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<div class="vector-body-before-content"> <div class="mw-indicators"> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">Interdisciplinary field of media</div> <p><b>Media art history</b> is an interdisciplinary field of research that explores the current developments as well as the history and genealogy of <a href="/wiki/New_media_art" title="New media art">new media art</a>, <a href="/wiki/Digital_art" title="Digital art">digital art</a>, and <a href="/wiki/Electronic_art" title="Electronic art">electronic art</a>.<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> On the one hand, media art histories addresses the contemporary interplay of art, technology, and science.<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> On the other, it aims to reveal the historical relationships and aspects of the ‘afterlife’ (<a href="/wiki/Aby_Warburg" title="Aby Warburg">Aby Warburg</a>) in new media art by means of a historical comparative approach. This strand of research encompasses questions of the history of media and perception, of so-called archetypes,<sup id="cite_ref-autogenerated2003_7-0" class="reference"><a href="#cite_note-autogenerated2003-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> as well as those of <a href="/wiki/Iconography" title="Iconography">iconography</a> and the <a href="/wiki/History_of_ideas" class="mw-redirect" title="History of ideas">history of ideas</a>. Moreover, one of the main agendas of media art histories is to point out the role of digital technologies for contemporary, post-industrial societies and to counteract the marginalization of according art practices and art objects: ″Digital technology has fundamentally changed the way art is made. Over the last forty years, media art has become a significant part of our networked information society. Although there are well-attended international festivals, collaborative research projects, exhibitions and database documentation resources, media art research is still marginal in universities, museums and archives. It remains largely under-resourced in our core cultural institutions.″<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> </p><p>The term <a href="/wiki/New_media_art" title="New media art">new media art</a> itself is of great importance to the field.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> New media art is an umbrella term that encompasses art forms that are produced, modified and transmitted by means of digital technologies or, in a broader sense, make use of ‘new’ and emerging technologies that originate from a scientific, military or industrial context. The majority of authors that try to ‘delineate’ the aesthetic object of new media art emphasize aspects of <a href="/wiki/Interactivity" title="Interactivity">interactivity</a>, processuality, <a href="/wiki/Multimedia" title="Multimedia">multimedia</a>, and <a href="/wiki/Real_time_(media)" title="Real time (media)">real time</a>. The focus of new media art lies in the cultural, political, and social implications as well as the aesthetic possibilities – more or less its ‘media-specificity’ – of digital media. Consequently, scholars recognize the function of media technologies in New Media Art not only as a ‘carrier’ of meaning, but instead as a means that fundamentally shapes the very meaning of the artwork itself. </p><p>Furthermore, the field of new media art is increasingly influenced by new technologies that surmount a traditional understanding of (art) media. This becomes apparent in regards to technologies that originate from the field of biotechnology and life science and that are employed in artistic practices such as bio art, genetic art, and transgenic art. Consequently, the term new media art does not imply a steady ‘genre’ of art production. Instead, it is a field that emphasizes new technologies (in order to establish an explicit difference with traditional art media and genres). The list of genres that are commonly subsumed under the label of new media art illustrates its broad scope and includes, among others, virtual art.<sup id="cite_ref-autogenerated2003_7-1" class="reference"><a href="#cite_note-autogenerated2003-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> Software Art,<sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> Internet Art,<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> Game Art,<sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-21" class="reference"><a href="#cite_note-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> Glitch Art,<sup id="cite_ref-22" class="reference"><a href="#cite_note-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Telematic_art" title="Telematic art">Telematic Art</a>,<sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-26" class="reference"><a href="#cite_note-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-27" class="reference"><a href="#cite_note-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> Bio Art / Genetic Art,<sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-29" class="reference"><a href="#cite_note-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-30" class="reference"><a href="#cite_note-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-31" class="reference"><a href="#cite_note-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> Interactive Art,<sup id="cite_ref-32" class="reference"><a href="#cite_note-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> computer animation<sup id="cite_ref-33" class="reference"><a href="#cite_note-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-34" class="reference"><a href="#cite_note-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> and graphics, and Hacktivism and Tactical Media. These latter two ‘genres’ in particular have a strong focus on the interplay of art and (political) activism.<sup id="cite_ref-35" class="reference"><a href="#cite_note-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-36" class="reference"><a href="#cite_note-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Resources_and_research_projects">Resources and research projects</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Media_art_history&action=edit&section=1" title="Edit section: Resources and research projects"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In the last few years, there was a significant increase of festivals and conferences dedicated to new media art, though the dominant festivals in the field continue to be the <a href="/wiki/Ars_Electronica" title="Ars Electronica">Ars Electronica</a>, the <a href="/wiki/Transmediale" title="Transmediale">Transmediale</a>, the <a href="/wiki/Inter-Society_for_the_Electronic_Arts" class="mw-redirect" title="Inter-Society for the Electronic Arts">ISEA</a> (Inter-Society for the Electronic Arts), and <a href="/wiki/SIGGRAPH" title="SIGGRAPH">SIGGRAPH</a> (Special Interest Group on Graphics and Interactive Techniques). To this day, museums and research facilities specializing in New Media Art are the exception. Nevertheless, <a href="/wiki/ZKM" class="mw-redirect" title="ZKM">ZKM</a> (Zentrum für Kunst und Medientechnologie) or specific focuses in collections (including the <a href="/wiki/Whitney_Museum" title="Whitney Museum">Whitney Museum</a>, the <a href="/wiki/New_York_Museum_of_Modern_Art" class="mw-redirect" title="New York Museum of Modern Art">New York Museum of Modern Art</a>, or the <a href="/wiki/Walker_Art_Center" title="Walker Art Center">Walker Art Center</a>) serve as important spaces for exchange. Beyond museums that reach a wider audience, there are more and more smaller museums and galleries that focus on new media art (such as the Berlin-based DAM – Digital Art Museum). Additionally, archives in which are exhibited artifacts situated at the intersection of the histories of media, art, and technology are important resources, including collections such as that of Werner Nekes or those cabinets of wonder and curiosity incorporated in art history museums. </p><p>Even given this increase in festivals, however, a variety of significant research initiatives have been discontinued. These include the Ludwig Boltzmann Institute for Media.Art.Research, the Daniel Langlois Foundation for Art, Science and Technology,<sup id="cite_ref-37" class="reference"><a href="#cite_note-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> and Media Art Net. This difficulty in establishing sustainable funding structures as well as support for access to shared data for the scientific research of new media art was made public and addressed by the Liverpool Declaration. Scholars and artists based at institutions all over the globe signed the declaration in a call to develop systematic strategies to fulfill the task that digital culture and its research demands in the 21st century.<sup id="cite_ref-38" class="reference"><a href="#cite_note-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Focus_of_research">Focus of research</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Media_art_history&action=edit&section=2" title="Edit section: Focus of research"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Several scholars in the field of media art history claim that there is still a considerable lack of knowledge regarding the origins of visual and audio-visual media.<sup id="cite_ref-39" class="reference"><a href="#cite_note-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> Consequently, it is the objective of media art histories to expand the historically informed knowledge of current media cultures with its developments and detours – the field is driven by the idea of a ‘deep time of the media’ (S. Zielinski). </p><p>Hence, scholars stress that the technological advances in current media cultures are best understood on the backdrop of an extensive media and art history. Contributions to this field are widespread and include, among others, researchers who have disciplinary focuses such as the history of science (<a href="/wiki/Lorraine_Daston" title="Lorraine Daston">Lorraine Daston</a>, Timothy Lenoir), art history and image science (<a href="/wiki/Oliver_Grau" title="Oliver Grau">Oliver Grau</a>, <a href="/wiki/Barbara_Stafford" title="Barbara Stafford">Barbara Stafford</a>, Dieter Daniels, Slavko Kacunko, <a href="/wiki/Edward_A._Shanken" title="Edward A. Shanken">Edward A. Shanken</a>, Gunalan Nadarajan, <a href="/wiki/Linda_Dalrymple_Henderson" title="Linda Dalrymple Henderson">Linda Dalrymple Henderson</a>, Andreas Broeckmann, <a href="/wiki/Jonathan_Crary" title="Jonathan Crary">Jonathan Crary</a>, <a href="/wiki/Horst_Bredekamp" title="Horst Bredekamp">Horst Bredekamp</a>, <a href="/wiki/Peter_Weibel" title="Peter Weibel">Peter Weibel</a>, <a href="/wiki/Hans_Belting" title="Hans Belting">Hans Belting</a>), <a href="/wiki/Media_studies" title="Media studies">media studies</a> and <a href="/wiki/Media_archaeology" title="Media archaeology">media archaeology</a> (<a href="/wiki/Friedrich_Kittler" title="Friedrich Kittler">Friedrich Kittler</a>, <a href="/wiki/Erkki_Huhtamo" title="Erkki Huhtamo">Erkki Huhtamo</a>, <a href="/wiki/Jussi_Parikka" title="Jussi Parikka">Jussi Parikka</a>, <a href="/wiki/Wolfgang_Ernst_(media_theorist)" title="Wolfgang Ernst (media theorist)">Wolfgang Ernst</a>, <a href="/wiki/Siegfried_Zielinski" title="Siegfried Zielinski">Siegfried Zielinski</a>, Stephan Oettermann, <a href="/wiki/Lev_Manovich" title="Lev Manovich">Lev Manovich</a>), <a href="/wiki/Sound_studies" title="Sound studies">sound studies</a> (<a href="/wiki/Douglas_Kahn" title="Douglas Kahn">Douglas Kahn</a>), <a href="/wiki/Film_studies" title="Film studies">film studies</a> (Sean Cubitt, Ryszard Kluszczyński), as well as <a href="/wiki/Computer_science" title="Computer science">computer science</a> (<a href="/wiki/Frieder_Nake" title="Frieder Nake">Frieder Nake</a>). </p> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Media_art_history&action=edit&section=3" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width" style="column-width: 30em;"> <ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text">Cubitt, Sean and Paul Thomas. eds. 2013. Relive: Media Art Histories. Cambridge/Mass.: MIT-Press.</span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text">Grau, Oliver. ed. 2007. MediaArtHistories. Cambridge: MIT-Press.</span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text">Frieling, Rudolf and Dieter Daniels. eds. 2004. Media Art Net 1: Survey of Media Art. New York/Vienna: Springer.</span> </li> <li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text">Wilson, Stephen. 2002. Information Arts. Intersections of Art, Science, and Technology Cambridge: MIT Press.</span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text">Wilson, Stephen. 2010. Art + Science Now. London: Thames & Hudson.</span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text">Henderson, Linda. 1983. The Fourth Dimension and Non - Euclidean Geometry in Modern Art . Princeton: Princeton University Press.</span> </li> <li id="cite_note-autogenerated2003-7"><span class="mw-cite-backlink">^ <a href="#cite_ref-autogenerated2003_7-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-autogenerated2003_7-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Grau, Oliver. 2003. Virtual Art: From Illusion to Immersion. Cambridge: MIT Press.</span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.mediaarthistory.org/declaration">"Media Art History » Declaration"</a><span class="reference-accessdate">. Retrieved <span class="nowrap">7 December</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Media+Art+History+%C2%BB+Declaration&rft_id=http%3A%2F%2Fwww.mediaarthistory.org%2Fdeclaration&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMedia+art+history" class="Z3988"></span></span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text">Rush, Michael. 2005. New Media in Art. London: Thames & Hudson</span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text">Tribe, Mark, Reena Jana and Uta Grosenick. 2006. New Media Art. Köln: Taschen.</span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text">Shanken, Edward A. 2009. Art and Electronic Media. London: Phaidon Press.</span> </li> <li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text">Paul, Christiane. 2003. Digital Art. New York: Thames and Hudson.</span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text">Popper, Frank. 2007. From Technological to Virtual Art. Cambridge: MIT Press.</span> </li> <li id="cite_note-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-14">^</a></b></span> <span class="reference-text">Broeckmann, Andreas. “Software Art Aesthetics.” In Mono 1, edited by FBAUP Porto (July 2007), 158-167.</span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text">Gere, Charlie. ed. 2006. White Heat, Cold Logic: Early British Computer Art. Cambridge: MIT Press/Leonardo Books.</span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text">Higgins, Hannah and Douglas Kahn. eds. 2012. Mainframe Experimentalism: Early Computing and the Foundations of the Digital Arts. Berkeley: University of California Press.</span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text">Taylor, Grant D. 2014. When the Machine Made Art: The Troubled History of Computer Art. New York: Bloomsbury.</span> </li> <li id="cite_note-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-18">^</a></b></span> <span class="reference-text">Greene, Rachel. 2004. Internet Art. London: Thames & Hudson.</span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text">Stallabrass, Julian. 2003. Internet Art: The Online Clash of Culture and Commerce. London: Tate.</span> </li> <li id="cite_note-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-20">^</a></b></span> <span class="reference-text">Schwingeler, Stephan. 2014. Kunstwerk Computerspiel – digitale Spiele als künstlerisches Material: eine bildwissenschaftliche und medientheoretische Analyse. Bielefeld: transcript.</span> </li> <li id="cite_note-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-21">^</a></b></span> <span class="reference-text">Sharp, John. 2015. Works of Game. On the Aesthetics of Games and Art. Cambridge: MIT Press.</span> </li> <li id="cite_note-22"><span class="mw-cite-backlink"><b><a href="#cite_ref-22">^</a></b></span> <span class="reference-text">Cates, Jon. “Re: Copying-IT-RIGHT-AGAIN.” In Relive: Media Art Histories, edited by Sean Cubitt and Paul Thomas, 337–345. Cambridge: MIT Press, 2013.</span> </li> <li id="cite_note-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-23">^</a></b></span> <span class="reference-text">Menkman, Rosa. 2011. The Glitch Moment(um). Amsterdam: Institute of Network Cultures.</span> </li> <li id="cite_note-24"><span class="mw-cite-backlink"><b><a href="#cite_ref-24">^</a></b></span> <span class="reference-text">Ascott, Roy. 2003. Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness (edited by Edward A. Shanken). Berkeley: University of California Press.</span> </li> <li id="cite_note-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-25">^</a></b></span> <span class="reference-text">Grau, Oliver. “Telepräsenz. Zu Genealogie und Epistemologie von Interaktion und Simulation.” In Formen interaktiver Medienkunst. Geschichte, Tendenzen, Utopien, edited by Peter Gendolla, 19-38. Frankfurt am Main : Suhrkamp, 2001.</span> </li> <li id="cite_note-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-26">^</a></b></span> <span class="reference-text">Kac, Eduardo. 2005. Telepresence and Bio Art. Ann Arbor: University of Michigan Press Press.</span> </li> <li id="cite_note-27"><span class="mw-cite-backlink"><b><a href="#cite_ref-27">^</a></b></span> <span class="reference-text">Goldberg, Ken. Ed. 2000. The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet. Cambridge: MIT Press.</span> </li> <li id="cite_note-28"><span class="mw-cite-backlink"><b><a href="#cite_ref-28">^</a></b></span> <span class="reference-text">Anker, Suzanne and Dorothy Nelkin. 2004. The Molecular Gaze: Art in the Genetic Age. Cold Spring Harbor, N.Y.: Cold Spring Harbor Laboratory Press.</span> </li> <li id="cite_note-29"><span class="mw-cite-backlink"><b><a href="#cite_ref-29">^</a></b></span> <span class="reference-text">Gessert, George. 2010. Green Light: Toward an Art of Evolution. Cambridge: MIT Press.</span> </li> <li id="cite_note-30"><span class="mw-cite-backlink"><b><a href="#cite_ref-30">^</a></b></span> <span class="reference-text">Hauser, Jens. “Bioart – Taxonomy of an Etymological Monster.” In Hybrid: Living in a Paradox. (Ars Electronica 2005), edited by Gerfried Stocker and Christiane Schöpf, 181-192. Ostfildern-Ruit: Hatje Cantz, 2005.</span> </li> <li id="cite_note-31"><span class="mw-cite-backlink"><b><a href="#cite_ref-31">^</a></b></span> <span class="reference-text">Kac, Eduardo. ed. 2007. Signs of Life: Bio Art and Beyond. Cambridge: MIT Press.</span> </li> <li id="cite_note-32"><span class="mw-cite-backlink"><b><a href="#cite_ref-32">^</a></b></span> <span class="reference-text">Kwastek, Katja. 2013. Aesthetics of Interaction in Digital Art. Cambridge: MIT Press.</span> </li> <li id="cite_note-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-33">^</a></b></span> <span class="reference-text">Klütsch, Christoph. 2007. Computer Grafik: Ästhetische Experimente zwischen zwei Kulturen. Die Anfänge der Computerkunst in den 1960er Jahren. Vienna: Springer.</span> </li> <li id="cite_note-34"><span class="mw-cite-backlink"><b><a href="#cite_ref-34">^</a></b></span> <span class="reference-text">Stocker, Gerfried and Christiane Schöpf. 2003. Code: The Language of Our Time: code=law Code=Art Code=Life (Ars Electronica Catalogue). Ostfildern-Ruit: hatje Cantz.</span> </li> <li id="cite_note-35"><span class="mw-cite-backlink"><b><a href="#cite_ref-35">^</a></b></span> <span class="reference-text">Raley, Rita. 2009. Tactical Media. Minneapolis: University of Minneapolis Press.</span> </li> <li id="cite_note-36"><span class="mw-cite-backlink"><b><a href="#cite_ref-36">^</a></b></span> <span class="reference-text">Bazzichelli, Tatiana. 2013. Networked Disruption. Rethinking Oppositions in Art, Hacktivism and the Business of Social Networking. Aarhus: Digital Aesthetics Research Center.</span> </li> <li id="cite_note-37"><span class="mw-cite-backlink"><b><a href="#cite_ref-37">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.fondation-langlois.org/html/e/">"The Daniel Langlois Foundation - Home"</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Daniel+Langlois+Foundation+-+Home&rft_id=http%3A%2F%2Fwww.fondation-langlois.org%2Fhtml%2Fe%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMedia+art+history" class="Z3988"></span></span> </li> <li id="cite_note-38"><span class="mw-cite-backlink"><b><a href="#cite_ref-38">^</a></b></span> <span class="reference-text">Signatories are, among others, Sean CUBITT, Goldsmith; Oliver Grau, Danube U; Ross HARLEY, UNSW Sydney; Christiane PAUL, New School, New York; Diana DOMINGUES, Universidade de Brasília; Horst BREDEKAMP, Humboldt-University Berlin; Barbara Maria STAFFORD, Georgia Tech; Frieder NAKE, University of Bremen; Peter WEIBEL, ZKM; Roy ASCOTT, University of Plymouth, Sir Nicholas SEROTA, Tate; Martin WARNKE, Leuphana University, Mike STUBBS, FACT Liverpool; Benjamin WEIL, LABORAL; Andreas BROECKMANN, Leuphana Arts Program; Jeffrey SHAW, City University Hong Kong; Eduardo KAC, Chicago Arts Institute; Christa SOMMERER, University of Art Linz; Alex ADRIAANSENS, Institute for the Unstable Media, Lanfranco ACETI, Sabanci U; Howard BESSER, NYU's Tisch School of the Arts, Ianina PRUDENKO, National Univ. Kiew; Anna Maria GUASCH, <a href="/wiki/Universidad_de_Barcelona" class="mw-redirect" title="Universidad de Barcelona">Universidad de Barcelona</a>; Anne-Marie DUGUET, Sorbonne; Sara DIAMOND, OCAD Toronto; Vera FRENKEL, FRSC, York University, Gilbertto PRADO, São Paulo University; Itsuo SAKANE, IAMAS, Gifu; Lev MANOVICH, UC San Diego; ZHANG Ga, Tsinghua University; Ryszard W. KLUSZCZYNSKI, University of Lodz; Wolfgang MUENCH, LASALLE College of the Arts Singapore; Raivo KELOMEES, Estonian Academy of Arts; Jin-Woo LEE, Pohang University of Science and Technology; Bent FAUSING, University of Copenhagen; Mitsuhiro TAKEMURA, Sapporo City University; Nelson VERGARA, National University of Colombia; Monika FLEISCHMANN, Fraunhofer Research; Uršula BERLOT, University of Ljubljana; Margarita PAKSA, University of Buenos Aires; Julian STALLABRASS, Courtauld Institute of Art; Peter MATUSSEK, University of Siegen Jon IPPOLITO, The University of Maine; Darren TOFTS, Swinburne University; Andreas LANGE, Computerspielemuseum; <a href="/wiki/Pier_Luigi_Capucci" title="Pier Luigi Capucci">Pier Luigi CAPUCCI</a>, NABA, Milan.</span> </li> <li id="cite_note-39"><span class="mw-cite-backlink"><b><a href="#cite_ref-39">^</a></b></span> <span class="reference-text">cf. Grau, Oliver. Introduction. In MediaArtHistories, edited by Oliver Grau, 1-14. Cambridge: MIT Press, 2005.</span> </li> </ol></div> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist li::after{content:" · ";font-weight:bold}.mw-parser-output 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rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1239400231">.mw-parser-output .navbar{display:inline;font-size:88%;font-weight:normal}.mw-parser-output .navbar-collapse{float:left;text-align:left}.mw-parser-output .navbar-boxtext{word-spacing:0}.mw-parser-output .navbar ul{display:inline-block;white-space:nowrap;line-height:inherit}.mw-parser-output .navbar-brackets::before{margin-right:-0.125em;content:"[ "}.mw-parser-output .navbar-brackets::after{margin-left:-0.125em;content:" ]"}.mw-parser-output .navbar li{word-spacing:-0.125em}.mw-parser-output .navbar a>span,.mw-parser-output .navbar a>abbr{text-decoration:inherit}.mw-parser-output .navbar-mini abbr{font-variant:small-caps;border-bottom:none;text-decoration:none;cursor:inherit}.mw-parser-output .navbar-ct-full{font-size:114%;margin:0 7em}.mw-parser-output .navbar-ct-mini{font-size:114%;margin:0 4em}html.skin-theme-clientpref-night .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}@media(prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}}@media print{.mw-parser-output .navbar{display:none!important}}</style><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Art_world" title="Template:Art world"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Art_world" title="Template talk:Art world"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Art_world" title="Special:EditPage/Template:Art world"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Visual_arts_and_the_art_world208" style="font-size:114%;margin:0 4em"><a href="/wiki/Visual_arts" title="Visual arts">Visual arts</a> and the <a href="/wiki/Art_world" title="Art world">art world</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Artwork</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Appropriation_(art)" title="Appropriation (art)">Appropriation</a></li> <li><a href="/wiki/Collage" title="Collage">Collage</a></li> <li><a href="/wiki/Conceptual_art" title="Conceptual art">Conceptual art</a></li> <li><a href="/wiki/Cultural_artifact" title="Cultural artifact">Cultural artifact</a></li> <li><a href="/wiki/Drawing" title="Drawing">Drawing</a></li> <li><a href="/wiki/Fine_art" title="Fine art">Fine art</a></li> <li><a href="/wiki/Fine-art_photography" title="Fine-art photography">Fine-art photograph</a></li> <li><a href="/wiki/Found_object" title="Found object">Found object</a></li> <li><a href="/wiki/Installation_art" title="Installation art">Installation art</a></li> <li><a href="/wiki/Kinetic_art" title="Kinetic art">Kinetic art</a></li> <li><a href="/wiki/Mixed_media" title="Mixed media">Mixed media</a> <ul><li><a href="/wiki/Bricolage" title="Bricolage">bricolage</a></li></ul></li> <li><a href="/wiki/Mural" title="Mural">Mural</a> <ul><li><a href="/wiki/Fresco" title="Fresco">fresco</a></li> <li><a href="/wiki/Graffiti" title="Graffiti">graffiti</a></li></ul></li> <li><a href="/wiki/New_media_art" title="New media art">New media art</a> <ul><li><a class="mw-selflink selflink">history</a></li> <li><a href="/wiki/Digital_art" title="Digital art">digital</a></li> <li><a href="/wiki/Virtual_art" title="Virtual art">virtual</a></li></ul></li> <li><a href="/wiki/Painting" title="Painting">Painting</a></li> <li><a href="/wiki/Performance_art" title="Performance art">Performance art</a></li> <li><a href="/wiki/Plastic_arts" title="Plastic arts">Plastic arts</a></li> <li><a href="/wiki/Portrait" title="Portrait">Portrait</a></li> <li><a href="/wiki/Printmaking" title="Printmaking">Printmaking</a></li> <li><a href="/wiki/Public_art" title="Public art">Public art</a> <ul><li><a href="/wiki/Street_art" title="Street art">street art</a></li></ul></li> <li><a href="/wiki/Sculpture" title="Sculpture">Sculpture</a> <ul><li><a href="/wiki/Carving" title="Carving">carving</a></li> <li><a href="/wiki/Relief" title="Relief">relief</a></li> <li><a href="/wiki/Statue" title="Statue">statue</a></li> <li><a href="/wiki/List_of_tallest_statues" title="List of tallest statues">tallest</a></li></ul></li> <li><a href="/wiki/Site-specific_art" title="Site-specific art">Site-specific art</a></li> <li><a href="/wiki/Social_sculpture" title="Social sculpture">Social sculpture</a></li> <li><a href="/wiki/Soft_sculpture" title="Soft sculpture">Soft sculpture</a></li> <li><a href="/wiki/Stained_glass" title="Stained glass">Stained glass</a></li> <li><a href="/wiki/Artwork_title" title="Artwork title">Artwork title</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Roles</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Artist" title="Artist">Artist</a></li> <li><a href="/wiki/Private_collection" title="Private collection">Collector</a></li> <li><a href="/wiki/Conservator-restorer" title="Conservator-restorer">Conservator-restorer</a> <ul><li><a href="/wiki/Paintings_conservator" title="Paintings conservator">paintings</a></li> <li><a href="/wiki/Conservation_and_restoration_of_frescos" title="Conservation and restoration of frescos">frescos</a></li></ul></li> <li><a href="/wiki/Art_critic" title="Art critic">Critic</a></li> <li><a href="/wiki/Curator" title="Curator">Curator</a></li> <li><a href="/wiki/Art_dealer" title="Art dealer">Dealer</a></li> <li><a href="/wiki/Model_(art)" title="Model (art)">Model</a></li> <li><a href="/wiki/Patronage" title="Patronage">Patron</a></li> <li><a href="/wiki/Visual_arts_education" title="Visual arts education">Visual arts education</a> <ul><li><a href="/wiki/List_of_art_universities_and_colleges_in_Europe" title="List of art universities and colleges in Europe">Europe</a></li></ul></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Places<br />and events</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Art_auction" title="Art auction">Art auction</a></li> <li><a href="/wiki/Art_colony" title="Art colony">Art colony</a></li> <li><a href="/wiki/Art_commune" class="mw-redirect" title="Art commune">Art commune</a></li> <li><a href="/wiki/Art_exhibition" title="Art exhibition">Art exhibition</a> <ul><li><a href="/wiki/Alternative_exhibition_space" title="Alternative exhibition space">alternative exhibition space</a></li></ul></li> <li><a href="/wiki/Art_gallery" title="Art gallery">Art gallery</a> <ul><li><a href="/wiki/Contemporary_art_gallery" title="Contemporary art gallery">Contemporary art gallery</a></li></ul></li> <li><a href="/wiki/Art_museum" title="Art museum">Art museum</a> <ul><li><a href="/wiki/Single-artist_museum" title="Single-artist museum">Single-artist museum</a></li></ul></li> <li><a href="/wiki/Art_school" title="Art school">Art school</a> <ul><li><a href="/wiki/List_of_art_schools_in_Europe" title="List of art schools in Europe">Europe</a></li></ul></li> <li><a href="/wiki/Arts_centre" title="Arts centre">Arts centre</a></li> <li><a href="/wiki/Arts_festival" title="Arts festival">Arts festival</a></li> <li><a href="/wiki/Artist_collective" title="Artist collective">Artist collective</a></li> <li><a href="/wiki/Artist_cooperative" title="Artist cooperative">Artist cooperative</a></li> <li><a href="/wiki/Artist-in-residence" title="Artist-in-residence">Artist-in-residence program</a></li> <li><a href="/wiki/Artist-run_initiative" class="mw-redirect" title="Artist-run initiative">Artist-run initiative</a></li> <li><a href="/wiki/Artist-run_space" title="Artist-run space">Artist-run space</a></li> <li><a href="/wiki/Biennale" title="Biennale">Biennale</a></li> <li><a href="/wiki/Commission_(art)" title="Commission (art)">Commission</a></li> <li><a href="/wiki/Sculpture_garden" title="Sculpture garden">Sculpture garden</a></li> <li><a href="/wiki/Sculpture_trail" title="Sculpture trail">Sculpture trail</a></li> <li><a href="/wiki/Virtual_museum" title="Virtual museum">Virtual museum</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/History_of_art" title="History of art">History of art</a></th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Timeline_of_art" title="Timeline of art">Timeline of art</a></li> <li><a href="/wiki/Art_history" title="Art history">Art history (academic study)</a></li> <li><a href="/wiki/Art_manifesto" title="Art manifesto">Art manifesto</a></li> <li><a href="/wiki/Art_movement" title="Art movement">Art movements</a></li> <li><a href="/wiki/Art_criticism" title="Art criticism">Criticism</a> <ul><li><a href="/wiki/Feminist_art_criticism" title="Feminist art criticism">feminist</a></li></ul></li> <li><a href="/wiki/History_of_painting" title="History of painting">History of painting</a> <ul><li><a href="/wiki/Outline_of_painting_history" title="Outline of painting history">outline</a></li></ul></li> <li><a href="/wiki/Periods_in_Western_art_history" title="Periods in Western art history">Periods in Western art history</a></li> <li><a href="/wiki/Timeline_of_20th_century_printmaking_in_America" title="Timeline of 20th century printmaking in America">Timeline of 20th century printmaking in America</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Art_market" title="Art market">Art market</a></li> <li><a href="/wiki/The_arts" title="The arts">The arts</a></li> <li><i><a href="/wiki/Catalogue_raisonn%C3%A9" title="Catalogue raisonné">Catalogue raisonné</a></i></li> <li><a href="/wiki/Classificatory_disputes_about_art" title="Classificatory disputes about art">Classificatory disputes</a></li> <li><a href="/wiki/Collection_Management_Policy" class="mw-redirect" title="Collection Management Policy">Museum collection management</a> <ul><li><a href="/wiki/Deaccessioning_(museum)" class="mw-redirect" title="Deaccessioning (museum)">deaccessioning</a></li></ul></li> <li><a href="/wiki/Conservation_and_restoration_of_cultural_heritage" class="mw-redirect" title="Conservation and restoration of cultural heritage">Conservation-restoration</a> <ul><li><a href="/wiki/Conservation_and_restoration_of_paintings" title="Conservation and restoration of paintings">paintings</a></li></ul></li> <li><a href="/wiki/Cultural_policy" title="Cultural policy">Cultural policy</a></li> <li><a href="/wiki/Depiction" title="Depiction">Depiction</a></li> <li><a href="/wiki/Destination_painting" title="Destination painting">Destination painting</a></li> <li><a href="/wiki/Eclecticism_in_art" title="Eclecticism in art">Eclecticism in art</a></li> <li><a href="/wiki/Economics_of_the_arts_and_literature" title="Economics of the arts and literature">Economics of art</a> <ul><li><a href="/wiki/Art_finance" title="Art finance">art finance</a></li> <li><a href="/wiki/Art_valuation" title="Art valuation">art valuation</a></li></ul></li> <li><a href="/wiki/Elements_of_art" title="Elements of art">Elements of art</a></li> <li><a href="/wiki/Index_of_painting-related_articles" title="Index of painting-related articles">Index of painting-related articles</a></li> <li><a href="/wiki/Outline_of_the_visual_arts" title="Outline of the visual arts">Outline of the visual arts</a> <ul><li><a href="/wiki/Outline_of_painting" title="Outline of painting">painting</a></li> <li><a href="/wiki/Outline_of_sculpture" title="Outline of sculpture">sculpture</a></li></ul></li> <li><a href="/wiki/Provenance" title="Provenance">Provenance</a></li> <li><a href="/wiki/Sociology_of_art" title="Sociology of art">Sociology of art</a></li> <li><a href="/wiki/Style_(visual_arts)" title="Style (visual arts)">Style</a></li> <li><a href="/wiki/Unfinished_creative_work" title="Unfinished creative work">Unfinished work</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Lists</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/List_of_art_magazines" title="List of art magazines">Art magazines</a></li> <li><a href="/wiki/List_of_art_media" title="List of art media">Art media</a></li> <li><a href="/wiki/List_of_art_techniques" title="List of art techniques">Art techniques</a></li> <li><a href="/wiki/List_of_art_movements" title="List of art movements">Art movements</a></li> <li><a href="/wiki/List_of_art_museums" title="List of art museums">Art museums</a> <ul><li><a href="/wiki/List_of_largest_art_museums" title="List of largest art museums">largest</a></li> <li><a href="/wiki/List_of_most-visited_art_museums" title="List of most-visited art museums">most visited</a></li> <li><a href="/wiki/List_of_sculpture_parks" title="List of sculpture parks">sculpture parks</a></li> <li><a href="/wiki/List_of_single-artist_museums" title="List of single-artist museums">single artist</a></li></ul></li> <li><a href="/wiki/List_of_art_reference_books" title="List of art reference books">Art reference books</a></li> <li><a href="/wiki/List_of_colossal_sculptures_in_situ" title="List of colossal sculptures in situ">Colossal sculptures in situ</a></li> <li><a href="/wiki/List_of_contemporary_artists" title="List of contemporary artists">Contemporary artists</a></li> <li><a href="/wiki/List_of_contemporary_art_galleries" title="List of contemporary art galleries">Contemporary art galleries</a></li> <li><a href="/wiki/List_of_modern_artists" title="List of modern artists">Modern artists</a></li> <li><a href="/wiki/List_of_national_galleries" title="List of national galleries">National galleries</a></li> <li><a href="/wiki/Lists_of_painters" title="Lists of painters">Painters</a> <ul><li><a href="/wiki/List_of_painters_by_name" title="List of painters by name">by name</a></li> <li><a href="/wiki/Lists_of_painters_by_nationality" title="Lists of painters by nationality">by nationality</a></li></ul></li> <li><a href="/wiki/List_of_photographers" title="List of photographers">Photographers</a></li> <li><a href="/wiki/List_of_sculptors" title="List of sculptors">Sculptors</a> <ul><li><a href="/wiki/List_of_female_sculptors" title="List of female sculptors">female</a></li></ul></li> <li><a href="/wiki/List_of_stolen_paintings" title="List of stolen paintings">Stolen paintings</a></li> <li><a href="/wiki/List_of_most_expensive_paintings" title="List of most expensive paintings">Most expensive paintings</a>, <a href="/wiki/List_of_most_expensive_sculptures" title="List of most expensive sculptures">sculptures</a>, <a href="/wiki/List_of_most_expensive_artworks_by_living_artists" title="List of most expensive artworks by living artists">works by living artists</a></li></ul> </div></td></tr><tr><td class="navbox-abovebelow" colspan="2"><div> <ul><li><a href="/wiki/Portal:Painting" title="Portal:Painting">Painting portal</a></li> <li><a href="/wiki/Portal:Visual_arts" title="Portal:Visual arts">Visual arts portal</a></li> <li><a href="/wiki/Portal:Arts" class="mw-redirect" title="Portal:Arts">Arts portal</a></li></ul> </div></td></tr></tbody></table></div>    </div><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?useformat=desktop&type=1x1&usesul3=0" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div 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