup> </p><p>Just before her death, Oliver had been shortlisted for the 2006 <a href="/wiki/Clemenger_Contemporary_Art_Award" title="Clemenger Contemporary Art Award">Clemenger Contemporary Art Award</a>.<sup id="cite_ref-RO9_2006_57-0" class="reference"><a href="#cite_note-RO9_2006-57"><span class="cite-bracket">[</span>55<span class="cite-bracket">]</span></a></sup> In the year following, Oliver was amongst 60 artists profiled in Sonia Payes' book <i>Untitled: Portraits of Australian Artists</i>,<sup id="cite_ref-FOOTNOTEPayes2007248–253_58-0" class="reference"><a href="#cite_note-FOOTNOTEPayes2007248–253-58"><span class="cite-bracket">[</span>56<span class="cite-bracket">]</span></a></sup> while in 2008 her final works were included in the Adelaide Biennale of Australian Art.<sup id="cite_ref-FOOTNOTEFenner2006191_1-2" class="reference"><a href="#cite_note-FOOTNOTEFenner2006191-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> The secondary art market has returned up to seven-figure sums for her works at auction; in 2007 a record for Oliver's work was set when <i>Skein</i> (2004) went under the hammer for $192,000.<sup id="cite_ref-59" class="reference"><a href="#cite_note-59"><span class="cite-bracket">[</span>57<span class="cite-bracket">]</span></a></sup> By 2010, <a href="/wiki/Sydney_Biennale" class="mw-redirect" title="Sydney Biennale">Sydney Biennale</a> chairman Luca Belgiorno-Nettis was reported to have paid $300,000 for one of Oliver's sculptures, titled <i>Tracery</i>.<sup id="cite_ref-60" class="reference"><a href="#cite_note-60"><span class="cite-bracket">[</span>58<span class="cite-bracket">]</span></a></sup> And in November 2024 her monumental 2000 work <i>Tide</i> fetched $1M at auction breaking the record for Australian sculpture.<sup id="cite_ref-61" class="reference"><a href="#cite_note-61"><span class="cite-bracket">[</span>59<span class="cite-bracket">]</span></a></sup> In 2011, Sydney's College of Fine Arts announced that its new sculpture studio would be named after Oliver.<sup id="cite_ref-Fulton_14-2" class="reference"><a href="#cite_note-Fulton-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> In late 2017 Hannah Fink's book <i>Bronwyn Oliver: Strange Things</i> was launched by Kip Williams at Carthona.<sup id="cite_ref-62" class="reference"><a href="#cite_note-62"><span class="cite-bracket">[</span>60<span class="cite-bracket">]</span></a></sup> </p><p>Works by Oliver are held in most major Australian art collections, including the National Gallery of Australia,<sup id="cite_ref-NGATrace_23-1" class="reference"><a href="#cite_note-NGATrace-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> the Art Gallery of New South Wales,<sup id="cite_ref-Unicorn_56-1" class="reference"><a href="#cite_note-Unicorn-56"><span class="cite-bracket">[</span>54<span class="cite-bracket">]</span></a></sup> the National Gallery of Victoria,<sup id="cite_ref-NGV_10-3" class="reference"><a href="#cite_note-NGV-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Queensland_Art_Gallery" title="Queensland Art Gallery">Queensland Art Gallery</a>, the <a href="/wiki/Art_Gallery_of_South_Australia" title="Art Gallery of South Australia">Art Gallery of South Australia</a>, the <a href="/wiki/Auckland_Art_Gallery" title="Auckland Art Gallery">Auckland Art Gallery</a>,<sup id="cite_ref-ROCV_31-3" class="reference"><a href="#cite_note-ROCV-31"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> the <a href="/wiki/Tasmanian_Museum_and_Art_Gallery" title="Tasmanian Museum and Art Gallery">Tasmanian Museum and Art Gallery</a>,<sup id="cite_ref-Web_11-2" class="reference"><a href="#cite_note-Web-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> <a href="/w/index.php?title=Wollongong_City_Gallery&action=edit&redlink=1" class="new" title="Wollongong City Gallery (page does not exist)">Wollongong City Gallery</a>,<sup id="cite_ref-FOOTNOTEFenner199532_16-1" class="reference"><a href="#cite_note-FOOTNOTEFenner199532-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> <a href="/w/index.php?title=Orange_Regional_Gallery&action=edit&redlink=1" class="new" title="Orange Regional Gallery (page does not exist)">Orange Regional Gallery</a>,<sup id="cite_ref-orange_63-0" class="reference"><a href="#cite_note-orange-63"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> and the Australian government's collection <a href="/wiki/Artbank" title="Artbank">Artbank</a>.<sup id="cite_ref-64" class="reference"><a href="#cite_note-64"><span class="cite-bracket">[</span>62<span class="cite-bracket">]</span></a></sup> The first "comprehensive survey of 50 key works, from the mid-1980s to the final solo exhibition in 2006" was held in Tarrawarra Museum of Art in <a href="/wiki/Healesville,_Victoria" class="mw-redirect" title="Healesville, Victoria">Healesville, Victoria</a> from 19 November 2016 to 5 February 2017.<sup id="cite_ref-65" class="reference"><a href="#cite_note-65"><span class="cite-bracket">[</span>63<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:0_45-2" class="reference"><a href="#cite_note-:0-45"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Bronwyn_Oliver&action=edit&section=7" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/List_of_public_art_in_the_City_of_Sydney" title="List of public art in the City of Sydney">List of public art in the City of Sydney</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="Endnotes">Endnotes</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Bronwyn_Oliver&action=edit&section=8" title="Edit section: Endnotes"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-27"><span class="mw-cite-backlink"><b><a href="#cite_ref-27">^</a></b></span> <span class="reference-text">The winning design was by Jennifer Turpin and Michaelie Crawford,<sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> but the sculpture was never installed.<sup id="cite_ref-26" class="reference"><a href="#cite_note-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup></span> </li> <li id="cite_note-30"><span class="mw-cite-backlink"><b><a href="#cite_ref-30">^</a></b></span> <span class="reference-text">There are two published estimates of the value of the work's contract. Catherine Keenan reported about $350,000,<sup id="cite_ref-Twister_4-4" class="reference"><a href="#cite_note-Twister-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> while Sunanda Creagh reported about $500,000.<sup id="cite_ref-Vine_29-1" class="reference"><a href="#cite_note-Vine-29"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> </span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Bronwyn_Oliver&action=edit&section=9" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist reflist-columns references-column-width" style="column-width: 30em;"> <ol class="references"> <li id="cite_note-FOOTNOTEFenner2006191-1"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEFenner2006191_1-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFenner2006191_1-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFenner2006191_1-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFFenner2006">Fenner 2006</a>, p. 191.</span> </li> <li id="cite_note-FOOTNOTEFink2006-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEFink2006_2-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFFink2006">Fink 2006</a>.</span> </li> <li id="cite_note-Morgan-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-Morgan_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Morgan_3-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Morgan_3-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Morgan_3-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-Morgan_3-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-Morgan_3-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-Morgan_3-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-Morgan_3-7"><sup><i><b>h</b></i></sup></a></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFMorgan2006" class="citation news cs1">Morgan, Joyce (17 July 2006). "From Gum Flat to grand career (Obituary)". <i>The Sydney Morning Herald</i>. p. 16.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Sydney+Morning+Herald&rft.atitle=From+Gum+Flat+to+grand+career+%28Obituary%29&rft.pages=16&rft.date=2006-07-17&rft.aulast=Morgan&rft.aufirst=Joyce&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABronwyn+Oliver" class="Z3988"></span></span> </li> <li id="cite_note-Twister-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-Twister_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Twister_4-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Twister_4-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Twister_4-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-Twister_4-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-Twister_4-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-Twister_4-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-Twister_4-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-Twister_4-8"><sup><i><b>i</b></i></sup></a> <a href="#cite_ref-Twister_4-9"><sup><i><b>j</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKeenan2005" class="citation news cs1">Keenan, Catherine (24 November 2005). "Twister". <i>The Sydney Morning Herald</i>. p. 68.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Sydney+Morning+Herald&rft.atitle=Twister&rft.pages=68&rft.date=2005-11-24&rft.aulast=Keenan&rft.aufirst=Catherine&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABronwyn+Oliver" class="Z3988"></span></span> </li> <li id="cite_note-devotion-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-devotion_5-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1">"Nature of single-minded devotion (Obituary)". <i>The Australian</i>. 14 July 2006. p. 17.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Australian&rft.atitle=Nature+of+single-minded+devotion+%28Obituary%29&rft.pages=17&rft.date=2006-07-14&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABronwyn+Oliver" class="Z3988"></span></span> </li> <li id="cite_note-Creagh-6"><span class="mw-cite-backlink">^ <a href="#cite_ref-Creagh_6-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Creagh_6-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Creagh_6-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Creagh_6-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-Creagh_6-4"><sup><i><b>e</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCreagh2006" class="citation news cs1">Creagh, Sunanda (9 August 2006). <a rel="nofollow" class="external text" href="https://archive.today/20121230170706/http://www.smh.com.au/news/art-reviews/bronwyn-oliver/2006/08/09/1154802930352.html">"Bronwyn Oliver"</a>. <i>The Sydney Morning Herald</i>. Archived from <a rel="nofollow" class="external text" href="http://www.smh.com.au/news/art-reviews/bronwyn-oliver/2006/08/09/1154802930352.html">the original</a> on 30 December 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">30 May</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Sydney+Morning+Herald&rft.atitle=Bronwyn+Oliver&rft.date=2006-08-09&rft.aulast=Creagh&rft.aufirst=Sunanda&rft_id=http%3A%2F%2Fwww.smh.com.au%2Fnews%2Fart-reviews%2Fbronwyn-oliver%2F2006%2F08%2F09%2F1154802930352.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABronwyn+Oliver" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEFink2002178-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEFink2002178_7-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFFink2002">Fink 2002</a>, p. 178.</span> </li> <li id="cite_note-Bush-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-Bush_8-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSmee2000" class="citation news cs1">Smee, Sebastian (12 January 2000). "Going bush (Summer arts feature)". <i>The Sydney Morning Herald</i>. p. 8.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Sydney+Morning+Herald&rft.atitle=Going+bush+%28Summer+arts+feature%29&rft.pages=8&rft.date=2000-01-12&rft.aulast=Smee&rft.aufirst=Sebastian&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABronwyn+Oliver" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEHoward200619-9"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEHoward200619_9-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHoward200619_9-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHoward200619_9-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHoward200619_9-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHoward2006">Howard 2006</a>, p. 19.</span> </li> <li id="cite_note-NGV-10"><span class="mw-cite-backlink">^ <a href="#cite_ref-NGV_10-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-NGV_10-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-NGV_10-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-NGV_10-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNGV_Education,_Public_Programs_and_Contemporary_Art_Department" class="citation book cs1">NGV Education, Public Programs and Contemporary Art Department. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130423132117/http://www.ngv.vic.gov.au/__data/assets/pdf_file/0011/40997/livesandtimes_edres.pdf">"Sculpting Poetry: An Artist's Story"</a> <span class="cs1-format">(PDF)</span>. <i>Lives and Times: a selection of works on tour from the Victorian Foundation for Living Australian Artists Collection</i>. National Gallery of Victoria. pp. <span class="nowrap">14–</span>15. Archived from <a rel="nofollow" class="external text" href="http://www.ngv.vic.gov.au/__data/assets/pdf_file/0011/40997/livesandtimes_edres.pdf">the original</a> <span class="cs1-format">(PDF)</span> on 23 April 2013.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Sculpting+Poetry%3A+An+Artist%27s+Story&rft.btitle=Lives+and+Times%3A+a+selection+of+works+on+tour+from+the+Victorian+Foundation+for+Living+Australian+Artists+Collection&rft.pages=%3Cspan+class%3D%22nowrap%22%3E14-%3C%2Fspan%3E15&rft.pub=National+Gallery+of+Victoria&rft.au=NGV+Education%2C+Public+Programs+and+Contemporary+Art+Department&rft_id=http%3A%2F%2Fwww.ngv.vic.gov.au%2F__data%2Fassets%2Fpdf_file%2F0011%2F40997%2Flivesandtimes_edres.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABronwyn+Oliver" class="Z3988"></span></span> </li> <li id="cite_note-Web-11"><span class="mw-cite-backlink">^ <a href="#cite_ref-Web_11-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Web_11-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Web_11-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWatson2011" class="citation news cs1">Watson, Bronwyn (30 April 2011). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160308082100/http://www.theaustralian.com.au/arts/public-works-web/story-e6frg8n6-1226045061036">"Public Works: Web"</a>. <i>The Australian</i>. Archived from <a rel="nofollow" class="external text" href="http://www.theaustralian.com.au/arts/public-works-web/story-e6frg8n6-1226045061036">the original</a> on 8 March 2016<span class="reference-accessdate">. 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Retrieved <span class="nowrap">31 May</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Sydney+Morning+Herald%2C+Life+%26+Style+section&rft.atitle=Fancy+seeing+you+here+today%2C+Karin&rft.date=2010-05-01&rft.aulast=Hornery&rft.aufirst=Andrew&rft_id=http%3A%2F%2Fwww.smh.com.au%2Flifestyle%2Fcelebrity%2Ffancy-seeing-you-here-today-karin-20100430-tz4j.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABronwyn+Oliver" class="Z3988"></span></span> </li> <li id="cite_note-61"><span class="mw-cite-backlink"><b><a href="#cite_ref-61">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJefferson2024" class="citation web cs1">Jefferson, Dee (27 November 2024). <a rel="nofollow" class="external text" href="https://www.theguardian.com/artanddesign/2024/nov/27/bronwyn-oliver-tide-breaks-record-australian-sculpture-sold-1m">"Bronwyn Oliver's Tide breaks record for Australian sculpture after selling for $1m"</a>. <i>Guardian Australia</i><span class="reference-accessdate">. Retrieved <span class="nowrap">30 November</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Guardian+Australia&rft.atitle=Bronwyn+Oliver%27s+Tide+breaks+record+for+Australian+sculpture+after+selling+for+%241m&rft.date=2024-11-27&rft.aulast=Jefferson&rft.aufirst=Dee&rft_id=https%3A%2F%2Fwww.theguardian.com%2Fartanddesign%2F2024%2Fnov%2F27%2Fbronwyn-oliver-tide-breaks-record-australian-sculpture-sold-1m&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABronwyn+Oliver" class="Z3988"></span></span> </li> <li id="cite_note-62"><span class="mw-cite-backlink"><b><a href="#cite_ref-62">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://piperpress.com.au/collections/piper-press-titles/products/bronwyn-oliver">"Bronwyn Oliver: Strange Things"</a>. <i>Piper Press</i><span class="reference-accessdate">. Retrieved <span class="nowrap">26 November</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Piper+Press&rft.atitle=Bronwyn+Oliver%3A+Strange+Things&rft_id=https%3A%2F%2Fpiperpress.com.au%2Fcollections%2Fpiper-press-titles%2Fproducts%2Fbronwyn-oliver&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABronwyn+Oliver" class="Z3988"></span></span> </li> <li id="cite_note-orange-63"><span class="mw-cite-backlink"><b><a href="#cite_ref-orange_63-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110222164403/http://www.artcollector.net.au/Assets/301/1/orange_regional.pdf">"Orange Regional Gallery"</a> <span class="cs1-format">(PDF)</span>. <i>Guide to Regional Galleries 2010/2011</i>. artcollector.net.au. Archived from <a rel="nofollow" class="external text" href="http://www.artcollector.net.au/Assets/301/1/orange_regional.pdf">the original</a> <span class="cs1-format">(PDF)</span> on 22 February 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">25 July</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Guide+to+Regional+Galleries+2010%2F2011&rft.atitle=Orange+Regional+Gallery&rft_id=http%3A%2F%2Fwww.artcollector.net.au%2FAssets%2F301%2F1%2Forange_regional.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABronwyn+Oliver" class="Z3988"></span></span> </li> <li id="cite_note-64"><span class="mw-cite-backlink"><b><a href="#cite_ref-64">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWoodburn2008" class="citation news cs1">Woodburn, Jena (19 September 2008). "Artbank pays dividends". <i>Independent Weekly</i>. Adelaide. p. 29.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Independent+Weekly&rft.atitle=Artbank+pays+dividends&rft.pages=29&rft.date=2008-09-19&rft.aulast=Woodburn&rft.aufirst=Jena&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABronwyn+Oliver" class="Z3988"></span></span> </li> <li id="cite_note-65"><span class="mw-cite-backlink"><b><a href="#cite_ref-65">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.twma.com.au/exhibition/the-sculpture-of-bronwyn-oliver">"The sculpture of Bronwyn Oliver"</a>. <i>Tarrawarra Museum of Art</i>. 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">12 July</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Tarrawarra+Museum+of+Art&rft.atitle=The+sculpture+of+Bronwyn+Oliver&rft.date=2016&rft_id=http%3A%2F%2Fwww.twma.com.au%2Fexhibition%2Fthe-sculpture-of-bronwyn-oliver&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABronwyn+Oliver" class="Z3988"></span></span> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="Further_reading">Further reading</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Bronwyn_Oliver&action=edit&section=10" title="Edit section: Further reading"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239549316">.mw-parser-output .refbegin{margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}@media screen{.mw-parser-output .refbegin{font-size:90%}}</style><div class="refbegin" style=""> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFenner1995" class="citation book cs1">Fenner, Felicity (1995). <a rel="nofollow" class="external text" href="http://trove.nla.gov.au/work/8531379?q&sort=holdings+desc&_=1359193697667&versionId=45898643"><i>Bronwyn Oliver: mnemonic chords</i></a>. Epernay, France; Coldstream, Victoria: Moet et Chandon; Domaine Chandon Australia. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-646-24425-9" title="Special:BookSources/978-0-646-24425-9"><bdi>978-0-646-24425-9</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/815607478">815607478</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Bronwyn+Oliver%3A+mnemonic+chords&rft.place=Epernay%2C+France%3B+Coldstream%2C+Victoria&rft.pub=Moet+et+Chandon%3B+Domaine+Chandon+Australia&rft.date=1995&rft_id=info%3Aoclcnum%2F815607478&rft.isbn=978-0-646-24425-9&rft.aulast=Fenner&rft.aufirst=Felicity&rft_id=http%3A%2F%2Ftrove.nla.gov.au%2Fwork%2F8531379%3Fq%26sort%3Dholdings%2Bdesc%26_%3D1359193697667%26versionId%3D45898643&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABronwyn+Oliver" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFenner2006" class="citation journal cs1">Fenner, Felicity (2006). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120320134936/http://www.artaustralia.com/contents.asp?issue_id=176">"Bronwyn Oliver 1959–2006"</a>. <i>Art & Australia</i>. <b>44</b> (2): 191. Archived from <a rel="nofollow" class="external text" href="http://www.artaustralia.com/contents.asp?issue_id=176">the original</a> on 20 March 2012.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Art+%26+Australia&rft.atitle=Bronwyn+Oliver+1959%E2%80%932006&rft.volume=44&rft.issue=2&rft.pages=191&rft.date=2006&rft.aulast=Fenner&rft.aufirst=Felicity&rft_id=http%3A%2F%2Fwww.artaustralia.com%2Fcontents.asp%3Fissue_id%3D176&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABronwyn+Oliver" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFink2002" class="citation book cs1 cs1-prop-long-vol">Fink, Hannah (2002). "Strange things: on Bronwyn Oliver". In Indyk, Ivor (ed.). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=5l9nPQAACAAJ"><i>Burnt ground</i></a>. Heat. Vol. 4 (new series). pp. <span class="nowrap">177–</span>187. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-9578311-4-8" title="Special:BookSources/978-0-9578311-4-8"><bdi>978-0-9578311-4-8</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/51159280">51159280</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Strange+things%3A+on+Bronwyn+Oliver&rft.btitle=Burnt+ground&rft.series=Heat&rft.pages=%3Cspan+class%3D%22nowrap%22%3E177-%3C%2Fspan%3E187&rft.date=2002&rft_id=info%3Aoclcnum%2F51159280&rft.isbn=978-0-9578311-4-8&rft.aulast=Fink&rft.aufirst=Hannah&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D5l9nPQAACAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABronwyn+Oliver" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFink2017" class="citation book cs1">Fink, Hannah (2017). <i>Bronwyn Oliver. Strange Things</i>. Dawes Point, New South Wales: Piper Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-9751901-5-9" title="Special:BookSources/978-0-9751901-5-9"><bdi>978-0-9751901-5-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Bronwyn+Oliver.+Strange+Things&rft.place=Dawes+Point%2C+New+South+Wales&rft.pub=Piper+Press&rft.date=2017&rft.isbn=978-0-9751901-5-9&rft.aulast=Fink&rft.aufirst=Hannah&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABronwyn+Oliver" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFink2006" class="citation journal cs1">Fink, Hannah (September 2006). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110313053756/http://artmonthly.org.au/article.asp?contentID=470">"Bronwyn Oliver 1959–2006"</a>. <i>Art Monthly Australia</i>. <b>193</b>: <span class="nowrap">18–</span>21. Archived from <a rel="nofollow" class="external text" href="http://www.artmonthly.org.au/article.asp?contentID=470">the original</a> on 13 March 2011.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Art+Monthly+Australia&rft.atitle=Bronwyn+Oliver+1959%E2%80%932006&rft.volume=193&rft.pages=%3Cspan+class%3D%22nowrap%22%3E18-%3C%2Fspan%3E21&rft.date=2006-09&rft.aulast=Fink&rft.aufirst=Hannah&rft_id=http%3A%2F%2Fwww.artmonthly.org.au%2Farticle.asp%3FcontentID%3D470&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABronwyn+Oliver" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHoward2006" class="citation journal cs1">Howard, Ian (2006). "Bronwyn Oliver 1959–2006 (Obituary)". <i>Artlink</i>. <b>26</b> (3): <span class="nowrap">19–</span>20.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Artlink&rft.atitle=Bronwyn+Oliver+1959%E2%80%932006+%28Obituary%29&rft.volume=26&rft.issue=3&rft.pages=%3Cspan+class%3D%22nowrap%22%3E19-%3C%2Fspan%3E20&rft.date=2006&rft.aulast=Howard&rft.aufirst=Ian&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABronwyn+Oliver" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPayes2007" class="citation book cs1">Payes, Sonia (2007). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=umP90ESvX7kC&pg=PA248"><i>Untitled: Portraits of Australian Artists</i></a>. South Yarra, Victoria: Macmillan Education. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-876832-28-5" title="Special:BookSources/978-1-876832-28-5"><bdi>978-1-876832-28-5</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/225852963">225852963</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Untitled%3A+Portraits+of+Australian+Artists&rft.place=South+Yarra%2C+Victoria&rft.pub=Macmillan+Education&rft.date=2007&rft_id=info%3Aoclcnum%2F225852963&rft.isbn=978-1-876832-28-5&rft.aulast=Payes&rft.aufirst=Sonia&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DumP90ESvX7kC%26pg%3DPA248&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABronwyn+Oliver" class="Z3988"></span></li></ul> </div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Bronwyn_Oliver&action=edit&section=11" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 0;text-align:center}@media(min-width:500px){.mw-parser-output .side-box-flex{display:flex;align-items:center}.mw-parser-output .side-box-text{flex:1;min-width:0}}@media(min-width:720px){.mw-parser-output .side-box{width:238px}.mw-parser-output .side-box-right{clear:right;float:right;margin-left:1em}.mw-parser-output .side-box-left{margin-right:1em}}</style><style data-mw-deduplicate="TemplateStyles:r1237033735">@media print{body.ns-0 .mw-parser-output .sistersitebox{display:none!important}}@media screen{html.skin-theme-clientpref-night .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-en-v2.svg"]{background-color:white}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-en-v2.svg"]{background-color:white}}</style><div class="side-box side-box-right plainlinks sistersitebox"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><span class="noviewer" typeof="mw:File"><a href="/wiki/File:Commons-logo.svg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png" decoding="async" width="30" height="40" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/45px-Commons-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/59px-Commons-logo.svg.png 2x" data-file-width="1024" data-file-height="1376" /></a></span></div> <div class="side-box-text plainlist">Wikimedia Commons has media related to <span style="font-weight: bold; font-style: italic;"><a href="https://commons.wikimedia.org/wiki/Category:Bronwyn_Oliver" class="extiw" title="commons:Category:Bronwyn Oliver">Bronwyn Oliver</a></span>.</div></div> </div> <ul><li><a rel="nofollow" class="external text" href="http://www.roslynoxley9.com.au/artists/30/Bronwyn_Oliver/">Oliver's work and exhibition history</a> at Roslyn Oxley9 gallery</li> <li><a rel="nofollow" class="external text" href="http://www.twma.com.au/exhibition/the-sculpture-of-bronwyn-oliver/">Oliver's work</a> at Tarrawarra Museum of Art</li> <li><a rel="nofollow" class="external text" href="http://www.artnet.com/artists/bronwyn-oliver/past-auction-results">Oliver's works</a> sold</li> <li><a rel="nofollow" class="external text" href="https://www.spectator.co.uk/2017/12/bronwyn-oliver-in-her-studio-1995/">Oliver</a> in her studio</li> <li><a rel="nofollow" class="external text" href="https://www.artgallery.nsw.gov.au/collection/works/239.1986/">Oliver's</a> work <i>Unicorn</i></li> <li><a rel="nofollow" class="external text" href="https://www.artgallery.nsw.gov.au/collection/works/512.1987/?tab=details">Oliver's</a> work <i>Egg Carrying Object</i></li></ul> <style data-mw-deduplicate="TemplateStyles:r1130092004">.mw-parser-output .portal-bar{font-size:88%;font-weight:bold;display:flex;justify-content:center;align-items:baseline}.mw-parser-output .portal-bar-bordered{padding:0 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